GCJBow Wow Wow: The Blurbgrey city page 3 GCJArt of the Avant-Gardein Russia: The Blurbgrey city page 3The Chicago MaroonVolume 92, No. 29 The University of Chicago ©Copyright 1933 The Chicago Maroon Friday, January 21, 1983SAGE report criticizes fee planby Jeff TaylorA report released Tuesday by theStudent Association on GraduateEducation (SAGE) claims that the$500 quarterly charge that mightbe imposed on non-registeredgraduate students for “continuousregistration” is “an exorbitantprice to pay for maintaining stu¬dent status.”The report, a student response tothe Baker Commission’s recom¬mendations concerning the futureof U of C’s graduate programs,called for “comprehensive reformof graduate education,” includingimproved faculty-student rela¬tions, the establishment of “regu¬lar channels” between studentsand administration and modifiedfinancial aid programs. “TheBaker Report must be praised foraccurately chracterizing many ofthe problems that face graduatestudents,” the SAGE report said.Julie RathThe implementation of manda¬tory fees for continuous registra¬tion, places an undue economicburden on non-registered students,particularly those in the Humani¬ties and Social Sciences, “who tend to remain at the University for alonger time,” the report claims.The Baker Commission and quar¬terly reports on the progress of stu¬dent dissertations recommend a“nominal” registration fee.The SAGE report suggests “anoptional and truly nominal regis¬tration fee of $100 or less perquarter” to cover library andhealth service fees, access tohealth insurance and eligibility forstudent housing.The SAGE report opposes timelimits specified in the Baker Re¬port of two years for the comple¬tion of a master’s degree and fivefor finishing a doctorate. “Timeconstraints,” the SAGE reportnoted, “especially discriminateagainst those who must fork full orpart-time while attending gradu¬ate school.”While it is in the interest of allconcerned that students do notspend an unreasonable amount oftime in graduate school,” the re¬port said, “setting time limits isnot the answer.”Instead, the report favors finan¬cial aid reorganization to rewardstudents for good work, and recom¬mends quarterly certification bygraduate departments that ade¬quate progress is being made.The SAGE report also recom¬mends the provision of more op¬portunities for graduate studentsa to teach on campus. Teaching ex-o perience, the report said, is “cru-c cial” for graduate students seek-q- ing academic jobs.In addition, the report called for“closer ties between faculty andstudents,” including directed read¬ing courses, faculty credit for stu¬dent supervision and increasedfaculty cooperation “in quickeningthe pace for students to finish aPhD. The SAGE report claimed thatstudents are dissatisfied with thequality of graduate life. “The(Baker) Report is frank in its ad¬mission that students in the Hu¬manities and Social Sciences arediscontent with the level of facultyinterest in students, the quality ofacademic advising, and the lack ofopportunities for faculty contact,”the report stated, “nothing ‘in ourconversations... widespread com¬plaints about a sense of neglect feltby students at all levels.’ ”Among the administrativechanges recommended by theSAGE are the establishment of stu¬dent-faculty liaison committees,and the policy of inviting studentsto committee meetings “dealingwith issues that affect them direct¬ly.” continued on page 16 PHOTO BV ARA JELALIANAn ice sculptor puts the finishing touches on his ice gargoyle Thursdayin front of Swift Hall.Daley campaigns on campusby Cliff GrammichAddressing an audience of about150 people, State’s Attorney Rich¬ard M. Daley, a candidate for theDemocratic mayoral nomination,spoke on “The Future of Chicagoyesterday in the Public Policy Lec¬ture Series. Mayor Jane M. Byrnehad spoken in the series last weekon the same subject, and U.S. Rep¬resentative Harold Washington,the third candidate for the Demo¬cratic nomination, will speak hereFeb. 10.Daley’s extemporaneous re¬marks, which were more expandedthan Byrne’s, focused on the rela¬tion between the municipal govern¬ment and other government agen¬cies and the cooperation betweenthese agencies in planning the fu¬ture of the city.Daley prefaced his remarks with2 U of C professors win grantsby Steve ShandorTwo University professors havebeen named Prize Fellows of theJohn D. and Catherine T. MacArth-ur Foundation. R. Stephen Berryand Leszek Kolakowski will eachreceive cash grants which will en¬able them “to pursue their owngoals free from economic pres¬sures or requirements to make re¬ports or perish,” the foundationsaid.The amount of the cash grant isbased on the age of the recipient.Berry, 51, professor in chemistryand the Committee on Public Poli¬cy, will receive $48,000 per yeartax-free for the next five years. Ko-lakow'ski. 55, professor in the Com¬mittee on Social Thought, will re¬ceive $51,200 per year tax-free forthe same amount of time.Born in Denver, Co. Berry is achemist who has an special inter¬est in energy resources and en¬vironmental studies. After takinghis doctorate from Harvard Uni¬versity, Berry was affiliated withthe University of Michigan andYale University before cominghere to the University of Chicago. At the moment, the chemist is at¬tending a seminar in Norway onthermodynamics. According to theChicago Tribime, which contactedhim in Norway, Berry is consider¬ing taking a sabaticbal to concen¬trate on his research and writingon energy matters.Berry’s research has been in mo¬lecular spectroscopy, ionizationprocesses, atmospheric and inter¬stellar processes, and the alloca¬tion of natural resources and en¬ergy.Kolakowski, a native of Poland,is an historian of philosophy. Kola¬kowski took his doctorate fromWarsaw University in 1953 andtaught at Warsaw, Oxford andYale Universities before coming toChicago. This historian is mostnoted for Main Currents of Marx¬ism. a three-volume analysis of thehistory and philosophy of Marx¬ism. Kolakowski is currently lec¬turing at All Souls College, Oxford,but should be returning to Chicagothis spring. According to the Tri¬bune, the Polish academic is think¬ing of using the cash grant for hisretirement. MacArthur Fellowships areawarded to individuals nominatedfor their “exceptional talent, origi¬nality, self-direction and promisefor the future.” In addition toBerry and Kolakowski, 16 other fel¬lowships and two laureates wereannounced this week, going to re¬cipients in fields as diverse as neu¬rology and filmmaking.Stephen Berry a summary' of his accomplish¬ments as a state senator and asstate’s attorney. Daley said that asa state senator, he worked for re¬form of the state mental healthcode, the reform of nursing homecodes, and the reform of grandjury proceedings, which now allowan attorney to be present with a de¬fendant when he appears before agrand jury. As a state's attorney,Daley mentioned his creation of anarcotics unit, a gang crimes pros¬ecution unit, and his consistent hir¬ing of black, hispanics, and womenlawyers.Remarking on the mayoral race,Daley said that he is running a“campaign of responsibility andleadership,” and blasted the “dis¬mal record of the present adminis¬tration.” As mayor, Daley vowedto start a jobs program and a jobdevelopment corporation whichwould work with unions, the busi¬ness community, and governmen¬tal agencies to develop employ¬ment opportunities in the city andin the Midwest. Daley noted that,with the cooperation of all levels ofgovernment, many regions havebrought new industries to the re¬gion. As examples, he referred tothe development of high-tech in¬dustry in the Northeast, the de¬fense industry in the South, and theaerospace industry in the South¬west. Daley attacked the mayorfor her failure to develop a com¬prehensive economic plan for thecity.Supporters of Byrne defend herefforts to improve the city’s econ¬omy. They claim that she was in¬strumental in bringing the 1992World’s Fair to Chicago, and theynote that her administration has is¬sued an economic plan for thecity’s next decade.Dalev also attacked the mayorfor her failure to work with the Illi¬nois General Assembly for Chicago's benefit. He said that the CTAhas lost the transportation subsidywhich it had at the beginning of theByrne administration. He claimedthat the mayor’s two top prioritiesin working with the legislaturehave been to obtain a state grant for Chicagofest and to saveCharles Swibel, former ChicagoHousing Authority chairman, fromembarrassment.Daley stated that as mayor hewould work to bring more statefunds into different areas of Chica¬go's government. Byrne’s support¬ers have backed her efforts for Chi¬cagofest, claiming that the eventbrings outside visitors, and henceincreased revenues, into the city.Daley said that he is the onlyDemocratic candidate to proposean energy conservation programfor the city. He claimed that thepresent administration does nothave such a program, and he at¬tacked Washington for wanting toraise taxes on utilities without de¬veloping an energy conservationprogram. Byrne claims to havesuch a program operating andWashington believes that the cityneeds the added tax revenue.Following his remarks, Daleywas asked several questions abouthis job as state's attorney and hispromises for his mayoral adminis¬tration.In answering a question aboutthe current vote fraud investiga¬tions, Daley said that federal andcounty law enforcement agenciesare working to correct the inci¬dents of vote fraud reported in theNov. 2 election. He criticized thepresent method of voting, claimingthat it is equivalent to a return topaper ballots.Daley disapproves of the presentmethod of voting because it can beas easily tampered with as the oldsystem. To invalidate a ballot, all abiased election judge needs to do isto fail to initial a ballot so that itcannot be accepted by computerOne questioner asked Daleyabout the proposal he spoke of at Uof C last year concerning violentjuvenile offenders. Daley claimedthat the program is making pro¬gress as the number of lawy ers in¬volved in the program has doubled,and he has worked through the pro¬gram to try violent juvenile offend¬ers as adults and to identify youngjuvenile offenders for reformcontinued on page 16The PhoenixIs Having aGarage Sale!It’s January - which means it’s timeto clear out all our record bins.(You know - out with the old, in with the new.)All records slashed 10% - manytitles near cost.Check our extended slash bins.*Single & double albums only.Come Check it Out.We’re the Phoenix....Basement, Reynolds Club5706 S. University*962-85612—The Chicago Maroon—Friday, January 21, 1983New microscopeby Margo HablutzelUniversity of Chicago scientists havebegun a project to build the world’s mostpowerful microscope, which will magnifyobjects as much as 150 million times theiroriginal size. The leader of the project is Al¬bert Crewe, the William E. Wrather Distin¬guished Service Professor of Physics, whofirst invented the Scanning TransmissionElectron Microscope (STEM) in the 1960’s.The new microscope will be of this type.According to Crewe, the new STEM willbe three times stronger than any micro¬scope in existence, including ones which hehas used to take photographs of atoms andmake motion pictures of them. At present,the most powerful microscopes can directlyresolve objects of two angstroms (twotenths of a millimeter of eight-billionths ofan inch) in diameter or larger. The new mi¬croscope will be able to resolve objects one-half angstrom in diameter, enabling scien¬tists to examine the arrangement of atomsin solid objects.Crewe said that he sees the technology ap¬plied to “countlests problems where a sub¬stance’s structure at the atomic level is notknow, and actually visualizing it would betaking a very substantial step forward.’’Until 1981, the resolving power of micro¬scopes was limited by inherent defects inthe magnetic lenses used in electron micro¬scopes. A device to correct the “sphericalabberations,” as the defects are called, wasdesigned in 1947 by Otto Scherzer, who in1936 had discovered the limit the abberra-tions enforced. However, the device, calleda quadrupole-octopole corrector, involvingfour- and eight-pole magnetic correctors,was too complicated to build.In 1981, Crewe designed a sextupole cor¬rector which, although it has not yet beenbuilt, he is “90 per cent confident” willwork.The project has a $990,000 grant from theNational Science Foundation, and the IBMCorporation has donated computer equip¬ ment worth one million dollars. The equip¬ment consists of two computers, the largerof which contains three billion bytes of diskstorage, nine terminals, and four printers.Crewe said that, while he is “really over¬whelmed” by IBM’s offer, the researchersat first thought that it would be “overkill.”But after thinking about the capability of thelarger system, they realized that IBM“knew what they were talking about allalong/.”James E. BowmanHoward Universityto honor BowmanDr. James E. Bowman, professor in thedepartments of pathology and medicine, amember of the Committee on Genetics andDid you know that weare happy to have youopen any shrinkwrappedbook in our store?STAVER, BOOKSELLERS1301 E. 57th Street667-3227A Career as a Jewish ProfessionalPursue a Kewarding CareerShape the Future ofJewish LifeEnjoy Freedom and FlexibilityCourses Leading to Degrees in:Rabbinical StudiesJewish EducationCantorial StudiesJewish Communal ServiceGraduate StudiesHebrew Union College —Jewish Institute of ReligionCincinnati, New York, Los Angeles, JerusalemRabbi Gary P. Zola, National Director of AdmissionsHebrew Union College-Jewish Institute of Religionwill be on campus Friday, January 28, 198? at Hillel House.Call 752-1127 for an appointment. director of the Comprehensive Sickle CellCenter at the University of Chicago, will behonored at the annual Howard UniversityCharter Day dinner in Washington, DC,Mar. 1, 1983. The Charter Day celebrationcommemorates the founding of the predo¬minantly black university in 1867.Six alumni of Howard will be cited at thedinner for achievements in their respectivefields, and Bowman will be given an awardfor his work in the fields of medical researchand medical education.A native of Washington, DC, Bowman re¬ceived both his Bachelor of Science degreein 1943 and his Doctor of Medicine degree in1946 from Howard University. Bowman hasbeen with the University of Chicago since1962, where along with his teaching respon¬sibilities, he was medical director of theblood bank from 1962 to 1979 and director oflaboratories from 1971 to 1981. He has beendirector of the Comprehensive Sickle CellCenter since 1973.Dean issuescheating memoA statement on plagiarism and cheatingwas mailed this week by Dean of the CollegeDonald Levine to all students in the Col¬lege.“We believe it is contrary to justice, to ac¬ademic integrity, and to the spirit of intel¬lectual inquiry,” reads the letter, “to sub¬mit the statements or ideas or work ofothers as one’s own.”Herman Sinaiko, dean of students in theCollege, said that the memo was a result of“a lot of talk nationally” about plagiarism.Sinaiko cited last year’s incident at Prince¬ton, where the degree of a student who hadplagiarized was held for a year fter she gra¬duated. Some of the law schools, who ac¬cepted her withdrew their admissionoffers.Sinaiko also mentioned as a source of con¬troversy a Maroon advertisement, whichappeared in the paper last fall, for a com¬pany selling term papers. News in brief“Meanwhile, we were getting a series ofqueries from instructors,” said Sinaiko. Hesaid inquiries were coming particularlyfrom instructors in the Common Core,Harper Fellows, and junior faculty.“We looked in the student handbook, andthe section on cheating did not really definewhat it means,” he said.Last spring, Braxton Ross, then master ofthe Humanities Collegiate Division, begandrafting a statement on the plagiarism poli¬cy. Sinaiko said that “it became clear froma lot of faculty that students don’t knowwhat it is,” and that there is “a lot of uncer¬tainty” as to what constitutes plagiarism.Sinaiko said that upper level studentshave been “bounced right out” and thatPhD candidates have had their degrees re¬scinded, as punishments for plagiarism.Still, says Sinaiko, “It seems to me that pla¬giarism is not terribly common at the Uni¬versity, but more so than previously.”The memorandum says that punishmentsfor either committing plagiarism or cheat¬ing “may range up to permanent expulsion”from the University, and warns that if stu¬dents “have any doubts about what consti¬tutes ‘use,’ ” they should consult an instruc¬tor “or simply cite the source.”Award to MumfordDr. Laura Mumford received the 1983Martin Luther King, Jr. HumanitarianAward from the University of Chicago Medi¬cal Center. In honor of King’s birthday, theaward is presented annually to a staffmember of the Medical Center who embo¬dies and demonstrates King's philosophyand his compassion and commitment tohuman justice and equality.Dr. Mumford is assistant professor in thedepartment of medicine and a specialist ininternal medicine.In nominating Dr. Mumford for theaward, her fellow co-workers cited her com¬mitment to the welfare of patients, her con¬cern for the poor and the elderly, and her in¬terest in combatting the problem ofalcoholism.BEER SPECIAL OF THE WEEKNATURALLIGHT $1 79 6p<tkNot iced -H. 12 oz. cansFrom Italy:CHIANTICLASSICO*Q98750 ML From France:NOUVEAUBEAUJOLAIS$Q98750 MLPAULMASSON WINESRhine & O QQChablis *Rose eachBurgundy 3 {or 1000 WEIN KELLEKEISCHLOSS ZELL$1 98750 ML ^ ■Reg. 2.79 JLGIACOBAZZIWINESLambrusco /IQBianco ® 1Rose MReg. 2.99 750 ML SEAGRAM’S7 - CROWN$449750 ML Reg. 5.69Sale Items We reserveZy: LINCOLN LIQUORS K3S•i C1 C C CQrr| C* printing errors.Store Hours lOlO U. J JlU Ol.Mon Fri 7 am MidSat 7 »m Mid PhonP Sale itemsSun 12 noon - » MUlltS i Jt HtOO noticed.The Chicago Maroon—Friday, January 21, 1983—3— ■■ ■' 11 11 1EditorialsIncentive to drop outPrompted by a suggestion in the Report of the Commission on Graduate Edu¬cation, the University administration is now considering implementing a man¬datory $500 per quarter registration fee for All But Dissertation (ABD) graduatestudents. This fee would supposedly cover the student’s use of the libraries andpart of his registration costs. Furthermore, this fee is to provide “great incen¬tive to graduate students...to hasten the completion of the PhD.”We believe that such a fee is excessive, that it would fail to achieve its pur¬pose, and that it would seriously undermine the spirit of the Baker Report. Depu¬ty Provost Ralph Nicholas said that the $500 figure was “picked out of the air.”It certainly seems to have been. $500 should more than cover the various libraryand registration costs. The added financial burden may only give grad studentsincentive to find employment to cover their increased expenses instead of work¬ing full-time on their dissertation. Hence, the fee may actually prolong the com¬pletion of a PhD.The Baker Report states that students should be encouraged to remain in resi¬dence at the University. If students are forced to pay an excessive quarterly feeto use the various University resources, they may prefer to leave. If the Univer¬sity decides to charge students who are out of residency, it may find collectingthe fee very difficult since it cannot restrict a student’s registration if he is notregistered. Furthermore, many graduate students may wish to take a leavefrom their studies — perhaps to work. Must these students pay the registrationfee every quarter until they finally can afford or want to earn a PhD?If the University wishes to encourage ABDs to remain in residence, it couldtake more constructive measures, such as improving the social environmenthere. If the University wishes to hasten the time it takes to confer PhDs, itshould adopt a more positive approach. The fee creates resentment and irrita¬tion which hardly encourages scholarly pursuit.The University should certainly approach the graduate students themselves togain insight into ways of speeding up the time it takes to earn a PhD. More opendiscussion should be held between the students and faculty. Policies that theUniversity is considering may only discourage scholarly pursuit. While a $500quarterly fee would certainly add income for the University, in the long run, itmav only aggravate the situation by hampering recruitment.LettersCAUSE respondsTo the Editor:In his letter “CAUSE refuted," which ap¬peared in last Friday's Maroon. JamesGeoly questioned some statistics which weused in our letter of Jan. 7, “Stop US aid toEl Salvador".In our letters, we said that 36.000 peoplehave been killed in El Salvador in the pastthree years. This murder isn’t a matter ofserious controversy. Even Ambassador toEl Salvador Deane Hinton, who was ap¬pointed by the Reagan Administration, hassaid that as many as 30,000 people have beenkilled in El Salvador since 1979 (The NewYork Times 11/3/82). Congressman Solarz(D-NY), citing reports by human rightsgroups in El Salvador, put the figure at38,000 The New York Times 1/17/83). Ournumber is between these two.Concerning the circumstances underwhich these people were killed. AmbassadorHinton, in the article referred to above, saysthey were '“murdered, not killed in battle,murdered.” As Mr. Geoly points out. theCatholic Church attributes the majority ofthese murders to the right. The Church, andmost human rights groups, moreover, be¬lieve the right, and its notorious “deathsquads" act in cooperation with the govern¬ment which the US is supporting.We appreciate this opportunity to presentsome of our sources, and hope that Mr.Geoly will begin to reassess his position.CAUSE(Committee Assembled to Unite InSolidarity with El Salvador)More El SalvadorTo the editor:For those of us collecting signatures in theCAUSE petition drive, James Geoly’s ingen¬uous letter of 1/14 should come as a breath of fresh air. CAUSE, a U of C student organi¬zation (Committee Assembled in Solidaritywith El Salvador) decided at the outset ofthis quarter to openly petition against Rea¬gan's certification of human rights improve¬ment in El Salvador. The response to this ef¬fort has been very encouraging so far. Wehad the feeling that many w ere eager for theopportunity to speak out. Others, perhaps,learned more and thought more about Cen¬tral America than in the past.On the other hand, we certainly experi¬enced the frustrations involved in any politi¬cal effort at U of C, a fairly apolitical envi¬ronment. How did some people react whenasked to sign the petition? “I sympathizebut just can’t sign." “I agree with your con¬clusion but not your reasons. The petitionsays too much.” “The situation down thereis too complicated for us to know any¬thing...! can’t sign.” “I might agree withyour conclusion, but you haven’t spelled outa positive program...the petition says too lit¬tle.” “Be realistic: petitions don’t changeanything.”But cut the crap, get to the actual issues.For those collecting petition signatures,Geoly’s letter last week is a breath of freshair because it is a frank statement of theproblem. I hope Geoly will indeed investi¬gate some of the history of Central Americaand that, if he disagrees with figuresCAUSE cites, he arrives at a number ofmurders he himself believes US taxpayershave funded. At least he has the ethicalquestion right, although I would disagreewith his answer to it. Geoly concludes that“the benefits to the US of US policy may ou¬tweigh the harm to the Salvadorans, at leastfrom the American point of view.” Benefitsto whom in the US? Geoly knows the issue,knows the point of the petition: let each per¬son judge the moral value of benefits whichaccrue from the terror and destruction wesponsor in El Salvador.David Post MH CObfaT mould iMtikhtvSEtfD (*| .■wc ttwm:<=>e'<s( f TKO»»sJLettersNew grad feeTo the editor:Mandatory continuous registration at $500per quarter may soon be required for ad¬vanced graduate students from the timenine quarters of full tuition have been paidto the granting of the PhD. The first publicmention of the $500 figure of which I amaware was at an open meeting betweenmembers of the Commission on GraduateEducation (chaired by Keith M. Baker andcommonly referred to as the Baker Com¬mission) and concerned graduate studentsduring the fall quarter. Although no definitestatement has yet been made by the Admin¬istration, it now appears that a mandatoryregistration requirement and the quarterlyfee of $500 are currently under serious con¬sideration in meetings to decide the budget.Unless members of the University commu¬nity demand full and open discussion beforea decision is made, there is a distinct likeli¬hood that the Administration will simplypresent the community with an accom¬plished fact.Both mandatory registration and the $500fee have been represented as part of the im¬plementation of the recommendations con¬tained in the Baker Commission’s report.The report does in fact propose that studentswho have paid nine quarters of full tuition“may continue formal residency until thePhD is conferred by maintaining FTC (FullTime Certification) status at a reducedfee," and that those students not in resi¬dence “be expected to maintain their offi¬cial status as such by a form of continuousregistration (at a nominal fee).” It is impor¬tant to point out, however, that the reportcontinues:The possibility of extending theirperiod of residence in the Universitywhile working on their dissertation islikely to be attractive to advancedgraduate students, and to enhancetheir progress toward the PhD, to theextent that they are also offered a sup¬portive and stimulating institutionalcontext for their continued research.The creation of this “supportive and sti¬mulating institutional context,” which thecommission recognizes as not presently ex¬isting at the University, is precisely the goalof the recommendations contained in the re¬port. The proposed continuous registrationat reduced or nominal fees presupposes theaccomplishment of this goal and is clearlynot intended to contribute to the goal.The institutionalization of the fees — feeswhich can hardly be considered “nominal”— without the accompanying comprehen¬sive reform of graduate education recom¬mended by the commission would not onlycontradict the letter of the commission’sproposals, but would also belie the spirit ofthe report.At a time when many advanced graduatestudents are forced to take full- or part-timeemployment, usually at low wages and inpositions unrelated to their fields of study,simply to provide sufficient funds for food,housing, and other necessities, it is difficultto see how an additional $500 expense eachquarter will help students complete theirdissertations more rapidly. In the short¬term the fees will help the University meetits operating costs. More importantly thispolicy will mean that only the affluent or thefunded will be able to pursue graduate stu¬dies. The Humanities and Social Science Di¬visions, already severely strained, will befurther disadvantaged since students in these fields face diminishing sources of out¬side funding and vanishing employmentprospects after graduation. This policy willdiscourage pursuit of research projects de¬manding great investments of time to ac¬quire necessary linguistic or other skills.In the long-term the policy will serve toundermine the tradition of academicbreadth, depth, and excellence which is theUniversity’s major asset in the recruitmentof students.Cornelia KammererGraduate student in the Social SciencesNew study incentivesTo the editor:Last Tuesday’s Maroon reported thatRalph Nicholas. U of C deputy provost,plans to institute a quarterly $500 fee fornon-registered graduate students. Thismeasure, according to Dr. Nicholas, wouldbe a “great incentive to graduate students”to “hasten the completion of the PhD.”I very much like the idea of “incentives",and I’m glad to suggest the following:1) A ‘’bookmeter" — one quarter an hour— attached to every volume of U of C li¬braries. The “bookmeter" would startworking once a volume falls into the handsof a client. The students will be encouragedto read three times the amount of their cur¬rent reading lists. No time for chatting, flirt¬ing. scratching, going to the restroom orthinking.2) A Nobel Prize for every member of thefaculty. During the first five years at U of Cevery professor will be required to makehead lines as a winner of a Nobel Prize. Afailure on catching the tranquillizer award— on making us feel second to none willcarry a 10 percent annual decrease (beforeinflation or after recession i on her/his sala¬ry.3) As for Mr. Nicholas, I can’t think of anyincentive. He’s just one more case of howdesperation in search of sound finances in¬fects people with Reaganomics, that is, theincapacity to generate logic, meaningfulthought.Primitivo Rodriguez OsegueraPhD. candidate in historyWoes of RomanceTo the editor:You would probably refuse to print my un¬edited thoughts about a recent action by theStudent Government Finance Committee(SGFC). Leaving those thoughts aside, hereare the facts: the SGFC recently deniedfunding to the Romanc e Language Review(RLR), An appeal from the RLR editor fi¬nally! conjured up half of the necessarysum. Then why this letter? Because, unlessthe RLR is granted the full amount by some¬one, and soon, this university publicationwill die before anyone even finds out it’s indanger.And its demise will deprive the Universi¬ty’s many speakers and writers of Romancelanguages of a much-needed forum for cre¬ative written work in these languages. TheSGFC’s initial decision totally ignored theneeds of these people, and its revised deci¬sion still does not fully satisfy that need. Thedecision also showed a colossal failure to un¬derstand what the RLR is and does — andwhy its existence matters. 1 hope public re¬action to the issue will show that at leastsome of the people here can see beyond theirown noses.Talvi LaevStudent in the College'■. : ■ •rI DOZENBAGELS FREE!SA Vf ‘1.7*WITH THE PURCHASE of1 lb. or MORE of LOXwhile quantities last.SUNDAY, JAN. 23, 1983MORRY'S DELI5500 S. CORNELLTO ALL UNDERGRADUATESThe Dean of the Collegeand the staff of “Human Being and Citizen”presentCOLLEGIATE LECTURES IN THE LIBERAL ARTSon books, themes, and questionsconsidered in the Common CoreWednesday, Janaary 26 Michael Walzer “Exodus and Revolution:Institute for Advanced The Incident of theStudy, Princeton Golden Calf"Wednesday, February 9 Paul CantorDepartment of EnglishUniversity of Virginia “Hamlet: TheCosmopolitan Prince"Thursday, February 17 Harvey Mansfield, Jr. "An Introduction toDepartment of Government Machiavellis Prince”Harvard UniversitySWIFT LECTURE HALL (Third Floor)8 P.M.Refreshments and Discussion Following the Lecture Four luxury condominiums in this beautifully restored turn-of-the-centurybuilding. 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ChicagoRE 4-2111Open Daily 8:30-5Sat 9-2 Turtle Soup » Shrimp Bisquejtlaple Ctec 3tin IJ8||9J9)|00)| 9 epiMffl SJgjSAflThe Chicago Maroon—Friday, January 21, 1983—5\Contacts for Sale!What Is A Bargain?mThe 4 questions most frequently asked about contact lenses are:1 How Much Are Your Lenses72 How Much Are Your Lenses73 How Much Are Your Lenses74 How Much Are Your Lenses7What is really more important, the lowest price, or the best fit¬ting lenses? We think the 4 questions should be:1 Is the doctor really a contact lense specialist7(or is he an eyeglass salesman ?)2 Can I expect professional service and care7(or will I be handled by inept non-professional salespeople?)3 Are the quality of lenses the best available7(or are they off-brands and seconds ?)4 The question is. not how much are your lenses, butwill I receive the best care, the best quality and thebest priceWe at CONTACT LENSES UNLIMITED meet all the above crite¬ria of CARE, SERVICE. 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IL 60201 ?566 N. Clark St.. Chicago. IL 606J4(above County Seat)864-4441 880-5400/ Put the pastin yourfuture!Thoroughly renovated apartments offer the convenienceof contemporary living space combined with all the best elementsof vintage design. Park and lakefront provide a natural setting foraffordable elegance with dramatic views.— All new kitchens and appliances — Community room—Wall - to - wall carpeting - Resident manager-Air conditioning - Round-the-clock security'— Optional indtxjr or outdoor — Laundry facilities onparking each fkxjrStudios, One, Two and Three Bedroom apartments.One bedroom from 8480 — Two Bedroom from 8660Rent includes heat, cooking gas, and master TV antenna.Call for information and appointment — 643-1406CfOmdememfloMse1642 East 56th Street^In Hyde Park, across the park fromThe Museum of Science and IndustryEqual Housing Opportunity Managed by Metroplex, Inc.MATH (MAJORS/MINORS/APTITUDE) . . .You're NeededAll Over theWorld.Ask Peoce Corps Morh volunteers why rheir degrees oreneeded in rhe classrooms of the world's developing notionsAsk them why ingenuity and flexibility ore os vital os odapnngto o different culture They'll tell you rheir students know Morh isrhe key to o solid future And they’ll tell you that Peoce Corpsodds up to o career experience full of rewords ond ac¬complishments Ask them why Peoce Corps is rhe roughest jobyou'll ever loveP.epister now at theplacepent office forinterview T u e 5 & T‘T e dJan 7 5 T, 7 F , stOD inand see our film inthe placment office6—The Chicago Maroon—Friday, January 21, 1983GREY CITY JOURNAL21 January 1983 • 15th Yearby Steve ShroerIt has become customary to begin anypiece of writing about Samuel Beckett bylamenting the great critical ash-heapwhich has grown up around his work — andthen to add cheerfully to that ash-heap.This article will be no exception.Why is it that Beckett’s slim oeuvre (get¬ting into the critical frame of mind, now)has elicited so much attention? Well, forone thing, Beckett’s allusive, suggestivestyle provides the perfect point of depar¬ture for critics. A Beckett critic need mere¬ly seize upon or contrive a resonance; in¬voke Schopenhauer; and presto: a tome.But there is also a legitimate reason forthe fascination which Beckett's plays andfictions exert upon his audience.Personal anecdote. When I was a smallchild and still going to church, the ministerone day gave a specific example of thedepths attained by modern society. “Doyou realize,’’ he promulgated, “thatnowadays they’re putting people in gar¬bage cans up on stage and calling it art?’’(Here he took a beat.) “Does that soundlike art to you?” Even as a small child I hadhardly any interest in defining art, and Iwas none the worse for most of the ser¬mons I heard, but that one image reallystuck with me. People in garbage cans? Ina play? What kind of sick mind would thinkof something like that?Some years later I found out that Sa¬muel Beckett thinks of things like that. Allthe time. And the power of that image tocatch in my memory is, I believe, typical ofBeckett's work. The explanation of his ap¬peal is simple, much simpler than criticsare content to say; no one else has pro¬posed so successfully that life is so awful.I use the awkward construction “pro¬posed successfully’’ in order to make twopoints. One is the rather tired point thatart affects the human sensibility morecomprehensively than does philosophy:between the cosmologies of Beckett and,say, Schopenhauer, there is little tochoose; but Beckett’s fabrications are su¬perior to Schopenhauer s ruminationswhen it comes time to stop the heart. Mysecond point is, baldly, that Beckett is thefinest artist of despair (although attempt¬ing to substantiate this assertion would, ofcourse, be hopeless).People in garbage cans; a fellow whoseems to spend his life, if (wry old joke)you can call it that, as a menu holder on theoutside wall of a restaurant; a disembo¬died mouth denying its identity to a hood¬ed figure which can only shrug helplessly— my minister was wrong insofar as hesubscribed to the critical hypotheses of theNobel Prize Committee, and right insofaras he was a better judge of Beckett. Theseimages are not very cheerful stuff! Am Ibelaboring the obvious? Apparently not,since Beckett’s Nobel Prize citation con¬tained a defensive reference to the “life-affirming” qualities of his work, as ifthose qualities were necessary to legiti¬mize it. Let’s be...realistic. The importanceof Beckett is not his affirmation of life inspite of all the muck, but his inimitableway of reminding us that the muck ispretty damn uncomfortable to live in andcontains no fine ideas.Endgame might just be the ugliest ofBeckett’s visions, if not quite the mostbeautiful. It is certainly the most difficult Nicholas Rudall as Hammto realize onstage. The central problem ofany Beckett production is the tension be¬tween the local beauties of the text —jokes, verbal elegance — and their desper¬ate context. In Endgame this problem is atits worst because Endgame is Beckett'smost violent play; its characters are en¬gaged in causing each other more painthan are the characters of any other Beck¬ett play (pace, Lucky). The usual mistake isto play enervation at the expense ofhumor and lyricism. I am pleased to reportthat the new Court Theatre production ofEndgame does not fall into this predictabletrap; and sorry to report that it errstowards the opposite extreme.Director Michael Maggio, on loan fromthe Goodman, surely must have seen End¬game when Beckett himself directed it inthe Goodman Studio two years ago. I pre¬sume that he decided, quite correctly, totry not to copy that version. But whereasBeckett’s direction smothered the text ingloom, Maggio’s makes it lively in inap¬ propriate ways.Take the opening moments. Clov climbs aladder and looks out of the window: ac¬cording to the script he utters a “brieflaugh.” The kind of laugh which is clearlyintended is the kind of skeptical, self-mocking laugh which says, “Ha! The viewis no different than always. What did I ex¬pect?” In Court's production Clov’s laugh isa brainless chortle, a laugh which drawsattention to the comic potential of thecharacter rather than to the exposition —in short, an unsubtle laugh designed to geta laugh. At the performance I attended,the audience did laugh. Wonderful. I wouldbe interested to learn, however, what thedirector thought was going to happenwhen, at the end of this shtick, Clov muststop and deliver the sonorous elegy forhimself beginning, “Finished, it's finished,nearly finished, it must be nearly fin¬ished.” What did happen was that the firstspeech of the play died like a Beckett char¬acter. That, friends, is the imitative fal¬ lacy.No doubt the director wished to preparethe audience to laugh at a play the tone ofwhich is difficult to understand. For his in¬tention he should be commended. Endgameis very funny, and an overly reverent atti¬tude will spoil it. Nevertheless, Maggiofails to solve the problem I mentioned ear¬lier. In straining for laughter he loses theequally profound values of contest: hisHamm and Clov whistle through not agraveyard but a mere infirmary. Choicessimilar to Clov's chortle are evident every¬where. Both portentous and mock-porten¬tous lines are thrown away; even alter¬ations are made in the business and in thedialogue. Now, I'm not one of those puristswho cannot countenance tinkering. But Iquestion re-writing the most significantpoetic dramatist of the last two centurieswhen the only object is a few extra yuks.I don't pretend to know the secret forachieving the proper blend of local beau¬ties and contest in Endgame. I do knowthat the play demands exceptional actingperformances.Frank Galati is brilliant (as usual) in hisportrayal of Clov. After the initial shock ofseeing a Clov I had never imagined. I en¬joyed the magnificent articulation Galatigave the role. Galati’s Clov is a good-na¬tured. evil-minded lout with an impressivevocabulary of physical tics. Galati flesheshim out in full; it’s a tour de force — but notin service of the play. This Clov is too mucha clown, too unaware of himself to fulfillthe tragic functions required by Hamm'svictim. And too downright goofy to say tenpercent of his lines.As Hamm, Nick Rudall is also good. Ru-dall's comic timing has never been better,and he is especially successful at capturingthe vast self-indulgence of Hamm. Butagain, a dimension is left unengaged. Forthe tragic aspect of Engdame to have itsfull force, Hamm must be a gigantic per¬sonality. Rudall seemingly does not at¬tempt to play Hamm's presence.The idea of Pauline Brailsford in a gar¬bage can had me yodeling all the way tothe theatre. Neither she as Nell nor Mi¬chael Tezla as Nagg looked or sounded suf¬ficiently decrepit. The garbage cans andthe rest of Linda Buchanan's design gavegood performances, even if the plasmabag fairly begs for acknowledgementwhich is not in the script.The program notes — always an impor¬tant part of the Court experience — war¬rant some remark. I was annoyed to readthat Beckett's early works “such asMurphy and Eleutheria failed to yieldmuch in the way of income.” It is not sur¬prising that Eleutheria failed to yield muchincome, since Beckett never tried to haveit published or produced. And the stan¬dard biographical section is prefaced withan unfortunate comment by Beckett com¬paring Hamm and Clov to himself and hiswife; there ensues a psychobabble analy¬sis, cribbed from Deirdre Bair's presump¬tuous biography, of the effects Beckett'smarital experiences might have had on hiswork. Crritic.After the opening night performance, Iattended a delightful reception in thefoyer and ate pastries arranged on chess¬boards. But before long...there was nomore beer, so I said to my companion,“Let’s go.”Allrignt, I apologize.ENDGAME DISCOMFORT IN LAUGHTERA i 111 11' 111111 m-KTonight at 7:00, 9:00, and 11:00: George (Mad Max) Miller’sfuturistic, Outback spaghetti Western, THE ROAD WARRIOR,with Mel Gibson.Saturday at 2:30 pm: Walt Disney’s greatest achievement, BAMBI.Then, at 7:15 and 9:30: Dreams, sex and dinner conversation atthe DINER, Directed by Barry Levinson.Sunday at 2:30: An encore matinee of Disney’s BAMBI.Then, at 8:00: More dinner conversations as Isabelle Huppert cooks aspecial meal for mom and dad in Claude Chabrol’s ironic thriller,VIOLETTE.All Films in Cobb Hall, 5811 S. EllisSeparate $2.00 admission for all shows.Phone 962 8575 for more information. , .DOC FILMSjHv '•••••••' E?23rd Annual University of ChicagoFOLKFESTIVALAT Mandel Hall, 57th & University Ave.Featuring Bluegrass, Old Time, Cajun,Blues, Ethnic Music and moreby topnotch performersConcerts: Friday, Jan. 28, 8:15 p.m.Saturday, Jan. 29, 3:15p.m., 8:15 p.m.Sunday, Jan. 30, 7:30 p.m.Plus free Workshops, lectures, open mike,dancing, etc. at Ida Noyes Hall:Sat., Jan. 29, 10 a.m. -3p.m.Sun., Jan. 30, 10 a.m. - 6 p.m.CONCERT TICKETS AVAILABLE FROM REYNOLDSCLUB BOX OFFICEFOR MORE INFORMATION ON ALL EVENTSCALL 753-3567 The Department of Music presents The‘'IP; CONTEMPORARYCHAMBER PLAYERSof The University of ChicagoRALPH SHAPEY, Music DirectorIn Honor of the 80th Birthday of STEFAN WOLPETHE PIANO MUSIC OF STEFAN WOLPEKATHARINA WOLPE, guest soloistFRIDAY, JANUARY 21, 1983 • 8:00 P.M.MANDEL HALL, 57th and University AvenueFree and open to the public2—FRIDAY, JANUARY 21, 1983—THE GREY CITY JOURNAL About the only thing thatisn't in it is the theme music!It debuted on October 2, I959 andover the next five years and I56episodes, it charted a territory all itsown filled with magic, horror, andwonder, how, submitted for your ap¬proval, is THE TWILIGHT ZOhE C0M-PAhlOh. Profusely illustrated withover 200 photos, this definitive vol¬ume combines evocative synopsesof each episode with cast and creditlistings, incisive commentary andcolorful behind-the-scenes recollec¬tions. $9.95 wherever boohs aresold or order directly from the pub¬lisher by including $ 1.25 for postageand handling.%A BANTAM TRADE PAPERBACK.BANTAM BOOKS, INC., Dept. DR 18,666 Fifth Avenue, New York I0I03Above, the image of two sane-looking, civilized men: Far¬ley Granger and Robert Walker, who play Guy and Bruno,respectively, in the psychologically-oriented Strangers ona Train (1950). But only one of them is portrayed as sane;Bruno is clearly identified as homosexual, psychopathic,and immoral. Granger acts the closet part accurately, but it is in this instance the less interesting one. Bruno/Walkerholds our interest while he is marginalized; the film doesnot: some at least are tired of this portrayal and, given thefailed attempt at suspense in the over-extended cross-cut¬ting near the film’s end, tired of the film also. Worth seeingexactly once. Thurs Jan 27 at 7:30. 1-House. $2. —DMDANCE“Best of Dance for a Dollar”: The namemay be misleading, (admission is$3), but the idea behind the sampler¬like performance series at MoMingDance & Arts Center is a good one: toencourage a Chicago dance audienceby making modern dance perfor¬mances more palatable — smallerportions of different artists. Thethree dancers for this weekend'sprogram were chosen as favoritesby previous audiences. Kate Kuperperforms excerpts from “Luxury”, atongue-in-cheek look at conspicuousconsumption. Nancy Natows “WULI” is said to be “dynamic, repeti¬tive and angular,” while Helen Thor-sen’s “Melodramatic Tango” in¬volves stuffed dummies andcompelling music. It’s the same riskyou take with a box of chocolates:you may find something you like, butthen you may not. Fri and Sat at8:30 pm, at 1 034 W Barry.472-9894 —BMMUSICBow Wow Wow The name, therhyme...zany sort of off the wallstuff, pop bubble African influenced.Alot of drums, maybe a mo¬hawk...well, I would rather havesomeone else, but it’s free, it mightbe fun, I’m going...you can bring onenon-University person per ID, sothere should be a blended atmo¬sphere. Ida Noyes Gym, Fri Jan 21 at9 pm. —PCKatharina Wolpe is coming from Lon¬don to perform her father’s (StepanWotpe) piano works on the first CCPprogram this season. This concert isbeing given in honor of the anniver¬sary of Wolpe's 80th Birthday.Directed by Ralph Shapey, theworks to be performed include FormI; Form IV; Compositional Studies,Part 3; Toccata; Piece in 3 Parts forPiano and 16 Instruments; and Pas-sacaglia. Mandel Hall, Fri Jan 21, at8 pm. Free.Kathleen Viglietta will give a harpsi¬chord recital on an instrument de¬signed partially by Ms. Viglietta.Works to be performed include So¬natas by Martinu and Scarlatti;Chromatic Fantasy and Fugue by J.S.Bach; Kathy’s Gagliarda by Dra-ganski; ad others. Goodspeed Reci¬tal Hall, Sat Jan 22 at 8 pm. Free.Light Henry Huff One of the baddesttenor players on Chicago’s newmusic scene brightens Larry Smith'sLive Jazz Party at Chances R (inHarper Court). Watch out for sparks.Sat Jan 22 at 9 pm; $3 cover. —CBAIR A rare hometown appearance forthe trio which has taken ensembleimprovisation to new heights. HenryThreadgill plays reeds with an im¬mense technical facility and vastrange .of expression, from bitingsarcasm to sweet tenderness: FredHopkins breaks sound barriers, giv¬ing rein to the bass's bull potential:Steve McCall takes the drums farbeyond their traditional role withhis control of coloration, dynamics,and velocity. Together they are in¬credible. At the Jazz Showcase inthe Blackstone Hotel, 636 S. Michi¬gan. Sat Jan 22 and Sun Jan 23 at 9,11, and 1; Special Sun matinee set at3 pm. — CBGumption Artists Workshop Jazz ses¬sions each Saturday night, withmany of the city's unsung masters,like Paul Fenner on tenor and JohnCollins on piano. Hosted by drum¬ming great Redd Holt. 2135 E. 71st. Lizbeth Bistrow will give a concert onbaroque violin performing works byBach, Biber, Handel, Leclair and Te¬lemann. She will be assisted byThomas MacCracken on harpsichordand Susan Ross on viola da gamba.Goodspeed Recital Hall, Sun Jan 23at 2 pm.Members of the University of ChicagoSymphony Orchestra will perform aspart of the Noontime Concert Series.Directed by guest conductor RamiLevin the group will perform Mo¬zart’s Serenade No. 12 in C minor,K.388 in honor of Mozart's Birth¬day. Goodspeed Recital Hall, ThursJan 27 at 12:15 pm. Free.ARTPoetry on the Wind: The Art of ChineseFan Painting from the Ming andCh’ing Dynasties. Is there Decora¬tive Blurb-Writing in the OttopersonEmpire? Yes, and that’s what we’llrun until the Otto-person knowl¬edgeable in 15-19th century Chineseculture brings us something intelli¬gent to print. Through 20 Feb at theSmart Gallery, 5550 S. University.Tue-Sat, 10-4; Sun, noon-4.753-2123. Free. Informal gallerytalk, Wed 26 Jan at 12:15, alsofree.Jeff Wall: Selected Works Three bigcolor photographs. Each seems in itsown way something of an affront tothe viewer, and each seems also toresist interpretation. The first,“Backpack,” shows a boy wearingoutdoor athletic clothing and a back¬pack in a studio setting. He appearsto look directly at the viewer. Mosthave found this the least interestingof the three, but when we considerwhat we are being shown — a boyprepared to encounter ‘nature’standing in the middle of culture (the studio, the color photograph) — andespecially this juxtaposition in com¬bination with the boy’s expression,then it all becomes more interesting.This is a good example of somethingbetter to think than to see; andmaybe this is true of the exhibit as awhole. But it is also an initial indica¬tion of what this show’s up to: some¬thing like the art/nature distinction.Through 20 Feb at the RenaissanceSociety, fourth floor Cobb. Tue-Sat.10-4; Sun, noon-4. 962-8670. Free—DMThe Big Pitcher: 20 Years of the Ab¬stracted Figure in Chicago Art. Withthe question of the grouping aside,what about the individual pictures?The show includes paintings andsculptures with a great variety ofstyles and messages. Individually,the art is alternatively garish, self-reflective, playful, angry, romantic,political, and (even) subtle. For themost part the show shouts — in color,size, movement, and confusion.“My Way” by Mark Jackson fitswith the garish. Green, purple, andorange paint applied to the surfce asthough it were chewed bubble gum.Yuk! Similarly, the image is tacky,offensive: a naked blond 'bomb¬shell' thrusting her breasts and ciga¬rette forward while looking seducti¬vely over her protruding ass. I maynot like the painting, but its mes¬sage is clear.Less clear but more appealing isStephen Neal Sherreil’s “The Hermitis a Mystery to Everyone but Him¬self.” On an initial level the paintingis obviously about an artist and his(and I do mean his) art. There is aman framed in brushes, holdingbrushes, and standing behind afloating canvas. But this largerimage is composed of many maze¬like patterns with smaller narrativeimages fit into the design. In its gen¬eral content and composition thispainting seems to draw upon thework of Chagal. especially his “I andthe Village.” Sherreil’s asks forcareful reading; its symbols need tobe decoded and related to the restof the content. Spending time withthis image is a pleasant rather thana difficult experience. No bubblegum here.The show is worth seeing; the cur¬rent work is exciting; nothing staticor dusty. One piece is actually dated1983. No excuse: it’s nearby andfree. Through 19 Fib at the HydePark Art Center, 1701 E. 53rd. Tue-Sat, 11-5. 324-5520. — LKArt of the Avant-Garde in Russia Lots of red and black, and lots of lines anddots. Through 13 March at the Muse¬um of Contemporary Art, 237 E. On¬tario. Tue-Sat, 10-5; Sun, noon-5.280-2660. $2 except Tuesdays:free.—LK <S NMArt on the Edge Small to medium-sizedshow of works in several media by anumber of artists dealing with most¬ly implicitly political subjects. A newEd Paschke painting — a couple kiss¬ing, done in yellow and green in theartist's current, televised-imagemanner — isn’t nice to think but tosee; the rest of the show dividesabout evenly between the less andthe more immediately disturbing.An experience worth much morethan the cost of admission. Through29 Jan at ARC Gallery, 6 W. Hub¬bard. Tue-Sat, 11-5. 266-7606. Free.—DMMembers’ Show More outtakes:Maureen Warren’s “Extended Fami¬ly” — numerous small, paintedpaper figures performing acrobaticsacross a large wall — portrays withclarity the spontaneity of workinghuman relations; Margaret Lanter-man’s “iron Cove” — a dark, low,compact, and weighty rusting-metalsculpture — points toward some¬thing like the notion of the simulta¬neous union of and difference be¬tween sensitive subject andunthinking world; and my fave: fourpainted slogans by Nicole Ferentz —“It was written ail over her face”;“Did I teach you...”; “Isn’t it just likea woman...”; and “She was the kindof lady who...” — in which the pointof view is given in various strikingand nearly impossible color combi¬nations. Fat white males can sueThrough 28 Jan at Artemisia Gal¬lery, 9 W. Hubbard. Tue-Sat, 11-5.266-7606. Free. —DMGarry Winogrand It used to be hard notto see the difference between whatthis black and white photographershowed and the way it was shown.The style was obvious and unique.No more. The current pictures arecalled “Women Are Beautiful” andthey display the same stylistic bent.But they no longer tread the samefine line between saying "This ishow we know this is not the waythings are” — the clearly self-referential — and "This is the waythings are" — the much more stron¬gly developed tendency of photo¬graphy to normalize our estrange¬ment from the world. These showwomen as spectacle because of thepreexisting strength of this idea of‘reality’; the pictures become less$3. —CBGrey City Journal 1/21/83Staff: Abigail Asher, Nina Berman, Curtis Black, Pat Cannon, John Con-Ion, Steven Diamond, Pat Finegan, Keith Fleming, Steve Haydon, SarahHerndon, Michael Honigsberg, Richard Kaye, Kathy Kelly, LorraineKenny, Bruce King, Madeleine Levin, Shawn Magee, Marla Martin, Richard Martin, Vince Michael, Mr. and Mrs. Movie, Pat O'Connell, PaulO'Donnell, Maddy Paxman, Sharon Peshkin, John Probes, Abby Scher,Rachel Shtier, Cassandra Smithies, Beth Sutter.Fiction and Poetry Coordinator: Judith Silverstein.Editorial Board: John Andrew, Ken Wissoker.Production: Nadine McGann, David Miller, Beth Miller.Editor: Nadine McGann. visible as their subject becomesmore. Winogrand went about this asthough he were still at the zoo; per¬haps he is. Through 26 Feb at Doug¬las Kenyon Gallery, 155 E. Ohio.Tue-Sat, 9:30-5. 642-5300. Free.—DM“Nonconformist Russian Painting: Con¬temporary Work” This small showappears to result from an encounterbetween a noticeably Christian sen¬timent and a known totalitarianstate. The outcome — figuration inthe direction of abstraction, flatspaces, cool coloration — would nodoubt appear more accomplished ifthe repression were removed; but alukewarm show is no more appeal¬ing than heaven and hell. Through28 Feb at the Randolph Street Gal¬lery, 756 N. Milwaukee. Tue-Sat,11-5. 243-7717. Free. —DMSeeing Trees (But for the Wood) Woodsculpture by four SAIC graduate stu¬dents. Opens tomorrow in the gal¬lery of the School of the Art Insti¬tute, Columbus at Jackson. Through12 Feb: Mon-Wed, Fri & Sat.10:30-4:30; Th. 10:30-7:30; Sun.noon-4:30. 443-3703. FreeMISCWayne Booth speaks on “Sexism inLiterature" in the Approaches to theStudy of Women seminar series,Tues Jan 25 at 7:30, INH EastLounge.THEATERThe Hotel Shakespeare An originalserialized comedy/drama by theFree Shakespeare Company depictslife in a residential hotel run by anold Shakespearian actor. Januaryperformances introduce the charac¬ters in a two-act play, to be followedby improvisational weekly episodesin February. Opens Fri Jan 21 at 8pm. Through Feb 26; performancesFri and Sat, 8 pm; Sun, 7 pm. Tickets$5. Piper's Alley Theatre. 1608North Wells. 337-1025.Comedy of Errors The Flying Karama¬zov Brothers and other “new vaude¬ville” performers are featured inthis production, which includesmusic, juggling, dancing and gym¬nastics. Directed by Robert Woo¬druff. Opens Mon Jan 24 at 7:30 pm.Through Feb 20; performances Wedand Thurs, 7:30 pm; Fri-Sun, 8 pm; |matinees Thurs and Sun, 2:30 pm. jTickets $8 and $9. The Goodman jTheatre, 200 S. Columbus Dr.443-3800. !i1FILM ;The Road Warrior (George Miller,1981) Fri Jan 21 at 7. 9, and 11 pm. IDoc. $2.Bambi (Walt Disney, 1942) Sat Jan 22and Sun Jan 23 at 2:30 pm. Doc.$2Diner (1982) American boys at play inthe late fifties. Maybe it was thisway; maybe it was worse. No mat¬ter: this silly film barely manages toentertain; it never enlightens. SatJan 22 at 7:15 and 9.30. Doc. $2.-DMThe Best Years of Our Lives (WilliamWyler, 1946) Sat Jan 22 at 6:30 and9:45 pm. LSF. $2.Violette (Claude Chabrol, 1978) Sun Ja23 at 8 pm. Doc. $2.The More The Merrier (George Ste¬vens, 1943) Sun Jan 23 at 8:30 pm.LSF. $2.MacBeth (Orson Wells, 1948) Mon Jan24 at 8 pm. Doc. $1.50.Rich and Strange (Alfred Hitchcock,1932) Tues Jan 25 at 7:15 pm. Doc.$1.50.Sabotage (Alfred Hitchcock, 1936)Tues Jan 25 at 9 pm. Doc. $1.50Splendor in the Grass (Elia Kazan,1961) Wed Jan 26 at 8 pm. Doc. $2.Mr. Deeds Goes to Town (Frank Capra,1936) Wed Jan 26 at 8:30 pm. LSF.$2.Being Two Isn't Easy (Kon Ichikawa.1962) Thurs Jan 27 at 8 pm. Doc.$2Key Largo (John Huston, 1948) ThursJan 27 at 8:30 pm. LSF. $2.THE GREY CITY JOURNAL—FRIDAY, JANUARY 21, 1983—3MAKELATE NIGHTSGREAT NIGHTSATMORRY’SDELIFROM 7:00 PM -10 PMHot, jumboRoast beefsandwiches 69D@Hwith purchase of3 pints of Morry’sSpecial Blend. Ice Creamt/\A• Jumbo Turkeysandwiches• Jumbo ItalianSausage sandwichesCOME TO MORRY’S• Great Food• Incredible low prices• Fantastic savings• Friendly serviceMORRY’S LATENIGHT SPECIAL“BEST BUY IN TOWN”MORRY’S DELI5500 S. Cornell Dr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E.53rd St.493-8372Intelligent people know thedifference between advertisedcheap glasses or contact lensesand competent professionalservice with quality material.Beware of bait advertisingEye ExaminationsFashion Eye WearContact Lenses marian realtyinc.REALTORStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 S. Cornell684-5400& Sing-AlongOrchestral Play-AlongH AVON’SUnder the direction of Rodney WynkoopSunday, January 23, 4 p.m.Rockefeller Memorial Chapel.5850 Woodlawn AvenueAt the University of Chicago$1 admission - scores providedSTUDY IN EUROPEThe University of Louvain (est. 1425)! Leuven, BelgiumoffersCOMPLETE PROGRAMMES IN PHILOSOPHYFOR THE DEGREES OF B.A.( M.A., AND Ph.D.plus A JUNIOR YEAR ABROAD PROGRAMMEAll Courses Are In EnglishTuition is 11,500 Belgium Franks ($250)Write to: Secretary English ProgrammesKardinaal Mercierplein 2* B-3000 Leuven, Belgium RockefellerSunday9 amEcumenical Serviceof Holy Communion10 amDiscussion Class:“Castanets in the Cathedral’’10 amReligious InstructionFor ChildrenUniversity Religious ServiceBERNARDO. BROWNDean of the ChapelVISTA HOMES59TH AND STONYISLAND AVENUEElegant cooperative highriseapartment building on the Mid¬way. Superb campus and lake-front views. On site professionalmanagement. Doorman. Coop¬eratively owned, heated under¬ground garage is located behindthe building.• 16th floor. 4 room apartmentin move-in condition. Walnutstained oak floors. Spaciousbedroom. Lots of closets andbuilt-ins. $45,000.Janice Haines.•3rd floor. 1 bedroom apart¬ment with formal diningroom Garage space included.Immediate possession.$38,000. Eleanor Coe.KENNEDY, RYAN& MONIGAL, INC.5508 S. Lake Park Ave.667-66664—FRIDAY, JANUARY 21, 1983—THE GREY CITY JOURNALIn the darkI sit in my crow’s nestand watch thetoken items of coolroll inthe thrift store stilettosthe comic book tiesthe delicately denied sexualitythe Margo Channing biting nicenessGod, I’m glad not to be among themthe low mechanical throb of the lightboard comforts me deep I hug itI want a loverthat isn’t a childwho is a childEnter CosmoI daydream about letting my hairdown to an audienceas the lights die screaming,whispering ‘I’m falling from God’Something about Jazz musicmakes me want to writea playAct I scene oneYou know John, I never did understandwhy you married that zenned outvegetarian.John: (looks blank tries a weak smileabandons the idea and tries to look focused)What were you running from?J: Cassandra, why do you insist thatI was running or hiding or freudingaway from something or someone?can't you just acceptit. We re married, (turning back to stove to shakepopcorn.)C: Okay if you don’t want todiscuss it we won’t How’s yourwork with Jarret going?J: (with tentative confidence)Well, he’s got a lot of projects goingyou know, The ad in New Agegot a good response but wehaven't really had a chanceto sort through the letters andKeith said he wanted to do ithimself But he hasn’t had time— the renovating is alot of workHe’s also preparing for anothertour so its difficult to find time when he’s free.C: There was a rumour going around theartsyfart circle at the U of C that herequested a fuck before each performanceor he wouldn’t playJ: (laughs) Well I doubt that’s true. He’smarried you knowC: Yeah yeah, Well that doesn’tnecessarily mean shit to atree, so are youBlack outscene twoThe mirror is a long oval wooden frame without glass. Whenshe is facing the mirror, she is looking at you, the audience.Jeremia Punk stands in front of a mirrortalkingAh ffuck you man: scowls and walks awayfrom mirrorturns around to check her ass bib and makestraightComes back to mirror and works oneyes with makeup delicately and then moreand more impatiently until shesavagely starts extending straight lineslines across her facesmudging her red eyelidsroughing her hair In themidst of this frenzy thephone ringsShe gets up and sauntersover to the telephoneYeah —O hi momwhat do you wantlisten I don’t give a fuck who’sbirthday it is I’m not goinghome to the pissy burbs ofNewark to have cake and ice creamand be bitched at about notbeing a secretarySorry motherShe goes back to the mirror casuallypicks up the pencil looks at herselfstrengthens a few more linesthrows the pencil on the tablegets up grabs her jacket andleaves.—Cassandra Smithiessure her chains areMICHAEL MCCLURE: THE BEAT -IT'S NOT SO SIMPLEWhen Michael McClure explains that thereason he centers his lines on the page inlieu of using the more conventional left-handed margain is because "we are centeredorganisms, in the sense that we’re bilaterallysymmetrical,” we know we re dealing with aman who considers himself a prophet, albeitan eccentric one. McClure's poetry is indeedprophetic in nature; the man has a world-vision which he lovingly describes in hissprawling neo-Romantic lyrics. It is a world ofexuberant creatures, both human and non¬human; of “nectar-drinking flies...supping atthe yellow pansy’s cup" and of ‘‘intellectivemeat.”Perhaps most famous for his verseplays—The Beard (1965) and Josephine theMouse Singer (1978) have three Obie awardsbetween them—McClure is a self-avowedmember of the Beat Generation and the SanFrancisco Renaissance. In December of 1955,at the ‘‘Six Gallery" reading, McClure, AllenGinsberg, Philip Whalen, Gary Snyder andPhillip Lamantia catapulted the Beat scene tonational stature while Kerouac and Ferl¬inghetti shouted encouragement from the au¬dience. Ginsberg read ‘‘Howl" for the firsttime, ant the national media turned theirattention—condescendingly at first—towardSan Francisco.Since that auspicious beginning (the SixGallery was McClure’s first major reading),McClure’s poetry has taken a distinctly in¬dividual course within the Beat movement. Inaddition to establishing the center of thepage as the axis around which the poems"dance"—an innovation that is neither in¬substantial nor arbitary—McClure has takenthe great soulsearching of Romanticism a step farther. "The falsity, the academism, thelove-lack, the inertia of the poetry that wasthere when we came along siad to us, ‘Goback into yourself and find out what yourperceptions tell you, what your sensoriumtells you, sight, sound, smell, touch, taste.’”The result of this "going back into" himselfwas what McClure christened "biologicalpolitics.” He became a "mammal patriot.”His 1970’s poems center on generalizing"we” and "1" metaphors: "I’m an eagle inthe whirlpool.” "I'm the fox of reason.” "Weare the hunters of protein grail.” "We’rephysiques of thoughts upon a crowdedland.” "We are the brilliant-beaming golden-smiling godhead of the rosy gnat’s wing.”McClure's "we” denotes any of the differentgroups in which he claims membership: themammals, the humaniods, the San Franciscopoets, the carnivores, or—in Josephine, anadaptation of Kafka short story—the "littlecreatures” of the universe.The arena that McClure seems to havequite studiously avoided is that of Americanpolitics. Instead of the gritty didacticism offriend and mentor Ginsberg, we getsomething more closely related to JackKerouac’s "heavening.” Energy is what Mc¬Clure's poems seem to be about. Ginsberg isquoted as calling it “protoplasmic energy,”but the term is meant to be all-encompassing,for the energy that McClure’s poems suffuseis, like Kerouac’s, the energy of rebellion,the energy of freedom, the energy of living.Occasionally, McClure launches into "beasttalk.” Elsewhere he pries into "meatscience.” These are the eccentric ramblingsof a liberated mind.McClure’s output is both diverse and pro¬ lific. He has published nine books of poetry(Fragments of Perseus, his tenth, is siated forspring 1983 publication), four volumes ofplays, two novels, a biography, and a volumeof essays. In 1976, McClure read the "GeneralPrologue” to The Canterbury Tales at theBand’s farewell concert and subsequentlyappeared on screen in Martin Scorcese'sdocumentary of that concert, The Last Waltz.Michael McClure In addition to Ginsberg and Kerouac. Mc¬Clure cites as influences Charles Olson andthe Romantic Shelley and Blake; as inspira¬tions he cites the Abstract Expressionistpainters Jackson Pollock and Clifford Still.Dylan Thomas, says McClure, was the con¬summate poetry reader, transcending thelimitations of the printed page in his radio¬broadcast readings. In his own readings Mc¬Clure attempts to combine the theatrical in¬stincts culled from his experiences as aplaywright and director, with the moredistanced voice of the radio reading asrendered by Thomas.With typical, brutal self-honesty, McClure,now 50. assesses the radical Beat movement:"I think we re going to have to give up thesimplicity we've been going through. In the’60 s and ’70's you could get away with beinga liberal or a radical, which is finally too sim¬ple...! think we re all going to have to goback...again. I don’t think the world's as sim¬ple as we've been trying to make it out tobe."The joyous energy of the Beats, typified byKerouac and McClure, may thus appear naivein retrospect. Such an assessement, though,does nothing to diminish its upliftingqualities. McClure has taken Wordsworth's"spontaneous overflow" to ever-higherplanes, and his robust verse is a marvellouslysuccinct pronouncement of the Beatethos.—J. Cohen.Michael McClure will be reading anddiscussing his works on Thursday, January27th at 7:30 pm, Reynolds Club First FloorTheater. Admission $2.00 A Pocket Poeticspresentation.THE GREY CITY JOURNAL—FRIDAY. JANUARY 21, 1983—5SLOW FADE TOTECHO-YOUNGT>y Russel ForsterNeil Young's most recent album Transmay well be the most controversial albumreleased so far in the 80 s, though it reallyshouldn’t be. Many times before Younghas forsaken his past and has producedalbums that infuriated even the most de¬voted fans or at least left their mouthsopen in astonishment. But although this isnot the first time Young has risked his“professional standing-’ to make musicthat he really believes in, this time he isdabbling in — dare I mention it? — NewWave music, and pretty strange NewWave at that. (I use the term “New Wave"facetiously, of course, since everyoneknows that it's just another one of thosemeaningless terms critics invent for some¬thing they can't hope to understand...but Idigress.) Recently he acquired a vocoder —a kind of voice synthesizer you've heardbefore on songs like Laurie Anderson’s “OSuperman’’ — and he uses it on 6 of thealbum's 9 songs, making his distinctivevoice hardly recognizable at all. Vocoderand synthesizers over a disco-handclapdrum beat? This is hardly the Neil Youngthat we've all grown to know and love.But that's probably the idea. Neil's ownexplanation is that recently he bought thealbum Computer World by Kraftwerk andjust fell in love at first listen. The subse¬quent acquisition of his vocoder (vocoders,ironically, were only produced in a limitednumber in the 60 s and are very hard tocome by today) set the stage for Trans. Re¬member, this is by the guy who fell in lovewith the Sex Pistols five years ago andwho sang in their memory that it was “bet¬ter to burn out than to fade away.” Hedoesn’t ignore new trends and isn’t above Neil Youngletting them affect his own music. Howev¬er, regarding the new songs, Neil claimsthat the songs haven't changed as much asthe technology behind them.Technology changes things a lot, though.The whole album is concerned with thechanges that technology brings. The coverart is a good introduction to the music in¬side: the front of the album shows twohitchhikers on opposite sides of a high¬way, one side representing the 60’s andthe other the 80’s, with the 60’s side fad¬ing into light in the distance and the 80'sside ready to burst from the album in tothe privacy of your own home; the backshows a heart inundated by diodes and mi¬crochips. The latter image in particularpresents the unifying image for the album— what place does romanticism have intoday’s fast-paced, rational, scientificallyproven, technologically balanced societyanyway? That question obviously bothers Neil alot, because he devotes a great deal of thealbum to it. He deals with it differently ondifferent songs. On “We R in Control,”which sounds a lot like (believe it or not)Devo to me, his response to technology isparanoid and hard to take seriously in itsobvious 1984 imagery: “We control youfloor to floor/We control you door todoor/We’re controlling while you sleep.” Afew songs treat the question ironically, al¬most absurdly. “Computer Cowboy” trans¬lates Will Rogers to a computerized ranch,with the result seeming very silly. “Samp¬le and Hold” is a scathing comment on themechanization of romance: “Perfection inevery detail/...Because our units neverfail/...I need a unit to sample and hold.”His updated version of “Mr. Soul” thumbsits nose defiantly at the people set to re¬ject his new sound. It sounds just as naturaltoday as it did 15 years ago, and he didn’t even need those twangy guitars to do it.He doesn’t really face technology headon however until the end of the second sideof the album, in the 8-minute-plus longpseudo-epic “Like an Inca.” It’s a sequel to“Cortez the Killer” and takes up wherethe other song left off by making the de¬struction of the advanced Aztec civiliza¬tion a metaphor for the arms race today.Much like Cortez, the bomb worshipperstoday threaten to take all the romance ofadvanced civilization and blow it into obli¬vion. “Who put the bomb/On the sacredalter?/...Why should we care/About a littlebutton/ Being pushed by someone/Wedon’t even know?” Young complementsthese unanswerable questions with his ro¬mantic vision of life among the ancientPeruvians, and by persistent pessimismeffectively avoids the question of how toreconcile the two visions. Like GregoryCorso, Young sees the creation of the bombas the death of romance with the only so¬lace provided by memory and imagina¬tion.But although there is no reconciliation inthis song, there is a reconciliation of sortsin Neil’s new direction and his recognitionof the power, be it good or bad, of tech¬nology throughout the album. Certainly hewould not encourage anyone to curl up andhide from the changes technology brings,for as hopeless as the situation may seemhe recognizes the possibility of love in acomputerized world — otherwise howcould he sing love songs himself?As a long time fan of Neil Young, it’staken a while for me to get Yised to Trans,and even after listening to it many times Idon’t feel fully comfortable with it. I longfor the closeness of previous albums, andit seems that aspect of his music is lost inhis new style. But while I can’t bring my¬self to love the album, I can't hate it ei¬ther. There’s something refreshing abouthearing a thinker at work, even if the re¬sults aren’t always pleasing. And a littlecontroversy now and then is good forrock’n’roll — keeps it from getting bor¬ing.HERZOG OR FITZCARRALDO? BEWARE OF THE HYPEby Shawn Magee“I hate it when people hype films, howincredibly difficult they were, how expen¬sive — and then the films are bad,” com¬plains Werner Herzog in a recent inter¬view in the German film journal Filmfaust.Ironically however, the film he uses as anexample of this aggrandizement is fellowfilmmaker Francis Ford Coppola’s Apoca¬lypse Now, and not his own Fitzcarraldo,for which the same criticism is more thanapt.Fitzcarraldo is the story of an eccentricIrishman (Klaus Kinski), a handful of mes¬tizos, and an Indian tribe hauling a boatover a mountain in Peru. Fitzcarraldo at¬tempts this physically demanding feat inorder to gain access to virgin rubber trees and the enormous profits they can reap —not out of capitalist greed but to bring“culture” to the jungle; he wants to buildan opera house where his idol, Enrico Caru¬so, can perform. Bankrolled by his mis¬tress (Claudia Cardinale), proprietor of thelocal bordello, Fitzcarraldo and his motleycrew spend the rest of the film getting inand out of trouble on a remote tributary ofthe Amazon. The film, however, has littleor no substance; the plot is thin and thecharacters cardboard. Are we supposed tocare about yet another whore with a heartof gold; are we supposed to be interestedin the elaborate system of cables and pul¬leys, and the primordial grunts and groanswhich accompany this “engineering feat ofthe century”? In fact, it is the story sur¬rounding the creation of this film whichprovides the greatest interest; Fitzcarral¬do itself has become simply a media event.From pre-production through its pre¬miere last spring at Cannes — a span of al¬most four years — Fitzcarraldo and its ob¬sessive creator have been feeding thesalacious fires of the international press,which has alleged throughout everythingfrom rape of the land to instigation of trib¬al warfare. These charges, which weredeemed serious enough to warrant inves¬tigation by Amnesty International — anorganization which has since exoneratedHerzog of any wrongdoing — as well as aseries of mishaps, (primarily the loss ofFitzcarraldo’s original Fitzcarraldo, JasonRobards, to a case of acute dysentarywhen the film had been forty percent com¬pleted) have created around Fitzcarraldoan atmosphere which is decidedly morecircus-like than cinematic.This is due in no small measure to Herzoghimself, whose fetishistic fealty to doingthings the hard way has become legen¬dary. In 1976 he and two cameramen re¬mained near the sizzling crater of a Carib¬bean volcano to shoot footage for whatwas to become the thirty-one minute docu¬mentary, La Soufriere. The eruptionthought so imminent as to force the evacu¬ation of even scientific personnel, ironical¬ly, never occurred; nevertheless Herzogand his crew were prepared to sacrificetheir lives, if necessary, to the film. “Wasthe film more important to us than our pri¬vate lives, our own asses? We were of theopinion that we didn’t care about out ownasses!” claims Herzog cavalierly.The filming of Fitzcarraldo deep in theAmazon jungle (where he also shotAguirre, The Wrath of God in 1972) is inkeeping with Herzog’s penchant for contin¬uous flirtation with danger. The camp sitewas literally carved out of the rain forrestand accessible only by canoe or lightplane; on a supply run one of the planescrashed, tragically killing several per¬sons. Nevertheless Herzog sees a great.challenge in a project of this nature, call¬ing it “close to hybris,” yet denying that itis the danger which turns him on. “I’d bethe last one to seek out danger,” he says, then adds with a bit of discernable machis¬mo, “but I’d also be the last one to shrinkback in fear!”Many of the difficulties encountered dur¬ing the filming of Fitzcarraldo, as well asan insightful portrait of Herzog himself,are contained in the documentary Burdenof Dreams by the American filmmaker LesBlank. Blank, who also created the earlierdocumentary Werner Herzog Eats HisShoe, which depicts the culinary resolutionof a friendly wager, is obviously fascinat¬ed by Herzog’s movie-making mania. Andalthough it has become a cafe societycliche, Burden of Dreams, the film aboutthe film, is better than Fitzcarraldo itself.Burden of Dreams convincingly depictsthe trials and tribulations of making amovie in the jungle, especially the inhospi¬table climate and the infuriating weatherconditions. It also documents the endlesswaiting in abject boredom (often accom¬panied by a mouthful of expletives fromKinski) for the river to rise — numerousdelays caused Herzog’s schedule to fall outof synch with Mother Nature’s, for a timeprohibiting further filming.The film also paints a picture of Herzoghimself — much of Burden of Dreams con¬sists of on-location interviews in which heexplains the nature of his work (in fairlyfluent English, having studied in the U.S.)as well as his obsession with it. The docu¬mentary also contains numerous out-takes(footage shot but not used in the final ver¬sion of Fitzcarraldo) and a scene from Her¬zog’s initial effort starring Jason Robardsand Mick Jagger, whose role was writtenout of the second version when concertcommitments and other scheduling con¬flicts prevented the collaboration.Fitzcarraldo is, by far, the most disap¬pointing film to emerge from the New Ger¬man Cinema in recent years. Although Her¬zog is a gifted filmmaker, concerningFitzcarraldo the viewer must not allow her- or himself to be deluded by a cloak ofmedia hype with four star reviews — alathe emperor and his new clothes — a cloaktrying to deny the utter nakedness under¬neath.PAINTING, TWO HARBORSWe rolled the evening’s thunder into paper,smoked it off, got high, and we painted pictures:deer, buffalo, with indigo and sulphuron limestone, like the peoples past, their cavesa time-zone far removed from us and now—as if we could come closer to our graves,already dug in ice and smoke and shale,as if returning, laden from the hunt,carcasses dragged and hung, the sun aslantbeyond the trees, the red moon rising paleas the sand at the smelt-run beach, whose wavesare touching us. But we are leaving now,sun down, painting done, and the moon a cipher,a city mapped, wet paint iron-tinctured,while we’re still high, and leaving paintings, safer.— Jeremy Downes6—FRIDAY, JANUARY, 21, 1983—THE GREY CITY JOURNALHYDE PARK UNION CHURCH5600 S. Woodlawn Ave.Church School (all ages) 9:45 a.m.Worship Nursery Provided 11:00 a.m.W. Kenneth Williams, MinisterSusan Johnson. Baptist Campus MinisterCome, Worship, Study, Serve - PUBLIC LECTURE -John C. CaldwellSociologist and DemographerAustralian National UniversityLethargicFertilityDecline in Indiaa sociocultural analysisTIME: 4:00 pm, Thursday,January 27PLACE: Social Science BuildingRoom 3021126 East 59th StreetCOURT^THMTREUniversity of Chicago 5535 S. Ellis AvenueLehnhoff School. . . of Music and Dance1438 EAST 57TH STREETCHICAGO, ILLINOIS 60837288-3500SPRING TERM18 week session begins Monday.February 7. 1983CHILDREN S LESSONSAND CLASSESDanceMusicChamber MusicADULT LESSONSAND CLASSESDanceMusicFOR REGISTRATIONINFORMATIONCALL 288-3500 GOLDCITY INNGiven"☆☆☆☆"by the MaroonOpen DailyFrom 11:30 a.m.to 9:00 p.m.5228 Harper 493-2559Eat more for lessA Gold Mine Of Good FoodStudent Discount.10% for table service5% for take homeHyde Park's Best Cantonese Food — The Early Intervention ProjectChildrens Memorial HospitalAnnouncesA Benefit Dance & Night of ComedyFriday, January 28 Hyatt Regency8:00 p.m. - Midnight 151E.WackerGrand Ballrooms A & B—Featuring—Comedy by theMusic by the: Improv Group:“Ruckus” “Let’s Have Lunch”Dance Tickets - *5.00 per personRaffle Tickets - ‘1.00 ea. or 12 for ‘10.00For Ticket Informationcall 929-5933 between 9:30 & 3:00 p.m.Dance and Raffle Tickets Available at Doorfor festive eating and drinkingEnjoy.....fresh crepes, quiches, sandwichesunusually good salads andtempting dessert crepes...Join us early ior hearty breakfast specials.and Hyde Park s best ice cream sundaes,full drink menu affordably pricedOur Chili is the best...we wonChicago s Great Chili Cook-Off1 overallNovember 1, 198053 ^St & ty{aAfv>/L)667-2000The Blue Gargoyle Cafeteria5655 S. Universityin University Church Dining RoomCome try some ofour homestyle cookingSoups, salads, sandwiches,sunflower seed burgers,baked chicken, plus much more.Monday thru Friday11:30 am til 2:30 pmTHE GREY CITY JOURNAL—FRIDAY, JANUARY 21, 1983—7The organization of blacks and whites reproduced above is political in at least the following ways: 1. it refersto the outcome of a political event; 2. it gives the loser’s sentiment; 3. it organizes these in a particularfashion (for example, big type); 4. all of these make another sort of sense from that intended by the peoplewho made the newspaper’s decisions by having been placed anonymously in the Christian Science Litera¬ture rack; 5. somebody thought all of this was worth a photographic representation; 6. other people thoughtit went well with this story and their idea of this then-unwritten caption; 7. the same people thought it wouldlook best in high-contrast form; and 8. through at least 7 plus the number of different political perspectivesthose reading this photograph on this page bring to it.WHY ARTISTSCANT RUNEVERYTHINGWednesday night’s panel and audiencediscussion on "What Is Political Art?" atARC Gallery seemed from its start to con¬firm my low expectation of such an event.The hope that it would eventually turn outto be worthwhile had centered on theclearest unknown — the panelists — buttheir understandings of the issue were allbut immediately disappointing. That theevent was at all constructive is due almostsolely to comments from the audience.Donna Hapac, the current ARC Gallerylecture and performance series coordina¬tor and the. evening’s moderator, intro¬duced the issue and made the claim thatthe discussion was not intended to answerthe question, but to "raise questions". Shereceived several well-deserved scoffsfrom the audience for this; too bad theyweren't louder.Each panelist made a short statementand Jenny Rohrer, a partner in Kartem-quin Films began. Her notion of politicalart as issue-oriented art was immediatelyclear and seemed unchanged by the eve¬ning's end. At least her stories weregood.Joan Abena Brown, president and exec¬utive director of the ETA Creative ArtsFoundation and the only black person inthe room, spoke next. Political art seemedfor her to be subsumed under the strugglefor "Afro-American" liberation; the factthat she was speaking to whites did notmake a noticeable change in this view. Shealso referred to the romantic conception ofthe artist as a "unique, visionary individu¬al". And her statements were withoutfocus. Still, she was more than tolerablethroughout the evening.Melinda Hunt, an ARC Gallery artist andassociate at the Contemporary Art Work¬shop, delivered a short, written state¬ment, the evening’s best from the panel.She lauded the move toward the represen¬tational, acessible image and suggestedthat artists attempt to allow the audienceto see their intention. But she was awareof the problems with this as sole advice,and consequently noted that the artist’sintention is not the only constituent ofmeaning. Her concluding sense of suc¬cessful, political art: a "dialectic" betweenartist and audience. This was the first ar¬ticulation of the notion of art as a truly so¬cial production; it tended also toward theposition, later given more clear statement,that all art is in an important sense politi¬cal. Unhappily, those who worry most suc¬cessfully about the question seem all toooften to say too little; Hunt was silent formost of the rest of the evening.Mark Rogovin, mural painter and co¬founder and curator of the Peace Museumand the only male panelist, spoke last.Like Rohrers, Rogovin’s was an issue-oriented idea of political art. He spoke at length about mural painting and seemedat times to consider this the only politicalart form, even when everyone else wastalking about film or museum painting. Heclearly has done a lot of thinking aboutwhat he does and made good observationson its problems, strengths, and generalworth throughout the evening. But Rogo¬vin seldom spoke to the question and fre¬quently misdirected the discussion; if onlyhe had had Hunt's intelligence or (better) ifHunt had had Rogovin’s sense ofself.. .Anyway, Rogovin mentioned agroup called "Artists For Washington", forwhich he was applauded.The floor was opened for audience par¬ ticipation, and it had much to say. Less ofthis than might have been expected wasoutrageous; more was constructive. Wewere not long into this period before aman observed that the panel had more orless skirted the issue of what political artreally is and he suggested that, just byasking the question in the evening’s title,it had been implied that there is such athing as non-political art. This, he claimed,doesn’t make a lot of sense, since artalways exists inside human relations,always communicates something, and thecommunication always effects the rela¬tions in some way. Further, in making thedistinction between the two kinds of art, the current discussion might have the unin¬tended effect of submerging politicalstatements already being made by artistswho nevertheless do not consider them¬selves "political artists". Thus, a clearerdefinition of political art is needed.The panel quickly lost sight of this, butnot before Rohrer added that she actuallyhadn’t ever given the whole issue muchconsideration (!); and Brown that sheagreed completely (it had been clear fromthe start that her heart was in the rightplace). The man who had recalled the dis¬cussion to its original, stated purpose ap¬parently became discouraged and left.A woman presented a less than cogentbut believeable case for political art aswhat might be called ’social movement’art. Possibly under the influence of JohnBerger’s book, she used Picasso’s "Guerni¬ca" as an example of what she wasn’ttalking about (which understandably de¬tracted from her point). Instead, sheclaimed that a group of artists living andworking with their audience could producepolitically significant works. This was notso far removed from Hunt's "dialectic";neither does it conflict with the idea of allart being political — when it happens it’s amore specific and often desireable case ofthe same thing. But no agreement or com¬binations of definitions could be attained:this woman, despite or maybe because ofthe general worth of what she was saying,presented her view as the only one poss¬ible. If Wednesday’s group met regularly,she’d become our first sectarian.Discussion returned to the issue of the in¬terface between aesthetics and politics attwo points; the first, when a man claimedthat the art there on the walls now — fair¬ly representational — wasn’t being pro¬duced ten years ago. He was (rightly)called to task for this inacurracy, so thegroup missed what might otherwise haveoccured as a fruitful observation: the re¬turn to figuration is an example of, inHunt’s language, the dialectic, since this iswhat is called for now.Another woman who said she is one ofthe artists represented in the current ARCshow attempted to ask about the politicalstatus of art- and media-conscious art; herexamples were Barbara Kruger’s photos,photos by the ‘photos of photos’ person,whose name I have forgotten, and anotherartist of whom I had not heard. Since itwas clear that the panel didn’t know whatshe was talking about, she attempted togive a description of it, but her telling tookso long that Hapac cut her off. Her ques¬tion, effectively never asked, remainedunanswered. Pity.A number of other, honest and construc¬tive but less germane topics were raisedand, perhaps as a well-deserved counter¬point to the nearly idiotic and misguidedstatements by a professor from the Insti¬tute of Design (for example, "You’re con¬fusing Art with craft".), some well-meantand humorous statements were made ButHapac, having proved for nearly twohours that she could neither pick a panelnor lead a free-wheeling discussion, calledthe affair to a close at a bit after ten. I sus¬pect she was happy, since she hadn't in-tenaed the evening to answer the questionanyway. —David MillerTHE FLAMINGO APARTMENTS5500 South Shore DriveSTUDIOS & ONE-BEDROOMS• Unfurnished and furnished• U. of C. Bus Stop• Free Pool Membership• Carpeting and Drapes Included• Secure Building• University Subsidy for Students & Staff• Delicatessen • Beauty Shop• Barber Shop • T.J.’s Restaurant• Dentist • Valet ShopFREE PARKINGMRS. HARRIS 752-3800 5309 S. 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Green The Chicago Maroon—Friday, January 21, 1983—15NewsSG grants winter fundsby Guy WardThe Student Government (SG) Assemblyvoted down two budget protests and ap¬proved Finance Committee allocations to¬taling $11,047 dollars Wednesday night.Two campus organizations, the RomanceLanguage Review, and College Associationfor the Research of Principles (CARP) offi¬cially protested the SGFC’s failure to givethem the amounts they had requested. TheRLR received $200, half of what they re¬quested, and CARP got nothing out of a re¬quest for $210 dollars.The RLR protest was the more heated ofthe two, and although the assembly voted 7-7not to overrule the SGFC (overturning anSGFC decision requires a 2/3 vote) it wasthe “closest in recent history to an over¬turn,” as one assembly member noted. TheAssembly has not overruled the SGFC overthe last three years.RLR’s chances were further dampened bythe absence of 18 assembly members. Tenassembly seats are currently vacant. Also,over half of those present were members ofthe SGFC.Editor Larry Krasner spoke for the RLR,which put out its first issue last spring. Thereview includes submissions written inFrench, Spanish, Italian, Portugese, Cata¬lan, and Romanian. On the basis of facultyand student response, Krasner consideredlast year’s effort a success, and he asked theSGFC for enough money to enlarge the mag¬azine from last year’s 52 pages to 100 pages.SAGEcontinued from page lThe SAGE agreed with the Baker Com¬mission that the possibility of a graduatestudent center should be explored. It alsostated that more “amenities for studentsand faculty, such as places to eat and relax,ought to be established.”Donald West King, recently appointedvice-president for the Medical Center anddean of the Biological Sciences Division, hasbeen named the Richard T. Crane Profes¬sor. After a tenure at Columbia University,King assumed his position here Jan 1.King heads a National Institutes of Healthproject on cellular aging and has Macy He stated, “Last year the review was organ¬ized by three people, and already this yearI’ve been approached by nine people whowant to be editors. We may end up with 20active people on our staff.”Initially, SGFC voted to deny funding en¬tirely to RLR on their mistaken belief that itwas, like Inquiry, a publication made up ofwork which students had written for classesHowever, after a meeting with Krasner,SGFC recommended $200, $45 more thanthey allocated for the project last year.SGFC considered this a reasonable in¬crease, and advised Krasner to obtain addi¬tional money by “putting a nominal fee onthe magazine,” charging membership dues,or soliciting a grant from the Romance Lan¬guages department.Last year the review did receive $100 fromthe Humanities Division, but Krasner point¬ed out that this was “emergency funding ona superior product, since it was severly un¬derfunded.” Krasner is certain the Divisionwill be unable to help out this year. Hecalled the current $200 grant “totally inade¬quate” and maintained that with thatamount, RLR would be unable to produceeven what they did last year. The final costfor four hundred copies last year was ap¬proximately $250. According to the CopyCenter, the same issue will now cost $268.Krasner is not sure where the journal willget the extra funds.Speaking for CARP was Chapter Presi¬dent Dominic Barber, who requested $210 toarrange a lecture by Eldridge Cleaver onOther SAGE recommendations include•The provision of office space for all grad¬uate students, regardless of registrationstatus.•The conversion of space in Ida NoyesHall into a movie theater.•Expansion of the role of the Office of Ca¬reer Counseling and Placement to help stu¬dents find non-academic jobs.•Access for all graduate students to aword processor and computer money.•More opportunities on campus for part-time work.Foundation support for a pathology coursefor doctorate candidates in cellular and mo¬lecular biology.The Richard T. Crane Professorship isnamed for the Chicago industrialist who wasowner of several manufacturing companies.Crane died in 1912. The chair was estab¬lished in 1929 with a gift from his sons. campus. SGFC turned him down solely be¬cause they felt that the national CARP orga¬nization, which pays for Cleaver’s living andtraveling expenses, could pay for him to lec¬ture here as well. “We didn’t even get intothe political questions,” SGFC memberVince Millery noted.Barber insisted that he could not getmoney from the national organization be¬cause of their policy that the local chaptersmust arrange the lectures themselves.Cleaver’s fee is paid by national CARP, butBarber needed the $210 to pay for a micro¬phone and fireguards. The assembly voted12-2 against the request.Out of the $11,047 allocated Wednesday,the largest chunk, $3884, went to WHPKradio for operating costs and some neededequipment. At the request of SGFC, WHPKscaled down their request from $5964 to$3884, foregoing the purchase of one piece ofexpensive equipment for the present.$2345 went to the Organization of BlackStudents (OBS) for events the group hasscheduled for Black History Month. Theseevents include a lecture by poet GwendolynBrooks on Jan. 30 in Swift Hall and a GospelChoir concert in Rockefeller Chapel.The remaining funds were distributed fororganizations’ budgets, lectures, films, anda Chinese Student’s Association party.SGFC member Rick Szesny presented thebudget recommendations for Chair Liz Cas-sanos, who is out of town. The assembly ap¬proved all with a minimum of debate. Gen¬erally, the money given was less thangroups had requested, but in some cases, itwas more. For example, College Bowl re¬ceived an extra $10, the Linguistic Circle anextra $20 and OBS an extra $5. In responseto this, SG President Alan Granger com¬mented, “It always surprises me when ithappens, but the finance committee’s job isnot always to cut funding down to the bone,Often it means pointing out to the group thatthey need more money than they’ve askedfor.”Daleycontinued from page 1One questioner asked why he is runningfor mayor since he has been doing a good jobas state’s attorney. Daley stated that helooks forward to the challenge of beingmayor of the city and dealing with the dutiesof that office. He has previously mentionedthat he was convinced to run after beingurged to do so by residents from all cityneighborhoods. Opponents of Daley havebeen critical of his decision to run formayor, noting that when he ran for state’sattorney in 1980, he promised to serve a fullterm.King appointed vice-president at med centerCalendarFRIDAYMAB DANCE CONCERT: BowWowWow & specialguest artist9 8 p.m. INH Gym FreeMen's Basketball: U. of C. vs. Carleton College 7:30p.m. Field HouseMusic Dept.: Contemporary Chamber Players of theUniversity of Chicago-Ralph Shapey-music direc¬tor. In Honor of the 80th birthday of Stefan Wolpe:Piano Music performed by Katherina Wolpe 8 p.m.Mandell Hall FreeDOC: The Road Warrior 7, 9, & II p.m. Cobb #2Court Theatre: Endgame 8 p.m. Theatre 753-4472 forinfoIntervarsity Christian Fellowship: Meeting 7:30p.m. INHArabic Circle: Fazlur Rahman on “Certain EthicalConcepts in the Our’an’’ Pick 218 3:30 p.m.Hillel: Reform Progressive Sabbath Services 5 p.m.;Adat Shalom Sabbath Dinner 6 p.m. $3U.C. Asian Christian Fellowship: Weekly meetingsat 7:30 p.m. Augustana Lutheran Church at 55th &Woodlawn. Info: 288-5274Calvert House: Tobogganing, “Games Night" ifthere is no snow 5:30 p.m.; Leave for Weekend Re¬treat in Silver LakeSATURDAYInternational House: India Today and It’s Past His¬tory Students from the Circle Campus present a pro¬gram on India. 2:30-5:00 p.m.; Resident CouncilParty with “Ruckus” 9 p.m. - 1 a.m. $4.Men’s Basketball: U. of C. vs. Knox College 3:00p.m. Field HouseWomen’s Basketball: U. of C. vs. Knox College 5:30 DOC: Bambi 2:30 p.m. Cobb $2 Diner 7:15 & 9:30 p.m.Cobb $2LSF: The Best Years of Our Lives 6:30 & 9:45 p.m.Law School Aud. $2Armenian Students Organization: Slide Show & Lec¬ture. Details T.B.A. 12 p.m. INH LibraryCourt Theatre: Endgame 8 p.m. New Theatre Info:753-4472Crossroads: South Indian Dinner 6 p.m. Donationasked. Slide Show “Three Festivals of South India”7:30 p.m. call 684-6060 for infoCalvert House: Sacrament of Reconciliation 4:30p.m.Music Dept.: Kathleen Viglietta, harpsicord: Bach,Scarlatti, Martinu, Draganski, and others. . . 8 p.m.Goodspeed Recital HallHillel: Orthodox Sabbath Services 9:15 p.m.; Up¬stairs Minyan Sabbath Services 9:30 a m.SUNDAYMusic Dept.: Lisbeth Bistrow, baroque violin,Thomas MacCracken, harpsicord, Susan Ross violade gamba 2 p.m. Goodspeed Hall FreeDOC: Bambi 2:30 p.m. Cobb $2 Violette 8 p.m. Cobb$2LSF: The More the Merrier 8:30 p.m. Law SchoolAud. $2Court Theatre: Endgame 2:30 & 7:30 p.m. NewTheatre call 753-4472Rockefeller Chapel: Ecumenical Service of HolyCommunion 9 a.m.; discussion Class, "Castanets inthe Cathedral” 10 a.m.; Religious Instruction forChildren 10 a.m.; University Service 11 a.m.; Sing-Along of Haydn's The Seasons 4 p.m. $1Calvert House: 8 & 11 a.m. & 5 p.m. Mass in BondChapel, Interfaith Service of Christian Unity 3 p.m. Calvert House; Married Couples Group 7 p.m. Cal¬vert HouseBrent House: Episcopal Eucharist and Supper 5:30p.m. Brent House 5540 S. WoodlawnMediaeval & Renaissance Re-creation Soc: Meeting4 p.m. INHttolkdancers: International Folkdancing. Teaching 8p.m.; request dancing 10 p.m. INHHILLEL: Lox and Bagel Brunch 1 p.m. $1.75 persandwichEcumenical Prayer Service: 3 p.m. Bond Chapel.Reception following.MONDAYDOC: MacBeth 8 p.m. Cobb $1.50Folkdancing: International folkdancing. Teaching 8p.m.; request dancing 10 p.m.Calvert Houe: Science Students — “Faith andScience: Contradictions?” Discussion and ChineseDinneComm, on Human Nutrition etc.: Seminar: Dr. D.Gale Johnson “The Current World food Situation” 4p.m. SBRI J-137International House: Speaker Series: RomualdDerylo, polish diplomat. The First in a Series of Dis¬cussion on Poland 7:30 p.m.Chemistry Dept.: Lecture: Stuart A. Rice “Struc¬ture of the Liquid-Vapor Interface of a SimpleMetal” 4 p.m. Kent 107U.C. Judo Club: practice 6 p.m. BartlettHillel: Israeli Folk Dancing, Blue Gargoyle 8 p.m. $1per eveningComm, on the Conceptual Foundations of Science:Colloquium: Howard Stein “On Method and Meta¬physics in Newton, with Glance at Maxwell and theIssue of Action at a Distance” 8 p.m. Cobb 107p.m.16—The Chicago Maroon—Friday, January 21, 1983 Precinct registration day is next Tuesday.Chicago residents who wish to register tovote in the upcoming elections can go to anyof the following polling places between 8a.m. and 9 p.m.Fourth wardPrecinct Polling place28 5401 S. Ellis Ave.30 1649 E. 59th St.32 1330 E. 50th St.34 810 E. 51st St.38 5100 S. Cornell Ave.42 5330 S. Harper Ave.44 5130 S. Kenwood Ave.46 5052 S. Ellis Ave.48 5000 S. Cornell Ave.52 5120 S. Harper Ave.53 5480 S. Kenwood Ave.54 936 E. 54th St.55 1000 E. 53rd St.56 5325 S. Cottage Grove Ave.57 5335 S. Kenwood Ave.58 5427 S. Dorechester Ave.59 1448 E. 53rd St.60 936 E. 54th St.61 1150 E. 55th St.Fifth wardPrecinct Polling place8 1556 E. 56th St.11 5027 S. Cornell Ave.12 1701 E. 53rd St.13 5475 S. Everett Ave.14 1701 E. 53rd St.15 5346 S. Cornell Ave.24 1700 E. 56th St.26 5715 S. Drexel Ave.27 5631 S. Kimbark Ave.30 5631 S. Kimbark Ave.33 5631 S. Kimbark Ave.35 1642 E. 56th St.37 5541 S. Everett Ave.38 5500 S. Shore Drive39 5844 S. Stony Island Ave.41 5805 S. Dorchester Ave.43 5631 S. Kimbark Ave.46 6040 S. Harper Ave.Daley was also asked about his supportfor a tenants’ bill of rights. He said that bothhe and Harold Washington support such aproposal. The mayor has been accused ofopposing tax rights, but she says that shehas not seen the city council approve ten¬ants’ rights bills and therefore, she has nothad the opportunity to approve of such mea¬sures.Daley stated that he agrees with the prin¬ciples of the Shakman Decree, and that hewould abide by them as mayor. He said hewould approve of public notification for allcity jobs, even those now termed as “de¬partmental employment service” jobs,openings which are not now publicized.Answering the final question of the after¬noon, Daley addressed the principles of theDemocratic party, claiming to support theparty’s efforts to secure jobs and educationfor all and economic development for thenation.Draft resister givenwork sentenceBy Jon ShamisEdward J. Hasbrouck, 22, former studentin the College, was found guilty last monthin Boston of failure to register for the draft.He is the first Chicago area resident and af¬filiate of the University to be indicted.Hasbrouck received a six-month suspend¬ed sentence and was put on probation fortwo years. He was also sentenced to 1000hours of public service without pay.Judge David S. Nelson said, “Althoughyou have clearly and absolutely acted in de¬fiance of the law, you have acted out of con¬science.”The jury in the trial deliberated only fif¬teen minutes before returning a guilty ver¬dict. Hasbrouck refused to offer any de¬fense. In addressing the court beforesentence was imposed, he told the judge, “Aprison sentence isn’t going to rehabilitateme.”In other related actions, the Departmentof Education is expected to distribute amemo this month establishing guidelines forenforcing the recently passed law requiringall male students to provide proof of regis¬tration before they can obtain federally in¬sured grants or loans.1-House spikers win titleBy Nick Lynnand Andy WrobelGraduate champion International Houseedged out undergraduate champion Hale ina close three-game match to capture the All-University volleyball title Wednesday.In the undergraduate residence loser’sbracket, Compton rolled over Thompson (aspreviously and somewhat prematurelymentioned in last Friday’s article), but wasstopped short by an aggressive Hitchcock-Snell team. Winner’s bracket team Halemet Hitchcock-Snell, and beat it for thecrown.In the undergraduate independent league,For the Sport of It’s (FTSOI) protest againstN.U.T.S. was supported by the IM office.Wednesday night, For the Sport of It (Comp¬ton’s B team) met Hal at the Field House.Tension was high as a large group of Halesupporters sat on the sidelines, cheering onthe strongest undergraduate team oncampus. Hale supporters were expecting aneasy win over the FTSOI team, which on topof being thought of as very weak showed upwith just five players, only two of whomwere men. Andy Wrobel and Nick Lynnwere all over the court, and the exceptionalteamwork provided by Tracy Lubas, Bren¬da Siedler, and Kathy Balint made for one ofthe strongest four-player teams ever seen atthe U of C. Hale won the first game 15-11,greatly surprised by FTSOI’s stamina.FTSOI roared back in the second game foran incredible 15-11 win as the crowd wentwild. In the third and decisive’s game, late-coming Hale player Dana Howd gave Halethe extra lift they needed for its final 15-11win over an exhausted opponent.Hale moved quickly on to the All-Universi¬ty title match against the mighty Interna¬tional House. As both tebams moved ontothe court, spectators and players alikeshared in the excitement of the anticipationof this clash of the IM titans. I-House, as thewinner of the Gradute League, was recog¬nized widely as the best team on campus,but everybody had seen what the Hale ma¬chine could do.In fact, the first game of the matchseemed to take both teams by surprise asHale spiked its way to a 15-13 win over an apparently listless I-House. The jolt of los¬ing to the younger and less experiencedteam knocked the reality of the situationback into the minds of the I-Housers, andwith the lovely setting of Teresa Lee com¬bined with the spiking of the towering Restu-tis Ivinskis, I-House crushed an over-eagerHale team in the second game by 15-4.The incensed Hale team raced into thethird game undaunted, the image of the All-University glory firm in their minds, and fora while, it held its own with a cautious I-House. I-House pulled ahead with an assert¬ive drive, leaving the score 8-4. No soonerlad Hale caught up, than I-House took con-rol of the game, easily manipulating theday of the ball against a tired Hale to pullhe score up to 13-9. Fighting back theweat, the aches, the pain, and the anger,Hale burst back to life, driven on by theplaying of Jim Pathos in a splendid displaycf volleyball skill and the graceful height ofBarbara Thome, to the point xwhere ittrailed I-House by only one point, 14-13.A misplaced serve by Hale went into thenet, a mighty I-House serve by Teresa Lee,and the final game of this match of champi¬ons was over, 15-13.In other sports, men’s and women’s bas¬ketball continues on its exciting way. Newwinter sports competition arises, as mixeddoubles badminton, men’s and women’s bil¬liards (cigars optional, ladies), men’s andwomen’s doubles table tennis, and women’sracquetball competition starts. The morn¬ing events for the winter festival are still on¬going (just a couple of hours before your8;30 class;, and hard-line IMers and neo¬phytes alike can look forward to some stiffcompetition as IM broomball is whisked intoour lives on the frozen expanse of the Mid¬way.Yah of the Week — Upper Flint (Truly apower to be reckoned with at 0-6) recentlywon what it thought was its first basketballgame of the year, with a 30-28 offensiveshowcase victory over Bradbury. However,Bradbury had noticed that one of the UpperFlint superstars scored two points and ac¬cumulated three fouls while powering theWoodward team to victory. Unfortunately,this key player was a “ringer,” and UpperFlint is still looking for its first victory.Sports CalendarFencingJan. 22 — at University of Wisconsin at Uni¬versity of Illinois-Chicago, 10 a.m.Men’s Indoor TrackJan. 22 — at University of MichiganRelaysWomen’s BasketballJan. 21 — vs. Grinnell College, 5:30 p.m.,Field HouseJan. 22 — vs. Knox College, 5:30 p.m., FieldHouse Men’s BasketballJan. 21 — vs. Carleton College, 7:30 p.m.,Field HouseJan. 22 — vs. Knox College, 3 p.m., FieldHouseWrestlingJan. 22 — at North Central College Tourna¬mentSwimmingJan. 22 — men’s and women’s teams at Illi¬nois Institute of Technology and Loyola Uni-versity SportsBarney' Meat Market (dark tops) overInstigators (light tops)No. B.S. (skins) over Bovver Boys(shirts)Runners strong early in seasonBy John VispoelThe Varsity Track Team participated inthe Varsity, UCTC and Invitational inters¬quad meet last Thursday. Athletes fromWheaton College and U. of Illinois-Chicagoalso took part in this meet to toughen thecompetition.The team was led by many outstandingperformances. Curt Schafer showed that heis headed for a fine season, turning in firstplace performances in the long jump andtriple jump. Art Knight ran a personal bestof 9:15.4 in the two-mile run, and AaronRourke ran the mile in a quick 4:27.8. Otherexcellent performances were turned in byPete Juhn in the 300-yard dash, Andy First-man in the 400 meters, Reggie Mills in the 800-meter race, and Dave Raskin in the 1000-yard run. Coach Ted Haden was pleasedwith the performances of these and theother members of the varsity team. Fortyteam members participated in this meet.Last Saturday, members of the VarsityTrack Team ran in the Goodwill-AllstateLife Indoor Games at the Horizon An out¬standing race by Pete Juhn, Reggie Mills,Andy Firstman, and Bob Fisher in the 1600-Meter Relay highlighted the Maroons per¬formance. Coach Haden commented thatthis was an excellent performance this earlyin the season.The Maroons have an upcoming meetlater this week.The Chicago MaroonThe Chicago Maroon is the official student newspaper of the University of Chicago. Itis published twice a week, on Tuesdays and Fridays. Editorial and business officesare located on the third floor of Ida Noyes, 1212 E. 59th St., Chicago. 60637. Telephone753-3263Darrell W’uDunnEditorAnna FeldmanManaging EditorJeffrey TaylorMews EditorWilliam RauchMews Editor Margo HablutzelFeatures EditorCliff GrammichSports EditorDavid BrooksViewpoints EditorWally DabrowskiProduction Manager Nadine McGannGrey City Journal EditorKeith FlemingChicago Literary ReviewEditorPaul O'DonnellChicago Literary ReviewEditorSteve ShandorCopy Editor Ara JelalianPhotography EditorSteve BrittBusiness ManagerJay McKenzieAdvertising ManagerBrian CloseOffice ManagerStaff: Edward Achuck, Mark Bauer, Dan Breslau, Jeanne Chapman, John Collins.Kahane Corn, Purnima Dubev, Maeve Dwyer, Tom Elden, Pat Finegan, CarenGauvreau, Eric Goodheart, Elisse Gottlieb. Jesse Halvorsen. Joe Holtz. Keith Hor¬vath, Jim Jozefowicz, Marc Kramer, Linda Lee, Kathleen Lindenberger. Jane Look.Frank Lubv, Nick Lynn, Bill Mudge, Amy Richmond, Yousuf Sayeed, Kovin Shih.Nick Varsam, John Vispoel, Guy Ward, George Woodburv, Andy Wrobel. KittieWyne.STUDENT GOVERNMENT ASSEMBLY SCHEDULE*Thursday, January 27, 1983 7:30 pm *Tuesday, February 15, 1983 7:30 pm*Tuesday, February8, 1983 7:30 pm *Tuesday, March 1, 1983 7:30 pmAdditional Meetings May be ScheduledAll Meetings Will Be Held In Stuart 101. Be involved!G.W. OPTICIANS1519 E. 55thId 9479335ZLt""'rLab on promt*** tar fast mk»«c* troma*raptocod. I*n»— (k*pbcot*d ond pr»•criptioni tilled MetropolitanCommunity Churchof the Resurrection5638 So. Woodlawn 528-2858Outreach to the Gay CommunityWorship - Sunday 3 pmJoin Us Now! — TAi SAnvort—CHINESE-AMERICAN RESTAURANTSpecializing in Cantoneseand American dishesOpen Daily 11 A.-8:30 P.M.Closed Monday1318 E. 63rd MU 4-1062 Ugly-DucklingRENT-A-CAR1608 E. 53rd StreetS14.50 per day 200 Free MitesBetween IC T rock«. _ _ _ __ — __ond Cornell w Or* JOvVThe Chicago Maroon—Friday, January 21, 1983—17r- ' ' ~CLASSIFIEDADVERTISINGClassified advertising in the Chicago Maroon isS2 for the first line and $1 for each additionalline. Lines are 45 characters long INCLUDINGspaces and punctuation. Special headings are20 character lines at S2 per line Ads are not ac¬cepted over the phone, and they must be paidin advance. Submit all ads in person or by mailto The Chicago Maroon, 12'2 E. 59th $t„Chicago, til, 60637 ATTN: Classified Ads. Ouroffice is in Ida Noyes Rm. 304. Deadlines:Wednesday noon for the Friday issue, Fridaynoon for the Tuesday issue. Absolutely no ex¬ceptions will be made! In case of errors forwhich the Maroon is responsible, adjustmentswill be made or corrections run only if thebusiness office is notified WITHIN ONECALENDAR WEEK of the original publica¬tion. The Maroon is not liable for any errors.SPACESTUDENT DISCOUNT on Quarterly rental ofStudio Apt. 52nd + Wood lawn. $200-$225/mo.incl. all but elect. Redecorated. 684-5030 Bef.8:30am or 493-2329 Late Eves.Imm. rental win/spg quarters smalt hse, quietneigh, frplc, mod kit, prking. 5 blocks to UC.Light caretaking. 300/mo 301-730-4627 eves.For Sublet 4 rooms inc living and dining rooms5461 Everett call 363-6200or 667-6132.Furnished Room w/kitchen priv. non smokeravl. now ph. 955-7083.Enjoy one of Hyde Park's lovliest town houses.Red brick -f wood inf., -right, open, 2/in 2 blks.of Univ. you get tl'xl2' bdrm, use of house (kit¬chen, w/d) $200 + split util. 947-9495 (e) keeptrying.A room in two bedroom apart, available. Nearcampus. Grad., vegetarian, catlover pref,$125-150 plus Util. 363-0689after 11:00a m.Bedroom w/private bath, furn or unfurn, $130,5136 Greenwood, call Ira Rogers at 955-2345. -1? "-MlSTUDIO bsmt apt. sublet aval Feb. 1. $200 inc.utilities. 54th Harper. 667-4285.Large 4 room 1 bedroom in heart of Hyde Pkvicinity co-op shopping center newly paintedremodeled kitchen w/nat. floors $425.00 2/1Adults No Pets 764-2493.Two-bedroom apartment at Harper and 54thplace available March 1st. $250/mo includesutilities. 324-2238.Affordable Hyde Park HousingBuy Now - City Money AvailableU-Park - studio, assumable-9Va% $20's56th and Blackstone • 2 bedroom, $60'sHampton House -1 bedroom low $40's55th and Cornell - 3 bedroom, $60'sHILDREALTY GROUPMadeline Rich 955-1200IN THE HEARTOF HYDE PARKBeautiful studio apt. for rent. Agent onpremises. 5424 Cornell Ave. 324-1800.SPACE WANTED2-3 bd. apt/house by Prof & Fam pref turn 3-4mo beg mid-March day: 962-1265 eve: 667-0498FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E 55th 493-6700.1958 Buick...This is a car! Second owner. 41,000original miles! Runs perfect, looks excellent.Never hit. Original paint. Must be seen anddriven! No tire kickers.$2500.00. CALL 425-9852 evenings. Ask for RonADDITIONAL SPECIALFUJI FR-II C-90 $3.49MAXELL LN C-90 .$2.99MODEL CAMERA 1342 E. 55th St. 493-6700AGFACHROME 100...The New German SlideFilm! Processing alone is normally $23.40for 4rolls. January special for 4 rolls including pro¬cessing is $24.95!!! ■ ■'FREE DUST-OFF with purchase of 2 rolls ofFui i co lor 100 36X.MODEL CAMERA 1342 E. 55th St. 493-6700.** . *.VIDEOSALE2 TDK T-120 VHS $19.90FUJI T-120 $12.95FUJI L-500 $9.95MODE L CAMERA 1342 E. 55th St. 493-6700NIKON 9x25 Compact Binoculars $89.95.Perfect for opera or the symphony.V/2 yr portable washer $200 or b.o. 493-6560Mostly clothing for sm. female or child manyhardly used also plants, washer desk 493-6560.51st & Kenwood. For sale by owner, completelyremodeled 1+bdrm condo, eat-in kitchen, gasfireplace, off street parking, sauna & exerciseroom. $49,000. Call Rod 955*4203.Japanese style bed/sofa (futon). $50 752-6724.Ford 1978 Fairmont, 2dr, 6 cyl, all optional incl,runs well, must sell moving $2500 or bo 363-8147,363-5284 keep trying.Figure Skates. Black. Superb condition.Men's/size 10-11. $20. Call 241-5164 Evenings.WEDDINGS We do Weddings!!!MODEL CAMERA 1342 E. 55th St. 493-6700NIKON Ftn with motor 499.95Model Camera 493-6700PEOPLE WANTEDLooking for a responsible person to babysit inmy home for 2 children after school, Mon. 2-6pm, Wed. 2-5pm. Salary neg. Call 955-6567.Paid subjects needed for experiments onmemory, perception and language processing.Research conducted by students and faculty inthe Committee on Cognition and Communica¬tion, Department of Behavioral Sciences.Phone 962-8859.RIGHT HANDED SUBJECTS needed forstudies on brain functions and perception$3/hr. 962-8846. Language Development Study needs children20-28 months old. Parents must be nativeEnglish speakers. Contact Dept, of BehavioralScienceM-F; l-5pm, 962-8859.WANTED: Paid volunteer nonsmokers withhay fever for research on the common col.CALL 791-3713or 791-4154.VOLUNTEERS needed (1) to participate intelephone program, "Neighbors-On-Call." forvictims of crime, or (2) to accompany victimsor witnesses of crime to court. Training given.Set own schedule, one or more days a mo. Pro¬gram of the United Church of Hyde Park. 684-2784 (or 363-1620 days.)Housecleaner for faculty couple at 56th & Hrpr.4 hrs/wk. $4/hr. 241*5164 eves.LOST AND FOUNDSeiko Quartz watch Call 32249 Rm 2212.WANTED.Rent Me Your Garage To Store My VW Feb-April Reasonable Rent Paid UC Area Chris753-2350.SERVICESJUDITH TYPES-and has a memory. Phone955-4417.JAMES BONE, EDITOR-TYPIST,363-0522.PROFESSIONAL TYPING-reasonable rates,684-6882.DO YOU NEED A GOOD TYPIST? Call Paula649-0429.Passport photos while you wait. On Campus.Other photo services available. 962-6263.Discount Moving and Hauling Low Prices andFree Estimates Seven Days a Week Day andEvening References Available Call Tom 8-10a.m. or After 6 p.m. 375-6247.Exp. Typist Turabian Phd Masters theses.Term papers Rough Drafts. 924-1152.Hokanson Real Estate CoCHESTERTON, INDIANACall Rick (219) 926-2176or Chicago 493-615345 MINUTESFROM HYDE PARK.Quiet, privacy, throughthe woods into hiddenfields perfect for horses...52 acres, some in virgintimber - about 14 tillable.Useable 4 bedroom house,barn, & former artist studio.$150,000(Taxes $300°V year)P-:;. ; 18—The Chicago Maroon—Friday, January 21, 19835,: * <9* - c Earn up to $270.00 and more per week takingsnapshots in your area, part/full time. No ex¬perience or selling required. Write: DistrictManager United Picture Promotions, 5708 S.Drexei Ave#2Chicago, II60637. -Paid Subjects needed for psychology ex¬periments on prediction and judgement $5 for1.5 hrs Call 962-6026.Hostesses, Bartender, Waiters or Waitressesfor interviews call 752-3634. General and legal typing services. Promptpick up and delivery. Contact Victoria Gordon.(783-1345)CATERING. Custom menus for alWendy Gerick 538-1324. occassions.COLLEGE EDUCATED DOMESTIC! expdcleaner, cook, general Handyman. ReferencesAvailable. (Ideal for professionals) Call Kevin.947-8268.CHILD-CARE M-F.Kind. Call 536-7064. Certified Teacher Ele+FINANCIAL AIDMEDICAL SCHOOLFull scholarships are available to medical and osteopathy students.* Tuition* Academic Fees* Textbooks* Supplies plus$556 per monthTo qualify you must have taken the MCAT, be a U.S. Citizen of goodmoral character, and pass a physical examination. This is a com¬petitive program with limited openings. Application should bestarted prior to medical school acceptance.APPLICATIONS ARE BEING ACCEPTED NOWContact: TSgt. Chris Sakay111 N. Wabash Suite 1805Chicago, IL 60602(312) 263-1207/1224A; great way of life— ■—iClassified AdsTAROT READINGS by Electra. Call 493-9330for an appointment.CANCER. Going out of business Typing Sale.IBM Selectric II. GUARANTEED lowestrates. I type like there's no tomorrow. 684-2559.I N E E D A JOB. Any kind, anywhere, any time,for any wage. Resume/references. 684-2559.PROFESSIONAL TYPING. Large, small jobs.Reasonable, competitive rates. 324-5943.Childcare available near UC for older baby insmall group setting. Fulltime, weekdaysbeginning in Spring or Summer. J. Zurbrigg,684-2820.Psychologist forming therapy group in HydePark to change women's longstanding strug¬gles with uncontrolled eating. RosalindCharney, PHD. 538-7022.Typing. Term papers, theses, etc. IBM Correc¬tive Selectric. All projects welcome. 791-1674.SCENESWriters workshop PL 2-8377PERSONALSHippobirdie deerewe, hippobirdie deeeewe,hippobirdie deersandy, wee cat bee withoutewe.RESEARCH SUBJECTSNEEDEDEarn $215 for participation in a 9-week drugpreference study involving commonly useddrugs. Must be between 21 and 35 and in goodhealth. For information call 947-1211 between10 am and noon, weekdays. POLARITY MASSAGEUsing touch, movement, sound, diet andawareness, we tune into the patterns ofnature's healing energies. At the workshop youwill learn exercises and a balancing massageyou can give yourself or to friends. Wed, Jan.26 at 6:30 at the Blue Gargoyle, 5655 S. Univer¬sity. Presented by Emily Meyer + Bob Rueter.Call Bob at 324-7530 for info or to register.DEATH INEL SALVADORThe bodies mount up and people argue overnumbers. How absurd. A victory of the Tightestanti-reform government is just as unpalatableas a leftist one. There is only one alternative toeffect reform and halt the civil war and limitthe killing. The occupation and administrationof the country by the United States. It wouldtake less than 60,000 troops and need last nolonger than five years. The Tightest proxieshave failed their people and us. There is noother workable choice.HEYTHEREHave nothing to do? Tired of Plato, computerstill down? Well head over to the S.G. office—itdoes more than not meet. Projects: Open Univ.Round Table, Parties, Inquiries ! BX, AlcoholPolicy. Services: Housing list, Retrig, rental,Inter-Collegiate relations + more! But weneed you. Call 753-3273 aftns.ACHANCEDeadline for petitions for S.G. elections hasbeen extended to Monday 5:00p.m. Petitionsavailable in Student Government office (IdaNoyes 306). Gra positions for Divinity, PhySci,Soc & Humanity also Commuter Sci represen¬tative opening.ARE YOU BETWEEN40 AND 55?We need people in this age group to participatein a drug preference study. Earn $215. for 9-week study, Involving only commonlyprescribed drugs. Minimal time required. Ifyou are in good health and in this age group,call 947-6348 or 962-1537 for further informa¬tion.ARE YOU TENSEANDANXIOUS?We need you to participate in a drugpreference study. Pay is $215.00 for 9 weeks,minimal time required. Involves onlycommonly-prescribed drugs. This is not atreatment study. If you are between 21 and 35and in good health, call 947-6348 or 962-1537 forfurther information.TRANSCENDENTALMEDITATIONGain the Winner's Edge. Make your wakingand sleeping hours quality hours. Learn theTranscendental Meditation technique. Free In¬tro. Lecture. Weds, Jan. 26, Ida Noyes. 4 or8pm/947-0463. DEADBEAT DANDan Cohen-you forgot a tew things when youmoved out of the apartment last month: to tellanyone you were moving out; to leave the onlykey to the mailbox; a phone bill for $250. I'mnot surprised you forgot this last-you were pro¬bably confused by the fact that it had my nameon it. You can come by and straighten all thisout anytime. Just let yourself in and don'tbother calling first, as the phone is "tem¬porarily out of service"—Phil CafaroSENSATIONAL STUDIOAPARTMENT TO RENTAvailable Feb. 1st - Newly Redecorated. InQuiet and Secure Building • within walkingdistance of campus AND directly north-southcampus bus route. Parking facilities alsoavailable. $275 per month includes ALLutilities. For information call 955-2198 (9am-9pm).WE NEEDYOU!UJA needs you! Our spring campaign needsyour participation. UJA helps Jews and Jewishcommunities in Chicago, Tel Aviv, Moscow,and around the world, help our 1983 U. ofChicago United Jewish Appeal Campaign - callDave, at 493-7651.CanonwPROGRAMProgrammed AutomationPlus Shutter-PrioritySophistication.System Integration.'C anoTV • PROGRAMMED AUTOMATION-just focus and shoot!• SHUTTER/PRIORITYAUTOMATION• Fully automatic flash photogra¬phy• New split/microprism• Total of 8 user-interchangeablefocusing screens (optional)• Optional Power Winder A2 Aand Motor Drive MA available• LED readout in viewfinder• Manual mode• Accepts more than 50 Canonwide-angle, telephoto andzoom lensesSpeedlite 188A andPower Winder A2 shown optionalmodel camera1342 East 55th • 493-6700 CALL FOR PAPERSNomos: Studies in Spontaneous Order beginspublication in Feb. We need articles on socialand political topics with a civil liberties view.Cali 947-9064 or 643-6213.TAG SALEFull line of household furnishings and supplies.Save $$ on quality products never used.Everything must go. Call Tom after 6:00 pm at752-1298.STEP TUTORINGHelp a child feel bright and intelligent.Volunteer to tutor elementary or highschoolstudents for two hours a week. Contact Mike at241-6394 (evenings) tor more information.LEARN TO PREPARETEXT ON THEAMDAHL COMPUTERThe Computation Center will offer three FREEseminars to teach you how to prepare text(term papers, theses, dissertations, books,etc.) on the Amdahl 470 computer. Theseseminars assume no previous computer ex¬perience. The seminars will discuss the use ofthe TREATISE, SYSPAPER and SYSPUB textfor formatting programs, as well as the selec¬tion of a text preparation method appropriateto individual needs. All are welcome. Theseminars will be held in Classics 10, on Mon¬day, Wednesday and Friday, January 24, 26and 28, from 3:30-5:00 p.m.RENT/OPTION TO BUYLrg 1 br 4-study avail 2/1 quiet condo bldg. Lotsof storage $450/m at 53rd 8, Cornell 493-6560.MODEL UNITEDNATIONSPick up information and REGISTE R for ModelUN competition in Student Activities OfficeINH rm 210. competition, wk of Jan. 24 willdetermine the delegation for the St. LouisMUN, Feb. 23-26. Competition is open to allstudents. COMEDY OF ERRORSEnjoy Shakespeare at the Goodman Feb. 15th$10.50 Tickets on sale until Jan. 28 in RM 210Ida Noyes.REAYOUYAYNSANEIYA?Oinjay hetay CUay igpay atinlay lubcay^irstfay eetingmay undaysay, p.m.2ay daiay.HAND-CRAFTED WOOLSweaters, scarves and tapestries! All 100%wool (Llama and Alpaca) hand crafted fromSouth America. Call David at 947-8488 for ap¬pointment.LOX AND BAGELBRUNCHEVERY SUNDAY - 11:00 A.M.-l :00P.M. Alsoorange juice, coffee, tea, tomatoes and onions.Unbeatable prices. Cost: $1.75 per sandwich.Hillel Foundation, 5715 Woodlawn Avenue.ISRAELI FOLKDANCINGMondays 8:00 p.m. Blue Gargoyle 5565 S.University, 2nd floor. DONATIONS: $1.00Teacher: Dalia Paludis. Sponsored by HillelFoundation.ORIENTAL CARPETSTHIS MONTH-Antique, prime condition, fullpile Causasian and Turkoman carpets, alsounique tribal-folk art pieces. Call 288-0524Thursday through Sunday and late nights.ATTENTION GAMERS!Close Simulations is looking for playtestersHere is your chance to play a new game beforeit hits the market. Playtesters receive a ten %discount on all merchandise they purchase andas an extra incentive they receive a free copyof the game they playtested. In order toreceive a free copy, the playtester must attendat least three playtest sessions and play thegame at each session he attends. If you are in¬terested. call 291-1336 and ask for Wayne.Cfiazfotte c~Ui(?itzomczReal 8. itate Co.493-0666 * CALL ANYTIMEFEATURE OF THE WEEK•16 rooms•Coach House•In-Ground Swimming Pool$325,000TOWNHOUSENear 27th Street and Michigan Avenue•Low cost maintenance $118,000•Mint model-like move-in condition•Protected garden and playA fin<1 garden and play areas•Owner wifi consider VA financing •Eight rooms-Tri-level•Contrail air, purified systemParking•Owner will consider rent with option to buy • Close to Michael Reese-dowtownJACKSON TOWERSAcross from museum$112,500Spectacular designer kitchen.Spectacular views. Just the rightsize (6 rooms), spectaculargallery. Parking.HYDE PARK OFFERS BEST OF ALL WORLDSVICTORIAN UPDATE—BEST OF BOTH ERAS*172,000•close to train & bus• wonderful kitchen(quarry tile)• redwood back deck•parking•woodburning fireplace• 5 bedrooms• light, airy facing parking ATTENTION INVESTORS!1-bdrm condo near campus.56th & Kimbark. Priced right!New kitchen and bath. CallMarie. *39,000IN THE HEART OFHYDE PARK...a really spacious six-roomcondo in gracious setting. Highiron fence in a Victorian street-scape. You also have a private,assigned parking space—all for*79,300.10% ASSUMABLE LOANWonderfully new innards &outside- 6 room condo. Centralair- own heat. *6000 mo. lowassessment. 59th & Harper.The Chicago Maroon—Friday, January 21, 1983—19kUVIASUNGNECONCERTIDANOYESGYM JANUARY21 9«00PMUCSTUDENTIDREQUIRED NOPHOTOGRAPHICOR.RECORDINGEQU/R/AENT ILYRC.K—4—