The Chicago MaroonVolume 91, No. 22 The University of Chicago ©Copyright 1981 The Chicago Maroon Friday, November 20, 1981Publishare seen hererehearsing for+his weekend’snusical product¬ion, ‘ Publish orPerish.” to bepresented in fda\ Noyes Hall.Student employeespetition for more payBy Darrell WuDunnA petition signed by severaldozen student employees concern¬ing the retroactive pay increasesgiven to the members of the Team¬sters local 743 clerical union butdenied to the student employees, isbeing presented to the Universityadministration.In the petition, the students whoare not members “find this deci¬sion of the University’s to be bothhypocritical and arbitrary, imply¬ing that the University has theright to treat its employees unfair¬ly as long as they are its own stu¬dents.”The new clerical contract signedby the University and Teamsterslocal 743 on Sept. 25 gives workersat least a 50 cent per hour increaseover last year. These wage in¬creases took effect retroactive toJuly 19, the date that the old con¬tract expired.Union employees received theirretroactive pay in one lump sumafter the contract was signed. Moststudents who had worked at theUniversity during the summer didnot receive any retroactive pay in¬creases.Students were given the samepay raises given to union employ¬ees started Sept. 25, the date thecontract was officially signed byUC and the union.According to George Blood, afull-time undergraduate who hasworked in the South Asian collec¬tion section of the Regenstein Li¬brary since January, there aresome questions as to who receivedretroactive pay increases and whodid not. He said that certain non¬union personnel did in fact receivethe retroactive raise, includingconfidential clericals such as per¬sonal secretaries, supervisors onthe clerical pay scale, and evensome student employees.The student employees have nolegal recourse to try to get the re¬troactive raises. Nor does the Uni¬versity have any legal obligation togive the student employees anypay raises at all, because studentscannot become union members. It is the University, however,that prevents the students fromjoining the clerical union. ArticleII of the clerical contract states;“The University recognizes theunion as the exclusive collectivebargaining agency for all of itshourly paid (clerical) employ¬ees...excluding all student employ¬ees...”According to the contract, allpersons appearing on the regis¬trar’s list are excluded from theunion except students in the tuitionremission program.Union officials said they aresympathetic with the student em¬ployees’ position. Union officialRobert Simpson said “the Univer¬sity is giving them (the studentemployees) a screwing.”Union steward Molly Gallowaysaid that the students are in an un¬fortunate situation. She said thatthe union would like the students tobe part of the union but that it musthonor its agreement with the Uni¬versity.According to Blood, the studentssigning the petition are not askingto be allowed to join the union. Hesaid that while many students feelthat they have no rights as employ¬ees, the issue in the petition con¬cerns only the retroactive raises,which could amount to $200 forthose who worked full-time thissummer.Copies of the petition are to besent today to President Gray andDirector of Personnel Edward Co¬leman.In the petition, the student em¬ployees said:“It is ironic that while this Uni¬versity prides itself on its empha¬sis on ‘Great Ideas,’ it is apparent¬ly incapable of understanding theconcept of equal pay for equalwork, and that the very people it isattempting to educate are fairgame for unfair treatment. Weurge the University to reconsiderthis decision.”University personnel officialscould not be reached for com¬ment. Catania back on commissionBy Chris IsidoreState representative Susan Ca¬tania (R-22) has been re-electedchair of the Illinois Commission onWomen, despite the objections ofleaders of her own party.Catania has served as the chairof the commission for the pastseven years. She was droppedfrom the commission earlier thisSusan Catania fall when Republican House Speak¬er George Ryan did not re-appointher to one of the eight Republicanseats on the commission.Ryan’s move was criticized bywomen's groups all over the state.State representative BarbaraFlynn Currie (D-22) wrote a letterto Democratic House minorityleader Michael Madigan, askingthat he appoint Catania to one ofthe Democratic seats on the com¬mission. Madigan made the ap¬point on Tuesday, and on Wednes¬day, with the backing of thecommission's democrats and onerepublican, state representativeJill Zwick, she was elected chair ata meeting Wednesday.Catania, who has been consider¬ing running for Lieutenant Gover¬nor, said that the appointment tothe commission affects her deci¬sion to run, “both positively andnegatively.”“The ability to rally people inboth parties encourages me,” shesaid, “but people have also saidthat it could be used against me.People who are saying that I'm nota strong enough Republican al¬ready can now point to this. Still 1No ‘Cap and Gown’ planned for this yearBy Margo HablutzelThere will be no yearbook thisyear, but reports of its “death” aresomewhat premature. Apparentlythe “Cap and Gown” has appearedand disappeared with such regu¬larity that a better name might bethe “Phoenix”; in the 86 yearssince it was begun the yearbookhas not been published 22 times,and this will make the 23rd.According to Irene Conley, headof the Student Activities Office,there was no decision to suspendpublication this year. Rather, no¬body stepped forward to head theYearbook Committee, and she ad¬mitted that it is probably too late inthe year to form one now.“Unlike at many universities, atthe University of Chicago the year¬book is not institutional. The Year¬book Committee is like any othercampus group, or club, and may ormay not organize from year toyear. I put out feelers, but there was no response.”When asked if tne apparent de¬cline in the quality of the yearbookover the past few years had any¬thing to do with the lack of interest,Conley admitted that there couldbe. “You have to realize that thelast yearbooks were more photo¬graphic and had less copy. But ob¬viously, if the yearbook doesn’t ex¬cite people they won’t have anyinterest in it.”Conley noted that another possi¬ble factor could be that the Year¬book Committee, like many stu¬dent organizations, has had nopassing on of knowledge and enthu¬siasm.” While acknowledging thatthis was not true of all groups, shesaid that it tends to be harder torgroups who must totally re-formeach year to function well. Consi¬dering the amount of work that theyearbook needs and the fact thatthose most interested in the year¬book, the graduating class, have toconcern themselves with work,moving, and B.A. papers, it is notentirely surprising that no-one has enough interest for the yearbook torise yet again.Even if the Yearbook Committeewere to form this year, they mighthave a problem with getting fund¬ing from Student Government.Last year’s yearbook cost almost$9000 to print and brought in only46.5 percent of that. With printingcosts continuing to rise and over300 unsold 1980 yearbooks. SGwould be understandably wary inrisking another heavy loss.In the past, some yearbookshave been sponsored by suchgroups as the “Junior Class,” andthe “Order of the Iron Mask.” Butsuch support would not help thisyear’s graduates; they will have tosettle for one of last year’s books.Maybe by the ninetieth birthday ofthe “Cap and Gown” in 1985, or thecentennial in 1995, there will beenough interest for the yearbook torise vet againLast year, Casey Coleman foundthe job of editing the yearbookmuch harder than he had antici¬pated. He admitted that he did not have the time he expected to keepa close watch over the develop¬ment. but said that a large prob¬lem w as the lack of interest and active personpower.“People would say they're inter¬ested, but wouldn’t follow up.” Itried to recruit people, but the re¬sponse wasn’t good.” he saidColeman said most yearbooksare “sophmoric; you know what toexpect, and you get it.” He saidthat he prefers, and attempted toproduce, as casual but technicallypolished volume. The end resultlast year attempted to show a stu¬dent on the last day before convo¬cation. taking one last look aroundthe university, with text by JamesVogt and using photographs to il¬lustrate.“We did most of the work,” Cole¬man said, adding that there was acore of 10 or 12 people responsiblefor the finished product. “Whatpeople don’t understand, is thatwork decreases geometrically inproportion to the number of peoplethere are.” think it was the right thing forme.”Catania said that she hopes tomake an announcement on therace in the next couple of days. Shesaid that she would need to haveIndependents and Democrats bewilling to vote in the Republicanprimary next spring in order towin. and that she wanted to checkif there would be any Democraticprimary races which could keep'them in the Democratic primary.One possible race that concernsher is Martin Obermans candi¬dacy for Attorney General. Ober-man, an independent aldermanfrom the North Side, will be run¬ning against regular DemocratNeil Hartigan if he does enter therace.“Certainly along the lakefrontthere are people who are interest¬ed in the Oberman race,” said Ca¬tania. "I haven't asked him if he isplanning to stay in or pull out. Imay have to do that before I makemy decisions. I would never askhim to pull out, though.”Catania said that the nominationof Grace Mary Stern for Lt. Gover¬nor by the Democratic State Cen¬tral committee will draw awaysome votes that might have gone toher in a general election next fall,but that she doesn't think it will af¬fect the primary vote \7ery much.“Stern seems to be very safe,”said Catania. “It doesn't appearthat anyone is going to challengeher in the primary.”Catania said that she also feelsthat her open appeal to Democrat¬ic and independent voters will nothurt her with regular Republicanvoters.“When all the statewide Republi¬can candidates appeared beforethe Illinois Federation of Republi¬can Women last week, they wereasked what they would do to at¬tract Democrats and independentvoters.” she said “You can't getmore traditional Republicans thanthe women in that group ”In other local political news,State Representative Carol Mose¬ley Braun said yesterday that shehas not yet decided which of thetwo representative districts inHyde Park she will run in, but thatshe has been circulating nominat¬ing petitions in both districts.Continued on page threeX UECCURfc BY Pftof- JAY B£RKOO>rtZ. ,pBopessoR of j£C*>ist) tySToa'f ,spfiizcus coixcqe op ju&wca. - ci)icfc<^©putbA-Y 0°V€O)B€C2. 2oS:30 p(Y>.ty<-l£C - 5^(5 S. COooi>lA<A>0e5TheChartwell Houseat theHyde Park HiltonTHANKSGIVING DAYBUFFETHot ItemsRoast Tom Turkey CranberryOyster DressingHand Carved Roast Steamship Round of BeefBaked Pork Chops Mushroom SauceHand Carved Roast Steamship Round of BeefBaked Pork Chops Mushroom SauceHand Carved Leg of Smoked PorkBeef RouladenBraised Lamb KebobsWild Rice DressingArroz Con Polio Chicken & RiceLouisiana Shrimp Creole CasseroleBarbeque RibsCheeseVariety of VegetablesCold ItemsShrimp Tree DisplayDecorated HamsDecorated TurkeysDecorated Autumn DisplaySalad BarSmoked TroutCheese Display Reservations RequiredAdults $13.95Children . $6.95Under 3 -Tree11 a.m. - 6 p.m.Call 288 5800 (Fxt. 6130)Mon. - Frl. from 9 a.m. - 5 p.m.For Reservations Everyone talks about creatingaffordable housing in Hyde Park, butwe’ve done it!One, two, three and four-bedroomapartments with location, location,location...down¬ monthlysq. ft. payment charges1 Bdr’s start at 521 3 3,178 3 3442 Bdr’s start at 1,543 9,412 1,0183 Bdr’s start at 2,053 12,523 1,3554 Bdr’s start at 2,291 13,975 1,512Financing provided by the NationalConsumer Cooperative Bank... Over$1.3 million in rehabilitation ...The Parkshore is a tenant-sponsoredhousing cooperative offering the besthousing value in Hyde Park. We’vedone the work putting the packagetogether over the last twelvemonths ... Now you can enjoy thebenefits...Come live with us at the Parkshore!Office hours on Saturdayand Sunday 1-4:30 pin,or by appointment.For sales information, call 684-0111.Sponsor: The Parkshore, an Illinoisnot-for-profit corporation, 1755-56 East55th Street, Chicago, Illinois 60615.Development and Marketing Agent:Metropolitan Resources Group, Inc.2—The Chicago Maroon—Friday, November 20, 1981CataniaContinued from page oneFormerly Braun and Currie were both at-large representatives in the 24th Senatorialdistrict. But new election procedures thisyear have changed that so that each senato¬rial district is divided in half, with one rep¬resentative being elected from each district.Currie has already announced that she is acandidate in the western half of the district,representative district 26, which includestwo-thirds of the Hyde Park precincts.But Braun, who said she is upset that theother new district, the 25th district, does notinclude manyof the Hyde Park precincts,has been considering challenging Currie inthe 26th.Braun has asked to be included in an up¬coming forum with Currie and AnthonyEliot, who is another candidate for the 26thdistrict. The forum, will be held by the UCstudent government on Dec. 8 at 5 p.m.Braun said that she had not realized that theforum was specifically for 26th district can¬didates, but that she wished to be include inthe forum in any case.Braun has refused to say specificallywhich district she intends to run in, pendinga lawsuit which she and other black repre¬TAl SAM YOMCHINESE-AMERICANRESTAURANTSpecializing in Cantoneseand American dishes.Open Daily 11 A.-8:30 P.M.Closed Monday1318 E. 63rd MU 4-1062 sentatives and senators have brought to tryto have the courts change the state map. “Iam enmeshed in the litigation surroundingthe statewide reapportionment,” she saidyesterday, “and it would jeopardize my rolein the litigation to recognize either of the dis¬tricts.”The court case begins on Monday. Braunsaid that is the court upholds the currentstate map, she will almost immediately an¬nounce which district she intends to run in.The court decision is expected by Dec. 1,and the filing deadline is Dec. 7.Braun has been a political ally of Currieon many House votes, but has also hadmany disagreements with her over electoralstrategies and procedure. Both have re¬ceived joint endorsements from indepen¬dents in the past, but bad feelings betweenthe two have often surfaced during elec¬tions. The latest example of this situationwas the dispute the two representatives andtheir supporters had over the state remapfor the district.Currie, who is white, and who has alwaysrun behind Braun in the at-large elections inthe district, insisted that she needed a ma¬jority of Hyde Park precincts in order to winre-election. Braun, who most observers feelcould win in either districts, said that aneven split of the Hyde Park precincts shouldbe made.HYDE PARKTHE VERSAILLESIDEAL FOR STUDENTS324-0200Large Studios • Walk-inKitchen • Utilities Irncl. •Furn. - Unfurn. • CampusBus at doorBased on Availability5254 S. DorchesterENJOY A HERTZFOR THANKSGIVING5 RAYSONLYUNLIMITEDMILEAGESubcompaci many* transmission carFOR RESERVATIONS,CALL:MIDWAY 735-7272DOWNTOWN 372-7600 ONLY *159FOR 10 DAYS.*15.99v PER DAYLar3er cars availableat higher ratesJust $79 will put you on the road for five full days withunlimited mileage in a manual-transmission subcom¬pact car. Tell us what size car you would like, andwell have it ready for you starting November 20.Rates are not discountable. Gasoline, applicable taxes, optional CollisionDamage Waiver and Personal Accident Insurance are not included. Nocharge for mileage All cars subject to availability. Cars must be returnedto the renting location no later than November 30,1981 or higher publishedHertz Daily Standard Unlimited Mileage Rates will apply to the entirerental period, andadropcharge will also apply. Askfor complete details.1 ForEMayone.h£RTZ RENTS FORDS ANO OTHER F-NE CARS Drowning accidentAn autopsy conducted yesterday on thebody of a 14-year old retarded boy whodrowned in Lake Michigan at 57th St. earlierthis week has revealed that death was fromnatural causes and that there was no evi¬dence of foul play, according to WentworthArea Violent Crimes detectives.The body of Darwyn Phillips, of 5633 S.Maryland Ave., was discovered floating inthe water by an anonymous caller, whompolice said was probably a jogger, Wednes¬day morning. The boy had been reportedmissing by his mother Tuesday when he didnot return home from school.Journalism careersThe Career Counseling and Placement Of¬fice is sponsoring a seminar on careers inPrint and Broadcast Journalism today atnoon in Reynolds Club 201. The seminar willbe led by representatives from the MedillSchool of Journalism, Northwestern Univer¬sity. Individual interviews will be held be¬tween 1:15 and 4:30. For those interested indiscussing issues concerning resume writ¬ing and job interviewing, there will be work¬shops at the same location on Monday, Nov.23 at noon and on Monday, Dec. 7 at 4 p.m.The Office also reminds students interestedin registering for the GMAT that regularregistration closes Nov. 21 for the Jan. 23test.No ID, no free rideOn Monday, Nov. 16, students were deniedadmission onto the 8 p.m. run of the C-Min-ibus. The driver insisted on seeing a valid IDbefore access was given. One student did getinto the bus. and was removed by two UCpolice officers. Incidents as this was not iso¬lated and continued the following night.The official University police is that the NewsbriefsMinibus service is provided for the Univer¬sity students, staff, and faculty and all po¬tential riders must show a UCID. Thoughthis policy has not been strictly enforcedthere are reasons to believe that over crow¬dedness and questions concerning the rider-ship promptly stricter enforcement.In addition to complaints on the recent IDenforcement, the Student Ombudsman indi¬cated that complaints were received on theovercrowded nature of some evening busruns. Jonathan Kleinbard, Vice Presidentfor community relations buses have beenstopped by the Chicago Police for having po¬lice in the aisle.The secretary to the Ombudsman indicat¬ed that Fredrick Sweeney, director of opera¬tions was contacted by their office onWednesday and he was sympathetic to theID complaints. Sweeney also stated that busdrivers are directed to use “modest discre¬tion in refusing to allow entrance.” Though,again this solution is likely to generate an¬other set of problems.A committee which studies mini-bus ser¬vice is scheduled to meet this Monday.Items on the agenda include the Mini-Busproblems.-Sho-ann HungJob conference todayA conference on employment in interna¬tional business will be held today at Interna¬tional House. The program will include akeynote address by Mr. Roesche, senior VPof personnel, planning and development forCiticorp of New York. General seminars inthe morning will include discussions onAmerican and foreign business groups.Other seminars will focus on banks and fi¬nancial institutions, pharmaceutical andmedical supplies: petroleum and industrialmanufacturing, accounting and consulting,and consumer products. There will be acocktail reception at 4 p.m. after the after¬noon seminars.NOMINATIONS FOR THEPICK LECTURESHIPNominations for the Pick Lectureship arebeing solicited from the UniversityCommunity. The Pick Lecturer should bean individual ...” of international reputation ... a political leaderof note with experience in the international arena,a prominent scholar on international matters, anexpert on a critical issue of world affairs, or aleader of a movement or organization of inter¬national significance.”Send recommendations, with a brief supportingstatement and curriculum vitae of the can¬didate, to the Pick Search Committee, doThe Secretary of Faculties. Administration605. by November 50tli.The Chicago Maroon—Friday, November 20 1981—3HAlt/ let Mt^ee yoo£ PA Rets...N0T u)|T7-4oor ^^Ffr,cirN>^IPeiori f\cAt ipN ■gt>T_ X fciDE THi^ 15^EvcE-v x>AV'gLr...M'J I.r>. WAS StdlojWU-flO T 6rC*T MO&6r0^Auc.oG M-qkf lA-st/OlG»FVTLettersEx- judge concernedTo the Editors:I was amused to see in your Friday article“Chief Justice Ousted” that you are stal¬wart supporters of the philosophy “Guiltyuntil proven innocent,” a theory much invogue among certain organizations thisyear.How refreshing it is to find a newspaperthat is courageour enough to dismiss allfears of libel suits by printing a slanted setof charges without attempting to call the ac¬cused to see if he might like to say anythingin his defense.In this age of expediency uber alles, whyshould you take up valuable space just to in¬form the public that the accused was onlygiven a few hours notice of the “Ethics Com¬mittee’s” meeting, hich was on a night whenhe had to work, or that when he requestedthat the meeting be postponed until after hisWednesday and Thursday midterms he wasrefused.This “Midterms Story” is obviously ahoax! Nobody at the University of Chicagowould study for a test when he could go to anexciting Student Assembly meeting to listento hours of pointless procedural pedantryand hear it called “discussion.”In response to this obvious interest, per¬haps you should establish a regular columndevoted to the decisions of Student Asse¬mbly members on important, University¬shaking issues. The student body shouldknow just who is responsible for the manyfascinating actions and attitudes taken bythe Student Assembly this year.Ast ot the accused’s continual denials ofwrongdoing, it is clear that this is a smoke¬screen clouding the real issues, and we allknow that where there’s somke, there’s fire.After all, who could doubt the President,Vice-President, Finance Chairman, andTreasurer? If they all say he is guilty,guilty, guilty, who are WE to judge? Orrather, who ARE we to judge.Let me close by assuring you that many ofus look forward to your every issue. Withoutyou, how would we receive accurate infor¬mation about what occurs on campus? Howindeed?Jeff OsankaA Concerned Student in the CollegeOusterunconstitutional?To the Editor:In recent issues of the Maroon you coverthe charges against Mr. Osanka, Chief Jus¬tice of the SFA Court. I am of the opinionMr. Osanka acted in the manner he did inorder to prevent an illegal and immoral ma¬neuver by Student Government. In additionI believe the recent hearing removing Mr.Osanka from his position was not only un¬fair, but unconstitutional.First, as far as I can remember freshmenhave always been allowed to vote for all can¬didates whose constituencies they reside in.Why is it that Ms. Khan suddenly did notwant Freshmen to vote? Is it because of po¬litical motives? If Freshmen could not votefor Woodward Court representative was thesame standard applied to other contests in-t4—The Chicago Maroon—Friday, November eluding the race for treasurer? Also w'hatshould become of the Freshman who isShoreland Rep? I feel these questions mustbe answered before any case against Mr.Osanka progresses.In addition it must be asked how any can¬didates for Woodward court rep were placedon the ballot considering how many signa¬tures on their petitions were those of firstyear students? If Freshmen could not votehow could they sign petitions, as that is aright generally reserved for people who canvote.I must also wonder how fair this hastilycalled hearing to oust Mr. Osanka reallywas. Six hours notice of a hearing duringmidterm week is not exactly adequate. Dur¬ing normal times six hours is not much timeto prepare an adequate defense, and duringmidterms this requirement is an abomina¬tion.Also the competency of the Ethics Com¬mittee must be questioned for a couple ofreasons. First members of that committeeare representatives whose election isbrought into question by the issue ofwhether or not to allow the Freshmen tovote. Second, as far as I can tell, once some¬one is elected to a post he can only be re¬moved through a formal impeachment pro¬cedure and a three-quarters vote of theentire student assembly, not by a simplemajority vote of a committee.Thus, I believe the recent actions of theStudent Government are inappropriate andwrong. First, Mr. Osanka may have be¬haved irregularly in irregular circum¬stances, I am not fit to judge, but I do be¬lieve that Ms. Khan acted unethically inregular circumstances. Also the hearing ofthe Ethics committee seems both unfair andunconstitutional. Maybe Student Govern¬ment should investigate their own actionswhile they are having the fun of slingingmud at people. Before they investigate anyissue further may I suggest that Ms. Khanand the rest of SG consider the old adage“Do not judge too harshly, lest you too bejudged. Sincerely,Larry BerlinUC hypocriticalTo the Editor:We, the undersigned, are non-union, non-salaried employees of the University. Mostof us are students. As a consequence of therecent contract won by the Teamsters local,we were accorded the same minimum payraise given union members. This action wasonly fitting and proper, since in most in¬stances we do the same or similar work ^sour union co-workers; however, we are notpermitted to become part of the bargainingunit due to the University’s reluctance toallow students the choice of whether or notto join the union. For our union co-workersthe raise was made retroactive to July.Many of us were surprised and angered todiscover that we, who in many cases do thesame work as our union co-workers and areoften just as experienced, were denied theretroactive raise. We find this decision ofthe University’s to be both hypocritical andarbitrary, implying that the-University hasthe right to treat its employees unfairly as0, 1981 long as they are its own students. It is ironicthat while this University prides itself on itsemphasis on “Great Ideas,” it is apparentlyincapable of understanding the concept ofequal pay for equal work, and that the verypeople it is attempting to educate are fairgame for unfair treatment. We urge theUniversity to reconsider this decision.George BloodStudent employee at Regenstein(Signed by 25 persons)Reader pulls handleTo the Editor:Hurray for Null & Void! Precisely whatthis university of academics needs at mid¬quarter — something entirely useless, yetundeniably enjoyable to read.I found David Brooks’ “Free to Flush” avocalization of one of the most senselessconcerns of any respectable man on cam¬pus, and I loved every word of it! Indeed, asa submissive male, hopelessly in search ofthe right to master his own waste, I was in¬stilled by Brooks’ article with a passion toseek out that elusive manual-flush urinal,but Despair! I found none. In vain I criedout, “If man were not intended to flush hisown urinal, what then, did the creator havein mind when he endowed us with a righthand?”Finally, I rebelled. I refused to submit tothis “urinary torture.” Flaunting alldeference to Almighty Automation, I tookmy rolled-up phallic Maroon and flushed itdown a full-fledged, manually operatedtoilet! Never again, I vowed, would thisfree-flusher go standing up!Douglas T. ShapiroStudent in the collegeWomen not helplessTo the Editor,I strenuously disagree with the answergiven in the FTA column on Tuesday (11/17)to a woman who wanted to know what to doabout her fear that someone had beenfollowing her recently. It was unequivocallystated that the best thing to do was to “ask amale friend or a security guard to approachthe follower.”This advice feeds the myth that womenare helpless, and unable to defendourselves. Why a male friend? There aremany women around capable of suchassistance. One woman’s male protectormay be another’s (or her own) predator,and vice versa.I recommend that she take a self-defensecourse for women from Chimera at the BlueGargoyle or elsewhere in the city. And Ihope also that she, and any other womanwho reads this and agrees, will march onenight this coming spring to Take Back theNight from predators and protectors.Sydney SkinnerStudent in the CollegeMore,more handgunsTo the Editor:Do gun laws really work? At least in Mas¬sachusetts? Mss. Janowitz and Palmerthink so because they are apparently con¬cerned only with violence done with hand¬guns and nothing else, and apparently theBartley-Fox Act, in effect since 1975, hasproduced a reduction in handgun deaths.But I and, I suspect, most Americans, wereunder the impression that these laws werebeing passed to make our lives safer fromviolent crime; in which case the evidencefrom Massachusetts is rather depressing, for since the enactment of Bartley-Fox, Bos¬ton’s overall rate of violent crime has raisedit from fifth place to first among majorAmerican cities in that awful category. Lifein Boston does not appear to have grownsafer as a result of Bartley-Fox. Perhapsthose who nevertheless regard it as a suc¬cess should practice the kind of “truth in ad¬vertising” required of patent medicine ven¬dors and explain that those who take thisparticular nostrum can perhaps expect it toproduce a different choice of weaponryamong the criminally inclined, but shouldnot expect a safer life as a result.But might we not be safer if somehow wecould cause malefactors to abandon hand¬guns for some other w-eapon? Probably not.The often ranted claim that the handgun isthe “most deadly” weapon around is utternonsense. One’s chances of dying from arifle or shotgun wound are at least two tothree times greater than the chances ofdying from a pistol wound. One’s chances ofdying after being stabbed by a large knifeare approximately equal to those of dyingfrom a pistols wound, but muggers whochoose knives or clubs ar more likely to usethem to injure their victims than are thosewho use handguns.The anti-gun folk habitually overestimatethe dangers from accidents with guns, occa¬sionally inflating the figures to make themwork better, and underestimate the effecti¬veness of guns used for self-defense. Acci¬dental gun deaths, including hunting acci¬dents, actually account for less than 2% ofaccidental deaths each year, placing themfar behind traffic accidents, falls, drowning,fires, poison, and suffocation, indicatingthat, as a society, we handle our guns moresafely than we do our automobiles, bath¬tubs, and matches. One anti-gun researcherrecently found these figures so unhandy thathe added the total of handgun suicides to theaccident category, thereby inflating it4400%, and then used the resulting total tbprove that handgun owners are more likelyto shoot themselves accidentally than toshoot a burglar or robber. Not so.Gun ownership, handgun ownership inparticular, apparently has a significant de¬terrent effect on crime. Two instances illus¬trate this very well. Police in Orlando, Flori¬da, faced with a rising rate of attacks onwomen, offered a well-publicized programof handgun training for women and about6000 took the course. Rape in Orlandodropped 90%, though it increased in thecountry as a whole. In 1974, when the policein Albuquerque went on strike, storekeepersopenly armed themselves and civilians pa¬trolled their neighborhoods with guns.Major crime in Albuquerque dropped dur¬ing the strike.It may be unkind to point this out, butthose areas of the country with the highestrates of violent crime also generally havethe most stringent gun control laws, whilethose with the lowest usually have the least.It is their necessity to deal with this funda¬mental failure which has required the anti¬gun lobby to employ the kinds of methodswhich, in other areas, could be used to provethat bleeding cures pneumonia, drunkdrivers have fewer accidents, and Shake¬speare wrote the 100th Psalm.Respectfully,Raymond D. TindelPhD CandidateNear Eastern Languages andCivilizationsThe Chicago MaroonThe Chicago Maroon is the official student newspaper of the University of Chicago. Itis published twice a week, on Tuesdays and Fridays. Editorial and business officesare located on the third floor of Ida Noyes Hall, 1212 E. 59th St. Chicago, 60637. Tele¬phone 753-3263. Business office hours are 9:30 to 4:30, Monday through Friday.Sherrie NegreaFeatures EditorAudrey LightSports EditorWilliam MudgeChris IsidoreEditorRobert DeckerManaging EditorDarrell WuDunnSenior News EditorAnna FeldmanNews Editor Photography EditorDavid BrooksViewpoints Editor Richard KayeGrey City Journal EditorBeckv WoloshinChicago Literary ReviewErin CassidyLibrarianAame EliasDesign Director Editor Henry OttoBusiness ManagerJay McKenzieAdvertising ManagerLeslie WickOffice ManagerCharlie MencerProduction ManagerStaff: Mary Bartholomew, Sheila Black, David Blaszkowsky, Kahane Corn DavidCandela, Wally Dabrowski, Jeff Davitz, Katie Ellis, Kate Fultz Margo HablutzelJohn Herrick, Keith Horvath,' Sho-ann Hung, Robin Kirk, Bob LaBelle, KatherineLarson, Linda l^ee, Jennifer Maude, Marlene Mussell, Bob Nawrocki William RauchMelody Salkuci, Donna Shrout, Daniel Staley, Elizabeth Steiner’ Carl Stocking’James Thompson, Bob Travis, AUi Tripp, Jeff Wolf, Anna Yamada’ViewpointsCollegeTAs: more than ‘laissez-faire’ neededRobert D. HummelIn his letter of November 13, John Rager describes hisviews about “the current debate about graduate studentslecturing in the College,” and concludes that “another re¬view procedure . .. will end up changing nothing.” He ques¬tions the need for review procedures because he believes“there is no problem.” He is annoyed by the “common apriori assumption that graduate students are inherently in¬ferior to other teachers,” and suggests that all teachers bereviewed.His statement overlooks several important aspects of thequestion and rests in part on incorrect inferences. There isunquestionably a widely held view that not all graduate stu¬dents are equally qualified to take full responsibility forcourses in the College. However, the initial report of theCommittee to Advise the Dean on the Use of Graduate Stu¬dents in the College (see University Record, June 29, 1979)clearly dispels the notion that graduate students as a groupare considered to be inferior. That document not only setsdown reasons for hiring graduate students, but also ex¬plains why constraints on their use are necessary.Mr. Rager believes all teachers should be reviewed, notjust graduate students, and one can understand that view¬point. However, even though the effects of bad teaching arethe same in the end, essential differences between the rolesand responsibilities of graduate students and those of regu¬lar faculty make a direct analogy irrelevant in the contextof this issue. The conditions of employment are different,the bases for hiring are different, and the expectations ofpersons in the “pool” of candidates are different.Where there is a sanctioned program in which graduatestudents regularly teach formal courses to undergraduates,there tends to be an expectation on the part of individualgraduate students that they will be offered a position. Somedeparments assume that a portion of their undergraduatecourses can be staffed regularly by their own graduate stu¬dents. These assumptions lead some departments to prom¬ise prospective students, either explicitly or by implication,an opportunity to gain teaching experience in the College.Without some kind of criteria for governing the selectionand retention of lecturers, departments might well begin tostaff greater numbers of courses with graduate studentsand to do so in somewhat willy-nilly fashion. In somequarters of the University there is already some evidenceto suggest that program and course chairmen are only tooeager to exploit the College as a training ground for theirgraduate students and a place for them to earn money.Graduate students are hired to do one thing only: to teachlower-level undergraduate courses. Their scholarly poten¬tial, while important, is only secondarily relevant to thesole purpose of their employment. Regular faculty, on theother hand, are hired and reappointed on the basis of threecriteria; scholarship, teaching (at various levels) and ser¬vice to the University community. Rigorous proceduresand review guarantee a highly selective process. When aregular faculty member proves to be a poor teacher of un¬dergraduates, tht is extremely unfortunate, and in manydisciplines can play an important role in a decision not torenew an appointment. However, even when that is not so,faculty who are eminently well qualified as scholars or re¬searchers contribute greatly to the University.The objective at issue here is the same for both groups: totry to assure a first-rate education for undergraduates. Cri¬teria for selecting and retaining teachers can be no lessstringent for graduate students than for inexperienced As¬sistant Professors. Unlike Universities with massive andoften unselective TA programs, the U of C has not definedthe College as a convenient locus for practice teaching, andthe statutory responsibility for determining both the shapeand quality of undergraduate programs rets with the Col¬lege faculty. Graduate students cannot have the perspec¬ tive of a faculty with that responsibility and therefore, nopurpose is served by discussing this aspect of the questionwith them.The question of responsibility is crucial to the issue. TheUniversity expresses its good faith in addressing that re¬sponsibility through its rigorous procedures in hiring thebest faculty possible under the circumstances. At present,there is no comparable institutional procedure to assurethat only the best qualified graduate students teach in theCollege (One should add, I think, that the absence of suchprocedui s allows for crass exploitation of graduate stu¬dents themselves, since there is no assurance that theirteaching experience will be directed or guided with a viewto enhancing their own professional skills and, ultimately,their competitive position in a difficult job market.)Lest Mr Rager misinterpret my concern as a purely ab¬stract one, I should point out that his grapevine and mine donot seem to yield the same feedback. I do not wish to citealong list of repoted shortcomings of graduate students orof regular faculty. I can say that no instructional rankto be exempt from criticism. Once again, however. I haveto point to the unique — probably unfair — position of thegraduate student. So long as he or she does the kind of jobwe hope for in all teachers in the College, students w ill rare¬ly question their status. Indeed, I am in total sympathy w iththe graduate student whose teaching is excellent, but who isheld in low regard by some misguided undergraduate stu¬dent by sheer virtue of his or her student status. If thingsturn sour for some reason, however, undergraduates arefrequently incensed — especially if their teacher has notbeen identified as a graduate student beforehand. One canunderstand their resentment in view of the University’s tra¬ditional emphasis on undergraduate instruction by regularfaculty. Given the high costs of a Chicago education, onecan perhaps even understand their feeling that they havebeen duped.I, too, am vexed when I discover, as I have discovered,that complaints often involve programs in which a laissez-faire atttude prevails, not merely with respect to graduate-student lecturers, but to other matters like scheduling,availability of of reserve materials, careful planning for course staffing and other tedious matters which are bothnecessary to excellent teaching and seriously affect thelives of undergraduates.Unless there is provision for extra-departmental evalua¬tion, how does one identify slipshod programs? How doesone determine whether specific problems reside in a partic¬ular teacher or result from inadequate support and guid-n n r»oIn one particularly telling case, students complainedabout a graduate-student lecturer who regularly arrivedten minutes late, talked condescendingly to them, and re¬peatedly accused them of having neglected to do their workwhen they failed to understand an assignment. Rather thanexplaining material in class, he simply worked problemsthey had been unable to solve (a technique requiring littlelesson preparation). He explained both his inability tocover the material on schedule and to provide class expla¬nation on the grounds that all the problem-solving left notime for such things. He was clearly unable to perceive thevicious circle, nor, apparently, the effect of losing 20% ofhis class time by arriving late. The case.is particularly tell¬ing because it involves a department which is well knownfor its articulated pride in a rather elaborate system of se¬lection, training and supervision of its graduate-student lec¬turers However, during the entire year, a faculty memberappeared once to monitor the class. On that morning, ac¬cording to the students, the instructor arrived earlv, waswell prepared, explained new material in a well-paced les¬son, and “butter would have melted in his mouth” as hefielded their questions. Not once during the entire year didhe pass out student evaluation forms. Consequently, theevaluation for that particular graduate student rested en¬tirely on a single observation by a faculty mentor and one-on-one conferences with that same faculty mentor Thefinal irony of this case rests on more recently discoveredevidence: that same department regularly rehires gradu¬ate students who have received poor evaluations from theirstudents.U of C graduate students who are well-trained, properlymotivated, conscientious and well-disposed towards under¬graduates have taught and are teaching successfully in theCollege. I believe it may be possible to use greater numbersof them than we now do. I do not wish to argue in theMaroon for one or another means of evaluating programs.Debate in the College Council continues, and my mind re¬mains open on many questions of detail. The many differentcourses in which graduate students now teach or mightteach require different definitions of appropriate orienta¬tion and training, and of effective teaching procedures.Only on the question of evaluation — evaluation not just ofindividual graduate students, but also of the programs de¬vised by departments and course staffs to assure both the“enhancement of instruction” and enhancement of gradu¬ate-students' professional skills — am I convinced of theneed for extradepartmental monitoring. Otherwise, onemust raise the question just who actually determines theoverall quality of instruction in the College. responsibilit\for which rests by University Statute with the College Fac¬ulty — not with the departments.Robert D. Hummel is an Associate Professor in the De¬partment of German Languages and Literature and theCollege. He is also Director of the Language LabThe Viewpoints page is a forum tor opinions on matters ofpublic interest We welcome submissions from students,faculty and staff and value the unique light which scholar¬ship can shed on matters of community concern In otherwords, vi e like it when you compare the fall of Pompeii tothe Reagan Administration. Manuscripts should be deliv¬ered to the Viewpoints Editor at the Maroon office in IdaNoyes. —DB1X[~) BISHOP BRENT HOUSErT7 The Oratory of St. Mary and St. JohnThe Episcopal (Anglican) Center at the University of ChicagoThe Episcopal Church Council at the University ofChicago announces the third in a series of Noon LunchDiscussions for Faculty and Staff devoted to the Themeof Peace, on24 November 11:45 a.m. -1:00 p.m.Discussion will be led by Prof. Lawrence Lanzl, recentlyretired from the Department of Radiology and a member ofPhysicians for Social Responsibility.Please bring a lunch, if you wish. All the best Santasare n earing suitsrented from StudentActivities.and spats!Available to anycampus group.For information, call Maryat 753-3591Mrs. (laus outfit also availableThe Chicago Maroon—Friday, November 20, 1981—5GetawayFish at the right priceBy David Ackermanand Sho-ann HungAt the approach to this restaurant, in anelder brownstone, there is a yellow-orangephosphorescent sign blazing “Half Shell” atpeople whenever headlights pass.Tacky? Sleazy? On the contrary, HalfShell is a subterranean enclave of port at¬mosphere in a midwestern city. The interiorof this dimly lit restaurant is filled with nau¬tical items and travel posters from aroundthe world. One drawback is that Half Shellappears to be too small to handle the crowdsthat come in on a Friday or Saturday night,and there are no reservations.Half Shell offers superb seafood at reason¬able prices. A wide variety of cold appe¬tizers are available from $2.90 to $5.70. One half dozen of either blue points (oysters) orcherry stone clams is $3.00 or a dozen of ei¬ther or any combination at $5.70. Jumboshrimp and king crab legs are both servedcold and are $4.80 each. Hot appetizers in¬clude steamed mussels, $3.90, french friedsquid, $3.40, or deep fried clams, $4.30. Forthose who can splurge caviar and cham¬pagne are also available at $16 and $17 re¬spectively.Half Shell features interesting creaturesfrom both the East and West coasts rangingin price from $4 to $8.20. Broiled jumboshrimps are $7.50, while french fried orsteamed jumbo shrimps are $7.90. A suffi¬ciently large dungeness crab comes with adeliciously herb blend butter sauce. De¬pending upon the season the crab is from$7.50 and up. Dungeness crabs are unique to the West coast. They are larger in size thanthe Eastern crabs with satisfaction close tothe Maine lobsters.Another house favorite is the king crablegs for $7.70. The large portions of crab legsare conveniently sliced down the middle andare also accompanied by the restaurant’sown butter sauce. For those meat eaters,Half Shell also offers a s‘.cc kbuger at $3 or aTurkish shishkebob at $6.20. All entrees ex¬cept the dungeness crabs come with toastand a generous portion of shoestring pota¬toes (reminiscent of Harold’s of HydePark), lettuce, tomab , n’ckle.Half Shell is open F „ / from 11:30 a.m.until 12:30 a.m. (1 " jn Saturday). Again,reservations ca, j;oi . a made so prepare toenjoy the lively atmcspnere. The Half Shellonly accepts ca?h. If you are using publictransportation take the Ravenswood northto Diversey, the P22 Clark bus, or the #36Broadway bus.1COFFEE HOUSESGAC Friday, November 209 p.m. -12 p.m.Ida Noyes LibraryCharles Mencer, Chris Lesieutre, Philip GuttmanHOUSE OF CHIN1607 E. 55th St. • 752-3786Dining Room ■ Carry OutCANTONESE, MANDARIN, &SZECHWANClosed MondaysDr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know thedifference between advertisedcheap glasses or contact lensesand competent professionalservice with quality material.Beware of bait advertisingEye ExaminationsFashion Eye WearContact Lenses marian realty,inc.REALTORStudio and 1 BedroomApartments Available— Students Welcome -On Campus Bus LineConcerned Service5480 S. Cornell684-5400HYDE PARK UNION CHURCH5600 S. Woodlawn Ave.Church School (all ages) 9:45 a.m.Worship 11:00 a.m.Nursery ProvidedW Kenneth Williams, MinisterCome, Worship, Study, Serve Budget Rent-a-Car5508 South Lake Park• Chicago, IL 60617Needs Mature PersonFor Part-Ticne Job1552 E. 53rd St.(Under the I.C. tracks)9 a.m.-7 p.m. weekdays12-4 p.m. Sunda’ys ROCKEFELLERMEMORIAL (ip£iCHAPELv SundayEcumenical Service 9 amof Holy CommunionUniversity Religious 11amService. /Bernard O. BrownDean of the chapel,preachingNovember 26th • 11 a.m.54th Annual CommunityThanksgiving ServiceJoseph Sittler, ProfessorEmeritus, the Divinity Schoolpreaching DRIVE CARS TOFLORIDA& MOST CITIES U S A.NO CHARGEAAACON AUTO TRANSPORTPHONE NOW FOR FUTURE DATESREPRESENTATIVE WANTEDON CAMPUS. GRAFF & CHECKReol Estote1617 E. 55th St.1 %-2V2-4 RoomApartmentsBased on AvailabilityBU8-5566Available to all comers6—The Chicago Maroon—Friday, November 20, 1981 &O0K+W&Dstore mm-mAt the Phoenix in the basementof Reynolds ClubThe Entire WHO Catalog onMCA is On Sale(Through T 1/24)All 8.98 list L.P. s are now only 5.99All 5.98 list L.P. s are now only 3.99(The Other L.P. s are 1.00 Off the Regular Price)now only 9.00TheWho ***Ga HattonA Deluxe Set 2 Complete Album* MCA 37001now only 3.99now only 5.99Check us first ...We're the Phoenix(basement of Reynolds Club) A'V-riiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiMiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiHiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiMiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiiiiiiiifiiiiiiiiiiiiiiiiiiiimiiiiiiiimmimiiiiiivfiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiimim November 27, 1981 mmthe-grey ci1y journaliiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiitii;iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiifourteenth year nIllllllllllllilllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllUlllllllllllllllllllllllllllllllllllllllllllllllllllllllllltllllllllllllllllllllllltllllTllllllllllllllllllllllllllllllllllllliiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiuillllllllllllllllllllllllllllllllllllllltllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll lllfNot Just the Local TalentBy A. A. KambourisWhen James Cronin won the Nobel Prize,the whole world knew about it. The Univer¬sity issued press releases and covered it inthe information bulletin; even the Maroonhad a story about it. When Vera Klementwon a Guggenheim Fellowship, however,hardly a word was said. The Guggenheimaward is one of the more prestigious awardsgiven in the arts and it is the most recent inKlement's outstanding biography. An asso¬ciate Professor in the Committee on Art andDesign, Klement has shown her work in ex¬hibitions at the Museum of Modern Art, TheTate in London, the Art Institute of Chicago,the Walker Arts Center, and the Detroit Insi-tute of Arts, to name but a few of the morenotable American museums. Her most re¬cent show here closed Wednesday at theMarianne Deson Gallery.Her show at the Deson Gallery was a re¬cent work (1980-81) and demonstrated thatshe is truly worthy of all of her accolades. Inthe five paintings on display, she uses an abstract expressionist style in juxtapositionEncausticwith a more muted form to provide an in¬credibly exciting contrast. The technique bywhich she applies the paint to the canvas iscalled encaustic. A beeeswax base is mixedwith pigment and then applied to the canvaswith brush, pallet knife or any other tool.The result is that areas can be built up inthickness, brushstrokes preserved, and thecolors seem to glow irridescently. In"Corner Mesa", for example, the large ab¬stract expressionist composition with majorstrokes in yellows, oranges, and reds thatare offset with darker greens and blues run¬ning through it is juxtaposed against a ruledtriangle in the lower right corner. Althoughthe triangle appears grey, it is actually aprogression from a green grey at the top toa white-grey at the bottom. The seeminglyruled lines allow the viewer to observe thatthe whole triangle is painted on a red background, thus giving a red tinge to this part ofthe canvas.This triangle serves to offset the abstractexpressionist portion by exuding a sol¬emnity that contrasts the seemingly disor¬ganized strokes and gestures of that compo- composition painted with browns, blacksand blues over a bright yellow, orange, lightgreen and pink backgound. "Pink Witness"has a lightly painted pink piece of canvaslayed next to an abstract expressionist com¬position of yellows, ochres, and other earth-tones. Both of the overlays provide a feelingof solemnity to the whole piece because oftheir contrast with the large gestures of theabstract expressionist gestures. They aresimple, relatively uniform, and do not con¬tain the activity of the main composition.This feeling is reinforced by the uniform,rectangular shape of the overlaid canvas onwhich they are painted. The only problemthat appears is that the works do not alwaysseem balanced. The abstract expressionistportion is at times too overpowering, espe¬cially in "Pink Witness", and the wholepiece seems weighted to that side of thecanvas. There is a very interesting contrastbetween the heavy brushstrokes and movements that do not show up in either of the;, but this contributes to the imba-flance. After some time, the viewer becomesaccustomed to the imbalance, and can cor¬rect for it, however, it is disturbing becauseit tends to throw off the whole work. Understandably, this problem does not occur whenthe abstract expressionist compositions arejuxtaposed vertically with the overlays ormore solemn parts because everything iscentered on the whole canvas, or balanceseach other.The imbalance between the two parts ofthe whole work is resolved when the viewerrealizes that the composition does not existmerely on a plane, but also works with spatial elements. If the viewer stands farenough back from the work, the overlay nolonger appears to be just a block of colorplaced next to an abstract expressionistcomposition, but a plane that disappearsinto the distance with a composition floatingabove it. Admittedly, one of the problemswith this show as that the gallery space wasa bit small for the viewer to make this ad¬justmentThe abstract expressionist compositionsthemselves can be taken to be a composition Vera Klement,Vera Klement, Jade Place (1981)and Abstract Expressionismsition. One sees ruled lines against freebrush strokes; muted color against a widevariety of colors; organization against dis¬organization; all working together to en¬gage the viewer. While the whole piece canbe viewed as existing on a plane, the trian¬gle serves to introduce perspective into thepiece. One can see the triangle as fading intothe distance with the abstract expressionistcomposition floating above it: The cornerpiece is a mesa with the other movement ho¬vering above it.In two other pieces, the abstract expressionist composition is set against a singlecolor that is on a different piece of canvas that is overlaid onto the work. "'Blue Wit¬ness" has a piece of canvas with blue applied over a red and green background sit¬ting next to an abstract expressioniston a plane, or composition that goes off intothe distance like a hill, or the top half of asphere. This idea of seeing the image bothon a plane and in perspective is congruouswith all of the other juxtapositions of oppo¬sites that occur in Klement's works. To to¬ tally understand the piece, the viewer mustbe able to experience and observe all of theelements that work with and against one an¬other.It is unfortunate that this superb exhibiti¬on will have closed by the time this reviewappears, but it was an astonishing introduc¬ tion to a woman whose work is engaging andexciting in the manner in which she juxta¬poses two types of competition. It will beequally exciting to see her future work, perhaps here at the University.T*;"*Gt*:± "GRAND PRIZE WINNER ,1981 CANNES FESTIVAL“ ★ ★ ★ ★ Extraordinary.A bold & sweeping film.”— Roger Ebert, Chicago Sun-Times“A MUST-SEE FILM.”—Gene Siskel, Chicago TribuneAndrzej Wajda’sMtfopW-aar’l*’ •»$. <jr*94 *«•siy '</99*at v * i**'United Artists ClassicsAMERICAN PREMIERE ENGAGEMENTATCIAfAV 1 MKkwtslelKtnnwlyUHI LTVHI Eipcttuity - PARK FREE1 Block soutn ot me Jefferson Park stop on me Confess Douqias CIA Pam lineSony no passes oi teouceo admission tickets mull Oe accepted5216*1 lawrtnct2S6-2402 r DOC FILMSTonight: 7:15,9:30: "■ .. ,t. ....Winner „f man, Academy Award*, including Best Actress (Lua M.nnclh,Best Supporting Actor (Joel Grey) and Best Director. Bob Fosse s knockoutmusical look at the decadence of Weimar Germany:CABARETTomorrow: 7:15,9:30:The most renowned and honored product of the Australian New \\ ave to date:Bruee Bereslord’s BREAKER MORAN ISunday: Twentieth Century Sexual Politics:7:15 Joseph Losev’s ACCIDENT (screenplay by Harold Pinter)9:00 Claude Chabrol’s LES BICHESAll films in Cobb HallMake An Origami Peace MobileHelp us to assemble origami doves, to be hungin a large mobile over the holidays in the EastTransept of Rockefeller Chapel.Sessions are open to the public and will be heldin the East Office of Rockefeller Chapel; allmaterials will be provided.Friday, November 20 3:45 - 4:45 pmSaturday, November 21 2:00 - 4:30 pmMonday, November 23 1:30 - 3:00 pmWednesday, November 25 1:30 - 3:00 pmSaturday, November 28 2:00 - 4:30 pm COCRTXUDIOPRESENTSiACK; or, the submissionNov. 13,14,1520 21 228:00 pm Fri. & Sat.2:30 pm Sun.Court Studio TheatreUniversity of ChicagoReynolds Club57th & University A plaV bV Eugene Ionesco Admission: $3.00General$2.00 Students/SeniorsFor reservationscall 753-35812—THE GREY CITY JOURNAL-F RIDAY NOVEMBER 20, 198120 fridayI 26 thursday21 SaturdayanThe Art for Young Collectors show startsSunday in the Renaissance Society. This isan opportunity to see a great deal of newwork by unknown or not well-known artistfrom all over the country, but with an em¬phasis placed on Chicago artists. All thework is for sale, with prices ranging from$1.00 to $3500.00, and a great deal of work forunder $100.00. There is also a good deal ofaffordable art priced at around $20.00, butthis undoubtedly will be sold very quickly,so it pays to go early. Members preview isFriday night and Saturday and the showopens to the public on Sunday, Nov. 22 andruns until Dec. 13. — A.A.K.Kandinsky Watercolors Only one moreweek left to see what is fast-becoming theSmart Gallery's moSt attended exhibit. Theshow covers the watercolors of the pivotalRussian modernist painter, suggesting howKandinsky moved from his more representational pieces to the abstract ones he ismore famous for. The Smart Gallery is openTuesday through Saturday, 10:00 a.m. to 4p.m. and Sundays from noon until 4 p.m. Located at 5540 S. Greenwood Avenue. riphery of their lives. But the film still pos¬sesses blatent homosexual stereotypes:Michael York and Helmut Griem seem to beattracted to one another because they lookso much alike; and Joe Grey's obviouslygay emcee is repulsive and grotesque. Al¬though Fosse's razzle-dazzle choreographyis impressive by itself, his attempt to fuse itwith political and sexual issues remains di¬dactic and simpleminded. Liza Minnelligives a superb performance as an AmericanCabaret singer, and York, Grey, and Griemare equally impressive. Highly recommend¬ed. Friday, November 20 at 7:15 and 9:30p.m. in Quantrell. $2. —R.M.mi isicBreaker Morant (Bruce Beresford, 1980) Setduring the Boer War, this film concentrateson a group of Australian type Green Beretswho are accused by the British of overzealously fulfilling their duties to the RoyalCrown and as a result, are put on trial fortheir lives. Recalling the trial of LieutenantCalley during the Viet Nam War, the filmexplores the hypocrisy of a state creating animage of liberalism and morality for rea¬sons of international expediency while at thesame time continuing to wage, with absoluteself-interested determination, a very bloodyimperialist war. Curiously though, the filmdoes not make any explicit reference to thehistorical political and economic causeyofthe Boer War, nor does it attempt to drawany connection between the Boers of the19th Century and their 20th Century descen¬dants, the Afrikaners of the South Africanruling class. The Boers are depicted as onlysimple-minded, hill-billy type agriculturali¬sts. The only real in depth characterizationcomes from the three Australians on trial,Morant in particular. These roles, plus thoseof the attorneys, are acted intelligently andmeticulously without any sentimentality ormoralizing. Director Bruce Beresford alsodoes a tremendous job integrating the pow¬erful and suspenseful trial scenes with flashbacks of the alleged crimes. Donald McAI-pine's cinematography is vivid andimaginative with the last few shots reallyextraordinary. Saturday, Nov. 21 at 7:15 &9:30 in Quantrell. $2. DOC —N.B. Guarnari String Quartet: MichaelAccident (Joseph Losey, 1967) This is oneof Losey's post-Servant ('64) films, a periodwhen the director was making blatantly"artistic" films due to his recent recogni¬tion by the critical film elite. The film'sscript (by another recent victim of con¬scious intellectualism, Harold Pinter) concerns the plight of a Cambrige professor(Dirk Bogarde) whose male menopausecauses him to choose between his youthfulfantasies and the reality of his comfortablemarriage. But this fairly interesting plotand some witty dialogue are overshadowedby the film's ingrowing artiness and selfconscious beauty. Despite the heavyhandedness, Stanley Baker, Jacqueline Sassard,and Michael York all turn in impressive performances. Sun., Nov. 22 at 7:15 p.m. inQuantrell. R.M.American Pictures Chicago premier of amulti-media "film experience" — narration, music, interviews, and slides — depicting a five-year odyssey through Amer<ica byDanish photographer Jacob Holdt. Holdthitchhiked 100,000 miles, lived with over 40families, worked under feudal conditions onLouisiana sugar cane plantations, followedghetto criminals during muggings, was imprisoned alongside Black Panthers, andjoined the rebellion at Wounded Knee. Thepresentation and an accompanying bookhave been popular throughout Europe, andwere well-received at the recent San Franci¬sco Film Festival. Judging from the book,American Pictures is a shattering view ofAmerican racism and an overwhelming experience. At a time when the governmenthas declared the "war on poverty" to be"won," this reveals the segments of societywhich are kept invisible. Opening this weekend for an extended engagement at the BlueGargoyle, 5655 S. University Ave. Shows to¬night and Saturday at 6:30 pm. For more in¬formation call 363-5593. — Curtis BlackIn last Friday's Grey City Journal, George Kocan was incorrectly reported tobe a student on the department of Anthropology. He is in fact a student in theCommittee on Evolutionary Biology.the grey city journalEditor: Richard KayeJazz Editor: Jim GuentherClassical Music Editor: Robin MitchellBook Editor: John EganFilm Editor: Richard MartinFiction and Poetry Editor: Paul O'DonnellArt and Production: Susan Franusiak, Nadine McGann, Pat O'Con¬nellStaff: Mike Alper, Denice Boneau, David Brooks, Charles Coleman,Sabrina Farber, Keith Fleming, Kira Foster, Nancy Goldstucker, KeiHanafusa, Jack Helbig, Sarah Herndon, Sally Holland, Alice James,A.A. Kambouris, Nikolai Katz, Alex Mihailovic, Arturo Perez Reyes,Glen Sheffer, Dan Stitzel, Lonnie Stonitsch, Jennifer Tompkins, Mi¬chelle White, Ken Wissoker, Sandy Young. Tree, David Soyer, John Dailey, Arnold SteinhardtSergeant York (Howard Hawks, 1941) It'salmost hard to believe, given this excessively pious, and religious propaganda vehicleabout World War I hero Alvin York, that thisfilm was directed by Hawks and not bysomeone like Capra. Absent is the director'susually relaxed sense of character and"boys will be girls" motif. Instead, the AlvinYork character (Gary Cooper) is innocencepersonified for beginning to end; and thefilm itself didactic, sentimental, and excessively "American." But, Cooper' personafits the character perfectly, and the film'spolitics, after all, should be taken withintheir context — but not out of the theater.Monday, Nov. 23 at 8 p.m. in Quantrell.$1.50. R.M.Les Biches or "The Does" (Claude Chabrol,1968) This is Chabrol's first personel filmsafter his brief and unsuccessful commercialphase, and a film that testifies to the director's ability to subtlely capture the unspoken shifts of character in human relations.The film depicts the love affair of two les¬bians and a virile architect. And althoughthe film is not just of a lesbian relationship,but one of personality consuming another —the film still portrays the lesbian couple in astereotypical and unpleasant fashion. Thesexual relationship of the two women seemssimply to serve as a voyeristic device, titi-lating the audience until the man enters andcarries out the myth that "all a lesbianneeds is a good screw." This, plus the possible mis reading of the title in English as"The Bitches" (renaming is common prac¬tice with foreign films and it is interesting tonote that in this case the original title waskept), makes this film, though interestingand technically impressive, a somewhatsuspect film. Recommended. Sunday, Nov.22 at 9 p.m. in Quantrell. $2 — R.M.Play It Again Sam (Herbert Ross, 1972)Woody Allen stars in this film which, as thetitle suggests, relies heavily for it's jokesand sentiment on the persona of HumphreyBogart. But unlike the brooding, nihilisticimage of Bogie that was celebrated in the'60s (by Godard among others), Ross'apotheosis concentrates on the patheticaspect of the legend as seen through the hapless, and anxious Woody Allen character.The film's an adaption of Allen's play abouta film buff haunted by Bogart in his fumbling attempts to meet girls. With DianeKeaton and Tony Roberts. Friday, Nov. 20at 7 and 9 p.m. in the LSF Auditorium. $2.—R.M.Cabaret (Bob Fosse, 1972) This film, adapted from Christopher Isherwood's Boodbyeto Berlin, continues commercial cinema'stradition that: if you talk about Nazis, youmust also talk about gays. Yet Cabaret remains perhaps one of the more intelligentand complex films in this tradition, mainlybecause instead of presenting homosexuality as a perversion which leads to the ulti¬mate perversion (fascism), the movie presents the characters' sexuality as analogousto their political choices, blaming neitherthe heterosexuals, homosexuals, or bisexuals tor the horrors which remain on the pe Nyan Como: This Chicago based reggaeband, made-up of native Jamaicans, willplay this Saturday night at InternationalHouse in a concfcrt/party sponsored by the Uof C Folklore Society. A $2.50 admission feecovers refreshments.Keith Jarrett: The master of spontaneousperformance, Jarrett seats himself at thepiano, invokes his muse, and creates anoriginal work of beauty. He will be performing this Monday, Nov. 23 at 8 pm in North¬western's Pick-Staiger Hall. Tickets areavailable at Ticketron Outlets and at NorrisCenter on the NU campus.Mandingo Griot Society: Coming home toHyde Park, this ensemble brings togetherAfrican and Afro-American music in a dis¬tinctively danceable style. Led by MusoSuso, a Gambian griot and kora player, andAdam Rudolph, a native Hyde Parker whomet Suso in Africa, they will play at the Valhalla this Friday and at Chances R on Satur¬day.The Guarneri String Quartet, about whomthe New York Times has said, "It has no su¬perior on the world's stages," is the secondprogram on the University's ChamberMusic Series. The Quartet has appeared inMandel Hall a number of times, and two ofits members (Arnold Steinhardt and Mi¬chael Tree) have already given individualconcerts on the Series. Check with the Department of Music Concert Office todayabout ticket availability.hea IreJack, or the Submission Court Studio presents the Ionesco classic, an early Ionescoplay about a rotten boy who refuses to followhis family's orders, while he spends timewith his beloved bride-to-be, a three-nosedwoman. This is the first all-student cast tobe in a Court Studio production this year.Performances are November 13, 14, 15, 20,21 and 22 in the New Theater in the ReynoldsClub. Show-times are 8:00 p.m. on Fridayand Saturday nights and at 2:30 p.m. forSunday matinees. Tickets are S3 for generaladmission and $2 for students. For intormation call 753 3581.Publish or Perish, this quarter's Blackfriar's musical production will be per¬formed tonight, Saturday night and Sundaynight at eight o'clock in the Cloister Club ofIda Noyes Hall. Publish or Perish was written by Mark Johnson and Stephen Kemp,two former U of C students. The show wasoriginally performed by the Blackfriars inthe spring of 1976. After only five weeks ofrehearsal, these Blackfriars have provedthemselves to be an extremely talented, cohesive and charismatic group.The Sea Gull Court Theater continues itsproduction of the classic Chekhov playabout a group of Russian aristocrats andactors who discuss their troubles and loveswhile waiting for a play to be performed.Directed by Nicholas Ruddall, the showruns through December 13th with perfor¬mances Wednesday through Sunday (allshows are at 8 p.m. except for Sunday performances, which are at 2:30 p.m. and 7:30p.m. At the new Court Theater building at5535 S. Ellis Avenue. For more informationcall 753 3581.THE GREY CITY JOUR N AL—F R I DAY, NOVEMBER 20, 1981—3ffkHa«taMw&,uic.1519 EAST 53rd STREETPHONE: 752-3030MW'1 Canon$23995* .ZsIIlHl☆ With Free Calculator(Cmoi LC-208) While Supplies LastJ sut 1Kodak|l CAMERAS FIIM r We SellKodak Film & PaperINSTANTPASSPORT PHOTOS —ELLIS ESTATES, INC —j4 & 5 BEDROOM UNITS5137-41 South Ellis Avenue• PRICES START AT $81,900• OWNER FINANCINGAVAILABLE• 20% DOWN 12% INTEREST• 5 YEAR BALLOONvSHOWN BY APPOINTMENTCall EEC, Inc.324-7400SPECIALCLEARANCESALEfor a beautiful tableTOWN & COUNTRY LINENLE TABLE CLOTHin your favourite colors20% OFF REGULAR PRICESREG. NOW52x70 $11.99 $9.5960x84 15.99 12.7960x104 21.99 17.5960x120 29.99 23.9970” Round 17.99 14.39matching 17 napkins availableJOimtflCfarld Town & Country LinenLeIaUeCIotIisoil release • permanent press sss,50% polyester • 50% cotton955-010052nd & Harper • in Harper Court "If I were a young man I'd be embar¬rassed to take my mistress on a date openlyacknowledged to be cheap," declares Mrs.Needleman-Elijah nee Kettlesticks. "For itseems to me that no truly loveable manwould ever delight in economizing at the expense of his mistress — he simply has noother choice, poor thing." It is Mrs. Needle-man-Elijah's contention that we do the ma¬jority of our dating when we are most impoverished. "It's true, and isn't it sad? Justwhen we're meeting all these fabulous sexypeople, we find ourselves scraping along onthe lowest budget we'll have in our lives.The very college which introduces us to somany charming "eligibles" takes away ourmoney; the education which prepare us fora profession restricts our earning power justwhen we need it most. Which is why I thinkit's high time someone did something toabolish this absurd discrepancy betweendollars and desire."It is in fact Mrs. Needleman-Elijah whoplans to do something. While admitting thatthe very word economics gives her"nerves", she has come up with a sensiblesolution: Credit Dating."Credit Dating allows you to lavish onyour date all the luxuries of high livingwhich you ordinarily couldn't afford untilyou were bald. Why wait (a commercial. might ask) when you can Credit Date? It'swell known men aren't much good sexuallyafter 35 (a middle-aged friend of mine toldme She couldn't remember the last timeshe'd had a man more than three-quartershard) so it really is a tragedy men can'thave more resources while their sexualequipment is functioning so...happily. Sonow that you still have that fresh-faced in¬terest in sleeping with practically everywoman you see on the street; now that youhave that college-boy eagerness to sit up allnight talking, why not treat yourself to the amenities — room service, rosewood bed,etc. — which spell the difference between"shacking up" or "tricking out" and a realrendezvous. Credit Dating simply meansthat you will have a charge account at thehouse of pleasure I plan to open. You keepbringing your dates to my place and we'llput it all on a great big bill you wont payback until you're old and successful."Although she expects the average studentbill to rival tuition, Mrs. Needleman-Elijahwill have nothing to do with conventionalcollateral. "I know someone is a good risk ifI can just imagine him in his dean withsleeves rolled up and a pencil tucked behindhis ear — in short, if I can foresee a solidmiddle-class man who's a wizard with roadmaps and is well-known to seven A.M." Tospeak of Credit Dating membership is stillonly speculation of course. But although shehas not located a site for her house of plea¬sure, nor even determined the size of themarket, Mrs. Needleman-Elijah has goneahead and ordered a blue flashing neon signreading: "The Garden Weasel". "Admitted¬ly, The Garden Weasel is hardly an appro¬priate or even attractice name for a house ofpleasure, but lately I've just been hauntedby that T.V. commercial advertising theGarden Weasel and I have the strangesturge to bring it up in conversation. It alwaysseems to be on the tip of my tongue. If mysister complains of needing something morein her life, I can't resist suggesting the Gar¬den Weasel. And when the sign companyasked me the name of my establishment, Iimmediately answered 'The Garden Wea¬sel' though I'd thought up a perfect dozenlovely names. So The Garden Weasel it is, orwill be, if I can solicit your support."Mrs. Needleman-Elijah suggests that ifyou are at all interested in Credit Dating atThe Garden Weasel, to please write her careof The Maroon.— Keith FlemingQjaSPCSE»Dffl&MEMSPSSKITUESDAY NOVEMBER 24 • 7:30 P.M.CLOISTER CLUB -IDA NOYES HALL • 1212 E. 59thPARTICIPANTS:PROFESSOR ALLAN BLOOM, Committee on Social Thought and the CollegePROFESSOR JERRY L. BONA, Dept., of Mathematics and the CollegePROFESSOR JACOB A. FRENKEL, Dept, of Economics and The CollegeDR. RITA J. JEREMY, Dept . of Psychiatry and Co-director Parent Health& Infant Development ProtectDR. ROBERT H. KIRSCHNER, Dept, of PathologyMODERATOR: PROFESSOR SIDNEY DAVIDSON, Arthur Young Professor,Graduate School of BusinessLATKES AND HAMENTASHEN SERVED AT HILLEL AFTERWARDCONTRIBUTION: $1.00 SPECIAL DISCOUNT PRICESfor all STUDENTS, STAFF,and FACULTY MEMBERS 72nd t Stony I standOpen Mon.-Thors,until 7:30 pm684*0400Just present your University ofChicago Identification Card Asstudents, Facul'y Members or Ad¬ministrative Staff you are entitledto special money, sovir g DIS¬COUNTS or Chevrolet Parrs Accessories and any new or usedChevrolet you hu'- horn RubyChevroletMjjtaf qSPECIAL DISCOUNT PRICESfor all STUDENTS, STAFF,and FACULTY MEMBERS Krtp / hat (j'flti Lr \f h rrllAfiIt ah CLM l.\t CMParts OpenSat.‘til noonvfxJtH72nd & StiOpen MonAjTA until 7:30 Just Present your UniversityChicago Identification Card Asstudents. Faculty Members orAdministrative Staff you are entitled to special money-savingDISCOUNTS on Volkswagen Parts.Accessories and any new or usedVolkswagen you buy from RubyVolkswagen.72nd & Stony IslandOpen Mon.-Thurs.until 7:30 p.m.684-0400. 2 Mlles-5 MinutesAw ay FromThe UNIVERSITY4—THE GREY CITY JOURNAL-FRIDAY, NOVEMBER 20, 1981Mahler: Conducting EmotionHerbert von KarajanMahler: Symphony No. 2 in C. minor,"Resurrection", Sir George Solti, ChicagoSymphony Orchestra and Chorus, LondonLDR 72006Mahler: Symphony No. 9 in D major, Her¬bert von Karajan, Berlin Philharmonic, DG2707125By Robin MitchellThe Mahler boom and the rivalry betweenSolti and Karajan both continue in two re¬cent recordings of Mahler symphonies withSolti and the Chicago Symphony Orchestrapresenting the Second symphony and Kara¬jan and Berlin the Ninth. And as has beenoften the case in the last few years, Karajanproves to be the decisive winner.The Second and Ninth symphonies of Gus¬tav Mahler are both important to Mahler'sdevelopment as an artist and as a thinker.The Second, central to the early symphon¬ies, breaks new ground in itsVnassive, fivemovement structure and use of vocal forces,but still remains in the symphonic traditionof Beethoven, Brahms and Bruckner. It is avery dramatic and moving work, progress¬ing from the stormy Totenfeier (Festival ofDeath) first movement, through what onemight call a "purgatorio" in the middlethree movements to the rousing finale forsolioists, chorus and orchestra.. In this tri¬umphant resurrection after the crucifixion of the first movement, Mahler can deeplymove the listener.Unfortunately, Solti's recording does not,and it leaves this listener disappointed, al¬though not as much as I have been withsome of Solti's other recent recordings. TheChicago Symphony performs admirably,particularly the brass in the first move¬ment, but in the same movement there is no¬ticeable roughness in the strings. As expect¬ed, the chorus sings well in the finale, andsoloists Isabel Buchanan and Mira Zakai,while adequate, do not convey the emotionof Neblett and Horne in Abbado's re¬cording.London's engineers provide a clear, spa¬cious sound: the pyrotechnics of the firstmovement in digital sound will test yourstereo and your neighbors' patience. How¬ever, they still have yet to achieve thewarmth, immediacy and overall realismthat Telearc has been getting.Given an outstanding orchestral perfor¬mance and good sound, the shortcomings ofthis recording must lie on Solti's shoulders. Iwill not argue that Solti's interpretationshould not be heard, nor that Solti is not oneof the world's great conductors, but in re¬cent years his interpretations have taken ona sterility which I find distressing. This per¬formance is a showcase for a virtuoso or¬chestra, technically brilliant, but it soundsengineered by a master technician, not as ifit was directed by a great conductor. Soltihimself has admitted that his views onmusic have changed greatly and has dis¬owned many of his best recordings, includ¬ing his famous Ring cycle. In fact, after lis¬tening to the Mahler Second Symphonywhich was influenced so much by Wagner, Ifound myself wondering whether this is thesame conductor who twenty years ago gaveus a still unequalled Die Walkure.For my money, I would stay with BrunoWalter's historic recording or those of Leonand Bernstein or Claudio Abbado. If youmust have a digital Mahler Second, wait forone by Karajan, Levine or Tennstedt. Solti'sversion of the Mahler Second Symphony, one of the most emotionally charged piecesof music ever written, is in the end a lot ofpeople singing and horns blowing, but it is■not a Resurrection.The Ninth Symphony, like the Second, hasan apocalyptic first movement, but, afteryears of suffering emotionally and then rea¬lizing that his heart was failing, Mahler wasno longer able to come up with the total af¬firmation of life in the final movement as hedid in the Second Symphony. In many ways,this symphony is a vast commentary on allhis previous work as the earlier symphonieseither echo or are gruesomely parodiedthroughout. Mahler does achieve an accep¬tance of death in the Adagio finale, but it is agrudging one, and those who would arguefor a total affirmation in the end of the Ninthshould look at the bleak opening movementof the Tenth Symphony. Mahler compoed itat the height of his powers, and the Ninth isstill regarded as one of his most profoundstatements. After attending its posthumouspremiere in 1912, Alban Berg said that itwas the greatest music he had ever heard.Herbert von Karajan's majestic readingof the Ninth Symphony and a superb perfor¬mance by the Berlin Philharmonic willmake this both one of Karajan's greatest re¬cordings and one of the best of the Ninth.When Klaus Tennstedt's recording was re¬leased last Fall, it seemed that the work hadreceived as thoughtful and moving interpre¬tation as could be imagined, but Karajan atleast equals him and interprets the Ninth asmuch more of an acceptance of death thanTennstedt's unsettling account, and thusKarajan builds the whole performance to afinale of serenity and grandeur which isnothing short of stunning.Karajan reads the first two movements ina way which may not be apocalyptic enoughfor some, but which succeeds within the con¬test of the entire performance. He mutes thetwo climaxes of arhythmically pulsatingtrombones, but the resulting sinister callsprove to be just as effective as Tennstedt'sthundering blasts. Tennstedt also empha¬sizes more the waltz from Strauss's ''Freut Sir George SoltiEuch des Lebens'' (''Enjoy Life") whichMahler parodied and set in an anquishedlandscape, and so Tennstedt extracts moreof the tortuously nostalgic aspects of theNinth's first movement. Tennstedt contin¬ued in this vein in the Landler second move¬ment, and so he gives a much more power¬ful, unnerving interpretation of the first twomovements than Karajan.But in the Rondo-Burleske and the Ada¬gio, I think that Karajan edges out Tenn¬stedt. The tension that Karajan has beenbuilding in the first two movements ex¬plodes in the Rondo-Burleske and achieves akatharsis to lead into the Adagio.continued on p. 11Nov. 23-24Monday-T uesday11 a.m.-6 p.m.Reynolds ClubLoungeTHE GREY CITY JOURNAL-FRIDAY. NOVEMBER 30. mi—5Vitto RussoFilm critic Vitto Russo is presently a free¬lance writer, contributing to such publica¬tions as the San Francisco Sentinel, the NewYork Native, the Village Voice, and SohoNews. This interview was conducted on No¬vember 13 at the Knickerbocker Hotelwhere Russo was staying as a guest of TheChicago Film Festival. Russo was invited tothe Festival to give two presentations ongays in film. One of those presentations,Camping Out, was a collection of camp per¬sonalties from film and t.v., including suchcamp idols as Judy Garland, Superman, andBette Midler. Russo's second presentation,The Celluloid Closet, a more serious look atgay images on film, concentrated on Hol¬lywood's depiction of gays from the sissiesof the '30s like Grady Sutton, to gay exploita¬tion films of the '70s like The Boys in theBand. Russo first got the idea for his presen¬tation when he was asked by the Museum ofModern Art in 1973 to put together a collec¬tion of gay images on film for a symposiumon minorities in film to be held that year atthe University of New Hampshire. What fol¬lowed were four years of travelling andviewing, as Russo, working as a waiter tosupport his habit, visited movie theatersand libraries throughout the U.S. andEurope in search of gay images on film. Theresult of Russo's work, his book The Cellu¬loid Closet: Hemosecuality in the Cinema,was finally published this June by Harperand Row. The book presents a historical andpolitical survey of Hollywood's presentationof gays in film, and though it is enjoyingpopular success it is not without its critics.Some criticize Russo for his political per¬spective, pointing out that his narrow per¬spective sometimes results in the misread¬ing of individual films. Nonetheless, Russo'sdilligence and dedication has resulted in amuch needed critique of a too often ignoredarea of cinema. And as Russo himself pointsout, "it's not the last word on the subject ofgay* and film, it's probably the first."RM: I would like to begin by quoting apassage from your book The CelluloidCloset: Homosexuality in the Movies: "Witha bid for a return to the old values of theAmerican family, it may oe mat the trueAmericanization of homosexuality dependson the assimilation of it into the main¬stream." Could you clarify this statement.Russo: Well, a good example of what Imean by that statement is a film recentlyshown at the Chicago Film Festival entitledSharing The Secret, a film consisting of in¬terviews with people about their homosex¬uality. At one point in the film were two guyswho were gay and a conversation with theparents of one of them. At first, they weredestroyed by the information that their sonwas gay, just shattered. Then after about ayear and a half after finding this out they were interviewed, and they had come toterms with the fact that their son was gay.The mother started saying that "They havea nice apartment and it's nicely furnished,and they're both clean, well-mannered,good looking young men. And they shop onSunday for their groceries, and they dolaundry. They live just like us." And shewas able to accept their relationship be¬cause they lived just like her and her hus¬band. And then the interviewer asked if theyhad ever kissed in front of her. And she said,"Oh no. That's something we just wouldn'tlike, I just don't think that we would like it."So what I meant by assimilation was that Ireally think that it would be more accept¬able to most people, both straight and gaypeople, not only straight people, if homosex¬uals lived like straights. If gay people sort ofgot married, settled down, and lived in amonogomous relationship, imitating astraight marriage it would be more palat¬able to people. They would find it easier toaccept homosexuality if we were just likethem. But if homosexuals are going to besexual revolutionaries, and say that monog¬amy is not necessarily the answer, which alot of straight people are now saying too — Imean people living together without mar¬riage and stuff — if gay people are seen aspart of a sexual revolution, a genuine sexualrevolution, I think that that's what makesthem unacceptable. If we try to change theentire value system of the culture and reallybe revolutionary, I think that that's the partthat they won't accept.RM: Then at this point you believe that as¬similation is preferable to active politics?Russo: It's so individual. I think that mostgay people in this country would buy thosevalues, they have grown up just like every¬one else and they believe just like moststraight people. And I believe that the mi¬nority of gays and the minority of straightswho are into sexual freedom—doing whatthey want to do, living the way they want tolive, and changing the values of the cul¬ture—are always going to be outlaws. It'sjust that it's harder for the gays becausethey're the ones who are getting the rap.And they do get the rap for all this. Gays aresupposed to be the ones who are causing allthe sexual promiscuity and creating the sex¬ual lifestyle that's unacceptable.RM: How then would you assess the re¬cent political and social phenomena of, onthe one hand this country's growing conser¬vatism, and on the other, a growing gay con¬sciousness both politically and artistically?Russo: I think that one is a reaction to theother. I think that in the last decade sincethe advent of the modern gay liberationmovement — there has always been a GayLiberation movement since the early teensand twenties in Germany were all this stuffstarted. The modern Gay Movement, or Gayactivist movement, started in New York in1969 with The Stonewall riots. And I thinksince then, in, the ensuing decade, thingshave gone so far, have become so visibleand there's such a market for gay books,more gay books than you can shake a stick at. It's incredible — all of these things havecaused this backlash. We are too open, toovisible, there are too many gay thingsaround, there's too much. I would like tothink maybe I'm being naive, but I wouldlike to think that this whole backlash by theright is the last dying gasp of the old values,of people who really want to drag us back tothe Victorian era or the '50s. I really don'tthink it's going to work. I just think thatthese are people who are really trying thislast desperate effort to shove us all back inthe closet, literally, straights and gays, andtry to create this as a religious nation basedon old fashioned values which just don'twork. That whole thing about Father KnowsBest and Leave It To Beaver — even when Iwas a kid that wasn't true. People reallydon't live like that, and these are people try¬ing to drag us back to that illusion again:that America really is a place where thereare two children and one house, etc. TheNew York Times says that families consist¬ing of a mother and a father living in thesame house with two children living in thathouse comprise something like 7% of thepopulation of the United States. So thismythical family that they're all talkingabout does not exist in America. It's notsomething that one can go back to. I don'tthink that it ever existed, and they're tryingto just straightjacket it onto people. Peopleare going to live differently now. The worldis changing and people are finding new waysto have relationships. The whole world ischanging too fast for these people to suc¬ceed. It's not only gays.RM: How did the images that you werepresented with in the movies and on televi¬sion affect your defining of your sexuality?Russo: Speaking very personally, I don'tknow how I escaped all that guilt, thoughI'm sure I have some of it that surfaces indifferent ways, and I can identify it occa¬sionally. But I really did escape major guiltin my life. I should have had a lot more guiltabout sex than I do. I was raised in a strictItalian Catholic neighborhood. I went toCatholic schools, I was an alterboy, I did allthat stuff. Yet even when I was twelve andthirteen, and used to fool around with guys, Iknew it was wrong, I knew I wasn't sup¬posed to do that, but I never bought it in myhead that this was really wrong. I only knewthat people said it was wrong, and that myfather would beat me up if he found out. ButI never really bought it for myself, I alwaysthought that "someday people are going toknow that this is not really wrong, and that Ihave to keep quiet about it now because myfather will kill me if he finds out." But forsome reason I didn't buy it, I didn't buy thechurch telling me that it was sinful. I didn'tbuy anybody telling me that it was sick. ButI see people who are scarred for life by it,who, even given the best of all possibleworlds, could not have a happy, well adjusted sexual life as a homosexual because of what happened to them as kids, or becausethe images that they were presented withhave just fucked them up so badly. And I dosee the impact of that. I was always defiantabout those restrictions, which is probablywhy, later on in my life I got involved in gaypolitics. But there were gay people whogrew up in the same environment as I didwho when they got to be twenty-one, orwhatever it was, did not get involved in gaypolitics or who did not come out of the clos¬et.RM: Do you think that there exists withinthe gay community a political apathy — notthat it is more pronounced that the apathy inother minority groups at this time, but thatperhaps gays have more of an obligation tobe politically active?Russo: I certainly think that they have moreof an obligation to be politically active, but |think what you're saying is right: theyare probably less politically active than almost any other group. They're certainly lesspolitically active as a group than blacks andJews. It's because they don't realize theenormity of the threat to them. It's harder topoliticize gay people because they have theoption to hide, whereas a black has to fight— they wear their oppression on their face,everywhere they go they carry their colorwith them. But it's so easy for gays to justpass for straight, and then not have to fightthe battle. Gay activists have made it veryuncomfortable for closeted gays m the lastten years, because we have brought the subject so far out in the open that even thosegay people who are in the closet are startingnow to be forced, somehow, to make a state¬ment, to declare themselves in one way oranother politically. And that's very distressing to them because they wish that we wouldall just go away and shut up. It's much easi¬er for them that way. But that's just the oldtrap of "I have to shut up to protect peoplewho don't want to hear it." And I can't dothat. It's like actors who are in the closetand who are gay—I almost wish I could expose them just because of the damagethey're doing to me by fostering the lie fromthe rest of the world. I would never do it because it's totally immoral. It just angersme. . .1 don't know exactly how to put it asfar as politics go. I'm always preaching howthey have to get politically involved. Andyou know in the last few years I have seen ithappen. In 1970, '71, and '72, the early daysof gay activism, I would personally havegay men who would come to me and say,"How could you get involved with this sortof thing, this is nonsense," and "You'll hurtyour career, why don't you keep quiet?"And over the last ten years those people,those same people, have come around, because the threat has become so visible thatpeople I never would have suspected to getinvolved in gay liberation are, in their ownway, getting involved. Their consciousnesshas been raised, and if they're conservativepeople they've gotten involved in profession¬al groups. They're the type of people whowon't be out in the streets, but they'll jointhe Gay Teachers Association if they'reteachers, or the Gay Doctors Association.Gay business associations are all over thecountry now. It's become easier for conservative gays to get involved in something gaythat will further the cause over the years.That doesn't force them to become screaming militants. And, by extension, becausemore "respectable" gays have gotten involved in the cause, it has become a morerespectable cause. That distresses me a littie bit, because of my politics. We yelled atthese people ten years ago that they shouldcome out of the closet, and they came out ofthe closet and that's who they are: capitalist, conservative gay men, mostly. Gaywomen? — hardly. So you can't yell at themnow for being politically gay is not going toturn them into socialists or anything likethat. And I'm not a socialist, because < don'tlike their lack of sense of humor. I under¬stand what socialist gays are saying, al¬though it distresses me that they turn up atgay pride marches and take over things. Butl understand what they're saying. They'resaying that you just can't just change soci¬ety because it will force you to fit in, it'llforce you to assimilate. You have to changethe entire system. I don't know if a lot ofgays are willing to fight that whole battle.Most of them'just want to live comfortablyand openly. Middle class American gay men1e who want to come out of the closet, be open-h ly gay on their jobs, and have a happy life,o They don't want to shake anything up. Theyit don't want to change America, they justy want America to accept them. It's a wholey different thing than a revolution,o RM: Well, in relation to film and the man-d ner in which gays have been portrayed inr that medium, shouldn't one not merely takey new characters — say a gay character pre->- sented as a person as opposed to a stereo¬type and place them within the old forms —n but also take the process one step further>t and question the entire system, the entiren signifying system which not only creates il-t lusions of gays but also of straights? That'so when you really get down to the revolu¬tionary aspects of the film medium...e Russo: I think it's a matter of changingI the form completely. It's revolutionary in it-/ self to include minorities in the Americandream. And what I'm saying is that it needss to be taken further and not just incorporated these people, in other words, not just toe make "white” blacks as in Julia in televi-o sion...e RM: Or "white" Indians as in the West-t erns...f, Russo: Yes, exactly...but to really radi-r cally change the vision of America, who wet are in this country.t RM: Well, in your presentation at the Chi-/ cago Film Festival you noted the shockingt image, at least shocking to the majority ofviewers, of two men kissing each other on? the lips in Sunday, Bloody Sunday. Do you1 think that images such as that in main¬stream Hollywood movies are shocking en-ought? Does it go far enough? word on the subject. The real subject, themuch more interesting one, is the relation¬ship homosexuals have had with the cinemaover the years. Not only how gays have beenportrayed in the movies, but how gays havemade movies, how gays have portrayedgays on the screen, is an entirely differentway of looking at it. Why gays have alwayshad a special relationship with the movies,which is what I love about Dyer's explana¬tion about acting and about gay people hav¬ing a personal relationship with fantasy andillusion, and what it means to gay people —all that stuff is really much more inter¬esting. I'd rather talk about that. Therefore,I would say that gay films are films whichhave a consciousness, some kind of con¬sciousness bred by the gay community, asopposed to film about gays which are filmslike The Boys in the Band, or The Killing ofSister George. I would say that a gay filmdoesn't even have to be made necessarily bya gay person, a gay film could be The RockyHorror Picture Show, or it could be Gilda. Ithink in alot of ways Rick and Famous is agay film because it has a vision of sexualitythat has, up until now, been heard only bygay people. The whole promiscuity thing inRich and Famous — Jacqueline Bisset is sofree about her sexual relationships and upuntil now straight people aren't supposed tohave had sex like that...RM: Especially women.Russo: Right, especially women. And themen in the film are a completely differentkind of straight men, almost the way a gayman would want a straight man to be, Imean intelligent, and gentle, and not hungup on masculinity — a different kind ofRusso: For now, I think yes. I think that1 you have to take people along very slowly.People will not listen to you if you yell ati them either on film or in real life. For ex-; ample, take Taxi Zum Klo, I don't have> hopes that a wide American audience isI going to see that film. The audiences for Radiers of the Lost Ark and The EmpireStrikes Back are not going to see that pic¬ture, because it's just too radical for them.They won't be able to get past the sex.i That's all they'll see. So I really think a pic-i ture like Making Love from Fox (directedt by Arthur Hiller), a picture that's comingl out in February, is probably the logical step,\ because it does show two men having sex to-, gether, and this is going to be shocking ■> enough for most people. And with MakingLove, a mixture of the traditional and therevolutionary: You have the guy (MichaelOntkean) who is leaving his wife becausehe's gay. What he's looking for, because hejust came out of a heterosexual marriage, isthe same thing, only gay. He's looking for aguy who wants to settle down and live as alover in a monogamous relationship. On theother hand, you have Harry Hamlin whoplays a promiscuous West Hollywood gayman, a guy who wouid ordinarily be a cloneby anybody's standards, though he doesn'tlook like one. He's written in the script asyour basic cruiser in the Hollywood Boule¬vard bars, and at the end of the picture hegoes off because he can't have a relationshipwith Michael Ontkean, because he doesn'twant that "marriage". He's happy with see¬ing a guy once in awhile, or a one nightstand. He's a writer, a successful novelist,and he makes the point at the end of the filmthat this is not what he wants, he doesn'twant a monogomous relationship, he'shappy being promiscuous. And this is a radi¬cal departure, I think, in a film, to have anaudience accept a character like that is a re¬ally difficult thing to do. The film has a littlebit of both, the old and the new, and showingdifferent kinds of gay people — although thepromiscuous character disappears from thefilm.RM: You make a distinction in your bookbetween gay films and films about gays....Russo: There's a couple of differences.First, my book is about gays in the cinema,the way gays are protrayed in the cinema.Richard Dyer's book is called Gays & Film,and it's really about the relationship of gaypeople with the movies, which I think is amuch more interesting topic. My book, Ithink, is just the beginning of the discussionof this subject, certainly not the last word,but probably the first word. I think that I didsomething that was needed to be done. Ex¬ploring the stereotypes and how gays areportrayed in film was really only the first straight man completely. And the film hasbeen attacked for that. Pauline Kael wrote ahomophobic review of Rich and Famous,saying that Jacqueline Bisset's sex scenesare homosexual in nature because they'remasochistic, and that stright women don'thave sex that way. But I think that that's agood example of a gay sensibility on film.Also, straight men are changing in film likethe John Travolta character in SaturdayNight Fever — just the difference in straightmen in the movies is fascinating to me.Cruising was a film about gays, as opposedto a gay film.RM: You've stated that the Hollywoodcinema will eventually have to confront thegay lifestyle. But there's an obvious problem with Hollywood treating that subjectmatter.Russo: I think that it's right that they'llhave to deal with it. I don't have high hopesfor Hollywood dealing with anything in aradical way. What I meant in the book isthat they will eventually come to deal with itin the same way that they've dealt withother deviations from the American dream,by either incorporating it into the Americandream and making it American in everysense, or by intermediately dealing with it.For instance, there were so many blackfilms and now there are hardly any — andthat's what will probably happen with gays.But as far as a really radical vision of gaylife in America, I don't think that we can ex¬pect that from commercial above ground,mainstream film. I don't think that it canhappen, I don't think Hollywood isequipped...Russo: Not as long as the industry isbased on money. Because it's like television,you're appealing to the lowest common denominator. You've got to get that kid whoknows hardly anything but the norm andbuild the film around that. And I don't seehow you can get away with anything radicalwhen you need that audience, that mass au¬dience. You can make a film that's going todo moderately well and be a modest artisticsuccess, but we're not talking about a com¬mercial blockbuster. For example, TaxiZum Klo in Germany is like The EmpireStrikes Back in the U.S., It's a huge, huge hitin Germany. That could never happen here,even in New York, Chicago, or Los Angeles.Taxi Zum Klo is going to have a modest suc¬cess, it's going to make $100,000, and it'sgoing to close. I can't reconcile the dif¬ference between an artistic success and avast commercial hit. I think that what a lotof people mean when they ask "can a gayfilm make it?" is, "Can a gay film do whatThe Empire Strikes Back has done?" And Idon't think that that is possible. But I dothink that a gay film can make it critically, o%oc.Q.a.and working as a waiter to get money. And Iworked in the film department at the Muse¬um of Modern Art in New York and I knewlots of people in film. When I first started inearnest, I sent letters and notes to hundreds,laterally hundreds of people in film askingthem to alert me to any films at all that theyknew of that made references to homosexuality, or covert homosexuality. I sent themto people like Andrew Sarris and MolleyHaskel, everybody in New York and in thecountry that I knew who kept their eye onfilm and had a good film memory. And theywould send me notes and lists of films towatch for. And I would just dig them up. Ispent three weeks at the Library of Con¬gress in Washington looking at three films aday, everyday. But there are still lots offilms that I could never find.RM: Do you think there's much hope thatindependent filmmakers will be able to pro¬vide a substitute for the Hollywood films,not necessarily the more obscure alternative films of say, a Kenneth Anger, but in thearea of conventional narratives?Russo: I think so. If there are independents who can reak out into a more commer¬cial market anti retain what makes themdifferent. For example, John Waters...hecan bring that sensibilty, that warped,cracked sensibility to a wider public Andother filmmakers could probably do that.But defining the cinematic experience alsoputs some responsibility on the audience. Ireally do think that we're all suckers forHollywood films and that people really arenot interested in seeking out unique cinematic experiences. The people in each city whoreally go out of their way to find a unique,different cinema experience by going toscreenings of independent films are so few.People have to be trained not to look at thecommercial market so much. What I meanby redefining the cinematic experience isnot so much that we have to recreate Hoilywood, but that we have to recreate our¬selves to accept film as film, and not just asthis Hollywood experience. It's up to indi¬viduals to go to the obscure theaters and tosee what different filmmrnakers ^re doing.and critics will say that "This is a fine film,one should see it," and it'll have a small suc¬cess, and it'll go away. But a mass audienceisn't going to want to see it. I think video iswhere it's going to go. A lot of people are ex¬pressing the opinion now that the video cassette market is going to be designed for minorities, that eventually films for gays,blacks, and other people will be produced di¬rectly for the home video market. So that ifyou want to see that film you buy it, take ithome, and watch it. The commercial cine¬ma will stay the way it is, and then targetedminority audiences will be given films madefor home viewing. Which is sort of a 1984idea, where everyone will stay home andwatch their video screen..RM: What you speculated on may poten-tionally satisfy those justifiable and specificneeds, but there is also that vast majoritythat needs to be addressed in some radicalfashion. How do you go about re designingthe cinematic experience?Russo: There are critics who have saidthat Gilda was probably the only film thatthey could think of in the '40s that really didsubvert the idea, in a popular entertainmentfilm, of sexuality. It was anarchistic in away, because it redefined sexuality com¬pletely. I think that it's possible. I've seen alot of films do it. Robin Wood's analysis ofcertain films indicates that there are filmsthat are somewhat subversive, but that'snot the interpretation that audiences takeout of the theater — they just don't get it.RM: How did you select the films for yourbook? There seem to be some blatantly gayfilms that you excluded.Russo: When I very first started the re¬search for the book I made list of every filmthat I could think of that desit explicitly, orovertly with homosexual subject matter, themost obvious ones like Sister George, andThe Boys in the Band. Then from there Itook it by theme and I went through sissiesand I tried to look at most of the FranklinPangborn, and early Grady Sutton films.Then there were three or four years of justresearch, before I even got a contract, traveling around the country watching moviesCHICAGO’SART DECOLANDMARKIS REBORNIN SPACIOUSLUXURYAPARTMENTS<MMD DflPfl&TflEIITSThe time was the twenties. The place wasChicago. And in Chicago, in Hyde Park, the inplace was the Blackwood. Now the excite¬ment, the glamour, the luxury of a bygoneera have returned with the completion ofthe refurbishing of the landmark BlackwoodHotel into gracious apartments.The features which made the Blackwoodsuch a superb example of the Art Deco stylehave been carefully preserved.. .the charac¬teristic geometric ornamentation, theleaded glass, openwork grilles, the sweep¬ing open formal lobby. Yet, inside eachapartment you'll find all the conveniencesof the 80’s...fully equipped kitchens includ¬ing range, refrigerator, dishwasher, wall towall carpeting, ceramic tile baths, individu¬ally controlled heating and air-condi¬tioning, new energy efficient insulated glasswindows, and many other amenities.Located just steps from Lake Michigan,minutes from the Illinois Central trains(which means a rapid commute todowntown Chicago), Harper’s Court Shop¬ping Center, and the University of Chicago...residents of the Blackwood Apartments willenjoy the availability of the finest culturaland recreational facilities the city has tooffer. 1 & 2 bedrooms from $414 a month.fgOO S. bLflCKSDflfMon. thru Fri. 9-6, Sat. & Sun. 11-5or by appointment j —Phone 684-8666 25• ft 5 I H ft HIIIT (Of POHIIOnupe *JASK AS33SAN*0AISDK957th &the UniNovember,etchings b• M€W HOURS: Fri. 12-3Sot. 12-4Sun. 11-2 DR. M.R. MASLOVOPTOMETRIST•Eye Exominotlons•Contact Lenses(Soft & Hard)*Ask about our annualservice agreement.•FashionEyewearLOCATED IN THEHYDE PARKSHOPPING CENTER1510 E. 55th 363-0100RAUSCH&LOMBSOFLENS'(polymocon)Contocl Lenses The Grand Openingof theHyde Park GarageEcology CenterTo Celebrate OurOpening, We AreOffering a Free CarInspection to HydePark Residents andAffiliates of theUniversity of Chicago.Indoor Parking Available• Protect Your Car From Snow, Salt, &Vandalism• Monthly Terms• Pick-Up & DeliveryService AvailableHYDE PARK GARAGE, INC.- Open 24 hours a day -5508 S. Lake Park Ave. • 241-6220“Ours Is To Serve”•—THE GREY CITY JOURNAL—FRIDAY, NOVEMBER 30, 1901BUCKSDeja Vuism or the Ismization of WashingtonThe Road From Here: Liberalism and Realities in the 1980sBy Paul TsongasKnopf Books; 279 pages; $12.95"Oh that one would hear me!Behold, my desire is, that the Al¬mightyWould answer me and that mine ad¬versaryHad written a book"Job 13:35By John TurleyIt was with this pious exerpt from the OldTestament that Senator Paul Tsongas ofMassachusetts began his book The RoadFrom Here. Unfortunately, divine enlight¬enment may be the only thing that can savethis book from being eternally bypassed. InThe Road From Here Tsongas attempts tore-examine traditional liberal doctrine inlight of the recent conservative victoriesthroughout the nation. The Republicangains in 1978 and 1980 are, according toTsongas, clear indications that the Demo¬cratic Party has become politically outmod¬ed and stagnant, it is this concern — that theParty has become unresponsive to nationalproblems and unrepresentative of its people— that has prompted Tsongas' call for a newplatform, a new liberalism. Regretably,while the senator takes painstaking care topoint out the problems liberals will face inthe 1980s, there are precious few new sug¬gestions on how to avoid them. Although thematerial is often presented in a frank man¬ner, The Road From Here leaves New Lib¬eralism and its contribution to nationalissues a rather baffling mystery.The greatest shortcoming of Tsongas'book is the general lack of specificity and apropensity for the author to deal in stereoty¬pical terms. These two tendencies becomeapparent early in the book and consequentlyinhibit its growth. The senator's recount ofthe genesis of his new liberal philosophy isparticularly uneniightening due to his gen¬eralized terminology.Tsongas' first major break with tradition¬al liberals supposedly began when he deliv¬ered a keynote address at the Americans forDemocratic Action (ADA) convention in thespring of 1980. The book's build-up for thisevent is considerable, although the speechitself is rather lethargic. Nevertheless,Tsongas seems to place paramount impor¬ tance on the speech's content and even indi¬cated a sense of reluctance to make such asubstantial break from the accepted liberaldoctrine. Writing the ADA speech "wasstrangely liberating." Tsongas says, "andwhen I finished I felt the ADA would hear aspeech that would serve them well. Theywere my ideological bretheren and l hopedthey would listen as well as hear."With that drum roll, and a caution by thesenator to view the speech with an "ideolo¬gically clean slate," the reader is referredThe Roadto the back of the book, where the four-pageaddress is reprinted. For a major philoso¬phical statement, the ADA speech stillseems to have a lot of stump speech charac¬teristics in it: the victories of the Great Soci¬ety, Tsongas' service in the Peace Corps,the Civil Rights movement, Vietnam, Af-ganistan, the horrors of nuclear war andLove Canal are all mentioned in Tsongas'speech. "We must move on to the pressingproblems of the 1980s, and we must have theanswers that seem relevent and appropriateto the generation of potential liberals."After Tsongas makes his stand for findinganswers to the nation's problems, he closeswith "I, for one, do not wish to see thisworld, this country — indeed my family —be incinerated in an orgy of conservative,simplistic ideology. We must provide theleadership if this country is to be man's lastbest hope."As a campaign speech, this address mightbe noteworthy; however, as a pnitoiopmcaiproclamation it falls tragically short. Tson¬gas attributes his writing this book to theADA keynote address; it is to the book'sgreat misfortune that the lack of specificityin the speech is in turn reflected in the bookas a whole.The Road From Here is essentially divid¬ed into eight sections, each corresponding toan important national issue: Energy, national security, the economy, resource aliocation, the Third World, international trade,the environment and inflation. As one mightexpect, Tsongas can only go so deep intoeach of these subjects — which he calls the"eight realities —- within the length of onebook. Most of the chapters succeed only thegiving the reader an empirical understand¬ing of the issue, not the ambitious re-examination we are told to expect. By far, themost disappointing chapter is Tsongas'treatment of the first "reality": energy. En-ergy is a field in which Tsongas and his staffhave become experts. Furthermore, it is atopic on which he could — and probably should — write an entire book. The senator'spro-nuclear position has irritated many ofv his fellow liberals on the East Coast, and hasalways been somewhat of a political liabili¬ty. Yet, to his credit, Tsongas’ support fordeveloping nuclear energy as an alternativefuel has never wavered, even during hisclose 1978 campaign, when it was known tohave cost him precious votes. In such an en¬vironment, Tsongas was forced to learnmore about the energy issue and its ramifi¬cations. This expertise, however, does notFrom Heremanifest itself in the book. Although the en¬ergy section is probably the strongest partof the book, it is mainly a fine presentationof the issue, not the formulation of new solu¬tions. The majority of the material is eitheremployed in defining the various energy al¬ternatives or reciting the old programs.There remains very little original substancein the chapter once the preliminary workhas been communicated to the reader.in some sections {like those on energy andthe environment) Tsongas comes close todeveloping a thesis. But he fails to take thatsmall but decisive step from the explanationof an issue to the exploration for a solution.In the case of the chapter on the SovietUnion and national security, Tsongas' inadequate background in the area, and his ten¬dency to overgeneralize, leave the issue vir¬tually untouched. As with the other"realities", the senator tries to quickly sum¬marize a complicated issue, reduce themajor factors to a handful of principle areasof concern, and then suggest a course of ac¬tion for each problem. Not suprisingty, thetask proves to be too great and Tsongas failsOh all three levels. At the end of the chaptera list of "new" policies are presented as thenew liberal answers to the current interna¬tional turmoil. First on the list is the factthat the U.S. should make it "very plain thatwe are prepared to meet any Soviet armsbuild-up; that we will respond to their ag¬gressive instinct." Hardly Earthshaking!Sadly, the other five prospective foreign po¬licies are equally vague, and often as redun¬dant as existing US foreign policy. Thischapter lacks both the specificity and the regional distinctions that are imperitive forany serious discussion of international poli¬tics.The Road From Here is not without re¬deeming qualities, in the chapter entitled"The Road to Reassessment" Tsongasshares some of his experiences during hisupward progression through Massachu¬setts' politics. Tsongas deals with his early Senator haul Tsongaspolitical trials in a charming and often self-deprecating fasion. He writes of the instantobscurity he received as a freshman con¬gressman in a state delegation that inductedKennedy, Brooke and Drinan. Even when heannounced his entry into the race for the USSenate he remained largely overshadowedby his more well-known collegues. This wasevident when the Boston Globe dismissedhis candidacy as a campaign by "an ob¬scure first-term Congressman." "That wasincorrect," Tsongas retorts, "I was an ob¬scure second-term Congressman." Tsongasexpresses his regret that his candidacyhelped turn the Senate "once again, lilywhite." The election almost left Massachu¬setts in racial and political tatters; it is rareto find such introspective account of a politi¬cal race."The Road to Reassessment" containssome highly personal reflections that seemgenuinely intent on conveying to the readerthe triumphs and tragedies experienced inhis rise to power. Alas, precious little spaceis given to these sorts of things, and soon oneis left wandering in the vast wastelands ofthe eight realities.The Road From Here does serve to raiseseveral questions concerning the creativeatmosphere of Washington, DC. In manyways, Tsongas was predestined to write abook after the ADA speech, just as some in¬genious staff member was fated to coin theterm "New Liberalism." Everyone that'sanyone on the Hiil has their own book andtneir own " ism." It's the oldest, most suc¬cessful recycling program in our nation'shistory. Whenever a politician wants to ap¬pear progressive, he or she simply takes anold worn-out generality, affixes a "new" inthe front and an " ism" in the rear. "Ismry"is a popular art on Capitol Hill. It was only amatter of time before this smart Greek kidfrom Lowell, Massachusetts oecame "is-mized." I for one am willing to give Tsongasa second chance. He's young and impres¬sionable, and has yet to see his "ismist"ways.SMALLCONTEMPORARYNAVAIO RUGSNEW GUINEA SCULPTUREMARJORIE BUTLER548-2013By Appointment G.W. OPTICIANS1519 E. 55thTel. 947-9335Eyes examined and Contact Lenses fitted byregistered Optometrists.Specialists in Quality Eyewear at ReasonablePrices.Lab on premises for fast service - framesreplaced, lenses duplicated and pre¬scriptions filled. AUGUST ANA LUTHERAN CHURCHSundays:8:30 am Sermon & Eucharist9:30 am Sunday School &Adult Education10:45 am Sermon & Eucharist6:00 pm Supper5500 South Woodlawn .THE GREY CITY JOURNAL-FR IDAY, NOVEMBER 20, 1981-9*0 9 W t -9Kimberly & Lee1529 East 53rd. St.In the Hyde Park Bank Building493-1480Full-time and part-time help needed. Young Designs byELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd 288-2900IP i ■— iIgltl IWkUiu]r_ RENT-A-CAR ® 11608 E. 53rd Street I$13.50 per day 200 Free MilesBetween IC Tracks _ aqa*and Cornell e>/o.e>^a-C>/s.g><o.g>/A.c><a-g><a.e><a-gxa-g><A.tvA.t>o c>4| INTERNATIONALI HOUSE| GIFT SHOP4 fta Foreign Cards and Imported 0oGifts for All Your Holiday Needs?v |I 1414 East 59th St. ^753-2283 lr ?e?<a-c*a«*a-c*a'e*a-e*a-e?<a'e*a'e?<a-e*a-e^a'e?!a drIOiUSED OFFICEFURNITUREUsed wood desks from $135Used metal desks from $25ASHUM-AMSASeminar Series 1981-82Program in the Arts and Sciences Basic to HumanBiology and MedicineandAmerican Medical Students’ Associationpresent a lecture on. . Primum Non Nocere:The Case for Restraint inMedical PracticebyRobert Hudson, M.D.Chairman, Department of Philotophy and MedicineUniversity of Kansas, College of Health SciencesTUESDAY, NOVEMBER 24, 19817:30 P.M.HARPER 130There will be a reception with the speaker in Harper 284 following the lecture.Y U Used 6 ft. drafting tables\l^— 4 drawer files from $50BRAND A - ■8560 S. ChicagoRE 4-2111EQUIPMENT Open Daily 8:30-5' Sat. 9:00-3• Contacts for Sale!What Is A Bargain?The 4 questions most frequently asked about contact lenses are.How Much Are Your Lenses7How Much Are Your Lenses7How Much Are Your Lenses7How Much Are Your Lenses7What is really more important, the lowest price, or the best fit¬ting lenses? We think the 4 questions should be:1. Is the doctor really a contact lense specialist7(or is he an eyeglass salesman ?)2. Can I expect professional service and care7(or will I be handled by inept, non-professional salespeople?)3. Are the quality of lenses the best available7(or are they off-brands and seconds?)4. The question is. not how much are your lenses, butwill I receive the best care, the best quality and thebest price.We at CONTACT LENSES UNLIMITED meet all the above crite¬ria of CARE, SERVICE, QUALITY AND PRICE.TRY TO BEAT THESE VALUES!SUPER-WET BAUSCH & LOMBFLEXIBLE SOFLENSONLY $29.00 B,N,F,J SERIESSuper-thin highly wet- only $33.75table lens specifically Basic series of lensesdesigned to correct that Bausch & Lombthose patients who built their reputationwere previous hard on.contact lens failures.• NEW SUPER SOFT HIGH OXYGEN TRANSFER ULTRATHIN - $43.75New super-soft highly oxygen transferrable lenses used to correctthose patients who were previous soft lens failures• SUPER-WET TORIC CORRECTING FOR ASTIGMATISM - $100.00The same remarkable material as the super-wet flexible lenses but spe¬cifically designed to our exact specifications to correct for difficult as¬tigmatism• SOFT LENSES CORRECTING FOR ASTIGMATISM (TORIC) - 8160.00If you have ever been told that you couldn't wear soft lens due to astig¬matism now you probably can• EXTENDED WEAR LENSES - $ 160.00The ones you sleep with, no more cleaning, sterilizing nightly, no moredaily Insertation and Removal, wake up in the morning and seeLimit 1 pair per patientProfessional Fee: $30.00(includes - Eye Examination, Training, Wearing Instructions and Carrying Case)OUR PROMISE TO YOU:If you aren't pleased with your lenses after 60 days, cost of the lenses will be re¬funded All contact lens fitting done by our Contact Lens Specialists,Dr SC Fostiak, Optometrist & AssocWe can replace your lost or broken lenses in 4 hours or less!IF YOU WANT THE BEST COME TO THE BESTiCONTACT LENSES UNLIMITED2566 N. Clark St., Chicago, IL 60614880-54001724 Sherman Ave., Evanston, IL 60201(above County Seat)864-444110—THE GREY CITY JOURNAL-FRIDAY, NOVEMBER 20, 1981Blackfriars Bring Back the PastBy Michael DecterTonight, Saturday, and Sunday in theCloister Club at Ida Noyes Hall, Blackfriarswill present its autumn special, Publish orPerish. Written in 1976 by Mark Johnson andSteven Kemp, Publish or Perish, tells of thestruggles of two University of Chicago mathprofessors to find love and keep their jobs inthe highly competitive atmosphere at the U.of C.What is special about this production?Simply this: after five years, Blackfriars(the oldest extant student organization) hasdecided to shift its emphasis again to theoriginal musical. Publish or Perish wasBlackfriars' last successful homegrownproduction: Kemp was a medical-schoolstudent, and Johnson a graduate student inlinguistics. Since Publish or Perish's pre¬miere in 1976, Blackfriars has devoted itselfto mainstream, summer stock musicalcomedies and dramas. But traditionally theorganization, like Harvard's Hasty PuddingSociety, has been dedicated ro performingmusicals written by U. of C. students which,in the main, concern the University itselfand its community. Last year Blackfriarsput on Man of La Mancha and Pippin, which were only partially successful. This year itis following another path by reviving one ofits own shows.Publish or Perish chronicles a stormy ac¬ademic year in the life of Ralph Appleton(Joel Elliott), pure-of heart prof of mathe¬matics. Ralph is clearly at a disadvantagein his race for tenure against his former bestfriend, Edgar Baumgartner (Owen Ha-gino). Edgar, you see, was born at ChicagoLying-In and was educated from kindergarten to doctorate at the U. of C. Ralph, however, is an Ivy League boy, and a winner ofthe Quantrell award to boot: can he evenhope to win tenure over the favorite son?We journey in Publish or Perish from aclassroom where a group of confused andtired students attempt to comprehend theintricacies of a mathematical formulacalled the "Hausdorff Criterion" ("did hesay X sub b,/Or did I hear tau sub three?"),to a certain Hyde Park Bar where old HydeParkers lament the changes that have comeover the neighborhood ("you didn't need tocarry a whistle,/you could go out after dark.. .”). We overhear the deliberations of thetenure committee, led by the Wirzup-likeProfessor Fishbane (John Podhoretz): "If he fails to write enough, or if we understandhis stuff,/Then we are forced to say that'stough." We experience the glories of a gooo,old fashioned, anxious student demonstration: "If we don't negotiate," fret the de-monstration"s leaders, "they'll give in toour demands." And through it all we followthe sinuous relations between Ralph, Edgar,their love-object Madeline (Jean Majeski), |and Katy (Susan Karlin), the Ph.D.-in-En- |glish-cum-secretary who loves Ralph.In true musical-comedy style, people ;burst into song in the quads, in EckhartHall, in offices, in hallways. The chorusmembers appear variously as students, pro- !lessors, secretaries, bartenders, and thosemournful lifelong Hyde Parkers. Ralph andKaty, our occasionally star-crossed younglovers, are apt to begin waltzing as they talkin front of the Administration building. Thetenure committee is liable to turn into a barbershop quartet as its members insist theyshall only hire "someone we're not wary jwith,/Someone we drink sherry with." Themath department's secretaries become theAndrews Sisters when they tell Katy thatRalph is a "good-for-nothing fellow": "Sofoget about him,/Or you'll be singing the !blues."While in the recent past the Blackfriarshave seemed somewhat uncomfortable anddistanced from the musicals they have per- !formed (a twenty year old rarely makes agood Don Quixote), Publish or Perish pres- jents its cast of nineteen members with an jopportunity to make good-natured sport ofthe university, their own professors, andthemselves. The high spirits of Mark John¬son's book and lyrics, and Steven Kemp'smusic are complemented by the perform- Iers' equally high spirits. The cast includesJoel Elliott, Sue Karlin, Owen Hagino, iCindy Stras, Jean Majeski, John Podhoretzand a thirteen-member chrous.Libby Morse directs, with Dan Stezel pro¬viding musical direction and Sharon Pesh-kin choreography. Tickets are $2.50 for stu- jdents, $3.50 for everyone else (includingthose with tenure), and are available at thedoor or at the Reynolds Club Box Office, iPublish or Perish runs for one weekend ;only, and all performances begin at 8 p.m. j Gustav Mahlercontinued from p. 5Karajan and his orchestra and over¬whelming in the Adagio finale. Karajanbrings to this movement the same mysticalmajesty he captured in his Bruckner re¬cordings, and from the opening two barspaints a serene and powerful conclusion tothis masterpiece, downplaying, but not ignoring its more unsettling elements.The Berlin Philharmonic performs like agroup of supermen; in the central sectionsof the Adagio the first chair performancesexceed even one's highest expectations ofBerlin. Indeed, if nothing else, the orchestral play gives Karajan's recording the edgeover Tennstedt's.The Ninth Symphony, from Bruno Walterto Giulini, has never lacked great inter¬preters, but Karajan and Tennstedt haveemerged pre-eminent with this work, asthey have throughout their half-completeMahler cycles. And while Karajan has onlyrecently come to Mahler., and Solti has longbeen associated with his symphonies, Karajan seems to understand Mahler better andcommunicates this much more effectively.In the words of a London critic following theCSO's performance of the Mahler Ninththere in September, Sir George knowswhere this music is going, but not why.The University of ChicagoDept, of MusicSYMPHONIC WIND ENSEMBLEFarobag Cooper, DirectorAn Evening of Romantic andNeo-Classical MusicSATURDAY, NOV. 21 - 8 PMMANDEL HALL57th and UniversityMADE POSSIBLE BY AN SGFC GRANT Free AdmissionIndoor Parking Available• Protect Your Car From Snow, Salt, &Vandalism• Monthly Terms• Pick-Up & DeliveryService Available Special!Protect YourCar’s Finish FromWinter’s Snow & Saltwith aHANDCAR WASH& WAXon.y*1995HYDE PARK GARAGE, INC.- Open 24 hours a day •5508 S. Lake Park Ave. • 241-6220“Ours Is To Serve ” “One doesn't listen to a Glass piece in the traditional sense —one becomes immersed in his sonic weather, swept into anaural kaleidoscope that slowly turns, revolves and develops."— The Wall Street JournalFeb. 19, Mandel Hall*4 UC students*7 othersTickets on sale at Reynolds Club Box Office -buy now to avoid the rush!Phone orders: 753-3568Mail orders: c/o 5706 S. University Ave.Chicago 60637Visa. MasterCard accepted.Presented by the Office of Student Activities in conjunction withthe Music DepartmentThe Philip Glass EnsembleTHE GREY CITY JOU R N AL-F R I DA Y, NOVEMBER 20, 1981-11THEATRFStudents Don the Masks of the BourgeoisieIonesco All of the characters of the play, with theexception of Jack, wear white masks (nicelycreated by Kate Walken. The members ofJack's family are named simple "Father Jack," "Mother Jack," "Jacqueline" andso forth. By these devices the characterslack distinct personalities; they're as emptyof identity as their living room is void of fur¬niture. (The play is acted in a characteristi¬cally lonescoan minimalist set). The linesthese characters speak yield the only dif¬ferentiation between their personalities,the words each character uses set oneJack, or, The SubmissionBy Lisa GitelmanThe program for Court Studio's producti¬on of Eugene Ionesco's Jack or, The Submis¬sion contains the following note:This production is conceived as anattack on the values of these specta¬tors sitting in the center and left sec¬tions. Spectators on the right mayrelax and enjoy.With these two sentences director SteveSchroer makes the play political. It is not,however, necessarily a political play. An ad¬dendum to the above director's note reads,"Thank you for not changing your seat dur¬ing the performance." It is in this statementthat the heart of the play is best found.Written in 1950, Jack, or, The Submissionis an attack on the vicissitudes of the petit-bourgeois position. The attack is carried outon three fronts — in the sameness of theplay's bourgeois characters, in the dissolu¬tion of the middle class's most useful weap¬on, most serious adversary, and most des¬perate defense — linguistic communication;and in the play's manhandling of the audi¬ence. On all three counts Ionesco's contemptfor the middle-class is evident.Those of the bourgeoisie, he laments, areweak enough, submissive enough, to changetheir positions during the performance of aplay. individual apart from another. And yet, thisone frail barrier is eventually overrun.The script is ripe with malapropisms andcoined words. The characters, burdenedwith the desire to communicate, seem not toknow what they are saying. Jack and his fi¬ancee adopt, towards the conclusion of theplay, a language which consists solely of theword "CAT." They begin by calling Jack'scap, "CAT,” and continue to use "CAT" in¬discriminately. The change seems to makelittle difference in their power to communi¬cate, and it is in lines like, "CAT CAT CAT,CATCAT CAT," that the last ditch defenseeffort of these characters, language, is dis¬solved.Ionesco's contempt for middle-brow val¬ues also comes across in his treatment of theaudience. He virtually bullies viewers intoembarrassment. The play ends with themasked figures circling the submissiveJack and his fiancee, crawling and slither¬ing around while hooting, moaning, andretching in a spectacle meant to do nothingbut cause anxiety and shame in members ofthe audience.It is good to see an all-student productioncoming out of Court Studio, (done for thefirst time this year). The one at hand is, toits credit, particularly ambitious. It is hardenough for less-experienced actors to actfrom behind masks, much less to act loneSCO.Unfortunately, these actors often seemneither to enjoy what they are doing nor tofully understand the play — a fault whichshould probably be laid at the feet of thedirector. Engaging performances are given,though, by Jack (Alan Sierkowski), Fatherjack (Dan Staley), and Roberta (SusanFeurzeig), among others. Jack or, The Submission is well worth seeing, for the qualityof the performances and the adventurousness entailed in any attempt at producing anIonesco work.MIDWAY TRAVEL SERVICEUniversity Of ChicagoAdministration BuildingANNOUNCES NEW BUSINESS HOURSIn order to better serve the University Community and• relieve much of the congestion associated with Holiday Reservationsand Ticket Purchases, we will remain open for business thefollowing hours, effective now thru Dec. 18:MONDAY THRU FRIDAY 8:30 AM-6:00 PMSATURDAYS 10:00 AM-2:00 PMTHE FLAMINGO APARTMENTS5500 South Shore DriveSTUDIOS & ONE-BEDROOMS• Unfurnished and furnished• U. of C. Bus Stop• Free Pool Membership• Carpeting and Drapes Included• Secure Building• University Subsidy for Students & Staff• Delicatessen • Beauty Shop• Barber Shop • T.J.’s Restaurant• Dentist • Valet ShopFREE PARKINGM. SNYDER 752-3800 DfiTTOSTERnoacaMPJTERSd BUSINESS»EDUCATION»MEDICAL[312] Mg-BEDD1313 EAST SIBLEY BOULEVARDDOLTON.ILLINOIS 60419s12—THE GREY CITY JOURNAL—FRIDAY, NOVEMBER 20, 1981InsideFashion at UC: lifestyle, worldliness, personalityBy Anna YamadaFall fashion at UC is as various, excitingand carefully planned as a reading list forany course offered on the quads. Despiteconformist tendencies, UC students seemto be up-to-date on the latest fashiontrends. Their clothing choices revealindividual expression as well as orthodoxtastes.At the undergraduate dining halls, onefound the usual variety of types — the just-vtumbled-out-of-bed-in-nightgown set,radical chic, bobby-soxer, punk, preppyand youthful intellectual. At Pierce andWoodward, for example, styles included anarray of international apparel and othereye-catching outfits. In line and seated attables were students wearing combinationsof clothing from all over the world:dashikis from Ethiopia, Greek navy caps,yak-fur caps, Bhutan boots, Japanesekimonos, geta (wooden platform sandalsoriginally designed to wade through mudafter a typhoon), Irish kilts and the like.One sweeping generalization about dressat UC — beyond being a matter of taste —is that it represents a conscious expressionof personality, life style and worldliness.In the halls of the Graduate BusinessSchool and economic department, therewas surprisingly not the abundance ofthree-piece suits as one would expect.Instead, the standard there seems to bean understated luxury of top-qualitynatural fibers, woven in fall hues andstyled for maximum comfort and utility.No complicated hairstyles or diamondpinky rings were in evidence here.By contrast, when the elevator dooropened to the history department, the firstharbinger of fashion was tweeds andcorduroys in muted earth tones, cut inclassic styles and adorned with ties withshoes of similar style. Indeed, it isimpossible to tell whether the clothes werecollected 20 minutes or 20 years ago. Thistimeless tendency also prevails around thehumanities, divinity, sciences, and SSAdepartments of the quads. Their mode offashion gives the University a comfortingsemblance of stability that complementsthe grey gothic architecture surroundingus.Throughout the administration andUniversity staff, one could find dress forsuccess styles with idiosyncratic ornamentand flair.The clothing at Billings qualifies asappropriate-but-ordinary hospital fare,with the exception of one noteworthydifference. Along the corridors of Billings,Indian women doctors wear bespangledand becoming saris under their labcoats.They serve as a stunning symbol of thefact that the University is quite aninternational community. At the Law School, Pick Hall, and thepolitical science department, theprofessors attire is formidable. Womenand men both wear clothes of power. Inother words, the padding in the shouldersis thicker than usual, and pinstripe insomber shades of blue, brown, gray, andblack seemed to be de rigueur. With atinge of fancy, the law and politicalprofessors, garbed in Brooks Brotherssuits are ever poised to strike the decisiveblow of a legal or political battle. Ofcourse, the realistic explanation is thatmany professors from these and otherdivisions, must at a moments notice, fly toNew York or Washington D C. for ,acocktail luncheon date or maintain privatepractices in addition to their teachingduties.Milling around the Smart Gallery are thepeople wrho have dressed for the dayaccording to the whims of New York City’sgarment district. But a possibleexplanation could be that many in thiscrowd are visitors to the gallery from thesuburbs and North side.An expression of world view?Although UC has never aspired to looklike a state school, the appearance ofjockish-looking people on campus issurprisingly frequent. Though formerCnancellor Robert Hutchins’ owninclination was to lie down whenever hefelt like exercising until the feeling wentaway, he was not able to pass this aspectof his character into the legacy he left toUC. For on every street in Hyde Park orKenwood, at the most ludicrous times andclimes, students sport Order of the Cjackets, and mismatched jogging suitsfrom here or other universities.On several occasions, the choice ofclothing showed that fashion here is anexpression of personality. In a CommonCore biology class, Dr. Ripple (on the staffat Billings), the week's guest lecturer, isone such case. The first day he taught theclass. Ripple appeared in a lab coat, aflourescent yellow shirt, a blood-red tie,and a pair of lime-green plaid pants. HisImmaculate variety from the College. UC: an international community in dress All photos by Anna YamadaActually, I’m a rock star...Really! subject. While stalking the B-Schoolcoffeeshop for Peltzman, who was then outto lunch, we approached everydistinctively dressed person there. Often,when we mentioned whom we wereseeking, we would receive replies similarto the following: “Heh-heh, Peltzman? Yousure you want Sam Peltzman? Yeegads.he dresses like a used car salesman!”Behind the door was indeed a snazzydresser. Peltzman was seated at his deskpuffing an intricately carved pipe andwearing a bright red, yellow, green, andpurple plaid sports jacket, a wide brownplaid tie. navy blue shirt, and brown tweenpants. His shoes were pointed-toe,navy-blue patent leather loafers decoratedwith gold buckles.When we told him the purpose of ourvisit, Peltzman said. “Oh wait. I'm not atmy best. Can’t you give me another day?”After being asked to don a brown Russianfur cap that was hanging on his coat rack,he said. “You really want me to wearthat? It isn’t even mine. Besides, it looksdopey.”Despite all of the variety to be foundhere, there does exist one unifying trend:an overwhelming lack of scruffiness. AtUC there are few rumpled outfits, unlacedshoes, and absolutely no American flagspatching pants or tattered overalls.All in all. UC students and faculty add aneeded flair to our visually dull campus.Congratulations to those of you out therewho are keeping the quads in style withthe latest fashions.costume as a conscious effort todemonstrate first, his concern that hisstudents learn the material he presented,second, his love for his specialty — fungi— and third, his energetic sense of humorabout the mating cycle of single-celledorganisms.When greeted by the students' chuckles.Ripple, facing the board, warned the class,“This is my Monday suit, and if any of youfall asleep. I will flash you all!” At that,he whirled around, snatched back thelapels of his lab coat and exclaimed, “. . .my tie that is!”One Maroon photographer approached ayoung man w alking out of Reynolds Clubw ho was dressed in what could only bedescribed as quintessentially punk. Thegentleman's first reaction to thephotographer’s request was to announce ina mysteriously British accent, “Actually,'I'm a rock star.”When pressed for an explanation and forthe source of his accent, he explained.“Well, I’m an aspiring rock star, but Ihave performed on stage with a band andeverything. This accent? Oh. it’s fake. It’sjust something I've pulled together fromliving in England until I was ten. I have topull it off somehow.”Among our distinguished faculty,perhaps the most outstanding dresser isSam Peltzman, professor in the businessschool. On the insistence of our editors, wewere desperate to photograph such arenowned and promisinglv-appropriateThe Chicago Maroon—Friday, November 20, 1981 — 19SportsCagers set to open seasonBy Mary BartholomewIn 1896, the University of ChicagoMaroons traveled to Iowa City to meet theUniversity of Iowa in the first intercolle¬giate basketball game with five men on aside. Chicago won 15-12. Eighty five yearslater, the basketball tradition is alive andwell on the quadrangles.Tomorrow night, the Maroons open theireighth-sixth season in a non-conferencegame against Marantha College at theHenry Crown Field House. Freshmancenter Keith Libert will join returning se¬niors Will Hogan (guard), Eric Kuby(guard), Mitch Price (forward/center) andjunior Wade Lewis (guard) in the startingline-up. Libert, at 6’6”, is lauded by CoachJohn Angelus as possibly “the single mostimportant young man we brought in.” An¬gelus hopes that this All-Conference centerfrom Oak Lawn Community High Schoolwill help in the low post. “He’s the firstplayer we’ve had in several years who canWrestlers loseThe wrestling team lost its season openerto Olivet Nazarene College by a score of36-15 on Saturday. Three Chicago wrestlersachieved victories: Mark Farwell at 126 lbs,Ken Barr at 150 lbs, and heavyweight MacGillespie, who pinned his oponent. GeorgeDupper scored a tie in the 134 lb. class.Calling Olivet Nazarene “an NAIApower,” coach Leo Kocher said, “I knewwhen I scheduled (ONC) that it was a verytough, experienced team.” Kocher pointedout that, since all ten Chicago wrestlers alsoplayed football, the team only had five daysof practice before the meet. Kocher and theteam are looking forward to a rematch withONC in Chicago’s home opener on Jan. 19. actually post-up and we will try to go tohim” said Angelus.Freshman Nick Meriggioli, a 6’2” forwardfrom St. Laurence, will also see action fre¬quently this year. Perhaps the best outsideshooter on the team, Meriggioli can play thepoint or either of the wings, allowing Ange¬lus to use him as a substitution “at any posi¬tion, at any time we want.”Adam Green, a 6’2Vfe” recruit from NewYork’s Hunter College High School, is ex¬pected to do well on the boards. Reboundingis a major factor this year in making orbreaking the season. According to Angelus,the season’s outcome depends on the gameunder the boards. Along with Green, fresh¬man Dean Pontikes, a product of Chicago’sTaft High School, will be called on to helpinside. Pontikes, at 6’5”, and Green — tout¬ed as the best leapers on the team — will beused at the forward positions.Veteran point-guard and co-captain EricKuby has “shown remarkable improvementas a field general” said Angelus. The coachWheaton douses menThe men’s swim team suffered a 68-43 lossto Wheaton College in its season debut onSaturday. The meet was not without itsbright spots, however, as Chicago set a poolrecord in the 400 yard freestyle relay. Therelay team was composed of Mike Ruddat,John Hotchkiss, Mike Noble, and team co¬captain Frank Bozich. Bozich also achieveda first place to record breakng time in theindividual medlay.Phil Hofmann, the team’s 200-flyer, alsoset a pool record in winning his event. OtherChicago swimmers who scored points wereTim Iida, breaststroke, Chuck Coant,sprinter, and co-captain Bill Landshulz,backstroke. Duane Caneva earned a-secondDiace finish in the diving competition.The team is looking forward to a strongshowing at the Hawk Relays on Dec. 5.STUDENTS • TEACHERS • HOUSEWIVES • COACHES • MODELS“DEEP IN DECEMBER”It may be nice to remember, but as Christmas dayapproaches it’s extremely reassuring to know you canafford all those wonderful surprises you’ll place underthe tree. If this concerns you, we think we have a greatdeal for you: The leader in the industry is forming ateam of professional crowd pleasers who will be trainedto work at:SPORTS EVENTS • TRADE SHOWS • CONVENTIONSIf you’re neat appearing and work well with people,we have immediate opportunities for you to MAKEEXTRA MONEY AT ONE OF THE MOST INTEREST¬ING, GLAMOROUS AND ENJOYABLE JOBS IN TOWN.GOOD PAY, HOURS ARRANGED TO SUIT YOURAVAILABILITY AND ATTRACTIVE UNIFORMS PLUSADVANCEMENT OPPORTUNITIES ARE JUST SOMEOF THE ADVANTAGES WE OFFER.So “FOLLOW, FOLLOW”REGISTER IN PERSON AT:Conrad Hilton, 720 S. MichiganLake Michigan Room, 8th FloorNovember 24Executive House, 71 East Wacker Dr.Illinois Room, 5th FloorNovember 25REGISTRATION TIMES ON EACH DATE:9:00 a.m., 11:00a.m., 1:00 p.m., 3:00 p.m.Special ServicesA Division of Burns International Security Inc.AN EQUAL OPPORTUNITY EMPLOYER M/F is pleased with Kuby’s consistent shootingand hopes that the senior will be'an effectivefactor against the zone this year. Kubyaveraged 10.4 points per game last year,second only to Wade Lewis’s 11.7. Lewis, at6’0”, is back at wing. He is sinking his longshots more often this year, making him adefinite threat from the outside, said Ange¬lus. 6’1” Will Hogan becomes a starter thisseason at the other wing position. His speedis an asset to the Maroon running game.Co-captain Mitch Price will start at for¬ward. His ability on the boards will be anasset if he can manage to stay out of foul tro¬uble. The coach will look to junior Tim Hor-kan and sophomore Mike Murden for sup¬port at this position. According to Angelus,they must be able to come off the bench anddo the job, particularly on defense.Unfortunately, sophomore Mike Shackle-ton, who started last year, will be sitting outfor at least the first part of the season. Aback injury has him benched until the begin¬ning of January.Depth on the bench will be provided bysophomores Ken DeLuca and Sean Mahon¬ey, “who has a trememdous outside shotand could give us 15 points off the benchwhen it’s needed,” said Angelus. Freshmanguard Andy Wirtz and senior forward BobKusyk round out the 1981-82 Maroon squad.The game tomorrow night will be a roughone for Chicago. Marantha plays a zone de¬fense and Angelus admits that it will be astruggle if his team is unable to take its op¬ponents out of the zone. The Maroons alsoface a formidable foe in 6’7” Tim Goetsch,Marantha’s center. Last year, he had 15 re¬bounds and 24 points against Chicago as heled his team to a 78-57 victory. John AngelusAngelus and his assistant coach Jim Har-gesheimer are optimistic even thoughMarantha is a first-rate team. Angelushopes for a strong showing by Chicago fansto secure the home court advantage for hissquad. “The more people there are, the bet¬ter the team will play. The crowd can turnthe team on. . .they can do the impossi¬ble.”Tomorrow night’s game begins at 7:30p.m. at the Field House. It will be broadcaston WHPK, 88.3FM, starting at 7:15 p.m.Swimmers win 2The women's swim team opened its sea¬son with two strong wins. In the first meet,held on Saturday, the women swam againstone of their toughest opponents, WheatonCollege. There were many outstanding per¬formances, including triple wins by JudyBlank and captain Martha Kinney. ColleenThorne was another individual winner, tak¬ing first place in the 100 yard breaststroke.All three first place winners set pool re¬cords. Other important points were scoredby transfer student Margaret Rowley,freshman Diane Tarkowski, and returningswimmers Kim Lynch, Katie Moran, andChris Hannah. Depite the tremendous in¬crease in size and strength over last year’steam, it is still lacking a diver; unfortunate¬ly, the Maroons lost ten points in diving.Therefore, the meet came down to the finalrelay, which Chicago won easily. It was clear from the outset that Tues¬day’s meet against Harper would be a winfor Chicago. Not only the strength, but thesize of ttye team allowed the Maroons toscore an easy 81-51 victory. Blank qualifiedfor national consideration time in the 50yard freestyle. The 200 yard freestyle relayteam of Kinney, Lynch, Rowley, and Blankset a new UC school record. Kinney alsobroke a school record in the 50 yard butter¬fly. Other first place winners were Lynch,Moran, Rowley, and Thorne. Dorion Wiley,Hannah, Trakowski. and Erika Bruhn alsoscored points for the Maroons.The team is lucky to have new head coachA1 Pell, former coach of Hinsdale’s AAUclub. The women’s talent, combined withPell’s knowledge of swimming and experi¬ence in coaching, promise much successthis season. Both Pell and his assistant,Henry Thoman, are excited about the twowins, and are enthusiastic about the contin¬uing progress of the team.New and RebuiltTypewriters,Calculators,Dictators, AddersCasioHewlett PackardTexas InstrumentCanonSharpElectronic Watches REPAIRSPECIALISTSon IBM, SCM,Olympia, etc.FREE repairestimates: repairsby factory-trainedtechnician.RENTALSavailable withU.ofC.I.D.The University of Chicago BookstoreTypewriter & Calculator Department970 East 58th Street 2nd Floor753-330320—The Chicago Maroon—Friday, November 20, 1981\Inside IMsVolleyball playoffs setBy Bob LaBelleDue to an out-pouring of criticism, I’llbegin this week’s “Inside IM’s” with a cor¬rection. PUBLIC NOTICE: Mark Meier isa receiver on Stiffs. Their quarterback isDave Schmidt. My apologies to DaveSchmidt because he did not receive hiswell-deserved fame for the Stiffs’ victoryin the All-University Championship. Mypublic execution will be carried out inHutch Court on Friday, so everybody getoff my back.Now on to more serious business: thevolleyball playoffs in the men’s andwomen’s leagues. Teams in both leagueshave been announced. By publication date,all but the finals in undergraduate andgraduate leagues will be completed. Nev¬ertheless, the pairings are as follows.In the women’s undergraduate semi¬finals, the red division champion, Tufts,will face Upper Wallace and the white divi¬sion champion, Lower Wallace, will faceShorey. Due to a mix-up at Snell, the Tufts-Snell championship game for the red divi¬sion, was won by Tufts on a forfeit. Thus,Snell, though one of the better women’steams, was ousted from the playoffs. Be¬cause the women’s teams tended to lose toone another in round-robins, anything’spossible in the playoffs. Give Tufts andLower W'allace the edge in their respectivegames because of greater consistency ofplay.In the women’s independent finals, DeltaSigma faces Be Your Food which shouldachieve the same result as when Delta Sigma buried Be Your Food in an earliermatch. In the graduate final, Med School— the strongest team in women’s volley¬ball — should coast over the Law Schoolentry.In the men’s resident league, Thompson,first in the red division, meets Compton“A”; Upper Rickdert, white divisionchamp, takes on Fallers; Henderson, bluedivision winner, faces Michelson; final¬ly, green division and defending residentchamp Hitchcock squares off againstHale. The most interesting games will beThompson-Compton “A’’ and Hitchcock-Hale. Thompson plays the better “bumpand spike’’ game, but Compton “A’’ recov¬ers well in such situations. Compton “A’’will wait for mistakes by Thompson andreturn the ball often without attempting tospike. The Hitchcock-Hale game pits simi¬lar teams. Hitchcock has the betterspikers, but Hale has better blockers.Hale, however, has difficulty recoveringfrom a good spike. But Hitchcock has itstroubles too, since the players lose mo¬mentum anytime they get behind.Look for Thursday’s games to leaveThompson over Compton, Upper Rickertover Fallers, Michelson over Henderson,and Hitchcock over Hale. By the end ofThursday night, Hitchcock should defendits title against Thompson in the Saturdaymatch.Why’d Ya Do It, as the only independententry, will face the winner of the Residentchampionship that same Saturday and,most likely, the winner of the graduateleague playoffs as well.Clubs call for more fundsBy Eve PodetAlthough operating costs have increaseddrastically over the past six years, theamount of money allocated to club sports bythe University has remained constant. Sev¬eral club presidents have expressed concernabout restrictions on club activities result¬ing from financial shortages. However, it isuncertain whether the University can — orshould — relieve club members of their fi¬nancial burden.According to Rosalie Resch, AssistantChairman of Physical Education and Direc¬tor of Intramurals, sports clubs receive$20,000 a year from general universityfunds. From this $20,000, $3,000 is spent ontravel and accident insurance for all clubmembers. An additional $5,000 is set aside inan emergency loan fund for the clubs. Thisleaves $12,000 to be divided among the dif¬ferent clubs.Resch is responsible for allocating the$12,000 through the Intramural and Recrea¬tional Sports Office. She explained that theclub presidents present their requests forfunding at a meeting near the beginning ofthe year. The presidents then vote to deter¬mine ranges within which the allotment foreach club should fall. Resch then decides onthe actual amount to be alloted to each club,based on the presidents’ recommendations.Some club presidents foresee difficultiesin carrying out future activities if the moneyallotments do not increase. Adam Warren,president of the sailing club, said that hisclub will receive only ten percent of itsoperating budget from university funds thisyear. In order to finance the remainder, thesailing club has membership fees of $40 ayear. In addition, they receive some dona¬tions, sponsor a lecture series, and sell t-shirts. Warren is concerned that “(while)the clubs are open to everyone and are listedin student manuals, they are not able to fi¬nance the equipment necessary to operatesafely.”Elisse Ghitelmann, president of women’screw, shares Warren’s pessimism. She pre¬dicts that some clubs will be forced to fold ifthey are unable to receive the necessaryfunds from the University. Since women’screw has not received a funding increase insix years, said Ghitelmann, costs are borneprimarily by the members. A major cost forthe crew club is travel expenses, since In the men’s graduate league playoffs onSaturday, Broadview faces Manifest Des¬tiny, a team it previously beat handily andshould do again. I-House and Spike forSpike will be a closer game. I-House hasthe edge because it recovers so well oneven a good spike. They will be forced to doso, because Spike for Spike has the taller, stronger spikers.Back to football for a moment. The con¬clusion of the playoffs proved that the su¬pervisors aren’t much better than theNCAA in picking the number one team.The final IM “Top Ten” in football seeks toremedy that. Look for the supervisors totry again in Basketball next week.I-M ScoreboardFOOTBALL TOP TEN1. Stiffs 40(4)2. Wabuno Bay Bucanneers 353. Chamberlin 334. Bovver Boys 265. Manifest Destiny 196. Flying Cockroaches 187. Phi Gamma Delta 168. Sick Dogs 129. Henderson 610.Dudley 4Honorable Mention: Lower Rickert, Psi Upsilon,Chicago Seven, Dewey.VOLLEYBALL TOP TENMen’s1. Broadview2. Why D’Ya Do It3. 1-House4. Manifest Destiny5. Hitchcock “A"Honorable Mention:Hale. 232215103: Spike for Spike, Thompson,Women’smembers must drive to practices as well asto competitions. Ghitelmann said that thetravel costs for the club have increased a lotin the past few years because of the in¬creases in gasoline prices.Similarly, the men’s crew club has a largetravel budget. According to club presidentAlan Hodges, the club’s budget has doubledover the past six years. Hodges said that themen’s crew club is “better funded thansome other crew clubs in the midwest,” butpointed out that much of its funding is con¬tributed by members, faculty, andmembers’ parents.The rugby club’s costs have also in¬creased dramatically over the past sixyears. According to Pete Layton, presidentof the rugby club, the major expenses aretravel and dues for the Chicago Area RugbyUnion. Layton said that members of therugby club pay dues and “kick in theextra.”One club which did not request any fund¬ing from the University this year is the judoclub. According to club president Mark Ris¬ing, the club budget is financed by member¬ship dues, which are currently $10 a yearper member. The club’s expenses includeuse of the gym and equipment. According toRising, the club’s mats are almost paid forand are in good condition, so he does not pre¬duct future money problems.While some sports clubs are clearly inneed of additional funds, their financial situ¬ation is better than in past years. Accordingto Mary Jean Mulvaney, Chairman of Phys¬ical Education and Athletics, sports clubsreceived no funding until six years ago. Thatwas when the clubs first came under theauspices of the Physical Education Depart¬ment. At that time, Mulvaney said, she wasconcerned that the club members were trav¬elling without insurance, so the Universityallocated funds for insurance. Some addi¬tional money was added, which was distri¬buted among the clubs and became the firstfunds budgeted to the clubs by the Universi¬ty. The amount of this fund has not in¬creased in six years, but it still covers insur¬ance costs.Mulvaney stated that “there is no way toincrease the amount allocated to club sportsfor the current year.” However, Mulvaneysaid that the problem has been brought toher attention and that she will “keep it inmind when planning next year’s budget.” 1. Med School2. Delta SigmaI 3. Tufts| 4. Snell5. Upper Wallace| Honorable Mention| lace.Women’sI Breckenridge by forfeit over HaleBreckenridge d Dudley 9-11. 11-4. 11-5Tufts by forfeit over SnellLower Wallace by forfeit over Breckenridge; Upper Flint d. Lower Flint 7-11, 11-3, 11-4: Lower Wallace d. Lower Flint 10-12, 11-3, 11-7Shorey, Dudley, Lower Wal-VOLLEYBALL Men’sMichelson d. Upper Flint 11-6, 4-11, 11-3Lower Rickert d. Fishbein 11-4. 11-5Dewey d. Henderson 5-11, 11-7, 11-4Fallers d Blackstone 11-5, 11-6Michelson d Hitchcock “B” 3-11, 11-7, 11-5Phi Delta Theta d Dudley 11-6, 11-5Dudley d Shorey 11-5, 8-11, 14-12Michelson d. Chamberlin 11-4. 11-2CoedMed School d Econ 11-0, 11-3Econ d. Ling. Dept. 11-9, 12-10Upper Wallace - Lower Rickert d Bradburv 11-2,11-8Greenwood d Vincent 11-6, 4-11, 11-3Greenwood d. Upper Wallace - Lower Rickert11-6. 11-1Salisbury d Tufts 11-5, 11-9Filbey d Compton “B" 11-2, 12-14, 11-9Dewey D. Filbey 11-3, 11-7Lower Flint d Breckenridge 11-8, 1-11, 11-TCompton “B d Blackstone 11-2, 11-5Deweyd Blackstone 11-5, 1-11. 11-4Drizzled. Lymphomaniacs 11-0. 11-1Drizzle d. N.U.T.S. 11-3, 11-6Lymphomaniacs by forfeit over Crystal MethsN.U.T.S. by forfeit over Crystal MethsSportsbriefsMEN’S BASKETBALLNov. 21 — Marantha, 7:30 p.m., Field-houseCROSS COUNTRYNov. 22 — UCTC 10,000 Meter Cham¬pionships, 1 p.m., Washington Park♦♦♦♦♦♦♦♦♦i♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦ KIM BARKLIQUORS ”m'and Wine ShopLIQUOR750 ML. SEAGRAM 7 CROWN 5.39750 ML. J & B SCOTCH 9.69LITER CALVERTS EXTRA 6.39750 ML. BACARDI RUM - LIGHT OR DARK 5.191.75 LITERS DIMITRI VODKA 7.69750 ML. GILBEY GIN 4.69LITER CHRISTIAN BROTHERS BRANDY 7.19WINES750 ML. M0GEN DAVID CONCORDS 2.19750 ML. BLUE NUN LIEBFRAUMILCH 3.59750 ML. HARVEY BRISTOL CREAM 7.59750 ML. LANCERS WHITE & ROSE 3.49750 Ml. GIAC0BAZZIIAMBRUSC0 2.79750 ML. K0RBEL CHAMPAGNE BRUT & EXTRA DRY 6.99750 ML. LOUIS GLUNZ VIN BLANC 2.591.5 LITERS GALLO PREMIUM WINES 2.99BEER12-12 0Z CANS SCHLITZ & LIGHT 4.096-12 OZ. CANS RHINELANDER BEER 1.696-12 0Z. BTLS. OLD VIENNA 2.89SOFT DRINKS6-12 0Z. CANS RC0RNEHI 1.69 ♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦493-3355 STORE HOURS:MON. WED. 8:00 AM tH 12:00 AMTNUR. SAT. 8:00 AM til 2:00 AMSUN. 12:00 NOON til 10:00 PM 1214 East 53rd(Kimbark Plaza) ♦♦♦♦♦♦♦♦♦The Chicago Maroon—Friday, November 20, 1981—21HOUSESSUPER NEW LISTING 3 plus bedrooms. Rayschool district co-op townhouse Upper $90’s.FinancingTUSCAN MANSION has apartments for income,large yard, offstreet parking, garden and lots of sun-1shine! $145,000RAY SCHOOL DISTRICT, 3 bedroom towntoouse.Cozy fireplace, garage, fenced backyard, 24 baths, 2dens make this a super buy at $139,500WALK TO SHOPPING (only a few steps away) andlive in this efficiently designed 3 bedroom, 24 bathtownhouse Private backyard, central air and more.$106,000THIS LOVELY Queen Anne family home boasts 3fireplaces, tiled kitchen and bathrooms. Lots ofstorage space, fenced back yard, 2 car garageAsking $125,000CONDOMINIUMSSENSATIONAL PRICE - 3 bedroom condo nearshopping and park, walk to U of C, Ray Schooldistrict, needs work, “do-it-yourself” or inves- 1tors dream, as is $36,000.RENT WITH OPTION - excellent financingavailable 9-4% and a low down payment pur¬chases this 27th floor studio in the Newport $30 sNARRAGANSETT! Magnificent five room con¬dominium home Beautifully decorated Must beseen $100,000.THIS SUNNY CORNER - 2 bedroom condo in Raydistrict has a great kitchen and many extra’sSparkling condition with great financing Mid$60’s.58TH AND BLACKSTONE - 4 bedroom, 2 bath,over 2,000 sq. ft. Super location. Large enoughfor a family. Walk to Lab School. $145,000 and fi¬nancing.NEWPORT glorious views from this 1 bed¬room, wall to wall carpeted condo Priced rightin the 50’s.THE MEWS -1 bedroom. $55,000.SPACIOUS - beautiful back yard, two porchesand spacious rooms make this 3-bedroom home areal value East Hyde Park Close to lake andtransportation. Low 80’s.THE BARCLAY, 6 rooms $90's.SUNNY, LIGHT, one bedroom. Close to campus,lovely oak floors and french doors, lots of closets$50’s.WILL NOT LAST - 3 bedroom condo in Rayschool district. 2 modern baths and remodeledkitchen add to the charm Friendly building witha park like back yard. $80’s.OPEN HOUSESat. & Sun.1:00P.M.-4:00P.M.5443 S. CornellCHARMING EAST HYDE PARK CONDO Thiswarm 3 bedroom apartment is a lovely blending ofthe old and the new Attractively priced under$70,000 Super financing possible.BRET HARTE DISTRICT Close to lake and tran¬sportation This 3-bedroom East Hyde Park condohas 1600 sq ft of living space East and West porchesadd to the charm Priced in the mid 80 sTHE RIGHT LOCATION, south of 55th 2 bedroomhome with family room, modem kitchen, garageMid$80sUNIQUE . the floor plan in this gracious 3 bedroomassures privacy A wood burning Fireplace and lovelybuilt-in pieces add to the charm Large porch withSouthern exposure affords a view of greenery MidISO’sCOOPERATIVESPRICED TO SELL one bedroom, lake view co¬op Perfect for single or couple, near to park,lake and transportation. $11,000LUXURY LIVING in an elegant 2 bedroom, 2bath co-op building Owner financing. $50,000NEW CAMPUS, one bedroom co-op, lots of beau¬tiful wood, built-ins, modern appliances, lovelycourtyard building, affordable living, unit mo¬derately priced low $30’s.SPACIOUS...hi-rise co-op with great east-westviews 2 bedrooms, 2 baths, foyer and formal din¬ing room 24 hour security, near U. of C. bus. Mid$50’s.BUILDINGS■East Hyde Park Blvd . 18-umu $325,000•61st and Drexel, 24 units, $$165,000•6,000 sq ft . zoned B2-4 plus 26 apts $390,000HILD REALTY GROUP1365 E. 53rd St.955-1200v J SERVICESJUDITH TYPES—and now has a memory.Phone 955 4417.Psychotherapy and counseling. Fees on asliding scale; insurance accepted. JoanRothchild Hardin, PhD, registeredpsychologist in Hyde Park. 493-8766.An editor can make your work better. 363-7567Excellent, accurate TYPIST with B.A. willtype term papers, theses, resumes,manuscripts—whatever your typing needs.Quick, pick-up and delivery on campus.Reasonable—call Wanda 955-8375 after 5 pm.The Chicago Counseling and PsychotherapyCenter, 5711 S. Woodlawn, is opening a LongTerm Therapy Group to new membersDecember 3, 1981. Meets Thursday evenings 8-10 pm, $50/month, first two months payable inadvance. Open to women and men 18 and over,especially women; preliminary interview re¬quired. Group leaders: William Bradley, MTS,SW and Margaret Warner. PhD. 684-1800.Chicago Counseling and PsychotherapyCenter. Client-centered psychotherapy. 5711 S.Woodlawn, 6354 N. Broadway and 111 N.Wabash, Chicago. A Registered PsychologicalAgency. (312)684 1800Typist available for papers. Selectric II.Reasonable rates. For arrangements and in¬formation call 682-6884.WORD PROCESSING SERVICE/TYPING/HEADLINE S —Dissertations, Tapetranscription, Tables, Form letters. Reports,Statistical typing. List maintenance, Resumes,Newsletters. NANCY COHEN PROFESSIONAL TYPING—378 5774.PEOPLE WANTEDPaid subjects needed for experiments onmemory, perception and language processing.Research conducted by students and faculty inthe Committee on Cognition and Communica¬tion. Department ot Behavioral Sciences.Phone 753-4718.OVERSEAS JOBS-Summer/year round.Europe, S. Amer., Australia, Asia. All Fields.$500 $1200 monthly. Sightseeing. Free info.Write IJC Box 52 IL5 Corona Del Mar, CA92625.Attn: foreign students: paid subjects neededfor a short experiment to ascertain bias inAmerican tests. Research conducted by doctoral student in Psychology. Phone 324-9298eve.FRIDAYCrossroads: English classes for foreign women,10:00 am, 5621 S. BlackstoneComm, on Human Nutrition: Seminar — “The Im¬portance of Trace Elements in Human Nutrition”speaker Dr. Howard Hopps, 11:00 am, Billingsroom G-104.Calvert House: Mass; 12 noon and 5:00 pm, 5735 S.University. Brown bag lunch, 12:30 pm.Career Counseling and Placement: Seminar on“Careers in Print and Broadcast Journalism”12:00 noon, Reynolds Club 201.Persian Circle: Prof. John Perry will speak in Per¬sian on his recent trip to Tajikistan, 12:30 pm, Pick218.Geophysical Sciences Colloquium: “Analysis ofTropical Boundary Layer" Observations” speakerDavid Fitzjarrald, 1:30 pm, HGS. , .Calvert House: Catholic Worker soup kitchen —leave Calvert House at 3:00 pm.Arabic Circle: “The Effect of Arabic Instructionon the Educational Achievements of Bilingual Stu¬dents” speaker Khalik Tahrawi, 3:30 pm, Pick218.HIPSS: Discussion and refreshments for under¬graduates interested in majoring in History, Phi¬losophy and Social Studies of Science and Medi¬cine, 3:30 pm, Harper 284.Hillel: Yavneh (Orthodox) Shabbat Services, sun¬down, Reform-Progressive Shabbat Services, 5:45pm, Adat Shalom Shabbat dinner, 6:30 pm, 5715Woodlawn.Law School Films: "Play it Again, Sam” 7:00 and9:30 p.m., 1121 E. 60th St.Doc Films: “Cabaret” 7:15 and 9:30 pm, Cobb.UC Students for Citizens Party: Public Forum —Political Freedom and Politics of Immigrationwith black poet, Dennis Brutus. 7:30 pm, IdaNoyes 3rd floor. *Guarneri String Quartet: Mozard, Bartok, Verdi,8:00 pm, call 753-2612 about ticket availablity.Hillel: Lecture — “Jewish Responses to Anti-Semitism in Early Modern Europe” 8:30 pm, Hil¬lel. Responsible, good-humored sfudenf for occa¬sional baby-sitting evenings. Call 667-4220 after5.FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E. 55th St. 493 6700.Whimsical line drawing notecards make appreciated gifts or greeting cards. Set A: StringQuartet series or B: Grandma's Neighborhoodseries. 12 for $5.00. Black on ivory, grey or tan.Sheila Shochet, 5749 S. Dorchester Ave.,Chicago 60637, 947 8974.14 K GOLD Jewelry for 2/3 LESS than retailcost: necklaces/bracelets/initials/charms/earrings. Order holiday gifts now. Suzanne 684-5739.SPACEStudio Apartments. HILD REALTY GROUP955 1200.3 ROOM BASEMENT APT. $285.00/month 56th& Dorchester. CALL PAUL wk 781-2234 home667 7094.Richton Park. 3 B/R townhouse. IV2 bath/bsmt. central air. Walk to 1C. 3-8417, 799-6313.Jan. 1 Sublet: 1 Bdrm in 2 Bdrm Apt. on 56 &Kimbark. Lease Expires4/31.324-4296.Available now-room for student in N. Side apt.$107/mo. + utilities 871-4296.Large 1-bedroom apt for rent. 54th &Ridgewood. Excellent condition. Avail. Dec. 1$330 Call 667 3965 (after Nov. 24: 324 85^2).Sublet Dec. 1 with option to renew. Spacious 1-bedroom apt. Ample closet space, nice kitchen.Lake shore location, easy parking. $370 permonth includes util. Call Myrene 3-4395 days or643-8967 nights.Fn rm/apt no smo $225+.ut in 363-3458-955-7083.Female graduate wanted to share 6 room fur¬nished apt 5711 Kimbark. Rent $140 plus util.Avail. Jan 1 Call Minna 947-6468or 667-7611.SPACE WANTEDRoom needed for month of January for avisiting student. Dependable. Please call 643-3898 and ask for Molly.LOSTAND FOUNDFOUND: Man's watch, 11/16, 3rd floor of IdaNoyes Hall. Call Maroon office to claim, 753-3263.CalendarSATURDAYHillel: Yavneh (Orthodox) Shabbat Services, 9:15am, Upstairs Minyan (Conservative-Egalitarian)Services, 9:30 am, 5715 Woodlawn.Calvert House: Mass; 12 noon and 5:00 pm, 5735 S.University. Brown bag lunch, 12:30 pm.Crossroads: Potluck dinner, 6:00 pm, no reserva¬tions 5621 S. Blackstone.Doc Films: “Breaker Morant” 7:15 and 9:30 pm,Cobb.SUNDAYCalvert House: Mass; 8:30 am and 5:00 pm, CalvertHouse, 11:00 am, Bond ChapelLutheran Campus Ministry: Sermon and Eu¬charist, 8:30 and 10:45 am, Sunday School andAdult Eduction, 9:30 am, 5500 S. Woodlawn.Hillel: Lox and Bagel Brunch, 11:00 am, 5715 S.Woodlawn.MARRS: Fighting practice, 3:00 pm, Ida NoyesDoc Films: “Accident” 7:15 pm and “Les Biches”9:15, Cobb.Folkdancing: Advanced level folkdancing 8:00 pm,Ida Noyes theatre.MONDAYCrossroads: English classes for foreign women,10:00 am, 5621 S. Blackstone.Calvert House: Mass; 12 noon and 5:00 pm, 5735 S.University. Brown bag lunch, 12:30 pm.Child Development Colloquia: “Directive ProblemSolving by Adults” speaker Jim Wertsch. 12:15pm, Judd 313.Center for Middle Eastern Studies: Lecture —“The Emergence of New Palestinian Leaders:Town Mayors of the “West Bank” speaker MosheMa’oz, 3:30 pm. Pick 218.Dept, of Chemistry: “Bimetallic Centers in Chem¬istry and Biology: The Cu-Zn Super-Oxide Dismu-tase” speaker Prof. Stephen Lippard, 4:00 pmKent 103.U of C Judo Club: Meets 6:00 pm, Bartlett gym.Beginners welcome.Doc Films: “Sergeant York” 8:bo pm, Cobb.Folkdancing: Beginners and intermediate levelfolkdancing at 8:00 pm, Ida Noyes Cloister Club. Classified AdsLost calico cat: 57th & Drexel call 324 8105.FOUND: Mostly white, long haired cat. 53rd &Woodlawn. Call 684 1979 evenings.PERSONALSWriter's Workshop (PLaza2-8377).Garp: I moved a little faster this time; Lesliehas part four. Barefoot Dreamer.JJM Hello, I love you.Won't you tell me your name?KRISTI HOLLINGSWORTH Attila is at theLaw School. Call him at 493 8988 or else LouisXIV.Jacquie Jane Sherrie John Marueen Chris An¬nie Carole George Trish Marty Tom FrancineDonna Susie Gary Judy Amy Breckie CarolynSusan Ann Thankyou for the best 21st a personcould ask for. Love Julie.Barefoot Dreamer-1 did not say that I washere, but that I could be contacted here. MJBRS If anything, I overestimate youTo the Cute Blond Guy who sometimes watchesGH at B-school: Glad to see you back on Mon.Hope you keep coming. Fellow GH fan.Peter And Mary's Wedding Reception Toniteat The Usual Place. Wear White-Gifts Op¬tional.Fascinating green eyes: Thanks for caring BBThe old bag finally got hitched. Come meet thesucker. Wedding reception Friday night. Fri¬ends and operatives of the M&B Agency in¬vited.Steinbeck says: Who are you?I could be like Robert Hutchins and attend theformal luncheons if I only had a brain.Size 69 PINK PANTIES found in UpperWallace-Need princess that fits-Tryouts Satnight Lower Flint-Tapioca Makers.Ordover: I thought I had at least as manyfriends at the supper-table as you, but I guess Iwas wrong; you're welcome to them.An ad for ad InathatisWhere do you fit in as a Jew? Stop by Hillel forinfo on Winter Hillel Inst Midwest to learn.Name a famous Japanese novelist who hasbeen reincarnated as a pain in the ass.L8iC-But Of Course, we all look SO ravishing!QUICK! Let's Get pop & DP & make soda-corn! KATMANDUSCENESHYDE PARK ARTISANS GALLERY is openTh Fri. 12-3, 12 4 & Sun 11-2. Our Nov. showcontinues with etchings by Beth Norton. Alsowonderful HOLIDAY GIFTS Pottery, Painting, Photography, Stained glass, Cards andmore. Located at 57th and Woodlawn in theUnitarian Church. Beautiful Gifts at SensiblePrices.Can the MARCEL DUCHAMP MEMORIALPLAYERS make beautiful music using brakedrums? Find out Nov 29th 7:30 pm call 324-5520.Party PSI USat. 10?Band & Booze UCIDRIDESRide wanted Colorado for Thanksgiving. Willshare driving & costs. Call Jane 241-5246.Need ride to Boston X-mas break, will sharedriving & expenses, please call soon so I canmake plans, Mike 363-6132 after 6:00.Wanted-ride to Houston for X Mas break. Willshare driving & costs. Call Angela 493 2311.THE PHOENIXWe have the best prices on books, records,games. Check us first. In basement of theReynolds Club.INTEREST-FREE LOANSFOR GRADUATESTUDENTS ~Full time graduate students in any field, mayqualify for an interest free loan administeredby The Knights of Dabrowski-5723 N.Milwaukee Ave., Chicago IL 60646. Must be ofPolish Extraction, Parents must be permanentresidents of the Chicago Metropolitan Area orNorthern Indiana. For information please call:774 444322—The Chicago Maroon—Friday, November 20, 1981iWMHMKN Classified Ads MINOLTA XG-M.AUDIOGRAFFITITHE PEER PRESSURE RADIO SHOW.Every Wed. night, ll-2am, WHPK 88.3 FM.Cosponsored by Wax Trax Records and thePhoenix Book and Record Store.STEP TUTORINGHelp a kid feel bright and intelligent. Volunteerto tutor an elementary or high school studentfor two hours a week. Contact Peter at 643-1733for more information.WOMEN'S MAGAZINEPrimavera Vol 6/7 is out! Available in mostHyde Park bookstores. Women who want tojoin the staff should call 752-5655 for info.POLITICAL FREEDOM& POLITICS OFIMMIGRATIONA public forum with Black poet Dennis Brutus,immigration lawyer, Susan Gzesh, and Inter¬faith Coalition, Ellie Elliott. Mon 11/23, 7:30,Ida Noyes.GERMAN RADIO SHOWOn WHPK 88.3 FM every Monday 5-7:30 pm"HOERFUNK.”THURSDAY BUFFETAt Mallory's, 5:30 10:00 PM—$8.95 Duckling,shrimp, salads, and more. Mallory's 1525 E.53rd St. 241-5600. Open Thanksgiving.BUSINESSOPPORTUNITIESWork At Home! Be flooded with offers! Offer-Details rush stamped addressed envelope toJohn Thompson Dept M 1612 SycamoreHanover Park, ILL. 60103.MOVINGStudent with Pickup Truck can move your stuffFAST AND CHEAP. No job too small! CallPeter at: 955-1824 lOam-lOpm.THE PHOENIXCheck the Phoenix first for books, records andgames in the basement of the Reynolds Club.HOUSEHOLDFURNISHINGSFine old 5 rm apt Hyde Park. China, crystal,lamps, engravings, baker desk, upholsteredcouch & chairs, comp, dining roomset/breakfront-comp bedroom, Sunday—12noon to 4:00 pm, Park-Shore Apts 1735 E. 55thSt Apt 301—943 5177 256-1727.EXPLORE YOURJEWISH HORIZONSWinter Hillel Inst Midwest, a chance to giveserious thought to Jewish Q's while having agood time. Stop by Hillel for further info.ACHTUNG!TAKE APRIL WILSON'S GERMAN COURSE8, HIGH PASS THE SPRING LANGUAGE EXAM! Two sections: MWF 11-12 & 6-7 pm, Jan11 April 30. For more information and toregister, call: 667-3038.CONDO FOR SALELovely sunny 5 rm. condo, 2 BR. Totallyrenovated Oak fl. & buffet, frpl., bale., PLUS!Fin. 13%. Call Karen d. 947-5456, 3. 947-0859.GAY RAP GROUPThe regular Gay and Lesbian Alliance discussion group for people coming out (or thinkingof it) will once again meet in the Reynold'sClub North Lounge at 9 pm on Tuesday (Nov24). The meeting is private and confidential,and this week there's an added attraction, aninformal coffee and donut social at 10:30 pm inthe North Lounge after the meeting. AG.A.L.A. event.MOVING MAXIVAN ,Your Moving job done at a guaranteed price,using a maxivan. Deliveries, too. 324-8578.LORNASTRAUSSON STAGE!See her in Publish or Perish, this weekend inIda Noyes. Tickets at Cobb, Reynolds Club,and at door. 2.50 for students. DO YOU FEEL IT'SJUST "JEW AND MEAGAINST THE WORLD?"Find out at the Winter Hillel Inst Midwest inMinn. Dec 20-24. Stop by Hillel for more info.5715 S. Woodlawn.HYDE PARK BLVDCONDO FOR SALE■ , , ■ , , ■„ —Just listed! 2 Bedroom, 2 Bath, Great view,9’,2% Assumable Mrtg. Call Bobby Moss, M-F363-6200, PM Wknds 787 8220. McKey & Poaguere serv,Inc.CLOWN FOODE.F. Clown and Co. will be holding a Bake Salein Cobb Hall Monday, Nov. 23. Put a smile onour face (we will) and a cookie in your gut!MANTRA MEDITATIONFree Mantra Meditation Workshops are beingoffered at The Blue Gargoyle, 5655 UniveristyAve. Introductory one-hour classes on Mond.24 Nov. and Tues. Nov. 30 at 7:30 pm. 348-6003.THEATRE PEOPLE!Designer, Techies and Crew needed for CourtStudio production. 241-5646 for more info.ETAOIN SHRDLUWill be at the NYAN COMO Reggae concertSaturday night 9 pm at 1-House. Will you?ORIENTAL CARPETS NEEDEXTRA CASH?People are needed for a questionnaire type ex¬periment in the Graduate School of Business.Payment is S5.00 an hour and will be paid incash. The experiment will last approximately 2to 3 hours. For more information please callHaim at 753-4209.PARTY PSIUSaturday 10 pm-?Band 8< Booze UCIDRACQUETBALLCLUBElections of officers and open challenge playField House Courts6:30 pm on TUESDAY.ORIENTAL CARPETSAT SAOCRAFT FAIRBe sure to look for our beautiful handmadeAfghani carpets. Prices start at $150 for semi- jantique prayer rugs.REGGAE CONCERTWith NYAN COMO, Chicago's hottest band.Come hear them tomorrow night, at 1-House, 9pm. ,CRAFT FAIRMonday and Tuesday, 11am to 6 pm. ReynoldsClub Lounge. Sponsored by SAO. * Apewepn^. ■xJo-'XO'» 2«vrrr*. 5-Minolta XG-IAUTOMATIC PERFORMANCE.AUTOMATICSAVINGS.• 'juto'-ot*: e*ocsues*“5*err• Foil -r<V-KjQ contro1• v«ewV>3er reaacx/ONLY $2.5010% off on all large carpets (6 x 9 to 10 x 14) andrunners. ONE WEEK ONLY. Geometric & NYANCOMOfloral designs. Light or darker colors. Wouldn tyour feet enjoy a warm PLUSH treat duringthe cold Hyde Park winter? We also havemany smaller Afghan and Pakistan rugs. Byappt. 288 0524. Will get you into 1-House on Saturday night tohear the music of NYAN COMO! Come listenand dance to this fine Reggae band. Freerefreshments too. CanonSURE SHOT*HiGOODBYE, FRUSTRATIONHElia SURE SHOT!Chicago's hot all-Jamaican Reggae band will]play for a concert and dance (with free'refreshments) on Saturday night at 9 pm! It'sonly $2.50, and it's at 1-House.Charlotte cVihtzomczReal £itate Co. ^ NEWCanonPROMINENTPEOPLEPREFERPROMONTORY An incredible system ofinterchangeable components!provides unlimited versatility.]• Rugged professions' body with precise snatch-needlemetering• Eiectra Mechanics* shutter w speeds from B sec to1 2000th sec plus B » ft/90th sec »• Aoo optional accessories to obtain Shutter-Pronty Automation Aperture-Priority Automation or both*On The Lakefront near 55Handsome front co-operative apartment looking straight out on thepark and lake. Two bedrooms. $50,000.HOUSE FOR SALE OR RENT48th Kenwood - 15 RoomsMany other properties for sale.FREE CATALOG!We are cooperating brokers.50 1 8E Now you no longerhave to settle for lessthan a Nikon1• The easiest-fo-use,eosiest-to-own Nikon ever■ Totally automatic —justfocus and shoot■ Amazingly light andultra compoct1638 EAST 55th STREET493-0666 model camera1342 E 55th 493-6700The Chicago Maroon—Friday, November20, 1981—23r*44 |iod 2. One of the first comutativity results for rings with * is a tneorem oi o. n0|gomery asserting that if R is a nrine ring, in which every symetriv element s + s* i|[f the form s + s (n(s)= 2), then either R is commutative or R is the 2X2 matriceser a field, whichings all of whose• Heijstein, asseiy k 1 1 L- r\- x *px(x) isis in fact afollowinsubset|as extendsemiprime r) (p, dependen[tension to ringlorem let RIrose thatfurtherR. Atand tlomomolith *some|r extro-inteties o|r thanthe co|s anothsatisf|t. Let Hx = x*1, theIt is batnner aut|rally tid commnrese.riantasi-inilari antliewed aItion on D. ijince 51a nice generalization oLts x = x. Another clring R with cen^where px is as -theorem wc s, s -*s theowithoutelement of Rten c i'- a centrallater con1 utatitityrith * having characteristicsthat for each sy metric>s over a field . theon% *r.T heorem of N• Jacobson onivity theorem, due to I.every element x satif'fieg integral coefficeints,rime rings R with * in tmember of Z, either S ir hand Herstein’s theoree following way: If R isn n rm 11. ps Jftth X - x2 • pxIn this fer anreorem. We r \>wing. Tan Smute, Icenter‘stic os e , a 1|.gebrasassembhe otf thed propis greevidentb) yiering,ke expli• • , an* -*ia ring wiftt xx* = 1wi th tty 1.tnvariantomorphH an iby all• The i|an rinan invfollowiterratic TTremrer i;naat D contains more than 5 elements and is 2-torsion free* Thus (2) applies and yiethe following: Remarks 6 (2). Let W be any invariant subalgebra with centralizer ontains no sumetric matrix but the-scalars, or else the ground evolution is the in I&<6? The Original U of C Musicalby Mark Johnson & Stephen Kemp8 pm • November 20, 21, & 22 • Ida Noyes Hall$2.50 U. of C STUDENTS $3.50 Everyone elseTickets at Reynolds Club, Cobb Hall, and at the door.