sportsgrey city journalCOMMUNITY ART——cover and back page — The year in reviewpage 2 7—Volume 92, No. 58 The University of Chicago ©Copyright 1983 The Chicago Maroon Friday, May 27, 1983Five College profs awarded Quantrells for excellenceBy Kahane Cornand Jeff TaylorFive professors in the Collegehave won the Quantrell Award forexcellence in undergraduateteaching, President Hanna Grayannounced yesterday.William McNeill, professor ofHistory; Leon Kass, professor ofthe Liberal Arts in Human Biologyand Committee on Social Thought;Malka Moscona, associate profes¬sorial lecturer of biology; TedCohen, professor and director ofundergraduate studies in philoso¬phy, Committee on General Stu¬dies in the Humanities and theCommittee on Art and Design; andMichael Turner, assistant profes¬sor in the Department of Astron¬omy and Astrophysics and theEnrico Fermi Institute, will eachreceive a $2,500 prize during theConvocation ceremony June 11.MacNeill, 65, joined the Univer¬sity faculty as an instructor in 1947.He was made an assistant profes¬sor in 1949, an associate professorin 1955, and a full professor in 1957.He served as chairman of the histo¬ry department from 1961-1967, andwas named the Robert A. MillikanDistinguished Service Professor in1969.McNeill received his BA and MAdegrees from the University of Chi¬cago in 1938 and 1939. He alsoWilliam McNeillserved as editor of The ChicagoMaroon. He took his PhD in historyfrom Cornell University, where hisdoctoral thesis was “The Influenceof the Potato on Irish History.”Among NcNeill’s fellowships andgrants are a Fulbright ResearchScholarship at the Royal Instituteof International Affairs, two Rock¬efeller foundation grants for re¬search, two Carnegie grants, andPublication noteThis is the final regular Maroonissue of the 1982-83 academic year.Next Friday, June 3, the Maroonwill publish the Spring QuarterChicago Literary Review Publica¬tion of the Maroon and Grey CityJournal will resume Friday, June24, and will continue every Fridaythrough July. the Guggenheim Fellowship for re¬search.McNeill has been a visiting pro¬fessor at the University of Wash¬ington (summers of 1954 and 1969),the University of Frankfurt (1956),the University of Hawaii (1980),and Oxford University (1P80-81).His books include Rise of the West;Venice, the Hinge of Europe.1081-1797; Plaques and Peoples;The Metamorphosis of Greece1945-1976; and History of WesternCivilization.McNeill teaches a course on thehistory of Europe in the College.Kass, a 44 year-old Chicago na¬tive, received his BS with honorsfrom the University of Chicago in1958, and took his MD from the Chi¬cago medical school in 1962. Hisdoctoral studies in biochemistrywere done at the Harvard Univer¬sity Graduate School of Arts andSciences, and he received his de¬gree in 1967.Kass served as a senior staff fel¬low at the National Institutes ofFaculty toBy Darrell WuDunnThe College Council will begin toreevaluate the undergraduate cur¬riculum next fall, particularly thegeneral education requirementsand the grading system, accordingto Donald Levine, dean of the Col¬lege.Levine has asked the College fac¬ulty to review the baccalaureateprogram and to recommendchanges so that students “have aclearer sense of what they aredoing” in the College.Levine said that the College fac¬ulty can begin curricular evalua¬tion now that the proper frame¬work is in place. Last fall, theCommittee on the Organization ofthe College recommended certainchanges in the structure of the Col¬lege administration in order tomake the faculty directly- respons¬ible for the College. According toLevine, all the necessary legisla¬tion has been passed.The faculty will focus its reviewon the general education require¬ments, especially the secondquarter which consists of extradi-visional sequences beyond theCommon Core such as WesternCivilization. Levine said that theaim of any change in the generaleducation curriculum or require¬ments would be to give the stu¬dents an understanding of whythey are and should be getting ageneral education.“Students now follow the curric¬ulum without knowing what the ra¬tionale behind it is,” said Levine.When a student completes his Col¬lege education, he should be able tosay “I have accomplished A, B,and C,” Levine said.According to Levine, the Collegefaculty will begin its review- by ex¬amining the history of College cur¬riculum and general education,and then concentrate on the cur¬rent curriculum. Levine expects Health, Bethesda. Maryland, from1967-1970. He received a grant fromthe National Endowment for theHumanities for Independent re¬search on “Concepts of Organism,Species, and Health—Ancient andModern” in 1973, and was namedthe Joseph P. Kennedy ResearchProfessor in Bioethics at the Ken¬nedy Institute. He was also namedassociate professor of neurologyand philosophy at Georgetown Uni¬versity in 1974.He joined the faculty of the Uni¬versity of Chicago in 1976 as theHenry R. Luce Professor of theLiberal Arts in Human Biology, theCollege and the Committee on So¬cial Thought.Kass was a member of the Medi¬cal Committee for Human Rightsfrom 1965-1969 and a member ofthe Federation of American Scien¬tists from 1967-1973. Next year,Kass will teach a course on Aristot¬le’s Nicomachean Ethics, entitled.“Science and Society: Knowledge,Morals, and Power,” and a course Leon Kasson Lucretius.Moscona received her PhD fromHebrew- University in 1957, and en¬ tered the University of Chicago de¬partment of biology in 1961 as a re¬search associate. She became asenior research associate in 1970,and w-as named associate profes¬sorial lecturer in the BiologicalSciences Collegiate Division in1975.Moscona teaches a second-yearcourse called developmental biolo¬gy, and will teach a class in theCommon Core biology sequencesnext year.Cohen, 43, joined the Universityof Chicago faculty in 1967 in the de-5 partment of philosophy. From 1973^ to 1976 and from 1981 to the pres-< ent, Cohen has been the director of< undergraduate studies in philoso-^ phy. He was chairman of the de-o partment of philosophy from 1974o to 1979. He has been a member of£ the Committee on General Studiesin the Humanities and the Commit¬tee on Art and Design since 1975.continued on page sevenbegin evaluation of curriculumthe entire review to take about twoyears.Also to be considered by facultywill be the grading policy. The Col¬lege Council has already begunconsidering plus/minus grading.Levine said that approximately 90percent of the College faculty wantplus/minus grades. He said hethinks about 50 percent of the stu¬dents want them.The faculty will also review- theCollege honors program, Levine said. Each individual departmenthas its own requirements for spe¬cial honors and no uniform systemexists throughout the College.The faculty w-ill also emphasize“mastery of certain basic compe¬tences,” according to Levine. “Weneed to focus a great deal more onwriting,” he said. He did not elabo¬rate on what may be considered.Levine said that much of his timenext year will be devoted to thiscurriculum review. Although this year he spent much time trying toimprove student life with suchevents as Kuviasungnerk, he saidthat many of the efforts whichwere begun this year will be continued by the office of the dean ofstudents in the College. He empha¬sized that student activities are an“important part of (the student's)life” and that students should have“other experiences besides theircourse work.”SSA holds mock dedication of chairBy Cliff GrammichThe SSA Ad Hoc Committee forHandicapped Access dedicatedWednesday the chair lift to be builtfor SSA student Jeff Ellis to Uni¬versity President Hanna H. Gray.The dedication “plaque,” alsomentioning the “endowment”from William Cannon, recognizedthe “ingenious planning to -solve'20 percent of the SSA handicapped accessibility problem This short¬sighted response will long be re¬membered (by SSA faculty andstudents).”At the deciation ceremony, Ellissaid the University should realizethat handicapped access “shouldbe a campus-wide issue." Ellisalso called upon the University toform a Handicapped Advisory-Committee to raise awareness ofSSA student Jeff Ellis and others held a mock dedicationWednesday. the issue and make the Universitya ‘ truly accessible campus.”Commenting on his own accessi¬bility problems at SSA. Ellis notedthat the proposed chairlift was toosmall for his wheelchair He saidthat the lift, as presently con¬ceived. is “not adequate to meetthe needs of a disabled student toattain an education.” He said thatwhile his accessibility problemshave raised the consciousness ofthe campus concerning handi¬capped access, an elevator at SSAwould be the most efficient meansfor him and other handicapped stu¬dents to reach all six levels of thebuilding.The Student Government Asse¬mbly sent a letter to PresidentGray Tuesday concerning theaccess problem The letter statesthat U of C “policy toward handi¬capped students is fundamentallyinadequate in meeting the needs ofcurrent and future handicappedstudents and faculty.” The letterreflects a point made by Ellis atthe dedication, noting that the low-number of handicapped students is“a result of current University pol¬icy.” Ellis had said that he knew ofhandicapped students who do notconsider attending the Universityonce they learn of its numerousaccess problems.JUNE WHEN YOU EH0U0HE IfWAS §/4EE 10 00 0UISIDI....1111 A^j *:IE ir -1:IE pm • SAIIKDATi If:IE u - <:! E pmAll Single Albums To 12.98 List .....15% OFF!*Doubles, Boxsets & Accessories 10% OFF! *Singles 1 .OO/OR AS MARKED*Books 10% OFF!Selected Games 30% OFF!* Does not apply to records already on saleTHE PHOENIX!5706 S. UNIVERSITY • REYNOLDS CLUB|T*§ IKE 11114 I Cf IKECI/LNII H IM\ §AIE!2—The Chicago Maroon—Friday, May 27, 1983News BriefsCollege artist honoredZennan Krause, a graduating senior, haswon the Louis Sudler Award this year. The$1000 award will be given annually, startingthis year, for outstanding achievement inperforming or visual arts, including excel¬lence in the performance of music, theatre,film, or photography, as well as painting,sculpture, architecture, and design.A show of Krause’s paintings will open atMidway Studio, 6016 S. Ingleside, June 4.There will be a reception from 6-8 p.m.HP crime down 43%Violent crime decreased by 43 percent inthe Hyde Park-Kenwood community duringthe first four months of this year, accordingto the South East Chicago Commission.Overall crime increased by seven percentdue to a continuing rise in burglaries andthefts from automobiles. SECC definesHyde Park-Kenwood as the area from 47thSt. to 61st St. and from Cottage Grove Ave.to the lake.According to Robert Mason, SECC LawEnforcement coordinator, street robberiesand purse snatches declined by 46 percentand 64 percent respectively. Central HydePark continues to have the most burglariesand auto thefts.Mason, when disclosing the facts, saidthat crime is more accurately reported in Hyde Park than in any other neighborhoodin the city. Recently, Chicago police officalshave been accused of “killing crime”throughout the city by not properly report¬ing crimes.Mason said that the chief concern of SECCin future months will be to work with Chi¬cago police and University security to com¬bat the epidemic of thefts from parked carsand the rise in the number of burglaries inthe community.CorrectionIn The Year in Review section of Tues¬day’s Maroon, the article “New provost,.vice-presidents appointed,” contained anerror. Vice-president for Research Pro¬grams Walter Massey is actually the thirdblack vice-president of the University. Theprevious two were Walter Walker and EddieWilliams. The Maroon regrets the error.HP art fairThe Hyde Park neighborhood will host the57th Street Art Fair, the Midwest’s oldestoutdoor exhibit of fine art and crafts, Satur¬day and Sunday, June 4 and 5.Now in its 36th season, the 57th Street ArtFair is widely known for attracting artistsand craftsmen from all over the UnitedStates. The fair is located near the Universi¬ ty of Chicago campus, at 57th Street at Kim-bark Ave.The Fair is free to the public, noon to duskboth days. Art displayed at the Fair includespaintings, drawings, works in various printmedia, photography, mixed-media works,sculpture, ceramics, handblown glass, fiberart, jewelry and woodwork. All the artworkon exhibit is for sale, and entertainment in¬cludes performances by the Chicago Chil¬dren’s Choir.The Fair is conducted annually by the 57thStreet Art Fair Committee, an Illinois not-for-profit organization. In addition to about250 previous exhibitors, 51 new artists wereadmitted this year on the basis of a juryscreening in April. About 20 of these artistsare from the Chicago metropolitan area,and others are coming from as far away asFlorida and California.The jury also selected two new artists toreceive Newcomer Award ribbons for excel¬lence: photographer William Godding ofMiddleton, Wisconsin, and fiber artist Mari-lynn Pinney of Loveland, Colorado. TheCommittee will award cash prizes to the ar¬tists totaling about $1000.The 1983 57th Street Art Fair Committee ischaired by Calvert Audrain, director of theOffice of Physical Planning and Construc¬tion at the University of Chicago, andWinfred M. Poole, librarian at the Universi¬ty of Chicago Laboratory Schools.Ancient Chinese techThe Museum of Science and Industry, inconjunction with the China Science and Technology Museum in Beijing, will presentan exhibition of ancient Chinese science andtechnology called “China: 7000 Years of Dis¬covery” from June 1 to Oct. 2.The exhibits will include live demonstra¬tions by Chinese craftsmen in the arts ofbatik, dough figure dollmaking, embroi¬dery, clay modeling, wood block printing,papermaking, and hand loom weaving. De¬monstrations will be offered daily.Tickets for the special exhibit will be soldat the museum’s North Court at a price of $3for adults, $1.50 for children.Police shoot suspectChicago police accidentally shot a suspectafter a woman was robbed near 1313 E. 60thSt. Monday morning. Minutes after the rob¬bery, police in the area were alerted, andthey stopped the suspect, James E. Randle,21, of 6537 S. Drexel Ave.Police had originally tried to stop Randleat 62nd St. and Greenwood Ave., but afterRandle fled, he was met by a patrolman at6245 S. Greenwood who had his gun drawn.Randle stopped and obeyed the patrolman’sorder to get on the ground for a search: how¬ever, during the search, Randle made a sud¬den move and the patrolman’s gun dis¬charged.Randle was identifed by the victim andwas charged with robbery The state’s attor¬ney’s office ruled the shooting accidental.PRESSES ip to 25158^...Fast priat to 22x28The Southside s largest andmost complete print shopOffset I LetterpressLAYOUT & ARTPHOTO COMPOSITIONOver 100 typestvtes forbrochures, books, ad books- all your printing needsCoapfets iladerv includesa stitching, perfectng, plastic binding, diecutting, embossing, hotstamping, eyeletting, tinningBANKERSPRINTHU 7-31425832 So. Green UNIONLABELJ 5254 S. 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IL 60637 962 -7558The Chicago Maroon—Friday, May 27, 1983—3EditorialsLettersSG supports handicapped studentThe following open letter to PresidentHanna Gray was approved at the 5-24-83 Stu¬dent Government Assembly meeting.President Gray,As representatives of the sudents of thisUniversity, we believe that present Univer¬sity of Chicago policy toward handicappedstudents is fundamentally inadequate inmeeting the needs of current and futurehandicapped students and faculty. Makingexisting buildings accessible only as theyare needed is a policy that is both discourag¬ing and discriminatory to any handicappedperson who might want to study or teachhere.If your administration is truly committedto a policy of equal opportunity for the dis¬abled which will not discourage them fromapplying to the University of Chicago, hand¬icapped access to the key buildings and pro¬grams of the University must be “given” forall potential handicapped students, not justan individual arrangement made only afterlegal maneuvering and public protest. Pro¬viding such accessibility might initiallyseem like a very large undertaking for avery few, yet the low number of handicap¬ped people on campus is not a reason for,but a result of, current University policy,and only further testifies to the discourag¬ing, discriminatory image that this schoolcurrently prdjects to the disabled. A policythat establishes access before individualstudents have to demand it will attractmany more handicapped scholars here, andwe are certain that all members of the Uni¬versity community will benefit from theirpresence and contributions. We are just ascertain, however, that they will not comeuntil the University demonstrtes that it issincerely committed to meeting handicap¬ped needs, a task in which your administra¬tion has failed. We therefore call upon you totake the following steps:1. Install an elevator in the SSA Building.The University made a commitment tomake the SSA program accessible to JeffEllis, but few believe that current Universi¬ty plans will fulfill that pledge. At times, theUniversity’s “modifications” have beensimply degrading — such as making Jeff sitin the lobby and listen to a speaker broad¬casting from a lecture hall he could notreach — and the recently constructed chair¬ lift will still leave five classrooms, com¬puter/research and audiovisual facilities,and all faculty and deans’ offices complete¬ly inaccessible to him. An elevator is not an“extreme demand,” but a minimal require¬ment for true accessiblity at SSA, as well asone which will benefit all users of the build¬ing, unlike the lift.2. Abandon immediately the discrimina¬tory practice of providing handicappedaccess “as needed.” Handicapped studentsshould not be made a separate class of peo¬ple who must work to obtain the same rightsthat other students get automatically, butthat is the net effect of the current policy —an embarrassment to the traditions of thisUniversity that must be changed.3. Establish a timetable for making keybuildings and programs accessible over thenext several years with the help of an Advi¬sory Committee on the Handicapped. If youradministration has any commitment to thehandicapped beyond the mere prevention oflawsuits against the University, the Univer¬sity of Chicago must commit itself immedi¬ately to an accelerated plan for campus ac¬cessibility. The establishment of anAdvisory Committee on the Handicappedremains a critical and much needed step inmaking the University truly knowledgeableand responsive regarding handicappedneeds. Such a group, composed of severalhandicapped students and facultymembers, outside experts on the needs ofthe disabled, and University officials,should be formed immediately to develop aplan for making the campus accessiblewithin the next several years.While we do not ignore the financial con¬straints of the University, we strongly be¬lieve that handicapped access should be atop priority within such constraints. A greatUniversity must practice what it teaches,and should view handicapped access not asa financial burden or a legal requirement,but as a moral obligation. We have no inten¬tion of letting this issue slip quietly andunresolved into the background, and the stu¬dents of this University await your re¬sponse. It is time that our 19th Century ar¬chitecture reflect more 20th Centuryresponsibility.The University of ChicagoStudent Government AssemblyThe Chicago MaroonThe Chicago Maroon is the official student newspaper of the University of Chicago. Itis published twice a week, on Tuesdays and Fridays. Editorial and business officesare located on the 3rd floor of Ida Noyes, 1212 E. 59th St., Chicago, 60637.Darrell WuDunnEditorAnna FeldmanEditor-electJeffrey TaylorNews EditorCliff GrammichNews EditorAssociate Editor: Margo HablutzelFeatures EditorDavid Brook?Viewpoints Edito-Frank LubySports EditorAra JelalianPhotography EditorKahane Corn Nadine McGannGrey City Journal EditorPaul O’DonnellChicago Literary ReviewEditorWilliam RauchContributing EditorSteve ShandorCopy Editor Wally DabrowskiProduction ManagerSteve BrittBusiness ManagerJay McKenzieAdvertising ManagerBrian CloseOffice ManagerStaff: Edward Achuck, Zlatko Batistich, Mark Bauer, Dan Breslau, Puraima Dubey,Maeve Dwyer, Tom Elden, Michael Elliott, Pat Finegan, Paul Flood, Sue Fortunate,Lisa Frusztajer, Caren Gauvreau, Eric Goodheart, Elisse Gottlieb, Joe Holtz, KeithHorvath, Jim Jozefowicz, Sondra Krueger, Linda Lee, Kathleen Lindenberger, JaneLook, Nick Lynn, Jack Ponomarev, Amy Richmond, Craig Rosenbaum, YousufSayeed, Koyin Shih, Suzanne Sloan, Nick Varsam, John Vispoel, Andy Wrobel, KittieWyne Undergrad educationneeds reevaluationIn remarks made by Dean of the College Donald Levine, he expresses the con¬cern that undergraduate education at the University is to undergo a thoroughreevaluation. The College Council has set before itself a commendable, but long-overdu6 tnskGeneral education has always been a hallmark of the University’s undergrad¬uate experience. While the common core has provided countless students withwide exposure to a variety of fields, the question remains as to how effective theCollege curriculum is in its present state in giving students a broad foundation ofknowledge. Students frequently take extradivisional sequences such as WesternCivilization without really knowing why they should except that they are re¬quired to.Last Spring, we urged the College faculty to re-examine and re-vitalize thecurriculum much like that done in the Graduate Divisions. Some of the sugges¬tions we made then, we repeat here.The Common Core is supposed to give every student some common under¬standing and some common method of inquiry which are used by the four aca¬demic divisions. Unfortunately, the core courses in the biological and physicalsciences tend to emphasize memorization of facts or concepts unique to thosedivisions. How these courses relate to fundamental concepts in the other divi¬sions is not clear.What should be emphasized is the basic understandings into scientific meth¬ods of inquiry. The core courses should provoke thought, not boredom or frustra¬tion.The humanities and social sciences divisions tend to be received more favor¬ably. But again some important aspects are lacking from both of these divisions.We find it unfortunate that the “Human Being and Citizen’’ courses weredropped from the Social Sciences Collegiate Division. This course representedan excellent example of how the humanities and social sciences related to eachother. We certainly hope that the “Political Order and Change’’ course somehowintegrates some of the strong points of SSCD Human Being and Citizencourses.We believe that the College should adopt some formal and required course onbasic writing skills. The Little Red Schoolhouse course is very popular amongstudents and we applaud its success; however, students should not be waitinguntil their second or third year to learn how to improve their writing skills. Whatis needed is a writing program which would be required for completion of bothHCD and SSCD core programs. It could be integrated into the existing courses,or taught separately “pre-core,” but to expect students to learn good writingtechniques solely by the study of the great works is unrealistic.We are happy to see that the College faculty has taken responsibility for thecurriculum. We hope that this reevaluation results in a re-invigorated curricu¬lum. The College should not be seen merely as a training ground for graduate orprofessional schools. It should be an exciting and expanding learning experi¬ence.Convocation: decidingwhom to snubIn three weeks, about 475 College students will receive their diplomas at theJune convocation. This year’s new convocation ticket system, which permittedeach student’s parents to request up to three tickets to the ceremony, was anattempt to reduce the overcrowding problems which have occurred in the pastand to curtail the large-scale “black market” for the tickets. Most parents re¬quested the maximum number, to accommodate the relatives and friends whowould have liked to attend Convocation.vvuuc me new uckci bysiem nas unaouoieaiy eliminated the “black market,”this year’s graduation ceremony may still be overcrowded. The basic problem isthe limited seating space in Rockefeller Chapel.Two obvious solutions come to mind. Convocation could be held outdoors, ortwo graduation sessions could be run. Given the University’s penchant for tradi¬tion, the first suggestion does not appear to be realistic. Convocation has beenheld in Rockefeller since the 1920s. Furthermore, no other locations on campusare deemed appropriate or adequate.The second idea is more feasible. While holding two sessions would mean thatsome members of the administration, board of trustees, and faculty would haveto endure an additional ceremony (there are currently four) and that seniorswill not be able to see all their classmates graduate, it would allow 1,000 moreguests to attend the College convocation. Thus, each graduating student couldinvite up to five guests and the black market for tickets would be almost com¬pletely eliminated. We think the benefits outweigh the drawbacks.After four hard years in the College, the last thing students want to do in theirinal month here is scrounge around for Convocation tickets or decide whom tosnub. Graduation is a time for seniors to reflect on their years in the College andprepare for the future, not to pick and choose their Convocation guests fromamong family members and friends. The University should make a concertedeffort not to let their students leave with such hassles.4—The Chicago Maroon—Friday, May 27, 1983ViewpointsEl Salvador: The why, what and how of medical aidBy David PostThe war of words over US policy in El Salvador is begin¬ning to heat up. At the U of C, for example, a round tablediscussion by academics soon turned into a debate (withmoderator Lubosh Hale arguing the most conservative po¬sition on the panel). While many recent debates focus onhow best to protect the “US interest” in Central America(and in defining this vague phrase), other concerns are alsoconsidered. Chief among these concerns is the welfare ofthe Salvadoran people. In this regard there is good reasonfor the debate to be heated. Former US ambasador RobertWhite called the Salvadoran military “one of the most out-of-control, violent, bloodthirsty groups of men in the world”(The New York Times, 3/8/81). By today there are few in¬formed observers who doubt that, whatever the merits ofdefending US interests, the human and moral costs of thisdefense in El Salvador indeed have been awesome. It is inan effort to improve the welfare of Salvadorans that US andinternational medical aid campaigns have been launchedthis year.Seventy-two percent of Salvadoran infants suffer frommalnutrition. Nearly 50 percent of Salvadoran children diebefore age five. Among adults, murder is the leading causeof death (34,000 by the military in the last three years). Al¬though there are fewer than three doctors for every 10,000people, El Salvador’s only medical school was attacked andclosed by the government in 1980. The AGEUS, a Salva¬doran students’ organization with a 50-year history, hasbegun to operate popular health clinics in the rural areasand FDR zones of control following closure of the universi¬ty. A US doctor, Charles Clements, runs a clinic in the FDR zone of Guazapa. Although its primary purpose is educa¬tional, the U of C student organization CAUSE decided toparticipate in the international campaign to supply fundsfor these popular health clinics. In making this decisionCAUSE, and other grassroots groups like it. dealt with acomplex problem. On the one hand, these groups seek anend to US intervention in the affairs of the Third World. Ontne other hand, they seek to send money to health clinicswhich the Salvadoran military sees as partisan. This prob¬lem is resolved by realizing that non-involvement is impos¬sible so long as the US government supplies hundreds ofmillions of dollars in arms to the military in a country witha population the size of Chicago’s. Thus, US citizens are in¬volved morally in the welfare of Salvadorans.So far the contribution the US has made to medical aidhas been quite modest when compared to that of other na¬tions. Grassroots groups in The Netherlands, for example,have contributed two million dollars this year. Throughoutthe US in the last few months, about $100,000 has been col¬lected. In Chicago, CISPES (Committee In Solidarity withthe People of El Salvador) received about $7,000. Activitiesof CAUSE here in Hyde Park netted about $1,500, all insmall contributions and in ticket sales to a dance and to acoffee house where musicians donated their time.For the students and community members who were di¬rectly or indirectly involved, the medical aid campaign wascertainly educational. Many remarked on the contrast be¬tween the conservatism of the U of C today as opposed tothe activism ten years ago during the Vietnam War (moremoney was donated by shoppers at “Mr. G’s” in a singleafternoon than by student donations over one month at medical aid collection boxes; this year’s president of thestudent government said it was a “good thing” that the gov¬ernment didn’t concern itself with affairs beyond the U ofC). For my own part, I doubt that the values of studentshave changed so very much in ten years. Whether or not wecare to admit it, self-interest and the draft were the mainimpetus in the successful anti-Vietnam War movement.Self-interest is again the most powerful weapon in today’swar of words over US policy. Reagan’s opponents, for themost part, invoke the specter of another draft and are fondof comparing El Salvador with Vietnam. Reagan’s support¬ers promise that there won’t be any Vietnam in CentralAmerican, no US ground troops. Today in congress thedeaths of four US churchwomen have done more to slow theflood of US arms than all the other thousands of disap¬peared, raped, and tortured Salvadorans. For a nation his¬torically so unscathed by war as is the US, insensitivity toSalvadoran suffering alongside hypersensitivity to thedangers of involvement for “our boys” is understandable.But to understand is not to justify this insensitivity. It is thisrealization which—most of all—is fueling the medical aidcampaign. A critique of US policy must come not only froma negative desire to expose ourselves to danger, but also apositive desire to help the Salvadorans. The Central Ameri¬can policy war of words may be fought fand perhaps, ul¬timately, resolved) in terms of “US interests.” It is morallyurgent, however, for Americans to become conscious of ElSalvadoran suffering as taking precedence over any suchinterest.David Post is a graduate student in the department of edu¬cation and an active member of CAUSE.LettersThe revolutionary specter ^—and the University of ChicagoTo the editor:Bob Holden’s letter to the editor of May 20 that contraststhe “crackpot, ultra-right politics of Lubosh Hale andGidon Gottlieb with the distinguished company of JohnCoatsworth” raises some interesting questions about schol¬arship, manners, and double standards.For the record, Mr. Holden will remember that in thecourse of the debate neither of the crackpots addressed anyof the other panelists with less than courtesy and properrespect appropriate for an academic forum. Yet. Mr.Coatsworth predicated his opening remarks with cyncal in¬nuendos directed at the character of the alleged crackpots.Thus, from the outset the atmosphere conducive to stimu¬lating debate of opposing views was irretrievably under¬mined. But really, Mr. Holden’s letter should raise someThe students’ theaterTo the editor:My thanks for your generous coverage ofthe new student theater programs. MindyGreenstein gave a succinct yet comprehen¬sive outline of a complex set of plans.I’d like to add one note. The article pointsout that University Theater hopes to “puton” nine or ten productions in the ReynoldsClub theaters next year. It would be more inthe spirit of the enterprise to say that UThopes to provide a home for as many as tenproductions. The shows themselves will beproduced for the most part by studentgroups that are currently in existence—Blackfriars and Concrete Gothic are thereadiest examples—or that may come intoexistence in the future.I stress this point because UT will be verymuch a students’ theater, and its successwill therefore depend upon the interest andenterprise of students. A§ your articlenoted, students with production proposalsfor next year should contact Irene Conley inthe Student Activities Office; and all appli¬cations will be welcome.Frank KinahanAssociate Professor of Englishand General Studies eyebrows — so let’s get to the substance of the contro¬versy.For Associate Professor of History, John Coatsworth, ap¬parently there are no enemies on the left. While he is exces¬sively disparaging about less than perfect Latin Americanstates which are struggling to develop and solve age-oldproblems, Mr. Coatsworth’s critical powers are appliedwith considerably different standards when it comes toCuba — a regime that has driven nearly one million refu¬gees from its shores since 1960, a regime that exports revo¬lution, not only to other Latin American countries, but alsoto Africa (where there are currently some 35,000 Cubantroops fighting “wars of national liberation” at the behestof the Soviet Union in at least three African countries).Ironically, if it weren’t for the United States maintaining a“system of client states,” according to Mr. Coatsworth,Cuba could play a beneficial role in Latin American devel¬opment. One wonders why Mr. Coatsworth never mentionsthe fact that Cuba’s economy and its political maintenancetotally depend on the Soviet Union’s support, which cur¬rently exceeds eight million dollars a day. Interestingly, inone of his lectures to last year’s Latin American Civ. sec¬tion, Mr. Coatsworth claimed that “the Soviet Union hasoften played a more beneficial role in relation to the ThirdWorld than has the United States.” This year, in the LatinAmerican sequence Mr. Coatsworth asserted, concerningthe Cuban Missile Crisis of 1962, that “there was no conclu¬sive evidence that the Soviet missiles had nuclear war¬heads.” Does Mr. Coatsworth believe that the majority ofthe students taking Latin American Civ., no matter howpoorly informed, are so gullible as to buy that one? Inwinter 1982, when I buttonholed Mr. Coatsworth about thebetrayal of the ideals of the Sandinista revolution whichwas becoming evident by the curtailment of the privatebusiness sector, the press, and the Catholic Church in Ni¬caragua, he showed no signs of losing the faith. In fact, hislast words to me were, “the revolution that has trans¬formed Nicaragua, should provide the model for other na¬tions in the region.”When The Maroon carried an article and interview on Oc¬tober 15, 1982 with the Center for Latin American Studies-sponsored Nicaraguan Ambassador Navarro that referredto Nicaragua as a Marxist state, Mr. Coatsworth objected.Moreover, when he arrived at the interview, Mr. Coats¬worth insisted on moderating further contact between theAmbassador and the Maroon reporter. But why did Mr.Coatsworth protest the Marxist label that had been proudly proclaimed by Sandinista Directorate leader Ortega, whoequates Sandinism with Marxism?W’hy does Mr. Coatsworth uncritically defend a regimewhose new national anthem pledges solidarity to “fightagainst the Yankee enemy of humanity?” Does Mr. Coats¬worth deny the public record that the revolutionary Sandin¬ista regime signed a “Joint Communique” of solidaritywith the Soviet Union early in 1980, even while the UnitedStates was giving the new regime millions of dollars in aid*?Why is it that Nicaragua continuously abstains from votingon the reprimand of the Soviet invasion of Afghanistan atthe UN? The only other countries with such a consistentvoting record on that issue are members of the Soviet bloc.Only three weeks ago, a former Sandinist official. ArturoCruz Sequeira, w'ho defected from the Nicaraguan Em¬bassy in Washington, admitte d in The New York Timesthat the Sandinista Directorate’s policies were responsiblefor “the discontent of the Miskito Indians, the Nicaraguanpeasants, and the small proprietors.” He also blamedmuch of Nicaragua's problems on the “arrogance” and“ideological orthodoxy" of the regime's “excessive pro-So-viet attitude.” So how does Mr. Coatsworth have the audac¬ity to state, as he did at the Round-table last week, that “Ni¬caragua has given no indication that it wants an alliancewith the Soviet Union?”Although campus humor is in short supply and it doesn'talways make it over to the Administration, it is really nosecret among students that there is a joke about the mis¬nomer of the course “Latin American Civ.” It is often saidthat the way the course is taught, it would be more appro¬priate to list it as “Anti-US Imperialism Civ.”The University of Chicago is known w'orld-wide for its le¬gacy of intellectual rigor and its emphasis on empirical stu¬dies. Yet, in some areas, notably Latin American Civ., thattradition has not been upheld. Empirical data is used selec¬tively, while some professors apply double standards to keyissues like human rights and democratic rule (e.g., Cuba isa legitimate government and goes uncriticized in regard tohuman rights, while El Salvador’s elected government isunquestionably illegitimate and is exclusively reprehensi¬ble forall human rights violations). The real issue for moststudents is that they come to the University of Chicago todevelop their critical faculties rather than be subjected toany faculty members' moral indignation or biases, whetherguided bv ideologv or political partisanship.Scott S. PowellGraduate student in political scienceThe Chicago Maroon—Friday, May 27, 1983—5AN OPEN LETTERTO THE UNITED STATES CONGRESSFROM MEMBERS OF THE FACULTY OF THEUNIVERSITY OF CHICAGOWe need a pause in the nuclear arms race.The United States Congress can take the lead.We need a pause before the United States and the Soviet Union take the fateful, irrevocablesteps to counterforce, “limited nuclear war” arsenals.The recent proposals for defensive weapons based in space must not distract our attentionfrom the crucial issue of what to do about the extreme danger posed by the proliferation ofnuclear weapons systems. Indeed if these proposals were implemented they would initiate anew round in the arms race.We ask Congress to put “on hold” the building, testing, and deployment of new weaponssystems with destabilizing counterforce capability. These include the MX, Cruise, Trident,and Pershing missies. We suggest that an initial pause lasting one year would be an ap¬propriate action. It would give evidence of our desire to end the arms race, and would focusimmediate attention around the world on the Soviet Union. The Russian government would beplaced under enormous pressure to match or to exceed our action. If it did, the two super¬powers would have succeeded in taking the difficult first steps toward a nuclear freeze andeventual arms reduction.The proposed pause would not endanger our nation or its allies Our ability to deter attackwould not be compromised. The United States would retain the power of its existing vastarsenal, an arsenal whose retaliatory capability is invulnerable to any foreseeable attack.We the undersigned respectfully urge you to take this bold step. It would not endanger ournation, and it could help avert nuclear catastrophe.ANATOMY W.R. Johns..Robert A. Kas .Atsuyo Nakamura George B Walt. ’ANESTHESIOLOGY COLLEGEH. Bruce Triplett Isaac D. AbellsANTHROPOLOGY Ira A. KipnisLeo NedelskyPaul Friedrich Richard P. TaubManning NashGeorge W. Stocking DIVINITY SCHOOLART AND DESIGN Jerald C. BrauerBernard O. BrownThomas Mapp Don S. BrowningASTRONOMY Anne CarrFranklin 1. GamwellAND ASTROPHYSICS Langdon 8. GilkeyDavid N. Schramm James M GustafsonMichael S. Turner Robin LovinPeter 0. Vandervoort Bernard McGinnBEHAVORIAL SCIENCE Alvin PitcherGene ReevesErika Fromm Anthony C. YuE. T. GendlinRobert J. Havighurst ECONOMICSJ.R. Kantor Bert F. HoselitzMartha K McClintockStephen Monsell EDUCATIONLance Rips Robert DreebenMarvin Zonis J.W. GetzelsBIOCHEMISTRY Mark KrugRobert L. McCaulHerbert C. Friedmann William D. PattisonEugene Goldwasser Susan S. StodolskyTheodore L. Steck Herbert A ThelenBIOLOGY ENGLISHRandall S. Alberte Wayne BoothStuart Altmann Merlin BowenTerence Martin Janet M MuellerHewson Swift Bruce BedfordBIOPHYSICS t Sanford SchwartzRichard SternTHEORETICAL BIOLOGY Richard StrierKwen-Sheng Chiang Stuart TaveLucia Rothman-Denes Winthrop WetherbeeHugh R. WilsonBUSINESS FAR EASTERN LANGUAGESAND CIVILIZATIONSMiriam Gasko Harry HarootunianRobin M Hogarth David T. RoyAlex OrdenCHEMISTRY GEOGRAPHYDoris B. HollebR. Stephen BerryRobert Gomer GEOPHYSICAL SCIENCESMichael Johnston Julian R. GoldsmithSTuart Rice Robert C. NewtonNathan SugarmanCLASSICAL LANGUAGES GERMANIC LANGUAGESAND LITERATURESAND LITERATURES Peter K. JansenNancy Helmbold Clayton Koelb Kenneth Northcott PEDIATRICS PSYCHIATRYVictor Baum Peter BarglowHISTORY Michael Bennish Henry ConroeRalph Aus(en Jay E. Berkelhamer Robert FriedmanJohn Coatsworth Samuel P. Gotoff Richard M. GlassJan Goldstein Jane E. Kramer David R. HawkinsLeonard Krieger Marlin B. Mathews Rita J. JeremyTetsuo Najita John W. Moohr jChris JohansonRobert J. Richards Richard Newcomb Chase KimballArthur Rosenblum Elisabeth LassersLAWSCHOOL Michael R. Sharpe Deborah L. LevyMary Becker Charles N. Swisher Herbert MeltzerJames Boyd White Otto Thilenius John MetzHans Zeisel F. Howell Wright Allan RechtschaffenCharles R. SchusterLINGUISTICS PHARMACOLOGY PaulJ. SchwabEric P. Hamp Leon 1. Goldberg Betty Jo TricouJames D. McCawley Philip C. HoffmannJai D. Kohli Madha E. ZeuhlkeMATHEMATICS ROMANCE LANGUAGESFelix E. Browder PHILOSOPHY AND LITERATURESI.N. Herstein Ted Cohen Elissa B WeaverAlfred L. Putnam Alan DonaganWilliam H. Reid Alan Gewirth SLAVIC LANGUAGESLeonard Linsky AND LITERATURESMEDICINE David Malamenl Milton EhreSheldon R. Cogan Richard P. McKeon Fruma GottschalkHymie Kavin Ian MuellerRichard Langendorf Howard Stein SCHOOL OF SOCIAL SERVICEStephen A. Lerner Josef Stern ADMINISTRATIONDennis Levinson William W. Tait Malcolm BushJerome S. Mehlman Warner Wick Joan CostelloMurray Rabinowitz William Wimsatt Dwight FrankfatherA. Rubenstein PHYSICS Paul GitlinF. Gary Toback Emanuel HallowitzS. Chandrasekhar Carol JacusMICROBIOLOGY Ugo Fano Bernice KimbroughRobert M. Lewert Henry Frisch Elaine SwitzerAlvin Markovitz Hellmut FritzscheMark Inghram SOCIOLOGYNEAR EASTERN LANGUAGES Leo P. Kadanoff C. Arnold AndersonAND CIVILIZATIONS Sol Krasner Donald LevineWalter Farber Kathryn Levin William J. WilsonHelene J. Kantor Gene F. MazenkoMartha T. Roth Peter Meyer SOUTH ASIAN LANGUAGESSidney R. Nagel AND CIVILIZATIONSNEUROLOGY Eugene N Parker Norman CutlerLouis R. Caplan James Pilcher C. M NaimSara Szuchet Chris QuiggThomas F. Rosenbaum STATISTICSOBSTETRICS AND Jonathan L. Rosner David DraperGYNECOLOGY Stephen ShenkerRobert Benveniste Mel Shochet SURGERYRobert Wald Paul C. KuoPATHOLOGY Bruce D. Winstein Robert LewyHilliard Cohen POLITICAL SCIENCE Sharon R. MenkveldGodfrey S Getz Lawrence PottengerHyman Rochman J. David Greenstone * Lawrence S RossHans Schreiber Russell Hardin L. R. SehgalMartin Swerdlow Gary OrfieldBruce Wainer Lloyd 1. RudolphSusanne H. RudolphDuncan SnidalreThe publication of this letter was assisted by The Chicago Area Faculty for a Freeze. Names listed are those received as of May 24, 19836—The Chicago Maroon—Friday, May 27, 1983NewsPHOTO BY ARA JELALIAN IA grocery store affiliated with the Scot Lad chain ofgroceries is to replace the A & P store in the Village Shop¬ping Center at Hyde Park Blvd. and Lake Park Ave. ScotLad, Inc., a Michigan-based firm, bought out Chicago areaA & P stores last year. The new store is expected to openwithin 60 to 90 days. Quantrells for excellencecontinued from page oneCohen received his AB in philosophy fromthe University of Chicago in 1962, and hisMA and PhD degrees from Harvard Univer¬sity in 1965 and 1972. His dissertation waswritten at Harvard on “the Grammar ofTaste.”Cohen has held visiting appointments atthe University of Illinois at Chicago (sum¬mers of 1968 and 1969), the University of Mi¬chigan (1971), Cornell University (1972),Northwestern University (1976), the Univer¬sity of California at Santa Barbara (1978),and Harvard University (1978). His specialinterests include the philosophy of art andthe philosophy of language. Cohen is teach¬ing elementary logic, a course on the theoryof pictorial representation, and a course onHume and Kant.Turner joined the University faculty in1978 as an Enrico Fermi fellow. He becamean assistant professor of Astrophysics in Oc¬tober, 1980 and a tenured associate profes¬sor this year.Turner studies the connection betweencosmology (the origin of the universe andelementary particle physics. He receivedhis PhD from Stanford in 1978.He has taught the common core course,“Introduction to Astrophysics,” and willteach “The Universe as a Laboratory" nextyear. PHOTO BY ARA JELALIANMichael Turnermmmmm M — r n i m i nwir-mmTirrfniiTi innimii n ti it -—in wiwmiu-j-iiunum.« American HeartAssociation Maroon-SG softballAll staff members of the Maroon and GreyCity Journal are reminded that the annualMaroon vs. Student Government SoftballGame will be today at 3:30 p.m. on the Mid¬way. Although the Maroon will probably de¬stroy SG, and although SG may not evenround up enough players (it frequently hasdifficulties getting quorum), all staffmembers are invited to join in on the gameand the festivities followingNeed a THE FLAMINGO APARTMENTSGuaranteed Student Loan 5500 South Shore DriveFor the Fall? STUDIOS & ONE BEDROOMSGraduate Loans: Up to $5,000 •Unfurnished and furnishedUndergraduate Loans: Up to $2,500 •U. of C. Bus Stop•Free Pool MembershipThe First National Bank of Chicago •Carpeting and Drapes IncludedCall Us At •Secure Building - Emily's Dress Shop732-4530/4539 or Contact •University Subsidy for Students & StaffMimi Race 732-0823 •Delicatessen *Beauty ShopGet a Jump on the Crowd - Call Today! •Barbershop •T.J.'s Restaurant•Dentist *Valet Shopm FIRST CHICAGO FREEPARKINGThe First National Bank of Chicago Mr. Keller 752*3800_ „ , - , , - ,The Chicago Maroon—Friday, May 27, 1983—7SENIORWEEKPUB NIGHTSponsored by the Alumni Association for Seniorsand AlumniRefreshments & live music.FRIDAY, JUNE 3, 8 PM - MIDNIGHTHANGOVER BRUNCHFree. Sponsored by Senior Week Committee.SATURDAY, June 4, 10 AM -1 PMIDA NOYESALUMNI REUNION PICNICSeniors are invited to the annual picnicSATURDAY, JUNE 4, 12:30 PM - 2:30 PMIN FRONT OF ECKHART HALLPRESIDENT GRAY’S RECEPTIONFree. All seniors are invited.SUNDAY, JUNE 5, 5 PM - 7 PM,QUADRANGLE CLUBSENIOR DANCE$10 tickets include transportation, refreshments,and live music by SOFT TOUCHWEDNESDAY, JUNE 8, 9 PM -1 AMT.J. PATRICK’S IN THE MEZANINE OFTHE JOHN HANCOCK CENTERTickets are NOW available for purchase at theReynolds Club Ticket Office and the StudentActivities Office on the seond floor of Ida Noyes. IflMBARK LIQUORS& WINE SHOPPE1214 E. 53rd St. • In Kimbark PlazaSale Dates: May 21 thru June 2BEER24-12 oz. cans Stroh’s $7.99LIQUORV2 lb box Jay’s Chips $ .991.75 ltr E&E Brandy $10.99750 ml Smirnoff Vodka 80 $4 991.75 Bacardi Rum $10.791.75 Gordon Gim $9.99750 ml Old Forester 86 $5.991.75 ltr Canadian Mist $10.99WINE40 ltr Carlo Rossi Wines $5.2930 ltr Carlo Rossi Wines $3.991.5 ltr Gallo Premium Wines $3 99750 ml Piper’s XDry Champagne .$12 99750 ml Maryell Cognac $12.99750 ml Hennessy V.S. Cognac $12.99FREE TASTINGS5-27 Friday5-28 Saturday5-29 Sunday5-31 Tuesday Celia 2 pm - 9 pmCelia 12 noon-7 pmKeller Giesyer 12 noon-7 pmBacardi Reserve 2 pm - 8 pm5-30-83 MEMORIAL DAY HRS 8 am -1 amPhone: 493-3355 Hours: Sun. - Noon - MidnightMon. - Thurs. 8 am -1 amFri. & Sat. 8 am - 2 amT BERTOLT BRECHT20 21, 22,2 8=00pm 26,27,28 ti diets ‘2.5079 reynolds club Funded general 3.008—The Chicago Maroon—Friday, May 27, 1983NewsWard committeemanattends rival dinnerBy Cliff GrammichFifth Ward Democratic CommitteemanAlan Dobry attended a dinner Wednesdayorganized by several black politicians torival the annual fund-raising dinner held bythe Cook County Democratic Party.Mayor Harold Washington supported therival dinner with his appearance, leavingthe “official” dinner without Chicago’s mostprominent Democrat.Tenth Ward Alderman Edward Vrdolyakis the chairman of the Cook County Demo¬cratic Party, and Dobry and the others atthe rival dinner were protesting Vrdolyak’srole in the current conflict over City Councilorganization.Cook County Commissioner John Stroger,who also serves as Eighth Ward Democraticcommitteeman, was one of the chief organ¬izers of the rival dinner. Stroger said thatthe dinner was organized “in protest ofVrdolyak’s leading of 29 aldermen againstfair organization of the City Council.”Stroger also told the Maroon Wednesdayafternoon that he believes that Vrdolyakshould be removed from the party chair¬manship, as not all Democratic ward com¬mitteemen will “feel comfortable underVrdolyak” in leading Democratic campaignefforts in 1984. Stroger had no specific pro¬posals to replace Vrdolyak with at the pres¬ent, but added that it should be done, asblacks may rebel against certain candidatesof the party in 1984 to protest Vrdolyak’srole in the Council impasse.Stroger has had a long career in politics.He was a supporter of Richard J. Daley andMichael Bilandic during their mayoralterms. During Jane Byrne’s administration,Stroger allied himself with such Democratsas Cook County Board President GeorgeDunne, County Assessor Thomas Hynes,and State’s Attorney Richard M. Daley. Stroger supported Daley in the mayoral pri¬mary, being one of few black committee¬men to oppose Byrne and the only blackcommitteeman to support Daley. AfterDaley’s defeat in the primary, Stroger be¬came a staunch supporter of Washington,the Democratic nominee.Commenting on the removal of Vrdolyakas chairman, Dobry said he had “no objec¬tions” to such a strategy, but he does not be¬lieve it would solve the Council conflict. Hebelieves that the majority of the “Vrdolyak29” have grown accustomed to “treating thecity as their own property” for severalyears, and the nature of this behavior is theroot of the Council impasse.Concerning the upcoming Congressionalrace, Stroger ruled out a candidacy on hispart, and he stated he withholds his supportof a candidate while he “waits to see whoMayor Washington has in mind for thepost.” Stroger ran a strong campaign forthe post in the 1980 Democratic primary, fin¬ishing third in a field which included Wash¬ington and former US Rep. Bennett Stew¬art.Dobry and most other local pols have notyet made endorsements in the Congressio¬nal campaign; however, Gloria Morgan,campaign manager for 5th Ward AldermanLarry Bloom and 4th Ward aldermanic can¬didate Toni Preckwinkle in the recent mu¬nicipal elections, will be A1 Raby’s cam¬paign manager. Preckwinkle will be thecoordinator in the Fourth and Fifth Wardsfor Charles Hayes’ campaign.Raby enters raceLongtime political activist A1 Raby an¬nounced Wednesday his candidacy for the1st Congressional District seat vacated byMayor Harold Washington.Raby’s long career has included serviceas a delegate to the 1970 Illinois Constitu¬tional Convention, becoming director of thePeace Corps in Ghana, an unsuccessful bidfor 5th Ward Alderman in 1975, and. most re¬ cently, being the manager of Washington’smayoral campaign.Raby’s campaign manager will be hisniece, Gloria Morgan, who recently man¬aged the successful campaign of 5th WardAlderman Larry Bloom. Morgan was alsocampaign manager for Toni Preckwinkle inher run-off campaign against 4th Ward Al¬derman Timothy Evans.In declaring his candidacy, Raby said “1view this candidacy as a logical continua¬tion of the movement for which I returnedhere in December; a movement for progres¬sive change in local and national prioritiesand policies.” Raby added, “I seek this of¬fice and a field of well-qualified candidates,because I believe that I offer a unique com¬bination of skills and experience that willbest serve the citizens of the 1st District.”Raby, with his declaration of candidacy,joins a rapidly expanding field which cur¬rently contains eight candidates, includingState Senator Charles Chew, labor leaderCharles Hayes, political commentator LuPalmer, and State Representative LarryBullock. The deadline for submission of peti¬tions in the July 26 primary is June 6, so thefield should become fixed early nextmonth.Dobry charges Demswith improprietyFifth Ward Democratic CommitteemanAlan Dobry has filed documents which ac¬cuse the 5th Ward Citizens for Democrats, agroup more closely tied to the Regular Dem¬ocratic Organization than Dobry, of violat¬ing state law by failing to file disclosurestatements of campaign contributions.In the documents, Dobry says that thegroup, which was organized by Cook CountyDemocratic Party chairman Edward Vrdo¬lyak, has actively participated in recentcampaigns but failed to disclose donationsin excess of $1,000 which the group re¬ceived. Last November, the group pushed thestraight Democratic ticket, while Dobrysupported candidates endorsed by the Inde¬pendent Voters of Illinois-Independent Pre¬cinct Organization. In February, the groupsupported Jane Byrne for mayor and FrankBacon for alderman, while Dobry workedfor Harold Washington’s campaign formayor and Larry Bloom’s re-election as al¬derman. In April both supported Washing¬ton.Documents which Dobry filed show thatthe “Democratic Party of Chicago and CookCounty” gave 5th Ward Citizens for Demo¬crats $5,500 on February 17, 1983. In addi¬tion, the “Citizens for Vrdolyak” gave thegroup $1,500 January 25, 1983.A hearing is scheduled to investigate theallegations at 10 a m. today.Freedom of info actThe House of Representatives in the Illi¬nois General Assembly approved Wednes¬day HB 234, a freedom of information actsponsored by State Representative BarbaraFlynn Currie (D-26).The margin in favor of the act was 88-18,despite some fears that the bill might forcecorrections officials to disclose secret plansfor moving prisoners, or for dealing withhostage situations, or for dealing with “nosyneighbors” interested in records of rapes orother crimes. Currie’s aide Forbes Shep¬herd said last week that the bill had safe¬guards to prevent such actions.The act details which governmental re¬cords should be kept secret and which areavailable for public inspection. Currie’s billwould also establish uniform procedures forstate agencies to follow in making docu¬ments available.Illinois is currently the only state in thenation without a freedom of information act.Mississippi, the 49th state to approve suchan act, did so earlier this year. A similarbill, sponsored by State Senator TerryBruce < D-Olney), is currently before the Illi¬nois State Senate.For GraduationBring Your Parentsto Hemingway’s for... HEMINGWAY’S• Nachos• Potato Skins• Salads• Omelettes• Quiche• Assorted burgers(including theUniversity Burger,the educated choice)1550 East 55th Street • 752-3633In the Hyde Park Shopping CenterAn Eating & Drinking Establishment• Complete Bar(Including SpecialtyDrinks)• Sandwiches• Ribs• Chicken• Shrimp• Steaks• Fresh Seafood• DessertsOpen For Lunch& Dinner, 7Days A WeekThe Chicago Maroon—Friday, May 27, 1983—9NewsTestifying before the HUD-IndependentAgencies Subcommittee of the Senate Ap¬propriations Committee on May 24, mathe¬matics professor Izaak Wirszup urged com¬mittee chairman Jake Garn to lead “abipartisan effort in the U.S. Senate on be¬half of a national mobilization for qualityeducation.”Wirszup believes that America's economyand security are facing a grave challenge asa result of what he calls “our educationalcrisis.” In February 1979, Wirszup, who isan expert on Soviet-bloc science and mathe¬matics education and Director of the Na¬tional Science Foundation Survey of RecentEast European Mathematical Literature,learned of an NSF study documenting a dra¬matic decline in enrollments in high schoolscience and mathematics courses. Thestudy prompted him to analyze more close¬ly the differences between American andSoviet schooling.Wirszup’s subsequent investigations re¬vealed that since 1966 the Soviets had beencarrying out what he terms an “educationalmobilization” of their entire young popula¬tion. This involved restructuring the educa¬tional system, making secondary educationcompulsory, and expanding scientific andmathematical training into all levels of theUSSR’s multi-track school system. As a re-\zaak Wirszupsuit, a reported 98% of Soviet students nowcomplete secondary education and a rigor¬ous curriculum that includes 10 years ofmathematics (5 years of algebra, geometryover a 10-year span, and 2 years of calcu¬lus), 5 years of physics, 4 years of chemis¬try, 5 years of biology, 5 years of geography,7 years of a foreign language, 10 years ofworkshop training, and 3 years of mechani¬cal drawing.In contrast, approximately 10% of U.S.students receive one year of physics, 20%one year of chemistry, and 30% two years ofalgebra. Moreover, U.S. standards havebeen declining over the past 20 years, whilethe USSR, and also Japan and most ofEurope, have shown a steady improvementin the education of their general popula¬tion.“At first,” Wirszup said, “my December1979 report to the NSF was received withshock and disbelief. One reader who paidclose attention, however, was ProfessorFrank Press, then Science and TechnologyAdvisor to President Carter and now Presi¬dent of the National Academy of Sciences.Within weeks of Wirszup’s report to NSF,Press brought it to the attention of Presi¬dent Carter, who called upon the NSF andthe Department of Education for a review ofU.S. science and engineering educationalpolicies. In the past three years Wirszup has writ¬ten numerous articles and addressed over60 conferences on educational improvementand manpower training. The addresseshave attracted diverse audiences, not onlythe scientific and educational communities,but also leaders of industry, business, labor,and State and Federal government. Theirpurpose has been to promote an awarenessof critical problems in precollege educationand to enlist cooperation and support in thesearch for solutions.Wirszup says he has been especially en¬couraged by the strong support he has re¬ceived from Senator Charles H. Percy,former Sen. J. William Fulbright, GovernorHarry Hughes of Maryland, federal offi¬cials, and leading members of the NationalAcademy of Sciences and the National Aca¬demy of Education. His concerns have beenechoed recently in passionate debatesamong the nation's top educators and evenin President Reagan’s 1983 State of theUnion address.Wirszup has twice been called to testifybefore U.S. Senate committees, first inApril and June of 1981 and then this pastTuesday. He has welcomed these opportuni¬ties. Commenting on last Tuesday’s hear¬ings, W’irszup said, “I appreciate SenatorGarn’s invitation; I think he has shown keen the Vice-President, has pointed out thatsince the 1950’s the United States hasdropped from 18th to 49th among the mostliterate of the 57 members of the United Na¬tions; each year the Soviet Union producesas many secondary school physics teachersas the total number now employed in U.S.schools; the typical Japanese graduatesfrom high school with roughly four moreyears of education than an American highschool graduate.“The state of our educational systemcould more properly be described as catas¬trophic,” Wirszup concludes.Wirszup made several recommendationsfor solving these problems, including thefollowing:• Develop a completely new program for allchildren covering all of artithmetic in thefirst six years of school — intuitive geome¬try should be an integral part of the newprogram, and algebraic thinking should beintroduced in the last tw’o years of this six-year program.• Allow only specialized teachers to teachmathematics and science courses fromgrade 5 on.• Establish continuing improvement andretraining programs for primary schoolteachers, especially those who teach arith¬metic in grades 1-4. language, foreign cultures, geography, andeconomics should also be included amongthe basic requirements.”What Wirszup is looking for is nationalleadership in education. Leaving education¬al progress to the individual states and lo¬calities has brought mixed results that thecountry as a whole can ill afford, especiallyin this time of recession. Along with re¬sounding successes, like the North CarolinaSchool for Mathematics and Science in Dur¬ham, there are thousands of stagnatingschools in areas that simply lack the per¬spective and the resources to institute badlyneeded changes. Wirszup contends that na¬tional educational progress is just as vital toour future as a comprehensive and purpo¬seful foreign policy and defense.Whatever amount of national attentionour educational problem receives in publicdiscussion in the next month or the nextyear, this attention by itself does not consti¬tute more than the most superficial begin¬nings of an answer. This is a long-termproblem, the culmination of tendencies de¬veloping over at least half a century. Tocounter these tendencies, Wirszup insistswe must mount a sustained effort, a genuinenational mobilization for education.The focus of a national educational mobi¬lization can be developed only on a nationalWirszup addresses Senateon US educationunderstanding and exemplary leadership indealing with crucial issues in our education¬al crisis. W’hat’s more, he has offered astrategy for national action.”Wirszup does not paint a uniformly rosypicture of Soviet education. He points outthat the Soviets have encountered seriousproblems implementing their compulsoryprograms, especially the two-year calculusrequirement. But he noted that these prob¬lems are of a totally different order of mag¬nitude from those faced by the U.S. Wirszupalso states that “from the point of view ofcivic education — fostering a balanced ap¬preciation of democracy and freedom — ourschools are among the finest anywhere.” Heemphasizes that “Our goal should not be toimitate Soviet achievements, methods, orsystems, but to conceive whatever newforms of American education are necessaryto preserve our freedom.”Asked his opinion of the recent report ofthe National Commission on Excellence inEducation, Wirszup termed it a superblywritten document. He maintains, however,that the report understates the seriousnessof the nation’s educational problems. “Is‘tide of mediocrity’ really a strong enoughterm to describe our present situation?” heasked.Wirszup brought up a number of disquiet¬ing statistics. Mrs. Barbara Bush, wife of • Offer all students in grades 7-9 a newthree-year sequence in algebra and a sepa¬rate, parallel sequence in semi-rigorous ge¬ometry.• Organize new programs, and expand ex¬isting ones, for the discovery and training oftalented children from the earliest possibleage.In addition, Wirszup believes that coursesand textbooks must be revised. Although“programs and textbooks for the Americanone-year physics and chemistry courseswhich resulted from the post-Sputnik na¬tional curricular reforms are generally ex¬tensive, comprehensive, and modern,”Wirszup noted in his testimony that “thesepackaged’ courses are, like our geometrycourse, written at the highest developmen¬tal level in each of these subjects. For thegeneral population these courses are simplyinappropriate, and this is one of the mainreasons why enrollments in physics andchemistry are so alarmingly low.” Forthose who fear Wirszup’s proposals concen¬trate too much on mathematics and techno¬logy Wirszup added, “It is essential that weupgrade the graduation requirements forEnglish in high schools to four years. Tohelp create a global perspective and pro¬vide the background for an understandingof international relations, history, foreign level, with continuing support from the Ex¬ecutive Office and the Congress. Wirszuprecommends a Congressional Mandate for aFederal Office for Educational Quality inthe Executive Office and a Standing Agencyfor Development of Long-range Initiativesin Science, Mathematics, and TechnologyEducation under the Office of Science andTechnology Policy.Wirszup stresses that he is not proposingagencies for the disbursement of large un¬differentiated grants. The agencies pro¬posed would serve in a leadership role tostimulate and guide efforts on the state andlocal levels. These agencies would serve asa vehicle for sustaining the national thrusttoward quality education.Wirszup also declared his support for theDepartment of Education, stating “Thecampaign to abolish the Department at atime when the nation sorely needs educa¬tional ldftdership is incomprehensible to anyserious educator.”After three and a half years of callingAmericans’ attention to what he sees as aquestion of national survival, Wirszup be¬lieves this goal has largely been achieved.“We are now entering a period of earnest ef¬forts to make vital improvements in our ed¬ucational system. The main prerequisite fora mobilization for quality education is cre¬ative and decisive national leadership.”10—The Chicago Maroon—Friday, May 27, 1983rj/Major Activities BoardpresentsMEMORIAL DAY CELEBRATIONSUM. MAY 24to pm— with —• Burns & Holden: Rock of the 50’s & 60’s• Dumb RaS.G. ACTIVITIESIN HUTCH COURT: MAB STAGE• Femme Fatale 1 pm• The Visitors 2-3:30 pm•Clinic 4-5:30 pm• Metro 5:30-7 pm IN THE HULL GATEAREA ON THE QUADStimes: Dumb Ra 7 pmBums & Holden 8:30 pmRAMONES 10 pmo0&oh- o NO photographic orrecording equipmentpermitted.In case of rain MAB bands will play in Mandel Hall -free admission with UC Student ID until capacity.The Chicago Maroon—Friday, May 27, 1983—11Chicago"It seems strangethat in respectto sportthe United Statesis a cultural isolate/'In SOCCER MADNESS, Jane’,Lever points out that the recordaudience for any satellite-televisionevent is held by the 1978 WorldCup Final, a match seen by almost2 billion people-almost half ofthe world's population-but notshown on American networktelevision.Janet Lever investigates whysoccer is the world's most popu¬lar sport and why America's big-business approach to sport sodamages this country's image.She focuses on the special caseof Brazil, where soccer madnessis most feverish. There soccerhas a symbiotic relationship withpolitics; there 92 percent ofRio de Janeiro's adult populationbets at least once a month on thesoccer state lottery; there fanseven sometimes make religioussacrifices for their teams andhave been known to commitsuicide or die of cardiac arrestin the excitement of winning orlosing; there, too, soccer clubsoffer millions of people theironly experience of grassrootsdemocracy.Soccer does not drive thewhole world mad but, rather, asJanet Lever notes, it has laid thebasis for global community bypromoting common knowledge,shared symbols, and communica¬tion between people of differentnations."[This] is more than a sportsbook; it is a fascinating study ofpeople, culture, and politics...fans, sports writers, and thosewho would be in the know aboutmodem times ignore this book attheir own risk/' — Rick Telander,associate writer. Sports IllustratedSOCCERMADNESSJanet LeverUlus. $1750Available at campus bookstoresThe University of CHICAGOPress5801 Ellis Avenue, Chicago 60637Photo courtesy Brazilian Tourist Authority Used desks,chairs, files,and sofasBRANDEQUIPMENT 8560 S. ChicagoRE 4-2111Open Daily 8:30-5Sat. 9-2 Dr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know thedifference between advertisedcheap glasses or contact lensesand competent professionalservice with quality material.Beware of bait advertisingEye ExaminationsFashion Eye WearContact LensesCUSTOMER INFORMATION FROM GENERAL MOTORSHOW TO SAVE YOUR LIFEAND THE ONE NEXT TO YOU.OVERCOMING YOUR PSYCHOLOGICAL RESISTANCE TO SEAT BELTS MAY BE THE KEY.The facts are startling.Experts estimate that almosthalf of all automobile occu¬pant fatalities and manyserious injuries might havebeen avoided if the peoplehad been wearing seat belts.That’s because most injuriesoccur when the car stopsabruptly and the occupantsare thrown against the car’sinterior or out of the car. Beltsreduce this risk.Many people say theyknow the facts, but theystill don’t weai' belts. Theirreasons range all over thelot: seat belts are trouble¬some to put on, they are un¬comfortable, or they wrinkleyour clothes. Some peopleeven think getting hurt orkilled in a car accident is aquestion of fate; and, there¬fore, seat belts don’t matter.If you’re one of thosepeople who don’t use beltsfor one reason or another,please think carefully aboutyour motivations. Are yourobjections to seat belts basedon the facts or on rational¬izations?Here are a few of thecommon rationalizations.Many people say they areafraid of being trapped in acar by a seat belt. In fact, in the vast majority of cases,seat belts protect passengersfrom severe injuries, allowingthem to escape more quickly.Another popular rationaliza¬tion: you’ll be saved by beingthrown clear of the car. Hereagain, accident data haveproved that to be untrue —you are almost always saferinside the car.Some people use seatbelts for highway driving,but rationalize it’s not worththe trouble to buckle up forshort trips. The numbers tella different story: 80% of allautomobile accidents causingserious injury or death involvecars traveling under 40 milesper hour. And three quartersof all collisions happen lessthan 25 miles from the driver’shome.When you’re the driver,you have the psychologicalauthority to convince all ofthe passengers that theyshould wear seat belts. Ithas been shown that in a car,the driver is considered tobe an authority figure. Asimple reminder from youmay help save someone’s life.Another common myth:holding a small child in yourarms will provide the childwith sufficient protectionduring a crash. The safetyexperts disagree. They pointout that even during a 30mph collision, a 10-poundchild can exert a 300-pound force against the parent’sgrip. So please make sureChild Restraint Systems areused for children who aren’told enough to use regularseat belts.If you’re an employer,encourage your employeesto wear seat belts. At GM,we’ve made it a matter ofpolicy that everyone ridingin company-owned vehiclesis expected to wear lap andshoulder belts.We heartily support theprogram initiated by theNational Highway TrafficSafety Administration to en¬courage the use of seat belts.So please fasten your ownbelt, and urge your familyand friends to follow yourexample. Even the best driverin the world can’t predictwhat another driver will do.This advertisement is part ofour continuing effort to givecustomers useful informationabout their cars and trucks andthe company that builds them.MAM Of EXCEUfNCIChevrolet • PontiacOldsmobile • BuickCadillac • GMC Truck12—The Chicago Maroon—Friday, May 27, 1983GREY CITY JOURNAL57th street mural“The history of Chicago has yet to be writ¬ten, but the murals of Chicago reflect andanticipate history.’’—George Vargas, Chicago: The city andits artists.by Maddy PaxmanAstrid Fuller is fascinated by history —women’s history, black history, the historyof education, of the social services, of localcommunities. Over the past ten years shehas filled the walls of the neighborhoodwith her own particular depictions of histo¬ry; the kind of history usually ignored bythe textbooks, whose focus is almost ex¬clusively white, male and middle class.Fuller’s view of history is that of the devel¬opment of oppression, of economic imba¬lance and social injustice: it is the conflictbetween races, sexes and classes, be¬tween the individual and the state. It isalso, on occasion, victory for those whocare to fight these oppressions, to chal¬lenge the status quo and band together inmutual respect. For tied up in Fuller’s his¬torical presentation is an optimistic futurevision, a vision perhaps realizable, if peo¬ple would put aside their differences andwork for the common good.It is a decade since the heyday of muralart in Chicago, but its products are stillaround for us to see. Over 150 muralsadorn the city's walls, more often than notin the black and hispanic neighborhoods,where the mural movement started. TheChicago Mural Group (CMG), founded in1970 by Bill Walker and John Weber as a‘multi-racial co-operative’ of men andwomen, was dedicated to the developmentof ‘people’s art’ in the city. The group pro¬vided funds for many of the murals, aswell as support, expertise and public in¬formation programs.Murals, unlike publicly sited sculptures,are rarely commissioned by the city ad¬ministration. More often, they are paintedon the initiative of the artist or at the re¬quest of a community, and the site and fi¬nance must be found by the artist. Morerecently support for mural art has de¬clined somewhat, although in the last fewyears any new public building must, bylaw, allocate 1% of its total building coststo publicly displayed art. The National En¬dowment for the Arts is chiefly responsi¬ble for financing Astrid Fuller’s work andcontinues to be supportive of severalother mural artists. The CMG, though stillin existence, is much less active than in itsearlier years.What is it that makes mural art “thepeople’s art,’’ as defined by the CMG?Part of its appeal is definitely its accessi¬bility _ no need to go to a museum to seeFuller’s work, since it is virtually imposs¬ible to walk under an I.C. bridge in HydePark without passing one of her murals.But more important is their subject matter.There are surprisingly few purely abstractmurals in this country, since artists havetended to use mural space to transcribethe problems and struggles of the commu¬nity in which the mural is painted. Moreoften than not the artist is a member of thecommunity, and the mural becomes part ofa wider campaign for fair treatment andrecognition of that community. As GeorgeVargas says: “Beyond decoration, docu¬mentation and identification, the muralsare real demands for social change and 27 May 1983»15th YearASTRID FULLER: ‘PEOPLE'S ARTeconomic mobility; for quality, as well asequality, in American life.’’ Hardly sur¬prising, then, that murals are found predo¬minantly in ghetto and racial minorityareas. Perhaps, though, their direct rele¬vance to the immediate community has li¬mited their recognition by the intellectualart community, thus confining their mes¬sage to the oppressed, rather than con¬veying it to the oppressors.Astrid Fuller’s murals have their rootsfirmly in the Hyde Park community; thefigures that people them are drawn fromthe community, the issues at stake are oflocal importance. Fuller is originally fromCanada, but has lived in Hyde Park for thelast fifteen years. She first became in¬volved in mural art in 1972, when shehelped paint the first Hyde Park mural —‘Under City Stone’ — beneath the 55thstreet bridge. She describes the earlydays of the CMG, in which she was very in¬volved, as “exciting and cosmopolitan,’’with people of all nationalities and classbackgrounds working together in a spiritof regeneration. Bill Walker was her mainteacher in the skills of mural art. Sincethen, with the exception of ‘The Spirit ofHyde Park’ (for which she herself did thedesign but had help in the execution) shehas researched, designed, primed andpainted by herself.I was first attracted to Fuller’s work bywhat I saw as its strong feminist content,particularly in ‘Women’s Struggle,’ underthe I.C. at 56th Street, which she paintedfor International Women’s Year in 1975.But Fuller's artistic career was unconnect¬ed with (although probably not unaffectedby) the feminist art movement, whichbegan in Chicago in the early seventieswith the opening of the feminist collectivegalleries Artemisia and N.A.M.E. Whenasked if she considers herself a feminist,Fuller replied “I guess I must be — I findmyself defined as such.’’ Her mother, shesaid, was in many ways more feminist thanshe, directly involved in working forwomen’s rights. Fuller says she has neverfelt any lack of opportunity because of her sex — “I just decide to do things, and goand do them.’’ — but she agrees that shepresents a woman’s view through herwork, as would a black artist present ablack view.Her depiction of the history of SocalWork, under the I.C. at 57th Street, showsthe role women have taken in furtheringsocial justice, as opposed to the neglect ofthe (male) establishment. I am a little un¬comfortable with this endorsement of the‘caring’ stereotype of woman, althoughfrom a historical perspective the mural isperfectly accurate. Another more tradi¬tionally ‘feminine’ (and perhaps, unfemin¬ist) aspect of Fuller's work is her portray¬als of the family as the centre from whichemanates love and justice. Fuller has twochildren, and her paintings include manychildren, as well as several symbolic re¬presentations of the ‘ideal’ (nuclear) fami¬ly — in 'Women’s Struggle’ as a many- branched tree, and in ‘Rebirth.’ Suchrepresentations can, of course, be taken tosignify the extended ‘family of theworld.’Fuller is vehemently anti-racist, and per¬haps her concern with issues of colour ismore central to her work than her femin¬ism. Her latest mural, just finished at theOld Town School of Folk Music, depicts thelife of Paul Robeson, for whom Fuller hasthe greatest respect. Robeson, apart frombeing a well-known singer, had outspokenpolitical views on race, for which he suf¬fered discrimination and the obstruction ofhis career, particularly in the McCarthyera. Fuller maintains that the truth abouthis life and beliefs is still largely keptquiet — she hopes that her mural will helppublicize the contribution of this greatman to civil rights.Part of this mural consists of dreamlikecontinued on page 49<%T)emrtment^^iusk\, ^Sscnts *Friday, May 27 — Young Composers Concert / CCP8:00 p.m., Mandei Hall; Barbara Schubert, guestconductor.Music by Baranchik. Carl, Couper, and Wagner.Admission is FREE.Friday, May 27 — Lola Odiago, harpsichord andfortepiano8:00 p.m., Goodspeed Recital HallSonatas by Scarlatti and Haydn.Admission is FREE.Saturday, May 28 — University Symphony &University Chorus8:00 p.m., Mandei HallCelebration of the Sesquicentennial of Brahm’s birth(1833-1897)Symphony No. 4, Op. 98, conducted by BarbaraSchubert; and Ein Deutsches Requiem. conductedby Rodney Wnykoop.Donations of $3 per adult and $1 per student arerequested.Monday, May 30 — International String Quartet8:00 p.m., Mande! HallChihiro Kudo and Oguro Kudo, violins; James VanValkenburg, viola; Lutz Rath, cello. With MenahamPressler. piano.Works by Mozart, Bartok and Brahms.Admission is $9 ($7, UC faculty/staff; $5. students).For tickets and Information call Mandei Hall Box Office,962-7300.Thursday, June 2 — Noontime Concert12:15 p.m., Goodspeed Recital HallEllen Harris, soprano; Evan Owens, harpsichord; DeniseBoneau, baroque violin.Songs for Spring and Summer; Works by Purcell, Handel,Boyce and Arne.Admission is FREE.Friday, June 3 — Collegium Musicum Motet Choir8:00 p.m., Bond ChapelConcert Sine Nomine; Sacred and Secular music byGesualdo, Josquin, Martini, Ockeghem, Wert, Wilbyeand other 16th-century composers.Kevin Byrnes, guest director.Admission is FREE.Saturday, June 4 — Kathleen Vigiietta, harpsichord8:00 p.m., Goodspeed Recital HallMusic by Bach, Draganski, and othersAdmission is FREE.PREVIEW OF 1983-1984 CONCERT SERIESEARLY MUSIC AT MANDEL SERIES — Musica AntiquaKoln * Newberry Consort * Sequentia * Jaap Schroeder,baroque violin.CHAMBER MUSIC SERIES — Vermeer String.Quartet withguest, Ray Still, oboe * Robert and Nicholas Mann Duo *Gabrieli String Quartet * Ridge String Quartet * PeterSerkin, piano.Information is available at the Department of MusicConcert Office, 5845 S. Ellis Avenue, 60637; 962-8068.2—FRIDAY, MAY 27, 1983—THE GREY CITY JOURNAL \ /i 11111111111111 m:sTONIGHT at 7:15 and 9:30: Nudge, nudge! It’s AND NOW FORSOMETHING COMPLETELY DIFFERENT, starring the wholeMonty Python gang, y’know what I mean Say no more.SATURDAY at 7:15 and 9:30: Rainer Werner Fassibinder’sVERONICA VOSS, the final film in his trilogy of post-war ^Germany that began with “The Marriage of Maria Braun.Presented in cooperation with the Renaissance Society.SUNDAY at 8:00: Bernado Bertolucci’s variation on a theme ofJorge Luis Borges’ THE SPIDER’S STRATAGEM.MICHELLE CITRON will speak after her film, “DAUGHTERRITE’’ Monday at 8:00/All shows in Cobb Hall, 5811 S.Ellis Ave. Separate admission is$2.00. For more informationcall 962-8575 or consult Focus DOC FILMS,BENEFIT PERFORMANCE FORUNIVERSITY SYMPHONY ORCHESTRABARBARA SCHUBERT, CONDUCTORAND THEUNIVERSITY CHORUSRODNEY WYNKOOP, CONDUCTORSymphony No. 4 in E Minor • Em Deutsches RequiemSunday, May 22 and Saturday, May 288 P.M • MANDEL HALL—57th & UniversityDonations Requested—$3 adults; $1 studentsInformation: 962-8484The University of Chicago Department of Music and Mostly Music, Inc.present":/Traslet—rWor|J- acciacmeJ. Puuust"Internationale<s^\a5rtetQuartet-in-resuknc*,ftrown Uw»'v*r»tiy andin concert-cA4onday,wAtay 30, <5:00 pm.c Mandei Hall UntV.)Mozart: Quartet in C Major, K.151 — Bartok: Quartet No. 1 —■Brahms: Quintet in F Minor, Op. 34 Tickets: $9 general; $7UC faculty/staff; $5 student — Available at the Mandei HallBox OfficeRamonesBy ROBERT PALMERTHE RAMONES are a joke. Atfirst they are funny. TTie eam-dumhness of adolescent pop hasalways been a source of bothconscious and unconscious humor, andthe Ramones, with their identical uni¬forms of black leather jackets and bluejeans, their aggressively inane lyrics,and their insistence on the most banalinstrumental patterns, take a broadswipe at this dumbness." But satiricaltreatments of dumbness invariably de¬generate into the real thing if they arepushed to extremes, and the Ramonesare nothing if not extremists.Although they are fairly adept atwriting catchy pop melodies, the fourRamones, Joey on vocals, Johnny onguitar, Dee Dee on bass, and Tommyon drums—their commons surname isassumed—reduce all their songs to anextravagantly loud and unvaryingsonic barrage when performing. Therewas some hope among borderlineRamones fans that their high volumesand purposefully narrow range of ex¬pression would be less daunting in thePalladium, where they played theirfirst major New York concert on Satur¬day night, than in CB.G.B's and theother small clubs where they used tobe heard. But the band turned up morethan enough to compensate for tne sizeof the hall and their set was as mono¬tonous as usual.•It is difficult to believe that peoplehave formed serious intellectual at¬tachments to the-Ramones and con¬sider their music great or even goodrock and roll. Rock and roll music hasalways had room for passionate per¬formers who i ntentionally circum¬scribed their range of expression inorder to make a point; it has oftenbeen best when it was simplest. Butthe Ramones do not project passion,they play dumb in order to look cool.And they have circumscribed theirmusic to such an extent that the onlything it effectively satirizes is itself.They are the kind'of joke one tires ofvery rapidly.•The Runaway, who preceded the Ra-New York Times, 1/8/78 IT'S 6AD ENOUGH THAT ADULTSLISTEN TO “PUNK-ROt^BUT YOU KIDS STILLHAVE ACHANCE TOSAVE YOURHEARING,..WHY, NOWTHAT CRITICSHAVE PROVEDTHAT IT ISHARMFUL-WELL, IT'S JUSTPLMN SILLY"GLUE-SNIFF ■=?DISC SHOCKERRamones have also been in thenews in the British Isles A Scott¬ish member of Parliament calledon the government to ban theirsong, "Now l Wanna Sniff SomeGlue" and the Scotland EveningTimes demanded the same in aj front-page editorial.Johnm Rsmone's response inNew York: "If I were their age| I'd probably say the same thing."Rolling Stone, 11/4/76 Joey, 1978ARTCharles Krohe Paintings; MFA showopens tonight at 5 at Midway Studi¬os, 6016 Ingleside. Through 1 June;Mon-Fri, 9-5. 753-4821. Free.The Sixth Day A survey of recent devel¬opments in figurative sculpture.Through 15 June at the RenaissanceSociety Bergman Gallery, 4th floorCobb. Tue-Sat, 10-4; Sun, noon-4.962-8670. Free.Max Ernst Books and Graphic Work.Through 15 June at the Smart Gal¬lery, 5550 Greenwood. Tue-Sat,10-4; Sun, noon-4. 753-2123. Free.Hyde Park Women's History Exhibit.Last opportunities; tomorrow, 10-noon and Sun, 2-4. At the HP Histori¬cal Society, 5529 Lake Park. Free.Chicago Artists: Continuity and Change.Painting, drawing, and sculpturefrom the fifties and sixties by 25 es¬tablished local artists. Through 30June at Printers Square, 76 W Polk.Tue-Sat, 11-5. 939-0019. Free.Jerry Uelsmann A number of the B&Wdarkroom wizard’s better-knownimages and some new ones too. Un¬fortunately, technique exceeds in¬sight. Through 4 June at ColumbiaCollege, 600 S Michigan. Mon-Fri,10-5; Sat, noon-5. 663-1600 ext104. Free.Photography and Architecture,1839-1939. Large showing of yel¬lowing prints in the service of aproposition that might better bestated as a question; what is the re¬lation between the modernisms ofphotograph and architecture?Through 26 June at the Art Institute,Michigan at Adams. Mon-Wed, Fri,10:30-4:30; Thur, 10:30-8; Sat, 10-5;Sun, noon-5. 443-3500. Admissiondiscretionary except Thur, free.Ellen Levin, paintings. Closes 28 Mayat Artemisia Gallery, 9 W Hubbard.Tue-Sat, 11-5. 751-2016. Free.Ellen Lanyon Paintings, drawings, andconstructions. Through 25 June atN.A.M.E. Gallery, 9 W Hubbard. Tue-Sat, 11-5. 467-6550. Free.Atlas & Odalisque Several media showthrough 25 June at Randolph StreetGallery, 756 N Milwaukee. Tue-Sat,11-5. 666-7737. Free. Dance partytomorrow night, 11-4 with DJs Mo¬bile Noir, recommended; $3, $2, stu¬dents.Gerhard Richter, paintings, and JohnBaldessari, conceptual photos.Through 25 June at Marianne DesonGallery, 340 W Huron. Tue-Fri,10-5:30, Sat, 11-5. 787-0005. Free.THEATERAuditions Concrete Gothic Theater willbe holding auditions for a summerquarter production of Marat/Sadethis weekend in the Reynolds Club.Signs will be posted for details oftime and location.New Plays: Hotline by Elaine May, TheDisappearance Of The Jews byDavid Mamet, and Gorilla by ShelSilverstein. The last event in theGoodman Theatre Studio series.Opens Fri June 3 through July 3.Goodman Theatre, 200 S Columbus.Call 443-3800 for further informa¬tion.The Whales Of August written by DavidAdams Barry, directed by DennisZacek. Opens June 1. Tues throughFri at 6, Sat at 9:30, and 3 on Sun.Tickets $9 to $12. Victory Gardens,2257 N Lincoln Ave. 549-5789.The Cradle Will Rock, written by MarcBlitzstein and directed by John Hou¬seman, will be performed by the Act¬ing Company, featuring Patti Li-Pone, Ben Hendrickson, Mary LouRosato, and James Harper. OpensTues May 31; through Sun June 12.Tues through Sat at 8:30, Sat mati- Dee Dee, 1978Joey Ramone sang the lead. Joey isvery tall and verv thin. He wore bhic-ieans with a rip in them and a leatherjacket with a rip in the right sW\e.He kept his left hand on the top of themicrophone, and he kept his right handhalfway down the microphone stand.Quite often, he brought his right hand(and the microphone stand it gripped)down firmly to his left leg. All this wasintentional. Joey Ramone seemed toimply that tin’s ripped sleeve, and noother, and this microphone gesture, andno other, and this Ivric, and no other,were appropriate to the moment.The New Yorker, 2/28/77nee at 3:30, with Sun shows at 3:30and 7:30. Tickets $16 to $20. Mur¬ray Theatre, Ravinia. Call782-9696.Master Harold’...and the boys This playby South African playwright AtholFugard is wrenching on both politicaland emotional levels. The politics ofrace are interwoven with the psy¬chological components of growing upand growing older. A young whiteboy called Hally is forced to confronthis ambivalent feelings about hiscrippled father and two black men,Sam and Willie, who are waiters inhis parents’ tea room. These ‘boys’have not only watched over andwaited on Hally, but have been hiscompanions — and in many ways, itis they who are his ’father’. In shar¬ing their everyday lives, the threehave developed close, if raciallystrained, relations. Hally’s father'simmanent return from the hospitalpulls these strains to a breakingpoint. The relations of power be¬tween white and black which wereglossed over as long as Hally was a‘boy’ are forced to the surface; thereproduction of family structurefalls in line with the reproduction ofracial oppression, as the boy be¬comes the Master.The play does not become political¬ly powerful by presenting a direc¬tive or didactic message. Rather, itreaches to the depths of the heartbecause it is uncompromisingly com¬plex; because it displays the po¬tency of the expectations with whichWestern society is infested, and theemotionally stilting processesthrough which the culture of thewhite male perpetuates itself at thecost of honesty and decency. The in¬tensely personal is shown to be onewith the political as Sam, Willie, andHally remember and reexamine their lives together, ultimately todiscover their separateness. Onequestion: is it because the politicsare so interwoven with ‘humanism’that this radical play has receivedsuch a wide and benevolent recep¬tion — with the result that the pur¬chase of tickets by other radicals isprecluded on account of the ex¬pense? Opens Tues May 31 at 7:30;through Jun 19. Performances Tues-Sat at 8, with matinees Wed & Sat at2, Sun at 3. Tickets ‘range’ from $12to 27.50. Blackstone Theatre, 60 E.Balbo. 977-1700. —NMFILMAnd Now For Something Completely Dif¬ferent (Monty Python, 1975) Fri May27 at 7:15 and 9:30. Doc. $2.The Ruling Class (Peter Medak, 1972)Sat May 28 at 7 and 9:50. LSF. $2.Veronika Voss (Rainer Werner Fass¬binder, 1982) Rosel Zech stars as anightclub singer whose addiction tomorphine places her fate in thehands of several unpleasant charac¬ters and whose self-destructive willencourages them to use and abuseher. This is the third of Fassbinder’strilogy on post-war German society(following The Marriage of MariaBraun and Lola), and represents oneof his most complete films and finestaccomplishments. Sat May 28 at7:15 and 9:30. Doc. $2. — LMHearts and Minds “If you get them bythe balls, their hearts and minds willfollow,” said Lyndon Johnson duringhis tenure as Commander-and-Chief.This academy award winning film isan after-the-fact documentary onthe effects of the Vietnam War. Nowar ever strengthens the moralfiber of the parties involved, but theVietnam War (so the film endeavorsto show) was especially damaging tothose Americans who fought. Thefilm includes the famous interviewwith General Westmorland, wherehe remarks that “the Oriental doesnot place the same high value on lifeas we Americans. Life is cheap in theOrient, life is plentiful there.” Spon¬sored by CAUSE, and funded by Stu¬dent Government. Ida Noyes, SunMay 29 at 7:30. —DPThe Spider's Stratagem (Bernardo Ber¬tolucci, 1970) Sun May 29 at 8. Doc.$2 Daughter Rite (Michelle Citron, 1979)Read the interview in last week'sGCJ, see the film Mon May 30 at7:30. Doc. $2.Pink Panther (Blake Edwards, 1963)Tues May 31 at 8. Doc. $2.The Scarlet Pimpernel (Harold Young,1935) What the hell is a pimpernel?Come find out. Wed June 1 at 8:30.LSF. $2.The President’s Analyst (Theodore J.Flicker, 1967) Wed June 1 at 8. Doc.$2.Ashes and Diamonds (Andrej Wajda,1958) Thurs June 2 at 7:30. I-House$2.Shadow Of The Thin Man (W.S. VanDyke II, 1941) Thurs June 2 at 8:30.LSF.$2A Farewell To The Land (Saraba ItoshlklDatchi directed by Mitsuo Yanagi-machi, will have its Chicago pre¬miere Sat May 28 at 3, 5:30, and 8;Sun May 29 at 3 and 5:30. FilmCenter of the School of the Art Insti¬tute. Columbus and Jackson. Call443-3733.Exploitation And Ambition: Children OfThe Sixties In Hollywood. Five double¬features are presented as examplesof the “new Hollywood’’ directorsand the film industry of the late six¬ties to early seventies. Five consecu¬tive Weds, June 1 through June 20.Film Center of the School of the ArtInstitute. Columbus and Jackson.443-4733.Facets Multimedia's Second Ail-BlightFilm Festival Featuring the best ofthe worst, including an early MartinScorcese film, Lenny Bruce, Bela Lu¬gosi, an all-midget Western, andmore. Fri May 27 at 7. Sat May 28 at4. Sun May 29 and Mon May 30 atnoon. $6 for 11Vfe hours — no singleshow tickets. Facets Multimedia.1517 W Fullerton. 281-9075.MUSICAn Evening of Indian Music Som Majum-dar (sitar), Jagdish Pandit (vocal),Ananda Banerjee (tabla), will per¬form music of the same Gharana (aschool of Indian music) as Ravi Shan¬kar. The group is highly acclaimed inEurope, the U.S., and in India. FriMay 27 at 8. $3 at the door, freewith Festival of Nations ticket stub.International House, 1414 E 59thSt. . The Contemporary Chamber Players ofthe University of Chicago will pres¬ent a Young Composers Concert withguest conductor Barbara Schubert;featuring works by four of RalphShapey’s former composition stu¬dents: Marc 3aranchik's “The King sAubade”; Monroe Coupers “Overthe River Country, Four Songs onChinese Texts'1; Robert Carl’s “TheDistant Shore I and II”; and MelindaWagner’s “Circles, Stone and Pas¬sage, a Song Cycle for Mezzo-so¬prano and Instrumental Ensemble,'with Carole Loverde, soloist. Theconcert is on Fri May 27 at 8 in Man-del Hall. FreeLola Odiaga will present a concert ofharpsichord and forteptano music.The program will consist of sonatasby Scarlatti and Haydn. Fri May 27at 8, in Goodspeed Recital Hall.Free.The University Symphony Orchestra andthe University Chorus will present ajoint concert in celebration of thesesquicentennial of the birth of Jo¬hannes Brahms (1833-1897); featur¬ing the Symphony No. 4 in E minor,Op 98, conducted by Barbara Schu¬bert, and “Ein Deutsches Requiem”,Op. 45. conducted by Rodney Wyn-koop. May 28 at 8 in Mandel Hall.Donations of $3. $1 per student arerequested.The International String Quartet willpresent a concert with guest pianistMenahem Pressler, performing Mo¬zart’s Quartet in C Major, K.151;Bartok's Quartet No. 1, Op. 7; andBrahms’s Quintet in F minor forPiano and Strings, Op. 34. The con¬cert, cosponsored by Mostly Music,Inc., is on Mon May 30 at 8 in MandelHall. Tickets are $9. $5 for students:available at the Mandel Hall Box Of¬fice, 962-7300.Ellen Harris, soprano and Evan Owens,harpsichord will perform on the nextMusic Department Noontime Con¬cert. Assisted by Denise Boneau, Ba¬roque violin, they will present a pro¬gram of English Song: 1694-1762with works by Purcell, Handel,Boyce and Arne. Thurs June 2 at12:15 in Goodspeed Recital Hall.Free.Chicago Chamber Orchestra DirectorDieter Kober conducts Handel's Com¬plete Wafer Music on Sun May 29 at3:30. Free. South Terrace of the Mu¬seum of Science and Industry.Grey City Journal 5/27/83Staff: John Andrew, Abigail Asher, Stephanie Bacon, Curtis Black, PatCannon, John Conlon, Steven Diamond, Kathy Kelly, Lorraine Kenny,Bruce King, Madeleine Levin, Shawn Magee, Jeffrey Makos, MarlaMartin, Richard Martin, Beth Miller, Maddy Paxman, Sharon Peshkin,David Post, John Probes, Abby Scher, John Schulman, Rachel Shteir,Cassandra Smithies, Susan Subak, Beth Sutter, Barry Waterman.Editorial Board: Leah Mayes, Vince Michael, Ken Wissoker.Production: Nadine McGann, David Miller.Editor: Nadine McGann.THE GREY CITY JOURNAL—FRIDAY. MAY 27, 1983—3NORA EPHRON: FICTION FAILSHeartburnby Nora EphronAlfred A. Knopf, 179 pg., $11.95by Kerry DolanRachel Samstat has troubles. She isseven months pregnant, her savings ac¬count is empty, she’s living in a city shecan’t stand, and — on top of all this — shehas discovered that her husband is havingan affair with another woman. Apparent¬ly things could’n’t get much worse; but,after all, isn't a little suffering worth it forthe sake of a good story?Nora Ephron thinks so. Nora Ephron iswilling to sacrifice her reputation as a gift¬ed journalist in order to make her personallife public. Nora Ephron has written Heart¬burn, a novel which contains more factthan fiction — a book which has receivedan enormous amount of publicity, is likelyto incur several lawsuits, and is predictedto be one of the most (if not the most) suc¬cessfully selling books for Alfred A.Knopf, its publisher, this spring.Ms. Ephron has never written a novel be¬fore. Her fame rests on the columns shewrote during the late 1960s and 70s forEsquire and New York Magazine about thewomen’s movement, popular culture, andthe media. She published three criticallyacclaimed collections of articles and essays— Wallflower at the Orgy, Crazy Salad:Some Things About Women, and ScribbleScribble. These articles were incisive, won¬derfully witty, and often controversial.Speaking of her column in Esquire, one ofEphron’s former editors recently re¬marked in New York Magazine: “She(Ephron) managed to write for a predomin¬antly male magazine in a way that abso¬lutely avoided the cant of the times. Iknow that to the next generation ofwomen writers, she served as a model andinspiration.’’Ephron s writing has always been per¬sonal, so perhaps Heartburn shouldn'tcome as such a shock. From her articles onbreasts, to those on consciousness-raisingcollege reunions, Ephron has never-failedto interject her personal experiences intoher articles; but at least in the past, theseexperiences seemed to have universal rel¬evance. Heartburn, however, fails in thisrespect. It could make statements aboutmarriage, motherhood, or relations be¬tween the sexes, but it does not. AllFULLERcontinued from page 1interpretations of Robeson's songs —songs with a message of hope — and I sus¬pect that these kind of dreams are close toFuller’s heart. For to define her just as afeminist artist, or an anti-racist, would beto narrow too much the focus of her work.In many ways she has the classic vision of ajust and equal world, where there will beno discrimination because of race, sex orsocial status — a vision which undoubtedlycould be called naive, but which I prefer toconsider optimistic, since somewhere in¬side me I cherish a similar ideal. Nowhereis the vision more evident than in ‘TheSpirit of Hyde Park,’ a long mural underthe 57th Street bridge which charts thegrowth of the University community, theresulting displacement of the black com¬munity, the hierarchy of oppression —white over black, white middle class overwhite workers, the false ‘integration’ ofthe middle classes at the expense of thepoor; in short, the ravages of urban ren¬ewal which began in the fifties (which somehave re-named, more aptly, ‘urban remo¬val’...) All in all a dismal story... and witha lot of truth, I told myself, as walking outfrom under the bridge I came face to facewith a bulldozer chewing up a piece ofland, as though a continuation of the muralitself.But when I returned to see the muralwith Fuller, I gained a new perspective.For, throughout the length of the painting,there are people struggling to changewhat is happening. Right at the beginningthe spirit of Liberty, in a coffin drapedwith the Stars and Stripes, is held back Ephron really does in Heartburn is relay afew choice tidbits about herself and nu¬merous other celebrated figures of themedia.Heartburn is, more or less, the story ofthe break-up of Ephron’s marriage to CarlBernstein (of Woodward and ...), the re¬porter from the Washington Post who cov¬ered the Watergate scandal. No one remo¬tely familiar with Ephron could ignore theparallels this book makes to her own life.Rachel Samstat, the narrator, writes cook¬books that are witty and conversational.(Is Ms. Ephron mocking herself here?)Mark Feldman is a political journalist inWashington. The two meet and marry, andRachel begrudgingly moves from NewYork to Washington. After two years ofmarital bliss, Rachel discovers, whileawaiting the birth of their second child,that Mark is involved — in love, actually— with the wife of a U.S. ambassador. Ra¬chel is crushed, she leaves, they reunitebriefly; finally, at the end of the novel, Ra¬chel garners enough strength to throw apie in Mark's face at a dinner party andride off into the sunset (presumably towrite a novel about what a schmuck heis).In between, a series of fantastic eventsoccur — so unbelievable, in fact, that theyappear to be thrown in purely for enter¬tainment value. Rachel’s therapy group isheld up by a masked gunman, her step¬mother is found wandering around thestreets of Manhattan in a bath towel. As ifthese events weren't enough to keep thereader's mind occupied, Rachel/Nora can¬not pass up the opportunity to tell anamusing anecdote. (“That reminds me...’’)The book is cluttered with tales about ev¬erything from Jewish princes to LillianHeilman. In addition, Rachel (remembershe's a cookbook author) periodically sup¬plies the reader with some of herfrom the grave by diligent freedomfighters. Others attempt to push back thebulldozers as they tear down people’shomes. People with placards march to¬gether — a cop and a black man for ‘civilrights,’ an old man for ‘security.’ Children,representing peace and innocence, playaround the Henry Moore sculpture, and inthe lakeside parks groups of people pre¬serve the trees from the road builders.Fuller believes strongly in education asthe path towards change. Her mural on theeducation system, ‘No fads or frills,’ onLake Park, is an indictment of the attitudethat only skills useful in the workplaceshould be taught in public schools — no art,music or anything ‘useless’ (and potential¬ly subversive in its individualism). A lineof scholars metamorphoses little by littleinto a production line of green bottleswhich are conveyed into a factory, wheretired workers stand in line to put caps onthem. Education for Fuller implies morethan the basic skills, although she feelsthat even these are denied to underprivi¬leged groups by an inefficient school sys¬tem which contributes to their oppression. cherished recipes, a device that is as dis¬tracting as it is inappropriate. While it haslong been obvious that Ms. Ephron spendsa good deal of her time thinking aboutfood — she has written several articles onthe subject — this is really taking things abit too far.The events in Heartburn closely resem¬ble actual events; for what it’s worth, CarlBernstein did have an affair with the wifeof a British ambassador when Ephron waspregnant with their second child. But is theinevitable desire to return the injuryenough reason to write a book? I wasstruck by the irony of it all — Heartburn isexactly the kind of fast-reading bestsellerNora Ephron would satirize in an article.It is a pity that Ephron must present herstory under the guise of fiction, for in theprocess, her usually snappy, straightfor¬ward style is smothered: the prose seemslifeless, deflated in comparison to her pastwriting. The characters, for the most part,are lifeless, too. Mark’s character is neverdeveloped, which makes it difficult to seewhat appeal he holds for Rachel — heseems grumpy, selfish, hardly lovable. HisIt also includes the knowledge of one’sown cultural history, an awareness of theprocess of law and government in order tofight within their institutions, and a knowl¬edge of the fundamentals of liberty anddemocracy. Academics in gowns featurelarge in her work: often they are female,and marching side by side with manualworkers, challenging the hierarchies of ed¬ucation imposed by society — the way for¬ward, for Fuller, is through a sharing ofskills and learning amongst all people. Herfaith in the potential for change within analready corrupt system seems fairly rep¬resentative of the way grass-roots move¬ments in this country choose to work — byattempts to convince, rather than by dis¬sent from, existent political structures.But therein lies a whole other analysis,for which this is not the place. Suffice it tosay that I find that Fuller’s idealism, touch¬ing in its simplicity, is more in tune with thespirit of the sixties, when people really or¬ganized and mass movements looked to beachieving positive results. Grass-roots pol¬itics have since crystallized around specificissues and exist on a smaller scale than the domestic relations with Rachel are pre¬sented in stereotypes: she chatters min¬dless while he, oblivious to her, perusesArchitectural Digest.Until the last quarter of the book, it isnearly impossible to sympathize with Ra¬chel; she is girlishly catty, bitterly sarcas¬tic, and jaded. “Why do you have to turneverything into a joke?’’ a character asksher at one point; I was wondering the samething. At times, Heartburn more accurate¬ly resembles an endless monologue byJoan Rivers than it does a novel. Rachel’sthinly veiled hurt and anger are often de¬tectable beneath the humor; yet thebook’s best moments occur near the end,when Rachel is so tired of joking that shehas nothing left to express but honestemotions. “I still love you, I thought...but Iwould rather die than sit here pretendingit’s okay, I would rather die than sit herefiguring out how to get you to love meagain, I would rather die than spend fivemore minutes going through your drawersand wondering where you are and antici¬pating the next betrayal...’’The one aspect of Heartburn that de¬presses me more than anything else is itsdemonstration of Ms. Ephron’s apparentdisaffection from the feminist move¬ment. Was her outspoken feminism in thepast a mere folly of her youth? When Ra¬chel postulates that the desire to get mar¬ried is “fundamental and primal inwomen’’; when she concludes that the“most concrete achievement of thewomen’s movement in the 1970’s was theDutch Treat’’; and when her sole feeling ofsuperiority over Mark’s lover, Thelma,rests on the belief that she makes betterdesserts, one wonders.At its worst, Heartburn is self-indulgent,nasty, and a horrible cheapening and mis¬use of talent. At its best, it is a sad, painfulstory of what it feels like to be mistreated,and to try desperately to anesthesize thepain with jokes, constant jokes. The pow¬erful image of Rachel lying miserably in ahospital, recovering from a difficult Cae¬sarean, while Mark merrily shops for abirthday gift for his lover remains in mymind.Heartburn will undoubtedly makeAlfred A. Knopf, Inc. a great deal ofmoney; and it will probably make NoraEphron wealthier, too. But I can’t helpwondering whether this will be worth thecost involved — whether this sweet re¬venge is worth the inevitable loss of re¬spect for, and credibility of, Nora Ephron.wider ideological disputes of earlier days.Perhaps the only exception to this is theanti-nuclear movement today, which as amass movement has much appeal and forceon both a practical and a broad ideologicallevel.I would like finally to mention the twomurals on 60th Street as examples ofFuller’s use of symbolic imagery, in con¬trast to straightforward figuration. ‘Re¬birth,’ painted in 1974, uses animal imag¬ery to depict social inequality — the richare crocodiles, toads and dogs, while thespirit of black freedom rises up in the formof the panther. The first part of the muralis set in a grotesque parody of a labourward, representing both the continual re¬birth of oppression, and the new birth ofstrength among oppressed peoples. In con¬trast, across the street one of her most re¬cent murals, ‘South Side Scene,’ depicts ra¬cial conflict by means of a scene from animaginary ballet — a form of ‘art withinart.’ In this painting there seems to be farless optimism than in the earlier ones —the problems remain as bad as ever, andthe painting does not work as hard topresent a positive view of the future.Fuller does not as yet have plans for an¬other mural in Hyde Park, although she isseeking funds for the restoration of theexisting murals. Some of these are in fair¬ly bad condition after years of seepagefrom within the walls, and other problemsexist with some of the original surfaces.As Fuller points out, the mural artists wereworking experimentally much of the time,as they had no tradition of expertise with¬in which to paint. She continues to paintsmaller paintings — at present she has oneon display in the Peace Museum of Chica¬go. Perhaps she will paint her next muralon the Peace Movement of today: I canthink of at least one I.C. bridge with bareand uninviting walls.EVENING, MAY: SONGCome, we’ll walk, this hot night!And no my arm won’t circle you,not how the moon’s hazecordons the moon, not the waythe red of the tulip captures the tulip,nor how your skin, translucent, confines your hips,no, iet my hand dropclumsy, to your waist,my damp fingers talkative:it is humidand neighbors prop their doors open.—John Schulman4—FRIDAY, MAY 27, 1983—THE GREY CITY JOURNAL1982-1983STUDENT GOVERNMENT/FINANCECOMMITTEE ALLOCATIONSEach year, the Finance Committee receives 60% of the Student Activities Fee, which itthen distributes to Recognized Student Organizations. The totals below represent the ag¬gregate allocations recommended by the Finance Committee and approved by the Stu¬dent Government Assembly, for the summer, fall, winter, and spring quarters of the1982-1983 academic year.Animal Welfare $ 105Apple Users $ 20Armenian Student Association $ 730Asian Business Group $ 505Asian Student Association $ 311Blackfriars $ 7583Black Graduate Forum $ 240Business Student Association $ 1030CAUSE $ 730Chinese Student Association $ 754Chess Club $ 1000Circle K $ 61College Bowl $ 690Commuters $ 570Concrete Gothic Theatre $ 3335Country Dancers s 485Debate $ 6000Delta Sigma $ 670E F Clown s 110Festival of the Arts (FOTA) $ 6198Friends of the Volunteer Bureau s 25Gay and Lesbian Alliance (GALA) $ 1008Hispanic Cultural Society (HCS) $ 1698Ikebana $ 395Interfraternity Council (IFC) $ 245Juggling Club $ 254Korean Undergraduate Club $ 1669Les Beaux Parleurs $ 764Linguistic Circle $ 449MARRS $ 217Math Club $ 93Mei Organization $ 20Middle Eastern Studies Students $ 155 Music on the Quads $ 220NOMOR $ 64Organization of Black Students (OBS) $ 6587Organization of Latin AmericanStudents (OLAS) $ 470Pocket Poetics $ 900Political Action Day s 552Romance Language Review $ 200SAGE $ 150Salisbury Geography Circle s 102STEP Tutoring $ 225Student Association of Middle EasternCenter s 30Student Government (all committees) $13618Student National Medical Association S 112Tiawanese Student Association s 355Tot Lot s 200UC Democrats s 150UC Model United Nations Organizations 630UC Wind Ensemble s 2240WHPK Radio Station s 8430Women in Medicine s 75Women's Union s 1165Yearbook s 1422Deficit assumed from 1981-1982 s 3700TOTAL ALLOCATION S 797161982-1983 FINANCE COMMITTEEBob Blake (Public Policy)Liz Cassanos. Chair (College)Vincent Hillery (Law)Tom McGarry (Biology)Alan Sierkowski (College)Rick Szesny (College)Terri Szesny (College)Jeff Wolf, Treasurer (College)Irene Conley , Director Student Activities (Ex-officio)ATTENTION STUDENT GROUPS:Receipts dated for fiscal year 1982-1983 must be recived bv the SAO auditor on or beforeFriday, June 10, 1983. Receipts dated before June 10, 1983, but not received by theauditor will not be honored.Requests for the summer allocations are now being considered by the nearly electedFinance Committee. Please pick up appropriate form in the SAO office, Ida Noyes Hall210, or contact Rick Szesny, Finance Committee Chair.THE GREY CITY JOURNAL—FRIDAY, MAY 27, 1983—5by Steven DiamondLouis, Stephanie, Monica, Andy and I de¬cided to go see The Hunger, very much onthe spur of the moment: none of us wantedto see either Bowie or Bauhaus since ac¬cording to a Grey City reviewer, we wouldbe sorely disappointed. (Take the last sen¬tence with a grain of salt, o.k?) We get tothe theater 15 minutes late, and as itturned out, we succeeded in missing all ofBauhaus and almost all of Bowie. But hey,we didn’t mind — The Hunger was on a do¬uble bill with Valley Girl! We had a bottleof Carlo Rossi to split, and we all sat downto laugh at this incredibly funny movie.But since this review isn’t about TheHunger, I shall move on to Valley Girl. As itturned out, Monica. Stephanie, and Andydecided to leave me and Louis alone; littledid they know they were going to miss themovie of their lifetimes. First, I will talkabout the all-important soundtrack. Likeeverything else, it was divided into twoopposing camps. The ‘punk’ music consist¬ed of either anonymous heavy metal or thePlimsouls. (Look, if Bauhaus can be a Disco 20 SECONDS OFGroup, the Plimsouls can be a punk group.)The ‘valley’ music consisted of many newwave acts, including Josie Cotton, the Jam(we couldn’t figure that one out until thecredits rolled), Modern English, Psychede¬lic Furs, Bananarama, and Culture Club.Now you’ve figured out why I wanted tosee the film! As it turned out, Culture Clubonly played for twenty seconds as a dedi¬cation over the radio from the punk to thevalley girl. Does this mean that BoyGeorge transcends all cultures? (Get thepun? If you don't, boy are you in trouble!)But they did play all of a Bananaramasong during an incredible seductionscene.Now to the plot. It was incredibly simple.In fact, an intellectual U of C-er could sayits beauty lies in its simple yet classicaltale. Boy and Girl fall in love, Boy is punk,Girl is from valley, the Girl’s friends get onher back for falling for such a grotesqueperson (why don’t the boy’s friends get onhis back? For that matter, why he has onlyone close friend and the girl about five is CULTURE CLUBnever fully explained) and they demandthat she fall back in love with Tom, theking of valley boys. But in the end lovetriumphs over evil.Sounds incredibly boring, yes, but thecharacter development is what makes thismovie so special. All the characters areequally vapid, and totally artificial. Thepunk is just as much a poser as the valleygirl or her parents. Yet they all believethat the other is artificial and screwed-upin the head. These contradictions in termsmake the movie hilarious from the firstline. Probably the best idea is the hippieparents who own a health food storewhich, naturally, the daughter despises —proving that there will always be a gener¬ation gap and that the other G.C.J.-ers bet¬ter get moving if they want to stay aheadof the trends (i.e. stop smoking all thatdope).The other incredible touch is the punk'sbest friend. He has blue dyed hair andspends most of the movie freaking out thevalley girl’s best friend. In a pivotal se¬ quence, we see the leads kissing for thefirst time in the car while the punk’s bestfriend chases the valley girl’s best friendaround the car and she yells valley girl ob-scentities at him. (Like any good punk, heloves to be hated.) The other great scene isthe montage where the punk acquiressome valley qualities and vice-versa.Lastly, the acting is superb. Some mightsay it is non-existent since I still believethat the director just picked out the mostposeur punks and valley girls and askedthem to be in the movie. Like the best char¬acters in Ridgemont High, the movie thatstarted this craze, they don’t put on ashow — they are the show. I just bet thiskind of story could happen in real life or atleast in L.A?The only question is: did the director re¬alize what an incredible movie she has puttogether? Does she think that the writingis so awful that it is good? This movie, likeits t.v. counterpart, has so many slightjokes that nobody in the audience got mostof them. All in all, I had a great time learn¬ing how these punk ideals have become as¬similated into society...for more data onthis fact see the Ramones on the quads andwatch the poseurs come out in full.RECORDSR,l/S/M, (Zoar)This is an EP of mostly short, orchestrat¬ed rock pieces by the dean of N.Y.C./Soho“no wave,” Elliot Sharp. The chief ele¬ments of this type of music are all here —bass repetition, drums, reeds, and a limit¬ed, murky range of fidelity. The composerhas managed to work a great deal of ten¬sion into these pieces in a remarkablyshort space of time. A lot of what is here isquite nice, especially if you like monochro¬matic thumping and crashing about in yourmusic. The styles alternate between a slowdrone and a collapsed, rapid sound, thelatter of which features an ambitious, ex¬otic rhythmic structure, with instrumentscharging at various speeds and converg¬ing at the end. Also of note: both sides fea¬ture some excellent underlying guitarwork (a'as, uncredited) — a sound thatdarts around like a mosquito you can hearbut not see.Chair Beside a Window. Jandek, (CorwoodIndustries)My relationship with music is predicatedon a severe contradiction. On the onehand, I hold a great deal of music in con¬tempt. I genuinely despise "pop” — thatis, the kind of music you ordinarily hear onthe radio, on any kind of station. This isthe kind of stuff produced and programm¬ed as background music, with little in theway of listening interest. In time, I’vecome to believe that almost all commercialrock songs share certain polite qualitieswith R&B, jazz, even classical music: safe,ironed-out arrangements; bland, major-chord melodies; sodden, oversentimentallyrics; non-threatening performances.Rock and pop producers try so hard to ap¬peal to the millions that they sacrifice ex¬citement and experimentation for polishand conservatism. Tim Kelly, programdirector at WLUP-FM, talked about his jobin an interview in Exchange magazine:“...in programming we can’t be eclectic be¬cause we’re trying to be the McDonalds ofrock 'n roll. We’ve got to reach that broadmass of people: ‘Over forty billion lis¬teners served’ you know?” “Pop” hasceased to be music, becoming instead themere artifice of music. When I hear it atparties or bars, I feel insulted and deject¬ed.On the other hand, I hold music in greatwonder. My greatest pleasure in listeningto any kind of musical performance is to find the spark of creativity imbedded inthe work. I'm not a musician, but the bestsongs and recordings make me wish that Iwere. The reason that I enjoy rock is that Iwas brought up with rock sounds, and I candetect its subtleties. To a lesser extent, Ican hear what’s going on in folk, country,R&B. and blues. Classical and jazz are toodifficult for me to hear most of the time.Rock primitives like Jandek (a.k.a. Ster¬ling Smith) can be really entertaining tolisten to, as they strive to create a uniquemusical niche for themselves. In 1978, as“The Units,” he released Ready For theHouse — an L.P. that laid, the groundworkfor his style of playing. He strums an ac-To the Editor,Your review of the performance of Cab¬aret by the Jewish Community Centersounds all right to me — as far as it goes.It does, however, not deal with the script,which is in my opinion too bad. Good enter¬tainment does not have to be “meaning¬ful” or profound; but if a show is intro¬duced as dealing with “the Fall of theWeimar Republic and the Advent of Hit¬lerism” I propose that it better havesomething important to say about such amomentous subject.What is offered is a suggestion that theNazi Regime arose as a consequence of“decadence” in Germany. The implied cor¬relation seems less than evident to me:why did, for instance, the decay of socialmores in the United States — the public’sreaction to prohibition, the stock-marketcraze and other excesses — bring Roose¬velt to power, rather than a Hitler? Or hasperhaps (as I suspect) neither one much todo with “decay”? And was Germany in thetwenties really in decay? I want to say forthe record that my family lived in Berlin inthe ‘twenties and that it seemed verymuch alive. It is also misleading to talkabout “the fall” of the Weimar Republic:the awful truth is that Hitler was able totake it over, with its (excellent) constitu¬tion intact.The musical does 6uggest otherwise. Butmy main concern is that an image of “theNazi” be created as one making a living asa petty criminal, wearing a swastika arm-band and a scowl, who hates Jews andcomes to power by beating up the goodguys. There would have been no holocaustif that portrait had been on target. coustic guitar, in chords based on an acci¬dental modality; the many flat notes aresynthesized into a grey, melancholysound. The guitar is accompanied byraspy, maudlin vocals that seem to dodgereal notes, in the style of Lou Reed. Eachsong has virtually the same sound, and acrude", monaural production that blendsthe vocals and guitar into a yearningvoice. Glamorous commercial productionvalues are thrown out the window — back¬ground noises arid microphone poppingsdrift into the mix, and every song endswith a slamming noise, like the sound of aguitar case being closed.Since the release of “The Units” LP,Why quibble about it? I think we bettertry to understand the nature of Nazism aswell as we possibly can — because farfrom being extinct the contagion of Na¬tionalism is universally present.Let me offer these observations: TheNazi ideology, which was readily em¬braced in Germany, proclaimed essential¬ly Supreme German Honor, German Cul¬ture as the Salvation of One and All, theRight of Germany to Expand and to Rule.That list contains, of course, a heady andexplosive mixture — but there is little in itthat is new or original. It is just one of theconcoctions demagogues use successfullyto make people feel good; especially ifthese people had for one reason or an¬other not been “feeling too good, lately”.It is otherwise called Chauvinism or Jin¬goism, and we have all seen it happen inone place or other (this “virus” has asmany different strains as has the commoncold). On the other hand: the “JewishQuestion” was to your “average German”no “big thing” one way or another. He sawno Jews die. One shook one’s head over“the things one hears these days”, some¬what embarrassed. The Holocaust Ma¬chine ground away “behind peoples’backs”. And I have yet to hear of a Gov¬ernment that could not find applicants fortheir dirty business. It is hard to acceptthat our fate was historically incidental toa more fundamental and yet “banal” dis¬ease; but that is the nature of the beast.Do I “defend” anyones part in all this?My father died in Auschwitz. The least sur¬vivors ought to do is to search for what itreally was that aborted a better world.Fifty percent misinformation and anotherfifty percent of exhibitionism (all that de¬cadence!) is not good enough by a longshot.Sincerely,Arnold P. Grunwald Smith has changed his name and issuedthree more albums. Chair Beside a Windowis the most recent of the three, and itshows some refinement over the previousrecords. Smith adds a drum, an electricguitar, and a female vocalist to some ofthe tracks. The woman has quite a lovely,rich voice — a complement to the sparebackground supplied by Smith on guitar.The vocals are clearer than before, per¬haps through use of better equipment; itcreates a fuller (though uncannily refract¬ed) sound. For its soul and adventure, I likethis record alot. You can order it throughCorwood Industries, Box 15375, HoustonTX, 77020.True West, (Bring Us Your Dead Records)There was once a band named the SoftBoys, from Cambridge, England; they maystill be around, so far as I know, but theyhaven’t released anything in a while.Their first album came out in 1979. Ontheir second, classic L.P., 1980’s Under¬water Moonlight, they hit their stride withhigh, joyful, post-punk melodies and ring¬ing lead guitar work. The Soft Boys, likemany British bands in 1980, drew their in¬fluences from late 60’s psychedelia fromboth sides of the Atlantic (Jefferson Air¬plane, Pink Floyd, etc.) They never gar¬nered the mass appeal of other bands inthe genre (Echo and the Bunnymen, Mod¬ern English) byt musicians and critics open¬ly admired their music.Los Angeles’ post-punk scene hasspawned several bands that draw their in¬fluence from The Soft Boys’ sound. One ofthe vanguards among these groups wasThe Suspects, who unfortunately recordednothing. About two years ago, the bandsplit into two groups. One of these, TheDream Syndicate, is fronted by SteveWynn. Last year, they released an EP anda well-received album, Days of Wine andRoses. Another member, Russ Tolman,formed True West. This band issued a mo¬derately popular single last year, a ver¬sion of Syd Barrett’s “Lucifer Sam.” This istheir first EP.Their sound is very much like the DreamSyndicate’s — a kind of cross between theVelvets and the Byrds — and it has aproud (if borrowed) glory to it. The genu¬ine triumph here is that they’ve managedto write songs that are as striking andoriginal as the single, especially “Hol¬lywood Holiday.” Unlike other such bands,True West’s vocals and harmonies are loudand high in the mix, and they have an al¬most ingenuous quality to them. Given allof this, the EP registers as at least a smallpleasure, deserving of a wider audiencethan it will probably get. —Paul Mollica6—FRIDAY, MAY 27, 1983—THE GREY CITY JOURNAL(by Martha KinneyI awake from the hero worship of thesex that I can’t be and am glad that he isgone, has left me lying on the floor. Mylegs look pale against the brown shagsheets. Of course he has risen; I heard himat the end of my dream. It has been a longdream, a scary dream, but now I awake —it’s over.Awake! Why isn’t he willing to see therays of dust streaming from the cracks inthe cardboard covered windows? A mil¬lion singing spheres in the morning light.Why can’t we lie longer with our legs en¬tangled below the parachute? There’ssomething disturbing about being leftwhile you are sleeping. I’ve alwaysthought when he left me at this time, “Youcheat me, don’t cheat me.’’ And if he hadever bothered to ask, “Of What?’’ I wouldhave said, “Of my comfort; you must comeback and cuddle.” But he could never comeup here where he says the air is dead. It’salive down in the living room where he leftthe windows open, claiming the nightwould suck all the steam and smoke out. Inthe morning, he says he has to go downwhere the band plays because he has to bemaking new sounds — the ones he heard inhis sleep. He can never stay in bed, doesn’tunderstand my dozing and watching t/iedoor as if I were waiting for a god toenter.But never in my morning breathing haveI not heard the morning song. Hums in thepillow and happy moaning thoughts — amusic to which all particles and spherescan dance. When I rise the blend of yellowsun and brown board make an orangecolor of the room. I am pulling on a wrinklyblouse of air — but it’s all air — I feel likeair in the morning. As I collect my clothesthey grow thin, like winds, so cottonbreezy and washed too many times. Butlast night they felt so canvas, so dark col¬ored, so voluptuous...when we wrestledlast night I had so much body; I wassturdy, I could pin him to the sheets andlaugh gritty like I had pebbles in mythroat, or I’d sing and we’d both hear — itwas the fattest sound. Against mine, hisbody was a broken birch twig, while I wasthe oak laughing and throwing off leaves,I had so many leaves to spare. I couldfrighten him so with my fertility...but whyin the morning am , I so uprooted? And myskin so pale, even too pale for birch. I canhear the echoes as he runs off through thetrees; but what has he stolen from me inmy sleep?I tell myself, light a cigarette when youstart to shake, when your roots are dryand your bark is rough. I say, “I can suckthe grey rope in and I can spit it out.” Butwhen I strike a match to my boot I lose mybalance and fall. My legs get pale in themorning, not strong, like his, not tight, notspringing up from bed.Then downstairs there’s a loud crack: heis turning on his guitar amp. He frisks hisnails across the strings; the shrillnessstabs the4 windows and the walls. Glassshould be breaking. He's undammed theelectricity, sends his liquid metal crashingto wake. It slashes the floor where I lie.The other band members come, they turnon amps too. They wage war with untunedinstruments, battle each other with disso¬nance — a war for dominance that neverends, starting on the surface but drivingdeep. The noise makes me dizzy I want tovomit, I reach for the pillow...I can't stop it every sound is ripping atmy brain, ripping little bits of flesh, itshakes loose the tissue. My ear is beingmutilated — there are no notes to follow —the drummer is smashing on my eardrums,my head is being crushed. There’s a loudthumping and I imagine the bassist; he'sjumping around, his leather boots scuffingthe floor the way I’ve seen him do it dayafter day. Soon he’ll scuff blaik rubberswastikas onto the hardwood. He’ll bangthings. The others will laugh until he hitstheir amps, then they’ll turn up their vol¬ume even more.I woke up whispering last night, hisblack velvet parachute floating above myhead, otherwise it’s the same person A FRIEND OF THE BANDagain and again in my dreams. She’s talk¬ing to me, telling me to leave my tree andfind a tattooed cloak, the one that’s reallymine — my inside turned out and showingin the world. Then I would be an artist.Otherwise,' I’m not. I’m hiding, compromis¬ing my own knotty snakes for perfect coilsof rope. Fire escape rope. Lying in his bed¬room corner. What’s it doing there?It’s Anna Green. She keeps telling me toleave, to give up my hiding. There’s a biggym floor and n9 one is dancing; I’m wear¬ing a skirt from the^fifties and my hair’s ina ponytail. She’s 'Rearing a leather jacketand sitting in the' far corner smoking abutt. “Why do you waste it?” she asks me,“Why do you stay with him?” I would haveto shout to answer her. That’s the way Iannounce my convictions these days — inshouts so that everyone including myballed up self inside will hear. But it’salways about this freedom that I want tosing — it’s somewhere inside and I can’tfind it, I’ll lose it, I’m losng it is what thisdream is all about. And then I am no onewithout it...Now the bassist starts thumping a flat eand in response my boyfriend startswheezing up a scale. His guitar is out oftune. It doesn’t matter. What does is thatit’s confused — so loud and confused that itcan’t hear itself. He can never hear him¬self, but he studies it — he’s a certified bo¬hemian. He can hurl his face about in ablaring stage light. He can slap his hipsforward and tangle his fingers on thestrings. To him, it is all drama, where hemight be the devil, his guitar a pitchfork,hurling notes, drooling noise, it’s the formthat matters...he’s still crawling up thescale. How many mornings have I lain andlistened to this and how ridiculously did Ifantasize he was singing up to me. Butsuch wheezing and whining — he couldnever crawl this high, he would break astring. I study the folds in the parachute.It has never been a lover’s sobg! Hesays, “Fuck me, fuck me, fuck me," and Ilook away embarrassed, look away forthe light at the edge of the forest, I cannever watch him then, in the momentswhen his sickness takes its truest form andI realize that he never has been singing.He sings as if he is choking a cat, or beat¬ing a child. But it’s not that he’s danger¬ous, he’s not even that. I could respectdanger, but he’s really so pathetic, just ascrawny kid having embarrassing spasms— they’ll eventually stop.He has never learned to stand, hasnever placed his feet in the earth,wrapped his ankles in mud as most othershave, never stood in the forest and feltthe song rushing up from the soil. Yet onthe stage he acts as if he’s tearing up hisroots, or ripping his bark. But he’s neverbeen rooted or barked so it all happenstoo effortlessly and it looks wrong. I seewrinkles in the parachute that I never no¬ticed before! And little spots of wearwhere the pale ceiling peeks through, I re¬member, oh I remember...there are lightskies, and outside is really day!Oh day.Oh night that has left me, or the worldaround me, but I feel you hanging on mybreasts or under my lids, pulling themdown, making them heavy when I shouldbe light and cheerful, but. I feel exhaustionfor even being in this world. I would loveto escape to my worlo of real dreams.Where Anna is dancing and pulling me tothe floor Where we fall in love. Where wesing great music, tough music, sweet hard music, haunting with rhythm, like rockgiven to blues.The producers come. They are banging onthe door and then in the sudden silence Ihear them click across the hall floor intheir cowboy boots. I have seen them dayafter day in their stylish leather jacketsand their designer jeans. The producersare slick. They smoke cigarettes and carrystyrofoam cups of coffee. I have watchedthem tap their feet while the band played.Then they say, “Stop here. Listen. Cut ThatOut. Speed that up. We don’t need thevocals.”I can hear them talking at the foot of thestairs, about song tracks, rehearsals. I’venever wanted tracks or rehearsals. Onlysongs. And I’ve never understood whythey strut about so self-important, preen¬ing themselves in window reflections, ask¬ing me to bring them coffee with a lookthat says, “Bring it bitch or I’ll pinch yourass.” Next to them the band are lovablewildmen. But I’ve never understood howhe wasn’t really hiding a big grassy heart.I thought he might have the earth insidehim, how wrong I have been. Now he’stalking to the producers about money andcontracts — all their voices sound greenand stiff with a crisp-paper quality. Ifthey ever were trees they’ve been felled,their spirits pressed to a pulp, I liked itbetter when he moaned!Spit out the grey rope, arise. In thebathroom there are sewing scissors, I’veused them once before. The time I awokewith a scratched hurting head; “Whathave you done?” I yelled and ran into thebathroom. My hair was long, brown andhealthy but he’d tangled it up with brokenstrings, had braided and then knotted itat the ends.“But I was making you a sculpture,” hesaid, “I wanted to braid your head.”When he tried to take the picture I el¬bowed him, I locked him out, “Do it to yourown head!” I screamed and ripped thesteel from the curls.“But my hair’s too short,” he said.“Then grow it! Grow it!” I ^iteh that hehad grown a heart like the rest of us. Ithought he had destroyed my hair but nowit is healthy again. And I want to cut it, cutwhat’s made me vulnerable, what can betwisted at a hand’s command. As theytune I comb with my fingers and slicearound my ears, the thick brown ropes tu¬mble away. I’m glad to be rid of the hair —the excess flimsiness, the parts that can betugged or tied in knots. I want a crew cut,a hard cut, a girl cut.“Coffee!” why do they yell for coffee?Who do they expect to bring it? Now as Icut I feel the fever. I am sick for loving thewrong man. Not truly creative, not even tosay much, just tells me that he doesn’t likemy style. I don’t want to see him everagain.I don't want to see you ever again afteryou poison me. After you sleep with me,curl your fingers into my womb, but theymust be dirty. Sex is so generic with usand I interpret that as great. No ques¬tions, no thought of abusal, because I feelhorny too. But the way that you do it is asif you have coated your nerves withmetal. You just do it. And you come. But Idon’t come.I'm not interested in poison anymore. Idon't have to do it that way. Because Ifound out last night that I have the deathin me if I want it. I have the life, the cre¬ative source and I’m male without you,and I'm. woman without you too. What I thought I needed from you was the connec¬tion with the source. But I don’t becausethere were whispers in my sleep lastnight. I woke up and somebody was whis¬pering, “Get it, get it, get it,” and AnnaGreen was on the back of the bus, but Ididn’t even look up, I had put the lipstickand the eyeshadow on, let my tangley hairdown in the rain, it was ripping rain afterwork so I went for the bus. Then laterAnna passed me and I looked out the win¬dow, as if her love didn’t exist and minewas all that I felt. Then off alone andwalking away. Was she watching me?Oh, they're starting to play again — sooppressive. My hair is in the sink; I wrap aflowered scarf around my head. He is sing¬ing, but I want to sing! I crawl with myclothes on into the tub and draw themouldy pink curtain, begin my solitarysong in the warm light. Oh I wish I felt thepower all the time, because that’s what itis — power. Power to sing gritty hardstrains with pillows of soul.Power to shave my head and wear a pin¬striped suit if I like.Power to like.Power to hate hate hate, and cry cry cry.Power to write, to make every line apoem, every word a story.Power to feel that I’m dancing the firstdance with the one I most respect andwe’re falling in love.Power to make anything I really wanthappen, by dreaming it, by feeling it as Ilie in bed or walk alone in the rain.Power to make people cry, or feel what Ifeel. Power is the blackness, the whispers,the figure crumpled on the gymnasiumfloor. It’s what I deny in myself. Oh Power!Will you leave me if I don’t start now?It’s a deep wail, a full wail, rolling in awoman’s voice. I can hear it gritty, fists orflowers rising in my throat...they are ar¬guing again but I want to see the trees. Upon the roof I could reach up to the sky. Istart to sing and there is the orgasm ofsomething planted being ruptured in thesoil. I am knocking off rhythm, throwing itoff in blocks until the strength’s so muchinside me I burst into the note and staythere. When I sing the earth feels it...if Ising like this the plants will tremble andthe band won’t want to look. And they'lltry to change what they see, but I’ll haveto resist, to leave them completely. Ohthen I will get to the place where I canleave here forever and return most confi¬dently in memory.The band stops. They argue. The songwas too long. The drums were too loud.They hear a singing, they feel a trembling.“Coffee!” they yell. The producers aretired. They want another song quickly.“Hey! Coffee up there!”I am lying in the tub, my first song everover, my head in a scarf. After awhile Iarise and descend the stairs in my red vel¬vet bellbottoms. I am wearing forty bead¬ed necklaces.“Who’s that?” a groupie asks.“Who? Oh. Her?” the bassist says.“That’s,” he pauses, does he remembermy name? “Anna.” he says, “A friend.” Igo to the kitchen. They think I am bringingthem coffee, but I unlock the back door.Oh day. The trees are black against thewhite sky. I love the yellow grass. Tonightthe band will play and play and play. Peo¬ple will come to listen, to drink beer andwine and coffee. But I won’t be upstairslying in bed, no more embracing the sheetsand looking for stars, in his black velvetsky. . 'THE GREY CITY JOURNAL—FRIDAY, MAY 27, 1983—7Si!!!!iS!!!!!Si!!!l!!!!!!!il!ilS!iFORMULA OF EXPLOITATIONby Bruce KingMarketable visions of happiness, fromthe Pepsi generation to the Marlboro man,are commonplace in our routinized indus¬trial society. In the non-industrializedthird world — perhaps the last commercialfrontier — traditional cultural values haveyet to be completely supplanted by thecorporate vision of a single, pre-pack¬aged, uniform marketplace. Yet, by creat¬ing needs where none previously existed,and by convincing potential customers inthe third world that the products of the in¬dustrialized world are necessary for the“good life,” corporations are steadily sub¬verting these autonomous cultures. Theexample of the Nestle Company, whichruthlessly promotes infant formula in de¬veloping nations, is appalling not only forits implicit assumption that the Westerncapitalist “good life” is desirable and pur¬chasable, but for its fatal consequences.The World Health Organization, in a con¬servative estimate, blames infant formulaabuse for the death of one million infants ayear. These deaths are the result not of adefect in the actual formula, but of the useof a product incompatible with the socialand economic realities of the countries inwhich it is being sold. In their eagerness tocreate new consumers, Nestle exports andpromotes a product made for the condi¬tions of industrialized nations without re¬gard for the consequences of its use in non-industrialized nations. Such nations do notreproduce the conditions necessary forproper use of infant formula; nor do thosewho buy it fully understand its advan¬tages and disadvantages, much less theterms for its safe use. The product isbought, but its misuse is inevitable. Sanitary preparation of formula re¬quires uncontaminated water, a resourcenot always available in third world coun¬tries. A recent study in Chile reported that80% of the water used in infant formulapreparation was contaminated. In addi¬tion to pure water, infant formula requiressterile bottles. Yet, in many of the nationswhere Nestle actively promotes formula,proper sterilization is not accomplished. Ifthe threat of contamination is overcome,another problem remains. Infant formulacan require a staggering 30 to 70% of afamily’s monthly income. In a Barbadosstudy, 80% of the mothers using formuladiluted their formula to sub-standardlevels for this reason; a supply intendedfor days is often diluted to last for weeks.Finally, breast milk contains natural im¬munities which formula is unable to dupli¬cate. Infants breast-fed for less than sixmonths are 5-10 times more likely to die intheir first year than those breast-fed formore than six months.Nestle attempts to absolve itself of guiltby appealing to traditional capitalist free¬doms, but the marketing strategies em¬ployed by the company are so reprehensi¬ble as to finally discredit any such fictionas a third world free market. Promotionalcampaigns for formula undermine breast¬feeding by appealing to a powerful vari¬ety of social fears. Nestle manipulatesthird world consumers by presenting West¬ern values as the ideal norms for whichthey should strive. The company tellswomen that their “beauty” is in danger ifthey breast-feed — their breasts will sag;that their social status is at stake —wealthy, white women don’t breast feed;and, finally, that their baby may starve unless they use formula — women whobreast-feed cannot work. A unique aspectof the marketing strategy used for formu¬la is that the fears which the advertise¬ments play upon can actually inhibit awoman’s milk production. Lack of confi¬dence and social anxieties have beenshown to be psychological constraints upona woman’s physiological ability to breast¬feed. Advertisements which read “whenbreast milk fails” — an actual slogan forLactogen, a Nestle product — are part of acampaign calculated to undermine a nor¬mal bodily function and, in so doing, createa physical need which can only be satisfiedwith a purchasable product.Throughout the formula controversy, themedical profession has functioned as thepromotional dupe of the infant formula in¬dustry. In a successful effort to foster phy¬sician good will, Nestle and other formulamanufacturers have spent millions in giftsto the medical profession. Hospitals haveoften been transformed into promotionalagents where free formula samples aredistributed to new mothers — a samplecalculated to last just until the mother’sown milk dries up. In return, the hospitalsreceive anything from free formula tomoney for research grants. In some cases,co-operative hospitals have received theservices of a Nestle sponsored architectur¬al consulting agency which specializes inmaternity units. These units are conven¬iently designed for the immediate separa¬tion of mother and newborn, a practicewhich encourages the use of formula.In May of 1981, the World Health Orga¬nization adopted an International Code ofMarketing of Breastmilk Substitutes by avote of 118-1. Only the United Statesvoted against the Code; the Reagan ad¬ministration easily succumbed to the blan¬dishments of the infant formula lobby. TheCode limits the advertisement of formulaas a substitute for breast milk, requires that new mothers be informed of the ad¬vantages of breast milk, and generallyseeks to prohibit some of the more repre¬hensible marketing practices of Nestle. Un¬fortunately, the Code lacks adequate com¬pliance and verification guidelines. During1982, an incredible 15 million violations ofthe Code were reported. The formula in¬dustry persists in advertising, in distribut¬ing free samples, and in exploiting illitera¬cy by either inadequately labeling theirproduct or simply not printing the label inthe mother’s native language.An increasingly effective response toNestle’s abuse of a non-industrialized mar¬ketplace has been active consumer organi¬zation in Western nations. Consumer,church, and labor groups have supported aboycott of Nestle products for years. Thecity of Chicago, Nestle’s second largestmarket and a major point of distribution,has been particularly active in the boy¬cott. Currently, Infact — a non-profit orga¬nization working to end infant formulaabuse — has organized and effected a ci¬tywide boycott of Taster’s Choice, a prod¬uct in which Nestle has invested much pro¬motional effort and money. The goal of theboycott, a goal which is becoming increas¬ingly attainable, is the strict, verifiablecompliance of Nestle to the standards es¬tablished by the WHO in 1981.In Hyde Park, Mr. G's has supported theboycott by removing Taster’s Choice fromits shelves. Efforts are under way to con¬vince other Chicago markets, particularlythe consumer-run Hyde Park Co-op, to fol¬low the admirable example set by Mr. G’s.This Friday and Saturday, Infact peti¬tioners will be active in Hyde Park. Showyour support of the Taster’s Choice boycottby signing their petition. For further infor¬mation, or to join the approximately 65 In¬fact activists in Hyde Park, stop in at theInfact offices at 22 East Van Buren or call939-0233.PRESUMING THE POLITICALby John R. ConlonMy first impression of Noam Chomsky,several years ago, was that he was a lin¬guist who became politically active in the1960s because he thought people wouldthink he was cool. I’m sure many peoplestill think of him that way. One s generalimpression is that academics should stay intheir own fields, and that it is presump¬tuous to enter other areas, especially poli¬tics. In Chomsky’s case, we are fortunatehe was so presumptuous.The Washington Connection And ThirdWorld Fascism (the first volume of NoamChomsky and Edward Herman’s PoliticalEconomy Of Human Rights), should be re¬quired reading for every person in theUnited States (perhaps in their high schoolAmerican History and Institutions class).The title might put you off. I think it put meoff originally. Yet Chomsky and Hermanare fully aware of the problems withwords like “fascism.” For example, theydescribe how Joseph Buttinger, an earlyadvisor to Diem in Vietnam, thought theterm “fascist” was inappropriate forDiem; while Diem “had most of the viciouscharacteristics of fascism, he lacked themass base that a Hitler or a Musolini couldmuster.” (Chomsky and Herman’s para¬phrase, Washington Connection, p.30. Theactual quote appears in the notes). Citingthis, Chomsky and Herman use the term“subfascist” in the rest of the book.The Washington Connection is a good,basic book on the United States’ sphere ofinfluence and how it is maintained. Thebook focuses on two fundamental issues:the extensive torture and oppression usedto maintain the U.S. sphere, and the com¬plicity of the mass media in glossing overthis situation.Chomsky studiously and thoughtfullyturns the world upside down for hisreaders, forcing them, in the best traditionof political commentary, to question fun¬damental beliefs with which they grew up.His views are summed up in an excellentpassage quoted by a hostile reviewer of his most recent book, Towards A New ColdWar.In every society there will emergea caste of propagandists who laborto disguise the obvious, to concealthe actual workings of power, and tospin a web of mythical goals andpurposes, utterly benign, that alle¬gedly guide national policy. A typi¬cal thesis of the propaganda systemis that the nation is an agent in inter¬national affairs, not special groupswithin it, and that the nation is guid-Rotwrt Capra; Indochina, 1964 ed by certain ideals and principles,all of them noble, (pp. 86-87)The critic concludes, “...he may very wellbe right. But for all his righteous anger, Iwish he had told it all a little more even-handedly” (NYT 3/8/82).The term “propaganda” may have putthe reviewer off. It is an important themethroughout Chomsky's work, however,that journalism is a business, and like allbusinesses, it knows how to avoid trouble.This is the case even though an importantpart of the business is to maintain the ap¬ pearance of looking for trouble. Writersmust earn a living. In this way the intelle-gentsia becomes an instrument of propa¬ganda.Chomsky argues that foreign policy re¬flects the interests of certain powerfulforces in the United States, “a thesis,” henotes ironically, “which is often characteri¬zed as a ‘radical critique’ ” in thiscountry.What I find remarkable about Chomskyis his ability to subdue his anger aboutvery serious and emotional issues, andvery carefully marshall his arguments.Perhaps the only serious exception I canthink of is the chapter on Cambodia inAfter The Cataclysm (The second volume ofThe Political Economy Of Human Rights).The chapter goes on for over one hundredand fifty pages without any subdivisions,and without any clear organization. Therest of the book is excellent, however, andthe subject is important. The book is aboutthe political capital which the UnitedStates has received from the havoc it haswrought in the Indochina War. This is alsothe theme of several essays in Towards ANew Cold War.Chomsky’s documentation is an impor¬tant feature of his work. Documentation isessential in work as controversial as his.Moreover, the notes in the back of thebook provide what amounts to an excel¬lent and extensive annotated bibliogra¬phy.The Washington Connection is an excel¬lent book on United States foreign policy.After The Cataclysm is a good place tostart on postwar Indochina. Towards ANew Cold War is a collection of essays andarticles written by Chomsky between1973 and 1981. Other books by Chomskyinclude American Power And The NewMandarines, At War With Asia, and Prob¬lems Of Knowledge And Freedom: The Rus¬sell Lectures. Chomsky will be speaking atthe DePaul Center, 25 E. Jackson, Satur¬day June 4 at a conference on “U.S.- Israeliinvolvement in Central America; The ArmsConnection.”8—FRIDAY, MAY 27, 1983—THE GREY CITY JOURNALRockefellerChapelHoly Communion10:00& 11:00a.m.Religious Educationfor Children11:00 a.m.University Religious Service A - ActiveBUSINESSMACHINES1633 E. 55th St. * 752-0541(55th & Cornell)TYPEWRITERREPAIR10% STUDENT DISCOUNTON SERVICE ONLYSAMUEL PORTAROChaplain, Bishop BrentHouse (Episcopal)12:15 p.m.Carillon Tour & Recital Expires June 30, 1983SMITH-CORONAULTRASONIC™PORTABLE ELECTRONIC TYPEWRITERWITH ONE-TOUCH MEMOHY CORRECTION.One-touch, one key — the key to perfectletters. 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Blackstone • 947-0200OUR FAMOUS STUFFED PIZZA IN THE PAN IS NOWAVAILABLE IN HYDE PARKOPEN 7 DAYS A WEEK • 11 AM TO 12 MIDNIGHTCocktails * Pleasant Dining • Pick-Up“Chicago’s best pizza!” — Chicago Magazine, March 1977“The ultimate in pizza!” — New York Times, January 1980THE GREY CITY JOURNAL—FRIDAY, MAY 27, 1983—9~'*rr*v 982-83 REPORT TO THE FEE-PAYERS♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦^^^Jonathon RichmanArtist 10/15/82 2000Support Act (Dallo 1) 400Agent 200Technical 652Publicity 401Other 1081Income 0 (free concert)Subsidy 4734Video Dance PartyArtist (Stations) 11/2/82 1100Video 750Technical 500Publicity 245Other 823Income 225Subsidy 3193Bow Wow' WowArtist 1/21/83 5000Support Act (Polyrock) 1000Agent 600Technical 3014Publicity 392Other * 589Income 5700(from College Orientation)Subsidy 4895Rick Donko & Levon HolmArtist 3/4/83 2000Support Act 500Agent 250Technical 300Publicity 380Other 510Income 895Subsidy 8116Memorial Day FestEstimated Expenses 5/29/83 12700 Artist Little Milton10/17/83*entirely fundedby the American Broadcasting Co.Income 0 (free concert)Artist Chick Corea12/2/82 4750Agent 475Technical 500Publicity 251Other 1586Income 2872Subsidy 4690Artist Kins Sunny Ade2/19/83*7 6000Support Act 1000Technical 1161Publicity 523Other 912Income 7125Subsidy 2471Artist Weather Report4/4/83 6000Agent 600Technical 3000Publicity 181Other 1148Income 2813Subsidy 8116Administrative Costs-phone bills, office supplies,other printing expenses, andcopyright charges. $5541.00Income from Fee 51,921Notes: Technical expenses include sound and lighting costs.Publicity includes Maroon and posters. Other expenses in¬clude hall rental, electricians, fireguards, box office,hospitality, and any special equipment. The Major Ac¬tivities Board is funded by 40% of the Student ActivitiesFee. Total Subsidy,expenses andestimated cost-Balance 49,385+2,53610—FRIDAY, MAY 27, 1983—THE GREY CITY JOURNALby Vince Michaeland Alan FuchsDo a good deed every day, and you willwind up alone, hungry, and behind bars.Temper your goodness with cold heartlesspragmatism and you live until tomorrow.Believe in the gods and you’ll find them tobe silly effete intellectuals who can’t evenfollow their own outdated and other¬worldly rules.Concrete Gothic theater is finishing anauspicious first year with The Good Personof Setzuan by Bertolt Brecht. Faculty filmgod Gerald Mast directed the ambitiousproduction being shown in the ReynoldsClub third floor theater. Perhaps it wastoo ambitious, for the seams and faultsshow, and Good Person remains a “stu¬dent” production. Nonetheless the show isboth entertaining and moving, and thanksto some very strong performances andcharacter interpretations, the play workson its essential thematic and emotionallevels.Good Person is the story of Shen Te, aprostitute who has the only good heart inthe city of Setzuan. The Gods reward hergoodness with cold cash, and she setsabout opening a tobacco shop. But it is notlong (about one minute) before her familyand friends start to take undue advan¬tage of her goodness and good fortune.Only her inspired adoption of a maskeddisguise as her nonexistent cousin Shui Taallows her to survive the pressures of per¬sonal and business matters. Shui Ta is acold, unrelenting businessman. But he isthe soft-hearted and giving Shen Te aswell.The paradox is caused by the physicaland moral poverty of human society,which rewards greed and evil. The godswho guard the book of rules are irrele¬vant, and ignorant of reality. It is a state¬ment of modern theater against plays thataffirm cultural values without exploringthe ambiguities of those values.Brecht's plays are ideally producedvery sparsely: no curtain, minimal make¬up, costume and set. Props and designshould suggest rather than represent. Theactors are supposed to embody the charac¬ters without having actually to appearlike them. The overall aim of his plays is toalienate the audience by gently enticingthem and then smacking them in the faceand causing repulsion. Brecht’s plays canbe presented with this goal in mind or theycan be presented as pure entertainment.The narrative around which Good Personis based could serve both ends. The Con¬crete Gothic production, informed byMast's direction, tries to do a little ofboth, and while at times the combinationfails, on the whole the strong themes arebrought out.It would not be difficult to criticize theweak points in the play. Much of the actingwas amateurish, the singing bad, and bitssmacked of inexperience. There was, insome parts, a lack of preparation and aneed for coaching in basic technique. Alack of direction was evident in sceneswith many characters on stage at once.They fidgeted, seemed unsure of their pur¬pose and failed to define adequately theirpresence. This deficiency improved laterin the play. Both the factory scene — doneamidst the curtains at the rear of thestage (creative lighting and choreographymake this scene very effective) — and thefinal courtroom scene were neatly done, asharp contrast to the wedding scene inwhich everyone is supposedly drunk — adangerous opportunity for hamming whichsorely demands control.Mast lacks a clear interpretation ofBrecht in this production. The set is appro¬priate and Brechtian (if that term has anymeaning the way it’s being slung around)but the costumes are a bit too diffuse andinconsistent. Amidst Oriental accents onefinds Levi’s overalls, ballet slippers, Ha¬waiian shirts and penny loafers. MaybeSetzuan is a “half-Westernized city” butthis lack of uniformity is attributable to alow budget and a costume designer who isunsure of the effects the director wishes tocreate. The songs are another instance inwhich the combination of Brecht as enter¬tainer and alienator does not work. Thelyrics are powerful enough to repulse, andtheir effect should be haunting and chant¬like. Unfortunately the songs are mutedby bad singing and poor staging.The principal reason that the productionworked, despite some ineffective perfor¬% BRECHT FUES AT HALF MASTBertolt Brechtmances and weak direction, was that themajor characters were powerfully por¬trayed. Lisa Marquette as Shen Te wasmarvelous. In the first few scenes she wasuninspired, adding to the confusion andslow pace of the show at the start. But asthe play and Shen Te’s painful dilemmaprogressed, so did her performance. Lisa'stransformation and portrayal of Shui Ta isso captivating and malevolently believ¬ able that the mask she wears to differen¬tiate the characters seems to have expres¬sions. One might even say that herportrayal of Shui Ta is better than that ofthe kind, innocent (for a reformed prosti¬tute) Shen Te. One of the finest moments inthe show is when we witness Lisa trans¬forming from Shen Te to Shui Ta. The bit¬ter fruits of Shen Te’s goodness are har¬vested in the vicious, unrelenting crueltyof Shui Ta. In the final scene, doubled inpain by pregnancy and the back-stabbingof every friend and lover this “good per¬son” ever had, the harsh and forcefulvoice of Shui Ta bristles with the physicaland mental anguish of Shen Te.Richard Martin is beautiful and fright¬ening as Shen Te’s lover Yang Sun. Sun isselfish, cynical, abusive and self-pitying.He is an unfettered youth, alive with darkspirits, caught in a world too small for hisambitions in a town too cramped for hisstyle. He is The Flyer who is not allowed tofly. The magnetism between Lisa and Rich¬ard is believable. When she chooses herunfaithful and selfish Flyer over the richbarber Shu Fu, insuring another series ofdisastrous consequences and agonizingbetrayals, we know she is making a mis¬take but we understand why. That she sosacrifices herself assures us of her “good¬ness”, and rubs our noses in the sorts ofrewards such goodness brings.R. Kim Crawford plays the barber Shu Fu with a frenetic energy just barely heldunder control. His voice tilts and soars,threatening to drown each line in emotion¬al shrieks and groans while somehow re¬maining intelligible. Ingrid Stehle as thewife managed to inject subtle humor into acharacter that typifies the parasitism sur¬rounding Shen Te’s goodness. Andy Propstwas entertaining as the second god, abeing who sees the world through rose-col¬ored glasses and manages to ignore evenhis own deterioration with a platitude andbeatific smile. Eric Nelson has the onlygood singing voice in the show, and is fineas Wong the Water Seller. His cello play¬ing also adds an eerie note to the proceed¬ings which works much more effectivelythan the similarly-intended songs. Bar¬bara Hibino plays the Invisible One, a niceaddition by Mast — she carries props,mimes curtain ropes, provides a variety ofeffects and accoutrements and, true to hername, remains unobtrusive.The production and acting improvedover the first three shows. By Sunday theactors were comfortable in their parts,and the strength of the human dramaovershadowed the secondary flaws of theproduction.Ultimately, part of Brecht’spoint is that the props and costumes andnames of the characters are unimportant.Shen Te and Shui Ta are one person distin¬guished only by costume and makeup. Ifwe are to view the real human drama wemust look beyond the forms of the theaterto see not faraway lands but the tensionsand torments in our own souls.Christopher McCann at Mayakovsky and John Spencer aa BulgakovRIVER RUNS WITHOUT FLOWby Sharon PeshkinThe Goodman Theatre's current product¬ion, Red River, is plagued by problems.Written by Pierre Laville and translatedfrom the French by David Mamet, it is sup¬posed to be about the struggles of twowriters, Mikhail Bulgakov and ConstantinMayakovsky, for personal and artisticfreedom in post-Revolutionary Russia. ButBulgakov and Mayakovsky are not thecentral characters. Rather, a menacing,manipulative devil (Woland) and his flakyseductress and feline porter paradethrough the scenes, shifting aliases andemerging as the important figures in theplay — the invaders of Bulgakov andMayakovsky’s personal lives and publicperformances.Presumably, Laville intends to embodythe repressive nature of the Soviet regimein Woland, for the same character is alsothe whimsical editor and the egotisticaldirector who distort Bulgakov's work, aswell as Joseph Stalin, who has the powerto squelch it altogether. But Woland is acharacter which appears to the audiencemore as a Mephistophelian devil than apersonified system. The play seems to sug¬gest that evil but arbitrary forces deter¬mine the pattern of artistic and personalrepression in post-Revolutionary Russia.This is absurd. The brutality of Stalin’s re¬gime was feuled by particular interests,obsessions and alliances. To designate aMephistophelian character as the sourceof the writers’ nightmares and daily obst¬ acles is both to deny the culpability of theactual oppressors and at the same time toinsinuate that much of the troublestemmed from the artists’ own misguidedthoughts. Laville seems to have a CreepingRed Menace view of Communism.The scenes in Red River, isolated inci¬dents in the artists’lives, present a disjointhistory. A good production could probablyhave rendered this an effective device,each scene delivering a quick punch in adeveloping series of incidents leading toMayakovsky’s suicide and Bulgakov'searly death. But in The Goodman’s prod¬uction the individual scenes are renderedtoo weakly to stand alone as meaningfulmoments or to link together into a coher¬ent whole. The result leaves the audienceconfused but unenriched, left out and letdown, which I do not believe was Laville'sintention. This may explain why a goodpart of the audience left during the inter¬mission.The main problems with The Goodman’sproduction are too much money and un¬even talent. The costumes are excellent,the lighting and music powerful and im¬pressive. But the sets, although creative,are inappropriately lavish. The kind ofgadgetry and flashiness which were per¬fect for A Christmas Carol and Comedy ofErrors are out of place here, such as theenormous unicorn which flies across thestage, and other technical trickery. Butmainly, Red River suffers from bad actingin crucial roles. Roy Brocksmith overplays his devil character Woland until heemerges as an utterly predictable carica¬ture. John Spencer's Bulgakov isn’t inter¬esting or energetic enough to get out ofbed in the morning, let alone think a cre¬ative thought or fail in love. On the otherhand, Christopher McCann as Mayakovskyis terrific. He is fiery and dangerous, andwhen he is given powerful lines he is hor¬rifyingly absorbing. Few other charactershave much of a role, although Rebecca Colestands out as an excellent actress in spiteof this, maintaining a controlled hysteriaafter finding a comrade's head ouside theMoscow Theatre.Two peripheral elements of the prod¬uction deserve special praise. The first isthe stage bill, which is the best I have everseen. It gives a timeiine of the events inRussia and in the lives of Bulgakov andMayakovsky from 1914 to 1940—a muchmore effective portrayal of the times thanis the play, and without which the playwould be even more confusing and meanin¬gless than it is. The second is the collectionof political posters, cartoons and bookcovers from the period (some by Maya¬kovsky) which are posted in the lobby.These reveal the beginnings of the futuristand dadaist movements and raise thequestion: did Laville, Mamet, The Good¬man or all three intend to produce RedRiver with the futurist flavor of the times?Even if they did the play still fails, becausetoo many of the scenes are weak andpointless.Red River just doesn’t have much to say,and what it does say has been much betterstated by countless writers andplaywrites. There is nothing new in thisplay; the whole point is summarized in thefirst scene, when Woland struts onto thestage while Mayakovsky is reciting hisrevolutionary poetry to the enthusiasticmasses. Woland extends his arm andmakes a clamping gesture, a bell sounds,Mayakovsky chokes and reaches up to hisneck, his poetry becomes gradually lessacceptable to the crowd, and by the end ofthe scene he is being reviled as a Bour¬geois hypocrite. This is the only statementin the play, repeated in numerous, similar¬ly contrived ways. The only really goodscene is the one in which Laville simply letsBulgakov and Mayakovsky speak. Itwould have been tremendous if we couldsimply have had an evening of McCannreading from their works.But that, I suppose, would not have goneover well with The Goodman’s contributorsand subscribers. Millionaires prefer hol-landaise to hot sauce, even if the latter isbetter tasting and more nutritious. TheGoodman has presented a beautiful illus¬tration of how the corporate right and rad¬ical left meet: this production has onceagain suppressed the works of Bulgakovand Mayakovsky.THE GREY CITY JOURNAL—FRIDAY, MAY 27, 1983—11DavidMiller Next Year: Sharon Peshkin, Leah Mayes, Stephanie Bacon, and Lorraine KennyVince Michael Maddy Paxman and Abby ScherSteven DiamondBeth Miller Nadine McGann, Ken Wissoker, and David Miller Bruce King12—FRIDAY, MAY 27, 1983—THE GREY CITY JOURNALThe Students’ Association of r^%tTHE CENTER FOR MIDDLEEASTERN STUDIES ITpresentsTHE FOURTEENTH HODGSONMEMORIAL LECTURETHE WRITING OF OTTOMANHISTORY: THE PROBLEMS OFSCHOLARLY STANDARDS,ACADEMIC FREEDOM,ACADEMIC RESPONSIBILITYby DR. SPEROS VRYONISDepartment of History, UCLAand Director, von Grunebaum Centerfor Heart Eastern Studies4 PM, FRIDAY, MAY 27,1983BREASTED HALLORIENTAL INSTITUTEPUBLICATIONSCHEDULEThe Maroon will publishone more issue this quarter:The Chicago Literary ReviewFriday, June 3THE CHICAGO MAROON New and RebuiltTypewriters,Calculators,Dictators, AddersCasioHewlett PackardTexas Instrument REPAIRSPECIALISTSon IBM, SCM,Olympia, etc.FREE repairestimatesCanonSharp RENTALSavailable withU. of C. I D.The University of Chicago BookstoreOffice Machines & Photographic Dept.970 East 58th Street 2nd Floor962-7558 • 5-4364 (ON CAMPUS)Put the pastin yourfuture!LIVE IN AN HISTORIC LANDMARKThoroughly renovated apartments offer the convenience ofcontemporary living space combined with all the best elementsof vintage design. Park and lakefront provide a natural settingfor affordable elegance with dramatic view's.—All new kitchens and appliances — Community room—Wall to-wall carpeting — Resident manager—Air conditioning — Round the-clock security— Optional indoor or outdoor — Laundry facilities onparking each floorStudios, One, Two and Three Bedrcxim apartments.One Bedrcxim from $480 — Two Bedrixim from $660Rent includes heat, cooking gas. and master TV’ antennaCall for information and appointment — 643-1406CftMemmMwe1642 East 56th Street^In Hyde Park across the park fromThe \iuseum of Science and Industry<Equal IT Rising Opportunity Managed by Metroplex, InsThe Chicago Maroon—Friday, May 27, 1983—25SATURDAYDINNER ISPECIALSATMORRY'Sin the "C" Shop5:00 p.m. to 7:15 p.m.OUR FAMOUSVi BBQ CHICKENwith cole slaw, roll, potato chipsand beverages ONLY259JUMBO HOTPASTRAMISANDWICH >-ozirtO^BJUMBOITALIAN SAUSAGETOPPED WITH OUR OWNSPECIAL SAUCE ONLY]09JUMBOTURKEY SANDWICH ONLY159ONLYHOT DOGS 394BUY 3 CHICKEN DINNERS |GET 1 MORE 1 FREEBUY 3 SANDWICHES 1GET 1 MORE 1 FREEBUY 2 SANDWICHES get 1EITHER AN ICE CREAM or BEVERAGE 1 FREEMORRY'S DELIIn the "C"-Shop1131 East 57th St. The Medical Alumni AssociationpresentsThe 1983 Scientific ProgramFriday June 3,Billings Hospital Auditorium - Room P-117Featuring:1:35 p.m.: The Doctor's Lady with the Bound Feetllza Veith, Ph.D., D. Med. Sci.Professor Emeritus, Department of History ofHealth Sciences and Psychiatry, University ofCalifornia-San Francisco2:00 p.m.: Chronobiology of Sleep and Wakefulness in ManElliot D. Weitzman, M.D. '55Professor of Neurology, Director of the Institute ofChronobiology, Cornell University Medical Col¬lege, New York Hospital - Cornell Medical Center,New York3:00 p.m.: Privilege vs. ResponsibilityEdith H. Schoenrich, M.D. '47, M.P.H.Associate Dean for Academic Affairs, The JohnsHopkins University School of Hygiene and PublicHealth, Baltimore3:25 p.m.: The Rational Place of Limb Salvage Resectionsin Sarcoma SurgeryWilliam F. Enneking, M.D.Distinguished Service Professor and Eugene L.Jewett Professor Orthopaedic Surgery, College ofMedicine, University of FloridaFor further information, call 962-6567.Open to the PublicThe University of ChicagoTHE SCHOOL OF SOCIAL SERVICE ADMINISTRATIONPRESENTSTHE HELEN HARRIS PERLMAN LECTURETHE WRITER ASSOCIAL CRITICByRICHARD RODRIGUEZAuthor of Hunger of MemoryFRIDAY, JUNE 3,19834:30 P.M.SSA LOBBY969 East 60th Street26—The Chicago Maroon—Friday, May 27, 1983SportsThe year in review: U of C sports,’82-’83Other star performers for the spring in¬cluded baseball’s Wade Lewis, the bigbright spot on a team which only won onegame all season. Lewis hit .519, fielded .886,led the team in stolen bases, and is a seriouscandidate for All-America honors. TheMaroons had several underclassmen start¬ing, and with a potentially strong incominggroup of freshman next year could bringsigns of improvement.Softball finished the season 7-7, aftergoing 1-2 in the Conference tournament, los¬ing to the eventual tournament winner.Karen Kitchen handled most of the pitchingchores, and Dana Pryde and Dana Howdranked high on the team in several offensivecategories. Again, the softball team fieldedseveral underclassmen in 1983 and shouldhave a strong nucleus for the future.Third-year student Bob Fisher runs in theNCAA Division III National Championshipstoday, at North Central College in Naper¬ville. Fisher qualified with a time of 3:49.5in the 1500 meters, which bested his person¬al best by six seconds. His time is roughlyequal to a 4:07 mile, placing him in range ofMike Axinn’s school record.Overall the track team finished fifth out ofeleven teams in the Conference Champion¬ships. Art Knight closed his career with vic¬tories in the 10,000 and 5000 meters, andsophomore Curt Schaefer took second in thelong jump (22-4V2 ), third in the triple jumpwith 13.75 meters, and jumped 6-4 in thehigh jump but lost out on points due tonumber of misses.The Maroons’ men’s tennis team finishedwith its best dual meet record in a while, fin¬ishing with a 9-2 mark and third place in theNCAA Midwest Regionals. The highlight ofthe tournament for Chicago came when PhilMowery won the number three singleschampionship. In number four singles. Fer¬nando Cavero won the consolation match.In the course of the season the Maroonsdowned some very strong opponents, butfailed to capture the Conference champion¬ship tournament, but Coach William Simmsfelt that since the tourney had no bearing onthe NCAA bids, his team played less in¬spired.A bright spot in the tournament, though,was Mike Vail’s play in the sixth singles po¬sition. Vail, however, lost to Ferris of Carl¬ton 7-5, 3-6, 7-5 in the finals, after playingvery well in advancing to that point.The U of C rugby club travelled to theNCAA Midwest Regionals and came awaywith second place, and a bid to the FinalFour in Athens, Georiga. Limitations on thenumber of graduate players prevented theteam from playing full strength in Georgia,though, so the team declined the bid. De¬fense was the strong point of the Maroons’squad, as the team downed some nationallyrespected opponents such as Ohio State onroute to the Regional finals.By Frank LubyLed by Conference titles by men’s wres¬tling and women’s track, the University ofChicago varsity sports teams fared well inMidwest Conference competition in1982-83.This spring saw the women's track cap¬ture its first conference title ever. Compet¬ing in six field events, junior Helen Strausset two conference records (high jump, andjavelin) on her way to two firsts, a third, afourth, a fifth, and a sixth. The team alsobroke three other conference records andseveral school records.Linda Kinney became the first woman inconference history to run the 400 meters inunder one minute, with a record time of59.9. Straus, Tracy Button, Meg Malloy, andSara Dell ran a 10:10.7 time in shatteringthe conference mark in the 3200-meterrelay, and the 1600-meter relay team of Re¬becca Redman, Alison O’Neill;, Kinney,and Natalie Williams set a new record in the1600-meter relay. Williams also qualifiedfor the Nationals with her performance inthe sprints.The Chicago Maroon—Friday, May 27, 1983—27Conference title in 15 years. Chicago edgedsecond placed Cornell by 3/4 of one point.Tim Bachenberg (118 lbs.), Karl Lietzan(167), and Gene Shin (190) all took firstplaces. Mark Farwell and Joe Pierri tookseconds, and Gillespie and Mark Nootensthird place spots. Bachenberg, Shin, Liet¬zan, and Farwell also headed to the Nation¬als.Gillespie had to earn a pin in that finalmatch, and he did so with about one minuteleft in the third round. A decision wouldhave given Cornell the title.It has become a cliche to say that fresh¬man Gretchen Gates “rewrote the recordbooks,” but she did exactly that in leadingthe Maroons’ women’s varsity basketballteam to a 5-6 mark, with its most wins ever.Gates went on to earn All-American honorsand was also named Freshman Player ofthe Year.But in addition to Gates’ efforts, the teamreceived strong play from transfer studentDana Howd, whose work at the guard re¬sulted in a new team record for assists.Guard Karen Walsh, and forwards WendyPietrzak and Helen Straus also contributedto what coach Diann Nestel said was “cer¬tainly an all-around team effort.”Gates averaged 21.8 points per game, andHowd finished with 76 assists, including agame record 11.A resounding 71-59 victory closed the sea¬son for the Maroons’ men’s varsity basket¬ball team, which finished the year at 9-9.Sophomores Keith Libert and Nick Merig-gioli keyed the scoring, with help from se¬nior co-captains Eric Kuby and WadeLewis. The team played very streaky,though, playing tremendous basketballagainst conference and national powers likeBeloit one week, but blowing a big lead toKnox the next. But when the machine gotrolling, few teams could stop them.Lewis consistently hit from the outside,and Kuby quarterbacked the team. Merig-gioli worked well inside and outside, and the6’6” Libert and 6'5” forward Mike Murdencontrolled the inside play. Adam Green andRob Omiecinski provided much help off thebench.The women’s swim team placed fourth inthe Midwest Conference championships, ina field of seven teams.Martha Kinney set three conference re¬cords in placing first in the 50-yard and 100-yard butterfly, and second in the 50-vardfreestyle. However, the referee ruled thatKinney finished second in the event becauseshe was out, touched at the wall.The 200-yard medley relay team of Vir¬ginia Seymour, Jean Shimotake, ErikaBruhn, and Colleen Thorne placed fourth. Inaddition, Bruhn and Katie Moran placed inthree events, while Flor Gonzalez, Thorne, Chris Barr, and Diane Trakowski placed intwo events, and Elizabeth Forrester andShimotake in one event.The men’s swimmers placed third in theConference meet, behind host Grinnell Col¬lege, and Carleton College. The hight pointof the meet was the diving performance ofDuane Caneva. He placed second in both the1-meter and 3-meter diving events, and alsofinished seventh in the 50-yard freestyle.The 400-yard relay team of Phil Hoffman,Mike Ruddat, Alex Pound, and Mike Noblefinished second, while the 800-yard freestylerelay team of Rick Kloos. Everett Lee, Hoff¬man, and Ruddat placed fourth.Noble, Kloos, Lee, Hoffman, and Poundeach placed in three events, while Doug Ci-priano, Ruddat, Chuck Coant, and JohnHotchkiss placed in two events.The women's indoor track team joined theMidwest Athletic Conference for Women,and hosted an unofficial conference champi¬onship meet in March. Hopefully nextyear’s conference meet will produce an offi¬cial champion, as the conference meet es¬tablishes itself.The team possessed a 5-0 dual meet re¬cord entering the meet, and had set 12 newschool records, many by freshmen. KathyWaters set a new record in the shot put, andBipasa Bose in the mile, were among thoserecords. Senior Becky Redman set schoolrecords in the 400-, 600-, and 800-meterraces.In the fall, the Maroons' football team fin¬ished with an 0-9 record, including 0-4 in theconference. Senior defensive lineman JimCoy closed out his U of C career by earningAll Conference honors.The Maroons played several close gamesduring the year, only to drop them in thefinal minutes, as they did against ConcordiaCollege. The team also dropped a tough24-23 contest to Ripon.The Maroons will be losing veteranplayers such as running back Bill Jankovichnext season, but will still return severalstarters from this year's squad. In addition,the Maroons will have a new head coach.continued on page 31Men’s wrestling and women’s basketballtopped the headlines for winter quarter. Thewrestling team pulled out a last second vic¬tory when heavyweight Mac Gillespiepinned his opponent at the close of the thirdround at the Conference Championships inCedar Rapids, Iowa, and thus became thefirst team besides Coe or Cornell to win theSportsSaudis take Socim finalMildred fullback Kjell Nyborg took the ballup the right sideline, beating an attemptedtackle by Saudi midfielder Jon Assadi, andfired a sizzling shot that bounced off theright post. Mildred’s Edgar Asebey got therebound and passed it across to forwardJohn Yoon, open on the left side, for aheader.If Yoon’s shot had been a foot lower, thecourse of the game might have shifted inMildred’s favor. Instead, the missed oppor¬tunity solidified momentum for the aggres¬sive Saudis, who quickly pressed their ad¬vantage.A nice combination of passes between As¬sadi and Dan Medina picked apart theMildred defense, leaving Aragones standingall alone in front of the goal. Medina’s feedto Aragones was letter perfect, and Ara¬gones beat goalie Phil Chun on a turn¬around shot to send the Saudis up by two.After the half, Mildred replaced Chunwith Rob Boland in goal. Mildred played in a3-2-1 formation, with Yoon in the single for¬ward pot ition.The Saudis were successful throughoutthe game in smothering halfback Luis Guer¬rero, who has scored roughly half ofMildred’s goals this season. Guerrero’s inef¬fectiveness was keenly felt.Midway through the second half, JohnMessersmith scored on a free kick fromthirty feet out. Referee Juan Luco had de¬clared the kick indirect, so fullback Nyborgand goalie Boland stepped out of the waywhen Messersmith kicked the ball directlyat the goal. But the other ref, Jon Lowe, hadapparently called the kick direct, and thegoal was counted, despite Boland's pro¬tests.The Saudis played an extremely effectivestall game during the game’s final minutes,stifling any chance for a Mildred come¬back.By Jeff TaylorFor the graduate champion Saudi UnionMovement, the All-University title gameMonday against Mildred was an exercise inanticlimax. After the Saudis’ near-disasterat the hands of Gertie’s in the graduatefinal, they were not to be denied by mere un¬dergraduates, ringers or no.If the one-sided 3-0 contest had a turningpoint, it was about ten minutes into the firsthalf with the Saudis leading 1-0 after a kickfrom midfield by forward Jay Aragones.Mildred (dark pants) lost to theSaudi Union Movement in theAll-University Socim ChampionshipMonday, 3-0. There will be two upcoming organization- the same day at the same location,al meetings for varsity women’s fall All interested undergraduate women aresports. encouraged to attend. If you are unable toField hockey will meet June 2, at 4:30 p.m. attend, contact Linda Whitehead in Idain the classroom at Henry Crown Field Noyes Room 206, or call at 962-9556.House. Cross Country will meet at 5:30 p.m. vStraus named to All-AmericanBy William RauchHelen Straus, a third-year student in theCollege, was named All-American in hep-tathalon at the NCAA Division III trackmeet being held this week at Naperville Col¬lege.The heptathalon consists of the javelin,high jump, long jump, shot put, 800-meterand 200-meter dashes and 100-meter highhurdles. All-American selection goes to theathletes with the six highest point totals.Straus placed fifth. The heptathalon eventswere held Monday and Tuesday.On the basis of her season performance inthe high jump and javelin, Straus qualifiedfor preliminary trials in those events. InKOSOVA:Another Balkan Powder Keg?On the history and current status ofthe Albanian-Yugoslavian Conflict• Fred Charv— Prof, of HistoryUniv. of IndianaNorthwest• Milan Andrejevich— Instructor. Dept, ofHistoryUniv. of IllinoisWEDNESDAY • JUNE 17:30 PM • INTERNATIONAL HOUSEfor more info call 493-7020CONTINENTALBREAKFAST•Fresh-baked croissant•100% fresh-groundColumbian Coffee•Fresh-squeezedorange juice*2.00Now open at 6:30 am53^St.&%peD667-2000 Wednesday’s javelin meet, Straus qualifiedfor the finals, to be held Friday. Her tosswas a school and personal record. The highjump trials were held yesterday, and thefinal trial will be held tomorrow.Mary Jean Mulvaney, athletic director,said that Straus is “an outstanding athletewhose dedicated efforts resulted in a fineperformance.” Alison O’Neill, Straus’ team¬mate and a fourth-year student, said, “Thisyear Helen worked really hard, and it paidoff. She got more satisfaction out of thisyear than last.”Second-year student Natalie Willaimsqualified for the nationals in the 100-varddash, but did not reach the finals.G.W. OPTICIANS1519 E. 55thTel. 947-9335Eyes examined and Contact Lenses fitted byregistered Optometrists.Speciatists in Quality Eyewear at ReasonablePrices.Lab on premises for fast service - framesreplaced, lenses duplicated and pre¬scriptions filled.GOLDCITY INNGivenby the MaroonOpen DailyFrom 11:30 a.m.to 9:00 p.m.5228 Harper 493-2559Eat more for lessA Gold Mine Of Good FoodStudent Discount10% for table service5% for fake homeHydw Park's lest Cantonas* Pood28—The Chicago Maroon—Friday, May 27, 198373rd Annual Interfraternity SingAlpha Delta Phi Delta Upsilon Phi Delta Theta Phi Gamma Delta Psi Upsilon10 PM 4 JUNE 1983 HUTCH COURTfflaple Crce 3ttn World Health OrganizationListed Medical SchoolSaint Lucia Health Sciences University is located on theisland of St. Lucia in the West Indies. Openings are availablein the September 83 class.OFFERING:* 36 month M.D. degree program* Instruction in English* Clinical clerkships in the United States* WHO-listed Students eligible to take the ECFMG* Graduates have been accepted into specialty training inU.S. hospitals* Transfers especially welcomeSaint Lucia Health Sciences UniversityHenry Garcia Co.; 1 Riverwalk PI., 700 N. St. Mary’sSan Antonio, Texas 78205 (512) 226-8444 Telex: 767524Matriculation Sept Jan May 19NameAddressCity State ZipPhone # ( )For more information call toll free 1-800-227*3800 Ext. 416PC 9875 3 99 MILES^ketchesof Spain& anLarranged and conducted by(3il 0vansPC 8271 3 99MILESDAVIS’GREATESTHITSINCLUDING:ROUND MIDNIGHTSEVEN STEPSTO HEAVENALL BLUESE.S.P.MYFUNNYVALENTINE MILES VDAVIS (SEVENSTEPSTOHEAVENPC 9808 3 99 PC 8851 3 99On Sale Now! Sale ends June 15. 1983Spin -It1444 E. 57TH • 684-1505Spin - It Sow. Spin - It Later, but Spin - It! ixiz U p Your s pringAt Spin -ItSAVE ON THE ENTIRE CBS NICE PRICEJAZZ SERIESREG. 4.98 EACH - NOW ONLY 3.99RAMSEY LEWISSUN GODDESSincluding:Living For The City Jungle Strut / Hot DawgitGemini Rising/TamburaPC 33194 Weather ReportMysterious T ravellerincluding: American TangoJungle Book Cucumber SlumberNubian Sundance Scarlet WomanPC 32494 3 99PC 8085 3 99George GershwinsMILES DAVIS-P0RGY AND BESSOrchestra under the direction of Gil Evans MILES DAVIS QUINTETUUicircle Mill*ORBITSDOLORESFREEDOMJAZZ DANCEGINGERBREAD BOYFOOTPRINTSPC 9401 3 99The Chicago Maroon—Friday, May 27, 1983—29Contacts for Sale!What Is A Bargain?The 4 questions most frequently asked about contact lenses are:1 How Much Are Your Lenses72 How Much Are Your Lenses73 How Much Are Your Lenses74 How Much Are Your Lenses7What is really more important, the lowest price, or the best fit¬ting lenses? We think the 4 questions should be:1 is the doctor really a contact iense specialist7(or <s he an eyeggss salesman"1)2 Can I expect professional service and care7(or iv//.' I be handled by inept non-professional salespeople7)3 Are the quality of lenses the best available7(or are they oft brands and seconds 7)4 The question is. not how much are your lenses, butwill I receive the best care, the best quality and thebest priceWe at CONTACT LENSES UNLIMITED meet all the above crite¬ria of CARE. SERVICE. QUALITY AND PRICE.TRY TO BEAT THESE VALUES!SUPER-WET BAUSCH& LOMBFLEXIBLE SOFLENSOMV $29.00 B\ B\&F SERIESSuper-thin highly wet- only$33.75table lens specifically Basic series of lensesdesigned to correct that Bausch & Lombthose patients who built their reputationwere previous hard oncontact lens failures• NEW SUPER SOFT HIGH OXYGEN TRANSFER ULTRATHIN - $43.75New super-soft highly oxygen transferable lenses used to correctthose patients who were previous soft lens failures• SUPER WET TORIC CORRECTING FOR ASTIGMATISM - $100.00The same remarkable material as the super-wet flexible lenses but spe- jcificaily designed to our exact specifications to correct for difficult as¬tigmatism• SOFT LENSES CORRECTING FOR ASTIGMATISM (TORIC) - ft 160.00If you have ever been told that you couidn t wear soft lens due to astig¬matism now you probably can• EXTENDED WEAR LENSES - $ 160.00The ones you sleep with no more cleaning sterilizing nightly no moredaily Insertation and Removal, wake up in the morning and seeLimit 1 pair per patientProfessional fee additional (required)(includes - Eye Examination Training Wearing Instructions and Carrying Case)OUR PROMISE TO YOU:If you aren t pleased with your lenses after 60 days cost of the lenses will be re¬funded All contact 'ens fitting done by our Contact Lens SpecialistsDr S C Fostiak and Dr John S SchusterWe can replace your tost or broken lenses in 4 hours or less!(if lenses are in stock)IF YOU WANT THE BEST COME TO THE BEST•CONTACT LENSES UNLIMITED1724 Sherman Ave., Evanston. IL 60201 ?566 N. Clark St., Chicago. IL 606)4• above County Seat)864-4441 880-5400 marian realty,inc.mREALTORStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 S. Cornell684-5400 I enjoy my contactLenses made byDr. Kurt RosenbaumOptometristKimbark Plaza1200 E. 53rd St.493-8372Go Directlyto TextbooksIF you haven't bought all ofyour books for the Winter Quarter.Unsold Spring textbookswill be returned to the publisher afterFriday May 27th, 83,University of Chicago BookstoreThe Textbook Department970 E. 58th Street1 TieBlachstone Hotel636 So. Michigan Ave.• Close to the U of C (10 minutes north)• Plan your next conference/meeting or group housing• Special rates for University of Chicago affiliates or visitors,$32.00 single / $37.00 double• 17 conference rooms to accommodate 10-500We now feature the hilarious production of SHEAR MADNESS in the MayfairTheatre, and Joe Segal’s famous JAZZ SHOWCASE in the intimate BlackstoneCafe. (Student discounts - Sunday matinee - 3 pm.)FOR ROOM RESERVATIONS, OR FOR MOREINFORMATION OR TOUR & PRESENTATION, CALLNATALIE VITEK, DIRECTOR OF SALES427-430030—The Chicago Maroon—Friday, May 27, 1983The year in review:continued from page 27Roger McCann led the rushing attackwith 382 yards, followed by Bob Dickey with194. Quarterback Don Haslam completed 89of 201 attempts for 951 yards, and receiverDave Vukovich led the team with 32catches.The Maroons’ volleyball team finished theyear with a mark of 9-11, 3-3 against Mid¬west Conference teams.Sue Fortunato is the team’s only graduat¬ing four-year letter woman, so the Maroonswill return a strong and experienced clubnext season. The play of juniors KarenKitchen, Karin Van Steenlandt, BeverlyDavis, and Randi Wagner have improvedconsiderably over the last three years, andis well complemented by the play of this U of C sportyear’s freshmen, including Helen Gem-mill.The team rounded out its season by plac¬ing third in the University of Chicago Invita¬tional Tournament.The Maroons’ cross country team closedits season with a fifth place finish in the con¬ference tourney, won by Carleton. Bob Fish¬er led the way, placing tenth overall with atime of 26:55 on the 8000-meter course. Theperformance earned him All-Conferencehonors. Phil McGoff was the next Maroonfinisher with a time of 27:37; he placed19th.A pair of victories on an early season tripto Iowa kicked off the year for the Maroons’soccer team, which closed the year with a5-9 mark. The Iowa trip included a shootout,1-0 victory over last year’s ConferencePHOTO BYARA JELALIAN jHale defeated Dugan’s Golden Nuggets in the under¬graduate finals for co-ed football. In the all-Universitychampionship, Brickbats defeated Hale for the champion¬ship. Dugan’s Golden Nuggets won the all-Universitymen’s championship by defeating graduate championBuilt for Speed, while graduate champion Home Plateletsbeat Upper Wallace for the women’s all-University cham¬pionship. Sportschampion Grinnell. John Paul McCarthy-scored on a goal on a penalty kick in theshootout for the victory, after a goal by mid¬fielder Dan Medina at the end of the secondovertime was disallowed.Several freshmen received a lot of play¬ing time this season, including sweeperJohn Culbertson, striker Mark Scolforo,goalkeeper Joe Mario, fullback John Lowe,and midfielder Greg Schaefer, whose firstgoal of the season gave the Maroons a 1-0victory over Ripon earlier in the season.The team made a strong showing againstDivision I school Notre Dame, losing only2-0, and also defeated DePaul University,and Coe College.The Maroons’ field hockey squad finishedthe year with an overall 10-7-1 record, 8-6against NCAA opponents. The team’sschedule included many tough opponents,including the University of Wisconsin at Ste¬vens Point, which was ranked ninth nation¬ally in Division III.Helen Straus, the team captain, led theteam in scoring with 17 goals and five as¬sists. Fourth-year student Trish Briscoe fin¬ished with five goals and eight assists. In de¬fense, goalie Maureen Breen had a superbseason, collecting 174 saves (a school re¬cord' and recorded seven shutouts as well.Despite some graduation losses, the teamhas several returning players for next year.In its toughest challenge of the year, theMaroons split their four games in the LakeForest Tournament, against some of thearea’s top teams.The women’s tennis team ended its asso¬ciation with the IAWA Conference, as it willjoin the NCAA Midwest Conference nextyear. This season, the team played ninegames, finishing with a 5-4 record. Theteam’s four losses came in tough games,though, as the Maroons were never out¬classed.In the first four singles slots were JaneA PEASANT LUNCHFrench Onion Soup AuCratin served with Cheddarand Swiss Cheese andCrisp, Fresh Apple Wedges.French Bread from ourmorning oven—and a glassof house wine of yourchoice.$3.9553*St667-2000 Look, Beth Fama, Caren Gauvreau, andStephanie Falk, all of whom are second-year students. First year students CarrieVeach and Grace Park played fifth andsixth singles.Dayna Langfan, Klarita W’ildhaber, andKatie Sparks rounded out the roster. Nextyear the Maroons begin full NCAA play, andevery player except Langfan will return,leaving coach Cristell Nichols feeling “enth¬usiastic” about the season next fall.CHINESE-AMERICAN RESTAURANTSpecializing in Cantoneseand American dishesOpen Daily 11 A.-8:30 P.M.Closed Monday1318 E. 63rd MU 4-1062j 1701 E.55TH 1 117 EVERYDAYO OO J-» GO GO 75 262 1593The Chicago Maroon—Friday, May 27, 1983—31Classified Ads/ \HPRICE REDUCTION - Watch yourplants thrive in this southeast cornernear campus with extra large sun-porch, new kitchen, 17x13 diningroom, 2 bedrooms and bath. Naturalwood mantel and doors make thisunit very special. $50's.WOODBURNING FIREPLACEand dynamite location make this 1bedroom Inns of Court unit a mustsee. The owner is motivated. Cometake a look. Close to campus. $50's.POOL AND LAKESHORE VIEW- Beautifully coordinated drapes andcarpet make this 1 bedroom readyfor occupancy. Quick FHA mor¬tgage possible. Full servicebuilding. $50,000.CENTRALLY LOCATED mid-risecondo with lovely garden view isbeautifully carpeted. Five rooms,air-conditioned and in excellent con¬dition. $62,000 including a parkingspace.PRICE REDUCED - this price can'tbe beat for a 1 bedroom at theHampton House. Excellent securitybuilding, newly decorated, readyfor move-in $30's.JUST LISTED - Garden level, 2bedrooms in this 5 room condo.Spotless, completely redecorated,wall-to-wall carpeting, all new kit¬chen. Convenient location at 55thand Cornell. Low $50’s.SUNNY, AFFORDABLE. 2bedroom apartment - modern kit¬chen with double oven: oak floors.Walking distance to university. Ex¬ercise room in basement. Excellentcondo association. Priced to sell.56TH AND KIMBARK. Woodbur¬ning Fireplace, leaded glass. 2bedroom and garage. $60's.GRAD STUDENT PARADISE!56th and Dorchester. 2 bedroomcondominium with large back yard.Right where you want to be.$69,000.SPECTACULAR LIGHT! Sixroom condo, completely redone -new walls, new windows, newbaths, new kitchen, new electric,new . . . It’s at 56th and Harper andits only $62,000. Call today!EAST HYDE PARK - very light 3bedroom, 2 bath condominium withoff-street parking. Choice apart¬ment. Mid $70's.THE PERFECT STUDIO apart¬ment for the single person whodesires to buy. The well-designedkitchen has ample cupboards and theadditional plus of a microwaveoven. Parquet floors, Levolorblinds, a generous closet and yourown off-street parking make this aspecial buy at $28,000.HILD REALTY GROUP1365 E. 53rd St.955-1800 CLASSIFIEDADVERTISINGClassified advertising in the Chicago Maroon is$2 for the first line and $1 for each additionalline. Lines are 45 characters long INCLUDINGspaces and punctuation. Special headings are20 character lines at $2 per line. Ads are not ac¬cepted over the phone, and they must be paidin advance. Submit all ads in person or by mailto The Chicago Maroon, 1212 E. 59th St.,Chicago, III. 60637 ATTN: Classified Ads. Ouroffice is in Ida Noyes Rm. 304. Deadlines:Wednesday noon for the Friday issue, Fridaynoon for the Tuesday issue. Absolutely no ex¬ceptions will be made! In case of errors forwhich the Maroon is responsible, adjustmentswill be made or corrections run only if thebusiness office is notified WITHIN ONECALENDAR WEEK of the original publica¬tion. The Maroon is not liable for any errors.SPACEHyde Park Studio Apts 245.00 clean quietbuilding newly decorated 4- carpeted stove 4refrig laundry facilities 24 hour manager 5140S. Woodlawn 493-62503 bedroom condominiums for sale 55th streetand Everett. Call 357-7926 evenings 979 6091days.Looking for housing? Check InternationalHouse, for grad, students and for scholarsvisiting Chicago. 753-2270, 2280.OWNER SELLING 3d fl Condo, large & bright,3 br/2ba/L R / D R/sunr m, oak floors,washer/dryer, near transit & stores, excel.Assoc., locked parking, $73,000, call after 6:30,684 7622.Summer sub w/fall option. Lg, sunny studio at53 & Dorchester in bldg w sunroof, laundry,secty guard, on city, campus busrtes. AvailJune $299 Fall, Summer negotiable. 241-5919eves.CHICAGO BEACH APARTMENTS5100 S. CornellApts available. Studios $280, lbedrooms $380Decorated 4 refurnished. Rents include utilities. Enjoy a view of the lake & skyline inyour Hyde Park apt. Call 493 2525. Ask for Mr.Wardian. Parker-Holsman Co.SUMMER SUBLET: 1BR in 2BR apt near theLake, available June Sept. Large, sunny, plea¬sant. Apt-mate is genial & considerate! Non¬smoking female grad preferred. $200/mo. Call643 9059Bedroom is spacious sunny apt near campusavailable June 15-Sept 15, 752-1099Lg beautiful sunny 3 bdrm 2 bathrm coop forsale by owner Newly refned oak fls, woodburn¬ing fpl, blt-in bkcases, lg dr and kitchenNatural wood thruout Near 59th and HarperHigh 70's call 947-8241 or 962-7340.E-l TOWNHOUSE56th & Harper — Owner: 643-0959Excell Cond! Many Extras! 4br 2’/2 bath, famrm, AC, carpeted, w/d, freezer. $135K ImmedOccupSummer Sublet, 1BR in 2BR. 5200 S.Blackstone, Blackwood Apts. A/C, D/W, Call955-4193SUBLET $175 per bdrm in 6 bdrm house LIV.RM., DIN. RM., STUDY, TV RM, 3 BATHS onCornell CALL 753 8342 rm 01006 or 1034 Askabout subletFemale Grad Student sought to share spacious3BR 2BA apt beg July 1 for 83-84 Schl yrLocated on Univ Ave near Fieldhse has LR,DR, 2 Porches and Yard. FANTASTIC APT$212/month (heat incl) 4 elec. Call Now: 947-9026Apt. for RENT or SUBLET; beautiful 2bedroom, 2 bathroom; a/c, furnished forsublet, avail mid-June; modern kitchen incldishwasher, building has 24hr security, exer¬cise room, parking; rent: sublet-verynegotiable, lyr lease-$634. 5020 S. Lake shore;241-731559th & Blackstone. 2’/2 rm. studio condo.Beautifully remodeled, oak floors, balcony.Ideal for single or investor. 667-4612 eves. Close to campus! Two bedroom apartment at54 4 Greenwood. Newly decorated.$450/month 75 security deposit. June lease. 241-7208Lge. sunny apt., 2000 sq. ft., 3 bdrm., 2 bth wbfpin liv. rm., sunpeh., dng. rm., mdrn. kit. avail.7/1/83. $700 4 sec. 861-1179 or 324-5116.Lovely Studio Condo 55th nr UC Univ Park poolAC 24 hr security rent avail June1 BEDROOM avail, in 20004 sq ft Apt. LR, DR,Sunporch overlooking Lake and Park.Spacious, elegant. On minibus route. Friendlyroommates. $170 incl. heat, utils, extra. Call643-0310or 962-8301 (Cliff, afternoons).SUMMER SUBLET 2 BEDRM 2 BATHSPACIOUS apartment modern secure building5530 South Shore Dr. Air conditioned newlyredecorated $725.00/month for appointmentplease call Ms Kerman 288-3706 or 664 6650SUMMER SUBLET Lge 2BDRM 2 BATH AptSafe Close to Campus 4 City Bus Rtes Laun¬dry Facil in Bldg $470/mo Util Incl WILLNEGOTIATE! Call 363 7265 Eves 4 WE5218-28 WoodlawnNear the U of C campus & shopping. One & twobdrm. apts. avail, for immed. occ. Rents startat $380. For an inspect, call 643-6428. ask forJohn or Parker-Holsman Co., 493-2525Summer sublet 2 bedroom includingdishwasher color TV 51st Blackstone 955-67251 bdrm available for summer, w/fall option, inattractive, plant-filled apt near grocery 4laundry. Non-smoking female pref. call 947-1856 days (10-5), 684-1388 eves.STUDIO APARTMENTS $250 Hild Realty 955-1200South Shore Coop For Sale 5 rooms 2 bdrmsFireplace dishwahr $30,000 eve 731-524156th 4 Harper Condo. 2 bdrms., Irge. kitch.,w/all mod. appl., Ivng. & din. rms. beautif.hdwd. firs., A/C, sunny bk. porch, wlking. distto UofC, 1C, & shops. $62,000. Ray 890-9390AVAILABLE NOW: 1 br in a 2 br coach house.Best location: 57th & Woodlawn! $242.50/mo.,heat incl. NOT A SUMMER SUBLET. Lisa:947 8420 Lawn, tulips, picket fence. Sunny &safe.SUMMER SUBLET w/fall option, 54th andHarper lrm in 2bdrm apt available June 12.Nonsmoker only, graduate woman preferredCALL Martha 684-1735. $220/mo.FOR SALE CONDO 54th & GREENWOOD.South Light in every room. At $52,000 it'scheaper than renting. 324-6183.SUMMER SUBLET: 1 RM in 2 BDRM APTFurn w/carpeted Ivg rm. Laundry fac. in bldg.10 min. walk to campus. Avail June 15 - Sept.$185/mo. 947-9379.57th AND KENWOOD: large beautiful 2-BRCONDO FOR SALE by owners, oak floors,woodbning frplc, mod kit & bath, bkyd, acrossfrom park, call 752-7147 eves. 962-8822 days.1 BR avail Sept 1. Nonsmoker. $l40/month plusheat/util. 947-8135 eves Keep trying.NORTHSIDE, sunny 1 bdrm, summer apt wdfloors Grt ktehn facilities, conven't toTranspot'n Easy Parking, Rent Negotiable,CALL 769-9245NOT JUST ANOTHER RENTAL! Haveprivate bdroom, studyroom 4 bthroom. Sharebg ktehn 4 garden w/grad. cple. VERY NICEprofessor's house $200. July December. Call643 5008 7-9pm 4 weekends.For Summer and Fall: bedroom & small studyfor $180 or larger bedroom for $195 in large 5 brapt at 55th & Kenwood. Must be willing to keepplace clean; older preferred Apt has 2 cats,late hours, calling 667-8948.SUMMER SUBLET w/fall option, 54th andEllis, lrm in 3bdrm apt. available June 15,$183/mo, CALL 684-1735.Furnished Room w/kitchen priv. 955-70831 BDRM SUBLET June Sept: 5400 Harper, 9thfl, clean, comfortable, lake breeze, near Coop,ICG, Jeffrey Ex. Nonsmokers. $230 Call Jerryafter 5pm 241 6677Summer Sublet, beautiful 3 bdrm. furn. laun¬dry $185 each. 55th & E His. 752-7460, 433 2632U-DON’THAVE-TO-HAULPROFESSIONALDELIVERY RIGHT TORESIDENCECall today to find out how to getprofessional moving services on small shipmentsfor less than do-it-yourself prices.Bekins Van Lines Agent279-3900BOERMAN MOVERSICC. MC 15410232—The Chicago Maroon—Friday, May 27, 1983Classified AdsIV2 YEAR SUBLET. 5545 S. Ingleside.Beautifully furnished one bedroom one blockfrom Reg. Easy parking/Heat/W/D. $277.Available 6/15. 947 8439 or 753-3860SUMMER HOUSE FOR RENT. Lakeside,Mich., IV2 hrs from Chi. Four br., IV2 bath,study, din. rm„ mod. kitch. screened porch, 2min. to beach. Avail. July 8-Aug 9 + Aug. 10-Sept. 11, $1500 per period plus util. 580-2046days, 752-5317eves., (616) 469 3281 wknds.Summer Sublet 57 + Drexel, clean, cheap 752-8358 1 bedroom in 4 bdr. apt.Sunny spacious 2BR 2Bath LR DR great EastHyde Park location Av 6/15 New lease 8/1 Ex¬tra Storage $575/mo (includes heat) Call 7524345WANTED: roommate to share 3 bdrm subletfor smr $150/mon 4 blks from Reg call 3-2249rm 3310 if no answer Iv. message.2 rms. available in sunny apt. for summer.GREAT LOCATIONS-56th & Kimbark. 3rdFloor in a charming 6-flat. Clean & Beautiful137 & 170 NEGOTIABLE call 753-2240 rm 1312or 1401.STUDIO SUBLET two blocks from campus.Fully furnished $200 mo utilities included 2884157SUMMER SUBLET: University Park studio,available - 6/1-8/31, fall option. $350 or best offer.241 6968.1bdrm in huge furn 3 bdrm apt safe bldg 5433Cornell near Coop buses 1C lake on UC bus rteJune and yearlong 288-0948 Debbie or John.5405 S. Woodlawn 2Rm 3Rm Apts, furnished643 2760 or 667-5746 Ms. Green.Non-smoker wanted to share Ig sunny 2 br apt,57 + Harper, avail 6/15, 212.50/mo, Call Doug947 8497 or 962-8401 morns, male gradstu pref.Avail now. 6 rms 2 bath large rooms nr UofCBus park lake reasonable inc. heat water AvailJune 15 fine 4 room nr UofC inc heat 288-07183 furn mod hskp rms prof home ac reas 667 1171Sublet w/opt to rent studio apt avail 7/1. TheVersailles. 241-7993, 947-0483SUMMER SUBLET—lbdrm in 4bdrm apt.$140/month with fall option. From 6/15 to 9/3054th and Woodlawn. Call Oliver 962 8422 or 493-4471lyr. lease. 2 WEEKS FREE RENT avail June15 275 inc. Util. Clean, Safe, Bus. Penny 643-0757BEAUTIFUL 2 BEDROOM 2 BATH coop.ESTATE SALE! well below market Mies Vander Roher promentory financing available newlevlor blinds rehabd kitchen move in perfectU.C. en. 21, Kennedy, Ryan, Monigal HildeZurne 667 6666 684-0151 SPACE WANTEDIf your apartment will be avail Aug/Sept/Octfor year PLEASE call Meg 493-6420 REWARDOFFERED!2-3 BEDRM in Hyde Park WANTED, startsoon UofC employed rent 300/400 please call:Peter 753-8682 leave message.WANTED: 1 BR for 83 84 starfing June or Sep.To$300/mo. Lv msg for Mindy at 493-2231.ROOM WANTED for young professionalwoman-rent $150-please call and leavemessage for Linda at 753 8682.UNIVERSITY CONDOS2 br for sale 54000 avail Sept 1 br for rent440/mo. for sale 38500 avail July 1 call Lin 324-7458CONDO FOR SALE56th & Kimbark, 2BDRM, Eat-in Kitchen, FullDr + Pantry, Safe, Sunny Court Yard BuildingPleasant Views, $66,000 Call 876-3512 Days.GREAT APT/SUBLET-4br, 2ba, 57 and Drexel, Sunny, Modern withWood floors, 145 + heaf-summer, 160 + heat-regular, NEG. 2 rms w/fall option. 753-2240#1006 or 1805SUMMER SUBLETLarge bedroom in completely renovated 2-bdrm apt. All new appliances, plumbing,carpeting, etc. Free central air. Completelyfurnished. 5200 Blkstone Call 955 6034 anytimeGREAT SUMMERSUBLET!3 BLOCKS FROM CAMPUS 58th + Kenwood2 grad roommates; kitchen; living room; largebedroom; storage. $175. 493-4913FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E 55th 493-6700.RUGS, each approx. 9'xl2' in good condition: 1gold, lblue/green shag, 1 brown(long-nap). $25each or make an offer. 363-6461 evenings.Extra GRADUATION TICKETS for sale. $Negotiable. Call Fred at 947-8910.Apartment Sale: Furniture, books, etc SatMay 28 11 am-5pm 5411 S Ellis apt 3E 241-7092OVERNIGHT PACK FOR SALELOWE I backpack (used once).Top of the line. Excellent condition. Innerframe. Converts for hand-carry. $125 (neg)call Jana 752 4872.Smith-Corona Electric Typewriter (with element) in excellent condition. Joanne 753-3516.CalendarFRIDAYConcrete Gothic Theatre: The Good Person of Set-zuan 8 p.m. 3rd FI. Reynolds Club Theatre. $2.50 &$3.00 at doorDOC: And Now for Something Completely Different7:15 & 9:30 p.m. Cobb $2Turkish Circle: Sevkiye Inalcik will give a lecture inTurkish. 12 noon kelly 413Hodgson Memorial Lecture: Dr. Speros Vryonis,UCLA, on ‘‘The Writing of Ottoman History: TheProblems of Scholarly Standards. Academic Free¬dom, Academic Responsibility' in Breasted Hall,the Oriental Institute. 4 p.m. Reception followsMicrobiology Dept.: Flossiw Wong-Staal, NationalCancer Institute, on “Human T Cell Leuke¬mia/Lymphoma Virus" 11:30 a.m. Abbott 101Geophysics Colloquia: Kenneth S. Gage, NOAA-Boulder Co., on “Recent Advances in DopplerRadar Probing of the Clear Atmosphere” 1:30 p.m.Hinds Aud.Art Dept.: Michael Meister, U. of Penn., on “Geom¬etry of the Hindu Temple" 2 p.m. CWAC 157MUSIC DEPT. YOUNG COMPOSERS CONCERT:8 p.m. Mandel Hall. Music by Marc Barachick, Rob¬ert Carl, Monore Couper, and Melinda Wagner.FreeMUSIC DEPT.: Lola Odiaga, harpsicord andforte-piano. Sonatas by Scarlatti and Papa Haydn. 8p.m. Goodspeed Recital Hall Free.I-House: An Evening Indian Music with Som Ma-jumdar, Sitar; Jagdish Pandit. Vocal; Ananda Ban-erjee, Tabla; 8 p.m. $3U.C. Asian Christian Fellowship: Meeting 7:30 p.mAugustana Lutheran Church, 55th + Woodlawn. Intervarsity Christian Fellowship: Meeting 7:30p.m. INH Library. Topic: Daniel 5Crossroads: Beg. & Int. English Classes 10 a m.SATURDAYConcrete Gothic Theatre: The Good Person of Set-zuan 8 p.m. 3rd FI. Reynolds Club Threatre $2.50 &$3.00.DOC: Veronika Voss 7:15 & 9:30 p.m. Cobb $2LSF: The Ruling Class 7 & 9:50 p.m. Law Sch. $2Music Dept. Brahams Anniversary (!): BrahamsSym. #4 and the German Requiem 8 p.m. Mandelhall Dontions $3 & $1 requested.Crossroads: Pot-Luck Dinner 6 p.m. Please bringsomething (!). Film: Orthodox Christianity: The Ru¬manian Solution 7:30 p.m. FREEArthur H. Compton: Mark J. Oreglia, “Cutting theElectric Bill” 11 a.m. Eck 133Minority Economic Benefit Dance, 9 p.m. 417 E. 47thSt. & King Drive.SUNDAYOriental Insitute Films: Anatolia: Crossroads of theAncient World 2 p.m. Breasted Hall FREERockefeller Chapel: Choir Sing-a-long 10 a.m. Infocall 753-3383DOC: The Spiders Stratagem 8 p.m. Cobb $2Interntional Folkdancing: General level; Teaching 8p.m.; Request Dancing 10 p.m. INHCAUSE: Hearts and Minds 7:30 INHT’ai Chi Classes: Led by Master Wu 3-5 p.m. INH Leitz HM-Lux 4 Objective Microscope W/case$1000, New Volkswagen AM/FM Stereo CarRadio $40, Couch $40, Chair $15, End Table $5APT SALE Beds, Bookcases, Dressers,Tables, Rugs, Lamps, TV. Sat, May 28. 5416Harper. 12-3.643 339510 speed bicycle-Lotus E xcelle Shimano 600E Xcompts. Almost brand new $200 or best offerPhone 363-3493 ask for Ted1974 CAPRI V6 automatic, snowtires, runsgjod, $995 or best offer, call 753-3526.FOR SALE : sm. “Antique" desk, $50, 7V2' lonycouch, $50, 30“ Pine butcher block table, $60; 2sm 30“ high metal shelves, $10; plus framesfnd exercise equipment. Call 288 4771TWIN BED $30 or offer. CARPET 6x10 brown'hick pile $45? 324-4336.MULTI FAMILY YARD SALE. Saturday May21, 10 am-2. Alley betw. 50th & Madison Pk. OffWdlawn or Dorchester. Collect., turn., clothes,toys, bikes, hshold misc.75 BUICK CENTURY 2 DR, automatic, powersteering, air, AM-FM 8 track stereo. 78,500mi.Good cond. $1200 or best offer-call 667-8293.Yard Sale Rochdale PI + Blackstone-N of 55thSat. 5/28 (r/29) 10-4 pm.TWIN BED w/frame $30 or best offer. 241-6231.FOR SALE: IBM Cor Sel II typewriter perf.cond. $450, also drapes/curt. rods, shelves atlow price call 643 6877 before 9am aft 10.30 pmFOR SALE : 2000 BTU portable air conditioner- $75, off-white queen size sleeper sofa-$290,queen size water bed $275. 241-6968Color TV, 5000 BTU Air Conditioner under warranty, Desk, rug, Lamp, etc., negotiable, 667-1363.Selling Bowie Tix. Main Floor Best Offer Call753-8342 #1127 or #724. OLD'S CUTLASS SUP'77Auto-trans, p.b., p.s., air-cond, am-fm stereoV8 excellent cond. $2400, call 363-5775.PEOPLE WANTEDPaid subjects needed for experiments onmemory, perception and language processing.Research conducted by students and faculty inthe Committee on Cognition and Communication, Department of Behavioral Sciences.Phone 962-8859. AfternoonsRIGHT HANDED SUBJECTS wanted forresearch on preception/brain functioning$3/hr.962 8846.FULL-TIME BABYSITTER WANTED to carefor one-year-old in our home. Start July 1st.Call evenings or weekends 752-0743.Student or students to take over NEW YORKTIMES campus route for fall term. Jobs dutiesinclude set up, selling and early-morningdelivery of the NEW YORK TIMES. For fulldetails, please call New York Times at 229-1650.One opening in ongoing women's therapy grpin early June '83. Ages 25-32. Screening inter¬view, N/C Mary Hallowitz MSW^CSW 947-0154SPARE TIME INCOME: Our products aredesired by many. Just place and collectquarters. For information send $1 to:Brightstar Ind. Inc. 2240 S.E Thompson, Corvallis, Or, 97333Two year analytic research position with amajor consulting firm available 9/1 to B.A. orB S. graudate with outstanding academicrecord, who seeks exposure to dynamicbusiness environment before pursuinggraduate management education. Stronganalytic capability and some exposure toeconomics, business, or statistics requiredSome computer capability desirable Sendresume to Manager of Analytic Services andResearch, Two First National Plaza, Suite2600, Chicago, II. 60603MOVING?RYDER RENTS TRUCKS15% OFFON LOCAL & ONE-WAY RENTALS• Local and one-way rates• Move with a friend• Minimum age requirement todrive — only 18 years old• Fast, easy ana dependable• One-Way & Local Moves• Good at either locationRyder Truck Rental, Inc.1050 W. Pershing RoadChicago523-5555 American AutoGlass7856 S. Stony Island768-7711The Chicago Maroon—Friday, May 27, 1983—33Classified AdsROOMMATE WANTED: 3-bdrm, 2bath at 5337Kimbark. Laundry, near Kimbark Plaza, ten¬nis. Call Ed at 363-5830 or Mark at 493-9502.ROOM/PARTIAL BOARD in exchange for"Being There" after school hrs for workingMom's 6th grader. Must be responsible andlike brash, witty, know it all type of kid. Startdate flexible. Require academic yr commit¬ment. Close to campus. Call eves: 955-8321.RECORDING FOR THE BLIND. Help read ormonitor books for blind students this summerin our cool, on-campus studio. All subjects.Volunteers needed especially for Midrash: inEnglish with some Hebrew. Also, biology,math, and soc. Training sessions begin soon.Call: 288-7077 M-F 10-5.Grad Student Work Study opening. Downtownlocation. Phone: 782-8967Female roommate wanted 56-t-Kimbark 6/83-6/84 $225/mo. 758-2233 S314 or 410 LeaveMessage.Person wanted to share cost of renting truckfor move to East coast (New York City area).If interested, please call Omar this weekend at924-2071.SERVICESJUDITH TYPES and has a memory. Phone955-4417.JAMES BONE, EDITOR-TYPIST, 363-0522.PROFESSIONAL TYPING, Reasonable 6846882.Passport photos while you wait. On campus.Other services available. 962-6263.DINNER PARTIES Prepared and Presentedin your home Mary Kenny Hanessian Catering493-7351Typing - fast, friendly, accurate. Specialty:resumes -I- late papers. P-up + del. 924 4449.PROFESSIONAL TYPING. Large or smalljobs. Competitive prices. 324-5943, 667-4285. FLOYD'S DECORATIVE SERVICEInterior & Exterior Very Neat & ProfessionalBest references Very Reasonable Over 20years In The Hyde Park Kenwood Area CALLFLOYD 221 5661General and legal typing services. Promptpick up and delivery. Contact Victoria Gordon752-1983.SUMMER PIANO LESSONS for children andadults from U of C music student. $13 per hour.Call BJ Russell 962-7628or 493-2970.TYPIST exp. Turabin PhD Masters thesisTerm papers Rough Drafts. 924-1152.MOVING & HAULING. Discount Prices.Free—Packing Service. Free—Estimates.Free—Packing boxes & crates delivered. N/C.Free—Padding & dollies. References. Call Bill493-9122.Professional indexing and abstracting servicesfor books. Journals, and manuscriptsReasonable rates. Please call Patricia OTuama 955-9166.CREATIVE CARPENTRY-Local work in¬cludes custom kitchen cabinets, generalremodelling, and the Phoenix Book Store. CallDavid Loehr, 684-2286.Excellent, accurate TYPIST with B A. willtype term papers, theses, resumes,manuscripts—whatever your typing needs.Quick, pick-up and delivery on campus.Reasonable—call Wanda 947-0456 after 5 p.m.SCENESPIZZA" every FRIDAY at the BLUEGARGOYLE. Full take out service available.5655 So. University. Open M-F 11:00AM2:00PM 1 blkeastof Regenstein.WANTEDWanted: 2TICKETS to 6/10 GRADUATION"Will pay S$. Call Mark: 933-1813 or 363-6700x511.ar/oZZe ''f'e/'dZ/'o/nZ$ea/ (foZaZe493-0666 • CALL ANYTIMEFirst Time Offered...57th & KenwoodPRICED LOW TO SELLQUICKLY$52,000five rooms—sunshiny brightin the front. Gorgeousgarden entry.RENT WITH OPTION TO BUY IN PRESTIGIOUS LAKEFRONT CO-OPExcellent building on high floor. Spacious, formal, five rooms.* Option fee required. Only those qulified to buy will be con¬sidered. Board approval. $45,000 purchase. Interim rental $650.TWO WEEKS ONLY$57,900Below appraisal. Goes to$59,900 after June 1. Lakefrontcondo-2 baths, 5 rooms, Tip-topshape. Owner leaving forBaltimore. Near 50th &Cornell. TICKETS for convocation Fri. 6/10. REWARD($) offered. Call Meg, 493-6420. Evenings best.to TRADE: GREAT seats for BOWIE!!!! needAug 1, have Aug 2. 643-0757 PENNY KEEPTRYING!!!!I will buy any admission tickets which you willnot be using for June 10 Graduate Convocation.Call Jeff 279 4898. ATTENTIONJUNE GRADS.^Are your parents alumni? Siblings? Aunts?Uncles? If so, we'd like to take yourphotograph (and theirs) for FAMILY ALBUM,on Graduation Day. Come in to the Universityof Chicago Magazine office at Robie House andsign up beforehand, so we can find you on thebig day.4 Tickets to 6/10 10:00am graduation ceremonyWilling To Pay For Them Call 253 5738RIDESPerson wanted to share driving of truck (std.shift) on June 30 and July 1 to Amherst, Mass,area. Call 684 3389 in evening.LOST AND FOUNDMale Irish Setter 962-1179 (Adoptable)PHOTOGRAPHY STUDIOPortraits, Weddings, and Special Events arenow being booked by Hyde Park's newest por¬trait studio. Call and speak with Ron Milewskiat The Better Image.1344 E. 55th St. 643 6262STEPTUTORING LATIN COURSESthrough CCTS at LSTC by appointment. CallFather Zbowski 324 2626 or CCTS 667 3500 x266LANGUAGE COURSESSUMMER SESSION 6 Weeks June 22-July 13,'83 through Chicago Cluster of TheologicalSchools at the Lutheran School of Theology of¬fers professional instruction by experiecedteachers and/or native speakers in FREN¬CH/GERMAN/LATIN. See below for specificsor call CCTS: 667-3500ext. 266.FRENCH COURSESthrough CCTS at LSTC. 6 weeks: June 13 to Ju¬ly 22. Advanced Reading: TTh 7:30 9:30; Fee:$110 Intermediate Conversation by arr. For in¬fo and reg. call Margery Schneider 947 8176 orCCTS 667-3500 ext 266Help a child feel bright and intelligent.Volunteer to tutor elementary and high schoolstudents, spring and/or summer qtr. contactMike (eve) at 241-6394 for more information.THE YEARBOOK IS HEREThe Yearbook is here and on sale around cam¬pus for a mere $15. Buy it in the SAO office(Rm. 210 Ida Noyes Hall: checksonly please.)ALERT FORCEYou lob a gas grenade as the armor car runsthrough the fence. There, ten yards away, is anuclear bomb. This is ALERT FORCE, asimulated terrorist attack on SAC airbase.How many planes can you destroy? Can youget the bomb? Or can you stop it? New fromClose Simulations: 112 cut counters, 12" x 14"map, 16 page illustrated rule book with 9scenarios, a zip lock bag, all in a handsomebox. $5 plus 50 postage (III. residents add 30ctax) to CLOSE SIMULATIONS P.O. Box 2247Dept. P, Northbrook, II. 60062Ugly DucklingRENT-A-CAR .1608 E. 53rd St. 667-2800(Between 1C Tracks & Cornell)IntroducesWEEKDAY SPECIALSMon-Thurs s10.95/Day50 total miles free!!WEEKEND SPECIALSFri-Sat*Sun M 7.50/Day200 total miles free!!Hyde Park’s Completely NewApartment ResidenceA Short Walk From The Lake And:Harper Ct. • University of ChicagoThe /. C. • RestaurantsIncludes• Master T. V. Antenna • New Ceramic Tile• Ind. Control Heat • New Appliances• Wall to Wall Carpeting • Night Doormen• Central Air Conditioning1 Bedrooms from $375 - 2 Bedrooms from $4755200 S. BLACKSTONE A VE.I BLOCK WEST OF HARPER COURTI Mon-Fri. 9-6 Sat. 12-6 684-8666-ASK ABOUT RISC. NO SECURITY DEPOSITr, GERMAN COURSESthrough CCTS at LSTC. 6 weeks: June 13 toJuly 22.INTENSIVE GERMAN: Section I Mo-Fr 9-11am, rm309 Section 2: Mo Th 5-7:30pm,rm309. Fee: $220 (60hrs)ADVANCED READING: T/TH 8 10pm, rm309. Fee $110CONVERSATIONAL GERMAN(intermediate): M/W 8-10 p.m.CONVERSATION FOR STUDENTS WITHREADING KNOWLEDGE to be arranged. Forinfo and reg. call instr. Gerlinde F. Miller(PhD) native speaker (363-1384) or CCTS 667-3500 ext 266ACHTUNG!TAKE APRIL WILSON'S POPULAR GERMAN COURSE AND HIGH PASS THE SUM¬MER LANGUAGE EXAM! Classes will meetM-F from June 20-July 22. Three sections: 10-12, 1-3 4- 6-8. For more information and toregister, call: 667-3038.— PERSONAL COMPUTERS—Sales, Education, Service,Computers, printers, modems and supplies.AUTHORIZED KAYPRO DEALERVALUE ADDED SYSTEMS1701 E. 53rd Street 752-7362TIME$AVERSThe Communication ProfessionalsDocument Preparation, Manuscripts,Theses, Term Papers,Word Processing & IBM Selectrics"Your Deadline Is Our Timetable"470-0231i HYDE PARK UNION CHURCH5600 S. Woodlawn Ave.Church School (all ages) 9:45 a.m.Worship Nursery Provided 11:00 a.m.W. Kenneth Williams, MinisterSusan Johnson, Baptist Campus MinisterCome, Worship, Study, Serve1342 E. 55th643-6262dg> THEBETTERIMAGE34—The Chicago Maroon—Friday, May 27, 1983NEEDANURSE'S AIDE?Experienced nurses' aide seeks part timeemployment assisting senior citizens with dai¬ly chores in their homes. Reasonable rate andvery willing to help. Call Joan at 241-7991PERSONALSDionysus I enjoy the winning and wooing. Mythread will always be available. MmwaaSM Anthro Valley Girl: Will the doctor con¬tinue multiple professional affairs?FLEMME FATALE plays Rock ' Roll music.PMB Efficiency, efficiency, and Love can gotogether. Max and The Generals.ROSEMARY ET DONNA le bachot ce n'estqu'un bachot! Bonne chance aujourd'hui!TalviMES CHERS AMIS RC AK JS UL DC JK it n'ya pas de hteatre sans acteurs MERCI Marie-JeanneLike all other dynasties past their prime,Chamberlin House still appear invincible. Butthe core is rotton, the facade of superiorityready to crumble under the slightest pressure,like a house of cards blown by the wind. Mayits memory rest in peace. Trust me.SITAR CONCERTwith Som Majumdar on Sitar, Jagdish Pandit-vocal, Ananda Banerjee-tabla. Who havetoured extensively in Europe, India and USA.An Evening of Indian Music as Ravi Shankar.Fri., May 27. Admission: $3.00 at door, freewith Festival of Nations ticket stub, I House,1414 E 59th St.HOTLINEfor information, refferrals, and someonewho'll listen, dial 753-1777 (7pm-7am)RUN FOR FUNHelp get Reunion '83 off to a running start.Registration 9am Stagg Field, Sat. 6/4 $2 BARBECUE!!plus more at the foodfest during the MemorialDay Celebration May 29th from one o'clock on!eat, drink, be VERY MERRY!COMMENCEMENT TIX?Extra tix for 6/11 commencemenf? Will paytop dollar. Call 643-0670or 753-2261 x340A.DANCE!PARTY!DANCE!at Hutch Ct, Sunday, May 29th from one oclockfeaturing: FLEMME FATALE, THEVISITORS, CLINIC, and METRO—all daylong!THE EDITORS GROUPEditing, research, consultation. Professionallytrained editors with editing, publishing,teaching experience. Manuscripts, dissertations, reports, etc. By the hour, by the project.Free estimates. Dan 288-2520 or Jeff 743 4214eves.SETUP BOOTHThose setting up borthes for Sunday should beat Hutch Ct by l2noon. Others interested canstill make reservations with Tim Wong at 753-8342 x712PUB MOVIESTues, May 31, 74-11. Old Times Night: DUCKSOUP 4- MY LITTLE CHICKADEE. Wed,June 1, 74-11: 2001 SPACE ODYSSEYMembers, 214-SHAPIRODUE DATEArt to Live with pictures are due Wed 6/8return them to Rm 210 Ida Noyes please. 50over due charge per day.RUNNING AWAYWITH YOURSELFBreak the monotony and dash to the ReunionRun - 9am Sat. June4 Stagg Field - $2 registration fee includes t-shirts.COME PARTY!!!at the Annual Memorial Day Celebration, Sunday May 29, Hutch Ct. FEATURING-FlemeFatale at one the Visitors at 2, Clinic at 4,Metro at 5:30 GAYMEN ANDWOMENHelp plan next year's GALA, or just socialize,at an informal Group meeting, Tuesday, May31, 5446 Kimbark, 9:00pm. Refreshments served.NEED ATYPIST?Excellent work. Reasonable Rates. Tel: 536-7167\DR. M. R. MASLOVOPTOMETRIST• EYE EXAMINATIONS• FASHION EYEWEAR• ALL TYPES OFCONTACT LENSES• CONTACT SUPPLIESTHE HYDE PARKSHOPPING CENTER1510 E. 55th363-6100 jt.PREPARE FORMCAT ★ SAT * LSAT ★ GMAT * GRE^INTRODUCTION TO LAW SCHOOLGRE PSYCH ★ GRE BIO ★ OCATVAT ★ MAT * SSAT ★ PSATDAT * ACHIEVEMENTS * ACTTOEFL * MSKP * NMB 1,11,111ECFMG * FLEX * VQE * RN BDSNDB 1, 11 * NPB 1 * ESLCPA ★ SPEED READING 44(11 .Flexible P'ograrViatf Ary C#nt«f And See ror VourMlfWhy We Make The DifferenceSpeed Raadmg Couiae Feature*Free Demo ie«aorCan For Day* i T,m#* 1 Stanley HKAPLANEDUCATIONALCENTERARLINGTON HEIGHTS CENTER2025 S ARLINGTON HEIGHTS ROADARLINGTON HEIGHTS, IL *0005(312) 437-6650CHICAGO CENTER8216 N CLARK STCHICAGO, IL 60660(312) 764-5151 HIGHLANO PARK CENTER474 CENTRAL AVENUEHIGHLAND PARK IL 60035(312) 433-7410LAGRANGE CENTER19 S LAGRANGELAGRANGE IL 60525(312) 352-5840SPRING, SUMMER, FALL, INTENSIVEClasses StartingTHIS MONTH | NEXT MONTH4WK7GMAT/LSATSPEED READING SUMMER GMAT/SAT.SUMMER ACT/MCAT...SPEED READINGCourses Consientty UpdatedOu**de kiv State CWy CALL TOLL FR€6 800 223 1782Carter* >r M«K>r US C»t»* Pvedc R<c eryj Toronto Cared# Classified AdsPOT-LUCK AND FILMAt Crossroads 5621 S. Blackstone. Pot-LuckDinner. Bring a dish to serve 4 6 people 6:00pm. Film: "Orthodox Christianity: The Ruma¬nian Solution"-7:30 p.m.EATTOTHE BEAT!food and music at Memorial Day Celebrationon Hutch Ct, Sunday May 29thINDIAN MUSICInternationally acclaimed pertormers ofGharana (a school of Indian music), Som Majumdar, sitar, Jagdish Pandit, vocal, AnadaBanerjee, tabla will present an Evening of In¬dian Music on Fri. May 27 at 8 p.m. Admission:$3.00 at door, free with Festival of Nationsstub. I House, 1414 E. 59th St.WANTED: CHILDRENPHOENIX SCHOOL in Hyde Park has fallopenings for independent, sociable children,age 5-10. PHOENIX is a parent cooperativeschool that stresses academic skills and encourages intellectual curiosity. 2 teachers pro¬vide individually paced instruction to a totalenrollment of 15 children. Call 493-8207, even¬ings.KAYPROREDUCTUSLook at the KAYPRO now!New low price of $1595 makes the best in per¬sonal computers even better. Call RenePomerleau at 752 7362 or come in.VALUE ADDED SYSTEMS. 1701 E 53rdAft's & eves's Tues thru Fri & all day SatRLRTO LARRYGood job! Your minions will miss you. Adios!PUB MOVIESTues, May 31, 74-11. Old Time Night: DUCKSOUP 4- MY LITTLE CHICKADEE. Wed,June 1, 74-11: 2001 SPACE ODYSSEY.Members, 214-.PROGRAMMER/ANALYSTADMINISTRATIVESYSTEMS GROUPTHE UNIVERSITY OFCHICAGOBA/BS with solid communication skillsand computer porgramming backgroundon DEC-20 and IBM mainframes requiredfor this position reporting to the Director ofAdministrative Systems Planning of theUniversity.You will be responsible for the continu¬ing work this office does in the construc¬tion of decision systems for the Univer¬sity's administration. This will involveunderstanding complex functional needsand integrating them into a logicalschema: the schema will often introducenew organizational and administrativeconcepts and conventions. Functionalneeds are educed through frequent in¬teraction with administrators and otherkey expert sources of information. In addi¬tion, you will assist in performing keydatabase administration functions for theUniversityYou will be expected to assume theresponsibility for the completion of pro¬jects. The successful candidate must beable to recognize and assign priorities tothe steps necessary to complete a projectand to make choices concerning the im¬plementation of a project and to makechoices concerning the implementation ofa project under time constraints.Familiarity with database (1022, Model204, or other), modeling (IFPS or other),graphics, and statistics software is highlydesirable.We offer a salary that is negotiable andbased on your level of experience Pleasesend your letter of application andresume, in confidence, to:Mr. Thomas Reepmeyer, DirectorAdministrative Systems PlanningThe University of Chicago5801 Ellis AvenueChicago, II 60637962-8824 Canon0^9PROGRAMMED AUTOMATIONAUTOMATIC FILM TRANSPORT•Programmedautomation,• Automatic filmloading•Optional CanonSpeedlite 244T •Uses more than 50Canon FD•Includes CanonUSA Inc ,one-year limitedwarranty/registration cardwith50mmf. 1.8MINOLTAXG1A classic of 35 mm ‘Sculptured ergonomicsimplicity body• Aperture-priority Minolta USA 2-yearautomation plus full Limited WArrantymanual control includedNIKON FM2with 50 mm/f. 1.8Nikon Lens•Total manual control• Flash-sync speed of1/200 sec helps eliminate ghostimages• Interchanging forcusmg screens• Full information viewfinder•Energy Saving on/off meterswitchNIKONWe take the world 'sgreatest picturesmodel camera 11342 E. 55th493-6700The Chicago Maroon—Friday, May 27, 1983— 35;r ■- '■■rtlSjaKfUSSSraW mm ■ ■ ■ 1- ^' #*•**•*:->m£.Wr*t i’