An interview with Edward Said Art in Chicago: Two Galleries~ln the GCJ centerspread On the GCJ cover —The Chicago MaroonVolume 91, No. 18 The University of Chicago ©Copyright 1981 The Chicago Maroon Friday, November 6, 1981UC budget shows$2.7 million deficitMismanagement blamedCo-op avoids lossesBy Chris IsidoreThe University budget releasedyesterday shows a deficit of $2.7million in the unrestricted budget.The deficit exceeds the Universi¬ty’s goal of keeping this year’sunrestricted budget deficit to $2million. But the report from Pro¬vost Kenneth Dam said that thefinal deficit for the year may yetmeet the goal.“The deficit for this past year,1980-81, came in exactly on targetat $3.5 million, even though at thetime this budget message waswritten last year, a deficit of $3.9million was anticipated,’’ Damwrote in the report. “Thus ... weanticipate that the actual deficitfor 1981-82 will be at or below the$2.0 million deficit foreseen.”Unrestricted funds are not limit¬ed to any specific use, and includetuition money as well as some giftsand endowment income. Some en¬dowment income, and most gov¬ernment contracts and grants, arerestricted to specific projects.One way in which the Universityhas kept down the deficit in theunrestricted funds is to raise theamount collected from tuition. Un¬dergraduate tuition has increasedby 17.6 percent this year, graduatetuition by 17.8 percent, and theamount collected from thereforehas increased by a full 17 percent.Dam’s report included tablesshowing that tuition at UC was notas expensive as many other uni¬versities. The average tuition atthe schools which Dam selected forcomparison was $6942 for under¬graduates, $6933 for graduate stu¬dents, compared to $6000 for UCundergraduates and $6300 for UCgraduates. Only one of the schoolswhich Dam selected for compari¬son had a lower tuition.In his report, Dam discussedwhat he described as a tuition gap.“For many years, tuition at theUniversity, particularly in the Col¬lege has been considerably belowthat at other universities,” he wrote. “In recent years the gaphas grown to more that (sic) $1000per year. The decision to attemptto close this gap a little each yearrecognizes that the implicit policyof undervaluing the education astudent can receive here is nolonger justified in the light ofchanged circumstances.”Dam's report admits that the ef¬fect closing the budget gap willhave on enrollment is not for sure.He said that several University po¬licies on financial aid “shouldcushion the student from the bur¬den of tuition.” These policies in¬clude current UC practice to findenough financial aid to allow thatany student admitted to the Col¬lege is able to attend. This policy isnow under review by the Universi¬ty, however, due to cut-backs infederal aid. Dam also cited a newpolicy adopted this past year,which assures any student in thegraduate divisions with a constantlevel of aid for three years, as longas academic accomplishment ismaintained.UC has increased the amount ofunrestricted funds used for stud¬ent aid, from $7.5 million to $9.6million. The greatest increase inuse of unrestricted funds was forinstruction and research, the ma¬jority of which is used to cover fac¬ulty salaries. Total faculty com¬pensation is the largest single itemContinued on page three By Darrell WuDunnThe Hyde Park Co-operative So¬ciety, which operates the super¬market in the Hyde Park ShoppingCenter and the SCAN furniturestore, faces a difficult financial fu¬ture as profits for fiscal year 1981dwindled 82 percent from lastyear’s gains.Only various carryovers in book¬keeping prevented the Co-op fromreporting a loss of almost $150,000.The net profit of $17,948 was downfrom $99,508 last year.The Co-op’s board of directors,however, rejected the most pessi¬mistic view that the Co-op is inserious trouble. This view as ex¬ pressed by John Adams, theboard’s secretary, and AliceSchlessinger, the treasurer, duringa board meeting after the financialstatements were explained by theSociety’s accountants to theboard.Adams proposed a special taskforce of businessmen from themembership should be formed toadvise how to avoid even greaterproblems. He said he would havepreferred a management consul¬tant but that the Co-op could not af¬ford to hire one at this point. Theboard rejected this proposal infavor of having the existing boardcommittees on Operations and Fi¬nance and on Planning and Expan-OBS, GALA face funding cutsMarlene MussellThe Student Government Fi¬nance Committee (SGFC) yester¬day recommended that two stu¬dent organizations, theOrganization of Black Students(OBS) and Gay and Lesbian Alli¬ance (GALA), should have theirfunding cut by as much as 50 per¬cent.OBS had requested $492 for thequarter, and will receive $279,while GALA which requested $478gets $205. GALA will also receive$40 for a dance (it had requested$148) and the $34 it needed for acoffeehouse.George Kampstra, chairman ofSGFC, stated the cuts were a resultof overpadding of funding re¬quests, claiming that GALA haddemanded too much for officeequipment, art supplies and adver¬tising. The fact that both groupshad incurred deficits from pre¬vious grants was also an influentialfactor. Cuts of this size are not un¬usual by the SGFC. Most groupsthat appear before SGFC are cutsomewhat.Earlier GALA and OBS repre¬sentatives had said that a combi¬nation of factors had resulted in the deficits, and that they were nottrying to steal their (SGFC) moneyor rip SGFC off. The organizationsrepresentative said that mismana¬gement of finances by both SG andthe groups was the major cause forthe confusion, with both sides quot¬ing differing sets of figures. SGFCsaid that any past problems werethe responsibility of the previousSGFC.The meetings between SGFC andthe OBS and GALA took place yes¬terday when both groups presentedtheir budget requests. OBS, with adeficit of approximately $260 forphone calls, defended the debt say¬ing that as a minority organizationthey needed to have contact withoff-campus groups as well as re¬cruiting agencies for minority stu¬dents.Later Jacques Morial, Presidentof OBS, said that there was unduehostility on the part of themembers of the finance commit¬tee, partly as a result of a confu¬sion and partly because of a conde¬scending attitude which he felt wasracist. He felt OBS filled a void oncampus for black students, andwhile he felt cuts would be unlike¬ly, he stated that if OBS was denied the funding they needed he antici¬pated “massive support for OBSfrom black students on campus.”He also said he would appeal anycuts.GALA, which had a deficit of be¬tween $499 and $374. depending onthe figures, also felt much of theproblem with the deficit arosefrom misunderstandings A spoke-man said that SGFC had indicatedthey would cover all losses for adance GALA held in April 1981.However the attendance was lowerthan expected and GALA was de¬bited for this loss. GALA later didmake an attempt to reduce thisdebt through the sale of T-shirts,and also ended all activities for thequarter. GALA and SGFC repre¬sentatives agreed that they bothwere at fault and Irene Conely,director of the student activities of¬fice and ex-officer member ofSGFC. agreed that GALA had a le¬gitimate gripe when it came to theaccounting.While accepting that confusionmight have been a factor over theissue of the deficit and its impacton funding, the GALA representa¬tive also felt that there was an ele-Continned on page three barelysion examine the problems.The audit, prepared by the firmof Gale, Takahashi and Cannon,show ed that:• The Co-op. a $20 million peryear business, turned a nearly $5.5million profit before operating ex¬penses. The net sales for the gro¬cery and furniture divisions haveincreased about lour percent thisyear.• Operating expenses increasedby 12 percent.• Total sales for the grocery divi¬sion were $16,564,828. The grossprofit was $4,218,087, but operatingexpenses totalled $4,450,360, result¬ing in a $232,273 operating loss.• The furniture division, includ¬ing two SCAN stores, made $70,617on its operations.• The Co-op lost $148,311 on itsoperations, but will show a netprofit of $17,948 due to various in¬come tax credits.As a result of the serious finan¬cial situation, the Co-op will not bepaying dividends nor patronage re¬funds to its members, which totalto over 11,000 families. However, itwill “flow through" to members$85,680 in federal tax credits(which are subtracted from taxesowed). General manager GilSpencer estimated that the flow¬through, distributed like patronagerefund proportionately to eachmember’s purchases, will amountto about 1.6 percent of their pur¬chases.Board members disagreed onthe causes of the serious financialproblems The society’s inventoryhas increased by 10 percent overthe past year, while sales have increased only 4 percent Storing andpaying for unsold inventory costthe Co-op money.The cost of the remodeling of thesupermarket which began over ayear ago have far exceeded theboard’s projections. Spencer estimated the cost at $1.25 million, al¬most a half million dollars over ex¬pectations.Continued on page fivemi Chicago,1969:Most of thestudents ex* jpel led from UCm 1969 after a I16-day sit-in at |the Administra¬tion buildinglater joined the‘•Establish- jment,* but oneof their numberis now a sus¬pect in the jBrink's rob¬bery last week. !Story on page23.CHICAGO’SART DECOLANDMARKIS REBORNIN SPACIOUSLUXURYAPARTMENTS3MODiPflRinfimThe time was the twenties. The place wasChicago. And in Chicago, in Hyde Park, the inplace was the Blackwood. Now the excite¬ment, the glamour, the luxury of a bygoneera have returned with the completion ofthe refurbishing of the landmark BlackwoodHotel into gracious apartments.The features which made the Blackwoodsuch a superb example of the Art Deco stylehave been carefully preserved .. the charac¬teristic geometric ornamentation, theleaded glass, openwork grilles, the sweep¬ing open formal lobby. Yet. inside eachapartment you'll find all the conveniencesof the 80's...fully equipped kitchens includ¬ing range, refrigerator, dishwasher, wall towall carpeting, ceramic tile baths, individu¬ally controlled heating and air-condi¬tioning. new energy efficient insulated glasswindows, and many other amenities.Located just steps from Lake Michigan,minutes from the Illinois Central trains(which means a rapid commute todowntown Chicago). Harper's Court Shop¬ping Center, and the University of Chicago..residents of the Blackwood Apartments willenjoy the availability of the finest culturaland recreational facilities the city has tooffer3200 S. NflCKSQIfMon. thru Fri. 9-6, Sat. 8< Sun. 11-5or by appointmentPhone 684-8666S ft 5 l n ft PMIllTCODPOPHIOnCOMMUNITY 1ORGANIZERSACORN needs organizers to work withlow and moderate income families in22 states 'ARK SD. TX LA, TN MO, FL.CO, NV, PA IA OK Ml, AZ NC GA, SC,CA CT MA OH NM) for political andeconomic justice. Direct action onneighborhood deterioration, utilityrates, taxes, health care, redlining,etc. Tangible results and enduring rewar¬ds - long hours and low pay. TrainingprovidedContact Career Counseling toarrange an interview Friday, Nov. 13or contact Kaye Jaeger, ACORN, 117Spring, Syracuse, NY 13208 375-476-0762 USED OFFICEFURNITUREUsed wood desks from $135Used metal desks from $25Used 6 ft. drafting tables4 drawer files from $50BRANDEQUIPMENT 8560 S. ChicagoRE 4-2111Open Daily 8:30-5Sat. 9:00-3 DR. M.R. MASLOVOPTOMETRIST•Eye Examinations•Contact Lenses(Soft & Hard)*Ask about our annualservice agreement.•Fashion &LOMBEvewear SOFLENSeyewear (potymocon)i Contact LensesLOCATED IN THEHYDE PARKSHOPPING CENTER1510 E. 55th 363-6100i,k Oortrty «f 3bt tijxp* 1%* ? *«* * f wmmmM 4CUERV0 ESPECIAL « TEQUILA 80 PROOF IMPORTED AND BOTTLED BY O 1961 HEUBLEIN. INC', HARTFORD. CONN2—The Chicago Maroon—Friday, November 6, 1981NewsbriefsBudgetContinued from page oneitem in tne academic budget, according toDam’s report, totaling $60.8 million. A largepart of faculty compensation is paid for re¬stricting funding.“Faculty compensation is not only largein relative amount,” wrote Dam, “but facul¬ty salaries are also the first budget priorityof the University. Faculty salaries are thefirst priority when hard choices are madeamong budget items, and they are the firstpriority in our plans for strengthening theUniversitv in the future.”The report also expressed concern about acut back in federal funding for research.The funding from government contracts andgrants rose by more than a million dollarsthis year, but academic research is one ofthe areas hardest hit by the Reagan admin¬istration’s cutbacks. “The economic and po¬litical forces shaping the national budgetmake government research funding one ofthe natural targets for expenditure reduc¬tion,” said Dam. “Government grants andcontracts finance a large variety of expendi¬tures. One of the most important from thestandpoint of the financing of the Universityas a whole is the payment of academic yearsalaries of faculty members.”There have been concerns over the pastfew years among some faculty that hiringand tenure decisions here had been in¬fluenced by the success that a tenure appli¬cant had at receiving funding. Dam, in hisdiscussion of federal funding, touched onthis concern, and said that it was not theUniversity’s policy. “So far as the Universi¬ty is concerned, there is no University re¬quirement that any faculty member findsupport for his own salary. But if no onedoes obtain such support, the University,(and hence each department, division andschool) will necessarily face severe prob¬lems.” The goal of limiting the University’sunrestricted budget deficit to $2.0 millionwas set two years ago, as part of a four-yearplan by the University to reduce and elimi¬nate the deficit. A deficit of $3,775 millionwas targeted for 1979-80 and $3.5 million w-asthe successful target for last year. The Uni¬versity hopes to have a balanced budget bythe next year.While there was a deficit in the unrestrict¬ed budget, the University was able to show asmall surplus on the overall budget. TheUniversity consolidated revenues for thisyear is $383,859,000, while its total consoli¬dated expenditures total $382,110,000, for asurplus of approximately $1.75 million.Butconsidering the size of both the unrestrictedand consolidated budget for this year,Dam’s report tried to downplay both the sur¬plus the deficit.“Although these deficit figures are large,it is well to remember that they are smallcompared to the budget as a whole,” hewrote. “The unrestricted budget deficit isonly a small residual between two largenumbers.FundingContinued from page onement of subtle discrimination against GALAbecause of a lack of understanding of itsaims.W’hen contacted about the claims of subtleracism and homophobia present in theSGFC, George Kampstra responded by stat¬ing that it was untrue. “Both groups had sig¬nificant deficits and claims of racism or ho¬mophobia or whatever is just a convenientexcuse. It doesn’t matter who they are orwhat they are and it’s childish to claim dis¬crimination - the real issue is the budget.”GALA and OBS can now appeal the deci¬sion to the Student Assembly meeting onWednesday, where any change would haveto be approved by z/3 majority of the Asse¬mbly. Kampstra expects the Assembly toapprove the recommendation as given.Every Day is Sale Day5225 S. Harper • in Harper Ct. • 955-0100open monday thru Saturday 10 to 6 • Sunday 12 to 5-' ■**» Let us showyou our wonderfulworld ofbath fashions.Select from the largest group of shower curtains in theChicago area! SAVETIMEANDMONEYMariposa Frank PressPress next fellowThe next visiting fellow will be physicistFrank Press, who is noted for his work onthe importance of long-period surfacewaves in studying the earth’s structure andhis development of the instrumentation nec¬essary to measure these waves.A faculty member at Massachusetts Insti¬tute of Technology, Press became the 19thpresident of the National Academy ofSciences in July 1, 1981. During PresidentCarter’s term in office, Press was ScienceAdvisor to the President and director of theOffice of Science and Technology Policy.Press attended the City College of NewYork and did his graduate work at ColumbiaUniversity.Press will be on campus on N’ov. 16 and 17.He will be staying at Woodward court dur¬ing his stay. He will be speaking at 3:30 onNov. 17 in Harper 130. Student attackedA UC student was attacked Monday at8:10 p.m. on the 5300 block of DorchesterAve. as she was walking home to her apart¬ment by a man who struck her in the faceand then took her handbag. When thewoman began to sound her whistle, the as¬sailant dropped the purse and fled.Suffering lacerations across the nose, thewoman was treated at Billings Hospital andreleased.Computerware stolenSeveral computer accessories, worth ap¬proximately $3000, were stolen from a roomin the Physics Department sometime be¬tween midnight, Oct. 31 and the morning ofNov. 2. The stolen items are:There was no sign of forced entry. BothUniversity security and Chicago police werenotified.The computer was acquired for use in theadvanced laboratories, for storing and mini-pulating data, as well as for computer con¬trol of experiments in the graduate teachinglaboratories.The loss forces the Department to cancelexperiments on computer interfacing andseverly diminishes the learning experiencefor many physics studentsRapist convictedA Woodlawn man who raped eight womenon Illinois Central Gulf station platforms be¬tween the autumn of 1979 and summer of1980 was sentenced to 30 years in prisonWednesday. Sentences of 30 years for eachrape are to run concurrently, according toMichael Murphy, director of the South EastChicago Commission.Wayne Davis, of 852 E 64th PI., pleadedguilty to each of the rapes. Murphy said, oneof which took place in the 59th St. ICG sta¬tion in November 1979.Since 1935WilliamsCustom TailorsINFLATION FIGHTERS!WE ARE EXPERTS ATMODERNIZING YOUR WARDROBEAT REASONABLE PRICESWeight Loss or Weight Gain--Narrow Lapels--Taper Trousers--Invisible Weaving--Leather & Suede--Immediate Service--Satisfaction Guaranteed-CUST0M SUITS MADE TO ORDERBY H. FREEMAN-your fabric or ours-Call for an appointment - 782-9885Pleasing fostidious customers for over 30 years m19 South LaSalle Street(Entrance on Arcade Place)782-9885The Chicago Maroon—Friday, November 6 1981—3Editorialsis i-*heu_ 'ae.pcr^crNOO rUt AcitOM f£OM *,\»oG€»vD£ .• •• Pe ^vj^F'ctS A STA6-<yt£‘K*jTDrUt FACC I^cOoO ^fV’Pr.iOb P^oMft g-APi/Oo Mole Btco»o fU^« *-EFt tv(£rue KeTe^«rtT , \ V/ .'^Pofer.- Sfv-CrIt'S flee CVefcwcAe«i>Jfc A rooPrt^gT\ Auc mu^if^^*5 im i'iV ' 1 M QTF 1£ poorsALL\CMAMe>EgLlNj i ggH^TJ □©t^A»M€T5 Dl3lfiI cR^PleO QiSiylk.-w *(**■A\r®CHAM6efci.i'-' W/WS AMliJ'A question of rhetoricIt is difficult to know if the cuts in the Organization of Black Student’s (OBS)and the Gay and Lesbian Alliance’s (GALA) budgets are correct or not. Thereis often budget padding by different groups going before the Student Govern¬ment Finance Committee (SGFC). But it would also seem that organizationswhich serve as valuable support groups for segments of the University commu¬nity are among those most worthy of funding. The specific issue of these fund¬ing questions must now finally be decided by the SG assembly next week.We cannot say whether the assembly should pass or reject the finance com¬mittee’s decision. But we do urge that the specifics of the funding requests, andof the groups’ activities are the central topic of discussion by the assembly.Rhetoric about discrimination of any kind, racial or anti-homosexual, is tooeasily used in this situation. It is important that this is not the central argumentused by the groups presenting their requests. We are skeptical of its use in thiscase especially, even though we have had some strong disagreements with theSGFC this year. But whether or not they have made the wrong decision in thiscase, they have apparently made it for the right reasons.LettersAnother view of theThird WorldTo the EditorI was surprised and dismayed that theMaroon could publish such uninformed com¬mentary as the piece entitled “Just What isa ‘Third World’ Nation?’’ Mr. Battermantries to confuse the reality of Third Worldpoverty by showing diversity between ThirdWorld nations < who would deny it), presenti¬ng a number of misleading and distortednumbers, and then simply mouthing Rea-ganite foreign policy stances as his sup¬posed conclusions.Mr. Batterman maintains that economicproblems in the Third World vary enor¬mously; a true statement. But it is patentlyabsurd to try to conclude from that the“Third World” is “pure fiction”. Mr. Bat¬terman compares the GNP of the largest na¬tion in South America (Brazil) to the threesmallest economies of Europe (Denmark, Norway, and Sweden) — this is distortion.Why not compare the GNP per capita,which is about, eight times as great in theEuropean countries. Further, he shows thatsome Third World (OPEC) countries arevery wealthy; but he does not mention thatover 50% of the world’s countries, compris¬ing 75% of the population, have incomesunder $1000. He avoids the deterioratingterms of trade and declining standard of liv¬ing that have hit many nations in the pastdecade. These are not generalizations basedon fiction, they are based on fact. If Mr. Bat¬terman thinks that by mentioning a few oil-rich (Saudi Arabia, Kuwait) or burgeoningeconomies (Taiwan, Hong Kong) he canmask the true situation, he is mistaken.Perhaps Mr. Batterman should read theWorld Bank Report. It separates the ThirdWorld into Oil exporting, low-income oil im¬porting, middle-income oil importing, andindustrial market economies, and acknowl¬edges the differences between them. But it also says that “even in the most favorablecircumstances, the gap between rich andpoor wTill widen in the next decade.”It seems Mr. Batterman would rather weespouse a philosophy of treating each nationindividually, on a case-to-case basis, de¬pending on how “loudly they proclaim theirpro-American allegiance,” and let theothers starve. In fact, the final paragraphsare simply statements of Reaganite foreignpolicy and philosophy of foreign aid, with nofactual support. He mentions the ever pres¬ent Soviet bloc when his arguments areweak, because he assumes the only conflict^ oi any importance in the world is the “East-l£ West.” The final slap to developing coun-£ tries is his statement that “U.S. relationsx (are) important primarily to check the£ spread of Soviet influence.” Perhaps weshould drop out of the U.N., the World Bank,the I.M.F., and other multilateral interna¬tional institutions, and create a system ofsatellite capitalist countries to stand firmagainst the Russian tide. Forget the rest ofthe world — we don’t need them.Paul GronkeFourth year Transfer in CollegeMore about womenTo the Editor:I want to commend the Maroon for provid¬ing the 2-page “Inside” column on “Womenat UC”. I would also like to point out someinaccuracies in Robin Kirk’s repot:1. The Conference on Women and the Uni¬versity (Conference) was sponsored by theGraduate Committee on the Study ofWomen (GCSW). While the participation ofthe other women’s groups on campus wasobviously of great importance and benefit tothe Conference, the organization of the Con¬ference was the work of the five members ofthe GCSW.2. The GCSW was formed two years priorto the Conference, that is, 1979. They had al¬ready, during the two years prior to the Con¬ference, published a “Directory of Re¬searchers on women and Femaleness” andsponsored speakers on an almost biweeklyschedule. The directory and speakers re¬ferred to by Nella Weiner in Kirk’s articleare further projects being considered by thefour current members of GCSW.While coverage by the Maroon of womenat the University is, I am sure, appreciatedby a wide audience, accuracy in that cover¬age, as in other areas, is very important.Sincerely,Ricard S. Wallstein,Graduate Student andChief Cook and Bottle Washerfor one of the GCSWOfficial bears onusTo the Editor:As a spectator at the highly contested foot¬ball match between Chamberlin and DeweyHouses, I believe that certain facts aboutthe game have been neglected. First, therew'as no penalty flag thrown on the play inwhich 2 members of Dewey House were in¬jured, so it must be assumed that these inju¬ries occurred during clean play. Second, thetermination of the contest by the officialswwas illogical. It so happened that Dewey’sclub did not wish to get back on the fieldafter two of their players were hurt. Logi¬cally it must follow that Dewey concededthe match, which they were losing 35-6. Theofficial’s action to simply call the game re¬presented poor judgement, in light of theabove facts. The irresponsible way in whichthe game was terminated also precipitateda host of further difficulties that w-ould be in¬volved to resolve the outcome of the game. Iwould also point blame at the officials, forwhat I perceived to be a gross level of im-competence. I was appalled to see the refer¬ee having to continually consult the rulebook in order to permit interrupted play tocontinue. I was also dismayed at the ab¬sence of initiative and general leadershipability of the referees on the field.I.M. Football is a rough sport in w-hichparticipation is voluntary and at one’s ownrisk. That injuries result should not be unex¬pected, nor be impediments to the orderlycourse of football contests. Referee’s thatcan back up the rules with strong initiativeshould be able to set the,tone of tolerableplay that is to be expected. In this way, such injuries could be kept to a minimum.Bruce L. Greenberg4th yr.CollegeAppalled by his gallTo the Editor:In the Tuesday, Nov. 3 issue a letter ap¬peared defending Mr. Ehrlich’s right tochalk sidewalks in his effort to become S GTreasurer. Mr. Greenberg the author of theletter demands an apology from ElizabethRussell who criticized this campaign tactic.However, we challenge Mr. Ehrlich’s rightand are appalled by the demand for theapology. As the President and Treasurer ofthe Committee on Prevention of Cruelty toSidewalks, we feel that it is our duty tospeak out on this issue. We object to the defi¬lement of any sidewalk especially those ofour distinguished University. Regardless ofwhether or not the rain will wash away thisdamned spot (which it has not after twostorms), we feel that chalking sidewalks is avile crime against the entire social body ofUC and should be punished as such. Fur¬thermore, to demand an apology for speak¬ing against this crime is repulsive. We firm¬ly offer the entire political and social weightof our committee to anyone who freely de¬fends the right of our sidewalks to existwithout having to worry about chalk fiends.Our sidewalks must remain clean. Americathe beautiful must remain beautiful.J. Joseph DonermeyerPresidentMarcus Aaron AsnerTreasurerA peculiar view?To the Editor:After reading Ira Greenberg’s letter inlast Tueday’s Maroon, I must conclude thathe has a slightly peculiar view of the worldaround him.First, Mr. Greenberg’s anxiety about howMr. Ehrlich’s name is popularly spelled isentirely unnecessary. I can assure Mr.Greenberg that the vast majority of stu¬dents here, and perhaps the entire studentbody, can spell Mr. Ehrlich’s name correct¬ly. After all, we have all seen Mr. Ehrlich’sname on walls, sidewalks, steps, and waste¬baskets. We have seen Mr. Ehrlich’s nameon concrete, wood, brick, and limestone.Some hapless students are probably seeingMr. Ehrlich’s name — spelled correctly, noless — in their dreams. Assuming, of course,that Mr. Ehrlich and his friends spelled hisname correctly when they scrawled it allover campus.Mr. Greenberg obviously has a great loveof precision, since he devotes column spacein a newspaper to correcting Ms. Russell’sspelling errors. Perhaps Mr. Greenbergshould be more precise, then, about the fateof the chalk. Since chalk does not dissolvevery w'ell in water (Mr. Greenberg canprove this to himself with a simple experi¬ment) we cannot expect that the chalk willnecessarily wash away very quickly. Fur¬thermore, not all parts of all walls, trashcontainers, etc. are necessarily exposed to agreat deal of rain. Mr. Ehrlich’s name willremain in such spots even longer. To besure, our grandchildren will be ignorant ofMr. Ehrlich, but Mr. Greenberg could notexpect the chalk to disappear the day afterthe election, and in fact it still has not disap¬peared from many places, including side¬walks that have already been rained onmany times. So much for precision.Wake up, Mr. Greenberg. The fact thatthe plant department might have the goodsense to refrain from spending money toclean up your mess does not excuse yourlack of good sense in the first place. 1 wastired of seeing your nonsense before I fin¬ished reading the first of Mr. Ehrlich’s “ad¬vertisements”, as you call them. I call themchildish, irresponsible jackass, and I do notwant such a person administering so muchas a nickel of my money. I suspect that mostof the students here agree; after all, Mr.Ehrlich did lose the election. I think theymight agree as well with Ms. Russell thatwe all are due an apology from Mr. Ehrlich.It Mr. Ehrlich and friends were to clean offall the walls, sidewalks, etc., that they de-The Chicago MaroonThe Chicago Maroon is the official student newspaper of the University of Chicago It ispublished twice a week, on Tuesdays and Fridays Editorial and business offices arelocated on the third floor of Ida Noyes. 1212 E 59th St Chicago. 60637 Telephone753-3263Chris IsidoreEditorRobert DeckerManaging EditorDarrell WuDunnSenior News EditorAnna FeldmanNews Editor Sherrie NegreaFeatures EditorAudrey LightSports EditorWilliam MudgePhotography EditorAame EliasDesign Director Richard KayeGrey City Journal EditorBecky WoloshinChicago Literary *?•Erin CassidyLibrarian Editor Henry OttoBusiness ManagerJay McKenzieAdvertising ManagerLeslie WickOffice ManagerCharlie MencerProduction ManagerStaff: Susan Aaron, Lee Badgett, Mary Bartholomew, Sheila Black, David Blaszkowsky,David Brooks, Kahane Corn, David Candela, Wally Dabrowski, Jeff Davitz, Sue Fortun-ato, Kate Fultz, Margo Hablutzel, John Herrick, Keith Horvath, Sho-ann Hung. RobinKirk, Stephen Kritchevsky, Bob LaBelle, Katherine Larson, Linda Lee, Jennifer Maude,Bob Nawrocki, Carol Quillen, William Rauch, Melody Salkuci, Donna Shrout, KateSparks. Daniel Staley, Elizabeth Steiner, James Thompson, Bob Travis, Aili Tripp, JeffWolf, Anna Yamada.4—The Chicago Maroon—Friday, November 6, 1981ViewpointsFinger on the triggenthe case against gun controlBy Raymond TindelIf you don’t ask the right questions, you don’t get the rightanswers, or GIGO, Garbage In, Garbage Out; this is aboutthe best that can be said for the Handgun Control, Inc. legis¬lative forum. The fundamental assumption which unitedmost in the room was that gun control laws would reducecrime. When heretical ideas intruded, their proponentswere either laughed at, yelled at, or ignored. As one panel¬ist observed, “we’re preaching to the converted tonight.”The group brought to the cause all the enthusiasm of thenewly converted, and one might have gotten the impres¬sion, had one not known better, that gun control is a newidea, perhaps first thought up by someone in that veryroom, and that here was the beginning of a great crusadewhich would through legislation sweep us a giant step for¬ward toward our well-regulated salvation.But gun control laws have been around a long time, farlonger than HCI, and there are myraids of them — federal,state and local — perhaps 27,000 of them, already on thebooks, and it is not unfair to ask how well these laws haveworked. In fact, it should be incumbent in a free society foranyone proposing new regulations to demonstrate that theyA call for sanityBy Ted StromThey used to call it Armistice Day, and it signified peace.Now it’s called Veterans’ Day; but its original meaning willbe remembered on Wednesday, on at least 144 US collegecampuses. Organized nationally by the Union of ConcernedScientists, and locally not by students but by concerned fac¬ulty, a full day will be dedicated to the subject of nuclearwar and its prevention.We’ve heard it all before, of course. Most of us grew upwith the bomb, and we’ve all learned to live with the notionthat three fourths of our country’s population could bewiped out in about a half hour. But today there, are somenew- twists to the story. What about “theatre” nuclear war?Could either side “win” a “limited” nuclear w;ar? Does ei¬ther side think it could? These strategies and the techno¬logy that made them possible have contributed to anotherescalaton of the nuclear arms race.Few' people want to consider the consequences of nuclearwar. Many do not want to survive such a war, but desireinstead to be as close to ground zero as possible when it fi¬nally happens. It is a strange tribute to human endurancethat we can deny the full effects of nuclear weapons. Butdenial in this case has limited survival value. The danger would be effective. (Mrs. Zartman’s argument that evenuseless gun laws are helpful because they encourage thefaithful should be rejected out of hand.)So, are gun laws effective in reducing crime? The an¬swer, unfortunately for HCI, is a resounding NO. One wouldbe hard pressed to find another instance, at least since Pro¬hibition, where so much legislation has failed so often andso completely to reform the American people. A federallyfunded study at the University of Wisconsin on the effec¬tiveness of gun control in controlling rates of violence foundthat (1) neither the type nor the severity of anti-gun lawshad any impact on rates of violence; (2) anti-gun laws hadno significant effect on access to firearms; and (3) varyingrates of access to handguns had no demonstrable effect onrates of violence. When faced with this phalanx of unpropi-tious data, the gun control advocate usually shuffles side¬ways with a reply like “I don’t want to get into the numbersgame,” or departs the continent altogether with a “Whatabout England?”It is true that England today has both tough gun laws anda crime rate far below' ours; but the history of gun controlthere is no more encouraging for its proponents that it isremains; to continue to ignore it is to ensure disaster.Wednesday the facts will be laid out in full and distastefuldetail by people who know. Among them will be the formerdeputy director for research for the CIA; a former advisorto President Kennedy; one of the world’s most respectedradiologists; a speech-writer for Defense Secretary Wein¬berger; a research participant in the Manhattan project;and many thoughtful and concerned human beings.They will describe what each side can deliver and whatthe physical and medical results would be. The nature ofthe arms race and past attempts to control it will be dis¬cussed. Finally, some incentives for future efforts at armscontrol will be considered. The President of this Universitywill offer her views; later, a few poets will offer theirown.Wednesday events mean little by themselves; the im¬pression they leave behind is what counts. Is nuclear warlikely? What are the chances for survival? What kind ofworld would the survivors face? Is disarmament really pos¬sible? There are definite answers to these questions. Therecan be an end to the nuclear arms race. But do we have thecourage and determination to end it? to that question thereis not yet a definite answer.Ted Strom is an alumnus of the ASHUM program; astudent in the Pritzker school of Medicine and the Depart¬ment of Biochemistry; a member of the Chicago Chapter ofPhysicians for Social Responsibility. here. First of all, England’s crime rate was considerablylower in 1920 when handgun licensing was first introducedthen it is today, and when crime rates began to soar duringthe 1960’s, ever more stringent controls failed to stem thetrend. A study conducted at Cambridge University conclud¬ed that Britain’s gun control program was effectivelyuseless and should be scrapped because it required toomuch police manpower and resources. One should also lookat Switzerland where private gun ownership is the highestin the western world and its rate of violent crime among thelowest. Similar situations obtain in Israel and FinlandMexico, on the other hand, has a stringent nationwide sys¬tem of controls but is unfortunately plagued with consider¬ably higher rates of armed violence than the U.S.Why do anti-gun laws fail so universally? The reasons arecertainly mainfold and complex, but it is important to notethat a very small fraction of gun owners — criminals — areresponsible for the vast majority of violent crime In fact,less than 1% of firearms are likely ever to be used criminal¬ly, and it is just this fraction of a percent which is least like¬ly to be effected by HCI’s licensing, regulating, and ulti¬mate banning. Once again. England's experience isinformative; the Cambridge study found that half a centuryof rigorous controls had resulted in minimal handgun own¬ership by all sectors of the population except criminals. Itappears, therefore, that even if HCI’s proposed legilsationcould eliminate 90% of the guns in private hands (which as¬sumes a rate of success generally beyond even the mostwidly optimistic predictions) the rate of violent crimewould hardly be effected. One might as well try to contriolarson by licensing matches.Of course, it might be argued that gun control has failedsimply because we have not tried hard enough, that if reallyDraconian measures were applied, if the police were givenenhanced powers of search and seizure reinforced by vigor¬ous prosecution and punishment of offenders, the millenni¬um might at last be achieved Precisely such measureswere taken in Jamaica in the early 1970’s. All guns and am¬munition were banned; police were empoered to searchanyone, enter any house without warrant, arrest withoutwarrant and hold without bail anyone suspected of violatingthe ban. Those convicted were imprisoned in stockades.The rate of violent crime dropped off for a few months andthen shot up abruptly.HCI’s forum might have asked itself “How do we reduceviolent crime9” and produced some usefult discussion. In¬stead, it has set for itself the fruitless and futile chore ofpassing gun control laws. And the pity of it is that while HCIpaws the ground and tries to gore the NRA, nothing effec¬tive is being done to control crime, and the murders, rob¬beries. etc. go on and on and onRaymond Tindel is a Ph D. candidate in Sear EasternLanguages and Civilizations.Co-opfaced. I think that might suffice. If they arefeeling especially contrite, I invite them todo the cleaning with their tongues — cer¬tainly a more constructive use of same thanthe way they have been employing them todate.And you, Mr. Greenberg. You say evenless about yourself by defending such be¬havior than the original miscreants saidabout themselve by doing it.CordiallyJames WolfsonStudent in the CollegeIlliteracy ponderedTo the Editor:This letter is in response to Mr. Green¬berg’s letter defending Mr. Ehrlich (Did Ispell it right?). Although Mr. Greenbergtried his best, he did not succeed.In response to Mr. Greenberg’s first point,that Mr. Ehrlich’s name had been mis¬spelled, I do not see how- this has anythingwhatsoever to do with his guilt or innocence.Mr. Greenberg, in trying to defend Ehrlichin this manner, is like a defense lawyer whodemands a mistrial because a witnessspelled his client’s name wrong. Should wedeclare that all the facts presented in theMaroon are wrong simply because “Ehr¬lich” was spelled “Erlich"? Nonsense.However, if you accept the contention thatthe Maroon is wrong because of a spellingerror, you must also accept the contentionthat Mr. Greenberg’s letter, because of allthe spelling errors that he made, is alsowrong. These errors are the following:“conferm”, “contaning”, “chaulked”, and “apoligize”. Mr. Greenberg is also wrongbecause he uses the word “hopefully” inap¬propriately. “Hopefully” (according toWebster’s Dictionary) means “With hope;in a hopeful manner.” Thus, Mr. Green¬berg's sentence becomes “in a hopeful man¬ner, the correct spelling would be chosen."This is clearly wrong. It should also bepointed out that in several of the chalked (or“chaulked”) messages, “Ehrlich” was in¬deed spelled “Erlich”, showing that noteven his supporters can spell his namecorrctly.Mr. Greenberg’s second point, that itwasn’t vandalism because the rain willwash it off eventually, is also totally absurd.Vandalism is defined as the act of deface¬ment. This definition does not include astatement of how long the defacement mustbe preserved. No matter that the chalk isgone tomorrow, it is still vandalism. Are weto believe that even if Mr. Ehrlich’s support¬ers had used spray paint to vandalize thebuildings and sidewalks, it still wouldn't bevandalism because the rain would wash thepaint off in fifty or sixty years? Similarly,according to Mr. Greenberg, marking onwalls with a felt-tip pen would also not bevandalism because any good ‘industrial-strength cleanser would take it right off. 1hope (not “hopefully”) the reader has thegood sense to realize that vandalism is van¬dalism, and whether or not it remains pastthe first rain is totally irrelevant. It is theact itself that makes it vandalism.When looking at the points Mr. Greenbergmakes, it should be realized that the spellingof “Ehrlich” and how long chalk remains onsidewalks have nothing whatsoever to dowith the central issue of vandalism of Uni¬ versity property. It is my personal opinionthat the actions of Mr. Ehrlich and his sup¬porters are reprehensible. Moreover, inplaying hopscotch with the truth, Mr.Greenberg seems to have skipped right overit. This incident, like many others, should be“chalked” up to experience.Sincerely.Ernest E BallardTo the Editor:I am very pleased that the Maroon's staffwas able to find the many spelling errorscontained in my letter published in Tues¬day’s Maroon. This proves that theMaroon's staff is competent I am thereforeled to believe that the misspelling of Rich¬ard Ehrlich’s name was intended as an in¬sult to him. If this is true, then I hope thatMr. Isidore would have the common de¬cency to apologize.Sincerely,Ira Greenburg3rd year student androomate of a formerSG Treasurer candidate.To the Editor:A glance into The Concise Oxford Diction¬ary of Current English informs us that theword “lich” has an etymological history in¬volved with death and dying. A “lich-house”is a mortuary, and a "lich-stone” is a slab inchurchyards used for the deposition of cof¬fins. In old English, “lie” meant “corpse.”With these interesting linguistic facts inmind, could we not then, with perfect so-breity, call the “Vote Lich” graffitti a deadissue?Misty BastianJohn Svatek Continued from page oneLast year the board voted to borrow$750,000 from the National Consumer Coop¬erative Bank to finance the remodeling.Since then it has borrowed $324,000 more.At last year's annual membership meet¬ing with the board of directors, themembers sharply criticized the manage¬ment of the remodeling.“I don't think it's that we re being poorlymanaged,” Schlessinger said “We re beingmanaged very well considering that wehave enormous problems. The trouble isthat we need more sources of revenue ”Schlessinger said that the Co-op needs amarketing plan to increase sales volume byattracting customers and increase capitalby attracting members.According to Spencer the supermarketlost money again in September. Over thepast two years, the supermarket has beenoperating at a loss.In a newsletter to members. Board Presi¬dent Jeanne Orlikoff expressed some opti¬mism, however“We are losing money — but less fast: theremodeling isn’t complete — but it has beenput on a sound, planned footing. We are pastmost of the hurdles on its financing, andwhen we are done, the money w ill have beenobtained on the best possible terms, throughloans and a capital fund drive. We havesound, experienced management onceagain,” she said.The membership will have its chance torespond to the recent events at the society'sNov. 22 annual membership meeting withthe board of directorsThe Chicago Maroon—Friday, November 6. 1981—5A"?»Sv?4Y,r?*S'!r?*Sir^iM»vin«NSpin-ltpresentsA Sale On All C.B.S. Classical L.P.’sMasterworks SeriesReg. 8.18 - Now 6.49 Great Performance SeriesReg. 4.98 - Now 3.99Here are some of the items included in our Sale!PHASES OF THE MOONTRADITIONALCHINESE MOSIC ISAAC STEXNHMMUIWUUIMfHTA N.I PMUMKMONK Murray Pefah«Beia BartokSuite. Op. 14 Sonata in76iOut of Doors ISA AC STERNTHECLASSK MELODIESOE JAP\NlfO/\> N \ >1 \ MOTO.Ml SKI II SC MlE NSE MBi t MPPONI SrSSt V BOUJNGTOOT SUITEFOR TRUMPET A JAZZ PIANOMA0R1CE ANDRE CLAUDE BOLLING6.49 6.49 6.49 6.49 6.49ISTOMIN-STERN-ROSETRIOMENDELSSOHNTrio No.l in 0 Minor. Op. 49Trio No. 2 in C Minor, Op.66EM 37243 One of today’s premieretenors in a beautiful album of itemporary love songs OFFENBACH:GAiTE MRtSIENNESAJNTSAENSDANSE MACABREDUKASSORCERER SAPPRENTICEORCH NAT Lde FRANCEMAAZEL DOMNGO!nJCCNDOMZETTIMASSEMETVOWCtfA JEAN-PI ERRERAMDUVlllHIKIVKl’K.fJOM SON V1AMOSnilAKVSON,MATONI IMAM I(OIINSIMII KiniK M \V>6.49 6.49 6.49I®1 Krtat Performances MMUSSORGSKYPICTURCt AT ANAMOfTONBALDMOlimUN■BERNSTEINNEW YORKPfiLHA«yWfiC A (Great Performances !®jMOZARTmumSYMPHONIESSZELLCLEVELANDORCHESTRA j (Great Performances jjjmmmmBUR ANAORMANDYnuiiiwi laciESiuMBMn rniM POBl M 372076.49^ ffircet Performances [ ?STRAVINSKYFIREBIRD SUITEPETRUSHKA(COMPLETE)1 1 BERNSTDNNEW YORKPHUtARMOMC 6.49taLi (Great Performances SLBEETHOVENIROICASYMPHONY NO. 33.99 3.99 3.99 3.99 SZELLCLEVELAND3.99(Great Performances 0COPLANDBILLY THE KIDRODEOBERNSTDNNEW YORKPHLHARMOMC3.99 A (Great Performances 3CTCHAIKOVSKYCAPRICCiO FTALJENcAraccid ESRHGNOLmmKimPUJUfMC3.99 1 (Great Performances il>! YHC rAMOUS I9SS RECORDING!SHOSTAKOVICHSSYMPHONYBERNSTEINNEW YORKPHUHARMOMC3.99 (Great Prrformanccs WBEETHOVENEMPERORpiano coNcarro mo.sRUDOLF SOWNBERNSTDNieimpbmbmcMY 372233.99§ (Great Performances m §§ (Great Performances ^ W* (Great Performances j£]MOZARTPIANO CONCERTOS 19/20RUDOLF SERKIN SCHUBERTGREATSYMPHONY Mae M C MAJOR C C R S H W 1 NRHAPSODY IN BLUEAN AMERICAN IN P&RtSfSZ SIELLLtia aumm—iESI ORCHESTRAMY 37236 MH SZELL■ >« CLEVELANDORCHESTRA ■MY 37242 BERNSTEINn*MO AMO CONDUCTO*auwnmKciuNEW YORKPHILHARMONIC3.99 3.99 3.99Sale Ends Nov. 20,1981Another great sale from Spin-ltSpin-lt1444 E. 57th684-1505Spin-lt now, Spin-lt later, but Spin-lt!The Chicago Maroon—Friday, November 6, 19811JIIIIIIIIIIIIIIIIIIIIIIIIIIMIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIllllllllllllllllllllllllllllllllllilllllllllllllllllllflfllllllllllllillllllKIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllinilllllllllllllfllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllilllllltlllllllllllllllllllllCIIIIIIIIIII!tlllllllllllllli:illllllllllllllltllllllllllllllllllllltllllllllllllllllllllllllNIIU<WM4lini|||HMI«IIIIINiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii NOVEMBER 6, 1981 mmthe grey city journalimimmimmimmiimmiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiimiiiiiiiiiiiiiiiiiiimiiiimiiiiiiiiimmiiimiiimiiiiiiiiiiiiiimiiiiimmiiiiiiiiiiiiiiiiiiiimimiiimmiiiii fourteenth yeariiiiiiiiiiiiiimiiiiiiiiiiiiiiiiiiiiijiiiiimmiiiiiiiiiiiiiiiiimiiiimiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiimmiiiiiiiiiiiiiiiiiiiitimiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiiiimiimiiiimiiiiiiiiiiiiiiiiiiiiiimmiiiiiiiiiiiimiiiNiinilllinillllllllllllllllllllllllllliliiiiiiiiiiiiiiiiiiiiiiiMiiiiiiiiiiiiiiiiiiiMiiiiiiiiiiiiiiuiiiiiiiiHiiiiiiitiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiHiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii lllfArt in Chicago: Two GalleriesHoffman and the Roy BoydJohn TorreanoBy A. A. KambourisGeorges Seurat discovered that a paintingdid not have to be composed of brushmarksand pre-mixed colors, but that by paintingdots of different colors near one another, theviewer would create the desired image bymixing the dots and colors in his mind. JohnTorreano uses this same dot technique in hispaintings, but that is where the similaritybetween the two artists ends. Torreano, inhis latest work now on display at the YoungHoffman Gallery, uses large dots of acrylicpaints, silicon, and what he calls glassjewels to create his images on canvas andwood. The glass jewels are perhaps the mostintriguing element of the paintings becauseof their unusualness, and because theyserve to change the focus of the light in thecomposition as the viewer walks in front ofthe work, or as the light on the workchanges. It is almost as if there is one composition with the paint itself, one with theglass jewels, and one with the two elementsworking together to produce the completepainting.In "Milky Way", there is a central area ofthe large canvas that is dominated by thecombination of glass jewels and paint, whilethe rest of the canvas is relatively void. ATthough there is this strong movement in thecenter, Torreano does not let it overpowerthe viewer or the rest of the piece. He placessmall areas of glass jewelry and paint in theopen area so that the viewer is led from theedge to the focus in the center, and thenback to the other edge. The glass jewelry engages the viewer even if he is not standingdirectly in front of the painting.In another of Torreano's paintings,"Horsehead", he uses very light reds on abackground of dark blues, blacks and darkcolored glass jewels. The light area fadesgradually into the dark area, but the glassjewels keep the viewer from stating wherethe background begfhs and the image ends,although the jewels are dark, the lightshines off of the many faceted surface aswhite light. While the light colored areas ofpaint may end or become overpowered inone part, the light that shines off the glassjewels helps extend the image area. Onceagain, the composition changes as theviewer passes in front of the painting andthe light reflects off the glass.Torreano's work is not confined only to theflat plane of the canvas. Two of his piecesare jewel studded columns, and he also hasthree crosses that are painted and studded,in this exhibit. One of the latter pieces,"Cross Star" is particularly striking. It is ablack and white studded cross that seems toplay off the image of a star and also off thereligious connotations of the cross. Like astar that gives off light, the jewels on thecross reflect the light that is given off by astar or reflected off the jewels there is across shaped glare of light of greater magni¬ tude surrounded by many beams of lessermagnitude.There is also the possibility of applying re¬ligious connotations to the cross, but I do notwant to delve into this subject because of thesubjectivity of the interpretations. The ob¬servant viewer should be able to apply hisknowledge of the crucifix and all that it represents to Torreano's work and develop hisown theories about the crosses.Sharing the gallery space with John Torreano's works are the photos of Lee Fried-lander. Friedlander absolutely captivatesthe viewer's attention with his studies of ordinary objects that are seen totally out ofcontext and sometimes in ridiculous situa¬tions. Friedlander wants the viewer to in¬vestigate the situations that he has capturedand understand the transformation that theeveryday objects undergo when removedfrom their customary setting.Some of his photos also examine the phenomenon of trompe l'oeil. He uses many dif¬ferent types of objects that at first take on adifferent appearance until the viewer fig¬ures out what he is actually seeing. Thisphoto show is quite good and complementsTorreano's work. This gallery has put on anexcellent exhibition that, among otherthings, examines two artists who have de¬veloped unique processes in order to conveytheir objectives.Not to be outdone by the show at Young-Hoffman, Roy Boyd Gallery is exhibitinglarge oil paintings by Keith Achepohl, andmetal sculptures by David Bottini. Ache-pohl's paintings are being shown concurrentwith his exhibition of watercolors at the ArtInstitute of Chicago. -Much of Achepohl'swork engages the viewer through alterationof the viewer's perception about whether ornot the work is representing something inthree dimensions or only two. Achepohl abstracts his subject to such an extent that it isdifficult, at times to determine if he intendsthe viewer to see the work in perspective oron a plane. His use of color is also quite ef¬fective in contributing to the viewer's interest: Achepohl uses darker colors which nor¬mally go into the background in theforeground of his paintings, while brighter,more vivid colors that normall move for¬ward in our perception recede into the back-groung. In "Interior with False Door", arich red vertical movement comes outtoward the viewer, as lighter colors normal¬ly do, but then, the black and blue black ele¬ments come farther out than the red —something that one does not expect.The movement from two dimensions tothree is further confounded by the borderingthat Achepohl places around the brightcolors. By putting this border on in a con¬trasting color, the artist separates the ele¬ment from the rest of the painting, but thenalso seems to stress its importance in con¬junction with the rest of the composition.Achepohl does an absolutely remarkable jobof making the viewer re evaluate all of thepreviously accepted notion about spacial el¬ements of a composition, as well as the pre-’spective and color aspects of the paintings.Sharing the gallery with Achepohl issculptor David Bottini. Working in metal,and coloring his pieces with oil pastels,enamels and different types of polishingtechniques, Bottini does a good job of juxta¬posing extremes in his pieces to sufficientlyengage the viewer. He is concerned with theuse of delicate rods to hold up massiveplates, as well as the coloring and smoothtexturing on one facet of an element thatcontrasts a different rough, black, seem¬ingly unfinished face of the same element.In "Broken Shade", Bottini plays up the ten¬sion of thinner elements supporting thickerones so that the viewer gets a different feel¬ing when looking at the piece from differentangles. While the whole sculpture is com¬posed of rectangular and square shapes,Bottini sets certain elements off-center toinsure that this cubic feeling does not be¬ come overpowering.Although sculpture is primarily con¬cerned with the feeling that work conveysthrough the pieces that are actually present,the negative spaces can play an equally im¬portant part in the success of a particularpiece. Bottini is quite sensitive to the importance of the negative space, and uses theshapes and areas that the sculpture createsto his advantage. Like the positive elementsin "Broken Shade", the negative space isalso quite interesting and compliments thepositive elements.The changing surfaces of the metal areparticularly interesting in one piece,"Square Vase". There is seemingly a progression of the surfaces; one face is tex¬tured by only rust, while an andjoining faceis ground using a very coarse body-grinder.As the pieces become more delicate, the tex¬ture changes from a pastel coloring to final¬ly the smoothness of enamel. All of these littie details are attended to in each sculpture,and Bottini uses them to lead the viewer around the piece so that he can discover thesculpture.The two artists exhibiting at Roy Boyd aremasters at their work and take into accountall of the aspects of their work which enagethe viewer and cause him to investigate thepieces. Achepohl requires that one discardone's preconceived notions about space andcolor in order to understand and appreciatehis work, while Bottini uses the juxtaposi¬tion of opposites to entice the viewer to investigate his work. Although this show is different from the Young Hoffman exhibit, itprovides the viewer with an excellent oppor¬tunity to view a different type of successfulart.Young Hoffman Gallery, 1st Floor, 215 W.Superior.Roy Bo/' Gallery, 2nd Floor, 215 W. Superior.Take the #6 Jeffery to Randolph. Transferto the #151 Sheridan to Superior, and walkwest on Superior to 215 W. Superior (nearWells).David Bottini "Broken Shade" DavidWilliams§ COFFEE HOUSESGAC Friday, November 69 p.m. -12 p.m.Ida Noyes LibraryFREE ENTERTAINMENTMichael Harkin • Linder HigginsYoung Designs byELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd 288-2900 HYDE PARK UNION CHURCHChurch School (all ages) 9:45 a.mWorship 11:00 a.m.Nursery ProvidedW. Kenneth Williams, MinisterCome, Worship, Study, ServeTHE KLEZMOR1MThe internationally-acclaimed ensemble noted for itsrevival of klezmer music — a unique form of improvisa-tional music which developed in the cabarets of EasternEurope and flourished in America until 1930 — will appearin concert atMANDEL HALL(57th St. & University Ave.)SUNDAY, NOVEMBER 8 at 7:30 PM$7.50- Gen. Admission$6.00 - Sen. Cit.; $5.00 - StudentsFor reservations & information callElsie Newton 753-3185 (weekdays)752-0943 (evenings, weekends)CINEMA & MENTAL HEALTHPRESENTED BY THE RIVEREDGE HOSPITAL FOUNDATIONCinema Series '81A unique film series on mental health topics.An audience discussion of the film and itsmessage, led by mental health professionals,will follow each film.$2.00 Adults$1.00 Students, Senior CitizensAll programs begin at 7:00 p.m.Riveredge Hospital Auditorium8311 West Roosevelt RoadForest, Park, Illinois 60130Presented by theRiveredge Hospital Foundation8311 West Roosevelt RoadForest Park, Illinois 601 30(312)771-7000Call or write for tkkets. Days of Wine and RosesNovember 11, 1981Starring:Jack LemmonLee RemickAlcoholism and its effects on family and frien¬ds is superbly portrayed by Jack Lemmon andLee Remick. This different, daring and aboveall terrifying film bring a very different ap¬proach to understanding alcohol abuse. Con¬sidered by most a screen classic, the tremen¬dous tension and conflict come alive in thissensitive depiction.Program Moderators: Salvador Martinez,M.D. Medical Director, RiveredgeHospital; Carole Wener, MSW UnitManager, Alcoholism Treatment,Riveredge Hospital. Tonight at7, 9, 11:Tomorrow:7, 9:45:Sunday:8:00: DOC FILMS “ASee Fonda, Tomlin and Parton take on thephallocentric world of American Big Business inHilarious fashion, as we present one of the biggestmovie hits of the last few years:Colin Higgins’ 9 to 5Grand Prize winner at the 1980 Cannes Film Festivaland Academy Award nominee: Akira Kurosawa’ssamurai epic, KAGEMUSHA(please, please, please come to the 7:00 show if at allpossible, so that we don’t have to turn away peopleat the 9:45 show!)A chance to practice your Arabic!Shadi Abdelsalam’s THE NIGHT OF COUNTINGTHE YEARSAll films in Cobb HallV.DRIVE CARS TOFLORIDA& MOST CITIES U S A.NO CHARGEAAACON AUTO TRANSPORTPHONE NOW FOR FUTURE DATESREPRESENTATIVE WANTEDON CAMPUS. INSTANTPASSPORT PHOTOSAkCmnaS1mM1519 EAST 53rd STREETPHONE 752-3030THE JOSEPH KKGENSTEIN EIHKAHYTHE UNIYEHSITY OF CHICAGOPresents./ Selection from the Drama and Theatre Colla t tonsPLAYS,October, /(ASI through February, 19822—THE GREY CITY JOURNAL—FR IDAY NOVEMBER 6, 198111 Wednesday 12 thursdayfilm9 to 5 (Colin Higgins, 1980): Following theold Stanley Kramer principle, that the bestway of defusing a potentially controversialtopic is by making it cute, Colin Higginsmakes an irrepressibly cute comedy aboutwomen in the workplace. Patricia Resnick'sscript has moments of inspired farce, whichHiggins consistently kills with excess — onecan imagine him standing behind the cam¬eras urging his actors "Make it bigger!Broader! More!" The performances rangefrom accomplished (Lily Tomlin, who hasstill to get a role commensurate with her tal¬ents), to indifferent (Jane Fonda) to bad(Dolly Parton — just because she's likeabledoesn't mean she can act) to unspeakable(Dabney Coleman). Great credit sequence,then it's downhill all the way. Tonight, Fri¬day, November 6 at 7, 9 and 11 in Quantrell.Doc; $2.00 — MA9 to 5Kagemusha (Akira Kurosawa, 1980,Japan). For those of you who loved ShogunAssassin and are expecting the same farehere, this film might be a little tough going.The story, of a thief posing as a clan leader'sdouble in sixteenth-century Japan who mustassume that leader's identity when he hasbeen killed, is very slow-moving. The firsthour, especially, drags because of awkwardand needless exposition, but after that,things begin to pick up. While being epic inscope, and despite it having been filmed almost entirely in long and medium shots, Kagemusha succeeds best on the personallevel. Great depths of feeling are able to beexpressed in spite of the limitations. Disap¬pointing for Kurosawa, but well worth-see¬ing nonetheless. Saturday, November 7 at 7and 9:45 pm in Quantrell. $2. DOC. GS Maltese Falcon (John Huston, 1941): De¬spite its reputation as a "classic" of the Hol¬lywood detective genre, this Sam Spademystery vehicle is actually a marginalwork. The plodding pace and silly humorare somewhat obscured by an interestingscreenplay by Dashiel Hammett and an all-star cast. But the homosexual subtext of Sid¬ney Greenstreet's gang of likable gangstersis handled lighthandedly, without excessscorn or paranoia — a rare feat for a movieof this period. With the impeccable PeterLorre. Saturday, Nov. 7 at 7 and 9:30 p.m. atLSF Auditorium. $2. R.M.The Night of Counting the Years (Shadi Ab-delsalam, 1969): The Arabic title of thismovie is The Mummy but don't come ex¬pecting haunted house horror transplantedto the banks of the Nile. Americans and Eu¬ropeans have made plenty of films abouttomb robbers and archeologists but the ex¬otic setting inspires them to throw in a fewspooks for thrills. This movie is an Egyptianportrayal of the circumstances surroundingthe 1881 "discovery' of a royal cache nearThebes. The tomb robbers turn out to be alocal tribe who make a living by selling whatthey consider to be their inheritance. Themovie is a must see for those who spendtheir weekends loitering in The Oriental In¬stitute. Sunday, Nov. 8 at 8 p.m. in Quan¬trell. $2. DOC. J.W.El Dorado: Despite the fact that the plot is alittle different and the cast has beenchanged, this 1967 Howard Hawks Westernis a loose remake of the director's earliermasterpiece Rio Lobo (1959). This timeRobert Mitchum replaces Dean Martin asthe love sick drunk; Charlene Holt takesover for Angie Dickinson as John Wayne'slove interest; Arthur Hunnicut steps in forWalter Brennan as the cantankerous depu¬ty; and instead of Ricky Nelson playing asinging cowboy, James Caan walks aroundreciting poetry as Wayne's side-kick. Al¬though Hawks once again distills the tradi¬tionally romantic notions presented in Westerns and uses the genre as a backdrop forcharacter studies, El Dorado contains a lit¬tle too much violence and a sound track thatoccasionally sounds like the theme from"Mission Impossible". Nevertheless, it's afilm well worth seeing, especially for Hawksfans and those still harboring the prejudicethat Westerns are nothing but mythologicaland patriotic schlock. Monday, Nov. 9 at 8p.m. in Quantrell. S2. DOC. R.M.Solaris (19971) The Film Center of The ArtInstitute (Columbus Dr. at Jackson Blvd.,447 3737) continues its Andrei Tarkovsky(The Stalker, The Mirror) series with this"science fiction" film about an astro psy¬chologist who must investigate the strangehappening on a space station circling Solaris, a mystery planet that perceives thefear and repressed memories of those whoobserve it. Philip Strick (Sight and Sound)has described Solaris as "the nearest thecinema has come to capturing the complexities of modern science fiction." Sat., Nov. 7at 8 p.m. $2.50. Unseen by this reviewer.R.M. The Maltese FalconThe Life and Times of Rosie the Riveter(1980), a film produced by Connie Field,combines a series of film interviews withfive women who worked in industry duringWorld War 11 as part of this country's mobi¬lization of its female work force while ourboys were off fighting in distant lands.Adept and provocative in its social insight,Rosie details the racist and sexist practiceswhich American government and industryexercised after the war when the men re¬turned to reclaim their jobs. Sponsored bythe Chicago Chapter of Women for Radicaland Economic Equality, Friday, Nov. 6 at 8p.m. at the Second Unitarian Church, 656 W.Barry St. and again on Saturday, Nov. 7 at 1p.m. at the Third Unitarian Church, 301 N.Mayfield Ave. in Austin. S2.50. R.M.artFrom the Dining Table to the Dinner PartyThis exhibition of china plates was preparedas an educational addition to The DinnerParty by Judy Chicago. The plates includethose displaying traditional imagery exe¬cuted by some of the best china painters inthe country; as well as test plates and plateswith butterfly imagery by Judy Chicago. Athought provoking exhibit which raisesquestions about art and craft, women andcraft, and women artists. (See last week'sgcj for review.) Artemisia Gallery at 9 WestHubbard Street (Above N.A.M.E. Gallerywith the Viet Nam exhibit. See both!) Tues¬day through Saturday 11:00 a.m.-5:00 p.m.Some Girls This celebration of ChicagoWomen artists is across the street from theDinne Party. It showcases Chicago visualartists, including an alternative dinnerparty by 13 women identified artists. Sever¬al women's bookstores are presenting a aisplay Chicago of women of letters ana arlists' words and books. (See last week's gcifor review.) Part il of this rotating exhibitlasts til November 14. Part III opens November 21. 725/731/733 S. Dearborn Tuesdaythru Saturday 11 a.m.-5 p.m. Thursdays 12 8p.m. 922 8058 S2 donation requested. •theatreSometimes A Great Notion Nancy Salomondirects this Court Studio adaptation of theKen Kesey novel about two brothers who reunite after a painful separation. The castand director manage to turn a difficultscript into a perceptive and sometimes moving performance. This is the last week endto see this nicely-wrought show, with perfor¬mances Friday and Saturday at 8 p.m. andSunday matinees at 3 p.m. Tickets are $3and $2 for students. In the Reynolds Club Third Floor Theater. Call 753-3581 for de¬tails.The Sea Gull Court Theater continues itsproduction of the classic Chekhov playabout a group of Russian aristocrats andactors who discuss their troubles and loveswhile waiting for a play to be performed.Directed by Nicholas Ruddall, the showruns through December 13th with perfor¬mances Wednesday through Sunday (allshows are at 8 p.m. except for Sunday per¬formances, which are at 2:30 p.m. and 7:30p.m. At the new Court Theater building at5535 S. Ellis Avenue. For more informationcall 753-3581.UC Chamber Orchestra: The Umversity of Chicago Chamber Orchestra willpresent its first concert of the season on Saturday, November 7, at 8:00 p.m. in Goodspeed Recital Hall, which is located at thecorner of 59th and South Ellis Avenue.Under Music Director Peter Jaffe, the 16member orchestra will perform ArcangeloCorelli's Concerto Grosso in D Major, op. 6no. 4, Alan Hovhaness's Alleluia and Fugue,George Philipp Telemann's Suite in A Minorfor Flute and Strings, Giovanni Pergolesi'sSalve Regina, and Wolfgang Amadeus Mo¬zart's Divertimento in D Major, K.V. 136Admission is without ticket and withoutcharge. For more information, call the University of Chicago Department of Music at753 2612.Continuedr'n e grey city journo iEditor: Richard KayeJazz Editor: Jim GuentherClassical Music Editor: Robin MitchellBook Editor: John EganFilm Editor: Richard MartinFiction and Poetry Editor: Paul O'DonnellArt and Production: Susan Franusiak, Nadine McGann, PatO'ConnellStaff: Mike Alper, Denice Boneau, David Brooks, Charles Cole¬man, Sabrina Farber, Keith Fleming, Kira Foster, Nancy Gold-stucker, Kei Hanafusa, Jack Helbig, Sarah Herndon, Sally Hol¬land, Alice James, A.A. Kambouris, Nikolai Katz, AlexMihailovic, Arturo Perez-Reyes, Glen Sheffer, Dan Stitzel, Lon¬nie Stonitsch, Jennifer Tompkins, Michelle White, Ken Wis-soker, Sandy Young.Early Music: The first concert in the im¬portant new series, “Early Music at Man-del", will be given by SEQUENTIA, an in¬ternational quartet based in Cologne, onFriday, November 6, 1981. The ensemblebrings to life long-forgotten repertoires:songs of the Troubadours of the Languedoc,the Trouveres of northern Frances, the Min-nesanger of Germany, the clerics and intel¬lectuals of Paris, English friars and mys¬tics, and all types of instrumental music aswell as the earliest polyphonic music fromAquitanian monasteries and the cathedralsof France. The title of tonight's Mandel Hallprogram is “Minstrels and Clerics in theMedieval North". Tickets are available at310 Goodspeed Hall and at the Mandel Hallbox office. Call 753-2612 for more informa¬tion.Klezmorim: Echoes of Al Jolson, Tin PanAlley, and Eastern European cabarets fla¬vor the sounds of this ensemble of youngmusicians dedicated to the preservation ofklezmer music. A popular act at the U of C,they will be performing on Sunday at 7:30pm in Mandel Hall.Clarence "Gatemouth" Brown: A majorstylist in blues, country, swing, and cajunmusics, Gatemouth and his band (check-outhis bass player) will be appearing at Fitz¬Gerald's, 6615 Roosevelt Road, in Berwyn,this Friday night, Nov. 6.Chances R: Larry Smith's birthday party isthis Saturday night, and the joint will bejumping with whoever stops in to jam.The University Chamber Orchestra willpresent a concert this Saturday at 8:30 PMat Goodspeed Recital Hall featuring Mozart,Corelli and others. The concert will bebroadcast on WHPK FM, 88.3 next Thursday at noon. Admission is free.King Crimson (at the Park West Tuesdaynight, November 10)Recalling their premiere performance inLondon this past June, I believe this quar¬tet's music is the most accessible and excit¬ing manifestation of the New Music's influence on Rock music today. Thephase pattern musical stylings of PhilipGlass and Steve Reich have been placed inthe standard Rock setting (two guitars,bass, drums). The uplifting, hypnotic phase- patterns here are intricately-timed electricguitar lines performed with dramatic preci¬sion by Robert Fripp and Adrian Belew.They are performed in a rock context, thatis to say, in relatively short pieces (a Reichpiece typically will run over 30 minutes),with vocals and a section for improvizationby the "lead" guitarist (Belew). The vocals,actually, are often sung in the gespro-chenesWort (“spokenword") style foundthroughout New Music. If all of this is foodfor thought for New Music enthusiasts, it'sworth noting that Rock music listenersshould be fascinated with KC, if only for thework of Belew, clearly the most innovativeelectric guitarist in Rock since Jimi Hen¬drix. Oddly enough, it's the old King Crim¬son purists who may be dissappointed at thePark West Tuesday, for the new quartet willperform only a few of the old KC's songs. Itseems that Fripp, KC's founder, changedthe name of this quartet (it had been called“Discipline" in June) to the name of his1969-74 ensemble for marketing purposeswith Warner Bros. (“Discipline", inciden¬tally is now the name of their L.P.) It's ob¬viously a new band with a wonderfully newconcept, and a marketing ploy that just maykeep this group alive. —Jim Goodkindmisc.CHEAP DATESUnlikely Places to takeThat Special SomeoneCouples can view streetlife anywhere inthe city, of course, but Anatole Feathersthinks it's worth the trip to take your date upto the 800 block of North Clark Street.“There is a variety of drama here, an inten¬sity of performance, that I just have notfound anywhere else," Mr. Feathers saysemphatically. According to Mr. Feathers,the genres represented range from outra¬geous farce to the starkest realism. Perhapsdue to the nearby Baton Club, transvestitescan be seen fooling passing motorists intoATTENTION GRADUATE STUDENTSREADING FRENCHPreparatory Course forThe Foreign Language Reading ExaminationGraduate students who wish to prepare for the Foreign Language ReadingExam scheduled in Spring 1982, can now register for a course especiallydesigned to meet their need.The University Extension, in cooperation with the Department of RomanceLanguages and Literatures is offering on campus a NON-CREDIT course,equivalent to a two quarter sequence, spanning a 15-week period:FH 106 Reading French for Graduate Students — MWF 8:30-10:00 AMJan. 4 - April 23*Classics - Room 18The fee is $175 for the 15-week course. NO REFUNDS AFTER THEFIRST WEEK. There will be a one week break during interim (week ofMarch 22).N.B. University of Chicago student aid funds cannot be used for non-creditcourses.Courses must have a minimum enrollment of 15 students. Pre-registra¬tion is therefore, essential. Absolutely no auditors. If you wish to regis¬ter, please fill out the bottom portion and complete your registration assoon as possible at:CCE1307 East 60th St., Room 121 M-F between 9 AM and 5 PM (753-3137)Deadline for registration is December 15,1981.*The Reading examination in French will be given by the Test Administration on Monday,April 26, 1982 Classes have been arranged to avoid conflict with regularly scheduledclasses, and to end immediately prior to the Reading Exam for optimal results. For furtherinformation concerning Reading Examinations, consult Spring Quarter Time Schedules, or callTest Administration, RC 201,3-3283University of Chicago RegistrationReading FrenchNAME: LOCAL PHONE:LOCAL ADDRESS: ZIP CODE:PERMANENT ADDRESS: ZIP: PHONE:DO YOU EXPECT TO TAKE THE READING EXAM IN SPRING 1 982?Fee: $Processed by:Date: thinking they've picked up a female hooker.The motorists aren't fooled for long usually,and they often screech to a halt up the blockminutes later to expell their exotic cargo.And there are darker dramas. “One seesthe most amazing fights between coupleshere," Mr. Feathers observed. “There's alack of self-consciousness, a passion thesepeople possess, which leads them to give themost extraordinary performances. For in¬stance the other night I watched a womanfloor her husband and snatch off his toupee.He started hollering, naturally, but quick asa flash she snatched his dentures too — anextraordinary gesture. Now you can imag¬ine the black comedy of all this, but justwhen you thought the scene had exhausteditself, in comes this creepy pathos. 'I wantmy hair,' the husband keeps saying, 'I wantmy teeth.' Just marvelous. His teeth! This isthe kind of acting which keeps one comingback night after night for more." To get tothe 800 block of North Clark Street take the151 bus north from the Randolph Ic and walkwest, or get off at Chicago and State on theel. —Keith FlemingChicago magazine has announced the es¬tablishment of a Nelson Algren Award forunpublished stories ranging from 2,500 to10,000 words. The contest is open to any author, published or unpublished, living in theUnited States. The award, endowed byBrena and Lee A. Freeman, will be adminis¬tered by Chicago magazine, which will printthe winning story in the October 1982 issue.Algren, a Chicago resident for sixty years,died May 9 of this year; shortly before hisdeath at age 72, he had been inducted intothe American Academy and Institute of Artsand Letters. Called the “poet of the sad metropolis," Algren's characters were oftenprize fighers and petty criminals, prostitutes and drug addicts. “A common tieunites the strangler of a child, the creativeartist, the classic eroticist and the murdererin fiction," he once wrote. The author of fivenovels and two collections of short stories,Algren is most remembered for his vividnarrative in Chicago: City on the Make.“Like loving a women with a broken nose,"he wrote of Chicago, “you may well find lovlier ladies, but never a lovely so real." Donald Barthelme, Kay Boyle and StudsTerkel will be the judges for the award.Barthelme, a novelist and short story writ¬er, recently published Sixty Stories, a selec¬tion of his fiction.Kay Boyle is a poet and short story writ¬er; Algren dedicated The Last Carosel, acollection of short stories, to Ms. Boyle.Studs Terkel is the author of four “oral his¬tories" and has a daily program on WFMT,Chicago's fine arts station. Terkel's most recent book, American Dreams: Lost andFound, was dedicated to Algren.Although he had a degree in journalismfrom the University of Illinois, Algren dis¬liked the idea that formal training had toprecede artistic achievement of any kind.“It is as absurb to think of a fighter comingout of a suburban environment as it is to ex¬pect a great writer to be developed on thecampus of Northwestern University," hewrote in a 1975 called “Requeim." He con¬tinues: “Melville and Mark Twain, Sand¬burg and Steinbeck, Dreiser and Heming¬way had no choice; they were in the midst oflife and had either to write or die. There wasno alternative except to make literature outof their lives."The acquistive and conformist turn thatAlgren saw Chicago take drove him to SagHarbor, Long Island in 1974. “So say t.ayonara and then goodbye, old broken-nosewhore of a city in whose arms I've slept tenthousand nights. I'll not be sleeping in themagain.”Deadline for entries is January 15, 1982;all submissions should be sent to: The Nelson Algren Award, c/o Chicago magazine,303 East Wacker Drive, Chicago, Illinois60601.Poetry Reading The University will join approximately 112 other campuses in sponsoring a Teach in on Nuclear War". Followingthe day-long series of anti nuclear events,including talks by Hannah Gray and others,there will be a 6 p.m. poetry reading at theHenry Moore sculpture “Nuclear Energy”.Local readers will recite from Auden, Neruda, and others. November 11. Sponsored bya number of groups, including the FacultyCommittee on Nuclear War and Physiciansfor Social Responsibility.ChevroletDISCOUNT PRICESSTUDENTS, STAFF,FACULTY MFMBERSSPECIALk for allJk andJust present ycur Drive'sitChicago Identification Cardstudents, Facul ) Members ciministrative Staff you are ento spe'id money sovir cCOUNiS or Chevrolet hartscessories and nn new orChevrolet you h,»- l,.j mChevroletSPECIAL DISCOUNT PRICESfor all STUDENTS, STAFF,and FACULTY MEMBERS Parts OpenSat.'til noon2 Miles-5 MinutesAway FromThe UNIVERSITY684-0400.4—THE GREY CITY JOURNAL—FR IDAY, NOVEMBER 6, 1981ArtAn Overview of HopperThe 17th ChicagoInternational FilmFestivalBy Richard MartinPerhaps it will come as a surprise to someU of C students that New York and Cannesare not the only major cities that harbor anannual international film festival. The reasons why many students are not aware ofthis year's 17th Chicago International FilmFestival are many. The most obvious reasonis the fact that Hyde Park itself is so isolatedfrom the North Side, the haven of Chicago'schic and trendy film patrons. And althoughthis year marks the Film Festival's partialreturn to the South Side (about 6 or 7 yearsago the Festival was partly held at the U ofC) with the screening of some films at I IT'sHermann Hall, on the whole The ChicagoFilm Festival remains a North Side affair.The North Side influence is not only re¬flected in the location of the theaters (thisyear's two major locations are the BiographTheater on 2433 N. Lincoln and the VillageTheater on 1548 N. Clark), but also in TheFestival's rather marginal selection offilms. Some of the most interesting entriesthat are first screened at Cannes and latermake it to New York are seemingly ignoredor disregarded when it comes to selectingfilms for the Chicago Festival. The result isa list that remotely resembles Ebert's orSiskel's selections of their favorite foreignfilms, that is, on the whole, a rather blandselection of films.But putting personal quibbles and tasteaside, The Chicago Film Festival does fea¬ture about a dozen or so films per yearwhich are definitely worth your time andmoney; and the fact that some films will bescreened at Herman Hall, 3241 S. Federal(take the CTA North-South Subway, Eng¬lewood A or Jackson B trains, to the 35th St.Station) makes this year's festival all thatmore accessable and inviting for U of C Stu¬dents. The following are a selection of filmsthat promise to, or are rumored to be thebest of the Festival. Truffaut Marathon Fri., Nov. 6 at 7 p.m. Fortwelve hours and for the price of 10 dollarsyou can catch an array of Truffaut at hisvery best and very worst. Included are. DayFor Night, Jules and Jim, Small Change,and The Last Metro. (Village VI)Truffaut Tribute on Sat., Nov. 7 at 2 p.m. inconjunction with the Chicago Premiere ofTruffaut's latest filmm, The Woman NextDoor, the director will be present to intro¬duce the film and act like a Frenchman.Might be worth seeing if you can get in.(BiograplT B5)Man of Iron Sun., Nov. 8 at 2 p.m. The Se¬quel to Andrzej Wajda's politically provoca¬tive Man of Marble promises to be yet an¬other stunning look at Poland'scontemporary dilemmas. Polish Solidarityleader Lech Walesa makes an appearance.(Biograph B6)TV Commercials, The Best of, on Wed.,Nov. 11 at 7 p.m. (Bio) Tues., Nov. 17 at 7p.m. (Bio), and Sun., Nov. 22 at 6:30 p.m.(Hermann Hall).La Flambeuse Tues., Nov. 17 at 9:15 p.m.Rachel Weinberg's story of a wife andmother who escapes her desperately dullbourgeois existence for one night, findingcomfort in a gambling spree. (Village)Taxi to the Loo Tues., Nov. 17 at 9:15. FrankRipptoh's film is rumored to be one of themost frank commercial films to deal withmale homosexuality to date. It's about aschool teacher who forsakes a stable relationship in lieu of the more inviting thrills ofpublic toilets and baths. The German direc¬tor stars in the lead role. (Village)The Celluloid Closet Thurs., Nov. 12 at 7p.m. (Bio) and Fri.m Nov. 13 at 9:15 p.m.(Village). Vito Russo, author of the bookThe Celluloid Closet: Homosexuality in theMovies, will present a lecture program de¬monstrating the Hollywood cinema's longtradition of stereotyping gays.Light Years Away Fri., Nov. 13 at 7 p.m.(Bio) Director Alain Tanner's (Jonah WillBe 25 in the Year 2000, Mesidor) latest filmis about an old man who chances upon a"great secret."The above is only a brief selection of aboutthe hundred films that will be screened atthis year's Festival. For a complete schedule consult last week's Reader, or call theFestival Information Line at 751-2121. Edward HopperBy Sabrina FarberFrom the third of October to the 29th ofNovember, the Art Institute of Chicago issponsoring a retrospective exhibition of theoil paintings, drawings and watercolors ofEdward Hopper. The exhibition was organ¬ized by the Whitney Museum of AmericanArt in New York City as a celebration ofboth the museum's fiftieth anniversary andthe sixtieth anniversary of Hopper's firstone man show. From its opening at theWhitney in September of 1980, the show hassince traveled to Lonaon, Amsterdam, WestGermany, Chicago and it will end in SanFrancisco early next year.Edward Hopper (1882-1967) is consideredone of the primary American realist painters of the early twentieth century. On thewhole, his paintings are somber, with subdued color and little motion. Although Hopper received formal artistic training fromsuch masters as William Merritt Chase,Robert Henri and Kenneth Hayes, he cannot be categorized exclusively as a realist be¬cause his style is heavily impressionisticand at times even abstract. Hopper's styleremains elusive, as do so many of the char¬acters in his paintings.Hopper is known as a genre painter because most of his works concern themselveswith the ordinary activities of men andwomen. He is best known for his poignantdepiction of scenes in New York cafes andsaloons. One of the most famous of thesepaintings, completed in 1927, is entitled,"Automat." In this painting Hopper depictsa solitary woman seated in a bare and starkautomat drinking coffee. The woman's expression can only be described as aloof andperhaps lonely. This paining, more thananything else, gives one the feeling of an immense loneliness perceived by Hopper. Thecombination of the extreme pathos depictedon the character's face, and the absolutestarkness of the surroundings, work together to emanate a feeling of loneliness.The DoorsStill Great After All These YearsRekindle the fire with A Doors Sale at Spin-It5E-5155.99 EKS-740‘45.99 5.99Sale EndsNovember 20, 1981 EKS-740243.99Spin-lt1444 E. 57th 3.99684-1505Spin-lt now, Spin-lt later, but Spin-lt! 5.99EKS-740073.99Givethefiiftof music.Student Government meetingWednesdayNovember 11 7:30 p.m., Stuart 101All Representatives and Observersare cordially invited toattend.—ELLIS ESTATES, INC-4 & 5 BEDROOM UNITS5137-41 South Ellis Avenue• PRICES START AT $81,900• OWNER FINANCINGAVAILABLE•20% DOWN 12% INTEREST• $ YEAR BALLOONSHOWN BY APPOINTMENTCall EEC, lac,324-7400 The Chicago Centerto* Afro-American Studiesand ResearchPRESENTS"CHICAGO'S BLACK HISTORYIN THE MAKING: VIEWSFROM THE INSIDE"A senes of Test Programs with Older BlackChicagoans, FeaturingPresentation by:DR. ST. CLAIR DRAKEauthor ofBlack Metropolis"Ho w We Wrote Black Metropolis:Black Chicago m the 1940's*Friday, November 6Center for ContinuingEducation1307 E. 60th St.For further information callDr Ronald Bailey492*5122funding Sapper! from !heIllinois CouncilWHAT IS CHRISTIAN SCIENCE?• What really happens whensomeone is "healed throughChristian Science?• Do Christian Scientists considerthey have a monopoly onspiritual healing?e Do Christian Scientists usethe Bible? • Who and what is Mary BakerEddy?• What does Christian Sciencesay about you?m What is the scope of ChristianScience, and its relevanceto today?For the answers to these and other questions, you are invitedto attend a lecture entitled"Come Join Christ's Health Revolution"Speaker: Clem W. Collins, C.S.B.TODAY: Nov. 6, 4:00 pm, Reynolds Club, North LoungeThe University of Southern California's Schoolof Public Administration and Law Centerjointly offer a program leading to a Master's degreein Public Administration with a specializationcertificate in Judicial Administration. The thirty-six unit MPA includes: coursework in the basics ofpublic administration, applicable to the courtenvironment; research systems analysis; finance,budgeting and personnel, as well as courses incivil and criminal procedure.Dr. Donald Fuller of the Judicial AdministrationProgram will be on campus Wednesday, Nov. 11,1981. Sign-up for an interview.Career Counseling & Placement, 753-3291 xm mm——■-1- ■ m u - mm m mm M* mm mm ... . , ... - v..4MSV CUT J&tMMANOVEMBER -6* ff§1 , - ... - ..G.W. OPTICIANS TAIsSSiVOW1519 E. 55thTel. 947-9335lye* examined and Contact Lenses fitted by CHINESE AMERICANregistered Optometrists. RESTAURANTSpecialists in Quality Eyewear at ReasonablePrices. Specializing in Cantoneseand American dishes.Lab on premises for fast service - framesreplaced lenses duplicated and pre¬scriptions filled. Open Daily 11 A.-8:30 PM.Closed Monday1318 E. 63rd MU 4-1062AUGUSTANA LUTHERAN CHURCHSundays:8:30 am Sermon & Euchari st9:30 am Sunday School &Adult Education10:45 am Sermon & Eucharist6:00 pm Supper5500 South Woodlawn ANew and RebuiltTypewriters,Calculators,Dictators, AddersCasioHewlett PackardTexas InstrumentCanonSharpElectronic Watches REPAIRSPECIALISTSon IBM, SOM,Olympia, etc.FREE repairestimates; repairsby factory-trainedtechnician.RENTALSavailable withU.ofC.UXThe University of Chicago BookstoreTypewriter & Calculator Department970 East 58th Street 2nd Floor753-3303TheatreCourt Studio/Ken KeseySometimes a Great Notionby Ken KeseyDirected by Nancy SalomonCourt Studio, Third Floor Reynold's ClubBy Jennifer ThompkinsThe program for Kesey's Sometimes aGreat Notion states that the play opens inWakonda, Oregon; when the productionbegins, however, the spotlight does not shineon the stage setting of a home in the smallbackwoods town, but on a narrator (JohnFranklin) to the audience's left. The narra¬tor begins, not with a direct discussion of themotionless characters seated on the stage,but with penetrating observations of life, ofreality, and of man's fallibility in interpret¬ing the two. It is this concept of fallibilitythat sets the tone of the play, for SometimesA Greai Notion is a perceptive examinationof human weakness.0*d -tcnrv Phiiiip Bowman) disdains cast from Sometimes a Great Notionweakness of any sort. He has firmly nailed awooden plaque over the fireplace whichsums up his dogmatic refusal to acknowledge his own limitations: "Never Give anInch,'' it reads. His concept of strength — tonever give in to physical weaknesses or,above all, emotion — is what drives his wife,Myra (Catherine Henry), to desperatelylook for a means of escape from his stiflingconvictions, first through sexual relationswith her stepson Hank (Pete Heckman),then by leaving for the East with her youngson Leland (Mark Lancaster).Leland is the embodiment of the weaknessthat both Old Henry and Hank despise: he isfrail and hesitant, weak of both body andspirit. But he is also highly intelligent, anaafter twelve years of schooling in the Easthe has replaced his weak mindedness withning. He returns to Wakonda onnt on e venge; he is convinced that Hank is toblame for his mother's suicide of last year,Hank, the antithesis of his stepbrother Leland, takes pride in his strength and in hishard work. When confronted by Leland, heretaliates with this strength — only to be defeaed by Leland's cunning.It is only after a second and final confronTation with Leland that Hank can see thetruth past the cloud of his own preconceptions of strength. He emerges from this finalconfrontation victorious, not because of hispersonal fortitude, but because of his weakness. Unlike Old Henry, Hank finally ac¬knowledges his own limitations: "Thereain't no true strengths," he says, "only dif¬ferent degrees of weaknesses."Many will complain that Salomon's adaption of Kesey's book is not a play, but a narration. To a large extent, this is true, but Sa¬lomon is to be commended rather thancriticized for this. No other method of adap¬tion could have remained true to Kesey. Thenarrator's observations and his interactionswith the characters enable us to see them asthey cannot see themselves.A combination of difficulties causes thefirst act of the production to drag. The timing is off, the pace is slow, and the narratoris given too many superflous lines — we donot need to be constantly reminded of thebeauty of the surrounding Wakonda forest.Franklin, however, handles his sometimesclever, sometimes awkward role with agood deal of skill.The second and final act, however, isthoroughly enjoyable: the pace picks upconsiderably, and the actors shine as theircharacters begin to develop more fully. Thethree characters of Leland, Hank, andHank's wife Viv (Catherine Henry) interactwell. Lancaster’s portrayal of Leland isespecially commendable. Leland is a manyfaceted, almost contradictory character, adifficult role for any actor. Lancaster playshim convincingly.There can be no mistake that the script ofSometimes A Great Notion is a direct reading from Kesey's novel, but even those thathave read the book will find that the actorsdo Kesey justice. Through skillful interpretation of a difficult script, the cast providesthe audience with an insightful observanceof various forms of human frailty. As a confirmation of the theory that Hopper felt that man is lonely and aloof, oneshould examine his famous canvas, completed in 1914, entitled, "Soir Bleu." In "SoirBleu" Hopper presents a cafe scene centered around a table at which a clown isseated. Two soldiers occupy the same tableand a waitress stands nearby observing.This painting is also rather stark and thecolors are subdued, harking back to "Automat." Two other tables fill out this seventytwo inch canvas very strikingly. Like a photograph, the tables have been "cropped," sothat only one half of their surface is visible.The characters are typically Hopper esque,each introspective and exhibiting no interaction with any other. One can see, here,that Hopper felt that man was basically alonely animal, both literally and figurativeiy-One can say of Hopper that he was able tucapture the atmosphere of any particularscene. In paintings like "Automat" and"Soir Bleu" the characters seem suspendedin time and his depiction of their respectiveenvironments gives one a feeling of suspended time. Similarly, in Hopper's architectural and landscape paintings, he aimsnot necessarily at capturing every physicaldetail of a building, but rather at conveyingthe feeling of a particular atmosphere.Beginning in 1930, Hopper and his wife Jospent every summer in South Truro on CapeCod. While on the Cape, Hopper paintedmany architectural scenes of houses orbarns in the area. The stark, almost simplistic style of these paintings helps to conveythe starkness of the surroundings.While Hopper is best known for his genrepaintings, this exhibition does not ignore hisportraits. This retrospective does justice toHopper's talents as a painter by representing a wide variety of his painting. Although few and far between, Hopper's portraits reveal his sitters' personalitiesthrough his use of color, setting and lighting.Perhaps the most interesting of his portraitsare those he painted of himself. Hopper deDiets himself in a perpetual brown studywith an aloof and pensive air. These porfruits help to explain the rest of the body ofhis work as represented in this exhibitionand give insight into his perceptions ofin.The Major Activities BoardpresentsGARY U.S. BONDSwith special guestThe Lefty Dizz BandNovember 13 -8 p.m.Mandel HallGood Seats Still Available$4 UC Students$7 OthersTickets at Reynolds Club Box Office(2 tickets per UCID - 2 UCID per person)20 Years of Rock n’Roll!Featuring such timeless hits as "This Little Girl" •and “Quarter to Three"THE GREY CITY JOU R N AL— F R I DAY, NOVEMBER 6, 1981-7Edward Said“Throughout alt of this I have become in¬creasingly aware of Mr. Said's politics.”This was a panelist's testy response duringthe discussion that followed Edward Said'slecture (“Opponents, Audiences, Consti¬tuencies, and Community”) delivered lastFriday at the conference on the Politics ofInterpretation, sponsored by Critical Inqui¬ry magazine. Although the politics of Said'sown interpretation clearly hailed from theLeft, his conclusions seemed addressed tothe general university audience in order topoint out some very basic problems thatconfront and even slant contemporaryscholarship. Said noted three renascent tendencies in university policy which, taken to¬gether and accentuated, he consideredcharacteristic of academe in the "Age ofReagan:” (1) repeated asseveration of theimportance of “objectivity” in scholarship,(2) the insistence that curricula be apoliti¬cal, and (3) the belief that the academic dis¬ciplines ought to be kept as separate fromeach other as possible. The last of these,taken in the extreme, has a paralyzing andalienating effect on the production of knowl¬edge, according to Said it encourages a kindof coterie or guild mentality among special¬ists, while the first two are, at best, naive inassuming the scholarly investigation can beconducted uninfluenced by the ideology ofits patron, the university institution.It is no wonder that many members of thepanel and the audience reacted unfavorablyto Said's politics, regardless of the straight¬forward nature of his observations. A professor of English and Comparative Litera¬ture at Columbia University and a supporterof the Palestinian movement, even the mostliterary of Said's published work addressesitself to such issues as ideology and colonialism. His last three books form a sort oftrilogy about Western perceptions of Islam:Orientalism, The Question of Palestine, andCovering Islam. The following interviewwas hurriedly conducted by Alex Mihailovicduring the lunch hour of the conference'ssecond day.AM: I would like to start with a quotationfrom an article you wrote two years ago:"For criticism needs therefore to think ofitself as a form of struggle, particularly, I An Interview With Edward Saidthink, given the present doldrums in theAmerican academy.”Specifically, what are the attitudes in theliterary academy that encourage politicalinsouciance?Said: Well, it was expressed yesterday byone of the speakers who, in response to mypaper, said “I'm perfectly happy with theway things are because I'm well paid, muchin demand as a speaker, and can continue todo as I'm doing." so that's one thing: it'spossible to do it at one level of the academy,at the senior level. Second, I think that thereis in the present political climate an attitudeof quietism in general. The academy hasbeen traditionally, say, liberal, and politicalpower in the country has swung very muchto the right, and therefore the academy be¬comes a kind of haven from the relativelyunpleasant world outside. Criticism istherefore, cultivating your garden anddealing with the things before oneself.Three, I think that the academy as a wholehas become much closer to the corporateand governmental world, so that it stoppeabeing, as it was in the Sixties, an opposition¬al place. There's been alot of work done re¬cently on the financing in the universities,where no longer do departments in, for ex¬ample, the sciences rely principally on gov¬ernment funding but rather on corporatefunding. So there's a much greater sense inwhich the university is a client of and inpartnership with the prevailing political andeconomic system.So all of this — which promotes vocation-ism among the students, so that we have amuch larger percentage of students goinginto the law profession — makes it the casethat the university is no longer the placeproducing opposition to the status quo as ithad been a decade or fifteen years ago. Thatplace has been taken more, I think, by thechurch, which is much more politically ac¬tive >n general whether through things likethe Moral Majority or various peace, antin¬uclear, disarmament, and anti-imperialismgroups that come out of the church.AM: In connection with my next question,I would like to quote something else fromthe same article:“Thus it becomes the imperative for criti¬cal consciousness to invade and even upsetideiological fields of knowledge, using theweapons of criticism, of history, of counter¬memory; only ins such ways can reading, inwhich as literary experts we are supposed toexcel, be put to use in the interests of histo¬ry, struggle, and political involvement.” The Effect of CriticEducation, Ideology and the MeaniCorrect me if I'm wrong, but here, as inother places in your work, you seem toimply that the literary scholar has at leastas great a potential of being an effective po¬litical critic as do other specialists such asthe historian and sociologist, who work infields that some consider more intimatelyintertwined with political concerns. Couldyou please explain why you think the liter¬ary critic, precisely because of his back¬ground as a trained reader, is capable of be¬coming an incisive political commentator?Said: Unlike the historian, who is sup¬posed to be investigating the past, and thesociologist, who is supposed to be investigat¬ing society, the literary critic's object, whenreduced to its most basic form, is writtenlanguage. For the literary critic that, as youmight say, is the most irreducible thing thathe or she does, in other words, to read andwrite texts. That's the bottom, underlyingfactor. If he isn't doing that, he isn't doinganything. Historically, it's now come to thesituation that the critic is believed to be thecustodian of great texts in the past, the socalled canon. I believe that is an incidentaljob, or in other words, it is not necessarilyhis or her job. I think it can be shown that tosay “my job as a literary critic is to perpetu¬ate the values embodied in the canon” is anideological position. The literary critic, infact, simply has the potential to read thingsand to make certain kinds of distinctions,and not to provide objects for conservationand federation, which in the end turn out tobe in the service of some other thing.Therefore, I believe that the literary criticis potentially a reader and a writer. That ca¬pability — which is frequently obscured —ought to be turned loose on all the readingand writing done in a society and not just onthe masterpieces. Thereby you could see theconnections between things that appear inreality to be unconnected: a governmentdocument, a poem by Shakespeare, and anadvertisement. What I'm trying to say isthat because the critic is at bottom a readerand writer and really nothing else, the politi¬cal potential of that condition is that it caninstitute a kind of involvement in the affairsof the polity that is pretty unrestricted.AM: I would like to return to this problemof the canon at the end of our talk. But first Iwant to ask you something in regard to what7DDAV WE WILL PLAV THAT WE APEALL BIG BUSINESS MEN i AWAMTT6WV&UIMAim? you've just said. You remarked in your lecture yesterday that when area studies specialists portray themselves as custodians ofan esoteric field of knowledge, they are trying to create an aura of indubitable authority and even of power around themselves. Ifthe literary critic's investigative territorydoes not have to be restricted to literaturebut is infinitely expandable, isn't there adanger of shunting him into a similar sort ofpreeminent and elitist position, of makinghim a kind of sibyl or oracle of texts, theonly person capable of revealing their secrets?Said: Absolutely. In fact, the paper I gavehere was exactly addressing this point.That's the distinction I mean to make between the secular and the religious intellectual. For me the words intellectual, critic,and critical consciousness are really interchangeable, and they signify activities morethan they do investments in personalities,institutions, or authorities. By religious intellectual I don't necessarily mean only aperson who is advancing a revealed creed ororganized religion such as Christianity,Islam, or Judaism (which I oppose). I alsomean people who believe that they havefound a universal method for unlocking thesecrets of things that to the normal person,"Historically, it's now come to theso-called canon. I believe that is anto the uninitiated, are obscure. That wouldinclude literary critics of a sort likeNorthrop Frye, who has a mythological, archetypal schema. It also includes the methodologies of the semioticians, of Foucault ashe later became an archaeologist, of Derrida, of all these modes because in the end theinvestment becomes the method rather thanwhat it is the method is trying to do. y ou gei,in fact, the kind of thing you mentioned inyour question: a priestification by which thecritic turns himself into a sibyl or oracle, thefunction equivalent of a priest. Now whatI'm talking about is none of these things;none of these supports ought to be availableto the critic. The critic is a person who is inan open territory, a territory that is full ofhuman effort, configurations, and variousuneven, heterogeneous structures. It's thejob of the critic, it seems to me, to attend tothose as they are without trying to provideanswers of the kind that would send oneback to a doctrine, creed, or some mysterythat he or she is selling.By “attending to” I mean trying to underI’LL PRETEND I’MA BIG LANDLORDWITH LOTS OF LANDFOR SALE!The Episcopal Church Council at the U. of C.Announcesthe Second in a Series ofFaculty-Staff Noon Discussionson the Theme of PeaceTuesday 10 November at 11:45 a.m.“MX and the Strategic Delusion” led byProf. Milton Rosenberg, Dept, of Behavioral SciencesW Please bring a lunch, if you wish.BISHOP BRENT HOUSE5540 S. Woodlawn Ave. THE FLAMINGO APARTMENTS5500 South Shore DriveSTUDIOS & ONE-BEDROOMS• Unfurnished and furnished• U. of C. Bus Stop• Free Pool Membership• Carpeting and Drapes Included• Secure Building• University Subsidy for Students & Staff• Delicatessen • Beauty Shop• Barber Shop • T.J.’s Restaurant• Dentist • Valet ShopFREE PARKINGM. SNYDER 752-38008—THE GREY CITY JOURNAL—FRIDAY, NOVEMBER 6, 1981iicismining of the Textec stand them in the way that they affect life inpe human society. As I said earlier, things that»of appear detached and unrelated to eachry other — for example, what one does as a lit->ri- erary scholar and what is happening in. If Washington — are the things that precisely>ry need to be connected and related to eachJre other if they are relatable to each other. I■ a don't know. Maybe, in fact, it is true thatl of what the artist does in his studio and what aing writer does on his desk have no relationthe whatever to what's going on in Washington,se- Maybe there's no possible relation. But wedon't know this. Because of the specializewe tion I've been talking about, we assume thatint. they are completely discrete activities and Ibe don't know that they are. Therefore, here'sec the last point I'd like to make. The critic'stic, job is essentially investigative. It is, in fact,er- to find out what are the limits to the kind ofore connections one can make and what are thees, possibilities for other kinds of connections. Iin- don't want to be understood as saying that1 a there is a message hidden in what I say.lor There isn't at all.Ty, AM: In your book Orientalism you pointIso out that after the second World War thewe American scholar of Middle Eastern studiesthe inherited the colonialist and culturally chau-on, vinistic attitudes of his French and British Q. Mr. President, do you think it wasproper tor the United States to restore theShah to the throne in 1953 against thepopular will in Iran?A. That's ancienthistory, and I don'tthink it's appropriate orhelpful for me to gointo the propriety ofsomething thathappened 30 years ago.quotation from Carter press conferencebefore the second World War simply because it was considered antiquarian. It wasdone in schools of Theology and if you want¬ed to further your studies you would go toOxford, Vienna, Berlin, or Paris. After thesecond World War, it became a political ne¬cessity to train a cadre of people in attend¬ing to United States interests in the Orient.As a result of this — as a few of those schol¬ars actually honestly do admit — the cast ofstudies in the area studies programs, asthey are called, are essentially oriented tothe formation of policy. In other words, theyare not principally about finding out every¬thing there is to find out in a culture or soci¬ety. They're really about finding out what isuseful to the national interest. The constanto the situation that the critic is believed to be the custodian of great textsis an incidental job."uld predecessors. You also stress, however,ike that in its shift to the United States Orien-ar talism has become more tendentious andho policy-oriented and less grounded on philo-as logical and literary training and research,ri- In your book you give the following explana-rhe tion for this latest flaw in Orientalist dis-an course: /eT< "Since an Arab poet or novelist — and<n there are many — writes of his experiences,fhe of his humanity (however strange that mayIhe be), he effectively disrupts the various pat-iat terns (images, cliches, abstractions) by3s; which the Orient is represented. A literaryble text speaks more or less of a living reali-, in ty."of Would you then conciude that this currentJus premutation of Orientalism is more insidi-the ous and intellectually dishonest than its ear-I to lier forms?ide Said: Well, yes. I think it's insidious in the>ne sense that, as some Orientalists will admit?ry and have admitted in print, the reason forOrientalism in this country is essentially poer litical. There was no interest in the subject intervention in the life of the region suggeststhat what is really being fostered — thereare exceptions — are studies of how to manipulate and politically deal with places ofthe world that concern us, but are strange.As a part of this, therefore, a much greateremphasis is placed on studies of things likeeconomics, sociology, psychology, and polit¬ical science. Very little emphasis is placedon literature because in this context (I'mnot saying always or sui generis) literaturesimply disturbs the kind of paradigm-ruledstudy that dominates the Middle Easternstudies establishment.Now, this isn't to say that there is nothingin them but that. But it is to say that themost amount of funding available comes outof legislation, like the National Defense Ed¬ucation Act and the Sensitive Language Pro¬gram, that rules that what is studied aboutthe Middle East or far-flung areas of theworld and what gets the most funds is whatis considered to be in the national and security interests of the state. So all of that tendsto militate against literature, because it is aluxury of sorts.AM: Now I want to return, perhaps obli¬quely, to what you were saying earlier aboutthe prevailing image of the literary critic asan upholder of canon. Columbia, Chicago,and St. John’s are apparently the onlyschools in the country that have full-fledgedundergraduate core curricula. I remembera conference at Columbia three years ago onthe role of the Humanities. You were a panelist and, as a former teacher of Columbia'sversion of literature Humanities, somehowseemed dissatisfied with it. What seemed toirk you the most was how that course was50’sPARTYLaw SchoolGreen LoungeProof of2J Years Req HOSTAGESsimultaneously a vestige of and a substitutefor a classical education. You even exasperatedly said that at least the students couldlearn "a few Greek verbs" so that theycould, in some respect, get closer to the classics instead of just paying lip service tothem as means for attaining what you havedisparagingly called "gentlemanly refine¬ment." What are your present misgivingsabout the idea of a core curriculum or theway it is being taught?Said: l suppose I should say that I preferthe core curriculum to the alternatives thatat this moment exist to it, which are nothingat all. At a place like Brown, I'm told, youcan take any courses you wish and there'sno gradation of courses and so on. So inother words, what I would say is that thecore curriculum is making the best of a verybad situation, where the student literallylearns absolutely nothing. But both in¬stances, the case of core curriculum and thecase of no core curriculum, are in the endsubject to much greater force and constraint than this way of discussing it indi¬cates — that is, they are both subject to themarket. What matters now isn't what you doin college, it's what law school you can getinto and whether or not you can get intomedical school That is what matters in theelite places we've been talking about, likePrinceton, Harvard, this place, and Columbia. So in the end all of these things like"yes" to core curriculum or "no" to corecurriculum or "What is the content of it?"are irrelevant and ornamental questions.Alternatively, you could make a case that ifyou don't know Greek and read Homer in a translation you're not going to learn Homer,and therefore it isn't very important. WhatI'm trying to say is that it doesn't strike meanymore as being much of an issue giventhis new supervening fact that there is agreater tendency now to earlier profession¬alization. What really captures an individu¬al is the trap that leads him directly to a pro¬fession, which is where the elite of most ofthese places are going into.Given that, therefore, I don't think it mat¬ters what you do with a core curriculum,since the presence of a core curriculum at aplace like Columbia hasn't prevented itsenormous increase in professionalization.I'm a little depressed at the prospects because the whole kind of educational issuesthat are raised in these contexts don't takeenough account of the outside, determiningreality, which is the market. Unless youtake that into account, I don't see how youcan discuss it.But to go back to what I said earlier. Iprefer, for all kinds of, you might say, senti¬mental and even professional reasons, thepresence of some sort of core curriculum, ofsome body of information and reading towhich you could point, to its absence. Butthis isn't to say that it solves the problem. Ithink that much of the idealogy of core curriculum is that it "makes" an educated person. But that seems to me dishonest becausewhat it in fact is making its legitimizationa certain world view which in the end pro¬duces highly technical, highly professionalelites who are, in the final analysis, uneducated simply because they are not responsive to the situation of their own society.The Blue Gargoyle Food Service5655 S. UniversityServing Healthful Foodfor mind, body and soulNew Hours!Monday thru Friday11.00 am til 4:00 pmin University ChurchTHE GREY CITY JOURNAL—FRIDAY, NOVEMBER 6, 1981—9University of California, Los AngelesProfessor William Klein ofWill Discuss Going to Law SchoolAll Students Thinking About Applying to UCLAAre Invited to Attend.DATE: Tuesday, November 10thTIME: 1:00 PM - 2:00 PM and 2:00 PM - 3:00 PMPLACE: Reynolds Club Room 201MINORITY STUDENTS ARE ESPECIALLY WELCOME ATHE UNIVERSITY OF CHICAGOUnited WfeyCrusade of MercyPLEASE GIVEBigJim’s1552 E. 53rd St.(Under the I.C. tracks)9 a.m.-7 p.m. weekdays12-4 p.m. Sundaysmarian realty,inc.mREALTORStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 S. Cornell684-5400ROCKEFELLERMEMORIALCHAPELSundayNovember 8Ecumenical Serviceof Holy Communion 9 amDiscussion Class onMedical Ethics -'The End of Life,Terminal Illness &Euthanasia" 10 amUniversity ReligiousService. 11 amBernard O Brown,Dean of the Chapel,preaching FROMMOL SONHfik GOLDENI can’t believe it. I trusted you... and you drank the last MolsonBREWED AND BOTTLED IN CANADA, imported by Martlet Importing Co , Inc , Great Neck. NY10—THE GREY CITY JOURNAL—FRIDAY, NOVEMBER 6, 1981Musicfrom Within and Without•k: play a minute or so of your mostBy Peter T. Daniels"The Juilliard Quartet." That says it all.Must I describe why I think Sunday night'sperformance was perfect? It was the climaxof quite a full musical week for me, and de¬scribing that week may suggest to you waysof listening to music that will enhance allmusic for you, no matter how little you"know" about it.My Wednesday night chorus rehearsalwas devoted not to rehearsing but to a voicelesson from a visiting teacher; besidesmuch useful technical help, he also providedthe interesting observation that the betterhis students become the more he feels freeand required to point out faults. Then thedirector of the chorus, after drilling thegroup on intonation — singing in perfecttune without going flat — sent us off with some homework: play a minute or so of yourfavorite record, pop or classical, ignore themelody, and listen for out of-tune parts inthe harmony. You'll probably find some,even from the Chicago Symphony.On Friday my own voice teacher, who alsosings in that chorus, disputed the matter ofthe advanced student. "At some point," hesaid, "the teacher must get out of the way ofthe artist." Then I went to Lyric Opera'sAriadne auf Naxos, where I did homeoworkall night — the orchestra simply didn't playin tune. Two of the principal singers, too,were having bad nights, Yvonne Minton(whose Delilah in Samson det Dalila hadbeen ravishing the week before) and RuthWelting (whom I'd heard sing the same partof Zerbinetta in New York a few years ago),who now brings to her notoriously difficultaria greater variety of characterization butless than overwhelming vocal technique. Onthe other hand, Johanna Meier, (subbing atthe last minute for a still-ailing Leonie Rysanek) and William Johns showed what re¬ally fine singing is in their duet at the curtain.Saturday found the University Chorus"tuning" Rockefeller Chapel for the Sundayafternoon Elegy concert — a lesson in subtlety and paying attention to externals likeroom acoustics. And later, WFMT's MartyRobinson included as a "Ghostly Song" (itwas halloween) Has Hotter's perfor¬mance of Schubert's "Erlkoenig" — a les¬son in the delineation of character as he pre¬sented narrator, father, boy, and elf-king inas many different voices.Sunday afternoon Rockefeller ChapelChoir's renditions of parts of Bach's TrauerOde (Cantata 198), despite fine singing bythe choir and tenor Donald Doig and bassRobert Schroll, did not awaken in me regretthat I'd never heard it before; in particular,the bass "aria" seemed to be an introducto¬ry accompanied recitative that was not fol¬lowed by any aria at all. Then WolfgangRuebsam proved once again to be one of the most exciting organists anywhere, in a setof preludes and fugues by Marcel Dupre; weare fortunate to have him during the University Organists's sabbatical, and can hearhim every Sunday morning. The UniversitySymphony's Pavane by Ravel elicited somemurmuring against the horn soloist in theopening, but I found this an example of per¬haps limited technique enhancing theoverall effect, and the dominant stringsound, aided by the capacious acoustic,blended and washed into a beautiful roman¬tic sheen. (Sorry, but I couldn't help think¬ing it was too bad Ravel didn't live to moveto Hollywood and show all his imitators howto really write a movie score.) The University Chorus's Verdi "Libera Me," we are told,maintained its intonation perfectly throughall the unaccompanied quiet sections at theclose.It was all these immediate experiences,then, that 1 brought to Mandel Hall thatnight. All I can bring myself to say about theJuilliard quartet is that of the so-often-conflicting elements of technique versuscharacter, both triumphed completely.Beethoven's first quartet, opus 18 no. 1,opened the program, and well before thefirst minute I knew that trying to do my ho¬mework at that concert was a waste of time— they played, simply, perfectly in tune.The representative middle-period work,opus 59 no. 3, after intermission, was similarly ideal, and besides, the concluding "allegro motto' was done faster than is human¬ly possible — perhaps they've made a pactwith Paganini. Indeed, the players boundedonto the stage after intermission as if itwere the start of the concert and not an hourand a half into it. Indeed, quite a few audi¬ence members left at intermisson, under¬standably: for the second work on the pro¬gram had been the minor quartet opus 132.In this masterpiece I could for only a moment observe how they were doing whatthey did, in particular the individualizedtone of the four instruments that still blend. perfectly. The "molto adagio," opened byyearning ascending major sixths (and thisis the part I am reluctant to try to describe,for fear of nullifying the memory), was ut¬terly moving and touching. It showed incon-trovertibly what the "power of music" isthat is so often hymned but so seldom experienced; only one other pure example comesto mind, a slow movement of Beethoven's(again Beethoven!) Ninth, as performed byGiuiini and the Chicago Symphony a fewyears ago. I must add — but here stagecrafttoo is involved — Jon Vickers' first scene inFidelio (yet again Beethoven!), and themagic moments in GTristan, the drinking ofthe love potion, and Lohengrin, the appearance of the swan. All three were at LyricOpera. Note that Vickers' Florestan is beingrepeated all this month at Lyric, starting tomorrow night, and I feel sure that you willsense the magic even if you've never seenan opera before.Astoundingly, there is still another chanceto hear musical magic this month, since theGuarneri Quartet will be in Mandel twoweeks hence. Their program of Mozart,Bartok, and Verdi is a little less intense, butAmerica's other "greatest quartet" proba¬bly also can't be less than thrilling.EM HOUSING GRAMURGENT STOP REPLY REQUESTED IMMEDIATELY ST PAFFORDABLE HOUSING FOR THOSE WHO WOULD RATHER OWNTHAN RENT IN COMPLETELY REHABILITATED BUILDINGCLOSE TO THE UNIVERSITY, LUTHERAN SCHOOL, OSTEOPATHICHOSPITAL, 55TH STREET BUS AND JIMMY’S STOPONE AND TWO-BEDROOM APARTMENT HOMES STILLAVAILABLE FOR LOW DOWNPAYMENTS RANGING FROM$1,850 TO $2,200 STOP MONTHLY CARRYING CHARGES(INCLUDING MORTGAGE PAYMENTS, PROPERTY TAXES ANDASSESSMENTS) FROM $375 TO $495 STOP 40 YEARMORTGAGE AT 7-1/2% STOP FALL OCCUPANCY STOPFOR SALES INFORMATION AND APPOINTMENT, CALL 947-8065ELLIS COOPERATIVE54TH STREET & ELLIS AVENUE CHICAGO, ILLINOIS 60615Development and Marketing Agent:Metropolitan Resources Group. Inc.THE GREY CITY JOURNAL FR I DAY, NOVEMBER. ■■ . . .All 8.98 Albums - 5.60All 5.98 Albums-3.751.50 off oil other albumsand Box Sets$1.50 off all other Albums and Box SetsDomestic Singles $1.00 eachImport Singles 10% offButtons 20% offAi books 15% offSony Walkman Giveaway pluslots of other Free Prizes9:30 -12:00 MidnightCheck Us First...We're The Phoenix, Basement of Reynolds Club By James MontmarquetEconomics of Justiceby Richard PosnerHarvard University Press$25.00This is a book by a distinguished legalscholar, a pioneer in the economic analysisof the law and a recent nominee of PresidentReagan for the federal bench — the point ofall three attributions to become relevant. Init Professor Posner attempts to apply "aneconomic approach", as he puts it, "toissues — including the meaning of justice,the origin of the state, primitive law, retri¬bution, the right of privacy, racial discrimi¬nation, and affirmative action — that arenot generally considered economic". Theunifying theme, then, is the application of aneconomic approach to human behavior (inwhich man is viewed as rationally and single-mindedly attempting to maximize his individual satisfaction, subject to the con¬straints of limited resources andinformation) to these areas in which no explicit economic markets exist. A law professor who offers economic explanations of thepolitical structure of the society revealed inthe Homeric poems, Posner cannot be fault¬ed for any slavish obedience to the usualnorms governing the division of labor inacademe.The erudition displayed in this book is impressive, indeed I can think of few reviewers, present company not excluded, whowould be qualified to pass judgment on allits major parts. If discussion seems largelyrestricted to Posner's discussion of moralissues and theories, this is reflective only ofthe limitations of my own background. Actually, I found the parts on which I will not extensively comment made the most interesting reading; but I do not know whether thisis more despite or because of my ignoranceof the subjects with which they deal.One of the exciting intellectual developments of the past decade or so has been theconfluence of certain main lines of thinkingin moral and political philosophy, economictheory and jurisprudence. Remarkably,lawyers like Posner and Richrd Epstein(both at U of C), philosophers like JohnRawls and Robert Nozick and economistslike Kenneth Arrow and Amartya Sen havefound themselves working on much thesame problems in the normative theory ofsocial institutions — even more remarkably, doing so with considerable knowledge,if not expertise in the employment, of oneanother's analytical techniques and techni¬cal terms. Whole issues of law reviews havebeen devoted to Rawls' A Theory of Justice;philosophers have delved into the legal andeconomic literature on such unphilosophicalsounding topics as no-fault insurance. To a great extent, Posner's most recent work ispart of this tradition. But I find that its contribution to it would have been greater wereit not part of an older and much less excitingtradition as well.For two thousand years it has been thefate of our system of morality to undergo per iodic reinterpretation, explanation, de¬bunking and general roughing up at thehands of every tough new scientific idea toarrive on the block — by sociobiologists(Wilson), molecular biologists (Monod),Freudians (Freud), not to mention behaviorists, dialectical materialists, Darwinians, Newtonians and Democritians.Posner's own contribution to this second tradition lies in this book's thoroughgoing at¬tempt to explain our moral rules essentiallyas rules for maximizing society's wealth —as something like Poor Richard's Almanacwrit large. As with all such claims, this hasits descriptive and its normative aspects. Ifa Social Darwinist would both see much ofour moral system as aiming to promote thesurvival of the fittest and hold that oneought to promote this end, Posner wouldmake the same dual claim about wealth asan end.In this endeavor, Posner seems himself asfollowing in the footsteps, not surprisingly,of Adam Smith. But the author of TheWealth of Nations never made the mistakewhich runs through these, includingPosner's, reductive explanations. That is,Smith would never have supposed that therationality or morality of increasingly na¬tional wealth was comprehensible independently of a set of other values to be promoted by such increase (that is why he alsowrote a treatise on ethics); and he neverwould have supposed this about promotingthe survival of the fittest or any of the othergoals promoted in this tradition.Does Posner seriously believe, though,that promotion of national (or multi national) wealth is an ultimate end, an end to bepursued for its own sake? To be fair, I mustrecord that he once (p. 108) goes as far as toexplicitly deny this. But if, as Posner isstrongly committed to maintaining, theprinciple of wealth maximization is a superior alternative to the supreme principlesboth of the utilitarians and of Kant, then Idon't see that he has any choice in the matter. He must maintain that wealth is an ultimate end — or else, perhaps in the sequelto this volume, tell us what he thinks is suchan end and what connection it bears towe a Ith m a xi m izati on.On a smaller scale, one finds a similarlack of surehandedness in Posner's discus¬sion of the morality of theft. Our sense thatcommon thievery (say, of a $10,000 necklace) is wrong, Posner claims, is better explained by the ethics of wealth maximiza¬tion than that of satisfaction maximizationhe Reaganomics of Justice! InhogurationSPECIAL9J(utilitarianism). While such a “transac¬tion" might produce considerable satisfac¬tion (for the thief), it produces no wealth —as contrasted with the sale of the ring at aprice the merchant voluntarily accepts.This is conventional morality with a "sup-ply-side" twist: the thief is basically a rotterwho gets his satisfaction (utility) while in noway adding to society's wealth or producti¬ve capacity. But this, notice, can be turnedaround. The thief might have been a supply-sider's version of Raskolnikov who stole themoney with an eye toward investing it pro¬ductively, knowing that the worthless jewel¬er would just spend whatever money he gotin an honest sale on alcohol. The long-runconsequences of such a theft for nationalwealth might arguably be greater thanthose of an honest sale. Should we concludethat it was therefore better to take thering?These may seem mere quibbles — or thestuff of Ethics 101; but they touch on a veryreal current concern, the new deemphasiz¬ing of white-collar crime. White-collarcrime, or at least many species of it, arepresumably seen by many Reagan people asnot seriously wrong precisely because theyare wealth-maximizing. (Utility companyexecutives conspire to defraud the publicout of millions of dollars desperately neededfor capital expansion.) By its very nature,ordinary ("blue-collar"?) -crime tends toput resources in the hands of those who willnot use them for "productive activities";this is not, though, true of white-collar crime— thus the conservative bias in ProfessorPosner's morality.This bias is symptomatic of the book'sgenera! ideological slant — conservative (or“liberal", in the nineteenth century sense ofthe term, as Chicago School economists arefond of saying: I wonder why they enjoy sousing a term in its nineteenth century sense— nostalgia?). As Posner makes quiteclear, he thinks the best route to wealthmaximization is through something approximating laissez-faire capitalism: AdamSmith's footprints again.Lamentably — at least for those of us who Richard Posnerare liberals, I mean in the twentieth centurysense of the term — there is apparently littleplace for social justice in the economics ofjustice. I found equality of opportunity notmentioned once. (Perhaps my oversight,but then also that of the compiler of theindex.) Basic welfare rights? "To treat theinventor and the idiot equally concerningtheir moral claim to command over valuable resources does not take seriously thedifferences between persons." Perhaps, butone worries that in Posner's scheme ofthings, the idiot would hardly count as a person at all. Interesting too that his example ofa person whose “net social product is nega¬tive" is an idiot — rather than, say, the vic¬tim of discrimination.Racial discrimination, in fact, is the subject of the last quarter of the book; and hereI must continue to animadvert against theconcept, or rather the absence of any con¬cept, of social justice to be found. From aneconomic standpoint, Posner points out, ra-Social SundriesFran LebowitzBy Pat O'ConnellSocial Studiesby Frank LebowitzRandom House, $9.95“Fran Lebowitz lives in New York City,where she frequently makes jokes at the expense of others." So says the biography ofthe author of Social Studies, and so goes theremainder of the book. Social Studies is acollection of humorous essays, most ofwhich are actually funny, and all of whichplay on American — especially New York —stereotypes and conventions.The book is divided into four parts: Peopie, Things, Places and Ideas; Lebowitz'scorrosive style lends itself to a diversity oftopics from social injustice towards smokers to pointers for pets.To dogs who make their living by constantly and aggressively demanding meaton television commercials, Lebowitz reminds us that “in at least one Far Easterncountry, they (dogs) are meat." And as onewho likes animals only “in the form of nicecrispy spareribs and Bass Weejun loafers,"Lebowitz advocates the illegalization ofpets, especially dogs. Realizing, though, thevalue of dogs to the pathologically lonelyand the blind, and the problems that would arise it dogs were banned, she offers a solution: “Let the lonely lead the blind."The essay entitled "Fran Leoowitz'sTravel Hints" is one of the funniest in thebook. The author claims that after completing a fourteen city promotional tour for herfirst book, Metropolitan Life, she observedand recorded a few things to share withothers who may be planning a fourteen citybook tour, or for some other reason hndthemselves travelling extensively. Amongher observations is the fact that "stewardes¬ses are not crazy about girls," and "neitherare stewards." She also found that "you canchange planes in Omaha, Nebraska, andyou are advised to do so."Concerning hotel food, she warns that"Twenty four-hour room service gen¬erally refers to the length of time^atit takes the club sandwich to ahW. e.And under no circumstances order ifrom room service an item called TheCheese Festival' unless you are prepared for . . . three Kraft slices andlots of toothpicks dressed in celophanehats."Her conversational tone is smooth and hercondescending New York humor comesacross very well in print.I laughed through most all of Social Stu¬dies. Lebowitz's humor is scathing, her styleis acidic and her wit is undeniably dry. However, she does fail to be funny in an ill conceived and uninspired interview with "PopeRon" at the Vatican. Her mellowed outPope is married twice, has a son namedDylan, and has refinished the Sistine Chapelin brick. “Pope Ron" is not offensive, but it jis not funny either.You won't miss anything if you skip "TheFrances Lebowitz Collection" either. It isnothing more than twelve pages of photo¬graphs of memorablia (appliances, plates,etc.) from her impoverished days as an unemployed writer — boring and not funny.Lebowitz succeeds at being funnythroughout most of Social Studies. Whilemost of her humor draws on established stereotypes, there are moments when she isquite original in her material, and herhumor will catch you off base. -Contacts for Sale!What Is A Bargain?The 4 questions most frequently asked about contact lenses are:1. How Much Are Your Lenses92 How Much Are Your Lenses93. 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Over$1.3 million in rehabilitation ...The Parkshore is a tenant-sponsoredhousing cooperative offering the besthousing value in Hyde Park. We’vedone the work putting the packagetogether over the last twelvemonths... Now you can enjoy thebenefits...Come live with us at the Parkshore! Bring your wares to the Student Activities^ARTS & CRAFTS SALENOV. 23-24reynoldsclub loungePick up reservation/registration form incall 753-3591 for information« Office hours on Saturdayand Sunday 1-4:30 pm,or by appointment.For sales information, call 684-0111. The University of ChicagoAlumni AssociationpresentstLIFE AFTER GRADUATION:ADVERTISING IN THE 80san informal discussion of careeropportunities in advertisingfor interested studentsGUESTSJohn CoulsonVice-PresidentCommunications Workshop, Inc.Former Senior Vice-PresidentLeo BurnettWilliam FloryVice-President in charge ofPublic Relations and AdvertisingHarris Trust and Savings BankMichael KraussProduct ManagerKeebler Company12 noon, November 10, 1981Robie House, 5757 Woodlawn AvenueBring your own lunch. (Beverages provided)Sponsor: Phe Parkshore, an Illinoisnot-for-profit corporation, 1755-56 East55th Street, Chicago, Illinois 60615.Development and Marketing .Vgent:Metropolitan Resources Group, Inc.14—THE GREY CITY JOURNAL—FRIDAY, NOVEMBER 6, 1981v-i'■* An Ensemble of JazzBy Marc MosesMore a concept than a group, the Art En¬semble of Chicago has been in existencesince the mid-sixties. In the nearly fifteenyears that they have been together, theirmusic has continuously evolved and devel¬oped so that from their inception to the pres¬ent the Art Ensemble of Chicago has man¬aged to remain at the vanguard of the newmusic scene. While they are not all nativeChicagoans, it is here that they met andbegan to play together. Their search for awider audience, however, has led them to play in many different parts of the world. Asa consequence of their frequent trips toEurope, their performances in Chicagohave become much rarer and this madetheir appearance this past Halloween weekerwt at Joe Segal's Jazz Showcase particulariy significant.The Art Ensemble, like most complexideas, is not a concept which is easilygrasped. One cannot render it comprehens¬ible in terms of preconceived notions, but instead the listener must become receptive toan entirely new and different idea. Such aradical divergence from conventional ex¬pression, as embodied by fhe Art Ensemble,is not easily conveyed. A description of theirappearance might provide some conceptionof the disparate elements which constitutethe Art Ensemble. Envision five black menon the stage, three of whom are wearing African face paint, one whom has on white-face, and the fifth, looking rather distinguished in a suit and tie, is wearing a labcoat. About them on the stage is a vast arrayof instruments including two standing racksof cowbells. The term "stage presence"seems to fall somewhat short.The five musicians of which the Art Ense¬mble is comprised are all multi-instrumen¬tal. The three founding members are trumpeter Lester Bowie, saxophonist RoscoeMitchell and bassist Malachi Favors Magh-ostus. They were joined by Joseph Jarman,already a prominent figure among creative musicians, who can be an explosive saxophone player though he seldom restrictshimself to a particular instrument (his useof a capgun on Friday night reflects this diversity). The group still lacked a drummer,and in 1969 Famoudou Don Moye becamethe youngest member of the Art Ensemble.In their performance on Friday night theydemonstrated the musical interaction andunity which has been characteristic of theArt Ensemble from their earliest recordings. Their music represents free jazz in themost positive sense of that term. They donot limit their music in any conventionalmanner, but employ every facet of their instruments to attain the emotive level of expression which they desire. It would be quitemisleading to give the impression that themusic which they create lacks structure;rather, it is much more accurate to stressthat the structure of their music is not expli¬citly manifest, but implicit in the formswhich gradually evolve out of what are oftenseemingly chaotic sounds.Listening to the Art Ensemble one occasionally hears passages which might recallthe more fiery improvisations of a Coltraneor a Dolphy solo, but the theme is rarely sus¬tained for more than a few bars. Their abili¬ty to evoke pivotal influences of the jazz tra¬dition is seldom as explicit as the piece"Charlie M" from their most recent albumFull Force in which they create a truly evocative portrayal of Charles Mingus. The power to create such strong images is a resuit of the intrinsic balance possessed by theArt Ensemble, for it is this balance whichallows them so much freedom. It becomesapparent that the members of the Art Ensemble are not only deeply conscious of theirjazz heritage, but also of their own signifi¬cant position in the further development andexpansion of that tradition.I was able to speak with Famoudou Moyebetween sets and we discussed the way inwhich the Art Ensemble structures itsmusic. Moye stressed the conscious, consistent form of their music which he feels is thedominant element as opposed to its improvi-sational nature. It is, nevertheless, the communication between the members whichallows them to interact so freely and Moyeemphasized that they employ all availablemodes of communication including, as heput it, "words, cues, and esp". Asked toidentify the qualities which he felt were embodied most explicitly in the Art Ensemble,he reflected for a moment and then replied,"cohesion...expansion...progression."In the years that they have been together,the Art Ensemble has amassed quite an impressive discography which includes a livealbum recorded at Mandel Hall. Their nextalbum, the third on the ECM label, will betitled Urban Bushmen. It will be a live double album and it should be released sometime in January. For those who are less patient, you might have a chance to see JosephJarman performing with his own group atthe Blue Gargoyle around the beginning ofDecember.cial discrimination in employment is, or canbe, "efficient". This will be (roughly) whenthe information costs of identifying quali¬fied minority personnel are greater thanwhatever losses one would sustain in justblanketly passing such qualified individu¬als. He adds, obscurely, that the "fact thatmuch racial discrimination may be effe¬rent does not mean that it is or should belawful" (p. 363). Of course it doesn't: what Ifind obscure is why an advocate of wealthmaximization (and therefore efficiency)should say that. Even efficient discrimination, most Americans now agree, is unjust,unjust to those qualified individuals who areturned down because the "information costs" of identifying them are prohibitive.Again, the economics of justice turns out tobe one thing, the justice of justice quite an¬other.If discrimination may be economically efficient, so may (relative to other goals) reverse discrimination, the final subject treated by Posner. Reverse discrimination, thalis, may be an efficient way of seeking oulindividuals with characteristics which arecorrelated with race. Posner recognizes thisparallel and does not object to reverse dis¬crimination with the familiar pieties abouttreating everyone as an individual, and soforth. Still, he does object — and two of hispoints bear special mention. The first is hisextraordinary claim, unsupported by any♦♦♦♦♦♦♦♦♦t♦♦♦♦♦♦♦♦♦♦♦♦\♦♦♦♦♦♦♦. KIMBARKLIQUORS750 ML750 ML750 ML750 ML750 ML750 ML750 ML750 ML750 ML750 ML750 ML750 ML750 ML6-12 OZ. BOTTLES6-12 OZ. BOTTLES6-12 OZ. CANS8 PK and Wine ShopServing All Your Party NeedsLIQUORCORBY'S RESERVE S4.69WHITE LABEL SCOTCH $9.29E&J BRANDY $5.69OLD FOREST (86 PROOF) $5.79DON Q. RUM LT. or DK $4.69BOOTH'S GIN $4.69WOLFSCHMIDT VODKA $4.49GREENSLEEVES(MINT CREAM LIQUEUR) $11.49WINESPERE PATRIARCHE $3.59DON ORTEGA SHERRY $3.99RIUNITE LAMBRUSCO $2.79SAN MARTIN MUSCAT D'CANELLI $3.69 2/7.00DEMMER LIEBFRAUMILCH $2.99BEERSTROHS LIGHT *2.09O'KEEFE (CANADIAN IMPORT) $2.89BUCKHORN SI-69SOFT DRINKSPEPSI, SUNKIST & MOUNTAIN DEW $2.49493-3355 STORE HOURS:MON.-WED. 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Ifthey are, one would expect that minority recruiters would begin their searches at max¬imum security penitentiaries.The second is Posner's unnecessarily longdisquisition on the problems reverse dis¬crimination raises about identifying who is and who is not a member of a favored group.As I'm sure he knows, existing affirmativeaction programs have relied on the individual's own identification of his or her groupidentity, and have found this to be an effi¬cient way of handling the problem. Why allthe fuss then — especially from someoneconcerned with efficiency, even to the exclu¬sion of fairness — about what parentagequalifies one as "black" or "Chicano"? Apparently few people are inclined to falselyidentify themselves as members of minoritygroups, even when doing so would be in theirshort-term interests. Perhaps this reluc¬tance has something to do with the relativeadvantages of majority and minority statusin this society.Become a Truman Scholar*5000 Annual AwardSophomores with strong academic recordand experience in governmentand/or politicsContact by November 13Nancy O’Connor - Harper 241 - 753-2726THE GREY CITY JOURNAL-FRIDAY, NOVEMBER 6, 1V81-154JudithSilversteinPoetryFour for the Symposium(An Unfinished Poem)1. (The Introduction)One notices mainly — despitethe smoothness of the green tablesset so roughly triangular,and those who must be seriousand, if watched, look bored behind them -the microphones — so professional!It could be a press conference,the President yet to arrive.2. (After Cavell)We are deconstructing frivolity!And we will carry on, desperately.3. (The Break)Outside, the autumn air is sadness.Yellow leaves all around —nothing moves them.And such metaphors are useless.4. (Sherry)The parts, misconstrued, belong here —more freedom — for a few sweet drinks."Please, if you will identifyyourself for the audience...Keith TumaUniversity HistoryFrom sit-in to shoot-outBy Robert DeckerFirst in a series of articles about well-known people associated with the Universi¬ty, about whom the University would proba¬bly rather forget.What ever happened to the students whooccupied the UC Administration Building in1969, protesting the dismissal of radical so¬ciology instructor Marlene Dixon? Some ofthem probably went on to be lawyers anddoctors. Amost certainly some are now uni¬versity professors and administrators.But one honor student in the New Colle¬giate Division among those who sat-in in1969 followed quite a different route, whichled to her arrest last week in connectionwith a $1.58 million Brink’s robbery whichleft two policement and a guard dead.The hold-up took place last Tuesday in ashopping center in suburban New York. Ac¬cording to police reports, as a Brink’s ar¬mored car arrived at the Nanuet NationalBank in the mall, a red van pulled up be¬hind. As two Brink’s guards emerged fromthe bank with bags of cash totalling $1.58million, three men emerged from the redvan and began firing. They were joined by aman who had been waiting on a nearbybench. The robbers fled in the van for a half-mile and then switched cars, two of the mengetting into a white Honda. Police beganchasing the car after several miles, until itcrashed into a pole and concrete wall. Policearrested all the car’s passengers: two rob¬bers and Judith Ann Clark: fugitivemember of Weather Underground, ex-rioterValentine’s Day. 1969: students pickuptheir things and leave the AdministrationBuilding after 16 days. in the “Days of Rage,” and former studentin the College of the University of Chicago.Judith Ann Clark, 31, was only one ofabout 400 students who marched into the AdBuilding on Jan. 30, 1969, crowding into theRegistrar’s office. After the students ig¬nored a warning from Dean of StudentsCharles D. O’Connell to leave the building orface disciplinary action, students were al¬most immediately presented with sum¬monses to appear before a university disci¬plinary committee.Throughout the sit-in, students and ad¬ministration alike behaved with a remark¬able amount of self-control. The Universitytold Chicago police to stay out of the situa¬tion, and ordered its own security officers tokeep the building unlocked. The studentsagreed not to ransack University files, andaccording to the Feb. 3, 1969 Maroon, “Inorder to prevent any cause for a police bust,the sit-in steering committee has announcedthat ‘No dope will be permitted in the build¬ing and anyone with dope will be exclud¬ed.’ ”Meanwhile, a number of untenured facul¬ty members were holding “LiberationClasses” and a group known as the “Chick-enshit Guerilla Brigade” surrounded theQuadrangle Club to protest the suspensionof 61 students involved with the sit-in. HannaH. Gray, then an associate professor of his¬tory, was at work on the report on MarleneDixon which would eventually uphold theDepartment of Sociology’s decision not togrant the radical sociologist tenure.By Saturday, Feb. 8, 1969, events in the AdBuilding had taken a violent turn, when agroup of outsiders entered the building andstarted a scuffle with the sitting-in studentsand security guards. One security officerwas kicked in the groin and another wasstruck in the face with a broom handle by“intruders.”Although the Grey City Journal changedits name for the week to the “Red City Jour¬nal” and proclaimed “The Revolution—Here and Now,” an attendance strike of so¬cial science classes called for Wed., Feb. 12,1979, did not come off. That same day the so-called “Gray Committee” released its re¬port, recommending that Dixon be given aone-year extension of her appointment tothe Committee on Human Development,which Dixon refused. By Valentine’s Day,the sit-in had ended. The students planned a“dramatic mass exit” for Sat., Feb. 15, anddemanded that UC stop urban renewal inThis speaker at a post sit-in rally is identified as Howie Muetinger. This example of “Guerilla Theater” took place on Feb. 12, 1969.Woodlawn, open a day care center for facul¬ty children, and to “admit as students moreNegroes, workers, and people from thethird world.' ” Meanwhile, Dean O’Connellwas busy with disciplinary proceedingswhich would lead to the expulsion of 42 stu¬dents, among whom was honor student Ju¬dith Ann Clark, now in jail in New York.After leaving the University Clark wenton to take part in the “Days of Rage” ram¬page through Chicago’s Gold Coast in Oc¬tober 1969, and became a member ofWeather Underground, an organization offormer student radicals wanted by the po¬lice. Clark was arrested in 1970 in connec¬tion with the Chicago mob action and servedthree months in Cook County Jail, until herlawyers procured a dismissal of chargesafter the government admitted it had ille¬gally wiretapped her and 11 other membersof Weather Underground. According tonews reports, Clark is now a leader in theSocialist Workers Pauy.Clark’s latest visit to campus was late in1979 when she came to speak at the BlueGargoyle about a proposed law-suit, “Clarket al versus the United States.” In a Marooninterview, Susie Waysdorf, a UC student inthe 1960s and former member of the Stu¬dents for a Democratic Society discussedClark’s suit:“The suit aims to expose the ongoing na¬ture of COINTELPRO — plaintiffs and law¬yers involved in this suit have beenharassed and of course many people are stillin jail...you have to realize that the suit’spremise is that oppression is very broad inthis country and it has to be paid for.” A confrontation between Wayne C.Booth, in 1969 dean of the College, and amember of the Chickenshit group(right).inese racuny memoers opposed rne expulsionthe sit-in.The Chicago Maroon—Friday, November 6, 1981 23SportsSoccer loses finaleBy Stephen KritchevskyWednesday’s game against Lake Forestwas a confrontation between two differentstyles of soccer. The Maroons played agame based on quickness and finess; LakeForest played a game based on muscle.Muscle won, as Lake Forest beat theMaroons 2-1.UC played its regular game, giving theball to the forwards in the middle, who would hold the ball until the defense pinchedin around them. The forwards would thenpass back to the midfielders and break up¬held. The midfielders then would eitherpush forward or play the ball to the wings.Scoring opportunities would then be gen¬erated either by the wingers crossing theball into the goalmouth, or by leading theforwards breaking up the middle. Thisplan’s success depends on fast, crisp pass-The Maroonsshoot on goal in Wednesday’s unsuccessful game against LakeForestdV v£xx&At the Shubert TheatreTickets for Nov. 19 performance on sale Monday 9 a jn.Rm. 210, Ida Noyes Hall.$15 (regular price $20) First balcony frontLimit 4 tickets per person - 70 tickets available'Only UC students may buy tickets on Monday — bring your ID ing to send a winger up the sideline in stride,or superior dribbling kills to work the ball inthe middle of the field.It might hav worked Wednesday, but LakeForest bullied UC into mistakes. When themidfielders got the ball, they were pushedoff it. Two Lake Forest players received yel¬low cards for excessive pushing in the first15 minutes of play. As a result, the passesout to the wings were often rushed, allowingthe Lake Forest defense to set up whileslightly misplayed passes were beingbrought under control by UC wing mid¬fielders. There wasn’t time to let the for¬wards break up the middle.The Maroons’ best first half scoring op¬portunity came on a Lake Forest handball.John Assadi curled the penalty kick to theleft side of the goal. Frank Luby’s divingheader was just wide of the net.The defense played well the first half, al¬lowing only three Lake Forest shots. Therewas, however, one lapse that cost a goal.After a Lake Forest throw-in, a Lake Forestforward beat fullback John McCartney inthe left corner. UC goal keeper Brian Sulli¬van was unable to collect the crossing passacross the front of the goal. Defender AndyValvano fanned on a clearing kick in front ofthe left post, and the Lake Forest left wingerscored easily. The score was 1-0 Lake Forestat the half.The Maroons tied the score midwaythrough the second half when sweeper backCy Oggins, who had been moved to forwardto generate extra offense, got the ball inLake Forest’s right corner. He then dribbledto goal and stuffed the ball into the righthand corner of the goal.Lake Forest’s winning goal came on a corner kick from the left side. The ball waslobbed to the left goal post where it hit hechest of Todd Silber. Silber tried to clear thebouncing ball, but mistimed his kick andmerely sent the ball rolling to a Lake Forestattacker. Sullivan, who came out to get theball while it was in the left corner, wasscreened from getting back into position.The ball was played to a Lake Forest for¬ward about 12 yards out on the right post foran easy goal. The final score was 2-1.The Maroon soccer team finished the sea¬son 6-7-1, a vast improvement over lastyear’s 1-8-1 record.The Maroons drive down field.Rugby club tallies shutoutby Katie EllisA lakefront pitch in Evanston was thescene Saturday as the rugby club playedwhat club members described as an “in¬tense” game against Northwestern Univer¬sity. The match ended with a score of 13-0for Chicago’s second shutout victory of theseason.Despite outstanding play by the Chicagoclub, the game remained scoreless through¬out the first half. Twice Chicago came with¬in a yard of scoring, but Northwestern man¬aged to gain control of the ball long enoughto kick it downfield and out of scoring posi¬tion. When fly half Jerome Fikke sustaineda head cut — which required seven stitches— and had to leave the game. Chicagoswitched around some of its players. Thechanges proved to be effective in the secondhalf play.The first score of the game came whenback Stan Watowich broke away from theentire field for a four-point try. Wing for¬ward Larry Epstein’s point-after attemptwas no good as it bounced off the uprights,leaving the score at 4-0. Epstein came back a few minutes later totake the ball out of the scrum, assisted byHooker John Boochever, and beautifully ex¬ecute a three-point drop kick, making thescore 7-0.Excellent tackles throughout the game bywing Bob O’Brien, fullback Pat Waresk, andeight man Ed Beard provided the supportneeded for Watowich to assist back TomPowell in making the game’s second try.Epstein's successful point after attemptbrought the match to its final score of 13-0,with only a few minutes of play remaining.Afterwards, several players commentedon the club’s unified effort. “The team playwas exceptional,” said club president PeteLayton, adding, “A lot of credit has to go tothe pack. They’ve never played so well to¬gether. We pushed Northwestern off the ballwhich gave us the obvious advantage of con¬trolling the onsides line (similar to football’sline of scrimmage) and the ball.”Tomorrow, the rugby team travels toSouth Bend, Indiana for a game againstNotre Dame. Fans who would like to travelwith the team may meet in front of BartlettGymnasium at 11:00 a m.Axinnwins UC InvitationalBy Carl StockingThe annual highlight of the cross countryteam’s home schedule is the University ofChicago Invitational. This four mile race isone of the few meets run in the Maroons’Washington Park lair, and always attracts acompetitive field. The starter’s gun animat¬ed this year’s hopefuls on a warm, overcastHalloween Saturday.Schools from all over northern Illinois wit¬nessed Mike Axinn of Chicago romp to yetanother victory. All together, eight schoolswere represented, including the perenniallystrong North Central squad. Axinn greatlyoutclassed the field, finishing in a time of19:32. Dale Koepnick of North Central ledthe rest, trailing Axinn by over one hundredyards and seventeen seconds.Among Chicago’s other top finishers wereArt Knight and Aaron Rourke. Knight’s20:59 placed thirteenth, and Rourke’s 21:16was good for fourteenth.While Axinn dominated all other runners,North Central dominated all other teams.After the numbers were figured, the boysfrom Naperville held up a slim 24. IllinoisBenedictine finished second with 76. Chica¬ go’s 98 gave it a fourth place finish, onepoint behind Wheaton. Rounding out thefield were UICC, North Park, Judson andElmhurst.The Maroons are looking forward to Sat¬urday’s Midwest Conference Championship,to be held at Beloit College. The runners ex¬pect to place highly, feeling they left them¬selves with room for improvement after lastSaturday’s Invitational.SportsbriefsMen’s tennisThere will be an organizational meetingfor the men’s varsity tennis team on Mon¬day, November 9 at 7 p.m. in the field house.For further information, contact CoachSimms at 753-3574.Women’s track callWomen interested in competing on thevarsity indoor track team should attend anorganizational meeting on Tuesday, No¬vember 10 at 6 p.m. at the field house.24—The Chicago Maroon—Friday, November 6, 1981Inside IMsPlayoffs draw nearBy Bob LaBelleAs the football season winds down to itsconclusion, quite a few unexpected changeshave occurred. In the graduate league, sev¬eral teams are battling down to the wire.The three graduate divisions were expect¬ed to produce the same old playoff teams ofrecent years, but instead, FlyingCockroaches, one of last year’s worstteams, has captured the green division bybeating traditionally strong Sick Dogs, 7-6.The victory, however, was not an upset. TheCockroaches are undefeated with impres¬sive victories over South Side Tide and ResIpsa. Moreover, the Cockroaches combinean awesome (teams averaged only fourpoints against them) with a large offensiveline. By virtue of its surprising victory, theCockroaches earned the number five spot inthis week’s Top Ten poll.Elsewhere in the graduate league, favor¬ites Wabuno Bay and the Stiffs handily tookthe white and red division crowds. Secondplace teams Bovver Boys, Manifest Des¬tiny, Sick Dogs, and either Chicago Seven orRaw Meat (as the playoff wildcard team)will complete the graduate playoff picture.In the independent league, the powerfulN.U.T.S. team was tripped up by the ruleswhen it discovered that one of its playerswas a varsity football letterman. Conse¬quently, the game against Phi Gam was for¬feited. Phi Gam thus finishes 5-0, but will notwin the division. Oddly, Phi Gam was a resi¬dence team placed in the independentleague because of eligibility problems, andis guaranteed a spot in the independentplayoffs. Confused? If not, here is anotherintricacy: five of the six true independentteams will make the playoffs. Only Com¬muters lose out.In the undergraduate league, most of thedivisions remain undecided. In the blue divi¬sion, Henderson, Tufts, or Fallers could still win the division because they have manygames remaining. In the white division, no¬body seems to want to win. Alpha Del tookthe early lead, then dumped three games.Filbey then had the lead, but dropped two ina row. Finally, Dodd-Mead was undefeateduntil it lost two consecutive games. Whoeverdecides to win the division will have at leasttwo losses.Anyone who hasn’t been out of the countryin the last week has heard about the Cham-berlin-Dewey debacle for the green divisionchampionship. The IM office decided, forbetter or worse, to give both teams a lossand decide the division by a coin toss. Re¬sults of the coin toss were not available atpress time.The maroon and red divisions were decid¬ed by games played a week ago. Dudley willtake the maroon and Lower Rickert the reddivision.The residence playoffs w'ili include ail sec¬ond-place teams and one wildcard. In thegreen, maroon, and red divisions, secondplace will go to either Chamberlin orDewey, Hale, and Hitchcock, respectively.The wildcard team should come from theblue division if there is any justice in thew'orld. The third-place team in that divisionwill be stronger than in any other.In the great tradition of inaccurateguessing, “Inside IMs” presents odds forthe playoffs among top-ranked teams.Odds show the likelihood to win theAll-University title.Wabuno Bay 3-5Stiffs 1-1Manifest Destiny 3-1Chamberlin 4-1Flying Cockroaches 7-1N.U.T.S. 5-1Bovver Boys 9-2Chicago Seven 15-1 Sick Dogs 18-1Dewey 20-1Dudley 35-1Phi Gam 30-1Hale 35-1Step Aside Buddy 45-1Psi Upsilon 50-1-v'The Maroons row to victoryMen’s crew victoriousBy Daniel LaurenceThe men’s crew' lightweight four returnedfrom its 500-mile journey to Knoxville, Ten¬nessee with a silver cup bearing testamentto its achievements. The Head of the Ten¬nessee regatta had brought together most ofthe top southern and midwestern crews.Among those in the men’s lightweight-fourevent, Citadel, Central Florida, and Michi¬gan State were seen as the most likelyspoilers for UC. But of the eight boats en¬tered, Citadel finished seventh, CentralFlorida third, and Michigan State second.“We knew we were close to MichiganState because we could hear their coxs¬wain,” said Chicago bow'man Bruce Lifka.“We beat them by about ten seconds.” Chi¬cago’s official time of 21:36.47 may havebeen spurred by the fact that MSU was theonly boat ahead of Chicago in the staggeredstart, providing a great deal of incentive forthe UC oarsmen to pull into first position.With a careful eye to the spring season,Lifka observed, “Those guys (MSU) aregoing to be really strong. They ran into ascull during the race, protested their timeand rowed again. Then some of their guysgot in an eight and raced the whole thingagain after having only rested for one eventin between.”This is exceptional, since the length of a“Head” course is three times that of a nor¬mal one. Even so, Lifka recalled, “Itseemed so much longer than the Head of theCharles. It just went on and on and on. Carla(referring to Carla Pritchett, coxswain) didn't know where the end was, she hau noidea.”Though the race was her first taste of reg¬ulation competition, novice coxswain Prit¬chett was able to steer a good course. Sheguided the shell through turns with skill andmanaged to pick up a good deal of ground.Led by stroke man Alan Hodges, the crew-powered through the seemingly endless kilo¬meters. “Everyone looked very strong,”said Prichett. “We felt pretty good, consi¬dering,” added Lifka.But the finish did finally come, and afterthe race, the crew w-ent to find out the re¬sults. Due to the fact that the race had beenstaggered, they w'ere unsure of the finalstandings and were expecting a second orthird. Yet, despite a borrowed shell coveredin duct tape and a bare two-and-a-half hourssleep on a church floor, the rowers hadpulled out first.The previous holders of the cup weremembers of the US Naval Academy team,this year’s record-breaking stars of theChampionship-eights at the Head of theCharles. Perhaps due to this victory Navydecided to take it easy and neglected to at¬tend the Knoxville event this year.The final races of the autumn season willbe held in Lincoln Park on Saturday, No¬vember 7. when Chicago will send all of itsrowers out to compete with the Lincoln ParkBoat Club, the Milwaukee Rowing Associa¬tion, and the newly formed NorthwesternUniversity club. The regatta begins at 10a.m. I-M ScoreboardFOOTBALL VOLLEYBALLRaw Meat 26 ..... South Side Tide 6Flying Cockroaches 7 Sick Dogs 6Flying Cockroaches 32 South Side Tide 0Manifest Destiny by forfeit over Dead RopesWabuno Bay by forfeit over Legal LunaticsMicbelson 6 Henderson 2Breckinridge 30 ... . . Fishbein?Chamoerlin 50 Greenwood 0Compton 7., Shorey 6Salisbury/Vincent 8 Compton 6Dudley 26 Compton 6Hitchcock 47 Lower Flint 0Upper Rickert 29 Upper Flint 13Phi Delta Theta 21 Alpha Delta Phi 19Bishop 26 . Bradbury 7Filbey 6 Bishop 0Axes to Grind 8 37 Stoned Dudes OPsi Upsilon 18 ... Step Aside Buddy 7Breckinridge 18 Greenwood 12Thompson 19. ..... ... Salisbury/Vincent 17Phi Gamma Delta 22 37 Stoned Dudes 0Bovver Boys 38 Broadview 7Sick Dogs 35 ... Res Ipsa Loquiter 0Step Aside Buddy 6 Axes to Grind 0Hale 18 Salisbury/Vincent 8IM TOP TENWabuno Bay 49 >4)Stiffs 46 UiManifest Destiny 38Chamberlin 33Flying Cockroaches 28N.U.T.S 26Bower Boys 25Chicago Seven 15Dewey 7Sick Dogs SHonorable Mention: Dudley. Phi GammaDelta, Step Aside Buddy, Psi Upsilon MenHenderson d Fishbem 11-3, 11-7Lower Rickert d. Dewey 11-3. 6-U, 11-5Dewey d Pishbein 11-8, li-1Henderson d. Lower Rickert 7-11, 11-4.11-7Over the Hill d. Legal Lunatics 11-1, il-lSpike d Manifest Destiny 11-2. 11-7Why D’Ya d Brethren 11-4, 11-5Broadview d Black Rangers 11-0, 11-2Upper Flint d. Chamberlin 11-6, 12-10Hale d. Lower Flint 11-2, 12-10Hale d. Filbey n-6, 11-3Upper Rickert d. Upper Flint 11 7, 2-1. n-9L pper Rickert d Michelson 11-5, 10-12. 11-4WomenDodd/Sahsbury d Snell 11-6. 11-6Shorey d. Dodd/Salisbury 2-11,12-1*), il-8Thompson d Shorey 12-14. 11-6, il-lSnell d Thompson 11-3, 7-11,11-4Suns d. Food 11-1, 11-8Med School d. Law School 11-0. 11-8Delta Sigma d. Law School 11-9. 11-9Med School d. Food 11-9, 11-4Sports CalendarVOLLEYBALLNov. 7 - University of Chicago Invita¬tional, Field HouseUC v. Millikin, 11:15 a.m.UC v. North Park or IBC,1:45 p.m.Consolation match, 3 p.m.Championship match, 4 p.m.CROSS COUNTRYNov. 8 - UCTC Open 4 Mile run, 111 a.m., Washington ParkDr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know thedifference between advertisedcheap glasses or contact lensesand competent professionalservice with quality material.Beware of bait advertisingEye ExaminationsFashion Eye WearContact LensesUgly DucklingRENT-A-CAR *1608 E. 53rd Street$13.50 per day 200 Free MilesBetween IC TracksandCornell 00#*2fc0VV ANTIQUARIANBOOK FAIRSUNDAY NOV. 8Oakbrook Marriott10 am - 5 pmOld. scarce, and rare books will be offeredby 40 dealers from 5 states Parking at theOakbrook Marriott is free, and a portion ofthe $1.50 admission will benefit the Hins¬dale Library.Sponsored by'Midwest Booth un tersfor information: 724-4594HYDE PARKTHE VERSAILLESIDEAL FOR STUDENTS324-0200Large Studios • Walk-inKitchen • Utilities Incl. •Furn. - Unfurn. • CampusBus at doorBased on Availability5254 S. DorchesterSubscribe to The MaroonOne Quarter - $5 Two Quarters - $10 Three Quarters - $15NameAddressCity State ZipMoke checks payable toChicago Maroon Subscriptions l 21 2 E. 59th St. Chicago IL 60637Ph 312 753-3263 (The Chicago Maroon—Friday, November 6, 1981—25HOUSESTUSCAN MANSION has apartments for income,large yard, offstreet parking, garden and lots of sun¬shine! $145,000RAY SCHOOL DISTRICT, 3 bedroom town houseCozy fireplace, garage, fenced backyard, 2h baths. 2dens make this a super buy at $139,500WALK TO SHOPPING (only a few steps away) andlive in this efficiently designed 3 bedroom. 24 bathtownhouse Private backyard, central air and more$105,000THIS LOVELY Queen Anne family home boasts 3fireplaces, tiled kitchen and bathrooms Lots ofstorage space, fenced back yard, 2 car garageAsking $125,000CONDOMINIUMSSENSATIONAL PRICE - 3 bedroom condo nearshopping and park, walk to U of C, Ray Schooldistrict, needs work, "do-in-yourselfer” or in¬vestors dream, as is $36,000EXCELLENT FINANCING AVAILABLE 9-h anda low down payment purchases this 27th floor studioin the Newport $40,000NAR RAG ANSETT! Magnificent five room con¬dominium home Beautifully decorated Must beseen $100,000THIS SUNNY CORNER - 2 bedroom condo in Raydistrict has a great kitchen and many extra’s.Sparkling condition with great financing Mid$60 S.NEWPORT glorious views from this 1 bedroom,wall to wall carpeted condo Priced right in the 50’sSPACIOUS beautiful back yard, two porches andspacious rooms make this 3-bedroom home a realvalue East Hyde Park Close to lake and tran¬sportation Low 80 sCONVENIENT LOCATION This 2 bedroom condowith a sunny living room and alcove overlooks quiettree-lined street Gose to campus, shopping andpark Mid $60’sHUGE PRICE REDUCTIONNow priced in the $60’s V A financing/owner finan¬cing Ask about special discounts Enjoy a spacioussunny country kitchen; dining room made for afamily, ceramic tile baths and a large masterbedroom.OPEN HOUSESat. & Sun.1:00P.M.-4:00P.M.TWO LOCATIONS5443 S. Cornell5758 S. BlackstoneCHARMING EAST HYDE PARK CONDO Thiswarm 3 bedroom apartment is a lovely blending ofthe old and the new. Attractively priced under$70,000 Super financing possibleBRET HARTE DISTRICT. Close to lake and tran¬sportation This 3-bedroom East Hyde Park condohas 1600 sq ft. of living space East and West porchesadd to the charm Priced in the mid 80 sTENNIS COURT, garage, balcony and a largebackyard are a few of the amenities surrounding this2-bedroom home pnced in the upper $40 sGREENWOOD COURT convertible 3 bedroomsNew kitchen and baths Some stripped wood En¬closed front porch and large open back porch for en¬tertaining Reduced to $69,500THE RIGHT LOCATION, south of 55th 2 bedroomhome with family room, modern kitchen, garageMid$80's.UNIQUE . . the floor plan in this gracious 3 bedroomassures privacy. A woodbuming fireplace and lovelybuilt-in pieces add to the charm Large porch withSouthern exposure affords a view of greenery Mid$80’sCOOPERATIVESNEAR CAMPUS, one bedroom co-op, lots ofbeautiful wood, built-ins, modern appliances, love¬ly courtyard building, affordable living, unitmoderately priced low $30’sSPACIOUS. Jii-rise co-op with great east-westviews 2 bedrooms, 2 baths, foyer and formal diningroom 24 hour security , near U. of C bus Mid $50’s.POWHATAN - Elegant living in this top floor unitwith woodbuming fireplace Exceptional buildingamenities, security and service Call for more in¬formationSUN, SPACE, SCENIC VIEW - all in thistwobedroom Good transportation, walk to campusand garage all for under $40,000 Owner FinancingavailableBUILDINGS•East Hyde Park Blvd . 18-units $325,000•61st and Dr ex el, 24 units, $$165,000HILO REALTY GROUP1365 E. 53rd St.355-1800 CalendarFRIDAYCrossroads: English classes for foreign women,10:00 am, 5621 S. Blackstone.Calvert House: Mass; 12 noon and 5:00 pm, 5735 S.University. Brown bag lunch, 12:30 pm.Geophysical Sciences Colloquium: ‘Isotopic Vari¬ations in Ocean Water Composition ThroughTime" speaker Peter Scholle, 1:30 pm, HGS.Center for Middle Eastern Studies: Arabic Circle— "The Letters of Shaykh Muhammad Ibn Abdal-W’ahhab” speaker Abdullah Zayd, 3:30 pm, Pick218.Christian Science Lecture: "Come Join Christ'sHealth Revolution” speaker Clem W. Collins, 4:00pm, Reynolds Club north lounge.Physical Sciences Division Lecture: “Some Infi¬nite Dimensional Geometries Relevant to Quan¬tum Field Theories" speaker 1M Singer. 4:30 pm,Eckhart 133.Dept, of Microbiology: "An Outsiders View of theProgress in Cancer Research" speaker Dr. JohnCairns, 4:30 pm, Cummings room 101.Hillel: Adat Shalom Shabbat Dinner, 6:15 pm, 5715S. Woodlawn.Doc Films: “9 to 5" 7:00, 9:00 and 1::00 pm, CobbLectures in Armenian Cultural History: "ArshyleGorky and the World of Art" speaker Mr. KarlenMooadian, 8:00 pm, Regenstein Library.Sequentia: Minstrels and Clerics in the MedievalNorth, 8:00 pm, Mandel Hall. Tickets avail.U of C Folkdancers: Folkdance workshops, 8:00pm, Ida Noyes.Hillel: Lecture — "After the AWACS — StrategicBalance in the Middle East" speaker Hersh Good¬man, 8:30 pm, 5715 S. Woodlawn.SATURDAYHillel: Yavneh (Orthodox) Services at 9:15 am. TheUpstairs-Minyan (Conservative-Egalitarian) Ser¬vices, 9:30 am, 5715 S. Woodlawn.Calvert House: Mass; 12 noon and 5:00 pm, 5735 S.University.U of C Folkdancers: Folkdance workshops 12:15;pm, 2:30 pm, Ida Noyes.St. Thomas Apostle School: St. Nicholas Marketand Bazaar, all day until evening at 55th andWoodlawn. Info 324-2626.Crossroads: Buffet Dinner, 6:00 pm, no reserva¬tions necessary, 5621 S. Blackstone.Law School Films: "The Maltese Falcon" 7:00 and9:30 pm, 1121 E. 60th St. Women's Union: Pot luck dinner, 7:00 pm, IdaNoyes Library.Doc Films: "Kagemusha” 7:00 and 9:45 pm,Cobb.U of C Folkdancers: Folk concert at 8:00 pm, Man-del Hall. Info call John at 324-1247 or 493-2201.University Chamber Orchestra: 8:00 pm, Good-speed Recital Hall, free.SUNDAYCrossroads: Bird-Watching; meet at 6:45 am atCrossroads. Explore Wooded Island with an expe¬rienced bird watcher. 5621 S. Blackstone.Lutheran Campus Ministry: Sermon and Eu¬charist, 8:30 am, and 10:45 am, Sunday School andAdult Education, 9:30 am, 5500 S. Woodlawn.Calvert House: Mass 8:30 am, and 5:00 pm, 5735 S.University. Mass; 11:00 am, Bond Chapel.U of C Folkdancers: Folkdance workshop, 9:30 am,12:15 pm and 3:30 pm, Ida Noyes.Hillel: Lox and Bagel brunch, 11:00 am, 5715 S.Woodlawn.St. Thomas Apostle Church: St. Nicholas Marketand Bazaar, all day until evening at 55th andWoodlawn. Info 324-2626.MARRS: Fighting practice, 3:00 pm, Ida NoyesHall.Center for Continuing Education: The Klezmorim,music ensemble, 7:30j pm, Mandel Hall. Tickets onsale at Mandel Hall Box Office.U of C Folkdancers: Advanced level folkdancing,8:03 pm in the Theatre of Ida Noyes.Doc Films: "The Night of Counting Years" 8:00pm, Cobb.MONDAYChild Development Colloquia: "Definition-Mak¬ing in Young Children and Semantic Organiza¬tion" speaker Bonnie Litowitz, 12:15 pm, Judd313.Dept of Chemistry: "Inactivation and Mechanismof Cytochrome P 450” speaker Prof. Paul De Mon-tellano, 4:00 pm, Kent 103.Comm, on Social & Organizational Psychology:Norman Bradburn will talk about the history ofpsychology at 4:00 pm, Beecher 102.Hillel: Class in Yiddish, 6:00 pm, Class in Para-shat Hashavuah, 7:30 pm, 5715 S. Woodlawn.U of C Judo Club: Meets 6:00 pm, Bartlett gym.Beginners welcome.U of C Folkdancers: Advanced level folkdancingat 8:00 pm, Ida Noyes Theatre.Keypunchand/orData EntryServiceFor Service That Is• FAST—24-hour service on small jobs• ACCURATE—phenomenally low error rate• ECONOMICAL—costs more anywhere• RELIABLE—we keep promisesFOR MORE INFORMATION, CALL753-2517 or 753-2518No job too small-few too large.A service of URLDAS.26—The Chicago Maroon—Friday, November 6, 1981 SPACEStudio Apartments. HILD REALTY GROUP955 1200.House for rent. 3 bdrms, Ir dr, kit, 2 bathsbasem't with play room. Block from SouthShore station, 30 mins from campus. $360/mo+ util. Dep and refs, required. (219) 933 4870.1 51 2 rm & 1 6t2 rm condo (1500 sq. ft.) in vintage 6 flat nr. 72nd & the lake, $35,000 & $38,000.Ea. w/2 baths, fml. D.R. Big yard, parking. Oncampus bus rt., 1 block to I.C., 4 buses. 375-7435.SUNNY 1 BDRM APT on Ridgewood Ct 3rd fl.Ivng rm dining rm kitchen bath laundry inbsmt $355/mo inc heat call 753-1541 or 1475 (D)667 5027 (evenings & weekends).1 bdrm condo for sublease. 23rd fl withbeautiful lake view. Indoor pool & shoppingcenter. $455/mo. Avail immed. Call 538 1955after 7 pm.BEVERLY-H2 bdrm apt., new dec., carpet,front & back porches, no pets, adult pref. $350779 3510.Large 3 bedroom University apartment tosublet to University family Tel. 285 0755.AVAILABLE JAN 1Sunny 4 room apartment lake and park viewsExcellent parking next campus bus stopExcellent security 5500 South Shore Drive493 per month includes gas heat waterCall evenings or weekends 752-0619.Nice furnished room kitchen priv on HarperAve. Avail now 955-7083.ROOMMATE WANTED in a comfortable,quiet two bedroom apt ideally located just 2blocks from campus at 55th & Kimbark$155/mo -t-utilities. Available Dec 1 Aaron 2415279.Sublet 56/Kimbark. Jan/Mar. or Apr. 1 Bdrmin 2 Bdrm Apt. $194/mo. 324 4296.SPACE WANTEDRoom needed for the month of January for avisiting student. Dependable Please call 643-3898 and ask for Molly.2 or 3 bedroom apt or house to rent beginningDec or Jan Near University or with goodtransportation to it. Call Maggie 955 0297.Looking for a GARAGE near 56th &Blackstone. Turn an empty garage into extracash this winter. Call 752-5877 after 6 pm.Single visiting prof, wants space Jan. Mar. 493-7697 eves.OFFICE SPACEOffice space available to major tenant.Suitable for business such as legal, insuranceor financial consulting. Space has 4100 squarefeet and is located on the ninth floor of a HydePark landmark. For further details and aprivate showing call 493-2525 ask for Mr. War¬dian.Office space available in Hyde Park areaSuitable for all types of business. Suitesavailable immediately with square footage of150 1000 square feet. Rent includes cleaningservice, heat and water if required. Call 493-2525 for a private showing. Ask for Mr. War¬dian.PEOPLE WANTEDPaid subjects needed for experiments onmemory, perception and language processing.Research conducted by students and faculty inthe Committee on Cognition and Communication. Department of Behavioral SciencesPhone 753 4718.CHILDREN'S NARRATIVES ANDGESTURES. U of C faculty research needschildren, 4 through 12 years of age, to par¬ticipate in a study of children's narratives andgestures. The procedure is enjoyable tochildren and takes about 1 hour on campus.Refreshments and payment provided. If interested, please call 3-4714 for an appointment.Interested in continuing your Boy Scouting experience? Troop 512 has a place for you. CallEd Waters at 768 3822. Meetings on Fridays at7 pm at United Church of Hyde Park.Energetic, dependable person-sitter to keepactive 4 yr old approx 9 hrs per week startingmid Nov. CALL NOW 538 7529 (try til midnite).Bilingual Interviewers (Spanish/English)needed for telephone survey. 5:00 to 10:00 pm,some Sundays. $5.00 an hr. Call 753 1122 Atfirmative Action/Equal OpportunityE mployer.Classified AdsCampus library seeks student assistants topage and shelve material. Must be able to workmin. 10 hrs/wk, between 9am-5pm. Call per¬sonnel at 955-4545, 9:30-12:00 to arrange appt.FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E. 55th St. 493 6700.14K Gold Diamond Jewelry at LESS THANHALF retail cost: necklaces bracelets-charms-initials earrings, shown by appt.Suzanne 684-5739.Cockatiel: says hello, trained 5 mo oldssometimes noisy -F cage, books $125. 752-26655:30 6:15.MINOLTA DEMO On Sat. Nov 7th we willsponsor a Minolta Demo in the store from 10am to 4 pm. Larry Byer, Minolta's MidwestRepresentative, will be in the store to show theline. Stop in. Model Camera, 1344 E. 55th, 4936700.APT SALE: Sat Nov 7, 10am noon 1630 E. 54thSt. sored by Career Counseling and Placement.Information, 753-3281.Reg's lobby this Sunday—Be there or besquare.What do the Flatley Brothers, all Ireland andall American Irish Dance champions, and thePopovich Brothers, a popular south side Tamburitzan Orchestra, have in common? Theywill both be part of the stunning line up ofentertainers preforming Sat. Nov. 7 at MandelHall for the 19th Annual Folk Dance Festival at8:00.Come to a POT LUCK DINNER Sat night at 7pm Sponsored by the WOME N'S UN ION bringdessert or donation 3rd floor Ida Noyes allwelcome.GAY? LESBIAN?If you are gay or lesbian and presently considering coming out to friends or relatives, youmay be interested in a group of students whoare meeting together to discuss and exchangeexperiences. We are meeting this Tuesday at8:30 p.m. in the Reynolds Club North Lounge. WANTEDDelta Sigma Women to Vote this Sunday atReg.LOST & FOUND57th & Dorchester, gray & white dsh cat withflea collar 752 2665.RIDESRider wanted to Albany NY Iv Nov 25 returnNov 29 call 852-5186 after 5 pm Mon Fri.COLOR DEFECTIVE?Learn something about it and make somemoney Phone 947 7126, 9am to 4pm Mon toThurs.MOVINGStudent with Pickup Truck can move your stuffFAST AND CHEAP No job too small! CallPeter at 955 1824 10am 10pm.THE PHOENIXCheck the Phoenix first for books, records, andqames in the basement of the Reynolds Club.NIKON SEMINAR WOMEN'S MAGAZINEPrimavera Vol 6/7 is out! Available in mostHyde Park bookstores. Women who want tojoin the staff should call 752 5655 for infoEIGHTH GRADEALGEBRATEACHERNEEDEDThe Lab School Mathematics Department isseeking a math teacher to teach one first yearAlgebra course. Interested persons should contact Hanna Goldschmidt 753-2554 for furtherdetails.CONDO FOR SALELovely sunny 5 rm. condo 2 BR Totallyrenovated. Oak fl. & buffet, frpl , bale , PLUS!Fin 13%. Call Karen d 947 5456, e 947 0859.HYDE PARK1 Bedroom and studio apts available newlydecorated unfurnished some and all utilitiespaid call 643-7896BEAT THE HOLIDAY EXAM CRUNCH! Doyour Christmas shopping at the United Churchof Hyde Park's BAZAAR All manner of Art,Craft and Gift items for sale. Saturday, Nov.14, from 9 4 at 53rd and Blackstone (Lunch forsale, too).Must sell two blue velvet love seats $65 each624 2735 weekendsor after 6:00 pm.SERVICESJUDITH TYPES—and now has a memory.Phone 955 4417.An editor can make your work better 363 7567.Psychotherapy and counseling. Fees on asliding scale; insurance accepted. JoanRothchild Hardin, PhD, registeredpsychologist in Hyde Park. 493 8766VG ENTERPRISES Executive ProfessionalService Specialized typing, Legal and General.For further information call 783 1345 ??? CHRISTIANSCIENCE???WHAT IS IT? Does controversy square with itsteachings? What does it say about YOU? If youdon't know or are curious, come to a CHRISTIAN SCIENCE LECTURE, speaker Clem WPERSONALSIMPROVE YOUR GRADES! Researchcatalog—306 pages—10,278 topics—Rush $1.00Box 25197C Los Angeles, 90025. (213) 447 8226Writer's Workshop (PLaza2 8377).To Michael S Turner: Hello captain cosmos!We get a big bang out of your class. Celestiallyyours, the heavenly bodies.Tumbling Dice got live if you want it tonight atthe Pub. Have you seen your mother, baby?Chamberlain IM can put heads together.IMer On Thursday evening, Nov 12th, ModelCamera is sponsoring a Nikon Seminar from 710 pm. Seating is limited. Tickets are 55.00 andavailable at the store. Model Camera, 1344 E.55th,493 6700.STEPTUTORINGHelp a kid feel bright and intelligent. Volunteerto tutor an elementary or high school studentfor two hours a week. Contact Peter at 643 1733for more information.THE PHOENIXWe have the best prices on books, records,games. Check us first. In basement ofReynolds Club.ORIENTAL CARPETS DELTASIGMADon't forget to vote for officers this Sunday 118. Vote from 13 pm in Reg's lobby.attention skiersFOR SALEPHOENIXO" sale at the Phoeni, ,2 00 check „sbasement of Reynolds ClubThe Afghan Refugee Foundation has invited usto be exclusive exhibitors and sellers of Afghancarpets at their upcoming Gala Benefit inWashington DC. Since we are bringing all ourcarpets, be sure to call before Nov. 20 if you areinterested in carpets for yourself or asChristmas presents. For appt. call 288 0524 ACTORSPaction o, "Escape from HydePark ■ ,1want to break into the movies call 753 C(message a, end 0, tilm listings, or 75 28»VThe Chicago Counseling and PsychotherapyCenter, 5711 S. Woodlawn, is opening a LongTerm Therapy Group to new membersDecember 3, 1981. Meets Thursday evenings 810 pm, $50/month, first two months payable inadvance Open to women and men 18 and over,especially women; preliminary interview required. Group leaders: William Bradley, MTS,SW and Margaret Warner, PhD. 684 1800.SCENESEvery Monday and Sunday night at 8:00 at IdaNoyes Hall the U of C Folk Dancers meet todance the traditional dances of the people ofEurope, America, Latin America and The Middie East We ask for a donation of $1 (75* forstudents) but as MadDog Schaeffer says "It'skind of a nice place to take a date." For moreinfo call Karl at 241 6174THE KLEZMORIM Sun., Nov 8, 7:30 pm,Mandel Hall. Reservations 753 3185 weekdays;752 0943 weekends."Mylhs and Realities of Ph D. Employment,"a workshop on academic and non academicjobs, will be held on Wednesday, November 11,at Ida Noyes Hall from 3:00 to 6:30 pm. Spon JAZZ avant garde Tues 8 11 WHPK hear ithere.ARTHUR you have the knicest legs. Would youlike to go out some knight?MAROONS go north on Saturday you carps!Bee.Grrrr!!! Women in Black. Remember thefiend with whips and chains at the I House Party? Meet the man behind the mask. 493 5159.Happy Birthday Alan! Future Supreme CourtJustice.I slept with three of them and decided that thesinger was the best Mary Fran FaithfulElections this Sunday for Delta Sigma officersvote once, vote twice, vote for who you think isnice! from 1 pm to 3 pm 1st floor RegLAW: Unfair! After complaining we don'twrite you disappear. I miss you! BarefootDreamerI'm sorry, B.D but I've lost my urge to write. Ithink a boat ride would cheer me up LAW FEATURE OF THE WEEKON THE LAKEFRONT550,000 cooperativepromotoryTwo bedroom, two bath, view of lake56th & South Shore FEATURE OF THE WEEKON THELAKEFRONT535,000 studio condoStunning interior Under 5 75,includes assessments & taxes. 1Lecture:AFTER THE AWACSSTRATEGIC BALANCEIN THE MIDDLE EASTA TALK WITH HERSH GOODMANDefense Correspondent of theJERUSALEM POST; one of the firstcorrespondents to visit Egypt.FRIDAY, NOVEMBER 6th8:30 P.M.HILLEL FOUNDATION, 5715 WOODLAWN AVENUE TIME TO WINTERIZE!!!All of the following have cozy fireplaces and are ready to deal:Apartments56th Kenwood - 5 spacious rooms $68 00050th East End - 5 spacious rooms make offer54th Dorchester - 5 spacious rooms 59,900Houses (or rent)48th Kenwood • 1 5 rooms - 12 % financing S 195,000(make offer)52nd Greenwood - 7 rooms - garage $97,50053rd University - brand new construction4 bedrooms, garage att S210.00053 Woodlawn - 9 rooms, garage, bigextra corner lot $ 180,000493-0666hroker cooper i no\/vi in:i)1638 East 55th StreetChicago, Illinois 60615The Chicago Maroon—Friday, November 6, 1981—27UofC Jolkdancars present — ilyth yntermtioml folk festival~\?{o\kvnbzr 6, 7Sc&FOLK CONCERT:SATURDAY, NOVEMBER 78 PMMANUEL HALL1131 E. 57th ST,Popovich Bros. Tamburitza Orch.Billy Mitchell Scottish PipersCaledonian DancersBruce Sagan, Scandinavian Fiddler FOLKDANCEWORKSHOPS:FRIDAY 8 PMSATURDAY 9 AM,12:15 PM, 2:30 PMSUNDAY 9 AM,12:15 PM, 3:30 PM'WttkiteVe-'.>crdon„Jracte^QonuOzkok,On Sat. Nov. 7th we will Sponsor aMinolta Demonstrationin the store from 10 am to 4 pm.Minolta’s Midwest Representativewill be in the store to show the lineThe majority of prices belowwill only be in effect from 10 a.m4 p.m. on Saturday.We look forward to seeing youMiloMINOLTA WEATHERM AT1C AWorlds firsf watertight cartridge-loadir-.g camera operates iodepths of i5 feet-and it floats Built-inelectronic flash The go-anywherepocket cameraMINOLTA LENSESTurn vOUT Minolta SLP into a systemOver 40" grea* ierses from u'frawde-anqie tc supe- teepnotc-A SHORT COURSE INMINOLTA PHOTOGRAPHY”Everything you wanted to knowabout taking great pictures butdidn t know who to ask Stop in forsuper one dayprices! Reg. 10995Special 6995Reg. 995Special 485MINOLTA POCKETAUTOPAK 460TXA pocket camera with top featuresCt0Sf*UP LENSES fcjyilt right in-built-in telephoto lens.Attach these tine optics to your purlt-m flash Easy cartridgecamera tens for frame-filling close- loadingups^hto exposure compensation a GREAT VALUE AT $000MINOLTA POCKETAUTOPAK 430ECarnage-loading with buif tn flash~horp 26mm f 56 glass Minoltc■ens Eight and sound warning foric-w ught conditionsReg. 5995Special 4495MINOLTA AUTOELECTROELASH 200XThis coraiess unit makes perfectflash exposures etectrcnica-iyChoice of automatic or manualoperationMINOLTA AUTOELECTROFLASH I32Xflash distance check assures properexposure every time Adjustableflash head provides bounce-flashversatility MINOLTA AUTOELECTROf LASH 320XAutomatically sets dash synchspeed and offers flash-ready signalAdji.■stable tor bounce flash Vari¬able power ratiosReg 599SSpecial 4995 Reg, 5995Special 499s Reg. 9995Special 899SAUTO WINDER GCatch the action at almost 2 flamesper second Attaches to any MinoltaXG series camera MINOLTA PRO TOTE BAGProtect your Minolta equipment andRea 849S keep # handy in tbs tough, hand_ y. , ,na, some gadget bagSpecial 79 R„„ AUTO WINDER Drefs you stool at nearly 2 frames asecond Fits any Minolta XD seriescamefoReg. 849SSpecial 799sReg. 26s0Special 149s For Further Information,call John at 324-1247 or 493-2201 orKarl at 241-6174TICKETS: PER WEEKEND SATURDAY CONCERT POST CONCERTWORKSHOP W. CONCERT W. CONCERT ONLY PARTYGENERAL $3.75 $27.00 $13.50 $4.00 $1.50STUDENT $3.25 $23.00 $11.50 $3.50 $1001 MINOLTA DEMO! iLNSWomen'sGraphics