The Chicago MaroonVolume 94, No. 54 The University of Chicago Friday, May 24, 1985Assistant coach fired after writing letterBy Chris HillPhysical Education andAthletics Chairman MaryJean Mulvaney dismissed as¬sistant football coach DaveFialkowski Wednesday aftera letter by Fialkowski ap¬peared in this Tuesday’sMaroon.Fialkowski’s letter (“In¬sider view of ‘coach-loss’ ”5-21-85 Maroon) criticized re¬marks attributed to Mulvan¬ey in a May 14 Maroon arti¬cle.Mulvaney says that Fial¬kowski is “just not beingreappointed’’ to the positionand says she was misrepre¬sented by the earlier Maroonarticle (“AD hoping to fillcoaching vacancies withyouth’’ 5-14-85 Maroon).Fialkowski says Mulvaneydenied him reappointmentbecause of the letter. Othersources have confirmed thisfor the Maroon.Fialkowski, while not cur¬rently employed by the Uni¬versity, held the part-timeseasonal position of assistantfootball coach last Autumn.He had been “helping out Mary Jean Mulvaneywith recruiting” in the off¬season on a volunteer basisand had expected to be reap¬pointed to the position fornext Autumn.Mulvaney, however, calledFialkowski into her office onWednesday, told him that hewould not be returning to theposition in the Fall, and in¬structed him to vacate his locker in Bartlett Gymnasi¬um.This occurred one day afterthe Maroon ran a letter byFialkowski criticizing Mul¬vaney. He said that remarksby Mulvaney in the 5-14Maroon “virtually told thepeople responsible for this re¬cent (athletic) success thatnothing would be done to en¬tice them to stay” and“seemed to imply that if theywere serious about the coach¬ing profession they shouldstart looking for anotherjob.”Fialkowski says his letterangered Mulvaney, prompt¬ing his dismissal.“I guess I ruined mychances for coming back withmy opinion,” Fialkowski re¬marked.Mulvaney disputes Fial¬kowski’s interpretation of herremarks, which dealt with thequestion of coaches leavingthe U of C.“We hire the best qualitypeople who apply,” said Mul¬vaney. “I certainly wouldn’tencourage them to leave, andI don’t see how you can get that implication from the(May 14) article.”Mulvaney also challengesthe accuracy of that May 14article — particularly theheadline — as it portrayedher as favoring the hiring ofyounger coaches.“It’s not legal to talk aboutage, and that’s not what we’redoing at all. We hire the per¬son we think is best qualified,and I can’t say whether it’sgoing to be a young one, oldone, or what.”“I felt he (Fialkowski)should have discussed thecontent of the letter with mebefore sending it to theMaroon without knowing allthe facts,” Mulvaney said.Mulvaney noted that Fial¬kowski “certainly has theright to write whatever hewants,” but refused to com¬ment further on the reasonsfor her action, saying onlythat “there can be a lot of fac¬tors involved” in such a deci¬sion.Fialkowski agrees in retro¬spect that he should havegone to Mulvaney first withhis concerns about her re¬ marks, and he downplays theimpact of Mulvaney’s action.“It’s not my bread and but¬ter. I just lost the opportunityto participate in something Iwanted to participate inagain.”Fialkowski, however, con¬tinues to stand by his re¬marks, and says the“younger coach” referenceswere not what he was upsetabout.“I wasn’t writing about the(May 14 article’s) headline —I was interpreting the article.I took her to task for a fewthings I thought the articleimplied.“I don’t think her articlewas very supportive, and Idon’t think if you change oneor two words, it comes outsupportive.”Fialkowski apparently hasno recourse from Mulvaney’sdecision, since he is currentlyneither a University employ¬ee nor a registered student.Editors note: Geoff Sherrystands by his quotes of Mul¬vaney. It is also the Maroon’spolicy to run correctionswhen they are requested.Four receive Quantrells ThursdayFour professors receivedQuantrell awards whichhonors professors recognizedfor their outstanding teachingin the College at the AwardsAssembly Thursday.Three professors: JohnMearshimer, an associateprofessor of political science;Lisa Crone, associate profes¬sor of Slavic Languages andLiterature; and Hugh Wilson,associate professor depart¬ment of Pharmacoloev a’ i Physical Sciences receivedthe award for the first time.A1 Putnam, professor in thedepartment of Mathematics,received the award for thesecond time. He first receivedit in 1952. He is the fourth pro¬fessor to receive the awardtwice. The previous threewere Norman Nachtrieb,Joesph Schwab, and NormanMacLean.Dean of the College DonaldLevine said that student rec¬ ommendations weigh heavilywhen a committee decideswho will receive the award.He noted that the “persuasi¬veness” of a student’s argu¬ment for a professor countedmore than the number of let¬ters received for a certainprofessor.Levine said that about 80recommendations are re¬ceived each year suggestingprofessors.Sorority Women walk for arthritisBy Alex ConroyNo, you’re not going crazy.There really have been fe¬males in red and white t-shirts circling the campus fortwo, three, or four hours.Chances are, they’re not thesame people you saw beforethe last class but they’re allrelated; as their t-shirts pro¬claim “We pledged A 0 Pi.”Sorority colonists will bewalking around the campusin one-hour shifts between 9a.m. and 6 p.m. Walk-a-thonproceeds will go entirely tobenefit arthritis. The pledgetable is located in front ofCobb hall. Donors pledge aflat rate.Arthritis is the National A PPi’s special philanthropiccause. Each colony must holda fundraiser for the cause be¬fore becoming an official chapter. Phi Chi, the Univer¬sity of Chicago’s subdivision,chose to hold a walk-a-thonbecause they had relativelylittle time in which to orga¬nize the event. The walkershope to raise between $400and $500.Along with raising moneyfor charity, Lisa Moody, apledge, hopes the activity will“Also help us to gain recogni¬tion on campus.” A O Pi nowhas 40 pledges. They are rush¬ing now, and plan to rushupper classmen again in thefall, confident that they willbe a full chapter before theend of fall quarter. 1985. Mostof the prerequisites have beenor are being taken care of.The sorority already hasenough potential sisters of di¬verse distribution: somefrom each class, although the largest group is made up offreshmen. They are in theprocess of writing a constitu¬tion and all major offices arefilled and functional. A dis¬tinctive rush program will bedeveloped. “Being the found¬ers of the chapter, you cancreate your own rituals,” LizMichaels, vice-president ex¬plained.A O Pi is working hard tobecome a active group oncampus. They helped to setup the Summer Breeze festi-vites on the quads last Satur¬day. They will sell carnationsin the sorority colors (red andwhite) at a booth at the alum¬ni picnic, June first. Moneyreceived from this fundraiserwill be used for the Phi Chi's,because the group has to beable to demonstrate a capa¬bility for self-support.Other sororities were dis¬couraged from initiatingchapter at the University ofChicago, due to its small size.A O Pi, how ever was eager tobegin and its alumni groupshave been very supportive.Peg Crawford, who is in thereproductive biology depart¬ment at the U of C and will bethe next national president ofthe sorority, was especiallyhelpful. Each chapter officerhas a alumni advisor. Analumni corporate board willbe set up to dispense fundsand loans. The alumni aretaking care of “much of thered tape.”A O Pi is coming, but forthose who like a variety ofPlan of AOPi Walk Jay Vogel and Susan KoenigYearbook doing wellThe 1984-85 yearbook. TheCap and Gown, has raised$8500 and is enjoying ahealthy rebirth. Around 400yearbooks have currentlybeen sold and will be out inOctober.The yearbook will have 200pages and will include sec¬tions on Chicago, housing,sports, activities, academ¬ics/administration, adver¬tisements and a senior sec¬tion including photos of twothirds of the senior class. Co¬editor Jay Vogel said it iswritten “from the students tothe students.” Future plans for the 1985-86yearbook have already-begun. The staff electedSusan Koenig next year’s edi¬tor-in-chief and is planning touse a new company to pro¬duce their book.“I was just upset with thequality of the photography,Vogel said of their currentcompany, they may also beable to use computersthrough the new company.Deadline for ordering the1984-85 book is next Friday.May 31. All books must bepreordered.GCJ GLAM BOYS FIGHTOVER MADONNA! p 92The Chicago Maroon—Friday, May 24, 1985Jane Henry C.MORTON- MURPHY=AWARD =For Contributions to Extracurricular ActivitiesApplications for SPRING QUARTERNow AvailableRoom 210 - Ida Noyes Hall - 962-9554Deadline: JUNE 7 (we University ofcTicag)(Department ofMusic presents theMOTET BntceTmmcn -conductorCHOIRSPRING nS« QUARTERCONCERT”"SATURDAY2 5 MAY 1985 AT 8PMUNIVERSITY CHURCH5655 S' UNIVERSITY AVE-Tree (XT’open to the publicTHE UNIVERSITY OF CHICAGOCENTER FOR DEVELOPMENTAL STUDIESPETIIR WOLFF, MI).Professor of Psychiatry, Harvard UniversityDirector of Research, Children's Hospital, BostonTHURSDAY, 30 MAY 19854:00-5:30Motor Coordination as a Clue to the Ontogenyof Human BehaviorSocial Science Research Building, Room 1221126 East 59th StreetFRIDAY, 31 MAY 198512:00-1:00“Drought, War and Hope in the Horn of Africa:The Case of Eritrea”Dora DeLee Hall(“Old Chicago Lying-In Hospital”)The University of Chicago Medical Center5815 South Maryland AvenueFor further information, please contact:Center for Developmental StudiesThe University of Chicago5841 South Maryland AvenueChicago, Illinois 60637(312) 962-6751 GO DIRECTLYto TEXTBOOKSIf you have not bought all of yourbooks for the Spring QuarterUNSOLD SPRING TEXTBOOKSwill be returned to the publisher afterFriday, May 24thBOOKS WILL NOT BE ACCEPTED FORRETURNS AFTER NINTH WEEKUniversity of Chicago BookstoreTextbook Department - 2nd floor970 E. 58th962-7116news 3The Chicago Maroon—Friday, May 24, 1985New scholarly law journal startedA second scholarly journal was re¬cently initiated at the University ofChicago. The new enterprise, TheLegal Forum, will differ from most lawreviews in its format and orientationThe Legal Forum will be published an-ually with each issue focusing on a par¬ticular topic of current legal interestEach issue will be centered around asymposium at which scholarly will bepresented. These papers and other stu¬dent-authored pieces will be publishedin the journal.The first issue and symposium willaddress the topic of “Barriers to Inter¬national Trade in Professional ServiceIndustries.’’ The symposium partici¬pate will discuss the current efforts toliberalize trade industrialized nationsin such area as law, accounting, andmanagement consulting. The sympo¬ sium is scheduled for February 1986and will bring together practitioners,government officials and academics togenerate a broad-based' discussion ofthe issues. The journal will publish itsfirst issue later that spring.The faculty at the University of Chi¬cago has praised the project for its edu¬cational value. More importantly, thelaw professors view The Legal Forumas possessing the potential to provide agenuine contribution to legal scholar¬ship.The Legal Forum Managing Board ispresently soliciting advice and help inthe preparation of the symposium andjournal. Anyone interested in learningmore about this student effort areurged to contact the journal at 1111East 60th Street, Chicago, IL 60637 orcall 962-9832.FSACCSL winners for 1985-86 announcedStudents in the College, graduate di¬visions and professional schools re¬cently elected the 1985-86 Faculty Stu¬dent Advisory Committee on CampusStudent Life (FSACCSL). This com¬mittee advises Dean of Students in theUniversity Charles O’Connell on stu¬dent life.The winners are: Arthur U. Ellis,Sororitieschoices, “We have a group of...Oh, I’dsay about thirty girls working on con¬tacting (other) sororities,” one girlsaid. After subdividing, a couple ofpeople contacted each of five sorori¬ties. Three: Delta, Zeta, Delta Gammaand Kappa Kappa Gamma have showndefinite interest in starting a chapterat the University of Chicago. All haveat least one alumni group in the area.Delta Zeta definitely plans to send arepresentative to the campus beforethe end of the quarter. Delta Gammahas not yet received all the information The Chicago Maroon to hold meeting and barbecueLisa Rogers, and Margie Thomas inthe College; Joseph Brundza from theGraduate School of Business; Steve Le¬vitan from the Law School; AnnFaulkner from the Humanities Divi¬sion; and Mary McNally from the So¬cial Sciences Division. The representa¬tive for Biological Sciences/MedicalSchool/Physical Sciences has yet to beselected.it needs from the U of C, but has alsoexpressed willingness to send a repre¬sentative, preferably at the same timeas the other possible sororities so thatthe prospective sisters can compareand contrast different societies.“I think it’s important to stress thatnone of us are against A O Pi,” MonicaGhosh, who has been active in thesearch, said. “I thought starting morethan one was good. I wanted to lookaround because once you get in, it’s notjust for the four years here,” MargieThomas, another searcher, said. “Ithink with A 0 Pi already on its way,having another sorority will not de¬tract (from it.) Each can develop itsown personality.” The Chicago Maroon will hold ameeting for anyone interested in join¬ing the 1985-86 Maroon this Monday,May 27 at 5:00 PM at Ida Noyes Hall.“Next year will be one of real growthand improvement for the Maroon, andwe welcome anyone interested in get¬ting involved,” said Maroon Editor-elect Rosemary Blinn.The Maroon welcomes students in-terested in writing, editing, research,The committee has set its goal, that afinal choice among the three possibili¬ties will be made before the end of thequarter so that the new group can rushin the fall. They want a society whichwill fit in well at the university, buteach of the three has support. All havechapters at Northwestern Universitywhich might promote closer social re¬lations. At the beginning of the quarter,the search for sororities was very in¬tense but slacked off a little when mid¬terms set in. Right now the prospectivepledges are waiting for the three orga¬nizations to demonstrate their interestby sending a representative to exam¬ine the U of C proposition and informjossible members. photography, art and graphic work, orlayout/production.Blinn also notes that graduate andprofessional students are particularlyneeded._“We want to expand our coverage ofgraduate student activities and issues,and I strongly encourage graduate stu¬dents to consider joining us.”Dinner will be served at the meet¬ing.Graham named securitydirectorMark Graham was officially appoint¬ed Director of the University SecurityDepartment on May 1st.Graham became Acting Director onMarch 1 of this year. He replacesDavid O’Leary, who was promoted toAssistant Vice President for Opera¬tions at the U of C.Having been with the Security De¬partment since 1972, Graham becameAssistant Director in 1973 and Asso¬ciate Director in 1980.OUR BUSINESS,YOUR SKILLSAt RESEARCH PROS, INC. ourclients are looking for people likeyou—qualified researchers towork on a temporary basis, fromseveral hours to several weeks ormore. It’s an excellent, part-timeway to use your expertise andskills to supplement your income.We will apply your talent and skillswithin Chicago-area businesses,corporations, foundations, institutesand not-for-profit organizations. Currently we are locking for high¬ly qualified researchers, includingrecent college graduates, graduatestudents, students in the pro¬fessional schools, professors andprofessionals with backgrounds inthe humanities, social and behav¬ioral sciences, history, business,computer sciences and healthcare/medicine. We invite you to join our researchteam and become a RESEARCHPRO. Late summer and fall employ¬ment opportunities require yourimmediate action. Please send yourdetailed resume with a brief coverletter stating special skills andapproximate availability to:RESEARCH PROS, INC.P.O.Box 802035Chicago, Illinois 60680-20354 lettersThe Chicago Maroon—Friday, May 24, 1985Regina Starzl tells the “real" story on the Administrationfice is any indication of how it is to beTo the editor done in South Africa “for the good ofRecently, various articles and letters the workers,' l am sorry to say that itto the editor have evidenced a scepti- ls !^e Puttmg the fox in charge ofcism or distrust of the University ad- chickens. .ministration. There are those who do At the Laboratory Schools, the unionnot believe Walter Massey, a vice-pres- contract was violated blatantly inident of the University of Chicago Cor- l981-1982 in trying in silence dissentersporation, when he asserts that the new who Protested previous contract viola-federally-funded math program will M°ns> an^ *n punishing those teachesnot be used for immoral purposes w^° Persis^od iu pursuing contracturaThey seem to see it as a blood-stained ri«hts- Silencing them was one method,program from Madison which here will Transferring them ou. of their areas ofbe dubbed “excellence.” interest and expertise was another.About apartheid, your paper de- And keeping them out, isolated, wasscribed President Hanna Gray, chiefexecutive officer of the corporation, ascoming from lunch and smiling at theanti-apartheid posters the protestershad left for her. “Why is she smiling?”you seem to imply. Then, she, herself,wrote you a letter in which she ex¬plained it all. In perfect agreementwith her Board of Trustees, she feltthat profit aside (or above), it was goodfor the University of Chicago to retainits investments in South Africa becausein that way, “fair employment prac¬tices” could be insured.If the way the University has insured“fair labor practices” in its LaboratorySchools since President Gray took of- another. these practices have contin¬ued as the administration stonewalls ala George Schultz. No backing down, nocompromises, no negotiations withanyone.As the University’s chief (anti) laborlawyer Stuart Bernstein of the firm ofMayer, Brown and Platt, put it in a re¬cent age-discrimination hearing, “It’snot what the teachers want; it’s what’sbest for the students.” That’s how theadministration currently runs theSchool. Perhaps it seems a bit skepticalalso to note that within the past sixmonths: the wife of a partner of thsame law firm was named a trustee ofthe University; the sister-in-law of an¬ other partner was named to the gov¬erning board of the Lab Schools; and alawyer from the firm who was person¬ally involved in the still-unresolvedage-discrimination suit against theUniversity, has been hired by the Uni¬versity to be part of its expanded“labor management” team.Yes, there is a great credibility prob¬lem, a problem of trust, a problem ofwho knows best when only one side hasgrabbed and holds all the power.I am not suggesting that the Labora¬tory Schools’ problem is similar inmost ways to that of the blacks of SouthAfrica. Rather, it seems that the Uni¬versity’s motives are not seen as un-mistakenly noble as would be desired.That is an unfortunate dimming of itsimage but perhaps not without goodreason is what the critics of apartheid,of military research, of union-bustingseem to be saying. The University’stradition is not one of robber-baron, butone of unquestioned integrity and truthand its word could be trusted even with¬out a contract. Now, it seems, we mayor may not believe big papa, bigmama, or big brother, but we had bet¬ter not turn our backs.Regina Starzl, CounselorThe Laboratory SchoolsiO~ builcT someday.Benner's back,on bombsTo the editor:I really suppose I ought to reply tothe letters of May 14th protesting thestance taken by the ineptly-titled letter“Army-math protest stupid” (May7th). Signed, incidentally, by JeffreyBrenner, Russell Miller, Paul E.Smith, John P. Hey, Boris Gendelev,Brian Nichiporuk, Thomas Antony,Bill Ostrem, and Michael J. Sittnick.I’ll reply only to the letter written(apparently) by Handler and Sakura,both leading members of the Studentsfor Nuclear Disarmament comedytroupe. The other letters seems to havebeen written during a fit of epilepsy,and speaks, to its detriment, for it¬self.There is nothing I like to tear downbetter than shoddy workmanship, andHandler’s uncharacteristic letter is aprime example of just that. When he isnot quoting from a SANE pamphlet,the letter is incoherent and almost un¬intelligible. Josh, are you aware thathere is no such word as “eviticize” inthe English language? Did you reallythink that you were being clever whenyou used such cliches as “...a well-in¬formed populace is a cornerstone of de¬mocracy...red-baiting...a more bal¬anced view...patently not true...” Nexttime you have an urge to write a lettercount to ten and reconsider.The SANE pamphlet which Josh par¬rots is coherent, but either irrelevantto what we said or a complete lie. First,the lies.—deployment of the nucelarTOMAHAWK land attack cruisemissile began in 1984, not in the1972-82 period.—implementation of the interme¬diate-range nuclear force (INF)program, including ground- launched cruise missiles and thePershing II, began in 1983, not in1981 as Josh writes.—the B-1B bomber will not haveinitial operational capability until1986, and was certainly not devel¬oped to deployment in the 1972-82period. Josh, when we say devel¬opment, we mean development tothe point of deployment. We donot mean some engineers some¬where making cute cartoonsketches of things they might like The rest of the facts presented are ofminor improvements on existing sys¬tems, not the development of new sys¬tems. To present the EMP hardeningof B-52 bombers as the development ofa new system shows just what ama¬teurs the Nuclear Disarmament kid¬dies are. To say that the MX has beendeveloped when it is barely in the prod¬uction phase is another example of“cartoon sketch” definitions of devel¬ opment.I notice that Josh doesn’t challengethe fact of the USSR’s development often new strategic systems in the 1972-82period, nor anything else we wroteabout the Soviet military machine.Always so silent about Soviet milita¬rism, these Disarmament people...(signed)Jeffrey Bennerfor the nine other studentsOpus de Grogx ou see them everywhere thesedays: the worry warts. The people whoworry about everything, to whomevery little setback is a major disaster.My former neighbor Mrs. Beatrand by L.D. Lurveyof the house every morning to checkthat the driveway was still able to sup¬port her car. Naturally, Mrs. Beatrandwas one of those overprotectiveparents whose children grow up andshow their appreciation for theirPolls show U of C students main concerns to be getting into classes and the fate of therecent Springstein marriage.The Chicago Maroon is the official student newspaper of the University of Chicago.It is published twice weekly, on Tuesdays and Fridays. The offices of the Maroon arein Ida Noyes Hall, rooms 303 and 304, 1212 E. 59th St., Chicago, Illinois, 60637 Phone962-9555.Frank LubyEditor in-chiefRosemary BlinnEditor ElectHilary TillNews EditorKaren E. AndersonNews EditorRobert BarlingViewpoints Editor Dennis ChanskySports EditorCarolyn MancusoPhotography EditorCraig FarberCopy EditorPaul RohrCopy EditorBruce KingGrey City Journal EditorStephanie BaconGrey City Journal Editor Lisa CypraAdvertising ManagerBrad SmithAdvertising ManagerTina EllerbeeBusiness ManagerJaimie WeihrichOffice ManagerDavid SullivanChicago Literary Review EditorStaff: Joe Barnosky, Tony Berkley, Scott Bernard, Mark Blocker, Elizabeth Brooks,David Burke, Mike Carroll, Anthony Cashman, Frank Connolly, Tom Cox, ChrisCryan, Kathy Evans, Ben Forest, John Gasiewski, Jessie Goodwin, Ingrid Gould,Peter Grivas, Gussie, Diane Hill, Keith Horvath, Mike Ilagan, Jim Jozefowicz, LarryKavanagh, A1 Knapp, Amy Lesemann, L.D. Lurvey, Helen Markey, Molly McClain,Michelle McKechnie, David McNulty, Karin Nelson, Ciaran Obroin, Fiora Pizzo, PhilPollard, James Ralston, Max Rhee, Francis Robicheaux, Matt Schaefer, RickSenger, Doug Shapiro, Geoff Sherry, Frank Singer, Jeff Smith, Stan Smith, PaulSong, Rick Stabile, Joel Stitzel, Adena Svingos, Bob Travis, Terry Trojanek.Associate Editors: Alexandra Conroy, Chris Hill, Stephen “Skip” Lau.News Editor Emeritus: Michael Elliott, David Lanchner. parents’ concern by doing somethingbig — like shooting the president. Mrs.Beatrand worried about every aspectof her children’s development. She hadan in-home urine analyzer that wouldmake an Olympic athlete blush. Oneday, Mrs. Beatrand and I were stand¬ing on her front lawn — waiting for theoak tree to fall on her house and kill ev¬eryone inside — when Mrs. Beatrandsuddenly grew angry.“You hear that?”, she said forceful¬ly.I started thinking to myself, “If atree falls in Mrs. Beatrand’s mind andthere’s no-one around to hear it...”“That noise,” she blasted. “Whogave the ice cream man the right to se¬duce my children with his blasphe¬mous devil music?”Mrs. Beatrand always sounded oddat first. You had to think for a while torealize that ice cream music was in¬deed very inticing, very intriguing.Those voluptuously tinny overtonesscreamed out at impressionable chil¬dren everywhere. Just when the Satan¬ic message was about to become overt,it would be cleverly muffled by themedlodious bells, “Buy a cherry lico¬rice slushy bomber or you’ll burnin...ding-a-ling-a la la la...”Mrs. Beatrand had a point on thisissue. Action was called for, so I wrotemy congressman, my senator, my su¬permarket produce manager. The let¬ters were very concise: Dear so and so,(I don’t really known anyone namedso-and-so, I just wrote that so Iwouldn’t have to write out threenames, because the names would havetaken up too much room, and in a fancypublication like the Chicago Maroonspace is always a problem), the con¬cise letter said, Dear so and so: Whyare the ice cream men allowed to usedevil music to seduce Mrs. Beatrand’sthree lovely children: Horefly, Alham¬bra, and Emilio?My congressman thought this was aninteresting question as well, so hewrote the President. The President ap¬pointed a task force whose investiga¬tion caused extensive concern amonglocal city councils. The word waspassed on to youth groups to beware ofthe devil music that drew to Hell themartyr Beatrand’s children. Churchgroups held vigils. Two segments of 60minutes and one special Smurf car¬toon, titled “Smurfs buy ice creamfrom an agent of the devil,” were de¬voted to the cause. It was at this point that I realizedthere were a lot of people out there wholoved to worry. Take for example theseemingly worry-free life at the Uni¬versity of Chicago. Now what couldpeople possibly worry about in HydePark? This intolerable bliss led to theformation of four committees: FRS,ABN, SDRR and the EMOT committee(the letters w'ere randomly assignedfrom an old scrabble set). The commit¬tees decided that since nobody worriedabout classes during the year (goodgrades were traditionally a guaranteeat the U of C), people should start wor¬rying about classes before the yearbegins. Better yet, why not worryabout getting into classes? Why notstay awake all night before registra¬tion day, doing nothing but...worryingabout getting into classes? Why notmake it a campout, then you can worryabout whether the Coleman will lightor not.Jim Fulbright, chairman of ABN orSDFR or something, said of sleepingout for classes, “This way, you canworry about twice as many classes;this year’s classes and next year’sclasses. And if you’re still worriedabout last year’s incomplete classesyou can worry about three years ofclasses at once.”Even my dog got worried when heheard that rationalization. It is, ofcourse, ludicrous to worry about aproblem that doesn’t exist. Everyoneknows the classes won’t be filled andnone every attends the ones they signup for in the spring. Why sleep out forancient pig latin? No, there was noneed for anyone to lose sleep over this,or any of the countless other thingsworried people fretted over. Peoplelike Mrs. Beatrand were just torturingthemselves.“Hello, I’d like to speak with Mrs.Beatrand.”“Who?”“Mrs. Beatrand. Is she there?”“Nope. Sorry. Family moved out’bout a year ago. Their mother wasstruck by lightning standing under thatoak tree on our front lawn. Durin’ tro¬pical storm Lucifer or somethin’ ”“Really?”“Yeh, my wife was all upset about itwhen we moved in. She thinks the ouseis cursed or something. But you knowsome people just worry about every¬thing, Pretty stupid if you think aboutit.”Yeh...stupid.IBBOTSON ASSOCIATES, INC.CONSULTANTS IN ECONOMICS, INVESTMENTS. AND FINANCESUPERB CAREER OPPORTUNITYFORFINANCIAL RESEARCH ASSISTANTDear U. of C. Student or Graduate:Ibbotson Associates is a small, dynamic and nationally knownfirm consulting in institutional investments, economics, andfinance. We specialize in the application of moderninvestment theories and techniques to asset management. Weseek an exceptional candidate with B.A. minimum and aworking knowledge of finance or economics to begin workingin June. Solid work experience is necessary, either in thebusiness world or as a research assistant to a professor infinance, economics, or a related field.The position of Research Assistant requires excellentresearch and analytical skills, strong quantitativeorientation, sound writing ability and interpersonal skills,and a desire for responsibility. The candidate will workwith numbers, statistics, and computers, as well as ideasand people. The position entails computer use but actualprogramming experience, while helpful, is not necessary.The position pays a minimum of $20,000, with no preset rangefor candidates with superior qualifications.Ibbotson Associates is a small and growing firm where allmembers work closely together as a team. As an importantmember of this team you will perform many different tasks,some of which will rigorously challenge your abilities andenhance your learning. As in all small firms, there may betasks required that you might find easy or mundane.To the outstanding candidate Ibbotson Associates offers anopportunity to work at the cutting edge of investment andfinancial management technology. The firm's clienteleincludes leading money management firms, corporations andlaw firms. The Research Assistant will interact withmanagers of these firms as well as with an intellectuallystimulating group including U. of C. alumni inside our firm.Substantial promotion opportunities within IbbotsonAssociates, including company-sponsored graduate education,are available to individuals whose value added proves to beexceptional.If you or someone you know is qualified and interestedplease call or send a resume to Stanley V. Smith, ManagingPartner.8 SOUTH MICHIGAN AVENUE • SUITE 707 • CHICAGO. ILLINOIS 60603 • 312/263 343416 letters———— The Chicago Maroon—Friday, May 24, 1985Korman gives ‘pro and con’ of NicaraguaTo the editor:I wish to clarify a statement made inmy article published in the 5/14Maroon which criticized Reagan’s em¬bargo on Nicaragua and his accusa¬tions against that country’s govern¬ment.In response to my stating that “Am¬nesty International claims Nicaraguahas the best (human rights) record inCentral America,” Mr. Alan Viard hascorrectly reminded me that AmnestyInternational (AI) is a non-partisan,unbiased organization which does notmake judgements upon or compari¬sons of various country’s human rightsrecords. I realize that my article ap¬peared to attribute this opinion as anofficial statement of the AI organiza¬tion, and for this I duly apologize.The opinion, however, was drawnfrom a variety of sources including AIofficial reports. I would like to take thisopportunity in discussing AI’s findingsto briefly outline both the pros and consof Nicaragua’s human rights policies,a venture that was beyond the scope ofmy 5/14 article.The AI official statement of Sep¬tember 15, 1983 on “the Human RightsSituation in Nicaragua” claimed that“(a)lthough torture and ‘disp-pearances’ were endemic under thegovernment of General Anastasio So-moza Debayle, Amnesty Internationalhas found no significant evidence tosubstantiate allegations that thesepractices have been pursued under thecurrent government, (nor for) secretunacknowledged detention or the kill¬ing of prisoners...described as ‘disap¬pearances.’ ”These facts alone put Nicaragua’shuman rights record close to the top ofthe “list,” as almost every other Cen¬tral American nation uses these prac¬tices to some extent— a few, such as ElSalvador, admit that the governmentstays in power only by these expedient practices. But, of course, the relativehuman rights records of El Salvador (aUS ally) and Nicaragua are like nightand day.Many of the accusations of humanrights violations made by AI againstthe Nicaraguan government pertain tothe treatment of ex-Somoza Guards¬men and political supporters capturedafter the Revolution. While any humanrights violations are regrettable, thetreatment of these groups (which in¬cluded “fair” trials in most cases) wasquite laudable considering their mas¬sive crimes and oppressions againstthe Nicaraguan people when they werein power. How would the “justice”meted out by the French governmentof 1789-1794 compare to that of post-Revolutionary Nicaragua? Not veryfavorably, I dare say.To the editor:In a May 14 article, Steven Kormanstates, “As for human rights, AmnestyInternational claims Nicaragua hasthe best record in Central America.”In reality, however. Amnesty makesno comparisons of any kind betweendifferent governments’ human rightspractices and Korman’s attribution ofsuch a comparison to Amnesty is com¬pletely false.Amnesty International is an indepen¬dent nonpartisan worldwide humanrights movement. It works for the re¬lease of all prisoners of conscience whohave neither used nor advocated vio¬lence, seeks fair and early trials for allpolitical prisoners, and opposes thedeath penalty, torture and all inhu¬mane treatment of prisoners withoutreservation. Amnesty impartially ap¬plies these principles to all govern¬ments and armed opposition groups,without making comparisons or rank¬ings of human rights records in dif- The treatment of Miskito and SumoIndian groups was a cause for concern,but their removal from the Honduranborder area was a necessary and justi¬fiable step by the government if thecontras were to be effectively dealthwith. Resistance to this procedure, andactual instances of Indians supportingcontra groups was certainly againstthe best interests of the Nicaraguan na¬tion, and thus legitimately punishable.Nevertheless, as the “Amnesty Inter¬national Report of 1984” confirms,most of the Indian prisoners have beenreleased.As for the abuses against political op¬position groups, business interests, andunions documented in this report, theyare again regrettable, but are very le¬nient compared with most other LatinAmerican nations and the Somoza gov-ferent countries and without evaluat¬ing the number or seriousness of eachcountry’s violations. Not only are accu¬rate comparisons precluded by the li¬mited availability of information, anyattempt to make such comparisonswould threaten the unity of Amnesty’spolitically diverse membership whiledoing nothing to prevent human rightsviolations or aid the victims.Amnesty has condemned humanrights violations by all governmentsand armed opposition groups in Cen¬tral America, including the govern¬ment of Nicaragua and the armed op¬position groups fighting against it.While Korman is entirely free to rankor compare these violations in anymanner he thinks appropriate, he hasno right to attribute such comparisonsto Amnesty International.Very truly yours,Alan D. ViardLaw School, ’87 ernment. While this government holdsopposition leaders for extended ques¬tioning, or gives jail sentences to indi¬vidual union or opposition leadersusually convicted by trials, the Somozagovernment (supported by the US)would decimate entire civilian townsrumored to contain opposition congre¬gations. Many other nations, againmost notably US-supported El Salva¬dor, still engage in such brutal reac¬tions to opposition.One must keep in mind that Nicara¬gua is facing a war situation and stag¬gering economic peril— this leads oneto appreciate the relative leniency ofgovernmental opposition measureseven more. I know of a “civilized”country which tends to use harsh oppo¬sition measures during wartime, in¬cluding beating unarmed college stu¬dents opposing its last conflict.So what’s the point of all this— therelative fairness and human rights re¬cord of the Nicaraguan governmentcompared with other Latin Americannations and the former US-supportedSomoza dictatorship is no secret, leastof all to AI members. No, this still doesnot justify attributing such an opinionto AI as an organization.However, there is an urgent need tomake these differences of humanrights policies between Nicaragua andother Latin American nations, includ¬ing the US-supported ones, clear to theAmerican public. Considering thedanger presented by Reagan’s one¬sided and slanderous opinions of theNicaraguan government, even groupssuch as Amnesty International shouldmake this education of the public ahigh priority. This would not be pass¬ing judgements on anything, but sim¬ply separating the truth from lies andslanderous exaggerations. And afterall, isn’t the uncovering of the truth forpublic appraisal the chief aim of Am¬nesty International?Steven M. KormanViard defends AmnestyHillel Housewill have aTikkun Lei ShavuotSaturday, May 25, 1985All Night Study Session beginning at 11:00 p.m.and continuing until sunrise. Refreshmentsavailable. Services following conservative andorthodox at 4:45 a.m. Sunday morning. Good Food, Good FunCome to a meeting andbarbecue to find out aboutthe 1985-86 Maroon5 pm on Monday May 27Ida Noyes CourtyardThe 1985-86 Maroon - be part of it!THE UNIVERSITY OF CHICAGOThe School of Social Service AdministrationpresentsTHE HELEN HARRIS PERLMAN LECTURE“A CULTURE AT RISK"byDIANE RAVITCHADJUNCT PROFESSOR DEPARTMENTS OF HISTORY AND EDUCATION, COL¬UMBIA UNIVERSITYAuthor ofThe Troubled Crusade: American Education 1945-1980FRIDAY, MAY 31,19854:30 p.m.ORIENTAL INSTITUTE1155 East 58th STREETA Reception Will Follow Rockefeller Memorial ChapelSunday, May 26,8:30 a.m.Ecumenical Service of Holy Communion11:00 a.m.University Religious ServiceCarl Darling Buck Professor of Humanities andChairman Department of New Testament and EChristian Literature, and Professor In the DivinitvSchool and the CollegeTuesdayDame Myra Hess Memorial Concert SeOpen and free to the public8:00 p.m. thisSundayatRockefellerMemorialChapel59th & Woodiawn17 crime mapThe Chicago Maroon—Friday, May 3, 1985Now that the weather is nicer, it’stime for an annual warning aboutbeing at the (Promonotory) Point after11 pm. The police are currently crack¬ing down on people who are there afterclosing time which is 11 pm. Also, beaware that you may not drink at thepoint.Two weekends ago 38 people were ar¬rested (mostly minors) for being ordrinking at the Point. The police arecracking down because neighbors innearby buildings have complainedabout the amount of noise that crowdsat the Point create.The police will have a mobile taskforce patrolling the Point during thesummer months. That patrol will con¬tinue until Labor Day. 41THUkc michisanBATTERY • THEFT* 2 OR MORETHEFTS aburglaryThis information was compiled from crime reports dated May 13-18.AMGEr~P~ HBT YTBDCKYPnE/PIIIlKVFimkA$1 njith advance 7UCI1mrchase ticket-please' $2 at door24mHYFriday FREE CHICKER HRD POPWITH TICKETbuy tickets at Reynolds Club everyday11 am - 1 pm or at Jones 116 anytime 9 pnrIda HayesGymFunded by SAF and the Physical Sciences Division Student Fellowship P'ltC* b'JDR. MORTON R. MASLOVOPTOMETRIST•EYE EXAMINATIONS•FASHION EYEWEAR(one year warranty on eyeglassframes and glass lenses)SPECIALIZING IN• ALL TYPES OFCONTACT LENSES•CONTACT SUPPLIESTHE HYDE PARKSHOPPING CENTER1510 E. 55th363-6100 EAST PARKTOWERSCharming, vintage building inEast Hyde Park now has alimited selection of lake andpark view apartments. Situatednear the I.C., we offer studios,one and two bedroom unitswith heat included in rent. Askabout our student and facultydiscount.324-6100INTRAMURAL REMINDERFRIDAY JUNE 7this the last day to pick up Springquarter forfeit deposits andT-shirts awarded during the1984-85 academic year. Hear Ye!Hear Ye!The Maroon is lookingfor you to be a writer, researcher,photographer, or paste-up personin 1985-86.Come to a meeting and barbequeMonday, May 27 at 5 pm, Ida Noyes CourtyardThe University of ChicagoSYMPHONICWINDENSEMBLEpresentsHandel: Music for the RoyalFireworksMozart: Symphony No. 40 in gHolst: Suite no. 2 in FDR. JAMES LEHR, MUSIC DIRECTORFRIDAY, MAY 24 • 8:30 P.M.MANDEL HALL • 57th & UNIVERSITY AVE.CSA(The College Student Assembly)The people that brought you SummerBreeze are now asking the collegestudents to ratify their constitution.Ballots will be in your mailfolder nextweek.Please vote YES! So we canhave/provide more fun.!(Copies are available from your resident head or ondisplay in the maifroom.)Studios, I, 2, & 3 BedroomApartments AvailableSome Mice Lake ViewsGood LocationHeat IncludedParking Available. CALLHERBERT REALTY684-23335 % Student Discounts9 00 A M.-4:30 P M.Monday thru Friday9:00 A.M.-2 P.M.Saturday SOMMER RECREATION198516” SOFTBALL LEAGUE 12” SOFTBALL LEAGUE5K RUNAEROBICS CLASS GOLF INSTRUCTIONTENNIS TOURNEY - B0CCE BALL TOURNEYNAUTILUS CLINIC2 ON 2 BASKETBALL - HORSESHOESFor more information contactIntramurals and RecreationBG 140962-9557marian realty,inc.IBrealtorStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 S. Cornell684-5400 APARTMENTS -FOR RENT SGRAFF & SICHECK1617 E. 55th St.1 yh, V/i, studios, and1 bedroom apartmentsin a quiet, well-maintained building.Immediate OccupancyBU8-5566 1S• —- ■IROBERT BARRYCONCOWORDSby Jordan OrlandoThere is an odd sense of historicism tothe new exhibit at the Renaissance Soci¬ety, considering that the art technicallycould not be more current: it was paintedon the gallery’s walls this month by the ar¬tist himself. Robert Barry’s untitled “con-ceptualist” installation is essentially anembodiment of an approach to artisticstatement dating back to the avante-garde of the late sixties, which is quite acontrast from RenSoc’s recent mountingsof super-current travelling exhibits sam¬pling the cutting edge of modernism. Incontrast to the bitter and graphicallycaustic recent artwork exhibited in theseshows (“Rapid Enamel,’’' “Differences")the comparatively austere Barry show re¬quires patience if it is to fully appreciat¬ed.Barry is a New York artist described ?s“a key member of the original Conceptualgroup.’’ Barry’s art has .appeared invarious contexts since 1968, and has beenassociated with the prestigous Castelligallery in New York for some time. His arthas evolved in a linear progression alongessentially the sam£ theme, with variousdetails of his execution of this themechanging subtly through the years. WhatBarry does, in essence, is confront us withindividual words, tied together irvto simp¬le graphic motifs, independent of context,embellishment, title or explanation.The exhibit at the Renaissance Society,along with a forthcoming book, incorpo¬rate elements of Barry’s most recent sty¬listic evolution. The exhjbit itself, consti¬tutes in toto an artistic object: the artistspent a week in the gallery adorning thewalls with five individual graphics, eachan execution of a previously conceivedidea, with the exception of the fifth graph¬ic which departs from the radial themeand which, I was told, is a “new work." Inaddition, there is a sixth artwork consist¬ing of a recording of the artist’s voice,played continuously over loudspeakers.Barry has created a room which is in itselfa conceptually artistic confrontation.An initial impression is that Barry hasmade masterful’use of the Bergman Gal¬lery, placing the five works around theroom in a winding progression. The gal¬lery is ideally suited to this sort of work:one could say that the grid of the alreadybeautiful gallery has been completed in* * % % %**000* * * % %* ' 0 0 0 0********00* % v * %* 0 0 0 0* % % % %* 0 0 0 0* * * * % ii'ESANCE SOCIETY% • % • %Barry’s embellishments: with graphicsand sound he has finished the room as awork of art in itself, so that every smalldetail of its design, regardless or origin(down to the windowsills and the vaultedceiling) seem part of a unified environmen¬tal statement.While they seem identical in composi¬tion, there is a subtle complexity to the ar¬rangement of the words. The four radialgraphics—two on the gallery walls andtwo on freestanding partitions—are eachexecuted differently. The largest of thefour is done in white chalk on a very largewall that has been resurfaced and paintedin a matte black. The pencilled radial linesare still visible and the words (counter¬clockwise from the upright: “IMAGINE,TRYING, SUPPOSE, OURS, ANYTHING.LOVE TO, PLEASE”) are chalked alongthem. The graphic facing the black one bythe door is in exactly the opposite colors,with words in black chalk on the whitewall. Here, two progressions of words runinto each other, with OTHERS, HOPE, ORELSE, BEGIN counterclockwise at 90° inter¬vals and REFUSE IT, DESIRE, CARE FOR,SOMEHOW spiralling outward the otherdirection from the center, interspersingwith the other words. The way that thewords reflect around the grid in manyways and appear to the eye in manyorders and arrangements, together withthe simplicity and cold elegance of theroom and the look of the unpunctuated,handwritten words adds to their effecti¬veness as thought signals or emotionalcues. The third graphic is a beautiful ob¬ject: the words are rendered in silver, sansgrid lines, on a wall segment that has beenpainted bright primary red. Complement¬ing this, the fourth graphic used silver inkwithout a grid on a white wall.The “new work" is the final graphic inthe progression, and the first to breakwith the radial theme. “YOU TO," insistsHuge white letters across a blue wall atthe back of the gallery. The omission ofthe second “o” indicates, as does the in¬version of the second word, that it may aswell be read “TO YOU." The axial align¬ment of two words is a repetition of theword arrangement in the other graphicsrthe final panel could be an extreme close-up of one spoke pulled out of one of theearlier works. The words do. as Barrysays, function to “embrace the spectatorwith their significance.’ Conceptualism was a doctrine and anideology confined to a special period in |American art. The tenets of conceptual art !go back to the late sixties and such NewYork-based artists as Jasper Johns andRobert Rauschenberg. Examples of ^Con¬ceptual Art” have perhaps always beendependent more on words than on images;Conceptualism represented the forefrontof art’s advances into linguistics and arttheory, as questions as to what could andcould nof be viewed as objects d art werehotly debated. Rauschenberg, with hisstatements about the potential of art toexist in any context in deviation with pre¬viously* ironclad social conventions, per¬formed such stunts as formal erasures ofDe Kooning drawing in an attempt to shat¬ter preconceptions about what visual artcould consist of. The problem with such ex¬periments was their overdependence oncoexisting art theory for their signifi¬cance. Ironically, while tremendous Strideswere being made with the language andterminology of art theory, the actual artobjects seemed to exist as mere examples,illustrations ‘ of dogma in the physicalworld, practically meaningless withoutthe text. Theories spoke of The ideal art asIdea independent of Object. ’Although Op,Pop, and Conceptualism (along with ab¬stract expressionism, their forerunner)have fallen out of fashion over the yearsthere has been a recent resurgence of in¬terest in this late-sixties aesthetic to theextent that artists strongly identifiedwith that period are enjoying a rejuvenat¬ed popularity; they are becoming publiclyinteresting to, the extent that Raushen-berg now does Talking Heads albumcovers.Barry has recently shunned ‘ the word“conceptual" in favor of “symbolic." Hiswork is not dated" because it does notrest on 1960 s dogmai. Despite it’s depen¬dence on language, it is remarkable inthat it is an attempt at conceptual art re¬quiring no subtext for understanding.Barry embraces language, perhaps as aninevitable component $f visual ideas, asthe primary and only elements in his work,rather than in the annoying current fash¬ion of “sloganeering," as in RenSoc’s pre¬vious “Differences” exhibit, where in thework of several current artists aestheti¬cally pleasing or arresting images havecontrived, “significant" phrases pastedover them in a misguided attempt at in-v0 stilling them with “meaning." The slogans-as-art ideology (most visible in current t-shirt fashion) pales in comparison toBarry’s careful use of individual words.Barry’s work could be called “linguisticexpressionism," in which it is demonstrat¬ed that words in a vacuum are the mostpowerful signifiers possible. The words onthe blank walls, tied into radial structuresultimately succeed as emotional symbols.Barry’s achievement is his independenceof context for meaning: to the extent thateven a group of small children beingshown the installation responded vi¬gorously to the work. “Show yourself!"shouted a frustrated boy as the artistsvoice (from a previously released recordalbum) intoned words at regular inter¬vals. The children read the radial progres¬sions of words clockwise, then counter¬clockwise, attempting and succeeding instringing together recognisable phraseswhich they repeated to each other. Barryprovides no clue as to where the circles ofwords have their inception points, and thewords on the tape similarly have no begin¬ning or end: one finds oneself waiting for arepetition that will indicate a new cyclebeginning. The words are so unexpectedthat they manage at times to serve as ametronome for the stream of conscious¬ness, leading one s thoughts by associa¬tion through memory and introspection.Whaiever one’s regard for the attempt¬ed method of the exhibit, or its success orfailure as a communication of an idea, onecannot help but appreciate that there istremendous beauty to the room as BarryI has rendered it. There is a sparse, chillyelegance to the graphics, and the subtleuses of primary colors is aestheticallybreathtaking, and somewhat of a relieffrom the inevitable way travelling exhib¬its of the work of many artists can clutterthe small room. The psychological effect ofthe exhibit is after a while remarkable:words soon assume an austere, forbodingimportance as one’s thoughts break the si¬lence between Barry’s recorded interjec¬tions, and soon any thoughts you may behaving are warped and referred to by thesurrounding words of the artist. SDend afew moments in the gallery as Barry hasrendered it: for the rest of the quarter itwill probably remain the most elegantroom on campus. Renaissance Society.Bergman gallery, 4th floor Cobb, untilJune 22.• 9• •• •9 • 9HCHICAGO LITERARY REVIEWannounces its firstLiterary Essay Contest$75 first place prize$25 second place prizeLiterary Essay: A non-fictional well-craftedessay on any topic;current, ancient, non¬literary, literary, BApaper, book review,talk of the town,philosophical, serious,or humorous.Due date: Mav 29th inthe CLR boxof the Maroon Office,3rd floor ot Ida Noyes,1212 Fast 59th Street,Chicago, IL 60637 NEW DANCES ’85SHUFFLESPINSPLASHphotograph by John ProbesThe University of Chicago Dance andPerformance Clubs and guest artists,Osgood Dances, will be performing onMay 25,8:00 p.m. in Mandell Hail.Admission is $1.00EYEGLASSESOUR REGULAR PRICE• COMPLETEsingle visiondesigner glasses$3375Offer expires 5/31/85Contacts & SpecsUnlimitedGLASSES AT OURGOLD COAST LOCATION ONLY!1051 N. Rush St. • 642-EYES(At State/Cedar/Rusk, above Selowon Cooper Drugs) contactLENSESOUR REGULAR PRICE30 day extendedwear lenses*3375SOFT.MATE AM) BAl SC II AM)1.0MB0M3 . PROFESSIONAL FEEADDITIONAL REQl IKED.Offer expires 5/31/85Contact LensesUnlimitedEVANSTON11724 Sherman Ave.864-4441 NEWTOWN2566 N. Clark St.880-5400 GOLD COAST1051 N. Rush St.(At State/Cedar/Rusb,above Solomon Cooper Drugs)642-EYES a2—FRIDAY, MAY 24, 1986—CRfcY CITY JOURNALAfrika Bambaataa’ THEATRE"1Bing and Walker Four inveterate CapeCodders drop their defenses inWoods Hole, Mass. Previews all thisweek, $7-$11 (with student dis¬count) Northlight Repertory Co.,2300 Green Bay Road, Evanston.869-7278.Miss Julie An aristocrat’s daughterhas a tragic affair with her father’sservant in this tear-jerker by Au¬gust Strindberg. SteppenwolfTheatre, 2851 Halsted, 472-4141.$12-$17.The God of Isaac Isaac watches the pre¬parations for the 1977 Nazi marchin Skokie and comes to this suddenrealization: ‘Hey, I’m a Jew!” crieshe. At the Victory Gardens Theater,2257 N. Lincoln, 871-3000. $8 pre¬views, $11 -$14 after May 29.The Naughty Monkey Pups The U of CImprov Group brings you pro wres¬tlers, MBA’s, the Michelin Tire Man,and the ineffable monkey pups.Whatever you want, in fact, so bringsome ideas with you. Tonite andReynolds Club First-Floor Theater.$3, students.Painting Churches Mags Church returnsto Beacon Hill to visit Mummy andOaddy as they pack up to move toCotuit for good. At first, Mummyand Daddy seem as upper-crust asusual; Mummy’s a little dotty, per¬haps, and Daddy always was a bitpreoccupied, but then that’s to beexpected of a Pulitzer Prize-win¬ning poet...As the play progresses,however, the facades begin to crackunder the strain. Mags never gotthe recognition that she deservesbecause Mummy was always socaught up in ministering to Daddy:Mummy never got the credit she de¬serves because everyone wasalways so caught up in Daddy, in¬cluding Daddy himself. Edgar Meyeris superb in his portrayal of thatemotional Black Hole, GardnerChurh. In Painting Churches, play¬wright Tina Howe takes the fearsthat all of us have about ourparents, polishes them up a little,drops a name or two, and comes upwith an honestly convincing portraitof ourselves, our aging parents, andthe mortality they represent. Wis¬dom Bridge Theatre, 1559 W. How¬ard St., 743-6442. $15-S17.B.B. King and Bobby “Blue" Bland, withAlbert King B.B. King, the mostfamous blues artist of the pasttwenty-plus years, and Bobby"Blue” Bland, a very successfulblues balladeer from the late fiftiesand early sixties, played in theirfirst band together over thirtyyears ago. Since then, King has be¬come a great, generous showmanwhose clear, economical and re¬laxed guitar mirrors the way heperfoims; and Bland, although hehasn’t done much of interest in overa decade, has at times used hisgraceful and sometimes hauntingvoice, a voice that kind of soundslike the result of a cross between T-Bone Walker and the Drifters, tomake music that matches the ideabehind that cross. Albert King, totop things off, is a fine blues artist inhis own right who owes most of hischops to B.B (though they're unre¬lated). Go hear ideas and influencestossed back and forth like a bandtrades off leads. Fri May 24 at 7:30,Bismarck theater, Randolph and La¬Salle. 236-0123. —FSArt Blakey and His Jazz Messengers Ifyou own any Miles Davis or Thelon¬ius Monk or John Coltrane albums, you'll probably find Art Blakeythrashing away on the drums on atleast a few sides. Blakey is theequal of any of these giants as ajazz musician; he is, in fact, one ofthe premier power drummers in jazzhistory, and his group the Jazz Mes¬sengers has been a vocal piece forsome of the finest musicians in thepost-bop period. Sure, they’re apart of history now, but I under¬stand he and his band can still bringthat history to life. Fri thru Sun,May 24-26 at 9 and 11, BlackstoneHotel, 636 S. Michigan. 427-4300.-FSChamber Opera of Chicago Fifth wildand crazy week of Mozart’s “Cosifan tutte,” (Stuart Leich, conductor),and Puccini’s 11 Trittico,” (LarryRapchak, conductor), Fri May 24 andSun May 26 at 3 for the latter, andSat May 25 at 7:30 for the former.Ruth Page Auditorium, 1016 N.Dearborn. 822-0770.Chicago Symphony Orchestra Eric Leins-dorf, guest conductor, and Alexis Weissenberg, piano, present a pro¬gram of works by Kurt Weill (LittleThreepenney Music), Bartok (Con¬certo for Piano No. 2), and Stra¬vinsky (Petrouchka, orchestral ver¬sion). Fri May 24 at 2, and Sat May25 at 8. 435-8111.University of Chicago Wind EnsembleJames Lear conducts. Fri May 24 at8, Mandel Hall. 962-8068.Chicago Opera Theatre presents RobertWard's "The Crucible.” Sat May 25,and Sun May 26 at 3, AthaneumTheatre, 2963 N. Southport.663-0048.The University Motet Choir will give itslast concert of the season this week¬end. Under the direction of BruceTammen the choir will performworks by Guerrero, Victoria,Morales, Poulen.c, Durufle,Bruckner, Britten, Howells, Waltonand Harris. Soloists include LeslieMiller, Cheryl Dieter, Randy Petilos,Max Ziff, Harry Bates and ChristineHauville. The concert is on Saturday,May 25th at . 8 at the UniversityChurch (57th & University Ave). Ad¬mission is free.Yelloman Bob Marley and the Wailersunified the strands and undercur¬rents of political struggle in Jamai¬can pop music and made a mythicaltradition of dissent out of themthrough reggae. Yelloman is a high¬ly popular Jamaican dub artist whohas little or no interest in that tradi¬tion: his music is very Jamaican, buthis message is just, “Me sexy, mesexy.” Still, he’s been pushing thatslightly silly theme for so long with so much offhand flair that I can’t be¬grudge him his place in the sun. Hismusic is pretty good, he’s got a richpatios that's wonderfully melli¬fluous, and his concerts are sup¬posed to be a blast. Sun May 26 at7, The Main Quad. Free. — FSAfrika Bambaataa and the Soul SonicForce It’s true that Bambaataa isn’tthe sharpest, most vocally dex¬terous, or most imaginative MC inthe world of rap music. But, for hissocial and political acumen and forhis big hearted musical vision andefforts, he earns the title of thatgenre’s Most Valuable Player.Those attributes made “Looking forthe Perfect Beat” one of the bestsongs of 1983, and "Unity” (withJames Brown) and “World Destruc¬tion" (with John Lydon a/k/a JohnnyRotten) two of the best of 1984, soyou can be sure they’ll help himcome up with something great for’85. Avoid the show at the Vic, anexpensive and unattractive sound¬ing venue, and come see him herewith Yellowman. FREE. Sun May 26at 7, the Main Quad. —FSChicago Chamber Orchestra Sun May26 at 3:30, South Terrace, Museumof Science and Industry. 922-5570.Chicago Symphony String Quartet SunMay 26 at 3, Preston Bradley Hall,Chicago Public Library CulturalCenter, 78 E Washington.346-3278.Yin Cheng-Zong pianist, will presentmusic of Mozart, Schubert, andLiszt, Sun May 26 at 3, OrchestraHall. 220 S. Michigan 435-8111. Chicago Symphony Orchestra GuestConductor Erich Leinsdorf offers thefinal tribute in a year long celebra¬tion of the birth of J. S. Bach’s 300thbirthday. (With certain arrange¬ments by Schoenberg and Webern).Thurs May 30 at 8, Orchestra Hall,220 S. Michigan 435-8111.Musica Transalpina will present a pro¬gram of Italian and English Renais¬sance music appropriate to thespring season, including works byByrd, Gibbons, Weelkes, Palestrinaand Gesualdo. C’mon, you need abreak. Marilyn McCoy, soprano; De¬borah Auslander, alto; Randolph Pe¬tilos and Harry Bates, tenors; Don¬ald Ziff, bass; Constance Strait,Deborah Crimmins, Gail Gillispie,Ken Perlow and Timothy Steele,viols. The concert, part of the MusicDepartment’s Noontime ConcertSeries, is Thursday, May 30 at12:15 in Goodspeed Recital Hall. Ad¬mission is free.David Kiefer: Final Show All are invited:with new music and poetry by JimDunn and Chris Pearson. Opening re¬ception Sat May 25, Midway Paint¬ing Studio, 6016 Ingleside. throughMay 27.John Dunn: Paintings MFA exhibitionat Midway Studios, 6016 Ingleside.10-4 daily, closes Sat.Robert Barry See article this issue. Atthe Renaissance Society, 4th floorCobb. Tues-Sat, 10-4, Sun 12-4.Alumni Who Collect II: Sculpture From1900 To The Present Through June 16at the Smart Gallery 5550 Green¬wood. Tues-Sat 10-4, Sun 12-4.Survey Sculptural works by 13 Chicagoarea ceramicists. including ex-facul¬ty member Ruth Duckworth. At theHyde Park Art Center, 1701 E. 53rd.Tues-Sat. 11-5.Critical Messages?: The Use of PublicMedia for Political Art by Women A fa¬scinating idea; the use of really pub¬lic media for really political art.Eighteen women designed signs andplacards for display on the CTAbuses and trams, about half of whichwere rejected by the CTA, apparent¬ly because of racial content. Aboutthirty women designed artist'sbooks, all of which are on display atthe Cultural Center, 78 E. Washing¬ton, thru May 31. Among the artistsshowing books are Sue Coe, HollyMetz, Jenny Holzer, and BarbaraKruger (the latter two also hadposters banned from the CTA). Re¬lated video programs will be airedon television later this month, ail ofwhich are currently available forviewing at Artemisia, 341 W. Supe¬rior. For further information, call751-2016.Audacious: Some Extremist Tendenciesin East Village Art Recent works ofeight New York artists, includingSue Coe (How to Commit Suicide inSouth Africa), Alan Belcher (icono¬graphy of advertising ) MartinWrong Debby Davis, and othersThrough June 1, at Randolph StreetGallery. 756 N Milwaukee. Tues-Sat., 11-5.The Industrial Landscape Of Chicago:Photographs by David Plowden andThe Dan Ryan Expressway: Photo¬graphs by Jay Wolke The former instark black and white compositionalconsiderations, the latter in luridcolor. Through July 7 at the ChicagoHistorical Society, Clark at NorthAvenueNew American Paperworks “.. two andthree-dimensional pieces, installa¬tions, and environments , featuresworks by twenty American artistswho have used paper as an integralpart of the artwork rather than thetraditional recipient surface.” (—from the press release). IncludingSam Francis, Michelle Stuart, RobertRauschenberg, others. Thru July 13at the Chicago Public Library Cultur¬al Center, 78 E. Washington.744-8928.Gordon Matta-Clark: A RetrospectiveCanthere be such a thing as an anarchistarchitect? The urban problem consi¬dered in multi, I do mean multi,media. Thru Aug 18 at the Museumof Contemporary Art, 237 E On¬tario 280-2660Contemporary German Drawings 123works by 43 contemporary artists,Continued on page 4Grey City Journal 24 May 85Staff: Steven K Amsterdam, Abigail Asher, Rosemary Blinn, MicheleBonnarens, Suzanne Buchannon, Pablo Conrad, Gideon D Arcangelo,Susan Greenberg, Sabrina Guth, David Kay, Irwin Keller, MichaelKotze, Nadine McGann, David Miller, Patrick Moxey, Susan Pawloski,John Porter, Ravi Rajmane, Max Renn, Paul Reubens, Laura Salt2, Ra¬chel Saltz, Wayne Scott, Franklin Soults, Mark Toma, Bob Travis, KenWissoker, Rick Wojcik.Production: Stephanie Bacon, Bruce King, Laura Saltz.Editors: Stephanie Bacon, Bruce KingGREY CITY JOURNAL—FRIDAY, MAY 24, 1985—3JAHRUOt YTI3 Y3RO—ebef YAM .YAulHn—£Continued from page 3including Baselitz, Kovacs, Bueys,Hajek, and Penck. Through May 31at the Goethe Institute, 401 N. Mi¬chigan. For information, call329-0915.Drawings: The 81st Exhibition by Artistsof Chicago and Vicinity An opportuni¬ty to see some rising art stars: who¬ever made it into this show has beenChosen by the Powers That Be. ThruJune 16 at the Art Institute, Michi¬gan at Adams. 443-3625.Harold and Maude (Ashby, 1971) BudCort as a manic-depressive suicide-o-maniac I could deal with, but RuthGordon as a feisty, loveable, crusty(all the words for vulnerable) octo-generian? Yucko, I can feel the “I-love-life-and-l’ve lived-a-lot-of-it”sentiment weighing oppressivelyupon my emotional outlook already.Will no one take a baseball bat andthump this irrepressibly cheery oldcrone? Fri May 24 at 7, 9 and 11.Doc. $ 2.50 -PRBlade Runner (Scott, 1982) I admit thatI enjoyed watching this movie agreat deal, but when push comes to shove, I cannot in all honesty sayanything good about it. The careful¬ly detailed world created for thisfilm, and the whacky techno-funksets and atmosphere notwithstand¬ing, what immediately strikes oneabout Blade Runner is the alienationand coldness of this whole futuristicuniverse; some of it was no doubtplanned by Scott, but much of it sim¬ply serves to make us uncomfortablewithin the sheer scope of our sur¬roundings, and that is unpleasant.The story of a futuristic police officeron the search for several escapeegenetic slave-clones in futuristic LosAngeles—a tale of capitalism gonemad—suffers from an incoherentscreenplay (which was being rewrit¬ten at the same time it was beingfilmed), cardboard-cut-out charac¬ters, and bulkiness which no amountof special effects can save. Hencewhat we are eventually left with issuperficial fun at best—stuff that ispretty to look at, but hollow be¬neath. With Harrison Ford (in anawful haircut) as the police-man/Blade Runner, Sean Young as abeautiful “replicant,” and RutgerHauer as an ambiguous villain, thisfilm is fine entertainment, if only wecould turn the sound off. A doublebill with The Duellists. Sat May 25 at7 and 11:30. DOC. $2.50—PRThe Duellists (Scott, 1977) A soldier in the Napolenic Wars accidentally of¬fends one of his proud collegues andis repeatedly enjoined to fight him.The animosity lasts a long time in¬deed. Director Scott first put his tal¬ent for creating different universesand times to good use here, forminga lush, mellow-colored portrait ofNapoleonic time, a period both beau¬tiful and violent. Harvey Keitel, asthe soldier who initiates the duel,plays his role effectively as a sort ofwild animal, with these neat littlemilitary hair-braids flapping likeleaves in the wind; Keith Carridine,as Keitel’s opponent, a foppish sortof fellow, amazes and delights us.With Albert Finney and, my favor¬ite, Tom Conti, before he sadly be¬came the Dudley Moore of the newage. A welcome arid well-cast bal¬ance to the soulessness of Blade Run¬ner. Sat May 25 at 9:15. DOC .—PRThe Chronicle of Anna Magdalena Bach(Straub, 1967) An unusual cinematicexperience, to say the least; enter¬taining in some respects, and yet un¬satisfying in others. As a portrait ofcomposer Johann Sebastian Bach,told in a sort of documentary styleby his wife, the film tacks such neces¬sary fundamentals as character de¬velopment and emotional interac¬tion which make drama drama, butmore than makes up for them withthe music. As a concert piece, which Chronicles. . .is clearly meant to be,the music of Bach, played on periodinstruments by musicians in perioddress, is the main draw. Music loverswill like it well, but admirers ofdrama may very well be left highand dry. Inevitably, people willwant to compare this musical biogra¬phy with the boffo, middle brow,mucho bucko feature, Amadeus; thetwo could not be less similar— Chron¬icles. . .is for folks who are alreadyfamiliar with the tales of Bach’s life,who want to spend an evening withhis music, sans ties. Sun May 26, 8.DOC.— PRSwing High, Swing Low (Leisen, 1937)Fred MacMurray and Carole Lom¬bard. Fred has a beard, plays thetrumpet, and rises in the world, “fol¬low me boys. . ." Mon May 27 at 8.DOC. $2.Silver River (Walsh, 1948) Post CivilWar kookiness with Errol Flynn as abrave soldier with values, whoeventually sells out to big businessbecoming a silver mining entrepen-eur, and Ann Sheridan as the womanwho doesn’t like what she sees onebit. This is my personal favorite ofthe Flynn movies, because it is notmerely a forum for body-flexingswashbuckling, but rather an honestdramatic work utilizing, for achange, real acting in its attempt todeal with that stock theme of idea¬ listic betrayal. Tues May 28 at 8.DOC. $2.—PRSatan’s Brew (Fassbinder, 1976) “Adevilish mixture of absurdity, vul¬garity, recklessness, perversion,and perversity. “Hmm. . . somethingfor everybody from the kittens atDoc? Weds May 29 at 8. —PRKwaidan (Masaki Kobayashi, 1964)Considered one of the most beautifulof Japanese films, Kwaidan delvesinto the traditional life, filled withmythology, legends, and the spiritworld. Within this world, magic hasits own incontestable logic and theviewer is caught up in a remoteworld of ritual and formal beauty.Thurs May 30 at 8. InternationalHouse. $2 — BTLynda Martha Dance Company presentsthe premiere of guest artist RicardoMoyano's Air Bat. Fri May 24, SatMay 25, and Thur May 31 at 8. TheDance Center of Columbia College,4730 N Sheridan. 475-1770. $10;students $6New Dances 85: Shutflespinsplash Seearticle this issue. Saturday at 8,Mandel Hall, $1.1 * ' h HrP Jgfl W fm- Wk■. - : - - •; - ■ t * K ■ : ■ V ' - ,• (;fPJ;4;:/ - *4oa*\os4 0»°cers o'G\ot>soce ^\o\c4 (OP®A'i'S' VVv p®";0w"c 0«- _ea-00o'c 0^ r\a^c o<® , !* lPe nt 4®.^n- sP0S,0oe^c,ropO^s £ °'S>c,Y.e<'- v„ec'°' ° He;ece<"'lei tv®'®;<**>. M%&**%*$P°'0JSg P^s, ^ 0^°°t-)°,- p\ece ” PS*)L pe^° s, e*'9 vXxe ^ ^\\\ Pe , wo°o<'ie ®Too" «£ |\s®6<oe o'-4—FRIDAY, MAY 24. 1985—GREY CITY JOURNALGETA STUDENT LOAN/ROM CmCORP SWINGS ANDEARN SOME EXTRA CREDIT.Getting a student loan through Citicorp Savingsnow earns you a few “extras/’ Among them, a VISA cardwith a $300 credit line.There’s a checking account and an electronicbanking card for you, too. It’s all yours with our low-rateIllinois Guaranteed Student Loan.As an undergraduate, you can borrow up to $2,500per academic level. For graduate students, it’s $5,000.Use it to pay for tuition, books—even living expenses.More Than Just A Loan.A Citicorp Savings student loan is good for more Mail to: Citicorp Savings Student Loan Dept.. Box 4444. Chicago, 1L 60680Name.Mailing Address.City, StateZip Code.College.than just cash. With the VISA card, you’ll establish a goodcredit rating for the future.You’ll also have greater day-to-day spending powerunexpected bills pop up.The checking account will give youmore financial flexibility. With an openingdeposit of only $50, you’ll get full checkingprivileges, 50 free personalized checksand no first month service charge.With the electronic bankingcard, you can get cash 24 hours a day.Use it at over 460 electronic bankinglocations at Citicorp Sa vings offices,Jewel Food Stores and White Hen Pantries.Send Now For Your Free Loan Kit.Our student loan isn’t just better. It’s also easier toapply for with our free Student Loan Application Kit. Foryour kit, just send in the coupon below, call our StudentLoan Department at (312) 977-5810 or drop by one of our60 convenient offices statewide.So come to us for your student loan. We’ll give youthe cash you need. And the credit you deserve.CITICORPOSAVINGSMain Office: Dearborn and Madison, Chicago, 1-(312) 977-5000. And other convenient offices statewide. FSQC IeIC1985. CiUcorp Savings of Illinois, a Federal Savings and Loan Association. Member: Federal Home Loan Bank and Federal Savings and Loan Insurance Corporation. — L£*D€«THE WATEP ENGINEt>y DAVID MAMET =i GOODMAN THEATRESTUDENT SPECIALApril 26-June2Previews April 26- May 5Halt-price tickets forall Goodman SeriespreviewsHaltprice rush tic¬kets for all regularperformances(except Saturdayevenings) when youpurchase tickets 15minutes beforecurtain.One ticket per validstudent IDCALL443-3800Goodman Theatre200 S. Columbus DrGREY CITY JOURNAL—FRIDAY, MAY 24, 1986—5DOUBLE NICKELS ON THE MARGINby Franklin SoultsThe tiny room at the top of the stairs behind theCabaret Metro’s stage was full of young womenjabbering away with each other as me and twoother interviewers who had also found their wayback there jabbered away with D. Boone and MikeWatt of the Minutemen. My tape recorder was verydemocratic in recording these jabberings, so when Iplayed it back the next day, all I got was a con¬fused mess of voices. But that’s cool, because as Irationalize it, democracy is a key part of punk: whyfavor Mike Watt’s response to my question abouttheir recording technique over the girl in thecorner’s story to her friend about how drunk shewas last night when we all are equally important inthis world? It’s like the Minutemen say in theirsong “History Lesson (Part II):” “Our band could beyour life (names’ll be proof),” after which they telltheir story with their real names in place. The pointis that using their names instead of others keeps the story consistent, but that doesn’t make them itsstars;But, you might object, that isn’t true; it’s just anidealistic myth that sooner or later will fragment—and you’re probably right. Still, this myth of de¬mocracy and equality shapes the form in whichpunk plays itself out. In the show just before thisinterview, a couple dozen kids took turns climbingon stage, dancing with the band, then belly divingoff to show the solidarity and equality betweenband and audience, just as they do at every punkand hardcore concert in this country; and when oneof the arch-enemies representing closed powerstructures, a bouncer, tried to throw a kid out,about fifty punks jointly returned the favor to thebouncer to show inner-audience solidarity andequality, just as I saw happen at a Husker Du showlast fall.On record, the Minutemen concertized the myth’sform about as firmly as anyone could with last years Double Nickels On The Dime. The 46 song do¬uble album is filled with partially completed piecesthat are dependent on one another for their full re¬alization, yet together the songs don’t add up toany grand statement, they fold in on themselves tomake the record no more ambitious than any singleone of its shaky little tunes, an amazingly pluralis¬tic accomplishment even if it wasn’t intended. Andhow is the myth represented internal to its form?By fragments; ideas from the history of pop musicpiled in with discordant leads, jerky rhythms,somewhat tuneless melodies along with occasional¬ly very tuneful ones, all of it open sounding and un¬polished (though not exactly amatuerish)—hencethe myth is represented as pop history radicalizedwhile it is generalized and simplified. And what doyou call this salt-of-the-earch radicalization?“Punk,” says bassist/songwriter Mike Watt. Andfor him that does not mean hardcore. “We neverwrote our own songs until we heard punk. Me andDouble Nickels in the rear-view. D. Boone have been playing tog*12—we’re 27 now. I mean, wetend we’re into unity or youthfihave a lot of respect for kids whIt shows a lot of openness. Youhardcore is, and for them to cogig, I think it shows they’ve gotcore is real linear and one dimeiing to do with real things.”And connection with the realWatt cares about. From observistate after the show, not to merergy he puts into playing, it’s oa powerful high from being on -his band’s music, but he claimsbecause he doesn’t trust it—itwith real life. “I can see howdrugs and stuff, because it’s s<show a similiar concern; as even“My Heart and the Real Woitheir lyrics try to pin down ananalysis of what the real worlstands in relation to it. Their f*with it gives the group a slightlyodd when it’s coupled with theways they don’t seem to think \matters.They believe the effect of thetener is pretty minimal (though rexistent). They believe that thecentral tenet of the Reagan admmic to the American political ssays Watt, “it’s the Democrats \the wars in this century, notThey believe punk will always aimain an underground movementand other select bands current 1York Times and Rolling StoneWatt evinced a lot of distaste forit) being nothing more than a icurrent fashion. They believe, ;tarist/songwriter D. Boone saidDennis he told me as a matter iintroduced himself), “It’s like Petthe kids don’t come to our cormusic or lyrics, they come for theBut strangely enough, they semuch hint of cynicism. They beliposition as a matter of fact, notpunk attitude—and their ambitiby that belief. For example, thetheir records sound as if they’renext room (which are the exactson in his Voice review last falland he'd like to make them scright in your face,” he didn’t tquestion of getting more moneyjust of spending more time withproducer. Likewise, Boone treateibition of a double album as a oit cthat Husker Du came out withwith sort of a story to it, so wegot to do one too!” Hence the “t«Court Theatre and theUniversity of ChicagoSymphony Orchestra PresentThe Midwest Premiere ofEvery Good Boy—■——■■■i.i ii mi-iium \mmmmmDeserves Favour Musical Direction byBarbara SchubertDirected by Michael MaggioMay 31, 8:30pmCourt Theatre Benefit$20 - $100June 1, 8:00pm$12 - $15A Play for Actors and OrchestraBy Tom Stoppardand Andre Previn Special For Students!* Only $51Dress RehearsalMay 30, 8:00pmAt The University of ChicagoMandel Hall5706 S. University Ave.Call 753-4472or visit the box office at5535 S. Ellis Ave.Don’t Miss The Midwest Premiere!’Current I D. required6—FRIDAY, MAY 24, 1985—GREY CITY JOURNAL!g together since we weren, we’re not gonna pre-fouthfulness. You know, Iids who come to our gigs.s. You know how genericto come to a Minutemen'e got a lot of balls. Hard-1> dimensional; it has noth-3 real world is what MikeJbserving his pumped up[o mention seeing the en-it’s obvious that he gets9 on stage blasting away:|aims not to like that highit—it has nothing to doi how rock stars get onit's so fake.” His songs5 even the title of one like*1 World” demonstrates,Yn an abstract, disjointedil world is and how hedeir fear of losing touchightly stoic bent, which is•th the fact that in manythink what they do reallyof their lyrics on the lis-ough not completely non-*at the jingoism that’s ain administration is ende-tical system (“after all,”•crats who’ve declared alli not the Republicans”)./ays and must always ce¬rement—the Minutemen’sirrent favor with the NewStone (a magazine thatste for when he spoke ofan a matter of luck andieve, as lead singer/gui-; said (the D. stands forlatter of course when heike Pete Townshend said,>ur concerts to hear ourfor the noise.”hey said all this without3y believe in their limitedt, not just as a matter ofambitions are informedile, though Watt said allthey're coming from theexact words of Tom Car-st fall of Double Nickels)tem sound like “they'reidn't believe that was anoney or a bigger studio,e with a good but cheaptreated the seeming am-i a Dit of a joke. “We sawwith this double albumso we said, “God, we'vethe “take that, huskers!” y fivts ! £LVI$ » CAN you H£A(> * A YOON6 HfiLKILLE& HTRietF gacAUSC YOU HAP H£ft FOR A, NIUHTAND COL>£0a/'T RETURN HER Love f WHY DON'T YouHAV£ rutM WRITE A SCNtS A&ooT THAT * "Raymond Pettibone: Untitled, from Double Nickels OnThe Dime, 1985. Raymond Pettibone: Untitled from Tripping Corpse Raymond Pettibone: Untitled from Tripping CorpseFour, 1984 Four, 1984on the inside cover—“all part of a friendly rival¬ry.” Putting the whole thing together was morethan a matter of collecting 3 or 4 dozen songs, butthe “concept” of double nickles (two records, Iguess) on the dime (short songs on short notice) wasmore of a pun than a concept, and they played itout like one. Boone told me the phrase is a CB termfor “cop ahead; go fifty-five,” and hence the 55MPH roadsigns on the label, the engines startingup as each side opens and closes, the cars on thecover, the speedometer reading 55 on the frontphoto, even the eyes in the rear view mirror look¬ing back (two eyes — double nickels — looking backfor cops) etc., etc. D. Boone said one of his majorinfluences is Pete Townshend, but if that influencehas anything .to do with the band’s decision to puttogether a concept album, their reference pointwasn’t Townshend’s highly ambitious and complexdouble album rock operas Tommy and Quadrophen-ia, but the earlier tongue in cheek tribute to popradio, The Who Sell Out, where the basic idea isthat a concept should be as simple and entertainingas the idea of pop music itself.After seeing their rousing show and hearing them talk openly, plainly, and pretty much uncyni-cally about the state of the world, their music, andtheir lives, I was left with the feeling that theirfringe experimental identity isn’t the result of anyconscious attempt on their part to make their an¬omie and leftism into some kind of enigmatic punkavant-garde art, but of a natural continuum thatcomes from a former teenage, covers-only, partyband realizing their social marginality and decid¬ing it’s worth saying something about. It almost allmade sense when I heard Boone and Watt list theirinfluences and favorite bands—Creedence, Wire,Black Flag, X, James Blood Ulmer, Gang of Four,Pete Townshend—you can hear it all and see it allchopped up and stuck in their decisions about style,sound, song length, even stage manner. It makestheir music seem almost an inevitable function oftheir past.A few days after the show and interview I saw apunk band called the X-Men playing in Hutch Com¬mons at a mid-day FOTA concert. They soundedgreat to me; a Vibrators style punk and brimmingover with an intuitive knowledge of what chordsachieve what effects plus a cocky earnestness that mignt lead to some inspired songwriting. It waseasy to see that they still had that someday to lookforward to, and after the show I confirmed my be¬lief when the lead singer told me most of the bandwas still in high chool and they’d cut class to behere. This band from the Western suburbs of Chi¬cago, hated by most of their classmates, forbiddenfrom playing in their home town because of strictordinances governing parties and “noise pollu¬tion,” are the kind of people the Minutemen aretalking to in “History Lesson (Part II.)” They’llnever have a gold record or break out of the con¬fines of their marginality but, like Mike Watt kepttelling me, they don’t want to. D. Boone said that,“Our whole message is you don’t tell people whatto do; you can do whatever you want. You know-freedom.” Fighting to keep their values of equalityand freedom at the margins of society, to do whatthey want to, isn’t a radical idea—they probablylearned the basic notion outside punk—but makingthese ideals a reality through punk means that, forall those people who could be part of the story in“History Lesson,” that story doesn’t have to be alesson in failure.AN INTERVIEW WITH THE MINUTEMENEARN S300-S40G per week!!!Join America s largest cruise line operating on the MississippiRiver and East Coast Need hard working reliable individualsPositions available tor stewardesses deckhands, and galley hei;real opportunities to earn money anytime during the year— IMMEDIATE OPENINGS —r njoy traveling and Seeing the country while living on board ship— SHORT TERM EMPLOYMENT AVAILA8LE —all Now'',203-345-4507AmericanRUISE LINES INC35mmHADDAM, CONNECTICUT 06438 PomerleauCOMPUTING SYSTEMSSUPER DEALS(but there's a catch)KAYPRO 4 - 83 $990New from factoryOriginal softwareKAYRP01 $1066Graphics screen2 double-sided disksKaypro-10 mainboardPerfect WriterNewWord Software(like Wordstar, but better)So what's the catch? So ask!In Harper Court5211 S. HARPER AVE. • CHICAGO, IL 60615667-2075TOOLS FOR YOUR MIND...Prints and Slides from the same roilKodak MP film ... Eastman Kodak’s professional color motion picture film nowadapted for still use in 35mm cameras by Seattle FilmWorks. Its micro-fine grainand rich color saturation meet the exacting standards of the movie industry. Withwide exposure latitude, you don’t have to be a pro to get great everyday shots orcapture special effects. Shoot in low or bright light from 200 ASA up to 1200 ASA.Get prints or slides, or both, from the same roll. ® 1984 Seattle FilmWorksINTRODUCTORY OFFER□ Rush me two 20-exposurerolls of your leading KODAKMP film-Kodak 5247® (200ASA). Enclosed is $2.00. I’d liketo be able to get color pnnts orslides (or both) from the sameroll and experience the remark¬able versatility of this professionalquality film. NAMEADDRESSCITY STATE ZIPMail to: Seattle FilmWorks500 Third Avenue West, P.O. Box C- 34056Seattle, WA 98124Kodak 5247 a a rtgatertd trademark of the Eastman Kodak Company Limit of 2 roB» per customer The greatest thingfor feetsince beaches#grass andhot tubs1 i U£ Birkenstock® sandals.Another of life's simpleSyg* pleasures. They clingto every contour of yourfeet, giving you incredible comfort, cradle-support,freedom and stretch-room. 22 styles from $27 to $74.Step on it!The famous funny looking sandals from Germanym SHOE COUU1534 E. 55th St.HYDE PARK SHOPPING CTR • 667-9471Store Hours: Mon.-Fri. 9-6:30, Sat. 9-6:00GREY CITY JOURNAL—FRIDAY, MAY 24, 1985—7V’Tt’V Iff ■* f T1T T % M ' —t ■T VfTf V^fff TffT *Tn ” i rT %T*t TtM^T* rr t TitfT^ J* VJtyIt f a ^ f^T ir tffV ^ ttrTtrJ f *n Tr 1 tn * ^ r f Tf„i ni r; ^ *jir.V^n ,iiV m y£,T., T'rf.**.* *fI&5Sfp|Vffi5 S,y?;?: ivvf.****?!k&jwIS **> #•» ^vy,’a ^vl.• *1* fi.t ” T»i'frsis--•t r ff::f^* vV*TT> j»f f f- /r> ~ r*T :4kaB:.“v?*.-*.^•3#s!%li-./?tsit-:i.«i.**i(t^.-. v•I*-■*•.'•£?-:*'■•*■ ifcv'*'.^ijP*f: mf¥VJITHFKttyhVnmw <*va> 7p'2 7PfcKERO,^ -tHE<ON<ERT PWM *4 ~/p.<v>.A F<*.e-£ B.fe.Q Mv/T<H <oVfcTwith MO^K r> A IJ |/T~TT c rr (?/\irw< \ H * -*• 3i -J— J rvrMiV^ :5K)!0SC)feXD &\; th^ X, FT C-Hne. CONCERT Vs/ill KE ^vWe.oWt^oV-WieC.WELO irv MAWD6.L UM-Lr&l»»NV■^'CHETJWill && <riVE*/ aWAXipE.* U.C.I,D, 3TAfcT IN/<T AT 630(>wva8—FRIDAY, MAY 24, 1985—GREY CITY JOURNALMADONNA IN CONCERT:by Steven K. AmsterdamIt seems that this woman, a year afterthe success of “Borderline,” is approach¬ing or has past her prime, as an “enter¬tainer.” At most, she may be able tosqueeze out another album or so, but herpresent concert tour may be her last. Don’tget me wrong, “Into the Groove” is bothexcellent and awesome. I'm sure she's cap¬able of more Top 40 too. This woman canbe a lot of fun. Her videos are distilled fun.However, her concert last Saturday at theU.I.C. Pavillion was okay. Just okay, andit changed this groupie’s opinion.I think I've pinpointed her problem. It’snot the grubbiness of her pose or the irri¬tation of her virgin/slut dualism, it’s thecalculations behind them. This woman issimple. There, I think, is the rub. At theconcert she proved to be less of a sassypop star and more of a high school girl liv¬ing out rock’n’roll fantasy.The auditorium is filled with shoppingmall, imitation punks, each in improvised Lucky Star costume. Screens come downand there she is. She’s much smaller onstage than on screen and we have to be re¬minded where her mole is. There she is, ona white staircase, singing and boppingand promising to take off her psychedelicjacket. The woman behind me, who a fewminutes earlier had screamed at the Beas-tie Boys “You suck!” was now moaning“Oh, baby! You’re so hot!” I’m serious.(Later, she loudly confided in her friend. “Iexpected to see more weirdos here.” Oh,baby.)The music was fine, although it doesseem a little odd to watch someone per¬form dance music. Everything was basical¬ly unobjectionable and very danceabte.The lyrics do lack that slick angst thatWham! has cornered so well with“Careless Whisper,” but you can’t have everything.The main part of the show was veryplastic. I wasn’t that surprised, but thereseemed to be nothing holding up the plas¬tic. All of Madonna's grunts and squealswere right off the record. The whole thingcould have been done with lip-synch. Herdancing with two generic Solid Gold-typemen, was so jerky and choreograhed that Icouldn’t help feeling a little uncomfortablefor her. The campy bits of dialogue; “Iwant you to meet a close friend of mine...This is my box...,” “Will you marry me?"and so on, sounded as if they had beendragged along from Tampa, Atlanta, etc.Nothing was fresh. Her bumps and sugges¬tive squats all seemed pretty routine. Ma¬donna did not look like she was havingfun.The two songs that everyone was there.Do you want to see me down on myknees?Bending over backwards, no would yoube pleased?I’m not like the others, I’ll do anything.I’m not the same; I have no shame.“Burning Up”by Pablo ConradWhat bliss! What joy! And how sweetlyspread that secret glow of smug triumph.After the heady swirl of national mediaattention, and those three Top-10 songsand six weeks of vigorous critical debatein the campus arts pages, who cot-id beblamed for losing track of reality, forMissing The Point? But at the U.I.C. Pavil¬ion, long before Madonna took the state,those complicated issues of exploitationand that trafficking in human, commercialand artistic values lost ali urgency, with¬ered. Pressed in among the believers inthat south Loop basketball palace, theReal Picture became wonderfully, abun¬dantly clear.Madonna is the artist, a vehicle per¬haps, but her product is pure pop, teen-aged and essential, rock and roll whetheryou like it or not. She sings, she dances,she flirts and poses for the crowd, but Ma¬donna’s achievement extends well beyondthe thrust triangle of her arena stage. Towitness it fully is to partake in it, and forone brief evening to revel in the utter col¬lapse of critical norms and standards thather art commands. The giddy surrender ofaesthetic responsibility at fifteen dollarsa seat.Here’s how. Communion means sharingand sharing begins well before the lightsgo down. Most of us are female, some ofus are male, almost all of us are young.(Some of us are younger than others.) Ofcourse, several thousand girls in the arenaare sharing one motley image; of coursethe out-and-out cloning runs from themerely grotesque to the transcendencylovely. But few here are concerned withoriginality. All tarted-up for the one bignight, gangs of Chicago girls stream intothe Pavilion, form ranks at the T-shirt andposter concession, at the door to the girls'restroom, and disperse into the arenaseats. We are Madonna.Cruising, posing, flirting ferociously.Certainly no different than at a half-dozenPavilion pop concerts of the past year, butnever so distilled, so exquisitely perfect.The Beastie Boys opening set is rough andIncongruous in Chicago. Sitting and wait¬ing is boring; instead, your reviewermoves restlessly through the crowd. Upand down arena steps, along both sides ofthe Pavilion's seething main floor, it's one to see performed, “Like A Virgin,” and“Material Girl,” were done as encores. Ofcourse, they were the best part of theshow. The dancing she does in the Virginwedding dress is almost funny. It shouldhave been in the video. Then she goes andrennounces her capitalism with “MaterialGirl.” After singing the yuppie jog-bra an¬them, she throws down her jewels and herfurs to prove to us that she is just a littlegirl (5’4") singing a song. And for the Hum¬bert Humberts in the audience we hear herpleading backstage to her “daddy,” thatshe wants to stay. Oh, baoy, the show’sover.Last week’s People paints a picture ofsuave rock star, chock-full of image. Shedoes her own sound checks and complainsif things aren't just right. People has beenwrong before. Of course she should do hersound checks. That doesn’t make herChrissy Hynde. And image, I think herimage is as thin as her underwear. It cer¬tainly can’t hold up too much longer (herimage). Furthermore, they didn’t reportthat the “man-smasher” and Sean Pennare on the rocks. Some people neverlearn.Last Friday’s Rock on Chicago featured atotally cool retrospective of Madonna'svideos. The only visible change over thepast year has been the rising cost of hersets. She still writhes and slinks withDavid Lee Roth sexuality. Success has nei¬ther changed nor educated her. The hourof video was as stimulating to me as theconcert.fn concert we are too close and we areforced to see through her Little Miss RockStar make-up. So what do we have? Thisno-talent bimbo has been able to makedance music which is pleasing and innocu¬ous (unless you read too deeply). It’s themusic that counts anyway, right? Nottoday with modern technology et a). Aslong as her producers and writers continueto tolerate her and she stays in the record¬ing studios and the movie studios. Madon¬na’s belly button will be climbing thecharts. Those of us who choose to, will beable to dance to her music until either sheor her career dies of over-exposure. She’spretty close, though.Since last Saturday, it has become clearto me that what keeps Madonna going isnot any comic sense of business, but em-barassing ambition. Ah. what a fool I wasto belive in her.OR TEENAGE DREAM?vast high school dance: eyes meet, dartaway, bodies press on bodies anonymous¬ly — all strained nonchalance and coy self-consciousness. These black jeans are vi¬ciously tight. The mirror says this hair cango no further. Gina and Debbi say, “Yourhair is great.” Your reviewer puffs.For this crowd anyway, Beastie Boysare beside the point: during and aftertheir set the parade continues, to and fromseats, in and out of the throqged restroom,jamming up tight at a critical intersection.For this crowd, Madonna herself is almostbeside the point. Perhaps that’s why theclimax comes too quickly: somewhere be¬tween the moment she hits the stage andthe musical high point of her newest single“Into the Groove.”Any merely competent set would beenough. Madonna’s opening song is fromthe Like A Virgi) Ip, it’s called “Dress YouUp In My Love.” Don’t look around at theaudience, don’t think about it. The band ishot, but thoroughly in the background,powered by an astonishing live drummerstripped naked to the waist, and a trio ofkeyboard players, each with his stack ofobligatory Yamaha DX-7 synthesizers.Madonna’s backing singers are a matchedpair of handsome young men, deftly shad¬owing her vocal and dance leads. You’ve already heard about the garishclothes, of course, but it s that color, herthin joyful voice, and some glorious inter¬mediate jazz-class choreography that sus¬tains the first part of the set. Madonnamoves quickly through her half-dozen hits,with a couple of costume changes and somewhacked-out sexual innuendo directed ather suitcase-sized portable radio ("mybox”) and later, at her guitar player. Thewell-rehearsed encore of “Like a Virgin”with its vamp on “Billie Jean” and theclosing “Material Girl” are cooly effec¬tive, nothing more. I liked the band comingon in white. Madonna looked better earli¬er. in her east of lower Broadway brico-lage.The Point? The point was being in thesame room with her, (she was every¬where) rocking and dancing past the Pa¬vilion ushers at some high-pitched momentwhen she jumps, shakes her head and half¬shouts “Now I know you’re mine.” Thepoint is an excitement and joyous releaseof tension when Madonna and her fanscollapse the gap between participant andobserver, when she shares out her phe¬nomenon for all its worth — like the bund¬les of fake Andy Jacksons and U S. Grantsshe tossed from the lip of the stage during“Material Girl.” No critic’s sneer can touch this mo',v u.k\n> hey sneer? Why the hastto dethrone, defrock, and de-mystify, wita battery of incisive political critiques anfrankly unflattering concert pix? Perhapbecause in her own merry way Madonnrepresents everything we find disturbinabout art-making and performance in thhigh-tech market place of advanced captalism, where canny career-strategy anaggressive marketing achieve the sameffect as our politically correct fantasy cspontaneity — that Springsteenian plungeinto gee-whiz social commentary.Madonna's supreme authenticity proceeds directly from the same source as oupained disbelief, our MTV-recoil. Recognizing Madonna has to do finally with retinquishing the self-flattering separatioibetween artistic integrity and crass commercial tactic. This is true arena rock in aits nervous adolescent glory, fraught willcontradition, playing the assets for a;they’re worth. In the basketball coliseumof America, if you need maturity and wisdom, go to Tina Turner. If you want sheemusical genfus, go to Teena Marie. If yoiwant to leave your seat for the gidd:transports of teen pop excitement, don’opt for responsibility. Buy Madonna ticketsLtHtY UiY JUUHNAL—FRIDAY. MAY 24. 1&S5—-»OOOOOOOOOOOO^' UOvvsvt/wwwo u o o o o ooooooooooooooooooooooooooooooooBy Jonathon KatzGenerally speaking, MFA (Master ofFine Arts) shows are rather inauspiciousaffairs, a kind of forced and artificialsumma to a career not yet really evenbegun. Unnoticed by the ‘art world’, theyare attended by family and friends, a kindof public reward for some intensely per¬sonal progress. And it is that sense of per¬sonal progress which is at once the defini¬tional characteristic and fatal flaw of mostMFA shows. They betray a sense of self¬absorption, a kind of internal dialogue ob¬sessed with process and the medium to theexclusion of the final result. That’s not bad— these are after all student works — butit can give the art an adolescent tone, ei¬ther through indulgent expressiveness oran undigested quoting of influences. In ei¬ther case, the final work stands as no morethan an archaeological record, a recapitu¬lation of the developmental process.Not so with John Dunn's MFA show ondisplay through Sunday at Midway Studi¬os. These are the full-blown works of anaccomplished painter. While they are fullof personal process and discovery, theynever read like a student’s diary. Theyare not notations.No two paintings in the show are similar,yet they clearly reveal their common pa¬trimony and concerns. All the works sharea deep involvement with paint textureand character, their heavily worked sur¬faces are rich in nuances of color and form.Images emerge out of a fluid ground, asmuch through texture as through the moretraditional means of color and form. Thisground comes to seem a kind of primord-dial flux out of which images surface, areseized upon by the artist, developed orforgotten. Thus process and discovery arenever far below the surface, but they arebelow the surface. We see the product, notthe notes.This search and recover technique is theclosest Dunn gets to traditional notions ofdrawing. And if in its overtones of roman¬tic struggle, of the artist as hero in mortalcombat with the medium and blank OOOOQQQOQOOOOOOOOOOOOOOOOOOOOOOOOooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooOOOOOOOOOOOOOOOOOOOOOOOOQOOOOOOOOO Q O Q o ^ OG oc o 0o o > •> I o ■ I •• Bmi&C W •’ 10 0 # U Ifoo000000000000000000000000000000000000000000000000000000000000000000canvas, it comes to seem outdated and un¬chic, even a little embarrassing, it is notunselfconsciously so. This Abstract-Ex¬pressionist notion of the canvas as thearena for struggle, a la Jackson Pollock,where imagery is as much found as made,is integral to Dunn's very personal icono- ooooooooooooooooooooooooooooOOOOOOOOOOOOOOOOQOOOOOOOOOOOooooooooooooooooooooooooooooooooooooooooooooooooooooooooO O QO O O “°| 0 0 a. H a, ,00 00 00 0000000000 000 - - - -oooooooooooooooooooooooooooography. And it is a refreshing change fromthe now dry academicisms of Chicago Ima-gism and the ill-winds of commercial hypeand calculated saleability blowing in fromNew York.The paintings are neither representa¬tional nor abstract, but something of both.o o o oO O o o0 0 0 00 0 0 0IT'S THAT WIGGED OUT IMPORTANTPSYCHEDELIC FOTO BRUNCHSKI TIME!YOUR CAKE HAS FROSTING! One is entitled Miasma and that word isperhaps the best metaphor for all theseworks. There is a shifting, organic qualityto the imagery, which renders the recog¬nizable problematic and permits open-ended readings. Sexual imagery takes aprominent role in two paintings in particu¬lar; the large scrotal forms of the aptlynamed Scrota hangs heavily from thecanvas, and in Shore myth, phallic imag¬ery abounds. But these are not paintingsabout sexuality of any stripe, nor varia¬tions, either mythic or formal, upon geni¬talia, as in so much so-called sexual imag¬ery, but rather the appropriation of thesexual within a larger context. That is notto say that these paintings are in any waynarrative; they are rather iconic, layeredwith multiple associations beyond thepurely formal, yet not slipping into storytelling.The two most recent works, the afore¬mentioned Shore myth and the slightlyearlier Seem, embody in a sense two polesof Dunn’s art. Seem seems vaguely evoca¬tive of much of the work of the-recent past,as it orients itself within the tradition ofcolor-field painting. Shore myth is muchmore painterly, ordering depths throughthe use of recognizable imagery. Seem isflat and lyrical, an excursion into the pos¬sibilities of color. Shore myth is moreclearly organized around the traditionalseparation of the figure from the ground.The two paintings thus recapitulate agrowing tendency in modern painting, themovement away from modernism's preoc¬cupation with flatness towards the exploi¬tation of the painterly possibilities withinthe creation of space. And here Dunn’slove of the surface comes to the fore, forthe power of these works comes from thetension and play between the richly sug¬gestive three-dimensional depths and theequally richly developed possibilities ofthe surface. But in his hands these worksare far more than simple formalist essaysin the figure/ground distinction, or studentinvestigations into surface and depth:they are extensions of possibility andpromise.my addiction is harmful for reasons otherthan distracting me from potential mug¬gers and other sundry dangers; or, if itscurable. «The walkman seems to be not a fad, asmuch as another manifestation of a grow¬ing up already overtechnologized. It maynot cultivate a techno-habit as much as itcrystallizes a desire (to be Mary Richardsor Peter Brady, I can’t decide which) al¬ready engrained in my system. I can takethe batteries out of the walkman, but Ican’t take the walkman out of the boy.My discomfort returns ultimately to theproblem of Oliver on the bench. It’s thatwell-known, if embarassing, scene at theconclusion of the movie Love Story: afterJenny dies, we watch Oliver traipsethrough a bleak winter-gray park and siton a bench, and then the scene sticks;that’s all we’re left with; that, and an out¬pouring of violins ascending and descend¬ing scales of tumultuous grief. The momentis the epitome of grief: sitting alone in acold gray park after the death of a lovedone — with violins screaming in the back¬ground. The image and the music are fine,as long as Oliver and everyone watchingOliver are separate entities. The music isjust another aesthetic element to clue usinto how the poor man feels.The problem comes when people like mesit on park benches on gray winter daysand the scene sticks, leaving me, notempty or confused, but listening to the vio¬lent outpouring of my walkman. By impos¬ing music on this situation, I’m left, notwith my own feelings, ugly as they some¬times are, but an aesthetic moment, amovie clip. The soundtrack doesn’t crystal¬lize, but rather funnels those feelings intoan aesthetic convention that is pretty tolook at and ultimately distracting. It’s adangerous fragmentation of the most fun¬damental force that connects us to our¬selves and others: our gut emotional re¬sponses. However culturally conditioned,they attune us to our own integrity as feel¬ing human beings. They are the only thingin the end that preserves our sense of au¬tonomy. In the face of increasing bureau¬cracy, the general depersonalizationgrowing in our culture, the walkman is yetanother culprit of technology which, by en¬couraging us to funnel our emotions into li¬mited aesthetic forms, and watch them asoutsiders, robs us of our most immediateconnection to reality.by Wayne ScottA small, black box attached to his hip,black wires snaking up his body, and foamearphones cupped about his ears, he (andmany others like him) passed me oftenduring the day. Until I purchased my ownwalkman, I disapproved of him. He signi¬fied the ultimate offense of technology,the replacement of the sound sensations ofhis natural environment with a battery-operated soundtrack; an embodiment ofthe TV culture, confronted with a seem¬ingly unstimulating circumstance, resort¬ing to background music.Now it’s got me (or perhaps it’s alwayshad me). Originally I promised myself thatI needed my walkman for jogging alone,as a distraction from my own panting. Thesense of rhythm helped me along. Istopped jogging with friends because ofguilt, believing they must be insulted thatI left only one ear uncovered for them,while the other absorbed the Pointer Sis¬ters. But no jogging companion could com¬pete with the goading rhythms and pant-ing-less input of the radio station. When achoice had to be made, the box won out.Gradually my temperance began to re¬lent, and I wore the box around the house.It made doing dishes, typing papers, vacu¬uming and doing laundry less tedious.Rhythm gave me energy for boring every¬day tasks that, before, had been a drainon my adolescent system (ever seekingstimulation). These were the scenes thatcould not be cut from my day and, like adirector who doesn't want to spoil hismovie’s sense of realism and doesn’t wantto bore his audience, I opted for the sound¬track.And then my addiction became clear,that one long hard day that culminated inthe prospect of a five block walk to re¬trieve a book from somone. My principlesabandoned, I clipped the walkman to mybelt and listened to a sad Judy Collinssong as I walked to my destination. Noth¬ing could have been better, it seemed.Here I was, overworked and overtired,trudging along the dim streets of a crime-ridden neighborhood late at night to pickup a book that had to be read by the nextday. Without music, my building miserywould have been meaningless. A formlessirritation. A free-floating frustration inany student’s routine. But that song trans¬formed and valorized the feeling: it sepa¬rated me from the scene I was creating. I had anesthetized my pain for my own au¬dience, becoming both actor and audiencein a movie about myself.It had its limitations. My sense of realityconfined by the foam of the earphones, Ifailed to notice other elements impingingon the scene; like cars honking and mov¬ ing, strangers shuffling behind men andfriends yelling at the full expansion oftheir lungs to get my ungettable atten¬tion. Realizing this, I’ve considered wean¬ing myself from my walkman (and evenleaving one ear uncovered); but it’s hard,especially because I haven’t decided thatrrs AT A VERY SPECIAL PLACE!BRNG YOUR FAVORITE DISGUISE ORFUN FOTO PROP SUNDAY IT'S LIKE12305238 KENWOOD APT 3John Stephen's answer, in 1968, to irate bosses and nagging headmasters — men's wigfor evening and weekend wear. John Stephen is pictured here with his own hair (topeft), and three wigs (Mike McGrath)o o o0 0 00 0 0o o o0 0 00 0 0o o oo o o0 0 0o o o0 0 0iL&JL o o o o o oOOP 0 «oHo0 0 0 0OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOQQQOQOOOOooooooooooooooooooooooooooooooooooooooodOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOQOOOOOOOOOOOOOOOOOOOOOOOOQOOOOOOOOOOOOOOOUOOOOOO wwwvwwwwwwwouoooOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO00 00 00000000 00 0000060000 00 00 0 0 00 0000000000 00 0 0 000000 0000000000000000 00 0 0 0000 000000 00 000000 0000 00 000000 0 0 0 0 000 0 0P P 0 Q 0 P 0 0,9 agQpqoOppOOOOCOOOOOOOOOOQ 0 00000000000000000 O O O O OP gOOOOOOOOOOOOOOOOOOOOOOOOOgO<>0«?OOOOQOOt,QoQonanan„„^^„ OOOOOOOOOOOOOOOOOOOOOOOOooooooooooooooooooooooooooooooooooooooooooooOOOOOOOOOOOOoooooooooooo10—FRIDAY, MAY 24, 1985—GREY CITY JOURNALDISKETTE PRICINGVERIFLEX514"SS M600 BXVERIFLEX514” DS H900 BXDYSAN 514" SS ‘2395 BXDYSAN 5 Vi" DS ‘2890 BXIBM 514" SS ‘2500 BXIBM 514" DS *3200 BXMAXELL 314" *339S BXDYSAN 314 " ‘3695 BXSATURDAY, JUNE 1, ONLYADDITIONAL 10% OFF ON ALLDISKETTES AND RIBBONSUniversity of Chicago BookstoreOffice Machine Department970 E. 58th St., 2nd FI.962-3400 SPECIAL IKSCOUNTSUiSfUDDflSANDFftCUUYJust present your University of Chicago identification card.As students or faculty members you are entitled to specialmoney-saving DISCOUNTS on Chevrolet and Volkswagenparts, accessories and any new or used automobile you buyfrom Ruby Chevrolet/VolkswagenQKNXBAL MOTORS PASTS UVBIONK!:IMBARK LIQUORS 8 WINE SHOPPE SAl£ ends 5/27/851214 East 5Jrd Street • In Kimbark Plaza * 493-3355I1‘UOKIi ON ANY CAR PURCHASEDTHRU 6/30/85With This Coupon. Offer Expires 6/30/85'OM RUSTY JONESRUSTPROOFINGORCHAMPMANHOOD LOCK7234 STONY ISLAND2 Miles-5 Minutes AwayFrom The UniversityRHEINGOLD24 12 oz.CANSWARMONLY $6°°6-7 oz.No Ret.BthWARMONLY SIGNATURE$ j 50 BUDWEISER6-12 oz.CANS $| 996-12 oz.No Ret.Btfs.WARMONLY BECK’S3/$|0« COOR’S24-12 oz.CANSLOOSEWARMONLYCANEI 750 mlCARLOROSSI 4 ltSUMMITWINE IN A BOX4 LITERKORBEL750 ml.$6” 3 /<T5Q R,UN,TEV*/59 CUTE$399 187 ml.INGLENOOK1.5 LT. OLD MILWAUKEE24-12 oz.CANSWARMONLY4 /$2’93/$g99ALL$599 WINE(GENERICS ONLY! COOLERS 4 PK.SPARKLING WINECOOK’S750 ml.3/* 10” 7*10DOMAINECHANDONT5"■■r ' 684-0400CHEVROLET/VOLKSWAGENMONDAYSSHAMPOO/BLOW DRY*10«o; 7*WITH DESIGNATEDDESIGNERS: LONG ORELAXED HAIR IS EXTRA750 ml.$8»9SPIRITSJACKDANIELS $799750 mlCROWN * . - A/>ROYAL $]]99750 mlCLUBCOCKTAILS750 ml. 3/$10TANQUERAYGIN750 ml $399BACARDIRUM $9.99- 1.501.75 IT $849 SMIRNOFF _ $999VODKA $w1.75 LT. * IGORDONGIN1.75 LT $399RICKALOFFVODKA $A991.75 LT.MARTELL * _COGNAC $ ] Q99750 mlGRANT’SSCOTCH1 75 IT $13.99- 5.00$899CANFIELD’SSODA* * 'Al/AAXOAVkT, W( icvcrvc »o htmf quutiiihrt Acorrect printing errors All SALES iTfMS NOT ICEDAKon ,-Tbuft. fn , Sat 8am ?om Noo*M«dn>qhf'.V/.V •Ct4»4 Vifcf, Md—i dhprfr* 4 TUESDAY IS MEN’S DAYALL MEN’S CUTS ARE s10°°CALI FOR AN APPOINTMENT TODAY!Thehair performers1621 E. 55th St.Chicago, IL 60615241-7778Now you can tan without the sun ...at your nearby Wolff SystemTanning Center.•Tan without painful sunburns.•Tan in spite of the weather.•Keep your tan all year long.For a great tan year-round, insist on a Wolff Systemand get a fast, dark, natural tan.GREY CITY JOURNAL—FRIDAY, MAY 24, 19S5—11PHOTOS BY ZLATKO BAT1STICHProtesters chanting Divest Now!RALLY NOTESWednesday’s rally brought atten¬tion to a new group here on campus.The Ad Hoc Committee for a FreeSouth Africa. Apartheid (the South'African system of racism through eco¬nomic and political opression) is notnew, however; nor is this the firsttime that this campus has voiced awidespread support for divestmentof the University’s assets in SouthAfrica. As one of the speakers at therally related, earlier movements fordivestment failed because theyreached a standstill in productive dia¬logue with the administration.We are all aware of Hanna Gray’srepeated refusals to debate divest¬ment publicly or make anything morethan the most cursory explanation ofthe University’s policies concerningsocially responsible investment. TheAd Hoc Committee hopes that at thistime, when national attention is fo¬cused on South Africa and particular-'v on student movements for divest¬ment (i.e. at Columbia, Cornell,Berkeley, Dartmouth) a student movement here would create appreci¬ably greater pressure on the Admin¬istration than in previous years.The rally, which was the first large-scale effort by this fledgling group,drew an estimated 400-500 people.At Northwestern, a campus long con¬sidered even more complacent thanthis one, a divestment movement israpidly gaining support and nationalattention; 19 students were arrestedlast week and 27 this week for pro¬testing in the administration build¬ing. This should be a signal to us thata divestment movement could be ef¬fective, and will certainly increaseeveryone’s level of awareness on thisvery pertinent issue.For the last five years or so, wehave been told countless times thatstudents today are apathetic andselfish. I believe that this phenome¬non has been grossly exaggerated bypeople who would be quite happy andcomfortable if they felt that theydidn’t have to worry about studentactivism anymore. Let’s hope thatWednesday’s rally showed those peo¬ple that they do have something toworry about— we will be heard!—Stephanie Bacon Speaker Robert StarkProtesters debate the logistics of divestment12—FRIDAY, MAY 24, 1985—GREY CITY JOURNALSHNNMNNNMttaNI 211The Chicago Maroon—Friday, May 24, 1985SIGN UP NOW!For TemporarySummer JobsALL OFFICE SKILLSTop Pay - BonusesCall Today!LoopAurora STIVERSTemporary Personnel332-5210 Ford City851-9330 HorlomAvo. 581-3813622-4544Brighton Parle 927-5028 Oak Brook 654-0310Qwwrfwld 480-7212 Patwrson Av». 478-4662DatPlainai 635-7080 Randhurst 392-1920Evanston 475-3500 Schaumburg 882-8061m1 QHc i Presented byLAMB ROAST • ROAST LANS • LAMB ROASTThe Center for Middle Eastern StudiesofThe University of ChicagoWithROSALINDE & the DALLAL DANCERSSATURDAY. MAY 25, 3:30 P.tn.g^THE LIBRARY, IDA NOYES HALL'e^3 ; f3HAS THE WORLDGONE AfADIP THESE DAYSANYONECAN GET ONA SHIRT!IVE HAD ITWifHCRASSCOMMERCIALISM! EXCEPT, OF COURSE,k WHEN ITS DOMETASTEFULLY!o ooOTHE BLOOM COUNTY COLLECTIONIS, ABOVE ALL ELSE, TASTEFULT-SHIRTS, BOOKS & STUFFED OPUS DOLLS.ORDER TODAY! <THIS ORDER BROUGHT TO YOU BY:The Chicago MaroonCUP AND SEND WITH ORDERHost mdiatt utr tnd quintfjrWW cam pdf xrm pnmd1 Penguin Lust lee Shtrt (creamy buff)2 Penguin lutt Jersey (white body/black sleeves)5. Bloom County lee Shirt (creamy beige)4 Bloom County Jersey (white body/black sleeves)5 loose lails book6 Toons (or our Times bookI Small Stuffed Opus Doll8 large Stuffed Opus Doll9 Bill the Cat lee Shirt (silver)10 Opus lee Shirt (silver)II Don't Blame rte ..lee Shirt (black)Mail to:Opus/Univ. Chgo5446 Highway 290 WestSuite 301Austin, Texas 78735Vtsa/HCPhone Orders IffHcomeSI2.'W2-48?0 S□□n□□□□□D□□ M□□n□ Lo□□□ XL□□□□□□□ □□□ a□n puke9.9511.959.9511.955.9569510.0018.009.95 TOTAL995995Plus JliO per item for postage and handlingGrand TotalHameAddressCity/Sute/ZipAllow 44 web lor delivery k W" ’ >' ' ' ' ' •' ' %*tVs' VM ss ' ■ ' s' s s-some friends?some food?\) and barbecue to findout about khe 1985-86Maroon■x 01 1Monday May 27Ida Noyes CourtyaThe 1985-86 Maroon - be part of iReZDLND ’ ,/INSTANTAUDIOCASSETTECOPYINGSYSTEMFASTCOPY A 1 HOUR CASSETTEIN LESS THAN 4 MINUTESINEXPENSIVE30. 60. 90. 120 MINUTEHIGH QUALITY CASSETTESAVAILABLEMIHRUR PERFECTMONAURAL REPRODUCTIONQoM^rks -THE COPY CENTER IN HARPER COURT5210 S HARPER AVE288-COPY Parent Co-op PreschooliAT Si BUMJUA1H J is 15731 Blackstone(donations call 684-6363)22 news———— The Chicago Maroon—Friday, May 24, 1985KENNEDY, RYAN, MONIGAL A ASSOC.5506 South L*fc« ParkOO / *vvOv*** FEATURE OF THE WEEK ***DORCHESTER HEAR 58TH STREETVictorian brick duplex in move-in condition. Ten rooms including adouble parlour with inlaid bordered parquet floors and a woodbur¬ning fireplace and a super eat-in kitchen which overlooks a cedardeck and backyard. On the second floor are four bedrooms, bathand laundry. The third floor has two more bedrooms and a fullbath. A wonderful home. $245,000. Eleanor Coe.ON CAMPUS APARTMENTS FOR EVERYONE57th and KenwoodBeautiful two-bedrom, two bath condo in excellent condition. The third bedroom isnow part of a lovely eat-in kitchen. Stripped woodwork. Woodburning fireplace.Moderate assessment. Building has a workshop for the use of the owners, backyardand "tot lot". $72,000. Marie Wester, (res. 947-0557)59th near HarperOne-bedroom co-op. Low price, low assessment. Perfect for single working or study¬ing on campus. In good condition. Ready to move in. Reduced to $19,900. Mi miAsbury.Blackstone near 59thOne bedroom condo in quiet, academic building. Kitchen nicely remodelled - but¬cher block formica counters, new wood cabinets, stainless steel sink. Formal diningroom. $38,800. Marie Wester (947-0557).57th and BlackstoneCharming three-bedroom condo with woodburning fireplace and lots of naturalwoodwork. Formal dining room with oak panelling. Unusual study or "music room"off the living room. Front balcony, private back porch. Laundry in the apartment.$69,500. CALENDARHyde Park HappeningsMay 25: The Center for Middle EasternStudies will host a lamb roast in the Court¬yard of Ida Noyes and the Library. Feastingwill begin at 3:30 pm. The cost is $3.50 perperson. Children under 12 are free. Youmust bring a dish such as salad, vegetableor dessert. Reservations are required.May 25: Hillel House will have an all nightTorah Study Session in Bible, Midrash, Tal¬mud, Musticism, Philosophy and Litera¬ture. Beginning at 11:00 pm and continuinguntil sunrise. Refreshments available fol¬lowing at 4:45 Orthodox and ConservativeServices on Sunday morning. At HillelHouse 5715 S. Woodlawn 752-1127May 25: Scout Pancake Day will be pre¬sented by Boy Scout Troop 512, 9 am to 1 pmat the United Church of Hyde Park at 53idand Blackstone. All you can eat pancakes,sausage and beverages will be served.Prices are $3 for adults and $1.50 for chil¬dren.May 17: All Chicago Post Office stationsand branches will be closed in observance ofMemorial Day. While there will be no regu¬lar mail delivery or window service, therewill be Special Delivery and Express MailService.Collections from street letter boxes willbe made in a holiday schedule. Customerswith questions can receive help by calling886-2200. Normal service will resume Tues¬day, May 28.Postal service customers can take care oftheir mailing needs at self-service postalcenters which operate 24 hours a day. Theseunits are loated at the Main Post Office, 433W. Van Buren Street and on the State StreetMall at the corners of State and Madisonand State and Van Buren.May 26: The South Side Community ArtCenter will hold its 20th Annual Art Auctionat Sauer’s restaurant, 311 East 23rd Street.The 20th anniversary will be one of thebiggest and best auctions ever. There willbe several paintings by Black masters ofthe past with works by Charles White andArchibald Motley. Contemporary artists included in the raf¬fle are Romare Bearden, Maragaret Bur¬roughs, Richard Hunt and Gordon Parks.The gala begins with brunch from 1:00 to2:30. The live auction starts at 3:00. Ticketsare $25, to include brunch, admission andfive raffle tickets. Tickets for admisson onlyare $10.00. Call 373-1026 for further informa¬tion.BAMMI IV (Bicycle Across the Magnifi¬cent Miles of Illinois), one of the nation’soutstanding cycling events, still has roomfor a handful of riders who want to have fun,enjoy first-rate cycling and camping vaca¬tion, and raise funds for Chicago Lung Asso¬ciation’s lung disease research programs.Registration for this 450-mile, seven-dayriding trek through scenic Illinois is openonly until July 15.Five hundred riders are to participate inBAMMI IV, a non-competitive cycling eventthat celebrates the beauty of Illinois duringthe seven-day journey. The ride begins Au¬gust 4 at Buckingham Fountain in Chicagoand ends in beautiful downstate Illinois Au¬gust 11. Return transportation is available.“This trip brings together a terrific groupof cyclists who enjoy the outdoors and rid¬ing in behalf of a great cause. We providecamping facilities, transportation for yourluggage, a fully-equipped medical supportteam, breakfast and dinner, and fun. fun,fun. Riders should be in intermediate condi¬tion in order to participate and have a greattime. We hope you will join the riders for re¬search,” said Roberta W. Seiwert, directorof special events, Chicago Lung Associa¬tion.For more information, call Chicago LungAssociation at 243-2000The University of Chicago’s Oral andMaxillofacial Surgery Outpatient Clinic isoffering substantial discounts for all Uni¬versity students (graduate and undergradu¬ate) to receive wisdom teeth extraction fora flat fee of $200. comparable to $350 to $600for the same procedure elsewhere. This costincludes all pre-operative and post-opera¬tive care, x-rays, and general anesthetic, ifdesired. When calling, please identify your¬self as a University of Chicago student. Attime of visit, must show photo identificationto be eligible for the discount. For more in¬formation, call 962-6811.Live inHyde Park's renovatedlakefront aristocratfor as little as$290 per month.An intricate terra-cotta relief sculpture of the Indian chiefTecumseh—just one of Del Prado's architectural nuances.Stepping through Del Prado's entryway takes youback to the subtle elegance of yesteryear. Intricatemouldings and ornate cornice-work highlights thisrecently revitalized landmark.Our high-ceilinged one-bedroom apartments arefully carpeted with functional floor plans,individually-controlled heating and air conditioningand modern kitchens that feature all-new appliancesand cabinetry.The Del Prado is perfectly situated to take advantageof the neighborhood's nearby parks (one right acrossthe street!) schools, beaches and shopping. And ac¬cess to the Loop is convenient with CTA, U of C shut¬tle, and 1C commuting at the corner.Prices start at only $290 for studios & $395 for 1bedrooms (student discounts available) making theDel Prado Chicago's truly affordable grande dame.Call or stop and see our models today._ . G^/lODel qpPrado Mon.-Thurs. — 11-7 Fri.-Sun. — 11-5Baird & WarnerHyde Park Blvd. at 53rd Street285-1855 Compare our Luxurious LakefrontRental Apartments with any otherbuilding in Hyde ParkCOMPARE OUR AMENITIES:•Health Spa with fitness center, whirlpool,sauna and exercise programs•European-style supermarket with competitivepricing on nationally advertised brands,featured on Channel 5 as reporter BarryBernson’s “favorite gourmet market”•Computer terminal access to University ofChicago’s mainframe•Nationally acclaimed 1 acre garden•Cable TV•Shuttle servide to the UniversityAND OUR RENTS. (Centra| heat and•Studios from *470 - *540•One bedroom from *545 - *645 •O'Hare limousine service at our door•Enclosed, heated parking•24 hour doorman, concierge, security andmaintenance•Valet dry cleaning and laundry facilities•Hospitality suite•Across from tennis courts, playground andbeaches•Bus and commuter trains within a block•Fabulous Lake Viewsair included):•Two bedrooms from *655 - $795•Three bedrooms from *830 - *955WE’RE A BIT ABOVE THE BEST AND AFFORDABLE5050 South Lake Shore Drive288-5050Model and rental office hours:11 A.M. to 7 P.M. weekdaysNoon to 5 P.M. Saturday and SundayLuxurious Rental Residences■by.The Clinton CompanyBLOOM COUNTYMembers of the Oriental Institute cantake advantage of several courses offeredthis summer. Two are:1) “Ancient Empires: Assyria andBabylonia”: Throughout the earlyfirst millennium the armies of As¬syria and Babylonia swept out toMesopotamia to conquer much ofwhat was then the civilized world,this course traces the history ofthat conquest and its impact on theancient Near Eastern world. IN¬STRUCTOR: Guillermo Algaze,doctoral candidate in Mesopota¬mian Archaelogy.2) “The Neolithic Revolution and theRise of Civilization in Mesopota¬mia”. The “invention” of agricul¬ture in the Near East some 10,000years ago started a true revolutionin the life of human kind by provid¬ing the basis for other “civilized”inventions such as writing and thegrowth of cities. This course exam¬ines the connection between theNeolithic food production revolu¬tion and the rise of civilization inthe Near East. INSTRUCTOR:Augusta McMahon, doctoral stu¬dent in Mesopotamian Archae¬logy.Both courses meet Saturdays, 10-noon,June 13-August 31, at the Oriental InstituteMuseum. FEES: $60/course for membersof the Institute; $85 for non-members (in¬cludes a $25 annual membership in the Ori¬ental Institute. For registration and infor¬mation, contact the Museum EducationOffice, 962-9507. HI, &K> BROTHER/WE'RE ON A30-MINUTEHUNGER STRIKE/ yall areACTING LIKEA BUNCH OF66BK6/ NO... WE’REGREEKS'-ANPWERE STRIKINGA BUM FORRACIAL HARMONYIN SOUTH AF~ MZt, yOURSORORITYPOESNTemwmBLACKS."Anp so. with spring in the airANP APARTHEIP ON THE MNP,THE AMERICAN MEAP0W TARTYCONWNEP FOR A SPECIAL TETE-A-TETE ON SOUTH AFRICA...rr'5-. once semap..the meetingC0MMENCEP WITH EMOTIONSRUNNING HIGH...mbotim ,umwwM!/ \ \IT IS TIME FOR MOREPIRECT ACTION / IHMEA SECRET PLAN / BUT FORSOME OF YOU OUT THEM,tT COUP MEAN ONLYONE THING ■ 23tThe Chicago Maroon—Friday, May 24, 1985by Berke BreathedItolUUN'H0LP IT,; URLS.. PAP AsmCONTRAPICWN 71116 //CITY.. *PLEASE WELCOME CHIEF PAN‘BROKEN FEATHER * WHO’LL BESPEAKING ON RACIAL SEGRE6A -1TON ANP F0RCEP RESETTLEMENTTHROUGHOUT AMERICAN HISTORY. OOPSf COLLECTIVEHOW GUILTTIME GOTTA MAKESFLIESf RUN/ MY\ v STOMACHAPARTMENTS AVAILABLEDear Students:The following is a list of our availableapartments. Our leases begin on June 15,1985 and terminate on June 14, 1986.These apartments range from two to fourbedrooms, renting from $380.00 to$750.00 per month. If you are interestedin an appointment to see an apartment orwish further information, please call us at288-2758.5654 South Drexel and 850-54 East 57th Street1515-21 East 54th Street5411-21 South Ellis Avenue5420 South Cornell Avenue5335-45 South Kimbark and 1304-08 East 54th Street5234-44 South Ingleside and 912-914 East 53rd Street5452-66 South Ellis and 949-57 East 54th Place838-40 East 57th Street5400-08 South Ingleside and 913-15 East 54th Street1509-17 East 57th Street 5707-09 South Harper1609 East 53rd StreetChicago, Illinois 60615K & G Building Management, Inc.24. The Chicago Maroon—Friday, May 24, 1985in your future!LIVE IN AN HISTORIC LANDMARKThoroughly renovated apartments offer the convenience ofcontemporary living space combined with all the best elementsof vintage design. Park and lakefront provide a natural settingfor affordable elegance with dramatic views.—All new kitchens and appliances —Community room—Wall to wall carpeting —Resident manager—Air conditioning —Round-the-clock security—Optional indoor or outdoor —Laundry facilities onparking each floor—Piccolo Mondo European gourmet food shop and cafeStudios, One, Two and Three Bedroom ApartmentsOne Bedroom from $545 - Two Bedroom from $755Rent includes heat, cooking gas, and master TV antennacall for information and appointment—S43-1406CfCMenmeifcme1(h2 East 56th Street^In Hyde Park, across the park fromThe Museum of Science and Industry'F.«.|iial 11< >uMnn Oi^'x 'minify Munaxt\l bv Meinipk\. Inc Textbook DepartmentUniversity of Chicago Bookstore970 E. 58th St.Textbook Orders forSummer & AutumnQuartersIf you are teaching next twoquarters, please send us yourorder ASAP. 962-7116Ht ApartmentThe Sack Realty Company, Inc. SllOppiIlCJ?,. Choice Hyde Park Locations!Chicago, rffinots 60615 7Students & Professors welcome. Immediate occupancy! For more information onany apartment listed below, call Mr. Collina, Sack Realty Co.684-8900OFF STREET PARKING, 5228 CornellOutside 30.00 MonthGarage 60.00 MonthCall Carl, Sack Realty, For Information5511 EverettOne bedroom, 4 room, stove, refrigerator, heat & hot water included in rent. To inspectcall Andy, 955-0482 or keys in office.5521 EverettOne bedroom, 31/2 room, stove, refrigerator, heat, hot water included in 400.00 rent. Toinspect call Mike 955-1450 or keys in office.5120 HarperStudio apts., stove, refrigerator, heat, hot water, cooking gas included. Rent 290.00. Toinspect call Mirko 288-4391 or keys in office.5218 CornellOne bedroom, stove, refrig., heat, hot water & cooking gas furnished. To inspect callAnnie 955-1716. Rent 390.005212 CornellStudio apts., stove, refrig., heat, hot water, cooking gas and electric included. Rentstarting at 280.00 month. To inspect call Annie 955-17165100 CornellOne bedroom apts., stove, refrig., heat, hot water, cooking gas & electric included. Rentstarting 370.00 per month. To inspect call Debbie 643-7986&/&&*&** The Third String Lewis and televisionIt has often been written that ne¬twork television controls the schedul¬ing of sports events, but now the ne¬tworks have overstepped their boundsand are actually affecting the athleticperformances. This is what happenedlast weekend as ABC attempted to cap¬ture Carl Lewis breaking Bob Bea¬mon’s long jump record at the UCLAInvitational.The networks often change the timesof games to convenience the viewers onthe east coast even if it inconveniencesthe fans attending the games. On morethan a few occasions west coast teamslike the L.A. Dodgers had to change7:30 starting times to 5:00 so theviewers in New York could see the en¬tire game and go to bed. It is not just acoincidence that the Lakers, Celticsand Sixers are the only teams that playon Sunday afternoons.Wait until next year when theKnicks, who played four Sundav games in ‘84-‘85, will show up on CBS’s gameof the week each and every Sunday.CBS got burned this year when theyneglected to force the Bulls to schedulesome Sunday games in order to giveMichael Jordan some national expo¬sure. Don’t expect the same mistake inhandling the newest Knick, PatrickEwing.The people who will get stuck by thisrescheduling will be the MadisonSquare Garden maintenance crew. TheRangers have the Garden reserved forSunday nights so the workers will haveto convert the Garden floor for hockeyon only a few hours, and this will prob¬ably have to be done every otherweek.A few weeks ago Carl Lewis pro¬mised that he would attempt to breakBeamon’s record at the UCLA invita¬tional. ABC, who covered the Olympicswhere Lewis took only two mediocrejumps, decided they wanted to be there sports 25The Chicag Maroon—Friday, May 24, 1985 _____when it happened. They arranged tocover all of Lewis’ attempts live.However, because of the Preaknessthe network only had one hour in whichto show the track meet. In a quirk offate, only four people had been enteredin the long jump conpetition. Thismeant less waiting time betweenjumps and assured ABC that Lewiswould be able to take all six attempts intheir allotted time.In 20 minutes Lewis had taken fourjumps and the rapid pace took its tollon him. In his fourth attempt Lewis ranthrough the pit and passed his last twojumps because of hamstring prob¬lems.Lewis had taken a lot of time prepar¬ing for this world record and ABCdisrupted everything by forcing him torush the event. It is ironic that ABCwanted to cover the record yet theyrushed him so much that a record-set¬ting performance was doubtful. Howcan they expect someone to run six full-speed 40 yard dashes with only a coupleof minutes rest in between and still break a world record.Lewis has gotten alot of bad cover¬age for not even trying to get the re¬cord in the Olympic games. This timehe tried his best and I felt he wouldhave done it if not for the network cov¬erage of the event. Hopefully he willnot be faulted for passing on the lasttwo jumps and the blame will fal on theproper party.Lewis again has promised he willbreak the record this year. The Euro¬pean summer meets will give him anopportunity to do so at his own pace.This may not be the last hears aboutnetworks affecting athletic perfor¬mances. ABC is covering the 1988 Sum¬mer Olympic Games in Seoul, SouthKorea and is attempting to change thescheduling of some events so they canbe shown live in the USA at reasonablehours. This would involve schedulingsome events for early hours in themorning in Seoul. With the big bucksthey are being paid for the event Iwouldn’t be surprised if the IOC ac¬quiesced to the demand.Portrait of the columnist., as a young man?As it must to all men, death camethis past week to Prescott Sullivan.Sullivan was a sportswriter and colum¬nist for 54 years in the San Francisconewspapers. He is probably mostfamous as being Neil Simon’s inspira¬tion for one of his two most-well-knowncharacters, Oscar Madison, or OscarMadisox to his friends. The real OscarMadison is dead, so this is a good timeto reflect on what the purpose of asports columnist is.What makes a writer a columnist is atheme. The leitmotif is the tool of thebeat writer and of the features writer,but a columnist must have a theme,and every word in his column must berelated to the exposition or develop¬ment of that theme.A sports theme must have some uni¬versal quality about it. This is not tosay that a columnist is supposed to tryto unlock the mysteries stuffed in thebosom of the universe, but he must at least solve the mysteries which con¬cern baseball or fan support or the roleof television in affecting athletic per¬formances. A sports theme cannot belimited to one particular person or per¬formance if he, she or it is not relatedto some larger trend within the sport,or even above the sport. Thereforewhen people complained to me that inApril I didn’t even mention D. Murphyonce, I didn’t respond, in my usualfashion, because what can you writeabout a guy who has a great month.Players have great months all thetime, big deal. Maybe there is some¬thing about the personality of playerswho have great months which distin¬guishes them from the rest of society.Probably not.There’s nothing universal about hav¬ing a great month of April, except thatwhen G. Nettles tied the April homerunrecord with 11 in ’74, he went on to hitonly 11 more homeruns for the re¬ mainder of the year. And, when R. Ceyset the rbi record for April, the recordwhich I believe Murphy broke or tied,he wound up the season setting a re¬cord for the lowest batting averageever compiled by a player to drive inover 100 runs. Now Murphy has hit onehomerun and has driven in five runsthrough the first three weeks of May. IfI wrote about this all three weeks ago.I’d stand vindicated even though peo¬ple would have charged me with doinga hatchet job on Murphy, after all, I’venever driven in 29 runs in one month.Nonetheless, some of the Murphy busi¬ness consituted a theme, so I ignoredit.A sports column succeeds when thereader says to himself you know, Inever thought of it that way: or, I’venever thought about that, but now I’llhave to; or, the stupid-ass got it allwrong. The sports columnist fails mis¬erable when someone reads his stuffand says, boy that was interesting, geelet me turn the page and see if thereare any experiments I can volunteer for this week.The explanation of the mundane isthe highest achievement of the sportscolumnists. Prognostication, outrage,lament, intentional wittiness are allsigns that the columnist is losing it.The easiest thing for a well read colum¬nist to do is write like himself ratherthan as himself. When a columnisttries to apply old themes to new sports,even though the finished product mightbe more literate and or witty, it is a de-finate sign that he has to go.And go he must. For a columnist isgiven his job because he is expected tolead readers where they may havenever been, or known they should be.before. And if he himself decides he’sbeen enough places, then, no matterhow sharp his wit, or how great his lit¬erary talent, he cannot consider him¬self to be a columnist, and he mustleave the high temple of the scribes, forhe has become a pharisee.So, please, be on guard, and drop usall cards and letters if you see us slip¬ping.M •/# ••••••••••••The“North Side”MAROONEXPRESSONE LAST FLING BEFORE FINALS?LET THE MAROON EXPRESSCRUISE YOU UP TO THE RUSHSTREET NIGHTLIFE......See “1918” and “Mickey and Nicky” at the Fine Arts Institute onMichigan. Have dinner at the downtown “Orlys,” “Bennigans,”“La Strada.”...carve your name into the wall at “Ginos East” which is up nearWaterTower, or at Harry’s Cafe over on Rush. “Passage to India”is still here, and showing at the Carnegie Theatre on Rush....“My New Partner” is hilarious, “Streetwise” proves itself to be adepressing, but realistic documentary. Both movies are showing atthe Biograph—pick up some discount theatre tickets at theReynolds Club Box Office. Then try the trendy “Redamaks” for din¬ner, highlighted by partying North Side folks and green neon lights.Tickets for the Maroon Express can bepurchased with a U of C ID at the Ida Noyesinformation desk, Reynolds Club box office,or any Residence Hall front desk. Individualone-way tickets cost $1.25. Cfiailottc ^Vihtiom(zReal Estate Co.493-06661638 EAST 55thAnnouncing...AUCTION. CampusTocation viewings 56thHarper (1455 E. 56th St.) May 25, 2-4 June 1,2-4. Date of Bid: June 3, 6:00 pm at office, 1638 E.55th St. Minimum bid: $49,500. Owner will beon premises for resource information.CHOICE SEVEN ROOM, 57TH KENWOOD.On private east wing of your favorite condo-high, high ceilings, formerly 4 bedrooms, nowmaids room has been removed to give yousuper “country kitchen”. Loads of cabinets,woodburning fireplace. Tip-Top Condition.INTERESTING INTEREST(RATES THAT IS)7.9% ASSUMABLE. Large 3600 sq. ft., 4Bedroom 51st Woodlawn, Madison ParkFrontage $140,0007.9% 55TH DORCHESTER. 2 bedroom10% “BUYS DOWN”. Former model apt. at53rd & Outer Drive. Large 7 room NE corner.Also 56th Harper (see above)ASK ABOUT THE MANY CHOICES OFLOVELY HOMES IN OUR CATALOG26,The Chicago Maroon—Friday, May 24, 1985CLASSIFIEDSSPACEAPARTMENTS AVAILABLEStudios, one, two & 3 bedrms some lake viewsnear 1C, CTA & U of C shuttle, laundryfacilities, parking available, heat & water in¬cluded. 5% discounts for students HerbertRealty 684-2333 9-4:30 Mon. Fri. 9-2 on Sat.GOVERNMENT HOMES from Si (U repair).Also delinquent tax property. Call 805-687-6000Ext. GH-4534, for information.2BR apt NR CAMPUS July 1st Occup. QuietSecure 1st fl New Bath/Kitchen 53rd & Kim-bark $590 incl heat. Call Marge667-4875 days.QUIET GRAD student wanted for sunny 3-person apt near Co-op + 1C $185 + util, avail,June. A good place to work. Non-smokers. 667-2273.Prof. & Wife seek to sublet fully furnished 1 or 2BR faculty apt. Close to campus from aboutJune 20. Call (714) 777-3187 early even.SUBLET w/option for lease Avail 6/17Spacious 1 bedroom unfurn apt in luxury hi-rise w/beautiful lake view (Regents Park) Call324-1660.Swiss Apartment 21 Figaro Leukerbad sleeps 6Skiing and Thermal baths walking distance 50-100 Sfr daily according to season agent. GregorSchnyder Swiss Phone 011 41 27 611343 HausBadnerhof ch3954 Leukerbad Switzerland.MOVING NORTH? Beautiful 1-bdrm inRavenswood. Summer sublet or new lease.$350. 275-6393.Large 2 & 3 bdrm apts. Renovated. $525-625heat incl. Kimbark & 52nd. 684-5030.SUMMER SUBLET Furnished 1-person apt.54th & Woodlawn. $285/mth, option to lease.Available June 15. Call 667-0877 evenings.SUBLET spacious, sunny 1-bedroom apt. in E.Hyde Park w/lakeview. Thru Sept 30 w/optionto renew. Rent $4l5/mo. Call 947-0107.ROOMMATE WANTED1 bdr. in 3 bdr apt. at 55th & Dorchester,$211/month (plus utilities: ca. $15/mo). avail.mid-June. Call 324-1109, after 7:00 p.m.Spacious studio available July 1. Furnished,large kitchen, walk-in closet. Near campus. In¬quire in person. 5514 Blackstone btwn 9 and 5 orcall eves. 241-6438.SPRING BREAKSavor ourgourmethamburgerserved on freshlybaked frenchbread with agood portion offresh fruit.Ten Gulf Shrimpin the shell for adollar with thepurchase of ahouse drink orother cocktail.Now servingwhole wheatfrench breadbaked fresh onpremises.<53rc/< fl. ffla/yfrer-667-2000 Large rm in spacious 4 bdrm apt Fall option53rd 8t Dorchester June 15 162.25/mo 324-0919.1 Bdrm apt, furnished, near campus, avail forsummer rental, in early June. Negotiable rentCall 288-6697.Nice one bedroom Apartment 5849 S.Blackstone 1 September $425 Heat included493-5774.Roommate wanted for 4 bedroom 3 bathroomlake front high rise apartment. Grad student oryoung professional preferred. Available June16, sublet with option to renew in Fall. Rent is$247.50. Call 324-2574 evenings, 558-7366 days,ask for Carolyn.Summer rental: 8-room apt., large backyard,laundry; 57th & Dorchester; $600; 288-2434.Sublet-great location great building greatpeople-nr 56th & Kimbark. 684-0812.SUBLET clean, furnished 1-bedroom apart¬ment available mid-June through August, 56th8. Blackstone. Call 324-8490 morn or late eve.Room in house $50/mo plus 10 hr/wk childcare.Quiet non-smoker, ref. Call 493-1382, 684-3308.1 to 2 mature non-smoking roommates wantedto share 3 bedroom apt. 5711 Kimbark. Rent$186 incl. utilities. Call Minna 667-7611, 962-1517.2 spaces in HUGE SUNNY APT avail for sum¬mer sublet close to lake. Call eves 493-5213.SUMMER SUBLET available June 1! 1 bedrmin 2 bdrm apt w/Fall Option on Whole Place.Back and Front porch! Breezy. Convenient.5460 S. Harper. $240.00/mo. Call 288-0640 or 667-6901. Keep trying.Summer sublet 1 or 2 br in 3 br apt. RegentsPark. Reduced to $200/mo/br. Call 955-3009.Furnished room w/attached bath in privatehome w/kitchen privileges for non-smoker,pref. grad student, in exchange for lighthousework few hours/week and walking dogweekdays. 288-1474 leave message.Lovely home, best campus location. June 25 toAug. 30th. Phone evenings 6 to 9 324-7858.STUDIO CONDO APTS FOR RENT UniversityPark deluxe hi-rise nr UC 24 hr security w/wcarpet, custom drapes pool parking. Yr lease,avail June. Call Lynn 393-1034 leave message.FOR SUBLETSpacious 3 bedroom apt. + Liv. Rm., KitchenCentrally located at 57th, Just a Stone's ThrowFrom Quads, Libraries: $600/mo (neg!) GrealFor 3+ People! Call Sarah, John or Lea at 7532240 ext. 1420 or 1405. Avail. 6/15-9/1Large 1 bdrm apt. for rent. $425/m Good locnr. lake, 1C, co-op, 962-7484/684-0306. Joe.Sublet/BR in furnished 2 BR apartment June15-July 15 $200 Call 288-4164.Sixty-six MinutesPresentsJill Gauges SopranoEric Howe, Baritone/AccompanistFriday, May 24, 1985 at 8:00 PMUniversity Church5655 S. University Ave.DONATION $5.00A CLASSIC RESIDENCEIN ACLASSIC LOCATIONFIFTY-TWO HUNDREDSOUTH BLACKSTONETHE BLACKWOODLuxury, high rise apartmentbuilding in the Hyde Park area nowoffering a limited selsction of oneand two bedroom apartments.Situated near the Illinois Central,University of Chicago, HarperCourt and only a short walk fromthe lake, our apartments feature cen¬tral air conditioning, individuallycontrolled heat, ceramic tile, securi¬ty intercom, new appliances andwall to wall carpeting. Onebedrooms from only $430, twobedrooms from *550. Ask about ourstudent and faculty discount.684-8666 Summer sublet: one bedroom in a 4-bedroomapt excellent location, one block to RegensteinTwo bathrooms, living room, huge kitchen, aircond, wall to wall carpet, washer/dryer, rent:$150/mo+util dates: negotiable. Call anytime:288-1326.LONDON HOUSE FOR RENT, Summer 1985Excellent location, all conveniences,$400/month. Write Gitta Honeyman, 62 Farchanter Strasse, Munich 70, West GermanyPhone: 001-49-89-717775.Huge 4 bdrm 2 bath. Kimbark & 52nd. Option tcbuy, $50's. Rent, $795 w/heat. 684-5030SPACE WANTEDIncoming B-School woman looking to share aplw/or 2 others in Hyde Pk Sept 85 Call Ellen 3284551 eves.Leave for 6 mos. Would like to arrange 1 bd rmapt to rent beginning Dec 85 Call 684-6067.PEOPLE WANTEDPeople needed to participate in studies ormemory, perception, and language processing. Learn something about how you carry oulthese processes and earn some money at thesame time! Call the Committee on Cognitionand Communication, afternoons at 962-8859.GOVERNMENT JOBS. $15,000-$50,000/yr.possible. All occupations. Call 805-687-6000.Ext. R-4534 to find out how.Mellow Yellow needs fresh energetic waitstaff.Apply 1508 E 53rd, M-F, 9-llam.2 more advanced undergrad or grad studentsin behavioral sciences to do "blind" ratings ofwritten observations of group behavior. Totaltime: 90 hrs. Good pay Call Beth Romrymer642-2445 eves.Consulting firm on I IT campus needs part-timesecretary. Word processing or computer skillsuseful. Call 842-6388.Left and Right-handers needed for simpleperceptual studies. Call 962-7591.Mature students wanted to babysit in my homeoccasional evenings this summer 324-9533SERVICESJUDITH TYPES-and has a memory. Phone955-4417.PASSPORT PHOTOS WHILE-U-WAIT ModelCamera 1342 E. 55th St. 493-6700WEDDINGS and other celebrationsphotographed. Call Leslie at 536-1626.LARRY'S MOVING & DELIVERY. To pick upa piece of furniture on the other side of the city,to move boxes or a small household, callanytime. Lowest rates in city. 743-1353.University TYPING Service, fulltime profes¬sional EDITING and WORDPROCESSINGdeluxe by former English prof, hourly fee. 363-0522.Childcare Exp. Mother w/background in Edand Child Devel. Campus loc. exc. refs. 493-4086.Typing-Call Elaine the experienced secretary.Reports, thesis, tables etc. 667-8657.HYDE PARK’SNEWEST ADDRESSOFDISTINCTIONCORNELL PLACE5346 South CornellYou must see our tastefullyrenovated high-rise in EastHyde Park. This classicbuilding has the traditionalelegance of a distinguishedHyde Park residence, yet theclean, refreshed interior of anew building. Each spaciousapartment features amplecloset room, modem ap¬pliances, wall to wallcarpeting, ceramic tile, in¬dividually controlled heat andbeautiful views overlooking thelovely surroundings of the HydePark Community or the Lake.We offer studios and onebedroom units with varyingfloor plans starting at $325.Parking available. Ask aboutour student and facultydisount.667-8776 CHILDCARE mom, exp, warm on campus.Refs any age, summer foo. Dalia exc Feve/S493-6220.WEDDING PHOTOGRAPHYThe Betfer I mage 643-6262TRIO CON BRIO: Music for weddings, recep-flons, etc. Classical and light popular. Call 643-5007 for details.FOR SALEENJOY FOREIGN VIDEO AT HOME. Inter-national Standards Conversion. PAL, SECAM,NTSC. Broadcast quality. Special 1/2 inchrates. Call VC I (312) 726-6556.FOR SALE BRAND NEW EXTRA HARDMATTRESS BOX SPRINGS & FRAME $150684-2364.TYPEWRITER, Smith-Corona 2400, electricelite $110 or best offer, T.J. Anthony, 753-3557.1976 Toyota Corolla $700 call 288-2027 (Steve)Nova runs excel lent new parts $499. 288-5295Lg 2BR CONDO quiet choice loc. (54th &Ridgewood) Fkml DR w/hrd wd fl, wtow crpt,eat-in kit w/dw, balcony, many closets + addlstor in bsmt. Upper 50's Call 288-7567 Ivmessage.1970 white Ford Maverick, 3-spd man, 2dr,am/fm stereo/cass, very little rust, runs well.$400 or best offer 947-9740.Amplifier-Music Man stack. 125 watts. Ex¬cellent condition $700.955-9266.Walk to campus from a wonderful condo at56th and Dorchester two bedrooms; a lovelylarge eat-in kitchen; a formal diningroomwhich can double as a den beautiful back yard;terrific neighbors; low monthly costs. Reducedto $65,000.URBAN SEARCH337-2400.Need an affordable house close to work orschool? Try historic Pullman. Completelyremodeled row house. 4 br, 1 1/2 baths.Carpeted, minutes to campus by 1C or car. Twofireplaces. Private yard. Ceramic kitchen.Easy maintenance. 660-9379PETSFREE to GOOD home 2 24/0 cats, lm If BOTHlovable, fixed, 947-8262 or 962-6262 PENNYFREE KITTENS Call 493-8130 evenings, 407-3144 daytime.PERSONALSThe 8th annual Dogberry Party is tomorrow!This thing is really starting to mushroom.Mr. John McLee please contact the Maroon Of¬fice about your for sale ad you have listed thewrong phone#. We cannot run the ad until wehave a correct phone#.GLAD U R BACK MLE ! It's been a hard week.Make like a rolaids! Doofy.I lost my beard & lost my mind, if either arefound could they please be returned.JS:Facciamo qualche cosa venerdi o un altrogiorno?! Vabene?-JSHOT CALVES:No Matter whose I'm stroking, I am thinking ofyours. Maybe we can mousse each others hairsome night; or ask Julia to watch. Youth Dewforever. Love Coulter 550.DEAR ELFIN MAGIC:The Big Elf is out there. You just have to waituntil you want to find him, before he will findy°“! PRINTER FOR SALEPANASONIC KXP3151, Daisy-wheel, 22cps,wide carriage, BRAND NEW in box w/warran-ty $405 ($699 retail), Call T.J. Anthony 753-3557.LEASING AGENTImmediate opening in a Hyde Park Hi-rise fora part-time rental agent. Salesmanship abilityand two years college required. Public contactand light secretarial duties. Opportunity for afull time position. Saturdays included. Sendresume to Mary-Pat/1011 E. Touhy Suite395/Desplaines, IL 60018.UNIV PARK FOR RENTStudio top floor north vu drapes/carpel/w/heat + wtr $425 can furnish Tom D 962-121CN 963-1398 avail July 1.ADOPTION WANTEDLoving couple in mid 30's will provide love fineeducation, suburban home for Caucasian infanf, our resume available confidenfial expenses paid call friend Jan collect at 312-3520312.COMING OUT GROUPTo discuss the problems (and possibilities) obeing gay and coming out. 8pm Tuesdays a5415 South Woodlawn.The Chicago Maroon—Friday, May 24, 1985ACTIVIST STUDENTSand others. Earn $165-$250/WK helping low in¬come citizens organize for fair utilities, toxicwaste clean-ups and economic justice. Sum¬mer & Career opportunities. Call ACORN 9-noon 939-7492.FEELING SAD,BLUE, DEPRESSED?Volunteers needed for a drug preferenceresearch study. Study involves only commonlyprescribed non-experimental drugs. This is nota treatment study. This four week study pay$150. Call 962-3560 mornings for further in¬formation. Volunteers must be between 21-35yrs. old and in good health.PIANO LESSONSwith EDWARD MONDELLO, piano teachermusic dept. 1960-82. 752-4485.LOOKINGFOR ROOMMATEMBA I Sept 85 looking for female non-smokerto share 2 bdrm apt. - call collect Kelly 404-320-7179 or 305-893-0838.ORDER YOURYEARBOOKNow is your last chance to order a yearbook. Itmust be pre-ordered! Bring a check made outto the UC Yearbook for $16.50 to the StudentActivities Office - Ida Noyes 210.COLLEGEACTIVISTWANTEDDo you need vacation employment? Full timework available where you can expand yourpolitical, consumer and environmentalbackground and get paid at the same time. Il¬linois Public Action Council is hiring articulatepeople to work in its community outreach pro¬gram. Job hours 1 -.30-10:30 Mon.-Fri. Call 427-6262 tor interview.THERAPY GROUPFOR WOMENTherapy group in Hyde Park for women. (Nota CR grp) Age range 24-30, led by skilled grptherapist. Screening interview N/C Moderatefees. Mary E. Hallowist, MSW, CSW, ACSW.947-0154.ORGAN RECITALSFree each Tues 12:30 pm: Thomas Wikmanplays the magnificent new baroque organ atChicago Theological Seminary, 5757 S. Univer¬sity Ave.KIDS EARN MONEY! '2nd thru 6th graders—Earn money the easyway. Be in a fun study especially for kids. CallMs. Heller 9-5 962-1548.THE MEDICI DELIVERSDaily from 4 pm call 667-7394.HYDE PARKMOVERSMoving and hauling discount prices to staff &students from 12/hour free cartons del.n/household moves many other services. 493-9122.ACHTUNG! GERMAN!TAKE APRIL WILSON'S five week GERMANCOURSE and high pass the summer readingexam! Readings include Kafka, Nietzsche,Freud, etc. Two sections: M-F, 10:30-120 & 68PM, beginning June 24. Cost: $200, For moreinformation and to register, call: 667-3038.EXEC. SECY WANTED9 to 12 mo position. Must have strong skills inorganizing, typing, phone & record keepingWord processing experience helpful. Work onan IBM computer. Good salary 4- benefits.Respond to Julie Layer McCormickTheological Seminary 643-3355.COULTER 550I think you've gotten in a little too deep. Youwon't be able to keep your head above thewater in my pool. But don't fret -1 give lessons.Sign me WCSVIETNAM:A LIBERTARIANPERSPECTIVEThe Unintended Consequences of AmericanForeign Policy. Fri May 24, 7pm, Ida NoyesHall CLASSIFIEDSBASS PLAYERExperienced bassist wanted for dance rockband in Hyde Park. Call Tom: 324-6850 orSteve: 947-9593.HILLELWORKSTUDYHillel has several Work Study openings for Fall'85. Please contact Barbara if interested, 752-1127. 550 COULTERThe MAROON even wants you! Monday, 5:00pm at Ida-be there or be hungry.COULTER 550Yes, irony is a theme in my life because I hadto look up mellifluous only to discover it wasyou. Just sign me Maroon Office Babe. CHIHESE'AMERICAN RESTAURANTSpecializing in Cantoneseand American dishesOpen Daily 11 A.-8 30 P M.Closed MondayUC CHESS CLUB BLITZ!7:30pm Monday 27 May '85. Ida Noyes Hall Nomembership required Entry fees: 50c and $1$$$ PHOTOGRAPHERSThe CHICAGO MAROON wants you! Come tothe meeting and dinner for 1985-86 staff Mon¬day May 27 5:00pm Ida NoyesCOOKNEEDEPHillel needs a cook for lunch approx 30 studentsMon, Thur Fri. Graduate work study okay.Contact Barbara Gilbert 752-1127 at Hillel. CALL HOTLINE7PM to 7AM, 7 days a week. Talk. Information.Referral. Crisis Intervention, We're there foryou. 753-1777 MOVIERUNNERSNeeded tc participate in a study to evaluate anew running shoe insert. If you are 18-34 andrun at least 10 miles per week please call 962-6984. "THE STATE AGAINST BLACKS" A debatebetween prominent black leaders on the effectsof the 60's social legislation on the black com¬munity. Ida Noyes, Saturday 7pm. UCStudents Only. BRANDEIS USED BOOKSALE JUNE 1-927th year! 400,000 books in 40 categories. Hardcover and paper. Prices start at 50c. Collec¬tors, too! At Edens Plaza. Wilmette. Lake &Skokie Hwy. Exit Lake St. oft EdensOpening Night, Sat., June 1: 6-10pm $4Free Admission Sun, June 2: 10-10June 3-6: 11-9June 7: 11-5Bargain Weekend: June8: 6-10; June9: 10-4GRAD STUDENTSThe CHICAGO MAROON is very interested ingetting graduate and professional students forthe 1985-86 maroon statf. Come to the Maroonmeeting and barbecue Monday May 27 5pm IdaNoye* Hall.PREGNANT?UNDECIDED?Consider all the options. Want to talk? CallJennifer 947-0667 any time. CONDO FOR RENTLive in this charming two bedroom apartmentat 56th and Dorchester for only $750 a monthLarge eat-in kitchen, formal diningroom whichcan double as a den, beautiful back yard.URBAN SEARCH337-2400. CONDO FOR SALE2 bedrooms, 2 bath, large bright living room,corner apartment. Securityguard and otheramenities. Must relocate. Call 684-0178 or 222-0002.FRENCH—FAST!Alleviate academic anxiety this summer byregistering for the Office of Confinuing Educa¬tion's "Reading French" course. In just sixweeks this non-credit course will prepare youfor the Graduate Foreign Language Exam inFrench— and another requirement will bitethe dust! Class schedule: Monday-Friday, 9:30A.M.-12:00 noon, June 24-August 2. Cost $200.Registration deadline: June 7. For full in¬formation and to register, call ContinuingEducation at 962-1722.FINAL SHOWPaintings by David Kiefer Music and Poetryby Chris Pearson and Jim Dunn Sat. 7:00pmMidway Studios 60th and Ingleside.Refreshments.ARTISTSThe MAROON needs people to do art work andgraphics for the paper. Come to the Maroonmeeting and dinner Monday, May 27 5:00pm.PARACHUTING!The Outing Club is jumping tomorrow. If you'dlike to, call Steve at 753-3444. Hurry!JOIN THE MAROON!meeting and barbecue for anyone interested injoining the 1985-86 MAROON Monday May 275pm Ida Noyes Hall. HYDE PARK L,pCOMPUTERS INC."1'PRICE BREAKTHROUGHONMACINTOSH DISKETTES!y ©i3 1/2" DiskettesFuji-lifetime warranty*26.99 - box of 10*Price reflects a 3.5% discount for cash or checkFor all your computing needs...53rd and Harper • 288-5971ADVERTISE IN THE MAROON CLASSIFIEDS♦ HOW TO WRITE YOURCLASSIFIEDAD:♦ HOW MUCH WILLIT COST??? Write the ad as you want it to appear in the paper (on a 45character line)One letter, punctuation mark, etc. per space...Leave onespace between words after punctuation.Circle ALL Letters to be CAPITALIZED.$2.00 for the first line, $1.00 for each additional line.SPECIAL HEADING: $2 per line (20 characters per line.)All classifieds must be prepayed in cash or check. Writechecks to The Chicago Maroon, 1212 E. 59th St., Chicago, IL60637HEADING:H>< „(45 character line)• jj;** fff jff&f * HW'THE THE IS NOW.■ '.THE 24TH ANNUAL SPiSNGSTOREWDE SUB20°h OH TO MBHBQtS M HMD HM NKMBBBSBBTH IflCMlDNSHHflf 24 MiW THROUGH SUMDJtT 2 JUNE.• •• •’ ■. rf?^ - •. -• tb. • ‘Jr-!> :•> • . ' • • •’*...r<?'':fc V\V NVr.v'i^ V~ .j«‘ - ^ • -r-i-s -jtv1 •yo -sc.>T i1- ■''•' »/;*. - -• *•**• >• •' •■ r*-V< •• . ^ V- r-. .■.SEMINARY COOP BOOKSTOREwwwwwwwwwwww S757 S. UOTR9IY \\\\\\\\\\\\\\\NWWWWWWWNNNNNNNNNNNNNNNNWWWWWWW 7524301MONDAY FRIDAY KMOBSATURDOTU-KOOBSONDAY 12:005100S71H S1HET BUMS1301E. 57TH STREET!6841300MONDAYTHURSOAV IttOlHIIOOBf RtOAYSATURDAY mmSunday mmwwwwwwwwwwww wwwwwwww\ww\wwwwwwwwwwwww