—Grey City Journal —Morse Code: Libby finds a job— GCJ page 7 5- Sports—What’s a Maroon?page 26-The Chicago MaroonVolume 91, No. 60 The University of Chicago ©Copyright 1982 The Chicago Maroon Friday, May 28, 1982Harassment policychange supportedBy Jeffrey TaylorThe overwhelming majority ofboth students and facultymembers at UC believe that revi¬sions should be made in the UCsexual harassment policy, accord¬ing to a random sample study justcompleted for a Public Affairs BApaper.The survey found that the largemajority believed that alternativechannels from those presentlyavailable should be available tostudents wishing to file complaints’of harassment against facultymembers. And close to 90 percentof both students and facultymembers believed that studentsshould be notified of the results ofthe investigation conducted aftertheir complaint is filed.The system most preferred wasone in which the student makingthe complaint chooses one of sever¬al designated officials to investi¬gate and resolve the matter. If theresult is unsatisfactory to eitherthe student or the charged staffmember, appeals can be madetwice: to a higher level official cho¬sen by the student and then to thepresident. 34 percent oj all stu¬dents responding and 37 percent ofall faculty responding chose thisalternative.The college’s present systemdirects the student to a single de¬signated official in each division. Ifthe student does not wish to contactthis official, he or she can contact adesignated higher level officialwho may conduct the investigationor choose to refer the complaintback to the originally designated official. Students are not notified ofthe results of an investigationunder the present system.Only 2.2 percent of all studentsand 11.4 percent of all faculty sur¬veyed favored this system.The survey, designed by fourthyear Public Affairs student Eliza¬beth McCoy and distributed to 300students and 100 faculty and ad¬ministrative members, had re¬sponse rates of 31 and 35 percentrespectively. McCoy devised thesurvey after comparing sexualharassment policies at ten majorschools, including Harvard, Stan¬ford, Princeton, and UCLA. Shemade use of similar surveys givenby employers and by high schools.Most questions in the survey weregeared to types of preferable poli¬cy, but some dealth with actualpersonal experience of harass¬ment.McCoy said her primary aimwas “to come up with an optimalharassment policy and eventuallymake a formal policy recommen¬dation.”About 32 percent of all studentrespondents and 43 percent of allfaculty respondents thought thatteachers found guilty of harass¬ment should be given a warningstating that the next offense wouldconstitute grounds for dismissal;27 percent of students and 15 per¬cent of faculty respondents feltthat they should be put on proba¬tion, and 17 percent of both groupsof respondents favored instant ter¬mination.Continued on page 25 Grace Mary Stern, the Democratic candidate for Illinois Lieutenant Governor, campaigned in frontof the University Bookstore yesterday at noon. Stern is the first woman candidate for the state’ssecond highest office to receive a major party nomination. photo by william mudc-e)Four win Quantrell awardsBy Darrell WuDunnFour professors, each from oneof four major collegiate divisions,have won the Quantrell Award forexcellence in undegraduate teach¬ing, announced Dean of the CollegeJonathan Z. Smith yesterday at theannual Honors Assembly.Edward D. Garber, professor ofbiology; Robert Fefferman, asso¬ciate professor of mathematics;Janel Mueller, professor of En¬glish language and literature; andRobert Richards, assistant profes¬sor of history and behavioralsciences will receive their $2500prize during Convocation ceremo¬nies June 12.Student stress effects examinedBy Chris IsidoreClose to two thirds of a sample ofUC students report they have hadat least one bout of depression inthe last year due to stress, accord¬ing to the results of a study con¬nected with last quarter’s studentstress workshop.The report, released yesterdayshows that out of the sample of 67students who responded to ques¬tionnaires after the Feb. 22 work¬shop, interpersonal and academicpressures accounted for far morestress than personal/financial orfamilial problems did. As far asthe effects of stress, the most com¬mon physical symptoms wereoverweightness, flu, and painfulmenstruation. The most commonmental problem was depression,with 42 out of the 67 reporting atleast one episode of depressionwithin the last year.The study was designed by Be¬havioral Science Professors Salva¬tore Maddi and Suzanna Kobasa,who have done studies of stressand stress related symptomsamong adults. Yesterday Maddiemphasized that the nature andsize of the survey sample made it difficult to draw very broad con¬clusions from the results.“The results need to be takenwith a grain if salt,” he said. “Thiswas a self-selecting sample, and itmight not have been representa¬tive of the student body as awhole.”Maddi said that he believed themost significant finding to be thecorrelation between stress at UC,and mental and physical symp¬toms. “The study’s really signifi¬cant relationship was betweenstressful life events and mentaland physical symptoms,” he said.He also cautioned, though, that therespondents’- classification ofthemselves as “depressed” wasnot equal to the clinical definitionof depression found in academicliterature on the subject.One of the most surprising find¬ing of the survey was the lack of ef¬fect that social support from facul¬ty and peers and good healthpractices seemed to have on reduc¬ing the physical and mental symp¬toms of stress. This is in contrast toMaddi’s and Kobasa’s other stu¬dies involving executives and otheradults. “This was surprising,” saidMaddi. “The social support andhealth practices don't seem to bevery useful. But the size made pre¬cise analysis of this unusual find¬ing difficult.”The prevalence of stressful lifeevents was twice as high in the Au¬tumn and Winter quarters as in theSpring and Summer Quarters. Stu¬dents also identified “academics ingeneral,” “worries about the fu¬ture,” and “self esteem,” as thethree most stressful areas of theirlives. The three least stressfulareas of ther lives were “relation¬ships with faculty and administra¬tion,” “living conditions,” and“friendships.”The students were fairly evenlydistributed over the range of age;with 22 percent of the respondentsbeing first year undergraduates, 21percent in their second year, 19percent third year and 10 percentfourth year. Graduate studentsmade up 24 percent of the sample.Females were over-represented inthe survey, with 52 percent of thesample being female. Edward Garber, 64. professor ofBiology, on the Committee on Gen¬etics, has been at the Universitysince 1953, just several years afterFefferman and Richards wereborn. He arrived here as an assis¬tant professor and became an asso¬ciate professor in 1958. Garber be¬came a full professor in 1961. Hereceived his PhD. from the L’niver-sity of California in 1949.Garber is currently doing basicfungal genetics research especial¬ly with anther-smut fungi whichcauses disease of cereal crops andsugar cane.Garber teaches a common corecourse and a 200-level course ongenetics. He is also an assistantdean of students in the College.Garber said he preferred toteach undegraduate because“they’re the challenge.” He saidhe believed that “all our bestteachers should teach in the Col¬lege.”Fefferman arrived at the Uni¬versity in 1975 as a L.E. DicksonInstructor after receiving his doc¬torate from Princeton University.He was named an assistant profes¬sor the following year, and then anassociate professor in 1980.He has published works onFourier analysis, on the differen¬ tiation of integrals, and on singularintegrals. Fefferman is currentlyexamining the polydisk, includingfunctions of bounded mean oscilla¬tion on the polvdisk, and the Cal-deron-Zvgmund decomposition forit.Over the past two years, Feffer¬man has taught Math 250 on linearalgebra and Math 207-208, the firsttwo quarters of the Honors analy¬sis in Rn sequence. He will beteaching a course on functionalanalysis next year.After a year at the University ofIllinois at Champaign-Urbana,Mueller came to UC in 1967. Be¬sides being a professor of Englishlanguage and literature, she cur¬rently serves as a member of thecommittee on General Studies inthe Humanities and of the commit¬tee of Art and Design.Mueller taught a course on thehistory of English literature lastautumn as well as a common corecourse. She also served as one ofthe B A. paper advisors in the En¬glish department this yearRichards was appointed assis¬tant professor in the history ofscience and in the ConceptualFoundations of Science in 1977. HeContinued on page 25Student raped near Jimmy'sBy Sherrie NegreaA University student was rapedand robbed early last Fridaymorning on the 5500 block of Wood-lawn Avenue, Chicago police said.The rape occurred on May 21 at1:30 a m. on the sidewalk in frontof 5537 Woodlawn Avenue while thestudent was walking home alonefrom the Woodlawn Tap(Jimmy's), police said. The assail¬ant was driving his car on Wood¬lawn when he saw the student,parked, and got out to talk to her.Police said that the assailant, un¬armed. grabbed the student and dragged her behind some bushes,where he raped her and thenrobbed her of a small amount ofcash. The assailant then fled fromthe victim in his car.The woman was immediatelytaken to Billings Hospital and re¬leased.Police said no suspects havebeen named in the case and no ar¬rests have been made. The victimdescribed the assailant as a blackman, 5'10 ”, 95 to 35 years old. 160pounds, who was wearing a darksuit and necktie with a whiteshirt.2nd ANNUALMEMORIAL AFFAIR sponsored byMajor Activities BoardFestival Of The ArtsStudent GovernmentInterfraternity Councilbeginning in Hutch Courtand ending with a Block PartyThe Hutch Court ^from noon - 7 pm•E.F. Clown-MIME•Tug-of-War•Music•Volleyball•Balloons•Blackfriars•Booths•T-Shirts•Food5-7 pmCampus BandsOriginal SinBlack TieGroups may still sponsor a booth.Call the SG officefor more information.753-3273 MAB presentsMusic & Dancing7 pm -Heavy Manners8:30 pm -The Individuals10 pm -The RaybeatsFireworks11:30 pmon Universitybetween 56th & 57th s':Rain Plans:IM Events as weather permitsMusic in Mandel HallBooths in Reynolds Club2—The Chicago Maroon—Friday, May 28, 1982News in briefOh say can you singBrian Fahey, a senior in the College, willsing the National Anthem before the Cubs -Giants game at Wrigley Field on Friday,June 4, 1982. Brian has been the football andbasketball public address announcer for UCfor the past four years, and has sung the Na¬tional Anthem before several athletic eventsthis season. Game time is 1:35 p.m. Sincethere will be no replays of this event, allthose who are interested in attending areurged to be there on time.Hiilei honoredThe International B’nai B’rith HillelFoundation has named the Hillel Founda¬tion at the University of Chicago a winner ofthe 1982 William Haber award for its projectof weekly visits to the sick at Bi’lings Hospi¬tal.The Haber award is presented annually tocommunal agencies and institutions for“strengthening the quality of Jewish lifethrough original programming and innova¬tive projects.” The award is named afterWilliam Haber, an economist at the Univer¬sity of Michigan, and former chairman ofthe International Hillel Commission and aworld Jewish leader.The student-initiated project at Billingswas organized two years ago and is coordin¬ated with the hospital's chaplaincy office.On Sabbath afternoons and Jewish holi¬days, students visit patients at the hospital.On holidays, the students bring religious ob¬jects and foods to individual patients, andorganize and lead religious services.Med school folliesFor many senior medical students, thehighlight of graduation week will not be Con¬vocation, but will be the Senior Skit, pre¬sented June 9 at 7:30 P.M. in Mandel Hall.Following a long standing tradition, thisannual musical comedy revue will chroniclethe four-year medical school experience. Entitled “The Magical Medical Tour,” theshow includes songs and skits aboutclassroom and hospital humor.Co-producers are Jeff Green and EdwardRatner.Although details of the program remainsecret, Green promises that nothing issacred, from admission to medical school tograduation, from ward clerks to attendingphysicians. Although some of the humormay be lost to the medically uninitiated,Green stated that most of the Skit would beappreciated by anyone wishing a breakfrom studying for finals.The producers emphasized two unusualfeatures of this student production. “Overtwo-thirds of the senior class has been in¬volved,” Ratner said. “This turnout and theamount of latent talent revealed will make ittruly a ‘class act.’ ”More remarkably, this show will havefree admission. “This will be the last timeyou will see us without paying,” the futureDr. Green warned. The Skit was financed bygenerous donations from faculty, houses-taff, and even drug companies, plus severalstudent fundraising activities.For more information, call 947-5552.Nuke arms hotlineThe Chicago Council of Scientists (CCS),an organization of scientists and citizensformed to address the threat of nuclear war¬fare, has established a telephone hotlinewhich provides recorded information on thestatus of pending legislation as well as onmatters of general interest for those con¬cerned with nuclear arms issues.The Chicago Council of Scientists consistsprimarily of scientists and engineers butalso includes student members and non-sci¬entist, associate members. According toCCS Vice-President Sidney Nagel, UC asso¬ciate professor in physics, the aim of thecouncil is similar to that of the Physiciansfor Social Responsibility.A major purpose of the group is to formstudy groups around nuclear arms issuesboth to educate members and to inform the public. The study groups address suchtopics as the history of the arms face andour vulnerability to a first strike.Meetings are held in Hyde Park andEvanston. Those interested in joining thecouncil or in finding our more about itshould call the 24-hour hotline number,752-6028.An oriental rug was taken from the Me¬morial room of Ida Noyes Hall on Mon¬day evening. The 18 by 6V2 foot rug wasdiscovered missing at 8:00 am on Tues¬day morning.Anyone with information about the rug(pictured above) is requested to call theStudent Activities Office at 753-3591. Noquestions will be asked.Longer Harper hoursHarper Library will once again be 24hours-a-dav the weekend before finals.The library’s extended hours will be spon¬sored by the offices of the Dean of the Col¬lege and of the Dean of Students in the Uni¬versity, and in part by the StudentGovernment Finance Committee. The li¬brary will open Thursday of tenth week at8:30 a m., and will close Friday at 5 p.m. Itwill re-open Saturday at noon, and will re¬main open throughout Monday until mid¬night. SG misses quorumAfter calling a meeting to appoint an in¬terim Assembly until next fall, Student Gov¬ernment (SG) members were unable to con¬duct business because of the lack of aquorum.At a meeting Tuesday night of the currentAssembly, which consists of the 1981-82 ex¬ecutive and finance committees, only fivewere present, all members of the executivecommittee. A quorum requires at least oneof the six members of the finance committeeto have been present.Since SG’s spring election Apr. 19 and 20,the old Assembly (excluding the executiveand finance committees! has finished itsterm. But because of a suit brought beforethe Student-Faculty-Administration <SFA)Court against SG’s Election and Rules Com¬mittee, the winners of the election were alldisqualified.Under Article VIII, section 3 of the SGConstitution, members of the executive andfinance committees may, in such a case,make “temporary appointments by majori¬ty vote to Student Association offices andthe Court.”Sufia Khan, chairman of the Election andRules Committee, explained, “When we hadspring elections, the term of the old asse¬mbly was over, and the new Assemblymembers were to take office. When theCourt said that those representative elec¬tions had to be held over again, it meant thatthere were about 40 vacancies in the Asse¬mbly.”“The vacancies can be temporarily filleduntil there are new elections.” Khan said.“But we need to have a quorum to electthose interim assembly members. Since wedidn’t have a quorum, we couldn't make thetemporary appointments.”At last Tuesday’s meeting, SG memberswere going to vote to appoint temporarilythe same people who originally had won thespring election. The meeting has beenrescheduled for next Tuesday at 7:30 p.m. inthe Ida Noyes Sun Parlor.INVENTORYDESTRUCTIONSALE!!(Through June 9, 1982)EVERYTHINGIN THE STORE IS ON SALE!!RECORDS BOOKS• All 8.98 list albums 5.85• All 5.98 list albums 3.70• $1.50 off ALL other albums andbox sets• 15% off ALL singles: imports anddomestics 20% OffALLACCESSORIES-& TAPES10% Off— GAMES —25% OffCHECK US FIRST AND LAST OF THE YEARWE'RE THE PHOENIX ( BASEMENT OF REYNOLDS CLUB)The Chicago Maroon—Friday, May 28, 1982—3EditorialsThe new dean’s taskAccording to Dean of the College Jonathan Z. Smith, reorganization of the Col¬lege’s administration will be his successor’s most important task. While we un¬derstand why he would believe that from his perspective, we hope that his succes¬sor believes otherwise. We believe that the type of re-examination andre-vitalization of the Graduate Divisions which is taking place due to the long-awaited Baker report is also desperately needed for the undergraduate educationhere, particularly the common core.There is no denying the fact that the College offers one of the premier under¬graduate educations in the country. But there is still a serious discrepancy be¬tween what the ideal of the common core is, and into what it has evolved. The corewas supposed to give every student who received a B.A. some common under¬standings, some common methods of inquiry which are used by the four academicdisciplines. But in two of the divisions — the biological and physical sciences — itis a well accepted fact by both students and faculty that courses exist where mem¬orizing basic facts, not learning methods of analysis, are all that is required.While it is likely not a popular view on campus based on the enrollment in thesecourses, the various “Rocks for Jocks” sequences should go. Not every humani¬ties major should be a theorical physicist by the time he or she leaves, but basicunderstandings into scientific methods of inquiry is important. What is needed isnot necessarily significantly more difficult common core science courses, butmore thoughtful, thought provoking ones which have the respect of both facultyand students. Neither group respects many of the courses being taught now.The humanities and social sciences have generally fared better under the scru¬tiny of both students and faculty. But there are important aspects missing fromboth of these divisions. We find it difficult to understand how the academic dis¬ciplines which spend so much of their time examining the great writings of man¬kind do so little to teach its students the basic skills of written expression. Offer¬ing writing tutors who are available outside of class is not nearly enough. What isneeded is a writing program which would be required for completion of both coreprograms. It could be integrated into the existing courses, or taught separately“pre-core,” but to expect students to pick up good writing techniques solely by thestudy of the great works is unrealistic.There are many reasons for these problems, but one of the most obvious is alingering reluctance of many professors to teach in the College, or to give under¬graduates the respect they deserve when they do. We appreciate that Chicago hasmore than its share of professors who honestly give their time and attention toCollege teaching, but it should be the task of the new dean to continue and empha¬size this in his or her dealings with the faculty.There are other related problems with the College. We only hope that the newdean is willing to give the support and attention to this re-examination which ithas already received on the graduate level. This re-vitalization could be accom¬plished on either the Divisional or College-wide level, but it should and must comesoon.Harassment, yet againIt is unfortunate that we must once again comment on the University’s sexualharassment policy. But a survey of UC students and faculty once again calls ourattention to problems with the current policy which the University has yet to cor¬rect.The survey confirms that the two basic points we have been making about theharassment policy are widely accepted in the University with the exception of theadministration building.More than half of both the faculty and the students favor harassment policieswhich would allow more than one channel through which to pursue a complaint. Ifa student does not feel that his or her complaint w ill be fairly heard by the dean ofhis or her division, he or she now has no assurances that another, impartial ob¬server will hear the case. This can only serve to discourage students from bring¬ing forward doubts they have about a professor’s conduct, and serves the interestof no one involved.The second problem is that students are not notified of the results of the inves¬tigation. Here 88 percent of the faculty and 90 percent of the students polled agreewith us that disclosure of the results of an investigation is the only sensible re¬sponse the University can make to someone who has brought forward a change ofharassment. Without this feedback, the entire process must seem futile and dis¬couraging for someone is already upset over a disturbing incident. The unsup¬ported and unsupportable position of the University is perhaps the most seriousflaw left in their policy. Until it is changed, it appears that everyone else in theUniversity will continue to be unsatisfied.Darrell WuDunnEditorChris IsidoreEditorRobert DeckerManaging EditorAnna FeldmanNews Editor The Chicago MaroonSherrie NegreaFeatures EditorAudrey LightSports EditorWilliam MudgePhotography EditorDavid BrooksViewpoints Editor Richard KayeGrey City Journal EditorBecky WoloshinLiterary Review EditorAarne EliasDesign DirectorErin CassidyLibrarian Henry OttoBusiness ManagerJay McKenzieAdvertising ManagerLeslie WickOffice ManagerCharlie MencerProduction ManagerAssociate Editors: Robin Kirk, News; William Rauch, Copy ed'ting: Margo Hablut-zel, Features: Anna Yamada, Photography.Staff: Edgar Asebey, Lee Badgett, Sheila Black, David Blaszkowsky, George Champ,Kahane Corn, Wally Dabrowski, Jeff Davitz, Teri Drager. Bill Fitzgerald, Sue For-tunato, Caren Gauvreau, Cliff Grammich, John Herrick, Vicki Ho, Keith Horvath,Robert Kahng, Jae-ha Kim, Wayne Klein, Bob LaBelle, Linda Lee, Chris Lesieutre,Kathleen Lindenberger, Bob Nawrocki, Koyin Shih, Donna Shrout, Daniel Staley,Carl Stocking, Jeffrey Taylor, Jeff Terrell, James Thompson, Bob Travis, Aili Tripp,Sheila Westmoreland, Jeff Wolf, George Woodbury.4—The Chicago Maroon—Friday, May 28, 1982 LettersNOv* VtZ HA0£ »T qc>u' Je leAfctoe©l\v€ It^ro 3 A Q0(tfr(iZ 1 WTTTMdOb p)itH TiOAl^, «MofcXq'* Polish SA) JT*4t ^PPeO * So3>*C> 'loo* 6^A... At lfAst Soo 4>e£YA wi —'i r—^ r^) <ykXTT T(U)7.pv) -TO A T. < (l£ As D£ Ak>7iOOw^j( it s NlDrv41k)k P&aJ>0*0 ......~T~keith horvathExcuses, excusesTo the Editor:During these final days of intense intellec¬tual activity, our best students in the Collegediscover at last, in a binding flash of self-il¬lumination, the meaning and purpose of aliberal education. In a word, it is the seasonof the Creative Excuse. Having tried themall myself at one time or another in my day,however, I, like most of my colleagues, re¬main stonely uncompassionate.The following is a lightly edited excerptfrom a recent Moot Court session in Wie-boldt Hall, Judge Barbarrubia presiding:“Yes, Jonathan, I can well understandyour distress — particularly as a law-school-bound graduating senior — uponlearning that your student typist misunder¬stood your instructions that the finishedpaper, along with the original draft, was tobe slipped under my office door and that sheinadvertently left it under the wrong door inthe wrong building. While such misfortunemight one day be the stuff of a wonderfullyamusing bedtime anecdote to tell to wide-eyed children and grandchildren, I wouldsuggest that unless you produce the paper inquestion rather soon, you may be doubly dis¬appointed (to say nothing of the dismay ofthe senior partners at Gouge, Gouge, Chisel& Squeeze, who breathlessly await your ar¬rival), for, barring some miraculous and un¬foreseeable breakthrough in genetic engi¬neering, the probability of your producingany offspring — let alone one day entertain¬ing them with picaresque tales of collegeantics — may be considered astronomicallyremote.”Court adjourned,Roger L. UttAss’t Prof, of SpanishGranger praisesCampbell’s effortsTo the Editor:An article in Tuesday’s Maroon wrote ofClarke Campbell’s disappointment with Stu¬dent Government this past year. It cited“the lack of an all-University social eventfor the past school year < as) one of StudentGovernment’s biggest shortcomings.”It is unfortunate that in a summation ofClarke’s presidency his disappointmentsand not his accomplishments were high¬lighted. In his four years in Student Govern¬ment Clarke has changed the character ofStudent Government. With Jeff Elton, hedirected the battle for the passage of theStudent Fee and as the first Finance Chairto look over that budget he established Stu¬dent Government Finance Committee as theresponsible and competent manager of monies that it is. As President he workedthrough most of this year with the Unversityadministration for a change of the alcoholpolicy governing all-University parties. It isbecause of his successful efforts that suchparties will be possible next year.I refrain from enumerating all of Clarke'sachievements in Student Government — theabove is proof enough that his work has sig¬nificantly altered the life of students on thiscampus for the better. That he was disap¬pointed speaks to his high hopes for the pastyear — not to any absence of effort or suc¬cess.Sincerely,Alan GrangerSG President-electPraise for IMsTo the Editor:I would like to commend John Thomas,IM supervisor and Pablo Buchanan, head ofofficials, for the superlative job they did or¬ganizing IM soccer this spring. Their per¬sonal performance and that of several peo¬ple they selected to referee many key gamesto a large extent eliminated the outright vio¬lence and general assholism displayed by anumber of teams and individuals (namessupplied on request) the past few years.Every team captain and player that I'vetalked to would agree with the above.Sincerely,John Binder, CaptainAchilles and the HeelsStudents should beprotesting billingTo the Editor:This letter is addressed to the editor, but itis the UC students who should take heed.Does everyone understand the new billingsystem? Or, are there too many studentshere who simply send the tuition bill home toMom and Dad, and find the new billing sys¬tem something for someone else to worryabout? I open every issue of the Maroonwaiting for the big explosion of outrage fromthe student body over this unfair and unjus¬tified payment plan. I was happy to finallysee a letter last Friday expressing dismayand disgust about the change in policy; how¬ever I really thought that that force in MarkShapiro’s letter had fallen limp when heclosed it with “in a university that has clear¬ly shown its willingness in meeting the mon¬etary needs of the student,...(this) is just notwhat one comes to expect.”I am afraid what the university has“shown” Mr. Shapiro must have slipped byContinued on page sixThe Chicago Maroon is the official student newspaper of the University of Chicago. Itis published twice a week, on Tuesdays and Fridays. Editorial and business officesare located on the third floor of Ida Noyes Hall, 1212 E. 59th St. Chicago, 60637. Tele¬phone 753-3263. Business office hours are 9:30 to 4:30, Monday through Friday.Viewpointsuse of force is a victory for higher principlesBy Ben Frankel and Tod LindbergBritian’s bold, determined effort to repossess the Falk¬land Islands should be accompanied by a sense of satisfac¬tion, gratitude, and hope by those who hold dear the princi¬ples of lawful international conduct. Satisfaction, because aliberal democracy is successfully resisting a blatant act ofaggression perpetrated by an erratic, repressive junta.Gratitude, because Britian is fighting to uphold the rule oflaw. Hope, because Britain’s valiant campaign is a practi¬cal demonstration that the resources of civilization havenot yet been exhausted.The merits of Britian’s case cannot be denied. Despite ofArgentina’s cynical exploitation of the degenerate vocabu¬lary now permeating international relations, the facts ofthe matter are clear. There is no “colonialism” of any kindinvolved in this case. There is no native population in thrall,yearning to be “liberated.” The islanders are of Britishstock, they are British citizens, and they want to remainBritish. If anything, it is the Argentinians who are attempt¬ing to impose colonial rule by force.There is also an important principle of international con¬duct which supports the British position. It concerns thepeaceful settlement of conflicts. There are scores of fester¬ing territorial disputes between nations around the w'orld.Were all the potential disputants to follow the Argentinianexample, anarchy in the international arena would prevail.The civilized powers have an obligation to maintain the ruleof law, and they have a responsibility to punish those whoviolate the conventions of international conduct. This is notto deny Argentina’s strong feelings about the islands. In the1930s the German people probably felt strongly about theRhineland, the Sudetenland, and Austria. But looking back,nobody can justify Hitler’s forcible annexation of these ter¬ritories. Argentina’s arrogant, self-deluded generals do notpost the same threat as German’s Nazi leadership, but theirbehavior is just as unacceptable and should not be reward¬ed, according to the same principle that Nazi Germany'slawlessness should not have been tolerated.No less important than Britain’s just cause and theupholding of principles of international conduct is Britain’sreadiness to use force when necessary. The “lesson” ofVietnam, learned as well in European capitals as in Wash¬ington, has been that military force was no longer useful asa means to pursue and secure one’s national interests. The“lesson” meshed very well with the tendency inherent inopen, democratic societies, to rely as little as possible onmilitary force. In its withdrawal from Aden and “east of Suez,” in the severe cuts in its defense budgets, in its pu¬sillanimity in the face of Arab oil blackmail, Britain’s poli¬cy appeared to be no exception to the general retreat of theWest from positions of strength and from responsible globalroles. Britain’s new steadfastness should serve as an exam¬ple of how a powerful nation acts to protect its interests andto uphold the rule of law. Of course ships will be sunk,planes will be shot down, and men will be killed. But this isa price which a nation serious about securing its interestsThe Union Jack, andover the Falklands. higher principles, rise again and maintaining its global responsibilities must be willingto pay.The U.S. should take careful note of the British examplehere — indeed, the U.S. is very much in need of such anexample. But there are other compelling reasons to supportthe British: in the first place, and contrary to the impres¬sion created by the media, the Falklands are of strategicimportance. In the event of disruption of passage throughthe Panama Canal, the only route for U.S. shipping fromthe Atlantic to the Pacific ocean is around Cape Horn Astable Western presence on the island is thus important. Inaddition, such a presence would ensure easier Westernaccess to Antartica, and would strengthen the West’s handin future negotiations concerning that continent.It is safe to assume that in the short run U.S. support forBritain will harm its relations with Latin American coun¬tries. Nevertheless, the American decision to stand by anold and reliable ally, to uphold treaty obligations, and tosupport an important international principle of conduct —even in the face of short-term risks — would certainly en¬hance its reputation for reliability. Without such a reputa¬tion, the U.S. will find it difficult to secure long term rela¬tionships with any country.Britain’s action stands in sharp contrast to its history ofweak conduct in the international arena since the end ofWorld War II Faced with challenges to its rule throughoutits empire. Britain’s typical reaction was to cave in. Thepattern of retreat did not come about in a vacuum; rather,it was the result of the triumph of two pervasive themes onthe British home front. The first was the principle of self-de¬termination, ushered into twentieth-century politics byWoodrow Wilson; its implication was that Britain no longerhad a right to excercise its authority over others when thesesubjects put on a convincing show that British rule wasagainst their will. The second theme was the skepticismconcerning the usefulness of assets that were once thoughtto be strategically important. As these ideas took hold, thedismemberment of the British empire was the logical con¬sequence. Now, however, by making a stand in the southAtlantic, Britain is demonstrating an implicit understand¬ing that even a policy of retreat must have its limits.The fact the world is harsh and principles unsupported by-power and the willingness to use it are always victimizedand subverted Argentina's naked aggression has providedus with a rare moment of clarity — right and wrong, lawand anarchy are distinct Britain is correct in deciding thatthe time has finally come for her to seize the moment.Ethnic organizations have special responsibilityBy Robert KahngThe phenomena of ethnic organizations on campusesaround the country is quite commonplace and is often takenfor granted. Yet, few recognize the controversy surround¬ing their existence. Perhaps the most obvious feature ofthese social organizations are those members who are ac¬tive in the association and those persons who shun or ex¬press dissatisfaction with the association. In fact, theremay exist hostility, if not a strongly unfavorable indif¬ference, towards the organization among those whom it issupposed to represent. The following questions must be ad¬dressed: What right does an ethnic organization have tocall itself the (affiliation) club? What responsibilities doessuch an action entail? What is the responsibility of those theorganization supposedly represents?Assuming that the intentions of the founding group is sin¬cere in its intentions to work for the interests of the ethnicbody it purportedly represents, the right exists for anyhighly motivated group of students to form an ethnic orga¬nization. However, once the organization has been recog¬nized as an official University of Chicago student organiza¬tion, it must remain in constant communication with thestudent body it represents. The majority of the interestedstudent body must approve of the organization’s activitiesif it is to remain recognized by the University. Any attemptby such an organization to restrict membership or partici¬pation by any means, directly or indirectly, should begrounds for its disbanding.In many cases this occurs when the organization becomes“controlled” by a small group or “clique” that disregardsthe suggestions of other members to pursue their own pri¬vate interests or when such a coterie naively assumes thatits interests reflect the interests of the majority. When sucha tyranny of the minority occurs, the organization merelybecomes a platform for the propagation of views held by asmall minority. While in itself is most deplorable in princip¬le, the real harm occurs when the actions of the associationoffend the majority of the represented student body andalienate those who otherwise would be willing to make auseful contribution to the organization.The issue of alienation of the represented student body-raises the question of the responsibility of the student w homthe organization is supposed to represent. Given the sensi¬tive position in society a member of ethnic minority occu¬pies, any additional social pressure is certainly not desir¬able. Given the demands of an academic career and theneed to budget time among the various social alternatives,an ethnic organization is usually not among the first choicesof the student. In short, there are a number of valid reasonswhy ethnic students do not become involved in such organi¬zations. The argument that apathy among the students is themajor cause of nonparticipation is most frequently used by“cliquish” clubs to justify their actions by the pretense ofrepresenting a majority of interested students (they mustmarvel at what drives “apathetic ’ students to form new-and separate associations). While apathy in part is a majorfactor, in many cases, the alienation of ethnic students bythe actions of the organization is by far the major determin¬ant of nonparticipation. Alienation itself creates apathytowards the organization but not to the issue of the ethnicidentity. The most common reaction of those alienated is toend their participation in the association. This is perhapsthe most self-defeating measure that one can take. It allowsthe organization to continue to misrepresent the ethnic stu¬dent body and to further their own interests at the expenseof those it purportedly represents. Such an action enhancesthe control that a small group (clique) often exercises in anethnic organization.In short, while an ethnic organization may be condemnedfor misrepresenting the interests of those it is supposed torepresent, those students who simply quit the organizationare just as equally to blame for they- contribute to the veryproblem which alienated them.The establishment of an ethnic organization on campus isa difficult process beset by problems unique to the ethnic student in American society. Due to the sensitive nature ofany ethnic affiliation, the organizers of an ethnic associa¬tion assume the burden of responsibility in representing adiverse student body on the grounds that they possess acommon ethnic background. While the worthy cultural, so¬cial, and political alternatives for an ethnic organizationare numerous, the organizers must always bear in mind thefact that the consequences of misrepresentation by an eth¬nic organization creates more far-reaching and detrimen¬tal effects than other organizations lacking any ethnic ornational affiliation. The very- nature of an ethnic associa¬tion creates a delicate situation for those who impose theiridentity upon others.In short, the ethnic student has an obligation to make hisfeelings known to the association that purports to representhis interests. Ethnic organizations in general show greatpotential for contributing to the intellectual and social envi¬ronment on campus. However, unless those dissatisfiedwith their respective organizations express their views andtake an active part in at least the selection of its officers,the ethnic organization will not realize its full potential andmay even work against the interests of those represented.Robert Kahng is a 3rd year economics major and hasbeen the secretary, social chairman, and vice-president ofthe Korean Undergraduates at the University of Chicago.Pro-choice rhetoric: deadly logicBy Ralph BremiganI wish to comment on the Viewpoint article by Abby Scherentitled “Hyde, Hatch Amendments threaten women’srights.”My attitude is the following: the crux of the abortionquestion is, “Are fetuses persons?” If they are not, thenabortion should be legal. If they are, then the right of thefetus to live certainly is more important than the inconven¬ience to an unwilling mother of carrying the child toterm.Miss Scher did not present an argument that life begins atbirth. Instead, she merely tried to show that this view issupported by the majority of the public. She thus assumedthat the majority of the public is naturally inclined towardstruth, always. This is manifestly false: a half-century agoGermans acquiesced to the oppression and exterminationof Jews, but now they look upon this with horror. I admitthat from a political standpoint, there is no alternative toletting the majority rule. But to assume that the majority-will always pick what is right, especially before the issue isvigorously debated, is naive; most of us know from our own experience how tempting it is to replace truth with what wewish were true, or by what superficially seems to be truthStatistics on the opinions of other people are of no signifi¬cance in helping us decide this issue; the arguments areIn this spirit, I offer the following case for the personhoodof the fetus. If the distinction between personhood and non-personhood is real, there must be some point during devel¬opment when the organism goes from the latter to theformer. A moment’s reflection suggests that there are only-two reasonable possibilities: conception and birth. Yet notruly meaningful change occurs at birth The only changeone might suspect is that it is less “dependent” on itsmother; but again, a moment’s reflection should convinceone that this is illusory. This leaves the moment of concep¬tion as the only alternative, and after all. conception is thetime when at least all the genetic factors determining thechild’s identity and uniqueness have been established 1admit that this argument is not very refined, but I find itconvincing.Continued on page sixThe Chicago Maroon—Friday, May 28, 1982—5ViewpointsPro-choice rhetoric hides dangerous & deadly logicContinued from page fiveWhat most disturbed me about Miss Scher’s article andwhat prompted me to respond was not that she arrived atthe opposite conclusion about the fetus’s personhood; butrather, her belief that inconvenience to the mother is suffi¬cient to justify abortion. This was her first argument: whenan unwed woman becomes pregnant and legal abortionsare not available, she faces intolerable alternatives. For awomen who cannot keep her child, those are danger to herhealth from an illegal abortion, and the sorrow of partingwith her child when it is put up for adoption. Yet this ar¬gument fails: it presupposes that women are innocent vic¬tims of “fate”; they have no control over their getting preg¬nant; they are incapable of avoiding the agony an unwantedpregnancy can cause. On the contrary, it takes somethingmore concrete than “fate” to cause pregnancy. And thoughMiss Scher is correct in recognizing that women but notmen receive the burden for which they are equally respons¬ible, inequality is no way relieves the women of the neces¬ sity of foresight.Miss Scher w as even more outlandish when she explainedwhy keeping an unwanted child can be an intolerable op¬tion. She correctly pointed out that women on the averagemake less money than men; but then claimed that the fur¬ther economic burden on women caused by having to sup¬port a child justifies destroying the fetus. To sense how7 ri¬diculous this is, one need only recall that the sameargument was made in the last century, not regarding theunborn, but regarding blacks. Specifically, slaveownersclaimed that without the “peculiar institution” of blackslavery, they would face economic disaster. Today, we areaware that in the case of slavery, the above is not a validargument but merely a smokescreen to justify a particularway of making money; and the ploy succeeded because to19th century whites, blacks seemed so different, so unhu¬man. Thus the smokescreen hid the real issue — the per-sonhood/nonpersonhood of blacks; it appealed to feelings,prejudices, selfish motives and superficial dissimilarities rather than to rational thought. In the same way, MissScher’s claims about abortion find supporters because ofthese people’s desire for economic advancement, and theirinclination to accept and exploit the superficial differencebetween fetus and adult rather than to address courageous¬ly and objectively the issue of fetus’ personhood.*Finally, I question the use of the label “pro-choice” withwhich Miss Scher describes herself. This label associatesitself with personal liberty and hence tries to make abortionmore palatable to “patriotic Americans.” Again, the sla¬very analogy comes to mind ; Steven Douglass spoke glow¬ingly of “popular sovereignty,” which sounds noble but es¬sentially means the right of a state to “chose” to allowslavery — at the expense of blacks who have no “choice.”The lesson is that not everything that makes democraticpretensions is necessarily just.I apologize to Miss Scher if I have misinterpreted her ar¬guments. In any case, I hope she and other pro-choicepeople reconsider their opinions.LettersBilling systemContinued from page fourme. I transferred here in Winter 1981 whentuition was $1700 a quarter. By Septemberthere had been a 17.6 percent increase, up¬ping the year’s tuition to $6000, plus the can¬cellation of the half now, half later (plus $10)plan and the institution of the infamous “$50penalty for failing to be independentlywealthy” plan. Now7, we are hit with another17.5 percent increase for 82-83 — a 38.2 per¬cent increase in two years!!So, what ingenious plan do UC administra¬tors institute? Two months advance pay¬ment! The April 29 Chronicle stated that“according to Charles D. O’Connell, VicePresident and Dean of Students, the newprocedure, common at other universitiesand colleges, is being initiated with this li¬mited group of students because of the small variation in tuition charges in theseareas.”Well, Mr. O’Connell, frankly I don’t give adamn about other universities’ and colleges’policies (especially when I am reminded sooften of U of C’s incomparable status in thescholarly realm). I also do not consider thestudents in the College, Medicine, Businessand Law as constituting a limited group ofstudents (who the hell is left?). And a 38.2percent tuition increase in two years in theCollege (incidentally, that’s 45 percent foryou 190 B-School students) is not in anystretch of the imagination a small varia¬tion.Who is the administration trying to fool?Since the institution of the new plan, I feelthat the administration is doing its best tocandy coat this abominable system by mak¬ing it sound like it has been instituted in thestudent’s best interest. My best interest is ina money market with my tuition money...which unfortunately the UC admin¬istration also has interest in... Either payingtuition two months early, or two monthslate, UC is getting $50 — either by late fee orinterest. What it boils down to is an under¬handed way of kicking tuition up another 2percent!Oh, but wait, all ye damsels in financialdistress — a “Knight” awaits your call. For“only” $80 per $1000 the R.C. knight Insur¬ance Agency will help financial your tuitionpayments. This is ludicrous — I alreadyhave difficulty making tuition payments, sopleae tell me how paying $560 more willmake it easier???For those of you who are really crafty andthink you’ll beat this plan by investing yourmoney until winter quarter payment is due,the administration has a plan for you, too.By billing you two months before schoolstarts, they will know on October lwhetheryou have paid or not....so no payment, noI D. validation, no library privileges, adnauseum... I mean, while the wound is open,you might as well pour in the salt, right?The reason for all this is labeled “a cashflow problem.” But, regardless what it iscalled, the administration has done a poorjob of handling the finances and we are pay¬ing for their inadequacy.I am outraged to think that the students(especially ones, like myself, who foot theirown bill) must bear the burden of this finan¬cial crisis, and it seems obvious to me thatthe administration could care less. So,please fellow students, don’t take this sittingdown. Send this or your own letter to yourparents. Get them to ask questions and de¬mand some explanations from UC adminis¬trators. The UC administrators must con¬sider the students in decisions of this kindand be responsible for the positions theyhold. As it stands, they are playing a vilegame of monopoly and forcing the studentsto the banker from their own pockets.Susan A. MossStudent in the CollegePro choice view iscommon senseTo the Editor:I wanted to express my strong support ofAbby Scher’s article, “Hyde, Hatch Amend¬ments Threaten Women’s Rights” of Fri¬day, May 21. Common sense dictates that awoman should be able to choose whether shefeels capable to carry a child for ninemonths and take on the extensive responsi¬bility of a parent for many more. There arenow too many unwanted, neglected chil¬dren, as well as unfit mothers. The passageof either the Hatch Amendment or theHuman Life Bill would certainly increasethese numbers.Ironically, we have the technology tocreate test tube babies and probe a fetus fordefects, yet we lack a foolproof and easyform of contraception. Women cannot allowtheir bodies to be used as reproductive ves¬sels and machines.Scher’s treatment of this issue is bothcomprehensive and accurate, and so I willnot repeat her points here.Sincerely,Helen HorowitzStudent in the College Pro choice view isfaulty logicTo the Editor:The Maroon article, Friday, May 21, onabortion by Abby Scher again reveals themoral inadequacy of the pro-choice position.While reinterating the traditional argu¬ments for abortion on demand (financialburdens of children, social stigma, loss ofemployment, etc.) Ms. Scher lightly dis¬misses the weighty and powerful questionwhich the pro-life movement so stubbornlypersist in raising: When does life begin? Sheagrees with Justice Blackman that “weneed not resolve the difficult question ofwhen life begins.” I submit that both AbbeyScher and Justice Blackman are wrong.This question is central and determinativeto the issue of abortion. Morality and de¬cency, I argue, dictate that the taking of ahuman life is absolutely and undeniablywrong when that human has committed nocrime, participated in no aggression, and, insort, remains innocent of wrongdoing.Whatever our beliefs, social and religious,most of us would agree to this. It is clear,therefore, that if the unborn participate inpersonhood, abortion cannot lie within thescope of moral activity, regardless of theconsequences of outlawing it Indeed, thecrude calculus of “coathanger” fatalitiesshifts dramatically and loudly decries, as itwere, the injustice of abortion. For now wemust weigh the murder of more than onemillion children per year against the “twothousand to five thousand women” per yearwho died “from unsafe conditions underwhich abortionists worked” according toMs. Scher.The pro-life position does not condone orrejoince in the death of these women, nor isit unsympathetic to the problems of an un¬wanted pregnancy. Rather, it inexorably de¬clares that the necessary moral prerequi¬site of further action is the determination ofthe status of the unborn. One would be fool¬ish to deny that this issue is clouded in con¬troversy. Certainly, as Justice Blackman in¬dicated, consensus in pertinent disciplines isnot apparent. But support and encourage¬ment of abortion as an alternative in light ofthis controversy is a morally bankrupt andbarbaric policy. One of our most cherishedlegal traditions is that of “presumption ofinnocence” in criminal proceedings. In theface of controversy over the question of per¬sonhood, I submit that the righteous and justposition is to extend to the unborn the “pre¬sumption of life and personhood” ratherthan the opposite. In doing so, we must dealwith the weighty and perplexing issues thatthe prochoice movement stresses; issuesthat concern the support of the mother andchild before, during and long after a crisispregnancy. The alternative of continuing inour presumption of the nonlife of the unbornand in our abortion mentality, however, hasmore ominous implications. For what willour defense be when we stand before Godand those children w7e so took for grantedwhen the controversy is settled, and we findout that those unborn beings were peopleafter all?6—The Chicago Maroon—Friday, May 28, 1982 Joel R. WhiteLettersKeep faith in SSCDTo the Editor:This is an open letter to the faculty of theSSCD:As a member of the Social Sciences Colle¬giate Division Student Advisory Committee,I have heard that since the course evalua¬tion booklet has taken a more permanentform a few of you are disappointed that yourcourses were not summarized for the book¬let. However, keep in mind that there hasbeen an improvement over the last year of26 percent in the number of evaluation sum¬maries published. This increase was madein spite of the appointment of a new divisionmaster, and a complete revision of our sys¬tem for w'riting the summaries. Further¬more, the SSCD-SAC is a volunteer organi¬zation, and as such its performance islimited by the altruism of its members. Please don’t think that the time and effortyou have spent passing out the evaluationforms has gone to waste. They are placedunder your names in the SSCD office file,which both you and your students haveaccess to. These individual evaluations areprobably the most accurate and detailedsource of feedback for your courses, and ifyou want to improve your teaching meth¬ods, it is these, rather than general sum¬maries, that you might want to look at.In spite of the SSCD-SAC’s shortcomings,with continued support from the SocialSciences Collegiate Division and the facultyas a whole we expect to turn out a compre¬hensive evaluation summary booklet nextyear. So please keep on distributing evalua¬tion forms. Without your help we can’t im¬prove.Yours academically,Amy S. ChristiansonThe Chicago MaroonPublication noticeThis is the final regular issue of the 1981-1982 Maroon.There will be no Tuesday issue. The Maroon will publishthe quarterly Chicago Literary Review on Friday, June4.Advertising deadlines are noon on Tuesday, June 1,for classified ads and 5:00 p.m. on Tuesday for displayads. Normal rates apply.The Maroon and Grey City Journal will resume publica¬tion on Friday, July 2. During the summer, the Maroonwill appear each Friday until August 6.Nominations now beingaccepted for Everyone talks about creatingaffordable housing in Hyde Park, butwe’ve done it!One, two, three and four-bedroomapartments with location, location,location...Down payments start at $3971.Monthly charges (includingmortgage payments, propertytaxes, and assessments)from $430.Financing provided by the National(Consumer Cooperative Bank ... Ov er#1.3 million in rehabilitation ...ITie Parkshore is a tenant-sponsoredhousing cooperative offering the besthousing value in Hyde Park. We’vedone the work putting the packagetogether over the last twelvemonths ... Now you can enjoy thebenefits...Come live with us at the Parkshore!Office hours:Monday, Wednesday, Thursday2 p.m. to 9 p.m.Tuesday 7 to 9 p.m.Saturday & Sunday 12 to 4 p.m.or by appointmentJane Morton andHenry C. MurphyAward ProgramFor Spring QuarterThe Morton-Murphy Award Program has beenestablished to recognize University of ChicagoStudents who have made exceptional contribu¬tions to the University community. Up to fourquarterly awards of $100 each may be presentedas recognition of students’ contribution to ac¬tivities during the Spring Quarter.Students are encouraged tonominate themselves.Pick up applications fromStudent Activities Office,Rm. 210, Ida Noyes Hall.Deadline: June 4 For sales information, call 684-0111.Sponsor: Hie Parkshore, an Illinoisnot-for-profit corporation, 1755-56 East55th Street, C hicago, Illinois 60615.Development dnd Marketing Agent:Metropolitan Resources Group. Inc.The Chicago Maroon—Friday, May 28, 1982—7On the beach,golf course, orthe family yacht,the main thing isto have the newUniversity ofChicago cap, only$5.00. See it in theGift Department.The University of Chicago BookstoreGift Department970 East 58th St. (2nd floor)THE UNIVERSITY OF CHICAGOTHE DEPARTMENT OFPOLITICAL SCIENCEpresents a lecture onTHE POLITICS OFSCIENCE POLICYbyKENNETH PREWITTProfessor in the Department of Political Science,President, Social Science Research CouncilTHURSDAY, JUNE 3,19822:30 P.M.PICK LOUNGEAll interested persons are invited to attend.BRANDEQUIPMENT SPRING SPECIALONUSED OFFICEFURNITUREBuy any used desk over $65and purchase a swivel arm desk chairfor $20Swivel chair without arms $15Misc. guest and occasionalchairs $7.508560 S. ChicagoRE 4-2111Open Daily 8:30-5Sat. 9:00-28—The Chicago Maroon —Friday, May 28, 1982 Full Servicess-ssssrrEcono-PrintCorp ^ 1DROP-OFF & pick-up atUniversity of Chicago BookstoreThe Textbook Deportment970 E. 58th StreetTimE isRUNNING OUT!Pll unsold Spring Textbookswill be returned beginningJune 1.The Book That MRieblo, Colorado On The Map.For years Pueblo re¬mained uncharted andunknown.Then, suddenly, thesecret was out. Pueblois the city that sends outthe free Consumer In¬formation Catalog.Now everyone knows. xx ^And now everyone -can send for their very ; ^ ° --own copy of the Con-sumer Information Cat- f ^a log. The new edition 3 lists over 200 helpfulFederal publications,more than half of themfree. Publications thatcould help with— mon¬ey management, carcare, housing hints,growing gardens, foodfacts. All kinds of con¬sumer information.Get your copy now.Send us your name andaddress on a postcard.Write:CONSUMER INFORMATION CENTER, DEPT. G,PUEBLO, COLORADO 81009GREY CITY JOURNAL28 May 1982 • 14th YearTHOMAS HART BENTON AS MODERNISTDeath and the Woodcutter. Thomas Hart BentonAN UPCOMING SHOW AT THE SMART GALLERYREVEALS THE ABSTRACT BENTONEy Elizabeth BrounThe art of our century is itself aproblem. It has, by and large, becomea progression of abstractions, onegrowing out of the other. . . Of coursesomething like this has been truethroughout all the history of art —forms do grow out of forms, but neverbefore has this growth been so turnedin on itself as to completely dehumanize the results.In his autobiography, as on many otheroccasions during his career, Thomas HartBenton denounced abstraction, the majorartistic breakthrough of the twentieth centu¬ry. He felt aesthetic form was not self-suffi¬cient; rather, it should provide a vehicle"for representing and communicatingmeanings."Benton's special gifts as an artist lay inthe direction of story telling and narration.His art is essentially literary, describingquotid an realities of labor or recreation,and such natural facts as floods or torna¬does. His insistence on the literal, specificreference, or as he put it "recognizableAmerican meanings," willfully ignored theserious metaphysical meanings explored byabstract artists such as Kandinsky andMondrian. Yet his rejection of abstractionwas never so thorough as he would have usbelieve."I have myself spent a great deal of timeworking with the basic properties of art,combining purely geometric forms." Aclose look at his artistic production showsthis to be true. Though never regarding aesthetic design as an end in itself, Benton repeatedly turned to abstraction as a laboratory for experimenting with the elements ofart.Benton spent the years 1908 1911 in Paris— crucial years for art, which encompassedboth the shattering of traditional form bycubism and the earliest non-representation-al works of Kandinsky. Oblivious to these,during his Paris soiourn Benton tried in vainto come to terms with Cezanne ("Cezannewas beyond my comprehension") andlearned to color his traditional drawingswith the lighter, purer palette of the divi-sionists.Only in 1914, three years after his returnto America, did Benton succumb to thebeauty of a thoroughly abstract composition. His close friend from Paris days, Stan¬ton MacDonald Wright, arrived in NewYork with canvases in the newly inventedsynchromist style. Their brilliant prismaticcolor and baroque rhythms were for Benton"an explosion of rainbows." He prepared anumber of works in this style during thewinter of 1916 1917, and exhibited some inthe Forum Exhibition at the Anderson Galleries in New York late in 1916. His synchromist works won critical praise — his firstsuch acclaim in America.Benton loved music, and he responded tothe musical ideals of lyricism, movement,and harmonic coloration which the synchromists had adapted. Also, as a dedicated ad¬mirer of the Louvre's masterpieces, he feltthe synchromists' dependent on sixteenthcentury compositional structures (especially Michelangelo's sculpture) to be a legitimizing factor, compensating somewhat fortheir rejection of representation. Benton'senthusiasm for synchromism probablyowed a great deal to his affection for itsmain proponent, MacDonald Wright, whowas aside from Thomas Craven, "the closest friend I ever had."Most works from this period, as well asthose from the Parisian period, were destroyed by a fire at the Benton household inNeosho, Missouri in 1917. One survivor, Bubbles (The Baltimore Museum of Art, Gift ofH. L. Mencken), shows Benton to have beena gifted, if short lived, synchromist. Thoughhe abandoned the style before the end of1917, he continued his high regard for MacDonald Wright and made him the subject ofa strikingly beautiful portrait in 1961 1962. A nearly abstract 1916 watercolor of Rocks byMacDonald-Wright was among the fewworks by other artists found in Benton's studio at his death.Benton soon tired of the decorative colorplanes of synchromism and turned to three-dimensional concerns, making some basrelief sculptures and two plaster heads. Toexplore three dimensionality, he once againturned to abstraction. Bits of colored clothand paper, wire, and strips of wood werecombined to make abstract still lifes, whichthe artist then used as motifs for paintings.These compositional studies are related tocubism in the use of faceted planes whichsuggest volume on a flat surface, and to constructivism in their additive aesthetic andtheir dynamic, angled arrangement offorms.As usual, however, Benton would not worklong in a non representational style. He hadfound the practice of drawing from modelsuseful, and so began to make small clay figurines set in clay landscapes to use in preparing ambitious multi figure narrative pictures. In his constructivist studies he hadfound a worthwhile technique, now to beplaced at the service of "recognizableAmerican meanings."The ordinary painting problem of reconciling the two dimensional surface withthree dimensiona’ illusion is complicatedfor the muralist, as Benton was to discoverin his designs for the New School for SocialResearch murals in 1930 1931. To allowunrelated scenes to coexist comfortablewithin a single frame, Benton devised a wayof separating them by irregular spatial divisions on the picture plane. In some cases,curved and straight lines segregate one vignette from another; occasionally sectionsof the frame molding applied to the muralestablish discrete units on the picture surface. The patterned geometry of these dividers give Benton's New School murals adistinctly Art Deco flavor.This same flavor is discernible in a beautiful abstraction called Rhythmic Construetion probably from 1933 1934. Shapes outlining the picture frame, and a few projectinginto the center of the work, seem to lie on thesurface. Within the divisions outlined by these forms are geometric constructionsand oval shapes corresponding to the settings and figures of an imaginative narrative sequence. Though abstract, the painting appears to be an experiment incomposition which addresses the problem ofarranging several separate vignettes in a vi¬sually unified whole — exactly the problemBenton faced in his murals.Twelve Planes and a Silver Egg (1934) bycontrast, presents an abstract oval as a radiant odalisque, reclining on a dais amid thetilted planes of a cubist boudoir, with thehint of a drapery curtain in the dark shapebehind. In its classicism, simplicity, and purity of shape, this worx comes close to treating abstraction as an end in itself. A decadeearlier Constantin Brancusi's marble egg ona pedestal, The Beginning of the World(1924), had projected geometry as the primordial reality. Benton, always unwilling toventure into metaphysics, preferred a dispassionate, descriptive title.The concentrated elegance of TwelvePlanes and a Silver Egg was not repeated.Benton remained an abstractionist manque.By the mid thirties when this work waspainted, his strident pronouncementsagainst aestheticism in favor of "recognizable American meanings" prevented the development of such "European" ideas.The use of modernist techniques for experimental purposes persisted even afterBenton publicly renounced avant gardetheories. In particular, about 1919 he developed a geometric drawing style to help himcompose volumes in space. In his youth,under the influence of Frederick Oswald atthe Art institute of Chicago, he had studiedthe decorative compositional patterns ofJapanese prints.Even in Paris, surrounded by Cezannistes, he had composed his works in theJapanese manner as flat, two-dimensionalsilhouettes. Paradoxically, the art he mostadmired in the Louvre was in the Baroquestyle, with large, solid volumes moving dramatically through space. At the time of hissynchromist experiments, Benton carefullyanalyzed one sixteenth century work. Michelangelo’s Battle of the Centaurs; soon hebegan to compose multi figure designs as volume rather than silhouette.Benton went on to copy a number of Byzantine, Renaissance, Mannerist, and Baroque masterpieces, clarifying their volumes by reducing them to cubic shapes. Indrawings such as those after Giotto's Lamentation or Rubens' Allegory of Peace in theNational Gallery, London, Benton finallytook to heart Cezanne's dictum to renderfoTrn as cylinder, sphere, and cone. He adamantly mairtained in later years that these"more or less cubistic drawings" owednothing to the Parisian cubists and werecloser to the sixteenth-century styles ofLuca Cambiaso and Erhard Schon. He notedthat his drawings try to present the full iIIusion of the third dimension, while those ofthe Parisian cubists splay or flatten forminto shallow, faceted planes. Surely, however, he was not unaware that, of all the modernists, it was Cezanne and the cubists whowere most concerned with the very issuewhich occupied him — how to indicate volume on a two d;mensional surface.From such studies Benton distilled an educational methodology, which he schematized in many didactx illustrations. Underhis system, Giotto's Lamentation illustratesstatic composition, with straight and curvedlines in a two dimensional organization; figures exist in a shallow space stage, rarelyprojecting forward or backward. TheRubens example, on the other hand, typifiesdynamic organization, with arched volumesplunging through space and interlocking.Unlike his supposed predecessors, Schonand Cambiaso, Benton sometimes madecompletely abstract cubic drawings, as inhis study for the Socia1 History of the Stateof Indiana, a two-hundred-foot mural intended for the 1933 Chicago World's Fair. Init, masses and their movements are careful¬ly plotted. The finished mural establishedBenton's reputation as a painter of Ameri¬can life; the following year (1934) the name"Regionalist" was coined for him, GrantWood, and John Steuart Curry.Ironically, his traditionalist vision hadbeen achieved with the heip of pure abstraction. Benton continued the practice of making abstract studies for representationalsubjects. Sometimes, as in the study forYouth Music of 1974, he attained in the abstractions a compositional dynamism largely lost in the finished work.In a small abstract painting dated 1944Benton arranged his interlocking formswithout reference to a literary subject. In itsabstract lyricism, it seems to express hisoften disguised but deep concern for formalexpression. This concern was most coherently explained in an article publishedby Benton in 1950 on "The Nature ofForm."As always, he insists that "it is impossibleto separate aesthetic form from the humanmeanings which human beings by the veryforce of their nature must seek to provideit." But in a long passage comparing literature, art, and music, he exalts the pure, nonrepresentational musical form. He praisesmusic's "abstract formal characteristics"and calls it "the ideal type of art," superiorin its emotional impact to poetry, sculpture,or painting "which to realize their full potentialities must be tied to associated meanings or to . . . physical appearance." He goeson to say, "The basic significance of artrests on the aesthetic quality of its organization. If you are not moved by this, no furthersignificances are possible."There was never to be a recanting of Benton's insistence on representation nor werethere ever large scale, major abstractpaintings. Abstraction remained a means,never an end for Benton. Yet in his art andwritings, he showed more concern for aesthetic form than is usually credited, andmore understanding of the modernist revolution than is often supposed.The above essay was written expressly forthe exhibit "Benton's Bentons" and is printed with special permission from A/ls. Broun,curator for the exhibit.ANOTHERJAZZ SALEFROM SPIN-IT!"The Hottest NewJazz Line of the 80’s"The best of the contemporary jazz scene!Premium Quality Records Imported from West Germanyer|0 3049-Vot Ien/a 3077-Vot IION SALE*64- 3075 Mai Waldroa Mingus Lives 3089 David FnedmarvOf The Winds Eye3081 Phil Woods Tommy Flanagan. 3091 Bennie Wallace Trio & Quartet/Red Mitchell Three For All Ploys Monk3083 New York Jazz Quartet Oasis 3099 Hampton Hawes At The Jazz3085 Hanmbal/The Angels ot Atlanta Showcase In Chicago. Vol I3087 Franco AmbrosettiHeartbop3097 Eddie ‘Lock]aw' Davis jaws Blues (Digital $1198 LIST) SALE PRICE SO00c 1982 Polygram Classics Inc Distributed by Polygramenjaenja 4006HALGALPERQUINTETSPEAKWITH ASINGLEVOICE CDCO TOMMY FLANAGANGeorge MrazElvtn JanesCONFIRMATION"VCDenja 3097CDCO John ScofieldSieve Semilaw MamKussbaumSHINOLA•Ojo 4004 CDCOenjaSpin-It1444 E. 57th St. • 684-1505Spin-It Now, Spin-It Later, But Spin-It! /i m 1111 m 11111 LEETKTonight - Experience chills, thrills, and manic mania with JeffsHORROR NIGHT IV. Come for one or all. DRACUL A S DAUGHTERat 6 15. VILLAGE OF THE DAMNED at 7:30. WAR OF THE WORLDSat 9:00. BURN, WITCH. BURN at 10:30, and MAD LOVE at midnight.Tomorrow - A truly classic Disney, a movie that no child of any age shouldmiss CINDERELLA at 2:30 and 7:15. Then, the Academy Award-winningdocumentary about Isaac Stern’s classical trip through China, i ROM MAOTO MOZART, at 9:00. (Sep. adm.)Sundav Much more Middle Eastern cinema, IMAGES OF THE ARAB,featuring Rudolph Valentino's classic performance in SON OF THE SHEIK,and EMPTY QUARTER at 2:30.Next Volker Schlondorff and Margarethe von Trotta’s political thriller,THE LOST HONOR OF K ATHARINA BLUM at 8:00. (sep. adm.IAll films in Cobb Hall.Till I I DOC FILMSrwyy/Wv/m t* 1 -> -+ JzCome Clown With UsE.F. Clown & Co.invites all interested people to join us forClowning On the QuadsSunday, May 30!Bring a costumeMeet at 11:00 Make-up will be Question?on 2nd floor of provided. Some Call 324-5259Ida Noyes Hall costume materialsavailable.FOR FOTA & FOR FUN!Funded in whole, in part, or in theory by SGFC.5309 S. Blackstone • 947-0200OUR FAMOUS;STUFFED PIZZA IN THE PAN IS NOWAVAILABLE IN HYDE PARKOPEN 7 DAYS A WEEK • 11 AM TO 12 MIDNIGHTCocktails • Pleasant Dining • Pick-Up* * - - V*‘Chicago’s best pizza!” — Chicago Magazine, March 1977JJieultimateiripizza!” — New York Times, January 19802—F R I DAY, MAY 28, 1982—THE GREY CITY JOURNALThomas Lawson, Happy to be AliveARTArt and the Media The RenaissanceSociety displays the work ofvarious artists who in their individual ways attempt to deal withthe intricacies and problems of"the media". Working in paint¬ing, sculpture, photography,video and film these artists aredescribed as making "no attemptto portray the natural world", butrather the universe we live inwhich has been conditioned bythe media. The ex¬hibit runs until June 12, and thegallery is open Tuesday throughSunday, 10 a m. to 4 p.m. andSundays noon until 4. On thefourth floor of Cobb Hall.Smart Gallery An exhibit of 75paintings and drawings by Thomas Hart Benton, from the personal estates of the artist and hiswife, will be on display at the Universify of Chicago's Smart Gallery from June 3 through July 4.A preview reception will be heldfrom 5 to 7 p.m. Wednesday, June2. "Benton's Bentons: Selectionsfrom the Thomas Hart Bentonand Rita P. Benton Trusts" hasbeen assembled from the extensive collection of artworks held intrust after the deaths in 1975 ofthe celebrated American artistand his wife. The exhibit coversthe span of Benton's creative life,from a 1909 self portrait to studies for his last work, the "Sources of Country Music"mural for the Country Music Hallof Fame in Nashville. The showincludes landscapes, portraits(Carl Sandburg, Harry Truman,and others), and scenes of Ameri¬can life, as well as abstract worksthat reveal that Benton, who wasa self proclaimed enemy of Euro¬pean abstractionism, himself, didwork in an abstract style. The ex¬hibit will be accompanied by lec¬tures about Benton and his art, afilm series, videotape presentations, and a performance of blue-grass music by Country Gazetteduring the preview reception."Benton's Bentons" is a touringexhibit of Mid-America Arts Alli¬ance and has been organized bythe University of Kansas'Spencer Art Museum, wheremany of the works were first publicly displayed.The David and Alfred Smart Galiery is located at 5550 S. Green¬wood Ave. The Gallery is open 10a.m. to 4 p.m. Tuesday throughSaturday and noon to 4 p.m. Sunday. It is closed on Monday. Admission to the exhibit and relatedevents is free.FILMBridge Over the River Kwai.(David Lean, 1957). Interned bythe Japanese in World War II, aBritish army unit is forced tobuild a bridge for their captors,Editor: Richard Kaye 1 ^Film Editor: Jim Crotty ' JBook Editor: John EganTheatre Editor: Keith Fleming :-"V^t§fc§$sArt Editor; Ari Kambouris '•■••■••‘^5:Classical Music Editor: Robin MitchellFiction and Poetry Editor: Paul O'DonnellPhotography Editor: Nina BermanProduction: Nadine McGann, David Miller, Max SandersStaff: Mike Alper, David Brooks, Pat Cannon, Charles Coleman,Kira Foster, James Goodkind, Sarah Herndon, Michael Honigsberg, Richard Martin, Vincent Michael, Jeff Makos, Beth Miller,Pat O'Connell, Sharon Peshkin, Judith Silverstein, Jacob Writschatter, Ken Wissoker. providing a critical link betweenkey enemy supply routes. AlecGuiness won Best Actor honorsfor his portrayal of the Britishcommanding officer, and Wil¬liam Holden stars as the Ameri¬can officer sent by the Allies to destroy the bridgwork that hasgiven purpose and direction tolives lived in otherwise brutaland meaningless captivity. Agreat adventure story, profoundly moving and thought provoking.Winner of seven AcademyJeff Koons, New Sheldon Wet/Dry Tripledecker Awards, including Best Picture.Also starring Toshiro Mifume.Fri., May 28, at 7:30. First Unitarian Church. 1174 E. 57th St.Benefit for Samaritans suicidehotline. Donations welcome. —M.U.Cinderella (Walt Disney Studios,1950). This is easily one of my favorite Disney productions. Theboys at Disney take this fairy talewe all know and add some trulybrilliant touches. He gives us aBarbie Doll Cinderella, who'sdreamy, dutiful and a dear friendof the animals. We have micewith Munchkin voices, an evil catin the tradition of Sylvester thePuttycat, and a fairy Goa motherwho turns pumpkins into carriages, a dog into a doorman,mice into horses, a horse into acoachman and sweet Cinderellainto a beautiful Princess withglass slippers. Disney's multiplane camera gives us extraordinary depth, perspective and animated footage. Neitheroversweet or paper thin like laterDisney productions, Cinderella issimply a filmgoer's delight. Sat.,May 29th at 2:30 and 7:15. $2.00 —DOC. Bippity, Boppity and Boo.The Lion In Winter (Anthony Harvey, 1968) This film adaptation ofWilliam Goldman's off Broadway comedy (yes, comedy) pitsHenry 11 against Eleanor of Aquitaine in a fierce, personal Christmas Eve squabble over which oftheir children should succeedthem. Peter O'Toole masteredhis regal role from Becker (withnone of its limp ineffectuality,and all of its ruthfulness anddark, savage scheming), andKatherine Hepburn crowned herOscar studded career, as the relentless, intelligent, ambitious,cunning, and vulnerable QueenEleanor But top honors belong toAnthony Hopkins, as the fey, obstinant Prince Richard the LionHearted, and to John Barry, forhis vibrant, Oscar winning score.Unlike such inheritors as Mary,Queen of Scots and Anne of thecontinued on page 5THE GREY CITY JOU R N AL—F R I DAY, MAY 28, 1982—3BENTON’S BENTONSSelections from the Thomas Hart Benton and Rita P. Benton TrustsJune 3 - July 4,1982The David andAlfred Smart Gallery5550 South Greenwood AvenueHours: Tues. - Sat., 10-4Sun., noon - 4Admission: FREEThis exhibition is fundedin part by a grant fromthe Illinois Arts Council,an agency of the State. Please join us at aPreview Receptionon Wednesday, June 2from 5 to 7 pm,featuring a concertof Bluegrass musicby theCountry Gazette.The concert willtake place in theGallery’s SculptureCourtyard.©ase)-30pfl'AaVtVw°'l5^530p'1'v\a\ \no*•„co<r°£v>ettuch^aside*\oio ^^3-665^ tWS cou&S ad t Hyde Park C oop V our member owned sup< rmarket55th at Lake Park • 6G7-I444Hours: \1on. -Wed. 9-7:30. Thurs. - Fri. 9-S, Sat 9-7 Sun 9-3If you haven’t shopped the Co-op lately, we’d like toremind you of all you will find under our roof: a delicatessen,a liquor store, a home economist, a credit union whereyou can save or borrow, a bank branch, and a post office.That’s in addition to more varieties of more foods thananywhere else in the neighborhood.If you haven’t been to the Co-op, come in, look us over,and take advantage of our weekly sales-pick up our news¬letter at the store and see what the bargains are this week.shortopen monday thi u Saturday 7am t.. 11 p mSunday and holidays 8 a m. to 9 p m co-opconvenience store1514 e. 53rd st.osearmayer California Philadelphiawieners1 lb. pkg.reg. price 2.45l49 cantaloupesnet wt. 1 lb. creamcheeseX oz.reg. price 1.19QQtif if ea. 79*^prices effective Wednesday 5/26 thru tuesday country’sdelightwholemilkrcg. price 72(55 <rqt.4-FRIDAY, MAY 28, 1982—THE GREY CITY JOURNALMOREHORRORSAT DOCTonight marks Doc Films' fourth annualspringtime marathon dabbling into therealm of the macabre. Five films are slated,representing three distinct periods, andranging in quality from fair to outstanding.Particularly recommended are the eve¬ning's first two entries. Admission is $2 forany or all; the films will be screened inQuantrell Auditorium, Cobb Hall.Dracula's Daughter (Lambert Hillyer,1936) is Universal's very fine, unjustly over¬looked sequel to its 1931 Tod Browning/BelaLugosi Dracula. Beginning precisely whereits predecessor left off — with a victoriousVan Helsing (Edward Van Sloan) kneelingover the recently dispatched Dracula's"dead" body — the film chronicles the ef¬forts of one of the vampire's victims, pallid¬faced Countess Marya Zaleska (superblyplayed by Gloria Holden), to renounce herstatus as one of the Undead in favor of a re¬turn to the world of the living. Along the wayhints of lesbianism abound in her relation¬ships with female prey, and the film endswith one of the genre's most memorableclosing lines. Briskly paced, full of arrest¬ing pseudo German Expressionist lightingand atmospherics, and preferring violenceimplied to violence depicted, Dracula'sDaughter exemplifies the first wave ofAmerican horror films — unfortunately, along lost breed of movies. At 6:15.Village of the Damned (Wolf Rilla, 1961)is, quite simply, one of horrordom's finestofferings. Somewhere beneath the surfaceof the plot, adapted from John Wyndham's(The Day of the Triffids) The MidwichCuckoos, lies an anti-Communist allegory,but if you can ignore it, you should enjoy thissuperbly written, superbly acted, superblydirected tale of a small English villagestruggling against the terrifyingly intensehypnotic powers of a group of mysterious, Peter Lorre in Mad Lovecollective minded, blonde-haired children.George Sanders, Barbara Shelley, and Martin Stephens (who was virtually to repeat hisrole that year while playing Miles in JackClayton's The Innocents) star. At 7:30.The evening's third film, The War of theWorlds (Byron Haskin, 1953), takes us to thegolden age of science fiction films — a timewhen the horror genre was in a state of de dine preceding its renaissance in the lateFifties (Hammer Studios, Roger Corman,et.al.). In fact, The War of the Worlds is asmuch a science fiction film as it is a horrorfilm (though I have yet to hear what I consider a satisfactory distinction between thetwo genres). Adapted of course from H.G.Wells' famous novel of panic and destruc¬tion upon the Martian invasion of Earth, The War of the Worlds sometimes tends towardthe puerile in its dialogue, but features someextraordinary special effects courtesy ofproducer extraordinaire George Pal (TheTime Machine, When Worlds Collide) —especially the opening excursion throughour solar system and the explosion of theatomic bomb. What's more, the first appearance of the scuttling, tentacular Martians still gives me the creeps. At 9:00.Burn, Witch, Burn ("Night of the Eagle")(Sidney Hayers, 1962), like Village of theDamned, is an intelligently written (thoughnot nearly so well acted or directed) latterday British horror movie. Scripted by topnotch horror screenwriter Richard Matheson (from Fritz Leiber's novel of the occult,Conjure Wife), Burn, Witch, Burn resembles Matheson's The Incredible ShrinkingMan in its subject of a man trying to deairationally with forces beyond his comprehension. Here the forces are those of blackmagic, and the man is a professor who discovers that his wife has been furthering hisown career through the use of actual witchcraft. As the p edagogue, Peter Wyngardeis quite good, but Janet Blair, as his wife, israther hard to take. And Hayers' direction,passable at best for most of the movie, fallsapart near the end — resulting in a climaxthat fails to live up to our expectations. At10:30.,The evening's last entry, Mad Love (KarlFreund, 1935), returns us to the apex of Hoilywood horror — the Thirties and early Forties. The first American appearance ofPeter Lorre, Mad Love is also historicallynoteworthy for its probably influence on C/7izen Kane. In her essay "Raising Kane,"Pauline Kael points to Peter Lorre's makeup, Gregg Toland's camerawork (low keylighting, unusual camera angles), the film'sspacious somber sets and even its whitecockatoo as elements of Mad Love borrowedby Orson Welles for his 1941 landmark film.But history aside, Mad Love is an only partially successful remake of a 1923 Germansilent classic, The Hands of Orlac. BothPeter Lorre, as the sexually frustrated sur¬geon who grafts the hands of an executedknife throwing murderer onto a pianistwhose wife he lusts after, and Colin Clive, ashis anguished victim (a neat role reversalfrom his Henry Frankenstein), turn in excellent performances, which, together withFreund's resourceful direction, almost —but not quite — compensate for a verypatchy script. At midnight. — Amy Jo;'y.continued from page 3WOO Days, Anthony Harvey's second directorial effort is clean,austere, and meticulously con¬trolled — what at least one reviewer has called "a medeivalvariant on The Little Foxes."Sat., May 29 at 7 & 9:45 pm. LSF.$2 — PFFrom Mao to Mozart: Isaac Sternin China (Murray Lerner, 1980).West meets East in this delightfultravelogue chronicling the famedviolinst Isaac Stern's 1979 trip tothe People's Republic of China.The camera follows him everywhere: conservatories, recitalhalls, banquet rooms, privatehomes, imperial palaces, Mao'smausoleum, and the Great Wall.And on the soundtrack is sublimeMozart. The film sets out to provethat regardless of politics —Maoist socialism or Coca Colacapitalism — music can bridgeany cultural gulf; it does so convincingly and enchantingly. Sat.,May 29th at 9:00. DOC — J.Goofus.Son of The Sheik (1926) Directed byGeorge Fitzmaurice, this is Valentino's last and best film; heplays the dual role of the Sheikand his headstrong son. This fiimis an excellent example of Hoilywood's fantasies concerningthe "exotic East." Also starringVilma Banky. Shown togetherwith the Empty Quarter.Empty Quarter (1966) This semidocumentary is the autobiographical journey of Wilfred Thesiger across the Rub al Khali, the"Empty Quarter" or desert ofsoutheastern Arabia. Old filmclips and conversational narra tion interwoven with commentsby Thesiger portray Bedouin lifewith good coverage of basic values and attitudes. Thesiger finds"much that was noble, nothingthat was gracious, yet magnificently enough," stating hiS per¬sonal belief that whereas the desert reduces man to insignif¬icance, "only in the desert could Ifind freedom." Many vignettes, acamel race, prayers, the bedouinoblivious to natural beauty, amathematical game like kala, alladd depth to this very beautifulpanorama of the desert. Sunday,May 30, 2:30, Cobb Hall, $2.00,DOC — TH.The Lost Honor of Katherina Blum(Schlondorff and von Trotta,1975). This is another heavyhanded tale from the director ofThe Tin Drum. Here he chroni¬cles the brutal practices of theWest German police and theirlackeys in the press. KatherinaBlum is a quietly attractivewoman who happens to fall inlove with a "tender" young manat a costume party during Carni¬val. He happens to be a suspectedterrorist, and with the high anxi¬ety over terrorism, a desperatelywanted man. The film focuses onKatherina's battle against theNAZI like inquisitions of the police and the maliciously false ac¬cusations of the press. She is accused of harboring terrorists andof being one herself. It is clearfrom the start where the sympathies of the directors are. Inthe tradition of Fuller and Vidor,they present the story as a case ofvictims and victimizers, of goodversus evil. If you can stomach Schlondorff's style of yellow jour¬nalism, you will appreciate hissharply drawn portrait of the dis¬integration of individual personality and conscience. Katherina'sis offered no exit — no legal re¬course, no friends who will speakup for her and not even time to bewith the man she loves and protects. Sun., May 30th at 8:00. $2.00Doc - JMC.Ninotchka (Lubitsch, 1939). Amidmuch outdated sociologicalbanter, a lighthearted Garbo stillshines. The comedy is based on atale of a cold Russian agent(Garbo) coming to Paris whofalls in love with a gay blade(Melvyn Douglas). Consideredone of Lubitsch's greatest works,Ninotschka was the basis for theBroadway musical and film SilkStockings. Also with Bela Lugosi,Sig Ruman and Felix Bressart.Tues., June 1st at 8:00. $1.50 DOC— Jocko HomoCriss Cross (Robert Siodmak,1948). One of the classic 40s filmnoirs, Criss Cross is a mildly exciting melodrama made suspenseful by Siodmak's (TheSpiral Staircase) resourceful direction. Steve Thomson (BurtLancaster), an honest, hardworking armored car driver, iscaught with his ex wife Anne(Yvonne de Carlo) by her hoodlum hubbie, Slim Dundee (DanDuryea). To save both theirnecks, Steve blurts out that theywere planning a holdup on hismoney truck. Considering the circumstances he has no choice butto follow through. Siodmak generates a high degree of tension asthe three — equipped with guns, tear gas bombs and gas masks —prepare for their climactic as¬sault on the armored truck. Astandard triangle ganster formu¬la with some fresh twists, CrissCross also features standout support from Alan Napier as a jugnursing old man who specializesin plotting complex holdups.Thurs., June 3rd at 7:15. $2.00DOC — JMC.Plunder Road (Cornfield, 1957). Alittle "sleeper" about a robberycaper, with a competent cast giving life to an intriguing story.With Gene Raymond, JeanneCooper and Wayne Morris.Thurs., June 3rd at 8:45. S2.00DOC - DOAMUSICTest Patterns If you tune your FMdial to 88.3 this morning or thenext two Friday mornings, youprobably will have a difficulttime believing your ears. It maysound to you as if all of HydePark's radios, the little transistors, the portable disco stereos,and the home hi-fi tuners,stormed the Reynolds Club, wrestied control of WHPK from its humanoid managers, and put out ashow for their fellow units. TestPatterns is a three hour soundcollage, with material that ineludes soundtracks of industrialmachinery, new wave rock, jazzand ethnic musics, muzak, andrecorded readings. Two or thi eesources often are aired simultaneously with others being woven inand out. There are no interruptions and no announcements idon tifying the sources. One section ofthe show, "Double Features,"dissects and amplifies (throughrepetition) a popular dance tune,by use of tape edits and multipleplayings of the same song airedat once (last week's feature was"We've Got The Beat" by TheGoGo's). Test Patterns is assembled live in a spontaneous, improvisational fashion by radio artistsLouis Kaplan, Bob Puhala, andScott Michaelsen. Kaplan describes the show as "radio without apologies or compromise,radio that's not afraid to live upto the medium's true potential."Test Patterns 10 AM — 1 PMtoday, June 4th and June 11th,88.3 FM WHPK. (The show willair weekly this summer in an asyet to be announced time slot.)—J. GoodkindMISC.The Printer's Craft The SpecialCollections Department continues this exhibition selected fromthe R.R. Donnelley and SonsCompany in Chicago, and the selection is quite diverse and elegant, consisting of finely printedbooks as well as books specifically about design and printing Several of the works in this exhibit,including John Baskerville'smonumental Holy Bible andCmrles St. John Hornby's Tuttele opere di Dante, are lanomarksof exquisite, fine printing. On thefirst floor of the Regenstein Library, in the corridor to SpecialCollections, The Printer's Craftruns until the summer’s end.THE GREY CITY JOU R N AL-F R ID AY, MAY 28, 1982—5THE FLAMINGO APARTMENTS5500 South Shore DriveSTUDIOS & ONE-BEDROOMS• Unfurnished and furnished• U. of C. Bus Stop• Free Pool Membership• Carpeting and Drapes Included• Secure Building• University Subsidy for Students & Staff• Delicatessen • Beauty Shop• Barber Shop • T.J.’s Restaurant• Dentist • Valet ShopFREE PARKINGMR. MORRIS 752-3800 AJoin the Episcopal Church Council atthe University of Chicago for:Thursday Noon Eucharist at Bond ChapelandSunday Evening Eucharist (5:30 pm) andSupper (6:00 pm)Bishop Brent House5540 S. Woodlawn Ave.)MAN HAS MADEHIS MATCHNOW, IT’S HISPROBLEM.HARRISON FORD,SLADE nUnnEnJERRY PERENCHIO and BUD YORKIN PRESENTA MICHAEL DEELEY-RIDLEY SCOTT PRODUCTIONSTARRING HARRISON FORDin BLADE RUNNER ' with RUTGER HAUER SEAN YOUNGEDWARD JAMES OLMOS SCREEMPtAY BY HAMPTON FANCHER 'and DAVID PEOPLESEXECUT*V€ PROOUCERS BRIAN KELLY and HAMPTON FANCHER VISUAL EFFECTS By DOUGLAS TRUMBULLowoiNAi.musiccompos£oby VANGELIS associate producer IVOR POWELLrroouceoby MICHAEL DEELEY wrectedbv RIDLEY SCOTTORIGINAL SOUNDTRACK ALBUM AKAlLABLE ON POLTOQR RtCOROS PANAVISION * TECHNICOLOR*. QQEwmw AiWLtCIfD THEAlHt,iA LADD COMPANY RELEASE IN ASSOCIATION WITH SIR RUN RUN SHAWTHRU WARNER MM © A WARNER COMMUNICATIONS COMPANY*1*82 Th# Ltde Company *li RigMA RmryvcUI OPENS JUNE 25 AT A THEATRE NEAR YOU! |6—F R I DAY, MAY 28, 1982-THE GREY CITY JOURNAL IM0CI 17 MOUNKt KtotrwmMKIT OA AS017 UiAMHAH MotorcycleInsuranceIt’s the affordableprotection you need. Callfor a free quote.Lord & Rogers Insurance Agency| 4747 West Peterson AvenueChicago, Illinois 60640 Suite 400282-6900Good Rates for Good RidersRockefeller9 amEcumenical Serviceof Holy Communion10 amDiscussion Classon Gregorian ChantDavid Beaubien11 amUniversity ReligiousServiceFRIDAY'S GREAT 'CAUSE WE CAN HARDLY WAITBy Russel ForsterDave Edmunds (who appears to¬night at the Park West) has beenplaying guitar and singing a good21 of his 38 years, but only in thepast few years with Rockpile hashe caught the public's eye. He'scome a long way since the days ofthe early sixties, when he wasforced to work as a motor mechan¬ic by day to support his nocturnalmusical habits in bands around hishome of Wales. His "big break"came in 1967 when he gave up hisday job and went to London tomake music his single trade. Hejoined the group Love Sculpture,which released two fine albumsand a few singles (most of whichwere compiled on Dave Edmundsand Love Sculpture: The ClassicTracks 1968-72, an album fineenough to merit a rating of fivestars from Rolling Stone maga¬zine) during its brief but illustrioustenure. He left in the early seven¬ties to try his hand at performingsolo and put out several fine singlesthat secured his place on the Brit¬ish music charts.He quickly became a master ofthe arts of the recording studio, andmade his name as a fine producerof such groups as Foyhat andBrinsley Schwartz (a group thatcontained Edmunds' future friendand musical accomplice NickLowe). Edmunds became remark¬ably adept at mimicking the "60'ssound" — particularly Phil Spec-tor's famed "Wall Sound" — in hisproduction, and at mimicking thesound of many of the musical styl¬ists he admired — from the "SunSound" and the Everly Brothers toChuck Berry, his hero. His secondalbum, the cleverly titled Subtle asa Flying Mallet, contains many clo¬sely copied singles originally doneby such groups as Chuck Berry andthe Ronnettes. In particular, Ed¬munds' version of "Da Doo RonRon" is so uncannily like the origi¬nal (down to the tinkling piano andthe "ba ta ta ta ta ta" drum solo)that it's easy to mistake the copyfor the original.In 1977 Edmunds released hisfirst album backed by Rockpile,with a lineup of Edmunds onvocals, guitar and piano, Nick Lowe on bass and vocals, BillyBremner on guitar, and Terry Wil¬liams on drums. He released foursolo albums with this lineup, andplayed on several of Nick Lowe'salbums with Rockpile also. On allof the albums with Rockpile, Ed¬munds shows his genius for cover¬ing other people's songs, success¬fully interspersing his albums withselections by such old masters asRogers and Hart, Otis Blackwell, Hank Williams, and Arthur Cru-dup, along with such contemporarymasters as Graham Parker, ElvisCostello and Nick Lowe. Edmundsmanages to make them come alivewith a vibrance that became aRockpile trademark.His hit "Girls Talk" on his fifthalbum, Repeat When Necessary, isa case in point, with its irresistablemelody hook and its playfullybuoyant guitars. Like all classic pop songs, the song is instantly en¬dearing, and it is its clean popcraftsmanship that makes it andall of Edmunds' work so enjoyable.The playing is clean without beingslick, and pays justified homage topast masters of popular music withevery borrowed guitar lick andvocal harmony. Rockpile gained arather impressive reputation for itsoutstanding live performances,which had the feeling more of agroup of excellent musicians hav¬ing a lot of fun playing music thatthey enjoy and appreciate than of apracticed exercise in album re-creation, which is what so many con¬certs have recently become.In October 1980, Rockpile re¬leased its first and last album as aband. It is a jem of pure pop —there's nothing particularlythought provoking on it (althoughthe playful "Pet You and HoldYou" and the wry "When I Writethe Book" are just as enjoyablelyrically as they are musically),but the music is so much fun that noone ever notices. Unfortunately,though, Rockpile's days were num¬bered, and after working on thetracks for the sixth Edmunds soloalbum the group disbanded due topersonality conflicts between Ed¬munds and Nick Lowe. The soloalbum, Twangin', was eventuallyreleased after Rockpile's stormybreak-up, and it serves as a fittingrequiem to a once-great band. Thegroup sounds as good as it eversounded on such oustanding coversas John Fogerty's "Almost Satur¬day Night" and Nick Lowe's lovely"get over you" song "(I'm GonnaStart) Living Again if it KillsMe."Edmunds' latest album, and firstwithout Nick Lowe's collaborationin almost ten years, is called DE 7.His date tonight at the Park Westwill show whether he can generatethe fun and excitement withoutRockpile that made his perfor¬mances with them so memorable.Considering the rave reviewshe got from The Washington Postfor his recent east coast appear¬ances, though, it seems as if hehasn't lost his loving touch for mak¬ing great rock and roll.■NO MORE SUNDAY BRUNCH 1THE GREY CITY JOURNAL-FRIDAY, MAY 28, 1982-7WHO'S AFRAID OF SISTER MARY IGNATIUS?Playwright Christopher DurangSister Mary Ignatius Explains It All ForYouby Christopher Durang, presented with TheActor's NightmareDirected by Robert FallsWisdom Bridge Theatre through August 1by Libby MorseChristopher Durang's Sister Mary Igna¬tius is a bit like Little Eva: Ecstacically religious, slightly surreal, you expect her toascend to heaven any minute. But while Lit¬tle Eva is the epitome of sappy ecumenisim,Sister Mary is a bosch-like portrait of theCatholic Church. Sin, hell and purgatory aremother's milk to her, and she wishes God would be a little tougher on these unbaptizedbabies in Limbo. Her loopy brand of Catholi¬cism seems free form (she always has anenigmatic "oral tradition" to fall back on)but it's actually a tightly-covered web ofrules, nine-tenths of which begin with theword "Don't."Some may complain that Durang is unfairto the Church, but he's done a terrific job ofcreating a character who embodies all ourmisgivings, neuroses and desires about reli¬gion. She is supreme order; her rigidness,her sublime confidence, her power is utterlybeguiling at the same time that we're horrified by its inaccuracies and lack of mercy.She's untouchable, an icon really. Someoneasks her if nuns go to the bathroom and sheanswers yes, but we secretly suspect shenever does. In a time of cultural relativism,no-nonsense dogma still has its attractions.She dares us to believe — her ludicrousnessis a bald faced challenge. If we can’t havefaith and play by the rules, says SisterMary, the fault is all ours. As Lou Reedmight say, her Catholicism takes no prison¬ers.So if our first impression of Sister Maryrecalls Little Eva and Harriet BeecherStowe, we soon realize that a more apt anal¬ogy is Lewis Carroll and his bizarre, rule-bound Wonderland. Sister Mary is a clois¬tered Mad Hatter, a White Queen in a habit.Durang even lifts a line from Carroll(what's one and one and one and one, etc,"as demands of her pupil, Thomas) to remindus of the connection. Alice could say "you'rejust a bunch of cards," and wake up, butDurang knows it's not so easy to shake offthe Mother Church. In fact, Sister Mary isabout the triumph of a Catholic Wonderland,despite the efforts of several Alice-like char¬acters to understand it, compromise with it,or even destroy it. It’s an angry play, with asense of betrayal running every line. But Durang knows that Sister Mary is indefati¬gable and he's spellbound at the same timethat he's embittered.Most of Sister Mary takes the form of alecture. She appears on stage with Thomas,her favorite seven-year old parochial schoolpupil who believes everything she says.Durang spends the opening of the play hi¬lariously setting up her watertight universewith Thomas as her number-one cherub(never mind that he can't spell "ecumeni¬cal" — in Sister Mary's book that kind of ignorance is bliss). But just as we're gettingcompletely mesmerized, four former pupilsarrive. Gary is a homosexual; Philomenahas an illegitimate child; and Aloysius explains, "I'm an alcoholic, recently, I'vestarted to hit my wife and I keep thinkingabout suicide."All have tried to make treaties with thechurch, but it's Diane who's going to do battie. Sister Mary preaches the promise ofperfect, if somewhat skewed order, butDiana has suffered from life's "utter randomness." She's watched her mother dieslowly from cancer, she was raped and hashad two abortions. Life is not as simple asthe earnest, unintentionally funny nativitypageant she and her former classmatespresent when they enter. Diane feels dupedby Sister Mary and her Church, and shewants revenge. What ensues is a metaphysical shoot out at the OK Corral.It may be unfair to compare two productions of this play, but if I had only seen theWisdom Bridge's version of Sister Mary, Iwould have thought Durang's play was anoccasionally funny, overextended diatribe.Mary Ann Thebis plays Sister Mary as if shewere merely a wacko nun. Instead of beatific confidence and the wrath of God, we getmeaness and sarcasm. She swaggers whenshe should float. We're never entranced byher — we're just scared because she's a bully. Most important, she doesn't take ad¬vantage of the awe and anxieties we feelabout nuns. She could easily be a teacher ina long black dress, her dogma multiplica¬tion tables.The New York production, however, fea¬tured Elizabeth Franz in a marvelous por¬trayal. She wasn't afraid to be daintly anddelicate, which made her moments of feroc¬ity even more effective; when she gaggedupon hearing about Gary's homosexuality,the sounds she made were like thunderboltsfrom on high. We never knew what she wasgoing to do next, and by the end of the play,we were pretty sure she could get away witheverything. It was a wonderfully unnervingevening.Jodeen Culbert is more successful thanThebis in her characterization. As Diane,she made her difficult monologue affecting,although she gave her character away tooearly. Also, Durang wants us to be as rivet¬ed by Diane's point of view as we are by Sister Mary's — it should be an even match.Somehow that sense never got through.Finally, the pacing was very slow. There'sa lot of material there, and it's meant tooverwhelm us. That isn't achieved by allowing us time for it to sink in.Sister Mary Ignatius Explains It All ForYou isn't deathless drama. It's really morea combination one woman show and darklycomic debate. There are no new insightsinto the Church today, although Durang hitshome on the gap between a religion and howits believers incorporate it into their lives.When it's well done, the play has an honeststing that we seldom experience in moderntheatre. Durang humor's never softens theblow. In fact, seldom in drama has "punch¬line" taken a more literal meaning. Hisanger is exhilerating and provoking, butWisdom Bridge only gives us a few laughs atthe expense of a crazy nun.REGENSTEIN TENDS RARE TOMESSir DegrevauntBy Robert DeckerThe making of highly decorated, beauti¬fully rendered books is something which oneusually associates with the hand-copies illu¬minated manuscripts of medieval monas¬teries, an art which was swept away withthe invention of the printing press. Over thepast four or five centuries, however, therehave been a handful of master printers whowere able to exploit the artistic potential ofthe printed book.The work of these master printers makesup more than half of a new exhibit in Regenstein on "the Printer's Craft," organized byJeffrey Abt with items printed between theyear 1502 and the 1930s, formerly part of theR. R. Donnelley printing firm's training li¬brary. The rest of the exhibit is made up of books about printing and such techniques aslithography, photoengraving, and serigraphy, along with early examples of theseprocesses.Garamond, Baskerville and Bodoni areknown to the publishing industry as type¬faces, but these are also the names of mas¬ter printers whose work is on display at Re-genstein. A 1502 edition of the works ofStatius, a Roman poet, shows an early use ofitalic type, designed by Aldus Manutius andinspired by the official penmanship of thepapal chancery. Through the first three cen¬turies or so one can trace the subtle changesin typefaces, in the heaviness and length ofstems and serifs, which make the printedword flowing or mechanical, open or unin¬viting. The achievement of these craftsman American Encyclopaedia of Printingis testified to in the endurance of their de¬signs, many of which are still used today inslightly modified form.The most arresting books on display are,of course, the highly decorated editions ofvarious classic books, such as the Bible,Dante, Milton, and others, printed in smalleditions for wealthy subscribers."Up to the 19th century," said JeffreyAbt, who conceived the exhibit, "books wereprinted only for a certain class of literatepeople. Only later did mass publicationscome out, along with a decline in the qualityof printing."By the end of the 19th century, a fineprinting revival had taken place," he said,with some people willing to spend muchmore for finely printed editions.And so the printing exhibit shows both thedevelopment of the technology as well as a later anti technological nostalgia for handset type, hand made paper, and hand sewnbindings, all of which, Abt said, are still indemand today as private presses bring outfinely printed editions of contemporary poetry and fiction.There is in the 1890s revival much imitation of printing styles of the 17th and 18thcenturies, although a number of printers demonstrated a great deal of imagination andexperimentation. Of the former group, William Morris, who began the revival, used a15th century type for an 1892 edition of ADream of John Ball and intricate ornamental work, most dazzlingly displayed in theopening page of The History of Reynard theFoxe (1892). Charles St. John Hornby, aMorris disciple, also sought to create 15thcentury books in the 19th century, for exampie, a 1903 edition of Horace printed on vellum with the initial letters of each stanzapenned in by a caligrapher.Striking innovations can be seen in thebooks of the Doves Press, such as a Bible inwhich the first "I" of "In the beginning"runs the length of the text block for an impressive effect, and an edition of Carlyle inwhich huge initials were placed outside themargin to allow an imposing heading without destroying the continuity of the text.The influence of the art nouveau style isevident in a number of books from the sameperiod, most notably in the ornaments ofCharles de Sousy Ricketts' 1898 edition ofKeats and Lucien Pissarro's 1894 Queen ofthe Fishes. By contrast, it is difficult to isolate the influences on Harry Kessler's 1931Hamlet, a strange mixture of fifteenth-cen¬tury style typeface and mechanical, moder¬nistic illustrations in the margin.In the special collections department theexhibit continues with a number of books onthe technique of printing, including earlywork in color, first attempts at printing forthe blind, and various trade journals. Anumber of cleverly produced children'sbooks are also on display, including a 1931Soviet book, In the Clouds, which shows aninteresting use of abstract art for illustra¬tion, a style soon swept away by the purges,made even more abstract by the hasty job ofprinting.8-FRIDAY, MAY 28, 1982-THE GREY CITY JOURNALBy Darya GeetterMark Medoff's “When You Cornin' Back,Red Ryder," now playing for an unlimitedrun at the First Floor Court Studio Theater,is the Next Theatre Company's energeticand finely detailed production of a ratherproblematic play. Medoff's work presentsdifficulties mainly because most of its char¬acters lack depth or intricacy. Based inEvanston, the Next Theatre Co. was found¬ed in 1981, and its first production, “ClassEnemy," was nominated for four JeffAwards. “Red Ryder" is the Company'ssecond production, and co founders HarrietSpizziri and Brian Finn take primary rolesin this production, as director and actor re¬spectively.Playwright Mark Medoff won last sea¬son's Tony Award for a pre-Broadway prod¬uction of the acclaimed “Children of a Less¬er God." “Red Ryder was his first NewYork production. It won an Obie Award, anOuter Critic's Circle Award and a DramaDesk Award. His other plays include “TheHalloween Bandit" and “The Firekeeper."Medoff currently lives in New Mexico, thesetting for “Red Ryder."The play's plot is like that of a B movie(ac tually like that of “The PetrifiedForest" with Humphrey Bogart) or a two-hour TV special. Set in an all-night diner in atorpid Southwestern town in New Mexico inthe late 1960's, the employees and variouspatrons get trapped in a violent nightmarishepisode by a crazed customer. The rantingsand ravings of this disillusioned, “disaffect¬ed" traveler physically and verbally stripaway the comforting masks and shieldsthese diner dwellers use to lead comfort¬able, if shallow lives. The technique is an oldone, that of revealing character at gunpoint,but Medoff might have made it more inter¬esting if each of his characters were not _such over done cliches. Most of the audience uhad these cardboard creations figured out afrom the moment they appear on stage. -There are no twists to the plot and no sur- $prises. The most worthwhile feature of theproduction is the to-the-letter attentionwhich the actors devote to their characterseven if the stereotype each has to portray isfairly uninteresting. Medoff's excessive useof violence on stage may serve to illustratethe traveler's violent streaks, but it seemsunnecessary when the words that Teddyuses are so violent, stun much more effectively, and will wound for a longer time thanhis gun or his thrown chairs. The other,rather more disturbing facet of the text isthe assumption that certain special peoplecan do whatever they like to others, can destroy the lives around them, without chal¬lenge and with a certain amount of socialjustification. Medoff suggest this is okay,since ultimately “it's for their own good."It's a sentiment implicit in “Red Ryder,"and unfortunately, the playwright appearsto approve of it."Red Ryder" is quite a symmetrical play,with eight characters each part of an established character genre, paired together witheither the exact same type of character orthe opposite. Brian Finn as Stephen, knownmore commonly as Red Ryder, is thediner's graveyard shift employee caught ina fashion time warp. His hair is slickedback, his black boots are pointy, and hisgreasy white short sleeved shirt is rolled upto reveal the tatoo "Born Dead." He is poor,tied to the diner, determined to help hismother out financially. He talks of leavingand of a "Corvette convertible stingray, thecolor of money" but he has not yet made hismove. Usually sullen, he gets most of hispleasure by giving trouble to the daytimeworker, Angel. Finn has a few problemswith the pace of the opening dialogue, buthis performance is convincing, and it captures the unspoken tensions that rage insideRed Ryder.Angel, played by Karen Vaccaro, is thequintessential unhappy but jolly fat girl.She is round and pink all over, from herwide pink headband to her rosy cheeks anddimpled knees. She is squeezed into herwhite hospital dress and bustles around trying to make small talk with Stephen (as sheinsists on calling him) and to pacify the customers and herself she makes excuses foreveryone's actions. She hits home with thecharacterization of this unfortunate neverbeen loved victim who is made the butt ofeveryone's jokes. Her only friend is Lyle,the neighboring owner of a motel and gasstation. Dick Galloway as Lyle is a grand-fatherly cripple, a weak-spirited but kindman who feels sorry for everyone but tries THE NEXT: RED RYDER RIDES HIGHWhen You Coming Back, Red Ryder?not to for himself. He always has the bestintentions of being good and doing the rightneighborly thing, but Galloway lets us see atouch of the coward in the character. Asowner of the diner, Clark (Robert Meitzer)captures the spirit of the materialisticsmall-minded nature of Medoff's people. Heis concerned only with cutting the chili withwater and getting paid for the 5c styrofoamcup which Red Ryder uses. Meitzer makes himself convincingly bland, wears a shoestring tie around his collar and a blue shortsleeved knit sweater which emphasizes thenarrow focus of his world. Clarisse andRichard, the rich, uptight, fairly young coupie are played by Mary Loquvam andLawrence Arancio. She is a refined classicalviolinist on her way to the New Orleans Philharmonic, and is as prim and preppy as canbe in her kelly green outfit with espadrilles and pulled back hair. He is nervous, uptight,educated, bent on displaying his benevolence toward his inferiors.Making his professional stage debut, WillZahrn, playing Teddy, gets the meatiestpart of the play. He is its catalyst and commands all action, magnetically controllingthose in the diner and the audience. Heworks with force, assurance and vigor. Hispace is so frantic that although the othercharacters do what they can with theirparts, they look sluggish next to him. He is awide-eyed and sadistically brutal man onhis way back from Mexico with a load ofdope to sell in California. Presently penni¬less and with a broken transmission, he seesthe people in the diner as nothing more thanvictims deserving to be cruelly used for purposes of fun and profit. His girlfriend Cheryl(played by Shelley Gentner) is a long hairedbra less, jean clad hippy with brown eyesand a quiet demeanor. She is only stirred toaction, deciding to leave Teddy when hesays, "You're functional too darlin', nothingelse really." She is not concerned with hiscruelty to others, only towards herself.The stage and other technical aspects ofthe production are absolutely first-rate.Each character's costume impeccably captures their types and all of their accoutrements are perfect. The diner has everythingto make it look like a sleazy all night hangout with the mandatory three stale donuts,greasy hand prints near the phone, and littleKellog's breakfast cereals over the grill.However, the angle of the set is constructedso that the audience is in front of thecounter, not behind it. While this enablesAngel to cook up real steak and eggs on thegrill, it restricts the audience's visibility.Often the characters sit on the stools withtheir backs to the audience, making it awkward for the actors to deliver their lines sothey can be heard. Worse, it's often impossible for spectators to see the actors' facesduring some crucial scenes.Directors Harriet Spizziri and Dan Liber¬ty competently guide the action on stage, although a few problems stand out. The play'space is a bit uneven and uncontrolled, especially in the period before Teddy starts hisantics. But the show is an exciting one andgiven the performances by this youngtroupe the future of the Next Theater Company is a promising one.A NEW ROMANCE ON CAMPUSThe Grey City Journal recently talked toMarie Breaux, editor of the new RomanceLanguage Review, a campus journal of stu¬dent writing in various romance languages,and asked her to talk about this new publica¬tion. Copies of the Review are available oncampus today. Ms. Breaux is a senior majoring in French in the College.Q. Who do you think is going to read the Ro¬mance Language Review?A. I've been asked this question a lot in thelast six months, and the answer is manymore than you might think. First, the RLRis free, and anyone who has had any trainingin any of the languages and who has the en¬ergy to walk to the Romance language of¬fices (Weibolt 205 or Cobb 130) can pick upthe magazine and enjoy some terrific ereative writing in Italian or Spanish or Frenchor Portuguese. Secondly, I don't think thatpeople are aware of how many students chave taken and are taking courses in the Romance languages. This quarter alone over £450 people are enrolled in classes in the de 5partment. This does not include native S.speakers or people who have already finished their language requirements.Q. Yeah, yeah, yeah, but I guess you have tobe a major or a native speaker to really getanything out of it.A. I've heard this before, and essentially,it's a misconception. For example, the Iongest French piece in the RLR was writtenlast year by a student in a second yearFrench class. It's a well written parody ofthe Sherlock Holmes stories and can be readand enjoyed by anyone who knows the lan¬guage.In fact, we went out of our way to makesure that the RLR would be a readable mag Marie Breauxazine for a large number of people. There isno literary criticism in the review, so thatyou don't have to be familiar with a particular work in its original language in order toread the RLR. And, although I did not envision the magazine as being entirely devotedto creative writing, I think that it illustrateswell the fact that students who choose tostudy foreign languages do not condemnthemselves to inferior means of expression.Too many people are convinced that theFrench are always going to do better at French than any American, and consequently, they automatically assume thatany work produced by a non native speakerwon t be as good. This is not true. TheFrench works of Samuel Beckett prove otherwise, and in its own (small) way so doesthe Romance Language Review.Q. Is all work in the RLR by non nativespeakers?A. No, it varies from language to language.The French and Italian sections are writtenentirely by non native speakers whereas theSpanish sect on represents a mixture of nafive and non native speakers. This is notsurprising given the large body of hispanicsat the Universify, and I think it is about timethat we recognize them as an integral partof our community both here in the university and in the city and, for that matter, theU.S. itself.Q. Any future plans?A. Sure. The first step is to find a new editorfor next year's review. My biggest fear isthat everyone agrees that this is a good idea,but that no one will carry it on. It seems thatthe Romance languages department is notpart of the so called “repression of creativity" for which the University is so oftencriticized. We had more than enough submissions, and edited it down to 52 pages ofcreative writing. Wnat people in the department do face is the same pinch for time feltby everyone.Q What would you highlight in the RLR?A. The whole thing. Bull don't expect everyone to be able to read the entire magazine. Ithink all sections of the review representtheir languages well. We have poetry in ItaMan, witty writing in French, and a Spanishsection which represents each major.areawhere Spanish is spoken — poetry by a native of Spain (Europe), a tale from a Peruvian Indian (South America), a short storyfrom a native of Mexico (Latin America),and another short story by an American.THE GREY CITY JOURNAL —FR IDAY, MAY 28, 1982—9MOVIE: WE'VE SEEN THOSE MEN IN PLAID BEFOREri by Robert KubeyDead Men Don't Wear Plaid is Steve Martin's highly entertaining and clever spoof ofthe American gangster-detective movie.Film noir, as the French dubbed it, ismarked by dark, foreboding alleys and rain-slickened streets where the seamy underbelly of human motives is displayed with theinevitable results of murder and mayhem.The genre has been revived in recent yearsin films such as Chinatown (the best of therecreations) and Body Heat.In Dead Men Don't Wear Plaid, SteveMartin plays Rigby Riordan, the archetypalBy Vincent MichaelChristiane F. is a sort of German versionof Go Ask Alice, relating the tragic and truestory of a 14-year old West Berlin girl descending into the depths of heroin addictionand prostitution. Heard it before? Nothingin the story or the movie is new, but it non¬etheless has been a smash hit in Europe,and hopes to do well in the United States.Based on a series of interviews by the Ger¬man magazine Stern, and Ulrich Edel filmis unique in its portrayal of this all too-com-mon story. Unlike Go Ask Alice, the filmdoes not try to show parents the horrors ofpeer pressure, allowing them the easyescape of blaming their child's human follyon a "bad crowd"; the other kids who leadour dutiful Pinocchios into the horrors of ac¬celerated maturation. We can easily em¬pathize with Christiane's (Natja Brankhorst) desire to enter the seamy and sensual fast-actitig, street-wise private eye. Thefilm begins, as do so many, with a sultry,veiled woman (Rachel Ward) entering thedetective's office to seek help in solving amysterious murder. In pointed parody ofpast detective heroes, Martin calls his beau¬tiful client "doll face" and coffee becomes a"cup of java." By turns, Martin is shot,given a Mickey, thrown in a car trunk, androughed-up. The ever present thumpingscore is a hybrid of the themes from "TheUntouchables" and 'Dragnet."The film's outstanding feature is its me¬ticulous matching of scenes from old moviesyouth culture of West Berlin. Her introduction to the Sound, an underground disco,presents familiar adolescent images: combinations of fear and attraction, sexual pres¬sure, gobbling pills and puking against atree.It is this sympathetic focus on the adolescent which is the movie's best quality. Rare¬ly are parents or adults of any sort seen. Weare taken into the pain and pleasure of thisWest Berlin subculture and remain therethroughout the film. When Christiane findsthat her boyfriend, and everybody else inher clique, shoots "N", she wants to also.Everyone tells her not to. Again and again.She does anyway. Christiane descends intothe urban netherworld despite remonstra-tions, not of uncool parents, but of herpeers.After she gets hooked, the need to supportthe habit soon leads to prostitution, whichher boyfriend Detlev (Thomas Haustein) al- with new black and white footage. Martinappears in every scene and plays opposite ahost of screen immortals which includeBette Davis, Joan Crawford, Burt Lancaster, James Cagney, and Bogart.In addition to perfectly timed’ juxtaposi¬tion of new and old dialogue, the techniquerequired matching sets, camera angles, andlighting. Cinematographer Michael Chapman even shifted the contrast and focus ofhis new shots to blend convincingly with thevarying quality of the archive footage. Theresult is uncannily effective. Only occasionally does the technique appear awkward asllf ' . •• l r .’V - ^llready engages in. As the film progresses,the empathy with the attractions of this lifediminishes. Edel substitutes painfullygraphic scenes of needles popping skin(with a reasonable admixture of drippingblood and spewing vomit). We are thus stillforced to feel Christiane's experiences, butwith a horrorif ic effect. We watch as she andher boyfriend go through withdrawal together, only to take a shot the day after theykick the habit. The film has a deeply graphicmessage for young people, portraying thepain, but not so much the pleasure, of Chris¬tiane's world.Thus the empathetic quality of the film be¬comes exploitative. We are dutifullyshocked by the bruised eyes, the violentspasms, and bloody needles. And while thefilm occasionally puts us into this world, ittends more to simply display it, like abloody war picture, to shock us into respons¬ible action or concern. While a nice contrastto Go Ask Alice, Christiane F. does not gobeyond the classic formula and remainsmore shockspoloitation than a sensitive relation of social fact. in scenes with Bogart, but this is due to ouroverfamiliarity with him. By contrast, anappearance by the less recognizable AlanLadd goes almost unnoticed.Dead Men is made by Universal, whichalso owns the pre-1948 Paramount archives.Apparently, Warner Bros, footage was unavailable and this explains the noticeableabsence of film noir's classic heavies, Sidney Greenstreet and Peter Lorre. GeorgeRaft is also missing as is Ronald Reagan. Ascene from one of Reagan's more sordidmovies with Steve Martin intercut wouldhave been priceless. Use of Reagan material may have been considered politically toohot.Dead Men Don't Wear Plaid is unquestionably Steve Martin's funniest film. Many ofthe biggest laughs depend on broad humor,sight gags, and a ten year old boys' view ofsex (Martin takes advantage of RachelWard after she's fainted and crosses hisfingers when lying to another woman aboutthe sincerity of his intentions), but we arenot offended, perhaps because Martin isalso laughing at himself. The plot of thiswhodunit is utterly inconsequential.The old movie footage dominates the storyline but it is entertaining nonetheless to seehow Martin and his associates will manageto get him into and out of a scene with Vincent Price or Fred MacMurray. The filmwinds-up with a Nazi plan for world domination, untrue to the spirit of the genre, and ismarred further by an unwelcome appear¬ance b^ director and co-writer Carl Reiner.Reiner's overacting, which hasn't changedsince his days with Mel Brooks and Sid Cae¬sar, is hopelessly out of synch with the act¬ing of Martin and Ward. Still, the movie ischocked-full of very funny material. Ifyou're a fan of film noir, Steve Martin, orclever cinematography, Dead Men Don'tWear Plaid should not be missed.GO ASK CHRISTIANE F.Lehnhoff Studios of Music and DanceCello, Clarinet, Flute, PianoRecorder, Trumpet, French Horn,Violin, Viola, Voice Announcing New Summer Term Beginning June 21, 1982For Adults and ChildrenBallet, Jazz, Modern DanceDance ExerciseAerobicsFor registration and information call 288-3500 1438 E. 57th StreetFor ChildrenMusic FundamentalsCombined With Creative Dance• Monday & Wednesday4 yr. olds: 1:30 • 5 yr. olds: 2:30 • 6 & 7 yr. olds 3:30GRAFF & CHECKReal Estate1617 E. 55th St.11/2-2Vi-4 room & 6 roomapartments. Immediate occupancy.Based on AvailabilityBU 8-5566A vailable to all comers HYDE PARK UNION CHURCH5600 S. Woodlawn Ave.Church School (all ages) 9:45 a m.Worship Nursery Provided 1 1 :00 a m.W Kenneth Williams, MinisterSusan Johnson, Baptist Campus MinisterCome, Worship, Study, Serve HELPING HANDFINANCE CORP ASpecializing in first & second mortgages,and FH A and VA mortgagesGood or bad credit.Licensed Mortgage BankerPersonal. Business and Commercial Loans935-5920 -TAI IlvW-Akv'CHINISE-AMIRICAN RESTAURANTSpecializing in Cantoneseand American dishesOpen Daily 11 A.-8:30 P.M.Closed Monday131S 1.63rd MU 4-106210—FRIDAY, MAY 28. 1982—THE GREY CITY JOURNALREPORT TO FEE PAYERS, %1981 - 82 Major Activities BoardJIMMY CLIFF10/24/81Artist’s fee $6500Opener (Heavy Manners)$450Technical $500 sound$770 instrument rental‘Mandel Hall fee $399.10Maroon ads $250“Other expenses $861.89Income $4132Subsidy $5598.99KINGCRIMSON2/21/82Artist’s fee $7500Technical (sound and lightspackage)*** $1500*Mandel Hall fee $235Maroon $405.49**Other expenses $881.24Income $6450Subsidy $407 1.73 GARY US BONDS11/13/81Artist’s fee $5000Opener (Lefty Diz) $400Technical $500 sound$127.50 lighting$175 musical equipment*Mandel Hall fee $360Maroon $815**Other expenses $822.49Income $1982Subsidy $6217.99B-52’s4/4/82Artist’s fee $12,500Opener (Ministry) $450Technical (sound and lightspackage)*** $2500 Specialelectrical cable $500Stage construction (forIda Noyes Gym) $1150Maroon $290**Other expenses $1195.29Income $7356Subsidy $ 1 1229.29 BUDDY GUY,JR. WELLS1/23/82Artist’s fee $2400Opener (Chicago Diamonds)$450Agent’s fee $200Technical $500 sound$107.10 lighting*Mandel Hall fee $306.15Maroon $450**Other expenses $641.01Income $2127Subsidy $2927.26JAMESBLOODULMER5/8/82Artist’s fee $3150Agent's fee $350Technical $500 sound $190instrument rentalMaroon $550.05Other expenses $315Income $563Subsidy $4492.05 JOANARMATRADING2/10/82Artist's fee $3000Opener (Ephat Mujuru) $375Technical (sound and lightspackage)*** $3500*Mandel Hall fee $410Maroon $380**Other expenses $1018.49Income $5730Subsidy $2953 49MEMORIAL DAYCONCERT5/30/82Estimated Cost: $8500The concert, featuringthe Raybeats and theIndividuals, is free andwill be held on North Field(Mandel if rain) beginningat 7 p.m.Notes‘Includes flat rental fee and anyequipment that the manager ofMandel had to rent or buy for theperformance. “Includes (in order of expense)electricians, fireguards, hospitality,ticket printing, posters. ‘“Some acts travel with their ownsound and lighting system and re¬quire this to be used and paid for bythe buyer.ADMINISTRATIVEEXPENSES Box office commissions,phone bills, office supplies,other printing expenses$3031.77 54,561.18 Income from fee-49,022.57 Total subsidy &administrative expense+ 5538.61 BalanceTHE GREY.CUV JOU RNAL— F R ID AY, MAY 28, 1982-11ALLFACULTY MEMBERSTAKE ADVANTAGE OFTHESE OFFERS....(exp. May 31,1982)HYDE PARK JLHILTONAny day or night with presentationof your faculty I.D. card the bearerreceives:• V2 Price Drinksin our Bristol Lounge andour Restaurants• 10% Offyour meal price in theLaurel Cafe• 20% Offyour meal price in theChartwell HouseGood for lunch and dinner only not applicable on Chef’s DailySpecials or Holiday Buffets such as Easter, Mother’s Day etc.*Present your I.D. card to thwaitperson when seated*Also....Think SummerIf you are interested in our 1982 U. ofChicago Faculty Pool Club send in thecoupon to: Carol May, Hyde Park Hilton4900 S. Lakeshore Dr. Chicago 606152 Name- I n NoAddressNo. of Adults No. of ChildrenDavs most likelv to use faeilitvClip and mail for Pool Club Info. Put the pastin yourfuture!Thoroughly renovated apartments oiler the convenienceof contemporary lixing space combined with till the best elementsof vintage design. Park and lakefront provide a natural setting foraffordable elegance with dramatic views.— All new kitchens and appliances — Community room— Wall to-wall carpeting — Resident manager— Air conditioning — Round the-clock security— Optional indoor or outdoor — Laundry facilities onparking ea(-ii flcx)rStudios, One. Two and Three Bedroom apartments.One bedroom from $~h5 — Two Bedroom from $610Rent includes heat, cooking gas. and master TV7 antenna.Call for information and appointment — 643 14064In Hyde Park, across the park fromThe Museum of Science and Industry>Equal Housing Opportunity Managed by Metroplex, Inc.COPIES COPIES COPIES (COPIES COPIES COPIES (COPIES COPIES COPIES (Copies The Way You Want Them!• Same Size or Reduced • Colored Papers• 1 or 2 Sided • Card Stocks• Collated or Sorted • Fine Stationary• Plastic Spiral Binding • 8V7 x 11 or Legal SizeFast, sharp, economical copies ... from anything hand¬written, typed, or printed . . . size-tor-size, or in anyreduction ratio ... on your choice of colored or white' bond paper!XEROX® COPYINGpt’copy■■ xM mSm 20# White BondHARPER COURT COPY CENTER5210 S. HARPER288-2233 Plus COMPLETECOMMERCIALOFFSETPRINTINGSERVICE12—FRIDAY, MAY 28, 1982-THE GREY CITY JOURNALBy Linda BrotmanIn April of this year, The Art Institute ofChicago opened its doors to a new Depart¬ment of Photography, featuring innovativegalleries and facilities for the display andstorage of photographs. To celebrate theopening, a special exhibit A History of Pho¬tography from Chicago Collections is onview in the new galleries til June 6th. On dis¬play are over 200 photographs from out¬standing public and private collections inthe Chicago area.By constructing a principal gallery to ex¬hibit only photographs, The Art Institutebreaks with traditions. Isolating that onemedium for serious study gives greater at¬tention to many of America's most skilledand respected photographers, as well asthose who are seldom seen and not familiarnames. The purpose of the exhibition, then,is to construct an environment by which thesignificance of the photograph as an aes¬thetic medium can be more fully grasped.in spite of the large number of prints onview, it is not difficult to form impressionsof individual works or styles. What firststrikes you is the broad range of interestsand enthusiasm of photographer who ob¬served and documented life. As you walkaround the main gallery, you'll notice theapproach is historical. Different techniquesand periods are clearly identified to aid theviewing.Of the early work in photography, muchhas been lost or destroyed. Yet, there areseveral significant examples in the exhibit— old silver prints, and some first gum andsalt prints, alongside bitumen prints. Theseearly daguerreotypes depict highly detailedimages and are strikingly simple in compo¬sition. Moving along the permanent wall,scenes from the Civil War add an interestingpsychological phenomenon. Suddenly, youbecome a witness to past events and forgot¬ten memories through photographic viewsof the war.A stark contrast to these prints, are thestudies of panorama landscapes, of the frontier. With the acceptance of the photogra¬phic medium, the camera was used to docu¬ment the land, and later, American life andits cultural heroes. One will notice thatmuch of the exhibit is given to portraiture —but fine examples of genre scenes and architectural views are included. Certain details,almost overlooked in drawing or painting ofthese times, take on greater significance. Aseries of Stieglitz studies of O'Keefe, Holywood portraits of Garbo, and Weston'slandscapes leave you profoundly moved.Their artistic value can be appreciated intheir perfection of execution as well as de¬sign.Leaving the principal gallery, one wall iscovered with technically difficult and exper¬imental photographs. One finds, for examp¬le, Man Ray and Moholy-Nagy who pion¬eered exploration of the optical andchemical properties of the medium. Need¬less to say, the quality of these prints is outstanding. But what is creative, is the photog¬raphers' problem of treating detail andoptical effects under certain precise cir¬cumstances. What lies behind mere surfacedifferences, in the end, is the unique relationbetween subject and photographer.One of the smaller galleries introduce newdirections and properties of the medium,especially the color poloroid prints and fan¬tastic images. Their artistic value seems tobe due to painterly qualities inherent in thenew work. I found, for example, a colorprint by David Hockney to be visually ar¬resting and exciting.The Curator of Photography, DavidTravis boasts that with their new facilities,"the Department will be the first in the Unit¬ed States to be able to properly exhibit,store, and conserve both color and bfackand white photographs." Of particular interest is the design of the principal gallery;a grid system located in the ceiling makesthe cloth wall panels and track lighting systern moveable. This construction allows fora high degree of flexibility in mounting anddisplaying each installation. As well, eachgallery flanking the principal gallery is designed of a differing sizes so that severaltypes of installations can be accommodatedsimultaneously.Taking into consideration all the types ofphotographic materials and processes onexhibit — from contemporary materials,primarily colour polaroid prints, to the daguerreotypes of the 1840's and 1850's — a sophisticated lighting system is designed for Laughlin. A Vision of Dead Desire, 1943 C.D. Arnold. Manufacturer's Building, 1892proper illumination. This means that thelight level can be controlled or dimmed toavoid fading and deterioration of photo¬graphs on display.In order to ensure proper storage of thecollection two special vaults were built; onedesigned for the special conditions of black-and-white, another for the perishable colourprints. These environmentally controlledstorage systems, I learned," are a unique method of preserving prints against pollu¬tants, light, heat, etc. which destroy the brilliance particularly of colour prints.Certain colour prints, which are called Cprints, have to be refrigerated or they willdeteriorate. At present colour photographsare processed on materials which are notarchival. And until another kind of processcan be perfected and made practical, theseprints can not be stored except under refri¬ geration. For these colour photographs asmaller vault inside the conservation areaallows colour prints to be preserved at atemperature of O F.Overall, this exhibition is intelligently arranged so that it might be of interest to thenovice as well as the professional photographer. These images are remarkablystraightforward, and penetratingly simpleThis installation should not be missed.ART INSTITUTE: PHOTOGRAPHIC WINGSEdward Weston. Oceano, 1936 1.THE GREY CITY JOU R N AL —F R I DAY. MAY 28, 1982—13Patrick Bakman, stage director of Fridayand Saturday nights' University Symphonyand Lyric Opera Center for American Ar¬tists performances of Stravinsky's comicopera Mavra, made his professional debutin 1972 when he staged Carlisle Floyd's Su¬sannah for the New York City Opera. Re¬cent directorial assignments include DieMeistersinger for the Houston Grand Operaand La Traviata for the Santa Fe Opera. In1976, Mr. Bakman staged New York CityOpera's The Ballad of Baby Doe for a PBS"Live From Lincoln Center" telecast.Mr. Bakman took time from the last-min¬ute flurry of rehearsals at Mandel Hall re¬cently to talk with Denise Boneau about hiscareer and about Mavra.DB How did you become interested in operadirection?PB It was almost a semi accident. My realinterest was musical theatre and I wasdoing my graduate work at Columbia Uni¬versity. It was the policy of Columbia tofarm the directors out to a professionalproduction midway through our second yearthrough our third year. I was to have beenan assistant on a new musical on Broadwayand decided it was going to be a disaster,which it was. Many of the faculty haveworked for Frank Corsarc at the New YorkCity Opera and they suggested that I workfor Frank, or assist him with production.Frank Corsaro wanted to appraise mydirecting ability so he gave me people fromCity Opera to do scenes with. He recom¬mended that l think seriously of going intoopera direction, so for my last year of graduate study he served as my adviser.DB Obviously music is one of the mainforces in opera. What sorts of things does anopera director have to deal with that atheatre director doesn't?PB Music is the main thing. I think youhave to be able to read music or at least besympathetic to rhythm. But basically therhythm of opera is no different from therhythm of a written play. A playwright doeswrite rhythm in his spoken dialogue so a INTERVIEW ON STRAVINSKY'S MAVRAdirector of straight theatre is always deal¬ing with rhythm, and opera is actually sungrhythm. The difference is just a sympathyand ability to read music and ability to pro¬vide action through the musical interludes. Ithink the main job of a director is to contin¬ue the life of the characters, not only whenthey're singing but when they're not singingalso.DB When did you first encounter Mavra?PB It was offered to me in November. I hadnever heard of Stravinsky's Mavra. TheChicago Lyric asked me whether I would beinterested in directing it and I said, "Let mestudy the piece. I don't know it; I can't say Ican't do it." In studying it I found it to bejust fascinating — to imagine how I could doit. I found it a real challenge, and not aneasy piece.DB Stravinsky began his Neo classicalperiod with "Mavra," in which he pareddown textures and simplified his music tosome extent. Have you attempted to reflectthis simpler style in your production?PB It's a madcap world. I wouldn't exactlycall it Neo classic staging. I think whenStravinsky got into Oedipus Rex and someof the more ritualistic pieces, even Rossig-not, there was more or less what can be con¬sidered Neoidassic staging. Because thispiece is called an opera buffa, it's alreadysuggesting something more traditional. InMavra, there are moments of ritual, which Ithink is where Stravinsky was going withthe Neo-classicism. I've given a ritualisticquality to the overture and certain sections.But I don't think Stravinsky had completelydefined Neo classic staging at the time.DB "Mavra" really does have very littledramatic action. What are you doing tomake it interesting to watch as well as tohear?PB That's the main question. There is no in- OJa■o3§5Set from Mavraherent action written into the piece. I thinkone has to give it some activity. I set up amadcap world, a household trying to func¬tion and not doing a particularly good job atit. The activity I've set up is the daily rou¬tine of this household and how everythingfalls apart. I think it has to be a madcapworld in order to allow the boyfriend todress up as a maid and be accepted by themother. That already tells you somethingabout this mother and what type of a world she lives in, and so in some respects the setis to reflect her. It's the inside of her mind, akind of Alice in Wonderland world. Becauseof the lack of action, certain arias andscenes need some focus. So, for example,I've created a doll, an effigy of the deceasedmaid for them to praise. The doll is not inthe score but it gives the characters focusfor that aria.DB What do you consider the point of thisopera?SOMMAJUMDARIN CONCERTon the Sitarwith Tabla and TambooraFRIDAY, JUNE 4 - 8:00 P.M.International HouseAuditorium1414 E. 59th Street- ADMISSION -STUDENTS: $2.00 GENERAL: $4.00 DR. M.R. MASLOVOptometrist• Eye Examinations• FashionEyewear• All Types ofContact Lenses*Ask about our annualservice agreementLOCATED IN THEHYDE PARKSHOPPING CENTER1510 E. 55th 363-6100r 3000 MAGAZINESGREETING CARDS_CIGARETTES/CANDYHOT VIDEO GAMESPOSTERS/BUTTONSthe best magazine storessince 196551st & LAKE PARK main officeRANDOLPH & MICHIGANCLARK & DIVERSEYBROADWAY & DEVONmost open to 12pm6*4-5100 ROBERT M. KATZMANomorleto: Does the End of theTerm meanthe Endof yourInsuranceProtection?Time’s ShortTerm Hospital planprovides fast low cost’’interim” coverage. Ifyou’re in between jobs.Recently graduated ordischarged from service.It offers a choice of 60,90, 120, or 180 day pro¬tection. Comprehensivecoverage. Low rates.And the policy can beissued on the spot. Thatquick. Of course, there’sno coverage for pre¬existing conditions.Let me tell you thedetails of this quickcoverage plan.Lord & Rogers Insurance Agency4747 West Peterson Avenue Suite 400Chicago, Illinois 60646 2X2-69(0)k}14—FRIDAY, MAY 28, 1982—THE GREY CITY JOURNALPB How would you define point?DB Does "Mavra” teach us anything or is itjust entertainment?PB I think it's entertainment. Everythingteaches us something, but I think the primary value of anything in theatre is entertainment. The piece should be entertainingor charming, a glimpse at another life.Mavra is just sharing some time with a fewrather strange people, stereotypes of several kinds of people. A comparison would beLandford Wilson's pieces, particularly HotL Baltimore, or The Fifth of July. It's an in¬credibly strange collection of people that fittogether as a whole.DB How will the experience with"Mavra,"and how does experience withsmall operas help you overall in directionalwork? Does it provide insight for largerworks?PB A shorter work is actually more diffi¬cult. A one-act opera is more difficult than afull-length one. I did three one acts last summer on one program and I found them to befar harder than doing a full three act operabecause the detailing is far more involved.Points are made very quickly. It's like ashort story. You only make a point once soyou have to make it cleanly and clearly. Itforces one to really be very specific and thatis helpful. Most pieces have a built-in storyand a certain amount of business has to beachieved. Mavra has been fascinating be¬cause there's no inherent activity and it hasrequired total creativity among all the peo¬ple involved in the production. It is fascinating to work on something that has to be com¬pletely imaginative from beginning to endand that is basically why I wanted to do thepiece, to see what I could do with it.DB Has your experience with other, largeroperas helped you in directing "Mavra?"PB Each opera one directs is a totally different experience. Each one builds into thenext and you learn and you refine technique.Every time one directs one grows. I've simply enjoyed working on the piece. What ef¬fect this experience will have in my future work is hard to say, and I can't say specific¬ally how any previous experience has affect¬ed Mavra. I'm tired of doing the traditionalworks, so it's been a nice break for me.DB What are you working on next?PB I'm preparing a new production of Rigo-letto, and a new production of Madame But¬terfly. They're going to be very untradition-al, very theatrical. The casts are young so Ican concentrate with them on acting.DB Will this also be with the Lyric OperaCenter?PB No, one will be in Colorado, the other inup state New York. £DB Do you plan to do any other short £operas? £PB It depends if they're offered. You never n>know. One-acts are hard to sell to the public. |People aren't used to coming to an eveningof one-acts. They're looking for a full evening. Short operas are not done too often because they're too hard to sell.DB What are you aiming for in the future?PB I hope when I'm 65, 70, I'm still directing. I enjoy discovering new material, andworking with actors and singers to discoverthe characters they're portraying and thecharacter relationships. It is the enjoymentof entertaining an audience, of taking an artform that too often is considered archaic ordead, and making it live. I'm hoping to de¬velop and show the possibilities particularlyof the acting in opera and musical theatre.My real interest is in contemporary opera,contemporary musical theatre. The artform right now is in a bit of trouble, even themusicals are having trouble right now, be¬cause the subject matter is becoming diffi¬cult to define. Why musicalize something? Ithink the goal of musical theatre is to ex¬press passion and emotion which is why youuse music. I think the art form is not in trutharchaic. I think it is going through a transi¬tion right now and we are in desperate needof new material, a new path. I am workingwith composers and writers on new musicaltheatre pieces. That's what my real interestis and my hope is to find that new path.marian realty,inc.rnLHREALTORStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 S. Cornell684-5400 Dr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E.53rd St.493-8372Intelligent people know thedifference between advertisedcheap glasses or contact lensesand competent professionalservice with quality material.Beware of bait advertisingEye ExaminationsFashion Eye WearContact Lenses1982 GRADUATESPub Night: Friday, June 4th. (tenth week)Starting at the Pub, 7 P.M.Free Hangover Brunch: Saturday, June Sthw/bubbling refreshment avail, for purchase.Ida Noyes Hall, NoonSenior Dance: Wednesday, June 9th S/S Clipper,Navy Pier: Tickets on saleonly until June 1st, at ReynoldsClub Box Office and HutchCourt on Sunday, May 30th.Transportation is available.1—senior week committee—1 PROFILE: LIBBY FINDS A JOBHere she is, already primming herself forher new job in Chicago's Loop, Elizabeth("Libby") Morse, known around campus usMs. Art-to Live With (anq sometimes justas "Art") whose professional career hastaken her from a regal career as ProgramDirector at the Student Activities Office to aposh, new assignment as an investigativeresearcher for a Chicago Agency. Libby isof course also known as a theater directorand friend of both the left and the right oncampus, where she has served frequentlyand honorably. How does she feel about hernew career? "Well, primarily it has createda whole new wardrobe Droblem for me. AndI'll miss that wonderful close contact withthe student body." How much of the studentbody? "No comment." Does she expect hersocial life to diminish? "Well, I'm not throwing away my rolodex, if that's what youmean." What activity does Ms. Morse re¬gret not having sponsored? "I've alwayswanted to produce a play of my memoirs,"Life in the Reversible Bus Lane: Memoirsof a High-Powered Neurotic", but it was justtoo tough to get the lead. And then there was that support group for androgynous students which I thought was a swell idea, butIrene Conley put a stop to that one".Asked about the changes her new, highstress will have on her personal life, Ms.Morse was reticent. "Let's just say I'mlooking forward to dating men who aren't inschool, if you receive my meaning. There'sa whole other kind of guy I'm looking fornow." How has Ms. Morse managed tobridge differences between such diversegroups and interests in her carrer as Program Director. "Do you mean politics?Well, my attitude has always been thatwhatever you do, what ever extreme ideology you may embrace, do it with a littleelan, a little style. Wasn't it Emma Goldman who said, 'If there's not going to be anydancing at the revolution, I don't want todirect it'. Something like that."Any last sentiments? "Not really. I'd justlike to thank all the good people at the U. ofC. who helped me. Without them it wouldhave been just impossible, and much lessentertaining than it almost always was."STUDY 24 HOURS!Harper Library will be open from 8:30 amThursday, June 3, until 5 pm Friday, June 4.Twenty-four hour operation will resume Satur¬day, June 5, at noon, and continue throughoutMonday until midnight.One bus will be running each of the routes al¬ternately every half hour, beginning at 1:30am on the nights given.In addition, the Coffee Shop will be open.Funded by SGFC, the Dean of the College, and the Dean of Students inthe UniversityHARPER LIBRAR YTHE GREY CITY JOU R N AL—F R I DAY, MAY 28, 1982—15SUMMER READS AND DONT-READSThe Grey City Journal asked a number ofpeople to tell us what they planned on read¬ing this summer, what they would recom¬mend others read this summer, and whatthey consider the most overrated book theyhave read. The following is a list of some oftheir answers.Libby Morse, departing Program Direc¬tor of the Student Activities Office.I'm planning to finish the second half ofSwann's Way — it took me all of last sum¬mer to get half-way through it. I stoppedwhen the weather got cold — Somehow theambience wasn't right. I figure it will takeme all of this summer to finish it, whichmeans that I should have Remembrance ofThings Past read by 1996. There's some¬thing comforting about long term goals.I hope I get a chance to read some moreshort stories by Updike, and to get better ac¬quainted with Auden's poetry. I also want toread Janet Malcolm's The Impossible Profession."I recommend two books by Roger Shattuck: The Banquet Years and The Forbidden Experiment, which is about the wildchild of Francine. Rabbit is Rich is also terrific. Finally, for really humid weather,Waugh's Brideshead Revisited.The most overrated book: Either Ragtimeor Looking For Mr. Goodbar.Hanna Gray, President, University of Chi¬cagoI haven't decided what I'm going to readthis summer, I've been so busy in otherways. I know that I'm going to I will certainly read a Dickens novel. I think that it istime for me to reread Portrait of A Lady.and I know I am going to reread Middle-March. That's as far as I have come on mysummer reading list. What should peopleread this summer? Oh Goodness. Goodbooks! Have you read that book by WilliamBarrett called The Truants? It's about thePartisan Review crowd. I found it terriblyinteresting. As far as the most over-ratedbook I've read, that's a tough question. Ihate to say this, but I think Carmel Neu¬man's The Idea of the University is overrated. It keeps being referred to and I wonderhow many people really read it. I think it'sastonishingly disappointing.Sarah Robinson, Manager, The Medici, An¬thropology Grad studentYou really want to know? Its (under) de¬velopment theory. I'll start with Taylor, De velopment and Underdevelopment in Economic Theory — a Marxist critique ofunderdevelopment theory. I took a good lookat it a year ago — it seems like five yearsago — but it was just last year.Toothers I recommend Dashial Hammet,especially to anthropologists. He wrote TheMaltese Falcon after spending a year in theAleutians. That's like spending a year at theU. of C.Laura Cottingham, Grey City editor 1980 81(now in New York)I'm reading all the old feminism I missed:Lesbian Nation, Kathy Barry's Female Sexual Slavery, and I'm reading ChristinaStead for the hell of it. I can't seem to readanything but feminism lately. I'm also writing a novel that's only about sex.To other people I recommend AndreaDworkin, Andrea Dworkin, Andrea Dworkin.Fred Burich, University of Chicago PressI'm planning to read In the Time of Stalin,a book (due out soon) of revelations aboutthe millions put to death by Uncle Joe. Also,having read the first volume of Cannetti'sautobiography, I'm really anxious for thesecond one, The Torch in the Ear. I'm a Can-etti fan. I recommend all his stuff. Auto-De-Fe is a must. I like him because he is an in¬tellectual not associated with academia.Those types were never in this country.There is too much of a premium on publish¬ing to produce those kind of people who willwait until they have something to say. Its re¬ally a Central European Jewish phenomenon.Lonnie Stonitsch, student, MAB memberI'm getting my east coast reading to¬gether now: a lot of cookbooks — not just tofind recipes, but because they're interestingto read, The Meaning of Modern Art by Kar-sten Harries, Heart of Darkness by Conrad,and the screenplay to Last Year at Marienbad by Robbe Grillet.I recommend people read the New Musical Express — every week.Len Klekner, Assistant Director, The Ren¬aissance SocietyThere are times, as we all know, when thereality can be decidedly stranger than thefiction (I hope this doesn't mean you won'tever ask me again). In point of fact, there isonly one piece of fiction on the list — Endo'sSilence. Reality weighs in with Calvin's Institutes and Schleiermacher's Glaubenslehre. Troeltsch, Augustine, Rahner, and the early Tillich also figure prominently.Given the recently published catalogue raisonne and a spate of new or newly reissuedmonographs this isn't a bad time for anotherlook at Arshile Gorky. And this fall's retro¬spective of the drawings of Eva Hesse hereon campus, suggests a little Lucy Lippard.Jack Celia, Manager, Seminary Coop Bookstore.1 plan to read the books which are sittingby my bedside: Coetzee's Waiting for Barbarians, Davis and Hersh's MathematicalExperience, Bellow's new book, The Dean'sDecember, and a biography of Alice James,by Jean Strouse.To others, I recommend Doris Lessing'sfive books in the Children of Violence series— any one or all of those.James Redfield, Prof. Comm. SocialThought, Classics, Genl. Studies in Humani¬ties, and the College.The most overrated book that anyone hasput into my hands in the past year is JulianJaynes book, The Origin of Consciousness inthe Breakdown of the Bicameral Mind.Right now, I'm reading Peter Brown'sbook, The Cult of the Saints, which I can recommend to anybody.Arturo Perez-Reyes, student, Committee onSocial ThoughtThree books I will read — not that I willhave time to read much due to Greekbeyond my control, but if I were perchanceto dream of leisure and life beyond the ironrule of necessity, I would read in the following three subjects and works. On the role ofpride and the need for self-esteem as thepreeminent motives of human beings, Iwould read Mandeville's Fable of the Beesand/or Adam Smith's Moral Philosophy and Theory of Human Sentiments. For fun Iwould return to read Jack London's northland tales. These tales have received littlecritical attention, and this is a great shame.London is a powerful writer with high philosophic ambitions. Like Melville he is concerned with analyzing the dread inspiringencounter of beings with the nihilizing whiteindifference of the boundary conditionsbeyond the sheltered conventions and har¬bors at the center of the Achillean shield.My on going research into the question ofaggression would lead me to finish EricFromm's Anatomy of Human Destructiveness and/or V.O. Wilson's Human Nature orSociobiology. . .As for books I recommend, since piety andCreationism seem to be gaining around, Irecommend that people read Mark Twain'sLetters from the Earth. It is the funniestwriting I know and is short. Twain so ripsthe lungs out of the tale of Genesis that hebarred the works publication till the year2,000 in his will. For broadening one's perspective on how far we have come and howbad it can really be, read J. Huizinga's Waning of the Middle Ages. Note this book isabout the high middle ages, just imagine thedark ages. Those interested in readingabout the true limits of human fortitude,courage, and greatness are heartily recommended to read Alan Lansing's biography ofthe Shackleton expedition Endurance.The most overrated book? Without adoubt the most over rated book in the worldis James Joyce's Ulysses. The title indicatesthat it aims at nothing but belittling literature and all elevations and excellences ofthe human spirit. It represents about two decades of masturbation and the product is fitonly for throwing to the "feceatorum" ofPh.D critical studies. Had he had anythingmore than passing poetic talents it mighthave worked. It's just as we 11 it didn't.Daniel Leifer, Rabbi, Hillel FoundationFirst, I'm planning on reading Heracli-tean Fire by Erwin Chargaf. He's a profes¬sor emeritus at Columbia in chemistry, andthe subtitle of his book is Sketches from aLife Before Nature.This is an autobiographical book with a spiritual dimension to it,written by a scientist who looks back on hislife in science and his search for a largermeaning in his life. Also, The Art of BiblicalNarrative by Robert Alter, a Berkeley professor who is interested in the literary structure of Biblical narrative. (I'm also lookingforward to reading-this literary critics collection of essays, Defenses of the Imagination.) Third, I hope to read Walter Benja¬min: The Story of a Friendship by GershonScholem, which is about the friendship between Scholem, a key twentieth centurythinker on Jewish mysticism, and BerholtBrecht. This is the correspondence of theiracquaintance between the two World Wars.As for recommending books for other, Ithought about this and decided it would bepresumptuous of me to recommend a bookto someone without knowing the person.How could I recommend a book to someonewithout knowing his or her interests ortastes?Vincent Katz, Student.This is what I'm going to read. S/Z, by Roland Barthes, and A Method to DetermineCentromere Linkage for Fungicide resistance Mutations in Ustilago violacea, byCharles Eng. Then, I'm also going to readSeries Minor, a collection from the journalJanua Linguarum, and some otherthings...What I think other people should read isPep, and Archie's, Pals n' Gals, Reggie'sWise Guy Jokes Betty and Me — you know,the comic books. And Racine's Phaedra,and other plays.The most overrated book is definitely Chi¬cago's Famous Buildings, edited by ArthurSiegel, descriptive text by J. Carson Webster.Paul Ausick, Assistant Dean.I plan to read Wallace Stegner's CollectedEssays, V.S. Pritchett's Collected Stories,Anne Tyler's Dinner at the Homeside Res¬taurant, and Bill Granger's No Time forFrankie Coolin.I'd say that the most overrated book isThe World According to Garp, by John Irv¬ing.16—FRIDAY, MAY 28, 1982—THE GREY CITY JOURNALNews_, . ? _ ' r IW l WO L) I VVILLIM/Vl /V(UUUCThis year s Quantrell Award winners: (I. to r.) Edward Garber, professor of biolo¬gy; Robert Richards, assistant professor of the history of science; and Robert Fef-ferman, associate professor of mathematics. Missing: Janel Mueller, professor ofEnglish language and literature. rQuantrell award winnersContinued from page onereceived a PhD., his second, in the history ofscience from the University in the followingyear. He had also received a doctorate in1971 from St. Louis University. He is cur¬rently the undegraduate program directorfor the History, Philosophy, and Social Stu¬dies of Science and Medicine.Richards is an editor of Persistent Prob¬lems in Evolutionary Theory, to be pub¬ lished by the University of Chicago Press.Richards teaches the first and thinquarters of the Science, Culture, and Societyin Western Civilization sequence. In addi¬tion, this year he taught Foundations ofModern Psychology; Wundt and James, andFrom Social Darwinism to Sociobiology.Richards will be on leave of absence nextyear. He will be at Harvard University.Sexual harassment surveyContinued from page oneMany felt that an additional clause shouldbe added to the policy, providing for actionagainst students found to have made un¬questionably false charges. Alternativesranged from requirement of written apologyto expulsion.Twelve percent of the 68 female studentswho responded to the survey said that theyhad actually been sexually harassed, mostby faculty, and some by staff and teachingassistants.McCoy cited several main points of pref¬erence in devising a specific policy for in¬vestigation of sexual harassment based onher survey and research of other schools'policies.The student and the accused should re- cieve a formal notification of the charge andthe investigation procedure. 90 percent ofstudents and 88 percent of the facultyagreed with this. If either the student or theaccussed requests it, some sort of facultyand student panel should consider the mat¬ter.The University’s definition of sexualharassment should be clearer, some stu¬dents believed. They said it should outlinepoints used to determine whether a behavioris sexually harass and provide examples ofsuch behavior. Finally, the Universityshould send copies of its complete sexualharassment policy, with names and ad¬dresses of those who should be contactedwith complaints, to all students in the Col¬lege.Six sexual harassment policy alternativesA One University official is designated in the College and in each Professional Schooland Graduate Division to investigate formal complaints of sexual harassment of stu¬dents in that academic unit. That official is responsible for investigating and resolvingthe matter. If for some reason a student does not want to contact the designated officials,a higher-level official is designated whom s/he can contact. This official may then con¬duct the formal investigation, or may choose to refer the complaint back to the officialoriginally designed to investigate the complaint.Students — 2.2% Faculty 11.4%B One University official is designated in the College and in each School and Divisionto investigate formal complaints of sexual harassment in that academic unit. That offi¬cial is responsible for investigating and resolving the matter. If either party (complaintor alleged harasser) is not satisfied with the resolutions, s/he may appeal to a higher-level official in the University. If either party finds the resolution proposed by the secondofficial unsatisfactory, s/he may appeal to the President of the University, who makes afinal decision on behalf of the University.Students 5.4% Faculty 22.9%C A Sexual Harassment Hearing Board is established in the College and in eachSchool and Division. Each board is composed of students, faculty, and administratorsfrom the College, School, or Division. There are one or more additional representativesfrom the same area of the University as the alleged harasser, if s/he is from a differentarea than the student (for example, a Law School professor allegedly harassing a collegestudent). This Board investigates formal complaints of sexual harassment of students inthe particular academic unit, and suggests appropriate steps for resolution of the matterto designated University officials.Students 15.1% Faculty 5.7%D Several officials are designated In the University Community who can receive for¬mal complaints of sexual harassment from students. The student contacts the officialwith whom s/he feels most comfortable. That official is then responsible for investigat-,ng and raving the matter^ FacuJ(y g 6%E Same procedures as d, above, except that provisions are made for an appeal byeither party to a higher-level University official. If either party finds the resolution pro¬posed by the second official unsatisfactory, s/he may then appeal to the President of theUniversity, who makes a final decision on behalf of the UniversityStudents 34.4% Faculty 37.1%F A Sexual Harassment Hearing Board is appointed which hears formal complaints ofsexual harassment in the University Community. The Board is composed of students,faculty, administrators and staff from the University at large, and includes one or moreadditional representatives from the same area of the University as the alleged harasser.The Board investigates each complaint and suggests appropriate steps for its resolutionto designated University officials.Students 35.5% Faculty 11.4% V Contacts for Sale!What Is A Bargain?The 4 questions most frequently asked about contact lenses are:1. 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Wearing Instructions and Carrying Case)OUR PROMISE TO YOU:It you arent pleased with your lenses after 60 days cost of the lenses will be re¬funded All contact lens fittinq done by our Contact Lens Specialists.Dr S C Fostiak and Dr John S SchusterWe can replace your lost or broken lenses in 4 hours or less!IF YOU WANT THE BEST COME TO THE BEST•CONTACT LENSES UNLIMITED1724 Sherman Ave.. Evanston, IL 60201 2566 N. Clark St., Chicago. IL 6rt''14(above County Seat)864-4441 880-5400The Chicago Maroon —Friday, May 28, i982—25SportsWomen’s coaches eagerto take on new conferenceBy A. MurphyYou can’t draw a picture of one. Youcan't dress up as one for the purpose ofleading cheers at athletic events. You canfind it in the dictionary, but it is followedby the decidedly unsatisfying definition,“a variable color averaging dark red.” Itsmost serious drawback is that you can’texplain why it was decreed to be the offi¬cial University of Chicago nickname. Thequestion boils down to this: if we’re sosmart, why do we spell Maroon with a cap¬ital “M”?This institution generally has no short¬age of theories, but there has been little in¬quiry into the origins of the Maroon. Fromthe History Department comes the feeblesuggestion that we are named after a co¬lony of runaway slaves in 17th centuryGuiana. The psychologists around campusmight argue that we are the Maroons be¬cause our egos refuse to permit a certaineastern school to have the only footballteam named after a shade of red.Leaving the proper noun aside for thetime being, perhaps we should ask whyMaroon became the official Universityhue. The original school color was yellow.The ChicagoMaroonSoftball &barbequeAll Maroon and Grey City staff membersare reminded to turn out for this Monday’sbarbeque on the Midway, to be followed byour resounding defeat of the Student Gov¬ernment (SG) in softball. Festivities willbegin at 1:00 pm Monday on the Midway.All staff members who miss the game willbe required to stay around this summer towork on summer quarter Maroons. ostensibly because golden-rod flourishedin Hyde Park back in 1892. Yellow apperedto be a good choice since it lent itself tosuch catchy football cheers as “Yell-ow!Y'ell-ow! Yell-ow! Chica-go!" As an aside,this cheer was created and submitted tocoach Amos Alonzo Stagg by a UniversityTrustee.As early as 1894, however, the color yel¬low proved to be a lemon. Stagg com¬plained that “the yellow ran, soiled easilyand had a regrettable symbolism, whichour opponents might not be above com¬menting upon.” As the taunts and laundryproblems mounted, a committee wasformed to choose a new school color.Maroon was chosen only after weeks ofdeliberation. Rival schools were consultedto insure that none were planning to outfittheir teams in the same color. The color'ssuitability for songs and decorations wasconsidered. With no heed to the fact thatfew words rhyme with “maroon,” thestudy body unanimously approved thechoice at a convocation held on May 26,1894. It was a lucky outcome for the base¬ball team, which had already purchasednew maroon stockings.With maroon as the new school color, ofcourse, there was still no reason why UClearns couldn’t be called the "Bobcats” or"Vikings.” Why did the students settle forthe "maroon Maroons”? Perhaps becausethey did not share our 20th century notionsof how to convey the warrior spirit. For ex¬ample, this rather benign cheer was a fa¬vorite at football games:Who's the fellerWho's the fellerZip-boom-hahRock-e-fellerHe’s the fellerRah! Rah! Rah!The cheer prompted a rival school’s news¬paper to accuse UC of flying the "StandardOil colors” and to dub us the "Rockefel-lerites.” So cheer up. Maroons. It couldhave been worse.< These "tainted” episodes in UC history-are detailed in Robin Lester's 1974 Ph D.thesis, The Rise, Decline and Fall of Inter¬collegiate Football at the University ofChicago and in More Than Lore: The Re¬miniscences of Marion Talbot.) The Association of Intercollegiate Athlet¬ics for Women has filed a lawsuit against theNational Collegiate Athletic Association,charging it with monopolistic incursion intowomen 's athletics. This is the last of a three-part series examining the lawsuit and theimpending transfer of UC’s women's athlet¬ic program to the NCAA.By Audrey LightThere is an element of uncertainty: "I re¬ally don’t know what to expect from thecompetition,” confessed basketball coachDiann Nestel. There is a certain amount ofrelief: "The competition should be more atour level,” stated volleyball coach RosieResch. And of course, there is confidence:"We should do extremely well within theconference,” predicted swim coach A1 Pell.The coaches' reactions run the gamut asthey prepare to lead their teams into theNCAA’s Midwest Athletic Conference forWomen, beginning with the next academicyear.Both Resch and softball coach Pat Kirbywill be glad to leave some of their Illinoisrivals behind. In recent years. Resch’stroops have faced the likes of Elmhurst Col¬lege, a team that played 40 matches enrouteto the 1981 state championship. The softballteam had three national qualifiers on thisseason’s schedule, including defending na¬tional champion Augustana College. "Thetrend in the Chicagoland area is for an ex¬tended season,” said Resch. "It is imposs¬ible for us to play as many games as our op¬ponents.” According to Kirby, the schools inthe MACW have academic philosophies sim¬ilar to UC’s and therefore restrict the lengthof their seasons.Both coaches will keep some currentrivals on their schedules, however. Themore distant opponents will be dropped tocompensate for the additional travelling re¬quired to compete against conferenceschools. Kirby hopes that "creative schedul¬ing” will keep the travel burden to a min¬imum.The MACW provides a mid-season confer¬ence championship tournament in both vol-leyall and softball. The volleyball team willnot vie for the conference championshipuntil next year, because UC will not be offi¬cially accepted into the conference until No¬vember. The team will have to apply for anat-large bid to enter the NCAA regionaltournament in 1982. Even the conferencechampion will advance to post-season playas an at-large entry until the MACW isgranted "automatic qualifer” status by theNCAA, said Resch.The NCAA’s regional volleyball tourna¬ment is not held until December, so athletesplaying both volleyball and basketball willface conflicts if the volleyball team emergesas a conference powerhouse. Nestel termsthis "a push toward the Division I philoso¬phy. . .where you can’t play volleyball andbasketball.” But Resch noted that — asidefrom the regional tournament — the NCAAfacilities participation in two sports by im¬posing a 16-date limit on the volleyball sea¬son. As a result, regular season play mightactually end earlier than in past years.In basketball, the conference champion isthe team with the best overall recordagainst conference opponents, so UC willplay each school at home and away. Thiswill significantly increase the team’s trav¬elling, according to Nestel. But since the schedule includes a number of weekendroad trips, Nestel predicted that teammembers might miss fewer classes than inthe past. In future years, said Nestel, themen’s and women’s basketball teams willoccasionally travel together to cut costs.Although Nestel has taken her team to theAIAW state tournament in each of her twoseasons at UC, she sees fewer opportunitiesfor post-season play in the NCAA. "To getan at large you ha.e to have some type of(national) exposure,” she said. "I would saychances at an at-large bid are veryslight.”The individual sports face fewer changesas a result of joining the MACW. Neither theswim team nor the track team is compelledto face the conference schools until the con¬ference championship meet at season’s end.These meets will be virtually identical to theAIAW state championship meets insofar asthey provide athletes with a chance to quali¬fy for the national meet.But belonging to the NCAA will have adramatic impact on the swim team, saidPell. Well the AIAW has included shortsprint events in its meets, the shortestNCAA event is 200 yards. UC swimmers areat a disadvantage in longer races becausethey train in a 20-vard pool, Pell stated. Hebelieves the change will be a challenge tothe swimmers, but added that "in the longrun, it will be better for them to get intowhat I call the more ‘swimming’ type ofevents.”Pell and track coach Linda Whitehead seea big plus in the AIAW's exit from women’sathletics. Talent will no longer be split be¬tween the NCAA’s and the AIAW's nationalchampionships, as it was this year in bothswimming and track. The dual champion¬ships "watered down the quality of the na¬tional meet this year — it completely splitthe field,” said Whitehead. She added thatthe two organizations supplemented theirchampionship fields by either lowering thequalifying standards or simply invitingteams to fill entry slots.Whitehead, who also coaches the fieldhockey team, said MACW membership willhave virtually no effect on that sport. Sincethere are only three other conferenceschools with field hockey teams, no champi¬onship will be held. All the conference teamswill have the opportunity to apply for at-large berths in the Nf AA national champi¬onship tournament.For the time being, the field hockey teamwill not even play the conference schoolsduring the regular season. "They wouldn'tcome here and 1 wouldn't go there, so we’renot playing,” said Whitehead, adding thatshe hopes to schedule them in the future.Whitehead has scheduled tougher opponentsto enhance the team’s chance of gaining anat-large berth in the national champion¬ships, but otherwise the season is un¬changed.UC’s athletic program for women has pro¬spered under AIAW governance, so the fivecoaches are not without ambivalent feelingstoward joining the NCAA. However, they donot share the fears expressed by the AIAWleadership as it battles the NCAA in court.The AIAW has pledged to protect women’sathletics from what it perceives as a monop¬olistic, male-dominated organization. If theNCAA does have evil intentions, UC’scoaches remain unintimidated — they areunanimously optimistic about the future ofthe women’s athletic program.Tuesday, 7:30 p.m. • Ida Noyes HallSTUDENT GOVERNMENT MEETINGIt is imperative that all attend. Temporary reps will be elected.26—The Chicago Maroon—Friday, May 28, 1982SportsDudley, Jamicans prevailBy Bob LaBelleFor the second time in as many socimplayoff games, Soohyun Chin led JamaicanBCFC to victory. Chin scored Jamaican’sonly two goals in the all-University champi¬onship to lead his team past Psi Upsilon,2-1.This year’s all-University championshipfeatured two very different soccer styles.Jamaican BCFC clearly had more passingand trapping ability than Psi U. Noneth¬eless, Psi U was far quicker and probablyhad better shooters, particularly in EricKuby. In the -early stages of the game, thedifferent styles were very evident. Jamai¬can dominated in possession time through¬out the first half, yet got very few shots.Meanwhile, Psi U got some good opportuni¬ties because of its speed and breakaways.The half, however, ended with no score.In the second half, very little changed ex¬cept that Jamiacan BCFC took a few moreshots. Both teams seemed practically life¬less at the start of the half. Suddenly, withabout 10 minutes left in the game, bothteams inexplicably started hustling. WhenAxinn in lastrace for UCBy Carl StockingMike Axinn will culminate his remarkablerunning career at the University of Chicagowhen he competes in the Division III nation¬als held at North Central College in Naper¬ville, Illinois this weekend. Axinn is enteredin both the 1500 meter and 5000 meter runs.Preliminaries were held yesterday and — ifall went as expected — Axinn will see actionin the finals tomorrow. It’s most unfortu¬nate that this marks the last issue of theMaroon for this year, because there wouldsurely be an opportunity to report glowinglyon Mike’s races.His career here has been spectacular. Thelitany of his accomplishments is expansive,but several are especially noteworthy. In1980, he ranked as the youngest qualifier inthe marathon at the U.S. Olympic time-trials. In 1981, he represented the UnitedStates at the Maccabce Games in Israel. Hewas a three time winner of the Midwest IIICross Country Championship and finishedsecond in the Division III cross country na¬tionals in 1981 receiving All-Americanstatus for the second straight year. He twicereceived the Bond Medal as the leadingscorer of the varsity track team and, mostrecently, was awarded the Stagg Medal forthe best all-around record for athletics,scholarship and character. We’ll miss vou,Mike. the Jamiacan players hustle, though, theycombine it with a great deal of soccer talent.Point of fact: Pete Wendall of Jamaican leftthe Psi U defenders behind and crossed abeautiful pass to Chin. Monty Mullig, the PsiU goalie, had been drawn out and to theright of the goal and had no chance of stop¬ping Chin’s shot.Unlike in Psi U’s previous playoff vic¬tories, its opponent’s goal did not inspire anincreased effort. Instead, the score was re¬peated just minutes later. Chin trapped aloose ball in the penalty box with his back tothe goal. His turn-around rocket shot easilybeat Mullig.Jamaican’s 2-0 lead held up with no tro¬uble and the team left with the all-Universi¬ty title.The women’s all-University socim gamewas postponed because of a contested gamebetween Dudley and Upper Wallace. Wal¬lace won the game handily, 5-1, but had twoadvantages: two of Dudley’s best players —goalie Helen Straus and striker Tracy But¬ton — were missing, and Upper Wallaceused an illegal player. The second of theseadvantages gave Dudley an upheld protest.The rematch had far different results.Button and Liliana Dago of Dudley con¬trolled the ball well enough to take away anyWallace threat and to create considerablepressure on Wallace goalie DanielleBraucher. In fact, Wallace never seemed tohave the ball long enough to pressure theDudley defense. Dudley rolled to an easy 4-1victory.Dago scored on a loose oall for Dudley’sfirst goal. Less than a minute later, SandraLahti added a second goal. Button and MaryMarhardt each had a goal. In Wallace’s de¬fense, Braucher's excellent play preventedDudley from scoring much more often.Dudley now faces the Crown Rats for theundergraduate title. The Rats previouslydefeated Upper Wallace, but the game wasdiscounted when it was discovered thatUpper Wallace used an illegal playeragainst Dudley.G.W. OPTICIANS1519 E. 55thTel. 947 9335Eyes examined and Contact Lenses fitted byregistered Optometrists.Specialists in Qaafety Eyewear at ReasonablePricesLab on premises for fast service framesreplaced, lenses duplicated and pre¬scriptions filled 1M socim playoffs ended in the men’s division with Jamacian BCFC emerging asall-University champion.SOCIM TOP TENSWomen’s*1. Quel Bogue2. Dudley3. Crown Rats4. Upper Wallace5. SnellHonorable Mention: Three’s a Crowd.MeddlersMen’s Graduate*1. Jamaican BCFC2. Ilia Y La Lastima3. Achilles and the Heels4. Blue Star Vorwaets5. Orient ExpressHonorable Mention: Van der Waal’s Force.Monetary Approach* denotes all-University #1CHINESESUMMER COURSESIntensive beginning course and eveningcourses at the beginning and intermediatelevels will be offered this summer by ChengYang Borchert, Senior Lecturer in ChineseCourses run 10 weeks — June 21 throughAugust 27 Limit 12 students each classFor more information call493-6420Ugly DucklingRENT-A-CAR1608 E. 53rd Street$14.50 per day 200 Free MilesBetween IC Tracksand Cornell "21SWV Men’s Undergraduate1. Psi Upsilon2. Fallers3 KUUC4. Amalgamation5. Lower Flint6. Saudi Union7. Hitchcock ,‘A"8. Michelson “A”9. Fallers I10.HendersonHonorable Mention: Eats Hit, Dewey "A”,Dodd/Mead1982Graduates....Congratulations,best of health,and good luckfor the future.Thank you forthinking ofMarian Realtywhen renting.MARIAN REALTY5480 S. Cornell684-5400Jerrie Ann Will, Phd.announces the opening of heroffice for the practice ofChild, Adult, andFamily Psychologyat1360 East 48th StreetChicago, Illinois 60615 MEDICAL SCHOOL OPENINGSImmediate Openings Available in Foreign Medical SchoolFully AccreditedALSO AVAILABLE FOR DENTAL SCHOOLS• LOANS AVAILABLE • INTERVIEWS BEGINNING IMMEDIATELYFor further details and/or appointment callDr. Manley (716) 882-2803Notice to All Those Living With Art ....Shapiro paintings are due June 1! Late fees: 25e a day (includingweekends). Return them Monday through Friday, 9 am to 5 pm.Student Activities Office • Room 210 • Ida Noyes HallThe Chicago Maroon—-Friday, May 28, 1982—27The Community Classified AdsUC seeks to buy lotsIn an effort to provide low-cost facultyhousing, the University has asked localurban renewal officials to amend HydePark’s urban renewal plan last week.The University wants to build “low den¬sity staff/faculty housing” on two vacantlots on Dorchester Ave. and 57th St., and ona lot on the southwest corner of Stony IslandAve. and 57th St., according to JonathanKleinbard, UC vice-president for communi¬ty affairs.HYDE PARKTHE VERSAILLESIDEAL EOK STUDENTS324-0200• Large studios• Walk-in Kitchen• Utilities included• Furn. or unfurn.• Campus bus at doorBASED ON AVAILABILITY5254 S. Dorchester . Kleinbard asked the Hyde Park-KenwoodConservation Community Council(HPKCCC) to redesignate the vacant lotsfrom residential to institutional. Essential¬ly, this would prevent anyone except theUniversity from purchasing the land.If the amendment is made, the Universitywould construct new housing units, proba¬bly townhouses, for faculty at lower thanmarket rates. Kleinbard said that new fac¬ulty cannot afford current Hyde Park hous¬ing because the community’s revitalizationhas driven prices up.“Looking to the future, this is the last op¬tion for faculty/staff housing,” Kleinbardtold the Maroon. The vacant lots are a “keyarea, a core area,” he said.Kleinbard said that the University wouldhire an architect and present detailed draw¬ings to the HPKCCC before any constructionwould begin.The proposed amendment to the urbanrenewal plan will be discussed at the nextHPKCCC meeting. The HPKCCC, appointedby the mayor, has the power to recommendamendments to the urban renewal plan.At last week’s HPKCCC meeting, chair¬man Edwin Rothschild said that he was con¬cerned about an amendment “which givesthe University a monopoly on land.” '—AUGUST ANA LUTHERAN CHURCHSundays:8:30 am Sermon & Eucharist9:30 am Sunday School &Adult Education10:45 am Sermon & Eucharist6:00 pm Supper5500 South Woo diawnJ• Turtle Soup • Shrimp Bisque"^• J9||9.i9pn y apuajg sjaisAn • CLASSIFIED ADSClassified advertising in the Maroon costs $1.00per 45- character line. Special headings cost$1.50 per 25 characters. All classified advertising must be paid in advance. Advertisingdeadlines: 12 noon Wednesday for the Fridaypaper; 12 noon Friday for the Tuesday paper.Submit ads to Ida Noyes Hall, room 304, ormail them in (with payment) to The ChicagoMaroon, 1212 E. 59th St., Chicago IL 60637. Forinformation about display advertising, call 7533263. The Maroon is not responsible for goodsor services purchased through the classifiedadvertising section.SPACEStudio Apartment, Hild Realty Group 955-1200Looking for housing? Check InternationalHouse, for grad, students and for scholarsvisiting Chicago. 753-2270, 2280Student Government publishes a list ofavailable housing. Call 753-3273 or stop by theSG office, 3rd floor Ida Noyes.CONDO FOR SALE Va blk. from UCFieldhouse, 2 BR. Ig. bkyd. sun rm. sewing rm.mod kit Ray School 493 2869Nr. UC large 4 room apt tile bath shower britesunny front and rear porch avail now 288-0718Summer Sub June TAug 31 Lrg 1-bdrm 55th &Lake Shore Dr Pool-Sec Rent neg call 667 1084Cool and breezy 1-bedroom apt to sublet Allutilities incl. right on U.C. bus route. June 25 toSept. 25. S200 mo. 947 8036Dorchester & 50th fine restored condo aprtmn.quiet secured bid 7rm 2bath new kitchen hrdwdfir $750 heat included, 534-2379 eve wkndsFOR SUBLET Faculty apt., furnished, 2 BR,Ig & sunny. 6019 S. Ingleside, Avail. 6/15 to facor grad studs. $605 util incl Lv message 7533879 or 324 8034 (7-9 pm)Summer Sublet large 2 br apt avail 10 July 10Sept rent negotiable call 268 7244 8 10 am or 810 pm.75 Miles From Chicago11% Financing AvailableSAWYER Private beach rights comewith this immaculate 2 bdrm home in aprivate Home Owners Assoc, area.Spacious living rm with cozy fireplace, fullbsmt will make a great fam rm. 2 car gar;city water & sewer, quality constructionthroughout. $52,900THREE OAKS - Spacious alumn.sided older home. 4 bdrms + den, lovelyspacious cabinet kit., beamed ceiling famrm, form din rm. 2 baths. $39,500“HEY, LOOK ME OVER!” JUSTLISTED - Beautifully constructed andmaintained 5 year-old brick ranch. Oakfloors, ceramic bath, large country kitchenwith dining area and loads of cabinets.Full basement. Situated on approx. 1 acrewooded lot with lots of privacy Walk toWarren Dunes. $44,900COUNTRY HOME on 12 acres.Large living room, dining room, 4bedrooms, 2 baths. Family Roomoverlooks beautiful wooded ravine.Basement rec room has wet bar andwoodbuminq fireplace. Favorable financing to qualified buyer. $69,000HARBERT - New Listing. Just whatyou’ve been looking for and thoughtyou’d never find. Aluminum sided aircond. ranch, lge liv rm with stonefireplace, din rm, beamed ceilings, oversized closets, att. gar. City sewer, lgecovered patio for outdoor fun, all onlovely landscaped lot in exclusive area, 5min. to beach. Call today. $48,000A VIEW OF LAKE MICHIGANcomes with this lovely wooded lot. approx. 1% acres Would make 1 or 2beautiful building sites. City water andsewer. $26,500BEAUTIFULLY WOODED 3/4acre building lot within sight of LakeMichigan and beach. City water andsewer $9,500Leonard Real Estate616-469-1102 Summer sublet June Sept close to campusclean furnished 2BR kitchen Ivngrm sunporchinexp call Phil rml03 753-3751 anytime orJeremy 241-7092.5 bdrm hse 53rd & Kenwood for summer subletair cndtng barbecue. Call 324-6598, 493 9680 or241-5302 early morning or late night.2 room studio apartment, with good location,fully furnished, from mid June to 3rd wk. Sept.$220 + util. Call Arthur at 241-5941.SUMMER LEASE-2 br apt w/WATERBEDS,52 and Kenwood. Available mid-June thruSeptember, rent negotiable. Call Dave at 363-5244.Spacious, Renovated 1BR Aval. 6/13-9/26 54th6 Dorchester, My rent $365, Yours $250 incl.utilities, 643-2934 (before 10:00am)SUMMER SUBLET-sunny, nicely furnished 1br apt 51st and Blackstone, mid June mid Sept,$330/mocall 684-6384, 7 9pm or before 9am.LOVELY STUDIO Condo55th nr UC Univ Parkpool AC quiet 24 hr security avail June 393 1034.LARGE, sunny 3 BR 2 BA apartment in EastHyde Park. 2 blocks from lake, near transportation. Furnished sublet 6/15-9/15 575/mo 3246383.ounny sublet, 2 bedroom remodeled apt on 54thplace, $190 each room ava 6/5 to 9/15 947 8272rm in 2 bdrm apt avail in July date neg w falloption. 57th & Kimbark. nonsmokers callKaren 753-1 188 days & 241 5241 evesECONOMICAL HOUSING for single femalea/c furn rm & bath kit & laun priv share familyrm nr 55 & Cornell 667-1565 eves & weekends2 BR for Summer Sublet with Fall Option FullyFurnished, Washer/Dryer Dining Room Porch$500 667-8343 or 753-1148SUMMER SUBLET livew/MIKE CONTE fullfurn Inexpensive bedrm in 4rm w/sunporchand kitchen good loc call John 753-3751 rm 224All yr. vacation home 10 minutes from campus. Large wooded lot, 126 ft. front on SingerLake. 2 story brick and cedar contemp oak fircathedral 1.4, stone f.p., all wood interior$66,175 Owner financed. Call Milt Priger 616429 4663. Am. Homes Century 21, 1816 W JohnBeers Rd., Stevensville, Mich. 49137.5' 2-2 bdrm Apt 81st & Ingleside $350/mo 4- secSharing singles or couple will consider onechild 482 3823 after 6 pm.ROOMMATE graduate or working femalewanted to share 3 bdrm apt at 5711 S. KimbarkJune 15th all year $156 call Minna 947 6468 or667-7611CO-OP APT FOR SALE 3 bdrm 2 bath, 58th &Blackstone, orig woodwork wbfpc formal DRw/china cab, Ig bk yard. Owner 241-7913CHEAP SUBLET $100 per room 4 rooms availGreat loc 58th & Maryland Apt has 2 full baths& 2 living rooms. Lg kit call Ken 753-3751, rm104SUMMER SUBLET. 4 br apt with living rm,dining rm and sunporch. Safe convenient areaon 57th St near Ray school. 150 per person permonth 288 3510.ROOMMATE wanted 57 8, Dorch call Steve752 2665CHEAP Summer Sublet, Fall Option. 1 BRBmt Apt $200 or less. Behind Coop 241 5140.CO-OP APT FOR SALE: 3 BR 2 bath; sunny,spacious lawn, gardens, playground. Freeparking & laundry. 54th & Dorchester. Callafter 4 pm 684 3845/643-7732.SUMME R SUBLET 56 & UNIV 1 rm in3rm aptAvail June 11 to end Sept Kitchen, Laundry 6676039 eves.2 BR apt NR CAMPUS 55th & Woodlawn QuietSecure 1st fl walk-up Lo Monthly AssessmentHdwd Firs Fireplace Spec Financing by owner$30,000 241 7425Share a spacious TEN room apartment withthree others. Rent $130.00 a month Reasonablyneat non-smoker preferred. Call 288 8722.3 BR NR CAMPUS 53rd & Kimbark new kit &bath 3rd fl quiet secure $600 avail June 241 7425Mid June thru 1 Oct 2 bedroom apt, elegantlyfurnished (including piano) excellent security1 blk from Reg 375 per month Please call 7532496 days, 752 1922 eves28—The Chicago Maroon—Friday, May 28, 1982Classified AdsNonsmoking male student wanted to live withfamily near campus 947 8348 call weeknightsSummer sublet Mid June through Aug withpossible fall option. Spacious studio on lakewith good storage space, security, parking,and pool. Rent negotiable. Call 324 87882 Spaces avail in large 5 BR apt. Sunny,comfortab'e S 150/mo We are looking for gradstudents, male or female willing to share houseresponsibilities. Call Pam or John eve 241 7589SUBLET Large 4 rm apt 6/129/15 $365/monegotiable. Contact R Geuss, Philosophy deptLIVE CHEAPLY! Summer sub 585/month 1rm in 5 bdrm apt 53rd & Dorchester 363 5151day or eveFurnished room 55th nr shopping center areaavail June 1, 955 7083FOR RENT, Aug '82 Aug '83, large sunny fullyFURNISHED 2 bdrm apt 5 mins from Regenstein, refinished hrdwd firs, glassed in porch,Indry rm in bsmnt. $600/mo incl heat & hotwater. Call 241 6094 or 692 8006Write your paper or book next year atop adune, surrounded by trees, overlooking LakeMichigan. 3 4 br house, Sept June S295 per mo-Futil. 75 min. by car to Chgo or take So Shoretrain. Grad student or faculty perferred 6245978.Summer sublet 1 or 2 br in Ige 2 br54/Woodlawn avail 6/15 $165/br/mo 493 1 746Ann or BethFURNISHED SUBLET A vailableJune August3 rms, kitchen, bath. Laundry in buildingS470/month Call John 962-7212; 241 6282Sublet or Rent Bedroom & Private Bath. Cleanspacious household shared by warm, considerate, and fun loving male and female Medstudents. Apt. is cool, quiet, well heated, andadjacent to Kimbark Plaza Shpcent. S145. 5324Kimbark Call 493 8092 after 6 pm or before 8:30am.Rm in 4 bdrm apt avail June 27 I25/mo684 3327Graduate house in ideally situated, centrallocation has both summer vacancy and openings for fall quarter. If you would like to shareco operative living with 14 other grad students,please call 955 2653 for more detailsS200 for 5 wks prof seeks resp grad stud to rentIg apt fr June 24 to Aug 1 East Hyde Pk feedbird 8, water plantscall eves684 334853rd and Maryland; need 1 summer subletterin a 3 bdrm apt. $175 fall option for entire aptcall Ed at 752 7705.Singles, huge doubles at Phi Delt this summerGood rates, location, coed. Call Jeff 3 3990Sublet a/or Fall; female non-smoker to shareturn studio; Indry, kitch, lots closet space,good sec., quiet neighbors, near shopping; S160incl util 752 4213 Andrea lv messROOMMATE : summer sublet w/fall opt 56 &Kimbark, prime location kitch bath, Ivg rm,own bdrm, porch, safe & secure, fern pref . call3 2249, »1204, bet 6 7 pm, or leave messageLARGE SUMMER SUBLET Entire 2nd floorin Private Home 2 bdr, turn , garage, sunporch 52nd 8, Blackstone $335/month 324 6287THE APPLEVILLECONDOMINIUM RENTALS24th PLACE AT CANALTHE GREAT REBATE4TH MONTH FREEDURING THIS SPECIALLIMITED OFFER—Spaciously designed 2 & 3 bedroomapartments—Only minutes from downtown— Individual laundry rooms—Carpeting thru-out—Walk-in closets—Private balconies—Indoor parking available.Model Apt Open 9 5 DailyDRAPER & KRAMER, INC.842-2157Equal Housing Opportunity Townhouse 3 br + study 2' a b c/air yard parksec sys sale price negot. best offer eve 493 0543Bdrm in 3 bdrm apt $143-non smoker 955 4111SUMMER SUBLET: 1 large bedroom availJune 15 Sept 27 in 4 bdrm apt at 54th and EllisRent is $138/mo., includes kitchen, living rm,partly furnished. Located on D minibus routeFor more info call Sherrie at 947 8437 bet 5 /pm.SUMMER SUBLET: 1 bdrm apt separate sitting 8, dinning rooms, fully, furnished, TV etc56th 8. Kimbark. Approx end June mid Sept241 6461.1 Bedroom Garden Apt. Kitchen, Living Room$260/Mo July 1 Occ. Call 539 0304, 56th 8. Kimbark1 Bedroom Apt. Living, Kitch., Dining Room,56th/Kimbark, 360/mo July 1 Occ. Call 5390304.SPACE WANTEDCollege prof wishes to house sit for 4 5 weeksJune July Neat non-smoking, local referencesContact Carol Chase, Knox College, GalesburgIL 61401 Box 65 Tel (309) 343 0112 x322WANTED; Basement Apartment on U of Ccampus Waterbed and pet accepted. 753 0355.Visiting professor and spouse need 1 or 2bedroom furnished apartment to rent for failquarter Call 493 5715FURNISHED APARTMENT. 1 bedroom,sought from Sept/Oct for 1 year by responsiblegraduate student. 753-0168, Gavin, or Ivemessage at 753 2270 apt 435PEOPLE WANTEDPaid subjects needed for experiments onmemory, perception and language processingResearch conducted by students and faculty inthe Committee on Cognition and Communication. Department of Behavioral Sciences.Phone 962 8859.WANTED: Volunteers in service to victims ofcrime. Learn to work as a court escort forcrime victims in Hyde Park/Kenwood, or takecalls on our victims of crime phone line CallThe United Church of Hyde Park, 363 1620.Babysitter for 1 yr old starting Aug 1. 30hrs/wk good pay, pd vacation. Nr 57th 8,Harper. Ideal for foreign student spouse orparent of school age child. 241 5164 evenings.Household Help one or two mornings per week(flexible) in Hyde Park Call 493 0483.FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E . 55th St. 493 6700.STEREO Panasonic Turntable, ReceiverCassette Deck Speakers Call 753 2233 Ext 144leave msgLeaving Chicago must sell THE PERFECTHYDE PARK CAR 1973 Gran Torino 60000miles The gas mileage isn't great but it getsyou where you need to go Best offer acceptedCall Mary 241 6327.Single Pedestal Steel Office Desk 48"x30" WithMatching Chair $80 Call 241-7018 aft 6. CHEVROLET MONZA 78 Sport coupe 45000miles high mileage 4sp, sunroof, am/fm, newclutch, shock absorbers, muffler and tires$3,000 (or best offer). Call Peter 643 3923, eve(7pm 10pm) and weekends.For Sale 1971 orange and white VW Bus MINTcond rebuilt eng repainted, Michelin radials$2250 or best 752 2554 after 5 o'clock wkdaysMAUVE DRESS 12 or 14 Classic style Worn only once. Full length becomes shorter byremoving shirt. Paid $75, Asking 35 or best363 5804.Queen size hide a bed sofa $150 Good condDouble bed mattress and box spring $50 likenew. Bricks/boards for bookshelves best offerCall 324 1013 after 3pm weekdays anytimewkend.Musical insts for sale; music man amp w/2mmspeaker cabinets. $1100. Peavey PA system$1025 Roland mixing amp $100 Guitars; LesPaul $450; Gibson LS6 $300; Telecaster $300;Ibanez $125; Epiphone Bass $140 947 0813ALFA ROMEO Alfetta 1975 maroon w'beightinter, excellent condition, 45000 miles stereoa/c 5 speed. Carefully maintained, many newparts. VERY FAST $3600 telephone 947 0707Bodybuilding/wtlifting equip top qulty CallGreg at 752 6152 eves.Men's Schwinn TEN SPEED bicycle w/newtires, $70. Old Zenith 25” COLOR TV $55 Ph955 2220 Smith Coronamatic Electric Type,w/case $125.1976 Malibu classic for sale private party 12000miles per year excellent working condition call324 3285 immediately.Camera and flash Yashica fr-1 50 mm 1.7Vivatar auto flash $130 or best 324 3693 FrankTrumpet Selmer England sterling silver bellgreat cond best offer 324 3693 FrankGold wool rug w/pad, 10x12, $60, 752 6152VW Bug, runs well, new gen muflr $875 offercall evngs6 7 ask for Will 667 4452APT SALE Matching sofa, chair, DB bed,lamps and chairs, large desk, swivel chairKevin 538 5719.Accoustical Guitar great for beginners, $30 3pk up Melody E lectric, $60, Kevin 538 5719Artley flute sale, like new, pd $240, asking $150or best offer. Mitty 962-7067, 374 56361970 Volvo stationwagon 1455 excellentmechanical condition body rust $750 call eves241 6865 to seeSERVICESJUDITH TYPES—and now has a memoryPhone 955 4417.Pc /chotherapist, Women's Groups, Individual,nd Couple Therapy. Sliding Scale, MaryHallowitz, MSW, ACSW 947-0154.James Bone, editor typist 363 0522WEDDINGS photographed Call Leslie, 5361626 RAAB DECORATING SERVICE Interior 8,Exterior Very neat. Best reference Veryreasonable 20 years in neighborhood CallRaab, 221 5661.Professional typing and editing 324 8719Need A Typist? Excellent work Reasonablerates Tel: 536 7167.TYPIST Exp Turabian PhD Masters thesesTerm papers Rough Drafts 924 1152.LAYER TRIMMING HAIR STY LING— Georgia's "Job Search Special,” for theProfessional Look in layered hairstyling Nowonly $10 with valid UC student ID GiGi's, 327South LaSalle Street, 427 5007 CampusReferences on request.TYPING. Term papers, theses, etc IBM Correefing Selecfric All projects welcome 7911674.Tennis lessons 8, theory Brad Lyttle 324 0654Life in the fast laneMOVING in and MOVING outThe Quick Efficient Careful MOVE Sof TOM and GEORGE can helpcall 721 4570 M F noon 6 pmTennis Racquetball & Squash Racquets Professionally strung 24 hr Service S10 20Guaranteed Call Kevin 947 0997Research Material, Office, Personal Library?Hyde Park consultant will arrange and indexfor you or help you do it yourself. 288 1474Term papers typed, reasonable rates, pickupand delivery. 783 1345Need tennis lessons? NATL ranked player willteach all ages Heidi Nicholls 752 5624NUKES MAKE ME PUKE! otherconsciousness-raising designs, T's. sweats,jackets! Free Catalog! Screenfreaks Box278CM 2, Lansing, NC 28643CHILDCAR E Space available for Sept in Highquality home childcare setting call Gale 4938195NEW LISTING — lovely studio apt . convenientto everthing - shopping, transportation and U ofC. campus Low assessments and taxes Affordable price - S20 s.PRICED RIGHT to sell in the $60’s Two bed¬rooms, formal living room and dining room, eat-in kitchen, nice back porch and back yard Closein to U. of C Let s take a look56th AND BLACKSTONE Super t of C. loca¬tion. 3 bedrooms. 2 baths, leaded glass Lower$60's Exceptional owner financingGOLDEN CIRCLE NEW LISTING 2 bedrooms+ 2 studies make this a cozy campus home,modern kitchen, lovely yard, hardwood floorsand lots more Financing too! Mid $70'sA HYDE PARK HOUSE with backyard porch,frontyard. 4+ bedrooms and a large kitchen Areal buy in the Mid $~o's.ONLY IN THE 30's. Super buy for someoneneeding good size two bedroom unit Park. lake,shopping and transportation at your doorGarage too'EXCELLENT LOCATION - well maintainedcondo with lots of electrical outlets Features 2bedrooms plus two study areas, excellent build¬ing reserve, nice back yard plus special low interest financing Mid $6<rs.SPECTACCLAR LIGHT! Six room condo, completely redone - new walls, new windows, newbaths, new kitchen, new electric, new It's at36th and Harper and its only $69.5<H)' This onewon t last! Call today !We have an excellent selection ofprime listings. Call today to be puton our mailing list.HILD REALTY GROUP1365 E. 53rd St.055-1200VALUABLE COUPONFreebee OfferThree KODAK ColorEnlargementsfor the price of twoBring in this coupon with your favoriteKODACOLOR Film negatives color slidescolor prints or instant color printsReceive 3 color enlargements for theprice of 2 processed by KodakFreebee offer expires June 16. 1982 COLORPROCESSING\ „ KodakThe Chicago Maroon —Friday, May 28, 1982—29Classified AdsEVENTSSummer softball. Seven days left to enter ateam. Ida Noyes203.PERSONALSPara Maria la Guapa - La vida no sera igualsin ti. Queremos que vuelvas pronto. Te vamosa echar de menos. La mas bonita, simpatica ylista del mundo! J.L.A. y Juanito - siempretuyosKAAREL porguvalu ma ei talu 20 paevapariisini Au revoir mon vieuxHappy Birthday Coach and thanks The TeamDear Goat: Cheer up, you clown Goats aresupposed to be frisky, happy animals. The CATSaudi Union's Eric: Do you want to read"Michael's World?" I'll be back late Tuesday;come by or call or something before you shuf¬fle off. Lone Barbarian (fhe cute one)WANDA-no French, no Spanish, no EstonianWE WILL SPEAK HICKEVISH!Good luck to Nick, Drew, and Howdy on theirnew move to the Shoreland. All of Upper FlintNobody Is An Old Maid in my book-1 will missall of you this summer. Love, AAFCharlie: some dreams do come true-if you waitHow many dreams can we fit into a lifetimeML Happy trails, Greg! See you in the movies!Very best wishes, R.So much V.D. in Vincent-Everyone is sick!(very little VDK).First the mice-You're next5-AliveAnd Your Little Cats Too!!NY & BACK 6/9-6/20 flex Share Exp In RentCar $75-5125 RT Call Brian 947 0497 or 7 4070(msg)Ride offered to Boston area or a site nearby.Leaving Tues June 8. Call Rick 947-9267.I will pay well for three tickets for ConvocationJune 11 at 10:00am. 955 1427My sister, valley girl will pay lots for a ticket tograduation call Ned at 753 3990Be a tutor this summer at the Blue GargoyleDay Camp! Contact the Student VolunteerBureau at 955-4108Help. Mother, Father, 4 Grandparents, and only 3 grad-tix. Result-1 need tickets badly! Willpay whatever I have to. Call Jeff at 753-3444Leave message. Will beat any offer.Grand piano; well-built, apt.-sized, in goodcond. Will pay $1500 2000. 947 0213 LOST & FOUNDLOST: Keys with letter B on ring on Woodlawnbet 57 58st reward contact Mary Student ActivitiesCHILDREN NEEDEDChildren needed for University of Chicagoreading study. Earn money. It's fun and educational. Does this describe you? 5 or 6th gradeleft handed boy or girl? 7 or 8th grade righthanded boy or girl? Please call 753-4735 fordetails.PETE'S MOVINGStudent with Pickup Truck can move your stuffFAST andCHEAP.Nojob too small! Call Peteat 955-5180GAY AND LESBIANCOFFEEHOUSEGALA sponsors a weekly coffeehouse on Tuesday nights at 9:00 pm now in Cobb Coffeeshop,basement of Cobb Hall. Refreshments andcamaraderie are served free of charge. All arewelcome. Following the coffeehouse the GALAdiscussion group meets to discuss issues, problems and concerns of the gay and lesbiancommunity in a warm, supportive setting.Everyone is invited.EXTRATICKETS?I need one or two graduation tickets Will paygenerously. Leave message with Mary at 3690731.STEP TUTORINGHelp a kid feel bright and intelligent. Volunteerto tutor elementary or high school students fortwo hours a week. Contact Peter at 643 1733(evenings) for more information.DUMB RAstirs up the PUB Fri. May 28 10 pm. ACHTUNG!LEARN GERMAN!TAKE APRIL WILSON'S GERMAN COURSETO HIGHPASS THE SUMMER LANGUAGEEXAM AND/OR LEARN GERMAN FORFUN. Reading selections include Kafka,Freud, Mann & thought provoking ProverbsClasses will meet June 21-July 22, M F, thereare 3 sections: 10-12, 1-3 & 6 8 pm For more in¬formation & to register, call: 667-3038.NUCLEAR HOTLINEThe Chicago Council of Scientists provides information on disarmament issues and whatyou can do to help. Call 752 6028.SOMETHINGDIFFERENTTake the Small Groups Course this summerCombine in-group experience with theoreticalperspective. Learn through doing. A unique experience. Sociology 341 (undergrads/grads)6/12 GRADSHave an extra ticket for Saturday convocation? I'll pay top dollar for it. Call Bob at 4938525 or leave message at 753-3541.SUMMER SUBLET5738 S. Kenwood. 3 blocks from campus orCoop furnished, kitchen, laundry, storage, liv¬ing room $175/mo Bill 493-4913.PIANO LESSONSEDWARDMONDELLOBEGINNERS AND ADVANCED 752 448522 years University organist, 20 years pianoteacher in the Music Dept.W.P. BEAR MOVINGWe move almost anything almost anywhere!Call anytime 241-5264.DELTA SIGMA MEMORIAL DAYwatermelon stand! Members call L. Cassanosor K. Eschenbach to help CalendarTel Aviv. Werus cum lucretins gehtabit,gehtab it non alleinus. Maximus.Fat Freddy's Cat: Of course it was me. Whybother to ask?Please return the umbrella you took fromRockefeller on Wed. Thanks its green/white RIDESThe UC Hotline's new "Rideline" is now open!Call us at 753-1777 to get matched up with prospective riders or drivers. This service isavailable between 7pm and 11pm every night.Ride needed to LA. Willing to share drivingand expenses. Call Harry at 363 6747STEVE KEHOE: Again, we are looking foryou. Call Leslie at work. Mark Hughes's address will be waiting for you. WANTEDtop dollar for college graduation tickets call955 8273.ATRIUM HOUSEMadison Park. Three bed¬rooms, 2 baths, large living& dining room surround innergarden. Take a look!$125,000. Mrs. Benson.ONE OF A KINDEnchanting 3 br. townhouse.Parquet floors, beautiful wood¬work, designer kitchen and alarge sauna. Call today to seethis unusual home. $110,000.Margaret Kennedy.50th & DORCHESTERAttractive 7 room. 4 br. 3 bathcondo with great floor plan.Large, modern kitchen. Ex¬cellent financing available.$79,900. Margaret Kennedy.MADISON PARKElegant condo home inelevator building over¬looking private park. LargeLR, formal dining room,4 BR, 3 baths. Off-streetparking $135,000. MargaretKennedy.Century 21KENNEDY, RYAN,MONIGAL & ASSOC., INC.667-6666 FRIDAY, MAY 28Hillel: Yavneh (Orthodox) Shavuot Services, 5:00am; Upstairs Minyan (Conservative/Egalitarian)Shavuot Services, 9:30 am, 5715 Woodlawn.Crossroads: English classes for foreign women,10:00 am, 5621 Blackstone.Center for Middle Eastern Studies: Arabic Cri-cle—“Current Conditions in the West Bank withRegards to Education" speaker Dr. MuhammadHallaj, 11:30 am. Pick 218.Geophysical Sciences Colloquium: “Hotspots, Pa-leomagnetism, and the Evolution of the PacificPlate" speaker Richard Gordon, 1:30 pm, HGS.Calvert House: :Leave for Catholic Worker soupkitchen, 3:00 pm, 5735 University.Doc Films: Horror Nite IV: “Dracula’s Daughter”6:15 pm, “Village of the Damned” 7:30 pm, "Warof the Worlds" 9:00 pm, "Burn, Witch, Burn”10:30pm, and "Mad Love” midnight; Cobb.University Symphony Orchestra: Stravinsky Cen¬tennial Concert, 8:30 pm, Mandel Hall. Free, dona¬tions accepted.SATURDAY, MAY 29Hillel: Yavneh (Orthodox) Shavuot Services, 9:15am; Upstairs Minyan (Conservative/Egalitarian)Shavuot Services, 9:30 am, 5715 Woodlawn.Dept of Philosophy: "Consistency in RationalistMoral Systems” speaker Alan Donagan, 2:00 pm.Harper 130.Dov Films: "Cinderella" 2:30 and 7:15 pm; "FromMao to Mozart. Isaac Stern in China” (sep. adm.)9:00 pm, Cobb.Calvert House: Sacrament of Reconciliation, 4:30to 5 pm, 5735 University..Crossroads: Buffet dinners, 6:00 pm, no reserva¬tion necessary, 5621 BlackstoneLaw School Films: "The Lion in Winter” 7:00 and9:45 pm. Law School Aud.I.H.A. Travelogue: "Islands Around the World”8:00 pm. I-House home room. Admission $1 for stu¬dents, $2 for others.University Symphony Orchestra: Stravinsky Cen¬tennial Concert, 8:30 pm, Mandel Hall. Free, dona¬tions accepted.OLAS-CAUSE Party: Celebrate the end of thequarter! 8:30 pm. Live music, salsa music, food,drinks, I-House. $1 donation.SUNDAY, MAY 30Calvert House: Mass, 8:30 and 5 pm at CalvertHouse, 11:00 am at Bond Chapel. Lutheran Campus Ministry: Sermon and Eu¬charist, 8:30 and 10:45 am; Sunday School andAdult Education, 9:30 am, 5500 Woodlawn.Hillel: Lox and Bagel Brunch, 11:00 am, 5715Woodlawn.Oriental Institute: Film—"Turkey: Crossroads ofthe Ancient World” 2:00 pm, Museum Aud.Doc Films: “Images of the Arab: Son of the Shiek"and “Empty Quarter” 2:30 pm, Cobb.MARRS: Fighting practice, 3:00 pm, Ida Noyes.Episcopal Church Council: Holy Eucharist 5:30pm; Sunday supper, 6:00 pm, 5540 S. Woodlawn.Doc Films: "The Lost Honor of Katharine Blum”8:00 pm, Cobb.Crossroads: Memorial Day picnic at PromontoryPoint, 11:30 am.Calvert House: Volleyball and a barbeque 4:00 pm,5735 University.MONDAY, MAY 31Crossroads: Memorial day picnic at PromontoryPoint, 11:30 a.m.Calvert House: Volleyball and a barbeque 4:00 pm,5735 University.Maroon and SG: Softball and barbeque, 1:00 pm,Midway.TUESDAY, JUNE 1Calvert House: Sacrament of Reconciliation, 11:30am to noon; Mass, 12 noon and 5 pm; brown baglunch, 12:30 pm, 5735 University.Center for Middle Eastern Studies: Near EastClub Lecture — “The Metaphor and Dialectic ofEmanation in Greek Christian and IslamicThought” speaker Michael Sells, 4:00 pm, OrientalInstitute.Episcopal Church Council: Evenson at BondChapel, 5:15 pm.Doc Films: “Ninotchka” 8:00 pm. Cobb.WEDNESDAY, JUNE 2Dept of Biochemistry: “Detection and Investiga¬tion of Functional Flexibility in Proteins — ACase Study Using the Enzyme Rhodanese" speak¬er Paul Horowitz, 4:00 pm, Cummings room 101.U of C NOMOR: Meets 6:30 pm. Cobb 104Women's Union: Meets 7:00 pm, Ida Noyes.Calvert House: Choir Practice, 7:30 pm, 5735 Uni¬versity.Al-Anon Group: Meets 8:00 pm, Hyde Pk Uni¬tarian Church, 57th & University.Documentary Events: Film experiments by BillStimits — "Washington for Jesus” "Rock Sux, Disco Sux” "Figuring Authority” and "DearJody, Love John” 8:00 pm, I-House EastLounge.Law School Films: "Unfaithfully Yours" 8:30 pm,Law Sch Aud.THURSDAY, JUNE 3Episcopal Church Council: Holy Eucharist 12noon at Bond Chapel.Center for Middle Eastern Studies: Anjuman-iSukhan-"An Illustrated Persian Manuscript fromIndia” Dr. Paul Sprachman (lecture in Persian)12:30 pm, Pick 218.Dept of Physics: “QCD — What is it? Will it Ex¬plain Strong Interaction Phenomena?” speakerEdmond Berger, 4:30 pm, Eckhart 133.El Salvador Solidarity Group: Meets 5:00 pm, IdaNoyes.Doc Films: "Criss Cross" 7:15 pm; “PlunderRoad” 8:45 pm, Cobb.Physicians for Social Responsibility: "The Threatof Nuclear War: Its Effects on Our Lives and OurChildren. How Can Parents Respond?” an eveningof film, lecture, and discussion at Ancona School4770 S. Dorchester. Admission is free, donationsaccepted.FRIDAY, JUNE 4Geophysical Sciences Colloquium: "Velocity In¬version: a Tool For Seismic Exploration” speakerNorman Bleistein, 1:30 pm, HGS.Law School Films: "The Palm Beach Story” 7:30and 9:30 pm, Law Sch. Aud.Concert: Som Majumdar in concert, 8:00 pm, I-House Auditorium. Admission $2 for students, $4general.SATURDAY, JUNE 5Center for Middle Eastern Studies: Ataturk Cen¬tennial Symposium — "Ataturk’s Reforms andtheir Repercussions Beyond Turkey” 9:00 am-5:00pri, Ida Noyes Hall. Further info 962-8297, no regis¬tration fee, but please sign up in advance.Picnic with Adlai Stevenson: Democratic candi¬date for Governor, 12 noon CCE patio. Adults $15,Students, $10, children under 12 free. Info callMike Dsida 753-2249.Doc Films: "Bedazzled” 7:15 and 9:30 pm, MandelHall.30—The Chicago Maroon—Friday, May 28, 1982WOMEN'S RAPGROUPWomen's Rap Group meets every Monday at7:30 pm at the Blue Gargoyle, 5655 S. University Ave. Sponsors are Women's Union & University Feminist Organization. For info call 7525655.CONDO FOR SALELovely sunny 5 rm condo, 2 BR Totallyrenovated. Oak fl. 8. buffet, frpl., bale., PLUS!Fin. 10.5%. Call Karen d. 947 5456, e. 947 0859UC HOTLINEWomen's Rap Group meets every Monday at7:30 pm at the Blue Gargoyle, 5655 S. University Ave. Sponsors are Women's Union & University Feminist Organization For info call 7525655.LITERARYMAGAZINEPrimavera, a literary magazine devoted to theexperiences 8. perspectives of women, seekspoetry, short stories & graphics. We also needvolunteers to work on the staff Mailmanuscripts to Primavera at 1212 E 59th StFor infocall 752 5655.CURIOUS?Need to know the library's hours, the numberof the Doctor on-call, how to get to the NorthSide, or what's happening on campus tonight?For information on transportation, entertainment, university facilites. contraception,pregnancy testing, or just about anything elseyou need to know—call the UC Hotline; 7531777, 7 pm to 7 am.HOW TO GET TOWHERE YOU'RE GOINGThe New UC Rideline has comprehensivelistings of drivers and riders. To find a reid or apassenger call 753-1777 any night between 7 pmand 11 pm. (A Service of the UC Hotline)GERMAN COURSESthrough CCTS AT LSTCSummer session; June 14-July 22I Conversation only (Fee; $160 ) Room 203 MoTh 10 12plus individual sessions9 10Goal: speaking ability in daily life & travelII. Intentsive Reading (Fee $160 ) Rm 203 MoTh 1 - 3 and 3-5 with sufficient enrollment.III. 2nd Quarter (cont. from Sp Q) Fee S80Mo/Wed 7:30 9:30, Rm 206IV Advanced Reading (Theology, Hum, SocSci) Fee. $80 T/Th 7:30-9:30 Rm 206For info and registration call Cluster 667 3500ext 266 or instructor G.F. Miller, PhD (nativespeaker.) at 363 1384.ATTN JUNE GRADS$25 or negotible for any extra June 12TICKETS help! Call 667 4340 IFC BEER KEG RACEGet your entires in for IFC's Beer Keg Race tobe run May 30. Prizes: 1st: Full keg, 2nd: Edwar do's Pizza, 3rd: 6 pack of Coke Entries dueMay 29; late fee $2. Questions: Mike Weaver667 6626or 753 2233 (#224)HAIRCUTS BYMERRIEProfessional, Quality haircuts $10 324 4105WOMEN BE SAFEChimera Self Defense for women class startsJune 1 at 5655 S. University Tuesdays, 7 9 pm$35. Call 332-5540 to registerOLAS-CAUSE PARTY!Sat May 29 I House East Lounge 8:30-1:00 foodlive music, also salsa; drinks; $1 donationTOALL STUDENTSHappy trails to you/Until we meet agam/Happy trails to you/Keep smiling until then. LibbyWHY IS GODLAUGHING?Come to BEDAZZLED next Saturday (6/5)and find out.FOTA GOESUNDERGROUNDLIVE MUSIC in the PUB Fri May 28 DUMBR A performance bt-gin-lOpm Sat May 29, THEMENSAFE SUMMERSUBLET56 and Kimbark fully furnished apartmentfrom June 15 until September 15 Rent is $190per month call Clark or Chris at 241 5374THE MEN INVADEthe PUB Sat May 29 10 pm The Men from theManly Planet-the last band to play in the FOT AGOES UNDE RGROUND series Don’t miss itRADICAL SHEIKCINEMASon of The Sheik with Rudolf Valentino andThe Empty Quarter will be shown Sunday,May 30, 2.30 in Cobb Hall.VARSITY VOLLEYBALLOrganizational meeting for fall 1982 seasonWednesday, June 2, 6:30pm HCFH classroomFEE, FI, FO, FAUSTNext Saturday (6/5) in Mandel HallDUMB RAAt the Pub, 10:00 TonightNew and RebuiltTypewriters,Calculators,Dictators, AddersCasioHewlett PackardTexas InstrumentCanonSharpElectronic Watches REPAIRSPECIALISTSon IBM, SCM,Olympia, etc.FREE repairestimates; repairsby factory-trainedtechnician.RENTALSavailable withU.ofC. I D.The University of Chicago BookstoreTypewriter & Calculator Department970 East 58th Street 2nd Floor753-3303 Classified AdsMOVERSOF STUDENTSNICER students with BIGGER truck can moveanything, anywhere, anytime RAIN ORSHINE call John or Joe or Jim 752 7081 24hr/day.GOINGTOBE HERETHIS SUMMER?Volunteer to record books for blind students forfall quarter. Air conditioned, Hyde Parkstudio For appt. call 288 7077 10 5, M FCONVOCATIONASSISTANTSWANTEDConvocation assistants and ushers are neededfor three sessions on Friday, June 11 and onesession on Saturday, June 12. Call Mary Bartholomew at 962-8369, MWF before noon, TTHafter 1. $3.65/hour.TO ALL TRACK FANSThanks for ail the support at the women's statetrack meet especially during the 800 Specialthanks to those who went to nationals Let's doit again sometime? Helen StrausSUMMERCOFFEEThe best coffee on campus (cheap too!) is atthe Social Science building 2nd-floor cotfeeshop, all summer long—including interims!Also high quality, low cost tea, juice, and munchies.LOCAL ETHNOGRAPHYAnthropology Film Group presents our finalscreening of the season: Documentary Eventsfilm experiments by Bill Stimits. Includes"Washington for Jesus," "Dear Jody, LoveJohn" and "Rock Sux Disco Sux " Wed 8 pmI House Easf Lounge. FreeTOWNHOUSE FOR SALE8% financing, 3 bdrm, l’-2 bath, pvt parking,ac near coop Ted 947 6009 days, 667 5994 eve$25 ORNegotiable tor June 12 COMMENCEMENTTICKETS What am I going to tell Grandma?Call 667 4340 PAINTERS/DECORATORSInterior/Exterior Redecorating Painting,Light construction & plastering, wallpapering,woodwork. Exp. w/ref. For free est Call 241 -6481.LUNCH WITH ADLAIPicnic with Adlai Stevenson, Democratic candidate for Governor Sat. June 5 at noon atCenter for Continuing Education patioCatered by Mallory's Adults $15. Students $10,children under 12 free. Call Mike Dsida 7532249 or 962 7528BEDAZZLEDA friendly reminder from the people at DocFilms that our annual presentation of the U ofC cult classic—a hilarious updating of theFaust legend—is slated for next Saturdaynight, June 5, at 7:15 and 9:30 in Mandel HallBEDAZZLED stars Peter Cook, DudleyMoore, Eleanor Bron and the Seven DeadlySins (including Raquel Welch as "Lust") and,at $2, is less than a penny a laugh. Don't comelate or you'll miss our added surprises!DON'T IGNORE NAZIS-STOP THEM! A Spartacus Youth LeagueForum Hear how a class-struggle perspectivelabor/m inority mobilizations against theKlan/Nazis can nip the fascist threat in thebud! 7:30 INH 3rd fir Sun Parlor Weds June2 427 0003SENIOR WEEK'82Buy your tickets for the Evening on the Lake!On sale at Reynolds Club and Hutch Court onSunday May 301982 GRADUATESSenior Week Activities! Pub night, Brunch andSenior Dance at Navy Pier Info call 3 3591MEMORIAL AFFAIR-SUNDAYHutch Court for day events 12 7pm Music,Food and Games! Block Party 7 midnight.Heavy Manners, Individuals and theRaybeats Refreshments available in theFrats.CfiazCotte ^ihtzomczReaf £itate Co. We are co operating brokersMember National A ssociation of Realtors ChicagoReal Estate Boards Illinois Association of Realtors493-0666 • CALL ANYTIMEHOT OFF THE PRESS...meaning jKENWOOD AVENUE &56th - Gorgeous view,woodburning fireplace,five room condo (2 largemaster bedrooms).$68,000.WOODLAWN AVENUE &5 5th - 5 Vi roomcooperative. This is the fir¬st time in over 4 years thatthere has been a 2bedroom front apartmentavailable. Big kitchen-excellent conditionthroughout. Extra sun por¬ch. $42,000.FREE STANDING OLD FASHIONED HOUSE...with newideas such as central air, new kitchen, many extras. Fourbedrooms, three baths. 54th & Blackstone $119,000.REMEMBER OPEN HOUSE, 5841 BLACKSTONE, EVERYWEDNESDAY EVENING & SUNDAY AFTERNOON.59TH NEAR HARPER.. .one bedroom cooperative.Garage included. Pretty woodwork. $31,500.59TH NEAR STONY - Hi-rise beauty overlooking twoparks. Five rooms, splendid kitchen. Near the top.Cooperative. Asking $66,000. (Need to settle estate.)Garage included.JUST LISTED - Eat in corner sunny bright kitchen.Airy, light third floor near the Lake. Six rooms,beautiful natural wood.Private back porch. Ex¬cellent condo bldg. Priced 493-0666The Chicago Maroon—Friday, May 28, 1982—31mmwpiKMmm cm msrni snm m