InterviewPalestinian lawyeron the West Bankpage seven —The Chicago MaroonVolume 92, No. 48 The University of Chicago ©Copyright 1983 The Chicago Maroon Friday, April 22, 1983Walsh, FAVOR take 3 SG exec postsBy Jeff TaylorIn a series of hotly contested Stu¬dent Government races, candi¬dates from the STAR (Striving ToAchieve Reform) and FAVOR(Favor an Active Voice and Organ¬ized Representation) parties splitthe five executive positions afterstudent polling Tuesday andWednesday.FAVOR candidates Joe Walsh,Tim Wong and Christina Gomezwon their respective bids for presi¬dent, vice-president and treasurer,and STAR candidates Chris Hilland Rick Szesny took the offices ofsecretary and finance chair. Walsh, current SG vice-presi¬dent, beat his opponent for the SGpresidency Steve Levitan 667 to 475in the most decisive of the execu¬tive races. Walsh, a third-year po¬litical science major, has served asShoreland representative, chair¬man of the student services com¬mittee, coordinator of the AAUSconference, member of the Presi¬dent’s advisory committee andmember of the Dean’s student ad¬visory committee.Wong, also a third-year student,won his race by some 127 votes, de¬feating STAR candidate MarkHollmann and independent Mi¬ chael Aronson. Wong received 518votes, Hollmann 391 and Aronson200.In the closest of the executiveelections, Hill edged FAVOR can¬didate Joan Spoerl by 23 votes towin the race for SG secretary. Thefinal count was Hill 534, Spoerl511.Candidate for SG treasurerGomez topped opponents LeslieBasel of the STAR party and inde¬pendent Alan Sierkowski. Gomezreceived 472 votes, Basel 429 andSierkowski 165.In the race for finance chair,STAR candidate Szesny won aHandicapped SSA grad protestsBy Kevin RovensNoon demonstrations are themost visible part of a year-longstruggle to gain accessibility forthe handicapped to the educationalprogram of the School of Social much prefer the elevator. The fac¬ulty and the students would muchprefer the elevator.”He added, though, that SSA ad¬ministrators do not have the au¬thority, to make spending deci¬Demonstrators picket inJeff Ellis pictured at left.Service Administration, 969 E. 60thStreet.Jeff Ellis, a handicapped studentrestricted to a motorized wheel¬chair, entered the SSA graduateprogram last fall with the under¬standing that the program wouldbe made accessible to him. Withinweeks of his arrival, he was “ou¬traged” at the “apparent insensiti¬vity or ignorance on the part of theUniversity about the needs ofhandicapped students.”Ellis and student supportersformed the Ad Hoc Committee onHandicapped Access to demandthe installation of an elevator atSSA. The University has respondedwith varius modifications and iscurrently constructing a chair-liftin place of an elevator.The controversy continues, how¬ever, with Student Committeemembers saying the lift is inade¬quate and charging William Can¬non, U of C vice-president of busi¬ness and finance, of vetoing theproposed elevator on financial con¬siderations. The Ad Hoc Commit¬tee has planned further publicpressure directed at the adminis¬tration including a possible law¬suit.The students’ demands do notface unified administration opposi¬tion. Phillip Hovda, dean of stu¬dents of SSA, said “The studentsaren’t out in left field. I wouldfront of Administration Building.sions based on budgetaryconstraints. “Cannon did, and hemade it,” he said.In addition, administrators feelthat if the University had beenmore prompt in its response toEllis’ needs, the controversy mighthave been minimized. MargaretFallers, assistant provost of theUniversity and affirmative actionofficer, said, “It was very unfortu¬nate that schedules got behind. Ourprogram (to modify the building)was not ready when Jeff ar¬rived.”Hovda was more blunt saying,“As the timeframe unfolded, it hadtaken a feeling of reluctant accom¬modation by the University whenin fact we didn’t feel reluctant atall.” The perception of reluctancewas echoed by a student commit¬tee member who said “The Univer¬sity’s response has been cosmetic,a good faith effort.”Currently, the University andsupporters of Ellis disagree overthe issues whether an elevator isnecessary or whether the lift underconstruction is sufficient to makethe SSA program accessible. Bothsides agree that the decision tobuild the lift balanced efficiencyand dollars, but their evaluationsdiffer.According to the UniversityPhysical Planning Office, the ele¬vator would cost $100,000 whereas the lift would cost $30,000. The stu¬dent Committee contends that thelift, if completed, would still leavefive classes on the west side of thebuilding, basement-level com¬puter/research and audiovisual fa¬cilities, and all faculty and deans’offices inaccessible to Ellis.According to Hovda, the Univer¬sity has probably made the pro¬gram accessible in the narrowlegal sense. He said the adminis¬tration has an adequate legal staffand had their advice available dur¬ing the planning of modifications,but he added, “I still prefer the ele¬vator.”Both students and administra¬tors agree that Vice-PresidentCannon has the final decision-mak¬ing power on the issue. Of a meet¬ing he had with Cannon, Ellis said,“He stated, ‘Well it costs a lot ofmoney to install an elevator.’ ”However, Ellis also said that atthis meeting Feb. 14, Cannon de¬nied personal respomnsibility forthe decision to build a lift, saying,“You’re talking to the wrong guy.It was a committee decision.”continued on page 21 tight race with his nearest oppo¬nent Jon Radke, the FAVOR can¬didate. Szesny got 400 votes andRadke, 377. Independents Jeff Wolfand Lawrence Heller received 271and 99 votes respectively.Six candidates were elected tothe Student-Faculty-Administra¬tion (SFA) Court by widely vary¬ing totals of votes. Ingrid Bunts-chuh received 722, KathrynKleiman 711, Rita Walter 674,Geoffrey Dunaway 661, Dan Mon-tieth 613 and Lily Li 35. There wereabout 300 different names writtenin for SFA Court.Graduate SG representativeswere elected for all four divisions,as well as the Business, Law, Medi¬cal, Divinity, Public Policy, SocialService Administration (SSA) andLibrary Science Schools.Elected to occupy two spots forthe Biological Sciences GraduateDivision were William McDadeand Tom McGarry. In the PhysicalScience Division Lee Brekke,Stuart Field and Phil Norton tiedfor two spots with one vote each.The Humanities Graduate Divi¬sion, which holds three seats, willbe represented by Anna Leider,Jim Kettelar and either JosephAnthony Dimuro or Dan Gilmanwho tied with two votes each. Allties will be decided in the SG asse¬mbly.James Foster Reding will oc¬cupy the Library Science School’sone seat. There were no candidatesfor Divinity School representative,so the two seats will be vacant.The three Law School represen¬tatives will be Vincent Hillery, BillEngels and David Lefevre, and thethree Medical School seats will befilled by Fred Jacobsen, Nick Klet-tie and Martin Zenni.The Social Science Graduate Di¬vision has six seats in SG. Theywill be filled by Paul Harvell,Oggie Kim, Karen Alston, Craig Romaine and two of three tied can¬didates. Rizo Berto Bastidas, Vi-cuetez Fernandez and EduardoRuCinski all received two votes.Six candidates tied for a singlePublic Policy School SG seat, eachwith just one vote. They are FredCrawford, Bill Ledbetter, JimMorgan, Ann Richard, Jeff Sand¬ers and Susan Tibbetts.Joe WalshThe SSA School has two spots in^he SG assembly. Three candi¬dates tied for the spots, again witha single vote apiece. They are AnnLee, Tom DeMartin and LeslieSeymour.Undergraduate SG representa¬tives were elected for all studentdormitories and fraternitiesThere are also seats in SG for stu¬dents living off-campus and com¬muters.Blackstone, Breckinridge andGreenwood Halls, grouped to¬gether for election purposes heldtwo SG seats collectively. The votein this race was extremely close,and election official Larry Ozerananticipates a possible recount. Thewinning candidates, Karvn Corsoand William Hanrahan. received44 and 42 votes respectively. Theiropponents Peter Osterlund andDarek Buzasi got 41 and 39 votes.continued on page 20Local pols eye vacant House seatBy Cliff GrammichThe campaign for the 1st Con¬gressional seat, to be vacated byMayor-elect Harold Washington,began Tuesday as political com¬mentator Lu Palmer announcedhis candidacy for the post.The field may grow Sunday whenState Rep. Larry Bullock holds apress conference to discuss therace, but the field will not includeState Sen. Richard Newhouse, whoannounced Tuesday that he will notrun for the post.Palmer 61, has long been activein local politics. He helped orga¬nize the black boycott of last sum¬mer’s ChicagoFest, and he was in-strumental in the voterregistration drive which many con¬sidered crucial to Washington’svictory. While Washington hasmade no endorsement in the cam¬paign as of yet, Palmer intends tostay in the race no matter whoWashington endorses.Bullock, whom many havenamed as a possible contender for the post, said Thursday he will an¬nounce his decision Sunday morn¬ing at the Bismarck Hotel. Bullockmay not be able to get a Washing¬ton endorsement since he support¬ed Mayor Jane Byrne over Wash¬ington in the Democratic mayoralprimary.Newhouse, whom many consi-Richard Newhouse dered a strong contender for theseat, withdrew for the sake ofDemocratic Party unity. Ne¬whouse is the state senator fromthe 13th District, which includesHyde Park. He has held that postsince 1966. In 1975, Newhouse ranin the Democratic mayor primary,finishing third behind Richard J.Daley and William Singer. Ne¬whouse was an early supporter ofWashington’s mayoral bid.No date has been set for the ex¬pected special election. The posi¬tion will be open when Washingtonassumes the mayor’s office and re¬signs his Congressional post. Gov¬ernor James Thompson will thenset the date of the election, expect¬ed to be in August Party primarieswill be held 35 days before the dateof the general election.Washington is expected to be in¬augurated on April 29. He is free tobegin his term at any time afterthe certification of the results fromthe municipal general elections,which was Tuesday.Informational MeetingsAboutTHE HUMANBIOLOGY MAJORA New Offering in the Bio SciCollegiate Divisionwill be held onTuesday, April 19,1:00 - 2:30 Harper 284Wednesday, April 27,4:00 - 5:30 Harper 284The new Human Biology concentration in the Collegeis designed for students with a wide range of interestsand a particular interest in the biology of human be¬ings. This undergraduate program will focus on thedevelopment and function of the human organism, aswell as the nature of the interactions between in¬dividuals and their social and cultural environments.All students intrigued by this subject mat¬ter-regardless of their field of interest—are en¬couraged to attend.Applications AvailableBeginning April 20 inHarper 587, East Tower MORRY'S DELILocated inTHE"C"SHOP1131 E. 57th St. • Reynolds ClubNOW OPEN 'TIL 10 PMMorry's - The Better Alternative for Dinner tonite MORRY'S DELILocated inTHE "C"SHOP1131 E. 57th St. • Reynolds ClubNOW OPEN'TIL 10 PMMorry's - The Better Alternative for Dinner Tonite— —rrr==*Jtlaple UTree 3)nnEVER FEEL LIKEA SARDINE?Ever feel like dancing but have never liked the traditional campus "Hot Spots"? Well now you don'thave to brave crowds or feel like a sardine for an inch and a half of dancing space. If you like todance but dislike the usual crowds and commotion why not tryLOW COMMOTION DANCEHeld in the scenic theatre of Ida Noyes Hall, this will allow you to enjoy dancing with room and air tospare. Come try it out. You've got nothing to lose 'cause it's FREE! So if you're frustrated with the cur¬rent social options students have but enjoy great music and love to dance, SWITCH ON TO LOWCOMMOTIONThis Week Featuring:MIKE CONTE & REDLIGHT PRODUCTIONSATURDAY• APRIL 23*10:00 PM-1:00IDA NOYES THEATREREFRESHMENTS PROVIDEDA Project of The Student Government Activities CommitteeFunded by SGFC2—The Chicago Maroon—Friday, April 22, 1983News in briefQuantrell Awardnominations dueEach year the College recommends sever¬al outstanding teachers for the QuantrellAward for Excellence in Undergraduateteaching. The Award includes a certificatethat is presented during Spring convocationand a substantial cash stipend.Students wishing to recommend teachersshould submit letters of recommendation toDonald N. Levine at the Office of the Dean,Harper 247.Letters of Recommendation play a crucialrole in bringing outstanding teachers to thefaculty committee’s attention, and will beconsidered by the committee for final no¬minations to the President. The deadline forthe recommendations is Apr. 28.English prof visitsThis Friday at 4 p.m. in QuantrellAuditorium, Hugh Kenner, professor ofEnglish at Johns Hopkins, will speak on“The Making of the Modernist Canon.” Ken¬ner’s books include The Pound Era, TheStoic Comedians, The Counterfeiters, andstudies of Wyndham Lewis, Joyce, andBeckett. The lecture is sponsored by theChicago Review with the support of the Il¬linois Arts Council. The public is invited toattend.Rallies Sunday forlaboratory animalsOn Sunday, thousands of people will par¬ticipate in World Day for Laboratory An¬imals to express their concern for theplight of laboratory animals. Fifteen ral¬lies are scheduled all over the world at in¬stitutions known as Primate Centers whichconduct research on non-human primatesas well as other animals.Several Primate Centers in the US havebeen criticized for unduly harsh experi¬marian realty,inc.IBREALTORStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 S. Cornell684-5400 ments. The purposes of these rallies are toexpress concern for laboratory animals, toencourage better treatment of these ani¬mals and to raise the public consciousnesson this issue.The rally in the Midwest will be held inMadison, Wisconsin. The U of C AnimalWelfare Group has arranged bus transpor¬tation to and from Madison. For further in¬formation regarding the Madison rally,call the U of C Animal Welfare Group at962-8921 or 324-3343.B-schooler wins on“Wheel of Fortune”By Terri RuderIt really is possible to combine businessand pleasure, says first-year businessschool student Howard Albert. DuringSpring break Albert appeared on NBC’s“Wheel of Fortune” game show and nettedover $28,000 in prizes after only one day’swork.” Among his winnings were a 17-footspeed boat, a trip-for-two to Tahiti, a $2900gift certificate from Cartier’s (he didn’t likethe emerald ring), a microwave oven,stereo, color TV, furniture, and some ster¬ling silver. Albert is already designing alter¬nate tax-strategies for maximal retention ofhis earnings. “If I donate the china to an or¬phanage, I can take a deduction for the fullretail value,” he said.The experience wasn’t a bit stressful.“It’s a piece of cake,” he said on the show.Albert has several tips for would-be contes¬tants. First, “you have to make it throughthe try-outs.” A written exam is given (“Icheated,” he admitted), and then a personalinterview. “The key is, be animated anddon’t act too bright.’ Once you pass inspec¬tion, you must return with three changes ofclothing, and begin practice. After endlesstrial rounds, Albert was ready. By spinninga roulette wheel and solving word-puzzles,he almost became the show’s all-time topwinner. But on the last program, he lost thebrnus prize (it would have been his secondspeed-boat).I enjoy my contactLenses made byDr. Kurt RosenbaumOptometristKimbark Plaza1200 E. 53rd St.493-8372ALL REMAINING BOOKS - 50% DISCOUNTSaturday, April 23Sunday, April 24Noon to 6 pinSTAVER, BOOKSELLERS1301 East 57th Street The programs were aired this week. Al¬bert and his fans watched in Cox lounge atthe B-school, where he hosted three cham¬pagne receptions in celebration. Whenpressed about future plans, Albert said onlythat “my fans can see me in the GSB-folliesnext month in Mandel Hall.” No televisionperformances are in the offing. His only re¬gret? “Well, I’m sorry that I ‘missed theboat’ on my last show. But other than that, Ihad a great time.”Robert G. SchloerbTrustee appointedRobert G. Schloerb was elected to the Uni¬versity Board of Trustees at the board’smeeting Apr. 16.Schloerb graduated in 1950 from the LawSchool, where he was editor of the Law Re¬view. He is a senior partner in the Chicagofirm of Peterson, Ross, Schloerb & Seidel,specializing in the international aspects ofits practice.He is a member of several professional as¬sociations, including the Society of TrialLawyers and the International Associationof Insurance Counsels. Schloerb is also an active member and former trustee of theHyde Park Union Church and a trustee ofthe Baptist Theological Union.He is also a former trustee of the HydePark YMCA and the Chicago Child Care So¬ciety, and a member of the visiting commit¬tee to the Divinity School. He and his wifehave been closely involved with the Univer¬sity’s Oriental Institute. Their three sonsare graduates of the University HighSchool.Alumni sharecareer insightsOn Tuesday at noon, the Office of CareerCounseling and Placement will be holdingthe last workshop in the series, “What Can IDo with a Major in ...?” three U of C alumnicareer insights relating to their undergradu¬ate majors.The participants are, EvangelineMcCarthy (Economics, ’78), a stockbrokerfor Merrill Lynch; Vernon Martin (Geogra¬phy, ’78), a food program specialist forUSDA; and Keith F. Levine, (SocialSciences. ’76), a publishing manager for theInstitute of Real Estate Management of theNational Association of Realtors.Isenberg diesMeyer Isenberg, professor emeritus of hu¬manities in the College, died April 9 at Mi¬chael Reese Hospital.Isenberg (AB ’35, PhD ’40) was a scholarof Greek literature and philosophy andtaught at the University from 1945 to 1976.He won the Quantrell Award for Excellencein Undergraduate Teaching in 1961. Isen¬berg was also chairman of the Basic Pro¬gram of Liberal Education for Adults from1962 to 1963, and acting dean of undergradu¬ate students from 1967 to 1968.He is survived by his wife Fay, two daugh¬ters and a son. A private family memorialservice was held April 12. A book fund isbeing established in his honor at Regen-stein.HELP US MOVE!!WE ARE MOVING OUR STORE TO A NEW MODERNLOCATION IN THE HYDE PARK BANK BLDG.QUANTITIES LIMITED • NO LAYAWAYS • NO RAINCHECKSBeseler23C11Famous Make80-200Zoom LensFor -• Canon• Nikon• Pentax• Minolta Hundredsoff Items Reduced30% - 40% - 50%Kodak - Canon - NikonPentax - Ilford - FujiMinolta - Beseler - B & HtSsMSf min©ltax.7*«Assort. Focal Lengths | ^ Programf/2.0 LensKodak - IlfordBlack-White - ColorPhotographic Paperft 30% o« Kodak — BeselerUnicolorColor ProcessingChemicalsUp To 30% GadgetBags¥op 50% offFilm Sale!!Save 25%Kodak Buy 3 RoilsFuji Get 4th RollFreeExcept Instant FilmFamous Make8M/M SoundProjectorFrom $1 799SPhoto UpBooks To Of! Filters -pTo 50%Off Disney _ j.Sound KmMovies U V %Off....... 1 519 E. 53rdCAMERA Chicago, ILSTORES 752-3030INCHRS - MON.-SAT. 9 am - 6 pmThe Chicago Maroon—Friday, April 22 1983—3LettersTaiwanese followed?Last Monday in Pick Hall, Frederick F.Chien, a representative from Taiwan for theCoordination Council for North Americanaffairs, spoke about relations betweenTaiwan and the United States. His appear¬ance as the keynote speaker was part of aseries of exhibitions and seminars spon¬sored by the “Grand Alliance for ChinaReunification of the Midwest.”Neither the Maroon nor the UniversityChronicle received information about theseevents. The only public information camefrom a two-page announcement, written inboth English and Chinese. This lack of pub¬licity might seem like nothing more thanpoor planning, except most if not allTaiwanese students on campus got copies.In addition, Chien’s last appearance wasonly advertized in Chinese on the lastpage.Chien’s presentation reviewed the historyof US-Taiwan relations and emphasized agrowing need for US military equipment. Healso mentioned the benefits of exchange inother areas, such as education. He left nodoubt that high-level training of Taiwanesestudents in the US had benefited hiscountry greatly. One related issue which hedid not discuss was the experience aboutwhich many Taiwanese students here com¬plain, namely a continuing surveillanceoperation to monitor special political viewsand associations.Because these students fear reprisals (forthemselves or family members at home) ifthey openly criticize their government, noneof them introduced the subject at Chien’stalk. Rather, they chose to respond anony¬mously as follows:Dear Mr. Chien:As a group of students from Taiwan, weare glad to have the opportunity to see youon this campus at The University of Chica¬go. While you are enjoying your visit to thishigh learning institution, we must call yourattention to a common concern amongmany students here from Taiwan: the factthat we are constantly afraid of beingwatched or “spied" on by some fellow stu¬dents from home. This great fear of being^IL0^0PHlCA^NN/E>T,6ATlO£iSUE NAME To CPT FOR FREEING OURNUCLEAR MULES BEFORE ARMA¬GEDDON H iIRON US- All ARMSRACES LEAL To NAR% HE ME StPeace-ue need Disarmament\ YOU RE SCREhIED! THE\ HAY To PEACE >SRQNNY PE ARAM'S ABM You'YE SoT TO BE KlDDlHG1That star haps aBm plan iscrap The FORCE IS HOT H/TH THEPresident. if here eyea mug To6ET stability it's 601N 6 To BEThrough freezing our Missiles.\TEAH HE'LL STOP OEM. OY/NC OUR3ohts ard urn They bo theSAhe uiTH Theirs? HE ‘RE Talk-IMG ABOUT THE PUSS!AMS! HECAM'T TRUST THEMA PEASANT LUNCHFrench Onion Soup AuGratin served with Cheddarand Swiss Cheese andCrisp, Fresh Apple Wedges.French Bread from ourmorning oven—and a glassof house wine of yourchoice.$3.9553^StA%^)667-2000 under surveillance prohibits many from ex¬pressing their opinions and concerns freely,attending meetings and social gatheringsfreely, using library materials freely, andeven making friends freely.A noted case recently was of a studentenrolled in the International Relations pro¬gram three years ago. After the fact that heis actually a graduate from the MilitaryAcademy of Political Warfare in Taiwanwas accidentally revealed, his conduct ofpurposedly covering up his history andother activities disturbed this communitygreatly. In the shadow of the imprisonmentof Rita Yeh, a returned student from theUniversity of Minnesota to Taiwan, the un¬easiness stemming from the presence of theabove-mentioned student was further ag¬gravated by the tragic death of ProfessorWen-Cheng Chen of Camegie-Mellon Uni¬versity during his home visit in July, 1981.Although that particular student left thiscampus last summer, suspicions of the exis¬tence of his anonymous peers propagateamong fellow students from Taiwan. Andthe fear prevails.Freedom of speech, freedom of opinionand freedom of knowledge are the time-hon¬ored constitutional rights in this country,and are also guaranteed in principle by thegovernment for which you are representing.Since you were a student in this countrymany years ago as we are now, we believethat you share with us the understandingthat the full exercise of these human rightsis an integral part of the higher education topromote the advancement of civilization.University campuses must be places wereacademic freedom and civil rights are as¬sured without fear of reprisal. Also as youhave pointed out in a recent speech deliv¬ered at Yale University, the returned over¬seas students, especially those from thiscountry, had made important contributionsto the reformation and modernization of ourhomeland in many respects. The fear of re¬prisal upon our activities here in the UnitedStates, when we return to our country, willhinder this continuous influx. Anyone whocares for our motherland, and we firmly be¬lieve that you are one of. us, would certainlynot want to see his happen.Consequently, we ask you to do the follow¬ing:That's TuST THE ATTITUDEThat's going To Blow ur TheRlahet I'm tilling You TheSOVIETS ARE Just AS SERIOUSASour Freezing as he ARE\ oh Sure They are!\ Just look at All The\ Slave laborers that\ they let freeze in\ Siberia JIM JOZEFOWICZI'D LIRE TO &E FOR THISfreezing missiles stuffBut I Don’t See hohit can BE Done. XMEAN ReALlY, LIRE WHEREARE THE AMERICANS ANDRussians Coins To setRefrigerators That areBig enough To Do The JoB. 1) To address openly to the studentsfrom Taiwan in this country, thatthe “spy activities” must bestopped: that the alleged supportof these surveillance activitiesfrom the government in Taiwanshall be discouraged; that all stu¬dents can be assured to be free offear to exercise their rights.2) As Congressman Leach has sug¬gested to the U.S. Government toset up a hotline for foreign studentsto report spy activities after Pro¬fessor Chen’s death, we hope thatyou will take initiative to establisha similar hotline service directlyfrom your office to help minimiz¬ing the fear among students fromTaiwan.Your attention on this matter is appreciat¬ed.Sincerely yours,A group of students from Taiwanat The University of ChicagoSG election protestTo the editor:I am writing this letter to protest the re¬cent Student Government elections. The lastdate to nominate someone for one of nextyear’s offices was not well publicized—thisis an example of unfair election procedures.It would be naive to think that it was so¬meone’s purposeful attempt to limitnominations, but I can’t help feeling thatthere is a tacit agreement among our stu¬dent leaders to keep others from joining SG.SG cannot be promoting the interests ofthe student populace, as it should be doing,unless it be in our interest to be governed bya self-serving oligarchy. How can SG hopeto fulfill the aims of its Constitution when itcannot secure fair elections?If SG cannot responsibly undertake anelection then maybe it’s time to have aseparate organization which will oversee SGelections. We could even pay people to jointhis new organization to ensure that itsmembers would work. Money for such anorganization could be channelled from SG.If SG really wants fair elections in the futurethen they ought to pay, or somehow infusesome of their members with a zeal thatwould rile the efficiency which money often¬times creates.Mark KatzThird year in CollegeArmchair observerTo the editor,I went to the election-night headquartersof Washington and Epton as a photographer.So, while my fried, a reporter for the Haa-vud’ Crimson, was gathering details, I wasgathering impressions.We went to Epton headquarters first,since it was easy to reach. Both of us wereexpecting and looking for scowling racists.The Chicago MaroonThe Chicago Maroon is the official student newspaper of the University of Chicago. Itis published twice a week, on Tuesdays and Fridays. Editorial and business officesare located on the 3rd floor of Ida Noyes, 1212 E. 59th St., Chicago, 60637. Phone753-3263.Darrell WuDunn Margo Hablutzel Nadine McGann Wally DabrowskiEditor Features Editor Grey City Journal Editor Production ManagerAnna FeldmanManaging EditorJeffrey TaylorNews Editor David BrooksViewpoints EditorFrank LubySports Editor Paul O’DonnellChicago Literary ReviewEditorWilliam RauchContributing Editor Steve BrittBusiness ManagerJay McKenzieAdvertising ManagerCliff Grammich Ara Jelalian Steve Shandor Brian CloseNews Editor Photography Editor Copy Editor Office ManagerAssociate Editor: Kahane CornStaff: Edward Achuck, Zlatko Batistich, Mark Bauer, Dan Breslau, Pumima Dubey,Maeve Dwyer, Tom Elden, Michael Elliott, Pat Finegan, Paul Flood, Sue Fortunato!Lisa Frusztajer, Caren Gauvreau, Eric Goodheart, Elisse Gottlieb, Joe Holtz, KeithHorvath, Jim Jozefowicz, Sondra Krueger, Linda Lee, Kathleen Lindenberger, JaneLook, Nick Lynn, Jack Ponomarev, Amy Richmond, Craig Rosenbaum, YousufSayeed, Koyin Shih, Suzanne Sloan, Nick Varsam, John Vispoel, Andy Wrobel, KittieWyne Many people would be all to eager to bragabout watermelon buttons and the ‘new’Chicago seal. Expectations rarely match re¬ality.There was a sprinkling of red-neck types.My friend interviewed one from the South¬west side who proclaimed that “IF he be¬comes mayor, they’ll think stronger ofthemselves and take over the city.” Never¬theless, the crowd was primarily Reupbli-can, not cross-voting Democrat. In this po¬litical race of high passions it was arelatively anemic crowd of party loyals whocame to celebrate.Why was there not some indication of themasses that flocked to the Republican ban¬ner? Perhaps most of these people ultimate¬ly cared far less about the victory of Epton,and what it would mean for Chicago, thanthey did about the defeat of Washington.If Washington was the main actor, hisheadquarters were the main stage of cam¬paign night. Donnelly Hall was packed withthousands of supporters awaiting news ofthe vote tally. Although it was nearly impos¬sible to reach a spot of good visibility, Icould feel a tremendous sense of excitementsurging through the crowd.It was almost a messianic movement.Blacks, Hispanics and lakefront liberalswere all present. The people who broughtHarold Washington into office were there tosee him win.Unfortunately, I was not there to see himwin. With $1.35 in my pocket and little hopeof a ride I returned to Hyde Park. Oncemore I became an armchair (folding-chair)observer.David AckermanFourth-year student in the collegeFor the record. . . .To the editors:Robert Stone’s more than generous letterabout me in your issue of the 15th needs cor¬rection in several particulars, some ofwhich are too obvious for me to mention. In¬deed, the first four or five sentences of thisletter may have sufficed to make hissalutary point. Still, it is instructive to bereminded from time to time of how one’scareer may be seen by others.It should be noted for the record thatalthough I did work on the RockefellerChapel windows, and even suggesteddesigns for two of them (the Works of theMind Window and the Graduates’ Window),the windows are primarily the work ofHarold Haydon (of the University’s ArtDepartment). He not only designed all thewindows but also taught amateurs how towork with stained glass in executing hisdesigns. His unfailing patience and goodsense earned him the affection and respectof all of us who were privileged to workunder his supervision on the Chapel win¬dows.George Anastaplolecturer in the Liberal Artsat the University of ChicagoCAUSE supportedTo the editor:We the undersigned faculty of the Univer¬sity of Chicago, are deeply concerned by theeffects of US involvement in El Salvador.The civil war continues, and President Rea¬gan requests one hundred million additionaltax dollars in military aid while rejectingnegotiations for a peaceful settlement. Thecontinued violence results in an acute short¬age of medical supplies and health careamong the Salvadorans. We therefore sup¬port the medical aid campaign of CAUSEand the Social Action Coordinating Commit¬tee of the Cluster of Theological Schools, acampaign for medical aid only, to be used tohelp the needy on all sides of the war. In ad¬dition, we urge President Reagan to pursuea negotiated settlement to the conflict in ElSalvador, and to end all military aid in lightof continued violations of human rights inthat country.John Comaroff Michael SilversteinGail Kligman Raymond FogelsonElizabeth Traub Friedrich KatzMarshall Sahlins John CoatsworthCharles Lipson Edgan EppsMihaly Csikszentmihalyi4—The Chicago Maroon—Friday, April 22, 1983Viewpointstragedy rememberedApril 24: ABy Alan Constantian“I hay^ given the order that the war’s ob¬jective will not be achieved in the reachingof certain positions, but in the physical ex¬termination of the enemy. Therefore, I haveprepared my SS units to put to death everyman, woman and child of Polish descent,discompassionately and without mercy.Only in this way shall we obtain the Le-bensraum that we require. Who still speaksabout the extermination of the Armeniansnowadays?” (Adolf Hitler, August 22,1939).Indeed, who speaks today of the extermin¬ation of 1.5 million Armenians during theyears of 1915-1918: 75 percent of the Armen¬ians living in the Ottoman Empire at thattime? On the night of April 24,1915, Ottomanofficials rounded up the Armenian intelli-gensia in the then capital city of Constantin¬ople. This was the first step in the YoungTurkish regime’s plan to annihilate the Ar¬menian people, thus solving the “Armenianquestion” once and for all.Historical Armenia is located between theBlack, Caspian and Mediterranean Seas.Ninety percent of this territory is currentlyoccupied by Turkey. The remainder formsthe geopolitical basis of Soviet Armenia,with its capital city, Yerevan. Today, of theapproximately 7 million Armenians in theworld, only 41.6 percent live within theborders of Soviet Armenia. Virtually no Ar¬menians inhabit the Turkish portion of his¬toric Armenia’s territory. What accountsfor this absence? The answer lies with theMORRY'S "C” SHOPBeginning, Monday, April 25OPEN 'TIL 1 2 MIDNIGHTFull service Until 10p mCoffee / Donuts / Yogurt f CroissantsAvailable I Opm Midnight1131 E. 57th St. • Reynolds Club “Young Turks,” a euphemism for the Tur¬kish political movement, “Unity and Pro¬gress,” which came to power in 1909. TheYoung Turks’ goal was to transform themultinational Ottoman empire of the Sul¬tans into a “Turkey for the Turks.”The Armenians were quickly targeted byYoung Turkish leaders as undesirable, dueto their loyalty to the Christian faith (in 301AD the Armenian kingdom became the firstnation to adopt Christianity as its state reli¬gion), their unique language, and theirgrowing separatist sentiment. The outbreakof the First World War gave the regime anopportunity to rid itself of this unwanted ele¬ment. Under the guise of national emer¬gency, the Young Turkish government or¬dered the “relocation” of the Armenianinhabitants of the empire from their histori¬cal homelands to Syria. Those who survivedthe arduous trek into the Syrian desert wereleft to die of hunger, thirst and exposure.That the true motivation for the deporta¬tions was extermination rather than reloca¬tion is clear, since even those Armeniancommunities far from the Russian frontier,that is, uninvolved in the war, were expelledfrom their native villages. Further evidencepointing toward the real goal of this “reloca¬tion” is revealed by the following quote ofTalaat Pasha, then Minister of the Interiorof the Ottoman Empire: “You have alreadybeen advised that the government by orderof the Djemiat (Young Turkish Committee),has decided to destroy all the indicated per¬sons (Armenians) living in Turkey... TheirMORRY'S "C" SHOPBeginning, Monday, April 25OPEN 'TIL 1 2 MIDNIGHTFull service Until 10p.m.Coffee / Donuts / Yogurt / CroissantsAvailable 1 0 pm Midnight1131 E. 57th St. • Reynolds Club existence must come to an end, howevertragic the means may be; and no regardmust be paid to either age or sex or to con¬scientious scruples.”Through their combined tactics of massa¬cre, deportation and forced assimilation,the Young Turks and their successors in theTurkish Republic of Mustafa Kemal (Ata-Turk) have largely achieved their goal oftransforming Turkey into a homogeneousnation-state. Having disposed of Armen¬ians, Greeks, and Assyrians, attention isnow being turned to the last sizable minoritywithin Turkish borders, that of the five mil¬lion Kurds.To this day, Turkish governments denythat such a policy of expulsion and genocideof the Armenian people during the years1915-1918 ever existed. Other nations, includ¬ing the USA, have put political expediencebefore ethics and have remained silent onthe issue so as not to antagonize a strategi¬cally important Turkish ally of NATO. Theworld’s seeming indifference to this andother genocides serves as a dangerous prec¬edent. Failing to condemn Turkey’s actionsduring World War One is a tacit encourage¬ment to current and future governments toHYDE PARK UNION CHURCH5600 S. Woodlawn Ave.Church School (all ages) 9:45 a.m.Worship Nursery Provided 11:00 a.m.W. Kenneth Williams. MinisterSusan Johnson. Baptist Campus MinisterCome, Worship, Study, ServeMORRY'S "C" SHOPBeginning, Monday, April 25OPEN 'TIL 1 2 MIDNIGHTFull serviceHJntil 10 p.m.Coffee / Donuts / Yogurt / CroissantsAvailable 10 pm Midnight1131 E. 57th St. • Reynolcfs Club consider the politics of genocide a feasibletactic for solving internal problems. Darewe, through our ignorance and silence, con¬tinue to transmit this message?April 24 is a day of mourning, not only forArmenians, but for all humankind, becauseit recalls man’s extraordinary ability to becruel to his fellow man. To blame the Tur¬kish people for this crime against civiliza¬tion is a shallow and unfair reaction to thisunsavory chapter in modern history. Theunderlying causes of the Armenian genocideare rooted in evils much deeper and moreuniversal. The evils of April 24 and the ensu¬ing months were national chauvinism, intol¬erance and irrational fear. These have per¬sisted and occasionally dominated worldevents throughout the twentieth century andinto the present day. Failure to recognizeand condemn crimes against humanity,wherever they occur, will only result in fur¬ther tragedy. “Those who do not learn fromthe past are condemned to repeat it.” (San¬tayana).Alan Constantian is a first-year graduatestudent in hospital administration.MORRY'S "C" SHOP. Beginning, Monday, April 25OPEN 'TIL 1 2 MIDNIGHTFull service Until 10 p.mCoffee / Donuts / Yogurt / CroissantsAvailable 10 pm Midnight1131 E. 57th St. • Reynolcfs ClubTIME$AVERSThe Communication ProfessionalsDocument Preparation, Manuscripts,Theses, Term Papers,Word Processing & IBM Selectrics"Your Deadline Is Our Timetable"470-0231New and RebuiltTypewriters,Calculators,Dictators, Adders REPAIRSPECIALISTSon IBM, SCM,Olympia, etc.FREE repairCasioHewlett PackardTexas instrumentCanonSharp estimatesRENTALSavailable withU.ofC. I D.The University of Chicago BookstoreOffice Machines & Photographic Dept.970 East 58th Street 2nd Floor962-7558 • 5-4364 (ON CAMPUS) Isn’t it about timeyou and your computerrealty got to knoweach other!Wiley Self-Teaching Guides.We’re great at introductions.BASIC FOR HOME COMPUTERSBy Bob Albrecht, LeRoy Finkel, & Jerald R Brown“A sensible and complete beginning guide to BASIC Takesyou from knowing almost nothing to knowing almosteverything "—Kilobaud 336 pp S10 95Over 250,000 copies sold'TRS-80 BASICBy Bob Albrecht, Don Inman & Ramon Zamora"If you re a rank beginner your novice status won t lastlong TRS-80 &ASIC leads you by the hand through the mazeof programming the computer to perform both entertainingand useful tasks'— Interface Age 25I pp $I0 95Over 400,000 copies sold'ATARI BASICBy Bob Albrecht, LeRoy Finkel, & Jerald R Brown"Albrecht et al have produced what may be the finestintroduction to BASIC programming I have everseen"-Microcomputing 333 pp $10 95TRS-SO COLOR BASICBy Bob AlbrechtLoads of games, experiments, and programming puzzles letyou get the most from your TRS 80 Color Computer—andlearn the fundamentals of BASIC programming while youhave fun 384 pp $9 95USING CP/M*By Judi N Fernandez & Ruth Ashley"A must for any nonprofessional programmer using CP M"-Kilobaud Microcomputing 243 pp $I4 9S THE GENIE IN THE COMPUTERBASIC Programming on the TRS-80By Rachel Kohl, Laura Karp, & Ethan SignerGreat for teens, preteens and technophobics of all ages TheGenie teaches you BASIC functions and commands by usingyour TRS 80 s graphics Each new skill you learn makes theGenie come to life—moving, talking even starring in amovie-all at your bidding1 192 pp $12 95BASIC FOR THE APPLE IIBy Jerald R Brown, LeRoy Finkel, & Bob AlbrechtA complete friendly, and virtually guaranteed introduction toBASIC programming on the Apple II—from the author whosebooks have taught more than half 0 million micro users how toprogram in BASIC 416 pp S12 95ATARI SOUND AND GRAPHICSBy Herb Moore, Judy Lower, & Bob AlbrechtThis unique self paced manual takes you step by step througheasy-to learn techniques for creating sounds and grapbtcs-melodies. cartoons games, even combinations of sound andanimation—on the ATARI 400 and ATARI 800 234 pp $9 9$Wiley Self Teaching Guides can also introduce you to data fileprogramming COBOL assembly language and otherimportant skills They re the friendly paperbacks th3t alreadyhave taught more than a million and a half people to useprogram and enjoy their microcomputers Come getacquainted1topr‘ 1 a refisttrnl I'mtemot* of *Cpe Compute' IncATA/ll ’ .1 0 'ryule'ftj t'odemorti of *IC' IncCP V * ii o --flie'ro I'odemo'U V Digital Rriro"-TRS-80 ‘ i o 'i*p sir'ro trotfemnn of Tnntf, CarpThe University of Chicago BookstoreGeneral Books Department970 East 58th StreetThe Chicago Maroon—Friday, April 22, 1983—5DR. M.R. MASLOVOPTOMETRIST• EYE EXAMINATIONS• FASHION EYEWEAR• AU TYPES OFCONTACT LENSESASK ABOUT OUK ANNUALSERVICE AGREEMENTLOCATED INTHE HYDE PARKSHOPPING CBJTER1510 E. 55th363-6100■ iH8k**"*er"llg J EXPERT MECHANICAL SERVICEFOREIGN & DOMESTIC CARSTUNE-UP • BRAKE JOBS • ELECTRICALSHOCK ABSORBERS • OIL CHANGES • LUBESBATTERIES • MUFFLERS • AIR CONDITIONINGENCLOSED, SECURE, AND REASONABLY PRICEDPARKING FACILITIES — AN ALTERNATIVE TOPARKING ON THE STREETS THIS WINTERHYDE PARK GARAGE5508 SOUTH LAKE PARK • 241-622010% DISCOUNT ON MECHANICAL WORKWITH THIS COUPON >PICK UP & DELIVERY AVAILABLE Does the End ofthe Term Mean theEnd of Your HospitalInsurance Protection?Short Term Hospital plan providesfast low cost "interim" coverage ifyou're in between jobs, or recentlygraduated.It offers a choice of 60, 90, 120,or 180 day protection. Comprehen¬sive coverage. Low rates. And thepolicy can be issued on the spot.That quick.Let me tell you the details of thisquick coverage plan.Lord & RogersInsurance Agency4747 West Peterson Avenue Suite 400Chicago, Illinois 60646282-6900RockefellerChapel10:00 & 11:00a.m.Religious Educationfor Children11:00 a.m.University Religious ServiceKARL F. MORRISONProf, in the Depts. of History endNew Testament and EarlyChristian Literature12:15 p.m.5234 S. Dorchester Ave.Walk to museums, parks, the lakeSTUDIO APARTMENTSFurnished and unfurnishedutilities includedLaundry roomSundeck • Secure buildingCampus bus at our doorCall 9*5 for appointmentl 324-0200g The Chicago Maroon—Friday, April 22, 1983 Than Just A New Name.ymm * mamfljfttflHHKHyde ParkCommunity Hospital% *4-H!r■‘hfHyde ParkCommunity HospitalA Caring Hospital fora Caring Community. Completely remodeled, fully airconditioned rooms. A brandnew surgical center. A totallyrenovated hospital.And the professionalism and dedicationof a staff reoriented toward communityhealth care.These are just some of the recentdevelopments at your communityhospital, Hyde Park (formerly IllinoisCentral Hospital).And there's more:• PromptCare Emergency Center—Abrand new facility for emergency and ambulatory care with its own separatedrive-up. No more lengthy waiting toreceive expert medical attention.• NEW DAY Center—A complete,in-hospital facility dedicated topeople with alcohol and relatedproblems. One of the finest programsin the country, right in yourneighborhood.Hyde Park: We've developed a wholenew way to properly care for thiscommunity.We re here for you.5800 Stony Island Avenue, Chicago, IL 60637 (312) 643-9200 One block west of the Museum of Science and Industry.If IInterviewThe uses of law on the West Bank:An interview with Jonathan KuttabJonathan Kuttab, a Palestinian lawyer,gave a lecture Wednesday night on WestBank life and politics. He is the co-founderof Law in the Service of Man, the West Bankaffiliate of the International Commission ofJurists. Kuttab’s expertise is in Israeli mili¬tary orders and the West Bank legal system.He is co-author of the 1980 publication TheRule of Law in the West Bank. This inter¬view took place April 18 and was conductedby John P. Egan.Q. What does Law in the Service of Mando?A: We study the Israeli military orders asthey come out — and just getting them canbe difficult — and by analyzing them try todetermine Israel’s West Bank policy.Q: How would you categorize theseorders?A: They fall into many categories, but theirgeneral aim appears to be twofold: first tofurther a policy of Judaizing the West Bank,and second, to de-Palestinianize it.Q: Aren’t these two sides of the samecoin?A: They are related, but are nonethelessseparate. To Judaize the West Bank it is im¬portant to acquire land ownership: thismeans not just having Jews own the land butalso having institutional semi-public Jewishorganizations hold land on behalf of Jewsthroughout the world.Q: Such as the Jewish National Fund?A: Right. And the land is held in perpetuity.To accomplish this there are a wholenumber of military orders that change theinstitutional structure of resolving land lawdisputes, and, in fact, the whole basis of landownership. Although all of these orders havea specific purpose, their general impact is tofacilitate a confusion of land categories andlaws.Q: What percentage of the West Bank isowned by non-Palestinian sources?A: Close to 70 percent of the entire WestBank, maybe more. Since 1977 everythingoutside the boundaries of Palestinian mu¬nicipalities in the West Bank has been de¬clared off-limits for Palestinian develop¬ment: it is slated for future Jewishdevelopment. And there are now licensesone must acquire in order to build anythingwithin a Palestinian municipality. These li¬censes are given out, if at all, by a centralplanning committee, which is all Israeli.Q: This was a Begin government policy.A: This one, yes. But before 1977 the LaborAlignment was not doing too badly in re¬stricting Palestinian life; however, Beginhas speeded up the process considerably,consolidated it almost overnight.Q: What about the other side of the coin, de-Palestinianizing the West Bank?A: This process moves in stages: the firststage was a consolidation of the control overall aspects of Palestinian life. This was ac¬complished by transferring all the authorityinto the hands of the Israeli military gover¬nor. Adding to this were new licensing andpermit requirements. A large number of fi¬nancial and commercial activities were pro¬hibited without a permit, such as setting upfactories or electric generating equipment,exporting produce, drilling new wells, andso on.Q: Practically speaking, is it impossible toget a permit now?A: It is becoming so, but only in areas whichare of interest to the Israelis. Once land isacquired and controlled through regulationand licenses, permits — if they are viewedas innocuous — are used as a carrot andstick on the local population. If a particularrequest does not directly concern au¬thorities, then it is used as a means of pa¬tronage, to promote collaborates and topunish nationalists, and in general to keepthe population under control. Then there isthe typing of the economic infrastructure ofthe West Bank to Israel, to prevent the riseor growth of autonomous Palestinian insti¬tutions. The purpose is to encourage thelocal population to be dependent on Israel,and many people have resisted this. Thissystem covers all areas of life on the WestBank. The process of de-Palestinianizingthe West Bank — by which I mean an emmi- gration from there — covers more than ec-nomic life there: most obviously it controlspolitical life. There are restrictions on theexpression of solidarity and on the expres¬sion of Palestinian nationalism in any way,shape, or form. Most of the regulations inthis category are justified under the guise of“security.” There are prohibitions on hold¬ing meetings of legal, local organizationswithout a permit; ten or more people cannotget together without a perit; ten or morepeople cannot be in a place where they canpossibly hear a speech on a “political” sub¬ject or on a subject which can be considered“political,” without a permit; art is cen¬sored and controlled; newspapers are cen¬sored and controlled; there are severe re¬strictions on the use of the word“Palestine,” as well as on the use of the fourcolors of the Palestinian flag; on songs andanthems; and there are also changes in Jor¬danian laws covering elections. The idea isthat there can be no automous Palestinianpresence on the West Bank, because thatwould, by its existence, conflict with theidea of Judaizing it, of making it Jewish.Q: Are there political sentiments, and politi¬cal leaders, on the West Bank which are al¬ternate to the PLO, or even hostile to thePLO; and do these ideas and personalitieshave any local following?A: The enemy of Israel is not the PLO;rather, it is Palestinian nationalism itself.Therefore, any leader on the West Bank hasonly two choices: either these leaders re¬flect Palestinian nationalism, and thewishes of their constituents, in which casethey will become Israel’s enemy as much asthe PLO; or, these leaders do not reflect Pa¬lestinian nationalism and the wishes of theirconstituents, in which case they have abso¬lutely no credibility among their people.Q: What about the Village Leagues?A: They never had any chance for politicallegitimacy. To bolster support for the Vil¬lage Leagues the complex and all-encom¬passing system of permit and licensing re¬quirements is used: if a person really needsa permit he will be told by the authorities,“Go to the Village Leagues, they will giveyou a permit.” And so many people whowould otherwise have nothing to do withthese quislings must utilize their services soas to get the necessary permits to bring infriends from outside the country, to getbuilding permits, to get drivers’ licensesand so on.Q: How do you cope with the manifold frus¬trations and indignities which are part andparcel of the occupation?A: It must begin with your state of mind,with a perseverence. Blind hatred is defeat¬ing, as is submission. It is something I haveto struggle with every day, just as I have tostruggle to keep hope alive: in order to sur¬vive I need to hope. At the same time I haveto struggle with myself to avoid giving intohatred, and sometimes I fail, and there is aracial, anti-semitic hatred. I have to watchit every day. A friend of mine, another Pa¬lestinian lawyer, calls up his Israeli Jewishfriends in times like these, to reassure him¬self that there are Israeli voices of dissent,and to remind himself of the principles theyboth share.Q: Are there reasons for hope, or do youthink that in ten years or less the West Bankwill be Israel’s, and that there is little if any¬thing that can be done?A: No, it is something much more frighten¬ing than that. I think that the Judaizing andde-Palestinianizing of the West Bank hasbeen successful on many levels, but thereare still too many Palestinians on the WestBank for it ever to become really “Jewish”in the same way that Israel is Jewish. Thisis frightening because there are those oonthe Israeli right wing who want to do some¬thing about it.Q: Meir Kahane for example?A: No, there are more extreme people thanKahane: he is just an exhibitionist. I amtalking about Gush Emunim and Rabbi Le-vinger; I uses to say Sharon, but now I sayArens, have, I think, some very frighteningand diabolical plans for dealing with the“demographic problem,” as it is called in Israel. It is difficult to talk about this be¬cause you are talking about intentions andthe like. But we have recently seen manydanger signals on the West Bank that, infact, there is such a plan to try to induce amass exodus of Palestinians from there.The settlers are talking about such anexodus, and are now organized to facilitateit. It has been mentioned frequently in thepress. I think we know how the general out¬line of such a thing could happen, but untilrecently we thought that it was unthinkable.Now we are not so sure.Q: has the Israeli political culture madesuch an event somewhat less unthinkable,and therefore more likely?A: No, people will still recoil in horror, butright now the event does not require the con¬sensus of Israeli society, it can be done by asmall minority. After which, of course, theIsraelis as a whole will reap the benefits.Q: How do you see this — Gus Enumin run¬ning wild in the streets, with Uzi subma¬chine guns blazing? Are we going to see 1948all over again?A: Something like that, but perhaps with atwist: maybe using poison this time.Q: Has a determination been made on thatyellow powder found recently in such quan¬tity in the West Bank, which caused wide¬spread sickness among the Palestinians?A: No, not yet. I don’t know what the twistwill be, but I think there will have to be anational emergency of some kind called bythe authorities, which might warrent suchaction. I think the settlers will be the cuttingedge of such a policy; I think the Israeli gov¬ernment will, as a whole, disclaim responsi¬bility; and I think many Palestinians willbeloaded into trucks and moved East, to Jor¬dan.Q: What role does “Jordan is Palestine”campaign play in this possible scenario?Eight months ago, when Sharon was inWashington, it was an integral part of histelevision appearances. He appeared onnews shows with British Mandate maps andargues that the Palestinians already have,de facto, a Palestinian state, it is called Jor¬dan. Recently there was a series of well-placed New York Times advertisementsalong the same lines, although considerablymore refined than the former Defense Min¬ister’s argument.A: The “Jordan is Palestine” campaign iscertainly a major sign, the type which we onthe West Bank fear: if the Palestinian wanta state of their own, then let’s ship them offto Jordan. I cannot stress this too much; thisis conjucture of course, but the signs arenonetheless present and frightening.Q: I remember a Chicago Tribune interviewwith Jacobo Timerman where he said that his book had caused such a negative reac¬tion is Israel that he was literally afraid towalk the streets of Tel Aviv.A: This is true, and this too is part of thedanger signals which we see now: there is amajor shift to the right wing in Israeli poli¬tics, and there is a major rise of facism inIsrael.Q: Fascism?A: Yes. People in Israel, including Knessetmembers, judges, and Labor Partymembers are literally afraid of physical vio¬lence in retaliation for holding certainviews.Q: Certainly the February 10 grenade at¬tack on Peace Now demonstrators was anugly event, but it was seen in this country asan isolated incident, an aberrition, the workof a lone fanatic. Has anyone been arrrest-ed?A: No, and I don’t think anyone will be;there was a feeling that night that no onewould ever be arrested.Q: In this country it seems as if one settle¬ment — Kiryat Arba — is responsible formost of the violence against Palestinians onthe West Bank. Have you ever had to dealwith Kiryat Arba settlers, are they as crazyas they are portrayed, and, more important.are they as singular as they are por¬trayed?A: I don’t know how they are portrayedhere, but they are fanatical, yes; howeverthey are not singular: there is Shiloh settle¬ment as well as Ofra. Kiryat Arba simplyhas a larger amount of people — I’m notsure how many, but there is a lot. Theirstrength comes from the fact that they arewilling to do what the government wantsdone, and yet is not willing to take responsi¬bility for doing. The settlers, numericallysmall, are very effective; Peace Now, nu¬merically large, is totally ineffective inbringing about change on the scale of that ofthe settlers Settlers can be trusted to carryout some very evil and nasty things, whichthe Israeli government and its citizens candisclaim responsibility for. There was afamous, in Israel, at least, interview, enti¬tled something like “Portrait of a Judeo-Nazi.” This man lived in a moshav (type ofsettlement) and was interviewed by the pro¬gressive journalist and novelist Amos Oz.This settler said very frankly that he doesn’tcare what the rest of the world thinks ofhim, because he is willing to do what mustbe done, the dirty work, so that Israel canhave the West Bank. He made Oz a deal: letme do what must be done, let the rest of theworld call me a nazi, a fascist, because Iam. And when I am finished, when 1 havetaken care of the Palestinians, then you canfeel as guilty as you like: you can writeabout it and win Nobel prizes. I’ll do thedirty work, you protest it later.Q: If the settlers bare caught shooting up aPalestinian towm, or killing a Palestinian,w'hat are the penalties?A: There has never been, to my knowledge,a case where a settler was convicted of anycharge, or punished in any way, for any vio¬lent acts he committed against Palestin¬ians. The closest a settler ever came to pros¬ecution for acts like this was when NateNathanson, a settler from Shiloh was arrest¬ed in connection with the murder of Abdul¬lah Sehwail, a 16-year old Palestinian fromAbuwayn, about a year ago. Nathanson hadboasted about his violence in the settlers'newspaper, Nikudah. He was arrested, andthe people of Kiryat Arba issued an ultima¬tum to the police for the release of Nathan¬son. He was released after four days, andhas not been brought to trial since.Q: There is a need for someone to do thedirty work, and be quiet about it?A: Yes. The governmemnt doesn’t mindsettlers doing violence against the Palestin¬ians, and Levinger can get away with what¬ever he wants, because he and his peopleare part of the Israeli government struc¬ture, practically speaking. The unsavorypart can be disclaimed whenever neces¬sary, but they are an integral part of thestructure, make no mistake.ITALIAN WINESALE(4-22-83 thru 4-28-83)Take this great opportunity to enjoy some of the fine wines from Italy for your dining or socialpleasures at low sale prices. These wines will be featured on display along with available samplesfor tastingREDS1975 Brunello di Mon Talcino (Poggio Alle Mura)One of the great growths produced from the noble Brunello grape in picturesqueMontaicino. Austere while young, superb with age.$11.99 Case $136.001977 Amarone Recioto Della Valpolicella (Anselmi)Wine of great depth and grace, soft fruit character.$7.99 Case $91.991979 Chianti Classico Riserva (LeBocce)It’s been a long time since a great chianti has reached the American winemarket. LeBocce has proven that chianti does not have to be in a wicker basketto sell.$6.39 Case $72.001981 Chianti, Estate Bottled (Cignano)Fine red chianti wine produced and bottled by Giovanni Bianchi.$4.99 Case $57.001979 Cabernet Sauvignon (La Fornarina)A dry red wine with a distinct vinous and herbaceous perfume and well-roundedbody and flavour$6.59 Case $75.001974 Barolo Riserva Speciale (Bertolo)750 ML. $10.691974 Bargaresco Riserva Speciale (Bertolo)750 ML. $10.69Grignolino d’Asti (Bertolo)750 ML. $7.79WHITESPinot Grigio Di Annone (La Fornarina)A dry white wine with an unmistakable ethereal perfume and a slight hint of Acaciaflowers' delicately velvety flavourCase $46.001981 Sauvignon Blanc, Collio (La Fornarina)A dry white wine that goes especially well with soups, souffles, vegetable pies andegg dishes.Case $60.001980 Vernaccia di San Gimignano (Pietraserena)Produced and bottled by Bruno Arrigoni A wine of extraordinary finesse, fastbecoming one of the most popular wines imported from Italy.Case $46.00Tocai Di Lison (La Fornarina)Estate bottled. A dry white wine with a delicate scent of peach leaves and anagreeably bitterish taste.$4.09$5.29$4.09$4.09 Case $46.00750 ML. 1981 Plozner Chardonnay750 ML. $4.55Dolce Vita Tosso (or) Bianco1.5 Liter $3.99Corvo Bianco ^3 FOR $10.00 $4.29 ea.ROSECASTEL DEL MONTERIVER ROSE750 ML. $3.89 Erika Sale!1.5 Itr Erika Moselleblumchen 5.891981 Vintage750 ml Erika Zeller Schwarze Katz 3.291981 Vintage750 ml Erika Liebfraumilch 2.991.5 Itr Erika Liebfraumilch 5.49KIMBARK LIQUORS & WINE SHOPPE1214 E. 53rd St. In Kimbark Plaza' 493-3355Store Hours: Sun. noon * midnightMon. - Thurs. 8 a.m. - 1 a.m. • Fri. & Sat. 8 a.m. - 2 a.m. Jj, The Blachstone Hotel636 So. Michigan Ave.• Close to the U of C (10 minutes north)• Plan your next conference/meeting or group housing• Special rates for University of Chicago affiliates or visitors,$32.00 single / $37.00 double• 17 conference rooms to accommodate 10-500We now feature the hilarious production of SHEAR MADNESS in the MayfairTheatre, and Joe Segal’s famous JAZZ SHOWCASE in the intimate BlackstoneCafe. (Student discounts - Sunday matinee - 3 pm.)FOR ROOM RESERVATIONS, OR FOR MOREINFORMATION OR TOUR & PRESENTATION, CALLNATALIE VITEK, DIRECTOR OF SALES427-4300CHICAGO SINAI CONGREGATION5350 South Shore Drive“Upholding the Historic Liberal Principlesof Reform Judaism”A Special SermonbyRABBI HOWARD A. BERMAN“OPEN HEARTS AND AN OPEN DOOR"An Alternative Jewish Response to Intermarriage- at the Regular Weekday Morning Worship Service -SUNDAY, APRIL 24, 1983 - 11:00 a.m.Inter-faith couples and families, persons contemplatingmixed marriage, and all who are concerned aboutJewish perspectives on this issue - or who are seeking awelcoming spiritual home within the Jewish community- are invited to worship with us and hear this message.For further information, please call 288-1600.Used desks,chairs, files,and sofasBRANDEQUIPMENT 8560 S. ChicagoRE 4-2111Open Daily 8:30-5Sat 9-2' 1—Nick Cave and Rowland HowardTHE BOYS NEXT DOOR DIDN'T JUST MAKE NOISEby Leah MayesI was initially disturbed by the lack ofadvance publicity surrounding the Birth¬day Party’s second-ever Chicago appear¬ance, but thinking back, I realize the lackof press and promotion was probably ablessing in disguise. Too often his Austra¬lian band is subject to reviews centeringmainly on the unpleasant and threateningaspects of their music, also portraying thebandmembers themselves as unpleasantand threatening. Of course, nobody wouldexpect a group whose song titles include“Release The Bats,’’ “Dead Joe,’’ and“Sonny’s Burning’’ to be fresh-faced andinnocent, but the journalistic tendency tolimit discussion to images of controversyand violence is more than lazy — it is alsomisleading and unfair.I must admit that, whenever I’m askedto describe “The Birthday Party,” I inevit¬ably use the words messy, chaotic, loud,and noisy. This isn’t exactly a well-round¬ed portrait, but chaos and noise do notalways equal violence. They do not neces¬sarily eliminate the possibilities of wit, in¬telligence, creativity, or sensitivity, allfour characteristics found not just in theBirthday Party’s music, but in the individ¬ual bandmembers as well, as I was to findout.Setting up an interview with the Birth¬day Party was not an easy task. Becausethe Birthday Party have no American re¬cord label, I had to wait until Sunday af¬ternoon when the band arrived to do anyreal negotiating. Due to a number of con¬flicts and my inability to make it fromHyde Park to the soundcheck in ten min¬utes, I was to join the band back in thedressing room fifteen minutes before theywere due onstage. I was already preparedfor a hostile reception — fifteen minutesbefore a concert, who wants to be dis¬turbed by a dumb reporter with a tape re¬corder?Still, I did have fifteen minutes, so Ipacked a tape and dragged my compan¬ions to the el. We got to Tut’s in time to seethe opening band, local yokels 4xy, finish their first set. The club was pretty emptyand 4xy were making a desperate bid toempty it even further. During their inter¬mission, there was a commotion in thedressing room, and Birthday Party vocal¬ist Nick Cave and guitarist Rowland S.Howard strolled out to survey the pro¬ceedings. The handful of people who recog¬nized them nudged each other and whis¬pered excitedly, “Is that Nick Cave? Isthat Rowland Howard?” Nick and Row¬land forlornly wandered the floor, waitingfor someone to acknowledge them. Theawe-struck trendies gasped and steppedback if either of the Birthday boys camewithin five feet of them (wow! real rockstars!).Finally, disgusted, I went over and intro¬duced myself. They were amiable and po¬lite, and they seemed relieved that any¬one (an interviewer, yet) was willing totalk to them as if they were real humanbeings. We decided to meet after the con¬cert, when the situation would be more re¬laxed and we’d have more time to talk.This initial meeting set the tone for the fol¬lowing ones: even though I was an inter¬viewer, I was also one of the few people inChicago willing to disregard the barriersthe press had constructed between them¬selves, the performers, and the public.The result of this change in expectations(mine as well as theirs) led to considerabledifficulty in handling the interview. As afriend (and I think I could consider myselfone), I didn’t feel right about rehashingprevious conceptions and cliches pertain¬ing to the band. Yet as a reporter, I alsorealized that the conversations we hadwere not of a nature easily transcribed topaper, nor were they of much significanceto anyone who wasn’t present at the time.Thus, if this article seems to resemble adiary entry more than an introduction to alittle-known band and their music, it is be¬cause I am trying to be fair to friends anddo them justice in more than one dimen¬sion.One important dimension when dealingwith musicians is the live performance. After 4xy concluded their second set, thetrendies who had shrunk from the band-members when they had walked amongthem now began pressing forward so as tobe closest to the stage. As luck would haveit, I wound up crushed between two heavi¬ly-perspiring, above-average heightposers who shouted across the club to peo¬ple they recognized. These same posers,who naturally wore black clothes and reg¬ulation eyeliner, knew almost nothingabout the Birthday Party, but they hadbeen told by a New York friend that theband had given a good show at “Pep,” sothey felt obligated to make an appear¬ance at the Chicago show.The Birthday Party delivered a fast-paced and energetic show, from the en¬trance (when Nick performed an amaz¬ingly disastrous gymnastic stunt involvinga back-flip onto his face and some crawlingaround, fumbling with the mikestand) tothe exit. Even so, stupidity was rampantamong the posers. They called out for the“greatest hits” — the more familiarnumbers, songs which have little in com¬mon with the most recent Birthday Partymaterial. Nick’s reply to the calls was,"We're not going to play any of that.We’re going to play new things to educateyou.” The oldest songs they did performwere from the second Birthday Partyalbum, Junkyard, which was released latelast summer, and even those seemed a bitdated. It didn’t really matter to the tren¬dies, who were too busy straining forwardto touch the band to pay attention to whatthey were playing. This display of truerock fan adulation was not lost on Nick,who snapped, “Why don’t you all moveback and sit down, like you did for the lastband.” After an hour or so, he announcedthat they would play no more, and theycalmly left the stage. Dutifully, the audi¬ence clamored for an encore. Deservedlyso, they got none.To get to the dressing room after theshow, I had to push my way past little girlgroupies who were begging security to letContinued on page 4 Subterranean Jungle, The Ramones, (Sire Re¬cords)Punk, post-punk, and post-revisionist punkmay have come, gone, or lingered on, but, whilecool is continually redefined, the Ramones re¬main defiantly unfashionable. The jeans are stillripped, the hair is still long, the leather is stillblack, and the music is still loud. But, just as theRamones were in danger of becoming too reas¬suringly predictable — an amusing, if somewhatboring reminder of those raucous days gone by— they have unleashed Subterranean Jungle,their strongest effort since the now classic End ofthe Century. That is not to say that the Ramoneshave suddenly succumbed to the pressures ofpop fashion — no synthesizers here, no reggaebeat, no rock-a-billy twang, no questioning ofgender identity — only the visceral crunch ofJohnny’s guitar, Dee Dee's bass, Marc’s drums,and Joey's vocals. Those trademark elementswere there on the last couple of albums, but Sub¬terranean Jungle is superior to recent efforts be¬cause those same elements coalesce with an un¬expected and suddenly obvious intensity. Theinstrumentals sound sloppily spontaneous, thesong writing is uniformly strong (particularlyDee Dee’s), the vocals are appropriately hoarse,and, most importantly, the conviction is appar¬ent.The opening track of Subterranean Jungle is,appropriately, an accelerated remake of the1960’s chestnut “Little Bit O' Soul.” From theopening bass line to the final fade out, this coveris killer and indicative of the more than a little |soul the Ramones bring to the rest of the Subter¬ranean Jungle. Sure, the basics are the same, butrarely have the Ramones played so well andsounded so, if you’ll excuse the adjective, sincereabout it. Another cover version provides a sec¬ond highlight of Subterranean Jungle — this oneof the Chambers Brothers' “Time Has ComeToday.’’ Joey’s ever-so-petulant vocals, Marc’sbone-rattling percussion (he has successfully ob¬literated any memories of Tommy, the previousdrummer) and an inescapable and inspired ar¬rangement transforms a mild 60's hit into an an¬them of punk proportions.In addition to the covers, the original materialis as good as anything the Ramones have pre¬viously done The lyrical topics are, of course, ty¬pically Ramonsian: the vagaries of modern life(‘‘Psycho Therapy”), teenage fun (‘‘TimeBomb”), and thorazine damaged girlfriends( “Whenever I Eat Vegetables It Makes Me ThinkOf You”). They are all handled with a previouslymentioned, unromanticized, unquestionable sin¬cerity. Enough sincerity to make one admit, how¬ever grudgingly, that, unfashionable thoughthey may be, the Ramones remain a great rockand roll bandPlanet P, Planet P, (Geffen Records)From the ugly cover to the computer-generat¬ed inner sleeve to the superfluous record within,Planet P is a cosmic black hole. There is just noreason, visible or audible, for this record: oneREO, one Journey, and one Rush is more thanenougn ( P for puerile? ) But, should any or all ofthese bands falter. Planet P stands ready to re¬scue the fallen mantel of stadium rock ( P forpseudo? ). This album simply makes no sense ( Pfor pointless?). Just as radio seems to be takingits first quivering steps, however tentative, intothe realm of more expansive and more inclusiveformats, here’s another album geared to the ret¬rograde tastes of those who would tell you thatthe new Styx album is meaningful ( P for prehis¬toric? ). Planet P is light years in the past. P forpass this one by.-Smce KtagJust A Brief Word...I write record reviews inorder to expose the obscure acts I enjoy to alarger audience. In view of this. I've concentrat¬ed on positive examples of exciting music. Untilnow. I've never ventured a direct, coherentstatement to pull together the music I writeabout. Continued on page 4lFDR YOUR OWN GOODHIDDEN CRUELTY IN CHILDREARING AND THE ROmumALSO. NOW IN RAPERBACK.THE DRAMA DF THESeminsyCav&k5757S. UniversityMonday-Friday $30-61)0 SaturdaA m 1111 ii 11111 r i rTonight at 7. 9 and 11 pm: Doc puts the action rieht into vour lap as itpresents THE CREATURE FROM THE BLACK LAGOON inthe techno-wonder of 3-D! Be there or breathe air.Saturday at 7:15 and 9:30 pm: The comedy hit MY FAVORITEYEAR, starring Academy Award nominee Peter O'Tcxilc You secit. you laugh.Sunday at 8 pm: Jean Luc-Godard's EVERY MAN FORHIMSELF, starring Isabelle' Huppert. Jacques Dutronc. andNathalie Baye.Monday at 8 pm: Doc Films is proud to present Chantal Akerman sJEANNE DIELMAN. Don't miss this very special Film event!All shows in C <M> Hall. SHI I S. Fills. Sepadm is $2 ‘ My Favorite Year" and"Evers Man lor Himself are in color. Formore info, call our 24-hr Filmline at %28575 or consult our profusels illustratedfilmguide. FOCI S'I I I I I I DOC FILMSJ= ASIAN ARTS OF THE UNIVERSITY OF CHICAGOin cooperation with the Ameer Khusro Society of America presentsDAGAR BROTHERSNasir Faiyazuddin Dagar and Nasir Zahiruddin Dagaraccompanied on paKhawaj by Phil Hollenbeckand on tambura by Musarrat DagarIN A CONCERT OF INDIA’S EARLY VOCAL MUSICLAW SCHOOL AUDITORIUM1111 East 60th StreetSUNDAY • MAY 1 • 3 P.M.Donation: $8, $5 studentsTickets from Foster 209 (M-F, 2-5 pm) or at the door.FIRST AMERICAN TOUR MAJOR GUARDIANS OF THIS ANCIENT HERITAGETHE MOST HIGHLY-RANKED MUSICIANS PERFORMING OVER ALL-INDIA RADIOThe University of ChicagoDepartment of Musicand theFromm Music Foundation at Harvardpresent theCONTEMPORARYCHAMBER PLAYERSof The University of ChicagoRALPH SHAPEY, Music Directorwith ELSA CHARLSTON, sopranoand members of the Rockefeller Chapel ChoirA CONCERT OF TWENTIETH CENTURY MUSICworks by GUNTHER SCHULLER. JOSEPH SCHWANTNERand ANTON WEBERN—a Centennial CelebrationFRIDAY, APRIL 22, 1983 • 8:00 P.M.MANDEL HALL, 57th & University AvenueAdmission is free with ticketSend ticket request and a self addressed stamped envelope to Department of Music Concert Office, 5B45 S. EllisAvenue, Chicago 60637OitGAX Ax\D TRUMPET FESTOrganist Thomas Weisflog Is joined by 10 brass and ii tympanito celebrate the rebuilding of the St. Thomas Organ.Sunday, April -24 at 3:00 p.m.St. Thomas the Apostle Church5473 South Kimbark324-2627#5 - General Admission33 - Scniors/St ucients2— FRIDAY, APRIL 22, 1983—THE GREY CITY JOURNAL;* !6 27I?Jam#* D#an rehearsing a scene eventually cut from Robot Without a CauseMUSICContemporary Chamber Players An an¬nual event cosponsored by theFromm Music Foundation. DirectorRalph Shapey will conduct music bySchuller, Schwantner and Webern.Featured are soprano El3a Charlstonand members of the RockefellerChapel Choir. Fri Apr 22, at 8 in Man-del Hall. Free.The Lexington String Quartet will per¬form a concert of works by Beetho¬ven, Ravel and Shostakovich. Thequartet consists of Michael Jinboand Lizbeth Bistrow, violins; DanMcDonald, viola; and Van Bistrow,cello. Sat Apr 23, at 8 in GoodspeedRecital Hall. Free.Pianist Geoffrey Madge will perform K.S. Sorabji’s Clavicembalisticum in aconcert cosponsored by Contem¬porary Concerts, Inc. The piano uponwhich Mr. Madge will perform is oneof two specially built by Yamaha:this one was brought here from Ham¬burg. Tickets are $10; UC student,$5 Sun Apr 24, at 1 in Mandel Hall.Pianist Julia Tsien will give a recital ofmusic by Beethoven, Debussy, Cho¬pin, and Bartok. Sun Apr 24, at 3 inGoodspeed Recital Hall. Free.AACM Large Ensemble Twenty yearsago, looking for a forum to shareand develop his revolutionary ideasabout jazz composition and improvi¬sation, Chicago pianist Muhal Rich¬ard Abrams formed the Experiemen-tal Big Band, out of which theAssociation for the Advancement ofCreative Musicians grew. When Ifirst heard the band in the mid-seventies, shortly before Muhal lefttown, it was an extraordinary expe¬rience, full of the freedom and exu¬berance of Chicago's avant gardealong with the delicacy and sheerbeauty of Muhal’s orchestral genius.In the last several years, composerand saxophonist Vandy Harris hasrevived the institution, bringing to itan emphasis on the roots of blackmusic. At the International People’sMusic Festival last summer at thePoint, the AACM Large Ensembleplayed a long tone poem which waslike a Wagnerian overture in black,an extended crescendo built on arumbling, rhythmic theme. TheAACM Large Ensemble has been ap¬pearing nightly around town forseveral months; this Sunday theywill be at Internationa! House, 1414E 59th at 4 —CBW. Thomas Jones will give an organ re¬cital this weekend in Rockefeller Me¬morial Chapel. He will be performingHindemith's Sonata No. 2, Bach’sToccata in F, and Widor’s SymphonyNo. 6. Sun Apr 24, at 8. Tickets are$4; AGO members $3; students andsenior citizens, $2.Jeremy Warburg, soprano, with How¬ard Brown, vielie, and John Ralyea,chifonie, will perform MedievalSongs Of Saints (Nicholas, George,Charlemagne, and Laurence) AndLovers (female and male, saucy andserious). Thurs Apr 28, at 12:15 inGoodspeed Recital Hall. Free.Windy City Men’s Chorus and TwinCities Men’s Chorus Sat Apr 23 at 8.Tickets $8 and $10. Lane Tech HighSchool Auditorium. 227-3353.Dedication Concert St. Thomas ApostleChurch dedicates their organ, en¬larged to include over 2500 pipesand forty ranks. Thomas Westflog,the Church's Director of Music andorganist, will perform selectionsfrom Gabrielli, Bach, Widor, Dupre,and others, accompanied by trum¬pets and timpani. Sun Apr 24 at 3.Tickets $5 and 3. St. Thomas ApostleChurch, 5472 Kimbark. 324-2626.Chicago Chamber Orchestra presentsworks by Ferris, Stamitz and Haydn.Directed by Dieter Kober. Sun Apr24 at 3. Chicago Public Library Cul¬ tural Center. 922-5570. Free.Burgundian Consort Madge Krance andBruce Tammen perform songs anddance tunes of 14th through 16thcenturies. Sun Apr 24 at 3. Tickets$3. Augustana Lutheran Church.524-0911.FILMThe Creature From the Black Lagoon(Jack Arnold, 1954) Fri Apr 22 at 7,9, and 11. DOC $2.Persona (Ingmar Bergman, 1967) FriApr 22 at 7:30 8. 9:30. IHTP. $2.My Favorite Year (Richard Benjamin,1982) Sat Apr 23 at 7:15 and 9:30.DOC $2.Rebel Without A Cause (Nicholas Ray,1955) Long known as one of the Fif¬ties' premier action directors (alongwith Sam Fuller, Robert Aldrich, &Don Siegel), Nicholas Ray is also oneof the American cinema's true avant-garde moralists. Working within thecrumbling studio system of the Fif¬ties, Ray produced masterpieces outof minor scripts, infusing films suchas They Live By Night and In A Lone¬ly Place with a shadowy mise-en-scene that masked a romantic des¬peration beneath the film noirsurface. Ray was also one of the fewearly masters of the cinemascopeimage, and Rebel Without A Cause ishis masterpiece of Scope imagery.James Dean stars as Jim Stark, whoas Ray once put it, “is a boy whowants to be a man, quick." Arrivingwith his parents in a new town, Deanseeks friendship only to find himselfin conflict with police, teachers, andthe local hoods. Sal Mineo plays“Plato," the sensitive youth who isdrawn to Dean, and Natalie Wood isthe girl with whom Dean becomes in¬volved: Dean, Mineo, and Woodform a new-age nuclear family in re¬sponse to their unsympathetic subur¬ban world. Ray’s sense of the avant-garde is shown in every shot and cut,as his use of color to reveal emotion¬al states and the quick cutting at mo¬ments of tension creates a bleak ex-pressionistic universe within whichhis characters must live Ray’s senseof morality is defined in each charac¬ter's ability to form and developemotional bonds within their physi¬cal and social conditions. For Ray,every relationship demands and es¬tablishes its own moral code, andDean’s attempt to form bonds oftruthfulness rather than of decep¬tion and hypocrisy is not only thebest example of Nicholas Ray’s ownvision, but also defined the “JamesDean” style as we know it today.Rebel Without A Cause remainsRay’s most beautiful film, as well asa crucial document of post-warangst. Sat Apr 23 at 7 & 9:30. LSF.$2. -JMEl Salvador: Another Vietnam (GlennSilber and Tete Vasconcellos; Editedby Debora Shaffer, 1981) The direc¬tors of this film recognized the con¬troversy of the issue they were deal¬ing with. The title of the filmappears on the screen as a State De¬partment official lists the dif¬ferences he sees between the twocountries. The film then goes on tomake its case. This is a good basicfilm on the situation in El Salvador.An expanded version of the originalPBS documentary, Another Vietnamreceived the highest award for adocumentary at the 1981 ChicagoFilm Festival, and was nominated foran Academy Award. Sunday April24 at 7:30, Ida Noyes Library. Free.—JCEvery Man For Himself (Jean-Luc Go¬dard, 1980) Retreating from hisMaoist revolutionary politique, Go¬dard’s Every Man For Himself is amelancholic exploration of human affairs, a film which yearns for com¬munion and ends in resignation. Thefilm focuses on a TV/video producer,and the woman who is about toleave him, a prostitute whose lifecrisscrosses theirs, and a randomuniverse of buying and selling. Go¬dard's camerawork has never beenas beautiful, and his vision hasnever been so desperate: each char¬acter's entrapment in a life thatseems to have no purpose or centeris mirrored by a surrounding naturethat is calm and serene. Godard’scinematic distance from his charac¬ters is like a filmmaker viewing peo¬ple on another planet, viewing theirlives and their detachment from na¬ture in an equally detached manner,which makes for an amazingly com¬pelling film. We are drawn into Go¬dard’s post-revolutionary vision assurely as in his earlier films such asWeekend, as the eerie calm in whichthe film’s events take place beginsto reflect Godard’s acceptance of aworld in which love can't exist with¬out work, work destroys love, andlove finally becomes work. As in hisearlier Vivre Sa Vie the connectionbetween capitalism and love is madethrough the theme of prostitution.Yet Every Man For Himself presentsa sense of prostitution in all humanlives, and thus becomes a strange ac¬ceptance of manipulation and com¬moditization in everyday life, acycle of use in which all — includingGodard as filmmaker — is implicat¬ed. A fascinating exploration of pas¬sionlessness, it is interesting thatGodard’s next film, a documentaryon Frances Ford Coppola, will be en¬titled Passion. Coppola will proba¬bly not be pleased. Sun Apr 24 at 8.DOC. $2. —JMShane (George Stevens, 1953) Sun Apr24 at 8:30. LSF $2.Jeanne Dielman (Chantal Akerman,1975) Mon Apr 25 at 8. DOC $2.The Great Race (Blake Edwards, 1965)Tue Apr 26 at 8. DOC $2.Exorcist II: The Heretic (John Boorman,1977) Wed Apr 27 at 8. DOC $2.Elmer Gantry (Richard Brooks, 1960)Wed Apr 27 at 8:30. LSF $2.The Great Dictator (Charlie Chaplin,1940) Well all that I rememberabout the film is that Charles playsaround with a globe and looks likeHitler. I want to see it again so I cancount how often Charles utilizes therule of three. (Hopefully, it will be amultiple of three.) You ask if youshould see it if you’re not obsessedwith the rule of three like me, Iwould say sure, Charlie is cute andfunny and hell I think he would lookgood in a skirt. Thurs Apr 28 at 7:30.IHTP. $2. —SOThe Jackal of Nahueltro (Miguel Littin,1969) Followed by a talk by Rene deCosta. Thurs Apr 28 at 8. DOC. $2.The Lady Vanishes (Alfred Hitchcock, 1938) This movie could be viewed asa travelogue of Europe but since it isdirected by Alfred Hitchcock theremust be more to it. If you didn’tguess the mystery is that a lady dis¬appears while traveling on a train.If I told you more there would be lit¬tle point in you going except forHitchcocK’s great directing. All in all,a very good film. Thurs Apr 28 at8:30. LSF. $2. -SDTHEATERThe Real Inspector Hound ConcreteGothic Theater is presenting thisTom Stoppard play directed byGeoff Potter. The Real InspectorHound parodies the traditional who-done-it genre complete with theatercritics who take part in the proceed¬ings of the play. The performancesand production were highly praisedby David Brooks in last week's GreyCity Journal. The play will be per¬formed in the third floor ReynoldsClub Theater on Friday Apr 22 andSat Apr 23 at 8. Tickets are $3,$2.50 students.Cloud 9: A British comedy of sexualconfusion by Caryl Churchill. Act I,set in colonial Africa in 1880, is aromping social farce, revealing evermore complex sexual connections be¬tween the characters, all rigorouslysuppressed by social propriety. Thepathetic characters and their artifi¬cial situation, so comfortably dis¬tanced in Act I, gain new poignancyin Act II. Now in London in 1980, wemeet the same characters, for whomonly 25 years have passed, involvedin an equally convoluted yet disturb¬ingly contemporary set of social re¬lationships. The times are a'chang-ing slowly; our Victorian heritage isstill very much intact.The social determination of genderroles and sexuality is the primarytheme of this play Between acts thecast exchanges characters (acrossboth gender and social lines), a feataccomplished with great agility bySteppenwolf. The sincerity of thecharacters and the excellence of theproduction make this an entertain¬ing and surprisingly moving play.Directed by Don Amendolia, Cloud 9will be at Steppenwolf only twomore nights, then moving to theApollo Theatre, previewing April27-30 and opening May 1. Toes thruFri at 8, Sat at 6 and 9, Sun at 3 and7. Tickets $13-16 . 2540 N Lincoln.Info: 472-4141 —SP/MPARTDavid Bufano MFA show. Through 28April at Midway Studios, 6016 Ing-leside. Mon-Fri, 9-5. 753-4821.Free. Daniel Buren Intersecting Axes. Thesederive from the four corner windowspaces at the north end of Cobb. Thisspace includes classrooms along itseastern third, so the axes intersecttoward the gallery’s eastern end.This produces a disjunction betweenthe seen, asymmetric gallery spaceand the implied, symmetric space ofthe building. A transition from theactual, physical things (gallery, in¬stallation) to the ideas of these pro¬duces the simple and startling con¬clusion that the piece is larger andmore perfect than and in fact in¬cludes the space that appears to/ present it. Through 4 May at theRenaissance Society Bergman Gal¬lery. 4th floor Cobb. Tue-Sat. 10-4;Sun, noon-4 . 962-8670. Free —DMMedieval and Renaissance CeramicsCloses this Sun, 24 Apr at the SmartGallery, 5550 Greenwood Todayand tomorrow, 10-4; Sun, noon-4.753-2123. Free.The Additive Process Worthy presenta¬tion of painting and sculpture; espe¬cially impressive: Ruth Migdal, AliceShaddie. Through 25 May at theHyde Park Art Center, 1701 E 53rd.Tue-Sat. 11-5. 324-5520. FreeHyde Park Women's History Exhibit.Through 29 May at the HP HistoricalSociety, 5529 Lake Park. Sat, 10-noon; Sun, 2-4. Free.Les Levine A problem typical of muchexplicitly political art is that itnever leaves the gallery context. Le¬vine’s makes the non-gallery spacethe subject of the work. He hung4600 posters in prime advertisingspace in New York City subway cars.They pictured a young oriental coup¬le above the assertion: WE ARE NOTAFRAID. An ad for, I suppose, posi¬tive thinking. But the current exhibitneeds to do more than simply docu¬ment NY subways with these postersin them. For one thing, no one in thephotographs is looking at the post¬ers. The interesting question is:what are the riders thinking aboutthe posters? The media projectneeds a commuter survey. The cur¬rent show also includes five largemurals, proposals for road signs.Each is a simple picture with a largecaption, for example, an elk s headwith the title AIM. Five subjects arematched with five verb captions, butone concept sums them all: Plunder.Billboards violate roadside scenery.Levine's have a generic quality thatresembles the anonymity of adver¬tising art. I am not sure that they im¬prove on a bad idea. Through 30 Aprat N A M.E. Gallery, 9 W Hubbard.Tue-Sat, 11-5. 467-6550. Free —SSGaierie Die Wand Drawings and Paint¬ings from an alternative gallery inHamburg, Germany. Through 31May at NAB Gallery, 331 S Peoria.Tue, Sat, 11:30-4:30. 733-0886Free.Grey City Journal 4/22/83Staff: John Andrew, Abigail Asher, Stephanie Bacon, Curtis Black, PatCannon, John Conlon, Steven Diamond, Kathy Kelly, Lorraine Kenny,Bruce King, Madeleine Levin, Shawn Magee, Jeffrey Makos, MarlaMartin, Richard Martin, Beth Miller, Maddy Paxman, Sharon Peshkin,Geoff Potter, John Probes, Abby Scher, Rachel Shteir, Cassandra Smith¬ies, Susan Subak, Beth Sutter, Barry Waterman.Fiction and Poetry Coordinator: Judith Silverstein.Editorial Board: Leah Mayes, Vince Michael, Ken Wissoker.Production: Nadine McGann, David Miller.Editor: Nadine McGann.THE GREY CITY JOURNAL-^FRlDAY\ APRIL.22, 1988—3Continued from page 1them at the band — the same peoplethey’d previously withdrew from in aweand/or non-recognition. Now that the gir¬lies knew who the rock stars were, theyfelt obligated to go through the appro¬priate rock groupie motions. If they’d hadany brains, instead of begging for entry tothe dressing room, they would have wait¬ed patiently: within minutes, most of theband and their entourage had escaped theconfines of the suffocatingly hot and in¬credibly tiny room and were to be found inthe hallway or seated on the edge of thestage.After the show, the situation for an in¬terview was still not promising. Tension inthe back room was so thick that I thoughtmy tape recorder was responsible. True, itwas as yet unremoved from its bag, but Ifigured these people could smell one a mileaway. Sensing danger, I suggested thatmaybe we should call it off completely. Tomy surprise, they seemed genuinely dis¬turbed. Drummer Mick Harvey proposedthat instead, I should come by the hotel thenext day. Rowland seemed pleased, butNick looked distressed and insisted that hewas willing to talk right then. BassistTracy Pew had already left to find his girl¬friend, who was apparently quite ill, andthat was the last I saw of him.Nick and I returned to the dressing roomand chatted for a while, mainly about whythe situation earlier had been so uncom¬fortable. To my relief, I learned I was notthe cause. Relations between band-members were strained, and after thesoundcheck they had all been ready to killeach other. Nick apologized for any misun¬derstanding and did his best to alleviatemy concerns. Eventually we realized thatit was too hot, too loud, and too late in theevening to carry on a coherent conversa¬tion, so we gave up and arranged a timewith their road manager, Jeff Osborne, fora Monday evening meeting.Monday I arrived at their hotel only todiscover that Nick and Rowland had goneoff without telling Jeff. Tracy was notgoing to participate in the interview, andMick Harvey was at the laundromat. Iwasted an hour before checking back withJeff; by then, only Rowland had returned.Jeff and I were in the lobby figuring out anew strategy when Nick wandered in fromthe street, bleary-eyed and obviously notin the best frame of mind. But he was noless enthusiastic about the interview thanhe had been Sunday, so we went to the ele¬vator to find Rowland. We stood in the ele¬vator discussing the previous night forabout fifteen minutes before we realizedthat we hadn’t moved — we hadn’tpressed the button. Upstairs, we couldn’tremember Rowland’s room number. Wehad to wait until finally Rowland openedhis door and stood at the end of the hall¬way, waving his arms to get our atten¬tion.Inside the room, I tried to act like I wasin control of the situation, but I failed dras¬tically. I asked where to put the beer I’dbrought them as a peace offering, andwhen Rowland brilliantly answered “therefrigerator,” it took me ten minutes tofind it — it was right behind me. I then un¬packed the Marantz and tried to locate anelectrical outlet. Outlet found, I couldn’tfigure out how the damned machineworked. I felt totally incompetent, butNick and Rowland found the situationmore amusing than annoying, so while Itried to put an end to the feedback shriek¬ing through the microphone, they ate lico¬rice and told me about the Brooke Book.The forty minutes I actually taped werefull of silly anecdotes and very little thatwould be relevant outside the context ofthe conversation. Even without the shrillbuzz the tape somehow picked up, the con¬versation wasn't suitable for radio air¬play and was not publishable as directtranscription. We gave up on the “inter¬view” per se and just talked. Some thingsdid come up which might be of interest tothose wanting to know more about the his¬tory of the band, but rather than list abunch of quotes, I’ll briefly summarize the“relevant” issues and toss in appropriatestatements made by the band members Continued from page 1While writing this. I entertain the hope that Iwill never again be looked on as a “punk critic";punk style is not my dominant interest in popularmusic. But the punk tradition of directness andchallenge carries much farther than the stiff, re¬actionary stance of most modern pop. And whilemany punk bands are too mannered for mytastes, there are many non-punkers who arebold and wry enough to interest me. What hasbeen most important about hardcore and otherAmerican punk is the commercial niche thatthey've cut for most of the new music I've beenpromoting here.While demand has grown for punk product inthe 70's and 80's, the record industry's majorlabels have been unable to exploit its commer¬cial potential. I think the chief problem remainstoday — the cultural gulf between the new parkcrowd and major label executives. No doubt Co¬lumbia and Warner Bros, could sell enough hard¬core to turn a profit, if perhaps they wanted. Buthardcore is a tightly-coded style and stance; itwouldn’t be suited to the sophistication andproduction that major labels tend to impose ontheir acts. The hardcore audience, for its part,tends to be leery of the commercial taint of therecording industry.Commercial radio, the industry’s promotingarm, will never feature hardcore; it would pre¬sumably have a jarring effect on their mostlypassive listeners. After all, "Hot Hits” is the in¬dustry’s champion-of-the-decade because it ser¬vices its audience with innocuous, market-testedfavorites; electro-pop dance music like DuranDuran and Thomas Dolby are precision radio fod¬der with a sweet, brainless appeal. But hardcoreis a limited music for a limited audience, likeheavy metal used to be, only more so; it’s notsuited for blissed-out radio consumers.In the face of market conservatism, the major’sshrewdly ignored the new music — well enough,for them. As for the frustrated musicians,...theystarted incorporating themselves into smalllabels like Slash, SST, What?, 415, Subterran¬ean — all formed in the late 70’s. Today thereare literally hundreds of these home-bredlabels, founded on the principle that anyoneshould be able to record. As never before, per¬formers are controlling the various aspects oftheir product: mixing, producing, pressing, dis¬tribution, promotion, even cover art. Remark¬ably, many of these companies even turn a prof¬it!Small labels ("indies’’) have proven an amaz¬ingly fertile source of new music in the 80’s —punkers and other eccentrics who might neverotherwise recorded are getting a break. TheBlasters, X, The Dream Syndicate, Mission ofBurma, R.E.M. and many others started on inde¬pendents Indie releases have unveiled thehundreds of worthy and even great acts in ourmidst. It's the exhilaration of the creative com¬munity here in the U.S. that I've been trying toconvey in my reviews.Amuck (Placebo Records)Regional compilations are a vital medium inthe independent rock market; new bands oftenget their first nationwide exposure by appear¬ing on them. In the past, communities as far-flungas Seattle, South Florida, and the Lehigh Valleyin Pennsylvania have sponsored these collec¬tions. Amuck documents the current activity inPhoenix, Arizona, and it's a model of how theserecords should be assembled. It features an im¬pressive range of talent — seventeen bands,only four of whom were previously on vinyi.While several musicians appear in two or threebands each — implying more of a coterie than afull-fledged scene — the performances are freshand distinctive on nearly every track. Amongthe debuts, I was most charmed by Paris 1942,who take their spare sound from early JonathanRichmond, while covering one of his songs (“SheCracked'); the band features Mo Tucker (!) ondrums. Sun City Girls is a tight, jazzy trio, compa¬rable to Los Angeles’ Minutemen; they play agood, stiff snare drum beat on an anti-IRA song,"Bobby Sands Boogie.” The second side of therecord has six arty pieces. My favorite of theseis by a band named Internationa! Language, thatfeatures a brisk, dense arrangement of marim¬ba, keyboards, bass, and little instruments. Theband Destruction closes the album with a shortand riveting piece that rakes over the horriblerealization that "time is a trap"; it featuressome first rate thumping and shrieking. I’d guessthat each of these bands has at least one album ,in them that I'd like to hear, but this one will doin the meanwhileEverything Falls Apart. Husker Du, (Reflex)Husker Du, a trio from Minneapolis, plays a themselves.The Birthday Party began in 1977 asThe Boys Next Door from Melbourne, Aus¬tralia. The line-up was comprised of NickCave on vocals, Rowland S. Howard on gui¬tar, Tracy Pew on bass, Mick Harvey on as¬sorted instruments, and Phil Calvert ondrums. They gained a strong local follow¬ing and recorded an album (Door Door) forthe Mushroom label — a record Nick sayshe would love to void. The sound was pri¬mitive, silly, and typical post-punk withsome interesting musical and lyrical twiststossed in for good measure. According toRowland: “The album was recorded underunfortunate circumstances, a lot of it dueto our total naivete as to what to do whenyou go into a recording studio. Also, wewere put into a position of virtual black¬mail by the company that put the recordout. The second side was only recorded ifwe included a song that they thought couldpossibly be a single — ‘Shivers’ — other¬wise they were going to put out a recordlike the first side, which was recorded ayear and a half earlier, and before I waseven in the group.”A second album, The Birthday Party, fol¬lowed, featuring a noisier, messier sound.Of this Nick said, “that’s totally worthless,and was done entirely without our permis¬sion.” Shortly thereafter, the Boys NextDoor became The Birthday Party and trav¬eled to Britain, borrowing money from afriend who owned a record shop. The re¬ception in Britain was good enough to in¬terest 4AD, a label which began to put outBirthday Party records. Among the firstwas the manic, hysterical single “ReleaseThe Bats,” with the band skipping throughtricky rhythm changes and Nick howling"bite!” as if he feared for his life.The band’s notoriety began around therelease of this record, steadily escalatingas a result of wild live performances andtheir reputation as audience-attackersand degenerates. Their first album on 4ADwas entitled Prayers On Fire and was ac¬cused of ripping off everything from earlyStooges to Captain Beefheart. Some criticsassociated the Birthday Party with mock-horror bands, while others praised themfor what they saw as an effective parodyof rock-and-roll. The former attitude wasmore common, the press insisting that theband acted out their sense of violence andhorror in every aspect of their lives.The notion that the Birthday Party deli¬berately invite controversy was ap¬parently confirmed by the title of a livemini-LP the band released last winter withLydia Lunch. Regardless of whether or notDrunk On The Pope’s Blood was intendedas an inside joke (Mick Harvey’s father is aChurch of England priest), any humor waslost on the band’s critics. As Rowland ex¬plained, “People tend to take things ontoo much of a face value. The fact is, thatnobody accuses, say, Robert De Niro ofbeing Travis Bickle in real life. If his filmposter has him slaughtering a two-year-old girl, nobody would relate it to his per¬sonal character — which is not to say thatwe’re acting when we make a record, butyou do tend to express sides of your per¬sonality that wouldn’t come to light in nor¬mal circumstances.”But even as the Birthday Party weretrying to live down the Pope’s Blood pub¬licity, bassist Tracy was arrested fordrunk driving and sentenced to fourmonths in a prison farm. Only a few weeksbefore the band’s American tour, BarryAdamson was recruited for Tracy’s re¬placement. Adamson also made an ap¬pearance on the second 4AD album, Jun¬kyard, which had a raw edge to it that wasboth ugly and emotionally-charged. The LPfeatured more trouble-causing songs, par¬ticularly “Big-Jesus-Trash-Can,” and theoft-misconstrued “Six Inch Gold Blade.”According to Nick, the latter is about jea¬lousy and wanting to stick the afore-men¬tioned blade in the head of an unfaithfullover: instead, it is commonly misinter¬preted as a violent statement against allwomen.As Rowland later told me, such an accu¬sation against the Birthday Party is ridicu¬lous. The band does not like political over¬tones being read into their music. Insofaras they express “personal politics,” or"the politics of emotion,” the songs are notintended as “manifestos of how to liveyour life.” But the band admitted that Jun¬kyard was an expression of, and an exten¬sion of, the life they were living at the unique and provocative style. Judging fromtheir 1980 debut single, they started out in¬fluenced by post-punkers like P.I.L. But theirfirst album, the super-fast Land Speed Record,appealed to the hardcore crowd. Their last sin¬gle was pop or punk depending on who you ask,while the new album covers the rock spectrum.The band's critical reputation has been built onthese anomalies, with their partisans citingthese contradictions as signs of "integrity.” I'venoticed, too, that people who like punk tend tosplit 50-50 as to whether they like the Huskersor not. I’d say, from all of this, that they’re notyet to the point of making consistently great andinspired music, but that they’re closer to it thanany new band I can name. I think a lot of peopleare reacting to the band’s promise for the fu¬ture.Everything Falls Apart is more or less about in¬dividualism, a recurring and, I think, enlight¬ened theme in hardcore. The best songs — thetitle track and “Afraid of Being Wrong" — arefleet and loud, and carry incisive lyrics about thebad fate of those that merely "go along."There’s also some good, martial-soundinggarage-rock, a couple of thrash songs, and anodd, listless reading of "Sunshine Superman”which I presume is some kind of parody. Thevocals and bass, a downfall for lesser bands, arestrong throughout the record. I think this albumis in line with the band’s promise; I’m anxious tohear the next one.100 Flowers (Happy Squid)100 Flowers was a trio from San Francisco thatsplit up this winter after five years. I think theseguys were at least as good as Mission of Burma(a widely touted band from Boston that also splitup recently), and quite a bit more coherent. Intheir early incarnation as The Urinals, theyplayed a sparse, neo-psychedelic dance music,not then in vogue. Rather than change theirstyle, they formed their own record label and is¬sued some singles. Their activity attracted otherCalifornia bands, and Happy Squid releasedsome of their records as well. About the time“The Urinals” became “100 Flowers,” in 1981,their style was showing a progressive refine¬ment, as demonstrated on their contribution toseveral California compilation albums.100 Flowers collects the best early material(rerecorded) and their recent compositions. I’veheard them compared to the early Gang of Four— they have a comparable grating, staccatorhythm — and I think the two bands shared asense of adventure and reaching. The best songon the album, "Presence of Mind,” features aharsh, strutting guitar line and two beautifullyconstructed crescendos. This would make irritat¬ing background music, but listening to all of theinstruments braiding together is a great puzzleand much fun. Jarring, minimal sounds alternatewith fuller sounding segments in several songs.The strong vocals and lead guitar are thankfullypreserved by a good, clear production.But now it's all history — America will be <>poorer for their absence.Danseparc. Martha and the Muffins, (RCA)Meanwhile, in an apartment on Chicago's poshnorthside: “Hey, remember that cool new wavesingle three summers ago.that everybody who'sever worked nine to five in their life could reallyidentify with? It was called “Echo Beach’ and itwas by some Roxy Music clone band called somereally weird name like "Martha and the Muf¬fins" and it was a hit. Back in the days when theClash were still considered avant-garde and youused to show up at parties in a checkered shirtand pink housewife sunglasses against myskinny white tie and cool, cool wrap-arounds?Come on, you’ve got to remember."Well, just the other day I heard a new albumby those Muffin people, and it’s not too bad atall. Of course, my tastes have become more dis¬criminating and refined since the beginning ofnew wave, and if I heard "Echo Beach” today I’dprobably laugh it off as some silly adolescentditty, so I was pretty skeptical when I heardthere was a new Martha and the Muffins albumand tour. But I was really surprised. There's lotmore substance to M & M than I would haveguessed..." jThey've gone through a lot of changes in threeyears, and they’re a lot mce experimental nowthan they ever were before. Take ''“Several ;Styles of Blond Girls Dancing” on their newalbum Danseparc as a case in point, with itsstrange percussion.-and-pygmy-chant break, re¬miniscent of David Byrne and Brian Eno on MyLife in the Bush of Ghosts. In fact, where theysounded so much like Roxy Music before, they re-4—FRIDAY, APRIL 22, 1983—THE GREY CiTY JOURNALtime of its recording. The album, Rowlandexplained, “was recorded under a situa¬tion of total excess; total physical abuse,; and total mental excess. Consequently itcame across as being messy in a ratherflawed way. I like it that way personally,”he added, “but it’s not a record I’d like tomake again.”; The next record was not merely Jun¬kyard again. The four-song LP The BadSeed, released two months ago, has beenreceived more favorably than any of theprevious vinyl and is selling consistently.Whereas many people have found it “notdifferent enough from Junkyard,” Row¬land noted, “most tend to agree that it’sslightly more coherent and is a more pow-■ erful statement. There’s a lot less muckingaround and less overkill.” It is also, hereckoned, “more subliminal in the wayspeople might’ve found the other recordsoffensive.”I The songs on the EP are better-construct¬ed and clearer than those on Junkyard,and much of the credit for this “more con¬centrated effort” must go to their decisionto kick Phil Calvert out of the group afterJunkyard’s follow-up tour: Phil was “con¬cerned with becoming a pop star, and any¬way there wasn’t much chance of that inour group so we threw him out for his owngood.” Mick Harvey took over drums, andthe band headed to Berlin to plan newstrategies. The Bad Seed was recordedthere not long after Calvert was called iniby the Psychedelic Furs to replace VinceEly. When I suggested that the Furs’ styleof drumming was more of what Phil wasequipped for, Mick agreed, saying it was’’no challenge”; Nick made the dry obser-„ vation that it was “easy for a person withI a lobotomy.” From reports Rowlandheard, however, the Furs were restrictingCalvert’s talents and not vice versa: “Theywon’t let him play anything other than astraight 4/4 beat, and I mean, Phil isn’tthat bad a drummer.”But while the Birthday Party weren’tparticularly impressed by the Furs, theywere even less impressed by some of thebands who've opened for them. In NewYork, they wound up with the Smart as areplacement for the scheduled Sonic Youth| and found them to be “just like the Bay| City Rollers”; in Chicago, they got 4xy■ (“horrible, really awful”). Having openingacts chosen for them can be very “annoy¬ing,” as Rowland put it, “when you try to| get some general feeling about the whole£: proceedings and want to work with a bandi who have vaguely similar aims, and thenyou wind up with someone like thosegroups.”I One band they’d been excited about isH the German group Einsturzende Neubau-p ten — “one of the most offensive groups ina the world,” enthused Nick, and “easilyl one of the top four groups in the world”according to Rowland. Nick was more thanhappy to praise Einsturzende Neubauten:* “Their music is based on noise, but they re-r ally do attain atmospheres. Most groupsf in that genre are interested only in being[ experimental, but when it comes to creat-| ing atmospheres, there’s just zilch,whereas Einsturzende Neubauten havemanaged to be very inventive and still notlose any passion.” Rowland added;"They’re also incredibly dynamic and it’s a! very painful experience to watch them\ and/or listen to them. They use tonal fre-^ quencies that make you feel physicallysick.”Rowland and Lydia Lunch had recorded aI twelve inch with Einsturzende Neubauten,entitled Durstiges Tier. Discussion of thisbrings to mind the other Birthday Party-affiliated projects, like Rowland andLydia's marvelous remake of Nancy Sina¬tra and Lee Hazlewood’s “Some VelvetMorning.” Rowland is eager to follow thiswith similar projects and is planning anouting known as These Immortal Souls,comprised of himself, Mick Harvey ondrums, Barry Adamson on bass, and Gen¬evieve McGuckin on piano. Although he’salready written many songs, he couldn’tsay when they would be recorded: “It’ssomething that is going to happen, but it’smerely a matter of having the time to do itbecause the Birthday Party is time-con¬suming. Also, the other people are ingroups as well so you’d have to find a timewhere everyone is not doing anything...!just have to wait. That’s why we're ‘Im¬mortal,’ ” he laughed, “because we’llhave to probably wait for until the year mind me a lot of Eno and the Talking Heads now.There's a lot more emphasis on rhythm thanthere ever was before, and a lot more strangesounds that border on the unmusical. Consideringthat they’re now being co-produced by formerEno producer Daniel Lanois, and that originalmembers Martha Johnson and Mark Gane listEno as a major influence on them, the similaritiesare not all that surprising.But Martha lists the Beatles and early Motownas other major influences on her, and it shows inthe way that all the Eno artiness is balanced bypop boppiness and amateurish energy. Snippetsof dialogue from soap operas are used in “Walk¬ing Into Walls” to an effect more akin to the off¬hand humor of the Fab Four than to the blusteryseriousness of Eno and Byrne. Every time thingsstart to get a little too strange and self-consciousthere’s always a hook-laden chorus to help keepit all in perspective. And just about everything iseminently danceable."So what do you say we put on our smart, up¬wardly mobile dress suits and go to see Marthaand the Muffins at Club Metro tonight...What?You’re feeling nostalgic and want to dig yourwhite plastic jacket out of the mothballs? Allright...I’ll go and get my yellow jumpsuit, anddig out my ‘Sid Vicious lives’ button. Sometimes Ifeel so old...”Make That Move, The RockatsThe Rockats have a problem. They are one ofthe longest lived (since 1975) and thd best of therecent deluge of rockabilly revival groups. Butwhile they were struggling to get record dealsalong came this bunch of young hotshots calledthe Stray Cats — far Inferior to the Rockats ineverything except flambuoyancy — who becamea household word. So now the Rockats wouldseem to everyone to be copycats (excuse thepun), even though they had been playing rock¬abilly around New York four years before theStray Cats had even thought about it. What todo?Well, Make That Move shows the Rockatshedging their bets a bit. If I had only heard thefirst side of this six-song mini LP I would havenever guessed that the Rockats had anything todo with Rockabilly at all. Slickly produced (byMike Thorne of Soft Cell fame), with more synth¬esizer than guitar, they remind me more ofSteve Miller than Carl Perkins, although theysound more spirited than Mr. Miller does. Thesongs sound perfect for the radio, but they are afar cry from the exhilarating performances ontheir previous Live at the Ritz as well as theirtwo Chicago appearances last summer. No onewill ever confuse them with the Stray Catsthough.The second side is where the Rockats I've cometo know and love begin to surface. The wonder-'ful “Go Cat Wild” is the best rockabilly revivalsong I’ve heard by any band, and although someof the excitement is dulled by the meticulousproduction, it still is the Rockats at their best."Never So Clever” isn’t bad either, with its ter¬rific breakneck speed guitar break, and rollick¬ing snare lines. “Make That Move” does a fairjob of reconciling the differences between thetwo sides of the record, but I get the sneakingfeeling that it could have been a really greatsong had not all the rough edges been ironedout. You could say that about the whole album.Next time, I hope, they will worry less abouttheir competition and more about keeping thingsexciting.Deep Sea Skiving, Bananarama, (London Re¬cords)Here is the record that redeems London fromall the bad Rolling Stones records that havebeen released. This group is truly amazing, theycan’t play instruments, sing or write songs yetthey sell millions of records. This album provesthat they can't make albums eitner — it is a col¬lection of great a and b sides of singles. Halt arepop classics, most already released, like “ShyBoy” and “Reallly Saying' Something”; theother half is dreck like "Hey Young London” and“Wish You Were Here.” (Alas this is not a re¬make of the old Pink Floyd song.) None of thisalbum attains the heights of their best song, aremake of the Sex Pistols “No Feelings,” re¬leased on the Party Party album and nowhereelse.Some of you readers may be wondering why Ilike Bananarama since so far I .have said almostas many condemning items as condoning; K is be¬cause I’m secretly in love with them. The otherreason that these girls are the “most” is becausetheir album covers make beautiful wall decora¬tions residing next to my collection of Boy three billion!”As far as solo projects are concerned,Nick had been planning to record a countrysingle with fellow Australian Chris Baileyof the Saints. The mention of that amusedhim greatly: “Well, actually I can’t re¬member what the song was called. I can’tremember anything about it at all. Wewrote it together and it fell apart. I mean,actually we didn’t record it at all. I thinkwe just sang a version of ‘North CountryGirl’ by Bob Dylan! We were a bit drunk atthe time.” I forgot to ask Nick about thefifty short plays he’d written with LydiaLunch, as far as I know, they’re still tryingto find a publisher.We discussed the tour, which was poorlyorganized and executed. They'd playedMinneapolis on Friday, Dallas on Satur¬day, and Chicago on Sunday (“because wewere so close that we just thought we’dpop over!”). “The people who organizeyour tours,” Rowland said, “do it with atotal disrespect for any kind of discomfortit may cause you.” “In fact,” Nick added,“they make it as uncomfortable for you asthey possibly can because basicallythey’re all frustrated rock musicians andso they try to punish the rock musicians.”Waxing philosophical with his tongue firm¬ly in cheek, Nick remarked, “You live andlearn. It all adds to the kaleidoscope oflife’s experiences...It’s a bloody pain inthe ass!”I asked their opinion of the Chicagoshow. Rowland justified the stand-back-and-gawk attitude of the posers by saying“you always get that type of thing, espe¬cially if you’re in somewhere like Americawhere a lot of people come purely out ofcuriosity or just because they want to go tothe club for the evening." As for the“greatest hits" requests, Nick insistedthat the crowd didn’t really want to hearold material, and laughed, “If they’dheard them they'd wish they wouldn’t’vebecause we’d play it so badly. I mean,we’re really so bored with it!” Rowlandcompared playing old songs to Ford’s"putting out a car they produced twentyyears ago that was totally redundant, justbecause some people like the shape,” andwhich was, Nick pointed out, “not nearlyas good as it was twenty years ago.”Still, they had had high expectations forChicago, as they had fond memories fromthe last tour. Surprisingly, Rowland consi¬dered Chicago “about the best date weplayed on that tour, the one with the mostappreciative audience, where anyoneseemed to know who we were, or that weweren’t the Beatles.” Nick rememberedChicago as “great fun last year,” largelybecause the audience was so generous —Mick Harvey laughed and said they’dthrown money.When I mentioned that I thought the asyet unrecorded material seemed to goover fairly well, they were quite pleased.“That’s really good,” Rowland said exci¬tedly, “because a lot of those songs havehardly been worked on at all and reallyneed to be changed in a lot of ways, but Ido think they work well with most of theset.” Some of those songs may turn up oneither of the two EPs the band will recordwhen they return from America; one willfeature the best stuff they’ve been play¬ing live and the other one will be of a verydifferent nature. The Birthday Partywon’t be recording albums anymore, Row¬land confided.They aren’t sure just yet what recordcompany will get the EPs, but it is doubtfulthat it will be 4AD. They haven’t had anytrouble with them (“they wouldn’t do any¬thing without consulting us”), but the labelis small and lacks a good distribution poli¬cy. At the moment, the idea is that they’llbe working with Mute, home of DepecheMode. “A lot of people have said thatsounds ludicrous, but (Mute boss) DanielMiller has been interested in working withus since we first got to England,” Rowlandexplained. “People also tend to forgetthat he released the first D.A.F. album,which is one of the most offensive records Ican remember — the live side is incrediblynoisy.”Mute and Miller have worked out somenice distribution deals with major labels,and a set-up with Mute might alleviatesome of the Birthday Party’s woes. Atpresent time, the band are working with¬out a manager (Mick had been doing mostof the honors) and have had incredibly badContinued on page 6 George photos These covers are so sublime thatI can practice becoming a groupie for the timewhen I meet my idols, Bananarama and CultureClub. So buy this album, hang it up on the wall,but by no means play it.Various and sundry (available at all drug stores)items, Culture Club or more specifically BoyGeorge, (Virgin Records, MV3 and many fanmags)Meanwhile Culture Club has released two newsingles and toured the states including Chicago;luckily yours truly has witnessed all theseevents. The new singles are tremendous sincethey highlight George’s beautiful voice. Both"Time” and the just released "Church of the Poi¬son Mind” are soulful, tender and sweet songs.The main problem is that the cover art is no¬where as beautiful as Boy George and is notworth covering the wall with. As for the liveshow, it was truly spectacular. Boy George wasprancing around in a white dress in front of thou¬sands of adoring fans. The fans threw him rosesand letters which he gratefully took throwingkisses in return. Then a stupid fan offered himsome beer; luckily he turned it down otherwise Iwould have been crushed. The songs sounded ex¬actly like they did on the album and the bandwas boring so all there was to do was to watchBoy George but hey that is all I wanted to doanyway.Overkill, Men at Work, (Columbia)A friend and I made a bet about the new Menat Work single. The loser would have to listen tothe song twenty times in a row. I believed thatthe song wouldn't make it to number 1, that thegroup was just a flash in the pan. Well it lookslike I am wrong, it has debuted on the billboardhot 100 at number 28. (Pretty incredible for agroup which no one had heard of before lastyear.) In addition, the song is by far the most ob¬noxious one that they have ever written andsung. The question is how to get out of this inanebet?Let’s Dance, David Bowie, (EMI America)Mr. Bowie has come out of hibernation and Itseems as if everyone is overjoyed. He has easilybecome the 70’s answers to The Stones. A personwho should have died but through a lot of luckand influence on newer groups has been able tosurvive and flourish Presently this single is atnumber 29, right behind the Men at Work single.This single has beep produced by the Chic team,once again showing their influence on new waveartists (somehow I feel Bowie should be consi¬dered old wave.) One may ask is this single anygood and I reply no but neither is it any worsethan any of the other white dance floor crap thathas been released and became big hits this year.(The exceptions being, of course, Boy Georgeand Bananarama.) I just hope the rest of thealbum is a bit more innovative or else someonemight accuse Bowie of imitating the HumanLeague.Der Kommlsar, Various Artists, (A&M/Epic)At this time, I know of 4 versions of Der Kom-misar, of which I have only heard two. The firstand probably best version is the German one byFalco. This song, while highly imitative of SuperFreak by Rick James, is also highly listenableand enjoyable. It has the benefit that no oneneeds to worry about the lyrics since few Ameri¬cans can understand their rapid fire and slangyGerman. Tnis song has become the one to knowand love. I was at a party last week where theyplayed Super Freak and my dancing partner toldme how much she preferred the original Germanversion. I explained how the German ripped offthis riff but she wouldn't believe me claiming tobe cooler than thou ( an impossibility, no? ) Theother version I have heard is by After the Fire,an English group. This version relies on synthe¬sizer rather than bass and drums for its sound, ithas become a big hit in America climbing to 9 butis basically inferior to the German version. Themelody is plodding and the lyrics are dumb, mak¬ing little sense and fronrvwhat I understand bear¬ing little resemblance to the German lyrics. Theother two versions are by women; one is by a girtgroup from N.Y.C. whose name I forgot andwhose version I have never heard, and the otheris by Laura Brannigan of Gloria fame and I can’twait to locate a copy of it. It should be hysterical.From what I understand the only entities thatthese songs have in common Is the use of DerKommlsar in the chorus and that catchy “cha” or“Jab” in the middle. But hey the versions shouldsound great all played one on top of anotherSStew ftanwndTHE GREY CITY JOURNAL—FRIDAY, APRIL 22, 1983—5Continued from page 5luck with tour managers. Their last tour ofAustralia brought in $80,000, but at itsconclusion, only $5,000 was left. Rowlandand his girlfriend, Immortal Soul Gene¬vieve McGuckin, share a room in London,as do Mick Harvey and his cat, but Tracyand his girlfriend have been shufflingfrom friend’s to friend’s, and Nick, saysRowland, “sleeps on park benches.”As far as press exposure is concerned,they were delighted with what little theycould get in the States. In fact, I was thefirst person to approach them in Chicago.When I laughingly told Rowland that the“magazine” I was writing for was a coi-lege newspaper that considered itself “intouch” with political arts and fads, partic¬ularly pertaining to feminism, he seemedfascinated. It would be a different type ofexposure, he concluded, and a nice switchfrom the typical fanzine cliches.Rowland was disappointed not only bythe “incredibly limited amount of press’the Birthday Party got, but also by its na¬ture: “As far as I’m concerned, I would’vethought, or I would’ve hoped, that ourgroup was one of the few groups thatcould’ve been written about in a magazinethat was not primarily concerned withmusic, because I can personally see a lotmore going on than just the obvious rockband intentions.” He cited The Face as amajor disappointment, reading a ridicu¬lous blurb in last month’s issue about theswastika on The Bad Seed Ep cover art.Aside from this sentence, The Face has onlyprinted one tiny column and picture over ayear ago: “They’ve never reviewed any ofour records or paid us any attention what¬soever, and they have supposedly setthemselves up as a magazine that is inter¬ested in anybody that breaks newground.”They were pleased, however, by the re¬cent New Musical Express story which fea¬tured Nick on the cover (March 26). It wasmore balanced, less superficial, than thestandard fare. It was also, Rowland noted,“the second cover we’ve been on...thethird magazine cover in the history of thegroup that I can remember.” I promisedhim I’d try to arrange the fourth, and heand I laughed over the idea of the fourthBirthday Party cover being for the GreyCity Journal, a feminist art magazine. The“interview” Monday night concluded withRowland scrambling for his missing shoe,Nick biting caps off beer bottles, and meheading for the el with instructions to tellthem if there were any exciting things todo before they left Wednesday.Tuesday afternoon my friend Athenaand I decided to call and invite them to goto the Smart Bar with us. Mick Harveybowed out of Tuesday night’s activities —the most practical and realistic of the fourbandmembers, he chose to get some rest.Nick, Rowland, and Nick’s girlfriend AnitaLane agreed to meet us at the pub nextdoor to the hotel. The pub was cute andconservative, and the three of themlooked hopelessly out of place; theyseemed emaciated and deathly pale com¬pared to the robust midwesterners withtheir pink cheeks and designer jeans. Thethree of them wore shades of black andgrey; the men’s hair was dyed black, andAnita’s waist-length mat was dyed a Bozo-orange. The bartender regarded themwith detached amusement, as if repeatingto himself the words of wisdom postedabove the entrance: “Our customers arecontinuous entertainment.”“Smart” wasn’t incredibly busy, so wesat at the bar exchanging small-talk witheach other and with the two Joes who runthe place. The Australians were subduedand not exactly in partying moods, butthey didn’t seem eager to leave. As Nickput it, “You can either dance or sit in aplace like this. I don’t feel like dancing.”Later into the evening Joe Shanahantook Rowland on a tour of Metro/Smart.Rowland returned greatly depressed, say¬ing that the next time around, the bandwould play Metro: it was bigger, woulddraw more people, and had a friendlier at¬mosphere. He sat against the wall, lost inthought and looking glum, and was rousedonly by the original version of “Some Vel¬vet Morning.” He then explained theband’s early Australian history to me andbecame quite excited when he started totalk about two obscure Australian bandswhose names I can’t remember. He saidthese two bands were the best new groupshe’d ever heard, but due to a lack of expo- by Steve DiamondFor the last decade, when a pop group ap¬peared on television, they would lipsynch toa recorded version of their song. This condi¬tion existed because the producers wanted toknow exactly how long the song would be sothat they could figure out the length of eachsegment. No one saw anything wrong withthis; rather it was just a restriction of thetelevision industry. This situation went un¬changed until Public Image Ltd. played on"American Bandstand.” Unlike other bandswho were willing to just "play” their instru¬ments while the music tracks ran, PublicImage decided to make fun of them. Thegroup pranced round the audience andswitched off instruments while the musicplayed on as if nothing were happening. Themusic critics heralded this display as sensa¬tional since it was mocking a convention of anindustry which they despised.The critics hoped that the new wave groupswould continue to mock this convention to apoint at which television would wise up andallow the bands to play their music live. In¬stead, the Public Image appearance turnedout to be just an exception, and televisioncontinued to lipsynch pop groups. This notionhas become so acceptable that a show called“We’re Dancing” totally disregards the per¬formers. They begin the musical track as themusicians are setting up their equipment sothat there is no pretense that the band isplaying live. Since synching has become so ac¬ceptable on television, some performershave started to test the waters to see ifsynching would be acceptable on stage too.The notion of synching on stage started inlittle ways so that the audienc^ wouldn’t no¬tice. Many hard rock bands would supple¬ment their sound with added back-tracks.Such groups as Pink Floyd on their “TheWall” tour had the musicians play instru¬ments while a back-track ran that addedvery subtle nuances to the musib. Neither theaudience nor the critics minded this becausethey reasoned that it would be impossible torecreate their musical sound without theseback-tracks. So in reality, the band was tak¬ing great pains to create a total sound ratherthan using the tapes as a simple way of solv¬ing a problem, as is done on television.Another area in which back-tracking wasconsidered acceptable was rap music. Raprelies on a d.j. who alternates records while agroup of singers talk over them. This conven¬tion was acceptable since the same conditionsapplied in the studio and in concert. In fact,the d.j. slowly attained star status; the turnt¬able could be considered GrandmasterFlash’s instrument just like Eddie Van Halen’sinstrument is a guitar. Another reason forRap acceptability is that it caters to a rela¬tively small audience of blacks, and newwave boys and girls, who have listened todance music and do not see the need for aband to play their instruments or even have“instruments,” in the conventional sense.Thus the real reason back-tracking is accept¬able for rap music is because there is no pre¬tense that the group can play any instru¬ments.So it seems that if a band wanted to, theycould completely lipsynch a concert. But as itturned out, it took a while longer for such aconcert to take place without incident. Banan-arama tried to stage such a concert in NewYork and learned that the crowd does not ap¬prove. Bananarama arrived on stage hourslate and proceeded to dance and lipsynch toonly three songs. The fans were upset be¬cause they paid $10 and all they got in returnwas about a 20 minute look at “the girls.”Bananarama believed that the audiencewould be happy just to see them having agood time. It seemed obvious to them (and tome) that their main selling point was theirimage. They symbolize three incrediblyhealthy and beautiful girls, or as my friendshave said, “They look like they could be re¬jects from the cover of 17 magazine.” Fromtheir record, it is obvious that they have littletalent since they don't play instruments orsing on key: rather the genius is the producerwho mixes their voices on On the prerecordedbacking track. Bananarama believed that sure and response, both had already bro¬ken up.Rowland explained why the BirthdayParty were one of the few Australianbands to acquire a means of passage toBritain, and why their financial matterswere now in such a disorganized state.Naturally, the majority of the blame wasplaced on poor (if any) management, but Ifelt like shaking him and screaming thatthe fault lay not so much in the incompe¬tent managers as in the band, who shouldbe able to find somebody competent. I sup¬pose I’m just uninformed and idealistic,but coming from someone as intelligent asRowland, bad management seemed like afeeble excuse for wasted potential andsquandered talent. But he and Nickseemed depressed by enough things al¬ready that I didn’t want to add to theirtroubles. Shanahan came to the rescuewith his silly sense of humor and boundlessenergy, and dragged them off to sign theirnames to Nick’s face on a copy of the NMEcover.While they were gone, I got a chance totalk to Anita, Nick’s girlfriend and some¬time writing partner. She had said verylittle and seemed incredibly uncomfort¬able, but once I got her talking, she wassweet, if timid. I asked about her writing,surprised that she was the same personwho had cowritten, “Kiss Me Black,” and“Dead Joe” — she seemed harmless andtoo innocent or naive. She announcedbreathlessly that she had written some¬thing “really great,” but had lost it alongwith her handbag in an East German cafe. Iwondered how one went about losing ahandbag in a cafe — especially if it con¬tained something “really great” that youwanted to keep for posterity — but Iasked instead about the recording she haddone last year for a German compilation.She could only offer the information thatshe was working on a twelve-inch for an¬other German company, which might ormight not feature members of the Birth¬day Party backing her. I asked what shedid when she went on tour with them: aftermuch hesitation she replied, “Well, I go outand look at places, shopping places.” Ididn’t bother to ask what she did when shewasn’t on tour with them.It was getting very late, and the Birth¬day Party were scheduled for an eleven-thirty flight the next morning, so they de¬cided to leave. Before they headed back tothe hotel, Rowland asked if I thought I’dgotten anything usable from the tapedconversation. He told me all I would haveto remember would be The Brooke Book,because itwould provide me with answersin moments of desperation. He also pro¬posed that maybe I ought to just write“(sarcastic)” after every direct quote. Ipromised him that the Birthday Partywould get their fourth cover story, good¬byes were said, and that was the end ofthe Birthday Party’s Chicago adventure,or of my Birthday Party adventure, which¬ever seems more exciting and less of a con¬tradiction.For their sake, I hope I have done themjustice, even though I know it is impossibleto represent accurately every aspect of apersonality (as well as of an adventure). Itis even more difficult when that personali¬ty is steeped in a reputation familiar to,and recognized as inaccurate by the per¬son trying to present a multidimensionalpicture. The problem inherent in so-called“fan” journalism is that the people whoare going to read it either don’t know thatmuch about the subject, or won’t want toread the same cliches that they can findanywhere else.When I asked the Birthday Party if theythought there was anything in particularthat they wanted to make clear, Nick andRowland had eyed the tape recorder skep¬tically, turned to each other, and an¬swered in unison, “No.” As Rowland ex¬plained, “We’re not very good at partingshots.” The Birthday Party feel no obliga¬tion to spell everything out for the audi¬ence, and neither do I.We can only provide so much informa¬tion, and the rest of the responsibility is upto the reader or listener to inquire into orinterpret. If you don’t think I’ve done a re¬spectable job of portraying the BirthdayParty, you should go out and interviewthem yourself the next time they’re in Chi¬cago. And if you don’t like reading ex¬cerpts from my diary, go buy yourself acopy of The Brooke Book and leave theGrey City alone (sarcastic). they couldn’t recreate the sound made in thestudio so instead they decided they shouldjust bring the prerecorded tapes and lipsynchto them. The prerecording was done to pleasethe audience; but Bananarama misjudgedtheir audience, who wanted to hear them singno matter how horrible they were.It seems, then, that the world isn’t pre¬pared yet for lipsynchers. But I went to seeanother concert where Michael Jackson madea surprise appearance after GrandmasterFlash. Michael Jackson didn’t bother to havea band or even to sing to a recorded track: hejust danced and strutted his stuff while theclub played excerpts from his last twoalbums. The audience reacted just as theywould have if he had actually been singing. Ihad attended the concert with my favoritecouple, Monica and Stephanie, and Monicadecided to stand away from the stage sinceshe was too amazed at the event that wastaking place to really participate. Stephanieinched her way to the front of the stage andthen reached her hand out so that Michaelwould shake it as he had done with countlessother females. Granted, no one expected Mi¬chael Jackson to appear and thus they did nothave the feeling of being ripped off as withBananarama. Nor did they expect Michael topay for a band at a gig where he wasn’t evenbeing paid. But nonetheless, I got the distinctfeeling that if the gig had been advertisedand the audience had had to pay, theywouldn’t have been disappointed if MichaelJackson did nothing but lipsynch and movehis incredibly sexy body.A few weeks later, I learned that not onlywas Michael Jackson lipsynching, but in fact,an imposter was hired by Sugarhill Recordsto portray Michael after The Grandmasterconcert. The ploy worked excellently becausemany critics wrote about Michael Jacksonpaying homage to Grandmaster and trying toalert America's youth to this new and vitalmusic form. Michael Jackson got a hold of oneof these reviews and then told everyone thathe was at an anniversary dinner at thetime.It is still questionable whether Michael istelling the truth since many people have saidthey saw other Jacksons in the audience. Butif it was an .imposter, he was able to fool theaudience, the critics, and the club owners. Ifno one realized what was happening, whyshouldn’t an imposter begin to tour instead ofthe real item? It would be a lot less expen¬sive and it would make it possible for him toplay more cities since once one imposter gottired, they could replace him with another,making it possible for the greatest number ofpeople to brag to their friends that they saw, Michael Jackson in concert, or an imposterwho moved exactly like the real thing.But then I realized that there was reallynothing new or innovative about imposters.There have been countless cover bands whohave decided to play songs from only oneband. Examples are Crystal Ship who playDoors songs, Rick Sausilito who plays ElvisPresley songs and countless Beatles, RollingStones and Greatful Dead imitators. Thesebands have all prided themselves on theirability to play music as close to the originalas possible. As Crystal Ship used to say “notthe real thing but an incredible simulation.”These bands have made it possible for thou¬sands of fans to experience concerts whichare similar to the real item except for theprice of the ticket and the size of the club.(And though they would deny it, quality.) Thisproblem with quality then' taught me whatwas innovative about the Michael Jacksonimitator. This imitator utilized a backingtrack so that the audience would believe itwas still Michael. In addition, there was nochance of slight variations because of anymusicians, since it was really just the recordthat was being played. Thus the use of re¬corded music, rather than live musicians whoplay similarly to the real ones, is what madethe Michael Jackson concert innovative.This use of recorded music brings me backto the fact that “American Bandstand” hasbeen using a record for the last decade andmaybe has conditioned us to accept the notionof an imposter who can’t play the songs of theoriginal act, but instead just makes similarmovements, actions and innuendos. But thequestion still remains, is it an art to duplicateanother artist, be it with or without live musi¬cians? I would say yes, if, as in the case ofcolas, there was a blind taste-test in whichthe audience couldn’t tell the difference be¬tween the original and the imposter.6—FRIDAY, APRIL 22, 1983—THE GREY CITY JOURNALDr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know thedifference between advertisedcheap glasses or contact lensesand competent professionalservice with quality material.Beware of bait advertisingEye ExaminationsFashion Eye WearContact Lenses Studios, 1 & 2 BedroomApartments AvailableSome Nice Lake ViewsGood LocationHeat IncludedParking AvailableCALLHERBERT REALTY684-23335 % Student Discounts9:00 A.M.-4:30 P.M.Monday thru FridaySat. 10-4le works tor piano, and symphonies**• “ISCSi^ « ™«."V .bestian Bach. ^ c^hcmWNCN (New York)w „„„ nf the most technically accomplishedSttlKSSSlS—t--nportant he is.Peter J. PineMusic 8> Musicians•Nnw there has arrived a magus of the piano capable3eoffrey Douglas Madge.Paul Griffith*The Times (London) The “NicholasNickleby” ofNew Music‘OPUS CLAVICEMBALISTICUM"“Grander than a Gothic cathedral More intricatetnan a Rubik's cube. Rarer than a Mahler concerto'K.D H.kSXnjngContemporary Concerts and the Department ofMusic of The University of Chicago present theAmerican debut of piano virtuoso GeoffreyDouglas Madge in the U.S. premiere ofKaikhosru Shapurji Sorabji's massivework'"Opu$ Clavicembalisticum"-of opusperformance which was cap JLveme(U to play a work otwould have been an astounding dlu,cu|W, but O C. is nosimilar length and ot on y ' The physical and inlet-^veS"t,es0^nfrom meie endurance are staggering.^dMadgeSmasteryoMhem^rS,agger,ngTempo■Geoffrey Douglas Madge is ^"ndedTk'e'Zvirtuosity and be,’"*en P*!"' also roniured delicate, gossamiplayers all ^bng r.p a ■ h ens,on t0 Sorabji's super-COra-emba„sr m has the effect ofchanging our notions of music altogether.Mem on BowenThe GuardianSunday April 24, 1983 1:00 PM Mandel HallThe University of ChicagoStudents and Senior Citizens $5.00 5706 S. 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IL 60201 7566 N. flirt SI., CliKalo. IL 606J4(above County Seat)864-4441 880-5400■ - J. ' . , - ■ ' ■ ■ . . . • a; / \ /:■■•■ -.. ■ ■by Beth MillerJan Erkert is concerned' with physical^ia»s Mavbe movement could happen in avacuum, but it wouldn't be dance Dance-eeds outside influences, or at least some111 memory jof them, torexpress what isMnside,\jAhat wants to come out but-doesn't ,knowhow. Dance can't pretend to be self-suffi-i > cient, can;t pretend to ignore or dictate itsphysical surroundings, because dance is ahuman art form . Dance like humanityexists because of its surroundings, and itcan only truly exist for a particular ob¬server when it makes sense in its sur¬roundings. whatever kind of sense. Dance,if it is meant to express or communicate,must attempt a natural science of move-S - ment — movement that makes sense not in;spite of but because of other things thatmake sense, things we call natural. And ifit succeeds, not only do we learn somethingnew, some fact about the movements cre¬ator. but through the movement as ifite-; grating medium-we learn or relearn aboutits (and oun surroundings and ultimatelyabout ourselves.* / - Tlie'se seem tall orders even for someto brand spiritual leader, let alone a verySc;'*:- r- \&)d'L " taunted and frustrated by the differences,n individual capabilities Warm-ups, con¬tests of spinning., balancing; moving,through and around an obstacle coursemarked by three ballet bars, pulling;pushing, lifting . and spinning with eachother;; the game is at least ‘King of theMountain' (taking turns attaining the topof the bars), and at most believing the win-pjngStp. be woritfi the • etfor|^The m Ps^, ‘j|p.6v •ken and instrumental, from Elio’s My Lifein Jhe Bush of Ghpsts exposes nerves,argues for tension. The movements are su¬perficially ‘gymnastic,’ .but the intricatephrases executed on the bars, a duet re-miniscent of a pair of primal monkeys,seems pared down, emotionally funda¬mental. . . .... ■ MDodson’s “From the Book of Image” and“Posthumous attract because of the care¬ful mix of humor and pair. The two pieceswork because Dodson is not afraid to moveswiftly from one element to the other, andas audience we can*'only be frightened bythe effectiveness. The first piece is a shortsolo, performed by Erkert, and is ostens¬ibly defined by a large, mirror and- stooland a Bizarre^ but evocative score splicinga Child’s and a woman s verb conjugatingexercise's with piercing minimalistic key¬boards. “Posthumous' runs quite desper¬ately through, without - music, but withSmall textual inserts spoken by its threeperformers. From the running dive into thefall triangular shadows, to the spinning,stampin;g., gesturing, the • mqv e m entphrasPis wash into ope another, sometimesalmost abruptly. Shapes like silhouettesof tastes from our everyday vvsMd, appearrhoyement ideas. This is. net necessarily scwith all choreographers; some are neitherespecially aware, of nor concerned with un¬derstanding the physical world, except inso far as their particular move ment ideasma.y Beg-in to run up agaihst physical Urn I*tations. But Erkert is special because shedoesh’t see physical properties of motionBut as successTuf die.s.crxp;trdps-; fo-mulas she can follow, even-exploit, id Building expression's. Isolate aproperty, understand’ it. and only then goon to.fry to spedk with it. .Qiniy then winyou pvoi.d the possibility that it will speakagain st you (The case when movement fa lieto make sense). By- understanding theTHERE'S NOTHING WRONG WITH THESE BOOKSMy Search for Warren Hardingby Robert,ftenketKnopf; 1983$11.95 of the actual bet never a fantastic view.He demon st rated this by reading a storycomposed the night before in his hotelroom, about him and Jackie Sherril, thePitt football coach. The writing was beautiful, an account of a lifelong friendship.The one line in the story I remember W“Jackie looked at me like I’d shot a quailin mid-air” — I’ve used over and over inconversation;, replacing the names. Peopiealways look at me and tell me that was anice touch. So I know it was a well-writtenStory, But what I also remember is Hannahsaying afterwards that he and Sherrilnever really met. Now here is a bookabout a retarded tennis star, French Ed¬ward, his friends and associates, allwoven in with Arthur Ashe and Jimmy Con¬nors: the ue again at work. This is a goodbook for several reasons; it’s serious, thelanguage is finely wrought, and it has a ’message'. Inserted among episodes of Ed¬ward’s life is the first-person account ofViet-Naflv vet Bobby Smith, who sees Ed¬ward as the noble American, and travelsaround the country sleeping with his aunt,and taking every chance to watch Edwardplay. Here; then, is that weary theme, thewar. But how nicely treated! A criticism onhow we’ve made War Into a remembranceof a kind of psychotic sport we playedback then. Smith, seeing a photo of Ed¬ward while stili in Viet-Nam, says, “Itmade me love America, to know he was init.” There you have it, an interesting welldone book, with a tinge of sex. If I calledthe humor ‘black’ I’d. make the book moreenticing than it is, but it’s funny enough.Not Pynchon, though like him, not FlanneryO’Connor, though like her, not bestseller,not as good as Ray (by Hannah) — but still,OK. — John Schulmanoffspring; of stars who married theirshrinks; youngsters looking for a break;washed-upsters looking for a comeback.Among these comes poor 'Elliot Weiner,who has left his New York-home and girl¬friend wit&'.a foundation grant to-,''track- ‘down President Harding’s mistress, Plun-ket’s hero seems to be a mild observer, tol¬erant of the;craziness around him; and yetthere are little flashes of playful nastinessthat I laughed at. but nervously. This ob-jectionableness, though, makes Elliot morereai — a friend: you have certain reserva¬tions about — and even he, after all, doesnot escape looking foolish: he scramblesabout on his doomed mission, he awkwardr2 ly wears .Pampers taped to his armpits soi as not to make; a sweaty bad impression.;;^Elliot emerges as a likeable guy, and hisstory, too. is likeable. As a bonus for the7 f , > reader,, .^there t is; some, \ American.. history;and, inexplicably, some footnotes contain¬ing ^ec book- —AbigailAsner-The Tennis Handsomeby Barry HannahBarry Hannah’s The Terms Handsome isa good boo* ' heard Hannah speak on“The Lie m Fiction” at a 1381 writers con¬ference i n Pittsburgh Lies are goodthings;, he said the better the lie,, the. bet-,p,- ter the story,1 for a lie "is a distorted«view pl.”' ‘ ■ - ■: •8—FRIDAY. APRIL 22, 1983—THE GREY CITY JOURNAL;v ■-"r-iV.?,-;-- -,.f . ' '", -.Y* V. ■. . ■MORRY’S DELI(C-Shop Location Only!)DINNER SPECIAL(From 5 p.m. to 10 p.m.)Vz BBQ CHICKENCOLE SLAW & ROLL, FREE POP & CHIPS.CouponGood untilend of schoolyear.Cl983CrRVECE«iAMOCTC7UMA S A Put the pastin yourfuture!LIVE IN AN HISTORIC LANDMARKThoroughly renovated apartments offer the convenience ofcontemporary living space combined with all the best elementsof vintage design. Park and lakefront provide a natural settingfor affordable elegance with dramatic views.— All new kitchens and appliances— Wall - to - wall carpeting— Air conditioning— Optional indoor or outdoorparking — Community room— Resident manager— Round-the-clock security— Laundry facilities oneach floorStudios, One, Two and Three Bedroom apartments.One Bedr(X>m from $-480 — Two Bedroom from $660Rent includes heat, cooking gas. and master TV antenna.(JCMenmejimse1642 East 56th Street^In Hyde Park, across the park fromVx> Museum of Science and IndustryEqual Housing Op|* >rtumt\ Managed by Metroplex. IncORTONJoe Orton'sLOOT"Entertaining as hell...Not to be missed by loversof literate comedy.”- READER“Hilarious ... clever ... amerry little black comedy ”- TRIBUNENow - May 1Wednesday - Saturday, 8:00Sunday, 2:30 & 7:30753-4472Visa/MC/AmexDining Discounts with Mallory's Restaurant. 241-5600CJC Students just S3 on WedThur'Sun with "Student Rush"COURT^THEATREUniversity of Chicago 5535 S. Ellis AvenueThe Chicago Maroon—Friday, April 22, 1983—17ISportsChicago’s Varsity baseball team beat the Illinois Institute of Technology 4-2Tuesday. The Maroons will play Lawrence in a home conference double-header tomorrow, 1 pm at Stagg Field.Women’s track still undefeatedBy Sue FortunatoAfter an undefeated indoor season the U ofC women’s track team continued its winningways by defeating Concordia College lastFriday. The 86-38 victory allowed theMaroons to remain undefeated during the1983 outdoor season.Junior Helen Straus fared well in the fieldevents placing first in the javelin, highjump, and discus and taking second in theshotput. Sophomore Beth Lasky took first inthe shotput and the 100 meter dash whiletaking second in the javelin. Lasky combined with Ingrid Buntschuh,Sara Dell and Nancy Flores to take firstplace in the 4x400 meter relay. Flores alsotook first in the 100 meter high hurdles andthe long jump. Other first place finisheswere turned in by senior Becky Redman inthe 400 meter hurdles and senior Diana Ka-spic in the 5000 meter run.Although no school records were brokenten new personal records were set. As indi¬viduals continued to set new personal re¬cords at each meet the chances of stayingundefeated and winning the outdoor confer¬ence championship steadily increase.Sports CalendarBaseballApril 23 — Lawrence University, at StaggField, 1 p.m. Apr. 25 — University of Illinois-Chicago atIngleside Courts, 3 p.m.Men’s TennisApr. 23 — Roosevelt University, at Ingle-side Courts, 3 p.m.MORRY'S "C" SHOPBeginning, Monday, April 25OPEN 'TIL 1 2 MIDNIGHTFull service Until 10 p.m.Coffee / Donuts / Yogurt / CroissantsAvailable 10 pm - Midnight1131 E. 57th St. • Reynolds Club* Women’s TrackApri. 23 — Bradley University InvitationalHeptathlon, 8:30 a.m.MORRY'S "C" SHOPBeginning, Monday, April 25OPEN 'TIL 1 2 MIDNIGHTFull service Until 10 p.mCoffee / Donuts / Yogurt / CroissantsAvailable 10 pm - Midnight1 131 E. 57th St. • Reynolds Club Softball team trounces TrollsBy Kittie WyneThe Maroons rose above .500 for the sea¬son Tuesday as they slaughtered the TrinityChristian College Trolls 11-1. The Maroons’aggressive offense controlled the game andnot until midway through the seventh inningdid the Trolls manage to cross home plateon a Maroon error.The Trolls were allowed baserunners aseight walks were given up but they were un¬able to capitalize on them until the Maroons’seventh inning error. They stole one base inthe fourth inning; otherwise the runnerswere held to the bags. Bases were loaded inthe second inning off three consecutivewalks but the Trolls’ offense could not meetthe challenge. They hit into a double playthen struck out to end the inning.The Trolls’ offense consisted of two hits bytheir first baseman in the first and fifth in¬nings. They were assisted by six Maroonerrors (the most yet) which were counteredby pitcher Karen Kitchen’s seven strike¬outs.The Maroon offense began with a 3-hit,3-run first inning that showed the Trolls adifferent style of softball. The Maroons got11 hits and 11 stolen bases. They have onlybeen called out stealing four times this sea¬son in 36 attempts. One was a controversialcall at Wheaton, the fourth was at TCC Tues¬day. The Maroons were aided by the Trolls’six errors, mostly at first base. Designatedhitter Helen Gemmill performed well withtwo singles and a double plus aggressive ba¬serunning.The team’s hitting is led by Dana Howdwith a .556 batting average in 18 at-bats.Pryde and Kitchen follow with .471 and .412respectively. Pietrzak, Gemmill and Par-shall all have .400 for a team average of .367.Pryde leads with 10 RBIs and Howd withseven stolen bases.The defense was also consistent, allowingonly two hits. Kitchen notched her fourthcomplete game, raising her record to 3-2.This was the first game where her walksgiven up (8) exceeded the strikeouts (7).Her fast, consistent pitching has been an in¬tegral part of the Maroon defense as herstyle intimidates many batters.The Maroons record is 3-2 with a teamthat excites Coach Pat Kirby. Coach Kirbyis also impressed with the team’s develop¬ment despite their limited time outdoors.Tuesday was an opportunity for her to seeMORRY'S "C" SHOPBeginning, Monday, April 25OPEN 'TIL 12 MIDNIGHTFull service Until 10 p.mCoffee / Donuts / Yogurt / CroissantsAvailable 1 O pm - Midnight1131 E. 57th St. • Reynolds Club the team’s depth again as the early lead al¬lowed her to make many substitutions.The Maroons lost to Lake Forest College,a conference opponent, yesterday, 13-12.They will visit North Park for a double-header Monday.RHEChicago 3230102 11 11 6Trinity C. College 0000001 126IM softballbeginsBy Andy WrobelWith the arrival of spring, the WindyCity’s sport of 16” softball is upon us. Thisyear’s IM softball will be played in weekendtournaments and the usual ladder league.The play is still limited because of the Mid¬way marshes and also the anticipation of thesoccer playoffs. In spite of these deterrentsthe softball avante-garde will play this Sun¬day in this springs’ first weekend tourna¬ment.The team selections for this Sunday werestrictly random but will not be in the future.For the following weeks, houses that pro¬vide an umpire for the preceding weekend’stournament will be guaranteed a position inthe upcoming tournament. IM DirectorRosie Resch has stated that regardless ofthe number of appearances a team makes,if they provide an umpire this week, nextweek they will play. If a team would like toguarantee themselves a place in a tourney,they should see Carol in the IM office to sup¬ply a referee.In other IM activities, archery has cometo a close with many marksmen appearing.The official results will not be availableuntil early next week. The ever-popular,highly competitive horseshoe tournamenthas also begun. More details later as this ac¬tivity nears its close.In other IM spring sports, tennis hasbegun with one major surprise. The highlyfavored team of Weaver/Saling forfeited itsfirst round match and was eliminated fromfurther competition. This unexpected turnof events throws the competition up forgrabs. This second week of games shouldsee the leaders emerge.MORRY'S "C" SHOPBeginning, Monday, April 25OPEN 'TIL 1 2 MIDNIGHTFull service UntiJ 10p.m.Coffee / Donuts / Yogurt / CroissantsAvailable 10 pm — Midnight1131 E. 57th St. • Reynolds ClubDon ’f Go Dutch -Go Frog and Peach2 for 1 Dinner SpecialsWed: Smoked Chicken, 2 for 2.45Fri: Spinach Lasagna, 2 for 3.25 CONTINENTALBREAKFAST•Fresh-baked croissant•100% fresh-groundColumbian Coffee•Fresh-squeezedorange juice*2.00Now open at 6:30 am53^ St.&667-200018—The Chicago Maroon—Friday, April 22, 1983Inside IMIndependent socim playoffs kick off SaturdayBy Jeff TaylorYou figure it out. The Intramural Office,in its infinite wisdom, has seen fit to beginthe Independent Men’s playoffs tomorrow.Never mind that other playoffs won’t startfor another two weeks, or that the indepen¬dent teams (providing by far the best andmost exciting undergraduate soccer) onlyplayed three games during the “regularseason,” or even that two of the best overallundergraduate teams (independents) willbe eliminated before also-rans in the resi¬dence leagues have been excized.By next weekend, at least two of the topfour independent teams, Mildred, Psi Upsi-lon, Amalgamation and Ark Royal, will besidelined for the spring, watching teamsthey could beat in their sleep hack their waythrough the playoffs. No disrespect intendedto non-hack residence teams (you know whoyou are), but only two independent teamswill still be in the running when residenceplayoffs start.Then there’s the independent three-gameseason. How, in three games, is any teamsupposed to organize its talent and oil itsmachine?An example. Psi Upsilon yesterday beatHit and Run by a score of 9-0. The score isnot the telling point; What’s important isthat Psi U has finally started to play likethey can, just in time for the end of thethree-game season. Right wing Jay Brockbroke out of his slump, scoring two of PsiU’s first three goals. Dave Hazelkorn setSean Mahoney up for one of the prettiestheaders I’ve ever seen, making the score4-0. After that, Hit and Run folded, and Psi Uplayed with newfound poise in ripping fivemore scores.Mildred beat Delta Smegma 5-0, in agame that proved less of a rout than anyone expected. Smegma played hard to the end,surrendering at last to the plethora of talentat Mildred’s disposal.The other two outstanding independentteams, Amalgamation and Ark Royal, onlyplayed two games in the regular season,both receiving forfeits from Decagon. Thesetwo teams posed for one another their onlycompetition, but their game was played inthe foulest of conditions. Hence, uncertaintyabout who is the better team.My point in all this is that the three-gameseason is a terrible idea — it doesn’t allowtime for improvement and it doesn’t reallyshow who’s best. The stated reason for theshort season is lack of referees and funds forrefereeing, but every captain I know wouldbe happy to scare up another twenty bucksfor more games. The real reason, as suc¬cinctly put by an anonymous referee whohelped organize the schedule, is that “Youindependent teams gave us so much troublelast year that we just decided we didn’t wantto mess with you. So we gave you a three-game season.”One other thing. We have to bring our ID’sto games from this Saturday on, another ref¬eree told me Wednesday. What if we don’t?He doesn’t know. How will the teams be toldabout it? It will be in the never-read IMnewsletter.In graduate play, the Saudi Union Move¬ment continues to roll, beating the MazatlanSporting Club 3-1. Their only real challengecomes from the Central-South Americanteam, which defeated both Med I andAchilles’ Heels this week. Other stronggraduate teams are Blue Star Vorwaerts,Gertie’s, Penguins, Six stars etc, and Inter¬national House.Compton has taken a strong lead in theWomen’s Red division. The team sports a4-0 record and has beaten both Snell andBreckinridge. Neither Compton nor SnellThe latest news in hair comes from the HAIR PERFORMERS News inPerms - innovative conditioning waves that improve the look, textureand feel of your hair. News in cuts - uncomplicated shapes thatmove easily from casual to professional to nighttime dramatic Takeadvantage of our great introductory offer and make youi own news'PERMS NOW 50% OFF ORCOMPLETE SHAPING AND STYLING NOW $5.00 OFFThe OFFERS GOOD FOR FIRST TIME CLIENTS ONLY1621 E. 55th St. • 241-7778Open 7 Days A Week©1983, The HAIR PERFORMERS has yet played the awesome Hale team, andthese two games will decide who goes to theplayoffs.In the Women’s Red, Lower Flint beatBishop 3-1, and remains undefeated, butDudley looks like the team to beat, with three strong forwards and a good defense.Dudley trounced Bishop 7-0.Crown Rats-II moved ahead of rival Bor-borygmi in the Women’s Mixed Red divisionthis week. The Rats are still undefeated, andwill move ahead to win their division.IM ScoreboardUndergraduate MenFiji 1 :Thompson 5Hitchcock AHale 6Vincent 2Fiji 2Dodd/Mead 3Ark RoyalDelta Smegma 1AmalgamationUpper Flint 2Breckinridge 3Lower Rickert 2Psi Upsilon 9Mildred 5Compton 7 Henderson B 0Fallers 4Tufts (by forfeit)Shorey 1Dewey 1Upper Rickert 1Bradbury 2Decagon (by forfeit)Hit and Run 0Decagon (by forfeit)Dudley 0Dodd/Mead 2Bradbury 1Hit and Run 0Delta Smegma 0Breckinridge 1Game to WatchCompton v Hale — Women’s Red division, Todayat 5:00, Midway-West. This game will decide theleader of the Red and the Number 2 rankingoveall. Look for a high scoring game, as Hale’s po¬tent offense cuts loose. Hale by 2.SOCIM RankingsGraduate Men1. Saudi Union Movement*2. Central-South America3. Blue Star Vorwaerts4. Penguins5. 6 Stars, 3 Bars and a BallWomen1. Scrubbing Bubbles2. Compton3. Hale4. Crown Rats-II5. Dudley Graduate MenSaudi Union Movement 3Mazatlan Sporting Club 1Penguins 4 Real-Inter 0Central-South America 4 Achilles’ Heels 0Blue Star Vorwaerts 66 Stars, 3 Bars and a Ball 1Real-Inter 5 Med 11Gertie’s 8 LH Surge 1Central-South America 9 Med I 1Van der Waals’ 2 Mazatlan Sporting Club 0International House 3 Oligonucleotides 06 Stars, 3 Bars and a Ball 2 Gertie’s 1WomenLower Flint 3Crown Rats-II 4..Compton 2Dudley 7BorborygmiCompton 2BishopThree’s A Crowd Bishop 0Borborygmi 2. Breckinridge 1Bishop 0IM-12 (by forfeit)Snell 1Tufts (by forfeit). Lower Wallace 0Undergraduate Men1. Mildred2. Henderson A3. Psi Upsilon4. Compton5. Ark Royal6. Amalgamation7. Lower Rickert8. Vincent9. Bishop10. Lower FlintRun the Streets of Scenic Hyde ParkTheHyde ParkGargoyle Gallop10,000 meter (6.2 mile) courseDate: May 1, 1983Time: 8 amRace starts and Finishes at the University Church, 57th Street andUniversity Avenue.Entry’ Fee: $6 advance - $8 day of raceT-shirt included with feeBenefit for the Blue Gargoyle Youth Sen'ice AgencyFor more information call: 363-2175- 955-4108Prizes will be awarded in different age groups and overall.Mail $6 and completed entry to: Gargoyle Gallop 10KBlue Gargoyle Youth Ctr.Mail-ins due by April ‘29th.PrintNAMEADDRESSCITY last firstSTATEPHONE SEXAGE ON RACE DAY-B1RTHDATE / 5655 University AvenueChicago, II 60637In consideration of my entry in theGargoyle Gallop 10K, I. the undersignedhereby, for myself, my heirs, executors,administrators, indemnify. waive,release, and hold harmless all officials,sponsors, agents, and merchants, thatare in any way connected with the race,from any claims or dangers arising fromor out of my participation and travel torace.middleZIP.(m or f)T-SHIRT SIZE(cotton/poly) (s.m.l.xl) SIGNATUREThe Chicago Maroon—Friday, April 22, 1983—19NewsSG resultscontinued from page oneVeronica Drake won the race for a singleBurton-Judson seat, defeating Terri Szesnyand Angela Im. Hitchcock-Snell dormitorywill be represented by Adam Vodraska, whoreceived 63 votes.Robert Nesselroth and John Burbank willoccupy the two Pierce SG seats. The two de¬feated candidates Ken Bloom and JonKing.Representatives from the Shoreland willbe Beth Zimmerman (130 votes), Mary Se-kiya (123), David Kirschner (100) and EricPremack (96).The two Woodward Court representativeswill be Laura Koenig and Sandy Spidel, bothof whom received 43 votes. Runners-up are Edward Harper with 35, Kathy Dradnikwith 35, Nir Yarden with 27 and Dan Wilsonwith 21.Jeff Payden was elected to represent thecampus ifraternities in SG, and the singlecommuter representative will be MichaelGriffin.Finally, in the SG division labelled ‘OtherCollege’ four seats were available. Three ofthese will be held by Madeleine Levin (61votes), Urban Larson (47) and Chris Jordan(4). Eight candidates are tied for the fourthspot; they are: Jeff Cohen, Mark Contreras,David Eichenthal, Russ Forster, Ira Green¬berg, Larry Heller, Kathleen Kelly andCampbell McGrath. All have 2 votes.1260 ballots were filed for the executivepositions, 278 for graduate seats, and 775 forundergraduate seats. One vote for Led Zep-plein guitarist Jimmy Page in the president¬ial race was declared void, since Page didnot file a nominating petition.Chemist finds interstellar dustBy Mike ElliotInterstellar dust on earth has been discov¬ered for the first time by U of C chemistryprofessor Edward Anders.Anders isolated tiny grains of carbon fromthe Murchinson Meteorite that landed inVictoria, Australia in 1969. Working alongwith senior research assistant R.S. Lewisand scientists from Cambridge University,Anders found that these grains containedtwice as much carbon 13, a rare isotope, ascarbon here on Earth — more carbon-13than exists anywhere else except for dustcondensed from red giant stars. Blown fromthe surface of these expanding stars, thisdust is the primordial material which con¬denses into stars and planets, and thereforeis critical for understanding the evolution ofthe solar system.Asked why the material had not been dis¬covered earlier, Anders explained that hisanalysis was more intricate than any pre¬vious to this. “We took the meteorite apartto a greater degree than anyone had before.That was necessary because the carbon in the meteorite as a whole is almost complete¬ly normal; the interstellar carbon is onlyone-tenth-thousandth of the whole carbon.-”Atoms from beyond the solar system havebeen found in meteorites before, initially byU of C scientists Clayton, Mayeda, andGrossman who found traces of interstellaroxygen in 1973. These elements, however,had been heated to high temperatures andwere combined and diluted with matterfrom the solar system. The interstellar car¬bon grains appear to be uncontaminated,containing more potential information thanany interstellar material found so far.The discovery is also important becausethis material can now be used for experi¬ments instead of just observed in telescopes.“Intersteller grains have been some of themost elusive astronomical objects,” saidAnders. “Now it appears that at least oneclass of interstellar grains is present in pri¬mitive meteorites. For the first time it willbe possible to study this dust in our labora¬tories, instead of from trillions of milesaway.” Argonne bids for acceleratorBy Kahane CornA panel of specialists in physics and accel¬erators will make their recommendationstoday to the Nuclear Science Advisory Com¬mittee (NSAC) concerning the plausibilityof the $400 million federally funded high-en¬ergy accelerator including its location,which may possibly be the University of Chi¬cago-run Argonne National Laboratory.University President Hanna Gray and thepresidents of Northwestern University andthe University of Illinois urged the state’scongressional delegation at a Capitol Hillluncheon Tuesday to recommend that theaccelerator, which would allow scientists toadvance their knowledge of what is insideatoms, be located at Argonne. The laborato¬ry, competing with a group of universities inthe Southeast for the atom-smasher, fearslosing the project and the 300 jobs it wouldsupply to another state.According to Harry Conner, director ofthe Office of Public Affairs for Argonne Na¬tional Laboratory, the ultimate decision willbe made by the Department of Energy afterthe NSAC makes their recommendations toit.“There are two questions involved,” hesaid, “one is the actual designing and con¬struction of the accelerator and the secondis its site.”Argonne’s competition for the project isthe Southeast Universities Research Associ¬ation, a group of schools that want to locatethe facility in Newport News, Virginia, in abuilding formerly used by the NationalAeronautics and Space Administration.Stanley Ikenberry, University of Illinoispresident, said according to the Chicago Tri¬bune that locating the accelerator at Ar¬gonne would be as important for his schooland other schools in the midwest as it wouldbe for the University of Chicago because ofthe “very close relationship” that re¬searchers at other schools have with the lab¬oratory.The Illinois delegation is concerned about losing the accelerator to the Virginia site notonly because of the loss of money and jobs itwould cause, but also that Argonne may losesome of its staff to the new facility.Final decisions will probably take up to afew months, Conner said.Robin sets up fundThe president of Robin Construction Com¬pany has set aside some $ 1-million in a spe¬cial scholarship fund to be awarded yearlyin scholarships of $2500 each to low-incomestudents from Chicago-area schools.The colleges and universities in the Chica¬go-area have welcomed this program, someagreeing to match dollar-for-dollar theamount of the scholarship to enable studentsto further their educational careers.Albert A. Robin, the president, joined rep¬resentatives of these colleges and universi¬ties to announce this new funds programduring a news conference at the Hotel Con¬tinental yesterday.Cropsey to speakProfessor Joseph Cropsey of the Universi¬ty of Chicago department of politicalscience and the College will speak at theUniversity of Chicago Hillel Foundation,5715 Woodlawn Avenue Friday, Apr. 22, at8:30 p.m., on: “What does the Lord requireof you?” Moral Obligations to a super¬natural authority.The community is invited to attend.MORRY'S "C" SHOPBeginning, Monday, April 25OPEN 'TIL 1 2 MIDNIGHTFull service Until 10p.m.Coffee / Donuts / Yogurt / CroissantsAvailable 10 pm - Midnight1131 E. 57th St. • Reynolds ClubThe University of ChicagoThe School of Social Service AdministrationpresentsTHE SEVENTH SOCIAL SERVICE REVIEW LECTURENATIONAL SERVICEAND THEWELFARE-WARFARE STATEBYMORRIS JANOWITZLawrence A. Kimpton Distinguished Service ProfessorDepartment of Sociology and the CollegeWednesday, April 27, 19834 P.M.SCHOOL OF SOCIAL SERVICE ADMINISTRATION969 East Sixtieth StreetRoom WI20—The Chicago Maroon—Friday, April 22, 1983NewsSSAcontinued from page oneHovda disagreed, however. Of his meet¬ing with Fowlers and Cannon, Hovda said,however, that “those of us who did not haveto make the economic decision were quitevocal in favor of the elevator.”Hovda cautioned, “It’s very easy whenone has strong commitments, feelings, anda rational argument to make a bad guy outof somebody, the one who says no. Bill Can¬non becomes the focal point because he car¬ries the title. I can’t say he took an unjus¬tified position; he took a position I arguedagainst and will continue to argueagainst.”Cannon could not be reached for com¬ment.Despite the focus on the elevator demand,the accessibility controversy has renewedconcern over the broader issue of institu¬tional response to the needs of the handi¬capped. Student committee members, all ofwhom are studying toward careers as socialworkers, find it particularly discouragingthat the School of Social Service Adminis¬tration is inaccessible to the handicapped.Hovda concurred, saying that “it is sadsince this school has a long tradition of beingin the forefront in both policy and practice ofalmost all social welfare issues.”According to Margaret Fallers, the Uni¬versity does have a defined policy on mak¬ing programs accessible to the handicap¬ped. Two and a half years ago, Universityofficials studied proposals for making allbuildings accessible, and found the costs tobe “astronomical.” Hence, they developed aprioritized program in which all new build¬ings would be made accessible, first fol¬lowed by renovations of major buildings,then those individual buildings in which ahandicapped person needed access, and fi¬nally all public buildings like the Reynold;:Club in which a life has recently been installed.In Ellis’ case, however, the program wentawry from the very beginning. According toboth Hovda and Fallers, a two-year concen¬sus on the desirability of an elevator as the means to make buildings accessible wasdropped in an administration meeting inspring of 1982 before Ellis’ arrival. A lift, asa more cost-effective alternative, was dis¬cussed. Then both the lift and the elevatorwere vetoed in favor of creating a tempo¬rary classroom in which all of Ellis’ classeswould be rescheduled. Also, the new propos¬als included an accessible bathroom, aramp to the building, and a parking spacefor Ellis’ van.“By the time Jeff arrived,” Hovda said,“the ramp was finished, but the bathroomwas not, though it had been started. A tem¬porary partition was created in the libraryand all classes but one were scheduledthere. The one large class was taped so thatJeff could listen to it.” Later, a speaker wasinstalled in the lobby to enable Ellis to listendirectly to the lecture and a special speakerphone was installed.According to Ellis, these efforts neithersolved the problem of accessibility nor func¬tioned as they were intended. The parkingspace was situated near a fence, making itdifficult to lower his wheelchair; the tempo¬rary classroom disrupted other libraryusers’ study; both the bathroom and thephone were kept locked and a key was notmade available to Ellis; and he still lackeddirect access to classrooms and faculty of¬fices.The breaking point, according to Ellis,came when “The students saw me everyMonday, Wednesday, and Friday sitting atthe bottom of the stairs listening to the lec¬ture in the lobby and many of them came upto me and said, ‘I’d be outraged if I wereyou.’ I was very embarrassed to be sittingthere. I felt stigma. But then, I had anotherthought, that the University should be terr¬ibly embarrassed to have me sitting there.For the most part, I felt like a public spec¬tacle.”Hovda said that in November the adminis¬tration committee reintroduced the idea of alift in response to Ellis’ dissatisfaction. Con¬current with administration meetings, stu¬dents met with Ellis and formed the Ad HocCommittee. The students negotiated withadministrators for an elevator, but since theelevator was vetoed in favor of the lift, theadministration has remained committed toits choice. Ironically, it is now the student committeewhich is urging the administration to haltconstruction of the lift “until the legal ques¬tions are settled.” The committee has re¬ceived advice and legal assistance fromAccess Living, a national advocacy groupfor the rights of the handicapped. Any futurelitigation would center around federal regu¬lations concerning programs benefitingfrom federal assistance, specifically HEWSection 504 regulations, which states that arecipient of federal funds, such as this uni¬versity, must make its programs “readilyaccessible to and usable by handicappedpersons.” The code also states, however,that each facility need not be accessible if“the program as a whole” is accessible.In addition to seeking legal help, the com¬mittee plans to make the University publi-eally embarrassed enough to concede. In ameeting last week, proposals included amedia forum, the picket, and contacts withNew Med CenterDr. Donald W. King, vice president for theUniversity of Chicago Medical Center,today announced the appointments of BruceC. Campbell and W'illiam E. Walch as asso¬ciate vice presidents.Campbell will be responsible for allphases of operations and planning for themedical center and specialty clinics. He willalso serve as the executive director of theUniversity of Chicago Hospitals and Clinics,and as such will be the chief financial andadministrative officer.In announcing the appointment, King saidthat Campbell “will provide leadership anddirection” in providing patient services inwhat King termed “this increasingly diffi¬cult period for financing health services.”Campbell, 35, was formerly vice presi¬dent of administrative affairs and dean ofthe College of Health Sciences at Rush-Pres-byterian-St. Luke’s Medical Center in Chi¬cago. He is chairman of the Chicago Hospi¬tal Council’s Committee on HMOs andAlternative Health Care Services and amember of the Illinois Hospital Associa¬tion’s Council on Legislative Affairs. He re¬ceived his Doctor of Public Health degree inhealth resources management from the Uni¬versity of Illinois in 1979. He also holds aMasters of Health Administration degree Walter Jacobsen of Channel Two News,Anne Keegan of the Chicago Tribune, andmembers of a prominent womens civicgroup of which Hanna Gray is a part.Throughout this school year, Ellis hassaid his struggles with the administrationhave been personally costly. “It has affect¬ed my emotional well-being, it has affectedmy school work and my health.” Neverthe¬less, he promises to continue his fight, part¬ly because he feels that the University willnot alter its position without more pressure,and also to heighten awareness among theUniversity community of the needs of thehandicapped.When asked how he felt about asking forprograms which are more costly than thosefor the general student population, Jeff re¬plied, “It’s not my fault that I was disabled.I didn’t design the damned building. I ap¬plied to you (The University), you knew Iwas disabled.”VPs namedfrom Washington University School of Medi¬cine in St. Louis.Walch will be responsible for public af¬fairs, alumni affairs, and raising private fi¬nancial support for the Medical Center.Walch will also work with foundations andauxiliaries that are affiliated with the Medi¬cal Center and which provide support to thepatient care, research and teaching pro¬grams. King said that Walch “brings withhim national experiences and understand¬ing of the problems and opportunities facingacademic medical centers.”As a former assistant vice president forthe Robert Wood Johnson Foundation,Walch, 38, helped develop national grantprograms and coordinated the communica¬tion of the results of funded projects. TheJohnson Foundation annually awards $50million in grants to health institutions thatwish to improve the quality of medical ser¬vices.Prior to his work at the Johnson Founda¬tion, Walch worked in development and pub¬lic affars at the Johns Hopkins Medical In¬stitutions in Baltimore, and the MarylandAcademy of Sciences. Walch received hisbachelor’s degree in journalism from IowaState University, and worked several yearsas a journalist.Now the only reason to takea train in Europe is if you can’t drive.If you’re going to Europe this summer, don't see it from atrain. See it from behind the wheel of a Hertz car. It’s lessexpensive than a European rail pass. And it costs even lesswhen you share the ride with a friend. Plus with a Hertz car,there’s never a charge for mileage.By renting from Hertz, you can reserve your car just7 days before renting, you don't have to pay in advance, andin many cases there’s no drop off charge. And unlike somerent-a-car companies. Hertz’s minimum renting age is 18years old. What’s more, our prices are guaranteed in localcurrency through March 31,1984. So no matter how muchHertz also has low weekly rates on larger cars (.as and optional charges are not included. Hertz the dollar fluctuates, our rates won't.Hertz also saves you money when you're off the road. Weoffer discounts at over 1,500 hotels in Europe, includingHoliday Inns. Rooms start as low as $28 per person, doubleoccupancy’ ($17 in Britain\ including breakfast, serviceand tax.For full details, call your travel agent. Or callHertz at 1-800-654-3001. If you think going bytrain is cheaper, you'll be pleased to discoveryou’re way oh the WAY to RENT A CARtrack. Hem rents Fords and other fir* carsdollar rate shown above is based on exchange rates as of March 23,1983.The Chicago Maroon—Friday, April 22, 1983— 21Classified AdsflTHREE BEDROOMS FOR $28,500.Are you looking for old charm,natural woodwork, gas fireplace, norailroad, sunporch for your plantsand close to campus.. You will findit in this well-cared for co-op apart¬ment. Call today!YESTERDAY’S TRADITION withtoday’s conveniences mark this 2bedroom unit in a well-maintainedhi-rise building. You will bedelighted with the layout givingprivacy to the bedrooms (each withit’s own bath), the formal diningroom, hardwood floors and even acedar closet. With a friendly door¬man, U of C bus stop at door and lowassessments this is a real bargain.Upper $50’s.WONDERFUL SUNLIGHT in thismodernized 2 bedroom unit. Greatlocation near U of C. Mid $50’s.THE PERFECT STUDIO apart¬ment for the single person whodesires to buy. The well-designedkitchen has ample cupboards andthe additional plus of a microwaveoven. Parquet floors, Levolor blinds,a generous closet and your own off-street parking make this a specialbuy at $28,000.BLACKSTONE AVENUE CON¬DOMINIUM - 2 bedroom, lovelyopen balcony, natural wood built-inbookshelves, eat-in kitchen. This isthe iocation everyone is looking for.Tree-lined street near campus. Nearshopping and transportation too. Up¬per $60’s.NEWPORT CHOICE. This excitingnew 2 bedroom listing on a desirablelow floor has it all, sundeck, yearround pool, track and easy access tolakeside walks and diving beach.Minutes from downtown or U of C.This sunny apartment is ideal for themodern busy professional.ASSUMABLE 8% MORTGAGE.Let’s take a look.LOVE THE SUN, LOVE THESPACE, you’ll love this condo. Thisis a 2 bedroom unit with extra largeliving room, 2 porches, spacious,modern kitchen. If you’re looking forconvenience to shopping, U of Ccampus, and parks, good securitysystem, large backyard and off-street parking, it’s ail here for$68,500.WALK TO CAMPUS, shopping andtransportation from this 1 bedroomcondo on auiet tree-lined street.Space to study and entertain. Pricedright-$40’s.GRAD STUDENT PARADISE! 56thand Dorchester. Two bedrooms con¬dominium with large back yard.Right where you want to be $69,000.HILO REALTY GROUP1365 E. 53rd St.955-1SOO j CLASSIFIEDADVERTISINGClassified advertising in the Chicago Maroon is$2 for the first line and SI for each additionalline. Lines are 45 characters long INCLUDINGspaces and punctuation. Special headings are20 character lines at $2 per line. Ads are not ac¬cepted over the phone, and they must be paidin advance. Submit all ads in person or by mailto The Chicago Maroon, 1212 E. 59th St.,Chicago, III. 60637 ATTN: Classified Ads. Ouroffice is in Ida Noyes Rm. 304. DeadlinesWednesday noon for the Friday issue, Fridaynoon for the Tuesday issue. Absolutely no ex¬ceptions will be made! In case of errors forwhich the Maroon is responsible, adjustmentswill be made or corrections run only if thebusiness office is notified WITHIN ONECALENDAR WEEK of the original publica¬tion. The Maroon is not liable for any errors.SPACEHyde Park Studio Apts 245.00 clean quietbuilding newly decorated -I- carpeted stove 4-refrig laundry facilities 24 hour manager 5140S. Woodlawn 493-625055th & INGLESIDEl bedroom condo in lovely security courtyardbuilding. New kitchen, bath. Full carpetingover beautiful oak floors • take your pick!Great association & amenities. Low, lowassessment! $43,000 Call 241-51983 bedroom condominiums for sale 55th streetand Everett. Call 357-7926 evenings 979-6091days.Student Government publishes a weekly list ofavailable housing. Call 753-3273 or come to IdaNoyes 306 MF 12-5, TTh 3-5.Large 3 br 2 bath condo for sale by owner.Choice E. H. Park location. Lovely country kit¬chen, formal dr and sunny Ir. $69,900 for quicksale last unit in bldg, sold for much more. 353-3386.Freshly decorated one bdrm. avail now at 52nd-t- Woodlawn. $295. student discount avail. 6845030 bet. 8:30am or eves. 493 2329.Student Govt, publishes a list of available housing. Toadvertise (free) call 753 3273or come toIda Noyes 306 MF 12-5, TTh 3-5.Deluxe Condominium in court building2bdrms. + bath. New appliances. Laundry fac5329 S Dorchester. $600 per mo 538 4939Summer sublet Furnished 2 be apt Largerooms Good bldg for children Early June thrumid Sept 363-3504.TO RENT Furnished 3-bedroom house withgarden. Near to University. For 5 monthsMayl September 30. Conditions negotiable.G.W. OPTICIANS1519 E. 55thTel. 947 9335Ey«s examined end Confect Lenses fitted byregistered Optometrists.Speciafists in (toelity Eyewear at ReasonablePrices.Lab on premises for fast service - framesreplaced, lenses duplicated and pre¬scriptions filled.TORAHIS ALIVE AND WELLIN ISRAEL(212) 751-607022—The Chicago Maroon—Friday, April 22, 1983 No children above 5 years. Call MI3-3866 or 7532492.Spacious livingroom for your grand piano,books everything! Beautiful coop two bedroomtwo bath apartment located in fine secure MiesVan Der Rohe promentary building. Newly installed Levelor Blinds rehabilitated kitchenfreshly painted for your move in readiness.Priced below market at 45,000. To close anestate for appointment please call CharlotteVikstrom 493 0666.Roommate wanted for 2 bedroom comfortableapt. in vintage bldg 2 blks from campus. Quiet,sunny, spacious. Perfect for grad student orvisiting faculty. Excellent security. $275 permo. 241-6150/evening; 962-7528/day.SUNNYTOWNHOUSE FOR RENT3 bedroom, 2 baths, DR/LR/FR. Central HydePark location, AvI. June 1st. $820/mo Call day:753-2974, eves: 338-7435.APARTMENT SUBLET: Female roommateuntil Oct. 1. Renewel option. Non-smoking gradstudent or working preferred. 53rd & Harper.241-6380 eves.Large Studio Top Floor vw of Skyline and Lakeac underground prk ww carp 37 fl. Full Kitchen$440 mo 241-7543 A Wonderful Apt. call soon.Summer Sublet $200/month furnished. Largestudio w/separate kitchen/dining comdortableconvenient. Available June 1. Call 955-5119.FOR RENT 1 Bdrm aprt. on Midway AvailableMay/June. 752-10963br 2ba Sublet. Large, fully furnished apt inEast Hyde Park June-Sept 610/mo neg 3246383.Professors apartment. One block from campusfully furnished. Available June 10684-1820.Available NOW—1 bedroom in 2 br coachhouse thru Oct 1, fern, preferred. 57th &Woodlawn!! call 947 8420.FURN. 1 bedroom co op in fine bldg., 78th &lake, avail. May 4 for 3 4 mo. Nr. I.C., CTA, UCbuses, tennis courts, beach. Grad studentpreferred. $295. 375-7435.Looking for housing? Check InternationalHouse, for grad, students and for scholarsvisiting Chicago 753-2270, 2280.SUMMER SUBLET: Large 2 bdrm apt. avail.June. Option to renew. S440/month, incl heat.Call 947-9179.SUMMER SUBLET Furnished 1 bedroom,large but not expensive. Safe location, nearcampus, 1C, groceries & bus stop. Call 4938496; evenings best.One rm in family home share kit and bath inexchange for child care sum and fall 363 8184SPACE WANTEDSabbatical leave? We will house sit/rent. Startlate summer/fall 83. Flexible. Marriedpostdoc, no children. References 684-5176.Female graduate student needs to share aptwith same, starting fall. $250 max. Nonsmoker. Valerie 338-0514.RESPONSIBLE AND RELIABLE Swiss cou¬ple + baby would like to housesit/rent from Ju¬ly to December or March. No pets. No cigaret-55TH & KIMBARKLive near campus, shopping &transportation in a two bed¬room, rich with vintage charm.Friendly 6-flat. Available now,$680/Mo.URBAN SEARCH337-2400Ugly .DucklingRENT-A-CAR1608 E. 53rd Street$14.50 per day 700 free MilasBetween 1C Trocks ~ _ _ _ _ _and Cornell 667-2800 tes. 643 5008 mornings, evenings andweekends.If your apt. is available in Sept, please callJohnathon at 493 2970.1 or 2 br.Prof on sabbatical + wife looking for turnhouse/apt fall 83/fall 84 call Mrs. de Erdman670-0240 days/753-0281 nights.WANTEDROOMMATE male or female, grad studentpref, to live with female med student in 2 br 3rdfl apt starting in June or Sept, newlyrenovated, wooden fls security entrance 2 por¬ches build. Laundry facil. rent $230/mo heat &hot water inc. Call Jan evenings after 5pm. 667-7660.FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E 55th 493 6700."Teargas" mace aerosal. Send for freecatalogue. Good protection against muggersand assaults. Write to: Smith, P.O. Box 17345,Chicago, IL 60617.Darkroom Clearance Sale!!!Save up to 50% on selected paperEasels, Timers, etc. Everthing must Go!MODEL CAMERA 1342 E . 55th St. 493-6700CELLO: full-sized Suzuki outfit, excellent con¬dition. $800. 324 2144SCM Coronamatic typewriter 150/offer 324-6383Romic 22" 10 speed; Campy NR. Avocet,Lyotard Mint condition. $600 Evenings 955-1136.42" Round Formica/Butcher block Table $40.Roll-top $15. Table Lamp $5. Call Chuck, 493-4482.Mens TEN-SPEED w/lock $100. GE MobileMaid portable DISHWASHER $75. phone 955-2220PEOPLE WANTEDPaid subjects needed for experiments onmemory, perception and language processing.Research conducted by students and faculty inthe Committee on Cognition and Communication. Department of Behavioral Sciences.Phone 962-8859 AfternoonsComputer Programmer 20 hrs./wk.Knowledge of SPSS requ FILEBOL helpful.Call T ucker wkdays35p.m.at 947-6902.RIGHT HANDED SUBJECTS wanted forresearch on preception/brain functioning.$3/hr. 962 8846.Earn $500 or more each school year. FlexibleHours Monthly payment for placing posters oncampus. Bonus based on results. Prizes awarded as well. 800-526 0883.Subjects Needed for psychology experimentson decision making. $5/1.5 hours. Call 962 6026.Babysitter wanted for 4 month old. 10 hours perweek Your home or mine. 57th Drexel experienced persons call 667 6814.TEACHER Private parent-run school in HydePark with 15 kids ages 10-15, seeks experienc¬ed, creative, enthusiastic teacher to be the second teacher in the classroom. Multi ageteaching experienced preferred, solidacademic training, elementary teaching experience required $11000 13000. Send letter &resume by May 4 to O'Neill, 5408 UniversityChicago, II 60615SERVICESJUDITH TYPES-and has a memory. Phone955-4417.JAMES BONE, EDITOR Typist, 363 0522.PROFESSIONAL TYPING, Reasonable 6846882.CHINESE-AMERICAN RESTAURANTSpecializing in Cantoneseand American dishesOpen Daily 11 A.-8:30 P.M.Closed Monday13181.63rd MU 4-1062Classified AdsTyping. Term papers theses, etc. IBM Correc¬ting Selectric. All projects welcome. 791-1674.Discount Moving and Hauling ReasonableRates and Free Estimates Seven Days a WeekDay and Evening References Available. CallTom 8 10am 6 to 10pm at 375-6247.General and legal typing services. Promptpick up and delivery. Contact Victoria Gordon752-1983.GRAPHS/lllustrations for your thesis, papers,or books. Professional illustrator 684-5176.MOVING & HAULING. Discount Prices. Free-Packing Service. Free-Estimates. Free-Packing boxes & crates delivered. N/C. Free-Padding & dollies. References. Call Bill 493-9122.PROFESSIONAL EDITOR. Wideexper in law,social scis, humanities, articles, journals,books. Competitive rates. Call 667 4700 ext 246days.Childcare AvailableExcellent year round care available for baby 2-3 mos. old or one year old in warm thoughtfulsetting near University beginning June-JulyJudy Zurbrigg 684-2820.New mothers' group (children 0-18 mos)-parenting, child development, support. Infantgroup—activities for children of mothers'group attenders. Parent-Infant DevelopmentServ. Child Psychiatry. Cynthia Kramer 9626218.SCENESHyde Park Artisans Mothers Day OpeningApril 30 12 to 4 Featuring Colette Stermer Painting, Pushpa Kohli Batik Plus pottery jewelryand more 57th and Woodlawn at the UnitarianChurch.SOUVENEZ-VOUS LA FILME A L'ART INSTITUTE DEMAIN A 18h! SUIVE DUNDINER AU RESTAURANT —Pour tousrenseignements, telephonez 947 8218.PERSONALSMAX WE LL MOUSE kak skazat po-russki Hap¬py Birthday? deine estnische madchento THE CAST-You were great, I'm sorry it hasto end. Love, always, MindyAmy: is getting clean as much fun as gettingdirty? Love, the herpetic anteater Mr. BubblesBo: Thanks for the gangbang. Love the rugbyteam.PHOTOGRAPHY STUDIOPortraits, Weddings, and Special Events arenow being booked by Hyde Park's newest portrait studio. Call and speak with Ron Milewskiat The Better Image.1344 E . 55th St. 643 6262PUB SATURDAYCONCERTClark Price plays Folk Blues, Saturday April23, 10-12. Memberships at door. 21 + over.PUB SATURDAYCONCERTClark Price plays Folk Blues, Saturday April23, 10-12. Memberships at door, 21 -F over.DAWNin the South Atlantic... Suddenly a Harrier flysover and there is the sound of shells. The BritishInvasion has begun! This is "The FalklandsWar," not some cheap quickie design, but a detailed simulation of the battle based on top levelBritish sources, including participants in the battie. Every plane, ship and troop used by both sidesare in this simulation. Also included a large threecolor map, over 100 counters, charts, rules andplayers' notes in an attractive bookshelf box. Thefight for the wind swept islands is on! $14.00 (IIIresidents please add 84c tax) plus $1 for postageand handling to CLOSE SIMULATIONS, Dept TP.O Box 2247, Northbrook, II. 600622ND + 3RD YEARUNDERGRADUATESNEEDED!...to serve as paid subjects in CognitivePsychology experiment concerned with longterm memory 1 hour—$3.50 Call: 962 8863 or241 7281. UNITTRAYS!Tired of all your game pieces falling out oftheir boxes? Try CLOSE SIMULATIONS UnitTrays. Hold them upside down and nothingfalls out! 3 for $6.65, plus $1 postage. (III.residents ad 40c tax) to CLOSE SIMULATIONS P.O. Box 2246, Dept P. Northbrook, II.60062.UNITED JEWISHAPPEALThe U of Chicago United Jewish Ap¬peal/Federation Campaign '83 is April 10-25.Volunteer, pledge, contribute. Help others.Contact David at 493-7651.REAL INSPECTOR HOUNDCome See The Real Inspector Hound directedby Geoff Potter and presented by ConcreteGothic Theater. The play will be performed atthe third floor Reynolds Club Theater on Fri.,April 15, Sat. 16, Thu. 21, Fri 22, Sat. 23 at 8pmBAND AVAILABLEThe BLUE CHIPS can turn a party into anevent. Nick 684-5639 Peter 947-9332 Stu 241-6981.STEPTUTORINGHelp a child feel bright and intelligent.Volunteer to tutor elementary and high schoolstudents, spring and/or summer qtr. contactMike (eve) at 241-6394 for more information.GAY DANCEGALA presents a disco/benefit for HowardBrown Memorial Clinic on Sat. April 23rd from9-lam at the International House Eat Loungea $5 donation is requested. Plenty ofrefreshments and special guest Northwestern REDLIGHTPRODUCTIONSIs available to make Your next party a SuccessDJ ing, lights, other services available. Call241 6438 for info and other rates.MINORITY PRE-MEDSThe UC student National Medical Associationinvites you to the next meeting Friday April 22,1983 6pm Billings Hosp Med Student Lounge.Plans for SUBSIDIZED BERMUDA TRIPdiscussed.FACULTY-STUDENTPARTYCalvert House will sponsor a party tonight forall faculty and students. All are welcome from8:00 to 10:00pm. Refreshments and slide showof "the old days."SJRESEARCH SUBJECTS$$We pay $123 for your participation in a 6-weekdrug preference study. Minimal time required,non-experimental drugs. If you are between 2)and 35 and in good health, call 962-1536 or 962-1537 for further information.FOIWhat does the government know about you?Send $5 for a copy of: A Citizen's Guide On HowTo Use The Freedom of Information Act In Re¬questing Government Documents; to BetterDays, P.O. Box 574, Elmhurst, III. 60126.HERPESRESEARCHUsing interferon for recurrent genital herpes.For males over 18. Howard Brown memorialClinic, 2676 N. Halsted, 871-5777. Conductingconfidential sexually transmitted diseasetesting and treatment. HOTLINEWe are here from 7pm-7am to give information, referrals and a listening ear. If you've gota problem dial 753-1777 and we'll try our best tohelp.MOROCCO"Morocco: Intro to Her People & HistoricalCities". Slide-presentation by Abdel latifBaatile. Crossroads 5621 S. Blackstone-7:30pm. Also join our Buffet Dinner at 6:00 pm.Adults: $3.00THE YEAR BOOK I S HEREThe Yearbook is here and on sale around cam¬pus for a mere $15. Buy it in the SAO office(Rm. 210 Ida Noyes Hall: checks only please.)ROOMMATE D'NEEDEDFemale, non-smoker to share perfect aptacross from Fid House call before llpm 947-0036HEY GAY BOYSANDGIRLSHey all you hot homophlies! Come to the"Rites of Spring" a disco/benefit for theHoward Brown Clinic sponsored by GALAThat's tomorrow, Sat. April 23rd from 9:00-1:00am at the International House EastLounge A $5 donation includes refrechments.We'll all be there. How about you? With aspecial guest Northwestern U. GALAPARTTIMEBOOKKEEPERWe need a parttime bookkeeper. Approximate¬ly 6 8 hours per month to do mostly generalledger, bank reconciliations, and rewritingMaroon bills. Call 643-5500and ask for David.LEFT? RIGHT?YOU CAN LEARN to tell your left foot fromyour right, and go on to learn dances fromGreece, Bulgaria, Israel, Yugoslavia, Sweden,Turkey, etc. Just come to Ida Noyes Hall at 8p.m. Mondays (Beg. Int level) or Sundays(General level). Teaching until 10 p.m. Re¬quest dancing until 11:30. Sponsored by the Uof C Folk Dancers.Tuesdays at 9:00pm at 5446 S. Kimbark. All are MetropolitanSggL Community Churchof the Resurrection •welcome for talk and good company.1 _ you have $160 & a way tolr get to N.Y., you can be inGARAGE SALE-SAT & SUN. 5638 So. Woodlawn 579-1299 Europe by the day after tomorrowAntiques-Fashion Free Books Outreach to the Gay Community with AIRHITCH. For details, call5710 S. Blackstone *2 Worship - Sunday 3 pm (800) 372-1234Join Us Now!LIKE HAVINGA LAB IN YOURMAILBOX flKODAK Mailers almost make you feel like that.When you take the next finished roll of KODAKColor Prints or Color Slides out of your 35 mmcamera, drop it into a KODAK Mailer, add a stamp,and drop it in a mailbox. That’s all you have to doto enjoy the convenience of having your finishedprints or slides delivered right to your home. Pickup several KODAK Mailers the next time you'rebuying film.— J. mcHXMl OWrtMOOXTfl on<J pnnling oIDH on* -oil ot 24-«potu<e KOOACCXOe rW ■ ** * ana '*hjin poaog*(Regular $10.60)The University of Chicago BookstorePhotographic & Office Machines Department970 East 58th Street962-7558 cL/far/c/Ze /'em(FoZaZe %.493-0666 • CALL ANYTIMEOPEN HOUSE • CAMPUS LOCATION1:30 - 3:30 P.M. • SUNDAY, APRIL 24•l Bedroom -2 Studies•Oak Floors•Assumable9% Loan 5718 KENWOOD• ‘ ‘Daylight ’ ’ Kitchen•Bookshelves Built-in•Low $60’s (flexible)BEAUTY ON BLACKSTONETow $60 s—Walnut Trim, lovely Oak Floors,Sunny Study, Format dining room, large B RCompletely modem kitchen, fine CondoAxs 'n—Call Marie.CORNELL VILLAGE sees the lake and city. High floor. 3-bedroomspacious. Includes inside garage. $105,000.SO YOU WANTED A TOWNHOUSE!Here s a red brick-private garden, play area and parking, four bedrooms Big kitchen partiallyfinished basement. Near 48th & Woodlawn. $92,500.EAST VIEW PARK—(Outer Drive & 54th)5 Rooms. Super Sunshiny view. $59,000The Chicago Maroon—Friday, April .22,1983—23TlieUniversity ofChicagoPRESSThis award is conferred annually by voteof The Board of University Publicationson the faculty author, editor, ortranslator of the book published duringthe preceding two years which adds thegreatest distinction to the list of theUniversity of Chicago Press. The Board of University Publications and the University of Chicago Pressare pleased to announcethe Winner of the 1982 Gordon J. Laing PrizeJames M. GustafsonETHICS FROM ATHEOCENTRIC PERSPECTIVEVolume I: Theology and EthicsPREVIOUS WINNERS OF THE LAING PRIZE1981 Wayne C. BoothCRITICAL UNDERSTANDINGThe Powers and Limits of Pluralism1980 Morris JanowitzTHE LAST HALF CENTURY:Societal Change and Politics in America1979 Alan GewirthREASON AND MORALITY1978 Sewell WrightEVOLUTION ANDTHE GENETICS OF POPULATIONSVolume 111:Experimental Results and Evolutionary Deductions1977 Marshall SahlinsCULTURE AND PRACTICAL REASON1976 Keith Michael BakerCONDORCETFrom Natural Philosophy to Social Mathematics1975 Eric W. CochraneFLORENCE IN THEFORGOTTEN CENTURIES, 1527-1800A History of Florence and the Florentinesin the Age of the Grand Dukes1974 Stuart M. TaveSOME WORDS OF JANE AUSTEN1973 Edward ShilsTHE INTELLECTUALS AND THEPOWERS AND OTHER ESSAYS 1972 Edward WasiolekTHE NOTEBOOKS OF DOSTOEVSKYIn Five Volumes1971 Herrlee G. CreelTHE ORIGINS OFSTATECRAFT IN CHINAVolume One: The Western Chou Empire1970 Gerald D. SuttlesTHE SOCIAL ORDER OF THE SLUMEthnicity and Territory in the Inner City1969 Leonard B. MeyerMUSIC, THE ARTS, AND IDEASPatterns and Predictionsin Twentieth-Century Culture1968 Philip FosterEDUCATION ANDSOCIAL CHANGE IN GHANA1967 Donald F. LachASIA IN THE MAKING OF EUROPEVolume 1, Books 1 and 21966 A. Leo OppenheimANCIENT MESOPOTAMIAPortrait of a Dead Civilization1965 TangTsouAMERICA'S FAILURE IN CHINA, 1941-501964 William H. McNeillTHE RISE OF THE WESTA History of the Human Community1963 Bernard WeinbergA HISTORY OF LITERARY CRITICISMIN THE ITALIAN RENAISSANCEThe University of Chicago Press 5801 South Ellis Avenue Chicago, Illinois 60637