INSIDE:AIESEC: opportunitiesfor business abroadpage seven Lacrosse ends seasonwith successpage 13 MSDEGCJWRAP UP WITH CHRIS AND COSEYP. tTHE CLASSICAL HEAT GOES 0MD Ar. 4..AND DESSERT IF YOU HAVEN7EATEN ENOUGH ALREADY P. 7The Chicago Maroon[tie 97, No. 51 The University of Chicago ^ ©Copyright 1986 Friday, May 16,1!Black groups to discuss policies with GrayVolume 1986By Larry PeskinStaff WriterU of C President Hanna Grayhas agreed to meet with repre¬sentatives of black studentgroups to discuss what blackgroups view as racist policies onthe part of the administration.The meeting, which will occursometime next week, will be thefirst meeting between the Ad¬ministration and black groupssince a previous round of dis¬cussions broke off during Au¬tumn Quarter of this year. Sincethose meetings, black studentshave held a vigil to “end racismat the U of C” and have sent athree page letter to PresidentGray complaining of Universitypolice harassment of black stu¬dents. The letter also called forthe creation of a review board toconsider harassment of studentsby police and for an Office ofAfro-American Affairs as well asfor immediate disposal of theUniversity’s stocks in companiessupporting South Africa(Maroon. April 15th). They havealso documented several casesof police harassment of blackstudents.In a Maroon interview Presi¬dent Gray noted that she hadlearned that students “don’t feelcomfortable” using the presentprocedure to make complaintsagainst University police, and she added that a new proceduremight be desirable. The presentprocedure is for students tocomplain to any dean of stu¬dents. and especially to the DutyDean, a dean on call throughoutthe night. Asked whether shesupports the idea of instituting aboard of review to deal with theissue of the police’s harassmentof black students, PresidentGray responded, “I do have inmind setting up a standingcommittee to take up questionsin relation to security.” Thiscommittee would include stu¬dents, faculty and adminis¬trators.The Black Graduate Forum(BGF) documented incidents ofharassment. One case is that ofa black graduate student ac¬cused of stealing a television setfrom a white U of C student.This student’s complaint isagainst the University Adminis¬tration as well as against police.He complains that the Univer¬sity refused to provide bailmoney for him, resulting in anight spent in jail. He furtheraccuses the Administration ofreneging on a promise to providehim with assistance for his legalexpenses. Many black studentsbelieve that the Universityshould pressure the State’s At¬torney's office to drop this case,especially in lieu of the fact that a dean is willing to testify thatshe was with the accused nearthe time of the robbery. TheChicago Chapter of the Coalitionof Black Trade Unionists hassent a written request to CookCounty State’s Attorney RichardM. Daley urging that charges bedropped in this case. PresidentGray, however, believes “theUniversity can not and shouldnot pressure the State’s At¬torney’s office.”The five other incidents ofharassment documented by BGFinvolve black students beingasked to produce identificationby police officers. In one of thesecases a black student was “sur¬rounded by police” while using acomputer terminal at JosephRegenstein Library. He claimsthat when he asked the officerswhat was going on, “they didn’tgive me a response, they told meto produce my I.D., which Idid...as well as put down every¬thing in my hand, like they sug¬gested, and keep my hands visi¬ble.” He notes that after lookingat his ID the officers “simplyturned and left.” He adds that helater learned he was suspectedof stealing a book from the Uni¬versity Bookstore. BGF co¬president Stephen Casmier addsthat BGF knows of more possi¬ble incidents of harassmentwhich have not yet been doc-Spring Formal a 'success'By Larry KavanaghStaff writerSparkling chandeliers, sus¬pended from the 40-foot ceiling,hung in rows over the ballroom.A balcony, attached half way upthe wall, wove around threesides of the room. Third-yearstudent Steve Muran summed upwhat many felt about the SpringFormal, held this year in thePalmer House, saying, “it reallyfelt like a formal, not like adance in a gym.”This was no ordinary SpringFormal. For the first time inrecent history, the dance washeld off-campus. And as a result,this was the first formal paid formostly by the Student ActivitiesFee.According to Sue Wrobel, theprinciple organizer of the event,the dance “was an incrediblesuccess.” She estimated thataround 900 students attended,well over the 760 she needed to pay off an SGFC loan, and evenfarther over the 600 predicted bythose who fought to have thedance remain on campus.“When the debate (over whereto hold the formal) was going on,people said that we should stickwith an on-campus dance, sincewe know that it has worked inthe past. This year, we dis¬proved that theory. Students,when they were leaving, askedme to make sure that the danceis downtown again next year,”Wrobel said.Second year student TomMulhern, however, stated thathe liked last years formal in IdaNoyes better than this year’s.“In Ida Noyes things were morespread out. There were rooms tosocialize and a room to dance.This year there was only one bigroom. There was no place totalk,” Mulhern noted.Although last year’s formaldrew almost 200 faculty and al¬umni, this year there were none.Chicago school children release balloons at the Museum ofScience and Industry in a recent science experiment. Wrobel attributed this to the$100-a-person ticket price thatSGFC levyed on non-students.Tickets for students were $12.50.The $100 price resulted fromthe administration’s decision notto fund the formal this year. LisaMontgomery, chairperson ofSGFC when that committee ap¬proved the dance plans, ex¬plained at the time, “If they (theadministration) are not going topay for the dance, then it is ourdance, and they're not neces¬sarily welcome unless they’rewilling to pay the $100 to offsetthe cost for students.” (Maroon4/8/86) The cost for studentswhich Montgomery referred to isthe $7000 granted by SGFC, CSA,and DOC. No $100 tickets weresold.Dean of Students CharlesO’Connell had offered to give thedance enough money to breakeven, but stipulated that thedance had to be held in IdaNoyes Hall. Student Governmentrejected this offer. Due to theadministrations decision to ren¬ovate the building, Ida Noyescan now accomodate only «0% ofthose who attended last year’sformal. Almost certainly somepeople would have been deniedtickets. In addition, only 300people could have been in thesame room with the principleband.Some faculty were quite un¬happy with {he ticket price.Wrobel related an incident inwhich a faculty member was soupset by the ticket cost that hetore up a sign which listed theprices.However, there was an af¬fordable way for faculty to at¬tend, according to Wrobel. Twoweeks before the formal, Wrobelsent letters to 800 faculty mem¬bers apnlngGing for the $100continued on page seven umented.BGF and the Organization ofBlack Students (OBS) havesubmitted documentation ofthese incidents to the Commu¬nity Relations Service of the U.S.Department of Justice with arequest that the committee actas an arbiter in their disputewith the U of C. They have alsoasked for help from the ChicagoUrban League and from ChicagoMayor Harold Washington.Jonathan Kleinbard says, “Ifpeople think there is a problemthen it (harassment) is a prob¬lem.” He adds, however, that“at the same time, the(security) department and of¬ficers have been a first-rategroup. They’re also members ofthe University community anddeserve to be dealt with in a fairway.”Kleinbard also notes that he isanxious to see talks betweenblack students and the Adminis¬ tration resume. He credits lastyear’s talks with leading tochanges in the language used inthe police department'spamphlet, ‘.‘Common Sense.”and in lectures on security givento freshmen during OrientationWeek.Dean of Students CharlesO’Connell believes that the ideaof an Office of Afro-AmericanAffairs needs to be betterdefined, although he notes thereis “a certain plausibility andappeal” to suggestions for a so-called “black ombudsman.” Henotes that such an ombudsmanprobably could not handle prob¬lems of both undergraduate andgraduate students. In responseto another of the black students’requests, President Gray in¬formed the Maroon that there issome discussion of adding anAfro-American studies programto the curriculum.The co-op supermarket faces a rent dispute, by Christine dyrudRent sought from Co-opBy Janine LanzaStaff WriterThe Hyde Park Co-op Super¬market is presently engaged in alegal struggle with its formerlandlord and its present land¬lord. the University of Chicago.Both landlords are claimingback rent based on inter¬pretations of a change made inthe Co-op’s lease in 1972.According to the Hyde ParkHerald, the former landlords areclaiming $192,507 in back rent.The University is claiming$78,000 in back rent and is alsoseeking to raise the monthly rentfrom $8,125 to $11,502. This ratewould last until the next leaserenewal date in 1989. This ratefor rent is supplemented by 15percent of the Co-op’s receipts.Leon Despres, former 5thWard Alderman and attorney forthe Co-op, explained the situa¬tion which led to the presentlegal battle. “In 1972 the Co-opand its landlord amended thelease to provide for the Co-op’sexpansion into adjacent space.”he said. The rent was raised toreflect the increase in the Co¬op's area.The monthly rent remainedthe same through May 1984.when the Co-op was sold to LakePark Associates, a wholly ownedcorporation of the University.Despres stated that “while theold landlords were processingmhe papers for the Co-op’s salethey discovered a loophole whichthey could use to claim back rentalthough the rent had been ap¬proved for 12 years.” ThisImnphnjp was a provision in theoriginal lease which provided for a rent increase in 1979.According to Kale Williams,president of the Co-op Board ofDirectors, the language used inthe 1972 lease amendment pro¬vided that the new rate es¬tablished in 1972 for the rentwould replace any rent increaseinml979. When the Co-op wassold in 1984 the rent agreed to in1977 was the monthly rent statedin all the advertisements for theCo-op’s sale. Now the formerlandlords are suing for back rentfrom 1979-1984 and the Univer¬sity is suing from 1984.The Co-op has made an at¬tempt to settle this dispute out ofcourt. “The former landlordsaccepted an offer of 26 percent oftheir claim. We still don't feelthis is right, but it will allow usto move forward,” Williamssaid. The University was alsoasked to accept this offer butrefused.Thus far. the University hasnot demanded that the Co-opleave its present location nor hasit set a deadline on negotiations.However, approval for the threesubleases issued by the Co-op fora liquor store, a bakery and twoautomatic teller machines fromHyde Park Bank has been with¬held by Lake Park Associates.Approval of these subleases isrequired in order for these busi¬nesses to remain in the Co-op.Williams believes that approvingthese leases “is in the Univer¬sity’s best interest because itgets a percentage of the re¬ceipts.” Lake Park Associateshas not yet filed a violationagainst the Co-op since the sub¬continued on page sevenJ.The University of ChicagoCenter for Clinical Medical Ethicspresents a lecture on:“The Newly Dead,The Nearly Dead,and The LivingDead”delivered by:William J. Winslade, J.D.Professor of Medical JurisprudenceUniversity of Texas at GalvestonTuesday, May 20,198611:30 A.M.Billings Hospital P-117 .SG GraduateCoHtMutfee ‘P’teftenfo:FREE BLUES PARTYWith Aligator Recording ArtistsDion PaytonREFRESHMENTS, NMD, SNACKSMay 1 6 CLOISTER CLUB OF IDA NOYES 9:00 PM-1 AM* You must bo over 21 and havo University tDFunded by SGFCOBSPresents ABLACK ARTS FAIRSaturday. May 17.198611 AM - 5 PMHutch CourtA GREAT OPPORTUNITY TOBUY BEAUTIFUL ART, JEWELRYAND MORE!fUNl fU/V.rIn Cooperation with FOTA 1 f Sunday, May 18th9:00 a.m. Ecumenical Serviceof Holy Communionwith Sermon.11:00 a.m. University Religious ServiceRobin Lovin,University Preacherand Associate Professor ofEthics and Society in theDivinity School, preacher/12:15 p.m. Carillon recitaland tower tour4:00 p.m. Organ recital byWolfgang Rubsam,Chapel Organist.Works by Dupre,Liszt, Vierne.Free of charge.2—The Chicago Maroon—Friday. May Ifi. I98fiFuret speaks on Tocqueville's motives in AmericaBy Janine LanzaStaff WriterSpeaking on 18th century French his¬torian Alexis de Tocqueville’s interest inAmerican democracy, visiting professorFrancois Furet delivered the last lecturein the John M. Olin Center series on Amer¬ica’s role in the world. Furet’s lecture tookplace last Tuesday.Furet, who is from the Institute Ray¬mond Aron Ecole des Hautes Etudes enScience Sociales, delivered a lecture en¬titled “America in French LiberalThought: Guizot to Tocqueville.” The lec¬ture focused on possible motives for Toc¬queville’s trip to America, the product ofwhich was the classic book, Democracy inAmerica. Since Tocqueville decided to visitthe United States only two weeks before hisactual departure, his reasons for the voy¬age are a mystery and have provokedmuch controversy. Prior to his trip to America, and hiscareer as historian, political philosopherand writer, Tocqueville was a student oflaw in Paris. He studied under FrancoisGuizot, leader of the group of French Re¬publican historians of the Revolution dur¬ing the Bourbon Restoration. During thisperiod (1815-1830), historians of the FrenchRevolution stressed comparisons betweenFrench and English history, and often didnot consider the American Revolution intheir writings.Tocqueville was intrigued primarily bythe American model of democracy. Thenature and consequences of democracypuzzled Tocqueville early in his career. Hebegan his study of democracy with Franco-English comparisons. According to Furet,Tocqueville soon turned to the Americancase because he felt that it was a truedemocracy, untainted by artistocratic ten¬dencies. The lecture ended without a resolution tothe question of Tocqueville’s motives forhis trip to America. Rather, Furet shedby Geoff SherryStaff WriterStephen Jay Gould, renowned pal¬eontologist, biologist and evolutionarytheorist, will speak on “The Basis of Crea¬tivity in Evolution,” followed by a questionand answer period, Thursday, May 22 at3:00 pm in Mandel Hall.Gould, the third Marjorie Kovler VisitingFellow this year, is widely known for hispopular essays and books dealing withtopics spanning from natural selection andevolution to geology and paleontology.Aside from his public lecture, Gould will some light on Tocqueville’s career by dis¬cussing ideas about American, French andEnglish democracy.attend classes, dine with students atWoodward Court and Pierce Tower, and athis request, attend Friday’s Cubs-Astrosgame with a group of faculty and students.Gould earned his Ph.d from Columbia in1967 and promptly joined the faculty atHarvard where he still teaches biology,geology and the history of science.David M. Raup, professor of GeophysicalSciences, observed, “Gould, originally apaleontologist, has successfully broadenedinto evolutionary biology and its surround¬ing disciplines. He is a household name in 2or 3 fields.”Gould to give evolution lectureIncreased participation in University Theatre creates problemsBy Beth GreenStaff WriterScanty rehearsal space and increasedstudent participation in University theaterprograms is causing, “A terrible situationin which there are no bad guys,” accordingto Director of Student Activities IreneConley.For the past three years, UniversityTheatre, the student theater groups, andCourt Theatre (CT), a professional theatergroup, have been sharing the same re¬hearsal space in the first floor theater ofthe Reynolds Club. Although rehearsaltimes frequently overlap, each group hasan equally valid claim to the space.Frank Kinahan, faculty director of Uni¬versity Theatre, says that student theateractivity on campus has grown dramaticallyin the last few years. He states that in 1983,only one student group made regular use ofthe Reynolds Club theater and no morethan 5 shows were put on over the wholeyear. In 1986, a total of 21 plays are beingpresented, and over 300 individual studentsare involved in those productions. Kinihanstates, “Theater has become the fastestgrowing extra curricular activity on cam¬pus. It is an enterprise that, so far as I’maware, involves more undergraduates thanany other extracurricular activity outsideof intramurals.”This year, in order to accommodate thetwo production rehearsals that overlapwith student theater groups, CT tried other rehearsal locations. According to MarkTiarks, managing director of Court Thea¬ter, rehearsals were held in the CrystalBallroom in the Shoreland, but the ac¬oustics were unsatisfactory. “It was likerehearsing in a shower,” Tiarks com¬mented.CT also tried rehearsing another produc¬tion on the third floor of Ida Noyes Hall.Tiarks states that although it was a littlebetter acoustically than the Crystal Ball¬room, it was still very echoey. He adds,“We are still wrestling with rehearsalspace for next year. We have looked at anincredible number of possibilities, butthere is always some kind of problem withit that makes it unsuitable for rehearsalpurposes.”According to Conley, the present situa¬tion evolved unexpectedly. Before CourtTheatre came into existence, there was anentity called University Theatre made upof both students and professionals. Itgradually grew into Court Theatre. In 1975,the President of the University, JohnWilson, approved a plan that took the SouthLounge in the Reynolds Club and made itinto a temporary theater for Court Theatreto perform in. In 1976, Court moved into thefirst floor theatre and third floor offices inthe Reynolds Club.In 1981, Court got its own home on 5535Ellis Ave. However, there was not enoughmoney left from the fund raising for officeand rehearsal space in the new building. Therefore, Court continued to use the firstfloor theater in the Reynolds Club forrehearsals and kept their third floor officespace.When the present University Theatre wasestablished in the Spring of ‘83 to increasetheater opportunities for students and thecommunity, it was planned that Courtwould remain in its office space the Rey¬nolds Club and share the first floor theatrewith University Theatre until such time asalternate rehearsal space could be found.Conley adds that University Theatre isalso to move into the third floor officeswhen Court moves out. University Theatrepresently has 2 small offices in the base¬ment of the Reynolds Club.As of yet, Court Theatre has not beenable to find alternate office and rehearsalspace. Steven Schroer, managing directorof UT, states “Nobody had any idea thatthree years later we were not going to beany closer to finding space for CT torehearse.”According to Tiarks, CT puts on 5 playseach year. Three of the rehearsal times —before school starts, and over Christmasand spring breaks — do not overlap withUT. However, in the middle of the fall andwinter quarters both CT and UT mustshare the space. Schroer states “Everyyear CT needs rehearsal space for 3 weeksand 1 week to build sets for its 2nd and 4thperformances. It subtracts 8 weeks out of apossible 24 we have during the year forperformances.” Schroer says that in 1983-84, the first yearUT and CT shared the space, things wentsmoothly. CT rehearsed 10-6 pm Tuesday-Sundays, so weekends were the only timesboth groups needed the space. However,when UT began building its sets, CT couldnot use the theatre for. rehearsals. Tiarksstates “The problem was magnified in 1984-85 just because of the volume of the the¬atrical activity. Now there’s just moredemand for theatre space than there istime in the space.”At present, CT and the UT governingboard are working together to find re¬hearsal space for CT, as well as space forCT to move its offices. Kinahan states “Sofar, with alot of good will, we’ve been ableto dodge the bullet. The conflict here is aproduct of situation, not of personalities.The Yolks from UT and from CT have beenworking together directly and in good faithto attempt to solve the problem.”Conley adds, “Everybody wants a solu¬tion, but space is tight on campus. Unfor¬tunately, space doesn’t magically appearbecause all our hearts are in the rightplaces.”For now, UT and CT will continue lookingat every possibility for rehearsal and officespace for CT for the fall. Conley states, “Ifwe ever have to say, ‘this student groupcan’t put on a play,’ then I know I will havereally failed. We’ve never had to do that,and we are working desperately to find asolution to this conflict without two sides.”The National Endowment for the HumanitiespresentsThe Jefferson Lecture'in the HumanitiesI _The Idolatry of Politicsby f—I—— —• -Leszek KolakowskiProfessor, Committee on Social Thoughtand Department of Philosophy5 pm • Friday • May 1i lie uiiivci mi;Leon Mandel57th Street &The Chicago Maroon—Friday, May 16,1986—3The ChicagofeMaroonStudent Newspaper of the Oniversity of ChicagoEDITORIALSettle harassment issueThe issue of harassment of blacks by University security has beenfestering for some time now. President Gray’s decision to meet withblack student groups to hear their situation is commendable. Theproblem had come to a head when the student groups broke off talkswith the designated administrator for the subject. In an issue asserious as this, it is fortunate that President Gray had the goodsense to realize that the usual University tactics of stonewalling andinflexability which got them into the problem in the first placewould only serve to exacerbate the situation. President Grayshowed welcome sensitivity in the matter by intervening personallyalthough not before some pressure had been applied.Gray has expressed a willingness to amend the complaint process.We hope it will be in a way satisfactory to those involved. Blackharassment is not an issue that will go away and a resolution canonly come with satisfying those who are affected.In addressing this issue the University has to consider what is atstake in terms of how it will affect the University as a whole. Theproblem in real terms affects a very tiny minority on this campus.If it wishes, it caa afford to ignore the problem without jeopardizingthe overwhelming majority of the University. But the issue can haverepercussions far beyond the dissatisfaction of a handful. TheUniversity is sensitive to negative publicity and charges of im¬propriety that might undermine the image of the University as agreat citadel of freedom of thought. Its desire for this reputation of amorally upright and academically free atmosphere constrains it toact in a manner befitting that title. In a sense the University has nochoice but to act on this issue or it would soon loose a reputation thatit treasures. To be fair though, the Administration is as capable ofbeing motivated by a sense of fairness and justice as anyone, andwe are sure that this weighs heavily in their decision.We sincerely hope that a compromise can be worked out on thisproblem. By compromise, we mean that both sides can work atunderstanding the position of the other and come to a mutualagreement. Both the University and the black student groups willhave to compromise their positions in order to achieve a mutuallyagreeable settlement. We wish them both luck. LJU 111STOP THEINJUSTICE pj mSOUTH AFRICA/* • a''\ ji?B [\S a - rLETTERSHonesty flourishes in RegTo the editor:Being the extraordinarily well-organizedprofessor that I am. I recently xeroxedsome ancient documents on a machine inRegenstein. and then walked away leavingmy almost new xerox card (not in myname) in the machine. Being the extra¬ordinarily honorable community of schol¬ars this one is. it immediately produced an anonymous friend who took the card to lost-and-found.May I use this means to thank my friendfor saving me both $45.00 and my convict¬ion that civility thrives still, at least in thestacks of Regenstein.Wayne BoothDepartment of English & the CollegeUse Sullivan Principles hereTo the editor:Your discussion of the Administration’sSouth Africa policy seems to take Presi¬dent Gray a little too much at her word.When you write, for example, that “theUniversity’s current divestment policy-... relies on a case by case analysis,” youelevate a public relations statement onGary’s part to the level of honestly heldbelief. Are you, the Maroon, vouching forGray’s sincerity? Do you know of any“cases” which led even to consideration ofdivestment? If not, the sentence shouldhave read “claims to rely on” rather than“relies on.”As to the Sullivan Principles, on whichthe U of C claims to base its policy, we can judge their relevence without leavingcampus.With less than three percent of the U of Cstudy body Black, and one percent of thetenure track faculty Black (thirteen out ofover a thousand), it’s a good questionwhether the U of C iteself satisfies theSullivan Principles. If it does satisfy them,the Principals are meaningless. If itdoesn’t, perhaps the University would notbe out of place as part of South Africa'sapartheid system.Pondering this question should teach usalot about the Sullivan Principles, and,more importantly, perhaps, a lot about theUniversity.John R. Conlonloin the MaroonThe Chicago MaroonThe Chicago Maroon is the official student newspaper of the University ofChicago. It is published twice weekly, on Tuesdays and Fridays.Back issues are available, by mail only, at $1.50 for the first issue and $1.00 foreach additional issue. Send full payment with the request.Mail subscriptions are available for $24 per year.The Maroon welcomes letters and other contributions from students, facultystaff, and others. Anyone interested in doing writing, photography, or other work forthe Maroon should stop by our office, Ida Noyes rooms 303 and 304, 1212 E 59thStreet, Chicago, Illinois 60637. Phone: 962-9555.Rosemary Blinn Karen E. Anderson Jon HerskovitzEditor-in-Chief Development Editor Sports EditorLarry Kavanagh Terry Trojanek Susie BradyEditor-Elect Viewpoints Editor Production ManagerHilary Till Stephan Lau Paul RohrContributing Editor Tuesday Magazine Editor Copy EditorElizabeth Brooks Christine Dyrud Jon NussbaumNews Editor Photography Editor College News EditorMolly McClain Erik Lieber Stephanie BaconNews Editor Photography Editor Grey City Journal EditorAssociate Editors: Alex Conroy, Mona El Naggar, Ingrid Gould, Mike Hagan, GregMantell, Michael Monahan, Kristin Scott, Geoff Sherry, Frank Singer, HowardUllman.Maroon Staff Members: Arzou Ahsan, Steven Amsterdam, Ken Armstrong, AbigailAsher, Tony Berkley,Scott Bernard, Steve Best, Craig Blackstone, Robert Block,Brett Bobley, Michele Bonnarens, Michael Breen, Jeff Brill, Theresa Brown, LaurelBuerk, Gabriela Burghelea, Carole Byrd, Dennis Chansky, Sue Chorvat, OdilonCouzin, Elizabeth deGrazia, Larry DiPaolo, T.D. Edwards, Kathy Evans, AnjaliFedson, Mike Fell, Mike Fitzgerald Bill Flevares, Andy Forsaith, Katie Fox,Deidre Fretz, Beth Green, Kate Hill, Craig Joseph, Justine Kalas, Ann Keen,Bridget Kenny, Stefan Kertesz, Sanjay Khare, Bruce King, Mike Kotze, LaurenKriz, Lara Langner, Nick Lanyi, Janine Lanza, Marcia Lehmberg, Meg Liebezeit,Carolyn Mancuso, Nadine McGann, Miles Mendenhall, Steve Meralevitz, Sam D.Miller, Melissa Moore, Patrick Moxey, Karin Nelson, Brian Nichiporuk, MattNickerson, Jordan Orlando, Jean Osnos, Chalcea Park, Larry Peskin, Clark Peters,Phil Pollard, John Porter, Geoff Potter, Mike Rabieh, Krishna Ramanujan, LauraRebeck, Geoffrey Rees, Paul Reubens, Rich Rinaolo, Gary Roberts, Erika Rubel,Terry Rudd, Sahotra Sarkar, Ann Schaefer, Matt Schaefer, Michael Schoop, WayneScott, Rick Senger, Sue Skufca, Michael Sohn, Paul Song, Sonja Spear, JohannaStoyva, Kathy Szdygis, Melanie Togman, Mark Toma, Bob Travis, John Troyer,Francis Turner, Martha Vertreace, Christina Vougarelis, Melissa Weisshaus, AnnWhitney, Louisa M. Williams, Rick Wojcik, Christine Wright.Contributor: Nathan Schoppa. Gideon D’ArcangeloChicago Literary Review EditorLarry SteinBusiness ManagerRuth MauriAdvertising ManagerJaimie WeihrichOffice Manager Hanna Gray needs love tooTo the Editor:I think that it’s time that someone stoodup and put in a good word for our Univer¬sity President, Hanna Gray. This wonder¬ful lady draws entirely too much un¬deserved abuse. I for one am sick and tiredof all this defilement of her character.There are a lot of horrible stories floatingaround about her that many know are nottrue.President Gray does not kick puppies.She does not terrorize her deans. She does not brow-beat salespeople at stores. Finallyshe does not consider all students to be“rogues, rascals and sleezebags.”President Gray works hard for this Uni¬versity. She pounds far too much pavementfor us not to be grateful for her efforts. SGshould sponsor a “Hanna Gray apprecia¬tion day.” All of us here at the Universityowe her a debt of gratitude we can neverfully repay.Name and address withheld by requestVIEWPOINTSWork harder, scumBut we are looking for waste. And we seethat even at Chicago we have a vacationsystem that is a symbol of an age that isgone. Our students work harder than stu¬dents at some other places, but if theyworked forty-four hours a week, they wouldall get A’s, or graduate in half the time, orboth. Nor has the weekly schedule ofclasses made the best use of the student’stime or the maximum use of the plant. Weshould set about reducing vacations. We should consider the example of the Collegeand going on a Monday Wednesday Fridaycycle. We should examine the possibilitiesof late afternoon, evening and weekendteaching. And we should put on the walls ofevery lecture hall, dormitory room, andoffice in the University the words of Dr.Johnson: “I never knew a man who studiedhard.”Robert Maynard HutchinsMaroon editorial policy \All letters and viewpoints must be submitted to the Maroon office, room 303 In IdaNoyes.Letters and viewpoints must be typed and double spaced. The Maroon reserves the rightto decide what material,to publish.All letters and viewpoints are subject to standard editing for grammar length, clarity,and libelous content. Letters should be no longer than 300 words. All letters must be signedby the author and contain the author’s address and phone number for verification Thename of the author may be withheld upon request.Signed editorials and commentaries represent the opinions of the author Unsiened edito¬rials represent the concensus of the editorial board. **4—The Chicago Maroon—Friday, May 16,1986The Poetry Center Presents,, MMMMMHART CRANE andEMILY DICKINSONTwo premiere color films from The New York Center for Visual HistoryTuesday, May ZO, 7:30 p.m. at The Film Center of The School of the ArtInstitute of ChicagoColumbus Drive and Jackson BoulevardAdmission W, J3 students - senior citizensSAIC students freeJane Alexander narrates fsnfy Dickinson, which includes interviews withAdrienne Rich, Joyce Carol Oates, Anthony Hecht, and Richard SewallShot in New York and in his hometown, St. Lucia, Ohio, Harl Crane isnarrated by Jose Ferrer, and interviews Derek Walcott, Malcolm Cowley,Richard Howard, and Vivian Pemberton on this leading Modernist poet.The previously scheduled reading by Nicanor Parra has been cancelledSupport from the ILLINOIS ARTS COUNCILIntroducesSelf-ServiceMACINTOSH & LASERWRITERAvailable by the hour.Call for reservations, price information.1309 E. 57th St.643-2424 - ■ :CGM CommoditiesWhatIsaMillionDollarsWorthtoYou?We are searching for a highly motivated individual with the desire tobe exposed to the world of financial futures as a Portfolio Manager.If you are interested in the opportunity fo be trained to make quickinvestment decisions worth millions, then send a resume and a coverletter to: Charles W. Wafer, CGM Commodities, 141 W. Jackson Blvd.Suite 1531 A, Chicago, Illinois 60604.Desired applicants include undergraduate or graduate studentsmajoring in finance or economics with strong quantitative skills andsome computer background.More information can be obtained at the Career/Placement Center.Clwcdofe Soup£i)0uj SatoJutoy Wigkt I0 P.Ht. to {ffotoigWTkto UfccfcLive EwlmlammdlMew Sfrtuuj (Menu%> Oieam - 50'- 25' Pa&bm - 50'Al HitM Hme, 5715 S. IVtwllam Ave.Live Ctdenlainmetd • Ha Cam Cluvup 4marian realtync jgREALTORStudio and 1 BedroomApartments AvailableIn the Carolan— Students Welcome —On Campus Bus Line5480 S. Cornell684-5400 Studios, 1,2, & 3 BedroomApartments AvailableSome Nice Lake ViewsGood LocationHeat IncludedParking AvailableCALLHERBERT REALTY684-23335% Student Discounts9:00 A.M.-4:30 P.M.Monda> thru Fridas9:00 A.M.-2 P.M.SaturdayA) OFFCOLOR SALEHighlightingCellophaneGlazingJazzingLuminizingAdditional Hair Coloring services ereavailable or cen be designed to achieve yourdesired ettect Ask your designer tor aFREE color consultation Family Styling CenterNOW FEATURING!!THE INDOOR TANNING SYSTEM1621 E. 55TH STREETCHICAGO, IL 60615 <312> 241-7778Thehair performersThp Chicago Maroon Friday. May 16, 1986 5What's going onin Ida NoyesByChristine DyrudDo youWriteshort stories, poems, or essays ♦Or do youSketchin charcoal, india ink, or the like ?♦Perhaps youTake Photosin black & white ?♦Art work, reviews, fiction, andpoetry are still being accepted. Thedeadline for submittance is Sunday,May 18.Please label all material for an arts& literature forum "MaySubmissions" and deliver to LarryKavanagh, c/o the ChicagoMaroon, Ida Noyes 303-304 MEfflMDINNER DANCESP0HSOGtfc> By SiuOfeNT (yCMT.Orju. n t £ACi O') to4 meriC(V.na_6—The Chicago Maroon—Friday, May 16,1986AIESEC plans U of C chapterBv Alex ConroyAssociate EditorAn international organization whichprovides students to fill trainee positions inforeign countries has opened a chapter atthe U of C. AIESEC, the Association Inter¬nationale des Etudiantes en SciencesEconomiques at Commerciales, currentlydraws students from 400 universities in 61countries. The local AIESEC chapter arranges atemporary J-i work VISA, housing, trans¬portation, and insurance for the foreignexchange employee. Chapter members arealso responsible for keeping the exchangestudent entertained. The host businessesprovide a stipend of $200 to $400 weekly andpay an administration fee to regional andnational AIESEC levels.Companies interested in participating inAIESEC apply to the local AIESEC chap¬ter, offering internships. Through the ex¬change program, foreign students fill thesepositions and obtain six weeks to eighteenmonths of paid job experience in a specifictraining program, in concentrated work inone division, in rotational work throughmany divisions, or perhaps in the area ofindustrial relations. At the same time, localAIESEC members provide cultural andsocial experience for the trainee.The businesses and prospective studentemployees are matched for optimumcompatibility. Students fill out an applica¬tion indicating their skills in foreign lan¬guages and various aspects of business andmanagement, including their major field ofstudy. Companies, likewise, fill out appli¬cations describing the qualities they wouldrequire in a s .dent to fill each particularposition, as wc.l as the time duration of theinternship. In the United States, 62 schools aroundthe nation offer AIESEC programs. TheUniversity of Chicago is struggling to be¬come the 63rd. In order to present itself asa prospective chapter, the U of C contin¬gency must raise $1000 for AIESEC-national, secure an office with a typewriterand a telephone, get a recommendationfrom the dean, and, most importantly,demonstrate the activity and motivation offuture members.AIESEC acts as a small, student oper¬ated business. Student representatives wilnot only market AIESEC services, butmanage funds, staff the communicationlines between the local, regional, nationaland international levels, and arrange ac¬tivities such as seminars and conventionsfor other AIESEC chapters. AIESEC pro¬vides practical business experiencethrough its own internal managerial posi¬tions and through exchange internshipswith foreign companies.Morton-MurphyBv Marcia LehmbergStaff WriterThe winners of the $100 Jane Morton-Henry C. Murphy Awards for WinterQuarter 1986 are Cynthia Washington, theOrganization of Black Students (OBS).Susan Weber, president of the FolkloreSociety, Lisa Montgomery, Student Gov¬ernment Finance Committee chair, WendySchiller, Student Government vice-president, and Raj Nanda, Student Gov¬ernment Activities Committee chair.The award is presented each quarter bya committee from the Student AcitivitesOffice (SAO) to those who have made anoutstanding contribution to an extra¬curricular activity. According to IreneConley, director of Student Activities, thepurpose of the award is to recognize astudent for work on a particular project orfor an accumulation of work over a long award winnersperiod of time. It also recognizes a student“who has made significant change-s—revived a group or made a new group.”She further explained that “some of theactivities don't have an impact on a hugenumber of people. We reward people notjust for really big, visible things.”She mentioned the work of Washington,who won the award for her organization ofBlack History Month, and a good exampleof the kind of commitment the that theaward recognizes. “Black History Month isa hard job,” she said.Nanda and Weber also won the award forcontributions to a particular project:Nanda for his work with Students AgainstMultiple Sclerosis and Weber for her or¬ganization of the 1986 Folk Festival.The Jane Morton-Henry C. MurphyAward formerly consisted of two separateawards, which were combined in 1971. Co-op rentcontinued from page oneleases are still being negotiated.Jonathan Kleinbard, vice president forUniversity news and community affairs,declined to comment on the situation.“This question is not mine to answer...it ishandled by a separate corporation from theUniversity,” he said.Williams and the members of the Co-ophope to persuade the University that it is intheir best interest to allow the Co-op tothrive rather than, as Williams stated,“extract every last penny from their in¬terpretation of the lease.” Williams feelsthat the Co-op can be a strong anchor forbusinesses in Hyde Park, due to its finan¬cial strength, and can help to improvebusiness climate in general.Spring formalcontinued from page oneprice and offering chaperone tickets at $25a piece. Only college advisors bought thetickets. Chaperones were required to makesure that no minors consumed liquor.Graduate students also stayed awayfrom the dance. Observers estimated that95 to 98 percent of those in attendance werecollege students. Wrobel speculated that aLaw School party and the Business SchoolFollies, held on the same night, kept somefrom the formal, but thought that the realreason might be that the dance was organ- Thus, Williams has proposed several id¬eas to the University which would allow theCo-op to get beyond this haggling to expandand modernize. He explained that the Co-op“proposed alternatives for expansion in itspresent location, for building a new facilitynear the present location or for the Co-op tobuy the whole shopping center.” So far, theUniversity has not responded to these pro¬posals.Despres proposed one other method bywhich the Co-op could convince the Uni¬versity to settle the question about rent. Hesuggested that the Co-op publicize the factthat “for every $10 spent in the Co-op, theUniversity of Chicago gets $1.50.”ized primarily by college students. “Maybegrad students didn't feel that we wantedthem to attend the dance,” she stated.Tickets were sold both in InternationalHouse and at the Law School.Wrobel hopes to avoid many of the prob¬lems which occurrec this year by begin¬ning the planning of next year's formalalmost immediately. She plans on submit¬ting a tentative budget to the SGFC duringsummer quarter, to be debated by the fullassembly in the Fall.Elliott given BMI honor for compositionJonathan Elliott, a student at the U of C.has won a BMI Awards to Student Com¬posers prize for his composition “NightPrayer.” The work, inspired by “A Lul¬laby,” a poem in German by Hans MagnusEnzenberger, is scored for soprano, flute,alto flute, clarinet, viola, cello, piano andpercussion.Elliott is studying composition withRalph Shapey and Shulamit Ran. He plansto remain at the University and earn a PhDin music. “My compositions,” Elliott says,“are based on the traditions of concertmusic. I’m not trying to be wildly experi¬mental.”A native of Philadelphia, he graduatedfrom Vassar College in 1984. where he majored in composition. Elliott studiedthere with Annea Lockwood and RobertMiddleton. He also attended the Aspen< Colorado) Music School of a fellowship.The BMI Awards were estabished 34years ago to encourage the creation ofconcert music by young composers. Fiveformer BMI award winners have gone on toreceive the Pulitzer Prize for music.CorrectionThe Maroon omitted Andy Forsaith'sbyline in the third page story entitled“Xnievas gives concert” which ran in theMay 13 Maroon The Maroon regrets theerror.HYDE PARK inCOMPUTERS INC.Epson Equity I ComputerandEpson LX-80 PrinterTogether-Only ’1399EPSON Price Breakthrough!I O O I T TEquity 1: Completely IBM compatible with two diskdrives, 256K Ram, htah resolution mono/graphics tiltand swivel monitor plus printer port, communicationsport, MS, DOS, GW Basic and Xtree software.LX-80: Dual speed dot matrix printer with superbnear letter quality. Full graphics support with wideselection of fonts!One Year Warranty! Epson Durability!Free delivery and training! 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Last Show★ The drinks are on us —FREE DRINK with medium popcorn purchase*with U. of C. student I.D.CHILDREN UNDER 6 NOT ADMITTED AFTER 6 P.M.$2.50 UNTIL FIRST SHOW STARTSK IMBARK LIQUORS & WINE SHOPPE SAl£ DATK 5 ^5/2° 861214 East 53rd Street«In Kimbark Plaza 493-3355EVERYDAYDVPRICESOLD STYLE24 12 oz CANS BUDWEISER24-12 oz CANS BECK’S6-12 oz NO RET BTIS$799 $799- $399BITBURGER6-12 oz. 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As students or faculty members you are entitled tospecial money-saving DISCOUNTS on Chevrolet andVolkswagen parts, accessories and any new or usedautomobile you buy from Ruby Chevrolet/Volkswagen.This coupon cannot be used with any other discount offers.May 16. 1966PAY TO THE ORDER OFFive Hundred and no/100- >jiivJt>Tjj>u mu> Ii$ 500.00DOLLARSr\l£G0TU»L£ Qf\lW £T WJftf rHflWLET-ITQUrtMWKfliSpecial Colleae 7234 STONY ISLAND2 Miles-5 Minutes AwayFrom The University684-0400;S;,SS otw-uwuFinancing Come in CHEVROLET/VOLKSWAGEN' for details.8—The Chicago Maroon—Friday, May 16,1986The Fishing is always BETTERLATE in the Day...or on SUNDAYS,Mon-Thurs: 9 a.m. - 7 p.m.Fridays: 9 a.m. - 8 p.m.Saturday: 9 a.m. - 6 p.m.NEW EXTENDED HOURSIN COOP'S FRESH FISH DEPT.NOW OPEN SUNDAY10 a.m. - 5 p.m.LOCATED IN THEHYDE PARK SHOPPING CENTERLake Park & 55thAncu Bancu '113 IJHXu Dctuaftfirs of UtopiaHebrew with English Subtitles, Color, 1982 Directed by Enda Politi, Lebanese-Jewishfilm maker. Six women born at the turn of the century, in tsarist Russia and Poland,who went to Palestine in the 1920’s to “build the country by building themselves” talkabout their lives 60 yrs. later. Intercut with archival music and footage, these kibbutzwomen talk about their adventures, hopes, struggles and disappointments regardingSocialism, Zionism, Feminism, Israel, Jews and Arabs.liwyscLGUt 0[&u 22> / 30 an. HtthlntnbvjJiMM'5115 looalcun, OUers $3 F0REM0ST^>//^i4f1531 East Hyde Park Blvd. • 955-5660CHATEAU REYSSON1982 BORDEAUX"759£ 750 ml J. LOHRCHARDONNAYDOMAINE ST. GEORGECABERNET SAUVIGNONA99TP 750 ml ). PEDRONCELLICHENIN BLANCA99TT 750 mlj HYDE PARK’S LARGEST IMPORTED BEER DEPARTMENT! jFOSTER LAGER6-12oz. N.R. BOTTLES ,36’ J I BECKS■ 6-12 oz. N.R. BOTTLESL 369GRIZZLY T6-12 oz. N.R. BOTTLES"329J (WE DE HARP6-12 oz. N.R. 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Enroll today Kaplan's time-provenLSAT prep is the best-the evidence isoverwhelming.£ KAPLANSTANLEY H KAPLAN EDUCATIONAL CENTER LTDCall Days, Evenings, Even WeekendsCHICAGO AREA 764-515110—The Chicago Maroon—Friday, May 16,1986-mm■HUlHi4!i COLLEGE NEWSBy Jon NussbaumCollege News EditorTEXAS TUITION HITSALL-TIME HIGH...While the ever-present fear oftuition increases haunt millionsof collegians annually, studentsat the University of Texas atAustin have been spared thatburden for 29 years. Since 1957,tuition at UT has been a whop¬ping $50 a semester, reports TheDaily Targum. The consistentlyminiscule cost is the result of aset rate of tuition established bythe Texas State Legislature forall public universities, said VicePresident for Administration atthe Austin campus, EdwinSharpe. Aside from some addi¬tional student fees, approxi¬mately $364 for every fifteencredit hours, that’s the man¬dated total expense. But in 1983,the Texas Legislature voted toraise the rate. As a result, tui¬tion at UT Austin will be in¬creased to $180 per semester forin-state residents. Out-of-staterspay an additional $3240 per year.The 200 percent hike sparkedthe relatively conservative stu¬dent body to march on the statecapital in protest. According toSharpe, the rally was the firstmajor demonstration amongUT'ers since the Vietnam War.“Relative to the times of the'60's and ’70’s, students are lesspolitically active.” Sharpe said.“We certainly don’t see protests,movements or people concernedas a group with one issue.”As for divestment, Sharpe saiddespite UT’s $500 to $600 millioninvested in companies tied toSouth Africa, the issue is largelydead on campus. “The call fordivestment at UT hasn’t been asgreat as on other campuses —there’ve been no school-widestrikes or rallies...People getdiscouraged and everybody’sgetting pretty sick of hearingSouth Africa, South Africa,South Africa.” he added. HEEEERHRRE’S GERRY...(AP) Former President Fordpardoned a cheering crowd ofabout 4,000 West Point cadets ofminor conduct infractions, amove that removed obstacles tograduation for some of them, aspokesman said. Ford’s speechtouched on his controversialpardon of President Nixon in theWatergate scandal. Later, acadet’s question about amnestybrought the cheering cadets totheir feet. By tradition, any headof state or former head of statehas the right to relieve U.S. Mil¬itary Academy cadets frompunishment incurred for minorviolations.When the excitement dieddown, Ford decreed that theywould be absolved of their minoroffenses. The number of cadetsaffected could not be immedi¬ately determined. Capt. WilliamMorgan, a U.S.M.A. spokesman,said some cadets might not havebeen able to graduate withoutFord’s pardon. He said the lasttime a visitor granted pardons atWest Point was at least 10 yearsago.PAPER WARS...Students at Northern IllinoisUniversity think their presi¬dent's removal of the newspaperadvisor is an attempt to increasehis role in the paper’s policiesand is not caused by an internalaudit, he says. But an assistantto president Clyde Wingfieldsays Wingfield is not trying tocontrol the newspaper but actu¬ally “trying to protect the paperfrom editorial controls.” Ac¬cording to The Daily North¬western, the controversy stemsfrom newspaper articles aboutthe cost of Wingfield's July 1985inauguration and house renova¬tion. The daily Northern Stararticles ran early this spring andsaid tax money was spent forboth events.Last week. Wingfield askednewspaper advisor Jerry Thompson to leave the paperand accept a public relations jobwith the university. “The presi¬dent didn’t like the stories thepaper ran (concerning the$100,000 renovation and the$30,000 inauguration), so he’strying to take over the paper,”said Jerry Huston, editor of theBLOOM COUNTY Star. “The audit said we don’thave a business proceduresmanual, which I was holding inmy hand as I talked to the pres¬ident. Or (the newspaper) hadminor things, like an organiza¬tion (that placed an ad in thepaper) received a bill a daylate,” Huston said. The Northern Star recentlyran further articles alleging thatWingfield had taken a similaraction at Bernard M. BaruchCollege in New York City, wherehe was formerly president.Huston said the Star is filingsuit to prevent Thompson’s re¬assignment.by Berke Breathedf/ey ' PVT 7JM67Dmb pom ' tern yooRmenos, opus.Lee's HopeH€ RWKB5 30MBPRVPBNT 30HHB65tNveenmrft.. 0PURT Honey, M.TBUSWbSJVMGBP, GUIP0'M , ■.JccomotmnGHHHUHCH 6a -THRT MV LKEK ^ nmTflMce< * mif\Cfiazlotte ^UikstzomczReat Estate Co.1638 EAST 55TH STREETCHICAGO, ILLINOIS 60615312/493-0666TOWNHOUSE IN "HEDGEROW".This is a cu_’om redesigned two story unit, 6 rooms, 54th Hyde Park Blvd.Special tiles, special wood balistrades, special overlook from upperbedroom - special professional landscaping - indoor garage.$139,500 - first time offered.HUGE HYDE PARKCondo near 53rd. Five bedroom, curv¬ed bay solarium. Lovely “side-by-side”spacious living room and dining room.$115,000.ASK FOR OUR CURRENT' 'HOT SHEET"COOPERATIVES ARE GOOD BUYSStunning new large kitchen has washer/dryer hookup. Pretty natural oakfloors. Two bedrooms. Long, well established co-op near the Midway. Canyou believe $28,000.Down the block from Regenstein Library. Two bedrooms plus tree topgarden study. Woodburning Fireplace. $47,500.TOWNHOUSESunken Living Room, Wood-burning fireplace. Quarry tileentry & kitchen. Four bedrooms(or 3 plus study). Off streetparking. Tip-Top Condition.$122,00. model camera& videoFUJI FILM(24 exposure)with any roll ofCOLOR PRINT filmbrought in for developing atwith this ad, expires 6/15/86open 7 days a weekmodel camera& video1342 East 55th St./493-67O0The Chicago Maroon—Friday, May 16, 1986—11Crew team finishes in middle at WaterlooAdena SchutzbergContributing WriterOn Friday May 9, as the rest of theUniversity geared up for this year’s springformal, the U of C loaded up their eightman racing shell for the long trip to Wa¬terloo Iowa. By Saturday morning the crewand shell were ready to begin competing inthe seventh annual Schlitz/Old MilwaukeeWaterloo Open Regatta. The race, hostedby the Waterloo Crew, is one of the lastmajor races of the spring season in themidwest. Fifteen clubs and over threehundred participants made the competitiontough at all levels.The UC’s men’s novice eight took to thewater first. The crew, with three membershaving only seven weeks of experience, hadperhaps their best race of the season. Therough conditions caused by high windsnecessitated a quick start which caught theUC and the five other crews off guard. Still,after ten strokes the UC men (KevinShalla, stroke; Mike Weaver, seven, DanPromislow, six; Rob Gier, five; LiamStacey, four; Victor Lieberman, three; Keith Dupree, two; Jim Helke, bow)passed Creighton Unversity and St. John’sUniversity B boat. By the 800 meter markof the 1600 meter race they took North¬western as well. With 500 meters to go,coxswain Adena Schutzberg called the rat¬ing up from 29 strokes per minute to 31 totry to catch the second place St. John’s Aboat. Despite a slight gain, the UC menfinished third with a time of 5:30. St. John’sA was second at 5:22 and University ofMinnesota took first by a large margin at5:00.The UC novice women’s eight, afterwaiting an hour for the weather to clear,showed how hard they had worked in prac¬tice. The crew (Valerie Schmit, stroke;Nancy Huet, seven; Shoshana Mertens,six; Maria Rodriquez, five; Michelle Hart,four; Nancy Kaymen, three; MichelleLewis, two; and Rochelle Cohen, bow)learned the excitement of a close race.After a difficult start, coxswain Jim Meyerurged the women on to stay ahead of St.John’s B crew and a University of Iowacrew. Having stayed close behind the UC throughout the race, St. John’s B took therating up in the last 100 meters to try tocatch UC at the finish, but stroke ValerieSchmit maintained an even 32 stroke rat¬ing, saving a well deserved fourth place at6:55.The final event of the day, the mixedeight, was run in two heats, the fastesttime overall taking first. UC’s crew(Valerie Schmit, stroke; Michelle Hart,seven; George Szymanik, six; Ned Snell,five; Jim Meyer, four; Vince Ferrara,three; Shoshana Mertens, two; AdenaSchutzberg, bow) was warned at the startby coxswain Victor Lieberman of the dete¬rioration of voice, he suggested that hemay say little during the race. After anexceptional start, the crew found them¬selves in second place in front ofCreighton/Waterloo and University ofNebraska. Leiberman’s voice couldn’tprevent him from pulling the crew past St.John’s A into first place before the raceswas half over. Rowing at a quite highrating of 36 strokes per minute for thebetter part of the race, UC won their heat easily in 5:34.Unfortunately, the second heat had anumber of quick crews, and the UC endedup fifth of the ten crews behind MinnesotaBoat Club (5:10), University of Minnesota(5:24), Northwestern (5:31), and Min¬neapolis Rowing Club (5:32).Clubs were awarded points for variousfinishing postions. The final results of the20 events left Minnesota Boat Club of St.Paul first overall with 226 points, Min¬neapolis Rowing Club second with 189points and Northwestern third with 143.Northwestern also maintained the distinc¬tion of having the fastest time of the day:their men’s open eight powered through thefinish at a 34 rating in 4:47.The UC Crew will be finishing the springseason with The All Chicago Regatta atLincoln Park on the 17th and will visit theMinnesota Boat Club on their home waterof Lake Phalen on Memorial Day. TheCrew will hold its annual summer Learn toRow program for all members of the Uni¬versity community beginning at the end ofJune. Further details will be posted soon.FunnylookingTbu've probably heard of them Birkenstock sandals Funny looking, sure,but only if you put fashion ahead of incredible comfort Birkenstocksandals shape to your feet like cool, soft sand They give you supportond improve your posture and circulation to let you walk healthier,more naturally. And they last and last Birkenstock Mode funny lookingso you con smile more wearing them 20 men's and women's stylesfrom $27 to $74 You've goneIMON-SAT 9-6SUN 11-3667-94711534 East 55th Street(Hyde Park Shopping Center)CH 7234 STONY ISLAND2 Miles-5 Minutes AwayProm The University684-0400CHEVROLET/VOLKSWAGENCollege Grad FinancePlan• Financing Assured• Low Down Payment• Favorable Financing Rates• $250 Rebate or NoPayments for 90 Days• The Program Runs a Year• Leasing TooCome in for detailsINCLUDES 50 COPIES ON'24 “CB CLASSIC LAID BONDSELECTION OF ATTRACTIVE PAPERS(Jopg works.The Copy Center in Harper Court5210 S HARPER AVENUF < • 2HH 2233Hour* MON PRI 8 30 AM 6 P,M SAT 10 AM 5 PM12—The ChicaCO Maroon—FriHav Mav 16 1986Scott BernardStaff WriterHow the mighty have fallen! At theindoor conference championships, themen’s track team placed fourth, and twoMaroons won individual championships.But at last week-end’s outdoor version ofthe Midwest Collegiate Athletic ConferenceTrack & Field Championships, Chicagotumbled all the way to tenth place, avoid¬ing last place by the seat of Gary Leven-son’s pants. Beloit scored 7 points to beatout the Maroons for last place. Chicagoscored 15 points, well behind first-placeMonmouth’s 98 points - and second-placeCoe’s 93 and thira-place Cornell’s 87 and... The Maroons thought they were in forgood times when they arrived at the idyllicWisconsin hamlet of Ripon. From their buswindows they could see what appeared tobe lovely native girls waiting to greet themat the track. But as the bus loomed near,the girls ran away, prompting Paul DeHartto remark, “Oh no, they’re afraid of ourtechnology.”Chicago got a sign of things to come inthe very first event on Friday. Burly soph¬omore shot-putter Mark Cawi, who won hisspecialty at the indoor championships andwent on to compete at Division III indoornationals, failed to make the finals of theshotput competition. “When that happened, we knew we were in for bad times,” saidCoach Mike Karluk. Two hours later,Chicago’s other indoor conference champ¬ion, senior John Seykora, failed to makethe finals of his specialty, the 800m. Avictim of poor seeding, Seykora ran one ofthe top eight times in the preliminaries, buthe could not advance to the 8-man finalbecause he placed only fifth in his heat.Senior Mike Rabieh scored 10 of Chic¬ago’s points. On Friday the distance aceran the 10,000m, which he considered hisbest event. Fortune did not smile on him,however, and he got knocked down in theearly stages of the 25-lap race. He bouncedright back up and tried to emulate LasseLacrosse ends season with victoryBy Ted FrankStaff WriterChicago Lacrosse ended its 1986 season inthe fashion that all teams should put an endto a year’s activity; they emasculated theiropponents. On Saturday, the lacrosseteam destroyed the Dekalb Roughriders bya score of 16-4.From the opening minutes of the gamethere was no doubt of Chicago’s domi¬nance. In less than two minutes, Chicagojumped out to a 3-0 lead. Points came fromeach member of the first mid-field line,with goals from Ted Voorhees and RobPerry, and an assist from Jon Herskovitzto Paul Schiffer.As the half wound down, Chicago wasrunning circles around the Roughriders.With senior Jon King in goal, Chicago hada dominating 8-1 halftime lead.The second half proved to be one of themost boring in modern lacrosse history. Nofights, no shouts, no beer... but Chicagotrained in spending many hours trying tostay awake in times of complete ennui,since they had completed the CommonCore, managed to stay conscious and winthe game.For the second year in a row ChicagoLacrosse has posted a winning record witha mark of 5-3 for this season (Actually it is5-4, but Coach Joe Giles forgot about agame somewhere along the line). BY STEVE WEISSMANTed Voorhees gets ready to smoke a member of the Lincoln Park Lacrosse Club Viren, who won the 1972 Olympic 10,000mdespite falling down. But cursing in Finnishdid not work for Rabieh. Not only did hefail to set a world record, but he also failedto win his race. He wound up fourth in adisappointing 33:05.On Saturday Rabieh returned to thetrack to double in the 5000m. He thought hewould be lucky just to score in the race. Hefelt very tired from the previous day’seffort, and he knew he would have to facevirtually every other top distance runner inthe conference, most of whom had, likeRabieh, doubled in other races. But Rabiehfound strength he didn’t know he had, andhe seized third place in a personal recordof 15:37.7.Another senior who closed out his col¬legiate career on a high note was GuyYasko. Yasko ran a personal record of 56.8seconds in the 400m intermediate hurdlesto take sixth place, nipping an IllinoisCollege runner at the wire. Yasko’s victimhad to be taken to the hospital later forrabies shots.Two other Maroons set personal recordsto round out the scoring for Chicago. SeniorGary Levenson placed fifth in the 1500m in4:07.8, and freshman Toby Murray placedfifth in the javelin competiton with a throwof 157’.Although the Maroons’ track season didnot end on a high note; it ended. One seniorgave a display just before the mile relay ofall that he and his fellow graduates-soo-to-be had learned in their four years of trackcompetition at Chicago - effort, discipline,and, especially, sacrifice. A minute beforethe start of the race, meet officials toldlead-off man Seykora that he had to wearblack shorts to conform to Chicago’s offi¬cial hiaroon and black uniform instead ofthe striped shorts he had on. With the raceabout to start, Seykora looked aroundfrantically for a pair of black shorts towear. He saw only one pair - on Levenson.He asked Levenson to give of himself -quickly - for the team. After four years ofChicago track, Levenson knew what he hadto do. Right then and there he gave theshorts off his backside to his teammate(who then went to the bathroom tochange). Levenson’s sacrifice, his strippingright in front of the crowd, showed a fittingend to a fine collegiate career.Put the pastin yourfuture!LIVE IN AN HISTORIC LANDMARKThoroughly renovated apartments offer generous floor space com¬bined with old-fashioned high ceilings. Park and lakefront providea natural setting for affordable elegance with dramatic views.—All new kitchens and appliances—Wall-to-wall carpeting —Resident manager—Air conditioning —Round-the-clock security—Optional indoor or —Laundry facilities onoutdoor parking each floor—Piccolo Mondo European gourmet food shop and cafeStudios, One-, Two- and Three-Bedroom ApartmentsOne-bedroom from $555 • Two-bedroom from $765Rent includes heat, cooking gas and master TV antennaCjCMermempcme1642 East 56th StreetIn Hyde Park, across the park fromThe Museum of Science and IndustryKqua) Housing Opportunity Managed by Mt-l roplex. ln< model camera& video“Portfolio”4” x 6” Prints| just 5* extra !* per print| PLUS a iFREE 8” x io”j Color Enlargement || with each roll of color print film processed & printedI expires 6/15/86 I! Jopen 7 day* * weekmodel camera& video1342 East 55th St./493-6700The Chicago Maroon—Friday, May 16,1986—13CLASSIFIEDSCLASSIFIEDADVERTISINGClassified advertising in the Chicago Maroon is$2 for the first line and $1 for each additionalline. Lines are 45 characters long INCLUDINGspaces and punctuation. Special headings are20 character lines at $3 per line. Ads are not ac¬cepted over the phone, and they must be paidin advance. Submit all ads in person or by mailto The Chicago Maroon, 1212 E. 59th St.,Chicago IL 60537 ATTN Classified Ads. Our of¬fice is in Ida Noyes Rm. 304. Deadlines: Tues¬day & Friday at 5:00 p.m., one week prior topublication. Absolutely no exceptions will bemade! In case of errors for which the Maroonis responsible, adjustments will be made orcorrections run only if the business office isnotified WITHIN ONE CALENDAR WEEK ofthe original publication. The Maroon is notliable for any errors.SPACEAPARTMENTS AVAILABLEStudios, one, two 8, 3 bedrms some lake viewsnear 1C, CTA & U of C shuttle, laundry,facilities, parking available, heat & water in¬cluded. 5% discounts for students. HerbertRealty 684-2333 9-4:30Mon. Fri.9-2on Sat.Large 1-Bedroom Coop. Top Floor, 5 Rooms,Excellent Condition, Good View And Lots OfSunlight, Borders University, $27K, 955-6789.Wanted-Professional Couple or Ind. to rentlovely co-op apt in East Hyde Park. Elegant1920's high rise building; extremely secure. 2BDR, 2 bath, full DR, new kitchen. Lake views,hard wood floors, furnished or unfurnished$875. June 1.962-7725, 947-8108. APARTMENTS AVAILABLE5220-28 WOOD LAWN4 large rooms $475Completely refurbished with tiled baths andrefinished tubs. Apts have burglar alarms.Laundry facilities on site. Call Nancy or Stevefor your personal showing.Parker-Holsman Company493-2525SPACIOUS 2BR AVAIL 6/15 FOR NEWLEASE. 3RD FL 5319 S CORNELL. $575/MOINCL HEAT. SUN-PORCH LGE KITCHENCALL 684 1859.7 rms. 3 bdrms. 2 baths u of c shuttle 51st &Greenwood laundry rm. $650 288-8995 Ed Kay.Room available in sunny, spacious apartment.Very close to campus and shopping. Femalegrad student pref. Non-smoking only. $l50/mo.+ utilities. 288-0546.Studio apt with balcony avail, June 1, 58thBlackstone. $320 per month. 288-2175.House for rent. Wonderful 4 bedroom vintagehouse with 3 woodburning fireplaces. Furnish¬ed and newly decorated. Lovely back yard.One year rental starting 8/1/86. $1600 permonth plus utilities. 5751 Dorchester. URBANSEARCH 337-2400.Location! Location! Location! This lovely twobedroom condo is located at 1410 E. 56th St.which is a prime location. The assessments area low $144 per month. The huge kitchen also in¬cludes a breakfast area and a laundry area.The yard is wonderfully big and tree lined. On¬ly 64,000. Separate dining room or study. UR¬BAN SEARCH 337-2400.SUNNY 1 BR APT-quiet secure ctyd bldg.Close to campus, ldry fac, wood floors. Subletmid-June, cont. with Oct. 1 lease. $490/mo. 955-7200 eve. 962-3012 day.Quiet grad students: 2 rms open in 3-bedrmapt. A sunny unhassled place for work, nearCo-op. $185 incl. heat. May 15 or June 15. 667-2273.1 Bdrm apt. in prof's house in beautiful SouthShore area. AC, hardwood floors, free laundry,very quiet. $150/mo. incls. utilities. Call Rick363-7483or 955-7106. (Summer sublet)^ DR. MORTON R. MASLOV NOPTOMETRIST•EYE EXAMINATIONS•FASHION EYEWEAR(one year warranty on eyeglassframes and glass lei^es)SPECIALIZING IN• ALL TYPES OFCONTACT LENSES•CONTACT SUPPLIESTHIHYDCPARKSHOPPING CENTER1510 E. 55th363-6100VON—iCHINESE-AMKICAN RESTAURANTSpecializing in Cantoneseand American dishesOpen Doily 11 A -8 30 P MClosed Mondoy1318 E. 63rd MU4-I042 Quiet luxury at 5000 Cornell. Life at 5000 Cor¬nell is quiet, secure and luxurious. This charm¬ing two bedroom, two bath condo is in a par¬ticularly well insulated building, an importantcriterion for those who work at home. Owner¬ship in 10C also includes the right to a parkingspace in the adjacent lot. A doorman is presentto lend assistance and security. Theassessments are $265 per month and this in¬cludes twice a year window washing services.And the owners tell me that the buildingengineer is wonderful. $64,000. URBAN SEAR¬CH 337-2400.Furnished studio, 2 blks from lake 1 blk fromtrain, avail. 6/9-9/20. $325/mo. Mark eves 363-6828.Summer Sublet Perfect Location & Price: 54thbtw Wdlwn & Kimbark, 1BR in Sunny 2BR.Rent Negotiable. CALL Alison or Andrea, 955-7106.SUMME R SUBLET: 2 bdrms in spacious, fullyfurnished 3-level townhouse. 3’/2 baths, patio,air conditioning, laundr facilties, large kit¬chen. Rent & dates neg. 54 8. Hyde Park. CallSusheela 955-8916.1BR in 3 BR apt., 55th and Dorchester,available June 1. Laundry and storage inbldg.; free heat. $235, plus about $16utilities/month. Smkr or non-smkr welcome.Call 324-1109, anytime.One Bedrm Unfurnished Apt. Immed Occup.440-4360 or 582-3935.SUBLET 2bedroom apt June 9-Aug 30 A/C,DW, doorman, lake, loop, and park views$575/month. Call 285-3557, leave message.Do you want a lovely condo near your office?This three bedroom condo is located at 5602Blackstone. It has two very tastefully donebaths. The sunroom off the living room is adelight. There are matching leaded glassmotifs in the diningroom and sunroom. Laun¬dry chores are easy because there is a laundryroom adjacent to the kitchen. URBAN SEAR¬CH 337-2400.“I ENJOY MYCONTACT LENSES”made byDR. KURT ROSENBAUMOPTOMETRISTStye (fait (fattenKIMBARK PLAZA1200 E. 53RD ST.493-8372 752-1253 Live so close to Orly's that you can eat lunchthere anytime! This three bedroom condo is aHyde Park bargain for $59,900. Enjoy a formaldiningroom with a built in hutch! Goodbuilding with rotating parking space. 1653 E.55th Street..UR BAN SEARCH 337-2400.Newly remodeled 2 br apt avail in June. Furnor unfurnished rent $430 or $380 if interested,call Ed at 241-6854 after 4pm.Riverfront vacation home 1/3 share. Rotateweeks with 2 other owners. 124 mi from HP. X-ctry skiing, canoeing, gardening. Substantial 3bdrm hse, frplc, mod kitch, screened porch.Joint maint. 24,000. 752-5692.SUMMER SUBLET/FALL LEASEroom in huge, sunny, newly renovated, 6 roomapartment. Nonsmoker, share with 2 other funstudents. Start 6/15 or 7/1 270/mo inc. heat 955-3182.Roommate wanted. 2bd/2bath Regent's ParkCentral a/c, dishwasher, concierge, close totrans nonsmkr grad/prof preferred. Lynn 667-4296.Huge 8 room apt in vintage 3-flat 55th & Ken¬wood. Call URBAN SEARCH 337-2400.Sublet w/fall option: 57th & Blackstone. Lgstudio, sep. kitchen & dining areas, walk-incloset, newly painted, $360/mo., 684-8166.Huge spacious, sunny! 2-bdr 2-bath apt availimmediately in Windemere apts. ac,dishwasher, all-carpet, view of park andmuseum. 24-hour security, parking avail. Onbus-line and 1C. Call 241-5710. or 962-6025.THREE BEDROOM APARTMENT AVAILABLENear U of C. Grad. Student PreferredCall Mrs. Irving- 667-5153 or 684-8596.Studio 8. 1 br apts. Univ Pk Condos avail imm¬ed. hlth club, pool, pkrg. avail $380 $540. 538-5350.SPACE WANTEDStudio 1-bedroom lease.neg'ble. grad 8. quietarea: bet 59th-55th 8. Hyde Pk Blvd-Cott Gro.Call 8. leave message 684-0586.PEOPLE WANTEDACTIVIST STUDENTS and others. Earn $165-$300/wk helping ACORN organize citizens forsocial 8< economic justice. Issues include: rapeprevention, house abandonment, 8, utilityrates. Summer/permanent openings. Call 9-noon 939-7492. Art related business seeks an individual towork as an administrative assistant. Daily, 10-4, $7 per hr. North loop location. Typing skillsrequired. Call 493-7218.Looking for responsible person to care for 2 yrold and 1 month old children in our home call241-5230.ALBINOS: Male and females with ALBINISMor OCULAR ALBINISM for research study.Free eye exam by Ophthalmologist included.Contact Mike Messing at 962-1985.Sitter/companion 8/16-9/16 days for 10 yr and13 yr old Call 799-9199.EMPLOYMENT WANTEDGerman student seeks au-pair position startsummer or fall. Call 752-8660 eve or 493-5544.SERVICESJUDITH TYPES and has a memory. Phone955-4417.LARRY'S MOVING 8. DELIVERY. Furnitureand boxes. Household moves. Cartons, tape,padding dolly available. 743-1353.UNIVERSITY TYPING SERVICEWordprocessing and EditingOne block from Regenstein LibraryJames Bone, 363-0522PASSPORT PHOTOS WHILE-U WAITModel Camera 8, Video 1342 E. 55th St. 493-6700.JUDITH TYPES and has a memory. IBM com¬patible. Quiet Writer printer. Your disk ormine. Phone 955-4417.Enrollment is now open for A Summer In¬stitute in Listening 8, Communication Skills. Atthe Chicago Counseling 8, PsychotherapyCenter. The six sessions will begin Wed., July23 at 7:30 pm, and will include seminars, peerlistening and individual consultation. Registerearly by calling the Center at 684 1800.Hyde Park Movers Serving the Hyde ParkKenwood surroundinq Chgo area with pride.Household moving free packing cts del n/cfrom 12/hr many other services. 493-9122.THE BETTER IMAGE professional portraitand wedding photography. Call 643-6262.THE BETTER IMAGE, economic customframing available, fast service. 1344 E. 55th St.643-6262.Counselors needed for summer camp instruc¬tion in Tennis, Arts and Crafts, Sailing, Out¬door Life, and Hiking (over 21) Call Sam soon753 8342 ext. 1232.Mellow Yellow is now hiring a full time servicebartender. Full and part-time wait-staff ex¬perienced preferred. Apply M-F between 9-11a.m. 1508 E. 53rd Street. Trio Con Brio: Classical, light popular musicfor weddings, all occasions. Call 643-5007.Typing Typing Typing - Dissertations, lettersetc. Grammar correct. Call Elaine 667-8657.WORD PROCESSING/editing- Term papers,journal articles 8, book mss, etc. Fast.Reliable. Reasonable. PRO ED. 849-4987.Kinko's Copies offers a unique opportunity foran energetic and articulate person interestedin sales. POSITION: Campus representative.RESPONSIBILITIES: Promote Kinko'sacademic services. HOURS: 30-40 hrs/wk.COMPENSATION: Salary and commission onyour sales. Please send resume to Kinko'sCopies, 1309 E. 57th St., Chicago, IL 60637.Easy money at lunchtime or after work. Needprintouts and tapes packaged for Fed Exdispatch or local courier pickup from CompCenter several times a week. Perfect forNORC employees. Will overpay for reliability.Call Peter at 324-1913 or Hoff at 415-898-2255.Parttime administrative assistant needed.Ideal job for student spouse, graduate studentor other qualified person. Please phone 962-1055 for details. BABY childcare avail. Responsible, creative,exper. 684-2820.Responsible graduate student will providechild care in exchange for room and board thissummer. Call Nancy wk. 266-9544 hm. 929 7465.FOR SALETired of Hyde Park? 1-br condo in rural/subur¬ban area. 3 blks to I.C. 28 mins to UC by train.Gourmet Kitchen. Garage. Balcony. A/C. In¬door/Outdoor pools. Health Club. Close to golf,tennis, shopping. $38,900 Call 748 5813 leavemessage.Desk, large steel. Asking $100 but will takewhatever. 753-0158 or Iv msg 753-2270, rm 425We need a regular babysitter for children 3 and7 months to work occasion days (especiallyFriday) and evenings at home. Suit warmreliable grad student/spouse experienced withchildren. Refs required call 962-7375 weekday Teakwood 8, chrome 5'8''x3' desk (no drawers)with 2 chrome 8. brown cloth chairs • $230(reduced from $280) D: 962-7747 E. 752 4687.KAYPRO 2 8< Software, Excellent Condition.Asking $675. Call 667-8562.TELEMARKETERSPart-TimeCOLLEGE STUDENTS looking to earn an income on the side may find theperfect opportunity at ALLSTATE. We are expanding our TelemarketingUnit and seek part-time people who are eager to learnYou II be involved with the telemarketing unit contacting existing andprospective customers A pleasant telephone personality is importantPart-time hours include: 8:00 am-10 00 pm Monday thru Friday and 9 OOam-2 00pm Saturday 16 hours minimum per week is required as is your owntransportation.A little experience off-campus could be just what you need to develop im¬portant skills We offer a competitive starting rate of S5 00 per hour plusSears Discount Plan and complete paid training For more informationand/or details, call:Jim Chandler(312) 291-7148A member of theSears Financial Network i/instate■ Youre in good hands. ALLSTATE INSURANCE COMPANYAllstate Plaza South G1C-#142» Northbrook, IL 60062Wr are on equal opportunity employer andere entourage women and mmontiei to apply14—The Chicago Maroon—Friday. May 16.1986CLASSIFIEDSVINTAGE CLOTHINGSALEMay 17, 18 12 noon-6pm Spring and summer inHEAVEN at 6981 N. Sheridan. Monthly sales otmen's and women's clothing and accessories.Nearly new double bed, just six months old andin great condition. $150. Call 955-6538.81 CHEVETTE 43,000 miles, manual, tapedeck, exc. cond. Avail, for pick-up in CT $2900,955-3923.Queen-size bed with brass plated headboard,imperial-ortho extra-firm mattress & box spr¬ings. Also large wood amoire. Pricesnegotiable. Call 241-5710 or 962-6025.79 CHYR HORIZON...good condition sunrf,stereo $1500 contact Peter 643-1102.Classy solid walnut desk, 30x52, 7 drawer, andchair. Both beautiful. $300. 363-0718MATTRESS & BOXSPRING, full-size sealyperfect rest ultra, used one schoolyear, $160 orB.O. free bedframe. Call Helen, 667-4296.OPEN HOUSE1 Bdrm Condo, completely Renovated, NewBath, New Kitchen, Low Asses., 5551 S. Kim-bark #11 Sunday 1-4 PM, Call 288-5474.On campus free standing 3 bdrm hse 2 car garin Ray schl at 5610 Drexel this Victoriancharmer needs work so its priced low 70's Call624-1892 or 324-1423 owner.WANTEDNeed tickets for graduation. Price negotiableCall Joe 753-2233 Hitchcock 112.LOST & FOUNDLOST COCKATIEL — grey and yellow speckl¬ed band on each leg - reward - 955-8525.PERSONALSMARCO—Please call—E.LASER PRINTINGWord Processing and laserwriter printing.Laser quality printing of resumes, papers,dissertations, and Macintosh files. Call Top ofthe Desk, Inc. at 947-0585 evenings andweekends for rates and quotes.WE KNOW WHERE THEPARTIES AREWe know when the buses run. We know whattimes the films start. We know where all yourfriends live. For this and anything else youneed to know, call Hotline, 753-1777, seven daysa week. 7PM to 7AM.PROFESSIONALSERVICESThe Chicago Counseling & PsychotherapyCenter founded 15 years ago on a firm belief inthe worth and dignity of each person, offersempathic, effective counseling &psychotherapy to individuals, couples andfamilies. Loop and Hyde Park Offices. Feesflexible. Insurance accepted. Call 684-1800 for abrochure and/or an appointment.SEEKINGTREATMENTFOR ANXIETY?Selected volunteers will receive 6 weeks of freetreatment for anxiety at the University ofChicago Medical Center in return for par¬ticipating in a 3 week study to evaluate drugpreference. Involves only commonly-prescribed drugs. Participants must be bet¬ween 21 & 55 years old and in good health. Forfurther information call Karen at 962-3560 bet¬ween 8:30 & 11:30 a.m. Refer to study A.EDWARDO'SHOT STUFFEDDelivered right to your door! Edwardo's- Thesuperstars of stuffed pizza. Open late everynight. Call 241-7960.1321 E. 57th. Ph 241-7960.APARTMENT WANTEDOne bedroom or studio wanted near campus.Must allow dog and have fenced-in backyardfor same. Call Larry at 684-6788 or 962-9555.CO-ED VOLE YBALLSundays in Field House. Noon. Also Outdoorsin Summer.$$$& FUNPeople needed to participate in studies oflanguage processing, reasoning, and memory.Will be paid $4-5 per session. Call 962 8859 bet¬ween 8:30 and noon to register.DID YOU HEAR!DR FRED ROSNER Hillel is looking for anaudio copy of Dr Rosner's talk from theMedical Ethics Conference Sunday April 6,1986. Call 752-1127 if you know of any copies. -M-DELICIOUS-M-NUTRITIOUS-!-!-!-EXPEDiTIOUSThe Medici on 57th delivers every menu itemfast and fresh! Try our new spinach pizza, it'ssecond to none. 667-7394.CONDO FOR SALE model camera& videoUnique 2 bdrm; beautiful hrdwd firs. & built-ins thru-out; back yrd, prkg, lo moly assess;close to campus; remodeled kit & bath; byowner, 65,000. 752-3449.VOULEX-VOUSLIREAVECNOUS...?Anxious to finish off your French language re¬quirement this summer? Then register for theOffice of Continuing Education's "ReadingFrench" course. In six weeks this noncreditcourse, taught by Charles Krance of theDepartment of Romance Languages, willprepare you for the Graduate. ForeignLanguage Exam at the beginning of August.Class schedule: Monday through Friday,9:30A.M.-12:00 noon, June 23-August 1. Cost:$200. Registration deadline: June 6. For full in¬formation and to register, call ContinuingEducation at 962-1722.ACHTUNG! GERMAN!Take APRIL WILSON'S five week GERMANCOURSE & High pass the summer languageexam! Classes meet M-F, beginning JUNE 23.Three sections; 10:30-12:30, 1-3 & 6-8PM. Cost:$225. The course is effective & often fun! Formore information & to register, call: 667-3038.MACINTOSH UPGRADES -512K $249 120 day warranty, housecalls SS Sonydisks 1.69, DS Sony disks 2.85 CYBER-SYSTEMS 667 4000.GETOUTOF HOUSINGWe are looking for interesting people to live inour house. We offer low rent, full use of our kit¬chen, laundry room, etc. Come by our studybreaks Tuesdays at 9 D.U. 5714 Woodlawn.YEARBOOKSCap and Gown 1986 — yearbook orders will betaken May 19-23, Reynolds Club, 10-2. Cost ofyearbook is $16.00. Books will not be availablein the fall. Order now!SENIORSCap and Gown 1986 — Seniors, yearbook orderswill be taken May 19-23, Reynolds Club, 10-2.Don't leave the U of C without a copy!INDIAN DINNER!Catered buffet INDIAN DINNER Sat May 31st1-House; dinner served 7pm. Followed by par¬ty w/deejay! Featuring Tandoori chicken,dessert & vegetarian dishes $5/person, $4/1House res. for tickets, contact your dorm rep,or call 947-0037 or 667-1668 until lam.CELEBRATE SUNDAYMay 18th has been officially proclaimed THEGREAT CHICAGO JAZZ AND BLUES FESTDAY. Come to K.A.M. ISIAH TEMPLE, 1100E. Hyde Park Blvd. from 4 to 9 p.m. and blowyour mind. 5 hours of jazz and blues only $7.50,non-students $10.00 Food available in our JAZ-ZATERIA! Buy tickets at the door.KNIGHT SACS-BLITZUC Chess Club Speed Tournament Monday19May86 7:30pm Cobb Hall 2floor $1 Entry FeePrizes.BAGELS!! LOX!!Hillel Sunday Brunch is back! $2 for bagel, lox,cream cheese, green pepper, tomato, OJ, cof¬fee, Tea, & Danish, plus the Trib & NY Times.Last brunch is June 1. 5715 Woodlawn. Brunchruns from 11 to 1 pm.SWIM INSTRUCTOREnergetic CERTIFIED Swim Instructor need¬ed for summer program w/youths 6-14.Resume: Dorothy Byrd, Blue Gargoyle, 5655 S.University 60637. Begins Mid-June.POETRY READINGThe Morton Dauwen Zabel fund of the Depart¬ment of English presents a poetry reading byAlan Shapiro, Wednesday, May 21 at 4:30 pm inWieboldt408. Free.PIANO LESSONSSUMMER PIANO LESSONS with EdwardMondello Teacher of piano music Dept. 1960-1980 Tel. 752-4485. S'tAMK im HE SEARCH FOR #QCKST A* WARSSTRANGE* FROM VENUSSUPERMANTERMINATOR, THE2001*A SPACE ODWtZY■ AMifKAN wmtm m to mmMUBLOOD BROTHERS. THERlOODUNfBRIDE OF FRANKENSTEINCAT PE<m 1 I mmJA# Zary of the waMa!CREEPSHOWth<£• ■■ IdohBIn&wmMdnBDORM THAT DRIPPED BOOS, THEDRACULA (1931)BXEcmmn umoim screamFEAR NO EVILFRANKENSTEINFRIDAY THE )Zm, BNAi CHAPTERFRIDAY THE 13TH, PART 2FRIGHT NIGHTGOOZ111 A VS. MEGAIONHSLLNiGHTHOUSE OF WAXHUSH.. HUSH. SWEET CHARLOTTEINTRUDER WITHIN, TH£\JAWS 2KillLAST HOUSE <m±mMANS OH 9MOTHER'S E L€m INIGHT GALLERY *NIGHTMARE OH E^^'REMRAZOPBACKmmGE IN THE HOUSE OF U5H8LSCANNERS•SILENT SCREAM, THE ^SISTERS 1711SOMETHING WICKED THISSTUFF. THETALCS FROM THE CRYPTTEXAS CHAINSAW MASS ACRETHING. THETRICK OR TREATSVAMPIRE HOOKERSVISITOR; THEWit LARDWIZARD OF GORE1984moALIENBARBA RELLABR A IN STROMCATS EYE C4A1CLOSE ENCOUNTERS OF’ HEWPirlCREATURE gfgSAA.R.Y.l, ***DR. WHO 8THE DA1EKSDUNEEMBRYOERASERHEADFANTASTIC PLANETGODZILLA 1985HEllSTORM CHRONICLESi mmm a morstw from outer CITY LIMITS■DCOONmmmtMbs sB*EXPLORERSEIRE AND ICE {ANIMATED}HERCULESIASERBLASTUFEFOSCEmaroonedMETALSTORMREPO MANRUNAWAYSTAR ni¥ »; WRATH OF KHANSTAR TR£X THE MOTION FOURSSTARMANSUPERGIRITHINGS TO COME2000 MANtCSALICE. SWEET ALICEIf 1# -r,CHHohNOFTHE CORNCHUOCOMING SOONCUJODAWN OF THE DEAD,D£AfCpNE, THEDEVILS THEDON’T LOOK NOWDR, TERROR'S HOUSE OF HORRORSEATEN ALIVEEXTERMINATORSFADS TO BLACKFIRESTARTERFRIDAY 13TH NEW BEGINNINGFRIDAY THE V3TH, FART IFRIDAY THE 13TH, PARI 30HOUUES, THEGRADUATION DAYHALLOWEENHORROR EXPRESSTHEV IWk YOU* GRAVEION Of THE BODY SNATCHERSKEEP, THELAST HORROR FILM, THEMADHOUSE MANSIONMAGICMONSTER CLUB. THENIGHT OF THE LIVING DEADPHANTASMPHASE IV1 FREE RENTALWITH ANY REGULAR RENTALOFFER GOOD THRU 5/23/86open 7 days a weekmodel camera& videoNEW YORK TIMESDelivered to your door for only 35c per daythroughout Hyd»» Part Cal! 643 9624 today! 1342 East 55th St./493-67QOThe Chicago Maroon—Friday, May 16. 1986—15JTHE VISITING FELLOWS COMMITTEEpresentsSTEPHEN JAY GOULDa Marjorie Kovler Fellowspeaking on“The Basis of Creativityin Evolution”followed by a Q & A SessionTHURSDAY, MAY 22,1986, 3:00 P.M.Mandel HallSPRING 1986 PRISM MUSIC FESTIVALSponsored by The University of Chicago Symphonic Wind EnsembleUniversity of Chicago 57th & UniversityMandel HallOne of Chicago’s Two Great OrchestrasThe Chicago Philharmonia in ConcertFAROBAG HOMI COOPER, Music DirectorSinfonia VirtuosiMozart: Bassoon ConcertoMark Lindeblad,principal bassoon,Chicago PhilharmoniaThree OverturesSunday, May 18th, 8:00 P.M.ADMISSION: FREE Symphonic WindsMussourgsky: Pictures at an ExhibitionProkofiev: Two Marches.. imp retted with the uniformlyexcellent playing and tvilhCooper a intelligent muticiunahip,'—Ted SlieuRegistered Student OrganizationSAFSTUDENT ACTIVITIES OFFICE0May 16,1986 • 18th YearPLEASURE AND PAIN, LOVE AND LUST,CHRIS AND COSEYby Brett Bobley, Jeff Brill,and Rick WojcikLast week, Chris and Cosey talked abouttheir Chicago show, their videos, their equip¬ment. They continue to talk about their workhere in the conclusion of that interview.BB: What exactly is an example of a sub¬liminal? Messages on the record? Evokingparticular emotions from the listener?Cosey: Yeah, it’s to evoke a feeling to thetrack, really, not interfering with anything elsereally.RW: I’ve noticed that with Techno-Primitiv. Themore I listen to it, the more it seems to offer.Cosey: Techno-PrimitiYs a funny one becauseit seems realty simple, and yet, when you goback...Chris: There’s a lot in there.Cosey: Yeah, there’s a hell of a lot in there.And yet it seems really clean, but it’s not,there’s noise in there!Chris: It’s funny with that because we’verecorded that on eight track. Like everythingwe’ve done has been on eight track. Usingeight track you balance down a lot. So, thereare loads of layers of sound in there, and* themore you listen to it the more you can heargoing on in the background. Often things getmixed down very loyv but we still leave themthere. So that initially, although it may soundtike a very spacious, empty-sounding record,there’s a lot going on in there.RW:/s that the concept of “techno-primitiv”?Chris:Yeah, it’s just the way we’re recording.We use fairly high-technology equipment, butwe still record in a fairly primitive way, eighttrack, and we use acoustic instruments. It’s likea crossover between technology and a primitivemeans of doing things.Cosey: It’s the best of both worlds really.BB: So the pictures of all the equipment on thecover is the stuff you use?Chris: Yes.RW: i'd like to address the topic of CTI(Conspiracy International). Does it exist as aseparate entity from Chris and Cosey? And ifso, what is the need for it?Cosey: It’s a weird sort of thing really. It’shappened on its own. People have sort ofdivided us off. Which is strange because CTI isChris and Cosey. But it enables us to do anumber of different things. Most people knowus as Chris and Cosey who do albums likeTechno-Primitiv and Love and Lust. But CTI, ifwe want to do something that needs moreattention than that, and is not in that vein, justmusic. Like if we want to do a performance thatinvolves more, or avant garde music, anythinglike that, then we usually go under CTI. So thatpeople realize it’s not just going to be a musicgig. It’s not there just to dance around to, it’ssomething else. So they must come preparedfor that. So, that’s why we use CTI as well. It’slike an umbrella reference to use.BB: That’s funny. A number of people I knowwho are into Chris and Cosey think CTI is reallymysterious, you know, a terrorist organizationor something. I think a lot of people in AmericafeeI that Chris and Cosey are very mysterious.Behind the music you have subiiminals, CTI,. . . BB: Would you get a kick if you released arecord and it became a big dance hit? Wouldthat be nice?Chris: Oh yeah, that would be great.Cosey: Especially if it didn’t have to go alongwith all the stuff that comes with it.RW: Do you think that people’s responses aredue perhaps to a mystification that has pos¬sibly built up around Chris and Cosey after allthese years?Cosey: I didn’t know there was one really. Tobe honest, I really didn’t.Chris: It could be the case but we’re not awareof it. I never really looked at it that way.RW: Well, fans in the States have a perceptionthat is filtered through fewer outlets than thosein Europe or the UK.Chris: Yeah, that probably adds more to themystique of it, then. But it’s not intentionalCosey: We’re just private people really. That’swhy it might seem like that.Chris: We’re not very pushy or upfront.BB: It’s a shame really, that when musiciansare not always popping up in the press thatthey get a reputation for being insular and arty.That’s another thing about last night is thateverybody was enjoying themselves, but somepeople were just standing there, staring, andsaying “I'm getting meaning out of this, I’dbetter watch the video. I might miss some¬thing. ”Cosey: Well, there’s meaning in everything,just the fact that theie’s so much power comingout of the music and video is meaning enoughfor me. If we together can make people feel likethat, then I think it’s worth it, because I feltpretty good at that gig last night. That’s great.It’s worked, you know. We’ve come out andwe’ve worked together with all those peopleand we’ve all got something out of it. And that’sall I ever intend to do. You know, exchange thisenergy with people.JB: Would you want to talk about the projectyou did with the Eurythmics at all? I know thattook a while getting out, especially over there.Cosey: Yeah it was released last November,actually. We started it in 1982, as they werebecoming the Eurythmics, before “SweetDreams” hit the charts. Then that hit the chartsand we couldn’t get together again becausethey were doing Top of the Pops and all that.Then when it had quieted down for them, wehad gone off to Europe, to do some gigs. And itwent on like that for quite a while. And then wegot together and did a bit more work on it. Thenwe all went off again. Finally, we met up withDave, did some more work, then he left. He hadto go to America actually. We eventually fin¬ished it while they were touring Canada. Wesent them a cassette of the finished thing, tosee what they thought of it, and they liked it alot. So we released it on Rough Trade.BB: / liked the cover (depicting Chris andCosey standing with two silhouetted figures).With the two question marks and everything.Cosey: Yeah, we were told not to mentionthem, you see. We couldn’t use their names atall on the cover or any publicity. We could onlyuse it on the inner label.BB: It’s a good thing that Annie Lennox has corded such-and-such?” Does technology af¬fect the way you write songs?Chris: No, not really.Cosey: It doesn’t really, because Chris usuallyworked around that. The difference that it hasmade is that Chris doesn’t have to spend hoursand hours building circuits, now. We can nowgo and buy something that does about 75% ofwhat we want, and the other 25% Chris canadd on. So it’s great in the respect that Chrisdoesn’t have to put as much time into modifi¬cation of equipment, although he’s usually alittle bit ahead of what’s on the market.RW: Getting back to what we were talkingabout before, did you get into music as anoutlet for your creative and artistic urges?Chris: Yeah, I suppose so, I suppose we didreally. I had a regular job for quite a few years,but there’s nothing worse than being frustratedartistically. I think that’s where a lot of peoplego wrong. They don’t find their full potential,really. They just sit at home and, you know,that’s as far as it goes, but I managed to getout on the road, as such, and doing things, andmaking tapes, and meeting other people whowere interested in the same sorts of music.RW: Where is Chris and Cosey going? Do youhave an objective in mind?Chris: No, it’s an ongoing process, really. It’slike life really, it’s developing all the time. Wedon’t think very far ahead, as far as CTI andChris and Cosey are concerned.Cosey: We have no ultimate goal, like to reachNirvana, or anything like that. I don’t believe insetting long-term goals for myself like that,because so much happens in between. If youset a goal for yourself, you head for it, straightdown the road, and everything else in betweenseems to get pushed away, and I don’t think lifeis about tha4, at all. I think you can reach a goalas such without denying yourself what comesin between. That’s important.Chris: We do have projects that we want to doin the next year or two.BB: Do you feel that you are successful? Areyou accomplishing everything that you want tobe accomplishing musically?Chris: Musically, yeah, although I’d like toreach a wider audience. But that’s bound tologistics, and stuff like the politics of the recordcompany, and all that shit.BB: Does Rough Trade apply pressure to youto try to record a poppier song, or anything likethat.Chris: They did once, and then when we cameup with the goods, they couldn’t back up theirpromises (referring to Chris & Cosey’s catchysingle, “October (Love Song)” which sold verypoorly). They are a bit like that, Rough Trade.But, now they don’t pressure us at all really.We’re not under any obligation to them. All ofour records are done as one-off deals. We don'tsign any recording contracts.Cosey: I’m not sure if that’s always a goodthing, because they don’t feel as if they areunder obligation to us either. Our stuff issometimes held out, when it could be pushed alot further.Chris: But then again I think we’re very luckyhaving Rough Trade. A lot of people don’t have ians, or do you feel like you’re simply playingmusic?Cosey: No, when we record it just sounds rightto me.Chris: I can think of a lot of other groups moreweird than us. Not weird personallybut...(laughs).BB: / guess it depends on how you look at it—Imean, the latest Motley Crue album soundpretty weird to me.Chris: (laughs) Exactly — yes.RW: You talked before about finding a largeraudience, but it appears that you have found anaudience which is willing to wait for yourdevelopments and accept every change thatyou make. Are you searching for a biggeraudience of fans like that, or for an. audience ofa different sort?Cosey: Well, we know from where we’re going,people often turn up and say they’ve neverheard of us before, but they end up going outand buying the records. They could have heardof us before if the records had been distributeda bit better. That’s what we’ve after—-thosepeople who are there, very close to the bor¬derline, but were never reached. I don’t want ahuge audience that’s going to idolize us, thatkind of thing. I don’t want that. I just wantpeople that watch me, contribute listening to itand getting something out of it.RW: I guess Chicago's kind of lucky having aplace like Waxtrax which pushes the Chris &Cosey and CTI stuff pretty heavily WhenTechno-Primitiv came out, it was displayed allover the storeCosey: Oh, that’s nice! (general laughs)RW: Outlets like that have introduced me to somany things, it is a shame that if they weren't inChicago, no other record store would stockthings like that.Chris: No, they probably wouldn’t. No. if itweren’t for record shops like *hat, we’d prob¬ably sell half the records we do.RW: Especially in the States, where somethinglike the New Musical Express is not widelydistributed, the press is not as receptive tomusic like yours...BB: In a country as vast as America, there areplaces where there are no record stores whichhave even heard of Chris & Cosey. It alwaysamazes me that some of the Chris & Coseyfans I know could have even heard of yourrecords. They must have had to mail away tofriends in big cities to get tapes or something.Cosey: Yeah, I get letters from people in tinytowns in America who say “there’s nothing ofyours here,” but, for some reason they’veheard of us. I’ll write and tell them that we havea mail order service for people so they can getstuff if they can’t find shops which stock them.Chris: Another great support for us is the radiostations in America, the small college stations.If it wasn’t for that—I think they do mere to helpus than the record shops.RW: Rough Trade doesn’t even seem to have alink with college stations. We never receivedTechno-Primitiv at WHPK. We have Songs ofLove and Lust but...BB: / think Rough Trade distributes records by Cosey: And that’s one of my favorites. You’rethe first one to say it! A lot of people haven’teven mentioned it. It’s very funny.Chris: We though we might be asked to take itoff the album and do it as a single, by RoughTrade or something, because we thought it wasvery poppy.Cosey: It’s the lyrics to “October (Love Song).”Chris: Yes, it’s like “Son of October,” wasn’tit?Cosey: Yes, “Son of October.”Chris: You're the first person since it wasreleased to even mention it.BB: It was the first track we played on the air.JB: If we had our own record label...(generallaughs)Cosey: That song smacks of sell-out to a lot ofpeople. One of the first people who wrote us,sent us a letter saying “love the aioum—- not sosure about ‘Stolen Kisses’.” (laughs)RW: “Stolen Kisses’’ conjures up images of theTruffaut film. Is that where you got the titlefrom?Cosey: No, it was from when I used to do astriptease. The guys used to just come up andgo “Oh, Madame” and come to kiss you, soyou sort of quickly turn your face so they onlygot your cheek, tt was that—“stolen time fromstolen kisses”—it was just...the moment, thetimes when I was stripping when l didn’t wantto be there, I wanted to be at home. Soeverything that they took from me during thoseevenings was all—was all theft.RW: Are there times like that now? When youhave a date but you’d rather not perform, doyou feel like you're being violated, the fact thatyou’re up on the stage?Cosey: NoChris: No. Sometimes, like an hour before wego on, we feel uneasy...Cosey: Or really tired...Chris: Yeah, it’s usually down to tiredness, andwe wish we were back home, back in London.Cosey: But it never feels like a regular jobwhere you just hate going in there—you think“God, why am I here when I really don’t want tobe” and all sorts of anger. I’ve never felt likethat when we’re doing gigs or anything involvedwith musical performance.Chris: You usually just want some tea orsomething, but once you’re actually up there,you get such an adrenaline rush, anyway, youget on top of it.Cosey: I think it would be really absolutelyshattering to go out when we were jet-lagged orsomething ..one time there was a guy takingphotographs and we couldn’t even commu¬nicate with him verbally. Do you rememberthat? We were so tired we couldn’t even makehim feel easy. He was expecting us to pose forphotographs, but we were too tired even tostand up and say “how’s this?” (generallaughs)Chris: It came across like we were giving him areally hard time, being like superstars or some¬thing.Cosey: He thought we were really aloof. After¬wards we were really on the rush—we couldn’tget to sleep for a couple of hours.B^^^^^Um^^wnourinQ^^Qener^^^^^^4 RW: I'd like to address the topic of CTIi (Conspiracy international). Does it exist as aseparate entity from Chris and Cosey? And ifso, what is the need for it?Cosey: It’s a weird sort of thing really. It’shappened on its own. People have sort ofdivided us off. Which is strange because CTI isChris and Cosey. But it enables us to do a\ number of different things. Most people knowj us as Chris and Cosey who do albums likeTechno-Primitiv and Love and Lust. But CTI, ifwe want to do something that needs moreattention than that, and is not in that vein, justmusic. Like if we want to do a performance thati involves more, or avant garde music, anythinglike that, then we usually go under CTI. So thatpeople realize it’s not just going to be a musicgig. It’s not there just to dance around to, it’ssomething else. So they must come preparedfor that. So, that’s why we use CTI as well. It’s| like an umbrella reference to use.| BB: That's funny. A number of people I knowwho are into Chris and Cosey think CTI is reallymysterious, you know, a terrorist organization| or something. I think a lot of people in Americafeel that Chris and Cosey are very mysterious.Behind the music you have subliminals, CTI,and who-knows-what else you do.Cosey: Well we do things. It’s just that we don’t| mouth off about it a lot.i Chris: We’re fairly low-key about it.Cosey: I mean if you’re doing things likeresearch, or working on things, like Chris! working on new circuits or whatever, you justdon’t tell anybody because we’re doing themfor ourselves. And what ever we utilize them foris in the music or the video. So I guess thereare a lot of secret things going on, but I justdon’t think of it like that. It’s not like it’s a cult,or some sort of religious organization wherepeople get to be in a circle.Chris: It’s more of a research organization.BB: That’s funny because one thing I noticed atthe show was that there were a lot of peoplewatching intently, not dancing but...Cosey: Waiting.BB: Yeah, waiting. They say, “Hold it. I reallyhave to pay attention because something weirdmight happen. ”Chris: I think that’s why people are tending not, to dance. They feel as if they might misssomething.Cosey: But the whole point of us doing gigs isnot for us to get off on our own thing in front ofpeople. That’s not what we’re into. We like toenjoy whatever sort of time we’ve got with theaudience together, and whatever they put into itis what comes out of us. So as long as they’rewaiting for me to do something, I’m waiting forthem. We don’t do gigs for it to be sort of anexhibition of some kind. I mean what goes onthat they might be expecting, that they’ve readabout, is ongoing in our lives. It’s not confinedto the platform of the stage.DIVEST NOW jmm p > -J - - ■you did with the Eurythmics at all? I know thattook a while getting out, especially over there.Cosey: Yeah it was released last November,actually. We started it in 1982, as they werebecoming the Eurythmics, before “SweetDreams” hit the charts. Then that hit the chartsand we couldn’t get together again becausethey were doing Top of the Pops and all that.Then when it had quieted down for them, wehad gone off to Europe, to do some gigs. And itwent on like that for quite a while. And then wegot together and did a bit more work on it. Thenwe all went off again. Finally, we met up withDave, did some more work, then he left. He hadto go to America actually. We eventually fin¬ished it while they were touring Canada. Wesent them a cassette of the finished thing, tosee what they thought of it, and they liked it alot. So we released it on Rough Trade.BB: / liked the cover (depicting Chris andCosey standing with two silhouetted figures).With the two question marks and everything.Cosey: Yeah, we were told not to mentionthem, you see. We couldn’t use their names atall on the cover or any publicity. We could onlyuse it on the inner label.BB: It's a good thing that Annie Lennox hassuch a distinctive haircut, (general laughs)RW: / wanted to ask you about your growth inrelation to the rest of the music scene. It hasalways struck me that coming out of the late70’s, you’ve always had a different approachfrom the punk movement. Is that because youwere developing before that, or independently?Chris: Well, we sort of took a bypass.Cosey: We were on a different tangent.Chris: Parallel to it, but belated.Cosey: We were a little bit more serious aboutwhat we were doing than the punks were. Theywere like, let’s have a good time, and fuckeverything else. It was that kind of attitude inthe punk scene. With us, it was more like forgeteverything else, but think about what you wantto do next. It was a different sort of attitude. Wewanted people to think, not numb their brainswith booze, and other things, and just pogoaround.BB: When did you first start recording? Whenyou were kids, did you fool around makingtapes?Chris: I did, yes. I started doing stuff with tapeswhen I was quite young. (To Cosey) You weredoing it before TG, weren’t you?Cosey: Yeah, I was recording accoustic things,but I was mainly in theatre and performing arts.Chris: My main interest when I was still atschool was light shows. The first thing that I didafter school was start a light show company, forgroups, and for tv, and stuff like that. I wasn’tas interested in the music then, although I wasdoing some music stuff on the side. I wasbuilding synthesizer circuits. Later, I built myown synthesizer, because I couldn’t afford tobuy one. I was still just dabbling in music then,and I was still doing lights. Then I dabbled a bitmore, and that’s how I got started.BB: How has the growth of technology affectedyour music? Do you ever say “I wish I had thisnew synthesizer two years ago when we re- p| ■ Mini miin the next year or two.BB: Do you feel that you are successful? Areyou accomplishing everything that you want tobe accomplishing musically?Chris: Musically, yeah, although I’d like toreach a wider audience. But that’s bound tologistics, and stuff like the politics of the recordcompany, and all that shit.BB: Does Rough Trade apply pressure to youto try to record a poppier song, or anything likethat.Chris: They did once, and then when we cameup with the goods, they couldn’t back up theirpromises (referring to Chris & Cosey's catchysingle, “October (Love Song)” which sold verypoorly). They are a bit like that, Rough Trade.But, now they don’t pressure us at all really.We’re not under any obligation to them. All ofour records are done as one-off deals. We don’tsign any recording contracts.Cosey: I’m not sure if that’s always a goodthing, because they don't feel as if they areunder obligation to us either. Our stuff issometimes held out, when it could be pushed alot further.Chris: But then again I think we’re very luckyhaving Rough Trade. A lot of people don’t haveany record label that they can approach. If theydo try to approach a company, they often justget turned down, because of the state ofindustry. At least we have an outlet for ourrecorded material.BB: Do you ever try to help other musicians youknow get recording contracts? Do you ever putout records of theirs through CTI, or anythinglike that?Chris: Well, we have friends who have otherlabels. If someone sends us something, and wethink that it is really good, we will pass it on.CTI is our own label, but we don’t really recordother peoples’ work. We just release our ownwork, or collaborations with other people.Cosey: CTI is an outlet for things that turn upthat wouldn’t be suitable for Rough Trade, orthat Rough Trade might be a bit dubious aboutdoing. CTI is used for our own little projects.They might be collaborations, or they might besomething that we did on our own, but it’s niceto have the ability there.JB: What type of audience do you think likeswhat you are doing now?Cosey: A real cross section.Chris: I’ve seen all sorts.Cosey: I’ve seen people at our shows that Iwould never think would even put our recordon. Really straight people 40 50 year olds.Also very young people.Chris: That’s an interesting thing. There areyoung kids who are coming to the gigs whohave never heard of Throbbing Gristle, which isgood in a way. We’re getting more of that,especially in Europe. They just know us asbeing Chris and Cosey, which I think is verygood. A lot of people use TG as a referencepoint for us, but that doesn’t apply with thesepeople. They just take us on our own merits,which I think is really nice.BB: Do you think of your music as weird? Doyou think of yourselves as avant-garde music- RW: Especially in the States, where somethinglike the New Musical Express is not widelydistributed, the press is not as receptive tomusic like yours. . .BB: In a country as vast as America, there areplaces where there are no record stores whichhave even heard of Chris & Cosey. It alwaysamazes me that some of the Chris & Coseyfans I know could have even heard of yourrecords. They must have had to mail away tofriends in big cities to get tapes or something.Cosey: Yeah, I get letters from people in tinytowns in America who say “there’s nothing ofyours here,” but, for some reason they’veheard of us. I’ll write and tell them that we havea mail order service for people so they can getstuff if they can’t find shops which stock them.Chris: Another great support for us is the radiostations in America, the small college stations.If it wasn’t for that—I think they do more to helpus than the record shops.RW: Rough Trade doesn’t even seem to have alink with college stations. We never receivedTechno-Primitiv at WHPK. We have Songs ofLove and Lust but...BB: / think Rough Trade distributes records byrolling dice...Chris: So do I. I don’t even think they do that. Ithink they just stick pins in tne telephone jack.JB: It’s hard to get imports if you're a smallradio station.Cosey: I do quite a lot of mailing to America,but there’s so many of you...(general laughs)Chris: There’s only so much you can dopersonally. You could employ someone justsending out things to radio stations all the time.BB: One thing that often bothers me is thatwhenever a group which is conceived to be atall different or avant-garde has a successfulsong, many of the fans cry “sell-out. ’’ Why is itevil to sell records? Does this ever worry you?Do you ever have a song which you think willanger your fans? A song which you feel may betoo commercial for Chris & Cosey.Cosey: It doesn’t bother me because we seemto have a sort of...a short circuit—the fuse justblows somewhere between being commercialand not. There seems to be a thing where wejust can’t do it, so I think we’re quite safe fromthat.Chris: People have accused us of that samething with Techno-Primitiv and “Sweet Sur¬prise;” some really hard-core fans, maybe moreTG inclined or something. They just misi¬nterpreted.Cosey: Yeah, “Sweet Surprises’’ was a col¬laboration, you know, a 50/50 collaborationbetween Annie and Dave and Me and Chris.They’re very musical musicians, so that side ofit is going to come through.Chris: You get an inverted snobbery with somepeople—even if you’re associated with peoplelike the Eurythmics, they think, "Oh, sell out.”(laughs) “Don’t even listen to the record.”RW: / thought “Stolen Kisses" could have beena great pop song.Cosey: (happily) You’re the first one to saythat! (general laughs)Chris: No one else has picked up on that. Cosey: But it never feels like a regular jobwhere you just hate going in there—you think“God, why am I here when I really don’t want tobe” and all sorts of anger. I’ve never felt likethat when we’re doing gigs or anything involvedwith musical performance.Chris: You usually just want some tea orsomething, but once you’re actually up there,you get such an adrenaline rush, anyway, youget on top of it.Cosey: I think it would be really absolutelyshattering to go out when we were jet-lagged orsomething...one time there was a guy takingphotographs and we couldn’t even commu¬nicate with him verbally. Do you rememberthat? We were so tired we couldn’t even makehim feel easy. He was expecting us to pose forphotographs, but we were too tired even tostand up and say “how’s this?” (generallaughs)Chris: It came across like we were giving him areally hard time, being like superstars or some¬thing.Cosey: He thought we were really aloof. After¬wards we were really on the rush—we couldn’tget to sleep for a couple of hours.BB: Do you have fun touring, in general?Chris: In general, yes.Cosey: It’s one of those things where, after¬wards, you go over it all and you have a reallygood time recalling it But during it, it is soexhausting.JB: It must be, playing night after night.Cosey: Yes People like Dave and Annie dogigs month aher month. I just don’t know howthey do it, I really don't.JB: What kind of stuff do you listen to at home?Cosey: Not mi irh, because usually when wecome out of the studio, the last thing we want todo is listen to music. Your ear gets a weird kindof sound after a while (laughs), you ca'n’t evencarry on recording let alone listen to music.BB: Do you spend a lot of time in the studio? Isit like your job? Do you fool around in the studioand make tapes you might not want to release?Chris: It depends what we are working on. Ifwe’re working on an album, we’ll be in thestudio a lot, a couple of months sometimes. Butordinarily, in a week we go in and out the studiotwo or three times a week, (to Cosey) don’t we?Continued on page 6PLEASURE AND PAtNLINGER ONAT GREY CITY BRUNCH5336 GREENWOOD IBSUNDAY NOON./|B8iS *ou lieqs noqj.,, Suss(6ui|jads) aapaaa pus (uqor is) gBUSS 9)|OOQ uiss oqj®H pus sdipeed ’VsjaMsuv zino8—FRIDAY, MAY 16, 1986—GREY CITY JOURNALJVliPuebbFI\E ME MCA V Ci ISISl2908 W. 59th 737-2700Ooen V an’ to 11 p rr.RECOMMENDED BY...Chicago Tnbune 84 Tempo 84Chicago Magazine - June 85 & Chicago Sun-Times - July 85Our Specialties and Yours Too• ENCHILADAS MOLE • OUR SOMBRERO• AvACADO TACOSD.'n- Outside Guita’ist Wii* fcnte'tam Or>On Om KiTtos Wednesdays Thursdays * FndavSOurMargaritasAreMagic!Mi Pueblo is a Special Find lTHE NEWLY BORN WOMANTHE SCIENCE QUESTION HI FEMINISMSEMINARYCOOP BOOKSTORE5757S. UNIVERSITY 752-4381MON-FRI 8130-6:00 SATTO-SOO SUN12B0-5:00HAIR PHD*PRECISION HAIR DESIGNS1315 E. 57th StreetChicago, IL 60637PH. 363-0700GRAND OPENING SPECIALS:20% OFF RETAIL PRODUCTSNEXXUS, REDKEN & JA’MIHAIR CUTSWomen *20 NOW * 15Men rey. */6 NOW * 10 Children under 12Girls $10Boys $8PRICES INCLUDE SHAMPOO, CONDITIONER & STYLINGPERMS <%. *so-*6o NOW s15 - $30DOUBLE PROCESS & LONG HAIR SLIGHTLY MOREPRICES IN EFFECT UNTIL JUNE 15,1986!H rsm-F 9-8 • EAR PIERCINGSat 9 5 -WAXINGSun. 10-5 proprietorsJohn Rocco, Mary BadzMFILM DEVELOPINGr COLORREPRINTSYOUR CHOICE6 REPRINTS FROMNEGATIVESOR3 PRINTSFROM SLIDESOR3 PRINTSFROM PRINTSONLY 99COFFER VAUD: MAY 1-31. 1986Bring in your favorite 041 Color Negative,Slide or Print along with this ad and take ad¬vantage of this special offer. Send a copy ofthose special moments to friends.COLOR GUARD DEVELOP**) IS AVAILABLE AT:We accept Visa. Mastercard and American ExpressThe I’niversity of ChicagoPhoto 1 Daoartman? 2nd Floorstore (312) 962 7566(MX) 5 4365 ■III) THE UNIVERSITY OF CHICAGOGAY AND LESBIAN LAW STUDENTS ASSOCIATIONWITHTHE LAW WOMEN’S CAUCUSPRESENTALTERNATIVE FAMILIES * LESBIAN CUSTODY(AND OTHER INNOVATIONS IN LIFE AND LAW)A TALK BYNANCY POLIKOFFSTAFF ATTORNEYWOMEN’S LEGAL DEFENSE FUNDWASHINGTON, D.C.TUESDAY, MAY 20, 19864:30 P.M.WEYMOUTH MOOT COURT ROOMUNIVERSITY OF CHICAGO LAW SCHOOL1111 E. 60TH STREETCHICAGORefreshments will follow the talk.2—FRIDAY, MAY 16, 1986—GREY CITY JOURNALF B-BSff ' v ■ V ▼ T'-V--V- ▼ ▼ Jflr -9--n. 2D-4-0- FH2ZWOMENNew Blooms in the Garden. An in¬troduction to contemporary Americanwimmin's short fiction. Linda Bubon willtalk about some of her favorite shortstory writers and present dramatic read¬ings from stories by Grace Paley, Ja¬maica Kincaid, and Janet Kauffman. $2donation. Women and Children First,Fri, 7:30 pm. 1967 N HalstedLesbian Lering. An evening of participa¬tion and discovery with Julia Penelope.First part—Dyke Trivia—our past: Canyou name the first lesbian magazine inthe US? Second part—Community Dis¬cussion—our present: What are youdoing and thinking these days? Thirdpart—Found Goddesses—our future,found goddesses for the modern dyke:Asphalta, Moola-Moola, Cuddles, andmore, readings from the manuscript ofRobin Grey and Julia Penelope. Moun¬tain Moving Coffeehouse, Sat, 8:30 and9:45 pm, 1655 W School. No malechildren over age 10.Musica FeminaFlute-Guitar duo on tourfrom Portland, Oregon. A concert/in-formance of classical women’s musicfrom 1700 to 1984. Wellington AvChurch, 615 W Wellington, Gen Adm$6, Sun, 3 pm.Evening of Jazz/Women Organized forReproductive Choice. Featuring Mar¬lene Rosenberg, Gloria Morgan, SarahAllen, Sandra Korelc, Laurie Marino andSusie Hansen. Moosehead Bar andGrill, Sun, 7 and 9 pm, 163 W Harrison.$15, $10 low-income, students. Freeparking next door 786-0036Jean Swallow Reads from Works inProgress. Women’s Voices,” WHPK,88.5 fm, Mon, 5-6 pm.Alternative Families/Lesbian Custody(And Other Innovations in Life andLaw) A talk by Nancy Poiikoff, StaffAttorney, Women’s Legal DefenseFund, Washington, DC. Refreshmentswill follow the talk. Tues, 4:30 pm,Weymouth Moot Court Room, U of CLaw School, 1111 E 60th St. Presentedby the U of C Gay and Lesbian LawStudents Association with The LawWomen's Caucus.Heroines, Harlots, and Happy Mothers:The Female (mage In Art Diane Lip-man, art historian and teacher, presentsa slide show portraying some commonthemes in the depiction of the female inpainting and sculpture since pre-history.She will discuss how these images aremale perceptions reflecting their fan¬tasies, fears, neuroses, and insecurities.$2 donation. Women and Children First,Tues, 7:15 pm. 1967 N Halsted New Sculpture: Robert Gober, JeffKoons, Haim Stelnbach "Objects fromeveryday life” are the media of thesethree contemporary American sculptors.Gober makes sinks (like, as in plumbing)which are "unabashedly anth¬ropomorphic.” Steinbach “displays”found objects, unaltered except by biz¬arre decontextualizing/recontextralizingjuxtapositions, Koons’ work, alreadynotorious in the Chi-town area, is invacuum clearners/glass tanks/bas¬ketballs. You go figure. Thru June 21, atthe Renaissance Society, 5811 Ellis(Fourth Floor Cobb). Tues-Fri, 10-4, Sat-Sun 10-4. 4Judith Bromley and Patricia Evans:Photographs and Notecards of the Uni¬versity of Chicago. Thru June 15, at57th Street Bookstore, 1301 E 57th.Hyde Park Plx Recent work by Chicagoartists, includingm Chris Geoghegan,Luis Medina, Don Donna Marder, Deb¬orah Peterson, Patrick Rodriquez, RuthThorne-Thompson and Doug Van Dyke.Thru May 31, at the-i Hyde Park ArtCenter, 1701 E 53rd. Tues-Sat, 11-5.Ruth Marie Willett Recent works in foundobjects from nature, by a recent U of CMFA. Showing concurrently are photo¬graphs by Jan Ballard. Thru May 31, atArtemisia, 341 W Superior, Tues-Sat,11-5.Post-Ism Seven artists who work in avariety of media and who "hold noallegiance to any stylistic conventionsbeyond those demanded by their ownpersonal visions.” And if you believethat they have a bridge they’d like to sellyou... Works by Gene Coleman, PaulaGillen, Thomas Hancock, Bill Harding,Tim Porges, Donna Rae and JoanneVena. Opens today with a receptionfrom 6-10 pm, and runs thru June 14, atBedrock Gallery, 1550 Milwaukee Fri,I-5, Sat and Sun, 12-5.Seurat and Chicago Art or, The GrandExample of La Grande Jatte Yet morefawning over Seurat would be a realsnore, except this exhibit includes worksby his formal descendants in Chicagoart, i.e. Ray Yoshida, Richard Loving,Ed Paschke (sort of makes sense) and aslew of others, in whose work I discernlittle relation to Seurat, i.e. Vera Kle-ment, Roger Brown...The thread con¬necting this show may be tenuous, butit’s a noteworhty collection of artists allthe same. Opens Sun, with a receptionfrom 2-5 pm, and runs thru June 17, atRoy Boyd Gallery, 739 N Wells. 642-1606.Peter Huttinger/George Horner Theformer does paintings (Capillaries) anddrawings (Entanglements); the latterdoes silly-putty lift-offs. Thru May 24, atFeature Gallery, 340 W Huron, Wed-SatII-5.Sue Cox: X New works in (very political)art, by the illustrator (co-creator?) of thebook How to Commit Suicide in SouthAfrica. Thru June 1, at Phylis KindGallery, 313 W Superior.In Defense of Richard Serra? Models anddrawings of public art proposals forChicago, including proposals by RaeBemis, Jin Soo Kim, Mary Minn, MichaelPaha, Neraldo de la Paz, others. ThruJune 7, at Randolph Street Gallery, 756N Milwaukee.Point of Departure 27 prints by as manycontemporary American artists, all ofwhom were MFA’s at University of Wis¬consin/Madison between 1965 and1981. Including works in intaglio, litho,relief, silkscreen, xerography (how neat)and mixed media. Thru July 5 at theCultural Center, 78 E Washington. 346-3278.Ludwig Mlies van der Rohe Retrospectiveof the great functional/modernistmaniac/architect, the man responsiblefor the IIT campus, the Social ServiceAdministration building, etc. Thru AugRichard Loving, Water Caught, 1983, Roy Boyd.Grey City Journal 16 May 86Staff. Steven K. Amsterdam, Abigail Asher. Steve Best. Brett Bobley, MicheleMarie Bonnarens, Jeff Brill, Carole Byrd, John Conlon, Gideon D’Arcangelo,Frederick Dolan, Anjali Fedson, Deirdre Fretz, Justine Kalas, Stefan Kertesz,Bruce King, Mike Kotze, Carolyn Mancuso, Nadine McGann, David McNulty,Miles Mendenhall, David Miller, Patrick Moxey, Brian Mulligan, JordanOrlando, John Porter, Laura Rebeck, Geoffrey Rees, Max Renn, PaulReubens, Laura Saltz, Rachel Saltz, Sahotra Sarkar, Ann Schaefer, WayneScott. Mark Toma, Bob Travis, Ann Whitney, Ken Wissoker, Rick Wojcik.Production: Steven K. Amsterdam, Bruce King, Laura SaltzEditor: Stephanie Bacon 10, at the Museum of Contemporary Art,237 E Ontario. 2980-2671.Anne Frank In the World: 1929-1945 Over800 photographs and original manu¬scripts, plus an audio-visual presenta¬tion, on the personal life of Anne Frankand the historical events that shapedher life. Though she died at the age offifteen, she left the world an account ofsuffering and persecution in her diarieswhich is uniquely moving. Thru June 4at the Spertus Museum of Judaica, 618S Michigan, Tues, 10-8; Wed, Thur andSun, 10-5; Fri, 10-3. $2/$1.MISCCivil Disobediance and Picket at IBMHelp expose U of C connections to SouthAfrican apartheid See article this issue.Thur 2 pm, cars will leave Reynolds Clubat 1 pm.Civil Disobediance Training and StrategySession If you plan to engage in civildisobediance to protest U of C complicitywith apartheid, you should attend thisvery important meeting. Even if you donot plan to be arrested, but are going toattend the protest, it would be good ifyou came. Ida Noyes Main Lounge, 8pm, Mon.Dr Seuss on Film Two films: The Cat inthe Hat and The Hoober Bloob Highwaywill be shown for all ages, along with alive appearance by the Cat in the HatSat at 11 am, at the Cultural Center, 78E Washington.Black Arts Fair Dancers, artists, artisansand more Saturday in Hutch Court, 11am - 5 pm. Sponsored by O.B.S. andFOTA.Final Celebration A free feast of Greekfood plus a free concert by ChristineLems and other Chicago musicians.Saturday, Hutch Court, 10 pm-1 am.THEATERUncle Vanya by Anton Chekhov. How doyou find new values after you’ve ren¬ounced the old ones? Thru Sun at CourtTheatre, 5535 S Ellis. 753-4472.Macondo "Inspired" by Gabriel Garci-Marquez’ One Hundred Years of Soli¬tude, this is a theater piece in which“time is freed from reality." Sure. Pre¬sented by the Facets Performance En¬semble on Wed at University of lllinois-Chicago, 750 S Halsted 996-8622Saltimbanchi Carlo and Alberto Colo-mbioni of Italy clown on stage for you.Opens Tues and runs thru May 24 at theGetz Theater. 644-FEST.Asinimali! The title means, "We have nomoney!” and was a protest cry duringrent strikes in South Africa. Presentedby the Market Theater Company ofSouth Africa at the Getz Theater thruSat. 644-FEST.The Real Inspector Hound by Tom Stop¬pard and The Critic by Richard BrinsleySheridan. Critics and their criticisms;the Stoppard play is directed by theauthor. Thru May 25 at the BlackstoneTheatre. 644-FEST.The Trojan Women adapted by Tashadi Suzuki. The classic play set for Jap¬anese theater. Thru May 25 at the CivicTheatre 644-FEST.Toys In the Attic by Lillian Heilman Whenmoney goes, does love follow? OpensMon and runs thru June 1 at the DePaulPerformance Center, 2324 N Fremont$3-$6.Lydie Breeze by John Guare. Lydie’sgone, but her legacy (and her daughter)remain. Thru May 18 at the SteppenwolfTheatre Company, 2851 N Halsted 472-4141.The Living Newspaper Pretty scary, eh?The show evolves from daily newspaperevents in a procedure called a "Gal¬limaufry." At Sheffields, 3258 N Shef¬field. $4.Sister and Miss Lexie by Eudora WeltyThis is really a montage of Welty storiesillustrating "southern living.” Thru June22 at the Northlight Theater, 2300Green Bay Road, Evanston. 869-7278.MUSICThe Rhythm Method Like Paul West-erburg of the Replacement says, "TheRhythm Method? Yeah, they're reallygood. They’re from Detroit, aren’tthey?" Hear locals Stick, Spike, Face,and Tim, this Sunday at Jimmy’s Wood-lawn Tap, 55th and Woodlawn. Startingat 6 pm, 21 and over only, bring yourID’s.Pippin This seaon’s Blackfriars show is areal novelty: a musical trip back to theHoly Roman Empire of the 1970’s —never before have the Middle Ages beenthis groovy. Good singing, some standout dancing and some inspired clowningmake Pippin a show not to be missed,even if the score reminds me more of"The Best of Bread" than the best ofBroadway By the way, Pippin's beenpackin' em in, so you should probablytry to arrive about twenty minutes earlyfor these last two performances if youwant a seat. Friday and Saturday at 8,Reynolds Club First Floor Theater, $5.$4 students.Mind Release The Hyde Park Group with amessage is appearing, tonight at Sequel,418 S Wabash, 431-8167Smokey Smothers Lowdown blues from*former sideman of Muddy Waters, LittleWalter, and Howling Wolf. Every Sundayat B.L.U.E.S., 5:30-9. 2519 N HalstedViolent Femmes Appearing with specialguest Dwight Yoakam at the AragonBallroom tonight for a single show at 8.for more info call 666-6667.Robert Palmer If you’re addicted to loveyou won’t mind cruising to the HolidayStar Theater in Merrillville, Indiana to¬night for Palmer's 8 pm show, I-65 andRoute 30, 734-7266.Johnny Griffin Sextet Griffin and JohnGilmore, Richard Davis, Von Freeman,Wilbur Campbell, and John Young hitJoe Segal's Jazz Showcase Sun for analt star tribute to Walter Dyett, two sets,4 and 6 pm, $10, students $7, 636 SMichigan, 427-4300.The Alarm At the Riviera with specialguest The Long Ryders tomorrow night at 7:30, Broadway and Lawrence, 559-1212.New World Beet Music Festival Newmusic from Jamaica, Ghana, and Haiti atthe Park West Sun, call for times andticket info, 322 W Armitage, 929-5959.Big Twist and the Mellow Fellows At ParkWest Wed night at 8, $5 cover, 322 WArmitage, 929-5959English Dogs The Dogs appear with LostCause and Scarred for Life at CabaretMetro Smart Bar Thurs, all ages, 3730 NClark, 549-0203.Pat Metheny Ornette Coleman, CharlieHaden, Jack Dejohnette, DenardoColeman. Tonight, Pick-Staiger Hall,Northwestern University, 7:30 and 10:30,call 491-2274.The Buckinghams Travel back in time tothe Park West tonight for the 8 pm showwith Ronnie Rice, 322 W Armitage, 929-5959Pete Seeger and Jane Sapp At PeoplesChutch tomorrow for two shows, 1:30and 7:30 pm, 941 W Lawrence, 643-3407.Count Basie Orchestra The band plays onas a part of a weekend festival at U of Itonight at 8. 750 S Halsted. 996-2645.The Modern Jazz Quartet The final bandat the U of I Circle Jazz Festival tom-orow night at 8, 750 S Halsted, 996-2645Johnny Littlejohn Catch prime live folk atWise Fools Pub tonight and tomorrownight, 2270 N Lincoln, 929-1510.Cathy Fink Playing and singing at NoyesCultural Arts Center in Evanston Sun at6:30 pm. 927 Noyes, 475-0260.George Thorogood and the DelawareDestroyers At the UIC Pavilion, tomor¬row night for one show at 8, Harrisonand Racine, tickets at Ticketmaster. 996-0470.Chicago Chamber Orchestra Performingunder the direction of Dieter Kober,works by Krommer, Saint Saens, andMozart at Preston Bradley Hall at theChicago Public Library Cultural Centerfor free at 3 pm Sun, 78 E Washington,346-3278FILMCasablanca (Michael Curtiz, 1942) Fri at7:30 & 10 pm. and Sun at 8:30 pm. LSF$2.50Real Genius (Martha Coolidge, 1985) Fri at7, 9 & 11 pm, and Sun at noon. DOC$2 50Dance with a Stranger (Mike Newell.1985) Sat at 7, 9 & 11 pm. DOC $2.50Phatik and the Juggler (Sandip Ray,1983) Satyajit Ray’s son directs thischildren’s film on the adventures of atwelve-year-old who is kidnapped andabandoned, only to fall in love with anitinerant juggler. Sun at 2 pm. School ofthe Art Institute, Columbus and Jackson.$4.50Experimental Film Coalition Film NightHighlighted by Babeth’s Berlin Graffiti,starring the Sex Pistols, and Jean Vigo’sTaris, plus Robert Fulton’s WildernessFri at 8 pm. Randolph Street Gallery,756 N Milwaukee Ave $2 50Richard Pryor Live in Concert (Jeff Mar-golis, 1979) Richard Pryor, uncensored,pokes fun at our notions of race, sex,machismo, and death during a per¬formance in Long Beach, California Satat 8 and 10 pm. International House$2.50- BTEyes of the Birds (Gabriel Auer. 1982) is adramatization of an International RedCross delegation's visit to LibertadPrison, Uruguay, a so-called mode!prison in which the effects of physicaland psychological torture are discov¬ered With a speaker from AmnestyInternational Thurs at 8:30 pm. Inter¬national House $2 — BTExit Sunset Boulevard IBastian Cieve.1980) This film may best be understoodas a fugue on the homeless man Itfollows the disintegration of a youngforeigner (Rudiger Kuhlbrodt) wholeaves Germany to collect his uncle’sinheritance in Los Angeles and whostays on to do a "little” sightseeing. Hisworld is full of disjointed images andpolyphonic sound, and it is bitterly ir¬onic. He misses the day of his uncle'sfuneral, meets with an inheritance law¬yer he cannot comprehend, lectures ayoung woman on the lack of tradition inAmerica and then forces himself on her,befriends two homeless men who wouldrather talk than take money, then headsfor Death Valley where he literally stripshimself of his former identity and learnsto “pass the time" in a roadside res¬taurant. Another irony is that thestranger has the means to escape — hisinheritance, but feels compelled to dis¬own his wife, his middle-class existence,and his touted tradition. Indeed thisstranger is not unloved, but he is love¬less and this may be one necessarysociological condition for the descentinto homelessness. Exit Sunset Boule¬vard is, moreover, technically quite in¬ventive with its jarred camerawork, mul¬tiple images, oppressive close-ups andcontrapuntal soundtracks — all are ef¬fective in conveying a deep sense ofaiienation. Still, to paraphrase ChristianMetz, a film is difficult to write or talkabout because it is easy to watch Thatis certainly true of Exit SunsetBoulevard, a film that inundates thesenses with profound impressions of alost man. Sat at 6 pm School of the ArtInstitute, Columbus and Jackson $4 50-BTDIVEST NOWSue Coe, Snake Ptt, 1985. PttyMIe Kind GalleryGREY CITY JOURNAL—FRIDAY. MAY 16, 1986—3CIVIL DISOBEDIENCE AT IBMby Sahotra SarkarOn Thursday, May 22, the University ofChicago Coalition for Divestment (UCCD) willinitiate acts of protest and civil disobedience atthe IBM building downtown. At 2 pm protesterswho opt for civil disobedience will enter thebuilding with the intention of sitting in andthereby preventing the normal functioning ofthe building. They are expected to be promptlyarrested. Other protesters will remain outside,picket the building entrance, and hand outeducational literature explicating IBM’s in¬volvement with apartheid.The action at the IBM building will be the firstattempt by UCCD (or, for that matter, any anti¬ apartheid group on this campus) to initiate civildisobedience. It will also initiate a new andmore militant phase in the struggle to obtaindivestment of this University’s South Africa-related holdings. UCCD feels that we havebeen forced into this militancy t>y the continuedand arrogant refusal of the Administration andTrustees even to begin serious discussion onstrategies for divestment. Previous actions haveincluded the presentation of a petition demand¬ing divestment with -about 300 signatures, aStudent Government resolution last Spring,several rallies, and a Teach-in last Fall at whichthe fallacy of the Administration’s position wasamply demonstrated. IBM is a particularly appropriate target forsuch action for three reasons. First, IBM itself isheavily involved in South Africa, but domesticpressure in the form of protests here has madeIBM consider leaving South Africa. IBM sup¬plies computers and maintains communicationssystems for all oppressive sectors of SouthAfrican society, including law enforcementagencies. Second, the University has millions ofdollars invested in IBM and continues to refuseto divest itself of these holdings. Third, thecurrent Chairman of the Board of IBM is JohnR. Opel, a Trustee of the University of Chicago.As in any act of civil disobedience, thesuccess of next Thursday’s action will dependin part on the publicity it generates. UCCDhopes that the action will draw negative pub¬licity onto this University’s policy of investing inSouth Africa and on to IBM’s participation in apartheid. The action will also re-emphasize thefact that the Trustees’ personal involvement incorporations doing business in South Africa isobviously connected with their refusal to divestthe University’s holdings in such companies.The Faculty for Divestment from South Af¬rica, the Action Committee for a Free SouthAfrica, and the Third World Political Forumhave already endorsed the action. Other en¬dorsements are coming in. All individuals andorganizations are requested to endorse andparticipate fully in this action. On Mondayevening (see calendar) legal advice and trainingin civil disobedience will be provided. OnThursday all participants (both picketers andthose who opt for civil disobedience) will meetat the North Lounge of Reynolds Club at 1 pmand then proceed to the IBM building. Trans¬portation will be provided.WHPK Top TensRock1. The Pogues Poguetry in Motion E.P.2. Husker Du Candy Apple Grey3. Naked Raygun All Rise4. Camper Van Beethoven II and III5. Red Lorry Yellow Lorry Paint Your Wagon6. Art of Noise In Visible Silence7. Scott Johnson John Somebody...8. The Fall Rollin’ Dany E.P.9. Sigue Sigue Sputnik “Love Missile F1-11”10. Black Flag Who's Got the 101/i” Rap1. Beastie Boys "Hold it, Now Hit It” 12” Single2. LL Cool J “Rock the Bells (Original Version)” 12”4. Skinny Boys “Feed Us the Beat”/"Jock Box” 12”5. M.C. Shan “Beat Biter”6. Just Ice “Put that Record Back On” 12”7. Mantronix The Album8 Midnight Lace “What’s Up (With These Girls)” 12”9. Whodini "Funky Beat” 12”10. Original Concept “Knowledge Me”/“Can You Feel It” Jazz1. Coleman and Metheny Song X2. Anderson, Helias, Hemingway You Be3. Threadgill Subject to Change4. Wilkerson and Shadow Vignettes Birth of a Nation5. Mengleberg, Lacy, and Lewis Change of Season6. Mobley Far Away Lands7. Miles and Trane Live8. Dorge and New Jungle Orchestra Even tho Moon Was...9. Parker Bird at the Roost10.Evans and Monday Night Orchestra Live at Sweet BasilWHPK CLASSICAL BEATby James GinsburgIn previous columns I have written mainlyabout orchestral music as presented by majorrecord labels. For a change of pace, today’sreview will focus on recent, excellent chambermusic recordings sent to WHPK by NonesuchRecords, the small classical arm of recordingindustry giant, Warner Communications.Nonesuch began life as a budget series, buthas since expanded to become one of the moreimportant American classical labels after CBSand RCA. Nonesuch tends to present a morevaried, extensive and adventuresome repertoirethan most of its indiginous competitors. Whilethe label has produced comparitively few re¬cordings of large scale compositions, in therealm of chamber music it has excelled.A 1981 disc of two cello sonatas (D-79016)demonstrates Nonesuch’s belief in exploringDIVEST NOW lesser known areas on the musical map. Therecord presents early but already mature worksof Kurt Weill and Ernst Von Dohnanyi. This isthe only recording of Weill’s intensely eclecticsonata listed in the catalog. Warner’s classicaldivision continues to present significant worksby one of the most talented and originalcomposers of our century, whose efforts remainmysteriously neglected by other recordingcompanies. The Dohnanyi piece on the flipsideis a charming work with an especially appealingfinale. Both works receive strong, characterfulreadings by Jerry Grossman and Diane Walshon the cello and piano, respectively.Another welcome Nonesuch release featurespiano music of Samuel Barber (D-79032), ar¬guably America’s greatest composer sinceGeorge Gershwin. With the exception of theAdagio for Strings arranged from his SecondString Quartet, Barber’s music is, for a com¬poser of his skill and stature, somewhat under¬represented in the record catalog. The majorcomposition on this record is Barber’s bold and compelling sonata, Op. 26, which is, in places,reminiscent of the style of the Hungarian com¬poser whose name follows Barber’s in thedictionary. This challenging work, along withthe more light-hearted Souvenirs, Op. 28 andthe Nocturne, Op. 33, is unflinching andsplendidly presented by the immensely giftedRuth Laredo.Another superb pianist who records -regularlyon today’s featured label is Richard Goode. Hisplaying may be heard to advantage on a 1984record of music of Franz Schubert which in¬cludes the great Sonata in C minor, D. 958(79064). Mr, Goode tends to emphasize theinner beauty and lyricism of the sonata, al¬though his playing in the finale is appropriatelyspritely. At the same time, his interpretationnever obscures the impressively convincinglogic of the musical argument. In sum, Mr.Goode’s confident rendition reveals the charmof one of Schubert’s finest works in anymedium. Coupled with a fine performance ofthe Landler D. 790, this is a thoroughly satisfy¬ing recording.One other Nonesuch release, also from1984, which I must mention contains first-rateperformances of Johannes Brahms’ two string quintets (79068-1). Brahms’ relatively latecompositions for two violins, violas, and cello,like the majority of his chamber music, shouldbe heard much more often. The quintets arewarm, engaging, and often profound in theirmusical ideas. The first one, in F major, Op. 88,is especially affecting. Both obtain wonderful,lively readings by five of the extremely talentedmusicians who make up the Boston SymphonyChamber Players. The superb tone-quality ofthis ensemble, in its third recording for None¬such, is truly remarkabie.All records mentioned above were digitallyrecorded. While the sound quality of thesereleases is not earth shattering brilliant, thesediscs all present a neat, fairly warm andcompletely natural sound — which is more thanone can say for many of the overly-mixedrecordings that some companies tend to pro¬duce. Finally, I should say a word about theliner notes for all these records: they are someof the most detailed and informative I have everseen; an educational pleasure to read. Asalways, the records discussed in this space willbe featured on this Tuesday afternoon’s pro¬gram from 2:30-5 pm on WHPK.4—FRIDAY, MAY 16, 1986—GREY CITY JOURNALo4 FINAL FEASTmrGfrttK finrzL oja(L ftilk IVWmcyiA>ruruW^ KAaaXwi UaaA6 A/wei Ra/MsX- B^run/uA/ury^SfWT'AA^u^, Mml IT01 $.'00 pm. — TOO am.H^AUa Cowit" Tmaa daJOE.: CUVJGH OmAs• COMPLETEsingle v isiondesigner glassesOffer expires 5/23/86Contacts & SpecsUnlimitedGOLD COAST CHICAGO1051 N. Rush St.(At State/Cedar/Rush,I above Solomon Cooper Drugs)^ 642-EYES 3144 N. Broadway880-5400 J OUR REGULAR PRICE30 dav extendedwear lenses$2495SOFTMATE AM) B Al S< IF ANDI.OMB ONLY. PROFESSIONAL FEEADDITIONAL &<M'tKED.Offer expires 5/23/86Contact LensesUnlimitedEVANSTON1724 Sherman Ave.864-4441 CHICAGO3144 N. Broadw ay880-5400 GOLD COAST1051 N. Rush St.(At Stote/Cedar R«*.above Solomon Cooper Drugs'GREY CITY JOURNAL—FRIDAY, MAY 16, 1986—5—Andrew Halpem The moon wandered outin late afternoonpalebut gay in the face of the sinking sun.A pretty girl (though she looked a little shallowin her light blue dress)ripe for the promise of the evening ahead.Now out for a little stroll,chewing gum.Eulogy20 were to dieI didn’t know themThere were 3 who held the guns(I couldn’t stop them)Then a thousand died in rubblea hundred-five in flames60 bombed 3 days ago(I didn’t know them).— Stefan G. KerteszUFORIA: THE COMEDY AND THE PASSIONby Bob TravisUforia, John Binder’s directorial debut, is acomic tour-deforce that romps across the greatSouthwest without losing pace. Although theconcept seems trite — the big question iswhether space invaders are trying to commu¬nicate with us — the comic repartee is some¬times too good to be true, allowing us tosuspend our disbelief about the existence ofUFOs.Indeed the point of the film is not whetherUFOs exist, but whether we can sustain our¬selves without beliefs. Arlene (Cindy Williams),a supermarket checkout girl, believes pass¬ionately in UFOs, but falls head-over-heels iniove with Sheldon (Fred Ward), a drifter whobelieves in nothing but his own wits and hisability to maneuver women into one-night-stands.To boot, Sheldon is a Waylon Jennings look- alike and even shares his looniness, adoptingthe refrain: “I’ve been crazy, but it’s kept mefrom going insane.” Given the oddity ofSheldon's and Arlene’s match-up, the filmseems in danger of coming apart. Yet Binder isfully aware of the material’s limitations, andseems only bent on stretching our perception ofthe real and the possible. He seems to ask:What is real in an unreal world? The comic andthe passionate.During the course of their romance, more¬over, Sheldon admits his past vulnerability toArlene, “When I was a kid I believed ineverything and I got the scars to prove it.”Arlene, however, refuses to accept this as avalid excuse for not having beliefs and carriesthe dog out for a walk. Sheldon, now out offocus, deadpans, “The dog will walk better withhis feet on the ground.”This subtle sort of sarcasm pervades the film. For instance, Toby, a good-natured gro¬cery clerk, suggest to a fat lad\ that she andher fat children stop eating meat and starteating vegetables. Boiling over, the fat ladyretorts, “This is a free country and if I want tobe fat, I damn well will be fat.”Another delightful stretch in the narrativeoccurs when Sheldon first approaches Arlene inthe checkout line. Sheidon hopes to work hischarms on her by playing upon his resem¬blance to Waylon Jennings. “You’re notWaylon Jennings!” insists Arlene “Well, howdo you know?” counters Sheldon, who isflattered, having failed with his one “great”come-on “You’re not Waylon Jennings, be¬cause Waylon Jennings would not do that —would not shoplift.”However unlikely, the relationship betweenArlene and Sheldon matured during the courseof his stay with her. Sheldon feels inclined to believe in Arlene, even though he cannot quitebring himself to believe in UFOs. Indeed it istheir willingness to communicate with one an¬other and to suspend their disbelief that helpsthem achieve self-awareness.Technically, the film is edited much likeMartin Scorcese’s first film, Who’ That Knock¬ing At My Door? Episodes tend to be linkedthrough musical refrains rather than throughmontage. The result is pure Americana — arich thematic combination of the dramatic andthe musical narratives. This is not to be mis¬taken for such films as Baby, It's You orAmerican Graffitti, which rely more on themusical narrative. Binder achieves a pop-culture effect without losing himself in thesensational or the sentimental.To his credit, Binder restrains his lead actors,having them understate their performances.Even Harry Dean Stanton, who plays BrotherBud, a small-time swindler, seems real. Nokidding! At the Fine Arts.continued from page 9Cosey does quite a bit of photography, and wehave our own darkroom, so she’s in there quitea bit. And there’s the newsletter to be puttogether.Cosey: And I help the man with the mail.Chris: Yes, and Cosey does all our mail on herown. and that takes forever.BB: It must be nice not having to have a dayjob, being able to just make your art, yourmusic, and support yourself.Chris: Oh, yes.BB: It sounds like you couldn’t have a bettersituation.Cosey: Yeah, but you don’t have the regularmoney.Chris: Yeah, that is a problem.Cosey: At the end of the week, sometimes, youhaven't got any money, and that is a problem.You wonder whether—like the old question ofdoing music to sell, to make sure you’ve gotenough money to eat.Chris: I’d hate to fall into the trap of having tomake a record to make money, because you'dbe making the record for the wrong reason.Cosey: That hasn’t happened yet, fortunately.RW: You seem to be prolific enough...justlooking at the CTI catalog, you seem to put outa lot of products.Chris: It’s funny that you say that because Isometimes feel that we’re not doing enoughbecause we spend so much t'me on otherprojects, especially this year, we’ve had a lot ofvideo—we’re doing video work, photography,DIVEST NOW the bulletin—sometimes I think we should be inthe studio recording some new material.BB: So, what do you think of Chicago?Chris: Oh, it’s great. I want to come back.Cosey: I liked it. I came here ten years ago forabout two weeks, and I really loved it.BB: When you're touring do you get a chanceto check out the cities you’re staying in?Chris: Yeah, sometimes. It depends on howmany days we’re there. Most of the placeswe've been to, we been there for like a day andthen we have to leave again. It’s hard to get afeel for it.Cosey: You only see one aspect of it anyway.JB: The hotel room.Cosey: Yeah, the hotel room.Chris: And the streets around the hotel. I’d liketo stay here for a week, but we'd be touring allyear if we did that (general laughs).RW: Some bands feel that in order to keep upthe adrenaline rush of the tour they have tomove quickly from city to city. Do you feel thisway, or do you prefer a more leisurely pace?Chris: I think the way we’re doing it now is avery good pace. If you have too long a gapbetween gigs you do lose momentum. Youhave to keep it so it’s every other day oroccasionally every day with some days off.Cosey: You can’t have too long off in between,you can’t enjoy it, cause you think “all thistime—we could be at home doing this” andthen you wish you were at home. If a gig werethere you wouldn’t be thinking that. We needa few days on the road and then a couple daysoff to recoup, energy-wise.Chris: We can sustain it for about three weeks,two and a half weeks.RW: So would you describe yourselves asworkaholics? Cosey: I suppose we are, really.Chris: We’re always doing something.Cosey: I can’t just sit down and watch tv. I’vegot to be doing something else along with it.Unless I’m in bed, then it just puts me right tosleep.RW: Maybe that says something about thequality of tv.Cosey: I don't know. Have you seen Englishtv? It’s very different.Chris: You can actually sit down and watch itbecause the advertising is different in England.Cosey: You only have one advert that comeshalfway through the program. It it’s a half-hourprogram, you only get one ad fifteen minutes in.So it’s not quite such a blast on the brain. I’venoticed that in New York the ads are different,they’ve slowed down.Chris: More like English ads.Cosey: But when I got here, they’re right abouthow I remember them—really fast. When I firstcame here, Gone With the Wind was on the tv,and we turned it on, and it was switching likeevery couple of minutes to ads, and I couldn’tkeep up! "This is going to last about ten hoursif it goes on like this!” But they seem to beslowing the ads down, they’re a lot different.JB: This is sort of on a tangent, but I noticed inthe videos the references to Cambodia; are youtrying to propagate any type of political views inthe music, or is it just part of the video becauseit goes well there?Cosey: The images are very strong and theyare also very relevant, and I think that’s why weuse things like that. It’s life—I’m not just goingto use things that are pleasant to look at. AndI’m not going to use things that are horrific, aswell, just because they are shocking. I don’tsee the point of that—it’s prostituting the im¬ age, as far as I’m concerned.BB: Another off the wall question I really likethe power rhythms in your music—the beats.Do you ever listen to rap music? Some of yourbacking tracks sound like rap...Cosey: We prefer the backing tracks, but Ican’t stand rapping—it really gets on mynerves. But the music is great.Chris: We used to listen to that two years agowhen it first came over to England, but it’s sortof lost fashion in England—you don’t hearmuch of it. We don’t buy any records of it.Cosey: For your own rhythms we just use whatsounds right. We like tribal rhythms, rhythmsthat just take over a bit, that’s what we usuallygo for.RW: Are your rhythms subliminal?Chris:The rhythms? Urn.some of them mightbe.RW: / felt sublime (general laughs).BB: Did you guys try stuffed pizza yet? Chic¬ago's famous for stuffed pizza about this thick(hold fingers several inches apart).C & C: Nooo....RW: There’s a very good place right down thestreet.Cosey: I’ve never even heard of it. (To Steve,the road manager) Why didn’t you tell us aboutthis?Steve: I’ve never heard anything about this.Nobody’s ever mentioned stuffed pizza before,(general laughs)BB: It's really filling. You eat about two piecesand then von ''ollzpseCosey: I’d probably only get one piece.-..(laughs)Chris: One bite, (laughs).Interview courtesy of WHPK.6—FRIDAY, MAY 16, 1986—GREY CITY JOURNALAN ORAL HISTORY OF GRATIFICATIONby Richard KruegerMy favorite way to end an evening is to stepout with friends for a quick bite and a “cuppajoe." The great thing about this city is that arelots of places around for pastries or otherdesserts, or late night snacks.It also affords one the opportunity to visit theneighborhoods at night, an essential part of anyChicagoan's education. Chicago isn’t just theLoop (and it is not the Water Tower Place), it’sthe neighborhoods. It is the parts of the citythat, apart from demographics, have notchanged since 1950 (some might substitute“been maintained” for “changed”). It’s Cleve¬land on a gothic scale, a city of working people,enveloped in the myth of romantic realism,fostered by corrupt politicians, businessmen,and newspapermen, and consecrated byNelson Algren, and now Studs Terkel. It’s alsoa city on the take-out, with an oral history ofgratification.Hold the Presses!Two weeks ago, I wrote about cheap ethnicrestaurants in the city. I’d like to tell you aboutanother good one I’ve been to since then.Birria Tepatitian, at 1834 S Blue Island (942-9592; go in a group and drive there), is anincredibly cheap Mexican storefront restaurantin Pilsen, of the several Hispanic neigh¬borhoods in the city. The ambience is simple,cafeteria tables on a blue tile floor; the menu ispainted on the walls. The meal begins withtortilla chips and good hot salsa. Especiallygood and cheap (about a dollar) are the tacos,a soft flour tortilla with various fillings (theavocado ones have a great slab of avocado),and the birria, or braised goat (what a terrificanimal to eat; num-num). They also serve acouple of meal-in-a-bowl soups on the weekends, such as menudo, tripe and adolescentpop group soup. Accompany your meals withliminadoes (fruitades) or liquados (fruit and milkdrinks). The whole meal is bound to set youback about five bucks.BakeriesAfter your meal at Birria Tepatitian, stop byEl Nopal Bakery (1844 S Blue Island; 226-9861). The cases are full of various Mexicancookies, cakes and other pastries, all of whichare ridiculously cheap. Fill up a big bag for acouple of bucks, drive home, a spend the restof the evening sharing coffee and dessert withyour friends while you listen to your Tito Puentecollection.Another terrific bakery is in Greektown. PanHellenic Pastry Shop at 322 S Halsted (454-1886; from the loop, take the Jackson Bus westto Halsted) is just a couple of doors south ofThe Parthenon. The selection is enormous,including various baklavas, interesting cookies,diplas, and these puff pastry chocolate-creamfilled neopolitan things which are enough tomake any diabetic kick a hole in the wall.But as far as bakeries go, my heart, with itsatherosclerotic plaques, lies in Italy. Aunt Rosealways brought Italian pastries from New Yorkwhen she would visit us in Philadelphia, and wewould stay up late drinking coffee and listeningto Sinatra, while Grandpa and the Bishop,having hung a trinity of sheets in the wind on abottle of tequila, shot craps against a sofacushion. But I digress.Ferrara's Original Italian Bakery at 2210 WTaylor (666-2200; from Greektown, take theHalsted bus south to Taylor street, and transferto the Taylor street bus, and ride it west toOgden) is a wonderful place, ooo, and the stuffis so cheap. The cannoli and pasta chou aregreat, as are the various cakes, neopolitans,and wide assortment of cookies. Just screwcroissants; get a big box of these on Saturdayand have them the next day for Sunday brunch.You can skip mass; this is a religious experi¬ence in itself.DessertsMany people have a vision of some perfectworld. Mine is constructed out of creamedbutter and sugar, a land whose strata arecreme italiene, italian ice, ice cream, sweetcream cheese, and cheese cake. Here, thesugar plums dance on the Isles of Langerhans,and the people, half blind from diabetic reti¬nopathy, live in blissful peace, in a sort ofwistful hyperglycemic coma, unconcerned withmeasuring success or failure by waistlinemeasurements. Ah, America!Before I begin, a moment of silence pleasefor the late Great Gritzby's Flying Food Show,which had a incredible dessert bar, with every¬thing from fresh fruit to fabulous cheesecake tomake-your-own massive sundaes. And it was socheap, too.Medici on 57th (1450 E 57th) serves somegood desserts, including Lud Lab, or flourlesschocolate cake, and a variety of sundaes. Butwithout doubt the place to go in Hyde Park fordessert is Orly’s at 5498 S Hyde Park Blvd.They have a wide assortment of desserts,including good cheese cakes and a meancarrot cake, and serve them in large portions.Another place for elaborate desserts isPeriwinkle, in the DePaul area at 2511 NLincoln Ave. (887-9797; from the loop, take theHoward El north to Fullerton, walk one blockeast to Lincoln, and about four blocks north). Inaddition to the wide and constantly varied selection of desserts that they prepare them¬selves, Periwinkle serves gourmet teas andcoffees, brewed at the table in mellior pots.If you prefer your coffee and dessert un peuBeat (avec un peu de pretention) at a placewhere they speak like this, you might enjoy theCaffe Pergolasi at 3404 N Halsted (472-8602;take the Howard El to Belmont, walk two blockseast to Halsted and about three blocks north).In addition to the espresso and desserts (try thePergolasi cheesecake), it is also a vegetarianrestaurant (of course) and there is ART on thewalls (ART in big red letters).There are a couple of terrific ice creamplaces in the city. Get on down to Gertie's at59th and Kedzie (737-7634; take the 55th Streetbus west to Kedzie and walk four blocks to59th). Gertie's is an old fashioned ice creamparlor in Marquette Park, complete with smallbooths, stuffed animals, homemade candiesand ice cream, and soda jerkers. Bob works onSaturdays, and, hey, Bob is alright. Gertie'salso has some of the best hot fudge in town. Bythe by, it was the place where Second Cityfilmed its short, Sugar or Plain. This place ishighly recommended.Also recommended is the Ideal Candy Com¬pany at 3311 N Clark (327-2880; take theHoward El to Belmont, walk one block east toClark, and about two blocks north). At this oldfashioned ice cream parlor you can get goodegg creams and phosphates (you have to ask?)and other soda fountain fare. As well they maketheir own candies and terrific carmel apples.In Hyde Park, Rainbow's End at 1458 E 53rd,is a cute little place which serves Peterson’s IceCream (try the raspberry cream). There isseating for munchkins upstairs, also.This brings me to Mama Tish’s Old Fash¬ioned Italian Lemonade at 1459 W Taylor Street(733-1954; take the Taylor Street bus west toLoomis). I was on hand for the season openingon May 1st, of course. This frozen concoction isincredible (forget the stuff at the grocers, comeand get the fresh stuff); the fresh fruit flavor justexplodes in your mouth. The watermelon evenhas seeds in it. Look, just go; I mean it, just getdown there. The hours are short now, but theywill get longer as the summer grows hotter.Late Night Snacks“nighhawks at the dinerof Emma’s 49er, there's a rendezvousof strangers around the coffee urn to¬nightall the gypsy hacks, the insomniacsnow the paper’s been readnow the waitress saideggs & sausage and a side of toastcoffee and a roll, hash browns over easychili in a bowl with burgers & frieswhat kind of pie?”—Tom Waits Eggs & Sausage (In aCadillac With Susan Michelson)Many terminal Hyde Parkers, such as myself,probably remember the long since departedHyde Park Diner; located in the Del Prado andopen 24 hours, it was a terrific place, completewith dead waitresses, where you could getbreakfast at 4 am when you had to get awayGCJ Game: Relate theca people to food.A. Who art they? from that Aristotle paper thaf was half finishedand due in six hours. Alter it lost its lease,someone took out the soft vinyl cushions, put inhard wooden benches, painted the place em¬erald green, and called it the Hyde Park Dinerand Deli, which has since closed as well.Now, the latest place in Hyde Park is theHouse of Tiki at 1612 E 53rd Street. Thedesserts here are homemade and pretty good,the drinks are fresh, and the place is done upto the nines in a Polynesian whorehouse motif,down to the multicolored lighted blowfish andthe paper lanterns. It’s a classy place, a placeto bring the folks on their annual visit from DesMoines to ask again where all the money goes.The latest place in the loop is Miller’s Pub at23 E Adams (922-7446) which is a nice place togo after the symphony, the opera, or a movie atthe Fine Arts (my, ain’t we posh). The oysterscn the half shell are fresh (so fresh you have toslap ’em), the Irish coffee is very good, and thehot apply strudel ala mode is quite fine on acold evening. If you are pregnant, try all three.But what if you are impossible New Yorker and need to know that you can get a goodcorned beef sandwich at 4 am? Well my friend,and I use that word meaninglessly, there is theBelden Corned Beef Center Restaurant at 2315N Clark (935-2752; take the Clark Street busnorth-from the Loop, catch it on Dearborn—toBelden, which is one block south of Fullerton).In addition to the sandwiches, there is acomplete menu, with things like good chickensoup with matzo balls or kreplach, red whiteand blue blintzes, potato pancakes, and myfavorite, kishkes with gravy, which are thesewonderful sausages best described as a threeinch iieai section proximal to a fecolith (askyour gastroenterologist). Also, the desserts arecheap and ample. This place is highly recom¬mended.I hope you have enjoyed this series. Myintention was two fold; to help you find some ofthe good, cheap restaurants in this city, and toget you out to enjoy the richness of the greatcity of ours, the entire city. It is out there for theasking. So take out easy, but take out. Go,enjoy.C. What daaaart aong did this chain gang singer go on to perform? Answers on pg. 8B. Bonus Question: Who are these two eaters and what Biblical hit did they go on toperform?mDIVEST NOWGREY CITY JOURNAL—FRIDAY, MAY 16, 1986—7RW:I’dliketoaddressthetopicofCTl(ConspiracyInternational).DoesitexistasaseparateentityfromChrisandCosey?Andifso,whatistheneedforit?Cosey:It’saweirdsortofthingreally.It’shappenedonitsown.Peoplehavesortofdividedusoff.WhichisstrangebecauseCTlisChrisandCosey.Butitenablesustodoanumberofdifferentthings.MostpeopleknowusasChrisandCoseywhodoalbumslikeTechno-PrimitivandLoveandLust.ButCTl,ifwewanttodosomethingthatneedsmoreattentionthanthat,andisnotinthatvein,justmusic.Likeifwewanttodoaperformancethatinvolvesmore,oravantgardemusic,anythinglikethat,thenweusuallygounderCTl.Sothatpeoplerealizeit’snotjustgoingtobeamusicgig.It’snottherejusttodancearoundto,it’ssomethingelse.Sotheymustcomepreparedforthat.So,that’swhyweuseCTlaswell.It’slikeanumbrellareferencetouse.BB:That’sfunny.AnumberofpeopleIknowwhoareintoChrisandCoseythinkCTlisreallymysterious,youknow,aterroristorganizationorsomething.IthinkalotofpeopleinAmericafeelthatChrisandCoseyareverymysterious.Behindthemusicyouhavesubliminals,CTl,andwho-knows-whatelseyoudo.Cosey:Wellwedothings.It’sjustthatwedon’tmouthoffaboutitalot.Chris:We’refairlylow-keyaboutit.Cosey:Imeanifyou’redoingthingslikeresearch,orworkingonthings,likeChrisworkingonnewcircuitsorwhatever,youjustdon’ttellanybodybecausewe’redoingthemforourselves.Andwhateverweutilizethemforisinthemusicorthevideo.SoIguesstherearealotofsecretthingsgoingon,butIjjjstdon’tthinkofitlikethat.It’snotlikeit’sacult,orsomesortofreligiousorganizationwherepeoplegettobeinacircle.Chris:It’smoreofaresearchorganization.BB:That’sfunnybecauseonethingInoticedattheshowwasthattherewerealotofpeoplewatchingintently,notdancingbut...Cosey:Waiting.BB:Yeah,waiting.Theysay,'Holdit.Ireallyhavetopayattentionbecausesomethingweirdmighthappen.”Chris:Ithinkthat’swhypeoplearetendingnot,todance.Theyfeelasiftheymightmisssomething.Cosey:Butthewholepointofusdoinggigsisnotforustogetoffonourownthinginfrontofpeople.That’snotwhatwe’reinto.Weliketoenjoywhateversortoftimewe’vegotwiththeaudiencetogether,andwhatevertheyputintoitiswhatcomesoutofus.Soaslongasthey’rewaitingformetodosomething,I’mwaitingforthem.Wedon’tdogigsforittobesortofanexhibitionofsomekind.Imeanwhatgoesonthattheymightbeexpecting,thatthey’vereadabout,isongoinginourlives.It’snotconfinedtotheplatformofthestage.DIVESTNOWyoudidwiththeEurythmicsatall?Iknowthattookawhilegettingout,especiallyoverthere.Cosey:YeahitwasreleasedlastNovember,actually.Westarteditin1982,astheywerebecomingtheEurythmics,before“SweetDreams”hitthecharts.Thenthathitthechartsandwecouldn’tgettogetheragainbecausetheyweredoingTopofthePopsandallthat.Thenwhenithadquieteddownforthem,wehadgoneofftoEurope,tocosomegigs.Anditwentonlikethatforquiteawhile.Andthenwegottogetheranddidabitmoreworkonit.Thenweallwentoffagain.Finally,wemetupwithDave,didsomemorework,thenheleft.HehadtogotoAmericaactually.Weeventuallyfin¬isheditwhiletheyweretouringCanada.Wesentthemacassetteofthefinishedthing,toseewhattheythoughtofit,andtheylikeditalot.SowereleaseditonRoughTrade.BB:/likedthecover(depictingChrisandCoseystandingwithtwosilhouettedfigures).Withthetwoquestionmarksandeverything.Cosey:Yeah,weweretoldnottomentionthem,yousee.Wecouldn’tusetheirnamesatallonthecoveroranypublicity.Wecouldonlyuseitontheinnerlabel.BB:It'sagoodthingthatAnnieLennoxhassuchadistinctivehaircut,(generallaughs)RW:/wantedtoaskyouaboutyourgrowthinrelationtotherestofthemusicscene.Ithasalwaysstruckmethatcomingoutofthelate70’s,you’vealwayshadadifferentapproachfromthepunkmovement.Isthatbecauseyouweredevelopingbeforethat,orindependently?Chris:Well,wesortoftookabypass.Cosey:Wewereonadifferenttangent.Chris:Paralleltoit,butbelated.Cosey:Wewerealittlebitmoreseriousaboutwhatweweredoingthanthepunkswere.Theywerelike,let’shaveagoodtime,andfuckeverythingelse.Itwasthatkindofattitudeinthepunkscene.Withus,itwasmorelikeforgeteverythingelse,butthinkaboutwhatyouwanttodonext.Itwasadifferentsortofattitude.Wewantedpeopletothink,notnumbtheirbrainswithbooze,andotherthings,andjustpogoaround.BB:Whendidyoufirststartrecording?Whenyouwerekids,didyoufoolaroundmakingtapes?Chris:Idid,yes.Istarteddoingstuffwithtapeswhenlwasquiteyoung.(ToCosey)YouweredoingitbeforeTG,weren’tyou?Cosey:Yeah,Iwasrecordingaccousticthings,butIwasmainlyintheatreandperformingarts.Chris:MymaininterestwhenIwasstillatschoolwaslightshows.ThefirstthingthatIdidafterschoolwasstartalightshowcompany,forgroups,andfortv,andstufflikethat.Iwasn’tasinterestedinthemusicthen,althoughIwasdoingsomemusicstuffontheside.Iwasbuildingsynthesizercircuits.Later,Ibuiltmyownsynthesizer,becauseIcouldn’taffordtobuyone.Iwasstilljustdabblinginmusicthen,andIwasstilldoinglights.Thenldabbledabitmore,andthat’showIgotstarted.BB:Howhasthegrowthoftechnologyaffectedyourmusic?Doyoueversay“IwishIhadthisnewsynthesizertwoyearsagowhenwere¬inthenextyearortwoBB:Doyoufeelthatyouaresuccessful?Areyouaccomplishingeverythingthatyouwanttobeaccomplishingmusically?Chris:Musically,yeah,althoughI’dliketoreachawideraudience.Butthat’sboundtologistics,andstufflikethepoliticsoftherecordcompany,andallthatshit.BB:DoesRoughTradeapplypressuretoyoutotrytorecordapoopiersong,oranythinglikethat.Chris:Theydidonce,andthenwhenwecameupwiththegoods,theycouldn’tbackuptheirpromises(referringtoChris&Cosey’scatchysingle,“October(LoveSong)”whichsoldverypoorly).Theyareabitlikethat,RoughTrade.But,nowtheydon’tpressureusatallreally.We’renotunderanyobligationtothem.Allofourrecordsaredoneasone-offdeals.Wedon’tsignanyrecordingcontracts.Cosey:I’mnotsureifthat’salwaysagoodthing,becausetheydon'tfeelasiftheyareunderobligationtouseither.Ourstuffissometimesheldout,whenitcouldbepushedalotfurther.Chris:ButthenagainIthinkwe’reveryluckyhavingRoughTrade.Alotofpeopledon’thaveanyrecordlabelthattheycanapproach.Iftheydotrytoapproachacompany,theyoftenjustgetturneddown,becauseofthestateofindustry.Atleastwehaveanoutletforourrecordedmaterial.BB:Doyouevertrytohelpothermusiciansyouknowgetrecordingcontracts?DoyoueverputoutrecordsoftheirsthroughCTl,oranythinglikethat?Chris:Well,wehavefriendswhohaveotherlabels.Ifsomeonesendsussomething,andwethinkthatitisreallygood,wewillpassiton.CTlisourownlabel,butwedon’treallyrecordotherpeoples’work.Wejustreleaseourownwork,orcollaborationswithotherpeople.Cosey:CTlisanoutletforthingsthatturnupthatwouldn’tbesuitableforRoughTrade,orthatRoughTrademightbeabitdubiousaboutdoing.CTlisusedforourownlittleprojects.Theymightbecollaborations,ortheymightbesomethingthatwedidonourown,butit’snicetohavetheabilitythere.JB:Whattypeofaudiencedoyouthinklikeswhatyouaredoingnow?Cosey:Arealcrosssection.Chris:I’veseenallsorts.Cosey:I’veseenpeopleatourshowsthatIwouldneverthinkwouldevenputourrecordon.Reallystraightpeopl-4050yearolds.AlsoveryyoungpeopleChris:That’saninterestingthing.ThereareyoungkidswhoarecomingtothegigswhohaveneverheardofThrobbingGristle,whichisgoodinaway.We’regettingmoreofthat,especiallyinEurope.TheyjustknowusasbeingChrisandCosey,whichIthinkisverygood.AlotofpeopleuseTGasareferencepointforus,butthatdoesn’tapplywiththesepeople.Theyjusttakeusonourownmerits,whichIthinkisreallynice.BB:Doyouthinkofyourmusicasweird?Doyouthinkofyourselvesasavant-gardemusic-RW:EspeciallyintheStates,wheresomethingliketheNewMusicalExpressisnotwidelydistributed,thepressisnotasreceptivetomusiclikeyours...BBInacountryasvastasAmerica,thereateplaceswheretherearenorecordstoreswhichhaveevenheardofChris&Cosey.ItalwaysamazesmethatsomeoftheChris&CoseyfansIknowcouldhaveevenheardofyourrecords.Theymusthavehadtomailawaytofriendsinbigcitiestogettapesorsomething.Cosey:Yeah,IgetlettersfrompeopleintinytownsinAmericawhosay“there’snothingofyourshere,”but,forsomereasonthey’veheardofus.I’llwriteandtellthemthatwehaveamailorderserviceforpeoplesotheycangetstuffiftheycan’tfindshopswhichstockthem.Chris:AnothergreatsupportforusistheradiostationsinAmerica,thesmallcollegestations.Ifitwasn’tforthat—Ithinktheydomoretohelpusthantherecordshops.RW:RoughTradedoesn’tevenseemtohavealinkwithcollegestations.WeneverreceivedTechno-PrimitivatWHPK.WehaveSongsofLoveandLustbut...BB:/thinkRoughTradedistributesrecordsbyrollingdice...Chris:SodoI.Idon’teventhinktheydothat.Ithinktheyjuststickpinsintne’elephonejack.JB:It’shardtogetimportsifyou’reasmallradiostation.Cosey:IdoquitealotofmailingtoAmerica,butthere'ssomanyofyou...(generallaughs)Chris:There’sonlysomuchyoucandopersonally.Youcouldemploysomeonejustsendingoutthingstoradiostationsallthetime.BB:Onethingthatoftenbothersmeisthatwheneveragroupwhichisconceivedtobeatalldifferentoravant-gardehasasuccessfulsong,manyofthefanscry“sell-out.”Whyisiteviltosellrecords?Doesthiseverworryyou?Doyoueverhaveasongwhichyouthinkwillangeryourfans?AsongwhichyoufeelmaybetoocommercialforChris&Cosey.Cosey:Itdoesn’tbothermebecauseweseemtohaveasortof...ashortcircuit—thefusejustblowssomewherebetweenbeingcommercialandnot.Thereseemstobeathingwherewejustcan’tdoit,soIthinkwe’requitesafefromthat.Chris:PeoplehaveaccusedusofthatsamethingwithTechno-Primitivand“SweetSur¬prise;”somereallyhard-corefans,maybemoreTGinclinedorsomething.Theyjustmisi¬nterpreted.Cosey:Yeah,“SweetSurprises”wasacol¬laboration,youknow,a50/50collaborationbetweenAnnieandDaveandMeandChris.They’reverymusicalmusicians,sothatsideofitisgoingtocomethrough.Chris:Yougetaninvertedsnobberywithsomepeople—evenifyou’reassociatedwithpeopleliketheEurythmics.theythink,“Oh,sellout.”(laughs)“Don’tevenlistentotherecord.”RW:/thought“StolenKisses’’couldhavebeenagreatpopsong.Cosey:(happily)You’rethefirstonetosaythat!(generallaughs)Chris:Nooneelsehaspickeduponthat.Cosey:Butitneverfeelslikearegularjobwhereyoujusthategoinginthere—youthink“God,whyamIherewhenIreallydon’twanttobe”andallsortsofanger.I’veneverfeltlikethatwhenwe’redoinggigsoranythinginvolvedwithmusicalperformance.Chris:Youusuallyjustwantsometeaorsomething,butonceyou’reactuallyupthere,yougetsuchanadrenalinerush,anyway,yougetontopofit.Cosey:Ithinkitwouldbereallyabsolutelyshatteringtogooutwhenwewerejet-laggedorsomething...onetimetherewasaguytakingphotographsandwecouldn’tevencommu¬nicatewithhimverbally.Doyourememberthat?Weweresotiredwecouldn’tevenmakehimfeeleasy.Hewasexpectingustoposeforphotographs,butweweretootiredeventostandupandsay“how’sthis?"(generallaughs)Chris:Itcameacrosslikeweweregivinghimareallyhardtime,beinglikesuperstarsorsome¬thing.Cosey:Hethoughtwewerereallyaloof.After¬wardswewerereallyontherush—wecouldn’tgettosleepforacoupleofhours.BB:Doyouhavefuntouring,ingeneral?Chris:Ingeneral,yes.Cosey:It’soneofthosethingswhere,after¬wards,yougooveritallandyouhaveareallygoodtimerecallingit.Butduringit,itissoexhausting.JB:Itmustbe,playingnightafternight.Cosey:YesPeoplelikeDaveandAnniedogigsmonthaftermonth.Ijustdon’tknowhowtheydoit.Ireallydon’t.JB:Whatkindofstuffdnyoulistentoathome?Cosey:Notmuch,becauseusuallywhenwecomeoutoftt>;studio,thelastthingwewanttodoislistentomusic.Youreargetsaweirdkindofsoundafterawhile(laughs),youcan’tevencarryonrecordingletalonelistentomusic.BB:Doyouspendalotoftimeinthestudio?Isitlikeyourjob?Doyoufoolaroundinthestudioandmaketapesyoumightnotwanttorelease?Chris:Itdependswhatweareworkingon.Ifwe’reworkingonanalbum,we’llbeinthestudioalot,acoupleofmonthssometimes.Butordinarily,inaweekwegoinandoutthestudiotwoorthreetimesaweek,(toCosey)don’twe?Continuedonpage6PLEASUREANDPAINLINGERONATGREYCITYBRUNCH5336GREENWOODIBSUNDAYNOON\ovn*qSnoqi„Sum(Sunjads)»ep®»apus(uqofis)g..“•XWjS.,Bun*1(003ui*sOqj*HpuasoqoMdVSJ9M8UV21r>08—FRIDAY,MAY16,1986—GREYCITYJOURNAL