Inside In Grey CityBlack social life Philip Glass returnspage 15 GCJ coverThe Chicago MaroonVolume 91, No. 37 The University of Chicago The Chicago Maroon ©Copyright 1982 Friday, February 19, 1982Tuition again up more than 17%Brewster calls for initiativeaid will grow much more slowlythan in the past,” said Gray. “Anadequate improvement in studentaid and academic salaries as wellas the inexorable growth in utili¬ties costs can only be financed by‘‘It’s only a violation of the spirit ofhis (the President’s) oath to upholdthe Constitution.”Brewster said that the ‘‘rule oflaw” or ‘‘legal accountability”should be extended to ‘‘the exer¬cise of spending power.”‘‘Even if the cause which moti¬vates an act is constitutional, suchas affirmative action,” said Brew¬ster, ‘‘it still should be made sub¬ject to a rule of law. Part of a ruleof law is to be sure that regulatoryconditions are to be imposed.”Continued on page threeSYL charges Harberger’s sonBy Anna FeldmanTuition increases of over 17 per¬cent for most University studentswere approved yesterday by theBoard of Trustees.The increase will raise the costof undergraduate tuition from$6000 to $7050. Tuition in the gradu¬ate schools and divisions will rangefrom $7230 in some schools to $8550in the law school.The ‘‘term bill,” which includestuition, required fees, and roomand board, will increase to $10,849for freshmen, $11,239 for upper¬classman, and $11,979 for mostgraduate students. A mandatoryhealth fee, which was included thisyear in the tuition fee, will be a sep¬arate charge next year of $99.Charges for room and board formost freshmen entering in fall,1982, will be $3550. For an upper¬classman on a full board contractand living in an average single,charges will be $4075.By Anna FeldmanThe outspoken Kingman Brew¬ster, this quarter’s first visitingfellow, addressed students Tues¬day at a talk entitled ‘‘How to KeepSociety Voluntary.”Brewster, former president ofYale University, also served asambassador to Britain during theCarter administration. His contro¬versial opinions on governmentalpolicies and procedures have oftenstirred up strong reactions.‘‘Traditionally, and this is anover-simplification,” said Brew¬ster, ‘‘we have always found threefactors (necessary for a voluntarysociety)...limitation of officialpower; limitation on privatepower, that is, the power to pushother people around; but most im¬portantly, the opportunity toescape, the opportunity for a sec¬ond chance, a fresh start.”Brewster said that life in theAmerican tradition has been kept‘‘tolerably voluntary” because ofmobility. ‘ That is a much moreunique tradition than I had rea¬lized before I lived for four years inPHOTO BY WILLIAM MUDGEKingman Brewster The University is also raising theamount of scholarship and fellow¬ship that is paid out of the unres¬tricted academic budget. Theamount for next year, $12.8 mil¬lion, is up 33 percent from thisyear’s $9.6 million.Unrestricted University studentaid will increase 36 percent for un¬dergraduates and about 20 percentfor graduate and professionalschool students.“The increases in tuition are nec¬essary to sustain the quality ofour education at a time when costsare not only continuing to in¬crease,” said President HannaGray, “but when other sources ofrevenue are growing more slowlythan inflation, and in some in¬stances even declining.”“Because of government cut¬backs in student aid and researchsupport and the slow growth of en¬dowment income, funds other thantuition that can be used to supportstudent instruction and financiala country like Britain,” said Brew¬ster, “where the achievement of avoluntary society or a voluntarylife does not rely nearly as much onmobility.”Brewster discussed govern¬ment’s power as a hindrance to vo¬luntariness in American society.“Limitations on governmentalpower are more difficult becausegovernment has undertaken re¬sponsibilities that make it an in¬herently large and pervasive ele¬ment in the citizen’s life,” he said.“Limitations on private powerare...more difficult because of thefact that both economics and tech¬nology...make larger and largerorganizations almost inevitable.“The first item in any platformwould be not only to reaffirm,”Brewster continue, “but expandthe applicability of constitutionalself-restraint, the applicability inthe exercise of official power andauthority.”“Executive power in particu¬lar,” Brewster said, “is alwaysunder a strong temptation to getobstacles out of its way by assert¬ing a greater destruction than theconstitution would force.”Brewster said that he found it“upsetting that the President ofthe United States should think itwithin his pardoning pow'er to par¬don two FBI members who hadbeen found by due process of law,by jury, to have violated the consti¬tutional rights of their fellow citi¬zens ”“In terms of civil rights as wellas civil liberties, I think constitu¬tional scruple is more importantbecause of the many ways in whichthe citizens can be a victim of retri¬bution by official authority.”During a question and answerperiod following his lecture, Brew¬ster stated his opinion on the par¬don. “This is not a violation of theletter of the Constitution,” he said. By Margo HablutzelPaul Harberger, son of UC econ¬omist Arnold Harberger, facescharges of assault stemming fromcharges by the Spartacus YouthLeague (SYL) that he tried to rundown several of its members withhis car.The SYL was picketing a speechbeing given by Harberger’s father,director of the graduate programin the department of economics.The speech, on the causes of worldinflation, was held on Jan. 28 in In¬ternational House.After charges were filed with the21st District police, Harberger vol¬untarily turned himself in accom¬panied by his lawyer, Ralph Brownof Walsh, Case, Cole, Brown, andBurke. The firm is one of the mostprestigious law firms in the cityand specializes in corporate andpersonal injury cases.Although Harberger will not dis¬cuss the incident, Brown told theMaroon that his client had not triedto drive into the picketers but lostcontrol of his car.“What you were told is not onlyuntrue but slanderous and libelous.In an attempt to generate politicalissues, obscene charges have been substantial tuition increases.”Sixty-two percent of all UC stu¬dents receive financial aid fromthe University, and from federal,state and other sources. Forty-fivepercent receive aid from the Uni¬versity alone.“We are determined to ensurethat undergraduates will be admit¬ted without regard to need and tomeet whatever may be the needwithin a set of defined criteria forthe individual student,” Graysaid.“In the case of graduate stu¬dents,” she said, “we are deter¬mined to improve financial aid andto assure support over severalyears to those whose progress jus¬tifies it.”The percentage increase of tu¬ition has remained in double digitsfor each of the last five years.Fourth year students in the Collegelevelled,” Brown said.In a freely-circulating three-page letter entitled "Jail Paul Har¬berger!”, the SYL leveled variouscharges against both Harbergersand the University. Of the incidentin question, the letter says:“Some twenty-five activists gota nearly lethal dose of “Civil Liber¬ties” “Chicago Boys” style, whilepicketing the January 28th Univer¬sity of Chicago appearance of Ar¬nold Harberger. Harberger’s sonPaul drove his car careening ontothe sidewalk and straight at thepicketline; Paul Harberger tried tomow down the picketers in his car.Fortunately, one of the marcherswas able to yell out a warning andpush several other demonstratorsto safety just in time. Harbergermissed by a matter of feet.“Had Harberger been successf¬ul, it’s more than likely one or sev¬eral of the protestors would havebeen fatally injured. At the veryleast, that sidewalk would havebeen red with blood.“That Harberger was bookedand fingerprinted is good. Butthere will undoubtedly be a largediscrepancy between the sentence next year will pay 56 percent morefor tuition then they did their first-year, 72 percent more than the costof tuition the year they appliedhere.The ceiling for tuition cost heremay be higher still. Earlier thismonth, in her State of the Universi¬ty Address. President Gray statedthat the University has "embarkedon a tuition policy which will leadto some closing of the distancewhich separates our tuition levelsfor undergraduates and graduatesstudents in the arts and sciencesfrom those of other major privateuniversities.“Many schools have not yet an¬nounced their tuition for next year.Among those which have, under¬graduate tuition at Yale will be 16.1percent higher ($8190) and tuitionat Stanford University will be 16.5percent higher ($8220).he deserves and tnat which thecourt metes out to him.“Paul Harberger should bejailed.”According to a member of theState Attorney's office, which ispressing the charges, the chargeagainst Harberger is simple as¬sault, although the SYL has askedthat they be changed to aggravat¬ed assault. On February 16 thecase was continued until March 9after Harberger’s attorney askedfor a bill of particulars, whichwould outline the facts of the inci¬dent, and a motion for discovery,which would give the names of wit¬nesses to the incident.UC economists Milton Friedmanand Arnold Harberger have longbeen the subject of SYL oppositionfor their active support of the mili¬tary government in Chile. In hisspeech , Harberger discussedworld-wide inflation and said thatthe underlying problem is the lackof an international monetary au¬thority. He also blamed the col¬lapse of less-developed and LatinAmerican countries on failures bythose countries to implement an ef¬fective economic policy.TTHErUNIVERSITV OF-CHICAGOBOOKSTOREBEGINNING MONDAY,FEBRUARY 22nd5000 BOOKS AT V3OFF LIST PRICE.The U. of C. Bookstore will offer an unprecedented PRE-INVENTORY SALE Iof books which simply have occupied shelf space too long. The Book Store will Ioffer these excellent books to students, friends, faculty, neighbors at extra- Iordinary savings IMany of these books you have long wanted and are now available to you at 1cost or less. I hope you will take advantage of these exceptional savings during §this amazing sale. 1Stuart Brent |Manager IALL SALES FINAL - NO REFUNDS OR EXCHANGES 1■4 y* i||§|2—The Chicago Maroon—Friday, February 19, 1982CalendarFRIDAYCrossroads: English classes for foreign women,10:00 am, 5621 S. Blackstone.Calvert House: Mass, 12 noon and 5 pm; brownbag lunch, 12:30 pm, 5735 University.Geophysical Sciences Colloquium: “PersistentAnomalies of the Extra-Tropical Northern Hemi¬sphere Winter-Time Circulation” speaker RandallDole, 1:30 pm, HGSInternational Relations/Model UN Group: Form¬ing; organizational meeting 2:30 pm, PickLounge.Calvert House: Catholic worker soup kitchen;leaving 3:00 pm for Calvert House.Mineralogy-Petrology Seminar: “Isotope andTrace Element Constraints in the Genesis of SomeVariscan Granites” speaker Serge Fourcade, 3:00pm, Hinds 101.Center for Middle Eastern Studies: Arabic Circle-“Islam in an Independent Indonesia” speakerNurcholish Madjid, 3:30 pm, Pick 218.Philip Glass Lecture: Mr. Glass will speak abouttonight’s performance, 4:00 pm, Goodspeed Hall,free.Hillel: Yavneh (Orthodox) Shabbat Services, 5:45pm, Reform-Progressive Shabbat Services, 5:45pm, Adat Shalom Cooperative Shabbat Dinner,6:30 pm, 5715 Woodlawn.Philip Glass Ensemble: Program to be announced,8:00 pm, Mandel Hall.Hillel: Lecture-"Antisemitism of the Right andLeft in America Today: Conversation with theChutzpah Anti-Semitism Work Group” 8:30 pm5715 Woodlawn.SATURDAYHillel: Yavneh (Orthodox) Shabbat Services, 9:15am, The Upstairs Minyan (Conservative Egali¬tarian) Shabbat Services, 9:30 am, 5715 Wood¬lawn.Calvert House: Mass, 12 noon and 5 pm; brownbag lunch, 12:30 pm, 5735 University.Calvert House: Sacrament of Reconciliation, 4:30pm, 5735 University.Crossroads: Buffet dinner, 6:00 pm, no reserva¬tions necessary, 5621 S. Blackstone.SUNDAYCalvert House: Mass, 8:30 and 5 pm at CalvertHouse, 11:0 am at Bond Chapel.Hillel: Lox and Bagel Brunch, 11:00 am, and from11:00 am-l:00 pm, Exhibition of 42 original graphicworks of Arik Brauer, 5715 Woodlawn.MARRS: Fighting practice, 3:00 pm, Ida Noyes.Episcopal Church Council: Holy Eucharist 5:30pm, and Sunday Supper 6:00 pm, 5540 S. Wood¬lawn. Calvert House: Home-cooked supper, 6:00 pm, $2,5735 University.New Music Ensemble: 8:00 pm, Goodspeed Hall,Free.Folkdancing: Beginning and intermediate folk¬dancing, 8:00 Dm. Ida Noyes.MONDAYHillel: Exhibition and sale of 42 original graphicworks of Arik Brauer 9:30 am, 5715 Woodlawn.Crossroads: English classes for foreign womfen,10:00 am, 5621 S. Blackstone.Calvert House: Mass, 12 noon and 5 pm; brownbag lunch, 12:30 pm, 5735 University.Teacher Curriculum Center: Workshop entitled"Using the Museum as a Classroom” speakerGretchen Alexander, 3:30 pm, 1362 E. 59th St.Dept, of Chemistry: “Is There a Bridge BetweenAB Initio and Semiempirical Theories of Va¬lence?” speaker Prof. Karl Freed, 4:00 pm, Kent103.Hillel: Class in Yiddish, 6:00 pm, Class in Para-shat Hashavuah, 7:30 pm, 5715 Woodlawn.U of C Judo Club: Meets 6:00 pm, Bartlett gym.Ski Club/Ski Team: Meets 7:30 pm, Ida Noyes.Women's Rap Group: Sponsored by Univ. Femin¬ist Organization, meets 7:30 pm, in the Women'sCenter, 3rd floor Blue Gargoyle.Collegiate Lectures in the Liberal Arts: “On Al¬most Seeing Miracles: Thoughts on King Lear”speaker William O’Grady, 8:00 pm. Swift LectureHall.Folkdancing: Advanced level folkdancing, 8:00pm, Ida Noyes.Delta Sigma Meeting: 9:30 pm, Ida Noyes Li¬brary.Campus lecturesThe last of this quarter’s Woodward Courtlectures, titled “In/Out/Up/Down: Map¬ping an Ancient Culture,” will be deliveredby Dean of the College Jonathan Z. Smith,Sunday, February 21 at 8:30 pm. Smith isalso the William Benton Professor of Reli¬gion and Human Sciences in the College. Hewill speak in the Woodward Court dininghall. All students, faculty, and alumni areinvited.William O’Grady, a tutor at St. John’s Col¬lege in Santa Fe, New Mexico, will deliverthis Monday’s Collegiate Lecture in the Lib¬eral Arts on “On Almost Seeing Miracles:Thoughts on King Lear.” He will speak at 8pm in the Swift Lecture Hall. Refreshmentsand discussion will follow.* ISecond-YearCollege Students,Transfer Students, andGraduate Students-At-Largewishing to enter theASHUM Program in 1982-83should file applicationsby March 1.The Program in The Liberal Arts and Sciences Basic to HumanBiology and Medicine. (ASHUM) is a four-year program leading toan M.S. in Human Biology. In cooperation with the Committee onPublic Policy Studies and the School of Social Service Administra¬tion, ASHUM also offers a major in Human Biology to studentspursuing an M.A. in Public Policy Studies or Social Service Admin-istration,For information, please call 3-4953,or drop by the ASHUM Office in theHarper East Tower, Room 587. News in briefBrewsterContinued from page oneBrewster said that either tax exemptionsor public expenditures should be subject tothe “same demand for clarity and precision,the same limits on legislative delegation,and the same requirement of standards su¬sceptible to judicial review.”“There’s plenty to be done,” he went on.“Not only to hold the fort against abuse oftraditional, unconstitutional invasions ofcivil rights and civil liberties, but to be surethat as the power of government expands,we require less of accountability for the ruleof law than we would require if the source’spower would exercise direct.”Brewster expressed his opinions on thespectrum of political views. “My problemwith the conservatives is that it accepts thatit’s bad to have a citizen leaning on the gov¬ernment. It’s bad to have the governmentgiven a descretionary power to hand outfavors to citizens.”“My trouble with the liberals is that —well, I agree with them that there is a publicresponsibility for developing the capacitiesof the oncoming generations. But I thinkthey tend to be utterly heedless of thedangers of abuse that go with that kind ofdiscretionary power.”“How do you shoulder this public interestin the public responsibility for the develop¬ment of the human capacities of the soci¬ety,” asked Brewster, “without putting thegovernment in a position to play favorites orto push people around?”Brewster does not think there is any singlesolution, but be has several ideas for gov¬ernment subsidies of public services.“I think creating artificial markets isvastly preferable to direct grants either toinstitutions or to students,” said Brewster.Brewster said he believes in “mobilizingthe resources of society” to “contribute gov¬ernment funds to small institutions such asin the arts, sciences, education, and publichealth. Brewster’s ideas for a “compulsory, uni¬versal, public service” or, a draft, raisedmany questions, and he explained his rea¬soning behind the concept. “I think the uni¬versality (of the plan) is what makes it ac¬ceptable.” Women are included, he said,and explained: “I think women are part ofthe universe.”“Military service cannot be made to de¬pend solely upon voluntary service,” saidBrewster. “It’s a sham...it’s unsafe.“If I weren’t 62, I’d have a bumper stickerthat said, ‘I’d rather be drafted thannuked.’ ”Brewster has long been recognized for hisoutspokenness on current issues. In re¬sponse to a question on statements he madewhile president at Yale, he said: “A collegepresident know’s he or she is presiding overan institution where (they must not) direct¬ly or indirectly impose their views on facul¬ty or students. Some issues such as the draftor war, have a direct effect on the universityitself. In such issues, not to speak out givesthe impression that you’ve either no convic¬tions or you’re too inhibited to expressthem.”Scavenger huntThe Inter-House Council has scheduled anAll Day Scavenger Hunt for Saturday, Feb¬ruary 20. The Hunt is open to all residents ofthe Housing System, and the house whichwins will receive a $200 prize. The Hunt willbegin in front of Reynolds Club at 8:30 amand will run until 5:00 pm or until all theitems have been found.CorrectionThe ad for tonight’s Philip Glass concertwas mistakenly inserted in last Tuesday’sissue. It appears in today’s issue, as origi¬nally scheduled. The Maroon apologizes forthe error.Program in the Liberal Arts and SciencesBasic to Human Biology and Medicine(ASHUM)N0NTRADITI0NAL APPROACHES TOHEALTH CARE-HOSPICES: CARIHGFOR TERMINALLY ILL PATIEKTSAHD THEIR FAMILIES IH AH0HH0SPITAL SETTINGAn Informal Discussion withMs. Kathleen Woods, Hospice CoordinatorIllinois Masonic HospitalFriday, Feb. 26 at lunchtime in Harper 284(bring brown bag lunch)12:00-1:30All interested persons on campus arewelcome to attend.The Chicago Maroon—Friday, February 19 1982—3Contacts for Sale!What Is A Bargain?The 4 questions most frequently asked about contact lenses are:1.How Much Are Your Lenses72 How Much Are Your Lenses73. How Much Are Your Lenses?4 How Much Are Your Lenses? Editorials‘I think the whole idea has been engendered by theDean of Students Empire rather than the students.” Keith HorvathDr. John Kramer, Chief of Student Mental Health, on student stressWhat is really more important, the lowest price, or the best fit¬ting lenses? We think the 4 questions should be:1. Is the doctor really a contact lense specialist7(or is he an eyeglass salesman?)2. Can I expect professional service and care7(or will I be handled by inept, non-professionai salespeople?)3. Are the quality of lenses the best available7(or are they off-brands and seconds?)4. The question is, not how much are your lenses, butwill I receive the best care, the best quality and thebest price.We at CONTACT LENSES UNLIMITED meet all the above crite¬ria of CARE, SERVICE, QUALITY AND PRICE.TRY TO BEAT THESE VALUES!SUPER-WET BAUSCH & LOMBFLEXIBLE SOFLENSONLY $29.00 B,N,F,J SERIESSuper-thin highly wet- only $33.75table lens specifically Basic series of lensesdesigned to correct that Bausch & Lombthose patients who built their reputationwere previous hard on.contact lens failures.• NEW SUPER SOFT HIGH OXYGEN TRANSFER ULTRATHIN - $43.75New super-soft highly oxygen transferable lenses used to correctthose patients who were previous soft lens failures• SUPER-WET TORIC CORRECTING FOR ASTIGMATISM - $ 100.00The same remarkable material as the super-wet flexible lenses but spe¬cifically designed to our exact specifications to correct for difficult as¬tigmatism.• SOFT LENSES CORRECTING FOR ASTIGMATISM (TORIC) - 8160.00If you have ever been told that you couldn't wear soft lens due to astig¬matism now you probably can.• EXTENDED WEAR LENSES - $160.00The ones you sleep with, no more cleaning, sterilizing nightly, no moredaily Insertation and Removal, wake up in the morning and seeLimit 1 pair per patient.Professional Fee: $30.00(includes - Eye Examination, Training, Wearing Instructions and Carrying Case)OUR PROMISE TO YOU:If you aren't pleased with your lenses after 60 days, cost of the lenses will be re¬funded All contact lens fitting done by our Contact Lens Specialists,Dr S.C. Fostiak. Optometrist & Assoc.We can replace your lost or broken lenses in 4 hours or less!IF YOU WANT THE BEST COME TO THE BEST!CONTACT LENSES UNLIMITED1724 Sherman Ave., Evanston, IL 60201 2566 N. Clark St., Chicago, IL 60614(above County Seat)864-4441 880-5400 Twisted reasoningThe Student Government has once again gotten carried away, taking a soundprinciple and turning it into foolish policy. No one can deny that SG should befunding organizations which are open to every student. But to use that as a justifi¬cation for cutting off funding for a nationally respected publication such as Pri-mavera makes a travesty of the initial premise.Primavera is published by the University Feminist Organization. Its poetryand stories address women’s problems and women’s feeling. It accepts submis¬sions from male authors, but thus far none of the five percent of articles submit¬ted by males have been selected for publication by the magazine’s respected edi¬torial board. Also, there has never been a male applicant to the editorial board.But because of this “discrimination,” SG voted 15-5 last week to cut off fundingfor a publication they have thought worthy of support for the past seven years.No one can deny that if the debate team or the chess club discriminated againstmen or women, blacks or whites, that it would be wrong to fund them. But organi¬zations which try to give support to various minorities on campus, whetherwomen, blacks or gays, are not doing their job if they are trying to appeal to everystudent on campus. That would be like asking the debate team to have non¬debaters or the chess club to have a certain percentage of checker players.Organizations which try to help with the problems or interests of one particularsegment of the University community should be encouraged, not dismantled. Wecan understand not spending the student fee to promote one particular politicalcandidate or one religion. But when SG tries to help only groups which serveeveryone, everyone loses out.LettersNo good excusesTo the Editor:I would like to take issue with the thesis ofPhilip Glist’s article “Lack of information abarrier to black admissions” (2/16/82). Ap¬parently, the Admissions Office believesthat their lack of success in attracting blackstudents is primarily attributable to miscon¬ceptions of the school.Sadly, it is all too probable that what keeps black students away from UC is theiraccurate interpretation of available infor¬mation concerning the school — not theirlack of information.They know that minority recruiters rarelyventure out of the Mid-West. They recognizethat “getting a firm basis at home (Chicagoand the Mid-West) first” is a self-servingjustification for a policy which slashes thepool of potential applicants. (What percent¬age of the nation’s blacks live in this part ofThe Chicago MaroonThe Chicago Maroon is the official student newspaper of the University of Chicago. Itis published twice a week, on Tuesdays and Fridays. Editorial and business officesare located on the third floor of Ida Noyes Hall, 1212 E. 59th St. Chicago, 60637. Tele¬phone 753-3263. Business office hours are 9:30 to 4:30, Monday through Friday.Chris IsidoreEditorRobert DeckerManaging EditorDarrell WuDunnSenior News EditorAnna FeldmanNews Editor Sherrie NegreaFeatures EditorAudrey LightSports EditorWilliam MudgePhotography EditorDavid BrooksViewpoints Editor Richard KayeGrey City Journal EditorBecky WoloshinLiterary Review EditorErin CassidyLibrarianAame EliasDesign Director Henry OttoBusiness ManagerJay McKenzieAdvertising ManagerLeslie WickOffice ManagerCharlie MencerProduction ManagerAssociate Editors: Robin Kirk, News; William Rauch, Copy editing.Staff: Edgar Asebey, Lee Badgett, Mary Bartholomew, Sheila Black, David Blasz-kowsky, Kahane Corn, Wally Dabrowski, Jeff Davitz, Cliff Grammich, Margo Hab-lutzel, John Herrick, Vicki Ho, Keith Horvath, Sho-ann Hung, Robert Kahng, WayneKlein, Bob LaBelle, Katherine Larson, Linda Lee, Chris Lesieutre, Kathleen Linden-berger, Jennifer Maude, Marlene Mussell, Bob Nawrocki, Melody Salkuci, KoyinShih, Donna Shrout, Daniel Staley, Jeff Terrell, James Thompson, Elaine Tite, BobTravis, Aili Tripp, Nick Varsam, Sheila Westmoreland, Jeff Wolf, Anna Yamada.The Chicago Maroon—Friday, February 19, 1982*tViewpointsTwo elusive ideals: capitalism and socialismBy Robert DeckerOf all the novels which have had any claim to enduringpopular appeal over the past several decades, few suchworks have been subject to the vituperation which AtlasShrugged has received since it appeared in 1957.Granted, Ayn Rand’s “masterpiece” is an atrocious, ill-conceived piece of writing in many ways. As one 1957 re¬view remarked, it is “a cumbersome, lumbering vehicle inwhich characterization, plot, and reality are subordinatedto the author’s expression of a personal philosophy.”Nevertheless, the libertarian philosophy of AtlasShrugged, which Rand calls Objectivism, is well worthone’s attention, inasmuch as it envisions the results of capi¬talism carried out to its logical extreme. In so doing Randonly serves to prove that the “pure” capitalism which sheespouses, under which “everyone” would share in its ben¬efits, is but an unattainable, unoperational, utopian concep¬tion of the world and of human beings. What places her phi¬losophy beyond were dismissal, however, is the apparentsuccess President Reagan’s administration has had con¬vincing the public that such a vision is not utopian and isindeed worth making very painful sacrifices to pursue.Whatever one can say about Atlas Shrugged, it is “unlikeany other book you have ever read.” Rand’s story takesplace in a vague future time when the United States is thelast non-communist country in the world. This future world,as she portrays it. is quickly going down the drain becausepeople have speciously substituted concerns of public goodfor self-interest. In manufacturing, for instance, sinisterplans have sprouted to have factory employees work ac¬cording to their abilities, but be paid according to theirneeds, with one's “needs” to be decided upon by one’s co¬workers. In commerce, the government plans to promoterailroad service to blighted, sparsely populated areas,since “public service” and not “profit” should be a privaterailroad’s first concern.All of this “altruism” climaxes in an “Anti-Dog-Eat-Dog” law, which forbids businesses to engage'in “destruc¬tive competition.” As a result, the incompetent are exalted,industry crumbles through mismanagement, and depres¬sion sets in.At this point, the capitalists, one by one, begin to vanish.As the faithful reader will learn on page 625, halfwaythrough the book, the industrialists, and their gifted coun¬terparts in the arts, letters and sciences, have formed anultra-capitalist “Utopia of Greed” in an isolated southwest¬ern valley. Scorned by society, these supermen and super-women vow not to reappear “until the road is clear to re¬build this country — until the wreckage of the morality ofsacrifice has been wiped out of our way.”As a plane-load of these characters takes off in the book’slast pages, Manhattan is plunged into darkness: there is noone left who knows how to run a generator.One of the problems with criticizing Rand’s novel is thetime-frame: it takes place in a world that is totally unrecog¬nizable; it is as if World War II had never taken place; it isa world in which technology has stood still since 1920.But aside from the impossibility of the setting, the char¬acters are also impossible. Take Henry “Hank” Rearden.As the book opens, Hank has just invented a new' alloy, “Rearden Metal,” which is tougher, cheaper, and more en¬during than steel. About 45 years old, he has worked his wayup from mine-laborer to steel industrialist, by sheer hardwork and genius. He pays his workers on a higher wagescale than any union scale in the country, and has “the bestlabor force to be found anywhere.” He is in a partnership,so to speak, with his employees. However, because its salewould entail “destructive competition” with less fortunatesteel companies, Rearden finds it almost impossible tomarket his new metal. The unions refuse to let theirmembers work with it. Representatives of mediocre steelfirms in the government contrive a vague but damaging re¬port about Rearden Metal’s durability. W'hen at last provensuccessful, the government forces. Rearden to donate hispatent for the metal to the state for the public good. Govern¬ment production of the metal is a failure, but Rearden hastaken off with the other capitalists, and there is no one re¬maining to produce the alloy competently.It would be possible, of course, to single out a few actualcapitalists who have had careers like Rearden’s, but to as¬sert that most industrialists in this or any other countryhave had careers similar to Rearden’s is utterly ridiculous.Yet, however ufibelievable this fictional portrait may ap¬pear in Rand’s novel, when couched in the rhetoric of a“State of the Union” address, many among us seem willingto shallow' this vision of a benevolent industrialist a boucheouverte. The tragedy of capitalism is just this: without God¬like people such as Hank Rearden in control of production,the system cannot w'ork. And if it does work, it does notwork to the advantage of the masses.Lest I be accused of overlooking some patron saint of freeenterprise, let us look at an example of the best of w hat cap¬italism in practice has produced: Andrew Carnegie, for in¬stance.Although Carnegie is like a Rand character insofar as heis a self-made man and a towering industrialist, the com¬parison ends there. Unlike Henry Rearden, Carnegie didnot pay his workers better than union scale; in fact he brokethe union of workers at his Homestead mills by refusing toraise the pay of his laborers, most of whom were makingaround $1.65 per day. Although Rearden has never had aviolent labor conflict, Carnegie’s Homestead mills were thesetting for “the blackest scene ir\ American labor history,”the riot now just called “Homestead.” And although Rear¬den might be found on a given day in his mill office or at hisnearby home, where was Carnegie when Homestead tookplace? Why, he had seen the trouble brewing and had takenoff for a vacation in Scotland a few weeks before. Finally,even though Rearden might consider his employeespartners in a great endeavor, Carnegie apparently viewedhis workers as his slaves. This fact came to light when Car¬negie, writing his autobiography, insisted that the Home¬stead workers had sent him a telegram in Scotland saying:“Kind master, tell us w'hat you wish us to do and we will doit for you.”Needless to say, the supposed telegram was neverfound.These observations should not be taken, however, as anendorsement of socialism as.an economic system. It is in¬teresting to compare Atlas Shrugged with the greatest fic¬ tional portrayal of socialist revolution — Maxim Gorky'sMother. This most-beloved novel of the Soviet Union has,like Rand’s work, been attacked for its literary shortcom¬ings. Despite the dissimilarity of the systems w’hich eachbook advocates, however, the lack of realism in their char¬acters is strikingly similar.Pavel Vlassov, the Mother’s only son, is first portrayed asa brute. After his first communist rally, however, he istransformed. Evenings formerly spent in drunkenness giveway to evenings of lively discussions of dialectical materi¬alism and of workers in other countries. Reading of social¬ists in Germany, Pavel’s and his friends’ “eyes wouidshine, and they would become strangely, childishly happy,laughing their cheer, bright laughter and patting each otheraffectionately onlhe shoulder.” Eventually, the Mother’sconsciousness is raised to the point that she realizes that“as long as there are rich people, the common people willnever be able to get anything — no joy, no justice — noth¬ing!”Although the world of Mother is historically recognizable,it is difficult to say that it is any more realistic than that ofAyn Rand. Are Gorky’s characters — people who would behappy with a decent job in a socialist factory and a spartanapartment with some good books, and perhaps a piano —any more real than Rand’s? And more importantly, can onereally expect the system which Gorky advocates to work inthe absence of a working population made up of such indi¬viduals? Although proponents of socialism insist that onecannot judge their philosophy by the wav it has worked outin the Soviet Union, I think that the experience of Gorky’shomeland in trying to adopt this system — Gorky himselfw'as murdered at the hands of Stalin in 1936 — answers alltoo eloquently these questions.It is unfortunate that we cannot rely on human goodnessto bring about equality, liberty, and brotherhood on earth.Yet I would no more entrust my “life-chances” to a groupclaiming to represent the interests of the working classthan I would to the tender mercies of General Motors.President Reagan has so often asked us to “believe” in“free enterprise,” in the private sector, and in Americanindustry. But what he is really asking us to do is to “be¬lieve” in the individuals w'ho run these corporations.“We also believe,” says President Reagan in his State ofthe Union Address, “in the integrity, decency, and soundgood sense of grassroots Americans.” If he really meansthis, it would be nice to know just whom he is talking about.Integrity, decency, and sound good sense have nothing, sofar as I can see, to do with the racism, violence, prejudice,and deliberte ignorance in which so many Americans of allcircumstances live today.Perhaps it is time to give more credit to the institutionscreated by the US constitution, rather than to the individu¬als who have thrived under them, for whatever degree ofliberty and well-being one enjoys in the United States: insti¬tutions created not with the assumption of the inherentgoodness of individuals, but with a presumption, articulat¬ed with intricate checks and balances, of human fallibili¬ty.Robert Decker, a fourth-year student in the College, is man¬aging editor of the Maroonthe country?)They know that there is only token repre¬sentation of blacks among the faculty. Theyrealize that the black student communityhere is proportionately half the size of thatat academically-comparable schools in theEast.They understand the insidiousness of the“fortress-mentality” which permeates theschool. They know that students, faculty,and staff routinely make disparaging com¬ments about the depressed neighborhoodswhich surround the University. They know'that any black on the street after dusk is re¬garded suspiciously.Finally, they know that the combination ofthese factors results in a wholly unsatisfac¬tory racial and social atmosphere oncampus. It’s not surprising that the Univer¬sity finds it difficult to attract “(academi¬cally competent” black students.The ultimate objective of an academiccommunity should not be to have “a numberof black students which (the University) cancite with pride” (in its public relations ma¬terial?), but to provide an intellectual andsocial environment which permits people ofdifferent backgrounds to interact in a mutu¬ally beneficial manner. Our problem is notoutsiders’ faulty perceptions, but the validi¬ty of their observations.Jeff AlperinLaw SchoolSilence is goldenTo the Editor:Each year, as the weather warms andthen well into the spring, the men (and forall I know, if there are any, the women) of Alpha Delta Phi fraternity celebrate theturn of the weather by engaging in initiationrites that include, but apparently are not li¬mited to the broadcasting of incomprehens¬ibly loud noises at the campus at large. Thisappears to be effected by the wholesale con¬version of the Alpha Delt house into anacoustic suspension speaker, the ports towhich are controlled by some docile homin-ids who seat and swing themselves on theentablature above the front door of thehouse-speaker while drinking fruitjuicefrom beer cans. The amplified soundspumped into this speaker approximate thewails of the afflicted while rolling on beds oftwo-penny nails. There is, for those of uswho must work and teach on campus, noescape from these sounds — they penetratewindows, doors, even walls. Henrietta Her-bolsheimer, M.D., former director of Stu¬dent Health, informs me that two of the Uni¬versity’s best graduate students lost the useof their auditory nerves last year when theyinadvertently strayed too close to the AlphaDelt house whilst on their way to the Semi¬nary Coop Bookstore to purchase books forProfessor Ted Cohen’s course in contem¬porary esthetics and musicology. Cohen re¬ports that both students failed, primarily be¬cause each could not longer distinguishbetween Cesar Franck's Organ Fantasiesand Arthur Danto. Each is now at the Law-School.I see no good reason to allow Alpha DeltaPhi to continue assaulting the campus withOldies But Goodies or The Top 10,000. I havethe feeling that an appeal to the civility ofthe Alpha Delta Phi membership will not govery far if the members are already caughtup in the febrile frenzy of the psycho/sexual initiation service. If someone will write me(anonymously , if necessary) and let meknow where the plug for the amplifier is lo¬cated, I would be happy to pull it and restorethe sweet sound of silence to our fairCampUS' Joel SnyderObjectivity defendedTo the Editor:In the midst of the current debate con¬cerning David Brooks’ February 5 articleabout women role models, two readers haveattacked the Maroon with a charge I cannotignore. In last Friday’s issue, Richard Mar¬tin and Ken Wissoker proclaimed that theMaroon once again has, in regard to Mr.Brooks’ article, “offered its readers myopicand misinformed views of today’s most pro¬found problems while operating under theguise of ‘objective’ journalism.” Before cri¬ticizing the Maroon on this account, I sug¬gest that Mr. Martin and Mr. Wissoker puton some binoculars and read what they arewriting about a little more carefully.First of all, these two critics failed to no¬tice that Mr. Brooks’ article ran under theheading “Viewpoints” — a regular sectionin the Maroon where any staff member orreader can write about their personal opin¬ions on any subject. As a viewpoints article,Mr. Brooks' piece, therefore, was in no waysupposed to be objective nor was it supposedto represent the views of the Maroon staff.As a Maroon editor and as a woman, I stron¬gly disagree with Mr. Brooks’ assertions,but I do believe that he had the right to statehis opinions in the Viewpoints section.As to the problem of objectivity, I knowthrough my own discussions with Mr. Mar-The Ch Letterstin and Mr. Wissoker that their understand¬ing of this principle seriously undermines itspurpose and value in modern Americanjournalism. These two fellow journalists ap¬parently think that objectivity is a big farce.True, there is probably no such animal as atotally objective newspaper — even the ven¬erated New York Times has not yet reachedpure objectivity. But what newspaper edi¬tors and reporters strive for (this includesstudent journalists too) is to come as closeto objectivity as possible.Among professional journalists today, ob¬jectivity is practically defined as: gatheringinformation and presenting the news with¬out slanting facts or imposing opinionstoward the bias of the reporter or the news¬paper he or she represents. Would the NewYork Times be as widely read or as respect¬ed as it is if it only printed articles that con¬formed to its moderate liberal ideology?And would such a view of the world repre¬sent an accurate or fair description of cur¬rent ideas and events?The mere printing of one article and notprinting another is in itself an act of choos¬ing the importance of one article over an¬other; yet if this choice violates objectivity,then newspapers would either have to printeverything or nothing at all to be absolutelyobjective. Fortunately, though, instead ofthe latter option, most newspapers choose topresent “All the News That’s Fit to Print”while still pursuing the admittedly unattain¬able goal of objectivity.Sherrie NegreaMaroon Features Editor4th year student in the Collegecago Maroon—Friday, February 19, 1982—5Hyde Park Coop Y our member owned supermarket55th at Lake Park • 667-1444Hours: Mon. - Wed. 9-7:30, Thurs. - Fri. 9-8, Sat. 9-7, Sun. 9-3Here are some more suggestions from our home econo¬mist for people too busy to enjoy a traditional leisurelybreakfast:—Sliced banana topped with yogurt or cottage cheese—A fresh apple and a wedge of cheese—Sliced cold cuts and whole wheat crackers—A peanut butter sandwich on raisin breadOf course, the ingredients are available at the Short Stop.And so are dozens of bargains at our supermarket.If you haven’t shopped the Co-op, you ought to. At the Co¬op, we care.short co-opopen monday thru Saturday 7 a m in 11 p m.Sunday and holidays 8 a.m. to 9 p m convenience store1514 e. 53rd st.kraft naturalslicedswisscheese8 oz. pkg.reg. 1.79 swift’s premiumslicedbacon1 lb. pkg.reg. 1.99 country’s delightbuttermilkone half gallon Californialettuce24 size12 oz.sale prices effective Wednesday 2/17 thru tuesday 2/23/82 ASHUMAre you interested in applyingto the ASHUM Program?We’re students currently in ASHUMand we will be available to answeryour questions and talk to you aboutthe Program on Thursday, Feb. 25,from 6:30 to 7:30 in the Jay Berwan-ger Trophy Room (next to the pool)in Bartlett Gymnasium.DinnerAt The Chartwell HouseFridays5:30 - 10 pmRibNightRack of ribs& all condimentsTossed Saladwith dressing$7 95 Saturdays5:30 - 10pm6 oz Butt SteakLobster TailTossed Saladwith dressing$15 95Hyde Park Hilton 4QOO S. Lake Shore Dr.6—The Chicago Maroon—Friday, February 19, 1982GREY CITY JOURNAL OsJ00O'mLUU_MusicUnderGlassBy David Blair ToubPhilip Glass is returning to his almamater today to perform for the first time atMandel Hall. Yet, despite the fact that alongwith fellow composers Steve Reich, TerryRiley, and La Monte Young, Glass is one ofthe premiere composers of his era, he hasattracted very little notice in the Midwest,compared with the great acclaim he has re¬ceived in the East and especially Europe.Critics have compared his recent opera Sa-tyagraha to Wagner's Parsifal and Berg'sWozzeck. This is indeed great praise for anopera that is written in Sanskrit, comprisedof the most elementary harmonies, andwhich makes use of repetitive structures.The Rockefeller Foundation awarded Glassand the avant-garde dramatist Robert Wil¬son each a grant of $90,000 to help them con¬tinue their work, and CBS Masterworks re¬cently signed Glass to an exclusive contract,the immediate result of which is a recordingof a new composition entitled Glassworks.Naturally, his music has been scorned inacademic musical circles. Composers asso¬ciated with prestigious institutions such asJuilliard, Columbia, and even here in Chica¬go decry his music. Part of this could be dueto professional jealousy; Glass has latchedonto a very large and diverse audience,composed of classical, new wave, and jazzenthusiasts. Even more important is thefact that, unlike much of the works of aca¬demic composers such as Wuorinen, Carter,Babbitt, and Shapey, Glass' music is trulynew and different. After trying to emulatethe overtly intellectual music of ElliotCarter and other post Schoenbergian com¬posers, Glass decided to formulate his ownmusical language. This was a big step forhim, having been trained at Juillard underVincent Persichetti and Stanley Wolfe tocompose music that fit in with the standardworks of the early 1960's. But Glass cameupon a type of music that was not discussedat Juilliard; after working with the legen¬dary Nadia Boulanger in Paris, Glass wasasked by Ravi Shankar to help-orchestrate afilm score. Through Shankar, Glass encoun¬tered Indian music, much of which is basedon a repetition of rhythms. In contrast toWestern Music, which stresses constantvariation and puts more emphasis on harmony than rhythm, Indian music makes useof an additive rhythmic process, in which arhythmic motive is repeated many times,then changed slightly by the addition or de¬letion of a group of notes, this new motivealso being repeated many times. The resultis a very gradual shift in rhythm, and theoverall additive process is heard by the I istener as the composition progresses; thereare no ^secrets" to the compositionalprocess. Balinese gamelan music, com¬ posed for a battery of gongs and marimba-phones, also uses repetition as a process, asdoes most non Western music. It was notuntil the middle of this century that suchmusic started to influence Westerners inany major sense. The master John Cage un¬derstood what was underlying non-Westernmusic, and some of his music contains ele¬ments of repetition. But it was not until thelate fifties, when La Monte Young began tocompose music based on long sustainedtones, that "minimalist” music began to de¬velop in the West. Young, who was heavilyinfluenced by Cage, himself influenced com¬posers such as Terry Riley, Steve Reich, thelate Terry Jennings, and even Yoko Ono.Glass began composing in a nascent min¬imalist style after returning from India inthe middle sixties. He started by throwingout all of the elements typical of music —rhythm, counterpoint, and harmony — sothat he could develop his new style literallyout of nothing. His early music consisted ofnothing more than a melodic line in onevoice, with some repetition. This developedby 1968 into a style that was marked by asteady stream of eighth notes, stable tonali¬ty, and additive rhythms. At this time, hebegan to form his own ensemble and recordcompany (Chatham Square Records) because no one else would perform or recordsuch strange and different music. This con¬trasts with his earlier situation's a studentcomposer, since he was composing accept¬able music that was frequently publishedand performed. Gradually, he developed anever-increasing audience, though he stillhad to drive a cab and do odd jobs to makeends meet. Most of his audience was concen¬trated at that time in the artist's colonies oflower Manhattan such as SoHo and Tribeca,but he eventually toured Europe and thereGlass found an even more receptive public.This explains his influence on the majorNew Wave artists — Brian Eno and DavidBowie were among the first to encounter hisminimalist music in England. Virgin Re¬cords of London released two recordings ofGlass' music — North Star and Music inTwelve Parts (Parts 1 and 2). Unfortunately, Virgin backed out of releasing the rest ofTwelve Parts and even today it exists onlyon private tapes. Other minimalist composers were making inroads at the same time— Steve Reich formed his ensemble, andhad recordings released on DGG, Angel,and finally ECM; Terry Riley also was well-received due to his recording^ on Columbia,and due to their growing successes, thereemerged dozens of new minimalist compos¬ers such that minimalism is today the domi¬nant force in world music.Glass, Reich, Riley, and Young still re¬main at the top of minimalist music, andsurprisingly, Glass seems to have eclipsed even thepopular Steve Reich, at least forthe moment. Part of this is certainly due tothe success of his first opera Einstein on theBeach, which was given its U.S. premiere in1976 at the Metropolitan Opera in two soid-out performances. Einstein was a joint col¬laboration between Glass and his counter¬part in the dramatic world, Robert Wilson.Wilson creates what could be called mini¬malist theater pieces: action is slowed almost to a halt, and the length of some of hisworks last even up to a week in duration, inEinstein, Wilson was responsible for theoverall design, while Glass composed themusic. Unlike standard opera, Einstein contains no arias or even some semblance of aplot. Rather, it consists of almost surrealist-images relating to Einstein and the implications of the theory of relativity and the nu¬clear bomb. The music of Einstein combinesrepetition with harmony, counterpoint, andrhythm, so it is a development from his ear¬liest minimalist works. The harmonies areamong the most basic in Western music, yetthe work hardly sounds like Bach.Einstein remains Glass' best known work,and when it was released on a four recordset in 1979, it was a bestseller throughout theU.S. and Europe. Still, once Einstein hadclosed at the Met, Glass was back to drivinghis cab, since even with two sold out perfor¬mances the overall production was manythousands in debt. He had firmly estab¬lished himself at the top of avant gardemusic, however, and his audience greweven larger. His next major work was athree-way collaboration between himself,the dancer-choreographer Lucinda Childs,and the sculptor Sol LeWitt and was entitledDance. In many ways, it is an extension ofEinstein, since the voice part consists ofnothing more than basic solfege syllables,and the harmonies and rhythmic configurations bear a resemblance to the two dancesin Einstein. Dance is in five parts — threefor full ensemble of electric organs, winds,and voice, and two for solo organ. Only twoparts have been recorded to date, perhapsowing to the demise of Tomato Records. Thefifth part of Dance is the most noteworthysince in this part, the voice is conceived ofless as another instrument in the ensembleand more like a solo. In this way, part five ofDance relates directly to Glass' recentopera Satyagraha. Based on the life ofGhandi during his years in South Africa, Sa¬tyagraha is a true opera in every sense. It iswritten for a large orchestra of strings andwinds with the addition of a lone electricorgan, contains arias, has a full libretto(taken from the Bhagavad-Gita by Con¬stance DeJong), and is actually dramatic.The orchestra sounds much the same as thePhilip Glass Ensemble, but the music isslightly different from Glass' earlier works An Overviewof America'sPreeminentNew Musicianfor his ensemble. Unlike his earlier works,Satyagraha contains crescendos and dimin¬uendos, and is less rigidly minimalist andrepetitive in its writing. This might signal a"second wave" of minimalist composition,in which the older classical forms are fusedwith the new minimalist styles. Other min¬imalists such as John Adams and SteveReich are following in the same vein.Most recently. Glass wrote a cycle ofpieces for a soon-to-be-released CBS albumentitled Glassworks. Glassworks has muchin common with Satyagraha since the scor¬ing is for piano, electric organ, and orches¬tra. It is also extremely classical in sound,and even dissonant in some parts. Some peo¬ple who expect to hear something similar toEinstein will be disappointed — but that is inno way a commentary on the quality ofGlassworks. The work is an evolution out ofhis earlier pieces for his ensemble, and itseems to be a reconciliation between mini¬malism and other classical forms. Glass¬works is also a constant reminder of the factthat, contrary to the expectations of someacademics, minimalism is not some passingfad. The music of Glass and Reich demon¬strate that minimalism is capable of devel¬oping with time. Their music has gone frombeing homophonic and strictly rhythmic tobeing contrapuntal and extremely melodic.It might not even be correct to call their newworks "minimalist" since there is so muchgoing on in their music. It is certainly cor¬rect to call the music of Philip Glass andother avant-gardists "beautiful" sincethat's what it really is for many. Serialismhas unfortunately stagnated and decayedafter the demise of Schoenberg, Berg, andWebern to the point where present serialcomposers are considered academics whohave forgotten that Schoenberg and his fol¬lowers desired above all to create music,rather than simply write mental exercisesthat are sterile. Serial music today has lostthe expressivity that characterized thegreat music of Webern and his contem¬poraries. Fortunately, in opposition to theacademics there has arisen minimalism,and music such as the works of Philip Glasswill outlive the music of the post Webernianserialists since it does seek to express, albeit without composing just for the sake ofthe listener. The minimalists have changedthe course of music for the better in the mostsevere direction since Schoenberg emancipated the dissonance, so that no matterwhat one thinks of the music of Philip Glass,it cannot be said that he is an unimportantcomposer. At an outdoor concert in LincolnCenter some years ago, people actually satin trees and on rooftops in order to hear thePhilip Glass Ensemble perform. How manyacademic composers can claim such a fol¬lowing?5309 S. Blackstone • 947-0200OUR FAMOUS STUFFED PIZZA IN THE PAN IS NOWAVAILABLE IN HYDE PARKOPEN 7 DAYS A WEEK • 11 AM TO 12 MIDNIGHTCocktails * Pleasant Dining • Pick-Up“Chicago’s best pizza!”“The ultimate in pizza!” - - Chicago Magazine, March 1977New York Times, January 1980 VI 1 1 1 1 1 1 1 1 1 1 1 1 1 1111 \- Tonight at 7:00 and 9:30:William Hurt and sultry Kathleen Turner in Lawrence Kasdan sBODY HEAT (Rated R under 17 not admitted without parent) :Then at Midnight:The Band’s last performance captured in Martin Scorsese’sTHE LAST WALTZ (Sep. adm.; special benefit for WHPK,Associate memberships not valid).Sunday at 2:30:- Another steamy showing of BODY HEAT (Rated R)Then at 7:15: Robert de Niro, Gerard Depardieu, Burt Lancaster,Donald Sutherland and more in Bernardo Bertolucci’s epic1900 (sep. adm.)A A A *• ‘ v*»**t» i • tt r»V^t-t » t t-t » t ■ ft Tf Wl T «A"fi,ms,nCobbH.,.,^non pTT ^\ I I 1 1 1 I Ky 'V : v 72—FRIDAY, FEBRUARY 19, 1982—THE GREY CITY JOURNAL*--■ V' I JVI. . ' ' v- -.IAivAV. \ \\ ', I j\ r -r-, I Chicago Symphony OrchestraSir Georg SoltiMusjc DirectorHenry MazerAssociate ConductorDiscover theglorious soundof theChicago SymphonyOrchestra! Sponsored by theJunior Governing BoardWednesday, March 3, 8:00 pmOrchestra HallChristoph von Dohnanyi, ConductorChicago Symphony String Quartet:Victor Aitay, ViolinEdgar Muenzer, ViolinMilton Preves, ViolaFrank Miller, CelloRhimTutuguri II (World Premiere)SchoenbergConcerto for String Quartet and OrchestraSchumannSymphony No. 2Ticket Information:Boxes/$15 seatMain Floor/$9, $6Balcony/Front $12, Rear $7Students must present ID orproof of registrationMajor credit cards accepted Orchestra Hall Box Office220 South Michigan AvenueChicago, IL 60604435-8111Uo present*TennesseeWilliamsSUDDENLYLAST SUMMERFebruary 19,20,21 and 26,27,28 8:00 P.M. New Theatre, Reynolds Club57th and University All ticket* $3 (general admission) and $2 (student* andsenior citizens) For reservations and Information, call, 753-3581tSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSWoody Allen's Sleeper, 1973FILMBody Heat (1981, d. Lawrence Kas¬dan) As is characteristic of mostof Kasdan's work (he wrote thescreenplay for Empire StrikesBack, Continental Divide, andRaiders) this film takes its basicpremise from an old Hollywoodgenre form. By setting his film inthe humid and dry milieu ofSouthern California, the directorhas captured the oppressive at¬mosphere of Chandler's andCain's California. William Hurtplays a second rate lawyer whofalls passionately in love with amarried woman (KathleenTurner). Although the film is aninteresting re-working of the filmnoir genre, it retains to much ofthat genre's inherent misogyny.Fri., Feb. 19 at 7 and 9:30 pm.Doc. $2. — RMThe Last Waltz Martin Scorsese(Taxi Driver, Raging Bull)' directed this film in 1978, oneyear after his extraordinary trib¬ute to Hollywood modes of the1940s, New York, New York, waspanned by both the critics andthe public. Although Scorsese'svaledictory to The Band was pop¬ular, overall it's a surprisinglysedate film, an uncharacteristic work from a director whose abili¬ty to capture human delirium andviolence on the screen has madehim one of America's most con¬troversial and successful com¬mercial artists. Scorsese's inter¬views with members of The Bandlook insecure and fussy, some¬times even inaudible. While Scor¬sese oddly decided to omit anyreference to the crowd — thefreaks and low lifes who populatehis oeuvre — his camera styleand editing help to make the per-- formance scenes among the bestof the rock film genre. Perfor¬mances by Eric Clapton, BobDylan, Ringo Starr, Joni Mit¬chell, Emmy Lou Harris, and theover-stimulated Neil Young. Rec¬ommended. This showing is aspecial benefit for WHPK. Fri¬day, February 29 at midnight inQuantrell. Doc. $2. —RMSLEEPER (Woody Allen, 1973)Miles Monroe enters a hospital in1973 for treatment of a minorulcer and doesn't regain con¬sciousness for 200 years. ''I can'tbelieve this” is his first line, andthe rest is also typically WoodyAllen. The directing Shows signsof moving toward the quality ofAnnie Hall and Manhattan, butthe script, by Allen and MarshallBrickman, is not up to excellenceEditor: Richard KayeFilm Editor: Richard MartinBook Editor: John EganTheatre Editor: Keith FlemingJazz Editor: Jim GuentherClassical Music Editor: Robin MitchellFiction and Poetry Editor: Paul O'DonnellProduction: Nadine McGann, Ken Wissoker2-19-82Staff: Mike Alper, Chris Berenyi, Pat Cannon, Sabrina Farber,Pat Finegan, Kira Foster, Susan Franusiak, Nancy Goldstucker,Sarah Herndon, Michael Honigsberg, Alice James, A.A. Kam-bouris, Nikolai Katz, Vincent Michael, David Miller, Pat O'Con¬nell, Arturo Perez-Reyes, Max Sanders, Sharon Peshkin, GeofPotter, Glen Sheffer, Dan Stetzel, Lonnie Stonitsch, Jeffery Tay¬lor, Jennifer Tompkins, Michele White, Jacob Wirtschafter, ScottWolley, Sandy Young. of those two, nor is it as funny asPlay It Again, Sam, which is stillthe best Allen film in my book(Woody Allen Films: The BestOnes, by Geoff Potter. It's avail¬able by sending me $23 and a self-addressed shopping bag)."What's it like to be dead for 200years?" Diane Keaton asks in thefilm. "It's like spending a week¬end in Beverly Hills," Woodycomplains. Sleeper is not WoodyAllen's best movie, but it's not hisworst, either. Sort of in between.Saturday, February 20, at 7:15and 9:30. $2. LSF. — GP1900 (1975) This is Bernardo Berto¬lucci's grand epic of Italian richand poor, struggling with suchTolstoyan themes as class conflict, socialism, family corrup¬tion, aristocratic decadence, andthe always important land. It's afar cry from Tolstoy, however,and sometimes quite like Jaque-line Suzanne with regard to thebitchy family feuding. The storyconcerns two childhood friends,one artistocratic (Robert De-Niro) and one of peasant stock(Gerard Depardieu). Exquisitelyphotographed, the film suffersfrom some crude Marxist cate¬gorizing and the effects of an in¬ternational cast (including BurtLancaster, Stephania Sandrelli,and Dominique Sanda), each ofwhom spoke in his or her nativetongue, frequently without understanding what was being said byothers in the same scenes. Thereis some wonderful visual displayhere, and Dominique Sanda (as abeautiful deliciously decadentaristocrat) and Robert De Niroare worth the whole ticket. DocFilms, 7:15 p.m. in Cobb Hall.— RKFive Star Final. (1931, MervynLeRoy.) Edward G. Robinson isin fine form playing the tough edi¬tor of a scandalmongering NewYork newspaper whose cam¬paign to increase circulationrakes up a long forgotten murdercase, with tragic results. Robin¬son's performance is ably sup¬ported by a fine cast, which in¬cludes Boris Karloff (in one of hisrare non-horror roles) whose de¬piction of the lying, sly and sub¬servient Isabod shows journalismat its callous worst. In spite of thefact that the action seems a bitslow and tedious at the beginning,the threads of the story are subtlydrawn together, and the last halfhour of the film contains enoughdrama to fuel several low grademelodramas. True, the film hasperhaps lost some of its impact inthe fifty years since it was made,but it remains a strong indict¬ment of the muckraking tactics of"yellow journalism." Mon., Feb.22 at 7:15 PM. Doc. $1.50 —LAThe Buddy Holly Story (1979, d.' Steve Rash) Gary BuSey stars asthe legendary rock star who roseto fame from the humble milieuof a small Texas town. The filmtraces both Holly's life and thedevelopment of his music. WithDon Stroud. Unseen by this reviewer. Mon., Feb. 22 at 8:30 pmat the International House. $2.The Mouthpiece (James Flood andElliott Nugent, 1032). VincentDay, a zealous and beguiling NYcriminal lawyer unwittingly convicts an innocent man of murder.Thereafter he becomes a cleverdefender of the unlawfully rich,until his "list of clients reads likethe roll call of a penetentiary." Inreturn for saving the Mob's bestmugs, he's provided with lustyblondes and plenty of legaltender. All is cushy until littleCelia, an improficient part-time tJoann Baney and Jeff Boulden in Suddenly Last Summersecretary with the eyes of LillianGish, touches Day's heart andconscience. Unable to dissuadeher from marrying her Johnny("he's such a grand boy"), Daybails the harmless fiance out of afix as a token of his love for Celiaand proof of his repentance,which puts him fatally at oddswith the Mob. They end up taking. his life alright, but not his soul.Overall, The Mouthpiece is ahighly stylized, but conventionalbit of light entertainment. Mon¬day, February 22, at 8:45 p.m.Doc. $2. —JMCTHEATERSuddenly, Last Summer Court Stu¬dio presents the Tennessee Wil¬liams' Southern gothic dramaabout a young woman's struggleto keep her aunt from giving hera lobotomy. It all has somethingto do with what her naughty cous¬in Sebastian did one summer andwhat she remembers of it. Themovie, which starred ElizabethTaylor and Katherine Hepburn,is by now a camp classic, andCourt Studio will perform theplay this weekend and next, witha curtain at 8 p.m. on Fridays,Saturdays, and Sundays, in theReynolds Club. Phone 753 3581 formore information.ARTArik Brauer Hillel Foundationpresents an exhibition of forty-two graphic drawings by the Aus¬trian born artist Brauer, whoseinternationally known work iswell-regarded in Europe. All ofthe works on display are on sale,but even if you're not interestedin buying, Brauer's work — byturns humorous and wrenching —is worth viewing. At Hillel, 5715 S.Woodlawn. The exhibit runsthrough Feb. 25th.MUSICUniversity of Chicago New MusicEnsemble. The quarters concert,to be presented on Sunday, February 21 at 8:00 p.m. in Goodspeed Recital Hall, will featureworks by two of the most impor¬tant composers of the twentiethcentury: Igor Stravinsky andAnton Webern. As part of the De partment of Music's season-longcelebration of the 100-year anni¬versary of Igor Stravinsky'sbirth, members of the New MusicEnsemble will perform a selec¬tion of Stravinsky's lesser-knownvocal and instrumental minia¬tures: the Cat's Cradle Songs;the Concertino for String Quar¬tet; the Four Russian PeasantSongs; the Elegy for J.F.K. Theintensely concentrated musicalstyle of Anton Webern will be re¬presented by three of the compos¬er's most important works: hisFive Movements for String Or¬chestra, Op. 5; his Concerto forNine Instruments, Op. 24; and hisVariations for Piano, Op. 27. Alsoon the program are Oliver Mes¬siaen's Le Merle Noir for fluteand piano; Yoritsume Matsu-daira's Somaksah for solo flute;and David Brown's Nonet forStrings.The New Music Ensemble concerton Feb. 21 which includes acharacteristic blend of twentieth-century masterpieces, lesserknown musical compositions, andvery recent works by Universityof Chicago composers, reflectsthe group's commitment to bring¬ing the important music of ourcentury to the University of Chi¬cago campus and to the HydePark community. As Stravinskywrote in the 1930 Chronicle of MyLife, "It is fully impossible foranyone to grasp fully the art of aby-gone period, to penetrate be¬neath the obsolete form and discern the author's meaning in alanguage no longer spoken, un¬less he has a comprehensive andlively feeling for the present, andunless he consciously partici¬pates in the life around him." TheUniversity of Chicago New MusicEnsemble invites you to do justthat. Admission to the February21 concert is without ticket andwithout charge; further informa¬tion may be obtained from theDepartment of Music at 753 2612.mm $i nP\\\ Lb^y-evcityrun c\\r> y f0 O O TlS'S'3 7 S.fctnTHE GREY CITY JOURNAL-FR IDAY, FEBRUARY 19, 1982—3The Department ofGERMANIC LANGUAGES AND LITERATURESof theUNIVERSITY OF CHICAGOis pleased to presenta public lecturebyGARY SHAPIROProfessor of PhilosophyUniversity of KansasentitledNIETZSCHE S GRAFFITO:SEMIOTICS OF THE ANTICHRISTWednesday, February 24,1982 at 4:00 P.M.in Classics 20APPLYINGTOMEDICAL SCHOOLTHIS SUMMER?Come To A MeetingTUESDAY, FEBRUARY 234:30 P.M.CLASSICS 10Application ProceduresWill He DiscussedSponsored byThe Dean of Students Office. in The CollegeTHE FLAMINGO APARTMENTS5500 South Shore DriveSTUDIOS & ONE-BEDROOMS• Unfurnished and furnished• U.of C. Bus Stop• Free Pool Membership• Carpeting and Drapes Included• Secure Building• University Subsidy for Students & Staff• Delicatessen • Beauty Shop• Barber Shop • T.J.’s Restaurant• Dentist • Valet ShopFREE PARKINGMR. MORRIS 752-3800 Classical Music in ChicagoGreat InstitutionsWith TiredBlood egntlgcdtihsggppacPACKbACKtARE-EXAMINING LOVETo the Editor:I am writing in regard to Keith Fleming'sessay, Reinventing Love, in the Grey City(2/12). I not only find Mr. Fleming's blitheand breezy treatment of a serious and press¬ing issue offensive, but find myself exa¬sperated with Mr. Fleming's own internaldisagreements within his own article. Forinstance, he can say at one point that:"Love, like art, flowers only in the mostcomplete and indolent freedom — the material world must keep its paws off it," andthen go on to portray a kind of wonderlandwhere capitalistic women have "revitalizedromance."Judging from what I've seen of Mr. Flem¬ing's other articles, I sense that he sees him¬self as somehow floating above criticism inan ethereal world of creativity and fun. Thisis simply not so. To have the presumption toaddress a critical issue such as feminismdemands that the writer take responsibilityfor his or her views (however fanciful andcontradictory they might be). I do not knowif Mr. Fleming is a madman, a prankster, orsimply a misguided artist (artists generallyare), but I think articles such as Reinvent¬ing Love are particularly dangerous be¬cause of the obvious skill (albeit misguid¬ed), verve, and superficial persuasiveness with which they are written. Mr. Flemingshould go back to fiction.A Woman in the CollegeTo the Editor: -|Keith Fleming seems to operate in someof the same confined territory as the justly -|criticized David Brooks, although he de- (serves some credit for trying to discard re- ]ceived notions rather than wallowing inthem. Has he really heard "jokes about 'the jwife' ring out in taverns," or just heard fabout them? Does he really believe that the vunfortunate position of love — with a man's veconomic position at its center — is im- rproved by women's increasing marketshare, or doesn't that just further entangle vromance in the net of commerce? «There are people in the world, in our €world, who do not put sex and money at thecenter of love. There are men and women, ^women and women, and men and men who j,live, work, and play together as "lovers," sroommates, and friends. Many of them are peven married to one another. Mr. Fleming's (problem really has less to with a systemic c"reinvention" of love, than with finding it \and maintaining it. Such a love, by its na tture, is invented each day. It is further dis tconcerting that Mr. Fleming's example of van "unfettered relationship," while demon- vstrating his good artistic judgment, is onebetween a monk and his cat. Another solu e4—FRIDAY, FEBRUARY 19, 1982—THE GREY CITY JOURNALBy Robin MitchellI remember looking forward with greatanticipation to coming to Chicago — it had agreat orchestra, fine opera and generallyexciting musical life. Now, as I approachgraduation, I am beginning to realize howmuch I am disappointed with the music inthis city. The musical atmosphere in Chica¬go, from WFMT all the way down to SirGeorg ("When is the next plane for Lon¬don?") Solti, is overwhelmingly conserva¬tive, stagnant — and boring.I find myself in the paradoxical position ofhaving to criticize one of the truly great mu¬sical ensembles for playing some of thegreatest music ever written, but the Chica¬go Symphony Orchestra simply plays somepieces too often; do we really need threeperformances of the Eroica Symphony inapproximately fifteen months? The twocomposers whose works most frequently ap¬pear on the CSO schedule are Beethovenand Mozart. Although I would prefer morevariety within the performed literature ofthe two, their place is understandable: whatis not tolerable is that while nine pieces byeach of the two are to be performed, third onthe list is — Brahms? Schubert? Stra¬vinsky? — No, but Ravel! with no less thansix pieces. How much longer will Ravel betaken seriously? The only consolation is thatBolero is nowhere to be heard. But don'tworry, one can be confident that this banali¬ty will be on WFMT sometime in the nexttwenty-four hours.Who or what controls the programming atOrchestra Hall? It probably isn't Solti sincehe is not in town enough; given the presenteconomic realities, I imagine that it must besome conveniently anonymous figure in themanagement who keeps a close eye on thebox office. But does he or she ever pay atten¬tion to events like the Bartok centenary lastyear or Stravinsky's this year or the 250thbirthday of Haydn? What a perfect excuseto bring some originality to the pro¬gramming! But no, not here. The CSO willperform three Stravinsky works this year —and all very safe — and still less Bartok waspresented last season, which is an appallingslight to these two giants. I cannot call it anoversight since their centenaries were toowell-publicized. Moreover, despite Solti'sfamous apprenticeship to Bartok, the onlysupport he could muster for his teacher'smusic was yet another traversal of the Con¬certo for Orchestra. Other orchestras havedone better; for example, the Cleveland Or¬chestra has scheduled six Stravinsky com¬positions for this season, a number equal totheir Beethoven and Mozart (and only oneAVANT GUERRETo the Editor rI very much disagree with David BlairToub's review of the recording of PhilGlass's "Modern Love Waltz" (GCJ, Feb.12). For the life of me, I fail to see why it is a"masterpiece", or "very clever", or why itis "perhaps the best composition on this in¬teresting record". In relation to the otherworks in the "Waltz Project" (a few ofwhich can indeed by characterized as legiti¬mate masterpieces), Glass's piece may be"cute" perhaps; but it is quite childislywritten and has very little musical substance when compared to most of the Proj¬ect's contributions from other composers.Calling this effort a "masterpiece" is also-demeaning to the great works of the "min¬imalist" school such as Glass's own "Ein¬stein On The Beach", Steve Reich's "MusicFor 18 Musicians", or Terry Riley's "In C"(among many others) which show a signifi¬cantly more creative coalescence of ideasthan the two-chord "Modern Love Waltz". Ifthere are truly "a few sarcastic touchesthrown in" to the "Modern Love Waltz" Iwould be very interested to know where theywere found.Let me say that I am indeed a fan of theexperimental music of Glass, Reich, Riley, Sir Georg SoltiRavel, bless their souls!). The lack of coor¬dination between the CSO's schedule and theprograms of visiting orchestras only com¬pounds the problem of rendundancy.The CSO's stature as the major recordingorchestra in the country further confusesthis matter. Barenboim and Solti'sBruckner cycles have overlapped, as havethe Mahler cycles of the latter conductorand Claudio Abbado, and this has resulted inabsolutely unreasonable amount of late Ro¬mantic Austrian music at Orchestra Hall —even for me, and I am a Mahler fanatic.Further examination of the CSO's scheduleand recording output would show just howmuch of the music in Chicago is determinedby external forces.These are not the best of economic timesRzewski, etc.; but the fact of the matter isthat Phil Glass, along with all other compos¬ers, has "creative" days and "off"-days, in¬spired works and mediocre works, and justcannot be expected to write in a consistentlyexcellent manner at all times. Even Mozartand Beethoven had their off-days, and wrotetheir share of lousy works. A poor composi¬tion can even result from the pens of thegreatest composers, especially those thatwork very quickly (and the "Modern LoveWaltz" shows all the signs of being con¬ceived and written out in about five minutesof time).I won't argue with Mr. Toub's view thatall the other works in the "Waltz Project"are "terribly academic", or that the Glasswork is the only truly "avant garde" piecein the collection, since vague terms such as"academic" and "avant garde" are diffi¬cult to pigeonhole into precise definitions —although I personally felt that both those as¬sertions are total nonsense.Paul S. GolsteinGrad Student 8. ComposerDept, of MusicEditor's Note: Mr. Goldstein will be pres¬enting the first live Hyde Park perfor¬mances from "The Waltz Project" (thirteenof the twenty-five selections, including Phi¬lip Glass's "Modern Love Waltz") at a con¬cert in the International House Home Room,1414 E. 59th Street, on Friday, Feb. 26 at 7:30P.M. for the arts; however, the Chicago Sym¬phony is so highly esteemed that it is in thestrongest position of any orchestra in thiscountry to provide leadership in innovativeprogramming. Unfortunately it is probablydoing the least. Solti's recent recordings ofthe del Tredici Final Alice and the TippetFourth Symphony were very encouraging,but still fail to indicate any sustained com¬mitment to modern music, especially in thelight of the CSO's other "Top 40" categoryrecordings. In September San Franciscostaged an entire Tippet festival. Lorin Maa-zel, during his tenure in Cleveland, institut¬ed a regular series of concerts, each devotedto the work of a contemporary composer.These concerts took on a festival atmo¬sphere, with the composer attending andtalks given about the music. Maazel evenconducted a piece by Berio with the Cleve¬land Orchestra in New York last year.Andre Previn led the Pittsburgh Orchestrain a week of British music in New York lastfall. Our Solti took the CSO there last yearand conducted a sterilized Mahler Ninth,but the New Yorkers loved it. And who canblame them? They have it worse in one re¬spect — they have Zubin Mehta.Not only do we have a magnificent orches¬tra in Chicago, but we also have that giantamong radio stations, WFMT. Like the CSO,WFMT does many wonderful things such aslive broadcasts from Salzburg and variousEuropean orchestras, but there seems to bealmost total anarchy in the programming,which often leads to some of the most banal,infuriatingly repetitive broadcasting I haveever heard'. For example, due to a combina¬tion of concert broadcasts and recordings, Ionce could have had the opportunity to hearthe Verdi Requiem three times in one week,an opportunity I wasted by putting on re¬cords as fast as possible. Also, WFMT hasthe obnoxious tendency to piay single move¬ments even from short Mozart symphonies— which reminds me, if you listened toWFMT on Mozart's birthday recently, couldyou tell any real difference between thatday and their normal programming?WFMT has a captive audience among clas¬sical listeners so it should at least try to bemore innovative or (dare I say?) education¬al.When I try to criticize Lyric Opera'schoices of works, I do so fully realizing thattheir financial problem is much moreserious than the CSO's: opera is simply anastonishingly expensive operation, so alarge part of the schedule must be main¬stream out of sheer financial necessity. Butone would think that one opera per seasoncould be a bit more daring than Massenet orStrauss. Why not a Janacek, or one by Brit¬ ten other than Peter Grimes, or even someKurt Weill? Or how about an avant garde in¬terpretation of a more traditional opera?But Lyric seems to be retrenching; most ofnext year's schedule has been heard here re¬cently, and they will parade the same groupof singers in front of us that they do everyyear.Homogeneity of performers afflicts notonly Lyric Opera, but the CSO as well. If theCSO is one of the greatest orchestras in thecountry, why isn't there a greater variety ofgood conductors and soloists trying to get anopportunity to play with this symphony?Klaus Tennstedt, who over the past fouryears has emerged as one of the most giftedconductors, made his first Chicago appear¬ance in over five years during December asa substitute for the ailing Leinsdorf. Is Leon¬ard Slatkin the only one out of the currentgeneration of young, brilliant Americanconductors who is worthy of OrchestraHall? Doesn't James Conlon deserve morethan appearances at Ravinia? Why is analso-ran like Henry Mazer the AssociateConductor of the great CSO? There shouldbe a post at the CSO where a young, talentedconductor would be able to work regularlywith a major orchestra and study with amajor conductor. (But again, Solti is notaround enough). Such a program has beenin existence at the Cleveland Orchestrasince the Szell years, and James Levine hasbeen its most noteworthy product.There are causes for optimism: ClaudioAbbado's appointment to the post of Princi¬pal Guest Conductor beginning next.seasonis an admirable beginning. Abbado oftenprovides welcome relief in terms of bothprogram content and interpretation. He fre¬quently ta.kes major chances and the resultsare not always satisfying; his concertsusually turn out either brilliantly or disas¬trously, but at least he is willing to challengeboth the orchestra and the audience. Abba¬do most likely will succeed Solti as musicdirector and has promised greater diversityin the schedule along the lines which I havesuggested above. He has said that he hastaught audiences at La Scala to appreciateSchoenberg, Berg and Webern and hopes todo the same here — if he can succeed atthat, he could probably conduct a completeRing in Israel to enthusiastic audiences.And this raises a problematic but impor¬tant subject: we, the audience. Our onlyhope for changing music in Chicago is ifthere is some pressure put on the manage¬ments, but in order for that to happen, audi¬ences must begin demanding more out ofboth themselves and the artists. Americanaudiences as a whole, because they are un¬willing to devote much time to acquaintingthemselves with the music before they go toconcerts, are not nearly critical enough ofthe music they hear live. I cannot imaginean event occurring here like at Bayreuth in1976 when the Boulez/Chereau Ring was un¬veiled and fights subsequently broke out inthe audience among people who disagreedover what was occurring artistically. Whenwas the last time you saw an audience ex¬press disapproval of a performance? We aresimply too tolerant because we are unpre¬pared when we go to a concert. This is whySolti is able to get away with performanceswhich sound wonderful at first but are actu¬ally uninspired and shallow. In this age ofready availability of stereo recordings bywhich we can acquaint ourselves with how aparticular work can sound, such passivityon the audience's part is inexcusable.Perhaps that statement is too demanding.If I sound angry and frustrated, that is because I take few things more seriously thanclassicial music. If I sound confused attimes, that is because the situation is oftenconfusing. The symphony orchestra justmight be the greatest means of artistic ex¬pression developed over the past two centuries. As Klaus Tennstedt has observed,the overall quality of symphonic perfor¬mance has never been higher, and the Chi¬cago Symphony Orchestra is the archetypeof the virtuoso orchestra today. But at thesame time, the amount and the quality ofsymphonic composition has never been solow in this century. We may not have a Shostakovich, a Stravinsky or a Bartok, but wedo have a few good minor composers likeTippet, Glass, and Reich who deserve to beheard more. Perhaps one day they will risein stature, but these days we hardly hearmore than a handful of works even by theformer trio. We are wasting our orchestrasand letting our symphony halls and operahouses be turned into museums.HLKbACKtALItion entirely.Andrew PatnerTHE GREY CITY JOURNAL—FRIDAY, FEBRUARY 19, 1982—5Manpower.The temporary servicefor the times.No other temporary service does what we do.A Predictable Performance System that includesadvanced interviewing and testing techniques.Work Environment Reports. Quality Perfor¬mance Appraisals. Tiffany necklace awards.Guarantees. A unique recruiting campaign.The result: our temporaries get the jobsatisfaction they want. You get the productivityyou need in these times, especially.Manpower. The temporary service you'relooking for.MANPOWERTEMPORARY SERVICESOur recruiting methods go beyond thetraditional newspaper classified ads and talks> to women's groups.We advertise nationally on network televisionand in leading magazines. But it's not a shotgunapproach. We target our efforts to the largestgroup of potential temporaries —housewiveswith office skills looking to reenter the workforce.Positions Available:SecretariesWord Processing OperatorsTypistsVisit our office or call our manager, Barbara Davis,who will demonstrate our tests in your office.55 East Monroe Street263-5144Manpower RecruitingtAltortetytftlKJteg'Dr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know thedifference between advertisedcheap glasses or contact lensesand competent professionalservice with quality material.Beware of bait advertising.Eye ExaminationsFashion Eye WearContact LensesRockefellerChapel9 a.m.Ecumenical Serviceof Holy Communion10 a.m.Discussion Class“Religion and AmericanPublic Life"11 a.m.Robert GrantProfessor of New Testament & Early ChristianLiterature in the Divinity School es & Cuervo.6—FRIDAY, FEBRUARY 19, 1982-THE GREY CITY JOURNAL CUERVO ESPECIAL • TEQUILA. 80 PROOF IMPORTED AND BOTTLED BYC 1981 HEUBLEIiTiNcTaRT^; C^isfKicnard MartinIn his column "Media Watch" the NewYork Native David Rothenberg aptly de¬scribes Making Love as "an old-fashionedtear-jerker." He then states that "There'snothing wrong with the genre for those of uswho grew up in those dark theaters, lost inthe romantic lives of our movie heroes andheroines."Rothenberg's attitude is indicative of crit¬ics who view Making Love as a positive pic¬ture of gays. Finally, the argument goes,Hollywood has produced a film in whichbeing gay is viewed in human and recogniz¬able terms. This argument is understand¬able especially when one considers the com¬mercial film industry's long tradition ofmindlessly reproducing familiar stereo¬types of gay men and lesbians as criminalsand predators.Most recently, during the late 70's andearly 80's, Hollywood produced a number offilms which directly addressed homosexua¬lity. "Directly" may not be quite the ad¬verb: Hollywood recognized homosexua¬lity's topicality: the public was interested, ifnot actively interested then certainlyvoyueristically. And in keeping with its tra¬ditional objectives, Hollywood applied itsmagic formula to this "new" subject mat¬ter: "make money and make it realistic."But of course the latter is always subservient to the former; and whatever "reality" isportrayed is usually tainted with jingoism,generalizations, or stereotypes dependingon the subject and the public's given mood.Consequently, films of the 70's and 80'swhich addressed homosexuality, such asWindows ('80), American Gigolo ('80), LaCage aux Folles ('78), and Cruising ('80)portrayed gays as either queens or murder¬ers, and lesbians as "animals" or femme fa¬tales.What distinguishes Making Love fromthese earlier films is that it consciouslyworks against popular stereotypes: the cen¬tral gay characters are successful, upstanding members of their community, one is adoctor (Michael Ontkean), the other a popu¬lar novelist (Harry Hamlin).Yet, despite this reversal of previous un¬just and distorted images of gays, MakingLove, constructed along current main¬stream Hollywood lines, uses familiar dra¬matic narration in the service of Hollywoodrealism. In this instance, the realism rese¬mbles the dramatic situations characteris¬tic of the comedy/romance films of the1930's and 1940's. The characters are placedin an upper middle-class setting whichallows them the freedom (freedom fromlumpen concerns about money, food, andclothing) to confront the emotional dilem¬mas which threaten their psychological sta¬bility. The stability of the marriage of Zack(Ontkean) and his wife Claire (Kate Jack-son), an intelligent, ambitious television ex¬ecutive, is threatened when Zack begins torealize his long-repressed homosexuality.Thus, the fact that classic Hollywood ele¬ments (narrative structure, acting style, di¬rection, and cinematic form — all of whichcomprise a specific signifying system ofcommercial, psychological cinema) are ex¬ploited rather than challenged in MakingLove, seems to me to severely undermineany progressive or groundbreaking signifi¬cance which the film ostensibly exhibits, orwhich its creators and supporters claim itpossesses. The argument, that simply byplacing gay characters in a traditional Hol¬lywood form qualifies Making Love as a pro¬gressive film, a film which will alter thedominant and increasing homophobic atti¬tudes which permeate contemporaryAmerica, is both naive and myopic.Making Love is Hollywood's answer tocontemporary questions concerning the ero¬sion of monogamous heterosexual relation¬ships and male homosexuality. The film de¬fines the problem as how to preserve a"healthy" relationship (either homosexual Only the sex is changed — the structures remain the same:Michael Ontkean, Harry Hamlin, and Kate Jackson (partly obscured)from Making Love.or heterosexual) without making assump¬tions or creating illusions about the chosenpartner. "These expectations" notesscreenwriter Barry Sandler, "prevent usfrom allowing the people we love to just bethemselves. If Claire and Zack hadn't hadsuch an overly romanticized view of mar¬riage, she might have been more acceptingof him, and he might have been more com¬fortable about revealing the truth."As this quote suggests, the film conscious¬ly subverts the romantic and illusionarymyths of Zack's and Claire's eight yearmarriage. Zack's idealism is proven unrea¬listic at one point in the film through his in¬teraction with a female patient. After Zackinforms her that she must have a mastec¬ tomy, he rests her fears about her husband'sreaction by saying that if Claire had to havethe same operation it would bring themcloser together. But Zack's assurances areproven purely romantic when, after heroperation, the patient's husband abandonsher. Throughout the early portions of Mak¬ing Love Zack represses his homosexuality,while showering his wife with gifts. For ex¬ample, after cruising a couple of bare¬breasted motorcyclists, Zack runs back tohis wife and says that they're finally goingto purchase their dream home.Claire's romantic illusions are also sub¬verted in the course of the film. The mostsuccinct example of this subversion occursat the film's end when Claire and Zack are reunited (after their divorce) at an oldfriend's funeral. Throughout the film thisold friend (Wendy Hiller) feeds Claire withtraditional notions about love and the"ideal" husband, thereby reinforcingClaire's romantic misconceptions and obfu¬scating the "problem" created by Zack'ssexuality. But at the gravesite, when we'regiven a shot of the old friend's coffin fromClaire's perspective and hear her say"She's never changed," we're clumsily in¬formed that the old friend's traditional no¬tions of love have always been dead.While Making Love effectively subvertsthe popular myth of the ideal heterosexualrelationship, the film posits this structure(monogamy) as ideal wnen applied to thehomosexual relationship of Zack and hisnew lover (John Calvin) near the conclu¬sion. In order to prove that Zack can have amale lover and still be an "American," i.e.in order to make male homosexuality ac¬ceptable to a mass audience, Making Lovemust further remove his and Dave's rela¬tionship from reality, steep it further in con¬ventions of Hollywood realism.In the gay monogamous relationship theroles must be so optimally pleasurable, thatfinancial, social, and psychological worriesare not even admitted into their world. Bybriefly drawing parallels between Zack'sprevious marriage with Claire and his pres¬ent relationship with Dave, the film empha¬sizes the blissful nature of the latter. First,the luxurious Manhattan apartment whichZack and Dave occupy is reminiscent of thedream house of the marriage. But when thisapartment is juxtaposed in the final scenewith the split-level, quintessentially subur¬ban home which Claire later inhabits, Zackand Dave's abode appears even more idyl¬lic. Second, the psychological dilemmas andpotential social consequences which per¬meated Zack's marriage are conspicuouslyabsent in the gay monogamous relationship.This is succinctly conveyed during a tele¬phone conversation between Dave andZack's brother whose understanding andconcern for Zack's lifestyle is juxtaposedwith an earlier scene which depicted theirfather as domineering and insensitive.In his book The Celluloid Closet: Homo¬sexuality in the Movies Vito Russo statesthat "with a bid for a return to the good oldvalues of the American family, it may bethat the true Americanization of homosex¬uality depends on the assimilation of it intothe mainstream." Making Love reflects thisprocess of assimilation, but only on termstraditionally established within a modernpatriarchal capitalist society. The filmcreates a world where gays are most secureand acceptable if they're professionals andmonogamous, i.e. if they live like traditionalstraight couples.NEXT WEEK: A different view of MakingLove, and an interview with the movie'sscreenwriter, Barry Sandler.Student Government MeetingWednesday, Feb. 24, 7:30 pmIda Noyes Sun Parlor All members and observers arecordially invited to attend.THE GREY CITY JOU R N AL—F R I DAY, FEBRUARY 19, 1982—7Afraid of Charlotte?Who'sTheaterUta Hagen in Charlotte Shawn McGeeDante adored his Beatrice. Petrarch wor¬shiped his Laura from afar. And Goethe ido¬lized Charlotte von Stein, the inspiration forthe one-woman play starring Uta Hagen,which was performed in the GoodmanTheatre Studio for a limited engagementlast week.The setting for the play is October, 1786, ata country estate near Weimar. Weimar wasa sleepy medieval town, then on its way tobecoming the literary and intellectual hubof eighteenth century Germany, due pri¬marily to the presence of Goethe. Goethehimself had come to Weimar some ten earli¬er, on the heels of the enormous notorietyachieved by his epistolary novel, The Sor¬rows of Young Werther. Shortly after his ar¬rival he became infatuated with the noble¬woman Charlotte von Stein, seven years hissenior and, more importantly, wife of Josiasvon Stein, Master of Equerry to Karl Au¬gust, Duke of Sachsen-Weimar-Eisenach, atwhose court Goethe was a guest. This impet¬uous infatuation soon deepened into an emo¬tional and intellectual passion which waseventually returned by Frau von Stein.Charlotte von Stein possessed a sharp criti¬cal mind and served in the early years oftheir relationship as both mentor and com¬forter to this emerging genius, Goethe.After ten years however, as Goethe ma¬tured, the relationship appears to havereached an impasse, an impasse whichGoethe felt in his artistic life as well. In frus¬tration he fled Weimar for the solace ofsunny Italy. The play opens in the immedi¬ate aftermath of this famous flight.I was troubled immediately by the tenorof Charlotte. In the opening moments she isdepicted as a somewhat scatterbrainedwoman rummaging through drawers andboxes, strewing Goethe's letters around theroom. This is very much out of character fora woman who, by all reports, was quite for¬mal and extremely reserved. In fact,Goethe often symbolized Frau von Stein inhis poetry as the moon — serene, reflective,and cooly luminous — and praised her in his poems for the soothing and moderating ef¬fect she had on his own petulant personality.She was also known to be shrewd and cal¬culating, which would leave painfully irrec¬oncilable the lapsus linguae she repeatedlycommits during the one-sided discussionwith her husband.Further incongruities appear as Charlottelaunches into a vituperative tirade againstGoethe both as a man and as an artist. Hav¬ing been abandoned and scorned, bitternessand even possibly an outburst of hellish furywould seem natural, but the constant ha¬rangue concerning Goethe's self-aggrandiz¬ing behavior and inferior intellct (she refersto his work as "philosophy without con¬tent") to which we are subjected is simplytoo much. Charlotte would have us believethat either Goethe was nothing more than anegotistical oaf or that Charlotte von Steinwas simply a catty, albeit aristocratic, fish¬wife. As the production progresses, Char¬lotte does mellow, but the damage had beendone and I found it extremely difficult to in¬tegrate the Charlotte on the stage into myown perception of the historical Frau vonStein.It is obvious that the playwright, the EastGerman Peter Hacks, has taken great painsto research his subject thoroughly; includedare references to the smallest details ofGoethe's eclectic personal tastes, includ¬ing his dislike for dogs and his abhorrence ofcoffee as an evil drug. Why then has Mr.Hacks chosen to depict Charlotte von Steinas predominantly comical rather than asthe tragic figure that she was? Charlottequotes on stage from a poem Goethe hadwritten for her ("Warum gabst du uns dietiefen Blicke...") where he explains that hehad envisioned her in an earlier life as ei¬ther his sister or his wife. The line is from ahauntingly beautiful poem, but is deliveredhere in tandem with some comically flip¬pant remark so as to elicit laughter from theaudience. If the play was intended as aspoof, then the subsequent more seriousscenes do not convince; if the purpose wasto creatively portray the poignancy of this strange and wonderful relationship, onewonders why the author and/or director haschosen to negate it by going for the cheaplaugh.For all the deficiencies in the script, MissHagen, however, turns in a solid perfor¬mance. She is at her best when showing usCharlotte's tender feelings for Goethe, orwhen, as Charlotte, she lowers her voice toimitate Goethe himself, simultaneously al¬lowing Charlotte's obvious affection for himto seep through. The bust of Goethe (al¬though it bears only a slight resemblance atbest) situated on the stage is drawn adroitlyinto the action by Miss Hagen, who, throughher chastising or adoring glances cast at it,is able to create the feeling of Goethe's pre¬sence. We are also better able to see Char¬lotte's gradual coming to terms with heremotions through the manner in which MissHagen treats the clothing her character iswearing. In the opening scene Charlotte iswearing a vested suit; as she begins to letdown her defenses she removes the jacket,then unbuttons the vest. As Miss Hagenallows Charlotte to reveal her most intimatefeelings she literally undresses her charac¬ter, continuing subtly throughout the playuntil Charlotte ultimately blurts out thenaked truth concerning her love for Goethe— in only her dressing gown.This final confession is portrayed as pro¬fessionally as one would expect from an ac¬tress of this caliber. Charlotte's failure toconvince totally is probably due to indeci¬sion on the part of the playwright, ratherthan a reflection of Miss Hagen's skill or anyambivalence on her part. An actress needs,if not a solid, then at least a consistent char¬acterization from which to create. MissHagen creates moments brilliantly, but fi¬nally cannot overcome the shortcomings ofthe script.The concept underlying Charlotte is intri¬guing. Charlotte von Stein was a remark¬able and enigmatic woman; a woman whoseinfluence on the man arguably the last uni¬versal genius, is incalculable, as Goethehimseif freely admitted. Exploring the intri¬cacies of this complex relationship in aserious and consistent manner could havebeen a deeply satisfying emotional and in¬tellectual experience. It's a shame we werenot given that opportunity.*#*** •• %• •I •%Is..*S s» .. w* Jl&C&AAJL-•v•* ' .*». t * VJ. h*V* s•k . • t. • i4••/ * * •./ 1 *ANTI-SEMITISMOF THE RIGHT AND LEFTIN AMERICA TODAYCONVERSATION iVtTH THE ONTZPAH MfH-SEMlTlSMlNOf^< GROUP MR- MYROM -PERLMAN , MS MARSHA 'PERMAn/FRIDAY FEBRUARY M8:30 RM.AT HILLEL5715- S. WOODLAWM * .* - ••i,* v HORRY’SHAPPY HOURIS BACK!(FROM 3 PM TO 4 PM DAILY)CASH IN ON THE SA VING:HOT DOGS 73° onlyJUMBO, HOTPASTRAMI fs«„,BBQHAM Reg.1.75 onlvMORRY’SDELLOCA TED INTHE UNIVERSITY BOOKSTOREHOIKS: 7:30 AH-4:30 PH MON.-FRI.9AH-4PHSAT. ea.■a8—FRIDAY, FEBRUARY 19, 1982—THE GREY CITY JOURNALInsideBlack students at UCAdrian BeiewRobert FrippTony LevinBill Bruford8pmSunday, Feb. 21Mande! Hal!A FEW SEATSSTILL AVAILABLENo pnotoQfatrf*, or tatoerttXffcfeiQ®1982 WoR Disnoy Production*Lack of community, numbers, hamperThe following article on the social life ofblack students is the second of a three-partseries about black students and faculty atUC. This article does not try to present theexperiences and views of every blackstudent at UC; however, the problemsrelated are shared by many black studentson campus. The last article, which willappear on Tuesday, will deal with therepresentation of black professors at UC.By Frank CaesarAside from the academic pressure thatevery UC student encounters, blackstudents at the University face an addedburden of dealing with college life becauseof their small number and a lack ofcommunity feeling among themselves.While the Organization of Black Students(OBS) might appear at first glance to bethis community for blacks on campus,many black students believe that OBS hasfailed to meet their social needs.The purpose of OBS is “to serve as ablack student service organizationwhere there is no administrative structureto deal with the special needs of blackstudents,” according to Jacques Morial,OBS president. “It serves to advocate andspeak of concerns to the community insideand out,” he says.“The social aspect has not been theprimary focus of the organization,” saysMorial, “because some other needs areurgent. It’s more important to get moreblack students here with a strong financialaid program and keep them here.”OBS also sees its role as helping blackstudents deal with an even more complexproblem at UC, which is what theyperceive as a prevalent racist attitude in apredominantly white university. “It’s not a unique challenge to blackpeople here,” says Morial, “although itmay be a lot more intense — because (theblacks) will be challenged on this level allthroughout their lives. When they graduateand go on to work, they will deal withmore or less the same type of subtleracism.”This subtle racism, according to manyblack students, may be characterized bythe people who “try to forget that you’reblack” or those who tell “black” jokes toblacks who in turn laugh at the apparentignorance of the joker.Janet Reynolds, a second-year blackstudent in the College, says she finds itmore difficult, however, to cope with othertypes of racism at UC.“The hardest kind of racism or prejudiceto deal with, however, is institutionalracism where people get so intellectualthat there’s no room for emotion,” saysReynolds.“I look at this as a training for life —and not just a phase,” she says. “Becausethe same people who play the same stupidold head games on me here are the sameones who I’m going to be running intowhen I have my job.”Many blacks in the College believe thatthe atmosphere at UC is a test for thestrength of one’s identity and that failure— not in terms of academics, but in termsof keeping in touch with oneself — is ameasure of whether or not that person hadany realization of himself in the first place.What a black student has to put up witheveryday on a predominantly whitecampus is best exemplified by whatReynolds says: “If you were to take awhite individual student and place him in a room filled with black people for fiveminutes, he would grow veryuncomfortable. I have to go through thatall day, and there’s no reinforcement,there’s nothing to go back to because thecommunity thing is missing.”UC’s campus is surrounded by blackcommunities, but for security reasons, theUniversity warns the student not to gooutside the campus boundaries. Thestudent is then confined to the Hyde Parkenvironment, or is compelled to godowntown instead of somehow helping thesurrounding communities to survive.“The University, whether intentionallyor unintentionally, has perpetuated that itis “taboo” for students to leave HydePark, and this hampers the blacks’interaction with the community,” saysMorial.“Black students don’t get out into thecommunity; they don’t leave theUniversity. There are some two millionblacks in Chicago. If its worth it to them(the black students), if they are upset withthe environment here and they want to dosomething about it, it’s a question ofwhether it’s worth their time. In fact, it’snot even stepping off campus, it’s gettingto know some non-University people.”Morial believes that the best way for ablack student to deal with the non-socialatmosphere at UC is to find a blackstudent who is from Chicago — not adifficult task as many of the blacks hereare from Chicago — and having him or hertake him off campus and meeting newpeople.“My personal feeling is that all students,not just the blacks, should do whateverthey can to gain some experience beyond social lifethe University environment,” says Morial.But as is true with all students, blackstudents do not have time to “escape fromHyde Park” and thus must somehow find asatisfying social life on campus.“It’s a struggle,” says Reynolds. “Youhave to make your own niche. But itshouldn’t be that way. It should be thatwhile you have your own, there is a largerone that you can go to. That larger one ismissing.”So what most black students find lackingat UC is a “black mainstream” to whichhe can turn and find some help in dealingwith the depressive lows or identity crisesthat students often encounter at UC. Evenwith his clique or niche black students saythey lack that larger body with whom theycan identify.Morial defends OBS’ policy of not beingas socially oriented as many would likebecause he believes black students shouldfind other outlets for their social activitiesin addition to those provided by OBS.“If you sit in your room and bitch andcomplain and are upset because you’regoing through an ‘identity-crisis’ becausethere are no blacks around, you’re going tosit there forever*” he says. “You’ve got toget out.”“I (as OBS president) operate under theassumption that we're dealing with adultsand that they are going to have to makesome steps to try to remedy thoseproblems,” he explains. “It takes a bit ofinitiative on the part of the black students;it will take a while. OBS is not the onlyplace for people to turn to, and it shouldn’tbe.”Many black students agree that theproblems they face as a unit will continueto exist as long as such a small number ofblacks come to UC. But until a largerpercentage of the student body is black,they will have to adjust to the problemscreated by a campus life that has not yetserved their needs as a special minority.3000 MAGAZINESGREETING CARDStCIGARETTES/CANDYHOT VIDEO GAMESsprin9-Planning a spring break fling inFlorida? Then make plans to live it upinside the Wait Disney World MagicKingdom! 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KATZMAN^ 684*5100 proprietorPOSTERS/BUTTONSThe Chicago Maroon—Friday, February 19, 1982—15Sports ;B-ball play gets rugged as championship nearsBy A1 NovotneIn basketball’s Clash of Titans last Mon¬day night, sparks did not fly as high as ex¬pected. No BS easily turned back the Refu¬gees 55-40. The Refugees failed to bringGreg Retzinger or Steve Shapiro and spec¬ulation is that they are awaiting the adventof the tournament which begins this Sun¬day. Despite the 15 point margin, bothInside IMsteams had superior execution and disci¬pline. Bob Slaughter, the Princeton all¬conference star of No BS, limited himselfto about 10 minutes of court time, but didget a chance to impress everyone with hisblend of power and grace.In a surprise result earlier the samenight, Stiff Ones upset the Curia 51-42. Asalways, the Curia played methodical of¬fense and used its superior height to pene¬trate successfully. For some reason, theRANKINGSMenUndergrad Graduate1. Rough Riders 1. Not Too Swift2. White Punks 2 No BS3. Chamberlin 3. Stiff Ones4. Fishbein 4. Curia5. Dudley 5. Albanian Refugees6. Upper Rickert 6. There’s the Rub7. Hitchcock 7. Debonairs8. Steidl 8. Raw Meat9. Dogs Eating Bicycles 9. Bovver Boys10. Michelson 10. Bottom LinesWomen1. SPAM2. Dodd/Salisbury3. Breckinridge4. Misfits5. Snell6. Bradbury7. Medflies8. Full Court Press9. Thompson10. Dudley players simply had trouble finding theiron. Stiff Ones exploited its advantage inspeed, but also ran up several streaks ofphenomenal outside shooting. Early in thesecond half they took a fourteen point lead,which was pretty much the end of thestory.In another game of note the Debonairsbeat Raw Meat 50-36. This looks like a caseof two teams passing each other going inopposite directions — ono on the way up,and the other on the way down. Early inthe season. Raw Meat seemed to havethings going all its way while the Debo¬nairs struggled. Somehow the Debonairshave stolen the vitality that formerly an¬imated the Meat. Both qualify for the play¬offs.The independent division turned a highpowered match-up into a butcher block af¬fair last Tuesday night White Punks putaway Steidl 74-59 in a game with 41 totalfouls, a flagrant foul, an ejection, and abench technical. A slight majority of foulswas assessed against the winning team. Inspite of this roughness problem, theBASKETBALLUpper Rickert 43...Debonairs 50Stiff Ones 51No BS 55Bottom Lines 38 ....Not Too Swift 70....Chicago Seven 46...There’s the Rub 52White Punks 74Bottom Lines 51 .... Men’sHenderson 28Raw Meat 56Curia 42Refugees 40Malice Aforethought 33Five Particles 17Stiffs 45Diana Ross 23Steidl 59I-House 21SPAM 35Misfits 49Dudley 31Thompson 35Bradbury 45Dodd/Salisbury 25..Misfits 26Full Court Press 48 Medflies 13Full Court Press 23Shorey 18... Upper Wallace 12Tufts 21Breckinridge 20Medflies 21Efficient M 141428 EAST 53rd ST. • CHICAGO, IL 60615 • 752-2020USED OFFICEFURNITUREUsed wood desks from $135Used metal desks from $25Used 6 ft. drafting tables4 drawer files from $50BRAND 8560 S. ChicagoRE 4-2111EQUIPMENT Open Daily 8:30-5Sat. 9:00-3 Punks’ ability to put the ball through thehoop is impressive: the team averages 76.7points per game, which is the highest of allteams at all levels of play.This Thursday night (unavailable atpress) Punks fought the Rough Riders forthe divisional championship. RoughRiders carries a number of varsity footballplayers on its roster — including a centerwith the presence of a brick wall — andwill certainly be equal to any physicalabuse the Punks can dish out.The tendency of some of the betterteams to play physical street ball will de¬finitely be a factor in the upcoming tour¬nament. A player on one of the highlyranked teams has complained that callingcontact fouls interferes with his style ofplay. There is little doubt that many play¬ing styles will be cramped in the tourna-Women ment, as teams will be seeing the most ex¬perienced and disciplined officials that theIM department has to offer.Wednesday night, Dodd/Salisbury andBreckinridge battled toe to toe for the resi¬dence women’s title. Dodd squeezed out a25-20 overtime victory. The overtimeperiod was forced upon Breckinridge whenone of Dodd’s players made two freethrows with only five seconds remaining.The quality of undergraduate women’steams has improved to the point where amatch-up with varsity-level SPAM mightprove interesting.A reminder that next Tuesday is the IMtrack meet. Anyone wishing to be paid fortiming and helping out can sign up in theIM office. In the UC tradition of fine ama¬teur athletes there will certainly be someinteresting performances.csuedged byBy Lee BadgettThe women’s basketball team lost its finalhome game of the season to Chicago StateUniversity Wednesday night, 67-62. Chicagowhittled away at Chicago State’s 13 pointhalftime lead and closed the gap to one pointnear the end of the game. The Chicago Stateplayers used their quickness and leapingability to outrebound the Maroons in crucialsituations and managed to protect theirlead.The score stayed fairly even for the first10 minutes of the game. But with the scoredtied 18-18, Chicago State took off on a scor¬ing spree which featured an assortment ofdrives, jump shots, and even an ally-oopplay.The Maroons retaliated with lobs inside tocenter Helen Straus. In general, however,they could not keep up with Chicago State’sscoring pace. The Maroons actually tookmore shots in the first half, but ChicagoState’s field goal percentage almost doubledChicago’s, 54 percent to 28 percent. ChicagoState built up a 43-30 halftime lead as theMaroons’ shots refused to fall.Although the Maroons came back fromhalftime taking the shots that coach DiannNestel wanted the team to take, the shotsstill would not go in. “There was absolutelynothing wrong with out shot selection,” Nes¬tel said. “I thought we did an excellent jobwith that, but if they don’t fall, then theydon’t fall.”The Maroons stayed within 10 points ofChicago State for most of the second half.Chicago State developed its own shootingproblems as its second half field goal per¬centage cooled considerably to 33 percent.G.W. OPTICIANS1519 E. 55thTel. 947-9335Eyes cxamiM4 ami Coataci Lmit fitted byregistered OptMMtrats.Specialists m QaaCty Eyewear at ReasonablePrices.Lab on premises for fast service - fromesreplaced, lenses duplicated and pre¬scriptions filled. The Chicago defense forced some importantturnovers which, combined with ChicagoState’s shooting slump, led to a six minuteChicago State scoring drought.Chicago took advantage of the situation byfeeding the ball inside to Straus and WendyPietrzak, both of whom finished with 20points. With 1:50 left in the game, Pietrzakhit a shot from just inside the free throw lineto pull the Maroons to within one, 59-58. Chi¬cago State broke out of its scoring slump atthat point, however, and the Maroons wereunable to take the lead.The Maroons’ full court press forced aturnover, and a Pietrzak free throw broughtChicago back to within two with 45 secondsleft. The game was still within the Maroons'reach at that point, but the players could notget the rebounds that would either givethem another shot or stop Chicago State.Since Chicago State was not in the bonus sit¬uation, some intelligent fouling by SheilaDugan stopped the clock in the last few sec¬onds and kept Chicago’s hopes alive untilChicago State’s final basket with nine sec¬onds left.The Maroons’ failure to take the leadwhen they had the momentum did not sur¬prise Nestel. She observed that the “attitudeof always catching up” hurts a team thathas been behind for the whole game. “If youwere betting and playing the odds, youcouldn’t bet that way,” she said in regard tothe chances of a team coming from behindto win.Besides their cold shooting, the Maroonsalso had trouble with rebounding. “Theboards hurt us,” Nestel admitted, “but weweren’t always not blocking them out.”Straus had 14 rebounds and Pietrzak had 10,but Chicago State grabbed more than itsshare by using superior leaping ability tomake up for poorer positioning.Nestel explained that Chicago is lookingat the final games of the regular season aspreparation for the satellite game whichwill determine the Maroons’ participation inthe state tournament. An important factorin that game will be the availability of guardCarol Weesner, who reinjured her knee lastweekend in the McKendree game. IfWeesner can play, her court leadership andoutside shooting will give the Maroons ahealthy boost. Chicago will probably play itslast regular season game without her, how¬ever, when the team travels to Wheatonnext Thursday.AUGUST ANA LUTHERAN CHURCHSundays:8:30 am Sermon & Eucharist9:30 am Sunday School &Adult Education10:45 am Sermon & Eucharist6:00 pm Supper5500 South Woodlawn16—The Chicago Maroon—Friday, February 1?, 1982SportsMatmen upfor tourneyBy Nick VarsamThe wrestling team heads to LawrenceUniversity this weekend for the MidwestCollegiate Athletic Conference tournament.The Maroons have been picked by a poll ofconference coaches to finish fourth in theeight-team tourney.UC coach Leo Kocher said the team is sa¬tisfactorily prepared. “With three juniorsand the rest freshmen and sophomoreswe’ve got a young team in a situation wherethe close matches will affect how well weperform overall,” he said Kocher expectsjuniors Mac Gillespie and Mark Farwell,sophomores Tim Bachenberg and Ken Barr,and freshmen Mike Perz and Karl Lietzan toplace this weekend and is looking for someadded plusses from the rest of the squad.Last Saturday, the Maroons hosted Elm¬hurst and Illinois Wesleyan Colleges in dualmeets at the Field House. UC barely lost toElmhurst 24-22 and beat Illinois W’esleyan42-10. Kocher pointed out that “it was atough loss against Elmhurst despite havingAlex Reyes, a 118-pounder, wrestle in the134-lb. class. Gillespie lost a tough bout to a190-pounder who’s an All-American candi¬date, after leading going into the lastperiod.”Double winners for the Maroons were 142-pounder Mike Perz and 158-pounder KarlLietzan. Tim Bachenberg and Ken Barreach won by decision and forfeit. Mark Far-well, Dave Rispler, and Rick Cooper splittheir two matches.The Maroons are concentrating on win¬ning their close matches this weekend atLawrence. Kocher is also hoping that a fewof his wrestlers do well enough to go to na¬tionals later this year.Sports CalendarMEN’S TRACKFeb. 19 — Wheaton, Wabash, & Beloit, 6p.m., Field HouseWOMEN’S TRACKFeb. 20 - UC Invitational, 10 a.m., FieldHouseGYMNASTICSFeb. 20 - UC Club vs. Univ. Wisconsin atWhitewater, 2 p.m.,. FieldHouseMEN’S BASKETBALLFeb. 20 - Ripon, 3 p.m., Field HouseDR. M.R. MASLOVOptometrist• Eye Examinations• FashionEyewear• All Types ofContact Lenses*Ask about our annualservice agreement.LOCATED IN THEHYDE PARKSHOPPING CENTER1510 E. 55th 363*6100 PHOTO BY MARY BARTHOLOMEWUC’s Wade Lewis puts in 2 during themen’s futile loss to RiponUgly DucklingRENT-A-CAR «1608 E. 53rd Street$13.50 per doy 200 Free MilesBetween IC Tracks » m tmand Cornell 667"2800Young Designs byELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd 288-2900marian realty,inc.mREALTORStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 S. Cornell684-5400 No answers for men’s lossBy Mary BartholomewOnly three games from the end of the sea¬son, the men’s basketball team did it again:Wednesday night, the Maroons sustained an82-62 road loss to Ripon, sinking to a misera¬ble 2-9 in the conference. It was the team’sthird consecutive loss on the road.The game was essentially over before theplayers even worked up a sweat. With onlythree minutes elapsed, junior guard W'adeLewis was in foul trouble with three viola¬tions. In this same sliver of time, coach JohnAngelus was tagged with three technicalfouls and ejected from the gymnasium.From that point, the two teams simplyplayed out the remaining 37 minutes, withRipon dominating every phase of the game.Afterwards, both players and coaches re¬fused to address the questions raised bytheir disappointing performance. How can ateam which claims two of the finest playersin the conference, a powerful starting line¬up, strong bench support, and a respectedcoach perform so poorly in a conference inwhich it should be much more competitive?Why do the losses continue to mountwhether the team plays at home or on theroad? Why does the team draw so manyfouls, and why can’t the players sink theirfree throws? If anyone associated with the,—TAISAmyW—ICHINESE-AMERICAN RESTAURANTSpecializing in Cantoneseand American dishesOpen Daily 11 A.-8:30 P.M.Closed Monday1318 E. 63rd MU 4-1062 team knows the answers, they are refusingto share them with the Maroon.William Rainey Harper maintained 86years ago that “the athletic work of the stu¬dents is a vital part of student life. Under theproper restrictions it is a real and essentialpart of college education. The athletic field,like the gymnasium, is one of the Universitylaboratories and by no means the least im¬portant one.” If the Maroons are in a labora¬tory, they must reevaluate their hypothesisand modify it in order to achieve success.Perhaps it is time to take a good look at thepast, make an honest evaluation, search forsome answers, and bring about somechanges.COLD DRAUGHT BEER, NO SPOILAGEALWAYS READY TO SERVE.PORTABLE SELFCONTAINEDREFRIGERATED UNIT.DIFFERENT MODELS AND SIZESAVAILABLE.312-9911010HYDE PARKTHE VERSAILLESIDEAL FOR STUDENTS324-0200Large Studios • Walk-inKitchen • Utilities Incl. •Furn. - Unfurn. • CampusBus at doorBased on Availability. 5254 S. Dorchester“/get a kick out ofJVick!”get no kick from heavy metal.Mere off-the-wall doesn’t thrill me at all.But I get a kick out of Nick.I ve never been to a disco.I have no need for no Broadway show,punk rock just makes me sick.I get a kick out of Nick.The Knife!’1982 CBS IncAvailable at YourFavorite Record StoreincludingHeart Too Many Teardrops Raining RainingStick It Where The Sun Don't ShineMy Heart HurtsNick Lowe“Nick The Knife’,’on Columbia Recordsand Tkpes.Produced, recorded andhoned by Nick Lowe.NICK LOWENICK THE KNIFEThe Chicago Maroon—Friday, February 19, 1982—17MINOLTAXG-1It’s the most economical 35mmautomatic Minolta SLR. Easyenough for beginners but packedwith sophisticated features:• Continuous automatic exposure |system• Full manual control• Over exposure protection• 2-year camera warranty• 5-year lens warrantyw/45mm/f.2CLIT GOES WHERE NOOTHER 35mm CAN -AUTOMATICALLYTHE NEWNIKONOSIV-AAUTOMATICUNDERWATER/ALL-WEATHER‘35’ .jit’s the only automatic 35mm]that shoots 160 feet under¬water without a housing, alsoin rain and snow—that even!Idefies sand and mud!with 35mm/2.5limited to stock on handSUCH A DEAL!| With all 35mm camera pur-|chases in February, ModelI Camera customers receive1 roll of film and processing]free!WHY BUYSOMEWHEREELSE?9If any Chicago area store adver¬tises a lower price than you paid atModel Camera, bring it in within 14days of your camera purchase andwe will credit or refund the dif¬ference, or at our option, we’llrepurchase the equipment at fullpurchase price. Proof of purchaseplus a copy of the advertisement isall that is needed. (The program isin addition to our BONUS BOOKbenefits and other customer ser¬vices.)modelcamera1342 E. 55th St.392-6700 Classified AdsCLASSIFIED ADSClassified advertising in the Maroon costs SI .00per 45-character line. Special headings costSI.50 per 25 characters. All classified advertising must be paid in advance. Advertisingdeadlines: 12 noon Wednesday for the Fridaypaper; 12 noon Friday for the Tuesday paper.Submit ads to Ida Noyes Hall, room 304, ormail them in (with payment) to The ChicagoMaroon, 1212 E. 59th St., Chicago IL 60637. Forinformation about display advertising, call 753-3263. The Maroon is not responsible for goodsor services purchased through the classifiedadvertising section.SPACEStudio Apartment, Hild Realty Group 955 120015 acres with charming meandering creeknear Chesterton, IN. Partly wooded. Septicand well in. 45 min. from U of C by car or train.550,000. Contract: 10% down, balance 12% intCall Renard at Callahan Realty 219 926 4298.FEMALE GRAD wanted to share 2 bdrm hirise apt sec bldg lake view own room and bathavail 3/1 possible option to renew 752 3277.Looking for housing? Check InternationalHouse, for grad, students and for scholarsvisiting Chicago. 753-2270, 2280Furn rm, kit & bathrm priv. $150 mo. 363 5877LARGE bdrm in 4 bdrm apt 57 & Doc. Mar 1occ. 5199 incl heat & util. 363-1831 evesM or F to share spacious 2 bedroom apt on47th/Lake Park Ave. with male UC grad student. Lovely lake view, 13th fioor. Near trains,buses and campus bus. $180 per month,available now. Call 624 2885 evenings only.Non-smoker wanted to share spacious 2 bdrmapt On bus rte 185/mo Avail 3/1 643-7528 evenings.Liberal roommate wanted to share spacious 2bdrm campus apt with good view. Reasonable.Available immediately. 324 4476.1 bdrm in a Ig 3 bdrm apt available Mar 1 orsooner Laundry, great loc. 753 4206. 241 6247Cfiazfotte cVi&4tzorr2<zRea( £itate Co.493-0666BIGGER’N HOUSE: over 3,000sq. ft. holds five bedrooms. Yourplants will love the extrasunroom. On Hyde Park Blvd.near 53rd. $105,000.WOW! COUNTRY KITCHEN.Big-Big. Near 54 Hyde Park Blvd.3 bedrooms 2 bath (used to be 4bedrooms) $68,000 to qualifiedbuyer, owner financing.NEAR, NEW AND ‘NOMICAL.Low, low under $50/mo. asst.Studio, 53rd & Lake.BRIGHT THIRD FLOOR. LargeEast View Park 6Z2 rm. special.Special low price to sell thisSpring - Unbelievable $68,000.THIS MAKES DOLLARS ANDSENSE Assumable mor¬tgage...two bedroom condo withgarage. Faces south onBlackstone & 55th. $65,000. In¬cludes garage.HOUSES VICTORIAN BRICK.Lrm, garage. $97,500. Near 53rd& Greenwood.KENWOOD ManftPnear 48th &Kenwood.CORPORATION MUSTSELL...one bedroom on sunnyhigh floor. 55th & Dorchester.$42,500. Nice “passthrough”bright kitchen. Call Ken. SpecialFinancing.We are co-operating brokersMember National Association of Realtors. ChicagoReal Estate Boards. Illinois Association of Realtors493-0666 Choice 1-bdroom apartment in East HydePark. Available March 1 5380 643 1400One bedroom 54th & Woodlawn 334/mo CallKris 947 5661CAMBRIDGE, England. Professor's 3bedroom house for renf during 1982-83academic year. Excellent location, Modernamenities. Phone June, 798 6783Need a room for Spring quarter only? Take myhousing contract. 947-0784GRAD STUDENT OR SINGLE?Make an offer to own this bright 21 2 rm condofor the cost of renting an apt. Near U of C.south of 55th on Kimbark Call Pat of Century 21at 667 6666 or 493 8647SPACE WANTEDProfessional urgently needi furn bdrm, bathlight kitchen priv. for 3 month with prof, tarnNr. Univ, nr 1C 9 5 782 0494PEOPLE WANTEDOVERSEAS JOBS-Summer/year round.Europe. S. Amer., Australia, Asia. All fields5500 51200 monthly. Sightseeing. Free info.Write IJC Box 52-IL-5 Corona Del Mar, CA92625.Paid subjects needed for experiments onmemory, perception and language processing.Research conducted by students and faculty inthe Committee on Cognition and Communication. Department of Behavioral Sciences.Phone 753 4718.Metro Help, the nation's best crisis hotline, isrecruiting for its March training! Contact theStudent Volunteer Bureau at 955-4108Part-time janitor, 3-5 hrs/wk. Call 947 0787.Part time help M. or F. trainers for Hyde Pk.Nautilus P.E., med. or sports backgroundpreferred. Apply Hyde Pk. Nautilus Center548-1303/see Tim.MONEY!! Make good money sellingaudiophile quality recording tapes. ContactJeffrey Johnston 515 Bluff View, Berrien Ml49103.Paid subjects needed for experiment in problem solving using logic game and word problems. Session takes 1 to lVi hours. Call Johnat the Consumer Behavior Lab at 753 4209, orevenings 752-0453Friends needed! Environmentalist person-power to launch Illinois Branch Friends of theEarth. Box 14206, Chicago 60614 or call Gary,324 9450.FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E . 55th St. 493 6700.Gold/Silver Jewelry at LESS THAN HALFretail cost. Why pay more when the same highquality is available from a direct source? 6845739Saturday 55 specials Endtables, 1 Formica, 1wood, Tiny Table, Twin bed frame, CardtableBox fan, Labcoats, Woodencrate, Beanbags,Flourescent light; $15 Armchair, 525 B & WTV, Kitchen odds & ends 955-0956 Carol.SHELVING ORANGE CRATES: $1.50 alsoUHaul boxes call Allen 684-1820 or 753 4351anytime.SERVICESJUDITH TYPES—and now has a memory.Phone 955 4417.Excellent, accurate TYPIST with B A. willtype term papers, theses, resumes,manuscripts—whatever your typing needs.Quick, pick-up and delivery on campus.Reasonable—call Wanda 955-8375 after 5p.m.KEYPUNCH and/orDATA ENTRY SERVICEFor Service That IsFast-24-hour service on small jobsAccurate-phenomenally low error rateEconomical-costs more anywhereReliable-we keep promisesFor More Information,= Call 753 2518 or 753-2517 Psychotherapist, Women's Groups, Individual,and Couple Therapy. Sliding Scale, MaryHallowitz, MSW, ACSW 947 0154.James Bone, editor-typist. 363-0522.Letter Perfect Typing Service. Very experienced, very accurate. Dissertations,papers, math. Call Lise Plotkin, 493-1218.Typing term papers reas. rates call 684 6882.mWEDDINGS photographed call Leslie 536 1626.HYPNOSISStop smoking, lose weight, increase memory, study habits, stress relief,headache relief, self hypnosis, lectures 2467610.Experienced editor corrects papers, dissertations. All subjects. 510/hr. Call Pat 363-7567.Typing: Experienced secretary types allmaterial dissertations, tables, etc. IBM Sel,grammar corrected, pick up & deliver 667 8657ENGLISH TUTORING I'll help any studentwith English as a second language or I can provide help with term papers, theses and dissertations. Ed Hoffmans, 363 4595.Math tutoring, all levels; much exp. call Mike753 8070 eve 363 5877Chicago counseling and PsychotherapyCenter. Client-centered psychotherapy. 5711 S.Woodlawn, 6354 N. Broadway, and 111 NWabash, Chicago. A Registered PsychologicalAgency. (312) 684 1800.Alterations some repairs & tailoring 947 9720SCENESWOMEN'S UNION meets Wed 7.00 Office hrsM Th, 12 3, 7-10 pm. Phone 3-2481. LIBRARYREFERRALS.Gilbert & Sullivan's The Gondoliers presentedin Mandel Hall, 57th & University, March 12thand 13th at 8 pm, March 14th at 2 pm Ticketsat Mandel Hall Box OfficePERSONALSWriters' Workshop PLaza 2-8377.Interested in no frills low cost Jet travel toSouth America? We can help you enjoy Latinnights with low cost flights. For more information, contact: Faucett Airlines, 630 Fifth Ave.New York, NY 10111 Phone (212) 581 1404.Happy B day mom Bauer love & kisses the Hit¬chcock boys.T.D.F.C Members: We have chosen April 1stas Annual TDFC Day. TDFC 4-ever! Love,TDFCChrissie and Judy-You're our TDFC! LoveMick and Keith.Karu Come out of your cave—it's Spring!Interested Parties (DJP) 1st Annual NancyLook A Like Contest. See Fluffy, Buffy, or MuffyJust Who is this Doctor fellow anyway andHow did this police box get in my bedroom?hmmmCMON LET'S CRAWL!Muffy and Buffy On Valentine's Day We WereDuds Now let's stay away from Spuds FluffyDead students aren't much fun. So, when areyou going to awake? USArrakisHappy Birthday MARK! Looking forward to atleast 20 more yrs of friendship. E FB & B JSPapa: Thanks for the boost. You're right thereare more fish in the sea! Ex 5339Mom Bauer: Is it really that big or is thisanother fish story? SnellGarp, Garp, where are you? Long time nohear. Barefoot DreamerIts time for a True King party.Mom Bauer: Some birthday abuse for that"Abuse me" face.We have the lowest prices and highest qualityof any coffeeshop Social Science CoffeeshopAuditions for two one act plays hello out there& reunion Feb 27, 28 4 6 Reynolds Club.DICE OR DIE T.D.F.C. Meeting tonight,Don's Place, Mandatory!18—The Chicago Maroon—Friday, February 19, 1982WANTEDIndian and Greek Donors for artificial in¬semination Needed call 947-1775.LOST & FOUNDLOST: Seiko wristwatch with date and alarm,please call 324-3125.FOUND: Small black dog w/wiry hair. Thin,long tail, found 55th & Kenwood 2/17. Call Lynn752 4600 ext 293, day; 643 3983 eve.RIDESRide NEEDED-3-17 to Kansas City Carol 947-9720UNBALANCED MUSICThe Peer Pressure Radio Show specializing inforeign and domestic independents, along withFrank Sinatra and Judy Garland. Wed. nights11 pm 2 am on WHPK 88.3 FM. Sponsored byWax Trax Records.STEPTUTORINGHelp a kid feel bright and intelligent. Volunteerto tutor an elementary or high school studentfor two hours a week. Contact Peter at 643-1733for more information.DOES YOURMIND MATTER?It does to us. Right and left handers needed toparticipate in fascinating and profitablestudies on brain asymmetry. Please call 7534735 for info.THE PHOENIXThe Phoenix now has a large selection ofbudget records for between $2.00 and $3.00.Check us first...we're the Phoenix.MOVINGStudent with Pickup Truck can move your stuffFAST AND CHEAP. No job too small! CallPeter at: 955 5180 lOam-lOpm.CONDO FOR SALELovely sunny 5 rm condo, 2 BR. Totallyrenovated, oak fl & buffet, frpl., bale., PLUS!Fin. 12%. Call Karen d. 947-5456, e. 947 0859.SPEND SPRING BREAKon the Caribbean beach in Cancun, Mexico.Stay at the Bojorquez Hotel on the beach. Air¬fare, accomodations, transfers and more foronly $429. For information call Alan at 869 9257UC HOTLINEFor information and referrals, help in a crisis,or just someone to talk to—call UC Hotline 7531777, 7 pm to 7 am every night.STRESS GOTYOU DOWN?A workshop on STRESS will be presentedMONDAY February 22nd, 7:30 Ida Noyes 3rdfloor theatre. Free For more information, contact Laura Meyers 753-4535 chair, Stress TaskForceGAY? LESBIAN?GALA sponsors a weekly coffeehouse on Tuesday nights at 9,00 pm in the Reynolds ClubNorth Lounge. Refreshments and camaraderieare served free of charge. All are welcomeFollowing the coffeehouse, the GALA discussion group meets to discuss issues, problemsand concerns of the gay and lesbian community in a warm, supportive setting. Everyone isinvited.AUDITIONS FORSHAKESPEARE'S"TITUS"Rockefeller Chancel Players announces auditions for Titus Andronicus Feb. 22, 23, 25, 20male, 3 female roles. Alumni Please! For infoand appt call Ron 667-1241FOLK MUSICIANSHIT AND MISS Country Dance Band needsyou! Learn traditional and Baroque dancetunes; play for enthusiastic dancers Musicprovided. Guitar, fiddle, mandolin, flute, pianoall needed. Call 241 6738 or join us for dancingWed. at 8 pm in Ida Noyes. RELOCATIONENGINEERSW.P. Bear Moving Co.: We Move AlmostAnything Almost Anywhere. Call 24 hrs a dayat 241 5264.WOMEN'S RAP GROUPWomen's Rap group meets every Monday at7:30 pm at the Blue Gargoyle, 5655 S. University Ave. Sponsors are Women's Union & University Feminist Organization For info call 7525655.ORIENTAL CARPETSRECENT price checks at two major dept,store "Sales” confirmed that our carpets sellfor less than 0 price and are a MUCH FINERquality. Prayer rugs to room-size carpets.Geometric & floral styles. D. Bradley 288 0524GILBERT ANDSULLIVANTHE GONDOLIERS at Mandel hall, 57th &University, tickets $7; Sunday, March 14 at 2pm, tickets $3.50. Tickets available at MandelHall Box Office.THE HUNT ISON!Scavenger Hunt for anyone in the Housingsystem. Prize $200 to the winning house. Startsin front of Reynolds Club at 8:30 am, Saturday,2/20. Sponsored by the Inter-House Council.NEEPATYPIST?Excellent work done in my home. Reasonablerates. Tel: 536 7167POETS!!The next Literary Review due date is Feb 26have all your work submitted to Maroon Officeby then. Make sure to include name and ad¬dress we need short fiction and art as well. Allcreative work welcome.JAKE AND ELWOODAT THE U OF CHOTLINE TRAININGThe University of Chicago Hotline will be ac¬cepting 20 students into its 1982 spring trainingprogram. We are looking for compassionateand dedicated graduate and undergraduatestudents, who are willing to take on thechallenge of working on the Hotline next year.All those interested in applying for a place inthe training program should come to one of twoinformation meetings at 7:30 pm in Ida Noyeson Tuesday February 23 or Wednesday,February 24.HEY! HEY! HEY!Even Fat Albert could Country Dance! Beginn¬ing dancers invited to join us Wednesdays at 8 Classified Adspm in Ida Noyes to learn folk dances of theBritish Isles. Free. Call 241 6758 for info.ART INSTITUTEMembership cards have arrived! You pay $9for memberships which usually cost $15. Enjoyfree admission, museum store discounts, otherbenefits. Rm 210, Ida Noyes Hall.THE BLUESBROTHERSRETURN TOCHICAGOSee THE BLUES BROTHERS this Saturdaynight at 7:00, 9:30, and midnight. Shown inQuantrell Auditorium by InterHouse Council.Admission is $2.00HOUSING ALTERNATIVEInexpensive housing in co-ed community isavailable for next year. Applications will beaccepted at our OPEN HOUSE this Sundayafternoon. Stop by DU at 5714 S. WoodlawnSCAVENGERS ARISE!Scavenger Hunt for Housing system residentsprize $200! Starts in front of Reynolds Club at8:30 am, Saturday 20 Sponsored by the IHC!SYM WIND ENSEMBLEWINTER CONCERT Fri Feb 26 Mandel 8:00pm. There will be some openings for woodwinds in spring. Contact Mr. Cooper 493 1915753 2105 ext 708GAY"LOVE"GALA is sponsoring a trip to the Water TowerTheater to see the newly released film with agay theme, "Making Love." We will meetTuesday, February 23rd at 9:00 in theReynolds Club North Lounge. This event willtake the place of the usual Tuesday GayDiscussion Circle. Transportation will be provided. Please be prompt.READINGA Poetry And Fiction Reading of Works in Progress. Thursday, Feb 25, 8:00 pm InternationalHouse. 1414 E. 59th St. HomeroomRefreshments provided. Admission Free.There will be a FOTA meeting on TuesdayFebruary 23 at 7:00 P.M. in Ida Noyes—all in¬terest are invited to attend, to help plan thisyear's festival.Calendar moved to page 3HYDE PARK UNION CHURCH5600 S. Woodlawn Ayo.Church School (alt ages) 9:45 a m.Worship 11:00 am.Nursery ProvidedW. Kenneth WiHiams, MinisterCome, Worship, Study, Serve -court xusioannouncesOPENAUDITIONSSTUDENTS ARE ENCOURAGED TO APPLYSATURDAY AND SUNDAY REYNOLDS CLUB THEATREFEBRUARY 20 & 21 57TH AND UNIVERSITY4:00 to 6:00 p.m.See The Blues Brothers this Saturday night at7:00, 9:30 and midnight. Shown in QuantrellAuditorium by InterHouse Council. Admissionis $2.00HAIRCUTSProfessional, in my home. $10. Other skin/hairservices available. Call Merrie 324-4105 SHALOM, SHALOM!!The UC United Jewish Appeal Phoneathon isexpanding. If you are interested in helping theJewish communities of Chicago and around theworld, call Hilorie, at 667-4599, to help out spr¬ing quarter.FOTA UHOUSESAN AFFORDABLE HOUSE in historic HydePark! Three bedroom greystone now available$80,000. Call today and ask about 11% owner fi¬nancing. No Balloon!THIS LOVELY Queen Anne family home boasts3 fireplaces, tiled kitchen and bathrooms Lots ofstorage space, fenced back yard, 2 car garage.Asking $125,000.IN THE TREES IN KENWOOD ..tucked inamongst mulched flower beds this quaint 7 room2 bath home is an ideal spot to curl up by the cozyfireplace and read a good book — Call today!$125,000.LET’S TAKE A LOOK at this beautifully locatedtownhome. The eat-in kitchen has lots of morn¬ing sun There’s a rec-room and fenced backyard. It’s recently redecorated and ready for anew family! Buy it for only $105,000.CONDOMINIUMSHAMPTON HOUSE SPECIAL — former modelapartment with beautiful interior design, threebedrooms, 2 baths, eat-in kitchen, spacious,sunny unit with lake view. Top security building.Good owner financing! Low $100’sTHE MEWS. Lovely, lovely building. This 1 bed¬room plus study has natural woodwork, beamedceiling, and a woodburning fireplace. A superbuy! $55,000.PANORAMA CONDOMINIUM. Hyde Park’smost complete renovation of a charming old sixunit building, over 2000 sq. feet, and a wine cel¬lar $114,500. Call today! Or rent with option tobuy. $850 per monthWILL NOT LAST - 3 bedroom condo in Rayschool district. 2 modem baths and remodeledkitchen add to the charm Friendly building witha park like back yard $80's.NARRAGANSETT' Gorgeous’ Beautifully de¬corated. 2 bedrqoms. Owner financing Readyfor moving in. Mid 80’s. Call today.AFFORDABLE - This bright and sunny 2 bed¬room is priced to sell now' Modem kitchen, oakfloors and a dining area included Low $50’s.UNIQUE the floor plan in this gracious 3 bed¬room assures privacy. A woodbuming fireplaceand lovely built-in pieces add to the charm.Large porch with Southern exposure affords aview of greenery Mid $80 sNEWrPORT - Glorious views from this one bed¬room, wall to wall carpeted condo Priced rightin the $50’s.PRIVATE TOT-LOT. This lovely 7 room 2 bathcondo has lots of light. It's on the first floor andopens up to a fenced back yard with private tot-lot. It's a real buy in the upper $60's Let's take alook!OWNER FINANCING is available on this 4 bed¬room, 2 bath condo in an ideal East Hyde Parklocation. Over 2000 sq. ft. and a big back yard.Mid $80’s.ELLIS ESTATES. Only 4 left! 4 & 5 bedroomsFrom $76,900 Call today' Possible owner financ¬ing.COMPLETELY REDONE Financing possibleBeautifully refinished wood Call about this 2bedroom plus study in the Ray DistrictSHORELINE VIEW from this spacious 5 roomcondo Fantastic storage, breakfast room andformal dining room for only $60,000PRICED TO SELL , affordable, campus loca¬tion, one bedroom condo; hardwood floorsthroughout, lots of Southern sun and light Low$40’s.THE RIGHT LOCATION south of 55th, 2 bed¬room home with family room, modem kitchen,garage Mid $80’s.COOPERATIVESLUXURY LIVING in an elegant 2 bedroom, 2bath co-op building. Owner financing $50,000.POWHATAN - Elegant living in this 14th floorunit with woodbuming fireplace Exceptionalbuilding amenities, security and service Call formore information.PRICED TO SELL. One bedroom, lake viewco-op perfect for single or couple Near to park,lake, transportation $11,000We have an excellent selection of prime listings.Call today for your personal copyBUILDINGS• 6,000 sq. ft. zoned B2-4 plus 26 apts. $405,000.• East Hyde Park Blvd , 18 units. Owner financ¬ing available $325,000• 61st and Drexel, 24 units. Investor’s invited$165,000HILD REALTY GROUP1365 E. 53rd St.955-1800The Chicago Maroon—Friday, February 19, 1982—19TODAY!PhoenixRises fRomtheAshes. 0,%tEVERYTHING IN THE STORE WILL BE ON SALERECORDS $8.98 list, reg. $6.75, now $5.70$5.98 list, reg. $4.50, now 3.75all other albums and boxed sets $1.50 off10% off singles, imports, discwasher products,tapes, T-shirts.</>LU5 Boxed games 30% off< all other games 20% off(3 c/>x:OOCD Books 20% and expanded budget section withincredibly low prices</> Feb. 19thCl open from 9:30-12:00 midnightO free prizesI great contest, great grand prizeEnter the Phoenix Rising from the Ashes Crossword puzzle contest and you canWIN 20 FREE ALBUMS*$9.98 list price or less.Official rules and additional copies of the puzzleavailable at the Phoenix Bookstore.Winner determined by drawing from entries withthe greatest number of correct answers. Alldecisions are final. ACROSS1One who luxuriates in luxury8 Outstandingly bad16 Concise17 An eastern potentate20 Not tightly wrapped21 What Mary s pet s boyfriendwould be22 Neat pm23 Destroy25 File26 Shy29 Japanese coinage30 —Yeller (Disney Movie)32 Vietnamese holiday34 A rare element36 History39A conveyance, sometimeswith fringe43Someone from Thailand46 You and me47 Run out on a48 Unable to do the |ob53 Fool54 Rock57 Nothing59 Negative60 Painful61 A young insect62 Rams or bears63 An omen (Mid Eng)64 Dull and gray (poetic)66 Put in place68 Diminutive Suffix69 Mug70 A pub drink71 — Lanka73 With74 Papa s granddaughter(initials)75 Small mark76 Prepare for war77 Stick78 —Etliot80 Status-82 Instead of83 There84 Food fish87 A measure of power (abbrv)89 A reward in New Zealand91 Without seeds (Span)94 Greek letter96 Move a little99 What you get when you takea paddle out of the water100 An individual who showsancestral characteristics101 SlantCheck Us First...We’re the Phoenix(Basement of Reynolds Club)— DOWN1 Utah or Wyoming2 Opposite of nosir3 A prickly shrub4 In the capacity of5 In— (about)6 Movie directed by Polanski7 First name of Bozo8 Chicago s public transporta¬tion9 Supreme one10 Base11 Letters12 A bodily movement13 Raw metal14 Short lived Arab state15 What de Sade liked18 007 s creator, Flemming19 The Name of the Gamestar (init )24A tendency to make wholes27 A roman two28 One of the U of C s frats31 Opposite of hi33 Near35 Pronoun37 Oxidation38 Think highly of40 Egyptian sun god41 Washed lightly42 Omission of a final word44 Sam Clemens home45 The Orient48 —european49 Negative conjunction50 A sacred poem51 Ripped52 Animal55 Sacred promise56 Executioner s Song, author(Init.)58 A time of fasting83 An ending for ball64 Hearing organ67 Share69 A person of easy virture72 Israeli PM Irtzak—76 A natural cushion77 An ending tor old and road79 Knife (slang)80 Pimple (old word)81 Remove83 Ouiet mouse85 Patty Hearst s nemisis86 Was seated88 Hawaiian staple food90 Tend92 Pronoun93 A parent s stock answer95 Kojak star (init )97 Chinese weight98 Negative prefix