*-EditorialsCorporate Rhetoricpage four Grey CityIrish MusicGCJ pg sixThe Chicago MaroonVolume 91, No. 31 * The University of Chicago ©Copyright 1982 The Chicago Maroon Friday, January 29, 1982UC Insurance may leap 50%A local Illinois Central platform By Darrell WuDunnUniversity students can expectan increase of up to 50 percent inpremiums for the UC student BlueCross/Blue Shield (BC/BS) healthinsurance plan for next year, ac¬cording to University officials.While no figures are yet final, aUniversity health service officialsaid a rise of at least 20 percent inthe $60 per quarter premium is li¬kely.The University is still negotiat¬ing with BC/BS on the exact costsof the plan. However, the initialproposal presented by BC/BS re¬presented “extraordinary in¬creases” over current rates, saidVice-President for Financial Af¬fairs Alexander Sharp. He did notgive any specific figures.1C fare cut-back gets backingBy Robert DeckerThe cost of a ride on the IllinoisCentral railroad CIC) from HydePark to the loop may be cut by al¬most one-half if a proposal now be¬fore the Regional TransportationAuthority board is passed Thurs¬day.Approved by the RTA’s trans¬portation policy committee yester¬day, the new rates would bring theprice of a ticket down to $1.35 oneway to or from the loop from thepresent $2.15.The proposal, according to FifthWard Alderman Larry Bloom, isthe result of several months of dis¬cussions between the RTA andHyde Park and South Shore citi¬zens in an effort to improve theusability of the IC trains.Since fare hikes last year, Bloom said, ridership has dropped “dra¬matically” on the IC while CTAbuses on South Side routes have be¬come “seriously overcrowded” be¬cause of commuters trying toavoid the high IC fares.The argument put to the RTA,Bloom said, was that fares on theIC within city limits should be com-. puted on a different basis than thatused to compute fares to and fromsuburban destinations. Riaers now-pay the same price on the IC to goto Hyde Park as riders on anothercommuter railroad might pay to goto a town 15 miles away.The $1.35 fare, if approved, willcover stations between 47th and91st streets, to and from the loop. Amonthly fare will be $47.25, downfrom the present $58.05. Themonthly ticket reduces the price ofSG kills funding ofInquiry, LampoonBy Anna FeldmanFunding requests by two studentpublications, Inquiry and The Chi¬cago Lampoon, were denied byStudent Government at a meetingof the Assembly Wednesday.Inquiry is a journal that pub¬lishes essays and papers of under¬graduates which were written forcourses. It has been funded by SGsince its conception four years ago.The Chicago Lampoon printshumor and satire, and had pub¬lished only two editions.According to George Kampstra,chairman of the SG Finance Com¬mittee (SGFC), Inquiry’s budgetcuts were made on the basis of theSG constitution. He said Inquiry isineligible for funding, since it pub¬lishes essays by undergraduatesalone, and since its editorial boardconsists only of undergraduates.“It violates the constitution to givemoney to groups which excludeother sectors of the (student) popu¬lation,” he said.Kampstra also said that becausethe magazine publishes articles a daily ride to $1.20.“The $1.20 charge will bring theprice of a ride close to the busfare,” Bloom sajd, “which is aslight premium.”Bloom said the premium is jus¬tified because of the greater con¬venience of the trains over CTAbus service.As an incentive to use the IC,holders of weekly, monthly, and 10-ride tickets will be able to ride CTAbuses to and from the IC stations inHyde Park and South Shor^for 60cby showing their IC ticket to thebus driver.The 60< fare, Bloom said, isequal to what suburban commut¬ers pay for shuttle service to andfrom the railroad stations. Thefare would be offered only on busroutes which intersect the IC line.If the RTA board approves thefare cuts Thursday, the reductionwill go into effect March 1 on a six-month trial basis.“The trial period is necessary toshow that the fare reduction wouldresult in a net gain on the balancesheet for the RTA,” Bloom said. Steven Weiner, the assistantdirector of the University HealthService (UHS), said BC/BS is ask¬ing for large increases in order tooffset considerable deficits in¬curred over the past two years inits program with the University.BC/BS underestimated claim pay¬ments for this year, keeping pre¬miums at the same rate as lastyear.Weiner said that “Even w-ith therate increase, the BC/BS plan willstill be the lowest priced healthplan for the students.’’Last Monday, Blue Cross/BlueShield of Illinois requested rate in¬creases averaging 29 percent forits individual and small group poli¬cy holders. BC/BS, the state’s larg¬est health insurer, has had severefinancial problems in recent yearsdue to soaring medical and hospi¬tal costs.After BC/BS presented its pre¬liminary proposal to UC, theHealth Services Advisory Commit¬tee, which consists of administra¬tors and students, discussedwhether the insurance coverageshould be curtailed in order to less¬en the premium increase. Thecommittee recommended to keepthe 100 percent coverage currentlyoffered.Dr. Thomas Jones, director ofUHS and a member of the commit¬tee, said that the coverage had tobe uniform for all students underthe plan in order to get the lowestrate. The University BC/BS planfalls under the insurance com¬pany’s large group line. Approxi¬mately 3500 students are enrolledin it.Two alternative proposalsemerged from negotiations be¬tween BC/BS and UC health ser¬vice officials and are now beingconsidered by the UC Office for Fi¬nancial Affairs.Under the first proposal, the1982-1983 contract would beginSummer Quarter as previous con¬tracts have. This year's contractprevents BC/BS from raising rates until next autumn. A new contractbeginning Summer Quarter wouldallow BC/BS to increase premiumsfor the summer and help offset itsdeficits on the current contract.Under the second proposal, thenew contract would begin AutumnQuarter but with rate increaseshigher than those in the first pro¬posal. Summer Quarter premiumswould remain at $60.Weiner said that he recommend¬ed the first proposal to the finan¬cial office because premiumswould be lower for the Autumn,Winter and Spring Quarters whenmore students are enrolled in theinsurance plan.Officials from the UHS and theOffice of Financial Affairs wouldnot discuss actual rate increases.However, Weiner said that in thepast two years, in which BC/BSrates remained at $60 per quarter,medical costs inflated 30 percent.With additional increases neededto make up the deficits incurred,the 1982-1983 premiums would goup even more than that inflationrate. Weiner said.UC Budget Director Ralph Mull¬er said that while the rate increasewill be considerably above the gen¬eral inflation rate, he does not ex¬pect the increase to be more than20 percent.Yearly rate increases are basedon data compiled by BC/BS and ex¬amined by the University, onclaims paid to policy holders andpremiums received.Weiner said that proposals werealso considered from five other in¬surance companies, but that noneof them were as good as BlueCross's proposal. Furthermore,none of the other companies of¬fered 100 percent coverage. Thefive other companies are Mutual ofOmaha, New York Life, Aetna,Metropolitan Life, and Pruden¬tial.The University also surveyedother universities. Weiner saidthey did not offer as extensive aninsurance plan as UC.from students in the socialsciences and humanities, “It has anarrow appeal” for students not inthose divisions.Karen Kapner, coordinator of In¬quiry, spoke on behalf of the maga¬zine in an unsuccessful appeal forfunding at Wednesday’s meeting,after having been refused funds ata SGFC meeting Saturday. “I’mvery disturbed about (SG’s) rea¬soning,” she said. “Inquiry is oneof the few, if not the only, studentpublication that tries to foster aconcern outside of class about thequestions which all students in thisUniversity are thinking about andtrying to direct themselves to in¬side of class.”Kapner denied the allegationsthat the editorial board of Inquiryis biased, or that the magazine isexclusive. “It is a charge based onrumor,” she said. “We read paperswithout the names of the au¬thors... to assure fair reading (bythe editorial board).”Continued on page four The Museum ofScience and in¬dustry, a mecca forschool children andtourists, offers aneducation beyondit’s flashing lightsand talking exhibits.See story on page19urnMM ;I f -V/X '!&. Y<:■. . •PHOTO BY WILLIAM MUDGE*I—•I*.i'./ c..x *H* w * <-* ».;7 v*.* •::'yi'•* * *• .:*f• . - '* • • fi*v*uK»y'Ol^I /-UMd Jl&ctuAJL.CAN STATES BE MORAL?PROF. BRIAN BARRY . DCPTS. OF POLITICALSCIENCE AND PHILOSOPHY AND THE COLLEGE,EDITOR OF ETH<CSFRIDAY JANUARY 288=30 PM.AT HILLEL571? S. WOODLAWM I • •.♦v*: v/:• > •**,"v. • • ••C^H* ** * .S.5;jy,•Hyde Park Coop Your member owned supermarket55th at Lake Park • 667-1444Hours: Mon. - M ed. 9-7:30, Thurs. - Fri. 9-8, Sat. 9-7, Sun. 9-3If you haven’t shopped the Co-op lately, we’d like to remindyou of all you will find under our roof: a delicatessan, a liquorstore, a home economist, a credit union where you can save orborrow, a bank branch, and a post office.That’s in addition to more varieties of more foods thananywhere else in the neighborhood.If you haven’t been to the Co-op, come in, look us over, andtake advantage of our weekly sales-pick up our newsletter atthe store and see what the bargains are this week.SHORTConvenience1514 E. 53rd Street CO-OPStore Hours:Mon. - Sat.8 a.m. to 11 p.m.Sunday | Holidays8 a.m. to 9 p.m.Swift's PremiumBACON1 Ib.Pkg.Reg. $2.09$]59 Country's Delight Country's DelightAMERICAN SKIMSINGLES MILKReg. SI.63 Half Gal.12 oz. Reg.99<$]39 69< BANANASReg. 49C lb.•Sale Prices Effective Thru Feb. 2At the Co-op, we care. WednesdayFebruary 10*8 pmMandel Hall$6 STUDENTS *9 OTHERS2 Tix/UCID2 UCID/PERSONOn Sale Now At theReynolds ClubBox Office2—The Chicago Maroon—Friday, January 29, 1982News in briefHyde Park S&Lrobbers caughtTwo suspects were captured after a rob¬bery Wednesday at the Hyde Park FederalSavings and Loan Association, at 5250 S.Lake Park. Al) but $725 of the over $6000 sto¬len was recovered.The robbery occurred between 11:30 and11:45 a.m. The two suspects handed theteller a withdrawal slip with the words,"This is a stickup, don’t make it murder,”and the figure $1000 written on it.The teller, not knowing whether they hada weapon, gave them over $6000 in cash andthen activated the silent alarm.Detective John Gallagher an off-duty Chi¬cago police officer, moonlighting as a secu¬rity guard chased the suspects after seeingthem flee from the S&L carrying a plasticbag.Gallagher chased the suspects to 52nd andDorchester where he and two other policeofficers apprehended the two suspects.$6065 was recovered, police say. No weap¬ons were found on the suspects. One of thesuspects is 22 years old. The other is 16 andbeing held in Juvenile Detention Center,pending a hearing.Court date formugging suspectToday is the first day in court for IsaacRoberson, 17, 833 E. 52 St., who is accused ofthree separate cases of armed robbery andof unlawful use of a weapon.Roberson was arrested in Hyde Park withRussell Goldman, 21, and a juvenile friendin the early hours of November 21. Goldmanwas later found hanged in his WentworthAve. holding cell.Roberson will appear before JudgePalmer in the courts building at 26th and Ca¬lifornia Ave. Public Defender Mary JanePlacek is scheduled to defend him. Dr.vHannahDear Hanna(h)President Gray has at last come out with aringing statement about higher educationbut says she doesn’t remember saying it.And notwithstanding the criticism of someindividuals on this campus, the statementhas appeared where the greatest number ofteeming masses are likely to read it: AnnLanders’ nationally syndicated column.A reader from Athens, Ga., wrote in to re¬mark that a parrot at Purdue University ]who has learned to respond to various stim¬uli ‘‘including shapes and colors,” provesthat ‘‘too many ‘scholars’ can get by if theysimply mimic what they hear. They don'tneed to understand anything.”“DEAR ATHENS,” responds MissLanders, ‘‘Dr. Hannah Gray, president ofthe Univesity of Chicago, said it best. Actu¬ally, she doesn’t remember saying it at all,but I was so impressed I wrote it down —and promptly lost the slip of paper. Here’sthe reconstructed version:“ ‘How remarkable that so much informa¬tion can go into one ear of a college studentand out the other, without engaging any partof the brain.”‘‘That is about as accurate a descriptionof the ‘absorb-and-regurgitate’ approach asyou will ever hear,” Ann replies. ‘‘Thanks,Hannah.” Gray vs.the ‘real world’By Miriam BassmanUC President Hanna Gray, speaking re¬cently at a meeting of Women in Manage¬ment, reaffirmed the need for a liberal edu¬cation, saying ‘‘There is a clear perceptionthat it might have been okay at one time tofocus on the breadth and liberality of educa¬tion. Now there’s a sense of a need to focuson the ‘‘real world” and the ‘‘utility” of edu¬cation.“I’m aware of the conflicts students havein learning and exploration versus the pres¬sures, both internal and external, to chose aprofession, to chose a goal that will yield alife-satisfying career. There is a clear senseof diminishing resources and heightenedcompetitiveness,” Gray said.But despite the current emphasis on tech¬nical expertise, Gray said she still considersthe study of liberal arts as the “route mostproductive of the development of human po¬tential.”She cited the work of Martianus Capella(410 - 439 A.D.) The Nuptials of Mercury andPhilology, which includes an allegorical de¬scription of the seven maidens of the liberalarts, each declaiming on her discipline.“Nowadays those seven ladies would beup against the wall. The firing squad wouldbe people in pin-striped suits with computerterminals,” Gray remarked.She emphasized that the ability to dealwith the larger issues of life and death,choice and judgment, the complexity of themodern world and ways of working throughit, must be nurtured from the world ofideas.A sense of relatedness of things, she said,is something which no single technical de¬gree can give one. “You must ask yourself,‘Is technology driving you or are you drivingtechnology?’ ” she said.“The liberal arts floats into and strength¬ens professional identities. Our aspiration isto produce people who are critical, indepen¬ dent, never satisfied, constantly redoingtheir own education,” said Gray.On a lighter note, to describe her role aschief administrator of the University of Chi¬cago, Mrs. Gray quoted Casey Stengal:“The secret of managing a club is to keepthe five guys who hate you away from thefive who haven’t made up their mindsyet.”Her view of the president’s job is againsomewhat different from the currently“popular” opinion, she said.“The endemic view is that an administra¬tor is an academic that didn’t quite make it.There is a current view that the president ofa university should be judged as a manager,fundraiser, allocator of resources, a spokes¬man for the university dealing with externalagencies. This is a dangerous view.”Gray said that the president should be avisionary with a sense of commitment to theultimate mission of the university.“I want to enable and to stimulate peopleto do the best possible work at the highestlevel. I wTant to make circumstances suchthat allow for creativitv and risk-taking.”NCD degreesWendv Olmsted, master )f the New Colle¬giate Division (NCD), haf told the Maroonthat all students who are presently in theNCD will be able to receive an NCD de¬gree.In addition, the NCD will become thehome of experimental courses, new coursesequences, workshops, lectures, and confer¬ences, she said. New degree programs willalso “find their home in NCD when appro¬priate,” Olmsted said. Degree programsnow existing in NCD are “likely” to contin¬ue, she said, not indicating for how long.CorrectionThe headline on the story about the Uni¬versity’s alcohol policy in Tuesday’sMaroon incorrectly stated that permissionhad been granted to serve alcohol in IdaNoyes hall. In fact, as the article stated,only FSACCSL had passed recommenda¬tions on the matter, and the policy is nowunder review by the administration. TheMaroon regrets this error.Show us a copy of their baby pictures or yourbaby picture...and Get a Free dessert with dinner. Stop in for dinner, alight snack or a drinkbefore or after anevening’s study.Try us for Sunday brunchand save room for ourhomebaked dessert & pastrybuffet.LUNCH: TUES., -SAT. 11:30-2:30DINNER: MON. - THURS. 5:00 - 10:30 SAT. - SUN.5:00 -12:00SUN. 5:00-9:00SUNDAY BRUNCH: 10:30 - 2:30American Express, Visa & Master Charge Taken. Limited Reservations Accepted^55th & HYDE PARK BLVD.643-5500The Chicago Maroon—Friday, January 29, 1982—3EditorialsOur new corporate rhetoric? Keith HorvathFinding answers toquestions of rhetoricOne of the more disturbing things to come out around here in the past year isJonathan Z. Smith’s State of the College Report, covered in last Tuesday’sMaroon. What was most striking about the report was its candor. This is in starkcontrast to language and style of the pronouncements which usually emanatefrom the Administration. Frankly, it was good to hear that somebody up theredoes recognize that the admissions department has not been successful in improv¬ing the image of the University.Among prospective students it was good to hear that administrators do realizethat the so-called “second quartet,’’ the extradivisional sequences students usual¬ly take in their second year, is a facade and is not doing what it was designed todo. And it was good to hear a recognition that the College is not attracting enoughprofessors to teach in the core.What was not so comforting was the emphasis of the proposed solutions to theseproblems. Instead of searching for creative, substantive changes, Smith’s reportsuggests that a new “corporate rhetoric’’ be initiated. For example, largenumbers of high school seniors decide not to come to Chicago because of “nega¬tive social environment.’’ Smith believes that he can change all that by improvingthe brochure and the events of the College Orientation Week.Unfortunately, even though a brochure can make this place seem like The Uni¬versity of Chicago at Malibu, when new students come here and see that it’s onlyChicago, they won’t stay. Instead of trying to gloss over the negative social envi¬ronment in a slick brochure, Smith should move to improve the actual environ¬ment.How to improve the social environment? Smith talks a lot about the “extraor¬dinary involvement of the faculty in the extracurriculum,” but the fact is thatstudents and faculty members at UC live largely in two different worlds. Thefaculty disappears nightly into its Faculty Studies deep within Regenstein andinto the inner sanctum of the Quadrangle Club, and the student body goes to theA-level cafeteria and Jimmy’s. There must be some way to promote a greateramount of spontaneous interaction between these two groups. If a facultymember would deign occasionally to break bread in Pierce cafeteria it wouldprobably make more of an impression on new students than all the elegant rheto¬ric which Smith and Co. could muster.Indeed, there are some limitations on College life which are probably wellbeyond Smith’s grasp. Chief among these is the absence of such amenities as latenight stores, restaurants, and delicatessens within walking distance from the Uni¬versity. Although it may be heresy to say so, Jimmy’s and Harold’s do not strikeevery student as being swell places to go night after night. The only grocery openafter 8 p.m. is more than a mile from most residence halls. It would be a step inthe right direction if the University were to bring some of these services closer tocampus, and extending their business hours to conform with students’ hours.There seems to be a consensus within the Administration that things are justfine here and that as long as we can represent things better we’ll be O.K. Thingsare not fine as all that. The image problems of this University correspond to realproblems. It’s about time the administration behaved in an open.and substantivemanner. Slick brochures, and new “corporate rhetoric” will not suffice to do thejob. •LettersAdministration responds on harrassmentTo the Editor:The University is as concerned as theMaroon that there be no sexual harrassmenton the University of Chicago campus.The present policy, and procedures fordealing with it, as stated in the Student In¬formation Manual, are the result of discus¬sions by more than 30 students on the Presi¬ dent’s Student Advisory Committee, and the1980-81 Student Ombudsman. The studentswho contributed to its preparation were un¬dergraduates and graduates, men andwomen. They recognized not only theseriousness of the problem but the necessityof effective procedures that also were sensi-.4—The Chicago Maroon—Friday, January 29, 1982 Letterstive to issues of reputation.If experience demonstrates that the pro¬cedures in use are not effective, they canand should be improved. But it serves nopurpose to accuse people of bad faith and“callous disregard” when they are follow¬ing agreed upon procedures.Sexual harassment is despicable anytimeanywhere. It is particularly offensive at aUniversity which prides itself on informaland collegial relationships between its fac¬ulty and its students. When these relation¬ships are abused, the integrity of the Uni¬versity’s educational process itself isabused.Charles D. O’ConnellDean of studentsGarbled rhetoricTo the Editor:Last quarter, seventeen faculty membersthronged to listen to Dean Smith’s trial runof the University of Chicago’s “new cor¬porate rhetoric.” The other nine hundredand , eighty-three professors are, under¬standably, sitting at home, sipping warmrum, and waiting for the haze of Smithianthesis and antithesis to dissolve into simpleEnglish. Smith’s poignant appeal for“clarity” on issues must have drawn heart¬felt assent from alTlhose who read Tues¬day’s Maroon.A few of the more incomprehensible (orperhaps all-too-comprehensible) state¬ments: Smith sees the University permit¬ting more and more graduate students toteach classes, a change in which the College“must play a leading role.” Amazingly, weare told that the number of grad studentsteaching in the college will at the same timedecrease. “In no case,” says Dean Smith,will a grad student replace a facultymember — except, of course, for those wist¬ful doctoral candidates currently teachingin languages, math, economics, and in theCommon Core. Perhaps Dean Smith con¬siders faculty-run education to consist in sit¬ting in a Monday lecture with a hundredother students before breaking up later inihe week into grad-taught section meet¬ings.This differs in no way from existing pro¬grams at Harvard, yale, and other topschools. Along with the demise of the NCD,it seems that little will soon remain of whatonce made Chicago a distinctive college. Itis no wonder that Smith senses a difficulty intrying to pander this betrayal of past stan¬dards off as “positive” reform to prospecti-CampusPublicationsContinued from page oneShe also addressed the complaint she saidKampstra cited to her that “it’s to some¬one’s advantage if someone knows amember of the editorial board, or has writ¬ten a paper in a class for Amy Kass.”Kapner said that in nine issues printed in In¬quiry’s 4y2 years, only one issue included apaper written in a course taught by AmyKass, Inquiry’s faculty advisor; she saidthat only four articles published had beenwritten by members of the editorial staff.Inquiry is distributed to Regenstein andHarper libraries, Reynolds Club, and IdaNoyes Hall. Copies are also brought todorms, and between 100 and 150 of the 1000copies printed are sent to professors in thehumanities and social sciences divisions.According to Kapner, this is to familiarizethese professors with the magazine so thatthey can suggest students whose papersthey have seen as outstanding.While the editorial board does encouragethese divisions more than others to contri¬bute to the magazine, Kapner said, othersare not excluded from doing so. In the past,Inquiry has published papers on thesciences, but less often, since the topics aremore specialized and, Kapner said, not ascommon to the student body as a whole.Graduate students, although not permit¬ted submit writing to Inquiry, saidKapner, may join the editorial board, andmay, as well as undergraduates, pick upcopies of Inquiry to read.“The magazine is made available to theUniversity body as a whole — to faculty andto all students,” said Kapner, “and has a ve students. Prospective students, them¬selves, seem to be having a harder andharder time coming up with above-600 SATsand top high-school rankings, together with$5000. Financial means, naturally, play norole in students’ admission to the college:the Administration simply makes up theseprofiles in order to amuse themselves.One can, of course, applaud the creationof the “Forum,” where these issues can befurther discussed in a “graceful and posi¬tive” manner commensurate with Smith’sown garbled buffoonery.George HoffmannIndependentendorsementsTo the Editor :Your Tuesday headline “Currie loses In¬dependents’ endorsement” gave me quite aturn. It would indeed have been new's if thelocal chapter of the Independent Voters ofIllinois/Independent Precinct Organization(IVI/IPO) had decided, even before the can¬didate interviews scheduled for February 1,to oppose me in the March 16 primary. Yourheadline instead referred to the decisions oftwo local Democratic officeholders to en¬dorse my opponent and, as your story inparagraph 15 made clear, the IVI/IPO willconsider endorsing me on the basis of my re¬cord in Springfield.The real weekend news was the powdergrab by 26th District Democratic partybosses. They turned their backs on my two-term record of independent liberalism andannointed an outlander, who doesn’t live inthe new 26th, to defeat me. Their endorsedcandidate has opposed state support for theCTA, opposed ending sales taxes on food andmedicine and, on two critical occasions,failed to support ratification of the EqualRights Amendment.The last paragraph of your story is aquote, attributed to me, apparently in de¬fense of the record the machine-endorsedcandidate has compiled. His record is unre¬sponsive to his constituents. I would not anddid not defend it. The words must have beenspoken by somebody else.Sincerely,Barbara Flynn CurrieState Representative24th Legislative DistrictNote: The quote in the last paragraphshould have been attributed to Rep. CarolMoseley Braun, who has endorsed Ewell.The Maroon regrets the error.considerable circulation.Kampstra said that if Inquiry sought fur¬ther funding from SG, the finance commit¬tee “will have to insist that they take gradu¬ate students.” Kapner sa'id that hesuggested to her that Inquiry seek fundingthrough Dean O’Connell or Smith. Kapnersaid that she had spoken, to both, and that“they felt it was not under their ageis,” tosponsor the magazine.Kampstra said that the decision to cutfunding to the Lampoon was not based onconstitutional issues. Funding was but thisquarter, Kampstra said, because SGFC“didn’t think it was funny.” Despite SGFC’ssuggestions for improving the magazine,“They were not amenable to improvingit.”“We’re not writing for Student Govern¬ment,” said Greg Walters, a member of theLampoon staff. “We’re writing for the stu¬dent body.”The response to the Lampoon’s first issuewas favorable according to a questionnairedistributed with the magazine, saidWalters.Walter said the magazine’s staff viewedthe SGFC decision as unfair. “We’d like toprotest,” he said, “but they hold the pursestrings.”The Lampoon’s 10 person staff put out twoissues last quarter. The first issue was fourpages long, and to print 1000 copies costabout $130. Walter said when they petitionedfor funds for a second issue, SGFC deniedany new funds but let them keep $32 leftfrom the first issue. With that amount, saidWalters, 1200 copies of a two page issuewere printed. According to Walters, staffmembers were told that SGFC “would givemore money Winter quarter.”ViewpointsTurning the tables on MacroeconomicsBy Robert E. JohnsonImagine a world in which all of us could bemade better off by printing pieces of paper.Most of us realize that this is foolish, yetuntil recently, most macroeconomistsclaimed that such “writing of bad checkswrit large” was how our Federal ReserveSystem should operate. Keynesians called it“discretionary monetary policy.” Unfortun¬ately, the few economists opposed to discre¬tionary money policy such as Milton Fried¬man were also associated with ideas seen aspolitically conservative (e.g., cutting wel¬fare). Hence, many in the public policyarena erroneously linked opposition to dis¬cretionary monetary policy with oppositionto The Great Society, The New Deal, etc.,and rejected all of Friedman’s ideas, includ¬ing his notion that the government shouldnot use monetary policy to tinker with theeconomy.However, growing numbers of econo¬mists, liberal and conservative, favor theconstant-growth-of-money rule. To cite oneliberal “monetarist” in the policy arena, wehave Congressman Parren Mitchell, a blackDemocrat from Baltimore, and by no meansa black conservative, a la Thomas Sowell.Yet, as a member of the House BankingCommittee, he was “converted” to the con¬stant money growth rule by Robert Wein-traub, a labor economist whose PhD is fromthe University of Chicago. Hence, it appearslikely that one’s virginity as a "leftist” neednot be compromised by sleeping in the mon¬etarist bed.What new vision (or infection, if you are aKeynesian) has caused his growth of be¬lievers in monetarism? The answer is ratio¬nal expectations. Before this can be ex¬plained some further discussion ofmacroeconomics is necessary. To beginwith, let’s look at an economy composed ofpizza and beer, purchased with dollars If apizza is $2 and beer is $l/mug, and you have$10, you will spend all of your $10 on somequantities of pizza and beer. Now if the dol¬lar prices of pizza and beer double and yourdollar income doubles, you will not changethose quantities of beer and pizza pur¬chased; otherwise you have "money illu¬sion.” Your real income hasn't changed;neither has the relative price of beer versuspizza.Hence, when there are more dollars in theeconomy, not only are we no better off, butnothing real should change. In fact, all thathappens w-hen the government prints moremoney is that the excess money (not unions,OPEC, and other monopolies) drives up thelevel of prices as people spend it. Keyne¬sians, however, argued that more moneywould lower interest rates, which wouldstimulate investment and “make us betteroff.”However, Milton Friedman (and IrvingFisher before him) distinguished betweenthe real and nominal interest rates. If wehave zero inflation and 5% nominal interest,the nominal interest rate equals the real in¬terest rate. However, if we have 5% infla¬tion and a 5% nominal interest rate, your than before. Friedman argued that injec¬tions of money might lower the real interestrate (or perhaps even the nominal interestrate which equals the real rate plus infla¬tion) temporarily, but that in the long run,the real interest rate would remain un¬changed, while the nominal interest ratewill gc up by the increase in the inflationrate. In other words, the real price of bor¬rowing money would not change, nor wouldany other real, relative price.There was a major stumbling block toFriedman’s logic during the 1960s, namelythe facts! Econometricians pointed out theseemingly fixed negative correlation be¬tween unemployment and inflation, calledthe Phillips Curve. Such a correlationseemed to imply that all we needed to do toabolish unemployment was achieve higherlevels of inflation. For a time Keynesiansbecame cocky about their supposed successwith discretionary money policy in buildingThe Great Society and reducing unemploy¬ment without significantly raising infla¬tion.In the mid-1960s conferences bore titlessuch as “Is The Business Cycles Obsolete?”Friedman continued to argue that there wasa sort of “Natural Rate of Unemployment”Robert Lucas: Setting rationalexpectationswhich the government could change onlytemporarily via monetary policy, and wasincreased by such factors as minimumwage laws, liberal unemployment insur¬ance, strong unions and so forth. However,men such as Friedman were accused of“fighting inflation with unemployment.”During the early 1970s, however, the Phil¬lips Curve seemed to move! Inflation andunemployment rose, and doubled during thecourse of the Carter Administration. Themacroeconomic conference topics began tobear titles such as “Can ‘IT’ Ever HappenAgain?” Hence, a group of economists suchas Robert Barro of Rochester, Thomas Sar¬gent of Minnesota, and Robert E. Lucas ofThe University of Chicago began to work outthe implications of “Rational Expectations”for the macroeconomy.We now need some microeconomic foun¬dations for our upcoming macroeconomicstory. If you produce hula-hoops, you willgenerally produce more hula-hoops if you hula-hoops. Conversely, consumers of hula-hoops tend to buy fewer hula-hoops when theprice increases. Hence, there is some equi¬librium price where supply equals demand.If a hula-hoop fad occurs, the demand curvefor other goods will fall so their prices andquantities demanded will go down as peoplespend more of their dollars on hula-hoops,increasing the price and quantity demandedof hula-hoops.What happens to the quantities of goodswhen the government starts grinding out alot of money, causing all prices to rise? Thisis where Rational Expectations come in.John Muth stated that people solve decision¬making problems by having some sort ofsubjective probability distribution of eventsthat might occur. He assumed that peoples’subjective probabilities for events wereequal to the observed frequencies of theevents. This is called “Rational Expecta¬tions.” In other words, if the governmentgrinds out money consistently at a ratewhich on average causes inflation to he 5%,people will believe the expected inflationrate is 5%; they won’t consistently expect itto be some other percentage.Let us say that for years the government’smonetary policy has caused 5% inflation.Now, the government (correctly) an¬nounces it will be producing money at a 10%higher rate. Inflation will now be 15%. Be¬cause the inflation and money-printing wasexpected, nobody will be fooled into produc¬ing more goods. Everyone will know thatthere is now 10% more money in the econ¬omy, so nominal dollar prices will now go upby 15%/year instead of 5%. Just as the dou¬bled dollar income, and, doubled beer andpizza prices made no one better off and gaveno one an incentive to change behavior, sothis expected rise in money creation willchange no one’s behavior.However, let us say that there are unex¬pected changes in the rate of money growththat occur. For example, let us say yourhula-hoop company gets a sudden increasein orders. Now it could be that the rate ofmoney growth has not increased but therehas merely been a sudden shift of demandaway from other goods and towards yourhula-hoops. Thus you would raise your realprice and quickly increase output by hiringsome unemployment people so as to beat outyour competitors in the hula-hoop busi¬ness.However, let us say you eventually discov¬er that people haven’t changed their pur¬chasing patterns at all — instead, there wasan unexpected increase in the rate of moneygrowth. That is why you got more dollars inthe mail for your huia-hoops — people sim¬ply had more dollars to spend on everything.Unfortunately, the same thing has been hap¬pening to the producers of all of the othergoods in the economy. Everyone tried tohire the unemployed. Unfortunately, be¬cause it’s a bit expensive to go around sam¬pling national prices and constructing yourown consumer price index, everyone wasfooled in this instance. Hence, the unexpec¬ tedly high inflation did reduce unemploy¬ment, but we were all the worse for it, in¬cluding the unemployed, who thought therising dollar wages were also rising in realterms. Symmetrically, unexpectedly low-money creation causes lower inflation thanbefore and higher unemployment. Hence,the supposed tradeoff of inflation and unem¬ployment is only valid for a single rate of ex¬pected inflation. Attempts by government toincrease money growth so as to reduce un¬employment will merely raise the expectedrate of inflation and therefore change thePhillips Curve. As Friedman said, tne Natu¬ral Rate of Unemployment will not bechanged by monetary policy, but such fac¬tors as minimum wage laws and the like.Hence, government can temporarily “fightunemployment with inflation,” but it will betemporary, and the unemployed will be theworse for it!Why, then, do governments pursue suchpolicies, and why do most liberal Democratspraise them for doing so? One answer is thatit is easier than raising taxes. When govern¬ments write bad checks (create unexpectedmoney), they obtain goods and services justas they would through taxes. However,when government raises taxes, we knowwho to blame! When government raises in¬flation ( it is the only one who can, really)most of the American people blame it onunions, OPEC, and other such monopolies.Naturally, since the liberal DemocraticParty idol of Big Government requires BigBucks many Democrats may favor “discre¬tionary monetary policy” as a revenuesource.Another answer lies in Ancient History. InAncient Greece, the debtors were largelyfarmers who owed money to rich land ownercreditors. The demagogues advocated debtcancellation as an appeal to the poor. Wehave seen how unexpected inflation mightdestroy savings accounts — if you used tohave 5% real interest and zero inflation, andyou are locked into that interest rate (aswith US savings bonds) a 15% inflation ratewill destroy your bank account at the rate of10%/year. Hence, unexpected inflationharms rich creditors and helps poor debt¬ors, so the story goes.The tables have turned since the days ofSolon and Pericles. Instead, a much largerportion of saving is done now more than inany other time in world history by the mid¬dle and lower classes. The People are thecreditors. And who are the debtors? Largecorporations with bond issues, people whohave mortgages on houses, upper-middleclass types taking out loans to send theirkids to U. of C., and other such “povertystricken” individuals! Hence, if the aim ofthe Democratic Party is wealth redistribu¬tion, the unexpected inflationary bouts ofthe 1970s accomplished this, though I'm notsure most Democrats would be proud of thedirection of the redistribution! Hence, onewould hope that as Rational Expectationsbecomes more widely accepted as valid pos¬itive economic science, its normative eco¬nomic policy implication of a constantmoney growth rule would be more widelyaccepted by political ideologues of everystripe.SPRING BREAK ALERT .■i iff iau rarer a n/*ui fnnn CHEAP - CHEAP - CHEAP!MISSION RESEARCH CORP. Do It Now!Santa Barbara * San Diego • Albuquerque • Colorado Springs New Fare to Los AngelesWill Be On Campus $1 74 Round Trip*BUY IT NOW!Wednesday, February 3 Capital Airlines OnlyInterviewing PhD and MS candidates in: If price is your object, their fare is lowest. Other airlines' best fare: $218 round trip'Rate effective immediately Buy it by March 31, 1982 Must be round trip(Return anytime up to a year later.)• Theoretical Physics• Electrical Engineering MIDWAY TRAVEL SERVICELOBBY - ADM. BUILDINGContact the Placement Office for further information 753-23009 - 5 Mon. - Fri. 10 -1 Sat.The Chicago Maroon—Friday, January 29, 1982 —5Second “YearCollege Students,Transfer Students, andGraduate Students-At-Largewishing to enter theASHUM Program in 1982-83should file applicationsby March 1.The Program in The Liberal Arts and Sciences Basic to HumanBiology and Medicine. (ASHUM) is a four-year program leading toan M.S. in Human Biology. In cooperation with the Committee onPublic Policy Studies and the School of Social Service Administra¬tion, ASHUM also offers a major in Human Biology to studentspursuing an M.A. in Public Policy Studies or Social Service Admin¬istration.For information, please call 3-4953,or drop by the ASHUM Office in theHarper East Tower, Room 587. ASHUM-AMSASeminar Series 1981-82Program in the Arts and Sciences Basic to HumanBiology and Medicine2ndAmerican Medical Students’ Associationpresent a lecture onCompetition in Health Care:Implications for thePhysician and the HospitalbyJeff C. GoldsmithDirector, Health Planning and Health Regulatory AffairsBiological Sciences Division and Medical CenterTHURSDAY, FEBRUARY 4, 19827:30 P.M.HARPER 130There will be a reception with the speaker in Harper 284 following the lecture.DinnerAt The Chartweli HouseFridays5:30 - 10 pmRibNightRack of ribs& all condimentsTossed Saladwith dressing$7 95 Saturdays5:30 - 10pm6 oz Butt SteakLobster TailTossed Salad*with dressing$15 95Hyde Park Hilton 1C 49QQ S. Lake. Shore Dr.6—The Chicago Maroon—Friday, January 29, 1982Andy Warhol,MeetGolda MeirPop and the Chosen PeopleAt the Spertus MuseumBy Jacob Wirtschafter"Ten Portraits of Jews of the Twentieth“ Century," Andy Warhol's PopArt pinups ofsome Chosen People, is now on display atthe Spertus Museum of Judaica of Chicago.It is amazing that a museum whose goal is"to interpret and preserve the 3,500 year-oldheritage embodied in Jewish history, litera¬ture, language and culture" has presented, the public with the fashion-oriented work ofWarhol. The "portraits" and their display ata Jewish museum should raise some seriousquestions about the goal of the artist and thevalues of the exhibiting institution.It is an exercise in Culture Shock to con¬front Warhol's portrait of Sarah Bernhardtafter walking past models of synagoguesand cases of ceremonial objects fromaround the Jewish world, located in otherparts of the museum. The portrait comes offa little more sensitively than a Warhol silk-screen of Mao-tse Tung. Still, it is a harshtransition to go from passing embroideredcanopies for the Jewish wedding ceremonyto the face of the eldest of three illegitimateoffspring of a French playboy and Dutch-Jewish courtesan. Sarah was baptized atVersailles when she was ten years old. War¬hol seems to have traced crayon over herphotograph which he has silkscreened on amulticolored background. Some Portrait!Some Jew!Warhol's images "say" so little that hefeels compelled to put biographical datanext to each portrait. These assorted detailsfight for the individuality of the portrayedagainst the hard advertising visage present¬ed by the artist. Accompanying flat photo¬graphs of the Marx Brothers is Warhol's co¬pyrighted commentary. According toWarhol, Groucho, Chico and Harpo "creat-* ed a brand of comedy all their own, chaotic,irreverent, grounded in slapstick farce,vaudeville corn, free spirited anarchy andzany assaults on the myths and virtues ofmiddle class America." Exactly. So whydoes Warhol portray the Marx Brothers as ifthey were Campbell's Soup Cans?"The theater of the absurd is unthinkablewithout Kafka and Kafkaesque has becomean international word to describe the feelingof being trapped in a maze of grotesque happenings." It is rather absurd to see Warholturn Kafka into a sex symbol. He printsKafka's photograph on a field of blue andgrey geometrical squares and marks theoutline of his ear with crayon. The author'snose is traced so as to resemble a circumcised penis. This phallic characterizationfails as a portrait. Warhol just uses Kafka'slikeness to construct a fettish object. "Nowadays if you're a crook you're stillconsidered up-there. You can write books,go on TV, give interviews — you're a big ce¬lebrity and nobody even looks down on youbecause you're a crook. You're still reallyup-there. This is because more than any¬thing people just want stars." (p. 85 of ThePhilosophy of Andy Warhol.)The exhibition presents Andy Warhol'sJewish stars. The Marx Brothers, Golda,George Gershwin and Gertrude Stein are"really up-there" in his pantheon. It isn'tclear why Stein was included as a GreatJew. Her recipe for Hash brownies hasmade it into precious few synagogue sister¬hood cookbooks. Hannah Dresner, educa¬tion curator at the Spertus Museum, saidthat these portraits have been selected on a"very general basis as Jews well known bythe world in history. Often they are Jews.that transcended being Jews." What wehave is popular Jews by a popular artist.Dresner says that the Spertus Museumh3S "broken out of certain cul-de sac" withthe Warhol show. It is understandable forthe Museum to take a break from HanukahCandelabra and Holocaust memorabilia,but what educational or artistic values doesit share with Warhol? Maybe he is genuinelyinterested in Golda Meir's face. But I have afeeling that he's more interested in makingsome money off marginally Jewish, well-to-do Suburbanites. For the privilege of owningone of Warhol's "Ten Portraits" portfoliosyou can pay $12,500. "I like money on thewall. Say you were going to buy a $200,000painting. I think you should take that moneytie it up and hang it on the wall. Then whensomeone visited you the first thing theywould see is the money on the wall. (p.p.133-134 Andy Warhol's Philosophy) Inciden¬tally, Warhol's current show at the CastelliGallery in New York is entitled "DollarSigns".It's difficult to buy the argument thatWarhol is parodying commercial values.Look at the last two issues of his Interviewmagazine. Featured guests include BillBlass chocolates, Chanel #5, Calvin Kleinjeans and Nancy Reagan. Is the same guywhose latest accomplishments have been totouch up photographs of Faye Dunnawayand to put on some makeup and model forL'Uomo (Italy's C.Q. magazine) the rightman to portray the Socialist Zionist GoldaMeir? The absurdity of "Ten Portraits" offamous Jews done by the Vanguard of voguereminds one of a poem by the contemporaryIsraeli poet, Yehuda Amichii:"One sees all kinds of things," said theSwedish -,r WARHOL- f* >Sarah Bernhardt, by Andy Warhol, at the Spertus Museum of Judaicaofficer observing at the armistice line."All kinds of things," and said nothingmore."One sees a lot of things," said the oldshoeshine man by the Jaffa gateswhen a Swedish girl in a very short dressstood above him without looking at himwith her proud eyes.The prophet who looked into the openingheaven saw,and so did God, "all kinds of things" downtherebeyond the smoke,and the surgeon saw when he cut open a can¬cerous bellyand closed it again."One sees all kinds of things," saidour ancester Jacob on his bed after theblessingwhich took his last strength. "All kindsof things," and he turnedtoward the wall and died.A famous artist has dug up some photo¬graphs of Jews and touched them with hisGolden Crayon. But these portraits serveneither of the goals of the Spertus Museumof Judacia. Obviously. They obviouslywould not make Jews proud of themselvesnor do the communicate anything Jewish toGentile viewers. If Warhol were Jewish, Iwould call his pop art portraits a rather vul¬gar excercise in self-hatred. He isn't, so I'lllabel them misinformed and inappropriate.The DuSable Museum of Afro-American Kafka, Andy WarholHistory would not display Warhol MartinLuther Kings. One would think that Spertuswould have declined to present Warhol'sJews. Maybe by attempting to be trendy,Spertus hoped to be famous for 15 Minutes.The Museum is located 618 S. MichiganAvenue. The Warhol Exhibit runs throughApril 4. The Museum is open Mon. — Thurs.,10 a.m. — 5 p.m.; Friday 10 a.m. — 3 p.m.,Sundays 10 a.m. — 4 p.m. For more info, call922 9012.. Iyi 1111111 iTTT 111 i:n: \2 Tonight at 7:15, 9:30:Can Dudley Moore choose between Lisa Minnelliand $750 million in Steve Gordon’s ARTHUR?Tomorrow at 2:30, 7:15:Bruno Bozzetto’s animated classicALLEGRO NON TROPPOThen at 9:00: another showing of ARTHUR (sep.adm.)Sunday at 2:00:Akira Kurosawa’s SCANDAL followed by a talkby Donald RichieAt 8:00: an encore presentation ofALLEGRO NON TROPPO (sep. adm.) , ^nor, films. 17\ 1 1 1 1 ITlv IThe Romance ?Guillaume fe DoleEititfb anbtranslate bnMaria fouilcr anbjaan Gimbfrr A Thirteenth OntuniStoni with Action| and Music bii| can RcnarrTheCalleqium Musirumi bircrrrb bijAnnette frmanbHoumrb M* DrownRorkffrllrrChapcl Wiqhr p-m-5^rh Si &-W0{)t>lawnAvt Jj Fribmjs anb Sundays‘29 anb 31 January5 anb 7 FckunnjmcmlxirijEmission: 4>2f-°Stuktmsite***Prrsfntfb bt) rhtOrpaumrnt of Music ofThe Uniocrsiti) of Chi woFor informationroll 753-2612 ♦U&frwpivfA 11*1 & ******This production mcuL postibU in part bytWc K^stenbaum Cultural Activities furui Opens MondayAny Seat In the House is Yours for *7.00!AMERICAN BALLET THEATRENow, as a special offer to students, American Ballet Theatre invites you toattend any performance during ABT’s two week engagement at the Audi¬torium Theatre for as little as $7.00!That’s right! Now you can attend the performance you want to see and sitin the best seats available for only $7.00! Simply present your Student I.D.card at the box office of the Auditorium Theatre between 6:00 and 7:30 P M.only — on the day of the performance and we’ll sell you the best remainingseats for a flat price of $7.00. (Matinee performance tickets may be pur¬chased 12:00 until 1:30 the day of the performance.)Audiences have responded with resounding bravos. Dance critics havelavished their praises. And now, the Company that swept across Americagarnering an unprecedented shower of accolades is all yours ... and at a priceyou can afford!AUDITORIUM THEATRE FEBRUARY 1 thru 13 ONLY!(Check daily newspapers for performance schedule)(Offer expires one-half hour before curtan Tickets sub/ect to availability/WHO KILLED U OF C STUDENTPETER THAYER?His girlfriend?Her father?His Political Science professor?For the answer, readIndemnity onlyIv u of cgrad Sara Paretsky“Exciting, intelligent and truly involving a leadingcontender for 1982 MWA first mystery novel honors. ”~Barbara A. Bannon,Publishers WeeklyNow available at the University of Chicago Bookstore 22nd Annual U. of C.FOLK FESTIVALFree WorkshopsIda Noyes HallSat. TO am - 3 pmSun. TO am - 6 pmBring Your Instruments & JamCALL 753-3567 FOR MORE INFOSee Our Ad On the Backcover oi Today's Maroon2—FRIDAY, JANUARY 29, 1982—THE GREY CITY JOURNALN1 tJ>3» |>J» M |>1 >3 j>Vx X ,V, ,/"•/, ' V,'' 'X X ' .FILMArthur (Steve Gordon, 1981) Thefact that this comedy was one oflast year's biggest box office suc¬cesses testifies to the public's- convoluted sense of humor, pen¬chant for simple-minded enter¬tainment, and overall bad taste.Arthur is an uneven and poorlyperformed reworking of the oldHollywood romantic/comedygenre; and like those old films,Arthur depends on the juxtaposi¬tion of rich and poor, and decade¬nce and innocence for its verbaljokes and physical gags. Unfor¬tunately Dudley Moore, as the in¬fantile millionaire, quickly be¬comes tiresome after aboutfifteen minutes of drunken stum¬bles and slurred lines; and LizaMinnelli, as the hyperbolic work¬ing girl, simply can't pull off heruncharacteristic role. Perhapsthis film would have been moreinteresting and funnier if Minnel¬li had been cast as the decadentlead (a la Cabaret) and Moore asthe worker. But as it stands Ar¬thur is a perfect example of con¬temporary Hollywood shlock: arehashed version of an old genrewithout originality and spunk.Amongst all the shlock John Gail-gud manages to give a subtle andhumorous performance asMoore's male servant. Fri., Jan.29 at 7:15 and 9 pm. and Sat., Jan.30 at 9 pm. in Quantrell. DOC. $2— RMThe Big Sleep. Watching this 1946Howard Hawks detective thrillerone gets a strange and titilatingfeeling of intimacy. Ostensibly athriller, full of gangsters, privateeyes, blackmailers, and murder¬ers, The Big Sleep is actually alove story. This amorous am¬bience amongst the pulp of ascript adapted from RaymondChandler's novel is do in part toHawks' brilliant penchant forturning standard Hollywoodforms upside down. But the pre¬sence of Humphrey Bogart, asPhilip Marlowe, and LaurenBacal, as the seductive rich girl,also helps to make this film one ofthe cinema's most mature andentertaining works. Bogart andBacal are not only characterstangled in a tortuous thriller, butrelaxed spectators of their ownactions, constantly commentingon the films development. Thus,The Big Sleep works on twolevels: as a beautiful fantasy andas a running commentary on theplayers own absurdities. Manycritics have recognized this filmas a "classic" or a "masterpiece", but perhaps the greatestcompliment was offered toHawks et al by Godard in his 1965film Alphaville when he created aBogart-esque character who,amidst an irrational futuristicworld, settled down to read TheBig Sleep. Highly Recommended.Sat., Jan. 30 at 7 ana 9:30 pm. and Sun., Jan. 31 at 8:30 pm. LSF. $2.— RMScandal (Akira Kurosawa, 1950)Kurosawa's story of the tragic re¬sults of a chance meeting be¬tween a handsome painter (To¬shiro Mifune) and a glamorouspops singer (Yoshiko Yamagu-chi). With Takashi Shimura asthe corrupt lawyer to whom thevictims appeal. Donald Riche,distinguished Kurosawa critic,will lecture after the film. Sun.,Jan. 31 at 2 pm. DOC. $2. Unseenby this reviewer. — RMBilly the Kid (1930) and NorthwestPassage (1940) Two King Vidorfilms. The first involves the ex¬ploits of the legendary gangster(John Mack Brown) who goes ona rampage through New Mexicoduring the late 1800's. The secondfilm concerns the adventures ofMajor Robert Rogers who unsuc¬cessfully attempts to put Seattleon the map, and is supposedly oneof Vidor's best works. Billy Mon.,Feb. 1 at 7:15 pm. and NorthwestMon. Feb. 1 at 8:45 pm. DOC.$1.50. Unseen by this reviewer.-RMAllegro Non Troppo (Bruno Bozzet-to, 1977) This Italian fantasy filmcombines animation and live ac¬tion with varying success. Thelive action portions concern theefforts of an imprisoned artist tospontaneously create an animat¬ed film while an orchestra of oldwomen play selections from De¬bussy, Ravel and Vivaldi. Rely¬ing on slapstick and endless digsat Walt Disney the live actionportions are generally dry andpredictable. But the animationportions (the "spontaneous" re¬sults of the cartoonist's imagina¬tion) are incredibly lurid andcaptivating, exhibiting some ofthe cinema's most fantastic andsureal animation. Each sectiondevelops its own world and gruesome characters which aresynchronized to the score withsuch fluidity that they almostachieve the director's goal ofmaking you "see music and hear animation." Sat., Jan. 30 at 2:30,7:15, and 9 pm. and Sun., Jan. 31at 8 pm. in Quatrell. DOC S2 —RMEl Salvador: Another Vietnam(Glen Silber and Tete Vasconcel-los; edited by Deborah Shaffer,1981) An expanded version of theearlier PBS documentary, thisfilm is a gripping portrayal of thecharacter of El Salvador's 50year old dictatorship. El Salva¬dor: Another Vietnam includesinterviews with leaders of boththe government and the opposi¬tion which dispel the pretensionsof the military/civilian junta that% it promotes reform, and demon¬strates that the right wing "deathsquards" are identical with thejunta's security forces. Not onlydoes this film reveal El Salva¬dor's volitile political situation —e.g. the severe social conditionswhich motivate the opposition,and the economic privileges forwhich the oligarchy has mur¬dered 32,000 people in two years— but it is also an aesthetic andtechnical success. Last year, ElSalvador: Another Vietnam re¬ceived The Chicago Film Festi¬val's highest award for a docu¬mentary. Recommended. Tues.,Feb. 2 at 7:30 pm. in Ida Noyes,Cloister Club. Sponsored byCAUSE; film provided by theCenter for Latin American Stu¬dies. —AHMUSICThe U of C Folk Festival starts outtonight at8:15PMwitha concertin Mandel Hall featuring theJohnson Mountain Boys and BuzzBusby, Ola Belle and Bud Reed,the Balkan Rhythm Band, JaneSapp, Honeyboy Edwards, andJeff Warner and Jeff Davis. Tick¬ets are $5, available at the Reyn¬olds Club Box Office. The Festi¬val continues Saturday withworkshops in Ida Noyes Hallfrom 10 to 2, followed by a mati¬nee concert at 3:15 PM featuringthe Johnson Mountain Boys,Lydia Mendoza, Yesterday'sRhythm, Hazel Dickens, andMalcolm Dalglish and Grey Larson. Tickets $4, S3 students. TheSaturday evening concert starsthe Swinging Whippoorwills,Zrinski-Frankopan, Hazel Dickens, Honeyboy Edwards, JaneSapp, and Malcolm Dalglish andGrey Larsen. Tickets S6.50. AtMandel Hall. The last day of theFestival starts with workshops at10 AM continuing until 6 PM. At7:30 PM, the final concert of theweekend will be held, with theChicago Blue Blowers, LydiaMendoza, the Swinging Whippoorwills with Jethro Burns,Mam Yancey and Erwin Heifer.Tickets $5. For more informaEditor: Richard Kaye. Film Editor: Richard MartinBook Editor: John EganTheatre Editor: Keith FlemingJazz Editor: Jim GuentherClassical Music Editor: Robin MitchellFiction and Poetry Editor: Paul O'DonnellProduction: Nadine McGann, David MillerStaff: Mike Alper, Chris Berenyi, Pat Cannon, Sabrina Farber,Pat Finegan, Kira Foster, Susan Franusiak, Nancy Goldstucker,Sarah Herndon, Michael Honigsberg, Alice James, A.A. Kambouris, Nikolai Katz, Vincent Michaels, Pat O'Donnell, ArturoPerez Reyes, Sharon Peshkin, Geof Potter, Max Sanders, GlenSheffer, Dan Stetzel, Lonnie Stonitsch, Jeffery Taylor, JenniferTompkins, Michele White, Jacob Wi^tschafter, Ken Wissoker,Scott Wolley, Sandy Young. 3eJ1/3%'si Jeff Davis and Jeff Warnertion, call the U of C Folklore Soci¬ety at 753 3567.The Romance of Guillaume aeDole, by Jean Renart. This thirteenth-century story with actionand music will be presented bymembers of the Collegium Musi-cum, under the direction of An¬nette Fern and Howard M.Brown. The performance fea¬tures vocal and instrumentalmusic of 13th century France,sung and played on hurdy gurdy,rebec, medieval fiddle, recorder,portative organ, lute, harp,shawm, and bagpipe. MariaFowler, one-time facultymember at the U. of C., waslargely responsible for editingand translating this work, forwhich undertaking she receivedthe Noah Greenberg Award fordistinguished contribution to thestudy and performance of earlymusic. Professor Fowler willgive a lecture on the Romance onJanuary 28 at 5:00 p.m. in Regenstein 264. The Romance itself willbe performed on January 29 and31, and February 5 and 7, in Rock¬efeller Chapel, at 8:00 p.m. Admission: $2.50, Students: S2.00.University of Chicago Chamber Or¬chestra will present its secondconcert of the year on Saturday, January 30th, at 8:00 p.m., inGoodspeed Recital Hall (locatedon the fourth floor of Goodspeed).Director Peter Jaffe will conductJean-Phillippe Rameau's Overture to Zais and Henry Purcell'sChacony in G minor. He will alsoconduct Maurice Ravel's Introduction and Allegro for Harp;Barbara Fackler will be the so¬loist. To round out the program,guest conductor Michael Jinbowill direct Felix Mendelssohn'sSinfonia XII. There will be a reception following the performance. Everyone is welcome.Admission is free and no ticket isneeded. For more information,call the UC Department of Musicat 753 2612.Bernard Jacobson who now residesin England, will be rememberedas the influential music critic ofthe Chicago Daily News. He willlecture on "Michael Tippett andContemporary Music in England" in Regenstein 264 on Tues¬day, February 2 at 8:00 p.m. Ad-rryission is free.The Musicians of Swanne Alley concert is March 7th. The ensemblewas turned off the road in West•Lafayette, Indiana on that ill-fated, cold and blowy day of Jan¬uary 16th.THE GREY CITY JOU RN AL—F R I DAY, JANUARY 29, 1982—3Contacts for Sale!What Is A Bargain?The 4 questions most frequently asked about contact lenses are:1. How Much Are Your Lenses?2. How Much Are Your Lenses73. How Much Are Your Lenses74. How Much Are Your Lenses?What is really more important, the lowest price, or the best fit¬ting lenses? We think the 4 questions should be:1. Is the doctor really a contact lense specialist7(or is he an eyeglass salesman?)2. Can I expect professional service and care7(or will I be handled by inept, non-professional salespeople?)3. Are the quality of lenses the best available7(or are they off-brands and seconds?)4. The question is, not how much are your lenses, butwill I receive the best care, the best quality and thebest price.We at CONTACT LENSES UNLIMITED meet all the above crite¬ria of CARE, SERVICE, QUALITY AVD PRICE.TRY TO BEAT THESE VALUES!SUPER-WET BAUSCH & LOMBFLEXIBLE SOFLENSONLY $29.00 B,N,F,J SERIESSuper-thin highly wet- only $33.75table lens specifically Basic series of lensesdesigned to correct that Bausch & Lombthose patients who built their reputationwere previous hard on.contact lens failures.• NEW SUPER SOFT HIGH OXYGEN TRANSFER ULTRATHIN - $43.75New super-soft highly oxygen transferable lenses used to correctthose patients who were previous soft lens failures.• SUPER-WET TORIC CORRECTING FOR ASTIGMATISM - $100.00The same remarkable material as the super-wet flexible lenses but spe¬cifically designed to our exact specifications to correct for difficult as¬tigmatism• SOFT LENSES CORRECTING FOR ASTICMATISY! 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When it started in1961, the Festival was a radical departurefrom the type of festival then in vogue.Those were the days of the first NewportFolk Festival, and the U of C festival was adirect response to the commercialism ofthat event. As the first urban college folkfestival ever, the festival garnered nationwide attention. It was even reviewed in theNew York Times. The idea that emergedthen, of a relatively small festival of solelytraditional musicians, has been preservedthrough the intervening years, and todaythe University of Chicago Folk Festival re¬mains unique among the major US folk fes¬tivals in its commitment to showcasing unk¬nown talent in a wide variety of musicalgenres. That commitment has brought tocampus such well known musicians as DocWatson, D. L. Menard, Buddy Guy, BillMonroe, Flatt and Scruggs, and manyothers, long before they became known to awide audience. In fact, at the first Festival,a little known singer named Bobby Zimmer¬man played at the open mike.Although Bob Dylan isn't likely to show upthis year, the musicians who will be appear¬ing at the 22nd annual U of C Folk Festivalthis weekend continue to meet the samehigh standards set over the years. Themusic ranges from Texas to Appalachia,from old-timey to doo wop. In addition tofour concerts (Friday, Saturday matinee,Saturday evening, and Sunday evening),there are many free events in Ida NoyesHall on Saturday morning and all day Sun¬day. These include workshops, where performers get to play and talk about theirmusic, folk and square dancing, a lecture, afilm, and informal jamming all over IdaNoyes Hall.The film, "Chulas Fronteras," stars.Lydia Mendoza, sure to be one of the stars ofthis year's Festival. This woman, who hasbeen playing for over fifty years, started hercareer by playing in the fields and townsquares of the Texas Mexico border region.Rarely seen in the North, her stage show isspectacular, with an outburst of energy fewperformers can match.One group that is likely to equal LydiaMendoza is the Johnson Mountain Boys.They are rapidly gaining a reputation as oneof the best young bluegrass groups perform¬ing with the old, “high, lonesome sound"characteristic of the thirties and forties.They have been featured in national bluegrass magazines, and they electrified theaudience at the Lavonia, Georgia bluegrassfestival last year with their classic harmonies and driving instrumentals. It's been afew years since a bluegrass band of this caliber has performed at the Festival, sothey're generating a lot of interest.Jane Sapp, too, is catching the interest ofmany Festival goers. Although she had notyet recorded an album, her performances atthe Vancouver and Winnepeg Folk Festivalshave shown her to be a first-rate musician.She sings gospel-style songs, accompanyingherself on the piano. Many of the songs areher own compositions, .and others shelearned through her activities collectingfolklore in Alabama and throughout theSouth. In addition to her concerts and workshops, Ms. Sapp will give i lecture and slidepresentation on Sunday at 1 pm dealing withher experiences as a folklorist.Hazel Dickens may be best known as thecomposer of the soundtrack of the award¬winning documentary, Harlan County USA.Her music deals with real people in real Jifesituations. They frequently concern theproblems of women in a sexist society, as Hazel Dickenswell as the growing political awareness ofpeople in our times. Ms. Dickens often im¬provises as she plays, giving her music adeep emotional intensity.Intensity of a different kind marks Yester¬day's Rhythm, a doowop (a cappellarhythm and blues) group. Because theyhave no band to rely on, their timing mustbe precise, as guided by a steady baritonebeat. The members of this group all grew uplistening to rhythm and blues and soulmusic in the Chicago/Gary area, where theystill live and work.The Swinging Whippoorwills are fromDayton, Ohio. Gene Mombeck and DougDalton are former members of RoyRodgers' band, the Whippoorwills. Jack andMarv Loy play twin fiddle and have an extensive knowledge of traditional tunes. Thegroup plays country-swing music. On Sunday night, they will be joined by JtthroBurns, half the famous comedy team Homerand Jethro, and incidentally one of the bestmandolin players anywhere.Buzz Busby from Baltimore will be play¬ing with the Johnson Mountain Boys. An in¬fluence on many younger bluegrass players,Buzz's mandolin and vocal styles areunique. With his plaintive vocals and whathe claims is the world's fastest mandolintremolo, Buzz Busby is one of the few livinglegends of bluegrass.Ola Belle and Bud Reed are also fromMaryland, though Ola Belle arrives there byway of her native Ashe County, N.C. andWheeling, W. Va„ to which her family mi¬grated during the Depression. There sheand her brother Alec starred in the WWVAJamboree, an early live radio show. OlaBelle and Bud sing mountain ballads, dancetunes, hymns, and their own compositions.This is the second appearance at the Festival for Ola Belle.Jeff Warner and Jeff Davis are steeped inthe traditions of American folk music.Warner's father, Frank Warner, collectedfolklore and folk songs for over forty years.He was one of the performers on the first Uof C Folk Festival. Continuing in his tradition, Warner and Davis travel the Easternseaboard, from the Appalachias to Quebec,searching out folklore. Selected by theSmithsonian Institute for participation inthe Regional Artist Program, they sing seachanties as well as Southern Appalachianballads. They have oeen performing to¬gether for more than ten years.Mama Yancey and Erwin Heifer havebeen playing together for at least that long,though they have only been appearing at theU of C Folk Festival for the last five years.Frail but gutsy, Mama can still belt out theblues, even though she is well over eighty.Erwin has long been a mainstay of the Chi¬cago blues scene, and has just returnedfrom a European tour.A fusion of traditional Balkan tunes andmodern jazz seems difficult to achieve, yetthat is precisely what the Balkan RhythmBand does. Although they are well known injazz circles, they remain to be discovered bythe public at large. Their instruments in¬clude modern strings and drums as well assuch traditional instruments as the kaval, amodal flute.Continued on page 54—FRIDAY, JANUARY 29, 1982—THE GREY CITY JOURNALfSolitary, Without Thought,„00000000oooooooooooooooooat Court Studio StudioBy Beth MillerIn the open dialogue with the audience fol¬lowing "Solitaire: A Man Alone in Thought"at Court Studio, creator and performer Ste¬ven Ivcich spoke of his piece as an experi¬mental work, a work in a continual processof becoming more "efficient." He identifiedthought process as an important dramaticelement, especially in its ability to hold anaudience. In "Solitaire," Ivcich tests howeffective an actor's physical presence, with¬out a verbal dimension, is in holding an au¬dience.The program notes invite the observer:"Feel free to order the elements and eventsof 'Solitaire' to your liking." The workbegins with a few sparse sounds of slappingand thumping flesh in the dark. The lightscome up slowly on Ivcich enclosed behind atransparent black fabric box, in silence. Hisbody is gathered together, head down uponhis bent knees. His foot begins to tap, hishands begin to fidget, nervously.In the stark environment within the boxIvcich's man devolves alongside the pro¬gression of time: with isolated movementsof arm or leg, hand or foot; with a twitchingof the mouth; a scuttling squat or uprightforward and back; assuming postures withconcave or convex shapes; manipulating,then accommodating himself; exerting him¬self. The actor is concerned only with hisown body. His single prop is a box, whichdoes not hold his attention in itself except asit can exist in relation to his body: Ivcichputs the box in his own context, sitting,standing, lying, pressing on it. He acceptsthe boundaries of the platform he is strand¬ed on, surrounded as he is by a moat-likearea withia the fabric square: he simplyturns at the corners,,changes the directionof his movement, without pressing for fur¬ther exploration. Yet he doesn't accept, orperhaps comprehend the limitations of hisown body: he reacts to his body with sur¬prise, flowing at different times into vaunt¬ing delight, or into angry defiance. The fightscenes, when Ivcich's body won't conform tohis liking, are resolved merely by suc¬cession of deplacement into further move¬ment. There are times when Ivcich throwsup his arms as if in prostration. But any dis¬tinct quality of his existence is subsumedinto the movement of time: only change pre¬dominates.Is Ivcich seeking a predictability in hisbody's movement, or perhaps even ultimatecontrol over it? It is hard to define or de¬scribe the focus of the actor. What kind ofboundaries does he see, or not see, betweenhis body, his mind, and the space around it?Does he act on his own accord, or in reactionto outside forces? Ivcich's particular bodylanguage, his characteristic movements,are not clearly derived from the given envi¬ronment, and so one wonders about the ele¬ ments which can't be seen. The fact that themovements' origins cannot be clearlytraced to a specific cause should not in itselfbe important. But in "Solitaire", where themovement as the primary element in thecomposition is removed from any context,how can any meaning be communicated? Inorder for language to succeed in conveyingmeaning, either the individual words musthave meaning themselves, to render com-positely a total meaning, or it must be in¬ferred from the surrounding context. Ivcichgives his audience neither.During the dialogue, Ivcich compared therelationship of "Solitaire" and ordinary ver¬bal theater to that of abstract and realistpainting. He explained that he wanted towork with the audience on an abstract level.He admitted no "philosophical" content, noreven any "order" in the piece. If a work de¬viates from a literal interpretation depen¬dent on a form of pictorial representation, itmust still succeed in communicating mean¬ing, regardless of language. Even withoutconventional language, it must expresssomething. At one point Ivcich remarkedthat a work can express changes rather thansubstance itself. Yes, but substance muststill exist. With or without language, artmust have something to say (of the con¬scious or the unconscious). Ivcich does notspeak at all in "Solitaire"; appropriately, itseems he has nothing to say.Steven Ivcich in Solitaire, A Man AloneIn ThoughtDavid "Honeyboy" EdwardshTtye#Chicago for many years now, but his nfitwie*is rooted in the Mississippi delta area. Hisunique blues style shows the influence of JoeWilliams and other great bluesmen. His gui¬tar style and vocal delivery are typical ofthe bluesmen of Mississippi in the 1930's.Malcolm Dalglish and Grey Larsen areanother group that are eagerly anticipatedby folk music enthusiasts in Chicag Mal¬colm plays hammered dulcimer, ar „.‘ru-ment that currently enjoys great popularity.Grey's main instrument is the Irish flute.They play music of Ireland, America, andScandkiavia.The two remaining groups at the Festivalthis year are the Chicago Blue Blowers andZrinski-Frankopan. The Blue Blowers are ajug band. In other words, they rely on thesound of air being blown into a wine jug torthe bass line as they play their brand ofearly Dixie land jazz. Other instruments use include a washboard for percus¬sion, a banjo, cornet and clarinet. Whilemost of the members of the band hold jobs inother jazz bands, they play this music forsheer enjoyment.Zrinski-Frankopan is a Chicago basedCroatian ensemble. They will demonstratetraditional Croatian dancing and musicusing such traditional instruments as theprim, brach and berdu.Each show has a different line-up of arfists. Check the Grey City Journal calendarlistings for details. Tickets are available atthe Reynolds Club Box Office.A schedule of the free workshops in Satur¬day and Sunday is available from the Uni¬versity of Chicago Folklore Society,753 3567, as well as at various places oncampus. And if you play an instrument, besure to bring it along — there'll be plenty offolks to jam with, as well as an open mike atnoon on Sunday. Have You HeardChicago’s OtherOpera Company?Chicago OperaTheater1982 STUDENT RATES FORWEDNESDAY NIGHT PERFORMANCESSave over 25%on Balcony SeatsTickets: $6.00 per opera/$18.00 for 3-opera series1001 Nights in a Harem with MozartABDUCTION FROM THE SERAGLIOWED., FEB. 10, 8 PMAdapted from Lillian Heilman sBroadway Hit THE LITTLE FOXESREGINAWED., MAY 26, 8 PMWhat's a nice girl doing witha troop of soldiers?DAUGHTER OF THE REGIMENTWED., MAY 26, 8 PMALL PERFORMANCES IN ENGLISHPhone 663-0555 to order ticketsAsk for the group sales representativeNam*S treatCity State . ZipSERIES TICKETS SINGLE TICKETSPlease send me Please send mestudent subscriptions at $18 00 each. C Abduction □ Regina □ DaughterTotal $ . . Total $Please charge my □ Visa C Mastercharge No !Expiration Date C Please send me information about group ratesMAKE CHECKS PAYABLE TO CHICAGO OPERA THEATERMail to: Chicago Opera Theater/410 S. Michigan. Chicago. IL 60605.Telephone 312/663-0555TICKET ORDERS MUST BE ACCOMPANIED BY PHOTO COPY OF STUDENT1.0. OR PROOF OF REGISTRATION, AND A STAMPED RETURN ENVELOPESamhradh: Those Who Play IrishBy John EganSamhradh Music (pronounced sow ra)has been in existence, in a variety of forms,for over a year. The group consists of Mi¬chael Donaghy on whistle and bodhran (ahand-held instrument resembling a snaredrum), Mark Smythe on hammered dul¬cimer, Dan Dick on flute and guitar andRichard Pettengill on guitar. SamhradhMusic, which translated from the Irishmeans "summertime music," has been fea¬tured at several Hyde Park locations recent¬ly, including an appearance at the anti¬nuclear teach-in on November (where theywarmed up for Hanna Gray), a noontimeconcert at Goodspeed Hall on November 19(where they played to a SRO crowd of over200) and a Blue Gargoyle coffeehouse onJanuary 14. In addition, they have per¬formed at several North side pubs andserenaded newscaster Walter Jacobson'swedding last August. Michael and Richardare both graduate students in the depart¬ment of English, Dan is a graduate of the College and Mark is a student in the College.The interview was conducted by JohnEgan.GCJ: When did you first get interested intraditional Irish music?Mike: Two of my uncles played Irish music,so when I was young I was exposed to a lotof Irish music, mostly jigs and reels. I re¬member parties in New York where peo¬ple would stand around and sing thesesongs, and after every verse I would hearmy relatives say "Good man Tom." Ialways hated the music because it wasplayed so badly. When I first heard itplayed well I was really captured by it.Not only did I appreciate the formal partof the music, and its geometrical com¬plexity but I also had this latent emotionalattachment to it.GCJ: Have you studied any other aspects ofIrish culture?Mike: I was interested in Welsh and Irishpoetry for their formal technique. Celtic poetry — Scottish, Gaelic and Irish —especially classical Welsh and Irish poet¬ry, is incredibly formal. There are thirtytwo official Welsh meters involving subtlewebs of internal rhyme — it's a very de¬manding form. I think this passion forgraceful elaboration is the same dynamicbehind the music we play.Dan: Often it seems that traditional musicthat lacks a harmonic dimension is quitecomplex melodically, as in Indian classical music.GCJ: How did you get interested in Irishmusic, Dan?Dan: Well, first I heard Liz Carroll andJimmy.Keane at the U. of C. Folk Festivaland at a couple of other folk festivals. Ialso heard Kevin Henry and Mike Flatleyabout four or five years ago. Kevin used toplay at the workshops at Ida Noyes withhis daughter Maggie. He was very austere— he would sit there with his pipe and lookvery profound somehow, and I really gotinterested in the music. I remember ask ing him where one goes to hear traditionalIrish music in Chicago the same ques¬tion a lot of people ask'us how — and hesaid that I should come down to the "6511Club" at 6511 South Kedzie, which iswhere he plays on Friday nights. He playsflute mostly, and some bagpipes withSligo Jack Finan, a great singer and gui¬tar player. This was about a year ago; Iwent down there and got to know Kevinand also learned about the Irish MusiciansAssociation, which used to meet there. Ibecame a member of the I.M.A. and start¬ed going to the meetings, after whichthere were always sessions.GCJ: What were you playing at the time?Dan: I was playing guitar, which made iteasier to pick up the tunes — you know,playing along with people without havingto know all the notes. You really do need arepertoire if you play a melody instrument. I'm still a member and played onthe record which they recently made.GCJ: Which record was this?Dan: Just a record put out by the Irish musicians Association, paid for out of our trea¬sury. We're still in the process of putting ittogether — finding a label, doing the coverart work, that sort of thing. It was really alot of fun. I was aware of a real groupspirit after going through the rehearsals— the fact that we did it together was oneof the most rewarding aspects of the re¬cord. Everybody who came to the re¬hearsals was on the record — no one domi¬nated and no one was left out.Mike: Lately there has been an increasedinterest in Irish music.GCJ: Why is this?Dan: I think there's always been an interestin Irish music because it is participatory.Now it's becoming more of a "concert"type of music, which is a little different.Traditional Irish music began, in a sense,with the Irish country house dances,which was the entertainment in ruralcommunities. People would get together,especially in the winter when it gets darkat four o'clock in the afternoon, and theydanced all night! Musicians had a privi¬leged status there — they were looked upto, given free drink — they were impor¬tant people in the community. Without theJAMES S. HUDNALL DISTINGUISHEDVISITING LECTURE SERIESROBERT W. WILSONBelt LaboratoriesJames S. Hudnall Distinguished VisitingLecturer in the Division of Physical SciencesTuesdayFebruary 2,19823:30 P.M.Eckhart 133 AFTER THE BIG BANGWednesdayFebruary 3,19823:30 P.M.LASR Conference Room RELATIONSHIP BETWEENCARBON-MONOXIDEABUNDANCE ANDVISUAL EXTINCTION ININTERSTELLAR CLOUDSFridayFebruary 5,19822:30 P.M.Eckhart 133 A DARKINTERSTELLAR GLOBULEMr. Wilson will meet, informally, with undergraduate andgraduate students on Wednesday, February 3, 1982, 2:30 p.m.in the Astronomy and Astrophysics Center Conference Room 113. January 26,1982The Christian and Missionary AllianceTemporarily meeting at theHyde Park Hilton (Downstairs Chartwell House)Dear Friends of Hyde Park:The Christian and Missionary Alliance has selected Hyde Park in whichto begin a church.In a thousand cities and towns throughout the United States and Canadapeople have discovered that the fellowship and spiritual ministry of theAlliance churches provide a challenging and delightful environmentfor the entire family.The Alliance has consistently maintained the church’s historic faith —not merely as a creed, but as a dynamic living reality. We believe thatChrist was God incarnate, that He died for man’s sin on Calvary’s cross,that by coming to God in real repentance and believing faith we receiveforgiveness and eternal life.The purpose of our Alliance church as you will early discover is to shareits faith in an all-sufficient, ever-present Christ who has made abundantprovision for man’s total need. It also exists to share its love and concernwith you. Come visit us this Sunday at the Hyde Park Hilton ChartwellHouse in the Cambridge room. Services start at 10 a.m. We also have aSunday evening potluck fellowship at 5:00 p.m. Also Thursday eveningBible study at 7:30 p.m. Come and experience “the living Christ who meetsevery need.”Sincerely yours,Gordon K. Speagle, PastorPhone 752-0469f—FRIDAY, JANUARY 29, 1982—THE GREY CITY JOURNAL\musicians there wouldn't really be muchentertainmeht.Mike: The music has found an interestingway of surviving, of perpetuating itselfGCJ: It went from practical necessity to lei¬sure, and the continued playing of it wasfor the sheer enjoyment it brought.Dan: An offshoot of this is the ambiguousstatus of the members of the Irish Musi¬cians Association — are they professionalor not, do they ask for money when theyplay or not? They're taken for granted alot by the Irish community. The musiciansare almost all working class people whocame over in the 1950s, which was the lastwave of immigration from Ireland. Theyplay the music because it's fun — becausethey enjoy it and also for a social activity— they meet their friends and probablyspend as much time talking to each otheras they do playing their music — it's an¬ other form of communication.Mike: Some of the sessions at the UnicornPub are amazing — there are lots of guyswho are, say, butchers at Jewel or ironworkers, and they are playing this threehundred year-old music on concertinas,flutes and fiddles. You can see somethinghappening, something is being passeddown to their children. I've seen sevenyear old girls doing these fast and daz¬zling tight reels, their fingers literally fly¬ing over their instruments. There's somemysterious atmosphere at these eventswhich really sticks with you and becomesa part of your consciousness — you cansee and hear a culture surviving.GCJ: Does the fact that your dad came fromUlster account for his retention of his heri¬tage, Mike?Mike: Well no, it wasn't something that hethought about — it was purely emotional. He said that when he came over here hethought that the antagonism between theCatholics and the Protestants was themost absurd thing — he couldn't under¬stand it. Yet when he was over there itwas the most natural thing. Once you'reaway from there and in a different socialcontext, that hatred makes no sense at all.H wasn't absurd over there but it was overhere. I'm not all gung ho Irish in thingspolitical. My “Irishness," as such, issummed up in my commitment to themusic and if there's anything for mebeyond the seductive rhythm and musical“shape" — the formal passion of themusic — then there's also this sentimentalattachment to the tunes I heard when Iwas young. I feel a great beauty in thetunes — the sequence of notes and theirarrangements is peculiarly Irish, and itdoes something emotionally to me. Theslow airs we play, for example, have thisquality because they were originallysongs in the Irish language; the tones andornaments derive from a tongue mucholder than English — very ancient soundsreally.GCJ: When did you first get interested inIrish music, Rich?Rich: Actually, Mike introduced me to itlast March. Oddly enough, Mike and Ihave been around here for about the sameamount of years, but we had never met.It's particularly odd since we're both veryloudly into musics such as Eno and DavidByrne. Anyway, one night at a party heheard me playing some Beatles tunes andsome months later while at the Regen-stein circulation counter he stuck out hishand and said, “Hi, I'm Mike Donaghy.Wanna join my band?" So he took me to asession at O'Sullivan's Publick Housewhere I heard Noel Rice and Co. (whoseorganization, Irish Music on Tour, isbringing the Chieftains to the Civic OperaHouse on March 27), and I was amazed tohear so many instruments do the samemelodic line all at once. Then we made acassette of all of Mike's favorite tunes andthen he said “learn these," and there itbegan. I also learned a lot from an earlytape of the band, which featured an exqui¬site guitarist, Brendan Dooley. GCJ: What's your musical backgroundlike?Rich: I played clarinet, then bass clarinet inmy high school's concert band, and tuba(actually sousaphone) in the marchingband. Then I heard and saw Jimi Hendrixand Cream, and I brought a Fender Mus¬tang so I could express my late-60's ado¬lescent soul with schreeching fuzz-wahlead guitar solos. In college I travelled toSpain where I brought the classical guitarI play now, and then bought a beautifulpre-CBS 1956 S.G. style Les Paul. Then theLes Paul was burgled from my Cam¬bridge house, which I took as a kind ofomen, so by the time I went to England formy junior year I had only my classicalguitar, and I began to develop a personalflat picking style. This is somewhat rareon nylon-string guitars, but it seemed tosuit me fine for playing Leo Kottke songsin coffeehouses; now I'm using it in Irishmusic and am relatively pleased abouthow it's turned out.GCJ: I think it's interesting that of the songswhich the group sings, one is a rather unhappy and violent tale of failed love — notsomething you would expect out of folktales somehow.Rich: Well, actually “Sovay," which I as¬sume you're referring to, is about a suc¬cessful love, albeit one that was tested in avery untrusting and potentially violentway: the wife, Sovay, who disguises herself as a bandit, would have shot her husband had he handed over his weddingring.Mark: But you've hit on something there.Folklore and folk songs, in their originalversions are not nice things, by and large.It's the same situation with Grimm's fairytales — they've been sugar-coated andwatered down so that everybody's happy.But the fact is that most ballads are prettygruesome: go through Child's some time— people are getting drawn and quarteredconstantly, and there are all these won¬derful descriptions of people with theirguts coming out and babies gettingslaughtered by their mothers. It's reallyContinued on page 9Samhradh Music: Mike Donaghy, Richard Pettengill, and Mark Smythe (Dan Dick not pic¬tured)Spin-It’s Midwinter Classical Sale onLondon, Argo, L’Oiseau Lyre andTelefunken Records35% off list>12 .98 list510.98 listS 6.98 list regularly $10.68regularly $ 8.98reoularlw $ 5.98 now S8.44now $7.14now $4 54Sir Georg Solti8.44 Spin-lt 5.995.99The sale runs January 29. through February 14. and includes only those items currently in stock.7.1411.98DIGITALMUSSORGSKY HAVELPictures at an ExhibitionIJ-. TOMBEAl DE COUPERINSIR GEORG SOLTICHICAGO SYMPHONY1444 E-57th684-1505THE GREY CITY JOU R N AL—F R I DAY, JANUARY 29. 1982—7i, r15EACLIcomccuouseSPONSORED BY STUDENTS FOR ISRAELLIVE entertainment - folksinc;ersFALAfEL, H^MUS, ARABIC COFFEE, ANDISRAELI BEERCOST'- $1-00 ^ _ or t, • ieKtf/li.Tter*: WT ^ U,^3SATURDAY, JAN.306-30 PM.AT HILLEL—M HI5^15 S. WOODIAWN • CHICACp ,|/|MmJLfc dm.The Blue Gargoyle Food Service5655 S. Universityin University ChurchServing Healthful Foodfor mind, body and soul marian realty,inc.[0REALTORStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 S. Cornell684-5400 Dr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know thedifference between advertisedcheap glasses or contact lensesand competent professionalservice with'quality material,Beware of bait advertising.Eye ExaminationsFashion Eye WearContact LensesUSED OFFICEFURNITUREUsed wood desks from $135Used metal desks from $25Used 6 ft. drafting tables4 drawer files from $50BRAND _8560 S. ChicagoRE 4-2111EQUIPMENT Open Daily 8:30-5Sat. 9:00-3From immigrant passions fired in steel mills...to the icy power of the super-rich.“A wonderfulmovie.”(,/:%/ S/I MJl\H( I \: TodayAN ARTHl K PENN FILMKr it Fmexds“FOIR FRIENDS" starring CRAIG WASSON -JODI THHI.KNMIOHAKI. HI DDI.FSTON JIM METZLER • I.OIS SMITH • RFFI) BIRN'FYl:\ivuii\v I’rikIikitn MICHAEL I'OLAN (k JULIA MILESAVKK.UU- Producer S I EVE KESTEN Produced h\ ARTHCR PENN & (iHNF LASKODirected b> ARTHl R PENN Vtrittcnhv STEVEN TESICHm Original Musk CnmpoM.il \ < onductcd b\ ELIZABETH SVTADOS<§> KJ.AI) I III BAII.ANTINI BOOK A MORIN PKOIM < ||ON rHU I I Kl A < INI MA ■"•/(.! KIA I II \1 I I ( IINICi)|.()K 1 R ACSTMKTCOnun nnuniiiuESQUIRE FORD CITY BOLINGBROOKChicago NN 337-11 17 Chicago—SW S82-1H3H Bolingbrook 739-8301CINEMA CROSSROADS DEERBROOK DUNES PLAZAMl. Prospect 392-7070 Merrillville 219/9SO-OSHM Deerfield 272-0212 Gary 219/93H-O70OHILLSIDE SQ. NORRIDGE OLD ORCHARD ORLAND SOHillnide 1547-0001 Norrldgr 452-9000 Skokie «73 4214 Orland Park 349-801)0RIVER OAKS WOODFIELD YORKTOWNCalumet City H8M-3400 Schaumburg HH2-I820 Utmbard 49R onto8—FRIDAY, JANUARY 29, 1982—THE GREY CITY JOURNALBy Alice JamesIf the Dada movement had a navel, an om¬phalos (and it's an image that would haveappealed to them), it would have been theCabaeret Voltaire. Founded in Zurich onFeb. 5, 1916, by the poet Hugo Ball andEmmy Hennings, the Cabaret Volitaire wasthe home of the first Dada performances.Today, Dada is a term tossed around somuch — particularly in connection with thenew wave and punk movements — that ithas become something of an aesthetic buzz¬word. But few may be acquainted with whatactually went on at the Caberet Voltaire andthe many "Dada Nights" that followed. So,to celebrate the 66th anniversary of the Cab¬aret, a group of UC students and staffmembers will be presenting an evening ofDada work, entitled Dada Knows Best. Theperformance, under the auspices of CourtStudio, will be held Monday, Feb. 1 in theReynolds Club First Floor Theatre.It's ironic that Dada, which defined itselfby being rabidly antitradition and nihilistic,should be the source of a anniversary cele¬bration. Despite the best efforts of the Da-daists to produce art that would spontan¬eously combust, the works continue tofascinate. Dada's dark humor and bricolagetechniques may be one reason for this; It'slove of the childish and fascination withwords, another (as everyone knows, theterm "dada" was found at random in aFrench-German dictionary, and is a child'sword for hobbyhorse). But perhaps what westill find most interesting is Dada's preoccu¬pation with self-destruction. The movementwas born in an era of horrible war, a war oftrenches, poison gas, and catostrophicslaughters. The Dadaists, gathered in neu¬tral Swizterland, saw a world bent on disin¬tegrating itself, and their despair in the faceof this determination is one we can readilyidentify with today, in our world of "limitednuclear war" and neutron bombs.A University community is an ideal set¬ting for celebrating Dada, since Zurich, too,SamhradhContinued from page 7not pretty. Folklore, particularly English,Irish and Scottish, is remarkably grue¬some. I think there's really a power inthese stories.Dan: Maybe that's why they survive, be¬cause they're so horrible.Mark: Right. It's not something that peopleare aware of — I like the original stuff iffor no other reason than for its vivid¬ness.GCJ: When did you get interested in Irishmusic Mark?Mark: The first time I ever heard a dul¬cimer was in Seattle, at Pike Street Mar¬ket, when I heard some street musiciansplaying. I immediately fell in love with itbut couldn’t find out anything about it.Then when I was about seventeen a friendtook me to a bar that was down the streetfrom my house where a guy named Mal¬colm Dalglish was playing. (He'll be atthe U. of C. Folk Festival this year, andhe's probably one of the best hammereddulcimer players in the world.) He playedthere about once a week, and I got to knowhim and started learning tunes fromhim.GCJ: What in particular did you like aboutthe music?Mark: The thing that got me hooked washaving the music right at hand — it wassomething I liked and there was a verystrong group of people who were good mu¬sicians and were also interested in Irishmusic. Having them right there made itpossible for me to learn the music. Then I %A Tribute to the Cabaret Voltairewas an insular, academic community. TheCabaret Voltaire was frequented by stu¬dents, and as the crowds grew, the eveningsbecame progressively more bizarre. Whatbegan as rather placid "Bohemian" eve¬nings of folk songs and poetry soon becamefree-for-alls of debauched readings andweird dances performed to the music ofclanging tin cans or barking dogs. A franklyconfrontational attitude toward the audi¬ence prevailed, which was met with equalfevor by the observers. The Dadaists soonexpanded their territory to various hallsaround Zurich, presenting "Dada Nights."Among the works in this Court Studioproduction will be Dada manifestoes andplay excerpts by Tristan Tzara, one of thefounders of Dada. Two poems by KurtSchwitters, a poet and collagist who invent-came to Chicago to go to school, and I builtmyself a dulcimer.GCJ: So the group support that you receivedwas very important to you — you couldn'tpursue the instrument alone?Mark: Right. First of all, you can't findhammered dulcimer teachers — therearen't many of them, and the ones who arearound are either heavily engaged in in¬strument building or they're performingall the time.Mike: Let me make a distinction here — intraditional Irish music the instrumentsare bagpipes, flute, whistle and fiddle.Other instruments have only recentlybeen accepted as accompaniment. In the1920s, traditional Irish musicians made 78RPM records with absolutely mindlesspiano accompaniment.Dan: Part of what is happening with Irishmusic is that bands, starting with theChieftains and continuing with Planxlyand the Bothy Band and others, are ad¬ding guitars and interesting harmonies —making the music quite a bit more complex harmonically and, I think, more in¬teresting. Generally, this type of music isgetting more accessible to people who areused to rock music, and I think this is partof the increased popularity of Irishmusic.Mark: One of the things that should be emphasized about the music is that Irishmusic tradition is really very social, and itwas difficult to pursue the music on myown because the tradition is so social —you learn tunes from other people andbring in traditions from other places. Inthis sense the band is very traditional be¬cause we enjoy sessioning with other peo¬ple. ed his own type of Dada, "Merz," will beperformed. One of these, "W" consists onlyof sound variation on that letter. Erik Satiewill also be represented; while not a Dadaistper se, his music caught the spirit of themovement.The evening will begin with materialsome pre dating Dada, by the Italian Fu¬turists. Futurism was perhaps the first anti¬art movement, and while Dada and Fu¬turism were opposed politically — theFuturists revelled in war as the ultimatemanifestation of their first love, the ma¬chine — Dada derived much of its style fromthis group, which began around 1909. Simul¬taneous poem readings, disjointed, anti-re¬alistic playlets, confronting the audience,and a student rejection of artistic and theat¬rical conventions were all hallmarks of Fu-GCJ: Where can people go to hear ses¬sions?Rich: We have great sessions at Jimmy's onSundays from about five to seven o'clock;local musicians and some of our friendsfrequently stop by.Dan: People should come, otherwise themanagement will kick us out.Mike: When you go there you have to realizethat what you’re hearing is a sessionrather than a show —Rich: It's not practiced — it's playing forpleasure.Mike: Right, people are just playing andsometimes a tune will reach a head, thenthere will be a moment of excitement andthen it'll just fade away.GCJ: Where are you playing in the next fewweeks?Rich: We're playing February 3 in ReynoldsClub lounge, and then March 11 we'll be inGoodspeed Hall, and both shows are atnoon. The last time we played at Goodspeed we had the largest audience evertor a noon concert — somewhere over twohundred.Mike: We also hope to be playing at Hol¬stein’s some time in the future. Last yearwe played at Marshall Field's Irish Waysfestival, where we opened for the ClanceyBrothers. Then there was news commen¬tator Walter Jacobson's wedding —GCJ: What was that like?Rich: That was the most challenging and lu¬crative jobs we've ever done. Mike tellsthe story of getting woken up one morningby the phone, and at the other end was avoice which said, "Hi. I'm Walter Jacobson." Immediately Mike thought he wasto be the subject of an expose about graduate students who while away the hours turists performance. Although better knownfor their contribution to painting and sculp¬ture, the Futurists' theatrical work — whichincluded the short skits, or sintesi, to be pre¬sented Monday night — were crucial to themovement, and have only recently begun toreceive attention, notably through MichaelKirby's book, Futurist Performance. Thesesintesi display the Futurist fascination withthe machine, noise, surprise and the illogi¬cal. It's little wonder that their audienceswere roused to such a frenzy that during oneperformance, Futurist Carlo Carra ran onstage and shouted, "Throw an idea insteadof potatoes, idiots!"Dada Knows Best will be presented as aone-time, self-destructive act. The perfor¬mance begins at 8 p.m. and admission is SIat the door.Mark Smythe “f* *'**<■■j*v. Splaying Irish tunes when they should bebecoming productive members of society.But it turned out that an old friend ofWalter's had heard us at Hobson's OysterBar, and that Walter wanted us to play athis wedding. So he and his Irish Dhotographer wife, Diane Dybsky, came down toCrossroads one night and heard whatturned out to be one of our better performances. After the wedding, when every¬body had eaten, Walter announced thatthe people should sit down and listen be¬cause we were to give a recital. Thisturned out to be the best of all because everybody in Diane's family, from hermother down to her littlest nieces, got upand started dancing jigs and reels. Thenthings settle into sing song, like Markdoing a robust "What Do You Do With aDrunken Sailer," and the like They endedup paying us more than twice what we'dagreed.THE GREY CITY JOURNAL—FR IDAY, JANUARY 29, 1982—9mutt**A QtsfillflU £r«i gfte ffiplAtkriftytflheRag’CUERVO & RiDR. M.R. MASLOVOptometrist• Eye Examinations• FashionEyewear• All Types ofContact Lenses*Ask about our annualservice agreement.LOCATED IN THEHYDE PARKSHOPPING CENTER1510 E. 55th 363-6100« 9 VTOAST at the Mellow Yellow?Yes, we now have toast!TRY IT,OUR EARLY BIRD BREAKFAST2 eggs *2 strips of bacon or sausageand... choice of TOAST! $^00available 8 to 10:30 a.m. Monday thru Friday1508 E. 53rd StreetBreakfast Meeting Facilities AvailableRockefellerChapel9 a.m.Ecumenical Serviceof Holy Communion10 a.m.Discussion Class"Religion and AmericanPublic Life"1 l^.m.Robert Hammerton-Kelly,Dean of Stanford MemorialChurch, Stanford University"Here or Hereafter?" Jim s1552 E. 53rd St.{Under the I.C. tracks)9 a.m.-7 p.m. weekdays12-4 p.m. Sundays THE FLAMINGO APARTMENTS5500 South Shore DriveSTUDIOS & ONE-BEDROOMS• Unfurnished and furnished• U. of C. Bus Stop• Free Pool Membership• Carpeting and Drapes Included• Secure Building• University Subsidy for Students & Staff• Delicatessen • Beauty Shop• Barber Shop • T.J.’s Restaurant• Dentist • Valet ShopFREE PARKINGMR. MORRIS 752-380010—FRIDAY, JANUARY 29, 1982—THE GRE Y CITY JOURNAL CUERVO ESPECIAL ® TEQUILA 80 PROOF IMPORTED AND BOTTLED BYC 1961 HEUBLEIN. INC HARTFORD, CONNBy Ann KenistonCait, at the Victory Garden Studio The¬ater, deals with contradiction. CaitlinThomas (Sonja Lanzener), the only charac¬ter in the play, is unusual not because of anydistinctive qualities in herself, but becauseshe is the widow of poet Dylan Thomas; sheis, in effect, distinguished by her position.As playwright Janice Finney testifies, andas the play shows, Cait herself is perfectlyordinary. In Finney's words:As is true of anyone in the public eye,the events of Caittin's life are not allthat unusual — the choice to give up acareer to raise a family, the daily di¬lemma of paying the bills, the loss of aloved one — yet the fact that she wasmarried to someone as well known aspoet Dylan Thomas makes us point toher experiences and compare them toour own.In a sense, then, the play's interest to theaudience relies on Cait's connection withDylan Thomas. Yet the play itself deals witha struggle which, although dealing withDylan Thomas, is itself ordinary. Cait un¬derstands that she is seen by the world as''Dylan Thomas's wife.'' She sees herselfthis way — she reiterates her devotionthroughout the play — but wants to breakaway from this past, to be herself. This con¬flict forms the main theme of the play, but italso dooms it. The audience is interested inCait insofar as she relates to, responds to, orilluminates Dylan Thomas's life, but theplay represents her attempt to repudiatehim. Cait is interesting to the audience as areflection of the person she repudiates. Thestrangeness Of this situation is reflected bythe inconsistency of the play itself. The sec¬tions in which Cait describes specific eventsinvolving Dylan Thomas are lively, vividand interesting, while the sections about herstruggles to pay the bills are so ordinarythey' become dull.The play depicts Cait's conflict in absoluteterms: she relies on Dylan Thomas but shewants independence. She is forced to choosebetween these alternatives; they are so di¬rectly opposed that they are mutually exclu¬sive. This disparity is clearly demonstratedin the staging of the play. First, Cait is calmand hopeful, at home in a room (designed byPatrick Kerwin) whose stillnessfeflects hermood. Then suddenly, she is on the edge ofthe stage, surrounded by a halo of light, cry¬ing out in anguish. The play moves fromdimness to intense light, from silence toscreams, from the ordinary to the profoundfor no apparent reasons. We do not see whyCait changes her moods; we do not see theprocess of transformation. Silences serve asthe only ambiguous transitions.But the underlying conflict in the play ismore complex than it seems to be. Essen¬tially, the conflict Cait faces is not one be¬tween Dylan Thomas and herself, or be¬tween bondage and freedom. She lovedDylan Thomas, she claims, and he lovedher. But his work and his travels took himfrom her, forcing him to reject her. This sortof rejection makes her want to be indepen¬dent; it grows from his treatment of her,rather than from herself. Essentially, Cait'sindependence comes from her dependence.The play gives hints of the complexity ofCait's problem: she describes dancing asmaking love with herself; when she dances,Young Designs byELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd 288-2900G.tt. OPTICIANS1 519 E. 55thTel. 947-9335Eye* eioiMwd an4 Contact louse* fitted byregistered Optometrist*.Speciatirtf m Qaafity Eyewear at teasonebtePrice*.Lob on premises for fost service - framesreplaced, lenses duplicated and prescriptions filled. she relies only on herself. But her choice ofmetaphor reveals her problem. Even thesolitude of dance is to her a kind of compen¬sation for her lack of another, a lover,Dylan Thomas. Yet the simplifying formatof the play diminishes this underlying, complex situation.The play itself is trivialized, as Cait'sstruggle is diminished to a choice betweenopposites. Here is a woman trying to findherself, and her indecision is expressedthrough cliches. She wants an identity of herown, but she has been unable for all thistime to express her feelings. Her whole lifehas been Dylan Thomas and she loves himutterly (she searches feverishly for his loveletters), but she wants to find again her owntalents and interests. These struggles, de¬picted in this way, are familiar; they couldbe those of any woman.The reduction of Cait's conflict to a choicebetween opposites makes the play difficultto resolve. We enter the play in the midst ofher indecision and when we leave it, an hourlater, nothing has really changed. The playwavers between alternatives which cannotbe compromised. Cait does not choose; theplay, it seems, could end at any point. At theclose of the play, when Cait asserts that shewill love the memories she cannot avoid, itseems like just another temporary solu¬tion.It is ironic that the strongest parts of theplay, and those which reveal most aboutCait, are those dealing with Dylan Thomas,because the play is supposedly about her ef¬forts to be free from him. Yet, the very suc¬cess of her stories and anecdotes reveals hersimilarity to Dylarr Thomas who, in her ownwords, defined himself through the storieshe told. At the same time,, her fantasies —like those she describes as having beencreated for a "psycho-peddler" — are bothmade up and real to her. They seem, in thisway, to be her own creative outlet, muchlike Dylan's poems were to him.Cait's vigorous, humorous anecdotes giveher the spunk she lacks in more introspec¬tive parts of the play. It is here, through con¬crete references to Dylan Thomas, that Caitcomes through as courageous, perceptiveand independent. It is only at these mo¬ments that the audience thinks of the realCaitlin Thomas, on whose life the play isonly "loosely based." The play's general at¬tempt to portray Cait as independent ofDylan Thomas makes her seem, ironically,clinging. Only when she recites her storiesdo we see the woman who, in reality, wrotetwo books herself.And it is in these stories that the bitternesswhich is expressed elsewhere in the playturns to sarcasm, a sarcasm which seems,in the context of the play, poignant. Sheimagines herself wearing only a slip, speak¬ing to a group of Dylan Thomas's admirers,and citing her attire and eloquence as evi¬dence of her acquisition of Dylan Thomas's"genius by osmosis." In the same way, thehumor she finds in a story she hears on thestreet about Dylan Thomas's quirkiness —he dumps his scrambled eggs into his host¬ess' drawer to avoid having to admit to herthat he can't bear to eat them — along withher relish in describing it, gives the impression that Cait is an acute, bright observer ofthe world. In these scenes, Lanzener seemsfreed from the over-acting which characterizes most of the play. Describing specificscenes, her performance conveys her char¬ Sonja Lanzener as Caitlin Thomasacter credibly and delightfully. The successof such scenes lies in the specificity of theirsubject matter. These stories, one believes,are true.Cait's problems are inherent to the play.Based on a character whose interest lies inher relation to a person not present in theplay, it instead deals with a subject withoutintrinsic interest to the audience. It is, essentially, a look inward, an exercise in in¬trospection which seems to demand thestream-of-consciousness treatment it receives. The essentially static nature of theplay — it has one actress and no clear ac¬tion, plot or resolution — compels it to lookfor variation elsewhere. Without the dra¬matic switches in mood and lighting, the play would have seemed too monotonous.The play's problem is in its approach; Caittells the audience her problems instead ofletting it discover them. There is only somuch she can say; the play, though brief, isrepetitive and predictable. The success ofCait's stories rests in their subtlety; theysuggest about Cait what the rest of the playspells out, and more. It is this suggestiveness which the play lacks elsewhere, andwhich the play — dealing as it does with familiar issue of identity — needs in order tobe interesting and original.Cait plays at Victory Gardens, 2257 N. Lin¬coln, until Feb. 14th. Performances are Fri¬days through Sundays. Tickets are $7 and$8, with a SI discount for students.Court Studio presents -SOLIT A IR EA Man Alone in ThoughtAn Experimental Mime created/performed by STEVEN IVCICH Jrand directed by SAM BALL - *XT/All tickets are $3 (general admission)and $2 (students & senior citizens.) jef* wATvCall 753-3581 for reservations & info. p\January 22, 23, 24 and 29, .30, 318:00 P.M. New TheatreReynolds Club 57th & University TAlSAVimCHINESE-AMERICAN RESTAURANTSpecializing in Cantoneseand American dishesOpen Daily 11 A -8:30 P.MClosed Monday1318 E. 63rd MU 4-1062HYDE PARKTHE VERSAILLESIDEAL FOR STUDENTS324-0200Large Studios • Walk-inKitchen • Utilities Incl. •Furn. - Unfurn. • CampusBus at doorBased on Availability5254 S. DorchesterTHE GREY CITY JOURNAL—FRIDAY, JANUARY 29, 1982—11REAL-LIFEROMANCEBy Keith FlemingIf Proust is right that passionate loveexists only in the imagination of the lover —that love is a private entertainment — hereis a real-life story which further confirmshis observation. For our hero, Seth, never"shares" anything with his loved one. In¬stead he regards her with all the secret ex¬citement of a man gazing through a tele¬scope at a strange and wonderful star.For the first time in his life Seth was inlove with a goodie-goodie. Somehow he hadoverlooked them until now — as thoughwholesomeness contained no romantic at¬traction. In fact, the word wholesome hadalways made him think of milk-moustaches,chests anointed with Vick's Vapor Rub,grade-point averages....Goodie-goodie girlsinvariably modeled themselves after theirstrict suburban parents, and loved the"white” voices of the Vienna Boys' Choir.How different from the girls he usuallywent for....girls who carried with them thethick atmosphere of cigarette smoke andmusk oil for men. Girls who hitched acrossthe country with you at a moment's notice,had emotional problems, and slept withother men when you weren't with them.Girls who could never get up in the morningand led you out, night after night, into thestorm and lightning of their twenty favoriteclubs. Who fed you drugs which kept youlocked in the exhilarating present (the pastwas ten minutes ago, the future whateverwild impulse stirred them next). Who feltcomfortable only at parties and in bed.These girls never liked to talk about any¬thing at alt intellectual, but they taught youto scream, to really laugh, and in one nightthey could borrow deep into your most inti¬mate self by telling you how to wear yourhair or that your ass looked good in jeans.Alcohol, relentless partying, the cigarette-and-water diet, hardened their beauty(though they were never more than 15).They were completely ignorant of women'sliberation, but instinctively lived like men:fighting, dominating, going where theypleased. They had an old-fashioned femi¬nine love of make-up and mirrors, thoughtheir beauty existed independent of any cos¬metic treatment. They looked great no mat¬ter what: coming down from acid in a coffeeshop at seven in the morning, for instance.They burned with good health. Theirbreath freshened itself, and their teeth wenton looking lustrous no matter how often theybit off beer bottle caps or crashed out insomeone's house where they couldn't brush.The dawn mists swabbed their skin after thebars closed (for they never seemed to washotherwise); the winter wind sculpted theirhair as they stepped out into the evening,and the midnight snow conditioned it.These girls mistreated you, true, but theyabandoned themselves to you to a degree agirl with a family, a career, and a librarycard would never dream of. For thoughthese girls seemed to conquer the world andpeople around them, at heart they wereneedy little girls whom you mothered, fath¬ered, loved, and looked after. As much as3000 MAGAZINES -GREETING CARDSCIGARETTES/CANDYHOT VIDEO GAMESPOSTERS/BUTTONSthe best magazine storessince 196551st & LAKE PARK main OFFICERANDOLPH & MICHIGANCLARK A DIVERSEYBROADWAY A DEVONmost open to 12pmROBERT M. KATZMAN684-S100 proprietor I no longer see you alone. The other isalways with you.they shrieked all night with laughter andkept up a constant stream of speed-y chat¬ter; as much as their eyes glowed withgreed for more drugs, more sex, mor fun; atleast once a week they wouldn't be able toget out of bed and they'd tell you theywished they were never born (and mean it).Once again you'd realize how much youloved them and wanted to save them.And now Seth had turned his back on theseenchantresses and gone arfb fallen in lovewith a goodie-goodie.He met Hope at the library (where else?)where he pretended to work in the stacks.Hope had come to the library from out ofstate for some practical experience towardher Library Science degree (goodie-goodiesseemed to thrive on programs, appoint¬ments, offices — as though this were theirnatural element). He first saw Hope frombehind and thought she was a boy. From theback, with her short hair, big shoulders, andbaggy blue library smock, she did lookrather androgynous. Talking to her later,though, he found she had a light, fresh girl¬ish giggle (a giggle not at all like the head-thrown-back, self absorbed giggle he wasfamiliar with: Hope looked at you while shegiggled, fondly, even tenderly).Her voice was what really attracted him— that clean enunciation that educated hou¬sewives (the group, Seth believed, thatspoke the best English in America) seemedto only pass on to their daughters. Her laugh(another thing altogether) was like an expe¬rienced soprano tripping up the scale a fewnotes. It touched Seth that this wonderfulvoice asked him so many questions abouthimself. He couldn't remember the last timea girl had been actually interested in him(apart from what he could do, buy, act outfor her).She turned out to be a small town girl fromMaine in the big city for the first time (a sit¬uation which Seth found alluring, for somereason). As he secretly followed her homethat evening (ecstatic that she walked in thedirection of his own apartment) he saw the Chicago streets as she must see them. Eversince he'd visited New York, he'd felt sort ofashamed of Chicago: it's suburban treesand grass, its sidewalks empty of throngingcrowds and peddlers' blankets. But now,through Hope, Chicago sprang to dangerousglamorous life. There were some taxiscruising after all; and there, up ahead shewas passing a revival cinema; and therewas a blind paraplegic in a wheelchair begging for change.Each time he summoned the nerve tocatch up with her, she skipped across an in¬tersection just as the light was changing. Fi¬nally, when she was perilously close to pass¬ing his apartment building, he ran up andasked her up to his place for a drink.Her face was blank. He watched her in¬genuous brown eyes work their way throughsuspicion, bewilderment, and — at last —recognition: he was the long-haired boyfrom the library she'd been talking to."Gosh, l...l'm sorry, I didn't recognizeyou for a minute...but I'm on my way tochoir practice and —"Choir practice! She'd just got into townand already she'd constructed an ironschedule which excluded him; joined yet an¬other organization which kept her life on awholesome formal plane, safe from circum¬stance and questionable influences like him¬self. Seth felt crushed — and impressed. Hemumbled something about maybe comingto see her sing sometime, when she askedhim out to a recital that weekend.And then it happened."Gee, I like your tie," she said, strokingits ink-blue silk and tugging gently at histhroat.What is it that's so sexy — so moving —about a girl stroking your tie? he wonderedafterwards. Seth felt it went deeper than themost obvious connotation. There was some¬thing frank and wifely — possessive — abouta girl hanging onto you like that.He walked around for hours in the thickly-falling snow, feeling he'd stepped into thewindless atmosphere of a child's paper¬weight. In fact, throughout his whole infatu¬ation with Hope he heard nothing but theNutcracker Suite. Only the Nutcrackerseemed to express his longings. For henever could quite imagine having sex withHope; his longings were more in line withher own goodie-goodie nature. He imaginedthe delirious pleasure of being admitted,through her, into the strong light of mentalhealth where everyone glowed pink from theblazing fire, and everyone acted like agrandmother — always in a good mood,always living for others. Living for him,Seth supposed he meant. Yes, he wantedpeople beaming at him, wanted the rich andplentiful approval that is the mainstay ofgoodie-goodies everywhere.It was obvious even to Seth that his loveborrowed from the enchantments of Christ¬mas and childhood. And why not? Who elsebut a child is so passionate yet so sexless?Who else has desires which consistentlyread like a good arty novel and never de¬scend into sex, a subject always threateningto turn into pornography — or worse — intomeaty disenchanted reality?This child like love Seth had conceivedwas so powerful it survived even the discov¬ery of her boyfriend, Kerry. True, his lovehad been allowed to stand on its own for aweek before she told him about Kerry, butthe only thing that really bothered Seth wasATTEND GREY iTHIS SUNDAY, 31JA5537 KIMBARK \ the way she had fallen in love with him.Hope had come to choir practice early oneday and there he was at the organ, thunder¬ing like a God alone in the church, playing sopassionately, heaving his whole body intothe music. She fell in love with Kerry on thespot.What bothered Seth was that even ip theprovince of love (something gcodie-goodiesweren't supposed to excel in) Hope eclipsedhim. Though she was still a virgin, it was hewho suddenly felt inexperienced, sheepish.Here was someone who'd fallen in love be¬cause a boy had earned her devotion sodifferent from Seth's method where he sawa girl was cute and available, and so graftedhis love onto her; or what was worse, wherehe allowed a girl to simply happen to him, tohave him because she came on so strong andseemed all right....Hope never talked about Kerry (who was300 miles away, back at school) and Sethbegan to feel he was re-living Anna Karen¬ina. Hope was Kitty, Kerry the cad Vronsky,and he of course was Levin — good kindawkward Levin, whose day-to-day friend¬ship with her insinuated itself, without herquite knowing it, more and more into herheart.This addition of Russian starlight andsnowy contemplation, together with the in¬nocent fervor of childhood, provided enoughfuel for his love to burn at least another year(though emotionally Seth found it necessaryto believe this love would last forever!)And then it happened.They were in a coffee shop, talking aboutlove in the abstract as usual, when suddenlyshe said love was fun but when you're awayfrom him life becomes so painftil, and shehated the way she couldn't s>op thinkingabout Kerry, even in movie theatres. Sethfell silent for the rest of the evening, and thenext day he woke up no longer in love.Months later, it must have been very late,for they found they had Lincoln Park tothemselves. They stood at the foot of the la¬goon by the zoo; it was so quiet they couldhear one duck scolding another out on amysterious island. Behind them was his fa¬vorite globed streetlight, its glass tinged afaint green (breathed green by the sur¬rounding oaks, Seth liked to think). Itseemed that if you just crossed that cobble¬stone footbridge and walked through theemerald galleries of light which lamps hadopened up, here and there, through the treesacross the water, you could eventually enterthe future, where you were many yearsolder and much better looking.Hope was talking about some other boywho'd fallen in love with her."I was in love with you too, once," Sethconfessed, his voice choked with the excite¬ment of revealing an extensive and powerfulsecret."I knew you were.""You did...how?""Well, what am I supposed to think whensomeone asks me all about myself for 3hours in a festaurant?”Seth was crestfallen. He felt deeplyashamed. Ashamed, because it seemed en¬tirely possible to him to ask a girl all aboutherself with an intense, yet disinterestedpassion. He just needed time to stretchshisfeelings, to root out the possessiveness inlove, before he could elevate love to an artform. Eventually, he realized, he mighteven become a goodie-goodie.BEST OFBOTH WORLDS4Modern 3 bedroom, 11/2*bathsplit level home in lovely, estab¬lished Homewood neighborhood.Cheerful kitchen with large break¬fast area. No maintenance brick andaluminum exterior. Super familyroom. Great floor plan. Walk to I.C.train and first-rate Flossmoorschools. $79,900Barbara Steele 481 -1855For all your housing needsin the southern suburbs.Baird & WarnerSince 1855The Trusted Name in Real Estate12—FR I DAY, JANUARY 29, 1982—THE GREY CITY JOURNALFeatureStudent Activities OfficeGUARANTEED SEATS for American Ballet TheatreTickets still available for Feb. 6 and 13 matineesYOU PAY $11 INSTEAD OF $12.75On Sale • Room 210 • Ida Noyes • 753-3591A field trip with the peopleTHE COMMITTEE OX PUBLIC POLICY STUDIESannounces1982-83EXXON FOUNDATIONFELLOWSHIPSfor graduate students who enroll in the One YearMaster’s Program in Public Policy Studies,Autumn, 1982.EXXON FOUNDATION FELLOWSHIPS coverfull tuition plus a $1000 stipend.Any student may apply who has completed at leastone year of study in a graduate division orprofessional school at the University of Chicago.Informational meetings on:Thursday, Feb. 4.12:00-1:00 orFriday, Feb. 5,12:00-1:00Wieboldt 303Applications available in W ieboldt 301 or by calling 733-1898museum that is in many ways consistentlyattractive. There is Education with a •capital “E” found here; there is also thekind of education which one gets frombeing in such a crowd of people. It is itselfa museum of reaction as well as action.Every lever, button, movie, telephone andcomputer in the massive, 14-acre buildingproduces an individual response. Eachvisitor brings a different experience awayfrom each trip to the museum. Thismuseum creates its own display.* * * *The exhibits which the Museum has areall paid fpr by individual companies.“We’re a strictly not-for-profit, privateorganization, said Irving Palev, directorpublic relations. Ever since we opened in1933, we’ve been in this position.”Companies like Illinois Bell or GeneralElectric design and build the exhibits andpu^them in the Museum after a rigorousscreening by several departments. “This isnot a perpetual trade show. Each exhibitwhich we have on the floor must beeducational.”Palev said visitor reaction also plays alarge role in the presentation of exhibits.He recounted a story he heard about anArmy exhibit which appeared severalyears ago. “It was this reallyobjectionable thing about Vietnam and alltheir current technology there. Museumofficials had so many complaints that theytook it away.”There is a more than distinct corporateflavor to many of the Museum’s exhibits.Many industrial giants such as GeneralElectric, Illinois Bell, CommonwealthEdison and Continental Bank sponsorexhibits which displays — some sayadvertiser — their respective products orservices. But Paley maintains that the ,corporate politics make little impressionon overall Museum policy.“To my knowledge, the Museum hasnever withdrawn an exhibit due tocorporate pressure,” he said. “That justdoesn’t play a part in the way we operate.One of the most popular exhibits overthe years has been the Coal Mine, which isalso one of the two exhibits for which anentrance fee is required. “The FMCCorporation recently helped us to update from Science & IndustryBy Robin KirkEvery kid in the Chicago area has beenthere, armed with a lunch bag, a fistful ofchange and an orange nametag. Theexcuse for the field trip is education; theMuseum of Science and Industry is aperennial mecca for the hunters ofeducation. They assault those Romancolumns each weekday led by grim-facedteachers and certain shanghaied mothers.I was taken there more times than I canreliably count with classes, parents andthe visiting dignitaries of the family for atour of the city sights. My memories arevaried. My brother was mugged for aquarter on the way to the bathroom nearthe downstairs cannons. My father tried totouch one of the hanging planes and almostfell into the exhibit below. The lunchrooms were stuffed with children,celebrating their day off from Education,and with those same shanghaied mothers,stealing a few moments of peace over theircups of coffee.Yet because of these crowded memories,I think there is something vital about this wmm—Mmmmmmthe Coal Mine. All of these are kept up tothe minute with new innovations in thefield. The Coal Mine, the U505(submarine), and the concession andMuseum stores provide about 40% of ouroperating budget. Other operating revenueis split evenly between Park District landtaxes, maintenance fees paid by theexhibitors and dividends from the estate ofJulius Rosenwald. We’ve got a lot of Searsand Roebuck stock which, if you and I had,would be very nice.”The Museum also receives occasionalgifts. “This past year, the JosephRegenstein foundation gave $1 million fora new chemistry exhibit, and the W.W.Granger Corp gave about the same for abasic sciences show. There’s always a loton the drawing boards. Some realbeauties. We’re waiting for the money. Wenever operate on a deficit budget.Everything has got to be paid for before itgoes up.”The operating cost of the museum isestimated at $11 million per annum. Paleyforesees no immediate financial crunch forthe Museum because the budget includesvery little federal money. “We get $35,000tops from them. Places iike the IllinoisArts Council and the National ScienceFoundation. But really, I expect grantsfrom corporations to be the new wave ofthe future.”He interprets the philosophy of theMuseum simply. “It’s a cultural and aneducational place. We’ve got problems forthe elderly, outreach, minorities and thehandicapped. But essentially our approachis four words: pull, touch, twist, turn.” Model Rocket Day. All the kids from asix-week museum class show up today ofall days. The teacher is already outsidewith the launcher, and thirty anxiouschildren, from nine to sixteen, are groupedaround him./The Museum offers classes for children,young adults, families, and teachersthroughout the year. Subjects range fromBones, to Building Your Own ModelRocket, to New Methods in TeachingScience classes. Most classes are full, andall are well attended by the students.Teachers for the classes come from allover the Chicago area. Some areprofessionals, some have specializedknowledge, some teach because they knowsomething worthwhile and love to tellothers about it. The obviously corporateatmosphere of the upper levels of theMuseum are missing from the classrooms.Sometimes a teacher will lead the class ona journey to a pertinent exhibit, but theContinued on page 23 .The offices where museum officials livecircle the main floor like a noose. In orderto get to them from the elevator one mustmake a circuit of the entire museum.Underneath their floor is another circuit ofoffices, but these are empty. Stray soundsfrom the lobby below filter into thisinterminable grey hallway faintly.Renovations are taking place but thearticles left by the workmen do nothing todispel the strange aura produced here.* * * * ALL PHOTOS BY WILLIAM MUDGEThe Chicago Maroon—Friday, January 29, 1982—19SportsIt’s anyone’s seasonEditor's note: In the grand tradition ofBob Greene, Erma Bombeck, and otherprominent columnists, Bob LaBelle is tak¬ing a vacation. Bringing Maroon readersup-to-the-minute IM coverage is a difficulttask, particularly when enemies are madewith every “Top Ten” edition. A1 Novot-nie, a University alumnus and IM official,has kindly agreed to take over the columnwhile Bob takes his much deserved R&R.By A1 NovotnieAs temperatures outside plummet, in¬tramural basketball is beginning to reachfever heat. For the first time in severalyears there is no run-away favorite; andInside IMsfan. spectator, and player interest is be¬ginning to peak. Crowds at some gameshave numbered up to fifty, coming pre¬pared with cameras, vocal cheers, andeven music.In the men’s graduate divisions, the pe¬rennial champions, Albanian Refugees,have fallen from grace. They wereswamped by the division leading Not TooSwift, 49-28, and barely managed to over¬come the bulldog style of the Bovver Boysby a score of 35-32. The Refugees have hadtrouble getting all of their personnel to at¬tend games, and their play has been dis¬tinctly sluggish.By contrast, two new contenders haveemerged who display enthusiasm and ag¬gressive play. Not Too Swift and No BSboth feature dominating fast breaks and arelentless running game. These teamshave been giving spectators a display oftop individual atheltic ability and superbconditioning. However, neither can becalled a favorite. Not Too Swift showssigns of control and discipline problems bydrawing an occasional technical, and is leading the league with an average 15.0fouls per game. No BS dropped a closegame to Swift, 45-43, early in the season,and has also shown some problems withcommitting fouls, averaging 14.0 pergame. But no BS is clearly a dangerousteam since it claims the .most potent of¬fense in IM basketball. Any one of its regu¬lar six starters can pump 25-foot set shotswhen given the opportunity, and its organ¬ized passing attack makes opportunitiesaplently. No BS leads all teams with anaverage offense of 67.3 points per game.A fourth contender complicates the taskof picking a favorite. Curia, from the Di¬vinity School, may not have been seriouslytested yet this season, but it cannot be un¬derstood. The team's style of play can bestbe labelled “mass attack ’. Hordes of dis¬ciplined automatons pour out from theirseemingly endless bench, and swamp op¬ponents by rotating through at every op¬portunity. The result is stonewall defense,and methodical, productive offense. Curialeads the graduate division in- fewestpoints allowed, 30.0 points per game, andlargest average winning spread, 28.2points per game.The undergraduate divisiond present anequally speculative picture with respect tofavorites. The Rough Riders presentlycontrol the independent division which islikely to produce the undergraduate cham¬pion. But they have yet to face the WhiteFunks, who possess a startling offensewhich has averaged 80.5 points per game.One has to speculate that this average can¬not be sustained. Furthermore, Dogs EatBicycles may have something to say aboutthat division title.In the resident divisions, Chamberlin“A”, Hitchcock “A”, Dudley, and UpperRickert are all qualified to take the resi-Continued on page 23The Center for Far Eastern Studiesof the University of Chicagopresents// Practical Principlesfrom Japan"MYTH AND REALITY OF THE JAPANESEMANAGERIAL AND INDUSTRIAL SYSTEMYoshi TsurumiProfessor of International Business and MarketingBaruch College, the City University of New YorkFriday, February 52:00 p.m., Swift Lecture HallLESSONS AND NON-LESSONS FROM THE JAPANESE EXPERIENCERobert ColeProfessor of SociologyThe University of MichiganFriday, February 54:00 pm. Swift Lecture HallCoffee and tea will be served between the two talksTheie lectures hove been mode possible by a grant from the Nissan Motor Co. ltd PHOTO BY JEFF TERRELLUC’s Elizabeth ForresterSwimmers doing wellBy Cliff GrammichBoth the men’s and women’s swimmingteams met with success this week. Thewomen dominated their dual meet held onWednesday against North Park College,winning by a score of 70-52. Several menperformed well in the Illinois IntercollegiateChampionships held last Saturday, especial¬ly Frank Bozich, who qualified for nationalchampionship competition in the 100-yardfreestyle.In the Bartlett pool Wednesday, thewomen outpointed North Park College in 11of the 14 events held and also had first placefinishes in 11 of the events. The 160-yardmedley relay team of Judy Blank, ColleenThorne, Margaret Rowley, and Martha Kin¬ney placed first. Kim Lynch, Rowley, Kin¬ney, and Blank each won two individualevents, while Thorne and Katie Moran eachwon an individual event, and Diane Tar-kowski placed second in two events.Lynch won the 500-yard freestyle and the80-yard individual medley relay. Rowleyplaced first in the 160-yard individual med-IM ScoreboardMen’s Undergrad Top Ten1. Rough Riders2. Camberlin ‘A’3. Hitchcock ‘A’4. Dudley5. White Punks6. Upper Rickert7. Michelson8. Dogs Eating Bicycles9. Fishbein10. GreenwoodMen’s Graduate Top Ten1. Not Too Swift2. Curia3. No BS4. Albanian Refugees5. Stiff Ones6. Raw Meat7. Bovver Boys8. Debonairs9. There’s the Rub10. Bottem LinesWomen’s Top Ten1. SPAM2. Misfits3. Bradbury4. Salisbury/Dodd5. Breckinridge6. Full Court Press7. Medflies8. Dudley9. Tufts10. ThompsonHYDE PARK UNION CHURCH5600 S. Woodlawn Avo.Church School (all ages) 9:45 a mWorship 11:OOa.m.Nurs»ry ProvidedW. Kenneth Williams, MinisterCome, Worship, Study, Serve lev relay and the 100-yard backstroke. Kin¬ney won the 100-yard butterfly and the 100-yard freestyle. Blank won two 40-yardraces: the backstroke and the freestyle.Thorne won the 40-yard breaststroke andMoran won the 200-vard freestyle. Tarkows-ki placed second in both the 100-yard breast¬stroke and the 500-vard freestyle.Coach Allen Pell and captain Martha Kin¬ney expressed satisfaction with the team’sperformance. Both said that the meet was asign of improvement in the team.In the Illinois Intercollegiate Champion¬ships, Chicago finished only seventh out ofnine Illinois Division III schools, but severalindividuals performed well. Bill Lanschulzreached the consolation finals in both the400-yard individual medley and the 200-yardbutterfly. Phil Hofmann also swam in twoconsolation finals: the 200-yard individualmedley and the 100-yard butterfly. MikeRuddat reached the 50-yard freestyle conso¬lation finals, and David DeGrazia swam inthe consolation finals for the 200-yard back-stroke; Mikal Grass reached the consolationfinals for the 200-vard butterfly. Tim Iidawas in the consolation finals in the 200-yardbreaststroke. To reach the consolationfinals, the swimmers had to have a prelimi¬nary time from seventh best to twelfth bestamong all the swimmers competing in thatevent in the meet.While all those who reached the consola¬tion finals performed well, the swimmerwho did best for UC was Frank Bozich. Bo¬zich placed third in the 100-yard butterfly,second in the 50-yard freestyle, and first inthe 100-yard freestyle with a time of 47.96seconds. That time set a meet record for theevent and qualified Bozich for nationalchampionship competition in the 100-yardfreestyle.In commenting on Bozich’s performance,coach Pell noted that last year Bozich didnot qualify for the national championshipsuntil the last week of the season. Having al¬ready qualified, Bozich can now work to im¬prove his time before the championships areheld in March.While the women have their home meet onSaturday against the College of DuPage, themen will be swimming at Illinois Institute ofTechnologv against both Carthage Collegeand IIT.Sports CalendarMEN’S BASKETBALLJan. 29 - Washington University at St.Ix)uis, 7:30 p.m., Field HouseJan. 30 - Coe College, 3 p.m., FieldHouseWOMEN’S BASEKTBALLJan. 30 - Knox College, 1 p.m., FieldHouseWOMEN’S SWIMMINGJan. 30 - College of DuPage, 1 p.m., Bart¬lett Gym20—The Chicago Maroon—Friday, January 29, 1932SportsWomen beatpowerhouseBy Lee BadgettThe women’s basketball team had the un¬enviable task of playing back-to-backgames against Division II schools this week.On Tuesday night, an enthusiastic homecrowd cheered Chicago’s near-upset of Val¬paraiso University to the very end. It wasValpo’s 24 of 28 free throws that finally gaveit a 64-60 victory. However, the disappoint¬ing loss apparently inspired the Maroons tocapture a thrilling 72-71 victory against St.Mary’s College the following night.Against Valpo, a combination of theMaroons’ desire to end their four-game los¬ing streak and their aggressive player-to-player defense accounted for a bundle offirst-half fouls. Valpo’s proficiency at thefree throw line compensated for the players’inconsistency from the field.Valpo began the game in a player-to-player defense which forced several badChicago passes. Valpo used patience andsome well-chosen plays on offense to build anine-point lead by the middle of the firsthalf. That lead, however, proved to be thebiggest either team held during the game.A renewed defensive effort by theMaroons and some Valpo turnovers shiftedthe game’s momentum to Chicago. WendyPietrzak made some alert defensive playsand Helen Straus scored several of herteam-high 24 points in the second ten min¬utes to give Chicago a 35-32 halftime lead.Both teams left their shooting touches inthe locker room at halftime. Straus andPietrzak added to their offensive reboundtotals in the second half, but did little fortheir shooting percentages as they repeated¬ly missed shots from underneath. NancyMarkovitz made the team’s first field goalof the half after 7V2 minutes, and theMaroons preserved a small lead for the nextfive minutes.Soon after tying the score, Valpo pulledaway for good on a long shot from the rightside. The picture got worse for the Maroonswhen guard Karen Walsh fouled out with2:37 left. Chicago not only lost one of itsstarters, but Valpo got a further boost whenChicago was charged with a technical foulfor the improper entry of Walsh’s substitute,Karin Van Steenlandt.The momentum clearly belonged to Valpoafter that incident, but the Chicago playersrefused to give up despite a six-point deficitand only two minutes to play. Carol Weesnerhit a shot from the top of the key with six¬teen seconds left to-bring Chicago to within m m i m'im' - i - -.PHOTO BY JEFF TERRELLHelen Straus (35) gets two of her team-high 24 points against Valpo.two at 62-60. When Van Steenlandt fouled tostop the clock, two Valpo free throws put thegame away. A travelling call on Weesnerended the Maroons’ last chance to score.“I felt it was a game we could and shouldwin,” said coach Diann Nestel after thegame. She noted the spurts of good team de¬fense, but was not entirely satisfied since itis necessary to play well for the full 30 sec¬onds of the shot clock.“You’re not going to beat a team givingthem 24 points from the line,” Nestel em¬phasized. “That’s pretty nauseating whenyou think about the difference,” she added,referring to the fact that Chicago actuallymade more field goals than Valparaiso did.In spite of the lopsided number of fouls, Nes¬tel did not blame the officials for the loss. Inher opinion, Chicago’s foul problems result¬ed from a poor defense rather than frompoor officiating.All the Maroons’ problems disappearedwhen they travelled to South Bend, Indianato play St. Mary’s the following night. Earlyin the game, the team relied on the ball-han¬dling of Walsh and Straus’s inside scoring toopen up a 16-6 lead. That lead dwindled to34-30 by halftime.St. Mary’s tried a “triangle and two” de¬fense to contain Straus and Walsh in the sec¬ ond half. Two players stuck with theMaroons’ first-half stars, while the remain¬ing three St. Mary’s players formed a trian¬gular zone defense. Chicago exploited thisthis bizarre defensive arrangement by hav¬ing Weesner and Pietrzak pop in shots fromthe perimeter, but St. Mary’s caught up andtook an eight-point lead with only three min¬utes left.Chicago then came alive, and took a one-point lead with 40 seconds left in the gamewhen Weesner missed a free throw, St.Mary’s took the ball down court and scoreda basket to go ahead by one. Guard SheilaDugan found herself triple teamed on the in¬bound play, but managed to hurl the balldowncourt to Walsh. Walsh drove to the bas¬ket unimpeded and put up a shot as thebuzzer sounded. The St. Marys’s players ap¬parently did not realize Walsh had enoughtime to get to the basket, and feared com¬mitting a foul.With that upset victory, the Maroonsended their string of formidable January op¬ponents. The team emerges from the tough¬est part of its season with a 3-9 record.New and RebuiltTypewriters,Calculators,Dictators, AddersCasioHewlett PackardTexas InstrumentCanonSharpElectronic Watches REPAIRSPECIALISTSon IBM, SCM,Olympia, etc.FREE repairestimates; repairsby factory-trainedtechnician.RENTALSavailable withU.ofC.l.D.The University of Chicago BookstoreTypewriter & Calculator Department970 East 58th Street 2nd Floor753-3303 HYDE PARK ANSWERINGANDSECRETARIAL SERVICESV«a#V1525 EAST 53RD STREETSUITE 621CHICAGO, ILLINOIS 6061 5Repetitive Letters, ResumesManuscriptsWe have the latest in IBM wordprocessing systems and skilledoperators to handle all your wordprocessing jobs.We are prompt, dependable andour rates are reasonable.Ask about our special ratecau 955-1486 Freshmentop scorersBy Mary BartholomewWith eight games left in. regular seasonplay, the men’s basketball team has twoplayers ranked among the top 20 individualscorers in the Midwest Conference. Both aretalented student-athletes and starters on theMaroon squad. The interesting fact is thatboth are only first year students in the Col¬lege.Keith Libert and Nick Meriggiolli, bothfrom Oak Lawn, Illinois, are two of the mostpromising members of the Chicago team.Libert, at 6’6”, is ranked third in the confer¬ence with a formidable average of 20.8points per game. Meriggiolli, playing atboth forward and guard, is ranked tenth,with an average of 15.3 points per game.During this season of rebuilding at Chica¬go, these newcomers are somewhat disap¬pointed with the team’s 6-6 overall record,but neither is discouraged. In a sport wherethe team effort is so important, there aredifficulties inherent in filling two of five pos¬sible slots with new members. Libert andMeriggiolli come from different highschools so that, until this year, they had notplayed with each other.The general feeling among teammembers, however, is that the Maroonshave made great strides in playing well to¬gether. The last four games, against LakeForest, Monmouth, Beloit, and Rosary,have been solid evidence of this. Squadmembers, as well as coaches, are highly op¬timistic about the remainder of the season.A strong offense, marked by players like Li¬bert and Meriggiolli, coupled with thecharacteristically solid Chicago defense,could yield a fair number of wins in the nexteight contests.Tonight, Washington University at St.Louis comes to the Henry Crown FieldHouse to meet the Maroons. This DivisionIII school touts a young but powerful club. Itis the team's support system, though, whichis most impressive. Wash. U. will roll intoChicago with a busload of one hundred fans.The Chicago club hopes for a strong showingby Maroon fans to insure the .home court ad¬vantage. As Coach John Angelus has said:“The more people there are, the better theteam will play. The crowd can turn the teamon...they can do the impossible.” Teammembers are quick to agree with this as¬sessment.ANNOUNCINGthe opening ofEDICION SURFa combination ofThe Court House &The Medici.Serving wine,beer & cocktails.If you missThe Spinach Cheddar Soup,Stroganoff, Lub Labs,Potato Pancakes, Fettucineor Paula you willfind them atMedici on Surf2850 N. Sheridan1 block north of Diverseyon the comer of Surf & SheridanOpen daily for lunch and dinner —until midnight929-7300The Chicago Maroon—Friday, January 29, 1982—21uHOUSESSUPER NEW LISTING 3 plus bedrooms RaySchool district co-op townhouse. Upper $90’s. Fi¬nancing.RAY SCHOOL DISTRICT. 3 bedroom town-house Cozy fireplace, garage, fenced back yard2' •> baths. 2 dens make this a super buy at$139,500.TUSCAN MANSION has apartments for income,large yard, off street parking, garden and lots ofsunshine! $145,000.LARGE F TOWNHOUSE. . . You’ve got to seethis one! Three bedrooms. Lots of light. Two as¬signed parking spaces. Walk to everything! Mid$90’s. Call today.CONDOMINIUMS58th AND BLACKSTONE 4 bedroom, 2 bath,over 2.000 sq. ft. Super location. Large enoughfor a family. Walk to Lab School. $145,000 and fi¬nancing.RENT WITH OPTION. Excellent financingavailable 94% and a low down payment pur¬chases this 27th floor studio in the Newport.$30's.SPACIOUS TWO BEDROOM. 2 bath lake viewcondo ready for move-in; doorman building -U.C. bus at door; buy, rent or rent with optionLow $70's tor $650 rent).SPACIOUS . . . beautiful back yard, two porchesand spacious rooms make this 3 bedroom home areal value, East Hyde Park. Close to lake andtransportation. Low $80 s.SUPER, SUNNY ONE BEDROOM condo in se¬cure, modern high rise. Close to all transporta¬tion, UC bus at door Mid $50's.CHARMING EAST HYDE PARK CONDO Thiswarm 3 bedroom apartment is a lovely blendingof the old and the new. Attractively priced under$70,000. Super financing possibleSUNNY, LIGHT, one bedroom. Close to campus,lovely oak floors and french doors, lots of closets.$50’s.THIS SUNNY CORNER, 2 bedroom condo inRay district has a great kitchen and manyextra's. Sparkling condition with great financ¬ing. Mid $&)'s.NARRAGANSETT! Magnificent five room con¬dominium home. Beautifully decorated Must beseen. $100,000.GARAGE. BALCONY and a large back yard area few of the amenities of this 2 bedroom homepriced in the upper $40's.COOPERATIVESJUST REDECORATED! In the golden circle! 3bedrooms, 2 baths, woodburning fireplace.Upper $60’s.SPACIOUS. . . hi-rise co-op with great east-westviews, 2 bedroom. 2 baths, foyer and formal din¬ing room 24 hour security near UC bus Mid$50’sNEAR CAMPUS, one bedroom co-op lots ofbeautiful wood, built-ins, modern appliances,lovely courtyard building, affordable living, unitmoderately priced. Low $30’s.LOW PRICE - low maintenance, this one bed¬room co-op with sunporch facing a lovely court isperfect for single or couple Near to campus andtransportation Mid $20’s.BUILDINGS6,000 sq ft zoned B2-4 plus 26 apt $405,000East Hyde Park Blvd., 18 units Owner financ¬ing available. $325,000.61st and Drexel, 24 units. Investor's invited$165,000HILO REALTY GROUP1365 E. 53rd St.955-1800 Classified AdsCLASSIFIED ADSClassified advertising in the Maroon costs Si .00per 45-character line. Special headings costSI.50 per 25 characters. All classified adverfising must be paid in advance. Advertisingdeadlines: 12 noon Wednesday for the Fridaypaper; 12 noon Friday for the Tuesday paperSubmit ads to Ida Noyes Hall, room 304, ormail them in (with payment) to The ChicagoMaroon, 1212 E. 59th St., Chicago IL 60637. Forinformation about display advertising, call 7533263. The Maroon is not responsible for goodsor services purchased through the classifiedadvertising section.SPACEStudio Apartment, Hild Realty Group 955 1200Looking for University housing? Pick up ahousing contract now, and get $75.00 call 9478216 anytime, ask for Pete.3 Bdrm Coop For Sale; 2 baths, sunny;spacious lawn, gardens with playground, freeparking, free laundry. Near shopping, city andcampus bus stops. Call 684 3845 or 643 7732after 4 pm.55th and EverettLarge l bedroom apts. Rent starts $320.00Extra large 2 bedroom apt rent $450 00To inspect call Mr. CollinaSack Realty Co. 684 8900Near 57th Kenwood with kitchen privilegesfemale grad student 955 4335Spacious double room available in DeltaUspilon, a coed community close to campus.Inquire at 5714 S. Woodlawn Femaleundergraduate pref.Studio, Univ. Park, high fir beaut, view, pooland health club, reserved outdoor park Availimmed Alice 440 4390 or 864 8082Feb. I sublet: studio w/Sept opt., 57th &Blackstone, $235/mo (util inc) Call Steve, 6435139 daily, or Sue, 753 3688 (9 5) M F, 753 4821wknd.Furn Rm/Apt Ut no smok, $225 363 3458/95570832'2 rm studio Blackstone & 54 PI, quiet, niceview, approx $245. Call Susan at 753 8564 weekday afternoons.SPACIOUS CONDOMINIUM FOR SALE 53rd& Hyde Park Blvd. Beautiful 5 bedroom condominium with a master bedroom suite ineluding bathroom, sitting room, and bedroomwith built-in chest-of drawers and extensivecloset space, two additional baths Large livingroom with bay window, large dining room andden and kitchen with 3 sinks, 2 stoves andrefrigerator and freezer. Mahogany woodpanelling throughout, carpeting and hardwoodfloors. Basement included a recreation room,laundry room, dark room and two storagerooms. Property includes a rental unit-E nglishbasement apartment. Immediate possession$198,500.00 No agents, call 363 4395 evenings,753 8284 afternoons.PEOPLE WANTEDSOCIALIST/FEMINIST seeks gay and/orstraight woman interested in forming studygroup on contemporary writings call Judith436 0550 (day)COURT STUDIO Theatre needs tech people,experience helpful, not necessary Costumersespecially! Call Steve 3-3251 or 3 3252 or 2415867.CalendarFRIDAYCrossroads: English classes for foreign women,10:00 am, 5621 S. BlackstoneCalvert House: Mass; 12 noon and 5 pm, brownbag lunch, 12:30 pm, 5735 S. University.Center for Middle Eastern Studies: Anjuman-iSukhan: Prof. Guity Nashat will speak on “Mus¬lims in China’’ 12:30 pm. Pick 218.Hillel: Yavneh (Orthodox) Shabbat Services, 5:45pm, Reform-Progressive Shabbat Services, 5:45pm, Adat Shalom Cooperative Shabbat Dinner,6:30 pm, 5715 Woodlawn.The Romance of Guillaume de Dole: A thirteenth-century story with action and music, by Jean Ren-art. 8:00 pm, Rockefeller Chapel.Calvert House: Faculty-student party, 8:00 pm,5735 S. University.Hillel: Lecture — “Can States be Moral?’’ speakerProf. Brian BaiTy, 8:30 pm, 5715 Woodlawn.International House: 50’s and 60’s party sponsoredby the U of C Business Students Association. 9:00pm-1:00 am.22—The Chicago Maroon—Friday, January 29, 1982 National Opinion Research Center needs individuals to code questionaires. Accurate attention to detail essential. 37' 2 hour week. $4.50an hour. Call 753-1122. Affirmative Action/Equal Opportunity Employer.Child care worker needed weekends or evenings for entertaining 1 yr old girl call 285-1398A professional fund-raiser for a local socialservice agency can teach you his trade! Callthe Student Volunteer Bureau at 955 4108FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E. 55th St. 493 6700.IBANEZ 4001 BASS GUITAR Brand new fretboard DiMarzio J Bass pickups, case. $375.Contact Jeff Berman 753 2249 Woodward2408X.A Great Old Wood Desk 32“ x 60” $85 Sofa BedHigh Riser opens out to 2 singel beds $75 cover& bolsters includ. call eve. 493 7670TRS 80 computer in perfect condition, lowmileage, 4K memory, cassette data retrieval,powerpack, monitor, instructions, perfect forlearning or expansion. Call Jim 241 7160Due to our remodeling, Model Camera hasdisplay counters and bookshelves for sale Inquire at store. Mode! Camera, 1342 E 55th St.SHELVING: Orange Crates $2 ea Also Uhaulmoving boxes $1 753-4351 or 684 1820 anytimeSERVICESJUDITH TYPES—and now has a memoryPhone 955 4417.Excellent, accurate TYPIST with B.A willtype term papers, theses, resumes,manuscripts—whatever your typing needs.Quick, pick-up and delivery on campusReasonable—call Wanda 955 8375 after 5pmPsychotherapist, Women's Groups, Individual,and Couple Therapy. Sliding Scale, MaryHallowitz, MSW, ACSW 947-0154.James Bone, editor-typist. 363 0522.Registered psychologist, Hyde Park Medicalinsurance accepted; sliding fee scale RosalindCharney, Ph D. 538 7022.Letter Perfect Typing Service. Very experienced, very accurate Dissertations,papers, math. Call Lise Plotkin, 493 1218Typing: Experienced secretary types allmaterial dissertations, tables, etc. IBM Sel.,grammar corrected, pickup & deliver 667 8657.CHARTS, GRAPHS & ILLUSTRATIONS forpublication done at a competitive rate Formore information call NAN ROCHE 955 7869Chicago Counseling and PsychotherapyCenter. Client-centered psychotherapy 5711 SWoodlawn, 6354 N. Broadway, and 111 NWabash, Chicago. A Registered PsychologicalAgency.(312) 684 1800Professional, neat and accurate typist. Tenyearsexper. IBM Selectric. Call 965 8215Typing term papersreas. ratescall 684 6882Mother of 2 wishes to babysit toddlers in ownhome. 54th Greenwood Call 288 5732SG publishes a housing list for those seekingaccommodation. $3.00 for 3 month subscription 753 3273 or come to SG office, 3rd fir INH. TYPING. Dial 791-1674 for accurate typing.Present Yourself Prestigiously Call Profes¬sional Resume Service Composition Design-1BM Typing Offset Printing 947 0300Spring fresh salad bar students & seniors $1.25Hy Pk Veg Stand corner Lk Pk & Hy Pk. 752-1717SCENESAYN RAND'S Philosophy of Objectivism, a 12lecture course by Dr. Leonard Peikoff, beginsTuesday Feb. 9 at 6:30 pm at the Chicago Marriott Hotel. For registration and info CallGregory P. Turza at 372 1496or 266 2010.Come dance to live music at a Folk Dance Party held in Ida Noyes gym, Sunday from noon to2:00. Music by Balkanske Igre Folk Ensemble,in association with UC's 22nd Annual FolkMusic Festival.HOT VEGETARIAN SOUP of the day at WeissCoffeeshop above Harper Library! Now a dailyfeature.Slightly to the right? Politically uptight? Writean article for POLICY QUESTIONS, a newperiodical. Call Sandy, 955 8242 eves.Delta Sigma meeting Mon 6 30, Ida 2nd fl Allwomen welcome.MEDITATION in the tradition of SHAMBHALA will be taught here in Chicago, inFebruary, and the teacher will be in HydePark on Sunday, January 31, for an informaldiscussion and to answer any questions youmight have. Call 667 2273 for detailsAttention Foreign Students! Writing & Pronun¬ciation Workshops beginning at Crossroads onMondays at 1:15 & 2:15 pm For details call 6846060WOMEN'S UNION meets Wed. 7 00 Office hrsM-Th, 12-3, 7-10 pm. Phone 3-2481. LIBRARYREFERRALS. -PERSONALSWriters' Workshop PLaza 2 8377.Izak: Damn straight there are more! Everbeen in Hitchcock at 11 pm on Sunday? We're acult!MR FASHION, Peace Love and Mellow Arthur tonite? PEANUT GALLERYBD How do I find You? GarpPreppies, A Chainsaw Will Be The Newest InFashions. Beware! Alligators Are Passe! V JThanks to Sam and Lisa, new managers ofNicky s Pizza, for the superbowl Sunday piz¬zas! DUYallo, Nina whose puppy r u? Doggie dudeSMI TAR ITAPITACHEETA Niceta meet ya!BEWARE! What pair of green shorts contraded a social disease recently’ SalisburyLoverKaru it's Friday, come and rescue me!Why is indiscriminate slashing better than indiscriminate spending?Greg See You At The Loading Zone We CanDance “Cheek” To “Cheek” Your Secret AdmirerCoconuts! Keep on truckin' Cuz LNSATURDAYHillel: Yavneh (Orthodox) Shabbat Services, 9:15am, The Upstairs Minyan (Conservative-Egali¬tarian) Shabbat Services, 9:30 am, 5715 Wood¬lawn.Calvert House: Mass; 12 noon and 5 pm, brownbag lunch, 12:30 pm, 5735 University.Crossroads: Buffet dinner, 6:00 pm, no reserva¬tions necessary, 5621 S. Blackstone.Hillel: Israeli coffeehouse — enjoy an evening atHillel with Israeli folk singers and entertainment,8:30 pm, 5715 Woodlawn.SUNDAYCalvert House: Mass; 8:30 am and 5 pm at CalvertHouse, 11 am at Bond Chapel.Hillel: Lox and Bagel brunch, 11:00 am, 5715Woodlawn.Doc Films: ‘‘Scander’ 2:00 pm, “Allegro NonTroppo’ 8:00 pm, Cobb.Calvert House: "Authority and Dissent in SexualDecision-Making” 7:00 pm, 5735 S. University.Folkdancing: Advanced level folkdancing, 8:00pm, Ida Noyes. MONDAYCrossroads: English classes for foreign women,10:00 am, 5621 S. Blackstone.Calvert House: Mass; 12 noon and 5 pm, brownbag lunch, 12:30 pm, 5735 S. L'niversity.Computer Center Seminar: Introduction toSCRIPT 3:30-5:00 pm. Classics 10.Dept, of Chemistry: "The Triplet State of CH2"speaker Prof. Phillip Bunker, 4:00 pm, Kent 103.Graduate History Colloquium: "History as Acti¬vist speakers John Coatsworth, Harry Harootun-ian and Mary Vaughn, 4:30 pm, SS 224.Hillel: Class in Yiddish, 6:00 pm, Bartlett gym, be¬ginners welcome.U of C Judo Club: Meets 6:00 pm, Bartlett gym,beginners welcome.Delta Sigma: Meeting, 6:30 pm, Ida Noyes 2ndfloor east lounge.Ski Club/Ski Team: Meeting 7:30 pm, Ida NoyesWomen’s Rap Group: Meets 7:30 pm in theWomen’s Center 3rd floor Blue Gargoyle.Folkdancers: Beginners and intermediate levelfolkdancing, 8:00 pm, Ida Noyes.Ars Musica: Lyndon Lawless, director. All-Bachprogram, 8:00 pm, Mandel Hall./Classified AdsMon Cher: Wed is 1/3 yr! Best four months myworld has ever known how bout you? LuvQuendi's MomJAYE you can keep your syllabus, I don't wantto have dinner at your house anyway Ann *See Mark! See Mark Fall In Love. See HerMake A Fool of Him. See Him in DisqraceTOO BAD!!Joan Live in paranoia LKDCRAZY J —Trois lapins blancs de plus?! Je nupeux quedire "Mon Dieu"—WHITE RABBITAR R Hello you fish BBRIDESRide wanted from Morton Grove, Skokie, orNiles to U of C weekdays leave 7:30 9:00 AMreturn any time after 3:30 will share expenses& driving. Call Richard Hahn at 966 1871.School mornings Hy Pk 6th grader needs rideto S.E. Evanston9 am. Will pay 947 8348MOVINGStudent with Pickup Truck can move your stuffFAST AND CHEAP. No job too small! CallPeter at: 955 5180 10am 10pm.PHOTOGRAPHERSFor Sale: Pentax K 1000, 50 mm lens & 80 150macro micro zoom lens, tripod, cable, Leicacase. S200. 324 3384.CONDO FOR SALELovely sunny 5 rm condo, 2 BR Totallyrenovated, oak fl & buffet, frpl., bale., PLUS!Fin. 12%. Call Karen d. 947 5456, e. 947 0859ART INSTITUTEGet a discounted membership for the Art institute—you pay $9 instead of $15. SAO, room210, Ida Noyes.RUNDGRENCONCERTNeed tickets badly 324 8560COURTTHEATRENOTICEThe February 14th, 7 30 pm performance ofThe Entertainer has been cancelled Personswith tickets for this performance may exchange their tickets at the Reynolds Club BoxOffice 753 3568 or 753 3581Inside IMsContinued from page 20dence title. Chamberlin has been averag¬ing a solid 54.7 points per game and beat¬ing opponents with an average spread of33.0. But Chamberlin and Dudley have hadproblems with fouls, both committing 12.3per game. Rickert and Hitchcock seem tohave solved the question of fouls, commit¬ting an average of 7.0 and 9.3 respectively.This is a clear indication of discipline andconsistency, and in Rickert’s case com¬bines with a deliberate passing offense anda stingy defense which yields only 16.5points per game.This year’s basketball season has beengreatly enhanced by emergence of anumber of truly competitive women’steams. In the past there were rarely morethan two teams that could field fiveplayers who were well oriented on thefloor, operated as a team, and had fullcommand of basketball skills. This year,fully seven teams can meet these require¬ments, and their matdh-ups have providedsome close, exciting contests. Additional¬ly, there are more women’s teams partici¬pating than ever; a total of 18 between bothdivisions.One of the more exciting match-ups wasbetween Bradbury and Dodd/Salisbury onJan. 19 at Bartlett Gym. Bradbury narrow- EINSTE IN ONTHE BEACH...and other works of Philip Glass will be in performance when he appears at Mandel HallFeb. 19. Get tickets at Reynolds Club Box Office.RELOCATIONENGINEERSW.P. Bear Moving Co.: We Move AlmostAnything Almost Anywhere. Call 24 hrs a dayat 241 5264.BALLETTICKETSDiscount tickets to the American BalletTheatre are still available for Student Activities, Rm 210, Ida Noyes Hall. Tickets arefor the Feb. 6 and Feb. 13 mantinees You pay$11 instead of $12.75 for main floor seats!NOT GETTINGENOUGH SEX?Come to the 22nd Annual Folk Festival for thevery best in folk music! Fri-Sun Concerts inMandel Hall, FREE workshops in Ida NoyesHall. Tickets at Reynolds Club. For more information call 753-3567. The festival may notrelieve your problem, but what the hell ...COMPUSERVE WANTSCOMPUTER PROGRAMSYour computer programs may be selected byCompuServe for its nationwide informationservice. If you have an original program thatyou have written, preferably for a DEC PDP10/20 mainframe, we are interested in talkingto you about it. We offer payment or royalty forprograms selected. Consumer, games andsmall-business programs are needed. Formore information, please write:CompuServe IncorporatedInformation Service DivisionP O Box 20212Columbus, Ohio 43220ATTN: Bill LoudenPUNKS ANDOTHER MODERNISTSSee Dada Knows Best Monday Feb 1, 8 00 pm,Court Studio.U NBA LANCED MUSICThe Peer Pressure Radio Show specializing inforeign and domestic independents, along withFrank Sinatra and Judy Garland Wed. nights11 pm 2 am on WHPK 88 3 FM Sponsored byWax Trax Records.ly defeated Dodd 27-24 before a crowd offifty wild spectators. Bradbury relied uponthe smooth left-handed jump-shooting ofits star, Celeste Travis. Dodd displayed su¬perior discipline as a team, and manageda huge number of steals through the effortsof three quick-handed guards. Their disci¬pline and control almost prevailed, as evi¬denced by Travis’ four fouls and a techni¬cal violation instigated by Dodd’spersistent and frustrating pressure.In the women’s open division, SPAM hasindicated it will remain on top by beatingits number one rival, the Misfits. But a re¬match is scheduled in that double-round-robin division, and should bring another in¬teresting contest. The first game wasdecided by a 30-23 score.In other IM news, it has been erroneous¬ly reported that team forfeits were on therise. While the number is significant, it hasnot varied from that of previous years.Team officials have been forfeiting at ahigh rate. These forfeits have forced can¬cellations of some games, and the IM Of¬fice requests that teams help avoid this byensuring that refs cover their assign¬ments. If a substitute official is providedhe or she should check in to the IM Officethe day of the game to pick up a briefingsheet on officiating mechanics. SCRIPT YOURPAPERFormat your paper or article by using SCR IPTa program on the Amdahl computer. A two session Computation Center seminar will be heldMonday and Wednesday, February 1 and 3,3:30-5:00 pm, Classics 10 All welcome nocharge.WOMEN'S RAP GROUPWomen's Rap group meets every Monday at7:30 pm at the Blue Gargoyle, 5655 S. University Ave. Sponsors are Women's Union & University Feminist Organization For info call 7525655.MUSICIANSHit and Miss country dance is looking for musicians interested in Playing English dancemusic (traditional folk tunes & Baroquedances) for Country Dancers. No pay, butmuch appreciation and fun. Call 241 6738 for info.STEPTUTORINGHelp a kid feel bright and intelligent. Volunteerto tutor an elementary or high school studentfor two hours a week, contact Peter at 643 1733for more information.DEADLINE FOR SPRINGCourt Studio proposals is Friday Feb 5. CallSteve 3 3251 or 3252 or 241 5867"CLICK" PARTIESAT PSI U.Come Party and dance with the north side rockband "Click". Friday night, Jan 29 at Psi UDoor opens at 9:30. UCID req.The MuseumContinued from page 19visits are kept short, and all children arecarefully watched. Exhibits of flashinglights and manual levers can beoverwhelming when filled with aSaturday’s worth of people.* * * *The problem of maintaining all of theflashing, talking, and buzzing componentsof the Museum is potentiallyunsurmountable, but Robert Diehl, head ofthe maintenance division, takes it instride.“The real problems are the new exhibits.There is a debugging period when thebreakdowns go like bandits. But after that,our main problems are with pettyvandalism and daily wear and tear.”The U505 submarine and the outsidetrains present special problems to Diehl.“You know’, you just can’t go out and buyanother of any of these. They are slowlyrusting away. We’d like to put a dome overthem, but that’s really expensive.”The people that the Museum employs inmaintenance, says Diehl are skilled inmany types of repair. “We do lots ofelectrical types of repair of course, butwe’ve also developed equipment that won’t FAITH ANDSCIENCEThe United Methodist Foundation is sponsoring a lecture and discussion by Dr. J. RobertNelson, Professor of Theology at BostonUniversity, on "Liberation BY Science andTechnology—or FROM It?" on Saturday,February 6, 1982, 7:00 8:30 pm, at 5745 SBlackstone. You are cordially invited to attend.SPECIAL CONCERTHave you ever heard of a hurdy gurdy? Comehear a real one, played by Robert Mandel,Thursday 2/4 at 7:30 pm in Ida Noyes Hall."CLICK" ROCKSPSIU. ,UC bands don't do the trick, Hanna's Party willmake you sick. Don't be a fool, make the rightpick. Come to Psi U. and party with "Click "ORIENTAL CARPETSTHE SOVIET INVASION OF AFGHANISTANand other Middle East countries hasdevastated many of the villages and nomadiccamps where Afghan and Belouchi carpetswere made, having lived in those areas .beforethe takeover, I was aware that it would becomeincreasingly difficult to find those carpets (oldand new) and began collecting the finest.Recently my Middle East partner sent me ashipment of very fine older tribal carpets healso informs me that these may be the LAST ofthis older type. If you are seriously interestedin owning a unique carpet call me Selling frommy home with no overhead allows me to offerlow prices. David Bradley (U of C student) 2880524GAY? JEWISH?Jewish gay discussion group sponsored byHillel is now meeting on Mondays at 8:30 pmCall Hillel for details 752-1127. Confidentialityassuredbreak down, that can really stand the usethat people give it. Our real battle isagainst graffiti. If you ignore things likegraffiti or broken displays, some guy isgoing to get the same idea and wreck therest.Diehl is pragmatic about the upkeep. Itwill never take care of itself for sure, buthe is dedicated to the Museum. "Youasked me which is my favorite museum?Well, this one, of course.”* * * *Considering the volume of visitorscoming through the museum, there arefew discipline problems, according to KurtFriedenburg, assistant director ofoperations. Between the 21st of Novemberand the 10th of January say estimates, theMuseum accommodated over 800,000people. “We think visitor here. There isnot really a lot of disciplinary problems.When there are, we try to handle themquietly. Vandalism can be a problem, youknow, scratching on the structures. We tryto protect the Museum's assets as well asthe people here.”“The greatest part of this job is the factthat there are so many other people to talkto. That’s just not the case in othermuseums. Frankly, others are interestedin the irreplaceable objects.”AUGUST ANA LUTHERAN CHURCHSundays:8:30 am Sermon & Eucharist9:30 am Sunday School &Adult Education10:45 am Sermon & Eucharist6:00 pm Supper5500 South Woodlawn VALUABLE COUPONFiGebeeOffer!Four KODAK Color Printsfor the price of three.■ Bring in this coupon with your favorite KODACOLOR Filmnegatives, color slides, color prints or instant color prints■ Receive 4 color prints for the price of 3, processed byKodak Freebee offer expires March 3, 1982model camera SING1342 E, 55th 493-6700 KodakVALUABLE COUPON HLHIThe Chicago Maroon—Friday, January 29, 1982—2322nd AnnualUniversity of ChicagoFOLK FESTIVALLydia MendozaMalcom Dalgish and Grey LarsenMama Yancey & Erwin HeiferBud ReedChicago Blue BlowersJane Sapp"Honeyboy" EdwardsZrinski - Frankopan Jethro BurnsHazel DickensJohnson Mountain BoysJeff Warner and Jeff DavisSwinging WhippoorwillsYesterday's RhythmBuzz BusbyGeorge ArmstrongBalkan Rhythm BandConcertsFriday, Jan. 29, 8:15 p.m.Saturday, Jan. 30,3:15 p.m. & 8:15 p.m.Sunday, Jan. 31,7:30 p.m.TICKETS — $4-s6so(Sat. matinee: S3 with student ID)Available at Reynolds Club BoxFREE Workshops, Film, Lectures, Dancing, etc.FOR MORE INFORMATIONCALL 753-3567Performers' records available atThe Phoenix Book & Record Store (Basement of Reynolds Club)