ART TO LIVE WITH LOANPROCEDURES•Numbered tickets may be pickedup in Rm 210 Ida Noyes on a firstcome first serve basis•A ticket reserves your turn topick a picture•Only one ticket per personTickets must be picked up per¬sonally (i.e., you may not pick up anumber for a friend )IDA NOYES HALL •Distribution starts promptly at4pm in the Ida Noyes CloisterClub.•Ticket holders are admitted inorder If you are not present whenyour number is called you forfeityour turn•Only one picture permitted perticket Only one ticket is permittedper person, i.e.. you may not pickup a picture for a friend.• You are welcome to choose a2nd picture only after all ticketholders have made their firstchoiceTHE JOSEPH R. SHAPIRO COLLECTIONARTTake ThePicture Home•Please present a valid UCID &pay a $5 rental fee•Please bring a towel, blanket,newspapers or garbage bag towrap the picture in (in case of rainor snow please bring a waterproofcovering )- On display:Sept. 28 4pm-10pmDistribution:Sept. 29 4pmTake A Number Return The Picture• A due date will be posted at thedistribution• You are responsible fordamage. Please report it promp¬tly•Watch Maroon Ads forreminders of the due date• Pictures may be returned to Rm210 Ida Noyes Hall•50' fine is charged for each daythe picture is overdue JLStarting At 8:30 amSAO-962-9554 SG ACTIVITIES presents.withThe Dave RobertsSwingtetTHEHOMECOMING DANCESaturday, Oct. 8IDA NOYES HALL9:00 p.m.-midnight$6.00 per personTICKETS at SAOft REYNOLDS CLUBBOX OFFICE"Number Two, butwe try harder!"— Bring your ownfood! -THE SAIL INTO OUR PORT-OF-CALL SOMETIME• Premium domestic & imported beers• Lowest tap beer prices in the neighborhood*• Free Popcorn (after 4 p.m.)• Air - Conditioned• Video Games%• Award-winning Jazz Jukebox (Chicago Magazine)• On C-Bus Route1750 E. 55th St.Hours: Mon-Fri: 10a.tn.-2 cum.. Sat: 11 cum.-3 cum.. Sun: 12 noon-2 cum. i2—The Chicago Maroon—Friday, September 23, 1983AdministrationOn the QuadsHealthUniversity Offices....ActivitiesStudent GovernmentLibrariesBookstoresCoffeeshopsFads IIReligion on campus..SecurityHyde Park FoodFeatureSportsThe Chicago MaroonThis is the special orientation issue of the Chicago Maroon. Regular publication will resumeFriday, September 30. The Maroon is the official student newspaper of the University of Chi¬cago. It is published twice a week, Tuesdays and Fridays during the regular school year, andweekly during the summer. The offices of the Maroon are in Ida Noyes Hall, rooms 303 and304. Phone 962-9555.Anna HupertEditorJeffrey TaylorManaging EditorLinda LeeProduction ManagerChris ScottAdvertising ManagerRobin TotmanOffice ManagerContributors: Edgar Arredondo. Wally Dabrowski, Purnima Dubey, Bill Ejzak, Cliff Gram-mich, Mindy Greenstein, Margo Hablutzel, Chris Hill, Keith Horvath, Kathy Lindstrom, NinaLubell, Frank Luby, Deborah Lutterbeck, Jon Meyersohn, William Mudge. Koyin Shih, GuyWard.Cover photo by William Mudge.ADDRESS FOR SUCCESS:THE COLLEGE MAIL ROOMThe College Mail Room, located in the basement ofthe Reynolds Club, is now open.HOURS DURING ORIENTATION WEEK:9 a.m. - 5 p.m. Monday - FridayHOURS DURING AUTUMN QUARTER:9 a.m. - Midnight Monday - Friday11 a.m. -6p.m. Saturday • Closed SundayINTERIM HOURS TO BE ANNOUNCEDEach undergraduate student will have a folder in the Mail Room forcommunications from College and University offices.To launch the mail room, 10 gift certificates for $50 worth of booksfrom University of Chicago Press will be placed in the folders ofstudents selected in random drawing.- CHECK YOUR FOLDER - YOU MIGHT BE A WINNER! -The Chicago Maroon—Friday. September 23, 1983—3S0 Inter-Varsity Christian Fellowship|/| |\| Please join us for Bible study.prayer, and fellowship every Fri¬day in Ida Noyes Hall at 7:30 p.m. (Firstmeeting on Sept. 30JNEW STUDENT WELCOMING PARTYSat. Oct. 18 p.m. Ida Noyes HallSEE YOU AT STUDENT ACTIUITIES NIGHT!For more inforamtion. contact: Todd Arbofiast - 288-1867Joel White-324-6219 OLYMPIA ESIOOaES 10192 character keyboard8 character buffer memoryOlympia 100Olympia 101 •Easily exchangableWHISPERDISC•Triple line space settingsfrom keyboardReg. Price $979.00Sale Price $879.00Reg. Price. $999.00_ Sale Price $899.00Olympia Compact Reg. Price $699.00, Sale Price $619.00While Supplies LastThe University of Chicago BookstoreOffice Machine Dept.970 E. 58th St.2nd Floor753-2600 or 965-43644—The Chicago Maroon—Friday, September 23. 1983The Powers That Be:U of C’s top administratorsHanna GrayHerman Sinaiko, Dean of Students inthe College — Aside from being a popu¬lar humanities professor, Sinaikoheads an office whose job it is to dealwith academic problems affecting un¬dergraduates. His office deals with stu¬dents who need registration or curricu¬lar advice beyond the grasp ofadvisors. In addition, Sinaiko maymeet with students contemplatingtransferring or dropping out in an ef¬fort to deal with their problems or. per¬haps, change their minds. Sinaiko andhis office have also been known to dab¬ble in student groups, such as the Uni¬versity Theatre, as well as being en¬trusted with the determining ofeligibility for the Dean’s List, or, on theother end, academic probation.Dan Hall, Dean of College Admis-sions and Aid — The sometimes appre¬ciated, sometimes thankless, job of in¬forming students how much moneythey will be granted belongs to this of¬fice. All the different aid programs forundergraduates, are administeredthrough the Financial Aid Office. Theperson you will probably be referred toin a bid for greater financial assistanceis Eleanor Borus.Jonathan Kleinbard, Vice-Presidentfor University News and CommunityAffairs — In addition to serving as liai¬son between the University and com¬munity groups and businesses, Klein¬bard also oversees the operation theUniversity’s security force. Any ques¬tions having to do with campus securityor the security force itself should bedirected to him. He is also one to whomrequests to see President Gray areoften referred. The activities coordin¬ated by the Community Affairs Officehave much to do with the University’slong history of playing an active role indealing with housing, crime, and urbanrenewal in the Hyde Park area andother nearby communities. Irene ConleyConnie Holoman, Director of StudentHousing — Holoman is the person toseek out if you’re unhappy with yourroommate or your housemates, or ifyou’re caught blowing holes in your toi¬lets with bottle rockets or throwingchairs out of the tenth floor at PierceHall. Holoman administers the residen¬tial housing system for the graduatesas well as the undergraduates, and inaddition to some of her more thanklesstasks, Holoman also helps arrange in¬terhouse social programs.Irene Conley, Director of Student Ac¬tivities — Conley’s office is probablythe one with the greatest direct influ¬ence on the quality of student life oncampus. The Student Activities Officeprovides for many of the different ac¬tivities available to students, fromEclectic Ed courses to formal swingband dances. Conley’s aim is to providevaluable support and assistance to thewide range of student groups oncampus, and she is the one you will endup speaking to if you are an activemember of a student group or a desul¬tory student seeking to start a new one.Most have found her to be friendly aswell as valuable as an allv.SpecialannouncementMemorial services for Emmett Ded-mon. a University trustee since 1966,will be held today in Bond Chapel at 3p.m. He died September 19.Dedmon graduated from the Collegein the class of 1939, and was editor ofthe Daily Maroon that year. From1968-78, he served as executive vice-president and editorial director of theChicago Sun-Times and the ChicagoDaily News.Hanna Gray, President of the Uni¬versity — Many of us never see Presi¬dent Gray in action; mingling with stu¬dents at her annual bash at Ida Noyesdoes not comprise all of the duties withwhich she is entrusted as President.Though much of her time seems to bespent meeting with contributors, beingcited in publications across the countryand looking erudite in her office on thefifth floor of the Ad Building, her mostimportant and time-consuming respon¬sibility is that of setting plebian policy.But her single-minded conviction tokeep in focus the educational aims ofthis institution despite internal and ex¬ternal pressures defines the Universi¬ty’s unique personality. If you feel im¬portant enough to take her away fromher busy schedule, you must first de¬scribe your plight to her special assis¬tant, F. Gregory Campbell, who willprobably refer you to some other lessconsumed, though equally erudite ad¬ministrator. Since Campbell also coor¬dinates The President’s calendar, Pres¬idential invitations to functions must beissued far in advance.Charles O’ConnellCharles O’Connell, Dean of Studentsin the University — Besides overseeingstudent activities and taking charge ofalumni activities, O’Connell’s officehas a hand in the decision-making in allareas of student life — including admis¬sions, financial aid, and the ever-popu-lar mode of student/administration in¬teraction: disciplinary behavior. Since O’Connell’s area of responsibility is sowide, he is not the person to seek inorder to discuss trivial matters. Youwould more likely be referred to one ofhis assistant deans. You can try goingthrough the Faculty-Student-Adminis¬tration Committee on Campus StudentLife (FACCSL), which is chaired byO’Connell, though speed and efficiencyare not noted to be two of its fortes.Richard TaubRichard Taub, Associate Dean of theCollege — Taub’s position was origi¬nally devised in order to bridge the gapbetween the academic administrationand the student administration. Taubcontrols student information process¬ing which involves keeping track ofgrades, majors, addresses, and othersuch academic data: In addition, deansof College Admissions and FinancialAid report directly to him.Edward Tu?SU?J^^vine )ciate Deanof Students in the University — In addi¬tion to his post as Associate Dean ofStudents on the University, Turkingtonis also Connie Holoman’s predecessorand Cheif Administrator for StudentHousing. As such, his areas of responsi¬bility are multiple. He is responsiblefor the Housing Office and the Resi¬dence Halls. For those with complaintsor questions on policy or budgetary al¬locations, this is the man to whomgrievances are directed. Another areaof Turkington’s responsibility is theStudent Loan Counseling Office, an of¬fice primarily concerned with graduateloans. As associate Charles O’Connell,Turkington also has a hand in StudentActivity decisions, Career Counselingactivities, and more. In addition, insidesources purport Ed to be “one heck-of-a-guy.” Donald Levine, Dean of the College— he coordinates undergraduate aca¬demic programs at the faculty levelthough his bent is more towards thegeneral as opposed to the individual ac¬ademic level. Levine does make some¬thing of an effort to keep his officemore involved in student advising aswell as student life.The Chicago Maroon—Friday, September 23, 1983—5Campus buildings:By Margo HablutzelBy the time you read this, most ofyou will have been on campus for sometime and you have some idea of whichbuildings are where. So you’re proba¬bly wondering why we’re bothering toprint an article about buildings oncampus. After all, if you can find yourway to the Reg (or to the frats) andback, you’re set for the next year,right?Not quite. When you try to decipherthe little codes on your class assign¬ments, or track down an administrator,or hunt up a teacher’s office, there is agood chance that you will end up some¬what lost. The University distributesnice little maps upon request, and untiltwo years ago these were simple, clear,two-dimensional drawings. Then some¬one decided to hire an artist to do a“simpler” version, and the result ishighly detailed, three-dimensional andmostly illegible.Therefore, and herewith, we arepresenting a quick guide to BuildingsFirst-Years Are Most Likely To En-HarperRegenstein Library: It may be posi¬tioned at the north side of the mainquadrangle, but Reg is considered thecenter of campus, if not the center ofthe world. The large reading area onthe second and third floors is a popularmeeting place, as is the A-Level Ex Libris coffeeshop; however, the read¬ing area also tends to be infested withLabbies. Serious students can scout thedesks hidden deep in the stacks. Thecashier’s office on the first floor sellsVendacards (very useful) and replace¬ment ID cards. Because it was built onthe old Stagg Field — site of the firstatomic reaction — B-Level is supposedto be radioactive, so watch where youstudy.Harper Memorial Library: Morethan just a library. The 24-hour Compu¬tation Center is located on the west endof Harper’s third floor; advisors’ of¬fices cover the second floor. Harper in¬terconnects with all the buildings onthe south side of the Quads, which ishandy to know in the dead of winter.Harper’s North Reading Room is acomfortable place to catch up onsleep.Administration Building: This is thevery modern-looking building on thewest side of the Quad. On the first floorare the Registrar’s Office (with notarypublic), the Bursar’s Office (checkcashing, ID validating, and student ac¬counts), and Midway Travel (no out-of-lown checks accepted). It’s very com¬mon for the computers in both theBursar’s Office and the Registrar’s tobe down just when you need them themost. The Student Housing Office is lo¬cated on the second floor (turn left),and way at the top are offices for suchaugust personages as Our President,Hanna Gray.Cobb Hall: Probably the most-usedclassroom building on campus. First-year humanities and social scienceclasses usually meet here, as do mostforeign language, arts, and upper-levelhumanities courses. The fourth floor isgiven over to the arts, with the FilmCenter and the Bergman Gallery. DocFilms has its office on the third floor, atthe end of the Quantrell Auditoriumbalcony, and shows films in Quantrellalmost every night of the term untiltenth week. Cobb Hall and Cobb Gatewere named for two different men;there used to be a bust of Silas Cobbover the front door to Cobb Hall, on theinside, but the head disappeared onenight and hasn’t been seen since.Cobb Hall connects on the south sideto Gates-Blake Hall, which was origi- Eckhart Hallnaiiy a dormitory but now houses theEnglish and social science depart¬ments, as well as a great number ofteachers’ offices and, in the basement,the Commuter Lounge.Kent Chemical Laboratory: As itsname implies, this is where the chemis¬try lectures and laboratories are held;some other physical science classes,such as astrophysics, also meet here.The large auditorium in Kent used to be down there. The hours change every sooften, but the Lab is open all day, everyday, plus some evenings and a fewhours on weekends. On the first floor isa copy center, which gives possibly thebest copies on campus (reduced, dou¬ble-sided, colored paper, holespunched, whatever) in about 24 hours.On the second floor is the best coffee-shop on campus, by many standards;the coffee is brewed, not dripped, theprices are the lowest on campus, andthe menu keeps expanding.If you need copies faster than 24hours, you can try the copy office in theClassics Building (59th Street and EllisAvenue), or line up at one of the copierson campus in the libraries or Ida NoyesHall. Without a Vendacard, almost allcopies will cost 10c at a copier; only thecopiers in Ida Noyes Hall and the Busi¬ness School (and some dormitories)make copies for 5C.Bookstores: There are two book¬stores on campus. The UniversityBookstore is at 58th Street and Ellis Av¬enue, just across the street from the AdBuilding. The first floor is like a realbookstore with an intellectual cast; thisis where almost all the reference booksand dictionaries are sold, along withmore leisurely reading such as sciencefiction paperbacks and magazines.On the second floor is the Universi¬ty’s section: textbooks are on one side;Administration Building6—The Chicago Maroon—Friday, September 23, 1983 Regensteinused by houses and other campusgroups to show films, but a new rulinghas forbidden these screenings becauseof excessive rowdiness and question¬able materials.Ryerson Physical Laboratory:Across the “street” from Kent, Ryer¬son has laboratories for many physicalscience courses, some lecture rooms,and perhaps the most confusing layoutof any building on campus. If you aresure you have the right room numberand it just doesn’t seem to exist, go tothe large front doors, turn your back tothem, and walk straight ahead untilyou hit another staircase, in the Ryer¬son “annex.” One of many importantrooms up these stairs, besidesclassrooms and labs, is the TutoringCenter for most computer courses.Ryerson also has an observatory ontop, and during eclipses and meteorshowers the Astronomy Club holdsopen viewings — provided the glarefrom the sodium vapor lights isn’t toobright. Recent tests indicate that Ryer¬son has pockets of “hot” radioactivity,which may reflect in the looks of phys¬ics majors.Eckhart Hall: Connected to Ryersonon the second floor, Eckhart houses themathematics department. Teachers’offices and classrooms mingle on allfloors (TAs tend to be assigned to thebasement), and Eckhart Library ispopular among science and mathema¬tics students.Social Science Building: Walkstraight south on University from Eck¬hart, and when you get to 59th Streetyou’ll be at the Social Science Building.Some common core social scienceclasses meet here. The Language Lab¬oratory is located in the basement; anylanguage student will find that he/shewill be spending quite a lot of time PHOTOS BY WILLIAM MUDGEsupplies, cameras, and typewriters areon the other. If you want to pay bycheck during the first week of school,you have to get your check approvedbefore you get in line at the register;save aggravation and do it before youget your books. The prices here aresomewhat high for pencils and paper,but they sell watermarked paper fordissertations (a future consideration),repair typewriters, sell film and flash-cubes and flashbars, and have a smallBand-aids-and-toothpaste operation.The Student Loan Office is located onthe fourth floor of the Bookstore; youshould go to the second floor by themain stairs and then turn right for thestairs to the fourth floor. And an outletof Morry’s, possibly the campus’ mostpopular eatery, is located on the firstfloor of the Bookstore; it’s mobbed be¬tween 11 a.m. and 2 p.m. on week¬ends.Because there have been problemswith textbook orders in the past, anumber of teachers (particularly thosein the social sciences and humanities)have started placing their orders at theSeminary Co-Op Bookstore. It’s locatedon the other side of campus, at 58thStreet and University Avenue; enter onUniversity and look ahead and to theleft for the stairs leading to the base¬ment. The textbook area is tuckedaway in a separate room; you mayneed to ask how to find your books butthe people are very helpful. It makessense to buy a share; it costs $10 andyou’ll save that on member’s discountson books. Maps are posted at intervalsto help you find your way through themaze, and they are willing to specialorder books if you need them.Now that you know where to get yourbooks, find your classes, meet your ad¬visor, and track down administrators,Conquering theQuadsRyersonyou may be wondering what to do aboutfun. If you want to enjoy the last bits ofgood weather — or the first warm daynext spring — go to the Point!On campus, you can indulge in morevaried activities. Jocks will need to lo¬cate Bartlett Gymnasium (57th Streetand University Avenue) and HenryCrown Field House (56th Street andUniversity Avenue).Swimmers will be glad to know that the pool in Ida Noyes Hall is open al¬most every day. Ida Noyes also haspool tables, the Student Activities Of¬fice (second floor), and overpriced Ba¬kery (first floor), the Frog and Peacheatery (first floor), and the legendaryPub in the basement. To get into thePub you need a Pub Pass, sold at thedoor for $2 and UCID if you can showyou’re at least 21 years old.Student groups may reserve rooms inIda Noyes for meetings and specialevents; talk to the people in the StudentActivities Office. Some student groupshave permanent offices on the west endof the third floor, including StudentGovernment, the Black Students Orga¬nization, the Gay and Lesbian Alliance,and the Maroon/Grey City/LiteraryReview publishing conglomerate.Reynolds Club is where most theatri¬cal events and concerts are held. Thefirst floor includes the newest Morry’s,the Reynolds Club Box Office (on-campus theatre tickets, discount movietickets, cigarettes), and Mandel Hall.In the basement are a barber shop,campus message board, pool tables,and the soon-to-be-defunct PhoenixBookstore, which is worth checking outbefore it closes for good. Blackfriarsusually has two musical comedies peryear produced in the little theatre tothe south of the main staircase, in whatused to be the South Lounge. (Yes, Vir¬ginia, there is a North Lounge justacross the hall.) On the second floorare the Placement and Career Counsel¬ing Offices, as well as the Office of theStudent Ombudsman. A twisting, nar¬row stair leads to the third-floor the¬ater. Bartlett GymnasiumWHPK, the University’s own student-run radio station, is also housed inReynolds Club, up a precarious littlestairway tucked into the northwesterncorner of the building.The only buildings not mentionedthat you may need to find during thenext few weeks are the Law School,which shows classic movies in its audi¬torium. It’s located on 60th Street aboutone block east of Burton-Judson Court.You can’t miss the auditorium: it’s round.This is not meant to be a comprehen¬sive description, just a helpful listing ofsome of the more important buildingson campus and what you will find with¬in. If you need to find a class in a build¬ing not listed above, ask someone. Ifyou are very good at deciphering pic¬tures, you may try looking at a map.When all else fails, just do what up¬perclassmen do — change sections.Welcome toTHE PUBbasement of Ida Noyes Hall—HOW OPEN—• 8 tap beers: Stroh's, Old Style,Augsburger (light and dark), MillerLite, Heineken, and Beck's (lightand dark)We also carry discounted bottledbeers—foreign and domestic—wines,sherries, and champagne.• Food until 1 a.m., including Medici12" pizza, sandwiches, and tastyNachos.• Big screen TV: Evening news, MLBplayoffs and World Series, MondayNight Football• Live concerts and special eventsREGULAR HOURS: MON.-SAT. 4:30p.m.-1:20a 0 MUsIOMUSlOMdSlC ■>HAPPY HOUR(20% OFF ALL TAP BEERS):30 p.m. - 6:30 p.m.Memberships $2.00 per annum, 21 & over onlyw/University I.D. AVAILABLE AT DOOR ORROOM 210 - IDA NOYES HALL. CJ33)ru§u3)r THE UNIVERSITY OF CHICAGODEPARTMENT of MUSICPERFORMANCE ORG ANtZATIONSCollegium MusicumNew Music EnsembleUniversity Clumber OrchestraUniversity ChorusUniversity 5ymphony OrchestraCONCERT SERIESChamber Music SeriesContemporary Chamber PlayersEarly Music SeriesNoontime ConcertsSpecial EventsAUDITION and TICKET INFORMATIONat theDepartment of Music Main OfficeGoodspeed Hail,Third Floor5645 5outh Ellis AvenueTelephone: 962-5464U33mUsi C ^MUSI c ^mUsic $nCrXCLLnO£nrcOThe Chicago Maroon—Frmay, ^ptemoer 23, 1983—7SPECIAL LOW RATES FOR CAMPUS DELIVERY!Special low rates for campus delivery of The New York Times are now available at30% off the single-copy price. This discount rate of 35' per copy is good only forweekday and Saturday papers. Sunday papers are available on a subscription basisalso, but no discount is given.Papers will be delivered by 8:00 a.m. on the day of publication to dorms, facultyoffices, and drop boxes.Delivery can be guaranteed for the first day of delivery on Oct. 3 only if payment isreceived by Sept. 30. Delivery for orders received after Oct. 3 will begin within 3 daysand refunds will be granted in cases of overpayment.Please mail the bottom portion of this slip to:Hairy E. Saalfeld4035 S. ClarenceStickney, DL 60402Or call: 599-9810Name Fall Term - ends 12/11M-F $17.15 M-Sun. $45.65M-Sat. $20.65 Sunday only $25.00Please make checks payable to Harry E. SaalfeldCall 599-9810 for more informationPhone.Address8—The Chicago Maroon—Friday, September 23, 1983 Student healthready to helpto support this staff in each regularUniversity billings, and should feelfree to make use of any of the healthservices.The Student Mental Health Clinic, lo¬cated at 5743 S. Drexel, is open Mondaythrough Friday from 8:30 am. to 5 p.m.The Clinic is staffed by a team of psy¬chiatrists and psychiatric socialworkers.The service is designed to help stu¬dents work out the various problemsthat arise in coping with a new environ¬ment, life at the U of C and life in gen¬eral. The service is not intended to helpstudents with severe mental problems,severe conditions are usualy put under''but instead to aid the mainstream of nancy up to 72 hours after unprotectedcontact, with “morning after” pills.Students who become ill when theHealth Clinic is closed can phone thePhysician-On—Call, who answersquestions and makes personal visits ifnecessary. The Physician-On-Call canbe reached by calling the BillingsEmergency room, University Tele¬page, the U of C Hotline or Campus Se¬curity. Security provides transporta¬tion to and from the hospital ifdesired.Again we stress that students shouldnot hesitate to use any or all of thehealth services. They are in existenceto meet your needs.the student population. Students withthe personal care of a psychiatrist.Use of the Mental Health facility, asof all of the services of the Health Clin¬ic, is a private matter between doctorand student. Absolute confidentiality iskept, and most students who use the fa¬cility find it extremely helpful.The Gynecology clinic, located in themain health clinic on the first floor ofBillings, helps women with all prob¬lems associated with the female body.It also offers courses for women aboutbirth control.A special service of the Gynecologyclinic offers post-coital contraceptionon a one-time basis. The clinic stronglyurges women to use contraception be¬fore intercourse, but can prevent Dreg-The University boasts an extensivehealth care system designed to meetthe medical needs of its students andtheir dependents. University HealthServices handles all student healthproblems ranging from minor ills tomajor medical crises. Students are en¬titled to free routine care at the StudentHealth Clinic, the Student MentalHealth Clinic and the Gynecology Clin¬ ic.The medical clinic is located on thecorner of 59th and Ellis on the firstfloor of Billings Hospital. It is openMonday through Friday from 8:30 a.m.to 4:30 p.m. Students are seen in theclinic on both an appointment andwalk-in basis.Students whose needs are not press¬ing should make appointments, since walk-ins often face a long wait. Walk-ins are seen on a first-come, first-served basis.The clinic deals with nearly all stu¬dent medical needs directly, so itshould be the first place any studentwithout an emergency condition visits.If other treatment such as X-rays orsurgery is required, the clinic willmake necessary arrangements. Be ad¬vised that care outside the studenthealth service is not free.Run by a large and competent staffof nurses, doctors and proactitioners,the Health Clinic also has specialists indermatology, endocrinology, gyneco¬logy, clinical nutrition and orthope¬dics, whose services are usually avail¬able without charge. Students pay a fee.MUMS-.The University of Chicago is no¬torious for its large and inefficient bu¬reaucracy. Nearly every student heremust directly cope with the quirky tri¬angle between the Bursar, the Regis¬trar and the Office of Financial Aid:the instructions they disperse are rare¬ly consistent and never clear. Here wepresent a brief guide to these nervecenters, as well as an introduction toother collegiate offices. take out non-interest accounts, inquireabout billing, validate ID cards and pu-chase traveler’s checks. This is also agood place to bring complaints, ques¬tions or pleas for help, since the staff isusually helpful and friendly. The Uni¬versity Bursar is Lory Weaver.Across the hall in the Office of theRegistrar things are more touch andgo. Caught on a bad day, the staff canbe cold to student dilemnas.OFFICESThe office of the Bursar and Regis¬trar are located in the north and southends of the Administration Building’sfirst floor. Hours of both are from 9a.m. to 3 p.m. Monday through Fri¬day.At the Office of the Bursar studentscan cash checks (up to $50 and onlywith validated U of C identification),O , PHOTOS BY WILLIAM MUDGEBursar s Students come to the Office of theRegistrar to confirm class registration,to certify registration for insuranceand loan purposes and to acquirecopies of grade transcripts. The Regis¬trar’s office also has a lost andd foundand notary public service, and handlesstudent name and address changes forvarious mailings from other campusoffices. The University Registrar isMaxine Sullivan.The Office of College Aid, open from8:30 a.m. to 5 p.m. Monday throughFriday, is located in Harper room 242.The Office issues and reviews financialaid applications each spring and an¬swers all questions concerning grants,loans and other aid. Key personnel inthe Office are Associate DirectorEleanor Borus and Assistant DirectorsGerry Reiser and Ernestine McCain.These people are a little complex.They are trained to be helpful, gener¬ous and pleasant, but only so far as theschool’s limited resources allow. It isimportant to remember that the finan¬cial aid staff looks out first and fore¬most for the interests of the Universi¬ty; students must fend for themselves.As entering students become acquaint¬ed with the intrigue of obtaining finan¬ cial aid they will better learn how tocope with aid officers—for now, keep inmind that a little controlled aggressionis rarely out of place.The College advisors’ officers arealso located on the second floor ofHarper, with the same hours as the Of¬fice of College Aid. The appointmentdesk at the end of the hall, run by one ofthe nicest receptionists on campus, The Student Activities Office (SAO)in Ida Noyes Hall coordinates studentgroups and events. SAO arranges the“Art to Live With” leasing programthat allows students access to artworksby famous painters, and maintains afile of all registered student organiza¬tions. SAO also obtains student theaterdiscounts, available through the Reyn¬old’s Club box office. SAO is open fromof Students in the College and mastersof undergraduate divisions. For com¬plicated situations or problems forwhich advisors don’t have the answer,makes all arrangements for visits topersonal advisors. Advisors generallydo not see students without appoint¬ments. Advisors help with course selec¬tion and general academic problems;they usually know quite a bit, so asklots of questions.Harper’s second floor also houses theoffices of the Dean of the College, Deantry Herman Sinaiko, the dean of stu¬dents. 9 a.m. to 5 p.m. Monday through Fri¬day, and the box office is open fro 11 to6, Monday through Friday, and Satur¬day 1 to 5.The main office of athletics at theUniversity is in room 105 of HenryCrown Field House. Available at thisoffice are U of C passes for access toboth the Field House and Bartlett Gym¬nasium. The passes were $12 at lastcount, and are one of the campus’ fewreal bargains. The athletic office alsotakes reservations for the use of squashand racquetball courts in the FieldHouse and is open from 9:30 to 4.SUNDAY WORSHIP: LUTHERAN CAMPUS MINISTRYAT THE UNIVERSITY OF CHICAGOWELCOMES YOU!OPEN HOUSE AND DINNER, SUNDAY, SEPT. 255 p.m., 5500 S. Woodlawn Ave.Everyone welcome!WEEKLY CAMPUS MINISTRY EVENTS (Beginning 9/27)at Augustana Lutheran Church, 5500 S. WoodlawnAUGUSTANA LUTHERAN CHURCH OF HYDE PARK5500 S. Woodlawn Ave.Sermon and Eucharist — 8:30 and 10:45 a.m.Sunday School and Adult Education — 9:30 a.m.493-6451 493-6452N. Leroy Norquist, PastorSAINT GREGORY OF NYSSA LUTHERAN CHURCH5757 S. University Ave.Sermon and Eucharist — 10:00 a.m.386-9100Boyd Faust and David Meier, Pastors SUNDAY SUPPERS:6 p.m. — Informal sharing of food -and friendship, $2/personTUESDAY EVENTS:5:30 p.m. — Eucharist6:00 - 7:15 p.m. — Pizza Supper ($2/person) andDiscussion/ActivityTHURSDAY MORNING PRAYER AND BREAKFAST7:30 a.m.FOR MORE INFORMATION OR IF WE CAN SERVE YOUIN ANY WAY, CALLAugustana Lutheran Church — 493-6452Thp Phiragn Marnnn-Friday 23, 1083—'0The University of Chicago’s manyclubs and organizations provide arewarding and extremely necessary al¬ternative to life in the bowels of Regen-stein Library. The groups offer en¬hanced perspective on education, achance to develop special skills and a good opportunity to build resumes. Allcampus organizations welcome newmembers.Sunday’s Student Activities Night inIda Noyes Hall will feature displaysand presentations by most groups list¬ed here. Representatives will be on hand to provide information and to en¬list new members. IThis listing was based on previousllistings and any information from thelStudent Activities Office available atlpresstime. The Maroon regrets any!omissions.Major Activities Board (MAB): One ofthe University’s most active and popu¬lar organizations, MAB provides stu¬dents with top-name musical acts atcut-rate admission fees. Featured ar¬tists of the past two years have includ¬ed the Ramones, the B-52s, Joan Arma-trading, Chick Corea, Weather Reportand many others. A portion of the activ¬ities fee paid and bemoaned by all stu¬dents in the College goes to MAB. Stu¬dent members of the board are chosenin the spring through a petitioningprocess.Festival of the Arts (FOTA): FOTA isan annual springtime celebration of thearts arranged entirely by students.Planning for the month-long festivalbegins early in the school year. In addi¬tion to traditional arts like dance,drama, music and painting, FOTA fea¬tures juggling, kite-flying and lots ofeating.DOC Films: The oldest student film or¬ganization in the country, DOC special¬izes in bringing popular, quality filmsto the U of C campus. Members writefor the DOC film guide, Focus, projectfilms, take tickets and participate inbooking. This year DOC will also makefilms of its own. Interested students should attend the first organizationalmeeting Sept. 27 at 6 p.m.Law School Films: A film group run bylaw school students — the main focus isclassic American films, both early andrecent.Blackfriars: One of the oldest studentgroups on campus, this theatrical troupusually stages two musical comedieseach year. It also presents several lesselaborate shows, including its annualOrientation Week performance.Concrete Gothic Theater: This relati¬vely new company presents semi-regu¬lar performances of serious drama.Some plays performed by ConcreteGothic are written by students.Court Theater: One of Chicago’s bestrespected repertory theaters, Courtrelies on students for set construction,lighting and other stagecraft. Thoughthe theater casts mostly professionalactors, students occasionally getparts.E. F. Clown & Company: Members ofE.F. Clown’s troup are trained in openworkshops and appear at campus gath¬erings in full clowning regalia. (Thereal clowns teach classes to undergrad¬uates.) University of Chicago Chorus: Open toboth students and non-students, the Uof C Chorus participates in semi-regu¬lar concerts. Audition information forthis and other U of C performinggroups* is available from the Depart¬ment of Music, 962-8484.University Chamber OrchestraUniversity Symphony OrchestraRockefeller Memorial Chapel Choir:Smaller than the U of C Chorus, thischoir is directed by Rodney Wynkoop.For auditions call 753-3381.Collegium Musicum: Viols, recorders,a small choir and mixed instrumentsperform Renaissance music.New Music Ensemble: A group dedi¬cated to performance of 20th centuryworks and original student composi¬tions.Symphonic Wind Ensemble: Thisgroup rehearses weekly for concertsgiven once per quarter. It is not affiliat¬ed with the Department of Music.Abelard Consort: A madrigal choralgroup.Jazz BandConcert BandTensor Tympani: A small student-runchoral group.Music on the Quads: This organizationschedules small acoustic acts in thedaytime.Folklore Society: The Folklore Societyseeks to promote appreciation of folkmusic, largely through the annual Uni¬versity of Chicago Folk Festival ofwell-known folk musicians.Chinese Music SocietyAssociation for Computing Machinery(ACM): U of C chapter.Animal Welfare Group: Both studentsand non-students are welcome to par¬ticipate in dicussion and social actionon animal welfare issues.Apple Users' Group: The group pro¬vides an opportunity for exchange ofideas about microcomputing, with spe¬cial emphasis on Apple-related hard¬ware and software.Les Beaux Parleurs: Designed to helpFrench majors to improve verbalskills.Bridge ClubChess ClubChicago Debating Society: Memberscompete with schools nationwide.College Bowl: The University’s team ismade up of all-stars chosen from intra¬mural competition and competes na¬tionally.Fantasy Gamers: Has one of the larg¬est memberships on campus. The Federalist Society: Run by lawschool students but open to undergrad¬uates, the Society is designed “to pro¬mote intellectual diversity in legalthought.”Ikebana: Offers instruction in the clas¬sical Japanese art of flower-arrang¬ing.Juggling ClubMedieval Movable Feast: One of twomedieval societies at the U of C.Medieval and Renaissance RecreationSociety (MARRS)Photo ClubPocket Poetics: A group that brings lit¬erary figures to campus for poetryreadings, lectures and other presenta¬tions.Rocketry and Space ClubRugDy Club: Participates in interscho¬lastic competition.Russky Kruzhok: Allows students ofRussian to practice speaking.Ryerson Astronomical Society: Gives amateur astronomers access to tele¬scope facilities in the Ryerson Build¬ing.Sailing Club: Offers lessons and re¬creational sailing on Lake Michigan.Salisbury Circle: This geographicalclub meets regularly and publishes anewsletter called Latitude.Science Fiction ClubSki Club: Takes trips to Wisconsin skicenters.Transcendental Meditation Club:Offers introductory programs as wellas advanced activities for those al¬ready practicing TM.Toastmasters: Members of this organi¬zation practice oral communicationskills in front of a group of people.WHPK FMRadio Station: The student-run radio station, HPK offers potentialdisc jockeys a start in ‘the business.’The station operates 24 hours a day andis at 88.3 on the FM dial.10—The Chicago Maroon—Friday, September 23, 1983mACTIVITIESStudent Government (See article onpage 13.)Model United Nations OrganizationNOMOR Committee for Nuclear Disar-I mamentCommittee for Arms Control and Dis¬armament (CACD): The CACD last| year sponsored a series of debates andlectures on the question, featuring Co¬lorado Senator Gary Hart, social acti¬vist Helen Caldicott and Brookings In¬stitute Director John Steinbrunner.International Socialist Organization:An educational political group.U of C LibertariansU of C College RepublicansU of C DemocratsSpartacus Youth League: An activistorganization with a Marxist-Leninistleaning.Students Against the Freeze: Seeks toeducate students in military and politi¬cal affairs.CAUSE: A committee against US in¬volvement in El Salvador and CentralAmerica.Political Economy Club: Meets to dis¬cuss political issues within an econom¬ic framework.Service OraonizotionsBig Brother/Big Sister: Provides com¬panionship for children in the HydePark area.Amnesty International: The Chicagochapter works internationally for therelease of persons imprisoned on thebasis of race, political beliefs, religionor sex, provided that they have neitherused nor advocated violence.Student United Jewish Appeal Federa¬tions Campaign: Designed to educatethe University community in Jewishwelfare issues and raise funds for ac¬tivities in the United States andabroad. ASHUM Student Group: Designed forstudents in the ASHUM program of bio¬logical sciences.Chicago Linguistic SocietyChinese Studies Student OrganizationThe English Ten: This socially-orient¬ed group seeks to promote appreciationof literary values.Undergraduate History AssociationLinguistic Circle of Chicago: An infor¬mal group of linguistics majors whomeet to discuss academic work.Undergraduate Math ClubPhysics Students AssociationSlavic Forum: Discusses Slavic litera¬ture and literary theory.Student Association of the Center forMiddle Eastern Studies \\n Foreign andReligious Groups ,Ethnic GroupsHotline: Hotline is an all-night tele¬phone support service that offers infor¬mation, advice or just someone to lis¬ten. Students who join the staff aretrained to deal with a range of calls,from requests for Giordanos’ phonenumber to suicidal callers. Hotline wel¬comes volunteers for bi-monthly dutyand promises a rewarding experience.Women’s Union: Introduced years agoas the Women’s Caucus in Student Gov¬ernment, the Women’s Union now fo¬cuses on women’s concerns in the HydePark area, including child care, TitleIX and women’s studies. The statedpurpose of the group is to “offer a placeand atmosphere to discuss concerns aswomen, and offer support.”Commuting Students Association:Formed by commuters for commuters,the group maintains a commuterlounge on campus and helps integratecommuters into the University commu¬nity. (For a complete report on U of C reli¬gious organizations, see article on page20.)Asian Christian FellowshipB’hai Study AssociationBaptist Student UnionCollegiate Association for the Researchof Principles (CARP)Christian Science OrganizationInter-Varsity Christian FellowshipKorean Bible FellowshipLatter-Day Saints Students Associa¬tionMuslim Student OrganizationUnited Methodist FoundationThe Way Campus OutreachPublicationsThe Chicago Maroon: The University’sofficial student newspaper, it is pub¬lished twice weekly with news, sports,features and commentary.The Grey City Journal: This “sisterpublication” to the Maroon is publishedevery Friday. Staff members reviewmusic, art, dance, film and theater oncampus and around the city.The Chicago Literary Review: Pub¬lished by the Maroon at the end of eachquarter, the CLR contains original fic¬tion and poetry, book reviews and in¬terviews. Student submissions are wel¬come.Primavera: This magazine focuses onwomen's issues, with a feminist pointof view.Counterpoint: A conservative-orientedpublication of literary, cultural and po¬litical affairs.The Chicago Review: A prestigiousquarterly publishing fiction, poetry andessays by some of the nation’s bestwriters. The Review is run by stu¬dents.Inquiry: A quarterly journal of under¬graduate essays. Funding for Inquirywas cut last year by Student Govern¬ment, but the student-run publicationhas managed to remain in operation.The Romance Language Review: Anannual literary publication of studentcompositions in the Romance lan¬guages. The RLR is published in thespring. Organization of Black Students < OBS):I OBS was formed during the civil rightsstruggles of the 1960s to help black stu¬dents overcome social and academicpressures. An'active organization. OBSsponsors a wide range of social func¬tions, lectures and dinners throughoutthe year. The group brings prominentblack speakers to campus each Febru¬ary, Black History Month, to take partin a large forum.Armenian Students Organization:Sponsors a forum to explore Armenianissues, and holds a number of Universi¬ty-wide social functions each year.Asian Students Association| Chinese Students AssociationCommittee in Solidarity with the Peo¬ples of Iran (CSPI): This educationalgroup focuses on the socio-culturalaspects of contemporary Iran.Korean Undergraduates of the Univer¬sity of Chicago (KUUC)South Asian Students Association: Notonly for Asians, this group welcomesanyone interested in South Asianissues.Students for Israel: Group membersmeet regularly to discuss nationalissues and sponsor coffeehouses, othersocial functions, and lectures open tothe community.Taiwanese Student AssociationOrganization of Latin American Stu¬dents (OLAS)Hispanic Cultural SocietyGreek Student AssociationAssociation of African StudentsLithuanian ClubIsraeli Folk DancingU of C Folkdancers: Leading dance in¬structors are imported to conductworkshops and teach a bi-weeklyclass.Modem Dance Club: This group meetstwice weekly in Ida Noyes Hall for in¬struction and rehearsal. The Club givesquarterly performances.Aerobic Dance Club: For anyone inter¬ested in aerobics and looking for exer¬cise.Social GroupsDelta Sigma: This women’s group, theCollege’s unofficial sorority, is the bestcampus alternative for women used tohaving a social life. Delta Sigma ar¬ranges parties and get-togethers, andoffers women a chance to meet theirpeers in a relaxed environment. Thegroup has regular meetings and helpsthe Interfraternity Council planevents.Interfratemity Council: The governingtie between the College’s five fraterni¬ ties, the council acts as a group tothrow' parties and establish fraternityrules.Gay and Lesbian Alliance (GALA):Anyone is welcome to attend weeklymeetings or visit the Ida tfoyes Hall of¬fice of GALA. The group sponsors bothsocial and political activities, includingquarterly coffeehouses and dances. In¬formation, counseling and literatureare available in the GALA office.The Chicago Maroon—Friday. September 23 1QR3—liWELCOME TO THE UNIVERSITY OF CHICAGOAND WELCOME TO ANOTHER GREATHYDE PARK INSTITUTION:COHN & STERNTHE STORE FOR MENWhen it comes to getting the best education, youwon’t compromise. So when it comes to getting thebest that men’s fashion has to offer, don’tcompromise either. At Cohn & Stern, we have thebrand names you’ll recognize, expert tailoring that issecond to none, personal service that we prideourselves on, and a selection of merchandise that willput you in comfortable style from head to toe. Andwe’re just a few steps from campus.We’ve been outfitting future BA’s, MBA’s, MD’s andPHD’s for over 30 years. We welcome the opportunityto outfit you to the Nth degree, too.1502 E. 55th STREETin the Hyde Park Shopping Ctr. 752-8100All Major Credit Cards AcceptedCOUPON| O-Any "Levi"lir of jeans,.denim or\ corduroys iJT'7 COUPONAnySweater V-neck, crewneck woolor orlonSAVE $3.00| with this coupon onlyexpires 10/15/83 SAVE $5.00with this coupon onlyexpires 10/15/83 COUPONAny zip*-:A linedI *i weathercoatSAVE$15.00with this coupon onlyexpires 10/15/83 COUPONAny sportshirt fromourregular£- stockSAVE $3.00with this coupon onlyexpires 10/15/83 COUPONAny shoe inour stockSAVE $5.00with this coupon onlyexpire: 10/15/83 COUPONAnygenuine“Harris JTweed" JJlSport Coatin our /inventorySAVE $25.00with this coupon onlyexoires iu/15/8-312—The Chicago Maroon—Friday, September 23, 1963SG: Amending its ways of inactivity and in-fightingBy Chris HillMany students on campus believethat Student Government is an ineffec¬tual “joke” — a forum for future politi¬cians who say much and accomplish lit¬tle. Members of SG claim that they trytheir best to provide a number of ser¬vices, but are ignored by an overly cyn¬ical student body. The truth of the mat¬ter lies somewhere in between: StudentGovernment does more than its criticsperceive, but considerably less than itshould.Student Government at the Universi¬ty of Chicago is made up of threebranches:1) The Assembly. This organization,which acts as the student body’s Par¬liament, consists of approximately 50elected members, with proportional re¬presentation of all parts of the studentbody, including several representa¬tives of the College freshmen who willbe elected this Fall. All Assemblymeetings are open to the public, andany U of C student is welcome to attendand speak at any meeting about anyissue he or she thinks SG should ad¬dress. Times and locations of upcomingAssembly meetings are announced inthe Maroon and will now also be postedat the new SG Info Centers along withagendas for meetings.2) The Executive Council. As itsname suggests, this body serves as theexecutive branch of SG, carrying outits day-to-day functions and initiatingprojects through a system of eightstanding committees. The ExecutiveCouncil is headed by a president, vice-president, secretary, treasurer, and Fi¬nance Committee chairman who areelected from the entire student body,and also includes the chairmen of theother seven standing committees: Aca¬demic Affairs, Activities, CommunityRelations, Elections and Rules, ExLibris Governing Body, Student Ser¬vices, and University Services. Thepresident appoints the chairs of allcommittees except Elections andRules, which is chaired by thevice-president, and Finance Commit¬tee chairman, which has an electedchairman. Membership in all the com¬mittees except Finance is open to anyinterested U of C students regardless oftheir experience in SG.3) The Student Faculty Administra¬tion Court. This body, composed of sixstudents elected by the entire studentbody, two faculty members, and oneadministrator, has the authority tohear cases questioning an act of SG orany other Recognized Student Organi¬zation in terms of its compliance withthe Student Code, the Bill of Rights, orthe SG Constitution, and strike downany action which violates these ac¬cords. To enforce its decisions, theCourt can assess fines to an or aniza-tion, put it on probation for up to a year,or temporarily suspend its status as aRecognized Student Organization,making it ineligible for funding fromthe Finance Committee. The Court canalso issue declaratory judgments re¬garding the interpretation of the Stu¬dent rode, the Bill of Rights nr the SGConstitution.General elections are held each Spring no later than the fifth week ofSpring Quarter (usually mid-to-lateApril). Students running for officeoften form parties and run as a slate —especially those seeking ExecutiveCouncil officer posts — although inde¬pendent candidates are quite commonand sometimes successful. Campaign¬ing is short but intense, with candidatestacking up posters and passing outflyers on the Quads until the campus isfairly well inundated with printedpromises. An influential role — somesay too influential — is played by theMaroon, which publishes endorse¬ments for the five elected ExecutiveCouncil posts right before electiontime.What stfrt of a force is SG on thiscampus after the election dust settles?To gain a proper perspective on thisquestion, one must first understand thebasics of the overall campus powerstructure. To begin with, the Universi¬ty of Chicago is one of a minority ofschools where the faculty, not the ad¬ministration, has final authority overmatters of academic policy and curric¬ulum. Student input is sought, but thedecisions are made by the CollegeCouncil and the University Senate —made up of the College and Universityfaculty — behind what are basically“closed doors.” In non-academicareas, the University Administrationand ultimately the Board of Trusteesare firmly in control, seeking studentinput as they desire it. Being a privateUniversity, there is no “higher authori¬ty” to which any students can appealAdministrative decisions. No studentssit on the College Council, the FacultySenate, or the Board of Trustees, norare the meetings of these organizationsgenerally open to students.Within this overall context, even anideal student government could at bestplay a strong advisory role, articulat¬ing a unified student voice and seekingfaculty-administration consensus withstudent wishes. University of ChicagoStudent Government, needless to say,is not ideal, and within its limitedsphere of influence it has shown bothproblems and promise.AssemblyThe Assembly, as noted earlier, rep¬resents the student voice on campus,but in recent years, it was sidetrackedfrom this purpose, with Assemblymeetings degenerating into a series ofbitter, fruitless debates — often overfine points of parliamentary procedureor other purely internal matters. Anumber of election scandals made SG’spoor image even worse. Partially in re¬sponse to all this, recent ExecutiveCouncil members sought to minimizethe role of the Assembly and concen¬trate most of the discussion and deci¬sion-making in their own branch of SG.This quieted things down, but in thelong run only further eroded SG’s rep¬resentative role. The “muting” of theAssembly, however, became a signifi¬cant issue in last Spring’s elections,with all candidates agreeing that theAssembly needed to reassert its au¬thority. In an effort to re-establish the Assembly as the decision-makingbranch of SG, the new Executive Coun¬cil is doing more to publicize its meet¬ings and encourage student participa¬tion. For the first time in a number ofyears, most of the graduate seats in theAssembly are filled, ending the percep¬tion of SG as a purely collegiate body.Finance CommitteeIf there is real power anywhere inStudent Government, it is in the handsof the Finance Committee, which con¬trols disbursement of money collectedfrom the Student Activities Fee to thevarious Recognized Student Organiza¬tions on campus. The organizationssubmit budget requests, and the com¬mittee, with an annual budget of about$70,000, determines which organiza¬tions will be funded and how much eachwill get, using guidelines set down inthe Finance Committee Bylaws. Anygroup seeking SGFC funding should bewell prepared to demonstrate that itsproposed use of the money will conformto these regulations. The Committee’sdecisions are submitted in the form ofrecommendations to the Assembly,which must approve them, but it takesa two-thirds vote in the Assembly toamend or overturn a Finance Commit¬tee recommendation.Housing ListPut out by the SG Office, the HousingList is undoubtedly one of SG’s mostutilized services. It is a listing of avail¬able spaces for those seeking housingoutside the University Residence Halls.The list comes out once a week duringthe four academic quarters, and isavailable for a fee at the SG Office, onthe third floor of Ida Noyes Hall. List¬ings of available space can be placedwithout charge by calling the SG Officeat 962-9732.Credit Union CommitteeThe Credit Union Committee is in theprocess of establishing on this campusan independent, student-owned-and-operated Credit Union which will offerconvenient, low-cost banking andchecking services to University stu¬dents as an alternative to the more ex¬pensive services available at neighbor¬hood banks. Organized and headed byCollege sophomore Kenn Bloom, theCredit Union has already received itsFederal charter and should go intooperation this Fall.Academic Affairs CommitteeThe Academic Affairs Committeehas been one of SG’s most active. Itplayed an instrumental role in gettingHarper Library kept open 24 hours aday during exam week, and maintainstwo successful ongoing programs: theOpen University courses and the Chica¬go Round Table.Open University offers facultymembers a chance to teach subjects ofpersonal interest to interested studentsfree of charge in a relaxed, low pressure setting. Last year’s offeringsranged from “Current Issues in U.S. Foreign Policy” to “The Art of Court¬ship.”The Chicago Round Table is a paneldiscussion series which brings togetherU of C faculty and outside experts todiscuss various contemporary issues ina public forum. Last year’s topic in¬cluded “Biology and Ethics” and “U.S.Foreign Policy in Central America.”Last year, the committee also spon¬sored a public discussion of the nine-week quarter proposal, and this yearwill meet regularly with Dean Levineand members of the College Council todiscuss academic policy and variousproposals for reform.Activities CommitteeThe Activities Committee has beenactive in planning various parties anddances on campus, including Home¬coming and Memorial Day Festivities.It also publishes BANDSTAND, a list¬ing of campus bands available for hire,which can be obtained in the SG Office.This year, the committee will alsoprobably sponsor the bi-annual Lasci¬vious Costume Ball, a wild extravagan¬za highlighted by its unusual admissionpolicy: the less clothing you wear, theless you pay to get in.Ex Libris Governing BoardThe Ex Libris coffeeshop on the “A”level of Regenstein Library was estab¬lished through the efforts of StudentGovernment, and its operations areoverseen by the Ex Libris GoverningBoard in conjunction with Library offi¬cials.Student Services CommitteeThis committee is responsible forcoordinating services provided to thestudents by SG. Last year it rented outrefrigerators to students and publisheda Ride List, but was otherwise not veryactive.University Services CommitteeThe University Services Committeeis responsible for overseeing servicesprovided to the students by the Univer¬sity. Aside from working on the 24-hourHarper Library, this committee wasalso, for the most part, inactive.The Assembly has also created twoAd Hoc committees. The Committee onStudent Representation will work toseek student representation on the Col¬lege Council and Faculty Senate, andalso compile a list of existing commit¬tees and organizations that studentscan join to have input into Universitypolicymaking. The IntercollegiateCommittee will represent the Universi¬ty of Chicago to other schools and seekto establish an American Association ofUniversity Students (AAUS) chapter atthe University.SG welcomes input from students,and is located in room 306 of Ida NoyesHall. This year’s executive officersare: Joe Walsh, president; TimothyWong, vice-president; Chris Gomez,treasurer; Chris Hill, secretary; RickSzesny, finance chair; and Geoff Dun¬away, SFA Court chief justice.The Chicago Maroon—Friday, September 23, 1983—13Receive Wholesale Prices, Discount Rentals &Professional Consultation As APersonal Computer NETWORK Member Only!Students, faculty, and professionals, save hundreds of dollars by buyingDIRECT at 8% above DEALER WHOLESALE PRICES, plus shipping when youjoin America’s Number 1 computer software and hardware buying service. You’llalso receive FREE PROFESSIONAL CONSULTATION and the opportunity toRENT SOFTWARE BEFORE YOU BUY!The beginning of the academic year is theideal time to consider making an investmentin your continued success.As a student, faculty member or professional, yourecognize the ever-increasing role computers are play¬ing in both the academic and commercial work-place.The reason is simple. 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See which games you like bestbefore you buy, or just play each until you’ve hadenough fun.8 SPECIAL SALE BULLETINS—“THE PRINTOUT”■ Often The NETWORK’S experienced buyers findspecials on certain items. Members periodically receive“THE PRINTOUT,” a computer-generated updateannouncing special limited-quantity merchandise that TheNETWORK was able to purchase at considerablesavings. As a Member, these savings are passed rightalong to you.NATION-WIDE ELECTRONIC CLASSIFIED AOS.Now you can efficiently, effectively and affordablysell your own computer software or hardware you nolonger use. All Members can access our on-line Electronic9. Classifieds from their systems 24 HOURS A DAY,SEVEN DAYS A WEEK, providing they have a modemand terminal program. Members across the country placeadvertisements for just $5 per ten-line insert per month(minimum ten lines per month). Products and services areconveniently listed by brand, type and several othereasy-to-access categories.DOUBLE GUARANTEE OF SATISFACTION —lU.You must be satisfied with both your NETWORKmembership and any purchases you make as a member.If you are not satisfied with the exclusive services youreceive, notify us within 90 days of your membershipvalidation to receive a 100% money-back refund of yourmembership fee. And if you are not satisfied with theequipment you purchase as a member, return it to uswithin 15 days for a 100% money-back refund.Complete Systems!For Word Processing, data analysisand recreation—all software included!System WholesaleCP/M from $1,195*one 390K disk, 64K, 1-pcintegrated systemApple Compatible from $1,199*one disk, 64K, 80 col. card,green monitorIBM PC Compatible from $2,250*two 320K disks, 128K,amber monitorPortable CP/M from $1,059*one 800K disk, 64K, 9-inchmonitorColeco Adam from $550*includes letter quality printer,Coleco Vision, joy sticks,wafer tape, Apple BasicAvailable soon!"Network Members pay just 8% above the wholesale price,plus shipping| CALL (312)372-4488Your Membership Validation Number: M217-1314-00-32You can validate your membership number and, ifyou wish, place your first money-saving order overthe phone by using your VISA, MASTERCARD orAMERICAN EXPRESS. Our knowledgeable ser¬vice consultants are on duty Mon-Fri 9 AM to 7 PM.Call now...Join The NETWORKand start saving today!Or mail the membership application below to:The Personal Computer NETWORK180 North Michigan AvenueChicago, llliniois 60601PERSONAL COMPUTER NETWORK 32MEMBERSHIP APPLICATIONYES! Please enroll me as a member in the NE1-WORK™ and rush my catalog of over 10,000 computersoftware and hardware products, all at just 8% aboveDEALER WHOLESALE PRICES. I will also periodical¬ly receive “THE PRINTOUT,” a special up-date onmerchandise at prices BELOW even those in mywholesale catalog, and all the other exclusive, money¬saving services available to MembersI am under no obligation to buy anything My completesatisfaction is guaranteedPlease check (t*) all boxes that apply:□ One-year membership for $8□ Two-year membership for $15 (SAVE $1)□ Business Software Rental Library for $30 add I. peryear—members only□ Recreational Software Rental Library for $10 add I.per year—members only□ Bill my credit card:□ VISA □ MasterCardAccount Number: □ American ExpressExpDate.1 Check or money order enclosed for $.NameAddress.CityState .Apt No..Zip.Telephone ( ,My computer(s) is: □ IBM PC □ Apple□ Atari □ Commodore □ Other;Signature □ TRS-80(Signature required to validate membarsnipi14—The Chicago Maroon—Friday, September 23, 1983By Nina LubellThe University of'Chicago librarysystem consists of the main serviceunit, the Joseph Regenstein Library,the College Library, William RaineyHarper Memorial Library and six de¬partmental libraries.The library system, as a whole,boasts a collection of over four millionvolumes. Regenstein Library holds alarge portion of these. Harper Libraryholds about 45,000 volumes. Six depart¬mental libraries range in size fromabout 12,000 volumes to over 380,000volumes. The departmental libraries,of course, have catalogs of holdings,but Regenstein has a union catalog ofmost holdings in the library system.Regenstein holds major collections inthe social sciences, humanities and an¬cient and modern languages. Biologyand geophysics are temporarily locat¬ed in Regenstein, too. On the first floorof Regenstein is the Circulation De¬partment where books are charged outwith UCIDs, and the Reserve ReadingRoom where professors often placespecial course books on reserve. TheReference Department, also on thefirst floor, has the standard referenceworks and reference libraries areavailable for general assistance duringmost library hours. The other floorshave reading areas and open stacks.Regenstein generally opens at 8:30a.m. and closes at 1 a.m. except onweekends when hours are shorter. Avalid ID must be presented for en¬trance and bags are checked upon exit.Regenstein also has a coffeeshop on A Level. Lockers for book storage can berented at Reg.Harper Library, located on the thirdfloor of the building at the south end ofthe Quad, is open from 8:30 a.m. to11:30 p.m. with shorter hours on theweekends. Harper is the College li¬brary and has a general reading collec¬tion. Harper also has a Popular Read¬ing Collection and a closed-stackStorage Collection. Harper has a cof¬feeshop located on the mezzanine leveland a few book lockers are availablefor rental.Billings Library in Billings Hospital,Pathology 211, has holdings in chemi¬cal medicine. The Chemistry Library,Jones Laboratory, second floor, con¬tains volumes useful in chemistry re¬search, and a quiet place to study. Eck-hart Library on the second floor ofEckhart Hall houses physics, mathe¬matics and current astronomy books.Across the midway, the Social ServiceAdministration Library in the SSABuilding, first floor, has material forcurrent research in social service. Alsoacross the midway is the Law Libraryat Laird Bell Quadrangle, second floorof the Office Building, which has380,000 volumes. The last library, notquite on campus, is located in WilliamsBay Wisconsin. This is the Yerkes Ob¬servatory Library which holds a collec¬tion in astronomy.The John Crerar Library, which isbeing built in the new science quadran¬gle at 57th and Ellis Avenue, will housethe special collection of rare scienceand medical books ranging from the14th century to the present. LibrariesHarperBOOKSTORESAs if you didn’t read enough at the Reg...By Guy WardBooks are integral to the lives ofevery student. At the University of Chi¬cago this has the unfortunate tendencyto refer to “required readings,” butthere are a number of places to buy“normal” books of which you cansneak a half a chapter during lecturesor on your way to class. Some placesalso sell used textbooks, so check thembefore using the University of Chicagobookstore if you can.Bob’s Imperial (5100 Lake Park):Bob’s has grown from a three-by-four-foot newsstand in 1965 to a roomy newbrick structure (finished last year)where you can brouse through a selec¬tion of 3000 magazines from all over theworld and 4000 cards. Bob describes the cards as “some of the strangest cardsavailable from all over America, noHallmark.” Bob’s also sells new paper¬backs (500 titles), and newspapers in¬cluding major American papers andforeign issues from London, Jerusa¬lem, and more.The Book Center (5211 SouthHarper): This store is geared to the in¬terests of Hyde Parkers. No textbooks,but many paperbacks in such areas aspsychology, art, and children’s litera¬ture, with strong sections of mysteryand science fiction. They carry manycalendars, the Sunday New YorkTimes and the Reader, as well as refer¬ence books and classics. They willplace special orders.Joseph O’Gara's Bookstore (1311East 57th Street): The oldest bookstore in Chicago, O’Gara’s holds every typeof used book imaginable, hardcover orpaperbound, except textbooks. Almostevery section is wonderfully complete:art, biographies, black studies, film,history, psychology, sports and games,theater, and women’s studies. There isalso a wall-and-a-quarter of “popular”books and a bin-like table of science fic¬tion that includes such things as old An¬alogs. This last is, next to the front win¬dow, the favorite napping-place ofHyde Park’s most educated andfamous cat. Lady Jane Grey. Browsersneed to be cat-footed to get at some ofthe books, even with the rolling laddersprovided. Books are bought at one-fifththe cover price.The Phoenix (Reynolds Club base¬ment): In the past, the Phoenix carrieda wide range of books, including text¬books and a listing of current requiredreading lists for many courses. After aloss of over $17,000 last year, thePhoenix is closing, but will run a bookexchange at the beginning of thequarter.Students may bring in their old text¬books from Sept. 26 through 28, forsales Sept. 30 and Oct. 1. For more in¬formation, call the Student ActivitiesOffice.Powell’s Bookstore (1502 East 57thStreet): Powell’s tends to resemble ajumbled, Rockwellian attic. There is abox of free books just outside the doorand a table of fifty cents books just in¬side. You can find “imperfect” newbooks mixed in with the used ones,ranging from ancient history to zoologyand including a very complete Europe¬an language section. There are alwayspiles and boxes of newly-arrived booksstacked about the cash register and inthe back; used books are bought for 20percent of their cover price. The hodge¬podge of books is worth shufflingthrough for the fun of it, and with thesemiexistent shelving system you need1 time to poke around.Seminary Co-Op Bookstore (5757South University, basenment): This isa deceptive place; it looks small, butthat’s an illusion created by all thebookcases, the low ceilings, and thefact that textbooks are in a secondroom. More and more instructors areusing the Co-op to supply their books-because it’s faster and more reliablethan the University’s bookstore, and ifyou're the twenty-third student in forone ot the twenty-two books your in¬structor ordered, they’re very nice about placing a special order. This isnot a place to go for light reading, butthere are extensive sections on anthro¬pology, Far Eastern work, Linguistics,philosophy, psychology, and theologyas well as the entire Penguin books ca¬talog. The gay studies, film, and come¬dy books are all tucked in a tiny nooknear the cash register. You can buy ashare of stock for $10 which entitled youto a 10 percent discount on purchases, acharge account, and a yearly rebate,and can be sold back to the store forface value.University of Chicago Bookstore(5750 South Ellis Avenue, entrance on58th Street): You can expect to pay abundle here; better to check out theused bookstores first, or find someonewho took the course before. The up¬stairs is primarily school supplies, withthe textbooks on one end and paper,binders, pens, and so forth on the other.There is also a small drugstore and theplace for caps, gowns, class rings, andU of C-decorated glassware and cloth¬ing. In the back there are counters forelectronics, typewriters, and cameraswith a very good selection.The first floor stocks reference booksand bilingual dictionaries as w-ell as awide variety of randomly-organizedscholarly books and a fairly good selec¬tion of periodicals and out-of-townnewspapers. The fiction section is par¬ticularly excellent from classics to con¬temporary, and the children's and non¬fiction sections are similarly extensive.If it’s here, there’s a good chance onlythe staff knows where it is, and if it’snot they’ll order it. If you must buyyour textbooks here, be sure to go whenyou have a couple of hours to spare agood supply of patience, and a toler¬ance for extreme chaos.The Chicago Maroon—Friday, September 23, 1983—15Campus coffeeshops: making your morningtnil-*. I „ . „1. CBy Jeff TaylorThe University of Chicago coffeekiatch offers the campus’ best socialscene, a place to recover from lastnight’s excesses and a good reason torise early during bleak winter months.The cozy glow of a favorite morningspot becomes a daily focal point — ahot cup of something* the newspapersand that set of people seen only beforenoon.But one must choose carefully. A cof-feeshop picked is not easily discarded,and there are a few real losers. Herewe present a brief introduction to thesehallowed haunts of the Universitycampus, with special tips for newcom¬ers to the morning circuit. They arelisted from best to worst, in order ofbiased personal preference. Eliot and a mug rack for regulars onthe wall, here anyone can measure outhis life with coffee spoons.The cooler holds a variety of jucies,drinks, and kosher and vegetariansandwiches, and behind the counterare terrifically trashy burritos thatstick to the roof of your mouth. Swiftalso offers both cappuccino and espres¬so, a campus exclusive* and the arrayof doughnuts found in every U of C cof-feeshop.The biggest drawback is the crowd:it’s tough to get a table, not just duringpeak hours but anytime. The diverseand devoted clientele would ratherfight than switch.Swift CoffeeshopWhere it’s at. Tucked away in thebasement of the Divinity school, thisrare gem features the mellow lamplitatmosphere and friendly staff thatmake it the most popular meetingplace on campus. With lines by T.S.CROISSANTSFresh baked!All butter!•plain• chocolate•almond• ham & cheese• apple we bake our ownall butter chocolate chunkcookies made withreal Swiss chocolater BUY2croissants]Or Gourmet cookies JGET 2* AT V2 PRICE 11* of less or equal value j1 coupon per customerVALID THRU OCTOBER 83 t1JWiMMMHM!.i^«Septemhef The NonesuchA small room stuck in the rear of theClassics Building, the Nonesuchabounds with English majors. In fact,there are so many English majors hereit’s hard to breathe. The talk is stuffyand most of the people (dare we sayit?) hold memberships in the U of Cpseud club.But the Nonesuch has a uniquecheese board with dozens of varieties,and the selection of teas and unusualbaked goods is hard to beat. Objectionsnotwithstanding, the duke and dauphinof Twain’s world would find it a tolera¬ble place to smoke and spit. Cobb CoffeeshopA depressing basement. Sadly, this iswhere most freshmen end up duringtheir pre-class periods, sitting on plas¬tic furniture and feeling deep downthat they're missing out on something.Social Science Tea RoomThe runner-up. Small, smoky andcomfortable, the Tea Room displays asign proclaiming it off-limits to all butSocial Science grad students — a stipu¬lation everyone cheerfully ignores. Thefare is not elaborate but meets require¬ments: coffee, tea, bagels, doughnutsand small cakes. Located on the SocialScience Building’s second floor, it isusually not crowded. Ida Noyes BakeryEssentially a ‘to go’ establishment,the Bakery carries a comprehensiveand sometimes intimidating pasticheof pies, pastries and puffs. Their Haa-gen-Dazs ice cream is reasonablypriced but rarely available in the de¬sired flavor. Frieda, the Jovial ladywho tends counter in the morning, willsometimes serve up extra everythingto the customer who smiles and sayshi.Trouble is, bakery patrons must ei¬ther carry goodies away or sit in thehuge Ida Noyes lobby, which has all theatmosphere of a midwestern rollerrink. And, oh yeah, they don’t bakeanything themselves — they send out.Weiss CoffeeshopWeiss is perched in the mezzanine ofHarper’s east tower. If the unreliableHarper elevator happens to be work¬ing, okay, give it a try; if not, forget it— there's nothing about Weiss to merita four-story climb. With two nonde¬script rooms and the usual stock ofdoughnuts, this little hole has the raredistinction of being the most boringcoffeeshop on campus. Worthwhileduring finals week because it staysopen round the clock along with Harperlibrary. Social Science Tea RoomThough Cobb is suitably stocked formorning munching, the mildewed wall¬paper and tacky linoleum tell the tale:this place has no class. Cobb is onlygood for a quick coffee to go beforeclasses upstairs. Last year’s livelystaff would occasionally entertain thecrowd with off-key renditions of oldJourney songs; it would be fair to saythat Cobb itself is like an off-key Jour¬ney song.Ex LibrisLiterally the pits. As sterile as the li¬brary whose basement it inhabits. ExLibris looks like the cafeteria in a nu¬clear power plant. This place is noteven worth a break from the Regen-stein routine: perhaps it was estab¬lished as an impetus for students tostay in their carrels. Because food can¬not be carried into the Regenstein afterpurchase, Ex Libris is always crowd¬ed. (And a mighty unhappy-looking lotthey are, too.)YOUR ON-CAMPUSPHOTOHEADQUARTERSSales - Repair - Supplies’Rentals by day • week - month:Cameras, projectors, screens, recorders(w/valid U. of C. I.D. only)•Prompt quality photo processingby Kodak and other discount processorsAuthorized dealer sales hr; Canon • Kodak • Nikon • Olympus* Penfox * Polaroid • Panasonic • Sony • Vivitar • and others.-Batteries .Film■Darkroom accessories "Video Tapes„ ■Chemicals and Papers-Cassette tapes -RadiosThe University of Chicago BookstorePhotographic & Office Machine Department97Q 58th St.2nd Floor ,3E ' 962-75581-965-4365 “ *- riKaaSirr*1 !*iii mmmmmmmHello, Soxfest,goodbye, Chicagofest The Chicago Maroonannounces its firststaff meeting for the 1983-84 yearTUESDAY SEPTEMBER 27In its Orientation Issue two yearsago, the Maroon offered a list of “insfand outs for the novice.” As we noted:“one ‘higher ideal’ behind an Orienta¬tion issue is to help both new and re¬turning students to get a grip on the li¬ festyles and the mores of this complexcampus.” As times have changed, sohave the “ins and outs.” Therefore, wepresent the following updated list forthose wanting to know everythingabout life at the U of C.the latest ins and outsPasse Fads—Bob Greene—Harold Washington—The Baker Report—CAUSE letters—Inquiry funding quarrels—Chicagofest—Aspirin—Psi-U disorientation—Tuition increases—Marvin ZonisAlmost Passe Fads—Orly’s—Chamberlin pornfests—Reg Rat t-shirts—Scott Powell viewpoints—Morton Kaplan-PERL—Graduating—No-Doz Never Fads—Dumb Ra—Pierce food—Math majors—Preps—Undeclared majors—Byrnefest—School spiritUp and Coming Fads—Morryland—Cruising in the Maroon car—Haroldspeak—Dean Levine’s nature walks—Mayor Harold BainesFads You Missed—Wheelchair lift campaigns—Stones at the Checkerboard Lounge—F*—Jazzfest—B-J bashing—KuviasungnerkNever Passe Fads—Royko—Incompletes—Dexedrine—Spud—Pic books—Sinai 48—LSAT, MCAT, GMAT—Bedazzled—Changing majors—Late fees—Soxfest Most Over-Used Cliches—The blizzard of ’79—Before it’s too late—Uncle Miltie—This could be the year!—5th year—The Ratio—Chicago MBA—The Moron—Anythingfest—Harvard of the Midwest—Aims of Education—Winning Ugly 8:30 p.m.ROOM 303Ida Noyes HallA S L i, 4 i m4 Ik.JMWBk111fiJ m*li 1 %j ij § i m*».mBmmBmSLWZ1. Cl 5 »''Ml/f*a ^ a 11111 $ n I | fa* - 'Mfm.'■ 'fayyyZ'fZtf'/- :6 'yl-ZZ'-- •c l i f Jill*niwm.MMSmLJ % ,'"p</. * ..•••• •Jf IK”You'll find them all in the heart of Hyde Park.Discover friendly people...gentle prices... shoppingthat's hassle free. It's here in our neighborhood atthe Hyde Park Shopping Center where everything'sas fresh and crisp as a fall morning.City GirlCohn and SternDoralee, Ltd.Fanny MayFritz on 55thHyde Park Co-opPark Lane Hosiery Shoe CorralSusan GaleWalgreensWoolworthsAt yourservice:Flair CleaningHemingway's Hyde ParkAssociatesin MedicineHyde Park BankHyde ParkCurrency ExchangeDr. M. R. MaslovOptometryHYDE PARK—-bnoppingCenter—On Lake Park between 54th and 55th StreetsThe Chicago Maroon—Friday, September 23. 1983—17^0% < ( )l MM >NA-ACTIVE BUSINESS MACHINES1633 E. 55th St.752-0541discount•writer serviceon typeiONLY TO STUDENTSWITH I.D.WITH THIS COUPONExpires 10/30/83INGIFTSTORE HARPERCOURT20%493-9651 OFF ON ALLBEDSPREADSWITH COUPONExpires 10/14/835225 S. HARPER BROUGHT TO YOU BY THE MEMBERS OF|^/tP>LL ttsX’l 2iULLZl'i1411 E. 53rd St.Ph. 493-5300COMPLIMENTARY COCKTAILWITH DINNER1 PER COUPONEXPIRES 10/31/83 »l f^arEast’Klfchto 1654 E. 53rd St.955-2200-01-02FREEPAIR OFCHOPSTICKSWITH EVERY ORDER OVER $5.001 PE* COUPONExpires 10/8/83i*ANDERSON'SACE HARDWARE ACE1304 E. 53rd St. • 493-333810% OFFON SELECTED SHELVING 1^Chances5225 S. Harper363-1550 RWITH COUPONExpires 10/15/83 25% OFF (IOUPON1 PERCOUPONany mealExpires 10/9/83 1608 E. 53rd St.667-2800 FALL TUNE-UPS4 Cylinder Cars*47.996 Cylinder Cars*57.99Indudes parts & labor1 car per couponExpires 10/31/83<;(Mii’i >N 1TANDERSON'SACE HARDWARE ACE1304 E. 53rd St. • 493-333810% OFFQUANTITIESLIMITED ON LARGE SELECTIONOF APPLIANCESWITH COUPONExpires 10/15/83 t .( Mil ’( >NOXFORDBUTTON-DOWNDRESS SHIRTSLimited quantitiesin blue & whiteonly—„ _ comparable to1502 E. 55th St. $26 valuein tne Hyde Park 2 for $26 i ( )l )f’( )Nin the Hyde ParkShopping CenterShopping Center wjfh ^ ^ . Expjres j Expires 10/1/83 on 55th100% VirginAcrylic Sweaters$2000 with coupon$28 to $32 values in wide varietyof styles and colors( oill'UN 5211 S. HARPERIN HARPER COURTGET TO KNOWART DIRECTIONSGET 10% OFF ALL ART 752-8100 -Hh• iH$CALLIGRAPHY & FRAMING SUPPLIES | SietwtWITH THIS COUPON ONLYexpires 10/15/83 1502 E. 55th Stin the Hyde ParkShopping Center 5.00 OFFON ALLGYM SHOES 1428 E. 53rd St.752-2020tDbQpqeGWITH THIS COUPONEXPIRES 10/1/83 40%OFFwith this couponExpires 10/15/83 ON ALL UNFRAMEDARTWORK, IF FRAMEDHEREIIHi 1*1 < )l ll*( )NC(X>P l|1526 E. 55th St.667-1444%3bSqvaQ1344 E. 55th643-6262 v> ►T*H»EBETTERIMAGE 50* OFF ANY 64>ACKCANNED POP1 Per CouponExpires 10/8/83 f^RHARPERCOURTCOPYCENTER5210 S Harper288-2233 HI SPEEDCASSETTETAPE COPYING30-60-90-120 minute tapes in4 minutes or less.‘1.00 OFF COUPONExpires 11/30/83- PIPE & TOBACCO SHOP' 288-23431552 East 53rd St.BIG,,M'S 10% DISCOUNTBriar Pipes - Pipe tobacco blends ( .( H 11 »f )NCt* Ucc INC. 1538 E. 55th288-5500 IT*1l|20% OFFON ANY WIPE-OFF MEMOBOARD r ( ( )l ll’( )Njii 1550 E. 55th St.752-3633HEMINGWAY’Sitwith this couponExpires 10/10/83 Li 1 PER COUPONExpires 10/15/83 •lJl FREE GLASS OF HOUSE WINEwith any item over $3.501 PER COUPONExpires 10/31/8318—The Chicago Maroon—Friday. September 23, 1983COUPONSPECIALS)F THE HYDE PARK BUSINESS AND PROFESSIONAL ASSOCIATION ^ V11J i ' 1 hiPRIME CUT MEAT MARKET, INC.1461 East 53rd St. • 241-56555% DISCOUNTON ANY PURCHASE OVER $10.00WITH THIS COUPONExpires 10/8/831 PER CUSTOMERCOUPON5210 S. Harper643-477710% OFFANY ONE ITEM IN STOCKLIMIT 1 PER CUSTOMER WITH THISCOUPON ONLYExpires 10/31/83 1^"4* vt • c. HOME Of THEVIDEO GOOO GUTS 1605 E. 55th St288-3600NydePapfcVideo Movie denier-FLASHDANCE IS HERE!OVER 2800 MOVIES VHS & BETA I IIIIIIIIIIIIIIIIIIIIIIIIIII-J4- I* COUPONBUY ONE HOT FUDGE SUNDAEGET SECOND ONE HALF PRICEWITH THIS COUPONHYDE PARK SALL NATURAL— ea/^RainbOW’s17:30 o.m.-Miontgm ;r^Fri.Sot. 9 o.m.-Midnight iSun. 10 o.m.-11 p.m.1Good Thru October, 1983 1458 L 53rd STREET< .< HI PONhoiifeeof>:anis10% OFFALL STATIONERY1301 E. 53rd St.684-6322WITH THIS COUPONExpires 10/15/83 LMRENCE NEAL SHOESfaSubus designer shoesJor women at affordable prices52/0 South Harper 645 4466$5.00 off on every $35.00 purchasewith this couponExpires 9/30/83 * I i < h i r ( - n*4 OFF 1534 E. 55th363-3230HYDE PARKSHOPPINGCENTERON ALL FALL SHOES,BOOTS & HANDBAGS(No slippers, gym shoesor mocassins)in harper court \ IM WITH THIS COUPONExpires 10/8/831^( COUPON 643-1100HOUSE OF GHANDI1457 East 53rd StreetMIXED VEGETABLE JUICEREGULAR PRICE $2.50 f^let there be linen™ 5225 south harper " 955 • 0100$5.00 OFF any blanket orcomforter in the storeWITH COUPON ONLY *1.99Expires 10/8/83 1 per couponExpires 10/15/83 t^I ( OIII’ONSUPREME JEWELERS1452 E. 53rd Street • 324-146033% OFFALL MERCHANDISEdr Expires 9/24/831204 E. 53rd St.363-8500rugs59<-H- NOTEBOOK PAPER200 COUNT - 5 RING FILLERPER PACKAGE WITH COUPONExpires 10/15/83 1508 E. 53rd Street66Y-2000WITH THIS COUPON tTFREE'GLASS OF |WINE !iWITH ANY 11CREPE DINNER 111 OFFER PER 11CUSTOMER 11Expires 11/1/83 11l|!L WITH THIS COUPONExpires 10/31/83 < ( >1 JIM >N5206 S. Harper AvenueChicago, Illinois 60615324-603910% OFF ANY ONETOY IN STOCKLIMIT 1 PER CUSTOMEROfII»lIIIIl|ll( ( >1 )l*< >N'yde Park'Hatz <2)c>signczs dltd.1620 E 53rd St.288 2900WITH THIS COUPONExpires 10/8/83 *5.00 OFFON ANY HAIRCUTOR PERMFirst time appointmentsonly1 per customer GFINER FOODS53rdKIMBARK PLAZA&2911 VERNON 25* OFF’S ANY GALLONOF MILK(1%, 2%, WHOLE)1 PER CUSTOMERExpires 9/30/83 I" LC i < M 11*• > N 1605 E. 55th St.324-7960UNIVERSITYLOCK & KEY 10% OFFON ALL IN-STOCK MERCHANDISEf* HYDE PARKOFFICE PRODUCTS1456 E. 53rd St.955-2510r.i Installation not included on locksor security devices.WITH THIS COUPON Expires 10/31/83modelcameraBic Biro's Sole *1.98 REG. $3.50Bond Paper Sale ^4.00 REG. $6.80WHILE SUPPLIES LASTI With Coupon Only Expires 10/15/83 1342 E 55th493-6700KODAK 20”x30’POSTER PRINTS*14.95from 35 mm Kodocolorslides or negatives onlyWITH COUPONExpires 10/7/83 1*" RENT ANY 2 MOVIESGET 1 FREEWITH THIS COUPON Expires 9/30/831368 East 53rd Street • 947-8100-01lKe viDEO connectionThe Chicago Maroon—Friday, September 23, 1983—19■■■If RELIGION ON CAMPUS ' SmsHKEmUniversity religious organizations:By Purnima DubeyMany denominations and religiousorganizations are represented oncampus and in the Hyde Park commu¬nity. These organizations have activeclergy and offer a wide range of ser¬vices and activities. All services areopen to the public. Campus organiza¬tions include:Baptist Campus Ministry5600 S. Woodlawn Ave.363-6063The American Baptist Campus Min¬istry is located at the Hyde Park UnionChurch. The major social activity is aninformal monthly Sunday evening din¬ner, held in the home of participants,for students, spouses and other youngadults. The organization also holdssmall discussion groups on varioustopics. The Church houses a student-run food cooperative through whichstudents can purchase groceries belowretail cost.* * *Bishop Brent House5540 S. Woodlawn Ave.947-8744Brent House is the University centerfor the Episcopal Church. Regularlyscheduled offerings: Eucharist everyThursday at noon in Bond Chapel; Eu¬charist and supper every Sunday at5:30 p.m. at Brent House.* * *Calvert House5735 S. University Ave.288-2311Calvert House is the Catholic StudentCenter at the University of Chicago. Itoffers a variety of activities includingdiscussion groups, a Catechumenate (aprogram for those interested in inves¬tigating Catholicism, becoming Catho¬lic, or returning to Catholicism), theol¬ogy programs, volleyball andbarbecues on Friday evenings, Sundaynight suppers, social action programs,a prayer group, Bible study groups, re¬ treats and parties. There are also pro¬grams presented for students in thevarious professional schools and stu¬dents in the College.Mass schedule:Weekdays (incl. Sat.) noon and 5p.m.Saturday 5 p.m.Sunday 8:30 a.m.11 a.m. (Bond Chapel)5:15 p.m. (Chicago Theologi-cial Seminary)* * *Meadville/Lombard TheologicalSchool5701 S. Woodlawn Ave.753-3195Regular worship and celebration areheld Sundays at 10:30 a.m. and otherspecial occasions. Activities includechoral singing, work with children andyouth, counseling, and adult educationand discussion. Special programs forstudents are held during the year.Meadville/Lombard TheologicalSchool Vespers is held every Fridayduring the academic year at 5:15 p.m.* * *B’nai Brith Hillel Foundation5715 S. Woodlawn Ave.752-1127Hillel serves as the meeting place forJewish students on campus. Activitiesinclude student-cooked Friday eveningShabbat dinners, Israel programs andIsrael coffeehouses, films, discussions,lectures, full Passover lunches and din¬ner programs and meals in the HillelSukkah, and a Sunday morning bagelsand lox brunch. Hillel also holds Con¬servative, Orthodox, and Reform reli¬gious services on Sabbath, High Holi¬days and festivals. There are studygroups in Hebrew, Yiddish, Jewish lifeand thought, Talmud, philosophy andclassical texts. Lutheran Campus Ministryof Metropolitan Chicago5500 S. Woodlawn Ave.Church: 492-6451The Lutheran Campus Ministry isone aspect of the community outreachof Augustana Lutheran Church of HydePark. The Campus ministry sponsors anumber of activities directed primarilytowards University students. Activitiesinclude a Tuesday evening pizza sup¬per where a faculty member presents atopic and leads informal discussion; acooperative supper on Sunday eveningfollowed by a meeting of a koinoniagroup; a Thursday morning breakfast,as well as a number of outings andother activities.* * *Mennonite Student andYoung Adult Service3809 N. Hamilton Ave.477-6882* * *Orthodox Christian Campus Ministry4747 S. Ellis Ave.St. Stephen’s House is the center forthe Orthodox Church’s activities. TheMinistry celebrates the Divine Liturgytwice a month. SS Peter and Paul Or¬thodox Church is a larger resource onSundays and Feast Days.* * *57th. St. Friends Ministry (Quakers)5615 S. Woodlawn Ave.288-3066* * *St. Stephen’s House4745 S. Ellis Ave.924-4520St. Stephen’s House is an ecumenicalmulti-purpose center open to studentsfaculty and staff of the University, aswell as the community. It has plannedquiet days and retreats, as well asDays of Reflection. Periods of silenceare set aside for those wishing to spenda quiet period. Morning and eveningprayer and a Eucharist are said dailyAcademic ProgramHonorsCollege PrepBasic College PrepIncluding:College CalculusA.P. Chemistry & Social StudiesRequired Computer EducationFour year Language StudyFrenchSpanishGermanLatin Athletic/ExtracurricularComplete Sports Programincluding: swimmingsoccerhockeyAward winning student newspaperyearbook and photography programSpeech and debateBand and orchestraFull intramural program Easily AccessibleEnclosed campusTwo minutes south of the MidwayAdjacent to the IllinoisCentral EntrancePrivate bus systemOpen House Sunday, November 17, 1983 1:30 P.M. - 5:00 P.M.Wednesday, November 30, 1983 7:00 - 8:30 P.M.Entrance Exam Saturday, January 14, 1984For further information contact Development Office 8:30 A.M.324-1020Mount Carmel High School6410 S. Dante Ave. - Chicago, Ill. 60637 - 324-1020A Catholic, College Preparatory SchoolServing the University Community for 83 yearsspiritual growth opportunities for studentsin the Oratory House (chapel).* * *Rockefeller Memorial Chapel5850 S. Woodlawn Ave. Bible study: 6 p.m. Mondays at Rock¬efeller Chapel First Baptist Church of Chicago935 East 50th St.536-3430 Living Peace Baptist Church5480 S. Kenwood Ave.544-6448Rockefeller Chapel is seen as the“Public Holy Place” of the University.The inauguration of the Universitypresident and commencement are heldhere. The Chapel presents public con¬certs and plays, and has a program ofchoral concerts, sing-alongs, organ andcarillon recitals, dramatic presenta¬tions and other events. The Chapelsponsors services on the followingschedule:Sunday 9 a.m. Ecumenical Service ofHoly Communion10 a.m. Coffee hour andclasses on scripture,ethics, and other topicsWednesday 8 a.m. Service of HolyCommunion, followedby a light breakfastThursday 5:15 p.m. Choral VespersService* * *The United Methodist Foundationat the University of Chicago1448 East 53rd St.363-7080The United Methodist Foundation isa Christian campus ministry sponsoredby the United Methodist denomination.During the year there will be a BibleStudy on Monday nights, and Sundayevening discussions. The Foundationcooperates with other campus minis¬tries in an ecumenical ministry to, andby, black students.Discussions: 7 p.m. Sundays at theparsonageHoly communion: 6 p.m. the first Sun¬day of the month atthe parsonage United Church of Hyde Park1448 E. 53rd St.There are three divisions of the Unit¬ed Church on campus. The UnitedCampus Christian Ministry, the BlueGargoyle, and the University Churchwhich are all located in the same build¬ing at 5655 S. University Ave. The Min¬istry’s activities include potlucks, re¬treats, peace campaigns anddiscussions. The Blue Gargoyle enlistsstudents in voluntary service to thecommunity. It runs a lunchtime foodservice five days a week. A Thursdaynight coffeehouse provides a displayfor musical talent. Presbyterian wor¬ship services are held at the UniversityChurch. The Church has a choir, a litur¬gical dance choir, and a sanctuaryband.Numerous religious services are alsoavailable around the Hyde Park com¬munity. these include:Augustana Lutheran Church5500 S. Woodlawn Ave.493-6451Chicago Sinai Congregation5350 South Shore Dr.288-1600Church of St. Pauland the Redeemer(Episcopal-Anglican)Dorchester at 55th St.624-3185Congregation Rodfei Zedek5200 Hyde Park Blvd.752-2770 Hyde Park Alliance Church(The Christian and Missionary Alli¬ance)4900 S. Lake Shore Dr.752-0469 St. Thomas The ApostleCatholic Church5472 S. Kimbark Ave.324-2626Hyde Park Union Church5600 S. Woodlawn Ave.363-6063 Tenth Church of ChristScientist of Chicago1448 E. 57th St.K.A.M. Isaiah Israel Congregation1100 Hyde Park Blvd.924-1234 Vendanta Temple5423 Hyde Park Blvd.363-0027Rockefeller Chapel1 CALENDARFRIDAYHillel: Friday Shabbat Services, Orthodox6:15, Reform 6:15Brent House: Social Hour 5:00-6:30Calvert House: Social Hour 5 pm.SATURDAYHillel: Orthodox Services 9:15 am, UpstairsMinyon 9:30 am.SUNDAYSAO: Student Activities Night. 7-10 pm IdaNoyes.SAO: Dance-While-You-Can All CampusDance, 10 pm-12 am, Ida Noyes CloisterClub.Rockefeller: Ecumenical Services 9 am, Uni¬versity Religious Services 11 am, Carillon Re¬cital and Chapel Tour 12:15.Hillel: Bagel & Lox Brunch, 11 am-1 pm. $1.75per sandwich.Brent House: Episcopal Eucharist 5:30 pm,dinner 6:30 pm $2.Calvert House: Sunday Masses, 8 am at Cal¬vert House, 11 am at Bond Chapel, 5:15 atChicago Theological Seminary.Soccer: UC vs Grinnell College 1 pm. StaggField.MONDAYDept, of Biochemistry Seminar: FEEDBACKREGULATION OF THE SYNTHESIS OFRIBOSOMES AND RIBOSOMAL COMPO¬NENTS, 4 pm Cummings rm. 101.Chicago Council of Scientists: Meeting 7:30pm 1448 E. 53rd St.Chemistry Seminars: Professor Kent R. Wil¬son, Department of Chemistry, University ofCalifornia, MOLECULAR DYMANICS OFCHEMISTRY REACTIONS IN SOLU¬TION.SAO: Eclectic Ed Registration Begins thru10/14. Ida Noyes Hall Rm 210.SAO: Sign up for Ida Noyes Flea Market —10/15. $2. Ida Noyes Rm 210.FIRST DAY OF CLASSES.US Chorus & Chamber Choir: Auditions,Cobb 429. TUESDAYSAO: Eclectic Ed Mini-Course Registration,Ida Noyes Rm 210.Career Placement Services: HOW TO GET ANON-WORK/STUDY JOB, 4 pm ReynoldsClub 201.Court Theatre: Previes HAY FEVER $7, $5 8pm New Court Theatre Building.DOC: BOY WITH GREEN HAIR, 8 pm CobbHall $1.50UC Chorps & Chamber Choir: Auditions,Cobb 429.WEDNESDAYSAO: Shapiro Art-To-Live-With Display 4-10pm, Ida Noyes Cloister Club.SAO: Eclectic Ed Course Registration.Career & Placement Services: INTRODUC¬ING STUDENT ENTERPRISES, 12 noon.Reynolds Club 201.Hillel: Sukkot Dinner 7 pm $4, $5.Court Theater: Preview Hay Fever, 8 pm NewCourt Theatre Building.LSF: The Awful Truth, 8:30 pm Law SchoolAuditorium.I-House Film Society: The General 7:30 pm$2DOC: AMACORD 8 pm Cobb $1.50.Department of Biochemistry: PHAGEREPRES-PROTEINS: INTERACTIONSWITH OPERATOR AND NON-OPERATORDNA. 4 pm. Cummings 101.UC Chorus & Chamber Choir: Auditions,Cobb 429.THURSDAYSAO: Shapiro Art-To-Live-With Distribu¬tion. Take a number 8:30 am Rm 210 IdaNoyes Hall.SAO: Mini-Course Registration, Rm 210 IdaNoyes Hall.Music Dept. Noontime Concert: Janet Kutu-las, Flute 12:15. Goodspeed Hall. Free.Hillel: Simchat Torah Services & Celebra¬tion. Orthodox 6:15 pm. Conservative 7:30pm. Hillel.LSF: THE GODFATHER, 8:30 pm, LawSchool Auditorium. $2.I-House Film Soviety: GRAND AMOUR DEBEETHOVEN 7:30 pm $2 includes popcorn.DOC: THE NUTTY PROFESSOR, 8 pmCobb *2.US Chorus A Chamber Choir: Auditions,Cobb 429. The Student Advisory Committeeto the Biological Sciences Collegiate DivisionOrganizational MeetingTHURSDAYSEPTEMBER 29-4:30 p.m.HARPER 284— All interested students welcome —EARN BETTER GRADESENJOY MORE FREE TIMECall 565-4040CLASSES ARE NOW FORMINGEvelyn Wood Reading DynamicsThe Chicago Maroon—Friday, September 23, 1983—21Contacts for Sale!What Is A Bargain?The 4 questions most frequently asked about contact lenses are:1 How Much Are Your Lenses72 How Much Are Your Lenses73 How Much Are Your Lenses74 How Much Are Your Lenses7YVhat is really more important, the lowest price, or the best fit¬ting lenses? We think the 4 questions should be:1 Is the doctor really a contact lense specialist7(or is he an eyeglass salesman 7)2 Can I expect professional service and care7(or will I be handled by inept non-professional salespeople7)3 Are the quality of lenses the best available7(or are they oft brands and seconds7)4 The question is. not how much are your lenses, butwill I receive the best care, the best quality and thebest price WELCOME RECEPTION AND DINNER A T HILLEL FORNEW UNDERGRAD AND GRAD STUDENTS—SUNDAY, SEPTEMBER 25—5:00 P.M. - Meet the Stafford Students active in HillelProgram information available. Sign up foractivities and classes and join Hillel afterdinner.6:00 P.M. - DINNER IN THE SUKKAH - FREEYOU MUST MAKE A RESERVATION bycalling 752-1127, coming to Hillel duringOrientation Week or mailing back theregistration form you have received inthe mail (if we had your address beforeschool began).HILLEL FOUNDATION - 5715 WOODLAWN AVENUE - 752-112700 OFF!When you rent fromBudget Rent a CarNow, at Budget Rent a Car you can rentany size car and save $5.00 off ouralready low rates.Budgef of Hyde ParkPhone: 493-7900Free pick up and deliveryin the Hyde Park area.^One coupon per rental.We at CONTACT LENSES UNLIMITED meet all the above crite¬ria of CARE, SERVICE, QUALITY AMD PRICE.TRY TO BEAT THESE VALUES!SUPER-WET BAUSCH & LOMBFLEXIBLE SOFLENSo\ly $29.00 B\ B\&F SERIESSuper-thin highly wet- only$33.75table lens specifically Basic series of lensesdesigned to correct that Bausch & Lombthose patients who built their reputationwere previous hard oncontact lens failures\ • NEW SUPER SOFT HIGH OXYGEN TRANSFER ILTRATHIN - $43.75New super-soft highly oxygen transferable lenses used to correct !those patients who were previous soft lens failures• Sl’PER-WET TORIC CORRECTING FOR ASTIGMATISM - $100.00The same remarkable material as the super-wet flexible lenses but spe-; cifically designed to our exact specifications to correct for difficult as-| tigmatism• SOFT LENSES CORRECTING FOR ASTIGMATISM (TORIC) - S 160.00If you have ever been told that you couldn t wear soft lens due to astig-matisrp now you probably can• EXTENDED WEAR LENSES - $ 160.00The ones you sleep with no more cleaning sterilizing nightly, no moredaily Insertation and Removal wake up in the morning and seeLimit 1 pair per patientProfessional fee additional (required)(includes Eye Examination. Training Wearing Instructions and Carrying Case)OCR PROMISE TO YOC:If you aren t p'eased with your lenses after 60 days cost of the lenses will be re¬funded All contact 'ens fitting done by our Contact Lens Specialists.Dr S C Fostiak and Dr John S SchusterWe can replace your lost or broken lenses in 4 hours or less!(if lenses are in stock)IF YOU WANT THE BEST COME TO THE BEST'CONTACT LENSES UNLIMITED172* Sherman Av«., Evanaton. IL 60201 2566 N. Clark St.. Chka*o. IL 606J4(above County Seat)864-4441 880-5400s J WE WANTIT iRUBYCHEVROLET GMACRuby Chevrolet and General Motors Acceptance Corporationhas formulated a special plan to help all of you recentgraduates finance your new car. Even if you have no credithistory or are just starting a new job, Ruby Chevrolet andGMAC will work for you and with you to get you into the newChevrolet of your choice! So stop in at Ruby today and enjoy!• I Ottl GMAC RATFS• A HUGE INVENTORY OF NEW CHEVROLETS• FRIENDLY, HELPFUL SALES AND SERVICE PERSONELf^CHE CALL:684-0400^CHEVROLET7234 STONY ISLAND22—The Chicago Maroon—Friday, September 23, 1983SECURITYHyde Park, though boasting one ofthe lower crime rates in Chicago, hasdangers which are common to modern,urban neighborhoods. A series ofmurders over the summer, including adouble murder and the stabbing deathof a University security officer, demon¬strated this graphically to Hyde Parkresidents.However, the neighborhood is notwithout its protection. U of C security,whose responsibility is the protection ofthe University and the surroundingcommunity, is one of the largest policeforces in the state. Chicago police alsooffer protection of the neighborhood.The most basic element in Hyde Parksecurity, though, is knowing yourlimits in trying to avoid risks. It is oftenthe case that ignorance or bravado getsthe better of even the most cautious. Bybeing conscious that there is a dangerand that it can affect you, your years atthe University can be safe as well aschallenging and mobile. The followinginformation is included so that you mayavoid risky situations.Public TransportationThere are three means of publictransportation between Hyde Park anddowntown: the Illinois Central Gulf(IC) commuter trains, the elevatedtrains (the el), and city buses.Of the three, the IC is the safest, thequickest and the most expensive. Thetwo stations nearest campus are at55th-56th-57th streets and 59th St. Be¬cause the 59th St. station is a stop forboth local and express trains, while57th is only a local stop, you are likelyto have a shorter wait for a train at the59th St. station. However that stationhas been the site of a series of rapesand muggings. It would be best to get aschedule, and not arrive at the stationmuch before the train. One disadvan¬tage of the IC is that it goes no furtherthan Randolph Street in the Loop; ifyou want to go up to the North Side, youwill have to pay again to take a city busor El. The IC fare is $1.35.The El is the least safe way to get inand out of Hyde Park. Two El linesserve the South Side — the JacksonPark-Howard line and the Lake-DanRyan line. The Jackson Park-Howardline is the closest to campus; it hasstops on 63rd St. at University Ave. andon Garfield Avenue about a mile westof campus. The Lake Dan Ryan trainstops at Garfield and the Dan Ryan Ex¬pressway, a couple of miles fartherwest on Garfield. To reach either sta¬tion, take the 55th St./Garfield Bus —neither stop is a safe walk. Try not totravel on either alone, especially atnight, and take the Dan Ryan trainwhen possible. Make sure that you areeither on the B-train of either line, or atrain that makes all stops, especiallywhen coming back from the city. Oth¬erwise you will overshoot your stop.Fares are now 90 cents for the basicfare, and 10 cents more for the transferfor the bus to get to the station.WhistlestopAt all times, students should carry awhistle to alert others and the police ifa crime is occurring. If you hear whist¬les, blow your own whistle or, if you arenear a phone, call security or Chicagopolice at 911. Whistles are sold at Reyn¬olds Club and Ida Noyes.Walking Patterns possible to go home in a group of morethan two people, do so. Several groupmuggings have occurred in the past. Ifeveryone else has gone home, take themini-bus. If the mini-buses havestopped running, you still have a friendto see you to the door if you call Securi¬ty for umbrella coverage.Familiarize yourself with your neigh¬borhood as soon as possible. Watchtraffic patterns and street use to deter¬mine the best street on w hich to walk atnight and avoid those with dark play-lots, alleyways, or parking garages.Streets should be well-lit, have securityphones, and preferable have storesopen late.The Point is not the best place to goafter dark alone. Security cars have noreal jurisdiction to go to the lakefrontand are hesitant to do so even whenthere is a call. Chicago police are busydealing with other neighborhoods, so awalk on the Point is a walk into a grayarea.It is also unsafe to take walks south of60th St. or north of 47th St. after dark.Security coverage ceases at theseboundaries, so there are no securityphones or patrolling cars.Body language is also important onthe street. A potential assault can bethwarted with an alert look, a confident Umbrella CoverageAny student who feels uncomfort¬able about walking alone in Hyde Parkcan get an escort from campus securi¬ty. Students can contact security bypicking up a white security phone in the using it if a stranger has entered aheadof you. Only board if you know yourcompanion. If you are already on andfeel uneasy, get off or push other but¬tons so the elevator will stop severaltimes.. But most importantly, know yourneighborhood or by calling 753-2211 or962-8181. A student can also get umbrel¬la coverage by flagging down a securi¬ty car. A University patrol car on um¬brella coverage will meet a student andfollow him to his destination. A studyby the Maroon three years ago showedresponse time by security to calls to beSurvivingin theUrbanJungleand brisk walk, and obvious sign: thewhistle out and clearly visible in yourhand. Backpacks are a perfect studentaccessory because they can be droppedquickly if a footrace is necessary, andwith luck, the attacker will give it upafter searching through it.If you encounter a situation in whichyou are being verbally abused andbeing threatened with physical abuse,ignor it. Temper is not a healthy emo¬tion when you are outnumbered or ou-tweighted. If you expect to be touched,move to the other side of the street orthe middle of the street. If physical con¬tact is made, react. Do not be passiveunless the attacker is carrying a visibleweapon. Throw whatever you have atCommon sense could dictate yourway home from the library or to thebar. These precautions hold in anymodern American hamlet from NewYork City to Farmers City, Illinois.Avoid walking alone at night. If it is him, scream, do anything to distracthim. But do not wait to be grabbed.Often, with a careful but quick lookdown the street, these situations can bespotted far in advance. under six minutes.ExerciseRunning along the Point and in theHyde Park area is safe in the daytime,taking into account all the same pre¬cautions about walking in the street.But contrary to popular belief, manyincidents do occur between the hours of4 to 7 p.m. and in the morning rushhour. If you feel like biking or runningto the Loop, be aware of hot spots, suchas the 47th St. bridge. Maneuvering onan expensive bike is not as easy as youthink when faced against a gang ofyouths. As with walking, find apartner.BuildingsWhen looking for a place to live orwhen investigating your new dormi¬tory, make sure that the front of thebuilding is brightly lit. When movinginto a new apartment, have the lockschanged. Also make sure the landlordhas all hallways and building facilitieswell lit. It is easy for potential crimesto occur in a dark vestibule while youare opening the building door. Lockyour own door at all times. If yourbuilding does not have a burglar alarmsystem, hang bells on the doors andclutter fragile objects on the window¬sills, which would cause noise if thewindows were broken into. It is also agood idea to have either a lock on theinside of a closet or bedroom, whereone can hide from a potential assail¬ant.When approaching your building atnight, be aware of recesses and dark al¬coves. Have your keys and whistle outIf your building has an elevator, avoidneighbors. Introduce yourself andshare concerns with them about build¬ing safety. If the intercoms do notwork, ask guests as well as neighborsnot to admit strangers when they enter.And if a suspicious person has beenhanging around, ask about him. Hemight just be waiting for a friend — orhe could be waiting for you.Campus BusesThe best way to get around campusat night is to use the free mini-bus ser¬vice. There are four routes which leavefrom Regenstein library every half-hour between 6 p.m. and 1 a m. A mapis posted inside the front door at Regen¬stein, and maps can be picked up at thebookstore, Ida Noyes, Reynolds Club,and other places on campus. Althoughthe buses do have scheduled stops,drivers will stop on any route’s streetcorner if waved down. The ShorelandShuttle also operates for Shoreland res¬idents in the mornings and at mealtimes. Both the minibuses and theShoreland Shuttle are free.In addition to these buses, there arethree pay buses run by the Universitywhich reach a wider area, including thenearby South Shore neighborhood.Fares are 45< for Hyde Park buses and80c for the South Shore buses. Ticketscannot be purchased on the buses.Route maps and tickets are availableat Reynolds Club.Security PhonesThe white phones located aroundcampus are emergency phones directlyconnected to the University police. Be¬tween 56th and the Midway, CottageGrove and the IC tracks, there is one onevery corner, and there are severalother phones scattered throughout theneighborhood. If you are being chased,just take the phone off the hook as yourun by, and security will be alerted andwill send cars to the area. Security willrespond to such a call in less than aminute; however, you should be awarethat just opening the door of the box isnot the same as taking the phone off thehook. A student who sees suspiciouspersons or signs of a crime occurringshot-Id also pick up the nearest whitephone. The phones can also be used tocontact security if someone is ill or in¬jured and needs to be taken to the hos¬pital, or for such non-emergency situa¬tions as getting into a locked Universitybuilding or to rail for umbrella coverage.The Chicago Maroon—Friday, September 23, 1983—23V N I V L R 5 T Y OF C H I C A G OJnstrumentuTsgAuatflonsfor membership m the - <3fUniversity Symphony OrchestraUniversity Chamber OrchestraNew Music EnsembleChamber Music GroupsFRIDAY, SEPTEMBER 23 - TUESDAY, SEPTEMBER 27APPOINTMENTS MADE : DEPARTMENT of MUSIC MAIN OFFICEGOODSPEED HALL,THIRD FLOOR-5845 S. ELLIS AVE.TELEPHONE: 362-8484 DURING BUSINESS HOURS <• * •> FOR MORE INFORMATION CONTACT ' BARBARA SCHUBERT,CONDUCTOR AND DIRECTOR of INSTRUMENTAL MUSIC*GOODSPEED HALL 211 * ■* TELEPHONE : 36Z-7628 •••••> * FLAMINGOSTYLING & BARBERlobby ofFLAMINGO ON THE LAKE•convenient to theShoreland•over 30 years service•Free parking•appointment if desired9-6 TUESDA Y-SA TURD A Y324-38835500 South Shore Dr.=3t =>« ^YOU'RE WELCOMEto come and be a part of thewarm fellowship, serious study andjoyful worship ofCORNELL BAPTIST CHURCH• Stay for dinner this Sunday, September 25 •5001 S. Ellis Student Pick-upSusan Lockwood Wright in front of RegensteinPastor 9:40 a.m. for Discussion Classes363*4496 • 268*4910 10:40 a.m. for Worship=>«= =H= =>fc= Michael Marwick D.D.S. andMonica Kargl - Marwick D.D.S.Announce theopening of theirDental Practiceat1525 E. 53rd St.Room 604Hyde ParkBank Building752-788810% Student DiscountInsurance Accepted MarianHenriquez NeudelLaw offices inHyde Park, at5545 South Kimbark Avenueand downtown, at53 West lacksonSuite 1315Call 431-0082for appointmentFamily law: divorce, marriagecontracts, willsMilitary, Selective Service,Vets' benefitsMWMWMWMW Your future career is our business.Let our wardrobe consultants help youput the right wardrobe together At MWyou'll save 20-40% everyday on clothesthat work whether they're for your firstinterview or your first job.Save 33% on our own MW Suit, tailoredby den Besten...and receive a free tie.A $300 00 value for only $199, the MWsuit features the classic styling, the fitthe fabric the detailing youll needto move out into the business worldwith confidence.Available in classic grey, postman blueand navy, the suit is 75% wool/25%polyester ideal for year round comfort and a perfect wardrobe basic.Choose a complimentary silk tie from ourown collection of assorted patterns andcolors with each MW suit purchased.You'll meet each challenge with confidencewearing a MW suit.MW™“SOff Center Shopping Center300 West Grand AvenueChicago • 661-1094Mon-Fri 10-6, Sat 10-5, Sun 11-5A division of Mary Walter, Inc. tvanston24—The Chicago Maroon—Friday. September 23. 1983A taste of Hyde Park,By Bill EjzakThe Agora5700 S. Kenwood, 947-83096 a.m.-lO p.m. Mon.-Sun.Perhaps the most interesting featureof the Agora is that one of its waitressesbears a striking resemblance to MerylStreep. The decor is nondescript; and,worse, the Greek fare is mediocre.On a recent trip to the Agora, wesampled the Greek combination plate($5.95) containing souvlaki, spanako-tiropita, dolmades, gyro, pastitsio, anda rice pilaf.The spanakotiropita, spinach stuffedin layers of filo pastry, was too dry, ap¬parently having suffered from an ex¬tended period on the steam table.The souvlaki, skewered, grilledlamb, was fatty. The gyro, which nor¬mally consists of spiced meat in pitabread with tomato and yogurt, arrivedonly as spiced meat and yogurt. Andthe cheese sauce in the pastitsio wasnot creamy..On the positive side, the dolmades,with ground meat and rice with spices,rolled in grape leaves, was good. Andso was the rice pilaf.Ordered separately, souvlaki is$5.50; pastitsio, $4.15; dolmades, $4.45;and gyros, $4.15.Entrees come with a choice of soupor salad and rolls and butter. TheAgora also serves American food.★ * *Hyde Park Diner and Deli5507 S. Hyde Park Bl., 288-26007 a.m.-ll p.m. Tues.-Sat.; 7 a.m.-lOp.m. Sun., Mon.About a year ago, the Hyde Park Cof-feeshop got an extensive facelift, an at¬tractive new menu, reduced hours, adelicatessen on the side and fancierprices, making it the Hyde Park Dinerand Deli.The interior renovation looks good,with the walls and tabletops done inforest green and light wood benchesaround the tables. But the new seatsare a bit uncomfortable.The menu seems to have profitedfrom the addition of the deli. TheHPD&D offers a long list of sand¬wiches, from roast beef to tongue, al¬most all for $2.89. Meat is piled high onthe sandwiches.On a recent Friday, the soup of theday was fish chowder. It was excellent,with lots of fish and not too much salt.For only $.95, it was almost a meal in it¬self.Among the salad offerings are spin¬ach salad ($3.85) and fruit salad, a halfpineapple filled with fresh fruit andtopped with cottage cheese or icecream ($4.25).Entrees include sauteed liver ($4.25),sirloin of beef au jus ($5.95), fried scal¬lops ($5.95), and half of a rotisseriedchicken ($4.25). With entrees comesalad and potato.Service is prompt and friendly.* * *The Medici1450 E. 57th St., 667-73947 a.m.-midnight Mon.-Thurs.; 7 a.m.-la.m. Fri.; 9:30 a.m.-l a.m. Sat.; 9:30a.m.-midnight Sun.Just a few blocks east of the U of Ccampus on 57th Street, the Medici haslong been popular among students andfaculty.But location only partially explainsthe Med’s popularity. A comfortablecoffeehouse atmosphere and good, rea¬sonably priced food round out the ex¬planation.Medici features pan pizza and hugehamburgers. Pizza prices range from$2.85 for a small cheese pizza whichmight feed two to $15.25 for a familysized pizza with everything.The “hamburger Medici’’ ($3.50) isone half pound of ground beef on eithera Kaiser roll or black bread, servedwith french fries. Medici has 14 varia¬tions on this hamburger, from the dietburger to the stroganoff burger. Thesebig juicy burgers hold mercifully littleresemblance to what goes by the namehamburger at McDonald’s.Medici serves no alcohol, but one canbring one’s own and pay a small cor¬kage fee Or, one can choose from the non-alcoholic beverage list that fillsabout one-third of the Medici’s menu.There is usually a brief wait to beseated in the evening during the schoolyear. Delivery service begins at 5p.m.* * *Mellow Yellow1508 E. 53rd St., 667-20006:30 a.m.-10:30 p.m. Mon.-Thurs.; 6:30a.m.-ll:30 p.m. Fri., Sat.; 8 a.m.-10:30p.m. Sun.Blonde wood, hanging ferns, highceilings, and lots of window glass giveMellow Yellow a bright, light and —dare we say it — mellow atmosphere.And those same themes are reflected inthe staff and food at this restaurant at53rd and Harper.On a recent outing to Mellow Yellow,our party was greeted and quickly seat¬ed by a cheerful but unobtrusive host¬ess. The waitress was helpful andfriendly as she announced the dailyspecials and advised that the housewhite and rose wines were superior tothe red. The information was useful —but if the red is weak, the managementshould stock a better red for patronswho want it.Another small problem was that thewaitress did not mention that a compli¬mentary glass of wine came with thatday’s special, until the special was or¬dered. This information should havecome sooner.Dominating the menu at Mellow Yel¬low is light, affordable fare: salads,sandwiches, and an assortment ofcrepes. Chili here has earned specialmention. It won the Chicago chili cook¬off in 1980, and tastes great.Salads ($2.75 to $4.75) include avoca¬do and fruit salad. The avocado saladseemed a bit small.Best offerings are probably thecrepes ($4-$6). A thin, pancake-likepastry is rolled around beef bourguig-non, ham, king crab, mushrooms andcheese, and other fillings, then coveredwith a sauce. Crepe entrees all comewith a salad. The spinach salad withhot bacon dressing is particularly good.Fresh bread and butter also come withthe crepes.Another excellent offering which hasappeared on the daily special board la¬tely is the “mixed mermaid” ($4.95),which consists of half of an avocadowith shrimp salad, half of a tomatowith tuna salad and fresh fruit.* * *The Original Pancake House1517 E. Hyde Park Blvd., 288-23227 a.m.-9 p.m. Mon.-Sun.This restaurant in the Village Shop¬ping Center is usually priced on Satur¬day and Sunday mornings and early af¬ternoons, with people lined up to get in.But the lines move quickly.What people line up for is the mostvaried selection of pancakes in HydePark.The house specialty is the apple pan¬cake ($4.75). It is really more of anapple pancake souffle, which arrives atthe table piping hot with a brown sugarglaze on top.Other exotic pancake offerings arethe “French pancake” with strawber¬ries and Cointreau, the “Palestine pan¬cake” with sour cream and Cointreau,the “Kijafa cherry pancake” withmontmorency cherries, and the “Swed¬ish pancake” with lingonberries (allcost $3.95).Only slightly less unusual are ban¬ana, blueberry, hawaiian pineapple,and pecan pancakes (all $3.25). Eventhis listing doesn’t exhaust the Pan¬cake House’s imagination.Waitresses are friendly and effi¬cient; decor is conventional.* * ♦Orly’s55th St. and Hyde Park Blvd., 643-5500Lunch: 11:30 a.m.-2:30 p.m. Tues.-Sat.Dinner: 5 p.m.-10:30 p.m. Mon.-Sat.; 5p.m.-12 p.m. Fri., Sat.; 5 p.m.-9 p.m.Sun.Brunch: 10:30 a.m.-2:30 p.m. Sun.Menu headings such as “Creations”and items called “Vegetable BrochetteTempura.” “Vegetarian Sunshine,” from ribs to crepes“Bob’s Mom’s Lamb Chops” signalthat Orly’s is a restaurant with flash.Flash is what characterizes the eatingestablishments on Oak and RushStreets, where people with disposableincomes a bit higher than that of stu¬dents go. Flash is also a pretty rarequality in Hyde Park. And there are of¬ferings — “Creations” — at Orly’s forunder $5 which enable students to get inon flash.As an appetizer or a snack withdrinks (draft beer costs $1.35), Orly’soffers Guacamole Nachos ($3.45). Thecheese covered chips with guacamole,sour cream, and refried beans servefrom two to four.Recommended “Creations” are theBBQ chicken sandwich ($4.95) and the barbecued pork, is spicy and good.Soups at Tipsuda cost $4.50, but pro¬vide three people with two servingseach. The chicken coconut milk souphas a delightful lemon-coconut flavor,and is loaded with chunks of chickenand mushrooms (which, by process ofelimination, seem to be called “galan-ga” on the menu).In addition to daily specials listed ona blackboard, there are hot and spicyentrees, including chicken ginger andbeef panang; oyster sauce dishes suchas beef and Chinese broccoli; and nood¬le dishes. Most cost about $4.25.Take note that rice must be orderedseparately. And there may be someproblem crossing the language barrier.To a querry of “How’s the red snap¬PHOTO BY WILLI AAA VUDGEOrly’sBavarian club sandwich ($4.35). Theclub sandwich has sliced turkey breast,alfalfa sprouts, guacamole, lettuce, to¬mato, and swiss cheese. Both sand¬wiches come with cottage fries.Entrees include swordfish steaks (inflash lingo a “Samurai Sword”) andlamb loin chops (“Bob’s Mom’s LambChops”). They are served with saladand bread (“a warm wheat loaf”).Prices range from about $7 to $11.For dessert, the capuccino chipcheesecake ($2.50) is excellent.Dark wood paneling, dark woodtables, low lighting and plants com¬plete the flash effect. Service is ade¬quate.* * *Ribs N’ Bibs5300 S. Dorchester, 493-0400Noon-midnight Sun.-Thurs.; noon-1a.m. Fri., Sat.mini-review: summer picnic style ribsall year roundCertain foods are so well liked bysome people that the folks don’t carehow much effort is involved in consum¬ing them. Crabs are one example. A lotof mallet and pick work goes into part¬ing shell and meat. Ribs are anotherexample. Lots of gnawing and greasyfingers are involved in separating bar¬becued meat from bone.But if ribs are your thing, Ribs N’Bibs is your place. Located at 53rd andDorchester, the restaurant specializesin ribs, operating on a strictly carry¬out basis. A hickory fire bums through¬out the day to produce the right, smo-key flavor in its ribs.Rib dinners, including ribs, fries, andslaw, cost from $5.40 to $9.25. Until 4p.m., however, a half order of ribs withfries can be gotten for $3.60.* * *Tipsuda Restaurant1649 E. 55th St., 667-542311 a.m.-9 p.m. Sun.-Thurs.; 11 a.m.-10p.m. Fri., Sat.For those who have eaten Thai cook¬ing, the very thought of a Thai mealprompts the hand to reach for ice waterto douse spice-fires in the mouth. But arecent visit to Tipsuda yielded Thaidishes which, while spicy, kept downincendiary damage to Western palates.And prices here kept damage to stu¬dents’ wallets way down.A mild appetizer is shumai ($1.95 forsix), a dumpling of crab or shrimp,with dough made from rice paste. PorkSatay (six sticks for $3.50), skewered a per?” the native Thai waiter replied.“Yes, we have red snapper.”* * *TJ’s5500 S. Shore. 643-3600TJ’s offers white tablecloth dining inHyde Park. With the white tableclothscome continental cuisine that costsroughly $30 per person for appetizer,soup, entree, dessert, beverage and tip,and a clientele about 15 years olderthan most students, wearing coat andtie.Appetizers include lightly marinatedmushrooms ($2.75), pasta primavera($4.25) and jumbo gulf shrimp bakedwith garlic and herb butter ($6.25).There is a soup of the day ($1 or $1.75)and an onion soup ($2.25).A lamb platter and braised duck(both $12.95) were among recent dailyspecials. Prime rib ($13.95) appears onthe regular menu.Desserts include chocolate mousse($2.25) Haagen-Dazs ice-cream ($1.75)and cheese cake ($2.25).Students who don’t have rich rela¬tives visiting and want to try TJ’smight try the early bird special. Com¬plete dinners, excluding alcoholic bev¬erage and tip, are available for $8.95from 4 to 5:45 p.m. daily, Sunday from2 to 5.* * *Valois1518 E. 53rd St., 667-06476 a.m.-9:45 p.m. Mon.-Sun.The blue collar crowd that packsValois at lunchtime knows somethingthat U of C students ought to be let inon: the heartiest meals in Hyde Parkare served at this restaurant.For students who have suffered toomany dinners consisting in creamcheese and a bagel on the A-level of Re-genstein, Valois is just the antidote.Operating cafeteria style, the Greekswho run Valois dish out huge helpingsof beef, chicken, stuffed peppers, chopsuey, and other entrees. Most entreescost under $3. All come with a choice ofpotato and choice of bread, roll, muffin,or biscuit. All are adequately and gen¬erously prepared.A la carte vegetables cost $.50. Valoisweak spot is its salad dressing. OnlyFrench and garlic dressing are avail¬able, and both are watery.Desserts, including rice pudding, pie,and cake, all cost under $.85.The Chicago Maroon—Friday, September 23, 1985—25A' ->V\' e -V: feature: ;tHyde Park:Five Years LaterBy Jon MeyersohnTo a Hyde Park visitor absent for thelast five years, the community finallyappears to be growing into the comfort¬able middle-aged suburbanhood envi¬sioned 30 years ago by urban renewers.The squat brick buildings that ap¬peared so rudely in the ’50s and ’60snow appear to have mellowed with age,blending into a landscape of lush treesand quiet streets. Gone are the angryvoices decrying the death of old HydePark, its streets lined with bluesbands. All have moved north, whereone can now hear great blues music inthe cozy clubs on North Lincoln andHalsted Avenues. No more late-night,mid-week forays into the depths of theSouth Side to catch a set of JuniorWells at Theresa's or the Checker¬board Lounge.The biggest change in Hyde Park ispizza. Chicago’s great new export(deep dish will open in New York soon)has come to the University. Those whoremember fondly the Eagle Tavernmay find suffed pizza no replacementfor Bass Ale on tap, but Giordano’s pre¬sence in the area is just one of manysigns that Hyde Park's renewal of the'60s has become gentrification of the1980s. Welcome to modern times.There is other evidence of creepinggentrification: Morrv’s enterprisingexplosion over the gourmet landscape;a Mexican restaurant where the old ac-ceptable-but-not-first-rate-when-the-parents-are-in-town Court House; thenewly renovated Windemere (where A1 Capone and Delores Schwatz’s fatherused to live) and Regents Park, bothtouted with appropriately hushed-toned ads on WFMT.Students at the University don’t ap¬pear to have changed much. This isprobably the only campus in thecountry where freshmen aren't run¬ning around in high top black sneakersand anti-social haircuts. It’s still teeshirts and plaid shirts with theJimmy's crowd. The Seminary CoopBookstore is still knee-deep in TheMarx Engels Reader, though custom¬ers are assured that Free to Choose isstill in stock. Over at Regenstein themicrofiche is in, the computer checkout system still isn’t, and the A-levelcoffee machines are being loaded withbrown crayons to melt in lukewarmwater. And DOC films has chosen Jo¬seph Losey as this quarter’s directorworth knowing everything about.The unexamined life may not beworth living, but the unexamined cityis not worth living in. The greatest mis¬take a student can make is not gettingout of Hyde Park when time and moneypermit. Whether it’s a Chicago Sym¬phony concert at Symphony Hali, atour of the Art Institute's stunning Im¬ pressionist collection or an informaland inexpensive sampling of Chicago’sethnic restaurants, don’t hesitate. Chi¬cago can be an obscure and challeng¬ing city; it takes time to get to know.Phillip Roth once said that Chicago islike 13 Newarks. He probably didn’t in¬tend it as a complement. He meant itwas a city of neighborhoods, many ofthem ugly and poor. But getting toknow those neighborhoods is an excit¬ing part of living here, particularly be¬cause Hyde Park has few of thecharms of a real neighborhood.What Hyde Park does have is the pe¬culiar. pleasant ease of a planet of like-minded souls orbiting the University ofChicago. The University, in its seem¬ing state of unshakable permanence, isa community. One grows to appreciatethe consistency of this inconsistentplace, the appealing anarchy of formalminds and informal talk. The stacks ofRegenstein, the cryptic course book,the morass of one-way streets thatcarefully lead the unwelcome intruderout of the orbit. The intruder must pen¬etrate the circle, challenge the system.Certain professors won’t take you upon an offer to share a pitcher of waterybeer at Jimmy’s. But few will flunk you"... and see this Style? 1 downed it at the corner bar. ”Whatever you do, make it worthwhile—with Heileman’s Old Style. Double brewed, fully Kraeusened forthat clean, crisp taste. So next time, do it with Style. Old Style.* Fora full-color 17" X 22" Old Style poster of this ad, send $1.00 to:TROPHY ROOM POSTER OFFER500 Third Avenue West, P O. BoxC-34057, Seattle, WA 98124 for asking and some may actually joinyou. .The greatest change on campus, be¬side grand plans for a new sciencequad, seems to be in the area most an¬tithetical to the University’s life of themind _ the completion of the FieldHouse renovation. However, lockerspace and shower facilities still appearto be consistent with Robert MaynardHutchins famous line that whenever hefeels the urge to exercise he lies downuntil it passes. I’m sure you’ve heardthe quote a few dozen times before, butwhat Orientation issue of the Maroonwould be complete without it?Some added tips for the curious:—Jazz and blues fans will find every¬thing and anything at the Jazz RecordMart (11 W. Grand St). Owner BobKoester, who also runs Delmark Re¬cords, is having a storewide sale. Healso gives periodic tours of the city’smore obscure neighborhood clubs.—Chicago’s independent theater isprobably the best in the country. Youcan start right on campus with CourtTheatre and work your way north.—Art collectors can line bland dormi¬tory walls with Chagalls or Picassos.The University offers Art to Live Within the autumn quarter, then Art forYoung Collectors in the spring.—Chicago students aren’t known fortelevision viewing, but if you must, thelocal stations run terrific old movies,and local television news is the best(read most responsible) anywhere.—Local newspapers have improvedsince Col. McCormick dubbed his ultraconservative Tribune the World’sGreatest Newspaper and the gossippages are always filled local tidbits.The sports writers are gearing up fortheir first October baseball coverage in24 years. For local listings on every¬thing, pick up the Reader every Fri¬day. And don’t miss Bob’s newsstandat 51st & Lake Park Blvd.Jon Meyersohn is a William Bentonfellow in broadcast journalism at theUniversity and a former Maroon edi¬tor.CHINESE-AMERICAN RESTAURANTSpecializing in Cantoneseand American dishesOpen Daily 11 A.-8:30 P.M.Closed Monday1318 E. 63rd MU 4-1062HOLLY NEAR &RONNIEIn ConcertTogetherwith JEFFLANGLEYSUSAN FREUNDLICHSIGN LANGUAGE ARTIST TOctober 9 • 7:30 p.m.THE AUDITORIUM THEATRE31 E Congress Parkway • ChicagoTickets $12, $7, $3 discount (or jrs (under 13) & Srs (over 64)Wheelchair seating only at Auditorium Bo* Office $9 Hearing3c visually impaired section available Mail Order ONLY (addressbelow) $9Available at Auditorium Bo* Office & charge by phone (312)922-2110, all Ticketron outlets 8 mail order with SASE to MidwestWomens Music Dist, 207 E. Buffalo. Rm. 545. Milwaukee,Wl 53202. (414) 278-0066 by Sept 26 (also for childcarereservations)Presented by Redwood Records 8c Greol American MusicHall in assoc with Midwest Women's Music Distributors.26—The Chicago Maroon—Friday, September 23, 1983 '1983 G Heileman Brewing Company Inc La Crosse WisconsinWelcome WelcomeTo *T0Chicago WelcomeToIIIerchaimoisetdatctCay S6<mv'i<muk48.82WESTCLOX LEDALARM CLOCK22648CX Reg.S10.9724-hr. memory alarm withdrowse feature.1. SHARP CE125PRINTER CASSETTECE125EFC Integrated printer/microcassetterecorder for Sharp PC1250. Ultra-compactunit provides reliable data storage and 24digit thermal hardcopy.89 83SHARP PC1250COMPUTERPC1250-EFC Advanced pocket computer hasbuilt-in BASIC, 24K ROM, 24 character dis¬play. 3. COMMODORE VIC-20HOME COMPUTERVIC20-CRX Reg. $99.845K RAM with 4 programmable function keys.16 color graphics and 5 octave sound.4. COMMODORE 64 i 0782HOME COMPUTER 157#C64CRX 64K RAM with built-in BASIC, 9 oc¬tave music synthesizer, upper/lowercase key¬board, and more! 19.84LOCKER511010-LWR Reg. $24.84Vinyl covering. Brassplatedhardware.23.92Q.E. SPACESAVERDIGITAL CLOCKRADIO74625EGL97.84AVANTI 1.6 CU. FT.REFRIGERATOR17AGR Reg. $109.97Storage in door. Twoice trays.12.876-CUP HOT POT™3253WB Reg. $14.8236 oz. Five heat settings.5. BROTHER EP20ELECTRONIC PRINTER8362BT A /[Q94Reg. $167.72Calculation ability. 16-digit dis¬play. Auto paper feed.6. SMITH-CORONA® MEMORYCORRECT™ TYPEWRITER0708631005CM faf WInterchangeable daisy printerwheel. ✓ 7. ROYAL ACADEMYELECTRIC TYPEWRITER018719RY -|£Q83Reg. $179.97Preset tabulation. Pica. Correc¬tion key with Err-Out ribbon.8. ROYAL PRINT/DISPLAYDESK CALCULATOR018474RY /[Q94Reg. $59.82 w10-digit display. Non-printswitch. 9. TEXAS INSTRUMENTS 5000PRINT/DISPLAYCALCULATOR Oft971028RTX 4ULightweight and portable.10. TEXAS INSTRUMENTSTI-55-2 CALCULATOR552RTX 2994 16.97SHARP SCIENTIFICWALLET CALCULATOR506EFC Reg. $18.97Reg. $34.82 8.87SOLAR RULER CALCULATOR018246RY Reg. $9.97Inches, metrics. 8-digit LCD display.Sal^rice^oo^uu Sept 30th: For The Location Of The Showroom Nearest You, Call Toll Free 1-800-SMC-INFO ©Copyright by Service Merchandise Co., Inc., 1983 N570Chicago, IL • Eastside Plaza 3620 E. 118th St. • 646-5926 gg VISAThe Chicago Maroon—Friday■, September 23. 1983—27Hyde Park barhoppingAmong the diversions more easily bottles. New management last yearavailable to a U of C student in Hyde brought in Medici pizza, nachos, andPark are a few bars scattered through other assorted munchies. The Pub alsothe neighborhood. While the drinking has a large-screen TV, video games,age in Illinois is 21, a student should be and foosball. Checks accepted withable to get into at least one of the area’s ID.bars on any given night. The following The Tiki-53rd & Cornellrepresents the neighborhood’s better- The Tiki is the only bar in Hyde Parkknown bars, and is admittedly not a open until 4 a.m., which is its main at-comprehensive list. Nevertheless, itshould provide a solid start for review¬ing the Hyde Park tavern scene.Jimmy’s—The Woodlawn Tap, 55thand Woodlawn.Jimmy’s is the all-U of C, all-HydePark, and perhaps an all-South Sidebar. Jimmy Wilson and the bar havegrown up with the University, andhence it caters to students. Sehlitz andAugsburger are on tap, and 33 differenttypes of beer are available in bottles.*Earlier this year, Jimmy’s was se¬lected as one of the 15 best neighbor¬hood taverns in Chicago by Tribune col¬umnist Bill Granger, which'means it isa good place to meet and drink withwhatever variety of people Hyde Parkhas to offer.Jimmy’s has some video games, andU of C memorabilia decorate the walls.Checks are accepted with UCID.The Falcon Inn—1605 E. 53rd St.The Falcon has taken the place of thedeparted Eagle. Like Jimmy’s, it wascited in Bill Granger’s tavern contest,which means a wide variety of peoplefrom Hyde Park and the Southeast sidedrink there. The Falcon has five dif¬ferent types of beer on tap, along withvideo games and a Jukebox.The Pub—Ida Noyes Hall BasementThe Pub is an on-campus bar open tomembers only (enforced periodically).Membership is available to anyone ofage with a UCID.The Pub serves beer and wine only,but there are eight different brands ontap, and nearly 30 different types in traction. There is absolutely no reasonto be in this bar before 2 a.m.Nevertheless, it is a good place to goif winding up a long evening’s drinking.Although offering no tap beer, severaltypes of drinks are available, and the“Polynesian” food can cure the mun¬chies brought on by bar-hopping.Checks are accepted with an ID.The Cove—1750 E. 55th St.The Cove’s main attraction is itsproximity to the Shoreland and the Cbus route. While Andecker is the onlybeer on tap, there is a good selection ofbottled beers. Chicago magazine saysits jazz jukebox is one of the best in thecity, which can be good or bad, depend¬ing on your view of Chicago magazine.There are also several pinball andvideo games here,Hyde Park Hilton’s Bristol LoungeTypical of any Hilton lobby bar any¬where in the world, this bar distin¬guishes itself by being the sharpestlooking on the South Side. Althoughslightly expensive, student night spe¬cials and 2-for-l prices on mixed drinksduring happy hours make it afford¬able.Perhaps the most noteworthy thingabout this bar is its newfound politicalstature. Since the election of MayorHarold Washington, a sometimes-pa-tron, this bar has become the gatheringplace of any black politician who thinkshe’s elite, although, in fairness, it mustbe noted that Mayor Washington, Con¬gressman Charles Haves, and Con¬gressman Gus Savage have beenknown to frequent the place.IMIllililliiWIiffill-in•m The Chicago MaroonNeeds writers, reporters,photographers, artists and production people.Visit our office (Room 303) in Ida Noyes HallStudent Activities Night or call us at962-9555. Our first staffmeeting will be held onTUESDA Y, SEPTEMBER 27 8p.min Room 303, Ida Noyes HallWe need youas-The Chicago Maroon-Friday, September 23, 1983 mmmm.-,s*V\vl> X/%■t$ $0* %*aMUGSThe University of Chicago BookstoreGift Department2nd Floor970 E. 58th St.962-8729Special films for yourspecial shots!The newfamily of 35 mmKODACOLORVR FilmsKODACOLOR VS 1000 Film• The most light-sensitiveKodacolor him everISO 1000• Capture that natural-lightteeling indoors, without ahashCF135-12 CF135-24KODACOLOR VR 400 Film• Lets you select last shutterspeeds to stop action in day¬light or to capture manyexisting-light situations• Choose smaller apertures toextend depth of fieldISO 40004135-12 04135-24 04135-34 KODACOLOR VR 200 Film• Gives you the flexibility toselect a slightly highershutter speed to stop actionor smaller lens aperture toincrease depth of field over. a wide range of general¬lighting conditions ISO 200CL135-12 CL 135-24 CL 135-34KODACOLOR VR 100 Film• The sharpest Kodacolor himever is ideal for generalpicture-taking situationswhere maximum imagesharpness and color qualityare desired ISO 100CP135-12 CP135-24 CP 135-34Photographic Department2nd Floor962-7558 PROOUCTS BYKodak May I a small houseAnd large garden have!And a few friends, and many hooks, both true,Both wise, and both delightful too!Welcome to theGeneral Book Department1st Floor962-7712RENTIBM CORRECTINGSELECTRIC ll'sby the WEEK or MONTH(Valid University I.D. Required)*2100 First Week*1600* Each Additional Week*5400 Per Month*Plus City Rental TaxThe University of Chicago BookstoreOffice Machine Dept.970 E. 58th St.2nd Floor V7S4*753-2600 or 965-4364University of Chicago BookstoreStationery DepartmentWelcomes back all last year'sstudents and their families, and of¬fers a special welcome to all newstudents and their families. Wehope we can serve you with all yourstationery and office supply needs.Watch for special sales on items inthe store.— Nathan Smith, Manager965-4103Check our catalog for items youmay not see on our shelves!This Week:MSuper2Expresso*EXTRA FINEPLASTIC POINT PENS(1 Black-1 Blue)PLUS A YELLOWMajor Accent*?2retail valueonly29eachOffeifc expire 9 30 63 Notebook filler200 sheets (8V2 x 11 inches)National and American BrandsRegular $2.25 to $2.55Sale* 1.99 eachSTATIONERY DEPARTMENT2nd Floor 965-4103The Chicago Maroon—Friday, September 23, 1983—29BY KEITH HORVATHChicago White Sox 4,Seattle Mariners 3Seattle ab rOwen, ss 4 0Bradley, cf 3 lBernazard. 2b 4 0Reynolds, 2b 0 lCowens, dh 4 lS. Hndrsn. If 4 0Moses, If 0 0D.Hdndrsn, rf 3 0Nelson, rf 10Putnam, lb 2 0Rncke. lb 1 0Coles. 3b 4 0Mercado, c 4 0Totals 34 3Two out when winning run scored. h bi1 00 03 00 01 00 00 01 01 20 00 01 00 08 2 ChicagoR.Law. cfFish, cBaines, rfLuzinski. dhNyman, prPaciorek, lbSquires, lbKittle, IfV. Law, 3bFletcher, ssHairston, phCruz, 2bTotals ab r h bi4 0 103 0 104 1133 0 100 0 0 04 12 00 0 0 03 0 0 03 0 0 12 0 0 010 0 02 2 0 029 4 6 4 White Sox Clinch!By Frank LubyWhen Harold Baines’ sacrifice fly inthe bottom of the ninth scored JulioCruz, the Chicago White Sox celebratedsomething they had not accomplishedfor 24 years — a berth in post seasonplay. The occasion of actually eliminat¬ing Kansas City from the running in theAL West means nothing, though, com¬pared to the incredible second half theWhite Sox have enjoyed, as they brokeaway from the remaining teams intheir division after the All-Star game.The fact that Chicago would enter theplayoffs this year was really estab¬lished in August, when pitcher FloydBannister won his ninth consecutivegame to complement the pitching per¬formances of LaMarr Hoyt and Rich¬ard Dotson. Chicago has its best pitch¬ing in over a decade, as this year theywill likely have two 20-game winners inDotson and Hoyt. The Sox’ last 20-gamewinner was Jim Kaat in 1975.Leading this surge offensively weretwo veterans and a mid-season acquisi¬tion. Greg Luzinski, picked up for es¬sentially nothing from Philadelphia in1980, has contributed his best offensive season since his All-Star seasons inPhiladelphia in the mid-seventies. AndCarlton Fisk, the 35-year old catcherwho slumped so badly in the spring thatpeople (including Fisk himself)thought he should retire, has hit over.300 since May and had his first 20 homerun season since 1978.In addition, second baseman JulioCruz came over from Seattle in mid¬season to solidify the team’s Achillesheel, its infield. He also provides speedto supplement lead-off hitter RudyLaw.Traditionally, Chicago baseball hasfew highlights, and by September, at¬tendance trails off to a trickle. Becauseno Chicago team since 1959 has been as¬sured of a spot in post-season makesthis summer at 35th Street and DanRyan very special. The U of C fresh¬men have received a pass good for ad¬mission to the final White Sox game ofthe regular season (against the Minne¬sota Twins.) and they will be able towitness — as have over two million thisyear — a rare event in Chicago sports:a winner.GW RBI—Baines (19) E-Cruz, Mercado DP—Seattle 1, Chicago 1 LOB—Seattle 6, Chicago 92B—Coles, Paciorek, Nelson HR-Baines (18) SB-R.Law (71), Fletcher (5), Nyman (2), Cruz(53) S—V Law SF—BainesSeattleBeattieCaudill, L 2-8 IP II F8 6 30 1 1 ER BB SO3 5 51 3 0Vande Berg 3 0 0 0 0ChicagoKoosmanLamp, W 7-7Koosman pitched to one batter in 9thT-2:47 A-45,646 8 6 2 1 1 512 1111TTT’T '•./.I - -L', <"' ' ' '■; Dfrv^20 P&&&*■** V M il' SET of STONEWARE -V--1 V'"^5^0W ~ $1785 ValueSwing Arm^..... y& ■„ V, '»7r/7'V/-C- -r r. ' ... iIT-'a)1 ,,, >, I - AU.V,: vv V''-I u a ^ _hand loomed100% COTTONJ B*DSPREADS/Sf,\iar9e2VwO'Nt*v. '1 c')'-AL'r'- /'-V-1; '..VCooley’s Corner Quality isn't cheap, but it doesn't have to expensive.0 •Open dolly Monday thru Saturday 10a.m. - 6p.m.Sunday 12 noon to 5:30 p.m.5211 s. harper avenue in harper court 960*447730—The Chicago Maroon—Friday, September 23, 1983Maroons split first twoBy Cliff GrammichLed by an offensive attack whichhead coach Mick Ewing calls “anaerial circus” and a stingy defense, Uof C football has split its first twogames. Chicago won its first gameover Grinnell buy a score of 14-7, butKnox edged the Maroons 10-8 last Sat¬urday.The opening win for Chicago snappeda 10-game losing streak which datedback to October 24,1981, when Chicagobeat Knox 26-21 en route to a 2-6-1 sea¬son. Last year, though, Chicagodropped al nine of its decisions.However, the win over Grinnell mayhave been a harbinger of better days ahead for Chicago football. Ewing saidChicago executed a “well-playedgame” against Grinnell, and noted thelow number of turnovers and the301-159 yardage advantage Chicagoheld as evidence of that.The Maroons scored first as fresh¬man quarterbak Matt Schaefer con¬nected on a touchdown pass to wide re¬ceiver Dave Vucovich. The conversionattempt, however, failed.Grinnell tied the game in the fourthquarter as Hansler completed a touch¬down pass to MacCready. Murphykicked the extra point for a 7-6 Grinnelllead with 3:34 left.Bruce Montella, though, had a 21-Chicago 14 Grinnel 8Grinnell 0 0 0 7Chicago 0 6 0 8Grinnell ChicagoFirst downs 7 14Net rushing yardage 105 71Net passing yardage 54 230Net return yardage 62 56Passes Att.-Comp.-Int. 12-5-0 35-19-1Total offensive yardage 159 301Punts-number-average 7-39.9 4-33.8Fumbles-lost 4-1 3-1Penalties-yards 5-25 7-51Individual leadersRushing — Grinnell: O’Reilly 15-82, Smith 12-25, Hansler 9-1, Hamilton 3-7. Chicago: Dickey8-35, Montella 5-17, Dent 3-17, Lee 3-5, Oros 2-17.Passing — Grinnell: Hansler 4-9-0 42 yards, Hamilton 1-3-0 12 yards. Chicago: Schaeffer9-16-0 146 yards, Clifford 10-19-1 84 yards.Receiving — Grinnell: MacCready 2-24, Guthrie 1-8, Stauffer 1-8. Chicago: Donovan 6-52.Vucovich 5-72, Dickey 5-32, Smith 1-45, Johannesson 1-10.Scoring summaryChicago — Vucovich pass from Schaefer, kick failed, 6-0.Grinnell — MacCready pass from Hansler, Murphy kick. 6-7.Chicago — Smith pass from Schaefer, Dickey pass from Clifford to conversion, 14-7. football gamesyard kickoff return after GrinnelTsscore, to spur Chicago’s final scoringdrive. The Maroons scored the winningtouchdown as Schaefer threw a 45-yardscoring pass to freshman wide receiverEric Smith. Freshman quarterbackMike Clifford and halfback Bob Dickeyled the team to a 2-point conversion.Schaefer and Clifford combined for230 yards passing, as Schaefer was 9for 16 with 146 yards, and Clifford was10 for 19 with 84 yards. Dickey led therushing attack with 35 yards in 8 at¬tempts, while Vucovich led the receiv¬ing corps with 5 receptions for 72yards. Tight end George Donovan alsopulled down 6 passes for 52 yards. TedRepass helped lead the defense with 8tackles, 1 sack, and 1 forced fumble.The Maroons could not continue theirwinning ways against Knox, as theSiwash defeated Chicago 10-8. Never¬theless, the passing attack and the de¬fense operated well for the Maroons.Knox scored first on a 35-yard fieldgoal on a short scoring drive after aChicago fumble deep in Maroon terri¬tory. The Siwash capped their only sus¬tained scoring drive (72 yards) with atouchdown strike. The Maroons scoredtheir touchdown as Smith caught hissecond touchdown pass of the seasonfrom Schaefer completing a 55-yardscoring drive. Clifford completed a 2-point conversion pass to wide receiverOscar Oboza to complete the scoring at10-8.Halfback Jerrill Dent led Chicago’srushing attack in the Knox game, gain¬ing 46 yards in 13 attempts. But it wasthe passing game which once againpaced Chicago’s offense, since Cliffordwas 13 for 22 for 77 yards and Schaeferwas 9 for 21 for 96 yards. Smith led thereceivers with 6 catches for 53 yards.Defensive tackle Steve Kapotas had anoutstanding day with 6 tackles, 1 sack,2 forced fumbles and 1 fumble recov¬ ery. Punter Tom Weber also turned ina fine performance with 8 puntsaveraging 43.7 yards.As the Maroons gear up for the con¬ference schedule in the Midwest Con¬ference’s North Division, they will relyon their passing game and defense.Chicago will open divisional play Oc¬tober 8 at home against Lake Forest.The final tune-up will be October 1against Illinois College. Illinois, whichwill join the conference next year, re¬turns its entire defensive backfieldalong with its top offensive and defen¬sive players.Lake Forest has been tabbed as thethird best team in the North Divisionby a pre-season coaches’ poll. The For¬esters are expected to have a strong re¬ceiving corps and defensive line.Rated evenly with Lake Forest is Be¬loit, who will face Chicago October 15.Beloit returns 24 lettermen to a squadof 60.Ripon, given a slight edge in the divi¬sion race over perennial powerLawrence, will meet Chicago October22. Ripon features a senior dominatedcorps in both the offensive and defen¬sive backfields. Ripon is the defendingconference champion.The Maroons take on Lawrence Oc¬tober 29. The Vikings, Division III na¬tional semi-finalists two years ago, re¬turn three all-conference players to adefensive unit which led the league lastyear.While Ewing will not make any defi¬nite predictions concerning this year’ssquad, he is cautiously optimistic. Un¬like past Chicago teams, most playerson this year’s squad have had footballexperience prior to coming to Chicago.In addition, the size of this year’ssquad is larger than those of pastteams, which should give the Maroonsadded depth in the rugged schedulewhich awaits them.Put the pastin yourfuture!LIVE IN AN HISTORIC LANDMARKThoroughly renovated apartments offer the convenience ofcontemporary living space combined with all the best elementsof vintage design. Park and lakefront provide a natural settingfor affordable elegance with dramatic views.— All new kitchens and appliances — Community’ room-Wall-to-wall carpeting — Resident manager—Air conditioning — Round - the - clock security— Optional indoor or outdoor — Laundry facilities onparking each floorStudios, One, Two and Three Bedr(x>m apartments.One Bedroom from $505 — Two Bedroom from $700Rent includes heat, cooking gas, and master TV antenna.(JOindenme/fpMse1642 East 56th Street^In Hyde Park, across the park fromThe Museum of Science and Industry>Equal Housing Opportunity Managed by Metroplex, Inc. I enjoy my contactLenses made byDr. Kurt RosenbaumOptometristKimbark Plaza1200 E. 53rd St.493-8372 APARTMENTSFOR RENTGRAFF &CHECK1617 E. 55th St.Large2Vi,4 & 6 rm.apts.BU8-5566MASTERVVORKOCoward Shakespeare Ibsen Shaw O'NeillNoel Coward'sHAY FEVER...a wickedly witty, divinely eccentric,delightfully disastrous 1920's rompMany performances already sold-out!Extended to October 30 to meetticket demand!Sept. 29 - Oct. 30 Previews Sept. 24 -Wednesday - Saturday,8pmSunday, 2:30 & 7:30pm753-4472Visa/MC/Amex Court TheatreThe University ofChicago5535 S. Ellis Avenue Sat., Tues., & Wed., 8pmSunday, 7:30pmThe Chicago Maroon—Friday, September 23, 1983—31>Women’s Field HockeySept. 22 Thurs. Notre Dame 4 p.m. AwaySept. 29 Thurs. Wheaton College 3:30 p.m. Stagg Field (SF)Oct. 5 Wed. Valparaiso University 4 p.m. SFOct. 13 Thurs. Wheaton College 3:30 p.m. AwayOct. 14-15 Fri-Sat Stevens Point Invit. 10 a.m. AwayOct. 20 Thurs. Grinnell College 4 p.m. SFOct. 22-23 Sat-Sun Lake Forest College Inv. 10 a.m. AwayOct. 26 Wed. Lake Forest College 4 p.m. AwayOct. 28-29 Fri-Sat NCAA Great Lakes TBA SFRegionalWomen’s VolleyballSept. 21 Wed.Sept. 23-24 Fri-SatSept. 27 Tues.Sept. 29 Thurs.Oct. 1 Sat.Oct. 4 Tues.Oct. 6 Thurs.Oct. 11 Tues.Oct. 14 Fri.Oct. 15 Sat.Oct. 18 Tues.Oct. 20 Thurs.Oct. 25 Tues.Oct. 27 Thurs.Nov. 1 Tues.Nov. 4-5 Fri-Sat Chicago State UniversityIITAGrora CollegeOpenCornell CollegeRipon CollegeBeloit CollegeNorth Park CollegeTrinity CollegeSt. Norbert CollegeLawrence UniversityNortheastern Illinois U.Trinity Christian Col.Wheaton CollegeLake Forest CollegeConcordia CollegeConference Championships TBA AwayTBA Away7:30 p.m. AwayTBA Henry Crown10:30 a.m.2:30 p.m. Field House(HCFH)HCFH7 p.m. Away6 p.m. Away7:30 p.m. HCFH7:30 p.m. Away10 a.m. Away7:30 p.m. HCFH7:30 p.m. Away7:30 p.m. HCFH7:30 p.m. Awav7:30 p.m. HCFHTBA AwayMen’s Cross CountrySeDt. 24 Sat. Varsity, UCTC & Invit. 11 a.m. Washing¬Oct. 1 Sat. 5 MileSpring Arbor Coll. Invit. TBA ton Park(WP)AwayOct. 2 Sun. UCTC Open 4 Mile Run 11 a.m. WPOct. 8 Sat. Beloit Coll. Invit. TBA AwayOct. 9 Sun. UCTC Open 5 Mile Run 11 a.m. WPOct. 15 Sat. Judson College Invit. TBA AwayOct. 16 Sun. UCTC Open 4 Mile Run 11 a.m. WPOct. 22 Sat. Carthage College Invit. TBA AwayOct. 23 Sun. UCTC Open 5 Mile Run 11 a.m. WPOct. 29 Sat. U of C Invit.-4 Mile Run 11 a.m. WPNov. 5 Sat. Midwest Conf. Champs. TBA. AwayNov. 6 Sun. UCTC Open 4 Mile Run 11 a.m. WPNov. 12 Sat. NCAA Div. Ill Regionals TBA AwayNov. 13 Sun. UCTC Open 6 Mile Run 11 a.m. WPNov. 19 Sat. NCAA Div. Ill Nationals TBA AwayNov. 20 Sun. UCTC Open 10,000 Meter 11 a.m. WPNov. 24 Thurs. Cross CountryChampionships5000 Meter Cross Country 10 a.m. AwayMen’s FootballSept. 10 Sat. Championships Riis ParkGrinnell College W, 14-7Sept. 17 Sat. Knox College L, 8-10Sept. 24 Sat. Washington University 7:30 p.m. AwayOct. 1 Sat. Illinois College 1:30 p.m. AwayOct. 8 Sat. Lake Forest-Homecoming 1:30 p.m. SFOct. 15 Sat. Beloit College 1:30 p.m. AwayOct. 22 Sat. Ripon College 1:30 p.m. AwayOct. 29 Sat. Lawrence University 2 p.m. SFNov. 5 Sat. Principia College 1:30 p.m. SFMen’s SoccerSept. 25 Sun.Sept. 28 Wed.Oct. 1 Sat.Oct. 2 Sun.Oct. 5 Wed.Oct. 8 Sat.Oct. 11 Ti esOct. 15 Sat.Oct. 16 Sun.Oct. 19 Wed.Oct. 22 Sat.Oct. 23 Sun.Oct. 26 Wed.Nov. 2 Wed. Grinnell CollegePurdue Univ.-CalumetLawrence Univ.St. NorbertUniv. of Ill.-ChicagoRipon-HomecomingUniv. of RochesterIll. Inst, of Tech.Univ. of Notre DameLake For st CollegeBlacVibum CollegeMaryville-St. LouisBeloit CollegeAurora College 1 p.m. SF4 p.m. SF1 p.m. Away1 p.m. Away4 p.m. Away10 a.m. SF3 p.m. SF10 a.m. Away2 p.m. Away•fp.m. SF2 pm. Xway11 ^ an.3:30 p.m. SF2 p.m. Away Women’s Tennis InglesideCourts (IC)Sept. 21 Wed. Ill. Inst, of Tech. 3 p.m.Sept. 24) Sat. Beloit CollegeLawrence College 9 a.m.12 p.m. AwayAwaySept. 26 Mon. Northeastern Univ. 3 p.m. AwayOct. 1 Sat. Cornell College 9:30 a.m. ICOct. 3 Mon. Univ. of Ill.-Chicago 3 p.m. ICOct. 6 Thurs. Rosary College 3 p.m. ICOct. 8 Sat. UW-Whitewater 9 a.m. AwayOct. 11 Tues. DePaul University 2:30 p.m. ICOct. 12 Wed. Wheaton College 3 p.m. AwayWomen’s Cross CountrySept. 24 Sat. Lady Duke Invit.-Grinnell(Men and Women) TBA AwayOct. 8 Sat. Beloit Invit(Men and Women) 11 a.m. AwayOct. 22 Sat. Lawrence Invitational(Men and Woment TBA AwayNov. 5 Sat. Midwest Conference Meet TBA AwayNov. 12 Sat. NCAA Div. Ill Champs. TBA Away32—The Chicago Maroon Friday, September 23. 1983We’re so confidentyou’ll love our Mexican cookingwe’ll pay you one dollarto try it!EL I1GARSPECIAL INTRODUCTORY OFFER ITHIS COUPON IS WORTH $1 OFF ANY DINNER ORCOMBINATION PLATE DURING THE WEEK OF SEPTEMBER 23 THRU THE 30th.(One coupon per customer, please)g I S3 »1* Da S31 ■IIf you love Mexican Cooking, you'll love EL LtTGARBOTANAS (Appetizers)NACHOS (NAHchos)Cn*p homemade com tomBa chips served with meltedcheese Jalapeno pepper slices added it desired 2.69NACHO DE LE LUGARCnsp homemade tortilla chips topped vnth our chotuoand bean filling, shredded cheese, guacamote and talapeno pepper slices Delicious! 3.49GUACAMOLE DIP (gwah kah MOH leh)Fresh avacado with diced onions, tomatoes, and ourspecial seasoning's Served m a lettuce cup, garnishedwith com tortilla chips Regular 1.55Large 2.39COMIDAS DE EL LUGAR(dinners)BISTEC RANCHERORanch Style SteakRib-eye (teak that a gnied to perfection, then toppedwith our Mewcan S^sa. skced omon*. and green peppersServed with nee and bean* Flour or com tortilas 5.25BISTEC ALA MEXICAN AMexican Style SteakStrip* of wrtotn steak that is bghtly pan tried, then sunmered m our Mexican salsa, with sliced onions, greenpeppers and potato** Served with retried beans Flooror com tomias 3.95CARNE DE POLLE EN MOLE(KAHR neh de POH yoh in MOH leh)Clue ban in a Spatial SaacaQuarter ol a chicken simmered in a dark Mexican sauceDeScious! Served with nee and beans Flout or corntortilas 3,9ARROZ CON POLLA <ah RROS con POH yoh)Chicken weh RiceClacken that has been simmered m our Mextan salsa andserved with nee and beans Flout or com tortilas f.... 2.95PESCADO DE DLA ALA VERACRUZANA(pehs KAH thoh de DEE a a LAH uehr a KRUH son a)Full of the Day. Veracrur StyleFresh sauteed fish lopped with our Mexican salsa, slicedpeen pepper, onions, black and green obves Servedwith nee and beans Garnished with a lemon wedge andtresh cilantro Flour or com tortilasHUEVOS RANCHEROS(WEH voh rahn CHEH roh)Ranch Style EggsE« “over easy", then bgjitty simmered ei our Mexicansalsa Served with a sprig ol tresh cilantro nee and beansFlour or com tortiSat ESPEC1AL1PAPES DE EL LUGAR(El Lugar’s Specialties)TACO (tah KO)Hard or soft shell com tortilla filled with our speciallyseasoned shredded beef, diced chicken, pork, or choruo(Mexican sausage) Topped with lettuce, tomatoes,grated cheese and green onions Single Taco 1.19Taco Platter. 3.95Soft flour tortilla filled with pur specially seasonedshredded beef, diced chicken, pork, or choruo (Mexicansausage) Topped with lettuce, tomatoes, grated cheeseand green onions Single Taco.. 1.19Taco Platter 3.95ENCHILADAS len CHEE lah dah)Soft shell com tortilla dipped bghtly in hot oil. then in ourenchilada sauce, stuffed with Mexican c heese and onions,topped with sauce and melted cheese Add your choice ofbeef or chxrken filing if desired Single Enchilada 1.29Enchilada Platter 3.99TOSTADA ttos TAH dah)A flat hard shell com tortilla layered with retried bean*orrefried beans with chonzo. grated cheese. lettuce, tomatoes and green onions Chic ken or beef toppeig if desiredSingle Tostada 1.29Tostada Platter 3.99BURRITOS (boc^RREE toh)An extra large flour tortilla filled with a refned bean andchoruo filling, topped with chopped onions and gratedcheese Garnished with lettuce, tomatoes, and |p*enonions Single Bumfo 2.49Burn to with nee and beam 2.99FLMJTAS (FLAW tah)Our seasoned shredded beef or diced chicken wrappedin a com tortilla and deep fried Served on a bed oflettuce with tomatoes and green onionsSingle Flauta 1.19Flauta Platter 3.95TAMALES (tah MAH lay)Shredded beef wrapped m com husks, spread with acom batter and steamed Served with our own Mexicanvalsa and topped with shredded cheese Garnished withshredded lettuce and tomatoes Single Tamale .79Tamale Platter 2.99Our platters include three of your selectedspecials' served with rice and bean* All platter*include our own Mexican salsa COMB1NACIONS (Combinations)THE ORIGINALOne beef taco, one cheese and omon enchilada, and onechoruo and bean tostada Served with nee and beans 4.19THE VEGETARIANOne guacamoie taco, one cheese and omon enchilada,and one refned bean tostada Served with nee andbeans 4.19EL LUGAR’S COMBINACIONOne chicken taco, one pork enchilada, and one beeftostada Served with nee and beam 4.29ENSALAPES (Salads)GUACAMOLE SALAD (gwah kah MOH leh)Guacamoie served with shredded lettuce, sliced tomatoes, and black olives m a flour tort da shell 2.95TACO SALAD (tah KO)Our special shredded beef served on cnsp lettuce,covered with grated cheese, <hced tomatoes greenonions and black ofaves, served ei a flour tortika shell 3.29SO PA (Soup)GAZPACHOA refreshing blend of fresh diced vegetables with a tangytomato base Served cold RegularLargeSOPA DE TORTILLA (SOH pah de tohi TEE yah)A chicken broth soup with fried rortda strips, Tomatoesonions, fresh garbe and our special seasonings toppedwith epated chihauhua cheese Regular .69Large 90PLATO'S DE LAPP (Side Orders)REFRIED BEANS 69SPANISH RICE 69HOMEMADE CHIU CON CARNE 149FIDALE (tee DAY oh)Homemade noodle with a chicken and tomato baseSpecially seasoned Served with tortittas and lemonwedge Re^iiar .69Large .95TORTILLA (tor TEE yah)(3) Flour TortiKaFine wheat flour that is made into a thin pancake fakebread .39(3) Corn TortilaA that bread made by grinding white com 39EL LUGARSimply great tasting Mexican food1603 E. 55th St. 684-651411 a.m. - 9 p.m. a Subsidiary of Morry’s Deli Inc.MONDAY • SATURDAYThe Chicago Maroon—Friday, September 23, 1983—33IABSOLUTELY SUPER! A 2bedroom, 2 bath co-op with magnifi¬cent space. The condition is perfect.Your dining room is on the water.Well maintained and secure building.South Shore. $30,000.ARE YOU LOOKING FOR GREATFINANCING? You’ve got it! Here’s anewly completed condo with 3bedrooms, 2 baths, off-street parkingand a central location.THE RIGHT LOCATION and rightprice! Lots of stripped wood in this Ibedroom charmer. Sunroom andbuilt-in breakfront with concealed bedmake this really special.RENTAL OR OPTION POSSIBLE -don’t miss this one. Lovely carpetinginside; lake and city views outside!“L” shaped living room delineates aseparate dining area in this com¬fortable 1 bedroom condo. This, plusa full amenity building, for only548,000.SIT BY THE FIRE IN WINTER andenjoy the nearby beach in summer.You can even have your own garden ifyou wish. A den is another plus forthis lovely 2 bedroom co-op. $30,000.NEAR CAMPUS - a super location.Great condo association. 1 bedroom,separate dining room. Mid S40’s.LOVELY. SPACIOUS 1 bedroom inprivate park setting. Lots of beautifulnatural wood - newly refir.ished oakfloors. New solarium kitchen floor.Parking. A must to see!UNBELIEVABLE BUY - 4 bedroomcondo. Don’t miss this bargain - onlv550.000.MOVE IN CONDITION. 3 bedroomcondo. Large fenced yard - perfect forchildren. Natural wood; original stain¬ed glass. Light and bright. Frontporch. Assigned parking space. RaySchool district.UNIVERSITY PARK - 1 bedroomcondo on a high floor with a view ofgardens and the Museum of Scienceand Industry. Move-in condition. In¬door parking space included. Live inluxury building with many amenities(pool, health club) for only 543.000.LOVELY, SUNNY, on campus co-opapartment. Make this third floor lbedroom unit your own specialretreat. View of Midway from yourdining room. Entertain in spacious,bright living room. Hardwood floors.Friendly building. Come take a look.Upper teens! Lease with option possi¬ble.DRAMATICALLY DESIGNEDTOWNHOUSE. Come take a look atthis unique townhouse. Cathedral ceil¬ing with roped-off gallery above,woodburning fireplace below. 1 largebedroom, office and family room inbasement. A backyard and off-streetparking, too. In the S70’s.TOO GOOD TO BELIEVE! 3 or 4bedroom fixer-uppers for imaginativedo-it-yourselfers in prive U of C cam¬pus location. Upper 550’s. Or moveinto rehabbed condo. Mid S60’s.THE RIGHT LOCATION and theright price! Spacious living/diningroom in this convenient co-op. Moder¬nized kitchen and bath. Low $50’s.WHY RENT WHEN YOU CAN BUYthis charming garden level co-op nearU of C campus. Perfect for couple,bachelor or bachelorette. Price slashedto low S20’s. Act now! This won’tlast.GRAD STUDENT PARADISE! 56thand Dorchester. 2 bedroom con¬dominium with large backyard. Rightwhere you want to be. In the $60‘s.HILO REALTY GROUP1365 E. 53rd St.955-1800 J per month. Call evenings after Sept 27th 363-CLASSIFIEDADVERTISINGClassified advertising in the Chicago Maroon is$2 for the first line and $1 for each additionalline. Lines are 45 characters long INCLUDINGspaces and punctuation. Special headings are20 character lines at $2 per line. Ads are not ac¬cepted over the phone, and they must be paidin advance. Submit all ads in person or by mailto The Chicago Maroon, 1212 E. 59th St.,Chicago, III. 60637 ATTN: Classified Ads. Ouroffice is in Ida Noyes Rm. 304. Deadlines:Wednesday noon for the Friday issue, Fridaynoon for the Tuesday issue. Absolutely no ex¬ceptions will be made! In case of errors forwhich the Maroon is responsible, adjustmentswill be made or corrections run only if thebusiness office is notified WITHIN ONECALENDAR WEEK of the original publica¬tion. The Maroon is not liable for any errors.SPACEOne bedroom coachhouse. $200 per month plusutilities. Call 373-5900 evenings. 5036 1/2 S.Ellis.4V? room furnished garret apartment 5508 S.Cornell, 2 bedrooms, small kitchen, no showerin bath, three air conditioners. Suitable formarried couple or single. Rent includes elec¬tricity as well as individual controls on gasheat. $490 per month with security deposit of$735. Shown by appointment only RA 6 3966 (9-5)Room w/bath & kitchen privileges near cam¬pus available to non-smoking responsible UCstudent. Rent negotiable. 938 3847 days, 288-1474 eves, w/e.1 bdrm in 3 bdrm twnhse $275 amenities-freepk. wbf wash/dryer, security, balcony 752-8514, eves.9 month lease available immediately beautiful2 br 2 bath study Ir dr dishwasher Indy in bsmton Midway beautiful woodwork oak firs built inbookcases. $800/mo 383 8311,962 7340.Beautiful turn room to rent in private home at55th Dan Ryan $158 month. Sec. 8, reference.Also inquire about 3 room turn apart. 373 0018.Room for rent in family home. Share kitchen &bath. 2 blks from Regenstein. $150/mo or in ex¬change for child care pref latter. 363 818458/Blackstone super 600sf studio $400 324-7119Room with bath available for academic year inprofessor's house close to campus. Mature,non smoking female student preferred. $175 619856 & KIMBARK 3 Bedrm Condo for rent - brandnew bath 8> kitchen, hardwood floors, stormwindows. $750/mo HEAT INCL. 664 3641 leavemsgHyde Park Blvd nr Kimbark 7 rm-4 br/nrShops Trans/Cpt (heat, hot water) Quiet $600.752 51462 bdrm 2ba 1450 E 55th University Garden Apt.High floor call days 940-0675. Weekends & even¬ings 432 2434 or 642 6220.Female roomate needed, share large 2brw/same Near Lake, bus, shopping, good wat¬chdog. Walk to campus, 265/mo and worth it.363 1955Elegant Studio Condo 55th nr UC Univ Park ACHealth Club 24hr security Quiet $435 393-10342 blocks from campus - 56 8t Kimbark - large 4rm, 1 or 2 bedroom in secure, quiet condobuilding ideal for students, couple or smallfamily $470/mo ht incl Susan 732-6676 w 752-2749 'FOR SALECanon Macro Lens. Used. 50mm 3.5 $109 ModelCamera 1342 E. 55th 493 6700Four-drawer file cabinet with key. $15 Goodcondition. Call Pat 324-5171Fuji VHS 120 Tapes $10.95 Model Camera 1342E. 55th 493 6700TDK SA 90 Tapes 10 for $29.90. Model Camera1342 E . 55th St. 493-6700Antique English Victorian Buffet. Mahogany,double glass. Ideal for renovated brownstoneor Victorian. 232 8208.1977 Pont. Astre. Hatchback Ex. Cond., WW,AM FM Stereo $1800. H : 787-5228 W: 984 7500Ford Pinto 1978, Stick Shift, 2drs. sedan, Ex¬cellent condition. Perfect Body, Two Snowtires, $1,500 Call Takashi 324-0612Ingleside Commons Condominiums, 5211-13 S.Ingleside One bedroom units from $35000 NewKitchens new baths parking includeddeveloper pays asmts for one year pay only$395 1st Year you need only $1350 to buy andmove in FHA-VA Financing Avail 12% Fixedrate financing.PEOPLE WANTEDBabysitter for 2-yr-old and infant. Occassionalevenings, afternoons. Call Pat 324-5171. FROG & PEACH - U of C's best & mostreasonable eating establishment needs depen¬dable part-time kitchen help. Experiencehelpful. Apply in person, ask for Bea.ENTHUSIASTIC CAMPUS REP to sellski/beach trips. Earn FREE TRIPS & com¬missions. SUN & SKI ADVENTURES: (312)871-1070.Singers interested In performing sacred music(primarily Renaissances. Baroque) in its Pro¬per Liturgical Setting are invited to join theChoir of Augustana Lutheran Church.Woodlawn Ave at 57th. Rehearsals Thursdays7:30-9:00 pm. Services Sundays 10:45-noon.First rehearsal: Thursday Sept. 29 7:30 pm.Good sight reading skills S> ability to learnmusic rapidly are highly desirable.Babysitter for infant in Hyde Park home 40hr/wk. Exp. Nec. 288 1198.Responsible couple/person needed 1 weekendper month (occasionally longer) to care for 11and 14 yr. car pref non-smoking nice kids goodpay 947-8348 evenings.Warm, enthusiastic, mature, responsible, bi¬lingual young woman for exceptionally verbal,loving 4-year old girl Monday afternoons.Prefer someone who plays an instrumentand/or has a great interest in science andmedicine. Call 642-2445.Juniors and seniors: earn course credit whilegaining valuable experience by assisting infascinating research on right-left brain func¬tion. Call 962 8846, M F, 9-5.Professor, Wife seek After-school Companionfor son, age 5. M-F 2-5. 955-3623, 7 9pm.Boys needed for study on reading. If you areleft handed and in 4th, 5th, or 6th grade, or ifyou are right-handed in 7th grade, please call962 8846, 9 5, M F.Energetic educated woman wanted to helpcare for 4 children (8,5,4,1) in their home nearcampus. 11:30-7:30pm M F. $200/wk. 955-2211Students wanted to distribute contestmaterials around campus. Flexible hours andschedule. Must work minimum of 15 hrs./wk,more preferred. $4/hr. Call Mr. Beach 565-4047,Earn $500 or more each school year. Flexiblehours. Monthly payment for placing posters oncampus. Bonus based on results. Prizes awarded as well. 800 526 0883.Responsible babysitter for 3 year old, in ourhome close to campus. 684 5717.•QegentsparkIN HYDE PARK ON THE LAKETHE BEST IN LUXURIOUS CITY LIVINGKEEPS GETTING BETTER!!In a community known the world over forartistic and intellectual achievements,REGENTS PARK stands out from all otherrental residences for amenities, service andaffordable rents.MODEL OPEN DAILY 288-5050Nine minutes to Loop*-Shuttle bus at door toUniversity of Chicago &Michael Reese Hospital24 hour doorman/security/maintenance/conciergeConvenient shopping inour Market-in-the-ParkMarinas nearbyEnclosed supervisedgarageCarpeting/DishwasherCleaner/Valet ServiceCable TV 24-hour moviesHealth ClubFabulous private roof-topgardenExpress bus at door toLoop S3:.5050-5020 South Lake Shore Drive, Chicago, IL 60615ByThe Clinton Company EARLY BIRDRUMMAGESALEPLANTSBAKERY. ETC.SATURDAYOCTOBER 18 A.M.-1:30 P.M.Church of St.Paul and TheRedeemer4945 S. DorchesterEnter 50th St. entranceDr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know thedifference between advertisedcheap glasses or contact lensesand competent professionalservice with quality material.Beware of bait advertisingEye ExaminationsFashion Eye WearContact Lenses34—The Chicago Maroon—Friday, September 23, 19a3-hirParttime babysitter for 7 year old boy afterschool 2:30 5:30 M TH salary neg. Call 955-7863.BABYSITTER NEEDED: School age kids-afternoons on campus call 241 7545 after 6 pm.Experienced salesperson to sell embroideredsilk robes from Singapore. For further in¬formation, call Treasures of Pasa Pan Jan 649-9719.HOSTESSFull Time Hostess Exp. only Flexible hrs HydePk Rest. Waitressing and Bartending helpfulFor Interview call Hilary 667 4008.ASS'T MANAGERRestaurant Asst Manager flexible hrs. Fulltime exp only Hyde Park Restaurant sendresume Hilary Leise 5120 S Hyde Pk BlvdChicagoCATERING STAFFSmall catering Company in Hyde Park needswell groomed, polite people who can think ontheir feet for part time catering work. Mostjobs are on campus in the morning, afternoon,andearly evening. If your schedule is open anyof these times and you don't mind workingsporadic hours call Susan at 667 3000.SERVICESJUDITH TYPES - and has a memory. Phone955 4417.JAMES BONE, editor typist, 363 0522.MOVING & HAULING. Discount Prices.Free—Packing Service. Free—Estimates.Free—Packing boxes & crates delivered. N/C.Free—Padding & dollies. References. Call Bill493 9122.SPANISH INSTRUCTOR. Native of Columbia,South America. Excellent at tutoring beginners and small children. Reasonable rates. Formore information, call 324 3686.TYPING by Experienced Secretary. Thesis,Manuscripts, Tables, etc. Grammar Corrected. 667 8657.WANT HUBERT? Yes! CALL JUDITH. Phone955 4417.Typing. Term papers, these, etc. IBM Correcting Selectric. All Projects welcome. 791 1674.Attn. International Students. We specialize inpersonal effects and all household moves. Save10 30% on airfreight worldwide. Details callBDG INT'L. 312 593-7340. A few openings available for four-year olds atHyde Park Union Church Nursery School Forinformation call 363 6063. Jane Katch, Director. 5600 S. Woodlawn Ave. Chicago 60637ROBERT'S PAINTING AND DECORATINGInterior and Exterior - Meticulous Insured -Quality Guaranteed - Free Estimates HydePark resident. 684 5717.SCENESBiological Sciences Student Advisory Commit¬tee Meeting Thurs. 4:30 pm Harper 284FOCUSING is a method for exploring & work¬ing on feelings developed by Eugene Gendlin.Group meet Tues eves Downtown. Call Hannh924 5057The Chicago Council of Scientists, formed todeal with the issue of the threat of NuclearWarfare is meeting at 7:30 PM on September26 at 1448 E 53rd St. Study Groups to be formedand future projects discussed. 285 4490.1st Annual Kimbark Bk Assoc Flea Market SatSept 24 9-3 Everything you want 4800 4900 5000Bk S. Kimbark Ave.The First Congressional Nuclear WeaponsFreeze Group sponsoring a local Walkathon inconjunction with walks throughout the UnitedStates on October 1. Walkers and sponsorsneeded to raise funds to help end the armsrace. Registration at 10AM 4840 S. Dorchester.Call 667 1409 or 324 4764.GARAGE SALE-FURNITURE, KITCHEN,LINENS, CLOTHES, BOOKS, TOYS, ETC.Saturday, 9/24, 10am 3pm. 1452 E. 54th Place.Rain Date: 10/1. Sponsored by PhoenixElementary School.Ongoing Women's Therapy Group Ages 33 45.Saturday. Screening Interview Required N/C.Sliding Scale. Mary Hallowitz CSW ACSU 9470154.Supportive Individualized Psychotherapy forpersonal development, attitudinal, behavioraland life style change. Contact Dobbi Kerman,Center for Clinical and EducationalPsychology A registered Psychological'Organization. Insurance available. 667 4176,664 6650.JAMNASTICSEXERCISE CLASSES EVERYTUES&THURS 5:15pm Sat. 10:30am starts10/4 call 962 9554 or come to Rrrr210 to register.An Eclectic Ed Program.VEGETARIAN COOKINGCLASSESON TUES 5:30pm $35 starts 10/11 TOSTUDENT GOVERNMENTASSEMBLY MEETINGTuesday, September 277:30 p.m.in Stuart 101— All U. of C. Students welcome —More information will beavailable at Activities NightAlso later this fall:Freshmen RepresentativesElectionsAll Undergrad and GraduateStudents Welcome REGISTER COME TO RM 210 IDA NOYES orcall 962 9554. An Eclectic Ed Program.JAZZ DANCECLASSES EVERY WED&FRI 5:30pm &6:30pm $35 STAR TS 10/13 TO REGISTERCOME TO RM 210 IDA NOYES or call 962 9554.An Eclectic Ed Program.HARMONICA CLASSESLEARN TO PLAY ''BLUES HARP" $20 forschedules 8. to register come to Rm 210 IdaNoyes or call 962 9554. An Eclectic Ed Program.IYENGAR YOGACLASSES ON ED 6:30pm $40 starts 10/13 TOREGISTER COME TO RM 210 IDA NOYES orcall 962 9554. An Eclectic Ed Program.BELLY DANCINGCLASSES on Tues 5:15pm starts 10/11 $15 call962 9554 or come to Rm 210 Ida Noyes toregister. An Eclectic Ed Program.BALLROOM DANCEClasses on Mon 6pm 7:30pm & 9pm starts 10/10$25 call 962 9554 or come to Rm 210 Ida Noyes toregister. An Eclectic Ed Program.AFRICAN DANCECLASS EVERY MON&WED 6:30pm $25 Starts10/10 call 962-9554 or come to Rm 210 Ida Noyesto register. An Eclectic Ed Program.AEROBIC DANCECLASSES EVERY MON&WED 5:15pm only$25 35 starts 10/3 call 962-9554 or come to Rm210 Ida Noyes. AN ECLECTIC ED PROGRAM.DOLLMAKING CLASSLEARN TO CRAFT DOLLS Wed. 7pm classesstart 10/12 $30 call 962-9554 or register in Rm210 IDA NOYES. An Eclectic Ed Program.ART-TO-LIVE-WITHRENT A PICTURE FROM THE SHAPIROCOLLECTION $5 FOR DETAILS SEE SAO ADON BACK PAGE.ACHTUNG!TAKE APRIL WILSON'S GERMAN COURSETHIS FALL AND HIGH PASS THE WINTERLANGUAGE EXAM! The 15 week course willbegin oct. 3. Two sections MWF 12-1 & 6-7. Formore information and to register, call AprilWilson: 667 3038HOTLINEMEETINGWelcome Back Liners! Our first generalmeeting will be held in Ida Noyes East Loungeat 7:00 p m. See you there! September 26th.For your dental needs...Dr. George L Walker,D.D.S., P.C.General Dentistry1623 East 55th Street752-3832Office HoursBy AppointmentCourtesy discountextended to studentsmarian realty,inc.mREALTORStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 S. Cornell684-5400 CALL HOTLINEDo you need information about campusevents? Do you need a referral of some kind?Or do you need to talk to someone removedfrom your situation? If so don't hesitate to callthe campus Hotline. We operate OrientationWeek Monday to Friday from 7pm to 11pm andstarting Sunday Sept. 25 we resume ourregular hours of 7pm to 7am every day of theweek.DOESYOURMINDMATTER?It does to us. Right and left-handed peopleneeded for paid participation in studies onright-left brain function. Call 962 8846 9 5 M-F.FICTION WRITINGExp. novelist/teacher offering intensivecourses. Unique method. (1) Beginners: Wed.7 pm (2) Inter.: Sat. noon. (3) Advanced: byappt. (4) Gothics, Romance, Thrillers: Mon.7pm. Chicago Campus. Daniels 667 0673WEDDINGSHyde Park's newest photography studio is currently booking November weddings. The Bet¬ter Image Studio 1344 E. 55th St. 643 6262 (byappointment only).FAMILY PORTRAITSThe Better Image Studio is still booking out¬door family portrait sessions as long asweather permits. The Better Image 1344 E.55th 643 6262 (by appointment only).SCOTCH COMMON SENSEMcCosh Scottish Philosophy B1401.M39 NOTdischarged at REG Please return or call 363-2808JAZZ GUITAR6 week session starts soon. $35 FOR CLASSSCHEDULE come to Rm 210 Ida Noyes or call962 9554. An Eclectic Ed Program.RISHMUSICLEARN TO PLAY IRISH WHISTLE. Classeson Thurs 7pm $20 TO REGISTER COME TORM 210 IDA NOYES or call 962 9554. An Eclectic Ed Program.WE'RE BACK TOO...at the Blue Gargoyle Coffeehouse, 57 andUniv. Grand Re Opening Thursday September29 at 9pm with Thom Davis, folksinger andGreen Eggs And Ham playing bluegrass Admission $1 Good food. Performance datesSTILL available. Call BG 955-4108. Ask forAnne.HIGH BLOOD PRESSURESTUDYA treatment breakthrough at the MenningerFoundation has resulted in 88% of 52 personsbecoming normotensive while eliminatingmedication through biofeedback and relaxation training. If you have high blood pressure,are on at least 1 medication and may be interested in participating in a clinical study contact Dobbi Kerman 667 4176 or 664 6650YOGAA Perfect Balance To The Life Of The Mind.Hatha Postures, Breath Training, Meditation,Relaxation, Classes now forming on campus.Taught by Dobbi Kerman 667-4176, 664 6650.WORD PROCESSORXerox 800 Electronic Mag Card typewriterstores & retrieves data, full editing features,daisy wheel printer. Cost $2000 includestypewriter, mag card system and sound shield.Call D. Williams, 962 1623 at U. of C„ 8:30 5:00.WHY PAY RENT?Instead of you or yourfamily paying rent, for$1520 down they canbuy a studio condo foryou and receive all thebenefits of a tax shelterunder new IRS rulings.Only a few units left(some larger unitsavailable.)For a limited time only—Fixed-Rate Financing 10.6%Thecfcl\xzntureCall anytime - 944-2559The Chicago Maroon—Friday, September 23, 1983—35i': i ► -1 »\5 • / ii» 11 11 a j itWELCOME!ACTIVITIES NIGHT - SUNDAYSEPTEMBER 25th 7 p.m. - 10 p.m.IDA NOYES HALLOver 85 organizations of every description will be there. Come seethe O Show, dramatic presentations, and sports demonstrations. InRm 210 find whistles, theatre discounts and more!!ALL CAMPUS DANCElOp.m. -12 a.m.featuring The Apartment and The Afflicted.TUDENTEclectic EdMini-CoursesNon-credit courses just for fun. Forschedules and to register come toRm 210 9/26 - 10/14. Classes start10/3 and 10/10:Aerobics - $25 - 35African - $25Ballroom Dance - $25Belly Dance - $15Dollmaking - $35Irish Tin Whistle - $20Harmonica - $20Jazz Guitar - $35Jazz Dance - $35Jam nasties Exercise$17.50 $52.50Vegetarian Cooking - $35Yoga - $40 Art-To-Live-WithSeptember 29Rent a modern print for $5 from the Shapiro Collec¬tion. Paintings on display 9/28 from 4 pm - 10 pm inthe Ida Noyes Cloister Club. Distribution on 9/29 at4 pm in the Ida Noyes Cloister Club. DistributionProcedure: Pick up reserve tickets in Rm 210 on9/28 from 8:30 am - 4 pm.Theatre Discounts10% -25% discounts on popular theatre & dance productionsare available all year through SAO. On sale now in Rm 210.The 1940s Radio Hour - 10/15. The Martha GrahamDance Co. - 10/22. A Raisin in the Sun - 10/25. In theBelly of the Beast: Letters from Prison - 10/27.Dicken’s A Christmas Carol - 11/27.CTIViTIESIda Noyes Flea MarketBrowse for Bargains Oct. 15th 10am - 4 pm in the Ida Noyes Parkinglot (if rain - in gym). Sign up to sellyour stuff in Rm 210 - $2 fee. PLANT SALEGreenery from $1 - 35 on sale Oct 3 - Oct 5,10 am - 6 pm in Reynolds Club North Lounge.The Ida Noyes BakeryFresh pastries daily, homemadecarrot cake and haagen dasz icecream. Open M-F 9 am -7 pm,Saturdays 9 am - 5 pm, Closed Sun¬days. (Hours subject to change)Check with our Activities Linepre-recorded event line lets you know what'shappening on campus 24 hours a day. 753-2150FFICEROOM 210 • IDA NOYES HALL1212 E. 59th St. 962-9554♦ •]>9■ September 23, 1983 • 16th Year4C'i£. :’■$? ■ r *’> : .;vrV " . ■§R?%5. ;*, if '2—The Grey City Journal, Friday September 23. 1983 HEA/YMANNERSmusic byFriday, September 23MOpm te 1:00amMa Neyet MadI go to eatthat cottage cheesebrain washedvegetablesand drinkdregs fromthe coffee machinein a glassw/ a forkto preventcracking;I go to eatwithout hungerwithout stomach vimsuppressinganticipationI go to eatI go to eatI go to eatI go to eatI go to eatto see youBut you’re not therethe place is dark and closing *and I’m unamericancause I don’t likestyrofoam—Cassanc/ra SmithiesThe 1st AnnualCOURT THEATRE CLASSICISMSThe Race begins September 24, when hundreds of taggedhelium balloons will be released at Court Theatre. Eachcoded tag instructs the finder to contact the Theatre, andfor two weeks Court will collect information on the balloons’landing locations. Finally, on October 8, the launcher of the balloonlanding farthest from the Theatre will be awardedGRAND PRIZE-Your choice of A Weekend For Two atTHE HYATT REGENCY CHICAGOorTHE HEARTLAND SPA!! September 24, 1983, 1-4 pm5535 South EllisPicnic, Entertainment, Raffle,Hot-Air Balloon Rides,And, of course, The Classic!Court Theatreat The University of ChicagoFirst, second, third and fourth prizes will also be awarded.Keep your eyes open! Balloon Finders win, too!STUDENT BALLOONS HALF-PRICE!YOU CAN STILL ENTER THE CLASSIC! A $15donation sponsors a balloon and helps to keepCourt Theatre the city’s best Classics theatre!Phone 962-7164 for details!The Grey City Journal, Friday September 23, 1983—3SINGERSinterested in performingSACRED MUSIC(primarily Renaissance and Baroque)in itsProper Liturgical Settingare invited to join the(jAatr^of-jfiitAera/Z/(j/uirc/i/Woodlawn Avenue at 55th St.REHEARSALS Thursdays, 7=30 - 9=00 p.m.SERVICES Sundays, 10:45 - noonFIRST REHEARSAL: Thursday, September 29, 7:30 p.m.Good sight-reading skills andability to learn music rapidlyare highly desirable... ROCKEFELLER CHAPEL5850 SOUTH WOODLAWN AVENUE, CHICAGO, ILLINOIS 60637 962-7000Sunday 9:00 a.m. Ecumenical Service of Holy Communionbegins September 25Schedule of Preachers at the 1 \ :00 a.m.University Religious ServiceSeptember 25 BERNARD O. BROWN, Dean of Rockefeller Memorial Chapel.October 2 BERNARD O. BROWN, Dean of Rockefeller Memorial Chapel.October 9 SCHUBERT OGDEN, University Distinguished Professor ofTheology, Department of Religious Studies and Perkins Schoolof Theology and Director, Graduate Program in ReligiousStudies, Southern Methodist University.October 16 BERNARD O. BROWN, Dean of Rockefeller Memorial Chapel.October 23 JERALD BRAUER, Professor of the History of Christianity in theDivinity School.October 30 BERNARD O. BROWN, Dean of Rockefeller Memorial Chapel.November 6 WAYNE BOOTH, Distinguished Service Professor in the Depart-Memorial Sunday ment of English Language and Literature, and the CollegeNovember 13November 20November 27December 4 JAMES GUSTAFSON. University Preacher and Professor ofTheological Ethics in the Divinity School and the Committee onSocial Thought.HANS KUNG, Professor of Theology, University of TubingenJURGEN MOLTMANN, Professor of Systematic Theology,University of Tubingen.BRIAN GERRISH, University Preacher and Professor of HistoricalTheology in the Divinity School.Wednesday8:00 a.m.beginning Sept. 28SERVICEOFHOLYCOMMUNION Thursday5:15 p.m.beginning Sept. 29CHORALVESPERSERVICEfollowed by a breakfast with refreshments followingUFE IS UKE A RIVER?There is an ancient Hassidic tale of a great Rabbi who was dying, and as we all know, deathbed wisdom isthe best. So his students lined up, single file, to receive his last words. The most brilliant student was at bed¬side, the second most brilliant immediately behind him, and so on till the line ended at a pleasant enoughfellow who was a good room and a half away. The most brilliant student leaned over to the slowly slippingRabbi and asked, Rabbi, what is the meaning of life?” The rabbi graoned, Life is a river.” The most brilliantstudent turned to the second most brilliant student. "The rabbi said, "Life is a river' And the word waswhispered from student to student till it arrived at the pleasant enough fellow who was biting his nails aroom and a half away. What does the Rabbi mean, Life is a river?” he said. And the word was passed backup the line till the most brilliant student leaned once again over the slowly slipping Rabbi. "Rabbi, what doyou mean, "Life is a river? The Rabbi shrugged, So maybe it's not a river.”At Calvert House, too, we are constantly asking about the meaning of life. Throughout the year, some2000 year old wisdom is passed on; and many seem to benefit. And occasionally an individual stands backand questions the wisdom; and many seem to benefit from the challenge.You are invited to Calvert House this year as together we seek the meaning of life. You are welcome topass on the putative wisdom and you are welcome to challenge it. We think your life will be enriched if youcome — and we know we will be enriched by you.CATHOLIC STUDENT CENTERCALVERT HOUSE5735 South University288-2311MASSDaily (incl. Saturday): Noon and 5:00 p.m.Weekends: Saturday 5:00 p.m.Sunday 8:30 a.m.11:00 a.m. (Bond Chapel)5:15 p.m. (Chicago Theological Seminary)PROGRAMS AND ACTIVITIESCollege Students Group ... Retreats ... Science Students Group ... Prayer Group ... Married Couples Group .Law Students Group . . . Med Students Group . . . Catholics for Social Change . . . Sunday Suppers . . . SocialActivities . .. Hunger Concern Group . .. Daily Brown Bag Lunch ... Catholic Worker Project... Cafhechumenate(Instructions in Catholicism) ... Sacrament of Reconciliation.For Further Information, Come in or Call 288-2311Reverend Edward K. Braxton, STD., Director4—The Grey City Journal, Friday September 23, 1983The Grey City Journal, Friday September 23, 1983—5at the Art Institute, Michigan atAdams. Thru Oct 31: Mon-Wed, Fri,10:30-4:30; Thur, 10:30-8; Sat, 10-5;Sun, 12-5. 443-3500. Admission dis¬cretionary except Thur, free.A Legacy of Rome: Church Architecturein Chicago. What to see after “TheVatican Collections: The Papacy andArt" and its two other related ex¬hibits, “Vestments and LiturgicaiTextiles from the Permanent Collec¬tion" and “The Lure of Rome: FiveCenturies in the Eternal City”? Ob¬viously, see these photos by BobThall of selected Chicago churches,continuing in the cafeteria. At theArt Institute; info above.Recent Acquisitions, 1982-83 Fifty-threeblack and white color photos by avariety of recognized American andforeign artists. Thru Oct 5 at the ArtInstitute; info above.Sculpture Chicago ’83 Twelve Americansculptors continue their month’swork, outside in Printers SquarePark, 700 S Dearborn. 987-1980.Free.Considering Beauty in Photography.Ninety-five black and white andcolor photos by 37 artists, many Chi¬cagoans, presented in categorieslike “Beauty from Natural Forms,"“Beauty from the Common Experi¬ence,” “Beauty of Color,” etc., andorganized from the College’s grow¬ing collection of contemporary pho¬tographs. Also, in the smaller, upperlevel gallery: photos by Dany Lyon.Thru Oct 15 at Columbia College. 600S Michigan. Mon-Fri, 10-5; Sat, 12-5.663-1600 ext 104. Free.Louise Bourgeois The Museum of Mod¬ern Art’s show; reportedly largeand various. Most people don'tknow what to make of it, but defin¬itely worth seeing. Thru Oct 30 atthe Museum of Contemporary Art,237 E Ontario. Tue-Sat. 11-5; Sun,12-5. 280-2660. $2, $1 students; ex¬cept Tue, free.Mishap at the Rally California artistMick Sheldon's Raw Space installa¬tion begins along one of the gal¬lery’s two longer walls and contin¬ues almost to the midpoint of theother. In it small stick-figure repre¬sentations of Ku Klux Klan membersleave the suburbs, where they"breed," and travel to a rally. Doomimpends, then occurs: a number ofthe fascists are crushed under thepointed edges of a cage that falls,ever so unfortunately, upon them.Opposite, on the other longer wall,the ghosts of the murdered blackmen "rise up" to protest the injus¬tice served them. All this is prettysmartly done; Sheldon uses all man¬ner of found items in the construc¬tions: flyswatters, tiny porno pic¬tures for the Klanmens' wives,pencils, glass, paint, dime-storebabies, etc. While some past RawSpace installations have made bet¬ter use of all three of the basement'sphysical dimensions, this one isstrongly aided by the cool, dark, and damp atmosphere This adds tothe ritualistic effect of the piece,which its maker understands as a“shamanistic wish for misfortune tobefall the Klan.” Also, upstairs, Gal¬lery members Katherine PappasParks and Charlotte Segal exhibitnew drawings and assemblages, andnew paintings, respectively. ThruOct 1 at ARC Gallery, 6 W Hubbard.Tue-Sat, 11-5. 266-7607. Free. TheGallery will also be open tonight,5-8. -DMRonald M. Cohen The U. of C. teacherexhibits large black paintings, most¬ly of men’s asses and mostly (paint¬ed) on mattresses. This may soundunappealing, probably most peoplefind it so, but Cohen’s expressiveflair makes the whole thing worth alook. Thru Oct 8 at N.A.M.E. Gallery,9 W Hubbard. Tue-Sat, 11-5.467-6550. Free.MUSICWynton Marsalis The boy-wonder ofjazz (21 years old). Winner of down¬beat's Reader Poll awards for musi¬cian of the year, album of the year,and best trumpeter. Acclaimed byclassical virtuoso Maurice Andre as"potentially the greatest trumpetplayer of all time.” Member ofVSOP with Herbie Hancock, TonyWilliams, etc. And the man Bill Cosbysaid would “like to have marry mydaughter.” What more can he do?Find out for yourself at the JazzShowcase, as Wynton brings his five-piece band for an extended set. Ba¬sically it’s a version of Miles Davis'sclassic mid-sixties quintet, withWynton’s older and perhaps wiserbrother Branford filling the WayneShorter-tenor sax position withverve and authority. Wynton, how¬ever, is the band’s moral center ontwo levels; first, he brings a respectfor the jazz tradition to his work, ad¬ding a roots knowledge to his high-tech technique, second, he is one hellof a snappy dresser. Jazz Showcase,Blackstone Hotel, 636 S MichiganAvenue Fri Sept 23 at 9, 11 and 1;Sat Sept 24 at 11 and 1 Sun Sept 25at 8 annd 10. —JMSacred Song Pipe Organ concert. SatSept 24 at 2. William Ferris Chorale,Mon Sept 26 at 5:30. Saint Luke’sChoir of Men and Boys, Tue Sept 27at 12:15, at the Chicago Public Li¬brary Cultural Center, 78 E Washing¬ton St, 744-8928. FreeWind Ensemble of the Chicago ChamberOrchestra; Directed by DieterKober. The orchestra will perform"Partita. Op. 79” by Franz Krom-mer, “A Happy Music" by AlfredUhl, and "Serenade for Winds, Op.44" and “Waldesruhe” for cello andwinds, Op. 60 by Antonin DvorakSun Sept 25 at 3, in Preston BradleyHall of the Chicago Public LibraryCultural Center, 78 E Washington St,922-5570. FreeHarry Callahan, Eleanor, 1948, at Columbia CollegeMISCChicago Comic Book Minicon A gather¬ing of regional comic book fans, col¬lectors and teachers. Sun Sept 25 at11. At the Americana-CongressHotel, 520 S Michigan Ave274-1832. .75(.Osgood Dances Directed by Amy Os¬good. Fri Sept 23, Sat Sept 24, andSun Sept 25 at MoMing, 1034 WBarry, 472-9894FILMDon’t Look Back (D. A. Pennebaker,1965) This documentary of BobDylan’s last acoustic tour of England,circa 1965, is one of the most bril¬liant rock films ever made, as wellas an amazing view of a pre-electricDylan who is one step away frommadness/total genius. (Reviewed inthis issue of the GCJ.) This is a must-see. Fri and Sat Sept 23 & 24. Var¬sity Theater, 1710 Sherman, Evan¬ston. Fri: 8:55, Sat: 2:05, 5:30, 8:55.—JMThe Boy with Green Hair (Joseph Losey,1948) DOC kicks off its series on thefilms of Joseph Losey with this earlyeffort, a thought-provoking fable ofa war-orphan who becomes a socialoutcast when his hair changes color.Losey’s first movie, and deeply ex¬pressive of his “Hollywood” periodof what can only be called a con¬trolled hysteria, The Boy with theGreen Hair shows the political com¬mitment of the director, who wassoon to be an exile of the Hollywoodblacklist of the fifties. With RobertRyan, Dean Stockwell, Pat O'Brien,and Barbara Hale. Tue, Sept 27 atDOC. $2. —IMAmarcord (Federico Fellini, 1973) Ah,Fellini! DOC kicks off its Fellini retro¬spective with this nostalgic lookback on Fellini’s youth in the thirties.An Academy Award winner as bestforeign film, Amarcord is at timesserious, funny, and gross, but thefilm is never less than warm andhuman. This is a good introduction tolate Fellini, but you should go to LaDolce Vita or the immortal 8 <S 1/2for the Fellini which will live on inhistory. Wed Sept 28 at 8. DOC, $2.-JMThe Nutty Professor (Jerry Lewis, 1963)What can you say about genius? Iknow, it is Jerry Lewis we are talk¬ing about here, but this film is geniusnevertheless. Lewis plays a chip¬munk-faced college professor whosepotion turns him into “Buddy Love,”a Mr. Cool who looks and acts likeDean Martin. Playing both roles,Lewis is able to exorcize all of hisdemons concerning his famous part¬nership with Martin, as well as pres¬ent what the French critics have foryears seen as one of the greatestcomic explorations of Freudianweirdness ever fiimed. Lewis’s useof proto-disco colors in the BuddyLove sequences shows a firm graspof expressionist film techniques,while his professorial role displaysthe most precise use of Lewis’s bril¬liant physical comedy. This is clearlyLewis’s masterpiece, which is sayinga lot more than you might at firstthink. Thurs Sept 29 at 8. DOC, $2.—JMThe Godfather (Francis Coppola, 1972)Coppola’s masterpiece, The Godfa¬ther is one of the finest Americanfilms ever made, featuring morebrilliant performances in one moviethan has been or will be seen in a. long time. Marlon Brando is brilliantas Vito Corleone, head of a Mafiafamily whose sons include JamesCaan, Al Pacino, and John Cazale. Astory of crime, corruption, religion,transgression, and damnation, TheGodfather is a film of such epic pro¬portions that upon release it seemedimpossible that Coppola could equalit. Of course, with Godfather II, hedid. Featuring an indescribablybeautiful score by Nino Rota. ThursSept 29 at 8. LSF, $2. —JMThe American Friend (Wim Wenders,1977) This is one of Wenders's colorfilms, which means that he is lessconcerned with matters of the roadand American cinema than in hisblack and white masterpieces. Butwith a film starring Dennis Hopperand featuring bit roles by Sam Fullerand Nicholas Ray, this film has morethan its share of connections with theWenders search for the meaning be¬hind America, and the influence ofAmerica (especially its films) on apost-war Germany. Bruno Ganzplays a terminally-ill man who isdrawn out of his ordered life by themysterious Hopper, who plays agambler, a figure who represents allthe mystery — and danger — ofAmerica itself. Moving rapidly fromHamburg to Paris, with a brief stop in NYC, The American Friend evincesthe most “American” cutting style ofany Wenders film, a rapid decentinto chaos which is unlike his morestately B&W films. But Wenders isable to bring together a taut narra¬tive of crime, deceit, and murderwith his major theme of “cultural col¬onization.” Essential, if not the es¬sential, Wenders. Facets Multime¬dia, 1517 W Fullerton Thurs Sept 29at 7 and 9:15. —JMTHEATERHothouse Written by Harold Pinter,directed by Jell Perry. In 1980, theplay ran successfully in London andN.Y. The play takes place in a sani¬tarium and tells the story of the cra¬zies who live there. This definitelysounds like one of the better betsthis week. Tues thru Fri at 8, Sat at 6and 9:30, Sun at 3 and 7. Steppen-wolf Theater, 2851 N Halsted472-4515. $11.50-15.Hay Fever Written by Noel Coward,directed by Susan Dafoe. The playtakes place in the eccentric Blisshousehold. Like all of Coward'swork, this is a very amusing Englishdrawing room production and if wellexecuted could be a joy to watch.Wed thru Sat at 8 and Sun at 2:30and 7:30. Court Theater, 5535 S EllisAve. 753-4472. S10-S13 with a $2student discountThe Dresser Written by Ronald Har¬wood, directed by Pauline Brails-ford. This play tells the story of atraveling theater company which isperforming in a very seedy theaterwhile the lead actor is about to un¬dergo a breakdown though he man¬ages to perform one final trium¬phant performance. The play wasvery well received in New York andby all indications should be verywell done both artisically and techni¬cally here. Thurs and Fri at 7:30, Satat 5:30 and 9 and Sun at 2:30 and7:30. Body Politic Theater 2261 NLincoln Ave. 348-7901. $9-$13.50with an added student discount.In the Belly of the Beast: Letters fromPrison: Adapted from a book byNorman Mailer, directed by RobertFalls. This play tells the story of thelife of Jack Abbott, a convicted mur¬derer. The events are told throughletters which have been edited byMr. Mailer. This could be a very com¬pelling drama depending mainly onhow successfully the writing hasbeen adapted for the stage. Wed thru Fri at 8, Sat at 6 and 9:30, andSun at 3 and 7:30. Wisdom BridgeTheater 1559 W Huron 743-6442.S11-S13 Note: I believe that StudentActivities is planning a large dis¬count for one night of this prod¬uction, call 962- 554 for further in¬formation. —SDThe Unnamed This adaptation of TheHunter of the Dark by H.P. Love isdirected by Michael Fosberg. Origi¬nally the play was done by TheaterX in Milwaukee. The Unnamed tellsabout Robert Blake who is obsessedwith the unknown. He travels fromMilwaukee to New England and be¬comes obsessed with a black steeple.The play presents an evening ofspine tingling excitement. ObviouslyI have been reading too many pressclips and this explains why an obses¬sion. with the unknown causes terror.Nonetheless I would go see this playbecause Theater X is supposed to beone of the best experimentaltroupes in America. Of course it isunknown if The Huron productionwill be as good as Theater X’s ...Thurs thru Sun at 8. Thru Oct 30. TheHuron Theater 1608 N Wells.266-7055. $7, $9. -SDCourt Theatre Masterworks The first lec¬ture in their fall series will focus onNoel Coward’s 1920’s comedy, Hay-fever. Mon Sept 26 at 8. At HydePark Jewish Community Center,1100 E Hyde Park Blvd, Free.268-4600.ARTStudent Works Group showing of stu¬dents at the HPAC school. Today andtomorrow, 11-5, at the Hyde ParkArt Center, 1701 E 53rd. 324-5520.Free.Three Photographers Charles Bloom,Nancy C. Hays, and Peggy Stevens.Thru Sept 30 at Artisans 21, 5225Harper. 288-7450. Free.Lorado Taft: His Life, His Work, His In¬fluence. Documents of two of thesculptor and teacher’s works. ThruOct 31 at the HP Historical Society,5529 Lake Park. Sat, 10-12; Sun,2-4. Free.In Mountain Light: The Photography ofByron Harmon, 1906-1934. Sixtyblack and white photos from the Ca¬nadian Rockies. Thru Oct 18 in theEast Gallery, first floor. Also, "Chi¬cago Works on Paper — Abstract¬ed," 30 contemporary examples ofthe city's "Other Tradition.” ThruOct 29 in the West Gallery, firstfloor. The Public Library CulturalCenter, 78 E Washington. Mon-Thur,9-7; Fri, 9-6; Sat, 9-5. 346-3278.Free.1983 Distinguished Building Awards. Chi¬cago Chapter, American Institute ofArchitects. Drawings and models ofthe winners in the commercial, insti¬tutional, industrial, and residentialcategories, all completed between1980 and 1983. Opens Thur Oct 29Grey City Journal 9/23/83Staff: Stephanie Bacon, Steven Diamond, Madeline Levin, JeffreyMakos, Nadine McGann, David Miller, John Probes, Cassandra Smithies,Ken WissokerProduction: Lorraine Kenny, Nadine McGann, David MillerEditor: Lorraine KennyLOOK BACK NOWby Jeffrey MakosBy any estimation, Bob Dylan is nolonger at the heart of the contemporarymusic scene. His last great triumph was hisreturn, with The Band, to the concert stagein 1974. Ten years is a long time, and re¬gardless of the rumors surrounding his up¬coming album, Dylan belongs to the past.Or does he? While Dylan the artist re¬cedes into the collective memory of rockmusic, a genre never noted for its kindtreatment of aging heros, Dylan qua per¬sona lives on. It can be argued that the“golden age’’ of rock — the sixties — pro¬duced three basic rock personas; nonehave been improved upon and all can beseen thriving twenty-four hours a day onMTV. First is the loveable group persona,crystalized by the Beatles in A Hard Day'sNight. They presented a seamless unityagainst the chaos of a cruel outside world.Watch Madness’s video of “House of Fun,”and you’ll see what I mean. Second is thedecadent rock star attitude, developed bythe Rolling Stones and taken to the nth de¬gree by Led Zeppelin and used currentlyby Def Lepard, for example. Third is thearrogant, but tortured and sensitive,singer songwriter; from Dylan to Spring¬steen, this has been a classic rock persona.Lou Reed, for example, took the Dylansneer and made a career out of it. You cansee it even in a fourth or fifth generationband like Ebn-Ozn, whose video of“A.E.I.O.U” owes more to Dylan than toSteely Dan, whom they look like. SteelyDan is itself a fourth generation Dylan-sneer outfit, especially with their overtmanipulation of nonsense lyrics to gain acache of intellectual pretension.In other words, the Dylan-move that wehave come to know and love roots Bobright into the timeless now of it all. His ge¬nius-poet stature is worshipped by coun¬tless teens in its decadent rock star mix¬ture which is incarnated in Jim Morrison. AMorrison-clone like Iggy Pop exploits theDylan-as-burn-out legend. Bryan Ferryuses Dylan’s early image as a bluesdandy. Springsteen is still hung up on pre-BLUES DAZEby Frank LubyIt’s 1965. Pepper's Lounge in Chicago.“We’d like to do a little bit of a tune foryou this morning, which we think youmight appreciate. It’s the blues, and youget the blues with the soul down anddirty.” And with that introduction, JuniorWells and Buddy Guy begin “So Bad To BeLonesome” in much the same way they’vedone thousands of sets before and after,with an amazing simplicity, a small rangeof words and instruments that allow themto explore an incredible range of emo¬tion.Blues traditionally has dealt with life inits crudest, most painful state, and for thatreason it has lacked a wide appeal amongconservative programmers and thus it haslacked airplay. But nobody can deny thatblues appeals to people because it ignoresany barriers. Though its influence ontoday's music is widespread, the blues it¬self lives in obscurity.Most people associate the blues with B.B. King, the most recognized of today’sblues players. But B. B King, because ofhis mainstream visibility, has to soften hisedge, and that brings hints of superficia¬lity and compromise into his music. It losesthat riveting penetration and clarity thatblues bass player Freddie Dixon described jto me once as: E“You sit and listen to a set of blues, and §there is always at least one song, one song ®with those words that just go right through ®you. You say to yourself, ‘Hey that’s me >he's singing about — I’ve been there be¬fore.”To be able to “go right through” some¬one in the way blues can requires a refusalto compromise and a brashness to singabout darkness, sex, pain, and sufferingin the raunchy offensive language of thoserealms. How can music born in a post-slav¬ery era and breathed to life by sharecrop¬pers and wanderers be anything else? Theend result, strangely, is unity, a celebra¬tion about just being alive built around thethreads of pain that run through everyoneat some time.Ralph Ellison in The Invisible Man in¬cludes his reaction to Louis Armstrong’s“What Did I Do To Be So Black andBlue?”I stumbled about dazed, the musicbeating hysterically in my ears. Itwas dark. My head cleared and Iwandered down a dark, narrow pas¬sage, thinking I heard footsteps hur¬rying behind me. I was sore, and intomy being had come a profound crav¬ing for tranquility, for peace andquiet, a state I felt I could neverachieve.He later says the music demands action, ac¬tion he was presently incapable of taking. electric Dylan, with hfs Nebraska album,nothing but a reworking of Dylan circa“The Times They Area A’Changin” (com¬plete with Bruce-as-Bob-with-work-shirtgraphics.) As Sharock once said, “Get thepoint?”Thus, for students of history, those whowant to know how the timeless now of itall came to be, the re-release of D. A. Pen-nebaker’s documentary on Dylan’s lastacoustic tour of England in 1965. Don’tLook Back, being shown this week at theVarsity Theater in Evanston, comes as awelcome event, as well as a major shock tothose not expecting to see just how wellDylan pulled off his genius-as-jerk per-Theresa’s 1971But in all blues there is a resolution, andan answer in the end that unifies and spursthat elusive “action.” James Baldwin’sshort story, “Sonny’s Blues,” ends withSonny at the piano in a Harlem bar.Sonny’s family has fallen apart, he cravesheroin, and the people listening to hismusic are not much better off. But Sonnymakes them feel that pain, and the resultis a celebration, a tearful togethernessthat seems for a moment to place thoseproblems to rest.Not all of the blues today embrace thegut-wrenching trials that Ellison andSonny have seen their whole lives. Nowblues musicians and many rock bandswhose roots are in the blues play a lighter,faster sound which does not receive expo¬sure on the radio. Eric Clapton, JimmyPage, Rod Stewart, the Rolling Stones,and Van Morrison, among others, began arevival of early American Blues in Englandin the early 60’s and incorporated thestyles into their own music. Some of theirAmerican counterparts such as the Doors,the J. Geils Band, and Edgar and JohnnieWinter spent much of their careers playingoriginal blues. But many have argued thatblues’ influence on today’s music goes sona on an unsuspecting world. The movie,shot and edited by the man who later wasresponsible for Monterey Pop, is not onlythe proto-rock-movie, but displays an art¬fulness lacking in almost all subsequentrock-a-ramas. The music is Dylan at hispost-Guthrie best, with protest songs andsurrealist epics which display an easenever to be heard again in his work. And,ultimately, the film shows us Dylan at thecrossroads, the young folkie turning quick¬ly into the mad genius of Highway 61 andBlonde on Blonde, as well as a singer rap¬idly being overtaken by the stardom hehad hoped to achieve. As Little Richardonce said, “He got what he wanted but hedeeper than that. The very structure oftoday’s rock bands comes from MuddyWaters’ experiments with electronic bluesin the 50’s. The themes of those earlysongs came from music by Waters, JohnLee Hooker, Howlin’ Wolf, and WillieDixon.Pure blues, though, remains in the back¬ground. As Freddie Dixon said, “It’s un¬derpublicized. . . no one really pays toomuch attention to it,” but blues is access¬ible here in Chicago. WXRT (93.1 FM) has ashow called Blues Breakers each Mondaynight, and the Reader has extensive list¬ings of blues clubs in the city. The twonearest to campus are the CheckerboardLounge at 423 East 43rd Street (it’s thefirst place the Rolling Stones played in Chi¬cago), and Teresa’s on 4801 S. Indiana;getting there by cab poses no problem.Blues is one of America’s few forms oforiginal music, and Chicago has been itssurrogate mother for over half a century.It’s 18 years after that morning in Pep¬per’s Lounge, which is now a health clinic.Junior Wells and Buddy Guy have touredthe world, but they still play in Chicago atthe small clubs. Finding them is definitelyworth the effort. lost what he had.” But what Dylan gets —and gives out in a series of brutal ex¬changes with adoring fans — is far morethan anyone could have expected in a de¬cade of peace and love.Pennebaker’s style is what was — andstill is, although sparingly — known as cin¬ema verite, a rough and ready mixture ofhand-held camera work, location re¬cordings, personal interviews, and sea¬mless editing in the interests of telling thestory — getting the images out as close tothe truth of the event as possible, like theNew Journalism of that time. But like NewJournalism, the “news” being presentedgot at the the “truth” through heavilysubjective means. Moreover, Penne¬baker’s fear, loathing, and an unmaskedawe, of Dylan’s abilities as manipulatorare close to the surface at all times.As J. Hoberman has clearly noted in hisVillage Voice review, Don’t Look Back isbuilt less around Dylan’s concerts thanwith a mythical “search for Donovan.” Thefirst thing Dylan is asked when he gets offthe plane is whether or not he’s heard ofDonovan, who was then in a very earlystate of Dylan-clone imitation . Dylan latersees an article on Donovan and mutters“That’s the target for tomorrow.” Jokesabout Donovan abound. Articles arepinned up on hotel walls, finally endingwith a magazine headline saying “DylanDigs Donovan.” The two finally meet at aparty, and Dylan barely controls his gleeat devastating the british singer with aversion of “It’s All Over Now, BabyBlue.”What is most surprising, outside of Pen-nebaker's use of the Donovan leitmotif topaint a portrait of the artist as a youngjerk, is the very fact that Dylan allowshimself to be filmed on the attack. Dylannever shows the slightest trace of beingaware of the camera — meaning he’s ei¬ther a total media genius or, more likely,that he is (or was) that way naturally. Thisis the horror at the heart of the film: Dylanjust doesn’t seem to care about the peoplehe savages. And Pennebaker also seemsto understand the cause of this savagism.Throughout the film, Dylan is bombardedwith questions concerning his art, life,mysticism, politics, etc. Pennebaker’s cam¬era is able to show a detailed example ofthe lionization of a pop star by a press, aswell as a public, looking for a savior.The filmed concerts, which feature Dylanalone on stage, are about evenly dividedamong classics from his Guthrie folk singerperiod (“The Lonesome Death of HattieCarroll” most prominently displayed),later songs from his visionary period (“It’sAlright Ma”), and personal love songs like“Love Minus Zero.” Dylan can be seenmoving away from the folk hero role to amore individual style, a style which wouldlater be seen on Highway 61 Revisited,and which would culminate in the electricmusic that got him booed off the stage atthe Newport Folk Festival. Pennebakersenses this imminent move; he cuts fromDylan performing in his standard concertgarb of black leather jacket and blackpants to an earlier performance shot ofDylan in Mississippi, dressed in work shirtand jeans.But this style of dress is the least of ,Dylan’s new moves. Throughout the film,Dylan hides behind sunglasses, or if he hasthem off, he never lets the person he istalking to get a word in edgewise. Hecomes to his first interview with a hugelightbulb. He ends the film happy that theEnglish press think he is an anarchist. Ul- Jtimately, Dylan is seen as a man alone. Al- ithough surrounded by a large entourage(including his Buddha-like manager AlbertGrossman, whose manipulation of fees forconcerts is one of the film’s high points, aclassic example of money grubbing power- jplays as Dylan sings protest onstage),Dylan has no real contact with anyone. His ;sneer comes to be seen not so much as the jsign of a jerk but as the mark of a man Iwho knows he is being used by everyonearound him. Dylan’s famed distrust of hisfans is not in evidence here, but his slash¬ing remarks to almost anyone who askshim for “the message” shows a fierce bull¬shit detector at work, and the strain of anidividual who is struggling (however eas¬ily) under the burden of being a genius toeveryone. Ultimately, this was to driveDylan to the point of madness, as can beheard on the bootleg 1966 electric con¬certs in England, with Dylan crazedbeyond belief. Here, Dylan seems to thinkhe can handle the pressure by being vi- |cious. We know better, which gives thefilm an eerie tone.This, then, is the image of Dylan that ilives on: an individual dealing with the ex¬cesses of the world (including the world ofpop stardom immediately surrounding himthrough a vicious counter-attack of hip¬ness, of cool, of implied nihilism). What is jmost striking about Don’t Look Back, espe¬cially after viewing it, is just how formu- <lized and formulaic this image has become, iThis film presents images from a not sodistant past, but it is still surprising howyoung and open Dylan’s audience looks, jThe world had yet to be set on the hair- >trigger terrorist edge that we all knowtoday, and this bald fact gives Dylan’sown hairtrigger response a certain formof beauty and merit, for we know that histime had never seen his kind before.8—The Grey City Journal, Friday SeptemDer 23, 1983Eduardo* DMrtKMTV 1212-14 North Dertbom, ChjcMO.BL.Ci; 337-4490Edvwdo'i North: 1937 Wert Howard St^ep.HUCrtl 7^040Edwwdo • South: 1321 Cert 37th 3t. Chicago. Crtl 241 -7960 For Parties of lOOrMoreA 15%Grahrty Wl Be Added. Takc Home One or More PartiallyBaked Pizzas For Your FreezerThe Grey City Journal, Friday September 23, 1983— 7Eating, Drinking, & Other PleasantriesCombining freshly prepared quality food with casuallyelegant service & down-to-earth prices.We bake fresh croissants, French bread & muffins daily.Join us early for hearty breakfast specials that includefresh ground Columbian coffee & fresh squeezed orangejuice.For Lunch & Dinner we offer:• An unusual selection offresh house salads • Fresh prepared crepes & quiches• Award-winning chili • French & croissant sandwiches that will satisfy any appetiteAnd you’ll agree we have Hyde Park’s Best Ice CreamSundaes!53^ St. & ^aAf^A)Open 7 days: Mon.-Thurs. 6:30-10:30, Fri. & Sat. 6:30 -11:30, Sun. 8-10:30DEEP—DISH■[Fah+c'cLnhjL?Call For Delivery or Pick-UpTHIN CRUSTPIZZADelicious Mixture ofMozzarella Cheeses Small3.75 Medium5.45 Large6.55Each AdditionalIngredient:Sausage, Pepperoni,Canadian Bacon 1.50 1 80 2 25Fresh Mushrooms, GreenPeppers, Onions,Garlic, Black Olives,Anchovies 65 .95 1.45Spinach or BroccoliPesto Pizza 5.006.20 7.00 8.559.20 11.20STUFFED PIZZARegular DeluxeBlend of Mozzarella Cheeses 6.45 8.45Each Additional Ingredient:Sausaqe. Pepperoni, CanadianBacon 150 1-80Fresh Mushrooms, Green Peppers,Onions, Garlic, Black Olives,Anchovies -05 .90Edwardo’s FamousSpinach Souffle or FreshBroccoli Pizza 8.25 10.45Pesto Pizza 8.95 11.95WHOLE WHEAT CRUST: For a change try ourdelicious whole wheat dough. It s high in fiber and madefresh daily with a special blend of spices. It is available onall pizzas. ' V-fdwordo's North: Won. Thun. $-11:30PM/fri. A Sat. 4PM I2:30AM/S«nThree Locations For Chicaao's 4PW 1 l :30P*inree Locations r or cnicago S Edwwdo’iSorth- Mon. Thors. IT Son. HAM n 30PM/fri .1 Sot him :30AMFinest Muffed Pizza Edwordo * Dearborn: Mon. Thurs 4PM lAM/fri.ASaMIAM 2AM/Sun 12AM 12PM. « ■' ; % Iff 1 • ■ • - . •APPETIZERSHomemade Ravioli with our zesty tomato sauce.Cheese 1*95Spinach 2.25Garlic Bread 75DELICIOUS SALADSEdwardo’s Salad Bowl: Fresh and crisp withenough tasty ingredients to round out 1.75Antipasto Salad Bowl: Delicious combinationof genoa salami, cheeses and peppers spread overa combination of iceberg and romaine lettuce anddrenched in our own vinegar and oil dressing.2.95Fresh Basil Salad: A real treat for basil lovers.Crisp leaf of romaine lettuce covered with slicedmozzarella cheese and tomatoes and topped withred onions, fresh basil and our house dressing.1.75Try our house dressing. It’s good enough to becalled Mansion Dressing.Because your fresh pizza contains such anabundance of ingredients, it takes a littlelonger to cook than normal pizza. May wesuggest a salad or appetizer in the meantime? LUNCH SPECIAL(Served daily 11AM-3PM)Special StuffedMini Pizza Cheese Sausage Spinach2 75 2.95 2 95Cheese Ravioli. Salad and Garlic Bread 2.95Spinach Ravioli. Salad and Garlic Bread 3.25Croissant Sandwiches - served dailyNow serving Pastaw/homemade sauceBEVERAGESSoft Drink 55Pitcher of Soft Drink 2.95Coffee 55Milk 55Corkage Fee 50' per personWELCOMETO YOUR FULL-SERVICE BANKWE’VE GOT IT!COMING SOONcash nationAUTOMATED TELLERNETWORK PERSONALANDBUSINESSLOANS MONEYMARKETCHECKINGACCOUNTSInsured to$100,000Market Rates N.O.W.Accounts5V4% Interest onChecking. The highestallowedby law. WE’RE CLOSESTTO CAMPUSVAULTDEPOSITBOXES ^ A FULL ^fl SERVICE BL BANK J MONEYMARKETCERTIFICATES$2,500 minimumRate varies withweekly TreasuryBill auction.DIRECTDEPOSITMonthlyU.S. Governmentand Universityof Chicagochecks REGULARSAVINGSANDCHECKINGACCOUNTSALSO SEE US FORTraveler’s Checks - Money Orders - Notary ServiceForeign and Domestic Funds Transfer * Cashier’s ChecksGovernment Bonds (collection and sales) 0URCONVENIENT Tu°en8HOURS wed.Thurs.Fri.Sat. LOBBYHOURS9:00 to 3:009:00 to 3:00CLOSED• 9:00 to 3:009:00 to 6:009:00 to 1:00Please use Main Bank during lobbyhours to open new accounts. DRIVE-UPWALK-UPWINDOW HOURS8:00 to 7:008:00 to 7:008:00 to 7:008:00 to 7:008:00 to 7:008:00 to 1:00Some of our many services are listed above. Wewelcome your inquiries. We believe the bank youchoose must be many things. But most of all, it must beconcerned with handling your particular accounts andindividual transactions as quickly and as convenientlyas possible.TWO CONVENIENT LOCATIONSMAIN BANK, 1354 E. 55thCONVENIENCE CORNER, 55th at Lake Park Your Community BankDedicated To CommunityService For Over 64 Years.UNIVERSITY NATIONAL BANK1354 E. 55th St. • 55th St. at Lake Park • 684-1200 MEMBER F.D.I.C.8—The Grey City Journal, Friday September 23, 1983DON BAUM IMAGINES POSSIBLE WORLDSDon Baum is a remarkable person. In histenure as director of exhibitions at theHyde Park Art Center from 1956-1973,Baum, unlike other curators, took an inter¬est in a local group of young artists, the‘Hairy Who ”/ the “Chicago Imagists,’’who now, as a result, enjoy internationalattention. Baum is an artist in his ownright, and he is a faculty member in andhead of the Art Department at RooseveltUniversity. In the 40s, Baum was a gradu¬ate student in art history at the Universityof Chicago, which brought him to HydePark where he has remained ever since.His prominent position in and first handexperience with the visual arts communityin Chicago provide him with a unique andvaluable perspective on art and life in thiscity.Recently, Lorraine Kenny and DavidMiller spoke with Baum, primarily withthe intention of hearing what he had tosay about Chicago Imagism: the artists,the art and the history. Though Baum usedthe term, Imagism, to refer mainly to theartists he showed at the Art Center in themid-60s, he also recognizes that the termrefers to a more general local tradition inpainting and sculpture, that as Baumpoints out, dates back to the 30s. General¬ly it ranges from the surreal to the expres¬sive, or combines the two in some mannerof figural representation. One account di¬vides the Imagists into three generations,and includes Baum among the “first gener¬ation." The 60s Hyde Park Art Center ar¬tists are known as the “third generationAnd a somewhat more amorphous groupof 50s artists stands between the two.In many ways Baum embodies the sensi¬bility of this Chicago art movement. He hasa high regard for the new and challengingand appears to go about enjoying life withquite a vengence. The Imagist paintingsthat fill the walls of Baum’s apartment en¬trench him in an interior world of fantasyand fun. Ultimately, Baum projects thevery best of a seemingly self-contradic¬tory sensibility now, rightly or wrongly,identified with this city: simultaneouslysmart and anti-intellectual, sensitive andcrude, open and defensive. And, to top itall off, Don Baum has a wonderfully infec¬tious laugh.What is Chicago Imagism? How would youdescribe or define it?I don’t feel I know much about it because Ididn’t have anything to do with thatname.Where did it come from?Somebody else. I don’t even know who itwas; I’ve forgotten. Somebody who writesabout art used the term. That was in nosense a known expression attached to, forinstance the Hairy Who group in the 1960s,around '65,"I think it was '66, the firstshow. Nothing like that was attached tothem. That all came later. Somebody laidthat on them. I don’t think it’s bad or any¬thing, but I don’t think it says very muchand it doesn’t describe in any way the indi¬viduals that are included in the group.I mean that (points to a painting) for in¬stance, is a Karl Wirsum and that’s fromthe second Hairy Who show. And it isn’t atall like...Let me see; there isn’t anythingby anybody else in here, no. I mean thereare a lot of these Chicago artists in thisroom but I was just going to suggest to youthe divergence of their expression. Whichis so obvious in a formal way. There arecertain shared things, but then there arealways certain shared things by visual ar¬tists in certain periods. So this term is avery funny one. I think it’s an appliedterm. It’s a little too limiting because Idon’t think that’s the Imagists’ concern.See, the idea of images, per se, is onlyimportant because it is possible throughvisual images that we have associationswith, etc., to make certain kinds of psycho¬logical drama. That’s what I feel is themeaning of what they are about.There’s also a critical attempt made, par¬ticularly by Franz Schulze in his book Fan¬tastic Images, to take that term, or thatterm as it applies to what he calls the thirdgeneration of Imagists, and see a traditionfrom the work immediately following theSecond World War, from people like your¬self and Cosmo Campoli, through the 50s,with people like H.C. Westermann, Sey¬mour Rosofsky, and June Leaf, and then onto the 60s and the "Imagists”, the thirdgeneration Imagists, Paschke, Nilsson,Nutt, Wirsum...Well of course you didn’t mention LeonGolub, who I think is an important memberof the first group and one who is particu¬larly important to Franz. I find the wholething quite interesting, that you bring thesubject up, because I certainly have nodoubt that there is a stream of fascinationwith ceVtain kinds of imagery in Chicagoart from the 40’s actually. Even artists inChicago like Gertrude Abercrombie in the30s, who lived in Hyde Park. She’s practi¬cally unknown out of the city, and yet is avery unique, remarkable artist, whoseworks are fortunately now in a lot of mu- 0m .Don Baum; inset, Leon Golub, Head II, 1969seums including the Art Institute. But any¬way there is this stream of artists fascin¬ated with a certain kind of interior world,or however you want to describe it. Andit’s been expressed in different ways. InGertrude’s case, an almost academic surre¬alism, different from some of the expres¬sionism, of someone like Golub.I think it was very interesting thatFranz, at least at one time, thought thatthere was something productive, healthy,natural, and whatever about the move¬ment from the Monster School, includingGolub, Campoli and so on, into the HairyWho. He saw a certain kind of relationshipthere and then all of a sudden he stoppedseeing it. He wrote an article in which hedid not exactly put the third generationImagists down, but he certainly suggestedthat he considered that their forerunnershad a greater quality and were more im¬portant. Well of course he is from the earli¬er generation and was a painter, sort of apainter manque, a failed painter. So Franz had set up something which was sort of ob¬vious and then finally he didn’t under¬stand it, or something, or was afraid of itmaybe. Something happened which reallychanged his mind. This article I’m referingto was published in one of the national artmagazines last year, or within this year.The March Art in America?Yes, that’s right, that's exactly the one.It’s interesting to think that the ChicagoImagist group — and I use that now to in¬clude the people from the Hairy Who andthe False Image shows — that they arevery famous in a sense. It’s quite excitingto me that there should be this kind of tem¬pest in a teapot controversy going onabout them. Because they’re actually notthe kind of people such a point of viewwould in any way effect. That’s one of thenicest things about them, that they havethis kind of strength. I think that’s whythey are such good artists.And that’s in fact what Schulze now faultsthem for.. I think it is, really....their desire to make things that are for¬mally more mature but still hold onto theyouthful vigor...Yeah....that they first exhibited in the paintingsshown at the Hyde Park Art Center in1965.Well that's a complicated point of view.Artists change. They have to. They changeand their work changes. And it is so hard,to not look at an artist’s work and not seeit aging just as the person ages. Franzdoesn’t think of it in that way, but that’swhat I think. I would be a little disturbed ifthey were painting the kinds of picturesthat they were painting earlier. Thatwould be very odd.Do you think that Imagism reflects the lifein Chicago, why is it Chicago Imagism?Well that’s a question that Franz has cer¬tainly attempted to penetrate. And I thinkthat he has, up to a point. He goes at itContinued on page 10The Grey City Journal, Friday September 23, 1983—9Karl Wirsum, Armpits, 1963DON BAUM IMAGINESContinued from page 9with this vengeance, he has asked meabout it a number of times. I don’t thinkthere’s an answer to it. After all you endup with the simplest thing, environment.Okay, what is it about the environment?Well we all live here, and we know whatthe environment is, and it’s not the same inall parts of the city. That obviously makesa difference. These artists didn’t necessar¬ily live in an identifiable community in anysense. Nothing like the way it is now. Whenthey were maturing, they just lived incheap digs, you know places where theydidn’t have to pay much rent. Anyway, sothe environment is what? How importantis it? I don’t know; it’s important but is itmeasureable? I have no idea. Though Ithink it has its own value.But what else is there? There’s the timesin which these people were maturing. Oneremembers, for example, that the fascina¬tion with personal appearance, that kindof tramp costumed look that they affected,is the same kind of thing you see in earlyrock. And the names that these artiststook were rock-like in character. So here issomething going on which is a kind of cul¬tural phenomenon in which people are be¬having in a certain way, including theirdress, their tastes, and interest in raw¬ness. The Hairy Who were very much inter¬ested in that. So when you try to see why ithappens here there’s a problem.I think that the reason that there is anartist’s community that is the kind that it Roger Brown, Skyscraper, 1971is, and has been for...ever since I can re¬member — is that this is a very congenialcity to live in. It's big and it has, especiallyincreasingly, the opportunities of the bigcity. Without all of the disadvantages thatpeople sometimes feel about New York.The problems which artists experiencethere are of course because of the extremecompetition and the difficulty of physicaland daily life. And artists want their lifeto be not too harsh if they can manage it.As long as they can have decent space—and they’re not about .o live anywhere;they often tend to be quite particularabout the places in which they live, largeor small. I think in Chicago you can live in alot of different ways, quite comfortably.And if you want to get married and havekids, which artists do just like other peo¬ple, its easier to send them to school here,probably, than it is to public schools inNew York.Now the opportunities present them¬selves with fair regularity for young ar¬tists. There are a lot of commercial galler¬ies that are now interested in their work.And there are a lot of young artists with alot of energy who have some good alterna¬tive space galleries, of which the ArtCenter was once considerably more than itis now. Not that that is a negative com-Raise your pen!Rename theFrog and Peachin Ida Noyes HallAnd win a cash prize of$20onThere’s some exciting changes happening at the Frog andPeach this year and new owner Hans Morsbach wants a newname for the restaurant.The winning contestant will receive $100 from Mr. Morsbachand an additional $100 if the university approves theselection.Contest Rides1. Print your name, address & phone number on a 3" x 5"index card along with your entry. List only one suggestion percard, but submit as many different entries as you wish.2 Deposit your entry in the suggestion box at The Frog andPeach restaurant in Ida Noyes Hall.3. Contest is only open to registered U. of C. undergraduateand graduate students. Winners will be notified by phoneor mail.4 Contest closes on October 12th Judges have beenselected by owner Hans Morsbach from the restaurant staff.By any name, The Frog and Peach serves some of the bestfood in Hyde Park. We serve both hot and cold entrees,including our famous barbequed chicken, at prices thataccommodate even the tightest student budget! Need somefood for thought? Visit us soon from 11:30 am to 8 pm. Ed Paschke, Carini, 1980ment about the Center, because it isn’t atall. But Randolph Street I think is morelike what the Art Center was like at onetime. It’s a great place. I think it’s where,if you want to see what’s happening in theyoungest groups, that’s the place to go.What’s the quality of this energy?Well, I went to the “Sex Show” Saturdaynight; have you see it? I had gone to thePaschke opening at. Phyllis Kind and thenon to the Museum for the Louise Bourgeoisand then back to that bar near Phyllis’ gal¬lery that has Italian food, I forget whatit’s called — the “Villa Lago” or somethinglike that. Ed Paschke was holding forththere. There was a party with the peoplefrom-the Gallery. There were a lot of peo¬ple there actually. And we stayed thereuntil about ten o’clock; we didn’t get to the“Sex Show” 'til about 10:30. By that timeI was dead tired anyway. But climbingthose stairs...if was about five flights and.it was dark and real strange. (Laughs.) Butwe made it. Well it turns out that there isjust a labyrinth of rooms and the walls arepainted rather dark colors. And there area lot of red and blue bulbs — that was thelighting. And then there are pictures ev¬erywhere. Can’t see a damn thing. (Laughs.) And then there’s an auditoriumand there’s a performance going on. Andthat looked interesting but we didn't comefor that and there wasn’t any place to sitor anything. So we left. However, I under¬stand that during the day the lights are onbefore they start their theater, their caba¬ret. And I don’t know; it was performanceand I haven’t seen a lot of it but Ihaven’t seen any that I like that much ei¬ther, qp I’m not a good judge of it really. Idon’t know what I thought of people run¬ning up and down the stage howling. Any¬way if I had the energy to climb the stairsI’d go again.Those kinds of things I think are just ter¬rific. And I think that they happen here aswell as in New York. They happen theretoo, but there’s just this sort of fermenthere that makes it a lively place for artiststo live. You can get into it if you want to. Ifyou’re an art student at the Art Instituteand you want to find out what’s going onyou can find out. And you can meet peopleif you want. You can go to* openings andyou can eventually meet artists that youwant to meet. A lot of people come up andtalk to me at openings, kids, you knowpeople much younger than I am, and !HYDE PARK’SALL-NATURAL ICE CREAM PARLORWhy Settle for Less?Cream is, or should be the predominant ingredientin a premium quality ice cream. It is the majorsource of an ice cream’s butterfat content. Butter-fat is the natural ingredient which gives an icecream its smooth texture and dairy flavor. Lesser vquality ice creams contain 10-12% butterfat.Luxury ice creams have butterfat contents in the16-18% range.Rainbow’s End serves only the best ice cream.Rainbow’s End features both Petersen’s 18%and Haggen Dazs 16% All Natural ice creams.We also make our own real whippingcream—heavy whipping cream (36%) and just atouch of vanilla. Pure and Simple!!At Rainbow’s End you can tastethe difference!Croissants We bake our own all-butter croissantsplain • chocolate • almond • apple • ham & cheeseCookies We bake our own line of gourmet cookiesCandies Over 80 different kinds including importedand hand-made domestic chocolatesBuy One Hot Fudge Sundae -Get One For Half Price!!Good through October 1983 with this ad. One coupon per customer.LMon- Thurs. 7:30 A M -11 P.M.Fri. 7:30 A M - MidnightSat. 9:00 A M. - MidnightSun. 10:00 A M. -11 P.M RAINBOW’S END1458 E. 53rd Street10—The Grey City Journal, Friday September 23, 1983Ed Paschke, Neuva Yorka, 1971enjoy it. But the point about it is that youcan meet collectors, you can meet dealers.And that's not so easy in New York, thatkind of fluidity of motion. The artworldhere isn’t real stratified. And people on allthe echelons from the museums and fromthe galleries and from the art centers andwomen’s galleries, and you name it, peo¬ple largely of all types are there and knoweach other. They’re all in a harmonious,sort of social gathering. And that’s nice.Openings in Chicago have a good quality in.that way. I’m tired of them, but I’ve beenthrough so many. But I think they’re funand I think it’s important that if you’re in¬terested in art you go to them. Becauseonly by going to them will you begin to“get it’’, you know, the sort of, really atthis point, rich environment in the visualarts in Chicago.What’s the place of the School of the ArtInstitute generally in the Chicago arts, andparticularly its relation to the arts called,rightly or wrongly, Imagist?I went to the School of the Art Institute inone phase of my educational career and Iliked it, but I didn’t want to stay there be¬cause I thought it was too conservative.But I think all that has changed radically,and my impression now of the School isthat it's probably one of the top three orfour art schools in this counry. They have apoint of view, they have a philosophyabout what they are trying to do thereand they have continually enriched thatprogram.As far as the relationship of the Schoolto the Chicago Imagists is concerned, Idon't think much about that. I’ve known allthose people for many years and I’veshown them at the Hyde Park Art Center —the people who did environmental thingsand the people who did formal things. It’salways been going on and there's a greatmixture. There are three or four of theHairy Who teaching there: Karl, SisterBarbara Rossi, Christina Ramberg, andPhil Hanson, and other Imagists as well.But so what? So do 25, 50, 60 other peopleof all persuasions.About these Imagists as teachers I knowfrom experience that they are just great.They are the kind of artists who have thisincredible sincerity that is sort of rare tofind. They have a sense of honor and arepretty strong about it. Ethical about eachother I guess is what I mean. If they aregoing to teach they are going to try to com¬municate what they think they know; whatelse can you ask?What about the other side of the local arts,the more abstract, formal side associatedwith the Institute of Design?I went to school there too; this is all beforeI went to the University of Chicago, by wayof preparation. (Laughs.) The Institute ofDesign was a very great experience. Firstoff, my complaints about the School of theArt Institute were justified when I got tothe Institute of Design; my thinking thatthe School was too conservative was accu¬rate. However, I wasn’t quite preparedfor the “New World” — the “New Bau-haus” world. (Laughs.) I was only there forabout six months, I don’t even know howlong, really, because it was during the warand I was working in a defense plant,Rock-ola Corporation. I always liked this:they had made juke boxes, that was theirbusiness, but when the war came along,like many other manufacturing outfits,they changed, they made carbines, guns,rifles. They went from juke boxes to rifles;well, I like that and it may be one of thereasons I worked there. I worked nightsand went to school during the day.But being the only new student, becauseit was during the war, I was given this sortof special treatment. I was invited into theoffice of the director, Moholy-Nagy, al¬most every morning to have a “discus¬sion", a private lecture on the nature ofplastics — very scientific. And I had, atthat point, just gotten a D in Chem 1 at Mi¬chigan State University. (Laughs.) Any¬way, I learned a lot of things right awaythough I don’t know that they had any¬thing to do with plastics. It turned out tobe great.I left the Institute because I had some- l Z\\Emit- TjjigjZSgc JM Vr MKarl Wirsum, Luna Tic Park, 1974/where, during these years that I was goingto different schools, started to read artstuff. And I really got engaged in it and Idecided that I wanted to be an art histori¬an. That's why I came to the University ofChicago. So I moved south, I moved toHyde Park from the Near North and nevereally left this neighborhood. Kenwoodwas as far north as I’ve gone. I’m not anart historian and I don’t really teach arthistory. I really teach studio courses. But Ijust feel a great debt to what I learned atthe U. of C. I fretted over a thesis anddidn’t actually ever finish it, but thatdoesn't really matter to me at this point. Imean the point is that what I got wasworth it.I started at the U. of C. about 1944 andby 1948 I was really getting nervous. Ijust had to go to work. I had alwaysworked, but I had always gotten partialsupport from my father and I just felt tooguilty to go on with it any longer. So any¬way, I looked for a job. I went to RooseveltUniversity and I was hired on a part-timebasis to teach a survey course the first se¬mester, and then I was taken on full-time.Roosevelt was a marvelous experienceright away, very fresh, very formative,and it still is and I feel so good about it. Ienjoy teaching there a great deal.How did your association with the HydePark Art Center begin?When I moved to Hyde Park I lived at 57thand Harper, sort of on the fringe of thearts community that was on the other sideof Lake Park, where that new building isgoing up. A lot of artists lived in three orfour story walk-ups in that area. Anyway,around the corner from me was the HydePark Art Center. I don’t know how I hap¬pened to do it, but I went there one time,or knew someone, and I got a teaching job,painting. At that time they had just movedinto a little tiny storefront. They finally Gladys Nilsson, Meeting Again, 1979moved to...well, first of all we were overat an A&P store at 51st and Blackstone. Itwas on the north side of the street and it’sbeen torn down, it’s all been redeveloped.It was a great place and a very excitingperiod for the Art Center. We had a tinygallery, but it worked. And we had a lot ofclasses and we had some people who werevery much interested in film. We had themost marvelous film program. It was real¬ly the most avant garde program in thecity at that time. That must have beenabout the middle 50s. The people who ranit were just so into experimental film, theyknew everyone; they showed Stan Brak-hage and everyone; it was much moreavant garde than the U. of C.’s. Then the Art Center’s next stop was anold department store at 55th and Ken¬wood on the south side of the street. It hadall these huge store windows that used tohave mannequins in them. I put paintingsin the windows. It was good. It had a bigroom for a school, some old stuff — big gal¬lery. And then we moved to 53rd andBlackstone where we were and could havebeen forever. I guess it’s been torn downnow.No, the part the Art Center occupied is stillthere.So they didn’t tear that down. That wholething was empty for months, for years,after we moved out of there. It wasn’t asContinued on paga 12The Grey City Journal, Friday September 23, 1983—11DON BAUM IMAGINESDon Baum, Deliverance, 1980Continued from page 11good as the place we have now but it wasless expensive. The present Hyde Park ArtCenter is one of the most beautiful exhibit¬ion spaces in the city, particularly for thatsize.So we moved around from one place toanother. By the time we got to 53rd andBlackstone I had really gotten an exhibit¬ions program going and I had met in themiddle 60s the first group who are nowknown as the Hairy Who. Most of themwere finishing their masters degrees atthe School of the Art Institute. Originallythere were five of them.Did they approach you as a group to showas the Hairy Who?I can’t remember. They probably did be¬cause I was just doing all sorts of thingsand artists talked to me about ideas, so Ithink that's how it worked. And then Iasked them to add Karl Wirsum, theydidn’t know him because he was a year ortwo older, but they all felt immediatelyopen to him and it was great. He becamevery important in the group because he’s apunster, a language man. Like this picture,“No Dogs Allowed”, "K-9” and “Bewareof Dog”. It’s a painting of the Howlin’Wolf, the blues singer. In the painting it¬self is this muzzle, funnel, microphone.That kind of real fascinating mind isKarl.Then other people got interested. I had alot of energy at that time. I’d go aroundand look at artists’ work and I’d see allsorts of great things. Paul La Mantia, he’sa good artist. He comes from a slightly dif¬ferent point of view, though it is in the Imagist thing. It’s not unlike Jim Nutt, in away with its funny, ameboid people.What statement were these artists tryingto make? >I don’t know that there was a consciouslyarrived at unified statement, partly be¬cause I would say if anything the very act of chosing this particular name is the state¬ment. What does this name refer to? Itrefers to a Chicago art person whose firstname was Harry. These people respondedto him in an ironical, satirical way by mak¬ing up this name, Hairy Who. Even thoughsoon enough a number of people seemed toUniversity NightSeriesSPONSOREDBY THEJUNIORGOVERNINGBOARD iAmerica s best orchestrais right here in Chicago— "Winner and stillchampion," declared TIMEmagazine in its April25 issue. The ChicagoSymphony has won moreGrammys than anyother orchestra—32 —including 7 Album ofthe Year awards. Criticsand audiences world-wideacclaim the Orchestraas the finest. 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Series BFriday, November IIMichael Tilson Thomas, ConductorStravinsky: Symphonies of Wind instrumentsStravinsky: Apollon musageteTchaikovsky: Manfred SymphonySaturday, February UClaudio Abbado, ConductorGabriela Benachkova, SopranoLucia Vilentini-Terrani, Mezzo-SopranoFergolesi: Stabat MaterWebern: VariationsBeethoven: Symphony No. 4Saturday, April 7Henry Mazer, ConductorIan Hobson, PianoMozart: Symphony No. 30, K. 202Sibelius: Lemminkainen and the Maidens ofthe IslandRachmaninov: Piano Concerto No. 3O/^dwAJOld! Come early for best seats!Ticket selling sessions: Sat., Sept. 24 10 a.m.Orchestra Hall, 220 S. MichiganSun., Sept. 25 7p.m. - 10p.m.Student Activities Night,Ida Noyes Hall—- Student I.D. Required — PricesMain FloorRows A-D $16.00Rows E-W $28.00First BalconyUpper Balcony $37.00(RowsJ-5) $24.00Gallery $12.00Box Seats $51.00 know who it referred to, it still had thiskind of underground meaning.Well, for example, at the Hairy Whoshow the walls were covered withflowered linoleum and then the paintingswere hung on them. Well that is a deliber¬ate thing in which you are saying to youraudience, “Now, you try to look at thesepictures.” That’s a good thing, that’s im¬portant, because that’s a rebellious pointof view and sort of radical, because its de¬manding. And a lot of people couldn’t do it,it made them nervous. Now that’s all partof history because so much has happenedsince then. But that sort of radical attitudeis intended to stick pins in balloons, topuncture wind bags. It has a kind of philos¬ophy.See these artists were trying to make anironic comment upon existence really, andattitudes about existence. There’s a newshow here in Chicago called “PossibleWorlds”, 440 North Wells Street, by ayoung curator named Billy Miller. It’squite remarkable. There are six artistsand there are about six works. It’s veryimportant to see because it’s a perfect ex¬ample of the Chicago sensibility at work.The quality of so much of the Imagist’swork could be called something like “Poss¬ible Worlds” in terms of a point of view.“Possible Worlds”, well what does itmean? I don’t think Billy Miller takes thatfrom anywhere, he just names somethinglater. But that could be the name of whatthe environment often created by the Chi¬cago Imagists was all about — environ¬ments, possible worlds. Jim Nutt’s paint¬ings are filled with creature-people, oftenhorrific, and intentionally so. They arescary sorts of things. And what they do toeach other is surprising. (Laughs.) AndGladys Nilsson’s paintings are peopledwith macrabre creatures as well.They seem to be rebelling against arf tra¬ditions and social issues, through not ex¬pressly political ones.Yes, I would say so. And or slash maybephychological, although they wouldn’t usethat particular term. In a strange way thatKarl Wirsum painted that picture of theHowlin’ Wolf expresses his admiration andlove for this musician. The painting is akind of an icon in a way. It’s about a verysimple person, the Howlin' Wolf, and that’sa real remarkable statement to make.That’s the kind of involvement that one en¬counters at its very top level in the imagistartists as a whole. It may be said in a lot ofdifferent ways about a lot of differentthings, but it’s always about experience.And personal experience.Yeah, Yeah.Tell us about your work now.Well they are all around us, the houses. I’mgoing to have an exhibition at some pointin the next year. I’ve been working forseveral months but I just started to look atthem, so I put them out in this fashion toexamine them. I made these houses out ofleather, I like them. I had a relative whogave me a tan deerskin, this creamy, tan,beige-colored leather, so I made out of onethat piece. That was the first one. And Idon’t know why but I had this desire tomake a house of leather. It’s very tent¬like. It has holes in it, bullet holes. I likethat. Then I made that one because I hadenough stuff left of that skin. And then myson had one of these tan hydes and I per¬suaded him to give me the thing and Imade that one, over there; that’s the samekind of cream-colored leather. And then Iwasn’t satiated and then I made this oneout of a leather jacket. Then I made thatone out of a little rug that I succeeded ingetting, it’s deer hyde or something. Thatone doesn’t...well it opens but only tempo¬rarily.Then I started these kind of measure¬ment houses. That one is made out ofthree-sided architectural rulers. I hadmade a yard stick house and two othermeasurement houses, so that was on mymind. And then I made this one which isalso involved in measurement material...!don’t know what these are about but theyplease me.I should say something about the houseas an image because it’s obvious that iswhat these are. I’m not really concernedabout their house-ness, particularly; thefact that they are houses is important, butthe point is that they are like canvasses Iguess, in the sense that each one has itsown sort of meaning or vitality. And I usethe image because it has its own image butalso you can practically express anythingyou like, I guess.Then I started making the narrative sortof house. I started this one this way...I sud¬denly realized I didn’t know what it wasbut I felt something was happening — whywas the pig smelling this foot? (Laughs.) SoI had to think about that and I got to thispart. And \l wasn't certain except that Iknew there was some confusion as to whatwas in and what was out (Laughs), which isexpressed here because here is this win¬dow and what you are actually looking atis a view as if you are looking from inside.So there is some confusion here.Then I made this side and the foot reap¬pears and it's kicking the pig. (Laughs.)And this back side which doesn’t really'have a great deal to say except perhapsthat the narrative is over because there isa nice little teapot here. That’s all I’veever been able to figure out about thatside. (Laughs.) And that’s all I have to sayabout my work. (Laughs.)12—Thp Grpy r.ity Journal, Friday September 23, 1383FAREASTKITCHEN1656 E. 53rd. • 955-2200Tues. - Sun. 11 a.m. - 1 a.m.Closed Mon.Cantonese, Szechuan,MandarinA Full Bar,Including Our Own FamousTropical DrinksSPECIALTIES INCLUDE:•Kung Pao Chicken (hot, spicy)•Mongolian Beef•Szechuan Scallops•Sa Dea Beef (spicy)•Duck & Noodles•Hot & Sour SoupMajor Credit Cards Accepted“Man doesnot live bybagels alone..Even six different varieties of fresh New York bagels are notenough. Man needs more, and the Hyde Park Diner &. Deli hasexpanded to answer this need. The new Deli offers fresh nova lox,cream cheese, chopped liver, smoked chub, salads of chicken,tuna and shrimp, meats: rare roast beef, corned beef, ham, turkey,tongue, salami and sausages, domestic and imported cheeses,marinated vegetable salads, creamy cole slaw, potato salads, im¬ported olives, slow roasted rotisserie chicken in three deliciousvarieties, freshly baked croissants, cakes and pastries. Join us atthe Diner for breakfast, lunch or dinner, or help yourself to theDeli’s enticing array of life’s neces¬sities. The Diner is open seven daysa week from 7am to l lpm, the Deliis open until 9pm. You can’t livewithout us.In the Del Prado at 5319 S. HydePark Boulevard. Hyde Parkn Diner&£Deli LET’S GET ACQUAINTEDSAVINGSWe’d like to introduce you to Chalet with anexcellent selection of reasonably-priceddomestic and imported wines and cheeses...on sale now through September 28, 1983From California:Krug Cabernet 1978Sutter Home 1980Amador ZinfandelDeloach Fume Blanc 1982Beringer 1982 Fume BlancFrom France:Chateau Du Cayrou 1979,Cahors RougeHospice De BeaujolaisVillages 1981. FaiveleyChateau Calvimont 1980.Graves BlancSt. Joseph 1980 Rouge.Desirat 6.99 From Germany:Piesporter MichelsburgKabinett 1981.Zimmerman-Graef 3.994.995.99From Italy:Monsupello OltrepoPavese 1979 4.99Bollini Chardonnay 1982 3.99Table WinesGambellara orMontepulcianoYour Ayler Kupp Kabinett 1982.Zimmerman-Graef 3.99Forster Ungeheuer Kabinett1982, Ba$serman-Jordar. 4.99Niersteiner Hipping Spatlese1982. F.K. Schmitt 6.99From Spain:Marques De Riscal White 3.39Cune Rioja Finca 5.99Tinto 1975Just A Few More:Beaudet Blanc de BlancMaitre D'EstornaBlanc 1982Dessilani Spanna 1980Pei case 33.00YourChoice2"Choice 1.5 liters CHALETCOUPONChateau D'Ardolou1982 Corbieres VDQSRouge ^ ggLimit 12 JLWithout coupon 2 99Good thru 9/29/83 I:k=Cheeses, Food and BeerNorwegian JarlsbergFrench BrieItalian FontinaDutch GoudaVermont 2-Yr. OldCheddarCanadian Tour EiffelPeppercorn PateCanadian Stoned WheatThins 10.6 oz. box 99*Augsburger Super PremiumBeer. Regular or Dark6/12oz N R bottles 2.49>cnr3<K : m2.98 ib.2.98 ib.3.49 ib.3.49 ib.3.69 ib.3.98 ib For Your Late Night StudiesImportedWhole BeanCoffeesColombian Supremo orEspresso RoastYour Choice298Ib.All 750 ml unless otherwise statedQuantities subject to availabilityDelivery service available[1525 E. 53rd. Street 324-500IThe Grey City Journal, Friday September 23, 1983—13Xki1".:kic'~1xicNOW AT COPYWORKS BeaXND,INSTANT CASSETTECOPYING SERVICE30. 60. 90 or 120 MINUTES TAPES. COPY A ONE HOURFAST CASSETTE IN LESS THAN 2 MINUTESINEXPENSIVE OUR REMARKABLY LOW COST INCLUDES A COPYCASSETTE. AND SERVICE.MIRROR PERFECT YOU'LL GET GUARANTEED PERFECTMONAURAL COPIES OR YOUR MONEY BACK.What can you copy? 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TLLtdLxfl-3^14—The Grey City Journal, Friday September 23, 1983STRAIGHT TALK: GAY LIFEby Jonathan KatzThis being the orientation issue and all,it seems appropos to address the subjectof gay life at the University of Chicago.From the start, I caution this is one gayman’s opinion. Given the size and diver¬sity of our community, I could never hopeto speak for everyone. But I’ll do mybest.This is not Berkeley. One look aroundyou on the quads will reveal that the Uni¬versity of Chicago is not a very gay place.Still, every once in a while, it is possible toforget that you chose to go to school in themidwest. And whatever our campus com¬munity lacks can usually be found in thegreater Chicago gay community, which isboth large and well organized.While acceptance is the rule on campus,sexuality of any kind often seems ridicu¬lously out of place. What this means is thatthe gay community is not always that visi¬ble, at least not to an outsider. But in allfairness, it is equally hard to pick out thestraights. Throughout your years here,any number of individuals — gay andstraight — will complain to you about theprevailing asexuality and sex-ratio imba¬lance of this place (which, depending onyour preference is either a blessing or acurse). You can conform to this standard ofbehavior or not. On campus, except forsome undergraduate (no offense) staresand a few wisecracks, mild same-sex af¬fection is permissible, yea, even en¬couraged. On the other hand, should youwish to sublimate, go to the library.Off-campus, you should learn the neigh¬borhood before attempting public dis¬plays of affection. In most areas of HydePark, you should have no problems, but dobe careful. If you run into any trouble, callcampus police. They’ll be cool. This is a uni¬versity community, and the prevailing at¬titude is quite liberal.While there are no gay bars in HydePark, the Gay and Lesbian Alliance (GALA)does host a weekly series of discussion/so¬cial hours that are excellent places to meetpeople. The setting is very warm andfriendly, the issues engaging, and the at¬mosphere unpressured. See the classifiedsfor dates and times. GALA also sponsorsoccasional dances, special events, and, ifsufficient interest is shown, will organize acoming-out group.GALA is one of the oldest (some say it isthe oldest) gay student organizations inthe country. Born in the early seventies inthe dawning days of the gay lib move¬ment, it quickly expanded beyond its orig¬inal confines of the Divinity School to rep¬resent the entire campus gay community.GALA is still the place to turn if you haveany questions, if you have dorm or room¬mate problems, or if you need referrals oradvice. The GALA office is located on thethird floor of Ida Noyes Hall, telephone962-9734. Office hours will be listed on thedoor.Chicago is a great gay city, second onlyto San Francisco or New York. Don’t miss it. Unfortunately nearly all the nightlife isconcentrated on the North Side, with theintersection of Clark and Diversey servingas a kind of gateway. Getting this farnorth can be a problem, particularly atnight. In addition to buses, the I.C. (whichstops running too early), and the El (which Idon’t recommend late at night), on anygiven night somebody is going north. Youcan usually bum a ride. Do try to explorethe Newtown area, Chicago’s most suc¬cessful attempt at Castro Street. Not onlyis it a blessed change of scenery from Hyde Park, but, even if you’re underage, justwalking on a street in which gays out¬number straights is a novel experience.The Chicago gay community has severalweekly publications, of which Gaylife, GayChicago, and Sistersource are the mostprominent. Gaylife fancies itself a news¬paper, and it’s not bad. It’s available oncampus in the cubbyholes surrounding thefirst floor entrance to the University Book¬store. The other two publications are moredifficult to find. Most publications list gaycommunity events, organizations, health clinics, and self-help establishments, aswell as names and addresses of Chicago’seighty-some lesbian and gay bars andclubs.Gay Horizons is the umbrella group formany of Chicago's best gay organizations.They operate an excellent switchboard,counseling and legal services, and a youthgroup. (929-HELP). Chicago also hastwenty-two gay religious organizations inevery major denomination, and a largenumber of athletic, political, and academicorganizations (including one of thecountry’s largest chapters of the Gay Aca¬demic Union). See Gaylife for details andphone numbers. There are a few excellentgay and lesbian bookstores: the JaneAddams Bookstore and Unabridged Booksare among the best anywhere. Finally, Chi¬cago has two excellent gay health clinics —the Howard Brown Memorial Clinic for menand the Emma Goldman Women’s HealthCenter. But you should know that thecampus student health service is both in¬formed and understanding on gay healthissues.If you’re new here, or newly out, per¬haps the best place to make contact withthe campus gay community is at the Stu¬dent Activities Fair, September 25, be¬tween 7 and 10 p.m. GALA will have an in¬formation table, and GALA officers will bepresent. You will be able to find out wheregay students congregate (e.g. the fourthfloor of the library) and what events arescheduled for this month, as well as who’shaving a party and where.The vast majority of gay people chooseto come out at college, and I can think of nobetter place. Rarely in life will you findyourself surrounded by such educated,progressive people who judge you bywhat you are, not what you da. But the de¬cision to come out is a very personal one,and the accompanying explanations tofriends and family can be trying. But thenagain, so is the proverbial closet. We’veail been through it before and your ownstory is, unfortunately, a very old one. Letme assure you that it is quite possible toopen the door a crack and test the waters.Coming out is not an either/or proposition.GALA is a service organization and will re¬spect your privacy. But I must add thatfreedom and acceptance, once tasted, arehard to reject. And while you may find itpossible to live without sex, love is an en¬tirely different matter.Lesbians and gay men make up morethan simply the fabled ten percent of thisand every other community. We are morethan your teachers and your students. In¬credible as it seems, we remain one of thevery few segments of the American popu¬lation not only denied basic civil rights,but whose most basic right, that of exis¬tence, is questioned by the majority. Butyou already know this. What you may notknow is that, thankfully, the majority ofAmericans don’t run the show, either hereat the University, in Hyde Park, or even inChicago at large. There is a place for you«here, and we welcome you to it.by Madeleine LevinMy first year here I was assaulted bythe negative attitude that people haveabout the U of C. They complain about thesocial life, the amount of studying theyhave to do, the dullness and isolation ofHyde Park, etc. I succumbed to it and foundmyself complaining with everyone else.Perhaps my feelings could be explainedby an early period of adjustment; I hopedso. I felt that I did not fit in. In fact itseemed that no one did, that U of C sociallife consisted of knots of people hangingout together, not fitting in. At the begin¬ning of my second year, having lost sever¬al friends to graduation and attrition, Ifound myself feeling more rootless thanever, and pondering why people felt so ne¬gatively about this place. Fortunately atthis point I started going to Women’sUnion’s meetings. I felt immediately in¬trigued by the all-women atmosphere. Itwas in the W.U. that I started to feel like Ifit in. In the W.U. I began to understandpart of the reason that people were dis¬satisfied; the skewed ratio of men towomen in the University population putspressure on us. For women, it means oftenfinding ourselves spending a lot of time insituations where there are more menaround than women: in the dorms, inclasses, with friends, at parties.'For those of us who crave the society ofwomen, the W.U. is a haven in the male-dominated world of the U of C. There,among women, I am able to explore whatbeing a woman means in a way that is im¬possible in other settings. We spend a lotof time discussing feminism and all theissues that go along with it like abortion,sexual harrassment, pornography, les¬bianism and rape. We also attempt to or¬ganize constructive ways of expressing ^our political/ emotional viewpoints by cbringing feminist speakers to campus, eshowing films and slide-shows, and hold- 5ing women’s coffeehouses. Perhaps the cmost satisfying aspect of the W.U., for me 2is that I feel that I can work to actually * make this place one in which I want to live.Creating programs to deal with issues thatare important to me makes me feel like Iam part of the University in an activeway.The last two years in the W.U. have beenoverwhelmingly positive for me, and Ithink for most of the women who havebeen involved in it. Our image has im¬proved a lot on campus; more people knowwho we are and what we are all about.One activity last year that drew manywomen to our meetings, and increased ourvisibility on campus, was our demonstra¬tion at two pornographic films shown byChamberlain House. Pornography is a dif¬ ficult issue on which to take a stand, andwe did not agree on what, if any, action totake. We spent several meetings discuss¬ing the issues: What is pornography? Whatis its role in society (is it a symptom or acause of violence against women?) How dowe combat pernicious portrayals ofwomen’s sexuality (what about the FirstAmendment?) Finally, we wrote a leafletexpressing our position, made signs, andpicketed the films. This is just one exampleof what the W.U. is and does that I offer inan attempt to capture its essence.This is difficult to do because the W.U. ismade up of a diverse group of women whocome there from different experiencesAMONG WOMEN with feminism and women. There is a widerange of women, including radical lesbianfeminists, socialist feminists, liberal femin¬ists and women who aren’t sure that theyare feminists. The group is changing con¬stantly, along with its members. Aboveall, the W.U. is what the women who consti¬tute it want it to be. In the past it has fo¬cused on a variety of different issues andactivities; the degree to which the groupwas discussion or action-oriented varied.A seminar series on feminist scholarshipand the study of women was started in theW.U. two years ago and continues thisyear. The project grew out of our interestin feminist theory and women’s studies. Afew of us felt a growing frustration withthe lack of courses offered that focused onwomen and feminist issues. At a universitywhere academic pursuit is valued aboveall else, the almost total exclusion of thestudy of women and of feminist scholar¬ship from the curriculum was a main sourceof our feelings of oppression and alien¬ation. We wrote a position paper in an ef¬fort to clarify these issues and to suggestways in which the University could meetthe challenge raised by this new field. Astudent/faculty committee was formed lastyear and funding was secured. The com¬mittee hopes to involve more students inorganizing the seminars in the upcomingquarters.My major goal this year as a member ofthe W.U. is to work at making the groupmore supportive for women who are juststarting to think about feminism. A funda¬mental part of being a feminist is spread¬ing the word to others (known as conscious¬ness-raising). This should not be apatronizing act by those who “know,” in¬doctrinating those who “don’t know.” In¬stead it is a process of learning from eachother and sharing common experiences.Several members graduated last year, sothe group is at a point in its life cycle ofrebirth. Any women who are interested infeminism, Women’s Studies, rap groupsand/or meeting other women in a women’sspace are invited to attend our first meet¬ing in Ida Noyes Hall, at 7 p.m. on Wednes¬day, September 28th.The Grey City Journal, Friday September 23, 1983—15* -i,..£*|p<W®,:i:iX:^wXv;,>,‘VAV,wI,«WQQnyHQrOnt ***,-.■ • » ♦ < • '»>♦<*•*»« * « * jfi16—The Grey City Journal, Friday September 23, 1983mm■mmmm.MM:jo6C»I»^MS^dywC|?^vvtv--''- /y/v.'V-jw}/'W.VTV.VVcv4v<MThe Grey City Journal, Friday September 23, 1983—17MILK. EGGS.TWINKIES.ANDBUNTEWAFFELN.Lately, we’ve been noticing thatsome food stores are braggingabout the fact that they don’t sell,excuse us, “common” groceries.We think that’s kind of a strangething to gloat about.Because at Mr. G’s you can pick upthe usual dozen eggs, quart of milk orpackage of Twinkies.But you can also choose from eightfresh-ground coffees. Mocha Java,Venezuela Maracaibo, French Roastand Royal Kona Hawaiian, to name afew.Chinese shrimp noodles, chili pasteand Shii-Take (dried forestmushrooms). Hoisin, Black Bean andPlum Sauce. Not to mention, sevendifferent soy sauces.Fresh Jewish bagels and bialys fromthe New York Bagel and BialyCompany. Including scrumptiousonion, pumpernickel, egg, poppyseedand cinnamon-raisin bagels. A luscious selection of Seay’s pies,cakes and rolls. The only thing closerto homemade is in your mixing bowl.Authentic Del Ray Tostadas.Near East Couscous.Pate de Foie with Truffles fromFrance.Spaetzle from Switzerland.Marmalade from Great Britain.Pickappa Sauce from Jamaica.Bunte Waffeln and Chokinicookies from Germany.And a complete selection of finedomestic and imported cheeses fromrobust Wisconsin Cheddar to mildDanish Havarti.And more.So whether you’re looking forpotato chips or Pangani, we’ve got itat Mr. G’s.Now that’s something to boastabout.THERE REALLY IS AMR. G AT MR. G’S. mLouie Gerstein1226 E. 53rd Julius Gerstein2911 S. Vernon18—The Grey City Journal, Friday September 23, 1983Critical Inquiry Published quarterly. 492pages per issue.With over 3,700 subscribers and 2,700single-copy sales last year, this journalhas one of the largest readerships of anyinterdisciplinary journal in the humani¬ties. But these stats are not what I findmost impressive about it.What I like are the articles on music,film, literature, criticism, and language.Of all the journals I have looked at; thewriters in this journal have the slickesttouch. Houdinis of words might be onegood way to describe them. They joke,they argue, and they don’t let go of yourattention.Sometimes you can find articles by U of Cprofessors — Wayne Booth, Gerald Mast,and Stuart Tave are a few examples thatcome to mind. You can sometimes findwork by scholars or artists like EudoraWelty, Saul Bellow, Jorge Luis Borges,Wright Morris, Joyce Carol Oates, Paul Ri-coeur, or Seamus Heaney as well.This journal regularly has two sectionsthat I enjoy reading — “Artist on Art”,and “Critical Response.” In the first, ar¬tists comment on other artists. Alan Sha¬piro’s recent article on J.V. Cunningham isone such example.In the other section, you get to see criticskick dirt in each other’s faces, sometimesin friendship and sometimes for other rea¬sons. All the intellectual huffing and puff¬ing, I find, fun to read. Where else can Ifind people talking about theoretical criti¬cism or the like?One article that I would suggest in a spe¬cial publication of Critical Inquiry — ThePolitics of Interpretation — is WayneBooth’s, “Freedom of Interpretation:Bakhtin and the Challenge of Feminist Crit¬icism.” Whether or not you are familiarwith names and novels mentioned in thearticle, you will still be hooked by ideasthat the writing poses.The Supreme Court Review Published year¬ly. Approximately 350 pages.Legal writing can often make one yawnbefore one even starts reading. But thisReview does not. Perhaps this is becauseIt both critiques and documents SupremeCourt decisions well.In the 1982 Issue, I found an article byCass R. Sunstein that rubbed off on me.Sunstein explores how the Equal Protec¬tion Clause has been used to discriminateunconstitutionally against minorities, and how it has been used justly even thoughsome may have suffered because of it.Other articles deal with issues such asfree speech, antitrust decisions, and al¬most ahy legal issue of concern today. Ifyou want an idea of just how relative alaw can be, or some idea of the complexityof any judicial ruling, this Review is foryou.And, if you want to read some air-tightarguments to find out why yours alwayssink, check this Review out.Ethics: An International Journal of Social,Political, and Legal Philosophy. Publishedquarterly. Approximately 180 pages.This journal has the most extensive bookreview section that I have ever seen. Al¬most 200 books are reviewed in each vol¬ume. Some long reviews actually confrontan author and book head to head, someshorter ones analyze how the reviewedbook contributes to ethical thought, andothers are merely short abstracts. If youenjoy philosphy, this review section is theclosest thing to heaven that you may everfind.The articles in this journal weren’t bad.But sometimes the reading was slow, andthe writing of some contributors lackedtension. I often found myself asking allsorts of questions about the assumptionson which each argument was based. If youare patient with these articles, though,you will find they come together and getmore provocative as they go along.In the July issue, I found two articlesthat hit the spot. One was titled, “On Di¬lemmas of Intervention,” by Gerard Elf-strom; the other, “How to Make the Pun¬ishment Fit the Crime,” by Michael Davis.Try one of these sometime to see if youlike the journal.The first deals with the moral right onenation has — or doesn’t have — to inter¬vene in another nation’s affairs. Super¬power intervention today in CentralAmerica and the Middle East only makesapplying the article all the more interesti¬ng. The second article will tantalize crimi¬nals, for those, like myself, who some¬times enjoy thinking like a criminal for anhour or so.History of Religions, Published quarterly.Approximately 100 pages.This journal grows on you for two rea¬sons. First, it blends religious experience fromprimitive cultures and modern cultures to¬gether in ways that grab the reader. Forexample, Kee W. Bolle investigates themeaning of sacrifice in the article, “TheWorld of Sacrifice,” yet he contrasts sacri¬fice in such contemporary religions asChristianity with the sacrifice of humansand animals in primitive Indian cults. Thismixture of cultures leads to some inter¬esting conclusions about reasons for sacri¬fice.Second, I think the writers in this journalrival those of Critical Inquiry for theirslickness. They will keep you wide-eyedfor as long as you want to read.Signs: A Journal of Woman in Culture andSociety. Published quarterly. Approxi¬mately 160 pages.I used to think feminists were a bunch ofcrazies. And, after reading Signs, I stillbelieve that some of them are. Yet I havealso learned to respect a great many be¬cause of this journal.With over 7,500 subscribers, this journalhas the largest circulation of any academicjournal in the field. It also gets some well-known writers as contributors — OctavioPaz and Adrienne Rich are just two exam¬ples.What I like most about it are the articleson sexuality and the access it gives me tofeminist thought. One recent article thatcaught my eye was Sandra Lipsitz Bern’s“Gender Schema Theory and Its Implica¬tions for Child Development: RaisingGender-Aschematic Children in a Gender-Schematic Society.”Don’t let this title fool you. This article ismerely about how to raise children so theyaren’t burdened by sex roles in a culturethat defines people by sex. Many of Bern’scriticisms about gender-orientated societyring true and, many times, she has funnyremarks about her own attempts to raisechildren. I quote just one example:“The liberation that comes from havingan ambiguous genital definition of sexand the imprisonment that comes from nothaving a definition are nicely illustratedby the story of what happened to our sonJeremy, then age four, the day he decidedto wear barrettes to nursery school. Sev¬eral times that day, another little boy toldJeremy that he, Jeremy, must be a girl be¬cause ‘only girls wear barrettes.’ After trying to explain to this child that ‘wear¬ing barrettes doesn’t matter’ and that'being a boy means having a penis andtesticles,’ Jeremy finally pulled down hispants as a way of making his point moreconvincingly. The other child was not im¬pressed. He simply said, ‘Everybody has apenis; only girls wear barrettes.’ ”I hope this gives you an idea of the sur¬prises in Signs. I wasn't disappointed. AndI don’t think you will be either.The Reader. Published weekly.The cover story of this newspaper isalways news told in story form. Some¬times the cover story truly embraces thebizarre — an interview with a Nazi or anarticle on an unsolved murder are twosuch cases. You won’t want to stop, I prom¬ise, once you start to read these cover ar¬ticles. They will go down as easily as if youwere sipping from a straw.Cecil Adams’ “Straight Dope” column,always just inside the cover page, isalways a classic too. He answers questionsasked by his audience and can crack morejokes in a small space than anyone I haveseen. If you want to know what cat sprayis made of, or if you want to know wherenot to be when the bomb is dropped, Cecilis the spiritual Guru for you.The only fault with this newspaper is theink they use to print it. It truly reeks.Some, like myself, wonder if it could notpossibly cause cancer when inhaled. Yourguess is as good as mine.The Reader is also the place to go to findout about plays, films, and dance clubs inChicago. It can tell you what groups areplaying in the near future. The entertain¬ment section can tell you where to go toget a second wind when depressionstrikes.The frosting on the cake are the comicstrips in The Reader. “Life in Hell,” “FreeAssociates,” and “P.S. Mueller" alwaysmake vintage bathroom wall decour.The Chicago Journal. Published weekly.The Journal is best described as a smalldog with a pretty big bite. Though it isskimpy in size, the cover stories and moviereviews are informative reading. Read it,if for no other reason, because Eugene For¬rester, its editor and publisher, is from theU of C. This paper is something to root forwhen the Maroon football team begins itstraditional losing streak.by Bill FalloonIt never fails to happen at the U of C. Astudent comes here excited to explorenew books and ideas — then presto, thethird week blues kick in.Suddenly he realizes that he has tenbooks to read in 10 weeks, and ten booksto read for each of his four courses. Aftersome intuitive calculations, he then trans¬lates this into 40 hours of reading perweek to every 4 minutes of freedom.Not even his 780 verbal can produce amiracle, so he cringes as his Marx-EngelsReader and copy of To the Lighthouseseem to swell to the size of Chicago tele¬phone books. The reading then becomes asho-hum as a cookbook or an exercise inspeed reading. Last, he fantasizes about aworld without books or wishes he couldread with his eyes closed.Take my word for it, one Fall quarterwill make you religiously opposed to read¬ing on holidays.Why, then, am I magnifying your miseryby recommending more things to read?Strangely enough, I found that an occa¬sional stop in the bookstore liberated mefrom the world of syllabuses and helpedme cope with the third week, the fourthweek, and the nth week blahs. Maybe itwill work for you, too.Although my method for choosing whatto read is somewhat arbitrary, (the throw-the-stack-down-the-stairs-method), someof what I suggest may be of value toyou.My first suggestion is to look at some ofthe journals published by the U of C Press.Printing 45 journals, it is the largest pub¬lisher of academic journals in the U.S.Some of them are first rate; some, bloatedwith intellectual mumbo jumbo; and some,esoteric enough to keep the conversationflowing with complete strangers at a baror party.You can find the journals in bookstoresaround campus or in the Reg. This articlemay appear to be University propaganda,but I suggest these journals for honestreasons. For one, they are a good way toindirectly meet professors, since a largenumber of University scholars either editor contribute to these journals. JjBut, besides the journals, I have another ®suggestion as well. Read the free weekly 5papers that float around campus. They «make excellent iDathroom reading, or so rgfound after frequenting the Reg a couple <of years, and they should serve as proofthat you needn’t wear lead shoes just be¬cause you live in Hyde Park. They can tellyou where to go and what to see.You don’t need to worry about findingthese papers. They cake the campus everyweek. You can’t miss them. BEYOND THE SYLLABUSThe Grey City Journal, Friday September 23, 1983—19ABLEHYDEPARK' WELCOME BACK!!VISIT OUR NEW STOREf I YOUR PHOTO HEADQUARTERSBRAND NAMES" FOR LESS!!Prices good until 70/29/83I GRA NDl 0 P ENI NGCELEBRATE WITH OUR LOWEST PRICESCanon ’PROGRAMF/1.8 LENSGRAND OPENINGSPECIAL$209IkonEMEASIEST TO USESIR EVER MINOLTA USA 2YRLIMITED WARRANTYF2.0 LENS GRANDOPENINGSPECIALMINOLTAPROGRAMs219NIKON U.S.A 1 YR GRAND jOPENING ISPECIAL S129 OLYMPUS• Auto (OTF)MeteringPENTAXsupeRPRommPENTAX U S A 2 YRLIMITED WARRANTYF/1.7 LENS GRANDOPENINGSPECIAL $259jUTolcini80-200' CANON • NIKON■ PfNTAX • MINOLTAOLYMPUS S10928 F/2.8 69.0035-105 159.0050-200 F3.5 SMZ ... 189.00 F/1.8 LENS GRAND OPENINGSPECIAL I S199CANON USA I YRLIMITED WARRAN' CanonAUTO FOCUS rp.wnAUTO WIND GRANDAUTO FLASH OPENINGAUTO REWIND SPECIAL $119WITH CASEBELL-HOWELLSLIDE CUBESYSTEM IIMODELRF 60 GRANDOPENINGSPECIAL$149Kodak — BeselerUnicolorColor ProcessingChemicals KodakIlford Black-White - ColorPhotographic Paperft 30% OHbogenModel 22A well designedquality enlargerat a budget price.• Built-in colorfilter head• Includes 50 m/mlensLIMITED QUANTITIES A GREATWAY TO GETSTARTED!!$7095Reg.119.95— BONUS COUPON-—• Beseler230LThe World sFinest «Medium-Formatgrand Enlarger!OPENINGSPECIALFREE FILMRoll of 24 exposure Fujicolor PrintFilm ASA 100 with every roll of135 processed and printed.MUST BE 8 OR MORE PRINTSOFFER EXP. 10-30-83 — BONUS COUPONSave 25%KODAKFUJIFILMILFORD Buy 3 RollsGet 4th RollFreeEXCEPT INSTANT FILMOFFER EXP. 10-30-831515 E. 53rdCAMERA Chicago, ILSTORES 752-3030■NC. HRS-MON.-SAT. 9 am - 6 pm II Ishm’.K*; star him#UMijliinnj]n>outhuJtto armsl«lk.!»•***•» & kVr31iiLiving on a college budget is tough...that’s why we’reoffering you the Chicago Tribune at up to 50% OFFthe regular delivered price.price per weekfull term one termorder orderDaily/Sunday $1.35 $2.00Daily Only .75 1.50Sunday Only 1.00 1.00But the savings don’t stop there. Every day the ChicagoTribune gives you money-saving tips on entertainment,travel and merchandise. And by helping you save through¬out the year, maybe you’ll have enough money to takethat vacation this Spring Break!Order the Daily and Sunday Tribune for a full termtoday and we’ll send you a Free Chicago Tribune T-shirt.So pick up your phone and give us a call at 222-4100 toget your delivery started right away.(Chicago TribuneFor home delivery, call 222-4100.^^SQUARpFOOD 8f SPIRITSOpen for breakfast, lunch, anddinner. Wide selection ofsandwiches, entrees, and potables.7 a.m. to 10 p.m.EVERY DAY1 SOI E. 53rd St 241 ■6592STUDENT SPECIALzoQ.DOO 10% OFF *Y0UR NEXTMEALw/coupon and vaild U. of C. Student I.D.minimum $4.00 purchase20—The Grey City Journal, Friday September 23, 1983 COUPONMUSICby Jeffrey MakosThe music scene in Chicago is like that ofany major American city. You can find allthe jazz, blues, rock, punk, funk, newwave, avant garde, classical, and salsayou want. You just need transportation.The friendly CTA will take you to mostplaces (even the suburbs with a transfer tothe RTA) and cabs and such will do the rest.Some clubs demand an I.D. (they servedrinks) while others won’t (they don’tserve). Some clubs have special shows forthose underaged among you. The mainthing to remember is that there are morethan enough things to do and places tohear music in the city, enough so that thediscerning listener and adventurous trav¬eller should theoretically never have tospend a weekend in Hyde Park. Rememberthis the next time you are stranded at theMedici.HORIZON: I guess they don’t have concertsanymore at the Chicago Stadium (wherethe Bulls and the Black Hawks play), andthe Chicago Amphitheater has been closedfor a few years now, which means that theHorizon is the only place to go to hear thebig name rock acts (and it also means thatI’m getting too old to write this sort of ar¬ticle). Physically, the Horizon looks like thekind of place where the fascist con¬cert/rally in Pink Floyd’s movie The Wallmight have been held — lots of swooping,neo Nazi, high-tech flying buttresses andthe like. Inside, it’s another hockey arena.But if you want to groove to any big timerockandrolla, “you pays your money tothe Horizon and you takes your chances.”PARK WEST: This is also pretty depressing,and quite expensive, since you have tobuy drinks at this lush cocaine-casbah. Lotsof waitresses during the shows, lots ofchrome as well. Not that I have anythingagainst waitresses, nor do I wish to equatethem with inanimate objects. The point isthat if you are interested in listening tothe groups they bring to this hall, both areequally distracting. Since this is not ablues club where drinking and walkingaround are part of the scene, the ParkWest — with its emphasis on “musicians”and conspicuous consumption — is just adrag. (I’d go again, though, if Ry Cooderwere playing.)AUDITORIUM THEATER, Michigan and Con¬gress Parkway: This is the most beautifultheater in Chicago, designed by Louis Sulli¬van and featuring perfect acoustics. This iswhere dance companies come, as well assome classical recitals (outside of Orches¬tra Hall, where Solti’s group usually jams),but sometimes there is a rock, pop, or jazzshow here, and if there is, one should goimmediately.TUTS, 959 W Belmont: This used to be theold Quiet Knight, for those of you familiarwith the Chicago folk/jazz scene, but this isnow strictly “new wave” (if there is suchan animal). Groups featured: Bush Tetras,the Roches, Violent Femmes, Fleshtones,Richard Thompson, Mitch Ryder, Cramps,Bongos. You get the picture. It’s actually avery nice hall with too few seats and a nicesound system — it really looks like a com¬fortable dive, and that is just what it is.CUBBY BEAR, Clark and Addison: Thisused to be a bar for Chicago Cubs’ fans. Ihaven’t been here since it became a"punk” club. But I do know that my favor¬ite high school garage band, the SeismicWave, is featured here (the Wave’s big hitis “Vietnam In My Yard,” although I’msort of fond of “Amtrak.”) And besides,it’s right near Wrigley Field. Anyone withany sense will tell you that, regardless ofwhether or not the Sox win it all, the Cubsare the only true Zen Sports Masters inChicago.B.L.U.E.S., 2519 N Halsted: This is the onlyreally relaxed North Side Blues Club thatexists. A place like the WISE FOOLS (2270N Lincoln) doesn’t always have blues, andis just a bit too trendy at the bar. A placelike the KINGSTON MINES has some goodacts — Fenton Robinson, the Wolf Gang ■—but is just too much of the same thing, andtoo geared to a North Side audience. ButB.L.U.E.S. is real fine, and is the only placewhere you can see the great SunnylandSlim. But let’s be fair: all of these placesgive work to bluesplayers, and that is themost important thing. Support all of theseplaces.JAZZ SHOWCASE, 636 S Michigan, in theBlackstone Hotel: Joe Segal’s Jazz Show¬case has been in all sorts of places over thelast 30 years or so, but it seems to havefound a permanent home at the BlackstoneHotel. Joe is a strange guy, but credit isdue; this is the only place in the city whereyou can see the top names in jazz. Thisweekend he has Wynton Marsalis; nextweekend he has the Art Ensemble of Chi¬cago, which everyone reading this shouldgo see, so that your grandchildren won’’task why you didn’t go see the Art Ensem¬ble when you had the chance. You need anI.D., drink minimums aren't always strictlyenforced, and it’s a nice atmosphere inwhich to hear America’s only true classicalmusic. Also, GEORGE’S restaurant will befeaturing jazz, in a similar situation to the old London House, and will feature FreddieHubbard on Sept 29-Oct 30. George’s (notto be confused with the North Side resaleshop), is at 230 W Kinzie.FITZGERALD’S, 6615 Roosevelt Road:Sounds like a pretty nice place to hearblues, jazz, bluegrass, or gumbo zydeco.But it's around where I used to go to highschool, so I never go near the place.CHECKERBOARD LOUNGE, 423 E 42nd: Ifyou’ve never been to a South Side bluesclub this will be the one you will go to be¬cause it is close and pretty comfortable.You’ll have to drive, but it’s worth it.THEATERby Stephen DiamondBecause of time restraints, (my own) thisguide will be split into two parts. The firstwill give detailed information on the maintheatre groups on campus, i.e. ConcreteGothic Theater, Blackfriars and Court. Thesecond will give shorter descriptions of thebest theater companies in Chicago. Most ofthese are situated on the Near North Sideso unless you have a car, it would be wiseto check either the G.C.J. or the Reader fora synopsis of the play so that you will besure that it is to your liking.Concrete Gothic Theater: Last year a hand¬ful of students created Concrete Gothic tofill the gap left by the disappearance ofCourt Studio Theater. Without Studio The¬ater there was no organization preparedto produce student directed/acted andpossibly written works. Last year CGT pre¬sented a total of five works which werehighly received both by critics and audi¬ences. They were: The Victors by Jean-Paul Sartre, two student written one-acts,The Autobiography of Edvard Munch byCampbell McGrath and Reading in theDark by Keith Fleming, The Real InspectorHound by Tom Stoppard, The Good Personof Setzuan by Bertolt Brecht, and Marat-Sade by Peter Weiss. This season seems tobe following in the same tradition of pres¬enting a mixture of innovative and con¬temporary works. The first production willbe Methusalem by Yvan Goll. A 1920’sGerman comedy which tells the rise, falland resurrection of Methusalem, the kingof the shoemaking business. Along theway, his daughter falls in love with a stu¬dent who plans a revolt in the factories.All of Methusalem’s stuffed animals beginto have a revolution and Amelia, Methu¬salem’s wife burns many pots of goulash.Family fun for all. Along with MethusalemConcrete Gothic will present Sham byFrank Tompkins which tells the story of ahigh class thief who enters an apartmentand finds nothing of worth. The owners ofthe house appear and see the buglar. Theburglar succeeds in being polite though hecomplains about their terrible taste. In theend, he decides to take one piece so thattheir reputation in the neighborhood isn’truined.Concrete Gothic’s second production willbe Warden of the Tomb by Franz Kafkaand Sexual Perversity in Chicago by DavidMamet.The dates of the productions are October14, 15, 21, 22 and 23 for Methuselum andSham, and October 28, 29 and November4, 5 and 6 for Warden of the Tomb andSexual Perversity in Chicago. ConcreteGothic has decided to lower their admis¬sion prices, so that it is now only $2 for stu¬dents and $3 for the general public. Con¬crete Gothic always needs help fromstudents in every way possible. Auditionsfor Warden of the Tomb and Sexual Per¬versity In Chicago on Oct. 1 and 2. If youare interested in either technical work, orin participating in later productions duringthe winter quarter, including writing andassistant directing, please call the Con¬crete Gothic Information line at363-5185.Blackfriars: While Concrete Gothic Theatertakes care of all the student dramas,Blackfriars produces all the musicals.While not as prolific as Concrete Gothicwith only 2 productions each year, theyare of equal quality. Last year Blackfriarsproduced Guys and Dolls and Bye Bye Bir¬die. Both received excellent reviews andstanding ovations. This year they arepresenting Kiss Me kate on November 13,14, 15, 20, 21 and 22. This musical shouldbe incredibly challenging for Blackfriars,but I'm sure they will pull it off creatinganother worthwhile event at The Universi¬ty of Chicago. The admission will probablybe $3 students and $3.50 for the generalpublic. They will be holding auditions onOctober 1 and 2. Students can audition forall fall productions in one day. That way if a student is cast in both Blackfriars andConcrete Gothic, he or she can choose whichone he or she would rather participate in.Like Concrete Gothic, Blackfriars needs allthe students it can get. Call Jean Majeskiat 288-1134 if you are interested.Court Theater: This group, started approxi¬mately 15 years ago, used to just presentsummer repertory productions. But theywere so well received by the Chicago com¬munity that they decided to go profession¬al and year round. Two years ago, theymoved to a new and beautiful theater thatholds 250 people in a semi-circular ar¬rangement. Since then they have shownonly masterworks. This year is no dif¬ferent. The first production is Hay Feverby Noel Coward and the second A Midsum¬mer Nights Dream. Court Theater is tryingto get students more involved with theproductions by offering internships andother programs that allow one to becomeacquainted with the running of a profes¬sional theater company. And as always, astudent can usher and get into that night’sproduction for free. If you have any fur¬ther questions you can call them at962-7242.Steppenwolf Theater: This is probably thebest and most reliable theater group inChicago. Their first production will be TheHothouse by Harold Pinter. This is his sec¬ond play that was rewritten a couple ofyears ago by the author himself. It shoulddefinitely be worth the trip up north to2851 N. Halsted. For more information call472-4515.The Chicago Theater Project: This projectwas started this year by the Apollo The¬ater Group and Paramount Pictures. Theidea was to present works which still needa final rewrite, and are not as technicallyproficient as other Chicago theater prod¬uctions. So far the first two productionshave been for the most part good. Thenext production will be Love Life and willbe performed at The Theater Building at1225 W. Belmont. Call 327-5252 for moreinformation.Goodman Theatre: This is probably the bestknown theater in Chicago since it is con¬ nected with The Art Institute. Alas theproductions in the last few years are hard¬ly of museum quality. Maybe this yearthings will change but it hardly looks likean exciting year. Their smaller and moreexperimental studio theater, howevermay present some interesting stuff. Thefirst main stage production will be a revialof A Raisin in the Sun. The Goodman is lo¬cated at 200 S. Columbus Dr. Call443-4940 for more information.Victory Gardens. This theater which hasbeen around for 10 years now has twostages, the main stage which shows moretraditional drama, usually original oradaptions of classics, and a studio theaterwhich uses actors from their classes. Thefirst production will be Turntables. VictoryGardens like the Goodman seems to havelost much of its steam, though they dopresent original plays every now andthen. They are located at 2257 N. LincolnAve. Call 871-3000.Apollo Theater Group: This group is commit¬ted to presenting profitable theater in anon-loop location. (I didn’t make that up,that is what they always say in inter¬views.) This will not change this year.Their first production Lunching has al¬ready been shown in Chicago twice, butthey figure that it can sustain another run.Needless to say I’m not really enthusiasticabout this company but you can give thema call at 549-1342 if you are.Body Politic: This relatively new theatercompany seems to be doing well lately.Their last play, one of the trilogy by AlanAyckbourn from the Norman Conquestswas considered one of the best productionsall year. Their next production the Dress¬er, a new play by Ronald Harwood waswell received in New York City where itpremiered. This production will be direct¬ed by Pauline Brailsford who directed theAyckbourn and used to be the bestmember of Court Theater. The Body Politicis located at 2261 N. Lincoln. Call348-7901.Wisdom Bridgs: Another inconsistent the¬ater that looks like it might have a verygood opening play, an adaption of In theBelly of The Beast: Letters from Prison. I’mhoping the rest of the season will be as in¬novative. Hopefully the acting will be asgood as their choice of play. The WisdomBridg ; Theater is at 1559 W. Howard. Call743-6442.Columbia College: This group was easilylast year's big surprise. While the product¬ions are performeJ by college students,they have hired a very talented directorand the quality is usually as good or bet-Continued on page 22The Grey City Journal, Friday September 23, 1983—21Continued from page 21ter than other Chicago theaters. Their firstplay will be the Detective Story, a 1949police melodrama. Columbia college is lo¬cated at 600 S. Michigan. Call 663-1600.The Huron Theater: Last year this companyproduced mediocre plays at midnight. Itseems that they are trying to become aquality theater organization this year.Their first production, an adaptation ofThe Hunter of the Dark called the Unnamedstarts them off in fine style. The HuronTheater is at 1608 N. Wells. Call266-7055.Black Bird: Another new theater groupwhich presented one of the best product¬ions of last year: Bridal Polainaise. Theirfirst production will be The Sandman. It islocated at 5845 N. Broadway. Call334-8212.WOMEN'SSPACESby Madeline LevinThe feminist scene in Chicago includesgroups involved in many areas: health¬care, politics, theatre, music, writing,counseling and education. The best placeto get information on what's happeningaround the city is to come to the Women'sUnion office in Ida Noyes Hall and lookthrough our information files. We get no¬tices of all kinds of women’s events. Wealso have sourcebooks on women's organi¬zations in the Chicago area if you are look¬ing for something specific. I include a shortlist of places that are good resources forwomen seeking a larger feminist communi¬ty.Women and Children First The feministbookstore in Chicago which is a center offeminist activity in the area. They holdweekly programs — rap groups, talks,readings, films, etc. They also sell ticketsto various concerts and other happenings.Their selection of books is good. It is locat¬ed at 922 W Armitage, 871-7417.Jane Addams Bookstore A smaller feministbookstore which is convenient to HydePark. They often have authors reading and promoting their new books. They areat 410 S Michigan Ave in the Fine ArtsBuilding, 663-1885.YWCA A variety of women’s groups meethere including Take Back the Night. Alsoavailable are women’s self-defenseclasses, counseling and referrals to otherwomen’s organizations and services. TheY is located at 37 S Wabash, 372-6600.The Swan Club One of the few women’sbars in Chicago, the Swan Club is a goodplace to meet and dance, play pool withand just hang out with other women. 3720N Clark, 327-4884.FILMby Jeffrey MakosIf DOC films and Law School Films don’tshow enough kino for your taste, then thecity of Chicago will be like dying and goingto Heaven. While many complain that Chi¬cago doesn’t get the big first-run movieslike New York and Los Angeles, there maybe no other American city that has theflourishing circuit of revival houses show¬ing second-run and more obscure movies.This list of organizations and movie housesis by no means comprehensive, but willgive you a head start on finding films inChicago. The rest is up to you. All theatersare very accessible by public transporta¬tion, so enjoy. (Listings for all movies andtheaters can be found in the Reader,whose film listings are written by ex-DOCer Dave Kehr.)DOC FILMS, Cobb Hall, nightly: DOC Films,the oldest student film group in the UnitedStates, is currently entering its 51st yearas strong an organization as ever. DOCshows first-run films on the weekends (48Hours, Tootsie) while Staving Sundays for aforeign film series and the weekdays forvarious series on major directors andactors. This season, DOC will present aRobert Mitchum series, as well as a seriesof films by Fellini.LAW SCHOOL FILMS, Law School Auditori¬um, most nights: Law School Films focuseson films from the thirties, forties, and fif¬ties, the "Golden Age’’ of Hollywood, al¬though they feature some newer films suchas The Godfather. Law School is a vitalgroup which has expanded its series, andwhich is justifiably proud of its collectionof cartoons, featured before each night’sfilm. nights: The Film Center is one of the rea¬sons Chicago has become known as a majorfilm town. Its new director Richard Penahas brought creative programming, inno¬vative series, and a host of filmmakers tothe Center, making it one of the places inthe city to see newer foreign films thataren’t shown elsewhere, as well as theolder films that aren’t shown by DOC orLaw School Sept/October features a serieson Portuguese Cinema, a study of Opera inFilm, and a series on American Directorswho have looked at Post-War Germany (in¬cluding the mighty Sam Fuller’s Verbotten,as well as Elvis's G.l. Blues by NormanTaurog, which is a better film than almostanybody has noticed.) The Film Center’slistings are to be found in the “Film CenterGazette," which can usually be foundaround campus.FACETS MULTIMEDIA, 1517 W FullertonAve, Chicago: Facets is a lot like the FilmCenter, although they tend not to focus onseries and to present great individualworks, both old and new (primarily new.)A building converted into small screeningrooms, Facets will present films like WimWender’s Alice In The Cities as well asRoger Corman’s Little Shop of Horrors.PANCAKEHOUSEAll batter made fromquality ingredientsblended into authenticrecipes that have beencarefully collected andselected from the very bestof each country orarea of origin.CORNER OF HYDE PARK BLVD.& LAKE PARK AVE.IN THE VILLAGE CENTER1517 E. HYDE PARK BLVD.HOURS: 7 a.m. - 9 p.m. DAILY HARPER COURT SPORTS• Shoes - Racquets - Clothing •• TENNIS • RUNNING• SQUASH • SWIMMING• RACQUETBALL • TABLE TENNISFALL SALE BEGINS SEPT. 29th5225 S. Harperin Harper Court363-3748Hours: Monday through Saturday 10-5:30 p.m.exhibitor, and they have succeeded.CHICAGO FILMMAKERS, 6 W Hubbard, Chi¬cago: Chicago Filmmakers tends to focus onworks by new and relatively unknown in¬dependent filmmakers, thus making it theone film group in the city to be on the cut¬ting edge of new cinema. Also sponsoringseries, lectures by local and out-of-townfilmmakers, and various events, ChicagoFilmmakers is a small but important groupin the city.A & O FILMS, Norris Center, NorthwesternUniversity, Evanston: The NU version (andrival) of DOC, A & O films presents a simi¬lar film series as that of DOC, althoughtheir weekday listings tend to be more re¬cent and less concerned with auteur stu¬dies. Weekend offerings are the big-box-office films. A & O is a long way north fromHyde Park, but a worthwhile trip depend¬ing on the film. The A & O guide can befound around campus, especially in Cobb.FINE ARTS, 418 S Michigan Avenue, Chica¬go: The Fine Arts, right across from the ArtInstitute, features first run “art” filmssuch as The Return of Martin Guerre, orThe Moon In The Gutter (if this can becalled an art film.) The Fine Arts fills a voidthat Chicago’s other theaters just don’t or♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦JHYDE PARK ALLIANCE CHURCH'Where the Living Christ meets every need/'We, as a church, would like to take thisopportunity to invite our friends andneighbors to join with us in worship ofour Lord and Savior, Jesus Christ, andin the study of His word.SUNDAY MORNING WORSHIP10:00 A.M.HYDE PARK HILTON4900 $. Lake Shove DriveExeter RoomSUNDAY POTLUCK 5:00 P.M.SUNDAY EVENING WORSHIP 6:00 P.M.THURSDAY EVENING PRAYER TIME 7:00 P.M.For more information call: Pastor Ed Shuck - 752-0469?2__TN> Gray City Journal, Friday September 23, 1983can’t fill ~ by showing the smaller, morepersonal, and therefore less marketablefilms that need to be seen but rarely are.Coming up on the Fine Arts schedule is God¬frey Reggio’s visual tone poem Koyaanis-qatsi, a Coppola presentation.PARKWAY THEATER, Clark and Diversey,Chicago: The Parkway is the kind of reviv¬al house that is showing up in more andmore American cities — you know, the kindof theater that shows weekend bills ofAnnie Hall, Eraserhead, and Harold andMaude, while showing old Bogart filmsduring the week, with a schedule thatlooks like it was programmed by a com¬puter (a little Capra, some Kubrick, maybesomething French, etc.) Actually, the Park¬way is much better than most; their seriessometimes show originality. Many timesone can see something here that won’t beshown by the other major film groups, forexample, Kubrick’s wonderful and under¬rated Barry Lyndon. The Parkway guidecan be found in issues of the Reader.VARSITY THEATER, 1710 Sherman, Evan¬ston: The Evanston version of the Park¬way, the Varsity shows films either justbefore or just after the Parkway showsthem, thus giving the film goer a secondchance on many good films (e.g. Don’t LookBack, reviewed elsewhere in this issue.)Listings for the Varsity appear in the Parkway schedule.MUSIC BOX, 3733 N Southport, Chicago:Actually, this is Chicago’s newest theater,but technically it loses out to the Fine Artsbecause it was an old movie theater be¬fore renovation by a trio of young filmlovers (the Fine Arts took over a dramatictheater space.) The Music Box is so cool,it’s even celebrating the 30th birthday ofCinemascope (which as anyone will tell youis the only true modernist art form). TheMusic Box schedule changes from day today, featuring a less popular series thanthe Parkway, but a more commercialseries than the Film Center or Facets. Forexample, the Music Box will show the clas¬sic Bette Davis-Joan Collins period pieceThe Virgin Queen, a great film too obscurefor the Parkway but too “Hollywood” foranyone else. A great theater, well worththe trip.VARIOUS THEATERS IN THE CITY: The BIO¬GRAPH (2433 N Lincoln) is another art-house. Currently showing Bergman’sFanny and Alexander, the Biographshould be visited by everyone new to Chi¬cago because of its infamous history — thisis the theater outside of which Dillingerwas shot, it’s also a very beautiful theaterwith a good sound system. The THREEPENNY CINEMA is right across the streetfrom the Biograph, and shows current re¬ leases with an occasional Chicago pre¬miere thrown in for good measure. TheMcCLURG COURT theater (330 E Ohio) isthe most underrated theater in Chicago,which is totally incomprehensible giventhat it has the best screen in the city, anolder Cinerama screen which is great forfirst run Cinemascope films such as TheRoad Warrior, or Victor/Victoria. Do notoverlook this theater! It sure beats theWATER TOWER theaters (Water Tower,835 N Michigan) which have small screensand bad sound. I don’t know why WaterTower is such a popular place, looking as itdoes like an eight-story version of theMonroeville Mall from Romero's Dawn ofthe Dead (with just as many zombies walk¬ing around) but everyone ends up there.Don’t see films there (unless you can’t seethe film anywhere else). The ESQUIRE (58 EOak) and the CARNIEGIE (1026 N Rush) areboth just blocks away from the WaterTower, in beautiful and sleazy RushStreet, and both are fine theaters. Bothshow first-run films, both have goodsound, both have balconies (for those ofyou who like that sort of thing) and bothare great for dates. Everyone should go atleast once to the CHICAGO THEATER, onState Street near Randolph, because it isone of the last of the great old-time moviepalaces, and may be torn down due to Loop “modernization.” Racial strife tendsto be less here than in other downtownLoop theaters (unlike the old Oriental The¬ater, which closed in a hail of Chinatowngang wars) and it is cleaner than, say, theWoods Theater (which has rats).Of course, there are a zillion other the¬aters in Chicago, ranging from newer the¬aters to $1.25 cheapo joints to all the su¬burban mall cineplexes, out west andnorth. Your mission, should you choose toaccept it, is to explore at will. What betterreason do you have to get out of HydePark?ARTby David MillerThe visual arts in Chicago are booming.If twenty years ago the opportunity to seeart centered around the Art Institute,today one is besieged by the opportunity;the activity now centers around no singleinstitution. There are a number of worthyart sites on campus or within walking dis¬tance,'and for the modest cost of basic busfare and transfer — about $2 round trip —one finds a number and diversity of visualart possibilities beyond either count ormention.Renaissance Society This small gallery islocated on the fourth floor of Cobb Hall.The people who run it conspire to presentthe new and exciting, where ever it maybe found. Student and young local artistsare also shown. Though its shows may attimes sound uninviting, chances are goodthat somebody of some stature some¬where is claiming great things of the art.This is a great place; don’t not go.(962-8670)Midway Studios This, located on the otherside of the Midway at 60th and Ingleside,houses the University’s applied art en¬deavor. It often seems isolated and neg¬lected. Greater injustice couldn’t be done;besides being the closest place to see theyoung and untried, it is used as well,though occasionally, to present recognizedand challenging visiting artists. Midwaydeserves attention. (753-4812)Hyde Park Art Center This not-for-profitspace with school is located at 53rd andHyde Park, a 15 minute walk fromContinued on page 24—5—REASONS WHYYOU WONTMISS MOM’SHOME COOKINGCONTINENTAL BREAKFASTFeaturing Eggs Benedict and the best croissants intown. Served 9:30 am to l pm, Sat. & Sun.DEEP-DISH PAN PIZZAA Medici classic! .Our pizza is unrivaled in Hyde Park.BURGERS, BURGERS,BURGERS!Generous and juicy with a dazzling choice oftoppings and breads. Served with fries, of course.SPECIAL DESSERTS& COFFEESFor an afternoon study break or late-night snack,a tasty escape from your busy schedule.WE DELIVER!When your projects keep you at home, call us at667-7394. Service hours are weekdays, 5 pm to11:30 pm &. 5 pm to 12:30 pm on Fri. & Sat.Best of all, you can afford it. Our prices are a bigreason we’re U of C’s favorite restaurant.THE MEDICI ON 57TH.Even if you’re homesick, yourstomach won’t be.1450 E. 57th St. YOUR JEWISH COMMUNITYON CAMPUSB’NAI BRITH HILLEL FOUNDATION5715 WOODLAWN AVENUE752-1127The pluralistic Jewish center at The University ofChicago for cultural, social, educational and religiousprograms throughout the yearCall or come in for full information56SSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS!MAYSOON AL-NAQEEBM.D., S.C.ANNOUNCES THE OPENING OFHER OFFICEFOR THE PRACTICE OFOBSTETRICS AND GYNECOLOGY1525 E. 53rd St.Suite 716288-4411The Grey City Journal, Friday September 23, 1983—23Continued from page 23campus. Its shows hit and miss; generallythey attempt more than they achieve,which is admirable. The emphasis is stron¬gly local, which makes sense historically,because the Art Center has played a cen¬tral role in the development of expressivefiguration in Chicago. It too deserves sup¬port; go with a friend and hope for some¬thing really unusual. (324-5520)Smart Gallery This is the University’s artmuseum, located on Greenwood north of56th. It mounts many smaller ‘ravelingexhibits, scholarly presentations, and se¬lections from its growing permanent col¬lection. Its academic bent is evident fromits space, which is more like the moderniststandard than any other nearby, and fromits odd selection of Wednesday as the timefor its openings. (753-2123)The Oriental Institute at 58th and Universi¬ty, presents ancient Near Eastern art andculture with conviction. Its shows engageand are worth the effort. (962-9520)The DuSable Museum of African AmericanHistory is an often-overlooked local op¬portunity. It shows African artifacts fromits permanent collection and exhibits onblack culture. It’s located at 56th Placeand Cottage Grove. (947-0600)Hyde Park is also the home of the Museumof Science and Industry at 57th and LakeShore Drive (684-1414), Younger Gallery, acommercial space that shows local artists(1428 E 53rd; 752-2020); Artisans 21, alocal collective effort at 52nd and Harper(288-7450); the Hyde Park Historical Soci¬ety, on Lake Park between 55th and 56th;and the 57th Street Art Fair, a two-day out¬door extravaganza each spring.The transition to the Loop demands firstof all an acknowledgement of the city’s ar¬chitecture. The finest examples of this arenot, to be sure, restricted to downtown;it’s just there that examples of the “Chi¬cago Style” are most visible and preva¬lent. Seekers are advised to look up theArchiCenter at 330 S Dearborn (782-1776);and/or to consult Chicago's Famous Build¬ings, a handbook published by the U. of C.Press in 1965. It is generally availableused at moderate cost, details worthysites throughout the city, and is somewhatindispensable.The Art Institute of Chicago, on Michigan atAdams, has certainly contributed substan¬tially to the education and enjoyment ofthousands. It has a huge and amazing per¬manent collection and the resources topresent the city’s largest shows. Thoughthe visual arts no longer revolve aroundit, the Art Institute is still essential; andone skips it at some peril. (443-3500)The School of the Art'Institute, located onColumbus at Jackson, presents smaller,mostly student shows in its gallery. Theseare often fun, particularly after havingencountered one of the Art Institute'sserious efforts. It houses as well the VideoData Bank, a collection of videotapes ofinterviews with artists and critics andoriginal art productions. (443-3703)Columbia College, at 600 S Michigan, pres¬ents mainly photography by recognizedartists, many trained or practicing in thecity. It also shows student works, some ofgreat vitality. (663-1600 ext 104)The Cultural Center of the Chicago Public Li¬brary, Michigan at Washington, mountssmaller shows, often by locals, in its sever¬ al galleries. Straight photos of foreignlands also receive frequent exposurehere. (346-3278)The Museum of Contemporary Art, at 237 EOntario, is the city’s second major muse¬um. It presents mainly new art by recog¬nized American and foreign artists, whichit mixes with showings of establishedlocals and selections from its own perma¬nent collection. It stands in this way as acounterpoint to the Art Institute, whichshows the new only occasionally and with¬out real conviction. The MCA is a valuableasset. (280-2660)The Center for New Television, at 11 E Hub¬bard. is primarily an artists' productionfacility, but also has regular showings ofarts videotapes. (565-1787)N.A.M.E. Gallery, at 9 W Hubbard, is themost established of the local alternativegalleries. Its one-person and group show¬ings of both new and established local andnational artists generally please.(467-6550)Artemisia Gallery, also at 9 W Hubbard, is awomen's collective, and thus shows mainlyits members’ works, much of which is quiteexciting. It also shows art by men andcurated group shows by non-members.(751-2016)ARC Gallery, across the street fromN.A.M.E. and Artemisia at 6 W Hubbard, isanother artist-run space, and also awoman’s collective. It too shows itsmembers and occasional curated group ex¬hibits, both of which seem less challengingthan Artemisia’s efforts. It also providesinstallation space in its basement, calledRaw Space. These rival and occasionallysurpass the quality of the exhibits up¬stairs. (266-7607)NAB Gallery, at 331 S Peoria, is another vi¬brant artist-run alternative effort; its lo¬cation west of the Loop in an industrialarea makes it less visible than the Hub¬bard Street alternatives, but it should notbe forgotten. It often displays a uniquedisdain for the art world, though just whatit proposes as a replacement is unclear. Itsshows are small group efforts of less thanthoroughly professional standards. It’sodd, sometimes fun. (733-0886)Randolph Street Gallery, which moved to itspresent location at 756 N Milwaukee lastfall, is the most consistently engaging ofthe local alternative spaces. It is like NABlocated out of the way, in a low-rent indus¬trial area. Its exhibits, primarily of localartists, take risks and often succeed.Small traveling exhibits have also beenmounted. (666-7737)Randolph Street also hosts the city’sbest on-going series of performance art,generally on Friday and Saturday nights.These are often mixed with or lead intodance parties of a generally pleasingcharacter. The other alternatives presentperformances as well, though with lessregularity.The city's commercial galleries are locat¬ed around Michigan and Ontario and Su¬perior and Huron. The former area, thehigher-rent one, contains the more oppres¬sive and less interesting of these; the lat¬ter area counts among its members PhyllisKind, Marianne Deson, Rhona Hoffman,and Donald Young Galleries.This concludes an abbreviated list; cer¬tainly more could be said of those spotslisted here and certainly a great many more could be added. But this covers thebasics.RECORDSTORESThe following two articles review recordstores around Chicago. Jeff and Stevedon’t necessarily agree as to where onecan get the best buy in the best atmo¬sphere, but then maybe their concerns aredifferent. At any rate their suggestionsshould be helpful.by Jeffrey MakosROSE RECORDS, 214 S. Wabash, and a zil¬lion other locations; Most records — jazz,classical, rock, etc. — can be ordered atRose's. Their classical selection is especial¬ly good, although you can get other re¬cords cheaper elsewhere. Also good as“one-stop'' stores are DOWNTOWN RE¬CORDS, LAURY’S RECORDS, and ROLLINGSTONE RECORDS. Rolling Stope (175 W.Washington) is especially of interest, be¬cause it is one of the last stores in the areato carry Bootleg recordings of rock andblues artists. This is especially good forcollectors.WAX TRAX, 2449 N. Lincoln: If I die and goto Heaven, I want it to be stocked with therecords that they have at Wax Trax. Thisis the best record store of its kind in themidwest. Mostly new wave and punk, butalso an incredible selection of singles, agood blues section, a great 60’s section, afair soul section, and a great little sectioncalled “Personalities” where I got a Par¬tridge Family collection as well as the out-of-print classic In My Own Way by Anth¬ony Quinn (the rap-style record on whichZorba sings pop tunes.) Fantastic! I cannotstress how good a record store Wax Traxis. Go immediately.JAZZ RECORD MART, 11 W. Grand andSWINGVILLE JAZZ, 3344 N. Clark: Theseare the jazz versions of Wax Trax. Far toomany records here — and all of them aregreat. The Record Mart has a few moreoldies, and probably the best blues sectionin the city, but Swingville has a greatstock of records too. Sales at these placesare always good. A friend of mine found acopy of the Art Ensemble’s Bap-Tism, and Ijust bought a copy of Lennie Tristano’sclassic set for Capitol. Again, go immedi¬ately.USED RECORD STORES Lots of searchingto be done here, but that is what it is allabout. SECOND HAND TUNES (2548 N.Clark and 1701 E. 55th) always has goodstock, but especially of interest is their“cheapo” bins, because lots of times theymark down things that are worth a lotmore to specific collectors. DR. WAX (2508N. Clark) is right down the street from theNorth Side 2nd Hand Tunes, and some¬times has a good selection of bootlegs.VINTAGE VINYL (925 Davis, in Evanston) has a very good section of recent records.They emphasize their new wave connec¬tions. Also, they have prices that are a lit¬tle cheaper than Wax Trax, though not bymuch. And you are encouraged to checkout rummage sales, used clothing stores,Salvation Army stores, and the like, be¬cause you never know what you might findthere. Recently, at an Evanston used cloth-"ing store. I found an out-of-print Columbiarecording of Count Basie with a veryyoung and very Italian Tony Bennett.Wild. Jazzbo honkers of all persuasions■ will do best to dig, dig, and dig some moreto find those good deals.SALSA RECORDS, Actually, it’s Latin Jazz,or Nuyorqueno music better still. I knowmost of you don’t know what it is, but theeditor is letting me indulge my one greatlove, and thus I am preaching to you aboutthe sublimity of salsa. It’s only the grea¬test, most danceable, most rhythmicallycomplex, most transcendent music in theworld. Oddly enough, the best place tobuy salsa records in Chicago is at ROSE RE¬CORDS, an anglo store if there ever wasone. But who am I to complain? I’m goingto put on a Jerry Gonzalez or a Tito Puenterecord right now.by Steven DiamondWAX TRAX: 2449 N. Lincoln This is thestore I go to last if I can’t find it anywhereelse in the city. Many people are now sure¬ly asking why don’t I go there first andsave myself a lot of time. Well the answeris mainly because of the atmosphere andthe prices. The atmosphere is, shall wesay, trendy with many pictures of Bowieand other pop stars though I do get a rushfrom the eight foot poster of Boy George.All the new wave guys and gals go thereto buy the latest release by the Police or AFlock of Seagulls and I imagine it mighteven be a good place to pick up girls orguys, but if you’re into that kind of stuffthen you are hopelessly uncool andshouldn’t be learning the tricks of a coolperson like me. As for price, they areusually a few dollars more expensive thanother stores charging $7.25 for new re¬leases and $4.25 for disco singles. Ofcourse for their speciality, imported 7”and 12” they are not bad, especially ifyou wait till you have 4 or more since thenthey give a quantity discount. The salespeople often try to be helpful but usuallyfail, since they only know how to betrendy and know nothing about goodmusic. For example, no one knew anythingabout Throbbing Gristle and when askedwhat was good ft was inevitably someelectro-piece.Rolling Stone: 175 W. Washington theother normal record store that I purchasediscs at. They are even more expensivethan Trax (though I always call it Wax.)for imports they are cheaper for domesticand usually have every release be it newor old. It is especially wise to watch forads in either Illinois Entertainer or Readerwhere they give $2.00 off any record,meaning they go for approximately$5.50. They are best for their discount binwhere I usually find year old importswhich I haven’t gotten around to purchas¬ing yet at about $5.00. They also have asmall selection of cut-outs and $1.00l.p’s._Loop Records: 11 W. Jackson There is onlyone reason to go to this store and that is12” singles. Even though their Prices areat Chicago retail, i.e. $3.99, they haveevery 12” that is available, somethingthat can’t be said for either Spin-it, Roll¬ing Stone, or Trax plus they will play anyrecord for you and they stock dance musicreports.Spin-it 1444 E. 57th. This is in the neighbor¬hood and has become the only place to getdiscs now that the Phoenix has closed.Their selection is o.k. in that it leanstowards their customers, blacks and stu¬dents (one which I am, the other I wish Iwere). Prices are o.k., $3.99 for 12” and$7.00 for new releases, and watch for spe¬cials when the prices drop to $5.99. There'are no imports. But the real finds are thecut-outs. I sometimes find very good re¬cords for $1.00-$2.99 — just keep looking,sometimes they are not even old. This sum¬mer I saw the new Eurythmics album for$3.99. Also they have some disco 12”s at$1.99, that are only a few months old.Second-Hand Tunes 2550 N. Clark and1701 E. 55th St. With two locations, one inHyde Park, the other in Lincoln Park, it iseasily the second best record store in thecity. I inevitably find a reviewer’s copy ofthe latest disco single there for only 99<t(some do command $1.50), or sometimesthey have reviewer’s albums for $3.99,also an incredible deal. Also look throughthe 49« bin for those incredible odditieslike Chicago Swedish Glee Club to showthat you really know what's what.Just For The Record: 2953 N. Clark. This isthe best store in Chicago. It specializes innew wave and disco, doesn’t have thetrendies or the prices of Trax. Reviewerdisco singles are usually 99«, though popu¬lar ones in the Chi-town scene go for more.They will play any unwrapped record foryou even if it is priced at only a dollar (tryto get Trax to do that.) They have a reallygood used and reviewer copy new wavesection too. 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Groen26—The Grey City Journal, Friday September 23, 1983by Jae-Ha KimFour years ago, an English band calledArt Nouveau surfaced on the LeightonBuzzard music scene. It was then a fourman band with Nick Beggs on bass andvocals, Steve Askew on guitar, Jez Strodeon drums, and classically trained StuartCroxford on synthesizer. They were an ex¬perimental quartet, and earned enoughmoney from their gigs to buy their ownPA. system, which they subsequentlyrented out to other local bands for extracash.Disenchanted with their musical direc¬tion, they decided to look for a properfrontman/singer. Beggs was once quotedas saying, “I couldn’t concentrate on sing¬ing, playing and being charismatic at thesame time.”Enter — Limahl. Sporting all whitespiked hair, which he has since trans¬formed into a two toned layer of black andwhite hair, he met with the guys. Mutualadmiration expressed, KajaGooGoo wasformed.While on a three day promotional stop¬over in the U.S., Limahl telephoned fromthe EMI office in New York. With their firstsingle “Too Shy” at H on the U.S. singlescharts, Limahl was one happy Brit.Jae: Is this your first time in America?Limahl: No, I was here in the summer of'81. It was a short visit.J: How do you like America so far?L: I love America. I find that people reallylike to live. You know, I wouldn’t mind liv¬ing in New York actually.J: Are you doing something that you’vealways wanted to do, or did you haveother aspirations as a child?L: No...I’m doing something that I havealways wanted to do. And you know, Iwould say at school to my friends, ‘‘Oh Iwant to sing in a band,” and I would say tothe teachers, ‘‘I want to be a performer.”And people would laugh at me, so it’s real¬ly exciting for me to realise this dream, re¬ally.J: You’re the only one in the group thatuses a stage name Do you see yourself asa different person when you’re on stagethan when you’re at home doing thedishes?L: Well, obviously there’s a little dif¬ference, but my hair is just the same inreal life as it is on stage. I tend to be quitetheatrical. I just make it a little bigger forthe stage. I don’t think that I change thatmuch, to be honest.J: How long has KajaGooGoo been to¬gether as a band?L: I joined two years ago, so it’s been twoyears for all of us. But they were togethertwo years before I joined them, so it's fouryears for them.J: I understand that they saw an ad thatyou placed in Melody Maker. Did youknow when you met them that this wasgoing to be the group for you?L: I knew that I was gonna basically likethem before I met them because I receiveda record from Nick that they’d recorded(an independent single). And I thought,‘‘this is good!” I'd been in three bands andI was really looking for a new band. I’dseen a lot of bands and I didn't like them, Iwas being really fussy at that time. WhenI went along, it just felt good. They reallyhad their act together. They had someequipment, some good songs, all the guyslooked good...and I thought “this could re¬ally work out.”J: And it has...L: And it has!J: A lot of bands go through years of play¬ing clubs and bars before they ever makeit big, if they ever do. How do you accountfor your enormous success in places likeEngland and Japan?L: Well, I can only say that I think it mustbe the record, (laughs) “Too Shy ” was #1in England, #1 in Japan, #1 in Germany, #2in Portugal...It’s a hit all over the world. Iguess it must be a great record!J: Do you think your popularity had any¬thing to do with the fact that Nick Rhodes(keyboardist for Duran Duran) producedyour first single and Ip?L: Oh, I think if we’d produced it as well,without him, of course it would! The re¬cord’s the record. People don’t know NickRhodes really a lot in Europe, and it was amassive hit there. I think it helped a little,but I don’t think beyond that. It’s up to therecord itself.J: What do you think it’ll take for Kaja¬GooGoo to become a massive success in theU.S.?L: Well, we’re gonna do a whole tour ofNorth America this year. I think that’ll bereally important. Get the word out on thestreet. It’s important to d©t street credi¬bility because you can hide behind videosand records and interviews and papersand stuff like that, but at the end of theday, you know, the concerts are the realthing.J: Do you think there’s a major differencein musical taste between the English andAmerican audiences?L: I think there was, but I think it’s chang¬ing with this whole MTV thing taking offand this whole new music interest with Cul- ' >*»*, *** ?.'***h"*'* ■WHAT DO YOU DOture Club, Duran Duran, Human League,and hopefully now KajaGooGoo. But Imust say, there’s still a lot of British musicthat you don’t hear.J: What do you think we should be hear¬ing?L: Hmmmm...there’s so many. I can think ofthousands! And it’s the same with Eng¬land, you know. We only hear certainAmerican music. We usually hear the big¬gest and the best. And I have to be honest— you’re getting Culture Club and DuranDuran —■ you’re getting the cream of theBritish crop, ’cause they’re huge in Eng¬land. So, um, yes...you’re really hearingthe good stuff.J: You've been getting a lot of flak in theBritish press. They’ve criticized every¬thing from the band’s name (some unima¬ginative renderings being the likes of"FlogaDoDo”) to the way you guys look. Isyour image a big problem in that sense? Ithink Nick once said that if KajaGooGoowanted to be considered a sophisticatedband, you would have to call yourselvesthe Warm Leatherettes or something...L: (laughs) That’s a “Nick statement”! Youknow, in England when we first started,we were the new things. We went up to #1,everybody loved the record, the press, ev¬erybody, we were wonderful. And then,"Ooh To Be Ah” got to HI. That was a bighit, and we were still wonderful. And thenthey got fed up, and they started to pull usdown. Right now, in England, the press isturning again and they’re saving reallv good things about us ‘cause we’ve justdone a successful sell out tour, the albumgot to #5...I think that the press is a veryup and down thing in England, anyway.They do it with a lot of bands, not justus.J: “Frayo”, off of your White Feathers Iphas political overtones. Do you have anyaspirations to incorporate politics in yourmusic, or to make political statementsthrough your music?L: No. There are a Gouple of songs on thealbum like that where we have made itknown that we felt certain things aboutwhat was happening in the present dayworld. You know, basically what you’redealing with now are the fiction songs andthe non-fiction songs. Songs like “TooShy” are about a shy girl and a love situa¬tion and that’s really nice and sweet andlovely. And then you’ve got a strongersubject like “Frayo” which is about themilitary rule in Poland. But I don’t thinkwe’re out to make one statement. I justthink that we have to create — we’re in itbecause of the music, and we’re just tryingto get as wide an audience as possible.J: You get a lot of young people at yourconcerts, and a lot of them get hystericalwhen they see you up there on stage. It’sinevitable that comparisons are going tocome up between your group and the Be¬atles. But the Beatles were able to growout of their “teen idol” stereotype andgrow musically, developing a more ma¬ture audience Dn you see the young girl? at your shows as a hinderance to yourcredibility as serious musicians?L: I think that they’re the best audiencethat you can have in the world for the firstyear. They're very dedicated, and verycaring and they attract everybody's at¬tention because they make a lot of noise.I’m not worried at all. As you say, the Be¬atles were able to grow out of it. I hopethat we’ll be able to do the same.J: You and Nick write most of the lyrics forthe band. Does that mean that you twohave more say than the other three?L: I think everything’s very democratic. Imean, Nick and I write the lyrics, but theothers will say something if they don’t likethem (laughs).J: Do they often say anything?L: No. I think Nick and I are getting muchbetter at writing lyrics, and they do tendto like what we write. It is a team thing.The lyrics have got to fit with the music,‘cause the lyrics are very much a part ofthe music anyway.J: You were an actor before you were asinger...L: Wrong! I was always a singer who did alittle acting. When I worked in theater, Iwas singing at first, and that’s what Iwanted to do. I only did a bit of acting be¬cause my agent sent me along and said“Look, read this part. You may get it,”and I did! But I’m not an actor turnedsinger. I was always a singer — that’swhat I always aspired to do. It was greatfun, though, and maybe I’ll do some morelater. I did enjoy it...J: How important for the song’s popularitydo you think the video for “Too Shy”was?L: I don’t think it was that important. Idon’t think videos are. The song alwayscomes first. You know, people don’t seeyou when they hear the record on theradio. They don’t see pictures of you...It’salways down to the song.J: That's true, but they do see your picturein magazines and in newspapers...L: Well, it always helps...but, I think it’salways the song...J: I’d like to give you the names of somegroups now, and see what you think ofthem, alright?L: O K.J: Duran Duran.L: I think they’re great.J: Sex Pistols.L: I never liked their music much. I don’tlike punk, generally. I never found-punkvery musical. Some of them made some in¬teresting statements, but it’s not some¬thing that really switches me on.J: Michael Jackson.L: Oh I think he’s fantastic.J: Do you have the Thriller album?L: I love it. It’s so good!J: The Clash.L: I find the Clash very awesome. They’renot very melodious, which is not my cup oftea. you know, although people like thatsort of thing now.J: Bay City Rollers.L: The Bay City Rollers were before mytime. I vaguely remember them, and Iknow that they were huge teen idols. Peo¬ple flagged them off and said that theydidn't play their instruments and stuff likethat. But I’m not offended or particularlyinto them...I feel pretty neutral.J: The Beatles.L: Again, the Beatles were before mytime, but everybody knows their stuff.Their records still play...I think they'regreat.J: You've said in previous interviews thatthe band as a whole doesn’t smoke, drinkor do drugs. This is rather unusual to findin the rock & roll world. Do you find it diffi¬cult to stick to this?L: Personally, I don’t find it difficult at all.I don't like alcohol, and I don’t smoke. Be¬cause I feel so strongly about this thing, Idon't waver at all. You know, I just go onthe road, and I just carry on and keephealthy. But yes, you can get a lot of pres¬sure, especially if you go to a lot of func¬tions. But you know, I’ve been through theheaviest temptations.J: You and Nick are also religious. Did thisbelief in your religion influence your lifes¬tyle?L: That’s part of the reason. It’s for healthreasons and for moral reasons and for re^-*ligious reasons. So you know, it’s not just afad or anything. You’re talking about realdeep set in reasons here, and that’s why Ifeel so strongly about it.J: What bands do you like to go and seewhen you have the time?L: I've seen lots of bands...I’ve seen Simp¬le Minds, Japan, ABC, Duran Duran, Cuk vture Club, Haircut 100...J: What’s in the future for KajaGooGoo?L: Well, there’ll be a new single from thisalbum, and we’re gonna tour and promotethe album this year in America. I’d like forus to get bigger and better. I want us towrite a better album. I want us to do big-^ger concerts. I want us to sell more re-^cords. Mainly, I want the music to get bet¬ter.J: Do you have any final words for the stu¬dents at the University of Chicago?L: Well, keep on jetsetting!The Grey City Journal, Friday September 23, 1983—2^ImportedbyGrol$chImporters.Inc.Atlanta.GA30339019835309 S. Blackstone • 947-0200OUR FAMOUS STUFFED PIZZA IN THE PAN IS NOWAVAILABLE IN HYDE PARKOPEN 7 DAYS A WEEK • 11 AM T012 MIDNIGHTCocktails • Pleasant Dining • Pick-Up UNIVERSITY^LOCK & KEY^H 0c©DOOR CLOSERSRETAIL A WHOLESALEcitadcl BELLSBUZZERSmam tPOST OPPIC* APPROVEDSOLD A INSTALLED ^ • All Type Of LocksInstalled 4 Repaired• Medeco Locks & Keys• Schlage • Segal• Corbin Russwin• Yale • Original Fox Lock• Sargent • Kwikset• Mail Box Locks 4 Keys• Luggage Keys• Domestic & ForeignAutomotive Keys Cut• Auto Locks Sold 4 Installed• Home 4 Auto Lock-out Service• Adams Rite - Rofu - Folger AdamSAFE SALES - SERVICE -COMBINATIONS CHANGEDMEOECO HIGH SECURITY SYSTEMSEMERGENCY SERVICESEGAL& BELTS"Chicago’s best pizza!” — Chicago Magazine, March 1977“The ultimate in pizza!” — New York Timas, January 1980MAROON962-9555 COLU_J*oz>CDCODO Y•JEWELRY„ , SILVERgold% TURQUOISE ^ ALUMINUM & GLASSDOOR HARDWARE✓ SALES & SERVICE✓ FACTORY TYPEINSTALLATION AVAILABLEBONDED 4 INSURED324-7960 1609 E. 55th ST.RESIDENTIAL • COMMERCIAL • INDUSTRIAL • INSTITUTIONAL • HIGH-RISEShow your classa Dutch of Class.6 bottles of Grolsch—the “300-year-old brewing masterpiece from Holland.”6 bottles of what experts are calling the best tasting beer sold today. And 6 great waysto show your class what class is all about. ★★★★★★★★★★★★★★★★★★★★Y**i CITY INN*************r iJ \Special Student and I!***i*i*iji*GOLDOpen dailyFrom 1 1:30 a.mto 9:00 p.m.***+**********L** Faculty Offer1 Free JEgg RollorFried Wontonw/each meal andthis coupon I*l **i *1*i **J 5228 Harper 493-2559 J*********Eot more for lessA Gold Mine of Good FoodStudent Discount:10% for table service10% for toke homeJ Hyde Park's Best Cantonese Food%★★★★★★★★★★★★★★★★★★★★★.. The CanoBiAE-1• Incredibly lightweight, compactand easy to use.• Instant response, sensitive siliconexposure metering.• Optional Data Back A available• Includes Canon U.S.A. Inc. One-year limited warranty/registrationcard.16895model camera1342 E. 55th493-670028—The Grey City Journal, Friday September 23, 1983CONSCIOUSFASHIONby Stephanie BaconPerhaps you wonder if you really belongat the University of Chicago. You may feelthat you decided too quickly, should havelooked further, thought longer. But how¬ever painstaking and protracted your de¬liberation, you would probably never feelconfident that your decision was the rightone.You may always wonder, for example,about the quality of your social life. Thereare rumors that other schools are livelierthan our own. Apparently this belief islong standing, for in the annals of the Re-genstein Library one can find administra¬tive attempts to dispel this image as earlyas 1952, when the University of ChicagoMagazine featured on its cover oneKathryn “Bunny” Aller, my own mother,as living proof to the world that the Uni¬versity could provide an education for anormal-seeming, pretty seventeen yearold girl as well as for the stereotypicaleggheaded university student. Anotherpublic relations exercise by the Magazine,an article which ran last spring called“When Reg Rats Revel,” fell short, bysome accounts, of realism. Furthermore, a §newly revised recruitment slide show em-Sphasizes, perhaps misleadingly, the00school’s social diversity and activity. So it-fseems that the reputedly poor quality of"social life at the University of Chicago bass'been of concern to the University adminis-wtration for some time.I have often wondered about thesethings myself, and so I eagerly acceptedan invitation from a friend of mine who at¬tends the School of the Art Institute of Chi¬cago to go to an S.A.I.C. student party.After all, art school is one of the great edu¬cational alternatives to a more conserva¬tive and conventional academic universi¬ty, and I knew that there would be ritualdifferences to observe.Upon arriving at the party, my first ob¬servation was that my friend from theS.A.I.C. had not yet arrived. My escort andI were, in fact, rather early, and completestrangers to those few who had precededus. The awkwardness we felt was not les¬sened by our host’s self-conscjously overzealous friendliness. He did not seem cog¬nizant of the fact that we were not fromthe Art Institute, so I settled into a role ofcasual if not completely false familiarity. ine other guests examined my escort andme in quick, curious glances, clearly won¬dering if they knew us; we gave them noindication that they most certainly did not.Meanwhile, more guests began to arrive,and notably, all were lavishly costumed;each was dressed in yet another elaboratevariation on any number of trends orstyles. Clearly their appearance was ofgreat significance to the other guests, al¬most without exception.A beautiful girl dressed in a Japaneseinspired mode approached my escort andme and introduced herself. We revealed toher our academic origin, and she asked ofthe University, “Do you have people likethis there?” My first thought was, “Whatare we, chopped liver?” since my escortand I were not less than appropriatelydressed or postured. My second thoughtwas that she must certainly consider herschool’s population something special, to ask such a question. The only appropriateanswer to verbalize, however, seemed tobe “Yes, but not as many.”Certainly the University of Chicago hasstudents who go to parties and show for¬midable concern for their appearance. Itremains, however, a personal prerogativeor an entertainment. At the School of theArt Institute, however, it is socially almostcompulsory, because visual orientation ispart of the identity of the art student.One of the rooms of the apartment wasdesignated for dancing (to the same musicplayed at University of Chicago parties)but it failed to inspire festivity, until I sug¬gested to my friendly host that the over¬head lights be turned off. He glady com¬plied, and quickly a plethora of dancersmaterialized. They danced like Universityof Chicago students dance, except thattheir gestures were often exaggerated toan extreme individuality. Several times during the course of the evening, guestsfelt compelled to turn back on the lights.This reinforced my earlier conclusion thatthese students were largely concernedwith seeing and being seen by their class¬mates. This concern often took on an anx¬iously competitive quality.Although the party had a degree of visu¬al orientation never attained at the Uni¬versity, it also had a kind of generic colle¬giate tone that set me at ease. When thecops broke the party up at 2:30, I was leftwith a feeling much like Dorothy’s whenshe gets home from Oz — it was nice andexciting but I like home better. A collegeparty is a college party, wherever it is;here, where the fashion-conscious arerare, one's image options are greater, andparties are a little more casual, a little bitmore like a Petrie plate for social experi¬mentation...and a little bit less like a so¬cial butterfly collection.Take Your LastCourse of the DayAT THEMedici on HarperFeaturing a versatile menu oi fettuccine, burgers, Mexicanfood, fish and much more at very satisfying prices.Now ServingSunday Brunch!A fabulous buffet featuring homemade cakes andcroissants, smoked fish, Nova Scotia Lox. squeeze-vour-ovvn orange juice, salads, and a mouth-wateringselection of hot and cold entrees.Brunch is served $8.25—Adults10:30 to 2:00 pm $4.50—ChildrenEEHCIOn Harper5211 S. Harper Court • 667-4008HOURS:Mon. thru Thurs. Fri. and Sat.11:30 - 10:30 p.m. 11:30 a.m. - MidnightSunday Dinner2 p.m. - 10:30 p.m. “It’sFingerlickingGood”Visit the ColonelKentucky Fried Chicken1513 E. Hyde Park Blvd.The 'Gfey City‘J'o'u'rh&f, Prlday September 23, 1983—29— ■ ^■5WF, 22, smoker & social drinker,tall, thin, attractive, enioysnew wave music, dancing, etc.Seeks tall, well built SWM, 22-29,who enioys going out & havingfun. Photo please. Box 3465 hurLove s? __to dance,rock. Looking!tionship. If yrlooking 'iife moe variety o■d movies,versailco %m I very*{% in aimsets to sail, snow a?<rkel. I'm cari hot air balloon!?match fo? Dear ,I wish you spent some extra dough so that I had a name toput in that blank but here goes anyway, I have as couple ofguesteions for you before i tel/ you about myself. First whatkind of cigarettes do you smoke, if you smoke Marlboros forgetit, they are the worst looking cigatettes (I mean all cigarettestafet e the same, it's a matter of coolness to smoke them.) Ifyou smoke C«|mel then everything will be great and well the otherbrands rate inbetweenyf. If you were fefering to refer get thepun), I don't know what to say since all my-friends do it butI consider it incredibly uncool, you should save up your moneyand buy Cocaine instead. I'm glad you are skinny and tall becausethat is what I find desirable in looks in a girl. I wish you toldme something abut your personality since I'm going to spend a goo4deal of this letter on and let's face it, a relationship be ita friendship or a loveship (hey I just made that up I must beincredibly arty.) depends on whether or not we like each otherspersonality. But I guess I win learn it later on and no matterhow big an ad you just couldn't describe yourself properly..Now on to myself: Sorry for all the typos and the typingin general but people always complain cfcout my haddwriting and Iwanted to get off on the right track. Alfis this is a labor rfayweekend and I ran out of correctotype so all my errors mus be crossedoff by or typed over. I guess what mainly drew me to you wasthe mew-wave li^fne,. I too like new-wave ^nusic, presently I'mlistening to the Vqfrgin Prunes ^fand I w^e a good deal of moneyand time at Trax. (*Im' in so good with the management th<jf"l caneven call it by its first name, Wax.) But I also like that Blackmusj^ic, indeed like most of my friends, I wish I was Black.I listen to BflX and play loads of disco when I .do my own radioshow on WHPK. Presently I love the new song wtHigh Noon byTwo Sisters though it is produced by whites. And of coursethat great group New Order which is trying to become Black withthe help of Arthur Baker who already has become Bla^ck. Ingoingto college ab the University of Chicago which is whjtfy I live onthe South side though it does make^easy for me to seem black sincethat is what all my neighbors a^fe. (p.S, if you think Prince isblacfr thwn you caM forget abut hs having a long relationship, he'splayed on MTV so he must be white, it jf.is that simp^J.) AlsoI very mu«h love Theater which is why I am writing on the backof a Marat-Sade poster, I both produced and acted in this play.I can easily say that my performance couldn't be duplicated anywhere.Indeed, the picture I'm sending wjfas taken during the play, thereason for the haircut since I would never do anything like thatout of choice, though I do think I look kinM„r nfho, Jm&tiMy other features include of ctrte anyway,11” and 145 lbs. I bikef- < ~ Sent, *0WMprofessi & I I k eai or amfS & early 40s, for dating& companionship. Pnutn appreci¬ated. Box 3470I am a SWM who works nightsand raisin aride £very day so I have nice legs plus all the dancing / I uu,* %T ■.» U i JTU-: 4. _? 0-?Lhave no muse]ter*thef. «*ne, wants to meet a SJSf^m^charmm, mumSmart (whoops I made a mistake, a cardinal sin it is jusi'Neo.)I also would like to spend some time in the getting to knowWTTY -Mr -? —WThoteTo-you and don't plan to just FuOk 'n' run (sorry for the languagebut I consider it a grotesque act and must be told with similiar hip. Box 3354 setafioj*-words.) In other words, I hope you are a nice girl. Now time, ’•■"Fvwrg f _■ I ritcnvA , very 3 'jornoer na*? —M with PH..D.wishes to meet intelligent womanunder 30 for companionship andpossible «***»w*—in mntogeArefor the truth, I'm actually only 21 (I'll be 22 in Des.)but i couldn't resist replying to your ad anyway since it is such28- In & nonest, ?interested in meeting a fun jpracticing Christian man, {i2. Bov 346? 'very an enjoyable idea, besides I hardly XiKKK^xXXKiB think 3 monthsmatter anyway and I could easily deal with someone older, god knowsI have before if you could deal with someone younger, but I figureI should be honest since what is a relationship without honesty,(deep and original huh.) I hope you have fcjpd this letter amusing( and if you haven't then we probibly wouldn't be compatableanyway) and enjoyable, I know I had a ball writing it , lookingforward to either.hearing by phone or mail, it ist Stephen Diamond5750// S.STony Island Chicago, II. 60637, 312-363-5185. o meet Ioisiog ^is for a ihere an* ifttcss ai)C jrj fj* way &sc* from smpu’nre more.ilbfcfat bent* almost anto sarHng. j £ow andcontent:alt balloonioe sites-of meh Island sincerely, (how are you PRsupposed to end a letter like t&s/)9ft! Prist farrrt(p.S.— I'll be checking my mailbox and my phone answering machinedaily (yah I know I dox that anyway bu£ I thought it was a goodending.) oh, I forgot to tell you that I work for my shhool's arfenewspaper, can you believe with english like mene, wonders neverceaee, and even more amasing my columns are funnier that this letter,(modest has always been my best quality) bye for nov*, *** <n touch'I i°/~ mtofli-meetdating ,in. tehB Gfey City Journa'. Way September 23, 1983The TextbookDepartment ofthe Universityof ChicagoBookstorewelcomesall new andreturning students andwishes you a successfulFall QuarterTextbookReturn PolicyNo returns will be accepted withouta bookstore cash register receipt.- Books must be returned withintwo weeks of purchase.- There will be a 50 < charge foreach book returned that meetsthe above requirements.The Univeristy of Chicago BookstoreTextbook Department970 E. 58th St.2nd FloorTel: 962-7116Monday through Friday8:30 a.m. - 4:30 p.m. The Textbook DepartmentThe University of ChicagoBookstore970 E. 58th St.InvitesFaculty members to stop byfor a complimentary copy of a1983-1984 Faculty PlannerTHE UNIVERSITY OF CHICAGOBOOKSTOREDowntown Location:Textbook Department190 E. Delaware3rd FloorHours:Monday through Friday5 p.m. - 9 p.m.Telephone:266-3465Visa & MasterCard AcceptedThe Grey City Journal, Friday September 23, 1983—31> ► ' IThe Best Selectionof Social Science and HumanitiesTitles in the Country.Monday.Friday 9’306‘00Saturday 101005:00752-4381feA short coursein long distance.LONG DISTANCE CALLS MINS. BELL MCI SAVINGSBoston College to Providence 1 $ .28 $ .14 50.0%Marquette to Dallas 4 1.14 .75 34.2Northwestern Univ. to Reno 7 1.96 1.33 32.1Univ. of Kentucky to Lubbock 30 8.04 5.72 28.9UCLA to Cleveland 8 2.50 1.70 32.0Univ. of Texas to San Francisco 12 3.28 2.29 30.2Georgetown Univ. to St. Louis 5 1.40 .93 33.6New York Univ. to Miami 2 .64 .38 40.6Rates show comparative pricing between Bell's evening rate and MCI s evening rate. Final rate authorities on all tariffed services are MCI Tariff FCC — 1 and AT&T Tariff FCC =263.Take one look at the abovechart and you can see that maCing a call on MCI can save youup to 50% off Bell’s rates.Of course, this doesn’t justhold for the cities mentioned butfor any other town in any otherstate in the continental U.S., aswell as to Hawaii, Puerto Rico,and major cities in Canada.It doesn’t matter how muchor how little you call, either.So look for your MCIcampus representative to signup. Or send in this coupon formore information. The nation's long distance phone company.I ' IMCI Telecommunications Corp.College Promotion1133 19th Street, NWWashington, D.C. 200361-800-521-8620I want to cut the cost of my long distance calls up to 50%.Please send me more information.Name.Name of School.School Address.City State. Zip.Phone Number at School.Permanent AddressCity State. Zip.L Average amount of monthly long distance calls $.CM2 — The Chicago Literary Review, Friday September 23, 1983DavidMillerRUSSEL DUOFOLDBILL ROGERS<h<CDCOUPON10% OFFAll clothing & accessorieswhen presented at timeof purchaseVALID UNTIL NOV. 1st FoAlErfa^ios■5,(Next doo rsity Bank)FOR to.RUNNIN OUREEDS COUPON10% OFFAll footwear whenpresented at timeof purchaseVALID UNTIL NOV. 1stThe Chicago Literary Review, Friday September 23. 1983 — 3NEW BALANCE NIKE CONVERSE SAUCONY ADIDASOPENING OCTOBER 1sttAH5W2Specializing in running footwear andapparel. Tennis footwear, too!A poem ; •A poem ■.' * /■ T,* v.iasiiiiroems by tampbel McGrath and Martha M. Vertreace: p. 6Two poems by Nada Devetak: p. 8-"A Dream of Clear Waters” by Bll Faloon: p. 10A look at the fife and work of Norman Maclean "Bhanumatfs Right Thumb” by Shouri Daniels:’A short story- ' ' m; . ■?WmmmmmT* 4 • "TEditor: Campbell McGrathEditorial Staff: Elise Eisenberg, Elizabeth LichtensteinProduction: Nadine McGann, David Miller.The Chicago Literary Review is published quarterly by The Chicago Maroon, the OFFICIAL studentnewspaper of the University of Chicago. Editorial and business offices are located on the third floorof Ida Noyes Hall, 1212 East 59th Street, Chicago IL 60637. Phone, (312) 962-9555. This issue is vol.93 no. 7. ©1983 The Chicago Maroon.DOLPHINTIGERTRETORNNIKE4th of July n WaukeganOut at the end of the “mile long pier’’ —a peninsula of piss and beer bottfes —I stood with my friends on a chilly Fourthand watched the fireworks explodelike sea anemones in the night,slacken, and fall into the lake:ink gulping flame. Not good enough.We came up from Libertyville;from one town of terrific smash-upsto another (our classmates picked offin drunken wrecks, one by one);and in honor of them, it seems,we piled in with our sixpacksand drove. Someone suggested“the mile long pier in Waukegan’’.So there we looked outfrom our spit of concrete, while with each fiery pophorns honked from the beach,and a thin cheer went up.To the south I could seea bigger and better displaysent up from Chicago, teasing, far downshorefrom this spot where I watchedwith my girlfriends — overripe in the wind —and their dates for the evening,and a man who said things like:“Water is so fantastic: all life comes from it.’’while the lake lappedwith a black tongue around us.—Jenny Mueller$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$|P ^ B^^9 ^3 ^ ^♦B^ B^ ^ ^ WA Jq A ^ ^ ^ ^ $ $ $ $$ CBOf at©memo®' our "|p (p ^ ^ ^ ^ ^ ^ ^ A A AiP A A A ^ A iPy y y ^ f A AA A A A A ^ ^^ ^ ^ ^ ^ fit ^ A AA A A A A ^ Ajp ^ yp ^ \^1% ^ A A$B^ B* B^ p^ ^ ^ ^3 ^3 ^3 ^3 ^3 ^3^ ^ ^ ^ ^ ^ ^ W W^3 ^ ^ ^0 qTk |P ^3 ^3 A$y y B^ y B^ ^ ^ (ft |ft b^ iftIp p p p p J) p p p p p\ T^e CBU-e“ u can»--unv^e°$$$$$$$$$$$$ i floor ^VrrraKer ^ Ke\ aS 3 TnQ seniors$$$$$$$$$$$$$\ Grad^'09^ mvesWs»s 1 ss&srtfs-^Tc-\ ‘ v°“ *sSSfc&$$$$$$$$$$$$$ $\ cWca90,«ttn0‘* o$$$$$$$$$$$$$$ ^$$$$$$$$$$$$$$$$$$$^ ^ ^ ^ ^ ^ ^ ^ c c ^ ^ ^ ^ c ^ ^ £ a ap p p pi p pi p pi pi p p p ip p p p p p p p p p p p p p p p p p p p p p p p p p p p p p p py F y ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ft ftp p p p p p yl p p p p p| p| p p ip ^3 p p p p p p p p p p p p p p ^3 p |p |p p p p p ^3$ft ft ft ft ft ft ft ftp p p p p p p p $ft ft ft ft ft ft ft ft ft ft ftp p p p p p p p p p p$ft ft ft ft ft ft ft ft ft ft ft ftp p p p p p p p p Jh p p^ ^ ^ ^ ^ ^ ^ ^ ^ ^^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^$$$$$$$$$$$4 — The Chicago Literary Review, Friday September 23. 1983First Prize:orseriesof related poemsDeadline Friday November 18published in Ihe Autumn, CLR:ii :■ : i = n z: :ik i:i:i :i i iid z:ti\r:i :> : i = u z :ir:ii:« i 1=0c a e zc z 1 ZB E zitc : IE E - 1 :k sicE: a B ZC C 1 ZX E zitc : IE E 1 :c EICc: a B ZC £ 1 ZB E rue : IE E = 1 :k EICr a e zc r | zx E zii: : IE E 1 :e EIC»: Zf e ::c z 1 zx E ::iic : ii: E 1 :tz EICc 3 E ZC Z 1 ZB E zii: : IE E - 1 :tr EICr a E ZC £ 1 zr E zuc IK E - i| :c EICL a E ZC Z 1 ZXi E .-lie IE E Z it :e EICE: a E ZC £ 1 ZB C Your name should not appear c c i :i z s cZII :cJ^iCi zii :cIC iCi Zii :c:ic iii z:n zc:ilCiCi z:ii :c::ik id Zii :c:ik ill ztii :eIC ii Zii IL! ti:;C Z IZiZy . = :tiiii ::n :i: c i :iz A D>> 14 =:lKiIi =:H :f c i :i: \Vilofzn z: :iciii zii :c c i :s: 1 V//«Submit your name, address and telephone number and the title of the poem(s) on a separate ndex card, c .*«:::«Leave in the CLR box in the Maroon office, Ida Noyes third floorIS II I 2 Z r ZZ iC il Zii Iff! L i *8 Z IS ZZ ii '.l~. C iii ! Z Hir z i *c sic is:! : !=a E !c 11 Ell Judyed by the CLR editorial board.-i\C a e zt z :i zx I zii: : IE E Z ii IE EICr a e zc z :i zx I zii: : ir E Z 1 IE EICe: a e zr i :i 3C I zii: : IE E Z II IE EICE a cm :i ZZE I zii: : IE E Z 1 IC EIC»: a e ::i z :i =x t ::u: : it: E Z 1 IC EICtm :?• V. :s :i iZ» Z iC ii t» 8 - At • .It • .Uh_T .v«. r.i .r.i • i.NATIONALCOLLEGE OFEDUCATIONlilntiaal Ulm tenant w«Louts Schoolof Arts•ndScioncM announcingProgram in Administrationfor Women inHigher EducationSponsored byNational College of EducationA series of five weekend seminars designed todevelop and refine the managerial skills, knowl¬edge and expertise of women administrators.Seminar dates and topics for the 1983-’84program will be:• November 4-6 Fiscal Management &Control• January 6-8 Management Skills• February 29-March 4 (4-day session)Government, University Relations &Development• April 6-8 Managing Information• May 11-13 Professional DevelopmentThe fee for the series will be $1100, includingtuition, instructional materials, and all mealswith the exception of the Saturday eveningmeal. A non-refundable $50 deposit is requiredat the time of application.For application, write to:Janice G. Keith, DirectorNational College of Education2840 Sheridan RoadEvanston, Illinois 60201312/256-5150, ext. 229 The University of Chicago Telefundis currently seekingindividuals to call alumniduring evenings and onweekends throughout theyear. VJe pay $4.50/hour.If you are interested, pleasecall Leslie Reed at 753-0876during the day.The University of Chicago TelefundThe Chicago Literary Review, Friday September 23. 1983 — 5Between the Marsh and the MarketHeavy with primrose and daffodilsin lacquered ollas along the cobblestone pathwith lavendar and sandalwoodswirling clouds of incensethe market hums its Satuday afternoon refrainof kids and choclate conesand stalls of cotton blouses in Indian printSo why does the sky draped in its thin grey veilremind me to miss yousince we made no promisesin the late night fogin the crescent-moon fogwhen I heard your sleeping soundsdrift over the moss-covered ledgelike the long low moan of a locomotiveentering a Cumberland tunnel?—Martha M. Vertreace Sunday Evening, Early JuneRain and the black trees.Rain falls talking through the leaveslike coins, green coins, the sound of coins talking.Richard Hugo, you drew the ragged edge of desolation,a borderless Montana of the soul. The hummocked plains,the grey, turgid rivers bear the names you gave them.Loss, Despair, Bitter Resolve.But what of the time after making lovewhen night descends through blue and grey to black;when stars rise in the cobalt east, streetlightsflicker on dim. lavendar haloes for the empty street(my heart the template for your voice calling,your hand on my shoulder as I sit writing on the porch);when rain murmurs the names of coins,falling through oak, sycamore, hickory.the bleak and poignant trees of North America7—Campbell McGrath•BRAND NEW UNITS• 100% RENT APPLIESTO PURCHASEWalnut Grain finish Free Immediate DeliveryCALL NOW(815)758-43136 — The Chicago l iterary Review, Friday September 23, 1983Right here on campusivity't.S3*-THE CHICAGOMANUAL OF STYLEMUSICALMASTERWORKSART FROM ALL AGESCLASSICSPV&£PLAWANTHROPOLOGY,ARCHEOLOGY is America’s largest university press.It is also one of the oldest, founded the same year as the Universityitself.The Press publishes the best scholarship from around the world,throughout this country, and close to home. Many of the faculty youhave heard about and may be meeting soon publish here. We can’tlist all their names, but here are some examples.This season we are publishing: THE RECONSTRUCTION OFPATRIOTISM by Morris Janowitz; THE UNEASY STATE byBarry D. Karl; URBAN LIFE IN CONTEMPORARY CHINAby Martin King Whyte and William L. Parish; HOW SCHOOLSWORK by Rebecca Barr and Robert Dreeben; LOVE KNOWNby Richard Strier; OBLIQUE CONTEXTS by Leonard Linsky;and a beautiful new edition of one of our most popular books andthe only work of first fiction we’ve published - A RIVER RUNSTHROUGH IT by Norman Maclean (one of the University’semeritus professors).In previous years we have published books by such outstandingfaculty members as Joseph Cropsey, Alan Donagan, Mircea Eliade,Robert Geroch, Alan Gewirth, Philip B. Kurland, Edward H.Levi, Donald N. Levine, William H. McNeill, Martin E. Marty,Gerald Mast, Norval Morris, Wendy Doniger O’Flaherty,Edward Shils, Jonathan Z. Smith, George J. Stigler,Robert M. Wald, Karl Joachim Weintraub, and Anthony C. Yu— just to name a few.You may already be familiar with some of the “classics*’ publishedby the Press. There are, of course, THE COMPLETE GREEKTRAGEDIES, THE JOURNEY TO THE WEST, THEMAHABHARATA, and Abailard s SIC ET NON. But we alsopublish such classic reference works as THE CHICAGO MANUALOF STYLE (now in its 13th edition), and Kate L. Turabian’sSTUDENT’S GUIDE FOR WRITING COLLEGE PAPERS andher MANUAL FOR WRITERS OF TERM PAPERS, THESES,AND DISSERTATIONS. And there are “classic" critical works inall disciplines, such as Marshall Sahlin’s CULTURE ANDPRACTICAL REASON, Wayne C. Booth’s A RHETORICOF FICTION (which has just appeared in its second edition), andmany more, too numerous to list here.Go to any of the bookstores on campus and see what they have onhand. You’ll find more books by other faculty members, otherbooks by the above mentioned authors, and all kinds of interestingUniversity of Chicago Press titles. Look for our newly inauguratedPhoenix Fiction series — a paperback reprint series of first-classnovels. Another new series is called Phoenix Poets, which featuresboth the work of older,, more established poets and that of giftednewcomers. Our ever-growing list encompasses everything fromnuclear physics to folktales; and, if you tear yourself away fromcampus to explore the city, there’s always A GUIDE TOCHICAGO’S PUBLIC SCULPTURE and CHICAGO’S FAMOUSBUILDINGS to guide you.We also publish 46 journals and periodicals on topics ranging fromAdolescent Psychiatry to Physiological Zoology.At Chicago we’ve got the books you'll need — and want. Andthere’s more to come. So watch for our announcements of newreleases in the Maroon.TheUniversity ofChicagoPRESS W THE LISLE LETTERSLITERARYCRITICISMPHILOSOPHYC HuU^rklhIHYDE PARK HOUSES• • • •TTTTSOCIOLOGYPRIZE-WINNINGECONOMISTSTHE UNIVERSITY OF CHICAGO PRESSThe Chirago L't«ra*7 Review, Friday September 23. ".98:!UntitledYou are asleep nowhands across your cheston your back you are like a mummywrapped in mummy's bandagesof fine linenof many layersthe bandages of women who wrappedthe wounds they gave youthe wounds that tore your hopeinside the skin i cannot touchhidden by the bandagesthe skin that covers the heartyou will not let me touch.I face the ceiling toothe silhouettes of plantson the window sill acrossthe grey of street lamp litceilings I face pondering my planto find you I ponderyour profile as you sleepthere is no clueyour profile is an empty canvaswithout the faces you paint onI cannot find youin your painted faces inconscious hours looking at mebeyond me at the otherwomen's faces paintedacross mine looking at youyou cannot find melooking at you to see me.Sometimes in your sleepa breeze awakens yourforgetfulness your bandagesunwind & flutter in this breezefluttering softly in forgetfulnessyou hold me tightlyit will break the spellif I breathe the spell,is broken you awakeyou are startled by yournakedness you hate mefor your nakednesswithout the bandagesthat wrap you tightlyso that you cannot breathequickly before your breathis gone you whisper theother women's names quicklythe bandages wrap youbecome the mummy againyou are dead to me againagain I waitto hear you say my namebut you are dead to me.Nada Devetak UntitledI was a flower-gatherermy eyes with magic powers spottingmiles away the perfect oneI would hold gently as the windcarrying miles in return to youcarrying miles in a pale trembling handto my lovemiles in return to wherehe always waited, but not for mehe waited and I walked so farto find him always gonealways to find him gonebut I waited cradling gentlywaited patiently cradling gently my waitingmy flower was waiting for him to acceptalways returning from somewhere elsealways returning from another flowerbut he always would accept mine.I was a flower-gathererchoosing always the many-petaleda crystal jar would hold,a crystal jar of pale blue waterits crystal facets dividing my lightthe beams of light my lovetried to send into your dark heartyour dark heart that wanted no lightilluminating the secrets there.In this darkness I waited I watchedeach petal fall, he loves mehe loves me notbut in the darkness you alwaysdisappeared in the darkness I alwayslost my way I always lostthe answer the final petal gave—he loves me he loves me notyou always disappearedand the final petal gave itsanswer secretly, secretly I still waitin the darkness, I knowI never knew I will ever knowdo you know in your darknessthe final answer do you knowthe final answer is this darknessthat I love I love to hidethere are the flowers I loveto gather there. The many peialed.8 _ the Chicago Literary Review, Friday September 23, 1983MIDWAY TRAVEL SERVICELOBBY “AD” BUILDINGTEL. 753-2300RIGHT ON CAMPUS-NO CHARGE FOR OUR SERVICESFOR YOUR TRAVEL NEEDS LARGE OR SMALL—AIR, STEAMSHIP, TOURS—AIRLINE FARES CAN CHANGE AT ANY TIME...WATCH OUT!A TICKET BOUGHT TODAY KEEPS TODAY’S FARESAS LONG AS YOU DON’T CHANGE YOUR DEPARTUREHOURS: Monday - Friday 9 a.m. - 5 p.m.Saturday 10 a.m. -1 p.m.TH€ D&L 70CXTCNDCD WEARCONTACT LOtfBausch & tomb's newest soft lens$99a pairConventionalhard lens $ 49 jBausch & LombSoftens’ $ 59Toric Lens forastigmatism $ 99Polycon II gaspermeable lens $129Bausch & Lombbifocal lens $199Price listed is for one pai J The extended wear contact de¬veloped for maximum comfortand outstanding durability Easyto insert and remove, and easy tocare forCETFE]11)27 S Mic higan Ave568 325!I 3046 S OlKterr Avf597 00419124 S Comment374 8196 We provide the finest qualityeyewear, and excellent service,at reasonable pricesWe also guarantee satisfaction,because we know you’ll be hap¬py with our products But if thereis a problem for any reason, let usknow within 60 days We ll pro¬vide a replacement or refundEye examination availableby a registered Doctor of Optometry#3 E Wasrvngtor’372-66051056 W Wilson Avr271-57749515 S Western238 36601074 Mt Prospect piaisMl Prospect259 9456TH€ MUMDG8 OhC MAIU€ IN CYCWOIR WCC 19-T One Oay service onmany prescriptions Need aGuaranteed Student Loan?Graduate Loans: Up to $5,000Undergraduate Loans: Up to $2,500The First National Bank of ChicagoCall Us At732-4530/4539 or ContactMimi Race 732-0823FIRST CHICAGOThe First National Bank of ChicagoAUTUMN SPECIALSEPT. 19-Oct. 14,1983SMITH-CORONA ELECTRIC PORTABLESCLEAN & OIL-$2900FREE ESTIMATES ON REPAIRSThe University of Chicago BookstoreOffice Machine Dept.970 E. 58th St. - 2nd Floor753-2600 or 965-4364CAN YOU BUY GOOD TASTE?Yes! Now you can acquire good taste for acouple of bucks. Just wear shirts and visorsthat say "Dos Equis.” After all, thoseare foreign words. And anyone in collegeknows people who wear stuff with foreign words and alligators have good taste.So, order your kind of good taste in DosEquis sportswear today. And remember toeat your peanut butter and jelly sand¬wiches over the sink. o■o3fQ0cioo £ ^C\J° •o —1TP =1—I cX ■ TOo £ jzCD -o -od O TOcV o0) cH- t-O o CL|/>JC oCJ,•£ w-i-F, w3CTin ■8 c £QJ 00- C/5 </>°oXJr-H >c CM <l>tt)N -CCO ov<J■= cg a*C 0) r£0 3t-T C(D U---g c cCTO-O ^ Eo<-<cl 0)JZ**0)EJZ</>3OTOEt/>LE5jz rn41 «)>* *■«(/>TO 01"O1/1OCoioi$k-3o>4—$o< o a o o o01 01 01 J 01M NJ Nl M NCO CO CO CO CO■D P TJ0> 01 0)ce o: cr'oi 'oi ^i_ o ~S J2 x: .c x:o o o o oifunooio^ d rd cd* A < a t r\ / A i AvT V 7 v / v 7 v7g %|sai to 0 fuliSli, ^ TO 3 Oh 5 QQ (/) O: dos equis ;j_THE UNCOMMONTmPOPTj£ 1983 Cerv*cefia Mocttzuma. S AThe Chicago Literary Review. Friday September 23. 1983 — 9forth his view of Maclean: “Norman ishighly individualistic and this atti¬tude fits his spirit. I think he wouldthink of most Eastern universities asslightly effete, as not quite in touchwith life. Other universities are verystratified, especially in the Southcation. He was free to go fly fishingwith his father, to wander throughthe woods, to hunt, and to explorewith his brother Paul. It was Ma¬clean’s father who first introducedhim to the poet William Wordsworth.Maclean often took copies of his poet¬ry with him when he wandered aloneby Bill FalloonThe story of Norman Maclean’s lifeis one of continuing success against allobstacles, almost, even, to the pointof cheating the Gods. Perhaps asnearly as it is possible to do so, Nor¬man Maclean has lived two lives. Withthe publication, in 1973, of A RiverRuns Through it & Other Stories, Ma¬clean became a literary hero. The onlyunusual thing about the first-time au¬thor was his age: 70. It was only afterretiring from a long, distinguished ca¬reer at the University of Chicago, thatMaclean decided to write. Today,while praised by all for the beauty of r -,> i. •ers had been bombarded with morethan enough Western or neo-frontiertales, and, as Maclean puts it, theyhardly wanted ¥more stories “withtrees in them.” Publishers, then asnow.i also preferred novelists or in the woods. To this day, Macleanstill goes to the log cabin that he andhis father built in Montana during the20’s. And, he still claims that it is dif¬ficult for him to keep the mountains ofMontana and Wordsworth’s poetrydistinct in his mind. Maclean’s naturaleducation stopped only when a truantofficer caught him, at age 10, wander-tw<amha<ad(setturcoiA look at the lifelaiilSvofPffhis masterpiece, the novella “A RiverRuns Through it,” Maclean is virtuallydeified by a cult following who find inhis book a pure expression of simpletruths about man and nature, and theAmerican West.Maclean is the first to admit that hisliterary success has come at an oddtime. In his preface to his book hewrites: “When one doesn’t start out tobe an author until he has reached hisbiblical allotment of three score andten, he needs more than his ownpower.” He goes on to cite other diffi¬culties: “Another problem soon arisesafter one gets help enough to startwriting upon retirement. It arisesfrom the fact that one can get startedwriting only by not letting anyoneknow he has. He is so secret about itthat even his own children don’t knowhe has taken their advice. But beingcovert makes him suspicious of hisown actions, and so he soon stands inneed of some sort of public sanc¬tion.”Gaining such a “public” light, asmuch as his age and inexperience,were problematical for the new writ¬er. By the 1970’s commercial publish- short-story writers with establishedreputations and audiences. Macleanwas a huge gamble for publisherswith an eye only for the bottom line.Yet though success was not immedi¬ate, it came in time.Norman Maclean was raised in Mis¬soula, Montana, where he was satu¬rated from childhood with storiesabout a lost world. It was a world ofthe frontier filled with lumberjacks,forest fires, whores, fly fisherman,rangers, and rivers sprinkled withrocks “from the basement of time.”Until the age of 10 his father, a ScotchPresbyterian minister, tutored Ma¬clean in writing and reading. Macleanlater felt so indebted to his father formaking him a “noun-and-verb”-writ-er, and for making him appreciate the“beautiful” rhythms of the Americanidiom, that he has referred to his fa¬ther as the “coauthor” of his stories.His father's rigorous tutoring wassomething Maclean never forgot.Every morning, young Maclean wasgiven three learning sessions of onehour each. He was asked by his fathgrto read aloud whatever had been as¬signed for 45 minutes, and then wasasked to explain what he hadlearned. A few years ago he had thisto say about these sessions: “I can’ttell you how many lifetimes long a 15-minute period can be when you’re j,7, 8, 9, and 10, and you are in theroom with a red-headed Presbyterianminister who knows the answers.While other kids were trying to learntheir ABC’s, my father was trying toteach me how to write.”After noon each day, though. Ma¬clean received a different sort of edu- ing in the woods, and sent him off toschool. Schooling for Macfean leadeventually to Dartmouth College,which he graduated in 1928. It was atDartmouth that Maclean met anotherpoet destined to influence his ownwriting —-Robert Frost.“I don’t think Frost ever read apaper any of us wrote,” said Macleanin an interview with Esquire. “We'dmeet once a week around the fire¬place in the basement of the chairmanof the English department’s house.Frost would just walk back and forthin front of the fireplace and talk andtalk and talk. Dramatic monologues.There was a sense of character in ev¬erything he said and everything hewrote. I am directly indebted to him.As a writer of prose, my debts arenearly all to poets.”After graduation, Maclean taughtat Dartmouth for two years, yet wasnot happy with his experiences.There, he was asked to wear a coat ateach dining period and this was moreformality than his taut individualismcould bear. So he returned to work forthe forest service in Montana andlater came to the University of Chica¬go as a graduate assistant in the1930’s. At the U. of C. Maclean founda home where he taught for overforty years. “I had the privilege ofteaching here,” Maclean once re¬sponded, “at a university that is verymuch like me, or at least that couldtolerate me.”What did he mean by this? Two ofhis colleagues and close friends, Ed¬ward Rosenheim and Gwin Kolb, thinkthat this university tolerated Ma¬clean’s individualism more thanothers — for example, Dartmouth,could. Interviewed recently, Kolb put where I come from. Associate profes- hinsors talk only with associate profes- ‘Gcsors. That was not for Norman.” stilEdward Rosenheim agreed: “I think on<this university, especially in the late the20’s, looked towards Europe and the teaEast, but it also looked towards the ofWest. Montanians have (always) yoiflourished here since that time. Nor- thirman is an intensely democratic man, thebesides being a free spirit. All theeconomic and social distinctions at an maEastern university probably bothered hehim.” "" eveWhatever it was that first attracted thirMaclean to the University, he certain- hely showed that he was comfortable hachere. As a teacher he won three Quan- meA RiverRunsA River Runs Through It. By NormanMaclean. 124 pages. 15 photographsby Joel Snyder. University of ChicagoPress. $25.by Bitt FalloonThe first edition of this book, ARiver Runs Through It and OtherStories, was such a success that onewonders what a new edition could dofor an encore. The reader already ac¬quainted with the first edition, how¬ever, will be pleasantly surprised byits facelift, and so will the reader see¬ing Maclean’s art for the first time.The new gift edition, as you caninfer from its title, includes only thetitle story of the first edition. The“other” stories — “Logging andPimping and ‘Your Pal, Jim,’ '* and“USFS 1919: The Ranger, the Cook,and a Hole in the Sky” — have beenomitted. No one should pass them up,though, if one should happen upon theolder edition.In their place Maclean includes anessay, “On the Edge of Swirls.” In hisessay he attempts to explain all thathis title story implies; he shows usthat nature and trout teach us aboutourselves, that something invisible,God or whatever you want to call it,rests beneath all experience.This essay does follow a logicaltrain of thought, but it is not solely ar¬gumentative writing. In it, Macleanreaches for unique events in his past,as.he does in his stories, and tells ofthem in ways that shake us.His description of going to spearsalmon as they were spawning is onesuch example: ' *91“I started at the boihole, and waded m of the10 — The Chicago Literary Review. Friday September 23. 1983; ~ 'rrell Awards for Excellence in Under¬graduate Teaching, an award that isiraditionalty given to a professor>nly once. Later, he founded the Gen-sral Studies Program for Undergrad-jates in the Humanities.Was Maclean really such a fine:eacher? “He sure was,” says Rosen¬heim. “t had him for a course in 1937,:wo courses in fact. One was ‘Dramaand Poetry,’ then next as a senior, llad his famous course in criticism, iniddition to that, we had huge lecturesessions in those days. Norman leC-ured in a one-year humanities surveycourse and he lectured brilliantly.’’“The first time I ever set eyes onhim, he lectured on a poem of Donne,Go and Catch a Falling Star.’ And istill remember things he said. That is>ne interesting thing about Norman —here are a lot of so called ‘greateachers,’ known for their jokes, acts)f kindness, and eccentricities. But^ou don’t ever remember a damnhing that you ever learned fromhem.”“Norman, for ail the color and show-nanship, and the extraordinary wayle has of speaking and walking andeverything else, said memorablehings. By God, I still remember whatle said about poetics and things heead to say about certain plays. I re¬member clearly because, at that time, he was a very doctrinaire student ofR. S. Crane and his kind of criticism.”“I’ve been here for 50 years andthe greatest undergraduate teacherthat I had was Norman Maclean.”As a teacher, Maciean was just asdemanding of his students as hts fa¬ther had been of him. “I think the im¬portant gift that one speculates hegot from his father is his devotion andgreat rigor,’’ said Rosenheim. “Whenwe would go over a piece of studentwriting or an exam, he was terriblytough. He was never above the nutsand bolts — always going over sen¬tences and the choices of words thatstudents used.”When Maclean retired from his posi¬tion as the William Rainey HarperProfessor of English in 1973, his stu¬dents paid him the ultimate compli¬ment, setting up a scholarship fund inhis name. One of those student win¬ners was Supreme Court Justice JohnPaul Stevens. Stevens, at that time,was known to tell law school classesthat the best way to prepare for lawwas to take “Shakespeare” from Norman Maclean.So. as a professor, Maclean certain¬ly proved his literary insight andsharp wit, qualities that would latermake him an excellent writer. Hisbackground and wit, if not guarantee¬ing that his fiction would be good, cer¬tainly gave him the potential to writea story as well as he could tell oneorally to his children, colleagues, orstudentsHe did not start writing, though,only because he had the potential. Hiswife, Jesse, died of emphysema in1968 and, for many years, had livedwith the help of an oxygen tank. Herdeath, as years past, did not makeMaclean feel any younger. In additionto his wife’s death, the murder of hisbrother Paul in 1938 was anotherevent that he had difficulty assimilat¬ing into his life. When he started towrite, Maclean felt as if the worldwas closing in on him, and he wassearching for a way to find life again,a way to discover his identity.“I didn’t start writing until I was70,” he said in an article for the Dart¬mouth Alumni Magazine. “For me itwas impossible to be an academic anddo non-academic writing. The T whotells my stories has seen a hell of a lot of fife go by. He venerates youth, buthe looks back without sentimentality,although with great regret. When Iwas young, I found the world very tol¬erant of my eccentricity. Then theworld closes in on you. There only areso many slots open for each genera¬tion. Then the slots fill up and theworld doesn’t give a damn. Who thehell are you? Someone else comesalong.”“When I was 65 I went into my bed¬room and said to myself, ‘You’re 65.’Don’t take any crap from anyone. Thisbusiness about identity being a crisisonly for the young is a bunch of non¬sense. If you’re worth your salt, it’s aproblem ail your life. I’m more con¬cerned now about who I am than Iever was.”It was approximately three yearsbefore his book was finally published,in 1976, that Maclean began work onhis stories.But writing didn’t come as easily asteaching had for him.Continued on page 12Through hthem, and nothing moved until Icame so close to one that it hadto move slightly to let me pass.It was more that they felt wavescoming from me than that theysaw me. The slight disturbancecaused by the slight shifting offish to let me pass started aslowly spreading ripple that oneby one made a hundred or morespawning salmon into one rip¬pling octopus, again withoutlegs or an eye. I was fifteenyears old and had never seensuch lethargy before •— the leth¬argy that comes in performingthe ultimate destiny of one'sspecies, swollen with sex andpain and blue-black bruises,nearing birth and death andbeyond being aware of either.”“. . . Finally I found severalsalmon that did not look toodamaged to be speared, but Idid not try, and so came back tothe Ranger Station without any,or any explanation, and the menat the Station did not ask. Some¬times they felt I was too youngto be in the woods and to under¬stand even an explanation ofsome of the things that happen,but later I came to feel that they themselves may not have had anexplanation of certain thingsthat go on regularly there.”The second surprise in the new addi¬tion is fifteen photographs by Ma¬clean's son-in-law, Joel Snyder, who isChairman of the General Studies De¬partment for Undergraduates in theHumanities at the University. Thephotographs range from close-ups topanoramic shots of Maclean’s favor¬ite river, the Blackfoot.Snyder was chosen specifically forhis skiff by Allen Fitchen, then an edi¬tor at the U of C Press, but also be¬cause of his closeness to Maclean. LikeMaclean’s words, his photographs in¬tensify the moods of the Blackfoot.Some even go so far as transcendingthe river, becoming strange composi¬tions of colors and shapes, composi¬tions of a spirit beneath the water.But the best part of this book is stillMaclean’s story, “A River RunsThrough It.” In the story, Maciean isalways trying to help his brotherPaul, who is an artist when fly fishing,but also a gambler and drinker.Though Paul has the darkest of vices,he also possesses the qualities thatunite his family in love. He is the onlyone who can get his father, old andembarrassed that age prevents himfrom being what he was before, to gofishing. And he is the one who puts asmile on his mother’s face when hehugs her and laughs.Paul has such skill with his rod thathe is not a fisherman but in a realsense an artist. The beauty and sin¬cerity of Maclean’s writing never allows us to question this fact:From there he waded into thewater and began to cast again,but now he was far enough awayso we couldn’t see his line orloops. He was a man with a wandin a river, and whatever hap¬pened we had to guess fromwhat the man and the wand andthe river did.As he waded out, his big rightarm swung back and forth. Eachcircle of his arm inflated hischest. Each circle was faster andhigher and longer until his armbecame defiant and his chestbreasted the sky. On shore wewere sure, although we couldsee no line, that the air abovehim was singing with loops ofline that never touched thewater but got bigger each timethey passed and sang.. . . Paul’s body pivoted as ifhe were going to drive a golfball three hundred yards, andhis arm went high into the greatarc and the tip of his wand bentlike a spring, and then every¬thing sprang and sang.Suddenly, there was an end ofaction. The man was immobile.There was no bend, no power inthe wand. It pointed at teno’clock and ten o’clock pointed atthe rock. For a moment the manlooked like a teacher with apointer illustrating somethingabout a rock to a rock. Onlywater moved. Somewhereabove the top of the rock housea fly was swept in water so pow¬erful only a big fish could be there to see it.Then the universe stepped onits third rail. The wand jumpedconvulsively as it made contactwith the magic current of theworld. The wand tried to jumpout of the man’s right hand. Hisleft hand seemed to be frantical¬ly waving goodbye to a fish, butactually was trying to throwenough line into the rod to re¬duce the voltage and ease theshock of what had struck.Paul’s artistry, here, goes beyondthe craft of fishing. He is no longermechanical but instinctive Macleanand his father are there to marvel athis beauty and love him without totalunderstanding. By the end of thestory, Paul has reached his father'shighest expectations: he has attainedtrout and grace, words synonymous inMaclean’s vocabulary, by being disci¬plined enough to perfect an art. Thedepth of love is so strong by the timeof Paul’s murder that one can hardlycall this a children’s story, as Macleandoes in the preface to the first edi¬tion. It is a story about a certain timeand place, and certain very specialpeople. Yet it is also a uniquely uni¬versal account of simple truths, sim¬ply told.But don’t let me ruin the story bysaying more. Although one can imag¬ine telling this story to children, asMaclean did to his, the words beneaththe water are ones to fish for andkeep a lifetime.%The Chicago Literary Review, Friday September 23. 1983 — 11JoelSnyder■C tContinued from page 11“I find writing so goddamnedhard,” Maclean once admitted.‘‘When I began, I used to go aroundwith a notebook saving what Ithought were precious, jeweled sen¬tences. I found out that wasn’t wortha crap. By the time you bring yourstory around to using those sentences,the fox has gone the other way. I ex¬pect to be constantly right emotional¬ly, but I don’t expect the words to beright the first time. My work is con¬stantly revised. It’s easy to fall inlove with your own corruption.”The shortest of the stories in his col¬lection, ‘‘Logging and Pimping and‘Your Pal, Jim,' ” was his first at¬tempt to write. As he says in his pref¬ace, he used this curious title to insome way gather a large enough au¬dience for his first reading in front ofthe Stochastics, a group of thinkers towhich he belongs. The story was hilar¬ious and earned him another chance toread a story to them. His secondstory, ‘‘USFS 1919: The Ranger, theCook, and a Hole in the Sky,” wasequally well-received.By this time, Maclean had enoughconfidence in his ability to please anaudience, and he began to write hisfinal story, ‘‘A River Runs ThroughIt.” His colleagues and friends wereso impressed by his stories that, uponMaclean’s failure to get the book pub¬lished on his own, they recommendedthat he seek the advice of Allen Fit-chen, then an editor at the Universityof Chicago Press.Maclean went to him with the ideathat Fitchen could suggest publishersthat would be interested in thestories. Fitchen agreed to read themanuscript and offer his advice.This was the only break that thewriter moving past his biblical allot¬ment of years needed. Fitchen notonly offered Maclean advice on pub¬lishers who would like his manuscript,but also fell in love with the storieshimself. ‘‘ ‘A River Runs Through It,’ ”said Fitchen in a recent interview, “isthe type of story that we will be read¬ing 50 years from now. I read it forthe first time and felt it would be aclassic. At that point, I became Nor¬man’s self-appointed agent.”Fitchen and Maclean then took thebook to New York publishers, such asAlfred A. Knopf. According to Fitchen,‘‘Knopf almost took it, but rejected itat the last moment.”Yet Fitchen wasn’t about to give upon the book. He decided that he wouldtry to persuade the selection commit¬tee at the U of C Press to publish it,even though the Press had a ban onpublishing original fiction. It didn’ttake long for Maclean’s stories tohook the rest of the decision-makersat the Press, or for them to make anexception to the fiction ban.The only question then was howwell the book would do.In February of 1976, the Press pro¬duced 25 sets of bound galleys tosend primarily to buyers for largebook wholesalers. The Press, at thattime, was still afraid the book mightnot sell and bound only 3,000 of thefirst 5,000 copies. Two months later itwas forced to bind the other 2,000copies as fast as possible because ofthe book’s sales. It seemed the Sto¬chastics were not the only ones to laugh and be touched by the stories.The popularity of the book didn’tstop there. The book was building upan audience, and all the reviewersbegan to take a look at it themselves.Not one was annoyed that the stories‘‘had trees in them.”Newsweek called Maclean an ‘‘elo¬quent, stylish writer,” a writer of the‘‘liveliest bedtime tales it was ever achild’s good fortune to hear.” RogerSale, of the New York Review ofBooks, called Maclean’s title story“an enchanted tale,” a story that‘‘seems fuller” each time it is read.And the Pulitzer Prize Committeethought the book spectacular enoughto nominate it for a prize.Although the 15 members of the se¬lection committee decided not to se¬lect an award winner in what theytermed a “lean” year of fiction, therewere plenty who thought the decisiona bad one, including those who nomin¬ated the book. Hermann Kogan,former editor of the Chicago SunTimes entertainment and book sec¬tion, was chairman of the fiction judg¬ing committee. He and Maurice Dol-bier, book editor for the ProvidenceJournal-Bulletin, nominated the bookwithout the approval of the thirdjudge, short story writer Jean Staf¬ford. A recent stroke prevented herfrom judging, a fact which Koganthought may have affected theboard's final decision. A unanimousnomination of three, he felt, mayhave changed the board's way ofthinking.But whether Maclean was robbed ofthe prize is a matter of opinion. Ro¬senheim, however, did not think thesuccess of the book caught Macleantotally by surprise: ‘‘One thing aboutNorman — his tastes are so good. Ithink he knew he had written a hell ofa book. So, by then, where the sur¬prise lay was that people agreed withhim. I think by the time the Pulitzerthing came around he wasn’t sur¬prised by the book’s success. But I dothink it shameful that he didn’t getthe prize.”The Pulitzer Prize nominationwasn’t the only feather in Maclean'scap at that time. Paramount Picturespurchased movie rights to the titlestory, ‘‘A River Runs Through It,” andJack Nicholson was being consideredfor the role of Norman Maclean.Maclean made it pretty clear whythe movie wasn’t made in an article inEsquire in 1977. ‘‘One studio,” hesays, ‘‘sent out some soft-talker firstto tell me about art and the integrityof what I had written. Then they sentme a yellow-dog contract saying theycould do what they wanted with mystories, that they could publish a bookabout the movie — about my stories,my brother, the people I loved andlove — and choose anybody theywanted to write it. I told them, ‘Whenwe had bastards like you out West,we shot them for coyote bait.”Things such as movie rights andprizes, however, are no longer a partof the book. It is only a book to readnow, a book that has sold over 20,000hardbound copies and 55,000 paper¬back copies, a book that many pick upover and over again.And what is Maclean up to now? Heis working on a new book of fictionabout a Montana forest fire at MannGulch, where 13 of 16 forest fighterswere killed in 1949.‘‘He told me before he left for Mon¬tana this year,” says Gwin Kolb,‘‘that he expected to finish it here inChicago before leaving. Whether hedid or not, I don’t know. All I’ve seenof the second book is the part that hetalked about at a Stochastic meeting.He has spent a lot of time on thatbook, doing such things as going backto the actual site of the fire and talk¬ing to a number of people involvedwith it.”Where and when this new book willbe published, if ever, are questionsstill up in the air. But one thing is forsure — Maclean need not ask NewYork publishers about what type ofstories he should write. As before, heneed only trust his children’s advice,and be sure to add the trees.Special thanks to Edward Rosenheim,Gwin Kolb, JoAnn Baum, BrendaNelms, and Allen Fitchen. 45 & still in school.The University of Chicago Press publishes 45 periodicals—morethan any other American university press—that presentdistinguished scholarship in a wide range of academic disciplines.HUMANITIES ONE-YEAR RATES FOR STUDENTSClassical Philology $20.00Critical Inquiry 20.00Ethics 18.00History of Religions 18.00International Journal of American Linguistics 22.00Journal of Near Eastern Studies 20.00The Journal of Religion 16.00The Library Quarterly 16.00Modem Philology 15.00Winterthur Portfolio: A Journal of American Material Culture 20.00EDUCATIONAmerican Journal of Education 16.00Bulletin of the.Center for Children’s Books 15.00Comparative Education Review 17.00The Elementary School Journal 17.00SOCIAL SCIENCESAdolescent Psychiatry, Volume X (hardcover annual) 30.00American Journal of Sociology , 25.00Crime and Justice 4 (hardcover annual) 25.00Current Anthropology (new student subscriber only) 13.00Econometrica 18.00Economic Development and Cultural Change 25.00The Journal of Business 16.00Journal of Labor Economics (new in January 1983) 24 00The Journal of Law & Economics 12.00The Journal of Legal Studies 12.00The Journal of Modem History 20.00Journal of Political Economy 18.00Ocean Yearbook 3 (hardcover annual) 49.00Publications of the Societyfor Research in Child Development:Child Development 75.00Child Development Abstracts and Bibliography 30.00Monographs of the SRCD 35.00Signs: Journal of Women in Culture and Society 20.00Social Service Review 18.00The Supreme Court Review 1982 (hardcover annual) 30.00Technology and Culture 18.00BIOLOGICAL & MEDICAL SCIENCESThe American Journal of Human GeneticsThe American Naturalist 35.00Botanical Gazette 25.00The Journal of Infectious Diseases 30.00Molecular Biology and Evolution (new in December 1983) 20.00Perspectives in Biology and Medicine 15.00Physiological Zoology 25.00Reviews of Infectious Diseases 30.00PHYSICAL SCIENCESThe Astrophysical Journal 305.00The Astrophysical Journal Supplement Series 100.00The Journal of Geology 9.00* Write to the American Society of Human Genetics for information onstudent rates.PERIODICALS FROMTHE UNIVERSITY OF CHICAGO PRESSPlease enter my new one-year subscription(s) to: priceTo certify student status attach copy of university ID.Name •AddressCity State ZipMasterCard and Visa accepted. Mail with your charge card information,check, or money order to The University of Chicago Press, P.O. Box37005, Chicago, IL 60637.9/83MAROON9629555i 12 — Ihe Cmcago Literary Heview, Friday September 23. 1983jp£§.' jaVv’ *, ■*'•'.«• ■ ..T •• ’it'!'r,'''i*5‘ •*'b• ’ ’’•> *?.• • •• • • ■,. , • ■-v; i? V.^jAraU't . -v> -I*.•••'. Vv - ..• THE MOON v:\y::^pM:A BIG I AT O RANGE-THAT I’M GONNA SNATCOUT OF THE SKY...AND SL ICE IT IN HALFwith my lovesong.AND SQUEEZE ITy i■■■ ■■ ■ M* t&tgs■j/f •/': i>)2— Don Ryanft—".FORMEDICAL SCHOOLFull scholarships are available to medicaland osteopathy student.* Tuition* Academic Fees* Textbooks* Supplies plus* $579 per monthTo qualify you must have taken the MCAT, bea U.S. Citizen of good moral character, andpass a physical examination. This is a com¬petitive program with limited openings. Ap¬plication should be started prior to medicalschool acceptance.APPLICATIONS ARE BEING ACCEPTED NOWContact: TSgt. Christopher A. 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Blair Nebraska bWON Lmit one request per envelope Requests must be received by September JO. 1983Sweepstakes ends October 31.1983The Chicago Literary Review, Friday September 23. 1983 — 13 *It Has Happened To All Of Us—The Long WaitTo See A Doctor, The Confusion Over Paperwork,The High Cost Of An Office Visit...IllllPromptCareEmergency CenterNow there is another way...A better way.To meet your health care needs, we proudly offer ournew PromptCare Emergency Center. This is a new ser¬vice of Hyde Park Community Hospital, and it isdesigned solely to give you and your family specializedemergency medical attention quickly and at a reason¬able cost.Everyday, 24 hours a day, skilled physicians and sup¬port staff are on duty in our PromptCare EmergencyCenter. We are equipped to handle anything from aminor injury, to a major emergency..KH And there’s more... 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There isno lesson of geometryon this highwaywith its winking mile markersand distant cats-eye headlightsflashing straight, straightaheeef. We are lateand speak only of f;food, gas, toilet.I turn off rehearsingdirections John scratchedon a homemade postcard.The glossy sheen of a bird’s nestbuilt under his car’s hoodcovered the front.Three blue eggs, alivein the stolen heatof the black engine. mm-4-last HomeViolence only occurs in the first blow,the rest is repetition, like song.We did not turn the radio on, we did notwant to hear who had been killed by the fire.Highways give us snapshots, there are noupdates, no epilogues, no morals.There was no glass left. Half the windowwas green grass, half was sky.We waved, they waved back. Mother's handfluttered, Dad’s motionless as stone.fi'I imagine us in fields of corn,little figures with flashlightssearching the darkening farmsfor two blue silos. — David SuKvanThe Chicago Literary Review, Friday September 23. 1983 — 15To Ease The PainOf Summer’s PassingWe Have An Analgesic AtCOPYWORKSSPECIAL SEPT. 19th TO OCT. 15, 1983+Va(8Va" x 11", 20 LB. WHITE BOND)OUR FULL SERVICE COPY SERVICE USES FAST, LARGEFRAME XEROX COPIERS. QUALITY IS EQUIVALENT TO OFF¬SET PRINTING. 1 OR 2 SIDED. WE OFFER A WIDE SELECTIONOF PAPERS. BINDERY SERVICES, INCLUDING AUTOMATICCOLLATING, PLASTIC BINDING, CUTTING. COMMERCIAL,FULL OFFSET PRINTING AVAILABLE.HIGH SPEED CASSETTETAPE COPYING2 Sided — 30, 60, 90 and 120 Minute Tapes Copiedin under 4 Minutes. See our Special Ad for Details.COPYWORKS. Ltd.IN HARPER COURT • 5210 S. 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Inc Jmb INVESTMENT BANKERSMem&e' NASD • SiPCVALUABLE INFORMATIONFOR SERIOUS INVESTORSMail this along with your name, address and telephone number—orfor more information contactMARCELL ROBINSON,ACCOUNT EXECUTIVE(404) 329-9330; (800) 241-30682801 Buford Hwy., Suite 520, Atlanta GA 30329"This announcement constitutes neither an offer to sell securities nor a solicitation of offers to buy securities. The informa¬tion being made available hereby may be obtained in any state in which we may lawfully disribute such information.The David and Alfred Smart Gallerywelcomes you to the University and invitesyou to JOIN US for an-exciting year ofartistic programming beginning with:New Image/Pattern and Decoration from theMorton G. Neumann Family CollectionControversial and avant-garde, this unique exhibition consists of over30 paintings by contemporary American, German, and Italian artists.The David and Alfred Smart Gallery5550 S. Greenwood Ave.Chicago, IL 60637 753-2121Hours:Tues.-Sat. - 10 to 4Sun. 12 to 4Not only is culture at the University a few steps away...It s FREE!16 — The Chicago Litetaiy Review, Friday SeptemDer 2d. lyttdBhanumati's Right Thumbby Shouri DanielsBanu sucked her thumb till she waseleven. The thumb got waterloggedand had ridges on it, the whorls of thethumbprint had vertical lines. Thefront teeth protruded ever so, andwhen she smiled the short upper lipcurled back. Apart from this imperfec¬tion, if imperfection it is, Banu waseverything anyone in India couldhave wanted in a girl. In those days,no one, not even the princely familyon the mother’s side had heard ofbraces, and even if they had—theymight not have done anything aboutit since both parents were happy theyhad a daughter who looked like ahalva box illustration.Mrs. Rau was no mean looker her¬self; she had the general air of a Ma-harani. She said to the relative whowas with her on an indefinite visit.“Banu won’t need any dowry. Eversince she was born—there have beenproposals—we’re in no hurry. Ourfour older children are settled, mar¬ried, properous. We like to keep ourBanu a while longer.”“There is a right time and a wrongtime, mark my words,” said the visi¬tor. The woman was a distant relativeof Mr. Rau, come all the way by trainto Bombay from her home in AndhraPradhesh to look over Banu, as a pos¬sible daughter-in-law. But even on thefirst day of her visit, Aunt Sarasu, asthey called her, had the look of aburfi-eating money lender.“We are in no hurry, not unlessthere are real advantages,” said Mr.Rau, his voice heavy with the knowl¬edge of advantages; his years asManager of the Overseas Bank hadgiven him a good sense of debit andcredit. In a country where everyoneworshipped a fair skin, Banu was in astrong position.The year Banu was born, Mr. Raureceived a considerable providentfund when he retired at 55. Banu’s ar-Shouri Daniels has published twobooks and won numerous Illinois ArtsCouncil Awards. This story is from herforthcoming book, A City of Children. rival was not something planned.Their eldest daughter had two chil¬dren of her own; and she got herselfsterilized before she was 25. Therewas talk of terminating Mrs. Rau’spregnancy, but the family astrologervetoed, and of course when they sawthe apsara-face of the infant, theydistributed money and sweets to alland sundry as if a son was born.Aunt Sarasu was no different fromwomen of her age and position as azamindar’s wife; she was for everscrutinizing every eligible girl as apotential daughter-in-law, for shehad a brood of sons. One School ofthought has it that sons are bornwhen the father is under emotionaland physical stress. One look at AuntSarasu, and one could see how thistheory made sense. But, she lookedupon her eight sons as evidence thatshe was being rewarded for the goodshe had done in her previous lives.There Wfts so much credit up there ordown here wherever such reckoningsare made, that she could afford to bea little more casual in her interpreta¬tions of what constituted goodness.She was a small woman, with more en¬ergy than she needed as a zamindar swife. She was the managing sort. Nosooner had she stepped into thehouse, she was organizing the kitch¬en, hounding the sweeper, scoldingthe washerman, changing the menu. Itis a wonder the servants did not givenotice. No one objected till she startedrearranging Banu’s room. Banu wasraised to have her own way in suchmatters as she was the child ofparents who had become lax in thefinal quarter of their lives. She toldAunt Sarasu at breakfast,“No one is allowed in my room, notthe servants, not even family!”“Well! What do you have to hide'*”“Hide? Is she mad?”, Banu ap¬pealed to her father.“Be polite to your elders, Banu,”said Mr. Rau. He liked his cornflakes crisp, the milk cold. The cook boiledthe milk; then put it in the fridge tocool, and toasted the flakes that wereusually soggy. Everything had to bejust right.“I’ll try to be—polite," said Banu,her face pink with the attempt to becivil.Banu took to locking her room.Aunt Sarasu watched each movewith predatory eyes. Every time Banuanswered the phone, the woman saton the rexine sofa in the hallway lis¬tening.Banu who was out of school for ayear, enrolled in a small art school.On her first day, as luck should haveit, in the crowded studio where Banuwas trying to draw her own hand, asallow youth with a heavy beardstanding at one end called across toanother fellow to lend him his sets-quare. Banu was engrossed and didnot see the object coming, as the boywith the setsquare sent it like a fris-bee, and it landed on Banu’s nose.Banu told her family later, “Mynose was hanging, I could feel it on myupper lip. I felt the impact, but almostimmediately I picked my danglingnose and stuck it back. There wassome blood, but I held on firmly.Someone had a car, and I was in theemergency room of the Bombay Hos¬pital within ten minutes. Thanks to anArab who was there for a face-lift, aplastic surgeon who was trained inBrazil was available—it seems thereare as many plastic surgeons in Brazilas there are psychiatrists in the U.S.’When the father heard the news, hefainted. The Aunt swallowed with ini¬tial concern, and then with a kind ofsatisfaction. But she joined themother in going to the temple at Ma-halakshmi to thank the goddess ofgood fortune. Ten days later when thebandages were removed, there wasonly a hairline scar and slight inflam¬mation which soon cleared up. TodayBanu s nose is as perfect as could be. But worse was to follow.Her friends decided to give her atreat at the Sea Lounge.’ The girlshad. as they called it, “chipped in" tobuy Banu an ounce of Chanel No. 5, ahot item from the bidiman who soldsmuggled goods. Banu was at the agewhen she loved wearing saris, havingworn school uniforms and dresses allher life. She had her own collection.Her taste was different from whatpassed for elegance in Aunt Sarasu’sprovince. She came out of her room,dressed in a peasant sari and peasantjewelry that day-laborers wore. Withit, she had stepped into a hand-madepair of Chinese sandals that cost fourtimes what her entire outfit cost her.She emerged. Mrs. Rau was full ofpraise. Aunt Sarasu looked as if shewanted to literally spit on the floor, inno other way could she express heropinion. She said,“You should see the girls in ourtown, when they step out after abath, they look like goddesses. Noth¬ing less than gold and diamonds onthem. They have real zari on theirsaris. They put jasmin on their hair.”“Save me!” cried Banu.“Banu is a Bombay girl and she hasBombay taste.” said Mrs. Rau.“Bombay taste seems to be likethat of my washerwoman’s.”“Your washerwoman's entire paywon’t pay for this pair of sandals.”said Banu lifting the hem of her sari toshow the hand-made Chinese pair.“That! We can get it in our town forfifteen rupees.”“Well! It cost me one hundred andsixty-five rupees.”“City people don't know where toput their money. Don’t you have anygold, like your sisters had9”“Gold!” laughed Banu. who be¬longed to another generation. “Herein Bombay, only money-lenders’ fatwives wear gold. It is vulgar to dis¬play wealth.”Continued on paqe 18The Chicago Literary Review. Friday September 23. 1983 — 17BhanumatiContinued from page 17Aunt Sarasu looked as if she hadmistaken a glass of vinegar for aglass of lemonade on a hot dry day.She choked her irritation down, andbecame the visiting aunt. She said. .“I hope you will be back before thelights are on.”‘‘Do I have to, Amma?” appealedBanu to Mrs. Rau.‘‘Little one, since you are withMeena and Jaya, who are both fromAndhra, and Sona, why Sona is such afine girl, it is all right, we won’t beworried.”“Worried? Amma, I’ve neverknown you to be worried on my ac¬count,” Banu said, giving her mothera hug.The chowkidar came to say thatSona Missahib’s driver was at thegate.Mrs. Rau said, “Banu, take somemoney from the glass jar on the book¬shelf. You might need it.”‘‘Oh, no, I don’t need any. This is atreat for me at the Sea Lounge, andSona will drop me back.”At the Sea Lounge, the girls or¬dered their perennial favorite: ohaatand tea. They liked the ohaat so muchthat each girl ordered seconds. Thebill came to thirtyfive, and Banu saidto the girls,‘‘I have one of those visting Aunts. ,’ She would say, at Chowpatty thesame treat would have cost you onlyten rupees! In her village, it wouldcost only two rupees! She is a pest.”‘‘I have an Aunt who visits everysix months. She bathes in milk, andwhen she comes near, you have tohold your nose,” said Sona.“What do you mean, bathes inmilk?” said Meena.“She takes a cup of milk and mas¬sages herself with it, and puts thecream from the milk all over herself.She does not use soap. She stinks.”The girls laughed.‘‘I have an uncle who is hard to getrid of. He has been with us for don¬keys years. He passes wind andbelches all day. He thinks its quitenormal,” said Jaya.“Do you think if my aunt came andsat here at the Sea Lounge, she wouldfind it beautiful? I doubt it verymuch,” said Banu, and the girlslooked out of the window.The lights came on one by one. “Thisis the best hour at the Sea Lounge,when the ocean liners can be seen alllit up, and the light house is signall¬ing, and there is a sheen of lights.”said Sona.“I like the Sea Lounge on stormy af¬ternoons, when the sea is tossingwildly, and it feels like we are out atsea. rocking,” said Jaya.‘‘The Sea Lounge is beautiful at allhours, except when it is crowded; Ilike it best when there is no one hereexcept some old Parsi lady Sitingquietly drinking her tea. looking ru¬minative,” said Banu.The girls had much to talk; they hadknown one another from infancy, buthad become good friends in highschool at Queen Mary’s. They allspoke with clipped British accents,and could have passed for sisters,even though Jaya and Meena hadglossy chocolate complexions, andSona was the colour of dough. All thegirls had straight black hair, anddark brown eyes, and there was acertain uniformity about their ges¬tures and posture.As they came down the wide frontstairway of the Taj, who should bewaiting for them but the boy whothrew the setsquare. At the foot ofthe stairs, he approched them.“Miss Rau, could I have a word withyou?”Banu was taken aback, and staredat him as if he had spoken swahili.‘‘You what?” said Sona.‘‘I’ve been having nightmares. Ihave not slept for two weeks. I wantto talk to Miss Rau.”They looked at him. He did lookpoorly. Not that they knew him. butthey took his word for it. He was suf¬fering.Wait a minute. We have to do something at the store here,” saidBanu who led the other three into thegift shop. There they had a hurriedconference. It was agreed that Banucould sit in a public place and talk tothe boy, but after that, she should getinto a taxi and go home.Having decided, the other threewent off in Sona’s father’s car.Banu was left with the reckless boywho had almost wrecked her looks.They looked at one another. The boylooked abject; he said,“Will you have a cup of coffee withme? I want to talk to you for a fewminutes.” He did not look a bad sort,in a rough-sort-of-tame-way.“I've had more tea and haat than Ican take. So why don’t we go acrossto the seawall and sit there, andtalk.”Without a word they crossed over.Unused to wearing high heeledshoes, Banu’s feet were beginning tosmart. So she took them off and putthem on the wall, and sat down nextto it. There were evening strollersalong the sea front, and around theGateway. Little boats and bouys an¬chored near the shore bobbed in thereflected light. The waves lappedagainst the sea wall and on the stepsfrom the Gateway. Banu had neversat out with a boy, and it felt dif¬ferent. For one thing, everyone whopassed by stared at her as if she werea film star. The flower sellers flocked,the tender coconut man offered her acoconut, and a crowd of people stoodjust watching."We can’t talk here,” said the boy.‘‘Let’s walk a bit,” said Banu, andturning around looked for her shoes.They were gone! Strange! She couldhave sworn it was there the minutebefore. Had someone really taken herfor a star and stolen the shoes as amomento! She thought rapidly, anddecided not to involve the strangershe was with in this mishap. Shesaid.“Maybe, I should take a taxi,” andopening her purse, she realized thatshe had not brought any money withher. She did not think she needed any.The only things in her purse were herlipstick and eye pencil—she hardlyever used either, and then there wasthe Chanel No. 5 and a handkerchief.She leaned back against the wall,and ignorning the crowd, startedtalking to the boy beside her. He hada rough looking face, but his eyeslooked weak, as if he was about tocry. His hands were clean looking, thenails nicely clipped. His shoes—he hadloafers on. He was of her social class,and he could not help the acne-scarson his cheeks.The boy said, ‘‘I wanted to say howsorry I am. I shudder and break into asweat when I think of what I mighthave done. What if—”“Well, it didn’t,” said Banu brus¬quely.‘‘Oh but I cannot rest. I have left theArt School and I am going back hometo Delhi. I just can’t get over it. Whatif the setsquare had blinded you or hityour jugular vein!”‘‘Don't be sentimental,” said Banu.The boy gaped at her. He was about her age, a year older perhaps, but heseemed a mere lad.She decided to tell him.“I’ve lost my shoe, and I don’t havea penny on me.”‘‘I can drop you home; I have somemoney on me,” and he looked happierthan he seemed capable of.In no time the taxi dropped herhome. All the lights were on at thehouse; her parents were waiting inthe sitting room, and the Aunt was atthe gate.“What was that in the taxi?” sheasked, her voice both proprietory andsour.“A boy, I don’t even know hisname,” laughed Banu.“What do you mean, you don't knowhis name and you come home withhim? Your parents ought to know.”“I will tell them myself.”“They are too simple.”“What’s the matter with you?”Banu asked raising her voice. Mildtalk had no effect on this woman.“I am leaving, I won’t stay here an¬other day” Aunt Savasu said.“Good. I’ll see you off at the Victo¬ria Terminal” Banu replied.“There are enough people to see meoff. Wait a minute,” she said, scream¬ing, “You went out with your fancyChinese shoes, and now you are bare¬footed, and the seat of your sari iswet!”Doors and windows opened, Mr.Rau came out into the garden andsaid, “What’s all this noise?”“Appa, I sat on the sea wall, myfeet were hurting and I put my san¬dals on the sea wall, a wave or some¬thing must have splashed; my sari iswet, and I must have knocked theshoes into the sea. There was a boy atthe Gateway, he brought me home ina taxi, and—”“I thought you went out with Sona,and Jaya, and Meena.”“I did, but let me go into the houseand I will tell you and Amma about it.What is this, an inquisition?” she said,laughing.They went in. Inside, she huggedher mother and said, “It’s all quitesimple; the boy who threw the sets¬quare accidentally on my nose, heseems to be a decent sort, has beenhaving nightmares over it, breakinginto a sweat, he wanted to say sorry,and also to tell me that he too hadpaid a price, he has left Art Schooland he is going back home to Delhi. Idid not even ask him his name!”The last sentence completely satis¬fied the Raus. But Aunt Sarasu putthings a little differently when shegot back home to Andhra Pradesh.She told her husband: “That girl is afallen woman. She has a lover, theyhad a quarrel, the lover slashed hernose, and then she made up. She letshim pay her taxi fare, and came homein the middle of the night, shoeless (itseems the shoes cost her one hundredand sixty-five rupees—let them tellthat to someone else, she was dressedlike a cheap thing) and what is worse,so bad, the seat of her sari was wet.”She repeated this to the whole clan ofRaus, and then she started with Mrs.Rau’s family. In no time the situationchanged for Banu.Every time there was a proposal, itdid not go through. At the crucial mo¬ment some excuse about horoscopesnot matching or the stars being in thewrong house, but there was no mar¬riage. For a while, Mr. Rau even of¬fered a dowry, same as he did for hisolder daughters. No one wanted tomarry Banu. As time passed, theparents grew to like it. Their olderchildren's vists were becoming lessfrequent, and in their declining yearsit was good to have young lifearound. At mealtimes, Banu’s friendswould join them, and there would bemusic, and painting exhibitions. Theywere happy to let well alone. Banuwas thirty-five years old when itdawned on the parents that theirdays were numbered. Mr. Rau wasnear-blind and stooped, and althoughhe could walk about with a cane, hewas beginning to get anxious abouthis daughter's future. What wouldhappen to her when he and his wifedied? Not having an answer, theysent for the local astrologers. Fromone of them, he found out that therewas an uncanny palmist in Mahim, whose skill at prophecy was legen¬dary. The man would not make housecalls; his cients had to go to hisplace.Against her will, Banu agreed to goalong, just to soothe her anxious fa¬ther.The man’s name was Kuppa Swami.He looked like a Kuppa Swami shouldlook. He had a bare torso. He wore adhoti, South-lndian style. He lived in ahouse on the beach, and at high tide,the water came into his house, so hespent his time on the top floor, whichlooked as if built on stilts; what hadhappened was that the walls of thelower floors had been washed awayby the action of the sea at hightide,and the stilts were the corner posts ofthe two story house; the floor he livedin, was really a long dark attic withcobwebs and bats and what else. Helooked like a shipwrecked man whowas a good survivor, and his house, orwhat was left of it had barnacles on itlike a marooned boat.His hands were soft as he tookBanu’s, first the left and then theright, and then not satisfied with thelight, he took her to the window look¬ing out to sea and the Bandra hill,with the steeple of Mount Mary’s ontop.Meanwhile Mr. Rau who had comeup, painfully, one step at a time, wassitting in a corner on a wooden trunk,and his wife sat on a pile of papersneatly stacked. Banu was asked to siton the floor, next to the mattress onthe floor on which Kuppa Swami sat.At the other end of the room, on thefloor was a primus stove and a fewcopper cooking pots.Then having studied both hands,Kuppa Swami drew out a pad of purp¬le ink and took a full impression ofBanu’s hands. He then took impres¬sions of each finger tip. He studied theleft thumb and then the right. He wasecstatic over the right thumb.“In all my life, never seen anythinglike it,” said Kuppa Swami in a SouthIndian accent.Mr. Rau felt better already, Mr.Kuppa Swami’s excitement was giv¬ing him extra strength as he sat onthe wooden trunk1 after havingclimbed what he called “three steepladders.” His wife who still lookedlike a Maharani, sat quietly smiling.They waited. Mr. Kuppu Swamidrew, calculated, drew again. He thenasked for the date, the hour of birth;more notations went to the sheet hewas working on. He put it all aside,and seemed to concentrate, and thenin a voice of great conviction hesaid.“Your daughter will bring yourhouse wealth and happiness. She willbe the most remarkable of all yourchildren. I have never seen anythinglike it. Banumati Rau’s name willshine like a moon in the minds of allwho hear of her.”The palmist was so happy that hewaived aside his fees. This so im¬pressed Mrs. Rau that she gave avery deep namasthe and holding herdaughter’s hand braced herself forthe decent down three skelatalstairs.The parents believed him, andthough they were nearing ninety,they lived for several years longer.Word spread about the miracle theywere waiting for. More peoplevouched for Kuppu Swami’s excel¬lence as an augurer. At first theycame out of curiosity to see KuppuSwami’s find. The alchemy of hopeshad transformed the household. Amysterious light hovered in the roomwhere the family were gathered. Thislight was a felt presence; it gave a lu¬minous quality to the faces of the girland her near-blind parents. Bhanuma¬ti herself began to acquire all thecharacteristics of a goddess. She wasclothed in handspun cloth of gold tis¬sue, and decked with jewelry andflowers. Every morning people cameand sat in the garden, or the veranda,on the pavements, on the near-byrooftops for dharshan. The volume ofcorrespondence coming into herhouse, required the services of secre¬taries. Her presence was required indifferent cities. Her name did shinelike the moon. She could have hadanything, but wisely, it seemed to herthat what she had was plenty.18 — The Chicago Literary Review. Friday Seotembpr 1QR?The University of Chicago CAMPUS BUS SERVICEFall, Winter and Spring Quarters • Effective September 15. 1982 through June 10th. 1983Busses are white with maroon lettering reading The University of Chicago and will indicate the routeUpon signal from a patron, busses will stop to take on or discharge passengers at any intersection orUniversity building Busses will operate as stated below Monday through Friday, except on Official Uni¬versity holidays. Schedules are subject to change without notice Schedule and route changes will beposted in Regenstein lobby.Who May RideBecause of legal restrictions, use of this transportation service is limited to members of the Universityfaculty, staff and students Passengers will be admitted to the vehicle upon surrendering a ticket to thedriver. The driver will not be permitted to accept cash or to sell tickets. Identification as a student facultymember, or employee will be reguired when purchasing tickets. One-ride tickets at 45 cents each andMonthly Commutation tickets at $13.50 each for the N & E routes and at 80 cents each ride and MonthlyCommutation rates of $24 00 each for the S route are sold at the following locationsBursar s Otlice (5801 Ellis Avenue)Billings Hospital. Cashier s Office (950 E 59th St )University Bookstore (970 E 58th St )Blaine Hall Room 105 (1362 E 59th St )International House Information Desk (1414 E 59th St)Shoreland Hall (5454 S Shore Dr)Reynolds Club Attendant s Desk (5706 University Ave )Law School Receptionist s Desk (1121 E 60lh St )Center for Continuing Education Reception DeskMaps and Schedules available at the above locations(NO refunds on lost or unused tickets S route ticketsare accepted on all routes )Routes and Schedules(S) SOUTH SHORE-SOUTH CAMPUS(80 cent tickets)Monday through Friday except on UniversityHolidays(Approximately 60 minutes round trip undernormal driving conditions. Stops at allintersections under signal from patron.)AM. SCHEDULE PMStarts at 67th & JeffreyS-1 7 008 00Last trip ends at 60th & Stony IslandStarts at 59th & KimbarkS-3't 1 30 (Tues Only)'t 2 30't 3 304 205 20Last trip ends at 68th & Stony Island‘These runs not made during interim periods.December 17th through January 3rd andMarch 21st through March 27th(■These runs are School Bus runs, only forstudents of Lab School. No other pick-upswill be madePrices as of July 1, 1982 (N) NORTH-SOUTH(45 cent tickets)Monday through Friday except on UniversityHolidays(Approximately 30 minutes round trip undernormal driving conditions. Stops at allintersections under signal from patron.)AM. SCHEDULE P.MStarts at 48th & GreenwoodN-1 7 30 N-2 7 208 00 7 508 30 8 208 50, Last trip ends at 57th & UniversityStarts on 59th between Kenwood & KimbarkN-3'f 1 30 (Tues Only) N-4 ‘3 35't 2 00 (Tues Only) 4 10"t 2 30 4 45-t 3 00 5 15•f3 30 (E) EAST-WEST-BROADVIEW(45 cent tickets)Monday through Friday except on UniversityHolidays^Approximately 30 minutes round trip undernormal driving conditions Stops at allintersections upon signal from patron )AM SCHEDULE PMStarts at 55th & CornellE-1 7 00 E-2 7 157 30 7 45 '8 00 8 158 30Last trip ends at 57th & UniversityStarts at 59th & Stony IslandE-3 11 30 (Tues Onlyi 4 00 E-4 ’3 35't2 00 (Tues Only) 4 30 4 10T2 30 5 00 4 45't 3 00 5 15't3 30Last trip ends at 57th & Dorchester Last trip ends at Broadview‘These runs are not made during interim periods. December 17th through January 3rd and March 21stthrough March 25thfThese runs are School Bus runs, only for students of Lab SchooJ No other pick-ups will be madeFurther information may be obtained from the Plant Department960 East 58th Street. 753-3071“Free”Evening Mini Bus ServiceSeptember 27, 1982 through June 10. 1983There are four routes—A. B, C and D. eachrequiring 30 minutes tor a round trip All fourroutes START and end on the 57th Street side ofthe Regenstein LibraryThe MINI BUSSES are white with maroon let¬tering reading The University of Chicago andwill indicate (A), (B), (C) or (D) route Upon sig¬nal. drivers will stop at any University building totake on passengers.This service is provided FREE OF CHARGE to Faculty. Staff and Students of The University ofChicago upon presentation of UniversityIdentificationPick up your MINI BUS route maps at the Bur¬sar's Office Billings Cashiers Office Book¬store Blame 105 International House Informa¬tion Desk Reynolds Club Desk the Law SchoolReceptionist s Desk and the Reception Desk atthe Center for Continuing EducationSchedule InformationExcept for Holidays and interim periods, allfour busses will operate seven days per weekfrom 6:00 p m. to 1 30 a m The final round tripfor each bus will leave Regenstein Library at1 00 a m.On Holidays and during the interim periods.(December 17 thru January 2 and March 20 toMarch 27, two busses will cover the four routes on an alternating basis The A & B busses willoperate on the hour beginning at 6 00 p m andthe C & D busses will operate on the hour begin¬ning at 6 30 p m The last A & B busses will leaveRegenstein Library at 1 00 a m and the last C &D busses w/ll leave Regenstein Library at 12 30amI he Chicago Literary Review. Friday September 23. 1983 — 19<rrc -1<r> INTERNATIONAL HOUSEOF CHICAGOOnce again, International House extends a warm welcome tothe students, faculty and staff of the University of Chicago. As aresidence for some 500 foreign and American graduate students.“1-House” is a center for some of the most unique and excitingactivities on campus. We invite you to participate in our upcomingprograms which will include a fine international film series, speakerson topics of world concern, special ethnic dinners, the best aerobicsclass on campus, and a variety of parties, outings, and otheractivities to enhance the quality of life for the Internationalcommunity here in Hyde Park.Our Dining Room is open to the public daily serving quality foodat reasonable prices. Our convenient Gift Shop has a full range ofsupplies and sundries, newspapers and magazines, as well as giftsand cards from around the world. We invite inquiries from campusorganizations regarding the use of our public rooms for meetings,concerts and other functions.International House Program Office1414 E. 59th St.Chicago, IL 60637753-2274INTERNATIONAL,- HOUSE1414 E. 59th St.Featuring open microphone hosted by specialguests from Chicago's Folk Music Community.STARTING FRIDAY OCTOBER 7 withGUEST HOST JESSICA BARON!9:00 p.m. -1:00 a.m.FREE ADMISSIONCall 753-2274 For more informationand to apply for open mic performances. INTERNATIONAL HOUSEDINING ROOM1414 E. 59th St.-HOURS-Monday - Friday Breakfast 7 a.m. - 9:30 a.m.Lunch 11:30 a.m. - 2 p.m.Dinner ! 4:30 p.m. - 7 p.m.Saturday - Sunday Continental Breakfast 8 a.m. -10 a.m.Brunch 11 a.m. - 2 p.m.Dinner 5 p.m. - 7 p.m.- OPEN TO THE PUBLIC -- REASONABLE PRICES -Special arrangements can be made for groups 25-200.Call 753-2282 for DetailsCOMING UP WED., OCT. 12 - OKTOBERFEST DINNERFeaturing German cuisine, live music andcomplimentary beverages.