mThe Chicago MaroonVolume 93, No. 52 The University of Chicago ©Copyright 1984 The Chicago Maroon Friday, May 4, 1984Residents angered at Greenwood’s closingBy Victor KingOn Tuesday, the Office ofStudent Housing presentedmembers of Greenwood Hallwith an announcement of thedormitory’s closing and a listthe residents’ housing options.Associate Dean of StudentsEdward Turkington wrote inthe notice, “(W)e shall closeGreenwood Hall permanentlyat the end of the springquarter. This decision wasmade necessary because of the declining physical condition ofthe building. The projectedcost of an adequate renovationwould exceed $2.5 million.”Greenwood Hall PresidentAlan Glicklich and residentMichael Aronson disagreestrongly with the way the Uni¬versity handled the building’sshut-down.“Everybody’s prettyangry,” Glicklich reported.‘‘We all feel like we’ve beenscrewed by the administra-Greenwood Hall, 5400 S. Greenwood Ave. tion. Greenwood does need alot of repairs. But the physicalcondition of the building hasn’tchanged all year, so they couldhave made the decision andtold us in October.”The residents feel that theywere misled about the Univer¬sity’s intentions. According tothe minutes of a past Inter-House Council meeting, Tur¬kington was 99 percent certainthat Greenwood and Black-stone would stay open nextyear. The fact that the Univer¬sity spent two weeks rennovat-ing Greenwood mailboxesgave members the impressionthe school planned to save thedorm. Moreover, GwendolynAnderson — House Supervisorof Pierce and Greenwood Halls— looked into a $2500 firealarm for the hall two weeksago.‘‘They have made severalthousand dollars in improve¬ments,” said Aronson.Turkington recognizes thedifficulties for people living inGreenwood. However, hestressed, ‘‘No one is beingturned out into the street. I as¬sume there are people who arenot coming back to Green¬wood, some thinking aboutcoming back, and others cer¬tain of coming back.” For those who do plan to stayin the housing system, Tur¬kington offered three alterna¬tives: an apartment at 1215East Hyde Park Blvd., a floorin Broadview Hall, and CoulterHouse in Burton-JudsonCourts. Greenwood studentswould have priority in makingreservations for these rooms.Alan Glicklich Glicklich said that no one hehas talked to has found any ofthe options acceptable. Theapartment building on HydePark Blvd. is too far awayfrom both campus and fromother undergraduate residencehalls. Broadview has onlycommunity kitchens (Green¬wood residents have kitchensin each of their rooms) andwould be a problem for stu¬dents who keep kosher. Thehouse in B-J would require ameal plan.Aronson found the list of al¬ternatives ridiculous: ‘‘I can’timagine one person who will goto B-J. A $2000 meal contract?And Broadview? It will be realfun living in a place with nine-tenths grad students.”continued on page elevenFrat site of arrestCurrie says fund Fair privatelyBy Cliff GrammichThe chair of the IllinoisHouse committee on the pro¬posed 1992 World’s Fair saidthis week that elements of theprivate sector should bearsome of the financial risk forthe Fair's undertaking.‘‘My own strong view is thatinstead of the proponents of theWorld’s Fair coming to the le¬gislature and asking for back¬ing... the private sector shouldshare some of the risk,” saidState Rep. Barbara Flynn Cur¬rie (D-26).‘‘There ought to be some wil¬lingness of the private sectorto share the risk should theFair face deficits, becausethere are nameable elementsof the private sector who willmake money from the Fair,”she said.Currie spoke on the Fair andother issues during yester¬day’s ‘‘South Side Forum” onWHPK.While Currie said somedownstate legislators, skepti¬cal of how the Fair’s benefitswill ‘‘trickle down” throughoutthe state, may oppose spend¬ing state money on Chicago’sFair, she called upon the city’s legislators to examine theFair’s residual benefits beforecommitting public funds.Currie said current costprojections for the Fair exceed$825 million, and she acknow¬ledged some may charge thisis too great a price tag for pri¬vate funding to handle. Shenoted, however, that a privateconsortium underwrote theconstruction costs for the in¬ternational exposition recentlyheld in Knoxville, Tennessee.Currently, a task force ap¬pointed by Governor JamesThompson from the city,county, and state govern¬ments, as well as from privatesectors involved, is studyingpossible funding for the Fair.Currie said state funding forthis year’s Fair activitieswould have to be approved be¬fore recess June 30.A Cook County hotel tax iscurrently funding the Fair au¬thority, and Currie noted fund¬ing from the tax runs out July1. Therefore, funding for theauthority’s activity wouldhave to be found before then ifits activity is to continue.Currie noted the Fair facesother questions, including those of location, displace¬ment, and other governmentalfunding.She said the Fair will proba¬bly occur at the proposedBurnham Harbor site, alongthe lake from approximatelyRoosevelt Road to 31st Street.Some had proposed holding theFair near Lake Calumet, butthe current consensus favorsBurnham Harbor.continued on page eleven By Hilary TillA battery suspect was ar¬rested by Chicago police lastFriday at a Phi Delta Thetaparty. According to one wit¬ness, the arrest did not cause astir, and ‘‘a good portion of thepeople at the party probablydid not notice anything oddhappening.”University security and Chi¬cago police were alerted tocome to the party Friday nightby a person who recognized theassailant. After security andthe Chicago police arrived atabout 11 p.m., they gave a de¬scription of the assailant tofraternity member PeterBeckett, who was standing atthat time outside the frater¬nity.Beckett and another individ¬ual then went back into theparty and soon spotted the al¬leged assailant. He led two se¬curity guards and a policeman into the party, and the assail¬ant was arrested on the dancefloor.Becket described the eventsleading up to the arrest morefully. He said that he had goneoutside the party to get someair. When he saw two securitycars and one Chicago policecar outside the fraternity, hewent up to the security guardsand policeman to find out whatwas happening.A Chicagf crp told Beckettsomeone wanted for batterywas at the party. The Chicagopoliceman then gave Beckett aphysical description of thewanted individual.Beckett then went inside theparty with U of C studentEverett Lee. who had justcome out of the party, to lookfor the described individual.“He was just standing in thecontinued on page elevenMaroon • page nineInside ►Universitytheater groups Proposed faculty housingFaculty housing plans delayedDorm of the dead:the blurbgcj • page three By Michael ElliottThe University received ap¬proval to construct facultyhousing at one of several lotsrecently purchased throughoutHyde Park, but because of al¬terations in the approved plan,must wait for further approv¬al.The altered plan calls forthree double townhouses withgarages and coach housesabove each garage to be builtalong Dorchester Ave. south of57th St., together with four townhouses to be built alongthe same block of BlackstoneAve.According to JonathanKleinbard, vice-president forUniversity News and Commu¬nity Affairs, the U of C pur¬chased three urban renewallots last year: two on thecorner of 57th and Dorchester,and one on the corner of 57thand Stony Island. After ascries of meeting with the cityand the Hvde Park Conserva¬ tion Community Council (theCCC, a semi-offical body ofneighborhood residents ap¬pointed by the mayor, the U ofC compromised to meet objec¬tions from neighbors con¬cerned about traffic problems,losing gardens, and other de¬velopment difficulties. Theplan which received approvalfrom all parties was to con¬struct seventeen units of hous¬ing on a swath of vacant lotsrunning from the southwestcontinued on page elevenJERSITY OF CHICAGOpresents a lecture byauthor orNNOUNCING!Instant Gratification(or the closet thing to it at the University of Chicago)fee* TheUniversity of OfcsgaOffice ofContinuing Education50$ Sawth KMmfc Ambw*Oucsgo, Minot* 406379624722Tired at the very thought of that stack of incompletesgathering dust on the comer of your desk? Wondering ifhelp!To alleviate academic anxiety this summer, register for our“Reading French for Graduate Students” course. In just sixweeks you can get the preparation you need to successfullycomplete the Graduate Foreign Language Exam in French,scheduled for the end of July.Our intensive French reading course is the only one co¬sponsored by the University’s Department of RomanceLanguages and Literatures. The instructor, Charles Krance,is an Associate Professor in that department. He has offeredthis course for many years and has provided many graduatestudents with the background needed to perform well onthe University’s French reading exam.Monday-Friday, 9:30 A.M.-12:00'June lO-July 27,1984 noon. ^ Registration deadline: June 1,1994SfiisPjf7 ^ v % ^ VP** V • •foil information and to r; 962-1222v ' . THE FOLKLORE SOCIETYpresentOld Time Music Co vention-Jam Session & F cnicSunday, May 61:00 p.m. -dusKinHutch Cour*(in case of rain, North Lounge R ? /nolds Club)—Free ketchup, mustard, grilf k charcoalfor your use proviaec mdhot dogs for saleThe University of ChicagoAlpha Omega Alpha Annual LectureTHE SKEPTICALPHYSICIANFaith vs. Evidence in MedicinePAUL D. STOLLEY, M.D.Professor of Medicine,University of PennsylvaniaFriday, May 11NoonDora De Lee AuditoriamUniversity of Chicago Hospitals— Reception to follow —Other Criteria andte Sexuality of Christ in Renaissance Art and\in Modern OblivionmWoman with Book’“A study of the ways in which men from the 14thcentury to the present have perceived womenreading—that is to say, how men through the im¬agery of art, illustration, advertising, and so on,have regarded the female intelligence or woman’sclaim to intellectual parity. MMonday, May 7,1984, at 6:00 P.M,Law School AuditoriumUniversity of Chicago1111 E. 60th StreetChicago. Illinois 60637 Tickets: $3.00 Renaissance Societymembers and students(with valid I.D.)$5.00 General PublicFor infomration call 962-8670This lecture is supported in part by a grant from the Illinois Arts Council, an agency of the State.Festivities invitedStudent Government invites studentgroups to sponsor booths for the Memo¬rial Day Festivities on the Quads, May27. Any student group or residencehouse may enter a booth to sell food ordrinks, sponsor games, or to providepure entertainment. Memorial Day ac¬tivities will begin in the afternoon onSunday and continue into the night withlive music, food, and drink.For more information or sugges¬tions, contact Janelle Montgomery at753-8342 xl020 or David Feige at753-2261 x237, or leave a message in theReynolds Club mailroom.Journey extendedLong Day's Journey Into Night, cur¬rently playing at Court Theatre, hasbeen extended through May 13 to ac¬commodate heavy ticket demand.Performances are Wednesdaysthrough Saturdays at 8 p.m., and Sun¬days at 2:30 and 7:30 p.m. The finalproduction will now be the 2:30 p.m.performance May 13.Tickets are $13 for Saturday, $11 forFriday, and $10 for all other perfor¬mances. Students and senior citizensreceive a $2 discount. Tickets can beordered through the box office,753-4472.Orchestra concertThe spring concert of the Hyde ParkChamber Orchestra will be May 6 at3:30p.m. at KAM-Isaiah Congregation,1100 E. Hyde Park Blvd. The Beetho¬ven 1st Symphony, the Mozart Concer¬to for Flute and Harp, and a Sonata forViola and orchestra will be performed.Soloists will be Emily Seabury andFaye Seeman.The public is invited and there is noadmission charge.Stained glass showAn exhibition of stained glass de¬signs by Jami Cloghessy entitled “Con¬versation Pieces” will be on displayduring May at Artisans 21 Gallery. The show will open May 5. In con¬junction with the show, Cloghessy willdemonstrate her art from 1 to 4 p.m.Both exhibition and demonstration arefree and open to the public.Krasner to talkStephen Krasner, professor of politi¬cal science at Stanford University, willgive a talk entitled “North South Issuesin International Regimes” Friday atnoon in Pick Lounge.Krasner is known for his work exa¬mining the role of the state in the for¬mation of foreign policy. He is current¬ly completing a book on North-Southrelations.The talk is sponsored by the Centerfor the Study of Industrial Societies andthe Program on Interdependent Econ¬omy. For more information call7S2-4RftQTheater workshopsUniversity Theater will sponsor itssecond workshop of spring quarter to¬morrow from 2 to 4 p.m. in the third-floor Reynolds Club theater.The workshop will be conducted byThomas Mula, a Chicago-based Equityactor with particular expertise inmakeup for the stage. Admission isfree, and all members of the Universi¬ty community are invited.University Theater’s first workshop,which deals with blocking and is con¬ducted by Nicholas Rudall, has beenextended to a second session on May 18at 2 p.m. in the first-floor ReynoldsClub theater.Liberation theologyA symposium on liberation theologywill be held May 8 and 9 at the Luther¬an School of Theology. Sponsored bythe Graduate Student Association ofthe Lutheran School of Theology andthe LSTC Hispanic Ministry Program,participants at the conference will ex¬amine the place of liberation theologyin contemporary theological reflec¬tion.Though a controversial subject, lib¬ eration theology has become the domi¬nant theology of the Third Worldamong both clergy and laity. The sym¬posium is ecumenical, intercultural,and interdisciplinary. For further in¬formation, call Bob Butterfield at684-6015.Israel GoldiamondGoldiamond lecturesBecause of illness, Mortimer Adlerhas cancelled his Woodward Court lec¬ture scheduled for Sunday, May 6. Pro¬fessor Israel Goldiamond will replaceAdler. Goldiamond, professor in the de¬partments of psychiatry and behavior¬al sciences and the College, will give alecture entitled “Nonlinear BehaviorAnalysis and Rational Behavior Prob¬lems. Problems, Problems.”Israeli celebrationThere will be a celebration of YomHa’atzmaut. Israeli IndependenceDay. Sunday at Ida Noyes Hall at 8:30p.m. Students, faculty, alumni andHyde Park residents are invited to cel¬ebrate together the 36th year ofIsrael's independence. Children arealso encouraged to attend. The event will feature a multi-mediapresentation, Israeli singing led byCarol Raymon, Israeli dancing byDalia Paludis, and a falafel and humosdinner. The activity is co-sponsored byHillel Sous and Students For Israel.Admission is $2.50 for adults, $1 forchildren.Steinberg talksLeo Steinberg will deliver a talk en¬titled “Woman with Book” Monday at 6p.m. in the Law School Auditorium,1111 E. 60th St. Steinberg will discussrepresentations of women reading inart, advertising, and other media fromthe 14th century onwards towards aninterpretation of male perceptions ofintellectual parity between the sexes.The talk is sponsored by the Rennais-sance Society, and is $3 for membersand students, $5 for the general public.For further information, call 962-8670.Recipes wantedThe University Dining Halls, in coop¬eration with the Student Govern¬ment/Inter House Council Food Ser¬vice Committee, are asking for therecipes you know and love to be pre¬pared in a special dinner night called“Almost Home” or “You Asked ForIt”.Food Service Committee Co-ChairMike Kelly encourages any studentwith a favorite recipe or simply a sug¬gestion for a dish they would like to see“prepared” to submit the idea in writ¬ing to any one of the dining hall manag¬ers or leave a message at 753-8342 xl218before May 11. Please be as precise aspossible if you are submitting a recipe,and also include your name and phonenumber (in case you're not as preciseas you should have been). Successfulrecipes or ideas may be incorporatedinto the regular menus of the dininghalls.Kelly urged students to take advan¬tage of what he termed a “step towardgastronomic self-governance.” saying“help us make dorm food more realis¬tic.”■IllTHE UNIVERSITY OF CHICAGO • THE DIVISION OF THE HUMANITIESThe Lester Aronberg Judaica Lectureship Committee and The Department of Near Eastern Languages and CivilizationsConference onJUDAEO-ARABICSTUDIESMay 6th - 8th, 1984I Sunday, May 6th, 7:00 p.m.THE LIBRARY, IDA NOYES HALL, 1212 EAST 59th STREETWelcoming RemarksStuart M. TAVE (Dean, Division of the Humanities)Gene B. GRAGG (Chairman, Department of Near EasternLanguages and Civilizations)I S D GOITEIN (Institute for Advanced Study. Princeton)Jews and Arabs: Some Problems in the Historyof their Relations2. Yehoshua BLAU (The Hebrew University. Jerusalem)Judaeo-Arabic in its Linguistic Setting3 William BR1NNER (The University of California. Berkeley)Popular Judaeo-Arabic Literature in the MiddleAgesIl.Mondav, May 7th, 1:00 p.m.BREASTED HALL, 1155 EAST 58th STREET4. Hillel FRADKIN ( The John M Olin Foundation, New York)Philosophy or Exegesis: Perennial Problems inthe Study of Some Judaeo-Arabic Authors5 Sarah STROUMSA (The Hebrew University. Jerusalem)Jewish Muslim and Jewish-Chnstian PolemicalDebates in the Islamic Near East6 Abe LIPSHIT7 (Hebrew Theological College. Chicago)Early Qaraite and Rabbamte ExegeticalLite.ature: a Bibliographic Survey andProspectus7. Mordecai FRIEDMAN (Td Aviv University)Developments in Jewish Marriage and FamilyLaw as Reflected in the Cairo Geni/ahDocumentsIII Monday, May 7th, 7:00 p.m.BREASTED HALL. 1155 EAST 58th STREET 8 Steven HARVEY (Baltimore Hebrew College)The Meaning of Terms Designating Love inJewish-Arabic Thought9 Haggai BEN-SHAMMA1 (The Hebrew University. Jerusalem)Jewish Thought in Iraq and NeighboringLands in the Ninth and Tenth Centuries10. Moshe GIL (Tel Aviv University)The Exilarchs under Muslin Rule NewAspects of their HistoryIV .Tuesday, May 8th, 1:00 p.m.COMMON ROOM. SWIFT HALL. 1025-35 EAST 58th STREET11 Paul FENTON (University de Lyon HI)Judaeo-Arabic Mystical Literature during theThirteenth and Fourteenth Centuries12 Mark R COHEN (Pnnceton Univervtv)The Jewish Community of Me» eval Egypt:Results of Recent Research13 Arthur HYMAN (Yeshivah University, New York)Medieval Jewish Anstoteliamsm Trendsduring the Twelfth through FourteenthCenturies14. Norman STILLMAN (State University of New York. Binghamton)The Jew s of the Silamic West in thePerspective of “la Longue Duree"V. Tuesday, May 9th, 7:00 p.m.COMMON ROOM. SWIFT HALL, 1025-35 EAST 58th STREET15 Menahem BEN-SASSON (The Hebrew University . Jerusalem)The Making of Qairowan Jewry, aRepresentative Community of the Maghreb16 Lawrence V BERMAN (Stanford University)Judaeo Arabic Thought in Spain and NorthAfrica: Results of Recent Research17 Norman GOLB (University of Chicago)Some Unfinished Chapters in the History ofthe Jews of the Near East in Islamic TimesThe Chicago Maroon—Friday. May 4, 1984—3RALLY BY FRANK LUBYLate decision unfair toGreenwood residentsThis week’s closing of Greenwood Hall is typical of the University’streatment of students in administrative matters. In this, as in so manyother cases, students were not consulted, were not informed, and weredenied any voice in the decision to close their dorm.Greenwood residents are rightly outraged, and much of the Universi¬ty community will be adversely affected by the decision. Greenwoodresidents will be forced by time constraints to compromise on their fu¬ture housing situations. Others in housing will lose their lottery seniorityto those leaving Greenwood.Greenwood residents should be given every advantage possible in re¬locating, but the situation could have been avoided if the closing hadbeen announced earlier. The mad scramble could and should have beenavoided.We urge the University and the Office of Student Housing to considerseriously the recommendations put forth by Greenwood residents, whohave been unjustly displaced by an administrative decision greatlylacking in foresight. " '*rL—— ,-r ,»i tup COLLEGE. HE IJ” A 2t'tA HOUSE BROTHER,HICIC IS A WsT/e \j or C wwrcottMMTi pissahdhuaN club.*•>*<# m T«£ U <■ ^ ^ M0(?RY'5n CAM YOU NAME AN UGLIER^CAMPUS BUILDING than/ THEpresidential shack?(T Into ' 1 ' 1— -MICK 'S T/UV/A QUIZ- —— it TUP college .'hFIs A 2FTA House brother, >HOW many morry'srestaurants AREthere, ALL totalled c1 WHAT DOES MARY TEANWvahey actually Do? MIL I CAM YOU NAME YOUR^ N/eWLY-ELECTED S<x0Pfr{C|AL5 ??SEND YOUR ANSWERS WITNTHI5etf£L_BWHKARE YOU EMBARRASSED WHEN/Vouf? Parent ask what theHELL KU IS ? (NAME —■»«« phvsics Mpmuwr's NeW “IfLwoio toe scope wiLLEiTHrt: |aod«ess ———;■\fA)WIN US ANOWK NOBEL PRIZe AefUae ■B)AUOVl/5fUPfNT5 IN B~T TOPICK | Ovottd fi* CnS£«N HAMA GRAYMfflmam 8® if® letters iflBiPHHni?• vMiller’s vocabulary clarifies the homophobe positionTo the editor:After my last letter regardingcampus gays, I, and seemingly manyothers, thought I had adequately ex¬pressed my views on the subject. Sub¬sequently, though, many Maroonreaders responded with letters thatseriously distroted my views and ne¬cessitated my response.The most recent distrotion occurredFriday, courtesy of Mr. Peter Kangwho says that I “belched" against theAmerican electorate. Had Mr. Kangspent more time reading my articleand less time curled up with his the¬saurus, he would know' that I, the Pav-lovian morality mongering sadist whovomits vituperatives have great re¬spect for American voters, eventhough 7% of them voted for John An¬derson in 1980.Then there is Mr. Ernest Ballardwho purports to be able to drive the space shuttle through my arguments,no small feat for someone who obvious¬ly didn’t read my letter. Had he doneso, he would know that I never saidthere was no discrimination againstgays at the U of C. What I said was thatthere was no discrimination by the ad¬ministration. a claim that nobody haschallenged. Oh well, I guess the spaceshuttle will have to be reserved formore important things like deployingkiller satellites.Also stepping into the fray is MichaelWorley who is about to get his Ph.D.,obviously not in logic. He calls myanalogy between bestaility and homo¬sexuality "ludicrous.” Let me remindhim of a passage from Mr. Ballard’sletter: "The only unnatural sex act isone that is physically impossible’.”Well then, all I was doing was compar¬ing two "natural” sex acts. What’s soludicrous about that? The only letter-writer who makes avalid point is Peter Daniels who askswhich "wimp" I was referring to at theend of my letter. My sentence was un¬clear and I apologize. The wimp inquestion was whichever SG officer isresponsible for constantly acquiescingto GALA. Let me affirm that "wimp”is one of my favorite words, and Iwould never want it to acquire a sexualconnotation. It should forever be re¬served for the likes of Alan Alda,Walter Mondale and other male hetero¬sexuals who wear pink shirts.Speaking of wimps, Tom Gartnerand friends tried to portray me as oneby changing a period to an exclamationpoint when quoting me. Real men don’tuse exclamation points and they don’tmisquote people.Gartner then drags out the familiarargument that gays don’t recruit. Thisargument is used by almost all gay de-Boycotting (or womancotting) the LCBTo the editor:I am boycotting the Lascivious Cos¬tume Ball tonight. If you're wonderingwhether or not to go, you might con¬sider exactly w'hat it is that the Fi¬nance Committee and the Student Ac¬tivities Office are bringing about withten thousand dollars of our money.Among other things, our money andsupport are going to the pornographicfilm industry. True, Tuesday’s featureon the LCB did say that “nothing we dowill show women in a degrading role.”Right, folks. We should remember thatthis statement comes from the samecommittee that gave us a full-page adlast week which included the followinggem:"Women: what you need is an auto¬matic rifle for repeated satisfaction.”(neatly timed to coincide with the sec¬ond prospie weekend: what are youtrying to do — make sure that not toomany women who won’t put up withthat kind of shit come here nextyear??)So I don’t know that I'd trust thiscommittee’s standards as to what doesor does not constitute degradation. It sounds like they are willing to endorseideas about sexaul pleasure that havebeen around threatening women's livesand men’s humanity for a long time.Furthermore, as more stories likethat of Linda Lovelace, author of Or¬deal, activist for battered women, andformer sexual slave and star of DeepThroat, are brought to light, we realizethat not all those people you see on filmare there because they’ve chosen to be.How can you as the viewer be sure thatany particular star or starlet is not aman or a woman who is physically ens¬laved and who. like Lovelace, hasmade repeated attempts to escapehis/her abuser. And how can you besure that some of the companies fromwhom we’ve rented "non-degrading"porno-flicks don’t make some of theirprofits off of such actual captives.Because of this, the fact that ourmoney is going directly to such an in¬dustry is analagous to a situation inwhich a student group would actuallyget money to send direct military aid tosome Latin American faction, as op¬posed to merely presenting a forum on the issue of such aid. The LCB is alsodifferent from any other activity oncampus, including some to which indi¬viduals may be personally opposed, inthat the money wasn’t even given outaccording to set procedures. The chairof the Finance Committee is runningthe LCB. Under some sort of strangemoral imperative to make sure thatthe event went off, he was able to writehis own ticket, to the tune of ten thou¬sand dollars.I am not criticizing Rick Szeznyalone as much as I’m criticizing theStudent Activities Office and some gen¬eral tenor about this place, whichcause the LCB to be unquestioninglyaccepted as a cherished institution. Asa female student at this school I’ve en¬countered such typical sexism as beingmildly harassed in the dorms, beingafraid to take courses taught by a high¬ly acclaimed faculty member who hasa reputation for believing women areinferior thinkers, etc.Given this atmosphere it is objection¬able that the Student Activities Office,which is supposed to be about improv¬ing student life, hasn’t questioned thecreation of yet another sexist aspect ofcampus life. It is objectionable thatthey are doing their best to encouragemen to shrink down to the size ofstereotyped sexually frustrated crea¬tures. In a world dominated by such at¬titudes, I have good reason to fear formy peace, my safety, and my life. Andmany of the men I know obviously findsuch stereotypes demeaning to them aswell.Those of us who oppose the LCB weretoo apathetic this year. Maybe wethought that the equally great'apathvof the original LCB committee wouldprevail. The next LCB is scheduled fortw'o years from now. There should betime to look at it before then. In themeantime, there are at least five otherevents going on on campus tonight.Sdsan RosenbergThe Chicago MaroonThe Chicago Maroon is the official student newspaper of the University of Chicago It ispublished twice per week, on Tuesdays and Fridays. The offices of the Maroon are in IdaNoyes Hall, rooms 303 and 304. Phone 962-9555.Anna HupertEditorCliff GrammichEditor electJeffrey TaylorManaging EditorMichael ElliottNews Editor Sondra KruegerFeatures EditorFrank LubySports EditorBurt RosenViewpoints EditorJesse HalvorsenGrey City Journal Editor Brian MulliganGrey City Journal EditorArthur U. EllisPhotography EditorKC MorrisPhotography EditorChris ScottAdvertising Manager Robin TotmanOftice ManagerJoshua SalisburyBusiness ManagerLinda LeeProduction ManagerCampbell McGrathChicago Literary ReviewAssociate Editors: Rosemary Blinn, Hilary TillStaff: Edward Achuck, Leslie Bierman, Mark Blocker. Anthony Cashman, DennisChansky. Shong Chow, Wally Dabrowski, Craig Farber, Paul Flood. Tim Goodell, DonHaslam. Edward Hernstadt, Keith Horvath, Victor King, John Kotz, Michael Kotze, CathyLeTourneau, L. D. Lurvey, Fiora Pizzo, Ravi Rajmane, Nathan Schoppa, Geoff Sherry,Ellyn Street, Bob Travis, Donna Tritter.4—The Chicago Maroon—Friday, May 4,1984 fenders along with the theory that ho¬mosexuality is either inborn or deter¬mined at a very young age. To back uptheir beliefs, they all cite “studies,”presumably done at some university.If they have such faith in universitystudies, let me inform them of one Iheard about a few weeks ago. It saidthat 45% of all molested children aremales, which indicates that homosex¬uals are far more likely to practicechild molestation which certainly is arevolting form of recruitment. If thisstudy is correct, it shows that a largepercentage of gays are trying to forcetheir inclinations on young, impres¬sionable children. If the study is incor¬rect, it shows that the gays shouldn’tbelieve university studies. I am notconvinced that homosexuality isalways inevitable or incurable, and Ithink it is dishonest for the gays to pre¬tend that it is.One point that everyone seems toagree on is that I am a homophobe,l m not exactly sure what a homophobeis — the word doesn’t appear in an una¬bridged dictionary — but I gather thatit’s someone who doesn’t care much forhomosexuality. If this is the case, Iplead guilty. "Homophobe” is not afour-letter word.In the near future, of course, allthese letters will be forgotten, althoughmaybe peoples’ vocabularies will beslightly enlarged. The only lasting evilto come out of GALA fortnight was the"sexual orientation” clause whichushered out the age of decorousnessand ushered in the era of (you watch)university approved bestiality clubs.The University has now surrenderedits last justification for denying such agroup official recognition.I therefore call on the rest of thestraight community to join me in pro¬testing this decision and in urging theUniversity administration to reverseit. Let us brace ourselves to our duties,and so bear ourselves that if the Uni¬versity of Chicago and its straight com¬munity last for a thousand years, menwill still say: "This was their finesthour.”Russ MillerCorrectionTo the editor:Your report of the national securityconference held at the Law School lastweek contains a grave distortion of myviews on a important matter. It saysthat I “explained that Jesse Jackson,presidential candidate, should havebeen prosecuted for negotiating to freeLieutenant Robert Goodman.” I saidno such thing. Indeed, I did not say aword about the Jackson/Goodman af¬fair, which surfaced in an exchange be¬tween my co-panelists, William Dobro-vir and Kathleen Buck. By the way, Ibelieve that a decision to prosecuteJackson would be ridiculous fromevery possible perspective.Cass R SunsteinAssistant Professor of LawFOTA PRESENTSPOETRY-WRITINGSEMINARTUESDAY, MAYS7:30 P.M.IDA NOYES LIBRARY1ST & 2ND PLACECASH PRIZES!REFRESHMENTS SER VED The Major Activities BoardannouncesAPPOINTMENTS FOR THE1984 - 85 BOARDPick up applications atthe Student ActivitiesOffice, Ida Noyes Room210- Final deadline forapplications isFriday, May 11,5:00 P.M.The MAROON EXPRESSRIDES AGAINThe MAROON EXPRESS, our weekend coach service to the Loop and North Side, continues to provideaffordable, dependable, and comfortable transportation for University of Chicago students.The service will run for 9 weekends, ending on Saturday, May 26.TAKE THE MAROON EXPRESS THIS WEEKEND......and catch Pat Metheny at the Jazz Showcase couple of blocks south of theArt Institute-call 427-4300 for ticket info...blow off the entire weekend after the LCB—hit the “Improv Olympics” atCrosscurrents—get off at Clark and Diversey—or go see a good flick like“Cross Creek” or “Entre Nous”-both showing at Chestnut Station-get offat Water Tower.Tickets for the Maroon Express can be purchased with a U of C student ID at the Ida Noyes informationdesk, Reynolds Club box office, or any Residence Hall front desk. Individual one-way tickets cost $1.25and can be purchased in lots of 10 or more for *1.00 each.Ida NoyesShorelandArt InstituteWater Tower Place‘Inner Lake Shore Drivek Division (1200 N)‘Clark k LaSalle(1700 N)Grant Hospital(Webster k Lincoln)Diversey k Clark Schedule for Maroon ExpressNorthbound6:30 pm 8:30 pm 10:30 pm8:40 pm 10:40 pm8:55 pm —6:40 pm6:55 pm7:10 pm7:30 pm7:45 pm 9:10 pm — —9:30 pm — —9:45 pm 11:15 pm 1:45 am Diversey k ClarkGrant Hospital(Webster k Lincoln)Water Tower Place(I. Magnin)Art InstituteShorelandIda Noyes Southbound7:45 pm 9:45 pm 11:45 pm 1:45 am— — Midnight 2:00 am— — 12:15 am 2:15 am— 10:00 pm 12:30 am 2:30 am• *8:30 pm 10:30 pm"Drop-offs throughout Hyde Park induing Shoreland and Ida Noyes"Courtcfy dtop-oii stop by request only Note No pick-up at this location |The Chicago Maroon—Friday. 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Clark St, Chicago *880-54001724 Sherman Ave, Evanston • 86444411984 SSCD Student Advisory Councilwill host a discussionSTUDENT VIEWS ON THESOCIAL SCIENCES CORE CURRICULUM: |ISSUES AND ALTERNATIVESTuesday, May 8 • 4:00 p.m.Harper 284WE VE BEEN KNOWN A WHILEFOR OUR FULL SERVICE,VERSATILE XEROX' COPIESAnd now we 're becoming known for ourInstantCassetteTapeCopying ServiceCOPIES AREOUR BAGCOPYWORKS Lid.THE COPY CENTER IN HARPER COURT288-2233the umvfjjflTY or Chicago student ACTtvmES owe presentsMl tNt t I 11AI ISFeaturingTHE GLENN Hil l MCCCIilSTOAunder the dliectiuncfO il All *V$N«iFfr** r/gA.ft]0 mA%H4yii,i9§4 >\9s€€ UH.111 NCYES HALLmi Hw fQmwm W*my*O.C. STUDENTS: $10.00 PEI PERSONFACULTY, STAFF and ALUMNI: ©11*00 PER PERSON f*.0war-In defense of Noonan’s lllUPS:ERA-abortion connectionTo the editor:In her letter to the Maroon (4/20/84),questioning the conclusions of Univer¬sity of California/Berkeley law profes¬sor John T. Noonan, Jr., on the impli¬cations of ERA for abortion asreported in the Maroon (4/17), HilaryTill quite rationally asks: “How canthe ERA possibly be tied to abortionwhen the proposed amendment onlycovers equality of rights (between thesexes under the law)?’’ Where purelogic and only the words of the pro¬posed ERA all that came into play,there would indeed be no ERA-abortionissue.But as Noonan explained in his talkat the U of C Law School April 13, onemust look carefully at words in theircontext, at Title VII civil rights legisla¬tive history, and at the reasoning usedin cases of immediate relevance asthough ERA were already in place.Abortion-related cases that have beendecided on the basis of Roe v. Wadealone would be argued differently withthe addition of an ERA. Speculationaside, one must also consider the inten¬tions and success of such plaintiffs asthe American Civil Liberties Unionwhich have already pressed for an ap¬plication of a state ERA to abortionand have found their grounds acceptedby a court.To the editor:According to Tuesday’s Maroon, acommittee which studied the effects ofplus-minus grading reported that itwould only change GPA’s by .01-.02points, or 14-12 of 1%. Both Dean Sinai-ko and Professor Ashin echoed this insaying that the change would havevery little significance to GPA’s. Andyet, both Sinaiko and Ashin claim thatthe new system will provide a more ac¬curate reflection of students’ perfor¬mances. What’s going on here? Let’ssee: teachers will grade more accura¬tely but student’s grades w'on’t change.Perhaps a course in Logic 101 is inorder for professors Sinaiko andAshin.Another strange thing about thisissue was mentioned in a Maroon edito¬rial. I always thought that the purposeof making a change in a system was tocause a change in the products of thatsystem. You change the tax structure Had Till attended Noonan’s lecture,she would have received carefullynuanced answers to that initial ques¬tion according to two very differentpossible kinds of analysis. Under oneline of reasoning, the one apparentlyassumed by Till, a law affecting onlyone sex could survive under ERA if itwere based on a unique physicalcharacteristic of sex, very narrowlyconstrued. As for abortion, the obviousreaction, as Till puts it, is; “Ah, butmen cannot get pregnant, so the issueof federally funded abortions is quiteapart from the ERA.” However, asNoonan pointed out, more subtle feder¬al judges quite likely would emphasizethe non-sex-related shared charac¬teristics of abortion as an operationakin to removal of a tumor or relief of aburden and thus hold any exception re¬garding abortion as unconstitutionallydiscriminatory. Judges have alreadytaken men’s and women’s reproduc¬tive systems as a whole for the unit ofcomparison; from this perspective,pregnancy or motherhood is a relative¬ly minor distinguishing feature. AsNoonan noted, “What is ‘unique’ isgoing to turn on the philosophy of theclassifiers.”However, a second line of reasoningis likely to prevail, Noonan reported:recent decisions are bearing out theso that different people will pay moreor less taxes. Change has always beenthe purpose of change! So why has theCollege Council voted on a change thateverybody insists won’t change any¬thing? The strongest argument for in¬stituting plus-minus grading would bethat it would change GPA’s so signifi¬cantly that Graduate Schools wouldhave a different (presumably more ac¬curate) picture of the U of C students.But if GPA’s won’t be changed signifi¬cantly this seems all the more reasonto take the objections to plus-minusgrading seriously.I am reminded of all the political adswhich grandly claim: “It’s time for achange!” but never explain what thechange is going to do. The CollegeCouncil has taken this dangerous phi¬losophy to heart.David SuttonStudent in the College prediction made in 1978 by Ruth BaderGinsberg, then director of the Women’sRights Project, that abortion wouldcome to be regarded by the SurpremeCourt as a sex equality issue. Noonan,in his talk, traced a series of civilrights decisions and reversals, dealingwith both race and sex, down to the Su¬preme Court’s 1983 Newport NewsShipbuilding decision, in which it es¬tablished “a simple ‘but for’ test” ofsex discrimination. This case involveda health plan in which female employ¬ees got not only their own health ex¬penses covered but also those of theirspouse, but male employees did not getthe pregnancy expenses of their spousecovered. “But for being a woman,” theargument goes, the female spousewould have had all health expensescovered, and the Court declared theplan to be discriminatory.Although Congress originally wroteinto Title VII an explicit exception re¬garding abortion. Noonan pointed out,the Newport News “but for” standardand the proposed simple ERA taken to-To the editor:Have you read the April 20 edition ofthe Maroon? Yes. that’s right, the issuewith the letter written by Jonathan W.Cole, “Whining praise like Rover’s.”Mr. Cole apparently wasn’t in totalagreement with some of the sentimentsI expressed in a column in the AlumniMagazine — specifically, he seemsrather disillusioned with this school asan “academic Garden of Eden,” as heso interestingly puts it.He seems to have bitten into a sourapple here: “The phantom of our dis¬content comes as poor lab equipment,bottles and bricks thrown by ghettodwellers, students forced into a para¬noid siege mentality, a very poor male-female ratio, long tedious hours study¬ing, a constant lack of sleep, mountingpressures and frustrations, etc.”Such whining complaint is quite dis¬concerting. While Mr. Cole writes thathe was initially impressed with thisschool, and even admits that “thecliches still have a ring of truth tothem,” he seems to have been disillu¬sioned. Indeed, with his “paranoidsiege mentality,” one wonders if Mr.Cole ever really looked anywhere gether would wipe out any exceptionfor abortion, unless an abortion-neu¬tralizing rider were added to amendthe proposed federal ERA.Most recent and far-reaching of thecases relying on state ERAs (withwording similar to the proposed feder¬al ERA) to mandate public funding ofabortions is the 1984 decision of the Su¬perior Court of Pennsylvania. ThePennsylvania court upheld argumentsby the American Civil Liberties Unionand Planned Parenthood that the stateERA made Pennsylvania's existingprohibitions on public funding of abor¬tion unconstitutional because of sexdiscrimination. This and similar stateERA-abortion cases cite the verywords Till quoi.es in her letter—“equality ... on account of sex.”And so to Till’s concluding query asto “why states that have ERAs in theirconstitutions do not have so-called‘abortion-on-demand’ problems.” theanswer is that some of them alreadydo. and the rest may shortly follow.Lou'se Kaegibeyond the University’s recruiting bro¬chures before deciding to come to theUniversity of Chicago. Surely he knewthat attending this school meant hav¬ing to put up with a higher-than-average crime rate. Surely he knew ofthe poor male-female ratio. Surely hedid not expect to handle his classes aseasily as he did in high school. Surelyhe did not expect this school to be theeasy ride he seems to wish it were, al¬lowing him to sit “on the lawn for a fewcarefree, unpressured moments withsome friends.”At least, one hopes Mr. Cole wouldhave made himself aware of thesefacts about the University before heshelled out thirteen thousand dollars tocome here. Instead, it seems, he hadhis rosy vision of college life destroyedby aspects of the University he couldhave easily made himself aware of be¬fore deciding to come here. If so. heonly duped himself. While there mayindeed be one born every minute, thedisgusting habits of a sucker have noplace at the University of Chicago.David FischerFirst-year student in the CollegeSmall change is no profit Foresight would’ve helpedCollege grading changes: barking up the wrong treeBy Lawrence LurveyThere’s a little known story about a small boy whoasked his father to build him a treehouse. His fatheracquiesced to the request and built a very decentone-room affair, in the old oak on the edge of theirproperty. Long afternoons of summer would find theboy playing in the treehouse in the old oak. One day,the father was having a BBQ for his buddies from theoffice, when the boy began to brag about his “swell”treehouse. Each of the gentlemen present toured thetreehouse, scrutinized their friend’s work and deter¬mined their own ideas for improvement. One set towiring the house for T.V. The next, not to be outdoneby the first, wired the house for cable. One moved insome of his extra patio furniture, while still anotherinstalled a fully-functional brick fireplace. Aftereach man completed his work, he would turn to thefather and say, “Sure hope your boy appreciateswhat we’re doing for him,” to which the father wouldnod politely. After the last improvement was com¬pleted, the boy invited several of his friends to playin his new “grand treehouse.” One by one the chil¬dren climbed into the Brobdingnagian treehouse, en¬joying especially the new pool and video room. Theold oak, which had seen its sturdier days and couldnot support the combined weight of the house and itsvisitors, toppled into the neighbor’s yard, injuringthe boys and killing the neighbor’s dog. The moral ofthe story being: when something is sufficient, peoplehave the darndest time letting it be.I can see where the committee that recently votedto instate +/- grading next year came under the im¬pression that the old system was insufficient. Many atime I’ve been aimlessly sauntering the quadrangleswhen I encounter a student bitterly protesting. Theprofessors just don’t have an accurate enough meth¬od to grade me with. I wish there was a greater sy s¬tem of differentiation.” I encounter these peopleabout as often as I run into a member of GALA say¬ing “the banner was kind nf tacky anyway.Not to detract from my professor’s omniscience,but I really don't believe that any professoi here. without divine inspiration, can grade a student withcomplete accuracy. All +/- does is give greater pre¬cision, a far different accomplishment than im¬proved accuracy. There comes a point where if youtry to be too precise the results become ludicrous.Ever try to read seconds from a sundial? If we regoing to have +/- for greater precision in grading,then why don’t we have + ++/— or an assorted vari¬ety of happy and sad faces, with a benign glazed ex¬pression representing a straight ‘C’.At this point, however, it appears there is nothingleft to do about the impending change, “the commit¬tee” has already voted for it. I don’t know why Iwasn’t asked to vote with the committee, I guess it’sbecause I didn’t even know there was a committeeuntil they were already voting. Why didn’t studentsraise a greater clamor when this issue first came tolight? I guess it was because we were lulled intothinking the administration had adopted a new poli¬cy to help the undergraduate. They were being sonice to us, giving us holidays and such, which leadsme to think how the idea for +/- got started in thefirst place...“Damn it, Don! how can you keep giving these un¬dergraduates holidays? How am I supposed to keepon schedule?”“I only gave them one this year.”“Yes, but do you realize the material I have tocover. Nuclear Physics is no small field and I mustcomplete all the material and my latest research intime to move into the new building Hanna is buildingfor us.”“Yes, but...”“But what? Did Hanna build a new Dean of Stu¬dents building for you Don? No, of course not; butshe did build one for the Physics Dept. That shouldsettle once and for all who is most important aroundhere.”“I appreciate Mrs. Gray’s building projects butaren't the students the most important part of theuniversity ”“Did Hanna build a “Students Building”? No. Mycase rests.” “But the students pay the tuition?”“Physics buildings cost money. Don But you're soadamant about it. go ahead and give them their littleholiday. If you do though. I want +/- grading”.“+/- grading, why? That would only increase thepressure on the students.”“Don, do you know how much pressure an atomcan withstand before it splits?"“No. I...”“Quite a lot, Don, and each of these students ismade up of billions and billions of atoms. So don’ttalk to me about pressure.”“But these students are bound for grad school.Why lower their GPAs anymore than they’relowered under our policy of grade deflation.”“It won’t affect their GPAs anymore than.000002%. We’ve done studies.”“Then why have it, if it’s not going to affect any¬thing?”“Because we want +/- Don. We’re tired of havingonly 5 letters to work with, we want subsets. W’e wantthe quarks of grading. Don, besides raises, tenure,and building we don’t ask for a lot around here, sohowr about it?”“You know that the students expressed dislike forthe idea.”“Remember who’s top banana around here don.Remember who Hanna is building those buildingsfor.”“Well then I guess I have no choice.”“Fine, good decision Don. Listen, don’t let this eatyou up Don. it’ll all be fine. The kids around here willprobably never even notice, they only notice sillybanners. You know Don, I think you’re working toohard lately. You need time to loosen up. Some profs,are throwing a little Spring lunch over at my housethis Sunday. I’d like you to be there. You're free thisSunday aren't you Don°”“Yeh. I guess I am.”“Great' Oh and you’ll get a chance to see what !did for my son’s birthday. I built him this really bigtreehouse...”The Chicago Maroon—Friday. May 4. 1984 -7■ ■ ■ ■■ "■ ^^mrnrnmmview:.-l- ■■—OpenMeetingTONIGHT!%Monday, May 7,8:00 p.m.5700 S. Blackstone #2Writers, editors, critics,fools, poets and dreamerswelcome. OMkftAEi Independence Day Ceie&mtion„ SUNDAY, MAY b, 8-\5(WIDA NOYES HAU-1212 £ 59*5fc PftOOftComa and join us for a muftrnudia presentation. Dingingled by baren ftaymoo,dancing led bv Dab fetudsand krae\t food including Humus, felmel.batads,Desertsand twerages.C)5t 15 *Z50far acUt5 and for children.tn^torousio led.,7, 12**00 toPRESENTSTHE IGNORANT PRINCE?R. Stephen Berry Professor, Department of Chemistry, James FranckInstitute, and in the CollegeLeonard Binder Professor, Department of Political ScienceNorman M. Bradburn Tiffany and Margaret Blake Distinguished ServiceProfessor, Department of Behavioral Science, Professor,Graduate School of Business and in the College, andDirector, NORCMarvin W. Mikeseil Professor, Department of Geography and in theCollege, and Chairman, Forum for Liberal Learning,MODERATOR Teaching and consulting opportunity.Position available for recent college graduates to startmid-August, 1984 with well-established educationalconsulting firm whose clients have included more than100 schools, colleges, and universities, in the U.S.A. andoverseas; major corporations; and The White House. Youwill be trained to teach reading, study and other learn¬ing skills at various locations. Must have car; be free totravel; strong liberal arts background; creative; and in¬dependent. Relocation is not necessary.Send resume to Recruiting Director, BRSS, Inc., P.0.Box 439, Greenwich, CT 06830 or telephone for an ap¬pointment before 2:00 P.M. 203-869-4988.Campus theater in tenuous and exdting stageBy Edward HernstadtThe creation of the Concrete GothicTheater in 1982 was the first step in aa growth in campus theatre groupsthat saw two additional groups formthis year. Basic Theatre Co. and TheOther Theatre Group were bothstarted by students who preceivedroom for straight theatre groups witha different focus than that of ConcreteGothic, and both groups have put upvery successful productions this year.Barry Endick, in his second year atthe College, began as a member ofConcrete Gothic, directing with JohnHildreth the fall production of DavidMamet’s Sexual Perversity inChicago, which went well, but whichleft Endick feeling that his interestscould perhaps better be achievedthrough another group. “After CourtStudio fizzled out, Concrete Gothicwas the only serious group left,’’Endick said, “and they are dedicatedto producing the older experimentalplays — and some student plays too ofcourse. I wanted to do contemporarydrama with a comic overtone — youknow, Mamet, Sheppard, Rabe, thatsort of stuff.”Endick also had a problem with theConcrete Gothic board policy ofoverseeing the directors as a playprogressed. “They would watch theplay and then hand the director noteson how to direct,” Endick said, “andthough I think they’ve changed thispolicy a little, it caused tension, andwas difficult to work under.”So Endick branched out andlaunched the Basic Theatre Co., itsfirst production, Wendy Wasserstein’sUncommon Women and Others’sgoing up last quarter. “UncommonWomen was a very successfulproduction,” Endick said. “We mademoney on it, and we had a lot of fun.”Having fun with theatre, beingserious about it in a way that is notheavy-handed, is something thatmarks Endick’s approach. Theatre,he says, is “very happening oncampus, and wide-open, in that peoplearen’t exclusive with one group.”But what Endick envisages forBasic is something more than aproduction oriented group. “We don’thave weekly meetings yet, but whatI’d like is the general approach,”Endick explained. “A way to keep intouch with theatre when not inproduction.” This “general”approach encompasses a casualorganization, but a strongcommittment to quality theatre. “Ithink that it’s very important to havea good time with a production, butthat doesn’t mean that I am lessserious about acting,” Endick said.Another idea Endick would like torealize with the new group is that ofsponsoring play readings. “No props,no proper auditions, just a reading,”Endick explained, “where a memberof the group wants to do a play, castsit, maybe does some basic blocking,and we just read it, which is a good way to experience a variety of theatrewithout having to limit yourself to fullproductions.”Endick’s idea on the campustheatre go beyond those he hasworked up for Basic. “The only realproblem we have now,” he said, “arethose of limitation.” There is a needfor “new blood,” as theatre hasbecome so popular that there is ascarcity of actors and technicians.Worse, though, is the perception thatnot all directors get all they can fromPHOTOS BY ARTHUR IJohnson of The OtherJ. ScottTheatre Group.their actors. “Because there is notheatre major here, because Chicagodoes not have much in the way oftheatre academically, some directorsseem to feel like they’re working withhandicapped actors,” Endick said. “Iam amazed at some of the poeple whohave never set foot on stage and whoauditioned, were cast, and weregreat.”But Basic is having its problemstoo. The scheduled production thisquarter of Tom Stoppard’s DirtyLinen had to go down when they losttoo many of the cast to priorcommittments or other preventatives.“I hope to recast it next fall,” Endicksaid, underlining his commitment tothe new group.” But it’s almost aswell, as I am in two productions thisquarter myself (Oedipus and theup-coming Lower Depths).”The Other Theatre Group had adifferent genesis. J. Scott Johnson (heforsakes the John the J. stands for:“would you want to called JohnJohnson?”) came to the U of C lastfall as a graduate student in publicpolicy, and with four years behindhim of involvement in theatre atCarleton college as an undergrad. Hewas interested in getting involvedhere. “I saw a few plays thatConcrete Gothic did, and then I talkedto Steve Schroer (head of UniversityTheatre) and he said that the easiestway to put up a play was to start yourown group, so I did.”Other’s first production, BenJonson’s Volpone, went up lastquarter, and Oedipus, using primarilythe Yeats translation (“I used theGreene translation and a few othersto make sure it was accurate,” Johnson said, “because he did makemistakes, you know.”) just recentlyclosed. Both were very successful.“I’d call them successful,” Johnsonsaid, “We got good reviews, everyonein them was happy, and we made lotsof money.” Johnson smiled. “Yeah.”But both were unusual plays tochoose to do, especially in light of theother productions campus groupswere putting up at the same time.“Well, yes I picked them to makesomething of a point,” Johnsongrinned, “I wanted to show that wedon’t have to limit ourselves totwentieth century plays, and if youwant to do classics, you don’t have toleave the dust on them.” This tonehides some serious convictions abouthow one ought to approach aprospective play. “When you do aplay, you can’t do it like it waswritten in 1961, or 1700, or whatever.”Johnson explained, “you have to readthe play, figure out what it’s about,and then figure out the best way toget everything out of it.” Johnson hasa horror of producing a play as astraight reading. “Plays are meant tobe performed,” Johnson went on,“and if you can’t get more out of aplay in production than you couldfrom a reading, something’s seriouslywrong.” The results of such anapproach were evident in certainaspects of Other’s productions: thehighly stylized make up of Oedipus,for example, or the free use ofanachronism in Volpone. “There wasone scene in Volpone where I had anactor come on stage in these GrouchoMarx glasses. Now that wasn’t in theplay, of course, but it seemed like theBarry Endrick of the BasicTheatre Co.most natural thing to do, and it wasvery funny and very appropriate.The future of The Other TheatreGroup despite the success of itsproductions, could be in doubt. Otherhas no formal structure, no members,and no meetings. “I am Other,”Johnson laughed. “Of courseeveryone who has been involved inother productions are part of thegroup,” he added, but Johnson wouldprefer to see campus drama takeanother direction. “Campus theatre is a mess,” Johnson stated. “There aretoo many groups, to start, and theyare doing too much of the samestuff.” Johnson would like to see onelarge group. “We could have somesort of category control, to make surethere was a variety of genre’s beingproduced,” Johnson explained, “andthe process of selection could beexpanded - an actor could come inwith a play, for example, and wecould hook ’em up with a director.”Consolidation could have otherbeneficial effects: organization offacilities and equipment for one.“Everyone’s screaming about theneed for storage space, but I’m noexception,” Johnson said, “I mean,UT (University Theater) just got amess of new equipment, and we haveno where to put it.” But theadvantages of organization go fartherthan that. “What we really need is toorganize and train techies . Anyone,really, can act or direct, but you needtraining to do tech.” And despite theopen nature of the groups, withconstant crossover of actors andtechnicians, Johnson does see a basicloyalty that each member hastowards their own group, a loyaltywhich sometimes oversteps what isbest for campus theatre. “TheImprov Group has some of the bestactors on campus, and they stayaway from other productions - withexceptions, of course, like MarkHollmann who played the lead inVolpne. They rehearse a lot, Iguess.” Another change that couldhelp campus theatre is increasedpositive involvement by UT. “Theydon’t know what they want to do rightnow.” Johnson said, “but it would begreat if they would hire a director tohelp teach the student directors, andhelp train techies, for example. Theyhave the money. They're getting paidto help us. ”“I tried to show with the plays atOther that you can put up goodproductions without limiting yourselfto modern stuff, or spending a lot ofmoney (both productions werebrought in well under budget), orrequiring the actors to sell acompletely against, I mean, whydisturb the actors or have them madat you.” Johnson said. But now he'dlike to see campus theatre move on.Concrete Gothic is the best organizedgroup. Johnson says, and has greatpotential if they don't let themselvesslide into the “slump” of doing thesame kind of show or letting theirquality control slide. “I don't knowwhat I’ll be doing next year.”Johnson said. “I might be workingwith Concrete Gothic — they have somany good people — or I might try toexpand, or make Other bigger thanthe one-man thing it is today.”Whatever else Other has certainlyshown that it is possible to put upgood productions that are neither, asScott Johnson says, “dusty, orintellectual bullshit.”Jugglers and dancers were among the acts performing in this year’sFestival of the Arts (FOTA), which started Tuesday.l.l Jfff Vwnv ifKM W |Iff; mkF»PHOTOS BY ARTHUR U ELLISThe Chicago Maroon—Friday, May 4, 1984—9Weekend getawaysfromThe Compleat GargoyleTHE •UNIVERSITY* OF* CHICAGOThis quarter take you mind on a vacation. By joining one ofthe Office of Continuing Education’s Saturday seminars,you can transport yourself to other times and placeswithout leaving Hyde Park. Your guides on these intellec¬tual journeys will be distinguished University of Chicagofaculty and other professionals teaching in their areas ofexpertise. The cost is modest, all the more so for UC faculty,faculty spouses, and full-time staff, most of whom are eligi¬ble to pay only 50% of the listed tuition fee.Among our Saturday seminar offerings this Spring Quarter:Two Gothic May 5 & 12 (Two-session seminar) $40Masterpieces -9:30 A.M.-12:00 noon, Gates-Blake 321Explore the dark intricacies of two gothic novels andtheir era, the fin de siecle, as William Veeder, Pro¬fessor, UC Department of English, discusses Dr. Jekylland Mr. Hyde and The Picture of Dorian Gray.Lu Xun and Modem May 12 & 19 (Two-session seminar) $40Chinese Literature -10:00 A.M.-12:30 P.M., Graduate LibrarySchoolLeo Ou-fan Lee, Professor, UC Department of FarEastern Languages and Civilizations, will introduceyou the literary landscape of modern China and itscolossus, Lu Xun.Splendid Encounters - May 19 (One-session seminar) $2510:00 A.M.-3:00 P.M., Regenstein LibrarySpecial CollectionsTour Regenstein Library’s special exhibition ondiplomacy with Dorothy Jones, historical consultantfor the exhibition, and learn how different countrieshave approached international relations in theoryand in practice.An Introduction to Computer- June 9 (One-session seminar) $85Link Typesetting- 9:30 A.M.-12:30 P.M., GraduateLibrary SchoolSend copy, not people, to the typesetter. RobertGruen, Manager of Publications of SPSS Inc., will showyou how to produce professional documents by set¬ting up a direct computer link with Chicago-areatypesetters.Registration is accepted in advance or at the door. Toregister or recieve full details on these and other offerings,plus our quartely brochure, The Compleat Gargoyle, callThe Office of Continuing Education962-1722 Chicago Counseling CenterP £ A Registered PsychologicalAgencyCounseling and Psychotherapy for:Individuals, Couples, Families, and IssuesGroups.Loop and Hyde Park Offices684-1800Since 1971DISCS NOW!IBM DISKETTES SS/DD $2.95 ea. $27.50 box otlOIBMDISKETTED DS/DD $3.60ea. $34.90 boxol 10MAXELL DISKETTES SS/DD $3.25 ea. $31.00 box otlOMAXELL DISKETTES DS/DD $4.25 ea. $41.00 box oIlOTypewriters,loo! Repairs - Free estimatesRentals - By the week or monthSales - Low pricesUNIVERSITY OF CHICAGO BOOKSTOREArn/>r n * nmvr r\rn* nTiirvTr "■■■■i OFFICE MACHINE DEPARTMENTVISA” 970 EAST 58TH MasterCard)WKHm 1 962-3400 753-3316 — -Soft Contact lenses for Your Beautiful Eyes...JUSTThe Eye Boutique features only high gradeSoft Contact lenses. Discover fashion,style and the finest eye care anywhere!The Faceted Look:,,t urn vour prose riptiongl.isses into vour mustflattering accessorsI he Faceted Look tn luraA masterpiece lens designin vour choice of a mvriadof colorful frame stylesand lens shapesCOME CELEBRATE 40 YEARS WITH US!!!Complete pair of glasses during our 31st anniversarycelebration. Over 800 first quality frames to selectfrom. No closeouts, no seconds. Choose from thenew rimless logo, Sophia Loren, Playboy, Anne Kleinand the new featured faceted beveled look by Tura.First Quality Bausch £r Lomb Soft Contact Lenseswith exam, initial fit onlyNewest Design Hard Contact Lenses 2 PairsBausch Et- Lomb Extended Wear 30 Day LensesAstigmatic Soft Contact LensesCustom Tinted Blue & Green Soft Contact LensesCustom Extended Wear Soft Contact Lenses *r$7050*149°°*149°°*169001 HOUR SERVICE - LAB ON PREMISES JtgBtkDOCTOR ON PREMISES FULL TIME WRwhImwi Boufique493-8372752-1523 1200 E. 53rdin Kimbark PlazaMon & Thurs. 10-7:30. Tues . Wed& Fri. 10-6. Sat 9-3:3010—The Chicago Maroon—Friday, May 4, 1984..%y =vXy:>X Xv*v giigNew improv theater groupSomething big is going on in the Uni¬versity of Chicago Theater Depart¬ment. Ten drama students have decid¬ed that it is time for improvisationaltheater to rock this campus. Perform¬ing without scripts, and taking sugges¬tions from the audience, this ground¬breaking group is sure to revolutionizethe typical University of Chicago the¬ater-going fare. Starting May 2, andcontinuing on three more nights to May5, the opportunity will arise to experi¬ence (and we do mean experience) thisunprecedented happening. This isn’tjust some group standing around wear¬ing togas and sandals, no, this group isserious in its comedic goals.The format of the show will be madeup of roughly an hour of preparedscenes, and the remainder of the timewill be spent performing based on sug¬gestions from the audience. Mind you,these skits will not be some sickeningattempt at sit-coms, or never-endingstrings of one-liners; they will be newand challenging to both the actors andthe audience. This group is breakingthe crusty mold of what we know as“improv.” In true U of C fashion, theywere not satisfied with the traditionalWashington at WalkMayor Harold Washington will serveas the honorary chairman of the annu¬al “Mother’s Day Walk and Festival”May 13 in Grant Park. The event,which drew 15,000 participants lastyear, is expected to be even larger thisyear.Organizers attribute this growth inattendance to the ever-greater concernabout the threat of nuclear war. Theevent has won the support of a broadbase of individuals and organizations.The walk will begin at 12:30 p.m. atState and Wacker and will continue tothe Petrillo Bandshell in Grant Park,where there will be speeches and enter¬tainment. way of doing things, so they establishedtheir own rules.One rule that they will rigidly standby in performance is that they will takeno more than 15 seconds after audiencesuggestions have been taken to beginperforming the scene based on thoseunquestionably outstanding offeringsof the audience. In that short amount oftime they will lovingly carve out a co¬hesive and entertaining skit.The troupe has been working sincemid-fall quarter, and has developed thenecessary skill of thinking on their feetwhile talking.The name of the troupe? Again, intheir ingenuity they came up with...“Those Happy Snots.” With a namelike that, they’ve got to be good. Don’tmiss out on this chance to witness adaring new show, and to contribute tothe making of a legend. May 2-5, 8 p.m.in the third floor theater of ReynoldsClub. $3 for students, $4 for general.For reservations and information, call962-3414. — PLDiabetes discussionThe public is invited to attend theSouth Suburban Branch of the Ameri¬can Diabetes Association’s panel dis¬cussion on the “Management of Dia¬betes during Pregnancy and theManagement of Juvenile Diabetes,”May 8 at 7:30 p.m. in the FloosmoorVillage Hall, 2800 W. Flossmoor Rd.The meeting is free and pre-registra¬tion is not required. For further infor¬mation, call Mary Candy at 747-4000 orthe ADA Affiliate office at 346-1805.Printmaking classPhotography instructor Barry Huntwill demonstrate techniques of blackand white printmaking at the FortDearborn Camera Club EveningSchool of Photography May 8 from 7 to9 p.m. For further information, call922-0770. PHOTO BY ARTHUR U. ELLISThose Happy SnotsAlumni to discuss careersCareer and Placement Services willconduct a series of career informationworkshops next week focusing on ca¬reers associated with the four under¬graduate divisions. The workshops willfeature University of Chicago alumniwho majored in these divisions. Theywill discuss their choice of major anddescribe their careers.The workshops will take place atnoon in Reynolds Club 201. according tothe following schedule of speakers: bi¬ological sciences, May 7th. with AgnesGraedinger, biochemist at Evanstonhospital, Dr. Susan Balter, physicianand attorney, and Mark Hughes. PeaceCorps volunteer; Physical Sciences,May 8th, with David Raup, chairman of the Department of GeophysicalSciences at the University of Chicago.Patrick McCoy, environmental scien¬tist with the EPA. and Maynard Bran¬don, vice-president of First NationalBank; Humanities. May 9th, with Bar¬bara Bernstein, advertising co¬pywriter with Leo Burnett, PatrickWallace, staff consultant with ArthurAnderson, and Willard White, directorof development for business and in¬dustry with IIT; Social Sciences. May11th. with Robert Hunt, vice-presidentand management consultant withFantus Company, Ann Williams re¬search associate with a law consultingfirm, and Patricia Rosenzweig. inde¬pendent consultant for Profession Ser¬vices Marketing.PHOTO BY ARTHUR U. ELLISMusicians perform for the Festival of the Arts (FOTA), which beganTuesday.Housingcontinued from page onecorner of 57th and Dorchester throughto Blackstone.However, among the number of fac¬ulty who expressed interest in housing,some did not like the design, whichcalled for a solid wall of twelve unitsalong Dorchester Ave., and suggestedother architects that the Universityconsult. The University did so, and de¬vised an alternative plan calling forthree double houses along Dorchesterwith coach houses over each unit, atotal of nine units in all. But becausethe University “promised when theneighbors removed their opposition,that if we made any major alterations,we would bring them back to the neigh¬bors,” a move Kleinbard also called“unusual,” the University must onceagain go before the CCC to receive ap¬proval.The University hopes to sell thetownhouses to faculty and people asso¬ciated with the University, but wants toretain ownership of the coach houses torent to younger faculty members whocannot afford th« rnct of a full hoime“The whole idea is to provide hous¬ ing for faculty of different incomelevels,” said Kleinbard.Kleinbard expects “difficulty withthe financing” and said the project“hadn’t been entirely costed out yet.”“We want to preserve the mixture ofHyde Park-Kenwood,” he added. “Wewant our faculty to live in the neighbor¬hood close to the University.”Groundbreaking is expected in earlysummer, “depending on approval fromthe city and CCC as well as gettingenough commitment from potentialbuyers to go ahead,” said Kleinbard.Arrestcontinued from page onemiddle of the dance floor,” Beckettsaid.Beckett went back outside and ledthe policeman and security guards intothe party and pointed out the assail¬ant.“They tapped him on the shoulder,and he turned around and walked outwith them,” Beckett said. He added.“As they walked out of the party, they‘cuffed him’.”David O’Leary, director of Universi¬ty security Thursday confirmed the in¬cident. Greenwoodcontinued from page oneGlicklich is upset that the Universitydid not consult the students about thethree options.Turkington pointed out that the Of¬fice of Student Housing is trying tomake the transition as smooth as poss¬ible. but that “there is not an ideal solu¬tion in the sense of another building inthe same location.”Turkington and Connie Holoman,director of Student Housing, were tohave met with the residents of Green¬wood last night.Aronson estimates that 50 students inthe house do not have any place to staynext year as of yet. To protect theoptons of these students, Glicklichplans to ask for some guarantees at the upcoming meeting with the housing of¬fice. He would like any room reserva¬tions made by Greenwood residents tobe revocable until about June 30 sincethey have been given so little time tochoose a new place to live. He wantsstorage space for Greenwood residentsover the summer. Furthermore, hewants several other locations to be of¬fered. One place Glicklich is looking atis the building at 5482 S. Greenwood,currently married students housing.Turkington said that rooms are avail¬able for single students there on a indi¬vidual basis.Still. Glicklich would like to see thecharacter of Greenwood Hall pre¬served. “We want a dorm that is for un¬dergraduate transfer students. That'swhat Greenwood is now. There’s noother place like it in the housing sys¬tem.”Curriecontinued from page oneNevertheless, there is some questionas to the exact boundaries of the Burn¬ham site, Currie said. Particular ques¬tions focus on the necessity of a land¬fill, and the feasibility of tying theFair’s benefits to the areas west of theproposed site, she noted.No matter where the Fair’s bounda¬ries at Burnham are, Currie does notsee the need for displacement. She saidmost of the territory west of the pro¬posed Burnham site is occupied bylight industry and warehouses, so resi¬dential displacement will be at a min¬imum.Concerning other governmental sup¬port, Currie said city services on thesite of the Fair grounds will be paid forby the Fair authority. If city servicesare increased in the vicinity of the Fairbecause of its presence, she said theauthority would pick up three-fourthsof the tab.riirrip < iwl ill rnnoernedwith the Fair will go “hat-in-hand” to the federal government to ask forfunds to pay for public works neededbecause of the Fair. If the federal gov¬ernment turns down such a request,Currie said, all parties involved wouldrenegotiate to determine their neces¬sity and funding.Currie also discussed the currentdeficit facing the Chicago publicschools. The Chicago Board of Educa¬tion has a deficit of $171.2 million.She said Thompson may approve therestoration of a 50-cent property taxlevy for Chicago property owners, ameasure which may face oppostionfrom some Chicago lawmakers. Currieattributed this possible opposition tothese lawmakers' constituents oppos¬ing higher taxes.Nevertheless, Currie does not be¬lieve state funds can rescue Chicago’sschools, as she noted Chicago wouldonly get one-third of any new tax in¬crease.“South Side Forum” airs Thursdaysat 5:30 p.m. on WHPK. 88.3 FM. Theshow's moderator is WHPK newsdirector Craig Rosenbaum. ChintsStrausberg of the Chicago Daily De¬fender and Cliff Grammirh of the Chi¬cago Maroon are the show’s panelists.The Chicago Maroon—Friday. May 4, 1984-11Win aFree Dinnerfor Mom!Visit any store displaying the “I love myMom" free-button poster. Ask for your freebutton and fill out an entry blank on or before4 PM, May 12th. You may win a free dinner foryour Mom from Hemingway’s (Valued at $20.00).There will be a dinner winner drawn at eachparticipating store. Winners will be notifiedand need not be present to win.Something special's always happening at theHyde Park Shopping Center.. .where you'resure to find the perfect special gift for your Mom!—THEHYDE PARR"=-bhoppingCenter=City GirlCohn and SternDoralee, Ltd.Fanny MayFritz on 55thHyde Park Co-opPark Lane Hosiery Shoe CorralSusan GaleWalgreensWoolworthsAt yourservice:Flair CleaningHemingway’s Hyde ParkAssociatesin MedicineHyde Park BankHyde ParkCurrency ExchangeDr. M. R. Maslov, O.D.Optical ServicesThe Hyde Park Shopping CenterOn Lake Park between 54th and 55th Streets. CONCERTELAINE SKORODINViolinist SHELDON SHKOLNIKPianistWorks by: BEETHOVEN, FRANCK, GREIG, BLOCHSUNDAY, MAY 6 • 7:30 P.M.CONGREGATION RODFEIZEDEKFor Tickets, call 5200 S. Hyde Park Blvd. Adultss15752-2770 -Tax Deductible- Students $5HARPER FOODSPOOD FOR PEOPLE-NOT PROFITTired of mediocre vegetables and bruised fruits?Some food stores in Hyde Park, regarding their produce selection, purport tohave a "Ph.D. in Bananas”-but what they're really giving you is the raspberries!As the famous Middle East philosopher Karshuf Ras once said: "Degrees do nota fruit buyer make.' If real-life experience could give degrees, then the owner-manager of Harper Foods has a Ph.D. in EVERY type of fruit and vegetable. Heclearly recalls his childhood days spent in vast outdoor produce markets inLebanon; helping his father (in the same way he helped his father) choose onlythe freshest and highest-grade produce for their market stands. Anyone whohas visited these open-air markets will know what is meant by QUALITY pro¬duce: firm, sweet, juicy fruits; colorful, crisp, young vegetables. Today, as hisfamily has done for almost a centruy, he continues this tradition, personally go¬ing to the produce market every morning. His senses remain well-attuned toselect only the BEST produce-and to sell at FAIR prices-his family honor mustbe upheld. Why substitute "Banana degrees" for real experience?!Located at 1455 E. 57th Street (across form Medici)Open daily 8 A.M.-8 P.M., Sundays 8 A.M.-6 P.M.We also deliver! 363-6251Chicago Literary ReviewannouncesThe 2nd AnnualShort Fiction Contest$75$25 FIRST PRIZESECOND PRIZEalong with publication of all winningentries in the Spring CLRDEADLINE: MAY 23rdAll entries should be submitted under a pseudonym, with anattached index card giving the author's real name, address,phone number and title of the store. Drop entries in the CLRbox, Room 303, Ida Noyes Hall, or mail them to that ad¬dress.Contest will be judged by the CLR editorial board, whoreserve the right to withhold any or all prizes if no entry is ofsufficient merit.Get Literary!12—The Chicago Maroon—Friday, May 4, 1984mm* CRIME MAPThis map shows locations of crimesreported in Hyde Park from April 19through April 25. Data are taken from the “Police Blotter” in the Hyde ParkHerald (5/2/84).These data are based on initial crime reports only, and not on any follow-upinvestigations. - H CALENDAR illFRIDAYHillel: Traditional Egalitarian Shabbat Service, atcandellighting time. Orthodox Shabbat Service, atSundowns. Adat Shalom Dinner, 6pm.Arabic Circle: 3:30pm, Pick 218. Social Hour, Kelly412. 4:30pm.Lloyd Alexander Lecture: Grand Illusions, OrientalInstitute, 7:30pm. $15, $5.Geophysical Sciences Colloquium: Tectonic Evolu¬tion of the Terrestrial Planets, 1:30pm, Hinds Audi¬torium.FOTA: Groovy Times, 12 noon. Hutch Court.Business School Follies, Mandel Hall, 8pm.University Theater: Those Happy Snots, 3rd FloorTheater.SATURDAYFOTA: The Mee-ow Show, 8pm, Ida Noyes Hall.Business School Follies: Mandel Hall, 8pm.University Theater, Those Happy Snots, ReynoldsClub Third Floor Theater.Armenian Students Org: All University Party, 9pm,Ida Noyes, $1.Hillel: Orthodox Shabbat Services, 9:15, Conserva¬tive Shabbat Service, 9:30pm.Crossroads: Buffet Dinner, $3, 6pm. Slide Show,7:30pm.SUNDAYHillel: Bagels and Lox Brunch, 11-lpm.Rockfeller Chapel: 9am, Ecumenical Service of HolyCommunion. 10am, Religious Education Class.11am Religious Education Class. 11am UniversityReligious Service, 12:15, Carillon Recital and TowerTour.Music Dept: New Music Ensemble, 8pm. GoodspeedRecital Hall. Free.FOTA: Fiddlers Convention, Noon to Dusk. HutchCourt.Woodward Court Lecture: Work and Leisure, 8:30,Woodward Court.MAB Concert: The Dave Grisman Concert, 8pm,Mandel Hall. $6, $10.MONDAYFOTA: Classical Concert by Transit, 6pm MandelHall, $1 donation. Reception following the perfor¬mance, North Lounge of Reynolds Club.FOTA Art Show: Midwestern Civ on display untilWednesday in Ida Noyes East Lounge.Crossroads: Amnesty International Meeting,7:15pm.Hillel: Yiddish Class, 5pm. Jewish Choirf hair performersSale begins March 15 • Ends May 30OPEN 7 DAYS1621 EJ5th St. 241-7778'•'saleFROSTINGHENNAGLAZINGCELLOPHANE......Additional Hair Coloring services areavailable or can be designed to achieve yourdesired effect Ask your designer for aFREE color consultation. CELEBRATE SPRING!The Law School’sTROPICAL CRUISEDANCESaturday, May 5 • 9p.m.-la.m.in Green Lounge—Presented byLSA —21 & Over only • UCID Required11B.J. Bangkok IIThai RestaurantOriginal taste of Thai foodOPEN 7 DAYS A WEEK• LUNCH & DINNER*Daily 11:30 a.m. -10:00 p.m.Fri. & Sat. 11:30 a.m. -1 1 :00 p.m.CARRY OUTS:493-10001604 E. 53rd St.The Chicago Maroon—Friday. May 4, 1984—13I’m a 22 year old high school dropoutwho will earn $40,000 in 1984!Based on my earnings so far at $15.50/hr. plus overtime. I'll earn over$40,000 for 1984 as a lithographic stripper/film assembler in the GraphicArts Industry. I love my job and now I want to tell others how to teachthemselves as I did. If you've thought about the graphic arts but weren'tsure if it was right for you, find out now by sending for POCKET PAL, thebest and most comprehensive book I know of if you're searching for oneof the numerous challenging, creative, well-paying career opportunities ingraphic communications such as printing, publishing, advertising,photography, computer programming, graphic design, layout artist, orsales. This industry makes up one of tne largest manufacturing industriesin the world today. This is definitely not one of those get-rich-quickschemes, it's for men & women serious about their career future.Send check or money order for $9.95 (postpaid) and I'll include my list ofbooks and publications covering the industry plus a brief informative let¬ter on how I got involved. Or send just $2.00 for the list and my letter(money refundable towards first order) to.Roger Horton, Horton Enter¬prises, Dept. C, 1824 - 54th St., Kenosha, Wl 53140. Please allow 2-3 weekstor delivery. And welcome to an exciting career!MAROONBRING IN THIS COUPON AND SAVEServiceOptical50% OffFramesChoose from the entire selection of frames Including designerlines such as Gloria Vanderbilt and Christian Dior Then take50% off the regular price Offer good Cvith this coupon andstudent/faculty identification when ordering a complete pair ofprescription glasses No other discounts applicableOffer Good At All Chicagoland LocationsOpen All Day Saturday and Sunday Mall HoursPROFESSIONAL EYE EXAMINATION AVAILABLE THE ARMENIAN STUDENTS ORGANIZATION SPONSORS ITS4th Annual All-UniversityMUSiC &ian Food$5 OthersSATURDAY, MAY 59:00 PM-1:00 AMIda Noyes Hall1212 E. 59th St.Funded by the Student Government Finance CommitteeNOW SHOWINGfTT fi THEATRE NEAR YOU!THOMAS COLEMAN anc MICHAEL ROSENBLATT Pr«*r at ANDREW BRAUNSBERG frnductw ALPHABET CITYStarring VINCENT SPAN0 MICHAEL WINSLOW JAM! GEFTZ ZOHRA LAMPEPT KENNY MARINO and introducingKATE VERNON Direr c? at Photoqtaph-, OLIVER WOOD Sc-wnpi** by GREGGPY K HELLER ana AMOS POE Story byProduced ry ANDREW BRA’JKSBERG Dwacied c> AMOS POE »^•ATUMTl REIEASWG COW• Distributed by William Lange & AssociatesDO YOU HAVE ANAPTITUDE FORLANGUAGES?Yearning for an exciting job? The U.S. ArmyReserve has several openings for one and a halfyear fulltime jobs, with long term part-timeemployment.Train to become a translator or interpreter at theArmy Defense Language Institute in Monterey,California. Return to Chicago and serve yourcountry one weekend a month, two weeks a year.Unique career opportunity, exceptional pay andbenefits including college credits. Program openonly to U.S. citizens between 17 and 35 withaptitude for languages. No degree or languagerequirements. For more information, call SGTHarer at 386-7440 or 386-6552, Monday throughFriday between 9 A.M. and 5 P.M.ARMY RESERVE. BE ALLYOU CAN BE. SPRINGGRADSMedical Research OpportunitiesStart your research career with Northwestern University’s Medical School. Our Chicago Cam¬pus is located on Lake Michigan, 2 blocks from Chicago’s Magnificient Mile.We have research opportunities available in:•Pharmacology•Urology•Medicme-ECG•Physiology and•Internal Medicine.We seek bachelors and Masters degrees in the biological sciences with emphasis on independentlab research. We require proven academic achievement and desire to become part of ourprestigious and dedicated research staff.Northwestern University offers a competitive starting salary and comprehensive benefitspackage including dental insurance and 3 weeks paid vacation your first year. For immediateconsideration, please send resume and Grade transcript to: _Constance LeaheyPersonnel RepresentativeNORTHWESTERNUNIVERSITYChicago Campus339 E. Chicago AvenueAn Equal Opportunity F.mployer M/F Room 616-7Chicago, IL 6061114—The Chicago Maroon—Friday, May 4, 1984SPOUTSCoed crewBy Anna LeiderThe University of Chicago CoedCrew Club’s men’s lightweight fourcaptured the gold medal and a trophylarger than a silver punch bowl thisweekend at the 12th annual Midwes¬tern Rowing Championships in Madis¬on, Wisconsin. Also bringing homemedals was the women’s lightweighteight, which finished third in its event.Chicago’s two other entries, a women’slightweight four and a men’s novicefour, both made it through the qualifyi¬ng heats into th£ finals, finishing fourthand sixth respectively.With nearly 30 clubs represented, theMidwest Rowing Championships hasgrown into one of the nation’s most im¬portant regattas, as well as one of itslargest. This year, however; highTennis whipsBy Jane LookThe University of Chicago men’stennis team finished its regular seasonwith a flourish by demolishing North¬eastern Illinois University, 8-1, onWednesday. With all the players finallyhealthy, the match featured Chicago’sstrongest lineup of the season. TheMaroons will field this talented andconfident lineup as they compete in theMidwest Conference Championshipstoday and tomorrow at Beloit, Wiscon¬sin.The Maroons, boasting an 8-2 dualmeet record, are co-favorites withRipon College to win the conference.Leading the team at first singles isfreshman Jay Woldenberg. Wolden-berg lost his final match of the seasonto a tough Northwestern player, yetfinished with an impressive 8-2 recordand has tremendous potential for agreat showing this weekend. At secondsingles, senior Mike Vail will bring ex¬perience and confidence to the confer¬ence championships. Vail posted a 7-3record for the season and was a confer¬ence finalist last year. takes Midwest gold, other medalswinds caused white caps and currentsof such proportion that race officialsnearly had to call everything off. Afterthe weigh-ins for lightweights on Satur¬day morning, one qualifying heat afteranother had to be cancelled because ofthe hazardous rowing conditions. Bvevening, the officals finally agreed topostpone all of the races until themorning, with the first race scheduledfor sunrise. Although Sunday did notbring the blue skies and warm temper¬atures the teams had enjoyed on Satur¬day, Lake Wingra was calm enough forrowing and all of Chicago’s boats easi¬ly advanced to the finals.The women’s lightweight eight (frombow; Adena Schutzberg, Molly Moon.Billie Collins, Kathy Ghilsdorf, Lisa Fumenti, Anna Leider, Eva Merchant,Gretchen Carlson; cox, Carla Prit¬chett) set the mood as it captured thebronze in the first finals of the day.The winds began to pick up again asthe men’s novice four (from bow: JoeHolz, Chuck Connolly, Mark Shapiro,Sam Gilbert; cox, Sue Snow) launchedits boat. With waves lapping over thegunwales, the four overcame a difficultstart to finish the race a wet, but strongsixth.By noon, race officials were againforced to delay events in hopes that thewater would calm. After nearly anhour of waiting patiently, the men’slightweight four 'from bow: Ted Beu-tel, Greg Prince, Mark Sexton. JohnPritchett; cox. Ian Sweedler) finally got its chance to show why it is one ofthe best boats in the country. After lastweek’s unpredicted loss to Notre Damein head-to-head competition, the fourpulled itself together and easily wonthe event, leaving Notre Dame a dis¬tant second.The women's lightweight four (frombow: Schutzberg, Leider, Merchant,Carlson; cox. Pritchett) also got itschance to avenge last week's loss to theFighting Irish. Entering the finals withthe slowest qualifying time, the womenrowed their best race ever to pass notonly Notre Dame, but the University ofMichigan as wrell. The regatta thusended with the University of ChicagoCoed Crew Club making one of its bestshowings ever.NortheasternSenior Peter Kang also brings valu¬able experience to the lineup at thethird singles spot this weekend. Kangfinished with a 3-2 record and is finallyat full strength. Sophomore HenryLujan wall carry on an impressive sea¬sonal record to 7-2 to the number fourspot. Lujan shows great promise forboth this weekend and in the years tocome.Freshman Clifford Ko, fresh fromhis impressive Midwest Invitationalchampionship, will compete at the fifthspot. Ko finished with a 6-3 seasonal re¬cord and is favored to win his position.Junior Phil Mowery rounds out the lin¬eup at sixth singles. Mowery missedthe first half of the season with a backinjury but came back strong to post a4-1 record. Mowery adds valuable ex¬perience and is also favored at this po¬sition.The outcome of the conferencechampionships will also depend on theoutcome of the doubles competition.Woldenberg and Vail will lead the teamat the first slot, and tout a 3-2 record. Ifthey are on, they’ll definitely be a force , conference tourney nextto reckon with. Mowery and Kang, 1-0for the season, have not played muchtogether this season, but w'ithMowery’s doubles expertise andKang’s experience, the two will be a fa¬vorite at the second position. Lastly,Ko and Lujan, 4-2 for the season, arefavored at the number three slot.Thus the Maroons’ showing will de¬pend on individual achievement and.more importantly, on the team’s abili¬ty to compete as a team w ith spirit andunity. Coach Bill Simms said. “In thepast years we’ve had a strong team ef¬fort throughout the season. This year’s team is very team-oriented and every¬one is going to Beloit with the conceptof team victory, not just individualachievement. We have a strong lineupthat is finally coming together and weare peaking at just the right time.”Lastly, Coach Simms added. “Thisteam unity has been best displayed byRichard Chin, who played in sevenmatches but w'ill not be making the tripto Beloit. As seventh man. Richardcontributed a great deal to our season¬al record and with a player like him. Ilook forward to some exciting tennis inthe future.”Sports CalendarWomen’s Track — Friday. May 4, and Saturday, May 5. at the MidwestConference Track and Field Championships, at Monmouth College.Softball — Friday, May 4, vs. North Central College (doubleheader) at NorthField, 3 p.m.Men’s Tennis — Saturday, May 5. at the Midwest Conference Champion¬ships, at Beloit, Wisconsin.Lacrosse — Saturday, May 5, at Belmont Habor vs Lincoln Park.Crew — Saturday, May 5, at the University of Chicago regatta, at the LincolnPark Lagoon, against Northwestern. Notre bame, and the Lincoln Park BoatClub.TUft CtnnM —Baseball and brown don’t mix■ ne I nilQ dinny — Decline of two dynastiesMy compare (pronounced goom-BAH), S. Daily, ina very fine Tribune column this week, wrote aboutformer Cub centerfielder and star of the 1945 WorldSeries team, A. Pafko. With all due respect to Mr.Daley, I think he left out the best anecdote concern¬ing Pafko. Fifty games into the 1951 season theDodgers traded G. Hermanski to the Cubs in ex¬change for Pafko. The Dodgers were so ecstaticabout obtaining such a quality outfielder to placealong side E. “D.” Snider and C. “ ‘S’ the R.R.’ ”Furillo, that history quotes one member of their or¬ganization as having said, “Gentlemen, we have justtraded for the pennant.” On Wednesday, 3 Oct., 1951,Pafko watched B. Thomson’s line drive disappearinto the legendary darkness of the left field lowerdeck at the Polo Grounds.But that was a different Dodger team than the onethat comes to battle the Cubs 9-10 May. The ’51Dodgers would have taken the train to Chicago fromNew York. These Dodgers will take baseball’s oneand only team plane from Disneyland to Chicago.That Dodger team could beat you with pitching,power, speed, and/or defense. This Dodger team canbeat you only with pitching. Those men dressed inwedding-dress-white and Dodger blue were locked ina life and death struggle with the men who woreblack and orange meant it. These Dodgers’ chiefrivals wear brown.What kind of team wears brown? Brown is themost avoided color in the history of baseball. Themost inept and absurd franchise in baseball historycalled themselves after brown. In baseball today noteven the dirt is allowed to be brown (unless, ofcourse, your television is adjusted slightly to thegreen side, in which case the dirt’s natural color be¬comes more brown, but then grey). So, it is surpris¬ing that the brown team from San Diego is the onlyteam in the NL West never to win the division? Well,they’re trying to be a little less brown these days.This is evidenced by their dropping their brownhome uniforms, which was probably a prerequisiteto adding Dodger Blue and Navy Blue pinstripes for’84. But you are privileged enough to be able to seethe brown road uniforms 4, 5, 6 May at the FriendlyConfines.Here is the real news. The Amazing Mets are infirst place, about two years ahead of schedule. Theyoung pitchers seem to have arrived, give or take anoccasional 10-0 loss. The best and youngest of thepitchers. D. Gooden, has strung together two consec¬utive double figure strike out performances. If youwere to ask any power pitcher how tough it is to have your best stuff two consecutive days, he would prob¬ably tell you that it was almost as tough as pitchingconsecutive no-hitters and tougher than throwingconsecutive shutouts. So either Gooden is able toshow consistently his best stuff (93 mph fastball andoverhand curve ball) or else he can strike out 10 ormore w’ith less than his best stuff.As for Gooden's remarks that he thought the Cubswere rubbing his nose in the proverbial it by stealingbases when they had a large lead. I suppose the kid isnot old enough to remember when players were al¬lowed to steal only when their team was in the lead.This antiquated baseball notion explains how W.Mays could lead the league some years with 20steals, and why L. Brock didn’t get 900 more stolenbases.And finally, did you know that the two greatestplayers of all time share the same name? W. Maysand J. Di Maggio (this being the month of XIaggio inItalian) are the answer, and you can put them in ei¬ther order. —D.4C* * *This week two of the greatest franchises in base¬ball history came to Chicago. The Boston Red Soxand the New York Yankees are going in the samedirection but unfortunately it’s not toward anothergreat September pennant race. Both teams aredwelling in the basement of the AL East with notmuch chance of getting out.The Red Sox took out of three against the WhiteSox but they face some insurmountable problems.The biggest problem of all is the attitude of the RedSox. They have been ripped by the Boston press forso long that they have become a very tense team.Every error the Sox make is magnified by the pressand this is affecting the way they perform.Rick Miller, veteran outfielder, described the at¬mosphere around the Red Sox as “guarded. We aremaking a lot of mistakes on the field, and some of theplayers are not really sure of themselves.”It had been speculated that the front office strug¬gle that took place last season was the reason for theRed Sox’ problems, but Miller discarded that expla¬nation. “The front office problems are resolved.” hesaid. Even when there are problems upstairs it “hadno effect on the players.”Another problem with the Red Sox this year is find¬ing the right spot for the right player. Wade Boggs isplaying better at third but his defense is still short ofwhat is expected from a third baseman. Glenn Hoff¬ man is having trouble at short but Ralph Houk lookslike he might concede and let Jackie Gutierrez havethe regular job.Also, one of the better outfielders in the AL. ReidNichols, has no place to play in Boston. Nichols canhit. field, and throw yet he still only plays when oneof the regular outfielders is injured. Nichols isn'tbothered by the problem but did say that “if some¬one wants to give me a regular job. I’ll take it.”The New York Yankees are mired in the AL Eastbasement thanks to the crack baseball staff put to¬gether by George Steinbrenner. Over the last fouryears Steinbrenner has taken a championship teamand turned them into losers.Excluding the deal with the Cinncinnati Reds forKen Griffey, the Yankees have dealt exclusivelywith losing ball clubs. This meant that most of theplayers the Yankees have acquired over the pastyears have never had any winning experience.The Yankees have made it a habit to trade consis¬tent, winning ball players for the stars from theworst teams in baseball. The Yankees have let go ofsolid players such as Mickey Rivers, Chris Chamb¬liss, Bucky Dent, Reggie Jackson, Rich Gossage,and Graig Nettles in exchange for Roy Smalley,Burtch Wynegar, Lee Mazzilli, Bob Shirley. MattKeough, Toby Harrah, Jerry Mumphrey, and DaveWinfield. All these players were acquired from sub-500 ball clubs. Granted, some of these players havetremendous talent (Winfield, for example), but theyhave never played in a winning atmosphere and theydo not know how to handle the pressures of winning.This was never more evident than in the 1981 WorldSeries when the Yanks lost after taking a 2-0 leadover the Dodgers. In that series Winfield went 1-for-22 with one RBI.It just seems that players like Rivers, Chambliss.Dent, Jackson, Gossage, and Nettles always cameup with the big plays when they were needed...Rumors surfaced this week that a possible Win¬field for Jim Rice deal is in the works. Sounds likethe proposed trade of Ted W illiams for Joe DiMag-gio...Yankee shortstop Andre Robertson is having tro¬uble overcoming the side effects of his terrible caraccident last summer. Andre says he hasn’t lost anyzip off his throws. “I always had it,” Andre said.“Don’t listen to what the other guys say.” Well,Andre played second instead of shortstop Mondayand ha:> had trouble making some throws.—CFDennis ChanskyCraig FarberThe Chicago Maroon—Friday, May 4, 1964-15Maroon ScoreboardA Around theConferenceNorth Division Champion LakeForest will meet South runner-up Mon¬mouth and South Champion Coe willmeet North runner-up St. Norbert asthe 1984 Midwest Conference women'ssoftball championships get under wayFriday at Monmouth.Friday’s openers in the double-elimi¬nation tournament are both scheduledfor 4 p.m. A loser’s bracket game willfollow at 7 p.m., with championshipplay resuming Saturday morning.Lake Forest topped the North Divi¬sion with an 8-2 regular season mark,while St. Norbert finish^ 7-3. Coenabbed the South title at 9-1, losing onlyto Monmouth in the Kohawk’s regularseason finale. Monmouth clinched therunner-up spot in the South with a 7-1mark and two games remaining. How¬ever, the Scots cannot unseat Coe dueto league tie-breaking rules.The tournament will bring together^h^outh^ou^oppitcher^lon^uth four of the top five hurlers from theNorth. Included are Coe’s Nancy Kahle(5-0) and Corrine Yogi (3-0), LakeForest’s Donna Lawlor (6-1) and LoriEdenhofer (2-1), Monmouth’s MaryDay (5-0) and Karen Spencer (2-1) and"St. Norbert’s Sandy Stolp (5-0) andPenny Jorgensen (2-2).Lawrence will host St. Norbert at 1p.m. Saturday in a 9-inning, one-gameplayoff to decide the 1984 Midwest Con¬ference North Division baseball title.The Green Knights and Vikings eachfinished their six-game North seasonwith a 4-2 mark. Third-place Ripon(3-3) forced the playoff by defeating St.Norbert 12-8 in the last game of theNorth regular season. Chicago finished1-5 in the North.As many as five teams are still in therace for the title in the South, in whichsix teams each play a 15-game sched¬ule. North and South winners meetMay 12 for the overall championship.Illinois College — behind the bat of.500-plus hitter Del Sutter and arm of 4-1 pitcher Gail Ring —■ emerged fromlast weekend’s South Division Tourneyatop the division with a 7-2 mark. Justbehind, however, were Knox (7-3) andCoe (6-3). Monmouth was 4-5, Cornell4-6 and Grinnell 1-10.Midwest Athletic Conference forWomen track coaches today predicteda nip-and-tuck battle between the Uni¬versity of Chicago, the 1983 outdoorchampion, and Grinnell, the 1984 in¬door champion, at this weekend’sleague outdoor women’s track andfield championships.Between 125 and 150 entrants are ex¬pected for the Friday and Saturdaymeet, which will be hosted by Mon¬mouth College. Competition begins at2:30 p.m. Friday and noon Saturday.A poll of league coaches also pickedCornell and St. Norbert as top chal¬lengers to Chicago and Grinnell andgave Coe the next best chance to breakinto the top five. The 11-team field alsoincludes Monmouth, Lawrence, Ripon,Illinois College, Knox and Beloit. Lacrosse ^The University of Chicago LacrosseClub has three games remaining thisseason, including the home finale onMay 12 against the Windy City La¬crosse Club at 1:30 p.m. on Stagg Field.Tomorrow the team faces the LincolnPark Club at Belont Harbor.The team’s offensive and defensiveleaders are listed below.GoalsHugh Birch — 9Nick Shermeta — 5Ted Voorhees — 4AssistsTom Drelles — 3Tim Goodell — 3Hugh Birch — 2Nick Shermeta — 2Total PointsBirch — 11Shermeta — 7Voorhees — 5Drelles — 5SavesDean Stermer — 44Rob Kenner — 40 .High winds delay Midwest rowing championshipsThe Women s Crew fielded FroshEight and Open Single entries at theMidwest Rowing Championships inMadison, Wisconsin last weekend. Theregatta normally consists of eventsrunning from 5:30 a.m. to 5 p.m., butfor the first time since the Champion¬ships began in 1972 heavy wind condi¬tions caused the cancellation of allraces on Saturday. Most crews in at¬tendance stayed in Madison an extraday hoping conditions would allow theregatta to commence on Sunday.The two Frosh Eight heats, original¬ly scheduled for noon on Saturday, fi¬nally took place between 9 - 9:30 a.m.on Sunday. The University of Wiscon¬sin A in heat one and the University ofMinnesota in heat two were the win¬ners with times of 7:37.1 and 7:40.9. re¬spectively. UCWC finished last in heat two with a time of 10:38.0, two minutesbehind the second slowest time of8:26.0 by Northwestern.The frosh eight final and consolationfinal, and the Women’s Open Singlefinal without qualifying heats, resche¬duled for 1-1:15 p.m. on Sunday, werecancelled as weather conditions againdeteriorated beyond the point of saferacing.According to UCWC coaches SusanUrbas and Janet Lubert, the team’sperformance was predictable and notworrisome at this point in the crew’sdevelopment.“Due to bad weather this spring theteam had only two weeks of water timeand no pre-racing experience goinginto this regatta,” they said. “TheFrosh Eight did 1,850 meters in 10:30during Thursday’s practice. We antici¬ pated that under favorable water con¬ditions they could shave a minute offthat time in actual competition. Thatthey didn’t we attribute to the weatherand the poor condition of the boat weborrowed from Wisconsin. In everyother sense they performed well andaccomplished their goals at this regat¬ta. They are at the point in develop¬ment where large gains in speed comewith each additional day on the water.We have a great deal of faith in theirability to become highly competitive asthe season progresses. They have thebest training water in Chicago andthat’s going to begin to pay off soon.”Participants in the novice eight in¬cluded Lisa Wilson, Jeanne Gravois,Caara Fritz, Sunnie Quijada, MelanieJanson, Larisa Goldin, Starley Shade,Ariana Lloyd, and Ellen Brown. Serri- ta Jane and Susie Brady will join theteam for next week’s meet.UCWC’s second competition thisspring will take place at an informalmeet at Lincoln Park Lagoon this Sat¬urday. The team plans to compete inWomen’s Frosh Four, Eight and OpenSingle events against the Coed Crew,Lincoln Park Boat Club, Northwesternand Notre Dame.The Women’s Crew rows out of theChicago Aquatic Center on the ChicagoRiver, and continues to recruit womenfor its spring and summer rowing pro¬grams. Any undergraduates, graduatestudent, alumni, faculty, staff orspouses interested in joining the teamshould call Coach Urbas at 938-1093.This number may also be used tocontact the team regarding the sale ofits famous STROKE t-shirts beginningnext week.WfOu7STANLEY H. KAPLANEDUCATIONAL CENTERMay Classes4WK/GMAT SPEED READING ...June ClassesSUMMER TIME/GMAT/LSAT/GRE/SAT/ACTSUMMER TIME/MCAT/SPEED READING/ESLPREPARE FORMCAT * SAT * LSAT * GMAT * GREGRE PSYCH • GRE BIO * OCAT » VAT * MATINTRODUCTION TO LAW SCHOOL * SPE ED RE ADINGSSAT*PSAT*DAT* ACHIEVEMENTS* ACT*CPATOEFL * MSKP • NMB 1 11 111* ECFMG * ELE»N-CLEX*CGFNS*FMGEMS*NPB 1*ESL*NCB >£I SfflMG. SUMMER. FALL MTENS/VESCourses constantly jpoaiecprograms and hours Visit any center andsee tor yours*It why we make thedifference Speed Reading Coursefeatures Free Demo lesson—Can todays ft timesARLINGTON HEIGHTSCHICAGO CENTERHIGHLAND PARKLAGRANGE CENTER (312 437-6650312 764-5151433-7410352-5840N V Sum Only Gen Ton r.M goo 223 ’ 7»2u S C«*« Pij*hc R«x Toronto Ceneo* 5254 S. Dorchester Ave.Walk to museums, parks, the lakeSTUDIO APARTMENTSFurnished and unfurnishedutilities includedLaundry roomSundeck • Secure buildingCampus bus at our doorCall 9-5 for appointment324-0200The Chicago Maroonis now accepting applicationsfor the position ofBUSINESS MANAGER•15 to 20 hrs/wk•Starts June 15•Bookkeeping experience preferredApply in person, Room 304, INH,no calls please. i<: «wd>d :aThe Closer You Get The Better We Look!Hyde Park’s Completely ,Ve*fApartment ResidenceA Short Walk From The lake And:Harper Ct. • University of Chicagothe I.C. * RestaurantsIncludes• Master TA . Antenna • Sen Ceramic Tile• Ind. Control Heat • Veh Appliances• Wall to Wall Carpeting • Sight Doormen• Central Air ConditioningI Red room from $405 - 2 Bedroom from $5255200S. BLACKSTOSEAVE.^ / BLOCK WEST OF HARPER COURTfW4-8666CHINESE-AMERICAN RESTAURANTSpecializing in Cantoneseand American dishesOpen Daily 11 A.-8:30 P.M.Closed Monday1318 1,63rd MU 4-1062marian realty,inc.mREALTORStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 S. Cornell684-5400 ( \DR. M. R. MASLOVOPTOMETRIST• EYE EXAMINATIONS• FASHION EYEWEAR• ALL TYPES OFCONTACT LENSES• CONTACT SUPPLIESTHE HYDE PARKSHOPPING CENTER1510 E. 55th363-6100.11%“—I AeoceaonV ^ JTuxedo RentalsFrom $34*56t4U|T SfeM.-"The Store For Men"1502 EAST S5lh STREET 752 *100HYDE PARK SHOPPING CENTERp 1 —— *■ ■■■■I.‘1Lws SITheChicagoMaroonStadnt Newspaper of theunirentty of Chicago16—The Chicago Maroon—Friday, May 4, 1984■" 1SPRING BOOK SALESAVINGS OF50% OR MOREON SELECTED OVERSTOCKS ANDPUBLISHERS’REMAINDERSWe have many new titles to offer, especiallya wide selection of well-produced art booksand children’s books at bargain prices. But hurry!Stocks are limitedUniversity of Chicago BookstoreGeneral Book Department970 East 58th StreetPhone 962-7712GaIIery of HomesSANTEFORT COWING, REALTORS®Relocation Service Center, 1032 Sterling Avenue, Flossmoor, IL 60422(312) 957-0600If you ore considering suburbon living os on olternotive toHyde Pork, pieose coil for informotion on housing, schools,transportation, and various communities. University ofChicago recommendations ovoiloble from this skilledprofessional with U. of C. affiliation. Coll DARDARA STEELEat 957-0600.Beautiful Tudor in Flossmoor.Curved stairway. Great trafficpattern with convenient firstfloor laundry, breakfast room,family room. Master bedroomsuite with sitting room or of¬fice. Walk to I.C. Terrific buy$145,000THE FLAMINGO APARTMENTS5500 South Shore DriveSTUDIOS & ONE BEDROOMS"Unfurnished and furnished•U. of C. Bus Stop"Free Pool Membership"Carpeting and Drapes Included"Secure Building - Emily's Dress Shop"University Subsidy for Students & Staff"Delicatessen "Beauty Shop"Barbershop "T.J.’s Restaurant•Dentist "Valet ShopFREE PARKINGMr. Keller 752-3800 it21KENNEDY RYAN. MONtGAL A ASSOC5506 South Lake Park667-6666Clip & SaveOPEN HOUSES GnlUQfSUNDAY, MAY 62:00-4:00 PM1141 EAST 49TH STREETEnd unit townhouse close to large park in Kenwood. Threebedrooms. Less than five years old. $91,500. Irene Pillars.4736 SOUTH KENWOOD AVENUEAward-winning design townhouse. Four bedrooms, three baths.Immaculate condition. $150,000. Hilde Zurne5217 SOUTH BLACKSTONE AVENUEVictorian rowhouse - full of charm. Deck and maintenance-freebackyard garden. Basement has office with separate entrance.$127,500. Mrs. Ridlon.4959 SOUTH GREENWOOD AVENUEA house for all seasons. Beautifully proportioned, sunny rooms.Attached garage. Corner lot. $250,000. Linda Maguire.5327 SOUTH DORCHESTER AVENUEThree bedroom, two bath condo. New kitchen. Excellent condi¬tion. Walk to everything. $69,500. Hilde Aurne.5743 SOUTH HARPER AVENUEVictorian frame home boasting the best of old and new; gorgeousstripped woodwork, renovated attic space with skylight.$175,000. Eleanor Coe.6937 SOUTH BENNETT AVENUEJackson Park Highlands family home. Six bedrooms. Modern kit¬chen and baths. Two-car garage. $139,500. Barbara Holman.11313 SOUTH COTTAGE GROVE AVENUEPriced out of the Hyde Park market? This skillfully updated Vic¬torian rowhouse in South Pullman Historic District is for you.Gourmet kitchen. $45,500. Linda Maguire.-Clip & Save 1The Chicago Maroon - Friday. May 4. 1984 17STUDENT DIGS! Perfect for thenext 4 years at U of C. Hassle freeliving at 56th and Kimbark. Calltoday. $30’s.IT’S A STEAL. This 1 bedroomco-op can be yours for under$25,000. This quiet, close to cam¬pus building is just perfect for thesingle professional or student. Lowassessments, close to park,transportation and U-C, make thisideal. Mid $20’s.SUNNY, AFFORDABLE, 2bedroom apartment. Close to cam¬pus. Modern kitchen with doubleoven: oak floors. Walking distanceto university. Exercise room inbasement. Excellent cdfcidoassociation. Low' $50’s.JUST LISTED! Bright, spacious 2bedroom with oak floors, eat-inkitchen: large rooms plus sun-porch. S50’s.IF YOU WANT A NICE, cleanbright place to live and want to buyinexpensively, this 3rd floor 1bedroom, 4 room co-op apartmentis just right! Roll out of bed andinto class; the U of C Law Schoolis a block away. Steal it for$18,900!LITTLE PRICE - BIG SPACE.Beautiful hi-rise co-op with all thewarmth of tradition. A balconyadds to the openess of this large 1bedroom apartment. It’s hard tobelieve it can be vours for onlvSIO.OOO.56th AND KIMBARK - a large, 1bedroom with forma! dining room,hardwood floors and lovely wood¬work. Minutes walk to campus andRay School. It’s a lovely courtyardbuilding, excellent maintenanceand security. Super large closets.S40’s.HILD REALTY GROUP*.3co F.. 53rd St •955-1200 !J CLASSIFIEDADVERTISINGClassified advertising in the Chicago Maroon is$2 for the first line and $l for each additionalline. Lines are 45 characters long INCLUDINGspaces and punctuation. Special headings are20 character lines at $2 per line. Ads are not accepted over the phone, and they must be paidin advance. Submit all ads in person or by mailto The Chicago Maroon, I212 E 59th St.,Chicago, III. 60637 ATTN Classified Ads. Ouroffice is in Ida Noyes Rm. 304. Deadlines:Wednesday noon for the Friday issue, Fridaynoon for the Tuesday issue. Absolutely no ex¬ceptions will be made! In Case of errors forwhich the Maroon is responsible, adjustmentswill be made or corrections run only if thebusiness office is notified WITHIN ONECALENDAR WEEK of the original publication. The Maroon is not liable for any errorsSPACEStudios, one, two & 3 Bearms some Lake viewsHeat included. Laundry facilities Parkingavailable. 5°o Student Discounts. HerbertRealty. 684-23339-4:30 Mon Fri.LIKE LIVING IN A RESORT IN THE CI¬TY—Cozy, corner 2 bd. co-op steps from ten¬nis, jogging, bike paths, beach, buses, I.C.Very secure vintage elev. bldg., mostly prof,people, 78th & the lake. Good Parking. 522,900with some owner financing or 519,900 cash. 375-7435.2/3 BR condo for sale by owner. Oak floors,dishwasher, washer/dryer. Near 54th & DorChester. S59.500 667-5258 eves.Arrange as 2 or 3 Bdrm, 56th & Kimbark, Sun¬ny, Washer, Dryer, Dishwasher, Oak Firs,Priced To Sell, 556,000. Call 876-3512 or 947 9432.SUMMER SUBLET non-smoking, 3BR (1BRfall opt) furnished, 54th & Ellis, laundry, cat.clean, sunny, price negotiable, call 947 9723eve.CONDO FOR RENT Very Lrg 4RM 1 BR, GrtLocation Beautiful Renovation, DR, LR, OakFirs, Molded Ceilings, Mod Kit, Avail 6/1, S445,643 2934.SUMMER SUBLET 5180/mo, 1 block awayfrom 1C, on Jeffrey Express, 5128 S. Hyde ParkBlvd, furnished, call 752-3521.Sunny sublet, top floor, of greystone townhouselbr, w/ study, sunporch, designer furnished,w/ queen sized bed near 1C. Call 493-5130 10:3011:00p.m.SUMMER SUBLET: 1229 E 53rd/3 bedroom/2bath/ sunny/safe/avail. June 3 to Sept 15 947-9083.Put the pastin yourjutme!LIVE IN AN HISTORIC LANDMARKThoroughly renovated apartments offer the convenience ofcontemporary living space combined with all the best elementsof vintage design. Park and lakefront provide a natural settingfor affordable elegance with dramatic views.—All new kitchens and appliances —Community room—Wall to wall carpeting —Resident manager—Air conditioning —Round-the-clock security—Optional indoor or outdoor —Laundry facilities onparking each floor—Piccolo Mondo European gourmet food shop and caf§Studios, One, Two and Three Bedroom ApartmentsOne Bedroom from $505 • Two Bedroom from $700Rent includes heat, cooking gas, and master TV antennaOffice hours: Sat 11-5, Sun 12-5, Q Or call for information andMon-Th 12-7, Fri 12-4 appointment—643-1406r/. .(JCMemewjHcmeKh2 East 56th Street^In Hyde Park, across the park fromThe Museum of Science ami huiustnEqual IkHMnyOn'xinunifx M.in.iKtxl lw Mftroplux Itx If:I CLASSIFIEDS H9/84 - 6/85 fully furn. 3bdr 2' 2 bath apt Cornellnr 55th family prefer. 5750 incl heat 667-1565.ELEGANT2 BEDROOM CONDOLarge rooms with lots of Windows & Sunporch,Exposed wood, Modern Kitchen, Washer &Dryer, Secure parking, 52nd & Greenwd,Avail. July 562,500. Phone Tom 962-7292 (D)643 3011 (E)Woman wanted to share clean, sunny, pleasant2 br apt w/young professional woman (UCalum). Near 1C, Minibus, safe. Rentreasonable avail June 1. Yr lease, call Kitty890 6035 (days) 241-5688 (eves and weekends).WALK TO CAMPUS 2br 2 ba prof dec drapescpt ac pkg sec pool 680 eve 947-9597.COOL, comfortable apartment available forSUMMER SUBLET. One or two studentsshould call 493 4436 or 955-5732 for info aboutrent (CHEAP) and location (CONVENIENTon Kimbark).SUPERB APT FOR SUMMER big lbr,gorgeous inside & out, fully furnished, greatlocation (57 & Dorch) rent negotiable Eric:241-7683SUNNY SUMMER SUBLET-Furnished 1 BR(3' 2 rms) Microwave & Dishwasher, Oak Firs,Faces Park, Great For Couple 5437 S. Ken¬wood. S285/mo. 667-7058.Summer Sublet 55 St near lake 3 rooms,washer dryer 250 per mo 288-3216.TAKE MY APARTMENT ... PLEASE! 4rmsS410/mo nr lake on Everett, avail now! CallMaureen day 962-1700 (Iv mssg) eve 643-5642 or643-3729.For Sale By Owner: Spacious One Bedrm Condo 3rd fl very sunny 3blks to UC Call 947-9208.56th & DORCHESTER 5 Rms 2-3 Bdrms. Lgyard, excel location. Max 2 unrelated tenants.Avail 6/1. Sublet thru Aug; reg lease after. 5720thru Aug. Call 643-5061 eves, wkends.4 room Co-op for Sale-Sunny, 3rd fir, new kchnear campus 535,000 ask for E lien at 962 1756 or288-5363.Working Fern nonsmoker seeks same for lrgsunny 2 bdrm apt on bus route, rent 5233 4-util.Avail mid June. 324-5669.CONDO FOR SALE BY OWNER1BR, New kitchen & bath, LR, DR with oakfirs., front bay windows, Fr. doors. 59th 8.Blackstone. Quiet 3rd fir., end unit. Avail Sept.1. call Josephine 752-1162 (H) or 962-9372 (W).Room for rent in sunny, clean, spacious apt.very close to campus. Quiet, non-smoking gradstudent preferred. 5150/month 4- utilities.Available Immediately. 288-0546.Sunny Fully Furnished 4 Bdrm House For RentSept 1984 to July 1985. Suitable for family or 3-4adults. Grand piano, yard. One block 1C, CTAexpresses. South Shore Campus Bus. Refs, required. No pets. 5800 4- utilities. 962 1599 days,667 3372 evenings, weekends.Summer Sublet-turn apt. in great location byField House. Call Laurel 947-0036 Safe & SunnySublet 56 & Univ on campus, bus rts. Air cond.2 3 bed, 2 bath, furnished Avail mid June-Sept.Call Rima 947 0036 or Dristi 947-0747 x477.COOP FOR SALE BYOWNER57th & Blackstone Large 3BR 2bath 1st FI Eat-in kitchen Lovely, Safe for kids, back yard.Ray Sc Near 1C, University Shopping, 72,500.752 2554.SUMME R SUBLET 2 bdrm apt. easily walk toU, 1C. avail Jne Aug. S490/mo643-5061 eves.Summer Sublet w/Fall option. 3BR coachhouse. 1-3 people. Available 6/1, 60, or 7/1.5200/person 4-util. Call 324-7406.Hyde Park Blvd nr Kimbark 7 rm 4 br/nrShop Trans/Cpt (Heat, Hot water) quiet 5550.752-5146.Extraordinary opportunity for persons of lowto moderate income (students also eligible) toown modern apt. in secure & friendly co op only 3 blks from campus. Extra room in this 1CHORAL EVENSONG20th-CenturyChurch Music forChoir, Organ, andBrass Orchestra with *Ralph Vaughn Williams:Festival “Te Duem”Benjamin Lane, Organist and ChoirmasterSUNDAYMAY 6 • 4 PMChurch of St. Pauland the Redeemer (Episcopal)South Dorchester at 50th Street bdrm. can be used as study or extra bdrm.Large enough for a couple w/sm. child. Backporch, lg bthrm, all new appliances & fixturesReasonable monthly chgs based on what youcan afford. Avail July 1. Purchase price: 53100.We didn't believe it at first either. Call 241 5950.SUMMER SUBLET 3 bedroom furnished 2416673 5456 S. Harper.Furnished house for rent in Flossmoor, easy 30min commute on 1C, 3 Bdrms, IV? Ba, FamilyRm, bkfst Rm, frplce, garage, veg garden,back yard playhouse for children, excellentschls; 1 yr lease from Aug 1, 5800/mo 4- util;credit check & regs required; Dr. M WMakinen 962-1080 (days) 957 1484 (eves).SUNNY SUMMER SUBLET: 2BR/2BA, AC,furn, safe tennis cits., nearby Mr. G's & Jimmy's 5400/mo or S200/BR/mo 493-2327.Studio apt avail July 1 5847 Blackstone 324 permonth References required for info call 6673932 or 288 2175.FEMALE GRAD STUDENT WANTED toshare sunny modern 2 br apt on lakeshoresecurity a/c. parking. 5312 incl heat/negot.Call 324-3917.SPACIOUS 2 Bdrm Apt, summer Sublet/FallOption. Wd firs, bk cases, bay windows.5550/month 5308 Blackstone Call Susan 947-9035.Lovely condo for sale by owner: 2br, Irge sunny liv and din rm, ref oak firs, wbf, lowassessmt, excell courtyd bldg, 3 blks lake, nrtransp, stores, conv. univ. 567000 call 324 2588.Very large, bright 3 br Apt. 2 Bath 53rd & Kim¬bark. Excel loc, quiet neighborhood, yearlease. S660/mo some furniture avail 684-1388.WANTED: Female to sublet one bdrm inspacious North Side apt. 6/10-8/31. One blockfrom "L" good nbrhood; 5200/mo. Call 281 8629eves.! CHEAP ! LIVE AT PSI U THIS SUMMER !CHEAP ! Coed w/sep bthrms; Copious SocialAmenities! Excellent Location, Singles &doubles avail. Call Dave at 324-1890 Rooms aregoing quickly.BLACKSTONE VILLA APT1 bdrm 4 room FURNISHED. S425 incl. utilities1 yr lease begin June 1 call weekdays 962-7284.SUNNYSUMMER SUBLETLrge 1 bdrm, furnished, secure, wd fir, Indry,near 1C, bus, 59th/B'stone, 947-8506.SPACE WANTEDCouple with school age daughter need 2bd aptnorth of the Midway and near M Reese Hospfor July 1 or later. 491-1892Two mature responsible law students (29,25)want to rent a 3 to 5 BEDROOM HOME for the1984-85 academic year. We are nonsmokersand have no pets. Please call Joshua Hornickat 684 5929 or Doug Weinfield at 288 3457FEMALE UG looking for housing to start endof June/beg of July IDEA SIT: room/apartment in large house w/older person. CallMonika at 643-7279 evenings.FOR SALESIMMONS FULL SIZE SETExtra firm inner spring matt. & box. Brandnew, still wrapped. Value 5325 sell for 595. Freeframe & delivery. 883-8881.1982 Ford Escort. 4dr 4sp a/c am/fm stereoExc. Cond. 31,000m. 54,000 apply Jones 3633197.1978 Honda Civic 4-spd. am/fm cassette norust. Michelin Tires, recent rings. Good Cond.inside/Outside. 30 mpg. 51,950. 493-9122.Raleigh Super Course 531 frame, new parts,good cond S275/ob Regan 753-8342 *715.76 Toyota wagon runs good 5450 288-3216Cokin Special Effects Filter Pro Series two forone sale. Model Camera 1342 E 55th St. 4936700.WANTEDPRESERVE FAMILY UNITY! Sell me aticket to the College Convocation. WILL PAYCASH! Call Frank Light 962 8965 work, 684 4273home.PROFESSOR FROM GREECEteaches creek(Modern & Ancient)Call 422-6876, M-F8-12Tuxedo RentalsFrom $3495fofcnF Sfotb*<“The Store For Mon”1S02 EAST S5ih STRFfT oKm~. r«?».<*>HYD€ PARK SHOPPING CENTER .18—The Chicago Maroon—Friday, May 4, 1984PEOPLE WANTEDPeople needed to participate in studies onmemory, perception, and language processing. Learn something about how you carry outthese processes and earn some money at thesame time! Call the Committee on Cognitionand Communication, afternoons at 962 8859.GOVERNMENT JOBS. S8,342 • $75,177/yr. ForInformation call 805 687-6000 Ext. R 7000 (Callrefundable).The Chicago Counseling and PsychotherapyCenter 5711 S. Woodlawn, needs people who arewilling to talk about their personal problemsand feelings for 10 sessions with a psychotherapist-in-training. Participation should notbe seen as psychotherapy or as a substitute forpsychotherapy although participants may findit a useful experience. Participants will neitherbe paid nor charged for their session. Call Patat 684 1800.SERVICESJUDITH TYPES-and has a memory. Phone955-4417.JAMES BONE Word Processor/Typist/Editor: using the IBM Displaywriter system.363-0522PRECISION PLUS TYPING-1 BM WordProcessor Fast accurate service includesediting. 324-1660.Moving and Hauling. Discount prices to staffand students from $12/hr. With van, or helpersfor trucks. Free cartons delivered N'C Packing and Loading services. Many other services. References. Bill 493-9122.Passport photos while you wait. On Campus.Other photo services available. 962 6263.TYPING Experienced Secretary typesReports, Dissertations, Tables - All Material,Grammar Corrected. 1 Day Service MostCases. 667-8657.Roosevelt Univ LSAT GMAT Prep Loop &Suburbs, Free Sample Class at RU 6:30 LSAT5/17, GMAT 5/16.341-3660.GOLDEN EAGLE MOVINGHousehold Commercial PianosILL. CC 54807 MC-C Insured 594 2086PROFESSIONAL TYPING reasonable 6846882TYPIST Exp. Turabian PhD Masters thesisTerm papers Rough Drafts. 924-1152.Phoenix School, an exciting elementary schoolalternative in Hyde Park, announces fall '84openings for children. For info 955-2775.HYDE PARK PSYCHOTHERAPYASSOCIATES can offer you a wide range ofhelp for adults, children, adolescents, familiesand couples. For a brochure or an appointmentcall 288-2244.CUSTOM KITCHEN Cabinets and countersdesigned and built using highest qualitymaterials and hardware, completely customiz¬ed to suit your needs, tastes, and budget. CallDavid 684 2286.CARPENTRY and REMODELING Call David684 2286.LARRY'S MOVING SERVICE Reliable,Lowest rates, whole metro area. Call anytime,743 1353.I am a responsible grad student willing tohouse sit in Hyde Park or Kenwood JuneAugust, possible September. Call Joe, 947 0747(ext. 312). Leave message.VIDEOTAP RENTALS VHSOnlyAsk about our Introductory SpecialsMODEL CAMERA 1342 E 55thWEDDING Photography & InvitationsYour Wedding Day should be special. It's atime of gathering and celebration with yourfriends and relatives. Good professional portraiture and documentation of this specialevent lasts forever. Visit with us. The BETT E R I MAG E 1344 E 55th 643 6262.RESEARCH FOR EDUCATORSResearch reports on most topics. Ad¬ministrators, principals, teachers, graduatestudents. Experienced. 312/994 8091 (message)FAST FRIENDLY TYPING - Resumespapers, all materials. Pick up & delivery. Call924 4449.WRITING A BOOK? A LONG PAPER? Forquality word processing, call Wordpower at4e6 2683.SCENESWRITERS' WORKSHOP Plaza 2 8377.Don't miss this unique theatrical event. A reallive improvisational group! Those HappySnots. May 2 5, Third Floor Theater, ReynoldsClub 8:00pm. S3, and $4. Be there, AlohaAMNESTY INTERNATIONAL meets atCrossroads 5621 Blackstone on Monday, May 7,at 7:15pmLOST AND FOUNDReward! Man's wedding ring lost in Cobb leclure hall on 4/20 Please call 684 2964.PERSONALSBF IMAGINE ! An eternity as happy as thisyear! How exciting!!! DC Dance Dance Dance to a spectacular videoDance at the LCB Come early, stay late, butcome TONIGHT Stimulate your pears., attendthe LCB. Great way to grab a date for the spring formal come and see amateur strip show atLCB a few random spectators will be picked tobe judges cash prize for the best stripper atLCB more details at the door.FRAT BOYS are idiots just like their fathers.Something must be done to end this.Happy Birthday to the Vermonter!! With lovefrom the BostonianHappy Birthday, Tinker!!!! Your cold andcallous friend.FRAT BOY'S definition of love: screaming insuits at a firl from his stained brick perch.UC Coed Crew Men's Light 4: Ian, Jon, Mark,Greg, Ted. You're the best in the midwest!!Congratulations!!! Bow and ThreePeople Wanted: Frontal Lobotomys: Top Spaid, contact Brain M 5960 S Harper after 4.Ali and Mary, you have a lot of nerve. P S.Mary, you know what you do to me.David S. Happy birthday to my dear and sweetfriend. Picnic Weds. 7? Love, R.C.NOT FEELINGAS HOT AS THEWEATHER YET?Has the coming of Spring left you behind in thecold of winter? Is there a problem you thoughtwould go away over break that didn't? Afraidto come out of winter hibernation? Call us atthe Hotline if you want to talk. You can call usseven days a week, 7pm-7am at 753 1777.ANXIOUS?SEEKING TREATMENT?Selected volunteers will receive free anxietytreatment at the University Medical Center inreturn for participation in a 3 week evaluationof drug preference Participants will alsoreceive S60.00 in return for their participationin the evaluation. Participants must be 21years of age. Involves only commonlyprescribed drugs at therapeutic doses. Call962-3560 for information or to volunteer. MonFri, 10:30am-3:00pm.LONELY OR UPSET?Are you angry about what a friend has toldyou? Mad at your boyfriend or girlfriend forbreaking up? Got something on your mind thatyou don't want a friend to know about? TheHotline is here if you want someone to listenand share. You can call us seven days a week,between 7pm & 7am. 753-1777.THE MEDICI DELIVERS!667-7394Sun-Thurs: 4pm-ll :30pm, Fri-Sat: 4pm12:30am.HOT MIX PARTYl-House hosting the LCB Alternative Party onFriday, May 4 at 10pm. Music DJ'd by SCOTT"SMOKIN: SILZ of WBMX Radio. Admissionis S3; includes snacks and beverages. NO ON EUNDER 21 ADMITTED. Assembly Hall 1414E. 59th St.GAYS ON WHEELSGALA goes north to Gay night at United Skatesof America Tues, May 8. Meet 8:30 at 5615 S.Woodlawn. In lieu of weekly coffeehouseTransportation provided.I-HOUSE SPEAKERSERIESLARRY BLOOM, 5th Ward Alderman will bespeaking on "American Politics: ChicagoStyle," on Wednesday, May 9 at 7:30 in theHome Room. I House, 1414 E. 59th st. freeBROKE AFTER THE LCB?$1 gets you the best buy in town the 4th AnnualAll University Armenian Party featuring liveArmenian music and complimentary Armenian food. Saturday 9pm lam Ida Noyes Hall.TUTORTutor needed. Organic Chemistry will pay byhour or session call Loren 643 1821 eves.CHILDCARE AVAILABLEInfant childcare available from July 1; near Uof C. Loving home setting, small groups 6842820.FOR CHILDRENIT'S CARNIVAL TIME !The Hyde Park Union Nursery School will holdit's annual CARNIVAL, Saturday, May 5.10am 2pm, at the Hyde Park Union Church,5600 Woodlawn, Chicago Admission fee: SI.00per family. Don't miss the clowns, food,games, prizes, fun and more! Call 363 6036 formore details.GRADUATION!WILL PAY TOP DOLLAR for college graduation tickets Ken 684 4983 or 288 9870.GRADTIX NEEDEDBoth Mandel & Rocky Will Pay Call 222 5665 GOING EAST IN JUNE?Go CHEAPLY by GREYHOUND CHARTER!ONE WAYS to: NEW YORK CITY S65,Washington, DC $60, BOSTON/SYRACUSES75. All leave June 8 from UC UC Students ONLY - CALL 947-0558 TODAY"FEELINGHYE?Learn how to dance Armenian style while enjoying authentic Armenian food. Saturday9pm-lam Ida Noyes Hall. Only $1 w/UCIDMAB MABOur meetings are open to the public. They areheld on Mondays at 4pm in Ida Noyes Hall rm218.MAB...Produces campus concerts, and you can getinvolved. Applications in Ida Noyes Rm 210.APPLY NOWThe Major Activities Board for 1984-85 will beappointed soon. Applications in Ida Noyes Rm218.POETRYWRITINGSEMINARAnother FOTA Event a Poetry WritingSeminar Conducted By Pierre Long. TuesdayMay 8, 7:30pm in the Ida Noyes Library. Firstand Second place CASH PRIZES.ARMENIAN PARTY!!!4th Annual All-University Party featuring liveArmenian music and complimentary Armenian food. Saturday 9pm-lam. Ida Noyes. ONLY si w.UCIDBABYSITTING”QUALITY CHILDCARE AVAILABLETWO ADULTS SUPERVISIONLOUISE: BA EDUCATION SIUMA EDUCATION U of CCALL LOUISE AT 643 1821.FOTA FOTA FOTAMost FOTA events are free!!! The Festival OfThe Arts is two weeks long, and runs from May1-May 13. Catch it before its gone.VERNALJACKNESSParty a PSI U tomorrow at 9:37 be there PhilGuy is playing; S2.00 at the doorWORLD PREMIER......of the Bruckner Symphony No. 7 arranged bySchoenberg. Performed by Transit, conductedby Mark Prentiss. Monday May 7, 8pm inMandel Hall SI donation requested. A FOTA BESTBREAKFAST!-The Medici on 57th Street serves breakfast frp,7:30 to 11:30 every weekday. Hot from theoven Croissants, Omelets, Waffles, Pancakes,Eggsetera and our incredible coffee, ofcourse Make your breakfast a tasty one!!THE ORDER OF THE "C"Ballots for 1984-85 Officers and Invitations tothe Undergraduate Banquet are in the StudentMailroom Folders NOW, and will be acceptedat Bartlett Gym until Tuesday, May 8GREEK DINNERI House Dining Room featuring authentic,regional Greek cusine, live music, and complimentary beverages on Wednesday, May 9from 4 30 ph to 7:30 pm. 1414 E. 59th St.WHO'S THAT GUY?It's Phil Guy! Appearing at PSI U SaturdayMay 5. S2 UCID required 5639 S. UniversityA CO-ED FRATERNITYis a great way of life. Delta U, 5714 S.Woodlawn, is looking for new members for thefall, cheap singles, furnished house, andmoose. See for yourself at our Wed. studybreak10:30 PMTHE DAY AFTERThe LCB...come dance at the 4th Annual All-University Armenian Party featuring livemusic and complimentary Armenian food9pm lam. Only SI w. UCID"DOGG JAZZ?"See the David Geisman Quartet this SundayMay 6 at 8 pm in Mandel Hall. S6 students(UCID) S10 non students.RESUME SERVICEExtenisve type style & paper selection. Prompt service. Copyworks 5210 S. Harper 2882233.THOSE HAPPY SNOTSDon't be shocked. We re only an improv groupMay 2 5, is the date Reynolds Club third floortheater is the place, S3 and $4 is the price Nowthat you know, don't delay, come see an exciting, daring new style of theater.GRAD-TIX-SSI'll pay top dollar for June 9th graduationtickets Call 241 6379 leave message for DinaTHE MEE-OW SHOWOriginal Comedy From Evanston! SaturdayMay 5 Ida Noyes Hall 8pm. Another FOTAevent. event!!j &ea/ (os/a/e ^V 493-0666 • CALL ANYTIMEHappy Birthday HouseVictorian frame family home. Harper near 57th.Large yard, parking. $153,000.Stone Victorian overlooking Madison Park, 5bedrooms. Mexican tile kitchen & new convectionrange. Room for garage. $169,000.Studio on campus but yet handy to transportationto Loop. Large dressing room. Reasonableassessments. Call to see. $28,000.Near campus, 850 or so square feet can be used as 1or 2 bedroom. Modern kitchen, modern bath. Oneof Hyde Park's best co-op associations. Board ap¬proval. $30,000.All new: electrical, plumbing, own heating. All new:kitchen, baths, walls. 1800 square feet. Condo ontree-lined Cornell. Parking space. Light, light.$98,000.The Chicago Maroon—Friday. May 4. 1984—19-STUDENTS,FACULTY,STAFF, ALUMNIWELCOMEENTRANCEFEESFREEa,,,onenotwearingclothes ValidUCIDrequiredforeachstudent,faculty orstaffmemberAlumnimusthavealumnicardandpicture1.1). Spousesmusthaveproofofmarriageandpicture1.1)SUTDENTSwithalasciviouscostumeSTUDENTSfullydressedMay 4, 1984 • 16th YearOF THEDOMINODOWNFALLTHEORYby Stephanie BaconIt had been several months since D. hadlearned of the delinquency of the Y ac¬count, which, although the reader maythink it peripheral, is pertinent to the un¬derstanding of the effects of the dominomatter. D. was indeed aware that the Y ac¬count was delinquent, but it was actuallyat this point that she decided not to makeany further attempts to set things straightuntil she understood the dynamics of whatwas wrong.The point to which I refer was the pointat which K. began talking about dominos,one wintery week in an inclement spring.The concept, the uniqueness, the mysti¬cism, the significance of the domino —these were the ideas which obsessed K. Heand a loosely formed coalition of whatmight be termed radical thinkers, haddirected their collective creative energiesthrough Various media to the domino as atheme. All of this was imparted to D. by K.within their common sphere, a didactic andfrustrating theoretical seminar. The nextmeeting of the seminar was marked byK.’s invitation for D. to participate in thegroup’s domino performance.Domino-related ideas began to solidifyin D.’s mind and dominate her thought,which had previously been occupied withthe dissolution of the aforementioned Y ac¬count. In fact, D.’s willingness to ignore theaccount debt increased proportionally toier interest in the domino performance.The performance, I must pause to ex¬plain, was conceived to commemorate, inthe mannter of a performance art piecewith strong Dadaist inclination, the twen¬tieth anniversary of the declaration of theDomino Theory. This, of course, was Eisen¬hower's metaphor for certain imperialisticpolicies, which anyone might look up ifthey were interested. The performance in¬volved the reading and distributing of thegroup’s fragmentary manifesto, the play¬ing of various sound tapes that the grouphad made, the mime enactment of an ab¬straction of the theory, and throughout all,one member of the group attempting to setup a line of dominos, on a very windyplaza where the performance took place.D.’s role was to hand out manifestos andplastic domino-shaped sunglasses to thespectators.The night before the performance, D.had a dream in which she faced a wall thatwas so high she could not seem to see thetop and so broad that it seemed to encom¬pass her. She found herself yelling with allher strength at where she imagined thetop of the wall to be:Must not what is due now be paid?and this became her mantra of hysteria,until her own voice finally came back toecho upon her:What is due must not be paid.At this answer, D. collapsed into exhaust¬ed wakefulness. That day, up in the office building wherethey met, D. and K. and four others, allstrangely distracted and dressed in black,must have looked like terrorists to theothers there; the reasons why they carriedtape decks instead of guns or bomb de¬vices could not have been clear.By some accounts, their arrival at Pio¬neer Court, the performance site, was an¬ticipated by a plain clothes security of¬ficer, with a walkie talkie. In any case, theperformance had been underway but twominutes when the first uniformed guard,recorded and temporarily appeased bythe unit photographer, demanded a per¬mit. A small cluster of spectators acceptedglasses and manifestos, some archivistsrequesting multiple copies. Within six min¬utes there were six security guards, andthe performance aborted. Only the do¬minos remained on the premises.Returning to Hyde Park, the ram thun¬dered and the thunder lit the sky, but thelake itself was a nervously glowing greenthat was far brighter than the sky, as ifthe rationality of the atmosphere hadbeen inverted. In the car they listened tothe group's veneered anti-guru, Xyno Gen¬esis, discussing the madly vibrating christ-like consciousness of infinesonic relativityand other words that he makes up himself.The Y account ended somewhere alongLake Shore Drive.Much later on another rainy day, D. wasconsidering the report which she was com¬pelled to make upon the domino perfor¬mance, the writing of which she had longbeen avoiding. The end of the Y accounthad left a physical void in that D. hadfilled by immersing herself in Cervantes'Don Quixote. That venerable gentleman ofLa Mancha had been wise, she thought, tosuccumb to the madness brought on by hisbooks and live his factual life as a fiction.This seemed infinitely more desirable toher than it would be to be the virtual ob¬ject of her report on the domino perfor¬mance, since it would be determined byher objective. Or, she thinks, she might bemore property be called the subject, sinceher report would be subjective, and thereader subjected to her perspective. Un¬less, she thinks, I choose to objectify thesubjectivity of this matter by falsely nar¬rating it, creating for myself in the personof the narrator, a new level of fiction, inwhich I may exist independent of the fac¬tual realities, just as D.Q. (for that is howshe thinks of Cervantes’ character) creat¬ed the person of a Knight Errant for him¬self to exist in, independent of factual re¬ality.And D. walks across Washington Park,the cold rain pouring over her face, think¬ing on the issue of fiction and consideringhow the falling domino theory had becomea metaphor for the ultimate settlement ofthe account.PERFORMANCE AlDONALD DAVIDSONINQUIRES INTO TRUTHAND UNDERSTANDINGWENDY OHAMRTYiAND OTHER HEAU11ESSaiwary Cow Bnkstore5311 S. Blackstone • 947-0200OUR FAMOUS STUFFED PIZZA IN THE PAN IS NOWAVAILABLE IN HYDE PARKOPEN 7 DAYS A WEEK • 11 AM TO 12 MIDNIGHTCocktails • Pleasant Dining • Pick-Up“Chicago’s best pizza!” — Chicago Magazine, March 1977“The ultimate in pizza!” — New York Times, January 1980 The University of Chicago Department of MusicPETER SERKINPERFORMINGBEETHOVENTHE SIX LAST PIANO SONATASMANDEL HALL, 57th & University • 8:00 PMTUESDAY, MAY 8,1984(in conjunction with UC Alumni Assn.)• E Minor, op.90 • A, op. 101• B-flat, op.106 (“Hammerklavier”)S12/UC fac-staff, $10 / student, $7.50 FRIDAY, MAY 11,1984(chamber music Series event)• E, op. 109 • A-flat, op.110• C Minor, op.111$10 /UC student, $7Tickets AJnformation atMusic Dept. Concert Office, 5845 S. Ellis, 60637/ 962-8068m so glad I’m one of...”THOSE HAPPY SNOTSan original revue by theUNIVERSITY THEATERimprovisation groupMAY 2 - 58:00 p.m.Reynolds Club 3rd Floor TheaterTickets: $3 & $4For reservations &information call:962-3414SGFC FundedMANDEL HALL MONDAY MAY 7, 8 PM *>2—FRIDAY, MAY 4, 1984—THE GREY CITY JOURNALDancePartyattheInternationalHouse,featuringWBMXHotMixDJScott“Smokin’"Silz.Hecuts,he mixes,hegrooves,there’llbedrinks,yougottabe21,it'llbea smokin’timeAndit’srumoredtobetheprogressivealternativetotheLCB.InternationalHouse,1414E.59thSt.,FridayMay4at10:00PMResidentsfree,$300fornon-resi¬ dents.—SB Feminism,MotherhoodandtheLaborMovement:ElizabethPayne,Assis¬ tantProfessorofHistoryatNorth¬ westernUniversitywillgivethethirdlectureintheForumforFemin¬ istScholarshipSpringQuarter series,ThursMay10at4:30,Harper130. MarcelMarceauMasterofMimecomestoMidwest.CivicTheatre,20NWacker,559-1212.Tues,ThursandFriat8,WedandSatat2and8,Sunat3StartsMay8$1650-S25. DANCEMariaCheng,reportedlyastylishandintelligentsoloperformer,createdthechoreography,textandcos¬ tumesfor“InCelebrationofGrow¬ ingUpChinese,"andwillperformit atColumbiaCollegeDanceCenter,4730NSheridan,271-7804,onFri andSat,May4and5at8$8,$6 students ExquisiteCorpseThreeindividual multi-mediaw<~>rkscreatedthrough groupimprovisationbyPatriciaPel¬ letier,KathleenMaltese,andDonnaMandel.MoMing,1034WBarry,472-9894FriandSat,May4,5,11,and12at8:30$6,$5students THEATERLongDay'sJourneyintoNight(writtenbyEugeneO’Neill,directedbyNi¬ cholasRudall)O'Neill'sautobio¬ graphicalaccountofhisrelationshipwithhisfamily“Theemotionalef¬ fectofCourt’sproductionLongDay'sJourneyIntoNightwasreminiscent ofagoodt.v.dramainwhichthere aresomegenuinelymovingperfor¬ manceswhichseemtobealmostoutofcontextbecausetherehasbeen nointer-playandbuilt-upofforces...Thereisnogreatevidence ofanattempttocreateentertain¬ mentandlittleevidenceofanat¬ tempttoproducethegreatdramafowchihO'NeiM'sscriptistheblue¬ print.”(GCJ,April20,1984)CourtTheatre.Ticketsare$10-$13witha$2discountforstudentsandseniors.753-4472.—IS Sheherazade(byMarishaChamber- lain,directedbyDennisZacek)A modernstoryofpsychologicalma¬ nipulationusedagainstapotential rapistandmurderer.VictoryGar¬ densTheater,2257NLincoln.TuethruFriat8,Satat6and9:30,andSun3.549-5788ThruMay6.$8- $13. TheRoad(writtenanddirectedbyWoleSoyinka)TheGoodmanwillbe presentingtheAmericanpremiere ofTheRoad.Soyinkaisanoutspo¬ kencriticoftheNigerianpolitical scene.TheRoad,writtenin1965,isthestoryofajourneyintothespiri¬ tualworldofYorubafolkloreGood¬ manTheatre,200S.ColumbusDr.443-3900. EricBogosianFunHouseTheHuronTheater,arelativelynewcompany,ispresentingEricBogosian,astand upcomicwhoismorethanastandupcomic.Itisn’tactingandit'snot quiteperformancearteither;your guessisasgoodasmineBogosian,asitturnsoutisanotherfamousUCdropout—maybethat'stheonlywaytomakeitbig.ThroughMay13.HuronTheater,1608NWells.266-7055 FoolforLove(writtenbySamShe¬ pard,directedbyTerryKinney)SteppenwolfwillattempttorepeatthesuccessithadwithShepard'sTrueWesttwoyearsagoFoolForLovetakesplaceinamotelroomon theedgeoftheMojavedesen,fa¬ miliarterrainforShepard(Re¬ viewedinthisissue)Tue-Friat8PM;Satat6&9:30PM,Sunat3&7PMSteppenwolfTheaterCo.,2851NHalsted$10472-4141TheChangeling(writtenbyThomasMiddleton&WilliamRowley)AJa¬ cobeandramaoflust,revenge,blackmailandlotsofbloodand guts;i.evisceraltheatreThur-Sat at8PM;Sunat3PMBeaconSt.Playhouse,4520NBeaconSt$5-9561-7300 VolunteersVolunteersissetatanar¬ chaeologicaldigwhichfivemembers ofanunnamedIrishrevolutionarygrouphavevolunteeredtojoin.ThedigistobeshutdownbeforealloftheVikingartifactshavebeenre¬ moved,andthefive"volunteers" aretobeputbackintoprison.TheGreyCityJournal4May84Staff:JamieAllen,MaeveDwyer,RussForster,JoelGinsberg,JonathanKatz,IrwinKeller,BruceKing(MusicEditor),JoyLangston,MichaelKotze,RainerMack(PoetryEditor),JeffreyMakos,StephenMcConnell,NadineMcGann,CampbellMcGrath,DavidMiller,DennisMiser,JohnProbes,RachelSaltz,PaulReubens,JuanitaRoche,DanSakura,CAScott,CassandraSmithies,JohannaStoyva,DavidSullivan,JefferyTaylor,BobTravis,WilliamWeaver,KenWissokerProduction:AbigailAsher,BruceKing,BrianMulliganAssociateEditors:AbigailAsher,StephanieBaconEditors.JesseHalvorsen,BrianMulligan6playiswellwritten,andFrielhas givenusasetofstrikinglyaptmet¬ aphorsforthepassionswhichdrivetheIrishtobeararmsagainsttheir countrymen.VolunteersrunsthroughMay13attheBodyPoliticTheatre,2261N.Lincoln.Ticketsare$10-$14;call871-3000formorein¬ formation.—TomLyons MUSICChicagoSymphonyTheAmericanpre¬ miereofJohnMcCabe'sConcertoforOrchestraplusthereturnofDameJanetBakerinElgar’sSeaPictures.FriMay4at8andSunMay6at3.OrchestraHall.$9-$25.ThePlattersMay5thru7atRick’sCafeAmericain,644NLakeShoreDrive.943-0648. PaulAnkaStillhavingyourbaby.May4-5attheHolidayStarTheatre,I-65andU.S.30.734-7266. PeteSeegercontinuesabenefitcon¬ certtraditionbegunin1940withtwobenefitconcertsSatMay5atthePeople'sChurch,941WLawrencefortheHighlanderCenterinTennesseeandforThePeople,Yes!,alocalartsorganization.778-8801.TheMyronFlorenShowfeaturingstarsfrom“TheLawrenceWelkShow"in“anafternoonofmusic,dance,andbeautifulmemories.”Awarm-upfortheupcomingClashshow.Sun,May6at3atParamountArtsCentre,23EGalenaBlvd.,Aurora.$10.50- $14.50—BK TransitpresentsthefirstU.S.perfor¬ mancesoftwoorchestraltranscrip¬ tionsmadeduringtheyears1918-21forArnoldSchoenberg’sSocietyforPrivateMusicalPerfor¬ mancesinVienna:“DieMadchenmitdenverbundenenAugen" and"UndKehrtereinstheim”(awallapaloo-saofaweltaungshaung)byAlex¬ anderZemlinskyandSymphonyNo.7inebyAntonBruckner.MonMay7at8Free ARTTheMeditativeSurface:ItisrefreshingtoseetheRenaissanceSocietytack¬ lingtheproblemsofpresentingin¬ tellectuallyformidableandstylisti¬ callyformalmodernartTheshowisaqualifiedsuccess;someworksarebetterthanothersandsomejuxta¬ positionsofworksarelessthanideal.Butthere'ssomeveryfine andexcitingpaintinginthisshow;don'tmissthechancetoseeitrighthereoncampus.Especiallyfineare worksbyJasperJohns,PhilipGus- tonandSusanHothenberg.Alsoin¬ cludedareBriceMarden,RalphHumphrey,JulianSchnabel,and others.ThroughMay16atTheRen¬ aissanceSociety,4thfloorCobbHallTue-Sat;10-4,Sun;12-4Free -SB WomanWithBooksThislecturespon¬ soredbytheRenaissanceSocietybyhistorianandauthorLeoSteinbergItiscertainlythemostexcitingeventthisweek(yes,betterthanScott,’Smokin',SilzatIHouseand muchmoreexcitingthantheLCB).789lO GraceKellycanbeseenradiatingsublimecinematicbeautyInToCatchaThief,SaturdaynightatLSF.Steinberg,authorof,OtherCriteria,Michealangelo’sLastPaintingsandTheSexualityOfChristinRenais¬ sanceArtandinModernOblivionis consideredoneofthemostcontro¬ versialspeakersonartandfe- male/malerelationsinandoutofthe artisticfield.Histopicswillinclude,howmenfromthe14thCenturytothepresenthaveregardedfemaleintelligenceandwomen’sclaimtoin¬ tellectualparity,imagesincludedinthediscussionrangefromtheVirginMary,MadameBovaryandthe modernAmericanwomanaspre¬ sentedinvariousformsofadvertis¬ ing.Ifyouwantsomehelpunder¬ standingyourrelationshiptoart, women/men,theLCBorGod,don’t missthislecture.Ofcourseitsrele¬ vant!!!BeattheLawSchoolAudito¬ rium(1111E60th)MondayMay7at6Generaladmission$5;students andRenaissanceSocietymembers$3AdvancereservationsthroughTheRenaissanceSociety962-8670. —JH BlackFolkArt:Thisshowfeaturesworkby20BlackAmericanartistsfrom ruralareas,and,asthecatalogue putsit,"Ingroupingtheseartists undertherubricsof“black”and“folk",curatorsJaneLivingston andJohnBeardsleyopenupaPan¬ dora'sboxofaestheticdiscourse.” Thisisverytrue;theworkrangesfromthetechnicallylimitedandpsy¬ chotic(SisterGertrudeMorgan)tothebrilliantandverymodern(BillTaylor).Pehapsthemostintriguingworkintheshowisaportionofa workcalledThroneoftheThirdHeavenoftheNation'sMilleniumGeneralAssemblybyJamesHamp¬ ton.Thework,theartist'sonly work,foundinhisgarageafterhis death,isanenormousthroneand altarmadeofcardboardcoveredin silverandgoldfoil.Itisintricate, moving,andbeautiful.Virtuallyalloftheworkinspireswonderatthe diversityandoriginalityofthe humancreativeimpulse.Itisre¬ grettablethattheFieldMuseum couldnotdevotemorespacetothe exhibition,sinceitisratherex¬ haustingtotrytoabsorballthisvi¬ brantworkpackedratherdenselyintoasingleroom.Conversely,Iwas gladtoseeenoughworkbyeachar¬ tisttogetarealfeelingfortheirdif¬ ferencesandcommonalitiesThere aregreatworksatthisshow,andif youneedfurtherincentive,there aresomegoodstonecutprintsbyEs¬ kimosinanearbyhall.Wellworth thetrip.ThruJuly15attheFieldMuseum,Rooseveltrd.andLakeShoreDrive.—SB Warriors,Guardians,&Tricksters: MixedmediaassemblagesbyMilit-zaNikich-LovingOpensFriMay4,5-8;thruMay26atArtemisiaGal¬ lery,9wHubbardTue-Sat,11-5. 751-2016Free. Mid-CareerReviewofworksbyRayYo- shidaOpensFriMay4,5-8;thru JuneatNAMEGallery,9WHub¬ bardTue-Sat,11-5467-6650. Free GreatestHitsfromChicagoSelected Works.1967-1984,byGladysNils¬ sonOpensSatMay5,5-7;thruJune23atRandolphStreetGallery,756NMilwaukee666-7737.Free SoundShowAsoundenvironmentbystudentsandfaculty.Openingper¬ formanceFriMay4at4:30;individ¬ ualworkscanbeheardMon,Wed,Fri,Satatnoon,Thursat6;thruMay12attheSchooloftheArtIn¬ stituteofChicago,ColumbusDrandJacksonBlvd443-3703. NigelRolfeTheIrishperformancear¬ tistpresentsaselectionfromhis work“TheRopeThatRindsUsMakesThemFree."TueMay8at8RandolphStreetGallery,756NMil¬ waukee666-7737.$3,$2stu¬ dent- FILMDormoftheDead(JeffreyMakos,1984)directedbyJeff“LettertoWim"Makos,continuesthe“12-min¬uteauteur's”themesofdeathandtransfiguration.Setonacollege campusandtimedentirelyonloca¬ tionwithanativecastandcrew,the moviecentersonthreestudents (BrianMulligan,Monika“Methusa- lemDreamSequence"Kowalski,andBobDevendorf)whosetranquillivessourastheyenterthestrange worldofZombiehood.Consumedbytheirpassionsforbloodandcold- cuts,theyrunwildtransmittingtheirafflictionandpilingupvictims.Rarelyhasashortfilmcapturedsotenderlyandpoignantlythepains ofUniversitylifeandthestrange communalbondsforgedunderduressMakos(thestarofEscapefromHydePark),hasapersonaltouchthatbelieshislow-budget(al¬ beithigh-tech)production.Mulligan,DevendorfandKowalski(inhersec¬ ondMakosfilmsuggestingadirec¬ tor/starrelationshiponthescaleofVonSternbergandDietrich),are sensitivetothenuancesofthe screenplaywhileradiatinganal¬ mostprimaienergy.Ultimately,a chillingfilm.“Deliciouslysleazy” (CarrieRickey).“Wow!Whackycol¬ legekidseatin’ ■'les!,’” tRoger Ebert).Dorn,oftheDor\»iimakeitsworldpremierepreced¬ ingeachshovofC.ivc*theDead. -RS DawnoftheHead;Gec-.geRomero,1979)Zombies,zombies,zombies.Friat7:30and10:15.DOC$250ItHappenedOne.'Jignt(FrankCapra,1934)Theappealofthisromantic- comedyisuniversal:retitledasNewYork—MiamiBus,wasthemost popularstageplayinLeningradduringitssiegeAyoungheiress(ClaudetteColbert)runningawayfromherfatherrunsintoafired newspaperman(ClarkGable)onabustrip.Alongthewaytheyquar¬ rel,pretendtobemarried,pretend toquarrel,andeventuallygetmar¬ ried.Sincetheactiontakesplace overathreedayperiod,whatisitthathappenedonenight?Thecli¬ max.ThewallofJericho—hymen,checkbookandfilmscreen—comes crashingdown.Capracaricaturesthecollapseofsexual,classandon¬ tologicalbarriers.Barrierscomedownthroughassertionsofwackyindividuality.Colbertrevealsher screwinesbybestingGableathitch¬ hiking.Gabledisdainsatee-shirt.In1936,adelegationofunderwear manufacturersprotestedtotheMPPAbecausetheirsaleshad slumpedbymorethanhalf.Neither starwantedtobeinthis,butthe moviemadethemstarsand spawnedhundredsofimitations.As usual,thefirstworkinagenreisthebest.FriMay4at7:15and9:30.LSF.$2.50—SM NightoftheShootingStars(PandV.Taviani,1982)PaoloandVittorioTaviani’sthirdfeatureisoneofthe mosthighlyacclaimedfilmsofre¬ centyears,earningkudosfromsuch diversesourcesasPaulineKaelandAndrewSarris.Muchmorethanthe undulypraisedFannyandAlex¬ ander,theTavianis’oneiricnarra¬ tivecapturesthechild’sperspective (herethesix-year-oldCecilia),whichlendsacomicandfairytalequalitytoeventhemosttragicevents.The storyistoldasatale;thegrownupCeciliarecountstohersonabedtime storyabouttheeventsofthesum¬ merof1944whentheAmericans wererumoredtobenearbyandtheGermansareretreating.Agroupfromasoon-to-bedestroyedvillagefleetheGermansandItalianfa¬ scists,andwanderthecountrysideinsearchoftheAmericans.More successfullythanintheirsecondfilm,TheMeadow,theTavianisin¬ corporatethelyrical,themelodra¬ maticandthemagicalintoasea¬ mlesswhole.Certainlyoneofthe mostimpressiveexamplesoftheNewItalianCinema,thisfilmishigh¬lyrecommended.SatMay5at7:15 and9:30.SunMay6at2.$2.50 -RSToCatchaThief(AlfredHitchcock,1955)ExpectmostofHitchcock's trademarks:moralambiguity,the reversedcrime,identificationbe¬ tweentwohumanbeings,andten¬ sion-creatingtechnique.CaryGrant playsanAmericanwhohadworked asacat-burglarinpre-warFrance.Eventuallycaught,heescapedfrom prisonandbecameaResistancehero.Hisretirementisrudelyinter¬ ruptedbyaseriesofcopycatjewel theftsinthemansionsandhotelsof theFrenchRiviera.Hefallsunder suspicionandtriestoclearhisnameWhileGrantcatchesthethief,GraceKelly,smolderingbeneathanim¬ passiveexterior,catchesGrant.Thefilmseemstobeanordinaryroman- tic-comedy-thriller.AndyetHitch¬ cockslayseveryconventioninsight.Inonescene,GranteyesKelly's necklaceassheliftsitplayfully.She thrillsathisattention,triumphantlygazingatthefireworkswhichcon¬ venientlyexplodeovertheMediter¬ ranean.Thedirector'slaughterpre¬ emptstheaudience.SatMay5at7:15and9:30.LSF.$2.50—SM Confidence(IstanSvabo,1978)Ithink Isawthismovieafewyearsago.IfI diditmusthavebeenveryboring-+Ican'trememberanythingaboutit.Sunat8pm.DOC$2—BM ManFromPaintedPostandSquareDealSandersonMorewesternsfromthe silentera.Doesanyoneactuallygotoseethesethings?WhydoesDOCbother?Monat7:15and8:30re¬ spectively.DOC$2—BM'7 -, #4 % Hi1' v rfit «-iJW < 1 1 «‘AI> M*'11.. V'dl V-v.1 -.* V• @ ® #F NEW MUby Jamie AllenThere has been an innovative and ta¬lented group of musicians on campusfor about four , years now. Until recent¬ly, it has found its audience almost ex¬clusively from among those who spendlarge parts of their daily lives withinthe walls of Goodspeed Hall. Its compo¬sition is unique in that it not only boastsan impressive pool of student talent,but also musicians .from the greaterHyde Park community. It is interestingthat this group calls themselves theNew Music Ensemble, as their actualset-up seems to be more that of manyconcentrated efforts on the parts of in¬dividuals, than a true ensemble. By thevery nature of twentieth century music,from which they take the entirety oftheir repertoire, it is almost impossibleto designate a group of performerswho make up the core of such an ense¬mble. Twentieth century music calls for an immense range of performinggroups — from flute and synthesizerduets to ensembles consisting of sixpercussionists (most major symphoniesrequire no more than two at a time) andthe same number of brass players It istherefore necessary to chose a com¬pletely new cast of musicians for eachspecific concert, depending on whatsorts of pieces the program consists of.Despite these inherently difficultcharacteristics of the New Music Ense¬mble. they seem to have stuck togetherand flourished under the direction ofBarbara Schubert and graduate stu¬dent, Christopher Coleman. This Sun¬day's program promises to be one oftheir most exciting concerts ever.Sunday's concert (which begins at6:30) will mark the first public hearingin a concert situation of any musiccreated in the University of Chicago'sown electronic studio. Synapse £1, by Jasor bro'.7i>oll. and Study (for fluteand tape), by Phillip Fried, are thepieces slated for this long overdueevent. A wealth of coloristic resourceswill then be tapped as the ensembleperforms Makrokosmos IV, featuringan amplified piano which is subject toall sorts of musical horrors (such as lay¬ing a ruler across the strings, or havingthe pianist stroke them with his hand),by the inimitable George Crumb. Thepiece which follows represents a com¬pletely different school of twentiethcentury musical thought, namely that oflooking back to earlier eras and. theircomposers for both compositional prin¬ciples and techniques. Claude Baker, inthe style of Peter Maxwell Davies, hasused an uncommon assortment of per¬cussion and other instruments to createan hommage to Renaissance composersin a piece called Speculum Musicae.This essentially instrumental portionof the program will then be followed bya series of contemporary vocal works.The first of these is a pair of BenjaminBritten settings of William Blake poems(if you have never heard any examplesof this British mater's beautifully en¬trancing choral writing, it is unques¬ tionably worth the walk over to Good-speed) The second is of a completelydifferent ilk altogether, as Nancy Sim¬mons will be singing 0, King by the Ita¬lian born Luciano Berio. The third willbring us back to yet another genre ofcontemporary British music, with Bri-twistle's Ring A Dumb Carillon, and fi¬nally. the evenings'' events will becapped off with an ambitious workwritten by the group's assistant direc¬tor (Mr Coleman). Witness, scored for amezzo soprano and an instrumental en¬semble of six.For those with even the slightest in¬terest in hearing what the wide rangeof compositional style that make uptwentieth century music reaiiy soundslike, instead, of settling for what you'vebeen told it supposedly sounds like,and judging from the intelligent and ar¬tistically sound approach that thisgroup has taken in previous concertsthis year, Sunday's program promisesto provide a free chance to enjoy mod¬ern works that have been given theloving and diligent preparation thatmakes significant works of earlier cen¬turies so popular. • •••••THE CULTUREOF SWINGby Arturo Perez-ReyesWaiting for the instant repfay of life?Won't happen in the Reg. cool. So can thewhine, and take what's thine, Wuzzon isspring and its time to Swing.What is Swing? It s Big Band Jazz wheregroups of up to sixteen musicians, dividedup into sections of brass, woodwinds, andrhythm, play off each other in counter¬point or dialogue or in response to an im¬provising soloist, as they wrap the wholeand drive it home with repetitive riffsthat rock and roll the soul to dancingfrenzy. True Swing is synonymous withfrenzy, energy, and dance. But it returnsto you anew next Friday amidst pearls,tails and champagne, as an opportunityfor elegance and romance, a formal-aged echo of its pastSwing was born in the exotic decadenceof Harlem's cultural efflorescence, where,amidst reefer, gangsters and coke, the de¬mand for dancing forged Dixieland intothe music called Swing. Abandoning thepurely improvisational nature of Dixie¬land, Fletcher Henderson in 1923 foundedthe Big Band by introducing orchestral ar¬rangements to Jazz. Such an arrangementmade it possible to deliver with coordinat¬ed power, a tvt hopping beat, and the for¬mula was ar instant success. By 1926bands like Chic Webb, Earl Hines, BennieMoten, Count Basie, and Duke Ellingtonrocked the needs of a large urban populardance avant-garde in ballrooms like theSavoy with dance floors a city blocklong. vDespite this success the music remainedlocked behind the barriers of race andprejudice for ten years, until Benny Good-man’s Orchestra in 1935, using FletcherHenderson as an arranger, spread the fireand passion of Jazz from coast to coast,and made Swing a white man's domain.For the America beyond New York, Swingto this day means Artie Shaw, the DorseyBrothers, Goodman, and company. Few ofthe Black bands were ever able to tour orcapitalize on the ensuing explosion.The spread of this white wave markedanother fateful appropriation, for itwrote the epitaph on all previous rela¬tions of popular culture to America’s Pro¬testant elites and inherited ethnic tradi¬tions. Beyond closing the issue of drinkingand dancing and sex, this wave markedthe arrival of our new progenitors of cul¬ture. The radio and recording industriesvery quickly turned music into a meditat¬ed product of commerce, and Swing intolust another formula and commodity of anindustry of culture.It was in this way that the phenomenonof the Glenn Miller Band was born in 1941,and the greatest apogee of Swing-danceculture. Thus was born Pop. and our owndance-music mediated horizon, an every¬day world manufactured and milked bythe machinery that stars our skies andmakes them whirl by planned formulaicmediocrity.But beyond such politics of dancing liesthe liberation of kinesthetic expression it¬self, so here is how. Your basic step isslow, slow, quick, quick. Conventionallymales start on their left foot and femaleson their right; since you both face eachother you are both stepping in the samedirection. Your first step is a “dig” step:roll from the ball of your foot to the heel.For your second slow do a “dig” step withthe other foot. You now have the time ofthe quick-quick in which to tap your firstfoot behind the other for the classic; “jSwing” step, and return it to its originfor a new one, two, swing step cycle. Thisswing back and tap on the count of quick- quick occupies as much time as one slow.Once you ‘eel comfortable with this foo¬twork. use the steps to drive your upperbody. You only look as though you aredancing when your whole body sways tothe rhythm. “It don’t mean a thing if ain’tgot swing", remember? Now try to circlein a clockwise fashion as a couple. You arestriving to get as much rhythmical motionas possible and still look graceful. A 180°pivot on each pass would be radical. To dothis the male, or whoever began on theirleft foot, wifi have to learn to backstep be¬hind their left foot with their right, so thatthe scond slow step carries them around ina clockwise circle.Having mastered this circular movementyou can now stage turns. Always use aloose handgrip and lead your partner tothe side they would normally go to on eachpass of the circle. This means that on an“outside turn” either partner would leadwith their right hand and simply walkover their partner as they changed placeswith two slow steps. Note that for alt turnsboth partners reciprocally change placeswith no more than two steps and rockagainst one another on the swing step. Todo an “inside turn”, either partner leadswith their left hand, and passes this hand¬grip between both partners and over thefollower's head as they go past on the left.This forces a stronger turn than the out¬side turn. Note again that the male, orwhoever began on the left foot, mustalways step clockwise by taking a back-step with the right foot. It is easy to forgetthis backstep while doing a turn, and theresult is that you end up facing away fromyour partner when it comes time to swingand rock against one another. Should thishappen don't stop, just reverse the moveyou just executed and you will return toyour basic position, face to face and ontime.With two turns and the circular step youare ready to try a “pretzel.” Lead eitherturn and when furthest apart one of youputs a hand in the small of your back. Asyou come together again the otherpartner grabs this hand and passes be¬hind their partner's back in a back to backposition and emerges on their partner’sopposite side after having gone underboth arms. As this partner is passing be¬hind their back, the other partner isswitching one wrist with another behindtheir back in the manner of a flag sema¬phore. This behind the back pass is thefirst move of three which make up thepretzel. All three have to be done in thetime of your normal Swing one, two, quick,quick, so try and economize on time byparing down your foot movements to theminimum. The second move has the personthat passed behind the back lead theother partner on an outside turn, the onlyturn possible without breaking hands. Thisreturns you to your basic face to face so¬cial position, and now the person justturned takes the lead and gives theirpartner the third and final turn that fin¬ishes the whole. This turn is called a “wrapturn,” but is nothing more than an insideturn given without letting go of bothhands. When your partner is wrapped andembraced let go with either hand and stepapart on beat to return a face to faceswing. Judo can also be successfully incorporated Into theswing style.■ IIM.II The other greatrJ# , %[ of Big Band music is Foxtrot. It is appropriate for all theslower tempoed songs, and whenever youwish to converse or embrace. If romance isthe point make footwork minimal, and re¬member that in slow dancing one neverpicks up one’s feet. Don’t pick them up andyou can’t step on your partner’s feet,right? Right. Dance slow, slow, quick,quick with the swing step replaced by ashuffle in place.If you would like a more energetic wayto dance Foxtrot, try the “box step.” In¬stead of dancing slow, slow, quick, quick,you now dance slow, slow, slow leadingwith one foot, and then another slow,slow, slow leading with the other. Each setof three enscribes an “L” on the floor,while the change of lead foot inverts therelation of one “L” to the other. The resultis a box pattern.On one, someone goes forward withtheir right while the other person goesback with their left. On two, both partnersbring their other foot even with this firstand then plant it slightly off to the side;thus tracing an “L” pattern with this foot.The third count is used to bring the firstfoot over to this second. This completes thefirst half of the box. On the next count it isthe turn of the second foot to move, and itsteps down the third side of the box. Who¬ever started by going forward is nowstepping backward and vice versa. Steptwo of this second half of the box is an “L"with the beginning foot, and step three isclose. To make this box process simplyopen up the angle on the “L”, and you willind yourselves tracing a large polygonalcircle on the floor.Use the same pattern for Waltz if youwish, only you must now mark a differentbeat consisting of slow, quick, quick.Should ail of the above smack of Greekand confusion, try and wing it on a onebeat thud, or check out the Eclectic Ed.Ballroom dance class, and remember thatNietzsche has told us that, “we should con¬sider all thoughts not accompanied by alaugh as worthless, and every day inwhich we have not danced as lost.”FRIDAY, MAY 4, 1984-THE GREY CITY JOURNAL■iliaPerms for Texture - Perms for BodyPerms for MovementHyde Park Hair Designer Ltd.Introducing fheCELLOPERMthe perm that outshines them all:glossy curls that bounce & vibrate with life!FREE CELLOPHANE WITH CELLOPERMFor appointment call 288-2900Hyde Park Hair Designer Ltd.1620 E. 53rd St.restaurant proudly announces theirnewest addition: NAN’S KITCHEN,the heart and soul of La Bella’s, where freshlinguini and five varieties of ravioli are loving madein front of your eyes!HOURS: Tues.-Fri. 11:30-10:00Saturday 4:00-10:00Sunday 3:00-9:00 l&fceJkC?RESTAURANT9485 S. EWING JUST 13 MINUTES FROM HYDE PARK! 374-0031GEORGE ANASTAPLOwill be autographing hismost recent book,The Artist as ThinkerSunday, May 63:00 - 5:00 p.m.Monday-Friday: 10 a.m. - 10 p.m.Saturday: 10 a.m. - MidnightSunday: 10 a.m. - 8 p.m.1301 E. 57th STREET»684-1300 Time Schedules forSummer Quarter 1984are already available at theDean of Students offices andgraduate department officesso you can register early.Late Fee After May 18thFor Course* listed in 1984 Summer Quarter BulletinDON'TJUST SITTHERE...Sign Up NowFor SummerTHE GREY CITY JOURNAL—FRIDAY. MAY 4, 1984—5RIDAY.MAY4. 1984—THE GREYCITY JOURNALbyPaulReubensThereisascenefromtheDinoDeLauren-tisproductionofTheBountythatishighly reminiscentofawell-lovedsketchfrom MontyPython’sFlyingCircus:severalmen areinalifeboat,allarestarving,andoneisdying.“Captain,”themoribundone slurs,“whenmyspiritleavesmybody,all therewillbeleftisflesh—Ihopeyouwill makeusofit.”Thecaptain,withanidea¬ listicglintinhiseyes,roarssomethinglike “No!Wearemen,andweshalldiewithall thedignityofmen!"Thecaptain'sstub- bornessisthemajordifferencebetween thePythonsketchandthisscene;thiscer¬ tainsenseoforderiscentraltoThe Bounty,adisappointingmovie,which takesitselffartooseriouslyforitsown good. Firstofall,TheBountyisnotanentirelybadmoviebyanymeans:atnopointdur¬ ingitwasIsounfavorablyimpressedas toactuallywalkoutorevensquirmundu¬ ly.Thefilm,however,isflawed,andhas severalfaultswhichconspiretoprevent theworkfromachievingthegreatnessthe peoplewhomadeitsoplainlyseek.The Bounty,aremakeofyou-know-which-mu- tiny-on-the-high-seasepic,stopsshortsof beingapictureofquality,andlingerslonginthatregionknownascheapcommercial- ity;thereareverylargenumbersofbare-Ibreastedyoungwomen(andbare-breast¬ edyoungmen,forthatmatter),acoupleof theGreatFacesoftheBritishCinema(Sir LaurenceOlivierandEdwardFox)along foraquickcheck,andsomeshortcameo appearances,andplentyofbeatingsand floggingstoamusetherestless.Noneofit reallyhelpsthefilm;itissaddledtoo heavilywithapoorscreenplay,unsuit¬ ableacting,andotherproblems. Thestoryofthefilmisquitewellknown,orifitisn’t,youhaven’tbeenfollowing cinemaverywellforthelastseveralde¬ cades.TheH.M.S.Bounty,underthecom¬ mandofthatinfamousCaptainBligh,sailstoTahititopickupbreadfruittosupply theCaribbeanslaves.UponarrivalinTa¬ hiti,thecrewissoenchantedbythesen¬ sualhabitsofthenativesthatwhenthe timescomesfordeparture,thecrewde¬ cides(surprise!)totakeovertheshipand remainontheisland.Thedisloyalportion ofthecrew,headedbythemate’sassis¬ tant,FletcherChristian,whohasfallenin lovewithoneofthenativegirls,seizethe ship,andsendtheCaptainandhiscronies outonthelifeboattosufferuntoldhard¬ ships. Therearealargenumberofcrew membersandnativesinthismovie,butit mustbesaidthattheentireshowbelongstoMelGibson’sperformanceasFletcher Christian,andAnthonyHopkins’asBligh. ThemajorityofpeoplewhowillseeThe Bounty,maywellsaythattheywant mainlytoseeGibson’storturedandsensi¬ tiveperformanceasFletcherChristian,a mantornbetweenhisdutyandthechancetoleadahappylife,buttheywillcertain¬ lybeasequallyenthralledbyHopkins’ painedandtragicportrayalofBligh.Itis theirrelationship,afterall,whichpro¬ videsthemainconflictwithinthemovie. WhenGibsonandHopkinsareonscreento¬ gether,theycreateelectricallygoodcine¬ ma;indeed,theactualsceneofmutinyisasintenseasanythingthathaseverbeen onthescreen-“IaminHell,sir!”criesGib¬ sonasheadmutineer,passionately,when hisformercommanderbegshimforhelp. Hopkins,aswell,playsBligh,notsimplyasamadmanobsessedwiththecontinua¬ tionofhisauthority,butalsoasacaptain wholoveshiscrew,andfailingtoinstilin themasenseoftrustintheirsuperior,suf--""' — —"■I'I.i«■ ■■ MBWHYDOFOOLSFALLINLOVE byWilliamWeaverSamShepardexperimentsalotinFoolForLove,currentlybeingproducedatthe SteppenwolfTheatre,tyinginademoli¬ tionderby-typeloveaffairwithadisturb¬ inglyfolksyplot;butthetwoeffortsclash, detractingfromtheplay’soveralleffect. Theplotrevolvesaroundtwolovers whoseloveforeachotherdrivesandtears themapart,evenduringtheirdoomedrec¬ onciliations.Thisroundofthebattletakes placeinamotelontheedgeoftheMojave desert,andtheactionheatsupasfastas theatmosphere(and,oneshouldadd,the temperatureinthetheateritself:wasthisamechanismtodrawtneaudienceintothe play?).Shepardbalancestheintensepain andenergyofthelover’sinteractionwith subtlesophisticatedstagedeviceswhich “explain”theirfreneticism.Imaginea softlymenacingPintersituationrewritten byDavidMamettoenforcethestarkness andviolenceofthelanguage,andacted withrawjockenergybyafootballbehe¬ moth(say,DickButkus):Shepard’sresult shocks,excites,andconfusesconcurrent¬ ly. Nodoubt,Shepardfeltthatafulllengthplayportrayinghisslam-bangapproachtoloverelationshipsmightabuseandex¬ hausthisaudience.(FoolforLoverunsone hourandtwentyminutes).Indeed,the play’stenderpyrotechnicsrivetedthe shakyaudiencetotheirseatsasthelovers EddieandMayviolentlyslammedinto eachotherintothestagewalls,andthrew punchesaswellasherobligatorykneeto thegroinafteraparticularlylacivious kiss.Perhapsanticpatingtheaudience’s sharpintakesofbreathandafew“whois hekidding,thisneverhappens”chuckles, Shephardbrokeupthosesceneswith backgroundmaterialandcomicrelief, mainlyinthepersonthefatherofboth lovers(theplotthickens). Shepardusestheadviceofhavingthe fatherbeonstagethewholeplay.Al¬ thoughheisn’tatthemotelinperson,the memoryofhisactionsandpersonalityhas drivesbothloverstotheirpresentplight. Hisomnipotentpresenceservesasaun¬ easyframeworkfortheplay’ssituation; ashereminisces,thequietrepressionand horrorofisearlierdoublelifeemerges,its tragicconsequencesseenonthestage. Slowly,theparallelsemerge:Eddieassim¬ ilatesthepainandpropensitiesofhisfa¬ ther's“lovethemandleavethem”atti¬ tudes,andMay'sliferetellsthetaleofher mother;herdesparateclingingtoanall- encompassingbutpart-timelove. Thefather'sfolksyattitude,distractsfromthepainandpassionofthecharac¬ ter’ssituations.Hetellshisstoryinthe mannerofawryoldcoot,whosehomilies areasfamiliarastheirtrappings:aquart ofbooze,somecountrymusic,andthecom¬ plaintsaboutlostloves.Shepard’sworks exudearealisticwesternAmericanatmo¬ sphere,buthisemphasisoftheseelementsBarbaraMandrelljoke),butthisclashes withtheplay'sbombasticintensity.When thefatheryellsathissonto“tellhisside ofthestory”andvindicatehisownac¬ tions,hemustprojectthepowerandinflu¬ enceofafatheronhisson’smind,butin thiscase,themomentandhisangerring false:thismanneverhasorwillfeelsuch urgency. Theotheraspectsoftheplotaremore effective.Anincompetentlocalgrounds¬ keeperfindshimselftrappedbetween May(hissupposeddateforthatnight), andtheviciousandmanipulativeEddie, bothofwhomtellandactouttheirsideof thestoryforhim.First,Eddieworkshim over,belittlinghismanhood,intelligence, andMay’smoralityashecasuallytellsof hisseductionofhissister.Facedwithsuchamockinganimalandshockingsituation, Martincanonlycrawlintohisbenign senseofjusticeandhopelesslytrytode¬ fendhisdate’sactions.Hispainfullyslow buthonestresponseformstheperfect blacklycomicfoilforEddie’smenacingob¬ session.RandallArreyplaysthisroleto itsout-of-touchandimpotentperfection. Thesubplotofthejealousoff-stage“coun¬ tess”alsocutsnicely;oneofEddie’sinnu¬ merableflings,sheattackshiminoneof hismostvulnerableparts:histrailer truck. Thelovers’clashescomprisethemost difficultpartoftheplaytobothwriteand act.Shepardsucceedsforthemostpartin creatinganintenselyfeltsituationrather thanaloudone.Inthebestmoments, EddieandMaybrutallyspeakandactout theirconflicts;theirmutualattraction, however,stillshinesthroughtotheaudi¬ ence.Sometimes,Shepard’slanguageand plottingfallintomoreabstractexplana¬ tions:whentheytelleachotherandMar¬ tinabouttheirpain,theirdiscoursefeels stilted;theydon’tseemthetypewho wouldorcouldverbalizetheirneeds.In mostofhisplays,Shepard’smovinglyau¬ thenticlanguageishisstrength,buthere weonlyseeglimpsesofhispoeticabili¬ ties. WilliamL.Petersen,asEddie,givesthe productionitsbestmomentswithhiswon¬ derfullyconciseandphysicalperfor¬ mance.Hedominatestheentirestagewith hisintensityandbulk,lendingtohischar¬ acteradangerousandedgequality.He boundsaroundthestagedoinghand¬ stands,breaksachairwithhishead,and slamsdoorsshut,leavingechoesofEddie’s unresolvedangerbehindhim.Heplays Eddiewithfullintensitythroughoutthe play,providingitwithitsmostnecessary elementsincethemaincharacter’sanger andpowermustbevalidatedfortheplaytowork.Hislewdgrinalsocommunicates theothersideofEddie’sphysicalnature, hislustforhiswoman(andothers). Mayhasadifferentsortofneed;she hangsontotherealworld,hopingtoBuriedchildren:MayandEddiefindtruelovein thetruewest. too-stolidMartin,sheturnsintoaquiver¬ inglumpoffleshwhenherloverarrives. RondiReedalternateshercharacteriza¬ tionofMaybetweenahardedgedwoman oftheworld,andsomeonewhosefearcan¬ notovercomeherpowerfulyearnings;the secondchoicelooksmoreauthentic.Her bestmomentcomeswhenEddiedescribes firstseeingher,andsheappearsinthe doorway,atrustingbutsultryinnocentinareddress. Shepardcoversfamiliargroundinhis plays(passionatebuttragicloveisnoth¬ ingnew),butsomehow,healwaysconcise¬ lyportrayssomethingvividandoriginal. Hisvisionsmaydisturb,buttheyremain startlinglysharpinone’smindlongerthan most.Thiseffortmightlookunfinished, butitspowerlingersintheviewerundi¬ minished.Alotofcreditforthismustgoto theSteppenwolfproduction,astheper¬ formances(especiallyPetersen),direction byTerryKinney,andthesetbyLovigDi- Crescenzoallfeltrealisticandsatisfying. ThiselevatedanoddlyincongruousShe¬ phardscriptintoagenuineShepardDlav.4THEGREYCITYJOURNAL—FRIDAY.MAY4themasenseottrustintheirsuperior,suf¬ fersanervousbreakdownwhenthings don’tworkoutashewishes.Withcharac¬ tersasstrongasthese,itissadthatwe nevergettoknoweitherman’spast:Bligh andChristianstartedoffasfriends—why weretheyso?Nomentionofthisismadeatallinthemovie,saveinthefilm'sopen¬ ingtrialsequence(thestoryistoldina flashbackfromBligh’strial—itreally doesdestroyanysenseofsuspensethe moviesubsequentlytriestobuild,andis awkwardinitself)whenBlighadmitsthat“Christianwasmyfriend”,anditisa seriousomission. Inaddition,itisdisappointingthatfornoclearreason,whileChristianandBligh areclearlydefinedandstronglydelin- eaated,theothercastmembersare,for themostpart,completelyneglectedand undifferentiated.Theyallhavenames,itistrue,andthuswearesupposedtoknow them,buttheydonotseemlikerealpeo¬ ple;theydon’thavethatdeepnessand texturethatChristianandBlighhave.One minute,thecrew,asageneralmob,are gruffilyloyaltotheirshipandcommand¬ ingofficer,thenext,ontheslightestpre¬ text,theybecomeasvileandnastya bunchofscum-mongereringpiratesasany mutineerwouldliketomeet.Themostnot¬ ableexceptionisDan.D.Servis’perfor¬ manceasthemincingdeposedfirst-of¬ ficer,Fryer,whomightaswellbebranded ontheforeheadwithatatoosaying“Ven¬ omous”fromhisveryfirstscene;evenheisnotcomprehendablewhenheinexplicat- lyfluttersinloyalty,bothforandagainst Bligh. Alongthesamelines,thedirection,by RogerDonaldson,neverclearlyestab¬ lishestheclosenessofasmallvesselat sea.Forallintentsandpurposes,thereap¬ pearstobeplentyofroom;notightness, norisktosanity,norisktohealth.Itisdif¬ ficulttosee,then,justwhatpsychological pressuresinspiredthecrewtotakeover theship.Incontrast,thescenestaking placeonTahitiseemlikeanaughtyairline advertisementforHawaii:alargenumber ofnearnakedwomenfrolickinginthe wavesattwilight,orpartakinginsensualtribaldances.Toomuchtimeisspentshow¬ ingthepagentryoftheislanders;thegen¬ eralslownessofthemovieisoneofits mostseverefaults,andwhileI’msureDr. Donaldson(andcertainlyMr.DeLauren- tiis)realizesthatmenliketowatchchesty Tahitiansstruttingaboutexposed,aftera certainpoint,thesensesarenumbed.In theend,onefeelslikeoneiswatchingMa¬ libuBeach,orsomeothersortofghastly surf/pornepic. Themusic,bytheAcademyAwardwin¬ningVangelis,isasequallyuninspiringas washisscorefor1982’sBladeRunner, andsinceTheBountyisnotasciencefic¬ tionmovie,itisdoublyinappropriate. Loudandponderousduringthemutinyse¬ quences,andsaccharinlysweetduringthe rest,itisastellerexampleofhowmodern filmmakersarerelyingonsynthesizersto savethemoneyofhiringanentireorches¬ tra,andcheatingtheaudienceoutofany realmusic. IwassorelydisappointedbyThe Bounty.IleftthetheatrefeelingasifI hadmissedsomething,asifmytimehad notbeenspentwell.Itishardtoputthe fingerexactlyonthefilmsbasicproblems, becauseitisnotabadmovie—theperfor¬ mancesofGibsonandHopkinssaveitfrom beingthat;butbythefilmmakers’obvious panderingtothepopulartastewiththe sex,thehiringofLaurenceOlivierandEd¬ wardFoxforsmallguestappearances, andtheuseofthemassmarketmusicof thecomposerVangelis,itisnotagoodfilm either.Itisamoviethathassoldoutto makeaquickdollar.Itisnot,norwillit everbetheclassicitaspirestobe. SURF/PORNEPIC?exudearealisticwesternAmericanatmo¬ sphere,buthisemphasisoftheseelements seemsincongruouswiththeplayasa whole.Itswesternflavorgivestheplay mostofitscomicunderpinnings(suchasaMayhasadifferentsortofneed;she hangsontotherealworld,hopingto breakherindepdenceonEddie.Although herpracticalsidewantshertosettledown withsomeoneliketheunassumingbutall- —- ———ThiselevatedanoddlyincongruousShe¬ phardscriptintoagenuineShepardplay, somethingworthseeingasheconstitutes oneofthecornerstonesandcuttingedges ofmodernAmericantheater.THEATERPARTIITALEOFTERRORPeterSyvertsonandBarbaraGainesinScheherazade byEdwardHernstadtMarishaChamberlaindescribedover¬ hearingtwopeopletalkaboutherplay Scheherazadeandexpressingdisappoint¬ ment,“SomethingcalledScheherazdewas supposedtobeexotic,oratleastroman¬ tic,wasn’tit?”Chamberlainwrote.But Scheherazade,despiteanameredolent withtheEast,isnotromantic;itis,rather,averymovingandpowerfulexamination ofarapeanditsconsequencesonboththe womanraped,and,toalesserextent,the youngpolicemanwhotriestocomforther. Thequiet,forthemostpartinsistentlyun- melodramaticwriting,theemphasized normalityofthecostumesandset,andthe controlledyetemotionalperformances makeforaveryfineandsatisfyingprod¬ uction—certainlybothbetterandmore disturbingthanahystericalortoosty¬ lizedproductionwouldhavebeen.Weare presentedwithbelievablecharacters strugglingtoworktheirwaysreasonably throughanunreasonableexperience,and thesuccessbothoftheactorsandplay¬ wrightisthebasisfortheplay'spower. TheintimatesizeoftheVictoryGardens suitedtheverypersonalnatureofthe play,sothatwhenJoe(PeterSyvertsen), therapist,madehisfirstflittingappear¬ ance,hebroughtwithhimtheauraofvio¬ lencethatheverysuccessfullyretained throughtherestoftheplay.AliltingEast¬ ernmelodyplayed,turningone’smindtoavoidingexecutionbymesmerizingthe sultannightlywithherstories—from whichtheplaygetsitsname.Themusic shiftsquickly,though,inoneofthefew cheapnotestheplayhit,tothePolice doing“SendingOutanSOS"(sureIfelt goodwhenIgotit,butitwasmoredis¬ tractingthanenhancing),andthetwopo¬ licemanwhoperiodicallyreturnthrough theactionmaketheirfirstappearance. WhenAnn(BarbaraGaines)comeson,the structurehasalreadybeensetup:athrea¬ teningman,policewhodon’tknowhe’s presentandwhowon’tsharethestage withhim,andanwomanunawarethatsheisthefocusofsomeone'sobsession. Therapeitselfcomesearly,andissud¬ den,violent,andextremelydisturbing. Thatitoccurswhenandhowitdoespoints outoneofthethemesChamberlaindevel¬ opsinthecourseoftheplay;thatthe physicalaspectofarape,thoughbrutal,is atleastquick,anditistheemotional,psy¬ chological,andsocialproblemsthatrape leavesbehindwiththevictimthatarethe mostcrippling.ItiswhenAnnseesJoe’s face,andhedecidesthathemustkillher—only5minutesintotheplaythatthe realdramaofAnntalking,cajoling,and flatteringJoeoutofkillingherbegins. Thealternatinghumorandpathosofthe ploysAnnusesmakestheabsoluteneces¬ sitythatsheemploythemthatmuchmore painful,sothatwhenJoecomplainsthat Annisn'ttryinghardenoughtowintheScrabblegameshehadenticedhimto play,andshesays“Yeah,wellIplayfor fun”,welaugh,butitisuncomfortable laughter,andoneforcedouttobreakour tension.ShedancesforJoe,makinghim thebrideinaneasterneuropeantradi¬ tionaldance,sheplaysuptohim,butitbe¬ comesunpleasantlyclearthatJoe’smain interestinAnnliesinhumiliatingher,in rapingasmuchofherashecan.Annstays alive,sheultimatelydefeatsJoe’sat¬ temptstophysicallydestroy,butthatitis atatremendouscosttoherself-image,to whatsheholdspreciouswithinher,isdis¬ turbinglyobvious. Agreatdealoftheplay’seffectivenessliesinthedownplayingofwhatcouldeasi¬ lyhavebeenclicheorboringlypoliticalor didactic.Thereareofcoursesometootyp¬ icallines(thelastline,forexample,istoo ‘symbolic’),butonthewholeChamberlain discussestheproblemsofrape,andget¬ tingoverarape,andtheneedformore people,especiallymen—whobygender thinkaboutrapeagreatdeallessthan women,and,byimplication,thanthey should—toconfronttheseproblemsina voicethattakesonpowerbyquietaccre¬ tion,ratherthanbyshriekedproclama¬ tions. Theactingisconsistentlysolid,andocca¬ sionallyexcellent.BarbaraGaines’Annis someonethatyouwouldexpecttosee withfriendsinanynumberofnorthside bars,orwaitingontablesataveryex¬ pensiverestaurant,anormalwoman whoselifequiteabruptlybecomesabnor¬ mal,totallybeyondhercontrol.Herwa¬ veringself-controlinthefaceofagrowing understandingofthevulnerabilityofher physicalselfisverymeasuredandeffec¬ tive.PeterSyvertsen’sJoehasanupset¬ tingphysicalstrength—heisonlybarely hinged,butheiscannyandvisiblymuch strongerthanAnn,somethingthatmakes thecompletenessofthethreatheposes believable.AidanQuinnhasaningenu¬ ousnessthatveryconvincinglybecomes angerandcompassionforAnn.Hisblue- collarpoliceman,aneighborhoodguywho despitehisevidentcharmandexperience asapoliceman,stillisshockedbythedev¬ astationtherapehascaused.Richard Lavinasthesecondpolicemaniscompe¬ tentinwhatisreallyastereotypicaland unnecessaryrole. Thedirectionsandsetsarelow-key,andthelightingquietandoccasionallyinter¬ esting.Perhapsaflashierjobcouldhave beendone,butIcan’thelpfeelingthatthe sensitivenatureofthetopicalmostre¬ quiresthattheproductionbeasunder¬ statedasitis—therearemomentsof highdrama'ofcourse,butcomparedto whatabadorover-enthusiasticdirector couldhavedone,itisdelicatelyhandled. ScheherazadeisrunningthroughthisSun¬ day,May6attheVictoryGardens Theatre.RockefellerChapelSUNDAYMay 6,19849:00 a.m.Ecumenical Serviceof Holy Communion10 a.m. and 11 a.m.Religious EducationClasses11 a.m.BRIAN A. GERRISHUniversity Preacher and Professor ofHistorical Theology in the Divinity School12:15 p.m.Carillon recital andtower tourEARLY BIRDRUMMAGE SALEPlants BooksBakery Etc.Saturday, May 5,19848:00 A.M.--1:30 P.M.Church of St. Pauland the Redeemer4945 S. DorchesterUse 50th Street entranceTuxedo RentalsFror. *3495(Win* Stout-••The Store For Man”'•02 EAST «lh STREET 7S2 8101KTOf PARK SHOPPING CENTEPStudios, 1 ft 2 BedroomApartments AvailableSome Nice Lake ViewsGood LocationHeat IncludedParking AvailableCALLHERBERT REALTY684-23335% Student Discounts9:00 A.M.*4:30 P.M.Monday thru Friday I DRIESSHAH:MYTH AND MANMan is a myth-makerMyth, when manipulatedby unregenerates, is aneven more effective man-makerMan (as he imagineshimself to be), in general, isa possibility, not a factFor most people, the sortof man whom they imagineto exist, or assume them¬selves to be, does not yetexistReflectionsrscnic?v_nv^i 10Octagon PressAvailable at $7.95Seminary Co-op Bookstore5757 S. universityUniversity of Chicago Bookstore5750 S. Ellisor promptly by mail fromISHK Book Service, Dept C-1P O Bov 176 Los Altoy, CA 94022 “Excellent... directed with vigor, majesty and infinitecompassion.”Eugene O'Neill — Sun-TimesExtended until May 13Wed-Sat, 8 pmSun, 2:30 & 7:30 pmCall 753-4472Visa/MC/AmexJL -> jets Jf’jv$d w :Ttn, s' ,,cKeis st' ct -stvD.ec! to availabilityCall tor details.;Court TheatreThe University of Chicago5535 S Ellis AvenueCute.Clever.Mischievous.IntelligentDangerous.STEVEN SPIELBERGGXEMUNSSTARRING ZACH GALLIC ANPHOEBE CATES HOYT AXTON POLLY HOLLIDAY FRANCES LEE McCAINMUSIC BY JERRY GOLDSMITH EXECUTIVE PRODUCERS STEVEN SPIELBERGFRANK MARSHALL KATHLEEN KENNEDY WRITTEN BY CHRIS COLUMBUSPRODUCED BY MICHAEL FINNELL DIRECTED BY JOE DANTEAaMBLIN n,KM.0L0.-— /mI KKAD THI AVON PAPtRBAt K onr-n .. .. ....^ ■from vswNEnanosA EARNER COMMUNICATIONS COMPANYENJOY SUMMER, SEE GREMLINS. JUNE 88—FRIDAY, MAY 4, 1964—THE GREY CITY JOURNALr'I'itWWIifiiiTiB'iittiiwrnrrn'-w^rini'WiliinirrfUlSwi TWILLEY OUT OF THE JUNGLEAN EXCLUSIVE GCJ INTERVIEWby Jae-Ha KimThough the smell of success is sweet,Dwight Twilley knows the frustration ofbeing in the record business. He had a toptwenty hit about a decade ago with “I’mOn Fire’’. Legal entanglements and prob¬lems with various record labels, though,forced Twilley from the public's eye...thatis, until his recent resurgence.He is at the pinnacle of his career now.His fifth LP (and second for EMI) Jungle ishis most commercially successful album todate. Twilley’s own vocals have neversounded better, and he sings with an ur¬gency that was not evident in the past.“Girls", his first release from Jungle, isquickly moving up both the single and thevideo charts.Tall, clean-cut, and good-natured, Twil¬ley is the kind of guy you could bring hometo meet mom. Though musicians are wellknown for their leanness. Twilley is razor-sharp thin. Not that it bothers him. He ex¬aggerates his skinny body by wearingbasic black clothing. From the ground up,he’s got on black shoes, tight black peggedjeans, black button up jersey, and a blacktailored blazer.After Twilley's recent Park West show,his manager whisked us away to the inter¬rogation room: a backstage washroom.The ambience wasn't the best, but theacoustics were great...GCJ: Did you want to sit down? (pointingto the toilet seat)DT: I don’t care. Unless it bothers you...GCJ: Nope...you’re quite an artist I see...(he was defacing one of his promophotos)DT: Yah. It could use some improvement,(laughs)GCJ: I understand that you had an art ex¬hibition.DT: Uh huh. They were shown at the Muse¬um of Rock Art.GCJ: What kind of things did you submitthere?DT: Oh, all kinds. Totally varying...I neverreally intended to show them, and I doubtif I’ll show them again. But I might putthem into some sort of book form at somepoint.GCJ: Oh, “Twilley’s Artwork”?DT: Yah, “Scribbles”. It’s not real serious,you know.GCJ: You have a new generation of fansnow. You've been around since 1975. Howhas your sound changed in the past nineyears since your hit “I’m On Fire”?DT: Not really a hell of a lot. I’m kind ofstill doing the same music that I've alwaysbeen doing. It’s just enhanced by the time,,you know, just like... (he’s still defacing hispromo photo at this point)GCJ: Why don’t you draw a lightbulb overyour head? ✓DT: (laughs) Why?GCJ: Then you could say “Dwight Twilleysees the light”.DT: (laughs) That’s what you call the think¬ing cap. Urn. what I call it right now is justTwilley '84. It’s still what I’ve been doing,but it’s 1984. Some things I do differentlyin my music, some I do pretty much thesame.GCJ: Would you consider Jungle to be yourbest album?DT: No, but it’s my most successful, (laughs)Yah, commercially it’s the best.GCJ: Why do you think it is?DT: Well, for one thing, it’s been really thefirst Twilley album since 1979, and otherthan that, just timing, and things in thebusiness. It could have happened withsome other record...maybe the way I ap¬proached it was right for the time.GCJ: You had four record labels for yourfive albums. Why were there so many?DT: Just the craziness of the business, Iguess. The first time my record came out(I'm On Fire), it was a big hit. They put outthe album, and when they released thesecond single, the record company wentout of business.GCJ: Which record label was that?DT: Shelter. So, it was like a year laterthat the album (Sincerely) came out. Themomentum from Fire was lost. And thatwas the beginning of that kind of thing.GCJ: You’ve had legal problems withswitching labels...DT: Yes.GCJ: How long did it take to settle that?DT: The last one took about five years, andfive of the major lawyers in the businesswere involved.GCJ: How did you hook up with TomPetty? ,sher, Stephan^Jonathan Katz, |’Rainer Mack, Jet* !cGann, Campbell.*Rachel Saltz, PaufeJohanna Stoyva,jamie Allen,Bacon, JesseBruce King, Mi<;frey Makos.i McGrath, BriaiI Reubens, Dai| David SullivanDwight Twilley confronted by the GCJ in the washroom.DT: I’ve known Tom since the early Shelterdays. In the beginning. I sang on his album,you know.GCJ: I heard that he used to be a guitaristin your band.DT: Well, there was this TV show that theDwight Twilley Band was a regular on...anational show...GCJ: Which show was this?DT: It was called Whacko back in ’77, andon the show, Tom played the role of theTwilley Band’s bass player. That’s all thatit amounts to.GCJ: Is “Girls” the first video that you’vemade?DT: Yah. -GCJ: Whose concept was the video? (In thevideo, Twilley plays the role of a footballcoach who blames the team’s losing streakon, you guessed it, girls.) DT: The director, Mark Robinson.GCJ: Did you have any input in it at all?DT: Yah, once he came up with the concept,,it was easy for me to add a lot in.GCJ: I noticed that you didn’t use TomPetty in the video for his chorus part. How¬ever, you did use a girl who looks an awfullot like Tom. Was that done on purpose?DT: Uh huh...Her name’s Carla Wilson, andshe has a record deal on A&M Records.She’ll have an album out soon.GCJ: There's this one part in the videowhere you do a back flip. Was that reallyyou, or did they have a double?DT: No, that was me. The thing is, it’s back¬wards. Actually, it was a frontward flipand they turned it backwards. So I had todo this flip and lean into the camera andgo “slrig”, ‘cause “slrig” with your lips is“girls” backwards. GCJ: How many takes did it take?DT: About 28.GCJ: You must’ve been in shape to havedone that.DT: I was afterwards...I was in shape to goto the hospital, (laughs)GCJ: Were you ever a gymnast in thepast?DT: No. it was just like...I came to the direc¬tor and I said “I can't dance like MichaelJackson or anything, but I know I can do aflip”, and he said “Fine, we’ll use it”. Littledid I know what I was getting myselfinto.GCJ: So what's the next video going tobe?DT: “Little Bit of Love”.GCJ: And will you be doing a flip in thereas well?DT: No! (laughs)GCJ: O k. Here’s the old cliche question:what do you want to achieve as a rockE star?* DT: I just want to make good records,x GCJ: Do you realize that your career pat-i tern is not unlike Rick Springfield's? He"» had a hit twelve years ago, and he wasn’theard from again until 1980. He’s a mas¬sive success now Do you see yourself asachieving that sort of success? (Judging bythe face that he made, I don’t think thatDwight liked that analogy very much)DT: Well, I sure don’t see it, but I could lookforward to it.GCJ: What would you be doing if youweren’t a musician?DT: I'd probably be a thief, (laughs) I mightmake films.GCJ: On the producing or the acting end?DT: No; writing, directing, producing...GCJ: On your album, there are some cred¬its to the Cowsills for backup vocals etc.How did you manage to work with them?DT: I just met them in ’77 when I was doingthe Twilley Don't Mind tour. Somebody in¬vited me to go see them. Nobody else real¬ly wanted to go ‘cause they thought it wasuncool. But I was kind of interested, I metthem. I thought they were really talented.So I used Susan Cowsill for harmonies onthis album and the last, and I used JohnCowsill on drums on the last album.GCJ: Did you ever consider taking them ontour with you?DT: I used John and Susan on the lasttour.GCJ: Who were your musical influences asa child?DT: The Beatles, and then later on Elvis.GCJ: The Beatles first and then Elvis?GCJ: Yah. If you grew up in the 60s like Idid, a lot of kids thought that the Beatlesinvented rock and roll, and that Elvis wasjust a guy in the movies. And so later on, Iwas like 18 when I started spending sometime in Memphis and Tupelo, Mississippirecording with an early Sun recording ar¬tist (Ray Garris). That’s where I sort oflearned about Elvis.GCJ: I’ve read of you being described asan Okie-heart-throb...DT: Well, I know I'm an Okie...and as far asmy heart throbbing...(laughs)GCJ: When you sang “Money” for your en¬core, I noticed that people were giving youmoney. Were you upset that people weredoing that?DT: That they were giving me money? No. Iwas upset that they were only one dollarbills.GCJ: I was hoping that you'd toss someinto the audience...DT: What, are you kidding? (laughs)GCJ: When did you decide to go intomusic?DT: When I was about 15.GCJ: How old are you now?DT: 32.GCJ: Did your parents encourage you to gointo music.DT: No, they were actually very muchagainst it. I think they wanted me to be acommercial artist. But now that I’ve hadsome success, they’re both happy.GCJ: Has this band been together for along time?DT: No, just my lead guitar player, Bill Pit-cock IV. The rest of the four are new guys(Jude Cole: guitar, Kevin Beery:piano/keyboards; Bobby Jenatti: bass:Bernie Percy: drums).GCJ: How much longer are you touring?DT: I'm gonna try to tour throughout thesummer.GCJ: So what’s next after this tour?DT: I’ll probably do another record, but Iplan on touring for a good while before Ido it.THE GREY CITY JOURNAL—FRIDAY, MAY 4, 1984POEMSLove Poem #9Love is shirtlessin bluebaggy pants.He digsoutside my windowwhistles a tuneadmiresthe holeand passes on.The StairsTwo at a timeI hurdle these stairs,defeated with each jump.One for you,another for me.I pass those steps which say-turn back.You scare me with your frigid kisses.I don’t want to lie twistedand cringing again for sleep.Still I hear the siren’s cry,I follow like a sailordrunken from the sea,thirsty from and for the salty waves,hungry for a homey port,Loathing these stairswhich I will love:my escape in the morning.—Christopher PearsonPainted Sunset, Negril Beach, JamaicaSalmon: sun’s a veil of silver shading violet,banked and reefed by clouds, cream and grey,the kiss of gold where sea meets sky.Lilac: a last fishing boat veers towards port.The painter stands alone by the dive shack,conchs and starfish hung to dry, scuba geardropped in heaps by dinner-bound tourists.Though young, he is weathered by age, booze, sun.You imagine the years of pain and secret lossthat led him to the islands. He sips rumfrom a cocoanut. In the painting a figure liesin surf, a beautiful woman, lithe and seal-pale.Tide curls east to west, foreground empty,tiny figures waving from dunes and saw grass.The last boat disappears behind olive sand.Fire: sea grapes are bells, ice-plant spikesof lime incarnadine. The trellis of wysteria,weeds and grasses, the ball fallen, bobbing, gone.Cobalt: in this light fronds wave overheadwith gulls, pelicans dive for food, hibiscusscents the air swimming towards evening.In this light everything is possible:the drink in your hand is never empty;the bungalow, a riot of clothes, papers,empty bottles, is filled with guests, friendscome for the day — for the month — until eventhe terror of midnight holds no loneliness;your lover is beside you. She rolls in the surfor lounges at the water’s edge in the hot wind.She calls your name, laughing, and runsa hand through your hair as dusk falls,the last wash of purple vanishing as crystalstars appear, one by one, in the east.She has never left you.—Campbell McGrath1984—THE GREY CITY JOURNAL PHOTOS BY JAY MARTINCIRCLE THE WORLD30 college/university students, drawn from across the UnitedStates, will circle the world from September 1984 to May 1985, liv¬ing and studying in ENGLAND, FRANCE, SPAIN, ITALY,EGYPT, ISRAEL, INDIA, NEPAL, THAILAND, CHINA, andJAPAN. Accompanied by internationally known senior professors,the selected students will live with families and carry a full courseload as they explore the impact of religion and ethic identity uponsocieties in Europe, the Middle East, and Asia.The International Honors Program seeks mature, motivated can¬didates who are prepared for a fulfilling academic experience. Ap¬plications are presently being reviewed on a rolling admissionsbasis. For more information and an application, call Joan Tiffanycollect at (617) 491-3120.IT IS IMPORTANT NOT TO DELAY.INTERNATIONAL HONORS PROGRAM19 Braddock ParkBoston, MA 02116 School$Selection of attractivepapers.Order as many or as fewcopies as you want.COPYWORKS5The Copy Center in Harper Court5210 S HARPER AVENUE • 288-2233Hours: MON FRI 8:30 AM 6 PM; SAT. 10 AM • 5 PM23 00 PFR—— PAGE[MAROON i962-95551DOS EQU1SC CERVECERIA MOCTE2UMA S A CanonCanonjciE-a|«Shutter priority auto exoosure]•Lightweight & compact^Sensitive siliconexposure meteringjp^^•Manual exposuhr^Z3^35MLCan otilIIIIIIIHINSUPERNIIIIIIIIIISURE SHOT•Automatic focus•Automaticexposure*•Automatic winding• Built-in pop-up flash•Motorized rewindCanon73•Programmed automation•Automatic film loadingand built-in power/winder•Optional Cannon Speedlite224T automatically.setsbest of threedifferent apertures|*Uses more than 50 CanFofiFD lenses I-ALL CAMERAS INCLUDECANON U.S.A., INC.ONE-YEAR LIMITEDWARRANTY/REGISTRATIONCARD.NOW RENTINGIVIDEO MOVIESIIHundreds of titles!II One free 24 exposureI film with each roll of col-I or film brought in for pro¬cessing and printing,I with this coupon only.I Does not include disc! film.OFFER EXPIRES 5/11/84model camera1342 E. 55th493-6700THE GREY CITY JOURNAL—FRIDAY, MAY 4, 1984—11SUNDAY MAY 6 8 P.M. MANDEL HALL5706 south universitytickets on sale at the reynolds club box office 962-7300students 6$non-students 10$the University Of Chicago visas mastercard accepted12—FRIDAY, MAY 4, 1984—THE GREY CITY JOURNAL