SMASH THE QUARTERReds ReviewedGrey City Cover Grey City Centerspread-The Chicago MaroonVolume 91, No. 29 The University of Chicago ©Copyright 1982 The Chicago Maroon Friday, January 22, 1982Harassment complaints hampered: StudentsBy Anna FeldmanThe University administration isinsensitive and uncooperative inhandling complaints of sexualharassment against its facultymembers, according to two femalestudents who tried to press formalcomplaints when they reportedthey had been harassed.The students complained thatadministrators handled their casesinadequately, took little or no ac¬tion against instructors and active¬ly discouraged them from pursu¬ing their cases. In one case, noinvestigation was made. In theother, the woman was not notifiedof any decisions or conclusionsmade after the investigation hadbeen conducted.Wendy Oliver, who graduatedfrom the College in December,submitted a letter to the chairmanof a department in the College Oct.Two UC students and a friend enjoy the “warm” of the ice on the 27, charging a professor of that de-Midway yesterday. partment with sexual harassment.The letter told of an incident lastJune in which the professor askedOliver to pick up her final paperfrom his apartment. At the time,wrote Oliver, the professor greetedher at the door holding a drink andalso offered her one, which she de¬clined.“I asked him about my paperand he said ‘let’s talk first,’ ” theletter reads. Oliver said that shethen noticed “that we were alone inthe apartment.”Once seated in the living room,Oliver said, the professor talked toher about his personal life for halfan hour before getting to the sub¬ject of her paper. When he didbring out the paper, said Oliver, itwas ungraded, but included writ¬ten comments. “For the next halfhour,” the letter read, “I wasmade hostage to my grade.”In the professor’s comments onthe paper, he said that although itwas of A quality, he had reserva¬tions about giving a five-pagepaper an A when the assignmentasked for a longer work, especiallysince Oliver had been granted anextension.Oliver described in her letter thescene that followed: seated next toher on the couch, the instructorheld his pen over her paper, andasked, “What will it be, an A or aB?” Fearing that she might “owehim something,” as she said later,she told him she would take a B.“The innuendo, body languageand the cat-and-mouse nature ofthe situation on the couch with himbeside me, pen in hand, made itclear that I was being asked formore than my grade,” Oliverwrote, “that he was in fact proposi¬tioning me.”The day following the incident,Oliver left the country for the sum¬mer. When she returned to UC inthe fall, she decided to take actionon the case.Oliver first went to the chairmanof the professor’s department inthe College. Oliver said that thechairman was outraged when heheard her story, and that he askedher to put her complaint into aHarassment problemserious inBy Sherrie NegreaAfter many years of the se¬crecy and embarrassment asso¬ciated with sexual harassment inacademic settings, university ad¬ministrations have just recentlybegun to treat the issue as aserious problem. As more stu-dents and professors haveNews Analysisbrought sexual harassmentcharges to the courts since thelate 1970s, universities have beenforced to respond to the problemby developing policies and formalgrievance procedures in order toavoid long and costly lawsuits.The problem of sexual harass¬ment of students in universitiesdid not become a national issueuntil 1977, when four students andan assistant professor sued YaleUniversity for alleged sexualharassment by male professors.Though the case was dismissedby the United States Court of Ap¬peals, it did set the precedent ofusing Title IX of the EducationAmendments — which prohibitssex discrimination in institutionsreceiving federal aid — as thebasis of legal action in cases ofsexual harassment of students.The ruling also determined thatstudents can sue universities forsex discrimination if it does nothave a grievance procedure forhandling sexual harassmentcomplaints.Besides its legal implications,the case also had a significant im¬pact in drawing attention to theissue of sexual harssment in un¬iversities. The heightened inter¬est in the problem resulted in aseries of studies, surveys, care¬fully worded legal and universitydefinitions of harassment andsuggested grievance procedures academia— alLof which helped clarify theambiguity of the problem on col¬lege campuses.Two studies completed duringthis period at separate universi¬ties — East Carolina Universityand the University of Californiaat Berkeley — showed that atleast 20 percent of the female stu¬dents surveyed had been sexual¬ly harassed at their respectiveuniversities. And a nationwidesurvey conducted by the Presi¬dent’s National Advisory Councilon Women’s Education Pro¬grams (NACWEP) during the1979-80 academic year found thatfrom 10 to 20 percent of femalecollege students had been sexual¬ly harassed by their professors.Yet, as with any type of sexualoffense, the statistics may not re¬veal the actual number of casesbecause of the fear of students toreport sexual harassment inci¬dents and of the different wayspeople have defined the problem.For example, a statement or ac¬tion that does not explicitly in¬clude the demand for a sexualfavor or physical contact may beconsidered as harassment by astudent or an administrator, buta student will be less likely tocomplain about such an incidentbecause it could be interpreted inmany ways.At UC, sexual harassment is of¬ficially defined in the Student In¬formation Manual as: “Anyphysical contact or communica¬tion which suggests sexualharassment”. Jonathan Z. SmithDean of the College, said this def¬inition is much broader than thelegal definition of sexual harass¬ment and therefore can pertain toa wider range of conduct.Continued on page 15PHOTO BY ANNA YAAAADA written statement. Oliver said thatshe then brought her letter to Jon¬athan Z. Smith, dean of the Col¬lege, taking what she thought wasthe first step in making a formalcomplaint.Smith, said Oliver, assured herthat a thorough investigationwould be made, that “he wouldspeak to all those involved, andwould tell the provost’s office thathe was investigating the com¬plaint.”Smith was not hostile, saidOliver, but she said that she feltthat he was treating the case toolightly. “He went on to tell me littleanecdotes about other cases of fe¬male harassment where profes¬sors met their students at the doorin a bathrobe or naked or some¬thing,” Oliver said. “He thought itwas funny.”After seeing Smith, Oliver as¬sumed that he would speak to theprofessor, but said that she was notnotified as to the results of any in¬vestigation, nor of any decision orconclusion of the case. “He told methat as far as I was concerned,”said Oliver, “it ended when I lefthis office.”On Jan. 12, Oliver heard from afriend that the professor had beenreappointed, and she then decidedthat she would publicize the casd.“It’s grossly unfair,” she said. “Ithink it’s the University condoninghis actions.”“They don’t want to do any¬thing,” Oliver said. “They don’twant to make any waves. All theydid was slap him on the wrists, ifthey even did that. It’s not right.”Oliver said that she was upsetand frustrated that there was no other channel through which tomake her complaint. “Everythingstops at the dean’s office. No oneever hears about it,” she said. “Noone ever knows.”The provost’s office w’ould notcomment on sexual harassmentcases, so it could not be deter¬mined whether the case was everreviewed there, or whether suchcases are ever considered in a pro¬fessor's rehiring decisions.The chairman of the professor’sdepartment in the College wouldnot comment on Oliver’s case spe¬cifically. but did offer a statementon the matter in general. “Any in¬stances of sexual harassment thatI know of have been taken veryseriously by the Administration,”he said, “with care but with fair¬ness for all concerned.”Smith refused to speak about thecase, because of the confidentialityinvolved. “1 will not discuss anyparticular case in any way, shapeor form.” he said. However, hewas willing to speak about his ex¬perience reviewing harassmentcases in general."I can think of only one instancein which (a written statement > wasinvolved,” said Smith, “and thatwas not a formal complaint.”Smith explained that a formalcomplaint is one in which the stu¬dent filing a complaint is w illing tobe identified to the professor.“There is an important differencebetween any complaint and a for¬mal complaint,” said Smith, “thatis, the issue of confidentiality,whether a student is prepared tobear witness.”Continued on page 15UC wins Argonne supportThe University has taken a step closer to assuming the sole manage¬ment role of Argonne National Laboratory as the Argonne Universi¬ties Association gave its formal support to UC’s management take¬over proposal last Monday.The proposal must now be presented to the U.S. Department of En¬ergy (DOE t which owns and funds the Argonne facility. The proposal,if adopted, would end the Tripartite arrangement between AUA, theDepartment of Energy and the University.Currently. UC operates the laboratory under AUA’s management ona DOE contract. The 16-vear Tripartite Contract expires Sept. 30,1983.The AUA Board of Trustees gave its formal approval of UC’s mea¬sure at its meeting in Los Angeles on Monday.The 1700 acre Argonne National Laboratory is located 28 milessouthwest of Chicago. It w as formed under the Atomic Energy Act of1946 as a direct offshoot of the World War 11 Metallurgical Laborator\at the University. It was established to pursue the peaceful uses ofnuclear energy.Second-Year College Students, Transfer Students,and Graduate Students-At-Largewishing to enter the ASHUM Program in 1982-83should file applications by March 1.The Program in The LiberalArts and Sciences Basic toHuman Biology and Medicine(ASHUM) is a four-year program lead¬ing to an M.S. in Human Biology. Incooperation with the Committee onPublic Policy Studies and the School ofSocial Service Administration, ASHUMalso offers a major in Human Biologyto students pursuing an M.A. in PublicPolicy Studies or Social ServiceAdministration.Por information, please call 3-4953,or drop by the ASHUM Office in theHarper Bast Tower. Room 587. PRESCRIPTION FOR WINTER MADNESS-^SteamboatMARCH 20 - 277 Nights Condos + 5 Days Lifts• Deluxe 2 Bdrm. Condos in Ski Times Square,200 Feet from the Lifts• 5 Days Lifts; 3600’ Vertical; 16 Lifts4 Square Miles of Slopes*295°° (Members) Deadline Feb. 19transportation Optional 7 Not includecSome Discounts on Air/Rail AvailableLaCrosse Ski WeekendFEB. 19 - 21; 2 NIGHTS + 2 DAYS$53 Quad $70 DoubleReservations due by Feb. 3MEETINGS CLUB/TEAM MONDAYS 7:30 PM INH■ isn CUr, | id CONTACT DAVE MURDYUO Ol\l ULUd FOR INFO 955-9646DinnerAt The Chartwell HouseFridays5:30 - 10 pmRibNightRack of ribs& all condimentsTossed Saladwith dressing$7 95 Saturdays5:30 - 10pm6 oz Butt SteakLobster TailTossed Saladwith dressing$15 95Hyde Park Hilton 4900 S. Lake Shore Hr2—The Chicago Maroon—Friday, January 22, 1982NewsbriefsT. Nelson Metcalf,Stagg’s successordead at 91T. Nelson Metcalf, who succeeded AmosAlonzo Stagg as UC’s director of athletics,died Sunday at his home in Santa Barbara,Ca. He was 91.Metcalf was the chairman of the Universi¬ty’s physical education department anddirector of athletics from 1933 to 1956. Foimany years he was an active member of theUS Olympic organization.Metcalf coached track and football atOberlin College, nis alma mater, at Colum¬bia University and at the University of Min¬nesota for nine years before coming here.He also served as director of athletics atIowa State College.During Metcalf’s tenure at UC, the schoolwithdrew from the Big 10, and from allinter-collegiate football competition. TheMaroons did stay active in numerous otherinter-collegiate sports during this period,though, and the school developed its intra¬mural program during this time.Metcalf is survived by a daughter, JeanRenfro, and a son, Alan W. Metcalf. Hisnephew, Jeff Metcalf, served as a coach anddirector of athletics at UC until 1980.Collegiate lecture“The Virtues and Happiness of Artistotle’’is the title of Monday night’s Collegiate Lec¬ture, to be given by Arthur Adkins, the Ed¬ward Olson Professor in the departments ofClassical Languages and Literature, NewTestament and Early Christian Literature,and Philosophy, and Chairman of the Com¬mittee on the Ancient Mediterranean World.Professor Adkins has written widely on an¬cient Greek poets and philosophers and isespecially interested in their different un¬derstandings of human excellence and re¬sponsibility. The lecture, scheduled for 8 p.m. in theSwift Lecture Hall, initiates the WinterQuarter Series of Collegiate Lectures in theLiberal Arts. Later this quarter, JamesGustafson will lecture on “Matthew 5:21 ff:Some Ethical Interpretations” (Feb. 8);William O’Grady of St. John’s College,Santa Fe, will speak on “On Almost SeeingMiracles: Thoughts on King Lear” (Feb.22); and Charles Gray will speak on“Hobbes and the Science of Politics” (Mar3). Discussions follow each lecture.Rap SessionThe University Feminist Organizationand the Women’s Union are sponsoring awomen’s rap group every Monday eveningat 7:30 p.m. in the Blue Gargoyle, 3rd floor.All UC and community women are invited toattend the sessions, which will cover issuesof interest to the participants, according toJanet Heller, a member of UFO. For moreinformation, please call 752-5655.Hyde Park Bank hitby embezzlementThe embezzlement of a five-figure amountof money was revealed earlier this week bythe Hyde Park Bank and Trust Co. The em¬bezzled money amounted to well under$100,000, said Mark Burns, president of theBank.The absence of the funds was discovered,Burns said, during the year-end audit of thebank. Burns refused to state if there wereany suspects in the case, and said that boththe Chicago Police Department and the Fed¬eral Bureau of Investigation were involvedin an investigation.“The amount taken amounts to less thanone month’s earnings for the bank,” Burnssaid. “It has not been much of a story (in thepress),” he added.The Bank has $6 million in capital, Burnssaid, and that “while the loss is substantialit is not material to the bank.”(WW»$tetoiof men’s contemporary fashionssavings of 30% to 50%find man size savings on ourfall clothing from our designerand famous maker collection•SUITS ANDOUTERWEARReduced 20%to 50%•SPORT COATSHarris tweeds,blazersReduced 20%to 30%1502 East 55th Street SLACKSReduced 20%to 50%Substantial reductionson sport shirts,dress shirts,sweaters andshoes. LettersPERL is an educationTo the Editor:While I can in earnest boast a sense ofhumor which is at once responsive and toler¬ant, I nevertheless searched futilely for anysemblance of wit in your “Null and Void”column’s sally: “One student’s lament: Icame here to get an education, but I endedup a PERL major.” (I needn’t trouble my¬self with establishing that the PERL pro¬gram indeed constitutes “an Education; ” todo so would perhaps be to admit — erron¬eously — that there might truthfully besome validity in a maintenance to the con¬trary.)Of course your attempt at humor may findredemption (or at least refuge): we maywell be tickled, either in that your slapstickwhack at funniness was comically unsuc¬ cessful, or in that your fancy that the quip inquestion would amuse us was one of those“Ideas whose time have (sic) not yetcome.”Steve BrittStudent in the CollegeP.S. I solicit any and all comments pur¬porting to show just how the PERL programbelongs “outside” the concept of educa¬tion.Letters to the Editor normally run only inFriday’s Maroon. They should be submittedtyped to the Maroon office by 7 p.m. onTuesday in order to be published. We re¬serve the right to edit letters over 400 wordsdue to length. All letters must be signed.Names will only be withheld at the discre¬tion of the Editor.Hyd« Pork Coop Yoor member owned supermorket55th of loke Pork • 667 I 444Hours Mon Wed 9 7 30 Thurs Fri 9 8 Sot 9 7 Sun 9 3If you haven't shopped the Co-op lately, we d like toremind you of all you will find under our roof? adelicatessan, a liquor store, a home economist, acredit union where you can save or borrow, a bankbranch, and a post office.That's in addition to more varieties of more foodsthan anywhere else in the neighborhood.If you haven't been to the Co-op, come in, look usover, and take advantage of our weekly sales - pick upour newsletter at the store and see what the bargainsare this week.SHORTConvenience1514 E. 53rd Street CO-OPStore Hour*:Moo -Sat7 a.m. to 11 p nvSunday * Holiday*8 a.m. to 9 p.m.Kraft Country s Delight CertifiedRed LabelAMERICAN COTTAGE SLICEDSINGLES CHEESE BACONReg. $1.09 Reg. SI.69 Reg. $1.89*89! $129■ 24 oi. $149lb. WashingtonRed DeliciousAPPLES59!Sale Prices Effective Thru January 26thAt the Co-op, we care.VALUABLE COUPONFteebeeOffetiFour KODAK CdSor Printsfor the price of three.■ Bring in this coupon with your favorite KODACOLOR Filmnegatives, color slides, color prints or instant color prints■ Receive 4 color prints for the price of 3, processed PyKodak Freebee offer expires March 3, 1982model camera1342 E. 55th 493-6700 COLORPROCESSING. KodakVALUABLE COUPON IIIIIEE:SaBeiIThe Chicago Maroon—Friday, January 22 1982—3\ EditorialsContacts for Sale!What Is A Bargain?The 4 questions most frequently asked about contact lenses are:1.How Much Are Your Lenses?2 How Much Are Your Lenses?3. How Much Are Your Lenses?4 How Much Are Your Lenses9What is really more important, the lowest price, or the best fit¬ting lenses? We think the 4 questions should be:1. Is the doctor really a contact lense specialist9(or is he an eyeglass salesman ?)2. Can I expect professional service and care9(or will I be handled by inept, non-professional-salespeople?)3. Are the quality of lenses the best available?(or are they off-brands and seconds ?)4. The question is, not how much are your lenses, butwill I receive the best care, the best quality and thebest price.We at CONTACT LENSES UNLIMITED meet all the above crite¬ria of CARE, SERVICE, QUALITY AM) PRICE.TRY TO BEAT THESE VALUES!sLper-wet BAUSCH & LOMBFLEXIBLE SOFLENSova $29.00 B,N,F,J SERIESSuper-thin highly wet- ova $33.75table iens specifically Basic series of lensesdesigned to correct that Bausch & Lombthose patients who built their reputationwere^ previous hard on.contact lens failures.• NEW SUPER SOFT HIGH OXYGEN TRANSFER ULTRATHIN - $43.75New super-soft highly oxygen transferable lenses used to correctthose patients who were previous soft lens failures• SUPER-WET TORIC CORRECTING FOR ASTIGMATISM - $100.00The same remarkable material as the super-wet flexible lenses but spe¬cifically designed to our exact specifications to correct for difficult as¬tigmatism• SOFT LENSES CORRECTING FOR ASTIGMATISM (TORIC) - $160.00If you have ever been told that you couldn't wear soft lens due to astig¬matism now you probably can.• EXTENDED WEAR LENSES - $160.00The ones you sleep with, no more cleaning, sterilizing nightly, no more. daily Insertation and Removal, wake up in the morning and see. Limit 1 pair per patient.Professional Fee: $30.00(includes - Eye Examination, Training. Wearing Instructions and Carrying Case)OUR PROMISE TO YOU:If you aren't pleased with your lenses after 60 days cost of the lenses will be re¬funded All contact lens fitting done by our Contact Lens Specialists,Dr S C Fostiak, Optometrist & AssocWe can replace your lost or broken lenses in 4 hours or less!IF YOU WANT THE BEST COME TO THE BEST ICONTACT LENSES UNLIMITED1724 Sherman Ave.. Evanston. IL 60201 2566 N. Clark St., Chicago, IL 6^614(above County Seat)864-4441 880-5400The Chicago Maroon—Friday, January 22, 1982 Sexual harassmentpolicy is appallingThat a faculty member’s behavior would suggest the use of grades and aca¬demic standing as leverage for sexual favors is shocking. That the UC adminis¬tration would permit such behavior to continue by suppressing complaintsagainst it is appalling. Yet this is what is happening.When some students have approached Jonathan Z. Smith and other adminis¬trators, distraught and confused by advances which faculty members havemade toward them, they have been misled, discouraged and generally treatedwith a callous disregard for their emotions.One would hope that throughout every university there would be a unani¬mous commitment to condemning sexual harassers. But the existence of a fac¬ulty-dominated administration has created an “us/them” mentality whichsubverts that goal. When a student goes to an official to complain about a pro¬fessor, he or she is probably going to a person who has sat in meetings, attend¬ed parties, eaten at restaurants, and perhaps co-authored books or co-taughtcourses with the accused professor. A complaint against a faculty member canbe an attack on a respected colleague and an old friend. And faculty members,like the rest of us, tend to protect their own.As a whole, the administration has been unpardonably slow in taking anyaction to deter sexual harassment. It was not until last year that the adminis¬tration finally set down a distinct policy on sexual harassment in the StudentInformation Manual. The policy made the appropriate academic dean solelyresponsible for handling formal complaints of sexual harassment.The policy, consisting of four paragraphs, is unclear as to the procedure stu¬dents should follow to file a formal complaint about sexual harassment. Fur¬thermore, the fact that all responsibility for handling formal charges at theinitial level is placed on an individual within the same division as the accused isabsurd. Even if the administrator is fair, without a set policy within the admin¬istration, anyone within the hierarchy can dismiss the case without so much asa ripple. In the end, the student has no way of knowing whether the complaintwasn’t ripped up as soon as he or she left the dean’s office.The use of such an informal process is intolerable. Sexual harassment is not,after all, an ethical issue which may or may not be wrong. When it occurs, it isa crime against an individual and against the basic tenets of the University. Bytrying to sidestep the issue, the administration has acted in a manner which isimprudent, unethical and cowardly.Instead, the University should take a strong and firm line on sexual harass¬ment. There should be a more formal and well publicized procedure which vic¬tims of harassment can follow. That procedure should give the students achoice of options by which they can make formal complaints. There should beat least three bodies given the authority to handle formal complaints: the Deanof the School or of the Division, the Dean of Students, and an independent facul¬ty committee chosen specifically for this purpose.There is no assurance that any of the insensitivity or lack of commitment onthe University’s part will change if no formal record is made of the initial in¬vestigation. It is crucial that after either the dean or the Faculty Committeeinvestigates a formal complaint, that they report the results of the investiga¬tion to the Provost’s office for review. The Provost’s office should also preparea written review of every case and then all three documents — the formal com¬plaint, the results of the initial investigation, and the Provost’s review —should be forwarded to the faculty member, recorded on that professor’s per¬manent file, and most importantly, sent to the student who brought the com¬plaint. If the student remains unsatisfied with the investigation, he'or sheshould seek advice outside the University by consulting a private attorney.Faculty members should know that an attempt to harass a student willseriously jeapordize their careers. The administration has a responsibility touphold the integrity of the University, and on this matter, they have surely notlived up to their commitment. ‘The Chicago MaroonThe Chicago Maroon is the official student newspaper of the University of Chicago. Itis published twice a week, on Tuesdays and Fridays. Editorial and business officesare located on the third floor of Ida Noyes Hall, 1212 E. 59th St. Chicago, 60637. Tele¬phone 753-3263. Business office hours are 9:30 to 4:30, Monday through Friday.Chris IsidoreEditorRobert DeckerManaging EditorDarrell WuDunnSenior News EditorAnna FeldmanNews Editor Sherrie NegreaFeatures EditorAudrey LightSports EditorWilliam MudgePhotography EditorDavid BrooksViewpoints Editor Richard KayeGrey City Journal EditorBecky WoloshinLiterary Review EditorErin CassidyLibrarianAarne EliasDesign Director Henry OttoBusiness ManagerJay McKenzieAdvertising ManagerLeslie WickOffice ManagerCharlie MencerProduction ManagerAssociate Editors: Robin Kirk, News; William Rauch, Copy editing.Staff: Lee Badgett, Mary Bartholomew, Sheila Black, David Blaszkowsky, KahaneCorn, David Candela, Wally Dabrowski, Jeff Davitz, Cliff Grammich, Margo Hablut-zei, John Herrick, Keith Horvath, Sho-ann Hung, Wayne Klein, Bob LaBelle, Kath¬erine Larson, Linda Lee, Chris Lesieutre, Jennifer Maude, Marlene Mussell, BobNawrocki, Melody Salkuci, Donna Shrout, Daniel Staley, Elizabeth Steiner, JamesThompson, Elaine Tite, Bob Travis, Aili Tripp, Nick Varsam, Jeff Wolf, Anna Yama-da.___ ViewpointsRapid violent change dooms fragile OPEC regimesBy Daniel PipesViolent politics in the oil-exporting countries of the Mid¬dle East have recently drawn attention to the dangers con¬fronting that region. Revolution in Iran, fanaticism inMecca, invasion in Afghanistan, and hostilities betweenIraq and Iran caught the oil consumers unprepared; yet,after a brief flurry of concern, everyone returned to busi¬ness as usual. No one thinks much about the prospects forreal trouble in these vital countries, despite their extremeimportance for the West.Middle East oil-exporting countries face two principaldangers, Soviet control and internal collapse. The Sovietthreat needs little elaboration; were the Russians to getcontrol of the roughly seventeen million barrels of oil whichleave the Middle East each day, they would have the meansto enrich themselves and to dictate political and financialterms to the industrial democracies. We could expect West¬ern Europe and Japan to become neutral, the effective dis¬appearance of NATO, and the increasing isolation of theUnited States in an ever more hostile world.This much is well realized, even if we worry too littleabout it. The other danger, internal collapse, tends to beignored or forgotten — except for the surprisingly wide¬spread concern about a coup d’etat in Saudi Arabia. Busi¬nessmen with interests in the Middle East are mum aboutthe region’s problems, not wanting to rock the boat. Manyjournalists, academics and government officials similarlyavoid the topic, often because they do not want to jeopar¬dize good relations with the barons of OPEC (who have vastpatronage).Apologists for the stability of the existing order have, in¬deed, many achievements to point to in the Middle East oilcountries. Dusty desert regions now sprout tall buildings,the sons of primitive Bedouin travel the world with ease andsophistication, women participate in society with evermore skills and assurance, literacy has quickly spread,armies grow more impressive with each year.Yet these afe surface phenomena, the calm patina on topof turbulent and vulnerable societies. Below these cheerydevelopments one finds countries wracked with tensionsand desperation. The richer the country, the worse its prob¬lems; the greater its apparent accomplishments, the lessits stability. In all, their dangers are so acute that I expectcollapse in many of OPEC’s richest nations, includingSaudi Arabia, Kuwait, the United Arab Emirates andLibya. I know neither the timing nor the manner of theircollapse, but I can see that they are rapidly heading towarda dismal fate.Oil wealth creates two major problems for its recipients,disruption and dependence. Disruption follows from thefact that the richest OPEC nations were among the world’spoorest and most isolated countries just a few decades ago.The bounty from oil has overturned their simple economies,their social relations and their cultures, leaving hardly any¬thing as it used to be; life now takes place in a wildly fastand novel context.Dependence results from the inadequacy of local re¬sources (and so is also related to the fact that these coun¬tries recently lived at subsistence levels). Citizens of thenations most profiting by oil exports are too few and toounskilled to support the complex mechanisms of modernlife that came along with oil wealth. They must depend onforeign laborers to staff everything from surgery roomsand air control towers to restaurants and brothels. Not justlabor comes from outside; so too does nearly all the wealththey enjoy and the goods they consume. Saudis, Kuwaitis,Libyans and the others do or make very little on their own;their dependence on foreigners for everything makes them especially vulnerable even to the slightest disturbances: ifforeigners leave or ships fail to turn up, Abu Dhabi will shutdown. Unable to cope on their own, the nationals in the oilexporting countries depend on a fragile balance to keep thepresent system unchanged.Together, disruption and dependence threaten to closedown the OPEC good life in Arabia and Libya. This mighthappen in a variety of ways, ecological, economic, social,military or cultural.(1) Ecological. By a fluke of geology, the richest oil-ex¬porting nations are all arid. Until the oil boom, local inhabi¬tants lived off the small amounts of water they found in un¬derground sources. Then, with oil, water consumptionsoared, as construction projects, agriculture and modernstyles of life all called for vastly more water usage. Desa¬lination plants (which make sea water sweat) have an¬swered this need, but they are expensive, complex, delicatemachines whose operations are easily interrupted. A de¬cline in revenues could mean insufficient money to keepthem functioning; an embargo could lead to a breakdowndue to a lack of spare parts; in war, the plants could bebombed; industrial unrest could cause sabotage; civil warcould cause foreign technicians to flee; sedition could meanthe plants would fall into rebel hands. Any of these prob¬lems would seriously reduce or end water production, lead¬ing to farms and cities drying up, possibly followed byhavoc, emigration and violence.(2) Economic. Old skills become worthless in the new so¬ciety; who needs nomadic traders anymore? Entirely dif¬ferent skills have taken their place, emphasizing knowl¬edge of European language and engineering. Also, ties tothe court and high government officials has taken on newfinancial importance, as nearly all income from oil salespasses through the government. The effects of these dislo¬cations cannot be overstressed; as the bases for financialreward changed radically in the space of a few years, somebecame very rich and many others relatively poorer.Inflation is rampant, coming both from abroad (in theform of the goods and services the oil-rich countries pur¬chase) and from the excessive demands placed on local fa¬cilities and manpower. Prices sometimes reach absurdlevels; for example, a house which might rent for $600 amonth in Chicago goes for about $50,000 a year in AbuDhabi.OPEC’s richest realize that their oil revenues cannot con¬tinue indefinitely and they are making great efforts to re¬duce their dependence on oil by educating their citizens, in¬vesting abroad and broadening the economic base at home.Yet these moves are futile. For most citizens, education is asource of prestige and a ticket to a job, but not a means toacquire practical skills which would have value when oilincome declines. Dividends from investments abroad pro¬vide a handsome income, but it is only a small proportion ofcurrent revenues and not enough to maintain today’s wawoflife., Local industries are not being built with much concernfor economic viability. Steel mills, ammonia plants, petro¬chemical factories and the like arise in the most unlikelyplaces, bereft of the complex infrastructure which these in¬dustries require; think how much Gary, Indiana has in ad¬dition to its factories. Skilled workers, repair facilities,transportation grids, communication infrastructure and si¬zeable local markets are all indispensable — and all lackingfrqm these installations. To produce goods at competitiverates, they receive the hidden subsidy of cheap energy; thisis fine for now, but what will happen when oil revenues de¬cline and every dollar counts? Agriculture, with its watersupplies massively subsidized, faces even worse pros¬ pects.(3) Social. Ironically, social relations have deterioratedas funds multiplied. While each oil-exporting nation as awhole benefits from the new money, some persons gain farmore than others, leading to increased antagonism. Whensome double their incomes annually, those gaining only25% feel deprived. As expectations rise, dissatisfactionspreads. Also, the basis for distributing oil wealth createsunhappiness, for it depends far more on connections than onintelligence and effort. So long as the pie expands, disputesover distribution remain manageable, but alienation willbecome widespread when the pie stays constant or getssmaller.(4) Military. A dismaying proportion of oil income hasgone for military expenditures. In theory, this makes sense,for OPEG states now possess extremely valuable resourceswhich require protection; in fact, their armed forces servelittle military purpose, so ineffectual are they. The war be¬tween Iraq and Iran showed this; military analysts gaspedwhen Iraq dug its tanks in and used them as cannons andwhen the Iranians flew their F-14 fighters without the built-in computers. The war was conducted that poorly, theIsraeli government reduced its defense spending in someareas!Per capita, the Middle East oil exporters spend far moreon defense than any other countries, including the super¬powers. (The U.fL is spending about $800 per person on themilitary this year, about one-sixth of Saudi spending.) TheGulf countries and Libya buy such advanced weapon sys¬tems that they must bring in tens of thousands of foreignersto install, maintain, and operate these complex machines.Other foreigners serve as soldiers, for the small, pamperednative populations in these countries show little inclinationto defend themselves. Relying on foreigners in the armedforces raises, however, obvious dangers for the govern¬ments which sponsor them. As the armed forces grow insize, they increasingly threaten political institutions. Al¬though no military coup has yet occurred in a super richOPEC nation, the likelihood becomes greater as the sol¬diery steadily gains in size and prestige.(5) Cultural. The entire apparatus of modern civilizationfell on the Middle East oil exporters almost without warn¬ing. Persons who grew up in the simple, harsh environmentof desert tribal life, molded by Islam and the fight for sur¬vival, now face a bewildering range of choices and pres¬sures. Often, they can barely cope. Take, for example, theplace of women in society. The traditional culture createdan order in which women had almost no role in public life;everyone knew this and hardly anyone challenged it. Now.with new opportunities for education, travel, entertainmentand consumption, women are willy-nilly drawn into publicaffairs, raising acute tensions both for them and for men.Of course, many non-oil-exporting countries face culturaldilemmas similar to these, but rarely do changes come soabruptly. The richest oil countries, particularly primitive afew years back, have experienced extraordinary upheav¬als. It is entirely possible that, unable to cope with the com¬plexities brought by oil wealth, other countries will followIran’s example and tear down modern institutions in an ef¬fort to return to something simpler and more familiar. Onemust not ignore the capacity for destruction which liesbelow the relative calm prevailing today. If this happens, itwill be supremely ironic and tragic: the oil boom will havethen harmed its apparent beneficiaries even more than theconsumers who have been funding the whole extrava¬gance.Daniel Pipes is a Research Associate in the Departmentof History.lA/KAr KAf’PerJebT.FtejctDK) or tv4c vecro\t>^>\T\\€ U)*WfK>£uar> AcJZ&S) v n v TV^ to pAu. Ptey toi wf&rSuper (SEB, ™e|IjC COPIES COPIES COPIES (COPIES COPIES COPIES (COPIES COPIES COPIES (Copies The Way You Want Them!• Same Size or Reduced • Colored Papers• 1 or 2 Sided • Card Stocks• Collated or Sorted • Fine Stationary• Plastic Spiral Binding • 8vi x 11 or Legal SizeFast, sharp, economical copies . . . from anything hand¬written. typed, or printed . . size-for-size. or in anyreduction ratio . . on your choice of colored or whitebond paper IXEROX® COPYINGa'/2 m per copy8 Vj " x 11"20# White BondHARPER COURT COPY CENTER5210 S. HARPER288-2233 Plus COMPLETECOMMERCIALOFFSETPRINTINGSERVICE\ Keith HorvathThe Chicago Maroon—Friday, January 22, 1982—5tThe CampusExile BrutusBy Koyin ShihDennis Brutus, a noted South African poetand political activist, voiced his concernover his possible deportation to South Africain two recent lectures here. He said his casewith the US Immigration and NaturalizationService (INS) illustrated the deepeningapartheid oppression in South Africa andthe escalation of the military and economi¬cal collaboration between the US and SouthAfrican governments.The INS, said Brutus’ attorney, H. NasifMahmoud, has been attempting to deportBrutus to South Africa or Zimbabwe-(Brutus now holds a Zimbabwean passport)because his visa, cancelled by the South Af¬rican government, is no longer valid. Mah¬moud said that Brutus’ life would be in jeo¬pardy in both South Africa and Zimbabweby BOSS, the South African secret police,because of Brutus' opposition to apartheid.Recently Joe Gqabi, a colleague of Brutus,was machine-gunned to death in Zimbabwe,he said. Both men had been imprisoned onRobbin Island where Brutus was shot in theback while trying to escape.Brutus said that his opposition to aparth¬eid and the growing connections betweenthe US and South African governments hasembarrassed the US transnational businesscommunity. blasts UC investmentsCurrently, said Brutus, the US has ap¬proximately $6.5 billion invested in SouthAfrica through major corporations such asIBM and Eastman Kodak. Parts of this sum,according to Brutus, are also investments ofprivate institutions such as a UC investmentof $65 million and an investment by North¬western University, where Brutus is a se¬nior English professor, of $87 million. Withthis kind of stake in the apartheid system,said Brutus, it is understandable why theapartheid government believes that the USwill protect them, and consequently, whythe US has an interest in the preservation ofthe apartheid in South Africa.Brutus’ case with the INS has become notjust a matter of a cancelled exit visa, but “apolitical issue indicating the intimate con¬nections between Washington and Pre¬toria.” Brutus said that the announcementthat the US was going to train South Africanmilitary personnel, that a team of Americannuclear experts and a supply of weaponswere going to be sent over to South Africa,coupled with several seeminglhy clandes¬tine meetings between top Washington andSouth African officials convinced him of thegrowing military collaboration between thetwo countries.In his remarks, Brutus emphasized the in¬creasing occupation in Namibia by South African military troops. He said that theirpresence in Namibia was to create a state ofinstability in this area. As Brutus sees it,Namibia is “a great treasure to Pretoria.”Not only in Namibia rich in industrial dia¬mond mines, but it has the world’s largesturanium mine, and is therefore of greatstrategic importance to Washington.“I have to say in all seriousness,” saidBrutus, “that I believe the current postureof the Pretoria regime, encouraged byWashington, represents a grave threat toDeace and security in Southern Africa andthe entire African continent. It could trig¬ger off a confrontation that could set the Af¬rican continent alight, and that would havea profound repercussion in other parts of theworld. . . W’e are in serious danger, and onlythe people can turn this around.’. .” He saidthat this is not an auspicious foresight of thefuture, but what he says is the result of theincrease of weapon buildups and increasedmilitary collaboration by all countries.However, Brutus said that he must con¬front the immediate future before preoccu¬pying himself with the distant future.On June 14, Mahmoud announced that hewas going to file an application, which, if ap¬proved, would grant his client political asy¬lum in the US. Immigration Judge IrvingSchwartz is allowing Brutus’ attorney 20 PHOTO BY MEG MALLORYExiled poet Dennis Brutus at hisappearance at UC this past Sunday.days to file the appeal, which will then besent to the State Department.Brutus commented on his fight with theINS. “I wonder if the INS will ever make adecision? I want to leave Chicago. The coldis bone-crushing.” Brutus hopes to receivean answer soon.Student Government MeetingAll members and observers areWednesday, Jan. 27th, 7:30 pm cordially invited to attend.Stuart 101The spirit of GreeceTheGREEK.PARTYSATURDAY , JAN. Z3S prt — i an\FREE !UVE MUSIC ATHENIANSGREEK FOODassembly hallINTERNATIONAL HOUSE1H1H EAST 59^ ST,SPONSORED BN The GREEK STUDENT ASSOC,RARTlALL'f FUNbEt> BN THE STUDENT GOVERN HEkITFinance cohhvttee The Blue Gargoyle Food Service5655 S. Universityin University Church6 The Chicago Maroon—Friday, January 22, 1982Unearthing ReedBy Sharon PeshkinWho knows the Truth? We can but giveWhite light and wind to every thoughtThat shakes the world; alone shall liveThat part of Truth that's battle wrought.—John Reed, 1912.John Reed was a thoroughly Americanfigure: an idealist and an activist, a true be¬liever in the power of ideas and the impor¬tance of speaking out, a romantic and a rev¬olutionary. He is also one of the figures leastlikely to be found in an American historytextbook, for John Reed was a communist.But he was the antithesis of all popularcliches about communists. He was the descendent of pioneer settlers, born intowealth and privilege, educated in privateschools and later at Harvard.Poet, bohemian, journalist-turned revolu¬tionary, a legend by the age of 26 and a revo¬lutionary martyr by the age of 23, John Reedwas a phenomenon.It is on this complex and paradoxical manthat Reds focuses. The film is set in theperiod from 1913 to 1920, portraying the lib¬eral/progressive, Socialist, bohemian, andCommunist scenes through which hemoved, and upon all of which he had an im¬pact. Through him it gives a remarkably ac¬curate picture of a movement in Americanhistory which is usually obscured by tradi¬tional histories of that time.John Reed is seen by his biographers asan epic character — a lover of adventureand excitement, full of humor and wit, and aborn non conformist with a particular tastefor shocking the bourgeois. (There is a won¬derful scene at a lavish Liberal Club ban¬quet in which Reed, recently returned fromthe European front, is asked to speak on"what the war is all about" and blithely re¬sponds, "Profits".)But there was another side to John Reedas well — one which was sensitive and inse¬cure. His need for love and affirmation arequalities which are crucial to his idealism,his art, and his revolutionary spirit. In thelife of the man, as well as in the movie, theseimportant elements of his character weremost clearly revealed in his relationshipwith Louise Bryant.So although Reds is primarily a lovestory, there is reason for the use of this format beyond the appeasment of the Ameri¬can moviegoers' appetite. Reed's relationship with Louise Bryant revealed this otherside of him, and to gloss over it would be toattempt to understand John Reed the activist without the artist, or the artist withoutthe human being.It is important that their relationship beseen as a joint determination to defy traditional roles and behavior. This charactersed not only their intellectual endeavors, buttheir sexual politics as well. Neither was living in the other's margins, but their commitment to one another was a dynamic for bothof their lives.There were only two focuses which toldJohn Reed where he must go and what hemust do — his commitment to communism(the ideology, not any party), and his attachment to Louise Bryant. This is why thelove story is intertwined as it is with the political story. The two move in a parallel progression through the years, and are inseparable from one another.The relation between the two is crystalized in a powerful symbol — an IWW leafleton the back of which is an unfinished poemto Louise. His love for her and his belief inclass struggle are forever back to back, thetwo faces of the same fabric.The leaflet reappears in the final scene;John Reed was still working on both thepoem and the revolution. But if "class strug¬gle plays hell with your poetry", it alsoplays hell with your love. Louise's encounterwith a beautiful young child the moment before John Reed dies reinforces the message — he is leaving, and his greatest goals areunfulfilled.The relationship between John and Louiseas presented in the film departed from theiractual story on many minor counts, most ofwhich tended to make them out to be moretraditional than they were. (For example,the scene involving his ineptitude in thekitchen, which was unnecessary and wouldhave been more accurate if their roles hadbeen switched.) But the general tenor of therelationship was accurately portrayed,leading me to believe that the departureswere mainly intended to make the relation¬ship more credible and comfortable for theaudience.My only major complaint with the por¬trayal of John Reed was an implied naivetewhich a man of his intellect and experiencewould not have had. Some examples of thiswere his evident surprise at seeing UncleSam burning in effigy on the Baku trip, andwhat appeared to be disillusionment withthe hypocrisy of the Bolsheviks under Zin-A Holly wood EpicBy Chris BerenyComing from Hollywood, Reds is a uniquefilm. To begin with, it is the story of peoplewho actually lived, which is taxing enoughfor Hollywood screenwriters most of whomcan hardly create interesting stories whenthey aren't restricted. But stranger yet,director Beatty tells this true story relative¬ly truthfully, that is, he follows the actualevents of John Reed's and Louise Bryant'slife fairly accurately. Whey couldn't Beattysimply make a film like his last, HeavenCan Wait? Is it that he likes to make his jobdifficult? No, probably not, but he musthave some reason for choosing to do a truestory, and more importantly he must havesome reason for choosing this particularstory of John Reed and Louise Bryant.Reds constitutes a statement on Americanidealism which has been in the air sinceReagan's victory last November. Since thenalmost everyone's values have been shifting— although not necessarily to the right asthe proponents of the rightward swing argument would have us believe. But if not to theright, then where? Certainly not to the left,although from the latest battles in Congressit appears that our leaders intend to keep usmore toward the middle than many of themore paranoid liberals expected. MostAmericans are glad to concede that the bigspending attitudes of the 60's were due tocome to an end, and we all know that oncethe money is gone, the ideals it went for areout the window too. But many of the samepeople that are glad to see the 60's choppedout of the federal budget, can't stand to seethe savings spent for "defense". What to oviev.The issue of whether or not John Reed be¬came disillusioned about communist ideology before his death is a point of great con¬troversy. I do not believe he was a blindidealist. He was too much an intellectual tobecome "disillusioned". So, apparently, didBeatty, for in response to Emma Goldman'sdespairing statement "I think we have toface it — the dream we had is dying" Beattyhad him insist that nobody ever thought thatthe theory would glide smoothly into action,and that the Bolshevik revolution was "justa beginning. It’s not the way we thought orwanted, but it's happening." This viewtends to be confirmed by most of the morethorough interpretations I've read.Reds is a remarkable film. Its historicalaccuracy makes it an anomaly among his¬torical dramatizations. But it is even morestriking for its attention to detail — the con¬sistencies in themes, characters and imageswhich make it an artistic achievement.Among the themes which the story of Johnlabel this new political species: pacifist-con¬servatives? neo-hybrids? Fiscally respons¬ible anti-hawks? Somebody had better comeup with a label for these people soon, because there are alot of them going to movietheatres. But worst of all, many of the peopie suffering from this seeming contradic¬tion in political allegiance can't identifythemselves, and they end up either puttingon the face of a Reaganite or sticking totheir old ideals and feeling like a reaction¬ary — certainly a new feeling for an idealist.Thinking Americans are in the middle of anational identity crisis, and what betterplace to solve your problems than at themovies?In attempting to explain this identitycrisis, Beatty has reached back into Ameri¬ca's history for the true story of John Reed,a journalist/socialist around the time ofWorld War I. Reed serves as a concretesymbol of America's massive rebuke of idealism without sympathetic embrace of God,Occupation and Country.The film begins in Louise Bryant's territory, the city of Portland. She is persuing aphotography exhibition with her husbandwho, the audience is told, is an extremelyliberal man for a dentist. Very soon, howev¬er, his liberal views on the role of womenand the importance of artistic freedom aretested as he discovers that his wife hasposed nude in some of the photographs. Suchan affront to his manly dignity is more thanhe can bear, and he makes an embarrasingdisturbance. Already we know that DianeKeaton is playing a loose, free thinkingwoman who doesn't care what her husbandthinks.Enter John Reed (Warren Beatty), thejournalist from Greenwich Village whocontinued on page seven Reed exposes is that of the unavoidable sac¬rifice of major elements of ones personallife in living for a higher cause. A recurringdilemma, it emerges in John Reed's lack ofsympathy for party-organizer Eddy'sserious problems when he fails to meet acontact ("We're building a party to helpEddy"), Zinoviev's refusal to let John Reedleave Russia to patch up his crumbling marriage ("We all have families...you can'tleave us now. We can't replace you."), andEmma Goldman's disgust with a leadershipwhich lets the Russian people freeze despitethe fact that Petrograd is surrounded byforests, the first order of business being rev¬olution, not collecting wood.Although John Reed was known as a manwho always lived life to the fullest, he livedsome parts of it at the expense of others, andburned himself up before he could establishor enjoy a family, stability, or emotional ful¬fillment.Another salient theme was that of the ten¬sion between art and activism. They existside-by-side, but to pursue one to an ex¬treme is to neglect the other. As Max East¬man expressed to Louise Bryant, "I thinkwe all believe more or less the same thing.But with us it's more or less our good inten¬tions — with Jack, it's a religion. Our oldfriend Jack's gotten serious on us."These are the dilemmas of idealists andactivists; the role of a public being demandsgreat sacrifices from a private being. JohnReed was an actor on the world stage at theexpense of his poetry, his love, and eventually, his life.The characters in the film are consistentand convincing. This is especially true ofLouise Bryant, who appears initially to bean opportunist but gradually proves herselfto be much more complex than the audienceor her acquaintances in Greenwich villageinitially suppose. Thus when she encountersEmma Goldman in her struggle to reachJohn Reed in Russia, the realization of hertrue sincerity is believable. "I was wrongabout you," Emma tells her — "So was I,"she replies. And when John Reed confrontsher with her own state your intentions line,"what as", in the final scene, it is convinc¬ing when she replies, "Comrades."There are several scarcely believable, al¬beit enjoyable, off the cuff speeches inReds. Some of them convey a correct statement about the tkmes, but were put into themouths of the wrong characters. (For example, speeches as poignant and dramaticas that given by Louise Bryant before theCongressional Hearing Committee did infact occur.) Often, however, the audience isleft wondering, as Eugene O'Neill responded to one such outburst, "Are you makingthis up as you go along?"The intermittent narration by the "wit¬nesses" is an effective dramatic and artisticdevice. They are actual contemporarieswho knew John Reed and Louise Bryant orwere in Russia during the Revolution, andtheir appearance is a constant reminder ofthe recency and reality of the entire episode.They also provide a variety of perspectiveson the period, exposing the way it was seennot only by those whose lives were directlyinvolved in the revolution or the movement,but also as seen by those for whom those turbulent times were but a political back drop.("I'd forgotten all about them. Were thereSocialists? I guess there must havebeen...but they certainly weren't very important.")Moreover, the witnesses are actual repre¬sentatives of the social groups depicted inthe film — the wealthy, avant garde andthoroughly affectatious liberal/progres¬sives, the timeless protoculture of theGreenwich Village bohemians, and the enthusiastic Bolshevik supporters. The wit¬nesses are the real thing, the film is animage. Beatty succeeded in telling a story tothe American public of a man and a timewhich had been obscured and ignored. Hedid it with historical accuracy and an acuteartistic sense. Reds is an amazing film tocome out of Hollywood.-/ii i f ii m 11 ii 111 rrr \Tonight at 7:15, 9:45*** Sunday at 2:30Roger Moore as 007 in Ian Fleming’sFOR YOUR EYES ONLYTomorrow at 7:00, 9:30:Marlon Brando and Maria Schneider inBernardo Bertolucci’s LAST TANGO IN PARISSunday at 7:30 (separate admission)The Chicago premiere of the uncut, Dutch mmlanguage version of SOLDIER OF ORANGE- lMDOC FILMSAll films a . . #in Cobb Hall , _ / • *4™ —fV"71.V ‘ -Jk:.'/1\v\ -L-I I I 1 I 1A> T™ ISing-Along!Under the direction of Rodney WynkoopWith the University OrchestraScores providedVivaldi’s^ GloriaSunday January 24 4 p.m.Rockefeller Memorial ChapelCourt Studio presentsSOLITAIREA Man Alone in ThoughtAn Experimental Mime created/performed by STEVEN IVCICHand directed by SAM BALLAll tickets are $3 (general admission)and $2 (students & senior citizens.)Call 753-3581 for reservations & info.January 22, 23, 24 and 29, 30, 318:00 P.M. New TheatreReynolds Club 57th & University WHO KILLED U OF C STUDENTPETER THAYER?His girlfriend?Her father?His Political Science professor?For the answer, read[INDEMNITY ONLYlby U of Cgrad Sara Paretsky“Exciting, intelligent and truly involving a leadingcontender for 1982 MWA first mystery novel honors.Barbara A. Hannon,Publishers WeeklyNow available at the University of Chicago BookstoreThe MAJOR ACTIVITIES BOARD PresentsWithSpecialGuestsTheChicagoDiamonds8 PM • JANUARY 23•MANDEL HALL$4 UC Students / $7 OthersTickets On SaleReynolds Club Box Office2—THE GREY CITY JOURNAL—JANUARY 22, 1982FILMReturn To Poland Film makerMarian Marzynski's personalmemoir of his trip -back to hishome country in the summer of1981. In it Marzynski relates hispersonal experiences to the re¬form movement by Solidarity.Marzynski is now a professor ofmedia communications at Gover-* nor's State University in ParkForest, Illinois and will appearafterwards to discuss the film inlight Of the most recent events in• Poland. Friday, Jan. 22 at 7:30p.m. International House, Assembly Hall. 1414 E. 59th St. Admis¬sion is free.10 Days that Shook the World (Ser¬gei Eisenstein, 1928) John Reedwas the most important Ameri¬can popularizer of the RussianRevolution. 10 Days that Shookthe World, his vivid and honestaccount of the events of October1917, won Lenin's endorsementand was the basis for Sergei Ei-senstein's film of the same name.Made during the Stalinist degen¬eration of the Soviet Union thatfollowed Lenin's death, Eisen-stein's work is flawed by histori¬cal distortions imposed by theStalinist censors. The ringing in¬ternationalism of Reed's 10 Daysclashed with Stalin's bureaucra¬tic counter-revolutionary theoryof "socialism in one country,"and in Reed's honest account,Lenin and Trotsky figure as co¬leaders of the insurrection. Un¬able to explain such facts, theStalinists conceal or distort them.Nevertheless, Eisenstein's 10Days that Shook the World stands'as a classic in cinema and an in¬spiring depiction of the power ofthe working class to change soci¬ety. Friday, Jan. 22, in the Clois¬ter Club in Ida Noyes, at 8:00pm.2001: A Space Odyssey Stanley Kubricko's monumental science fic¬tion film is considered by many amasterpiece. In fact The Ameri¬can Film Institute recentlynamed 2001 one of the 10 bestfilms of all time. But "ground¬breaking" seems a more apt de¬scription. Kubrick's technicalproficiency — specifically his useof animation to create a sereneand strikingly visual spaced outexperience — was years ahead ofits time, laying the groundworkfor later fantasy science-fictionfilms. Unfortunately 2001 alsoushered in the banal, pretentious,and escapist mentality whichcharacterizes the sci-fi genre.Even putting historical consi¬derations aside, 2001 stands as aperfect example of directorialself-indulgence: Kubrick's use ofthe two Strausses, for example,only serves to reveal his academ¬ic stiffness, and his excessive useof slow-motion diverts attentionfrom the film's vacuity. Recom¬mended for psychedelic drug ad¬dicts. Saturday, Jan. 23 at 7 and9:45 pm. LSF. $2. — RM Central Park Project, LornaMcNuer at the Renaissance Soci¬etyLast Tango in Paris Bernardo Ber¬tolucci Saturday, Jan. 23 at 7 and9:30 pm. DOC. S2. RMSOLDIER OF ORANGE (Paul ver-hoeven, 1979) This is the Chicagopremiere of an exciting, sus¬penseful and tremendously enter¬taining Dutch war movie about agroup of college types who jointhe Resistance during World WarII. Although the-film is almostthree hours long, it never fails to Steven Ivcich has troubletelling people exactly what hedoes, but whatever it is, he'sfairly sure he's one of the fewpeople in Chicago theaterdoing it right now. This weekend, Ivcich will present hisone-man mime-like show,"Solitaire: A Man Alone inThought," at Court Studio fora two weekend engagement.It's the kind of experimentalperformance one doesn't oftenget to see in Chicago. Ivcich,who has given over 700 perfor¬mances of his shows acrossthe country, here attempts toreduce theatrical experienceto the essentials — mainly, vi-, sual experience. Elsewhere,the show has been describedas "visual poetry", but Ivcichlikens the show to what itmight be like to "imagine one¬self stranded and alone in abroken elevator...As your fearsubsides, your mind wandersand drifts."Performances are Friday,Saturday, and Sunday at 8p.m. in the Reynold's Clubfirst-floor new theater. Gener¬al admission is $3 and studenttickets are S2. The show runsnext week as well. For moreinformation call Court Studioat 753-3581.hold your interest, and, since al¬most half the movie is in English,the subtitles are not so irritating.It is a very well-made and effec¬tive movie, and it impressed thisreviewer immensely. I've decid¬ed to enlist. Sunday, January 24at 7:30. DOC. S2. —GPFor Your Eyes Only (John Glen,1981). Gone are the days of per¬verse, recurrent villains, mind-boggling gadgetry, and sexualathleticism. Instead, James Bondvisits his wife's grave and killsoff his long-time archnemesisBlofeld (in a fairly lo-tech man¬ner) all before the credits begin.While the title tune is sung bypop-nymphet Sheena Easton,Bond rejects the advances ofteenage figure-skater Lynn-HollyJohnson. Is he getting too old forsuch nonsense? All that remainsis an unconvincing protest ofmasculinity, as Roger Moore andTopol sit around comparingpenis-size. Most distressing of allis Miss Moneypenny (Lois Max¬well), who has finally hit middleage. I want to cry. With CaroleBouquet as Bond's crossbow-car¬rying sidekick. Friday, January22, at 7:15 and 9:45 p.m., and Sun¬day, January 24 at 2:30 p.m. inQuantrell. S2. DOC —GSSTRAWBERRY BLONDE DirectorRaoul Walsh's 1941 examinationof the origins of dentist JimmyCagney's hatred is, without question, one of cinema's liveliestflashback films. The story beginsin turn-of-the-century Manhat¬tan, where Cagney is strugglingthrough a correspondence coursein dentistry, and playing cat'spaw to local flashboy Carson. Inone episode, he falls hopelessly inlove with strawberry-blonde RitaHayworth, only to have her sweptaway by his double dealing companion. Dejected, Cagney mar¬ries unspectacular Olivia de Havilland instead. Later, Carsondupes Cagney into fronting forthe mob; five years hard laborensue. After serving his time,Jimmy rejoins his wife, hanginghis shingle in neighborhood afterneighborhood without success.What happens when the camerareturns to his dingy little office,and the arrival of Carson (with Steven Ivcich in Solitaire, A Mannagging wife Rita) is no surprise.Strawberry Blonde is a fragrant,funny burlesque of gaslightAmerica. Monday, Jan. 25 at 9pm. DOC. $2. —PFGENTLEMAN JIM (Raoul Walsh,1942) More gaslight nostalgiafrom director Raoul Walsh, onlythis time he examines the originof "legitimate" prize-fighting.Errol Flynn handles himself wellas Gentleman Jim Corbett, theSan Francisco bank teller who in¬troduced Shakespeare and foot¬work to the ring, and vanquishedmighty John L. Sullivan in thefirst heavyweight championshipbout under Marquis of Queens-berry rules. The film's weaknessis a thirty-minute scene paddedwith tiresome scenes from Jim'scaricatured shanty-lrish home-life, repeated reminders that Jimwas not so much a gentleman as aswell-headed boor, and constantlocal pageantry and horseplay.Still, the fight scenes are grand,and the contributions by WardBond as Sullivan, Arthur Shieldsas Jim's parish priest, and AlexisSmith as the attractive, elusiveMiss Ware are outstanding. Mon¬day, Jan. 25 at 7:15 pm. DOC. $2.-PFARTThe Transfiguration The SmartGallery continues what mayprove to be a rather controversialexhibit. The show is sponsored bythe Polaroid Corporation, and it'sdesigned to be a demonstration ofhow the newly-developed largephotographic process developedby Polaroid helps in the study andappreciation of painting (particu¬larly in the study of works likeRaphael's Transfiguration whichcannot be easily moved from their locales). An advertisementfor Polaroid or a keen look at animportant photographic development? Both? You can find out byvisiting the Smart Gallery at 5550S. Greenwood Ave., Tues. Sat. 10a.m. - 4 p.m. and Sundays fromnoon' until 4 p.m. Admission isfree, and the show runs throughFebruary 28th. For info, call theSmart.Architecture Sequences The Ren¬aissance Society continues itsshow of drawings, etchings, pho¬tographs, models, and tiny booksby five architects from differentcities and with different architectural interests. The show aims toreflect on the original aspirationsof architects before their worksare bridled by economic con¬straints. There will be a lectureon the exhibit in the BergmannGallery on Sunday, Jan. 31 at 3p.m. given by Bernard Tshumi.The showruns until Feb. 21 in thebeautiful Bergman room onCobb's fourth floor. Open Tues¬day-Sat. 10 a.m.-4 p.m. Call753-2886 for more information.'THEATERThe Entertainer Court Theater’swinter production is a Britishplay by John ("Look Back inAnger," "Luther") Osborne. Setin 1957, the play concentrates onthe life of a falling music hall en¬tertainer (Nicholas Rudall) andthe sad shape of England in 1957Written when Osborne was 27years old, the play has been madefamous through the film versionstarring Lawrence Olivier. Pau¬line Brailsford also stars, with di¬rection by Diane and NicholasRudall and the set design byLinda Buchanan. The show runsWednesdays through Sundaysuntil February 14. The curtain isset at 8 p.m. except for Sundaymatinees, which are at 2:30 p.m.,and Sunday night shows at 7:30p.m. *MUSICCONTEMPORARY CHAMBERPLAYERS: The CCP programtonight is one honoring PaulFromm, who is probably themost dedicated and influentialsupporter of contemporarymusic. Six of the eight works tobe performed have been commis¬sioned by the University of Chica¬go for the occasion. Shulamit Ranhas written a work to be pre¬miered tonight; and Ralph Sha-pey's Variations for Piano werewritten with a Fromm Founda¬tion commission. Six of the composers will be in attendance.Sonny Stitt: The Jazz Showcase isback in full swing with six nightsof the saxophonist who best ex¬tends the tradition of CharlieParker. Through Sunday, Jan¬uary 24 at the Blackstone Hotel,636 S. Michigan.John Fahey: Perhaps the most bi¬zarre visionary guitarist around,Fahey creates characters like"Blind Joe Death" and rendersold stand-by's like "in ChristThere is No East and West." Hewill be appearing at the Old TownSchool of Folk Music, 909 W. Ar-mitage, this Saturday night for aconcert and Suhday afternoon fora Workshop.Early Music: The Musicians ofSwanne Alley Concert (cancelledon January 16 due to weatherproblems) has been rescheduledfor Sunday, March 7, at 8:00 p.m.in Mandel Hall. Tickets for theJanuary date will be honored onMarch 7.gejEditor: Richard KayeJazz Editor: Jim GuentherClassical Music Editor: Robin MitchellBook Editor: John EganFilm Editor: Richard MartinFiction and Poetry Editor: Paul O'DonnellArt and Production: Nadine McGann, David Miller.Staff: Mike Alper, Denice Boneau, David Brooks, Charles Cole¬man, Sabrina Farber, Keith Fleming, Kira Foster, Susan Franusiak, Nancy Goldstucker, Kei Hanafusa, Jack Helbig, SarahHerndon, Sally Holland, Alice James, A.A. Kambouris, NikolaiKatz, Alex Mihailovic, Pat O'Donnell, Arturo Perez Reyes, GlenSheffer, Dan Stitzel, Lonnie Stonitsch, Jennifer Tompkins, Mi¬chelle White, Ken Wissoker, Sandy Young.THE GREY CITY JOURNAL—JANUARY 22, 1982-3THEGREYCITYJOURNAL—JANUARY22,1982 ByNadineMcGannIamwritingthisarticle,notbe causeIhavea.comprehensiveun derstandingofthegpodsandevilsof thequartersystem,norbecauseI haveacomprehensiveplanformak ingtheUniversity"workbetter."I amwritingitbecauseIhavespecific andstrongfeelingsaboutlifeattheUofC,andhaveagrowingaware nessoftherolethatthequartersys ternplays,asanorganizational structureinUofClife,inthegener¬ ationandperpetuationofthosefeel¬ ings. DuringChristmasbreakthisyear,Iwentbackhometostaywithmy familyforaweek.Ifoundmyself thinkingaboutthequartersystem morethanIhavebefore,andatfirstIdidn'tunderstandwhy.Asthe weekwenton,andItalkedtomore people—morefamily,moreold friends,morefamilyfriends—I begantorealizewhythiswasso. Therewasnosinglereason,really; justanumberofoverdetermining factors.Tobeginwith,everyone wantedtoknowwhyIwasonlygoingtobehomeforoneweekthisvaca tion.Ifoundmyselftryingtoexplain howtheUofCquartersystemusual¬lyallowsthreeweeksofvacationbe tweenAutumnandWinterquarters, butthisyear,becausethequarter startedonaThursday(ratherthana Monday)itendedonaWednesday, (sofinalsweekstartedonThurs day),soexamweekendedonthefol¬ lowingWednesday,andsothen thoseofuswhousuallytakeanextra fewdays—ifourprofessorsarele nient—endeduptryingtouseanad¬ ditionaltwodaysandaweekend, ratherthanjustoneweekend,thus bringing"vacation"downfromtwo andonehalfweekstotwoweeks... Allofwhichexplanation .seemed veryclear-cutandessentialtome, butratherhazy,confusing,and meaninglesstothem. PerhapsthemostimportantreasonwhyIwasthinkingaboutthe quartersystemsomuchwasmy generalstateofmindwhenIarrived home.Exhausted,asoneusuallyis, butfortheparticularreasonsofhowIspentmylasttwodaysinHyde Park,especiallysothistime,and feeiingthatthebreakwasgoingtouation—complaintwhich,especial¬lyfromaUofCexamsfirstthenva cationperspective,caneasilybe justifiedandsympathizedwith.But themoreItalkedtobothofthese friends,themoreIthoughtabout howIandtheyreallyfelt,themoreI decidedthatthenagginglittlevoice withinmesaying"yoursituationis worse"hadvalidity.Icanaccept thatitmustbeanannoyancetohave examsaftervacation,andsonever reallyfeellikeyou'vehadrealvaca¬ tion;butIdidnotfeellikeIhadtime forrealvacationeither.Thatis,if vacationistobeatimeforrelax¬ ationinthehopeofregeneratingen ergyforthenextquarter.Idon't thinkthattwoweeks,oreventhree, is"enough"toproducethateffecton me,asastudentintheUofC quartersystem.AndIdon’tthinkitisjustme. Theproblem,asIbegantoseeit,issomethinglikethis.Thesethree womenIhavebeendescribingwere allcomplaininginsomesenseabout theirwork;theyareallstimulated bytheirwork;theyallhaverelativelyhighexpectationsaboutwhat theirworkissupposedtoproduce, externally,andinducewithintheir ownselves.Noneofthis,sofar,is contrarytowhatissupposedtochar acterizeUofCstudents.Butthefact is,psychologically,thereweretwo situationsrepresented.I,aUofC studentonaquartersystemwithno readingperiod,hadfinished,forbet terorforworse,therecentperiodof academictime,whereasthey,onse,mestersystems,hadn't. Onewayofinterpretingthesecon flictingsituationsistolookatthe "vacation"difference.ButIhad foundthatIdidn'tfeellikeIwasva eatinganymorethantheydid.An¬ otherwayistolookattheacademicThequartersystemismaintainedat theUofCinwhatisprobablyits mostimpossibleform.Thereareten weeksofclasses,followedimmedi¬ atelybyexamweek.Therearethree possiblealternativestructures:se¬ mesterswithoutreadingperiods,se mesterswithreadingperiods,and quarterswithreadingperiods.With¬ineachofthese,vacationcanbe scheduledindifferentways.Argu mentsforandagainsteachofthese possibilitiescanbemade.Infact, theymustbemade:changeisposs¬ ible,butonlythroughawillingness toquestionandconsideroursitua¬ tionnow,andthentoworkthrough themeaningsofthepossiblealterna¬ tivesituations. Thefirstquestiontoask,of course,iswhodoesthequartersys ternbenefit?Moststudentsdislike it,mostfacultydislikeit.Sowho likesit,whoisitfor?TheAdminis trationmay"like"itbecauseitis thewayitisandtheyareusedtoit thatway;butitcan'tbeforthem, unlessyoubelieveinJohnWilson's famoussayingthatyoucanhavea Universitywithoutstudents,butyou can'thaveaUniversitywithoutan Administration.Aretherefinancial benefitstothequartersystem?Ifso, weshouldfindoutwhattheyareand investigateotherpossiblewaysof dealingwiththoseconcerns. Ifthesystemisforthosepeople wholiketoboastthattheygetthree semesterayear,themeaningofthis situationshouldbeinvestigatedas well,thoughIthinktheywillfind themselvesinaminorityoncethe issueistakenupseriously.Indeed, anotherobjectiontoaswitchtose¬ mestersisinasensethe"flipside"ofthisboastingposition.Peopleas sumethatforthisUniversityto switchtoasemestersystemwillau¬ninthweekthatthesubjectofa coursebeginstobeclear.Itisrare thatoneisinfullgraspofthemean¬ ingofwhatoneislearningbysixth week.Oneofmyfriends,whileIwas discussingthiswithher,broughtup thepointthatforher,thingsbegan topulltogetherabouteleventhor twelfthweekinoneparticular course.Shecouldn'timaginewhat shewouldbethinkingaboutnowforafinalpaperifthosecrucialtwo weekshadn'toccurred.Canyoure¬ memberwhatyouwerethinking aboutlastquarter,eleventhor twelfthweek? Ithasbeensuggestedtomethata weekofreadingperiodcouldbea mediatinganswertothequartersys¬ tempressureissue.Itakethisfor whatitisworth—apossiblesolu¬ tion.Theideaofsuchareading periodisobvious.Itistimeinwhich onemustnolongerrunaroundat¬ tendingclasses,beingworriedabout being"prepared"forspecific classes—itistimewhichonecan arrangeforoneself.Ifthismeans choosingtosleepuntil12:30p.m.a fewtimes,O.K.Thepointisnot someidealmaximizationoftime usedmostefficiently.Itistheideal oftimebeingthereforthestudentto useandorganizeassheorhepleases andis"best" —academicallyprod¬ uctiveandpsychologicallybolster ing—forherorhimself.Areading periodattheendofthequarter wouldhelp;butpersonally,Idonot thinkthischangeintimestructureis enough,givenwhattheUniveristy wishestogivetoitsstudents,and whatmoststudentswanttoobtain. Thelengthofasemester,Ithink,is moreappropriatetoourideals;anditseems,morepracticalforour needs,givenwhatpresentconditions ofstudentandfacultyfeelings,DRAWNANDQUARTEREDtimeperioditself.Ihadtenweeksin whichtoreadandwrite,andonein whichtotakeexams;theyhadap proximatelytwelvetothirteen weeks,then"vacation",thenfinal papersandexamsweredue,thenfi¬ nally"intersession"(thelengthor evenexistenceofwhichdependson whenyourexamsarescheduled).I putittoyou—whichsituationis morestressful,andwhichseems moreimpossible?Thequartersys tern.After11weeks,Ihadtohavetomaticallymeanmoreworkforfif¬ teenweeks,thusmakingthat squeezeattheendoftheacademic periodnotjust"nearly"impossible, asitisconsiderednow,but"totally" impossible.Thisobjectionisaper feetexampleofthekindoffalsecon sciousnessIspokeofbefore.To changethesystemdoesn'thaveto meanthattherelationshipbetween formandcontentwillremainthe same.Inotherwords,ifthepointof changingthequartersystemistomeaninginternalemotions,sensesofwellbeing,arelike. Inotherwords,alotofthose paperswhichgetwrittenatthelast minute,whichleaveyouwithafeel¬ ingofdissatisfaction,andwhichby frequentrecurrenceleaveyoufeel¬ ingthatthereisaperpetualdif¬ ferencebetweenwhatcanandwhat couldbedone,wouldbenefitfrom moretime.Thisisnot,letmestress,tosaythatallthose"lastminute rush"papersmightnotstillbewitAsituationevenmorespecificand evenlesspossibletocontrolthan howmuchworkonehas,isthesitua¬ tionofbeingsick.Tenwe&ksleaves younotimetobephysicallyillor psychologicallyovercome.Thislast sentencemayseemridiculous;but thereisalimittowhatonecando aboutgettingsick.Mostofusdo,and contrarytowhatStudentHealth Clinemightlikeustobelive,mostof uscan'thelpit.Ifoneworkswhile oneissick,itisn'tterriblyprod¬ uctivework,andisn'tverycondu civetogettingwell.Ifonedoesn't trytodotoomuch(oriftheillnessis suchthatonecan't,whichdoeshap¬ pen),bythetimeonehasrecovered thereisanalmostimpossible amountofworktocatchupon,and notimeinwhichtodoit.ThisisnottosaythatweattheUofCsuffera higherdegreeofillness—quality— intensity—factorinproportionto oursemestersystemcounterparts. Thatwouldbegoingabitfar.Butitistosaythatthefongeracademic periodofthesemestersystem allowsfor.aslightlymorepossible wayofcatchingup.Thesame amountofmissedmaterialcanbe stretchedovermoretime.This couldmeanthatratherthangetting betterattheendofseventhweek andhavingtobedoneinthreeand one-half,onewouldbefinishedwith classesinfourorfive,andfinished withpapersandexam»stilllater. Sofar,Ihavenotdiscussedthe issueofsociallifeattheUofC.This, perhaps,isironicallysignificant. GlancingbackatwhatIhavewrit¬ ten,itseemsobviousthatthisisaf¬ fectedbyourquartersystem.Ev¬ erything1havewrittenisrelatedto howdifficultitistodowhatone wantshere—tolearnasonewants,toproduceandachievewhatone wants.Somuch.timeofeverystu¬ dentisspentfightingtogetenough workdone—fightingtodothatread ingforclass,andyetstaysanewith¬ inthetenweeks.Andpartofthere¬ sultofthisiswhatiscommonly ascribed,again,to"thekindofpeo pie"weare,or"HydePark" —that .is,thatthereislittlesocialorextra¬ curricularlifeattheUofC.We couldargueforeveraboutthede greetowhichthisistrue;butitcan-THEGREYCITYJOURNAL—JANUARY22,1982teeiingrnaTrue creakwasgoing to beunusuallyshort,Iwasmore awareoftheprocessofrecoveryand regenerationthatmymindandbody weretryingtogothroughsoquickly.Inparticular,Ibegantobemost awareofallthiswhentalkingtosev¬ eralfreindsfromhighschool. Thepatternsoftalkingwithtwoof thesefriendswereverydifferent; buttheyyieldedmuchsimilarinfor mation.Withthefirst,asalways whenItalkwithher,webothbegantoconverseinlow,somewhatremor¬ sefultones.Afterasmallbitofcom¬ plaining—Iwastalkingabouthow horrendouslythequarterhadended, sheaboutthepapershewasat temptingtowriteinthemidstof familyresponsibilities—theschool partoftheconversationwouldend, andtherestofeachtimewespent togetherconsistedoflisteningtore cords,laughingalot—ingeneral, timespentlike"oldtimes"from highschoolandlastsummer.Talk ingtoanotherfriend,Ifoundthepat ternreversed.Wespentalotofen ergytalkingaboutschool,trying furiouslytoremembereverything we'dthoughtofsinceourlastcon versationinorderthattheotherper¬ sonmightbestunderstandwhat eachwasthinkingaboutmostintentlynow.Eventually,thisconverse tionreachedthesubjectofhowIhad horrendouslyfinishedthequarter, howshehadn'tevenfoundatopicfor hertermpaperinonecourse,and stillhadallthesefinalstotake... Inshort,thereadergetsapictureofthreecollege-agewomenspend ingtimecomplainingtoeachother abouthowmuchworktheyhave, andspendingtimejustsitting aroundandtalking...inshort,apic¬ tureoflife. Butitwillperhapsbenoticedthat thereisasamenessaboutbothof thesefriendsthatisadifference fromme.Theystillwerenotdone withtheirwork,whereasIwas. They,inotherwords,attendschoolsonsemestersystems,inwhichvaca tionscomefirst,readingperiodsfol low,andexamscomelast. ThereiswidespreadcomplaintatbothoftheirschoolsaboutthissitTern.Auer 11weeks,tnaa to nave somegradeoranIncompletefor everyoneofmycourses.Theystill hadweekstogo—afterendingthe semesterwhenwefinishedfinals (aroundDecember16th18th)oneof themhadatermpaperdueJanuary 4th,anexamJanuary15,andan¬ otherthe22nd.,Ifinishedclasses Wednesdaythe9th,andtooktwo finalsthatFriday.Whichsituationis moreconducivetothought,tobeing abletothinkaboutwhatyou've learned,totrytounderstanditinan indepthmanner—nottomentionto dothiswhilepsychologicallyand physicallyfit?Itseemsobviousto me. Whatitcomesdownto,inasense,isablatanttimefactor.Thereisa reafdifferencebetweeneleven weeksandseventeentoeighteen weeks,evenif"vacation"ispartof thaflongerperiod.Thereisacertain amountapersoncandoin11 crammedweeks,academically,psy chologicallyandphysically,beyond whichnoone,nomatterhoweffi¬ cientanorganizerandstudier,can go.Itseemstomethatlifeand learningandstudyingcouldbealot morerewarding—nottomention fun—thanitisunderthepresently operatingsystem.Itseemstome,in short,thatweneedachange. Almosteveryonecomplainsabout,thequartersysteminsomewayor another;butnoonereallythinks aboutit.Itisonethingforpeopleto walkaroundsaying,"Oh,the quartersystemreallysucks,"or "There'sjusttoomuchwork"as¬ signedherefortenweeks,"(or,al¬ ternatively,"Hey,we'vegotthree semestersayearhere,thisschool's sogreat").Thistypeofcomplaintis evidenceofthegeneralattitude towardthequartersystem—thatit isa"natural,"existingstructure, whichmaynotbethemostenjoy¬ able,butwhichisinevitableandim mutable—thatitcannotbe changed. This,simply,iswrong.Mostpeopieputupwiththequartersystem. Fewlikeit.Butitwasherebefore mostofuswere,andsoitseemslikeItjustmustremain.Insayingthat theproblemofthequartersystem mustbediscussed,Iamsayingthatwemuststopseeingitasaninevita¬ bleentityaroundwhichourlivesare forcedtostructurethemselves. Rather,wemustseeitasacreated, produced,developedstructure,and questionbothwhyitexistsandhowitworks,aswellaswhatitsramifi¬ cationsareforthelivesofthepeople whoworkwithinit.Assomeoneonce saidabouttheCollegeasawholein thetwenties,itwasanobleexperi ment—itisnowtimetodecide whetherornotitworks. Thereare,afterall,alternatives.changing ThequarTersysTem isto improvestudentlife,thoseincharge ofchangingitwillattemptnotto allowthesamepatterntoemergein thenewstructure.Thiswillnot meanthattheUofCwillsuddenly become"easy."Itwillmeanthat thetimestructurewillallowpeople toacomplishmoreofwhattheyset outtoaccomplish,undermoresta- tisfyingconditions. Thepointis,acompleteexaminationofwhatgoesonInthelivesof studentsandfacultyrevealsthatitisnotsimply"lackofthingstodoin HydePark,"or"thecharacterof thestudentbody,"or"theatmo¬ sphereoftheacademiccommunity" thatleadstotheirsocialandpsycho¬ logicalconditions,butitis,insome veryrealsenses,thequartersystem wehave. Forexample,athoroughinvesti¬ gationintothehistoryofthequarter systemattheUofCwouldbefruit ful,foreventhemostbasicfactsof thishistoryarerevealing.TheCol¬ lege,inthetimeofHutchins'eraand intothefifties,wasanentityinit¬ self,inthatithadafacultyofits own,andspecificcoursesdesignedtobetakeninsequence,culminating in"comprehensives"takenatthe endoftheyear.Aquartersystem underthistypeofarrangement makessense—thatis,thereareno obviouswaysinwhichitpresentsa problem,asexamsweretakenfor finalgradesonceayear,andthere wasnotthesamekindofend-of- every-quarterrushtoproduce grades.Now,Iamnotarguingthat weshouldgobacktothissystem;Iammerelypointingoutthata changeinthecontentofthesystemisboundtoresultinachangeinthe meaningandimportanceofits structure. Asthingsarenow,manycoursesareboth"graduateandundergrade ate,"orelse"graduate"coursesare takenbyundergraduates.Thisisby nomeans,initself,abadthing;but combinedwiththestructureofthe quarterithasmeaningfulconse quences.Inthegiventenweeks,it oftenseemsasthoughthestudent mustmakeachoice.Thereiseither timetolearnthematerial—thatis, read(nearly)allthematerial thoroughlyandintentlyinorderto understandthecontentanditsim portance,or,writetheoriginal paperthatgoesastepbeyondthe material.Suchpapersrequire thought—requireakindofthinking whichtakestime.Onemusthave morethanafinalweekortwoin whichto"do"it—thatis,think aboutit,comeupwithsomethingto say,writeitdown,andreviseit.Itis hardtostartsuchapaperinfifthor sixthweek—whenitneedstobe "started" —ifitisnotuntileighthorrusn papersmigmhot stm; oewriT- tenina"lastminuterush.".Itisto saythatthemeaningsofthephrase "lastminuterush"inthesetwodif¬ ferentsituationsareinfactdif¬ ferent;andthatoneisqualitatively moredesirablethantheother.Iam notsayingthatmyfriendwhohada paperdueDecember27thdidn'tfin¬ ish"atthelastminute."Shedid,I know.Butshehadmoretimeto thinkaboutit—whileprocrastinat¬ ing,ifyouwill—beforethelastmin¬ uterush.Andshedidn'thavethree otherfinalstofinishwithinthenext fourdays.AttheUofC,Ididn'teven havethechoiceoftakingthatextra time. Ortomakeanotherpoint,Idid havea"choice."Icouldtakea dreadIncomplete.Butthis,astoo manyofusknow,ishardlyadesir¬ ablechoice.Incompletesaremore ofaproblemherethananywhere else,asfarasIknow.Butwhatdoes thismean,"aproblem"?Aproblem doesnotsimply,objectivelyexist—itarisesoutofsomecertainsetof conditions,itmeanssomething—al-. thoughinitssocialrecognitionas such,itisnotalwaysfullyunder¬ stood."Theproblem"ofIncom¬ pletesrunssomethinglikethis.Do wejusttakethembecauseweareal¬ lowedto,assomepeopleargue? This"just"seemsunlikely,orat leastnotananswertothequestion, becausetheremustbesome(histor¬ ical)reasonwhytheyhavebecome soavailable.Dowetakethembe¬ causethatisoneofthethings"the kindofpeoplewhoareattractedto cominghere"tendtodo?Perhaps; butthis"kindofpeople"areinpart definedaswhattheycanbebywhat theycandointheirsituation.It seemstomethatgiven"thesitua¬ tion"wehavebeguntolookathere, thequartersystemhasagreatdeal todowiththerampancyofIncom¬ pletes. Andthisissuemustbeanalyzed fully.Itistooeasytosaysimplythat peopletakeIncompletesbecause theybecomesooverwhelmedduring finalsweek.Forevenbeyondthe questionsofwhypeoplegetover¬ whelmedandwhyIncompletesare onesolution,liesthequestionofwhysomanyIncompletesremainunfin¬ ished.Itseemstomethatthehigh proportionofperpetuallyincomplet- edIncompletesshowsthattheyare notjusttheresultofend-of-the- quarterstressandscheduleprob¬ lems.Often,anIncompleteremains overwhelming,notonlybecauseof thepsychologicalbarrierstheytend toproduceautomatically,butalso becauseonestillhas"much"ofthe crammedinworkofthequarterto do.Inotherwords,theyarearesult aswellofthebuiltinworkloadprob¬ lems. gree to wmcnthisis True; outitcan¬ notbewhollydenied,andIthinkitis fairtosaythatthequartersystem playsacrucialroleinthisresult. Now,Iamnotclaimingthatthe quartersystemisallthatisrepons- iblefor"thewaythingsare."Ob¬ viously,alloftheissuesI'vetouched onareoverdeterminedinvarious ways.Butitisimportanttorecog¬ nizethatthequartersystemisafac¬ torincreatingthecharacterand meaningofalloftheseissues,and further,thatitisafactorwhichcan bechanged.Thepurposeofthisar¬ ticleisnottoteardowntheUofC.I amfarfromcriticizingeverything aboutthisUniversity.Ifthatwasmy intention,ifIdidnotholdmanyof theidealsIfeelareidealsintheat¬ mospherehere,ifIdidnotcherish muchofwhatisavailabletome here,Iwouldnotbewritingthisar¬ ticle.Iwouldprobablybetransfer¬ ring. Whenwearedissatisfiedandun¬ happy,wec;an,andmust,askour¬ selveswhatmakesusthatway;we candiscussconflictingopinionsbothtohelpgenerateideasandtoguard againstourselves;andwecantryto acttoimproveoursituation.These areourlives,sowhyjustaccept whatishandedtouswhenwehave theintelligencenecessarytotryto improveit?Theproblemofthe quartersystemraisesmanyques¬ tions,aboutwhichmanyofushave differentideas.Butthepointisthat theseareworthwhilequestions,and whenaskedcarefullyandinvestigatedthoughtfully,theycangenerate fruitfuldiscussionandfinallyvalid answers,whictrcouldhavearealef¬ fectonthelivesofstudentsandfac¬ ulty. TheGreyCitywouldliketo encouragestudentsandfacul¬tytowriteinresponsetothis article.Pleasevoiceyour opinions,inlettersorinarti¬ cles.SendthemtoRichard Kaye,Editor,c/oInhumanityoftheQuarterSystemSeries, IdaNoyesHall,Room303.-TAisftvr/onT-1"? —r—ir.r • /CHINESE-AMERICAN RESTAURANTSpecializing in Cantoneseand American dishes.Open Daily 11 A.-8:30 P.M.Closed Monday1318 E. 63rd MU 4-1062BigJim’s1552 E. 53rd St.{Under the I.C. tracks)9 a.m.-7 p.m. weekdays12-4 p.m. SundaysEVERYTHING INPRINTINGThe Southside's largest and mostcomplete print shop letterpressand offset . . . plus art departmentfor design and layout assistancePHOTO COMPOSITIONOVER 100 TYPESTYLESFOR BROCHURES, BOOKSALL YOUR PRINTING NEEDS!“Calling Card to Catalog . . .We Print Them All”HOT STAMPING • EMBOSSINGSaddle and Perfect BindingThe Bankers Print, Inc.5832 So. Green • HU 7-3142HYDE PARK UNION CHURCH5600 S. Woodlawn Ave.Church School (all ages) 9.45 a.m.Worship 11 00 amNursery ProvidedW. Kenneth Williams, MinisterCome, Worship, Study, Servemarian realty,inc.raREALTORStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 S. Cornell684-5400 DR. M.R. MASLOVOptometrist• Eye Examinations• FashionEyewear• Ail Types ofContact Lenses*Ask about our annualservice agreement.LOCATED IN THEHYDE PARKSHOPPING CENTER1510 E. 55th 363-6100 THE FLAMINGO APARTMENTS5500 South Shore DriveSTUDIOS & ONE-BEDROOMS• Unfurnished and furnished• U. of C. Bus Stop• Free Pool Membership• Carpeting and Drapes Included• Secure Building• University Subsidy for Students & Staff• Delicatessen • Beauty Shop• Barber Shop • T.J.’s Restaurant• Dentist • Valet ShopFREE PARKINGMR. MORRIS 752-3800Get a newslant on math."The Texas Instruments new TI-40 and TI-55-II calculatorshave angled displays for easy-to-see-answers.”© 1981 T«\as Instruments Incorporated... .The slanted display makes these calculatorseasier to use at arm’s length-and that’s just thebeginning. The economical TI-40, with built-infunctions like trig, stat, logs, roots,reciprocals and more, will help youthrough math and science courses-especiallv since it comes with theinformative book. UnderstandingCalculator Math.The book explains howT to usethe TI-40 to wrork through, andunderstand, common problems.If you’re an advanced mathor science major, you’ll be more interested in the TI-55-II, wrhichcomes with the Calculator Decision-MakingSourcebook. The TI-55-II features 56-stepprogrammability, multiple memories,scientific and statistical operations,conversion factors and muchmore-a total of 112 functions.An extremely powerful cal¬culator, at an excellent price.Both calculators have LCDdisplays, long battery lifeand fit right in your pocket.TI-40 and TI-55-II calcu¬lators. Twro new7 slants on mathfrom Texas Instruments.Look for them w7herevercalculators are sold.Texas InstrumentsINCORPORATED6—THE GREY CITY JOURNAL—JANUARY 22, 1982Gallery WatchJerry Concha at the KleinBy Aristotelis KambourisStarting an art gallery is difficult, at best.One of the newest of Chicago's galleries, theKlein Gallery, however, has been breakingthrough all of the problems of opening a gal¬lery by consistently choosing exciting andinnovative artists. Jerry Concha's show, thethird show at the Klein since its opening onOctober 2, 1981, is certainly in accord withprevious shows. Concha's works are acryl¬ics and sometimes chalk on large canvasesin which the main idea of the work seems tobe to discuss the manner in which color andform can be used for achieving certain spe¬cial affects.Concha's painting style is the use of largeareas of color applied with a brush, hand oreven poured to create the final affect. Hebegins the paintings on the floor and thentransfers them to the wall at the appropriatemoment for the completion of the piece. Sev¬eral elements of the paintings are quitestriking. Concha's work, when looking fromthe bottom of the canvas towards the top,gives the illusion of cylindrical space. InToolongor Concha uses a large, almost whitearea in the center of the painting which issurrounded by less intense colors at the bottom of the work, a sweeping brushstrokehelps set up the perspective of a cylinder.This brushstroke, however, is not the onlyelement that causes the viewer to perceive acurvature of space, the colors go from thewhite in the middle to lesser intense colorsat either side. Concha paints darker colorsin the background, and then washes them with a large area of a thin light color. In thiswork, a dark green/blue comes throughfrom behind a light green wash. The washextends beyond the limit of the green/blueso that it looks like it is on the back side ofthe cylinder.This same type of spatial affect occurs inWahnambu, but without the sweepingbrushstroke that was present in Toolongo.Here, the Concha sets up the spatial per¬spective through the use of color. The largewhite area at the center comes forward be¬tween two large red areas. Towards theside, the colors become darker, and in thiscontext, recessive. The outer limit of thecylinder is established two white strokesthat do not have nearly as much importancein the work as the central white space.It would be a mistake to look at Concha'spaintings only in the context of cylindricalspace, because he never completes the toppart of the cylinder. The tops of the worksare all linear, so the viewer can also look atthe work in terms cf flat perspective; thatis, look at the works in a way similar to theway in which one looks at a landscape paint¬ing. Because of the space left at the top ofthe paintings, and the long, vertical move¬ments in the pieces, one could see the worksas large areas that fade off into the distance.In this type of observation, the colors serveto distinguish the depths of the areas fadingoff, or separate the areas into different pla¬teaus that receed into the horizon on dif¬ferent levels. This movement is totally dif¬ferent from the cylindrical perspective that Jerry Concha's Wahnambuone can see at different times in the samepaintings, it is also interesting to note thatConcha begins his paintings with a grid,from which he departs and violates. Thereis, however, a remainder of this grid in mostof Concha's paintings. The colors, althoughoverlapping, are confined to very distinctareas, but which work as a whole in themovement of each work. Much of the intrigue of Concha's workcomes from trying to decipher his exact in¬tentions. This 4s always a challenge in ab¬stract painting, and Concha certainly de¬mands that the viewer consider all possibleinterpretations of the painting. This show isdefinitely worth the trip downtown to see asit presents the viewer with an opportunity toexplore some engaging, captivating work.REDScontinued from page onestands on the most progressive side of everyissue: women should have the right to vote,America should not get involved in WorldWar I, the workers of the world should uniteto form the perfect state, sexual relationsbetween men and women should be free ofpossessiveness. To Louise, herself an idea¬listic woman, Mr. Reed is very attractive,and, while her husband is away, she inviteshim into her apartment to discuss the mostpressing issues of the day. But put the wil¬dest people in the city of Portland in a roomalone, and discussion is not the only thingthat will happen.Beatty’s technique of juxtaposing idealis¬tic discussion with sexual desire is usedagain and again in Reds. Sometimes, as inthe above case, ideals are used to bait thesexual hook; sometimes there is a conflictbetween the sexual desire of one characterand the idealism of the other. At the end of, the film the juxtaposition takes on a sad toneas the results of John's idealism are com¬pared to what the couple could have had ifsexual desire would have won out over idealism a little more often.At any rate, whether the reason be sexualor idealistic, Louise leaves her husband thedentist to go to Greenwich Village withJohn. Before they leave, they agree thattheir relationship is to be an open one — neither is obligated to the other in any way.Louise is happy with this relationship untilshe discovers that the with-it crowd inGreenwich Village finds her too boring totalk to. In the meantime, John continues hisold habits: leaving town abruptly to report abreaking story, and staying out of town forextended periods. Louise begins to feel iso¬lated, to feel that John is ignoring her. Fi¬nally, she can no longer maintain the"ideal" relationship, and demands more ofJohn. He is willing to give up his set of idealsfor the perfect relationship to make Louisehappy, and they leave the Village to live inthe country with a group of friends.But John cannot stay away from journal¬ism for long, especially when the turbulenceof world affairs at the time makes him optimistic for the future, and he begins to trav¬el again. This time Louise retaliates byyielding to the advances of playwright Eu¬gene O'neill (Jack Nicholson), who promises to make her the center of his life.Jack Nicholson, as usual, performs an absolutely snake like role very convincingly.Nicholson's character is just the opposite ofBeatty's: NicholsorVis possessive, Beatty is Reed as a correspondent during WorldWar I, 1915permissive and understanding; Nicholson iscynical, Beatty is idealistic; Nicholson iscalculating, Beatty is spontaneous. Louisedoesn't stay with O'Neill long, only longenough to scare John back into her arms, af-terall, what good is it to be at the center ofthe life of a snake? Better to suffer at thehands of a beautiful, naive fool like John.Louise's undying love for John is an im¬portant irony in the messsage Beatty is try¬ing to convey with Reds. She knows she cannever possess him completely, since she willalways be sharing him with his ideals, but ifit weren't for his idealism she wouldn't lovehim at all, he'd be just the next dentist orplaywright.Some time after the end of the affair between O'Neill and Louise, John finds one ofO'Neill's love letters, and its contents makehim jealous enough to start a fight. He hurtsLouise and she leaves him to report on hewar in Europe which, by now, America hasentered. John follows her, and finds her inthe middle of a battle zone somewhere inFrance. There he asks her to go with him toRussia where the first socialist revolution isabout to occur. She agrees — of course withthe stipulation that there be nothing sexualbetween them. She insists that they traveltogether only for convenience.When they arrive in Russia, the revolutionis indeed exploding all around them. Theyare both swept up into a mass movement Warren Beatty as John Reed in Redswhich seems full of limitless promise for thefuture, and their enthusiasm is strongenough to admit them into the inner circle ofthe Bolshevik party. In the meantime, thecold Russian winter forces Louise and John,to share a bed at night — put the two loosestpeople in Portland in bed together.. The plotreaches its most happy point as Louise andJohn return to America to tell the story ofthe revolution with both their idealism andtheir voracious sex drives satisfied.Back in the United States, John writes thebook that made him famous, Ten Days thatShook the World, and works for a socialistrevolution. At this point it becomes apparent just how dumbfoundingly naive John isas he continues to agitate for revolution in acountry where the proletarians get mad ifyou call them lower class. Louise and mostof John's friends realize the hopelessness oftrying to start a revolution in America, buthe won't give up, and finally decides hemust return to the U.S.S.R. to get recogni¬tion from the Politburo for his small, fly bynight communist party. Louise, seeing thateven if the mission is successful it will bemeaningless, refuses to go.But John cannot resist the call of hisideals, ideals which are beginning to seem abit ridiculous, and he leaves without Louise.Once in the U.S.S.R., his idealism is testedas never before. Beatty, the director, expertly and subtely points out the ironies in¬ herent in the dictatorship of the proletariat,concentrating on the material priveleges re¬ceived by the supposed servants of the peopie, and the arbitrary and narrow mindedexercise of power by the communists. Johngets nowhere with his effort to attain recog¬nition for the American communists, andbecomes more and more dispirited, but henever becomes cynical; he never turnsagainst the Politburo. Finaly, he gives upthe hope of getting recognition, and asks fora visa to return to Louise, but the Politburorefuses even this small favor for him, claim¬ing that all dedicated revolutionaries areneeded in Russia, and promising him a jobwith the propaganda bureau. Meanwhile,Louise becomes worried about John andtravels to Russia to find him. But before shearrives, Joh goes on a propaganda tour ofthe Middle East, and during the tour histrain is attacked, and John is injuredseriously. He survives to return to Russia,however, where he is reunited with Louise.But John is on his last legs, and soon afterward with Louise at his side, he dies, a vic¬tim of his own ideals. Even at the very end,Beatty restates the fundamental conflict inthe life of John Reed. As he lies dying,Louise leaves the room to get water. In hersearch she happens upon a young child. Shetakes a long, loving look at the child, as if tosay, "If only you were mine", and rushesback to John. But it's too late; there willnever be a John Reed Jr.What's left to say other than that Reds is asuccess through and through? Beatty man¬ages to capture the triviality and the scaryhugeness of life in the same film, and hedoes it in the great tradition of the Hoilywood romantic epic. When John first asksLouise to go with him to Greenwich Village,she replies, "As what? As your concubine?", applying her feminist principles tothe situation. On his deathbed Louise is theone to ask if they should go to GreenwichVillage together, and John replies, "As yourconcubine?" That line really sticks in themind. It sums up what Beatty is trying tosay — that idealism seems humorously inadequate for coping with the overwhelmingsweep of life. Time has a way of making single moments look ridiculous.With the death of John Reed, Beattymeans to announce the end of an era of JohnReeds. This is Beatty's answer to the "national identity crisis": throw away your idealism, and face the age old facts of life, butretain your energy, don't let realism makeyou cynical. It's a remarkable statement,coming from Hollywood, that most reknowned producer of fantasy.THE GREY CITY JOURNAL—JANUARY 22, 1982—7Ghost Story:A Film for Fright AddictsBy Jeffrey K. TaylorA true horror movie aficionado — or,more specifically, one of we idiots who, forwhatever reason, love having the hellscared out of us — is thoroughly impressedby the opening of Director John Irvin'sGhost Story, a somewhat spine tingling taleof the supernatural. After a chilling musicaltheme, the camera focuses in on three oldmen (Douglas Fairbanks, Jr., Fred Astaire,and Melvyn Douglas) sitting around a fireplace in a dimly lit drawing room, and visibly shaking in their shoes as they listen to afourth ancient (John Houseman) finish theghost story he has been telling. The perceptible eerieness of the scene immediatelysobers and captivates, by means of trulygreat photographic effects, as the shadowscreated by the flickering fire play over thefaces of the four. At this point, the thrillhungry fright addict sighs deeply and sinksback into his or her foam padded chair, apicture of anticipatory contentment. Unfortunately, he/she is to be at least partiallydisappointed, as the film on the whole,though captivating and even gripping, doesnot live up to the potential shown by its stylistic excellence.The action centers around a small town inNew England where the four old men liveand have lived since their youth. It becomesclear that these four are bond together bysome brutal secret from their collectivepast — something that is obviously reallyterrible, because they do not discuss it even The ghostprivately except in obscure, whispered inti¬mations. One of the four men, the mayor ofthe village (Douglas Fairbanks), has twosons who are also involved by mutual association with a mysterious, pale, and detached girl who, one is certain, must be up tono good. One of these sons dies an early andghastly death, causing his brother Don(Craig Wasson) to leave a teaching positionat an unnamed Florida university, and re¬turn to the quiet town in search of answers.The body of the movie is his investigationand slow discovery of the evil secret sharedby the four old men, and how the strangeKim-barKBISHOP BRENT HOUSE5540 S. WOODLAWN AVE.Thursday Noon Eucharist at Bond ChapelandSunday Evening Eucharist and Supperat Bishop Brent HouseEucharist 5:30 p.m. Supper 6:00 p.m.Sponsored by the Episcopal Church Council at the U of CRETURN TO POLANDA Special Screening of thePBS Documentary film,followed by a presentationby the film-maker:MARIAN MARZYNSKIProfessor of Media Communications,Governor’s State UniversityFRIDAY, JANUARY 227:30 p.m.INTERNATIONAL HOUSEASSEMBLY HALL1414 E. 59th Street girl he had been seeing at his university figures in.Sound good? W'ell, it is a nice story line,and the varied stylistic touches — buildupand maintenance of moods, say, throughclever editing and apt photographic techniques, ranging from nagging guilt and uneasiness to outright terror — are impeccable. Where, then, is the film wanting?The weakness is partly plot oriented. Thescreenwriter, Lawrence D. Cohen, seems tohave had problems condensing the bestselling book by Peter Straub into a workablescreenplay. A number of unnecessarily introduced characters, details, and incidentshave a distracting effect on the story. Thereis, for example, a repeated and largely unexplained appearance of a scripture quotinglunatic and his companion, a dirty little boywith a sinister laugh. These two terrorizethe community, and are rumored to haveconnection with a cult in California, thoughthis cult is never connected to the issue athand; one has to wonder why it is mentionedat all. In fact, the entire role of the two isloosely explained by the crazy man's singlestatement that they have been ''promisedimmortality.” Weak.By far the more frustrating shortcoming,though, is the method by which the film doeswhat it's supposed to do: scare one out ofone's socks.The glaring fault is first manifested in thefourth or fifth scene, and is repeated exasperatingly over and over again. After fantastically effective tension buildups (atwhich Alfred Hitchcock himself might nothave looked down his nose), after enviablytimed slow head turns, (such blissful, agonizing slowness!), and, in short, after thedirector Irvin has apparently exercised hisSaturday Blues inMandelWord was out that Muddy Waters was notfeeling up to playing his Mandel Hall engagement, scheduled for January 23rd. Thiswas a drag, especially to those whose knowledge of the blues might be somewhat limited. To the uninitiated, the blues is MuddyWaters, B. B. King, and — how could weever forget? — The Blues Brothers. There'snothing wrong with that; Muddy and B.B.deserve every bit of recognition they get,and Belushi & Aykroyd's hype is inescapable. It is unfortunate, though, that the general public is unaware of many of its liveliest and most soulful musical resources —like Buddy Guy and Junior Wells, who willbe in concert at Mandel Hall this Saturdaynight.Guy and Wells both live in Chicago andhave been active here since the '50's. Wells,born in Memphis, moved north in 1946. Thecity was teeming with blues, and Juniorfound work blowing harp with MuddyWaters by the time he was eighteen. Guy,several years younger, didn't come up fromLouisiana until 1957. Times were difficult atfirst, but he soon proved himself in cuttingcontests with Otis Rush and Magic Sam.Guy and Wells later began to perform andrecord together, as documented by an Atco terrifying art to the utmost success, he resorts to cheap, quick, shock tactics:half second glimpses of a slime oozing, decayed female face, reminiscent of the revolting and unrealistic creatures in JohnCarpenter's fiasco. The Fog. The first couple of times this cheat rears its disgustinghead, the viewer is scared silly. After itsthird showing, the viewer might ruefullywonder whether the filmmakers couldn'thave come up with something a little different. And, the fourth through the umpteenth appearances increasingly tempt thepoor, abused viewer to boo and hiss. But herestrains himself, rationalizing that the tension is well produced, and the emotions ofthe character are well presented. (And, anyhow, he's in a sweat to find out what it is thatthese four old coots did so long ago.)So, obviously, there are imperfections.One can nevertheless really enjoy the picture because of its many aspects. These inelude, as mentioned, the slow rise of Hitchcock like suspense, near perfectpresentation of the extreme guilt and horrorof having committed murder, and somevery fine acting by all — but, especially byMelvyn Douglas, Craig Wasson, and theaging Fred Astaire, who, to the dismay ofsome, never dances a step.Ghost Story rates classification in a category some two steps above mediocrity. Thefilm is not, thankfully, a cheap fling likeProm Night or The Fog. It certainly cannothold a candle to the classic Psycho, however, or even the stylized Halloween (part I, ofcourse). One might be most accurate in saying that it constitutes a thoroughly nice try,which, because of its good points, should notbe missed by any bonafide horror filmfreak.disc produced by Eric Clapton.The owner of the Checkerboard Lounge, aclub on 43rd Street, Buddy Guy can be heardthere often, frequently along with JuniorWells. On any night that you might catchhim there, he would show himself to be anextraordinary guitarist, but when he getsserious, he has the power to blow away eventhe most jaded listener. In a concert setting,like this summer's ChicagoFest, he can manipulate crowd by building them un, easingthem down slightly, ana finally knockingthem out with a devestating punch.Such a performance could very likely bewitnessed at Mandel. At these times, he iswithout an equal.Junior Wells, too, possesses a certainpower, but not the bull dozing, brute forc.e ofhis partner. His is black magic, he'll hoodoo you with his frenetic dance and wailingharmonica. The little man takes the stagewith an enormous presence and delivers hisblues with a passionate shout. With his impish energy, he is the perect complement toGuy's searing terror.The Chicago Diamonds will be openingSaturday night's show. Better known as BoDiddley's back up band, the Diamonds areone of the funkiest bunch of white boysyou're likely to encounter. As shown by theirgig in Mandel last spring, they do know howto get a crowd warmed up — JimGuentherSeekingSubmissions f j/ie ( VFiction, Poetry,Essays, Reviews1212 E. 59th StreetChicago, Illinois 60637312-753-32658 —THE GREY CITY JOURNAL-JANUARY 22, 1982The CampusSexual harassment complaints hampered: studentsContinued from page oneAccording to this distinction, Oliver’scomplaint was not formal. Oliver said Smithtold her that he would not show the professorthe letter, nor would he disclose her name.Oliver, however, said that she was notaware that withholding her name from theinstructor would make a difference. “Ithought that having made a written state¬ment made the complaint formal,” she said.Had Smith told her that her name must berevealed during the course of the investiga¬tion in order for the complaint to be formal,Oliver said, she would have consented. Be¬cause of the undefined procedure, however,she said she did not questiort the actions shewas told to take.The student’s complaint and the discus¬sion between the dean and the instructor areput in the dean’s file only if the complaint isformal, said Smith. The professor involvedin Oliver's case refused to comment on therecord about the incident.Incident not isolated“Joan,” a student in the College whoasked that her real name not be used, had anexperience similar to Oliver’s last year.When a professor teaching Joan’s commoncore humanities class asked her into his of¬fice to review her papers, she said that she felt that he took advantage of his positionand sexually harassed her for her grade.“He closed the door to his office,” Joansaid. “The chair he put me in was in front ofhis desk, and behind it was a huge filing cab¬inet. So there was about six inches for me tomaneuver myself.Wendy Oliver“He then put his hand on my knee and said‘I don’t know why a girl like you can’t get anA in my class.’ I was very sure that what he was implying was a sexual favor.”Joan, who had been getting C’s in theclass, said that she immediately left the pro¬fessor’s office after he made the remark andavoided going to required individual tu¬torials for the rest of the quarter. She latercomplained about the incident, she said, tothe dean of the College, the head of the pro¬fessor’s department, and the student om¬budsman, but at every stop, was told thatnothing could be done about her case.“I talked to the Dean of the College andwhen I finally got through to him, he saidthat he couldn’t be sure about my story,”said Joan. “I called the student ombudsmanand I heard there that there were no marksagainst (this professor) and that nothingcould be done. I never filed an official com¬plaint at that point because 1 was fed up.”Smith would not say how these two caseswere handled after he reviewed them but hedid explain the possible recommendationshe could make to the President and Provostafter reviewing a case with the student andprofessor involved.If he does not consider the case seriousenough to report, the dean need not recom¬mend any course of action. If he believesthat it is necessary only to mention the case,he may report on the official conversation with the professor, yet recommend that noaction be pursued. If, however, he finds thecase serious enough that it needs further in-Academic harassment serious problemContinued from page one“Legal harassment is sexual intercoursefor favors,” says Smith. “At the University,what we’ve got are gestures, phrases, innu¬endos being whispered. That’s not some¬thing that you can get absolute clarity on.”While such a definition leaves open thepossibility for wide disagreement on its in¬terpretation, other institutions have offeredmore specific definitions of sexual harass¬ment to eliminate any possible confusion.News AnalysisThe NACWEP recently recommended thatsexual harassment be defined into five ca¬tegories crude or suggestive remarksdirected at a student because of her or hisgender; sexual-proposition advances; solic¬itation of sexual activity by promise orreward; coercion of sex by threat of punish¬ment; and sexual crimes and misdemean¬ors.Whatever definition is used, however, theproblem remains a difficult one for universi¬ties to handle. Some universities have triedto deal with the problem by establishing andpublicizing formal grievance procedures forstudents to follow inorder to file complaints.The key to a successful harassment policy,according to administrators at several un¬iversities, is the fact that students know spe¬cifically how and where to file a complaintand that they can speak with someone aboutit in a comfortable setting.The sexual harassment policy at UC,which has established as a distinct and offi¬cial policy last year, states that students canmake a formal complaint about any harass¬ment incident to the academic dean of theCollege or of the appropriate Division orSchool within the University. After the stu¬dent has filed the complaint, the case is leftup to the individual dean to make a recom¬mendation on further action to PresidentHanna Gray and Provost Kenneth Dam.The dean has the option to withhold infor¬mation on specific cases from the Presidentor Provost if he or she does not think the problem is serious enough to warrant theirattention. In such instances, the dean alsohas the authority to record or exclude men¬tion of the incident from the file of the facultymember the student has accused.“The individual dean acts both as a grandjury and a judge,” explains Smith.Once the student has filed the complaintwith the appropriate dean, he or she has noother recourse within University channelsand the case must be pursued furtherthrough a court lawsuit.Sexual harassment policies at other uni¬versities differ from the one at UC mainly inthe number of options available to a studentwho wants to file a formal complaint againsta professor. At MIT, for example, studentscan make a formal complaint through awide range of administrators and deans atthe university.“We urge people to go to whomever theyfeel comfortable with,” says Mary Rowe,assistant to the president of MIT. “Nobodyshould be tied up into having only one possi¬bility for redress. We would not tell a personthat they have only one option.”Harvard University follows a similar sex¬ual harassment policy. Students who wantto file formal complaints against facultymembers there may do so through one offive sources: the Senior Tutor, a facultymember in the student’s department; theAdministrative Board, a committee consist¬ing of faculty members; the Commission ofInquiry, a faculty board that handles allmisconduct cases; the dean of students; orthe dean of students for coeducation.A student who believes that he or she hasnot received fair treatment from any ofthese sources may also complain directly tothe assistant to the president of the universi¬ty, according to Jose Mateo, assistant to theaffirmative action officer at Harvard Uni¬versity. That administrator, says Mateo,would then consult a lawyer for counselingon what further action to take in a particularharassment case.Mateo also says that a dean may appoint aspecial committee to consider cases that are ambiguous. “If the dean felt that the casewas nebulous enough that one opinion wouldnot be fair, he would appoint a committee toinvestigate it,” said Mateo.The advantage of such a policy, Mateoadds, is the flexibility and range of choicesavailable to the student in pursuing any sex¬ual harassment complaint.“It’s not that one channel has more powerover the other,” he says. “It’s that you’rebringing the problem to the attention of dif¬ferent people, and I think that’s what is im¬portant.” Dean of the College, Jonathan Z. Smithvestigation, he recommends to the Presi¬dent that she appoint an committee to re¬view the case.Smith defended the University’s approachto investigating cases of sexual harassment.“I think that if you had 1000 people (review¬ing a case), you’d have the same ambigui¬ties,” he said. “The fewer that need to dis¬cuss the matter, the better.”The University’s current sexual harass¬ment policy was officially established lastyear after students on the Student AdvisoryCommittee to President Gray complainedthat the Administration’s policy was un¬clear and ambiguous. As a result of theircomplaint, a separate section on sexualharassment was designated in the StudentInformation Manual.MATH MAJORSACTUARIAL CAREERS WITH ISOCHALLENGE YOUR ABILITIESEXPAND YOUR CAREER OPPORTUNITIESThe University’s Sexual Harassment PolicyThe University of Chicago is committed to the maintenance of an academic environ¬ment in which students, faculty, and staff can work together, both in and out of theclassroom, to further the shared goals of the community. This commitment makes itespecially important that the environment remain free of any form of sexual harass¬ment. Any physical contact or communication which suggests sexual harassmentbreaches the trust of this community and will be considered to be in serious violation ofUniversity standards.A student subjected to offensive sexual behavior may wish, first, to discuss the circum¬stances with a person with whom he or she feels comfortable — such as a member of thefaculty, an academic adviser, a resident head, or the Student Ombudsman. This personmay be able to help resolve questions about an appropriate response or suggest sub¬sequent steps the student may wish to take.If the student wishes to make a formal complaint of sexual harassment, the academicdean of the College or of the appropriate Division or School is the University official jresponsible for investigating the complaint.All cpmpiaints will be investigated in a prompt and confidential manner. WHO WE AREInsurance Services Office — an expandingnational organization providing the property/casualty insurance industry with actuarial,research, rating, statistical and other services.WHAT WE DOISO establishes and administers rates, rules,policy forms and classifications for hundredsof companies involved in all phases of propertyand casualty insuranceYOUR ROLEISO actuaries review current insurance ratesby state and type of insurance with statisticalprocedures, and other techniques to measurecurrent and expected economic, social, andtechnological trendsTHE ADDED CHALLENGEYou can achieve professional actuarial ac¬creditation through successful completion often examinations in subjects such as EDP.economics, insurance, probability and sta¬tistics, law, numerical analysis, operationsresearch and accountingHOW ISO HELPSBy rotating you through various areas ofresponsibility: paying for necessary outsidecourses; providing both study time andin-house trainingTHE REWARDSExceptional in terms of income and pro¬fessional standing Ultimate salary is that ofhighest paid professionals, and actuariesfrequently move into senior management,as wellTHE QUALIFICATIONSIf you have a BS or MS in Mathematicswith an outstanding academic record, andare committed to advancement in a pro¬fessional business career — meet the chal¬lenge — become an actuary — come to ISOON-CAMPUS RECRUITMENT DATE JANUARY 28, 1982INSURANCE SERVICES OFFICEEmployment Division160 Water StreetNew YorV. New Yort 10036The Chicago Maroon—Friday, January 22, 1982—15SportsMen downed Tn four 07sBy Mary BartholomewThe members of the men’s basketballteam will be having nightmares in whichthey are standing at a free throw line in theBeloit College gym. shooting, and missing.All this amid the screams of severalhundred of the rudest fans in the MidwestConference.Tuesday night, it was missed free throwsthat made the difference between a trium¬phant victory and a heartbreaking defeat asthe Maroons fell to Beloit’s Buccaneers 76-72in four overtimes.Before the nightmare, however, came adreamlike comeback in which the Maroonsmade up a deficit of 15 points late in the sec¬ond half. They kept the Bucs from scoring inthe last four minutes of regulation play andtied the game with three seconds left.Chicago went to the locker room at half¬time trailing by eleven points. In the open¬ing minutes of the second half, the gap wi¬dened as the Maroons ran into foul trouble.Starters Nick Meriggiolli and Wade Lewiswere both charged with their fourth foulsand at 13:13, sophomore Mike Shackletonnot only fouled out, but was charged with atechnical. The resulting Beloit free throwsgave the Bucs a 17 point lead, their biggestin the game.The turning point in the game came at thispoint, as Chicago started playing an awe¬some defense which not only kept Beloitfrom scoring, but also effected a number ofkey turnovers. Capitalizing on Buccaneermistakes and patiently setting up their ownDr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know thedifference Petween advertisedcheap glasses or contact lensesand competent professionalservice with quality material.Beware of bait advertisingEye ExaminationsFashion Eye WearContact Lenses shots, the Maroons brought the score to 58-57with 1:45 left. With the clock running downand Chicago in control, junior Tim Horkandrew a foul. With three minutes left in regu¬lation time, he missed the first shot butmade the second, tying the game at 58.The first of four overtime periods amount¬ed to a five minute Maroon stall. An unsuc¬cessful long jumper by Horkan at the buzzerled to a second overtime, during which thelead went back and forth, but an inside shotby freshman center Keith Libert tied thegame at 64-64.At 3:18 in the third overtime, senior guardEric Kuby drew his fourth foul, giving Beloittwo shots from the line. The Bucs’s JohnSuffern sank both but Libert, shooting againfrom the low post, brought the score to66-66.During the last five minutes of this “thirdhalf”, the Maroons went down by threepoints, but senior Mitch Price drove downthe middle, to bring Chicago back to withinone. Fouls on Kuby and Libert and shotsmissed by Lewis and Horkan, all in the lastminute and a half of the game, gave Beloit aslim lead. A final basket at the buzzer byBuc Dave Smothers sealed the Beloit win.The Buccaneers were ranked fifth nation¬ally in last week’s NCAA Division III polland last year defeated the Maroons by fif¬teen points both on their own court and atthe Field House.Once again, Keith Libert did an outstand¬ing job in the low post, scoring 29 points andpulling down nine rebounds. Fine perfor¬mances were also delivered by Eric Kuby,who shot five for five in the second half — allof them long jumpers — and Tim Horkan,who came off the bench in the second half toscore some key baskets..Chicago is now 5-6 overall and 1-5 in theconference. The next four games are athome, the last of which is a rematch withBeloit. Tomorrow night’s non-conferencegame against Rosary will include a freethrow contest for kids at halftime. The gamewill be broadcast by WHPK beginning at7:15.Fencers splitThe fencing team competed againstLawrence College and Chicago Circle onJan. 9 at Northwestern University. Theteam won both matches. The followingweek, on Jan. 16, the team lost to Northwes¬tern by a 19-8 score and defeated the Univer¬sity of Minnesota, 15-12. The team travels toMichigan State University this weekend.H1LLEL ANNOUNCESTHE CANCELLATION OF LECTURE:“THE DRUSE PEOPLE AND THESTATE OF ISRAEL”FRIDAY, JANUARY 22,8:30 P.M.Mr. Salim Zeidan's tour to the U.S.A. was can¬celled. Hillel regrets any inconvenience causedby this cancellation.USED OFFICEFURNITUREUsed wood desks from $135Used metal desks from $25Used 6 ft. drafting tables4 drawer files from $50BRANDEQUIPMENT 8560 S. ChicagoRE 4-2111Open Daily 8:30-5Sat. 9:00-3^ .PHOTO BV GEORGE CHAMPWrestlers tie ONCBy Nick VarsamThe Maroon wrestling squad met OlivetNazarene College Tuesday night in the FieldHouse in an important dual meet for bothteams. Victories in three of the last fiveweight classes enabled Chicago to comefrom behind and tie Olivet, 23-23.Olivet’s coach Larry Watson’s decision toforfeit the 118 lb. class proved costly in theend. He sent his 118-pounder McQueen,whose record was 15-0 coming into thematch, against 126-pounder Mark Farwellof Chicago to start the meet. Farwell out-wrestled McQueen but wound up tying him7-7 in a close match. McQueen later wasnoticeably disappointed that his perfectWomen lose in OTThe women’s basketball team took confer¬ence rival North Park College to two over¬times Tuesday night before finally suc¬cumbing, 78-75. The game was tied at 57points at the end of regulation play, and at 68after the first overtime period.Chicago outrebounded its opponent, col¬lecting 35 defensive boards and 17 on of¬fense. Both teams shot well from the floor:Chicago hit on 47 percent of its fieldgoal at¬tempts, while North Park shot 53 percent.The difference in the game, however, was atthe freethrow line. With three players foul¬ing out on each side, both teams had ampleopportunities at the line. The Maroonsdownfall came when they connected on only38 percent of their freethrows. The team’srecord now stands at 2-7.Sports CalendarMEN’S BASKETBALLJan. 23 — Rosary College, 7:30 p.m., FieldHouseWOMEN’S BASKETBALLJan. 26 — Valparaiso, 7:30 p.m., FieldHouseGRAFF & CHECKReal Estate1617 E. 55th St.11/2-21/2 - 4 Room ApartmentsBased on A vailabilityBU 8-5566A vailable to all comers record had been tainted by Farwell.With teams tied at eight, Mark Nootensmet Olivet’s Manville at 134 lbs. and lost, 15-6. At 142 lbs., George Dupper of Chicago wonby forfeit, but at 150 lbs. Ken Barr lost atough 9-4 match against Olivet’s Neels.Freshman Karl Lietzan provided someexcitement for Maroon fans in the 158 lb.contest. After gaining two near-falls, Liet¬zan defeated Jeff Lee of Olivet, 8-3, to putChicago ahead 17-15.Chicago’s 167-pounder Eric Robinson lost18-5 to a very tough opponent, Olivet’sNugent, but sophomore Dave Rispler keptChicago in pace with Olivet winning handi¬ly, 7-2, at 177 lbs.The outcome of the meet rested on the lasttwo bouts. Rick Cooper (190 lbs.) could notget the break he needed as he lost 8-3. WithOlivet ahead 23-20, Chicago needed a winfrom heavyweight Mac Gillespie to tie ordefeat Olivet. Olivet’s Gallup was threaten¬ed throughout the match, but he came alivein the third period to prevent Gillespie fromwinning by a major decision. Gillespie won5-2, and the teams tied at 23.This weekend, the Maroons travel to Iowato join the field at the Cornell College tour¬nament. Coach Leo Kocher and his squadare hoping for a good showing against sometough conference competition.Men run inGoodwillThe Chicago Goodwill Indoor Games, heldlast Sunday at the Rosemont Horizon, wasthe city of Chicago’s first important indoortrack and field meet in almost 18 years.1 he games attracted first class runners andjumpers from all over the world, includingEvelyn Ashford, who set a world record inthe 50-yard dash.The University of Chicago men’s trackteam sent five members to the Games. Theteam of Dave Glockner. Peter Juhn, JimBiery, and Bob Fisher placed fourth in theChicagoland mile relay. Mike Axinn par- -ticipated in the men’s two mile run, but fail¬ed to place. Coach Ted Haydon termed theteam s participation “good experience foreveryone.”AUGUST ANA LUTHERAN CHURCHSundays:8:30 am Sermon & Eucharist9:30 am Sunday School &Adult EducationV. 10:45 am Sermon & Eucharist6:00 pm Supper5500 South Woociiawn16—The Chicago Maroon—Friday, January 22, 1982Inside IMsBroadview wins volleyballBy Bob LaBelleAt the top of the news, Broadview defeat¬ed Drizzle for the coed volleyball champi¬onship. Elsewhere in IM’s, basketball goeson and on and on. . . .Very few surprises accompanied coedvolleyball’s conclusion. In the undergradu¬ate residence league, Compton “A,” as ex¬pected, reached the finals against Hitch¬cock/Snell. Unexpectedly, Compton lost,15-9, 15-9. The team looked flat in bothgames, while Hitchcock/Snell played itsbest match of the playoffs. Comptonusually plays a very consistent returngame, but it failed to return even simpleshots against Hitchcock/Snell. Hitch¬cock/Snell abandoned its practice of rotat¬ing its “army” into the game and stuckwith its stronger members.Hitchcock/Snell advanced to the under¬graduate finals against Drizzle, which eas¬ily defeated N.U.T.S. for the independentchampionship. Remembering how theylost to Hitchcock in the men’s volleyballfinals, the Drizzle players displayed a re¬markably strong spiking game in the firstgame to win 15-5. They then survived theirmistakes to win the second game 15-9.Due to a mistake in the scorecard, I mis¬takenly reported in Tuesday’s IM Score-board that Med School I defeated Broad¬view. Actually, Broadview won that matchand the semi-finals. Broadview faced MedIII in the graduate final and had more dif¬ficulty than might have been expected.However, Med III was exhausted byBroadview’s spikers by the second gameand lost the match, 15-12, 15-10. #The All-University final between Drizzleand Broadview was a very long but excit¬ing match. These two teams were obvious¬ly the best teams in coed volleyball. In thelong run, Broadview’s females proved tobe the difference because they can both re¬turn hard-hit spikes and spike themselves. They led Broadview to a 15-13 first gamevictory despite falling behind 12-10. In thesecond game, both teams played with lessenergy, but Broadview had just enough toachieve a 15-10 victory and another coedvolleyball title.In basketball, several key matchesoccur this week which will ultimately de¬cide some playoff berths. Beginning withthe graduate white division, the Rub (3-2)meets No BS (4-1) on Jan. 23. Rub faceselimination in this very competitive divi¬sion if it cannot defeat No BS. That will notbe an easy task, since No BS’s only losswas by eight points to awesome Not SoSwift. Diana Ross also faces elimination ifit does not defeat Not Too Swift on Jan.24.The independent-division features twovery good teams: Steidl and RoughRiders. Hangers-on White Punks on Dopemust upset these two teams to remaincompetitive in the division. Punks get theirchance on Jan. 28 against Rough Riders.In the undergraduate red division,Hitchcock “A” (4-0) defeated Greenwood(4-1) in the teams’ first meeting of the sea¬son. Greenwood gets another chance onJan. 27. Should it lose, it will face Fallersfor second place and a possible wildcardspot in February. In the undergraduatewhite division, Dudley (2-0) squares offagainst Shorey (4-0) at Jan. 25. That gameshould clear up the battle for first place —at least until the two teams meet again inmid-February.The women’s league features Bradbury(4-0), Dodd/Salisbury (5-0) and Breck¬inridge (4-1) as far-and away the bestteams. Only Hale (2-1) has a chance toalter the dominance of these three teams.Having already lost to Dodd/Salisbury,Hale’s Jan. 26 game against Bradbury willbe crucial if it expects to make the play¬offs.VOLLEYBALLCoedCompton “A” d. Thompson 11-4. 11-7Thompson d. Upper Flint 11-2. 11-8Compton ‘ A” d. Filbey 11-2, 11-5Hitchcock/Snell d. Compton “A” 15-9. 15-9Drizzle d. Hitchcock/Snell 15-5, 15-9Broadview d. Med III 15-12, 15-10Broadview d. Drizzle 15-13, 15-10BASKETBALLMenFishbein 22 Breckinridge 16Thompson 34 Abortion of Chamberlin 28Greenwood 46 Chamberlin Sesinep 34Fallers 47 Filbey 46Henderson 28 Dodd/Mead 20Upper Rickert 37 Hale 17 We Buy and SellUsed Records1701 E. 55th684-3375262-1593New and RebuiltTypewriters,Calculators,Dictators, AddersCasioHewlett PackardTexas Instrument REPAIRSPECIALISTS _on IBM, SCM,Olympia, etc.FREE repairestimates; repairsby factory-trainedtechnician.CanonSharpElectronic Watches RENTALSavailable withU.ofC.I.D.The University of Chicago BookstoreTypewriter & Calculator Department970 East 58th Street 2nd Floor753-3303 The University of ChicagoAlumni AssociationpresentsLIFE AFTER GRADUATION:Women in Scienceand TechnologyAre There Opportunities for Us?an informal discussion of careeropportunities in science and technologyfor interested studentsGuests:Elaine FuchsAssistant Professor, Department of BiochemistryMarilyn ListvanGraduate Student, Department of PhysicsMember, Association of Women in ScienceHyla NapadenskySenior Research EngineerIllinois Institute of Technology12 noon, Tuesday, January 26, 1982Robie House, 5757 Woodlawn AvenueBring your own lunch. (Beverages provided)SPECIAL DISCOUNT PRICESfor all STUDENTS, STAFF,and FACULTY MFMBERS 72nd t Stony IslandOpen Mon.-Thurs.until 7:30 pm684-0400Just present your University ofChicago Identification Cord. Asstudents, Faculty Members or Ad¬ministrative Staff you are entitledto special money-saving DIS¬COUNTS on Chevrolet Parts. Ac¬cessories and any new or usedChevrolet you buy from RubyChevrolet.xcrow men Drrswkrrp I ho! Grmf G W frehog* OH ramSPECIAL DISCOUNT PRICESfor oil STUDENTS, STAFF,and FACULTY MEMBERS Parts OpenSat.'til noon72nd & Stony Islanu®0pen Mon.-Thors,until 7:30 p.m.684-0400. Just Present your University ofChicago Identification Card Asstudents. Faculty Members orAdministrative Staff you are en¬titled to special money-savingDISCOUNTS on Volkswagen PortsAccessories and any new or usedVolkswagen you buy from RubyVolkswagen.2 Miles-5 MinutesAway FromThe UNIVERSITYThe Chicago Maroon—Friday, January 22, 1982—17* Classified AdsSPACE7 rm 3 bdrm condo apt beautifully restored onDorchester minibus rt. Ideal for grad. stud, orfaculty. $800 mo heat included. 534 2379 evenings.Lg Fr in 3 Br beautiful apt., on Cornell near56th; $185/mo no smokers, pets; avail nowContact Glenn or Marianne 288-3626 (eves.)FOR RENT-Lge, 2 V2 rm efficiency,w/rollaway Murphy bed. 3rd fl. light, quietbldg. Near campus. Tel 493-9149.Furnished room, kitchen priv. avail now shortor longer terms 955-7083.Room available in coed community on cam¬pus. Inquire at 5714 S. Woodlawn.3 Bdrm Co-op For Sale; 2 baths, sunny;spacious lawn, gardens with playground, freeparking, free laundry. Near shopping, city andcampus bus stops. Call 684-3845 or 643-7732after 4 pm.ROOMMATE WANTED for large 5 BR aptwith lake view. Avail Mar 1 grad student pref241-7589.Feb 1 sublet: studio w/Sept opt., 57th &Blackstone, S235/mo (util incl.) Call Steve,MI3-5139or Sue, 753 3688 (9 5) M-F.Two men seek third roommate. Three br coachhouse, 47th & Kimbark. $225 per month, heatincluded. Feb 1 occupancy. 338-9610 after 6 pm.Student preferred. v55th and EverettLarge 1 bedroom apts. Rent starts $320.00Extra large 2 bedroom apt rent $450.00To inspect call Mr. CollinaSack Realty Co. 684 8900ESCAPE FROM HYDE PARK! I'm planningone and am looking for an accomplice withwheels (like myself) interested in living in andcarpooling from DePaul/Lincoln Park areanext semester. Call 753-0127, or if nof home,call 753-2270 and leave message for Rm. 388.Studio Apartment, Hild Realty Group 955-1200Female roommate wanted friendly apartmenton 54th and Ellis$138/month call 947 8437.SPACE WANTEDNon-smoking Female grad relocating to HydePark. Immediate need for room in apartmentor house. Call 241-6692.CalendarFRIDAYCrossroads: English classes for foreign women,10:00 am, 5621 S. Blackstone.Calvert House: Mass: 12 noon and 5 p.m.; Brownbag lunch. 12:30 pm, 5735 S. University.Center for Middle Eastern Studies: Bizden Size -“The New University Law in Turkey’’ speaker Dr.Yilmaz Altug, 12:30 pm, Pic, 218.Dept, of Biochemistry: Seminar - “Regulation ofGene Expression by Ecdysterone in Drosophila’’speaker Dr. Olaf Pongts, 2:30 pm, Cummings room1117.Calvert House: Catholic worker soup kitchen:meet at Calvert House at 3 pm.Dept, of Geophysical Sciences: Mineralogy-Petrol¬ogy Seminar- “Experimental Approaches to Mant¬le Hybridism” speaker Peter Wyllie and “Experi¬mental Petrology of Subduction Zones” speakerToshimori Sekine, 3:00 pm, Hinds 101.Computation Center Seminar: Introduction toEDIT on the DEC-20 , 3:30-5:00 pm, Harper 103.Center for Middle Eastern Studies: Arabic Circle -“Nasib and Ritha’ in the Hamasa of Abu Tam-mam" speaker Suzanne Stetkevych, 3:30 pm, Pick218.Hillel: Yavneh (Orthodox) Shabbat Services, 5:45pm, and Reform-Progressive Shabbat Services,5:45 pm, 5715 S. WoodlawmHillel: Adat Shalom Cooperative Shabbat Dinner,6:30 pm, 5715 S. Woodlawn.International House: “Return to Poland” a specialscreening of this PBS Documentary film followedby a presentation by the Film-maker Mr. Marzyns-ki, 7:30 pm, 1414 E. 59th. Free.SATURDAYHillel: Yavneh (Orthodox) Shabbat Services, 9:15am, The Upstairs Minyan (Conservative-Egali¬tarian) Shabbat Services, 9:30 am, 5715 S. Wood-lawn.International House: Bridge club meets from 12noon until 5:00 pm. 1414 E. 59th St.Calvert House: Mass; 12 noon and 5pm; brown baglunch, 12:30 pm, 5735 S. University.Calvert House: Sacrament of Reconciliation; 4:3018—The Chicago Maroon—Friday, January 22, 1982HHOUSESSUPER NEW LISTING 3 plus bedrooms. Rayschool district co-op townhouse. Upper $90’s. Fi¬nancing.THIS LOVELY Queen Anne family home boasts3 fireplaces, tiled kitchen and bathrooms. Lots ofstorage space, fenced back yard, 2 car garageAsking $125,000.IN THE TREES IN KENWOOD. tucked inamongst mulched flower beds this quaint 7 room2 bath home is an ideal spot to curl up by the cozy-fireplace and read a good book — Call today !$125,000.LET’S TAKE A LOOK at this beautifully locatedtownhome. The eat-in kitchen has lots of morn¬ing sun There’s a rec-room and fenced backyard It’s recently redecorated and ready for anew family ! Buy it for only $105,000CONDOMINIUMSHAMPTON HOUSE SPECIAL - former modelapartment with beautiful interior design, threebedrooms, 2 baths, sit-in kitchen, spacious,sunny unit with lake view. Top security building.Low $i00’s.THE MEWS. Lovely, lovely building This 1 bed¬room plus study has natural woodwork, beamedceiling, and a woodburning fireplace A superbuy! $55,000.PANORAMA CONDOMINIUM Hyde Parksmost complete renovation of a charming old sixunit building, over 2000 sq. feet, and a wine cel¬lar $114,500. Call today! Or rent with option tobuy. $850 per month.WILL NOT LAST - 3 bedroom condo in Ray-school district. 2 modem baths and remodeledkitchen add to the charm. Friendly building witha park like back yard $80’s.SPACIOUS . beautiful back yard, two porchesand spacious rooms make this 3 bedroom home areal value East Hyde Park. Close to lake andtransportation Low $80’s.UNIQUE . . the floor plan in this gracious 3 bed¬room assures privacy. A woodburning fireplaceand lovely built-in pieces add to the charmLarge porch with Southern exposure affords aview of greenery Mid $80’s.NEWPORT - Glorious views from this one bed¬room, wall to wall carpeted condo. Priced rightin the $50’s.JUST LISTED, this lovely 7 room 2 bath condohas lots of light. It’s on the first floor and opensup to a fenced back yard with private tot-lot It’sa real buy in the upper $60’s. Let’s take a look!OWNER FINANCING is available on this 4 bed¬room, 2 bath condo in an ideal East Hyde Parklocation. Over 2000 sq ft and a big back yardMid $80’s.ELLIS ESTATES. Only 4 left! 4 & 5 bedroomsFrom $76,900 Call today! Possible owner financ¬ing.COMPLETELY REDONE. Financing possibleBeautifully refinished wood. Call about this 2bedroom plus study in the Ray District.RENT WITH OPTION — excellent financingavailable 9>2% and a low down payment pur¬chases this 27th floor studio in the Newport$30s.PRICED TO SELL affordable, campus loca¬tion, one bedroom condo: hardwood floorsthroughout, lots of Southern sun and light. Low$40'sTHE RIGHT LOCATION south of 55th. 2 bed¬room home with family room, modem kitchen,garage Mid $30’s.COOPERATIVESJUST REDECORATED! In the golden circle’ 3bedrooms 2 baths, woodburning fireplace. Upper$60’S.POWHATAN - Elegant living in this 14th floorunit with woodburning fireplace Exceptionalbuilding amenities, security and service Call formore information.PRICED TO SELL. One bedroom, lake viewco-op perfect for single or couple Near to park,lake, transportation $11,000BUILDINGS• 6,000 sq. ft. zoned B2-4 plus 26 apts $390,000.• East Hyde Park Blvd , 18 units Owner financ¬ing available. $325,000• 61st and Drexel, 24 units. Investor’s invited$165,000HILD REALTY GROUP1365 E. 53rd St.355-1800 PEOPLE WANTEDFRENCH TRANSLATOR Student part-time(15 hours/week) school year. Translate train¬ing materials from English into French.French as first language desirable. Completeknowledge of French grammar, vocabularyand idiom. Contact Dr. Donald Bogue, Community and Family Study Center, 753-2974.Tutor wanted for written and spoken Tibetan684 8358evenings, Gail.Babysitter wanted to care for 2 toddlers and in¬fant in South Shore/Jackson Highlands. Live inor out. Hours, arrangements flexible. Call 241 -6236 or 684 6991.SECRETARY TYPIST. Light Cassette correspondence. Principal duties manuscript typing English and Spanish, including statisticaltables. Three-year project. Part time. WriteSocial Development Center 1313 E. 60th Street,Room 470, Chicago IL 60637 or call 753-2518 ar¬range appointment. Good salary for produc¬tive reliable student or semi-retired person.Part time help M. or F. trainers for Hyde Pk.Nautilus P.E., med. or sports backgroundpreferred. Apply Hyde Park Nautilus Center548-1303/see Tim.Art Gallery Manager wanted. Part-time. Musthave art background as well as business ex¬perience. For more information call Len Gambinoat?41 5829.SOCIALIST/FEMINIST seeks gay and/orstraight woman interested in forming studygroup on comtemporary writings call Judith436 0550 (day)TECHNICAL WRITER-The ComputationCenter is looking for a technical writer to pro¬duce and and maintain procedure manuals forCenter staff and assist Center administratorswith the preparation of periodic reports. Ex¬cellent writing/editing skills necessary,computer-related experience a plus but notmandatory. Contact Norman Caplan, 962-7575.An Affirmative Action/Equal OpportunityEmployer.FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E . 55th St. 493 6700.14 K Gold/St Silver Jewelry from ItalyWholesale to the public. Call for an apptmt684 5739.Dbl. bed w/frame$75. Free delivery 955 2220pm, 5735 S. University.Crossroads: Buffet dinners, 6:30 pm, no reserva¬tion needed, 5621 S. Blackstone.Greek Student Association: The Greek party, 8:00pm-l:00 am, International House, 1414 E. 59th St.Free.SUNDAYCalvert House: Mass, 8:30 am and 5 pm at CalvertHouse, 11 am at Bond Chapel.Hillel: Lox and bagel brunch, 11:00 am, 5715 Wood¬lawn.MARRS: Fighting practice, 3:00 pm, Ida Noyes.Hillel: Program of children’s Jewish films, fol¬lowed by supper for faculty and staff and theirfamilies and friends; children - $2, adults - $4,3:30-7:00 pm.Sing-Along: Vivaldi’s Gloria with the UniversitySymphony Orchestra, 4:00 pm, Rockefeller Chap¬el, free.Calvert House: Home-cooked supper, 6:00 pm, $2,?735 S. University.Foikdancers: Advanced level folkdancing at 8:00pm, Ida Noy4s.MONDAYCrossroads: English classes for foreign women,10:00 am, 5621 S. Blackstone.Calvert House: 12 noon and 5 pm; brown baglunch, 12:30 pm, 5735 S. University.Computation Center Seminar: Introduction toTREATISE 3:30-5:00 pm. Classics 10.Dept, of Chemistry: “Total Synthesis of Milbe-myein Beta 3: A Progress Report or Fact” speakerProf. Amos Smith, 4:00 pm, Kent 103.Hillel: Class in Yiddish, 6:00 pm, Class in Para-shat Hashavuah, 7:30 pm, 5715 S. Woodlawn.U of C Judo Club: Meets 6:00 pm, Bartlett gym,beginners welcome.Ski Club: Meets 7:30 pm, Ida Noyes. Info contact955-8646.Women’s Rap Group: Meets 7:30 pm, in theWomen’s Center, 3rd floor Blue Gargoyle. Info752-5655.Foikdancers: Beginning and intermediate levelfolkdancing, 8:00 pm, Ida Noyes.Collegiate Lectures in the Liberal Arts: “The Vir¬tues and Happiness of Aristotle” speaker ArthurAdkins, 8:00 pm, Swift Lecture Hall.International House: “Good-Bye Columbus” 8:00pm, 1414 E. 59th St. VINTAGE CLOTHING SALE-Due to lastweekend's bad weather, we are repeating ourmonthly sale this Saturday only, January 23,12:00 noon 6:00 pm. Warm your heart withoutburning a hole in your pocketbook. HEAVENin Rodgers Park at 6981 N Sheridan.IBM Standard Electric typewriter, recentlyrefurbished. $100 or best offer. 753 3263.SERVICESJUDITH TYPES—and now has a memory.Phone 955 4417.Excellent, accurate TYPIST with B A. willtype term papers, theses, resumes,manuscripts—whatever your typing needs.Quick, pick up and delivery on campus.Reasonable—call Wanda 955 8375 after 5p.m.Psychotherapy and Counseling: Fees on asliding, scale; insurance accepted JoanRothchild Hardin, PhD, registeredpsychologist in Hyde Park. 493-8766.Psychotherapist, Women's Groups, Individual,and Couple Therapy. Sliding Scale, MaryHallowitz, MSW, ACSW 947-0154.James Bone, editor-typist. 363 0522.Registered psychologist, Hyde Park. Medicalinsurance accepted; sliding fee scale. RosalindCharney, Ph.D. 538-7022.Typing term papers: Papers prepared for tur¬ning in help with spelling, bibliographies, etc.Turabian form, or other professional papers.Very reasonable. To make arrangements call684 6882.Letter Perfect Typing Service. Very ex¬perienced, very accurate. Dissertations,papers, math. Call Lise Plotkin, 493-1218.CHARTS, GRAPHS 8. ILLUSTRATIONS forpublication done at a competitive rate. Formore information call NAN ROCHE 955-7869.Childcare in my home, experienced, good withchildren, on campus, 493-6220exc F eve Sat.Typing. Experienced secretary types allmaterial-dissertations, tables, etc. IBM Set.,grammar corrected, pickup & deliver 667-8657.SCENESWomen's Union meets every Wed. at 7:00 inIda Noyes. Meet with other women to talk andact.HYDE PARK ARTISANS GALLERY hosts apost-holiday green tag sale. Savings from 10%to 40% off on handcrafted items. Pottery,sculpture, glasswork, batik, photography andmuch more. Located at 57th & Woodlawn in theUnitarian Church with hrs Thur Fri 12-3, Sat.12 4, & Sun. 10-1. Beautiful gifts at sensibleprices.Generic dance 8:30 pm Sat Jan 23 in Ida NoyesDancerm. Cost: $1 . Sponsored by UC DanceClub.AYN RAND'S Philosophy of Objectivism, a 12lecture course by Dr. Leonard Peikoff, beginsTuesday Feb. 9 at 6:30 pm at the Chicago Marriott Hotel. For registration and info CallGregory P. Turza at 372 1496or 266 2010PERSONALSWriters' Workshop PLaza 2 8377.You tunny Dice—you're making us riervous...T.D.F .C.When can I go into the supermarket and buywhat I need with my good looks?—Old ChicagoComing Soon to Hyde Park: the L.C.B. Oh, no!Nude sunbathing, mud wrestling, Tupperwareparties and beach blanket bingo (guess where)Yes I'm a Doctor Who fan. I'm sure there aremore here. We verge on a cult following IzakDREAM BUTCH STRAIGHT LADY amholding your books ransom. No really it's theleast I can do.LOSTAND FOUNDPlease return my dark green down parka,EMS label, and YALE hat, taken accidentalyfrom Phi Delt party last Sat. night, Jan. 15 Call947 0359.RIDESRide wanted from Hyde Park to Loop or WaterTower weekdays leave 7:30 8:00 am returnaround 5:30 pm will share expenses 324 5364BICYCLE CLUB!!The Bicycle Club will hold an organizationalmeeting on Wed Jan 27 at 7:30 in the Memorialroom of Ida Noyes. All are welcome to helpplan our 1982 racing and touring activities.Classified AdsMOVINGStudent with Pickup Truck can move your stuffFAST AND CHEAP. No job too small! CallPeter at: 955-5180 lOam-lOpm.ICE-SKATINGINSTRUCTIONStudents wanted for Ice Skating lessons allages welcome three thru mature adult for further info call 752 5069.STEPTUTORINGHelp a kid feel bright and intelligent. Volunteerto tutor an elementary or high school studentfor two hours a week. Contact Peter at 643 1733for more information.S.G. ELECTIONSStudent Government Winter Quarter electionsv will be occuring fifth academic week. Furtherinformation and petitions are available fromSG Office, Ida Noyes 306, 753 3273. J.E.PHOTOGRAPHERSFor Sale: Pentax K-1000, 50 mm lens & 80-150macro micro zoom lens, tripod, cable, Leicacase. $200. 324 3384.AFTER SCHOOLCHILDCAREAfter School Child Care Ray School Area Mon.thru Fri. 2:30 to 6:00 for further info call 752-5069.FREEFORMAll-purpose dance 8:30 Sat Jan 23 Ida NoyesDancerm. $1 adm. Sponsored by UC DanceClub.MUSICIANSHit and Miss country dance band is looking formusicians interested in Playing English dancemusic (traditional folk tunes & Baroquedances) for Country Dancers. No pay, butmuch appreciation and fun. Call 241-6738 for in¬fo. RETURN TO POLANDA Special screening of the PBS Documentarywith a presentation by the film maker MarianMarzynski. Fri. Jan 22 7:30 pm InternationalHouse. Assembly Hall 1414 E. 59th St.TREATISEUse the computer to format dissertations in ac¬cordance with University requirements (alsouseful for books and papers). ComputationCenter seminar will illustrate use of theTREATISE program, Monday, January 25,3:30-5.00 pm, Classics 10. Advanced featureswill be discussed Wednesday, January 27 sametime and place. No previous computer ex¬perience necessary. All welcome no charge .ORIENTAL CARPETSTHE SOVIET INVASION OF AFGHANISTANand other Middle East countries hasdevastated many of the villages and nomadiccamps where Afghan and Belouchi carpetswere made. Having lived in those areas beforethe takeover, I was aware that it would becomeincreasingly difficult to find those carpets (oldand new) and began collecting the finest.Recently my Middle East partner sent me ashipment of very fine older tribal carpets Healso informs me that these may be the LAST ofthis older type. If you are seriously interestedin owning a unique carpet call me. Selling frommy home with no overhead allows me to offerlow prices. David Bradley (U of C student) 288-0524.COMPUSERVE WANTSCOMPUTER PROGRAMSYour computer programs may be selected byCompuServe for its nationwide informationservice. If you have an original program thatyou have written, preferably for a DEC PDP10/20 mainframe, we are interested in talkingto you about it. We offer payment or royalty forprograms selected. Consumer, games andsmall-business programs are needed. Formore information, please write:CompuServe IncorporatedInformation Service DivisionP.O. Box 20212Columbus, Ohio 43220ATTN: Bill Louden FOTA '82FOTA UC's 28th annual Festival of the Arts-isback! Get in on the Planning we need plannersand doers, so this spring's FOTA '82 will be asmash! Come to Rm 218, Ida Noyes Hall, at7.30, next Tuesday, January 26BLUEGRASSGospel. Nortena, and more at the 22nd AnnualU of C Folk Festival. Jan 29-31 Ticketsavailable at Reynolds Club box office. Formore information, call 753-3567.LEARN X-C SKIINGLearn X-country skiing with Shelly Dahl andMark Mamalakais of the Viking Shop Freetalk at the Outing Club meeting Tues. Feb 2 at7:30 in Ida Noyes. Lessons on the Midway Sat.Feb 6. $6 incl. ski rental, $2 w/o rental. Info.Nina Savar 663-9365day, Mark 955-3290eves.ORIENTAL CARPETSOPEN HOUSEANDSALESATURDAY Jan 23 and SUNDAY Jan 24 12 5PM. Unique tribal rugs. Beautiful room sizePersian design carpets. Call 288 0524 for address.SCRIPT YOURPAPERFormat your paper or article by using SCR IPTa program on the Amdahl computer. A two session Computation Center seminar will be heldMonday and Wednesday, February 1 and 3,3:30-5:00 pm. Classics 10. All welcome-nocharge.RELOCATIONENGINEERS ,W.P. Bear Moving Co.: We Move AlmostAnything Almost Anywhere. Call 24 hrs a dayat 241 5264. WE WANTYOUR BLOOD!Blood Drive: Donate blood on Friday. January22, from 10 4 pm at the Reynolds Club Make anappointment, or just walk in. sponsored by theUC Student Volunteer Association, and theAmerican Red Cross. For additional information, call 955 4108FOLK FESTIVALSee Hazel Dickens, Jethro Burns, The JohnsonMountain Boys, and fourteen other great performers at the 22nd Annual U of C FolkFestival. Tickets at Reynolds Club box office.WOMEN'S RAPGROUPWomen's Rap group meets every Monday at7:30 pm at the Blue Gargoyle, 5655 S. Universi¬ty Ave. Sponsors are Women's Union & University Feminist Organization For info call 752-5655.SEETHESUPERBOWLCome watch the Super Bowl at Delta UpsifonFraternity! First annual DU Super OpenHouse, Super Sunday, Jan 24. Festivities startat 1 pm. Refreshments Provided DU, 5714 S.Woodlawn.CONDO FOR SALELovely sunny 5 rm condo, 2 BR. Totallyrenovated. Oak fl & buffet, frpl., bale., PLUS!Fin. 12%. Call Karen d. 947-7456. 3.974 0859ARTISANS WANTEDHYDE PARK ARTISANS COOPE RATIVE islooking for new members. The gallery islocated at 57th & Woodlawn in the UnitarianChurch. For entry work will be reviewed by themembers at our monthly meetings (Feb 3) Allforms of the visual arts & crafts are welcome.Call Nan Roche for details at 955-7869, eves, till10 pm.Cfiaz(otte ^UihtzomELEGANCE, SPACE,TERRIFIC LOCATION...one of Hyde Park’s most pres¬tigious buildings facing the parknear 59th & Stony. Inside garage.Seven large rooms, three baths.Beautiful views of lake and park.Beautiful condition. Doorman.Cooperative. Board approval re¬quired. $110,000 includes garagerights.- Call Any Time -CAN YOU BELIEVES45 a month?[Taxes are separate but under$35.00 for that) Stunning studio,track lighting, new carpeting onthe lake at 53rd. $35,000.- Call Any Time -SEPARATE KITCHEN WITH“PASS-THROUGH”in 55th Street condo. Large onebedroom looking southward —the cheery look. Vacant now.Seller will buy down interestrates. Terrific deal at $42,500. czReaf Rotate Co.493-066656TH UNIVERSITYA TOASTY FIREIN YOUR FIREPLACE...looking over your toes in themaster bedroom. Unique two bed¬room co-operative apartment.Excellent A-l condition. Parquetfloors and wall-to-wall new car¬peting. New kitchen. Sunny.$52,000.- Call Any Time -PRIVATE BRICK GARAGE(not just a space in large facility)goes with this two bedroom Tudorcondo. You actually own the gar¬age and can sell it separately.Woodburning fireplace. A trulyunique situation. Available June.Near 55th. $66,000total parcel.We want to be a house-sold w ordFOR THE INVESTOR - GOODTENANTS ALREADY THERE.2 br. - 2 bath - $60,000. Near55th Dorchester.ONE BEDROOMTO SETTLE ESTATEVacant. High floor, 4800 ChicagoBeach. Make offer. Priced in the$40’s. We are co-operating brokersMember National Association of Realtors.Chicago Real Estate Board. IllinoisAssociation of Realtors- Call Any Time -We have a large selection COLOR PRINTINGEASIER THAN YOU THINK!Join us for an evening withBeselerClbachromeand Ektaflex.Let us show you how easy colo’r printingat home can be.There will be a thorough presentation ofprinting from slides andprinting from negatives.Refreshments will be served.There is a $5.00 reservation fee.Date: Wednesday, January 27,1982Time. 7:00 — 10:00 p.m.Place: Center for Continuing Education1307 East 60th StreetChicago, Illinoismodel camera1342 E. 55th 493-6700The Chicago Maroon—Friday, January 22, 1982—19RockefellerChapel9 a.m.Ecumenical Serviceof Holy Communion10 a.m.Discussion ClassReligion and AmericanPublic Life"11 a.m.Bernard O. BrownDean of the Chapel, preaching"Conversion"Lab on premises for fost service * framesreplaced, lenses duplicated and pre¬scriptions filledG.W. OPTICIANS1519 E. 55thTd. 947-9335lyes twwdeed mi C—tart leases fitted byrep stared Optwoetrists.Speaefists ■ Qeefity Eyewear at ReassertsMeet.TI BusinessAnalyst-IISucceedin business.Touch a few special keys on these TexasInstruments calculators, the TI BusinessAnalyst-II 'and The MBA™, and lengthytime-value-of-money problems suddenlyaren’t lengthy anymore.You can automati¬cally calculate profitmargins, forecast sales and earnings and perform statistics.And problems with repetitive calculationsare a piece of cake for the MBA, because it’sprogrammable.These calculators mean business, and whatthey give you is time-time to grasp underlyingbusiness concepts, while they handle the num¬ber crunching. To make it even easier, eachcalculator comes with a book written especiallyfor it, which shows you how to make use of thecalculator’s full potential.The Business Analyst-II and MBA businesscalculators from Texas Instruments.Two rwTays to run a successful business ma- --*jor, without running yourself ragged.Texas InstrumentsINCORPOR A T E D"It’s a lot easier with a Texas Instruments calculatordesigned to solve business problems.” —AV®©-WIHTi®-MADMEMini-CoursesThere's still time to sign up for mini-courses inKnitting, Jazz-dancing, Leaded glass, andWine-tasting (you must be 2! or over for thiscourse). Register at Room 210, 'da Noyes Hall,between 9 am and 5 pm. Call SAU for more in¬formation. ABT DiscountGood seats still ovailobie for American BalletTheatre's matinees on Feb. 6 ond Feb. 13.You pay *11 for $15 seats (rear orchestra).On sale at Room 210.Phillip GlassTickets are at the Reynolds Club Box Office forthe Phillip Glass Ensemble appearance inMandel Hall Feb. 19; $4 for UC students. *7for all others.753-2150 e 24-Hour Activities Lines 753-2150 e 24-Hour Activities Line 753-2150Announcing theOpening of theSped alty PracticeofROBERT L. EPSTEIN, N.D.Wilmette & Chicago, Ill.in theSURGICAL CORRECTIONOF NEARSIGHTEDNESSfTel: (312)738-2020 HYDE PARKTHE VERSAILLESIDEAL FOR STUDENTS324-0200Large Studios • Walk-inKitchen • Utilities Inch •Furn. - Unfurn. • CampusBus at doorBased on Availability5254 S. DorchesterYoung Designs byELIZABETH GORDONHAIR DESIGNERS1620E. 53rd 288-2900i 1981 Texas Instruments’ Incorporated