■I BOARDAve/vu OF begentsE- Room 323pa**ble 0eptm for damageL^vidua' r(3lUloQbserv/Wpem'H\f ftrearn'yVreCQid^' May 20Use tha-Onununick/vonivers'1'' *J°U^DS conon'otis 0f ,j.'SW;«"*s * j——**3e2S^'£^£S5, „«»'»',*,?«?•-]I''MtoTT “ 1The ^n‘veTS If or Sa^e eni.^ HE comptroclE(? . A^CoS 1remarnder ^°[he Pen0dof vhe rel^NDOR: CC°U^hoardcharBe ^oUSe dor»o -ngrego'ay Vendor s ~ ~ ^JU Wf *^ST«**»*£?&«<*» «*#&&&#*** <*>*«■*■/oEU^r ^u^6ER 47BargainsBeginningMarch 15.Sorry to be repetitious, repetitious, repetitious. Anyway, the balanceof the stock which has been marked for pre-inventory sale at theUniversity of Chicago Book Store will be offered at one-half originalretail price, beginning March 15th. You may find books you have longwanted, while helping your University Book Store clear needed shelfspace.No returns • No refunds • Ail Sales Final • ONE WEEK ONLYUniversity of Chicago BookstoreGeneral books departmentV970 E. 58th St.753-3311 /753-3314/ ' I ,Editor: Becky WoloshinEditorial Board: K.G. Wilkins,Christopher Ryan, John W. Lockhart,Ann Keniston and Cheryl Cook.Publicity and Design: Daniel EmberleyProduction: Paula Smith andDaniel EmberleyAdvertising: Jay McKenzieSpecial Thanks to: JoAnn Baum, Paul Friedrich, Liz Hutar, A.K. Ramanujan,Richard Strier, Elaine Tuennerman, Leslie Wick, The undergraduate policy committee of the Deparment of EnglishCover Photo by K. G. WilkinsCONTENTS:A World of Words Marilyn GarnerPoem Nathan KerlintskyDarkness in the Field Constance Ann KwainSigh G. Daniel MarinoOn Critical Inquiry David BuddieStuff John P. McGowanJihad Amanda BrooksNew Animals Larry CohenAnd Then There Were Steve HemingerThe Grape in the Moonlight ...George Ochoa58 ' Michael HarkinMind If I Smoke? Steve EatonCrossings Terence WhalenThe Novelsof Harry Mathews Adam StephanidesAn Essay on Cheerios M. G. MalvasiPoem K. G. WilkinsDawn Ann KenistonDeath in Sicily R. J. RobertsonWhat Evil Lurks? Larry CohenThe Chicago Literary Review is a quarterly arts journal published by the University of Chicago’sstudent newspaper, The Maroon. Submissions should be addressed to The Chicago Literary Review.1212 E. 59th Street, Chicago, II. 60637. Submissions lacking sufficient postage cannot be returned.□The Chicago Maroon ALLFACULTYMEMBERSGATHER AT THEHYDE PARKxHILTONAny day or night with presentationof your faculty I.D. card the bearerreceives:• V2 Price Drinksin our Bristol Lounge andour Restaurants• 10% Offyour meal price in theLaurel Cafe• 20% Offyour meal price in theChartwell HouseGood for lunch and dinner only not applicable on Chef’s DailySpecials or Holiday Buffets such as Easter, Mother’s Day etc.* Present your I.D. card to thewaitperson when seated*Also....Think SummerIf you are interested in our 1982 U. ofChicago Faculty Pool Club send in thecoupon to: Carol May, Hyde Park Hilton4900 S. Lakeshore Dr. Chicago 60615Name: .I.D. No.Address.No. of Adults. No. of Children.Days most likely to use facility.Clip and mail for Poo! Club Info.The Chicago Literary Review. March 12, 1982 — 3iiiiiiiihiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiimii»iiiiiiiii»iiiiiiiiiii,iii,,,,ii,,,ii|iiiiiiiii,iiiii|I!ii!,iiiiiiiiiiDID YOU RECEIVE YOUR HILLELPASSOVER MAILING?IF NOT, STOP BY HILLEL HOUSE BEFOREYOU LEAVE FOR SPRING VACATION.PICK UP:1) PASSOVER INFORMATION2) SEDER RESERVATIONS FORM - DEADLINE:MONDAY, MARCH 293) PESACH MEALS RESERVATION FORM2 Meals Served Every Day at HilleliDEADLINE: FRIDAY, APRIL 2ndHILLEL HOUSE, 5715 WOODLAWN - 752-1 1 27Iinnmi8immuiiiimmiimimmiiminiiiniiuiiiiiiiiiiuiiii»uiiiiimiin»iinniiiiiiiiiiiinuiiiiiiuiiiimiiiiiimiiiiiiiuiiiiiniii»nG.W. OPTICIANS1519 E. 55thTel. 947-9335Eye* eimmwd md Contact Looses fitted byregistered Optometrists.SpFciebsts m OeeSty Fyowom et ReasonablePrices.Lab on premises for fast service framesreplaced, lenses duplicated and pre¬scriptions filled-TAISAHVOHCHINESE-AMERICAN RESTAURANTSpecializing in Cantoneseand American dishesOpen Daily 1 1 A.-8:30 P.M.Closed Monday1318 E. 63rd MU 4-1062DR. M.R. MASLOVOptometrist• Eye Examinations• FashionEyewear• All Types ofContact Lenses*Ask about our annualservice agreement.LOCATED IN THEHYDE PARKSHOPPING CENTER1510 E. 55th 363-61003000 MAGAZINESGREETING CARDSCIGARETTES/CANDYHOT VIDEO GAMESPOSTERS/BUTTONSthe best magazine storessince 196551st & LAKE PARK main OFFICERANDOLPH & MICHIGANCLARK & DIVERSEYBROADWAY A DEVONmost open to 12pmROBERT M. KATZMAN604-5100 proprietor4 — The Chicago Literary Review. March 12, 1982 CUERVO f SPECIAL • TEQUILA 80 PROOE IMPORTED AND BOTTLED *0 198! HEUBlElhA World of Wordscm misOn Learning to Read:the Child’s Fascinationwith Meaningby Bruno Bettelheim& Karen ZelanKnopfby Marilyn Garner“There was a world of things, in which everything had its name and place,and there was a world of words, in which everything came to life.’’—Sylvia Townsend WarnerIt is precisely this difficult emotional and intellectual transition which thebeginning reader must negotiate if he is ever to command what is of valueto him in the world of books. And of course, within our public school systemsuch transformation is accomplished by all too few. Bettelheim and Zelan,after extended observation in exemplary classrooms on both coasts, hereoffer two deeply felt admonitions as to how best protect the child from thaterosion of spirit and interest which so often attends his introduction to theact of reading.First, primers must offer material that is other than “stupid, boring, andoffensive to the child’s intelligence and budding literacy.’’ Second, teachersmust learn “the value of treating misreadings positively,’’ that is, asevidence of the purposeful nature of the child’s efforts, rather than as lackof technique. Challenging material and a respectful attitude torward hisomissions and substitutions will serve to maintain the child’s natural impetusas he first contends with “a world of words”.All errors, even the seemingly trivial, reflect an effort to deal withcomplex pressures, and carry within them a positive striving that can bevalued. When Freud set forth his thought-provoking examination of thoseordinary mistakes and lapses that plague us all at moments, it suited hispurposes to call it The Psychopathology of Everyday Life. Perhaps this was insome ways an unhappy choice, stirring as it does our deep fears of madness,and deflecting our attention from his vital image of underlying orderinforming all that we say and do.It is this conviction that animates Bettelheim and Zelan’s approach to thechild’s misreadings, which they view as “ingenious psychologicalphenomena”. Such errors are to be accepted, they urge, as active,intelligent attempts to master some troubling aspect of the readingsituation, arising either in the text or in the child’s own experience. Rarelyare they simply errors in technique or lapses in attention.To attempt to uncover the reason for the child's misreading, however,would be an unwarranted intrusion and an affront to his dignity. Theauthors take care to emphasize that “no attempt was made to penetrate achild’s unconscious,” and they include numerous anecdotes to make thisclear. Their idea was to “involve the child in a conversation about what themisreading conveyed to us, within the context of the story as printed.” Theteacher is to approach each mistake as a deliberate, functional act and notas a sign of incompetence, and to respond directly to the changed contentthat the misreading creates.Bettelheim and Zelan modestly term it “a serendipitous finding” that their restrained, respectful intervention was regularly and quickly followedby the child’s spontaneous return to the troublesome text, which he thencould read accurately. They speculate that their willingness first to considerwhat was important to him, his created meaning, disposed the child then torespond to their unspoken demand as educators, that he read what wasprinted.Easier said than done, perhaps? The authors acknowledge that it wasdifficult to bring even these highly motivated teachers with whom theyworked to relax their vigilance for technical error, and to acknowledge thepurposefulness of the child’s constructions. Once they did succeed, however,at taking in and putting into practice this change of attitude, readinglessons — even from the boringly repetitive beginning texts — took on newmeaning and became a stimulating venture for both teacher and child.That it is salutary to treat the child as competent in his encounters withthe written word is an idea of such simplicity and force that beside it,perhaps, the question of content must pale. Would anyone at all defend,“Janet and Mark. Come, Mark, come. Come here. Come here, Mark, comeand jump,” as other than tedious? (I alone, it would seem, in the nostalgicglow such words and cadences can conjure even now, images of reading withpride and excitement just such drivel to my mother, who was greatlyimpressed.) It seems obvious that many children would dislike readingmaterial so simplistic and repetitive, and that some would resent it ascondescending. But, despite the passion and vigour of Bettelheim andZelan’s arguments, content does not compellingly seem a factor of sufficientweight to bear the conclusion that the child is “taught reading from textsthat destroy any spontaneous wish to learn it.”Nevertheless, the authors’ specific criticisms of primer content all raisenumerous questions as to what form the ideal, or even the desirable,beginning text should take. It seems clear that a richer, less repetitivevocabulary would be more challenging and interesting, but what is the roleof exercise and drill in learning to read? The speech patterns sound stiltedand might better conform to the child’s own speech habits, but perhapsthere is an advantage that from the start the written and the spoken wordsound very different. The experience of reading about active play andhaving fun may well be stimulating and frustrating, but could it at timeshelp the child contain those very impulses by satisfying them in a limitedway?And what of depicting play in a work situation? It would be better,perhaps, to have the child read about more serious matters, such as going toschool, learning to read, carrying out adult-imposed duties. But perhaps thepresentation of scenes that do not replicate the child's present experienceaids him in accomplishing that separation of word and world which is hismajor intellectual challenge as he enters school. And what of emotionallystimulating material? Does it interfere with the learning process, orintensify motivation to read, or both? Is it to the child’s ultimate advantageconsistently to integrate feelings with acquiring cognitive skills, or are theybetter separated as much as possible? Bettelheim and Zelan hold theiropinions strongly and so, do not permit the reader to remain indifferent tothese and many other questions about content, and how it shapes learningto read. Given the intensity of their interest in reading well, this is perhapsnot surprising.In the intersection, at Lake Parkthe cars walk by so close you can almost touch them...and the yellow lights are thicker than mustard.— Nathan KerlinskyThe Chicago Literary Review, March 12, 1982 — 5± ..ifi r-C —- - yu0)t “fcifctu6 — The Chicago Literary Review. March 12, 1982SPRING SPRING SPRINGThaw out with Student ActivitiesTheatre DiscountsSee Annie April 15 and pay $10 for excellent main-floor seats usually costing $15. On sale the first day ofthe quarter. Limit two per person; students only maypurchase tickets on the first day.Mini-CoursesEclectic Ed. convenes its spring quarter session withclasses in Ballroom Dance, Modern Dance (with JanErkert), Tap Dance, Wine-Tasting, Beginning Guitar,Juggling, Rhythmic Aerobic Dance, Clogging, Amer¬ican Sign Language.Budget priced ... $10 to $25 for a complete Class!Registration begins April 5.Art#To*Live*WithNasty weather kept many of our artworks from findinghomes during the winter, so SAO is sponsoring aspecial Spring Distribution of the Joseph ShapiroCollection. The collection goes on display April 5, withdistribution April 9. Even if you're already living withart, you can pick up another work for $3.50.Spring DoneeThis year, it's May 7, featuring the music of PanamaFrancis and his Savoy Sultans. The New Yorker callstheir style, "irrepressible and irresistible." Tickets goon sale Monday, April 5 at Reynolds Club Box Office;$7.50 for students, $15 for everyone else. And don'tmiss SAO's annual dry-run dance, "Take The 'C Bus"on April 30.Bargain Basement Culture.... . . with a discounted Art Institute membership. Youpay $9 instead of $15.Student Activities • Rm 210Ida Noyes Hall • 753-3591 Darkness in the FieldFar from my city where the plates squeak cleanWith ablution-loving faucets everywhereHere only clay roads extend for far.Peculiar rush of thick weedsAnd obvious is concealed.I walk to your hair to put my hand in itBecause it does not rush or moveAnd in it can the breeze be silentUnlike the green.Newborn trees turn dirty in the duskThe sun goes salmon downAnd it seems that dirt is not so frightening nowThat I must not first sterilize the fieldTo paint it.Your breath is tobaccoed, liquored warmThat odor I disdain while riding subway trains for homeBut now it is all comfort, luxuriantI feel that l am seated in your heartI sit, and am not frightenedBy bright beetles in the grass.SIGHThis is a hoary wintered agethat I have come to thinkin shadows of feelingsnow fast pastthe time when I was leftlike a doorstep to a child.— G. Daniel Marino— Constance Ann Kwain*, -I" .JT ” 'b010D-nHHi.-0V3U MUM 93ZI8VH«fW3SiH0rf3H • SrfYIN • SVOO0 HOi^U9OS0ICritical InquiryThis article is meant only to describe Critical In¬quiry as it exists near the end of its eighth yearof publication. But consideration of the journalnaturally leads one to look at the “Polemical In¬troduction” of Northrop Frye's Anatomy of Criti¬cism and at the earliest issues of Critical Inquiry.While this may seen to be an unnecessary diver¬gence, Frye's importance in the legitimization ofAnglo-American criticism must be noted. Thebackground for this article lies in -n exciting, al¬beit brief and humbling, sur ey of the eightyears of Critical Inquiry an' a conversation withW.J.T. Mitchell, its editoi and a professor in theU. of C. ’s Departments of English and of Art andDesign.Freeing serious and intelligent criticism of thearts from association with the casual, arm-chairmass-media world of book and movie reviews isnot a concern for serious and intelligent critics;scholars are not bothered by misconception orlack of conception of their work by anyone buttheir colleagues and students. If they were, theirresponse might be something like this: the bestway to demonstrate not only the purpose whichmakes real criticism easily distinguished from allother types but also to show criticism's auton¬omy in regard to art, is to deal with art with a“conceptual framework.” This serious criticismcan be said to exist independently of the arts be¬cause it is theoretical, whereas the other, casualcriticisms rarely go beyond a single work or theworks of a single author. Criticism can speak ofcross-textual concerns: device, archetypes,modes, symbols, principle operatives, myths,and genres.But who hears criticism? Mostly, other critics.(About 70% of Critical Inquiry's readers are in de¬partments of English and the rest are scatteredthroughout the humanities. Also, Critical Inquiry ispublished quarterly and has readers in Europeas well as in the U.S.) If criticism is going to re¬main independent and scientific, in the sense ofits having systematism, casuality, and defensibi-lity, it must be speaking to itself. It would seemthat criticism as such would suffer from elitism,its existence nominalized but sanctified by itsown efforts to be an art. Mitchell’s response tothis is, “Our feeling is that one of the best waysto benefit these fields is to subject their assump¬tions to critical scrutiny and to have a kind ofopen debate on those premises.” But if this wasactually the case, there would have to be an ini¬tiative by the reader on one side of criticism orby the artist on the other to break into criticism’sdomain and to realize criticism's benefit to him.No such obstacle exists. Criticism is tainted withcontext and with what is loosely called politicsbecause the reader and author are tainted. Theroutes of access are built-in because critic, au¬thor, and reader are human.Where Frye in the 1950s wanted a criticismfree of the reader’s context, “it is ail too easy toimpose on literature an extra-literary schema¬tism,” Critical Inquiry certainly cannot claim tohave fulfilled Frye's idea, if it had wanted to doso. For example, the Winter 1981 edition, editedby Elizabeth Abel, consisted of eleven articles byfeminists who wrote on Petrarch at one end andlesbian novels at the other of the list of conceiv¬ably relevant creations. To indicate the distancefrom Frye, let us consider Abel’s evaluation:“This volume indicates. . .how attitudes towardsexual differences generate and structure liter¬ary texts.” Sheldon Sacks, Critical Inquiry’s firsteditor, must have meant when he said, in his in¬troduction to the first issue, “Pluralists all, wewanted to encourage a wide diversity of criticalapproaches in our unborn journal,” that the po¬litically concerned would be included with themany schools of criticism. If he did not intendthat, it certainly has become so.Here, pluralism is also to be understood as in¬clusion of articles on architecture, art, photo¬graphy, literature, film, song, and music. Is thisanother attack on the elitist strength of a theo¬retical criticism? Again, I refer to Sacks: “Wewish to publish those who attempt to find the best possible answer, no matter where their ex¬plorations lead them.” Of course, politics andcritical theories exist as biases before the explo¬ration begins. Even if the article is a “statementof a positive position of what seems fundamen¬tal and which has not polemical intention on thesurface,” says Mitchell, “it may open up newvistas of research,” if the article induces anotherpoint of view. It is in Critical Inquiry and at sympo¬siums that arguments occur and airing and clari¬fication of differences take place. “If you'relooking for a definition of our brand of plura¬lism, it has to do with a willingness to argue; thejournal might as well be called “Critical Argu¬ment.”But what becomes of the notion of criticismbeing a science, to the ideal of systematic inves¬tigation if a conclusion must come from interac¬tions fraught with such ugliness as politics, bias,and point of view? Simply, “If criticism is ascience, it is clearly a social science,” says Frye.On the diversity of the journal, there are twoapproaches to an explanation. The first isSacks’s: “The journal should not derive its unityfrom the limits of any single subject but rather —though we eschewed terms like ‘interdisciplin¬ary’ or ‘comparative’ — from an editorial policythat insists on the widest diversity of subjectmade generally interesting to advocates of dis¬ciplined criticism by our authors’ concern fortheory, method, and the exploration of criticalprinciples.” Again, the theoretical and elitist na¬ture would bring many different species of criti¬cism together. But recently, there has beensomething more cohesive about its generalitythan this, something so cohesive that it warrant¬ed Mitchell to use one of the eschewed words todescribe the journal’s mission: “To be a journalof general, serious criticism in the humanitiesthat is inter-disciplinary in format.” That factoris the relation of the arts, and of critical dis¬course. The idea is that the psychologist can helpthe literary critic, for example. “The old water¬tight boundaries disciplines are developing a lotof holes."People, not eclectics, go back and forth be¬tween fields. Art historians, literary critics, andpsychologists are commuting from their tradi¬tional places to the place where pictorial repre¬sentation requires all of their forces, to somelocus at which some day, the text, the canvas,the eyes, and the mind will be reconciled. TheSpring 1980 issue, entitled “The Language ofImages,” which was distinguished as the bestspecial issue of 1980 by the Conference of Edi¬tors of Learned Journals, contains nine articleswhich demonstrate a collaboration of the criti¬cisms and disciplines of art, music, photography,psychology, and literature. It is the serious con¬nection of pictures and words that Rudolf Arn-heim (who is represented in the issue by “A Pleafor Visual Thinking”) has been urging for morethan a decade and which seems to be the best in¬stance where art historian, literary critic, andpsychologist can help each' other. It cannot bemistaken that this collaboration is either a fador a revolution; according to Mitchell, “Critical In¬quiry is symptomatic df something that has hap¬pened to humanistic study in the last twentyyears. What has happened is that people havebegun to pay much more attention to the rela¬tions between the arts.”And now for the essence of criticism, I turn toFrye again: “It is impossible to ‘learn literature .one learns about it in a certain way, but whatone learns about it, transitively, is the criticismof literature.” I hope that it is clear how impor¬tant pluralism is to interpretation. One of thelast questions Mitchell said exists is to find thelimits of pluralism: “How far are we willing to goin saying everything goes?” When some contri¬butor decides, there is no doubt that another willdisagree. In a journal as representative of theferment in critical theory as Critical Inquiry is, theresolution of the question must be mute, the af¬firmation of the condition silent.—David Buddie ‘TDepartmntoffliusic,' presents *^ Saturday, March 13,1982 - SCHUBERT’S WINTERREISE7:30 p.m., Goodspeed Recital HallPeter Freund, baritone; Eric Weimer, pianoadmission is freeMonday, March 22,1982 - ORCHESTRA OF ILLINOIS8:00 p.m., Mandel HallGunther Schuller, conducting; Randall Hodgkinson (winnerof International American Music Competition), guest pianistPaine, Overture to “Oedipus Tyrannus”; Fountain, Capricein Five Movements; Mozart, Symphony in g minor, K.183;Beethoven, Concerto No. 4 in G, op.58 for information andtickets contact the Reynolds Club Ticket Center at 753-3568IThursday, April 1, 1982 - NOON-TIME CONCERT12:15 p.m., Goodspeed Recital HallElizabeth Baltas, flute; Suzanne Scherr, soprano;and a chamber ensembleMilhaud, Les Machines Agricoles; Poulenc, Sextuoradmission is free*1 ipconung Trents•April 3,1982 - UNIVERSITY CHAMBER ORCHESTRAPeter Jatte, conducting8:00 p.m., Goodspeed Recital HallVivaldi, Concerto for Four Violins;Ives, The Unanswered Question/Halloween;Mozart, 3 operatic arias/Piano Concerto No. 19 in F, K.459with winners of the 1982 University Chamber Orchestra Competition:Suzanne Scherr, soprano and Richard Carnes, pianoadmission is freeyim \Ivtfor more information, call 753*2613ALUMNI WHO COLLECT-IDrawings from the 16th Century to the PresentPlease join us at a preview onWednesday, March 17 from 5 to 7 p.m.March 18 through May 16. 1982The David and Alfred Smart Gallery5550 South Greenwood AvenueHours: Tues.-Sat., 10-4 . , . . i-nr-rc , Aamission: r KLtbun., noon-4; closed Monday and holidaysThis exhibition is funded in part by a grant from the Illinois Arts Council, an agency of the StateThe Chicago Literary Review, March 12. 1982 — 7“How was the movie?’’ John asks Gail. John is my roommate, Gail hisex-girlfriend. We are gathered in the kitchen, drinking wine and waiting forthe quiche which is in the oven.“Oh, weird. All sorts of weird stuff. Decapitations, torturings, blood allover the place, incest. I think it was all supposed to mean something. Youknow, Freudian stuff.’’“Freudian guff, you mean,” I say quickly, hoping to avert what I know iscoming. John’s allegiance to Freud is almost as strong as his need to serveas watchdog over Gail’s spiritual and intellectual well-being. Despite theirhaving broken up, perhaps because of it, John’s moral ascendancy over Gailis more complete than ever.“Stuff,” he cries. “What’s stuff? I hate that word. It’s worse than ‘like,’worse than ‘you know.’ ‘Like, you know, stuff.’ ”John fully intends to refuse the debased currency of contemporary speech.At twenty-three he subscribes to The New Republic and The Nation fortradition’s sake, but finds them sadly fallen from their days of glory. Thetimer on the oven rings. Gail returns to the table with the quiche. John cutsit and serves it out while she tosses the salad. I pour more wine for thethree of us. Gail looks at John first before nodding to me her permission tofill her glass.The quiche has no bacon, no ham. John and Gail are vegetarians. Not forany “organic” or “holistic health” reasons, but for moral ones. John hates“nature” but thinks civilization has no right to starve half the world’spopulation while the other half eats meat; there would be enough food forall if all ate plants. “Diet for a small planet,” I murmured when he firstexplained his position to me. “Don’t give me that stuff,” he said quickly. “Itook my stand long before that book came out with its catchy phrase and itsgroovy recipes. It almost made me go back to eating meat.” Gail became avegetarian a few months after John did. They were still together then. Herreasons were different from John’s, as they were both eager to explain.Breaking up had done nothing to change the eating habits of either."I’m stuffed,” I say after two pieces of quiche and two helpings of salad. Iraise my wine glass and wink my friends a mock toast. “What’s on for thisevening?”“Jim said he’d drop by,” offers John. “He bought an ounce today. Goodstuff, he says.”“Now you have used that odious word,” I point out.“But when I use it, the word carries a particular and specifiable meaning.”Gail stands up and begins to clear the table. John and I leap up to helpher.Jim is an old friend of John’s. They went to high school together, orsomething like that. He is Gail’s current boyfriend. They started going outtogether about six months ago, a little before I met John for the first time.John and Jim are still on good terms, although John says they haveabsolutely nothing in common anymore. Nothing but dope and baseball. AndGail, of course. But they don’t talk about her. I tell myself that Jim’s OK,but when I am being honest admit to myself that I don’t like him. He doesn’ttalk enough for one thing. And he’s not good enough for Gail, not nearly.We all get high and watch the Monday night baseball game. Curt Gowdyassures us that Jim Palmer is the thinking man’s pitcher. He hasn’t got“great stuff” but he wins. Jim agrees. “Not like Blyleven. He’s got the beststuff in the majors, but he beats himself.” And Jim taps his foreheadmeaningfully. Jim and John gang up on Gail and tease her about her stuffedanimal collection.“Actually,” I say to John later, after Gail and Jim have left together,“ ‘stuff’ is a term of some repute in the tradition of Western metaphysics. Iwouldn’t go so far as to accord it the status of ‘idea’ or ‘being,’ perhaps noteven the seriousness of ‘opinion,’ but it does have its place as thedesignation of that material substance which many philosophers,particularly those of the realist and empiricist schools, have taken to be theprimary given. We may have only vague notions about that which standsbeyond mind, often only defined by the negative assertion that it is whollyother to thought, but most philosophers would insist that some sort of ‘stuff’exists out there. Just think how nervous it made Descartes to realize thathis cogito left him without any stuff. Substance, extension, the material,being-in-itself, stuff. The malleable or not so malleable (according to yourphilosophical prejudices) given upon which the imagination, the mind, thewill does its stuff. Brute fact. Reality, in a word.”After this oration, l wonder if I really have ever seen the word “stuff” inmy scattered readings in philosophy. I seem to recall Wittgenstein using it.In the Investigations of course, not the rigorous Tractatus. And surely Sartreuses it somewhere. But that might just have been the translations I read.y i i 1111111 j 111111 riTomorrow (Saturday) at 7:30 & 9:30:Howard Cosell, 2000 Grilled Cheese Sandwiches andthe U.J.A. inWoody Allen’s BANANASWednesday & Thursday at 8:30:George Lazenby as 007, Diana Rigg and Telly Savalasin Ian Flemming’s ON HER MAJESTY’SSECRET SERVICEAll films in Cobb Hall.ii 11 m DOC FILMS. =VYftw -s* * i v -j.#• 5309 S. Blackstone • 947-0200OUR FAMOUS STUFFED PIZZA IN THE PAN IS NOWAVAILABLE IN HYDE PARKOPEN 7 DAYS A WEEK • 11 AM TO 12 MIDNIGHTCocktails • Pleasant Dining • Pick-Up‘‘Chicago’s best pizza!” — Chicago Magazine, March 1977’The ultimate in pizza!” — New York Times, January 1980-• A\'58 — The Chicago Literary Review, March 12, 1982What’s the equivalent term in German? In French?I am with John when Gail calls to tell him that she and Jim are gettingmarried. He congratulates her gamely, but he is not happy about it. “I cansee it already,” he says to me. ‘‘After I pushed her through school when shewanted to quit, now she'll become a housewife. In a year she’ll be eatingmeat, in two years she’ll be pregnant.”The facts bear him out. Jim takes the responsibility of getting married, ofbecoming an adult, seriously. The wedding is delayed six months until hefinds a job which will adequately support him and his wife, and whichaffords enough opportunity for advancement. IBM takes him on as asalesman. At the bachelor party Jim takes a last ceremonial hit on thewater pipe. Once married, he announces, his dope smoking days will beover. Gail has wholeheartedly endorsed this decision and will share hisabstinence.John mourns. ‘‘Admit it,” he says to me after the reception when we areback at the kitchen table drinking a beer, ‘‘nothing I ever talked that girlinto was anything as bad as the life that lout will give her. I only wantedthe best for her. She had potential.”‘‘I admit it. You tried. She must not have had the right stuff in her,” Iconsole him.“Stuffy,” says my sister. “Stuff like your story is the reason I leftacademics. No life, no fresh air. You are more interested in the word thanthe people. Intellectuals like you lose all touch with the things that reallymatter. And I wish you had given me more information about Gail. I wouldprobably like her if I could get past the three men and really see her inherself.”“You’re a stuffed shirt, just like your father,” says my mother. “You’reeven more priggish than that prig John, with your ‘term of some repute’ andyour pretending to defend Gail. You wouldn’t use the word yourself untilyou could prove it had some deep philosophical meaning. You’d learn tosympathize with real people if you got your nose out of a book and rubbed elbows with all kinds.’*“Strutting your stuff,” says my creative writing teacher. “I approve. Thetradition of the virtuoso performance is firmly entrenched in modernliterature. But remember: the essence of art is indirection. You can stuff allthe learning you want into a story, but only indirectly. It must serve anaesthetic purpose, it must be presented through a persona. Read Ulysses.That book is a World Bank of information. But it’s not an essay. Oh no, farfrom it.”“Stuff and nonsense,” says my grandfather. “Why can’t you go out and dosomething?” You’re twenty-six. Get a job, for god’s sake. At least findyourself a girl. Time’s wasting away, and all you can do is talk, talk, talk. Iwant to know what Gail looks like. Is she good looking?”“Stuff it,” says Jim. “You always were a condescending bastard. Makingme an IBM salesman when you know damn well I’m a third year medstudent. I saved Gail from you and John. I don’t take people and make theminto something else to fit my stories. I love Gail for who she is, not for whatl want to make her. She’s ten times happier with me than either you or Johnwill ever make a woman, or yourselves.”But I win John over. The word is now acceptable to him. When he hands meback my five handwritten sheets he smiles. “I like this kind of stuff,” hesays.I have had no response from Gail.— John P. McGowanManpower RecruitingOur recruiting methods go beyond thetraditional newspaper classified ads and talksto women's groups.We advertise nationally on network televisionand in leading magazines. But it's not a shotgunapproach. 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TOLL FREE 400-223 1782marian realty,inc.mREALTORStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 8. Cornell684-5400 New AnimalsShe sits licking JackDaniels from her fingers. Shegets drunk, and crawls intoher bed by the mirror.White and black andnaked she steps betweentrash on the floor. She saysshe is intrigued by tin foil.A feather on the tile andshe’s afraid of the bathroom.She saysthe bottoms on white deck shoesare too hard; there is nosensitivity. She heard his onelast sound, but still, sometimesshe gets in the way.She lies next to the radiatorand purrs. She repeats:I'm here. I'm here.She is taking precautions.— Larry N. Cohen■ajar Activities Board8 PM* SUNDAY, APRIL 4 • IDA NOYES GYMTICKETS • $9 UC STUDENTS • $15 OTHERSNo seating. Tickets on sale at Reynolds Club Box Office.2 tlx UCID / 2 UCID per person JihadWhen I became ObaI, Matanmi, took the true faithand became Alhaji TijaniRuler over all in the provinceAllah’s will.The temple was raisedfrom the shores of the River OsunThe women defended it,saying it was formed from the red earthas a child is formed in its mother’s wombby the Goddess Obatala.Formed by the offerings given the priestess(How that mad woman has fought me!The heatheness has turned the market womenagainst me.)This priestess claims to bless each stoneEach rock for wallsEach tree for rafters.The temple was raisedfrom the shores of the River OsunReclining in the sacred groveas one rests between the thighs of one’s beloved.The mad woman rants:“Bring a stone for the temple walls.Receive in turn a child or vision.Osun, mother of rivers and of dreamsgives children for Obatala to formAnd gives visions more potentthan two-day-old palm wine.”For the heatheness the stonecarvers formedgraven images of Osun and of the spiritsShe commands (so said my own mother).Such images must anger Allah, I knew, Ihaving made the hajjas all true believers must.The temple(eleven years, each stone a child,each rock a vision,each tree a woman's prayers)is razed on the shores of the River OsunAs my god commands, for Ramadan.The graven images (broken,bleeding stone into the forest floor)were said to come alive at night,and dance,sing out in infidel joy.(so my own mother said).— Amanda Brooks10 — The Chicago Literary Review, March 12, 1982And Then There WereThose dayswhen the skyedged steelgrey on the snowand the radioatorspumped starched heatfrom the school basementupinto the roomswe’d melt crayonson the pipesand watch themdripdownuntil the colors congealedinto chocolate saucersof wax.— Steve Hemingerriiiiiiiiiiiiiiiii —iiiLe MetroIMutable masseswrappedand flowingIImmutable facessenseunshowing— Thomas TerrellIIJThe Grape in the MoonlightThe grape in the moonlight glistens suspendedround, purple, small,while a shadowed bird with long slow wingsrising and falling slowly at the sidesof its long tapered bodyreturns in the distance beginning to circle back.In the woods underneath there are no soundsbut those of his footsteps shifting among the leaves,and sometime before midnight these noises have stopped.— George Ochoa "An Essay on Cheerios" from AmericanBreakfast Food in PerformanceOn the right-side panel of my verbose andsomewhat tautological box of Cheerios it iswritten:If you are not satisfied with the qualityand/or performance of the Cheerios inthis box, send name, address, andreason for dissatisfaction — along withentire boxtop and price paid to:General Mills, Inc.Box 200-AMinneapolis, Minnesota55460Your purchase price will be returned.Isn’t it enough that there is a defensive toneto those words, a slant of doubt, anunappetizing broaching of the subject ofmoney. They also leave the reader puzzlingover exactly what might be meant by the“performance” of Cheerios.Could the Cheerios be in bad voice? Mightthey not handle well on curves? Do theyejaculate too quickly? Has age affected theirtiming, or are they merely in a midseasonslump? Afflicted with nervous exhaustion orbroken hearts, are the Cheerios smilingbravely, insisting that the show must go on?One thing you can say for the inscription: itmakes you want to rush to the pantry, seize a •box of Cheerios, rip back its tab (being carefulnot to tear it lest there come a time when youdiscover you want more than anything else tosend in the boxtop, which must be, remember,entire), part the waxed-paper inner bag withboth hands, dispatch a significant minority ofthe Cheerio population head over heels into abowl, douse them immediately with a sufficientquantity of milk (presumably they do notperform when dry), sprinkle some white sugaron top, and crouch, ever closer to the bowl,watching, evaluating, as the tiny, tan,lightweight oat doughnuts, irregular sugargranules dissolved therein, growing soft andsoggy, expanding somewhat as they absorbliquid; and you may be thinking all the whileabout the toroid shape — the shape of thething itself yet mysteriously distinct from itself— thinking about rings, halos, men overboard,the unbroken cycle of life, the void as nucleus,or, best of all, bodily orifices; thinking aboutwhatever the trove of torodial trinkets mightinspire as, center holes flooded with sugarymilk, they relax and go blobby in the bowl; butappraising even as your mind wanders,appraising, testing, criticizing, askingrepeatedly: do Cheerios measure up toWheaties with beer?; do they work and playwell with others?; do they crack underpressure?; would Ed Sullivan have signedthem?; would Warren Beatty have datedthem?; how well do these little mothersperform?—M.G. 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Sundays:8:30 am Sermon & Eucharist9; 30 am Sunday School &Adult Education10:45 am Sermon & Eucharist6:00 pm Supper5500 South WoodlawnThe Chicago Literary Review, March 12, 1982 — 11Mind If I Smoke?58I saw a map of Africatoday, inscribed in glass:a broken window on the third floor of the “Y”(empty now, except for rats).I have often seen the leer of jagged shards,seen them glisten,And have heard the song of their shattering.The sun hovers low now and lendsa sanguinary tint,like the memory of wounds.Alone,the figure gapes,Unchanging & expressionless,the product of what aim and what arm?Profoundly dark, and yet so fragile.— Michael Harkin -.“Not at all,” I replied, “go right ahead.”-She opened her soft leather purse to get a cigarette. She drew it out in oneswift, graceful, and exquisitely understated motion, as if to say, “I may be toodelicate a creature to do something so crude as smoking, but since I am going tosmoke, I will make even this an act of subtle womanliness.” Where had shelearned this — or was it intrinsic behaviour? Was it something she picked upconsciously or through intuitive imitation from her peers during adolescence,or perhaps from film or fashion idols? Was it possible that she was completelyunaware of how she behaved? Or was she trying to intimidate me by presenti¬ng herself as the picture oMeminine assurance? Was this how women smokedever since Raleigh introduced tobacco to the Old World? If one could give acigarette to Neanderthal woman, who had had only the most primitive culturi-zation where “feminine” behaviour was concerned, would she smoke it dif¬ferently than a Neanderthal man? If only I could see how she did it when shewas alone — that would answer so many questions!“Look,” I said, “It’s okay for you to play your little games, but you’re just alittle too intense for me right now. For Christ’s sake, can’t you just reach for acigarette like a normal person?”She acted like she didn’t know what I was talking about.“What?,” she said.“I’m not your father or your boss or your priest, so you don’t have to put onan act for me. Just be yourself.”“I don’t see what you’re getting at. I asked you if it was okay to smoke andyou said you didn’t mind. I don’t know why the hell you asked me over whenyou’re going to criticize me for the least little thing. Actually, I think you’re alittle weird.” Then this beautiful, intelligent human being stood up and walkedout of my life. It occurred to me that I had made a horrible mistake.I tried to calm down by reading a book. I’d just bought the latest novel of myfavorite author, Harris Tottle. His simple, straightforward narrative style wasjust what I needed. The first sentence hit me like an intellectual sledgeham¬mer:She used me and threw me away, rather like a disposable douche.12 — The Chicago Literary Review, March 12, 1982I achieved a state of total nervous collapse. I had long ago emptied my roomsof all non-essential objects in a mad attempt to cut myself off from as manyI was surprised by his use of first-person point of view; already Tottle wasmaking oblique statements about the relationship between narrator andreader, and between both and the author. By likening himself to a femininesanitation product, what was he saying about male-female relationships? Ob¬viously, he was relating the increasing disposability of consumer products tothe decreased importance placed on meaningful relationships in twentieth-cen¬tury lifestyles. He heightened the feeling of alienation by referring to thewoman through the anonymous personal pronoun rather than using her name.But why the hell had he used the word “rather", giving this really crude meta¬phor an almost Victorian elegance? external stimuli as possible. But even as I crossed my brown floor, surroundedby brown walls and sheltered by a brown ceiling, I noticed a dead cockroachand wondered how and why it died, how far it was from its place of birth,whether it ever knew it was dying, or even living, how it felt, and (most fright¬ening question of all!) what its death meant to me.Finally I reached my television, and the touch of the cool knobs of that mind¬sucking machine flooded me with serenity. Like an overgrown baby with a bot¬tle of warm audio-visual milk, I could sit before it and gorge myself with aceaseless flow of pacifying, mindless trivia.On channel 4 Yosemite Sam was a pirate trying to make Bugs walk theplank. It was an interesting concept, but I couldn’t believe that anyone had theguts to put Yosemite, essentially a satire of the legends that had grown uparound the cowboys and prospectors of the American west, on a Spanish man-o’-war sometime in the (I supposed) seventeenth century. True, he was the ste-If each of Tottle’s sentences were such jewels of depth and understanding, itwould take me a week to get past the first page. But this was, after all, thefirst sentence of a novel; it was supposed to contain in some way the meaningof the whole work. I wrenched myself from by reflections and read on:reotype of all “rugged individualists"; in a sense, the satire was unjust, be¬cause it took such men (and women), not always mindless brutes, but probablymore often shrewd and persistent realists, to survive and succeed in an uncivi-Or, more accurately, like the soiled aluminum tray of one of the less expen¬sive T.V. dinners. lized land ravaged by floods, tornados, droughts, diseases, occasionallybloodthirsty Indians, and, worst of all, other such individuals. Turner’s thesisof the West as a “safety valve" for the socio-economic pressures of the nine¬teenth century was valid, but back then there was enough room to give half acountry over to a bunch of men who were, really, greedy unscrupulous sav-Once, long ago, I turned to drugs to pacify my over-active consciousness. Butall that the pills, powders and paint-thinners ever did was to magnify the sig¬nificance I found in each minute particle of fingernail filth a thousandfold andmake the hundred anxieties of every moment of every day convulse and di¬vide and expand and convulse and divide and expand again, and force me tosee them backwards and forwards and inside out until I wanted to write ahundred doctoral theses on why did the checkout lady at the A&P smile at meyesterday but not today? ages; now territorial tensions involved whole continents and the next show¬down will not involve two sixguns on a dusty main street but nuclear missileseach a thousand times more powerful than all the bombs dropped by all sidesin all conflicts since the invention of projectiles and we are all going to dieeither without knowing what hit us or in terrible, burning agony.I managed to turn the channel. Jerry Lewis was unwittingly wining a vodka¬drinking contest into which a lovely blond cosmonaut had lured him in order totake over the American space-station on the Moon.Someone, please, end my misery.Now I knew I had to close the book before it disposed of me just as the name¬less woman disposed of Tottle’s douche-man. Once again my irresponsible mindhad been set into accelerating, directionless motion, and I had to stop it before —Steve EatonCrossingsCrossings occur more often, now thatWinter has returned to gray. Lately the airHas crossed over into coldAnd these once well-insulated wallsHave suddenly turned to stone.While crossing the quads, for example, 1 sawThe Neo-Gothic coolly shed its ribs and vaultsFor a swathe of invariable rock. The gargoyles, however,Remained shrewdly the same, quite contentWith a tacked-on kind of graceAnd quite bored with the whole transformation.Why should they care, after all, ifA woman had drawn her handAwkwardly out of mineAnd walked stiffly away?> '\ In front of Harper Library,Richard Hunt’s sculpture (curiously entitled “Why”)Stretches skyward like a claw,As if some bronze giant, bored with his burial,Wanted something new to die forOr something old to kill. That day,1 wanted the bronze claw to catch me in mid-Stretch and turn me eternally static,But instead it let desire dieWhile the sky spit sleet like venom.— Terence WhalenDrawing by Steve EatonThe Chicago Literary Review. 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PATRICK’S DAYDINNER ATINTERNA TIONAL HOUSEDINING HALL1414 EAST 59th ST.Menu includes:Balnamoon Skink (soup)Roast Cornish Game Hen(with savory stuffing)Corned Beef and CabbageIrish StewShepherd’s PieCreamed Fresh HaddockDunmurry RiceCreamed CauliflowerBrussel Sprouts au gratinParsley Buttered PotatoesComplimentary Stout and Ale, and Irish CoffeeWED. MARCH 174:30 - 7:30 PMWith Traditional Irish Tunes Played BySAMHRADH MUSIC During Dinner HoursHyde Park ( oop ^ our member owned supermarket55th at Lake Park • 667-1444Hours: Mon. - Wed. 9-7:30, Thurs. - Fri. 9-8, Sat. 9-7, Sun. 9-3Sponsor: The Parkshore, an Illinoisnot-for-profit corporation, 1755-56 East55th Street, Chicago, Illinois 60615.Development and Marketing Agent:Metropolitan Resources Group, lye.14 — The Chicago Literary Review, March 12, 1982 Here’s a list of “survival” foods you can keep safely in a roomwhere you can’t cook. In a pinch, you could eyen construct a well-balanced meal from this selection:Peanut butter, whole grain bread or crackers, fresh fruit andvegetables, dried fruit, roasted nuts or sunflower and pumpkinseeds.At the Co-op, we care.shortopen monday thru Saturday 7 a m t<. 11 p.mSunday and holidays 8 a.m. to 9 p m co-opconvenience store1514 e. 53rd st.country’s delight California longacrehalf carrots turkey& half 1 lb. bag franks1 IKpints reg. 49c ea. 1 10.reg. 1.39 lb.2/89" 3/r rv L kraft naturalmidgetcolbycheese16 oz.reg. 2.75292sale prices effective Wednesday 3/10 thru tuesday 3/16/82The Novels of Harry MathewsThere are hundreds of “serious”novels published in America everyyear. Naturally, most of these quicklysink into obscurity. One novelist whohas suffered this fate three timeswithout deserving it once is HarryMathews.Harry Mathews’ novels are domi¬nated by strange artifacts and cus¬toms described in a matter-of-factway. Recent American fiction is cer¬tainly full of weird ob'ccts — think ofPynchon and Barthelme — but thegoal in those authors’ books is paro¬dy, and so the objects are described ina way that emphasizes their unrea¬lity. In Mathews’ books, while the con¬tent is unreal, the style is as straight¬forward as Scientific American. IfMathews is imitating anybody, it isnot his contemporaries but Kafka,who also described the most bizarreevents as if they were perfectly nor¬mal.Mathews’ novels tend to use adven¬ture-novel type plots. His first novel,The Conversions, is about a man whomust find the answers to three ques¬tions about a mysterious “ritualadze” to inherit a fortune. But theplot often disappears for pages at atime behind one of the many digres¬sions. A few lines in an obscure (imagi¬nary) German novel give the inquirera clue, and we are given the entirechapter which contains those lines (weeven get the chapter in the “original”German, in an appendix), a descen¬dant of a man he needs information onis a painter, and we are told all abouthis “famous” painting technique.Some of these digressions are some¬what tedious, but most are fascinat¬ing. For example, there is the longtale of Inno Johnstone’s scientific dis¬coveries. These began with his inves¬tigation of fleshmetal, a crystal whichdestroys everything it comes in con¬tact with. Handling it by magneticfields, he attempted to cool it andfound that at -2 degrees Centigrade itbecame a gas. It remained a gas downto four degress above absolute zero,put with the help of a new noble gashe discovered in his maid’s farts, hewas able to resolidify fleshmetal foran instant:He was haunted now by a sin¬gle vision: fleshmetal crystal¬lized at a temperature he darednot name. Only seen for an in¬stant, the crystalshad existed.Unlike the crystalline fleshmetalof the Silver Glen, they had notdestroyed the materials theyhad touched. Was this becausethe extreme cold had renderedthem harmless(?). . .Extreme cold? The anagnonhad remained pure gas, the vac¬uum had been absolute. Whathad the temperature been?Was there no limit of cold?He discovered that matter canindeed be cooled below absolutezero, altering its propertiesdrastically; but he died beforehe could fully explorea world where iron softenedwithout heat, and where, be¬tween the boiling- and freez¬ing-points of water, wood wasa liquid and diamonds a lightgas.The inquirer’s quest ends ambi¬guously: he puts together a coherentsolution, but it is declared incorrectby the appointed judge. This aspect ofthe novel is very similar to Pynchon’sThe Crying of Lot 49 (which it preced¬ ed). Mathews displays a taste forwordplay, most strikingly in a dia¬logue conducted in two differentvarieties of Pig Latin.Mathews’ second novel, Tlooth, ismuch the same type of book as hisfirst. The digressions, of which thereare many, are more “naturally”woven into Tlooth than they were inThe Conversions. On the other hand,the main plot is much more episodic. Itostensibly turns on quest a for re¬venge, but the “avenger” herself for¬gets her role for long stretches oftime.The theme of misinterpretation, in¬cipient in the first novel, is made ex¬plicit in Tlooth, most amusingly in twosatirical stories-within-a-story. Thefirst is told by a scholar who found amysterious paper in a library and,after much labor, interpreted it as adisguised commentary on the Trinity,only to discover that it was a page ofnotes for a first-year German course.The second is told by a painter who in¬cluded an extraordinary shade ofblue in each of his paintings, butfound to his dismay that that was theonly thing people noticed about them.In desperation, he paints a series ofpaintings with no blue, expecting toalienate his suoerficial followers; butinstead the general reaction is “No blue in the paintings, and yet one isaware of nothing else. It is sublime.”Mathews’ love of linguistic playreaches its apogee in Tlooth, in a por¬nographic scene narrated entirely inSpoonerisms.In spite of many good things inTlooth, the book for me is a failure.The opening, in a Russian prison campcalled Jacksongrad whose history isleft tantalizingly vague, is good; andthe book continues to hold interestthrough the narrator’s escape andflight to Afghanistan, described in de¬tail. But once the narrator is safe, notonly does the story become diffuse(which was no problem in The Conver¬sions) but the digressions becomedull. The book does pick up again atthe end, when the narrator is finallyface to face with her enemy, and thefinal scene is vintage Mathews. It ismerely a description of a color print,with no more relation to the storythan the digressions in The Conver-stions, but is so detailed that you can; practically see the print and the sceneit depicts.Harry Mathews’ third novel, TheSinking of the Odradek Stadium, is dif¬ferent in kind from the other two.There are no more long digressions;almost all the incidents advance theplot. This reduces the number of Mathews’ inventions, but his mostmagnificent creation is in this book: apre-Lenten carnival held annually in afuture Miami lasting two months. Forit, “a continuous decor is installed,with paintings, statues, three-dimen¬sional gardens, street-to-roof tapes¬tries, arcades of flowers, canopied in¬tersections . . .” which are alldestroyed at the end of the festival.The festival with its special events isdescribed so vividly that I, for one,am really sorry it is only imaginary.The Sinking is the story of a couple’ssearch for buried treasure, duringwhich their marriage disintegrates.The treasure-hunt plot is very compli¬cated, requiring the reader to simul¬taneously keep track of the Renais¬sance intrigues surrounding thetreasure’s loss, and of the intrigues inFlorida and Italy surrounding the hus¬band’s and wife's research. The novelconsists entirely of letters betweenthe couple, which display the collapseof their marriage. Even though Math¬ews resorts to a cheap plot device togive the marriage the final push, thecharacters of the husband and wifeare more psychologically detailedthan any of the characters in Math¬ews’ earlier novels.Themes present in the earliernovels are also found in this one. Mis¬interpretation plays a vital role inboth the story of the treasure and thecollapse of the marriage. Mathews’concern with language is integratedclosely into the book, in the letters ofTwang, the wife; a native of an imagi¬nary Southeast Asian country calledPan-Nam, her first letter begins “Panpersns knwo base bal. The giappan-like trade-for mishn play with it in ourcapatal any times,” but as the bookprogresses her command of the lan¬guage gradually improves, until bythe end of the book she writes perfectEnglish. Mathews also gives us scrapsof the Pan language; by the end of thebook there are enough of these tomake a brief letter entirely in Pan al¬most decipherable.Mathews’ novels burst with an in¬ventiveness unexcelled in contem¬porary literature. But there is. ap¬parently, a price, one that hasperhaps prevented Mathews from at¬taining the popularity and criticalstatue of a Pynchon or Kafka. Thisprice is an apparent lack of interest in“birth and copulation and death”.Even in The Sinking, the characters areless interesting than the strangethings they encounter. Mathews stim¬ulates the mind; he does not stir theheart.There is one exception to this gener¬alization: a parable in The Conver¬sions as powerful as anything in Pyn¬chon. It is told by a man who, in adream, goes to heaven and finds thatheavenly rewards are distributed ac¬cording to money. Those who wererich in life live like kings after death,while the poor exist in horrible mis¬ery for eternity. God himself has ap¬parently retired, and is ignorant ofthis state of affairs: “ ‘ “ The poorDear has already endured enough;and He has made all this possible forus. What ingratitude if we did not en¬sure Him peace at last!” ’ ” The lastwords of the dream are “ ‘ “Then it isonly the same?” . . . “The same. Uncle,but forever; world without end!” ’ ”If only Mathews could combine thisemotional impact with his wonderfulinventiveness more often, he woulddeserve to rank among the greats.— Adam StephanidesThe Chicago Literary Review, March 12. 1982 — 15V Contacts for Sale!What Is A Bargain?The 4 questions most frequently asked about contact lenses are:1. How Much Are Your Lenses?2. How Much Are Your Lenses73. How Much Are Your Lenses?4. How Much Are Your Lenses7What is really more important, the lowest price, or the best fit¬ting lenses? We think the 4 questions should be:1. Is the doctor really a contact lense specialist7(or is he an eyeglass salesman ?)2. 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From$37;50016 — The Chicago Literary Review, March 12, 1982l smell that smell again, the book-smell of paper and moths and leather andfaded cloth, that odor of museum pieces with their paper-mache bones andleather skin, grinning,a tongue arched between yellow teethholes for eyes — to see the glass case above you, the faces of smallchildren pressed against the moist glass — and even the paper plates ofcake and plastic cups of punch .for entering students who will not come here again. No, books for them.For books know them for to know them is to know books. To know themis to be bored. That book smell is rather offensive.Not the smell of ideas, which have no smell, because to smell them is tomisunderstand them. Except for the smell of burnt flesh, human flesh. Ifyou’ve ever dropped burning cigarettes onto yourself, and smelled a dif¬ferent smoke, you'll know enough. Ideas, 1 said to the class again, ideashave no smell, but their emodiements, their incorporations, their incarna¬tions do-The idea of sex, for instance, has five distinct smells in its incarnation,but have you ever smelled sex? It is this division between a priori and posthoc, ad hominem, and ipso facto reasonings that we pursue here.We will not approach revelation.Secret cells are formed in the library. Typed manuscripts pass from handto hand. Whispers are cut short, books opened to the middle, closed,discarded.Small objects acquire import. Certain words are proscribed. Certaingestures cut short sighs. Doors opened and closed at all hours of the night.Discarded papers are retrieved, pocketed, folded and unfolded. Theauthorities plan sterner measures.It is bound to be bloody.The first manifesto read and will read:Enough has been shown! The vision will be encountered in every breath.Enough has been allowed! The rumors heard in cities, the evening, and inthe sun, and always. Enough is known! The arrests of Life — O Rumorsand Visions! Depart in affection and with new shouts!A leader will not be necessary.— K. G. WilkinS TED COHEN a■mESSAYS iNlKANTB AESTHETICSNORTHROP FRYE ITHE CreAT CODE: THE BIBLE & LITERATUREMORAL lUCKW. ADORNOPRISfViS 1 m.ROZSIKA PARKER aOLD. MISTRESSES: WOMEN, ART&IDEOLOGY5757 S UNIVERSITY:#MO-FR 930-6 SA11-!THE UNIVERSITY OF CHICAGOLIBRARY SOCIETY1982 STUDENT BOOKCOLLECTING AWARDSTo encourage book collecting and stimulatestudents to build personal libraries, the Li¬brary Society is once again sponsoring a Stu¬dent Book Collecting Competition. Prizes of$100 each for an outstanding undergraduateand graduate collection will be awarded.All registered University of Chicago stu¬dents may enter. Collections can be of any sizeand on any subject, but are limited to printedand written material. Judging will be based onthe collection’s cohesiveness, presentationand evidence of bibliographic knowledge andnot necessarily on size, extensiveness, cost orrarity of materials.Complete contest rules may be obtained atthe Library Society Office, 181 Joseph Regen-stein Library, Monday through Friday, 9 a.m.to 4 p.m., before April 8.The Chicago Literary Review, March 12, 1982 — 17Cornell Law SchoolUndergraduate Prelaw ProgramJune 7 to July 20, 1982A demanding six-week programfor college students who wantto learn what law school is like.For further information write toJane G. Death, Cornell Law School634 Myron Taylor Hall, Ithaca, NY 14853 USED OFFICEFURNITUREUsed wood desks from $135Used metal desks from $25Used 6 ft. drafting tables4 drawer files from $50BRANDEQUIPMENT 8560 S. ChicagoRE 4-2111Open Daily 8:30-5Sat 9:00-3HYDE PARK UNION CHURCH5600S. Woodlawn Ave.Church School (all ages) 9:45 a.m.Worship Nursery Provided 11:OOa.m.W. Kenneth Williams, MinisterSusan Johnson, Baptist Campus MinisterCome, Worship, Study, ServeGRAFF & CHECKReal Estate1617 E. 55th St.1 Vi-lVi-A room & 6 roomapartments. Immediate occupancy.Based on AvailabilityBU 8-5566A vailable to all comersapt f A8S ASOSANSEINSTEIN’S BIRTHDAYOPEN HOUSEMarch 13th 12-4 pmFeaturing the sculpture of Steve Uribe57th & Woodlawn In the Unitarian ChurchHours: Fn 12-3, Sat 12-4, Sun 10-1BEAUTIFUL GIFTS AT SENSIBLE PRICESHYDE PARKTHE VERSAILLESIDEAL FOR STUDENTS324-0200Large Studios • Walk-inKitchen • Utilities Incl. •Furn. - Unfurn. • CampusBus at doorBased on Availability5254 S. DorchesterDr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E.53rd St.493-8372Intelligent people know thedifference between advertisedcheap glasses or contact lensesand competent professionalservice with quality material.Beware of bait advertisingEye ExaminationsFashion Eye WearContact Lenses in ira levin s “DEATHTRAP”Executive Producer JAY PRESSON ALLEN Associate Producer ALFRED de LIAGRE JRMusic by JOHNNY MANDEL Produced by BURTT HARRISScreenplay by JAY PRESSON ALLEN Based on the stage play by IRA LEVINDirected by SIDNEY LUMETFROM WVRNER BROS ABBtA WARNER COMMUNICATIONS COMPANY AY'JC’90? Warn^i Bros An Rights Reserved ^PG PARENTAL GUIDANCE SUGGESTED •&OPENS FRIDAY MARCH 19thAT A THEATRE NEAR YOUDEATHTRAPMICHAEL CAINE CHRISTOPHER REEVEDYAN CANNONThe trap is set...For a wickedly funnywho’ll-do-it.18 — The Chicago Literary Review. March 12, 1982» I s l.i.4.SeekingSubmissionsFiction, Poetry,Essays, Reviews1212 E. 59th StreetChicago, Illinois 60637 3/iierRemiimew DEFINESeekingSubmissionsFiction, Poetry,Essays, Reviews1212 E 59 th StreetChicago, Illinois 60637 Tute/ia/mtOCm SUBMITSeekingSubmissionsFiction, Poetry,Essays, Reviews1212 E 59th StreetChicago, Illinois 60637 dAe Lliicawilifalatu&temewROCKWELL KENTThe Chicago Literary Review would like to acknowledge the artistic giftsof American artist Rockwell Kent, whose work was central to our recentpublicity campaign. We apologize for omitting this recognition in theoriginal artwork. CLR.js requesting submissions of original artwork fromthe community for future issues.-MIDLINE MADNESSSpin-It presents a sale on the entire Capitol/Liberty Midline series. Reg. 4.98 now only 3.89 eachArtists featuredin this sale include:Beach BoysLou RawlsPeabo BrysonNat King ColeNatalie ColeFrank SinatraNancy WilsonRonnie LawsMinnie RipertonJoe PassGrand FunkSammy HagarLinda RonstadtGeorge Dukeplus many more OiOoso Nancy Wilson/Cannonball Adderley1* W* ‘°0 I Cannonball Adderley QuintetMercy, Mercy, Mercy! STANKENTON'SGREATESTHITSQos^’ GEORGEBENSONMICKEYTUCKER GEORGEDUVIVIERALHAREWOODJazzOn ASundayAfternoonVoi I ^ *^ 3 WttLUt* TOAAISS iWASfNTlMCNllUlOOOAO ANC IAN ►ANTASf ROti*:* if* RW1 SAItM DOLLW f U)WIW frVUft CMAV** FiAMlNGC(Sale ends March 31, 1982)Spin-It /1444 E. 57th / 684-1505Spin-It Now, Spin-It Later, but Spin-It!The Chicago Literary Review, March 12, 1982 — 19ft- =ENGINEERS ARE IN DEMANDWHY NOT BECOME ONE?Air Force engineers work at the leading edge oftechnology. You can become an active part of this ex¬citing research even if you’re not an engineer. If youhave, or will soon have, a baccalaureate degree in aGeo-Physical Science discipline, and can qualify for anAir Force commission, the Air Force might help youearn that Electrical Engineering degree.To see if you’re qualified, call me and ask about the“Lateral Undergraduate Degree Program. ’’Technical Sergeant B.J. Nielander7435 Indianapolis Blvd.Hammond, IN 46324(312)374-4297v /TJUJiA great way of lifeTHE FLAMINGO APARTMENTS5500 South Shore DriveSTUDIOS & ONE-BEDROOMS• Unfurnished and furnished• U. of C. Bus Stop• Free Pool Membership• Carpeting and Drapes Included• Secure Building• University Subsidy for Students & Staff• Delicatessen • Beauty Shop• Barber Shop • T.J.’s Restaurant• Dentist • Valet ShopFREE PARKINGMR. MORRIS 752-3800This Summer,CornellWhat better place to be than far above Cayuga'swaters as you improve your writing skills, workwith computers, participate in a prelaw pro¬gram, or take a course in conceptual drawing?Nowhere else can you learn in the company ofso diverse a group of faculty and students insuch a uniquely attractive setting of hills, lakes,gorges and waterfalls.At Cornell, you can fulfill requirements, ac¬celerate your degree program, or simply takeadvantage of the opportunity to study those in¬triguing subjects that you have always put off.Request an Announcementand see for yourself all thereasons why Cornell is theplace you should be thissummer. Tuition is $145 persemester credit or less.Cornell University SummerSession. B13 Ives Hall,Ithaca. New York 14853 BEGINNER OR ADVANCED Cost is about the same as asemester in a U S. college $2,989 Price Includes iet roundtrip to Seville from New York, room board, and tuitioncomplete Government grants and loans available for eligiblestudents.Live with a Spanish family, attend classes four hours a day,four days a week, four months Earn 16 hrs of credit lequivalent to 4 semesters taught in U S colleges over a two year time span) Your Spanish studies will be enhanced byopportunities not available in a U S classroom Standardized tests show our students' language skills superior tostudents completing tw#»year programs in U S.Hurrv it takes a lot of time to make all arrangementsFALL SEMESTER SEPT 10 Dec 22 SPRING SEMESTERFeb 1 June 1 each year . „SEMESTER IN SPAIN2442 E. Collier S.E. Grand Rapids, Michigan 49506(A Program of Trinity Christian College)CALL TOLL FREE for full information 1-800-253-9008(In Mich., or if toll free line inoperative call 1-616-942-2903 or 942-2541 collect)New and RebuiltTypewriters,Calculators,Dictators, AddersCasioHewlett PackardTexas InstrumentCanonSharpElectronic Watches REPAIRSPECIALISTSon IBM, SCM,Olympia, etc.FREE repairestimates; repairsby factory-trainedtechnician.RENTALSavailable withU.ofC. I.D.The University of Chicago BookstoreTypewriter & Calculator Department970 East 58th Street 2nd Floor753-330320 — The Chicago Literary Review, March 12, 1982Death In SicilyThe Garden of PersephoneBy Cesar J. RotondiSt. Martin's Press336 pages, $19.95The problem with the historical novel as agenre is its propensity to read like a skimpy his¬tory textbook at the expense of plot and charac¬ter development. There often seems to be an al¬most burdensome preoccupation with detail thatdetracts from the general continuity of the work.Cesar J. Rotondi’s The Garden of Persephone ex¬emplifies much of what is bad with the historicalnovel. On the other hand, it has many goodpoints especially in regard to the developmentof local color and the mastery of character devel¬opment.Mr. Rotondi cannot be taken to task as a schol¬ar of the period. As a matter of fact, Rotondispent two years in the libraries of Sicily re¬searching largely untranslated materials inorder to make the novel as true to life as poss¬ible. However, his obsessive need to historicizeevery little action and to constantly explain cus¬toms and attitudes makes the text informativebut hardly very entertaining. Dialogue is evenfilled with constant references to key dates andimportant figures of the day. Nigel tells Julien ofthe crusades in the following fashion, “In June of1099 we marched on Jerusalem. For forty dayswe lay seige to the city. . .” Brief explanations ofhistorical significance are sprinkled through outthe book whether they are in reference to Ber¬nard of Clairvaux or to the development of theknighting ritual. What seems to be sacrificedhere is a good continuous plot. Chapters movetoo quickly from one scene to the next giving onethe impression that one is viewing a slide pre¬sentation of Uncle Harold's trip to Europe.Like Rotondi s two previous.works. Obsessionsand Grand Obese, what is striking is his develop¬ment of honest historical characters. The vital Ju¬lien FitzNigel and the heroic Roger II are por¬trayed with a most astute humanity and depth.There is no sense of historical distance betweenRbtondi’s medieval characters and his contem¬porary audience. This book cannot be faulted inthis respect. One may even venture to say thathis triumph of characterization makes the novelredeemable, however, there is a bit more to thisnovel that makes it worthwhile.Since Rotondi is such a fine scholar of theperiod of which he writes, his grasp of local colorand historical contrast is flawless. His depictionof Salerno bursts out with the cries of moslemwomen and the chants of old monks in yet moreancient monasteries. His presentation of thecourt of Roger II is filled with the spirit of a mys¬terious proto-Renaissance which joined East andWest in Sicily during the 12th century. The textbreathes of a very vivid and human past.Rotondi’s elegance of prose is worthy of notealthough it often suffers from a general verbo¬sity which is the product of a weak plot. His lan¬guage flows from one sentence to the next withan ease that reflects a lucid and an intricte mind.As in the work as a whole, one must take thegood with the bad.For a student of history, The Garden of Perse¬phone is an indispensable volume filled withfacts and a living history of the period. For a stu¬dent of literature, the work is a masterpiece ofcharacterization and local color. For the general reader, the novel has its most definite goodpoints and its most obvious bad points. It tendsto be tedious reading although it does have itsmasterful moments of fluidity and prosaicbeauty. In general, The Garden of Persephone is abook recommended with a grain of salt. It offersa great deal to some readers while neglectingothers and their need for an entertaining novel.Unfortunately, it has fallen too deeply into thepattern of the incomplete historical novel verypopular in our time.— R. J. RobertsonWhat evil lurks?He turned out to be deadin his better moments, whenhe wasn't staring at the wall,or the table, or the crumpledpapers that are his jigsaw puzzle.He liked to readboozy poems by geriatricmen confined by choicein an asylum in Seattle, buthe played down the influences.He scattered himselfacross the country, leavinga bird cage in Chicago,a pair of pants in new jersey,and a wife in atlanta.He inflated himselfthrough a slow process, usinghis thumb, and a vocabularyof imaginary words.He wonders if he will explode.— Larry Cohen,, DawnI have held the summer dawn.Nothing was moving on the palace brow. The water was dead.The troops of shadows would not leave the road to the woods.I walked, waking the living, warm wind, and gems watched andwings lifted without sound.The first adventure was, in the path already full of fresh,pale glittering, a flower which told me its name.I laughed at the blond waterfall, whose hair tumbledthrough the pines: at its silver peak l knew the goddess.Then 1 lifted each veil. In the alley, waving my arms.On the plain, where I announced her to the rooster. In the city,she fled among the steeples and domes and, like a beggar runningover marble wharves, I chased her.At the top of the road, near a laurel wood, I wrapped her veilsaround her and felt her vast body a little. Dawn and the child fellto the wood’s bottom.Waking, it was noon.Arthur Rimbaudtranslated by Ann Kdniston IGELANDAIR INTRODUCESNEW BARGAIN FARES TOMORE OF EUROPE.LUXEMBOURG499 $ -PARIS 1591ROUNDTRIPFROM CHICAGO F I0UNDTRIPFROM CHICAGO—ZURICH 1-599 rlsj :RANKFURT—|557ROUNDTRIPFROM CHICAGO RF OUNDTRIPROM CHICAGOAll Apex Fares: April 1 - May 14. 1982. 7-90 day stay (7-60 days Luxem¬bourg). Stopovers permitted in both directions. 14 day advance purchaserequired. Seats limited. Ask about our low cost Normal. Same Day. andGroup fares, too.ALSO LOW COST CONNECTING SERVICE TO NICE AND AMSTERDAM.Icelandair to Luxembourg. Luxair or Crossair connecting serviceto other destinations.■ Confirmed reservation. ■ Free wine with dinner, cognac after.■ Bargain Stopover Tours of Iceland and Luxembourg. ■ Bargain carrentals. ■ Purchase tickets in U.S. ■ All fares subject to change andgovernment agproval.See your travel agent or call 800'555-1212 for the toll free Icelandair number in your areaICELANDAIRNOW MORE THAN EVER YOUR BEST VALUE TO EUROPEThe University of Chi cog oDepartment of Music PresentsTHE ORCHESTRA OF ILLINOISwith special guest conductorGUNTHER SCHULLERFeaturing1981 International American Music CompetitionGrand Prize Winner in PianoRANDALL HODGKINSONPerforming Beethoven s Piano Concerto #4 in G MajorPlus music of Mozart, Paine, andChicagoan Primous Fountain III •MONDAY. MARCH 22,8 PMMANDEL HALL25% Discount For UC Students, Faculty/StaffTickets available at the Mandel Hall Ticket Center orfor reservations call The Orchestra of Illinois at 263-3787.The Chicago Literary Review. March 12, 1982 — 21CLASSIFIED ADSClassified advertising in the Maroon costs SI .00per 45 character line. Special headings costSI.50 per 25 characters. All classified advertising must be paid in advance Advertisingdeadlines: 12 noon Wednesday for the Fridaypaper; 12 noon Friday for the Tuesday paperSubmit ads to Ida Noyes Hall, room 304, ormail them in (with payment) to The ChicagoMaroon, 1212 E. 59th St., Chicago IL 60637. Forinformation about display advertising, call 7533263. The Maroon is not responsible for goodsor services purchased through the classifiedadvertising section.SPACEStudio Apartment, Hild Realty Group 955 1200Looking for housing? Check InternationalHouse, for grad, students and for scholarsvisiting Chicago. 753-2270, 2280. FOR RENT Available now 3 rm studios in luxeapt. Call 288 0718.CONDO FOR SALE V? blk. from UCFieldhouse, 2 BR. Ig. bkyd. sun rm. sewing rm.mod kit Ray School 493-2869CHEAP ROOM Not a low priced room, a goodroom at a low price. Single $155 Avail, nowAlpha Delta Phi 5747 Univ. 753 3257 HankDeGrootApartment-students only, cut rate 947 0814Studio avail, immediately or April 1, lease orsublease. Near lake, UC bus, CTA, 1C, shops.Call Herb evenings, weekends at 344 7219.3 BR tri-level on large wooded lot in BeverlyShores, Ind. 2 blocks from Lake. 112 baths CALarge family room. Basement. 45 min to U of Cby car or train. $70,000. 13'/4 financing. CallRenard at Callahan Realty. 219 926 4298WANT A JOBYOU CAN BELIEVE IN?ACORN needs community organizers to workwith low and moderate income families in 25states (AR, SD, TX, LA, TN, MO, FL, CO, NV,PA, IA, OK, Ml, AZ, NC, GA, SC. CA, CT, MA,OH, NM. MN, NJ, ND) for political and economic/justice. Direct action on neighborhood deteriora¬tion, utility rates, taxes, health care, redlining,etc. Tangible results Long hours — low pay.Training provided.Contact Career Counseling for interview Thurs.,March 11 or call Kaye Jaeger, ACORN,117 Spring, Syracuse, NY 13208.315-476-0162. Nice Bdrm in 3 bdrm/2 bath 54th & Kimbark.Good, safe building, near park, tennis courtsApril 1 June 15. $175/mo + util. 363 8398, 7-12pmApt Available-June 1 57th and BlackstoneLarge studio. Separate dining room, kitchen.Call Jeff 667 6799 after 6.Huge bedrm in 2 bdrm apt 55th & Everett.Furn. Laundry near all transpo lines, nodeposit 100% secure. $190 heat incl. 324 0173eves.5210-18 DrexelOne Bedroom Apts$305 per monthCall Porter 324 4956FEMALE GRAD wanted to share 2 bdrm hirise apt sec bldg lake view own room and bathavail immediately possible option to renew 7523277Cfiazfotte HJitzitzomczReal Citate Co. We are co-operating brokersMember National Association of Realtors. ChicagoReal estate Boards. Illinois Association of Realtors493-0666 • CALL ANYTIMEFEATURE OF THE WEEKThree story brick - Beautiful wood,Stunning kitchen - six bedrooms, threebaths. This should be priced much higherbut owner wants fast sale.$128,000Near 48th KenwoodYour favorite Townhousein your favorite locationTri-level E plan - Mint ConditionAcross from Winter Wonderland centerpeople park ’ - 8 rooms, 1 Vi baths.57th Harper$117,000This is a larger version of above. Nicelylandscaped 8 room 214 bath Tri-level -in tip-top shape.$127,500Near 55th KenwoodWe have two modern Townhouses inthe Kimbark Plaza area. There areinterior differences and interestingfinancing.$99,500Parking 118,000493-0666 NEWPORT one bedroom apt available in April4800 Chicago Beach. Call Debbie days 326 7194evenings 955 6729.2*2 rm. apt 58th & Blackstone new dec$350/mo incl heat stove & refrig 667 4875 lvmess.5527-37 South EverettWe have the following apartments availablefor immediate occupancy heat and hotwater stove and refrigerator furnished3'.2 room 1 bedroom 53604 room 1 bedroom $4005 room 2 bedroom $500To inspect call Sack Realty Co 684 8900Ask for Carl CollinaGRADUATE STUDENT COOPERATIVEseeks man or woman for April 1st occupancynear campus, low rent. Call 955 2653.Condo for rent Univ Park Ibr great locationand view security $445 inc most util 241 5788Sunny bdrm 4n 3 bdrm coop lakeview goodtrans 24 hr sec laund nice neighbors pkingnsmoking fern pref avail Apr 1 #115 incl heat538 19624rm 1 bdrm apt and furniture etc on Cornell$360/mo heat inc. Call 667-3307Sunny 1 bdrm, avail now. Indry in bldg, Wdlwn$315 incl heat. Sandy 752-5072, 337 72132 bedroom apt. furnished, view of lake,reasonable. Available 4-1 to 81. Call 324 3357Roommate to share 2-bedroom apt: femalenon-smoker vegetarian. Call 288 3893 after5pm.1 bdrm apartment available April 1st. 7337 S.Shore Dr. Call 721 1701M or F to share spacious 2 bedroom apt on47th/Lake Park Ave, with male UC grad student. Lovely lake view, 13th floor Near trains,buses and campus bus. $180 per month,available now. Call 624 2885 evenings only.Studio, Hyde Park, Condo Bldg., Exc, security,pool and Health Club. Immed Donna 440 4390or 864 8082.1 BR in 3 BR apt available immediately, $180mo plus utilities. 54th & Kimbark. 493 6709 askfor John.Furnished studio for sublet. $360 mo. full kitchen & dining room, spectacular lake view,laundry in building, on minibus & Jeffrey rtlease runs through Sept Michelle 753 2691SO. SHORE DR.2 BR 1' 2 bath co-op, wbfplc. carpeting. Excellcond. $22,000. Hilde Zurne 684 0151CENTURY 21Kennedy, Ryan, Monigal & Associates, Inc.5508 S. Lake Park 667 6666SPACE WANTEDAccomodation wanted starting April 1, 2 bdrmapt or townhouse furn or unfurn. in campusvicinity. Call 753 3980 or 955 2078PEOPLE WANTEDPaid subjects needed for experiments onmemory, perception and language processingResearch conducted by students and faculty inthe Committee on Cognition and Communication. Department of Behavioral SciencesPhone 753 4718. Paid subjects needed for experiment in problem solving using the logic game Mastermindand word problems. Session lasts 1 to IV4hours. Call John at Consumer Lab, 753 4209 orevenings, 752 0453.Bookkeeper, 20 hr/wk. Mature, responsibleperson with knowledge of bookkeeping procedures to do posting, prepare statements ofexpenditures, follow up on order. Must enjoydetail work. Familiarity with University formswould be helpful. Will train. Call Mrs. Weil,947 6624.Housecleaner for faculty couple. Campusloc./good pay, 3-4 hrs./wk. 241-5164 eves only.DESK CLERK Ouandrangle Club. Sat. andSun. 8:00 am to 4.00 pm shift. Long termemployment is major qualification. Studentsonly may apply. In person 1155 E 57th St.Open minded woman with sexy voice neededfor telephone counseling. Work right fromhome High earnings. Noexper. nec. 975 1274Apartment Manager and Rental Agent, HydePark area. Full and part time. Salary dependent on qualifications. For interview contactRose Hawk 963 0500.Privately held manufacturer of specialtypackaging with national distribution seeks anaggressive, personable woman or man to fillthe position of coordinator of sales serviceSalary and benefits will be commensurable tothe candidates ability. Call Robert Karolak(312) 581 3300.The University of Chicago Hospitals & Clinicsis currently seeking a part-time secretary(hours 1-5 pm). Applicants should have typingability and good public contact skills Qualifiedapplicants please call:Francine O'HearnUniversity of ChicagoHospitals & Clinics947 6991Pt-time childcare wanted for infant in HydePark approx 3 4 days/wk. arr negot. 324 2588eves.Are you a sophomore with at least a 3.0 GPAlooking for a paid position in Chicago this summer that combines both educational andcareer opportunities? Then we're looking foryou! contact-Melody A. Carlsen, IF INTE RNS,P.O. Box 69, Brookfield, Wl 53005, 414 786 6700or inquire at the U of C Placement OfficePart time babysitter needed, preferably in ourhome, to care for 5 month old baby during Spring quarter. Call 752-4904FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E. 55th St. 493 6700.1 large, 1 small wood desk, round dining table.1974 Plymouth. Call 955 4143 before 9 am, 6 7pm or leave message. RicardoKing Size waterbed "Airfloat” mattresss andliner. Also Chemelex solid state waterbedheater and thermostat. Top of line productsExcellent condition. Mattress + liner: $100Heater + thermostat: $70 or all for $150 Call241 5164 evenings only.1973 Volvo one owner (little old professor) newmich tires rec repaint excel running cond service record avail will last 50000 miles with proper care bargain $1495 call 241 5459STUDY MEDICINE IN ITALYA pre medical course in combination with an intensivelanguage program prepares you to take the ItalianUniversity Medical School’s entrance exams.Prerequisite: B.A. or above degrees.Program Dates: June 1 - September 30th.For details, write to:Dr. Mario T. SoriaAcademic Consultant4212 Pommel PI.West Des Moines, Iowa 50265Telephone: (515)225-323422 — The Chicago Literary Review, March 12, 1982SINGLE BED Sealy Posturpedic, very goodcondition. Springs and mattress, $160 for both.753 3281 days 667 0508 eves.IBM electric typewriter, with cover and newribbon. Good condition; needs minor service.Call Joseph Wilson, 947 2163 (work) or 752 4280(home) x201. $100 or best offer.VOLARE stnwgn 78 leaving March 23 $2900negot power brks steering 6 cyl call 752 8087Kharman Ghia 1974, Florida car beautifulshape perfect cond after 5pm 282 0335. $3000Omni 1978 4-spd 4dr-rear defogger perfectshape stored 6 mos. Days 753 3093 after 5 582-4014.Ford Mustang 1974 4 cy body exc condautomatic rear defogger 1300 days 753 3093after 5 582 4014Toyota Celica 1974 st 2 dr a/c 4 sp rear windowdefoggers new tires no rust clean 282 0335 after6 pm.SERVICESJUDITH TYPES—and now has a memory.Phone 955 4417.Excellent, accurate TYPIST with B A willtype term papers, theses, resumes,manuscripts—whatever your typing needsQuick, pick-up and delivery on campus.Reasonable—call Wanda 955 8375after 5 p m.Psychotherapist, Women's Groups, Individual,and Couple Therapy. Sliding Scale, MaryHallowitz, MSW, ACSW 947 0154.James Bone, editor typist. 363 0522.Letter Perfect Typing Service Very experienced, very accurate. Dissertations,papers, math. Call Lise Plotkin, 493 1218Typing term papers reas. rates call 684 6882WE DOINGS photographed call Leslie 536 1626Experienced editor corrects papers, dissertations. All subjects. $10/hr. Call Pat 363 7567Typing: Experienced secretary types allmaterial dissertations, tables, etc IBM Sel,grammar corrected, pick up &. deliver 6678657.Term papers typed, reasonable rates, pickupand delivery. 783-1345.TYPING. Term papers, theses, etc, 791 1674Grad stud w/publishing bkgrnd & excproofreading/editorial skills will help you w/yrwriting. Call DB am or late pm 363 1304BROWN UNIVERSITY GRADUATE WILLTUTOR high school and middle school studentsin English (Grammar or Literature) andHistory. Call 752 8771 evenings.SCENESGilbert & Sullivan's The Gondoliers presentedin Mandel Hall, 57th & University, March 12thand 13th at 8 pm, March 14th at 2 pm. Ticketsat Mandel Hall Box Office.CELEBRATE EINSTEIN'S BIRTHDAY withthe Hyde Park Artisans Gallery. The OPENHOUSE on Sat. March 13th is featuring theSCULPTURE of Steve Uribe Sculptor/Welderat Fermi Lab. Hrs 12-4 pm. Sat. 8. 12-3 ThursFri, 10-1 Sun. Located at 57th & Woodlawn inthe Unitarian Church. Please stop by.DREAM EXPLORERS NETWORK Discoverthe Magic Power of your Dream World Bringback Treasures of confidence. Friendship,Joy! FREE training Sunday eves. Call Bernie,643 2826.PERSONALSWriters' Workshop PLaza 2-8377.Christina at WC-is that all, a midnight call?Try again-I'm worth it (I hope) HHappy Birthday Bieni Love, Boo BooProf Jeff If a module is the direct product ofcyclic submodules does this mean we will deevolve? And further there is no god?Bethie L. Prof. Bill V., a jug of Mazola andthou Fantasy from The Human FlyKathy Algebraic are you really that short?Chiaccher The UC Pornographic LiterarySociety needs more of your emissions andeditors.LOST & FOUNDMissing:Olympus OMI Camera Reward Iffound, no guestions asked. Great sentimentalvalue. 324 0243 & leave message. LOST: Gold wedding ring, vie Ida Noyes 2/28inscribed 9/20/81. Just married Reward. CallSean 549 7984 or 924 0743.WANTEDIndian and Greek Donors for artificial insemination Needed call 947 1775.UNBALANCEDMUSICThe Peer Pressure Radio Show specializing inforeign and domestic independents, along withFrank Sinatra and Judy Garland Wed nights11 pm-2 am on WHPK 88 3 FM Sponsored byWax Trax Records.STEP TUTORINGHelp a kid feel bright and intelligent. Volunteerto tutor an elementary or high school studentfor two hours a week. Contact Peter at 643 1733for more information.DOES YOURMIND MATTER?It does to us. Right and left handers needed toparticipate in fascinating and profitablestudies on brain asymmetry. Please call 7534/35 for info.COOP APTFOR SALELocation & space! 2 bd 2 ba full dngrm. kit withcabinets & more cabinets. Overlooks gardens& Jackson Pk $52,000 cash for equity. MimiAsbury. Century 21.KENNEDY, RYAN,MONIGAL & ASSOCIATES5508 S. Lake Park 667 6666GERMAN COURSESthrough CCTS at LSTC1) Intensive Course (15 wks: 3/29 7/16Fee: $160 MWF 4 5 Rm 3092) 2 Quarter E vening Course, Fee: $80 per Qtr1st Qtr Class: Tues 7:30-9:30 rm 3092nd Qtr class . Mo 7:30-9:30 Rm 2033)Advanced Reading (Theology) Fee $80Th 7:30-9:30 (or by arr.) Rm 309Classes to start the week of March 29, 1982To register please call CCTS 667 3500 Ext 266or G.F. Miller, PhD(instructor, native speaker)363 1384PLEASE NOTE:German Courses will be offeredduring summer session (JuneU July 22)CONCERT TIX!The Phoenix in the basement of Reynolds Clubhas concert tix. Jorma Kaukenan at C O DMarch 18, 7:30& 10pmWE WILLSTAY OPENThe Social Science Coffeeship will be open during 10th week, finals week, and the interimLITERARY MAGAZINEPrimavera, a literary magazine devoted to theexperiences & perspectives of women, seekspoetry, short stories & graphics. We also needvolunteers to work on the staff Mailmanuscripts to Primavera at 1212 E 59th StFor info, call 752 5655.$50 FINDERS FEEWanted 2 bdrm apt. sunny gd cond 350450/mot. Call John Stutesman 649 8100 M F 9 9leave msg or 493 0927 wknds if take apt you getbucks.THE PHOENIXThe Phoenix now has a large selection ofbudget records for between $2.00 and $3 00Check us first...we're the Phoenix.MOVINGStudent with Pickup Truck can move your stuffFAST AND CHEAP. No job too small! CallPeter at: 955 5180 10am 10pmCONDO FOR SALELovely sunny 5 rm condo, 2 BR Totallyrenovated, oak fl & buffet, frpl., bale., PLUS!Fin 12%. Call Karen d. 947 5456, e 947 0859.GAY? LESBIAN?GALA sponsors a weekly coffeehouse on Tuesday nights at 9:00 pm in the Reynolds ClubNorth Lounge Refreshments and camaraderieare served free of charge. All are welcomeFollowing the coffeehouse, the GALA discussion group meets to discuss issues, problemsand concerns of the gay and lesbian community in a warm, supportive setting Everyone isinvited.GILBERT ANDSULLIVANTHE GONDOLIERS at Mandel hall, 57th &University, tickets $7; Sunday, March 14 at 2pm, tickets S3 50 Tickets available at MandelHall Box Office. NEEDATYPIST?Excellent work done in my home. Reasonablerates. Tel: 536 7167ART INSTITUTEMembership cards have arrived! You pay $9for memberships which usually cost $15. Enjoyfree admission, museum store discounts, otherbenefits Rm 210, Ida Noyes Hall.CONVOCATIONTICKETSTickets needed for March 19 Convocation Callcollect 616 744 2251.IRISH DINNERON ST PATRICK'S DAY WEDNESDAY,MARCH 17 4:30-7 30 pm Authentic Irish food,complimentary stout, ale, and Irish coffee,plus live entertainment by Samhradh MusicDAVE BROMBERGIs coming to Mandel Hall on April 10 Don'tmiss him!VARSITY ATHLETESApplications for winter quarter Ball Webberprizes are due on Fri. March 19 in INH Rm 201."HE'STHE BEST""Guitar player I've ever seen (DLN) "He's thesecond best I've seen " (KE) "Who's thebest?" (DLN) "Segovia" (KE). Come seeDave Bromberg, the best (or second best)guitar player in the country! April 10, atMandel Hall.ARE YOU INTERESTEDIN ALIYAH?If so, come to a meeting of the Southside ChugAliyah on March 30 at 7.00 pm at Hillel, 5715 SWoodlawn. A speaker from the Israel Aliyahcenter will be present.SEETHE HOLY GRAILThis Friday night in Quantrell when IHC Filmspresents MONTY PYTHON AND THE HOLYGRAIL at 7:00, 9:00and 11 00.Only $2 00ERIN GOBRAGHcome to Calvert House's St. Patrick's Day party, Friday, March 12, 8:30 pm, at 5735 S.Univesity. We'll have live Irish music by theHylands, dancing, liquid refreshments andmore! ($1.00 admission charge ) See youthere!ORIENTAL CARPETSA well-established Chicago North Sidemagazine known for its honest and accurateevaluations of specialfy and luxury itemsrecently visited us. They judged us to haveunusually fine carpets at prices lower thanother stores in the Chicago area Call us at 2880524 for an appt. to view our beautiful carpetsWe'll also show you slides of how carpets aremade as well as scenes of Afghanistan andPakistan.l HYDE PARK.WHAT'S OLD ONTHE OUTSIDE?The features which made theBlackwood such a superb exampleof the Art Deco sytle have beencarefully preserved.NEW ON THEINSIDE?• Wall to wall carpeting• New appliances—including dishwasher• New ceramic tile baths• Master TV antenna• Individually controlled heat• Central air conditioningBut some of the newness you can'tsee. Its newness that goes beyonda facelift to include all new elec¬trical wiring, all new plumbing, allnew mechanical systems. Its thishidden newness combined with aprofessional, courteous staff (in¬cluding 24 hour maintenance per-* sonnel) that lets you enjoy modernliving at its carefree best.Located just steps from LakeMichigan, Illinois Central andHarper Court. Spectacular lakeviews are available.1-2 bedrooms from $398 per mo.rnmnoftpoeinf n i s5200 South Blackstone Avenue(1 block west of Harper Court)Phone 684-8666Mon.- Fri. 9to 6,Sat. & Sun. 11 to 5.Ask About RISKNo Security Deposit HHOUSESSUPER NEW LISTING 3 plus bedrooms RaySchool district co-op townhouse. Upper $90’s Fi¬nancingMODERN construction and conveniences, in¬cluding central air and humidifier system makethis a unique buy. Two bedrooms, full basement,near to campus and shopping are just some of itsattractive features. Parking too! Creative fi¬nancing. mid $80's.RAY SCHOOL DISTRICT. 3 bedroom town-house Cozy fireplace, garage, fenced back yard.21 z baths. 2 dens make this a super buv at$139,500TUSCAN MANSION has apartments for income,large yard, off street parking, garden and lots ofsunshine! $145,000LARGE F TOWNHOUSE You've got to seethis one! Three bedrooms. Lots of light. Two as¬signed parking spaces. Walk to everything! Mid$90's. Cali today.CONDOMINIUMSPRICED TO SELL . . . affordable 5 bedroom. 3bath condo. Hardwood floors, French doors,dine-in kitchen and fenced back yard $87,500.ELEGANT five room condo in vintage EastHyde Park hi-rise. Amenities galore: Lake andLoop views. A super buy - Upper $50s.58th AND BLACKSTONE 4 bedroom, 2 bath,over 2,000 sq. ft. Super location Large enoughfor a family. Walk to Lab School. $145,000 and fi¬nancing.RENT WITH OPTION Excellent financingavailable 94% and a low down payment pur¬chases this 27th floor studio in the Newport.$30's.BEAUTIFUL NEWPORT' Let's do it! This twobedroom faces the Loop and Lake Absolutely,beautifully decorated! Parking, financing andpriced to sell in the upper $70’sSPACIOUS . >. beautiful back yard, twoporches and spacious rooms make this 3 bed¬room home a real value East Hyde Park. Closeto lake and transportation Low $80'sSUPER. SUNNY ONE BEDROOM condo in se¬cure. modern high rise. Close to all transporta¬tion. UC bus at door Mid $50’s.UNIVERSITY PARK — Sunny, Southern studiounit; new carpeting, parking, pool and healthdub facilities available. Low $30 s.WALK TO CAMPUS, shopping and transporta¬tion from this one bedroom condo on quiet tree-lined street Space to study and entertain Pricedright - $40's.CHARMING EAST HYDE PARK CONDO Thiswarm 3 bedroom apartment is a lovely blendingof the old and the new. Attractively priced under$70,000 Super financing possibleSUNNY, LIGHT, one bedroom. Close to campus,lovely oak floors and french doors, lots of closets$50's.A CUSTOM DESIGNED KITCHEN highlightsthis lovely 1 bedroom in the Hampton HousePark and Lake views, carpeting and large roomsmake this a special home. Upper $50 s.THIS SUNNY CORNER, 2 bedroom condo inRay district has a great kitchen and manyextra's Sparkling condition with great financ¬ing. Mid $60 sNATURAL WOOD THROUGHOUT This large. 4bedroom 24 bath condo: full of old style ameni¬ties including hardwood floors, built-in book¬shelves, sun porch, French doors and butlers'pantry with copper sink. Priced right - $70’s andowner financing availableNARRAGANSETT! City living at its best Let stake a look at this lovely 2 bedroom Owner fi¬nancing Ready for moving in. Mid $80 s CalltodayGARAGE. BALCONY and a large back yard area few of the amenities of this 2 bedroom homepriced in the upper $40's.COOPERATIVESSPACIOUS, hi-rise co-op with great east-westviews, 2 bedroom, 2 baths, foyer and formal din¬ing room 24 hour security near UC bus Mid$50’s.NEAR CAMPUS, one bedroom co-op lots ofbeautiful wood, built-ins, modern appliances,lovely courtyard building, affordable living, unitmoderately priced Low $30 sBUILDINGS• 6,000 sq. ft zoned B2-4 plus 26 apt $405,000• East Hyde Park Blvd., 18 units. Owner financ¬ing available $325,000• 6lst and Drexel. 24 units Investor's invited.$165,000.We have an excellent selection of prime list¬ingsCali today for your personal copyHILO REALTY GROUP1365 E. 53rd St.955-1200The Chicago Literary Review, March 12, 1982 — 233.89 Presents A Sale On Every CBS Jazz RecordSeries 5.98 reg. 4.98 now 3.898.98 7.38 5.849.98 8.18 6.49Some of the Artists included in this sale areLouis ArmstrongArthur BlytheDave BrubeckStanley ClarkeMiles Davis George DukeCharles EarlandMaynard FergusonRodney FranklinDexter Gordon Herbie HancockFreddie HubbardBob JamesHubert LawsRamsey Lewis Thelonious MonkTom ScottWoody ShawLonnie Liston SmithWeather Report Sadao WatanabBillie HollidayBessie SmithDuke EllingtonCount BasieMRCLRUMILES DAVISCO Solo Monk BILLIE'S BLUESTHE ORIGINAL RECORDINGSBY BILLIE HOLLIDAYincluding:I'm A Fool To Want YouGlad To Be Unhappy /SummertimeAm I Blue? Billies BluesCO <J>CO TIMEOUTTHE DAVE BRUBECK QUARTETFEATURINGTAKE FIVE/BIUE RONDO A LA TURKSTRANGE MEADOW LARKTHREE TO GET READYKATHY S WALTZ/EVERYBOOY S JUMPINPICK DP STICKSU*.VMILES,Sketchesof Spainarranged and conducted byGh6 vans WEATHER REPORTincludingorange lady /milky wayIMBRELLAS/EURYDICE/MORNING LAKECO andCBS Recordsinvie you loPlay >1.000.000Music Match-UpPick up Music Match-Up game cards atKrticipating 7up retailers and you couldone of 90,000 lucky people to win 14) to•even CBS Records or Tapes. MILES DAVISROUND ABOUT MIDNIGHTCO 10 RAMSEY LEWIS"UVE AT THE SAVOY"including:You Never Know/Sassy Stew 'CaHin Failin’CD Special y-PncedQJ4LRHYTHM & BLUESFeaturing:Chuck Willis Big May belleSc-eamm Jay HawkinsSmiley Lewis The Ravens asy-rriceaCWrJAZZFeaturing:Arnett Cobb/ Little Johnny Griffin*d Rodney/Ahmad Jamal 'Wild BUI («JMNr . SOULFeaturing:Major LanceBilly Butler And The EnchantersWalter Jackson / Artlstics/VibrationsCD Specially-PricedaaCHICAGO BLUESFeaturingJohnny Shine s'Big Joe William*McKinley Morgenfield (Muddy Waters)Roosevelt Sykes (The Money Dripper)Victoria Spivey A Her Chicago FourCDTHE NEW YORK MONTREDXCONNECTONInrtM’lngOrnithology/Rofcmds/Hot Houseto «r,.as GEORGEDUKEDREAM ONincludingShme On/I Will Always Be Your Frier dDream On/Vou/fbde On Love10 WYNTONMNRSUISFstherTimeIII BeThare WhanThe Time I* RightWho Can I turn To(When NobodyNeeds Mel10 WEATTCR REPORTVotceno For Hee/Ciarent AftaarsDara Factor On*/When It Was NowDora Factor Two1444 E. 57th • 684-1505Spin-It Now, Spin-It Later, But Spin-It!