grey city page 5+Jazz Assault on Safety Kafka-Ottinger-Shawgrey city page 1, 6, 8, 12 -The Chicago MaroonVolume 91, No. 52 The University of Chicago ©Copyright 1982 The Chicago Maroon Friday, April 30, 1982Fall bills due AugustPHOTO BY WILLIAM MUDGETed Koppel, host of ABC’s Viewpoint, on stage in Mandel Hall just before Wednesday night'stelecast.Local woman found slainBy Chris IsidoreStudents in the College, and inthe Medical, Business and Lawschools will have to pay their Au¬tumn tuition bills almost twomonths before they get to campusunder a new payment schedule an¬nounced yesterday by the adminis¬tration.Beginning with Autumn Quarter,students in these areas will have topay two months before the begin¬ning of the quarter, which is beforesome of these students will haveregistered for classes or receivedstudent aid packages.Autumn Quarter bills will be sentout at the beginning of August, andbe due three weeks later. The $50late registration fee, instituted thisyear, will be in effect for those whomiss this payment. Students willbe required to provide a summermailing address to where the billswill be sent.Students who have been able tofinalize their aid packages for thecoming year by the summer’s endwill not be expected to pay theamount of the bill covered by loansor grants with the August bill. “Wewon't expect (a student) to pay theportion of the bill which he will useloans to pay before he receives theloan check,’’ said Paul Ausick, as¬sistant dean of students.Since many loans are processedafter the August billing date, how¬ever, many difficulties could arisewith the new system. “This thingturns on being able to get all theloan applications processed by thetime bills go out,’’ said Ausick.The new schedule continues ef¬forts started last year by the Uni¬versity to speed up its cash flow.This has been the first year that anentire quarter’s tuition was collect¬ed in one payment. There will bean additional week given between the time the bill is sent out andwhen it is due under the new sys¬tem, though.According to Ausick, only someareas are being put on the new7 sys¬tem immediately because of prob¬lems in other parts of the Universi¬ty with a lower percentage ofstudents on full registration. “Thebills for the overwhelming majori¬ty of the College and these profes¬sional schools are known in ad¬vance,’’ said Ausick, “as over 90percent of these students are onfull registration. But in some of theGraduate divisions, as few' as 70percent of the students register fora full load. That just requires a lotmore hand work to adjust the billsfor these students.” Ausick said,though, that the chances of the pro¬cedure being extended to the otherareas of the University in the nearfuture are “quite good.”Ausick said that he did not be¬lieve any student input was soughtbefore the decision was made.Also announced yesterday was asystem which would allow' theparents or the working spouse ofstudents to pay their contributionof the tuition bill in monthly install¬ments instead of one lump sum.They will have to pay an eight per¬cent charge on their contribution,though.Under the plan, the monthly pay¬ments will be made to the RichardC. Knight Insurance Agency ofBoston. Knight will then pay theUniversity the one lump sum at thenormal billing period. “It’s kind ofa very-short term parent-loan pro¬gram,” said Ausick.According to Ausick, Knight hasestablished this kind of program atother schools around the country,including all of the Ivy Leagueschools. Students are not eligiblefor this program for their portionof the bill, however. By Robin KirkHyde Park resident Carol Cam-mon was found brutally slain in herapartment on Tuesday.Cammon, 39, of 1451 E. 55 St.,had been stabbed several times.Police were notified of the murderby Cammon’s husband. Herbert,and a friend at 9:59 p.m. She wasdead upon arrival of the police.The coroner lists the cause ofdeath as ligature strangulation inassociation with multiple stab wounds. The knife which policethink was used was still in her neckwhen they arrived. As yet. theyhave recovered no object whichcould have been used to strangleher.Cammon, a clerk at MarshallField’s, was alone in her apart¬ment after 8:00 pm. Her husbandtold police that he and a friend hadjust gone out for a walk. There wasno sign of forced entry, robbery, orsexual assault according to OfficerCarter of the Area One Violent Crimes Unit.A security guard who works atthe University Park Condomin¬iums said that Cammon had re¬cently married. “She was verynice, very quiet,” he added.The last murder to occur in theapartment complex was the shoot¬ing death of Dr. Baruch M. Aaron,a resident at Billings Hospital, inJanuary of 1981. Aaron was founddead in his apartment by his fa¬ther. Similarly, there was no signof robbery or forced entry.Baker report overhauls graduate educationBy Darrell WuDunnDespite pessimistic forecasts ofdeclining graduate school enroll¬ment nationwide, the Universitycan still maintain its enrollmentsand its high standards but onlywith major energetic efforts, ac¬cording to the report by the Com¬mission on Graduate Education.The report, however, insists thatthe graduate student numbersshould not be maintained at thecost of student quality.In light of these projections, thecommission, chaired by KeithBaker, professor of history, hasmade recommendations, concern¬ing recruitment, residency re¬quirements, the organization andlength of degree programs, finan¬cial aid, and career planning. Fur¬thermore, the commission urgesthe University to consider estab¬lishing several institutes and a sep¬arate Department of ComputerScience.The 19-member Baker Commis¬sion, appointed two years ago, wascommissioned to review the stateof graduate education at UC and to make recommendations in light ofthe anticipated trends in higher ed¬ucation in the coming decades.Acknowledging the broadness ofits scope, the commission hasurged such department or commit¬tee to intitiate an evaluation of itsown programs and to institute reg¬ular review procedures.One of the most substantialchanges recommended, is replac¬ing the current 27 course require¬ment for doctorate candidates withan equivalent residency require¬ment of nine quarters. Formalcourse work, however, normallyshould not extend beyond sixquarters full-time residency at thenormal three courses work load. Atthe end of this period, the reporturges, students should be formallyadmitted to doctoral research onthe basis of demonstrated achieve¬ment and promise. *Under most circumstances, stu¬dents denied formal admissionshould be expected to terminatetheir study then. Moreover, stu¬dents who fail to submit an accept¬able dissertation within five years of their formal admission shouldbe dropped from active candidacyfor the degree.The report said the changesshould be made to avoid “prema¬ture specialization” and to avoid“intellectual breadth.”These measures are also intend¬ed to reduce the amount of time ittakes for students to earn theirPhD s. Students in these pro¬grams, now average up to eightand a half years time between ma¬triculation and graduation.The commission also recom¬mends further clarification of mas¬ters degree programs directed atevaluating a student’s potential foradvanced research. M.A. require¬ments should be completed withina maximum of six quarters of fulltime study.The commission considered theends of graduate education andhow the University must work toachieve such ends. It concludedthat students must be prepared fornon-academic careers as well asthe traditional teaching profes¬sion. The commission urges the facul¬ty to identify opportunities tocreate more general programs ofgraduate study linking particularfields and disciplines in wavs thatwould offer a broad preparationfor academic and non-academiccareers alike. Individual studentsshould be allowed greater flexibili¬ty to cross lines between the gradu¬ate Divisions and the professionalschools including opportunities forjoint graduate/professional schoolprograms.The Baker Commission recom¬mends that the role of the CareerCounseling and Placement Officebe expanded to provide fuller coun¬seling and assistance to graduatestudents ip relationship to non-aca¬demic careers.The commission also consideredthe University's role as a “teacherof teachers.” It favors adoption ofrecommendations by the commit¬tee on the Use of Graduate Stu¬dents in the College, advocating es¬tablishment of an advisorycommittee in order to stimulateproposals for the “creative use" of graduate students in undergradu¬ate education. The Baker Commis¬sion does not recommend graduatestudent teaching as means for fi¬nancial support or for reducing thecommitment of faculty membersteaching in the College. Graduatestudent teaching, the commissionargues, should be considered on itseducational merits only, both forthe graduate students and the un¬dergraduates.A major portion of the Baker Re¬port considers the problems of re¬cruiting the very best prospectivestudents. The report concludesthat superior academic quality andimproved financial aid are themost important ways of recruiting.A thorough review of recruitmentprocedures in each of the four Divi¬sions is urged, as well as severalmajor changes in the financial aidprograms.Specific recruitment measuresurged by the report include publi¬cation of an up-to-date pamphletdescribing Hyde Park which wouldbe included with every admissioncontinued on page sevenIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIHDon’t Miss the7th Biannual LasciviousCostume BallTomorrow Night9 pm — 1 amIda Noyes Hall•$8: fully clothed•$4: in costume•Free: the unclothed(No admission without UCID)•Free hors d’oeuvreswill be served•No alcohol will beserved•No camerasallowed Bands Featured:•Eddie Clearwater Blues Band•Amy Heart & the Attacks(with Harvey Mandel)•The Throbbers•The Visitors • The DragCome Once, Come Twice—Funded by SGFC—2—The Chicago Maroon—Friday, April 30, 1982News in briefUC grad Salvador chiefThe University of Chicago can now addthe president of El Salvador to its growinglist of distinguished alumni. Alvaro Ma¬gana, who received a masters degree in eco¬nomics in 1955, was elected the interim pres¬ident of the Latin American countryyesterday by the assembly.Before his election, Magana was presi¬dent of the National Mortgage Bank in ElSalvador. He was also the principal organ¬izer of a major 1962 international conferenceon the effects fiscal policy on economicgrowth in Latin America. In earning his degree here from 1952 to1955, Magana was a student of EconomicsProfessor Arnold Harberger. “He was in myPrice Theory class my first quarter here(1953),” Harberger said, “and then later hetook my Public Finance.”Harberger described Magana a “blend ofcharacteristics” in that he was a “man ofhuman feeling,” “compassionate,” and yetquite “intellectual.” Harberger said hehopes that his former student will do a “dis¬tinguished job” as El Salvador president.Rapist sentencedThe arrest of Marvin Anderson, 29, of 5202S. Woodlawn Ave., as a suspect in the Feb¬ruary rape of a suburban patient in BillingsHospital has resulted in his conviction.Anderson, holding a legitimate visitor’spass, entered the woman’s room while shewas out. When she returned, he raped her.He subsequently left the building undetect¬ed.Anderson pleaded guilty at his trial onMonday. He was charged on two counts ofdeviate sexual assault, one of unlawful re¬straint, and one of rape. Judge Thomas Hettsentenced Anderson to four concurrent 20year terms.There have been several refinements ofthe Billings Hospital Security system as aresult of this incident, said David O’Leary,director of security. “The revision of securi¬ty measures is always an on-going thing,”he said, “but there are some changes that areview, begun as a result of this incident,has suggested.”O’Leary named three major points in theplan to update security. Starting within thenext couple of weeks, there will be only fourBillings Hospital entry points during thedaytime hours and two at night. The door atthe Surgery and Brain Research building at5812 Ellis and the main door at 950 E. 59thwill remain open Monday through Friday during business hours. The EmergencyRoom door at 860 E. 59th and the ChicagoLying-In Hospital door at 5841 Maryland willbe open 24 hours.In addition to this modification, the staffsof information clerks and visitor assistantswill be merged. Said O’Leary, “They are intraining now, but soon we will have at leastone staff member, in a red blazer, at each ofthe entry points 24 hours.” Each Visitor As¬sistant, as they will be called, will answerquestions, direct people, and will carryradios.Another extension of the system will bethe inclusion of all doors in the centralalarm system.These changes, said O’Leary, are part ofan continuing review of the security. “Idon’t want to sound like all of these thingshave happened all of a sudden. This Ander¬son incident was really something that wecouldn’t do a whole lot about because he wasa legitimate visitor.”Frat sits on itYou may see some strange-looking birdsperched on the telephone pole in front of PhiGamma Delta fraternity during the comingweek.The fraternity will be conducting a “pole-sit” in an attempt to raise money for cancerresearch at the University.The members of Phi Gamma will try to keep a brother on top of the pole for an en¬tire week, beginning May 1st.The idea was initiated by Joel Thiedy, PhiGamm brother and transfer student fromthe University of Nebraska. The Nebraskachapter of the fraternity conducted a simi¬lar venture last year, which operated for afull month.John Rutkauskas, chairman of PhiGamm’s “Philanthropy Committee,” saidthat money raised will be matched by theUniversity’s Cancer Research Center.Pledges can be made by calling 752-9608,24 hours a day.Marty to lectureMartin Marty, considered one of the mostinfluential persons on religion in America,will speak Sunday at the second Woodward Court lecture of the quarter. The lecture, en¬titled “Secular Humanism, Religious Hu¬manism, and All the Other Humanisms,”will be delivered at 8:30 p.m. in the Wood¬ward Commons.Marty is the Fairfax M. Cone Distin¬guished Service Professor in the DivinitySchool. A recent survey of American reli¬gious newspapers ranked Marty ahead ofsuch notables as the Pope and Hans Kung asthe most influential figure on American reli¬gion.Israel walk plannedThe Southside Walk with Israel will startfrom Congregation Rodfei Zedek, 5200 SouthHyde Park Blvd., on Sunday, May 2, at 7:45a.m.Volunteers are needed to serve as streetmarshall, bicycle marshalls and toe truckdrivers. Also needed are sponsors. Walkersof all ages are welcome to participate in thiscelebration of Israel’s 34th birthday. Thewalk will be on, rain or shine.Walk cards are available in synagogue,temple, and J.C.C. offices. For more infor¬mation, contact the J.C.C. at 268-4600.Kahan serviceThe late Arcadius Kahan, Professor ofEconomics and chairman of the Committeeon Slavic Area Studies, will be honored at amemorial service at 4:30 p.m. Monday, May3 in Breasted Hall, the Oriental Institute.Speakers will include Roger Weiss of theCollege, W’illiam H. McNeill (History), andD. Gale Johnson (Economics).Born in Poland, Kahan received a PhD ineconomics from Rutgers in 1958. He was avisiting professor at Harvard, the LondonSchool of Economics, and the Hebrew Uni¬versity in Jerusalem.A Regenstein book fund has been estab¬lished in Kahan's name.Martin MartyThe University of ChicagoStudent Government/Public Affairs Programpresent:STATES ATTORNEYRICHARD DALEYto speak onCriminal Problems in Cook CountyMonday, May 3, 1982 4:00 PMReynolds Club LoungeRefreshments will FollowThe Chicago Maroon—Friday, April 30, 1982 —3EditorialsUeuO rH dAMt TeQt.toPei' fy ObJnlefiitryOf v'^rv^€^et>j»oT>4^ Ac^6rH'C u)otfi/)" cf4»cAx> to coyJbocx 4k)(K3T£Ll€CTV#tt'f ^RoOiTI ^mAl^i^OF TacOf T.l/. £>fJ EoQC\(yfd AJfWJ^Considering the fame of this University in such areas as economics and busi¬ness administration, it is somewhat surprising that the UC administration hasjust come up with a new “payment plan” for more than half of UC’s studentswhich defines every norm of business ethics imaginable.Presumably, when most of us go out to buy something, like a service, we expectto have delivery of it before we pay for it. If you start home delivery of a newspa¬per or telephone service, you don't expect to pay for it weeks before receiving thefirst issue or making the first call.If you want to start school at UC in October, however, from now on, you willhave to start paying for it in August.It is not surprising that Dean of Students Charles D. O’Connell did not, in yester¬day's Chronicle article, make even a feeble attempt at justifying his new brain¬child of a payment plan, because there is no justification for it: not on the basis ofthe financial aid office's all deliberate speed in correcting its mistakes in stu¬dent awards, or on the basis of the bursar’s sloppy and unpredictable perfor¬mance in crediting scholarship money to student accounts, or on the basis of thatAdministration favorite, “Cash Flow.”What is galling about the new policy, and what shows the hypocrisy of the Ad¬ministration's desire to improve student morale, is the fact that most studentswill have earned only a third of their summer salaries by the time the bill is sentout. and perhaps a half of their summer salaries by the time the bill is due.Of course, in his infinite mercy, Dean O’Connell has dreamed up a new plan toallow parents to make monthly payments of tuition and fees — for a price. $80 per$1,000 does not, apparently, sound like a lot to O’Connell, but multiply that $80times seven for $7,000 tuition, and we’re talking about an extra $560 per year, justin interest and insurance. (Life insurance, by the way, is provided in case theUniversity’s bills drive your parents into the grave in an effort to keep up.)Perhaps $560 does not seem like a lot of money to the fat cats of the Administra¬tion, but it is for many parents whose incomes place them out of the eligibilityrange for federal and state grants, and who still must struggle to pay the billsmonth after month. The people that need most to stretch out their payments overthe year are those who are least able to afford eight percent interest.Obviously, the University has given little or no thought to a program which willbring about many hardships for UC’s students, although it may look great onO’Connell’s ledger. Autumn quarter is only the beginning, of course. You’ll bebilled for Winter Quarter in November, and for Spring Quarter in early Febru¬ary.Those who are graduating in June ought to feel glad that they will not have tobear any longer the oppressive yoke of UC’s Cash Flow. Perhaps if this new policydrives away enough students, present and prospective, the University will wiseup to the effects of its own short-sighted policies.The Chicago MaroonThe Chicago Maroon is the official student newspaper of the University of Chicago. Itis published twice a week, on Tuesdays and Fridays. Editorial and business officesare located on the third floor of Ida Noyes Hall, 1212 E. 59th St. Chicago, 60637. Tele¬phone 753-3263. Business office hours are 9:30 to 4:30, Monday through Friday.Sherrie NegreaFeatures Editor Richard KayeGrey City Journal Editor Henry OttoChris IsidoreEditorRobert DeckerManaging EditorDarrell WuDunnEditor electAnna FeldmanNews Editor Audrey LightSports EditorWilliam MudgePhotography EditorDavid BrooksViewpoints Editor Becky WoloshinLiterary Review EditorErin CassidyLibrarianAame Elias Business ManagerJay McKenzieAdvertising ManagerLeslie WickOffice ManagerCharlie MencerProduction ManagerDesign DirectorAssociate Editors: Robin Kirk, News; William Rauch, Copy editing; Margo Hablut-zel, Features; Anna Yamada, Photography.Staff: Edgar Asebey, Lee Badgett, Sheila Black, David Blaszkowsky, George Champ,Kahane Corn, Wally Dabrowski, Jeff Davitz, Teri Drager, Bill Fitzgerald, Sue For-tunato, Caren Gauvreau, Cliff Grammich, John Herrick, Vicki Ho, Keith Horvath,Robert Kahng, Jae-ha Kim, Wayne Klein, Bob LaBelle, Linda Lee, Chris Lesieutre,Kathleen Lindenberger, Bob Nawrocki, Koyin Shih, Donna Shrout, Daniel Staley,Carl Stocking, Jeffrey Taylor, Jeff Terrell, James Thompson, Bob Travis, Aili Tripp,Nick Varsam, Sheila Westmoreland, Jeff Wolf, George Woodbury. Letters‘Knee-jerk radicals’?To the Editor:Throughout the year I have been unhappyto find that under your editorship theMaroon has lacked the responsibility tocheck its stories before it prints them. Nu¬merous misstatements which might havebeen avoided with the use of a minimum ofjournalistic technique have occurred.I personally have become upset only withyour treatment of the recent primary. Yourimplication is that justice and democracywill only be served on the South side whenall elected officials are black. You may notmean this, but you serve the interests ofthose who for truly racist reasons, believethis and are working for this. Those of uswho have been active in politics of the inde¬pendent kind generally believe that the can¬didate who will do the most for his/her con¬stituents, and for the people at large shouldbe elected, regardless of race, etc. Thereare factions and personality squabbles with¬in the IVI-IPO, which indeed sometimes in¬terfere with the common goals. Most of ustry to keep such matters as race from be¬coming the focal point of such squabbles, assuch a breakdown would be to the detrimentof all. Your comment that you could producewhites who agreed with the objections to theDobry map means nothing to me. Knee-jerkradicalism is the most commonplace fea¬ture of the U. of C. I could produce perhapsfewer (I’m not editor of the Maroon), butsubstantially more mature and politicallyresponsible blacks who were incensed overthe Braun-Newhouse “Kick the whites out’’plan. But numbers only count in an election,not on the issue of moral rectitude. In theend, my point is, if you can't get minorcampus events facts right in your paper,please stay out of complicated and danger¬ous political pronouncements.Jon BrooknerMAB defends recordTo the Editor:In response to the article in last Tuesday'sMaroon about the Major Activities Board(MAB) we would like fo add a few facts thateither escaped publication or were incor¬rectly reported.The MAB budget of this year has been$48,000, which is about 25% lower than thefigure reported in the article. And while ourbudget has substantially increased it is faroutstripped by the astronomical rise in thecost of quality entertainment. For example,two years ago the Ramones concert cost theMAB $3,000 to produce. This year the identi¬cal show would cost at least $10,000 to puton.Our-board is composed of students fromvery diverse areas of the University. Farfrom being either anonymous or ignored,the group actively solicits students’ opinionsregarding our programming. In addition tothe immediate board members, the product¬ion of concerts has been assisted by overfifty students during the course of this year.The concerns of the community about theMAB are further represented by the receiptof 28 applications to the board, not ten as re¬ported by the Maroon.The Major Activities Board, judging bythe diversity and quality of the acts we’vebrought to campus this year, is a successfulorganization. And this year more concertshave been sold out; more students seem tobe getting their money’s worth from ourpart of the activities fee. It is our hope thatthe MAB can maintain the high standardsdemonstrated by this year’s performances.Sincerely,Paul Sandberg Mark BauerChris Scott Bart LazarLonnie Stonitsch Anne LibbyJane MarcusThe Major Activities BoardEditor’s Note: The figure of a $60,000operating budget for MAB was provided bythe public representative of the board. Thefigure of 10 applicants to the board was pro¬vided by a member of the Student ActivitiesOffice, after the application deadline hadpassed.Reaganite in errorTo the EditorIn his advertisement, “Disarmament orDismemberment?” that appears in theApril 23 edition of The Maroon, and supports the Reagan Administration’s nuclear weap¬ons policy, Scott Powell makes two basicerrors, one scientific, the other philosophic.The scientific error is the belief that nucleardeterrence will continue to “work”, and ap¬parently stems from a lack of informationabout strategic nuclear weapons systems.Powell does not realize that it can be demon¬strated statistically that the likelihood ofthese systems being used approaches cer¬tainty. The chance of deterrence continuingto “work” approaches zero. The philosophicerror is his assumption that because deter¬rence has “worked” in the past, it will“work” in the future.The likely failure of deterrence can be un¬derstood by examining the probability overextended time periods of the outbreak of nu¬clear war. Foreign policy authorities of suchdifferent political perspectives as Secretaryof State Haig, McGeorge Bundy, George F.Kennan, and Robert S. McNamara agreethat there’s no way to guarantee that anyuse of weapons can be kept limited. On anygiven day there’s some chance that nuclearweapons will be used — perhaps a missilelaunched. We can let the letter p stand forthis chance.The chance of a missile being fired overan extended period, which we can call AP,then is given by the equation AP + l(l-p)n,where n equals the number of days in theperiod being considered. This equation is ex¬ponential. AP approaches 100% or certaintyas n increases. It means that the failureprobability of deterrence approaches cer¬tainty.In addition, it’s possible to quantify or"operationalize” the independent variablesin this equation. The base, or minimum like¬lihood, of a missile being launched could becalculated in much the same way as a teamof Massachusetts Institute of Technologyscientists calculated the likelihood of a ca¬tastrophic power reactor accident. Besidesthat, by mathematical experiment, we candetermine that even if p is as small as 10 8(one chance in one hundred million), thelikelihood of a missile launch still will beabout 14% in ten years, an unacceptable riskfor rational policy.Powell argues that if we continue deter¬rence there’s good reason to expect that theSoviet Union will collapse from economicand political weaknesses generated by itscommunist, totalitarian system. This pre¬diction is a conjecture, and can have no sci¬entific standing as a basis for policy in com¬parison with the statistical demonstrationthat the failure of deterrence approachescertainty.Powell’s philosophic error is to believethat because deterrence has “worked” inthe past it will “work” in the future. Thiserror has to do with “induction,” the forma¬tion of beliefs about the future simplythrough observation of patterns in pastevents. Induction’s the basis of many ot ourbeliefs, but it’s unreliable; it displays no log¬ical necessity. The probability equationshows that even though deterrence mayhave “worked” in the past, its chance of“working” over extended time periods ap¬proaches zero. An example from everydaylife of the limits of induction is offered by abicycle rider’s expectation that a bicyclewill stop whenever its hand-brake is ap¬plied. If the brake cable rusts through andsnaps, the rider is in for an unpleasant sur¬prise.These scientific and philosophic errorsare displayed in the thinking of militarystrategists of all countries, and probablyconstitute the most dangerous intellectualerrors of our time.Unilateral disarmament is the only policythat could lead to the de-activation of all nu¬clear weapons and thereby reduce the likeli¬hood of nuclear war to zero (our choice liter¬ally is “disarmament or dismem¬berment”). Since aggression tragicallyis a possibility, nations that unilater¬ally disarmed would be wise to adopt non¬military defense programs to make lesslikely and more difficult aggression and in¬vasion. Examples of such programs aremassive economic aid to abolish povertyand other causes of cynicism and expansion¬ism, the creation of global institutions to re¬solve conflicts peacefully and promote eco¬nomic and political justice, and preparationfor nonviolent resistance.Sincerely,Bradford Lyttlecontinued on page six4—The Chicago Maroon—Friday, April 30, 1982ViewpointsSalvadoran democracy 'fraudulent,’Bv Hugh Wilson *By Hugh Wilson“What is truth?” said the jesting Pilate, and wouldnot stay for an answer.Lord Bacon’s essay On TruthThe elections in democratic El Salvador have attracted agreat amount of favorable media comment. The main¬stream periodicals are nearly unanimous in affirming thatthe elections were fair and that the high turnout proves thatthe guerillas and the FDR do not have the support of themajority of the population. According to Newsweek, “Al¬most 1.5 million Salvadorans — all but 100,000 of thecountry’s eligible voters — cast ballots last week in El Sal¬vador’s first honest elections in fifty years.”Time magazine said, “more than 1.5 million men andwomen...cast their ballots. Defying widespread predictionsof a dismal turnout, at least 80% of the electorate — twicethe normal figure — took part in the most important elec¬tions in the country’s history.” Time remarks, “Most im¬portant, the showing undermined the leftists claim to popu¬lar support...” Another article in the same issue remarksthat “leftist guerillas had been discredited.”The conservative U.S. News&World Report said that the“huge March 28 vote...refutes the insurgent’s boast thatthey command support of the masses.” The ‘liberal’ NewRepublic says that “The vast majority of the Salvadoranpeople turned out at the polls in overwhelming numbers inspite of threats.” It said that the elections were “fair” ac¬cording to “dozens of neutral observers”.Unfortunately, the mainstream periodicals: Newsweekand Time, the conservative U.S. New’s&World Report andthe liberal New Republic are, at best, seriously mistaken.The elections were fraudulent and the turnout is meanin¬gless in terms of the inferences drawn from it. The will ofthe electorate cannot be inferred from the results of elector¬al falsification. Hie Rhodus, hie saltus est.Before I offer the gravamen of my charges I will engageon a brief excursus on the character and conduct of the Sal¬vadoran government in order to explain why the recentACLU report says that “El Salvador has not enjoyed a fairelection for the last fifty years”. The past will illuminatethe present.THE CHARACTER OF THE GOVERNMENTThe Area Handbook for El Salvador, published in 1971 bythe U.S. Government Printing Office, euphemistcally ac¬ knowledges the undemocratic character of El Salvador’sgovernment. “The politics of El Salvador as an independentnation have been dominated either by an elite economic oli¬garchy, by the army, or by a coalition of both”. It furtheradmits, “Since the early 1930s the coalition of the militaryand the leading families has presented a solid front”. Fur¬ther, the “social structure, however, continues to place eco¬nomic and political power in the hands of the few”. In addi¬tion, “The country’s political organization is basicallyhighly centralized, and there is actually little opportunityfor local initiative or independent action”. The officer corpand the oligarchy have a “tacit alliance resulting, for allpractical purposes, in joint army-elite rule”. Of course,“The army and the elite are more interested in maintainingstability than in challenging each other and have found itrelatively easy to swTay the public in view of the widespreadilliteracy and lack of organization of the masses”.Finally, with the usual cant of government manuals, theHandbook alleges that “the country is committed to West¬ern democracy and is willing to take a forceful stand in sup¬port of its convictions”. Unfortunately, El Salvador’s com¬mittment to “Western democracy” refers to its foreignpolicy rhetoric, not its internal affairs.DEMOCRACY: CIRCA 1972In 1972, presidential elections were held and a left-centercoalition ran against the government party. The oppositionwon, and was subsequently arrested.In hearings held before an American congressional sub¬committee in 1976, Dr. Fabio Castillo, former President ofthe National University of El Salvador, offered damningtestimony about the general character of the Salvadorangovernment, and in particular, the elections of 1972. Ac¬cording to Dr. Castillo,“The circumstances of economic oppression andexcessive exploitation of the rural and urban popula¬tions called for the establishment of a dictatorial re¬gime of political repression in order to maintain theunjustified privileges of the big landowners.The military dictatorship that came into power in1932, due to its incapacity to solve serious social andeconomic problems, had to use the most odious meth¬ods of terror, assassination and electoral falsifica¬tions in order to remain in power and to preserve theeconomic and social status quo.” ‘meaningless’Dr. Castillo submitted that “the presidential elections inFebruary (1972) and those for the legislature in March wasaccompanied by the most cruel persecutions carried out bythe government”. He then explained in rich circumstantialdetail how the fraud was exposed. The Central ElectoralCouncil, snarled in its own creative mathematics, inadver¬tently gave out figures that indicated an opposition victo¬ry.“On Tuesday, February 22, the Central Election Councildeclared that the PCN had won (314,000 as against 292.000for UNO). In spite of all the harassments the official partyhad only 22,000 votes more.Those totals likewise include San Salvador where thePCN received 63,000 votes and UNO 96,000. Yet, in the after¬noon of the same day, the Election Board of the “Depar-tamento de San Salvador” in an effort to show honesty, cer¬tified that the Central Election Council had changed thedepartmental results and that the actual figures of San Sal¬vador were 64,000 votes (PCN) and 126,000 (UNO) which inthe “Departamento de San Salvador” gave the oppositioncoalition a lead of 62,000 votes over the PCN. This showsthat if the national results were likewise changed, the offi¬cial party would have actually got 315,000 votes and thedemocratic coalition altogether 321,000.Caught in flagranti, the Electoral Council had to acceptthe authenticity of the figures furnished bhy the San Sal¬vador Electoral Board. It immediately imposed silence onthe communication media, revoked the definite results ithad published on Tuesday, the 22nd announced that Friday,the 25th, it would publish new figures.On February 25, the Electoral Board published new fig¬ures; in order to declare Colonel Molina as the w inner it hadaltered the ballot records of three provinces: La Union.Chatalenango and Sonsonate.”In conclusion. Dr. Castillo explains,“In El Salvador, the democratic electoral system isin a state of complete discredit. Even in governmentcircles, the people are convinced that their victorieswere not the product of the people’s votes. Everybodyknows that the elections are wrought by fraud. Thedespair of citizens and the national frustration havealready reached alarming heights.”Such were the elections of 1972.Next week, Hugh Wilson concludes his survey of El Sal¬vadorean politics with a viewpoint on the 1982 election.MUSIC FOR ROYAL OCCASIONSRockefeller Chapel Choir and Orchestra Rodney Wynkoop, DirectorSaturday, May 88:30 p.m. Rockefeller Chapel5850 S. Woodlawn Ave. Celebrating Israel’s34th BirthdaySunday, May 2,1982HYDE PARK-KENWOODWALK WITH ISRAELREGISTRATION—7:45 a.m.Congregation Rodfei Zedek5200 S. Hyde Park Blvd., ChicagoThe Chicago Maroon—Friday, April 30, 1982—5PRELAWMEETINGDiscussion of LSATand other informationfor students planningon applying to lawschool next autumnWEDNESDAYMAY 5 • 3:30 PMCLASSICS 10Sponsored by Office of theDean of Students inthe CollegeASHUM-AMSASeminar Series 1981-82Program in the Arts and Sciences Basic to HumanBiology and MedicineandAmerican Medical Students’ Associationpresent a lecture onThe Discovery and Conquestof Typho-Malarial Fever,1862-1899: The Social Historyof A DiseasebyBarbara G. RosenkrantzProfessor, Department of the History of ScienceHarvard University and Harvard School of Public HealthTUESDAY, MAY 4, 19827:30 P.M.HARPER 130All interested persons arc invited tr attend.There will be a reception with the speaker in Harper 284 following the lecture. The CampusScholarship winners namedtreasurer for two years and was active inBy Audrey LightThree incoming freshmen women havebeen awarded the Women’s Athletic Associ¬ation Gertrude Dudley Scholarships and theAnn Wilson Scholarship, the Office of Col¬lege Admissions announced this week. Therecipients were chosen on the basis of theirsuperior academic and athletic perfor¬mance while in high school. The scholar¬ships do not require participation in the Uni¬versity’s athletic program, but provide thethree women with full tuition for fouryears.The two Dudley Scholars are StephanieGrossman of New York, NY and WendyParshall of Waukegan, Illinois. MajalisaJaede of Minneapolis, Minnesota wasnamed the Wilson Scholar.Grossman played three years of varsityvolleyball and four years of varsity basket¬ball at The Dalton School. She was namedMVP of the basketball team her sophomoreand junior years, and captained both teamsas a senior. Grossman also was active instudent government and the school newspa¬per, and worked with Search and Care Vol¬unteer Association. She plans to major in bi¬ology or behavioral science in preparationfor a career in sports medicine or physicaltherapy.Parshall attends Lake Forest Academy,where she has played varsity volleyball,basketball, and softball each of her fouryears. She was named to the all-league teamin volleyball and served as captain of theLake Forest team. Parshall served as class drama. She is considering a major in eitherbiology or a foreign langyage, but currentlyhas no career plans.Jaede was a four sport athlete at Mar¬shall-University High School. She playedfour years of varsity basketball and golf,three years of varsity volleyball, and was onthe varsity track team for two years. Shewas named MVP and all-conference in vol¬leyball, basketball, and golf, and served ascaptain of five different teams. She was alsoactive in AFS and the Minnesota HighSchool Page Program. She plans to major inbehavioral science in preparation for a ca¬reer in industrial psychology or public rela¬tions.The WAA-Gertrude Dudley Scholarshipswere the nation’s first athletic scholarshipsfor women when the program was estab¬lished in 1973. The scholarships are namedfor the first chairman of the Department ofWomen’s Physical Education and the WAAfounder. The Ann Wilson Scholarship wasestablished by the Board of Trustees in 1978to honor Mrs. Wilson for her interest in thewomen’s athletic program. She is the wife ofJohn T. Wilson, President Emeritus of theUniversity.This is the last year each of the scholar¬ships will be awarded. The University plansto join the NCAA Division III Midwest Ath¬letic Conference for Women next year andwill be prohibited from awarding athleticscholarships. The Dudley and Wilson Schol¬arships will be incorporated into the CollegeHonor Scholarship Program in futureyears.Letters continued from page fourWhistle best friendTo the Editor:I was pleased to read David Brooks’ ar¬ticle on the problem of crime in city neigh¬borhoods (“War on Crime Should UtilizeForgotten Strategy”). As he pointed out, themajority of street crime takes place duringthe rush hours. The claustrophobia of theG.W. OPTICIANS1519 E. 55thTel. 947-9335Eyes ei«RiMd mmd Contact Lenses fitted byregistered Optometrists.Specialists in Qaafify Eyewear at ReasonablePrices.Lab on premises for fast service - framesreplaced, lenses duplicated and pre¬scriptions filled. fortress mentality is as damaging as thephysical damage caused by crime. Knowingthis, I have walked around Hyde Park at allhours for 6 years. It saddens me to hear aHyde Parker say that he or she never goesout after 9 p.m. or to hear a newcomer ask¬ing if it is “safe” to be in such-and-such anarea. One must always be careful andaware, at all times and places, but oneneedn’t give up social interaction.The Hyde Park-Kenwood CommunityConference has a goal of arming as manycitizens as possible with whistles. Carriedon a key chain, always in your hand whenyou are on the street, it serves as a link withyour neighbors. A blast on the whistle hasbeen known to bring people to the scene oftrouble at all hours. Please stop by the newoffice of the Hyde Park-Kenwood Communi¬ty Conference on 53rd Street near Dorches¬ter to pick up whistles for yourself and foryour friends ($1.50 each for all-metal, po¬lice-type whistles).Sincerely,Shirley AndersonOriental Institute6—The Chicago Maroon—Friday, April 30, 1982IBaker reportcontinued from page oneoffer; “energetic experimentation’’ withcampus visits for applicants admitted; en¬largement of the statistical function of theOffice of the Dean of Students to includemaintenance of records of indicators of theacademic quality of applicants and matricu¬lants; and conduction biennially of a surveyof applicants.The commission supports the continuationof the new policy of guaranteeing continuedaid at the same level for three years in theSocial Science and Humanities Division,subject to clear definition of appropriateperformance and adequate flexibility toreward superior work by students admittedwithout aid. Appropriate steps must also betaken to prevent students from accumulat¬ing an “impossibly large’’ debt. The com¬mission also urged the University to con¬sider alternatives to existing loanarrangements and to seek foundation sup¬port for a program of post-doctoral fellow¬ships.The commission recommence iuuuu ex¬ploration of the feasibility of creating aGraduate Student Center, perhaps by modi¬fication of a pre-existing graduate dormi¬tory. In surveys of graduate students, thequality of social life here consistently ratespoorly.In order to maintain the highest standardsin many of the various departments, thecommission recommends consideration ofestablishing several academic institutes. AMathematics Research Institute would helpcorrect the fact that the Mathematics De¬partment is the only one among the leadingfive departments in the country which mustcompete for scholars and conduct researchactivity without the advantages conferredby the presence of a complementary con¬centration of first-rate mathematicians.The Humanities Division should considerestablishing a Language Institute whoseflexibility could make less necessary othertypes of restructuring, would encourageScientific Calculator withProgramming and StatisticsTI 55 II*4195 to \Texos Instruments*112 powerful built-in functions for math science and engineering■ Simple programmability gives you added versatility speed* Definite integration of functions entered into program memory■ Use up to 8 memories or 56 program stepsThe University of ChicagoBookstoreCalculator Department970 E. 58th St. (2nd fl.)753-3303SLAVIC FORUMPRESENTSITS ANNUAL RUSSIANLITERATURE CONFERENCEFRIDAY, APRIL 30,1982IDA NOYES LIBRARYANDA LECTURE BYPROFESSOR VICTOR ERLICH,YALE UNIVERSITY“THE PLACE OF RUSSIANFUTURISM WITHIN THERUSSIAN AVANTGARDE” Newscurriculum re-evaluation and re-creation,and would free faculty for more wide-rang¬ing thematic and inter-departmental combi¬nations.The Baker Commission also urges that acommittee be formed to study whether theUniversity should establish a Department ofComputer Science. Although the commis¬sion considered the pros and cons of theissue, it believes a more detailed study bemade. Currently, UC is one of the very fewmajor universities without a computerscience department.The report also recommends that a com¬mittee be created to gather and examinefaculty views regarding the proposal to es¬tablish a Research Institute structure in theHumanities and Social Sciences. Accordingto the report, the principal function of suchan institute would be to create and sustainseminars and workshops for advanced re¬search in the humanities and socialsciences, thereby establishing a clearer def¬inition of the research stage of graduatework in the two Divisions.■■■■■■■■■■■■■■■■■■ University President Hanna Gray has al¬ready made a preliminary response to theBaker Report. In her memorandum on thereport, she said she will begin to pursue atonce some of the commission’s recojnmen-dations. She said she will develop a plan toestablish a system of ad hoc visiting com¬mittees to evaluate the UC programs Sheintends to have the Provost appoint commit¬tees to consider a program in computerscience, to consider manes of improving op¬portunities offered by the professionalschools, and to consider joint degree pro¬grams.Gray also said she will discuss with theDean of the Humanities Division and theDean of the College the consideration of aLanguage Institute.She will urge the Office of Career Coun¬seling and Placement to consider what stepsmay be proposed to provide fuller counsel¬ing and assistance in relation to non-aca¬demic careers.She will also urge exploration of alterna¬tives to existing loan arrangements. HP art fair timeIt’s art fair time again.Hyde Park-Kenwood neighborhoodgroups are invited once again to take part inthe 57th Street Art Fair, a neighborhood in¬stitution since 1948. The fair is scheduledthis year for the weekend of June 5 and 6.To apply, organizations should send a let¬ter briefly describing the nature of thegroup and the type of booth or display pro¬posed. A particular location may be request¬ed.The letter should include the name, ad¬dress, and phone of a contact person. Itshould be sent to Civia Rosenberg, 1031 E.50th St., Chicago, IL 60615.The deadline for application is May 12.For more information, contact Rosenbergat 538-7810 (days) or community relationscommittee co-chair Ruth Knack at 324-7119(eves). FiThe Chicago Maroon—Friday, April 30, 1982—7fUM&£ jZtU&MUL- * *. * •,i m » •'•I * •.gr&M the future of American!Q"E WRy:IMPUGATioJS or RECENT CH^N^ES In)1>SNAaqRAPMY , OULTUR6 ; An»D >DErsTTlTV. Veter Fviedman) , director or research,JEiuish PtDE^riofO oP Chicagou.c. vwd .Friday apr.il 30 • 8*3ot>m.AT HILLEL MOOSE5‘=f\5' S. WOODcAWNi s* » ' ,c*•w • ••C v*v •* * ,>. v * * .iWtV*t V-3- , ,* V55#:,'?i'SS'S^SSSSSSSSS'SSSSSSSSSS'SSSSSSSSSSSSS:ft aThe Georges Lurcy LectureThe Historianinthe Age of Ideologiesto be given byArnaldo Momigliano5:30 p.m.Tuesday, May 4, 1982Breasted Hall, The Oriental Institute1155 East 58th Street MMt|MMMIIMMMISIIM1.1Ml.t1.1ttMIIMtt11IIIIIIIIIIIIItIIItIIIIIIIIItIIIIIIItIIIIIIIIIrfls-!>ss'ss-sssss's's'ss'&s::s's'ssssa's'sss'sssss'sssd:8—The Chicago Maroon—Friday, April 30, 1982 I44a£JlH Everyone talks about creatingaffordable housing in Hyde Park, butwe’ve done it!One, two, three and four-bedroomapartments with location, location,location...Down payments start at $3178.Monthly charges (includingmortgage payments, propertytaxes, and assessments)from $344.Financing provided by the NationalConsumer Cooperative Bank ... Over$1.3 million in rehabilitation ...The Parkshore is a tenant-sponsoredhousing cooperative offering the besthousing value in Hyde Park. We’vedone the work putting the packagetogether over the last twelvemonths ... Now you can enjoy thebenefits...Come live with us at the Parkshore!Office hoursTuesday 7 pm - 9 pmSunday 1 pm - 3 pmOr by appointmentFor sales information, call 684-0111.Sponsor: The Parkshore, an Illinoisnot-for-profit corporation, 1755-56 East55th Street, Chicago, Illinois 60615.Development and Marketing Agent:Metropolitan Resources Group. Inc.GREY CITY JOURNAL30 April 1982 • 14th YearSpertus and a New Biography Want to Understand the Writer From Prague...Sort of.Kafka PragueThe Spertus Museum of JudaicaRunning until May 30th618 S. Michigan Ave.922-9012Kafka: A BiographyBy Ronald NaymanOxford University Press, 1982$19.95; 349 pagesBy Jacob Wirtschafter"Kafka Prague” is an exhibit at the Sper¬tus Museum of Judaica, which attempts tocapture the world of the writer who trans¬formed personal insecurity into powerful literature. The exhibition is a documentarycomposed of family portraits, biographicalnarrative, literary memorabilia and compelling black and white photographs of Prague. A walk through this documentary givesthe visitor a good look at the environmentthat surrounded Franz Kafka.It is easy to project one's idea of Kafka onto the images we have of him. in his recentlypublished biography, Kafka (Oxford Uni¬versity Press), Ronald Hayman identifieshis subject's psychological traits in hisphysical appearance:The photographs of him as a childar# revealing. At about five he wasa^pMlingly fearful, appallingly vulnerable, cowed, tense, unhopeful. Afew years later his face shows thatsome kind of defense system has beenerected. The set of the features indi¬cates more stubbornness thanstrength, but he is less vulnerable ifonly by virtue of being more w%vdrawn.The exhibit lets us in on KafKa^s fears.Portraits of his father, Hermann, Show ahusky man with an air of aggressrvertfto#that produced success in the business worldand terror in the psyche of his son. The boywas not only overpowered by his father! ^physical presence, his whole environmentserved to intimidate him. A series of photo¬graphs by Jan Parik records the child'sdaily walk to primary school. The dark passageway of the Fleischmarktstrasse In theancient center of Prague was torturous forKafka. It was not just the imposing medi¬eval architecture that haunted the boy. Thecook who walked him to school vented her^tfrustrations on Franz by taunting him."I stood still and begged tor forgiveness.She dragged me along. I threatened to getmy own back through my parents. Shelaughed. She was omnipotent there. I heldon to the corners and the doors of shops. Ididn't want to go any further till she'd forgiven me. I tore at her skirt — it wasn't easyfor me either — but she dragged me on,promising that this too, would be reported tothe teacher. It was getting late. I wasalways terrified of being late. We had to runtoo and always with the thought, 'She'll tell,she won't tell.' Well, she never did tell, butshe always had the opportunity."Kafka is a spokesman for the vulnerable,and the Spertus exhibit brings out the fac¬tors that contributed to his insecurity. Hisfamily often changed apartments. Hermannreflected each degree of success in his enterprise with a simultaneous change of resi¬dence. Franz was the new kid on the block.He is the stranger. The family house at 3Zeltnergasse stands as a symbol of his placein society. One wing of the house is connect¬ed to the Tyn church and Franz had a win¬dow with a direct view of the sanctuary but as a German-speaking Jew in Czechoslova¬kia, he was cast in the role of an observingoutsider.It is difficult to overemphasize the factthat much of Kafka's vulnerability stemsfrom his position as a Jew. His father Her¬mann grew up in the shtetl ... a small Jew¬ish community in the countryside. Yet polit¬ical factors drove him and other Jews intothe city. Jews saw their emancipation as theconsequence of Austrian liberalism andshowed commitment to the empire byspeaking it's language — German. As Czechnationalism intensified in the rural areas,Jews flocked to Prague hoping to find refugein the Kultur of Liberalism. But as RonaldHayman points out:"Franz Kafka had been born into an envi¬ronment that strongly rebuffed the assimi-lationist inclinations of the Jews, who werereminded of their Jewish identity morepainfully than in the more liberal period1867-81. The economic crises in Austria and didn't have to be imagined behind it. I be¬lieve it's only memories of the ghetto thatare preserving the Jewish family,-for theword Vater too is a long way from the mean¬ing of the Jewish father."The Spertus exhibit includes a facsimile ofthe invitation to Franz's "Confirmation".Even the name of the Bar Mitzva ceremonyhad been Germanized. Franz characterizedthe event as a "ridiculous piece of learningby rote, leading only to something like passing an examination."Photographien reden (Photographs Talk)is the name of a play that the teenage Kafkawrote and Jan Parik's photographic imagesof Prague speak of the author's world as ef¬fectively as Hayman's written biography.The city's ethnic tensions are mirrored inphotos of the University where German andCzech speaking students utilized separateentrances to the same building. The intimi¬dating journeys to centers of authoritywhich Kafka describes in his fiction areanarchistic subversion were inflaming anti-Semitism, and in Vienna leaflets were beingcirculated urging people to boycott Jewishshops." The Prague Jew suffered from rising Austrian ant Semitism and Czech antiGermanism.Kafka was alienated from the nation helived in, the language he spoke, and the historical community from which he came."We call a Jewish woman mother," hewrote. "But forget the contradiction whichsinks the more heavily into the feelings...So the Jewish woman who's called 'Mutter'becomes not only funny but strange. Mamawould be a better name if only 'Mutter' nicely evoked in Parik's series focusing onPargue stairways.it has been said that Kafka "detectspower, identifies it, names it, and createsfigures of it in every instance where otherswould accept as nothing out of the ordi¬nary." Parik illustrates Kafka's percep¬tions about power and powerlessness by jux¬taposing an image of the Baroque edifice ofthe Worker's Accident Insurance Institute(where Kafka worked writing up the claimsof the victims of industrial accidents) with ashot of proletarian housing in Prague'sKarindistrict. The photos are accompaniedwith this entry from Kafka's diary: "How modest these men are. They come•to us and beg. Instead of storming the insti¬tute anc smashing it to little pieces theycome and beg."The exhibit was put together by the Museum of the Jewish Diaspora in Tel-Aviv, andrecently traveled to New York's Jewish Mu¬seum. Although the Jewish point of view iseffective in placing Kafka in his culturalcontext, it tends to obscure the actualities ofhis relationships with the opposite sex. In asection entitled, The Women in Kafka's Life,we are told that; "Kafka, who never married longed to be a family man and havechildren. He saw this as 'the highestachievement that a man can attain.' He wasfated never to achieve the goal." The exhibitavoids giving us a full impression of Kafka'slove life. Twice he broke off his engagementto Felice Bauer and although there is a pic¬ture of her best friend, Grete Bloch, the visi¬tor is not informed that she is believed tohave had Kafka's child. Despite his statemenl on the worthiness of marriage as aninstitution, Franz managed to have an affairwith his Czech translator, Milena JesenskaPolakova, a married woman. I'm not askingthe Jewish Museum to inform us aboutKafka's visits to Prague brothels, but it isslightly misleading to give the impressionthat his romances were strictly Kosher.From a Zionist point of view, the Pragueauthor was a nice Jewish ooy. While hisparents tried to assimilate into "goishe" society, Kafka understood his position as analienated foreigner. Kafka's literature canbe viewed as the story of what happens tothe Jew alone In the world and deprived ofhis home ancf. th 1910, he criticized a Jewishnovel saying that, "With the existenceof Zionism, the possibilities of solution stand soclearly ranged around the Jewish problemthat the author needed to take only a ffwmore steps to find the possibility of a solu¬tion to his story."Kafka took a few of these steps himseff.and the Spertos exhibit makes a poin> of ear-phasizing them. In the processof going backto his "roots", Franz studied Heprew.andJewish history. It is appropriate for the ex¬hibit to make us aware of Kafka's Z>orristsympathies, but it’s easy to feel over*whelmed by a few too many quotes in the ex¬hibit from Kafka's Zionist friends informingus that Franz always wanted to move tpIsrael. (His fictions leads one to believe thatKafka was too alienated to speak with atravel agent, let alone to commune with po¬litical Zionists.)Generally the "Kafka-Prague" is effecfive in putting Kafka n his context. Here isaman who dealt with his estrangement fromfamily and society by diminishing himseif inhis personal life and by transforming hisspiritual dilemmas into some of the mostimportant literature of the twentieth-certury. Hayman's biography of Kafka is packecwith interesting quotes from Franz'sdiaries, but his narrative often explainsKafka's life in terms of food fears and fetfishes. The Spertus show goes much furtherin providing a documentary that picturesKafka in terms of his city and his historicalposition as a Jew."Kafka Prague" runs until May 30th atthe Spertus Museum of Judaica, 618 S. Michigan Ave. The museum is open Mon.-Thurs. 10 a.m.-5 p.m., Fridays 10 a.m.-3p.m. and Sunday 10 4 p.m. Closed Saturdays. Admission is $1.50 and $.75 for students and senior citizens. Fridays are freeFor more info, call 922 9012.Franz Kafka — Fetichist, Zionist, ModernistBLACKFRIARSPRESENT AN ORIGINAL U of C MUSICALFunded by SGFC5309 S. Blackstone • 947-0200OUR FAMOUS STUFFED PIZZA IN THE PAN IS NOWAVAILABLE IN HYDE PARKOPEN 7 DAYS A WEEK • 11 AM TO 12 MIDNIGHT„ Cocktails • Pleasant Dining • Pick-Up“Chicago’s best pizza!’’ — Chicago Magazine, March 1977“The ultimate in pizza!” — New York Times, January 1980 * ^1 1 1 1 1 1 1 1 1 1 1 ITTT I I I K- Saturday - Walt Disney’s classic version of Robert LouisStevenson’s classic TREASURE ISLAND at 2:30 —Then Norman Jewison’s spectacular presentation of one ofBroadway’s biggest hits starring Topol and Molly Picon,FIDDLER ON THE ROOF at 6:45 and 9:45 (sep. adm.)Sunday - More and more middle eastern cinema, BABA andTURKEY: CROSSROADS OF THE ANCIENT WORLDat 2:30 mmThen as part of our series on German New Wave cinema, Bruno. Ganz stars in Reinhard Hauff’s acclaimed psychologicalthriller KNIFE IN THE HEAD at 8:00All films in Cobb Hall. A v/Q^DOC films.\ | J jf j| i 1 jj J -v' Jl!;:! : ir.'k.frSWMiA Discussion ofWork, Meaning, and VocationSaturday, May 1st, 10:00—12:00 Noon(Coffee: 9:30 A.M.)Ida Noyes LibraryPanelistsMaynard WishnerPresident and Chief Executive Officer, Walter E. Heller & Co.Wendy O’FlahertyProfessor, the Divinity SchoolBernard O. BrownDean, Rockefeller Memorial ChapelJohn W. CroghanChairman, Lincoln Capital Management Co.Kent DruyvesteynDean of Students, Graduate School of Business2—FRIDAY, APRIL 30, 1982—THE GREY CITY JOURNAL■iiiimw iii ■ i «...— — —■■■ — »—UMW-JU ii i’—w—w—. ■«*««■ I — 'I >1+<* ■*■■■■ «*■ARTBob Peters Last Saturday night,Bob Peters added another arti¬fact to his collection. It was theperformance part of a presenta¬tion called "Although Marco PoloNever Heard of Chicago, ItsStory Really Begins with Him,"in which bits and pieces of ob¬scure Chicago memorabilia arepresented in an installation andperformance. The show was organized by U.C. professor BobPeters and Larry Smolucha andis a presentation of such artifactsas the cement shoes of the Mobfame, bread from different partsof the city, and a book publishedby the Art Institute on how to pro¬nounce the names of artists, all ofwhich were installed on the sec¬ond floor gallery of the Museumof Contemporary Art. Smatteredbetween the object artifacts arequotes from famous and infamous Chicago luminaries that il¬lustrate the uniqueness inthought that has become repre-sentitive of the Chicago state ofmind, as well as a few "fun factsto know and tell" about some obscure Chicago events. A histori¬cal pamphlet is provided for any¬one going to see the installation,and included in this is a pronunci¬ation chart with the fifty-twomost common Chicago words anda pronunciation key so that youcan learn to speak perfect Chica-gonese. The installation also in¬cludes a number of words andtheir "Chicago" definitions paint¬ed on the floor. Although thereare only two days left to see theartifact portion of the show, it iscertainly worth the extra tripdowntown to the MCA. Not onlywill you learn a lot about Chicagohistory, but also be able to pickup on a little Chicago dialect inthe process (this could be espe¬cially valuable to "foreign" stu¬dents from New York, California,Iowa, Nebraska, etc.) The muse¬um is open Tues-Sat, 10-5, Sun,12-5. —A.A.FILMClockwork Orange (Kubrick, 1971).My middle class friends wor¬shipped this film in high school.We identified with Alex, the nihil¬istic gangleader turned on byBeethoven, "ultraviolence," and"a bit of the ole in and out." Itsoutrageous day glo portrait ofrapes and beatings pleased yetdistanced us from our own fearsand numbed us to the real impli¬cations of violence. Today whileMalcolm McDowell's Alex is stillendearing, the themes of moralchoice in a mechanized societyand law and order in the juvenilejungle come across as simple-minded. Yet this is not to suggest,as some do, that the director isempty headed, simply artsy orshamefully dishonest. Unlike theBurgess novel, Kubrick wants to seduce not inspire the viewer. Hiscartoon treatment of the themes,and grotesque caricatures of themiddle and upper class establish¬ment abet his formal concerns.Kubrick's highly stylized futuristic landscape so shrewdly domi¬nates the discussion of ideas thatwe become like Alex — yearningfor greater thrills. The newcomerwill be dazzled by the film's Ba¬roque costuming, bright lightingand brilliant colors, which makeThe Warriors look drab by com¬parison. Those who enjoyed theBurgess novel will be gratifiedthat the film adheres to the logicof the book, but will be disappointed by the film's failure tocapture the force and ingenuity ofthe "droogs' " private slang of"nadsat." Finally, "new music"fans watch for that band the two"devotchkas" are drooling over.Fri. at 7:00 and 9:30 QuantrellAud., Cobb. $2.00 A UR/BRECK-ENRIDGE production —JMCDark Star dir. John Carpenter(1974) This science fiction comedy marks the directing, produc¬ing, and writing debut of John(Halloween) Carpenter. A parody of Stanley Kubrick films ingeneral and 2001 in particular, itfollows the adventures of thecrew of the explorer ship DarkStar (of course), who go aroundblowing up unstable planets tomake the universe safe for coloni¬zation. The film is funny through¬out, and frequently hilarious. Al¬though not very widely known,Dark Star has attracted a rathersubstantial cult following, andsome even consider it the bestsci-fi film ever made (includingLarry Niven, an award-winningscience fiction author who oughtto know about such things). Per¬haps they're right. After all, it'sgot everything going for it — surf¬ing, country music, killer beachballs, and an introductory lessonin phenomenology. A verystrange film indeed, but highlyrecommended. An IHC film,sponsored by Dudley House. Fri¬day, April 30, 12 midnight.Treasure Island (Byron Haskin,1950). The best part of this Disneyrenaition of Robert Louis Steven¬son's children's story is the cast,led by Robert Newton as LongJohn Silver, who ham their rolessufficiently to keep any adults inthe audience amused. The onlyserious weakness is the casting ofBobby Driscoll in the role of JimHawkins. Driscoll is the archety¬pal Disney brat: baby faced, in¬nocent, smiling and American,cast adrift in a sea of overactingEnglishmen. But he sticks out sobadly that he too becomes amus¬ing, if only by accident. Great funfor eight-year olds, and not a badtime for anyone else. Sat., 5/1,2:30 Doc -JSTo Have and Have Not (HowardHawks 1944) Francois Truffautreports that this film had its gen¬esis in a conversation betweenHawks and Ernest Hemingway,in which the director claimed heEditor: Richard KayeFilm Editor: Jim CrottyBook Editor: John EganTheatre Editor: Keith FlemingArt Editor: Ari KambourisClassical Music Editor: Robin MitchellFiction and Poetry Editor: Paul O'DonnellPhotography Editor: Nina BermanProduction: Nadine McGann, David Miller, Max SandersStaff: Mike Alper, David Brooks, Pat Cannon, Charles Coleman,Kira Foster, James Goodkind, Sarah Herndon, Michael Honigsberg,Richard Martin, Vincent Michael, Jeff Makos, Beth Miller, PatO'Connell, Sharon Peshkin, Judith Silverstein, Jacob Writschafter,Ken Wissoker. could make a movie from thewriter's worst story. Hemingwayseems to have agreed withHawks about the story, but onenevertheless expects a good dealfrom a script in which two NobelPrize-winning authors had a hand(William Faulkner was co authorof the screenplay, with help fromJules Furthman). The results arenot at all disappointing. It's amarvelously entertaining film,with romance and WWII intrigueaplenty. It belongs, of course, toHumphrey Bogart and LaurenBacall, and the chemistry between them goes much deeperthan anything even the best writers and directors could elicit.Bogie, a hard-bitten fisherman inMartinique, is as tough as ever,but he more than meets hismatch in Bacall, appearing hereat age 19 in her film debut. Onewriter said that her "husky, un¬derslung voice, which is ideal forthe double intendre, makes evenher simplest remarks sound likejungle mating cries," indeed,from her insolent opening "Any¬body got a match?", she is elec ship. Not only is this productionuseful for discussion of contem¬porary Turkish cinema, but alsofor its social statements and implications: the stereotype of theimpassive German doctor andnurse, symbolic of the hated butoften necessary foreign laborcrews; the generational and classattitudes toward Islam evincedby the grandmother's prayerbeads and insistence on ritualslaughter of a chicken; the mod¬est demeanor and charshaf (headcovering) of the wife; the wantondrinking gambling life led by theamoral rich; the strong sense offamily ties among both poor andwealthy alike. Worth seeing. DOCSunday, 2 May at 2:30. S2.00— T.H.The Crimson Kimono (SamuelFuller, 1959). Throughout his career Fuller has been preoccupiedwith American racial issues,issues which he skillfully explores in this crime story whichbecomes a love story. James Shi-geta (Detective Joe Kojaku)plays a Japanese L.A. detectivewho falls for his best friend'sThe Crimson Kimonotrifyingly sensual. With WalterBrennan, and Andy Williamssinging as Bacall mouths thewords to several Hoagy Carmi¬chael songs. LSF Saturday, 1May, 7:15 & 9:30 and Sunday, 2May, 8:30 —SWBaba (Yilmaz Guney, 1974). Withover 1,000 theaters and up to 200productions a year, Turkey has avital national cinema whoseproducts are rarely seen beyondits borders. The raw emotionalappeal of popular Turkish filmsmay come as a jolt to a refinedWestern sensibility. Their heroesand heroines are typically sub¬jected to epic trials of injustice,suffering, and humiliation, withcrises and climaxes piled on topof each other like building blocksin a child's nursery. The oftencrushingly tragic resolutions remind one that the happy ending isperhaps a commercial nicetyonly for middle-class audiences.Istanbul of the early 1970s is thesetting of this early film by Tur¬key's best director, YilmazGuney. Tender vignettes constrast with harsh scenes of vio¬lent emotion. Cemal, an impoverished boatman unable toqualify as export laborer to Ger¬many, agrees to frame himselffor a murder in return for supportof his wife, mother, and threechildren. Footage of a lower-class Muslim family in one roomsqualor is accurate, as is that ofthe luxurious seaside residence ofthe murderer's family. Prisonscenes are less realistic but carrythe message of supportive friend love, a college artist whose help¬ing them track down a murderer.The racial conflicts which Joe experiences arise not from hisfriend's prejudice as he imagines, but from the dynamics oflove: Joe is torn between irrational personal desire and obsessionwith self, and at the same timedenial of self in an involvementwith and allegiance to another.To emphasize this tension Fulleremploys visual style with franticenergy, violently cross-cuttingbetween the action of the murderinvestigation and tender lovescenes. Fuller allows Joe no social outlet for his problems —he's not even allowed the luxuryof saying that he's a victim of therace problem, or that society is atfault. Instead Joe must realizethat ultimately the individual iscompletely alone, because onlyhe can live with his own consciousness and that conscious¬ness defines his possibilities.With Glenn Corbet and VictoriaShaw. Recommended. Monday,May 5 at 8 pm. Doc. $1.50. —RMMUSICFlute and Harp Recital A recital ofmusic for flute and harp will begiven by Hollis Harootunian andMary Walter (principle harpistwith the Omaha Symphony) onSunday, May 2nd at 3:00 p.m. inGoodspeed Recital Hall. The program will feature works by Handel, Persichetti, and Jean MichelDamase and is dedicated to the beginning of Spring in the Mid¬west!Music Department Lecture Therare opportunity of hearing ascholar from Leipzig takes placeon Monday, May 3, when Hans-Joachim Schulze from the BachArchive of that city will speak on"The Chronology of Bach's Con¬certos." Sponsored by the Department of Music, the lecturewill be given at 8:00 p.m. in Re-genstein Library 264 (the MusicSeminar Room).University Symphony OrchestraMembers of the University Sym¬phony Orchestra will once againperform an important work forwind ensemble on the Music De¬partment's Noontime Concertseries at Goodspeed Recital Hall(Thursday, May 6th at 12:15p.m.). Under guest conductor Mi¬chael Jinbo, the musicians willpresent Mozart's Serenade No. 10in Bb Major, K.V. 361. Scored foran ensemble of 13 players — twooboes, two clarinets, two bassethorns, two bassoons, four horns,and bass — the seven-movementwork is one of Mozart's most ex¬tensive and most charming serenades.Samradh Music at Holstein's Tradi-tional Irish music will be playedby Michael Donaghy on bodhron,Rich Pettengill on guitar, DanDick on flute, Mark Smythe onhammered dulcimer and a sur¬prise guest on fiddle. Two shows,8:00 and 10:00. S2 admission; nominimum. Holstein's is at 2464North Lincoln Avenue, Por moreinformation call 327-3331.MISC.Russian Literature The fourth an¬nual Russian Literature Conference, sponsored by the SlavicForum, presents a series of lectures all day Friday, April 30th ona number of subjects relating tothe literary artist in Russia. Tobe held in the Ida Noyes Library,the talks include "The Artist andSociety in 20th-Century Russia"(9:30-10:30 a.m.), "RussianTransformations of WesternModels" (10:40 a.m. to 12:20p.m.) "Checkov and Tolstoy"(1:30-2:20 p.m.), and "RussianPoets as Translators" (2:30-3:50p.m.). At 4:30 p.m. in SocialScience 122, Victor Erlich of YaleUniversity will speak on "ThePlace of Russian Futurism withinthe Russian Avant-Garde: A Reconsideration". Panelists will inelude Andrew Durkin, IrwinWeil, Edith Clowes, PatriciaSuhrcke, Diane Ignashev, andAnna Crone. A reception in theIda Noyes Library after Mr. Er¬lich's talk. The public is invited toall of the lectures.All's Fair: Blackfriars presents itsfirst original musical comedy infive years with All's Fair. Harvard and the U of C go to warwhen two professors from theseinstitutions quarrel over the firstbook in Plato's Republic. Amidthe gunfire there's romance,dancing, jokes and original songsby Andy David. While librettistsJohn Podhoretz and Tod Lindberg are better known for theirmore serious writing, All's Fairshows a side of this duo that youmight never suspect existed fromreading Counterpoint. The showis directed by Libby Morse (HydePark's artsy Doris Day) andJulie Senecoff. All's Fair runstwo weekends beginning tonight.All performances are at 8 p.m. inthe Reynolds Club First FloorTheatre. Tickets are at the Reyn¬olds Club Box Office.// THE GREY CITY JOURNAL—FRIDAY", APRIL 30, 1982—3Saturday Night from 5 to 10 p.m.ALASKAN KING CRABSalad and vegetable of the day*12.95The Chartwell Housein theJL HYDE PARK HILTON4900 South Lake Shore Drive 288-5800CHARTWELL HOUSESPECIALSbring you the finest in diningat veryaffordable prices.Featuring Coastal Valley wines.Businessperson’s LuncheonMonday thru Friday, 11:30 am to 2 pmChoose from the Chefs dailyselection of specialty sandwiches 9menu includes:Soup du jour, sandwich,homemade potato chips, plusone complimentary cocktaiall for only$095 plusO tax and tipTuesday Night from 5:30 to 10 p.mSTEAK & LOBSTER6 oz. butt steak and lobster taiwith potato and salads15.95 Friday Night from 5:30 to 10 p.mBARBECUED RIBSand salad with dressingonly 954—FR I DAY, APRIL 30, 1982-TtfE GREY CITY JOURNALRemebering the Savoy, and Jitterbug Jazz^ plus | 1 **How to dance Swing, Lindy, Foxtrot, Etc.By Arturo Perez-ReyesDancers, human types, academics, Illi¬nois residents, and all other life units con¬cerned with the struggle against ennui, stul¬tification, peanut butter, and gravity takenote! There exists the possibility, on FridayMay 7 at 9 pm, that Panama Francis and hisSavoy Sultans will unleash in our midst theraw naked preternatural power of jive jumpJitterbug Jazz: the music that defloweredthe lily elite sophistication of Anglo bour¬geois Culture, made dancing a national pas¬time, and turned music and dance to thisday into a revolutionary assault on all con¬ventions of conservatism and safety.What is Jitterbug Jazz? Well it certainlyisn't anything you have ever associated withLawrence Welk or the emasculated sound ofthe white Big Bands that have played theU.C. Spring Ball before. Bands like the cur¬rent Glenn Miller and Tommy Dorsey or¬chestras pander, for the palsied and neardeath, a watered down elevator music bar-barization of what real Swing — real Jazz —was all about. SAO in a courageous and"hep" bid against musical tribalism, prod¬uct recognition, and campus-conservatismhas dared to bring for your musical anddancing pleasure the genuine Jazz article —a real "jump" dance band that plays thehard swinging rocking rhythm that ignitedan era and sent zoot suited and saddle shoed'n full skirted "boogeyers" into terrestrialand aerial combat with breakaways, spins,twists, lifts, and flips.A quick note on musical history. The Jazzwe know as Swing has its origins in Harlemwhere in 1923 Fletcher Henderson began toabandon the purely improvisational charac¬ter of Dixieland Jazz and introduced for thefirst time orchestral arrangement. By thetime the Savoy Ballroom took over the Harlem scene after '26, bands like those of ChickWebb, Earl Hines, Bennie Moten, CountBasie, and Duke Ellington (to name a few)were well on their way to developing thisformat into the formula we know as the BigBand sound: groups of up to sixteen musi¬cians divided into sections of brass, wood¬winds, and rhythm, playing off each other incounterpoint, dialogue, or in response to animprovising soloist, all wrapped up anddriven home by repetitive riffs that rock androll the soul to dancing frenzy.With one or two notable exceptions at theheight of the Swing era, these bands nevertoured nationally. The America beyond NewYork was a white man's preserve. As a consequence this type of music and dance, first £called the Hop, then Lindy hop, Jitterbug, £Jump, or Jive, remained for almost a de- ~cade the segregated domain of a popular fcdance avante-garde in a few big cities of the 0U.S., and principally the possession of Har- =lem night life. It had to await the arrival of < white orchestras before it could become anational phenomenon. This white wavebegan in 1935 and '36 when Benny Goodman's orchestra using Fletcher Hendersonas an arranger spread the fire and passionof "Swing" from coast to coast. Soon theseranks were joined by bands such as those ofArtie Shaw, the Dorsey brothers, and finallyin '41 by the paroxysm of commercialism ofthe Glenn Miller band. War, inflation, badplaying, and the advent of black Jazz chro¬maticism is Bebop all contributed to theeclipse of this type of music in the mid-for¬ties. The creative thrust of Jazz after thisabandoned its ties to dance and to themasses and almost extinguished itself forthe next two decades in the avante-gardeAlexandrianism of "cool."But let us go back to the exotic decadenceof Harlem's cultural efflorescence. Hereamidst reefer, coke, gangsters, and socialturmoil, under the aegis of the SavoyBallroom, there occurred the powerful con¬fluence of fantastic dancers (like ShortySnowden, Leon James, and Albert Minns)with the nascent talents of the Big Bands.The Savoy (only "squares" emphasizedthe first syllable), also known as "TheTrack," was no ordinary dance hall, and itstwo house bands — Chick Webbs Orchestraand Al Cooper's Savoy Sultans — were no or¬dinary dance hall bands. Night after nightthese two bands took on all comers in battlesto see who indeed were the Kings of Swing.Once 25,000 people stood outside the Savoytrying to get in as Webb's orchestra blew thedoors of the Benny Goodman Band. Of Webband the Sultans Count Basie, who chal¬lenged them many a time, has said, "theywere the swingingest bands."The Savoy, with its spectacular decor,mirrored and marbled stairways, block longaerial walkover dance floor, and double bandstands, wasalways the "acid test" of any successful BigBand and dancer. Here for thirty-threeyears over 250 orchestras competed for dis¬tinction. Here on its floor were developedevery possible breakaway innovation inLindy, and here the air was conquered withthe lifts and throws of Jitterbug's more ac¬robatic steps. Its name is synonymous withthe highest excellence of the Swing era.The current Savoy Sultans, now headed byPanama Francis, are a nine piece band witha reconstituted line-up. They play a reper¬toire arawn from the Sultans, the famousbands that played the Savoy, and a large se¬lection of Lucky Millander arrangements(in whose band Panama was a member).Stand outs in this orchestra are GeorgeKelly, a tenor man from the original Sul¬tans, trumpeter Francis Williams, and El¬lington sax man Norris Turney. From Niceto the Village Gate this band has been earning rave reviews as a hot dance band well upto the tradition of its namesake. For theprice of a ticket Polka-Dots and Moonbeamsmight well mark a milestone in the expan¬sion of U.C.'s harmonic and kinesthetic hori¬zons. Ida Noyes is no Savoy, yet rockin'rhythm might be rulin' the day. Cut a rug.How to Dance Swing, Lindy, and FoxtrotFor those wishing assistance on theirdancing SAO will sponsor this Friday anevening of free music and dance instructionin Ida Noyes at 8 pm. This dry run for theSpring Ball is called Take the C Bus.All those unable to attend should takeheart, these are not difficult dances to mas¬ter. Lindy's radical innovation was the in¬troduction of extended breaks in whichdance partners split off from each other and improvised as fancy and radical a footworkas possible. In this dance anything goes. Thebest dancers draw their steps from the mostincongruous of sources: near falls, ballet,tap dance, and even the way people walked.Needless to say on the "air moves" whenpartners acrobatically threw each other intothe air the sky was literally the limit. Anypossible gymnastic, acrobatic, or Jujitsustunt you might dream up and roughly put tomusic is an open option. Some ideas forthese might be drawn from the followingnames (note the titles are mostly descrip¬tive of the woman's trajectory through theair): Hip to Hip, Back Flip, Side Flip, Overthe Back, and of course the many types ofDips.When on the ground and not doing breakspartners dance in basic social position. Twobasic steps are available for this, one forslow and one for fast tempo music. Therhythm and step for the first of these isslow/slow/quick-step. Dancers begin bystepping together in the same direction,usually the lead's left and thus the follower'sright. This first step is a "dig" step, rollfrom the ball of the foot to the heel. Repeatanother "dig" step with the opposite foot.You have now completed the slow/slow partof the basic step. Quickly tap the foot youstarted out with behind the other foot andthen step in place with that other foot as youreturn the original for the start of anothercycle. These quicksteps must be completedin the time of one beat (i.e. one slow) and thetap back with the leg gives the dance thecharacteristic name Swing.The fast tempo basic step helps you keepyour poise by making you do twice as muchbefore beginning again. The count and stephere is quick-step/step/quick-step/step/step/step. As before bothpartners start in the same direction. Quick¬step or shuffle both feet in one direction andthen step in that direction. Now do the samein the other direction. A slow step back andforward as both partners rock against eachother completes the cycle.Both of the above steps can be used in FoxTrot, with the proviso that instead of backstepping away from each other's amorousembrace one should just step in place. More¬over footwork is strictly optional on suchslow dances. The point of it all is romance,another lost art.Should all of the above smack of Greekand rectification you can always one timedance as would a jazz dancer, in otherwords the basic time in this music is 4/4,with eight beats to the bar, and as in Discoand New Wave one can always reduce thisto one steady clap or beat in one's head. Usethe clap as your own personal discothequethud and your off to explore the empyrean ofjive. See you beyond the further reaches ofinfinity.MEMORIAL SERVICEThere will be a memorial service for Arcadius Kahanon May 3, 1982 at 5:00 p.m. in Breasted Hall. A recep¬tion for family and friends will be held at the OrientalInstitute immediately following the memorial service.PLEASE NOTE TIME CHANGE Akiba-Schechter Jewish Day Schoolis now accepting registration for September 1982forQuality Educationin both• Hebrew and General Studies• Nursery imorning program for 3-5year olds with optional lunch)• Kindergarten through grade 8Tuition Scholarships and Northside bus availableAkiba-Schechter Jewish Day School5200 S. Hvde Park Blvd.493-8880 ' \uXc A0!THE GREY CITY JOURNAL—FR IDAY, APRIL 30, 1982—5Contacts for Sale!What Is A Bargain?Th6 4 questions most frequently asked about contact lenses are:1 How Much Are Your Lenses92. How Much Are Your Lenses93 How Much Are Your Lenses94. How Much Are Your Lenses9What is really more important, the lowest price, or the best fit¬ting lenses? We think the 4 questions should be:1. Is the doctor really a contact lense specialist9(or is he an eyeglass salesman ?)2. Can I expect professional service and care9(or will / be handled by inept, non-professional salespeople9)3. Are the quality of lenses the best available9(or are they off-brands and seconds ?)4. The question is, not how much are your lenses, butwill I receive the best care, the best quality and thebest price.We at CONTACT LENSES UNLIMITED meet all the above crite¬ria of CARE, SERVICE, QUALITY AVD PRICE.TRY TO BEAT THESE VALUES!k, -.—SUPER-WET BAUSCH <S LOMBFLEXIBLE SOFLENSONLY $29.00 B.N.F.J SERIESSuper-thin highly wet- ONLY $33.75table lens specifically Basic series of lensesdesigned to correct that Bausch & Lombthose patients who built their reputationwere previous hard on.contact lens failures.• NEW SUPER SOFT HIGH OXYGEN TRANSFER ULTRATHIN - $43.75New super-soft highly oxygen transferable lenses used to correctthose patients who were previous soft lens failures• SUPER-WET TORIC CORRECTING FOR ASTIGMATISM - $100.00The same remarkable material as the super-wet flexible lenses but spe¬cifically designed to our exact specifications to correct for difficult as¬tigmatism.• SOFT LENSES CORRECTING FOR ASTIGMATISM (TORIC) - 8160.00If you have ever been told that you couldn't wear soft lens due to astig¬matism now you probably can.• EXTENDED WEAR LENSES - $ 160.00The ones you sleep with, no more cleaning, sterilizing nightly, no moredaily Insertation and Removal, wake up in the morning and seeLimit 1 pair per patientProfessional Fee: $30.00(includes - Eye Examination, Training, Wearing Instructions and Carrying Case)OCR PROMISE TO YOU:If you aren't pleased with your lenses after 60 days, cost of the lenses will be re¬funded All contact lens fitting done by our Contact Lens Specialists,Dr. S C Fostiak. Optometrist & AssocWe can replace your lost or broken lenses in 4 hours or less!IF YOU WANT THE BEST COME TO THE BEST'CONTACT LENSES UNLIMITED1724 Sherman Ave., Evanston. IL 60201 2566 N. Clark St., Chicago. IL 60614(above County Seat)864-4441 880-5400 ■■■■■■•■■■■•■a•■■>ia>iiiiaiaaaaaaaaaaaaaaa■aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa Ulrike Ottinger: >By Shaun MageeUlrike Ottinger is a woman with a vision.This vision is often esoteric, and sometimesenigmatic, but it is always wholly her own.Ottinger, a German filmmaker working inBerlin, was recently in the United Statestouring several major metropolitan areas(among them, New York City, Chicago, andSan Francisco) to present and discuss herwork. The Chicago screenings of her threefeature length films, Madame X, eine absolute Herrscherin, 1977 (Madame X, an Ab¬solute Ruler), Bildnis einer Trinkerin, 1979(alternately titled Ticket of No Return inEnglish), and her latest film, Freak Orlan¬do, 1981, were sponsored by the Goethe Insti¬tute in conjunction with the Film Center ofthe School of the Art Institute.Ottinger's first feature, Madame X, is thestory of a disparate amalgam of womenculled from various walks of life who havecome together to seek "love" and "adven¬ture" as the crew of a pirate ship sailing theSouth China Seas. The film was originallyconceived as a spoof on the feminist move¬ment in Germany, an idea Ottinger eventu¬ally coupled with her desire to make a filmon subject matter generally considered ap¬propriate for a "man's movie," (i.e.: apirate movie), substituting instead, women.The film deals, often quite humorously, withthe conflicts inherent in the birth of a newmovement and also with the ineluctable fail¬ures it must endure as it matures. The filmwas shot in 16mm and without the luxury oforiginal sound, decisions that were primari¬ly financial rather than artistic, and whichdeprived the film of the professional polishpresent in Ottinger's subsequent work.In her second feature, Bildnis einer Trin¬kerin, Ottinger has honed and refined herskills as a filmmaker and sharpened her cin¬ematic eye to the point where it approxi¬mates a diamond-edged cutting tool, whichshe deftly wields like a consummate glas-scutter in order to slice through the life ofher protagonist, a woman alcoholic. In fact,images of glass, and the ancillary media ofmirrors, metallics, and water permeate thefilm, giving it the qualities of delicacy,grace, and fluidity associated with these ele¬ments, as well as its brittle brilliance.The beautiful protagonist (Tabea Blumenschein), fleeing some tormented but unexplained existence, has come to Berlin, acity totally foreign to her, with a singularobjective: to drink herself to death. The de¬cision is not made whle awash in melancholy or self-pity, but is calmly calculated;each binge choreographed to correspondwith a spot on a tourist map. The woman(referred to simply as "she," indicative ofthe anonymity behind which she is constant¬ly trying to hide) is a wealthy socialite, assmooth, slick, and cold as the snifter thatonce held her cognac, and just as empty.Her world is highly stylized; her make-up isapplied fastidiously (one might say too fas¬tidiously, as her face begins to appear gro¬tesquely mask-like); her dress is impecc¬able, clothed from head to toe in matchingoutfits of bright red or yellow leather, a material indicative of her impenetrable exteri¬or."She" is then juxtaposed against the char¬acter of another alcoholic (Lutze), an indi¬gent bag-lady native to Berlin, whose worldis not glamorously insouciant, but utterlyand abjectly morose. And she is not con¬sciously drinking herself to death, althoughthis will undeniably be the result. The twobecome drinking companions and set out tofollow the pre-planned drinking tour leadingto their destruction. Their drinking, as wellas their class distinction, however, is tooformidable an obstacle to overcome; theyare destined not to connect, but remain iso¬lated and alone. Ottinger, who does her owncinematography, and her sound technician,Margit Eschenbach, collaborate effectivelyto create a number of netherworldlyimages.In order to relieve the tension that some¬times threatens to oppress the film, Ottingerhas, at certain judicious moments, chosen toinclude the characters of three female conventioneers, also strangers in Berlin,named, respectively, Social Question, Com¬mon Sense, and Accurate Statistics. Thesethree ladies appear to be shadowing the pro¬tagonist, popping up everywhere, from acafe to a lesbian bar (where one of them isextremely flattered to be asked to dance), all the while, in a function similar to that ofa Greek chorus, commenting in a universaland somewhat bourgeois fashion on the behavior they are observing.The zenith of Bildnis einer Trinkerin, how¬ever, is its denouement, where "she" hasbecome so isolated (many of the shots arethrough increasingly blurred or droplet-studded glass) that she has eclipsed her ownhumanity and is on the brink of total self¬obliteration. She can no longer differentiatereality from fantasy. Here she enters a cubicle entirely covered with mirrored tiles; sheherself dressed in a suit of metallic mirror¬like material and, as she enters the cubicle,is caught in an infinite regression of selfreflections. As the stiletto heels of her mirrored shoes shatter the reflection beneathher into innumerable shards, Ottinger Ottinger freezes the frame, underscoring theintense metaphor of this brilliant image.Freak Orlando, Ottinger's latest effort, is,in her own words, a "history of the world asexperienced by freaks," which, of course, isno small undertaking for a filmmaker. Thepanoramic time frame ranges from somemythical meta-historical era, to the MiddleAges, Spain at the time of the Inquisition,fin de-siecle Europe, and a contemporarysetting. Each of the five episodes takesplace in one of these epochs, yet there areseveral threads running through them all,threads which Ottinger adroitly pulls at theconclusion of the film, giving it cohesion andcogency, as well as its ultimate design.One of these connective threads is the no¬tion of the ubiquity of freaks, outsiders, andsocial misfits throughout the history of theworld, and the pain and persecution theyhave suffered. Although most of Freak Orlando's characters are physically deformed(Siamese twins, dwarves, hirsute women)they are undeniably human, and are mis¬treated primarily for their physical anoma¬lies. On an allegorical level, however, it becomes clear that the film is concerned notonly with the physically afflicted, but withany minority not fitting into the mainstreamof modern society.Ottinger demonstrates this universalitythrough the clever technique of using thesame actors to portray different charactersin each of the five episodes. The protagonistis always a variation of the Orlando characater (played stunningly by MagdelenaMontezuma), be it a cycloptic goddess or ahalf-disfigured man who falls in love withone of two Siamese twins. (Ottinger allowsherself extensive artistic latitude concern¬ing sex roles; many of her characters aredecidedly androgynous.)Freak Orlando is a multi sensual phantasmagoria, a kind of "Gesamtkunsterk"where elements such as sound, color, spo¬ken word, and music combine to form anelaborate whole. Ottinger has created numerous exquisite sequences in the filmm,only one of which will be discussed here.One of the most indicative of these scenesis the initial one (excluding the frame), inwhich Orlanda Zyklopa (so named for theadditional eye peering out of her forehead),a mythical goddess, is creating rivets forshoes to be used in the "mythical quick soieshop" of a department store. As she metho-dically strikes the anvil, the sound rings outin a full tone and steady rhythm, while thestaccato sounds of her apprentices' ham¬mers (the apprentices are played bydwarfs) are syncopated and higher pitched.With the help of the sonorous voice of HelenaMueller (Delphine Seyrig) exhorting thecustomers to take advantage of this specialoffering, a crowd gathers around OrlancaZyklopa, which greatly pleases the storemanager, Herbert Zeus (Albert Heins). Thecrowd becomes disenchanted, however, andeven hostile, when the "mythical quick-soleshop" is ultimately exposed as limited — themasses are demanding a remedy for theirfrantic emptiness. The customers, insteadof blaming the store, turn their wrath on Or¬landa Zyklopa, who, of course, is totally in¬nocent. Demanding to know who she is,what firm she represents, and if, as a goddess, she believes in God, the customers,dressed in plastic and carrying plastic bags,menace her aggressively. Silently but de¬fiantly she raises her hammer and with apowerful storke, cleaves the anvil in two.Helena, who is enchanted by Orlanda Zyklopa, shrinks back in fear for Orlanda Zyklo-pa's safety, as Herbert Zeus, with none of6—FRIDAY, APRIL 30, 1982-THE GREY CITY JOURNALous and indirect — it can suggest these asso¬ciations, but beyond that, not much.SSM: Literature in general seems to playan important role in your films, and youquote from it rather frequently, for examp¬le, the Hamlet monologue in Trinkerin orthe quote from Rilke's Duineser Elegien.What is your relationship to literature, ingenerai?Ottinger: I read quite extensively, butagain, the connections are primarily indi¬rect, although it does serve sometimes as asource of inspiration. My source of inspiration, however, could also be a walk througha department store, or a conversation overheard from the next table — everydaythings. And most of that is transformed intovisual images, very seldom do the actualwords remain. My sources of inspiration arealso very often more content-oriented. Itcan be literature or language, and then Itranspose it visually. It could also be news¬paper articles or something from a book.(Ottinger has available a companion bookto Freak Orlando which documents the gen¬esis of the film, complete with facsimiles offirst drafts, stimuli for visual images, etc.The book is published by the firm Medusa-Verlag and widely available in Europe.)SSM: Color obviously plays an importantrole in your films. Could you explain a littleabout your feelings about color?Ottinger: Color is a very important ele¬ment in my films. I am convinced that colorinfluences moods and transports them. Forexample, in all my films there is a pro¬nounced color-dramaturgy. In Trinkerin,for example, she arrived in a red dress, andthen in the second scene she appears wear¬ing a yellow one, etc. But really, color is nomore important than the spoken word, themusic, or the background noises. I try ascarefully as possible to compose my images— they're actually collages. Because of thistechnique, the sublime is often adjacent tothe trivial, and everything has an equalmeaning, right? Even the actors no longerhave this conventional function, so to speak,where the sublime word is everything. Inmy films, I believe, it hasAbeen reduced. Thesublime word functions only in relation tothe other aspects, i.e., the music, color, thesound. It is this, shall we say, which essen¬tially differentiates my films from others. Inever say, "let's make a film in Westernstyle," or the tenth century, or in this or thatsocial stratum. I make films where every¬thing, everything, which appears on thescreen, is originally conceived. That's whatmakes the films so different. That's why itsso difficult for my collaborators, becausethere is no "style" as such, only what comesfrom me; they have to react very sensitive¬ly to what I want to do, which assumes thatthey can react, so I have to discuss withthem very carefully what I have in mind,down to the last detail. That's why I makethose pictures you saw in the book. It's likean architect, like yesterday at the FrankLloyd Wright houses, everything down tothe last pane of glass or the dinnerware inthe cabinet, it's really quite similar.SSM: So you design all those fascinatingcostumes yourself?Ottinger: It's like this. Up until TrinkerinI worked with Tabea Blumenschein, whowas just beginning in films, I guess youcould call her a student of mine. I showedher how everything was to be done, andeventually we developed a good working relationship, although we no longer work together. The choice of materials, and whatcombination of materials, came from me.Her development after Madame X, however, was such that, shall we say, that she alsoworked creatively, but always under theauspices of my films and in accordance withmy basic conception. We lived together,worked together, it was a very intensive collaboration. In Freak Orlando I worked withanother costume designer, but the methodwas essentially the same; I can't simplysay, "make me a costume," it must bemuch more precise. I have to say how itshould look, what combination of materialsshould be used, I make sketches, showphotos, every detail must be discussed. Ieven have my own atelier, where I alwayswork with them, every day. I feel that that isvery important, right?SSM: Could you go into more detail onyour use of music? Do you have originalmusic composed especially for your films,or do you use primarily pre existingmusic?continued on page 9A Young Berlin Filmmakert of•salbe-ow-hasaretet->wnelf-ateJbi-she■or-:le,elflir-athOt-theis,I as, isrhemedieon,arykesareall,theindno-indtheleyOr-led?n)l isna-be-notithamitythearslistrainar aithwsrn-ireask"po-aniu-m,lesin■hed),forpieio-)Utheru¬byad.naheialcairehendpiehesirad)r-in-is,to¬rs,3S,ie-i a/o.lo-lo-of Ticket of no Return; inset, Ulrike OttingerTalks About Her Artthe mythical qualities associated with hisnamesake, shrieks in an impotent voice:"Dismissed without notice!"Orlanda Zyklopa and her retinue ofdwarves manage to elude the lynch mob byescaping up an escalator, and then barri¬cade themselves behind a set of glass doors.The mob pursues and, having filled theirplastic bags with brightly colored paint,hurl them at the glass separating them fromOrlanda Zyklopa. For a moment OrlandaZyklopa appears totally isolated, the glassbeing blurred by the paint, and then Helena,having wiped away a portion of the pinkooze, appears on the other side, her face fullof anxiety and longing. Orlanda Zyklopa re¬turns the soulful gaze as the scene ends.The avant-garde nature of Ulrike Ot-tinger's films results in their being lessreadily accessible than films of a more com¬mercial nature (even less accessible thansome of the more obscure films of such Ger¬man filmmakers as Fassbinder and Herzog,whose works are often considered "demanding" of the viewer). To experience Ot-tinger's films, however, is to embark on arevelatory journey, led by a fascinating,and very promising, new filmmaker.Note: The following interview was con¬ducted entirely in German: all translationsare my own. (SSM.)SSM: Perhaps we should begin with something biographical. Could you tell me a littleabout your educational background, did youstudy at the university?Ottinger: No, my work has always beenessentially autodidactic. I studied for awhile at an art academy, but it really didn'tkeep me interested, as I had already been painting at home, my father is a painter andalthough as a child who had come from thecountry I had hoped for alot. I actually be¬came very bored, much more so than athome, and the things I was doing werethings that I had already been doing. So Ileft the academy very disappointed andbegan to work on my own, that was in Mun¬ich, and then I went to Paris, where Ienrolled at an academy where etching wasbeing taught, where I studied with Fried-laender, and later became Friedlaender'sassistant. Basically I found the technicalaspects interesting, but after masteringthem, I found that I was no longer interestedin etching exclusively, it was simply one ofmany possibilities. Essentially I began towork alone again, at the same time becom¬ing more interested in photography, photographing my works, putting together certain arrangements, or making details. I hadmy first show, etc. And then came a sort ofcrisis which had to do with my self defini¬tion as an artist. After '68 I left Paris. . .andthen on Lake Constance, in the small city inwhich l was born, I started a small culturalcenter, so I could get a little perspective on,and distance from my work. I also began towork more theoretically. I founded a filmclub, and a gallery, and also a bookstore, notfeaturing best sellers, of course, but ratheronly selected things. I did that for threeyears when I had gotten to the point that Iwanted to work again. I began to make films— I had been trying without much luck tomake films the last year and a half in Paris— my plans seemed to come apart for a variety of reasons, primary financial. It alsohad to do with the changes that were hap pening in May of '68, although the changesin the artistic climate at that time were alsoinstrumental, the people who appreciatedmy type of work were no longer in a positionto support work of this nature. Good, so Iwent back to the country and started the cul¬tural center, which was relatively suc¬cessful, especially in terms of public opinion. We basically considered ourselves apart of the left, but we were often attacked,people said it was senseless what we weredoing, that we were working only for thebourgeoisie. But it went on, until I decidedthat I wanted to do something else, but therewas no one who would carry on at thecenter, which made me very sad. So I closedit all down, and the film club became asso¬ciated with the university. I then made myfirst film on Lake Constance, and thenmoved to Berlin, where I have lived since'73.SSM: Virginia Woolf's novel Orlando byVirginia Woolf obviously holds great fasci¬nation for you, it is part of two of your films.Can you explain further?Ottinger: I like the novel by VirginiaWoolf very much, it is one of my favoritebooks. But it is such that the connections between the book and my films are very indi¬rect. What l really liked was the classicaltheme of the wanderer traversing time, thechanges, the metamorphoses. The possibilities to show change through the one charac¬ter — Orlando is, for me, the quintessentialexperience, you know, experiencing thingsthat a ncrmal person can't — for me, theideal protagonist, and that fascinates me.Beyond that, the connections are very tenuTHE GREY CITY JOURNAL —F R IDAY, APRIL 30, 1982—7RockefellerChapelof Holy Communion10 amDiscussion Classon Gregorian ChantDavid Beaubien11 amUniversity ReligiousServiceE. Spencer ParsonsThird Dean ofRockefeller Chapel"The Courage to Care"The University of ChicagoTHE MORRIS FISHBEIN CENTERFOR THE STUDY OF THE HISTORYOF SCIENCE AND MEDICINEThe Fishbein Center andThe Center for Far EasternStudies join in presenting apublic lecture byQian Wen-yuanLecturer in Theoretical Physics,Zhejiang University. Founding memberof the Society for the History of Scienceand Technology, People's Republicof China, and Visiting Scholar,Northwestern University..'The Great Inertia"‘An Initial Inquiry into China’sNon-development ofModern Science”Harper 1304 pm. TuesdayMay 4, 1982 Ugly BucklingRENT-A-CAR ®1608 E. 53rd Street$13.50 per day 200 Free MilesBetween 1C Tracks _ _ _ **and Cornell 09# "2IIUV —TAi SASiVOI—CHINESE-AMERICAN RESTAURANTSpecializing in Cantoneseand American dishesOpen Daily 1 1 A.-8:30 P.M.Closed Monday1318 E. 63rd MU 4-1062 HYDE PARKTHE VERSAILLESIDEAL FOR STUDENTS324-0200• Large studios• Walk-in Kitchen• Utilities included• Furn. or unfurn.• Campus bus at doorBASED ON A VAILABILITY5254 S. DorchesterMEDICAL SCHOOL OPENINGSImmediate Openings Available in Foreign Medical SchoolFully AccreditedALSO AVAILABLE FOR DENTAL SCHOOLS• LOANS AVAILABLE • INTERVIEWS BEGINNING IMMEDIATELYFor further details and/or appointment callDr. Manley (716) 882-28033IDA NOYES HALL* MAY 7. 9 PM• REFRESHMENTS SERVED* UC STUDENTS $7.50 PERPERSON • ALUMNI, FACULTY, STAFF $15 PER PERSON • TICKETS AT REYNOLDS CLUBTICKET CENTER* 7S3-3568 • SPONSORED BY UC STUDENT ACTIVITIES OFFICE8—F R I DAY, APRIL 30, 1982-THE GREY CITY JOURNALOttingercontinued from page 7Ottinger: I use both, but what's importantis that the music is never there simply in avacuum, but in strict conjunction with theother noises, the images, etc. I use musicvery freely, it could even be a current pophit, something very banal. Or it could be anoperetta. When I use pre-existing music, Ihave to sit at the editing table for hours inorder to synchronize everything perfectly,like in Madame X, right? I had to listen overand over again until the music meshed withthe movements. When I have the musiccomposed, it is precisely so that thissynchronized effect can be achieved- I sitwith the composer and discuss everything,and I hope that I can find a composer, orseveral composers, it doesn't have to be asingle person, with whom I can work well.The idea has not yet lived up to my expecta¬tions. Previously, I had had him listen to re¬cords, but that involves the stupid problemof copyrights. Most of my films have not been financed to the extent that I could buythese rights, which are very expensive. So,for my last film, I was forced to hire a composer. Which can also be very nice. For mynext film I know that I will again hire a com¬poser, although I already have some ratherconcrete ideas about the music. Of course, Ihave to find someone who is willing to workin this manner. I realize that it is hard for acomposer, because it is their own artisticwork, but they must be subordinated to myconcept of the film. And I have to havesomeone who can work in this manner, it'sabsolutely essential. I have someone inmind, but we'll have to wait and see how itworks out.SSM: Would you consider the theme of homosexuality/lesbianism in your films to beprimarily political or personal, i.e., do youintentionally make gay films, or are you afilmmaker who simply happens to be gay?Ottinger: I consider myself first and fore¬most a filmmaker, but when one has' hadcertain experiences as a result of being gay,which perhaps others do not have, they flowinto a work. Let us say, it does have certain influences on my work, for example, thatsexual role playing can no longer be takenso seriously. That is very prominent in myfilms, and I believe that artistic work has alot to do with alternative sexuality. It issuch, that one can play around with sexuali¬ty, on another plane, and turn it all around, Imean, what is often taken for "normal.''You know, like my double-creations. I believe that it's an additional freedom. But Iwould not consider my films to be primarilygay stories, they deal with a wealth of problems.SSM: You've said that Freak Orlandowasnot very warmly received in feminist circlesin Germany. Why not?Ottinger: Yes, I think their opinion is thatwhen one devotes oneself to a serious topic,one must do it in a conventional social form-I, on the other hand, am of the opinion thatone can't adequately depict new content inantiquated forms, because, for me, formand content are identical. I feel that this di¬vision is the cause of many misunderstandings, I mean, one can get to the essence ofthings in a variety of ways. I feel that this problem is one primarily of ideology, manyfeminists approach issues only in terms oftheir ideology, and stick to it like glue. Be¬cause of this, they often get caught in cir¬cular thinking, and can only deal with newproblems in terms of their old ideology. I reserve for myself the artistic freedom, to ad¬dress a problem from an artistic standpoint.Of course, that's very subjective, but howelse can one work creatively? I really seethe problem as a fixation with an habitualway of thinking, and I actually feel very badabout it. It's a form of self-reduction thatdoesn't have to exist.SSM: OK, the last question. Tell me some¬thing about your next project.Ottinger: I've been working on a newscript for about four months, and have beendoing alot of research, actually writing onlyin the last month. I have the whole story, butthere are numerous details and a few morethings to read. I'll probably have the scriptfinished by August or so. The working title isDorian Gray im Spiegel der Boulevardpresse. (Dorrian Gray as Mirrored in theScandal Sheets.)SUNDAY 5635 MARYLAND NO. 3 NOON ALL WELCOMEJAMES "BLOOD" ULMERUlmer sprays fractured dissonances, splayedmelodies and clumps of sheer, glorious noise in alldirections. Yes. you can dance to it, but the first timearound, you’ll probably be left standing with your mouthagape.- Rolling StoneIT'S JAZZ, ROCK, FUNK AND MAYBE EVEN PUNKHE IS AN ACT TO SEE AND EXPERIENCEMAY 8 • INTERNATIONAL HOUSE • 8 PMTICKETS AVAILABLE AT REYNOLDS CLUBBOX OFFICEir\ /—a a$3 UC STUDENTS • $7 OTHERSi / v ;THE GREY CITY JOURNAL-FRlDAY, APRIL 30, 1982—9Joffrey: A Company's Expanded VocabularyBy Beth MillerThe Joffrey Ballet's versatility has oftenbeen rather disparagingly labeled"trendy". Its director Robert Joffrey hasdefended his concern for the contemporaryby replying, "Not everything should becarved in granite". This may seem a bitstrange coming from anyone associatedwith as strict a discipline as classical ballet.Can a sensitivity to the dynamic creativeprocess of a society as a whole be reconciledwith the relatively static medium of classi¬cal ballet? The Joffrey Ballet's brilliant per¬formance at the Auditoium on Saturday,April 24, did just that, with a program of di¬verse works each powerful and expressiveon its own accord.Classical ballet is a particular vocabularyof the body and its movements, a vocabulary which once it has identified distinctsteps and positions of the body remains rela ftively static. Whereas the words comprising J1a poem's vocabulary have meaning pri- _marily as semantic units and then as struc- &-tural (aural and visual) elements, ballet's |vocabulary has little if any precise meaningin itself, outside the context of the particularpiece it is found in: we cannot even imaginehow to define what an arabesque or pirou¬ette means executed in isolation.A choreographer uses ballet's vocabularyto speak in phrases of movement, in patterns both sequential and spatial, in whichmeaning is derived from the nature of thetransition from one step to another, fromhow the steps are combined, and how theyare executed. The vocabulary is defined inthe context it is used in: the steps and positions are meaningful in their relationship tothe whole of the piece they are a part of.This is how ballet's static vocabulary canyield a diversity of works. And it was theclarity of vocabulary, the dancers' strongclean technique, which allowed the JoffreyBallet to perform a broad range of dancestyles with equal eloquence.The elements in Erik Satie's music whichmake it such a curious mixture of playfulsimplicity and almost somber irony werecrystalized in Joffrey's stylized "Postcards". Dancers in shades of white strolledthrough the space, first in front of a curtainof collage postcard art, and then before a Joffreycolor-dabbled backdrop, with an aristocratic air reminiscent of a afternoon croquetmatch. The dancers toured the stage as ifvacationing, men with arms and kneespumping, women with hands flipped up atthe wrists, feet kicking the backs of thighs.Poses were struck rather self-indulgently,with a picturesque smoothness and sym¬metry emphasizing the surfaces of armsand hands. One interesting spatial motifwas a diagonal of five men on one side of thestage, each turning and jumping in his placein a different but complementary rhythmicpattern, fitting together like different sizegears. Instrumentation varied, from full or¬chestra to solo piano to soprano to solo violinist; at one point a male soloist performedwithout any music, and with hardly a visiblebreak in the piece's tone. The focus of thedancers' movements varied also; at timesthe dancers seemed to be internalizing theirown gestures, giving a self expressive quali¬ty to what was originally impersonal, socialdialogue. It was the heavy fringe of the bass drum and the warbling of the clarinet, whenjuxtaposed with the dancers' glib prancingabout which gave the piece a forebodingtinge of narcissistic despair.Gerald Arpino's perhaps unorthodox in¬terpretation of the familiar andante sectionfrom Mozart's piano concerto K.V. 467 unleashed an elemental passion oftentimes obscured by the piece's refined texture. "Se¬cret Places" began in silence, a womanstanding arching upwards alongside a starkmetal structure of leg like appendageswhich descended from above without a visi¬ble starting point. She and a lone man drifted off and on the stage, wandering throughthe desertlike space very much apart fromone another until they met, almost bychance in an embrace, and the lyrical pianobegan its song. Once the silence was brokenonce each dancer's solitude had been inter¬rupted, a world shared by two lovers entwined themselves in lifts, turns, in gentlerolls and presses, as if compelled by a despotic fate, always acutely aware of the other's presence. Arpino's movements within the panoramic setting suggested an emotional urgency which seemed so natural toMozart and yet which is not often associatedwith his elevated style.Laura Dean's enthralling minimalistwork "Night" set a rivetting musical pro¬gression alongside a seemingly mathematical progression of sharpened movements.As two solo pianists almost literally pounded out chord patterns, at top volume andwithout any melody, a corps of dancers inblue-black jackets and pants moved throughsequences with automaton-like cohesion.Repetition and development of simplemovements held attention fast; the mes¬meric spinning seemed to go on and on, arepetition which heightened a sense of timeand never failed to entrance. The piecestopped as forcefully as it started; just asthe importance of any one motif in itself became unclear in light of how the whole se¬quence grew, so any conventional notion ofbeginning and ending seemed inappropriate.The program's closing piece "Trinity",also by Arpino, played with the elements ofa traditional brass choir to produce a state¬ment of youth and change characteristic ofthe sixties' generation. Dancers in brightlycolored leotards began with a traditionalballet vocabulary, yet added their own individualistic interpretations by allowing morethan one part of the body to respond: thetorso became a center for leaps, turns; hipsswiveled shoulders and arms. Rhythmicpatterns, usually somewhat ignored in clas¬sical ballet, were let loose, to unite then separate, then unite again the group. The musicwove the rich sounds of a brass choir between the pulse and throb of an electric bassand drums; occasionally even the voices ofa boys' choir were threaded through it all. Ifthe piece suffered at all, it was because itsvocabulary of movement at times seemeddated, and failed to express much else thancliched attitudes. But here perhaps it is afunction of both our closeness and our distance to the time period drawn from: closeenough to not appreciate the newness of thegestures compared to all that preceding itand too far to believe any sincerity on thepart of those expressing it.Wk :,k,;Whirl-Wind UtopianismRendered Infamous: A Book RealityBy Stephen GaskinThe Book Publishing Company$11.95By Sharon PeshkinIn times like these, it is hard to be politically naive. But it is even harder to perceivewhat's wrong, have ideas for what's better,and know what to do about it. Especially ifyou're uncynical. There are some peoplewho have the guts, however, to act on theirideology — to found a commune, live outtheir beliefs, write a book and call it "a bookof political reality". And although you maynot agree with everything they say, youhave to admire them for saying it.Rendered Infamous is the seventh bookwritten by Stephen Gaskin, a 47 year oldhippy and founder of the Farm, a 1500 person community in Tennessee. He wrote it asa forum for his political ideas, but sincemost everything is political, it would bemore accurately described as Gaskin'sideas on everything. He begins with a shortaccount of his "first political memories",images from a childhood heavily influencedby his socially and politically deviant rela¬tives and by being raised in the shadow ofLos Alamos. He then moves into an accountof his years in the Marines and in theKorean War. This reads something like Mi¬chael Herr's Dispatches; a chronicle of ex¬periences and impressions which gives onethe side of combat which the statistical andpurely descriptive accounts cannot — thethoughts which flash through the minds ofthose who are on the front. These becomecrucial formative experiences and ideas inGaskin's ideology. Interspersed with his account of theKorean War and his year spent in the Tennessee State Penitentiary, Gaskin begins toexpound upon his philosophy; which coversmany of the most pressing issues in contemporary politics. (Racism, gun control,drugs, speeding, pacifism, foreign relations,employment, the Constitution, the electoralsystem, the penal system, the media, jus¬tice, and so forth). The impression you areleft with is that you had met Gaskin in a barand, over the course of an evening, he hadrevealed to you his deepest convictions andthe stuff of which his soul is made. If youlearn nothing new about any of the topicscovered, you'll at least have met a very intriguing character.Gaskin is doing more than showing con¬cern or lamenting an America gone-awry.He is calling for a coalition:There are not enough black people inthis country to move it. There are notenough intellectual idealistic collegekids to move it. There are not enoughhippies to move it. There are notenough homosexuals to move it. •There are not enough feminists tomove it. But it must be moved.He wants to see a unified protest against thedeterioration of this country's ideals — "notto pervert the system or divert the system,but to make the system fulfill itself." That iswhat is so appealing about Rendered Infa¬mous; Gaskin is able to cry out:Western Civilization is an entropymaker, a trash producer, and infla Stephen Gaskintion generator, a war-profiteer, and amisery maker. People who defend itare ignorant, because they do not un¬derstand what it has done to theworld. . .yet he still admits that his heart was paintedby Norman Rockwell, and that he cannothelp but believe that ". . .this country, thissystem is workable enough to be worth sav¬ing."That the bulk of Gaskin's evidence of po¬litical stupidity and snafus is taken from the'80s at first gives Rendered Infamous thefeel of a book which will be dated in a gener¬ation. But it impresses upon the reader theimmediacy of the issues Gaskin is con¬ cerned about and emphasizes that hedoesn't need to burrow through history forevidence to back up his contentions — heneeds only look to yesterday's paper.On each of the myriad issues Gaskincovers, what he offers are merely opinionson the most basic level. If you have anythingbut the most cursory knowledge of any ofthose subjects, you are bound to find hisanalyses either simplistic or, occasionallyaltogether wrong. But this is in the nature ofGaskin's undertaking. He isn't writing thedefinitive statement of American politics,he is expressing what the chaos looks like tosomeone standing where he is, in the hopesthat it may illuminate something about thatchaos for those who look at it from other perspectives. I'm not sure how aware he is ofthe controvertible nature of his views, buthe is aware of and achieves his goal to express them so that others may gain from hisinsights. He never gave up on America, forhe believes that a concerted effort can fix asystem badly in need of repair:. . .1 couldn't just leave this country. Ihad to stay here and inherit as muchof it as was my lot to inherit, so that inthe next generation my viewpointwould not go unsaid.Rendered Infamous is a book whichleaves the reader in a good frame of mindfor serious thinking about America and thethings she stands for. It presents one man'sview, and is interesting for the holistic nature of his perspective. It exposes the readerto one way of perceiving the politics of life,asking only that those views be acknowledged coming from a person with Gaskin'sexperiences and beliefs. It is a whirl-windtour through the convictions of one whostands both within and without the "systern", and invites the reader to do thesame.10— FRIDAY, APRIL 30, 1982—THE GREY CITY JOURNALf?marian realty,inc.mREALTORStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 S. 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SELL(1) PRONTO SONAR $30.00 j(5) POLATRONIC FLASH 31 .50(1)POLATRONtC FLASH (DEMO) 25.00(4) ONE STEP KIT 30.00 |(4) CHINON POCKET 8 87.95 |(2) POLAVISION CAMERA 80.00(I)POLAVISION VIEWER 200.00 ;(1) 445 MOVIEDECK 109.00(1) 760 H PROJECTOR 145.00 |(6) POL MINUTE MAKER 8.95(1) POL 600 SE 330.00 !(3) ONE STEP CAMERA 20.00(I)EKTASOUND 230 CAMERA 185.00(1) CHINON 612XL 58 180.00(4) ACME LITE 1 70S FOR ALPHA 20.00(2) POLA VISION TWILIGHT 4603 18.95(1) ALPHA MODEL 2 90.00(1)CHINON 506 SMXL 275.00(1)TAMRON 17mm f3.5 255.00(1) TAMRON 35-70 13 5 167.00(2) TAMRON 90mm MACRO 12.5 179.00 ;(3) TAMRON 80-210 13 8 170.00(1) TAMRON 200m 15 6 112.00(1) TAMRON 300m <5 6 . 167.00(1) TAMRON 500m CAT 18 325.00THE UNIVERSITY OF CHICAGO BOOKSTORE970 East 58th StreetPHOTO DEPT. • 2nd FLOOR • 753-3317(Open daily 8 am to 5 pm Closed Sat.)THE GREY CITY JOURNAL-FRIDAY, APRIL 30, 1982—11By Nadine McGannPygmalion is not playing at CourtTheatre. What is playing is a comedy aboutthe making of George Bernard Shaw's Pyg¬malion, the trials and tribulations of its au¬thor and its first lead actress and actor, asthey went through the process of creatingthis eminently successful play. The point ofThe First Night of Pygmalion, written byRichard Huggett and directed by NicholasRudall, seems to be to explore and exhibitthe complexities behind the production ofthe play. The First Night, by delving into thehistory surrounding Shaw's play, examinesthe interactions between the people whomade that history. At once it strives to indi¬cate the particular views of the play held byeach of the three main characters, and theireffect on what the successful play finallywas, and to exploit these views as a subjectfor drama and comedy. The play itself is byno means uninteresting; but if you know alotabout Shaw, I would suggest you not see it —you will probably be bored.The play is based on the letters and notesexchanged during rehearsals of Pygmalionbetween Shaw and Mrs. Patrick Campbell,the first Eliza, as well as on newspaper ar¬ticles, theatrical memoirs, and stories toldto the author by various actresses andactors of the period. This basis is not in itselfproblematic. But as the play moves for¬ward, a major question emerges: how muchof the story, the language, the humor, isHuggett responsible for, and how much sim¬ply consists of witicisms lifted from the character's writings and placed into theplay? One could argue that the answer doesnot really matter: Mr. Huggert has at leastgone to the trouble of ferreting out all of thishistorical information for an audience topartake of for an evening. But from thiscomes my warning that you shouldn't seethe play if you know much about the sub¬ject; if the dialogue isn't surprising, it won'tbe much fun. At first interested, I becamemore uncomfortable as I noticed that I'dheard some of these jokes somewhere be¬fore (and I myself know very little aboutShaw). When the letters exchanged betweenShaw and Churchill before opening nightwere read aloud and received what seemedto be the evening's biggest laugh, I began towonder how much of the play consisted sim¬ply of Shaw's own catty remarks, and howmuch of it consisted of contributions by Mr.Huggett.Despite the issue, the history/comedydoes have some stimulating qualities. Theplot is the story of real-life characters:Shaw (Ian Thomson), Mrs. Patrick Camp¬bell (Pauline Brailsford), and Sir HerbertBeerbohm Tree (Patrick Billingsley). Theplay seems to be based on a tension betweenthe violently, charismatic qualities of Shaw,Mrs. Pat, and Beerbohm Tree, as they eachfight for their own ideas about the charac¬ters they are to play in Pygmalion, and asthey each strive to obtain some satisfactoryand completed product. Their intense indi¬viduality (which comes through during thelong rehearsal sessions) is the substance of the play. But the subject of the play is something more illuminating. Huggett illustratescarefully that the final production of Pyg¬malion was not the result of one man's —Shaw's — intentions. Rather, each night outof the many on which it played resulted in avery different "play." Mrs. Pat and Beer¬bohm Tree constantly changed the setting,the action, and even the lines to suit theirpurpose, playing tricks on one another aswell as on Shaw, who could not stand to sitthrough "his play" out of disgust and frus¬tration at their antics.Perhaps the most intriguing aspect of theplay is Huggett's interesting use of narra¬tion as a mode of communication with hisaudience. It is not simply that there arethree players acting three roles, and narrat¬ing other roles to fill in the story. Probablyhalf or more of the talking consists of thecharacters speaking in the third personabout themselves, while physically actingout what they are describing. (Shaw, for example, falling to his knees in protest to Mrs.Pat over her misuse of lines.) We see the ac¬tion, the anger and frustration but we hear athird person narration from that actor. Thishas the effect of creating a curious separation between the characters we begin toknow, and the players we actually see andhear. Our idea of each character comesfrom both the words spoken and the actionsmade; but it is never really that actress asMrs. Pat, or that actor as Shaw, who singlyembodies the image in one's mind of thecharacter each portrays. The acting was neither brilliant norawful; there were some particularly goodmoments. Ian Thomson as Shaw did a morethan competent job, combining cyncism, vi¬tality, and sincerity to produce an effectiveblend, a kind of effusive frustration. Such aphrase may seem paradoxical, yet it seemsaccurate. Thomson, without a Shaw-likebeard, seemed more a young Englishmanthan a distinguished, somewhat scruffy oldintellectual (Shaw was nearly 60 at the timethe play opened.) Nevertheless, he man¬aged to achieve a nice combination ofShaw's justified annoyance, tempered ven¬geance, sarscastic self-righteousnes and in¬imical fun. I remember particularly onescene in which Shaw sits on the couch, lis¬tening to Mrs. Pat complain about Beer¬bohm Tree, agreeing with her yet furiouswith her too, and relentlessly grinning, waiting for a moment to make his own precious,precise, and priceless contributions.Patrick Billingsley had the least complexpart. His character was the most straightforwardly "funny": blatantly egotistic, in¬nocently (maybe) impolite, he was basical¬ly an old nut. As I look back on it, I see thathe had an advantage over the others as faras humor goes; often he was the easiest tolaugh at. But Beerbohm Tree is not given(or did not have?) a very deep character.He more than the others seemed to say anddo the same things over and over. Billingsley threw some terrific temper tantrums,romping round the audience, screechingwith frustration; but in general, he played astock character.Pauline Brailsford had the most problematic role as Mrs. Pat; unfortunately, Brailsford did not do a very good job dealing withthe problems of her role. The play openswith Mrs. Pat at her most elderly, degen¬erate stage of life; it ends with her like thistoo, and does so rather abruptly and inexplicably. It became unclear to me whetherthe ending meant that she was intended tobe the central figure of the play or not. If shewas, Mr. Rudall and the rest did achievetheir goal; if she wasn't, I must ask why theplay did end in that way. Did Mr. Huggettjust finally get bored of deciding which an¬ecdotes were funniest and most worthwhileto the play, and ended with Mrs. Pat's storybecause Shaw was after all too much to takeon, and Beerbohm Tree less interesting? Inany case, I was more conscious of Brails-ford's performance as a performance than Iwas with the acting of either Thomson of Bil¬lingsley. I knew nothing about Mrs. PatrickCampbell, but as soon as she entered thestage in her younger form, I felt somethingwas wrong. Brailsford said her lines allright — constant hypocrisy, egotism mixedwith indulgent delight — but her face hardlyever changed with them, so that an important part of the image making of her character, the active part, never properly oc¬curred. As a result, not only was Iuncomfortable watching her much of thetime; but anything in the play that justisfiedher as the character with which to begin andend was never brought out.The First Night is at least entertainingin that the people the play deals with are fascinating people. As Huggett wrote in hisprogram notes, they were "three brilliantlycolourful characters who had thoughtfullyprovided not only the games of their ownwitty conversations, but also a good storyline . . ." Huggett, and Court Theater, occas-sionally turn that story line into a night ofgood humor and wit.THE FLAMINGO APARTMENTS5500 South Shore DriveSTUDIOS & ONE-BEDROOMS• Unfurnished and furnished• U.of C. Bus Stop• Free Pool Membership• Carpeting and Drapes Included• Secure Building• University Subsidy for Students & Staff• Delicatessen • Beauty Shop• Barber Shop • T.J.’s Restaurant• Dentist • Valet ShopFREE PARKINGMR. MORRIS 752-3800 . ' -SPRING SPECIALONUSED OFFICEFURNITUREBuy any used desk over $65and purchase a swivel arm desk chaifor $20Swivel chair without arms $15Misc. guest and occasionalchairs $7.5012—F R I DAY, APRIL 30, 1982-THE GREY CITY JOURNALMORRYSHAPPY HOURIS BACK!(FROM 3 PM TO 4 PM DAILY)CASH IN ON THE SA VINGiHOT DOGS "■75* only-JUMBO, HOTPASTRAMI fs„„,BBQHAM Reg. 4-1.75 onlvMORRYSDELLOCA TED INTHE UNIVERSITY BOOKSTOREHOI KS; 7:30 4M-4-.30 PM MOK.-FRI.9 AM-4 PM SAT. ea.■aeaHyde Park Coop Your member owned supermarket55th at Lake Park • 667-1444Hours: Mon. - Wed. 9-7:30, Thurs. - Fri. 9-8, Sat. 9-7, Sun, 9-3Strawberries.They mean summer is coming.Slice them over cereal, cottage cheese, or short cake. Or fillhalf a cantalope with them. Perhaps the best way is to enjoythem by themselves.Strawberries are high in vitamin C and contain vitamin A,iron, and other minerals. 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HARPER288-2233The Chicago Maroon—Friday, April 30, 1982—21Plus COMPLETECOMMERCIALOFFSETPRINTINGSERVICEInside IMSocim racesheat upBy Bob LaBelleThree socim games completed over theweekend drastically altered the divisionraces and possibly the playoffs. Games inthe graduate white, independent, andwomen’s assorted divisions were played,each with significant results. These resultsmissed the Tuesday edition because thegames were Sunday, but better late thannever. . .In grad white, the number one rankedteam met the number two ranked teamwhen Ilia Y La Lastima played Blue StarVorwaets. As expected, the excellent ballcontrol of both teams kept the score down.Both teams rely on working the ball intoward the goal for the sure shots andsince both control the ball well, such op¬portunities were few and far between. Thegame was decided on a shot by Ilia's JohnNonteko, who scored on a shot from out¬side the penalty box. Although it was an in¬credibly well-placed shot, the score washelped as much by screening the goalie asthe accuracy of the shot. The single goalstood for the game and Ilia y La Lastimaheld on for a 1-0 victory.The game certainly demonstrated Ilia'ssoccer talent and persistence, but it alsodemonstrated that Ilia faces considerable-competition in the graduate league. Giventhe team's propensity for freezing inplayoff games, such talent could praove tobe its downfall. Ilia will need to play its fin¬est in every game to succeed this yearagainst teams like Blue Star and Jamai¬can.As I predicted—although Games toWatch was cut from last Friday’sMaroon—Saudi Union upset the defendingindependent champs KUUC, 3-2. Asalways, KUUC skillfully passed the ballaround Saudi but did not shoot when it hadthe chance. It seems that the Koreans justpass the ball around until someone gets thecourage to shoot or runs out of players topass to or gets the ball stolen. Saudi made the most of that by stealing the ball often.Morever, the Koreans are easily intimidat¬ed by aggressive soccer—and Saudi Unionis one of the fastest and most physicalteams in the independent league. This isnot to say that Saudi Union pushed KUUCaround for the victory, for Saudi has con¬siderable talent. The victory left unde¬feated Psi Upsilon in the driver’s seat forthe independent division championship.They will still need to defeat KUUC, butthat will not be as difficult as it appearedearly in the season. Psi U has already bea¬ten Saudi Union and thus a victory overKUUC clinches the division. On the otherhand, a Psi U victory will ease Saudi Unioninto second place. Worse yet for theKoreans, Eats Hit has emerged as a verypowerful independent team and KUUCmust still get by that team if it is to reachthe playoffs.Rumors kept flying from the women'sassorted league that a very skilled bunchof women soccer players was posing as an IM team. The team is Quel Bogue, and therumors were substantiated when it sound¬ly defeated Crown Rats, 10-0. I previouslywrote that Crown Rats, though not deep insoccer talent, is an unusually athletic-bunch for women's socim. Usually athletic-ability is enough in womens socim but QuelBogue showed what happens when athleticability is combined with soccer talent.Quel Bogue controlled the ball in the Rats’end for almost three quarters of the game.The strength of Quel Bogue’s passinggame thoroughly confounded the Rats' de¬fense which could do little more than offeran obstacle for Quel Bogue players to dri¬bble around.Elsewhere in IMs, softball has returnedwith a new double elimination tournament.Though a rash of forfeits occurred, thetournament is going smoothly and theusual teams are winning.In the resident blue tourney, Commutersmeets Lower Rickert and Compton awaitsthe winner of Hale versus Hitchcock “B”. This division will probably come down toHale and Commuters. Commuters’ offenseis awesome but its defense breaks downeasily in the face of stiff opposition. Wit¬ness to this is the team’s 30-28 and 12-10victories. Hale, on the other hand, reliedmore on its defense last year. It also hasconsiderable hitting power, having ac¬quired several strong new housemembers. The match will be close butHale has the edge in light of Commuter’sweak defense.The red division tourney features peren¬nial powerhouse Chamberlin, whichslugged (not literally) its way past Hen¬derson 18-2 over the weekend. The hittingof Chamberlin is probably the best in theundergraduate leagues, but the secondstrongest may be the other team in this di¬vision, Dudley. It, too, demolished itsweekend opponent, Dodd/Mead, 26-5.Chamberlin has the edge because it has alittle more offense and a lot more de¬fense.Hitchcock “A” met Breckinridge lastweekend in what will probably be thematch-up at the end of the white divisiontourney. A close match, but Hitchcock “A”broke it open in the second and third in¬nings with five runs to win 7-3. The nexttime these two teams meet, it could be a lotditferent. especially since Breckinridgegets stronger with more practice. Despiteits early loss, Breckinridge gets the nod inthe white division.The grad leagues have fewer teams thisyear, but two have returned with enoughstrength to coast to their division champi¬onships. Med I in the red division and SeeYour Food in the white division are theteams to watch in grad softball. Med Ishould coast by the four other teams withonly Raw Meat posing possible competi¬tion. See Your Food, on the other hand,faces stiff competition from MolecularSieves and possibly Malice Aforethought.Sieves defeated the helpless JimareKillers, 35-0, before the game was merci¬fully declared a slaughter. Meanwhile, SeeYour Food defeated Bovver Boys 22-0. Inboth games, the ball was in the street moreoften than in the field. When these twoteams meet, the IM office should cordonoff the traffic in the Midway.IM ScoreboardSOFTBALL TOP TEN1. See Your Food2. Med I3. NUTS4 Molecular Sieves5. Chamberlin6. Malice Aforethought7. Hale8 Breckinridge9. Hitchcock10. CommutersHonorable Mention: Feel Your Buddy, Dudley,Hale Marys.SOFTBALLMenCommuters 30Phi Delta (forfeit ...Hitchcock “A” 7Psi Upsilon(by forfeitNUTS 16Molecular Sieves 35Chamberlin 18Compton 7Hale Marys 16Upper Rickert 7Lower Rickert 19.... Greenwood 28Blackstone (forfeit)Breckinridge 3WHPK-FMFeel Your Buddy 7Jimone Killers 0Henderson 2Bishop 3Filbey 6Thompson 6Tufts 4 Hale 17Med I (by forfeitDudley 26Fallers 18Salisbury/V incent(by forfeit)NUTS 7Molecular Sieves(by forfeitCommuters 12ADP on Probation 12See Your Food 22 Fishbein 5Athletes in TractionDodd/Mead 5Michelson 7DeweyDo Its 2NabobsMichelson 10Psi Upsilon 11Bovver Boys 0WomenLower Wallace (by forfeit...Breckinridge 20Dangerous 23 DueopsSnell 9Upper Wallace 10CoedWho Cares 10Heinrich Hustlers(by forfeit)Brickbats 17BS Hitters 17Breckinridge (by forfeit;..Hale (by forfeit)Jimmy’s (by forfeit)Visitors (by forfeit)Hitchcock/Snell 12 .... Velvet Jones 5... Mean DeviatesSalidarinos 2Artful Dodgers 2BishopOBSMolecular SievesRand W alkTufts 0 Dudley (by forfeit) Dodd/MeadUpper Wallace/Lower Rickert (by forfeit) Vincent AArtful Dodgers 15 Jimmy’s 12VOC (by forfeit) Vincent BWho Cares (by forfeit) Mean DeviatesUpper Flint <by forfeit) OBSBrickbats (by forfeit) Heinrich's HustlersSOCIM SOCIM TOP TENSMen’s Undergraduate1. Psi Upsilon2. Fallers3. Amalgamation4. Lower Flint5. Saudi Union Movement6. KUUC7. Eats Hit8. Greenwood9. Bradbury*10.Dodd/MeadHonorable Mention: Dudley, Upper Flint, FijiMenUpper Rickert 2 Bishop 0Hale 3 (shoot-out) Shorey 2ChamberlinViolence Lower Rickert 0MonetaryApproach 2 Ectopic Detritus 1Michelson 1 Compton 0Achille and theHeels 2 (OT) Orient Express 1Henderson 3 Thompson 1Dewey A 5 Blackstone 1WomenQuel Bogue 10Bishop 2 (OT)Three’s A Crowd 3 Crown Rats 0Lower Flint 1Upper Flint 0 Men’s Graduate*1. Ilia Y La Lastima2. Blue Star Vorwaets3. Jamaican BCFC4. Achille Heels5. Orient ExpressHonorable Mention: Van Der Waal’s Force,Monetary ApproachWomen*1. Dudley2. Quel Bogue3. Crown Rats4 Compton5. ShoreyHonorable Mention: Tufts, Snell•denotes All-University #1THE COMMUTER CO-OP SPRING LUNCHEONTODAY • GATES-BLAKE 1 • 11:30 am - 1 pm22—The Chicago Maroon—Friday, April 30, 1982*»SSrmgm . t •_Softball teamnotches winBy Lee BadgettThe softball team made the most of a coldMonday afternoon by beating NortheasternIllinois University, 5-3. Although this wasonly the Maroons’ second win of the season,they were impressive against the more ex¬perienced Division II team from Northeas¬tern in all of the most important areas: bat¬ting, fielding, and pitching.The Maroons did all of their scoring in thefirst three innings. Allison Duffy’s single tocenter field put her on base, and RuthEisen’s triple brought Duffy around for theMaroons’ first score. Chicago loaded thebases in the second, scoring two runs whenNortheastern’s inconsistent pitcher walkedtwo of the next five batters (and struck outthe other three). Pitcher Kittie Wyne’s do¬uble in the third drove in Chicago’s last tworuns.While the Maroons were busy scoring inthe first half of the game, the Northeasternplayers could barely hit out of the infield.Chicago’s infield did an excellent job inholding Northeastern scoreless until thesixth inning. Karen Kitchen at third basehad most of the defensive responsibility asNortheastern players, apparently swingingtoo early at the pitches, drilled the ball downthe third baseline time after time.The sixth inning almost looked like a re¬play of the Wheaton game in which theMaroons lost their concentration at the endof the game. Northeastern scored two runswhen Eisen could not handle a ball hit to herin right field. The next batter knocked ahome run past Sue Fortunato in left field tocut Chicago’s lead to 5-3. Northeasternthreatened again in the top of the seventhwhen the had two players on base and onlyone out. The next batter hit a grounder tosecond baseperson Karen Walsh, whotagged the runner going to second andtossed the ball to Wendy Pietrzak at first forthe double play and the game.Coach Pat Kirby was “exceptionallypleased’’ with the Maroons’ victory and withtheir concentration throughout the game.When Northeastern started scoring in thesixth, she hoped that the recent experienceof the Wheaton game would keep the playersfrom repeating those mistakes. She attribut¬ed Chicago’s inconsistency in this area tothe players’ youth, but she saw Monday’sgame as a sign of their maturation as soft-ball players and as a team.The other key to Chicago’s victory wasKittie Wyne’s pitching performance. Eventhough her pitches were not terribly fast,she seemed to put enough spin on the ball toprevent Northeastern batters from hittingthe ball very far. Kirby suggested this spinas an explanation for the many pop-ups.Wyne also displayed excellent control, walk¬ing only four batters and striking out two.Unless some of the games that were can¬celled at the beginning of the season are res¬cheduled, the Maroons will end their seasonwith two home games next week. With Chi¬cago’s 2-8 record, Kirby’s pre-season goal ofa .500 season is obviously out of reach, butthe final games will give the Maroons atleast some of what they need most — experi¬ence, and preferably the positive kind of ex¬perience that they got in the Northeasterngame.Women runto 6th placeBy Sue FortunatoThe women’s track team placed sixth outof 14 teams at the Millikin University Invita¬tional last weekend. Of the five teams thatoutscored Chicago, only one, Wheaton Col¬lege, will be at the state championship meetto be held at Stagg Field on May 7-8. Thefact that seven of the teams UC defeatedwill be at the state meet gives the team con¬fidence that it will have a solid chance ofwinning the state championshipHelen Straus and Nancy Flores providedthe team with most of its points at Millikinby placing first and third, respectively, inthe heptathalon. Straus accumulated 4012 points in the heptathlon, just 200 short ofthe number required to qualify for the na¬tional meet. Flores’s 3056 points came fromher second place finishes in the 200 meterdash and javelin, and third place finishes inthe high jump, shot put, long jump, 100meter hurdles, and 800 meter hurdles.UC’s long distance runners turned in an¬other group of strong performances. KathyBawn placed fourth in the 5000 meter runwith a personal record of 20:13.3. Lu Madgewas the next finisher as she crossed the linein 21:24. Freshman Ann Reed qualified forthe state meet in the 10,000 meter run with afourth place finish of 44:46.9. Sue Snow justmissed placing in this event as she came inseventh. Although no Maroons placed in the1500 meter run, junior Casey Kerrigan set anew school record with her eighth place fin¬ish of 5:08.0, while Jennifer Maude came inseventh in the 3000 meter run.Freshman Natalie Williams was the onlyUC sprinter to place at the meet. Her time of27.3 seconds gave her a fifth place finish inthe 200 meter dash. Alison O’Neil came inseventh in the 400 meter hurdles and com¬bined with Kerrigan, Williams, and SaraDell for a seventh place finish in the 4x400meter relay. UC’s 3000 meter relay team ofTracy Button, Bawn, Nora Murphy and Ker¬rigan placed third with a time of 10:50.6.Today’s home meet will be the last chancefor team members to qualify for the statetournament. Coach Linda Whitehead is con¬fident that the meet, plus another week ofworkouts will adequately prepare the teamfor state. UC is a top seeded team at thatmeet, so a strong team performance couldenable it to defeat its top competitor, Whea¬ton College, and win its first state champion¬ship.Baseball 2-4 on roadThe baseball team continued its seasonthis week with six road games. At LawrenceCollege on Friday, UC won two of threegames. Lawrence won the first game easilyby an 11-1 score, but the Maroons came backto take the next two games 21-9 and 6-5. OnTuesday, the Maroons held a 10-4 leadagainst North Park College, but wound uplosing 3-11. The team went on to lose 4-1 and5-2 to George Williams College the followingday.University of Chicago vs. Lawrence Univer¬sity, 24 April 1982 at Appleton, WisconsinGame 1Chicago 001000 127Lawrence 412022 1 14 2Pitchers: UC: Weber, Amboian (5) and SchellLU: Fallon and LevinWP: Fallon LP WeberHR: Jankovich (UC) and Hazucha(LU)Game 2Chicago 20 1954 21 16 3Lawrence 250200 99 10Pitchers: UC: Shimkus, Van Kleeck (4) andSchellLU: Stalker and LevinWP: Shimkus LP Stalker Save—VanKleeckHR: Satherlie (LU) and Bill (LU)Game 3Chicago 0 0 1 4 1 6 4 5Lawrence 1 3 0 1 0 5 7 3Pitchers: UC: Van Kleeck, Varsam (2). Weber(3) and SchellLU: Vandenheener and PfiefferWP: Weber LP VandenheenerUniversity of Chicago at North Park 27 April1982Chicago 0 1 09000 1 0 11 14 6North Park 00417010X 13 13 2Pitchers: UC: Maranto, Amboian (5), Barnhart(5) and SchellNP: Grzywa and PaulsonWP: Grzywa LP AmboianHR: Schell (UC) and Dickey (UC)University of Chicago at George WilliamsCollege, 28 April 1982Game 1Chicago 0100000 172George Williams 0 1 0 1 1 1 x 4 6 1Pitchers: UC: Van Kleeck and CallansGW: Carlson and DawsonWP: Carlson LP Van KleeckGame 2Chicago 0010001 282George Williams 400010X 591Pitchers: UC: Shimkus and CallansGW: Cunningham and FitzgeraldWP: Cunningham LP ShimkusHR: Cetnar (GW) SportsMaroons joinBy Carl StockingFor every runner west of the Alleghenys,the Drake Relays beckon as the premierevent of the season. Teams from across thecountry willingly spend several days in DesMoines, Iowa just for a piece of the action.Des Moines seems an unlikely spot for sucha prestigious meet, but Iowans are unawareof this and accord the relays a reverencenormally reserved for corn and an occasion¬al pork belly, filling the 18,000 seat stadiumto capacity year after year. This yearmarked the Drake Relays 73rd anniversary,and a score of fine teams helped commemo¬rate it, including Nebraska, Oklahoma, Ari¬zona State, Notre Dame and Georgia. In all,121 teams were present for the two-daymeet, including the University of ChicagoMaroons.Coach Ted Haydon brought a crew of nineand fielded three relay teams. The first raceof the Friday afternoon festivities was the6400-meter relay and Chicago entered theteam of Mike Axinn, Bob Fisher, AaronRourke and Art Knight. Axinn led off in acrowded field. While trying to step out of abox on the first lap, he tripped and fell andhad to run catch-up the rest of the way. Theother three runners were unable to gain anyground and Chicago finished out of conten¬tion.Later that day, the Chicago mile-relayteam of Jim Biery, Reggie Mills, Mark Wil¬liams and Carl Stocking took to the track.The four recorded similar splits, rangingfrom 53.1 to 53.9. Their performances were,for the most part, average times for them,but at Drake everyone hopes for the excep¬tional. The Maroons’ performance failed toqualify for the finals on the following day.On Saturday, Chicago’s lone entry was thedistance medley relay team. Aaron Rourkeled off, running 800 meters. Rourke began to Drake relaysmake a move at the leaders as he ap¬proached the 400 meter mark and passedseveral stragglers. However, he was uncor-dially tripped from behind and found him¬self skidding down the track on his belly.When he at last righted himself, he had losthis left shoe and forty yards on the leaders.He nonetheless turned in a 2:04. DaveGlockner followed with a 52.1 400 meters andBob Fisher with a 3:10 1200 meters to keepChicago in the race, although Carleton’sGene DiMagno had opened up a substantiallead with an impressive 2:50 1200 meters.Chicago received a boost on the anchor legwith Axinn’s 4:10 1600 meters. Axinn pickedoff several runners in the large field andgained a sixth place finish in the section.Though Chicago did not win any of the rac¬ing laurels, outstanding performances wereturned in by others. There is a certainwonder in seeing Herschel Walker peel offhis sweats before the start of the 100-meterdash, and in witnessing Steve Scott blowaway the field en route to an unprecedentedthird individual victory. Other sights includ¬ed pole vaulters jumping over 18 feet, andSunder Nix sizzling to a 44.5 400-meter forthe Indiana University 1600-meter relayteam. It was the Drake Relays, after all.Sports CalendarWOMEN'S TRACKApril 30 — UC Invitational, 3 p.m., StaggField/WEN’S TRACKMay 1 — UC Relays. 11 a.m., Stagg FieldSOFTBALLMay 4 — University of Illinois-CircleCampus, 3 p.m., North FieldNetmen battle DivisionBy Caren GauvreauThe men’s tennis team lost four of its topsix starters from last year, so it lacks expe¬rience — an essential entity when compet¬ing against Division I schools. With five ofthe six singles players being rookies, thepast weekend's quadrangle meet against Di¬vision I Harper College, Bradley University,and the University of Illinois-Chicago Circlemust be chalked up to experience.Although the Maroons lost to each school,there were some outstanding individual per¬formances. Phil Mowery and Peter Kangupset the number one doubles team fromChicago Circle 7-6 (7-1), 7-5. This was theteam’s first victory against a Division Ischool. Kang, playing number two singles,and Bill Wild, playing number four singles,also won their respective matches. CoachBill Simms was impressed with these vic¬tories, saying that “these guys played toughall through their matches and never gave upat all.’’The team winds down its season on Mon¬day when Harper College come here for arematch. The team hopes the experience itgains while playing these nationally rankedschools will prepare it for the Midwest Invi¬tational on May 1 and the Midwest Confer¬ence Tournament on May 8.UC 3 University of Illinois-Chicago Circle 6Singles: 1 — Mark Wagner (UIC) d PhilMowery (UC) 6-3. 3-6. 6-1.2 - Peter Kang »UC) d. Rudi VanMol (UIC) 6-2, 5-7, 7-5. 3 — Gary Bar-kowski (UIC) d. Zenon Krause (UC) 6-1. 6-2 4 —Bill Wild (UC) d Jim Leven (UIC) 1-6. 6-4, 6-3. 5 —Bruce Siegel (UIC) d. John Kotz (UC) 6-2. 6-3. 6 —Steve Davis (UIC) d James Dix (UC) 6-0, 6-3.Doubles: 1 — Mowery and Kang UC) d. Wagnerand VanMol (UIC) 7-6 (7-1), 7-5. 2 — Barkowskiand Siegel (UIC) d Krause and Londin (UC) 6-4.6-3. 3 — Davis and Leven (UIC) d Kotz and Dix(UC) 6-7 (7-5), 6-0, 6-0.UC 0 Harper College 9Singles: 1 — Brian Bellumini < H > d PhilMowery (UC) 6-1, 6-2. 2 — Mark Reed H > d PeterKang (UC) 6-1. 6-3. 3 — Ted Heiser iHi d. ZenonKrause (UC) 6-0, 6-2 4 — Don Ferris H) d BillWild (UC) 6-4. 6-3. 5 — Mark Mayo (H> d. JohnKotz (L'C) 6-2, 6-2. 6 — Mike Lange Hid. JamesDix (UC) 6-3, 6-3.Doubles: 1 — Bellumini and Reed (H) dMowery and Kang (UC) 6-2. 6-0 2 — Ferris andMayo (H) d. Londin and Krause (UC) 0-6.6-2, 4-6. 3— Heisser and McNamara (H) d Kotz and Dix(UC) 6-1, 6-2.UC 0 Bradley University 9Singles: 1 — Jack Niemiec B1 d Phil Mowery(UC) 6-3, 6-3. 2 — Mike Doering < B> d Peter Kang(UC) 6-7 0-8). 6-2, 6-3. 3 — Kent Drescher <B) d.Zenon Krause (UC) 6-0, 6-2. 4 — Randy Neuman(Bid Bill Wild (UC) 6-3, 6-4 5 — Paul Nagy (B> dJohn Kotz (UC) 1-6, 6-3, 6-3 6 — Dave Buckmani B» d. James Dix (UC) 6-2. 6-3.Doubles: 1 — N'iemic and Doering iBi dMowery and Kang (UC) 6-0, 6-1.2 — Drescher andReiman <B) d Krause and Londin (UC) 6-2. 6-4 3— Nagv and Johnson (B i d. Kotz and Dix (UC) 6-2,6-3./ —VJoin the Episcopal Church Council atthe University of Chicago for:Thursday Noon Eucharist at Bond ChapelandSunday Evening Eucharist (5:30 pm) andK —. Supper (6:00 pm)P ■"7 Bishop Brent HouseV / 5540 S. Woodlawn Ave.V. JThe Chicago Maroon—Friday, April 30, 1982—23NewsChurch looksinto chargesBy Bill RauchThe University Church has formed a com¬mittee to investigate charges that the Co-venantal Community of the UniversityChurch (CCUC) has subjected residents ofan apartment building at 6103 South Wood-lawn to slum conditions. The CCUC owns thebuilding, but tenants have brought com¬plaints against and picketed the church.The CCUC purchased the building threeyears ago. Though it had been declared un¬inhabitable, the CCUC hoped to renovate itwith city and federal aid and convert it intoa cooperative.CCUC members who moved into the build¬ing could pay a required fee towards mem¬bership in the co-op by putting their labortowards the building’s renovation. But, non-CCUC members who moved into the build¬ing, and who are not guaranteed acceptanceinto the co-op, claim that they have not beencompensated for the work they put into re¬pairing and maintaining the building.Also, the tenants claim that the CCUCfailed to carry out its promise to do majorrepairs of the plastering, electrical wiring,doors, and locks.Conrad Steinhoff, chairman of the inves¬tigating committee and first vice-moderatorof the University Church, told the Maroonthat “one of the issues” in the dispute is thatthe relationship between the Church and theCCUC “is not as clear as it should be.”Steinhoff said that the church holds a mort¬gage on the property because it lentmoneyto the CCUC for the purchase of the building.HYDE PARK UNION CHURCH5600 S. Woodlawn Ave.Church School (all ages) 9:45 a.m.Worship Nursery Provided 11:OOa.m.W. Kenneth Williams, MinisterSusan Johnson, Baptist Campus MinisterCome, Worship, Study, Serve and that members of the CCUC aremembers of the Church.Steinhoff said that the Church is investi¬gating the charges because the tenants “areholding the Church responsible. They aredraw ing the congregation into the issue,” hesaid. Steinhoff said that the investigation re¬flects concern on the part of the church forits members who belong to the CCUC.He said the purpose of the committee is“only to gather information.” He said hiscommittee will present a written report tothe congregation which will contain “an ac¬count of the facts.” He said the committeewill not attempt to mediate or make recom¬mendations in the dispute.Steinhoff’s committee has six members.The committee members will be dividedinto interviewing teams of two each. He saidthe interviewers will be provided with spe¬cific questions, and will try to interview ten¬ants in their residences.Steinhoff said that the people “most in¬volved with the tenants” will be inter¬viewed. “We will focus on people dealingwith the tenants,” he said.He said that “The committee was careful¬ly chosen to be made up of people with novested interest in the controversy.” None ofthe committee members are tenants, CCUCmembers, or have money invested in thebuilding. He said the committee membersare as “neutral as possible.”Steinhoff would not comment on the legiti¬macy of the complaints. “I think that if Isaid anything (on that point) I would under¬mine the project,” he said. He added thatthe committee had not yet made any find¬ings.Steinhoff said that the written report is tobe presented to the congregation Sunday,May 16.GRAFF & CHECKReal Estate1617 E. 55th St.1 V2-2W-4 room & 6 roomapartments. Immediate occupancy.Based on AvailabilityBU 8-5566A vailable to all comersAUGUST ANA LUTHERAN CHURCHSundays:8.30am Sermon & Eucharist9:30 am Sunday School &Adult Education•10:45 am Sermon & Eucharist6:00 pm Supper5500 South WoodlawnV /New and RebuiltTypewriters,Calculators,Dictators, AddersCasioHewlett PackardTexas InstrumentCanonSharpElectronic Watches REPAIRSPECIALISTSon IBM, SCM,Olympia, etc.FREE repairestimates; repairsby factory-trainedtechnician.RENTALSavailable withU.ofC. I D.The University of Chicago BookstoreTypewriter & Calculator Department970 East 58th Street 2nd Floor753-330324—The Chicago Maroon—Friday, April 30, 1982 Academic problems mostcommon in reportBy Jeff Wolf“By far, the most common, yet the mostcomplex problems brought to the office ofthe student ombudsman during the winterquarter were of an academic nature,” saidJane Redfern in her quarterly ombuds¬man’s report.Redfern divided the 70 complaints madeto her office this quarter into 5 categories:academic affairs, (w'hich accounted for 28percent of all complaints), student affairs,36 percent, administrative affairs, 27 per¬cent and sexual harassment, 3 percent.Winter quarter saw an increase of com¬plaints over academic concerns and a de¬crease of administrative complaints.In her report, Redfern also outlined thestandard responses to student problems.When a grade dispute is brought before her,for example, she first asks the student todiscuss the disagreement with the profes¬sor. If the problem cannot be resolved, shethen asks to mediate the dispute.Grade disputes often involve a misunder¬standing between the professor and the stu¬dent. In one instance, an undergraduateenrolled in a grade course was not informedof the basis for grading. Assuming that hisgrade would be based on written work (onwhich he received three B + s) the studentwas surprised to receive a C in the class. Hewas not aware that class participationplayed a significant role. Eventually, a com¬promise was reached, and the student re¬ceived a P for the class.According to Redfern, there are “recur¬ring tensions in graduate education. Stu¬dents are simultaneously encouraged tocomplete departmental requirements and tobegin to pursue their own research.” Thefact that students often don’t understand theexpectations of faculty makes resolving theconflict difficult. Jane RedfernThree students came to the ombudsman’soffice with sexual harassment complaints.The complaints are usually handled byspeaking to the appropriate dean. In onecase Redfern referred to, the dean moni¬tored the student’s work. The student thensubmitted all written work for the class inquestion to the dean to insure that the stu¬dent was not being treated unfairly. In thisparticular case, the student received alower grade in the course than was expect¬ed. Her work is now being reviewed by asecond faculty member.The ombudsman’s report emphasized theacademic and sexual harassment cases.Redfern refused to speak to the Maroonabout the report or her office.ICELANDAIR INTRODUCESNEW DARGAIN FARES TOMORE OF EUROPE.*499ROUNDTRIPFROM CHICAGO ROUNDTRIPFROM CHICAGO—ZURICH 1'599ROUNDTRIPFROM CHICAGO r— FRANKFURT—j557ROUNDTRIPFROM CHICAGOAll Apex Fares: April 1 - May 14. 1982, 7-90 day stay (7-60 days Luxem¬bourg). Stopovers permitted in both directions. 14 day advance purchaserequired Seats limited. Ask about our low cost Normal. Same Day andGroup (ares, too.ALSO LOW COST CONNECTING SERVICE TO NICE AND AMSTERDAM.Icelandair to Luxembourg. Luxair or Crossair connecting serviceto other destinations.■ Confirmed reservation. ■ Free wine with dinner, cognac after.■ Bargain Stopover Tours of Iceland and Luxembourg. ■ Bargain carrentals ■ Purchase tickets in U.S. ■ All fares subject to change andgovernment approval.See your travel agent or call 800/555-1212 for the toll free Icelandair number in your area.ICELANDAIRNOW MORI THAN IV[R YOUR BIST VALUT TO lUROPtCLASSIFIED ADSClassified advertising in the Maroon costs si .00per 45 character line Special headings cost$1 50 per 25 characters. All classified ad vert ising must be paid in advance. Advertisingdeadlines: 12 noon Wednesday for the Fridaypaper; 12 noon Friday for the Tuesday paperSubmit ads to Ida Noyes Hall, room 304, ormail them in (with payment) to The ChicagoMaroon, 1212 E. 59th St., Chicago IL 60637. Forinformation about display advertising, call 7533263. The Maroon is not responsible for goodsor services purchased through the classifiedadvertising section.SPACEStudio Apartment, Hild Realty Group 955 1200Looking for housing? Check InternationalHouse, for grad students and for scholarsvisiting Chicago. 753 2270, 2280Student Government publishes a list ofavailable housing. Call 753 3273 or stop by theSG office, 3rd floor Ida Noyes.CONDO FOR SALE '2 blk from UCFieldhouse, 2 BR. Ig. bkyd. sun rm. sewing rm.mod kit Ray School 493 2869Sub Avail Jul 1 Oct 1 Lrg 1 Bdrm Furn new 55thLake Pool Sec 667 0184Nr. UC large 4 rm apt tile bath shower britesunny front and rear porch avail now 288 0718Summer Sublet large apt 1 block from campusS350 nonsmokers only Ph 363 5877All yr. vacation home 90 minutes from campus. Large wooded lot, 126 ft front on SingerLake. 2 story brick and cedar contemp oak fir,cathedral 1.4, stone f p„ all wood interiorS66,175. Owner financed Call Milt Priger 616429 4663 Am. Homes Century 21, 1816 W. JohnBeers Rd , Stevensville, Mich. 49137SUMMER SUBLET 2 females needed to share3 bdrm apt. 56th & Univ Mid June to mid SeptSi72/month + util. Call 947-8277 evesNewport 4800 S. Shore Dr Large 1 bdrm facinglake & north eat-in kit 19 FI 24 hr doorman Immed Occ Al Booth 726 0083; weekends 871 5224. SUBLET 2 bedrooms in a 3 bedroom apt 56th &Kimbark Avail immed Call 643 3507House in Cambridge England Available MidJune 1982. Centrally situated 3/4 bedroomsLarge living room and modern kitchenGarage Enquiries: Jones: 753 2441 or 753 3696Co op 2 bdrm 61 & Kimbark Formal dining,fully renov in secure bldg Avail June sale$19,950 or rent w/o. 239 8224.To settle estate Chesterton Area—rustic woodsetting, architect Keck designed home onriver-5 acres total $150,000call Century 21 Rick(219) 926 7126 or Charlotte in Chicago 493 6153Rowhouse for sale in Pullman HistoricalDistrict Close to expwy and 1C. 3 bdrm, Igebasement, exc neighborhood Good conditionCall Harry MWF aft 753 4068Sublet opt to rent 6/15 Lg 5rm apt bale 2nd firpets ok $145 mo 53 8. Kenwood 324 5260STUDIO APT University Park nr UC lovelyview pool 24hr security avail June $375 w/heat393 1034Pleasant 2bdrm, lake & loop view, fully furnished, good for family $415mo.324 2273 Bill orLynn.1 bedroom apt excellent location availableJune 15 S320 month 5454 Everett 324 4132 evenings.Studio and one bedroom apartments nowavailable. $205 $295 $50 student discount if rentpaid quarterly 684 5030 before 8:30 am or 4932329l bedroom coop apt for sale $25000. 288 5947,667 5460 or 955 2659FOR RENT 1 bedroom apt , living, diningroom kitch., bath 56/Kimbark, $360 mo June 1occ. Call 539 0304Summer Sublet 2 BR 2 bath in Regents Parkneed l or 2 $460 241-7426Room for rent for female graduate student inhome of professor; kitchen privileges and utility room use included; 55th & Harper Ave; call567 3407 days or 324 3484 eveningsC/D Turtle Soup * Shrimp BisquejHaplc Cite 3ttnJ81I9J3PH y 9||IAU9!fl SJaiSAfl Female roommate wanted own bedroom in 4bdrm apt Dishwasher spacious reasonablerent 55th & Hyde Pk Blvd Call Jenny 667 3541.SUMMER SUBLET 1 Ig sunny bdrm avail in 3bdrm apt Close to campus. Avail, mid Junethru mid Sept. Reasonable rent Call 241 5246Summer sublet avail for non smoking femalein 2 br turn apt. Quiet, private $2l2/mo inclutil. Karen 962 7566 (MF 9-5); Ivfiame&noSummer Sublet May 14 Aug 23 55 & Lake 3rooms furnished $215/month 288 3216STUDIO Chic condo for rent now on 78th & SoShore Dr. $325 incls. stove, frig, a c , laundryrm. new carpet, gas heat, covered parking!221 4193/268 5901.Sunny 7 room apt 3 big bedrooms all with bigbay windows l block from shopping and 1 blockfrom Jimmy's! Great location 54th andWoodlawn $450 a month July Sept AvailableJune 15 call now! 363 6026SUMMER SUBLET Large 1 BR Apt 55th &Hyde Pk. Blvd Avail mid June Sept 1 RentNegotiable Call 324 6066 EveningsRent w/option to buy spac completely dec 3bedrm w/bth condo with sun porch new kit &bth S600 538 6185 after 7pm Avail May 1.SUMMER SUBLET June Sept 51 st/S HydePk Blvd Overlooks Lake, near IC/Bus $180Peter 324 2558Studio University cond bldg 55th St poolavailable 7/19/30. Call 2416028 morningbefore 9SPACE WANTEDFemale Grad Stud wants room with familyNear Campus Call 753-0283 before 8 am orafter 10 pm Classified AdsGraduate student family (one child) seekshousesitting situation or sub let from mid Juneto mid September Will care for children,plants or animals, dates negotiable 324 2238Female grad student on leave of absence seeksroom in house/apartment starting June/JulyPrefers family or other grad students (nonsmokers). 861 2229 (9 5) or 493 6160PEOPLE WANTEDPaid subjects needed for experiments onmemory, perception and language processingResearch conducted by students and faculty inthe Committee on Cognition and Communication Department of Behavioral SciencesPhone 962 8859OVERSEAS JOBS Summer/year roundEurope, S Amer , Australia, Asia All FieldsS500 S1200 monthly. Sightseeing Free infoWrite IJC Box 52 IL5 Corona Del Mar, CA92625.Get a summer job! College students, be a stepahead of the others. Call for our current IllinoisI982 guide Mrs Marx, 262 6900ext 386Campus rep wanted Intern'l Co 955-0403 after7 pmNeed patients for stateboard in dentistry May17, 18 or 19 Fillings and cleaning to be done nocost to the pt. Call for inform 667 5845U of C PRE LAWS: See what law is really likeParticipate as a juror in U of C Law Schooltrials May 8 or May 15 Contact 752 8977Hyde Park Real Estate office has permanentposition for receptionist-typist. Call MrsHaines or Mr Kennedy 667 6606EARN BIG TIME MONEYFINANCIAL PLANNINGMULTIMILLION DOLLAR COMPANY984 1295CalendarFRIDAYSlavic Forum Literature Conference: "The Artistand Society in Twentieth-Century Russia" speak¬er Carol Any, 9:30-10:30 am: "Russian Transforma¬tions of Western Models" speaker Anna LisaCrone. 10:40-12:20 pm. Ida Noyes Library.Crossroads: English classes for foreign women,10:00 am. 5621 Blackstone.Comm, on Human Nutrition: "Fatness, Fitness,Food Intake and Reproduction" speaker RoseFrisch, 11:00 am, Brain Research room J-135.Calvert House: Mass, 12 noon and 5 pm; brownbag lunch, 12:30 pm, 5735 University.Slavic Forum Literature Conference: "Nineteenth-Century Prose" speaker Diane Ignashev,1:20-2:20; "Russian Poets as Translators" speakerPatricia Suhrcke. 2:30-3:50; "The Place of RussianFuturism within the Russian Avantgarde: A Re¬consideration" speaker Victor Erlich, 4:30 pm, IdaNoyes Library.Dept of Romance Lang and Lit: "Elements Popu¬lates dans les Romans Courtois" speaker Fran¬cois Suard, Univ of Lille III, 3:00 pm. Classics20.Calvert House: Leave for Catholic Worker soupkitchen. 3:00 pm, 5735 University.Center for Middle Eastern Studies: Arabic Circle-"Islam and Muslims in Yugoslavia" (In Arabic!speaker Mustafa Ceric, 3:30 pm, Pick 218.Hillel: Reform-Progressive Shabbat Services, 5:30pm; Adat Shalom Co-op Shabbat Dinner, 7:00 pm,5715 Woodlawn.Calvert House: Volleyball and barbecue, 5:30 pm,5735 UniversityUpper Rickert and Breckinridge: "ClockworkOrange" 7:00 and 9:30 pm. Cobb.Rockefeller Chapel: "Titus Andronicus” 8:30 pm.For more info call 753-3381.Hillel: Lecture-"The Future of American Jewry:Implications of Recent Changes in Demography,Culture and Identity" speaker Dr. Peter Fried¬man, 8:30 pm, 5715 W’oodlawn.SATURDAYHillel: Yavneh (Orthodox! Sabbath Services, 9:15am; Upstairs Minyan (Conservative/Egalitarian)Sabbath Services, 9:30 am, 5715 Woodlawn.Calvert House: “Discussion of Work. Meaningand Vocation" 10 am at Ida Noyes Library.Doc Films: "Treasure Island” 2:30 pm; "Fiddleron the Roof" 6:45 and 9:45 pm, Cobb.Calvert House: Sacrament of Reconciliation,4:30-5:00 pm, 5735 University.Crossroads: Buffet dinner, no reservations neces¬sary, 6:00 pm, 5621 Blackstone.Law School Films: "To Have and Have Not" 7:15and 9:30 pm, Law Sch. Aud.Rockefeller Chapel: "Titus Andronicus" 8:30 pm.For info call 753-3381.SUNDAYHillel: 5th Annual Walk with Israel meeting atRodfei Zedek Cong., 5200 Hyde Pk Blvd, 7:45The Lutheran Campus Ministry: Sermon & Eucharist,8:30 and 10:45 am; Sunday School and Adult Edu¬cation, 9:30 am. 5500 S. Woodlawn.Calvert House: Mass, 8:30 and 5 pm at CalvertHouse, 11 am at Bond Chapel.Hillel: Lox and Bagel Brunch, 11:00 am. 5715Woodlawn.Doc Films: "Baba" and "Turkey. Crossroads ofthe Ancient World" 2:30 pm, Cobb.MARRS: Fighting practice. 3:00 pm. Ida Noyes.Music Dept: Hollis Harootunian. flute and MaryWalter, harp, 3:00 pm. Goodspeed Hall. Free.Episcopal Church Council: Holy Eucharist 5:30pm and Sunday Supper 6:00 pm. Bishop BrentHouse.United Methodist Foundation: The CreationismTrial in Arkansas" speaker Langdon Gilkey, 7:00pm. 5745 Blackstone.Doc Films: Knife in the Head" 8:00 pm. Cobb.Folkdancers: Advanced level folkdancing 8:00 pm.Ida Noyes.Law School Films: "To Have and Have Not" 8:30pm, Law Sch. Aud.Woodward Court Lecture; "Secular Humanism,Religious Humanism, and all the other Human¬isms" speaker Martin E. Marty. 8:30 pm. Wood¬ward Court.Rockefeller Chapel: "Titus Andronicus" 8:30 pm.Info call 753-3381.MONDAYCrossroads: English classes for foreign women10:00 am. 5621 Blackstone.Center for Middle Eastern Studies: Lecture-"So-cial Values versus Materialism in Turn of the Cen¬tury Istanbul" speaker Ahmed Evin, 3:00 pm,Harper 506.Dept of Chemistry: "Local Modes: Manifestationsof Symmetry and Effects of IntermolecularForces" speaker Bryan Henry, 4:00 pm, Kent103.Dept of Romance Lang and Lit: "Beckett and theTemptation of Silence" speaker Thomas Bishop,4:00 pm. Classics 20.Hillel: Class in Yiddish, 6:00 pm. 5715 Wood¬lawn.U of C Judo Club: Meets 6:00 pm, Bartlett gymChristian Science Organization: Meets 7:00 pm,Gates-Blake 428.SCUBA Diving Class: Meets 7:00 pm. Bartlettgym trophy room.Women’s Rap Group: Meets 7:30 pm in theWomen's Center. 3rd floor Blue Gargoyle.Hillel: Students for Israel Hug Group meets 7:00pm, 5715 Woodlawn.Doc Films: "The Crimson Kimono” 8:00 pm.Cobb.Folkdancers: Beginners and intermediates, 8:00pm, Ida Noyes.Music Dept: A discussion of the chronology ofBach's concerto compositions, 8:00 pm. Regen-stein Library 264 Free.Oriental Institute: Lecture-’ Recent Archaeological Investigations in Afghanistan” speaker Paul-Henri Francfort, 8:00 pm, OI AuditoriumDelta Sigma: Meets 9:30 pm, Ida Noyes LibraryChicago Maroon—Friday, April 30, 1982—25 famClassified AdsPreschool teacher wanted immediately byparent cooperative school to teach with parentparticipation one multi age class, 3 to 6, for an8 week session June 21 to Aug 13, 1982. Sendresume to Coop Summer School, 5650 SWocdlawn, Chicago III 60637.Immediate opening for pt office promotionrepresenting the N. Shore Hilton Hotel inSkokie. Hrs 9am-lpm or 1pm 5pm Mon thruFri. Base salary S4.50/hr + commission. Willwork at the loop office. Must have pleasantphone manner & fluent English. Apply in person 10am 2pm Mon-Fri, Mrs. Kossari, ParkRidge, Suite311, Equal Opportunity Employer,Male & Female.Cashiers, HostessBartender, WaitpersonsCooksFor interview call241-6593Monday through FridayMANUSCRIPT TYPISTS: FRENCH, SOMEENGLISH. Part-time (12-15 hours week)school year. Full time in summer. Will betrained on IBM Composers for camera readycopy in publications unit. Must type app.55wpm. $5.00/hour. Contact George Rumsey,Community and Family Study Center, 753-2518.Students: Always short of cash? Sell AloeVera. We provide a) minimum initial invest¬ment b) Free display boards c) free trainingseminars. Make S500 minimum per month oncampus. Call 874-1329. Positions going quickly.Rm in beautiful Kenwood home in exchangefor light babysitting for 11 yr old girl 642-9269Mallory's Restaurant has positions availablefor responsible persons. Apply in person Sat.May 1 or Tue May 4, 9-11. Mallory's 1525 E53rd St., 10th floor.FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E. 55th St. 493 6700MAZDA GLC '77, AM FM cassette. 4 speed.$2000. Call 324 2842 esp eves73 Honda Civic, $600, 73 Station Wagon, $400.Call 493-2828, or 955-6787. Good Buys! 23'' COLOR TV $125, old IBM TYPEWRITER$100, TEN-SPEED BICYCLE $85, DUAL 8PROJECTOR w/5 speeds and sound $125. PH:955 2220.1979 MOTOBECANE VLX50 MOPED, very lowmi., like new, great city transp. for 1 or 2, $350,363 5810.Women's 3 speed bike Good Cond $60 493 1066YAMAHA 6-STRING ACOUSTIC GUITAR $95Chiris Nadon 753 2249.SERVICESJUDITH TYPES—and now has a memory.Phone 955 4417.Psychotherapist, Women's Groups, Individual,and Couple Therapy. Sliding Scale, MaryHallowitz, MSW. ACSW 947-0154.James Bone, editor-typist. 363-0522.Typing term papers reas. rates call 684 6882WEDDINGS photographed Call Leslie, 5361626.Excellent, accurate TYPIST with B A. willtype term papers, theses, resumes,manuscripts—whatever your typing needs.Quick, pick-up and delivery on campus.Reasonable—call Wanda 955-8375 after 5p.m.RAAB DECORATING SERVICE. Interior &Exterior. Very neat. Best reference Veryreasonable. 20 years in neighborhood CallRaab, 221-5661.BABYSITTER AVAILABLE Recent U of Cgrad w/exper avail, days or eves, on a regularor occasional basis. Reliable, enjoys children.Ann, 955 6033.RESUMES for quality service, veryreasonable rates and fast delivery call JordanResume Service 734-5715 weekdays after 5:00pmTerm papers typed, reasonable rates, pickupand delivery. 783-1345Chicago Counseling & Psychotherapy Center.Client centered psychotherapy. 5711 S. Woodlawn, 6345 N. Broadway, and ill NWabash, Chicago. A Registered PsychologicalAgency.(312)684 1800.Tennis lessons individual or group Brad Lyttle324 0654.Researcher requests dreams that are veridicalperplexing or curious If any aspects of thedream seems nonsensical or foolish please explain why they seem so to you Include thoughtsfeelings and reminiscences stimulated by thedream For feedback include name and addressMail to Thomas Brady PO Box 10328 ChicagoIIINEED HELP dealing with your CHILD'SEATING? Join a parent-child group led by professional nutritionists beginning May 8 CallBeyond The Basic Four, Inc. 443 0009Do you find ''DIETS'' don't work for you? Joina group led by professional nutritionists beginning May 10. Call Beyond The Basic Four, inc.443 0009.PREVENT PREGNANCY by learning .hesigns and symptoms of a woman's fertile time,to aid your contraceptive decision making.Register for Student Gyne Clinic's FertilityAwareness Classes by calling 947-5962. Twoseries of classes: Group A-4/27 and 5/114 to 6pm, or Group B-5/4 and 5/18-4 to6 pm. Men andwomen welcome. Cost-$5 per woman/oouple.SCENESWhy nuclear deterrence probably will fail alecture by Bradford Lyttle Wednesday May 5 8pm 5615 Woodlawn Ave (Quaker House).PERSONALSWRITERS'WORKSHOP (Plaza 2 8377).The B school follies, "Life in the Faust Lane"are May 14-15. Tickets avail at Reynolds ClubDear Wally, thanks for doing such a nice |Obwith our page. The Classified Ads.Which Resident Head in Chamberlin is stillsleeping on the couch?Rosie, GOOD LUCK TON IGHT!!!! You will bethe cutest soldier there!!! KathyDear Crrreatcha We will be having a Velveetacarving contest on Saturday night. Please bring the cheese.Crazy J. — From Halloween with treatsand trixTo May the First...Hey Jen that's six!— W REcon. majors—your life sucks I'm still thinkingThe Dark is rising from behind its woodendesk, and it's not even an insurance salesmanMichael Conte, you're the best man, in everyway, on campus. Signed The M.C. Fan ClubDelta Sigma meeting Mon, May 3 at 9:30 pm inIda Noyes Sun Parlor.Dearest Creeps UnionHappy 10 week anniversary! Loveya CCBBarbara Steele 481 -1855For all your housing needsin the southern suburbs.Baird & WarnerSince 1855The Trusted Name in Real EstateDr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know thedifference between advertisedcheap glasses or contact lensesand competent professionalservice with quality material.Beware of bait advertisingEye ExaminationsFashion Eye WearContact LensesC&azbtte ^UihtzomczReat Estate Co. We are co-operating brokersMember national Association of Realtors, ChicagoReal Estate Boards, Illinois Association of Realtors493-0666 • CALL ANYTIMEDO YOU MEAN A REAL FIREPLACE?Yes! A woodburning fireplace in stunning Tri-levelHarper Ave. Townhouse. New patio—new lusciouscarpeting in lower level. Everything’s “A-1” in this “E-1 ” home. $130,000—High nice assumable mortgage.ALONG THE SOUTH EDGE OF MIDWAYfor the bargain hunter - Six rooms for only $25,000. Ex¬cellent building - Co-operative. Call Marie.HYDE PARK BLVD and 55thJust listed, pretty woodwork, three bedrooms, twobaths, big back porch. $63,000. Call Ken.GOLDEN ERA HOUSES IN GOLDEN AREA.• Near 56th & Kenwood - Sale pending but can still beshown. 11 gorgeous rooms. $325,000.• Near 58th & Woodlawn - Three story free standingbrick - completely restored residence, new systems,garage, historic integrity, $325,000.• Near 55th & Harper - only three owners to date, builtin 1890, lovely Italian garden, $190,000.• Near 58th & Blackstone - Charm of a library with itsown fireplace. Comfortable, well kept family housefrom the 1880’s. $250,000.493-0666 Who juggles even as he sleeps?/Who has astrange fondness for sheeps? His name in KingJohnnie/His habits are funny/That makes himthe bestest of Creeps!On Wednesday MPR turned 20/When Creepinghe acts kind of funny/We call him ThePrince/He's not been the same since/And he'sstarting to like my blue bunny!There once was a guy who liked sheep Ofwhose name I say nary a peep/He said Comeanytime/To room 1509/And meet the new LordHigh Creep!To J, N & K in DC When my hands are cold, thePersonals column is better-this is adocumented fact. Hello out there. LAWHENRY FONDA, I give up and this is it. YRIDESPassenger wanted Portland area, late MayCall Plaza 2 8377.LOST & FOUNDFOUND: Male orange tiger kitten Vicinity of57th & Maryland. Call 241 6596.LOST DOG: Black lab w/white markings chest& paws Hyde Pk vie Reward 753 3037, 753 3585.CHILDREN NEEDEDChildren needed for University of Chicagoreading study. Earn money. It's fun and educational. Does this describe you? 5 or 6th gradeleft-handed boy or girl? 7 or 8th grade righthanded boy or girl? Please call 753 4735 fordetails.HAIRCUTS BYMERRIEThe haircuts everyone is talking about Professional styling in the relaxed atmosphere of myhome for only $10. Call today 324 4105GAY AND LESBIANCOFFEEHOUSEGALA sponsors a weekly coffeehouse on Tuesday nights at 9 00 pm now in Cobb Coffeeshop,basement of Cobb Hall. Refreshments andcamaraderie are served free of charge. All arewelcome. Following the coffeehouse the GALAdiscussion group meets to discuss issues, problems and concerns of the gay and lesbiancommunity in a warm, supportive settingEveryone is invited.6/12GRADS:Tickets for June Graduation wanted Will payfor them Call Jackie at 753 2233 *426SUMMER SUBLETLg 1 bdrm turn apt 53rd & Hyde Pk aval June15 thru Aug 31 $400/mo garage sp also aval Call324 5922 nitesAIKIDOPlease note our new hours:Tuesday: 5:30 7:30pm, Field HouseThursday: 6:30 8:30pm, Field HouseSaturday: 13pm, Field HouseWHY PONT YOU STAYFor DARK STAR at 12AM Immedately following Clockwork Orange tonight in Quantrell3000 MAGAZINESGREETING CARDSCIGARETTES/CANDYHOT VIDEO GAMESPOSTERS/BUTTONS('1Vthe best magazine storessince 196551st & LAKE PARK MAIN OFFICERANDOLPH & MICHIGANCLARK & DIVERSEYBROADWAY & DEVONmost open to 12 pm6S4-S100 ROBERT M. KATZMANproprietor26—The Chicago Maroon—Friday, April 30, 1982Classified AdsCONDO FOR SALEBY OWNERDorchester & 50th quiet bid just restoredbeautitul 7 rm 3 bdr 2 bath new kitch ealkinclosets hrdw tlr china cab $80000 534 2379 evesPETE'S MOVINGStudent with Pickup Truck can move your stuffFAST and CHEAP. No job too small! Call Peteat 955-5180GET ME TOTHE LCB!It's the 7th biannual CELEBRATION OFEROTICA! Don't miss out—your grandchildren will want to hear all about it! Music,dancing, food, strippers, movies, skinn-dipping, and more! This is the kind of partyyour mother wouldn't imagine to warn youabout—so come one, come all, come twice,come to the Lascivious Costume Ball!LITERARYMAGAZINEPrimavera, a literary magazine devoted to theexperiences & perspectives of women, seekspoetry, short stories & graphics. We also needvolunteers to work on the staff. Mailmanuscripts to Primavera at 1212 E. 59th StFor info call 752 5655.CURIOUS?Need to know the library's hours, the numberof the Doctor on-call, how to get to the NorthSide, or what's happening on campus tonight?For information on transportation, entertainment, university facilites, contraception,pregnancy testing, or just about anything elseyou need to know—call the UC Hotline; 7531777, 7 pm to 7 am.CONDO FOR SALELovely sunny 5 rm condo, 2 BR Totallyrenovated Oak fl. & buffet, frpI., bale., PLUS!Fin. 10.5% Call Karen d. 947 5456. e 947 0859UC HOTLINENeed help? For information, referrals, help ina crisis, or just somebody to talk to—call UCHotline; 753-1777, 7 pm to 7 am every night.WOMEN'S RAPGROUPWomen's Rap Group meets every Monday at7;30 pm at the blue Gargoyle, 5655 S. Unviersity Ave. Sponsors are Women's Union & University Feminist Organization. For info call 7525655.RECEPTIONISTNeeded for new HAIR PERFORMERS salonopening in Hyde Park. We offer great workingconditions and advancement opportunities.Call Cheryl 430-2552.THE APPLEVILLECONDOMINIUM RENTALS24th PLACE AT CANALTHE GREAT REBATE4TH MONTH FREEDURING THIS SPECIALLIMITEDOFFER—Spaciously designed 2 & 3 bedroomapartments—Only minutes trom downtown—Individual laundry rooms—Carpeting thru-out—Walk-in closets—Private balconies—Indoor parking available.Model Apt. Open 9-5 DailyDRAPER & KRAMER, INC.842-2157Equal Housing Opportunity ACHTUNG!LEARN GERMAN!TAKE APRIL WILSON'S GERMAN COURSETO HIGHPASS THE SUMMER LANGUAGEEXAM AND/OR LEARN GERMAN FORFUN. Reading selections include Kafka,Freud, Mann & thought provoking ProverbsClasses will meet June 21 July 22, M F, thereare 3 sections: 10 12, 1-3 & 6 8 pm. For more information & to register, call: 667 3038FAME!Publish your work in the Chicago LiteraryReview! Please submit manuscripts withname and address to the Maroon Office soon!MEMORIAL DAYImportant meeting Friday April 20, Ida Noyes4:00pm.SYL CLASS SERIES''We are the Party of the Russian Revolution!"Meeting every Thursday night starting April 29at 7:30 523 S. Plymouth Ct. 3rd fir 427 000382-83 YEAR BOOKOrganization meeting Tues May 4 Ida Noyes8pm rm 217. Or call Vic at 241 -5465.GREGORIAN MUZAK?Is Gregorian Chant anything more thanbackground music for cocktail parties? Cometo Rockefeller Chapel Sunday morning, May 2,10 am for the first class in a five week seriestitled: "Gregorian Chant in the Evolution ofChurch Music." Get the true story from DavidBeaubien, choir asst, and grad, student in theDept of Music. Tapes and sheet music will beused.APT. FOR RENT12 month option to renew Avail June 1 orsooner. 59th & Stony. 1 Bedroom Din Rm./Liv.Rm./Gallery. Indoor Gar. Wash & Dry Furnor not. Playgrd/Gardns Security 942 5581 day.643 9265 eve.LYRICOPERAVolunteers needed to help with the UniversitySymphony Orchestra's spring production ofStravinsky's MAVRA, presented in conjunction with the Lyric Opera Center for AmericanArtists Assistance needed with set construetion, costumes, publicity, stage logistics, etcInterested persons should contact KahaneCorn at the FOTA Office, 753-3591, or BarbaraSchubert, conductor, at the Music Department: 962 8484.ALL AGES SHOW! DV8Articles of Faith, Rude Boys InternationalPatrick J. D.J. Sat May 1. 955 W Fulton, halfblk N. of Lake St. 4 blks W. of HalstedTURKISH CINEMABABA (The Father): A film by Yilmiz GuneySunday May 2, 2:30 pm, Cobb Hall $2 HORNEDGREBESand over 200 other species of birds can be seeneach year in Hyde Park. Among other activities, the U of C Birdwatching Society sponsors weekly bird walks for beginners startingat the end of the Point (55th and the Lake) at 2PM Saturdays. For info on the Society or localbirdlife, call Tim McLarnan, 955 6033 or PaulClyne, 363 7323 eves 6 9.MOVERS OFSTUDENTSNICER students with BIGGER truck can moveanything, anywhere, anytime RAIN ORSHINE call John or Joe or Jim 752 7081 24hr/-daySCRIPTThe Introduction to SCRIPT seminar conducted by the Computation Center will be heldT uesday and Thursday, May 4and6inClassics10 from 3:30 5:00 pm Come and learn how touse SCRIPT to format your book or paperThere is no charge and all are welcomeORIENTATIONAIDES 1982-83Applications for the position of General Orientation Aide in the College for the 1982 83academic year are available in Harper 269former O Aides must re apply. Applicationsdue no later than May 14. Questions? Call 9628620.FORTUNE!Are you an undiscovered literary genius’ Whynot be discovered by the Chicago LiteraryReview? Submit your creative work by nextweek to the Maroon office!WANTED: SENTIMENTALLIBERTINESPoetry/song/portraiture in front of the door tothe LCB Make it an evening you cannotforget!SPSSA six session course introducing the StatisticalPackage for the Social Sicneces (SPSS) will beoffered by the Computation Center thisquarter. Classes will be held Tuesdays andThursdays, May 11-27, in Harpet 103, from4:00-5:30pm. Thecost is$30 00 Please registerby Wednesday, May 5 in the Center's BusinessOffice, computer time is provided Call 9627158 for further informationSUBLET MY CATBeautiful black tabby seeks summer shelter,will pay room and board. Witty and talkative,this bizarre mammal will win your heart whileshe eats butterscotch and plays fetch Ninemonth old housekitten comes complete w/toys,food, litterbox, lease, collar, four legs and atail. Ovaries not included Hurry while supplies last. Call 667 4263 and ask for Jim Pickup cat before June 18, RETURN cat Oct. lVALUABLE COUPONFteebee OfferThree KODAK ColorEnlargementsfor the price of twoBring in this coupon with your favoriteKODACOLOR Film negatives, color shoes,color prints or instant color printsReceive 3 color enlargements for theprice of 2 processed by KodakFreebee offer expires June 16, 1982 MENACHEM BEGINWill not be at this Monday's meeting of theHyde Park Chug Aliyah but you should be atH i I lei House, 5715 S. Woodlawn at 7 00 pm Atthis meeting we'll discuss Zionism in generaland Aliyah in particular. For further info, callAgatha at 871 5080.CAN WE TRUSTTHE RUSSIANS?Sidney Lens, Senior Editor of PROGR E SSI VE,will discuss this question Tues, May 4, 7 30,Cloister Club, Ida NoyesWALK WITH ISRAELVolunteers and walkers needed for the annjalWalk With Israel. Cards available at Hillel,5715 S. woodlawn, for the 14-mile hike aroundHyde Park. For more info call Bonnie Hoffman268 4600FOOD COOP!Organizational Meeting on Tues 5 4 INH 5 pmcome with questions, suggestions and $25deposit and begin 5-11 Come also if you don'twant to join immediately.COUPLES...Couples needed for a study on campus values$10 per couple for 1 hr/1’ 2 hrs Call 3 4393 10 3BLASTOFFCountdown has begun for DARK STAR Thisspace epic is screened midnite tonite in Quantrell.MOVIE TONIGHT!"...I would not be controlled " Come O mybrothers and only friends, to Stanley Kubrick's"CLOCKWORK ORANGE", Friday, April 30Quantrell, at 7:00 and 9:30 Only $2 a pitifulrookerfull.HPRICED RIGHT to sell in the $60 s. Two bed¬rooms, formal living room and dining room, eat-in kitchen, nice back porch and back yard Closein to U of C. Let s take a look.56th AND BLACKSTONE Super U. of C. loca¬tion, 3 bedrooms, 2 baths, leaded glass Lower$80’s. Exceptional owner financingGOLDEN CIRCLE - NEW LISTING 2 bedrooms+ 2 studies make this a cozy campus home,modern kitchen, lovely yard, hardwood floorsand lots more. Financing too! Mid $70’sAN AFFORDABLE HOUSE in historic HydePark' Three bedroom greystone now available$80,000. Call today and ask about 11% owner fi¬nancing No Balloon!SPECIAL FINANCING for University Parksouthern studio unit. New carpeting, parking,pool and health club facilities available. 12%owner financing. Low $30’s.EXCELLENT LOCATION - well maintainedcondo with lots of electrical outlets. Features 2bedrooms plus two study areas; excellent build¬ing reserve, nice back yard plus special low in¬terest financing Mid $60’sSPECTACULAR LIGHT’ Six room condo, com¬pletely redone - new walls, new windows, newbaths, new kitchen, new electric, new It s at56th and Harper and its only $69,500’ This onewon’t last’ Call today!We have an excellent selection ofprime listings. Call today to be puton our mailing listHILD REALTY GROUP1365 E. 53rd St.955-1800The Chicago Maroon —Friday, April 30, 1982—27The Board of University Publications and the University of Chicago Pressare pleased to announcethe Winner of the 1981 GORDON J. LAING PRIZEWAYNE C. BOOTHCRITICAL UNDERSTANDINGThe Powers and Limits of PluralismThis award is conferred annually by voteof The Board of University Publicationson the faculty author, editor, ortranslator of the book published duringthe preceding two years which adds thegreatest distinction to the list of theUniversity of Chicago Press. 1972 Edward WasiolekTHE NOTEBOOKS OF DOSTOEVSKYIn Five VolumesPREVIOUS WINNERS OF THE LAING PRIZE1980 Morris JanowitzTHE LAST HALF CENTURY:Societal Change and Politics in America1979 Alan GewirthREASON AND MORALITY1978 Sewell WrightEVOLUTION ANDTHE GENETICS OF POPULATIONSVolume III:Experimental Results and Evolutionary Deductions1977 Marshall SahlinsCULTURE AND PRACTICAL REASON1976 Keith Michael BakerCONDORCETFrom Natural Philosophy to Social Mathematics1975 Eric W. CochraneFLORENCE IN THEFORGOTTEN CENTURIES, 1527-1800A History of Florence and the Florentinesin the Age of the Grand Dukes1974 Stuart M. TaveSOME WORDS OF JANE AUSTEN1973 Edward ShilsTHE INTELLECTUALS AND THEPOWERS AND OTHER ESSAYS 1971 Herrlee G. CreelTHE ORIGINS OFSTATECRAFT IN CHINAVolume One: The Western Chou Empire1970 Gerald D. SuttlesTHE SOCIAL ORDER OF THE SLUMEthnicity and Territory in the Inner City1969 Leonard B. MeyerMUSIC, THE ARTS, AND IDEASPatterns and Predictionsin Twentieth-Century Culture1968 Philip FosterEDUCATION ANDSOCIAL CHANGE IN GHANA1967 Donald F. LachASIA IN THE MAKING OF EUROPEVolume I, Books 1 and 21966 A. Leo OppenheimANCIENT MESOPOTAMIAPortrait of a Dead Civilization1965 Tang TsouAMERICA'S FAILURE IN CHINA, 1941-501964 William H. McNeillTHE RISE OF THE WESTA History of the Human Community1963 Bernard WeinbergA HISTORY OF LITERARY CRITICISMIN THE ITALIAN RENAISSANCE