INSIDE: ;Women's basketball GREYPavarotti prepares for "TOTALLY RIGHTEOUS”performs season CITY NOW |page 3 see page 7 SEX KITTEN GOES BACKTheVolume 98, No.^1HousingsolutionsproposedBy Larry PeskinStaff WriterThis year a record numberof students live in studenthousing, and that record willmost likely be broken nextyear. The question of where tohouse all these students isbecoming increasingly urgent,yet no clear consensus existsamong administrators as towhat the answer to thisquestion will be.By converting graduatespace in the Broadview thisyear, the housing system wasable to absorb all freshmen inthe College and all but ahandful of returning Collegestudents. However, theUniversity had to rent space inthe Regents Park and MadisonPark apartments to make roomfor graduate students whonormally would have lived inthe Broadview (Maroon, 10/3.)Even if next year'sfreshman class is no larger thanthis year's, more students willrequest student housing becausea large proportion of this year'soversized freshman class isexpected to remain in housingnext year.Five possible solutions tothe housing problem are beingconsidering by University Chicago MaroonThe University of Chicago © Copyright 1986 Friday, November 14 . 1986SG officers clearedofficials. The administration'sfinal solution could include anyone or several of these fivepropositions:The most expensive, andtherefore one of the leastpopular possibilities, would beto build a new dormitory.Connie Holomon, director ofStudent Housing, noted that"ideally it would be wonderfulto have a new residence hall,"but most administrators agreethat the cost is prohibitive andthat a new dorm would not beready by next year.A less expensivealternative to building a dormfrom scratch is to convert analready existing structure into adorm as the University has donewith the Shorcland, Broadview,Breckinridge, and Max MasonHalls. Edward Turkington,associate dean of students in theUniversity, notes that this is"the course I would stronglyurge the University to follow ifit can." The University couldconvert Matthews House inBurton-Judson and the seventhfloor of Broadview Hall fromgraduate to undergraduatehousing. It seems likely that atleast one and possibly both ofthese spaces will be convertednext year to make room forundergraduates. Dean ofCollege Admissions and AidDan Hall argued that onceBroadview becomes entirelyundergraduate, College housingwill be "tight" but notunbearable. Holomon estimatedthat if both Matthews andBroadview housed onlyundergraduates, 67 to 73 morestudents could be accomodated.By many estimates this wouldbe enough, but while it wouldsolve the College’s housingproblems, this solution wouldgready exacerbate the shortageof graduate housing.- The College could restrictcontinued on page 2. By Larry PeskinStaff WriterA potential scandal ofmajor proportions was nippedin the bud at last Thursday'sStudent Government (SG)meeting when charges that twoSG Executive Committeemembers stuffed ballot boxes inOctober's election werediscredited. However, AlisonInafuku was relieved of herresponsibilities as Election andRules (E&R) Committee Chairwhen it was found that, bylying to an assembly member,she had brought the results ofthat election into question.SG’s actions came as aresult of charges made byBurton-Judson representativeMary Lynn Birck. According toBirck, Inafuku tried to silenceher arguments against allocatingcertain funds to SG's Halloweenparty by implying that Inafukuand SG Treasurer Bill McDadehad helped Birck to gain her seatby stuffing a ballot box. Birckwent on to say that Inafuku hadlater taken back this statementand sworn to SG President AmyMoss that no tampering hadoccured. Stating, "I seek onlyto be fairly seated as anassembly member," Birckannounced her intention to resign at the end of this quarterand run again in new electionswinter quarter. She alsorequested that Inafuku andMcDade not be allowed toparticipate in any further SGelections.Once Birck made heraccusations Thursday night, theassembly entered a specialexecutive session from whichall non-voting members, thepublic, and the press wereexcluded. Furthermore, allparticipants in the session wereinformed by Moss that theywere not permitted to tellanyone of the details of theproceedings. According toMoss such confidentiality ismandated by Robert's Rulesof Order, which states thatexecutive sessions must bedeclared whenever thepossibility exists thatdisciplinary action may be takenagainst an assembly member.As a result of this secrecy,details of the session aresketchy. However, an SG pressrelease states that "there was noevidence of the altering ofAutumn Quarter election resultsin regard to ballot stuffing.Thus, we believe that there wasno wrongdoing on the pan ofBill McDade and AlisonInafuku."continued on page fourHanna Gray rated one of most effective college presidentsPresident Hanna Gray isone of the five most effectivecollege presidents-a selectgroup of chief executives whotake risks, believe less in closecollegial relationships, and relyon respect rather thanpopularity, a new study reports.The study names the 100college presidents that receivedthe most nominations from 485college presidents, higher-education officials, and scholarswho study the collegepresidency who were asked toidentify the most effectivecollege presidents and tell whatcharacteristics distinguish themfrom a typical presidentThe five college presidentswho received the mostnominations are the Rev.Theodore M. Hesburgh of theUniversity of Notre Dame;Derek Bok of HarvardUniversity; the Rev. TimothyS. Healy of GeorgetownUniversity; William C. Fridayof the University of NorthCarolina; and Gray.According to Martha Tack,co-director of the study andprofessor of educationaladministration and supervisionat Bowling Green StateUniversity, effective collegepresidents arc "caught up in avision for their institution. They know what they wanttheir institutions to become."They work longer hours, andHanna Grayeven when not at w-ork, the jobbecomes so "engrained in theindividual" that they "constantly" think about it,Tack said."The effective collegepresident takes risks, but thatdoesn't mean putting theinstitution in jeopardy," Tacksaid. "They follow intuitivejudgement and may invest aproject that in the end mightnot succeed, but they arewilling to take the risk becausethey believe it will move theinstitution toward their goal."Tack said that effectivecollege presidents maintain "adelicate balance betweenhumaneness and decisiveness."They "show a tremendousconcern" to make sure that"individuals aren't hurt by theiractions, but they couple thatconcern with making sure thatthe institution moves forward.They're not heartless," she said."It's very pleasant to beconsidered one of the mosteffective college presidents,"Gray said, "but I don't thinkthere's any scientific way" ofactually determining who themost effective college presidentsarc."Though the study is”notscientific," Tack said it is usefulas a pioneering study of theperceptions of leadership."Tack added that she and study co¬director James L. Fisher, president emeritus of theCouncil for Advancement andSupport of Education,"attempted to stay objective" bysurveying presidents ofinstitutions of all sizes from allover the country.Tack said that the study isthe largest of its kind and is thefirst in 12 years to "look at thepeople first and then theinstitutions." Other studies, she said, have concentrated firston identifying whichinstitutions were the mosteffective, and then looking atwho ran them.”The study, entitled theEffective College President, wasfunded by a grant from theExxon Educational Foundationand will be included in a bookto be published next year.Reagan denies tradingIran arms for hostagesPresident Reagan deniedin a press conference lastnight that the United Statestraded arms to Iran forthepupose of gaining therelease of American hostagesin the Middle East. Heclaimed that the arms thatwere sent to Iran were meantas a goodwill measure and nota> a bargaining chip forAmericans held captive.Reagan said that America was not taking sides int the five-year-old Iran-Iraq war. Henoted that peace between Iranand Iraq was necessary forstability in the region.Further, he denied that theUS used Danish, Itailian, orSpanish ships to carry armsto Iran; he stated that thearms were spare parts ordefensive weapons and thetotal amount would not fill acargo plane.Housingcontinued_frompageonethe size of next year's freshman class, butthis would be a temporary solution atbest- The University could alter its long¬standing policy of guaranteeing housingto all returning students who request it.This alternative would be tremendouslyunpopular with students, but it couldquickly and cheaply solve the housingproblem. Turkington stated that "one ofthe most important things we've done isto provide spaces for returning studentsin University housing. I hope we cancontinue to do that." Holomon voicedsimilar concerns when she noted, "Wevalue the presence of upperclassmen inresidence halls, and we don't want to takethat alternative away from them."The size of next year's freshmanclass directly affects the number of newspaces the housing system will need.According to Hall, enrollment has notStudios, 1,2 & 3 BedroomApartments AvailableSome Nice Lake ViewsGood LocationHeat IncludedParking AvailableCALL *HERBERT REALTY684-2333Student Discounts9:00 A.M.-4:30 P.M.Mondav thru Frida>9:0d A.M.-2 P.M.SaturdavWINNINGSTRATEGIES“WE GUARANTEEYOU’LL BEATTHE TEST”SCORE IN THE TOP 20% ONEVERY SECTION OR TAKE OURNEXT COURSE FREEClasses Starling Now!GRE • MCATCALL (312) 855-1088IMMIGRATION LAW•Temporary Visas•Labor Certification•Permanent ResidencyScott BellerAttorney at Law208 S. LaSalle St.Suite 1400Chicago, Illinois 60604(312) 782-4800Rent-R-FRIGONLY 29°° Rent+ 10" DepositUntil Jnne 87815-758-4313 yet been determined, but he notes that if,as often speculated, the Universitydecides to stabilize enrollment in theCollege at 3,200, there will be little orno increase in size next year. If,however, the 3,400 figure suggested bythe Greenstone Report is adopted,there may be an increase.If no new housing is built orbought, the University will have todecide whether it prefers to providehousing for graduates or undergraduates.Most observers agree that theUniversity's first priority lies withhousing incoming College freshmen, butAssociate Director of Student HousingHarold Jarcho noted, "It’s an interestingquestion whether the second commitmentis [to] returning undergraduates orincoming graduates. Upperclassmen aremore acclimated, but graduates are older."Since some graduates already havemoved to Regents Park and MadisonPark, it appears that this year's returningundergraduates were second on the totempole. The few graduate students living inMadison and Regents Parks contacted by the Maroon all seemed pleased withtheir accomodations, and Jarcho says hehas heard of no serious complaints.Madison Park resident Brian Threlkcldremarked, "Overall it is the best studenthousing I've ever had."It is unlikely that any decision willbe reached on this matter until at leastWallace Backman Moore, Jr., 34,died last Sunday after battling cancerfor many years. Moore was bom andlived in Hyde Park and was formerlyassociated with the University ofChicago where he worked in theDevelopment Office. He also workedfor the development offices ofSkidmore College and RushPresbyterian-St. Luke's MedicalCenter. Moore graduated fromidmore College and the University winter quarter, according to Turkington.He added that "it is fair to say that therole of students [in the process] will beminimal." However, he also said that"student attitudes arc demonstrated by thenumbers [requesting housing] and thepolls we’ve done in the house system,"of Chicago Laboratory School. Hewas very active in several charitableorganizations including theRenaissance Society, the ChicagoChild Care Society, and the LandmarksPreservation Council of Illinois. Heis survived by his brother, Charles,and his sistcr-in-law, Joan. Amemorial service will be heldSaturday, November 22, at JosephBond Chapel on the University ofChicago campus. .(t ■\In MemoriamWallace Backman Moore, Jr.Only Lowenbrau is brewed in the world’s great beer drink¬ing countries. Brewed in Munich, in England, Sweden,Canada, Japan, and here in America. Only Lowenbrau, bylicense and authority, must use Bavarian Hallertau hopsand be checked for flavor and quality by the brewmastersof Lowenbrau, Munich. Only Lowenbrau gives you 600years of Bavarian heritage in one smooth American beer.THIS WORLD GALLS FOR LOWENBRAU. [ )2-The Chicago Maroon-Tuesday, November 11,1986Pavarotti stars in CSO?s "Bravo Abbado"By Michael MonahanCollege News EditorLuciano Pavarotti will join ClaudioAbbado, members of the ChicagoSymphony Orchestra, and world-renowned soloists in a benefit concert,'BRAVO ABBADO." The musicalspectacular to benefit young musicscholars will be performed tomorrow at 4pm in Orchestra Hall. The concert ispart of the "AMS 50" campaign,launched by the American MusicologicalSociety to create a half-million dollarendowment for young musicologyscholars. The endowment will supportfive yearly fellowships for the best young scholars working in the final yearof their dissertations. Philip Gossett, adistinguished professor of music, ischairman of the nationwide campaign.Launched in 1984, the campaign to datehas raised over $300,000 in gifts andpledges from corporations, performers,including Marilyn Home and SamuelRamey, a grant from the NationalEndowment for the Humanities, anddirect donations from AMS members.AT & T is generously covering allconcert costs so that all proceeds may godirectly to the campaign fund.Gossett stated that the need forfellowships is crucial now, whennational funding for relatively smallfields, e.g., musicology, is vulnerable to cutbacks. "These fellowships areessential if future generations of scholarsare to continue to contribute to theunderstanding, discovery, andpreservation of our musical culture," saidGossett.Maestro Claudio Abbado, principalconductor of the London Philharmonicand Vienna Staatsopcr, will conductovertures by Beethoven and Tchaikovskyin addition to a performance ofBeethoven’s Fourth Piano Concerto byRudolf Firkusny. The second half of theconcert will include arias from Verdi’s"Un Ballo in maschera" and "Don Carlo,"and from Rossini’s "L’ltaliana in Algeri."Vocal soloists will include GwynneHowell, Piero Cappuccilii, Ellen Shade, and Lucia Valentini-Terrani, all of whomare currently performing either in theLyric's ”Un Ballo" or Verdi's Requiem atOrchestra Hall. Philip Gossett has justedited the new critical edition of the VerdiRequiem, published by the University ofChicago Press.Tickets ($6-$30) are on sale at theOrchestra Hall Box Office, 435-8111.Patron tickets, $70 (main floor) and $100(box seats), are invited to attend apostconcert reception in the ballroom.All performances with Abbadoconducting the CSO in the regularsubscription series are sold out, so this isyour only chance to hear the world'smasters gathered for a benefit gala.Greek revival at U of CBy Jon QuinlanStaff WriterThe University's Greek communitygrew yet again last weekend inceremonies that officially established thesorority Kappa Alpha Tlieta at the U ofC. Kappa Alpha Theta is the thirdfraternity or sorority to be established oncampus in the last three years and bringsthe number of such organizations toeight.Although Greek life today is not aspervasive as it was during the U of C'sGreek heyday in the 1920's and 1930's,when there were thirty to fortyfraternities on campus, many observersview the recent growth as a sign that theanti-fraternity trend of the 60's and 70'shas reversed itself.This growth at the U of C reflects alarger national trend of Greek renewal inthe '80's. Nationwide, fraternities haveincreased their membership from 230,000to 400,000 in the last six years.Sororities have added 131 new chapterssince 1983 (Time, 3/10/86.) TracyModcer, a national representative of Kappa Alpha Theta and consultant to theU of C chapter reported, "We've beenextending quite a lot in the last fiveyears, especially into more academically-oriented schools like Columbia, Yale,and Chicago. We get three to four timesas many requests (to set up new chapters)as we can handle."Although it has been suggested thata link exists between this growth and atrend toward more conservative,traditional values nationally, most ofthose interviewed chose to look forreasons for this trend elsewhere.According to Ralph Hamilton, advisor tofraternities in the College, "Students whoenter fraternities here are not any differentfrom students who don’t. The growth isa direct result of growth in the College."Margie Thomas, president of KappaAlpha Theta, explained the rise innumbers among the Greeks by saying,"The student body is changing, becomingmore extroverted.”While Modcer does not sec anyimmediate end to growing fraternity andsorority popularity nationwide, campusobservers tire more conservative about theprospects for future expansion at the U ofC. Thomas commented, "I don't thinkNkftSWfe.ten V ?v - HYDE PARK ipCOMPUTERS INCACT NOW.SPECIALOFFER!EPSONPRINTERFREE FX-85 Printer whenyou buy an EQUITY HComputer System♦Completely IBM Compatible♦Includes 20MBHard Disk♦Fast. Dual SpeedProcessor♦G40K RAM + Clock/Calendar♦High Resolution mono/graphics monitor♦Free delivery, installation & training♦Unparalleled support! EQUITYHEPSONCOMPUTERSPRINTERS Epson America Inc 2780 Lomita BindTorrance CA 90605 EPSON* is a registeredtrademark of Epson CorporationEquity” is a trademark ot Epson America Inc Alpha Delta Phi brothers display their intellectual prowess.it'll ever contain a majority of the U of Cstudent body because it's a different kindof atmosphere."According to Hamilton, "If there isgrowth, it is likely' to be amongwomen's fraternities rather than men’s.Any growth will be slow and measured. On this campus, that’s appropriate."The older fraternities are Alpha DeltaPhi, Phi Delta Theta, Phi Gamma Delta,Psi Upsilon, and coed Della Upsilon.The new fraternity and sororities are PhiKappa Psi, Alpha Omicron Pi, andKappa Alpha Theta.kLJLIJL^JLLlJJLIJLTAJ^Zzi-- Rockefeller Memorial Chapel5850 S. Woodlawn962-7000SUNDAY, NOVEMBER 16th9:00 a.ill.11:00 a.m.12:15 p.m. Service of I loly CommunionUNIVERSITY RELIGIOUSSERVICEJAMES GUSTAFSON, UNIVERSITYPREACHER AND UNIVERSITYPROFESSOR OF THEOLOGICALETHICS, PREACHER.Carillon Concert and TowerTourhvrriTTTTrT.dYivivTTrnriTrrrTTTTriTrrrTriTrriTTrrrrifffThe Chicaeo Maroon--Tuesday. November 11. 1986--3f***************************************************************************************SGContinued from page 1While Inafuku was clearedof the more serious ballot¬stuffing charge, she was foundguilty of abusing her power asChair of the E&R Committeeby lying to Birck about herelection. SG's constitutionmandates that the Vice Presidentmust chair the E&RCommittee, but the assemblyeffectively stripped Inafuku ofthe chair's duties by relegatingmost of them to a sub¬committee not headed byInafuku. Inafuku herself willnow be allowed only toannounce election results and tocoordinate media relations.Inafuku expressed theopinion that her punishmentwas fair. She told theMaroon, "If my beinginvolved in elections led toquestions of fairness, it wasbetter for me to step down.That's what I would have doneif the constitution had allowedit."She explained that herconversation with Birck was a"desperate" measure to silenceBirck's vocal criticism of theHalloween party funding.Inafuku was especiallyconcerned that if Birck'scriticism reached McDade's earshe would resign since he hadpreviously expressed a desire todo so.Inafuku and McDade feltthey deserved more supportfrom Birck, who had rununsuccessfully for SG financeChair on their MECA ticketlast spring. McDade expressedirritation that Birck hadquestioned him at length overthe amount of SG money hewished to spend on costumes for the Halloween party. Henoted that "someone who Ithought should be an ally wasnot an ally. I was moreconvinced than ever before thatI'd resign on Friday [October31]." The possibility ofMcDade’s resignation seemedstill more likely when Birckdiscussed the option of anemergency Student Governmentmeeting to reassess funding forthe party.Inafuku felt that it was"imperative that McDade staybecause of his commitment toSG." She added that McDadewas an extremely hard workerand that "he was the person Iturned to when I needed help."She also noted that he had beenvery helpful when SG PresidentAmy Moss "made demands onme and my office that I hadtrouble with."Inafuku argued that thisconcern about McDade as wellas "an overload of responsibilityand work" led her to lie toBirck. She admitted, "It was astupid thing to say," and she is"sorry for any personal trauma"she may have caused Birck, buther biggest fear is that she hashurt SG’s reputation. "Thehardest thing is the uproar aboutSG and the possible damage toeverything SG will do thisyear...I hope so much that thisdoes not destroy any respect wemight have won for SG."When contacted by theMaroon, McDade expresseddisappointment that his namewas included in Birck'saccusation, and he noted thatMoss should have called for anexecutive session before Birckhad read her statement. Hespeculated that Moss' reasonsfor letting Birck read herstatement before the public mayhave been political since Mossran against Inafuku and McDade's MECA party lastspring. "Amy really let medown," said McDade. He added,"This shows me that we don'thave the harmony we need."Ironically, this incident hasconvinced McDade to put offhis resignation for the timebeing. He explained saying, "There are projects that I wouldlike to see completed.Resigning immediately mightlink my resignation to this falseaccusation."Moss pleaded inexperiencein her handling of the situation.She told the Maroon, "I’venever had to deal with a situation like this. Not rulingin the beginning [for anexecutive session] is a judgmentI'll have to put up with."Moss also said that shehopes to add new election rulesnext quarter to prevent anyfurther questioning of theintegrity of SG elections.BENETTON CAMPUS QUIZ #253rd & Harper O L ft363-2112 >*< benellon 11-7 Monday-Saturday12-5 SundayName one of these U of C studentsand get 10% off any purchase with coupon.■ ■■ ■ •4~The Chicago Maroon-Tuesday, November 11,1986• (limit one coupon per customer)CRIME MAP ' ' ■VZ'A ''' V; W§WitCrime StatisticsCRIME NUMBER % OF TOTAL NIGHT % AT NIGHTRobbery 6 4.3% 5 83.3%Burglary 29 21.0% 11 37.9%Auto Theft 13 9.4% 8 61.5%Theft from Auto 23 16.7% 15 65.2%Battery & Assault 24 17.4% 5 20.8%Theft 24 17.4% 8 33.3%CDTP .12 .13,8%2 47.4%Total 138 100.0% 66Weekend crimes 32 23% 44.2%Weekday crimes 106 77% 55.8%% of crimes committed within 2 blocks of dorms 31.2%% of robberies and batteries comitted with a weapon 25.7%Note/’Night" refers to crimes committed between 6 pm and 6 am.The map and statistics were compiled by Paul Racafrom24-hour reports supplied by the Chicago Police, 21 stprecinct for November 5-11.Check outwhat’s new at theMaroon on Tuesday andFriday afternoon. See Liz, MollyMona, Howard, Matt, orGreg if you want towrite for us oo Battery & AssualtAuto related theftTheftAfter DOC Films...•FRIDAYS ’til 11:00 pm•SATURDAYS from 6:00 pm -11:00 pmIda Noyes Hall, First FloorServing- Espresso, Cappuccino & Teas- Medici Pizza- Ice Cream & Homemade Desserts:including cheesecake & carrot cakeand introducingIDA’S SLID AS mini-burgersThe Chicago Maroon-Tuesday, November 11, 1986--5 IDA’S SLID ASspecia T/S100J / JLou mnj«w>l Saturdi *5 * >nlvBMM #JH IGSK MB SB 9B> 13# BH HR Iaz(o\ tte 'nJibtzomczRea( Estate Co.312/493-0666Announcing Further Price Reduction ... this tells usseller is desperate to close on spacious lake front apart¬ment. Two master bedrooms - wide hall - lovely vintagecondo now below all other prices. $69,000.FREE ASSESSMENTS FOR SIX MONTHS7.99% Assumable Mortgage, low tax escrow and atracks record of dividends, make this an affordable onebedroom condo near campus. $34,000.Free Standing House Near 57th small Victorian, largeyard, 2 car garage. Restoration almost complete. New kit¬chen, new bath (1 Vi) - new thermopane windows - largeback sun deck - many other interesting features. Appoint¬ments now. $128,500.Rent With Option or Buy Outright! - Two bedroomnear 56th Blackstone. $53,000.FORECLOSURE: Three bedroom on high floor at“Cornell Village" near 52nd and Cornell. Now clear titleand vacant. Views in both directions. See Larry. $94,500.1638 East 55th StreetChicago, Illinois 60615 Kennedy, Ryan, Monigal & Assoc.5508 S. Lake Park Ave.667-6666Two on Campus. 56th and Kimbark sunny four room condo ingood condition. Moderate assessments. Perfect starterhome. $41,000. Blackstone and 58th studio with new kitchen,private balcony, quiet building. $26,500. (Marie or KenWester (res 947-0557).University Park Super, Super Buys! Corner two bedroom, twobath unit faces east and enjoys lovely morning sun and viewsof the gardens. Garage space included. $46,000. Eleanor Coe.Ninth floor one bedroom also with a garage space. Seller willpay three months' assessments at closing! $35,000. Jan Walters.Victorian Brick Duplex - near Greenwood on 54th Street.Comfortable family home with lots of original woodwork,double parlour, charming dining room, knotty-pine paneledrec room, four bedrooms, two-car garage, small bacl< yard.$125,000. Marie or Ken Wester (res. 947-0557).PRICE REDUCTION. Elegant Lakefront Cooperative. 20th floor.Excellent layout and lake views in one of Hyde Park's mostbeautiful buildings. Two bedrooms, two baths, formal diningroom, eat in kitchen — all in wonderful condition. And lots ofbeautiful closets. Amenities of the building includedoorman, concierge, small back yard and off-street parking.Now $59,000! Louise Cooley.Parkshore Coop. One bedroom apartment on the east sidefacing the lake. $430 a month pays for everything exceptelectricity and telephone. 24 hour doorman, $2,500 cash forequity. Jeanne Spurlock.imhrent a carSTUDENT DISCOUNTMUST PRESENT STUDENT I.D.FREECAB FARERE-IMBURSEMENT PAID TO YOU $ ‘ ^The Great 53r(l Street Brunch• Complimentary beignets• All the fresh orange juice you cansqueeze - 81.25• Reasonably priced housefavorites such as eggs Florentine,apple pancakes and steakbearnaiseA full bar beginning at noon5211 S, Harper • 667-4008Sunday 10:30 - 2:■ ■ h i * /-•Fast Break -Charlean Cobbin, a second year player for thewomen’s basketball team, puts in a layup inTuesday's scrimmage against Trinity College.The Maroons handily defeated Trinity in the pre¬season tune-up. (left)Photos by Lisa RagoneIt's not the Ballet, but...Freshman Portia Fultz eludes her defender with agraceful flourish.Both the men's and women's teams will travel toBoston next weekend to tip off their seasons againstfuture UAA rivals MIT, Rochester, and WashingtonUniversity in the David Koch Classic Tournament.Views of Sport: Flutie gets his chanceBy Sam Millersports columnistAs the Bears were beating the TampaBay Buccaneers handily the ether day,local fans caught their breath. Afterwatching their team receive a beating onnational television, the faithful began toquestion the greatness of their team. Butwhen they saw Payton perform with hisusual sweetness, the amateur medics ofChicago could proclaim their teamhealthy again. Only one man seemed notat ease, number 2 of the Bears, whostrode briskly up and down the sidelinesin a path not far from Mike Ditka. Likea gradeschooler eager to give his answer,Doug Flutie edged behind his coachexpectantly. The Teacher ignored thepupil.Evcrone watching the game, though,knew that it was only a matter of timebefore Doug Flutie would enter thegame. They have known since thequaterback was signed that he wouldplay, since it is not like Mike Ditka tosign a player and not play him.Especially someone who has recentlywon the Heisman trophy.It surprised no one, then, to seeFlutie warming up a few minutes later.Lightly tossing the ball, number 2 wouldoccassionally glance over at Number Onein hopes of getting the command hewanted. Ever since he signed a fewweeks ago he has not hidden his desire toplay. He did not expect to learn thesystem easily, and he did not bad-mouththe three other quarterbacks in front ofhim. "I won't stop feeling like aspectator on this team until I take asnap," he said recently. "You begin todoubt you're ability - anyone would -when you haven't played for a while," hecontinued. It had been over a year sincehe had taken a snap from center.That is one of the reasons why manypeople were perplexed when the Bearssigned him and saved him from thefaltering USFL. The other reason, of course, is his height. At 5'9", DougFlutie may be too small to play in theNFL. Certainly some local fans thinkso. This is the City of Broad Shoulders,home of the Big Bad Bears. The playerson this team are known for their size,especially a certain famous appliance.And they already have a leader who hasmolded their image, the sometimesintolerable but talented Jim McMahon.Can Doug Flutie fit in? Can he see overall of those big linemen? WithMcMahon hurt, he will get a chance.MIDWEST ATHLETICCONFERENCE FOOTBALLSTANDINGS-NOVEMBER 11North DivisionCONFERENCE ALLW L T W L TLawrence 6 1 0 7 2 0Lake Forest 4 3 0 5 3 0Beloit 3 4 0 4 5 0St. Norbert 3 4 0 3 6 0Ripon 2 5 0 2 7 0U-Chicago 2 5 0 3 6 0South DivisionCoeMonmouthCornellKnoxGrinnellIllinois C. Nearing the two minute warning onSunday, he finally ended hid role asspectator. The game was already overwhen he entered the huddle toencouraging handsiaps at the opposing12 yard line. On his first play, he handedoff to Sanders. Then another pitch toSanders and a hand off to the fullback,Suhey. First and goal to go. Flutie hadhis chance to start his Bear career with aflourish, but instead he began as anyrookie quarterback might.On the first down play he missed thehand off and scrambled, only to lose ayard. Then, while pulling away fromcenter, he got tangled in the feet of hispulling guard. The running play failed.Now it was third and goal from the *~wan obvious passing down. Flutie rolledaway from the rush nicely, looked for hisreceiver in the end zone, found him,threw...His reaction told the story.Bounce, bounce, a jump and a fall.Flutie may have failed to get sevenpoints for the Bears, but he showed atleast two things. He can scramble, aseveryone knew. And he can also see histeammates on the field. He missed thepass and the opportunity, but now he is,as he said, no longer a spectator. DougFlutie is finally a Bear. Maroon sportHighlightsBy Jon HerskovitzStaff WriterThe leaves have fallen; thoughts ofIndian Summer seem like babble; and the1986 fall athletic season has come to anend. Ahead lies the chill that is winter inChicago and an exciting slate of sports.The big winners in the fall seasonwere Barry DeSilva and his men’s soccerteam. After coming off a hot 6-1 start,the men finished up the season with amark of 10-3-1. This is the best recordCoach DeSilva has ever had in his tenyears as head coach, and it is the bestrecord of any autumn team.The only problem with this seasonis that two of the three losses came inconference, and despite the fine seasonmark, Chicago had a 2-2-1 record inconference play.Senior Dave Ansani and freshmanDavid Adams lead the soccer team ingoals with eight a piece. Defensively,sophomore Mark Andre Pappa posted an0.91 goals against average and had fiveshut outs...The fall season ended six days agowhen the football team dropped its finalgame to the Green Knights of St.Norbert by a count of 24-15. Before theseason began, it was expected that thisgame would be for the conference utle,especially after what happened in lastyear's game.Last year St. Norbert had a perfect 6-0 mark in conference and the chance of aninvitation to Nationals before their gamewith Chicago. But the Maroons upset theGreen Knights by a score of 7-6, andtarnished their perfect record.And what a difference a year makes.This season St. Norbert was in the cellarof the Mid West conference, and therewas no post season play at stake in thisgame; this year it was a battle for thebottom of the conference, not the top. ..With any luck, and some good play,a dissapointing fall should be replacedwith a bountiful winter. Men’s andwomen's basketball are looking tough,and while the women are contenders forthe conference crown, the men are one ofthe favorites.Besides the promise of basketball towarm the frost, the wrestling teamshould heat up Henry Crown FieldHouse. Coach Leo Kocher and his teamshould put together yet another fineseason."This is one of the deepest lineupswe've ever had”, said Coach Kocher, "Wehave an excellent shot at winningconference, and we'd like to win it beforewe leave".This year's team will have a highschool state qualifier for a starting role inoinhr r>r .h,» ten weight classes.Returning from last year’s team aresophomore Mickey Best and juniorLandell Cormier, both of w hom qualifiedfor Nationals last year. Quentin Paquette,the team’s only senior was the conferencerunner up in the 167 class last year, buthe will stan at 177 this season.Winter is here. There is going to beplenty of action in well heated Henry-Crown Field House, which could be thecenter of action in the MidwestConference during the upcoming frigidmonths.Write sports for MadelynLeave a message for herat the Maroon (962-9555)on any weekdayThe Chicago Maroon--Fndav, November 14, 1986-- 7STUDENT DISCOUNT•SOFT & HARD LENSES •1000 DESIGNER FRAMES•ASTIGMATIC LENSES »FILL PRESCRIPTIONS•EXTENDED WEAR LENSES •DUPLICATE GLASSES•TINTED GLASSES •INVISIBLE BIFOCALS•INSURANCE PROVIDERDR KURT ROSENBAUM AND ASSOCIATES-OPTOMETRISTS- IN PRACTICE FOR OVER 40 YEARS1200 E, 53rd ST.KIMBARK PLAZA752-1253 • 493-8372HOURS: M-F (closed Wed) 9:30-6:00 Sat. 9:00-3:00kEYE EXAM NOT INCLUDED • MUST SHOW STUDENT ID.NEW YORKDELIand RESTAURANT10% OFFwith UCID5319 S. Hyde Park Blvd.955-DELI6AM-10PM 7 DAYS A WEEK vs inChicago rarebookdealer Kenneth Nebenzahlwill appear at57th Street Booksto discuss and sign copiesof his new bookMaps of the Holy LandSunday,November 162-4 pm1301 E. 57th St.Chicago, IL 60637684-1300 refreshmentswill be servedBrother Tim’sVegetarianFast Foodsn Natural foods prepared with a conscience for the intelligent ones on the move... ”Soybean Meat Substitutes - high in protein, low in calories & no cholesterolAH foods prepared with spring waterAll sandwiches prepared on home-made whole wheat breadSERVING:- Veggie Burger- Super Taco- Hot Dog- Submarines PLUS FRESH BAKERY GOODS DAILYAvocado Cheese SandwichPizzaBarbeque SteaketteFish Cutlet Filet — Banana Pudding— Bean Pie— Cakes— Cookies— Fruit Cobblers — Fruit Drinks— Shakes— Herbal TeaOPEN 11 AM - 9 PM MONDAY-SATURDAYOPEN 11 AM-6 PM SUNDAY TO YOUR HEALTH WITH LOVE1713 EAST 55th ST.Maroon—TucMiay, November n, 1986November 14, 1986 • 19th YearPEGGY SUE GOT KNOCKED UPby Joshua CabatThroughout his roller-coaster career, FrancisCoppola (now minus the “Ford” and most ofthe pretensions therein) has manifested hisfixation with the past on several levels. InGodfather II, he dealt with the past’s effect onpresent consciousness; in the early Finian'sRainbow and the more recent One From TheHeart, he attempted to revive a dead genre, themusical. And in Cotton Club and ApocalypseNow, Coppola presented his view of the pastand let us make the analogies and connectionsto the present. On another level, Coppola hasbeen guilty, along with his even more erraticcontemporary Peter Bogdanovich, of seeinghimself as the keeper of the auteurist flame ofHawks, Ford, Wells and Capra. If last yearsMask was Bogdanovich's understated come¬back, then Peggy Sue Got Married may well dothe same for Coppola’s reputation. But whileMask dealt with a contemporary theme, PeggySue presents us with Coppola's most complexand rewarding examination of the persistenceof the past in our lives.As many observers have pointed out, the plotof the film is highly Capraesque. We see PeggySue (Kathleen Turner) in the midst of a breakupwith her husband and high school sweetheartCharlie (Nicholas Cage), as she attends her25th high school reunion. As she wandersthrough the party, she remarks to her friendsthat if she knew then what she knows now, shewould never have married Charlie. Namedqueen of the reunion (in a scene so reminiscentk of De Palma’s Carrie that I was rooting for thepaint to fall), she collapses in a swirl of griefand nostalgia. When she comes to, it is 1960,the pivotal year in her life, the year she marriedCharlie. Once assured that she is not dead, thebody of the film deals with her memories of anidyllic adolescence, and especially with herattempts to alter her destiny with Charlie. In thelatter, she is entirely unsuccessful, althoughshe does have a fling with Michael, theKerouac-spouting class beatnik. She also tries to alter fate through Richard, the class genius,by telling him of the technological wonders thatwill ensue. After a sentimental visit to hergrandparents, Peggy Sue finally acquiesces:nothing can change. She wakes up in thehospital back in 1985, surrounded by a penitentCharlie and her loving daughter, and all is well.The message at the core of Peggy Sue issimple, yet it is the best thing about the movie.In many time-travel movies, the deservingprotagonist goes back in time and getting asecond chance, makes his or her life better. Inthis film, there is an interesting filip addedPeggy Sue, her 20/20 hindsight intact through¬out, is unable to change her fate, much as shewants to. In spite of her better judgement, sheends up making the same decisions; she is asirresistably drawn to Charlie as she was the firsttime. It has to happen this way again. The ideathat we will always take the same path becauseit is our destiny is not original, but is intriguingnonetheless. Unfortunately, Coppola makesthings too easy for us in his depiction of herromantic alternatives, specifically Michael andRichard. Micheal is a handsome, mysteriousBeat, but turns out to be a sexist pig. Richard istoo much the nerdy genius, out of touch withreality, to have a viable relationship with PeggySue outside of their scheme to get rich byinventing panty hose before its time.Unfortunately, as is the case with time-travelfilms, all of the humor in the movie is alongthese lines. The jokes are easy, obvious, andabout on the same level as Michael J. Foxinventing the Chuck Berry sound in Back to theFuture. Bored with school, Peggy Sue an¬nounces that she is off to Liverpool to discoverthe Beatles. The jokes continue: red M andM's, Dick Clark, and more Beatles jokes (PeggySue ‘writes’ “She Loves You” to help Charlie’snascent singing career). The only joke thatworks is when Dad proudly shows off his newcar, which (surprise!) turns out to be an Edsel.Peggy, in a sad, gentle way, chides her fatherfor always doing things like that. It is a cheaplaugh, but the subtext is wonderfully played Itis the most beautiful moment in a film that givesus many instances where Coppola barely stops short of flashing “Beautiful Moment” in neon.Thus, Peggy Sue is almost defeated by itsinherent situation. What saves the film is theacting, especially in the two leads. After fiveyears of playing the sex object in such effortsas Body Heat and the Romancing the Stonefilms, KathJeen Turner finally proves here whatshe had hinted at in Prizzi’s Honor. She canact. Granted, she is not very convincing as ateenager; she simply looks too old. But herreactions are exquisite, and she is able to pulloff both the bewilderment of Peggy's situationand the quiet, mounting desperation as shecomes to realize that she cannot alter destiny.Peggy Sue is a universal; after all, isn’t there atleast one thing in all of our lives that we wishwe could go back and fix? Turner makes theconnection with ease, and her identificationwith the audience is immediate and powerful.But for those of us who knew all along that shedeserved better than to be leered at (I mean, inRussell’s Crimes of Passion she played thefantasy object of Tony Perkins, playing a psy¬chotic priest!), the real revelation of Peggy Sueis Nicholas Cage! In the first place, he is moresuccessful at portraying one character over aperiod of twenty-five years than is Ms. Turner.But had the actor playing Charlie been un¬convincing, the whole premise would havefallen apart. We have to believe that PeggySue, in spite of all those years of mistreatment,would actually succumb to Charlie’s charmsagain. Cage is simply wonderful: he is goofy,constantly in motion, kinetic, poised on great¬ness but always knowing he’ll never get there,constantly on the line. He is too charming forPeggy Sue to make any other decision than theone she did. Given these two star perform¬ances, the other players tend to get lost in theshadows; particularly notable are Barry Milleras Richard and veterans Leon Ames andMaureen O’Sullivan as Peggy Sue's grand¬parents.These performances aside, Peggy Sue mayprove offensive to some people While neverexplicitly anti-female, there is not one point inthe story where Peggy Sue is not completelydependent on someone. We understand her dependence on Charlie at the beginning. But inthe reunion scene, one of Peggy Sue's friendsasks her about her business. Out of the blue,Peggy Sue tells her that she owns her ownbakery, and that it is a success — and com¬pletely drops the subject! We never do get tosee her in that milieu. Then, as a teenager, shedepends on her parents utterly. In a sub¬sequent conversation between Charlie andPeggy’s father, the two discuss her as thoughshe were a commodity that the father is caringfor until Charlie is willing and able to care for it.And in the Hollywood ending, Peggy Sueforgives all of her husband’s infidelities andasks to return to her old way of life Peggy Suereacts, but does not act. and this facet of thecharacter is distracting both in terms of the plotand of Kathleen Turner’s brilliance in light ofher sex-kitten reputation.In the end. it turns out that Peggy Sue andFrancis Coppola have the same problem. Bothcan delve into the past, seeking somethingdifferent, but they emerge the same in spite ofthemselves Peggy Sue is a virtual encyc¬lopedia of classic camera work and devicesCoppola makes excessive use of slow fades,and, anachronistically, of wipes. The images,too, are vintage Hollywood: Peggy Sue staringout of a rain-streaked window, red sunsets onthe farm, and so on. But while Coppola may bepaying tribute to the Capra of It's a WonderfulLife, he misses the boat. All of Peggy Sue'smemories are idyllic, perfect and serene; thereis no conflict in her past. Nothing is wrong. Thetensions in George Bailey’s dream in WonderfulLife, so essential to the character and to thedarkness of the film, are absent in Peggy SueCoppola is no Capra, in the way that De Palmais no Hitchcock and the Peggy Sue of 1985 isnot the Peggy Sue of 1960. However, there isno doubt that Peggy Sue is worthwhile In spiteof its many missteps, it is nice to see Coppola sreturn to a more steady directorial touch, fearedlost since Apocalypse Now And it is especiallyworth seeing Kathleen Turner and NicholasCage browsing through time, choosing toremember only what they can bear to live with.It is something we all wish we could doNAYAK: S AND M STILL SELLSby Sahotra SarkarA long train journey, from Calcutta to Delhi,back in 1962, when the journey took two wholedays, provides the setting for Satyajit Ray’s1966 film, Nayak (The Hero). A successful actor(Uttam Kumar) is on his way to the capital toreceive some prestigious award. On the trainhe is accosted by a feminist editor (SharmilaTagore) of a women’s political magazine whichhas never carried a piece on anything asmundane and politically offensive as cinema.Tagore attempts to obtain an interview with Kumar, all the same, purely to generate somehard copy that would entertain her more seriousreaders. Kumar refuses. In his field, he claims,one has to maintain some distance from theadulatory, but fickle, public that one entertains.As the train makes its long way throughBengal's lush fields and Bihar’s ancient ruins.Kumar’s sanguine self-confidence becomesmore and more shaken. Sleep comes only withtranquilizers and alcohol. Worse, sleep bringsdreams. Kumar drowns in an ocean of rupeenotes while the only person who could saveNayak has that certain je ne sa/s quoi him, his original mentor in theater, watches andrefuses to help In another dream a barroombrawl with a jealous husband gets re-enactedDriven almost to distraction. Kumar beginstalking to Tagore in the dining-car. The vieweris taken through the entire course of his career,of his ambitions and failures, of his betrayalsand nightmares. Behind all of this, unseentragedy seems to lurk. He knows, and Tagorecorrectly surmises, that his latest film isdoomed to failure. He might very well bestanding at the end of his career Tagorebegins to take notes surreptitiously, but after apainful night scene in which Kumar reveals theextent of his drinkiftg problems, she begins totake a less professional interest in him Nextmorning, just before they part, she throws thenotes away.But Nayak is not just the story of one Indianactor. Kumar’s career takes him through theentire history of Indian cinema and the filmalmost becomes an exegesis of that develop¬ment from Ray's point of view Kumar starts asan actor in song-and-dance theatricals — jatrasin Bengali — enacted during the annual Durgapuja His first film was not much different —theater was simply being put on film But evenwhile acting in it. as he explains to Tagore, hebegan to realize that cinema was a differentmedium, that restraint in acting was the orderof the day, that the histrionics of the stage wasa relic of the past The story told is the story ofthe development of cinema anywhere but itbecomes particularly ironic in its peculiar Indiancontext.India produces more movies annually thanHollywood, and nowhere else is the differencebetween film as high art and film as commerci^entertainment so explicit. The immensely popF i^itular Hindi cinema, still the only major source ofentertainment in rural or suburban India, is filmat its worst. At the same time, a tiny part ofIndian cinema, initially in bengan out now inmany other regional languages, has made itstransition to art Nayak s director. Satyajit Ray, is easily the person most responsible for thistransition, and when Kumar argues that it wasinevitable and obvious to him, even in 1942. heseems to be presenting Ray's point of viewIrony enters here because the twenty yearssince this film was made have shown that thistransition was neither inevitable nor obvious Infact, it guaranteed box office failure, as Ray sbrilliant The Chess Players has shown Indiancinema can survive on sentimentality, sadism,and pornography. The transition to art — Ray,Mrinal Sen, Romesh Sharma — has been avery occasional one.Nayak, though not Ray’s best film, is stillexquisite Made towards the end of the firstphase of his career, it still shows the influenceof De Sica. Its realism is uncompromising. Thisis no romance: the journey ends and eachcharacter continues in its own way. Theirworlds touch but separate once again. Kumarremains the heart-throb actor, the adulation ofhis fans providing him with his only emotionalsustenance. Tagore continues as the feministjournalist, having added one more sordid epi¬sode to her already cluttered collection AndBiresh, the labor leader friend whom Kumardeserts, evidently continues his agitation andorganization — his followers are probablyscreeching "Inqilab Zmdabad” to this very dayThere are occasional lapses of techniquethe camera sometimes moves in jerks andtransitions from reality to dream-world and backare made a little too explicit The symbolismgets somewhat obscure I have no idea why theskeleton hands protruding from the ocean ofmoney hold ringing telephones The sub-plot,an attempt by an advertising salesman to lure arttract out of an unwilling tycoon, is grat-tdlis It is ^disturbing the salesman coerceshis unwilling wife to fascinate the tycoon but willnot countenance her desire to be an actressBut it is not disturbing enough to warrantinclusion and plays -no role in the developmentof the story. But these flaws are minor Nayak iswell worth seeing anyway At l-HouseJision Hair DesignM5 E. 57th Street363-0700e HAIR PHD Class of 1967challenges of college life, the lastmanagement. You want to look ymonds simplicity. Enter our stylists,hairstyle for you.> hair design consuiatton. AcadenJoiiAmidst the acodeineed is hair that &Your busy schedulcustom create a stCali today for yomIRC UTS*20°° - 4000REDKEN - MATRi:-HELEN CURTIS-NEXXUS - LOREAL - ZlTEENS20% OFFRETAIL REDKEN-NEXXUS - MATRIX:ludes stditioner, itQ/fu oJ^archeFINE CATERINGWhere the emphasis is on good food,from hors d’oeuvres & dinnersto barbeques & box lunches.Mark BiresFormer Catering Director of Hyde Park Cafes.Craig HalperFormer Head Chef of Jimmy’s Place.(Chicago Magazine Dining Poll Winner)312.667.4600 St. Thomas flpostle ChurchSriUHT R3CI?0LftSffiTffiKETSaturday, November 15, 10 a.m. to 7 p.m.Sunday, November 16, 9 a.m. to 2 p.m.• Ethnic Cafe• Gifts from Far Away• Fashion BoutiqueSaturday, November 15ETHNICBUFFET11:30 to 2:30 & 4:00 to 7:00 • Limited Raffleonly 200 ticketsQueen size hand embroideredUltrasuede QuiltMade by the Women ofSt. Thomas Parish tobenefit the restorationand preservation ofSt. Thomas the Apostle Church• $1000 Raffle • $1000 Raffle • $1000 Raffle • $1000 Raffle5467 S. WOODLAWN • 324-2626THE UNIVERSITY OF CHICAGOBOOKSTORE AND PRESS LEN ACKLAND JAMES M. GUSTAFSON W. J. T. MITCHELLwill host a reception to honor ARTHUR W. H. ADKINS RUSSELL HARDIN NORVAL MORRISrecent Press authorsin the University community W. DAVID ARNETT REINHOLD HELLER BRUCE ARCHER MORRISSETTEHANS DIETER BETZ RICHARD HELLIE WENDY O’FLAHERTY- ■ *~iB>oo<$>oocr « JOHN W. BOYER WALTER E. KAEGI, JR. VIVIAN PALEYMARY P. BURKS JULIUS KIRSHNER HELEN HARRIS PERLMANFRIDAY, NOVEMBER 144 to 6 p.m. GERHARD CASPER EDWARD W. KOLB FRANK E. REYNOLDSUNIVERSITY OF CHICAGO BOOKSTORE JOHN L. COMAROFF PHILIP B. KURLAND PAUL RICOEUR970 E. 58th StreetDAVID P. CURRIE GEORGE V. LAUDER, JR. RICHARD A. SHWEDERMARTIN E. FEDER DONALD N. LEVINE NANCY L. STEINAll are welcome. DONALD W. F1SKE ROBIN W. LOVIN TANG TSOURefreshments will be served.kS°fC> JACOB A. FRENKEL McKlM MARRIOTT MICHAEL TURNEREDWARD D. GARBER WILLIAM H. McNEILL WILLIAM VEEDER^ 1 ^ 1 r V ^The University of ChicagoIjStJ .bookstoret ~ 970B»i S8(k Street-ChKa«0.IUinou60M7.(3O)%2-7712 NORTON S. GINSBURG JOHN J. MEARSHEIMER PETER WHITEt-HlUAr, NUVfcMBER 14, 1986—GREY CITY JOURNAL'tYRuthless People (Zucker/Zucker/Ab-rahams, 1986) This film ushered in thePeeWeeization of America, if not ofBette Midler. There are laughs in thismovie but who cares? (our editor saw ittwice). The film suggests that moneyisn’t everything, it’s the only thing, andthe only good gay baths singing phe¬nomenon is a thin one. I’ll take Pee Weeany day. At the Max, tonight at 7, 9, 11and Sun at 2. $2.50The Graduate (Nichols, 1967) Yuck. Gogoo ga joob Mike Nichols. At Law, Satat 7:30 and 10, Sun at 8. $2.50Heartburn (Nichols, 1986) What a dumbidea; why anyone would want to turntheir divorce into a book into a movie isa stumper. Meryl does Jewish (brownhair) and Jack does obnoxious (all hisown stunts). At least in the book you gotrecipes. At the Max, Sat 7, 9, 11. $2.50Mon Oncle d'Amerique (Resnais, 1981)Someone once said you can’t fault theFrench on style. Possibly didactic, pos¬sibly good. At the Max, Sun at 8. $2Not A Love Story (Klein, 1979) Bonnietakes back the night in this ‘banned inCanada documentary about por¬nography and exploitation.’ Possiblydidactic, probably good. Shown withWhy Men Rape (Tureless, 1979) Docsays “Startling interviews given byconvicted rapists in prisons and psy¬chiatric hospitals across Canada." Atthe Max, Mon at 8. $2Lady From Shanghai (Welles, 1948)That's Rita Hayworth, not Madonna.Broken mirrors, fake accents and moreattitude than Hollywood could handle.Not as baroque a Touch of Evil but stillone of Welles' best movies and there¬fore one of the best you’ll be likely tosee At the Max, Tue at 8 $2The Crowd Roars (Hawks, 1932) TheJames Cagney half of the Hawks nightat the races in which Cagney keeps hisbrother out of girl trouble. The secondfeature Redline 7000 (Hawks, 1965)picks up the male bonding theme thirtyyears later Fast cars, fast men, biggoogles; all with the auteur imprimaturAt the Max, Thu at 7 and 8 $2The Searchers (Ford, 1956) Lots of peoplewho should know, really like this movie.Martha spent her college graduationdinner hearing the plot in excruciatingdetail so she won’t be there One ofMartin Scorcese’s favorites. At Law, Thuat 8 $2True Stories (Byrne?! 1986) David takesthe Enquirer aesthetic to the screen butshould have left it in the check out line.The man in the big suit wears a big hatand discovers America You know, mallsand polyester. Condescending? Patron¬izing? Celebration of specialness in¬deed At the Fine ArtsSid and Nancy (Cox. 1986) Needles, vom¬iting and black leather Not fun viewingbut a good movie with excellent per¬formances The 1st sequence in theChelsea Hotel (in the same room thatArthur Clarke wrote 2001?) is the finalword on existential love and drug tor¬ment. Gary Oldham puts the sexy backinto Sexy Eiffel Tower.” At the FineArtsColor of Money (Scorcese, 1986) The mancan do no wrong with a camera. Itfloats, it circles Filmed in Chicago witha cast of extras that would curl you hair.This psychological character study isScorcese’s latest essay on social sur¬realism. A very good movie At the HydeParkSomething Wild (Demme, 1986) Some¬thing borrowed and something blue Nota must see but an OK film if you likethat kind of thing PS JonathanDemme is one of the world’s nicesthuman beings. At the Hyde Park3rd Annual Experimental Film Festival.Held above the Pago Pago restaurant atthe loft of rich-Hollywood Roepnack(3165 S Wabash) from Nov 14-16 thefestival will provide hours of safe non¬narrative fun. For more information call348-0165 or 869-7664 — RS and MSA Funny Thing Happened On The WayTo The Forum (Lester, 1966) I'll bet AtLaw. Wed at 8 $2Attica A documentary including newsreel footage of the 1971 Attica State Prisonuprising, and the storming of the prisonyard by the National Guard under theOrders of Gov. Rockefeller. Also a dis¬cussion led by Attorney Michael Deutschof the committee to end the lockdown ofMarion Federal Prison in southern Il¬linois. The conditions at Marion havedrawn the monitoring of Amnesty Inter¬national. Sponsored by CAUSE, TheProgressive Law Students Association,and the National Lawyers Guild. Formore info call 288-5604Nayak (Satyajit Ray, 1966) A callous moviestar catches a train to New Delhi toaccept an award for his screen ac¬complishments. Along the way he en¬counters a persistent journalist to whomhe reveals his feet of clay. Althougheach jokes about his godlike status, theyrecognize it is a social myth that anyoneis really above his/her audience. A filmdiscussion led by Sahotra Sarkar willfollow the screening. I-House, Thurs, at8 pm. $2 — BTm musicHunters and Collectors If you like walkingfashion violation type bands that singabout the problems of angsty suburbanteenagers, this show is for you. I, forone, would rather listen to Floyd Tilmansing about the problems of angsty ruraladults. Tonight, Cabaret Metro, 3730 NClark, 7:30 pm, all ages.Kate Fagan The woman who doesn't wantto be too cool will perform her rock ’n'roll performance piece “The KissingConcept." I don’t now much about this,but Kate has some real talent, so itshould be good. If you don’t like it, youcan always go downstairs to the SmartBar and score some booty. Sat, CabaretMetro, 3730 N Clark, 11 pm, 21 andoverB.B. King is one of the few performingartists today about whom I have nothingbad to say. Tickets are $17.50, so Iguess if I had to pay for shows Iprobably wouldn’t go, but this is not anissue Tonight, Part West. 322 W Ar-mitage, 7:30 and 11 pm.Tommy Keene will play songs from thefilm Run Now available on Geffen Re¬cords and Cassettes If you would like tointerview Tommy Keene, call LindaClark at 818-762-0713. Sat, Riviera,Broadway right off Lawrence, for moreinfo call 769-6300Sculptor/Composer Dan Sen will dress inblack, act totally removed, and makemusic on percussive instruments of hisown design. This is an arty one, kidsTonight, Link’s Hall, 3435 N Sheffield,281-0824Light Henry Huff (band leader and reeds).Don Moye (drums), Greg Kelly (violin),and bassists-in-tandem Richard Brownand Yosef Ben Israel will jazz up astorm. These people are all down withthe AACM which, as any fool knows,means that they're good After the showLight Henry will lead a class on the birdcall as a serious jazz instrument Sat,Link's Hall, same address and phone #as above.Toshiko Akiyoshi's New York Big Bandfeaturing Lew Tabackin will make aspecial one-night only Chicago appear¬ance. The program will include Tosh-iko's very special jazz interpretations ofneo-classical rock hits such as Yes’“The Preacher and the Teacher” andLed Zepplm’s “Rainsong " Tonight. JoeSegal’s Jazz Showcase, 636 S MichiganAve. for more info call 666-1881.The Parra Family have just flown in fromChili and will perform tonight at thePeople's Church Auditorium, 941 WLawrence, 7:30 pm. Their live show islacking as the guitarist was murdered bythe last Chilean government, but the$10 cover will be used to help sufferingpeoplePhil ’n‘ Blanche These people used to bein a really silly pop band called Phil andthe Blanks. That didn't work out so nowthey do an accoustic set and dance. Iwouldn't go to the North Side to seethem though, because one can see uglypeople dance right here in Hyde ParkWed, Holstein's, same info as aboveSpecial Consensus Bluegrass Band To¬tally righteous! Thurs, Holstein’s, 2464Grey City Journal 14 November 861212 East 59th Street, Chicago IL 60637Staff: Stephanie "Cher” Bacon, Brett “Blixa” Bobley, Michele "Marie”Bonnarens, Julia “Boz" Bozdogan, Cher "Stephaniebacon” Bono-Allman, Jeff“all my friends are on the guest list or in the music calendar, or both” Brill,Curtis "man with the horn" Black, Carole “Killer" Byrd, John “Rambo"Conlon, Gideon "I'd like a Big Boy Special please" D’Arcangelo, Bob “Onenight of sin" Devendorf, Robin “Sugar Ray" Einhom, James "Baroque”Glazier, Jefferson WASP” Gray, Andrew "Click" Halpern, Justine "Jack YourBody" Katas, Stefan Two-gun" Kertesz. Bruce "Your love is still" King, Mike“iiebestod” Kotze, Steven “it’s a van. not an r.v." Leslie, Nadine “Give it tome in inches" McGann, David "Biscuits" McNulty, Miles "Turk” Mendenhall,David "Electricity" Miller, Patrick “say snatch” Moxey, Jordan "Gypsy”Orlando. Sheila "Street legal" Ralston, Laura “10% off with I D " Rebeck, Max"We know who you are" Renn, Lauren "Detroit Red" Rosenthal, Paul "I wentto high school with Emilio Estevez" Reubens, Laura "answers to Piggy” Saltz,Rachel “Turnstiles" Saltz, Sahotra “I too, sing Amerikkka" Sarkar, Ingrid"Peaches" Schenki, Martha "Don’t back no losers, don’t make no waves"Schulman, Lisa “Bubbles" Simeone, Bob "gimmee, gimme good lovin’’ Travis,Ann "those lips, those eyes" Whitney, Natalie "Elvis" Williams, Ken "Git alongliddle doggie" Wissoker, Rick "Polka-meister" WojcikProduction: Steven "I bought you things you couldn’t even pronounce"Amsterdam, Bruce "Your love is still still" King, Brian " " Mulligan, Lauren"Down by Law" Rosenthal. Laura “Ruth" SaltzEditors: Steven "I’m keeping my baby" Amsterdam, Anjali “When does theparty start?" Fedson 7F14 S15 S16 M17 T18 W19 T20N Lincoln, 327-3331Jump ’n the Saddle Band Well, they’renot Hank Williams, but he O.D’ed ondowns in a limo on the way to a gigsometime ago, and this band is herenow so I figure, hey, I'm there. Besides,Anne Libby is going, and she knowswhat’s good Sat, Fitzgerald’s, 6615Roosevelt Rd, 788-2118Slayer w/Overkill Ever since the boys inSlayer got into Dianetics and s oppedtaking drugs, their music has gon j waydownhill. Also, the singer in Overkillseems to be heavily influenced by StevePerry these days and the lyrics havebecome much less enjoyable I’d ratherstay at home and listen to some earlyJourney. Tonight, the Aragon, 1106 WLawrence, 666-6667Neville Brothers I don’t much care for theband, but I'm going in hope that JillHazelton and/or Tom Uhl might turn up.Strictly for those who jack. Sat, 7:30 pm,Park West, 322 W Armitage, 21 andover only.Southern Wind this is a country band andthus everyone who is anyone will be atthis gig. Get this straight-rock sucks,country is great! Tonight and tomorrow,JNP Lounge, 4754 W Fullerton, 772-3020 —JB*7 ARTThe Unseen Collection — TreasuresFrom the Basement Ever wonder whatan ancient nomad's first-aid kit lookedlike? You can see it, Egyptian pieces,and pieces of Nubian art on display forthe first time at the Oriental InstituteMany of the pieces have never been ondisplay, so catch them now before theyreturn to the depths of the basement Atthe Oriental Institute, 5801 S Ellis Ave¬nue. until January 4 962-9520Television Images: Kimberly BurleighCounteract the overpowering of yourintellect by the slick commercial qualityof television ads and see Kimberly Bur¬leigh's work. Experience her moral-ization through absurdity and let hermake you hot with her metaphors at 340W Huron, 3rd Floor, until November 22.751-1720Art Play: An Installation by Beth TurkThis is not just an ordinary exhibit—it isan "installation of thirty figures groupedin comico-serious interaction to fill aroom with a bustle of games gossip,and art endeavors." To discover what"art endeavors” are, and to experiencea "hotbed of frozen motion," visit theARC Gallery at 356 W Huron, untilNovember 29. 266-7607New Work: Frances Andrzejewska CoxYou probably do not consider your fa¬vorite houseplants worthy of portraiture,but Ms. Cox paints about plant formsand the associations and emotional re¬sponses she has to them, combiningportraits and landscape and fantasy andsymbolism. Also at the ARC Gallery. 356W Huron, until November 29 266-7607All Media. All Chicago Show at PrairieAvenue Gallery See works from sculp¬tors, painters, photographers, print-makers, and stained glass artists in thesecond show at the city’s newest gal¬lery. The show begins November 16 andcontinues on the weekends only fromnoon until 5 until December 28 ThePrairie Avenue Gallery is located at1900 S Prairie Ave. 326-2923‘ And the Appurtenances AttachedHereto": James Grigsby This week¬end's performance art happening at theRandolph Street gallery concerns a manpreoccupied with the future of “a man ina pinstriped suit who questionshis . existence." His search for answersleads him not to law school, but to mind-readmg, dowsing. Dr. Ruth and otherfantasies and nightmares To see"Chicago’s sly court jester of perform¬ance art" (according to the Tribune) willcost you $5 At 8 pm Fri and Sat. at 756N Milwaukee— ISTHEATERMourning Becomes Electra by EugeneO'Neill. Director Rob Press has whittledthis six hour tragedy into a svelt three inthis new production for University The¬ater, so that it captures all the weepingand angst, while leaving us lots of timefor a late supper Someone somewhereought to be commended for this, I thinkFri and Sat in the Reynolds Club firstfloor theater $4A Midsummer Night's Dream by WilliamShakespeare The Chicago Shake¬speare Company initiates a new pro¬duction directed by Myron Freedman, ifyou need an iambic fix. and find theCourt Theater tiresome At the BailiwickRepertory Theater. 3212 N BroadwayBetawolf by Organic Theater A retelling ofthe Beowolf legend set "amidst thedebris of a 21st century Chicago ”?Sometimes you've just gotta lay downyour head and cry. At the OrganicTheater. 3319 N Clark, 327-5507Billy Bishop Goes to War by John Grayand Eric Peterson The picaresque ad¬ventures of an Allied World War I flyingace, told in the form of a musical,tracing his exploits from his hopelessdays as a young recruit, to the laterglories as an international hero Hesings, he dances, he engages in all thehorrors of world war! At the Forum DIVEST NOW“That IBM and GM have been forced to cut off direct investmentsin South Africa is a victory for the divestment movement... Butthese actions fall far short of severing corporate support for thewhite minority regime.The current manager of IBM South Africa Jack Clark, will be themanager of a new company that will take over IBM's operationsthere. The day that IBM announced its withdrawal, Clark took outfull-page advertisements in the South African press guaranteeingthat IBM products and service will continue to be available...GM andCoke have also made sure that their products will continue to besold in South Africa...All of these companies are attempting to end the divestmentthreat while continuing to do business with apartheid. The move¬ment must begin to press for a complete end to any financialinvolvement — sales, investment, technology transfers or licensing— in the South African economy.”—CBJ. Cason and M. Fleschman, The Guardian Nov. 12, 1986Theatre, 5620 S Harlem Ave in Summit.$14 50 to $17, with a student discount.496-3000.Galileo by Bertolt Brecht. The "CaptainEo” of Chicago theater productions thisfall, because of the press hype andadvance coverage, reviews for thisproduction have been surprisinglymixed, although by almost all reportsBrian Dennehy turns in an impressiveperformance as the old guy, and thevisual effects are stunning. Directed byChicago theater wonderboy Robert Falls(best known for last season’s Hamlet).At the Goodman Theater, 200 S Co¬lumbus Drive. 443-3810.Near North Side Story by the legitimatePlayers. Chicago comedy Ah ha ha haDirected by Second City director DonDePollo, college students get a specialdiscount on Thursday nights At theRoxy, 1505 W Fullerton. 472-8100 $8-$16The Art of Dining by Tina Howe Anotherplay about buildings and food, severalcouples dine out at a fancy restaurant,and have many adventures This isdinner theater in the most peculiarsense; the food is cooked and served atthe actors' tables, and not to you oryour’s. This is innovation. At the NoyesCultural Arts Center 927 Noyes in Ev¬anston. 475-1875 $10-$14f’WOMENWoman to Woman is holding a conferenceon Women's Changing Role in Nic¬aragua, co-sponsored by the Women sStudies Dept, of Loyola University. Theconference will feature two speakersfrom the Nicaraguan Embassy. RosaCarlota Tunnerman, Nicaraguan Cul¬tural Counselor, and member ofAMNLAE the Luisa Amanda EspinozaAssociation of Nicaraguan Women, andLenor A Huper. Nicaraguan CounselSister Joan Uhlan, a Maryknoll nun whohas spent thirteen years working withNicaraguan women, will also speakThe Fri night Forum begins at 7:30 pm.and Sat workshops are from 8 30 am-4 30 pm. Tickets are $14 in advance forboth events. $5 for Fri night and $12 forthe workshops at the door Lunch onSat will be an additional $3 50 Allevents will take place at Loyola Uni¬versity. 6525 Sheridan Road, in theCentennial Forum in the RamblerRoom. Please call in advance forchildcare and registration 769-8079Cathy Edetman with Achy Obejas: Sex¬uality, gender relations, duality, andparodoxes — these are the subjects ofJewish photographer/video artist CathyEdelman. She will give a slide presen¬tation of her photo works and, alongwith writer Achy Obejas, screen herrecent video. Discussion follows, at theMountain Moving Coffeehouse forWomyn and Children, 1655 W School,showtimes at 8:30 and 9:45 pm, doorsopen at 7:30 pm, admission is a sug¬gested donation, 769-6899/348-7787,no male children over 10.Spirituality, Sexuality, and Survival inOur Churchea: A conference presentedby Chicago Catholic Women, co¬sponsored by the Feminist TheologicalCoalition of Chicago Seminaries, theMcCormick Women's Concerns Com¬mittee, and the United Campus Chris¬tian Ministry at the University of Chicago Speakers include Beverly Har¬rison. author of Making Connections:Essays in Feminist Sexual Ethics, andOur Right to Choose Toward a NewEthic of Abortion, and professor ofChristian Ethics at Union TheologicalSeminary, NY, on Sexual Ethics Today,Fri, 7 pm, reception at 8:30 pm; MaryHunt, Co-director of Women's Alliancefor Theology, Ethics and Ritual(WATER). Visiting Asst Professor ofReligion, Colgate University, author ofFierce Tenderness and contributor to AFaith of Ones Own. on Friendship,Love and Trouble A Catholic LesbianFeminist View, Sat, 10-11:30 am, FranKissling, Director of Catholics for a FreeChoice, health activist, and co-author ofRosie The Investigation of a WrongfulDeath, on Pro-Choice Theology, Sat 1-2 30 pm, and Rosalie Muschal Rein¬hart, M Div, Jesuit School Chi., Past Women’s Ordination Conference Co¬ordinator, Religion Teacher, NazarethH.S., Rochester N.Y., on "Spirituallyand Sexuality...One and the Same?,”2:45-415 pm, all at University Church,5655 S University Ave . 786-0014Asserting Yourself: Seminar for LesbianLadies, at Kinheart Women’s Center.Fri, 8-11 pm, $2 members/$3 non¬members, 2214 Ridge. EvanstonMary Gemini: New Wave artist, at Moun¬tain Moving Coffeehouse For Womymand Children. Sat, 8:30 and 9 45 pm,doors open at 7:30 pm, 1655 W School769-6899, admission is a suggesteddonation, no male children over 10.Women/Anger/Change: Workshop ad¬dressing how women can deal withanger, and use it together as women tochange, 3:30-5:30 pm. Lake ViewPresbyterian Church, 716 W Addison,$10, 726-1865Kinheart Women's Center: Lesbians over40 group. 3 pm. 2214 Ridge Evanston,491-1103.Friendship: A Oilemma for Adult Chil¬dren of Alcoholics. Many of the issuesadult children of alcoholics experience -lack of trust, difficulty identifying andexpressing feelings, limit-setting, sus¬ceptibility to guilt, high tolerance forinappropriate behavior, and a tendencyto rescue - can dramatically interferewith their ability to develop gratifyingfriendships Laune Kahn, MA. CM. Di¬rector of WomanCare Counseling Ser¬vices will discuss how friendships canDe a healing relationship for AC As. Tueat 715 pm. Women and Children FirstBookstore. 1967 N Halsted 440-8824Internalized Homophobia: Presented byHyde Park Lesbian Support Group, ledby Kinheart. Thu 7-9 pm. suggesteddonation S3/S2 students call 491-1103for location. —SRMISCProtest There will be a protest of USforeign policy outside of the US-USSRprogram to be held in Mandel Hall thisMonday, Nov. 17. At noon and at 5:00pm demonstrators from the campusgroups CAUSE. Third World PoliticalForum. Students for Nuclear Disarma¬ment and the Coalition for Divestment,will peacefully show their opposition tocurrent government policies in CentralAmerica, Southern Africa, and in regardto the arms race Secretary of State.George Schultz, will be speaking at 5:30pm as the f;nal presenter in a programsponsored by International House andthe Chicago Sun-Times The program ismade up of luminaries such as formerdirector of the CIA, William Colby, andrecent member of the National SecurityCouncil, Constantine Menges Billed asa program on "The Search for Solutions:US-USSR" the presence of many in¬dividuals responsible for the lack ofsolutions to the east/west conflict is ofparticular interest to those planning thedemonstration The demonstrators planto hand out a position sheet to thoseattending the program, and to voice theircriticisms in the question and answerperiods at end of various program sec¬tions With titles such as "Probing OurBorders." "The Hidden Hand," "OpenAdventurism” and the incongruous"Which Way to Peace,” it appears thatthe day's talks will emphasize the SovietThreat as much as any search for sol¬utions Stating their opposition to the USpolicies which threaten world peace, andindeed prevent peace, the protestorshope to show that the causes of US-USSR differences are not simply theresponsiblity of the latter partyTalent Search Scouts from Busch En¬tertainment Co. will hold auditions onThur from 11 am to 4 pm at the PalmerHouse Hotel. 17 E Monroe at State, withsingers, dancers, actors, and other as injugglers and clowns For the necessaryinformation call (314) 982-1701Patriotic Majority A new political sceneSpeaker Quentin Young MD from Physic¬ians for Social Responsibility at the ThirdUnitarian Church 301 Mayfield free 626-9385Coming Out is not easy Find supportevery Tues evening at 8 in Quaker House5615 S WoodlawnGREY CITY JOURNAL—FRIDAY, NOVEMBER 14, 1986—3ITmV IMS ARK LIQUORS & WINE SHOPPEU14 East 53rd Street • In Kimfcark Plaza SAli DA ns11/13/M TM»U 11/1*/$*493-3355STOCK UP SPECIALS!LABATTSCANADIAN24-12 M N* ins$10**BUSCH24-12 <k CANS$64* OLD MILWAUKEE24-12 01 CANS$5**OLD STYLE6-12 os. Nt ns$1** BUDWEISER24-12 os CANS$779COOKS12 12 os CANS$399WINEBAGBEAUJOLAIS /so *4DRY SACKSHBWY 750 *41LANCER'S 750 mi.MARTINI B ROSSIVBtMOUTH 750 04FETZER 750 ml.CHENIN BLANC $359$599$299$929 • U.HV mil »i$359 CHARLES IE FRANCWHITE ZINFANDEL 750 04INGLENOOK CABERNETSAUVIGNON 50 04PARDUCCI FRENCHCOLOMBARDKmDAU JACKSONCHARDONNAY 750 04DEWEY STEVENS * *0* $349$399$3*9$6’*$249SPARKLINGKORBELCHAMPAGNE 7» .1 $6" GLORIAFERRER 750 mi $999SPIRITShair performers1621 East 55th241-7778OPEN “7“ DAYSTUESDAYIS MEN’S DAYALL CUTS $10°°Watch for our annualPerm Sale in DecemberThe 1986-87Early MusicFestivalPresented byThe Department of MusicKuijkenQuartetNovember 21,1986Tickets: $12; l of C students, $7.“The Quartet is an experience apart—four artistswhose scholarship and musicianship, style andpoetry reflect the baroque Geist as authenticallyas our distant era may ever hope to know it.”Tickets available at the Reynolds Club box office. Phone 962-7300All concerts begin at 8 p.m. in Mandel Hall.Rote Records joins in the sponsorship of the Early Music Festival with contributions fromthe Kimbark Foundation, Repents Fork in Hyde Fork by the Clinton Company, UniversityNational Bank, and the Illinois Arts Council, a state agency. ALL UNIVERSITY OF CHICAGO STUDENTSare invited byThe United Methodist FoundationTo experience Christian Community and fellowshipTo study and discuss contemporary issues from a faith perspectiveTo join in witnessing for peace and justice.Sunday, November 16:A Conversation with a University PreacherRobin Lovin6:30 - 8:00 pm in Ida Noyes Hall2nd Floor East LoungeDessert and Coffee ProvidedRev. William J. Kuntze, DirectorThe United Methodist Foundationat the University of Chicago1448 East 53rd Street363-7080, or 493-29444—FRIDAY, NOVEMBER 14, 1986—GREY CITY JOURNALPUBLICAFFAIRSby Andy WhiteMonday:Music from Hyde Park (4-5 pm)Music and interview relating to currentofferings on the campus of the Universityof Chicago. From chamber music to vocalrecitals, from evergreens to modern, thecampus classical scene is covered in-depth.Women’s Voices (5-6 pm)Women’s issues are examined eachweek, through interview and song, featur¬ing guest musicians who work in thefeminist idiom, both local and national.The only program of Women’s movementmusic presented on Chicago radio.Tuesday:The Haitian Show (4-6 pm)Offers music and news from all Haitianperspectives by presenting governmentand private accounts of a country in flux.The midwest’s only program of this na¬ture, en francais.Wednesday:Radio Moscow (4-4:30 pm)Presented as a service to political ob¬servers who do not own a short-waveradio, featuring the latest trends in Sovietindustry and arts (or is it “industrialarts?’’), and they respond to Americaninquiries with “Moscow Mailbag.’’Southside Forum (5-5:30 pm)WHPK’s political coverage is enlarged asour staff is joined by reporters from theChicago Defender and the Hyde ParkHerald. Frequent guests include CityCouncil Alderman and City/County Com¬missioners.Thursday:Interview Chicago (4-4:30 pm)Community campus concerns are con¬vened on this weekly program, voiced bya melange of students, community mem¬bers, and faculty.Maroon Sports (4:30-5 pm)From intramurals to the conferences, frommen’s to women’s competitions, and fromthe top of the Stagg Field grandstand tothe depths of the new Ida Noyes Pool, allHyde Park sports are discussed, with hostJay Polk and his guests.Chicago Renaisance (5-6 pm)Engaging poet and publisher HB Kamauhosts the most lively literary set on Chic¬ago radio, with guest writers and poetsfrom all over campus and city.MUSICPsychic TV — “Roman P.” b/w “GoodVibrations” (Temple)Seems like Genesis P. Orridge is enjoying hisrole as a rock star. “Roman P. [olanski]” is afrenetic attempt to disgrace the famed husbandof the late, lamented Sharon Tate Tasteless,but brilliant. “Good Vibrations,” on the otherhand, is fun, but falls into the trap of being acover version that sounds too much like theoriginalBilly Bragg — Talking with the TaxmanAbout Poetry (Elektra)Well, well, well... Mr. Bragg certainly soundsdifferent this time around. He gets lots of helpfrom lots of friends who play lots of differentinstruments. His style fluctuates wildly as hedelivers his usual blend of heavy-handed poli¬tics and innocent romanticism. However, all ofthe new tricks are soon sorted through toucover the same old loveable big-nosed Billy.Taxman is his most accessible work to date,yes sir, but it doesn’t sacrifice one bit of hisintegrity, no sir.Half Man Half Biscuit — “Dickie Davis Eyes”b/w “The Bastard Son of Dean Friedman"(Probe Plus)What can you say about a song that begins.Well I heard a lovely rumorThat Bette Midler had a tumorSo gleefully I went and told my friendsBut they said it was a lieAnd she wasn’t going to dieAnd by the way, have we gotnews for youAnd they told me that the manI had always known as dadHadn’t met my mum when I was born \(//sWM'&k ih • >••••••••••«••••••••••<> ••••••••••••••••••••••••••••••••• •••••••••• ••••••••••• ••••••<• ••••••••••• •••••••••<• ••••••••••• •••••••••<• ••••••••••• ••••••••••• ••••••••••• •••••••••<• ••••••••••• ••••••••• IJ~-11 - 1 - " "uuUI1aa ' ' - L "////////////////////////////z i\\' •Bsawt v&k 3®:-:-:-:-:-:mx&Smm mm///////////////////////////////////////////And they reckoned that I amBut I hope to God I’m notThe bastard son of Dean Friedman.Hilarity. Sheer hilarity.Icicle Works — “Who Do You Want for YourLove?” b/w “Understanding Jane (Live)”(Beggars Banquet)You know, these guys fooled everyone wherthey put out “Understanding Jane.” Theyadded some crunchy guitars and said, "Heylook1 We’re not wimps anymore!” Guess what7They’re still wimps, and dopey ones at thatIntellectual wimps I can stand, but dopey ones?Ugh. At least the b-side’s got an extendedversion of “Jane.”Railway Children — “A Gentle Sound”(Factory)Don’t be fooled by the name. These guys arereally the Icicle Works. They just play theiracoustic guitars super, super fast to fooleverybody. More wimpy, only less dopey.Smiths — “Ask” b/w “Cemetery Gates"(Rough Trade)More wimps, but these are intellectual ones(there’s a difference, you know). “If it’s notlove, then it’s the bomb that will bring ustogether." Once again, Morrissey demonstrateswhy he’s the Byron of the eighties.The Coolies - Dig... ? (Db) fAn album of songs by Pauls. Nine by PaulSimon, one by Paul Anka. These guys coversongs in much the same way that the Minute-men do. that is, tongue-in-cheek, yet respectfulof the prototype A fun record, if not original.Beastie Boys — Licenced to III (Def Jam/Columbia)This is a rap for rockers and metal for mixers.The Beasties steal the best from both genres tomake Licenced to III one of the most powerfulplatters ever to hit the turntable. Of course, themisogyny is still annoying to us liberals. Jazz Butcher — Distressed Gentlefolk (BigTime)Are there any other people out there askingthemselves the question. “Just how long doesthe Jazz Butcher plan to go on being smug andwitty?” I know I am. I mean the Jazz Butchercan still make me chuckle and tap my foot, buthis style certainly doesn't stand the test of time,not to mention the course of four or fivealbums. You think he’d wise up Still. Distres¬sed Gentlefolk is a nice introduction for thosewho haven’t yet been bored.Love and Rockets — Express (Big Time)Crunchy, crunchy, crunchy. Gone are the wist¬ful melodies of the last album. In their place arehordes and hordes of -noisy guitars. Expressdelivers the promise of the single “Kundalini."It doesn’t disappoint like Seventh Dream didafter "Ball of Confusion.” This is the record forthose of you who were wondering (like me):"What ever happened to those noisy guys whoused to be in Bauhaus?"Richard H. Kirk — Black Jesus Voice (RoughTrade)some solo beats and tapes from one half ofCabaret Voltaire not really as exciting (read:danceable) as the single "Hipnotic”.. kmdasounds like one long backing track...not bad ifyou’ve got something else to do while listen¬ing.Various — Something Wild (MCA)Of the fifty-odd songs that were used in thefilm, MCA has selected one record's worth toprovide a fairly accurate sampling of the actualsoundtrack. Highlights of the album includeDavid Byrne singing salsa, the Fine YoungCannibals covering “Ever Fallen in Love.” anda raggae version of "Wild Thing.” Not a badrecord, really (this coming from someone whonormally detests soundtracks). One flaw, how¬ever, is the absence of any of the Feelies songsthat were performed in the movie, but perhaps they’ll turn up elsewhere.Various — Emma (M.A. Draje)EMMA is an abandoned warehouse in Ams¬terdam that was squatted by punks in 1984Since that time, it has become headquarters forthe continental hardcore scene This two recordset offers a sampling of some of the besthardcore and noise from Central Europe, allrecorded live at EMMA There are few rec¬ognizable names on the roster (Sonic Youth.Negazione. Membranes), but all tracks are oftop notch quality, both in style and content. Thepresence of so many talented obscure bandsmakes EMMA as satisfying as it is interestingFelt — Forever Breathes the Lonely Word(Creation)Felt, the undisputed masters of the Holiday Innorgan, have cooked up a whole batch ofexcellent pop songs for this, their secondalbum As is the case with their singles. ForeverBreathes the Lonely Word has a familiar yetunnameable quality about it. The album showsa fair amount of influence from both Lou Reedand Bob Dylan, but along with those two. it alsoshares the same quality of being intenselylikeable for no definable reason. An instantclassic.New Order — Brotherhood (Qwest)A good record, really. The expected cries of“sellout” are heard, but Brotherhood has allthe elements of a fine New Order album. Itsdanceability goes without saying, and under allthose powerful beats lies a complex web ofinstrumentation. Of course, the lyrics tend to bea bit dippy, but New Order have never beenknown for their poetical prowess now. havethey? All in all, Brotherhood is another strongeffort by the shy quartet from ManchesterCocteau Twins — “Love’s Easy Tears(4AD)The Cocteaus at their best, that is to say, “newage” music for trendies like me — Rich WojcikFOR GOOD (READ: TRENDY) PEOPLEGREY CITY JOURNAL—FRIDAY, NOVEMBER 14, 1986—5A\ >\nhGliding emerges from the crystal of chrome,a crocodile with emerald eyes,and through the sallow moss it slithers by,under the fiery haze of the murky holm., ' '■ . ' • ■ +*It whiplashes in its broken loamthe dust of gold which the bank scalds,and a savage of sun-baked back vaults,waylaying the saurion with fierce aplomb.His dark glaze slashes the herbage,and strangling the pommel of his daggerhe wounds the beast in nonpareil rummage.Rastreando emerge del crista! cle cromo,un yacare con ojos de esmeralda,y serpentea entre la hierba gualda,bajo el fogoso luminar de plomo.Relampaguea en su quebrado lomoel pofvo de oro que la orilla escalday un chiriguano de tostada espalda,asecha al saurio, con feroz aplomo.: Xv/av.vI •:Rasga el ramaje su mirada oscura,y estrangulando el porno de su dagahiere a bestia con sin par bravura.Resuella el mdhstruo y de venganza hambriento,la hirbiente sangre con su lengua halaga,y con su cola decapita al viento. the boiling blood with its tongue caresses,and with its tail the wind decapitates.W$wjFew are the times when great paladins of the Hispanic worldmake a sojourn in our windy city. Not long ago, Bolivia's foremostmaker was in Chicago for heetitK reasons. He has been thepreeminent figure of Andean poetry for half a century, yet manyAmericans have not heard of him. Only recently, King Juan Carolsof Spain dubbed him with the Cross of Knight in the Order ofIsabella the Catholic, the highest honor that country bestows onSpanish Americans.The four-time Laureate, author of fifteen works of poetry andtwo anthologies, has been distinguished in thirteen countries andfive continents. He has won several Hispano-Luso-American andWorld contests of poetry. Early in his career, he merited majorrecognition through the Cesar Vatiejo and Ruben Dario prizes.Although his poetry is not politicized, he is a serious contender forthe Nobel prize of Literature, 'His stormy youth helped found the Nationalist RevolutionaryMovement, that gave Latin America one of the four, along with theMexican, Cuban and Nicaraguan, great social reforms of thecentury; however, he became depressed when as a result hislands, like Virgil's, were overrun.The belles lettres have always surrounded him, coming from aremarkable literary family, which included his father Dr. Felix A.del Qranado, a great Bolivian educator and statesman, and hisunde Dr. Francisco Maria del Granado, third bishop of Coch¬abamba, a saintly man and great ecclesiastic orator, who is nowbeing beatified. Even his wife was a reknown poetess in her ownright.He is the last classical poet of the Spanish language. Instead offollowing the generation immediately preceding him, which brokewith the past and strove for new forms of expression, he returnedto the ancient crafts, and raised their standards of simplicity,restraint and proportion to new perfection.His epic and pastoral poetry was praised by Philippine Presi¬dent Diosdado Macapagal as prolific, rotund and unusuallyinspired. But his sonnets are his greatest triumph.His work is concerned with creating popular culture. He singsthe glory of the Conquest and the simple life of the Indians, andexults the majesty of the Andes mountains. His work has becomerequired reading for Bolivian school children.His carries the singular distinction of being the only member ofthe language Academy to have delivered his entrance speechtotally in verse. In short, his poetry speaks for itself, even throughthese translations by his namesake. — Javier del Granado EL INCAEl llautu rojo y el airon sagradoorlan su frente con la borla regia,y el suntur piucar con su globo de oro,encierra el orbe en su potente diestra.Flota en sus hombros purpurino manto,el hu£mpar nieva su figura esbelta,y altas ojotas de sedeno caito,cinen sus corvas con doradas trenzas.Recias argollas de su oreja penden,y el aureo huallca de irisadas gemas,los doce signos del zodfapo engarzasobre su pecho en luminar de estrellas.Por eso el tiempo que transforma imperios,detiene el sol en su reloj de arena,cuando la voz del Haravico iniciadel Inti Raimy la solemne fiesta. THE INCAThe ruddy llautu and the sacred aigrettegarnish his forehead with the regal tasseland the plumed scepter with its globe of gold,encloses its orb in his potent dexter.Purple mantle floats on his shoulders,a kirtle snows his slender figure,and tall sandles of flaxen thonggird his shanks with golden tresses.Fine hoops from his earlobe dangle,and the aureate collar of iridescent gems,enchases the twelve sings of the zodiacover his bosom in stellate glints.For which time that transforms empires,detains the sun in the sands of its glass,when the voice of the maker ushersof summery solstice the solemn feast.TRANSLATED BYHIS NAMESAKE Y en Koricancha, ante su augusto solio,vierte el Augur en oblacion de ofrenda,sangre de alpaca y de guanacu tierno,germen fecundo de la Madre Tierra.Mientras las nustas en divina danza,de alas de luz y florecer de quenas,siembran de amor en sus dominos sacros,el hailly de oro, en polvo de leyenda.1966—GREY CITY JOURNAL And at the Sun temple, before its august canopy,the augur pours in oblation of offering,ichor of alpaca and tender guanaco,the fecund germ of the earth mother.While the virgins in divine dance,of wings of light and flowering of quenas,sow of love in their sacral domains,the paean of gold, in powder of legend.ROMANCE DE LA NI&A AUSENTECante te vida del ayllu,jhimno de soj y trabajo!que arracimo {as estreilasFue en esta Uerra valluna,cantar de soly payhuaro,que desgran4 mis romancesai pie del Ande nevado,cuando surgio en mi camino,l§p!|obre ios surcos prerWdo^^J^HHHHHHaquella Nifla de ensuenos, como las ra'ces de un tacko,tauroray flof de mi pago!, para absorber en su medulaquedeslumbro mis pupilasy puso miel en mis labios,embeHeciendo mi vidacomo un paisaje serrano.For eiia me bice poeta,y ame en sus ojos sombreados,la lumbre de las aurorasy el vueto azut de los astrosJ|gjque cantan ai Ser Supremo,bajoFue nuestro amor un idiliode tierra ardiente y riacho,que florecio en el arrullode ios hulinchos montanos,cuando mis manos sedientasde eternidad, destrenzaronel oro de los trigaies,sobre sus hombros de nardo.Send' en su cuerpo de miesescalor de predio sembrado,piar de nido en su boca,amor de madre, en sus brazos,y acariciando en las lunasel frujo recien logrado,cante a mi valle nativocon voz de gleba y charango.Cant6 la agreste bellezade los paisajes serranos,la espuma de los torrentes,la sierra parda y el llano;la nieve de las montanasy el latigazo del rayoque incendia los horizontesen fulgurar de topacios.Cante las fiestas aldeanasy las faenas del agro,donde los rudos labriegosencallecieron sus manos,agavillando en las erasla mies cuajada de granos,que salpico en las quebradasel trino de los chihuacos.Cante a las mozas de Colpay a los varones de Ciaco,que medran en los bretf alescomo las plantas de cacto,sorbiendo el cielo en sus ojosy la poesfa en sus labios. ei alma del pueblo indiano,que florecio en el ramajede las cantutas del Lago.En fin, cante los crepusculos,el cielo azul, el regato,la lumbre de la encafiaday el canto en flor de los pharos;porque en mis venas bullfala sangre de mi terrazgo,y el madrigal de temuraque me brindaron los labiosde aquella Nifta de ensuefios,iaurora y flor de mi pago!Pero no quiso el destinoque contlnuase cantando,y vi quebrarse su imagenen el crista) del remanso.La vida se me hizo triste,sentf el vacfo en mis brazos,dolor de ausencia en mis ojos,sabor de hiel en mis labios.Y anonadado y dolientequedo mi ser meditandoen las miserias del hombre,ipolvo de luz y de atomo!que hizo inmortal el espfritu,en el dolor del arcano.La larva del pensamientorasgo el capullo en mi craneoy abricTsus alas de angustiasobre el idfiico talamo,donde ya nunca la amadame estrechana en sus brazos,acariciando mi frentedonde los suefios nidaron.iAy!, que recuerdos evocala vieja casa del rancho,ndonde mi vida fue un suefiodesvanecido en sus manos,y el canto de las alondrasseg<5 su nombre en mis labiosY desde entonces, sin rumbo,sin fe, ni amor, por los campos,huyendo voy de mf mismocomo una sombra sin llanto. It was in this vaBied land,canticle of sun and corn-blossoms,that I shelled my romancesat the foot of the snowed Andes,when there burgeoned in my path,over the impregnated ruts,that girl of my daydreams,Dawn and flower of my earnest!,who bewildered my pupilsand put honey on my lips,embellishing my lifeas a highland scene.For her I became poet,and i loved in her shadowy eyes,the sheen of the aurorasand the blue flight of the heavenly bodies,which chant to the Supreme Being,under the bell-glass of space.Our love was an idyllof ardent soil and rivulet,that bloomed in the cooingof mountain dovelets,when my a-thirst handsof eternity, unbraidedgold from the wheat fields,over her shoulders of nardI felt in the ready-crop of her body,the warmth of seeded earth,a nest’s chirp in her mouth,mother’s love, in her arms,and caressing in the moonsthe fruit just attained,I sang to my native valewith voice of glebe and charango.I sang the agrestic beautyof highland scenes,the froth of the torrents,the dun ridge and llano;the snow of the mountainsand the whiplash of lightningthat sets fire to horizonsin fulgors of topazes.I sang the village fiestas,and the chares of tilth,where rustic paysennescalloused their hands,sheaving on threshing-floorsyield coagulated in granules,that splattered in brooksthe trills of thrushes.I sang to the maids of Colpaand to the swains of Ciaco,that thrive in the heath,like plants of cactus,sipping the sky in their eyes,and poetry in their lips. i sang the life of their lineageHymn of sunscaid and toil!which clusters the starsin the clarion of roosters,I sunk my feet in the rutslike the roots of a buckthorn,to absorb in its medullathe soul of the Indian people,that flowered in the ramageof the Lake’s cantutas.1 short, I sang the crepuscles,the blue sky, the creek,the ergal of the gorge,and the ballad in bloom of the birds;because in my veins bubbledthe blood of my terrain,and the madrigal of affectiontendered me by the kpsof that girl of my daydreams,Dawn and flower of my earnest!But destiny would not willthat I should continue my singing,and I descried her image shatteringin the cristal of still-waters.Life for me turned into sorrow,I felt absence in my arms,dolour of void in my eyes,savor of gall in my lips.And stupefied and grieved,my being was left meditatingthe miseries of man,Dust of light and of atom!that made immortal the spirit,in the pain of arcanum.The larva of thoughttore the cacoon in my cranium,and opened its anguish in wings,over the idyllic bride-chamber,where my love never againwould in her arms embrace me,stroking my brow,where dreams had once nested.Ay! what memories evokesthat old house of the ranch,where my life was a dreamevanesced in her hands,and the song of the larksmowed her name in my lips.And from then on, without course,without faith, nor love, though the fields,I go running from myself,like a shadow without weeping.From The Hispanic Cultural SocietyGREY CITY JOURNAL—FRIDAY NOVEMBER 14, 1906—7rWestward ho’WALK THIS WAYFAUVEL FLIESby James A. GlazierLe Roman de Fauvel is one of the highpointsof French medieval music. A raucous, oftenbawdy satire on contemporary politics, it wasextremely popular, surviving both in musicaland poetic versions. Its political message isequally appropriate today, in the Reagan era.The story tells of the fawn colored ass Fauvel,whose name is an acronym for the sevendeadly sins. Beloved of Fortune Fauvel rises tobe king. In his arrogance and greed, he seeksto marry Fortune herself. She refuses, butpresents him with the hand of her daughterVainglory. The offspring of the evil couplemultiply, and threaten to overrun the world. Thestory ends ambiguously with a prayer thatFortune may soon turn her wheel and over¬throw Fauvel, and (as in Orwell’s 1984) thenarrator goes off to get drunk. No present daysatirist could be more topical.A modern performance of Fauvel presentscertain difficulties. Some versions of Fauvelwere meant to be staged, others to be recited.Even in a concert performance like the New¬berry’s on November 1, the work is too long toperform complete. Condensation involveschoosing among the several extant versionsand deciding whether to emphasize the text orthe music. The language itself is a difficulty, forthe Old French of the original, while easilycomprehensible, is also subtle. The audiencemight not appreciate the satire fully if deliveredentirely in Old French. Finally the singing styleitself may stress either comical or musicalvalues.Mary Springfels, who directs the group aswell as playing vielle and lute solved theseproblems with admirable-success. She gaveabout equal weight to the spoken and sungtext. Edmund Brownless declaimed in OldFrench with great feeling and excellent diction.Translations were provided in the program andthe audience encouraged to follow along. Par¬ticularly amusing sections were delivered inEnglish, by the singers, who sang the relatedsongs in French and Latin. This proved anexcellent compromise. One enjoyed hearing theOld French and appreciated the poem the morefor the fine delivery, yet even non-Frenchspeakers were able to follow the story andenjoy the fun. Particularly amusing was thescene illustrating the rabble of Fauvel's de¬scendants. in which all the performers joinedthe singing, accompanied by rattles and thebanging of pots and pans.Both soloists were exceptionally fine. DrewMinter is one of the best countertenors singingin America today. His voice has a tremendousrange and perfect smoothness He is alsoextremely versatile, equally at home singingHandel (He has sung with various opera com¬panies in New York), Renaissance frottole andthe medieval music of Fauvel. In the smallconcert room at the Newberry, the clarity of hisvoice was especially appreciated. Ann Mon-oyios has a fine soprano for early music, clear,delicate and supple, with a bit of extra zest forthe more wicked songs. Both singers clearlyenjoyed their roles, shifting effortlessly from thepathos of the laments for the evil state of thetimes to the brashness of the bawdy. Both wereimpressively theatrical, enunciating clearly andresponding readily to the emotional import ofthe text.The instrumentalists deserve equal praise.Mary Springfels is an ideal accompanyist.whether on vielle or lute David Hart plays agreat variety of instruments with perfect assur¬ance and David Douglass on rebec and vielle isin no way inferior. Hearing them play togetherand with the singers is a pleasure. One sensesa great natural sympathy among them. Noneleads or dominates; the ensemble is flawless by Julia BozdoganThe human bulldog grunted at me and said.“I don’t see no Bzdervich” on here.‘‘Bozdogan, BOZDOGAN — the name thatlooks like something out of a Japanese monstermovie.”I was trying my best to humor this bouncerwho thought I was just another punk trying toweasel into the Walk to the West concertBulldog scanned the list again.“Spell it.”“I can give you two hundred and thirty-sixversions which would take a half hour. Just letThis is most apparent on those rare occasionswhen someone makes a mistake. It has be¬come almost a trademark of the group to stopand restart one song per concert, as if toillustrate the easy good humor which pervadeseverything they do.The audience left uplifted by the music andchastened by the message. A subsidary benefitwas the demonstration (if more demonstrationsare needed in this age of early music), thataccurate and authentic playing can be livelyand fun. that one need not resort to WaverleyConsort type tricks to make the music work.Thus the evening was both delightful andinstructive.Perhaps because of the location of theconcerts on the Near North side, Early Musicfrom the Newberry has never attracted muchattention from the University community. In¬deed the group, though it draws a devoted andenthusiastic audience, has never received therecognition or financial support that it deserves.This seems to be another case of Chicagoneglecting its cultural resources. It would be ashame if the city proved too narrow minded tokeep its one World-Class early music en¬semble.Early Music from the Newberry Library's nextconcert is Saturday. December 13 at 8:00 PM,at the Newberry Library. 60 West Walton St. me see the list.”I grabbed it away from him.“Bzoganner, that’s it!”I pointed it out with one hand while the otherdistracted him with an i d. By the time I had runup the stairs, Walk to the West was finishingand their last song. The crowd was jumping upand down screaming the name of the leadsinger, Paul Kirby, who was also jumping upand down. Walk to the West was making thecostume makeup drip down people's faces.Walk to the West was wetter than a bunch ofpigs in a trough and looked as if they werehaving about as much fun, too. The leadby Justyna FrankUniversity Theater (UT) and the Blackfriarspresent the fun production of the quarter for thenext two' weekends. University Theater doesnot put on light, heart-warming and optimisticoften so make sure you don’t missFiddler on the Roof. Another play like this onemay not come around for a while.The most striking aspect of the production ofFiddler on the Roof is its informal character.The choreography is not demanding, it is free-spirited and has a natural feeling. The dancesappear almost spontaneous. It conveys therelaxed village setting. It represents the inter¬action of people who’ve known each other formany years, and are happy with each other.The group scenes are the highlight of this play,making it unlike most UT productions.Strangely, the cramped space of the theaterdoes not interfere with group scenes It ratherenhances them making the thirty-member castseem twice its size. The community feeling andtremendous energy are preserved in all thechorus numbers.Fiddler is also an intensely personal produc¬tion. This is undoubtedly the work of thedirector, Gail Martin, who has brought theactors so close up that they almost interact withthe audience. Not a bit of insincerity will escapethe viewer. The actors have to work extra hardto maintain their characters.A prime example is Ben Weinberg, as Tevye,the father of the family. He makes an amazingcontribution to the personal feeling of the play.While other actors are sometimes visibly un¬comfortable with their somewhat outdated andmelancholy parts, Ben stays true to his role atall times He strikes a perfect balance inportraying an aging father who is torn betweenhis concern for religious and social traditionsand his love for his five growing daughters.Even in the most sentimental of scenes, BenWeinberg remains genuine.A fine contrast to him is provided by JulieFernandes as his wife Golde. She is a stricthousekeeper of a modest household, exercisesfirm control over her unruly daughters, and hasno time for emotional business. While Tevye isslow, philosophical and torn by conflictingemotions, Golde is quick, abrupt and decisive.Julie channels all the energy of the characterinto her household and motherly duties. There¬fore. Golde appears cold and unaffected bylove and emotion. Yet, she too can be coaxedto confess love for her husband, and show herdevotion to the community she is forced toleave.Some performers add unorthodox toucheswhich make the production unique. Motel is apoor tailor in love with Tevye and Golde’seldest daughter Tzeitel (Katrina Barron) He is aclassic example of a wimp who proves a worthyman and husband in the end. Adam Katzportrays him as a painfully shy, slouching guitarist, Will Goleman, thrashed around hislawnmower haircut while the drummer’ssweatdrops hit the drumheads in doubletimebeat with the sticks. They also had a very goodfiddler whom they swiped from the band TheKendalls.'“So ah took her in the back seat of myChevy—I coaxed her in with candy and jellybeansAnd like a good boy should, I took her to thewoods, and ripped off her dress with mahteeth...”So went the words to that last song, “Do YouWanna Dance” which is also on their newalbum Walk to the West by Capitol Records.Walk to the West did so off stage without anencore, which, I found out, was because of themanagement trying to hustle in The Smithereens next. Since I wasn’t in the mood for allthe Halloween festivities, I hadn’t worn a cos¬tume. I tried to make the best of it when Iwalked backstage.“Hi, aren’t rock critics assholes?”John Goleman, the bassist and brother of thelead guitar, started talking with me. Apparently,the band has been together for about two yearssince they formed down in Tennessee. Theycall themselves Walk to the West from the titleof one of their earlier songs that’s about"Walking towards freedom, a new frontier.”Hank Williams, Merle Haggard, and Aerosmithare among the influences of Paul Kirby, who isthe band’s chief songwriter. I didn’t really get totalk with him or Richard Ice, the drummer. Thetwo of them were looking like landlubberedgoldfish leaping into a tank of beer."So so you guys have any favorite food thatinfluences the way you play? Y’know, like TheChipmunks might eat hostess?”“Nah," said John, “We’re on the road all thetime so we just eat wherever and anything.We’re gonna be traveling with the Smithereensup through Canada.”“Wanna poster?” Will waved under my face.I noticed that his t-shirt said “Sloppy Joe’s” onit. He was autographing a couple posters for avampiress and her boyfriend who had a deadbloody parrot dangling from his neck.“Boy, this is better than Christmas,” shesaid. I turned to John.“Y’know, I can’t believe that they cut youguys off five minutes plus an encore. Thatreally stinks.”“Yup,” he yawned.It really did.young man, with a pair of glasses low on hisnose, and a perpetual stutter. Matt Dencklaplays an extremely likable Rabbi. His sermonsare concise, usually limited to the word“Amen". If his make-up does not expressrealistic old age, the grimace on his face doesthe job adequately.The place for the off-beat characters to shineis the dream sequence in the play. It containsnot one, but two surprising, imaginative cameoappearances. The first is Joan Polner asGrandma Tzeitel. Clad in scarves and blankets,her face caked with old age makeup completewith missing teeth and a wig, she sings hersmall but effective solo in a high-pitched,screechy voice, which borders on macabre. Thesecond cameo, by Susan Webster as Fruma-Sarah, is full-fledged macabre. Her face blueand grey, her costume torn to shreds, she runsabout the stage and yodels out warnings andcurses with terrific energy and conviction. Thefantasy of this scene is magnified with lightingand musical effects, and the chorus membersprancing about as angels. Especially notable isthe Rabbi now transformed into the “chiefangel ” Rosy cheeked, he skips in perfect joyaround Grandma Tzeitel and sprinkles glitterfrom a salt shaker to make the scene appeareven more celestial.However, even the slightest attempt at formalchoreography detracts from the familiar, com¬fortable feel of the play. Such a distraction is ashort, individual dance of two of the daughtersat one point during the play, rather than amplifya particular aspect of the moment, it takes theattention away from the foreground of thescene. It could easily have been omitted.Nevertheless, this production breathes vib¬rant and enthusiastic life. All group scenes arefun and heart-warming. The main charactersshine against the background of a vigorous,energetic chorus. The actors add real life totheir characters, so that they appear lifelike andunique.The costumes nicely accentuate the produc¬tion without being overpowering. They are drab,simple, modest and lacking in color, as if tosymbolize the simf>le, undemanding lives of thecharacters. The Cossack-like costumes of thegovernment agents do a fine job of setting themapart from the others and creating menacingsuspense.The director has succeeded in makingFiddler a consistent, comfortable show. Shehas clearly maintained the control over blockingand staging. She has preserved the focus ofthe play. Yet, the individual contributions of theactors are undeniable. It is those combinedefforts that make the production of Fiddler onthe Roof fresh and unique.Fiddler on the Roof is playing Oct. 13,14,15,20. 21 and 22 at 8:00pm at the Third FloorReynolds Club Theater. General admission$5.00, UC students $4.00.ARTISTIC EXTRAVAGANZAPOETRY FICTIONPHOTOGRAPHSIT’S TIME TO SUBMITFOR OUR LAST FALL ISSUEDEADLINE: NOVEMBER 21AT 9 AM NO EXCEPTIONSIDA NOYES 303 FIDDLER ON THE ROOF. YUP.8—FRIDAY, NOVEMBER 14, 1986—GREY CITY JOURNAL MHHHIiFOREMOST////^1531 East Hyde Park Blvd • 955-5660CARNEROS CREEK CHATEAU RUFFIALCABERNET SAUVIGNON 1982 BORDEAUX8" 099750 mlBEAULIEU VINYARDSCABERNET SAUVIGNON1979 J. LOHRCHARDONNAY11 hj 750 ml 69?HYDE PARK’S LARGEST IMPORTED BEER DEPARTMENT!GROLSCH ST. PAULI GIRL6-12 oz. N.R. BOTTLES 6-12 oz. N.R. BOTTLES399 j V 3"BECKS V & MOOSEHEADI 6-12 oz. N.R. BOTTLES / 6-12 oz. N.R. BOTTLES3" 349SALE DATES NOV. 13 TO NOV. 19 |STORE HOURS: Mon.-Thurs. 9-11. Fri. & Sat. 9-12. 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Park and lakefront providea natural setting for affordable elegance with dramatic views.—All new kitchens and appliances—Wall-to-wall carpeting —Resident manager—Air conditioning —Round-the-clock security—Optional indoor or —Laundry facilities onoutdoor parking each floor—Piccolo Mondo European gourmet food shop and c afeStudios, One-, Two- and Three-Bedroom ApartmentsOne-bedroom from $570 • Two-bedroom from $795Rent includes heat, cooking gas and master TV antenna(fflmbemmfflaiseULAO Ca TV1642 East 56th StreetIn Hyde Park, across the park fromThe Museum of Science and IndustryEqu*J Houainf Opportunity M.n.j.-t Sy Mctropka.10—FRIDAY, NOVEMBER 14, 1986—GREY CITY JOURNAL*;A-A The Control RevolutionJames BenigerHarvard University Press493pp., $25by Jefferson GrayThe United States is the most powerfulmodern state with an information-exchangebased economy. The US alone has managed tosustain over one hundred years of uninter¬rupted progress towards the establishment of atotally administered society, comparatively freeof the bonds of strong traditional resistance,class conflict, and imperial responsiblitieswhich have impeded other information-exchange societies. What the “InformationAge” in the United States is and how thisnation became part of it through the IndustrialRevolution is the subject of James Beniger'sbook, The Control Revolution.Beniger draws from many disciplines andtheir methods of analysis to chronicle thetransformation of American society. Labelledthe “information age,” the “computer state,”and the "third wave” by other authors, Beni-ger’s book emphasizes the end effect of theproliferation of communication technologywhich not only informs but influences andshapes society. For Beniger, the roots of thecontrol revolution are much deeper than otherauthors studying the great shifts in modernsociety. It was not the vacuum tube or thesilicon chip which started the control revolutionin Beniger’s eyes, but the desire to rationallyorder and administrate technology spawned inthe Industrial Revolution.Even more basic to Beniger is the notion thatrational order is natural. Without control,deoxyribonucleic acid (DNA) could not rec¬ombine and reproduce, making life withoutcontrol impossible. Beniger believes in thiscontext that control is an evolutionary process,making it inevitable that biological units willadapt themselves to new environments to retainor expand control over their living situations.Beniger uses this argument to dismiss popularbeliefs that bureaucratic procedure and com¬puterization is “dehumanizing.” "The irony,”he says, “is that information processing mightm A A A. /t\\T/ \T/ \jj Vi/ be more properly seen as the most natural offunctions performed by human technologies, atleast in that it is shared by every cell of everyliving thing on earth.” For Beniger, to control ishuman.Industrialization and bureaucratization didnot all happen at once. There were manysocieties with specialized labor prior to theIndustrial Revolution, such as the Roman Em¬pire and China. It took the new communicationtechnology introduced in the 1800s to effec¬tively extend control over people and ma¬chinery. With the advent of steam power andprecision instruments, the volume and speed ofmaterial production and transferral increasedhundredfold in a matter of years. Unfortunately,so did the potential for disaster. Even under thebest of circumstances there is a natural ten¬dency of all matter to move towards randomdisorder. It is this phenomenon, first referred toby German physicist Rudolph Clausius in 1865as entropy, which resulted in a series of trainwrecks during the Industrial Revolution. Beni¬ger identifies these events as the first crisis ofcontrol.In spite of precautions, American trains in theIndustrial Revolution did not always stay ontrack. The train wreck held a special terror forcitizens of the late 1800s. Unlike stage-coachbreakdowns, which usually resulted in at worstinjuries involving a handful of people, a derailedtrain even at retrospectively slow speeds of 30mph could result in the dismemberment ordeath of hundreds of passengers. Fear of trainwrecks lead many communities to resist thelaying of railroad tracks through their neigh¬borhoods. To counter this anxiety and increasethe efficiency of train networks, the railroadsadopted yard-switching, synchronized watches,and rationally ordered procedures for con¬ductors. With these modern administrativemethods in use the overwhelming effects ofentropy were contained and railway networksexpanded.After control was established over industrialtechnology in the United States, corporationstook advantage of the new systems of commu¬nication to shape and create markets. Asproduction expanded entrepeneurs began sell¬ing less in bulk and identifying themselves withtrademarks. The heavy influence of advertisingtraced by Beniger led to the creation of break¬fast cereal and fashions for Easter Sunday. Theincessant barrage of information levelled atconsumers fundamentally changed Americanlifestyles, leading to the secularization of0 0 0 0 0Dear Editor,It is ironic that Wayne Scott’s article “OnSigns, Intimacy and Otherness” (GCJ, 11/7/86)ends with a discussion of the cultural conflictwithin members of the Deaf Community sincehis article misrepresents the most importantaspect of that cultural identity — its language.American Sign Language (ASL) is not, as Mr.Scott says, “loosely based on spoken English;”it is structurally much more different fromEnglish than it is similar to it. ASL is, in fact,more akin to Japanese or Navajo than toEnglish. ASL and Japanese both build sen¬tences around the notions of ‘topic’ and ‘com¬ment;’ ASL and Navajo (as well as manylanguages from Southeast Asia) both employclassifiers in their languages. In last Friday'sarticle the depiction of signs, like the reportingitself, was based on the extremely limited andpopularized versions of deafness that wereportrayed in the book A Loss for Words and thefilm Children of a Lesser God. If the article’spurpose was to review these as sources ofentertainment, it should have been presentedas such. Two examples of the inaccuracy insign description are the signs "connect’ and‘help.’ The use of the ‘f-handshape’ in the sign‘connect’ is totally unrelated to its coincidentallybeing the first phoneme in the word ‘friend.’Equally unfounded is Mr. Scott’s assertion thatthe signs ‘support’ and ‘turtle’ have a commonbasis in feelings of protection. To say suchthings is to indulge in concocted languagehistory or ‘folk etymology’ that has no basis infact. (It is like concluding that the two words for"ear” in Modern English—meaning ‘humanear’ and ‘ear of corn’—have the same ety¬mology because the ear of an ass and an ear ofcorn look alike.)Deaf Culture has no associated geographichomeland of its own. Consequently, developingboth internal and external awareness of itsmembers’ cultural identity is very closely tiedwith its language; this means having respect forthat language. ASL no more “adds poeticprecision to ideas hearing people take forgranted” or "enhances contemporary Englishusage” than French serves as the language oflovers! I don’t doubt that Mr. Scott was deeplymoved because of his experience with both thebook and the film about deafness (both areperceptions of hearing people—the playwrightand the author), but his emotionalism leads tothe very thing that he implicity criticizes—patromzation. The complex phenomenon of onelanguage community embedded in another —such as ASL natives are embedded within thespoken English community—deserves morecareful treatment than was given it in lastweek's Grey City Journal.Diane BrentariLinguistics DepartmentGraduate Student Christmas and what Librarian of CongressDaniel Boorstin calls other “festivals of con¬sumption.” The overall trends towards massproduction, distribution, consumption, andmarketing chronicled by Beniger lead to theeclipse of processing matter and energy to¬wards the processing of information.Beniger’s treatment of the historical devel¬opment of information exchange is incompleteHe avoids examining the political methods ofapplying rational bureaucratic analysis to tech¬nological problems. Many of the methods andmachines taken for granted today, like Fred¬erick Winslow Taylor’s “scientific manage¬ment” techniques, were initially resisted tiercely by the people they were imposed on. Sincethese people and their fight against bureau¬cratization and control is not closely studied inThe Control Revolution, the resistors of rationalcorporate order are seen from the point of viewof the technocratic victors triumphing over theopponents of modernity.By avoiding the discussion of Americansociety after the Second World War, Benigerleaves the interpretation of the present and thefuture open. Following Beniger’s train ofthought, nothing is beyond the eventual mani¬pulation and control of society. If markets andeven human biology can be shaped throughbureaucratic regulation, then is the potential tomake human values equally transient and mal¬leable far behind? In Gesammelte PolitischeSchrifen Max Weber speaks morbidly of ra¬tional capitalism, saying it has created an “ironcage...through which economic labor receivesits present form and destiny...a system whichinescapably rules the economy and through itthe everyday destiny of man." If James Benigerdecides to probe the future within his currentframe of reference, the final stage of develop¬ment in the United States might now seem soappealing.Looking back through Beniger’s book theopponents of railways seem foolish and alarmist. Proponents of certain experimental tech¬nologies use these people as examples ofignorance. The stakes are much higher nowthan they were in the late 1800s An accidentinvolving nuclear power, industrial chemicals,or genetic engineering today is potentially ap¬ocalyptic. Advocates of intense experimentationwith new technologies are probably wise toheed the remarks of Mr. Beniger on the draw¬backs of the control revolution, “that as controlover technology increases, the potential to goout of control also increases.”-0 0 0 0 0I am humbled by your response and I admitthat I was wrong on several points aboutAmerican Sign Language (ASL). I would, how¬ever, like to explain the mistakes I made Afterreading your letter. I talked to At Marks in theStudent Activities Office (Al will be teaching acourse this winter on Sign Language). Appar¬ently, when I learned Sign Language over fiveyears ago. I was learning “Signed English." abranch of the language used mostly by hearingpeople. Signed English is basically signingwhat you say as you say it. Not only did I learnthis branch of the language, but all the deafpeople I know signed to me in Signed English,which intensified my perception that all deafpeople communicated this way. ASL, as it isspoken by deaf people, certainly does have thecharacteristics you describe in your letter.When I referred to ASL in my article, then, Imeant Signed English For the most part thecharacters in both A Loss For Words andChildren of a Lesser God use Signed English,because the works were intended for hearingand deaf audiences.You are also correct that the "f-handshape”has nothing to do with friendship in the sign "toconnect.” I made this leap because Sarah, the -0- -0- -0- ^ -0-deaf women in Children of a Lesser God.repeatedly uses the verb "connect” to describeher relationship with James; she describes therelationship, then, as a “connection.” I as¬sumed that "connection" and "friends" werethe same sign — which they are in the contextof the play; but not, as you point out. in theorganization of ASL.Concerning the difference between "sup¬port” and "turtle,” I never stated this as anobjective fact, as you read it. Rather, because Iwas reading Sign Language as a form of poetry(and that's as valid for Sign as it is for English),my reading was associational and intuitive. Themovie version of Children of a Lesser Godespecially pays attention to the implications forindividual identities when one person supportsanother I used the sign for turtle merely toexplain the suggestions of protectiveness andshieldedness in "support" since the two signsare structurally similar.I think you come down really hard on me forthese few misunderstandings "Emotionalism”does not necessarily lead to patromzation anymore than being coldly objective and academicleads to mutual understanding between peoplewho are different. Loosen up. —Wayne ScottSEE WHAT’S BEHIND THE SURFBOARDEXPERIENCE GREY CITY BRUNCHSUNDAY AT NOONGREY CITY JOURNAL—FRIDAY, NOVEMBER 14, 1986-11* rPrKraft Announcesr, %*3.. /.c;Sr J$ CareerOpportunities InStrategy & DevelopmentHow do you respond when a British conglomerateattacks your market?How do you identify and evaluate new businessopportunities?How do you decide the best way to enter anew market?How do you structure a deal to acquire a company?Kraft, Inc. announces a program of exposure to keygeneral management issues in an internationalenterprise. We seek applicants with superioracademic records and a strong commitment tolearning about business for:A two-year program of assignments in:StrategyCorporate DevelopmentAnalysts will enjoy excellent compensation.Outstanding performers will be considered forsignificant line management positions within theCorporation*Kraft's Strategy & Development seniormanagement will present this unique program onNovember 19th at the North Lounge, ReynoldsClub at 7:00 p.m.We invite dedicated, qualified students and alumnito attend. To be interviewed for this program,please send your resume and transcript to JoanMcDonald, Reynolds Club 200, Career & PlacementServices by January 22nd. Kraft information isavailable at Career & Placement Services.’This program does not guarantee employment with Kraft for anyperiod of time. Your continued participation is. of course,dependent on your performance.4 ' l ? , \ -i; s— INCAn Equal Opportunity Employer tjM&l;vr- -V, .12—FRIDAY, NOVEMBER 14, 1986—GREY CITY JOURNALATTENTION:ALL REGISTEREDSTUDENT ORGANIZATIONS (RSOs)OFFICAL POSTER REGULATIONSALL POSTERS MUST INCLUDE:• NAME OF SPONSORING ORGANIZATION PRINTED CLEARLY• FUNDING THRU THE ACTIVITIES FEE ACKNOWLEDGED(IF APPLICABLE)• CORRECT DATES, SPELLING, LOCATIONS.ALL RSO POSTERS MUST BE STAMPED WITH THE SAO STAMPAVAILABLE IN RM 210 IDA NOYES —(9am-4:30pm mon-fri).MAXIMUMSIZE 11" X 17" Rtpaerwl StBdeat OfpnmtionSTUDENT ACTIVITIES OFFICE .MAXIMUM 2 POSTERSPER BULLETIN BOARDPOSTERS ARE TO BE PLACED ON BULLETIN BOARDS ONLYUNSTAMPED POSTERS OR POSTERS PLACED ON TREES, FLAGPOLES,WALL, ELEVATORS, DOORS, WINDOWS, GARBAGE CANS ETC. WILLBE REMOVED. YOUR ORGANIZATION MAY BE BILLED FOR DAMAGE& LABOR CHARGES. It’s always niceto remembera friend witha gift fromCoop’s FloralSelectionLOCATED IN THEHYDEPARKSHOPPING CENTERLAKE PARK & 55THUNIVERSITY TRAVELDON'T STAND IN LINE LIKE A TURKEYCALL BEFORE IT'S TOO LATEHOW TO ENTER ONE OF THE MOST INNOVATIVECORPORATIONS IN AMERICACITICORP I CITIBANKREPRESENTATIVES FROM THE INSTITUTIONAL BANKWILL DISCUSS EXCITING CAREER OPPORTUNITIES AVAILABLEAT CITICORPCOME AND FIND OUT HOW YOU CAN BECOME PART OFTHE CITICORP TEAM:Thursday, November 20,19864:00 - 7:00 pmIda Noyes Hall/Library1212 East 59th StreetThe Chicago Maroon-Tuesdav, November 11, 1986—21Textbook DepartmentUniversity of Chicago Bookstore970 E. 58th St.962-7116Textbook Orders forSpring QuarterNovember 21st is thedeadline for Winter 87textbook orders.If you are teaching nextquarter, please send us yourorder today. OUR FAMOUS STUFFED PIZZA IN THE PANIS NOW AVAILABLE IN HYDE PARKCocktails • Pleasant Dining • Pick-up"Chicago's best pizza!" - Chicago Magazine, March 1977"The ultimate in pizza!" — New York Times, January 19805311S. Blackstone Ave.947-0200Open 11 a.m.-midnight Monday-Thursday11 a.m.-1 a.m. Friday and SaturdayNoon-Midnight Sunday(Kitchen closes half hour earlier)UNIVERSITY OF CHICAGOMICROCOMPUTERDISTRIBUTION CENTER1307 E. 60TH STREET962-6086We offer excellent discounts to full-time faculty, staff andstudents on a variety of microcomputer hardware andsoftware that can solve your writing and computing needs.Some of the lines we offer are:LotusMicrosoftU.S. RoboticsWordPerfect AppleAT&THewlett-PackardIBMZenithPrice lists are available at Usite (Wieboldt 310), on the third floorof the Computation Center (1155 E. 60th), and at the MDC (1307E. 60th St., rear entrance).22-The Chicago Maroon-Tucsday, November 11, 1986Dem/Rep without mandatesBy David S. BroderMaroon editor-in-chief 1948WASHINGTON-The biggestmistake that Democrats can make is tobelieve that the 1986 election confirmedthem as the majority party in thecountry. The biggest mistake theRepublicans can make is to resumethinking of themselves as the minority.If the election proved anything, it isthat despite the increased flashes of vigorboth parties have shown, voters arewilling to trust neither very far. Theeight additional Senate seats theDemocrats won from the Republicanswere exactly matched by the eightgovernorships the Republicans took fromthem. The House totals for both partiesbudged barely an inch, making theelection for all intents and purposes astandoff.Nonetheless, interviews anddiscussions this past week clearlysuggest that the outcome is going to bemisinterpreted on both sides. Already asmug establishmentarian tone is beingheard among the Democrats and a sourinsurgency mood is infecting theRepublicans. I'll come back to theRepublicans in the next column, but fornow will concentrate on the Democrats.The reason for the exuberance,reflected in Democratic NationalChairman Paul G. Kirk, Jr.'s boast that"the Democrats are back," is that in themost visible arena of national politics,Capitol Hill, Democratic hegemony hasbeen restored. With a new Senatemajority and strengthened control of theHouse, with both chambers seeminglysecure enough to withstand all but theheaviest adverse tides in 1988, withPresident Reagan headed into his last twoyears and with no intimidatingRepublican successor on the scene, theDemocrats are talking as if all was now It isn't. Winning back the Senatedid give the Democrats a vital shot in thearm. They were so trapped in self-doubtafter the 1984 reverse-landslide thatanother loss might have sunk them.Instead, they got a tremendous boost intheir morale. They added 11 newsenators-mostly young and bright-andmore than two dozen new Housemembers, among them four blacks, twowomen and one American Indian.All this is to the good, but none ofit begins to solve the two majorproblems that have plagued theDemocrats in national elections and keptthe White House in Republican hands for14 of the last 18 years. One is theperverse geography of their politicalbase: the inability of their presidentialcandidates to win in the growth states ofthe South and the West This tendencyhas produced what consultant HoraceBusby has called the "Republican lock"on the Electoral College.Essentially this is a Sunbeltproblem, and the 1986 election didnothing to alleviate it; instead, itdeepened it Republicans gainedgovernorships in Florida and Texas andheld Califomia-the triple pillars of theirSunbelt strategy. They also addedgovernorships in Alabama, Arizona, NewMexico, Oklahoma and South Carolina,while losing only Tennessee in thatbroad belt of states.True, Democrats gained severalSouthern Senate seats. But no one candoubt that, so far as the strength andpotential of the Republican Party inFlorida is concerned, for example, theloss of Paula Hawkins in the Senate ismore than offset by the election of BobMartinez as governor.The other big Democratic problemhas been in managing its coalition. TheDemocrats have trouble aligning theirmajor constituency and interest groupswith each other for national campaigns. solved by the 1986 election, may havebeen increased.Organized labor, the mostsophisticated of those interest groups,quickly claimed a major role in theSenate victory. AFL-CIO President LaneKirkland announced that he will beginsteps next month looking to thepossibility of another pre-primarypresidential endorsement Never mindthat some Democrats believe labor'sblessing proved to be a kiss of death toWalter F. Mondale in 1984. The unionswhose help was an almost unalloyedblessing to the Democrats in 1986 willembrace them again in 1988, no matterwhat the consequences.Even more pointedly, Jesse L.Jackson asserted, accurately, that blackvotes-cast in 8-1 or 9-1 majorities inalmost every state-gave the Democratsback their Senate majority. The blackvote was essential in North Carolina,Georgia, Alabama and Louisiana whereRepublicans won among white voters,and very helpful in California andColorado as w'eil. produce negative side-effects it did nothave in this year’s reduced electorate.Robert G. Beckel, the manager ofMondale's campaign, put the pointplainly:"This year, many of the young whitemales in the South didn't vote, and thatwas a blessing for us. But they will beback in 1988, and we still have tofashion an economic argument for theSouth that says to the blacks and thepoor, "We hear you and we're going tohelp you,' and at the same time says tothose young whites w'ho are workingtheir way up, ’We’re not going to blockyou; we’re not going to hold you downin order to help someone else."’Beckel has first-hand experience inthe difficulty of delivering those twomessages simultaneously. TheDemocrats who are prematurelycelebrating their party comeback need tohear and heed the manager of their lastnational campaign.(c) 1986, Washington Post WritersV. U.C HILLEL AND THE HYDE PARK-KENWOOD COUNCIL OF JEWISH ORGANIZAT!ONSoPRESENTSTHEI JEWISH BOOK FAIRDATE: NOVEMDER 16. 1986TIME: 1:30-4:30PLACE: REYNOLDS CLUD-NORTH LOUNGE57th G University AvenueAdmission is freeJEWISH BOOKS FOR SALEEnglish G Hebrew Adults G Children's Titles New G UsedBOOKSELLERS:Ma'Ayan Book Fairs of BostonPowell'sSeminary Co-OpU. of C. BookstoreC.C. A. R.-U.A. H.C.RECORDS (j TAPES:Taro Publications EXHIBITS:Chicago Jewish Historical SocietyAmerican Jewish CongressPhillip H. Cohn Institutefor Visually Handicapped-Rodfei ZedekCALLIGRAPHERS:Rose Ann ChasmanFor Information coll: 268-4600 o $500 OFFANY NEW C ARFORALLSTUDENTSAND FACULTYNov 30. 19867234 story ISUTC Ave ChicagoIllinois 60649RAY TO THE ORDER OF $ 500.00Five Hundred and no 100- DOLt-ARSf\j£GC71dBLZ QfMW PiUBH [>mQLET-m^5tI7dt5fnj UJust present this coupon & your UCID and you will receive s500 off thepurchase price of any new Chevrolet or Volkswagen in stock, or anyused car over $2000. This coupon cannot be used with any other dis¬count offers.Offer expires Nov. 30.1986 One coupon per customer * per saleukf^ Special College 7234 STONY ISLANU2 Miles-5 Minutes AwayFrom The University684-0400Special College ~i Grad Program,Financing Come in CHEVROLET/VOLKSWAGENTOf oeiatfs — —The Chicago Maroon-Tuesdav, November 11, 1986--2T44 We have nodoubt thatJ.P. Morgan will succeedin its new emphasis AAon investment banking. ^ ^—Investment Decisions44 JP-Morgan& Co.is fifth insize amongmoney-centerbanks butfirst inquality byabout anymeasureyou canthink of.99—Forbes 44 Morgan has focusedits capital markets fire¬power [to] cut a swaththrough the corporatefinance business,snatching deals outfrom under the nosesof investment andcommercial bankingcompetitors alike. 99—Institutional InvestorMorgan is a new land of global financialintermediary with major operations onthree continents, providing selected banking ser¬vices and securities underwriting, trading, andinvestment services in capital A4markets throughout the world.—Robert V. LindsayPresident, J.P. Morgan & Co.Come to our careerpresentation for BAs.Find out more aboutthe opportunities at „J.P Morgan inoperations management.Information Presentation,Tuesday, November 18,7:00 PM, North Lounge,Reynolds ClubJ.P 1 Iordanu.c. vs.By Jonathan GoldmanUniversity of Chicago student EricSchiller became the focus of aninternational controversy this pastSeptember when he was denied a visa toenter the Soviet Union. Schiller, a PhDcandidate in Linguistics, was to havebeen a member of a delegationrepresenting the British Chess Federationat the second half of the World ChessChampionship Match in Leningrad. Hehad been Press Officer during the firsthalf of the match, which was held inLondon.Schiller was only informed on 12September, less than 24 hours before hewas scheduled to leave, that he would notbe granted a visa. Yet the Soviet SportsCommittee had been aware for severalweeks that Schiller was a member of theBCF delegation.Since Schiller would have traveled as ajournalist and the visa refusal came at theheight of the Daniloff affair, there wasspeculation that the two might be linked.Schiller reports that Taylor Bland, anofficial with the US Embassy in London,claimed "[The visa refusal] is notDaniloff related. We know of nojournalist problems resulting from this."However, Senator Pat Moynahan's officetold him that "Everyone here thinks it'sDaniloff."The Soviet refusal to admit Schillerviolated a pre-match agreement that hadbeen signed by the British and Sovietchess federations, guaranteeing visas tothe Soviet delegation for the London halfand the British delegation for theLeningrad half. A front page article inThe Guardian on 16 September noted that"Five Britons and two Canadians weregranted visas, and all Russians who U. S. S. R.applied for visas for the London part ofthe match were successful."The breaking of the pre-matchagreement naturally angered the BCF.Since this was the first time a title matchbetween two Soviet chess players wasnot being held within the USSR, theLondon organizers had done everythingpossible to provide for the two playersand their teams. Therefore the BCFconsidered some form of retaliatoryaction. One plan was to name Schilleras official courier for the $450,000 prizefund from the London half. As Schillersaid, "No visa, no prize fund." In theend, the BCF decided not to do anythingthat would tarnish their very successfulhalf of the match.Efforts to discover an explanation as towhy the Soviets reneged of the pre-matchagreement were unsuccessful. A reporton the match bulletin states that "whenasked to comment, Mr. Sergey Lavaroffof the Soviet Embassy hung up on oursecretary." Further inquiries ran into abureaucratic brick wall. On 17September, a Soviet Sports Committeeofficial said "we have no idea why Mr.Schiller should be having troubleobtaining his visa." Following this, theSoviet Consulate on 23 September stated"We have no authorization fromSportscommittee."The only explanation offered by anyoneon the Soviet side became the mostbizarre aspect of the entire controversy.Schiller relates that Soviet chess playerNikolai Krogius told Thames-TV thatSchiller had problems with documentswhen leaving the USSR on his previoustrip to that country. Some construed thisas a charge that Schiller had illegallycarried out documents. Schillerresponded via Thames "Put up or shutup!" "Krogius", says Schiller, "shut upand refused to comment." The ChiStudent Newspaper^ Marooni^ersity of ChicagoStaff BoxThe Chicago Maroon is the official student newspaper of the University of Chicago. Itis published twice weekly, on Tuesdays and Fridays.Back issues are available, by mail only, at $1.50 for each issue. Send full payment withthe request.Mail subscriptions are available for $24 per year.1 he Maroon welcomes letters and other contributions from students, faculty, staff, andothers. Anyone interested in doing writing, photography, or other work for The Maroonshould stop by our office, Ida Noyes room 305, 1212 E. 59th Street, Chicago, Illinois60637. Phone:962-9555.Krishna RamanujanChicago Literary ReviewSteve LauLarry KavanaghEditor-in-ChiefSteven K. AmsterdamAnjali K. FedsonGrey City Journal Editor Mom ElNaggarMolly McClain News EditorNews Analysis EditorManaging EditorElizabeth BrooksSenior News Editor Greg MantellNews editorHoward UllmanNews Editor Karen AndersonViewpoints EditorMadelyn DetloffSports EditorMike SchoopSilent VoicesAlex ConroyFeatures EditorIngrid GouldArts Editor Louisa WilliamsCopy EditorLarry SteinBusiness ManagerSue SkufcaAdvertising ManagerKarin NelsonProduction ManagerJaimie WeihrichOffice ManagerAssociate Editor: Melissa WeisshausMaroon Staff Members: Arzou Ahsan, Stephanie Bacon, Will Bernard, Christina Bemardi,Steve Best, Diana Bigelow, Robert Block, Brett Bobley, Michele Bonnarens, MichaelBreen, Sarah Brem, Jeff Brill, Theresa Brbwn, Laurel Buerk, Gabriela Burghelea, CaroleByrd, Rhodessa Capulong, Andy Coleman, John Conlon, Susan Conova, Sue Chorvat,Elizabeth dcGrazia, Larry DiPaolo, T.D. Edwards, Robin Einhom, Michael Fell, MikeFitzgerald, Bill Flevares, Andy Forsaith, Jennifer Fortner, Beth Green, Tom Gaagliardo,Kate Hill, Craig Joseph, Justine Kalas, Ann Keen, Stefan Kertesz, Sanjay Khare, BruceKing, Mike Kotze, Lauren Kriz, Janine Lanza, Marcia Lehmberg, Meg Liebezeit, NadineMcCann, Miles Mendenhall, Steve Meralevitz, Sam D. Miller, Patrick Moxey, Paul Okel,Jordan Orlando, Jean Osnos, Chelcea Park, Jacob Park, Larry Peskin, Jon Quinlan, LauraRebeck, Anna Rentmeesters, Paul Reubens, Rich Rinaolo, Gary Roberts, Paul Rohr,Susan Rossetti, Erika Rubcl, Terry Rudd, Marv Sajna. Sahotra Sarkar, Joe Schmitt,Nelson Schwartz, Rick Senger, Geoff Sherry, Neal Silbert, Michael Sohn, Rick Snyder,Sonja Spear, Dave Stogel, Johanna Stoyva, Kathy Szdygis, Bob Travis, MarthaVertreace, Christina Vougarelis, Ann Whitney, Rick Wojcik, Christine Wright.Contributors: Sean Bell, Peter Bernstein, Claudia Ifkowitz, Dorothea Israel, Tom Jehn,Maria Del Favero, Bonnie Mackin, Fred Martin, Todd Packer, Ed Velasquez,, Chuck Wang,LETTERSOh, my aching stomach...Dear Editor:Your viewpoint editorial of October 7thconcerning the dormitory dining hallsreally struck a nerve.Fact is, dorm food is terrible and thelines to the dining hall are ridiculous.I propose a simple two step solution tothis problem.Step 1.Force Morry's to accept dorm coupons.That's exactly what the administration didwhen Morry's first came on campus.Morry's owes that much at least to thestudent population. Fact is, there is nocomparison in service and attitudebetween the dining halls and Morry's.For the price and quality, Morry’s is thebest buy on campus. Last weekend, Ihad several friends from Cornell pointout to me how they would kill for aMorry's on their campus. Althoughlunch is great at Morry's, they literallygive away the store at dinner time and onweekends, with free drinks, free icecream, and free candy. And they do it ata price the dorms can't even touch.Morry's is centrally located and moreconvenient than the dorms themselves.More important, Morry's should be heldaccountable for their success.Step 2.The University would reimburse Morry's for all coupons collected. Mr.Morry would make his money which heprobably doesn't even need. TheUniversity doesn't lose anything becauseall coupons are on a pre-payment system.Most important, the dining halls can re¬evaluate their performance, upgrade thequality of their food, and start properlymking care of those students whohonestly wish to take part in the pre¬payed coupon system. The irony of thissituation is that the University couldsave money on food and extra laborwithout cutting any budgets, and wouldprobably earn great marks in publicrelations at the same time.Unfortunately, after coming to thisconclusion, I made the mistake of goinginto Morry's to discuss this idea with the"invisible" Mr. Morry himself. Outsideof asking very politely if I wanted acheeseburger, none of the counter peopleseemed to know who Mr. Morry is, or ifhe even exists.I think one of the best kept secrets onthis campus since the Manhattan Projectis who or what is a Mr. Morry and whereis he when the students really need him.Sincerely,R. SmithUndergraduate Student ELT SERtOUSLY..YTH&I ITO Stt Y^S...Freedom of Press?Dear EditorAs a new student I am still excited,probably naively, about the assumed Uof C atmosphere of stimulatingintellectual diversity. Therefore, you canimagine my dismay when, walkingbetween classes last week, I encountereda group collecting signatures against the"Midway Review". One would thinkintellectual honesty would demand well-written refutation of opposing viewsNOT prejudicial, narrow-mindedsignature soliciting against a publicationa a whole. I had always respected theliberal banner of "freedom of the press":an idealogy oddly inconsistent with itsrecent practice here.Cindy VeldmanWhat's wrong withDear EditorIn the October 17th issue of TheMaroon, in her article on LouisFarrakhan, "Turning to the Right?"Robin Einhom critisizes successful pro-Farrakhan blacks who are "doctors andlawyers who are making it in what wemay as well go ahead and call whitesociety..If the welfare-dependent "underclass"is given whole-hearted moral sanction,while successful blacks who have foughtThe Chic 'Turning to right'?their way out of the projects receivemoral condemnation for their efforts, is itany mystery why the black communityas a whole remains on a lower economiclevel compared with the whitepopulation? Ms. Einhom displays ashocking disregard for upwardly mobileblacks, deriding them for not subscribingto her own altruistic bromides. In sodoing, she robs them of the personaldignity they rightfully deserved asproductive members of society,go Meoon-Fridiy, November 14, 1986--25 vCLASSIFIEDADVERTISINGClassified advertising in the Chicago Maroon is$3 for the first line and $2 for each additionalline. Lines are 45 characters long INCLUDINGspaces and punctuation. Special headings are 20character lines at $4 per line. Ads are notaccepted over the phone, and they must be paidin advance. Submit all ads in person or by mailto The Chicago Maroon, 1212 E. 59th St., Chic¬ago IL 60637 ATTN Classified Ads. Our office isin Ida Noyes Rm. 305. Deadlines: Tuesday &Friday at 5:00 p.m., one week prior to pub¬lication. Absolutely no exceptions will be made!In case of errors for which the Maroon isresponsible, adjustments will be made or corrections run only if the business office is noti¬fied WITHIN ONE CALENDAR WEEK of theoriginal publication. The Maroon is not liablefor any errors.SPACEAPARTMENTS AVAILABLEStudios, one, two & 3 bedrms some lake viewsnear 1C, CTA & U of C shuttle, laundry, facili¬ties, parking available, heat & water included.5% discounts for students. Herbert Realty 6842333 9-4:30 Mon. Fri. 9-2 on Sat.Large sunny 2 bedrm near Kimbark Plaza andMrGs $475 heat incl. 684 5030.4 bedroom, 2 bath basement apartment $625 6845030.Spacious Hyde Park condo, 4 Bdr, 2BA, move-inconditions, low monthly assessment, 2nd floor,new eat-in kitchen, $92,000, by owner call 3630321 (eve and weekend).Spacious Hyde Park 2-Bedroom Condo For SaleBy Owner. Secure parking lot, washer/dryer,approx. 1,300 sq ft. Phone 493-7554.Studio apt. in Hampton House immediateoccup. on "C" bus route $375/mo parking aval,my schedule varies pis keep calling 667-0785.PEOPLE WANTEDParticipants needed for paid experiments onmemory and reasoning conducted by membersof the Dept of Behavioral Sciences. Call 962 8861to arrange an appointmentAdministrator needed for Montessori school forages 2 to 12. Only 45 minutes from Hyde Park.B A. required, Montessori background preferred Send resume to Cynthia Powers, Box11115, Merrillville, IN 46411.Responsible person to help care for infant daytime, parttime or full time, professor's family.Needed immediately 955-4992DO YOU HAVE A LAZY EYE? If so, you maybe able to earn $15 for 2 to 3 hours spentperforming tests of visual function. Call BillSwanson at the Eye Research Labs, 962 1987 or962 9412.Work study students to do office work needednow. Call M Zonis 962 8753. EMPLOYMENT WANTEDCertified Nurses Assistant would like privateduty Hyde Park area or So Side Call MissShinault 1-219 938 3634 or 731-3853.SERVICESJUDITH TYPES and has a memory. Phone 955-4417.PASSPORT PHOTOS AND ID PHOTOSWhile you wait!MODEL CAMERAS, VIDEO 493-67001342 EAST 55TH STREETEDITING, WORD PROCESSING, TYPINGJames Bone, 363-0522 Hourly fee.Chicago Counseling & Psychotherapy Centeroffers Client-centered psychotherapy to kids,families, couples and individuals in our Loop orHyde Park office. Insurance accepted—slidingfee scale available. Call 684 1800.Affordable psychotherapy is available in theChicago Counseling & Psychotherapy Center'sFlat-fee Program. Call The Center-684-1800.SEND A VIDEO LETTER5 minutes of videotaping, in VHS, with sound.Be among the first to utilize this new way ofcommunicating. $10 for the first 5 min. $5 foreach add'l 5 minutes. Blank tape is provided.Available Thurs. & Fri 10 to 10. Call Mon. Wed,9 to 5, 288 2890. Jesse.VIDEO TRANSFERSWe offer excellent service transferring virtuallyall video formats, including VHS, BETA, U-MATIC, 1" and 8 MM. Call for price quotas.MODEL CAMERA 7 VIDEO 493-67001342 EAST 55TH STREETFOR SALENikon FG (black body): program, semi-auto,manual With 50mm f/1.8 Nikkor Al lens. $145.Also, Nikon 22mm f/2.8 E series lens. $60 Day.962 8004. Early evening: 288 7239.Would you like to be driving a Mercedes withoutspending a lot of money? 1972 from New Mexico Body perfect. Rebuilt engine. & runs well.$3200 or best . . Must see. 267-1422.Two round-trip, super saver tickets availablefor purchase to Tucson, Arizona from Chicago.Thanksgiving holiday schedule. Call 684 4132.PERSONALS"DRINK . PROVOKES THE DESIRE BUTTAKES AWAY THE PERFORMANCE."-SHAKESPEARE"NEED A DRINK? YOU MAY NEED HELP,FOR MORE INFORMATION. CALL:ALCOHOLICS ANONYMOUS (24HRS) 346 1475STUDENT HEALTH SERVICES 962 6840CAMPUS HOTLINE 753-1777THE COLLEGE STUDENTRESOURCE CENTER 962 3077STUDENT MENTAL HEALTHCLINIC 753 2332CUT RATE TRAVELSCANDIA *499 ORIENT SAVESSSISRAEL •720 FRANKFORT •149LONDON •419 ZURICH *410TOKYO ‘598 AUSTRALIA SAVE SSSCANCUN *239 RlOIMLAMl) *655ITALY SAVESSS HAWAII *499JAMAICA •289 PARIS ‘441BAHAMAS *249 AMSTERDAM •342NEW ZEALAND »949 SPAIN *420ONE WAY SPECIALS TO EUROPE SAVESSSDISCOUNTS ON BUSINESS andFIRST CLASS SEATS7 days a week/24 hours a dayASK FOR RON312-982-0575 Phillips Academy,boarding school inAndover,Massachusetts, willbe interviewing forprospective teachersin Math, Physics,Chemistry, Biology,and Spanish onTuesday, November18,1986. Please signup in PlacementOffice.LOYOLA'S AFTERNOONCPA REVIEWQUALITY. Small class size. Five national awards wonby students in the last six classes. CONVENIENCE.Classes held at 820 N. Rush Street, 2:30 to 5:30, everyMonday, Wednesday and Friday, January 9 throughApril 27. VALUE. Tuition. $775. REGISTER NOW. Forinformation and application forms, write Loyola Univer¬sity of Chicago CPA Review Course, 820 N MichiganAve., Chicago, IL 60611. Or call 670-3144.Uiyola « an equal opporturWy educate* employe*LOYOLA UNIVERSITY QUALITY JESUIT EDUCATION. SCENESOpen the Holiday Season with a special show atthe Hyde Park Theater, Nov. 29, 10.30am-12:30.Care Bears II film, cartoons, Santa Claus,balloons, surprises. $5.00 donation benefitsHyde Park Preschool Center. For info andtickets call 667-7269.The University Health Service will hold aworkshop on "Holiday Eating" on Thursday,November 20, 1986 at 5:00 p.m. Behavioraltechniques to control eating will be presented.To register call 962 6840.WOMEN'S UNION MEETING Wednesday6:30pm Ida Noyes Hall 210.$5 STUDENT RUSH TICKETS to CourtTheatre's Tartuffe are available day of per¬formance, Wed, Thurs, and Sun, to studentswith a valid student ID. Buy tickets at the boxoffice, 5535 S. Ellis, or call 753-4472 for details.AV SERVICESQuick convenient and inexpensive. Passportphotos while you wait. Same day ektachromedevelopment. Many other services as well. Formore information call 962-6263 or stop by S-30 inthe basement of Billings.$100 - SUBJECTSNEEDEDParticipate in a study investigating the rela¬tionship between concentration, mood, physicalsymptoms, and biological rhythms duringeveryday life. Couples are needed for a monthlong study at Univ. of Chicago. You must havelived together for more than a year, be olderthan 20, and not have children. Call 753 3872.and leave your name and numbers.EPWARPO'S FOR LUNCH10 min service in dining rm from quick-lunchmenu or it's free! Also fast courteous lunchdelivery. Edwardo's 1321 E 57fh St. Ph 241-7960.THE MEDICI DELIVERSDaily from noon to midnight.LESBIAN? GAY? Bl?GALA discussion Tuesdays at 9 at 5615 S.Woodlawn. Coming Out Group at 8, social hourat 10 Warm friendly, all are welcomeAPARTMENTSFOR RENTGRAFF &CHECK1617 E. 55th St.Spacious, newly-decoratedlarge studios, one bedroomapartments in auiet, well-maintained buildings close tocampus.Immediate OccupancyBU 8-5566 EVIL BABIES?Come hear Trimelda McDaniels of FeministsFor Life Tomorrow NITE at7:30 in Ida NoyesSKI BUMSSPEND WINTER TERM SKIING. Vermont skidorm seeks menial laborers. Full room &board, skipass, long hours, insulting salary.Wash dishes, read Nietzsche, ski everyday. 5482907 or 948-2907. Leave message.COMMON SENSESpeech by Luis Serapio, representative of theanti government resistance in MozanbiqueWednesday, Nov. 19, 7.30p.m. Ida Noyes.LAST SESSION!DIVINE JUSTICE ANDHUMAN SUFFERING:BIBLICAL PERSPECTIVESTonight: Some Theological Reflections On OurHistorical Survey. (Discussion). 7:30-9:30, Of¬fice of the Dean, Rockefeller Chapel (north eastdoor).AUGUSTANA CONCERTSAugustana Concert Series presents: Music forFlute Quartet: Cynthia Stone, flute; PaulaWhite, violin; Caroline Girgis, viola; LeoLorenzen, cello. Works by Telemann, Mozart,Locke and Copland. Friday, Nov. 21, 5:00 pmFREE. Augustana Lutheran Church/LutheranCampus Center. 55th 8. Woodlawn.Volunteers forIsraelcome hearDana Torgovnik, Soldierin Israeli army, at HillelBrunch 11:30 A.M.5715 S. WoodlawnPublishers Circulation Fulfillment, Inc.Agent forSlK;NcUr|lork (timesMary l. Baker 7800 West 95th StreetSales Representative Suite 201Midwest Region Hickory Hills, Illinois 60457The New York Times is look¬ing for a campus represen¬tative to distribute the NYT oncampus. Duties includedistribution, selling subscrip¬tions and record keeping.Applicant should be salesoriented and like workingmorning hours. Earnings in¬clude profit on papers,transportation expense andbonus structure.If interested, please call 1-800-631-2500 and set up andjnterview with Mary Baker.itSSIBusefi ivtiertdmmt CorporationPresentsCOMBINED AUDITION TOURforBUSCH GARDENS - WILLIAMSBURG, VIRGINIABUSCH GARDENS - TAMPA, FLORIDAAmerica’s premier theme parks are searching forsingers, dancers, musicians, variety artists, actors,technicians, and supervisors. You could be a part of themagic that makes Busch Gardens come to life! So getyour act together and ‘shine’ at our 1987 auditions.Audition Dates;CHAMPA1GN-URBANA, ILLINOISWednesday, November 19th,1:30-4:30 p.m.Krannert Center for the Performing Arts500 S. GoodwinThe Great Hall StageCOLUMBUS, OHIOFriday, November 21st,2-5 p.m.Ohio State UniversityHughes Auditonum17th and College AvenueBusch EntertainmentCorporationOMf O* IMI *>•«« Ull ■ (UKMCIWMWI SA/. Ali.ifn.,... Acimotnui opportunity employer M/f/HCHICAGO, ILLINOISThursday, November 20th11 a.rn-4 p.m.The Palmer House Hotel17 E. Monroe St. at State St.The Wabash Parlor RoomNote Dancers must bring a preparedcombination Cassette (aped music only26-The Chicago Maroon-Tuesday, November 11, 1986fNVHiUtM Ml TOY A6E1 sown® wvbhii* idiot, m| BtVOLT Of *08, THERQBEIH FI SQtSUWMIBtO# SJUBtifttf tfflffTffltDIit iMWflwigwnna))uwttt$TiT!«eseduction or hsihsafeo'iwf, mB8ED) SEYtt BEAUT®m&) SEI MACHINE, THEmmsumI SMAU CHANGESM1LB Of A SUMMER MIGHT (SUt)SOL8AI{SOLDHR) DUSOC'SHSTTfl)CASEH&, HI M6M! HtAS TOOU DERNRS COMBA?u a* shopt&cMKmwemiEO)10 vein Germany, aUJVf STRANGE LOVELOYBWAIUWDEH(SWBHKJMAGKJAN. THEmjwwthe white sun. mHAN WHO 10VED WOMEN, THEMEH8STGMISTWSHSUBTm©)MONTENEGRONtQOHUfiHTtNGMOSCOW 60£S NOT KUEVE fit HRMURM AFE AIR, THEMY NEW MSTKEKjSWITUD)mnever in goNO WAT TO TREAT A LADYCLEAN SLATE STOLENSTRANGE# THAN PARADISESUGAR CAW AttEYtWBJITUD)swANN mowTHAT ORSCOtt OBJECT Of DESIRETHE DAMNEDTUB HAN MUST BtEIDSBBHHTIN 9S8M, THETO JOTTROT JOEKS ROW.. .(TOO PRETTYTWIST8WTW{SWTTTtl»)8NAPPR0ACHAHE, THEYttY CURIOUS GNttttUBTITiiOjVIRGIN SPRfNGTSUBTJTLED'.COBWWHANCRICKET, THEflDIARY Of fO#BIDDEN DREAMSOBCREET CHARM Of THE BOORS ..WWttNYMPN.THfDONA TL08 A HER 7 HUSBANOSfD)EDITH AND MARCHENTRE NOUSETiS, THE MOUTH, THEeannt s tmmem * dimbed)FIREMAN'S BAUrSESBED)FRENCH DETECITk, TKRASHOMOWSUBTITLBj4THMAN, THEAUERGRO NON T®PMHI 1AN6E10 MY 10VE ■ IBEYOND THE WULs|sHi!D:' ISCAT IS FULL, THEIDgHL JBOB U FtAMBEURBREAKER HORANTbye tt£ mm.CMBWNfflZn'S]cat & mouseCWllY SCENES OF WHITEROTY LOVERS, COUNTRY LOVERSOOSHY WATCHED TRAiNSTSWlTL)COWTDENTIAUY TOBRSfStJBTTTttOlCONTEMPTCOUP Dt GRACECRfES t WHftrtRS(0Ut8ED}DANCE WITH A STRANGE*CANTON (SWTITUD1 SERVANT, TNISEVEN SAMUR1, THESHOP ON MAIN STREETSUVE OF LOVE, ASMASH PALACESOFT SUN, THEttWTITlED)SOLDIER OF GSANSEJSUBTlUHHSKOAL DAT, ASTORY OF ADElf H., THESUBWAY (CUBED)SUNFLOWERSWETAWATTHE BLUE ANSEL(SWTtllED)THIS MAN MUST DIETHREStNNY OPERA, TNE(SWTHtfTO FORGET VENICETRIUMPH OF THEWIU (SUBTITLED)TWtANMHTWO ENGLISH SRESOMBALLASOF CWRBOURGVERY PRIVATE AFFAIR, AVOYAGE « BALLOONWHITE ROSEWHY SHOOT THE TEACHERWILD STRAWKRRIE5WHITER OF OUR DREAMSWOMAN IN FLAMES. AWOMEN IN GREEN THEYOJtMBO(SWT?Tt£D;YOUNG APHRODITES; DUBBED;TEHZAURS*I POINTLA DOLCE VITAU PASSANT!LA TRUTH1EIALucAVAiaaU SALAIRE DE U PEUR{WA6ES OFLEONORLIANNALOVE ON THE RUNLOVERS LIKE USMA6KIA N(SUBTfTUD)MAID IN SWEDENMAN OF fLOWERSMAN WHO WOULD BE RING, THEMSHIMAmon ONaicsuBTmaiMOON IN TNI GUTTEX(SUBTm©;MORGANMR. KLEINMY BRILLIANT CASES!MY OTHER HUSBANDNEST, THENIGHT PORIB, THENORTH STAS, THEONE SINGS, INI OTHER ONE DOISNPANDORA’S BOXfSUKTTlED)PASSAGE TO MARSEHlfPERSONA (SUBTITLED;PfXOTEPORTRAIT Of A NUDE WOMAN, NUDEPAULINE A! THE BEACHQUEWUE(DU8BED)QUESTION OF SJUNCE(SU8TmED)RAMPARTS OF QAYRASCALS, THEDIABOUOUEfSBKBUO)DIRTY BffitWSSttMCODES 'XA-DEN(S8BTmED)MESSER, THERNORTE(SUtTmiD)ERENDIRAFELLINI S AMARCOROfH2CARRALD0FUU MOON W PARS($Urm£D)GAumaiGIFT, THEflf CAOtAH!GRAND ILLUSIONGREGORY'S GIRLHEART OF TlfiE STAGHEAt Of DESIREHIGH heelsHOME & THE WOfiED)SUBTITLEDHOTHEADi AM CURH)U«tt«)ff 5W SAYS YES, I DON'T SAY Nttl MET BY THE MOONLIGHTVHSVIDEO PLAYER$750*9 1 free moviewith rental’ minimum 2 day weekendOtter Expires December 15,1986RENT 2 Tapesfor the priceof 1"Good MooctefThursday oaty’FREE 8x10 COLOR CWlENLARGEMENTWith every roll of film printedand processed. Offer goodthrough December 15,1986.Rent-A-FRIGONLY 2900 Rent+ 1000 DepositUntil June 87815-758-4313 Your best friendis choking,and all you can hearis your own heartpounding.Every second counts.Would you know what to do?Red Cross will teach youwhat you need to know aboutlife saving. Call us.We’ll help. Will you?CONSULTANTS TO INTERNATIONAL FIRMSWE HAVE CLIENTS SEEKING QUALIFIEDINDIVIDUALS WITH LANGUAGE AND AREAEXPERTISE REGARDING FOREIGN MARKETS. PART-TIME AND FULL-TIME ASSIGNMENTS AVAILABLE.FOREIGN NATIONALS WITH ADVANCE DEGREESFROM AMERICAN UNIVERSITIES NEEDED AS VISARESTRICTIONS WILL NOT EFFECT CERTAINPROJECTS. EXPERTISE IN TECHNICAL, ECONOMICOR SCIENTIFIC FIELDS IS REQUIRED.SEND RESUME, INCLUDING TELEPHONE NUMBERTO:SWENSON, CRAWFORD & PAINEEXECUTIVE SEARCH DIVISIONP. O. BOX A-3629CHICAGO, ILLINOIS 60690ABORTION RIGHTS:FREEDOM TO CHOOSEAll members of the University Community areinvited to a presentation and discussion withBeverly HarrisonFeminist Theologian and Professor of Social Ethics,Union Theological Seminary, N.Y.C.3:30 pm, Friday November 14at University Church, 57th and University— Refreshments Provided —Sponsored by: Augustana Lutheran Church Campus MinistryBishop Brent HouseUnited Campus Christian MinistryUnited Methodist FoundationProfessor Arthur Waskowwill speak atHillel House Friday, November 14that 8:30 PM onTHE TORAH AND THE BOMB: JEWISHPERSPECTIVES ON PREVENTING ANUCLEAR HOLOCAUST.Professor Waskow is the director of The Shalom Center,a national resource and organizing center for Jewishperspectives on preventing nuclear holocaust. He is theauthor of The Freedom Seder, Godwrestling, Seasons ofOur Joy, and co-author of The Shalom Seder.hj ritly blilltl 7}* U e> »C**4f<*<7If **37 791 1117 model camera& videoopen 7 days a weekmodel camera& video1342 East 55 ilk Si. 493-6700The Chicago Maroon-Tuesday, November 11, 1986--27A National Conference on Liberal Education“PERENNIAL QUESTIONS, CLASSIC TEXTS, TODAY’S STUDENTS”presented byThe “Fundamentals Issues & Texts” Programin The New Collegiate DivisionFriday, November 14 - Perennial Questions and Classic Texts: Giving Students What They Want1:00-3:00 The Idea and Practice of a New Undergraduate MajorIntroductory Presentations Leon KassKarl WeintraubBert CohlerSaturday, November 15 - Connecting Texts to Questions: Making the Books Alive9:00-10:30 Thinking About Heroes: A Student’s PursuitPresentation: Bruce King, BA, Fundamentals: Issues & Texts, ’85Response: Varun Gauri, Fundamentals: Issues & Texts, ’88General Discussion11:00-12:30 Thinking About Heroes: Teaching the IliadPresentation: James RedfieldResponse: Werner Dannhauser, Cornell UniversityGeneral Discussion2:00-3:30 Thinking About Heroes: Teaching Rousseau’s EmilePresentation: Allan BloomResponse: Jan Blits, University of DelawareGeneral Discussion8:00-9:00 p.m. Keynote Address:-LIBERAL EDUCATION: YESTERDAY, TODAY, AND TOMORROW-DONALD KAGAN, YALE UNIVERSITYIntroduction: Hanna Holborn Gray, PresidentThe University of ChicagoSunday, November 16 - Fundamentals Issues & Texts: Weighing Gains and Losses9:00-10:30 Panel Discussion with Outside Evaluators of the "Fundamentals” ProgramPanelists: Susan Parr, University of TulsaEthyl Wolfe, Brooklyn CollegeLee Yearley, Stanford UniversityALL SESSIONS WILL MEET IN SWIFT LECTURE HALLThis conference is made possible by the generous support of a grant fromthe National Endowment for the Humanities.