Vie w points— Grey CityAn interview withKing Crimson’s Adrian Belew— centerspread - States’ Mightspage five-The Chicago MaroonVolume 91, No. 41 The University of Chicago ©Copyright 1982 The Chicago Maroon Friday, March 5, 1982Currie, Ewell clashin debate over factsPHOTO BY WILLIAM MUDGEState representative Barbara Flynn Currie and Raymond Ewell square off in an angry debate in IdaNoyes yesterday afternoon.Hospices: a home for dyingBy James ThompsonThe traditional Western medicalethic of prolonging a patient’s lifeas long as possible is being broughtinto question today by a new con¬cept in patient care. Realizing thatdeath is inevitable for everyone, agroup of Hyde Park doctors,clergy, social workers, nurses andvolunteers have dedicated them¬selves to organizing and runningChicago’s second hospice pro¬gram, dedicated to care for ter¬minally ill patients and their fami¬lies.The word “hospice” is derivedfrom an ancient term meaning awaystation for travelers, similar tomany run by religious orders inEurope during the Middle Ages.Those institutions eventually de¬veloped into service organizationsdedicated to caring for the ill anddying poor during the nineteenthcentury.Despite this long tradition, themodern hospice is looked upon as aradically different form of patientcare. Its main goal is not to prolonglife through further medical treat¬ment, but to make the patient’s re¬maining days as physically andemotionally comfortable as possi¬ble.The Meridian Hospice wasformed in March 1981. Drawing onthe experience of a previous at¬tempt in 1977-1978, the group of vol¬unteers quickly developed a pro¬gram to serve the needs of thisarea. In the year since its Incep¬ tion, it has changed from a loosegathering of individuals to a func¬tional community organization.“Hospices exist so a patient canlive his last days in comfort in themidst of his family and lovedones,” said Ruth Ultmann, Presi¬dent of Meridian.She also stated that the hospiceencounters no antagonism fromphysicians. “Our service exists toserve after the patient accepts thathe is terminally ill with the consentof his doctor,” she said. “We onlyaccept patients whose lives cannotbe usefully prolonged. Therefore,it is crucial that the physician ap¬prove of the patient’s choice.” Ult¬mann added that the patient musthave a reference from a physi¬cian.Lyn Fozzard, a Billings Hospitalnurse and research associate, saidthat the hospice accepted its firstpatient three weeks ago. Its pa¬tients will be drawn from the areabetween 47th and 87th streets, Cot¬tage Grove Avenue and^he Lake.Fozzard was instrumental in or¬ganizing the group last March, andspends many hours a week in ad¬ministrating the program.“The uniqueness of the programwhich distinguishes a hospice froma hospital has several aspects,”said Fozzard. “We will be treatingboth the patient and his family.The team that works here is inter¬disciplinary, meaning that wehave a wide variety of specialiststhat can treat nearly any prob¬ lem.”In addition, Fozzard said thatone of the most important aspectsof the hospice system is the pa¬tient's involvement in the decision¬making aspects of the program.The patient and his family canhave a large or small role by aUtending the weekly staff meetings,where the doctors and othermembers of the hospice staff de¬cide on treatment.Continued on page 24 By Darrell WuDunnState Rep. Barbara Flynn Currieand State Rep. Raymond W. Ewellexchanged strong accusations yes¬terday in their first head-on debatein the race for state representativefrom the 26th Legislative District.Both candidates are running in theDemocratic primary March 16.Each candidate made an open¬ing statement before questionswere posed from the panel and au¬dience. In his statement, Ewell de¬fended himself, his record, and hissupporters against Currie’s recentcharges. He said that he came tothe district “in peace” and “mar¬ried to the interests” of the dis¬trict. “No infidelity in that rela¬tionship exists.”He said, however, that he hasbeen “met by conspiracy, cold lies,half-truths, misrepresentations,fraud, and artful deceit.”He demanded from Currie proofof her charge that former candi¬dates Anthony Elliot and PhyllisHubbard were “pulled" from therace by Democratic committee¬men in order to improve Ewell’schances of election.Ewell also defended his votingattendance record. Committee¬man Alan Dobry, a Currie support¬er, has circulated a sheet statingthat Ewell has an absence rate onroll call votes in 1980 of 53 percent.Ewell, however, presented a letterfrom the Office of the Clerk of theIllinois General Assembly thatstated Ewell had an absence ratingof 18 percent for last year. Currielater responded, "I am pleasedthat things are improved.” Ewellsaid that over the 15 years in the Il¬linois House, he has been absentfor only 13 percent of the roll callvotes.Ewell also called Forbes She¬pard, Currie’s campaign manager,a “liar” for his “attack” againstState Senator Richard Newhouse,24 hr study center opensBy Anna FeldmanHarper Library will be open 24hours a day during March 11-15,the weekend before finals week,for the benefit of students prepar¬ing for exams.Students will also have 24-houraccess to the computation center.Reserve materials will be avail¬able at all times, and after 9:30p.m. on Thursday, Saturday andSunday night, may be checked outuntil 9:30 a.m. the next day. TheHarper coffeeshop w ill probably beopen only during its regularhours.A mini-bus will leave the libraryevery half hour from 1:30 a m. to6:30 a.m. It will run the A-route at1:30, 3:30 and 5:30; the B-Route at2, 4 and 6; and C-route at 2:30, 4:30and 6:30; and the D-route at 3 and5.As usual, umbrella coverage willbe available to students calling se¬ curity at 753-2211 or from white se¬curity phones. Also, a second secu¬rity guard will be on duty outsidethe library.The extended hours for both thelibrary and bus service are beingsponsored equally by Student Gov¬ernment and Dean Smith.SG President Clark Campbellsaid that the project is “in re¬sponse to concerns voiced in stu¬dent government...for the need fora 24-hour facility.” In the past, hesaid, SG has made attempts tokeep some part of Regenstein openall night, but the attempt hasalways created some “monumen¬tal problem.”This year, students who supportthe idea are especially urged tocome. “It’s a real worthwhile ser¬vice,” said Campbell. “Studentsare going to pull all-nighters any¬way, whether there’s a libraryopen or not.” a Ewell supporter.“Barbara Flynn Currie hasmade allegations, and she hasbrought no proof,” Ewell said. Hesaid that by this Saturday, if Cur¬rie does not present proof of hercharges or if she does not apolo¬gize, “then I shall come in war andit shall be a bloody war. It shall bea war that will leave us all in sham¬bles, but my good name shall notbe slandered.”In her opening statement, Curriestood by her charge that Elliot was“pulled” by the party committee¬men. Furthermore, she demandedapologies from Ewell for hischarge that Currie accused Elliotcf lying because he was black Shedefended Shepard's statementssaying they were made based onrecent research into the legislativerecord and digest, on Ewell’s re¬cord during the past few years.Currie said her politics are “notthe politics of machine control”and that her opponent has alwaysbeen “part and parcel of the Regu¬lar Democratic organization,a.k.a. the Machine.”“People who support BarbaraFlynn Currie,” she said, “supporther on the basis of independence,on the basis of record.” Currie saidthat she has been “a leader in thefight” to restore day care centersfor working mothers, to improvepublic aid, general assistance, forprogessive reform, reform of pa¬tronage system, and election sys¬tem, and for the ERAAfter their opening statements,the candidates fielded questionsfrom the panel.Currie and Ewell were askedwhat each thought was the mostimportant issue for the people ofthe 26th District.Both candidates agreed that re¬presentation was the most impor¬tant issue concerning the people ofthe district. However, they clearlyheld different views on what wasmeant by representation.“This district is 80 percentblack,” said Ewell, “perhaps weought to have a black representa¬tive.”Currie said. “It is not necessary’for a black to best represent thisdistrict.” She stressed “responsiverepresentation,” based on the vot¬ing record.“What counts is whether an indi¬vidual, Black or White, male or fe¬male, is independent of the politi¬cal apparatus and is prepared torepresent the best interests of thepeople who send them there,” Cur¬rie said.Ewell, however, elaborated onthe question of independence. Hecharged that Currie is a member ofthe Independent Voters of Illinois-Independent Precinct Organiza¬tion (IVI-IPO), a party “ma¬chine.” “Not one time did she goagainst IVI,” he said.Continued on page sevenUniversity of ChicagoStudent GovernmentThe totals below represent the aggregate allocations recommended by theUniversity of Chicago Student Government Finance Committee, approved by theUniversity of Chicago Student Government Assembly, for the summer, fall, andwinter terms of the 1981 -1982 academic year.American Medical Students Association $ 300Anthropology Film Group $ 365*Armenian Student Association $ 200Organization of Black Students (OBS) $e >,109Blackfriars $1 ,380loan $1 ,215Business Students Association (BSA) $1 ,000Chess Team/Club $ 305Chinese Students Association $ 513loan $ ; 25Chinese Studies Students Association $ 224College Bowl $1 ,396College Republicans/College Democrats $ i 170Commuter Coop $ l 555Country/Morris Dancers $ i 524Chicago Debating Society $6 i,500*Delta Sigma $ 103E. F. Clown $ 348University Feminist Organization (UPO)/ $ 885Primavera loan $2 :,500*Focus on the Conflict in Ireland (F.O.C.I.) $1 ,000Festival of the Arts (FOTA) $4 *oCMOGay/Lesbian alliance (GALA) $ 701loan $ 50Greek Students Association $ 628Hispanic Cultural Society $ 906Graduate History Council $ 375Humor Magazine $ 429Hunger Concern Group $ 70Ikebana $ 207*Inquiry $ 674Organization of Latin American Students $1 ,104Linguistic Circle of Chicago $ 420U of C Little League Club loan $ 180MARRS $ 156Medical Students Section $ 210MEI Association $. 250Student Association for the Center of loan $1 ,230Mid Fast Studies $ 735*U of C Model U.N. $ 75 Student National Medical AssociationPocket PoeticsRecoveryRomance Language ReviewSalisbury Geography CircleSex Anarchy PartyStudent GovernmentSG Academic Affairs CommitteeSG Activities CommitteeSG Community Affairs CommitteeSG Election and Rules CommitteeSG Finance CommitteeSG Minority Affairs CommitteeSG Student Services CommitteeU of C Symphonic Wind EnsembleS.T.E.P. TutorsTaiwanese Students AssociationGraduate Committee on the Studyof WomenWHPKWomen’s UnionDeficit from 1980-81 $$loan $$$$ 10049534065155250loan $7,200$4,864$ 695$2,500$ 130$ 609$ 550$ 100$3,885$1,340$ 239$ 59$ 93$6,717$ 747$6,500Finance Committee MembershipJeff Elton, Treasurer (1st year, Business School)Joe Griffin (3rd year, Law School)George Kampstra, Chairman (2nd year,Relations)Any Klevorn (2nd year, College)Ann McCabe (2nd year, Public Policy)Nora Naughton (4th year, College)Erika Smith (2nd year, SSA)Rick Szesny (3rd year, College)Irene Conley (Director, Student Activities Office)Student GroupsGroups that have received funding through the SGFC:Receipts dated before March 15th not received by theStudent Activities Office auditor by April 1st will notbe honored.Asterisks Indicate Funding For The Entire Academic Year2—The Chicago Maroon—Friday, March 5, 1982News in briefHP Coffee Shopfight continuesHarry Verros, former proprietor of theHyde Park Coffeeshop, told the Maroon yes¬terday that although he is “staggered” atthe moment, he will probably go into busi¬ness somewhere else if he loses his courtbattle to save the coffeeshop.Verros said the way Baird and Warner,the owner of the building where the coffee¬shop is located, had conducted the evictionsuit was a “low class”, and that he had been,given only a 24 hour notice to remove theperishables from the premises.Verros said he is going to appeal the Feb.23 refusal to a state circuit court judge to de¬clare a mistrial of an earlier ruling uphold¬ing the eviction of the coffeeshop from itspresent location at 53rd St. and Hyde ParkBlvd.Verros said he owes $60,000 on the coffee¬shop equipment, but that he told Baird andWarner “to go to hell” when they proposed a20-day grace period to sell the equipment inexchange for his agreement to not appealthe Feb. 23 decision.Verros said he will know within a weekwhich of his two attorneys is going to handlethe appeal.“I’m just fed up,” said Verros. “It’s notthe money anymore. Now the question is Dowe have a democracy, or don’t we?”1C ridership upAlthough precise figures will not be avail¬able until next week, ticket agents for the Il¬linois Central Gulf railroad have reportedthat there are “a lot more” riders since thenew lower fares went into effect, accordingto Peggy Kent, manager of public informa¬tion for the Regional Transit Authority.Beginning Monday, commuters who ridethe ICG will be given another fare break inthe form of lower shuttle fares on buses toand from the ICG stations. Riders who show their current weekly or monthly ICG passwill have to pay only sixty cents for theirride. Both the lower ICG fare and the lowershuttle fare are part of a three-month ex¬periment to reduce congestion on the CTAand to increase ridership on the ICG.“Members of the community came for¬ward to ask us to cut the fares so that thefares on the CTA and the ICG would beequal,” said Kent. “Since that would notwork, we reached a compromise.“Now it is up to the people, if they willswitch from the CTA, which is overcrowded,to the ICG, which is underused. If enoughpeople start to use the ICG, we will be ableto take some buses off the CTA route, whichwill save the RTA money.”Kent also said that reports that two subur¬ban RTA board members Jerry Boose andGene Leonard, were opposed to the fare cutswere untrue.“They had a lot of questions and wantedmore information; they weren’t sure (thecuts) were a good idea in these times. In theend, they agreed to go along with the de¬creases for the three-to-six month trialperiod, at the end of which they want to takea good hard look at the results and seewhether the fare cuts have worked.”Boose and Leonard had originally askedthe RTA’s general manager to investigatethe possibility of halting all service alongthe South Chicago line, but the RTA officialsthought that the increased CTA servicewhich would be needed in the areas alongthat line woule negate any savings the shut¬down might bring. Without the South Chica¬go line, Hyde Parkers would be able to catchthe ICG only at the 59th Street station.New mini-bus routesStarting March 8, the “slightly” revisedmini-bus routes and schedules announcedthree weeks ago will take effect. The routeswill be used through June 12.The need for changes in the routes andschedules was recognized in the fall because of overcrowding on the B and C buses.The A, B and D buses will run on the hourand half hour. The C bus will run on thehour, and 20 and 40 minutes after the hour.Under the new plan, the A bus will gonorth to 53rd St. on Ingleside and Drexel andsouth on Cottage Grove to resume its usualroute. The B bus will no longer run on Black-stone or Dorchester north of 53rd St. or on E.SG protests aid cutsTo the Editor:The following is a resolution which waspassed by the Student Govenment Asse¬mbly. Copies of this resolution have beensent to Illinois’ US Senators.To the Student Body and to Senator Percyand Senator Dixon:The Assembly of the Student Governmentof the University of Chicago wishes to stron¬gly affirm its support for the various educa¬tional loan assistance programs sponsoredby the Federal government of the UnitedStates. The need to express this support isresultant from what we view as devastatingchanges in the Guarenteed Student Loan(GSL) and the National Direct Student Loan(NDSL) programs proposed in the 1983 U.S.Budget.We advocate the maintenance of theseprograms in substantially the same form asthey are at present, with provisions forkeeping up with the rapid increases in thecost of education. We do recognize thatthere have been some abuses of the variousloan programs but feel that the benefits tostudents and society on the whole far outweigh any negative aspects.Some of the recommended changes haveinvolved the payback of interest on loans bystudents while they are still in school. Wefeel that this would be a ridiculous solutionto the problems of the program, requiringstudents to make payments on loans whileattending school only further lessens theirability to meet staggaring educationalcosts. Hyde Park Boulevard, and the D bus will in¬stead cover part of these areas. The C busroute to the Shoreland will be more direct,no longer making the loop around Kenwood,54th St. and Harper Ave.Copies of the new schedule are printed inthis week’s Chicago Chronicle, and in an ad¬vertisement in today’s Maroon.In sum, the Assembly as the elected rep¬resentatives of the graduate and undergrad¬uate students of the University of Chicagohopes that you as the elected representativeof the State of Illinois voices strong supportfor an issue that directly concerns and canbenefit your constituents and the nation as awhole. The educational Loan Assistanceprograms are needed and must remain in afunctional form if they are to be of any realuse at all.Clarke CampbellPresident of the Student GovernmentHaymarket correctionTo the Editor:An article I wrote in the February Hay-market on the Currie-Ewell race containeda major inaccuracy. Sincy Haymarket willnot be published again before the primary. Iwould be grateful if you would help set therecord straight.The article stated that Barbara Curriesupported a Democratic congressional mapin the legislature which provided for onlytwo black congressional districts. WhileCurrie did vote against a Republican mapwhich had three black congressional dis¬tricts, she never voted for the Democraticmap, since it was never voted on. Instead.Representative Currie sponsored the IVI-IPO congressional map, which preservedthree black districts.All these map votes get confusing, but theerror is completely inexcusable. I apologizeto Representative Currie.Curtis BlackLetters—EXTENDED HOURS—FOR HARPER LIBRARYHarper Library will be open from 8:30 A.M.Thursday, March 11, until 5 P.M. Friday, March12th. Twenty four hour operation will resumeSaturday, March 13, at noon, and continuethroughout Monday until midnight.One bus will be running each of the routesalternately every half hour, beginning at 1:30 A.M.on the nights given.Funded by SGFC and the Office of the Dean of the CollegeThe Chicago Maroon—Friday, March 5, 1982—3——————a EditorialJ L J 11 Ojf }oJUL TljJ —jKeith HorvathCatania for Lt. Gov.is best vote this yearIt might not occur to a lot of voters that the future of the Equal Rights Amend¬ment may depend on who wins the race in Illinois for Lieutenant Governor thisyear. But despite the apparent unimportance of the Lieutenant Governor’s posi¬tion, the right person in the job may make a big difference for women’s rights inAmerica. And the right person for the Lieutenant Governorshop of Illinois is Re¬publican State Representative Susan Catania.Catania has our full and hearty support in this race, as she has had in manybattles of her legislative career. Often, when other politicians, Republican orDemocrat, “machine” or “independent,” have been entangled over the politics ofa specific vote, Catania gives priority to the issue. She has voted with her con¬science on many issues, when voting the party line would have been an easier andsafer route.While many of her causes have been unpopular or at least politically dangerous,she has won many battles. Her success in issues so important to women, such as adomestic violence act, has been truly impressive. On other issues important toher constituents, such as mass transit support and funding for health care, shevoted according to her positions despite their unpopularity with party’s lead¬ers.One issue in which she has not had success would be greatly helped if she wereto win this usually unimportant race. The passage of the Equal Rights Amend¬ment has been thwarted in Illinois, and therefore in the country, because of aunique rule requiring a 3/5 vote of the Illinois house to ratify any amendment.Governor Thompson has always given only passive support to the ERA, whileboth of Catania’s opponents have done much to defeat the necessary rule changein the house.A victory or even a strong showing by Catania in the March primary would domore to help the chances of ERA in Illinois and in the country than any action stillavailable to voters before the amendment’s June 30 deadline. ERA opponents areaware of this fact, and they have mounted a large campaign to defeat Catania thistime. The head of the Chicago area STOP-ERA forces told the Reader last weekthat “this election is an ERA referendum; if she wins, they’re going to say ERA isalive.”Catania’s years of courageous and compassionate service would be more thanenough to earn her our endorsement in this race. The significance that the racehas now taken on is what leads us to urge all progressive voters to choose theRepublican ballot in the March primary. For many Democrats, there is no prob¬lem in this action, for in many districts, there are no Democratic primaries thisyear. But in a large part of Hyde Park, the race between State RepresentativesBarbara Flynn Currie and Raymond Ewell may keep some Democrats from vot¬ing for Catania, for voters can only vote in one party’s primary. .The Currie-Ewell race has revolved around a great deal of heated rhetoric deal¬ing with race and representation, and none of it has been impressive. We havealways supported Currie in her past races, and for Democrats who must stay withthe party, we would recommend the same once again. Currie has put together afine legislative record for the past six years, one which has often been defiant ofthe city’s regular Democratic organization. But she has rarely shown indepen¬dence from the Independent Voters of Illinois (IVI), even in the instances whenthis group’s views were clearly wrong, as in the case of re-apportionment. Heropponent, Raymond Ewell is a far more impressive candidate than some indepen¬dents would have us think. His attendance record is not poor as has been repre¬sented, and his record is neither conservative nor doggedly pro-machine, as Cur¬rie has claimed. But his stands in favor of capital punishment, and his proposalsto allow a woman’s sexual history to be used in a rape trial, or to allow a defen¬dant to be tried in absentia lead us to support Currie in this race.Still, we feel that voters who want to have their vote count, #nd who want tosupport a candidate whom we endorse without reservations, should ask for theRepublican ballot on March 16, and vote for Susan Catania.4—The Chicago Maroon—Friday, March 5, 1982 RememberanceReturning gift of joyBy Daniel BrumbergWhen I was an undergraduate at IndianaUniversity, I used to visit Chicago, and onmany of these visits I would stay with Ar-cadius Kahan and his family. It wasn’t thefirst time I had met him, as our families hadbeen close friends for many years. Indeedthe histories of the Brumbergs and theKahans were intertwined in three genera¬tions — reaching back to my grandfather’swork with the Kahan family at the MedemSanitorium in Poland. But it wasn’t until1975 that I had the opportunity to really getto know Arcadius.I was under the impression then — an im¬pression that stayed with me until I came tothe University of Chicago last year — thatArcadius was part of my family. What otherexplanation was there for a man who fromthe moment he met you, wrapped his soularound you? Who cared about you and want¬ed to help you in every way he could? Whoadopted you as if you were his own son —and did so in such a natural and unassumingway that you would believe he was a closerelative?In reality of course, Arcadius’s real fami¬ly was small, so many having met a tragicfate in Eastern Europe. But because he nat¬urally and effortlessly exuded a warmth andcaring for people that far out reached that ofany man I have ever known, he managed tobring many of us into his family. His “mish-pocha,” as is said in Yiddish, included theyoungest primary pupils with whom hewould spend hours helping with their assign¬ments, to the most illustrious professorswho sought his scholarly advice and sup¬port.To put it most simply, and most poignant¬ly, Arcadius spent his whole life giving toothers. From his work in the Jewish social¬ist movement, the Bund, to his days workingin the Displaced Person camps in Germany,to his career at the U. of C., he poured hisvery existence into our lives and embracedeveryone around him.And he did so in a way that made each ofus who got to know him feel that our’s was aspecial and exclusive relationship — that noone else could possibly share in the intimacyand the warmth that we had with him. Yet Iknew, (although sometimes I preferred tothink otherwise) that the intensity and lov¬ing that characterized his “adoption” of mewas equalled in many other relationships,each as strong and as close as the next.I cherish the memory — which everyonewho knew' him can in some way share — ofsitting with Arcadius in his car after an eve¬ning at his place. “How,” he asked me as hefilled his pipe,” are things going?” Whatcan I do for you?” I answered the best Icould, and by the time we finished talking Inoticed some 50 minutes had passed. Andthis scene repeated itself time and timeagain. Often I would see him on campus andI would begin making some small talk, onlyto have Arcadius politely and kindly inter¬ rupt. “All right. But what about YOU? Whatare you doing?” he would ask.What, one might also ask, was Arcadiusdoing? And where did he get the time be¬tween helping others, to do it? After all,there were only so many hours in a day anddays in a week! He never talked about him¬self though. He was an extremely privateman about his own remarkable accomplish¬ments. What one knew most about Arcadius.because one could see it in the shining of hiseyes, in his humor and the warmth of hissmile, was that he loved his life with a zealthat was difficult to match.And most remarkably, this zeal was notthe product of a great labor or conscious ef¬fort. Nor was his concern for other an exer¬cise in self-appreciation or aggrandizement.His warmth and friendship were as naturaland as effortless as the shining of the starson a clear night. He was truly a moral anddecent man. This was why even the shortestencounter with him was a delight and whyso many looked forward to being with him.My last time with Arcadius was two weeksago at Hillel. He was pouring some tea andtelling the same joke I had heard him tell somany times about the Israeli prime minis¬ter who, when asked if he wanted tea or cof¬fee replied: “Half and half please.” Arca¬dius came up to me, addressing me in myYiddish name “Da-ni-el.” He was smiling inthat wonderful loving smile that radiated somuch joy and could soothe the most troubledspirit. And I remember thinking, as I sooften did when I was with him, that here is aman who has loved his life and everyonearound him, and how lucky I have been to behis friend.Arcadius KahanThe Chicago MaroonThe Chicago Maroon is the official student newspaper of the University of Chicago. Itis published twice a week, on Tuesdays and Fridays. Editorial and business officesare located on the third floor of Ida Noyes Hall, 1212 E. 59th St. Chicago, 60637. Tele¬phone 753-3263. Business office hours are 9:30 to 4:30, Monday through Friday.Henry OttoBusiness ManagerJay McKenzieAdvertising ManagerLeslie WickOffice ManagerCharlie MencerProduction ManagerAssociate Editors: Robin Kirk, News; William Rauch, Copy editing.Staff: Edgar Asebey, Lee Badgett, Mary Bartholomew, Sheila Black, David Blasz-kowsky, Kahane Corn, Wally Dabrowski, Jeff Davitz, Teri Drager, Bill Fitzgerald,Sue Fortunato, Cliff Grammich, Margo Hablutzel, John Herrick, Vicki Ho, Keith Hor¬vath, Robert Kahng, Wayne Klein, Bob LaBelle, Linda Lee, Chris Lesieutr’e, KathleenLindenberger, A1 Novotne, Bob Nawrocki, Koyin Shih, Donna Shrout, Daniel Staley,Jeff Terrell, James Thompson, Bob Travis, Aili Tripp, Nick Varsam, Sheila West¬moreland, Jeff Wolf, Anna Yamada.Chris IsidoreEditorRobert DeckerManaging EditorDarrell WuDunnSenior News EditorAnna FeldmanNews Editor Sherrie NegreaFeatures EditorAudrey LightSports EditorWilliam MudgePhotography EditorDavid BrooksViewpoints Editor Richard KayeGrey City Journal EditorBecky WoloshinLiterary Review EditorErin CassidyLibrarianAarne EliasDesign DirectorViewpointsStates ’ rights could be equal to the states ’ mightby Daniel BrumburgI am disappointed the Reagan administration has notconsidered whether the Federal Government is truly quali¬fied to prescribe defense policies to the States. The “NewFederalism, as it is politely called, must consider twoquestions: First, do bureaucrats sitting in the Pentagon andState Department understand the defense needs of states asremote as Oregon or cities as different from the Capitol asLittle Rock? Two, could local and state entities allocate re¬sources and spend funds more efficiently than federal au¬thorities? In other words, would it appear to return defenseto the states?This question is surely not as ludicrous as it would seem,given the kind of profound thinking and “revolutionary”spirit that pervades Washington these days. For when onelooks at the massive defense budgets and the dubious deci¬sion to build weapons such as the B-l Bomber, it indeed ap¬pears possible that the Indiana State Assembly might do abetter job of protecting its own security interests thanUncle Sam. In fact it might be time that the President an¬nounce to the Congress a “New National Interest.”There are, of course, reservations to be made concerningthis policy, a few of which need mentioning. How, for ex¬ample, will relations with NATO be conducted? Should eachstate send its own troops — a Virginia battalion in Ger¬many, an Ohio detachment in Italy and a Vermont battalionin England? Will Washington D.C. be permitted to send adetachment, or perhaps, in the spirit of “Home Rule” itshould be permitted one soldier with an unloaded rifle?What about intelligence gathering activities? Certainlythe New Federalism would require that the CENTRAL In¬telligence Agency (emphasis mine), which has always beendominated by Ivy League schooled liberals, be decentra¬lized and intelligence returned to the states? Mississippiwould therefore have its own agency, which would have tomake arrangements with 49 other states to share informa¬tion. And what about Alaska? Is it sensible to establish adecentralized intelligence agency in a state so close to theSoviet Union?The last question brings up the most sensitive issue —strategic arms. Leaving aside for a moment the stickyproblem of how 50 states will conduct SALT negotiations,we must consider the problem that this country’s deterrent capability is located in the Midwest, and much of it in Ne¬braska. Does this not pose a danger of a first strike to otherstates? Should they develop their own first and secondstrike capabilities? But how will Massachusetts, which canbarely pay for its public schools, be able to develop a suit¬able MX system? Maybe MX missiles could be somehowhidden on top of Boston’s public buses, to fool the Nebras-kians and thus assure stability? But Boston's bus system isalso running out of money.Perhaps then the concept of returning defense to thestates is a little excessive *7 I am aware that by posing thisquestion I am abandoning a revolution which has swept thenation and which promises to “put this country back on itsArkansas Airforcefeet.” After all, the President has said, “We are Ameri¬cans.” I won’t oppose this piece of wisdom, but it might besaid that there are certain principles in this country whichtranscend more local and narrow interests and which canonly be defined and protected by a strong central institu¬tion, responsive to the notion of “the public good.”After all, this was to some extent what the Civil War wasall about, was it not? The often heard retort to this piece ofAmerican liberal rhetoric is that America is a “very dif¬ferent place” than it was 115 years ago. Yet there is everyreason to believe that given half the chance, certain stateswould reimpose prayers in the schools, make it difficult forblacks to vote, put women back in the home, and segregatetheir schools under the provision, of course, that they be“separate but equal.” Can a man like Jesse Helms, whorepresents a state whose governor raised the Confederateflag over the State Mission several years ago. be trusted toprotect the rights of those whose misfortune it is to beblack, poor or in a business other than growing tobacco*7Indeed it might be argued that almost every inch of pro¬ gress this country has made in the areas of civil and humanrights has been made by the federal government, and oftenat the expense of men like George Wallace and JesseHelms, and the interests they represent.Sadly enough, the recent decisions of the Reagan admin¬istration suggest the federal government is abandoning itscrucial role: The decision to give racist private schools taxexemptions, only reconsidered after a public outcry; theobvious coolness to the Voting Rights Act, and the recentdisgusting treatment of Haitian refugees, all suggest an ad¬ministration which is insensitive to the needs of minorities,and perhaps even racist. ,How else does one explain the treatment of these poor ref¬ugees, who have been imprisoned like criminals in “Feder¬al Internment Camps” in Florida? Many of them have be-Minnesota Marines landingon a northern Indiana beachcome sick as a result of being given unsanitary w ater, andsome of the men have actually grown breasts, most likelyas a result of being fed estrogen to reduce their sex drive.(Sex is forbidden in the camps, even for married couples.)The situation is so horrible that the State Department offi¬cial sent to represent his department at one of the campsresigned in disgust.Perhaps I have exaggerated? It may well be that Mr.Reagan thinks all Americans are men and women of goodwill, who if given the opportunity will make his “New Fed¬eralism” work for everyone. But the danger is that no mat¬ter how good his intentions may be. some of our citizens willhoist the banner of “States' Rights” to drive this countryback to a time when states printed their own money andmaintained their own defense. Since 1776 however, thiscountry has banded together, and slowly but surely devel¬oped a notion of the "public interest” whose continued pro¬tection is as vital to our security as is the defense of our“national interest.”Daniel Brum berg is a graduate student in the Depart¬ment of Political Science.Creationists represent more important principleBy George KocanThe State of Arkansas passed a law requiring the teach¬ing of creation science in its public schools. The AmericanCivil Liberties Union (ACLU) subsequently sued, averringthat such a law violates the establishment clause of theFirst Amendment. The presiding judge agreed with theACLU and consequently thwarted enforcement of thislaw.This case reflects an important controversy in education,in which, unfortunately, the creation science side has notbeen given a hearing, as far as readers of the Maroon areconcerned. My argument in favor of Arkansas’ law, howev¬er, is not a defense of creation science per se but an appealto a greater principle: that people must be permitted toteach and learn that to which other people — even theACLU — might object. This principle forms the basis of Ac¬ademic Freedom and the First Amendment, of even repre¬sentative government itself. It is a principle embracingfairness and open-mindedness; while its negation consti¬tutes, among other things, a dangerous example of anti-in-tellectualism.I must first of all dispose of an ambiguity concerning thedefinition of creation science. Contrary to the implicationsof many stories in the media, proponents of creationscience do not advocate using the Bible in classrooms in theplace of biology texts. Creation science should be under¬stood as a critique of evolution in non-religious terms. Whatits proponents maintain is that the evidence for evolution isnot very good. Instead, the evidence shows, to them, suddenappearances of major life forms, which are stable and dis¬continuous Spokesmen for this view are so confident abouttheir position, that they are willing to debate the issue pub-liclv with evolutionists. They also complain that evolution¬ists tend to avoid debating with them in public. Neverthe¬less the explanation that they give to such suddenappearances of life forms is an interference called “specialcreation.” It is a view that should attract and not repelmany scientists, especially those that might regard them¬selves as empiricists or positivists. I want to emphasize again, however, that my argumentdoes not rest on my evaluation of this theory's merits. Onthe contrary, I am unashamedly an enthusiastic studentand advocate of Darwinism. Creation science must betaught on an equal basis with evolution because the statehas no rightful power to decide what is a good theory, or abad theory, whether it is empiricist, or rationalist, or posi¬tivist, or creationist, or whether or not it flunks a test ofwhat somebody thinks is a religion.Ironically, this very same notion was somehow usedagainst the Arkansas law by Divinity Prof. Langdon Gil-key, when he stated in a Maroon interview that “whatscience is, is up to the scientific community.” At least, thatis the only way I could imagine to interpret it: that an out¬side agency such as the state should not be permitted to dic¬tate the course of scientific inquiry. (But, on the other hand.I might be wrong. Because, if that interpretation was true,the good professor and the ACLU would be opposing gov¬ernment funded research.)Whatever Prof. Gilkey meant, his statement soundedgood. Only, I would like to be permitted to rephrase it, togive it more precision; science is what scientists say it is; itdoes not exist independently of its practitioners and advo¬cates. So, on what basis can a judge decide who are realscientists and who are not? On what basis can he favor evo¬lutionists and not creationists? How could a Court knowwhat kind of scientist to take seriously, especially when oneconsiders that many who claim to be scientists believe andexpress all sorts of strange things.Jungians believe in archetypes, some kind of ethereal,mystical concepts that penetrate and inform every person'spsyche. Freudians believe that each child begins life with awish to commit incest with its opposite sexed parent. Marx¬ists believe in the labor theory of value. Some “quantummechanicsists” believe that certain particles have a finiteprobability of traversing a finite distance in infinitessimaltime; that is, they can disappear from one location and sud¬denly reappear in quite another.And then, there exist those who actually believe that inhumans such things as IQ, sex differences and aggressionare no longer the stuff of biology and evolution. Specif¬ ically. M.F. Ashley-Montagu thinks that evolution took aquantum leap when it produced Homo sapiens, whose ca¬pacity for culture negated the laws of natural selection.This quantum leap theory is obviously nothing but “specialcreation" put into scientifically acceptable terms. So — ifAshley-Montagu can do it, why not Jerry Falwell?One of the many ironies associated with this issue of theCourt’s assigning to science such pre-eminence is the abor¬tion decision of 1973. At that time, the Supreme Court, againfollowing the ACLU's arguments, took an agnostic postureregarding science In the face of embryology and geneticsthe Court said that science does not know when human lifebegins < although, it appears certain that the ACLU said theCourts are confident that it evolved).Prof. Gilkey say irony in the fact that most of the anti-cre¬ationism witnesses were clerics and outside the hardsciences, while many scientists testified on behalf of cre¬ation science. In the light of the foregoing, it should notseem ironic at all. Many scientists, pondering their profes¬sion and its methodology, have come to the conclusion that,in what they do, there exists, ultimately, a kernel of faith —religion. That the Divinity professor did not recognize thisis perhaps the greatest irony.It is obvious to me and should be obvious to the ACLU,which claims to want a high wall of separation betweenchurch and state, that if the state has the power to say whatis science and what is religion, then it can dictate the con¬tents of each and determine what we think. If the power ofthe state, through compulsory schooling, is permitted toforce evolution on people, then it should force creationscience on people. If the First Amendment prohibits cre¬ation science from the classroom, then it must also prohibitevolution. The actual situation now is that the state, thecompulsory public school system, is forcing evolution onpeople. And another great irony is that the ACLU is vi¬gorously taking the role of the censor, while EvangelicalChristians, so successfully stereotyped as home-grown fa¬scists, are asking that the state allow students to decide thiscontroversy for themselves.George kocan is a graduate student in the BehavioralSciences and Human Development.The Chicago Maroon—Friday, March 5, 1982—5I\Manpower RecruitingOur recruiting methods go beyond thetraditional newspaper classified ads and talksto women's groups.We advertise nationally on network-televisionand in leading magazines. But it's not a shotgunapproach. 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MASLOVOptometrist• Eye Examinations• FashionEyewear• All Types ofContact Lenses"Ask about our annualservice agreement.LOCATED IN THEHYDE PARKSHOPPING CENTER1510 E. 55th 363-6100RockefellerChapelSunday9 a.m.Ecumenical Serviceof Holy Communion11 a.m."Reflections on Lent"Bernard McGinnProfessor of New Testamentand Early Christian Literatureand in the Divinity School Mini-bus RoutesMarch 8-June 12The A, B, and D buses runon the hour and half-hour.The C bus runs on the hourand 20 and 40 minutes afterthe hour. All routes start atRegenstein Library; busesleave 6 pm-1 am daily. REVISED MINI BUSSCHEDULE AND ROUTESEffective March 8,1982DO ► OOOO ► OOOO ► DODO ► DODO ► 00. 0 * OOOO * DOOOAAAA ► AAA A ► AAAA ► AAAA ► AAAA ► AAAA ► AAA A ► AAAA » AAAA ► AAAA ► AAAA ► AAAA ► AAA A ► AAA 4J1AAAA ► AAAA ► AAAA6—The Chicago Maroon—Friday, March 5, 1982News AnalysisRecord of confrontation: Currie and EwellBy Chris IsidoreThere are few issues on which the two can¬didates in the race for state representativein the 26th district have been able to hold anopen debate upon. What debate there hasbeen on various votes has centered on whatthe actual position of each candidate is. Yetwhile it may have been lost in a campaigncentered around issues of race and repre¬sentation, there are policy issues wherestate representatives Barbara Flynn Currieand Raymond Ewell offer the voters a dis¬tinct choice.One of the issues is the death penalty.Ewell has stood proudly for his pro-deathpenalty stand. He rejects the argument thatthe death penalty is used unfairly againstblacks.“Opponents always say that most of thoseexecuted have been poor, black, and under-educated,’' he said. “My response hasalways been that most of those who are mur¬dered have been poor, black, uneducated,and dead.” He is one of only two black legis¬lators who have voted in favor of the deathpenalty.While Currie never had the chance to voteon a death penalty bill while in the state le¬gislature, she maintains her opposition tothe death penalty. She is also strongly op¬posed to three other crime issues whichEwell has enthusiastically endorsed. Ewellis in favor of allowing women’s sexual histo¬ry to be introduced as evidence in rapetrials, in favor of allowing repeat juvenileoffenders to be treated as adults, and infavor of allowing the trial of a defendentwho (in absentia) is not present.On most other issues of the campaign, thedebate has centered upon Ewell’s stance onthe issues, not on which* side of the issue iscorrect. For example, on ERA, Curriepoints to one vote two years ago in whichEwell abstained from voting due to politicalconsiderations, as indication that he is softin his support of the Amendment.“I would never not support an issue that is important because my nose was out ofjoint,” Currie said yesterday.Ewell argues that his support of ERA hasbeen consistent, and that he will vote infavor of the amendment the next time it isproposed. But the election will have little ef¬fect on who is present to vote on ERA; bothcandidates will still be serving their presentterm when the deadline on ERA arrives onJune 30 of this year.On the issue of “independence”, the mostspirited debate has taken place. Currie hasmaintained that Ewell closely follows theorders of the regular Democratic organiza¬tion, while Ew'ell denies this. He has pointedto fights he had with Mayor Daley, and hisparticipation in the law suit against thestate remap, as indications of his indepen¬dence.“It is absurd that everytime the Republi¬can governor and the Democratic Mayormake a deal, and 1 happen to be in agree¬ment on a vote, to claim that I am purelyfollowing the party line,” he argued in thedebate yesterday.He in turn attacked Currie as followingthe “party line” of the IVI-IPO. Currie re¬jected the idea of the IVI-IPO as a machine,because it did not control jobs, and did notcontrol its supporters’ lives.The issue which both candidates have spo¬ken about, but which neither will admit tointroducing into the contest, has been theissue of race. The importance of this issueactually only natural.Issues of race were responsible for the in¬dependent split on the South Side earlier thisyear, and it has been over issues of race thatmuch of the political strategy in this race isbased.When it came time to draw the new legis¬lative districts this past year, the racial bal¬ance of the new district was the main sourceof contention betwen the two halves of theindependent movement. Currie insisted thatshe needed a majority of independent votersin the area to win, while Braun could win without the support of Hyde Park and Ken¬wood independents. But the main differencebetween the two legislators, having almostidentical voting records, is that Braun isblack and Currie is white. Many saw Cur¬rie’s claim of needing Hyde Park’s and Ken¬wood’s independents to mean she actuallyneeded Hyde Park’s and Kenwood’s whitesin order to win. When the new district wasdrawn to Currie’s satisfaction, Braun andState Senator Richard Newhouse cried foul.Newhouse said there was a “racist spectre”hanging over the remap, and Braun, Ne¬whouse, and Ewell went to court to have theremap revised.Currie did not oppose their efforts on theCourt suit, but she did not help them either,perhaps concerned that her own districtwhich she had fought for would be lost in theremap. But while she was able to retain heralliance she might haveContinued frompage oneEwell quoted Congressman Harold Wash¬ington as saying “unless you are talkingabout the black independent movement,then you are not talking about the indepen¬dent movement.” He said that, in fact, hewas independent of the Regular Democraticorganization on issues such as the districtremapping and that he was “not bound andtied to the binds of the IVI.”Currie responded that the IVI-IPO is not amachine “in the technical traditional senseof the term. The machine in the city controlsjobs. That’s where its power comes from.”She said that she has not agreed with IVI-IPO line on every bill.Currie said that she believes that indepen¬dence means representing the people, notthe Democratic party, and supporting pro¬gressive reform.On more specific issues, Currie and Ewellagreed that sales tax on food and medicineshould be phased out. Currie said the taxhits the poor people the hardest. Ewellcalled it a “most regressive tax”. Both fa- had with Braun and Newhouse. They arecurrently running a joint campaign withEwell.Race was publicly brought up at yester¬day’s debate, with black members of the au¬dience asking Currie if she thought that shecould represent a district which is 78 per¬cent black. Both Currie and Ewell said onthe record that they believed a white candi¬date could represent the district, but Ewelland his supporters have made clear thatthey do not believe that Currie is sensitiveenough to the black voters to do so.The issues that Currie has pointed to inher defense are social and spending billswhich she has fought for repeatedly allalong. The one issue that Ewell’s supportershave focused on to prove that Currie cannotrepresent the district is the redistrictingcase.vored a gradual phasing out of the taxrather than an outright ban so not to aggra¬vate the state's fiscal hardships.The two candidates took opposing posi¬tions on whether or not state judges shouldbe elected by the people or chosen based onmerit by a panel of lawyers and officials.Currie supports the merit selection ofjudges because she said it ensures that abili¬ty, not politics, is the criterion for selection.She said that party slate makers choosejudge candidates based on what they do forthe party. “The opportunity to elect is aphony one,” she said.Ewell opposes merit selection because hesaid it prevents blacks from gaming judge-ships. In Missouri where such a merit selec¬tion law exists, he said that blacks are notgetting appointed. Since there are fewblacks judges, few blacks are considered forselection.Ewell said that merit selection questions“whether we the people have enough sense.to elect a judge.”The forum was sponsored by The ChicagoMaroon, and will be re-broadcast nextWednesday evening on WHPK. 88.3-FM.district, she lost anvDebatenomtK BOC^WXDstoneAll London - DG -Philips -TelefunkenArgo - Archive - L'oiseau LyreClassical LP's10.98 list Ip s (reg. 8.50) now only $7.456.98 list Ip s (reg. 5.50) now only $4.25($1.25 off regular store price on allother titles except DG Bargain Boxes)Check Us First...We’re the Phoenix(Basement of Reynolds Club) WMK stoeeAt the Phoenix in theBasement of Reynolds ClubMASSIVE BARGAINBASEMENT SALEMany of Our Most PopularTitles Are On SaleNOW ONLY 560Comparable Savings On Other TitlesCheck Us First We’re the Phoenix(Basement of Reynolds Club)The Chicago Maroon—Friday, March 5, 1982—7*ALLFACULTYMEMBERSGATHER AT THEHYDE PARkT|^HILTON.ny day or night with presentation'your faculty l.D. card the bearerreceives:• V2 Price Drinksin our Bristol Lounge andour Restaurants10% Offyour meal price in theLaurel Cafe20% Offyour meal price in theChartwell HouseGood for lunch and dinner only not applicable on Chef’s DailySpecials or Holiday Buffets such as Easter, Mother’s Day etc.* Present your l.D. card to thewaitperson when seated*Also....Think SummerIf you are interested in our 1982 U. ofChicago Faculty Pool Club send in thecoupon to: Carol May, Hyde Park Hilton4900 S. Lakeshore Dr. Chicago 60615Name: .l.D. No..Address.No. of Adults No. of Children.Days most likely to use facility.Clip and mail for Pool Club Info.8—The Chicago Maroon—Friday, March 5, 1982 =2. <£.t _a__—2. J 2-pucicn services anb/ tzexburfCfS■ —■ w 1 w" “3 u~CDoobAY CDAtXb 8CDYAvndr) - ot?jOb)obox 5 30 pcr)upsrAips ooVAr) - caqszxZ'Ji&wfc 7 30 p o')9 30 p.<T). ~ iy— C€OCUtt^Y €0<^u5h)pUQUT) spp‘€L.S-cuesbxv onxzcb 9G>Y&\>r)6)r) (c ^ a.ct)ocoerjer/s 0)1 DY&O y oo A O)biLteL b»ouse • 5^15- oooobiAcor)tTmrnrrmrmircoopHyde Park Coop Your member owned supermarket55th at Lake Park • 667-1444Hours: Mon. - Wed. 9-7:30, Thurs. - Fri. 9-8, Sat. 9-7, Sun. 9-3If you haven’t shopped the Co-op lately, we’d like toremind you of all you will find under our roof: adelicatessan, a liquor store, a home economist, acredit union where you can save or borrow, a bankbranch, and a post office.That’s in addition to more varieties of more foodsthan anywhere else in the neighborhood.If you haven’t been to the Co-op, come in, look usover, and take advantage of our weekly sales-pick upour newsletter at the store and see what thebargains are this week.shortopen monday thru Saturday 7 a m i«. 11 p.m.Sunday and holidays 8 a.m. to 9 p.mcountry’s delightlow-fat co-opconvenience store1514 e. 53rd st.cottagecheese16 oz.reg. 1.1979* chiffonquartered eckrieh beefmargarine hot16 oz. dogsreg. 75* reg. 2.29 lb.2/l## J79v V Californianaveloranges4 lb. bagreg. 2.49891A question of prioritiesSGFC Needs GuidanceBy Kira FosterThe Student Government Finance Com¬mittee (SGFC) has a budget of about 75,000dollars. It receives requests totalling 165,000dollars from 75-100 different student groups.And therein lies a tale. Over the past twoquarters the Finance Committee has madeseveral controversial funding decisions af¬fecting the cultural activities on campus,concerning everything from Homecomingto Inquiry Magazine. As a result the Fi¬nance Committee finds that it has some¬thing in common with the College of the Uni¬versity of Chicago: a bad image. JonathanZ. Smith is planning to solve his image prob¬lem with a "new corporate rhetoric." Onehopes that the SGFC is more sensitive to theconnections between bad images and realproblems. The aim of this article is to dis¬cover just what problems are at the root ofthe SGFC's public relations failure.Our starting point lies at the source of thecontroversy. What are the allegations beingmade by student groups against the FinanceCommittee? What are the experienceswhich back up these complaints? In inter¬views with the representatives of 23 studentgroups the following grievances werevoiced:1) Members of the SGFC are not fa¬miliar with or sensitive to logisti¬cal and organizational problemsfaced by student groups.2) Meetings with the Finance Com¬mittee involve unnecessary humil¬iation and haranguing of studentsmaking requests. In some casesthis friction can take on racist, sex¬ist, or homophobic dynamics.3) The SGFC's concept of groups that"serve the student body as awhole" is unrealistic and runscounter to diversity and experi¬mentation among student groups.4) The Committee's understanding ofspecific student groups, their ac¬tivities, and their past history is in¬accurate and based on hearsay.5) The SGFC's concerns are pettyand its decisions capricious.It should be noted that these interviews withstudent groups were not intended as a sur¬vey of student opinion of the SGFC. Thegroups interviewed were those known to orlikely to have complaints. Out of the particu¬lar experiences and views of each grouparose formidable justification of the abovegrievances. One group was asked to cutdown on telephone and postage by limitingcommunication with its members primarilyto announcements at bi-weekly meetings.FOCI (Focus on Crisis in Ireland) wasforced to string two important speakersalong for almost two months while waitingfor SGFC decisions and appeals. Many groups cited what they referred to as "offen¬sive comments" made by Committeemembers during meetings. E.F. Clown feltthat its funds were cut "just because we aregoofy," and others remarked that the Com¬mittee should be more "consistent and fairin its dealings with special interest groups."In what can only be described as a particu¬larly bizarre instance, the Taiwanese Stu¬dents Association was quite taken abackwhen the SGFC suggested that they workmore closely with the mainland Chinese Stu¬dents Association in order to save on money.Both Inquiry and GALA had complaintsabout the Committee's conception of theirpast history and performance. These areonly a few examples of a large body of com¬ments that gave an overall vision of a Fi¬nance Committee determined to create a ho¬mogeneous and humble student body, to cutbudgets merely for the sake of cutting bud¬gets, and to hoard power and money like agreedy dragon.This report is an attempt to summarizehow the Student Government spends themoney it receives through the Student Ac¬tivities Fee.The following table gives the percentageof the total amount granted ($57,683.25)spent on each type of activity.PERCENTAGE OF TOTAL GRANTSCampus events 40.6%Small Groups 18.32%Ethnic 14.5%SG Maintenance 10.43%Publications 7.14%Large Groups 4.14%Academics 4.1%Community Affairs 0.76%The "Principles of Operation" section ofSGFC's by-laws begins with this para¬graph:It is the policy of the Finance Commit¬tee to use revenues from the StudentActivities Fee to promote opportuni¬ties for entertainment, social interac¬tion, and education of all University ofChicago students.Meeting with the Finance Committee as areporter one finds not a dragon but sevenpeople doggedly trying to carry out thisdirective in the fairest way possible and inthe face of considerable odds. Members ofthe Committee responded to each specificcomplaint of the groups and discussed eachof the five grievances sympathetically andconvincingly. In an attempt to be more sen¬sitive to the logistical and organizational needs of the groups the Committee meetsonce a week to hear requests and oftenspends several hours deliberating in orderto get answers out quickly. It would be diffi¬cult to reproach the Committee for notspending enough time on its duties. Themembers of the Committee were aware ofproblems and misunderstandings caused by"flippant" remarks on their part. AnnMcCab explained, "After sitting for hourslistening to budgets we do get a littlepunchy. We do not mean to be offensive."They feel they have improved in this areaover the last quarter, but recognize that acertain amount of friction is inherent in thesituation. "Some questions may soundsnide, but we really are just confused orlacking information," said Rick Szesny. Asto the concept of the "student body as awhole" the Committee responded that thisphrase was mainly applicable to specialevent funding as opposed to organizationalfunds. Decisions are made to "discourageduplicate organizations" and "with an eyeto diversity." However, the SGFC does takethe size and past history of groups into ac¬count. "We don't fund pet projects," saidNora Naughton.When accused of basing their knowledgeof groups on hearsay the Committee pointedout that its members often attended theevents they funded and that some membershad been involved in student governmentand the Finance Committee for two years.They added that past history does not play"that much" of a role in funding and theCommittee is fairly lenient about deficits asin the case of FOTA.At this point our great controversy seemsto have reduced itself to a lack of communi¬cation between two bureaucratically op¬posed groups of people all doing the bestthey can. But that is not a very satisfactoryexplanation for all the uproar over the issue.The Finance Committee provides two fur¬ther leads, however. When asked why theyhad such a bad public image the Committeepointed to unfair coverage in The Maroonand to pressure from the General Assemblyof Student Government.Clarke Campbell, Student Body Presi¬dent, said that pressure from the assembly"is a good bit of the cause" of the FinanceCommittee's need to grill groups and, thus,of its poor public relations. He also noted thefact that the Committee received more re¬quests for funds this year than last, and thatits budget is pretty much frozen. Campbellalso said that there are elements in the As¬sembly who are opposed to the funding ofgroups that they think are political or to theActivities Fee altogether. These people puta lot of pressure on the Finance Committeeto justify its allocations and often, saysCampbell, "waste everybody's time, buttheir voice is not strong enough to consistently interfere with funding."When asked about the Assembly's relationto political issues Campbell cited its involve¬ment with the Organization to Preserve Op¬portunity in Higher Education. He com¬mented, "admittedly the Assembly doesn’ttouch on gay rights, Black issues, etc. butrather 'student' issues." Other Assemblymembers commented that new members inthe Assembly often start out critical of theFinance Committee, but eventually realize The Taiwanese StudentsAssociation was quite takenaback when the SGFCsuggested that they workmore closely with themainland Chinese StudentsAssociation in order to savemoney.the difficulty of the Committee's job. Sincethe Assembly's turnover is high this is an¬other source of pressure on the FinanceCommittee.Responding to the Finance Committee'scomplaints of unfair coverage, Maroon edi¬tor Chris Isidore said, "I don't think theMaroon has downplayed the positiveachievements of Student Government andour reporting on the budget issues is accu¬rate and fair." When asked how certain Stu¬dent Government meetings and funding decisions come to be covered while othersaren't, Isidore replied, "We report whenthere are controversial reasons for cutting abudget, not when a group has been spendingtoo much on office supplies." The FinanceCommittee has also complained thatMaroon reporting does not take into accountthe process of Student Government and thetemporary nature of some decisions. Isidoreresponded, "Our staff is not large enough tohave a reporter permanently assigned toStudent Government meetings. Besides,most of what goes on there is not newswor¬thy, unless the Maroon is to be consideredan organ of Student Government."At this point the causes of the FinanceCommittee's public relations troubles arebeginning to come to the surface. The Committee's objections to Maroon coverage donot take account of the broader social issueswhich influence what is considered newsworthy. The cutting of College Bowl fundswould not be as newsworthy as cuts in thefunding of the Organization of Black Students (OBS), GALA, the Organization ofLatin American Students, the Women'scontinued on page fours\ i m 111 rm 11111 rTonight, • weekend double feature!At 7:15:Dustin Hoffman, Susan George and Peter Vaughan in Sam Peckinpah’sviolent thriller STRAW DOGSThen at 9:30:James Dickey stars in his own novel with Burt Reynolds, John Voight andNed Beatty as John Boorman brings his action-packed DELIVERANCE tothe screen.Tomorrow at 2:30 and 7:15:Walt Disney’s feline version of its own Lady and the TrampTHE ARISTOCATSAnd at 9:00:^EGRE^TDiCTArOR^p'aSm.f'8 °n'ySunday — another double feature:At 7:15: Michael Powell’s breakthrough film EDGE OF THE WORLDAnd at 8:45:Powell teams with Emeric Pressburger for the wartime espionage thrillerTHE SPY IN BLACK A , ^. * ' i » M ri -r t rt i t i t \a-r«AH films in Cobb Hall.m 111 DOC FILMSmm £OOK*ZSMOsroeeAt the Phoenix in the basement of Reynolds ClubAll LP’s in the Women’s Music sectionare on sale for only $5.95.PRESENTING JUNE MILLINGTON.THE VOICE AND GUITAR BEHIND “FANNY”IS BACK WITH HER FIRST SOLO ALBUM.IT’S FUNKYIT’S SOFTIT ROCKSIT’S HEARTSONG-THE SPECIALTOUCH OF MILLINGTONCheck us first...we’re the Phoenix.(Basement of Reynolds Club) (University of CImcac^o UcpArkncirr of Music presentsL diversify 5ya)phoinj Orchestra.t'artxrx Scljukert, Conductori. CO Turtle Soup • Shrimp Bisquejflaple Cree 3nnU“>(0f0</>i(A0)D»-CQ>CLOOO)03oZoc0)CO0)£</>ocoh-oJ8||8|8)|30H $ aiHAUBIfl SJ91SAQumann:‘Debussy :Jh Mer"ptuS:5c/lUSynyytwmjHNielsenOverture'J «rs 5309 S. Blackstone • 947-0200OUR FAMOUS STUFFED PIZZA IN THE PAN IS NOWAVAILABLE IN HYDE PARKOPEN 7 DAYS A WEEK • 11 AM TO 12 MIDNIGHTCocktails • Pleasant Dining • Pick-Up“Chicago’s best pizza!” — Chicago Magazine, March 1977“The ultimate in pizza!” — New York Times, January 19802—FRIDAY, MARCH 5, 1982—THE GREY CITY JOURNALFILMStraw Dogs (Sam Peckinpah, 1971)Dustin Hoffman plays a wimpyacademician forced to defend hishome and wife against a group ofangry Irish vigilantes. Ostens¬ibly, this film adaptation of Gordon William's The Siege ofTrencher's Farm seems like an¬other machismo blood and gutsexploitation film. But Peckinpah,one of the film industry's most in¬dependently minded directors,has attempted to construct acomplex situation where violenceis no less despicable in the handsof the weak or victimized than inthe hands of the barbaric and an¬imalistic. Although Peckinpahhas added a moral dimension tothe traditional revenge filmstructure his lyrical treatment ofviolence (especially the slow mo¬tion and repetitive structure ofthe film's rape scene), too oftenglorifies and wallows in thatwhich the director's trying tocriticize. Straw Dogs is essential¬ly an orgasmic film: the siegeportion is paced like a violentfuck; and the comparatively re¬laxed conclusion (when the bla¬tantly "American" issues are ad¬dressed) conveys the feeling of apost-sex Marlboro. Fri., March 5at 7:15 pm. Doc. $2. —RMThe Great Dictator (Sir CharlesChaplin, 1940) Chaplin's first tal¬kie sometimes reveals the direc¬tor's unfamiliarity with the su¬perfluous addition of sound incinema (for example, one Ger¬man soldier speaks with anupper-class English accent andanother sounds like he's from theBronx), but it was still Charlie'smost successful film (at the boxoffice only, some insist, howev¬er). The uneven flick burlesqueswar movies, political power playsand Facism, which seem likepretty topical issues nowadays,considering who's currently star¬ring as our Fearless Leader inWashington. Some viewers mightnot find anything funny about theSecond World War and someviewers might nod off during theslow parts, but there are somegreat scenes in the film, and theyshine out like peaceful thoughtsin the mind of a Fascist (theremight not be that many, but theones that are there are wonderfulin contrast). Friday, March 5 at9:00. Separate admission $2.DOC. G.P.The Aristocats (Walt Disney Studi¬os, 1973) This animated fantasyfilm concerns the fate of four catswho, when their mistress dies,become billionaires. Phil Harris,Eva Gabor, and Maurice Cheva¬lier back up the moving imageswith their voices. Sat., March 6 at2:30 and 7:15 pm. Doc. $1.50 RMYou Can't Take It With You. Norcan you take much of this 1938Frank Capra adaptation of theKaufman and Hart play without getting bored, frustrated, or irri¬tated. Jimmy Stewart plays theson of a millionare, and Jean Ar¬thur the daughter of an eccentricinventor. Ideally when Stewartand Arthur fall in love, and symbolic social strata clash, there'ssupposed to be lots of laughs andsubtle social insights. But Caprahandles things so carelessly,from misdirected actors to overlong scenes, that the film canhardly keep one's attention letalone elicit a laugh. But part ofthe blame also results from thenow cliched and overly sentimental original material. Sat., March6 at 7 and 9:45 pm. LSF $2. —RMEdge of the World (Michael Powell,1937) This film from the directorof Peeping Tom and The RedShoes, though certainly not one ofthis eccentric Britisher's bestworks, does contain some inter¬esting and blatantly "Powellian''elements. Niall MacGinnis andBelle Chrystal play two chapswho pursue the same bird, a ri¬valry which eventually ends withone dead and the other painfullyisolated. Powell's sense of ro¬mantic tragedy is accentuated byhis careful attention to landscapeand natural forces. Although attimes the film slips into romanticpretentiousness, it remains an in¬teresting precursor to Powell'smore mature and bleaker works.Sun., March 7 at 7:15 pm. Doc. $2.— RMThe Spy in Black (1939, MichaelPowell and Emeric Pressburger)This is a bizarre and powerful lit-tle.film, in that it perplexes issuesto such a degree that black andwhite are blended together intoan uneven gray which permeatesthe film's hunted atmosphere ofhalf nights and pre dawn morn¬ings at, or near, the sea. It leavesthe viewer’in limbo, uncertain ofhis loyalties and wondering what,if anything, is worth cheering for.True, it is a war film, but It tellsnot of war in itself as an entity; ittells rather of people at war, peo¬ple whose principles are intrinsiccally the same, but who areforced by circumstances to be enemies. Specifically, the film is aspy story with Conrad Veidt play¬ing the role of a German subma¬rine captain assigned to recon-noiter on one of the Orkneyislands with a female undercoverspy played by Valerie Hobson.The film starts disorienting theviewer by present-ing a major portion of the actionfrom the German's viewpoint,and such is our conditioning thatthis is extremely difficult to ac¬cept at first. However, once onebecomes somewhat accustomedto the idea, the plot makes sever¬al rapid twists, and once moreone is bewildered into feeling thechaos of war through the charac¬ters. A final testament to the am¬biguity and changeability ofhuman emotions is seen in the un¬EdlFilm E'cTijBook Edit'd)-/:/Theatre EditorJazz Editor: JimClassical Music Edito'rFiction and Poetry Editor/Production: Nadine McGann,Staff: Mike Alper, Chris Berenyf/Pat Finegan, Kira Foster, Susan FrarJim Goodkind, Sarah Herndon, Mich'<James, A.A. Kambouris, Nikolai Katz, VimMiller, Pat O'Connell, Arturo Perez Reyes,Sharo'rPotter, Glen Sheffer, Dan Stetzel, Lonnie Stonitsch, 'Mlor, Jennifer Tompkins, Michele White, Jacob Wirtschaft*Wolley, Sandy Young. certainty of the woman spy's ex¬pression as she gazes at the sea inthe last frames of the film. This isan exceptionally interesting film,made even more so perhaps, bythe fact that the recent “Eye ofthe Needle" seems a direct descendant of this forty-year Brit¬ish film. Well worth seeing. Sun.,7 March at 8:45 P.M. Doc. $2.00 —LAThe Mystery of the Wax Museum(Michael Curtiz, 1933) LionellAtwill plays a madman whochases people through a wax mu¬seum; Fay Wray plays his nextvictim. With Glenda Farell. Un¬ seen by this reviewer. Mon.March 8 at 7:15 pm. Doc. $1.50 —RMThe Mind Reader (Roy Del Ruth,1933) Warren William and Constance Cummings play a pair ofsuccessful peddlers who give upbottled medicines for readingminds. Unseen by this reviewer.Mon., March 8 at 8:45 p.m. Doc.$1.50 — RMMUSICContemporary Chamber PlayersFour Chicago premiere perfor¬ mances — three of them areworks by contemporary Britishcomposers — will be heard on thesecond of this season's programsgiven by The Chamber Players ofthe University under the diredtion of Ralph Shapey. The concerttakes place on Friday, March 5 at8:00 p.m. in Mandel Hall. ElsaCharlston is soprano soloist in aprogram that includes NickThorne, From the Dying Earth;Robin Holloway, Concertino No.3; Peter Maxwell Davies, Sted-man Caters; and Oliver Knussen,Ophelia Dances, Bk. 1. AdmissionContinued on page 4artists of what is now widelycalled the Chicago Imagistmovement.Ed Paschke, like RogerBrown, is a native of Chicagoand a graduate of The Schoolof the Art Institute of Chicago.Both painters were membersof a group known as the Nonplussed Some, a group ofurban artists who, like theirpredecessors the Hairy Who,based their work upon com¬mercial sources filteredthrough intensely personal, individual responses.The Renaissance Societyshow will include thirty four ofPaschke's works from 1967 tothe present. Paschke's workfrom the '60s has a definitePop look. But unlike the ele¬gant, instantaneous focus ofthe high Pop of say Andy Warhoi. Paschke, as do most of theChicago Imagists, intends noirony toward the sourcesthemselves. The pimps, trans¬vestites, circus freaks, andother social outcasts depictedin his work, although sur¬rounded by a hyper kinetic excess of advertisement sinage,movie titles, and other formsof mass produced graphics,still emulate a sense ofPaschke's humanism and so¬cial criticism.Paschke's later work,though still retaining the bleakhumanism and dark humor ofthe earlier paintings, expresses a less vulgar andmore visually sensuous style.His work after about the mid'70s is characterized by sty I istic elements which ape electronic impulses, electrocardiogram like lines whichalmost dominate and over¬shadow the paintings' humanfigures. Paschke, perhapsmore than any other artist ofthe Chicago Imagists, has remained dedicated to his indi¬vidual and personal vision,while retaining an acuteawareness of social realitiesand the rapid acceleration ofmedia-related technology,“elements" according toPaschke, which “(good orbad) have woven their wayinto the collective fabric of ourlives."The Renaissance Society, lo¬cated on the fourth floor ofCobb Hall, will feature EdPaschke: Selected Works 1967to 1981 from Tues. March 9 toApril 18. The gallery is openTues. through Sat. from 10 to4, and Sun. noon to 4. Theopening will also feature twoChicago poets, Paul Carrolland David Kotter. And on Sun.March 14, Chicago art criticDennis Adrian will lecture.For further information call753 2886. —R.M.Ramrod, 1969. Ed PaschkePASCHKEDuring the mid and late1960's The Hyde Park ArtCenter, under the direction ofDon Baum, played a pivotalrole in organizing and establishing what Chicago artistRoger Brown ha hailed as “asignificant movement in re¬cent art history." Brown'sstatement may seem, especially to anyone who has felt tothe point of frustration thiscommunity's profound am¬bience of non-creativity, to contain a bit of the superflu¬ous, even the impossible.Hyde Park, one could justifi¬ably claim, is obviously intel¬lectually intense, perhapseven academically creative;but certainly not artistic, notin the sense of movements and"waves" of artistic output.On Sunday March 9 from 5to 7 pm. The Renaissance So¬ciety will open its show EdPaschke: Selected Works 1967to 1981, an exhibition whichwill not only lend credence toBrown's statement, but alsobring back to Hyde Park thework of one of the most exciting, inventive, and significantTHE GREY CITY JOU R N AL—F R I DAY, MARCH 5, 1982—3The Alvin Ailey American Dance TheatreSumptuous DanceTroupeBy Beth MillerThe problem with dance as a narrative artform is that because the choreographer canrely only on movement to develop a narra¬tor and characters, a wide gulf oftentimesarises between the audience and the story¬line. In all but one of the pieces performedon Wednesday (February 24th) at the Audi¬torium Theatre, Alvin Ailey's dancers didnot so much tell stories with their move¬ments as they did create sumptuous imagesto be experienced by the audience.In "Landscape" Ailey mapped a surfaceof movements onto Bartok's Piano Concerto#3, assembling the dancers into pairs andgroups of pairs, in dynamic patterns like or¬ganic elements. The dancers' movementsresponded to the flavorful music rather thanimitating it: supple torsos, with undulatingspines; fluent revolutions of heads; palmsoutstretched from broken wrists. A gentleyet pervasive sensation made up the textureof the piece.Todd Bolender's "The Still Point," thoughcomposed of not unpleasing movement andclearly well-executed, came off trite almostto the point of being redundant. A recogniz-.able storyline, in which a woman overcomesher isolation by uniting with a man, was notonly predictably resolved but was also doneso with a blatant theatricality in gestures set to oftentimes cloyingly emotional musicby Claude Debussy. _Elisa Monte's "Pigs and Fishes" was adark, succulent piece which wovemotifs ri¬tualistic motifs through an ascending mon¬olithic drone of mystical music by GlenBraca. The repetition and development ofthemes within the dancers' movementspulsed and surged with incredible ferocity.Acute strain and stress forged a heightenedmuscular tonus in the taut bodies. The tren¬chant patterns executed by the ensembleplaced an importance in the succession ofmovement rather than in the individualevents.The evening closed with Ailey's uninhibit¬ed "Memoria" set to Keith Jarrett's power¬fully evocative piano, bass and saxophoneruminations. Through seemingly non-con-scious mechanisms, an opulent female so¬loist, with two male dancers attending likean orbit, combined, separated, and then re¬combined with the larger ensemble in an ar¬ticulated process of association and disasso-ciation. Once the pieces had joined as whole,a powerful congruity arose in the thrustinghips and sharp, quick extensions, the ense¬mble exuberantly celebrating their achieve¬ment. The Alvin Ailey dance troupe is, bythe evidence of Wednesday night, still in ter¬rifically top form. SGFCcontinued from page oneUnion or other representatives of distinctsocial groups and concerns. It is not the Fi¬nance Committee per se that is newsworthy,but the larger issues it tangles itself up in.Similarly, the Committee's friction withthe Student Assembly is due in part to pres¬sure from representatives with particularpolitical views on funding issues. Constitu¬tionally, the Finance Committee deals onlywith non-political events and activities. Buthere "political" is meant in a very lirhitedand conventional sense. A broader concep¬tion of politics can be applied to the activi¬ties and very nature of some groups, and itis. The upshot of all this is that the SGFC,constitutionalized into the realm of the non¬political, has its actions judged and inter¬preted politically by the Maroon and somemembers of the Assembly (not to mentionthe larger student body). This is a source ofconfusion and tension between these institu¬tions.Student groups also bring political inter¬pretations to the decisions of the FinanceCommittee. The loss of diversity and socialrelevance among student groups at the Uni¬versity of Chicago involves high politicalstakes. For members of groups whose in-dentity is closely tied to important socialproblems, financial set-backs are set-backsto the cause, the movement, and progress.For members of groups concerned with in¬novation, experimentation, and non-confor¬mity, financial decisions must be connectedto issues of freedom and self-expression.There is a traditional identification of"fairness" with what is apolitical or "abovepolitics". This identification may be tenablein some ideal sense but not in practice. Fi¬nance Committee members may makeevery effort to leave their personal politicsout of their decision-making, and this iscommendable. But regardless of its motiva¬tions, the Committee's actions will have po¬litical implications and repercussions. Thispoint is implicit in Maroon policies on S.G.coverage, many discussions in the Asse¬mbly, and the dissatisfaction among studentgroups.The Student Government Finance Com¬mittee's bad image is rooted in its lack ofexplicitly stated values and priorities. Sometension could certainly be alleviated if theSGFC set up more open and informal linesof communication with the groups it serves,but one problem would remain. Studentshave no way of knowing what value systemis employed by the Committee, intentionallyor not, and are unwilling to trust in bureau¬cratic 'impartiality." Groups have, on thewhole, left themselves out of the parlimen-tary process which formed the committeeand its by-laws. Questions of priority are notaddressed in the by-laws but are left to beanswered, after the fact by the cumulativerecord of the Committee. This leads to theimpression held by many groups that the There is a traditionalidentification of "fairness"with what is apolitical or"above politics." Thisidentification may be tenablein some ideal sense but not inpractice.Committee's decisions are capricious andinconsistent. There is no way for them toquestion such governing principles, whichare not explicit, but public controversy.The solution to these problems lies morein the hands of the members of studentgroups and the student body as a whole thanwith the Finance Committee. Many studentswho understand "politics" in its subtle andpervasive sense devote their time to politi¬cal and social causes. If these students feel aneed for more political discussion andawareness in Student Government, they arethe ones who will have to organize and pro¬vide it. If the majority of students involvedin student groups would like to see the Fi¬nance Committee operate with more explic¬it guidelines for the distribution of funds(i.e. such-and-such percentage for ethnicand minority-rights groups and events, somuch for academics, so much for communi¬ty affairs), then some sort of guidelinesshould be proposed. Perhaps most impor¬tantly, the shared grievances among stu¬dent groups about the Finance Committeesuggests that other areas of agreementmight be found. A coalition of studentgroups could provide a forum for some coop¬erative budgeting outside the structure ofthe Finance Committee, which is based ondisjointed competition between groups. Stu¬dent Government is a representative bodyand those who give it serious attention arethose who get represented. The revival of apolitical student life on this campus entailsnot the abandonment of Student Govern¬ment by those concerned with broad socialissues and a diverse campus cultural life,but rather their united infusion into it.The Grey City Journal encourages lettersand comments on the question of StudentGovernment financing of campus activitiesand groups.Continued from page 3is free and without ticket.University Symphony Orchestra,with an eye toward spring willpresent its Winter concert on Sat¬urday, March 6 at 8:30 p.m. inMandel Hall. Robert Schumann'sSymphony No. 2 in C Major, Op.61 will begin the program. Sunand sea dominate the second halfwith Carl Nielsen's Helios Over¬ture, followed by Claude De¬bussy's La Mer, three symphonicsketches for orchestra. La Merdepicts three marine scenes:"From dawn to noon on the sea,""Play of the waves," and "Dia¬logue of the wind and sea."The Musicians Of Swanne Alleytakes place in Mandel Hall at 8:00p.m. on Sunday, March 7. As orig¬inally planned, Paul O'Dette, theinternationally known lutenist,will be featured soloist in the pro¬gram of Music from Michelange¬lo's Italy and Shakespeare's England. The name of the group hasbeen borrowed from a 16th Centu¬ry professional Elizabethan ense¬mble. Tickets are available at theReynolds Club Ticket Center. ARTPublishing The Past, Oriental Insti¬tute Publications: 1974-1982"Publishing the Past" is a spe¬cial exhibition of recent mono¬graphs, research reports, andedited volumes featuring thework of eminent Oriental Insti¬tute scholars on topics rangingfrom Islamic leather bookbind¬ings and Babylonian astrology tocomputer-aided analyses of thelost Amorite language and x-ray¬ing the mummies of ancientEgyptian royalty. Included arereports on archaeological fieldwork in Iraq and Egypt, Cyprusand Nubia, and linguistic studiesof ancient Sumerian, Akkadian,Hittite, Egyptian and Aramaic (acognate of Biblical Hebrew). Ofspecial note are the illustratedvolumes prepared by the OrientalInstitute Epigraphic Survey ofthe Egyptian hieroglyphic in¬scriptions decorating the Templeof Khonsu at Karnak in the upperNile Valley. The exhibit opensMarch 12th, with an authors' party in the museum galleryfrom 5-7 p.m. At the Oriental In¬stitute, 1155 E. 58th Street. Call752-2475 for more information.THEATERA Streetcar Named Desire For any¬one who has seen the MarlonBrando-Vivien Leigh screen ver¬sion of this Tennessee Williamsclassic, the prospect of seeing astage versipn of the play mayseem rather like indulging in afond nostalgia for magnolias andmint juleps that can never be asfresh again. But this WidsomBridge production is true to theplay in a way that even the filmversion was not (the movie neg¬lected Blanche Du Bois's unsettling and vivid reminiscence ofhow she lost her young husband).And although none could possiblymatch the performances of theleads in the film version, JaniceSt. John does a wonderful rendi¬tion of Blanche (after a too-slickentrance in the play's first act)and Robert Kurcz brings just the right amount of animal intensityand charming prowness to thepart of Stanley Kowalski, theman who manages to destroy theone last hope of his femme-fatale-turned-whore sister-in-law. Butperhaps best of all is Laura Innes(as Stella) in a fine performanceas Blanche's sister, the womanwho choses brute passion overher sister's doomed Southerngentility. Directed by RobertFalls, this is another ace product¬ion by one of Chicago's most pro¬fessionally ambitious theaters.Performances are Tuesdaythrough Saturday at 8 p.m., withSunday shows at 3:00 p.m. and7:30 p.m. Tickets are $8.50 to$11.00. The Wisdom Bridge The¬ater is located at 1559 W. HowardStreet (at the last stop of theHoward El line). For more infor¬mation call 743-4172. —R.K.The Gondoliers: Presented by thelocal Gilbert and Sullivan OperaCo. This operetta represents thelast reasonably happy collabora¬tion between the two men mostresponsible for reviving the En¬glish theatre. It's one of theirmost complex works, both in music (Gilbert actually en¬couraged Sullivan as a means ofsoothing over their deterioratingrelationship) and in plotting (Gil¬bert doubled every lead). TheGondoliers features the usualG&S collection of addled aristo¬crats, viragos, crossed lovers,stolen babies and second act rev¬elations, all presented with theVictorian love of silliness and sat¬ire. Friday, March 12 adn 13 at 8p.m.; Sunday, March 14 at 2 p.m.All productions are in MandelHall. Tickets at Reynolds Clubbox office.The Guardsman Court Theatrepresents Fereno Molnar's classiccomedy of romance and intrigueabout a young actor's attempt toprove his wife's fidelity. StarringDiane Ruddall and Nick Ruddall,directed by Tom Mula with setsby the infatiguable Linda Bu¬chanan. (See review this issue).Performances are Wed. throughSaturday at 8 p.m., with Sundayshows at 2:30 p.m. and 7:30 p.m.For more information phoneCourt at 753-3583. The New CourtTheater, 5706 S. University Ave¬nue.4—FRIDAY, MARCH 5, 1982—THE GREY CITY JOURNALEXPERIENCE THETHRILL OFFLYINGBe an Air Force navigator.Using highly sophisticated equipment, you'll be responsiblefor directing your aircraft to its destination with pinpoint accur¬acy. You'll have to be alert to all aspects of flying and have acomprehensive understanding of your aircraft and capabilities.Our navigators are the best in the world. They train in thefinest facilities.lust what kind of people are we looking for? We're seekingcapable young men and women who can rise to meet a chal¬lenge. We need people who are leaders and decision makers.We're looking for people who can remain calm under pressureand make accurate split-second judgements.If this describes you, contact your nearest Air Force recruiter.Ask about the challenging and rewarding future you'll have asan Air Force navigator.We have the experience you're looking for.B. J. Nielander III. TSgt. USAF7435 Indianapolis Bird.Hammond. IN 46324Call: (312) 374-4297 or(219) 844-2515immzLzA great way of Me £>The University of ChicagoDepartment of Music PresentsTHE ORCHESTRA OF ILLINOISwith special guest conductorGUNTHER SCHULLERFeaturing1981 International American Music CompetitionGrand Prize W.inner in PianoRANDALL HODGKINSONPerforming Beethoven's Piano Concerto HA in G MajorPlus music of Mozart, Paine, andChicagoan Primous Fountain IIIMONDAY, MARCH 22,8 PM• MANDEL HALL25% Discount For UC Students, Faculty/StaffTickets available at the Mandel Hall Ticket Center orfor reservations call The Orchestra of Illinois at 263-3787. 8$PhH live none talks about creatingaffordable housing in Hyde Park, butwe’ve done it!One, two, three and four-bedroomapartments with location, location,location...Down payments start at 178.Monthly charges (includingmortgage payments, propertytaxes, and assessments)from $344.Financing provided by the NationalConsumer Cooperative Bank ... Ov er$1.3 million in rehabilitation ...The Parkshore is a tenant-sponsoredhousing cooperative offering the besthousing v alue in Hyde Park. We’vedone the w ork putting the packagetogether over the last twelvemonths ... Now you can enjoy thebenefits...Come live with us at the Parkshore!Office hoursTuesday 7 pm - 9 pmSunday 1 pm - 3 pmOr by appointmentFor sales information, call 684-0111Sponsor: The Parkshore, an Illinoisnot-for-profit corporation, 1755-56 East55th Street. Chicago, Illinois 60615.Development and Marketing Agent:Metropolitan Resources Group. Inc.THE GREY CITY JOU R N AL—F R I DAY, MARCH 5, 1982—5An Interview with Adrian BeleJames GoodkindThat Adrian Belew is one of the mostexciting and innovative rock musicianstoday can be supported simply by refer¬ence to the actions of the prominent mu¬sicians (such as David Bowie, FrankZappa and David Byrne) who havehired him to perform on their tours andrecording dates in the last few years.Currently Belew is receiving recogni¬tion as a member of the new King Crim¬son ensemble, which performed to aSRO crowd two Sundays ago at the Uni¬versity of Chicago's Mandel Hall.The most salient aspect of Belew'smusical persona has been his electricguitar playing. Belew rightfully hasbeen praised in the rock press forstretching the musical parameters ofthe instrument once established by hisprogenitors Jimi Hendrix and JeffBeck. However, with his writing andsinging abilities amply displayed inKing Crimson, and with the release inApril of his first record as a leader ( TheLone Rhino: Island), it is likely thatBelew soon will be appreciated for themulti-faceted artist that he is.Belew's congeniality and sincerity inperson struck me as unusual traits forsomeone who has worked his way upthrough the ranks of "The Biz". As a re¬cord company's publicity person wouldsay, "Adrian is HOT right now"; andyet, I did not detect any of the preten¬tiousness of the rock "star" with Belew.At ease in what must now be for him thefamiliar hotel room setting, Belewtalked about his journeyman's perspec¬tive of the rock world, his associationwith Bowie, Zappa, Fripp, and the like,and his developing musical artistry. Wetalked for an hour and a half the day ofthe Mandel Hall concert and for a halfhour the following morning.JG: Adrian, here we are in this marvel¬ous hotel on the South Side of Chicagoand I was thinking, you traveled allover the world performing...but it wasnot too long ago when you were part ofthe local Chicago music scene.BELEW: Yeah. I had a band that alter¬nately went by the name of the AdrianBelew Band or GaGa and it was cen¬tered out of Springfield. I rememberplaying the Chicago Fest in 1980...nottoo long ago at all.JG: What happened to the band?BELEW: We couldn't get a record labelbehind all the material we had, songslike "Peas" and "Fishhead", prettycrazy stuff I must admit, and that putso much stress on the band that eventu¬ally we had to split (up). This coincidedwith the call to work for TalkingHeads.JG: Which took you out of the Midwestfor the second time, having toured 2Viyears earlier with Zappa and Bowie.You were raised in the Midwest,right?BELEW: I was raised in Cincinnati. Ilived alternately between north Ken¬tucky and Cincinnati and there l startedplaying drums when I was ten and gui¬tar when I was 16.JG: When did you start freelancing?BELEW: Around the earlier part of the70's I started moving all over. I'd cometo a city specifically to play with a bandwho'd offer me a job. I travelled withlots of different kinds of bands thatplayed all kinds of music. Finally, Iended up, I was so broke...I just decidedto sell my Gibson Firebird guitar andget a drumset again and play in HolidayInn bands...because I could play with¬out being too embarrassed about thequality of music and the audience wewere playing for. I didn't want to dothat on guitar. I was a little too seriouson guitar.JG: So you worked the Holiday Inn circuit?BELEW: Yeah. We'd play for a monthor two in one place. I'd virtually livethere in fact...I'd move my stereo in,my cello, my drum set and all my records and everything...work on musicin the daytime and play for money atnight. Our agent gave us this little sheet of paper that you had to pick your bandname from. You had to keep your hair acertain length and you had to wearthese corny little polyester white suitswith little flowery shirts...the wholething, I'm sure you've seen it a milliontimes, everyone has. It was a threepiece band: two guitars and drums, nobass! ..we we called our band Sound Od¬yssey (laughter). Sound Odyssey even¬tually ended up backing up an ElvisPresley imitator in Chicago and theband changed to a larger band with twogirl dancers. They brought in a drum¬mer and a bass player and I switched toguitar. So I bought a Stratacaster gui¬tar, which is what I always wanted forso many years.JG: You must have been looking forsomething a bit more musical on theside.BELEW: I was looking around throughmy management for a serious band andthat's when I came upon this bandcalled Sweetheart who were centered inNashville. So after about six monthswith the Elvis band I moved to Nash¬ville. It was basically a turning point inmy life.JG: You began to approach the guitarin a more serious way?BELEW: I decided I would find my ownvoice on guitar since I was startingover. I already knew all the Hendrixand Jeff Beck licks and they were greatlicks but I wanted to do other things. SoI started listening to things in the airthat affected me and I found there werea lot of sounds that I was able to startincorporating into the music on guitar.I just started to get into it after about ayear and a half with Sweetheart whenFrank Zappa came along.JG: Where did he hear you play?BELEW: He heard the band play atFanny's, a niteclub in Nashville. Hecame in after his concert for about 40minutes. I remember he came up at theend of one of our songs...it was "GimmeShelter". Later he asked his chauffeurto get my name and number. I guess heliked the fact that I sang well andplayed unusual guitar sounds. A fewmonths later he called me and askedme to come out to his house and audi¬tion. So I went out to L.A., first timeever even being past the Mississippi, infact, and auditioned in his basement. Iwas scared to death.JG: Zappa's music is quite complex.How did you go about learning it?BELEW: I learned it by rote. I'd live inFrank's house over the weekends.(Frank's homelife is very straightfor¬ward, he's basically a workaholic.) Hewould make little tapes of what wascoming up next, if there were any par¬ticular musical lines I had to learn orany lyrics. There was a lot that was freeform, that he would say "OK Adrian, godo your Jimi Hendrix thing for five barsover here" or "Just go out here andjump over the monitor and adopt somefamiliar rock pose" (laughter). But lliterally worked ten to twelve hours aday just trying to figure out how to playthese damn songs and sing them. I wasthe only musician in the band whodidn't read. All of the other playerswould come in and he would virtuallyjust give them charts.JG: Performing live...did Zappa giveyou cues?BELEW: Oh yeah everyone1 relies onFrank's cues. He's famous for his handsignals. He had some crazy things thatyou would do. You had a series of handsignals with Frank and if he would saymove his hand back and forth like amouth that might mean everyone stopswhat he's doing and talks into the mi¬crophone randomly. There were a lot ofthings like that that you had to be veryaware of. We also had "Word of theNight" for quite some time where if hepointed at you and gave you the signalfor "Word of the Night" you would sim¬ply repeat your "word of the night"everytime he pointed at you.JG: Listening to the tape of your newalbum, I could hear that some of your^writing style was influenced by Zappa's H?AYRocking: The Education Of a Pop Mu:writing style.BELEW: I've always been enthralledwith how songs are put together, or¬chestration and arrangement and prod¬uction, and when I got with Frank forthree months I would watch him build asong from having three chords and asilly little lyric to an eight minute epicpiece. I could really see how orchestra¬tion and arrangement were done. It wasessentially my education. My first realtraining was from Frank.JG: It was during one of Zappa's per¬formances that David Bowie heard youfirst. Fripp has written of some storythat you tell about that experience.BELEW: Yes. Frank's band went toEurope and while we were there in Ger¬many Brian Eno saw us and knew thatDavid Bowie was looking for a guitaristfor his upcoming tour. So he calledDavid and David showed up at our Ber¬lin show and was standing in the wingsthere by the monitor mixer with IggyPop. There was a break in the show forfive minutes where Frank did a long ex¬tended solo and everyone was free toleave and do whatever they wanted tofor five minutes, so I went over to sayhello to David Bowie...our Sweetheartband used to play quite a bit of Bowiematerial from the Young Americansperiod...and I went over to say "Thankyou for the music you've made, I've re¬ally really enjoyed it" and he said"Great, how would you like to playin my band?" (laughter) And I said"Well, I'm playing with this guy overhere, you know, Frank Zappa?"(laughter) We went out to dinner afterthe show and over to a strang transves¬tite bar he took me to and we talked alittle bit of business and it turned outthat Frank's tour ended in the firstweek of March and David's began thethird week, so one week after stoppingwork with Frank Zappa I started work¬ing with David Bowie. It was reallykind of that quick.JG: You must have had some precon¬ceived attitude about working withDavid Bowie.BELEW: Well I knew how to playDavid's material a little bit more, as Isay I played some of it. It was the firsttime in my life that I was specificallythe lead guitarist only, so with Davidthe focus changed. I was trying to fillcertain people's shoes, namely Robert(Fripp's), because we played some ofthe Heroes album. I found out about ayear later that there was a big guffawbetween Brian Eno and David oneday about the fact that I wasn't a-ware that the Heroes album was re¬corded entirely by tape editing and theyhad always assumed the guitar parts tobe impossible to play live because theywere purely tape edits — it wasn't likeRobert really went in and really playedthat stuff, you know (laughter) — sothey were laughing because they saidthat because I didn't know that itcouldn't be done, I did it. (laughter)JG: How did you relate to Bowie per¬sonally? One certainly knows of hismulti-faceted public image. Did you seeany of the various Bowie personaewe've come to know — like a Ziggy Stardust — emerge offstage as well asonstage?BELEW: Yes. I'd see them come andgo. Offstage, too. As a person he rarelylet's his guard down and I respect thatbecause he's a superstar and a lot ofpeople want his time.JG: And he didn't with you?BELEW: He did occasionally with me.For instance, when I stayed at his housefor a week, everynight we would kind ofsit around and drink some Swiss winewhich you couldn't get anywhere but inthis one town in Switzerland — it wouldbe just the two of us. He took it uponhimself at that point to show me wherehe had been, where his influences hadcome from. For instance, he played mea lot of films of people like Friz Langthat had influenced his theatrical ap¬proaches, his kind of stage setting, andhe played me a lot of records that im¬pressed him such as the band NEU — aGerman band, kind of the predecessorof Kraftwerk — he was kind of educat¬ing me nightly as to where he was com¬ing from.JG: Did you find Bowie as headstrong,musically speaking, as Zappa was? Iget the impression that the first timeyou were in any sort of collaborative ef¬fort was when you moved on to TalkingHeads about a year and a half later.BELEW: Actually with David andTalking Heads, both go for certain direction but a lot of the interpretation ofthe music is left up to the players andthat's why they choose the players theychoose. Frank is not so much interestedin input from other people...he's inter¬ested in having musicians play hismusic precisely and correctly, consis¬tently, night after night.JG: Did that ever get to be frustrating,playing someone else's music in thatway?BELEW: Not to me...it was all so new.At this point in my life I might mindthat, but now I think l know more.JG: With King Crimson I understandthat the responsibility for the creativeinput is shared equally amongst thefour members. The Discipline L.P.gives compositional credit to "KingCrimson", as if every member of theband shared equally in the creation ofeach piece. I don't understand how thatwould actually work in rehearsal.BELEW: It starts with an idea fromany one person and then everyonestarts playing with that idea, ergo mak¬ing up their own parts and this may goover a period of weeks before you final¬ly reach some shape in the song thatyou're all agreeable on. Everyone iswriting and arranging at the sametime, throwing in their "Oh, I like that"or "No, “that's not really how I feel itshould go."JG: Then who were the main initiators?Who began the process quite often?BELEW: On the first album Robert hada clearer viewpoint of where he wantedto go than anyone else, so he would initi¬ate some ideas and we would followthrough with them. Then these songswould get to a certain point where weagreed upon a certain outline, and thenit's determined by me to sing or not to sing and what to sing.JG: I have a question abouular input. I saw the groutour of performances latand the group on stage apvery stern, very serious athe exception of you. Youin a very relaxed and liveas if you were trying to irock 'n roll into the meband. Judging from lastnimembers of King Crimsohave relaxed their stage prHave you been responsible)BELEW: Yes. I feltthatonin the band was to try and Iup, to try and make it mofor everyone, the band itseldience, because I think youing very serious music angood time doing it. If yougood time doing it the audilmore receptive to the m|playing. It's starting to wRobert's laughing for thever on stage, (laughter)JG: He certainly seems toof his stool to bend thosemore often during a show.BELEW: He's inspired bband. Everyone is. It'swork in this kind of atmosuch competent people. It'lized band. There is no mes1anymore, no immaturity thlJG: Does your activity withson mark the end of "AdrtGuitarist for Hire"?BELEW: No, it doesn't. Kiis set up in this manner: thetogether for a couple of ntime, maybe two or three tiSo effectively, you should h,year available to you to doects.JG: What are the economlancing, of being a hired sexample, do you get royaltialbums you played on,Talking Heads, etc.?BELEW: Well no, I got afaifout of that side of it, all of itto me. I think I was basicallyfor the ride, so to speak. I -rroyalties on any of the dozI've made until I workedpline.JG: Really?BELEW: Yes, King Crimsorcompletely split four waysand everything...it's as fairget.JG: Is it unusual for a soloisroyalties from an album?BELEW: No. It's not unosuausual. The guy who said hesong and the melody and thethe stuff. If your solos on thea really integral part of th<doesn't seem to matter. I nifelt it was unfair until arourof the Tom Tom Club.JG: Which is a very big selright now.BELEW: Yes. I feel I wrotewith Chris and Tina and theyso we're trying to work out san agreement. When I w<Herbie Hancock (on Magic6—FRIOAY, MARCH 5, 1982—THE GREY CITY JOURNALAfusician3.' about your partic-i group on its first?s late last springige appeared to beious and stiff, with. You came acrossid lively fashion —g to inject a bit of^ members of theast night, the otherrimson seemed toage presence a bit.>nsible for that?hat one of my roles/ and loosen thingsit more enjoyableid itself and the au-nk you can be play-sic and still have aIf you're having aie audience will bethe music you'reg to work. I thinKfor the first timehter)ms to be getting offthose notes a lotshow.ired by the wholeIt's inspiring toatmosphere, with)le. It's a real civi-no messing aroundjrity there,ty with King Crim-"Adrian Belew —>n't. King Crimsoner: the band worksle of months at athree times a year,-lould have half theu to do other proj-;conomics of free-hired soloist? Forroyalties from theon, with Bowie,>lot afairly bad dealall of it being newlaslcally took alongeak. t ftever madethe dozen albumsworked with DiscCrimson and that'sjr ways, expensesas fair as you cana soloist not to getbum?t unusual, it's quitesaid he wrote theand the lyrics gets>s on the album arert of the music, itIter. I never reallytil around the timeb.' big selling recordI wrote the recordjnd they feel so too,irk out some sort ofen I worked withi Magic Windows), for instance, he felt that my guitar play¬ing was so integral to a song that he ac¬tually two months later called me upand said "Hey, listen — I really thinkyou deserve publishing credit on thissong." So some people handle it dif¬ferently.JG: I know for many people who'veheard a song you've played on, quiteoften it's your guitar solo that has themost lasting impression — not neces¬sarily the chord structure or the lyrics.On jazz records, where the soloists, ob¬viously, are extremely important be¬cause it's improvisational music, thesoloists often get some royalties.BELEW: Yeah. It's a foggy line...howmuch of a song is the interpretation of agiven player and who deserves credit. Ifeel some of it is more fair than otherways. Actually, you receive other com¬pensation...you receive exposure to au¬diences, for example.JG: Speaking of exposure to audiences,it's interesting to hear how you viewyour stage presence and the relation¬ship you have with your audience. Onstage you seem to be concerned withcommunicating as directly, as intimately as possible with your audi¬ence...you maintain eye contact withthe audience throughout the show,you're always smiling to us...there's nofalse, dramatic posturing. Consideringyour first outings as a sideman and nowwith your own group, do you feel younow have a more direct, intimate con¬tact with your audience?BELEW: Well yes. With King Crimsonnow it's the first time on a large scalethat I'm actually saying something tothe audience other than the musicalside of it. I'm writing the lyrics of theband so that when I'm singing the song,it's my words. But I've always thoughtthe most important things I can give tothe audience is a kind of enthusiasmand energy with the playing. When I goout on stage I'm very excited about theplaying. I love to play for people and Ilike it to show, so I like to look at theaudience. In fact, I'm real concernedabout that. For instance, I'm trying to get rid of this peciai Lwai d I have on thefloor because I noticed through watch¬ing films of myself that I'm looking at ittoo often. I really want to get to thepoint where I'm doing nothing but play¬ing and singing and looking at the audi¬ence. I really do like a certain direct¬ness with the audience. I have nothingto hide. I'm up there, I'm playing musicand that's all I'm doing, you know.JG: I suppose the fact that King Crim¬son has chosen to play smaller halls hashelped you maintain this intimacy withyour audience.BELEW: Well that's a big part ofit...we're trying to be more fair to thelistener. However, I must admit that inorder to make some sort of compromiseand reach a vaster audience, we aregoing to play large places this summer(with Roxy Music).JG: You've played large halls withother groups before. How do you ap¬proach your audience in those situa¬tions?BELEW: There's a difference in my on¬stage focus. You realize that beyond thepoint where you can really see peoplethere are still people (laughter), butyou don't, you don't really try to reachthem as much. You try and reach onlythe people you can really see.JG: I must be somewhat disorientingwhen you're playing these huge arenas,trying to look out at your audience pastthe glare of the stage lights, that you'reperforming for several thousand morepeople you can't even see.BELEW: It's strange (laughter). I'veplayed some pretty big things...the firstthing we played for Talking Heads wasfor 70,000 people in Canada and that's virtually a sea of little round tiny headsafter a point.JG: Are there ways to avoid that kind ofsetting?BELEW: Yes, I think there are ways toavoid it. I think one way is through film,another is through persistent smalltouring where you play two shows anight in the same hall and you playsmaller places where everyone can seeyou. It's much harder, you make a lot ofless money doing it I think, but it'sworth it.JG: Adrian, let me ask you about yourguitar playing for a bit. I've written, as1 believe others have, that you're one ofthe most innovative electric guitaristson the music scene in the last severalyears. Vet. i have doubts as to whetherI should describe you as a guitarisiper se, or as a synthesizer player, per¬haps a guitar-synthesizist. I supposethe criticism is peculiar to your uniquesoloing style.BELEW: Yeah, well that's kind of a dif¬ferent area. There's guitar playing, andthen there's sounds that you might wantto do. I've become very intrigued withsounds more so than just average gui¬tar playing. Knowing chords and thingsinterest me less and less these daysthan stretching sounds. So in a way youare right, yes, I'm trying to do otherthings with the signal processing of gui¬tar playing, but I still consider myself aguitarist and not a synthesist. A bigpart of it is hand technique for the gui¬tar. It's a combination of electronic manipulations and hand techniques together. To get the guitar to sound likean elephant for instance, it's a combi¬nation of using very simple common $60 effects — without the hand techniques,the effects would be nothing. If youtried it just by using the effects, you'dbe lost, it wouldn't happen.JG: Who have been your sources of in¬spiration on the guitar? You mentionHendrix and Beck.BELEW: Those were the very earliestand probably the strongest influences. Ilearned a lot from figuring out thechord structures of a lot of early En¬glish records by Beatles and Kinks andpeople like that. Beyond that, I thinkthe sounds that are in the air, car hornsand seagulls and jets and so forth arethe most intriguing to me. I'm not realconcerned with notes. I never havebeen real concerned with notes.JG: Let's talk about your new albumThe Lone Rhino. From the tape yougave me it seems that the album is avery eclectic one. It contains dancetunes, some very contemplative,somber pieces, some whimsical upbeatsongs. Over what period of time did youwrite this collection of songs? I get theimpression that the album consists ofrepresentations of your musical think¬ing during each of the groups you'vebeen in.BELEW: Yeah, that's the plan of it —of course to go further than that aswell.JG: Of all the different songs on the re¬cord, you chose a very sad and serioussubject matter for your title song. I as¬sume that it's an attempt on your partto try to sensitize your audience to theplight of wildlife.BELEW: Yes, that's absolutely true. Ihave very strong feelings about the factthat the large animals of the world, thewhales, the rhinos, the elephants, arejust being killed off. It's very politicaland I don't think that writing an albumabout it here in America is going tochange it, but I'd like to think it canhave some effect on oublic thinking.JG: You showed me a book you werereading on the subject.BELEW: Yeah. Sand Rivers. It's abouta safari conducted about two years agothrough the wilds of Africa where themost animals are supposed to still live,supposedly...it's a game reserve...andthey went there and found out that theanimals there were being slaughteredmercilessly, as they are all over Africa.The government isn't really controllingit. In part, it's just killing in order tosupport the war there. It's a really sadaffair.JG: It must have been very difficult ona pop album to fit the very serious andthe very whimsical sides of your per¬sonality together on one record. I wassomewhat jarred by the whimsical songthat immediately followed "The LoneRhinocerous" cut.BELEW: Well, that was kind of the in¬tent there as far as the pacing of thealbum was concerned. I didn't want tobring people down for too long but I didwant them to think about the subjectmatter.JG: The album is unusual in that its fullof the kinds of stereo and reverse tapeeffects that l remember from old Beat¬les records.BELEW: Oh certainly, I went nuts onthat. I've always like that. I missed thaton records. I miss the kind of experi¬mental songs like "Strawberry FieldsForever". I think it would be nice it peopie got back into that frame of mind forlistening.JG: Adrian, I understand you haveyour home in Springfield and intend onstaying in Illinois for quite some time.Obviously, most of your work takesplace outside of Illinois, and yet you'veresisted the pressure to move tc, say,either coast.BELEW: Yes. Everyone is always tell¬ing me "Adrian, your career is going tosuffer if you don't move to New York."What they don't realize is that I alreadyhave more work than I can handle,(laughter) I kind of want to live. I don'twant to kill myself just to be a rock mu¬sician. I've seen it happen with a lot ofthe people I love dearly ..the businessitself nearly kills them. Physically andmentally the stress can be enormous. Ikind of want to take my time and justlast. I want to be around when I'm 45 or50 — still playing good music, and stilltrying to innovate.I think the sounds that are in the air, car horns andseagulls and jets and so forth are the most intrigu¬ing to me. I never have been real concerned withnotes.THE GREY CITY JOURNAL—FR IDAY, MARCH 5, 1982—7TheMAJORACTIVITIESBOARDproudly presentstk* R-sasSunday, April 48 PMIda Noyes GymnasiumTickets$9 UC Student' $15 OthersNO SEATINGTix on sale March lO, 9 am Reynolds ClubBox Office. (First two days, only UC studentsmay buy tickets.) 2 tix UCID/2 UCID per person.Major Activities Board ORIENTAL CARPETSOPEN HOUSE AND SALESATURDAY • MARCH 6 • 12 - 5 PMWe will be offering all carpets at 20% off ouralready low prices. This includes semi-antiqueprayer rugs (starting at $130) through room-sizePersian designs.Our quality is finer and our prices are lower thanANYWHERE in the Midwest.Coll David Bradley at 288-0524for Hyde Park address.P.S. - past customers welcome!The University of ChicagoDivinity Students Associationpresents1982 Spring ConferenceRELIGIOUS CONVICTION ANDPUBLIC ACTION: THE LIFE OF FAITHIN A PLURALISTIC WORLDWednesday, March 31,19829:00 a m. Coffee, Swift Commons Room9:30 a m. Professor Mannfred H. Vogel, Northwestern University“The Political Dimension in the Structure of Faith of Judaism"2:00 p.m. Professor Robert M. Seltzer, Hunter College C U N Y.“Judaism and Liberal Causes: A Severed Covenant?”Respondent: Rabbi Arnold Jacob Wolf K.A.M. Isaiah Israel Congregation of Chicago4:00 p.m. Social Hour, Swift Commons Room.Thursday, April 1,19829:00 a.m. Coffee, Swift Commons Room9:30 a.m. Professor Matthew L. Lamb, Marquette University9:30 a.m. “Christianity within the Political Dialectics of Community and Empire"7:30 p.m. Professor Martin Marty, University of Chicago“The Protestant Polarity: Between Theocracy and Propheticism"Respondent: Professor Anne Carr, University of ChicagoFriday, April 2,19829:00 a.m. Coffee, Swift Commons Room9:30 a.m. Professor Fazlur Rahman, University of Chicago“Islam and Political Action: Politics in the Service of Religion"2:00 p.m. Professor Marvin Zonis, University of Chicago“How Useful is Islam as an Explanation of the Politics of the Middle East?"Respondent: Professor John O. Hunwick, Northwestern UniversityAll lectures will be held in the 3rd floor lecture hall of the Universityof Chicago Divinity School, Swift Hall, 1025 E. 58th Street, ChicagoBRANDEQU PMENT USED OFFICEFURNITUREUsed wood desks from $135Used metal desks from $25Used 6 ft. drafting tables4 drawer files from $508560 S. ChicagoRE 4-2111Open Daily 8:30-5Sat 9:00-38—FRIDAY, MARCH 5, 1982—THE GREY CITY JOURNAL1 -?JVf c A <-L\> ‘ i L 3 S T4 V fi',° o Personal Best: o oO O' O Oo Better Than Before oBy Shawn MageeThe ecstasy of victory, the agony of defeat. All the hours of grunting and groaning,sweating and straining finally paying off ina moment of ultimate elation. Working hardand winning. It's at the core of the All-Amer¬ican Man. And the All American woman,too.Personal Best, written and directed byRobert Towne, focuses on two women pen-tathletes and would-be Olympians, ChrisCahill (Mariel Hemmingway) and TorySkinner (Patrice Donnelly). Although themedia have created much ado about the ho¬mosexual nature of the relationship betweenthese two women, Personal Best is not amovie about lesbians. It is a movie abouttwo women, two athletes, two individuals,who just happen to be gay. And that is whatmakes this film so refreshing.When the film opens, Chris is little morethan a gawky teen with a pushy papa whodoubles as her coach. Oh, she likes sportsalright, but there remain grave doubtsabout her desire to "go the extra mile" andher lack of "killer instinct." She soon meetsTory, already an established and disciplinedpentathlete, who takes her under her per¬sonal as well as athletic tutelage. The rela¬tionship appears to be mutually enjoyable,if a bit passionless. In the film there is neverany inkling as to why these two people areactually attracted to each other. Is it Chris'vulnerability or Tory's eyes? Do they likethe same books? This lack of a magneticspark is probably due not to inadequacies orvagaries on the director's part, but to a con¬scious desire to subordinate any strictly per¬sonal aspects of the relationship to thoseconnected with Chris' or Tory's lives on thefield It is their mutual love for their sport,rather than a deep love (a word which isconspicuously absent from this four-year re¬lationship) for each other that is at the coreof their relationship. For it is when Chriscomes into her own as an athlete (and com¬petitor) that the relationship begins tofounder.Towne uses marvelous techniques to de¬pict this inner tension visually. One particu¬larly memorable scene opens as Chris andTory are jogging casually along the beach.Metaphor takes over and tension increasesas they begin, barefooted, to scale a hugesand dune. There is no sound but the groan¬ing and the closely miked gasping for breathas each woman strains to be the first to thetop. The sequence is shot in slow motion and the tension is inescapable. The two raceneck and neck, but finally it is Chris who ar¬rives a split second earlier — a momentwhich seems to cement the inevitability ofChris' athletic ascendency later in the film.The scene could have become maudlin orheavy-handed at this point, but the tension iscleanly dispersed by a shot of the nefariouscoach (played to the hilt by Scott Glen), sit¬ting at the top of the dune popping six-packsand admonishing the women to repeat theiramazing feat.Mr. Towne's work in shooting the athleticsequences is superb; using slow motion, freeze-frames, and wide angle shots he em¬phasizes the power as well as the grace ofthe female body. His treatment of the shotput event, not generally considered to bevery feminine, is turned into a celebration ofwomen's strength. As the women are anx¬iously fingering twelve pounds of cold steeltucked beneath their chins, Mr. Tow'neallows his camera to flow over their sleek,taut bodies which are poised in that last mo¬ment of calm and contraction before theburst of strength.The performances, given by both profes¬sionals and newcomers to the screen, were solid. Hemmingway brought the requisitevulnerability and sincerity to her Chris, andDonnelly, herself a former Olympian, addedto the authenticity of the athletic sequencesas well as brought a genuine sense of hurtand loss to her Tory. And Scott Glenn wasgreat as the hyprocritical love-to hate himcoach who is constantly trying fo put distance between Chris and Tory, ostensiblyfor professional, but then obviously also forpersonal reasons.As for the sexaul polemics being fosteredby the film, they appear more as projectionson the part of the audience rather than delib¬erate intent on the part of the director. Pro¬fessional women athletes are worried abouttheir image as an association frought withlesbianism, but the recent real-life comingout of both Billie Jean King and MartinaNavratilova seems to have already proventhat there are gay women on the profession¬al sports scene, (and champions at that), aswell as in every other walk of life.As for the smugness on the part of manyheterosexual reviewers, the ending does notnecessarily intimate, as many have sug¬gested, that homosexuality was simply aphase through which Chris has now passed.(Relegating homesexality to a phase is sim¬ply too convenient a defense mechanism.)Although she does end up with a boyfriend,the break up of the relationship with Torywas caused primarily by professional con¬flicts, not the presence of a male characterwho was not even introduced into the storyuntil after their parting. Chris is simply awoman athlete whose choice of a lover is de¬termined not by sex, but rather by his or heraffinity for sports (which, of course, is alsothe basis for her heterosexual relationship).As for the notion of it taking a man to makeher a winner, this is nonsense. Chris' athlet¬ic success is due primarily to Chris her¬self.Towne is therefore to be congratulated forhis unique and unflinching presentation ofwomen. He seeks neither to glamorize them,nor shunt them into the traditional roles ofmother, neurotic housewife, whore, or pureornamentation. He strives to portray theirstrength, both emotional and physical, andthereby gives us a whole and fulfilling pic¬ture of women. Personal Best is an unpre¬tentious, nonproselytizing, and engagingmovie which demonstrates that women are,above all, human, with all that it entails,weakness as well as strength.Chariots of FireChariots: Olympic BritsBy Robert KubeyChariots of Fire is a finely researched,aptly directed, and well acted film by a castof virtual unknowns. In addition to chroni¬cling the true stories and moral dilemmas ofEric Liddell and Harold Abrahams, Bri¬tain's fastest sprinters at the 1924 ParisOlympic Games, Chariots of Fire offers theviewer unusual and highly believableglimpses of an elite English University, thepolitics behind the Olympic Games and theathlete's preparation for world class com¬petitive running.Eric Liddell is a devout, Scottish Christianmissionary who places his duty to Godabove all else (including running his Olym¬pic 100 meters heat on Sunday). Abrahams,on the other hand, is a Jewish student atCambridge's Caius College with a.sizeablechip on his shoulder. His quest for suprema¬cy as a runner is fueled by intense pride andan obsessive need to prove himself as a Jew.He competes primarily for himself and hisequally driven coach.With all his ambition and cockiness, Abra¬hams might be compared to Mark Spitz, an¬other Jewish Olympian. Spitz' techniquewas also honed from years of grueling prac¬tice and he, too, seemed to compete for him¬self. People rarely warmed to Spitz, and inChariots of Fire, the viewer does not alwayslike Harold Abrahams. His arrogance andself-absorption may be particularly discon¬certing to some Jewish viewers.But Abrahams' sense of discrimination isnot without basis. While Liddell is held aloftin victory before the Prince of Wales, Abrahams, the Jew, also victorious, is left to tagbehind Liddell's admiring crowd. And so thefilm captures the interrelationship of anti¬semitism and Jewish pride, ambition, andself-pity.It's inspiring to watch Liddell compete (he "feels God's pleasure when he runs"),but Abrahams appears somewhat confusedand empty upon victory and pouts pitifullywhen he loses. The moral, in a nutshell, isthat life ought to be lived for some sort ofhigher purpose. But Chariots of Fire is more than a morality play. It is also the absorbingtale of two uncompromising young mencommitted to differing values.While Colin Welland's exceptional screen¬play works well in telling this compellingstory, it falls short at the film's end, failing to clearly resolve the subtle questions raisedearlier. Brief flashes forward at the begin¬ning and end seem unnecessary and awk¬wardly tied to the main action.But the film has many strong points.Chariots of Fire is photographed almost en¬tirely with a soft focus which lends an air ofcredulity to the early 1920s era it so master¬fully evokes. Slow motion and extremeclose-up are employed in unusual ways toheighten and accent the action throughout.A cacophonous montage of the Americanathletes in training was particularly cre¬ative — a portent of America's rise in athlet¬icism and world power.Ian Charleson (Liddell) and Ben Cross(Abrahams) are superbly cast in their filmdebuts and fans of director Lindsay Ander¬son (If and (Oh, Lucky Man!) should enjoyhim in a rare screen performance (oppositeSir John Gielgud) as the Master of CaiusCollege. Hugh Hudson's first effort as adirector of feature films is nearly flawless.The attention to detail is astounding.Hundreds of period props add depth to theexceptional interiors, and the recreatedParisian Olympic Stadium is a masterpiece,down to the vintage wooden box movie cam¬eras cranked slowly by cameramen record¬ing each race for posterity. And rarely has afilm lavished such attention on men's costume design. Chariots of Fire makes onewish that preppy tweed would remain instyle forever.The film (nominated for seven AcademyAwards including Best Picture and BestDirector) should not be missed, but I didwonder, finally, at the title which is takenfrom the Bible. Chariots of Fire sounds likea science fiction film aimed at adolescentboys, but the film is much much more thanthat.THE GREY CITY JOURNAL—FR I DAY, MARCH 5, 1982—9A Guard watches over office furniture for a building not yet constructed.MIDDLE EAST MUDDLEBy John EganSaudi Arabia in the 1980sby William QuandtThe Brookings Institition(179 Pg., S8.95 paper, S22.95 cloth)The American public has recently beensubject to a popularization of the MiddleEast, a situation wflich has been given an of¬ficial boost by President Reagan's citationof the 14th century Arab philosopher/histo¬rian Ibn Khaldun. Starting with the generalinability to understand the taking of Ameri¬can citizens by the Iranians, and continuingwvith the realization that the petroleum pric¬ing and output policies of the Saudi govern¬ment can have an appreciable effect on theUnited States' economy, the Middle Eastnow gets depicted in various ways to serveparticular interests. This media interest —shown in television, newspapers and books— usually has vague unstated attitudes("they" are "backward" for example) andargues for particular positions ("we"should help "modernize" them), and in theprocess colors much of what is seen, readand eventually thought. The narrow focus ofboth policy-makers and the public oftenoperates to the near-exclusion of the largerregional considerations: thus the Iran-lraqwar, now sixteen months old, is largely ignored since its outcome is not seen by themedia as vitally effecting the U.S.Crises are news — they generate a need toknow on the part of business and the public,and "experts" materialize to advise thesesectors, along with the government, as towhat "really" happened and how the U.S.can effect the situation's outcome. A sharpincrease in forboding information cancreate, by its mere existence, a sense ofcrisis: the "missile gap" which arose dur¬ing the 1960 Presidential campaign is an ex¬ample of this type of a "created crisis." Theperception of a threat to "the national inter¬est," a term widely used but poorly definedfor several reasons, is enough to send schol¬ars and journalists into a writing frenzy de¬signed to inform both policy-makers and thepublic about a particular issue. Quite oftenthe analysis put forth under these conditionsrests on incorrect or incomplete informa¬tion, deeply ingrained biases and the beliefthat whoever shouts the loudest will beheard above the general din.These concerns and attitudes are evidentin William Quandt's Saudi Arabia in the1980s, an analysis of the forces which threa¬ten to undermine the "special friendship"which has developed between the Saudi andAmerican governments. Quandt fails for anumber of reasons to convincingly show theinstability of the Saudi regime. There is lit¬tle in his book which cannot be gleaned froma six month reading of The New YorkTimes, which is itself colored by assump¬tions about the nature of Islam and the polit¬ical sophistication of the leaders of the Mid¬dle East. There is the influence of theJewish groups in this country upon the for¬mulation of American foreign policy; main¬stream publications and political posturingmust take this group's influence into consi¬deration whenever the Middle East is dis¬cussed. Also there are the sensitivities of the Saudis themselves which must be increas¬ingly taken into account, since it is to Ameri¬ca's benefit to maintain its good relationswith the kingdom. Quandt seems to want toaccommodate both interests at once; conse¬quently his analysis suffers whenever hetouches on the Arab-lsraeli conflict.Quandt's choice of topic, selection of factsand tone of rhetoric combine to show thatthe maintenance of the status quo in SaudiArabia is his primary concern. "Saudi Ara¬bia sits atop the most easily exploited re¬serves of petroleum in the world," he saysearly in Saudi Arabia, showing that thisissue will centrally effect his analysis. Moreimportant than his choice of words ("mosteasily exploited") is his reluctance to illus¬trate his points with even a short casestudy: being told something is different thanbeing shown the same thing through a pre¬sentation of data, for the ability to predictthe likely turn of events in the future relieson understanding not only what happenedbut also why it happened. Quandt could havefound many instances of economic hubris bySaudi policy-makers: the international air¬port at Jidda, built at an estimated cost of $3billion, had to be closed when the main run¬way cracked during test flights. It is clearthat the Saudi's second five-year plan, from1976 80, was premised on an overly optimis¬tic Saudi assessment of their own technicalcapabilities.The Saudis are sensitive about the largeamount of foreign workers in the country,along with the generally poor quality ofplanning and workmanship that was permit¬ted during the late 70s. Quandt covers poten¬tially embarrassing issues quickly: they arenot explored for their own importance butonly in how they relate to the continuedSaudi rule. The functional political impor¬tance of developments in the area is a con¬cern which permeates Quandt's writing. Ina country with an indigenous population ofroughly six million, the presence of abouttwo million foreigners, most of them skilledand all of them second class citizens, is anissue which should not be glossed over if onewishes to present an accurate picture. Thedesire not to offend Saudi leaders contri¬butes to his compromised analysis.Quandt repeats timeworn hyperboleabout Islam, probably the most intriguingaspect of the area to the American public.He terms the Wahhabi branch of SunniIslam "a particularly pure and austere in¬terpretation of Islam." In whose eyes?Shiism is not explained but is, nonetheless,referred to several times, as the Shiiteshave a population of about 250,000 concen¬trated in the Eastern Province, where theywork the major oil fields of Saudi Arabia.The insurgents who captured the GrandMosque in Mecca in November 1979 were"religious zealots, coupled with a few lead¬ers who had tribal or personal reasons foropposing the House of Saud." Quandt's ex¬planation of the importance of the holy cities(Mecca, Medina and Jerusalem) to a Mus¬lim is too short and leaves one wonderingwhether or not he himself understands itfully. He has failed to set up a framework ofanalysis which integrates individual eventsinto a general pattern. He relies on the mon¬olithic non-explanation of the resurgence of "fundamentalist Islam" to deal with behav¬ior that is arguably political. This then begsthe question "fundamentalist compared towhat?" In a region where all of the differentbranches of Islam each believes itself tohave true adherence for the original princi¬ples of Islam, laid down in the Qur'an, to saythat one group claims legitimacy for itself,or that there exists one general trend — thereturn to fundamentalism — is to say noth¬ing of importance at all.Quandt has never been comfortable withthe influence of culture upon politics in theMiddle East; in one of his earlier books, De¬cade of Decisions, he all but rejects culturalinfluence on the events of 1967-76 in,favor ofan involved, and very good, analysis of thedecision-making process of the U.S. andMiddle Eastern governments, notablyIsrael. Of course this decision makingprocess determined the outcome of thoseevents (June War, "Black September" inJordan, October War, and the beginning ofthe Lebanese civil war) but Quandt cannotexplain these events fully without takinginto account the political culture of the area.Nationalism, socialism and various inter¬pretations of Islam are all part of this politi¬cal culture, and they are ascendant at dif¬ferent times and in different countries;most of all, there is the tolerance of prac¬tices which run contrary to theory, a consideration which will frequently overridethese other passions in the determination ofthe actions of a state. This is a gray areawhich causes policy makers some anxiety;however, this ambiguity must be acceptedand understood if the actions of states in theregion are to assume any logic at all. Astrictly determinist mode of behavior, animated either by "fundamentalist Islam" orArab nationalism, for example, will fail toexplain the political behavior of individualsor governments. Quandt's failure to men¬tion even the Syrian Ba'ath party's strainedrelations with Nasser shows that howeverfine his analysis is on a governmental level,it is still inadequate to explain the June 1967war.So too in Saudi Arabia in the 1980s, Quandtis concerned with political structures anddecision-making processes, somethingwhich has considerable importance, butwhich should not be accorded preeminencein Saudi-American relations. He never ex¬plores the Western concept of stability andwhether or not it is appropriate to apply it tothe governments of the Middle East. It hasbeen stated that one of the greatest illusionsabout the twentieth century is that throughpolitics one may exercise control overevents (Jacques Ellul in The Political Illu¬sion). Recent events like the ousting of theformer Shah of Iran and the assassination ofPresident Sadat clearly show that domesticpolitical culture in the Middle East is ig¬nored at a leader's own peril. And the reper¬cussions of this neglect can reach othercountries as well. There is more to MiddleEastern politics than a study of the formalpolitical institutions of each state, and U.S.foreign policy should take this into consi¬deration.When Quandt does discuss the cultural dif¬ferences which complicate the Saudi-Ameri¬can relationship, he falls prey to the diffi¬ culty of describing — without an implicitvalue judgement — the different styles of di¬plomacy. American diplomats "tend to bedirect, legalistic and fairly pragmatic,"while the Saudis "still adhere to a more indi¬rect mode of discourse," one where both"elaborate rituals of hospitality," and theavoidance of direct "yes and no answers"play a large role. First of all, the opposite ofthe stated American tendencies combine tosuggest an elusive criminal type who won'tlisten to reason; Quandt also hints at ananthropological construction of "the Arab"with his use of "rituals" rather than "pro¬cesses" or "methods." Both Saudi andAmerican approaches to diplomacy haveevolved according to the constraints of theirculture, and in the case of the United States,fairly rigid legal and professional guide¬lines. Saying that the Saudis prefer "an infi¬nite variety of maybe answers" rather thanan outright reply to an apparently straight¬forward question is to incorrectly imposeone value system on another culture. The re¬sult is distortion, lamentable in any book onthe region (and perhaps unavoidable) butdoubly so in a book which is alleged to havean impact on the Reagan administration'sforeign policy. (New York Times, De¬cember 16, 1981 p.6) As Quandt himselfpoints out, the Saudis have a number of po¬litical tightropes to cross, all of which bytheir nature defy giving a definitive answerto one party or another. Neither of the prob¬lems of modernization nor the Palestinianissue can be resolved with a "yes or no an¬swer" due to the nature of Arab politics,which is dominated by issue specific align¬ments and the need to have several basesfor the legitimation of authority.Quandt's suggestions for the formation ofU.S. policy toward the Saudi kingdom areclothed in vague and passive rhetoric. Ver¬bal lattitude to some degree is necessarywhen writing about the Middle East so asnot to antiquate yourself; however, Quandtmust strike a better balance between specificity and generality. He sees the Palestin¬ians as "the remainder of the Arab-lsraeliconflict," and although he is critical of theBegin government's decision to "unilateral¬ly redefine" U.N. Resolution 242, he thinksthat "some indication from Washington thatthe status quo is not acceptable" would sufficiently convey the American govern¬ment's decision to actively persue a resolution to the conflict. He gracefully avoids thequestion of whether or not the P.L.O. is to bea part of the resolution process. How shouldthis indication be conveyed? Through theU.N., where the frequent censure of Israeldoes not seem to effect their behavior?Through a moderation of weapons sales andnon-military economic aid to Israel? AgainQuandt doesn't say. "Essential interests —oil, security, containing Soviet power —should be carefully watched to ensure acomplementarity of policies". This is an unusually illogical piece of prose in the lan¬guage of foreign policy: how does one watchan interest? Moreover, a complementarityof policies will not result as long as theSaudis continue to see Israel as the majordestabilizing force in the area while the U.S.seeks to contain the Soviet Union's activityin the Middle East.Quandt makes a good point about the reso¬lution of the Arab Israeli conflict: U.S.-Saudi cooperation on a number of smallerissues where each country's perception ofthe situation is not "drastically different"should precede any attempt at solving thelarger problem. Such issues would include aresumption of aid to Pakistan, which wassuspended when President Zia al-Haq an¬nounced his intention to manufacture nu¬clear weapons. America's failure to inter¬vene on the part of the Somalians in theirwar against Ethiopia was seen in Riyadh asa lack of U.S. commitment to regional sta¬bility. To some extent the Saudis were cor¬rect, but they did not take into account thelegal restrictions on the use of force whichwere imposed on the presidency since theend of the Vietnam war. A poor understand¬ing of each countries motivations and capa¬bilities has characterized the "specialfriendship" which arose during the 1970s be¬tween Saudi Arabia and the United States, afriendship which is increasingly defined interms of oil, weapons and regional stability.The occasional solid point that Quandtmakes about this friendship, however, islost among the short sighted analysis andgovernmental rhetoric, which seems toexist as often to confuse as it does to enlight¬en.10—FRIDAY, MARCH 5, 1982—THE GREY CITY JOURNAL1Dr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know thedifference between advertisedchedp glasses or contact lensesand competent professionalservice with quality material.Beware of bait advertising.Eye ExaminationsFashion Eye WearContact Lenses LEONARD REAL ESTATECOUNTRY RETREAT ON 12 ACRES - Ige carpetedliv mi, din rm, 4 bdms. 2 bas Pine paneled fam rmoverlooks beautiful wooded ravines that meander to1000 ft. of frontage on Coho stocked river, bsmt rec rmhas a wood burning fireplace L wet bar. 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We Buy and SellUsed Records1701 E. 55th684-3375262-1593HYDE PARKHAIR DESIGNERS(formerly Elizabeth Gordon)STUDENT SPECIALTues.-Wed.-Th. starting March 215% Off Haircut288-2900FOCUS ONFAMILIES DAYSunday, March 141 p.m. to 5 p.m.SEMINARSENTERTAINMENTLutheran Schoolof Theology55th and UniversitySponsored by Hyde Park-KenwoocCommunity ConferenceTHE GREY CITY JOU R N AL—F R I DA Y, MARCH 5, 1982-11High Priestess of LazinessFran Lebowitz is perhaps the greatestapologist for laziness the world has everseen. No one else has written in such detailabout those days when it's all one can do tosmoke, much less get out of bed. Throughher wry sensibility, cruelty, selfishness, andintolerance have been transformed intosources for a strikingly original brand of humor. Her book. Social Studies, was pub¬lished last year.When I called her up last week I panickedwhile waiting for her to answer. How is oneto talk to the wittiest woman in the UnitedStates? To be polite might excite her famousscorn, yet to try in any way to be similarlyflippant would certainly mean to start a round of repartee one couldn't hope to keepup with. How surprising, then, to hear aglum voice answer "Yes?" and then agreeto an interview with an almost inaudible,."That’d be fine."Throughout the interview she didn't laughonce herself.Interview conducted by Keith Flemingand Richard Kaye.KF: Fran, when I was 16, I was sort of inlove with you through your column in AndyWarhol's Interview. Do you get a lot of mailfrom romantic young men?FRAN: I get some fan mail, a lot of hatemail, but mostly letters from prisoners.KF: l remember. . .1 think it was the firstthing of yours I read, you talked about "theglamor of alienation". It seemed so true, butI'd never seen anyone write about it be¬fore.FRAN: That's one thing prisoners neversay.RK: What do you think about people who'vecompared you to Dorothy Parker? Do youthink it's true?FRAN: I'm always flattered when peoplecompare me to Dorothy Parker, but I thinkthe people who compare me to DorothyParker probably never have read DorothyParker. I think the only thing I have in com¬mon with Dorothy Parker is that we're bothgirls.KF: Do you feel most comfortable with theone-liner, or do you like doing more extend¬ed pieces?FRAN: I don't like doing any kind of writ¬ing. However, the one-liner its closer todoing nothing.KF: I think the one-liner's probably yourstrong suit.FRAN: Then you'll be sorry to learn I'mwriting a novel.KF: How has success changed your life?FRAN: I'm richer.KF: Is that all?FRAN: Well, 1 wake up later. When I waspoor I woke up whenever the first phone callcame, whether it was at nine or at one. NowI have an answering service.RK: Weren't you a maid when you firstcame to New York?FRAN: I was never anything as high-falu-tin' as a maid, I cleaned people's apart¬ments.KF: I was going to ask you. . .did you everget desperate enough to write somethingCourt Theatre: Dramatic Double-BindBy Sharon PeshkinQuestion: What happens when a misogyn¬ist sets out to write a comedy about a narcis¬sist while suffering from arthritis and whilein the depths of a deep depression? Answer:nothing innovative or insightful, but, in thecase of Ferenc Molanar's The Guardsman,a very entertaining romantic farce.Set in turn-of-the-century Vienna, TheGuardsman portrays the comic despair of asingularly vain actor (played by NicholasRudall) who fears he is no more to his wifethan the tenth (oh, excuse me — eighth) inher long line of lovers. Suspicious and fright¬ened that she is eagerly anticipating thefootsteps of a new man on the horizon, he de¬cides he must set his mind at ease — hemust know whether or not she is loyal. Totest her fidelity, he undertakes "the firstgreat and really serious part I have everplayed in my whole life," and attempts towin her heart disguised as a Russianguardsman.But as he seduces her, he discovers he hascaught himself in a double bind. If he fails tobe irresistably dashing, he is not a greatactor. But if he succeeds, he will have foundher to be fickle, which he desperately hopesshe is not. He is caught playing two contra¬dictory roles — simultaneously wooing heraway from her husband while encouragingher to remain loyal, trying to convincinglydo her husband the ultimate insult whileconstantly praising him. This actor (whohas never been able to distinguish thetheatre from his home in the first place) hastruly hoist himself by his own petard.Watching him squirm there is excruciat¬ingly entertaining.It is no surprise that the actor regards hishome as a stage. With the cast of characters Nicholas Rudall and Diane Rudall inThe Guardianwho inhabit that house, who needs thetheatre? The drama-groupie maid, Whenshe isn't flitting about in a frenzy or breathi-ly taking orders, is eagerly awaiting theirevery beck and call (and juicy bit of in¬trigue) with her ear to the keyhole (openthat door slowly!) Mama is forever dotingon her daughter and failing to get along withanybody at all. She and Dr. Bernhard, thecritic, are permanent fixtures in the actors'home — overused props in the endless performance which the younger couple put onfor themselves (or for nobody in particu¬lar), as they strive to determine whether ornot they honestly regard each other as "bit¬ter fruit no longer taste-alluring."In keeping with the tradition set by thefirst successful American performance of The Guardsman in 1924, the leading rolesare played by two married actors. NicholasRudall does not seem the right man for thepart. Originally, the transition from actor toguardsman was conceived of as a transitionfrom a vain, charming peacock to an oaf,completely lacking elegance and sex ap¬peal, but strangely alluring to the actress inhis very brutish manliness. Nicholas Rudallreverses the physical appearance of thetwo, and the play loses something becauseof this. Diane Rudall, however, is wonderfulas the glamorous, jaded actress-wife, andher convincing performance keeps the lessbelievable elements of Nicholas Rudall'sperformance from detracting from theoverall effectiveness of the play.' Liesl, the maid (Charlotte Maier), is cru¬cial to the frivolity of the play. It is she whois responsible for keeping the energy levelup throughout the show, including the inter¬missions, during which the set changes arechoreographed as little interludes of dance— a nice touch by director Tom Mula. Thesupporting performances by Bob Kennan(Dr. Berhnhard) and Pauline Brailsford(Mama) are very good. The elegant and ap¬propriate sets (by Linda Buchanan) andcostumes (by Jessica Hahn) along with theimaginative lighting (by Rita Pietraszek)add a finesse which makes The Guardsmanappropriate to its time and alive in ours.After watching two married actors playtwo married actors who are forever acting,you'll be relieved to return to the relative se¬curity of the life of the mind. The Guards¬man will be running through April 4th atCourt Theatre; Wed., Thurs., Fri., Sat. at 8PM, Sun. at 2:30 and 7:30. Tickets are $11Fri. & Sat., $9 all other performances (stu¬dent and senior citizen discount: $9.50,$7.50). you really didn't approve of, like a sex man¬ual?FRAN : When I first came to New York at 18I used to write pornography, but that's be¬cause it was fun to write. After a while it gotboring and I had to ask all my friends overto help me write it. But I've never writtenanything I didn't want to write.RK: I know you've been asked about thewriters whom you like, but who writes nowthat you absolutely hate?FRAN: Well there are definitely more ofthem. I'd rather not mention them.RK: Well, then, mention dead people ifyou're afraid of injuring someone.FRAN: I'm not afraid of injuring anyone,I'm afraid of retaliation.KF: In your interview with John Waters yousaid you liked the Catholic Church becauseit's a kind of sturdy oppressive absurdityyou can play off. I was wondering if you feltthe same way about pop therapy.FRAN: I don't write about pop therapy be¬cause it's a subject which had been done todeath. But I do hate pop therapy. Mostly be¬cause of its awful vocabulary.RK: Would you ever consider living outsideNew York? Or do you think you'd evaporateoutside of Manhattan?FRAN: The only other place I've ever con¬sidered living is Italy. I love Italy. I'm fier¬cely mono lingual and the Italians speakEnglish, but don't read it. My work is unk¬nown there. My work has never been translated, but for some reason I sell very well inParis. People seem to know me there as wellas they know me here.KF: Have you ever been confronted by ear¬nest young radicals who say "C'mon Fran,what are you really doing to help theworld?"FRAN: Yes. I tell them I'm not interested.This happens a lot when I read in San Francisco.RK: Why do you tell people in interviewsthat you're "politically conservative"?FRAN: Because I am conservative. I'm fi¬scally conservative.RK: What do you think of the Reagans?FRAN: First of all, Ronald Reagan is themost honest president we've had. There'snothing devious about him. he's done exact¬ly what he said he would do. So people whovoted for him who tell you they're mad athim are just showing how moronic they are.Actually, the Reagans just remind me ofpeople from some Santa Barbara countryclub. But the thing that gets me is that peopie think they have style. It's amazing thatpeople are always comparing them to theCarters and saying that the Reagan's havebrought style to the White House. I myselfvoted for Ed Clark because he advocated nogovernment.KF: Fran, here in Chicago it seems like onlyone out of twenty people can really "get"your kind of wry overly sophisitcatedhumor.FRAN: Really? Maybe I should move toChicago. That's more than like me here.RK: What do you think of Woody Allen?FRAN: Well, I'm interested in his writingmore than his movies. His movies are usual¬ly about only himself, and his writingsaren't always like that. He's very middle-of-the road, in a way, and appeals to far morepeople. Which of qourse brings him more inthe way of money.RK.: What of his writing do you like?FRAN: I liked his piece on the creation ofthe sandwich. I didn't like "The KugelmassEpisode" very much, which is a piece thateverybody seems to like. There was some¬thing very collegiate about its humor.KF: Where do you like to take your idealdate?FRAN: Straight home.RK: No movies?FRAN: No, I go to movies to eat popcorn.RK: Have you ever wanted to write for mov¬ies.FRAN: No. People are always asking me ifI want to ever write for the movies, but I tellthem no, I want to be in a movie. I muchrather have someone put me in a picture. I'dlike to be in a film just for a second, maybeto just comment on what's going on in thepicture. A camera could just focus on me fora minute and I could say something like"Mmm. . ."KF: How's your novel coming? is it a page aweek or a page a day?FRAN: A page a month.KF: Do you feel you're invulnerable to corruption?FRAN: Yes. To be corrupted you have towant to be corrupted.12—FRIDAY, MARCH 5, 1982—THE GREY CITY JOURNAL3000 MAGAZINESGREETING CARDSCIGARETTES/CANDYHOT VIDEO GAMESPOSTERS/BUTTONSthe best magazine storessince 196551st & LAKE PARK MAIN OFFICERANDOLPH & MICHIGANCLARK & DIVERSEYBROADWAY & DEVONmost open to 12 pm634-5100 ROBERT M. KATZMANoroDrieto; marian realty,inc.REALTORStudio and 1 BedroomApartments Available- Students Welcome —On Campus Bus LineConcerned Service5480 S. Cornell684-5400■ITHE FLAMINGO APARTMENTS5500 South Shore DriveSTUDIOS & ONE-BEDROOMS• Unfurnished and furnished• U. of C. Bus Stop• Free Pool Membership• Carpeting and Drapes Included• Secure Building• University Subsidy for Students & Staff• Delicatessen • Beauty Shop• Barber Shop • T.J.’s Restaurant• Dentist • Valet ShopFREE PARKINGMR. 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The question is. not how much are your lenses, butwill I receive the best care, the best quality and thebest price.We at CONTACT LENSES UNLIMITED meet all the above crite¬ria of CARE, SERVICE, QUALITY AM) PRICE.TRY TO BEAT THESE VALUES!SUPER-WET BAUSCH A LOMBFLEXIBLE SOFLENSONLY $29.00 B.N.F.J SERIESSuper-thin highly wet- only $33.75table lens specifically Basic series of lensesdesigned to correct that Bausch & Lombthose patients who built their reputationwere previous hard oncontact lens failures.• NEW SUPER SOFT HIGH OXYGEN TRANSFER ULTRATHIN - $43.75New super-soft highly oxygen transferable lenses used to correct ithose patients who were previous soft lens failures•• SUPER-WET TORIC CORRECTING FOR ASTIGMATISM - $100.00The same remarkable material as the superset flexible lenses but spe¬cifically designed to our exact specifications to correct for difficult as¬tigmatism.• SOFT LENSES CORRECTING FOR ASTIGMATISM (TORIC) - $ 160.00If you have ever been told that you couidn t wear soft lens due to astig¬matism now you probably can• EXTENDED WT-AR LENSES - $ 160.00The ones you sleep with, no more cleaning, sterilizing nightly, no moredaily Insertation and Removal, wake up in the morning and see jLimit 1 parr per patientProfessional Fee: $30.00(includes - Eye Examination, Training Wearing Instructions and Carrying Case)OCR PROMISE TO YOU:If you aren t pleased with your lenses after 60 days cost of the lenses will be re¬funded All contact lens fitting done by our Contact Lens SpecialistsDr S C. Fostiak Optometrist & Assoc \We can replace your lost or broken lenses in 4 hours or less!IF YOU WANT THE BEST COME TO THE BESTfCONTACT LENSES UNLIMITED1724 Sherman Avc., Evanston, IL 60201 2566 N. Hark St., Chicago. IL 60514(above County Seat)864-4441 880-5400The Chicago Maroon—Friday, March 5, 1982—21Sports tWomen drop playoff gameThe second-seated Concordia Kittensvented their frustrations by soundly de¬feating the women’s basketball team,83-56, in the first round of the IAIAW statetournament on Thursday. Concordia wasapparently out to revenge a 63-58 upsetearlier in the season, as well as a Maroonwin that eliminated the Kittens from last year’s state tournament.Yesterday’s game was never in doubt,as Concordia quickly jumped to a 13-2 lead,the dominant play of Debbie Lemke, Con¬cordia’s 6’3” center kept the Maroons fromgetting back in the game.Concordia now advanced to the semi¬finals, while Chicago ends its season with a8-13 record.— Saturday march 6 - $:30 p.m.hillel house • 5715" s. uioodlavonMi.rilS Ia** • music • hannewtascben• games • punch• prizes • muiochiesi i.so v 9f, ft/HPVi /l jJ<0You Are Loved!Yes, God loves you and we love you.Come experience God's love atHyde Park Alliance Church"Where the Living ChristMeets Every Need”Meeting downstairs at the Hyde Park Hilton(Cambridge Room)Gordon Speagle, Pastor752-0469Services: Worship 10 am Sun.Potluck Fellowship 5:00 pm Sun.Bible Study 7:30 pm Thurs. HYDE PARKTHE VERSAILLESIDEAL FOR STUDENTS324-0200Large Studios • Walk-inKitchen • Utilities Incl. •Furn. - Unfurn. • CampusBus at doorBased on Availability5254 S. DorchesterNew and RebuiltTypewriters,Calculators,Dictators, AddersCasioHewlett PackardTexas InstrumentCanonSharpElectronic Watches REPAIRSPECIALISTSon IBM, SCM,Olympia, etc.FREE repairestimates; repairsby factory-trainedtechnician.RENTALSavailable withU.ofC. I.D.The University of Chicago BookstoreTypewriter & Calculator Department970 East 58th Street 2nd Floor753-3303 Whitewater edges runners .w The team will compete in the MidwestThe men’s track team lost to the Universi¬ty of Wisconsin-Whitewater 71-60 in a meetheld at the Field House on February 24. Themeet was not without its bright spots, how¬ever, as the Maroons placed first in sevenevents. Curt Schafer won the long jump andplaced second in both the high jump and tri¬ple jump to lead the team in individual scor¬ing with 11 points. Schafer yielded firstplace to teammate Jeff Kaiser in the triplejump. The 1600-meter relay team of DaveGlockner, Pete Juhn, Reggie Mills, and JimBiery won, and the other first place finisheswere in the distance events: Biery won the600-yard run, Art Knight wonjhe mile, BobFisher took the 1000-vard run, and MikeAxinn finished first in the two-mile.On February 27, Axinn broke his own var¬sity two-mile record while placing third inthe Illinois Classic at the University of Illi¬nois. Axinn’s time of 8:42.7 bettered themark of 8:52.58 he had set in Wisconsin onFebruarv 6. Conference Indoor Championships tomor¬row.UC vs. UW-WhitewaterShot put — 1, Szadajski (W), 47-3V2, 2, Wies-singer (W), 3, Marietti (C). Mile — 1, Knight (C),4:19.7, 2, Peske (W), 3, Rourke (C). 60-yard highhurdles — 1, Wierman (W), :08.4, 2, Palinsky (C),3, Johnson (C). 400-meter — 1, Kruchoski (W),:50.4, 2, Mirenda (W), 3, Glockner (C). 600-yard —1, Biery (C), 1:14.8, 2, Peterson (W), 3, Stocking(C). 60^yard — 1, Phalen (W), :06.5, 2, Ryan (W),3, Irven (W). 800-meter - 1. Burr (W), 1:59.8, 2,Levy (0,3, Mills (C). Pole vault — 1, Dennis (W),14-6, 2. Polzia (W), 3, Lami <W). Long jump — 1,Schafer (C), 6.59m, 2, Schroeder (W), 3, Stanton(W). 1000-yard — 1, Fisher (C). 2:18.2, 2, Raskin(O, 3, McGoff (C). 300-yard - 1, Phalin (W),:32.2, 2, Kruchoski (W), 3, Juhn (C). Two-mile — 1,Axinn (C), 8:58.7, 2, Bennett (W), 3, Fisher (C).High jump — 1, Sukic (W), 6-7, 2, Schafer (C), 3,Nadon (C). Triple jump — 1, Kaiser (C). 43-6:i4, 2,Schafer (0,3, Stanton (W). 1600-meter relay — 1,Chicago (Glockner, Juhn, Mills, Biery), 3:30.0, 2,Wisconsin.Swimmers in conference meetBy Cliff GrammichThe men’s swimming team will competein its most important meet of the season thisweekend, the Midwest Conference Champi¬onships held at Beloit College. The team’slast meet of the season will he next week atthe Chicago State Invitational.According to coach A1 Pell, the teams tobeat at the conference championships willbe Knox, Lake Forest, and Grinnell. Chica¬go defeated Lake Forest in a dual meet ear¬lier this season. Grinned is traditionallystrong among Midwest Conference teams inswimming.Bid Landschulz, co-captain of the team,stated that the events the team should dobest in — and maybe qualify for the nationalHYDE PARK UNION CHURCH5600 S. Woodlawn Ave.Church School (all ages) 9:45 a.m.Worship Nursery Provided 11:00 a.m.W. Kenneth Williams, MinisterSusan Johnson, Baptist Campus MinisteCome. Worship, Study, Serve championships in — are the 100-yard butter¬fly, the 50-yard freestyle, and the relayevents. If Chicago is to win the conferencechampionship, good times by ad the swim¬mers in these events will he needed.If a team member swimming in the 100-yard butterfly or one of the relays or anyother event should qualify for the nationalchampionships, he would join Frank Bozich.who will be competing in the 50-yard frees¬tyle at nationals. Bozich qualified for the na¬tional championships at the state champion¬ship meet held in January. The NCAADivision III swimming championships willbe held from March 18-20 in Lexington, Vir¬ginia.Sports CalendarWOMEN’S TRACKMarch 6 — Grinnel, 5 p.m., Field HouseGYMNASTICSMarch 6 — Notre Dame, 2 p.m. BartlettGvmMEN’S TRACKMarch 13 — Division III Indoor Invitation¬al, noon, Field HouseGRAFF & CHECKReal Estate1617 E. 55th St.116-2 Vi-4 room & 6 roomapartments. Immediate occupancy.Based on A vailabilityBU 8-5566Available to all comersCOPIES COPIES COPIES (COPIES COPIES COPIES (COPIES COPIES COPIES (Copies The Way You Want Them!• Same Size or Reduced • Colored Papers• 1 or 2 Sided • Card Stocks• Collated or Sorted • Fine Stationary• Plastic Spiral Binding • 8V7 x 11 or Legal SizeFast, sharp, economical copies . . from anything hand¬written. typed, or printed . . size-for size, or in anyreduction ratio ... on your choice of colored or whitebond paper!® COPYINGe4VS> per copy8 Vi" x 11”20# White BondHARPER COURT COPY CENTER5210 S. HARPER288 2233 Plu* COMPLETECOMMERCIALOFFSETPRINTINGSERVICEIM ScoreboardRough Riders 52 All-University Champs Not Too Swift 48Rough Riders 11,Dogs Eating Bicycles 38 . 0No Score Rough Riders Not Too Swift 49White Punks on Dope 47White Punks IndependentChamps>Steidl 46Undergrad * Curia 37Not Too SwiftUpper Rickert 26 Champs Grad Champs No BS 60Chamberlin 55Chamberlin 52Chamberlin No BS 47Dudley 59 Resident ChampsDudley 52Hitchcock 40 Stiff Ones 36All-U basketball finals setBy A1 NovotneNot Too Swift and Larry Hatchett, for¬merly of Marquette, have intimidatedtheir more worthy opponents down theplay-off stretch with their dominating fastbreaks and speed. Both Curia and No BShave unsuccessfully tried to take the airout of the ball, but Swift’s attack could notbe turned back. The consequence of slow-up tactics in both cases has been extreme¬ly physical and sometimes brutal fouls asSwift’s opponents have reached andgrabbed to stop players from rushing by.Bob Slaughter, another college-classplayer, fell into this pattern last Tuesdaynight. After dishing out punishment allnight, Slaughter eventually fouled out. Onehas to wonder how the game would haveended if he had played Hatchett man-to¬man throughout instead of holding back ina zone.In spite of its failure to neutralize Hat¬chett, No BS managed to keep the gameclose. In the last 30 seconds No BS tookfour shots from the floor that would havetied the game and two free throws, butmissed them all. However, overtime wouldnot likely have saved the team since two ofits starters had fouled out by then, and theplayers’ concentration had dissipated.Final score: Not Too Swift - 49, No BS -47.In sharp contrast to many highlycharged undergraduate contests, Dudleyand Chamberlin turned in a star qualityperformance characterized by self-control and organized team play. Neither teamsgave up at any point in the game, as evi¬denced by the fact that no lead was evergreater than five points — and that only oc¬curred once. Chamberlin’s strategy was touse a blend of fast breaks mixed with pat¬tern offenses. They scored with an equalnumber of long and short jumpers and pen¬etrating drives. The Chamberlin defensewas capable, giving the team a goodnumber of steals, and often denying the in¬side game to Dudley.Dudley’s response to Chamberlin’s bal¬anced attack was to turn loose Jim Mos-kal. Moskal is not an imposing figure, butChamberlin was virtually incapable ofstopping his drives on the zone. His under¬stated physical presence allowed him tolurk the deep corners, or loiter.the top ofthe key unhindered. He would either drivefrom these positions, or pop an outsidejumper. But Dudley’s quiet scoring threatcame to naught. In the end, Chamberlinput a cap on the game with 25 seconds leftby using its stall for the first time in thegame and gaining a back door lay-up for athree point victory with Chamberlin at 55and Dudley at 52.In women’s play, Breckinridge was con¬vincing as it claimed the residence title.The team was paced by excellent outsideshooting, fast breaks, and superior de¬fense. Dodd/Salisbury occasionally put upa sloppy pass which Breckinridge invari¬ably picked off. Salisbury was able to pen¬etrate the Breckinridge zone fairly well,But you 're not toobusy to get in¬volved. Give a littletime and gain thesatisfaction ofknowing you haveimpact on the livesof Jews in Israel, inyour own com¬munity, on yourcampus and in themany countriesaround the world.Your involvementcan make the differ¬ence. Join ourUnited JewishAppeal'federationstudent campaign.CONTACT:Charlotte Salomon752-7460campaign April 1 5-29 however, which kept the game close. Butthe turnovers eventually proved to be deci¬sive.In the all-University final, Breck¬inridge’s opponent should be the Medflies.It appears that the women will protect thebasketball honor of the undergraduates by-winning that title, where the men are like¬ly to fall short. However, the Medflies areat this very moment being intensivelycoached by members of the Albanian Ref¬ugees, and have upset in their eyes.Several other intra-mural events haveconcluded with the end of the quarter. Inwomen’s table tennis, Lower Wallaceplaced both teams in the all-U final. Mar-quardt and Carpenter prevailed overG.W. OPTICIANS1519 E. 55thTel. 947-9335Eyes examined and Contact Looses fitted byregistered Optometrists.Specialists in Qonfity Eyewear at ReasonablePrices.Lab on premises for fast service - framesreplaced, lenses duplicated and prescriptions filledLentenSpecialShrimp ‘N’ Fish Platter(Shrimp, Cod,Fries, Cole Slaw)$2.95Available after 1:30 P.M.(Mon.-Fri.) and Saturdaycshop57th & Universitynext toHUTCHINSON COMMONS Ferenz and Walter, 21-14 and 1-8. Inwomen’s racquetball, Cibils of Snell de¬feated Senseman of Dewey, 12-21, 21-16,21-14 to take the title. In men’s racquetball,the independent champion is Allan Ellis,the residence champion is Kevin Pattersonof Hitchcock, and for the third year in arow; the graduate champion is WilliamWeber. The all-U final has yet to beplayed.COLD DRAUGHT BEER, NO SPOILAGEALWAYS READY TO SERVE.PORTABLE SELFCONTAINEDREFRIGERATED UNIT.DIFFERENT MODELS AND SIZESAVAILABLE.312-991-1010Hear AgainDoes It Again!MAJOR BUYOUTOF JVC AND FISHERReceivers - Turntables - Speakers,Concord and Mitsubishi Auto Sound -Amps, Cassettes, and SpeakersWe guarantee you savings on newfactory-warranteed merchandiseof at least 40% onhome & auto sound.Examples: Retail Now•JVC R-1X 50 watt Receiver *240 449”•Fisher RS240 60 watt ‘400 479”Dig. Receiver•Fisher DS 151 10" 3-way s99 ea *49s0ea.speaker•BIC 40Z Belt-drive 5179 ‘79”turntable w/shureM84B Cart.Auto Sound•Concord HPL120 s430 *239”•Concord HPA45 Amp *149 *79”•Mitsubishi CJ20EM Tuner *150 ‘90•Jet Sound JS121 50 watt *170 ‘90amp w/12 band EQThat's |ust a sample There's also a largeselection of our fomouf 1 & demo equip¬ment available Save > ’ore by tradingin your old system. Hi <vhile quantitieslast. 60 day tradeback. Expert repair service.Hear Again Stereo7002 N. California338-7737Open daily at 11 am. Mon. 4 Th. until 9 pm,Sat. until 5:30pm.Closed Sun.Faculty Exchange The CommunityScientist challengesevolution theoryBy Koyin ShihChallenging current theories of evolution,but from a scientific standpoint Dr. RichardLewontin, Professor from Harvard Univer¬sity, kicked off a three-day seminar entitled“Persistant Controversies in EvolutionaryHistory,” at Ida Noyes Hall on Wednesdayevening.His presentation, “How Do We Explainthe Major Features of Evolution,” contra¬dicted the current theory of evolution whichstates that every organism “has beenshaped by the forces of natural selectionacting on genetic variations.” Instead,Lewontin forged ahead into the more specu¬lative spectrum of evolutionary theory, ar¬gued that organisms create their own envi¬ronment. In mathematical terms, his theorytranslates to a change in environment is afunction of time.However, before Lewontin elaborated onhis beliefs about evolution, he first ex¬plained several main issues that contributeto the shaping of different theories: adap¬tive versus non-adaptive evolution, thelevels of selection (population, species indi¬viduals, or genes?), continuity verses dis¬continuity of evolving organisms, and thepace of evolutionary change, incrementalevolution, or the theory of punctuated equi¬librium.Immediately, Lewontin eliminated the question of continuity or discontinuity byshowing that any change, no matter howlarge or small, has an effect. Therefore, heconcluded that change must have been con¬tinuous.Subsequently, he disputed the theory ofrate of evolutionary change due to its closerelation with continuity and discontinuity.Lewontin’s concept of evolution says, “Or¬ganisms alter their environment in favor ofthemselves and their offspring, but at thesame time they destroy the possibilities.”To support this statement, Lewontin usedan example of a person waking up to analarm clock. When the alarm clock goes offin the morning, a person can continue tosleep in its presenceLewontin totally abandons the adaptationtheory of evolution. “The notion that some¬how there is a preferred world out there towhich organisms must fit themselves cer¬tainly does not correspond,” said Lewontin.“We will not further our understanding ofevolution by general appeal for laws of na¬ture through which all life must bend.Rather we must ask how within the generalconstraints of the laws of nature, organismshave constructed environments that areconditions for their further evolution and re¬construction of their nature in their new en¬vironment.”fAUGUSTANA LUTHERAN CHURCHSundays:8:30 am Sermon & Eucharist9:30 am Sunday School &Adult Education10:45 am Sermon & Eucharist6:00 pm Supper5500 South Woodlawn JICELANDAIR INTRODUCESNEW BARGAIN FARES TOMORE OF EUROPE.r LUXEMBOURG-499 PARIS—'581ROUNDTRIPFROM CHICAGO ROUNDTRIPFROM CHICAGOZURICH 1599 rFRANKFURT557ROUNDTRIPFROM CHICAGO ROUNDTRIPFROM CHICAGOAll Apex Fares: April 1 - May 14. 1982. 7-90 day stay (7-60 days Luxem¬bourg). Stopovers permitted in both directions. 14 day advance purchaserequired. Seats limited. Ask about our low cost Normal. Same Day. andGroup fares, too.ALSO LOW COST CONNECTING SERVICE TO NICE AND AMSTERDAM.Icelandair to Luxembourg. Luxair or Crossair connecting serviceto other destinations.■ Confirmed reservation. ■ Free wine with dinner, cognac after.■ Bargain Stopover Tours of Iceland and Luxembourg. ■ Bargain carrentals. ■ Purchase tickets in U.S. ■ All fares subject to change andgovernment approval.See your travel agent or call 800/555-1212 for the toll free Icelandair number in your areaICELANDAIRmNOW MORE THAN EVER YOUR BEST VALUE TO EUROPE HospiceContinued from page oneThe basic philosophy in treating the pa¬tients medically is that their last days canbe made comfortable. Most of the hospicepatients are cancer victims, which can be apainful way to die. Medication is adminis¬tered on a regular basis, not when the pain isalready present, to prevent even slight dis¬comfort. This process enables the doctors toadminister smaller quantities of drugs,thereby keeping the patient as alert as poss¬ible. Morphine and methadone are mostcommonly used. There is little chance of ad¬diction since the drugs are only adminis¬tered for several weeks.The customary method of treatment,after determining the extent of involvementby the doctors and other medical personnel,is to assign two volunteer workers to eachpatient. Their duties are to support the pa¬tient and family, and to supplement the ser¬vices which the patient’s family is able toprovide. The volunteer becomes a closefamily friend, and helps in any way possi¬ble, whether it be sitting with the patientwhile the family takes a well-deservedbreak, or calling regularly to merely talk toa lonely patient.Since most hospice patients spend a ma¬jority of their time at home in the family en¬vironment, the volunteer’s job entailsspending at least five, and many times morethan ten hours a week in the patient’shome.Meridian Hospice does not have any per¬manent facility yet. A majority of their ser¬vices are concentrated in the patient’shome. When Meridian’s patient load in¬creases, an in-patient facility will be start¬ed, and several rooms of Billings Hospitalwill be used to treat individual patients and hold group discussions.Each Meridian volunteer takes a twenty-hour training course in which specialists ex¬plain the medical, psychological and practi¬cal aspects of dying and bereavement. Theylearn how to make patients more comfort¬able, how to react in case of coma or otheremergencies, how to best arrange for a willor a funeral, and how to comfort the familyafter death.Twenty volunteers have completed thetraining at this date, and the next trainingclass is in the planning stage to begin nextquarter. Meridian Hospice encourages per¬sons from all backgrounds to volunteer theirtime, particularly students. “Talking to ayoung student is one of the best therapeutictreatments for our patients,” stated Foz-zard.The Meridian Hospice currently has four¬teen doctors volunteering from Billings, Mi¬chael Reese, Chicago Osteopathic and Jack-son Park Hospitals. There is a governingboard of twelve Hyde Park communitymembers that control financial policy.Twenty volunteers from all aspects of lifegive four to twenty hours of service a week.Twenty-five consultants ranging from psy¬chologists to clerics are available for train¬ing and special problems that may arise.Meridian Hospice’s area of coverage is li¬mited by the size of the staff and financialconsiderations. Large areas of the city arenot covered at this time, but Meridian Ho¬spice hopes to expand its area northwardand westward in the next few years.Funding for the hospice has come fromprivate contributions, according to CarrollC. Dean, who serves as executive director.A benefit for the Hospice is being held onMarch 13 at Bryn Mawr Church, at 7000 S.Jeffery Blvd.Free Illinois State Taxeswith your ^Federal Income Tax Prepared(with this coupon)CALMLY, QUIETLY, CORRECTLY... that's how we prepare returns...HI TLER &■ ASSOCL4 TES. INC.1645 E. 53rd Street 2nd floor. Phone {312| 643-2405. Enrolled to Practice liefore the IRS.Open year round. Call for an appointment, expires May 1 982 / MENGINEERS ARE IN DEMANDWHY NOT BECOME ONE?Air Force engineers work at the leading edge oftechnology. You can become an active part of this ex¬citing research even if you’re not an engineer. If youhave, or will soon have, a baccalaureate degree in aGeo-Physical Science discipline, and can qualify for anAir Force commission, the Air Force might help youearn that Electrical Engineering degree.To see if you’re qualified, call me and ask about the“Lateral Undergraduate Degree ProgramTechnical Sergeant B. J. Nielander7435 Indianapolis Blvd.Hammond, IN 46324(312) 374-4297A greot way of life24—The Chicago Maroon—Friday, March 5, 1982CLASSIFIED ADSClassified advertising in the Maroon costs SI .00per 45- character line. Special headings cost$1.50 per 25 characters. All classified advertising must be paid in advance. Advertisingdeadlines: 12 noon Wednesday for the Fridaypaper; 12 noon Friday for the Tuesday paper.Submit ads to Ida Noyes Hall, room 304, ormail them in (with payment) to The ChicagoMaroon, 1212 E. 59th St., Chicago IL 60637. Forinformation about display advertising, call 7533263. The Maroon is not responsible for goodsor services purchased through the classifiedadvertising section.SPACEStudio Apartment, Hild Realty Group 955 1200Looking for housing? Check InternationalHouse, for grad, students and for scholarsvisiting Chicago. 753-2270, 2280.FOR RENT Available now 3 rm studios in luxeapt. Call 288 0718.Share a spacious TEN room apt with 3 othersOne large room available. Rent $130.00 amonth Call Hugh 288-8722CONDO FOR SALE Va blk. from UC* Fieldhouse, 2 BR. Ig. bkyd. sun rm. sewing rmmod kit Ray School 493-2869.SUBLET: one bedroom in a furnished 2bedroom apartment avail: March Sept 56th &Kimbark Call 643-3507. Apartment students only, cut rate 947 0814Spacious East Hyde Park condo now avail. 3br, 2 bath, lr, dr, new kitchen. Rent or rentw/option $585 incl heat. 684 5030 bet 8:30am oreves.Roommate wanted to share 2 bedroom 2bathrm apartment beginning April 1st Largekitchen, Living room, security & laundry $285Call Pam 947 8549.Studio avail, immediately or April 1, lease orsublease. Near lake, UC bus, CTA, 1C, shops.Call Herb evenings, weekends at 344 7219.Fur Rm/Apt no smo Fm $225 Ut 363 3458/95570833BR tri level on large wooded lot in BeverlyShores, Ind. 2 blocks from Lake. 1' i baths. CALarge family room. Basement. 45 min to U of Cby car or train. $70,000. 13'/4 financing CallRenard at Callahan Realty. 219 926 4298Nice Bdrm in 3 bdrm/2 bath 54th & KimbarkGood, safe building, near park, tennis courts.April 1-June 15. $175/mo + util. 363 8398, 7-12pmSTUDIO APARTMENT AVAILABLE NOW5847 S. Blackstone1 year lease $305 a monthCall 4930215, 667 3932Apt Available-June 1 57th and BlackstoneLarge studio. Separate dining room, ktichenCall Jeff 667 6799 after 6.CHEAP ROOM Not a low priced room, a goodroom at a low price. Single $155 Avail, now.Alpha Delta Phi 5747 Univ. 753 3257 HankDeGrootLooking for Univ Housing? Get Housingthrough me, and I'll pay you $75. Call Pete 947-8216.Spacious 3 br apt., 2'.'2 bath, AC, dishw, 25thfloor lake view in modern building. Perfect forstudents or family. Call 288-4639.$75 OFF. Take my Housing Contract. 947 0784or 327 9118.LARGE bdrm in 4 bdrm apt 57 & Dor. Avail,immed. $199 incl. heat 8, util. 363-1831. Huge bedrm in 2 bdrm apt-55th & Everett.Furn. Laundry, near all transpo lines, nodeposit 100* secure. $190 heat incl. 324-0173eves.Room with kitchen privileges 57th Kenwood955-4335 if no answer keep trying.5210-18 DrexelOne Bedroom Apts$305 per monthCal) Porter 324 4956FEMALE GRAD wanted to share 2-bdrm hi-rise apt sec bldg lake view own room and bathavail immediately possible option to renew 7523277NEWPORT one bedroom apt available in AprilMOREY’SHAPPY HOURIS BACK!(FROM 3 PM TO 4 PM DAILY)CASH IN ON THE SA L7>Y,:HOT DOGSJUMBO, HOTPASTRAMI fs o„,BBQHAM 1.75 onlv^EIXtMORRY’SDELLOCATED INTHE UNIVERSITY BOOKSTOREHOl’RS: 7:30 AM-4:30 PM MOX-FRI.9 AM-4 PM SAT. 4800 Chicago Beach. Call Debbie days 326 7194evenings 955 6729.2’2 rm. apt 58th & Blackstone new dec.$350/mo incl heat stove & refrig 667 4875 Ivmess.5527 37 South EverettWe have the following apartments availablefor immediate occupancy heat and hotwater stove and refrigerator furnished3’ 2 room 1 bedroom $3604 room 1 bedroom $4005 room 2 bedroom $500To inspect call Sack Realty Co 684 8900Ask for Carl CollinaQuiet, non smoking roommate to share comfortable 4-bedroom house. Dining room,breakfast room, study, large living room,washer/dryer. Available till June, orSeptember if deisred. $166/month. Call 955 9142evenings.Studio University Park-1401 E. 55th; NearShpng & 1C; 24 hr drmn, outdoor pool & healthclub, avlb immediately; $335. Call Carol 6212141 day; 348 3559 eve.GRADUATE STUDENT COOPERATIVEseeks man or woman for April 1st occupancynear campus, low rent. Call 955 2653PEOPLE WANTEDOVERSEAS JOBS-Summer/year roundEurope. S. Amer., Australia, Asia. All fields.$500 $1200 monthly. Sightseeing. Free infoWrite IJC jox 52-IL-5 Corona Del Mar, CA92625.Paid subjects needed for experiments onmemory, perception and language processingResearch conducted by students and faculty inthe Committee on Cognition and Communication. Department of Behavioral SciencesPhone 753 4718.Paid subjects needed for experiment in problem solving using the logic game Mastermindand word problems. Session lasts 1 to l’/4hours. Call John at Consumer Lab, 753 4209 orevenings, 752-0453.Babysitter wanted to care for infant in ourHyde Park home. Non-smoker. References required. Call 752-7147 eves.Bookkeeper, 20 hr/wk. Mature, responsible■person with knowledge of bookkeeping procedures to do posting, prepare statements ofexpenditures, follow up on order. Must enjoydetail work. Familiarity with University formswould be helpful. Will train. Call Mrs. Weil,974 6624.Housecleaner for faculty couple Campusloc./good pay, 3-4 hrs./wk. 241-5164 eves only.DESK CLE RK Quandrangle Club. Sat. andHYDE PARKWHAT'S OLD ONTHE OUTSIDE?The features which made theBlackwood such a superb exampleof the Art Deco sytle have beencarefully preserved.NEW ON THEINSIDE?• Wall to wall carpeting• New appliances—including dishwasher• New ceramic tile bathse Master TV antennae Individually controlled heat8< air conditioningBut some of the newness you can'tsee. Its newness that goes beyonda facelift to include all new elec¬trical wiring, all new plumbing, allnew mechanical systems. Its thishidden newness combined with aprofessional, courteous staff (in¬cluding 24 hour maintenance per¬sonnel) that lets you enjoy modernliving at its carefree best.Located just steps from LakeMichigan, Illinois Central andHarper Court. Spectacular lakeviews are available.1-2 bedrooms from $398 per mo.<PCIW®Dflpflpjnfin s5200 South Blackstone Avenue(1 block west of Harper Court)Phone 684-8666Mon. Ff i. 9 to 6,Sat. & Sun. 11 to 5.Ask About RISKNo Security Deposit Classified AdsSun. 8:00 am to 4:00 pm shift. Long termemployment is major qualification. Studentsonly may apply. In person-1155 E 57th StStevenson/Stern Campaign needs volunteersfor literature drop and phone calling. Call mike241 5789 or Julie or Mary Ellen 922 2200Open minded woman with sexy voice neededfor telephone counseling. Work right fromhome High earnings. Noexper. nec 975 1274GERMAN COURSESthrough CCTS at LSTC1)Intensive Course (15 wks. 3/29 7/16Fee: $160 MWF 4-5 Rm 3092)2 Quarter Evening Course Fee $80 per Qtr1st Qtr class: Tues 7:30 9 30 rm 3092nd Qtr class: Mo 7:30 9:30 Rm 2033)Advanced Reading (Theology) Fee $80Th 7:30 9:30 (or by arr.) Rm 309Classes to start the week of March 29, 1982To register please call CCTS 667 3500 Ext 266or G.F. Miller, PhD(instructor, native speaker)363 1384PLEASE NOTE :German Courses will be offeredduring summer session (June 14 July 22)CONCERT T1X!The Phoenix in the basement of Reynolds Clubhas concert tix. Jorma Kaukenan at C O D ,March 18, 7:30 & 10 pm. Margie Adam at Peopie's Church Hall, March 12, 8 00 pmWANTEDIndian and Greek Donors for artificial insemination Needed call 947-1775.COOP APTFOR SALELocation & space! 2 bd 2 ba full dngrm kit withcabinets & more cabinets. Over looks gardens& Jackson Pk $52,000 cash for equity MimiAsbury. Century 21KENNEDY, RYAN,MONIGAL & ASSOCIATES5508 S. Lake Park 667 6666GODDESS?Women's spirituality group meets to shareenergies, give support, and explore rituals forwomen. Next meeting March 9, 4:30 pm Enterat 5757 S. Univ Ave. and follow signs Call 4937440for info...Blessed Be!FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E . 55th St 493 6700SHELVING ORANGE CRATES: $150 alsoUHaul boxes call Allen 684 1 820 or 753 4351anytime.FURNTURE-Call if Interested! 5:00 pm 'tillate, 643 3868. White, French ProvincialBedroom Suite w/dresser'7 mirror,Desk/hutch, Bedside table and Chest ofdrawers; single Bed; Card table; TV traytables; Bookshelf; Rugs w/padding, Parlorchairs. That's 643 3868.1 large, 1 small wood desk; round dining table;1974 Plymouth. Call 955 4143 before 9 am, 6 7pm or leave message Ricardo.King Size waterbed "Airfloat" mattresss andliner. Also Chemelex solid state waterbedheater and thermostat. Top of line productsExcellent condition. Mattress + liner: $100Heater + thermostat: $70 or all for $150. Call241-5164 evenings only.4-8' wooden shelves with brackets $60 call 7527147 eves.1974 Mustang good cond. $1300; 1978 Omni$3200 or best offer. 753 3093 day, 582 4014 evesDarkroom: Complete, unused Besseler 23Cenlarger, Scdneider Lens, timers, safelights,washer, cutting bd., acces, etc $600 667 8657Guitars: Fender & Gibson. Also a bass, a M MAmp & a Peavey P H system Cheap 947-0813Cat, year old neutered male Free to goodhome. Call 324 1927 after 6 pm1974 Toyota Celica ST 4 sp, A/C, stereo, cleanno rust $1800 282 0335 after 6 pmSERVICESJUDITH TYPES—and now has a memoryPhone 955 4417.Continued on next pageThe Chicago Maroon—Friday, January 29, 1982 —25MINOLTAXG-1 „It’s the most economical 35mmautomatic Minolta SLR. Easyenough tor beginners but packed |with sophisticated features:• Continuous automatic exposure |system• Full manual control• Over exposure protection• 2-year camera warranty• 5-year lens warrantyw/45mm/f.20uIT GOES WHERE NOOTHER 35mm CAN-AUTOMATICALLYTHE NEWNIKONOSIV-AAUTOMATICUNDERWATER/ALL-WEATHER ‘35’jit’s the only automatic 35mmIthat shoots 160 feet under¬water without a housing, alsoin rain and snow—that even]Idefies sand and mud!with 35mm/2.5limited to stock on handSUCH A DEAL!With all 35mm camera pur¬chases in February, ModellCamera customers receive1 roll of film and processing!free!WHY BUYSOMEWHEREELSE? ■a If any Chicago area store adver¬tises a lower price than you paid atModel Camera, bring it in within 14days of your camera purchase and]we will credit or refund the dif¬ference, or at our option, we'll)repurchase the equipment at fullpurchase price. Proof of purchaseplus a copy of the advertisement isall that is needed. (The program isin addition to our BONUS BOOK'benefits and other customer ser¬vices.)modelcamera1342 E. 55th St.493-6700 Classified AdsContinued from page 25Excellent, accurate TYPIST with B.A. willtype term papers, theses, resumes,manuscripts—whatever your typing needs.Quick, pick-up and delivery on campus.Reasonable—call Wanda 955-8375 after 5p.m.Psychotherapist, Women's Groups, Individual,and Couple Therapy. Sliding Scale, MaryHallowitz. MSW, ACSW 947 0154.James Bone, editor-typist. 363 0522.Letter Perfect Typing Service. Very ex¬perienced, very accurate. Dissertations,papers, math. Call Lise Plotkin, 493-1218Typing term papers reas. rates call 684 6882.WE DOINGS photographed call Leslie 536 1626Experienced editor corrects papers, dissertations. All subjects. $10/hr. Call Pat 363 7567.Typing: Experienced secretary types allmaterial-dissertations, tables, etc. IBM Sel,grammar corrected, pick-up & deliver 667-8657.Term papers typed, reasonable rates, pickupand delivery. 783-1345.TYPING. Term papers, theses, etc, 791-1674Grad stud w/publishing bkgrnd & excproofreading/editorial skills will help you w/yrwriting. Call DB am or late pm 363-1304. Chicago counseling and PsychotherapyCenter. Client-centered psychotherapy. 5711 S.Woodlawn, 6354 N. Broadway, and 111 N.Wabash, Chicago. A Registered PsychologicalAgency. (312) 684-1800.SCENESGilbert & Sullivan's The Gondoliers presentedin Mandel Hall, 57th & University, March 12thand 13th at 8 pm, March 14th at 2 pm. Ticketsat Mandel Hall Box Office.PERSONALSWriters' Workshop PLaza 2-8377.FREE puppy-7 mos., 35 lbs., female.Shepherd, collie mix. Long black fur w. goldenmarkings. Call 667-0U8eves.JOAN MARQUARDT HAPPY BIRTHDAY! 37 Have a nice day.Butch good things come to those who wait. Fornow, smoke alone. Love, STDJulie WE LOVE YOU! Have a Happy 21st Sirthday. Bestfriend and her Bergel. P S. Wehave something for you.A bagel with cream cheese costs just 40‘ at theSocial Science Coffeeshop.Jim-belated birthday cake baker: Thanks, andplease identify yourself-NellMANUAL-The South eats it heartily! FJITAalways Later, Watt Happy Birthday, Carol.To all our would be fighters'' May your arm bestrong and true, and your luck be good CMmRHappy Birthday EBI BON love & kisses YTo The Ulcer Victim Gray skies are gonnaclear up, etc. Relax, and hold the A.l. SauceGarp: Got your letter. Leslie should have thereply by today or Tuesday. Barefoot DreamerLAMBYKINS, have a HAPPY BIRTHDAY! Iwant to take you out for dinner, OK? I love you.L C on your 19 B! H and R goes A soon! DPUB GIRLS-Tiki Tonight? The J.B.'sHAPPY BIRTHDAY RICHARD (you oldman!)HAPPY BIRfHDAY MICHAEL JAMESRIMKUS! Beware Of Moving Walls!JOAN MARQUARDT Happy 20th you with thepassion for Russian beverages! Here's to agreat year!! Your fellow boozerRIDESRide wanted for two to NYC or Phila. andreturning. Desired departure March 20 &return, on March 27. Will share driving, ex¬penses. Call Nina, 752-8358or Karen, 752 0797.Ride needed to Stanley Kaplan (Clark St) forthe Monday night MCAT class. Jim 947 6097days.LOST & FOUNDMissing: Olympus OM1 Camera. Reward. Iffound, no questions asked. Great sentimentalvalue. 324 0243 & leave messageHighly valued undeveloped roll of color filmlost at King Cromson concert. Ilford cannister,labelled Fujicolor 400. Please call 3 8245.FOUND: Gold wire fram glasses. Can be picked up in Harper 280.UNBALANCED MUSICThe Peer Pressure Radio Show specializing inforeign and domestic independents, along withFrank Sinatra and Judy Garland Wed nights11 pm-2 am on WHPK 88 3 FM. Sponsored byWax Trax Records.STEPTUTORINGHelp a kid feel bright and intelligent. Volunteerto tutor an elementary or high school studentfor two hours a week. Contact Peter at 643-1733for more information.DOES YOURMINDMATTER?It does to us. Right and left handers needed toparticipate in fascinating and profitablestudies on brain asymmetry. Please call 7534735 for info.—TAiapvwt—CHINESE-AMERICAN RESTAURANTSpecializing in Cantoneseand American dishesOpen Daily 1 1 A.-8:30 P.M.Closed Monday1318 E. 63rd MU 4-1062Cfiaz(otte ^Vihtzom<zRea( Estate Co. We are co-operating brokersMember National Association of Realtors, ChicagoReal £state Boards, Illinois A ssoclation of Realtors493-0666 • CALL ANYTIMEJUST LISTEDBring a country house to the cityand you have spacious threebedroom, three bath withgracious decor on high floor.Near 50th East End-Some LakeViews 98,500Golden Era Housein Golden Area (near campus)Three-story, brick and stone. Wellmaintained residence, built 1904.Deep, beautiful garden.$187,00058th & KENWOODYour Favorite ModernYes! A real live E-1 Townhouse.July closing. Excellent systems inModel-like condition. Floweringlandscape, this is a good one!$127,500NEAR 55th &KENWOODJUST LISTEDThis is an “E” Plan Townhouse-also tip-lopcondition-tri-level near 57 hHarper. 117,000.-CON DO-S-SMALL VICTORIAN BRICK. 7-rm$97,500. Near 53rd & Greenwood. garage.WOW! COUNTRY KITCHEN. Big-Big. Near 54Hyde Park Blvd. 3 bedrooms 2 bath (used tobe 4 bedrooms) $63,000 to qualified buyer,owner financing. BRIGHT THIRD FLOOR. Large East View Park6Vs rm. special. Special low price to sell thisSpring - Unbelievable $68,000BIGGER’N HOUSE: over 3,000 sq. ft. holdsfive bedrooms. Your plants will love theextra sunroom. On Hyde Park Blvd. near53rd. $105,000.493*0666 POSITIONSAVAILABLE• Waiters• Waitresses• Cooks• BellmanInquire in person atPersonnel Office Tues. & Thurs.2:30 pm - 5:30 pmHYDE PARKHILTON4900 S. Lake Shore Drive26—The Chicago Maroon—Friday, January 29, 1982THE PHOENIXThe Phoenix now has a large selection ofbudget records for between $2.00 and S3.00.Check us first...we're the Phoenix.MOVINGStudent with Pickup Truck can move your stuffFAST AND CHEAP. No job too small! CallPeter at: 955-5180 lOam-lOpm.CONDO FOR SALELovely sunny 5 rm condo. 2 BR. Totallyrenovated, oak fl & buffet, frpl., bale., PLUS!Fin. 12%. Call Karen d. 947 5456, e. 947 0859.GAY? LESBIAN?GALA sponsors a weekly coffeehouse on Tues¬day nights at 9:00 pm in the Reynolds ClubNorth Lounge. Refreshments and camaraderieare served free of charge. All are welcome.Following the coffeehouse, the GALA discus¬sion group meets to discuss issues, problemsand concerns of the gay and lesbian communi¬ty in a warm, supportive setting. Everyone isinvited.GILBERT ANDSULLIVANTHE GONDOLIERS at Mandel hall, 57th &University, tickets $7; Sunday, March 14 at 2pm, tickets $3.50. Tickets available at MandelHall Box Office.NEED ATYPIST?Excellent work done in my home Reasonablerates. Tel: 536-7167ART INSTITUTEMembership cards have arrived! You pay S9for memberships which usually cost $15. Enjoyfree admission, museum store discounts, otherbenefits. Rm 210, Ida Noyes Hall.MESSENGERI deal position for college student. Errands,some general office, copying, etc. in our realestate office located in the Loop. Must haveFRIDAYCrossroads: English classes for foreign women,10:00 am, 5621 S. Blackstone.Calvert House: Mass, 12 noon and 5 pm; brownbag lunch, 12:30 pm, 5735 University.Center for Middle^ Eastern Studies: Bizden Size-Niso Abuaf will speak on ‘‘The Language of Cer¬vantes in Modern Turkey Clandino” 12:30 pm,Pick 218.Mineralogy-Petrology Seminar: ‘ Mantle Xeno-liths from Olmani, Tanzania; Natural PartilaMelts” speaker Adrian Jones, 3:00 pm, Hinds101.Calvert House: Catholic worker soup kitchen,leave Calvert House 3 pm.Comm, on Virology: “Oncogene Expression inTumor Cells” speaker Dr. Susan Astrin, 3 pm,Cummings rm 1117.Center for Middle Eastern Studies: Topic to be an-nouned, speaker Neriman Waraqi, 3:30 pm, Pick218.Comm, on the Conceptual Found, of Science: “Ancient Greek Conceptions of Vacuum” speakerDavid Sedley, 4:00 pm. Harper 103.Biophysics Dept: “P, Prophage, an ExemplaryMinichromosome” speaker M. Yarmolinsky, 4:00pm, Cummings 101.Hillel: Yavneh (Orthodox) Shabbat Services, 5:45pm, Reform-Progressive pot luck dinner and Shab¬bat Services, 5:45 pm, Adat Shalom CooperativeShabbat dinner, 6:30 pm, 5715 Woodlawn.International Women’s Day: Movie - “Women inArms” 7:30 pm, Ida Noyes.Contemporary Chamber Players: Music byThorne, Holloway, Davies, and Knussen, 8:00 pm,Mandel Hall, free.SATURDAYHillel: Yavneh (Orthodox) Shabbat Services, 9:15am; The Upstairs Minyan Shabbat Services, 9:30am, 5715 Woodlawn.Calvert House: Sacrament of Reconciliation, 4:30pm, 5735 University.International Women’s Day: A panel of womenfrom around the world discuss the status ot womenin their countries. 7:30 pm. Crossroads, 5621 S.Blackstone.University Symphony Orchestra: Music by Schu¬mann, Neilsen and Debussy, 8:30 pm, MandelHall. Free, donation accepted.WHPK: The Univ. Symphony concert will bebroad cast live over WHPK, 8:30 pm. 88.3 fm.Hillel: Purim Costum Party 8:30 pm. Hillel. own car. Salary, mileage expense and parkingprovided. Monday through Friday, 9:00 am to1:30pm. Call for interview.337 2400APARTMENT SALEMoving!! It has to go!! Books, Records,Brick'A' Brae, Plants, Utensils, AppliancesMuch More!! Saturday, March 6th 9:00am2:00pm 1617 E. 50th Place, #13 D.HAIRCUTSBY MERRIEProfessional haircutting in my home Flexiblehours. Only $10! Call today 324 4105.POETRY READINGPoetry Reading sponsored by Primavera &Crossroads in honor of International Women'sDay Sun. March 7 at 4 pm at Crossroads, 5621S. Blackstone. For info, call 684 6060. FreeACTIVITIESCALENDAR DEADLINEBring info for Spring, Part I to Libby, Rm 210Ida Noyes Hall by March 12, or call 3-3591.INTERNATIONALWOMEN'S DAYJoin in a weekend long celebration of Women'sLives around the world. Fri. March 5: FilmWomen In arms INH 7:30 pm Sat. March 6:Forum -Status of Women in Foreign CountriesCrossroads. 5621 S. Blackstone, 7:30 pm.Party Same place. 9:30 pm. Sun March 7:Poetry Reading. Crossroads 4:00 pm Slideshow Puerto Rican Women. INH 7 00 pmMovie My Country Occupied. INH 7:30pmCONVOCATIONTICKETSTickets needed for March 19 Convocation Callcollect 616-744 2251.TRY THISTHRILLERDancing, good music this Sat 9 pm Ida NoyesSUNDAYCalvert House: Mass, 8:30 am and 5 pm at CalvertHouse, 11:00 am. Bond Chapel.Hillel: Lox and Bagel Brunch, 11:00 am. 5715Woodlawn.MARRS: Fighting practice. 3:30 pm, Ida Noyes.International Women's Day: Poetry reading, 4:00pm, Crossroads, 5621 Blackstone.Episcopal Church Council: Holy Eucharist, 5:30pm, Sunday supper, 6:00 pm, Bishop Brent House.5540 S. Woodlawn.Calvert House: Home-cooked supper. 6:00 pm.5735 University.International Women’s Day: Slide Show, 7:00 pm,Ida Noyes: Film- “My Country Occupied" 7:30pm, Ida Noyes.Swanne Alley: Music from Michelangelo’s Italyand Shakespeare's England, 8:00 pm, MandelHall.Folkdancers: Advanced level folkdancing, 8:00pm, Ida Noyes.rMONDAYDept of Chemistry: “The Mechanisms of Enzyme-Catalyzed Group Transfer Reactions” speakerProf. Stephen Benkovic. 4:00 pm. Kent 103.Hillel: Readings of Megillat Ester (Scroll of Ester)7:30 pm, 5715 Woodlawn.Ski Club/Ski Team: Meeting 7:30 pm, Ida Noyes.Women's Rap Group: Meets 7:30 pm in theWomen's Center, 3rd floor of the Blue Gargoyle.Folkdancers: Beginning and intermediate levelfolkdancing, 8:00 pm, Ida Noyes.Delta Sigma: Meeting 9:30 pm, Ida Noyes Li¬brary.TUESDAYHillel: Yavneh Purim Services, 6:45 am: Women'sMinyan Purim Services, 7:00 am, 5715 Wood¬lawn.Calvert House: Sacjament of Reconciliation. 11:30am, 5735 University.TM Club: Group meditation, 12 noon, Ida Noyes.Commuter Coop: Meets 12:30 pm, Gates-Blake 1.Ki Aikido Club: Meets 5-7 pm, Bartlett gym.Episcopal Church Council: Evensong at BondChapel. 5:15 pm.Calvert House: Investigation into Catholicism,7:00 pm. 6735 University.Speech Team: Meets 7-8 pm, Ida Noyes.Teacher Curriculum Center: Workshop by DrDaniel Offer entitled "A Study of Normal Adoles¬cence” 7:30 pm. 1362 E. 59th St. Call 955-1329 topreregister.Stamp Club: Meeting 8:00 pm. Ida Noyes. Classified Adsbsmt $1 adm. Come as you are. UC DanceClub.SENIOR WEEK?Interested in planning this year's SeniorWeek? Even if you're not a senior, you're in¬vited to come to a planning session WednesdayMarch 10, 6 pm Ida Noyes East Lounge Bringgood ideas! For more info, call Sfudent Ac¬tivities.WE WILLSTAY OPEN!The Social Science Coffeeshop will be open dur¬ing 10th week, finals week, and the interim.LITERARYMAGAZINEPrimavera, a literary magazine devoted to theexperiences & perspectives of women, seekspoetry, short stories, 8. graphics. We also needvolunteers to work on the staff. Mailmanuscripts to Primavera at 1212 E 59th StFor info, call 752-5655. HOUSESIT’S A STEAL' This affordable 2 bedroom, 1'2bath townhouse has lovely parquet floors withslate entry, a full basement, and one assignedparking space. Mid $30’s.AN AFFORDABLE HOUSE in historic HydePark! Three bedroom greystone now available$80,000 Call today and ask about 11% owner fi¬nancing No Balloon!THIS LOVELY Queen Anne family home boasts3 fireplaces, tiled kitchen and bathrooms. Lots ofstorage space, fenced back yard, 2 car garageAsking $125,000IN THE TREES IN KENWOOD tucked inamongst mulched flower beds this quaint 7 room2 bath home is an ideal spot to curl up by the cozyfireplace and read a good book — Call today!$125,000READY TO SELL IN THE $90 s Beautifully de¬corated, award winning red brick townhouse.Three bedrooms. 2' i baths, sunny eat-in kitchenGood sized, private back yard Call, and let’stake a look!ARE YOU INTOSPANKINGANDORALSEX?If so, come see MONTY PYTHON AND THE'HOLY GRAIL Fri. Mar. 12 in Quantrell at 7:00,9:00 and 11:00 for a measly $2 00THE BIRD "FLIES"We sadly announce the departure of Don B atthe end of this quarter We will miss him Don,best of luck, keep in touch, and take it easy.“May gentle winds guide you down the path ofhappiness.”ANTHRO FILMSFaculty member Terry Turner will screen anddiscuss his recent (with BBC) films from SouthAmerica Wed. 8 pm I House admission free$50 FINDERS FEEWanted 2 bdrm apt, sunny gd cond 350450/mot. Call John Stutesman 649 8100 M-F 9 9leave msg or 493 0927 wknds if take apt you getbucks.Calendar LET’S TAKE A LOOK at this beautifully locatedtownhome The eat-in kitchen has lots of morn¬ing sun. There's a rec-room and fenced backyard It’s recently redecorated and ready for anew family! Buy it for only $105,000CONDOMINIUMSHAMPTON HOUSE SPECIAL — former modelapartment with beautiful interior design, threebedrooms. 2 baths, eat-in kitchen, spacious,sunny unit with lake view. Top security buildingGood owner financing! Low $100's.THE MEWS. Lovely, lovely building This 1 bed¬room plus study has natural woodwork, beamedceiling, and a woodburning fireplace A superbuy! $55,000.PANORAMA CONDOMINIUM Hyde Park’smost complete renovation of a charming ojd sixunit building, over 2000 sq. feet, and a wine cel¬lar $114,500. Call today! Or rent with option tobuy $850 per month.AFFORDABLE - This bright and sunny 2 bed¬room is priced to sell now! Modern kitchen, oakfloors and a dining area included Low $50'sUNIQUE the floor plan in this gracious 3 bed¬room assures privacy. A woodburning fireplaceand lovely built-in pieces add to the charmLarge porch with Southern exposure affords aview of greenery'. Mid $80s.NEWPORT - Glorious views from this one bed¬room, wall to wall carpeted condo. Priced rightin the $50s.WEDNESDAYCrossroads: English classes for foreign women,2:00 pm, 5621 Blackstone.U of C NOMOR: Meets 6:00 pm. Cpbb 104Ki Aikido Club: Meets 6:30 pm. Field House.Women's Union: Meets 7:00 pm. Ida Noyes.Calvert House: Choir Practice, 7:30 pm, 5735 Uni¬versity.Anthropology Films: Terry Turner will screen anddiscuss his recent films from South America, 8:00pm, I-House. Free and open to the public.Hillel: Class in Je'wish History, 8:00 pm; Class inTalmud-Arvey Pesahim, 8:00 pm, 5715 Wood¬lawn.Al-Anon Group: Meets 8:00 pm. Hyde Park Uni¬tarian Church, 57th & University.Libertarians: Meets 8:00 pm, Ida NoyesTHURSDAYHillel: Faculty luncheon group. 12:00-1:30 pm. 5715Woodlawn.Comm, on Genetics: "Mating Type and the Yeastl’ransposable Element TYL” 12 noon, Erman Biol¬ogy Center room 106.Episcopal Church Council: Noon Eucharist atBond Chapel.Noontime Concert: Traditional Irish Music per¬formed by Samradh Music, 12:15 pm, GoodspeedHall. Free.El Salvador Solidarity Group: Meets 4 pm, IdaNoyes.Home Oriented Maternity Experience: "The Re¬sponsibilities. Equipment Needed & Procedures ina Home Birth” 7:00 pm, 5544 S. KenwoodWomen's Rap Group: Co-sponsored by Women'sUnion and GALA. 7:30 pm, Ida Noyes 301FRIDAYCrossroads: English classes for foreign women.10:00 am, 5621 Blackstone.Center for Middle Eastern Studies: Anjuman-iSukhan- Prof. Fazlur Rahman speaking on "Aya¬tollah K’omeini’s Concept of Wilayat-i-Faqih inthe Light of the Qur'an" 12:30 pm. Pick 218.Biophysics Dept: “Actin and Myosin: Moleculesin Motion” speaker J A. Spudich, 4:00 pm, Cum¬mings, 101.Dept of Romance Lang and Lit: “Gli lntronati e lavita accademica a Siena nel 500” speaker RiccardoBruscagli. 4:00 pm. Harper 103.Hillel: Yavneh (Orthodox) Shabbat Services, 5:45pm; Reform-Progressive Shabbat Service, 5:45pm, Adat Shalom Cooperative Shabbat Dinner,6:30 pm, 5715 Woodlawn. PRIVATE TOT-LOT This lovely 7 room 2 bathcondo has lots of light. It s on the first floor andopens up to a fenced back yard with private tot-lot It's a real buy in the upper $60's Let's take alook!OWNER FINANCING is available on this 4 bed¬room, 2 bath condo in an ideal East Hyde Parklocation Over 2000 sq ft and a big back yardMid $80 sELLIS ESTATES. Only 4 left! 4 & 5 bedroomsFrom $76,900 Call today’ Possible owner financingCOMPLETELY REDONE Financing possibleBeautifully refinished wood Call about this 2bedroom plus study in the Ray District.SHORELINE VIEW from this spacious 5 roomcondo. Fantastic storage, breakfast room andformal dining room for only $60,000PRICED TO SELL affordable, campus loca¬tion, org> bedroom condo; hardwood floorsthroughout, lots of Southern sun and light Low$40’s.THE RIGHT LOCATION south of 55th. 2 bedroom home with family room, modern kitchen,garage Mid $80’s.COOPERATIVESLUXURY LIVING in an elegant 2 bedroom. 2hath co-op building Owner financing $50,000POWHATAN - Elegant living in this 14th floorunit with woodburning fireplace Exceptionalbuilding amenities, security and service. Call formore informationPRICED TO SELL. One bedroom, lake viewco-op perfect for single or couple Near to park,lake, transportation $11,000We have an excellent selection of prime listingsCall today for your personal copy.BUILDINGS• 6.U00 sq ft zoned B2-4 plus 26 apts $405,000• East Hyde Park Blvd., 18 units Owner financing available $325,000.• 61st and Drexel. 24 units Investor s invited$165,000HILD REALTY GROUP1365 E. 53rd St.955-1800The Chicago Maroon—Friday, January 29, 1982—27SPIN ITPresents A Sale On The Entire Line of CBS Classical RecordsSeries 9.98Series 8.98Series 5.98 regularly 8.18regularly 7.38regularly 4.98 Sale Price 6.49Sale Price 5.99Sale Price 3.99Here Are Just A Few of the L.P.'s Included In Our Sale:RAVELMiroirs • LaValse • SonatineLA REDO, PianoFM 37265: 1BEETHOVEN.f SYMS.NOS. 5 & 8- N.Y. PHIL.IYEHTA.Cond. M 36734PAVAROTTIPREMIERESFirst Recording ol Rare Verdi AriasCLAUDIO ABBA DOOrchestra del Tcatro alia Scab LIONABOYDMINIATURESTOR GUITARlarregaSorAguadoViseeRone aliide LogyM 36732 BOCLFNOTOOT SUITEFOR TRUMPET & JAZZ PIANOMAURICE ANDRE CLAUDE BOLLINGFM 36731M 35892 6.49 BOLLING: CONCERTO FORCLASSIC GUITAR & JAZZ PIANOALEXANDRE 1AGOYA, GUITARCLAUDE BOLLING, PIANOM 37228 andCBS Recordsinvite jro toPlay *1,000.000Music Match-UpPick up Music Match-Up game cards atKrticipating 7up retailers and you couldone of 90,000 lucky people to win up toseven CBS Records or Tapes. §§ tfrrat PerformancesDEBUSSYLAMERPRELUDE TO THE AFTERNOON OF A FAIN / JEUXBOULEZNEW PHIUMIMONUORCHESTRAFM 37264 MY 37261 3.99§§ (fircat Performances iB A R T 0 KCONCERTOFOR ORCHESTRA3?h BOULEZNEW YORKPMUIAftMOMC §(<irc«t fttfunnanrcsHSERKINS0flfMANN:PlAM) CONCERTOOAMNDT PHILADELPHIA ORCHESTRIPIANOQUINTETeumow ® rent performances pPUNoboNCERTOlWlRACHMANINOFFTHREE PRE LUDCSGRAFFMANSZELLCLEVELANDORCHESTRA @j (<irrat Performances %B RAH l¥l SVIOLIN CONCERTOISAAC STERN0MMNOTPMLADELPHIAORCHESTRA §§0ircat PtrfurmanrcsHRICHARD STRAUSSALSO SPRACHZARATHUSTRAminus m* numt * m uassk snet am mi k smi otmn0RMANDYPMLADELPHIAORCHESTRAMY 37259 3.99 MY 37256 3.99 MY 37263 3.99 MY 37262 3.99 \Ztf , ' yMY 37254 3.99i(iircat Performances®BIZETCARMEN&L'ARLESIENNE SUITESSTOKOWSKINATIONALPHILHARMONICIftCIESTIIa L A n Ll dh H (firtat Performances [i‘S A I NT-SAE N S'ORGAN'SYMPHONYN 0.3 I N C m IN O RBERNSTEINNEW YORKPMLHARMONCi m 11 1111 ■ Sffittut PctfmmanresSBRAHMSPIANO CONCERTO N0.2SERKINSZELLCLEVELANDORCHESTRA N (Omit Pctfiinnanrcs®C APLANDAPPALACHIAN SPUING SUITEPXNPXHgrOHTKtCOMWIBMMAWB SALON MEXICO ■ OANZON CilBANQBERNSTEINNEW YORKPMLHARMOMCMY 37260 3.99 MY 37255 MY 372583.99Sale Ends March 22,1982Spin-It1444 E. 57th684-1505Spin-It now, Spin-It later, but Spin-It 3.99 MY 37257 3.99