The Chicago MaroonVolume 94, No. 12 The University of Chicago ^Copyright 1984 The Chicago Maroon Friday, October 19, 1984Argonne budget trimmedArgonne Laboratory By Thomas CoxARGONNE National Labo¬ratory, a close affiliate of theUniversity of Chicago, hasbeen facing severe cutbacks infunding in past months thatmay ultimately lead to the de¬mise of the facility, or at leasta great reduction in the Lab’swork, including much Univer¬sity-related research.Argonne is administered bythe U of C for the US Depart¬ment of Energy (DOE); 90% ofArgonne’s funding comes fromthe federal government’s bud¬get. Federal fund reductionscaused the September job cutsin which 175 University of Chi¬cago employees were laid offSG elections invalidatedBy Rosemary BlinnUNDERGRADUATE STU¬DENT Government (SG) elec¬tions, run October 16th and17th, were declared invalidThursday after Elections andRules Committee Chair BradSmith discovered the ballotwas confusing and easily mis¬construed.Smith delegated the job ofmaking the ballots and check¬ing the candidates’ petitions tothe E & R Committee and thendid not personally verify theiraccuracy.PROBLEMS AROSE whenSmith discovered the onlycommuter nomination petitionsubmitted was from a fresh¬man. The commuter seat canbe filled only by a non-fresh¬man. The freshman commuter;received 35 votes, making hima strong candidate for the:freshman seat, which is the:only seat he could have run for.;Also, Smith said, “Voters werevoting under more than onelconstitutency, “because the;ballot did not clearly state thatistudents could not vote for more than one seat.Freshman can vote and runonly in the freshman category.The post of freshman rep is theonly class-isolated seat in theSG assembly. “Freshman seatis the only representation theyare basically allowed — it istheir main voice in SG,” Smithexplained.FOR THE OTHER SEATS inthe election, commuter andShoreland representativesonly non-freshmen can run orvote.No new petitions will be ac¬cepted for the seats in ques¬tion. There will be write-inspaces on the new ballot. Theold petitions will be reverifiedand the elections will be runWednesday and Thursday ofnext week. Poll times onWednesday are 10 a.m.-2p.m.in Cobb, 12noon-2 p.m. in Reyn¬olds Club, 5-7 p.m. in W’ood-ward, Pierce and B-J, and 6-8p.m. in Shoreland. Poll timeson Thursday will be 10 a.m.-2p.m. in Cobb and 12 noon-2p.m. in Reynolds Club.ONLY FRESHMAN can vote for the freshman rep, onlyShoreland non-freshman canvote for the Shoreland rep,only non-freshman commuterscan vote for the commuter repwhile anyone can vote for theSFA-Court representatives.In the graduate elections,which were not valid. NavrozeMody won a Business Schoolseat with 13 votes while 10write-in candidates are tied forthe other seat. Tim Hardin wonthe Divinity School seat with 8write-in votes. Sahotra Sarkanwon the Humanities seat witha write-in vote from Argonne. Most of thosepeople worked in administra¬tive positions, not scientificones.AFTER PRESIDENT REA¬GAN entered office four yearsago and cut federal funds, 300employees were cut from thepayroll at Argonne and havenever been replaced.An October 15th editorial byFrederick Owens in the Chica¬go Tribune states that 2,000jobs at Argonne have been cutin the last 10 years, and thatthe September layoffs are partof a trend to downgrade Ar¬gonne. Citing the Lab as hav¬ing great appeal in attractinghigh-tech industries to thestate, Owens quotes GovernorThompson’s Task Force onHigh Technology’s 1982 recom¬mendation that the state “nur¬ture the development of high-technology complexes nearuniversities, the Argonne Na¬tional Laboratory and othersites which possess specialtechnical strengths.” Owensfurther states:“Last year the federal gov¬ernment awarded Virginia aS150 million electron accelera¬tor, even though it was proventhat Argonne could have han¬dled the development muchmore readily than Virginia.Due to the lack of facilities,personnel, and a second lookby Congress, the Virginia proj¬ect has yet to begin.”According to Robert G. Sachs, Director of the EnricoFermmi Research Institute atthe U of C and former Directorof Argonne. there are close tiesbetween the high-energy phys¬ics communities of the U of Cand Argonne, and the Universi¬ty has no nuclear physics pro¬gram of its own solely due tothe proximity of Argonne’s top-notched nuclear physics pro¬gram. U of C students with aninterest in nuclear physics pre¬sently go to Argonne to studyand do research. Last winter“a study group . . from bothhere and Argonne . , . met atthe University” to conductworkshops and discuss a pro¬posed super-collider for re¬search in high-energy physics.Furthermore, several U of Cfaculty who teach and workhere have their primary ap¬pointments at Argonne. A pro¬posed Intense Pulse NeutronSource that may be built at Ar¬gonne would be “immensely . .. useful in . . . solid, liquid, andgas physics, and molecular bi¬ology studies” as well.THE GENERAL SERVICESADMINISTRATION (GSA> at¬tempted last Christmas to sell20% of Argonne’s land “to re¬duce the federal debt.” A 1983real estate utilization surveycommissioned by the DOE rec¬ommended the sale. Argonneemployees who feel the land tobe vital to the future lab expan¬sion protested the sale, whichis now being reconsidered.New commuter lounge opensBy Helen MarkeyAFTER ENDURINGcramped quarters, leaky pipesand other inconveniences, theCommuter students have final¬ly been given a new loungewhich will be situated in thebasement of Cobb Hall inRoom B3, a former lavatory.The pupose of the commuterSorority sets up quarters on 57thBv Karen E. AndersonALPHA KAPPA ALPHA, anational sorority for graduateand undergraduate women,will move into its new nationalheadquarters on 57th andStony Island in early De¬cember, according to Ernes¬tine McNealey, executive director of the organization.McNealey said this move intoHyde Park does not imply thatthe sorority will try to set up achapter at the University ofChicago. She commented,“Any attempt to bring our so¬rority to the University wouldhave to be started by Universi-Harold’s Chicken:a non-yuppie choiceBy Mike LotusTwo recent U of C graduateshave opened a Harold’s Chick¬en Shack in Evanston, near theNorthwestern Universitycampus.Kenton Sullivan and CurtWitte are the managers of theEvanston Harold’s, and origi¬nally introduced the idea of aNorth Side Harold’s to the Chi¬cago chicken king. Both mengraduated from the Collegelast spring; Sullivan with a de¬gree in Biology; Witte, in Eco¬nomics. They lived in Burton-Judson, and claim to have goneto the 53rd Street Harold’sthree or four times a week.The two men came up withthis idea last year. In theSpring quarter of their senioryear, Sullivan decided that hedid not want to apply to medi¬ cal school right away, andWitte had not located a job yet.The two asked the owner of the53rd Street store, who isHarold’s brother-in-law, aboutthe possibility of opening aHarold’s. He told them thatthis was possible, and ex¬plained what would be in¬volved. They decided to at¬tempt it, and Curt’s brother,Carl, a Northwestern gradu¬ate, joined them in the ven¬ture.At this point, they began tolook for a good location. Theirfirst intention had been to opena store in St. Louis, but whenthis proved impractical, theybegan looking for a location onthe North Side. They finallysettled on their present loca-continued on page eight ty of Chicago students.”McNealy said the sororityhad its old national head¬quarters on 5211 South Green-w'ood in Chicago and wanted toremain in the city. She statedthat the new building will offerbetter facilities. McNealeysaid the sorority chose theHyde Park area because it wasone of the best places in Chica¬go to be located, and that, “be¬cause it is urban renewal prop¬erty, it is very economical forus.”ALISON HARRIS, officemanager for the sorority, de¬scribed Alpha Kappa Alpha as,“a social service organization;for example, this last year, in avoter registration drive, weregistered 250,000 people tovote. This is the sort of thingwe do. We have 26,474 activemembers in 710 chaptersacross the country, and 371 ofthose chapters are made up ofgraduates; the rest are collegeundergrads.”McNealey stated that,should any University of Chi¬cago women show an interestin bringing sororities tocampus, she hoped AlphaKappa Alpha could be one ofthe first.SHE SAID that any studentinterested in starting an Alphacontinued on page three student lounge is “to recognizethe students as a house,” ac¬cording to F. Gregory Camp¬bell, Resident Master of thecommuter lounge and com¬muter student body. Basically,the lounge is a meeting placefor the commuter studentbody, which includes severalhundred students, but onlyabout 100 are considered ac¬tive. “Active” commuter stu¬dents are those who organizeevents and participate in thecommuter student intramuralteam.THE COMMUTERLOUNGE in Cobb Hall is stillundergoing rennovationswhich will not be completeduntil January. For the timebeing the room just containscarpeting. When completedthere will be furniture, andkitchen facilities. The loungealso serves as a study area anda meeting place for commuterstudents who represent an ac¬tual residence hall in that theyhave a resident master and anintramural team.Many of the students have afeeling of comradery. DuringOrientation week, studentshave the opportunity to stayover in Burton-Judson to get toknow each other and partici¬pate in orientation events. “We really do get along.” comment¬ed Melissa Bright, a commut¬er student. Bright is on the or¬ganizing committee for thenew lounge and cites the im¬portance of the lounge in pro¬viding commuters with certainamenities campus residencesoverlook.THE LOUNGE provideskitchen facilities, and alsogives students a chance to or¬ganize and plan events. Everyquarter three lunches areplanned for commuters to in¬vite faculty members. Thisquarter the commuter studentswill attend “Much Ado AboutNothing" at Court Theater andhear David Bevington speak.These events are paid for bythe administration.Christina Glab. president ofthe Commuter's Associationcomments that the lounge issimply an improvement, al¬though the association had sub¬mitted a request for a room inGates-Blake originally. Theadministration had had theroom in the Cobb Hall base¬ment in mind already when theassociation requested the roomin Gates-Blake Glab is satis¬fied with the arrangement,stating “The room is nice, andwe’se planning to use otherrooms in the basement too ”Inside:Frat parties nixednews page 3Hip Hop Don’t Stop Be Bopgcj pulloutDickey may break recordsports page 32E115<11 ROCKEFELLERMEMORIALCHAPELSundayOct. 218:30 a.m.EcumenicalService ofHolyCommunion11:00 a.m.UniversityReligiousServiceBernard O.BrownDean of the Chapel,preaching Anyone interestedin writingnews for the Maroonshould stopbyat6:30 p.m. Sundaysforstory assignmentsThe Chicago MaroonIda Noyes 303The NORTH SIDEMAROON EXPRESSRIDES AGAINTHE MAROON EXPRESS IS YOUR TICKET TO SAFE, CONVENIENT TRANSPORTATIONTO THE LOOP AND THE NORTH SIDE...... enter the bizarre world ot Goddard-see “First Name:Carmen”-now showing at the Fine Arts Theatreone block south of the Art Institute.... this weekend the Chicago Symphony Orchestra presents Abbado conducting with Licad on Diano-8PM~call 435-8111 for ticket price and availability... Saturday night head up to the Metro for Video Dancing-tickets available through Ticketmaster-3730N. Clark-get off at Clark and Diversey... always jazz. Check out the ongoing jazz programs at the “Jazz Showcase” in the Blackstone Hotel-couple of blocks south of the Art Institute.Schedule for Maroon Express .Northbound SouthboundIda Noyes 6:30 pm 8:30 pm 10:30 pm - Diversey k Clark 7:45 pm 9:45 pm 11:45 pm 1:45 amShordand 6:40 pm 8:40 pm 10:40 pm - Grant Hospital — — Midnight 2.00 amArt Institute 6:55 pm 8:55 pm — — (Webster k Lincoln)Water Tower Place 7:10 pm 9:10 pm — — Water Tower Place — — 12:15 am 2:15 am’Inner Lake Shore Drive (1. Magnin)k Division (1200 N) Art Institute — 10:00 pm 12.30 am 2; 30 am’Clark k LaSalle Shordand • •(1700 N)Grant Hospital(Webster k Lincoln) 7:30 pm 9:30 pm — “t Ida Noyes 8:30 pm 10:30 pm * ••Drup-alh throughout Hyde Pari, including Shordand and Ida NoyesDiversey k Clark 7.45 pm 9:45 pm 11:15 pm 1:45 am —' Courtesy drop-art atop by request only Note No pci-up at thm location2—The Chicago Maroon—Friday, October 19, 1984NEWSHarper Court to celebrate urban renewalBy Raschel BartonCelebrating twenty years as a “com¬munity focal point”, Harper Court an¬nounces its “Celebration of the Arts inHyde Park”. Highlighting the activi¬ties, which emphasize the recent com¬ pletion of the facade renewal project, isthe dedication of a historic plaquemarking 20 years of successful urbanrenewal experimentation in the HydePark community.Hyde Park resident and nationally known jazz pianist Willie Pickens head¬lines the festivities at 1 p.m. on Satur¬day. October 20 in Harper Court locat¬ed on the corner of 53rd and Harper.The Kenwood Academy Choir perfor¬mance follows the dedication ceremo¬ny. Programs promoted by neighbor¬hood artists and the University ofChicago music department will also befeatured.George Cooley, shopowner and one ofthe original tenants of Harper Court,explains that the not-for-profit shop¬ping center began as “kind of an ex¬periment and it’s still growing in manyways.”Hamilton, would be raising enoughmoney to purchase a house for the sis¬ters to live in. He went on to say he re¬cently had three pairs of students comein to talk to him about exploring thepossibilities of beginning a sorority oncampus.The University does have alterna¬tives to sororities. One is a women'sclub. Delta Sigma. Another is the op¬tion of becoming a “little sister" to oneof the five fraternities on campus.ELLEN BROWN, a second year stu¬dent in the college who is a little sisterwith Phi Gamma Delta, said, “We paydues and have meetings separatelyfrom the frat brothers; it’s our ownthing. We have done service projectsfor the community, and we go out to eatevery now and then-one time toMcDonald's.” Brown said she likes thesocial life that being a little sister pro¬vides. “It would be nice to have a housefor the sisters to live in to promote asense of unity, but the groups we havenow are getting stronger.”Reflecting the view of many studentsat the University, one third year stu¬dent said it really didn’t matter muchto her if something like Alpha KappaAlpha was started on campus. “I don'tcare. It makes sense, if there are fra¬ternities. there should be sororities, tokeep each other occupied.” The Harper Court Foundation was in¬corporated under the direction of au¬thor Muriel Beadle while her husband,George Beadle was president of theUniversity of Chicago. She describesthe project as “an absolutely lunaticadventure, but it seems to be work¬ing.”Founded over twenty years ago in re¬sponse to the urban renewal demolitionof the original Artist’s Colony on 57thStreet, Harper Court provides an af¬fordable showcase for local artists,craftsmen, and innovative merchants.Notable attendance at thg ceremonyis scheduled to include award-winningHarper Court architect John Black, aswell as the president of the Foundation,Florence Weisblatt. Due to failinghealth, Muriel Beadle will not be pres¬ent; but Mayor Harold Washington willattend, schedule permitting.The University of Chicago, and sev¬eral local organizations will have rep¬resentatives on hand to describe theirmany programs in the arts, theater,and music. 'LECTURE NOTESZhao Youguang, chairman, ChineseLanguage Reform Committee Advisor,Chinese Encyclopedia Project. P.R.C.Tuesday 4 p.m.5th floor. Regenstein Libary, 1100 E.57th Street (far East Library)Youguang will speak on “ChineseWord Processing and Modern Charac-terologv.” Those wishing to attend whodo not have a library pass should obtaina visitor’s permit from the first floorcashier’s office.♦ * *Three writers from the InternationalWriter's Program at Iowa UniversitySunday, 10 a m.Hines LabVideo tape of Chinese movie based onShen Rong’s “Upon reaching MiddleAge.” Discussion of the movie will fol¬low at 3 p.m. in Ida Noyes Library.Frats nix party weekendCharles O’Connell, Vice Presidentand Dean of Students in the University,has cancelled the pre-Homecomingneighborhood party that was spon¬sored by the Interfraternity Council.Representatives of University fra¬ternities met Tuesday at the Interfra¬ternity Council meeting to agree on ar¬rangements for a pre-Homecomingparty. The Order of the C had awardedthe IFC a grant of $150 to fund theparty. Ralph Hamilton, Assistant Deanof Students in the University, attendedthe meeting and approved the propos¬al.The party was tentatively scheduledto take place on the front porch of oneof the fraternities along University Av¬enue, possibly Alpha Delta Phi. Theopen-to-the-public celebration was tohave begun at midday, before the 1:30Homecoming football game againstLake Forest College. Geoff Sherry,who attended the meeting, said that thegrant money was to go toward beer forthose attending, but had no estimate onthe number of kegs being considered.All members of the University commu¬nity were welcome.However, the party has been can¬celled by Dean O’Connell. IFC Presi¬dent Mike Marietti, a Phi GammaDelta brother, was informed by Hamil¬ton that Dean O’Connell did not wantbeer being distributed in this fashion.The IFC responded by offering to movethe function inside one of the fraterni¬ties. The reply from O’Connell’s officewas that this decision was not negoti¬able.Dean Hamilton, commenting on the cancellation, explained that the pro¬posal for an open bar across the streetfrom the site of the barbeque was a vio¬lation of the University’s alcohol policyas adopted in 1983.Sororitycontinued from page oneKappa Alpha chapter on campusshould write to the national head¬quarters to request information on howto petition for admission. To qualify tobe reviewed for membership, an appli¬cant must have a C+ or better gradepoint average for one grading period ather college or university.Many people believe the Universityprohibits sororities, but this is only arumor, as Ralph Hamilton, assistantdean of students in the University, re¬marked, discounting what he dubbed“gothic tales” as to the University’spolicies on sororities. “The Universityhas no policy which forbids formationof a sorority. If a group of women wantto form a sorority, and are able to getsponsorship from a national organiza¬tion, it’s fine.”HAMILTON SAID the only restric¬tions on starting a sorority are thosewhich apply to all campus groups.“They would need to get signaturesfrom ten students, signifying that theyare interested in starting a chapter,and they must have a faculty advisor.”The main difficulty in organizing a so¬rority at the University, according toCAUSE AND CHICAGO DEBATING SOCIETYpresentADEBATE ON CENTRAL AMERICA“The U.S. Role in Central America:Defending Democracy or Supporting Oppression?”Dean Herman SinaikoModerator•Dean of students in the College•Associate Professor Division of HumanitiesDefending U.S. Intervention:L. Francis Bduchey•President of the Council forInternational American Security.•Contributor to Washington Timesand the Wall Street Journal.THURSDAY, OCTOBER7:30 P.M.MANDEL HALL Opposing U.S. Intervention:Raymond Bonner•New York Times correspondentto El Salvador from 1980until 1982.•Author of Weakness and Deceit,about U.S. policy in El Salvador.25th,5706 S. University Avenue• Reception Follows ••Seating on a first come-first serve basis*•Sponsorea oy CAUSE an a the Committee on Latin American studies ••Funded by the Student Government Finance Committee*The Chicago Maroon—Friday, October 19. 1984 -3COLUMN LETTERSThe bylineBy Rick StabileThis may all be a big mistake. A fewdays ago, I walked into the Maroon of¬fice for no real reason (the Maroon, forthe benefit ot any ‘first-year students’who don’t know yet, and for that of anyrecently recovered nervous break¬down victims, is the University of Chi¬cago student newspaper. Further, theU of C, as it is often affectionately re¬ferred to, lies in Hyde Park, near Chi¬cago’s Museum of Science & Industry(I’ve always wanted that symbol— pretty neat, eh?) not in some ficti¬tious netherworld called CircleCampus. Don’t let anyone tell you oth¬erwise).As I began to say, I was standing inthe Maroon office, waiting for someoneto ask what I wanted, even though Iconsciously didn’t know (actually, thetall, blue-eyed Irish girl in my previouslecture looked pretty desirable...). Fi¬nally, after about fifteen minutes, an“editor” (she didn’t even remotely re¬semble Ed Asner, so I didn’t find outuntil later that she was an editor) cameto my aid, asking me what I wanted. Isaid I didn’t know, but I had seen thead, which reminded me of a drowningperson’s cry for help, about the few, theproud, the underpaid, etc., and Ithought it was pretty funny. I asked herif there was anything in particular theyneeded help with, to which she replied,whatever 1 liked. Gee, thanks. Here Iam, I’ve never read more than 5% ofthe paper, I’ve never pondered thework that goes into a paper, and I’msupposed to choose what I want to do?Again, thanks.Well, I figured the reason I was therewas that I wanted to write, so I saidso.“What do you want to write?” askedmy editor. “Well, I have a strange, perhaps cyn¬ical sense of humour.”“Great! I sense a column comingup.” (How could she tell?)“I don’t know about a column, maybeI could write an occasional humourousfeature, when I have time...”“Do you remember Dave Brooks’column?”Sure I do — he was the greatest. Hewrote a hilarious column for theMaroon — it was 50% of the stuff I usedto read in this paper. Dave is gone now,taken from us either by a nervousbreakdown or graduation, whiskedaway from his station in life as was“WHY?”, leaving only four emptyholes in the sidewalk, waiting to befilled. Yet, I know that somewhere inthis sprawling universe we call HydePark, perhaps in the Smart Gallery,Dave!s spirit lives on.The editor continued. “Maybe youcould fill Dave’s place with a hu¬mourous column of your own.”As I said before, occasionally, when Ihave time and an idea, I might be ableto...Wait a minute! You want me to tryand fill Dave’s place? Don’t you knowthat attempting to fill the place of apersonal hero can be quite a traumatiz¬ing experience? It could lead to, gasp, anervous break-down, or worse, schi¬zophrenia.That is why I think that this is all abig mistake — I am already perilouslyclose to the edge of sanity, and this col¬umn could push me over. (Of course,all of you know the reason I’m risking itall — the byline.)I guess all I can do to save myselffrom the horrible fate of insanity is tohang around the Smart Gallery, andpray to my hero’s spirit for column-ideas, every-intoning “WHY?” L.D. Lurvey chastisedTo the editor:This is an open letter to “L.D. Lur¬vey, the Satirist.”This is my third year in the College.From the day I first came to the Uni¬versity up to now, I have never heard ofanybody belittling somebody else be¬cause of the person’s race. Therefore, Iwas struck by surprise when ‘Opus De¬grog” appeared in the Maroon on Tues¬day, 10/16/84.To my knowledge, there are manyAsians being employed by Morry’s, butnone of them is Vietnamese. I wonderwhether you knew this fact. If you didnot, then why did you call all of theseAsian people Vietnamese? If you did,again, why did you call them Vietnam¬ese? I would like to know your motivein stereotyping Vietnamese as “small-little-corrupt” (or “smarr-littre-collupt” in your language), if you don’tmind answering my questions at all.Also, I wonder how you could so lighth-eadedly make fun of the language prob¬lems of those foreigners! Have youever learned to master a foreign lan¬guage?I believe your answers concern everyforeign student in our school. I wonderwho your next scapegoat might be, theChinese people, or Korean, or Philip¬pine or Japanese or Thai or...???Nguyen CongTo the editor:Is there a point to Lurvey’s article(Maroon, 10-16-84)? Is there a mali¬cious intent in his characterization ofMorry’s workers as Vietnamese(which they are not, as any half-intelli¬gent person would know)? From thetone of the article, should I shout ra¬cist? ToiLanguoi Viet Nam (I’m Viet¬namese).Tri T. NguyenIda Noyes renovation: complaintsTo the editor:Which is more important, a 500-seatcinema complex, or the Ida Noyesgym? Every time the Administrationdiscusses the Ida Noyes’ renovationplans it grapples with this issue. Thekey to the query is “WE CANNOTHAVE BOTH!” Because of some al¬mighty imperative, we cannot haveboth. It woudl cost an additional onemillion dollars to have both. Well, Isure don’t have one million dollars todonate to the cause. Most of the peoplereading this letter probably don’t havethat kind of change lying around ei¬ther. Unfortunately - replace the deansof the University say the school doesnot have one million dollars to spare.At a recent showing of the Ida Noyesplans, Dean Charles O’Connell statedthat the building would not be RE-ren-ovated for another seventy-five years.While I hope he was exaggerating, theAdministration hopes to avoid re-reno¬vating Ida for a long, long time. Thus,whatever the University decides to doin Phase II and Phase III, the effectsupon our student union will stick withus for quite a while.As it stands now the University planson placing a new, progressive, bigger-and-better-than-ever 500-seat cinemain the middle of the Ida Noyes gym.The construction is hailed as a build-ing-within-a-building. In other words,there will be new solid walls, and per¬manent purple velour seats in the mid¬dle of the present gym.While this new theatre might in¬crease traffic through Ida Noyes by asmuch as 2400 people per ^e$k, we mustask: “what is the true cost of the cin¬ema? What do we lose?” If we acceptthe basic premise that “WE CANNOTHAVE BOTH”, we lose a lot. We losetoo much. What would a MAB dance bewithout the gym? What would the La¬scivious Costume Bali be without thegym? What would the Spring Formalbe without the gyj»?.,/ttiese are justthe major events." What would- Ida*Noyes be lifce on a day-to-day basis?Without the gym, there would ue evenless reason fdf* students to go to Idaduring the day. And at night, the build¬ing would turn into a quick pit-stop, astop-and-go for a movie.The Administration is counting on apathy. If the student body doesn’t sayanything, if the student body doesn’teven sigh, the question has a foregoneconclusion. There won’t be a gym inIda Noyes.At the University of Chicago a stu¬dent learns to think, to question, to test.Let’s test! The architects have alreadydrawn plans for free-standing theatreattached to Ida Noyes Hall. The planswould cost one million dollars to imple¬ment, no more than the current plans.In my opinion that is not an insur¬mountable sum. WHY CAN’T WEHAVE BOTH?Brad SmithStudent GovernmentVice PresidentTo the editor:Several things are demanded of IdaNoyes Hall in terms of its future capa¬bilities. The University’s plan calls fora million-dollar renovation to convertthe present gym into a cinema, and analternative plan draws attention to thepossibility of building the cinema as anaddition to Ida Noyes. This second planremedies the main drawback of theUniversity proposal, which is the lossof a convenient staging ground for ath¬letics and social events. However, it isover a million dollars costlier and prob¬ably entails the appending of a bland,modernistic structure to the gothicsplendor of Ida Noyes.So, what is to be done? As the sayinggoes, maybe it is possible to have ourcake and eat jt too. Why not go for botha gym and cinema, preserve the ou¬tward appearance of Ida Noyes, and doaU this atmipimal cost by retaining thegym and upgrading it so that it mayserve as a cinema as well? This will in¬volve adding curtains, improving heat¬ing, redoing the floors, adding a projec¬tor room and a screen, and upgradingthe general appearance of the gym.The balcony seats are already in placeso an acquisition of a few hundredchairs; should take care of the seating.Thifs, during-the day, the room willserve as a gym; at night, curtains canbe closed and seats brought out for itsuse as a cinema. Finally, in addition tothe advantages mentioned above, onecan have all of this ready in a matter ofa few months.Lawrence Kawano To the editor:We are writing this letter to expressour concern with regard to the Univer¬sity’s plan to convert the gym in IdaNoyes into a cinema. Does this Univer¬sity need another movie-house so des¬perately as to deprive its students ofthe already scarce athletic facilitiesfurther? Let’s see now; there is DOCdoing well at Cobb, there is I-Housefilm content in the assembly room at I-House, and there is LSF happy at Lawschool. This school shows an awful lotof films. Building a cinema inside IdaNoyes so that after shows students soinclined can step right over into thepub is of the equivalent logic as movingthe mountain to Mohammed. Whoevercame up with this excuse must reallyhate sports and really like beer.The thinking that Ida Noyes needs acinema to help “transform” it into areal student center probably ori¬ginated within heads whose ownershaven’t spent enough time at IdaNoyes. If one sincerely wants to im¬prove Ida Noyes, one would go for ren¬ovating the 3rd floor Assembly Hall,the East Lounge, and the gym. If thepowers that be have their collectivemind set upon building a cinema, theyshould work on finding ways to con¬struct one adjacent to Ida Noyes in¬stead of bringing destruction to a well-used, well-liked, historical, quaint,vital, and integral part of INH - itsgymnasium.Shang-You Nie.... T.C. Yee— To the editor:The single redeeming feature ofLawrence Lurvey’s column in theMaroom of 10-16-84 is that he dared toappend his true name to the piece.Humor based upon ethnic stereotypes(does Lurvey know that many of theemployees of Morry’s are natives ofThailand?) is successful only when ac¬companied by either bigotry or comicgenius. Lurvey’s humor appeals to thefirst and lacks the second.Successful practitioners of ethnichumor (Lenny Bruce, Mel Brooks,Richard Pryor, Steve Martin) mockthe prejudices they portray. Failures(Earl Butz, Lawrence Lurvey) onlydisplay their own bigotry and encour¬age it in others.Please exercise more responsible ed¬itorial control over Lurvey’s column.The contents of the Maroon need not besanitary; they should, however reflecta more intelligent world-view than isevident in the first installment of OpusDegrog.Robert CramFilm sacrilegeTo the editor:We are writing to express contemptfor Law School Films’ apparent lack ofdue homage for the very film starswhich they profess to hold in such ado¬ration; namely Lauren Bacall, GraceKelly, Gary Cooper, James Stewart,etc. Specifically, we are referring toLSFs’ policy of defacing their own post¬ers advertising their movies with a rub¬ber-stamp LSF insignia — apparentlythis is done to discourage movie buffsfrom stealing these posters. They mayhave a just concern in doing so, but arethe ends worth the means?We consider ourselves film buffs, andparticularly idolize the actors and ac¬tresses of the genre in which LSF spe¬cializes. Therefore, we were disguste-doutright to see beautiful portraits ofactresses such as Lauren Bacall andGrdce Kelly made repugnant by “LawSchool Films” stamped right over theirfaces! Surely, there must be a betterway...We hope that LSF will change thispolicy as soon as possible, for furtherdegradations of this sort could includesuch revered names as CharlesLaughton, Laurence Olivier, Joan Fon¬taine, Katherine Hepburn, Cary Grant,Mae West, the Marx Brothers,Humphrey Bogart, Gregory Peck, andothers scheduled to appear in filmsshown this quarter. We hope that no¬body will have to endure the distastefulprospect of seeing a portrait of Grou-cho Marx or Laurence Olivier with inkstamped across their faces.Come on LSF, show some respect!!Steven KormanRichard ShakerNerk posterTo the editor:Dear Sponsors (a.k.a., Student Gov¬ernment, in conjunction with the Col¬lege Quality of Life Committee, DOC,the IM Office, MAB, and the P EDept.),IF YOU MEAN IT, SAY IT'!!***GET OFF YOUR ASS ANDNERK***Sincerely,Leonard Glasser,- ,5th year student in the CollegeThe Chicago MaroonThe Chicago Maroon is the official student newspaper of the University of Chicago. It ispublished twice weekly, on Tuesdays and Fridays. The offices of the Maroon are in IdaNoyes Hall, rooms 303 and 304, 1212 E. 59th St., Chicago, Illinois, 60637 Phone 962-9555.Cliff GrammichEditor in chief, on.leave of absenceFrank LubyActing Editor in chiefMichael ElliottNews EditorDavid LanchnerNews Editor Rosemary BlinnFeatures and SpecialProjects EditorDennis ChanskySports Editor"Arthur U. EllisPhotograph EditorBurt RosenViewpoints Editor Wally DabrowskiProduction ManagerBruce KingGrey City Journal EditorLisaCvpra ; •;Advertising ManagerTina EllerbeeBusiness Manager Robin TotmanOffice ManagerLeslie RigbyChicago Literary Review EditorDavid SullivanChicago Literary Review EditorStaff: Karen Anderson, Mark Blocker, Anthony Cashman, Frank ConnellyAlexandra Conroy, Thomas Cox, Keith Horvath. Jane Look, L.D. Lurvey, RaviRajmane, Geoff Sherry’, Bob Travis.4—The Chicago Maroon—Friday, October 19, 1984VIEWPOINTSAnother glance at school prayer and faithBy Bruce LorzIn the Oct. 9 issue of the Maroon, an editorial en¬titled, “A Glance Askance” took up the subject of re¬ligion and politics (more controversial than this youdon’t easily get), specifically the matter of PresidentReagan’s religious beliefs and how they affect hispublic policy. The editorial not only denounced Rea¬gan’s policies regarding school prayer legislation,but went farther, opposing the idea of any prayer atall, even voluntary and private, in public schools.The writer makes one valid point, that being thatforced prayer (of any faith) is unfair and unlawful.He (or she) extends the argument, saying that anyprayer in public schools will indoctrinate accordingto Christian beliefs and deprive school children oftheir right to choose a faith, or to choose none at all.How a moment set aside for private prayer or star¬ing at the wall, as one chooses, will indoctrinate Icannot imagine. To deprive students the right topray is not “fairness”. It is state-mandated athe¬ism.The editorialist fails to understand why schoolprayer propenents seek their goal. He writes thatReagan’s plan will not “remove religious ignorancefrom those he intends to have enlightened...” But ig¬norance and enlightenment have nothing to do withit. The purpose is to allow prayer, not to educate. (Oris there a secret plot to institute Sunday schoolclasses in our public schools?) He goeson to contra¬dict himself, calling for a government program toeducate school children in a variety of religions (thelist of which would be selected by whom I wonder),yet earlier in his article he states, “Imposed faith isfalse faith.” Apparently imposed Christian faith isfalse, but others are ok.The writer shows a rather basic misunderstandingof world cultures, saying that to “further removeAmerican youth from other cultures through Chris¬tian prayer in the public schools would be a horriblemistake”. This may come as a revelation to some,but Christianity is not an American phenomenon.The United States accounts for only a fraction of theworld’s Christians. Most, if not all, nations havesome Christian population, though maybe a smallone. Even Israel and the Arab and Muslim stateshave some. Christianity is not only intercultural butremember that it began in what is now the ThirdWorld, and is devoutly followed by many there. Aperson need not change religion every time he or shestudies another culture or faith. The editorialist uses the word “faith” frequently,but he clearly does not understand what faith actual¬ly is. He sees it as something like an affiliation with apolitical party. Christian, Jew, Muslim, etc. arelabels used when talking religion, but in real life youput such things aside. Just like calling yourself a Re¬publican or a Democrat -- that’s fine for talking poli¬tics, but otherwise it’s irrelevant. But a person’sfaith, real faith, controls his or her everyday life, inall matters. The writer commends President Rea¬gan on having strong religious convictions, but hesays Reagan should ignore them when dealing withday-to-day business. This is unrealistic. He must actwithin guidelines of his faith, and political mattersare not exempt. While mandating any specificprayer in schools violates his duties and powers asPresident, milder action, such as simply leavingopen the option for voluntary prayer, fulfills his re¬sponsibilities as both Christian and President.Although the writer was mostly neutral in his dis¬cussion of religions in general, he makes severalstatements that are quite biased against the Chris¬tian faith and are totally untrue, even from a secularviewpoint. The most fallacious is where the authorstates that “...if God is Christian, He (sic) has notinformed billions of people around the world...whodo not pray to a Cristian God.” Let me read thatagain. God has not informed the world? Why, theJackson keepsBy Andre M. HornA common criticism put forth by those in opposi¬tion to the national as well as international respectthat the Reverend Jesse L. Jackson is'constantlygaining is that he is egocentric. Further, his opposi¬tion has argued that the Reverend Jackson’s egocen¬tric attitude results in political and personal expedi¬ency, often putting the interests of his constituentssecond to his own interests. Evidence of this positionwas presented in an article entitled “Jackson: a manwho cannot be trusted’. (Chicago Maroon — Friday,October 12, 1984) I could not agree with this positionless.The personal interests of the Reverend Jacksonhave always been at the forefront of his actions, butthey were successfully incorporated with the inter¬ests of the people he represents. Without personal in¬terest coming first Jackson may not work as hard as name of Jesus Christ has been proclaimed in everycorner of the world for many years, millenia in mostplaces! Even the atheistic regimes in the SovietUnion, China, and elsewhere cannot prevent thespread of this message. The fact that many people donot pray to a Christian God is their own choosing -don’t try to blame it on Him!Another fallacy the author puts forward is that thepurpose of daily prayer is to become a theologian, allknowledgeable in matters of faith. But this is untrue.Prayer is for speaking to one’s God; enlightenmentcomes (when it does) from the study of the Bible,Koran, or whichever books are appropriate to agiven faith. Of course, praying for enlightenmentdoesn’t hurt. And besides, school children are not tooyoung to be enlightened: the prophet Isaiah wastwelve years old when he began his mission.In summation, prayer in schools is not the tool ofoppression that the editorialist depicts it. The rightto pray, by whatever faith, at whatever time andplace, is one of the cherished freedoms that thiscountry is founded on. Indeed, this continent was set¬tled in part by people seeking to secure this freedom.And religious faith is not a set of beliefs that are for¬gotten when convenient. It is a guide to living, 24hours a day, every day. The editorialist did not knowthe answer to the question, “Is God a Christian?”Well sir, if you had faith, you would know.his promisehe does. Reverend Jackson’s personal interests areand always have been attainment of civil rights byall people.When Reverend Jackson first came into the publiceye as an aide and protege of the late Dr. MartinLuther King Jr., he was known as a fighter for thecivil rights of black people in America. In lateryears. Rev. Jackson came to be known as a strugglerfor the civil rights of all people. His public recogni¬tion of the discrimination that exists against Pales¬tinian people in the Middle East demonstrates this.These two examples clearly display evidence thatRev. Jackson’s personal interests must have beenlinked to the struggle for civil rights, and not person¬al or political expediency. One with personal expe¬dience in mind does not challenge the status quo, na¬tionally or internationally.continued on page sixBAIN & COMPANYMANAGEMENT CONSULTANTSCORDIALLY INVITESTHE UNIVERISTY OF CHICAGOCLASS OF 1985TO APRESENTATIONONRESEARCH ASSOCIATEOPPORTUNITIESINCORPORATESTRATEGY CONSULTINGTUESDAY, OCTOBER 23,19844:00 - 5:00 P.M.REYNOLDS CLUBNORTH LOUNGE TAIWANESESTUDENTS ASSOCIATIONLECTUREonTAIWANESECULTURE & SOCIETYwithPROFESSORCHUI SEN WANGPresident of TaiwanArt & PublishingSUNDAY, OCT. 21,8:00 P.M.IDA NOYES HALL, 2ND FLOORSponsored by SGFCThe Chicago Maroon—Friday, October 19, 1984—5VIEWPOINT NEWSJacksoncontinued from page fiveChallenges to the status quo havebeen necessary throughout the historyof this country. A recollection of Ameri¬can history reveals clearly that Ameri¬can policies have never facilitated therise to power, nor even the attainmentof civil rights, by black people. There¬fore, the plight of black people inAmerica has been one of struggle forrights that most other racial and ethnicgroups enjoyed. It was this constantchallenge of the status quo that led tosome reforms in this country.As history also demonstrates, chal¬lenging the staus quo can be danger¬ous. The death of Dr. Martin LutherKing Jr. can be considered the climaxof all the deaths suffered during pro¬tests for civil rights. By continuing thestruggle for civil rights of Blacks andattempting to expand it to a strugglefor civil rights of all people in Americaand abroad. Rev. Jackson is still chal¬lenging the status quo. Therefore, he isrisking his life for the sake of leadingthis struggle. This effort expels all evi¬dence of personal and political expe¬dience on the part of Rev. Jackson.Rev. Jackson’s former campaign forthe Presidency of the United Statesbrought national attention to issuesthat national politics had been over¬looking, which essentially were therights of the elderly, the poor, the hand¬ icapped, gays, Hispanics, and Blacks.Rev. Jackson proved that these peopleare suffering economically, socially,and educationally for lack of politicalrepresentation. Rev. Jackson’s cam¬paign also pointed out the discrimina¬tory foreign policies of the UnitedStates in Nicaragua, and its support ofdiscrimination in the Middle East.During his campaign and after, Rev.Jackson criticized America for its cur¬rent domestic and international poli¬cies heavily, but he also praised Ameri¬ca’s reforms over its history. Rev.Jackson further pointed out that morereforms are needed. The bettering ofAmerica was the basis for the Jacksoncampaign in the first place. This bet¬tering of America, Rev. Jackson ar¬gued, could only come about throughdiscussion which involved both criti¬cism and praise.One point Rev. Jackson did makeclear at the outset of his campaign forthe Democratic nomination is that hewould not seek to win the office of thepresident as an independent candidate.Rev. Jackson wanted to help strength¬en the Democratic party not weaken it.Though Rev. Jackson lost the nomina¬tion and his platform was rejected atthe convention, he did say he wouldsupport the Democratic nominee.Therefore, it comes as no surprise tosee Rev. Jackson keeping his prom¬ise.Andre M. Hornis a first year studentin Public PolicyBRIEFLYA week long tribute to Chicago jazz,presented by the Save our ShowcaseCommittee will begin Monday, October22, with a concert/dance featuring theCount Basie Orchestra in the CrystalBallroom at the Blackstone Hotel, 636S. Michigan. Tuesday’s entertainmentpresents Bunky Green and Stu Katz asthe Home Grown Session. Wednesdayoffers the Lou Donaldson Quintet andthe Northern Illinois University Big Band appears on Thursday, with JonFaddis as a special guest. The SOSCommittee will offer Ira Sullivan andRoy Haynes on Friday, Nat Alderlyand Eddie Harris on Saturday, andKenny Burrell, Richard Davis, and EdThigpen on Sunday. All events through¬out the week begin at 8 p.m., and thoseon Tuesday through Sunday will be inthe Blackstone Cafe. For more infor¬mation, call Nancy Doyle: 327-3491. Emergency student loansBy A1 KnappSTUDENTS NEEDING emergencymoney because of cash flow problems,personal crises, or other difficultiesmay obtain funds through the Emer¬gency Loan Fund or Morganstern LoanFund. But according to Herman Sinai-ko, Dean of Students in the college, thefund is in danger of rapid depletion ifstudents inundate the office with re¬quests, and he hopes the fund will beenlarged so that every student can bor¬row $100 with “no questions asked.”“I do not want to discourage any stu¬dent who has genuine need,” Sinaikocautioned, “but students should be pru¬dent.”He added that “The loans are not in¬tended to be long-term in nature.” Headded that he has been very pleasedwith students repaying their loans.Students are not charged interest forthe loans and are limited to $200.In the past, a student had to wait tendays - before receiving their loanmoney. To help shorten this delay, theHassles committee met and devised a new procedure for administration. Stu¬dents are first directed to the Dean ofStudents’ office. If the Dean approvesof the loan, the student then goes to As¬sociate Dean Nancy O’Connor, whosigns the appropriate forms. The stu¬dent takes the authorization slip to theOffice of the Bursar, which promptlygives the student cash. Sinaiko said therevised procedure takes “about twentyminutes.”The Morganstern Fund, which is sep¬arate from the College-administeredEmergency Fund, makes loans of up to$200 for 60 days without interest to stu¬dents in any part of the University. Ithas just recently opened to undergrad¬uates.The loans are administered throughDean O’Connell of the University, buttake three to four days to process.Sinaiko continued, ’‘If students canwait the three or four days, it’s anothergreat possibility.” To obtain one ofthese loans, students should talk to thedean of students.Handicapped housing in demandBy Ingrid GouldDisabled Adult Residential Enter¬prises (DARE) Housing Developmentplans to open the thirty-six inch widedoors of their new subsidized apart¬ment building at 5594 South Cornell byNovember 1st. The two-story, ramped,elevator-equipped building is tailoredexpressly for wheelchair-bound per¬sons capable of independent living.Founded by Rolf H. Ehrmann andmanaged by Lutheran Social Services,the barrier-free apartment complexfeatures electric ranges with controlpanels easily reached from a wheel¬chair, specially designed spaciousbathrooms, and front-loading washersand driers in the laundry rooms.According to Site Manager KathrynWertz, the building has no central tele¬phone or nursing care facilities, hence the “independent living” description.Rental subsidies are available for thosewho qualify.Wertz has received more applicantsthan there are apartments. The fourtwo-bedroom apartments have metwith greater demand than the remain¬ing twenty single-bedroom units. Appli¬cants range from students on disabilityinsurance pursuing a full-time courseof study to retired couples. The man¬agement will use the lottery system todetermine the order in which appli¬cants will be accepted. “We are tryingto be fair about it,” Wertz said.Wertz visited the building w'hile itwas under construction. “It seemedlike a rather comfortable place tolive,” she remarked. The modificationssimply allow the handicapped person tofunction easily from a wheelchair.• COMPLETEsingle visiondesigner glasses$337SProfessional fee additional./ For a limited time only \Contacts & SpecsUnlimitedGLASSES AT OURGOLD COAST LOCATION ONLY!m:»i \. Hush st • Hi2 i:yi:s * CONTACTLENSESOUR REGULAR PRICE•30 day extendedwear lensesor* Tinted soft lensesONLY$4995Professional lee additional.t requiredFor a limited time onlyIntroductory offer for new patients onlyContact LensesUnlimitedEVANSTON1721 Sherman \v«*.86 t-n n NEW TOWN2566 V < lurk St.880-5100 GOLD ( .OAST1051 V Ktihh St.I \t Sinieft rdar/Kuah. ibmrSolomon t oo|># r612-FA Ks6—The Chicago Maroon—Friday, October 19, 1984Interested inJournalism Internships?come hearAnn Dunningtonspeak onJournalism Opportunities1 available through the Venture program!Tuesday, October 23rd j12:00 noon !»| The Chicago Maroon office |Ida Noyes 303 |1L-Aj-HVMjcmmr jerkst!w Program in the Liberal Arts anti SciencesBasic to Hunuin Bioloav and Medicinepresents a lecture onScientific Problem- folvin^jtraTetfesaid their ButtybycWilliam WimsattProfessor, Dept Philosophy, the College, Comms. Conceptual huln.of Science, Evolutionary Biology, Ocncml Studies in the Humanitiesaid Morris Fishlnvi Center for Study ofHistory ofScience & HumanitiesThursday October is, me7*50 in Harper 130 New York UniversityVisits Your Campusto Answer Questions onthe M.B.A. ProgramLocated in the heart of the Wall Street area, New York University’sGraduate School of Business Administration has trained students forexecutive positions for over 60 years. A recent survey by Standard &Poor's ranked New York University number 2 nationwide as the sourceof graduate education for chief executives in major companies. OnThursday, October 25. an admissions officerwill be on campus to discuss the quality and flexibility of the graduatebusiness program. Check withthe Office of Career Develop¬ment for sign-up schedule andfurther information.New York University is an affirmativeaction/equal opportunity institution.BU5INE5S GRADUATES' : 1INVEST IN YOUR FUTURE...INTEL MAKES IT A REALITYIntel. The microelectronics leader. A billion dollar company whose excellencein both technology and progressive management has made its impact on theelectronics industry. Intel offers you both the challenge and the elements forawinning career. You've invested too much time and too much hard work tosettle for anything less than the best. You want Intel. An Intel opportunitymeans professional latitude, top resources and a dynamic environment ofteamwork and recognition. If you're looking for projects that call for leadership,invest your future in Intel. And make your success a reality.If you are unable to meet with us. please contact Intel College Relations at thelocation of your choice:Arizona: 5000 West Williams Field Road, Chandler, AZ 85224Santa Clara, California: P.O. Box 3747, Santa Clara, CA 95051Sacramento/Folsom. California: 151 Ravine Road, Folsom, CA 95630New Mexico: 4100 Sara Road, Rio Rancho, NM 87124Oregon: 5200 N.E. Elam Young Parkway, Hillsboro. OR 97124Texas: 12675 Research Boulevard, Austin, TX 78766.An Equal Opportunity Employer M/F/HinUOPEN HOUSEOctober 30. 1984, 7:00-9:00 PMWest Lounge, Ida Noyes Hall^ interested persons arc invited to attend.There wilt be a reception with thespeakerm Harper ZM foflowuuf the lecture. CAMPUS INTERVIEWSOctober 31 and November 1. 1984 V✓The Chicago Maroon—Friday, October 19, 1984 —7' — BUSPSPBi iPPS! ■NEWScontinued from page onethwestern Sullivan main¬tains that their ultimate intention is tomake Harold’s a nationwide chain.Having made this decision, theydrew up plans for the store. They de¬signed the store themselves, and decid¬ed against fortifying it in the manner ofother Harold’s stores. charismatic, grandfatherly man. Hisaim was to start a friendly, neighbor¬hood business. He told Sullivan to re¬member that “the chicken business is apeople business. ’’When asked if a U of C education washelpful in his business. Sullivan re¬sponded that he was sure that it had“taught him to think and to handle dif¬ferent situations.” He went on to saythat what he felt was most importantwas ambition and the will to succeed..The new Harold’s Chicken Shack in EvanstonSince none of the men had restaurantexperience, they spent the summertraining at the 53rd Street store. Whiletotal responsibility for the store is intheir hands, they have not been totallyabandoned. Harold Jr. has spent timein their store with them, giving thempointers on how to run the place.When asked about Harold, the manbehind the fried chicken empire, Sulli¬van had nothing but words of praise forhim. Harold is 67 years old, and hasbeen in the fried chicken business for 32years, longer than anyone else in Chi¬cago. He still owns most of the stores.Sullivan describes him as a nice, Photo by Bill SimmsSullivan and Witte hope that Harold'swill be as popular at Northwestern as itis at the U of C. Their product is as goodas that available in Hyde Park. As Sul¬livan put it: “U of C has a Harold's:now Northwestern has a Harold’s.They’re both privileged.” If their firstweek is any indication, there may soonbe an active and large Harold’s cult tothe north. U of C students should feelproud of our recent graduates forbringing one of the more refined plea¬sures of civilization to an until now cul¬turally deprived Northwestern Univer¬sity. The safari north by the Maroon taste-test team was long and eventful (thiswriter failed to get adequate direc¬tions) but was ultimately successful.We parked about a block away, in frontof a Northwestern dormitory. Steppingout of the car I immediately noticed thedistinctive Harold’s aroma, andparked in front of the store was theHarold’s chickenmobile. Until then Ihad only seen this legendary vehicle inphotographs. The storefront had a signsaying Harold's Chicken Shack, butdidn’t have the logo of man chasing achicken with a hatchet.Inside the store was quite differentfrom both the 53rd and 63rd St. stores.It is very clean and new-looking withbooths against one wall. Eating on thepremises was evidently allowed, andthere was no sign specifically forbid¬ding dogs and bicycles. The differenceMaroon readers may find most strik¬ing is the absence of any kind of fortifi¬cation.There were several customers in thestore, and a line of people waiting toorder. As we waited I heard the manbehind the register ask his colleague ifhe knew “how to program this thing forwings.” When I placed my order I no¬ticed that they had a high-tech cashregister on which each button rings upa specific item. The prices were com¬parable to 53rd st., a few cents less ex¬pensive in most cases. They also soldorders of “giblets”, which is a mixtureof livers and gizzards. This seems to bea particularly good idea, as many peo¬ple find it difficult to finish a wholeorder of either. At the Evanston store it is possible tohave either hot sauce or barbecuesauce. The Maroon team decided to tryboth. The hot sauce was the same as wewere used to and the barbecue saucewas also very good. They gave us coleslaw with our order, which I enjoyed.The taste-team was satisfied that thenew store sells the real thing. We leftnothing on the bones and ate thebread.Eating the chicken in the store, be¬side being convenient, has a noticeableeffect on the taste and texture of thefood. When U of C students carry theirchicken home the sauce has time tosoak into the chicken and fries, but atthe same time the moisture retainedunder the tinfoil make them soggy.Both of these effects are lost by eatingin the store, and whether this amountsto a relative advantage or disadvan¬tage is difficult to say. The gentlemenrunning the store feel that crispness isof critical importance and use waxpaper, which doesn’t hold humidity,rather than tinfoil for take-out orders.I asked Sullivan what his parentsthought about his going into the friedchicken business. He told me that atfirst his father had been afraid that hewould lose his capital. Now that busi¬ness seems to be good and improving,however, he is glad that his son is ableto be his own boss.In closing I would like to dispell cer¬tain rumors which I have heard. TheEvanston Harold's is not a “yuppie”Harold’s. There are no potted plants orutensils. The food and prices are essen¬tially the same as the other stores.Students get internshipsTwo University of Chicago studentshave received employee benefits in¬ternships through I.F. Interns, ac¬cording to the International Founda¬tion of Employee Benefit Plans inMilwaukee.Sharon Martin will intern at the Con¬tinental Bank of Illinois, and DenisePagnucci will intern at Beatrice Com¬panies.I F. interns work full-time during the two summers between their second andfourth years of college for companiesand organizations dealing withemployee benefits. Responsibilities in¬clude market research, computeriza¬tion of retirement plans, and ad¬ministration of employee savings andstock ownership.Nationally, the I F. internship pro¬gram involves 33 students.This Friday, Saturday, and Sunday Nite!MORRY’S DELIin Hutchinson Commons The “Dormitory Alternative”Open to serve you seven days a weekMon-Fri 7 am to 10 pm; Sat 9 am to 8:30 pm;Sundays 11 am to 8 pmBrings You the BEST BUY ON CAMPUS!Monday thru Saturday, 5 to 8:30 p.m.AND CHECK OUT OURa OTHER DINNERA SPECIALS!H—The Chicago Maroon Fridav October 1<». 1984COMPLETEDINNERONLY INCLUDESBARBECUED BEANS,FRENCH FRIESAND SALADTHAI BUFFET AND...JUMBO TURKEY LEG DINNERSALISBURY STEAK DINNERVEAL PARMESAN DINNERMEAT OR VEGETABLE LASAGNA DINNERHALF-LB. CHARBROILED STEAK DINNER ONE-HALF BARBECUED CHICKEN DINNEROUR SPECIAL BEEF KABOB DINNERCHARBROILED BROOK TROUT DINNERJUMBO BARBFCIJED RIB TIPS DINNER» i «* f,FOTO ESSAYThe Maroon writes a lot about study apathy in its editorials. Here wego again. We ran two ads asking students and faculty to submit ques¬tions on three major issues in the upcoming election: arms control,foreign policy, and the economy. We received one question on arms con¬trol — from a professor.Doesn’t anyone want to know about these issues? I doubt that’s true —I’ve heard many people avidly debating in classes on these issues. Afterhis Practical Discourse class last Tuesday, Wayne Booth and several ofhis students talked about these issues as well as why Reagan wouldn’tspeak at the U of C but instead would go to College of DuPage.Booth hypothesized that Reagan’s advisors wanted Reagan to visit atrue Republican country in DuPage County. That’s understandable. Aslong as he was in Chicago, however, why didn’t he come to a prominentUniversity where, if he swung votes, he would swing influential ones?The U of C Student Government approached Reagan’s and Mondale’scamps last spring to get them to debate there. They got a “no” re¬sponse.Booth had another hypothesis though — he guessed that Reagan’s ad¬visors pegged the U of C students and faculty as being likely to asktough, and possibly unanswerable questions.Maybe it’s just as well that Reagan didn’t come. If students don’t evenpose their questions to experts on the faculty via the Maroon, would theyhave had any of these “tough” questions for the President?Although we got to the rally at the same timethat Reagan did, the crowd was kept waiting for 45minutes, working them into a frenzy. But all theenergy that they could muster was to hold up theirsigns.A traditional pose which makes the Presidentlook like he is Alexander Haig. Due to a mistake on the part of the Republicanparty headquarters (they gave us the wrong direc¬tions) this was almost all of Reagan that we got tosee.In a true political move, the President flew thenational press in and set them up in front of all thelocal papers. He then came in and gave up a veryunmoving speech.SIDENT REAGANWith waving flags in front of him, and a Who’sWho of Illinois Republicans behind him, Reaganshowed that the election was taking its toll onhim.He delivered an unmoving speech that includ¬ed several errors and unfunny jokes.by Arthur U. EllisThe Chicago Maroon-Friday, October 19. 1984 -9AUTUMNERK INDIAN SUMMER NIGHTSDANCE AND PARTY WITH3$ students with u.c.i.d., 6$ non-studentstickets on sale at the Reynolds Club Box Office and at the doorbrought to you by the Major Activities Board10—The Chicago Maroon—Friday, October 19, 1984October 19, 1984 • 17th YearTHE BRUTE IN THE SMARTAND THE ART IN THE BRUTEJean Dubuffet: Forty Years of His Art,Smart Gallery, University of Chicago, Oc¬tober 4-December 2, 1984.by Louis KaplanPre-note: Smart people write and thewritten text reads — ” in quotes.”Jean Dubuffet: 40 Years of His Art(October 4- December 2, 1984)’> ■ m Du buffip* ...i w ir Fu r IS miniiq tin* mast important- 'p'Mti artists His textured'iiv.i in. ■ ■■/.}■:> ssiv*1 *Kmres f. ivt• b< • -a ,nisi* >r inth:* * 1 *■1 si,v«Hind*a a*'ii*'rations .if’ W.‘.'l/ ••le* >m* *f Ins unottfio.foxi, ) *' if !. ‘ r b> itt * *t efiil*ft*'ti tfi,• ms,m*■ •it. : in. -lit >i ptrinr iv* - •ulnir*; i it*piiu/.i-dinnr* ■ |nihil* ■ 1 lubuft* • seulpftin ■■ mmi.. ...'!!• : !* 'I T!:* Sta!*' ■ *! Illinois■men fa'n av. .< xbibittnnv : snpnmMnm. * itawm;|s and••i ;i i • •’;71’v i f!• •//►»(K • it*- 'ir iwn—The Smart AnnouncementKey note: A masterful rhetoric of the visu¬al image matched only perhaps by Dubuf¬fet’s own massive output of pronoun¬cements. Amid these many manifestoes,the style of silence called Art Brut. Ques¬tion: Why should Mr. Smart speak of/forMr. Brute? II parte. He speaks in a ratherrough voice to work through languages ofart and works (of art) to speak throughlanguage. Line by line. He speaks — withstick arms outstretched, a pickle-pockednose and a mouth ready to extort. Hespeaks the indeterminate pronominalusage as a way to brutalize the subject. IIParle. Oil on Canvas. 51 3/4 X 38 3/16.1961.1. “masters” — Mastery belongs to theone who possesses, the one who setsbounds to desire, the one who would beone. The child and the insane, Brut Artists,escape this logic of domination by a refus¬al to capture the image through represen¬tation. Art Brut dispossesses or desolidi-fies the subject and this deformationaffirms the infinite, uncontrollable play ofdesire. The Countryside becomes...the sitefor play whose excesses always displacethe attempt at mastery. Mastery can nolonger hold its ground amidst the fun andfrolics of these jumping and swingingstick-figured pot-bellies, this celebrationof the mind.A Modern Master speaks and he speakson authority: The world must be ruled bystrange systems of which we have not theslightest inkling. In spite of ink.Smart stands by art; Brut stands by ute2. “comprehensive” — Can we understandthn moaning nf thi<? word? It means under¬standing. Art Brut intervenes. It short-cir¬ cuits the cognitive apparatus and its ap¬prehension of the real. The a-, pre-,post-cognitive Brut Artist does not under¬stand understanding, does not figure outthe figure. It means totality. The brutalwould be that excessive force which rendsand renders totality impossible. Illustra¬tion: Dubuffet’s jigsaw puzzle periodwhere all of the pieces never fit together.Or Artaud With Tufts. The gaze can neverappropriate the entire image because ofthe double foci of the vision. Instead, onewavers back and forth in an uneasy ver¬tigo recalling its subject and the constantconcrete movements in the matter of the‘mise-en-scene.’ The point of the paintingis not to understand but to stand under thesign of the question mark. The Brut Dubuf¬fet: / am pleased when life itself is ques¬tionable in every part of the painting.Brutal definitions: The French BRUT mean¬ing rough, raw. unpolished, a literarywork in the rough, crude, unrefined, unfin¬ished. ART BRUT, for instance—3. “textured canvases’’ — Let’smove...from textured to text. Textureddenotes depth and layers of material, buta Dubuffet inhabits a certain depthless-ness, a manifold surface. Some textualreferences follow: Jean Paulhan’s facialcreases which move in and out of eachother in an optical play; horizontal depthflattened into vertical surface in The Tableand Arab With Gun; the dizzying loss ofperspective in The House in the Countryand the Rue Turlupet; the meditative sur¬face of the Texturologie series; the per¬petual Passage of the Cat playing hide-and-seek with the viewer simultaneouslydisappearing into the depth and rising tothe surface across the canvas. As with thetexts, I could go on. All in all, textual dis¬placements of the arm that points to TheWinding Path already itself The WindingPath.4. “Modern” — The art historical mega¬monster. How does this capital gesture,this adjectival appellation relate to theother reference to Dubuffet as a primitive.Some smart per-mutations: Dubuffet: theModern; Dubuffet: the Primitive; Dubuf¬fet: the Modern Primitive; Dubuffet: thePrimitive Modern; Dubuffet: the SmartBrute; Dubuffet: the Brute Smart. RealSmart, smarter than you think.5. “appreciating” — The concept of appre¬ciation necessitates a standard of beauty.But Dubuffet reduces beauty to a mereconvention: my beauty needs little to ap¬pear... any place — the most destitute. Ifthe appreciation of beauty includes every¬thing, then beauty has become a hollowphrase. Dubuffet’s women (Corps deDame) — immeasurable materialmammas, immense bodily flows seepingwith filth and fleshiness. If we dare deemthem representations, do we care to ap¬preciate them? Rosenberg: "His nudes ofthe nineteen-fifties undoubtedly comprisesome of the most revolting images in art.”Are smart Deoole affirming a pn«st-rrifiCa!appreciation which ends all value distinc¬ tions? Are they suggesting an apprecia¬tion of the most revolting images of artwith a theory of abjection? Smart moveseither way and all around.6. “unorthodox” — That old avant-garderhetoric. To which Dubuffet lends his voice:Creative invention can only survive in tak¬ing the opposite stance, refusal and imper¬meability. To which Dubuffet voices hisdisdain: Personally, I am not interested inwhat is exceptional and this extends to alldomains. I feed on the banal. The morebanal a thing may be, the better it suitsme. I don’t know about these schizophren¬ics. They just can’t seem to make up theirminds one way or the other.7. “today’s most enduring” — Time out!Endurance enlists time and projects it for¬ward; it subjects the instant to the future.It tells us about telos. For Dubuffet, thechild, the insane, and the schizoid reside inthe perpetual re-play of the discontinuouspresents. Time enough...to disenable the(art) project...as mere child’s play. Rejectprojects. Bring lots of presents. Out oftime! Antonin Artaud aux hoppes8.“expressive figures” — The concept ofexpression, of the outer man withdrawingto the inner sanctum-soul and bringingback by drawing. Here, nothing to ex¬press. Bodies without organs, a body withno image to express. The veil of maya castover the world of the visible in the void-desire of Everything Wants to Be One. Du¬buffet’s portraits — the erasure of ex¬pression through defiguration. To figure isto contain in the bonds of representation.To brutalize is to liberate the play of de¬sire. The brute does not know what it seesin figures — let alone the portrait of aman.Three Portraits1. Paulhan (September, 1946) — as Fat Al¬bert. The explosion of the subject — abloating ballooning up of the mind till itreaches cosmic proportions. Further, facialfissures in the granular surface indicatinga seismic rupture emblematic of the break¬ing apart of the subject.2. Ponge (June, 1947) — as E.T. Paulhan inreverse. Carved incisions that de-lineatethe face and the violence of representa¬tion against an undifferentiated primalmatter. “Ponge's” smirk: a burst of laugh¬ter at his own status as figure, at thislaughable attempt at discrimination.3. Artaud (January, 1947) — as Bozo theclown meets the blind seer. Decomposinglimbs and no umbilical point to them — alobster claw-arm here, a centipede legthere on a bplbous body. An uncontainableenergy flow pictured only as puncturedand brutalized. A mouth reduced to astraight line. Put in words: “Look at me,this figment of pigment,” II Parle9. “creativity” — Dubuffet’s dangerousprivileging of the unconscious as the keyto creativity. Madness lightens its manand gives him wings and helps to have vi¬sion. A rhetoric which divides the worldinto irregulars and homologizers andequates madness with genius. To which Du¬buffet counters: the insane are no more in¬sane than the sane. The split of the schizcreates — division.10. The Saga of “instinctive humanity:” ATrilogy Part 1. Art Brut as the alliancewith the unreasoning, the alogical the in¬human. “Instinctive humanity”? Overturncivilization and its contents. Humanity actsto repress instinct. Then, Dubuffet is ananti-humanist. No. This debate is a human¬ist invention. Dubuffet: Man is no dif¬ferent from the wind. What does the windsay? Ask it next time.Part 2. Rosenberg argues that Dubuffet’sinstinct is a contrived artifice. It takestraining to become the naif. His Dubuffet isa cunning manipulator who adapts the pri¬mitive as a devious device, a formal ges¬ture. Nothing instinctive about it. Smartguy that Dubuffet, producing smart art allthe way.Part 3. The Smart Brute. Perhaps, Dubuf¬fet’s second naivete consists of schi¬zophrenic child-man, brute-human, naive-artificial thing-thinking. Not a dialecticalsynthesis of the child (Part 1) and the critic(Part 2), but a post-critical disseminationof heterogeneous energies in a state ofconstant amazement.More brutish definitions: strongly andgrossly sensual, insensitive, stupidlycruel, unreasoning, irrational, savage,purely physical. To equate the brute withhomo cogito? Thou are fled to brutishbeasts; smart men have lost their reason!Gallery Goer Gut ReactionsA woman sighting Dubuffet’s cows:"They’re beautiful, very beautiful.”A child sighting The Small Sneerer: (Shepoints at the picture. A telling gesture.)A child sighting Monsieur Dhotel: He cries,“Aaaaah! Aaaaaah!”After-Note: Brut: a very dry champagne.Cheers! L.K.End-Note: Do smart people think they real¬ly know the meaning of the word brute?Nc. Smart people think. Pause. Brutestands mute. Silence. ^Corps de DamePongey-* ' «•>*»THIDA SKOGPfR |id.]Vision and Method inHstorical SociologyROBERT VON HAUBERG (Ed.)CanonsSEMINARY COOP ROOKSTORE5757 S UNIVERSITY 7524381TAISaflSvOftCHINESE-AMERICAN RESTAURANTSpecializing in Cantoneseand American dishesOpen Daily 11 A.-8:30 P.M.Closed Monday1318 E. 63rd MU 4-1062 BloodLlife.AmericanRed Cross4iTT\XU1I Help Will Yki?WHILEEVERYONEWASDESPERATELYSEARCHINGFOR THEGOOD LIFE,LARRY DARRELLSLIPPED OUTTHEBACK DOORTO LIVE IT.RAZOR'S EDGETHE ADVENTURE OF ONE MAN’S SEARCHFOR HIMSELF.COLl MBIA PICTl RES presentsa MARCUCCI COHEN BENN PRODUCTION a JOHN BYRl M Hi MBILL MURRAY"THE RAZOR’S EDGE" BASED ON THE CLASSIC NOVEL BYW SOMERSET MAI GUAMTHERESA RUSSELL CATHERINE HICKSJDENHOLM ELLIOTT UNCLE ELLIOT and JAMES REACHTJACK NITZSCHE*■*’""ftJOHN BYRUM & BILL Ml RRAYROB COHEN """S ROBERT P MARCUCCI and HARRY BENN"-""JOHN BYRUM mr=n. AKKAI) THf IN HOOK«co,uMiiK’UMIM«wlrMI MC jMl *«MT« MMIVffOWING DEERBROOKtaari«M main NORRIDGE*5? MOOWATER TOWER EVANSTON RIVER OAKSCMMW c*, mmooFORD CITYCMU*»-IM MMtMCROSSROADS GOLF GLENMm m-uMHARLEMCERMAKMKMmMUinn OAKBROOK STRATFORD SQ.(XtMwttMIIM 151 MICORLAND SQ. TOWN N' COUNTRY RUSSIAN MUSIC CONCERTAlexander IUitch EpplerBalalaikawithM. Kimbal Dykes - Classical GuitaristIN CONCERT: SATURDAY, OCTOBER 27,1984,8 PMMANDEL HALL, 1131 E. 57TH ST., CHICAGO, IL.MUSIC WORKSHOPS: MON-THURS, OCT 29 - NOV 1, 8 PMRussian & Balkan IDA NOYES HALL, 1212 E. 59TH ST., CHICAGOTICKETS: (at door) $9 General, $7 Student(advance) $8 General, $6 StudentMAIL ORDERS TO: U. OF C. FOLK DANCERS, 1212 E. 59TH ST., CHICAGO, 60637PHONE ORDERS: 962-7300, VISA & MASTERCARDINFORMATION: (312) 324-1247 or (312) 363-5214CALDCCOTTAWARD - WINNINGILLUSTRATORSofCWILPBSN'S BOOKS'*Ton 3eeimgsMoimt) Uogrqg\c\Y\Arnold LpbelTrlrux ScUart' Uvmxancwvtt Aufafli zvptv evr vwrti_ r ov 1TODAY, OCT. 19. 1964,3:30 ^ 3:30 pm-1301 €. (i Street66H-1300aVaiUMc vvt. cictd*19 20 21 22 23 24 OE»**%*«**lDv.*.*.MISCWHPK 88.3 FM will air a poetry and fic¬tion reading show every Thursdayat 5:00 P.M. The show will be onehalf hour in length and will consist ofstudents and community membersreading their work. Submissionsshould be mailed to WHPK-FM. 5706South University Avenue, Chicago,Illinois, 60637 Be sure to include aphone number.Shakespeare: Production and Critical In¬terpretation The first lecture in CourtTheatre's new lecture series (madepossible by the Atlantic RichfieldFoundation — the same folks whoare responsible for bringing youJohnathan Z. Smith). Participants in¬clude: Richard Christiansen, from theTribune', Pauline Brailsford, asso¬ciate artistic director at Body PoliticTheatre and long time Court crony;Robert Falls, artistic director of Wis¬dom Bridge Theatre: Michael Mag-gio, artistic director at NorthlightTheatre: and (surprise, surprise) Ni¬cholas Rudall. artistic director ofCourt. David Bevington will be themoderator. Tue Oct 23 at 8 PM.Court Theatre. Tickets are $3 or$1.50 for student types. For info —753-4472.Kong and Fay Wray star in King Kong, a Freudian allegory. Tonight at DOCMUSICOrchestra of Illinois, In honor of thehead-strong, but sensitive EleanorRoosevelt, whose 100th birthdaywill be celebrated soon, the Orches¬tra of Illinois presents the 1939Marian Anderson Concert. AnitaBerry, mezzo soprano, will take theplace of Marian Anderson. Ms. An¬derson gave a powerful perfor¬mance on the steps of the Lincoln Me¬morial back in 1939 and Anita Berrywill probably do the same. RobertKaminskas conducts. Sun Oct 21 at 3.Auditorium Theater. 922-2118. $5.- LBChicago String Ensemble Harpsichor¬dist David Schrader opens thisyear’s season performing Bach'sConcerto in F minor and variouspieces by Villa Lobos. Fri Oct 19 at 8.St Pauls Church, 655 W Fullerton.478-5988.Chicago Early Music Fesitval ExhibitionU of C's own Collegium Musicumalong with Roger Goodman, harpsi¬chordist. and David Schrader alongwith Dan Sullivan perform. If MiddleAges and Renaissance music is whatyou like, then don’t miss the CAEMAartists. They'll sing and dance awaythe day with you. Sat Oct 20 at 1:30.Church of Ascension, 1133 N LaSalleSun Oct 21 at 2. Unitarian Church,1330 Ridge Ave, Evanston.848-5406 $4-6-18Chicago Symphony Orchestra ClaudioAbbado sticks it out for one moreweek swinging his little baton, whileCecile Licad continues to play herpiano giving you Schumann for thelast time Fri Oct 19 and Sat Oct 20at 8. Orchestra Hall. $10-28. — LBThe Psychedelic Furs They're coming tocampus next Friday, and if you seethem here you'll save transporta¬tion money plus $3.50 on tickets.Then again, there’s something to besaid for the general Chicago audi¬ence, and for the Aragon Ballroomvs. Mandel Hall. You chose, but youmust chose one. Tonight at 8 at theAragon Ballroom. 666-6667. Tickets$11.50. — FSSmokey Robinson His voice may haveweakened, but his soul sensibilitieshaven’t. This Motown legend is stillmaking some truly fine music. To¬night and tomorrow at 8. HolidayStar Theatre, Merrilleville Indiana734-7266. — FSThe Suburbs and True West Tuesday sMaroon said the Suburbs play dan-ceable rock and roll and True Westspecializes in “guitar oriented, al¬most neo-psychedelic music.’ A goodchance to get out and dance? Sat Oct20 at 9 Ida Noyes Gym. Only $3. —FSBo Diddley One of the fifties finestrough and tumble blues/rock cross¬overs with one of the greatest beats(they called it Rhythm and Blues).He's appearing in a special showwith the Lonnie Brooks Blues Band,the Jimmy Dawkins Blues Band and "many more special guests." Sun Oct21 at 4:30 at Biddy Mulligans,761-6532. - FSThe Blasters Muddy Waters said some¬thing to the effect that their harpplayer is the finest around today.And besides that, their traditionalrock and roll sound is rooted in anunderstanding of why this musicexists in the first place. Unlike theStray Cats, they're not a revivalband: they make their good timemusic without any self-conscious fif¬ties attitude. And to me, that’s calm¬ly progressive. With Mike Jordanand the Rockamatics. Thur Oct 25 atCabaret Metro. 549-0203. Tickets$11.50. — FSThe Butthole Surfers They’re hardcoreand they’re from San Antonio, whichmust make them extra desperate. AWNUR show — they know what’sgood. Thurs Oct 25 at the CubbyBear. 327-1662. — FSSave Our Showcase Joe Segal’s JazzShowcase at the Blackstone Hotel isperhaps the best place in the city tosee good, national jazz acts, andnow they're in danger of closing.This weeklong tribute show is meantto raise the funds to keep the Show¬case alive. There is no age minimumfor these shows, and you can get stu¬dent discounts. Call 427-4300 for in¬formation. — FSTHEATREBaby with the Bathwater A couple ofpathologically inept parents are thesubject of this two-act comedy byChristopher (Sister Mary IgnatiusTells It All To You) Durang. Featur¬ing the Remains Theatre Ensem¬ble Goodman Theatre Studio, 200 S.Columbus, 443-3800. Tues-Thurs at7:30; Fri and Sun at 8; Sat at 6:30and 9. Thru Oct 21. $11-$13.Candide Leonard Bernstein and Ste¬phen Sondheim minus Lillian Heilmanand Dorothy Parker equal this musi¬cal adaptation of Voltaire's classicsatire. Goodman Theatre Wed andThurs at 7:30; Fri-Sun at 8; matineesThurs at 2, Sun at 2:30. Thru Oct 28.$l8-$25.The Canterbury Tales A tasteful selec¬tion of six of Chaucer’s stories pre¬sented sans intermission, by TheFree Shakespeare Company. A must-see for English majors and all otherswilling to suffer for their art. Piper’sAlley Theatre, 1608 N. Wells,337-1025. Thurs-Sat at 8; Sun at 2.“hru Oct 28 $8. — SPThe Fifth Sun Masks and ritual danceserve to illuminate the life of OscarArnulf Romero, slain Archbishop ofEl Salvador. Victory GardensTheatre, 2257 N. Lincoln, 871-3000Tues-Fri at 8; Sat at 6, 9:30: Sun at3. Thru Oct 28 $11-514City On The Make The poetry of Chica¬go s own Nelson Algren redone asmusical theatre seems to delightYuppies and artsie-fartsies alikeGrey City Journal 19 October 84Scratches and Breakers: Stephanie Bacon, Lucinda Ballet, Brian Camp¬bell Susan Greenberg, Irwin Keller, Michael Kotze, Nadine McGann,David Miller Brian Mulligan, Patrick Moxey, Susan Pawloski, JohnProbes Max Renn, Juanita Roche. Rachel Saltz, Wayne Scott, FranklinSoults. Kristy Stewart, Ken Wissoker, Rick Wojcik.Laying it Down: Stephanie Bacon, Bruce King, Brian Mulligan.Funky One Plus One: Stephanie Bacon, Brian MulliganGrandmaster: Bruce King Joan Fontaine trembles under the touch of Dame Judith Anderson in Rebeccaanother Freudian allegory. Sunday night at LSF.Northlight Theatre, 2300 Green BayRoad, Evanston. 869-7278. Tues-Friat 8; Sat at 5, 8:45; Sun at 3, 7:30.Thru Oct. 21. $13-$17. — SPMuch Ado About Nothing Shake¬speare’s much-mounted comedyabout a pair of wisecrack-pronelovers is respectfully, if not respect¬ably, treated by the Court Theatre.(Reviewed in this issue) CourtTheatre, 5535 S. Ellis, 753-4472.Wed-Sat at 8: Sun at 2:30. 7:30. Oct.11-Nov. 11. $11 -$13. — SPStage Struck A revenge-seeking cuck-hold is the focus of this comic thrillerby Simon Gray. SteppenwolfTheatre, 2871 N Halsted, 472-4141Tues-Fri at 8; Sat at 6 and 9:30; Sunat 3. Thru Oct. 21. $12.50-$17. Stu¬dent discounts available.3-Card Monte or the further adventuresof Robin Hood is a political comedyabout a Chicago con man who inad¬vertently becomes a modern-dayRobin Hood. The Organic TheatreCo.. 3319 N. Clark, 327-5588 Tues-Fri at 8; Sat at 6:30 and 10; Sun at 3and 7:30. Open. $12-515.Weimar: Billing itself as “a cabaret forthe eighties", Weimar opened lastFriday night at the CrosscurrentsCafe The series of song-sketches isperformed by the two men and onewoman who call themselves The Par¬tisans and touches upon everythingfrom Nicaragua (The Vacationer'sSong) to Samuel Beckett (WaitingFor Krapp). Of special interest to Uof C students is one number entitledThe New Univesity of Chicago FightSong, which boasted such memora¬ble lines as “When your hands are inthe air, who needs Voltaire?"Weimar is at its best when it aimsclose to home Otherwise, its Marx¬ist/ Liberal allusions get a bit heavy-handed, not to mention strangelyanachronistic. But then again, so were most of the people there. Over¬heard in the adjoining bar-cum-cof-feehouse "Thanks for filling the ex¬istential void" and “I’m on atangent. How are you?” In the caba¬ret part, one expects to see a manwith a goatee and a beret playingbongos in ,the corner. Another mancomes out and doubles on bass andpiano for the show, which lasts a lit¬tle more than an hour. The club is ac¬tually very nice, with candles on thetables and waitresses who are anx¬ious to convince you that they don’tdo this for a living who will bringyou drinks from the bar if you canget them to stop talking about SaulBellow long enough to get yourorder placed. If you can afford theeight-dcllar cover, Weimar is defin¬itely an interesting alternative tothe usual Friday night U of C routine.Crosscurrents Cafe is located at3206 N Wilton — SPARTRapia Enamel: See review this issue. Atthe Reniassance Society, fourth floorCobb; Tue-Sat 10-4, Sun 12-4 FreeJean Dubuffet: 40 Years of His Art: Seereview this issue At the Smart Gal¬lery, 5550 S. Greenwood. Tue-Sat10-4. Sun 12-4 Free.Chicago Head: 1984 Pictures of heads,multi-media, by Chicago artists.Opening Saturday, 6-9 pm. At theRandolph Street Gallery, 756 N Mil¬waukee 666-7737.Unscene: An exhibit of 30 Chicago Ar¬tists Exciting and diverse, this showcloses Saturday Also showing concurrently is Don't Give An Inch"an in¬ stallation by Greg Mowery. AtARC. Gallery, 356 W. Huron.266-7607George Wardlow Sculpture: Seems to Demore like multi-media environmen¬tal installation. Opening Friday, 5-8p.m., at Perimeter Gallery, 356 WHuron. 266-9473.Sandra Binion Presents Three Acts: In¬ternational performance artist San¬dra Binion presents a performancein three acts: One Less Won't Matter,Musical Chairs: A Documentary FilmShort, and Suite For Bass and Iron¬ing Bored Variation. Friday at 8p.m.. at the Randolph Street Gal¬lery. 756 N. Milwaukee. $4. $3 stu¬dents.FILMKing Kong (Merian C. Cooper, 1933)After about half an hour of vapidmelodrama (by Fay Wray and BruceCabot), the meat and potatoes ofthis film begins. Kong appears andproves to be more animated andvital than any of the humans thatsurround him. Unbridled passion andrage suddenly fill the screen as thegiant ape gleefully stomps andmunches on tastlessly protrayed jun¬gle natives, only to be felled by abarrage of gas grenades We allknow the rest of the story, but if youlike low-budget animal gore youshould have a good time. Personal¬ly, I enjoy the 1976 version with Jes¬sica Lange just as much It has an ap¬propriate underlying motif of greedand corruption while the original isdriven for the most part by childlikestupidity. Fri Oct 19 at midnight.DOC .50* — DKM*A*S*H (Robert Altman, 1970) Tocompare this film to Alan Alda's sitcom is to compare Jack Daniels toDiet-Coke Altman has never beenmore in control of his considerabletalents. The film is nasty, biting andvery cynical. We should all applaudLSF for screening this rarely seenfilm. Sat Oct 20 at 7:30 and 10 PMLSF. $2.50 - BMThat Sinking Feeling (Bill Forsyth,1981) In his first feature, Forsythshows us the surreal Scottish worldthat he had sublimated by the timehe made the better-known LocalHero. This time, a gang of unem¬ployed adolescent boys hatch an in¬tricate plot to steal stainless steelsinks from a local Glasgow ware¬house The boys accept their delin¬quency as an inevitable part of theabsurd world in which they live, asthey face the themes of transveti-tism. sexism, delinquency, and evenscience fiction. With the Glasgow“there must be something more tolife than suicide” Youth Theatre SatOct 20 at 7. 9. 11. DOC $2 50 — KLRebecca (Alfred Hitchcock. 1940)Though this was Hitchcock s firstAmerican made film it has a distinct¬ly British feel. Laurence Olivier andJoan Fontaine star in this atmo¬spheric adaptation of Daphne duMaurier's novel. Rebecca reveals aHitchcock torn between the plot andthe atmosphere At this point heseemed unable to find a comfortablebalance between the two. Fontainestars as the innocent who stumblesupon the tainted past at Manderly,her new husband's mansion. Themain theme of the film is how thepast can overshadow the present.Hitchcock is, as usual, playful and en¬gaging in his treatment. Not greatbut certainly entertaining. Sun Oct21 at 8:30. LSF $2 — BMVolpone Maurice Tourneur, 1939) Vol-pone decides to test just how faithfulhis friends are by feigning a fatal ill¬ness. However, his wily servant hasother plans. Matching wits with hisemployer, the servant ultimatelybrings about Volpone s financialruin. Tourneur has crafted a brilliantadaptation of the 17th century sat¬ire on penny-pinchers and their le¬cherous friends Sun Oct 11 at 8. DOC$2.00Somewhere in the Night (Joseph Man-kiewicz, 1946) This quintessentialnoir film explores America's pos¬twar angst and disillusionmentthrough an amnesiac veteran’s dis¬covery of his identity, and his real¬ization that he is no better off nowthan before. Violence and malevo¬lence spiral into a cataclysm of de¬spair until the soldier plots a de¬vious way to start a new life MonOct 22 at 7:30 DOC $200 — DKNightfall (Jacques Tourneur. 1957) Jac¬ques Out of the Past Tourneur hascreated another noir landmark asAldo Ray and Anne Bancroft searchtor clues to Ray's dark past Pursuedby two evil thugs, he must firstprove his innocence to an insuranceagent who believes that he is in¬volved in a crime the thugs commit¬ted But the protagonist, haunted byhis immediate and unsettled past,must first overcome his unmitigatedtrauma before he can learn to su*»vive Mon Oct 22 at 9 30 DOC $2 00DKGREY CITY JOURNAL—FRIDAY, OCTOBER 19, 1984—3LOOKING FOR A■USED CAR?!WE CAN IICATE TNI NSEN CM TCN MM. TIME!SPEED SEARCH AUTOMOTIVESELLERSP 0 BOX 1)2SKOKIE IL 60076 WE CAN HELP YOU LOCATEBUYERS FOR YOUR USED CAR'CALL HOW 982 n389-9 MON-FBI. 9-6 SAT SUN Well Help.Will You?PJI a Public S«rvice of Th.i Nawspapc'<&■«' & Tne AOvenismg Council AmericanRed CrossTMEWIn a Dark TimeImages for SurvivalEdited by Robert Jay Liftonand Nicholas HumphreyWith the words of poets, philoso¬phers, politicians, and ordinarypeople, In a Dark Time presents aunique view of hope and couragefor the nuclear age.“In this brilliantly conceivedanthology, Robert Jay Lifton andNicholas Humphrey have pro¬duced a survival manual that iselegant, beautiful, and -1 fear tosay-indispensable.”—Roger Rosenblatt$5.95 Paper $15.00ClothPromethean FireReflections on the Origin of MindCharles J. Lumsden andEdward 0. Wilson"Promethean Fire ponders the vir¬tually imponderable, the origin ofour own minds, and comes out ontop. Every page is an adventure,the concepts come at you like laserbeams” —Roger A. Caras$6.95Jacques LacanThe Death of an Intellectual HeroStuart Schneiderman“It makes fascinating, witty - albeitat times tragic-and necessaryreading for those who want to knowwhat happened once Freudianismcame to France, and the history andshape of French thought now.”—Barbara Probst Solomon$6.95Letters to MollyJohn Millington Synge toMaire O’NeillEdited by Arm SaddlemyerThe letters “begin on a querulousnote, turn to passion, to tenderness,to pathos, but in the end show uspretty much the whole man, who forgenius ranks next to the man whobefriended him, W. B. Yeats, andput him on the road to immortality.”—Boston Globe$7.95 BelknapAdornoMartin Jay“An admirable introduction to thethought of an inordinately complexwriter. It presents that thought inlucid outline, while avoiding the sortof facile simplification that Adornohimself would have detested .'— H. Stuart Hughes$5.95The World, the Text,and the CriticEdward W. Said“Provocative and exacting; theessays provoke due interrogationof contemporary literary theory...The book issues from a remark¬ably sharp intelligence, forcing usto face questions and possibilitiesthat literary theorists on the wholeprefer not even to raise”— Denis Donoghue,The New Republic$7.95HarvardlPaperbacksAt bookstores or fromHarvard University Press, Cambridge MA 02138 AN INTERNSHIP IN EUROPECOULD HELP YOUR CAREER PROSPECTSSemester, Quarter and Summer programsin LONDON, EDINBURGH, PARIS, MADRID& BONNIf you have a positive attitude, right GPA, good commandof the language concerned you could intern in the^House of Commons,French National Assembly,Spanish Cortes,German Bundestag.Other place available in Law. Social Science, ResearchLabs.. Business Museums, Town Planning,The Arts and European Politics.1985 Semester costs from $2,975, Quarter& Summer costs from $1,690.Full academic credit availableFULL DETAILS FROM EPA,MARYMOUNT COLLEGE, TARRYTOWN,N.Y. 10991 Phone (914) 631-3300 H1LLF.LSOFTBALLGAMEON THE MIDWAYSUNDAY, OCTOBER 2 1stat 12:00 p.m.MEET AT HILLELPASS THE WORDTO YOUR FRIENDS!Bar-B-Q after the game!PLAYBALL!Tai Chi Chuanfor health, for relaxationfor self-defenseClasses at MoMing Dance Center, DePaul (StuartCenter), and also Hyde Park and Oak Park areasInformation. 383-7483*She will becometheir most deadly weapon.As long as they can makeher fall in love.DIANE KEATONTHELITTLEA GEORGE ROY HILL FILMDIANE KEATONin JOHN LE CARRE'S“THE LITTLE DRUMMER GIRL"YORGO VOYAGIS KLAUS KINSKIMusk by DAVE GRUSINExecutive Producer PATRICK KELLEYScreenplay by LORING MANDELBased on the novel by JOHN LE CARREProduced by ROBERT L. CRAWFORDDirected by GEORGE ROY HILLQ mOMiA WABNE« COMMUNICATIONS COMPANYO w* * - s- w .—■MTwcniiirsy«• ir flumait kEiMtsaCTsaNow Playing at a Theatre Near You,i. ■ < t»AND THAT'S THE »WAY IT ISby Ken WissokerThe last few years has seen the develop¬ment of a new kind of dance music, hiphop, a hard, stripped down, electric funkmade for the dance floor. “Planet Rock,”“Rock-lt,” and other hits have made thismusic world famous. What first attractedme to it, was a record called the “Adven¬tures of Grandmaster Flash on Wheels ofSteel” (see discography) which over¬turned a number of received notions ofwhat music should be. There was no band,and no instruments. The record was aturntable collage of other records, takenapart and worked back together. What itimplied was the end of the song as an inte¬ currently on exhibit in the graffiti artshow at the Renaissance Society.Hip hop music began somewhat laterthan graffiti art, about 1975. To say thatit began at all is misleading, because itgrew out of previous black popular music.Black music may have moved in a disco di¬rection, but in the Bronx, James Brownand other hard funk was still preferred.DJ Kool Here, who had his own very pow¬erful sound system, and a lot of great re¬cords, would throw parties where hewould often use two copies of the same re¬cord to repeat the breaks, the place in asong where almost all the instrumentationdrops out, leaving the bass and drumsgral whole sent from above by artist andrecord company, and the mergence of amultiplicity of DJ auteurs, each with theirown styles, mixing something new every-time they played. An open and wildstyle.Hip hop is the term used for both a kindof music, and the wider sub^jture it comefrom. Born in the Bronx, the Vkpressiements of graffiti, new CJ styles, rand breakdancing came togetherlate ’70s.Graffiti had the earliest startfrom simple tags (^ames, qpr n^mejstreet numbers such as th^fctfamous TAKI183 — Taki who lives arfB3rd St.):i!whichwere written with magic jparkers, tp hugemurals on the side of <^hubway car, com¬plex designs using b«nty cans of spraypaint. This develo^pnt, which toq^ placebetween 1971J«T involved cguntld$sstylistic in the^use of mater)*als, increaiW ambitious ajyj ytive pre-plljwa designg*«WT^^ral dif¬ferent letter styles. Many of these becameso intricate as to be indecipherable tothose who were not writers. The artistswho produced these works became folkheroes among kids in their own communi¬ties, while of course, to the mayor and thMTA officials, they were jPainting trains involved sneayards or tunnels, evading theand working fast in the dark aWhat resulted though were lines of cmunication and competition that ran be¬tween disenfranchised black and latinokids all over New Yrok.In 1977, the MTA introduced a chemicalcar wash known as "the buff” which^otally ruined the artwork (without actualsuiting in clear cars), and subsequmany of the works werAisible for only avery short time. Forturfl^ly, two photog¬raphers, Henry Chalfant and Martha Coo¬per jMg independently set out to docu-menflBRe designs, many of which they pounding a minimal and hard beat. Play¬ing the breaks in succession forced the at¬tention of the dancers on the repetitionand then difference in the beats, and amore intense experience was created froma more minimal form. A number of DJsemulated Here, and would play in theparks, or throw parties themselves. Onem, Grandmaster Flash, made the tripo a Manhattan disco to try and fig-how -it was that'they were able tongs so cleanly. He ^persuaded the DJ>t him try on the headphones, and im-iately^realized what kind of a switchhe needed to wire on to his mixer so thathe could hear through his Own headphoneswhere the needle was in tl^e record he wasabout tOjgut to. This enabled him to get thebeats OHBtototwo records*in sync, so thebreaks coo6»e repeated more smoothly. cautionary tale about Bronx streetlife,was released in 1982. It seemed to openup a new, more politicized subject matterdrawn from everyday life, but ended upmostly creating a stylistic rut, as it follow¬ups lacked in both inspiration and inven¬tiveness. Rap in general has flourishedmost as fast and clever word play over theincreasingly abstracted and developed in¬strumentals, rather than as a medium forsocially “positive" messages.Breakdancing, the most ubiquitous and(at least for the spectator) most boringaspect of Hip hop culture, started back atKool DJ Here’s parties where the namewas applied to the new solo dances doneto the breaks. Breakdancing had nearlydied out among black kids by 1978 andwas kept alive mostly by Puerto Ricankids in the Bronx until it got its big mediabreakout.Most of the above too-short historycomes from Steve Hager’s excellent newbook, Hip Hop: The Illustrated History ofBreak Danc&j^^Rap Music, and Graffiti.Hip Hop sw*.r: Vjth a history o^he Bronxin the ’50s and^fi^^Ftow Robert Mosessinglehandedly ei (fneered the destruc¬tion of the Bronx las a set of neighbor¬hoods, by paving ri^^^rough it, with theresultant concentratiojRQ^Ml middle classinto Co-op City, and iretltofp^or into proj¬ects. In successive chapters, Hager dis¬cusses the rise and declinq^f^treetgangsin the Bronx, gives histories<^g>»^pffif,DJing, rap, breakdancing, and tjjaP'Triove- ^ment of hip hop culture dow2 clubs and galleries. The book is5 great stories, often told by the partly£ pants themselves, some of whonwHfad3 pretty much vanished from the scejfi until3 Hager tracked them down.£ The review of the book in New MusS Express (9/22/84) criticizes Hagar for not2 really working through the consequencesof the cooptation of street culture into themainstream commodity culture. Though hedocuments hip hop’s mAes out of theBronx, Hagar certainly doW not offer thedepth of analysis that would be necessaryto sort cut all the contradictions that move^has entailed. In the epilogue he poses ths^question of how well the subculture willsurvive its massive success, but leaves itan open question. He |^bptimistic becausemost elements of hip mop have been pro¬nounced dead before, only to have a newinnovation, a new talent, or media atten¬tion revive them.Whether hip hop has died through itsown success is, fortunately, not a question you or me or even Steve Diamond can de¬cide. It is worth remembering, though,that becoming music art and media starshas been a constant aim of hip hoppers allalong. It was Fab Five Freddy Braithwaitewho engineered the entrance of graffitiinto the art work, not some dealer out toexploit the artists. It’s part of what hiphop is about, doing something new, beingnoticed, being the best — and gettingmoney for it. One of my favorite early raprhymes is from “That’s The Joint” byFunky Four + 1:I was sittin’ in my house watchin’my tvWhen all of a sudden it dawned onmeThat I was all alone, just wastin’my timeSo I grabbed a pen n’ paper andwrote down a rhymeAs I thought to myself how nice itwould beTo be on top making cash mon-eyTo go on a tour all around theworldTo tell the latest story to all the flygirlsTo sit on my throne to command myownTo be number one on the micro¬phoneJust tellin the tale about how itsgonna beFor the Funky Four + 1 MC(c 1980 Funky 4-1-1, S. Robinson, CChase)This is great, because it expresses sothe desire to get out from in fronttv — to become an active partici¬pant rather than a passive recipient. Itmakes a claim on the post-Warhol Ameri¬can dream. AnyoWi, no matter “how hum¬ble their origins’^ can grab for their fif¬teen minutes of fame. While the history ofand our culture in general, is strewnthose who thought theytop without “selling" it is hard tonot beno one wasJohnnyofthatsubculture pre¬success willhave al-the dominant. It is the firstout’seegiven tohappy toLydonthemselves, nothey should be putserves either,changeready succeeded inart and music culturesmovement since punk to break throughfrom the bottom up, and like punk itshould be given the chance to play itselfout.noothlyand then switch between^ different lords while Keeping the treatagina-' \ aleadS#With the subs£%rea* invention ofbackspinning by Flash, iand scratching byhis friend ;Theodore, ^s became sort ofvirtuoso tricolour instrumentalists, ableto createsongs bynumber ofscratching, trecord backmademenrwie uesiyns, many ui ~have now collected in a book called Sub- tfr'ea 3w9y Art <tomo nf Chalfant’s photos am “Th« mplqjeiy new sounds andtogether pieces of aferent records In fact,hand manipulation of theforth under the needle,ossible to produce an instrumen-with jtJsf|fc few beats from somes record*t£0 talk/singing of rhymes andes oyer the DJs instrumenta-began as a way to keep people danc-instead of jyst watching the DJ workCrews of a few rappers would devel-routines whidti at first mostly exhortede people to party, or had each MC tellingstory of how* great they, their group,and the DJ werq. When one of these rou¬tines, “Rappers Delight,” recordedand became a substantial hit, the way wasopened for groups to record, though most¬ly with small independent record compa-a chilling narrative «nu WE ARE GREY OTY BRUNCH SUNDAY 1230 1M2 E. NO 707MPHOPOONTSTOP1«TEN NASTY DISCS YOU MUST OWNby Patrick Moxeyand Ken WissokerIt seems paradoxical to present a list ofHip Hop’s greatest hits as one of the inter¬esting things about the genre is the end ofthe idea of a song’ as a solid and integralwhole. The songs are all designed to bemixed, to allow an endless number of ver¬sions, quotations, and mixes to appear inthe play of the dj. Still, there are somesongs that were just too innovative, thatestablished beat patterns that causeddance floor sensations and which werepaid tribute to in copies, versions, andmixes.Grandmaster Flash and the Furious Five “Adventures on the Wheels of Steel’’ (Su-garhill, 1981)A comparatively early mix by D.J. Flashwhich is still pretty much unparalleled.Taking pieces of “Another one bites thedust,’’ “Good Times,’’ “Rapture,” severalrap tunes, and various odd bits, Flash pro¬duces a mix of dazzling speed and electric¬ity. It’s a shame that more mixes of thissort were not committed to vinyl as thedexterity of Flash here was one of thethings that made Hip Hop seem so excitingin the first place.Funky Four plus One “That’s the Joint” (Su-garhill, 1980) and “Rappin” and “Rockingthe House” (Enjoy, 1979)Two early examples of well done butclassic raps. The presence of Sha Rock, agreat woman rapper, helps balance the“I’m the greatest lover” male rap rou¬tines. Dated by the style of instrumenta¬tion, these two singles are still a lot of funto listen to.Herbie Hancock “Rockit” (CBS, 1983)Besides its crossover success, and itsemergence at the right time to become thebreaker’s anthem at what hopefully willhave been the peak of breakdancing’spopularity, this record is notable for thecross racial borrowing that brought itabout. In one of the great ironies, appro-priator Herbie Hancock learned aboutscratching from Malcolm Mclaren's “Buf¬falo Gals” (which certainly belongs on thislist somewhere). This record was, like“The Message,” almost excluded from thislist by having been played so much thatit’s hard to see when one will want to hearit again. It is probably now best heard in“Rockit” scratcher Grandmixer DST’s me¬gamix of it with other parts of the FutureShock LP.Run OMC “Rock Box” (Profile Records,1984)Heavy metal guitar axes its way through tough rap from Queens’ boys RunDMC. “Rock Box” takes the big guitar soloitem that made “Beat It” a big crossoversuccess, abstracts and repeats it over RunDMC’s most high powered rap. This recordwas such a brilliant and radical innova¬tion, with so much energy, that it’s ashame that it didn’t become as huge a hitin the rest of the country as it was in NewYork.Freez “I.O.U.” (Streetwise, 1983)I.O.U.’s use of high pitch, “dub.” vocalsegments for creation of melodic patternis innovative Masterminded by ArthurBaker, the technique employed on this re¬cord has provided him with a steadysource, from “Pop Goes My Love” (Freez)to John Rocca (ex Freez) through to CyndiLauper's “Girls Just Want To Have Fun”(12” roller disco remix). This song was oneof the first successful attempts at combin¬ing hip hop rhythm, breaks, and scratchnoises into a pop song which would cross¬over.The Willesden Dodgers “Gunsmoke Brea¬kout” (Jive Electro (Arista), 1984)A record which poses a serious query tothe cry “Hip Hop is Dead.” The construc-contlnuedHIPH0PD0NTST0P2The University of ChicagoDEPARTMENT OFANATOMYPRESENTSLECTURES ON THE STRUCTUREOF LIFEGEORGE LAUDER Speaking on...“Complexity and the Evolutionof Biological Design”andPHILIP (JLINSKI Speaking on...“Spaces and Maps: Finding your wayamong the neurons”BOTH LECTURES ARE INTENDED FOR GENERAL AUDIENCES AND WILL BE HELD INANATOMY 104 AT 8:00 P.M. ON TUESDAY OCTOBER 23. ADVANCED ESTIMATIONFORECASTINGSIMULATIONFOR ALL COMPUTERSNOW AVAILABLE FORIBM—PC104 SOUTH MICHIGAN AVENUECHICAGO. IL 60603 • (312) 726-1541Is your calculator in the sameclass you are?Move up to theTl-66.The easy 512 step programmable.You’re into higher math and your oldcalculator helped get you there.But now it’s time for something more.The TI-66 from Texas Instruments. TheTI-66 offers full programming power andflexibility so you can solve complex andrepetitive math problems quickly, easilyand with fewer keystrokes than youthought possible. Its 512 merged pro¬gram steps and over 170 built-inscientific, engineering and statisticalfunctions make for powerful program¬ ming. And the sleek, streamlined designmakes for easy use.Its Algebraic Operating System makesit easy on your brain by allowing you tokey in problems as they are wntten, leftto nght. And a 10-digit angled LiquidCrystal Display not only makes it easyon your eyes but provides alphanumericnotation of your program steps so youcan make easy modifications as yougo along. There are large, readable keysfor your fingers, and an easy-to-follow guidebook so you shouldn’t get confused.And last, but certainly not least, at asuggested retail of $69.95, there’s a pncethat’s easy on your pocket book.All in all, if we made the Tl-66 pro¬grammable calculator any easier to use,it would deserve its own degree.Texas xPInstrumentsCreating useful productsand services for you.Photo by Laura Levinetion comes across as “organic” in compari¬son with the stiff, formal feel of the elec¬tronics of “Looking for the Perfect Beat”(Bambaataa and Soul Sonic Force) as anexample of older Hip Hop styles. The swiftinteresting changes in the beat patternsand the odd background “piping” producea truly mesmerizing instrumental.Africa Bambaataa and the Soul Sonic Force“Planet Rock” (Tommy Boy, 1982)Once upon a time a Kraftwerk recordfell off the back of a lorry in the Bronx. Itwas dying to be funked up and with JohnRobie playing instruments, arranged andproduced by Arthur Baker, an internation¬al success was at hand. “Planet Rock's” in¬credible Eurotransbronx funk bricollage,minimal in its style was notable both forits innovative (and much copied style) elec¬tro beat and the “MC poppin’ style of rap¬ping.Man Parrish “Hip Hop Be Bop” (Importe,1982)In late 1982 the Man Parrish took elec¬tro beat a bit further, layering the soundand adding depth not present in “PlanetRock.” Although sticking with instrumen¬tal pattern, elements of “space is theplace,” and extensive “Woof, woofing”help give this disc its place in Hip Hop his¬tory. The B side demonstrates some com¬mand of “Boystown,” the popper bellspoppin’ to the “Heatstroke.”Art of Noise “Into Battle with the Art ofNoise” (ZTT (Island), 1983) “Into Battle with the Art of Noise” (spe¬cifically the Beatbox track), although ofEnglish origin, had vast implications forthe US Hip Hop movement. Arranged andproduced by Trevor Horn and Paul Mor-ley, “Beatbox” appropriates elements ofhip hop in constructing a record with avery industrial feel. This combination ofhip hop and “noise pop” (such as SPK’s"Metal Dance”) was extremely popularamongst the American Black hip hop audi¬ence. “Beatbox”"was often to be found in¬corporated in the hot mixing of Chicago’slargest Black radio station WBMX. Notonly was this record itself a classic, but itinspired a number of more hard core hiphop songs based on its riff — notably bythe Boggie Boys and Pumpkin, that be¬came standards in their own right.Ramelzee vs. K-Rob “Beatbop” (Profile,1983)This record has a very slow groove thatgradually builds in intensity as K-Robraps the more “message” style alternatewith Ramelzee’s distinctive coked out justfreak 'em lines. The interchange betweenthe two styles makes this record a lot offun and one that is hard to get tired of. It’sheavily echoed, “Rock on, to the break ofdawn” sound, gives this record a “live”feel which is pretty unique. Well worthseeking out.The ten hip hop records reviewed herecan be heard Friday October 19 at mid¬night on WHPK 88.3 FM Chicago. Ouik, 1981 Photo tby Stephanie BaconWe are all familiar with the western cul¬tural phenomenon wherein any subcultureof significant size or impact is coopted,commercialized and rechanneled throughthe mainstream media. Those “in theknow” about a particular subculture gen¬erally bemoan the transition of a formfrom subculture to pop culture as a graveloss, a betrayal or sell-out. In the case ofhip hop culture, however, this does notnecessarily apply. Hip hop culture is aproduct of the young urban black and hi-spanic lower classes, and the assimilationof hip hop culture into mainstream culture,(having been more rapid than that of itshistorical precedents, jazz and R&B) is asocially progressive phonomenon. It ex¬pands the social and economic opportunity ror the artists, and exparnhorizons of the bourgeois.This social context in addpidity of assimilation puts tan incomfortable positionthe value of what is calle*glibly, graffiti art. The trafor asessing technical skillate, because spray enamunique type of technical fattional criteria for asessingsition are inappropriate,graffiti surface — the sidetrain presents special comstraints. The traditional criting the maturity of an arttion. portfolio, gallery expcinappropriate, because thesocially denied the artists ofThe basic theoretical diffing the work is exacerbatecsance Society's current shoel, by the fact that a gmedia approaches to grafpresented in the show. Moare large canvases by vswhich, as we shall see. 0Intariroimof1mmmm>to tty Henry Chalfanttheir conception. Another large body ofwork in the show is a series of photo¬graphs by Henry Chalfant, from his bookSubway Art.Although painted trains are the singlesubject of the photos, the photos are morethan purely documentary; they are compo¬sitional in the way the subjects areframed, and the way the multiple panelsof each composite photo are cropped andfitted together. Chalfant's contextualiza-tion of the train murals is intimate and ap¬preciative; the photos are strong, color ac¬curate, and they affirm the validity oftheir subjects as works of art. Also includ¬ed in the show is an advertising photo, inwhich a wall of graffiti connotes a hostile,“uncivilized” environment; although it is afascinating subject for analysis and a bla¬tant example of the racism and elitismthat permeates our culture, the advertis-ment is perhaps distracting here, in thecontext of so much basic, vital artwork. Anuntitled photograph by Robert Smithsonand Robert Fiore seems equally peripher¬al. Finally, a couple of drawings are in¬cluded in the show, preliminary sketchesfor large graffiti murals, which are inter¬esting in as far as they pertain to theprocess of creating a piece.The most interesting paintings in theshow are those that are the most consciousof the graffiti vernacular and acknowl¬edge that vernacular, either by expand¬ing upon it or breaking out of it. Certainlyone of the most interesting pieces in theshow, a large vertical canvas, is TheBreakdown Comes When You Stop Con¬trolling Yourself And Need The Release OfA Bloodbath (1983) by Lady Pink andJenny Holzer. The forefront of the compo¬sition is dominated by a comic-book-stylefemale figure dressed in shredded leop¬ard skin and chunky “primitive” metalbelts, collar and cuffs, standing on top of amound of skulls. The background of thepiece is a trainyard, the graffiti-coveredfronts of several train cars angling for¬ward. Above the composition the words ofthe title run in two rows of block printing.It seems clear that the anger of the titleincantation is directed at a repressive pa¬triarchal culture; the accusation is madebitingly acute by the woman’s painfullyexaggerated physique, with large point¬ed breasts held high, long supple legs andthe flashing perfect teeth of a Hollywoodstarlet. One wonders, probably withoutresolution, whethei the woman's amyei uilands the culturaladdition to the ra-s the art critic in>n in consideringdied, perhaps tootraditional criteria<ill are inappropri-amel demands afacility. The tradi¬ng formal compo-e, because theside of a subwayompositional con-criteria for asess-artist, i.e. educa-<posure, etc., arethese venues areof graffiti.Jifficulty in asess-led in the Renais-how, Rapid Enam-great variety ofraffiti art are re¬post of the worksvarious artists,differ greatly in The Break Down comes When You Stop Controlling Yourself and Want the Release of a Bloodbath1983 Lady Pink and Jenny Holzerthe depiction of the woman herself is morehorrific. The backdrop of graffiti-coveredtrains seems to insist that the anger andrepression being discussed here are pres¬ent on all social levels, in ail aspects of thewoman's life; the subculture becomes themedium of the woman’s anger.The thematic anger is as strong but notas clearly dilineated in Anger (1983) byDaze. Here, a dying soldier is supportedby a comrade,' and the word anger runsvertically down the right side of thecanvas. Whether the death depicted or therepression of militarism is the subject ofthe anger, or whether the violence of thesubject is a symbolic manifestation ofsome other anger, is unclear.An equally memorable but quite dif¬ferent work is Interkosmos (1984) by Fu-tura 2000. It is more along the lines of aformal experiment, employing elementsthat suggest maps, space travel, tvweather reports, and a microscope; how¬ever, the identifiable images mesh into anabstract, almost tapestry-like surface. Itis unique in its futuristic mood and ethere¬al beauty.Some of the canvases which remain with¬in the standard graffiti idiom (i.e. longhorizontal canvases on which elaboratetags are sprayed) do not manage to sus¬tain long-range interest. Others, like Let'sLose Your Mind (1984) by Toxic or Liquid(1983) by A-One, display a brilliant designsense which, in the gallery situation, is re¬freshing for its novelty. An untitled work (1983) by Rammellzee, displays a minima¬lism in representation (something like alandscape from another planet) that iscrisp and concise and not a common qualityof graffiti art.The two canvases which present themost interesting historial counterpoint areIn Memory Of (1984) by Blade and UnitedGraffiti Artists Collaborative No. 7 (1972)by United Graffiti Artists. The earliercanvas is a collection of the trademark sig¬natures or tags of the artists. The latercanvas, executed by one artist, is a farmore homogenous collection of the tags ofvarious peers. The early canvas, executedlong before anyone could imagine that itwould be possible to make money or gainrecognition through this work, bears thevital strength of individual statementsamong the individual signatures. The latercanvas has a distinctly post-mortem feel¬ing to it — it descends to the level of simp¬le pattern on surface for lack of life.Which is, after all, the greatest problem¬atic in graffiti art — once it acknowledgesitself as art (in the critical and historicalsense), it isn’t quite graffiti anymore. Theshow repeatedly refers to the death ofgraffiti, but seems to suppose the new lifeof a broader, perhaps greater form, inwhat is called graffiti art. While some ofthese works are quite good, and othersare not, the Remaissance Society is cer¬tainly right on target in fulfilling its self-proclaimed “70 year commitment to theexploration of vanguard art.”•pin, 1982 Photo by Henry Chalfant:William 1ShakespeareLow-priced PreviewsOctober 6-10Sat/Tues/Wed 8:00pmSunday 2:30 & ":30om Call ~53-*h"2Visa/MG Ame\UC students only J4 withStudent Rush! Call for details.At the HAIR PERFORMERSand we want you to look like it.Whether it's a night on the town or a quietevening alone with that special person, younaturally want to look your best And to;ook your best look no further than theHAIR PERFORMERS FRANK LLOYD WRIGHTAND THE ROBIE HOUSE:The 75th Anniversary of a Modern MasterpieceFriday, October 19th - Saturday, October 20th3:00 p.m. - 4:45 p.m. 9:00 a.m. - 4:45 p.m.Reception to follow (lunch included)at Smart Gallery Reception to followat Robie HouseRegistration: $25. (Students $15 upon presentation of proper credentials).For further information contact The Department of Art,5540 S. Greenwood, Tel. 753-3880Thehair performersFamily Styling Center1621 E. 55th St. 241 -7778OPEN 7 DAYS MEN’S DA YTUESDA YS$10 All MenTo Introduce You to ourEXCLUSIVE TANNING SYSTEMWe’re making this Special Offer:87.50 per sessionr *50 for 10 sessions. . . Introducing theTAN )GLIMPSES OF SOMEWHEREby Del HgrrisQfiLet's dispense right now with deceptiveterms like subculture. Hip hop explodesinto the more or less unsuspecting nationalconsciousness (read: pop marketplace) bymaking the inevitable transition from itselement — the street — to the recording,print and film media. The forms gf paint¬ing, poetry, dance, and mu^: aff surviveto varying degrees in aggreUlwely titledfilms like Wild Style, Breaking’, BeatStreet, and now Body Rock, but a greatdeal gets filtered out in the process. Hiphop is not subculture, because it occursfirst in a context utterly removed from thecool assessments and critical platitudes ofart-biz and gallery types, altogether offthe scale of values that would seek to lo¬cate a graffiti writer or d.j. in relation toicons of “dominant” culture. As soon as itleaves the sidewalks, sides of subwaycars, and the oversized loudspeakers, anyversion of hip hop expression is necessari¬ly incomplete. The street is not a prettyplace. Whether we are de-mythifying orre-mythifying it, we need to recognize hiphop in context.Printed accounts like Steven Hager’s Il¬lustrated History (see GCJ p. 5) restoresome of this context by dwelling on histor¬ical developments in a given time andplace. But where the facts are straight,the art itself is strangely frozen. No meretranscription of couplets captures the rapartists’ audacious manipulation of meterand rhyme, anymore than a single frameillustrates the movement of a breakerwindmilling in a circle of onlookers.By the same token, not even the bestmoments of this year’s cinematic effortscan adequately convey what life on thestreet might be like. Harry Belafonte Jr.’sBeat Street came close, but only by side¬lining the real artists to showcase se¬quences. Conversely, 1981 saw Wild Stylecasted with a mono-syllabic hop hoppantheon: graffitists Lee, Daze, Pink,Crash, Blade, Zephyr, and Futura; rappersBusy Bee, Rammellzee, Fantastic Freaks,Cold Crush Bros., Shock Dell, and DoubleTrouble, with various Grand-wizards,masters, and mix-ers at the turntables. But Wild Style’s low-budget look and independendent distribu¬tion kept it out of sight on the nationalscene — a home movie for part of NewYork City.The most recent comer is video-directorMarcelo Epstein’s Body Rock, of which theless said the better. By now, the scenarioof “bringing the ghetto artists down¬town” gives rise only to veiled racism andnot-so-veiled homophobia, vile dialogueand music video histrionics. Not even thecinematography of European DOC idolRobby Muller redeems Epstein’s misesn- Glub-scene Sensibility. Brightly hyed cansOf spray enamel that get waved beforethe camera -fpr a brief opening sequencedisappear for the duration of the story,The music Is weak,^ the rapptng forgett¬able. And hip hop’s vital Latino element iswritten out of the picture altogether.Yet, despite Body Rock and despite thewoeful inadequacy of most attempts toshowcase or document hip hop expression,sparks that were stru-k in the fast year orso caught fire. While galle-ies rush to iso¬late “major graffiti writers" and reclaima measure of authority over their untu¬tored intruders, and while film producersthrow venture capital into breaksploita-tion movies, the hip hop persists—and inits own context: teenagers in the streetseeking to outdo each others’ style. Whichbrings it beyond any artificially-imposedregionality (read: "South Bronx, N Y.) andonto the great playground asphalt of aglobal hip hop nation. Which, in turn,allows us to consider it in context, righthere in Chicago.The poster advertised “Chicago vs NewYork — Breaking.” A shoestring Latinopromotional group booked last Saturdaynight at the Aragon Ballroom in Chicago'sdecaying Uptown neighborhood, show¬ered high schools and discos with handbillsand at seven o’clock opened its doors toScan* from Wild Stvlo. a better movie than every street dancer in the city. With no ad-£pvanc© sales, a long line forms early andslowly snakes past three fccket windowsand on through two doors” on# guardedwith an airport metaf detector. MBy rtlpe o’clock the cfowd iqfide — mgs**ly Spanish and Diac- — a floor-rocking nplace under a wash of colored tights andcontinuous mixes from the stage Adjoin¬ing circles of onlookers gather and dis¬perse around crews of breakers who con¬front each other and compete, white theM.C. announces the appearance of “Chica¬go's hardest working lady d.j.” and, even*tually, “Chicago’s own Farley FunkingKeith” of WBMX. Even with the continuousactivity on the floor, Farley's audience isresponding readily to the loudspeakers —violent scratch-mixing interrupted by re¬minders of the impending “Chicago-NewYork” competition, now postponed by an¬other hour and a half. I climb a metal fold¬ing chair and dance in place, watching Far¬ley back-spinning “The Mexican” byJellybean Benitez. The same phrase ispounding out again and again. The WestSide Rockers face the Planet Rock Crew,somewhere behind meThen, I’m distracted by trouble. Thesearen’t crews. Instead of teenagers inhooded windbreakers marked “PlanetRock,” its a dozen or so young men, Span-Body Rock ish, in leather coats and jeans. In the midstof the crowd they confront another group.And from the threats and gestures — armslifted in gang signs or hugged across the$hest, insists spat out face to face — I real¬ise that Hits is what the Trib calls “gangActivity,” and I descend from my chair.jVhen the fight erupts, I’m already moving- away, but suddenly the whole floor clears,hundreds of people scattering and runningfor the totcony stairsThough soothed briefly by the M.C., tro¬uble breaks out again; finally, the musicstops, again the floor is panicked and fromour vantage point behind one of the Ara¬gon s ornate pillars, a kid tells me, “Yo,man, they just want to fight like a bunch offools.” But the fools have sent a metalfolding chair flying through the air. Farley“Funking” Keith buries his face in onehand, the picture of disappointment Theparty seems doomed At eleven o’clock,less hardy souls, myself included, makeour exit. At the door, a bouncer suggests Istraighten my cap from its jaunty tilt tothe side. “Out there,” he advises, “theythink you mean trouble wearing it likethat.” Thanks for the advice I don’t wearit at all on the way to the car.Last year in Evanston, parents organ¬ized youth groups and after-school activi¬ty around break dancing after seeing asteep increase in kids killed in gang strifeIn Chicago, almost all the graffiti we seeidentifies street gangs. The dancers whoturn out at the Aragon show off their stylelive side-by-side with the city's “gang-busters.” Steven Hager's Hip Hop; The Il¬lustrated History, and his story line forthe film Beat Street both associate NewYork City s gang history with the emer¬gence of hip hop. As the gang activity de¬clined, the sidewalk culture flourishedIt seems reasonable that a part of theattraction of hip hop styles is the realproximity to the violence and threat asso¬ciated with urban street life. Even when itappears in the public eye, divorced fromits most dangerous, most human sources,the threat is there. The riot of names thatassaults the commuter's eye; the loudradio dominating the sidewalk with an in¬cessant beat; the teenagers confrontingeach other with eleborate moves and ges¬tures.Let’s face it. Hip hop is not about freshnew life on the art gallery scene. It's not•bout new possibilities for choreography,or infusions of talent for the recording in¬dustry. Where it reaches nost of us, out¬side of its own marginal r. lighborhoods inthe nation's cities, hip hop style is |ust aglimpse of somewhere dangerous, an atti¬tude, a phrase overheard on the streetMost of the time hip hop does not trans¬lateHIPHOPDONTSTOP8EBOP7Jby TCSD (Grey City Journal NYC Office)Well I hope all those U of C eyes did adouble take — no, someone hasn’t revivedthe name of Stephen Diamond in the hopethat he can write the kind of columns thatonly he is capable of, but instead I havebeen brought back from the dead — orgraduation — to do a special feature onhip hop for the hip hop issue since the GreyCiders know that I am the hippest dudewho ever graced the U of C campus.Now I know all you U of C freshmen arewondering who is this madman writing,who is thispersonwho thinks he is a mister-know-it-all? (Translate: who is this as¬shole?) Well to make a short history ofTCSD here goes for the uninformed, as theinformed know the articles were alwaysmore about me than the subject, so I knowthat you will enjoy this. Anyway, TCSDspent his first two years at the U of C as ahumble student doing all those student¬like things: studying, going to parties, ^having sex (it used to be the thing to do onftcampus). Then, in the beginning of hisond year he had an all too incredible idejhe decided that he was going to retthe art scene like it had never beenbefore. With the help of his various accormplices, who are still scattered arourcampus, he achieved this amazirjOjteat.First, he invented Concrete Gothic Theatre,which conquered Blackfriars by proppingtwo productions a quarter tof the highestquality. He also began ^mSog andpevingthe all too precariJournal person wididn’t have anyand he alwaysBoy George and(little did he kning another trerfla (theto provehe wentid startedikingts so-rhad the well then toughvas really noth-jgjpkoeableire really Wereof Culture Club,is chanpid dra-electro-boogielalf^ Arthur Baker,iysically big). Thisire such great andis “She Bob’’ byYou Drop” (yes,Citybig dPPfence: he/ith either gendersomething aboutin Champaign, II.he was just start-from what I under¬stand). He was known far and wide as theultimate trend setter, and everyone want¬ed to meet him and follow in his footsteps.(Supposedly this had something to do withdeath threats, but this too, has never beenproven.) Anyway, he and his articles jwereloved even though many of his deecin questionable taste but those t arebreaks when one is considered ggPlike.And so the creature graduewas some rumor of payoff) arthat there is life after the U of,to the land of hip hop, NYC,working in theatre and is actimoney at it. The NYC experieilbered him; he has realized that'best friends he will ever have in college,that it truly was the best time of his life.So know he is no longer the mean but lov¬able person that everyone knew, in factpeople have begun to throw around theword Sincere to describe him. And so thisarticle will probably be a mixture of theTCSD that you knew and the new one thatis sincere and living in the fashionablewestside of NYC.The question, I believe, that was posedto me and that I have so far avoided is: iship hop dead and the auxiliary questionthat always follows anything that I amasked, what is hip if hip hop is indeeddead. First I would like to state that nomusic dies, rather it just evolves andchanges; now all the critics like to mentionthat Disco really didn’t die, it just acquireda new name — Dance Oriented Rock or newmusic and of course a new hair cut. Second,to have a constructive conversation abouthip hop (see, I have changed, never beforewould there be any mention of somethingconstructive) it must first be divided intothree separate areas. One being electro¬boogie, which was always very poporiented with such songs as “IOU.” TheSteve’s new crew. Rett second being Rap music which nevergained a big audience outside of NYC butseemed to utilize most of the more innova¬tive techniques, such songs of this stylewere “Rock Box” and “Looking for thePerfect Beat.” Third, since these were re¬lated terms, there were songs that fit intoboth categories or crossed from one to theother. Examples being “IOU” and “Rock-it.” Now with all that in mind I shall startmy vision of the future. (But I must firstbreak and watch may favorite double fea¬ture of My Little Margie and Dobbie Gillison TV, now that is hip.)And now back to the article with struc¬ture: let’s first discuss the evolution ofelectro boogie (I do hope tha^this is okwith my readers, if it isq& welirlanyway). Electro-boogie*ing but very good ansongs at a time whenvery few except forThis yeaL|#hs situationmatiQA*y partly becavery big (espused to be justummer alone thereanceable pop sonindy Lauoer, “Bopipp is tfwl in word) by Rick Springfield,' ftilM£. - Ate up Before You Go-Go” byWha^^^Swept Away” by Diana Ross,“Out of Touch” by Hall and Oates, and ofcourse “War Song” by Culture Club (don’tworry a longer dissertation on the quali¬ties of this unique performer and my herowill come later, and of course will be thebest part of the article). All these songsdepended and utilized electro boogie tosucceed and become fresh (this wordshould not appear since fresh is allMongerfresh). Now I know all you hip pj^ppugresaying that indeed the useu|jyhese in'ences has created songs j^ricmre not asgood as last year’s prqpizct betfituse thereare many compromisethat some of tfll^e proas last JvSrs, sn^k;k Sprmgfifeld’scause\/e have hd*«* it before, that thereis nothing Aiew and innovative and be¬cause ofjfhe Grey City problem of havingto b% trefidier than thou — i.e., we can’tlik#>anything that anyone else likes. Takeit Com me, you will just have to get overthilt form of snobbery and realize thatAmerica has finally learned what goodmusic is. (I know I have, and trust thetrendsetter himself, it is time to becomepart of the masses). And furthermore,what makes this music possibly somewhatbetter than last year’s product is that it isan integration of styles, that this inten¬tion has been what made Cultpfe Clut^bincredible, “Rock Box” such a^good song^*and that made Malcolm kdcl^n anp Tre-™dewrved-isagfbe, I feelare easily ass Diana Ross’they suffer be- of Z-100 which is basically the equivalentof B96. This radio station took a good dealof listeners from KISS, KTU, and BLS caus¬ing them to alter their formats slightlytoward either more popular stuff or moremellow stuff and shifting away from Rap,thus making it very hard to hear exceptduring mix nights and at clubs. Now thisdoesn’t mean that some good recordsaren’t made and indeed all that might beoccurring is a sort of deja vu effect, youknow what existed last year has to be bet¬ter than this year’s model. Such songs as“Human Beat Box” by Fat Boys (don’t letanyone tell you that their real names areDisco Three,#hat is just plan incorrect),“It’s Yours” by T La Rock and Jazzy Jay,and TFive Minutes of Funk” by Whodini.So indeed there is some really good prod-none of it is as outtanding as “Rock-It” was last summer, but there is somehope in the upcoming weeks. First a newpiece is being done by Grandmaster Flash(don’t confuse it with Grandmaster MelleMel who has completely sold out andruined himself) which is supposed to bevery good and very hard. Second there isa new band being produced by RussellSimmons who made Run DMC famous. Theyare supposed to be a revolutionary idea,and thej^ is even a rumor that they arewhite, anich makes sense because likeelectroTuoogie rap needs to be integratedwith Qlher forms. The other possibilitye)05tsf with the Afrika Bambaataa andBrown ajngle; while it was definite-it has gready been playedhis nBe might be bigh to get on MTVjInd then take off.will tell which of Jiese scenarios willor whether they Vill all fail and noroduct will bring together the younghoodlums of Harlem, the Bronx and Brook¬lyn.As for the last category, nothing has in¬deed jumped the category, except forpossibly two groups, the first of whichshould achieve success though I think verylittle of them. They are New Edition whohave created very mellow rap songs, withan electro boogie effect; their new one isgetting a big push and climbing the chart.The other possibility is with Force MD’snew song “Tears” which I find truly beau¬tiful ala Jackson 5, but probably won’t getoutenoTimBXnewthe push since itTommy Boy labelBut reallythe quest)to nie^atfswportfor on the independentvor Horn into the godsly are.As for Rap music, it tos g|jne into some¬what of a decline thiHsumlger. I am notsure exactly why thtfjji bar I shall ad¬vance a couple of realms since I havenothing better to do tonight. First, therewere no ground breaking songs that gal¬vanized the community such as “Rock-lt”by Herbie Hancock and “Sucker MC” fromRun DMC. People are getting bored of themediocre songs; it used to be that an inter¬esting song such as “What People Do forMoney” by Divine could succeed, but peo¬ple have already heard it. Third, Rapmusic is almost completely manufacturedin NYC, and only the few ground breakingsongs receive air play outside of NYC, andeven the radio stations in NYC have be¬come more restrictive because of the rise has yet to answers ajways very im-muHc going to go?while at least wetegration of "all kinds. Alreadyhits in my book are Malcolmn's remake of Madame Butterfly;disco opera — what an idea (really it isn’ta better idea than anything else, but he isGod) and a new Gospel record called “Gos¬pel at Coriolanus” which is a mixture ofshow, rock and gospel (boy, I am gettingarty).And the last and best question; whatshould a poor person who can’t run out andbuy all this crap and doesn’t own a radiobuy? So here are my top picks of the sum¬mer with some new inclusions that didn’tfit into any of my categories (this is inorder):1. Sam Harris album — yes, as alwaysthe best album doesn’t fit into a category,except god-like — he is a media creation,having won it all on my fav shoe “StarSearch.” He sings every kind of song andsings them in his own incredible style bydrawing out the vowels until the wholeword becomes unintelligible, kinda what Ido in print, drawing out the idea until itbecomes unintelligible. Best song: “YouKeep Me Hanging On,” while everyone isremaking the Motown sound, he utilizes aMotown song to create his own sound. Andbesides, he is the first white act that Iknow that is signed to Motown, how’s thatfor changing racial barriers, and he didn’teven grow up in Detroit.2. “War Song” by Culture Club — Theyare simply the best group ever; I have metno one who likes this song, except for me,everyone comparing it adversely to Fran¬kie: I’m sorry, but Frankie should just die,because he doesn't have enough nerve tocreate lyrics that say "Love me I’m gay,”which is what Culture Club does. I meanwhat a nice simplistic notion like “War isStupid,” a two year old could understand,but a two year old can’t, think about it fora while, but as always not too long. Be¬sides, his new hair color is beautiful andbrings to mind the comparison I havealways used of him and Lucille Ball — wildcomics who can get away with murder andreceive all the world’s love in return, letthem both live forever.3. “It's Yours” by Jazzy Jay and T LaRock — The hardest and best Rap recordsince “Rock Box,” Jazzy Jay cuts it up real nice, and T La Rock, brother of one of theTreachorous Three can Rap with the bestof them.4. “Round and Round” by Ratt — Like Isaid it is time for integration, finding thebest from all medium. This is by far themost incredible hard rock song this sum¬mer, riffs and all are great, buy it, play itat parties, you need change, you can’thear Hip hop all your life.4. “Wake Me Up Before You Go-Go” byWham _ Easily the worst song ever, butsince I am a man of contradiction and crap,I love it especially the video with Frankieshirts — you know, the ones for the blindpeople who can’t read small print and saysimplistic political statements like “War isStupid.” And of course the Dew Rap of theplayer, not only can they not make a goodsong, they wore the wimp dew rap, theone piece model rather than the tradition¬al and much deffer two piece verion. Ohwell they are white, and I love them forit.6. “Bop Til You Drop” by Rick Spring-field — Easily his best since “Jesse’s Girl,”he steals Be-Bop and makes it better — in¬credible performer, I love him, oh how Iwish I was a girl, then I could swoon overhim (but then again if I was a girl I wouldprobably look horrible in a skirt).7. “Unity” by Afrika Bambaatta andJames Brown — Better in concept than inexecution but the words and tune arefresh, it just somehow doesn’t gel perfect¬ly; really all that is wrong with it, is that itwasn’t god-like which everyone expect¬ed.8. “Madame Butterfly” — by MalcolmMclaren — To make it short see no 7 andno 5.9. “Gospel at Coriolanus” by Various —Easily the U of C album of the year, mixingGospel and Sophocles, and who said Iwasn’t educated properly? It also mixesall the styles of gospel effortlessly andbeautifully. And it is a surprise comebackfor Steely Dan who produced it, talkingabout mixing styles.10. “Human Beat Box” by Fat Boys —Very normal rap songs but easily has thestupidest idea since the “War is Stupid”line, of having someone hit the top of hishead for all the percussions, beautifullystupid and simple like me.And there you have it, the report fromTCSD. I hope you enjoyed it and have fondmemories of the good old days.P.S. Yes, I know you can’t have P S. inarticles but it dawned on me that just asimportant as what was mentioned in thisarticle is what wasn’t. They were three:1. Anything by Prince — Jimi Hendrixdied 15 years ago and it should of stayedthat way. He is ugly and I don’t like porno¬graphy on my MTV, so I no like him.2. Frankie — He is ugly and dumb andpointless and can’t create a good pop songbut hell It proves how desperate NME is.3. Bananarama — Sorry they existedfor me three summers ago, and this songexisted a summer ago, I am too trendy tolisten to or go see old music. It is that simp¬le.FROM ANOTHERBOROUGHHIPHQPST0P8U.S. IN EL SALVADOR: WEB OF DECEITWeakness and Deceit: U.S. Policy and ElSalvadorRaymond BonnerNew York Times Books 1984by David FialkowskiFor most of the American public, myselfincluded, El Salvador burst into our con¬sciousness with the murder of four Ameri¬can churchwomen in December of 1980.Raymond Bonner, in his book Weaknessand Deceit: U.S. Policy and El Salvador,points out that for U.S. policy makers theawakening occurred in July of 1979, whenthe Sandinistas overthrew the Somozagovernment in Nicaragua. As evidence ofthe pre-79 apathy, he cites the Ford-ap¬pointed El Salvadoran ambassador's re¬mark to a congressional subcommittee in July of 1977, “...the United States reallyhas no vital interest in the country.’’ Also,in March of the same year, the State Dep-tartment’s chief of the Latin AmericanBureau tola the same subcommittee dur¬ing a hearing concerning the 1977 Salva¬doran elections that “The United Stateshas no strategic interest in El Salvardor.”Bonner’s selection of 1979 as a turningpoint in U.S.-Salvadoran relations is alsosupported by the dollar figures of U.S. mil¬itary assistance prior to and after 1979.From 1946 to 1979 this aid totalled $16.7million. While for 1980 alone it was $82million. An equally sheer hike in “econom¬ic” assistance also occurred in 1980.Through the conduit of CIA sponsoredagencies, such as the American Institutefor Free Labor Development, this “eco¬nomic" assistance often flows to the sameforces of oppression as the military aiddoes. Another statistic jumped in 1979,that being the number of Salvadoran citi¬zens killed by the right-wing deathsquads.The obvious correlation is that U.S. aidbenefits those responsible for the killing.This is not a new revelation. It was fore¬shadowed by the Archbishop of El Salva¬dor in an open letter to President Carter inresponse to Carter’s late 1979 announce¬ment of renewed military aid to El Salva¬dor. The Archbishop told Mr. Carter that inrenewing aid “...your government, in¬stead of favoring greater peace and jus¬tice in El Salvador, will undoubtedly ag¬gravate the repression and injusticeRaymond Bonner against the people...”. The accuracy of theArchbishop’s warning was underscored inMarch of 1980 when he was murderedwhiie saying mass after fa:. ng to heed anationally televised admonition by Rober¬to D’Aubuisson to change his ways.Mr. Bonner does not seek to substan¬tiate the aforementioned correlation in hisbook. This has been done before. Rather,Mr. Bonner demonstrates that the U.S.government, especially the Reagan ad¬ministration, has been very much aware ofthe actions of the recipients of its lar¬gesse. The Reagan Administration hasdone little with this knowledge other thanreclassifying it in an attempt to circum¬vent the Freedom of Information Act(FOIA). it is important for the administra¬tion in the implementation of its policy ofmaintaining political stability at all coststhat evidence of the administration'sknowledge of the atrocities committed byrecipients of U.S. aid be suppressed. Mr.Bonner’s FOIA requests were often onlypartially granted, incriminating words,sentences, or pages being censored be¬cause their disclosure would “threatenU.S. national security.”Mr. Bonner filled in the blanks by inter¬viewing personnel who handled the docu¬ments. The Reagan administration’s de¬sire to keep what it knows out of thepublic domain is not only evident in theafter-the-fact censorship of documents,but it is also the tacit operational policy ofappointed officials. Mr. Bonner relatesthat following the particularly brutalslaying of a Green Cross volunteer by theNational Police in July of ’82 a cable de¬scribing the event was sent from the U.S.Embassy in El Salvador to the State De¬partment. Thomas Enders, the AssistantSecretary of State for inter-American Af¬fairs, after reading the cable “...wasfurious — not with the National Police orthe Salvadoran military but with the em¬bassy for having recommended the inci¬dent in writing. Ender’s fear was realized;the cable was leaked to Dan Oberdorfer atthe Washington Post.” (July 26, 1982).Mr. Bonner’s own experiences as a corre¬spondent for the New York Times figureprominently in the book.) The frustratedFOIA requests are reported dispassiona¬tely and the book is much more than an at¬tempt to catch the Administration in a lie.However, the crisis in America (that beingthe denial of information upon which theAmerican people can base their decisions)cannot be ignored because it is intimatelyrelated to the crisis of the Salvadoranpeople.The book is arranged thematicallyrather than strictly chronologically. Thefirst part of the book gives a historicalperspective to the events and characterswhich dominate the recent history of ElSalvador. In one chapter the role of theCatholic Church in Salvadoran society isexplored. The Church was at first an in¬strument of the oligarchy, blessing thetroops as they marched off to quiet thepeasants. After Vatican II, Latin AmericanBishops met in Medellin, Colombia to artic¬ulate their desire to become a Church ofthe people. Many began to preach to thepeasants that their hunger and miserywas not the will of God and that Godwould bless their struggle for change. Thisbecame known as the Theology of Libera¬tion and the Church was persecuted se¬verely for its organizing of the people.There are also chapters on the origins ofthe oligarchy and the role the military hasplayed in inplementing the will of the oli¬garchy. This history is not all inclusive.Ample sources are given for further inqui¬ry. Its main purpose is to identify the char¬acters for the cascade of events followingJuly 19, 1979, the date of the Sandinistavictory in Nicaragua.The second part of the book begins withan explanation of the Salvadoran coup ofOctober 15, 1979. The coup was conceivedof in the early 1970's in Columbus, Ohio bya young army captain Rene FranciscoGuerra y Guerra and a progressive doc¬tor, Guillermo Quinonez while they werestudying at Ohio State University. Theywere each to recruit similarly minded peo¬ple into their respective military and civil¬ ian organizing committees. The coup’smajor obstacle was the fierce loyalty amilitary officer has for his fellow class¬mates from the military academy. This,along with the encouragement of the U.S.embassy, led to the inclusion of probablythe most corrupt military men in El Salva¬dor in the new government. The civilianmembers of the junta wished to bring thenotoriously brutal armed forces under ci¬vilian control. They asked the U.S. to stopmilitary aid to give their role in the neworder some influence. When the U.S. ig¬nored their request, the civilians with¬drew from the junta and formed the politi¬cal party of the revolutionary forces. TheU.S. was in a fix because it had announcedto the world that a brighter day haddawned in El Salvador. The embassy ap¬proached the Christian Democratic Partyand asked them to participate. Theyagreed conditionally, the primary requestwas that the military would answer tothem. Promises were made but not keptand the question whether or not to remainin the junta severely split the party. JoseNapolean Duarte prevailed over the rem¬nants of the party and despite the pleas ofArchbishop Romero not to legitimize therepressive government, he joined thejunta in March of 1980Bonner tells of Duarte’s past as a reformminded engineer greatly influenced by theteachings of the “new church.” His earlypolitical career culminated in his electionto the office of mayor of the capital, SanSalvador. Duarte was responsible formany social reforms and gained wide pop¬ular support. In 1972, he made a run forthe office of president. Early returnsshowed him leading but as the day wenton the reports were silenced and the finalcount showed him losing by a slim margin.It is widely accepted that the 1972 elec¬tions were stolen from Duarte. Following afailed coup attempt by a colonel sympa¬thetic to Duarte, Duarte was arrested,beaten, and forced into exile. Bonner re¬marks that the 1972 election was virtual¬ly ignored by the world press. When ev¬eryone descended upon El Salvador tocover the 1982 elections Duarte asked(perhaps spitefully) “Where were you tenyears ago?”Mr. Bonner discusses the much publi¬cized U.S. sponsored elections and othertactics used by the Reagan administrationin its efforts to legitimize its policytowards El Salvador. Among these is thedesperate effort to implicate Nicaragua inthe struggle of the Salvadoran people.This ploy serves double duty. First, itgives the impression that the Salvadoranmilitary is fighting a foreign sponsored in¬surgency, thereby justifying the aidgranted. Secondly, proven involvement ofthe Nicaraguans would help Reagan in hiseffort to vilify the Sandinistas in the eyesof the American pubic.Weakness and Deceit is a very impor¬tant book. Not only does it give amplebackground material on the sources of theconflict, it is also probably the most cur¬rent book in this crucial period of Salva¬doran history. Most importantly, the bookreminds us that the conflict is not thesuper-power confrontation Reagan wouldlike us to believe it is. Rather, it is a strug¬gle for justice by the people of El Salva¬dor. The people of El Salvador, the“masas,” support the rebels. The govern¬ment of the United States supports the op¬pressive minority. In a democracy such asours the policy of the elected officialsshould reflect the will of the people. If thepublic is denied access to the truth, we arehostage to the whims of whomever is in of¬fice.In an effort to bring about greater un¬derstanding of the situation in El Salva¬dor, the group CAUSE (Committee Assem¬bled in Unity and Solidarity with ElSalvador) will host a debate on October25th between Mr. Raymond Bonner, au¬thor of Weakness and Deceit, and Mr. L.Francis Bouchey, president of the Councilfor Inter-American Security (CIS). As a cor¬respondent for the New York Times cover¬ing Central America, Mr. Bonner was oneof the first reporters to go behind guerillalines. His reporting earned him inclusionon a right-wing death-squad’s hit list. Mr.Bouchey is a Washington, D.C. based Pub¬lic Affairs Consultant. CIS believes thatthe global character of political, military,and economic competition between theCommunist Bloc and the West has entereda new phase. “The Soviets, who are un¬likely to mount a frontal challenge toNATO in Europe at this time, have target-ted the southern flank of NATO; LatinAmerica and Africa.” The debate starts at7:30 Thursday evening, October 25th inMandel Hall, 5706 University Avenue.An earlier version of this article wasprinted by the GCJ 8/3/84 We reprint acorrected and updated version here.RAYMOND BONNER APPEARS IN A DEBATE ON US. POLICY IN EL SALVADOR ON 0CT0BB) 25 AT 730 M MANDEL HALLGREY CITY JOURNAL—FRIDAY, OCTOBER 19, 1984—13THE ACHIEVEMENT OFJEAN DUBUFFETa lecture based on the exhibition,Jean Dubuffet: 40 Years of His Art,will be given byDENNIS ADRIANart critic and art historian.Sunday, October 212:00 p.m. The Fundamentals: Issues & Texts Program&The New Collegiate DivisionpresentArthur MeltzerCochrane-Woods Art Center5540 S. Greenwood Avenue, room 157 Rousseau and the Natural Goodness of ManAdmission: $3.00$2.00 Members and Students Thursday, October 25,1984THE DAVID ANDALFRED SMART GALLERY Pick Halt, Room 0168:00 p.m.LIBRARY USERSSTARTING THURSDAY, OCT. 11For added service all hours the libraries are open, weare installing vending machines in Crerar, Law, &Regenstein libraries to sell reencodeable Venda Cardsuseable in our photocopiers. (In the near future we willbe adding Harper as the 4th vending machine location.)The new Venda Cards may be purchased for $1 (12copy credits). The reuseable card may be reencodedwith additional copy credits (14 copy credits per $1) atany of the machines selling Venda Cards.Only the cards purchased from the vending machinesare reencodeable. Older cards, & the jumbo cards (740copy credits for $50) purchased from the Cashier’sOffice in Regenstein Library room 160 or from the copyservice desk on the lower level of Crerar Library, are notreuseable.Dual Office Suppliers, Inc.v/ J , I » i . V. *Malcolm Mclaren “Madame Butterfly’’(Virgin/Charisma, 1984)Definitely the best track of late summer,Mclaren has pulled off another steal, ef¬fectively using a combination of soul andopera vocals over an orchestration com¬posed of a hip hop type beat supported byexotic, lush, pseudo Far Eastern instru¬mentation. This appropriation of Puccini’s1902 opera serves to conjure up images tothe listener that few thematic songs canproduce. The brilliance of this deploymentof opera should not be overlooked. Theimages used in “rock’’ and “rock staging’’are primitive in the extreme in compari¬son with the fantastic possibilities avail¬able through opera. By taking the themeof what is probably the naffest opera ofall time, Madam Butterfly, Mclaren offersa highly accessable visual image to lis¬teners who undoubtably have never seenan opera in their lives. The record is sohighly tongue-in-cheek though, with But¬terfly’s lyrics being such as “...my whitehonky I do miss him...” that one must con¬clude that Mclaren, after having sussedout this steal, is as usual taking the piss ofthe listener. The B-side is also quite good,thundering dance floor material althoughnot terribly innovative. With the title of“First Couple Out,” it is plain to see thatMclaren is hearkening back to the days of“Buffalo Gals,” when he had London’s so¬cial elite traipsing around in potatoesacks. This is a record you must own! —Pa¬trick MoxeyMicrodisney “Dolly” (Rough Trade, 1984)Woodentops “Plenty” (Food, 1984)This is a typical example of what wehave had to put up with since the increasein sales of cheap acoustic guitars. Micro¬disney may style themselves as swarthylatins, that’s fine, but this single is pureunmitigated mush. The Smiths were ableto redeem themselves with good vocals,good lyrics, and some pounding songs butMicrodisney is what I would imagine theSmiths to sound like without these charac¬teristics. Confiscate their acoustic guitarsand shove hormone pills down theirthroats, that’s what I say: (Julie Burchillwould agree).What Microdisney really need to do istake a good listen to the Woodentop’s sin¬gle “Plenty.” Loosely of the same genreas Higsons, Smiths, et. al., the Woodentopshave managed to produce something semi-inspiring from thTs tear soaked morass.Urban folk at its best, the Woodentops,under the watchful eye of friend Seb Shel¬ton (Rough Trade promotion), have a dar¬ing single which is extremely well pro¬duced with some effective breaks.—Patrick MoxeyPortion Control “...Step Forward” (Illumin¬ated Records)Disappointing record from young starsof the Illuminated faction, Portion Control.Their first album on Illuminated (but thirdalbum to date), “...Step Forward,” after SOME HIP,many painful listenings, positive thinking,sleep, and alcohol still sounds to me likethird rate dance rubbish with raw, beltedout vocals that fail to redeem the recordstylistically or musically. The point of thevocals is all too clear. It is an attempt tostamp the record with English “alterna¬tive” credibility and make it more thanwhat it is, i.e. third rate electro-punk. Theforced and “mandatory” wierdness of thisrecord sees Portion Control obviously at¬tempting and failing to incorporate ele¬ments of the English electronic avant-garde (in whose dust they have alwaysbeen trailing), notably the Cabaret Vol¬taire. Portion Control is the sort of groupthat would be happy to get a #1 in the in¬dependent charts with the screechingvocals of their lead singer backing up thesound of an aeroplane taking off. Theirdabblings in noise (of the Test Departmentvariety) have been fairly uninspired.Their other musical influences are hard-nosed NY dance music and English whitefunk of better years such as early A Cer¬tain Ratio.Musically unoriginal, Portion Controlseems unable even to “borrow” directionfrom others without buggering it up. Theambient tracks, of which there are four,are straight Throbbing Gristle/Cab Vol¬taire film soundtracks, just not as good.“Son of Go Talk” on the second side makesa mockery of their fairly tolerable “GoTalk” 12” single. The tracks “Tin HavocMan” and “Under the Skin” are unin¬spired New Order ripoffs. In fact, only twosongs on this record can I listen to withoutchewing my fingernails, the dubiously ti¬tled “Tex-Mex,” and “Scramble.” Thesetwo give me a taste of the positive feelingthat I had when I heard their first Illumin¬ated release, the 12” single “Raise thePulse.” —Patrick Moxey400 Blows “...If I Kissed Her I’d Have to KillHer First...” (Illuminated Records) NOT HOPThe release of 400 Blows’ first album (onthe ever fashionable Illuminated label) re¬inforces my impression that they are oneof the few serious musical forces operat¬ing in the present English post, post, post¬punk void. The album’s first track is“Groove Jumping,” their latest boneshaking dance oriented 12” single.“Groove Jumping” combines thumpingbass, solid beat, telephones, and the voiceof an Englishman saying suitably inanethings to a foreigner, to create a brilliantsong. The use of these overdubbed vocaland background sound effects actuallywork and flow with the piece, as opposedto the chaos created by an attempted in¬corporation of these avant-garde influ¬ences in dance music by a group like Por¬tion Control.These hints at the avant-garde electron¬ic background of 400 Blows contained inthe rather main stream “Groove Jump¬ing” are more fully developed throughoutthe album, with the exception of the “De¬claration of Intent” re-mix which is dancefloor material of a similar sort. From“Jackie M” in which Charles Mansonspeaks to us over intermittant banjo pick¬ing on a background of Throbbing Gristletype moaning and groaning to the raw in¬dustrialization of “Love,” the Blows ex¬hibit a healthy diversity of style. Re¬minders that this is the year of the dog(“Introduction”), and clips of old BBC docu¬mentaries on the arrival of West Indians inEngland (“Perspective #3”) add what is re¬ally something of an overkill of the de¬sired “abnormal” feel of the record, butare not enough to distract one from thealbum as a whole. The grinding “hilly-billy” style guitar of “Them Thar Hills”and the clever dance oriented instrumen¬tation of “Conscience” make this recordadd up to something really worthwhile. —Patrick MoxeyThe Unknown Cases “Masimbabele”(Rough Trade West Germany)Brilliant reggae inspired dance song.The talents of Reebob Kwaku Baah (vocalsand precussion) are at their best with thebacking of two unshaven louts from Han¬nover, Helmut Zerlatt (keyboards) andStefan Krachten (drums). Masimbabelecan easily be found skankin’ with Barring¬ton Levi’s “Under Me Sensi” as one of thebest reggae disco mixes I encountered thissummer. —Patrick MoxevHeaven 17, How Men Are (Virgin/Arista)Ever since Heaven 17 spun off from HumanLeague at the beginning of the decade,they have been dedicated to socially con¬scious dance music. Heaven 17 has alwaystaken a more subtle approach to publicawareness than such bands as The Clash orMidnight Oil, and this technique is particu¬larly evident on their new album, HowMen Are. The current release is consider¬ably more subdued than Heaven 17’s ear¬lier offerings. Gone are such blatant politi¬cal statements as “We Don’t Need This Facist Groove Thing” and “Let’s All MakeA Bomb.” In their place are songs with amore subtle approach. How Men Are dealswith the endeavors and shortcomings ofmen in the modern world. Such songs as"The Fuse,” “This is Mine,” and “Flame-down” convey a sense of striving, blindambition with such lyrics as: “No time formight have been; you’re on the winningteam. No time to choose; it's time to lightthe fuse.” In contrast, “Shame is on theRocks” and “Reputation” express the fail¬ure and emptiness that often accompanyblind ambition. Heaven 17 has not com¬pletely abandoned politics, however.“Five Minutes to Midnight,” is intended asa protest against U.S. deployment ofcruise missies in Western Europe. The bandis donating all British royalties from thesong to The Campaign for Nuclear Disar¬mament with the slogan “No Cruise is GoodNews.”While the lyrical content may be sub¬dued, the musical content certainly isn’t.All of the songs present the dynamic, driv¬ing quality that Heaven 17 has come to beknown for. Glenn Gregory’s assertivevocals convey the ideas of every song.And the back up trio Afrodiziak empha¬sizes any point not fully made by Gregory.Another positive quality of the album isthe use of more “traditional” instrumentsthan Heaven 17 is know for. The PhenixHorns Esquire provide a nice backing ontwo of the tracks and the addition of pianosoftens the techno-pop sound on a numberof songs quite successfully.The production, as usual, is very slick.All Heaven 17 efforts are produced byBritish Electric Foundation, a productioncompany made up of Martyn Ware and IanCraig Marsh, who comprise the other twothirds of Heaven 17 after Glenn Gregory.In addition to producing Heaven 17’salbums, B.E.F. is also responsible for mostof the earlier Human League material.They also released an album (highly rec¬ommended) entitled Music of Quality andDistinction, on which the presented “thebest voices of the past thirty years singingthe best songs of the past twenty years.”Included in this package are such gems asGary Glitter singing “Suspicious Mind”and Tina Turner performing “Ball of Con¬fusion.”How Men Are seems to be a slight (infact, very slight) departure for Heaven 17.While it lacks the raw energy of their ear¬lier albums, How Men Are is still verypleasing to the listener. The band evenruns on for a full ten minutes on “AndThat’s No Lie.” A song of that length issomething very new for Heaven 17; all ofthe other tracks are under four minuteslong. Even so, they still maintain an up¬beat, danceable quality throughout thealbum while commenting on the situationof men (Don’t the Heaven 17 Know anywomen?—Ed.) in the perilous modernworld. —Rick WojcikProfessor Kenneth Northcott (Dogberry) threatens corporal punish¬ment in Court’s production of Much Ado About NothingLITTLE ADO ABOUT COURTby Susan PawloskiAlthough most productions of Much AdoAbout Nothing invariably concentrate onthe sub-plot of Beatrice and Benedick andthe “merry war” between them, a warthat eventually ends in marriage, the playhas two other elements as well, a Petrar¬chan love story, enacted by the charactersClaudio and Hero, and a clownish element,represented by Constable Dogberry and his cronies.In Court Theatre’s season-opening prod¬uction of Shakespeare’s comedy aboutharmful and necessary deception, thestory of Beatrice and Benedick is not soclearly in the forefront. The most obviousreason for this is that Wanda Bimson’sBeatrice and Sam Tsoutsouvas’ Benedickdo not exude the kind of sexual volatilitythat would be needed to rivet our atten¬tion to them. Another reason is that whiia Bimson and Tsoutsouvas are competent,the rest of the cast, on the whole, is reallyquite good, and therefore capable of dis¬tracting us away from Beatrice and Ben¬edick. At least, the other characters' ac¬tions do not seem “an inconvenience thatmust be endured,” which is how the samecharacters from The Royal ShakespeareCompany’s production were described in arecent review in The New York Times.At first sight, the Bimson-Tsoutsouvaspairing is promising: with their dark curlsand elven features they seem, physically,at least, to be two of a kind. Separately,they each have some fine moments: thescene in which Benedick creeps around thegarden, trying to avoid bocci balls and tooverhear his friends’ staged discussion ofBeatrice's heretofore secret passion forhim, is hilarious. Tsoutsouvas has a boyishcharm that is best seen when he is not busystrutting in his uniform before the femalecompany. In a corresponding scene, Bea¬trice spies on Hero and her lady-in-waitingand thereby learns that Benedick is inlove with her. She delivers her answeringsoliloquy, “Benedick, love on; I will re¬quite thee” while standing distractedly inthe garden fountain with the statue, anoriginal and Lucille Ball-like touch.It is only when Bimson and Tsoutsouvasare together that the lines do not work aswell. Somehow the whole is not greaterthan the sum of the parts. As the play pro¬gresses, however this problem is less andless apparent, and, in any case, the linesthemselves are witty enough to have theaudience (composed mostly of the speciesHomo Hyde Parci the night we were there)fogging up their glasses with laughter.Because of its melodramatic nature, theplot involving Claudio and Hero sacrificescharacter for situation, demanding thatthe participants be a little more than car¬toon characters. In this capacity, RichardGilbert-Hill is a suitably callow Claudio.Ann Dowd plays Hero with a degree ofcomplacency that borders on the cowlike.With hpr trumpi«h rtrpfses and fright wig hairstyle, she looks disturbingly like whatThe Addams Family’s Granmama musthave looked like in her youth. U of C pro¬fessor Patrick Billingsley is believable asLeonato, Hero's wise yet self-righteous fa¬ther. George Tynan plays Don Pedro witha sort of awkwardness oblige, seldom loo¬sening up sufficiently to produce his handsfrom their hiding place behind his back. In¬grid Blekys plays the small role of Mar¬garet as if she were still playing Anti¬gone, Tatiana, and Hedda Gabler. Theeffect is that of a 200-watt bulb pluggedinto a socket that was only designed to ac¬commodate a nightlight. John Reeger is re¬freshingly direct about his evilness as DonJohn.The Dogberry secquences are among themost appealing in the play. ProfessorKenneth Northcott plays the role of theclownish constable as if he were born to it.His cronies, played by Frank Farrell,David Malcolm Thompson, and ScottHermes all give strong performances.The best scene in the play, and one thatshows Court Theatre, with its small size, toits best advantage, is that of the maskedball. The set by Joseph Nieminski looks itsbest in the flickering torchlight (other¬wise, its orange stone and plaster Venusbear too strong a resemblance to a preten¬tious pizza parlor). The shadows and thestrumming instruments and the colorfulrobes worn by the dancers lend the scene aMedieval feel, while the dance, in whichthe men alternately throw their partnersin the air, hold them against their bodies,and exchange whispered dialogue withthem, is charmingly Elizabethan. Music isused to good effect throughout the play,although never on so large a scale as inthis scene.In all, Court’s Much Ado offers some fineindividual performances that occasionallycoagulate into a fine scene. There areenough good moments to warrant theprice of admission, especially if you callthe box office on the day of the show andmanage to yet tickets.GREY CITY JOURNAL—FRIDAY, OCTOBER 19, 1984—15COUNTRY: THE GOOD,THE BAD,AND THE AMBIVALENTWELL. ONLY REAttY'THE GOODAND THE AMBIVALENTSam Shepardby Alex KofkerTfter® ere different types of seriousmovies. There are the history movies,which are made for the sole purpose of ed¬ucation, idolization, or conjecture: Patton,The Missies Of October. and such. This wewill call the first kind of serious movie. Thesecond orouo would be the escapist mov¬es: films that are set “a tong time ago in agalaxy far, far away..." whose main pur¬pose is to atfow the viewer to forget histroubles whHe following a storyline acrossthe universe. These films range fromConan to High Noon to... Pian 9 From OuterSpace. Completely opposite to group twoIs group three; the you-and-me-against-toe-world movies. In these films, HkeNorma ftee, Brubaker, Siikvsrood, andTake this Job and Shove tt, we are meantto forget how downtrodden we are byhaving the problems and injustices ofsomeone else dumped on us. We followthese poor wretches, cheer for them, andpray that they at ieast can beat thebureaucratic system.Everybody and his brother has told methat Counry was part of group three. "It'sanother beet-the-eystem movie," theysaid, "it's about a fanner's wife wholights to keep her family from goingbankrupt after her husband has a nervousbreakdown." Or, as Dave Kehr said in hismim-revlew in the Iasi Feeder, “if lookslike the evN bureaucrats are going to takeover their farm, so Sam (Shepard) oblig¬ingly gets drunk and surly (completelyabandoning the character he's estab¬lished, and allows Jessica (Lange) to showoff her strong pioneer-woman stuff."Well, I don’t know what movre Mr. Kehrand the others saw. but I saw Country,starring Jessica Lang and Sam Shepard asJewel and Gil tvy. t personally went to see by Rachel SaltzFor anyone who ever suspected that peo¬ple in the country sit around spitting anddeconstructing jokes about pigs. RichardPearce’s wheat-opera Country offers fewtrailblazing insights. What it does offer isthat post-Byromc icon of the Westernsmart set, You-Know-Who, and a no-browversion of American Woman, circa now.Jessica Lange is Jewell Ivy. Sam She-pard is Gil Ivy. They work the Land.E They're decent people who've lived on thet same land for forty years and drop theirJ final g s. Times are tough for farmers buti there’s still something beautiful going on- in the heartland. Come in and share thewarmth, beer and griddle cakes.Country starts well enough with a sur¬real tornado scene that looks like a Fass-binderian mediation on Iowa and apoca¬lypse. Unfortunately the film can't sustainthis strange momentum and it soon degen¬erates into a battle between the gen¬tle/observational mode and rampant corn-fed melodrama. Most of. the interest atthis point is centered around the sung¬lasses question: i.e. how long can youngteen Marlene Ivy keep those honeys on in¬doors? (Regrettably, not long enough).To be fair, the movie does do a good jobof depicting family relationships, and thecharacters played by Shepard and LeviKnebel are well drawn and convincing.Part of the problem though is that they’renever really allowed to be interesting. In¬deed the film's aesthetic seems to precludeexciting or complex personas; people inthe country are solid and decent but notspellbinding. Similarly the filmmakersnever convince us that farming is a satisfy¬ing. although difficult way of life. PoorJessica Lange looks so bored at the begin¬ning of the movie that I found myself hop¬ing the farm would be foreclosed so shecould move to L A and get a job in pic¬ tures. (She’s a good looking girl...maybeshe'd meet up with a character.)The melodrama, starring the “but-l-can't-pay-the-rent, bu t-you-m us t-pay-t he¬reto” “syndrome — with Jessica Lange inthe John Wayne role — provides Pearceand producer Lange with a forum for theirviews on little guy (farmers, men), BigWomen, and bureaucracy. The Lange char¬acter, Jewell, with babe at hip, perks upand- becomes a Mid-western Valkyrie. Shecooks, she chases sheep, she sleeps with &Sam Shepard. Incredible? Well, yes.Country talks in capitals. Jessica Lange ^isn't Jewell, she’s Woman (Americap-Ur)., ^and while it's good to see strong female mcharacters on- screen, there's no bal^nc.ehere. When faced with crises the rrien' inthis movie take to alcohol or hide in thebarn leaving spunking gals like La Langeto pick up the pieces. This isn't exactly revisionist feminism; there isn't necessarilyanything new in this kind of depiction ofwomen — that they keep things together,are the strength behind the nation, etcWhat is new here is that the woman is thefocus of the movie rather than a peripheral figure only glancingly acknowledged asheroic. Country and Places in the Heart arecreating a weird new genre of ' FemaleWesterns.”The problem is that Jewell is an overachieving Positive Female Image; Lange'sbucking for deification rather than for aserious assessment of the role of wQmen inthe family and on the farm.Country isn't a bad movie, it's a confusedone. All the elements of a better film arehere and it’s easy enough to see why thistype of project appealed to Lange. Unfortunately the whole affair is limp; the filmnever really overcomes its faults and theresult is a sometimes anemic, sometimesmildly interesting study in the iconography of Earth mothers. Jessica Langetoe movie filled wito inaccurate precon¬ceived notions a ta Kehr, and It almostruined the film lor me, so l had better tryand fix toe damage for you people beforeyou go see it. f! would be best if toe audi¬ences could go Into toe theater with no pre¬conceived notions, but if you see Countrythinking d Is a film about the little guyagainst toe bureaucrats you wilt be verymuch disappointed. Lange doesn’t realtystart fighting toe system until the fast tenminutes of toe movie, and the bureau*crat/farmer conflict is left pretty muchopen in the end, except for a tittle note justbefore the closing credits about currentfarm loan legislation. The film spends most of Its time talking about Git and Jewel tvythe people, not. Git and Jewel Ivy toe vic¬tims. Country is a film about human beings,about the Ivy family, and how hard timesbring toe children together and split theadults apart. We are presented with a realhome {complete with dirty walls, Sundayfootball, and kitchen drawere titled withpapers) and a real family (okay, toebratty little sisler is a tittle too much). Wewatch as first toe neighborhors and finallythe Ivy's themselves are threatened withbankruptcy. We get to see all toe painsthey all go through to eettie their livesNot to take anything away from Jessica Lange. ". would be wonderful to see herplay the militant mother protecting herfarm, but in Country she plays the trou¬bled wife well enough. Lange’s Jewel Ivyis a simple but strong woman, toe familycook and farmhand and accountant, ft isnot a very complex character to portray—Jewel borders on being a Norma Rae typesuperwoman — but still one gets the feel¬ing that If It weren’t Lange then Jewel Ivyjust wouldn’t have been the same. Lange IsJewel Ivy, from her clothes to her accent tothe way she holds the baby.The more complex and infinitely morehuman role, however, is Gif Ivy, toe hus¬band, played by Sam Shepard. Bottomtine: Git is a farmer. That is all he t$ and allhe wants to be (he even has Jewei takecare of the farm's financial books for him).But in toe course of the film, when he is indanger of losing his farm, several peoplestart telling him that it is because he is abad farmer. His father-in-law even saysthat he wishes that Jewel had never metGit. Gil, who cannot deal with his own fail¬ure, starts drinking heavily. A series ofblows have caused him to lose total faith inhimsetf. Despite what Mr. Kehr says tt isrealistic and well played. Shepard’s per¬formance is just as real and fust as well-done as Lange's, and just as deserving ofan Oscar nomination.The bottom line is that Country is one oftoe fourth kind of serious movie: the peo¬ple movie. Like Kramer v. Kramer, TheWay We Were, and such, Country dealswith normal people reacting to abnormalsituations, ft is * not a movie aboutbankrupt farmers, but about one farmerwho goes bankrupt. Now that you havebeen debriefed, go on to Water TowerPiece and see a beautifully turned, wellacted movie about plain or people. Youwon't be sorry.by Judith SilversteinJohn Sayles deals with worlds that mid¬dle-class white audiences and film direc¬tors usually don’t think about too clearlyas in Lianna, in which he examines in min¬ute detail the coming out of a marriedwoman who realizes she is a lesbian. Andyet he refuses to alienate those audiences,preferring to work towards understand¬ing of other worlds rather than alienationfrom them. In Brother From Another Plan¬et, a black space alien lands in New YorkCity, a plot device that enables Sayles tooffer fresh perspectives on themes such asracism, the black community, the Americanimmigrant experience, and drug abuse —themes the movie industry often treatswith stale and stereotyped approaches.Sayles also exploits with rare imaginationthe comic and dramatic possibilities sug¬gested by this plot. In fact, BFAP is astandout for a number of reasons.It revives an art that was lost in the tal¬kies, that of acting as purely physical ex¬pression, because the lead (sensitivelyplayed by Joe Morton) can’t talk. (Wenever even know £ame). It providesnot only parts for J^a^ actors but also ex-A A A *A A A A .A A A A Ajk A A A A Aa A A A A A A. A A A A A A AAAAAAAAz.AAAAAAAA*.AAAAAAAAA.A A AAAAAAAAAAAAAAAAAAAaAAAAAAAAAAAAAAAAAAAAAAA aaf^itn Sayles’ finehk«rjehn Cassevettes„V V V7 v VV V VV VT V VV V V V V V V V V VVVVVVVVVVYvvvvvvvvv^VVVVVVVVVVVVVVVV'vvvvvvvvT V V V V V V VV V V V V V VV V V V V V *V V V V V V7 V V V V VV V V V V •cellent small J&\dVn£HnJZ&\arac\er partsfor various ra«Y^ r-wYnsense of facev^rd^'T^.(whose Love StreS/hS^s ^bother film worthseeing at the FinVWtsV Sayles is unafraidof poignant, violerrLjYjotion. The alien istelephathically sencfyjpe, a communicator;he touches a post d7a patch of graffiti andrecoils, hearing the Scream of some pastvictim, he sees a poster of a singer andfalls in love. But the film is most interesti¬ng for the way Sayles both exploits andexplores the pop myths of recent commer¬cially successful films, ultimately usingthem as a springboard for his own morecomprehensive vision. Thus, the muteblack superalien has all the pathos of ET,the magic of Superfly, and the tragic ur¬gency of a Blade Funner replicant, withpsychological and social dimensions merci¬fully more complex and human than any ofthese three characters. (Though there’s noquestion that these images are exploitedto win over a large audience.) And themyths themselves are often turnedaround, as when Superfly is reduced tohelpless fugitive when chased by twobounty hunters from his own planet.m^J-lBERATES POPOR E.T. VThe image of New York also works inthis way. Hollywood usually gives us oneof two images of New York, both based onthe address of the director:* Manhattan;glamorous, crazy, sophisticated, andupper-middle class, with Gerswhin musicdrowning out the bustle of traffic, or(other address) decadent wastelandwhere the poor resort to pimping, thiev¬ing, dealing drugs for a living, and to re¬lated activities for fun. BFAP focuses onHarlem, and it does have its prostitutes,thieves, dealers, and junkies — particular-'ly in one jarring scene in which the aliendiscovers the night underworld and thefresh horror (fresh to him, and therefore tous) of heroin addiction when a sort of highpriest of homeless users gets him stonedand leads him through the night streets.But it also shows A working, thriving cul¬ture, Harlem as alnAahborhood, howevertroubled, that waty^A uneven as the nightpeople disappear gfTT^TTljgbly to sleep itoff in variousand the realdealers are .xeAal&j AoAe white busi¬nessmen in QjAs&fiAsA^d&asnt pretendto be a c^^^TC^TlBwr^'jj^w^York, justthe perspacTjflplaprrjflp^AerA A .* A A A A A A AAAAAAAAAAAAAAAAAAAAAAAAAAA*.aAAAAAAAAA.* A A A A A A A AAAAAAAAAAAAAAA A A AAAAAAAA LAAAAAAAAAAAA* VVVVVVVVVVVVVVVVVV7VVVVVVVVVVVVVVVVVVVVVVVV7VVVVVVVV V V V V V VV V V V V V V7 V V V V V VV V V V V V’ V V V V V VThe protYag^Z_j5?ui)YJ7^Rs film whenSayles losesx^m^r^T^rMrrative in hisenthusiasm tpr yxp^ri^pg tye possibilitiesof the individJTI Stel^fesVMlich good filmwas shot, Vs_Vm astonishingrange of dramafifr n^m^Yere (comic, real-pse^sqjnetimes unlikelyevthy film very awareartifice. The threa-ita’^ntrasted with theQhkistic, surreal),juxtapositions klof itself as a pi(tening streetsscenes in the neiglS^pYliood bar (where theunnamed alien finals Refuge and friends),which with its consWnt cast of characters,comic monologues, aae lines, and warm ca¬maraderie has all the elements of a goodsit-com pilot. Not until well into the film isthe major narrative structure introduced:the brother is an escaped slave from a bru¬tal high tech society where whites enslaveblacks just as they do on earth, and themysterious (white) pair who have been fol¬lowing him are bounty hunters from hishome planet. This calls for some fast expo¬sition, and by this time there are severalsubplots to tie up, as well, So the narra¬tive pace is somewhat lopsided, slow andmeticulous in the first half, frantic and abit confused toward the end.16—FRIDAY, OCTOBER 19, 1984-,GREY CITY JOURNALTHEUNIVERSITY OF ARIZONACOLLEGE OF BUSINESS ANDPUBLIC ADMINISTRATIONInvites you to considerGRADUATE PROGRAMS IN BUSINESS*Meet with: Susan Wong, Assistant DeanGraduate Professional ProgramsDate: Monday, October 29,1984Location: Office of Career Counsellingand Placement, RC 201Time: 10:00-11:00* Bachelor's degree in business not always required r At Budget1 you're number one.10 % OffNOW at Budget you can rent any size| car and save 10% off our already Low ratesIFor Complete Dental CareGeorge L. Walker, D.D.S. & Assoc.Courtesy Discount toStudents with I.D.— Open late Evenings —— Saturday until 5:00 —1623 E. 55th St.752-3832For AppointmentVisa, MasterCard, American Express accepted Budgetrent a car of Hyde Park For Reservations Icall: "493-7900 1II Ask about our greatunlimited mileageweekend rates!A Budget System Licensee BudgetSears Renta Car rent a carUse your Sears credit card at authorizeddistribution centers in most Budget of¬fices Check local office for rental re¬quirementsOffer good through 11/30/84 IIAttention PhotoJournalists!The Maroon is actively seeking a person totake over as Photography Manager.Responsibilities include: managing thedarkroom, the photo files, and co¬ordinating between the writers andphotographers to insure all assingmentsare received and executed .The JobBegins Immediately!To apply, submit your credentials andreasons for application, (along with a port¬folio if possible), to Frank Luby, in theMaroon office, Ida Noyes Room 303Please DO NOT PHONE!(Applicants must be registered students)Tffffrrcf ffffrrrrff ft r rrr** r rrcrcff f rrr rts irtt sss ———II The Chicago Maroon—Friday. October 19. 1984— 27COMICSBLOOM COUNTYOKM HIWU NSO-miST,Rm-m dmNTfVNKS,lomwrxxam10 pe-occutyjHe mMLPIMf CRAZY WIRPO KIPSANP mtR WeiRPO POLITICS..JUST WAT KINP Of YOUTHIS THIS COUNTRY TURNINGourwesePAY6T... by Berke BreathedRALLY By Frank Luby Western Illinois University willmake most of its dormitory rooms offlimits to visitors of the opposite sexafter 11 p.m. on weeknights and 1a.m. on weekends next fall.A University administrator saidthat 24-hour visitation is currentlypermitted, but he added the.University receives lots of calls fromparents and students concerned aboutstudents’ getting kicked out of theirrooms on weekends, and after hoursduring the week so that theirroommates could have friends visit.The new policy “brings us moreinto line with where we feel studentsand parents are today, ” he continued.The decision will be reversed only ifstudent government at WIU can comeup with some strong reasons in favorof a 24-hour visitation policy.* $ *The University of Iowa StudentSenate is planning to sue theuniversity administration inconnection with records pertaining toUS Department of Defense researchbeing done at the University.The Student Senate requested therecords last July and has not yet been“satisfactorily answered. ’’ Studentsenators criticized theadministration’s lack of cooperation.The decision was not unanimous, withsome students protesting the action asunnecessary.$ # *Two students at Illinois StateUniversity may face the long arm ofthe law after stealing a decayedhuman forearm and leaving it ontheir campus.The students claim to have takenthe arm from a mausoleum inChampaign. The casket they took thearm from was dated 1849.“We know for a fact that the bodiesin the mausoleum had beenpreviously tampered with by frats atU of I,” one of the students said,continuing that they just meant it as“an average college prank. ”If the students are convicted theycould receive up to $1,000 in fines anda year in jail.* * *Some Eastern Illinois Universityseniors have started a new way ofgetting around town. “Classic CoachService’’ is a horse-and-buggybusiness which gives rides to andfrom downtown Charleston, Ill.“We are doing this to provide aservice to Charleston and to helpstudents who have had too much todrink a the bars downtown, ” one ofthe founders said. The. seniors plan touse the money they raise from a $2donation to buy a boat.The only problems with the schemeso far are parking downtown andkeeping manure off the streets.* * *Students at the University ofPittsburgh gave videotape lectures amixed review recently.A Civil War history professorlectured from his hospital bed withhis arm in traction. He saw the tapingas an emergency “gap filler’’ to keepclass going.Most students who went to the classsaid they didn’t like the lack ofdiscussion or question and answersessions. The professor agreed. Still,Hall’s “charisma’’ reportedly madeup for the video’s problems.The big problem is that there arepresently no rooms specially equippedfor videotaped lectures at this time.UPitt is planning to wire and equipevery classroom.28~The Chicago Maroon—Friday, October 19,1984—WELCOME STUDENTS AND FACULTY|yours for only $8850Bausch & Lomb Soft Contact LensesNEW Super Wet Gas Permeable(Boston Lenses) *8850$16550$1785°$14950• Custom Extended Wear Soft Contact Lenses• Latest Design Tinted Blue & Green SoftContact LensesSPECIAL PACKAGE INCLUDES COMPLETE EYEEXAMINATION. CONTACT LENS KIT FULL YEARFOLLOW UP SERVICE ON ALL ABOVE CONTACT LENSESLicensed Optometrists: Dr Brian Oswald • Dr Kurt RosenbaumRcUnfav £ye SoutiqueEye Examinations, Fashion Eyewear, Contact LensesDaily: 9-6Sat: 9-3:30By appointment493-8372 752-12531200 E. 53RD ST • KIMBARK PLAZAALWAYS CONVENIENT PARKINGAminute ago,your babystoppedbreathing.Would you know what to do?How to get him breathing again?Red Cross will teach you whatyou need to know aboutlife saving. Call us.We ll help. Will you9AmericanRed Cross MANAGE YOUR CAREERA t the University of Rochester’s GraduateSchool of Management you can manage your careerwith a highly respected M.B.A.With our wide variety of financial aid and loan programs,you can manage your finances, too.So, take charge, and manage your way to atop quality management education.FOR FURTHER INFORMATION, CALL TOLL FREE:From anywhere in the U.S.outside N.Y. State call: From within N.Y. State call:1-800-621-0095 1-800-462-0073Call toll free during these hours:Monday-Friday 8:30 a.m.- 5:00 p.m.Tuesday 5:00 p.m. - 10:00 p.m.Saturday 10:00 a.m. - 2:00 p.m.THE UNIVERSITY OF ROCHESTERGRADUATE SCHOOL OF MANAGEMENTRochester, NY 14627Any undergraduate major can qualify you as an M.B.A. candidate.DON'T LET HIM DRIVE.Drinking turns a car into alethal weapon. A personunder the influence shouldnever be allowed behind thewheel. Lets not meet byaccident.American College ofEmergency Physicians Focus OnAmerica'sFutureHelp PreventBirth DefectsSupport theMarch of Dimesdp Me BIRTH DEFECTS FOUNDATION! After a fireora flood...after any disaster...it takes money tohelp peoplerebuild their lives.A lot of money.Give to theRed Cross.We*II help. W ill you?+American Red CrossThe Chicago Maroon—Friday, October 19. 1984 -29CLASSIFIEDSYourbest friendis choking,and all you can nearis your own heartpounding.Every second counts.Would you know what to do?Red Cross will teach youwhat you need to know aboutlife saving. Call us.We'll help. Will you?AmericanRed Cross UNCLAIMEDSTORAGE GOODSEOR SALEFurniture-Appliances - TVsBeds - Much, MuchMore!THl'R. - SUN. 12 P.M. till 5 P.M.917 E. 63rd St.(312) 684-9095WITH EACH DINNER!ONE-HALF BARBECUED CHICKEN DINNERWITH BARBECUED BEANS. COLE SLAW & SALADBEEF KABOB DINNERWITH BARBECUED BEANS. COLE SLAW & SALADCHARBROILED BROOK TROUT DINNERWITH BARBECUED BEANS. COLE SLAW & SALADV2-LB. CHARBROILED SKIRT STEAK DINNERWITH BARBECUED BEANS. COLE SLAW & SALADOther Sunday Favorites...FREE BAG OF CHIPS WITH EACH ORDER!LOX, BAGEL AND CREAM CHEESE S ^ 491/2-LB. CHARBROILED STEAKBURGER Sg47V2-LB. CHAR-DOG $247And...DELI SANDWICHES!On Sunday, for your convenience, we also carry mostof our posted deli sandwiches. Our staff willbe happy to assist you with your selection!ONLY ON MADDV’CSUNDAY AT IVlviill T WIN HUTCHINSON COMMONSOPEN SUNDAY FROM 11 A M. TO 8 P.M.HILLEL CLASSESTITLE DAY TIME TEACHERBeginning Yiddish Mondays 5:30 P.M. Mrs. Pearl KahanIntroduction toJewish Mysticism Tuesdays 8:00 P.M. Rabbi Daniel 1. LeiferAdvanced Talmud Thursdays 5:30 P.M. Rabbi Shabsai WolfeBeginning Talmud Class is Being OrganizedAll Classes Begin week of October 22ndat the Hillel House 5715 Woodlawnfor More Information Call 752-1127$299$319$329$329 CLASSIFIEDADVERTISINGClassified advertising in the Chicago Maroon is$2 for the first line and $1 for each additionalline. Lines are 45 characters long INCLUDINGspaces and punctuation. Special headings are20 character lines at $2 per line. Ads are not ac¬cepted over the phone, and they must be paidin advance. Submit all ads in person or by mailto The Chicago Maroon, 1212 E. 59th St.,Chicago, III. 60637 ATTN Classified Ads. Ouroffice is in Ida Noyes Rm. 304. Deadlines:Wednesday noon for the Friday issue, Fridaynoon for the Tuesday issue. Absolutely no ex¬ceptions will be made! In case of errors forwhich the Maroon is responsible, adjustmentswill be made or corrections run only if thebusiness office is notified WITHIN ONECALENDAR WEEK of the original publica¬tion. The Maroon is not liable for any errors.SPACEStudios, one, two & 3 bedrms some lake viewsnear 1C, CTA, U of C shuttle. Laundryfacilities, parking available, heat & water in¬cluded. 5% discounts available for students.Herbert Realty 684-2333 9-4:30 Mon - Fri.STUDIOS $225-245, ONE BDRM 275. 52nd &Woodlawn. Laundry, most utilities incl 684-5030.One Bedroom Apt for rent Living rm dining rmkitchen bath Well maintained bldg with goodsecurity. 53 «nd Dorchester Available Oct. 1st.Call Kate 5407 or Cass 492-6250 $480/mthHyde Park Blvd nr Kimbark Shop-Trans 7Rm-4Br/Cpt (heat Water) $570. Sec Dep 752-3638FOR SALE 2 bedroom, totally renovated condo5465 S. Ingleside$62900 John OMalley 588-5888Deluxe 4 BR ranch on 6+ acres 50 min. from Uof C near Chesterton IN. 2 baths, central airfull basement, 2 car garage $120,000. CallRenard at Callahan Realty 219-926-4298 Female Roommate Wanted To Share QualityTwo Bedroom Apartment One bloc from Cam¬pus. Occupancy Immediately; Inquiries call241-7461Roommate Wanted to share spacious apart¬ment with two females. Private bedroom.Female non-smoker preferred. 54th and Kim¬bark. Very comfortable, well equipped andmaintained. Call 955-0315 after 5:30 or 962-8736days.ROOMMATE WANTED Beautiful, spacious 2bdrm apartment Own bedroom and bathroom54th and Kimbark 250/mo Call 955-3923One bedroom apt for rent Modern kitchen 57th& Kimbark $450/moCall 493-8685or 962-95308 room house in Beverly Shores, IN. 45 min.from U of C, 2 baths, basement, garage. Oneblock from Lake, $75,000. Call Renard atCallahan Realty 219-926-4298One Bedroom Apt tot rent Living rm dining rmkitchen bath Well maintained bldg with goodsecurity 53 and Dorchester Available Oct 1stCall Kate 493-5407or Cass 492-6250 $480/mthTownhouse for rent 8 rms 4 bdrms beautifullydecorated with carpeting nr 1C shopping and Uof C. Available immed $990/mo 493-5803Spacious 11th fir 2 bdrm E. Hyde Pk. $505/mo667 7981.Lovely renovated 3-bdrm condo. Rent or sell.Vintage detailing with modern kitchen. Nov. 1$57,500 or $750/mo. 241-7208 or 515-472-6562Bright 2-bdrm apt, balcony, oak floors, modkitchen, quiet bldg near campus $450 241-720852nd AND WOODLAWN2 Bedroom Apartment $5201 Bedroom Apartment $410Apartment remodeled with colors of yourchoice. Close to shopping and transportation.Close to University of Chicago. 5% discount toU of C students for limited time only. Pleasecall for particulars and private showing.Call Nancy or Steve at Parker-Holsman Com¬pany 493 2525.Kimbark liquors 9 wine shoppeU14 East 53rd Street • In Kimbark Plaza SALE ENDS 10/23/8446*3355! BEERS24-12 OZ. CANSBUDWEISER$759 6 PACK, 12 OZ.CANSBLATZBEER$ 1 59 BEERS FROMAROUND THEWORLD8, 12 OZ. BTIS.$499 6 PACK, 12 OZ. BTl.BECK’SBEER3/MO 6 PACK, 12 OZ. BTLHOFBRAUOCTOBERFEST2/*8WINES■ FRENCH GERMANPARTAGER750 MlMOUTONCADET 750 miHARVEY S 750 MlBRISTOLCREAM $2*9$549 $2^9$6"CHAMPAGNECOOK’S 750CHAMPAGNE?3/*10 EDELWEISS 750 MlLIEBFRAUMILCHMATTHIAS 750 MlGORGIN # /qqAUSLESEITALIANRIUNITE750 MlRUFHNO 750 MlCHIANTIJUG WINES4 LITE*SILVER TRAILSCHAMJS. tURCUNDr, RHINE $499SPIRITSPAUL MASSON1.5 LTTHt 3/noMUMM'SVSOPCOGNAC750 Ml >16"TEN HIGH750 MLJIM BEAM1.75 LITER $459$999GORDON'S 750 MlGINTANQUERAY 750GIN $429‘“*889SEAGRAM'SIMPORTEDVODKA750 Ml $429 JOHNNY WALKERBLACKLABEL750 ML *14"WILD TURKEY86°750 Ml OLD GRAND DADB6°750 Ml $799$789BERMUDEZ1 LITERBACARDI750 MlGOLD RESERVE $599$959STOLICHNAYAVODKA)750 Ml $7996 PACK, 12 OZ. CANSCOCA COLA $159 CROWNROYAL750 ML$H99DUGGAN'SDEW1.75 LITERMAIL INREBATEHour*: Mon Thun , toSo*., !■»}«! Vmdoy,W* Fri &30- The Chicago Maroon—Friday, October 19, 1984SPORTSSoccer beats Ripon; Notre Dame cancelsBy Anthony B. Cashman IIIThe U of C soccer team, propelled byJason Pressman’s hat trick, downedconference rival Ripon 3-0. The victorykeeps the Maroons’ conference titlehopes alive as they remain one gamebehind defending champs LakeForest.The first goal came about midwaythrough the first half, when Pressmanwas able to capitalize on a muffed playin front of the Ripon goal. When a passback to the goalie was misplayed.Pressman took the ball and knocked ithome.Ripon only briefly threatened toscore the equalizer at the end of thefirst half and the beginning of the sec¬ond. Ripon was not able to exert anymore sustained pressure after thesetwo drives.The U of C finally broke Ripon attwenty minutes into the second half,when Bo Flores hit a free kick past thedefenders onto Pressman’s foot. Press¬man rifled the ball past the keeper intothe upper-left corner of the goal.Pressman scored the third on his hattrick about ten minutes later, when heand Andy Brown executed a perfectgive-and-go that put Pressman behindthe defense.\“Their defense played really flat,”stated Pressman. “They didn’t have asweeper.”As a result, the offense had many op¬portunities. As has been characteristicof the offense this year, they could notconvert on the majority of chances.“We should have scored sevengoals,” stated goalie Joe Mario.As a result of this suspect play, muchconcern remains over the next two games; conference matches withLawrence and Lake Forest.“We’d better play better againstLawrence or we’re not going to win,”commented Pressman.Indeed, Coach Barry DeSilva ex¬pressed the same concern. “We’re notplaying well. We play a team and in-By Scott BernardFired up by some unexpected inspi¬ration, the men’s cross country teamwhipped 11 teams, but lost to a twelfth.Only Illinois Wesleyan stood betweenChicago and a first place storybook fin¬ish.Robert Burns’ famous thought con¬cerning the best laid plans of mice andmen comes to mind as the source ofUC’s inspiration is revealed. It seemsas though the host school for the meet,Judson College, has a volleyball teamin contention in its conference. Allthroughout the locker rooms, therewere posted all sorts of slogans meantto help the Judson volleyball teampsyche itself up. Someone from Chica¬go, as runner Peter Di Teresa said, “Idon’t know who should take credit forit, picked up one of the slogans, spreadit around, and that made all the dif¬ference.” The Chicago boys stood atthe starting line and chanted “Let’s getexcited! Woo! Wee!” The Maroons sec¬ond place finish seems to stand as evi¬dence of how this slogan was taken toheart.The U of C was led by the fourth and7th place finishes of Steve Thomas andMike Rabieh. These two were well sup¬ported by the next three Chicago finish- stead of scoring 7 or 8 goals we score3.”“If we had stopped missing goals,”remarked DeSilva, “we maybe wouldhave lost 1 game this year.”Nevertheless, the Maroons must for¬get their previous games and preparefor their two most crucial games of theers’ who together comprise the fivescoring positions on a team.Thomas posted a time of 21.35 on thefour mile course with terrain varyingfrom asphalt to apparently freshlyplowed fields. Rabieh came in at 21:41,followed by De Teresa, placing 14th in22:03; Adrian Cho, 17th in 22:08; andPaul Ulrich, 19th in 22:10. Sean Lovewas just a step behind Ulrich in 20thplace at 22:12, and Steve Eick complet¬ed Chicago’s varsity seven by placing26th in 22:43. In this Saturday’s Carth¬age Collge Invitational, however,Women needBy Tim MurphyStill without a full complement ofgirls, and still plagued by injuries, thewomen’s cross country team did itsbest at the Washington University Invi¬tational last week in St. Louis. The bestthe team can hope for now is to placesome of its better runners on the all¬conference squad.Finishing 8th at Wash U. was Chica¬go senior Sarah Dell, who turned in herbest personal time of 20:37 for the 5000meters. Senior Anne Reed finished 17thin 21:12. Sophomore Helen Markey alsoturned in her best personal time, 22:05, season. On Friday at 3:00 they playLawrence at Stagg Field, and on Mon¬day they play at Lake Forest. Anythingshort of two wins will prevent the U of Cfrom winning the conference title,while two wins would vault theAdam Vodraska will step into the hotlycontested 7th spot by virtue of his timeof 22:28, though he was not a declaredvarsity runner at the start of the race.With the top five Chicago runnersonly 35 seconds apart, the Maroons de¬monstrated their ability to pack closelyat the finish, which will be important ifthe team is to place well at large meetssuch as the conference championships.“Our runners are looking better everyweek,” commented head coach TedHaydon.” Now if they could only runbetter.supportwhich was good enough for 37th placein a field of 92 competitors.Coach Wendy Sood mentioned thatthe girls could use some help in tryingto field a full team, which would allowthem to compete in the overall compe¬tition instead of just in personal compe¬tition. Anyone interested in joining theteam is asked to contact Coach Sood atBartlett or by phone at 461-1962.This weekend Coach Sood takes hersquad to Carthage for an invitationalbefore returning here for the ChicagoInvitational, to be held in WashingtonPark on October 27.continued on page 32Men’s cross country psyches to secondThe Third String The closing honors for the baseball seasonThe Cub fan has recently become a sort of newhero, heralded by the national media in a way notunlike the hostages in Iran on the occasion of theirrelease — with congratulations for just having en¬dured.If anyone finds that analogy offensive, good: It’sinappropriate, as are the kudos for the fan. Even inthe Cubs’ darkest days, as Mike Royko has pointedout, it wasn’t captivity or “suffering” that kept onecoming to the ballpark. It was pleasure.It’s true that Cub fans are special, though, and thatparadoxically they came to epitomize somethingabout baseball fandom by staying true to a losingteam. Among pro sports, baseball demands the grea¬test patience and the longest view because it’s sofraught with failure. If the best teams are bound tolose one in three games, and the best hitters to godown in two of three at-bats, you know not to expectinstant gratification. So you learn to appreciate thecontext, the ambience, the historical resonance. Cubfans have simply been called upon in extra measureto cultivate this larger perspective, and been helpedto it during those 39 years by the team’s charm, itshistory, and its playing field.These thoughts were occasioned by the Cubs’ lastregular-season game, an event that has since beenlost in the postseason din. This game, against theCardinals at Wrigley on Sunday, Sept. 30, the last dayof the month, captured what was different about thisCub season, and what was the same. It w'as “meanin¬gless” (as are most final games of any season) in nothelping determine a divisional winner, but in thatsense most Cub games for four decades have been“meaningless.” That is, most have relied on theother sorts of “meaning,” of which much was avail¬able that final Sunday.There is, first, a traditional rivalry. I wonder ifleague schedulers deliberately throw the Cubs andCardinals together for the final weekend (alternatelyat Wrigley Field and Busch Stadium) on the assump¬tion that this element is needed to substitute for thelack of pennant contention. In any case, it immedi¬ately evokes history: the extraordinary seasonseries these teams played this year (because of aslow start the Cards were never a real threat, yet vic¬tories against them on April 24, June 10, June 23, andSept. 23 stand out, for Cub fans who followed thingsclosely, as milestones on the route to the title); thefinal game of 1982, when it was the Cardinals whocame to Wrigley en route to the playoffs and a worldchampionship; and the longstanding, almost mysti¬cal intertwining of these clubs’ fates, from the ’45pennant race to the Brock-Broglio deal to one ’84 pre¬season survey, which allowed that this year’s Cubsmight finish as high as fourth “if the Cardinalsfalter.”Then, too, since the end of the season is when re¬cords are established, the focus shifts to individualplayer achievements. On this final Sunday two suchachievements in particular were at stake, and re¬markably they, too, were related to each other, andto the historic team rivalry. Bruce Sutter was in lineto notch a major-league-record 46th save for the Car¬ dinals, and Ryne Sandberg, having collected this200th hit the preceding day, was just one triple andone homer away from becoming the first player everto compile 200 hits, 20-plus each of homers, triples,doubles, and stolen bases, and a .300-plus average inone season. (W’aiting for Sunday’s game to begin,and as a group of idle Cardinals sought relief fromthe last day’s batting-practice boredom by leading ableacher-bum cheering contest, early-arriving fansasked each other for confirmation of the numbers.“What’s he going for? Twenty of each?” It’s not thePHOTO BY ARTHUR U. ELLISTerry Pendelton chatting with the ghost of RonSanto as each fields an infield practice groundball.kind of record that rolls trippingly off the tongue.)The link between these feats was that June 23 game,perhaps the single greatest Cubs game of the season.In that game, before a capacity home crowd and anational TV audience, the Cubs had closed a six-rungap and eventually beaten the Cardinals after twoconsecutive, game-saving homers by Sandberg off ofSutter. Without those homers, Sandberg would nothave been in striking distance of his “perfect 20s"this September day, and Sutter’s save against theCubs two days earlier would have set the majorleague record*. (For Sutter, the Sandberg homers hadwrecked a save opportunity, and after that gameCardinal manager Whitey Herzog had declaredSandberg “the best player I have ever seen.”)As the Sept. 30 game went forward, it was sunnybut cold. Wearing two pairs of socks and slurping cof¬fee at the ballpark also reminds one of history — lastMay, to be precise, when warm weather and RickSutcliffe were still things to come. Since clinchingthe division, Jim Frey had been playing the regularsonly half of each game to keep them rested for theplayoffs. On this day they appeared too relaxed toswing the bat, managing only three hits off RickOwenby before drifting out of the lineup, one by one,from the fifth inning onward. (Of course, they wouldcome back two days later to blast 16 hits for 13 runsin a record-setting playoff performance against thePadres.) Sandberg didn’t come close to the needed long balls; he was pulled after an easy fly to left andtwo strikeouts. (On the bench, he could console him¬self with the knowledge that the June 23 game hadmade him a national figure, a starting All-Star sec¬ond baseman and all the talk for Most ValuablePlayer.) With Sutter on in the eighth to hold a one-run lead against a lineup of Cub reserve players, itlooked to be as anti-climactic a season finish as theschedule said it was. Sutter struck out two in the bot¬tom of the eighth.Steve Lake nailed second baseman Bill Lyons on asteal to hold down the Cards in the ninth, though, andHenry Cotto. in for Dernier, led off the bottom of theinning with a sharp single. Danny Rohn, cut from theplayoff roster two days earlier, followed with asmash off Lyons' glove. Suddenly the tying run wasat second, the crowd up. and the “meaninglessness”of the game, well, meaningless. Here is where thefailure-orientation of baseball pays off; if they beatthe odds, as Sandberg did against Sutter that Juneday and as the Cubs have done with this entire sea¬son, it’s like magic. When Thad Bosley lined thegame-tying single, the 33,100 fans, who had had tobuy their tickets a month in advance for this game,could almost believe they had made it happen just by-wishing hard enough.Gary Woods stood in for Durham, and after an ago¬nizing at-bat that seemed to last until the first snow,he worked Sutter for a walk. This loaded the basesfor Moreland, the only starter to bat in the inning andthe only batter to fail, hitting a double-play grounderto the drawn-in infield. Terry Pendleton fired tocatcher Glenn Brummer for the force at home.But like so many Cub opponents in so many mysti¬fying lucky last innings this year, Brummer gaveChicago a break. Hurrying a relay to first on the slowMoreland, he sent the ball up the right-field line, al¬lowing Bosley to score the winning run. It was onlythe second game (out of 73!) all year that the Cardi¬nals had lost after leading in the ninth. The other onewas June 23.There followed a ten-minute ovation (after all theninth-inning jumping around, it seemed a lot lesscold) and a ragtag victory march around the field bya hastily reassembled Cub team. Of this you have al¬ready read in the sports page.This season had been a process of peeling back thepast. At each stage one had to go back further to finda comparable Cub achievement. First it was themost games over .500 since 1981, then the latest first-place lead since 1977, then the most wins since 1969.Looking ahead on that Sunday, the elusive pennatwould have meant peeling back to 1945, and a worldchampionship, to 1908. This process has been called“ghostbusting,” after the movie theme that has beenso widely co-opted (with “Cubsbusters,” “League-busters,” etc.) around baseball this year. When theyclinched the division, the current Cubs were pleasedto think that they had rid themselves and us of the ’69ghost. Nonsense. There were ghosts all over the ball¬park this last day of September. It’s appropriate thatha-sphall comes to an end near Halloween. Ghosts arewhat this game is all about.- Jeff SmithThe Chicago Maroon—Friday, October 19, 1984 —31SPORTSDickey runs for football record booksBy Mark BlockerThis weekend marks yet another Ho¬mecoming here at the University ofChicago. Homecoming is the annualweekend festival where the studentbody proves that it is without question,the conference’s most apathetic. A col¬lege of 3000, a university of 8000; theyall come together (at the Reg, morethan likely) to show how little they careabout our athletic teams. Apathy ispractically a tradition here at Chicago— a tradition just like partying is atplaces like Wisconsin, Ohio State, or St. record books.One should probably interject a noteabout the Maroon “record book” at thispoint. It’s no secret that the school usedto be a national powerhouse, until thesport was disbanded in 1939, a fewyears after Chicago’s Jay Berwangerwon the first Heismann Trophy (it’sstill kept in the Bartlett Gym trophyroom, if you ever get curious.) Whenfootball returned in the late ’60s, it wasdecided that the past should be a sepa¬rate entity as far as football recordsare concerned. Since then, school re¬ could break the old rushing record thisweekend. Incase you’re wondering, the226-yard game, stands as a Maroonbest.But even if Dickey doesn’t break theschool rushing record Saturday, he cer¬tainly will break it at some point thisseason, barring some incredible attackof bad luck. He will also break theschool records for most attempts in oneseason, 156 (he nas 131 now), and be¬fore he plays his final contest in aMaroon uniform, the career rushing re¬cord will probably fall as well. His sen¬sational season looks all the more im¬pressive in light of the Maroon’s 2-4record. A victory this weekend wouldmake for quite an enjoyable Homecom¬ing.Lake Forest, however, will probablyhave something to say about all thiswishful thinking. This team, after all,has played five games this year andhas allowed only one opponent to scoremore than one touchdown. They have aveteran defense, an effective quarter-Bob Dickey (34) in his 226-Norbert at Homecoming.It is in the midst of these apatheticsurroundings that Lake Forest Collegerolls into town for a crucial conferencefootball game. For Lake Forest, a winkeeps their title hopes alive. For Chica¬go, a victory would help alleviate thedisappointment of a season whichbegan in such promising fashion.Win or loose, though, there will be anair of excitement this Saturday, thanksto Maroon running back Bob Dickey.Dickey, who has carried the ball 131times for 661 yards in 6 games, is nowclosing fast on the school rushing markof 849 yards, set back in 1977 by DaleFriar, a common name in the Maroon yard effort against Knoxcords have been kept separate fromthose of the Golden Age of Maroon foot¬ball.It is this more recent record whichBob Dickey is in hot pursuit of. Heneeds 188 yards to etch his name intothe Maroon records, and he could do itthis weekend in front of the home fans;that is, if any show up to cheer himon.Granted, 188 yards is quite a lot to ex¬pect from a back in a single game, butone has to believe that it is within Dick¬ey’s reach. Already this year he hashad a game of 226 yards, along with twoothers where he has topped the 100-yard mark, so it seems possible he Soccercontinued from page 31Maroons to the top of the conference di¬vision.Joe Mario feels that the winning fac¬tor will be scoring the first goal. “Wehave to score the first goal. We’re not aeome-from-behind team. We haven’tcome from behind all year.”“When we score the first goal, we’rea different team,” remarked Mario.Note: The U of C had the week offafter Notre Dame cancelled their gameat Stagg Field on Tuesday.Notre Dame’s action has enraged De-Silva.“If you make a contract,” declaredDeSilva, “you have to stick to it. Theydidn’t.”Ironically, Notre Dame had request¬ed that the game be played one day ear¬lier than that for which they had origi- back, and a running back named ScottKnous who is coming from a 208-yardpeformance against Ripon. In short,the Foresters are going to present amajor roadblock to Dickey’s recordchase and to a Maroon victory.Maroon head coach Mark Ewing,however, might have an inside track onthe best way to deal with the Foresterdefense. Ewing, after all, was the de¬fensive coach at Lake Forest beforetaking over the Maroon reins two yearsago. He will probably have a prettygood idea of what to expect from them,although that knowledge has not beenhelpful so far. Ewing’s Maroons havenever scored a point against LakeForest, losing in 1982 by a 27-0 score,and losing last year, 28-0.But this year the Maroons have notfailed to give any opponent a decentball game, and this weekend should beno exception. Game time is 1:30 p.m.,in case you can tear yourself awayfrom the Reg.nally contracted and the U of Ccomplied. Then they broke the secondcontract outright.“The kids work hard all week, andthey look forward to playing games,”stated DeSilva. “I feel bad about it.”DeSilva feels so strongly about thisissue that he has already refused toplay Notre Dame next year. Further¬more, he says that he will never sched¬ule another game with them.DeSilva is obviously serious, as the Uof C has never played either Northwes¬tern or University of Minnesota sincethey broke their contracts with DeSil¬va.“It is the policy of the university,”stated DeSilva. “We are going to playteams that uphold their contracts.”DeSilva could have handed the Divi¬sion I powerhouse a forfeit by payingthe referees to show up. Nevertheless,“our program doesn’t have the moneyto waste,” explained DeSilva.OPEN HOUSESATURDAY - OCTOBER 201pm to 3pm5444 EAST VIE W PARK4 BEDROOMS, 2 BATHSCALLING ALL FIRST TIME BUYERS - two bedroom condominium withporch. Good space for the price. Mid 30’s. Available now.JUST LISTED! Super U of C campus co-op. Large two bedroom with formalliving room and dining room. Completely and tastefully refurbished to today’sstandards. Mid 30’s, lank financing. Cali today.MUST SELL! The right location, close to public transportation, beach, part,tennis courts. A lot of space for the money in this two bedroom, two bath condo inEast Hyde Park. Mid 40’s.MOVE TO THE HEAD OF YOUR CLASS! We have the place for you in thistwo bedroom, one bath condo with dine-in kitchen, formal dining room and fencedyard in the heart of campus. Mid 30’s.JUST LISTED! This is your hide-away in the city. A cozy pied-a-terre in one ofHyde ftrfcs finest buildings. This efficient studio is bright and sunny and a bargainat $26,900. Come take a look and avoid winter traffic jams to the suburbs!!* * 0 * Put the pastin your future!LIVE IN AN HISTORIC LANDMARKThoroughly renovated apartments offer the convenience ofcontemporary living space combined with all the best elementsof vintage design. Park and lakefront provide a natural settingfor affordable elegance with dramatic views.—All new kitchens and appliances —Community room—Wall to wall carpeting —Resident manager—Air conditioning —Round-the-clock security—Optional indoor or outdoor —Laundry facilities onparking each floor—Piccolo Mondo European gourmet food shop and cafeStudios, One, Two and Three Bedroom ApartmentsOne Bedroom from $545 - Two Bedroom from $755Rent includes heat, cooking gas, and master TV antennaOffice hours: Sat 11-5, Sun 12-5,Mon-Th 12-7, Fri 12 4-L-, . Or call for information and'. appointment—643-1406ht Hyde Park, across the park fromThe Museum of Science and IndustryrFipui I k »wnx C>ip. *nintr\ Ntm n) bv Mem Irx32-The Chicago Maroon—Friday, October 19, 1984SPORTSLACROSSE CLUBby Tim GoodellPlagued by injuries and foul weather, the U. of C.Lacrosse Club dropped its first game of the fall sea¬son to Northern Illinois University on the Midwaylast Saturday by an 8-4 score.Chicago looked victory-bound in the opening min¬utes as Law School attackman Rob Spencer crankeda shot into the N.I.U. net to make it 1-0. Later, goalieDan Earl (who played for the injured Rob Kenner)worked several brilliant saves and engineered threeChicago clears. By halftime, the Maroons led 3-2,thanks to John Herskovitz’s unassisted score and atally from Senior Steve Arnason who took an assistfrom Mike Noel.The second half belonged to the visitors. NIUracked up three unanswered goals in the thirdquarter while shutting out Chicago. One NIU mid¬fielder, Co-Captain Dave Builder, scored three timesin the second half, once during a three-minute “man-up” situation (the referee—an injured Chicagoplayer—had called a three minute penalty against aChicago player for fighting). Chicago’s last goalcame from graduate student Matt Berg—a defense-man who ran midfield for two plays during the fourthquarter. Players attributed the loss not only to injuries andweather conditions, but also to a lack of practice.Only seven or eight practices had been held by theMaroons before the opener, while N.I.U. had alreadymet Wheaton and Illinois in Autumn competition.Looking ahead to the rest of the season, the teammust deal with several problems. First, the offensewill have to coordinate itself and develop plays. Sec¬ond, the team will have to find a goalie to replace theinjured Rob Kenner and the departing Dan Earl,both of whom have anchored the team’s defense inthe past. Finally, Chicago has yet to acquire a coach(the former coach, Scott Jordan, left last Springafter three years with the team). On the bright side,both Matt Berg and Tom Lee should successfullycarry the defense while attackman Rob Spencerlooks capable of carrying the offense.N.I.U. 8, Chicago 4Chicago 2 10 1-4N.I.U. 113 3-8Chicago StatisticsGoals-Arnason, Berg, Herskovitz, SpencerAssists-NoelSaves-Eart 18 MaroonScoreboardSCHEDULEFootballOct. 20Oct. 27 Sat.—Lake Forest College-Home ComingSat.—Ripon College HomeAway 1:30 p.m.1:30 p.m.SoccerOct. 19Oct. 22Oct. 24 Fri.—Lawrence UniversityMon.—Lake Forest CollegeWed.-IIT HomeAwayHome 4 p.m.4 p.m.4 p.m.TennisOct. 19-21 Fri., Sat., Sun —ConferenceChampionship Lake Forest AwayVolleyballOct. 19Oct. 23 Fri.—Ripon CollegeTues.—Lake Forest AwayAwayField HockeyOct. 20 Sat.—Lake Forest TournamentOct. 21 Sun.—Olivet College AwayAwayCross CountryOct. 20 Sat.—Carthage, WIOct. 27 Sat.—UC Invitational AwayHomeTENNISChicago 7, Lake Forest 2Oct. 8Singles1st: Look (UC) d. Clitherow 6-4, 6-42nd: Guip (LF) d. Fama 6-3, 6-33rd: Gauvreau (UC) d. Roser 6-0, 6-24th: Falk (UC) d. Keeble 6-0, 6-25th: Cooper (LF) d. Choi 6-0, 6-26th: Bohman (UC) d. Verables 6-1, 6-2Doubles1st: Look-Fama d. (UC) d. Keeble-Roser 6-3, 6-32nd: Falk-Bohman (UC) d. Clitherow-Williams 7-6,4-6, 3-13rd: Gauvreau-Veach (UC) d. Cooper-Guip 6-3, 6-4Chicago 6, DePaul 3Oct. 10Singles1st: Ewers (D) d. Look 6-2, 6-12nd: Fama (UC) d. Ulbert 6-1, 7-53rd: Habes (D) d. Gauvreau 6-3, 4-6, 6-44th: Falk (UC) d. Kllroy 6-1, 6-45th: Choi (UC) d. Weiss 6-4, 6-46th: Bohman (UC) d. Harrington 6-2, 4-6, 6-2Doubles1st: Ewers-Ulbert (D) d. Look-Fama 6-2, 6-22nd: Falk-Bohman (UC) d. Habes-Kilroy 0-6, 6-1,6-33rd: Gauvreau-Veach (UC) d. Kilroy-Wiess 6-1, 6-2Chicago 6, Wheaton 2Oct. 11Singles1st: Rasmussen (W) d. Look 6-2, 6-12nd: Fama (UC) d. McCalla 6-2, 7-53rd: Johnston (W) d. Veach 7-6, 7-64th: Falk (UC) d. Edwards 2-6, 6-2, 6-05th: Choi (UC) d. Dopyera 4-6, 7-5, 6-06th: Bohman (UC) d. Chase 6-2, 6-3Doubles1st: Look-Fama (UC) d. Rasmussen-McCalla 2-6, 6-2,6-12nd: Falk-Bohman (UC) d. Johnston-Edwards halteddue to darkness3rd: Gauvreau-Veach (UC) d. Dopyera-Chase 6-4,6-1Northeastern at ChicagoOct. 16, ppd. due to rain COED CREW CLUBBy Harry Parker WestThe U of C Coed Crew powered its way to a strongset of finishes two Saturdays ago at the First Interna¬tional Head of the Des Moines River Regatta, thefirst race of the fall season. The strong results in DesMoines, due mostly to the crew’s intensive six day-a-week training program, put the coed crew in verystrong position as they travel this weekend to com¬pete in North America’s most prestigious river race,the Head of the Charles Regatta in Boston.The Men’s Lightweight Four (C. Pritchett, cox; J.Pritchett, stroke; M. Sexton, 3; G. Prince, 2; T. Beu-tel, bow) is widely recognized to be the best ligh¬tweight four in the Midwest and one of the top fourboats in their weight class in the country. At DesMoines, despite the handicap of competing in bor¬rowed equipment, they utilized their high stroke rateand experienced coxswain to finish ahead of Nebras¬ka and Creighton. Chicago’s winning time was 23min., 2 sec.The Women’s Lightweight Four (B. Schnaper,cox; G. Carlson, stroke; E. Merchant, 3; J. Butler, 2;R. Willett, bow), who also race in a borrowed shell,had a slightly tougher time of it. The courageouswomen raced 5000 meters with a broken s’eat, an inte¬gral part of the equipment and still finished a strongsecond to Nebraska. Third place in the Mixed Four event was taken by acoed crew having only about one year’s experience.The good performance of the Coed Crew (J. Meyer,cox; A. Koldziej, stroke; C. Connelly, 3; J. Butler, 2;C. Brilliant, bow) indicates how quickly a crew canbecome competitive when they are willing to workhard and often.In the Heavyweight 8 race, Coed Crew’s entry fin¬ished a respectable fourth behind Northwestern, Ne¬braska A, and Notre Dame, although they were ou¬tweighed by all of these teams. Competing as aneight for the first time, this crew (B. Schnaper, cox;J. Meyer, stroke; M. Shapiro, 7; B. Lober, 6; J.Holtz, 5; A. Gurvich, 4; J. Bretscher, 3; C. Jordan, 2;J. Helke, bow) shows great promise for the remain¬ing events of the fall season.After the races at the Head of the Charles Regattaon October 21, the Coed Crew will travel to Milwau¬kee on the 27th for a regatta sponsored by the Mil¬waukee Rowing Club, and to Knoxville on November3 for the Head of the Tennessee Regatta. The Men’sLightweight Four and the Men’s Novice four are thedefending champions at Knoxville.The crew will continue its extensive training pro¬gram through about Thanksgiving. The Coed CrewClub is always receptive to new members, whetherexperienced rowers or novices. Any interested indi¬viduals should contact Ian Sweedier at 947-0839.FOOTBALLNorth DivisionConference AllW L Pts Opp W LSt. Norbert 4 0 109 52 4 1Beloit 3 1 111 59 5 1Lake Forest 3 1 70 36 4 1Ripon 2 2 86 86, 2 4Lawrence 1 3 57 72 2 4U-Chicago 0 4 59 111 2 4Games Saturday (Oct. 20)Monmouth at Coe, 1:30Ripon at St. Norbert, 1:30Beloit at Lawrence, 1:30Knox at Illinois C., 1:30Cornell at Grinnell, 1:30Lake Forest at U-Chicago, 1:30South DivisionConference AllW T Pts Opp W LCoe 4 0 121 30 4 2Cornell 3 1 141 56 4 2Knox 2 2 69 133 3 3 Monmouth 1 3 79 102 1 5Grinnell 1 3 77 143 1 4Illinois C. 0 4 26 125 0 6Results Last Week (Oct. 13)Grinnell 54, Knox 28Cornell 49, Monmouth 21Lake Forest 21, Ripon 9St. Norbert 20, Lawrence 7Coe 28, Illinois C. 0Beloit 37, U-Chicago 15Beloit 37, Chicago 15Chicago 0 3 0 12-15Beloit 3 6 8 20-37Scoring SummaryB, FG, Drummer 36B, FG, Drummer 37UC, FG, Song 31B, FG, Drummer 27B, TD, Blondo, 42 interception return (Mulliganpass to Meissner) B, TD, Davis, 1 run (Drummer kick)UC, TD, Hunt 71 pass to Smith (run failed)B, TD, Mulligan 32 pas to Davis (kick failed)B, TD, Mulligan 11 pass to Voight (Drummer kick]UC, TD, Montella 8 run (run failed)Chicago BeloitFirst Downs 12 22Rushes-Yds. 36-144 45-138Pass Att-Comp-Int 17-7-4 42-26-1Passing Yds. 163 273Total Offense 303 411Return Yds. 10 125Sacks-Yds. 0-0 2-14Punts-Avg. 6-32 3-31Fumbles-Lost 1-1 1-1Penalties-Yds. 4-30 7-75Individual LeadersPassing: UC: Hunt 7-17-4, 163, 1 TDB: Mulligan 25-36-1, 276, 2 TDRushing: UC: Dickey 22-95, Montella 6-50B: J. Davis 22-95, Knudson 5-36Receiving: UC: Smith 3-104, Lee 2-10B: J. Davis 8-90, Meissner 5-50^The Chicago Maroon—Friday ..October 19, >1964 -33CLASSIFIEDSCONDO FOR SALEUNIQUE ONE BEDROOMOriginally a two bedroom. We removed a wallto create a wonderfully bright and open apt.Complete renovation. Sanded floors, mini¬blinds, track lighting, triple-track storms.Ceramic bath. Wood cabinet kitchen withdishwasher, double-oven, clothes washer &dryer. Close to campus - IV* blocks to Regenstein. Excellent security & maintenance Pricereduced to 145,000. By owner-no real estatecommission. We guarantee you won't find anicer apt. so close to campus for this price. 752-1664 or 962 8049SPACE WANTEDVisiting French academic couple withoutchildren need reasonable house or apt. to rentspring quarter 962-8168 days.PEOPLE WANTEDPart time typist needed. Ask for Debbie. 955-1200.Need Loving Reliable sitter for two sch-agechildren my home after school and/or even¬ings. Please call 241-5892 evenings.People needed to participate in studies onmemory, perception, and language processing. Learn something about how you carry outthese processes and earn some money at thesame time! Call the Committee on Cognitionand Communication, afternoons at 962-8859Small catering service needs assistants for oc¬casional work Experience helpful. Leavemessage and phone number, 955-1013.Graduate student or graduate student wife forpart-time care of 3 mo. old in professor's homeclose to campus. 8-10 hrs/wk. 752-7387Wanted: rock and blues guitar teacher to giveweekly lessons to classical guitarist. Call 955-3238 or 752-0302 evenings.ARE YOU IN YOUR RIGHT MIND? Simpleperceptual and tasks for left/right brain study.Subjects needed. $5/hr Call 962-7591ESTALIBHSED CONTRA DANCE BANDSEEKS FIDDLER—New England & Irishstyles Guitar ability desirable. 363-2297 evesafter 6 (Peter)Neat, sensible and responsible person to perform catering and bookkeeping functions inHyde Park. Experience helpful. Please applyin writing to: HWM 7545 S Harper 60637 Campus rep to run spring break vacation tripto Daytona Beach. Earn free trip and money.Send resume to College Travel Unlimited P.O.Box 6036 Station A. Daytona Beach, Florida32022, include phone numbers please.Mature Waitress needed on night shiftShould be experienced inserving meals and drinksApply after 8pmHouse of Tiki1612 E . 53rd StreetResearch economist; immediate opening foran individual with experience in econometricsand environmental economics. Full time, looplocation. Salary commensura^ with ex¬perience and ability. Call Stuart Townsend 7261514.ATTENTION, STUDENTS! Want part-timework you can fit between classes? Place andfill posters on campus, earn base and bonuses.Year-round possible. 1 800-243 6679.SERVICESJUDITH TYPES-and has a memory. Phone955-4417.UNIVERSITY TYPING SERVICE: A fast, ac¬curate, professional full-timeeditor/typist/word processor (and former col¬lege English prof) using the DisplaywriterSystem. James Bone 363-0522. $12/hourMoving and Hauling. Discount prices to staffand students from 112/hour with van, orhelpers for trucks free cartons delivered N/CPacking and Loading Services. Many otherservices References Bill 493 9122.Passport photos while you wait. On Campus.Other photo services available. 962-6263.PRECISION PLUS TYPING IBM Word Processor Fast Accurate Service at ReasonableRates. 324 1660HYDE PARK PSYCHOTHERAPYASSOCIATES is a group of experienced andwell-trained professionals who are familiarwith, and can often help with the problems ofstudents, faculty, and families in the communi¬ty. For info call 288-2244TYPIST Exp. Turabian PhD Masters thesesTerm papers Rough Drafts 924-1152.TYPIST: exp/w student papers, reas. 684 6882PM.LARRY'S MOVING SERVICE. Rates from112/hour FURNITURE, BAGGAGE CallAnytime 743-1353.TYPING Fast efficient service on PC Canprint, upload to mainframe or put on disk whendone. Susan 324-6533 Judith TYPES and has DEC and IBM WordProcessisng memory that records disserta¬tions, theses, reports, short papers, CVs, jobsearch materials, etc. Judith EDITS,REVISES, and RETAINS your work. Englishis not our only language. Cost effective. Phone:955-4417.TRIO CON BRIO: Music for all occasions;weddings (in Bond Chapel or elsewhere),receptions, parties. Classical and popular 643-5007.Graduate student's wife can take care of yourchild. References and experience call 285-5251.NEED A HAIRCUT? 15 18 any style. CallChrista Bruhn at 753-3751 (leave message ifnec.)Childcare available: Share the services of anexperienced, loving woman in our home.Weekdays 8-5pm. Near 54th 8. Harper call after5pm. 241 6286.WRITING TUTOR Improve organization,clarity, grammar in term papers, thesis,dissertation. B.A. English-Writing. Call Johnat 324 4610TYPIST Exp. College Papers Turabian. Fast,Accurate Reasonable Rates IBM CorrectingSelectric 643 8606FOR SALEUNCLAIMED STORAGE GOODS for “saleThur-Sun 12 pm till 5 pm 917 E. 63rd St. 684-9095.MUST SELL 75 Ford Mustang good conditioncall 288-0858 SteveTWIN BOX SPRING AND MATTRESS ex¬cellent condition $30 call 288-0858 Steve.Beautiful desk and chair $100 Ray 988 1705VINTAGE CLOTHING SALE if you've beendying to get to HEAVEN than don't miss ournext sale, men's and women's vintage clothingand accessories. Oct 20 8. 21 12 noon to 6PM at6981 N. Sheridan.SCENESWRITERS WORKSHOP Plaza 2 8377SUNDAE AND SONG, Saturday, October 20th,8:30 Israeli folksinging including entertainersplus area grad, medical, dental and lawstudents. Friendly relaxed evening. Makeyour-own-sundaes plus liquored icecreamdrinks. $3.00. At NU Evanston Hillel, 1935 N.Sherman. 328-0650. Sponsored by Hillel-CAYS. HARPER COURT CELEBRATES Sat. Oc¬tober 20, 1-3 pm. JAZZ by Willie Pickens.Dedication CEREMONY. Kenwood AcademyCHOIR. TICKETS to local arts programs sold.SPECIAL ACTIVITIES in shops.XA therapy group is being formed at MichaelReese Hospital for bulimic women. A screen¬ing interview is required. For information callMary Hagen ACSW at 325-4855. Leave amessage and we will return your call.LOST AND FOUNDLOST orange and white cat, neutered malevicinity of 57 and Kenwood REWARD 363-2968RIDES .Commuter from Lincoln Park area 9-5, Pleasecall to share rides. 752-1127 or 935 4979 leavemessage for Barbara.PETSThree 8 weeks old beautiful kittens availablefree of charge Call 493-8130 evenings.PERSONALSTo those lean mean rowing machines headingfor the Charles, I know you don't need it, butgood luck anyway. Love Ingrid.AUEI'm not in black and red, but I am in 1419 (or1313). Maybe I won't have to miss youanymore.-LAJUCCOEDCREWThe lightweights are ready for action inBoston!!!! Go get 'em!!!Want to work on the yearbook? Organizationalmeeting Tuesday Oct 23 7pm Ida Noyes SunParlor 3rd floor. Be there!Hey Harold! What happened to the bread par¬ty? Aaaaahhhh!!!!THANKS!For all you've done to make our boat the best itcan be, we thank you: Jon, Carla, Ted and Jim.Becky, Gretchen, Eva Joann, AdenaTHE MEDICI DELIVERSDaily from 4 pm call 667 7394.Apartment Shopping?Choice Hyde Park Locations!Students & Professors welcome. Immediateoccupancy! For more information on anyapartment listed below, call Mr. Collina,Sack Realty Co.684-8900r5521 Evorott4.0 rooms, heat stove,refrigerator, and hot water,furnished. $420.00 /monthAdults only.Keys in Sack office, orcall Ledic at 643-2326 -5100 Cornell —1 bedroom apartments startat $380/month. Stove, refngerator. heat hot water, carpet,cooking gas and electric includedTo see apartment go to theoffice in building 9-5 M-F,9-12 Saturday. pOTf OTBUT rAMOHQI ^5228 CornellOuteide • $30/mo.Garage - $60/mo.—5212 Cornell2.5 room and^tudio apartmentsavailable for immediate occupancy,heat, hot water, electric, and cookinggas included in rent. Stove and refrigerator furnished Rents start at$260/mo., adults only, no petsKeys in Sack office or after 5:30 p.mat 5212 Cornell building officeWed.-Fri 5 30 p.m • 7:30 p mSaturday 12:30 p.m. • 2:30 p.m Call Mr. Collina atSack Realty4 ram, 1 -5537.Evor«tt-Mji to Semite.-5120 Harper-2.5 room 3.5 room1285/month t380/monfhStow refrigerator carpet heatand hot water furnished Keys inSack office or can Mirho 288 4391The Sack Realty Company, Inc.1459 cast hyda park boulavardChicago, Illinois 80615 taimxtmWM.WMeWWl.WW•thiitoawitliVT NDR. IN. R. MASLOVOfTOMITMTa EYE EXAMINATIONSa FASHION EYEWEARa ALL TYPES OFCONTACT LENSESa CONTACT SUPPLIES •THE HYDE PARKSHOPPING CENTER15101. 55th353-6100Studios, 1 A 2 BedroomApartments AvailableSome Nice Lake Views APARTMENTSFOR RENTGRAFF &CHECK1617 E. 55th St.Spacious, nawly-dacoratad1 Vi. 2Vi, studios A1 bodroom apartmonts Ina quiet, wwl I-maintainedbuilding.Immedlof* OccupancyBU8-5566Good LocationHeat IncludedParking AvailableCALLHERBERT REALTY684-23335 % Student Discounts9:00 A.M.-4:30 P.M.Monday thru Friday9:00 A.M.-2 P.MSaturday ’Ov«r 300 Scianca Paperback*. Average PriceJuat $4.00! Sand for MUComplete Dovar Science CatalogOver 300 qualify paperbacks most $3 50 to $6 onnumerous topics in mathematics, physics enginer.rfcn<Lfi®m,s,ry 9®°lo9y biology etc High' Ata?"'!, [easonable prices' Write to Dover02*^6531 t 2nd9t Mmeola NY 11501 !34- The Chicago Maroon-Friday, October 19, 1984-dfiaztotte cVifcdtzomczReaf ditate do.CALL ANYTIME493-0666ACROSS FROM REGENSTEINSacrifice price at $42,500 for two bedroom and study (withfireplace). Will consider rent with option — must move thislovely apartment now!57th CORNER AT BLACKSTONEWhat could be more ideal? Seven room condo near campusand train, for couple with double orientation. Traditionaldesign with modem living — best of both. Woodwork beauty— art glass windows but modem kitchen — laundry in yourown apt and much more. Available for January 1st occupan¬cy. $88,500.55th AND KIMBARKMODERN -CAREFREESo maybe you’d rather be in the countryall spread out with lawns but this is goodin-town Tri-level convenience and space!Eight room townhouse excellent systems.RAY SCHOOL DISTRICT. Ready now.$132,000 negotiable.SUDDEN UNEXPECTEDDECISION TO SELLLarge garden, 4 bedrooms, study, playroom, all modernizedinterior, 2 baths — wonderful kitchen — 54th Place &Blackstone. $120,000. Will rent with option. CLASSIFIEDSRESEARCH SUBJECTSNEEDED $We pay $215.00 for your participation in a 9-week drug preference study. Involves onlycommonly prescribed, non-experimentaldrugs. CALL 962-3560 Mon. - Friday between9:00 am and 12:00 pm. Volunteers must be bet¬ween 21 and 35 years of age. Minimal time re¬quired.DO YOU ENJOY ABEER OR COCKTAILIN THE EVENING?Selected volunteers will receive $160 in returnfor participation in a 3 week drug preferencestudy (7 evenings over a three week period).Takes time, but no effort. Call 962-3560 Tues-Fri. 9 a.m.-12:00 p.m. Must be between 21 and35 years of age.NEEDTOTALK?If you have a problem and don't know where toturn, try the U of C Hotline. We also have infoand referrals and can help in an emergency.We're there 7 days a week from 7 pm to 7 am.Give us a call at 753-1777.BALALAIKA CONCERTCome to an evening of Russian Balalaikamusic player by virtuoso Alex Eppler, ac¬companied by guitarist M. Kimball-Dykes.Mandell Hall, Sat, Oct. 27, 8 pm. Tickets are $9,$7 students. Advance tickets are $1 off and maybe bought at Mandell Hall Box Office.BOOKSALEHistorian's library reduction 25-$1 Hyde ParkShop Ctr Sat 10/20. 9-3.SHELVINGAll types made from $15.00. Free estimates,delivery. Installation. Call John 978-3723YEARBOOKYearbook needs a staff. Photographer, copy,layout and literature people needed. Firstmeeting Tuesday Oct 23 7pm Ida Noyes SunParlor 3rd Floor.MENNONITE/BRETHERENOur next gathering is on Sun. Oct. 21 5:30 p.m.This time it is at 4720 Greenwood. Again it willbe with potluck. For info call 620-2306 GAY? LESBIAN?BISEXUAL?On T> «*sday nights GALA hosts a Coming-Outgroup, a warm and intimate place to talk forthose new to gay • ife (8:00), a general meetinga forum for gay and lesbian issues (9:00) and asocial hour (10:00). 5615 Woodlawn.STEREOHere's the stereo deal you've been looking for!Sansui FR-D25 turntable, Sansui R-30 receiver,and matrix speakers, all in good condition. Forunder $300 negotiable. Call 947-0747 x 341 Askfor Tina, make an offer.MARXISTSTUDY GROUPAnyone interested in a study group of Marxistphilosophy or economics Call Stan Smith 489-4369 (nights)HELP SAVE THEIDA NOYES GYMIda Noyes needs a cinema AND a gym!Anyone interested in signing and/or cir¬culating a petition to get this message across tothe administration should leave a message at962 9732THE BAGEL BRUNCHIS BACK!Hillel has a brunch every Sunday 11 to 1 pmlox, bagel, cream cheese plus the N.Y. Times,Tribune, coftee & Juice-all for $2.JOBS/INTERNSHIPSNeed a break from school? Want to gain somepractical work experience? Consider the Col¬lege Venture Program. Talk with Ann Dunn-ington, Venture rep from Brown Universityabout the rewarding job opportunitiesavailable to students. Come to one of thefollowing information meetings on Mon, Oct. 22or Tues. Oct 23 at 4pm in Reynolds Club room201.WINE & CHEESECider & cookies too...at Calvert House(Catholic Student Center) this afternoonfrom 5:30 to 6:30 or so. Nibble, sip, chatand relax at 5735 S. University.(All are welcome)The Chicago Maroon—Friday, October 19, 198*—$548 Hoursof Intense CelebrationINDIAN SUMMER NIGHTSAUTUMNERKPresented by the Student Government Activities CommitteeWho can come?When is it?What Happening?Friday’FIREWORKS at 8:15 p.m.on the East Side of Regenstein* Outdoor Movie"An American Werewolf in London"9-11 in Hutchinson CommonsCo-sponsored by D.O.C. - FREE ADMISSIONBlazing Bonfire & S'mores Roast11:15 in Hutch* Let's Spend the Night TogetherAll night sleepout in Hutch/Reynolds(why wait until registration toenjoy an evening on the quads?) Anyone & EveryoneFriday, October 19 andSaturday, October 20Lots!....SaturdayHomecoming Football GameWatch the Maroons battleLake Forest - 1 p.m. at Stagg*Autumnerk Barbeque$2.00 for students$3.00 for all othersGood Food -A pleasant changefrom everyday dormcooking!!At Bartlett Field 4:30-7:30 p.m.AUCTION & Live Entertainment"The Blue Blowers"*MAB CONCERT"The Suburbs" at 9:00 p.m.(not 8p.m. as previously advertised)* RAIN PLANS will be posted on all bulletin boards on the day ofthe Big Event! or call the SG office at 962-97$2* One Final Note— "The Homerun", or 5K race from Stagg toBartlett has been cancelled.Financed by the Quality of Life Committee/ SGFC and MABJoin our Celebration Sale!Hurry' over to the Hyde Park Shopping Center. Yourneighborhood merchants have special anniversary savingsfor you on the fall things you need right now. It's ourway of saying thanks for 23 great years!h^fs,v<^Cc&cl0’The brand that fits S^eb frC)\0 A*-\asl'e&,&OtCm the Hyde ParkShopping Center'opposite the Co-op)288-1665LLayered-look $1Q QQSuit. x:7,:7V/Regularly $25.00Boys and girls love thelook, you'll love theprice and the easy care100% Creslan Acrylic inroyal/black, navy/grayor burgundy/gray. Insizes 4 to 18. Gabriel’sfashions for children1311E. 53rd Street288-1777“You know our quality!” ——————— -coupon - — — — — — — ■SAVE 10% with this couponon all Halloween stickers &cards through October 24.Send a Hallmark card to your favorite creature.' sealed with aspooky sticker for extra fun. And your little door to-doorghosts will Jove stickers for safe and fun Halloween treats, too.In the Hyde Park Shopping Center • 288-5500COUPON-— — JIt’s Rockport "Walk Wfeek.Walk for the health of it.Walking has been found to be one of the best ways to make yourself feel betterand become more physically fit.But before this can happen, you need the shoe designed especiallyfor walking. RocSports.' The exclusive Rockport Walk SupportSystem '' makes RocSports the perfect shoe to walk in. No othershoe can provide both the great looks of a casual shoe and theultimate in lightweight comfort and support.Get comfortable and you may get lucky. With a freeSony’Walkman.When you try on a pairof RocSports this week,you’ll also get a chance towin something that will makewalking even more comfortable.The original Sony WalkmanSo step into a pair of RocSports.And give yourself a more comfort¬able, healthier outlook on life.1534 E. 55th StreetIn the Hyde Park Shopping Center667-9471Mon. thru Sat. 9-6. Thu. 9-6:30;||t American Oplometri /iWjCiauor.Hit the books withclear vision.* Eye examinations.* Fashion eyewear* Ail types of contact lensesincluding tinted soft lenses.* Contact supplies.Dr. M R-. Masiov. O.D.Complete Optical Serv icesIn the Hyde ParkShopping Center • 363-6100City GirlCohn and SternDoralee, Ltd.Fanny May Fritz on 55thHyde ParkCo-opPark LaneHosieryShoe CorralSusan GaleWalgreensWooiworths At your service:Flair CleaningHemingway’sHyde Park Associatesin MedicineHyde Park BankHyde ParkCurrency ExchangeDr. M. R. Maslov,OptometryThe Hyde Park Shopping CenterOn Lake Park between 54tk and 55th StreetsYou can keep warmall winter for $6.00!When the wind is howling round Susan Gaie Available in thisyour neck and legs, you'll be season's favorite colors: white,glad you bought this hat. scarf cadet blue, mint green, mauve,and leg warmer set from beige, rust, gray and black. VERY IMPORTANT VALUES!Save up to 50% on Skirts100% Wool Skirts.Reg. $74 & $76 . NOW $46Reg. $40 to S50 . . NOW S29Reg. $38 NOW $25100% Silk Blouses:Reg. $52 NOW S35Polyester Blouses:Reg. $58 & $60 NOW $30Hurry in tor the best selection.All colors not available in all sizes& Blouses.In the Hyde Park Shopping Center • 288-5454You are invited to theLARGEST CLEARANCEin our 33 year history!You 11 findsubstantialreductions onall clothing,furnishingsand shoes.1502 E. 55th StreetIn the Hyde ParkShopping Center752-8100SERVING THEHYDE PARK COMMUNITYFOR OVER THIRTY YEARSHYDE PARK ASSOCIATESIN MEDICINEDAVID WECHTER. MD**DAVID SCHEINER, MD**QUENTIN YOUNG, MD **'Certified by the American Board of Internal Medicine‘Hospital Affiliation: Michael Reese Hospital and Medical CenterWe seek to provide comprehensive,individualized care for each of our patients.HYDE PARK ASSOCIATES IN MEDICINE, LIMITEDFor appointment, call 493-8212 1512 East 55th Street Ybu can make arDliATPT AVurlUlAL 1 L/iifor your IRA moneyat Hyde Park Bank._ — ^contribution ;NOW and we’ll pay you high;interest plus a box officebonus from Court ^Theaterat The University of Chicago.;Have asafe & happyHalloween.i.$ w r., A,r-THEHYDE PARK- Shopping Center —Or. I -• *' RATE HOTLINE at 752-ath .ind iithStreets. • Early contributions work harder by earning youmore interest-your savings advantage increasessubstantially if you deposit before the contributiondeadline each year.• Your IRA interest is tax deferred untilwithdrawal. As interest earned is added to yourIRA, it compounds more quickly than it would in ataxable account. You benefit from acceleratedgrowth over the years.• Your IRA gives you a tax deduction every yearyou contribute. Even if you don't itemizedeductions, you can deduct your legal contributionfrom the current year's gross taxable income. Itmakes sense to shelter your current income fromtaxes while you build your retirement fund.• Hyde Park Bank IRA rates are competitive andall of our IRA plans compound daily. Call our3333 f current quote.• YOU CAN MAKE A GREAT PLAY FOR YOURRETIREMENT MONEY!Make your IRA deposit at Hyde Park Bank byOctober 31, and you’ll receive a box officebonus from Court Theatre. Any IRA deposit of$1,000 or more entitles you to a couponredeemable for a free ticket to any one ofthe 1984-85 season productions from thecritically-acclaimed Court Theatre. As an addedbonus, you’ll also qualify for a $3 discount onthe purchase of a second ticket.*'Restrictions applyFederal regulations require a substantial penalty forearly withdrawal Funds withdrawn before age 59V2 aresubject to regular income tax rates plus a 10%penalty tax