Maroon grey cityKinks KontinueMajorettespage five coverii The Chicago MaroonVolume 93, No. 6 The University of Chicago ©Copyright 1983 The Chicago Maroon Friday, July 29, 1983U of Cto appealBy Cliff GrammichThe University has hired an out¬side law firm to represent it in thecase involving the involuntarytransfer of a Lab school counselor.Mayer, Brown & Platt will repre¬sent the University at a NationalLabor Relations Board (NLRB)hearing.The case originated when Re¬gina Starzl was involuntarilytransferred from a lower schoolcounseling position to a high schoolcounseling position. Starzl be¬lieved that the transfer was a re¬sult of an incident in 1981 in whichshe exercised her “freedom ofspeech” as guaranteed in herunion’s contract. The NLRBagreed with her, and issued a com¬plaint against the University.However, the University chosenot to resolve the case at thatpoint, and will pursue the matterbefore an NLRB administrativelaw judge.Steve Bernstein, who will handlethe case for the University and theoutside law firm, refused any com¬ment on the case, except to dis¬close the well-known fact that theNLRB has issued a complaintagainst the University.Starzl, though, complainedagainst the hiring of the “high-priced” law firm, which is one ofthe largest in the city. She saidthat it was unfair for students inthe University’s schools, as inade¬quate services to students exist inthe Lab Schools due to a lack offunding.The hearing will be open to thepublic, and will be held in Room881 at the Everett McKinley Dirk-sen Building, 219 S. Dearborn St.,at 10 a.m. October 27. The hearingshould provide the first extendedglance at the University’s positionon the matter, since no Universityofficial will offer extended re¬marks on the case.Regina Starzl Hayes victoriousPHOTO BY KAREN AXTCharles Hayes addresses supporters during his victory cel¬ebration Tuesday at his union headquarters. By Cliff Grammichand Bill EjzakLabor leader Charles Hayes,using a broad coalition of black po¬litical interests, and aided by anextensive organization and a lowturnout, easily won the 1st Con¬gressional District special Demo¬cratic primary election Tuesday.Hayes combined the powers ofblack politicians across the politi¬cal spectrum. An example of thiswas his Hyde Park support, whichincluded such differing local offi¬cials as State Rep. Carol MoseleyBraun, 5th Ward Aid. LarryBloom, and 4th Ward Aid. TimothyC. Evans.Hayes also used several organi¬zations to gain victory. AmongRegular Democratic committee¬men working for Hayes were- Evans, 6th Ward CommitteemanEugene Sawyer, 8th Ward Com¬mitteeman John Stroger. and 20thWard Committeeman Cecil Par-tee, who represents the district tothe state Democratic central com-Schultz denounces awardsBy Bill EjzakTheodore W. Schultz, U of C eco¬nomics professor and Nobellaureate, has denounced as a“travesty” two United Nationspopulation awards for which hewas listed as an adviser.The recipients of the $12,500awards were Prime Minister In¬dira Gandhi of India and QianXinzhong, family planning minis¬ter for China.Schultz objected to both theprocess by which the award deci¬sions were made and the twro awar¬dees.The selection process, Schultzcontends, betrayed the good faithwith which he accepted the invita¬tion to serve as an adviser. At theoutset of the UN population awardcommittee’s March 17 meeting, itwas announced that considerationfor the award could be limited toheads of state or high public offi¬cials. According to Schultz, “noneof the qualified nominees of thisaward” falls into either of thosetwo categories.“The decision of the committeewas totally self-serving,” Schultzsaid in a letter to Rafael M. Salas,award committee secretary. “Asstate appointed members, they de¬cided to court the favor of those towhom they are beholden regard¬less of the excellent qualificationsof other nominees.”Schultz also charged thatrewarding two countries whichhave violated human rights intheir population control effortswould damage family planningprograms.“The harm was done,” wroteSchultz, “by awarding the prizetoa public official in China wherepublic policy is responsible for theappallingly high rate of female in¬fanticide and...to the head of stateof India despite her cruel mandat¬ed sterilization.” China officially uses a system ofeconomic disincentives to discour¬age couples from having morethan one child, and female infanti¬cide is illegal. Still, the Chinesepress talks about female infanti¬cide as a remnant of ieudal prac¬tices.The New York Times reportedSalas as saying that Schultz’sclaim that the economic sanctionsagainst have two or more childrenencourages the killing of femalechildren “is an inference.” Ex¬perts on China at the U of C ex¬plained the possible warrant forthat inference.“There is little old age support inChina,” said William Parish, asso¬ciate professor of sociology andchairman of the Center for FarEastern Studies, “and daughters often move out of their native vil¬lages. So if you expect to live acontinued on page sixTheodore Schultz mittee. Ironically, this was thefirst election in over 50 years inwhich the central committee madeno endorsement for the primary.Hayes’ organizational supportdid not rest with regular commit¬teemen, though. Mayor HaroldWashington had endorsed Hayes,and Washington’s influence helpedHayes gain the endorsement of theIndependent Voters of Illinois-Independent Precinct Organiza¬tions (IVI-IPO). IVI-IPO is very in¬fluential in Hyde Park-Kenwoodelections.Hayes’ organization was essen¬tial to victory- in the low turnoutelection (only 35 percent of thoseregistered voted). Fifth WardDemocratic Committeeman AlanDobry said that “this electionshows that a good organization willbeat no organization everytime...Hayes’ opponents had no or¬ganization on the streets today” asHayes’ workers got out their vote.The result was a resoundingHayes victory. Final unofficial re¬turns showed Hayes with 41,240votes to journalist Lu Palmer's29,570 votes. Earlier returnsshowed A1 Raby with 11,342 votes;8th Ward Aid. Marian Humes. 4,284votes; Rep Larry Bullock, 1,714votes; Sen. Charles Chew, Jr.,1.202 votes; and Ralph Metcalfe.Jr., 904 votes. Hayes won both the4th and 5th Wards, as Palmer fin¬ished second and Raby third, al¬though Raby ran well in HydePark-Kenwood.Many officials backing Hayesagreed that the election confirmedWashington's local politicalstrength, although they were notcertain what it meant for his na¬tional influence.Congressman John Conyers <D-Michigan), who had campaignedfor Hayes, noted that the election’simportance was “not the extensionof Harold Washington’s nationalinfluence, but the confirmation ofhis local influence.”continued on page six8 Benton Fellows namedBy Deborah LutterbeckOn July 28, the eight journalistswho received the W’illiam BentonFellowship were announced. Thefellowship was designed to givejournalists the opportunity tostudy elemental issues in the newsin addition to areas of their own in¬terest.Each fellow has an individualiz¬ed program which includes thestudy of Latin American affairs,federal and state public policy,economics and ethics.In announcing the fellows, JohnD. Callaway, director of the Ben¬ton Fellowship Program, said,“We are delighted with the broadrange of intellectual interests andprofessional experience of thesefirst William Benton Fellows. Withan average of 12 years profession¬al broadcasting experience, theywill be well-suited to take advan¬tage of six months of study and dis¬ cussion away from deadline pres¬sure.”Jonathan Baer, one of the eightchosen journalists, and a producerfor National Public Radio, said,“The Fellowship will give me theopportunity to study issues thathave arisen throughout my workthat I have not had the time tostudy as fully as I wish to.”Baer has recently been workingon a five-part series concerningunemployed steel workers inYoungstown, Ohio. He spent aweek in Youngstown studying theeffect of unemployment which helater condensed into eight-minutebroadcasting segments. The philo¬sophical and ethical implicationsof this method of transmitting in¬formation and its subsequent rele¬vance to listeners and subjectsalike, is something Baer hopes tofurther examine during the in¬terim of his fellowship. Baer further said. “I am excitedabout being in the first group ofFellows and I hope we all can de¬velop a character for the programthat will be a positive precedentfor subsequent fellows.”The seven other fellows, chosenfrom more than 100 finalists, arePhillip Archer, a reporter forKPRC-TV in Houston; George JBauer, executive producer and co¬host of Arizona Illustrated atKVAT-TV in Tucson; Rebecca J.Bell, NBC bureau chief and seniorproducer in Paris; Stuart H.Chamberlain, Jr., senior editorand news writer for ABC RadioNew's in New York; Jane Craw¬ford, reporter and anchorwomanat WPXI-TV in Pittsburgh; JamesKirchherr. producer and reporterat KTVI-TV in St. Louis; and Mi¬chael Taibbi. anchorman and in¬vestigative reporter for W’NEV-TVin Rr»cfr»njRockefeller Memorial Chapel<Summer~ 9/ruori/ <SerLHce&Morning Worship - 11a.m. - 59th & WoodlawnJuly 31 Bach’s Cantata No. 150A choral offering by theRockefeller Memorial Chapel ChoirAugust 7 Edgar TowneProfessor of Theology, ChristianTheological Seminary, IndianapolisAugust 14 Larry HillHarvard University Campus Ministry,Cambridge, Mass.August 21 Michael KinnamonFaith and Order Commission,World Council of ChurchesFirst Presbyterian Church Hyde Park Union ChurchFirst Unitarian Church University Church PUB MOVIES }AUGUST |All shows at 7 p.m. and 10 p.m. jMONDAYS TUESDAYS WEDNESDAYS THURSDAYS1. Chariots ofFire 2. Top Hat 3. YoungFrankenstein 4. Harold & Maude8. Diva 9. La Cage AuxFolles 10. Blues Brothers 11. An Officer &a Gentleman15. Diva 16. Hair 17. Night of theLiving Dead/Texas ChainsawMassacre 18. The EmpireStrikes Back22. The FrenchConnection 23. Rock & RollHigh School 24. The World Accordingto Garp 25. King Kong(original)Ida Noyes Basement;• Membership required-21 and over •:►<5►►4! COMINGINAUGUST!AUTHENTIC MEXICAN EATERYEL LllGARsimply great tasting mexican foodEL LUGARSPECIALINTRODUCTORY SURPRISECOUPONCOMPLIMENTARYSPECIAL WITH THISCOUPON COMPLIMENTARY ISPECIAL ISAVE THIS COUPON ANDRECEIVE A FREECOMPLIMENTARY SPECIALEL LUGAR1603 East 55thA SUBSIDIARY OF MORRY’S DELIS, INC it4►44►4►4 HILLELHIGH HOLIDAY SERVICESROSH HASHANAHWED., SEPT. 7 - 7:00 p.m. - Orthodox at Hillel8:00 p.m. - Conservative at Ida8:30 p.m. - Reform-ProgressiveTHUR., SEPT. 8 - 8:30 a.m. - Orthodox at Hillel8:30 a.m. -Conservative at Ida10:30 a.m. - Reform-Progressive7:00 p.m. - Orthodox at Hillel8:30 p.m. - Conservative at IdaFRI., SEPT. 9 - 8:30 a.m. - Orthodox at Hillel8:30 a.m. -Conservative at Ida7:00 p.m. - Orthodox at HillelSHABBAT SHUVAHFRI., SEPT. 9 - 7:00 p.m. - OrthodoxSAT., SEPT. 10 - 9:15 a.m. -Orthodox9:30 a.m. -Conservative Noyesat HillelNoyesat HillelNoyesNoyesYOM KIPPURFRI., SEPT. 16 - 2:00 p.m. - Orthodox-Mincha at Hillel6:15 p.m. - Orthodox-Kol Nidre at Hillel6:15 p.m. - Conservative at Ida Noyes8:45 p.m. - Reform-Progressive at Ida NoyesSAT., SEPT. 17 - 8:30 a.m. -Orthodox at Hillel9:30 a.m. -Conservative at Ida Noyes10:30 a.m. -Reform-Progressive at Hillel5715 5. WOODLAWN2—The Chicago Maroon—Friday, July 29, 1983News in briefDr. Arthur RubensteinDiabetes Assn, awardThe American Diabetes Association hon¬ored Dr. Arthur H. Rubenstein, chairman ofthe Department of Medicine at the Universi¬ty of Chicago School of Medicine, and Dr.Howard S. Tager, associate professor at theUniversity of Chicago School of Medicineand the director of the Diabetes Researchand Training Center, June 11.Rubenstein was awarded the 1983 BantingMedal for Scientific Achievement, the high¬est scientific award of the ADA. The awardrecognized his work in the field of insulinbiosynthesis and the heterogeneity of gluca¬gon. In particular, he is known for studies ofproinsulin and C-peptide.Dr. Tager won the 1983 Eli Lilly Award foroutstanding achievement by a young inves¬tigator. His particular achievement is in un¬derstanding the synthesis and structure ofpancreatic hormones. Human services MASpertus College of Judaica, 618 S. Michi¬gan Ave., will hold a seminar for informa¬tion on the Master of Science program inHuman Services Administration August 2 at7 p.m.The master’s program provides the skillsneeded for administrative and managerialpositions in hospitals, social service agen¬cies, and other institutions involved in thehelping professions. The program takesplace one evening per week for one year.For more information, call 922-9012, ext.22.Single parents picnicOn August 21 at 4 p.m., the Single ParentsGroup of the Parent Support Network willhold a picnic. Each family should bring itsown food, but a grill will be available. Chil¬dren are welcome. For reservations callHolly Johnston at 684-3308.Traffic congestionFifth Ward Alderman Larry Bloom willhold a meeting to discuss traffic congestionproblems at 55th St. and Cornell Ave. at 7:30p.m. Tuesday, at the Chicago Sinai Temple,5350 S. Shore Dr. Leon Doran of the city’sBureau of Traffic Engineering and Opera¬tions has been invited to attend. For moreinformation, call 667-0900.Cocaine Anonymous“Cocaine abuse has reached epidemicproportions and is no longer a rich man’shigh. The effects are devastating...andmuch more rapid than other drugs,” saidShelley Kornman, program director of Chemical Dependency Rehabilitation atForest Hospital.For individuals who have identified aproblem with the abuse of cocaine, regularmeetings of Cocaine Anonymous will beopen. The group will meet Saturdays from11 a.m. to 12:30 p.m. at Forest Hospital inDes Plaines, II.US-Soviet conference1-House hosts fall’sA major conference on Soviet-Americanrelations will be held October 31 at Interna¬tional House marking I-House’s 50th anni¬versary.The conference is entitled “A Search forSolutions: US-USSR”, and will look into ten¬sions between the two countries and con¬sider alternatives to current policies towardMoscow.Former provost of the University and cur¬rent Deputy Secretary of State Kenneth W.Dam will give the keynote opening address.Zbigniew Brzezinski will give the conclud¬ing address. Many other noted experts, in¬cluding David Rockefeller and VladimirSakharov, will participate.Tickets for the day-long event will be dis¬tributed on a first-come, first-served basis.To obtain tickets write: US-USSR confer¬ence, International House, University ofChicago, 1414 E. 59th St., Chicago, Illinois60637.Oriental Institute talkA lecture entitled “The Luxor Temple andthe Cult of the Royal Ka” will be held Thurs¬day at 7 p.m. in Breasted Hall at the Orien-tial Institute, 1155 E. 58th St. The lecturer isLanny D. Bell, director of the EpigraphicSurvey of the Oriental Institute, Luxor,Egypt. The lecture will be followed by re¬freshments in the museum garden. DuSable celebratesThe DuSable Museum of Afro-AmericanHistory will hold its 18‘h annual MemorialCelebration August 7 at 2:30 p.m. Rev. A1Sampson, pastor of the Fernwood UnitedMethodist Church, will speak at the Muse¬um’s auditorium before a concert and picnicin Washington Park. DuSable Museum is at57th St. and Cottage Grove Ave.Bertrand citedFormer 7th Ward Alderman and CityTreasurer Joseph Bertrand, 7345 S. OglesbyAve., has been cited by the State Board ofElections for failure to issue a financial dis¬closure statement in his campaign for 5thWard alderman. Bertrand, if convicted,could be fined up to $1,000 or face sixmonths’ imprisonment.College costs up 10%at private institutionsIn the 1983-1984 academic year, collegestudents at private institutions will confronta 10 percent cost increase while those atpublic institutions will see a 9 percent hike,according to a recent report from the Amer¬ican Council on Education.In dollars and cents, tuition, fees, roomand board, will be $4618 this year for theprivilege of attending a public institution.$8939 is the average projected privateschool expense.These cost projections are lower than the12-13 percent increase forecast originally;however, the 9-10 percent increase will stillbe higher than the 4-5 percent projected in¬flation rate. This will allow colleges and un¬iversities to recoup some of their losses dueto inflation accruing since 1977.ri P 1 * * 1 orv/. ■ » a 4 1 ♦ •Music & Theatre at the University of ChicagoOutdoors under the stars in Hutchinson Court...William Shakespeare'sTHE TAMING OF THE SHREWThe Bards immortal duel of the sexesas performed bythe Shakespeare Festival of Chicago.Friday & SaturdayJuly 29 & 308pmTickets: $2 & $3Visa/MastercardBox Suppers Available: Call 493-2808Coming Next Weekend: August 6,Chicago Festival Windsperforming works byBeethoven, Danzi, Castil-Blaze, and von Weber.August 7The Chicago Monteverdi Singersperforming works bySchubert, Faure, Brahms, and Hayden. Indoors in the new Court Theatre building...The Mercury Directions Production ofTalley’sFollyLanford Wilson’s Pulitzer Prize¬winning play about the tender, funnycourtship of two very special people.Deanna Dunagan and David Regal star inthis romantic comedy which has receivedrave reviews from coast to coast.Now - August 7Wed - Sat at 8:00pmSunday at 2:30Tickets: $10 - $12Visa/MC/AmexFree Parking Directly Adjacentto the theatre.5706 S. University • 962-7300 5535 S. Ellis • 753-4472The Chicago Maroon—Friday, July 29. 1983—3ViewpointThe Next War:“Exercises”in Central AmericaBy John ConlonOne can make a pun out of the expression “The ThirdWorld War.” It has often been said that the next war will bethe last war — the “Third World War.” It is not generallypointed out, however, that in one sense, the prediction of a“Third World War” has already been borne out, on manyoccasions. The next war will be, and all recent wars havebeen, Third World wars, waged by the First or SecondWorlds (the developed countries) against the Third World(the underdeveloped countries). The Vietnam war, the Af-ganistan war, and the Malvinas (Falklands) war are all ex¬amples of this phenomenon.Our President in Washington is currently preparing usfor another war. So far, it appears that Reagan has beenunable to stop, or even find arms flows between Nicaraguaand El Salvador on their alleged route over US ally Hon¬duras (Sun Times 7/19, and NYT Editorial 7/22). It seems,therefore, that a naval blockade of Nicaragua has been de¬cided upon. (This, of course, is taking Administration state¬ments that it believes these arms flows are really occur¬ring, at face value.) Amid hints and rumors of such ablockade, President Reagan has sent naval task forces tothe Atlantic and Pacific coasts of Nicaragua, and is plan¬ning maneuvers in Honduras of at least 4000 men (NYT7/26). These ‘exercises’ will essentially surround Nicara¬gua, and are like holding a gun to the head of this country oftwo and a half million impoverished people.A senior Defense Department official has said that“There is a good chance...the ‘exercise’ will turn into anoperation” (Sun Times 7/22). How might this happen? Atthis point, a simple, unprovoked invasion seems like aserious possibility, but maybe even Reagan wouldn’t darejust to march in. Perhaps he’ll need a pretext, a confronta¬tion at sea, say, in connection with the proposed blockade.Perhaps an American ship will be attacked, and Reaganwill go before Congress, demanding broad powers to wagewar.Since those who forget history are condemned to repeatit, we should remember that this is precisely how a presi¬ dent got us into a war almost exactly nineteen years ago.By August of 1964, the United States had been supportingfirst the French in Vietnam, and then various governmentsin South Vietnam for almost 20 years. In the first half of1964, the United States planned and assisted in a number ofoperations by South Vietnam against North Vietnam.These operations included kidnappings of North Vietnam¬ese citizens, the parachuting of sabotage and psychologi¬cal-warfare teams into North Vietnam, commando raids,and bombardment of the North Vietnamese coast by SouthVietnamese PT boats. The US role in these activities waskept secret, and they were generally attributed to SouthVietnamese recklessness. One editorial, for example, wor¬ried that “South Vietnamese military leaders might takeoff on some rash adventure, forcing the United States tofollow,” while another suggested that US aid was somehownecessarv to restrain South Vietnam (both quoted in NYT8/2/64).At any rate, the United States was flying U2 spy planesover North Vietnam at the same time, and conducting des¬troyer patrols along the North Vietnamese shore of the Gulfof Tonkin. On August 2, one of these destroyers, the Mad¬dox, was attacked by North Vietnamese PT boats. Twodays later, the Maddox and another destroyer, the C.Turner Joy, were again, apparently, attacked; the peopleinvolved weren’t actually sure (Pentagon Papers, p.262).On neither occasion were the destroyers hit or damaged inany way, nor were any on board injured. Nevertheless,President Johnson used the second attack as a pretext forconducting airstrikes against North Vietnam. On August 5,he introduced the Tonkin Gulf resolution into Congress.This resolution gave Johnson the power “to take all neces¬sary steps, including the use of armed force” to defendSouth Vietnam. Doubts mentioned above concerning thesecond attack were not revealed, nor was the US role inSouth Vietnamese bombardments of the North Vietnamesecoast, which occurred at the same time and in the samearea as the Tonkin Gulf incidents.Several members of Congress “thought that the languageof the (Tonkin Gulf) resolution was unnecessarily broad,” according to a New York Times article at the time,“and...were apprehensive that it would be interpreted asgiving Congressional support for direct participation byUnited States troops in the war in South Vietnam.” Never¬theless, it was felt that “Congress could not reject the...res¬olution without giving an impression of disunity...“(NYT8/8/64). On August 7, the resolution passed unanimously inthe House, and 88-2 in the Senate.To remember the shame of an American public duped byPresidential theatrics, and to help forestall a similar pre¬text for another war against Nicaragua and Central Ameri¬ca, I want to propose that we make August 5 “Tonkin GulfDay,” as the 19th anniversary of the introduction of theTonkin Gulf resolution into Congress, or August 7, as theday that Congress approved the resolution with near una¬nimity.President Reagan’s provocations against Nicaragua in¬dicate that the United States government — with or withoutthe consent of the American people — will continue to useforce against the countries of the Third World as long asthese countries are weaker than the United States. And thisbrings us back to the double meaning of the “Third WorldWar.” As long as war-makers in the United States feel freeto use force against the Third World, the possibility re¬mains that they will someday bring us into a confrontationwe can’t get out of. Unless the American people can takeforeign policy out of the hands of those with vested inter¬ests, the US and the planet earth, may be destroyed in awar which is, in every sense of the word, a Third WorldWar.There will be a rally Friday, August 5, 11:30 a.m., at theDaley Center, remembering not the Tonkin Gulf resolution,but an even more significant event, the dropping of theatom bomb on Hiroshima August 6, 1945. If Tonkin Gulfshows us how a war can start, Hiroshima reminds us how awar can end.There will be a Central America contingent at the rally.John Conlon is a graduate student in economics at theUniversity of Chicago.News LetterReport: child welfare benefits insufficientBy Bill EjzakPublic provisions for children in Illinoisdo not fulfill the explicit intent of state lawor the state constitution, according to a re¬cently released University of Chicago re¬port.In Chicago and the State, the result of thefirst effort to examine the role of the state inchildren’s lives, University researchers re¬veal that one in six children in Illinois livesin poverty.A family of four with no employed parent,receiving all available benefits, has a totalincome considerably lower than the estab¬lished US poverty level. Such a family’s ben¬efits amounts to $6752; the correspondingpoverty level is $9300.Moreover, the report shows, welfare fami¬lies have lost approximately a third of thepurchasing power of their benefits since1975.In light of these and other findings, the re¬port concludes that the goal of the state’sPublic Aid Code has not been met. The Pub¬lic Purpose statement of the Code specifies that state income assistance should be ade¬quate “to provide a standard of living com¬patible with health and well-being.”Even on a comparative basis, Illinois’ per¬formance is lackluster. Illinois child welfarebenefits fall considerably below that of mostnorthern industrial states, the reportshows.The report also contained evidence thatthe state is not meeting its obligations re¬garding the education of the young.School attendance is compulsory in Illi¬nois, the report notes. But despite therebeing an estimated 70,000 truants daily,state funded truancy programs are onlycapable of handling 1500.The quality of education in Illinois wasalso examined in the report. Although edu¬cational achievement improved across thestate between 1977 and 1979, tests show con¬siderable deficiencies in Chicago publicschools. The report shows that Chicago jun¬iors had a median score of 25 out of a poss¬ible 100 on standardized reading tests ad¬ministered in 1981. Moreover, more than 20 percent of Illinois youths are high schooldropouts.According to report author Rob Hugi,such findings show that Illinois is not livingup to goals that are written into the stateconstitution. The Illinois constutition callsfor “the educational development of all per¬sons to the limits of their capacities.”Children and the State is a companionstudy to The State of the Child, which wasreleased in 1980. Both documents were pro¬duced by the Children’s Policy ResearchProject at the University of Chicago. HaroldRichman and Mark Testa are co-directorsof the project.Governor Thompson appointed the TaskForce on Children to make recommenda¬tions based on the earlier report. The TaskForce met with Governor Thompson to dis¬cuss its recommendations Tuesday.The contents of both reports were present¬ed by Richman to a symposium on chil¬dren’s policy held Thursday in Chicago bythe National Governor’s Conference. The smell of U-SiteTo the editor:As if use of the University’s computer fa¬cilities wasn’t already sufficiently trying,students who wish to employ efficiently themeager resources a Personal ComputingAccount provides are now forced either toswelter miserably in Harper Library or toendure the stench that pervades the Regen-stein terminal cluster. The purchase of sev¬eral breeze-box type fans would go a longway toward beating the heat at USITE. Anda thorough cleaning and airing out of theRegenstein facility is a must. As things nowstand, composing an essay on the computerrequires mental and physical hardiness inequal amounts.Charles SilverSept. 1 draft-aid deadlineBy Nina LubellSeptember 1 is the new deadline set by theDepartment of Education for colleges anduniversities to comply with the rules neces¬sitating male students to certify that theyhave registered for the draft, in order toqualify for Federal aid.The original deadline of August 1 waschanged because of complaints by campusofficials of uncertainty about the rules.Originally, in a proposal last fall, therules required colleges to collect SelectiveService documents from students as proofthat they had indeed registered. Campus of¬ficials protested that the paperwork wouldbe too burdensome.The revised regulations now in effectmerely require students to submit formscertifying that they have registered or whythey are not required to register, for womenor those males under 18. Colleges are notheld responsible for checking up on a stu¬dent’s certification about his draft status; however, the Department of Education willrandomly audit institutions to see that theregulations are being followed.The law actually took effect July 1 for col¬lege terms beginning after June 30. Thiswas two days after the Supreme Court lifteda lower court injunction prohibiting en¬forcement of the registration requirement.Colleges were given a grace period inorder to have time to respond to the Su¬preme Court order. The Department of Ed¬ucation said that during July, aid could begiven to students then unregistered for thedraft, provided that appropriate forms ofcertification were collected later.Now, campuses have been given an addi¬tional month. They have until September 1to prepare to administer the law. Last weekthe Senate approved a measure to postponethe deadline for another month, October 1.The extension must also be passed by theHouse to be enacted.4—The Chicago Maroon—Friday, July 29, 1983' The Chicago MaroonThe Chicago Maroon is the official student newspaper of the University of Chicago.It is published on Fridays during the summer. Editorial and business offices arelocated on the third floor of Ida Noyes, 1212 E. 59th St., Chicago, 60637. Phone962-9555. 6Anna FeldmanEditorCliff GrammichNews EditorJoshua SalisburyBusiness ManagerBrian CloseOffice Manager Karen AxtEhologi a,> ditnrLinda LeeProduction ManagerChris ScottAdvertising ManagerStaff: Wally Dabrowski, Bill Ejzak, Bill Falloon, Don Haslam, Nina Kavin, SondraKrueger, Nina Lubell, Deborah Lutterbeck, Koyin Shih-featuresEvery step perfectBy Bill EjzakPedestrians on the sidewalks borderingthe northeast corner of 55th and Woodlawnhave been arrested recently — but not bythe long arm of the law. Instead, they havestopped in their dogged steps homeward towatch a majorette team which is unique forand hopes to become famous for its strut.With the cool energy of a cat, the MarshallLindsey Majorettes rehearse their decided¬ly afro-flavored routines in the shimmeringheat of the parking lot of St. Thomas theApostle church. The rehearsals take place Monday, Wednesday, and Friaay from 5 to 7p.m. And there are always those who pause,watch, and walk away with a hint of thatstrut in their stride. The energy and moodare infectious.The majorettes practice under the tute¬lage of Marshall Lindsey, dancer, choreo¬grapher, director, and guardian angel of thegroup.In its fifth year of existence, the group is amuch sought after attraction for Chicago-land parades. The group recently appearedin the city’s Fourth of July parade, where itplaced second in the majorette competitionThe slinky majorettes will debut in newblack and silver uniforms in the Budbillikenparade August 13. Also on their agenda forthe rest of the year are the EnglewoodBack-to-school parade and the city’s Colum¬bus Day and Christmas Fantasy parades.When on parade, the group is accompan¬ied by the Gladiators, a marching band.Girls on the squad come predominantlyfrom neighborhood high schools. Tryoutstake place in May and June to select ap¬proximately 35 girls who will then be Mar¬shall Lindsey Majorettes.Although the majorettes are now predo¬minantly black, Lindsey expressed hopethat some of the young white and Orientalgirls now in his dance classes at St. Thomasgrade school will soon be prepared for thesquad.Once on the team, the young women prac¬tice with a passion. Veronica Metoyer, a co¬captain, leaves no doubt about her enthusi¬asm for the work: “I love it. It’s my life.”No less intense is the girls' enthusiasm forMarshall Lindsey. Metoyer confided, “He’sgreat. He’s a genius. He’s perfect. And heworks us to death so we'll be perfect.”Another girl on the squad, Vernessa Byrd,explained that she did not want to join thegroup until she met Lindsey. But when shesaw him. “It looked like he had every stepperfect. He looked like he knew what he was about.” Byrd has now been on the squadfive years and hopes to be on it for anothersix.Lindsey also directs and does the choreo¬graphy for a dance group, which is made upof many of the same girls, and practices im¬mediately after the majorette group.The dance group does modern, afro, andcalypso numbers. Like the majorettes, thedance group is heavily booked for the fu¬ture, performing at least twice a month.Their next performance will be at the Play¬boy Mansion, for a ski club luau August 13.Lindsey has studied under top dancers inthe city, including Geraldine Johnson of theAll-City Theatrical Troupe. Joseph Holmes,and Nania of the Chicago Dance Studio.He’s been dancing for 12 years.In addition to performing with the ma¬jorettes — he wants to step out of the lime¬light, but his fans won’t let him — and in¬structing the majorettes and dancers,Lindsey does all choreography for bothgroups.Lindsey says he gets his inspiration fromsuch professionals as Arthur Mitchell andAlvin Ailey, and his attention to their workhas paid off. As one of the majorettes insist¬ed, “Mr. Lindsey should be on television —on Fame.”The Chicago Maroon—Friday, July 29. 1983—5NewsHayes continued from page oneDemocratic Presidential hopeful Sen.Alan Cranston (California) has courted bothWashington and Hayes with his endorse¬ment of the two in their latest primary cam¬paigns. However, Conyers does not believethat Cranston’s endorsements have neces¬sarily gained him Washington’s and Hayes’support.Stroger also said that the election con¬firmed Washington’s local politicalstrength. He said “this election shows thatthe 1st Congressional District will retain itspolitical independence, support HaroldWashington, and be very alert and intelli¬gent in the election process.” Stroger be¬lieves that Hayes, like Washington, “is com¬mitted to improving the quality of life forChicago’s residents.Hayes believes that his election is of na¬tional significance in that it marks a contin¬uation of “the building of a bulwark in thefight against Reaganism.”Hayes told his supporters that he will go toCongress “not as a victor, but as your ser¬vant, to continue the great tradition ofHarold Washington for jobs, justice, andpeace.” He also promised to be a “strongsupporter” of Washington.Hayes believes that Washington’s supportwas instrumental to his success. He saidthat “the whole mix” of his coalition, includ¬ing the endorsement of Washington, his“rock of Gibraltar,” was essential to his vic¬tory.While Hayes was conciliatory, Palmerwas bitter over the election. He charged thatWashington used “dirty tactics” in the elec¬tion, while building a “new and more omi¬nous Washington machine.” Palmer did notshow at a unity luncheon scheduled byWashington at the Hyde Park HiltonWednesday. However, the defeated candi¬dates who did appear displayed unity andreconciliation.Chew stated he had “pledged to work withthe mayor.” Commenting on Palmer, Chewsaid “One cannot be a bitter politician. InMarian Humes and Charles Chew atWednesday’s unity luncheon.Schultzcontinued from page onelong life, you need a son who will supportyou. The apparent increase in infanticidemight have to do with the fact that if yourfirst born is female, there are economicpressures for aborting the next child, whichmight be a son.”During the period of the “emergency” inIndia. 1975 to 1977, Gandhi’s government al¬legedly forced men in the villages to besterilized. These accusations were amongthe issues which cost Gandhi re-election in1978.Salas noted that there are no such allega¬tions against Gandhi’s current govern¬ment.Salas further denied that the committee’sdecisions were self-serving. Schultz hasasked the University to make his dissentingletter public in order to protect the integrityof the University. He has also requestedthat the UN not use his name in connectionwith the awards.6—The Chicago Maroon—Friday, July 29, 1983 politics, one has only opponents, no ene¬mies. Most great men in politics have failedsometime during their career. I’m not bitterat anyone.” Chew added his belief that thecampaign “was kept on a high level.”Metcalfe promised “to build unity andbeat Reagan in ’84,” adding he wasn’t bitterabout the campaign as “there is no room inmy heart for anger. ”In a call for politicalunity, Metcalfe said “I hope the family cancome back together.”Ralph MetcalfeRaby did not comment on Palmer, al¬though he said “I support the mayor asstrongly now as before.” Raby does not be¬lieve that any political damage was done bythe campaign, as he said that “strong-armtactics” were not used. Raby said his futureplans may include a career in broadcastjournalism.Humes joined the conciliatory mood of thegroup, although she noted she was still“fighting” with Stroger, her committee¬man, a disagreement which arose whenStroger backed State’s Attorney Richard M.Daley for mayor in the February primary,while Humes backed Washington. Strogerand Hayes workers easily carried the 8thWard, while Humes finished 3rd in her ownward.Stroger, however, appeared conciliatorytowards Humes. He said “I brought MarianHumes into politics, and the people of theward did not want the alderman to divorceherself” from her “good work’ in the wardand its Democratic Organization.Washington would not comment onstrong-arm tactics, as he merely noted “Iused my vote and voice” for Hayes’ cam¬paign.Hayes, responding to Palmer’s charges of“Machine tactics,” said “He had a coali¬tion, we had a coalition. There was a greatoutpouring of people, religious leaders,labor leaders, business leaders, women, andpolitical leaders” for his campaign.Hayes will now face Hyde Park Republi¬can Diane Preaceley in the August 23rd gen¬eral election. In one of the few elections tohave a lower turnout than U of C studentgovernment elections, Preaceley defeatedBetty H. Meyer 395-386 in the Republicanprimary. 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IL 60201 ?566 N. Clark St.. Chicago. IL 606J 4(above County Seat)864-4441 880-5400GREY CITY JOURNALJuly 29, 1983 • 16th YearThe Kinks: Ray Davies, Dave Davies, John Gosling, John Dalton, Mick AvoryCONTINUING THE KINKS KRONICLESby Frank SoultzRay Davies, his younger brother Dave,their old friend Mick Avory and an assort¬ment of different bassists and keyboardplayers have been together as the Kinkssince sometime in late 1963. Through theirlong history as a band they have earned areputation as being one of the most impor¬tant English groups to have come out ofthe British Invasion, and, since the Beatlesare no longer around, they are oftenclassed with The Who and The RollingStones as the third member of the HolyTrinity of Rock and Roll. Last fall, after Ihad seen the Who in concert, one of myfriends who went with me said, “Now I’vefinally seem all three of them,’’ as if thatwere a prerequisite for initiation into theleagues of the rock and roll learned. Itwas something to tell one's grandchil¬dren.Even though I’ve never seen the Kinkslive, I’ve always wanted to, and I wentthrough my teens believing in the sanctityof the Trinity itself. It seemed to me to benot a matter of opinion, but an irrefutablefact of history — like the Second WorldWar. Unlike a world war, however, thereare facts about the Kinks story whichseem to turn the truth of history into myth.For one thing, during most of their career,they just were not that popular.- TheStones almost always have been super-stars and The Who have been since about1969. Back in 1979, around the same timethat The Who were making their famousworld tour that tragically cost the lives of11 kids in Cincinatti, The Kinks couldn’tsell out a medium sized, renovated movietheater in my home town of Syracuse, N.Y.Popularity, obviously, is not the only mea¬sure of an artists importance in his field.Shakespeare was a big seller but Blakewasn’t, and in the final critical analysisneither of these artists reputation’s havebeen either raised or lowered by theamount of public adulation they received.But then again, it should never be forgot¬ten that rock music is pop music — italways has been, it’s the nature of thebeast — and for a group to be consideredimportant it must somehow prove itself tobe true to the populace from whence theterm for the art is derived. A rock groupcan be original, brilliant, innovative,great in every way imaginable, but if theydon’t somehow manage to bring theirmusic and its influences to a notably sizedaudience either directly or indirectlythrough other groups that they have af¬fected, then they are not important. Aswas just noted, popularity isn’t the onlymeasure of an artist’s importance, butwithout it, a rock artist cannot claim anyimportance at all.So why talk about the Kinks as one ofthe major rock acts of the last twentyyears? Not only weren’t they popular, but— and this is the second major fact —through the last two decades they haveproduced a considerable amount of musicthat is very forgetable. In fact, I don’tthink they have recorded a great albumsince 1967. To be more precise, most ofthose I’ve bothered to listen to haveranged from highly uneven to simplylousy. And this is not only a judgementculled from my personal preconceptionsand tastes, but also the sad admission ofmany Kinks fans whose devotion to theband runs deeper than mine. It seems rea¬sonable to say, then, that consideringtheir reputation versus these facts, theKinks are quite an anomaly in the annalsof rock history.It is this very anomolous nature whichkeeps them so great. Like Keith Richards and former Faces members Ron Lane, RonWood and Rod Stewert, Ray Davies has avoice that doesn't hide its barroom, backalley knowingness. Just like these otherBritons, Ray Davies can sound as aged asthe hills of the English countryside withoutever sounding old. On his best music,Davies' uncultivated, uncommercial voicesounds very plainly beautiful, it bringsthe song onto a personal level that neversounds forced or unnecessarily painful; onhis worst mu§ic he cheats his voice's natu¬ral predilection and it sounds betrayed. Itis only at the personal level that Daviescan work his wonders. He is an odd littleguy that really doesn’t seem to be able tofind his niche in the world, and he con¬stantly berates that fact to his listeners.As the little misfit, he can look at theworld around him or inside him and writeabout it in a simple descriptive dispassion¬ate sort of way that can be incrediblymoving. He can also pretend he under¬stands what’s going on in the world, andinstead of just describing things in andaround his own disjointed life, he canpreach a sermon on the sad state of thehuman race that comes off just as youwould expect it to — it sounds like a pile ofbull. It is at these moments that his voicecan be more empty than a million upperregister screeches from the lead singers ofJourney and Styx put together.His plain, direct descriptive songs leaveends open — they don’t have to be as finalas are his excursions into social analysis.These analytical forrays inevitably end uppitting the little guy against the big, bad eviis of the corporate, military, technical,bureaucratic twentieth century. Instead ofvying for the compassion and fierceness ofthe Clash or the Gang of Four, Ray Daviestries to make holistic little platitudes with¬in the framework of a four minute chordjammer, and he ends up just sounding pa¬thetic. The scale is too large, the scene tooperfectly figured out to seem even remo¬tely real. He doesn’t have the ability toturn important issues into moralistic per¬sonal narrative, but, for some reason, hehas spent a good portion of the lasttwenty years trying to do just that.“Twentieth Century Man’’, “Catch Me NowI’m Falling”, “Powerman” and many othertracks all have this fault in one aspect oranother, and though he attempts for high,dramatic existential suffering in thesesongs he just comes up with whiny melo¬dramatic pessimism. What makes Kinkswatching so interesting is that one cannever really tell when he'll go for Wag¬nerian angst or when he’ll sing a simplesong. The payoff comes when Ray decidesto tell some little thing about himself, orabout a couple walking arm in arm out of atrain station, or about his older sister andher nights on the town.“Waterloo Sunset”, a song that cameout back in 1967, is a tune about an oldman who sits in his room and watches fromhis window as a couple leave WaterlooStation in the chilly chilly evening time. Itis also one of the most gorgeous songs rockhas to offer. Robert Christgau, the famed,old, common sense-kind-of-guy critic forThe Villape Voice called it the most beauti¬ ful song in the English language. Thatstatement is the kind of praise this songdeserves. From the gorgeous opening de¬scending guitar figure to the final ascend¬ing harmonies piled one on top of theother, the song is as close to perfection asone can get. and it is never grandiose,never striving for supreme Truth. There isnothing terribly complex about it either; itis much simpler than most of the tunes bythe Beatles in their pre-Mannerist period,and the melody is just as unshakeable andeven more astonishingly pretty. WhenDavies sings in the first chorus, “But Idon't need no friends/ As long as I gaze onWaterloo Sunset/ I am in paradise” he istelling us about the beauty of being atpeace with oneself, and the way he sings itmakes us feel that beauty is within ourgrasp. Behind the song there lies an un¬stated philosophy of life that can sootheme even in the most stressful of times; it'sso simple that to put it in other words out¬side those of the song would only make itsound silly and cliched. Davies' brilliancelies in using everyday experience to makethe subtle, delicate philosophy comeforthso powerfully. Some people call Davies’images cliched, but if they are, he revital¬izes those cliches so that they disclose thatwhich they were originally meant to re¬veal before they turned so stale.When one realizes this it is easy to seethat from the small scenes of English su¬burban, middle class life Davies spoke tothe same audience that Chuck Berry andElvis Presley spoke. Instead of talking toContinued on page 2ScottWeinerRay DaviesKRONICLESContinued from coverteeny-boppers through a communion ofuniversal sensual innocence as Presleyand Berry did, Ray Davies spoke to themfrom their own backyards which were justlike his backyard. Superstardom was real¬ly not on the Kinks agenda because thatwould have broken the link between audi¬ence and performer, whereas for Elvis itserved to confirm it. Davies talked to En¬glishmen first of all, and primarily to adying breed of gardeners and small homeowners, but in speaking to these people,Davies also spoke to everybody who feltsomehow out of place. He could never di¬rectly universalize his message because ifhe tried to do so he would leave behind theparticular circumstances that make hismessage so honest. Perhaps this is a mea¬sure of the limitations of Ray Davies as anartist, but this peculiar vision filled a gapin the rock scene of the mid and late1960's that desperately needed filling.The Kinks, during this time, had a no¬torious reputation for being astrociousperformers, always arguing on stage andperforming renditions of their hits thatwere hardly recognizable. They werescrew ups. And of course, the audienceloved it. There was a cult of adoring fanswho would go to Kinks shows just to boothe group and throw rotten vegetables atthem. Ray and company were just likethem: they could objectify themselvesthrough his performances and laugh atthemselves something that was impossi¬ble with se/-gods like the Rolling Stonesor deeply loved idols like the Beatles.In the early seventies, when the Kinksbroke the bond that held the audience per¬former relation together by trying to be"serious, performers”, they also lost a lotof their inspiration. Ray Davies never,completely lost control, the band stillworked as hard as ever, but their effortsceased to sound committed. From thestories people tell me of their seventiesconcerts they remained screw ups, butthere no longer existed the equality withthe crowd; they tried to hide their mis¬takes instead of celebrating them as indi¬cators of their flesh and blood tie to thefans. As their recent live album indicates,they still celebrated sometlvng, but itoften came off sounding like the celebra¬tion that heavy metal bands indulge in —empty chants; hollow, high wattage guitarplaying; remembrances of past triumphsbecause there’s nothing new worth men¬tioning.Which brings us to the eighties. As Iwrite this I’m listening to the radio andthey’re playing a cut from the Kinks newalbum, State of Confusion. I’ve neverheard this track before, but it sounds tome like a ripoff of the Yardbirds’ "Over, Under, Sidways, Down”, just like "CatchMe” ripped off Jumpin’ Jack Flash and an¬other recent song ripped off an old tunecalled "You Really Got Me”. You re¬member "You Really Got Me”: it was doneby The Kinks in 1964. Dave Davies invent¬ed power chords on that track, and now hewants to do it again on the newer cut. But Ican’t blame him for that.I think the Kinks might perhaps pullthrough their identity crisis on the sheerpower of their determination to try any¬thing to achieve sincerity. The talent isstill there, as is the understanding of whatmust be done with it. "I don’t analyze thewhold world, just parts of it,” said RayDavies in a very recent interview in Musi¬cian magazine. "I have to trivializethings...otherwise I get too heavy, too an¬alytical’.” He knows what his problemsare, but he cannot deal with his work andtalent just like he cannot deal with theworld as a comprehensive, subjectivewhole. According to the interview, he real¬ly does not know or believe that he is rip¬ping off other songs in his music. That is aninteresting point, because obvious synthe¬sis of different musical cliches has alwaysbeen a method by which Davies has madehis own neocliched musical vignettes work.When he has been inspired, the synthesisworks wonders, when not, it becomes un¬original and gratuitous. Lucky for us, thelast son in the long line of these types oftunes is very much a success.Somewhere firmly lodged in the toptwenty is the recent Kinks single "ComeDancing”. Oveplayed and underlistened,half my musically inclined friends hate thissong, but it still is a charm to me. The sceneis viewed through the eyes of a young RayDavies who watches his sister going outdancing with hopeful eager dates on theweekends, and it sounds to me like a beau¬tiful portrayal of the life of a young work¬ing girl. The simplicity of the cheezy organand the hooks in the melody’s verse andchorus are irresistable. The final linewhere the young boy has grown up tohave his own rock band, and then asks hissister to come dancing with him, eventhough they’ve torn down the dance hall,is nothing less than the essence of the verystuff this whole rock and roll business isabout in the first place. The fact that hecan bring that message across tenderly isa testament to the breadth of an idea be¬hind rock that transcends the male domi¬nated rebellious attitude that has charac¬terized it for so many years. And, ofcourse, it is also a testament to RayDavies’ immense talents.To close with a return to the question oftheir importance without popularity, itshould be mentioned that before the ad¬vent of punk, The Kinks were the onlygroup I know of that used their lack of suc¬cess to their own advantage. Though therewere groups before 1977 that may havecome closer to the appearance of thestance of the groups in the punk explosion— like Iggy and the Stooges or The NewYork Dolls — it was only the Kinks whofaced the dilemma of popularity as beinga drain on one’s legitamacy as a perform¬ing rock group. Besides inventing powerchords, an invention that would begrabbed by everyone from Led Zeppelinto the Sex Pistols, they also came up witha career based on non-public success whilemaintaining public importance. PerhapsJohnny Rotten was right and after him,rocK and roll was buried, but before himthere was a group who spoke to the audi¬ence by standing with them instead ofabove them, just like all the Johnny imita¬tors after him promised to do, and yetthese guys still knew how to rock. In 1979the Kinks couldn’t sell out an old movietheater, in 1981 they returned to my townand sold out in a few days at a fairly largearena. This leaves them still facing theirold problem of popularity, but in a new di¬mension (i.e. they might actually have it).With their album in the top 20, a new gen¬eration of fans who weren’t even bornwhen the group was formed, and a singlewhich is as good as many of their oldgreats, I can’t help wondering wherethese screw ups are headed. It is still aworthwhile question, and the great thingis that I don’t have the slightest idea as toits answer. Discount Group TourCHINA: 7000 Years of DiscoveryAugust 10th -1 p.m.Viewing at the Museum of Science & Industry*2 w/UCIDTickets on sale at Room 210Ida Noyes Hall1212 E. 59th St.Call 962-9554for informationAn SAO & Summer Quarter Office ProgramUsed desks,chairs, andfilesBRANDEQUIPMENT 8560 S. ChicagoRE 4-2111Open Daily 8 30-5Sat 9-22—FRIDAY, JULY 29, 1983—THE GREY CITY JOURNALI FILM v'>>>>>>>>>>"%>>>>>>^ '^>>>. >>ing: the art; I’ll dump on the photos.There are eight. “Blue Electric” and“Istanbul” attempt to effect a moodthrough color and abstraction; nei¬ther succeeds for me: the former, de¬spite its vague resemblance to thetop of the Statue of Liberty, is trite;the latter puts the foreign and “ex¬otic” in one of the many styles ofWestern Aesthetic. There are twoblack and white nudes, one of whichis tonally interesting, which is to sayformally interesting, which is to sayartistically not interesting enough. Iabsolutely hate “Tycoon”: especial¬ly its relation of title to image (nameof social type and picture of socialtype; interchangeable); and giventhese, its thoroughly uncritical pre¬sentation (tiny image, huge frame).Maybe the mother-child relationshipshown in “Pieta” is a worthy one.but the decision to show the mother sbreasts but not her face is much lessso. I sort of like “Changing races.” Iconfess I do not recall anything ofthe eighth, “Untitled.” So three ofthese are singled out for praise: onethat’s disagreeable (“Pieta”; FirstPrize), one that’s stupid (“Tycoon”)and one that’s okay (“ChangingFaces”). Meanwhile, there are 21paintings and at least three or fourgood ones — good in the sense thatone can look for a bit at least with¬out becoming bored. So more paint¬ings should have won prizes, andless photos. (Obviously this might beextended; the whole show should beconsidered together.) This would en¬hance the thoroughly good idea be¬hind the whole thing: people shouldbe encouraged to make good stuffregardless of its “medium.” ThroughAug 28 at The Hyde Park Art Center,1701 E 53rd. Tue-Sat, 11-5.324-5520. Free. —DMSaul Steinberg: Drawings and Water-colors; and The American ComicStrip. See review in this issue. ThruAug 31 at the Smart Gallery, 5550Greenwood. Tue-Sat, 10-4; Sun,12-4 753-2121. Free.Lorado Taft: His Life, His Work, His In¬fluence. Through Oct at the HP His¬torical Society, 5529 Lake Park.Sat, 10-12; Sun, 2-4. Free.Bruce Davidson: The Subway Series.Neat show of color photos closes to¬morrow at Columbia College, 600 S.Michigan. Today, -4; tomorrow,12-4. 663-1600 ext 104. Free.1983 Traveling Fellowship Exhibition,Part Two. Some interesting stuffamid more that's not. Best, “Ques¬tions to Another Nation,” a video in¬ stallation (four sets playing thesame or related image sequencesout of synch) by Miroslaw Rogala tobe shown again on Thur Sep 1 at 6 inthe performance space; don’t sit tooclose. The sculpture, photos, paint¬ings, drawings, and prints throughSep 2 at the School of the Art Insti¬tute, Columbus at Jackson. Mon-Wed, Fri, Sat, 10:30-4:30; Thur,10:30-7:30; Sun, 12-4:30. 443-3703.Free.Michael Rubin B&W photos of Midwestlandscapes. Thru Aug 20 at the Cul¬tural Center, 78 E Washington. Mon-Thur, 9-7; Fri, 9-6: Sat, 9-5.346-3278. Free.THEATERMarat-Sade Written by Peter Weiss anddirected by Todd Brickell andGeorge Suklowski. See article in thisweek's gcj. Oh — by the way. this isanother Concrete Gothic Production,We should all support student the¬ater, especially in the summer. Aug18, 19, 20 and 21 at 8. HutchinsonCourt, 57th and University. $3 UCstudents, $4 others. Tickets avail¬able from SAO or by calling363-5185. -SOA Class “C” Trial in Yokohama Writtenby Roger Cornish, directed by DonFinn. The second production by TheChicago Theater Project, this one isin conjunction with the Remains The¬ater Ensemble. This play is aboutmatters of honor and integrity whichsurround a 1948 war crimes trial inJapan. This probably means it willeither be very good and sad or in¬credibly verbose, pretentious andboring. I don't know enough aboutthe company or the playwright tobet one way or the other. I will justhave to see it before I say any more.Tues-Fri and Sun at 8. Sat at 6:30and 10. Thru Aug 21. The TheaterBuilding, 1 225 W Belmont,327-5252 $6 50 and $7.50. — SDTalley's Folly Written by Lansford Wil¬son and directed by Charles Nolte.Call beforehand because there havebeen rumors that this is the finalweek. Wed thru Sat at 8, Sun at2:30. Court Theater, 5535 S Ellis.753-4472. $10-$12, $2 student dis¬count.Key Exchange Written by Kevin Wade,directed by Paul Hough. Tues-Thurat 8, Fri and Sat at 7 and 9:30, Sunat 7:30. New Broadway Theater,Broadway and Belmont. 472-4488$15. March of the Falsettos Written by Wil¬liam Finn, directed by Dan Yurgaitis.Wed and thur at 7:30, Fri and Sat at7:30 and 9:30, Sun at 3. Thru Aug28. Theatre Building. 1225 W Bel¬mont. 327-5252. $14.50.Picnic Written by William Inge. This isthe first production by Prairie DogTheater. No telling what the play isor who they are, but they soundenthusiastic. Thur-Sun at 8. Aug 5thru 28. Commons Theater Center,6443 N Sheridan, 465-3030. $6 and$7, $3 previews Aug 3 and 4The Miss Firecracker Contest Writtenby Beth Henley, directed by GarySinise. Tue-Fri at 8, Sat at 6 and9:30. Sun at 3 and 7. Thru Aug 7.Steppenwolf Theater. 2851 N Halst-ed. 472-4141. $10.50-$ 14.Lady Day Written by Stephen Stahl anddirected. Tue-Fri at 8, Sat at 7 and10, Sun at 3 and 7. July 26 thru Aug21. Victory Gardens Theater, 2259N Lincoln. 871-3000 $12.50-$15.MUSICGeorge Lewis trombonist and electron¬ic music specialist presents an ense¬mble performance tonight at 8. at I-House, 1414 E 59th. $5. $3 students.Also Lewis will conduct an electronicmusic workshop on Sat July 30 at 11,at AACM School of Music, 7350 SJeffrey, 752-2212. Free.Jeff Thomas Percussion recital includ¬ing works by John Austin, RobertCarl, Jeff Thomas, Cage, Harrisonand Stacey Bowers. Tonight at 8 atthe American Conservatory ofMusic, 116 S Michigan, Collins Hall,203-4161. Free.Grant Park David Zinman conductor;Grant Park Symphony Chorus.Gluck: Orphee ed Euridice Sat July30 at 8, and Sun July 31 at 7. At Pe-trillo Music Shell, Columbus Dr andJackson Blvd, 294-2493. FreeNeighborhood Festival at Palmer Park:Leroy Jackson Jr Launch Band at 1;Bobbi Wilsyn at 2; Young Holt Unlim¬ited at 3; Club DeLisa Orchestra at4:15 and Billy Eckstine at 5:30. SunJuly 31, 12-7 in Palmer Park, In¬diana Ave and 111th St, 744-3370FreeThe 5th Annual Living Blues Cookout:Featuring Magic Slim and the Tear¬drops Sun July 31, 4-2 at B L U E S.,2519 N Halsted, 549-9436Ethnic Heritage Ensemble Reviewed ingcj’s July 8th issue Sun July 31 at 2.New Music at MoMing 1034 WBarry, 472-9894 $5.~>>>Dancycle’s City Dances Carrie Stern,July 31 at 2 in Lincoln Park N.E. ofthe Boat Pond. Jan Bartoszek withAkasha & Co, Aug 5 at 5:30 in GrantPark N.W. corner of Congress andColombus. Free.Chicago Performs Tommy Gomez dem¬onstrates, with his troupe, Africanand Caribbean dance. Sat, July 30 at2. CPL Cultural Center, 78 E Washing¬ton. Free.Dance for a Dollar MoMing’s series con¬tinues: Aug 5,6,7 and 12,13,14 at8:30. 1034 W Barry, 472-9894. $1.>>>>>>>>>>>>>>_>>>>>>>>>> ,>>>>>>>>> ->>>>>>>>> >>>>>>>>>>>>>>>> -7>>>>>> ^>>>>>> n>>>>> v>>>>>>>»>DAI\ICE >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>^>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>The Importance of Being Earnest (Anth¬ony Asquith, 1952) Oscar Wilde’scomedy of manners — the artisticachievement of the repressed Victo¬rian age — is actually a beautiful de¬molition of the British “well-made”play. Filmed in riotous color, Asquithhas produced a very stylish andvery silly (i.e., funny) film which fea¬tures performances by Edith Evansand Michael Redgrave. Tonight at7:15 & 9. SAO/SOQ, Cobb, $2. —JMDirty Harry (Don Siegel, 1971) “I knowwhat you’re thinking: Did he fire sixshots or only five? Well to tell youthe truth, in all this excitement Iguess I kind of lost track myself. Butbeing this is a .44 Magnum, the mostpowerful handgun in the world, andwould blow your head clean off,you’ve got to ask yourself a ques¬tion: ‘Do I feel lucky today?’ Well doyou. . . punk?” With Clint Eastwood,obviously. Tomorrow at 7:15 & 9:15.SAO/SOQ, Cobb, $2.Night Moves (Arthur Penn, 1975) GeneHackman stars as an L.A. detectivewho puts aside his marital woes totrack a runaway teenager to theFlorida keys, only to become in¬volved in a web of deception andmurder. Night Moves is one of thebest Watergate-era investigationsinto the nature of work, public ser¬vice, personal honor, and organizedcorruption. Similar in theme andstyle to Chinatown, with a Seventiessensibility. Tue Aug 2 at 8. DOC,Cobb, $2.Mr. Hulot’s Holiday (Jacques Tati, 1954)Tati, the master of French silent com¬edy in the age of sound, here playsthe ever-cheerful, never-stoppableMr. Hulot, who goes on a vacation ata seaside resort and pushes its or¬dered bourgeois world into a happydisarray, culminating in an explo¬sion of fireworks and jazz. Wed Aug3 at 8. SAO/SOQ, Cobb, $2.The Fallen Idol (1949) Carol Reed (TheThird Man) directs this GrahamGreen tale about an 8-year-old am¬bassador’s son (Bobby Henrey) whoadores, defends, and ultimatelyfingers the embassy butler, Baines(Ralph Richardson), in the apparentmurder of his wife (Sonia Dresdel).Georges Perinal’s child’s-eye photo¬graphy, Vincent Korda’s handsome,visually exciting sets, and Reed’s re¬markably balanced treatment ofcharacter development, humor andsuspense, integrate nicely with theperformances of Richardson,Henrey, and Michele Morgan (Dres-del’s rival for Richardson’s affec¬tions), and make The Fallen Idol aclassic entry in the annals of filmstudy. Thur Aug 4 at 8:30. LSF. $2—PFWend Kuuni (Gaston Kabore, 1982) Afictional work which combines Afri¬can narrative and musical structureslinking pre-colonial past with con¬temporary life. And Black andGreen (St Claire Bourne, 1983) Alook at the current situation inNorthern Ireland— as well as a re¬ The Ethnic Heritage Ensembleflection on the legacy of the civilrights movement. Both tonight at5:30 and 8:10 at the School of theArt Institute, Columbus and Jackson.443-3733. $3.The State of Things (Wim Wenders,1983) Wenders is the unsung masterof the German New Wave (itself a lit¬tle old by now) which includes Fass¬binder and Herzog. The State ofThings is Wender s latest film, madeshortly after his troubles with Fran¬cis Ford Coppola on Hammett. Al¬though Wender denies it, this tale ofa filmmaker whose search for moneyfrom his producer to complete a film,a search that takes him into thesleazy underworld of Hollywood,sounds too much like what actuallyhappened to Wenders with Hammettfor comfort. A fascinating and dis¬turbing film which is making its Chi¬cago debut. With Roger Corman andSam Fuller. Unbelievable. Tomorrowand Sun July 31 at 3, 5:30, and 8 atthe Film Center of the Art Institute,Jackson and Columbus. 443-3733.$3. —IMARTBlack & White live and taped music byEric Leonardson. T.V. Series 2; Lad¬ders of Reciprocity, video perfor¬mance by Richard Nielson and ShaunGilmore; music by James Grisby.Technical Melodramas, audio, video,film, computer works by John Goss.Tonight at 8. At Randolph StreetGallery, 756 N Milwaukee,666-7737. $3, $2 students.Members’ Show A good show, but notbecause it has good stuff in it. Mostappealing is the fairly democraticfirst principle of the thing: for thecost of joining the Center ($20), any¬one can show any one work. Less ap¬pealing: each work is placed into oneof the following categories: Paint¬ing, Sculpture, Drawing and Graph¬ics, Photo, or Craft. (These groupsserve to facilitate judging: one“First Prize” and two “HonorableMention”s per group.) Least appeal-Grey City Journal 7/29/83Staff: Steven Diamond, Pat Finnegan, Russel Forster, Kathy Kelly, Jef¬frey Makos, Leah Mayes, Nadine McGann, Vince Michael, David Miller,Maddy Paxman, John Probes, Abby Scher, Judith Silverstein, Beth Sut¬ter, Ken WissokerProduction: Lorraine Kenny, David MillerEditors: Lorraine Kenny and Sharon PeshkinTHE GREY CITY JOURNAL—FRIDAY, JULY 29, 1983—3IOlivia Glide and John Pounds, “Unemployment Line Forms,” sidewalk painting: ALTERNATIVE.NAB ARREST BEFORE ARTICIDEHELP! We urgently need “grassroot” sup¬port if we are to remain open next year. Ifeveryone on our mailing list contributed$3.00 we would be able to stay open nextseason. Please send what you can!—NAB Gallery appeal, 7/83by David MillerNAB Gallery, one of Chicago’s smallestchampions of alternative’ visual art, host¬ed an evening of performances last Fri¬day. Artists were approached to donatethe performance of their pieces, and theaudience was asked to pay a steep ($6)charge at the door. Unofficially, the goalwas to raise $1000, $300 of which was oris needed to cover unanticipated expensesinvolved in shipping paintings from a re¬cent show, Galerie Die Wand, back to Ham¬burg, West Germany. All this makessense.Less clear, exactly, is what artists andaudience are being asked to support. Thismight tentatively be understood to be acombination of two things, inseparable inpractice. First, the continuing availabilityof the NAB Gallery space to artists with¬out other avenues of exposure to the pub¬lic. Second, the continuation of this accord¬ing to the particular sensibility of the NABGallery itself.That the first of these is a worthy goal isnot open to serious question. But NAB,through its location alone, seems at bestable to satisfy this requirement in a veryincomplete fashion. The decision to relo¬cate to 331 South Peoria (from West Hub¬bard) was another, earlier sacrifice to fi¬nancial constraints. This move away fromthe higher rent gallery district has in¬volved a change: ‘ NAB has redirected itspurpose and responsibility toward thecommunity at large, rather than become avanity gallery in support of esoteric andself-indulgent interests”, according toGallery literature. This means of coursethat while one finds that shows at, say,Artemisia commonly push art by membersof the collective (some of whom are quiterecognized), NAB supports no such “self-indulgent interests” and, further, servesas well a different (and, implicitly, lessself-consciously artistic’) audience.This change works differently in prac¬tice than the preference implied by theidealistic desire behind it. The NAB audi¬ence at the several openings so far thisyear has been white and middle class, as itwas last Friday (though two black men showed up to dance). Further, though theinstitution does not present one-personshows, does not show members’ work (ha-ha; actually it does — see below), and con¬sistently invites guest curators, its audi¬ence is nevertheless relatively small: I’venever seen 100 people there at once. (Bycontrast, hundreds and hundreds passthrough ARC, Artemisia, and N.A.M.E.Galleries when all three have openings onthe same night.) It thus seems that NABpays dearly for its alternative status, andnot least in the self-deception that itserves the “community at large” ratherthan the more restricted art-going public.The Gallery sensibility reinforces andcomplicates these points. Certainly NABoffers shows as concept-oriented and ‘pro¬gressive’ as those of the Hubbard Streetsort. Differences, to judge from the recentpast, result from less money (reflected inless glitter) and the presence of a peculiar,ironic attitude toward art, audience, andpurpose.An instance from last Friday night’s pro¬ceedings makes this clear. The eveningwas a succession of relatively short pieceswith two intermissions. This was coordin¬ated by a Master of Ceremonies, DonMeckley, who was equipped with a micro¬phone and positioned out of view behind a sheet in one corner of the gallery. Meckleyplayed wierd soundtracks (‘noises' ratherthan ‘music’) between acts, hummed ormuttered, introduced performers in a jok¬ing, almost sarcastic, manner, and offereda running commentary on the evening, theaudience, and himself. He at one point forexample introduced a “work” with thisimmediate qualification: “I use the termwith reservation, since I am aware of theproblems we all have with it, given all thethings it is used to mean. But on the otherhand if I say ‘work’ we all know what toexpect; everybody knows what I mean.”Meckley is right that people have prob¬lems with the word, and for good reason:it does serve to sanctify all sorts of crap,for instance. And he’s right that eventhose who have this or other problemswith the word understand its use and useit themselves. All in all, an amusing aside,and a good expression of the NAB out¬look, which might be summarized as theeffort to negate the present by alluding toits ridiculousness.What has got to be remembered is thatwhile the present may be ridiculous, it isalso present, unavoidable, and hardlychanged by the simple activity of jokingabout it. Further, even if it is completelyridiculous, different parts can be identi¬ fied as more or less so.NAB as a whole cannot completely haveforgotten this, or it would not have sur¬vived ten years. Still, the opposite atti¬tude, that everything is worthy of con¬tempt, seem to have taken a strong holdon the Gallery’s ways. An entire show inMarch of this year, RAC Revisited, was ajoking misrepresentation. The first RACshow in 1979 was presented as an ex¬change show with a (actually nonexistent)Philadelphia collective; it was as much adig at N.A.M.E. Gallery, which had in factjust had such an exchange with a Philadel¬phia gallery, as it was an idea appro¬priate to the NAB collective. In both it andin its “Revisitation” this year NABmembers produced and showed bogus'works’ of their own. Directly thereafter,NAB actually did engage in an exchangeshow, with Galerie Die Wand of Hamburg,West Germany, which was presented as atrue ‘alternative’ to other, more commer¬cial West German galleries. Yet the paint¬ings in this show did not look significantlydifferent from those by other West Ger¬man painters that have made such a hitwith the international art world; all werecertainly expressionistic and most werefigurative or ‘representational’. To putthis succession of shows in the language ofthe MC’s “work” joke, “We present theseshows with reservation, since we areaware of the problems we all have withthem, given all the self-interest they pres¬ent, even if they don’t make money. But onthe other hand, if we present an exchangeshow, everybody knows what to expect.”Well, yes and no: according to a writer inthe April, 1983 New Art Examiner, theoriginal RAC show “was a hodgepodge ofstuff which baffled viewers and dupedcertain critics who accepted the show atface value.” I’m sure that NAB desires thisgeneral reaction; I’m less convinced that itgets NAB anything worth getting.Again, the MC’s performance last Fridaymakes the same point with equal clarity.Though it was flawed by an inappropriateaudience seating arrangement, BeverlyFeldmann and Jacqueline Rapp's perfor¬mance, “Yes and No/Yes or No”, turns outto have been the evening’s most substan¬tial piece. It is beside the point to describeit in detail; suffice it to say that its success(as experienced at Randolph Street Gal¬lery earlier this year) depends upon theexpression of opinion by members of theaudience and not by the nominal perform¬ers (who actually facilitate a performanceby the audience) or any other ‘authority’.This point was lost on Meckley (perhapshis position of invisibility did not so muchseparate the audience from him as viceversa), who interrupted the silent pro¬ceedings at one point by singing a churchhymn; further, he sang long after his pointwas made.This making light had a basis in the per¬formance itself: the gallery was quiet,money was being collected, things weresort of like they are in church. But pointingout these similarities added an unneces¬sary irony to a performance that is not atall tongue-in-cheek. A joke like this maybe funny in the sense that people laugh atit, but it ultimately comes off at best as anobnoxious interference and at worst as atotal disrespect for both art and audi¬ence.Given this attitude, how can NAB suc¬ceed? If the institution’s collective wisdomtells it that everything is meaningless,why doesn’t it just fold, commit institution¬al suicide? Here one must return to theGallery’s purpose; an example will serve.My favorite ‘work’ at NAB recently was“Unemployment Line Forms” in May. Itstwo makers interviewed people in unem¬ployment offices, and quoted from these inchalk on the sidewalk outside the Gallery;they also drew 111 silhouetted figures,each representing 1546 unemployed Chi¬cagoans, or a total of almost 12 percent ofthe city’s adult working population. I real¬ly wish it could be seen and read by lots ofpeople, like maybe on the sidewalk out¬side the Art Institute or better, someplaceon LaSalle. But this obviously won’t hap¬pen, and since it won’t, we all need ‘alter¬native’ spaces.NAB seems to attempt to go fartherthan this, to be an alternative to the alter¬natives. But NAB exists in the same worldas the rest of us, however stupid it maybe. Sometimes NAB seems to forget thisand seems to go too far....The Ashtray: Mainstream4—FRIDAY, JULY 29, 1983—THE GREY CITY JOURNALvi*j»iii; com ins%-Sale Dates 7/29 thru 8/5LIQUOR750 ml Smirnoff Vodka 4.99750 ml Martell Cognac 12.99750 ml Fleischmann’s Gin 3.99750 ml Ron Cielo Rum 3.99750 ml Stock Amaretto 6.59WINESltr Giumarra Wines (Decanter bottle) 2/6.001.5ltr Almaden Mtn. Wines 3.991.5ltr Louis Glunz (red or white) 4.991.5ltr Inglenook Navelle Wines 3.99750 ml Henkell Champagne 6.99750 ml Piper’s Champagne 12.99750 ml J. Roget Champagne 2.593.0 ltr Paul Masson Table Wines $6.99 less $2.00 rebate 4.99BEER, POP6-12 OZ. cans Pepsi, Diet, Sunkist, Mtn Dew (warm only). 1.5912-12 OZ. Cans Old style (warm only 4.29K IMBARK LIQUORS& WINE SHOPPE UKMiwknuaSut».-Nooa~Mldaightn, oo-- Hours: Mon.-Thur«. Sam • IanPhone: 493*3355 Fri. & Sat. * 2asTHREE MEALS A DAYEVERYDAYat theair-conditionedINTERNATIONALHOUSEDINING ROOM• HOURS•Monday - Friday - Breakfast 7:00 a.m. - 9:30 a.m.Lunch .... 11:30 a.m.-1:30 p.m.Dinner 6:00 p.m. - 7:00 p.m.Saturday & Sunday - ContinentalBreakfast 8:00 a.m. -10:00 a.m.Brunch 11:00 a.m. -1:30 p.m.Dinner 6:00 p.m. - 7:00 p.m.• Reasonably Priced •OPEN JUNE 19 - SEPTEMBER 3• OPEN TO THE PUBLIC •GROUP ARRANGEMENTS AVAILABLE: CALL 753-2282 Bring a taste of France to your table todayFRESH BAKED CROISSANTSFRESH SQUEEZED ORANGE JUICE TO GOThis Week’s Special:25% off alt croissants to goCall early and well bake them to orderfor you by the dozen6<Sr</ <C 9/arfer • 667-2000Summit oh fhe Quark - tftooieo!SOQ FILM PRESENTSFriday July 29 The Importance of Being Earnest 7:15 pm & 9 pmSaturday July 30 Dirty Harry 7:15 pm & 9:30 pmTuesday August 2 Night Moves 8 pmWednesday August 3 Mr. Hulot’s Holiday 8 pmFriday August 5 Funny Face 7:15 & 9:30 pmTuesday August 9 Hickey & Boggs 8 pmWednesday August 10 My Darling Clementine 8 pmFriday August 12 Time Bandits 7:15 pm & 9:30 pmSaturday August 13 Godfather II 8 pmWednesday August 17 The Day the Earth Stood Still 8 pmFriday August 19 You Only Live Twice 7:15 pm & 9:30 pmSaturday August 20 Excalibur 7 pm & 9:30 pmAll Films shown in COBB HALL$2.00 admission(Pick up a complete souvenir film guide FREE at show)The AFFORDABLEILLION DOLLAR LOOKLook like a million without investing a fortune TheHAIR PERFORMERS otter you a hair design that'sworth its weight in gold. At a remarkably lowpnce $5.00 OFFCDCPI Al nCCCD COMPLETE HAIR SHAPING AND STYLING ORbPEUALUM-tK sn% OFF PERMSOffers good for first time clients with participating aesigners onlyThe1621 E. 55th St.*241-7778Open 7 Days ©TPe HdT Performers. 1983THE GREY CITY JOURNAL—FRIDAY, JULY 29, 1983—5SUBMIT TO:The Chicago Literary Review• Reviews• Stories• Poetry; • Art,Deadline September 7th, Issue date September 23rdContact Campbell McGrath-962-9555I enjoy my contactLenses made byDr. Kurt RosenbaumOptometristKimbark Plaza1200 E. 53rd St.493-8372 Studios, 1 & 2 BedroomApartments AvailableSome Nice Lake ViewsGood LocationHeat IncludedParking AvailableCALLHERBERT REALTY684-23335 % Student Discounts9:00 A.M.-4:30 P.M.Monday thru FridaySat. 104VK, Take Your LastCourse of the Dayat THEMedici on HarperFeaturing a versatile menu of fettuccine. burgers, pizza,fish and much more at very satisfying prices.Now ServingSunday Brunch!A fabulous buffet featuring homemade coffee cakes andcroissants, smoked fish. Nova Scotia Lox. squeeze-your-own orange juice, salads, and a mouth-wateringselection of hot and cold entrees.Brunch is served10:30 to 2:00 pm $8.25—Adults$4.50—ChildrenM EDICIOn Harper5211 S. Harper Court • 667-4008Buy one brunch and a friend pays only 1/2 pricewith this ad! (thru 8/20) A ARGUMENT UNRESOLVEDTm sick of always having to pick up after youaround here. You're just like a little kid, alwaysleaving a trail of toys behind you.“But you have to realize that it’s not in my person¬ality to worry about that. You know that I've gottoo many things on my mind as it is, so I neverhave the time or the inclination to keep this place“spotless.”‘Well, you're not very considerate of other peo¬ple’s feelings, are you? You know that it bothersme to have this constant clutter around, but all youhave to say is that you “don’t feel like cleaningup.” Come on, / do a lot of things for you that Idon’t particularly feel like doing, and you don’tsee me complaining.“Look, I know that it bothers you, but it’s just not inmy nature to do anything different. I’m just..*So my concerns don’t mean anything to you. isthat what you're saying? Well, I can't believe(!)that you could be so self-centered as to thinkabout only your own “nature” and not care aboutwhat anyone else feels. Really!“And you’re not “self-centered” yourself? Whycan’t you see that asking me to be more worriedabout cleaning up than I am is just as self-centeredon your part?‘Hey, I'm only asking you to behave as any normalperson would, and that means you should take re¬sponsibility for your actions. Most peoplewouldn’t find it too hard to Dick up their emptybeer cans and throw them away once in a while; Sowhy can't you? I just don’t see...“Well, then I guess I’m not “normal.” You know. Icould easily promise that I will be conscientious'about keeping all my belongings in their properlocation, but I know I wouldn't live up to that. Soinstead of making a promise I won't deliver on, I'drather be honest with you about myself and tellyou that I’m just very unreliable about this sort ofthing no matter what...‘How could you say such a mindless thing? Becauseif you know you're unreliable, why don't you dowhat the responsible person would do and try todo something about it? / say you should grow outof your childishness and stop making excuses inthe name of “honesty” to get out of some workyou're too lazy to do.“So I'm a “self-centered child” then, if that makesyou any happier. I don't know...if you are deter¬mined to make me into the bad guy, I can’t stopyou. I’m just so sick and tired of having to defendmyself. Maybe I’m not perfect, but neither is any¬one else, including you. This just happens to be oneof my failings, but that’s mainly because I don’tsee it as a problem like you do. So what can Ido...‘Don’t be ridiculous. You know that I’m not askingyou to be perfect, but you make it sound like I'masking you to climb Mount Everest or something.Come on, it's not that hard to pick up after your¬self. Millions of people do it every day.“Go ahead, make fun of me. Look, I've had enoughof this discussion. You've used every underhandedtechnique to make me seem, like an idiot. As far asI'm concerned, I’ll do whatever the hell you wantme to do ...Just get off my back.... Good bye. I'mgoing out for a walk or something...‘Have a good time.— Russ Forster Name Calling:ChildishRationalSelf-JustificationGuilt PlayRepetitionName Calling:Self-CenteredTable TurningClassification:AbnormalMartyredHonestyName Calling:Childisih AgainEmotional DefenseReduction toAbsurdityEmotionalBreakdownLast DigResolution76—FRIDAY, JULY 29, 1983—THE GREY CITY JOURNALCOMICS:ART OR CULTURE?By Vince MichaelEvery art is a form of creative communi¬cation which employs a particular idiom itshares with its audience. Thus the distinc¬tion between fine arts and popular arts isthat the former requires a certain level ofsophistication or education on the part ofits audience, while the latter speaks informs easily understood by the mass of theculture. Moreover, for better or worse, thepopular arts will have a greater influenceover (and be more influenced by) the cul¬ture than those which define their audi¬ence — and hence their concern — morenarrowly.The David and Alfred Smart Gallery (be¬hind the fieldhouse on 56th and Green¬wood) is currently displaying an exhibit ofpopular arts. “The Amiercan Comic Strip”features 46 original works from 1896 to1980, including some of the best and mostmemorable comic artists. The comic strip isa popular art form uniquely suited toAmerican culture. Like the motion picture(which serves as a constant parallel),comics combine design, narrative and dia¬logue to create a form easily understoodby generations of immigrants from a vari¬ety of lands. For the children of the earlytwentieth century tenements, they werethe only literature which spoke in the dia¬lect they heard in the streets.It is perhaps as a cultural chronicle that‘‘The American Comic Strip” is most im¬pressive. Arranged chronologically for themost part, one can see the development ofthe art form from “The Yellow Kid”’s sin¬gle panel and nineteenth-century ink¬ing/engraving style, to artistic techniquesreflecting Art Nouveau (“Bringing Up Fa¬ther” by George McManus, “Joe Prep” byJohn Held, Jr.), Surrealism (“Krazy Kat”,by George Herriman, “Little Nemo” byWindsor McCay), and a large helping of THEWSTHt STEEL MILLS OVER THERE-AW' THAT'S TH' PITTSBURGH -ALLEGHENYCOUkJTY AIRPORT- THAT BUILDING IS TH'PEKIWSYLVAHiA COLLEGE POP WOMEN-THIS CITY IS TH' STEEL CAPrTAL OF THEWORLD-THOSE APE THE ALLEGHENY 'AHD MOWONGAHELA RIVERS - MOW- IWILL TAKE YOUSE OVER TO SEE TH'PORT PITT BLOCKHOUSE - BY GOLLY-VOUKNOW YOURPITTSBURGH- OVER HERE IS THESWANKY RESIDENTIALSECTION-MY HOUSEGeorge McManus, “Bringing Up Father,” 1940“realistic” fantasy-adventure, the sort ofart which later came to characterize comicbooks. But more than reflecting formsfound in the fine arts, comics in the teens,20’s and 30's were forming their ownidiom. For while fine art usually confinesitself to aspects of design, depth, contrast,and the like, comic art must tell a story.Comics, like motion pictures, have to em¬ploy visual narrative; i.e., use cartoons.The narrative style, which is somewhatcrude in “Yellow Kid” and even in “LittleNemo”, is perhaps best employed by ad¬venture strips such as “Flash Gordon” (notrepresented in the show) or “Secret AgentX-9” by Alex Raymond, and “Prince Val¬iant” by Hal Foster. Some of these artists'pages require no words. During the earlytwentieth century comic strips were devel¬oping their verbal idiom, employing dia¬logue and dialect in a unique — and uni¬quely American — way. Witness “Lit’Abner”, “Barney Google” or “Pogo” forthe American rural southern dialect, “Cap¬tain and the Kids” (Katzenjammer Kids) for immigrant accents, and “Krazy Kat”,“Happy Hooligan”, “Bringing Up Father”or “Mutt and Jeff” for urban slang.One can get a unique clue into rolemodels of the twentieth century. It is espe¬cially revealing to see the working womanin the twenties’ “Winnie Winkle the Bread¬winner”, “Tille the Toiler” or the matri¬arch Mamie Yokum of “Lil’ Abner” disap¬pear in the forties and fifties, as thesuburban trope (started by “Blondie”)with the 9-to-5 husband narrowed the con¬tent of the comic strip.While the collection of 46 strips or panelsis representative, it is not interpretativeenough to make as strong a statement as itmight. Only the chronological order servesas a guide. We see the nineteenth-centuryhousehold in “Buster Brown”, the earlytwentieth century streets in “Mutt andJeff”, the Depression in “Little AnnieRooney”, the roaring twenties in “WinnieWinkle” and “Joe Prep”, the postwar li-festyie of boom America in “Dennis theMenace”, the Sixties in the eyes of under¬ ground cartoonist Robert Crumb, and thepost-Sixties via Feiffer and Doonesbury.Unfortunately, many of the works cho¬sen for the exhibit are not the best examp¬les of the strips they represent in terms ofthe timeline they are set in. “The Captainand the Kids” example is from 1949, halfa century after the strip first appeared,and certainly after it had settled into arather formulaic tradition. A “Dick Tracy”from 1955 is interesting, but not nearly asfascinating as an example from its earlyincarnation in 1931 might have been. Likepopular music, comic strips often start withan initial dynamic that is lost in an attemptto reflect rather than influence populartastes. The first album is always the best;the same is true of newspaper comics.A large percentage of our current fea¬tures (“Winnie Winkle”, “Dick Tracy”,"Gasoline Alley”, “Blondie”, “Moon Mul¬lins”) began between the World Wars.Time, the pressures of selling the strip,and changes of artists result in formulas.The social conflict that first characterizedthe personalities in these strips has beenlost. Some of the Smart Gallery works dopresent this early dynamic (“BroomHilda”, “Buster Brown”, “Pogo”, “Tar-zan”), but it is difficult for the uninitiatedviewer to understand this perspective. Itwould have been useful to indicate the lifeof the strip. At the same time, later incar¬nations of old classics do demonstrate ameasure of the idiom current when theywere presented.The current interest in the “art” inher¬ent in this medium has resulted in this ex¬hibit, which has been culled from theJerome K. Muller collection. Finally comicstrips are being considered art worthy ofan art museum. Perhaps we are in thetransitional period when a popular art be¬comes a fine art. I hope not. Ultimately apicture story with dialogue must remain aform accessible to the many, even in anelectronic age. Moreover, it is a formwhich has developed that idiom into arather large and rich spectrum. The exhib¬it allows one to view the influences of theearly classics on ls?c*r works, and to assessthe extent of communication possible inthe modern comic.See this exhibit in Smart Gallery. Moreimportantly, see it in the papers and onthe streets.THE COMINGOF MARAT-SADEby Steven DiamondMy experience with Marat-Sade whichConcrete Gothic Theater is currently re¬hearsing has been very different from theother productions with which I have beeninvolved. I’m accustomed to my role of ei¬ther director or producer for CGT, but thisis the first time that I have had to act inone of our productions. Granted the role isa minor one; I’m just one of the ten or sopatients who form the chorus and themembers of the Chareaton Insane Asylum.But nonetheless, I find acting more timeconsuming than either directing or produc¬ing. When directing, one does not need tospend hours memorizing lines and gettinginto a character. In this particular play be¬cause of the incredible number of charac¬ters the directors wanted the actors to de¬vise their own patient’s characters, so inmany ways the actors have been their owndirector. At first, we were left totally toour own ideas on how to create our charac¬ter but now we are learning, through exer¬cises which simulate the insane behaviorthat is caused by being locked-up in anasylum. These exercises gave many of theactors their first glimpse of the insane andwhat they must do to properly portray aninsane person. These exercises gave me agreat deal of respect for the insane, aswell as an awareness of the amount ofworthless energy they expend having tan¬trums, and rolling into fetal positions, allto no avail, since they are unable to com¬municate with the nurses or any othermembers of the outside world. The exer¬cises worked very well as the actors arenow learning how to act insane and controltheir rage so that it doesn’t offset the bal¬ance of the play. The actors were able to control theircharacter without much help from thedirectors, and I’m glad, since the other ele¬ments of the play pose an incredibleamount of work, even for two directors.The directors had to teach the principlesthe traditional problems of blocking, andcorrect pronunciation. In addition, thereare four singers, and the songs which theylearn, in the course of the play, heavilycontrol the mood of the play. These songsquickly change from incredibly somberhymns, to upbeat numbers, to soothingsongs which quiet the whole asylum. Themusic has required the location of a flutist,pianist, drummer and trumpeter. The pian¬ist himself seems especially a godsend. Heis willing to teach all the chorus the musiceven though many cannot sing a note, norwere they ever meant to since they are in¬sane. But the real job for the directors isgetting all these different elements to¬gether so that the play is coherent, excit¬ing and enjoyable.But what exactly is the story of Marat-Sade that the directors and the actors aretrying to make into an exhilarating show?The story takes place just before theFrench Revolution in an insane asylumwhich has undergone changes that make itpossible for inmates to put on plays. Oneof the inmates is Marquis de Sade who I’msure you know little bits and pieces about.Basically he believed that people enjoyedpain and suffering. He decides to directthis very straight and serious play on theexecution of Jean-Marat, who was sen¬tenced to an insane asylum for having po¬litical and ideological beliefs that differedfrom the rest of the 19th century. Whilethe plot is simple the fact that the playwas written in 1962 about a play done inan insane asylum in 1808 about a man wholived in 1793, is not. In addition, whileMarquis may want all his incredibly twist¬ed ideas to come out exactly right, theycan’t since the patients are too detachedfrom the world to have any notion of whatan actor is, let alone the meaning of the story that they are trying to portray. Yesnow you are beginning to understand ex¬actly how complicated this play actuallyis.I think I could easily handle all these tro¬ubles; god knows, they present them¬selves in one way or another in most prod¬uctions, but this is the summer, whichcomplicates everything. Somehow wewere able to find enough competent actorsso that the play actually seems like ittakes place in an insane asylum. But nowwe must find the audience, something thatis relatively easy when there is a largecampus community, but not very simple inthe summer. We are spending a great dealof time publicizing the play outside of U ofC and Hyde Park. We want to make surethat people know it is outdoors and thatthey can and should bring food. And wefeel that while it is an incredibly sad play,the audience should be able to enjoy it.I just hope at this point everythingworks out. We still are such a young orga¬ nization, that it seems as if every playmust be a success to prevent people frompredicting our downfall. I feel that Con¬crete Gothic is slowly gaining a reputationbut it is hard to keep everyone believingthat we are going to last. As it becomes ob¬vious that we are here to stay, I keep dis¬covering that people had very negativethoughts. At first, there were a multitudeof non-believers who thought there nevercould be a quality student theater organi¬zation on this campus. Well the same thinghappened late this spring, everyone Italked to said, “Summer, impossible. Noone does anything in the summer, notenough people.” Well CGT proved themwrong before and we are set to provethem wrong again.Already I feel another victory over theskeptics is in the making. The actors andthe technical staff are really enjoying andpushing themselves in rehearsals. Surethere are a few bad feelings; somemembers of the cast are unwilling to putmuch energy into the play, but I know intime even these few lingering souls willcome around and realize how important itis that everyone does a good job, that agood play is made by a team effort andnot just a great performer. Indeed thisplay is probably one of the best examplesof ensemble acting, since even the smallestroles require constant participation onstage. So if a character doesn't have lines,he or she must learn how to keep him orherself occupied for a full two hours inorder to convince the audience that he orshe is actually crazy — not an easy job con¬sidering how restrain'd most U of C stu¬dents are. But we are a’.' definitely comingout of our shells, learning how to work to¬gether and create an integrated play with“something for everyone,” as they say.Well I see the play coming together, and Ihope you all come with a picnic bag on ei¬ther August 18, 19. 20 or 21 at 8 to see ifI’m correct; hey it’s only $3 ($4 if you'renot a student) so what have you got tolose?THE GREY CITY JOURNAL—FRIDAY. JULY 29. 1983—7WOMANCHILDO when these swells of windwash over the square panes,roll back in rivlets,I am closing my woundsagainst the night whiletears taste of blood.A crinkled rush of whitecapslifts and lulls over my hard arms,my muscles cramp and tear slowly.Out of a mist and in blackI lean fast, taut againstthis wild silence,a soft caress over my cheekgently lifts my hair—a gunshot crackas my back snaps in two. Hot your tears turn chill on my arm,a lee from the soggy night.Heavy this our burden.Night stands a woman, againstthe grid and data of day,warm and gentle, a yearningto join in wonderwith the dark.Rain tickles the ear,but it is only rain—you must learn your laughteris for now and then.This is, that is,what you Name it.But this ageless, new bodyof many moons is change,has no Name, all rhythm,is yours.A burden to knowall rhythm to singon cue but one.Your trembling no new dance,hot your tears turn chill.SHE I SACRIFICEWhat lost motherghost shadow falls under sunwith no body blood,outlined her body is not is my body.Where is my mother is where she has been.Milienia skip so distancethe gray face, my eyes her eyes,glazed madness of animals pacing,a Question to her reaches back to hersto utter silence of oracles, of Egypt.For daughter deadClytemnestra only now to turn,deep to bitter sinksfor futures stolenof daughters dumb to daughters dumb.Silence speaks travestyof generation’s womb ice-lined—so fierce this love. AN ODD AMNESIAfor R.D.\When I look at youI do not see beautynor remember what features—shoulders, your eyes, hair, bare back—first seemed good or fair.How confusing to look on you,flushing warm.How can others not know youwhen too full I splash them?I cannot say if my brother goes handsome,my sister seems comely,too long have I known her assister, as such.Though I stare they are nothing more,not less.Determined to draw some conclusionI go to the glass, but how dull,my figure stares back— plain anatomy-all in place as it should be.No, I am sorry, I cannot tell youof your eyes, your chest, neck, or hips,more than “I am sure you have them!”somewheres.But even at this I scratch confused,as sister is sister,brother just that,you are beauty, are love,nothing more.-KATE HOFFMANJOHNSON: DESCRIPT & DIRECTTerrorists & Novelists, by Diane Johnson.New York: Knopf, 1982.by Elaine GuregianI first read Diane Johnson in the NewYork Review of Books, in which most ofthe essays in this collection first ap¬peared. Some of the essays are still force¬ful, if considered individually, but John¬son’s ideas wear thin with repetition.She'll rework a theme — for one, the pre¬mise that in literature, a writer’s genderis always a factor to be reckoned with —until an argument begins to sound likepropaganda.The book’s title summarizes Johnson’ssubjects, which the table of contents (un¬helpfully) divides into I) Self-Deceptions II)Fictions Stranger Than Fiction and III) TheReal World. Subjects include PattyHearst’s trial, Elizabeth Hardwick’s Sleep¬less Nights and Saul Bellow’s The Dean'sDecember. Johnson often succeeds at inte¬grating a novelist’s attention to descrip¬tion (she has published five novels) with ajournalist’s directness. At times, the sim¬plicity seems hard-won. Opening an essayon Donald Barthelme, for instance, sheasks, “What are his stories about andwhat are they like?” crossing over the linefrom directness to precious ingenuousness.Closing an essay on Charlotte Bronte sheswaggers; “How sad that she didn’t juststick to writing; but of course no artistcould.”Johnson’s combination of journalism andliterature reminds me a bit of Joan Di-dion’s, so the essay “Should Novels Havea Message?” which discusses novels by Di- dion, Bertha Harris and Erica Jong, lookedinviting. Johnson's search for a unifyingtheme led her to lump together writersthat have little in common, as Johnson her¬self notes, except their interest in“women’s issues.” Johnson makes the dis¬claimer that “It should be emphasizedthat there is really no comparison to bemade between Jong and Didion’s booksbeyond the hardly accidental scene inwhich they both, together with BerthaHarris’s Lover, and with many other bookstoday, consider strategies that women aredevising to survive or adapt (‘seeking ful¬fillment’).” Then why base an essay on apremise of shared attitudes? Johnson 5slights formal and stylistic considerations <2in order to pursue her thesis. Yes, she an- >swers, novels should have a message. 5Fine, but by settling on the author’s fema¬leness as their common ground she inhibitsmale access to their messages. This seemsincongruous. After all, empathy with Bechisn’t a precondition for appreciating JohnUpdike’s novels, nor is Updike discussedas a man who handles specifically “maleissues.” To raise this point about classifi¬cation by gender is to prolong a discussionbetter off closed. But it’s worth making itbecause Joan Didion is one writer whotranscends such catergories, writingnovels and essays that explore the humancondition.Johnson begins her discussion of Didion’snovel A Book of Common Prayer with thewarning that “To those who won't like Ms.Jong’s novel as much as they had hoped to,I suppose will be added many who won’tlike Joan Didion’s novel as much as they Diane Johnsonfeel they ought to.” It’s more likely thatanyone who would be influenced by a pop¬ular consensus of quality would feel com¬pelled to dislike Didion. Popularity inone’s own time is considered unseemly,like discussions about money. It’s lastingpopularity that counts, and who knows ifDidion will turn out to be just another fad?Johnson’s occasional throwaway phrasethreatens her credibility. She’ll constructa fairly tight net of reasoning when a gapof logic or precision threatens its stabili¬ty-The discussion of Didion is relevatory,though. When Johnson faults the “over¬bearing” objectivity of one of Didion’s“super-cool” characters, she identifies theopposite of the quality that is her own greatest strength. Johnson makes all thepeople she writes about — characters andwriters and real-life protagonists — con¬vincing and compelling. She proves herselfwell aware of the danger of making such apull on the reader, writing that “Peopleseem to feel uneasy about their own wishto read about people they care about, as ifthere were something essentially unmo¬dern, suspect, sentimental about suchwishes, something that will lead to sloppycrying jags in bars.” Pehaps this is whyshe interlaces her accounts with photorea¬listic detail in the Pauline Kael mode. De¬scribing Don DeLillo’s novel Players, forexample, Johnson writes, “In the pro¬logue, passengers standing in the pianobar of an airplane in flight are watching afilm of hippie marauders shooting andhacking to death a band of golfers. Thetranquility of a Sunday morning is ou¬traged, the innocent pastels of the golfingcostumes are soaked with blood.” Johnsonis deft at toughening her prose to make apoint.She is also good at giving apropospoints of reference. In the essay on Barth¬elme, for example, she compares Barth¬elme with Pinter to make a cogent pointabout the difference between their narra¬tive voices. In analyzing political issues,as in discussing fiction writers, Johnsonposes her ideas with pithy understanding.About the Jim Jones cult, she writes, “Ifthere is a native strain of American popu¬lism that makes us mistrust a leader, italso makes us mistrust those who trustleaders.” (For my part, I cringe at writerswho tell “us” what “we” feel, but Johnsonmakes me sympathetic enough to her lineof reasoning that I don’t mind as much asusual.) In the end, it’s Johnson’s talent forsuch well-turned phrases that makes hermost appealing.8—FRIDAY, JULY 29, 1983—THE GREY CITY JOURNALCOMING IN AUGUSTAuthentic Mexican EateryEL LUGARSimply Great Mexican Food!BOTANAS (Appetizers) ESPECIAUDADES DEL LUGAR COMBINACIONES (Combinations)NACHOS (NAH-chos) ((El Lugar’s Specialties) THE ORIGINALCrisp homemade corn tortilla chips served with .... One beef taco, one cheese and onion enchilada,melted cheese. Jalapeno pepper slices added if TACO (tah-KO) and one chorizo and t^an tostada. Served withdesired £.09 Hard or soft shell corn tortilla filled with our rice and beans 4.19msooac nn specially seasoned shredded beef, dicedNACHOS DEL LUGAR chicken, pork, or chorizo (Mexican sausage). THE VEGETARIANCrisp homemade tortilla chips topped with our - Topped with lettuce, tomatoes, grated cheese One guacamole taco, one cheese and onion en-chorizo and bean filling, shredded cheese, and green onions. chilada, and one refried bean tostada. Servedguacamole and jalapeno pepper slices. Single Taco 1.19 with rice and beans 4.19Del,a0Us! 4,49T p| 3*95 EL LUGAR’S COMBINACIONGUACAMOLE (gwah -kah-MOH-leh) * One chicken taco, one pork enchilada, and oneFresh avocado dip with diced onions, tomatoes, Soft flour tortilla filled with our specially season- beef tostada. Served with rice and beans. 4.29and our special seasonings. Served in a lettuce ed shredded beef, diced chicken, pork, orcup, garnished with corn tortilla chips. chorizo (Mexican sausage). Topped with let- ENSALADAS (Salads)Pooillar I cc tuce, tomatoes, grated cheese and green"egUiar onions. GUACAMOLE SALAD (gwah-kah-MOH-leh)Large C.OJ9 Single Taco 1.19 Guacamole served with shredded lettuce, slic-_ ^ o nr ed tomatoes, and black olives in a flour tortilla ^Taco Platter 3.95 she,| 2.95ENCHILADA (en-CHEE-lah-dah) TACO SALAD (tah-KO)Soft shell corn tortilla dipped lightly in hot oil, Our special shredded beef served on crisp let-then in our enchilada sauce, stuffed with Mex- tuce, covered with grated cheese, dicedican cheese and onions, topped with sauce and tomatoes, green onions and black olives, serv-melted cheese. Add your choice of beef or ed in a flour tortilla shell. 3.29chicken if desired.COMIDAS DEL LUGAR (dinners) fng'e. E.nch"3d3 SOPfi (Soup)' ' Enchilada Platter 3.99 GAZPACHOBISTEC RANCHERO (Ranch Style Steak) TrvtTAn A taw nah\ A refreshing blend of fresh diced vegetablesRib-eye steak that is grilled to perfection, then Aflat haTdshelirorn tortile layered with W"h 3,3ngy ,0ma,° “ld' ..topped with our Mexican Salsa, sliced onions, refried beans or refried beans with chorizo, Regular .b9and green peppers Served with rice and beans. _ _ grated cheese, lettuce, tomatoes and green Large . 90Flour or corn tortillas onions. Chicken or beef topping if desired. SOPA DE TORTILLABISTEC ALA MEXICANA (Mexican Style Steak) Single Tostada 1.29 (SOH-pah de tohr-TEE-yah)Strips of sirloin steak that are lightly pan fried, Tostada Platter 3.99 A chicken broth soup with fried tortilla strips,then simmered in our Mexican Salsa, with slic- tomatoes, onions, fresh garlic and our specialed onions, green peppers and potatoes. Served _ BURRITO (boo-RREE-toh) seasonings, topped with grated chihuahuawith refried beans. Flour or corn tortillas 3.95 An extra large flour tortilla filled with a refried cheesebean and chorizo filling, topped with chopped Regular .69POLLO CON MOLE (POH-you CON MOH-leh) onions and grated cheese. Garnished with let- QnChicken in a Special Sauce tuce, tomatoes, and green onions. Large -9UQuarter of a chicken simmered in a dark Mex- Single Burrito . 2.49beans^Fiour 3.19 Burrito with rice and beans 2.99 PLATOS AL LADO (Side Orders)ARROZ CON POLLO iah-RROS con POH yah) Oo“”^ed shfel’e^’beet or d,ced chicken spIn!^ Rrr'T fioChicken with Rice wrapped in a corn tortilla and deep fried. Serv- SPANISH RICE .OiJChicken that has been simmered in our Mex- ed on a bed of lettuce with tomatoes and green HOMEMADE CHILI CON CARNE 1.49ican salsa and served with rice and beans. Flour ^ onionsor corn tortillas Single Flauta 1.19 FIDEOS (fee-DAV-os)PESCADO DEL DU VERCRUZANA Ma Flatter 3.95(pehs-KAH-thah del DEE-a vehr-a-KRUH-son-a) TBMBTr . ..AUI . and lemon wedgeFish of the Day, Veracruz Style TAMALE (tah-MAH-lay) R , egFresh sauteed fish topped with our Mexican Shredded beef wrapped in corn husks, spread neguiarSalsa, sliced green pepper, onions, black and with a corn batter and steamed. Served with Large .85green olives Served with rice and beans. Gar- our own Mexican Salsa and topped with shredd-nished with a lemon wedge and fresh cilantro. ed cheese. Garnished with shredded lettuce TORTILLAS (tor-TEE-yas)Flour or corn tortillas 4.99 and tomatoes.Single Tamale .79 (3) Flour TortillasHUEVOS RANCHEROS x-maio Platter 9 ftQ Fine wheat tortilla that is made into a thin(WEH-vohz rahn-CHEH-ros) Tamale Platter £.03 pancake-like bread. .39Ranch Style Eggs ~rn Trtr+i„ _eEggs ‘‘over easy," then lightly simmered in our Our Platters include three of your selected uorn orimasMexican Salsa. Served with a sprig of fresh _ “Specialties” served with rice and beans. All plat- A thin bread made by grinding white corn. .39cilantro, rice and beans. Flour or corn tortillas 1.99 ters include our own Mexican salsa.1603 E. 55th St.684-6514A Subsidiary of Morry’s DeliThe Chicago Maroon—Friday. July 29. 1983SportsBottone’s leads divisionBy Bill FalloonBottone’s, in a game of unbeatens, usedclutch fielding and timely hits to squeak outa 3-2 win over See Your Food. The victorygave them outright position of first place inthe Monday-Wednesday Division of Men’ssoftball.With one out in the first inning, Bruce Per-ham hit a long sacrifice fly that scored tworuns. He later hit another sacrifice fly todrive in one more run in the third.See Your Food tried to strike back in thefourth with 2 outs, but Bottone’s shortstop,Oarence Eichelburger knocked down a linedrive and made a nice play to first to stoptwo base runners from scoring.Again in the fifth inning See Your Foodstarted a rallv that tightened the score to 3-2. Jeff Bonds hit a line drive to center thateasily scored both of his team’s runs. Bot¬tone’s, however, used fine defense in the lasttwo innings to preserve the win.With See Your Food using a makeshiftline-up to accommodate the absence ofthree star players, the next confrontationbetween these two teams should be an excit¬ing one.In other league action earlier in the week,Medici used five runs in the sixth to defeatthe Stat’s Rats 12-10 in the other Men’s Divi¬sion. The victory gave them outright posi¬tion of first. Unintimidated by the leagueleaders, Danny’s Boys later defeated Medici12-7 to even their record at 3-3. The lost wasthe Medici’s first.Co-ed divisions’ results were not availableat press-time.Team Huber v. Hyde-A-Way photos by karen axt IM Softball Standings (as of July 26)Co-ed M-W DivisionThe Pub 4 0B.S. Hitters 5 1Naughty Sweeties 4 2Croziers 4 2Mingling Oral Secretions 3 4Sue the B’s 0 5Paint Hat 0 6Co-ed T-Th DivisionPenguins 5 1Whaling Whales 4 2Aspo in Exile 4 2Stubblefield Irregulars 3 3Visitors 3 3Hillel 2 4Pro-fees . 2 5MVP’s l 6 Men’s M-W DivisionBottone’s 6 0See Your Food 5 0Jimmy’s 3 2The Pub 3 2Line Shot l 5Fun Boy 20 1 5Fat City 9 0 5Men’s T-Th DivisionMedici 6 1Stat’s Rats 5 1King Zoy 4 3Fujita’s Echos 4 3Danny’s Boys 3 3Penguins 2 5Hyde-A-Way 2 5Team Huber l 6TTRUBYCHEVROLET GMACRuby Chevrolet and General Motors Acceptance Corporationhas formulated a special plan to help all of you recentgraduates finance your new car. Even if you have no credithistory or are just starting a new job, Ruby Chevrolet andGMAC will work for you and with you to get you into the newChevrolet of your choice! So stop in at Ruby today and enjoy!• LOW GMAC RATES• A HUGE INVENTORY OF NEW CHEVROLETS• FRIENDLY, HELPFUL SALES AND SERVICE PERSONELr^CHE CALL:684-0400^CHEVROLET7234 STONY ISLAND The Chicago Maroonwill resume publicationSeptember 23with the Orientation Week Issuei; qwpm |i rThe Closer You Get The Better We Look!Hyde Park’s Completely NewApartment ResidenceA Short Walk From The Lake And:Harper Ct. • University of ChicagoThe /. C. • RestaurantsIncludes• Master T. V. Antenna • New Ceramic Tile• Ind. Control Heat • New Appliances• Wall to Wall Carpeting • Night Doormen• Central Air Conditioning1 Bedrooms from $375 - 2 Bedrooms from $4755200S. BLACKSTONEAVE.1 BLOCK WEST OF HARPER COURTMon.-Fri. 9-6 Sat. 12-6 San. 12-5 684-8666SK ABOUT RISC. NO SECURITY DEPOSl DR. M. R. MASLOVOPTOMETRIST• EYE EXAMINATIONS• FASHION EYEWEAR• ALL TYPES OFCONTACT LENSES• CONTACT SUPPLIESTHE HYDE PARKSHOPPING CENTER1510 E. 55th363-6100Amerian OpfcmetiK. AitooMlon "\J8—The Chicago Maroon—Friday, July 29, 1983SportsIM Softball White Sox lead AL WestCo-ed M-W Division ScheduleJuly 296:45 - Mingling Oral Secretions v. NaughtySweetiesAugust 15:30 - Mingling Oral Secretions v. Sue theB’s5:30 - Paint Hat v. Croziers6:45 - B.S. Hitters v. Naughty SweetiesPenguins v. Visitors August 35:30 - Sue the B’s v. Naughty Sweeties5:30 - The Pub v. Croziers6:45 - B.S. Hitters v. Paint HatAugust 56:45 - The Pub v. Mingling Oral SecretionsAugust 85:30 - Mingling Oral Secretions v. Croziers5:30 - The Pub v. Sue the B’s6:45 - Paint Hat v. Naughty SweetiesAugust 105:30 - B.S. Hitters v. Sue the B’s5:30 - Naughty Sweeties v. Croziers6:45 - Mingling Oral Secretions v. PaintHatAugust 126:45 - The Pub v. B.S. HittersAugust 155:30 - Croziers v. B.S. Hitters5:30 - The Pub v. Naughty Sweeties6:45 - Paint Hat v. Sue the B’sCo-ed T-Th Division ScheduleJuly 29 v5:30 - MVP’s v. Stubblefield IrregularsAugust 15:30 - Hillel v. Whaling WhalesAugust 25:30 - Pro-Fees v. Stubblefield Irregulars5:30 - Penguins v. MVP’s6:45 - Whaling Whales v. Aspo in ExileAugust 45:30 - Penguins v. Whaling Whales5:30 - Pro-Fees v. MVP’s6:45 - Visitors v. HillelAugust 95:30 - Pro-Fees v. Hillel5:30 - Penguins v. Visitors6:45 - Whaling Whales v. MVP’sAugust 115:30 - Aspo in Exile v. Stubblefield Irregu¬lars5:30 - Pro-Fees v. W'haling Whales6:45 - Penguins v. HillelAugust 125:30 - Visitors v. Stubblefield Irregulars6:45 - Aspo in Exile v. MVP’s The White Sox completed an 11-gameroad trip with an 11-2 victory over theToronto Blue Jays Wednesday. The win wasthe Sox’ sixth on the trip, as Chicago uppedits record to 51-47 and stretched its lead onTexas and Kansas City to 2l/2 games in theAL West.Chicago scored first Wednesday as first-baseman Greg Walker gained an RBI afterbeing hit by Toronto pitcher Luis Leal in the3rd inning. The Chisox stretched their leadto 3-0 in the fifth as rightfielder HaroldBaines and rookie sensation leftfielder RonKittle each belted solo homeruns.Toronto scored two runs in the fifth to pullwithin one run, but the Sox scored two moreruns in the sixth inning on catcher CarltonFisk’s RBI single and Baines’ RBI double.Men’s M-W Division ScheduleJuly 295:30 - Line Shot v. Jimmy’sAugust 15:30 - Line Shot v. See Your Food6:45 - Bottone’s v. Fat City Nine6:45 - Fun Boy 20 v. Jimmy’sAugust 35:30 - See Your Food v. Jimmy’s6:45 - The Pub v. Fat City Nine6:45 - Fun Boy 20 v. Bottone’sAugust 55:30 - The Pub v. Line ShotAugust 85:30 - Line Shot v. Fat City Nine6:45 - The Pub v. See Your Food6:45 - Bottone’s v. Jimmy’sAugust 105:30 - Fun Boy 20 v. See Your Food6:45 - Jimmy’s v. Fat City Nine6:45 - Line Shot v. Bottone’sAugust 125:30 - The Pub v. Fun Boy 20August 155:30 - Fat City Nine v. Fun Boy 206:45 - The Pub v. Jimmy’s6:45 - Bottone’s v. See Your Food The big inning for Chicago, though, wasthe eighth. Fisk hit a homerun to give theWhite Sox a 6-2 lead. Pinch-hitter JerryHairston got an RBI on a walk, and short¬stop Scott Fletcher tripled to right, scoring 3runs. Second baseman Julio Cruz concludedthe White Sox scoring by singling inFletcher.LaMarr Hoyt pitched 7 innings, yielding 2earned runs on 8 hits to gain the victory.Hoyt is now 13-10.The White Sox face the New York Yan¬kees this weekend. Pitching matchups forthe series include Jerry Koosman v. RonGuidry Friday, Richard Dotson v. ShaneRawley Saturday, Britt Burns v. DaveRighetti Sunday, and Floyd Bannister v.Ray Fontenot Monday.Men’s T-Th Division ScheduleJuly 295:30 - Danny’s Boys v. Hyde-A-Way6:45 - Fujita’s Echos v. Stat’s RatsAugust 25:30 - Team Huber v. Stat’s Rats6:45 - King Zoy v Fujita’s Echos6:45 - Hyde-A-Way v. PenguinsAugust 45:30 - King Zoy v. Hyde-A-Way6:45 - Team Huber v. Fujita’s Echos6:45 - Medici v. Danny’s BoysAugust 55:30 - Danny’s Boys v. Stat’s Rats6:45 - Medici v. PenguinsAugust 95:30 - Team Huber v. Danny’s Boys6:45 - King Zoy v. Medici6:45 - Hyde-A-Way v. Fujita’s EchosAugust 115:30 - Penguins v. Stat’s Rats6:45 - Team Huber v Hyde-A-Way6:45 - King Zoy v. Danny's BoysAugust 125:30 - Penguins v. Fujita’s Echos6:45 - Medici v. Stat’s RatsFRIDAYSummer Night: Taming of the Shrew Shake¬speare Festival of Chicago 8 p.m. HutchCourt $3, $2 50c lawn chair rent al. Tickets962-7300U. C. Folkdancers: General Folkdancing8pm-midnight. Ida Noyes Parking Lot. All in¬vited.SOQ Films: My Bodyguard 7:15pm & 9pmCobb $2SATURAYSummer Nights: Taming of the Shrew Shake¬speare Festival of Chicago. Hutch Court $3,$2 50*. Tickets 962-7300SOQ Films: Dirty Harry 7:15&p:30 Cobb S2SUNDAYOriental Institute Films: Migiddo: City of De¬struction 2pm. Museum Auditorium. Free.Film Society: The Blue Angel 8pm Interna¬tional House $2Rockefeller Chapel: Carillon Recital 4 p.m.MONDAYU. C. Folkdancers: Beginning and Intermedi¬ate Folkdancing 8p.m.-midnight. Ida NoyesParking Lot.T1ME$AVERSThe Communication ProfessionalsDocument Preparation, Manuscripts,Theses, Term Papers,Word Processing & IBM Selectrics"Your Deadline Is Our Timetable"Chi: 922-5600; Sub: 470-0231 CalendarPUB Movies: Chariots of Fire 7&10 Members214-. FREETUESDAYSAO noontime Concerts: TBA. 12 P:m. HutchCourt Free.DOC: Night Moves 8 p.m. S2Badminton Club: 8:30-10 p.m. Ida NoyesGymPUB Movies: Top Hat 7&10 Members 21 + .FREEWEDNESDAYSOQ Films: Mr. Hulot's Holiday 8p.m. Cobb$2.PUB Movies: Young Frankenstein 7&10Members 21+ . FREETHURSDAYSAO Noontime Concert: TBA 12 p.m. HutchCourt FreeOriental Institute: Special Interest Tour forChildren, Tour & Touch in the Museum 10:30a.m. FreeLSF: The Fallen Idol 8:30 p.m. $2PUB Movies: Harold & Maude 7&10 Members21 -I-. FREEPERSONAL COMPUTERS—Sales, Education, Service,Computers, printers, modems and supplies.AUTHORIZED KAYPRO DEALERVALUE ADDED SYSTEMS1701 E. 53rd Street C07-4440I MAROON -II 96295551 APARTMENTSFOR RENTGRAFF &CHECK1617 E. 55th St.Large2Va,4 & 6 rm.apts.^/mmechcUtQccufiasig/BU8-5566PRESSES up to 25*38>...Fast print to 22x28The Southside s largest andmost complete print shopOffset & LetterpressLAYOUT & ARTPHOTO COMPOSITIONOver 100 typcstYles forbrochures, books, ad books- all vour printing needsComplete Bladenr includesgang stitching, perfectbinding, plastic binding, diecutting, embossing, hotstamping, eyeletting, tinningBANKERSHU 7-31425832 So. Green UNIONLABELJ Dr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know thedifference between advertisedcheap glasses or contact lensesand competent professionalservice with quality material.Beware of bait advertisingEye ExaminationsFashion Eye WearContact LensesThe Chicago Maroon—Friday, July 29, 1983—9Classified AdsCLASSIFIEDADVERTISINGClassified advertising in the Chicago Maroon is$2 for the first line and $1 for each additionalline. Lines are 45 characters long INCLUDINGspaces and punctuation. Special headings are20 character lines at $2 per line. Ads are not ac¬cepted over the phone, and they must be paidin advance. Submit all ads in person or by mailto The Chicago Maroon, 1212 E. 59th St.,Chicago, III. 60637 ATTN: Classified Ads. Ouroffice is in Ida Noyes Rm. 304. Deadlines:Wednesday noon for the Friday issue, Fridaynoon for the Tuesday issue. Absolutely no ex¬ceptions will be made! In case of errors forwhich the Maroon is responsible, adjustmentswill be made or corrections run only if thebusiness office is notified WITHIN ONECALENDAR WEEK of the original publica¬tion. The Maroon is not liable for any errors.SPACEONE BEDROOM + studio apts $220-5295. stu¬dent rate avail. 684-5030 by 8:30 am or 493-2329pmCONOOFOR SALE56th + Kimbark: 2 Bdrm, Eat-in Kitchen, Pan¬try, Full Dr, Oak Firs, Sunny, Courtyard,$62,000 Call 876-3512 DaysAPT FOR RENT-HYDE PARKA fine 1 bedroom apt. Va block from all yourshopping needs + 4Va blocks from U of C. Rent$380/mo & up. 53rd & Woodlawn. For inspec¬tion call 643-6428 or Parker-Holsman Co. 493-2525Studio Apartments $250. Hild Realty 955-1200 APARTMENT FOR SALE. 3 bdrms, enclosedsunporch, good bldg, 2 blks from Law School,new kitchen and bath, 61 + Kimbark, $23,000,evenings, 955-1427.CONDO FOR RENT in Kenwood. 7 Rooms, 2Baths Excellent Building. Modern Kitchen;wood burning fireplace. Residents are profes¬sionals and academics. $700/mo. 861-1179 or324 5116.Renovated 3 bedrm condo for rent in Kenwood.Sunny, 2000 sq ft. 2 baths, din rm, sunrm, newkit w/dishwasher, woodbrn frplc, hardwoodfirs. On campus bus rte. Pets ok. Aval 9/1 or9/15. $850. Mr. Zelman 0:726-9490; H440-0514University park 2bdrms 2baths excell, securityclose to U of C shopping & trans immediate oc¬cupancy $640/mo. call eves 667-57382'/a apt avail, ideal for couple or grad, or willshare, furn, Indry, safe quiet bldg, fall opt,$330/mo, 5417 S. Woodlawn Ave #2A, Call 36375025501-37 E verett large 3>/2-4 room apts start $3805120 Harper large 3'/2 room apts start $3751028 Hyde Park large 4 room apts start $3755134 Harper large 2 room apts start $3105141 Greenwood large 7 room apts start $700To inquire about the above apartmentsCall SACK REALTY CO. 684-8900Ask for Carl or CathyFor rent: Spacious, sunny 1 bdrm apt., 56th 8<Kimbark. Separate living rm & dining rm.$500/mo. 962-7915, 947-0499.Furn Rms/Apts/Garage Non-Smok From $200363-3458 Walk to campus, shopping and transportation.One bedroom in a two-bedroom west HydePark condo for rent. $250 plus utilities. Preferquiet, non-smoking graduate student. Call 324-2033 evenings.TUDOR HOUSE in Kenwood on campus busline, 3V2 bdrms. 2 baths, marble fireplace, 2car gar., bar in bsmt.; $825/mo., 924-4103 availAug.52nd 8. KimbarkOne bedrm. apts. for rent. Near shopping andthe University. $265-$275/Mo. One monthsecurity deposit.Call Parker Holsman Co. 493-2525FOR RENT 2 bdrm 2 baths immaculate aircond parquet floors levelor blind stove rangerefrig disposal dishwasher Security bldgTransportation and Shopping at door Considerlong lease $680 mb incl heat 984-3525 or eves536-04763 Bedroom Apt. Large, fully furnished, laundryin apt. dining room, large living room and kit¬chen, sun porch and back porch. Hyde ParkBlvd at 55th, $750 mo. Avail 9/1 955-0413.Take Over My Lease! Beginning Aug. 1, Largesunny Studio Apt. Available on quiet EverettSt. East-West view, top floor, laundry facilitiesand more. $290/month-1 Pay All Fees. Call 667-1378.Beautiful Furn. room to rent to serious adult.At the Dan Ryan "L" 55 & Garfield. Rent$155.00 month plus sec. and ref. Call 373-0018.Roomate Wanted: 1 Bdrm. in Irg. 3-bdrm. apt.$92/mo. 54th & Cornell, Sept. 1st. 363 6282.Beautiful 6-room English basement inEastview Park, Heat, water, $475. Avail, now.Call Ms. McCarthy at 643-46401907 PUBLIC BRICK BATHHOUSE beautiful¬ly converted to single-family horn. WBFP, hottub, skylight, and character are all features inthis 4000 square foot home. Live in a place ofthe past for $110,000. Near Northwest, close tofreeway. Real Estate Resources, 384-4966.1 bedroom in 2 bedroom, 2 bath apt. RegentsPark 28th fl w lake view, Ac dishwasher, dou¬ble range, on campus bus route. Mate grad stu¬dent, non-smoking preferred. $345 per month+ elec. Available Sept 15 for one year. CallRick at 448-8380 and leave message.Large One Bedroom Appt. Univ. Park. Cond.Walking distance from Regenstein Lib. VerySafe. Newly painted. Excellent transportationto downtown. Air conditioning. Gym, Sauna,Pool. Available now $435. Call Joaquin 943-4262/624-7876.Large sunny 4 rm Apt. (lbdrm) for Aug. Sublet(renewable for UC students) 62st & Ingleside.2nd FI. On bus 'A' route $277/mo. 363-2707AUTUMN QUARTER SUBLET fully furnished1 bedroom apartment. Ten minute walk tocampus, call 363-8455 between 9:00 a.m. and10:30 p.m. quiet neighborhood. Spacious apart¬ment.2 Bdrm 2 Bath Apt for Rent University Garden1450 E. 55 10th FI. $635/mo. Call Chris Days824-4444 weekends 8. eves 432-2434Rent Wisconsin Country House. 3 bdrm., study,2 bath. Winter 8. summer sports nearby. Idealsabbatical or weekend retreat. 90 minutesfrom Chicago. Furnished. 1 yr lease, avail.Sept, i 733-0818 or (414) 248-1802 (weekends)Roomate to share Irg 2 BR apr now or 9/1. Preffern non-sm grad. Own bath, amenities,secure. Nancy 947-0640. Lv message. $270. 5406Harper.2 BEDROOMAPARTMENT $325Available August 1 5302 S. Greenwood Call Mr.Yin 948-9846 or Me Key 8< Poague 363-6200 tosee.SPACE WANTEDGRAD. Lib. student seeks to share unfurnhse/apt near campus starting Sept. 1st. WriteEric Holzenberg 195 13 St. N.E., Atlanta, Ga.30309EXPER. HOUSESITTER PhD ST-looking forposition for 1983 1984ac. yr. ref. av. req. 962-8334 288 7905Grad student from India needs furnished smallcomfortable apartment just for Fall fo ac¬commodate self and visiting parent. Rent up to$325. Call Sanjib 241-5281Put the pastin your future!LIVE IN AN HISTORIC LANDMARKThoroughly renovated apartments offer the convenience ofcontemporary liv ing space combined with all the best elementsof vintage design. Park and lakefront provide a natural settingfor affordable elegance with dramatic views.— All new kitchens and appliances — Community room— Wall-to-wall carpeting — Resident manager—Air conditioning — Round-the-clock security— Optional indoor or outdoor — Laundry facilities onparking each flexirStudios, One, Two and Three Bedrowm apartments.One Bedroom from $480 — Two Becinx/m from $660Rent includes heat, cooking gas, and master TV antenna.Call for information and appointment — 643 1406{wise1642 East 56th StreetIn Hyde Park, across the park fromThe Museum of Science and Industry>Equal Housing Opportunity Managed by Metroplex, Inc10—The Chicago Maroon—Friday, July 29, 1983r • I » > r , . *) '*•' r 1 filter , Studio or 1 BR for Sept 1 or after. Pis. call 241-7015 beginning Aug 1.FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E 55th 493-6700.Multi-Person RUMMAGE SALE - furniture,clothes, records, etc. 5635 S. Kenwood Sun July31,12 to 4pm72 IMPALA 4-DR w/85,000 Miles All ReceiptsAsking $500/Besf Offer, Info/Drive PH: 49329862 Double Beds-one box spring 8> one platformw/foam mattress $50/each or best offer. 3couches $10 each 962-9554 leave message.Queensize Naugahyde sofabed $150; teakbookshelf dividers (Hondevad wall system)available ASCAN for $25; $15 ea Karen 962-8297Furniture, Bookcases, China & glassware, artpieces, clothes, books 8, many more. 10am-3pmJuly 30 8. 31.5612 Blackstone ave. #2PEOPLE WANTEDPaid subjects needed for experiments onmemory, perception and language processing.Research conducted by students and faculty inthe Committee on Cognition and Communica¬tion, Department of Behavioral Sciences.Phone 962-8859. Afternoons.Looking for 3 roommates (M/F) to live onnorth side in cooperative arrangement startingSept. Will commute and carpool daily. CallDavid - 324-0919 (eves), leave message ifnecessary.Cashier-Cook. The Frog and Peach seeks in¬dividual capable & willing to work in our kit¬chen for the month of August and again in fallQuarter. Apply in person, talk to Beatrice.Reliable dog lover to housesit and care for cog(walking 3x day) in air cond HP apt for 3 weeksbeginning Aug 18 h288-8561 w663-9298HEALTH 8. PHYSICAL ED WORKER, PAR-TIME, 10-14 hrs/wk. Responsibilities includesome direct service program development,supervision, administration, communityoutreach. B.A. in related field plus exper work¬ing with adults. Salary based on exp. sendresume to HYDE PARK JCC 1100 E. Hyde PkBlvd 60615. NO CALLS. EOE.Person needed to do part-time child care. 493-8195Full-time babysitter to care for newborn infant8. 3-yr old in our Hyde Park home. 8:30-5:30;M-F. Begin Sept. 1st. Refs. req. 955-2321, eves.JOBSMORRY'S IS NOW HIRING FOR OCTOBERPositions now open for hostesses, waitresses,kitchen help, pastry and ice cream counterpeople, cashiers, bus boys, jugglers, generalhelp, and Noble Prize winners.Contact Gary 2 p.m.-3 p.m.Tues. 8, Thurs.Morry's in the "C" Shop.BABYSITTER WANTEDChicago teacher needs childcare in her OakPark home for 2 and 4 yr olds. Prefer Graduatestudents wife. Car necessary. 493-6699 after 8p.m.SERVICESJUDITH TYPES-and has a memory. Phone955 4417.JAMES BONE, EDITOR-TYPIST, 363-0522.PROFESSIONAL TYPING, Reasonable 6846882.Passport photos while you wait. On campus.Other services available. 962 6263.MOVING & HAULING. Discount Prices.Free—Packing Service. Free—Estimates.Free—Packing boxes & crates delivered. N/C.Free—Padding & dollies. References. Call Bill493 9122.Weddings photographed. Call Leslie at 5361626.ABM SECRETARIAL SERVICE. ExperiencedTypists. Reasonable Rates. GENERAL,LEGAL, STATISTICAL Typing Welcomed.CALL Addie 225 9077.Typist, Excellent Typing of thesis,manuscripts, etc. by experienced secretary.English, French, German, Pickup & Delivery.One day service most cases. Call Elaine 667-8657PROFESSIONAL TYPING. Large or smalljobs. Competitive prices. 752-6972CHILDCARE-Teacher with home setting tor 1& Va-2 yr olds. Great play and educational set¬ting. 493-8195.SCENES(Stoop it you are abcedminded to this long¬standing modernist creative writing workshop.Starts Aug. 6 tor 9 wk. session. Litt (in¬novative) techniques trom Nabokov, Coover,Beckett, others. Sat. a.m. 955-6094/962-8688.WANTEDGraduation Tickets Needed for Aug. 26, 3 pm.CAN PAY. Barry 222-1068.RIDESMOVING TO CORNELL 25 August: Personneeded to drive and/or share cost/space ofvan. 363-6283.PETSLoving cat needs loving foster home for a yearwhile we are in Europe. MacGregor is ahealthy, indoor cat. He's also pretty cute. Call955-0413.PHOTOGRAPHY STUDIOPortraits, Weddings, and Special Events arenow being booked by Hyde Park's newest por¬trait studio. Call and speak with Ron Milewskiat The Better Image.1344 E. 55th St.643-6262KIPSNEEDED!If you are a 4th or 5th grade left-handed boy, a7th grade right-handed boy, or a 6th graderight-handed girl—WE NEED YOU! Be in afun and profitable study. Call 962-8846 9-5 fordetails.DOES YOUR MINDMATTER?It does to us. People needed for paid participa¬tion in studies on the difference between theright and left sides of the brain. Both right andleft-handers needed. If you have called before,call again to be on our summer list. Call 962-8846 9-5.PULMONARY FUNCTIONTECHNICIAN (Will Train)PARTTIME(16 Hours a week)Applicant must have at least 2 years of Collegewith emphasis on biological sciences and anunderstanding of physiological principles.Previous experience in health care fielddesirable. PM hours and Saturdays. Call orsend resume to:Nancy V. BerryPersonal DepartmentSouth Chicago Community Hospital2320 E. 93rd StreetChicago, III. 60633(312) 978-2000 Ext. 5160MUSIC REVUEA CITY ENTHRALLED ART REVUE. 2ndseason. Aug 6, Sat. Award-winning play withmusic. Blue Gargoyle, 5655 University. 8 pm.$3.00.THE AFFLICTEDDo you remember The Afflicted from lastSaturday night? Are you interested? Call Richat 288-1438.SQUARE DANCEAll University Square Dance 8/5/83 Fri 8pm-12am IDA NOYES PARKING LOT (rainlocation-in Cloister Club) "Mole in the GroundBand" & caller-Paul Collins Free! PleaseCome!CHINA TOURDiscount Available for " China: 7,000 Years ofMAROON96 2 9555 Discovery" at Museum of Science & IndustryAug 10th 1 pm viewing-only $2. For tickets & in¬fo call 962-9554.RAVINIA DISCOUNTSAN FRANCISCO BALLET 8/18/83 Pavilionseats -I- round trip bus fare only $16 FORTICKETS Call 962-9554 or 753-2274 STUDENTACTIVITIES* I HOUSE SERVICE Classified AdsSQUARE DANCE-AUG5THLIVE MUSIC 8pm-12am IDA NOYES PARK¬ING LOT (if rain INH Cloister Club) All invitedto dance! free admission & instruction-an SAOattractionBAR-B-QAUG5THBratwurst menu 7pm ? Ida Noyes Parking LotEat Dinner & Join the All University SquareDance.uso/ni&ea/ (M/a/e '"(jo.493-0666 • CALL ANYTIMEROCHDALE AVE. TOWNHOUSE(54th PI. & Blackstone)LOOK AT ALL THE SPACE-CENTRAL AIR-Four bedrooms up-two more downstairs. Large six-window liv¬ing room. Country kitchen has dark oak cabinets galore. This isfor your family! Quick possession.$83,500(co-op)Just listed!LOOK AT THE PARKAcross from the Museum. Spacious, grand, two-bedroom in thelovely Jackson Towers.$79,500NEAR REGENSTEINTwo Bedrooms, plus study. Real fireplace. Co-op. $44,50057th & HARPER TOWNHOUSE4617*9■E'Air-conditioned, 8 room tri-level brick. Excellent condition.Nice garden-off street parking. Fall occupancy.$120,000DISTRESSED SELLERScheduled to leave the country in August. You win on this 5-room East View Park condo. SACRIFICE PRICE - $51.900. INEWPORT - l bedroom with garagespace. Move-in condition. Fullamenity building with lovely indoorswimming pool Lower S50‘s.WONDERFUL SUNLIGHT in thismodernized 2 bedroom unit. Greatlocation near U of C. Mid $50‘s.FOUR BEDROOM TOWNHOUSEwith recreation room, study, laundryand yard make this a perfect familyhome. It’s located close to shopping,transportation and U of C campus.Rav School District too! Call to see.Low SlOO's.JUST LISTED Very sharp,remodeled I bedroom co-op in wellmanaged building. Perfect forstudents, bachelors or bacheloretteWalk to U of C campus, park. lake,museum, loop transportation MidS20's.PRICE REDUCTION -Watch yourplants thrive in this southeast cornercondo near campus with extra largesunporch. new kitchen. 17 x 13 din¬ing room. 2 bedrooms and bath.Natural wood mantel and doors makethis unit very special. S50'sRENT OR OPTION TO BUYUniversity Park Special - lovely col¬or coordinated Levolor blinds,carpeting, and walls make this Ibedroom unit delightful. Indoorparking space is included in theprice! Excellent security , swimmingpool and exercise room. Mid S40's.IT'S A STEAL. This I bedroom co¬op can be yours for under $25,000.This quiet, close to campus buildingis just perfect for the single profes¬sional or student. Low assessments,close to park, transportation and U ofC make this ideal. Mid S2()’s.RENT OR OPTION. Space and con¬venience is what you’ll get in thislarge 1 bedroom (with formal diningroom), in East Hyde Park The bathand kitchen have been modernizedand the space has been arranged tomaximize its function. Low $50’s.ON THE CAMPUS AND FLOOD¬ED WITH LIGHT This 2 bedroomco-op is convenient to U of CHospitals and the Illinois Central.The building is quiet. well-maintained. and has lowassessments. Call now. S40’s.PRAIRIE SCHOOL CLASSIC CO¬OP Over 3.000 sq ft., lots ofbeautiful wood - priced to sell in theSbO’s. An ideal home for this Fallsentertaining. Possible 30 yearfinancing.KIMBARK CROSSING! Thisbeautifully decorated. huge 3bedroom at 51st and Kimbark is areal steal at only $68,500. Call todayfor an appointment and details onlinancing. Plus assumable 9rt loan.ORIGINAL VICTORIANCHARMER! This beautiful 6bedroom (all on 2nd floor). 2Vi bath,turn-of-the-century home is justwaiting for a new family. It’s in ex¬cellent shape throughout: hasmodern kitchen, fenced yard and a 6(count them). 6 car garage’ Comesee this one. all of you Victorianhouse/car buffs. $129,500.RENT OR BUY - MARVELOUSASSUMABLE MORTGAGEBeautiful Southern exposure. Lakeviews. Terrific space in this 2bedr<xvm - 2 bath w ith the best of oldand new. Elevator building withdoorman and excellent security.Parking available Transportation toLix>p is a step away SKOVHILD REALTY GROUP1365 E. 53rd St.L 955-1200The Chicago Maroon—Friday. July 29. 1983—11ttmdim Cmwk(Mute & Vance iu Hulckmon Count8/2 Kate Cuper Dance - Poetry/Dance performance8/4 Leonard & Brown - Ragtime & Swing8/9 M’chaia * Traditional Yiddish & more8/11 Samradh Irish Music - very traditional8/16 Carla & Matt Owen - Scottish Tunes8/18 The Empty Band - R & B, Pop8/23 The Jim Cooper Quartet - Jazz8/25 Concert TBA Don’t miss the end of thesummer season SOQ & DOC Fitwi(H Coiifc HattFriday July 29 The I mportance of Being Earnest 7:) 5 pm & 9 pmSaturday July 30 Dirty Harry 7:15 pm & 9:30 pmTuesday August 2 Night Moves 8 pmWednesday August 3 Mr. Hulot’s Holiday 8 pmFriday August 5 Funny Face 7:15 & 9:30 pmTuesday August 9 Hickey & Boggs 8 pmWednesday August 10 My Darling Clementine 8 pmFriday August 12 Time Bandits 7:15 pm & 9:30 pmSaturday August 13 Godfather II 8 pmWednesday August 17 The Day the Earth Stood Still 8 pmFriday August 19 You Only Live Twice 7:15 pm & 9:30 pmSaturday August 20 Excallbur 7 pm & 9:30 pm Tke Sok Ftodcidcs BaCfietat RaimaThursday, August 18thPavillion tickets w/roundtrip bus Fare - $16.00. Busleaves Ida NoyesInternational HouseProgram Office.A SturtHte* Squate Douce & BarbecueAugust 5tft - 8 p.nt.- MidtugldServed 7 p.m. - ?on the back lawn of IdaNoyes. Menu providedby the Frog & PeachBratwurst - $1.65Potato Salad - $.60Iced Tea - $.50Apple Cider • $. 60Swing your partner to the music of“Mole in the Ground Band”Paul Collins - Caller.FREE INSTRUCTION!FUN FOR ALL!(rain location - Ida Noyes Cloister Club)THE STUDENT ACTIVITtES OFFICE (SAO)Rm. 210 Ida Noyes Hall • Call 962-9554 - Activities Line: 753-2150