More political feuding-Maroon page three More Making Love-GCJ cover, centerspread-The Chicago MaroonVolume 91, No. 39 The University of Chicago ©Copyright 1982 The Chicago Maroon Friday, February 26, 1982Court loss closesHP coffee shopWaitress Pat Hand looks out overlosing a last court aDDeal. PHOTO BY WILLIAM MUDGEthe empty Hyde Park Coffee Shop, which closed Wednesday afterSG grants publications fundingBy Kahane CornStudent Government funds forPrimavera, a nationally disrtribut-ed literary magazine of the Univer¬sity’s feminist organization, andThe Chicago Lampoon, a studenthumor magazine, were granted atthe SG meeting Wednesday night,reversing previous denials for bothpublications.The general assembly originallydenied funding for Primavera dueto questions of discriminationtoward men in the magazine’s edi¬torial board policy. The assemblyrequested to hear representativesof Primavera. An appeal by two ofits staff members, in which its edi¬torial policy was defended, washeard at Wednesday’s meeting.This appeal, the recommendationof the SG Finance Committee, andthe final approval of the SG asse¬mbly resulted in a $2500 loan and a$500 grant for the magazine.“There has never been a writtenpolicy,” said Primavera's MaryBiggs to the assembly. “No manhas applied to be on the magazine.Should a man come in and consis¬tently work on the magazine, itwould then be put before the edito¬rial board as to whether he couldbe on the staff. This is just thesame as for a woman.”Biggs said that the aim of themagazine was to present creative¬ly women’s expressions of their ex¬periences and that therefore, whatmost men might submit wouldprobably not be appropriate. A lit¬erary piece written by a man hasnot been published in the maga¬zine’s eight year history. However,some printed pieces have beensigned only by initials leaving theauthors unknown.Apparently, Primavera’s argu¬ ment convinced George Kampstra,SG Finance Chair, who stated, “Iam convinced that the editorialpolicy is not discriminating andrecommend funding.”Primavera had originally re¬quested $3800 for the production ofthe annual magazine. Last year itreceived a $2000 SG loan.The Chicago Lampoon, whichwas denied funding in the fall, wasgiven a $257 grant after final ap¬proval by the SG Assembly. Earli¬er this month, the SG FinanceCommittee recommended to denyfunds to the humour magazine.There was, however, strong sup¬ port in favor of the Lampoon with¬in the SG assembly, though notenough to meet the two-thirds ap¬proval required to overturn the Fi¬nance Committee's suggestion.It was only after the staff of theChicago Lampoon made some al¬terations and, as Kampstra said,“proved that they were seekingself-sufficiency,” that the moneywas secured by the magazine.“I feel that they have made somechanges. They have expanded theeditorial board and also have anoutside review committee,”Kampstra said. By Darrell WuDunnThe Hyde Park Coffee Shop, theonly 24-hour restaurant in HydePark, ceased operations Wednes¬day night. A state circuit courtjudge refused Tuesday to declare amistrial of an earlier rulingupholding the eviction of the coffeeshop from its present location at53rd and Hyde Park Blvd.The decision marks the end of ayear-long battle between the coffeeshop’s proprietors. Harry and Bar¬bara Verros, and Baird andWarner Real Estate Co., whichmanages the Del Prado apart¬ments in which the coffee shop islocated. Baird and Warner hasbeen trying to evict the coffee shopfor non-payment of rent.“This is a blow,” Harry Verrossaid. “Legal rape, pure and simp¬le.”Verros said that the entire caseis based on the technicality of whatday he gave the real estate com¬pany a check, and not his failure orhis unwillingness to pay rent. “It isimmoral, but not illegal.” Verrossaid.On Wednesday, Verros was de¬nied in circuit court his request tohave 20 days to remove his fixturesfrom the tables, chairs, and kitch¬en appliances. The judge, he said,would give Verros the extra timeonly if he agreed not to litigate anyfurther. Verros refused.Baird and Warner has not offi¬cially told Verros by what date thecoffee shop must vacate. However,the door leading to the coffeeshop’s meat box is locked with anew lock, “so I guess they meanimmediately,” Verros said.Verros and his sister bought theHyde Park coffee shop in 1977 andsigned a 15 year lease with the pre¬ vious owners of the Del Pradohotel. A group including JohnBaird and Angelo Geocaris pur¬chased the building the followingyear, and management was shiftedto Baird and Warner.The real estate company reno¬vated and converted the Del Pradointo an apartment building. TheVerros' were asked to remodeltheir restaurant to keep pace withthe rest of the building. TheVerros' said they would not at thattime.Baird and Warner sought to evictthe coffee shop last May because ofnon-payment of rent for Novemberand December of 1980.Verros s check for November1980 bounced and he said he thengave the building manager Geo¬caris a replacement check in earlyDecember. Verros said he tried topay his December rent on Dec. 12,but was told by Geocaris that thecheck could not be accepted untilthe November replacement checkwas bank certified. That day,Verros received a five-day noticeto pay November and Decemberrent.On Dec. 13. Verros received a no¬tice saying that he was in defaultfor failure to pay November andDecember rent. He said he calledthe attorney for Baird and Warner.Robert Watson, asking if it was allright to give Geocaris a certifiedcheck for November rent and anuncertified check for Decemberrent. Verros said. Watson agreed.Because of the weekend. Geo¬caris did not return the Novembercheck to be certified until Dec. 17.Verros said it was too late to getthe check certified that day.Continued on page 15Workshop teaches about student stressby Sheila A. BlackWhy do some people cope withstress better than others? Approxi¬mately 100 people learned someanswers to this question at Mon¬day’s stress workshop. Dr. Su¬zanne Kobasa and Dr. SalvatoreMaddi, professors of behavioralscience, spoke on the nature ofstress, its relationship to illness,and how to cope with it.Kobasa and Maddi focused on acomprehensive questionnaire onstress which the workshop partici¬pants had been asked to completebefore attending. The question¬naire is geared to students, andasked them to relate potentiallystressful events like, “GPA fell,”and “desired course unavail¬able.”Data from the questionnaireswill be compiled within a monthand made available to students in¬terested in their individual scores and to University officials interest¬ed in the problem of stress in theUniversity.Maddi said that the results wouldbe put to good use. “We re willingto provide feedback to people whocan make a difference.” he said.Stress, as defined by Kobasa,Maddi, and others is any life eventwhich causes people to readjust ineither positive or negative ways.Since the early 1960’s stress hasbeen linked to illness. Since themid-1970’s, Kobasa and Maddihave studied this relationship bylooking at how individuals dealwith stress.“We’ve been looking at the kindof factors that keep peoplehealthy,” Kobasa said.The factors identified by Kobasaand Maddi which seem to deter¬mine the likelihood of stress-relat¬ed illness are: 1) how people per¬ceive and react to stress. 2) howContinued on page 15 Behavioral Science professors Suzanne Kobasa and SalvatoreMaddi, who led the workshop on student stress on Mondaynight.One by one the shirtmakers who became famous for the quality oftheir shirts disappeared. Except for one. Sero.®It’s easy to see the difference in Sero quality. They make their shirtscarefully and painstakingly. And they make them where they can keepan eye on their quality. To wit: this is why we carry Sero.This Sero button down Purist® (in sleeve lengths) comes in cotton— $18.50 or in a 60% cotton 40% polyester durable press — $17.50.WILLIAMSTRADITIONAL CLOTHING19 South LaSalle Street(Entrance on Arcade Place)782-9885 Second-YearCollege Students,Transfer Students, andGraduate Students-At-Largewishing to enter theASHUM Program in 1982-83should file applicationsby March 1.The Program in The Liberal Arts and Sciences Basic to HumanBiology and Medicine. (ASHUM) is a four-year program leading toan M.S. in Human Biology. In cooperation with the Committee onPublic Policy Studies and the School of Social Service Administra¬tion, ASHUM also offers a major in Human Biology to studentspursuing an M.A. in Public Policy Studies or Social Service Admin¬istrationFor information, please call 3-4953,or drop by the ASHUM Office in theHarper East Tower, Room 587.DinnerAt The Chartwell HouseFridays5:30 - 10 pmRibNightRack of ribs& all condimentsTossed Saladwith dressing$7 95 Saturdays5:30 - 10pm6 oz Butt SteakLobster TailTossed Saladwith dressing$15 95Hyde Park Hilton X 49Q0£JLake Shore Dr.2—The Chicago Maroon—Friday, February 26, 1982The Community CalendarState rep race heats upBy Chris IsidoreThe race for the 26th legislative districtgrew angrier this week, as 5th Ward Demo¬cratic Committeeman Alan Dobry chargedthat state representative Ray Ewell had a 53percent absentee record, and Ewell termedthe claim a “cruel, deliberate lie.”Dobry made the charge on a handbillwhich outline the differences in voting re¬cords between Ewell and State Representa¬tive Barbara Flynn Currie, whom Dobryhas endorsed. The top line of the comparisonbetween the two candidates lists “absencerate on roll call votes,” and lists Currie at 7percent and Ewell at 53 percent.Ewell disputed the charge this week, andproduced a letter from the chief clerk of theGeneral Assembly, which stated that Ewellhad missed only 337 roll call votes out of1824, an absentee rate of I8V2 percent.Dobry said that he had gotten his figuresfrom the Coalition for Political Honesty, andsaid that he believed the figure was for 1980,which was the 81st Assembly. Ewell’s letterfrom the Assembly’s clerk referred to the82nd General Assembly.Ewell challenged the accuracy of Dobry’scount for the 81st Assembly. “Pat Quinn(head of Coalition for Political Honesty)doesn’t keep the records in Springfield,” hesaid. “This is blatantly unfair. I’ve gone tothe records to prove this, and I’ll go to therecords again if I have to.”Ewell also said that many of the issuevotes on the handbill had been distorted ortaken out of context. Dobry stood by each ofthe issue positions he had listed.The first vote listed on the sheet was “Re¬moving sales tax from food and medicine.”Currie is listed as voting yes, Ewell as vot¬ing no. Ewell said yesterday that while hehad not voted to remove the sales tax all atone time, he had voted in favor of a graduat¬ed increase. Dobry said that on the crucialvote, Ewell had voted no. “There was onekey vote that everyone agrees was the key vote on that issue,” said Dobry. “In 1979, onHouse Bill 2796, amendment 12, Barbaravoted for it, Ray voted against it.”Ewell challenged the legitimacy of thevote that Dobry referred to when he chargedthat Ewell supported “more Sanitary Dis¬trict patronage job.” The sheet did not listany specific vote, but when questioned,Dobry pointed to a vote taken three yearsago to remove Sanitary District labor fromthe civil service.“I won’t let him pick a time and day of hisown choosing,” said Ewell. “The only wayto read that sheet is to believe it is the re¬cord of the last year. If he is going to go allover the place, let him look at my whole 15-year record, before Currie was even elect¬ed.”Dobry said that the vote taken three yearsago was a good indication of Ewell’s record.“Anything that pulls them (sanitaryworkers) out of the civil service is increas¬ing patronage in my understanding,” saidDobry.Ewell did not dispute any of the othervotes referred to, but he did challengeDobry’s presentation. He said that whatDobry referred to as supporting a reductionin minimum wage was a bill which alloweda lower minimum wage for some minors forsome classification of jobs. “I have alwaysvoted in favor of raising the minimumwage,” said Ewell. He said that what Dobrycites as opposition to the “Merit Selection ofJudges” was a vote for the election ofjudges. “The term ‘merit selection’ begs theissue,” said Ewell. The political battle overthis issue has long included a dispute ofwhat to term either stand.The same dispute arises over the issue ofRTA funding. Ewell said that his vote infavor of the Thompson-Byrne agreementthree years ago did not cut off state fundingfor the RTA. But Dobry points to that bill asthe source of much of "the funding problemsfor the RTA.Q Doing Any Traveling In The• Next Few Months (Years)?A. Yes!QWant to• Save Some Money?A* Certainly!Then We Suggest That You MakeYour Reservations And PurchaseYour Tickets IMMEDIATELY, If NotYesterday, To Avoid ScheduledFare Increases In Many Markets.This Can Happen AnytimeAnywhere, Who Knows?Midway Travel ServiceAdministration Bldg. - First Floor5801 Ellis Avenue753-2301 FRIDAYCrossroads: English classes for foreign women,10:00 am, 5621 S. Blackstone.Calvert House: Mass, 12 noon and 5 pm; brownbag lunch, 12:30 pm, 5735 University.International Relations/Model United NationsClub: Organizing fund-raising effort and discus¬sion of plans for participation in conferences na¬tion-wide, 2:30 pm, Pick Lounge.Mineralogy-Petrology Seminar: “The Origin of theUnusual Allende Inclusion HAL: Supernova Con¬densate or Residue from Evaporation of Interstel¬lar Dust?’’ speaker Andrew Davis, 3:00 pm, Hinds101.Calvert House: Catholic Worker soup kitchen,leave Calbert House at 3:00 pm, 5735 University.Office of College Aid: Financial aid presentationin the Reynolds Club Lounge, 3:30-5:00 pm.Center for Middle Eastern Studies: Arabic Circle-“Freedom and Atomism: Some Observations onEarly Islamic Theology” speaker Prof Josef vanEss, 3:30 pm, Pick 218.Dept of Philosophy: “Socrates, Democracy, andMoral Education” speaker Richard Kraut, 4:00pm, Harper 103.Hillel: Yavneh (Orthodox) Shabbat Services, 5:45pm; Reform-Progressive Shabbat Services, 5:45pm; Adat Shalom Cooperative Shabbat Dinner,6:30 pm, 5715 Woodlawn.Doc Films: “Young Frankenstein" 7:15 and 9:30pm, 1121 E. 60th St.Spartacus Youth League Forum: El Salvador Lef¬tists Must Win the War! speaker Joe Vetter, 7:30pm, Reynolds Club.Collegium Musicum Concert: Music by GuillaumeDufay and Pierre de la Rue, 8:00 pm. Bond Chapel,free.Hillel: Lecture-“The Politics of Yiddish and Yid¬dish Literature” speaker Prof Ellen Cannon, 8:30pm, 5715 Woodlawn.SATURDAYHillel: Yavneh (Orthodox) Shabbat Services, 9:15am; The Upstairs Minyan (Conservative-Egali¬tarian) Shabbat Services, 9:30 am; Women’s Tefi-lah, newly organized Halachic Women’s PrayerGroup, 9:15 am, 5715 Woodlawn.Calvert House: Mass, 12 noon and 5 pm; brownbag lunch, 12:30 pm, 5735 University.Doc Films: "Saludos Amigos" 2:30 pm, Cobb.Music Dept: Elizabeth Baltas, flute recital, 4:00pm, Goodspeed Hall, free.Calvert House: Sacrament of Reconciliation, 4:30pm, 5735 University. Crossroads: Buffet dinner, 6:00 pm, no reserva¬tions necessary, 7:15 pm, slide presentation byDorothy Friesen-“Tenants in our Own Land, 5621S. Blackstone.Doc Films: “SOB” 7:15 and 9:30 pm, Cobb.SUNDAYCalvert House: Mass, 8:30 am and 5 pm at CalvertHouse, 11 am at Bond Chapel.Hillel: Lox and Bagel Brunch, 11:00 am, 5715Woodlawn.MARRS: Fighting practice, 3:00 pm, Ida Noyes.Episcopal Church Council: Holy Eucharist, 5:30pm; Sunday Supper, 6:00 pm, at Bishop BrentDoc Films: "Ramparts of Clay” 8:00 pm, Cobb.Folkdancing: Advanced level folkdancing 8:00 pm,Ida Noyes Hall.MONDAYCalvert House: Mass, 12 noon and 5 pm; brownbag lunch, 12:30 pm, 5735 UniversityLatin American Studies: “Literature ideologia”speaker Jorge Ruffinelli, 3:00 pm, Pick LoungeDept of Chemistry: “Electronic Structure BeyondMolecular Constants” speaker Prof. Robert Field,4:00 pm, Kent 103.U of C Judo Club: Meets 6:00 pm, Bartlett gymHillel: Student for Israel-”Discussion on Art inIsrael" 7:00 pm, 5715 Woodlawn. -Doc Films: “Out of the Fog 7:15 pm, "The HardWay” 9:00 pm, Cobb.Ski Club/Ski Team: Meets 7:30 pm. Ida NoyesWomen’s Rap Group: Sponsored by UFO-7:30 pm.Women's Center, 3rd floor Blue Gargoyle.International House: Film-“Hiroshima, MonAmour” 8:00 pm, 1414 E. 59th St. Free popcorn.Folkdancing: Beginning and intermediate levelfolkdancing, 8:00 pm, Ida Noyes.Delta Sigma: Meeting at 9:30 pm, Ida Noyes li¬brary.TAi SArti vonCHINESE-AMERICAN RESTAURANTSpecializing in Cantoneseand American dishesOpen Daily 11 A.-8:30 P.M.Closed Monday1318 E. 63rd MU 4-1062We would like to thank everyone for making our “PhoenixRising From the Ashes Sale” a success.Below are the answers to the Phoenix crossword.CONGRATULATIONS.LESLIE WICK(Winner of 20 Free Albums)(Basement of Reynolds Club)The Chicago Maroon—Friday, February 26 1982—3Editorials LettersC./W I MAvlt AfJ fjcTtMSiwJ pop q0Ak5D k5(&4ts7^gTT[-t<<., fr. JC7 Keith HorvathDealing with UC’s stressAs the end of the quarter approaches, so does one of UC’s famous maladies —student stress. Any student here, or for that matter, any prospective student,knows too well the pressures and demands which inevitably build up near finals.It is good to know that the administration is beginning to recognize one of themore severe academic and social problems on this campus.We have only good things to say about the workshop on stress held last Mondaynight. While no single workshop could possibly eliminate stress altogether, therecent workshop did direct itself towards reaching two key goals: helping stu¬dents understand and deal with stress, and giving the administration quantita¬tive, realistic information about the problem of stress on this campus.That the workshop was held is a sign that the University is willing to address theproblem in a thoughtful manner. That Dr. John Kramer, head of the Student Men¬tal Health Clinic, should dismiss the problem as a fiction invented by “the Dean ofStudents Empire” is less comforting.We hope that the administration and the staff at the mental health clinic willconsider carefully the results of the student surveys filled out at the workshop.Though part of the price of receiving a good education is facing the pressure ofmeeting deadlines and doing well on exams, for the University to dismiss stressas a problem because it is unavoidable would be thoughtless and insensitive. Weapplaud its awareness of and attempts to assist students having difficulty copingwith this problem and hope that more workshops will be held in the future.Education worth the costsAmidst the countless evasive remarks which have poured forth from the Ad¬ministration Building concerning solutions for peace, prospects for nuclear disar¬mament, et cetera, it is refreshing to hear a realistic prognosis for the Universi¬ty's future as articulated in President Gray’s State of the University address.Although one may have to read between the lines in Mrs. Gray’s speech some¬what, it is nevertheless clear that the UC administration recognizes that the Rea¬gan administration is bent on trashing equal opportunity in education in the Unit¬ed States. In Gray’s words, there “is a declining regard for higher educationalopportunity as an appropriately central national concern, a declining convictionas to the claims of research, scholarship, and cultural activity by the federal gov¬ernment, a growing indifference to the significance which these have for the fu¬ture health of every area of our society.”It is furthermore clear that Gray is not trying to gloss over the very serioussituation posed by the possible elimination of loan programs for graduate stu¬dents. If those programs are cut, UC is going to be in a grave situation indeed: oras Gray put it, “the composition and character of the University itself would beaffected, together with the scope of educational opportunity and its role in oursociety.” Just what this change in character might mean — a lowering of stan¬dards for admissions, a lowering of the quality of the faculty which UC can afford,even the loss of its private status — is something which no one has yet dared tospeculate upon.Even though the longterm picture may be bleak, the UC Administration is cer¬tainly deserving of praise for its present commitment to the admission of students“without regard to need,” and its commitment to providing “greater guaranteesof support over several years” to the most promising graduate students. The in¬crease in direct aid from the University to students will hopefully back up thisverbal commitment.None of us can be happy about a 17 percent increase in tuition next year. We canonly be happy that the University is still committed to making the education hereworth that price. Feminism andthe MaroonTo the Editors:Recently, the Maroon published two arti¬cles addressing or purporting to address theissue of feminism (David Brooks, 2/5, andRichard Martin & Ken Wissoker, 2/12). TheGrey City Journal also published a piece(Keith Fleming's “Reinventing Love,’’2/12) dealing with “sexual equality.” Thisrecent coverage may furnish the strongestcase against SG’s revocation of funds forPrimavera, a journal dedicated to the publi¬cation of material dealing with women andwomen’s concerns.1) Brook’s article was in error on thebasics of the movement he claimed to dealwith.2) Fleming’s article, while less overtly of¬fensive than Brooks’s, painted a narrow,questionable case for the acceptance, bymen, of a superficial “sexual equality”.3) Martin and Wissoker, to their credit,presented a well-reasoned reply to Brooks,but as they themselves note, their responseis written from a male perspective.We want to know whether this treatmentof feminism — generally uninformed, gen¬erally superficial, exclusively male-orient¬ed — is the result of the deliberate editorialpolicy of the Maroon. If it is, we here andnow register our protest at the disservicedone to us as women readers of the Maroonby such a policy. If not, what is the cause ofthis distortion? Are there no submissionswhich do not treat feminism in this manner,no submissions on this topic from womenjournalists? Or merely no acceptable ones?What are the criteria of acceptability? Andare they such that a well-informed, pene¬trating, woman-oriented viewpoint willmeet them9/ Sincerely,Wendy LewisJean PedersenDevi PierceAnne ReinMarsha StearnsHeather ThiessenNot a UtopiaTo the Editor:The volume of hostility with which a newwork of literature is met, and the period oftime in which that hostility is sustained areprobably among the best measures of its po¬tential influence. In this light, even the unfo¬cused “viewpoint” of Mr. Robert Deckercan be seen as a sort of twisted tribute to thepower of Atlas Shrugged, a power he can re¬cognize but cannot understand.Decker’s second-hand review centersaround the criticism that Atlas Shrugged isunrealistic. Perhaps this would not havecaught him of fguard had he only been morefamiliar with Rand’s work. Her purpose isnot to portray people as they are, but as shethinks they ideally ought to be. “In writing(the following) passage, I was consciouslyand deliberately stating the essential goal ofmy work: ‘I think you're the best sculptorwe’ve got. I think it, because your fingersare not what men are, but what men couldbe — and should be. Because you’ve gone beyond the probable and made us see whatis possible...Because your figures are theheroic in man.” That she omits true-to-lifescenes of the characters washing theirdishes and walking their dogs may disap¬point Mr. Decker, but one’s appetite for themundane is a personal matter.On the basis of this misunderstanding, theauthor then concludes that since Rand ssupposed description of capitalism “carriedout to its logical extreme” is unrealistic andutopian, capitalism itself must also beunrealistic and utopian, a “conclusion,” onemight guess, he had in mind before hebegan.He could have dismissed all of this, hesays, had it not been for “the apparent suc¬cess President Reagan’s administration hashad convincing the public that such a visionis not utopian...” Were this article a joke,this quote would be the punchline. In Rand’sow'n words “(Conservatives) do not seem topossess enough concern with principles torealize that they are cutting the groundfrom under their own feet. Men w’ho deny in¬dividual rights cannot claim, defend oruphold any rights whatsoever. It is such al¬leged champions of capitalism who are help¬ing to discredit and destroy it.” Reagan isno exception. He is pursuing a mixed bag ofcorporate statism and half-hearted deregu¬lation. camouflaged in the rhetoric of liber¬ty, solely for the purpose of making theeconomy more “efficient,” in order to fattenthe calf] one might say. His concern is notincreased individual rights, but increasedgovernment revenues.It is only Mr. Decker’s remarkably loosedefinition of capitalism which allows him toassociate Reagan with Rand’s ideas. And itis the same error of identification whichallows him to consider Andrew Carnegie an“example of the best of what capitalism hasproduced.” This in a nutshell is why Deckerfinds capitalism so elusive. He doesn’t knowwhat it is. As Rand would say, check yourpremises, Mr. Decker, and in this case, yourdefinitions.Jon OsborneGraduate School of BusinessDu Sable tourTo the Editor:In 1926 a University of Chicago alumnusset aside a week in February to do homageto Negro history. Today we have black histo¬ry month. As black history month comes toa close I would like to invite all your readersto visit the oldest and largest museum in theUnited States dedicated to the study of Afri¬can-American History. The Du Sable Muse¬um of African-American History is locatedat the corner of 57th Street and CottageGrove Ave. On Saturday, February 27, 1982a group of us will be meeting in the Regen-stein library main lobby at noon. We willthen walk the four blocks to the DuSable Mu¬seum. Your readers are welcome to visitwith us.Sincerely,Tony KnightP.S. The father of Black History was Dr.Carter G. Woodson, the renown Black his¬torian. The Du Sable Museum is namedafter the first permanent non-Indian settlerin Chicago, a black /nan.Are you seekingquality educationfor your child?Consider Ancona Montessori School.Our program extends from three yearolds through eighth gradersWe offerIndividualized, independent learningSmall classesProject-oriented curriculumIntensive study of the natural andurban developmentCareful attention to the basicacademic skillsOur annual Open House will be held onSunday, February 28, from 3 to 5 p.m. Pleasecall 924-2356 for more information□ □ANCONA A MOMI.SSORISCHOOI.□I SCHOOL4700 S. Dorchester92423564—The Chicago Maroon—Friday, February 26, 1982ViewpointsReagan supporter praises “realistic approach”By Tom PowersAfter reading Robert Decker’s February 19 article, TwoElusive Ideals: Capitalism and Socialism, I am curious asto what Mr. Decker sees as the political future of the UnitedStates. According to Mr. Decker, We can have little faith inthe Reagan Administration because its goals are based on autopian conception of the world and of human beings. Mr.Decker says that it is the American democrative institu¬tions of government that are fundamental to the relativeprosperity, freedom, and happiness of the American peo¬ple. The American people alone do not have the “integrity,decency, and sound good sense” to bring about a good soci¬ety; our great institutions are our strength and hope.Mr. Decker thus says that Reagan is wrong; first becausehe is a utopian capitalist and second because he foolishlyrelies on human goodness. This statement reveals a basicmisunderstanding of the Reagan Administration’s goalsand policies and an unfairly cynical view’ of man.Mr. Decker says that the view' of the President’s Adm-ministration is utopian in that it is libertarian. Rand is alsoa libertarian (espousing the philosophy she calls Objecti¬vism) and she “envisions the results of capitalism carriedout to its logical extreme.” But, libertarianism is “unat¬tainable, unoperational, utopian,” and as a libertarian,President Reagan is leading us down a path of doom.Fortunately, Mr. Decker is wrong. President Reagan isnot a libertarian. He was not elected in 1980 because he pro¬mised to do away with government in its entirety. He waselected because there is a realization that “governmentcannot do everything for the citizens of America and more¬over that it should do less, since no “great society” hasemerged because of government programs.The Reagan Administration’s approach to governing is,more than anything, realistic. There is no desire to takeaway all of the regulating powers of the government. Norwill government cease to give aid to those members of oursociety who truly need it. Government programs aren’tseen by the Administration as inherently evil, they just arenot assumed to be inherently good anymore.In the recent past, American politicians, having identi¬fied social problems, set about to eliminate them by settingup government agencies and programs. To do this, moreand more money has gone to government and less has beenleft to individuals and corporations to do with it what theywish.Today many of these government programs have turnedout to be failures. Poverty and racial inequality, for examp¬le, still exist (look around you) even though billions havebeen spent to support the jobless and needy and though lawshave been passed and agencies created to promote racialequity.All of this goes a long way to say that the Reagan Admin¬istration is realistic and not, as Mr. Decker would have usbelieve, libertarian. There is a need to reevaluate the mosteffective means of bringing economic prosperity and stabil¬ity to the country. The Reagan Administration is makingthis evaluation, but in doing so, the role of government willonly be diminished where government is ineffective andwhere it wastes taxpayers’ money. The utilization of gov¬ernment is not bad — ineffective, wasteful (even if well in-tentioned) government is bad.Mr. Decker goes on to point out that President Reaganbelieves “in the integrity, decency, and sound good sense ofgrassroots Americans.” The President, says Mr. Decker, iswrong here because, what with all the “racism, violence,prejudice, and deliberate ignorance” in the lives of Ameri¬cans, Reagan's belief in the people of this country is found¬ed on something that either doesn’t exist or is very rare. Infact, Mr. Decker goes so far as to say that “we cannot relyon human goodness to bring about equality, liberty, andbrotherhood on earth.” The “institutions created by theU.S. constitution” deserve the credit for the liberty and wellbeing we enjoy in the United States.Mr. Decker may have misread President Reagan andseen him as utopian, but he has not misread the Presidenthere, he has misread human nature. The institutions of ourgovernment were created by individuals and have beenused for good and bad by individuals for over two hundredyears. The institutions and the use of those institutions havechanged with time but that change has come from con¬cerned, motivated individuals.To say that the U.S. constitution has played no great rolein the course of our history would be foolish. But it is equal¬ly foolish to say that the political activists of American his¬tory do not deserve at least an equal share of the credit forthe liberty and well being we now enjoy.Perhaps the most vivid example of the importance of in¬dividuals in the struggle for a more just and better societyis the Civil Rights Movement. Not only did individuals havegreat impact on the advancement of racial equality, but theinstitutions of government actually stood in the way of theirefforts. The U.S. constitution initially provided for the ap¬portioning of seats in Congress by adding the number offree men in a given state to 3/5 the number of slaves in thatstate and giving a proportionate number of seats to statesbased on that number. It also provided for the return of ref¬ugee slaves to the home state. Not until the time of the CivilWar did the 13th, 14th, and 15th Amendments give the first institutional foundations for the rights of blacks in Ameri¬ca.But the change in the institutions was the result of peo¬ple’s efforts to eradicate a terrible wrong. The institutionsof the U.S. government provide for change and this was cer¬tainly helpful to the efforts of the abolitionists. But the sup¬porters of slavery used the American institutions of govern¬ment to prolong racial inequality just as the abolitionistsused the institutions to eliminate it.Since the Civil War, the Civil Rights Movement has con¬centrated its efforts on changing discriminatory institu¬tions in and out of government. In this century, the NAACPand the National Urban League have been extremely influ¬ential in initiating legislation and publicizing the case forracial equality. The efforts of these and other groups < madeup of concerned black and white individuals) have broughtabout real changes as seen in the Supreme Court desegre¬gation rulings, the Voting Rights Act, and legal prohibitionsof discrimination in housing and employment.The Civil Rights Movement has thus been successful inturning government institutions around. Mr. Decker’s as¬sertion that institutions, not individuals, bring on the socialgood is blatantly inaccurate in the case of civil rights forblacks in America.“Human goodness” seems to gain some legitimacy inlight of the Civil Rights Movement. Moreover, the successof the women’s movement and the general tendency of thelaws of the nation to reflect a continual progress in eradi-A perspective onby Robert M. Franklin Jr.February is Afro-American History month. Ideally, it is atime for self-criticism, celebration, and assessment of fu¬ture goals. As Dr. Martin Luther King, Jr.’s birthday (Jan¬uary 15) fades into our recent past, and as the human com¬munity progresses toward the twenty-first century, justeighteen years away, I am compelled to speculate aboutwhere the new leadership for blacks and the wider Ameri¬can community is likely to come from.Any substantial study and discussion of leadership nowa¬days should acknowledge the rich social scientific traditionwhich includes Max Weber, Erik Erikson, and James Mac-Gregory Burns. These theorists would encourage us to askquestions of leaders such as, “Is this person perceived as alegitimate leader because of his/her personal qualities(charisma) or because his/her office or position is tradi¬tionally recognized as authoritative”? “Are there signifi¬cant unconscious motivations propelling this person intoleadership which the followers would be well advised to re¬cognize (e g., Rev. Jim Jones’s persecution complex)”?And perhaps most importantly, “Does this leader have aclear and realistic sense of whom he is leading and whereto”?Black Americans especially should give critical attentionto their candidates for leadership in the coming years. Asthe economy deteriorates and masses of poor and minoritypersons are unemployed, alienated, and without hope, thesocial climate will be conducive to nurturing messiah-fig-ures, opportunists, and destructive charismatic figureswho may worsen the living conditions of an already de¬pressed underclass.This vast class of poor, unemployed, disgruntled citizensneed not resign itself to a slow, depressing death, however.For, it is the function of genuine leadership to articulate thesocial and personal needs of the masses, to effect beneficialsocietal reforms, and to encourage the strengthening of themoral fabric of the community.In 1900, Booker T. Washington was the monumental lead¬er who provided symbolic concreteness to the needs,claims, and plans of most blacks. It is worth pointing outthat the last two chapters of his book, A New Negro for ANew Century, were devoted to an assessment of the con¬tributions of black women. Written by Fannie Barrier Wil¬liams, an author and member of the National Associationfor Colored Women and the Chicago Women’s Club, thesechapters document the impressive cultural, professional,and moral efforts of emancipated women to improve thequality of life for their race. She notes that these charmingand fluent women represent the “real new woman in Amer¬ican life" and suggests a public role for them as opinionshapers and social leaders. The presence of these twochapters and their contents is provocative for speculationabout leadership in the twenty-first century. Indeed, Wash¬ington may have apprehended something that we haveoverlooked for two generations.I would suggest that the symbolic figure who is most like¬ly to succeed in offering a compelling model of the moraland fulfilled person-citizen will be an educated, pragmatic,black woman who has triumphed in her struggle to becomean adult amidst racism, sexism, and class discrimination.I support the premise that the ability to adapt to, and eating the “racism, violence, prejudice, and deliberate ig¬norance in which so many Americans of all circumstanceslive today” illuminates the fact that individuals with a de¬sire to do good in society are the primary’ source of socialprogress. Politically and socially concerned Americans uti¬lize and mold the institutions of government so wisely setforth by the Constitution; they do not simply “thrive underthem,” to use Mr. Decker’s phrase.It is clear now that we can ignore Mr. Decker and lookwith hope to the success of the Reagan Administration.With a realistic view of the role of government in societyand a realistic (thought perhaps until recently under-uti¬lized) belief in the “integrity, decency, and sound goodsense” of the American people, the President will go far inaddressing the needs of an economically and morally de¬pressed nation.If Reagan is wrong then I am curious generally, as I amabout Mr. Decker’s view, as to the future of our country. Ifwe cannot rely on policies of reasonable expectations andrational methods as presented by the Reagan Administra¬tion or on the goodness of man. then even the best of demo¬cratic institutions or constitutions will not be able to main¬tain justice, insure domestic Tranquility and secure theBlessings of Liberty (to ourselves and our posterity).Tom Powers is a third-year economics major in the col¬lege and is President of the Illinois College Republicans.black leadershipgrow beyond the potentially crippling effects of oppressionuniquely qualifies one to be a potential symbol of possibili¬ties for human transformation. When I listen to the tales ofdeath camp survivors from Nazi Germany, something inme affirms the human will to survive and to make good ofour having survived. It is a message sometimes eloquentlyrelayed by Native Indians. Jews. Blacks, refugees, women,homosexuals, and other minorities.My specifying black women as candidates for leadershipin the black community and in wider America is not a mat¬ter of whim. Recent histories of the black family in Ameri¬ca document the quiet strength and redemptive presence ofblack mothers, wives, and daughters. In the wider society,black women have courageously fought against the dehu¬manizing features of industrial capitalism and secularismas witnessed by their relative prominence in the arts and inreligion.Presuming that the arts and religion can be activities forhumanizing life in scientific-technological societies andthat symbolic expressions of personal and social transfor¬mation which arise out of the black community may be ableto speak to all of humanity, black women (and other minori¬ty women) seem to be especially qualified to provide hu¬manistic, moral, and political leadership to America in theyear 2000.In the political sphere. I would expect a younger versionof former congresswoman Barbara Jordan to emerge as aspokesperson for disheartened minorities and for the entireAmerican republic. Someone like Jordan would know boththe deprivation and suffering which many poor and non¬white persons experience and the success and fulfillmentwhich the 'mainstream’ culture cherishes.In the arts, I am impressed by the widely known works ofMaya Angelou and Toni Morrison. These authors togetherwith the growing host of poets, lyricists, choreographers,and musicians may help give birth to a new renaissance ofblack arts and letters.Finally, in the area of religion, while scores of promisingblack female clerics and theologians are on the scene, noone or two have emerged as monumental. The moral di¬mensions of black and American communal and personallife yearn for clear-eyed vision and wise, practical strate¬gies for fulfillment. While I happen to think that exceptionalblack women will be most equipped to offer symbolicimages of the good person in a dehumanizing, urban envi¬ronment, whoever emerges will have the onus of speakingrationally and provocatively not just to any one segment orculture of America but to the shared needs of the now hid¬den’ public.The Chicago Maroon—Friday, February 26, 1982—5DR. M.R. MASLOVOptometrisf• Eye Examinations• FashionEyewear• All Types ofContact Lenses*Ask about our annualservice agreement.LOCATED IN THEHYDE PARKSHOPPING CENTER1510 E. 55th 363-6100 EVERYTHING INPRINTINGThe Southside's largest and mostgomplete print shop letterpressand offset . plus art departmentfor design and layout assistance.PHOTO COMPOSITIONOVER 100 TYPESTYLESFOR BROCHURES, BOOKSALL YOUR PRINTING NEEDS!“Calling Card to CatalogWe Print Them All"HOT STAMPING • EMBOSSINGSaddle and Perfect BindingThe Bankers Print, Inc.5832 So. Green • HU 7-3142coopHyde Park Coop Your member owned supermarket55th at Lake Park • 667-1444Hours: Mon. - Wed. 9-7:30, Thurs. - Fri. 9-8. Sat. 9-7, Sun. 9-3Here are some more suggestions from our home econo¬mist for people too busy to enjoy a traditional leisurelybreakfast:—Sliced banana topped with yogurt or cottage cheese—A fresh apple and a wedge of cheese—Sliced cold cuts and whole wheat crackers—A peanut butter sandwich on raisin breadOf course, the ingredients are available at the Short Stop.And so are dozens of bargains at our supermarket.If you haven’t shopped the Co-op, you ought to. At the Co¬op, we care.shortopen monday thru Saturday 7 a m uSunday and holidays 8 a.m. to 9 p.mkraft naturalsharpCheddarcheese8 oz. pkg.reg. 1.69J39 co-op11 p.m. convenience store1514 e. 53rd st.agar country’s delightsliced 2% low fatbacon milk1 lb. pkg.reg. 1.89 gallonJ59 149v. Washingtond’anjoupears.reg. 79t lb.49* lb.sole prices effective Wednesday 2/24 thru tuesday 3/2/82 THE FLAMINGO APARTMENTS5500 South Shore DriveSTUDIOS & ONE-BEDROOMS• Unfurnished and furnished• U. of C. Bus Stop• Free Pool Membership• Carpeting and Drapes Included• Secure Building• University Subsidy for Students & Staff• Delicatessen • Beauty Shop• Barber Shop • T.J.’s Restaurant• Dentist • Valet ShopFREE PARKING.MR. MORRIS 752-3800MORRY’SHAPPY HOURIS BACK!(FROM 3 PM TO 4 PM DAILY)CASH IN ON THE SA VINGiHOT DOGS -75r only-JUMBO, HOTPASTRAMI So„, ea,BBQHAM Reg. ^1.75 onlveaMORRY’S DELLOCA TED INTHE UNIVERSITY BOOKSTOREHOURS: 7:30 AM-4.30 PM MOS.-FRI.9 AM-4 PM SAT.Manpower RecruitingOur recruiting methods go beyond thetraditional newspaper classified ads and talksto women's groups.We advertise nationally on network televisionand in leading magazines. But it's not a shotgunapproach. 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A unique recruiting campaignThe result: our temporaries get the jobsatisfaction they want You get the productivityyou need in these times, especiallyManpower The temporary service you'relooking forel MANPOWER\ temporary services6—The Chicago Maroon —Friday, February 26, 1982GREY CITY JOURNALAn Interview with Barry SandlerDirector Arthur Hiller, producers Daniel Melnick and Allen Adler, and screenwriter BarrySandler.Making Love, starring Michael Ontkean,Kate Jackson, and Harry Hamlin is the firstofficial gay movie out of Hollywood. BarrySandler, the screenwriter for the Arthur-Hiller directed film, was interviewed overthe phone this week about his screenplay.Sandler, who lives in Los Angeles, studiedfilm at U.C.L.A., and has written screen¬plays for The Dutchess and the DirtwaterFox, Gable and Lombard, and The MirrorCrack'd. The interview was conducted byRichard Kaye and Richard Martin.Martin: How conscious were you while writ¬ing the script of previous images of gays infilm?Sandler: I was very conscious of previousnegative stereotyping, negative in the senseof gay men and women being slotted into acategory that people felt very safe with. Inother words, in the past gays have been pre¬sented in such a way as to be totally inac¬cessible: gross, degenerate, low-life — any¬thing that wasn't recognizable for thepublic. Therefore, the public was abie to saythat this is an element that I don't come incontact with and thus could easily dismiss.Even when gays were portrayed endear¬ingly, as in La Cage aux Folles, it was stillan image which was basically type-bound,very unreal — a very comfortable image forstraight middle America to deal with. I setout to shatter that whole myth, and to re¬create as positive an image of gay people asI could.Martin: Have you received much feed-backfrom people who say that you went too far inthe other direction, that the characters werepresented too positively?Sandler: There has been some criticismthat I over-idealized. I don't feel that thatcriticism is justified. I think a lot of peoplewho are making tht accusation are doing sobecause in their minds they perceive therole of gay men as being just what the mediahas given them. In other words, the fact thatwe're presenting gay men as attractive, re¬sponsible, human, decent, successful, what¬ever, is incomprehensible for some people.They can't comprehend that the image ofgay men in Making Love can be real be¬cause they're too used to seeing the negativeimagery. Therefore, a lot of people feel thatby showing that side we're over-idealizingthe situation. In truth, we're not. We're justpresenting a very positive image, and we'representing it for the first time. Even if I hadtended to over-idealize just a slight bit, evenin terms of the attractive people and includ¬ing somewhat grand sets, perhaps that'sjustified because it's a counter balance ofthe negative stereotypes of the past. I'm notsaying that it is justified — I'm saying thateven if Making Love was slightly idealized,(which I don't believe it is) I think that inthis case it could be justified because weneed to counter balance that negative imag¬ery. You can't do it with one movie, but atleast it's a beginning.Kaye: I had one big problem with MichealOntkean's character. His character seemedto me to be the hardest to identify with,whereas Kate Jackson's and Harry Hamtin's characters were perhaps less idealized,but somehow more believable, more well-rounded. . .Sandler: Richard, I think that the close upinterviews in the film created a much stronger sense of intimacy between you andthe character. Perhaps that could be a fac¬tor in your response. The film was told fromboth Jackson's and Hamlin's points of view.And Ontkean's character was presentedthrough the points of view of the people heaffected the most.Kaye: I actually ended up liking that effect.But the one scene that bothered me the mostwas when Ontkean calls his wife and lies toher about why he isn't going to be home latethat night. What I found interesting was thatthe camera focused only on her part of theconversation, almost as if you didn't wantthe audience to see Ontkean lying. I think itwould have been more interesting to see thisman, who otherwise had rather attractivequalities, lying. . .Sandler: Well, it's interesting that youshould mention that situation because weoriginally shot Micheal Ontkean telling a lie.Although in the script I wrote in a scenewhere Ontkean tells a lie. We later decidedto edit that. In this case you're faced with adifficult situation. Although during the tele¬phone conversation we focus on her reac¬tion, after she hangs up we do come to aclose-up on him so that the audience can seethe guilt on his face. This way you know thathe's just told a lie and you know that he'sfeeling guilty. I'm not sure you needed tohear the lie. When you hear the lie then itbecomes a real soap opera, real banality.We felt that it was a little more subtle, a lit¬tle more sophisticated, to show the look ontheir faces. I know from the history of mov¬ies just to show the guilt. Now if you showedhim lying you'd be treading a very fine line.Because what you risk — and I know I'm al¬most contradicting myself — is a situationwhere you make the homosexual characterthe villain. And in this movie I didn't wantthe Ontkean character to be a villain. Notthat I wanted everyone to be squeaky clean,but I wanted them just to be human. Allthree characters are basically decent peo¬ple; certainly victims of the problems theyhad during childhood, but they're still de¬cent people. The fact that he's able to lie toher and feel guilty makes him human. Ididn't want to run any risk. I knew peoplewould identify with Kate Jackson, and theycould potentially dislike Micheal Ontkean.This created a potential situation where au¬diences would dislike the concept that hewas gay.Martin: I understand that you contributedmore than most screenwriters usually do tothe actual production of Making Love be¬cause you were the only gay involved.Sandler: That's correct.Martin: When the Bart character leaves thefilm the audience sees him reflected in alarge mirror window as he fades into thestreet lights. Was that the director ArthurHiller's idea to end that scene in thatstyle?Sandler: I wrote his exit in the script as''Bart walks off into the neon night," orwhatever. It's standard practice in moviemaking that the director comes along andtakes what the author has written and translates it into film. So Hiller came up with allthose light effects based on what I had writ¬ten. I felt that that was the only way to endthat character. I wanted to leave that character somewhat ambiguous. I felt that thelast image of that character should be the image that we saw of him at the beginning— just going off into the night. He's changedsomewhat at the end, a little more open tocertain things, but still basically the sameperson. The Hamlin character has beenchanged by his interaction with Ontkean,but it hasn't changed his life to the pointwhere he has become inconclusive. I didn'twant to do a Hollywood riding-off-into-the-sunset scene. I felt that was the only way toend that character. He had felt his loss, therelationship ended too abruptly, he didn'twant to see him again, or whatever. I don'tthink that the audience had to see himagain.Martin: I thought that in Hamlin's exitscene that, because the visuals were predo¬minant — we first get the distorted reflec¬tion of him in the mirrors and then him fading into the street lights — that this scenereinforced Hamlin's excessive narcissism. Ithought it was a very baroque scene. Didthat disturb you at all?Sandler: Well, when we got to the locationwhere we were going to shoot the scene wediscovered the mirrors. It wasn't decidedbeforehand to appear like that, it wasn'tpredetermined. When Hiller saw the mirror,I guess, he thought that was an interestingway for the character to leave the picture.Martin: But the end result didn't disturbyou, you didn't feel that that might overemphasize the character's promsicuity?Sandler: No. I liked the way Hiller chose toend the scene.Kaye: Do you think that a lot of people wereupset that you didn't have Claire and Bartmeet during the film? I was glad that theydidn't meet because that was the predictable thing that would happen. . .Sandler: That's exactly the answer l give. Itwould have been predictable to have themmeet. I know people were waiting for that,but I was looking for the unpredictable. Thefact that she finds a matchbook which has the number of another guy served two pur¬poses. First, it's challenging for the audi¬ence, it forces the audience to recall the mo¬tivations and dynamics of the Zackcharacter. At that point you realize that hisreal fear about coming out was not being labeled gay, or not risking his job, or whatev¬er, but his real fear was that he wouldn't beable to have the kind of emotionally satis¬fying relationship with a man that he couldhave with a woman. And that's based on theconceptions that the straight world has ofhomosexuals. The image that's been gen¬erated by the media about homosexuals isobviously also going to affect Zack. When hedoes have the casual experience with thisguy who Jackson later visits, it isn't what hewanted for himself, it isn't what he needed.The fact that he experienced this frightenedhim, it truly frightened him to the idea ofcoming out of the closet. I'm not trying tomake a value judgement for one lifestyleover the other, but Zack's experience solidi¬fies his repression. And it's only when hemeets Harry Hamlin and discovers that hecould have an emotional relationship withanother man — only then, were all thesefeelings able to be unleashed, dealt with,and then finally articulated to his wife. Thesecond reason for not including the predict¬able confrontation scene was because thisway it forces the Kate Jackson character tofinally realize that this is it. That it's not allfancy, it's not just a game.Kaye: I also wanted to ask you about the sexscene between Ontkean and Hamlin. Whatchanges did that scene go through? At onepoint in the production was it supposed to bemore explicit, or less explicit? I thought itwas quite well done.Sandler: Well, I wrote the scene very open, Icouldn't write it exactly as I wanted becauseI knew that a lot of actors would panic, andContinued on page 5ELIA 1) EFRAGMENTS D'UN JOURNAL IL1970-1978AUTOGRAPHED &&L ESS I X G«►THE MAKING OF THE REPRESENTATIVE FORPLANET 8CANOPUS IN ARGOS 3: THE SIRIAN EXPERIMENTS IS NOWAVAILABLE IN PAPERBACKSEMINARY COOP BOOKSTORE a 111111111111111 |~HNTonight at 7:15:As part of our Warner Brothers series, Humphrey Bogart,and Ida Lupino in Raoul Walsh’s HIGH SIERRAThen at 9:15:Another Bogie classic, with Lauren Bacall, Edward G.Robinson and Lionel Barrymore in John Huston’s KEY LARGOTomorrow at 2:30:Two visually innovative Disney classics starring DonaldDuck, SALUDOS AMIGOS and THE THREE CABALLEROSThen at 7:15 and 9:30:Julie Andrews bares her breast in Blake EdwardsS.O.B. (Rated R, sep. adm.)Sunday at 8:00:Jean-Louis Bertucelli impressive study of an Algerian girl, jRAMPARTS OF CLAY^—^ '3Tt’ lk'rtTiAll films in Cobb Hall AJQ |)OC FILMS-—I i i i i i r\> - - X'rm5309 S. Blackstone • 947-0200OUR FAMOUS STUFFED PIZZA IN THE PAN IS NOWAVAILABLE IN HYDE PARKOPEN 7 DAYS A WEEK • 11 AM TO 12 MIDNIGHTCocktails • Pleasant Dining • Pick-Up“Chicago’s best pizza!” — Chicago Magazine, March 1977“The ultimate in pizza!” — New York Times, January 1980 Court Studio presentsTennesseeWilliamsSUDDENLYLAST SUMMERFebruary 19,20,21 and 26,27,28 8:00 P.M. New Theatre, Reynolds Club57th and University All tickets $3 (general admission) and $2 (students andasnifll ClUgSag) For reservations and Information, call 75V1S81Pocket Poetics PresentsAllen GinsbergandPeter OrlovskyT uesday • March 2 • 8 PMLaw School Auditorium*4.00 (Students $2)Partially Financed by Student Government Finance CommitteeAllen Ginsberg and Peter Orlovsky in New YorkFILMHigh Sierra (1941, d. Raoul Walsh)This was a pivotal work for bothits star, Humphrey Bogart, andits director. With High SierraWalsh began his exploration ofthe inevitable destruction of theself-sufficient outsider, a themewhich reoccurs throughout hisfilms of the '40s and '50s. In thiscase, Bogart plays a middle-agedex convict who, after he's re¬leased from prison, finds himselfa prisoner of fate in the freeworld he so desperately desired.Unlike his earlier roles, where hewas usually unconvincingly castas a ruthless and cruel hoodlum,in High Sierra Bogart is at easeand witty, portraying a lonelyand destined man who reveals hishumaneness as reluctantly as hedoes his feelings for the mollishIda Lupino. With Arthur Kennedyand Joan Leslie. Recommended.Fri., Feb. 26 at 7:15 pm. Doc. $2.— P/VIYoung Frankenstein (Mel Brooks,1975) Mel Brooks and GeneWilder create Frankenstein. Thatabout sums it up. I mean, youknow it's going to be funny andslightly crazy just from that. I'mnot going to give away any of thejokes to get you to see it, just soyou'll go to the movie and snortderisively at the funniest gags,having heard them all before.And I'm not going to say "Hilari¬ous!” or "Mel Brooks at hisbest!" or "Best movie of the cen¬tury!" like some nationally-known 'critic,' because thenyou'll come back from the moviesaying, "I don't know. It was Ok,but I was expecting such a greatflick from the review Potter gaveit that, frankly, I was a little dis¬appointed." Citizen Kanecouldn't live up to that hypedbuild-up (especially the one about"Mel Brooks at his best!"), so I'llgive Young Frankenstein a re¬view that it will more easily sur¬pass. "Terrible!" "Mel Brooks athis worst!" "Worst movie evermade!" Highly recommended.Friday, February 26, at 7:15 and9:30. S2. LSF. -GPSaludos Amigos (Walt Disney Stu¬dios, 1943) Sat., Feb. 27 at 2:30pm. Doc. SI.50 and The Three Ca¬balleros (1945) at the same time.S.O.B. (1981, d. Blake Edwards)One of the running gags of thisfilm has to do with a heart attackvictim who lies on a beautiful, notuncrowded Malibu beach, unnoticed by anyone except his faith¬ful dog. This, according to BlakeEdwards, is Hollywood. Ed¬wards, not unlike the film's pro¬tagonist Felix Farmer (RichardMulligan), has held a rather pre¬carious position within Hol¬lywood. Following the spectacu¬lar commercial failures of TheWild Rovers and Darling LHi dur¬ing the late '60s and early '70s Ed¬ wards went to Europe to directseveral Pink Panther films andreturned to America in '80 todirect 10. The commercial suc¬cess of these later films providedEdwards with the clout and capi¬tal (i.e. freedom) to produce thisscathingly flippant attack on thecommercial film industry. Basi¬cally, S.O.B. follows the exploitsof Felix Farmer, obsessed butsecond-rate director, who tries totransform his G rated commer¬cial flop into an eroticized sex¬ploitation film. But the protago¬nist's persona is ultimatelysubservient to the maniacally de¬cadent ambience which perme¬ates the film. Edwards hardlybothers to fully develop any of thefilm's characters, thus creatingan atmosphere where the heartattack victim lying on the beachcarries as much weight as the"live" characters. Sat., Feb. 27at 7:15 and 9:30 pm. Doc. S2. —SOBRamparts of Clay (Jean-Louis Berucelli, 1970) There are about adozen lines spoken during this en¬tire film (and one of them is to ahorse), but a complete story istold, about the traditional way oflife in a Middle Eastern desertvillage being temporarilydisrupted by the intrusion of mod¬ern society. It looks like a documentary most of the time (infact, if any of these people but oneis a professional actor, then I amthe Ayatollah Khomeini), yet it isabsolutely compelling throughout. A simple, serious andthought-provoking film. Sunday,February 28, at 8:00. S2. DOC.-GPOut of the Fog(194l, Anatole Litvak). Harold Goff (John Garfield), a cocky little racketeerwith "rocks inside," extorts some"fire protection" from two elder¬ly fishing buddies — Jonah Good¬win (played by Thomas Mitchell,best remembered as Scarlett'sfather in Gone With the Wind)and Olaf Johnson, played by JohnQualen again as the kindheartedpatsy. Goff also seduces Jonah'sdaughter Stella (Ida Lupino), awoman embittered by her isolated life in Brooklyn as a phone operator and as good ole GeorgeWatkins' (Eddie Albert) steadygirl. Goff wants to take Stella onher dream trip to Cuba, so he demands the $190.00 Jonah and Olafsaved to buy a fishing trawler.They too want to get away toCuba, so they try to knock offGoff, but he ends up dying by ac¬cidental drowning. The righteousare redeemed, and justice is de¬livered. Litvak's direction doesnot add any depth to this familiarand enjoyable story line, thoughLupino and Garfield are a per¬ Sebastian (with friend) andCharles are bound to attendGALA'S Brunch at Bridesheadfectly sensuous pair. The scriptmakes Goff out to be far too meanand Stella far too neurotic. OnlyJonah as the saint of the seafrontshows any signs of growth. Mon.,March 1 at 7:15 p.m. Doc S2. —JMCHiroshima, Mon Amour (1959, d.Alain Resnais) Resnais's bril¬liant portrayal of the love of aFrench actress and a Japanesearchitect, living under the shad¬ow of the horrors of the Americanbombing of Hiroshima, exploresboth the personal and social con¬sequences of the willingness toforget. Anything beyond a simplesummary could hardly do justicetothisfilm. It is certainly one thisdirector's greatest films, and oneof the cinema's most profoundand inspiring works. Screenplayby Merguerite Duras. Highly recommended. (For further explica¬tion 'see' the song by the sametitle by Ultravox) Mon., March 1at 8 pm. 1-House. $1.50. - RMThe Hard Way (1942, d. VincentSherman) Ida Lapino plays atough gal who eventually tries tomake it in showbiz. With DennisMorgan. Mon., March 1 at 9 pm.doc. SI.50. Unseen by this reviewer. — RMMUSICUniversity of Chicago CollegiumMusicum. Howard Brown and hisretinue of petty squires and sycophants are back. This time theywill perform Guillaume Dufay'sMissa Se la face ay pale, andother music by Dufay and Pierrede la Rue. Don't miss it. Friday,February 26, at 8:00 p.m. in BondChapel.Elizabeth Baltas will present aflute recital featuring music of"Les Six" on Saturday, Febraury27th at 4:00 p.m. The programwill include Francois Poulenc'sSextet for Winds and Piano andFlute Sonata, Darius Milhaud'ssong cycle "Les Machines agri¬coles" and other works. The con¬cert will take place in GoodspeeaRecital Hall, 5845 S. Ellis. Admis¬sion is free; this event is sponsored by the Department ofMusic.Contemporary Chamber Players.Four Chicago premiere performances — three of them areworks by contemporary Britishcomposers — will be heard on thesecond of this season's programsgiven by The ContemporaryChamber Players of The University of Chicago under the direction of Ralph Shapey. The concerttakes place on Friday, March 5 at8:00 p.m. in Mandel Hall. ElsaCharlston is soprano solist in aprogram that includes NickThorne, From the Dying Earth; Robin Holloway, Concertino No.3; Peter Maxwell Davies, Stedman Cateres,- and Oliver Knus¬sen, Ophelia Dances, Bk. 1. Ad¬mission is free and withoutticket.University of Chicago SymphonicWind Ensemble under the direc¬tion of Mr. Farobag Cooper willperform in Mandel Hall on Fri¬day, February 26, at 8:00 P.M.Among the works to be per¬formed will be Bizet's "L'Arle-sienne Suite No. 1" and Tchai¬kovsky's "Marche Slav" in aconcert to feature French andRussian composers. Admission isfree.MISC.Elaine Equi and Jerome Sala PoetsEqui and Sala will read fromtheir works tonight, Feb. 26th, inthe Ida Noyes Hall Library at6:30 p.m. Both are natives of Chi¬cago, and their readings aresponsored by Pocket Poetics.Brunch at Brideshead Reminiscingabout those old days at Cambridge? Or was it Oxford? In anycase, it was British and it waswonderful, and so the U. of C.Gay and Lesbian Alliance is capi¬tulating to a bout of frivolity bysponsoring a trip down memorylane at a Saturday brunch inhonor of your old friends, Charlesand Sebastian. There will be afull Asian tea lunch as well as aclassical chamber quartet (TheBat Quartet, with Mark Hohn-streiter on violin, Liz Lombardialso on violin, David Budil onviola, and John Edwards oncello). The entire affair will beginpromptly at 1:15 p.m. in the IdaNoyes East Lounge. At $2 dona¬tion is requested at the door, andeveryone is invited to attendAllen Ginsberg and Peter Orlovksy,the legendary poets of the "BeatGeneration", will make a rareappearance in Chicago on Tuesday, March 2nd at the U of C LawSchool Auditorium (111 E. 60th).Ginsberg's associations withJack Kerouac and Neal Cassadybegan in 1945 and were the sub¬ject of a number of literaryworks, including Kerouac's Onthe Road and Ginsberg's books ofpoems, Howl, Reality Sandwiches and Planet News.Together with the poets MichaleMcClure, Philip Whalen andGary Snyder, Ginsberg and Orlovsky became known from 1955as members of the " Beat Generation." They wrote of their dustytravels in boxcars across theU.S.A., halt year in Mayan Mexi¬co and several voyages to Tangiers and Europe from late 1950'son. They wrote of their eternallonging for Buddah's pure knowl¬edge of the diamond headed blissof oneness. Ginsberg's travelsculminated in May Day 1965 election as King of May by 100,000Prague citizens.In 1968, Ginsberg was teargassedwhile chanting AUM at the Lincoin Park Yippie Life-Festival inChicago during the presidentialconvention, in 1974, he wasawarded the National BookAward for Fall of America and inthe same year founded with AnneWaldman the Jack KerouacSchool of Disembodied Poetics inBoulder, Colorado. His most recent book of poems is entitledPlutonian Ode: Orlovsky's isClean Asshole Poems and Smil¬ing Vegetable Songs. The readingwill take place at the LSA at 8 pmon Tuesday, March 2nd. Admission is $2 tor students, $4 forothers.tin £1 rC*lEditor: Richard KayeFilm Editor: Richard MartiiBook Editor: John EganTheatre EtHtor: Keith FlemiiJazz Editor: ^rr^Guenther*Classical Music Editor: Robin MitchellFiction and Poetry Editor: Paul O'DonnellProduction: Nadine McGann, David Miller, Max Sanders2 26 82Staff: Mike Alper, Chris Berenyi, Pat Cannon, Sabrina Farber,Pat Finegan, Kira Foster, Susan Franusiak, Nancy Goldstucker,Jim Goodkind, Sarah Herndon, Michael Honigsberg, AliceJames, A.A. Kambouris, Nikolai Katz, Vincent Michael, DavidMiller, Pat O'Connell, Arturo Perez Reyes,Sharon Peshkin, GeofPotter, Glen Sheffer, Dan Stetzel, Lonnie Stonitsch, Jeffery Taylor, Jennifer Tompkins, Michele White, Jacob Wirtschafter, ScottWolley, Sandy Young.THE GREY CITY JOURNAL—FRIDAY, FEBRUARY 26, 1982—3r1 ^Contacts for Sale!What Is A Bargain?The 4 questions most frequently asked about contact lenses are:1. How Much Are Your Lenses72. How Much Are Your Lenses73. How Much Are Your Lenses74. 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Clark St., Chicago. IL 60614(above County Seat)864-4441 880-5400 By Richard Kaye"There have never been lesbians or gaymen in Hollywood films. Only homosex¬uals."This is the way in which movie critic VitoRusso summed up nearly sixty years of Hol¬lywood's treatment of homosexuality onscreen and in the movie industry. Even acursory look at the record makes it difficultto argue with his point, which is that whenhomosexuality was dealt with in the Hol¬lywood movie, it was almost always as pa¬thology. The various attempts by the film in¬dustry to portray lovers of the love that bestbe quiet is dreary when not just outright gro¬tesque. From movies like The Children'sHour (I feel so sick and dirty!) to thehomo-gothic world of Suddenly, Last Sum¬mer ("You don't mean...you're not say¬ing...not that!”) to those last murderousreels of William Friedkin's Crusing ho¬mosexuals have probably done even worsethan women (who once upon a time hadsome terrific roles) or blacks (who wereusually either servants or else convenientlynot in evidence). Sooner or later whilewatching a Hollywood movie, one knew thatthe homosexual character would either doaway with himself, others, or else be justlybashed over the head into oblivion.European directors were usually morewilling to look at homosexual themes in anintelligent, artful way. And so when JohnSchlesinger's Sunday, Bloody Sunday wasreleased in 1971, it made perfect sense thatthis amazing study of the end of a partly gaylove-triangle was a British production. Whatmade Sunday, Bloody Sunday such an ex¬ceptional movie — what, in fact, made it agay classic — was that the homosexuality ofPeter Finch's character was not simplyfully drawn, but that it was entirely takenfor granted. But as sophisticated as Sunday,Bloody Sunday was, it was one of thosequiet, beautiful pieces of movie chambermusic which inevitably get a small audi¬ence. And of course it did not make theslightest dent in the usual operations of theHollywood movie-making system. The les¬son that Hollywood took away from theSchlesinger film was that movies with gaythemes, even when they have stars likeGlenda Jackson and Finch, just don't sell.Money, when it comes to gay movies andHollywood, is always very much the point.Now, ten years after Sunday, Bloody Sun¬day, at a time when, politically and socially,gay people have made homosexuality thelove that won't shut up, Hollywood is deli¬vering its very first self-consciously gaymovie. And more than offering a "positive"character, Making Love has a screenplayby man who is perhaps the first openly gayindividual to work on a Hollywood movie(screenwriter Barry Sandler). Directed byArthur Hiller, who directed Love Story, andstarring Kate Jackson as the woman whodiscovers her husband of eight years sud¬denly has "desires" for other men, MakingLove has the not altogether comfortablelook of a movie that wants to do good. It's anachingly well-intentioned sort of movie,which at times gives it the appearance ofhaving been produced by a gay public rela¬tions firm burdened with the awful task ofeducating straight audiences about gay ful¬fillment. Whereas Sunday, Blood Sundayplaced its gay relationships on the same parwith its straight ones in order to suggest howmuddled and ultimately sad all human en¬tanglements are, Making Love places itsstraight and gay characters on equal par soas to demonstrate how happy and self-ful¬filled everyone can be, given the right cir¬cumstances. The movie goes to such lengthsto obliterate the common stereotypes of gaycharacters that the film's lead — its hero,Zack Elliot — comes across not so much asan individual as a marvelous gay politicalcandidate, a man who plays basketball andlikes opera (but notice it's Gilbert and Sulli¬van he likes, and not anything too suspi¬ciously delicate, like Mozart). In ordinarymovie terms, Making Love generallydoesn't deliver; everything from a hopelessly melodramatic script to some occasionallypaltry acting keeps the movie struggling inT.V.-movie-land. But whatever its faultsand omissions — and there are many ofthem — Making Love somehow manages tocoalesce into a consistent, credible movie.There is scene after scene which, althoughoff-pitch or poorly written, neverthelessends up as moving in a way which is a fewnotches above the Hollywood tear-jerker.There's no radical vision here, but then whybother expecting one from a Hollywood film? One might as well whine about Fiddler oron the Roof for being a musical. Melodra p<matic but often convincing, uninterested in sthomosexuality as a political or social mat- Z<ter outside the confines of a romantic rela- thtionship, "conventional" in its frequent assurance about the virtues of monogomous secoupling, Making Love succeeds completely oron the terms of a tinsel-town movie — and Bithen some. This is not only a landmark wlmovie, it is also, beyond its bungling, what H.might be described as a bold movie, with a orgood deal of attention to the kind of gay isissues and erotic imagery that will almost sucertainly lose this picture a wider audi- fr<ence. arThere are a lot of knives out for Making mLove at the moment, but the curious thing is Mrthat everyone from the Time magazine re phviewer to the more left wing critics seem to quhave roughly similar reasons for describing gi'the movie as a failure: the characters are Oiltoo upwardly-mobile, too wealthy, too white, m<too boringly self-satisfied (this, incredibly, sirfrom Time1.). Well, it is true; this isn't sim in<ply a gay melodrama, it is also a rich meets anrich story where all the characters can af I inford to be oblivious to matters unrelated to urpersonal relations. To which one can only bereply, so what? Making Love may not show in<working-class boys frolicking near the steel tirmills, and it may concentrate on a particu- th*larly affluent segment of society, but then so indo most Hollywood movies. And as to miwhether or not Making Love is sufficiently sic"radical" in its perspective, one can only shanswer that in America at the present time, w;to show two content gay men together is it afself a radical statement. And in terms of heHollywood movies, it has until now been ut avterly unheard of. thFor a movie that wishes to convincestraight viewers, at the expense of what isusually called cinematic art, that gay peopie are human, caring, and responsible,Kate Jackson as the shell-shocked wifecould not have been a more inspired choice.Jackson has just the right degree of goodygoody appeal to make this role of the womanmost-women-in-the-audience-will-identifywith work. As the dressed-for-success wife Ccand television producer (she's quite a mav¬erick — she wants to upgrade television byhaving a weekly series of quality American beplays), Jackson manages to be both smart heand sympathetic, professionally ambitious K»yet sentimental in the most self-deluding w<way. When Jackson drops her "Charlie's SaAngel" baggage of sweetsie-pie pleasantne thss, she can act. Her best scenes are inevit Ttably those where she's not trying to be par articularly nice, as when, for example, she pcreacts to her husband's homosexuality, or siiearlier, in the midst of an argument, she K/tells Ontkean to "buy his own fucking tooth mpaste" after he complains that she bought intoothpaste with stripes. There's a fine little S«scene, one of the few without Sandler's awk toward dialogue, where Jackson, confused as foto why her husband is gradually becoming mremote, sits alone while talking on long-dis Ktance telephone. It's a moment in the movie mwhere Kate Jackson makes Claire not sim S<ply nursey-nice, but vulnerable and alto urgether believable too. It is also a rare time rein the picture where Arthur Hiller, the direc p<tor, does not get bent on trying to drive dihome a specific point. ttClaire's husband Zack, as played by Ont ti<kean, is entirely too stripped of dimension to Mcome across fully. The makers of Making crLove are just too preoccupied with turning S<Zack into the wonderful physician next tidoor. Jackson has her sentimental ram sfblings, and Zack's lover Bart (Harry Ham lolin) is frequently a self-absorbed West fcHollywood clone, but Ontkean rarely looks iCanything but adorable and upright. There's r<a revealing snatch of the movie were Zack Zphones his wife from work to conjure up an s<excuse for why he won't be home on time, a4- FRIDAY, FEBRUARY 26, 1982—THE GREY CITY JOURNALr end the camera suddenly focuses on Claire'spart of the conversation as she reacts to his) story. We're not permitted to see or hearZack lying — perhaps the director didn'tthink we could bear it.But very much to the movie's credit, thosesequences where Zack is cruising gay bars,or where he is with his novelist boyfriend,Bart, come across as authentic in a way inwhich the rest of the movie often is not.Harry Hamlin is rather an uneasy presenceon the screen, which is unfortunate since heis designed to be the most laid back, self-as¬sured person in the movie. And in the face-front sequences in the movie where Bartand Claire speak their little, self-effacingmonologues about their broken hopes, HamI in is absolutely awful, his voice filled withphony meaingfulness and his face grotes¬quely puffy. At least Hamlin's character isgiven the shading and tensile strength whichOntkean's so lacks. It's hard to accuse themovie of selling Bart short as a charactersimply because it portrays him as ruggedlyindividualistic, forever on the cruise at barsand beaches. There are times when Ham¬lin's character fails to persuade us of hisurge to always be on his own — how can hebe so uninterested in someone so approach¬ing perfection as Zack — and then there aretimes when he delivers a ringing defense ofthe solitary life. True, Bart leaves the moviein a strange haze out on the street (themovie's only bout with Hollywood expres¬sionism), but then, Making Love's very lastshot has a tearful Claire, now remarried,walking up the driveway of her posh houseafter a brief reunion with Zack, returning toher frumpish husband (he hates opera,avoids Rupert Brooke's poetry, and we getthe impression that Claire has sold out a bit Michael Ontkean and Harry Hamlin in Making Loveby marrying him). Making Love may argueon the side of monogomous relationships —we learn that after his divorce, Zack settlesinto agreeable domesticity with a lawyer —but the American dream which Claire joinsat the movie's close is a cracked one.The director of Making Love, ArthurHiller, has in one sense managed to create afilm which is altogether obedient to the de¬mands of Hollywood producers as well as tothe mean economics of the film industry.And yet Making Love again and again goes beyond what one might easily have ima¬gined were the limits of large-budget pic¬ture. Those scenes where Bart and Zackargue about the virtues of long term in¬volvement versus long-time cruising go tothe heart of an issue which in a certain re¬spect is only of pivotal concern to gay people(it is, in fact, a subject of relatively limitedinterest to straight viewers). And in thelove-making scene between Bart and Zack,one can only be jolted by just how intimatelyand how well Hollywood has decided to pres¬ ent gay sex. At once extraordinarily eroticand yet empty of anything like voyeuristicinterest, this scene alone makes MakingLove immediately recognizeable as a gayclassic. In the world of Hollywood movies,there are mostly imperfect movies and norevolutionary ones. The Time magazine re¬view of Making Love was entitled "NiceBoys Do", and it doesn't take long to realizethat, in the world of Hollywood movies, thatmay be the most revolutionary statement ofall.Continued from page 1because it's the kind of thing that you knowhow far to go when you get to it. . .Kaye: It was something the actors were towork out on their own?Sandler: They knew when they said yes tothis movie that that scene was important.There were no great conflicts, or fears, oranxieties. We got to the day we were sup¬posed to do it, and we just did it. It was thatsimple. It went real smoothly.Kaye: Was there anyone working on themovie who thought that scene shouldn't bein the film at all?Sandler: No, in fact everyone knew we hadto have it. Otherwise you might as well do itfor television. Afterall, the name of themovie is Making Love. . .Kaye: It would have been somewhat anticli-matic not to have it.Sandler: For a lot of audiences that scene isuncomfortable. It received some negativereactions from a lot of audiences. But mostpeople are able to get beyond that. But wedidn't put it in there in order to sell the pic¬ture, we put it in for the reality of the situa¬tion.Martin: What is your reaction to the generalcritical opinion of the movie in the papers?Sandler: I've seen both positive and nega¬tive reviews. I think part of the negative re¬sponse relates to what I said earlier: that alot of people and critics (critics being peoplefor the most part) have these preconceivedideas of how gay people are supposed to berepresented. And the fact that it's not a TaxiZum Klo, the fact that we are presentingsomewhat successful, attractive people — ina lot of critics' minds this strikes them as being unreal. I think that that probably hassomething to do with the fact that people area little nervous by us presenting the charac¬ters as very recognizable, boy-next-doortypes. I think that's a very disquietingimage for people. They've read or have hadtheir own attitudes reinforced. In otherwords, a straight homosexual audiencedoesn't know characters like in Taxi ZumKlo, or La Cageaux Folles and therefore it'sa safer distance, it's a safer image. I sus¬pect a lot of the accusations that it was over-idealistic, or sugar-coated stem from thefact that we're showing a positive image ofgay people. In terms of other forms of criti¬cism, I've written seven movies and I'mused to criticism. I've gotten good reviewsand bad reviews, it's all part of the game.The gay press, on the other hand, has beenalmost unanimously supportive. Even in thecases where they've had artistic criticism,they still say it's a beginning, and "how canwe not at least respect the attempt?" Because it is, really, a revolutionary statementin terms of mainstream Hollywood commercial filmmaking. To make the state¬ment, to create a character like Ontkean’swho finally comes to the conclusion that he'swilling to give up all these sacred Americantraditions — wife, family, and everythingelse — and break off and pursue his identityas a gay man, and then find happiness onthose terms — that in itself is kind of a boldstatement for a mainstream film. So the gaypress in the very least respects that; morethan respects that, applauds it. So, any ar¬tistic criticism has really been subordinantto the political statement. It's gratifying toread the positive reaction, in both thestraight and gay press, because people doapplaud the honesty, the sensitivity, and the courage of the making of the film. I'm notsaying that as a self-serving statement,rather the film as a whole.Martin: My biggest qualm with MakingLove is how it transforms the monogamousstructure of Zack and Claire's marriage andapplied it to Zack's and Dave's relationshipat the end, presenting that type of relation¬ship as ideal. . .Sandler: Wait a minute. The Harry Hamlincharacter is just as important as the Ont¬kean character.Martin: Perhaps.Sandler: The Harry Hamlin character iscertainly not trying to emulate a heterosex¬ual lifestyle, by any means. When peopleuse that character to claim that the movie istrying to show homosexuals trying to emu¬late heterosexual lifestyles, I have to ask"Wait! Where were they for the other half ofthe movie? Where were they for the HarryHamlin character? I don't quite accept thatcriticism, because I've tried to offset thatcharacter's needs with the Hamlin charac¬ter. If in the Ontkean character's mind hisneeds are for emotional commitment, whydoes that place him in a heterosexual con¬text? That's one criticism that I don't under¬stand at all. Besides, I don't believe that theneed for emotional commitment is strictlyrelegated to hetersexual drives. Most gaypeople I know, most of my friends, certainlyseek and want an emotional fulfillment intheir lives. I don't think that that need isemulating a heterosexual lifestyle.Kaye: Speaking of images of gays on film,what movies in the whole awful history ofgays in films did you think were particularlygood, or went further than others?Sandler: I can't think of one movie that I'veever seen where there was a positive image of a homosexual.Kaye: Wait a minute. What about SundayBloody Sunday?Sandler: Well, I didn't come out of thatmovie glad about my decision to be gay. Idon't think the characters were that attrac¬tive. I think the film is certainly an intelli¬gent film, but it doesn't make a statement;it isn't a film that takes any chances, or afilm that says anything one way or another.It's just a look at three people, a woman, aman who happens to be gay, and the guy inbetween them. It's not a film that says it'sokay to be gay, a film that makes a politicalstatement one way or another the way we doin Making Love. Furthermore, although thePeter Finch character is certainly intelli¬gent and likeable, I don't think that charac¬ter is a character gay men can look to as areal positive role model. I respect that filmfor its intelligence and sincerity, but I can'tcompare it to Making Love because it's nota film that really makes a statement aboutconfusion, about sexuality, about the wayswe have to go in life.To me, it's a film thatjust is, that is about these three peooie.Kay: What do you think Making Love willmean for the future of gay movies if it is suc¬cessful?Sandler: I hope that it will turn thingsaround in terms of the portrayal of gay menand women. That it will allow Hollywood totake more chances, that it will allow Hol¬lywood to know that audiences will acceptgay themes. If this film went into the toilet,that would be it, in terms of Hollywood everagain attempting to portray gay people posi¬tively.Kaye: Looking back on the movie now, whatwould you change about it if you could?Sandler: Well, it would be difficult for me tosay now. Maybe in a year I could answerthat question. But looking at the film rightnow, I would probably not have had thehouses quite so nice, quite so expensive.THE GREY CITY JOU R N AL—F R I DAY, FEBRUARY 26, 1982—5ii Spin-ItPresents A Storewide Jazz Sale!Now thru March 31, 1982, every jazz L.P. in our store is on saleSAVE 35% OFF “J®- 9.98 list-reg. 8.18 - now6.49list 11.98 list - reg. 9.88 - now 7.79Featuring the entire line of Enja, Verve, & Mercury Jazz Classics“The Hottest NewJazz Line of the 80’s"The best of the contemporary jazz scene!Premium Quality Records Imported from West Germanyerifa 3049-Vol Ienja 3077-Vol. IION SALE$«49$998 LIST 3075 Mai Waldron. Mingus Lives 3089 David Friedmarv'Of The Wind's Eye3081 Phil Woods, Tommy Flanagan 3091 Bennie Wallace Trio & Quartet/Red Mitchell/ Three For All Plays Monk3083 New York Jazz Quartet/Oasis 3099 Hampton Hawes/At The Jazz3085 Hannibal/The Angels of Atlanta Showcase In Chicago, Vol I3087 Franco Ambrosetti Heartbop3097 Eddie "Lockjaw" Davis Jaws Blues (Digital $1198 LIST) SALE PRICE $7.79enia 3095 GENE AMMONSIN SWEDENenja 3093c 1982 Polygram Classics Inc Distributed by Polygram EXPR 1008O)COEXPR 1017Spin-It / 1444 E. 57th / 684-1505• Turtle Soup • Shrimp Bisque• JaimooH y 9|||AU9!9 sjeisAp THE RELATIONSHIP BETWEEN INTERPRETATIONAND CREATION,AN INTERDISCIPLINARY SYMPOSIUMThough interpretation and creation have long been held to bequite separate, even antagonistic, it may be more productiveto view them as two aspects of a single process. Creation andinterpretation have a most active interrelationship, a potentdialogue in which the nature of one is questioned by the other,It seems then that a sufficient understanding of interpretationand creation might best be sought through a serious studyof their interrelationship.This interdisciplinary Symposium will provide a forum wherea direct and personal exchange of ideas can take place. Majorscholars from a number of fields will present papers, serve ona discussion panel, and join us as honored guests to form andreform ideas about interpretation and creation. For brochurecall the Office of Continuing Education, 753-31 37.Participants include:STANLEY CAVELLUMBERTO ECORENE' GIRARDWOLFGANG ISERHILARY PUTNAM JORG DEMUSSH0SHANA FELMANNORMAN N. HOLLANDWENDY O'FLAHERTYA.K. RAMANUJAN RICHARD SHIFFMICHAEL SILVERSTEINDAVID TRACYRICHARD W0LLHEIMCHARLES ROSENSymposium fee, $60.00. (A limited number ofplaces are open to registered UC students for$20.00.) April 3-6 at the Center for ContinuingEducation, 1307 E. 60th St.6—FRIDAY, FEBRUARY 26, 1982—THE GREY CITY JOURNALBy Sheldon AtovskyWhen hearing the Philip Glass Ensemblelive, one is acutely aware of the high degreeof complexity involved in maintaining agood ensemble among the players, and of asimilar degree of critical sensitivity andacoustical foresight needed by the soundmixer to create the right balances. These in¬sights came to mind in the middle of an ex¬cited, standing-room-only audience, lastFriday, at Mandel Hall, when the PhilipGlass Ensemble paid its first visit to Chica¬go since playing at Tut's fifteen monthsago.There is no doubt that the music of PhilipGlass has arrived "on the scene," sincethen. The strongest evidence supporting thisis the exclusive recording contract hesigned, last year, with CBS Records, ontheir Masterwork series, and the tremen¬dous amount of coverage, by the nationalpress, of the American premiere of Satya-graha, his most recently completed opera.These achievements are well deserved.Glass has developed an original style that isboth well grounded in the established, Clas¬sical music traditions of both the East andthe West, and, yet, is immediately differentfrom them, as well. He has devoted years ofwork toward creating a body of music that isrespectable intellectually and aesthetically,and tremendously exciting emotionally.In his chamber music particularly, asGlass refers to his concert pieces written forthe Ensemble, which took up about half oflast week's concert, Glass thoroughly inves¬tigates the use of his musical materials, asin Music In 12 Parts, in much the same waythat Bach does in The Art Of Fugue. In eachcase, a limited amount of material is used togenerate an organic structure containing anexhaustive exploration of the contrapuntalpotential of the original and subsequentlyderived materials.Glass' theater music, which filled the restof the concert, while still solidly based onmusical constructions, differs from thechamber music in its use of finales (cli¬maxes) and transitions that must fit stageand/or screen action and tableaux; for in¬stance, the Knee Play sections of EinsteinOn The Beach create a change in the musi¬cal texture, as well as a chance for thesingers/dancers to get offstage, run down¬stairs, and arrive in the orchestra pit in timeto sing the next section.The pieces played on Friday's programwere Dance 7, from "einstein On TheBeach;" Music In 12 Parts (Excerpts); Se¬lections from Glassworks, the first, soon-to-be-released CBS record, "Opening,""Floe," "Facade," and "Rubric;" DanceUS, from "Dance," and Spaceship, from"Einstein On The Beach."In the afternoon, before the concert, Glasspresented slides and recorded excerpts ofthree scenes from last November's Brook¬lyn Academy of Music's production of Satyagraha, discussed them and answer ques¬tions, affording the audience theopportunity to become better acquaintedwith the music and ideas of his most recent¬ly completed opera. Glass hopes that it willbe recorded this summer.Also, for those who attended a perfor¬mance last year, this presentation affordedthem a chance to compare the different ex¬periences of hearing the music in productionand removed. For those attending the con¬cert, who had previously heard recordingsof the chamber music, there was an oppor¬tunity to compare the differences betweenhearing the same music recorded and live.After comparing these different experi¬ences, it becomes apparent that thechamber music is more successful whenheard from a recording, than it is whenheard live, and that the theater music ismore successful when heard in conjunctionwith a full production, than when it is heardremoved. This is not to say that the chambermusic, when played live, and the theatermusic, when heard in concert or recordedversions are without merit, but, rather, thattheir other forms of presentation are superi¬or, and are so in a manner unique to Glass'music.For the chamber music, Glass employselectric keyboards and amplified winds andvoice at rock concert dynamic levels, whichtend to magnify every detail of the entiresound mass. The attack, sustain, and decay,and the harmonic spectrum of every soundfrom each instrument are greatly amplified and combined to create a very thick andloud aural environment, and in a resonanthall, the magnifying of these elements isheightened even more. Also, Glass' strict or¬dering and layering of contrapuntal lines,involving slight variations of rhythmicphrases, a technique borrowed from the In¬dian practice of additive rhythms, makeeach part in the music a readily identifiablesolo in the same manner that every line ofRenaissance counterpoint can be clearlyisolated within the sound of the whole tex¬ture.This coupling of ideas makes the listenerextremely aware of any mistakes made in alive performance, in much the same way,that one is aware of the slightest mistakesheard in a recorded performance. Conse¬quently, if one goes off pitch at all, or be¬comes lost in the middle of a phrase, as hap¬pened to Dora Ohrenstein, or if one has reedproblems, as happened to Jon Gibson, thesemistakes cannot be edited out; and they af¬fect one's pleasure taken in hearing the per¬formance to a more critical degree, thanwould similar mistakes in the performanceof a Haydn trio or Italian madrigal.It should be noted, here, to be fair, thatOhrenstein and Gibson are truly virtuosiand highly respected by their peers, andthat it is the nature of the music that height¬ens the impact of these mistakes, regardlessof how minute they seem out of context.Another advantage of the recordedchamber music performances is that in thestudio balancing and mixing can be doneuntil the final product is the desired result.Oppositely, when mixing live, it's a one shotdeal, and, unfortunately, at the Mandel Hallconcert, like at Tut's, the sound check didn'tsolve the problems at all.Ensemble balancing and playing with sen¬sitivity to a given acoustical environmentare traditional problems, but there aresome significant differences, here — Howcan one account for the acoustical dif¬ferences between every hall one plays in, ona long tour of one night stands? Rock bandshave done this with ever greater sophistica¬tion for the past twenty years, but their tex¬tures are far thinner and their music far lessdetailed than that found in Glass' scores.Also, older and/or acoustic music is bal¬anced within the ensemble. Even the musicof Steve Reich, which is often comparedwith that of Glass, and is amplified, is in adifferent category, because the sounds ofthe instruments in Reich's larger ensembleworks are initially generated acoustically,and then boosted to lesser volumes thanthose used by Glass, and because there isjust as much balance created individuallywithin the ensemble, as there is in the mix¬ing board by the engineer. From certain perspectives in MandelHall, such as from the sides of the main floorand the front of the balcony, the bass synthe¬sizer and other keyboards too often maskedthe winds and voice, whereas, from themain floor, front and center, balances wereperfect. Also, at several times during theconcert, it sounded as though certain audioeffects, particularly emphasis of the lowermidrange and the addition of reverberationto the keyboards, were abruptly turned upby mistake causing radical sound changes,inconsistent with Glass' music. Although theeffect would have been different, it mighthave been better to have spread the sound,out with more speakers located throughoutthe hall. This would be consistent withGlass' wall-of-sound effect, as well.What does make the live performances ofGlass' chamber music attractive is thechance to see the performers and to witnessthe facilities of their techniques in virtuosicperformances of very difficult music. At thebest moments, one may be swept away on awave of sound and left floating for quite awhile after the sound stops — both the goodand the bad are at their extremes.With the theater music, there is no ques¬tion of its being sound enough to stand on itsown, isolated, in concert or on record, fromthe production in which it originated — it issolidly crafted in both the music and orchestration. I'm thinking, here, more of Safya-graha, which is orchestrated for woodwindsin threes, strings and electric organ, than ofEinstein On The Beach, which uses an onlyslightly augmented Ensemble instrumenta¬tion, and where the music was written moreindependently of the rest of the production.There is, however, a difference in the im¬pact of the music. As beautiful as is themusic for the end of Act III of Satyagraha,when heard in isolation from the production,it lacks the same overpowering effect that ithas when heard in conjunction with seeingthe particular tableaux, associated with it,created on stage during its length. At thispoint, in the opera, on a dramaticallyraised, upstage platform, behind twoscrims, and in dream-suggestive lighting,there occurs a stylized reenactment, in slowmotion of the assasination of MartinLuther King, while Gandhi, the centralcharacter, sings a simple, rising, scalarmelody, with chordal accompaniment, andslowly progresses across an otherwiseempty stage into the rest of his life. This is astunning scene and one that still swells tearsin my eyes, when recounting, in my mind,clear images of how it looked in combinationwith how it sounded.Somehow, the difference between seeingand hearing the death of Mimi, the Puccini'sLa Boheme, and just hearing it, in concert or from recordings, ooes not seem to be asgreat. Perhaps, it's that King and Glass areof our town time and affect us because wehave shared certain connecting experi¬ences, or that I'm an avid fan of Glass'music, although I enjoy Puccini; but it'smore likely that the difference is so greatbecause of the way Satyagraha, and nowAkhenaton, the final part of his operatic tril¬ogy, started with Einstein, was conceived —from the beginning, its conception was de¬veloped in a collaboration between thevarious creative artists indeed in everyaspect of production, each contributingtoward the whole. (While the director of theoriginal Rotterdam production of Satyagraha was not brought in until toward the end ofthe production preparations, this situationhas been corrected for Akhenaton.)This conceptual, creative process is moreakin to the approach taken by Alwin Nikolai,who designs every aural and visual aspectof his dance theater works, totally integrat¬ing them from the beginning, than to the ap¬proach taken by a traditional opera composer, who acquires a libretto, writes the musicand gives only secondary consideration, ifany, toward the mise en scene. Also, sinceGlass has been associated with nonliterarytheater, since his emergence in the mid-60's,Mabou Mines and Robert Wilson, particu¬larly, it is the association of specific tab¬leaux with the corresponding sections ofmusic that bring a powerful impact toGlass' music theater; one must visualize thescene and consider the central issues of thework as a whole, when hearing the music ina concert or from a recording, rather thanjust thinking about what is going on in thestory at that time. It is because these worksare conceived as a whole, from the begin¬ning, and because Glass' style is so suitableto epic theater, that his theater music is sospecial and different from his chamberworks, not merely because the theatermusic contains transitions and finales.It was interesting to hear the four ex¬cerpts from Glassworks that were played atthe concert. Most striking was the use ofamplified acoustic piano, in "Opening," as anew color in Glass' music, and its use as anunaccompanied, solo instrument in thechamber music. The use of solo playing wasfound, also, in the writing of Jack Kripl'ssaxophone and Ohrenstein's voice, in latermovements. The introduction of solos and ofmore varied textures in the chamber musicare possibly influences from the differentneeds of the theater music. It will be inter¬esting to hear the entire work.Sheldon Atovsky is a composer, performer, and teacher of music in Chicago, and is amember of "Kapture," an aural arts ensemble.THE GREY CITY JOURNAL—FRIDAY, FEBRUARY 26, 1982—7Freakish Deathat Court StudioBy Keith FlemingArtists born rich have always been my fa¬vorite personalities. They have the leisureand the means to develop their art and per¬sonal lives into the most monstrously origi¬nal forms possible. They can live out anysilly philosophy which gets in their heads.Unlike the rest of us, they don't have tostruggle to make their way, to fit in; com¬promise is unknown to them; consessions,unheard of. They are like the kids in thestory whose parents have died, and whoplan to spend the rest of their lives doingwhatever they want.Except these artists are usually tied totheir mothers to an absurd degree. Subli¬mating a kind of ferocious romantic interestin their sons, these mothers worship theirsons' art instead, though its content is usual¬ly beyond them. The sons, in turn, adoretheir mothers — though, being artists, theylong to flee to foreign lands. These artistsalways seem to die away from their mothers— in freakish deaths.Tennessee Williams' Suddenly Last Sum¬mer, now playing at Court Studio throughSunday and directed by Steve Schroer, isbout just such an artist's freakish death. Foranyone who has never seen or read the play,this production is definitely worth the twodollar admission. Those familiar with theplay, however, may find the student cast (ata university with no theatre program) a bitinadequate. Still, the cast does feature threequite professional performances: DawnBrennan as the mother, Mrs. Venable (the lead role, happily); Joann Baney as Mrs.Holly, a giggly scheming in-law; and elaineGottlieb in the minor role of the nervousscuttling Miss Foxhill.Perhaps because Court Studio is over¬heated, this performance immediately en¬velopes you in its sultry fainting atmo¬sphere. Mrs. Venable limps out into thetropical garden (the set by Warren Sand¬berg is surprisingly lavish for such a lowbudget production) and we're drawn into aworld of feverish regret and exotic memo¬ries.The whole play really turns on two stories.One, the story of the artist, Sebastian's, lifewith his mother"...we left behind us a trailof days like a gallery of sculpture!"; theother, what we all long to know, the story ofSebastian's death. In between these twostories are a lot of the fine Williams'touches: a funny name (Dr. Sugar), funnylines to relieve the drama momentarily:"Isn't it nice of the drugstore to keep mealive!," the sonorous Southern oratoricalrepetitions: "And the sand all alive, allalive, as the hatched sea-turtles made theirdash for the sea, while the birds hovered andswooped to attack and hovered — andswooped to attack." Finally, there is Wil¬liams' miraculous knack for unifying sym¬bols and stories into a living whole with allthe logic of a nightmare.For some reason, Williams felt he had toadd some melodrama to the play's presentin order to set off the events which have hap¬pened in the past. For me, this simplydoesn't work. Sebastian's last companion,Catherine Holly (Susan Feurzeig), whoseonly duty it seems to me is to elaborate onSebastian's extraordinary death, is given awavering heroic sanity in the face of perse¬cution (Mrs. Venable wants to give her a lo-botomy). And then there are the gold-dig¬ging inlaws who want Sebastian's money.These touches are nothing more than in¬trusions on the soul of the play: the hauntingrecollections of Sebastian's life and death.Fortunately, the intrusions (like the play it¬self) are short-lived, and soon we are treat¬ed to one of the most arresting and spookynarratives I've ever heard in the theatre —the circumstances of Sebastian's freakishdeath. On the Body Heat Beat:PASSION. . .To the Editor:Re: Richard Martin's short review of theLawrence Kasdan film, Body Heat, whichappeared in the Friday, February 19 editionof the Grey City Journal. Did Mr. Martin re¬ally see this movie? Perhaps he can explainhow the milieu of this film can be both"humid and dry"; or why he mistook thefilm's location as being Southern California("the oppressive atmosphere of Chandler'sand Cain's California", to be precise). Thefilm takes place in South Flordia (a refer¬ence which is repeated over and over againin the first reel of the film). If Mr. Martincan't accurately describe something asbasic as the film's setting, why bother with areview at all. Clearly, he shouldn't havesince this short review captures nothing ofthe film's intensity or highly-stylized cine¬matography. By dismissing it as an "inter¬esting re-working of the film noir genre",which retains "much of that genre's inher¬ent misogyny", he has missed the point ofthe film entirely. Body Heat doesn't set outto be merely a "re-working" of any onegenre, but instead grabs the audeince by the throat with its passion and emotion anddoesn't let up until the shocking conclu¬sion.Please Mr. Martin, do your readers afavor next time and really watch the moviebefore reviewing it.— Don CrabbComputation CenterOR POLITICSI'd like to sincerely apologize to Crabb forthe inaccuracies which might have ap¬peared in my film blurb of Body Heat. Mylabeling the film's setting as "Southern Cali¬fornia" when it should have read "SouthernFlorida," for example, resulted from a sim¬ple case of hurried "journalism:" I had towrite the blurb in about five minutes so Icould help push a car out of the snow, a carwhich was carrying invaluable Grey CityJournal and Maroon copy to the typesetter.But, to respond to Crabb's passionatequery, yes, I did "really see this movie." Infact, I've seen it twice. And if Crabb is inter¬ested in my more profound insights into thisfilm which "grabs the audience by thethroat," I humbly refer him to my article,"Re heating an Old Genre" (8/16/81).I don't doubt that Crabb has seen BodyHeat. But I do strongly suspect that Crabb issimple-minded, politically naive, and vi¬sually illiterate, as are most Americanmovie buffs. All of Lawrence Kasdan's (Thescreenwriter/director of Body Heat) scripts(Continental Divide, Raiders, EmpireStrikes Back) have been reworkings of oldHollywood genre's. Thus, my characteriza¬tion of the film as a "re-working of the filmnoir genre" was certainly not far from the"point" of the film.If Crabb is looking for Ebert or Siskelesque film criticism, criticism which removes film from its social and political con¬text, perpetuates the dominant notion offilm as purely entertainment, and mindlessly "captures" a "film's intensity and highly-stylized cinematography. . .its passion. ..emotion" and "shocking conclusion," heshould read The Tribune.Richard Martin?MN(KstoneThe Phoenix in the basement of Reynolds Club HasALLIGATORS FOR SALE!!NEW REGGAE!m NEW R & B!INDESTRUCTIBLE,THE MIGHTY DIAMONDSBLUES! THE NEWJOHNNY OTIS SHOWMARDI GRAS MUSIC!FROZEN ALIVE!,ALBERT COLLINS CRAWFISH FIESTA,PROF. LONGHAIRTHE ENTIRE ALLIGATOR CATALOGIS ON SALE! EACH LP IS ONL Y 5.99!(SALE ENDS 3/4/82)Check Us First... We’re The Phoenix(Basement of Reynolds Club)p—Ff^ipAY,. FEBRUARY 26, 1982—THF. GREY CITY JOURNAL*&&*&!***& V 4 ji $’ 4 * a Court Studio AUDITIONSannouncesFor TwoOne-Act PlaysReunionbyDavidMametReynolds ClubTheatre57th & Univ. Sat. & Sun.Feb. 27, 284 - 6 pmHello OutTherebyWilliamSaroyanOnly StudentsCan AuditionUSED OFFICEFURNITUREUsed wood desks from $135Used metal desks from $25Used 6 ft. drafting tables4 drawer files from $50BRANDEQUIPMENT 8560 S. ChicagoRE 4-2111Open Daily 8:30-5Sat. 9:00-3cY.tV t4 •* i * # t« • #NewsStressContinued from page onewell they use social support in coping withstress, and 3) how physically fit they are.The first factor is a positive personalitytrait which Kobasa and Maddi call “hardi¬ness.” “Hardiness” means seeing stress asa force for positive change and then beingable to actively transform stressful situa¬tions into rewarding experiences.An “attitudes” section in the question¬naire was used to determine the respon¬dent’s hardiness. Participants were askedto score on a scale of O, for “not at all true,”to 3, “completely true,” attitude statementssuch as “Those who work for a living aremanipulated by their bosses,” and “I don’tlike to undertake any project until I knowhow it will turn out.” The higher one’s “atti¬tude” score, the lower one’s “hardiness.”Social support is any interaction with fam¬ily and friends. To be effective however, so¬cial support must be used in the spirit of“hardiness.” Kobasa gave an example of anexecutive who becomes ill because of stress,yet insists that he has a wonderful, suppor¬tive family. Somehow their support isn’thelping him, she said, perhaps because helacks a “hardy” outlook and uses his fami¬ly’s concern to avoid actually changing thestressful aspects of his life. If used correctlywith a “hardy attitude, social relationshipscan provide a base of support from which aperson can help himself.Physical fitness is a third factor that helpsa person cope with stress. A seven page“Health Practices” handout distributed atthe workshop contained information on nu¬ trition, exercise, relaxation techniques andtime management. These “health prac¬tices” are directed toward strain, the imme¬diate mental and physical discomfort whichoften accompanies stressful events. Strain,which might manifest itself as headaches orsuspicious feelings, is not an illness, but canmake an individual more susceptible to ill¬ness as it increases.Better “health practice” is the easiestbuffer against stress to incorporate intoone’s daily life, but is not in itself a compre¬hensive solution, since it doesn’t changeone’s perception of stress. Individuals canstart eating better and exercising more, butwill still have to face the stressful situationsto which their minds and bodies respond ne-Coffee ShopContinued from page oneThe following day, Verros said he calledWatson again to confirm the agreement andVerros said Watson agreed. Verros thengave Geocaris the two rent checks.Watson, however, denied in court ever re¬ceiving a call on Dec. 18, and said he onlyspoke with Verros on the 13th. The entirecase was based on when conversations tookplace between Verros and W'atson. If theconversation did occur on Dec. 18, as Verrostestified in court, then his attorneys arguedthat the default on rent payment should bewaived. Otherwise, Baird and Warner has alegal right to evict the coffee shop.The Illinois state trial court upheld theeviction last summer. Verros’s appeal to thestate appellate court and supreme court wasdenied.Earlier this month, Verros’s lawyer gatively, unless they change the way theyview and react to the stress in their lives.“Structural” factors which people can usein coping with stress are the facilities andservices available to help them, such asmental health clinics. But as with social sup¬port and physical fitness, how well a personuses “structural” factors depends on the“hardiness” of their approach.“We don’t want people to think that theanswer is hardiness, and if you haven’t gotit, too bad,” Kobasa said.“Hardiness can be learned,” Maddiadded. His suggestions for increasing “har¬diness” are self-scrutiny, a willingness toact on new insight, and asking friends orcounselors for help.moved to have a hearing for a new trialcharging that W'atson perjured himself.Verros said that Watson said in judge’schamber that he did not recall any conver¬sation about a certified check. But in the ap¬peal to the State Supreme Court, the attor¬ney said that he recalled a call on Dec. 13which was substantially as Verros had stat¬ed in testimony. Verros had mentioned thecertified check in court.The trial judge ruled that these were notsufficient grounds to call for a hearing for anew trial. Verros said he does not know whathe will do now. He said that he still has amortgage on his home to pay which he tookout when he purchased the Hyde Park Cof¬fee Shop. He added that Baird and Warnerhad not returned the $2700 security depositor the $30,000 bond paid to the companywhen the case was appealed.Reflecting back, Barbara Verros said,“People have been so supportive and en- “I think the point they’re making is thatstress isn’t debilitating in itself, it’s howpeople use stress that determines whetheror not they’ll get sick,” said Steve Kahn, aPhd. candidate in human development.Maddi added to Kahn’s statement saying.“If you can transform stress so it’s not over¬whelming, you can derive its developmentalbenefits, though there is a level that’s toohigh for anyone to take. There’s no waythat’s good for anyone.”After an hour of lecturing, Kobasa andMaddi broke up the large group into smallerdiscussion groups of 10 each led by a gradu¬ate student. W'orkshop participants had achance to discuss the information and howthey dealt with stress in their own lives.couraging.” She said 2000 persons signed apetition supporting the coffee shop. Shesaid she will miss many of the customers.“You get fond of people when you see themalmost every day.”HYDE PARKTHE VERSAILLESIDEAL FOR STUDENTS324-0200Large Studios • Walk-inKitchen • Utilities Incl. •Furn. - Unfurn. • CampusBus at doorBased on Availability5254 S. Dorchestermade possible byan SGFC grant The University of Chicago • Department of MusicSYMPHONIC WIND ENSEMBLEFarobag Cooper, DirectorAn Evening of French & Russian MusicFRIDAY • FEBRUARY 26th •8 PMMandel Hall / 57th & University Free Admission—AUGUSTANA LUTHERAN CHURCHSundays:8:30 am Sermon & Eucharist9:30 am Sunday School &Adult Education10:45 am Sermon & Eucharist6:00 pm Supper5500 South Woo diawn/COPIES COPIES COPIES (COPIES COPIES COPIES (COPIES COPIES COPIES CCopies The Way You Want Them!• Same Size or Reduced • Colored Papers• 1 or 2 Sided • Card Stocks• Collated or Sorted • Fine Stationary• Plastic Spiral Binding • 8V; * 11 or Legal SizeFast, sharp, economical copies .. . from anything handwritten, typed, or printed size for size, or in anyreduction ratio ... on your choice of colored or whitebond paper!XEROX® COPYINGW per copy8 Vj “ x 11“20# White BondHARPER COURT COPY CENTER5210 S. HARPER288-2233avz Plus COMPLETECOMMERCIALOFFSETPRINTINGSERVICE OW- f-UMtl Jl&duMlJL-THE POLITICS OF YIDDISHAND YIDDISH LITERATUREPROF. ELUEN CANNONPCPT OP" POLITICAL SOENCe , NOBTHeAST0RM JFRIDAY FEBRUARY 2So8=30 PM.AT HILLEL57IS S. WOODLAWN . i ••, » •. »*\ \ *4 •« * .V ’/*.* •ft*?-'*5‘tv/: i** •144:2V>.The Chicaqo Maroon—Friday, February 26, 1982—15SportsMen’s team ends with winBy Mary BartholomewWednesday /light, in a quiet show ofstrength and style, the men's basketballteam defeated Lake Forest’s Foresters68-61, snapping a streak of 10 road losses ex¬tending back through January of last year.The win brings the team’s season record to afinal 10-10.During the first 16 minutes of the game,the score stayed close. The two teams trad¬ed baskets regularly, although Chicago heldthe lead throughout. With four minutes leftin the first half, Chicago broke the gameopen, outscoring the Foresters 12-2. Eight ofthose 12 points were scored by senior guardEric Kuby, who went two-for-two from theline and three-for-three from the field, mak¬ing him the second highest scorer of the firsthalf. Nick Meriggiolli’s two field goals ac¬counted for the remaining four points.Kuby’s last shot — at the buzzer — gave theMaroons a 35-24 halftime lead.Chicago never lost the lead and led by asmany as 13 points in the second half. LakeForest never got closer than three. With lessthan a minute left to play in the game, it wasKuby and Meriggiolli once again who sanksome critical free throws to lock up Chica¬go’s lead and deliver the game at 68-61.Chicago outshot Lake Forest 52 percent to41 percent from the field. The Maroons dom¬inated the board as well, with 42 rebounds tothe Foresters’ 31. Chicago had onlv 15 per¬sonal fouls called on its players — sevenshort of Lake Forest’s 22. The Maroons hadmore opportunities at the line and capitaliz¬ed on them by shooting 67 percent as ateam. _ _" 3000 MAGAZINESGREETING CARDSCIGARETTES/CANDYHOT VIDEO GAMESj POSTERS/BUTTONSthe best magazine storessince 196551st A LAKE PARK main officeRANDOLPH A MICHIGANCLARK A DIVERSEYBROADWAY A DEVONmost open to 12pmROBERT M. KATZMAN634-5100 proprietor In Wednesday’s contest, as throughout theseason, it was the team spirit that kept theMaroons going, but it was the individual ef¬forts that brought Chicago the win. Four ofthe Maroons’ starting five scored in doubledigits. Starting at point guard all season,Eric Kuby delivered his finest performanceWednesday night. He put in five from thefield and sank a perfect six-for-six from theline for a total of 16 points. Kuby was alsostrong on the board as he brought down 10rebounds, making him one of the game’sleading rebounders.Freshman Nick Meriggiolli, who has beenstarting at the small forward position, alsohad 16 points. His came on five field goalsand six free throws. During the 37 minutesthat he played, he also had five reboundsand two steals. It was a good performance initself, but coupled with the fact that he wasplaying with a painful leg injury, the effortwas nothing short of remarkable. Meriggiol¬li incurred a deep thigh bruise almost twoweeks ago on the night of the Cornell game.There has been an unusual amount of he¬morrhaging, and Wednesday night was thefirst time since February 12 that he played afull game.Keith Libert, Chicago’s 6’6” freshmancenter, had another fine game. Wednesdaynight, he was the game’s leading scorer with20 points, as well as the leading rebounderwith 14 to his credit. These statistics boosthis season totals to 379 points and 170 re¬bounds. Last year’s season highs for the Chi¬cago squad were 224 points and 116 rebounds— records held by two different individu¬als.The game at Lake Forest closed the sea¬son for the Maroons on a high note. Chicagoplayed with enthusiasm and hustle rarelyseen so late in the year. If Wednesday’s per¬formance was any indication of things tocome, Chicago may look forward to a suc¬cessful 1982-83 season.Feel All Boxed In?Jesus said, “You shall know the truth andthe truth shall make you Free.’’Come experience the freedom of Christ atHYDE PARK ALLIANCE CHURCH"Where the Living Christ Meets Every Need”Meeting Downstairs at theHyde Park HiltonCambridge RoomGordon Speagle, Pastor752-0469Service: Worship 10 am Sun.Potluck Fellowship 5 pm Sun.Bible Study 7:30 pm Th.New and RebuiltTypewriters,Calculators,Dictators, AddersCasioHewlett PackardTexas InstrumentCanonSharpElectronic Watches REPAIRSPECIALISTSon IBM, SCM,Olympia, etc.FREE repairestimates; repairsby factory-trainedtechnician.RENTALSavailable withU.ofC.I.D.The University of Chicago BookstoreTypewriter & Calculator Department970 East 58th Street 2nd Floor753-3303 PHOTO BY MARY BARTHOLOMEWMitch Price, (52) gets rebounding posi¬tion as Nick Meriggialli (44) goes up for ashot.Swimmersend seasonBy Cliff GrammichBoth of UC’s swim teams are heading intothe culminations of their seasons: theIAIAW state championships for the women,and the Midwest Conference championshipsfor the men. The women’s event is beingheld this weekend, while the men have onemore week to prepare.The men’s team competed in its last meetprior to Conference last weekend, placingfourth in the Illinois Private Champion¬ships. Coach A1 Pell expressed satisfactionwith his team’s performance. He noted thatthe three teams which finished ahead of UChad prepared exclusively for that meet,while the Maroons were using the meet as afinal tune-up for the conference champion¬ships.At the Illinois Private Championships,Frank Bozich won two races — the 100-yardfreestyle and the 50-yard freestyle — andplaced second in the 100-yard butterfly.Duane Cavera finished fourth in the one-meter diving competition and sixth in three-meter diving. Phil Hofmann took fourth inthe 400-yard individual medley, and TimIida finished fifth in the 200-yard back-stroke. The 400-yard freestyle relay team ofHofmann, Mike Ruddat, Mike Noble, andBozich finished fourth.The women’s team has had the last twoweeks to prepare for its key meet of the sea¬son, the IAIAW championships. UC joins theeight other Division III IAIAW teams in themeet.The Maroons have the top seeded swim¬mers in six of the events to be held. Accord¬ing to team captain Martha Kinney, theteam’s strongest events are the freestylecompetitions. UC has swimmers seededfirst in the 50-yard freestyle, the 100-yardfreestyle, the 200-yard freestyle relay, andthe 400-yard freestyle relay. Kinney be¬lieves the 400-yard relay team has a goodchance of qualifying for national champion¬ship competition.The team will be hurt by its lack ofdivers, a problem that has plagued it all sea¬son. However, both Pell and Kinney thinkthe team stands a good chance of winningthe meet if it gets some solid performances.The team to beat, says Kinney, is AugustanaCollege, which finished first in the GeorgeWilliams College Invitational held earlier inthe season. The Maroons placed fourth inthat meet. Cagers earn7th seedingBy Lee BadgettThe women’s basketball team takes onEureka College tomorrow afternoon in whatis one of the most important games this sea¬son. The winner of this “satellite” game willplay second-seeded Concordia ( ollege at thestate tournament next week at North Cen¬tral College.Despite its 7-12 record. Chicago emergedfrom last week's Division III IAIWA seedingmeeting as the state's seventh seed. CoachDiann Nestel, who attended the meeting, ex¬plained that the seedings were based on ateam’s Division III record, the strength ofits schedule, and head-to-head competitionwith other teams being ranked.Nestel had to be relieved with the seedingmeetings outcome, although the Maroons7-6 record against other Division III teamslooks more impressive than their overall re¬cord. In addition, many other teams in thestate experienced the same ups and downsthat Chicago had this season. Nestel attri¬buted this phenomenon to the widespreaduse of talented, younger players. “Theteams that are using first- and second-yearplayers have more noticeable improvementas the season goes on,” she noted.Chicago certainly has its share of youngtalent. The three first-year and three sec¬ond-year students who made up theMaroons’ starting lineup for most of thisseason accounted for 90 percent of theteam’s scoring. No one on the team willgraduate this year, but many of Chicago’sopponents also have very young teams, asituation which should raise the level ofcompetition in the years to come.In the short run, however, the Maroonsare more concerned about the game on Sat¬urday. According to Nestel, controlling theboards will be one of Chicago’s top priori¬ties. The Maroons’ rebounding strength de¬pends on six-foot center Helen Straus and5’10” forward Wendy Pietrzak. These twohave proved to be an awesome combinationthroughout the season, averaging 21 re¬bounds per game between them. Straus andPietrzak were about equal on the defensiveboards, but Straus has excelled on the offen¬sive boards this year with an average ofover six offensive rebounds per game.Pietrzak and Straus are also the keys toChicago’s scoring, as they lead the Maroonswith averages of 12.4 and 15.8 points pergame, respectively. Nestel hopes to see abalanced Maroon offensive attack tomor¬row with plenty of outside and inside shoot¬ing. Guard Karen W’alsh, the third leadingscorer with an average of 11 points pergame, will play an important role in Chica¬go’s perimeter game. Carol Weesner, who isprobably the Maroons’ best outside shooter,has not scrimmaged in practice this weekbecause of a knee injury, but she should beready to play tomorrow.Another challenge will be to force moreturnovers than the team makes, commentedNestel. Chicago’s player-to-player defensehas shown throughout the season that it canforce the other team into errors. Pietrzak,Straus, and Sheila Dugan have proved to beexcellent defensive players. Chicago alsohas many fine defensive reserves in KarinVan Steenlandt, Nancy Markovitz, andEllen Markovitz.In the end, said Nestel, “it comes down towhich team executes their game plan betterthan the other team. One game plan is notnecessarily better than the other.” Chicagohad its last chance to polish its executionlast night against Wheaton College. TheMaroons will have a light, informative prac¬tice this afternoon as final preparation for16—The Chicago Maroon—Friday, February 26, 1982SportsB-ball playoffs progressBy A1 NovotneEven though the results have been post¬ed for last Tuesday’s IM track meet, teamwinners have not been announced. Partici¬pants are allowed to enter events on thenight of the competition, and apparentlythis leads to eligibility complaints and ros¬ter confusion. One of the most significantprotests to be settled is the eligibility ofMarietti. In the basketball competition heis the Rough Riders’ dominating center,and he was the class of the field in the shotput competition. Tentatively, Chamberlinlooks to be a strong favorite for the men’sresidence title, and Snell may take thewomen’s residence title.Among the basketball results reportedlast Tuesday, two strong competitors inex¬plicably forfeited. Shorey, ranked four¬teenth, and Henderson, ranked twelfth,failed to show for their tournamentmatches. Fifteenth ranked Lower Rickertknocked off tenth ranked Michelson in a-triumph of intimidation over finesse.Lower Rickert’s confrontation with Dud¬ley on Thursday should give new meaningto physical play.In the graduate bracket, There’s the Rubcontinues to successfully compensate forits lack of physical presence through speedand organization. However, the team bare¬ly overcame Five Play, a late-comer in theseason. Five Play had been lacking twoplayers most of the season due to injury,and its full roster towered over Rub. Theirgreatest test of the season will come thisFriday night as they try to upset the reddivision champion Stiff Ones.Also on Friday night the Curia will meetthe Albanian Refugees for the first timethis season. If the Refugees bring all oftheir admittedly excellent roster withthem, it will also be a season first. The re¬maining two matches of the night shouldhold no surprises, with No BS and Not TooSwift advancing to the semi-finals.Team managers need to start planningfor the coming quarter of Socim competi¬tion. Entries are due Wednesday of nextI week, and there is a council meeting atmarian realty,inc.REALTORStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 S. Cornell684-5400Dr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E.53rd St.493-8372intelligent people know thedifference between advertisedcheap glasses or contact lensesand competent professionalservice with quality material.Beware of bait advertising.Eye ExaminationsFashion Eye WearContact Lenses 12:30 the following Thursday. That eve¬ning at 7:30 there will be a meeting ofSocim officials.White Punks and Steidl played a close,well-executed game which hung on a one-point lead until the last few seconds. The endof the game was marred by some heatedtempers and the dissatisfaction of bothteams with the officiating. With seven sec¬onds remaining, Steidl attempted a basketoff of a lob shot, but their player fouled a de¬fender in the process. The official canceledthe basket, and Punks held on to the one-point lead, winning 47-46.In other independent play, Riders had aneasier time with their rematch Dogs EatingBicycles, walking away 52-38.In an enigmatic finish. Upper Rickert wona quasi-forfeit over Greenwood 46-42. Green¬wood was clearly the more skillful team,sinking an amazing number of outside jumpshots. Early in the game, Rickert wasforced to take a time out with only two min¬utes elapsed, and in spite of that, was barelyable to contain Greenwood’s momentum.For some reason Greenwood fouledthroughout the game, and did not restraintheir contact. Midway through the fourthquarter, they were down to four players,and with 45 seconds remaining, the contestended when the fourth player fouled out.Hitchcock had little trouble with Breck¬inridge, winning the contest 59-36. Chamber¬lin also advanced in the tournament, defeat-ing Fishbein easily, 59-33.Sports CalendarWOMEN’S BASKETBALLFeb. 27 — Eureka, 2 p.m., Field HouseRockefellerChapel9 a.m.Ecumenical Serviceof Holy Communion11 a.m."Wrestling"Bernard O. BrownDean of the Chapel Indoor loss for track teamBy Sue FortunatoThe women’s track team lost an indoormeet to the University of Wisconsin-Whi-tewater at the Field House Wednesdaynight. The Division III powerhouse fromWisconsin defeated the Maroons by a 78-34score.Highlights of the Maroons’ loss were theteam’s four first-place finishes and the twoschool records that were set. Casey Kerri¬gan provided the team with 10 of its 34points. Kerrigan, a third-year student,placed first in the mile with a time of 5:19.2and won the 1000-yard run in 3:06.2. Fresh¬man Natalie Williams delivered the team'sother two first-place finishes. Williams set aschool record in the 60-yard dash with a win¬ning time of :07.7. She also won the 300-yarddash in :40.0. Third-year student Alison‘‘Hollywood” O’Neill set a school record inthe 600-meter run with a second-place timeof 1:36.7.The team’s loss to Whitewater came justfour days after its big win over five other Di¬vision III schools. At the time the Maroonprinted those results, coach Linda White-head had not yet announced the many schoolrecords that were set. Williams’ fifth-placefinish of 8.2 in the 60-meter dash earned heranother school record. Kathleen Restifo alsoset a school record in the 600-meter run withher winning time of 1:44.2. Restifo combinedwith O’Neill, Kerrigan, and Williams to winICOLD DRAUGHT BEER, NO SPOILAGEALWAYS READY TO SERVE.PORTABLE SELFCONTAINEDREFRIGERATED UNIT.DIFFERENT MODELS AND SIZESAVAILABLE.312-991-1010 the 1600-meter relay with a record time of4:21.0.The Maroons have consistently attainedtheir indoor season goal of realizing individ¬ual improvement, as seen by the numerouspersonal bests that have been set. MaureenBreen and Pauline Fong had personal bestsin the shot put as they placed fifth and sev¬enth, respectively. Emily Bloomfield’s sixthplace and Sara Dell’s seventh place in thelong jump were also personal bests. TraceyButton’s second place finish in the 60-meterhurdles and Lorraine Kenny's third placefinish in the 5000-meter were personal bests,as was Diana Kaspic’s split in the 1600-meter relay. The team hopes to see contin¬ued personal improvement as it gears for apossible outdoor state championship in thespring.HYDE PARK UNION CHURCH5600 S. Woodlawn Ave.Church School (all ages) 9:45 a m.Worship Nursery Provided 1 1 '00 3.ITVW Kenneth Williams. MinisterSusan Johnson. Baptist Campus MmisteCome. Worship, Study, ServeGRAFF & CHECKReal Estate1617 E. 55th St.116-2V2-4 room & 6'roomapartments. Immediate occupancy.Based on A vailabilityBU 8-5566A vailable to all comersThe New York Times hasdeclared him “responsiblefor some of the most im¬portant music produced inthe last decade.’’Philip Glass has been cap¬tivating audiences fromcoast to coast with ex¬cerpts from Glassworks, hisdebut album for CBSRecords. Now, takeGlassworks home... and becaptivated again.FM FMT 37265 Available Soon!PHILIP GLASS. GLASSWORKS. ON CBS RECORDSAND TAPES.Produced by Kurt Munkacsi and Philip Glass.CBS is a trademark of CBS Inc. c 1982CBSlncThe Chicago Maroon—Friday, February 26, 1982—17MINOLTAXG-1It’s the most economical 35mmautomatic Minolta SLR. Easyenough for beginners but packedwith sophisticated features:• Continuous automatic exposure ]system• Full manual control• Over exposure protection• 2-year camera warranty• 5-year lens warrantyw/45mm/f.2CLIT GOES WHERE NOOTHER 35mm CAN-AUTOMATICALLYTHE NEWNIKONOSIV-AAUTOMATICUNDERWATER/ALL-WEATHER ‘35’jit’s the only automatic 35mmIthat shoots 160 feet under¬water without a housing, alsoin rain and snow—that even!Idefies sand and mud!with 35mm/2.5limited to stock on handSUCH A DEAL!| With all 35mm camera pur-|| chases in February, ModelCamera customers receive1 roll of film and processingfree!WHY BUYSOMEWHEREELSE?Ilf any Chicago area store adver-tises a lower price than you paid atModel Camera, bring it in within 14days of your camera purchase andwe will credit or refund the dif¬ference. or at our option, we’llrepurchase the equipment at fullpurchase price. Proof of purchaseplus a copy of the advertisement is |all that is needed. (The program is]in addition to our BONUS BOOKbenefits and other customer ser-|vices.)modelcamera1342 E. 55th St.392-6700 Classified AdsCLASSIFIED ADSClassified advertising in the Maroon costs SI .00per 45-character line. Special headings costSI.50 per 25 characters. All classified advertis¬ing must be paid in advance. Advertisingdeadlines: 12 noon Wednesday for the Fridaypaper; 12 noon Friday for the Tuesday paper.Submit ads to Ida Noyes Hall,' room 304, ormail them in (with payment) to The ChicagoMaroon, 1212 E. 59th St., Chicago IL 60637. Forinformation about display advertising, call 753-3263. The Maroon is not responsible for goodsor services purchased through the classifiedadvertising section.SPACEStudio Apartment, Hild Realty Group 955-1200Looking for housing? Check InternationalHouse, for grad, students and for scholarsvisiting Chicago. 753-2270, 2280.Choice 1-bdroom apartment in East HydePark. Available March 1 5380 643-1400Non-Smoker to share 3-bdrm apt Lakeview,heat, Security, laundry inc. Fully Furn.,148/mo -F util. Undergrad. pref. call 241-6481eve.Share 2 bdrm, 5 rm apt opposite the Co op.5175/month + utilities. Call Steve 955-5610For sublet 1 bedroom in large 2 bedroom aptnear 54 and Greenwood Available immediate¬ly. Call 684 6422M or F to share spacious 2 bedroom apt on47th/Lake Park Ave. with male UC grad stu¬dent. Lovely lake view. 13th floor Near trains,buses and campus bus. $180 per month,available now. Call 624-2885evenings only.For rent-unfurn. apt 5623 Cottage Grove 1stfloor 4 rms, $340.00 Call Kermit Webb-684-8195or Parker Holsman Company 493-2525.Furn. Room kitchen priv non smoker call 9557083Comfortable, sunny lakefront 1 bdrm. NearCTA 1C UC buses, shopping. Available April1st, Call Luis 752-1230. Lease or sublease. FOR RENTSpacious Two and Three bedroom apartments.2 bedrooms—1018 East 52nd Street $380.003 bedrooms—5134 & 5142 S. Greenwood Ave.$480.00Newly decorated. Immediate occupancyFor information call: 322-9317.Sublet, Avail March 15, 1 bdrm, Indry in bldg,Wdlawn, sunny. $315 incl heat. Sandy 752-5072,262 4114.Renting spring qtr 1 room in 3 bdrm apt atMadison Park finely furnished all util, only$220 mo call 624-3039or 753 3608 (Claudio)FOR RENT-Available now 3 rm studios in luxeapt. Call 288 0718.Share a spacious TEN room apt with 3 othersOne large room available. Rent $130.00 amonth Call Hugh 288 8722Condo for sale Va blk. from UC Fieldhouse, 2BR. Ig. bkyd. sun rm. sewing rm. mod kit RaySchool 493-2869.Roommate wanted for 3 bdr apt on S Kimbarkbetween 55th and 56th starting Spring qtr $180 amonth call Susan or Jennifer 684-2087Need a room Spring quarter only? Take myhousing contract. 327-9118.SUBLET: one bedroom in a furnished 2bedroom apartment avail: March Sept 56th &Kimbark Call 643-3507.CHEAP ROOM Not a low priced room, a goodroom at a low price. Single $155 Avail now.Alpha Delta Phi 5747 Univ. 753 3257 HankDeGroot.PEOPLE WANTEDOVERSEAS JOBS-Summer/year round.Europe. S. Amer., Australia, Asia. All fields.$500 $1200 monthly. Sightseeing. Free into.Write IJC Box 52-IL-5 Corona Del Mar, CA92625.Paid subjects needed for experiments onmemory, perception and language processing.Research conducted by students and faculty inthe Committee on Cognition and Communication. Department of Behavioral Sciences.Phone 753 4718.Cfiaztotte ^i&stzomczRea[ Estate Co. We are co-operating brokersMember National Association of Realtors, ChicagoReal Estate Boards, Illinois A ssociation of Realtors493-0666 • CALL ANYTIMEJust ListedGolden Era Housein Golden Area (near campus)Three-story, brick and stone. Wellmaintained residence, built 1904.Deep, beautiful garden. This willgo fast.$187,00058th & KENWOODJust ListedYour Favorite ModernYes! A real live E-1 Townhouse.July closing. Excellent systems inModel-like condition. Floweringlandscape, this is a good one!'$127,500NEAR 55th &KENWOODSMALL VICTORIAN BRICK. 7-rm garage.$97,500. Near 53rd & Greenwood.KENWOOD Mans^QV^r 48th & Kenwood.CORPORATION MUST SELI one bedroom onsunny high floor. 55th & Dorchester.$42,500. Nice “passthrough” bright kitchen.Call Ken. Special Financing.WOW? COUNTRY KITCHEN. Big-Big. Near 54Hyde Park Blvd. 3 bedrooms 2 bath (used tobe 4 bedrooms) $68,000 to qualified buyer,owner financing.BRIGHT THIRD FLOOR. Large East View Park6Vi rm. special. Special low price to sell thisSpring - Unbelievable $68,000. ELEGANCE, SPACE, TERRIFIC LOCATION...one Iof Hyde Park’s most prestigious buildingsfacing the park near {N'lth & Stony. Insidegarage. Seven larfiiA/rooms, three baths.Beautiful views C^Ke and park. Beautifulcondition. Doorman. Cooperative. Board ap¬proval required. $110,000 includes garagerights.BIGGER’N HOUSE: over 3,000 sq. ft. holdsfive bedrooms. Your plants will love theextra sunroom. On Hyde Park Blvd. near53rd. $105,000.493-0666-Call Any Time- Join the Samaritans, an international suicideprevention organization! Contact the StudentVolunteer Bureau at 955 4108.Blood donors needed as control subjects in aclinical research project. $30 gratuity. Call 947-6620 or visit M 171, Billings Hospital.Childcare needed in my home, after school. Oncampus, good pay. Call 241-7545 aft 6 pm.FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E. 55th St. 493-6700.Gold/Silver Jewelry at LESS THAN HALFretail cost. Why pay more when the same highquality is available from a direct source? 6845739SELVING ORANGE CRATES: $150 alsoUHaul boxes call Allen 684 1820 or 753 4351anytime.SERVICESJUDITH TYPES—and now has a memory.Phone 955 4417.Excellent, accurate TYPIST with B.A. willtype term papers, theses, resumes,manuscripts—whatever your typing needs.Quick, pick up and delivery on campus.Reasonable—call Wanda 955 8375 after 5p.m.Psychotherapist, Women's Groups, Individual,and Couple Therapy. Sliding Scale, MaryHallowitz, MSW, ACSW 947 0154James Bone, editor-typist. 363 0522.Letter Perfect Typing Service. Very ex¬perienced, very accurate. Dissertations,papers, math. Call Lise Plotkin, 493-1218.Typing term papers reas. rates call 684 6882.WE DDINGS photographed call Leslie 536 1626.HYPNOSIS-Stop smoking, lose weight, increase memory, study habits, stress relief,headache relief, self-hypnosis, lectures 2467610.Experienced editor corrects papers, disserta¬tions. All subjects. $10/hr. Call Pat 363 7567.ENGLISH TUTORING I'll help any studentwith E nglish as a second language or I can provide help with term papers, theses and dissertations Ed Hoffmans, 363 4595.HAIRCUTS-By a professional, in my home.Only $10! Perms, manicures, and other salonservices Reasonable rates. Call merrie 324-4105.Typing: Experienced secretary types allmaterial dissertations, tables, etc. IBM Set,grammar corrected, pick up & deliver 6678657.Chicago counseling and PsychotherapyCenter. Client-centered psychotherapy. 5711 S.Woodlwan, 6354 N. Broadway, and 111 NWabash, Chicago A Registered PsychologicalAgency. (312) 684 1800.TYPING: Term papers, theses, etc. 791-1674SCENESGilbert & Sullivan's The Gondoliers presentedin Mandel Hall, 57th & University, March 12thand 13th at 8 pm, March 14th at 2 pm Ticketsat Mandel Hall Box OfficePERSONALSWriters' Workshop PLaza 2 8377.Interested in no frills low cost Jet travel toSouth America? We can help you enjoy Latinnights with low cost flights. For more information, contact: Faucett Airlines, 630 Fifth AveNew York, NY 10111 Phone (212) 581-1404.Mini-bus riders who received survey formsturn them in at Regenstein by Feb 28 Thanksi uFC Hinsdale chapter: meeting tonight atPop's soda fountain.Ed, you made the right choice PDTHAPPY BIRTHDAY AMY RICHMOND 2 28Love and kisses—your best roommate everHAPPY BIRTHDAY AMY, you fun-lovingchick! Have a wonderful 20th! Fellow AlchieWith the coming of warm weather the urge togo outside and throw a frisbee grows strongerKR & LJW: I still think the Bronte sistersshould have been up there Those whoknow...knowTEf—The Chicago Maroon—Friday, February -26, 1982Bird We has us some chicken huntin' to do-a tine feathered friendGive me ostracism or give me death but it'smy right to be a TDFC Imposter. ExofficiomemberMADMAN-The language of the gods hasbecome too recognizable. From now on,English. POSSLQBeware! The Scraper is coming! Tune in forfurther developments.John, March 1st is the day!! HAPPY BIRTHDAY, mon chou!!! Love, KathyPeter: The kids miss you. Come home soon.Your loving wife yearns for you.RC-LE ATHE R-MAN: A new literary twist:Who was that homme (said very fast) I Sawyerwith last night? Al least I tried eh hoser? NIP-witThe best for less af fhe Social Science Cof-feeshop.If You Can't Rock Me, Tumbling Dice, NobodyCan! T.D.F.C.Remember forgetting there's a sidewalk underthe snow? To be cont. -HRL.T.-I'm so hot for you, I'm so hot for you. I'mso hot for you, buf you're so cold. Guess.WANTEDIndian and Greek Donors for artificial in¬semination Needed call 947-1775.LOST & FOUNDLOST Gloves purple angora $15 reward 2415788RIDESRide NEEDED-3-17 to Kansas City Carol 9479720Need rides to/from Bloomington, IN (IU)weekends. Indianapolis OK, too. Dave 493-4883Passengers needed to Utah Spring BreakSharon 493-2043.STUDENTGROUPSThe Student Government Finance Committeeis no longer accepting budget requests fromstudenf organizafions for Winter Quarter Activities.UNBALANCEDMUSICThe Peer Pressure Radio Show specializing inforeign and domestic independents, along withFrank Sinatra and Judy Garland Wed nights11 pm 2 am on WHPK 88.3 FM Sponsored byWax Trax Records.STEP TUTORINGHelp a kid feel bright and intelligent. Volunteerto tutor an elementary or high school studentfor two hours a week. Contact Peter at 643 1733for more information.DOES YOURMIND MATTER?It does to us. Right and left handers needed toparticipate in fascinating and profitablestudies on brain asymmetry Please call 753-4735 for info.THE PHOENIXThe Phoenix now has a large selection ofbudget records for between $2.00 and $3.00Check us first...we're the Phoenix.MOVINGStudent with Pickup Truck can move your stuffFAST AND CHEAP. No job too small! CallPeter at: 955-5180 10am 10pmCONDO FOR SALELovely sunny 5 rm condo, 2 BR Totallyrenovated, oak fl & buffet, frpl., bale., PLUS!Fin. 12%. Call Karen d. 947 5456, e. 947 0859UC HOTLINEFor information and referrals, help in a crisis,or just someone to talk to—call UC Hotline 7531777, 7 pm to 7 am every night.PLEDGING NOTICEPhi Delta Theta announces the pledging of Edward W. Achuck of San Francisco, CA. andGerald P Murphy of Stamford, CT Classified AdsGAY? LESBIAN?GALA sponsors a weekly coffeehouse on Tuesday nights at 9,00 pm in the Reynolds ClubNorth Lounge. Refreshments and camaraderieare served free of charge. All are welcome.Following the coffeehouse, the GALA discus¬sion group meets to discuss issues, problemsand concerns of the gay and lesbian communi¬ty in a warm, supportive setting. Everyone isinvited.GILBERT ANDSULLIVANTHE GONDOLIERS at Mandel hall, 57th &University, tickets $7; Sunday, March 14 at 2pm, tickets $3.50. Tickets available at MandelHall Box Office.NEEDATYPIST?Excellent work done in my home. Reasonablerates. Tel: 536 7167ART INSTITUTEMembership cards have arrived! You pay $9for memberships which usually cost $15. Enjoyfree admission, museum store discounts, otherbenefits. Rm 210, Ida Noyes Hall.TODDLER CAREExp. teacher offers pt-time care, my home.Call: 363 5877WOMEN'S RAP GROUPWomen's Rap group meets every Monday at7:30 pm at the Blue Gargoyle, 5655 S. University Ave. Sponsors are Women's Union & Univer¬sity Feminist Organization For info call 752-5655.ORIENTAL CARPETSRECENT price checks at two major dept,store "Sales" confirmed that our carpets sellfor less than '.2 price and are a MUCH FINERquality. Prayer rugs to room-size carpets.Geometric & floral styles. D. Bradley 288 0524SPRINGSOCIMEntry forms are available in the IM Office,INH 203. Deadline for entires is March 3, 1982.SUFI MEDITATIONExperience the unity and relevence of manymeditative and religious traditions. Tu 3/2Quaker House 5615 Woodlawn 8 pm free.CLOSE ENCOUNTERSCountry Dancers invite you to join us for a funevening of folk dances from the British Isles.All dances are taught, beginners are welcome.English dancing 8-10 pm, Scottish at 10.Refreshments. Ida Noyes Cloister Club.BICYCLESANDBEERThe exciting movie of the highlights of the 81Coors Bicycle Race will be shown Wed. Mar 3at 8 in Cobb 304. Sponsored by the Bike Club.TAIWANESESTUDENTSMeeting for UNDERGRADS in 2nd fir. IdaNoyes Sat 27th from 1 2pm (summer jobs).GRADS & UNDERGRADS: interested in completing in bridge-tournament on March 27 CallGeorge at 753 2233 rm 135. (Players will represent UC)SMASH JUNTATERRORFROM CHILE TO EL SALVADOR! ElSalvador Leftists Must Win the War! Spar-tacus Youth League Forum 7:30 Reynolds ClubLounge Fri. Feb 26 An SYL Spokesperson willgive a brief presentation on the PaulHarberger case. 427 0003.NEW MUSICON WHPKHear THE NEW MUSIC ENSEMBLE'S winterconcert Monday, March 1 on WHPK 88.3 FM at1 pm.OPEN HOUSESunday 5549 S. Kimbark. Bright and spacious2*2 rm. condo Make an otter seller must sellunit. Sunday 2/28/82 trm. 14 pm.CENTURY 21 KENNEDY, RYAN, MONIGAL5508 S. Lake Park 667 6666 PYTHONS!What is the average airspeed velocity of anunladen sparrow? Find out March 12 when theHoly Grail comes to U of C.WANTED-"MODERNPORTUGUESE"TEXTBOOK WANTED-Modern Portuguese byEllison Call Jeff 962 7947 or 955 2193MESSENGERIdeal position for college student. Errands,some general office, copying, etc. in our realestate office located in the Loop. Must haveown car. Salary, mileage expense and parkingprovided. Monday through Friday, 9:00 am to1:30 pm. Call for interview.337 2400RUMORS TO YOUMr Fun ( and your dog GNP):My favor helps a sale, but sometimes the spr¬ings of conduct are even noisier than the LittleInfant of Prague across the hall.Love, WenkCONCERTTIX!The Phoenix in the basement of Reynolds Clubhas concert tix. Jorma Kaukenan at C.O.D.,March 18, 7:30 & 10 pm. Margie Adam at Peo¬ple's Church Hall, March 12, 8:00pm.HELLOSEXY!Hey, brown eyes, see you on the 7-11. (Bringyour buck.)GAY?SATURDAY?"Brunch at Brideshead": GALA is sponsoringa brunch this Saturday 2/27 at 1:15 pm in theclassic East Lounge of Ida Noyes Hall Exotic(S. Asian) cuisine will be served and achamber music group will perform A $2 dona¬tion is suggested. Everyone is cordially invitedto attend.G.W. OPTICIANS1519 E. 55thTel. 947 9335Eyas anregistered OytentristiSpecialists Oeatoct Leases fitted by* Qaafty Eyewear at ReasonableLab on premises for fast service - framesreplaced, lenses duplicated and pre¬scriptions filled.HYDE PARKWHAT'S OLD ONTHE OUTSIDE?The features which made theBlackwood such a superb exampleof the Art Deco sytie have beencarefully preserved.NEW ON THEINSIDE?Yet inside everything you see is new:Wall to wall carpeting, new appli¬ances—including dishwasher, newceramic tile baths, master TVantenna, individually controlledheat and air conditioning.But some of the newness you can'tsee. Its newness that goes beyonda facelift to include all new elec¬trical wiring, all new plumbing, allnew mechanical systems. Its thishidden newness combined with aprofessional, courteous staff (in¬cluding 24 hour maintenance per¬sonnel) that letsyou enjoy modernliving at its carefree best.Located just steps from LakeMichigan, Illinois Central andHarper Court. Spectacular lakeviews are available.1-2 bedrooms from $398 per mo.<JMW©Dfl pa p t n e n t s5200 South Blackstone Avenue(1 block west of Harper Court)Phone 684-8666Mon. Fri. 9 to 6,Sat. & Sun. 11 to 5.Ask About RISKNo Security Deposit dHOUSESSUPER NEW LISTING 3 plus bedrooms RaySchool district co-op townhouse. Upper $90’s. Fi¬nancing.MODERN construction and conveniences, in¬cluding central air and humidifier system makethis a unique buy. Two bedrooms, full basement,near to campus and shopping are just some of itsattractive features. Parking too! Creative fi¬nancing, mid $80’s.RAY SCHOOL DISTRICT. 3 bedroom town-house. Cozy fireplace, garage, fenced back yard2*/i baths, 2 dens make this a super buy at$139,500.TUSCAN MANSION has apartments for income,large yard, off street parking, garden and lots ofsunshine! $145,000LARGE F TOWNHOUSE. . You’ve got to seethis one! Three bedrooms. Lots of light. Two as¬signed parking spaces Walk to everything! Mid$90’s Call today.CONDOMINIUMSELEGANT five room condo in vintage EastHyde Park hi-rise Amenities galore; Lake andLoop views. A super buy - Upper $50’s58th AND BLACKSTONE. 4 bedroom, 2 bath,over 2,000 sq. ft. Super location. Large enoughfor a family. Walk to Lab School $145,000 and fi¬nancing.RENT WITH OFTION. Excellent financingavailable 9Vfe% and a low down payment pur¬chases this 27th floor studio in the Newport.$30’s.BEAUTIFUL NEWPORT! Let’s do it’ This twobedroom faces the Loop and Lake Absolutely,beautifully decorated! Parking, financing andpriced to sell in the upper $70’s.SPACIOUS TWO BEDROOM, 2 bath lake viewcondo ready for move-in; doorman building -U.C. bus at door; buy, rent or rent with option.Low $70’s (or $650 rent).SPACIOUS . beautiful back yard, two porchesand spacious rooms make this 3 bedroom home areal value East Hyde Park. Close to lake andtransportation. Lowr $80 s.SUPER, SUNNY ONE BEDROOM condo in se¬cure, modern high rise. Close to all transporta¬tion. UC bus at door Mid $50’s.LNI\ERSIT\ PARK — Sunny, Southern studiounit; new carpeting, parking, pool and healthclub facilities available Low $30’s.WALK TO CAMPUS, shopping and transporta¬tion from this one bedroom condo on quiet tree-lined street. Space to study and entertain. Pricedright - $40’s.CHARMING EAST HYDE PARK CONDO Thiswarm 3 bedroom apartment is a lovely blendingof the old and the new Attractively priced under$70,000. Super financing possibleSUNNY, LIGHT, one bedroom. Close to campus,lovely oak floors and french doors, lots of closets$50’s.A CUSTOM DESIGNED KITCHEN highlightsthis lovely 1 bedroom in the Hampton House.Park and Lake views, carpeting and large roomsmake this a special home. Upper $50’s.THIS SUNNY CORNER. 2 bedroom condo inRay district has a great kitchen and manyextra's. Sparkling condition with great financ¬ing Mid $60’s.NATURAL WOOD THROUGHOUT This large. 4bedroom 2*^ bath condo; full of old style ameni¬ties including hardwood floors, built-in book¬shelves, sun porch, French doors and butlers'pantry with copper sink Priced right - $70’s andowner financing availableN.ARRAGANSETT! Magnificent five room con¬dominium home Beautifully decorated Must beseen. $100,000GARAGE, BALCONY and a large back yard area few of the amenities of this 2 bedroom homepriced in the upper $40 s.COOPERATIVESSPACIOUS. hi-rise co-op with great east-westviews, 2 bedroom. 2 baths, foyer and formal din¬ing room 24 hour security near UC bus Mid$50’s.NEAR CAMPUS, one bedroom co-op lots ofbeautiful wood, built-ins, modem appliances,lovely courtyard building, affordable living, unitmoderately priced Low $30'sLOW PRICE - low maintenance, this one bed¬room co-op with sunporch facing a lovely court isperfect for single or couple. Near to campus andtransportation Mid $20 sBUILDINGS6,000 sq. ft zoned B2-4 plus 26 apt $405,000East Hyde Park Blvd., 18 units Owner financ¬ing available $325,00061st and Drexel, 24 units Investor’s invited$165,000HILO REALTY GROUP1365 E. 53rd St.955*1800The Chicago Maroon—Friday, February 26, 1982—19On March 2,The Latest in Dictation EquipmentIs Coming to CampusDictaphone Dictation Equipment ShowWe will have a demonstration of Dictation, Text Editing, andword processing equipment conducted by sales representativesfrom Dictaphone.On display will be the complete line of equipment from Dicta¬phone. Everyone welcome.Conducted by Dictaphone Office Products, Jim Doyle, 995-1166Sony Dictation Equipment ShowWe will have a demonstration of Dictation, Text Editing, andword processing equipment conducted by sales representativesfrom Sony.On display will be the complete line of equipment from Sony.Everyone welcome.Conducted by Sony Office Products, Ed Hopkins, 635-6699Norelco Dictation Equipment ShowSee the latest in Norelco Dictation Equipment here on campus.Norelco Sales, Service, and Supplies• Maintenance on all brands of dictation equipment• Annual maintenance contracts• Years of quality, saies and serviceConducted by Chicago Dictating, inc., 263-1875 Ken Showalter,Tom DoyleWhen: TUESDAY, MARCH 2,1982Where: BILLINGS HOSPITAL, ROOM G-104When: 9:00 AM-5:00 PMRefreshments Will Be Served Sponsored ByUniversity of Chicago BookstoreTypewriter Department753-2600Ralph Shimoyama