WilliamMudge — Inside the Maroon Inside Grey CityChinese bakeriesGetaway, page 1 9 Women and ArtGCJ centered-spreadThe Chicago MaroonVolume 91, No. 14 The University of Chicago ©Copyright 1981 The Chicago Maroon Friday, October 23, 1981Doug Pappas, Jeff Elton and David Blaszkowski, three of thecandidates for the SG treasurer post. Not pictured: Rich Erlich,Bryan Lemonds.Five vie for SG post UC Security let mugger’sfather convince victimBy Darrell WuDunnFive candidates for Student Gov¬ernment (SG) treasurer are now inthe field for next Monday’scampus-wide elections. The posi¬tion has been vacant since RobMcKay resigned last week in pro¬test after SG denied funding to thisyear’s Homecoming activities.The candidates are David Blasz-kowsky, Rich Ehrlich, Jeff Elton,Bryan Lemonds, and DougPappas. Greg Wendt, who hadbeen considering a possible candi¬dacy, decided not to run.Third year student David Blasz-kowsky ran for treasurer last yearbut lost in close election to RobMcKay. He says that the office oftreasurer has been abused in re¬cent years, and that it requiressomeone willing to devote muchtime to be an effective treasurer.He says that much more can bedone with what he calls a “tradi¬tionally subdued” office.Blaszkowsky also says he has theexperience in finances and book¬keeping to straighten out the SG fi¬nancial books. He says this alongwith his previous experience on SGwill help him fulfill the multi-ca¬pacity of Treasurer: as a student,as an Executive CommitteeMember, as a representative onthe Finance Committee (SGFC),and as treasurer.Blaszkowsky believes that theSGFC has generally been compe¬tent, but that the Homecoming sit¬uation was handled poorly. Hesays, though, that the final deci¬sion was correct. “The FinanceCommittee should be setting policyin a very strong manner,” he said.The SGFC decided to not fund theHomecoming activities in order topress the University into changingits own policy on serving alcohol atUniversity parties.Blaszkowsky says he sees noth¬ing wrong with funding off-campusparties, including ones that servebeer to those students over 21 years of age. He does feel, though,that some form of University su¬pervision is needed in those cases.Rich Ehrlich is a 3rd year stu¬dent in the College. He was a repre¬sentative from the Shoreland lastyear and he ran unsuccessfully fortreasurer in the last SG election.Ehrlich says he is running fortreasurer because he wants to givestudents a chance to have a sociallife. He believes that SGFC shouldfund certain parties even if they donot necessarily attract the entirespectrum of students in the Univer¬sity community. He does not be¬lieve that it is possible to hold aContinued on page twoBy James Thompsonand Daniel StaleyThe body of Darlene Pavlovich,a 24 year old waitress, was discov¬ered in the entrance of her apart¬ment building at 5480 South CornellAvenue early Tuesday, markingthe first Hyde Park street murderin over two years. She was shotonce in the head as she was return¬ing from work at T.J.’s Restau¬rant, located at the corner of 55thStreet and S. Lake Shore Drive, ablock south of the Shoreland.Pavlovich was discovered byfriends around 1:00 A.M., whocalled the police from a liquorstore at 55th and Cornell. Both Uni¬versity Security and Chicago Po¬lice units responded to the call. Shewas pronounced dead on arrival atBillings Hospital.In addition to her job at T.J.’s,Miss Pavlovich worked as a substi¬tute teacher for gifted and excep¬tional children in Oak Park. Ac¬cording to one of the owners ofT.J.’s, Neal O’Brien, she was amodel employee and “very friend¬ly.” She had been moonlightingthere for only five months to sup- By Robin KirkA foreign graduate student wastalked out of pressing chargesagainst three assailants last weekwhen University security allowedone of the assailant’s father tospeak to the victim shortly afterthe attack, according to the victimand an eyewitness.The student was beaten on Oct.7shortly after 10 p.m. on UniversityAve., just west of RockefellerChapel. Three teenagers, two alle¬gedly from the Stateway Gardenshousing project on 35th and StateSt., and one from Hyde Park, weresubsequently apprehended on 56thSt. and Ellis Ave. by an eyewitnessto the assault and a University se¬curity patrol car.The student, who preferred to re¬main anonymous, said that he waswalking home from a Doc filmwhen he saw three teenagers ap¬proaching him on the sidewalk.“They left a space for me to passthrough.” he said, “but then onegrabbed me by the neck and pulledme down.” The youths then kickedhim repeatedly in the face andpunched him. The student esti¬mates the length of the beating atabout two minutes.Alarmed by screams for help, apassing runner scared off the as¬sailants by running after themwith his two Belgian Shepherds.The student was left alone to re¬trieve his belongings and searchfor his glasses while the runnerpursued the youths. The student re¬called that, “this was the hardestmoment, even harder than the kick— trying to locate my glasses onplement her teaching income. Pav¬lovich was a graduate of NorthernIllinois University and was prepar¬ing to start work on her masters'degree at Northwestern Universi¬ty. She was, remarked O’Brien, “anice kid.”A $5000 reward is being offeredfor any information leading to thearrest of her murderer. Thereward is being sponsored byT.J.’s Restaurant, the Marian Re¬alty Corporation, which owns thebuilding that houses T.J.’s, and theSouth East Chicago Commission.(SECC). Michael J. Murphy of theSECC can be reached by calling324-6936. Any information receivedwill be kept strictly confidential,and an attorney will be provided bythe SECC if necessary. Police areunsure of any motives in the shoot¬ing.Pavlovich lived with her sister.She was active in the local commit¬tee on handgun control. Her familyhas asked that in lieu of flowers,people make pledges to the anti¬handgun walk-a-thon this week¬end. The number for information is641-5575. the pavement.”The witness, a runner of manyyears, said that he followed the as¬sailants with his dogs as they ranwest through campus without everlosing sight of them. Worn out bythe fast pace, the youths stoppedon the corner of 56th and Ellis, saidthe witness, apparently “out ofbreath.” Almost simultaneously, aUniversity patrol car arrived atthe scene. They had been notified,said the runner, by people who hadwitnessed the chase.In the following minutes, severalmore cars arrived, including theSecurity car carrying the victim.The youths were then searched andhandcuffed. Sargeant Hendersonof University Security, who wascalled onto the scene, asked thewitness to wait for the arrival ofthe Chicago police.During this confusion, the victimremained in the car assigned to Of¬ficer O’Rourke of Security. Thewitness then noticed that an olderman had entered the group andhad spoken to one of the youths andan officer. He then approachedO’Rourke, asking to speak to thestudent O'Rourke conferred withHenderson. The man said that hewas the father of one of the teen¬agers and wished to speak to thevictim. According to the witness,Henderson, after a brief discus¬sion, let the father have a privatetalk with the student.The father, said the student,“was very polite and nice. He ex¬plained that his son had been ar¬rested before and asked me not topress charges.” The student toldSecurity officers afterward that hewould not press charges.“In my belief. I’m happy withmy decision,” said the victim. “I’ve talked to many studentsabout it and a lot disagree. I didn’tknow exactly what the police pro¬cedure is here — I had only been inthe United States ten days — (and)I was also really confused at thetime. I think if the father hadn’t ofbeen there, I probably would havecharged them.”David O’Leary, director of secu¬rity, said that on the basis of the in¬vestigation conducted by LarryGaddis, assistant director of secu¬rity, he had concluded that permis¬sion was never given by Hender¬son. The father, he claimed, was ina very alarmed state and began totalk to the victim while O’Rourkewent to get permission.“The father never received per¬mission according to Sargent Hen¬derson,” O’Leary said. “The fa¬ther should have been keptsomewhere away from the victimbut it was a very tough situation tocontrol ..you can’t control it withforce.” O’Leary stressed the factthat there were up to 12 people inthe intersection at one time and se¬curity officers were very busy withthe suspects.“There is nothing in my make-upthat would lead me to believe thathe (Henderson) would allow the fa¬ther to speak to the victim.” hesaid. “Henderson and the other of¬ficers are all professionals. Wecame out smelling pretty decent¬ly.”The witness is positive, however,that the father did not speak to thestudent until after O Rouke had re¬turned and had said that it was allright. “There is no doubt in mymind that the father waited for her(O'Rourke) to return and that shesaid that it was O K.”Continued on page threeLonnie Stonitsch, the former Pierce Hall cafeteria em¬ploye who was refused a job this year because of her ap¬pearance, has been notified by Edward Turkington, asso¬ciate dean of students, that she may be re-hired as astudent employee in a resident hall only if she closely fol¬lows the dress code requirements. Stonitsch will not. how¬ever, be returning to Pierce Hall: even if a job were avail¬able there, Turkington wrote, he would not want Stonitschworking there. 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IL 60201 2566 N. Clark St., Chicago. IL 60*514(above County Seat)864-4441 880-54002—The Chicago Maroon—Friday, October 23, 1981» The CampusElectionContinued from page oneparty that would attract a large portion ofboth the undergraduate and graduate stu¬dent bodies because he beliees that gradu¬ate students tend not to want to mingle withundergraduates.Unlike Blaszkowsky, Ehrlich says he doesnot think SGFC should make policies on itsown. Ehrlich also said “I don’t have anyqualms about offending people in SG if I be¬lieve they are wrong.”Jeff Elton, now a 1st year student in theBusiness School, served as SG president forthe past two years. Despite his time com¬mitments as a business student, Elton sayshe can be an effective treasurer because hecan do more than his opponents in lesstime.Elton says he has experience with book¬keeping, especially with not-for-profit orga¬nizations such as SG. Near the end of histerm last year, Elton had started up a newbookkeeping procedure to keep track of SGfunding to student groups, and various com¬mittees.He says his previous experience on SG hasgiven him a knowledge of the internal flowof funds in SG.Elton does not believe the SGFC actedproperly in its denying funds to Homecom¬ing even though it funded Homecoming ac¬tivities in the past. His main objection withthe SGFC decision is that the SGFC made a“policy decision it was not entitled to or em¬powered to make. SGFC is not entitled to cutgroups which had received funding in thepast.”Elton agrees with his opponents that SGshould fund off-campus parties but that al¬cohol should only he served to students overADMINISTRATIVEASSISTANTPart-timeMarketing andPublic RelationsYou can use your strong communications(written and verbal), analytical, copy andlayout skills in our busy Marketing/P.R.Dept. Flexible hours; 15-20 per week.You’ll work independently on a variety ofduties including editing the employeenewsletter, coordinating and publicizingbank activities, compiling and evaluatingmarketing data, and writing in-house pro¬motional material. Typing skills of at least50 wpm necessary.To arrange for your appointment, callPersonnel752-4600HYDE PARK BANK& Trust Company1525 E. 53rd Streetequal opportunity employer m/f 21 years of age.Second year student Bryan Lemonds hasserved as treasurer for Lower Rickert forthe past three quarters, served on the SGElection and Rules Committee, and is cur¬rent president of Phi Beta Lambda, a busi¬ness club. He says he is running for treasur¬er because he wants to “bring a professionalback into office.” He said “All it is right nowis political backfighting.”Lemonds intends to be a more active trea¬surer than previous ones. He says that hemight not make any major changes in theoffice of treasurer because it may not becost effective to do so. He says he is willingto analyze any possible change though.Lemonds says the SGFC actions in cuttingoff funding to Homecoming was illegal be¬cause Homecoming had been funded in thepast. “Policy should have been made in theAssembly,” he said.Lemonds would not comment on whetherhe believed if off-campus parties should befunded by SG.Doug Pappas, a 4th year College student,has served as secretary-treasurer for a Bur-ton-Judson house for the past four quarters,but has no direct SG experience. He says heis running for SG treasurer because he be¬lieves he is capable of closing up the ‘loop¬holes’ that exist in the SG bookkeeping pro¬cedures.Pappas called the Homecoming situation“a fiasco all around.” He partly blamesboth the SGFC and the Homecoming organ¬izers for the lack of funding for Homecom¬ing. While he says he saw some reason forthe SGFC to look into the University’s alco¬hol policy, “there is no excuse for having noactivities funded. It was the Assembly’sduty to overrule the Finance Committee.”Pappas is critical of Elton, “Jeff Eltonhas a hell of a nerve running for treasurer,”he said. “If any other organization was runthe way SG way. it certainly would faceserious funding problems.” Pappas was re¬ferring to the $3,400 overdraft that SG in¬curred last year under Elton’s term. Howev¬er $1,600 of the overdraft was a bookkeepingmisunderstanding by the Student ActivitiesOffice (SAO) office, whereby money budget¬ed for other SG committees was charged tohe general SG account. This $1,600 was thusturned to SG by the various committees. Ac¬cording to Clarke Campbell, president of SGthis year, and finance chair last year, theadditional overdrafts were due to “costsbeyond our control which were not budgetedin,” such as $500 used for damages after aparty at the Law School, $460 from losses onthe 7-11 express bus to the North Side, andan overestimation of revenues and underes¬timation of costs on the SG housing list.“Jeff (Elton) did not go crazy spendingmoney for the office,” said Campbell.“There was no mismanagement involved.”Campbell also said that he wasn’t sure all ofthe figures cited were accurate, and pointedout that differences existed between figuresquoted by the director of SAO and the of¬fice’s auditor.Former SG treasurer Greg Wendt an¬nounced this week that he had decided not torun. “I will not run for any SG post in theupcoming election,” he said. “I wish my fel¬low undergraduate David Blaszkowski thebest of luck in the election.”The Episcopal Church Council at the University of Chicagoannounces a series of Noon Lunch Discussions for Faculty andStaff devoted to the theme of Peace.First Discussion in the Series: 27 October at 11:45featuring Morton Kaplan, Professor in the Department ofPolitical Science and Chairman of the Committee on Inter¬national Relations on Geopolitical Constraints: the Problemsof War and PeacePlease bring a lunch, if you wish.BISHOP BRENT HOUSE5540 SOUTH WOODLAWN AVE.JNewsbriefsFraser not comingCurrent United Auto Workers presidentDouglas Fraser, who was scheduled to ap¬pear on campus next week, will not be com¬ing until early next quarter.Fraser’s appearance which would havebeen sponsored by UC Democrats wouldhave coincided with the appearance offormer UAW president Leonard Woodcock,who is the first Visiting Fellow of thequarter. Fraser had been scheduled tospeak at 4 p.m. on Thursday, Oct. 29 whileWoodcock is scheduled to deliver a lecturefrom 3:30 to 5 p.m. on the same day in SocialSciences room 122.Gun control forum“Handgun Control Legislation: What WeCan Do and How We Can Do It” will be.thetopic of a legislative forum Monday, Oc¬tober 26, at 8 p.m. in the Law School Audito¬rium.The forum will be moderated by LawSchool professor and prominent criminolo¬gist Norval Morris. State representativesCarol Mosely Braun and Barbara FlynnCurry, state senators Earlene Collins andRichard Newhouse, lawyer Lawrence Suf-fredin, and Franklin Zimring, Law Schoolprofessor and nationally recognized authori¬ty on firearms will be panel members. Theforum, sponsored by the Hyde Park Ken¬wood Chapter of the Committee for Hand¬gun Control, is open to the public free ofcharge.The panel discussion is one of severalevents scheduled in Chicago during Nation¬al Handgun Week, October 25-31. Other ac¬tivities include a 10 kilometer walkathonSunday, October 25, and a 10 kilometer runon Saturday, October 31. The walk, led byformer White Sox owner Bill Veeck, willbegin at Navy Pier. Mayor Jane Byrne willmake a kick-off address, and there will be aparty for all particiants at Navy Pier after¬ wards. The run is scheduled for 8:45 a.m. inthe suburb of Morton Grove. Ernie Banks,former Chicago Cubs star, will lead thrrace.Anyone interested in participating in thewalk or run or supporting handgun controlby sponsoring Bill Veeck or Ernie Banksshould contact Barbara Murphy at the Com¬mittee for Handgun Control, 641-5575.Statue stolenA bronze statue of a sleeping fawn locatedat the entrance to the Point was stolen lastweekend. The statue, dedicated in 1939, satatop the David Wallach Fountain for whichmoney was donated to the Park District in1894.The theft of the statue was reported to UCpolice Sunday morning by a resident whowas walking her dog. The Hyde Park Heraldnewspaper and an anonymous donor haveoffered a $200 reward for information lead¬ing to recovery of the statue. Inquiriesshould be directed to the editorial office ofthe Herald. Grant guidebookAnyone interested in alternate fundingsources for study and research should con¬sult the new Directory of Grants and Fellow¬ships now available in the Career Counsel¬ing and Placement Office, Room 202 atReynolds Club.The directory lists over 200 fellowshipsand grants by category, with information,addresses, and a due date for each item.The placement office also publishes theGrants and Fellowships Update, a list of allitems and application deadlines during thecurrent month. The bulletin is postedaround campus after the twenty-fifth ofeach month.New battleon redistrictingThe seats of two black South Side alder-MuggingContinued from page oneThe witness, who also preferred to remainanonymous because of fear of recrimina¬tions from the youths, was concerned aboutsecurity’s procedure. “I could not under¬stand why the father of one of the alleged at¬tackers was permitted to talk with the vic¬tim” said the witness. “Now’ I'm veryconcerned about my own safety.” He saidthat Henderson had told him that he hadnothing to fear and that when he expressedconcern. Henderson had only instructed himin the use of the emergency phones.Mr. Robert Doig, a lawyer for the SouthEast Chicago Commission, was contactedby the witness, but said that he could donothing. “There are no laws about this par¬ticular type of incident,” Doig said. “It is amatter of department policy.” After con¬tacting the University about the matter.Doig said that Jonathan Kieinbard. vice-president for University News andCommu- men may be put in jeopardy by a new dis¬trict arrangement proposed by the CityCouncil which might split the present 5thWard, including Hyde Park, into two inde¬pendent wards.Under the new plan, the 5th ward would beextended from 71st St. to 79th St., and thenorthern half of Hyde Park would be addedto the existing 4th Ward, which now extendsroughly between Hyde Park Blvd. andPershing Rd., and the Lake and 46th St.The black 7th ward alderman, JosephBertrand, has publicly called the map ra¬cist. Bertrand’s home would be in the 5thward under the new map, forcing him tochallenge independent Larry Bloom in thenext election. Bertrand has said that thenew 7th Ward as well will have a larger pro¬portion of whites, most of whom live in itssouthern half.Bloom has said publicly that he could winin either the new 4th or 5th ward, and that amove in his residence of only one city blockwould allow him to run in the 4th ward.nity A fairs, denied that the conversation be¬tween the father and the student had everoccurred. Doig expressed concern about theincident. "If that conversation did or evencould occur,” he said, “it could be that anoffender could threaten the victim.”The victim is still confused by the detailsof the investigation. “Security changedcompletely after I didn’t charge them,” hesaid “They told me that if I did decide to goto Billings, not to say that I was beatenThey said to say that I was hit by a door Butmostly, I don't know’ why those three didthat. Why did they do that?”INSTANTPASSPORT PHOTOS1519 EAST 53rd STREETPHONE 752-3030THE VISITING FELLOWS COMMITTEEpresentsLEONARD WOODCOCKFormer President of the Lnited Auto W orkers LnionFormer Ambassador to the People 's Republic of Chinain aQUESTION-AND-ANSWER SESSIONThursday, October 29, 3:30 P.M. Social Sciences 122t he Chicago Maroon—Friday, October 23 1981—3KeithHorvath EditorialElton for SG treasurerThe position of SG treasurer may seem like something of little concern tomany students, especially with its recent history of mock-controversy and res¬ignations. But this is a problem that has been more a function of the office-hold¬er than the office, and the surest way to end these problems is to elect someonewho is interested, serious and qualified for the position. Our selection to fill thisrole is former two-term SG president Jeff Elton.Elton has shown the interest and the dedication to student interests and SGfor the past four year. He has an invaluable knowledge of the University ad¬ministration, the various student groups on campus and of SG itself. He hasalready proven his continued concern and interest in SG this year, when heintroduced a resolution at the SG meeting last week condemning the financecommittee for setting its own policy or. funding off-campus parties. He hasshown sensitivity to the needs and desires of undergraduate and graduate stu¬dents. The treasurer holds an important seat on the Finance committee, andwe would be most comfortable with Elton holding that seat.Elton also has the greatest knowledge of what changes are badly needed inthe treasurer’s office. He had already started to institute the changes in theoffice which would prevent overdrafts such as the one accumulated last yearby SG, and such changes are obviously long over-due.Although we are also impressed with the qualities of David Blaszkowsky,who received our endorsement when he ran for this office last spring, we do notagree with his assertion that it is within the power of the SGFC to set its ownpolicies. Neither do we agree that last week’s decision about homecoming wascorrect. It should be up to the SG assembly, a body directly responsible to thestudents, to decide policies concerning what types of activities ought to befunded. The finance committee’s duty should be only to carry out these guide¬lines on a case by case basis. And while we believe that Blaszkowsky is inter¬ested and qualified to handle the position, we have to give the edge to Eltonwhen it comes to knowledge and experience of the position.The Chicago MaroonThe Chicago Maroon is the official student newspaper of the University of Chicago It ispublished twice a week, on Tuesdays and Fridays Editorial and business offices arelocated on the third floor of Ida Noyes. 1212 E 59th St. Chicago. 60637 Telephone753-3263' Chris IsidoreEditorRobert DeckerManaging EditorDarrell WuDunnSenior News EditorAnna FeldmanNews EditorWilliam MudgePhotography Editor Sherrie NegreaFeatures EditorAudrey LightSports EditorRichard KayeGrey City Journal EditorBecky WoloshinChicago Literary Review EditorErin CassidyLibrarianStaff: Susan Aaron, Lee Badgett, Mary Bartholomew, Sheila Black. David Blaszkowsk; .Phillip Burdick, Kahane Corn, David Candela, Jeff Davitz, Sue Fortunato, Kate Fult: .\ .largo Hablutzel, Sally Holland, Sho-ann Hung. Robin Kirk. Stephen Kritchevsky, Boo.aBelle, Katherine Larson, Linda Lee. Carol Quillen, William Rauch.Melody Salkuc ,iDonna Shrout, Kate Sparks, Jeff Wolf, Anna YamadaL Henry OttoBusiness ManagerJay McKenzieAdvertising ManagerLeslie WickOffice ManagerCharlie MencerProduction ManagerAarne EliasDesign Director4—The Chicago Maroon—Friday, Octooer zj, iyai LettersCampbell endorsesEltonTo the Editor:On Monday October 26, there will be animportant election for the position of trea¬surer of Student Government.The position is important both because ofthe treasurer’s seat on the Finance Commit¬tee and because of the need for effective costaccounting within Student Government.In this election there is one candidate, JeffElton, who is uniquely qualified to fill thetreasurer’s position. Jeff, currently a stu¬dent in the Business School, spent four yearsat the University of Chicago as an undergraduate. In addition, Jeff has worked dili¬gently in Student Government in many ca¬pacities, from assembly member tocommittee chair to being a two-term Presi¬dent.This wealth of experience gives Jeff aunique perspective. His years spent at thisschool and his knowledge of the Universityand the various Student Organizations willbe an invaluable aid to the Finance Commit¬tee.Jeff’s understanding of the operations ofStudent Government and the University’sinternal accounting system make him extre¬mely qualified to be Treasurer, because itwill cut down on the “on the job trainingtime”. In addition Jeff’s experience in theBusiness School will enable him to establishan effective internal accounting system forStudent Government, something that hasbeen sorely needed for many years.Finally I would like to say that I welcomeJeff’s voice in the Assembly and on the Ex¬ecutive Council of Student Government. Hisproven enthusiasm and selfless dedicationto serving students and Student Govern¬ment will make for an effective role in bothbodies. I urge you to support Jeff Elton fortreasurer, on Monday October 26, in the Stu¬dent Government elections.Clarke CampbellSG PresidentStudents deserveErlichTo the Editor:A treasurer is a treasurer is a treasurerand then there could be R. Erlich. It is myopinion that SG deserves R. Erlich. He isloud and ubiquitous — not particularly con¬cerned with the standard rules of politicaletiquette and perhaps his smallest concernis whether or not his opinions (of which hepossesses many) will offend someone.Those are his better points.Some of his good points however are a fullfledged addiction to having a good time.Rich has in his own small way impressedsome of us that parties of an innovative na¬ture are possible at U.C. such as a beachparty wherein 4>2 kegs, enormous quanti¬ties of hard liquor and literally tons of sandand people filled his apartment at the Shore-land.He also has the unfortunate experience ofserving in and with the bureaucracies of SGstudent parties. He’s served as the Shore-land rep last year, has been involved withFSACCSL for several years etc., etc. While 1feel that anyone involved in SG should beimmediately disqualified from the race,Rich was not a member of the internal fra¬ternal order of SG. So essentially Erlich hasthe potential, experience, and willingness tosupport student concerns (as well as any-'one). Hence while SG deserves Erlich — wethe students deserve Rich.Sincerely,Mark E. DayFormer SG SecretaryTwo supportBlaszkowskyTo the Editor:We, as student government and PierceTower officers are writing to urge you tovote for David Blaszkowsky for StudentGovernment Treasurer in Monday’s Fallelections.We know the kind of commitment and de¬dication David will bring to student govern¬ment. As a member of the University Ser¬vices Committee, Blaszkowsky worked toimprove the food services program. As amember of SG Executive Council, Blasz¬kowsky will continue these efforts. DavidBlaszkowsky will restore honesty and integ¬ rity to the position of SG Treasurer.For the best interests of the students ofPierce Tower, for the best interests of thestudents of the University community as awhole, we ask your support for David Blasz¬kowsky for SG Treasurer in Monday’s SGelections.Sincerely,Steven D. BarnhartPierce Tower Representative to SGDavid R. EichenthalPresident, Shorey HouseThe Rudall TheatreTo the Editor:The University of Chicago and Hyde Parknow have a brand new modern theatrebuilding on Ellis Avenue near 55th Streetthat officially opens on Thursday, October22nd.Though its founder and Artistic Director,Nicholas Rudall has already modestlymoved the court sign from Mandel Hall tothe new address, there is no question thatthe name of the new building must be TheRudall Theatre. Nick Rudall, Professor ofLatin and Greek, has single-handed devel¬oped and directed acting groups for manyyears in the improvised Mandel CourtTheatre that flourished particularly duringsummer until proceeds enabled him to en¬gage professional performers and staffsthat in turn have been packing the house forseveral years, and gradually persuaded theUniversity Administration and others tocome up with the funds to build a newtheatre that may well pay its own way.The Administration, The Maroon, TheHyde Park Herald, and Nick Rudall mustnow regard the opening of the RudallTheatre as a significant cultural event forall of Chicago and should inaugurate theopening with appropriate publicity and fan¬fare such as inviting the world famoustheatre critic and head of the Yale and Har¬vard theatres, Robert Brustein, to host andsalute Nick Rudall on opening night.Sid BlackstoneDress code neededTo the Editor:I hope you will allow a reply to your edito¬rial in opposition to the Residence Halls andCommons dress code policy. I will otherwisetend to doubt your claim to “tolerance.”When I was an undergraduate at the Uni¬versity (and that was only two years ago), Iworked at the Woodward Court Cafeteria asa food server. I admit that the policies of theResidence halls and Commons (just thenbeing formed) seemed a bit straight-laced,to say the least. Who else do you know whohas to wear a hairnet while working? Butthere are reasons for even this seemingly bi¬zarre policy. The fault in the administrationis not in enforcing its policies too strongly,but in refusing to explain its policies at all.Why does the administration seem toworry so much about the server’s appear¬ance and so little about the quality of thefood? A student on contract has the right toexpect a pleasant atmosphere while eating.This is hard enough to get at Pierce Com¬mons (sorry — a little Woodward Courtchauvinism slipped in there) without un¬kempt or surly food servers. If the full-timeemployees are expected, by the RH & C, tobe presentable and polite (and they are),then as much (or more) should be expectedfrom the student employees.Also, contrary to what you might think,the administration is not unconcerned withthe quality of food served. It is no easy taskto serve some 500 people per meal per day.That’s why the Student Government has (orhad, in my day) food questionaires everyyear. That’s why there are suggestion formssupplied by the cafeterias. Sensible, serious,and, above, all, politely phrased, sugges¬tions are always considered. Many studentsare far from civilized or fair-minded when itcomes to the food services. They expectChez Paul and get Ribs & Bibs. But the ad¬ministration does not refuse to listen to rea¬son. When was the last time you saw PeanutButter Loaf as the vegetarian entree?The appearance of the food server (to getback to the real point) has as much effect onthe enjoyment — if I may use such a wordwithout destroying my credibility — of theContinued on next pageViewpointsSocialist’s election blows ill winds for US and NATOBy Randall BattermanOn Sunday, Oct. 18, the Greek people,after seven years of New Democracy rule,went to the polls to choose the next primeminister of Greece.Something augured ill on that eventfulday. An illness that could linger on inGreece for many years, send out severe ner¬vous paroxysm’s of a sort throughout West¬ern Europe, and without a doubt cause cere¬bral damage for our boys in FoggyBottom.As was feared, the overwhelming victoryof Mitterand in France has sent out gales ofcold wind, congregating around an area eastof the Algarve’s, west of the Aegean. Yet atthe immediate present, this wind has settledinto a whirlwind solidifying itself in the per¬son of Pasok leader Andreas Panandreou.Cradled by the events of April 1967 to July1974 when a handful of Greek colonels seizedthe centers of government and communica¬tions, instigated a coup d’etat and sought torelive the Periclean age, Papandreou hasused this experience as a means of sellinghis programs. Left with an indelible imprintupon his conscienceness, (he himself was in¬carcerated by the junta leaders), he in¬variably and unceasingly attacked theWest , and especially America’s supposedrole as appeasor or upkeeper of the colonel’sharsh and long regime.Such antagonism has given an air of sharpdemagogic anti-Americanism. More oftenthen not he’s overstated himself, condemn¬ing America more vociferously and moreoften than even Qaddafi of Libya (one of hisbest friends by the way).Papandreou has made anti-Americanismthe ne plus ultra of his political programs.He has often asserted he would shut down all4US bases in mainland Greece (somethingthe likes of Tony Benn would relish). Hewould pull out of NATO, pull out of the EEC,streamline the Greek economy, flatten therich, nationalize all industry and radicallychange the political system.His political platform combines state so¬cialism with extreme chauvinism. He wouldlike to attack Turkey immediately if thiswere possible, a threat that arouses a smouldering Turkish temper with the newlyself-implanted premier of Turkey, GeneralEvren looking for national legitimacy anddetermined to take advantage of a chal¬lenge, not too reluctantly, if offered.Papandreou had also made Cyprus one ofthe main issues in his campaign against thepopular president Constantin Karamanlisand his ex-prime-minister Georg Rallis.Andreas PapandreouFor the past five years there have beentwo de facto governments on Cyprus, onethe Turkish Cypriot government headed byRauf Denktas and the other the Greek Cy¬priot government of Spiros Kyprianou, whosucceeded Bishop Makarios. Although Tur¬kish forces continue their occupation, calmhas returned to the island, and as a result ofthe continuing war in nearby Lebanon, thereeven has been an exodus of some businessfirms from Beirut to Nicosia. The Turkishgovernment officially proposes a bizonalfederation. Yet in practice there has beenlittle serious negotiation either between the Denktas and Kyprianou governments onCyprus or between Ankara and Athens. Os¬tensibly because a national indignancytoward Turkish proposals has been so dear¬ly incited by Papandreou’s vitriol that theKaramanlis government must join in the na¬tional outcry.Relations between Greece and Turkey arefurther frustrated by a second dispute overterritorial rights in the Aegean Sea, whereprospecting for offshore oil began in theearly 1970s. With a bitter six-year disputeconcerning air-traffic over the Aegean veryrecently concluded by Turkey to her disfa¬vor, conceivably, the chances of arranging asort of modus vivendi with Turkey is a far¬away desire to say the least.The appeal of PASOK is not so much to theworking class as to the lower-middle classwho have traditionally been a bulwark ofradical change left or right. Paradoxically,his appeal is quite strong in the countrysidebecause he had made even more extrava¬gant (and unrealistic) promises to the pea¬sants, who represent a very large votingbloc, than had the government coalition.Ex prime-minister Georg Rallis, whosedramatic fall will be felt, in due time, allover the world, emphasized during the cam¬paign the steady growth of Greece's in¬dustry and GNP, since the New DemocracyParty came to power. Glossed over the factthat Greece has now surpassed Portugal inher gross domestic product quotient, mea¬sured up to Spain and Italy in GNP per capi¬ta income and sees this growth as furtherevidence of the importance of strong Ameri¬can friendship and aid, and of membershipto the EEC.Concerning the Common Market, Papan¬dreou has apparently had a change of heart.He’s promised to persuade Karamanlis tocall a national referendum to decidewhether Greece should remain a full-fledged member or not, instead of simplypulling out. Karamanlis, having veto poweras president, will probably not be persuad¬ed. In any case, this ploy revolved aroundcourting an urban middle-class communitywho stands to benefit the most from contin¬ued membership in the EEC. And yet several factors have contributedto New Democracy’s fall: an inflation ratethat has accelerated to over 25 percent, anannual rate of economic growth that hasfallen to an anemic 1.5 percent, a risingtrade deficit exacerbated by the 37 percentdevaluation of the Drachma against the Dol¬lar in the last 15 months, a declining quality ■of life in urban areas and allegations ofweakness toward Turkey. The latter had be¬come a hotly contended issue of nationalproportions. The government coalition wasshaken by the prospect of being open tocharges of “appeasing” the Turks.Andreas Papandreou runs PASOK with aniron hand. His charisma and imperious willhave often made weak men into fanaticalbelievers. His strength resides in the per¬sonality of the Greek citizen. It can be seenin the faces and deeds of the people reflect¬ing a perpetual restlessness, much like thatwhich was said to characterize ancientAthens. The continuity with the past, a longpast, remains as Greece's glory and its bur¬den; and permanent solutions of the presentproblems are perhaps impossible, so long asGreece is to retain its complex identity.A fateful drum beats once again acrossWestern Europe, reawakening a slumberingmonolith ready to strike swiftly and violent¬ly if goaded to in Greece, Spain, Italy. Por¬tugal and elsewhere. Waiting until a dema¬gogue captures its emotions and locks itpermanently in his closet.To conclude, I fear a Greece under theguiding light of a man so reckless and dan¬gerous as Andreas Papandreou. Not only doI fear an isolated and economically wea¬kened Greece, but I fear a reaction. Astrong, internal reaction that may catapultGreece back into a national situation simi¬lar to what occurred shortly after World-War II. and distressingly a repeat of April1967. As for now, such bad dreaming is sim¬ply too shortsighted and unpredictable.A crisis renewed? If anything, historyproves that the “winds of change” never areas they appear. We can only sit back and ab¬sorb and believe ever more strongly that oldadage “Plus ca change... plus c'est le memechose. ”Greek elections bring much needed “allegi”By Stavros J. LambrinidisOn October 18th, Greece became the sec¬ond NATO country, following only FrancoisMitterand’s France, to elect a socialist gov¬ernment. PASOK, the Panheilitic SocialistMovement, led by 62 year old Andreas Pa¬pandreou, a former economics professorfrom the University of California Berkeley,defeated the conservative “New Democra¬cy” party in a landslide. The PASOK victorymarks the end of a 35 year rule by conserva¬tives in Greece, the last seven of which havebeen under “New Democracy.”Up to now, “New Democracy” had beenskillfully using the painful and hateful mem¬ories of the 67-74 junta and need of theGreeks for temporary stability in order toremain in power. Initially, the Greek elec¬torate disregarded the shortcomings of“New Democracy’s” foreign and domesticpolicies. But the pressing and ever-increas¬ing social and economic problems broughton by the right-wing government’s policiesdecisively influenced the electorate’s shiftto the left. During the last two years, the in-Dress codeContinued from page fourmeal eaten in the Commons as does thecleanliness of the cafeteria itself. True, theadministrators of the RH & C should givesome more thought to the quality of the foodserved. But the employees (both full-timeand students) should give some thought tothe way that they are passing it, and it is upto the administrators to keep them thinkingabout it (that’s why administrators exist).And the editors of the Maroon should growup — the fault sometimes does rest as muchwith the accused as with the accuser.Sincerely your,Margaret BjerklieGraduate student. Dept. English,and employee of the University flation rate in Greece soared towards 25%,and there seemed to be no “New Democra¬cy” economic program capable of reducingit. Investment in Greek industry was almostnonexistent; in Papandreou’s words, “Theindustrialists prosper, but the industries gobankrupt.” In addition, the quality andquantity of public education declined sharp¬ly. Finally, because one party held absolutepower in the parliament and was thus ableto settle key domestic and foreign policyissues (such as the relationship Greeceshould have to NATO and the European eco¬nomic community) without regard for pub¬lic opinion or the opinion of opposition par¬ties in parliament (which had captured 59%of the electoral vote), dissatisfaction withthe government notion of democracy be¬came widespread among the Greek people.The consistent and carefully outlined po¬litical programs of PASOK and the undebat-able charisma of its leader appealed to apeople discontent with its present condition,a people burning for change, (“allagi”)Even though PASOK’s sweeping victorycan be attributed to its stand on importantdomestic issues, the party’s foreign policypositions also earned widespread supportfrom the Greek people. PASOK’s stand onforeign policy issues was a key factor lead¬ing to the decline of “New Democracy's”support. After having the backing of 52% ofthe electorate in 1974, “New Democracy’s”popularity dropped to 36%.CorrectionIn Tuesday’s issue of the Maroon, para¬graphs of a story about the Oriental Insti¬tute ran in the incorrect order because of amistake at the printers. We hope ourreaders were able to follow the story despitethe error. PASOK has repeatedly been portrayed asan anti-Western party, especially by themedia in the United States, which has misin¬terpreted PASOK’s position on some issues.PASOK retains close ties with both socialistand non-socialist parties in Europe, particu¬larly with France, Britain, and West Ger¬many. The last two nations recently extend¬ed invitations to Papandreou to makeofficial visits, giving him the opportunity toexchange views on important internationalproblems with the leaders of major Europe¬an countries. Papandreou has repeatedlyemphasized PASOK’s view that Greeceshould establish close ties with Balkanianand Mediterranean countries, with both the“West and the East, the North and theSouth.”A more complicated matter, and one withgreater significance for America is thestand PASOK will take towards NATO andthe US. Despite reports to the contrary,PASOK is not planning to immediately shutdown American military bases in Greece,one of which, the Suda Bay base, is of greatstrategical importance to US. Neither willthey withdraw at once from NATO.In reality, the problem of diplomatic rela¬tions with the US involves more than Ameri¬can bases and NATO. The US government'spolicies tow ards Greece have been regardedwith disfavor. In particular, the Greek peo¬ple remember clearly the American standtowards Greece during the 1967-74 juanta,and the Turkish invasion of Cyrpus in 1974,two of the darkest events in the recent histo¬ry of Greece. Either the US acted or re¬mained passive in these situations, policiescounter to Greek interests and rights. Dur¬ing his visit to Greece. Spiro Agnew congra¬tulated the generals leading the juanta fortheir fine work, and during the Turkish inva¬sion. the US withdrew from the scene. Theseevents led the conservatives to withdrawGreece in 1974 from the military part of the NATO alliance. (This decision was later re¬versed even though the conditions that origi¬nally led to it never changed.) Greece's po¬sition in NATO at this time is delicate: theTurkish army is still holding half of Cyprusand the Turkish government is raising moredemands on Greek territory established byinternational treaties. Greece is the only na¬tion within NATO that is being threatenedby another NATO country. It seems asthough NATO is not willing to protectGreece’s rights, nor halt Turkish expan¬sion.PASOK, as any government in its situa¬tion would do. is considering the way whichwill best protect Greece's interests andrights. It believes — on the basis of pastevents — that Greek interests are jeopar¬dized more by Turkey, its neighbor, than bythe obscure and only theoretical possibilityof a Soviet attack.Even though PASOK has categoricallyruled out the possibility of shifting Greece tothe Wasaw Pact (the party’s “basic strate¬gic orientation” favors the dissolution ofboth the Warsaw Pact and NATO blocks), ithas also declared that Greece will not let itsinterests and rights be threatened by theforeign policy of any country. With this atti¬tude. the new Greek government will meetwith American representatives as theirequals, and discuss every aspect of Greek-American relations. Only after the negotia¬tions have concluded will the Greek govern¬ment arrive at final decisions concerningthe exact cause it will follow on the NATOand American military base issues.In a statement to ABC, Papandreou madeit clear that he would pursue friendly rela¬tions with the US, provided that the USwould reconsider its foreign policy tow ardsthe country, and w-ould start treatingGreece as its equal. At the same time, aWhite House official indicated that heshared Papandreou s view.October 23, 1981—5The Chicago Maroon—Friday,tjRWGNOW OPEi—ELLIS ESTATES, INC.-4 & 5 BEDROOM UNITS5137-41 South Ellis Avenue• PRICES START AT $81,900• OWNER FINANCINGAVAILABLE• 20% DOWN 12% INTEREST•5 YEAR BALLOONSHOWN BY APPOINTMENTCall EEC, Inc.324-7400LadyInBloomMaternity ShopFall Sale20-50% off1618 School St. Chicago - 447-4644 Oct. 23 to Nov. 2Save on Dresses. Jumpers. Blouses.Pants. Jeans, Sweaters. Nursing Gowns & Bras\ \ Size* 4-24Special 25% off on Infant WearDaily 10-5:30|Th& F 'till 8|6—The Chicago Maroon—Friday, October 23, iv«iOPENS OCTOBER 30th AT A THEATRE NEAR YOU! ACHICAGO’SART DECOLANDMARKIS REBORNIN SPACIOUSLUXURYAPARTMENTSThe time was the twenties. The place wasChicago And in Chicago, in Hyde Park, the inplace was the Blackwood Now the excite¬ment, the glamour, the luxury of a bygoneera have returned with the completion ofthe refurbishing of the landmark BlackwoodHotel into gracious apartments.The features which made the Blackwoodsuch a superb example of the Art Deco stylehave been carefully preserved the charac¬teristic geometric ornamentation, theleaded glass, openwork grilles, the sweep¬ing open formal lobby Yet. inside eachapartment you II find all the conveniencesof the 80s fully equipped kitchens includ¬ing range, refrigerator, dishwasher, wall towall carpeting, ceramic tile baths, individu¬ally controlled heating and air-condi¬tioning. new energy efficient insulated glasswindows, and many other amenities.Located just steps from Lake Michigan,minutes from the Illinois Central trains(which means a rapid commute todowntown Chicago). Harpers Court Shop¬ping Center, and the University of Chicagoresidents of the Blackwood Apartments willenjoy the availability of th.< nest culturaland recreational facilities < city has tooffer3200 S. bUKMOMfMon. thru Fri. 9-6, Sat. & Sun. 11-5or by appointmentPhone 684-8666s ft b i n a pffliir coo POPfiTio“WE’VEGOT A DATENOV. 19 th:“That’s when theAmerican CancerSociety asks everysmoker in Americato give up cigarettesfor a day Give it atry You might findyou can quit forever'THE GREAT AMERICANSMOKEOUTAmerican Cancer Society ftheBergmanGallery jiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiitiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiitiiiiiiiulllllllllllllllllllllllllllllllllllllllllllll!lllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll|||||||||!ll|||||||||||||||||||||||||||||||||||iiiiiiiiiiiiiiiiiiiiiiiiiiiimiiiiiiiiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiimiit OCTOBER 23, 1981 umiujHWimnmwmiHUiiiiiiiimiiiiiiiiiiiiiiithe grey city journo IiiiiiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiMMiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiMiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii *^UKIttlNm YtAK ,|l||||,|,|„|„,l||niiiiiiiiiiiiiiiiiiiiiiiiiiiiiii!iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiMiiiiiiiiimiiiiii>iiiiiiiiiiiiiiiiiiifiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiitiiiiiiiiiiiiiiiiiiiiiiiiitiiuiiiiii,iiiiiiiiiiiiiiiiii,iiiiiiiiilliiiiiiil,„„iii„ii„ii,ii„„„l|iil|iit,i„i! iiirBy A. A. KambourisThe mirror, that most insubstantial ofsurfaces, has appeared periodically inmy work ... At first I begrudged itsappearance, attempted to suppress it,then ended by accepting it ... I wasambivalent about its fraudulentspace, its blatant illusionism ... 1came to like its havering connotationof abject narcissism, its reek of thecheaply decorative, its status as akind of disco degenerate category.— Robert Morris(Robert Morris:Mirror Works 1961 1978Leo Castelli Inc. New York. C. 1979)Robert Morris did it. Robert Smithson didit as well. Donald Lipski did it in his photo¬graphs. All three of these contemporarysculptors successfully used mirrors as a primary or supporting element in their work,and were able to overcome the mirror's neg¬ative connotations, or use these connota¬tions to their advantage. Dan Graham, how¬ever, is not quite as adept as these sculptorsin his use of the mirror. His show at the Ren¬aissance Society (through Nov. 8th) is primarily a display of models for large scaleprojects that depend heavily on the use ofmirrors to capture the viewer's interest.The idea of the viewer becoming involvedwith the artwork by becoming a part of theartwork is that upon which Graham appearsto be focusing. His problem, however, is incommunicating this objective through hiswork. The mirror pieces, "Two AdjacentPavilions (1978) and "Cinema" (1981),come off as nothing more than flashymodels that express nothing more than animmediate fascination with the materials.The interior design models, "Alteration of aSuburban House" (1978) and "Clinic for aSuburban Site", appear to be nothing morethan gaudy illusions that would disgust any¬one placed within their bounds. WhileMorris was able to utilize the gaudiness andchintzy connotations of the material to hisadvantage, Graham seerns to try and overcome these negative qualities, but fails.Although Graham includes a lengthy explanation as to what the work is trying toachieve posted beside each model, these essays only serve to reinforce the fact thathe cannot successfully communicate his intentions through the piece itself. The piecesshould be able to convey his ideas and objectives without the viewer having to spend agreat deal of time reading a lengthy expose.Inevitably, one of the more successful ofGraham's works is the large sculpture in thenorth west corner of the gallery called "Pavilion Sculpture for Argonne National Laboratory". Here one is not offered an essay bythe artist telling one what the artist wantedthe viewer to see. One is therefore able toinvestigate the piece on one's own, and dis¬cover how it played with the observer's perception and sense of space. Graham needsto refine his other pieces so that they, too,can engage the viewer and bring out hisideas without the accompanying essays.The other part of the show is composed ofGraham's photographs. One of the pointsthat the show curator, Anne Roromer, made Video Projection Outside Home (1978)in a talk on Graham was that the photoswere of subjects that Graham found interesting, and then decided to show. Evidently,Graham seems to have misinterpreted theprivilege of having a show. A gallery exhibition does not give the artist carte blanche todisplay whatever he pleases. That something is of interest to him does not imply thatit is worth showing, and such is the case withGraham's photos. They may be of great in¬terest to him for recordng a scene or for useas documentation, but they have no aesthet¬ic appeal and do not qualify as good examp¬les of contemporary or any other kind ofphotography. In many of the prints, no im¬portance is placed on a particular subject,and most of the hues and values of the colorsare so similar that they blend into a blandwash. The composition has nothing thatcatches and engages the viewer. With a lit¬tle more thought, Graham could have presented photos that focused on specific artist Dan Grahamaspects of the subject matter that were ofinterest to him, and have come away withphotos that captivate the viewer. The onlything that Graham's show has to offer is theopportunity to see some highly unsuccessfulsculpture coupled with some bland photos.In the past year, the Renaissance Societyhas exhibited the works of Myoko Ito, LouiseBourgeoise, Ree Morton and Dan Graham.With one exception, Ree Morton, it has fall¬en into the rather sad practice of showingonly artists who have been around for a considerable length of time. From looking atthe upcoming schedule, this situation is unlikely to change. This year, Ed Paschke willadd his name to the list of established artistswho have shown at the Renaissance Society.Although Paschke's work is quite good,there is no reason why the Renaissance Society should be showing it. Paschke is represented by the Phyllis Kind Gallery and haspaintings there periodically. If you wantedto see some of his work, that gallery couldprobably show it to you. Instead of showingalready established artists, the RenaissanceSociety should take advantage of the hugenumber of talented unknowns that work orreside in Chicago. These artists producecontroversial, daring and often innovativework that is hardly ever seen in this city.The Renaissance Society has the unique opportunity of aisplaying this work to a receptive and open minded audience in the University community.Dan Graham: He Does it with MirrorsmG.W. OPTICIANS1519 E. 55thTel. 947-9335Eyes examined and Contact Lenses fitted byregistered Optometrists.Specialists in Quality Eyewear at ReasonablePrices.Lab on premises for fast service - framesreplaced, lenses duplicated and pre¬scriptions filled. HYDE PARKTHE VERSAILLESIDEAL FOR STUDENTS324-0200Large Studios • Walk-inKitchen • Utilities Incl. •Furn. - Unfurn. • CampusBus at doorBased on Availability5254 S. DorchesterISRAELI FOLK DANCINGTuesday, October 27Ida Noyes Theatre, 1212 E. 59Sponsored by the Hillel Foundation TM SAM von.U^dLJ ■ ■|_38»*yCHINESE-AMERICANRESTAURANTSpecializing in Cantoneseand American dishes.Open Daily 11 A.-8:30 P.M.Closed Monday1318 E. 63rd MU 4-1062AUGUST ANA LUTHERAN CHURCHSundays:8:30 am Sermon & Eucharist9:30 am Sunday School &Adult Education10:45 am Sermon & Eucharist6:00 pm Supper5500 South WoodlawnCOFFEE HOUSSGACFRIDAY, OCT. 23rd9 pm - 12:30 amIda Noyes LibraryFood*, FREE COFFEEFree EntertainmentEdward George&Jamie Allen* CHEESECAKE&TEABAGELS &CREAM CHEESESODAHOT CIDER W H NfcWK'N-SV "HTHE RATIONALITY OFliiiliilERif~~~^rmcmiumMATHEMATICS ANDDEDUCTIVE STRUCT,IN EUCLID'S„ COOPSIVERSITY•DOC FILMSTonight:Tomorrow:2:30:7:15.9:30:Midnight:Sunday: ORDINARY PEOPLE (see separate ad)A busy day!Walt Disney’s THE RELUCTANT DRAGON and THEMANY ADVENTURES OF WINNIE THE POOHThe warm and funny, eritically and publicly acclaimed filmbv the director of MURMUR OF THE HEART andLACOMBE, LUCIEN:Louis Malle’s ATLANTIC CITY (starring Burt Lancaster.Susan Sarandon and Robert Goulet )Edward D. Wood's monumentally bizarre GLEN ORGLENDA? (pi us the world premiere of Jack Helbig’s film ofsexual strife and strivings in Hvde Park. TOO SENTIMEN¬TAL JEAN |2 films by Miklos Jancso, Hungary’s most distinctive visualstylist:7:15 RED PSALM8:45 AGNUS DEISaturday and Sunday films in Cobb HallFriday, Saturday 8 P.M.Sunday 7:30 P.M.STUDENT TICKETS AS LOW AS $3ON SALE NOWAT REYNOLDS CLUB BOX OFFICEcoiirUATHEATRE5535 S. ELLIS AVENUEBE AMONG THE FIRSTto see Chekhov’s THE SEAGULLin the NEW Court Theatre!PREVIEW PERFORMANCES THIS WEEK ONLYW' 4 At2 THE GREY CITY JOURNAL — FRIDAY OCTOBER 23, 198123 friday 28 Wednesday24 Saturday 29thursdayfilmOrdinary People or Ordinary Picture as itshould have been entitled, was last year'srecipient of the Academy Award for Best-Picture and also Robert Redford's debut asa director. And Redford's patent "good-looks" image and bourgeois pathos permeate this tale of a broken family desperatelystruggling to survive amidst the hell of su¬burban Lake Forest. The bottom line to thisfilm is: "Rich people have feelings too, youknow". And the characters live up to thismotto as they combat the horrors of subur¬ban existence: psychoanalysis, feelings,sincerity, material wealth, and even death.Donald Sutherland, /‘/srv ^/ler Moore,Judd Hirsch, and TimoTr,/ nutton perform(in the most pejorative sense of the word)adequately. Fri., Oct 23 at 7:15 & 9:45 inMandell Hall. $2. DOC7/LSF. R.M.Atlantic City (Louis Malle, i960) Althoughthis film was directed oy a Frenchman andproduced by a Canadian Atlantic City is asubtle and often hilarious stuay of America.Burt Lancaster gives one of his most im¬pressive performances ;o caie as an agingsmall time hoodlum who attempts to act outhis lifelong dreams of becoming a well re¬spected criminal. Atlantic City doesn't quitedig deep enough into tne complex issues itexplores, and thus comes off with a some¬what misogynist tinge. Yet, though some¬what disappointing in its overall conception,the details, especially the acting, makes thisfilm well worth seeing. With Susan Saran¬don, Kate Reid, Michel Piccoli, and HollisMacLaren. Recommended. Sat., Oct. 24 at7:15 and 9:45 p.m. in Quantrell. S2. DOCFilms. R.M.Red Psalm (Miklos Janeso, 1971)Set in late 19th century Hungary, MiklosJansco's Red Psalm concentrates on agroup of peasants and their struggle againstthe demands imposed by the new capitalistmode of production. At this stage of development, traditional agriculture has been se¬verely disrupted. The peasants are withoutland. And this Jansco treats with subtletyand understatement, as though the defec¬tions are natural, virtually inevitable. Ex¬planations for even the most extreme indi¬vidual actions are not provided. They arenot needed. Similarily, Jansco excludesfrom his film any significant character de¬velopment. As a thematic necessity, conflictand confrontation do not center on the indi¬vidual but remain solidly on the level ofclass. Sun., Oct. 25 at 7:15 p.m. Doc Films.N.B.Agnus Dei (Miklos Janeso, 1970)Using the Hungarian counter revolution of1919 as a settling for Agnus Dei, directorMiklos Janeso depicts the reactionary andultimately deadly power of Christianityfaithfully practiced by the hungarian peas¬antry. Led by a fanatic priest, the peasantseventually allign themselves with the vic¬torious counter revolutionaries at whichpoint elaborate execution methods are em¬ployed to stamp out any remaining politicalreligious opposition. Agnus Dei is as visual¬ly striking as Red Pslam, and perhaps withregard to subject matter, even more problematic, certainly more disturbing. Sun., Oct. 25 at 8:45 in Quantrell. Doc Films.N.B.The Many Adventures of Winnie the Pooh(Wolfgang Reitherman of Walt Disney Studios, 1977) Not as politically conscious as thepreceaing film, this Disney classic is, nonetheless, an exceptionally entertaining adventure of the animated toys and charactersthat populate a little boy's overactive imagination. Winnie, though a little dumb witted,is a very likable anti-hero. And Tigger givesa brilliant performance as himself. Basedon the children's tale by A.A. Milne, and featuring the voices of Holloway and Winchellthis film will be shown on Sat., Oct. 24 following The Reluctant Dragon which startsat 2:30 p.m. in Quantrell. DOC.The Reluctant Dragon (Walt Disney Studios, 1941) This film confronts many of thepressing social problems of the 20th centu¬ry: prejudice, rights of minorities vs. thegood of the whole, and the possiility of an in¬dividual achieving happiness within society.It also borrows heavily from Freud espe¬cially his theories on group psychology andthe individual's first level of self eteem —physical appearance. The Reluctant Dragon— who starred in such memorable films asBedtime for Bonzo, Knute P.ockne, andKing's Row — gives a memorable perfor¬mance in this subversive sleeper. Saturday,Oct. 24 at 2:30 p.m. in Quantrell $1.50 DOC.R.W.Glen or Glenda ("I Changed My Sex") (Ed¬ward D. Wood, 1953). At the Sandburg's B-movie Marathon early last year, this pseu¬do-documentary, which tnes to explain whytransvestites and trans sexuals are so dif¬ferent from you or me, received a standingovation. I myself walked out three-quartersof the way through the films and read myFreud assignment for Self, Culture, and So¬ciety in the lobby. What I did see was thefirst part, in which transvestite Lyle Talbotwanders around with an overwhelming de¬sire to try on his girlfriend's angorasweater. The second part supposedly dealswith transsexual. Someone has been tryingto pass this off either as avant-garde (theediting and sequencing of events are cer¬tainly offbeat, and Bela Lugosi pops in andout with little relation to the rest of the film) or as midnight movie fare. Unfortunately,this film does not even succeed as an interi¬or piece of camp. Saturday, October 24 atmidnight in Quantrell. $2. DOC. GSToo Sentimental Jean. (Jack Helbig. 1981.USA.)Based on a nearly actual incident, Too Sentimental Jean traces the comic adventures oftwo women and two men as they clash overa crazy little thing called libido...uh, love.Filmed in Hyde Park by a crew of HydeParkers, Too Sentimental Jean was produced by Ted Shen and Jack Helbig, directed by Jack Helbig and the editing was supervised by U of C's own Jack Helbig. AlthoughRex Reed complained that he could not toilow the plot, Vincent Canby called this film,"Pure cinematic purity", "Wonderful filmic wonder" and "Well seasoned, sensational sentiment". Jack Helbig has.calledthis film, "one of the three or four films I'veever made." And he's right! A must see foranyone whose ever been in love, knownsomeone in love or taken a course about it inhigh school. Stars Liz Langer, Brad David¬son, Jim MacNerland, and Claudia Peyton.Unseen by this reviewer. Sat., Oct. 24 atmidnight. DOC Films. J.H.Air Force (Howard Hawks, 1943): This isthe one that's been parodied a hundredtimes, with the captain of the plane an Irish¬man named Quincannon, the engineer a Jewnamed Weinberg, the tail gunner a Polenamed Winocki, etc. But the cliches (whichat least were fairly new cliches at the time)gain resonance from Hawk's habitual con¬cern for group dynamics. There's a prepos¬terous sequence, for example, in which thecrew of the Air Force bomber Mary Annband together, even the malcontent Pole(John Garfield), in a race against time tosalvage their plans before the Jap~ attack;only Hawks could make that an emotionalclimax that works Plus what is till one hellof a bang-up ending — Star Wars et. al. no¬twithstanding. Monday, October 26, at 8:00in Quantrell. Doc; $1.50 — MAartViet Nam: Reflexes and ReflectionsN.A.M.E. 9 West HubbardApocalypse Then is revealed in the per¬sonal outpourings of Viet-Nam images bythe veterans of that nasty conflict Americawants to forget. The artwork is not thestrength of the show. Alot of bloody oil paintings tend to come across as Art as-thera-py.The compelling part of the installation isthe audio visual presentation that runs inthe back corner of the gallery. Rock andRoll, North Vietamese Folk songs, and thesounds of war accompany slides of the con¬flict by G.I.s. The presentation of hard visu¬al evidence is more than documentary pho¬tography — it becomes a personal witness toa tragedy. Tuesdays-Saturday 11-5 till Oc¬tober 31. _ Jacob WirtschaftoKandinsky Watercolors The Smart Gallerycontinues this exhibit of watercolors andpainting by the pivotal twentieth-century ar¬tist (the show is reviewed in this issues).This Tuesday, Vivian Endicott Barnett, As¬sociate Curator at the Guggenheim Museumin New York, will give a guest lecture on theKandinsky watercolors. The lecture will beat 8 p.m., October 27th in Room 157 of theCochrane Woods Art Center, across from♦he Smart Gallery at 5540 S. Greenwood Avenue. Admission to the show and to the lec¬ture is free. The Smart Gallery is open Tues-day through Saturday 10 a.m. to 4 p.m., andfrom noon until 4 p.m. on Sunday.smusicElizabeth Baltas: Performs chamber musicfor flute by Mozart, Beethoven, Ravel, andothers. She will be assisted by Carole Morgan flute, Michael Jinbo, Mark Hohn-streiter, Dan MacDonald, David Budil, VanBistrow strings. The concert will be Sunday,October 25 in the Goodspeed Recital Hall, 5845 South Ellis Ave. at 3:00 p.m. Admissionis free.Chance R: Saturday night's jazz party willfeature the Ahmad Salahelbeen Quartetfrom 9 pm. to 2 am. S3 cover.Valhalla Jazz Pub; Hanah Jon Taylor's Odyssey Artet will play post Coltrane jazz thisFriday night. On Saturday, vocalist LaVailwill perform, S3 cover.Princeton Tigertones: In their only Chicagoappearance this season, this nineteenmember, all-male, four part a capella groupwill sing on Monday, October 26 at noon inGoodspeed Hall. Their repetoire includesjazz, spiritual, popular music, and madriqals, all of which is interspersed with a little"collegiate humor." Find out what youmissed by not going Ivy.Kingston Mines: Willie Mae Chapelle,mother of drummer Vince Capelle, is in thehospital with cancer, so Chicago bluesmenare playing a benefit for her this Sundaynight at the New Kingston Mines, 604 N.Clark St. (at Clark and Ohio). Damn neareveryone will be there, including: JuniorWells, the Willie Dixon Band, Otis Clay, Littie Milton, Son Seals, Syl and Jimmy Johnson, Lefty Diz, Mighty Joe young, LonnieBrooks, Muddy Waters Jr., Buster Benton,Lewis and Dave Meyers, Bonnie Lee, Buddyand Phil Guy, Phil Loman, Jean Davis, theMansfield Shuffle Band, Big Twist and theMellow Fellows, and anyone else that comesby. The party starts at 5 pm and will go until4 am. $5 donation.Jimmy Cliff: Once a Jamaican folk hero,he's playing in Mandel hall this Fridaynight. Too bad you don't have tix, it's soldout.theatre ’Vanities Court Studio presents JackHeifner's story of three grils from their daysas high school cheerleaders and sororityqueens to their later years as women ap¬proaching their thirties. Directed by Michael Benjamin, the cast includes TerriMason, Janet Rosen and Rosemary Ryan,with a set design by Philip Luing. The comedy continues on the 23rd, 24th, and 25th. Friday and Saturday shows are at 8 p.m. andSunday matinees are at 2:30 p.m. Reviewedin this Grey City issue. Tickets are $3. CourtStudio 57th and University Avenue. Formore information call 753 3581.misc:Rare Books Rare books, published by theBlue Sky Press at the turn of the century,are on display at the Hyde Park HistoricalSociety, 5529 S. Lake Park through December 15. Renowned for fine hand printing,the Blue Sky Press was founded by idealisticartists and writers in Hyde Park in 1899. Theexhibit, numbering thirty beautifully handcrafted books, is open on Saturdays from 10AM to noon and on Sundays from 2 until 4PM, also by appointment by calling EmmaKemp at the Blackstone Library, 624 0511.r the grey city journaEditor: Richard KayeMusic Editor: Jim GuentherBook Editor: John EganFilm Editor: Richard MartinFiction and Poetry Edilor: Paul O'DonnellArt and Production: Susan Franusiak, Nadine McGann, Pat O'ConnellStaff Mike Alper, Denice Boneau, David Brooks, Charles Coleman, Sabrina Farber, Keith Fleming, KiraFoster, Nancy Goldstucker, Kei Hanafusa, Jack Helbig, Sarah Herndon, Alice James, A.A Kambouris.Alex Mihailovic, Arturo Perez Reyes, Glen Sheffer. Dan Stetzel, Lonnie Stonitsch, Jennifer Thompkins,Ken Wissoker, Sandy Young.THE GREY CITY JOURNAL — FRIDAY OCTOBER 23, 1981 3rCourt Studio CteatrcpresentsOCT ■a,H25 nf^/tyjACK HEfTNEkRi^at-wft Svn-2 sen ffi/, MICHAEL &EHJAMIN*X oQ~~ Gvt**. 'w* AdmissiontajP-Watiu* REYNOli5 CLUB57^ St * UiUmsityf*ReservJtions* InformationCALL753-3581 > DOC FILMSA SpecialDOC/LawSchool FilmsPresentationTonight (10/23)in MandelHall at7:15 and 9:45 ~\j%*£$*&&*.... . vjyMsj'Zy/jkaCUERVO ESPECIAL * TEQUILA 80 PROOF IMPORTED AND BOTTLED BY C 1961 HEUBLEIN, INC , HARTFORD, CONN marian realty,inc.REALTORStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 S. Cornell684-5400Dr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know thedifference between advertisedcheap glasses or contact lensesand competent professionalservice with quality material.Beware of bait advertisingEye ExaminationsFashion Eye WearContact Lenses1552 E. 53rd St.(Under the I.C. tracks)9 a.m.-7 p.m. weekdays12-4 p.m. Sundays4 THE GREY CITY JOURNAL - FRIDAY OCTOBER 23, 1981Notes from the ZoneThe StalkerDirected by Andrei TarkovskyStarring Alexander Kaidanovskyby Richard Martin"even if man really were nothing but apiano key, even if this were proved to him bynatural science and mathematics, even thenhe would not become reasonable, but wouldpurposely do something perverse out ofsheer ingratitude, simply to have his ownway. And if he does not find any means hewill devise destruction and chaos, will de¬vise suffering of all sorts, and will therebyhave his own way. He will launch a curseupon the world..."Fyodor Dostoevsky, Notes from Under¬groundAndrei Tarkovsky's The Stalker, whichmakes its midwest premiere tonight at TheArt Institute of Chicago Film Center, is afilm that will disturb American audiencesprobably as much as it concerned the Rus¬sian censors. Although the film is based onthe short story "Roadside Picnic", originalyset in the U.S., Tarkovsky shifts the locationto some undetermined eastern Europeannation, a location which, though not rteces-sarilly Russian, evokes the feeling of per¬sonal opression and political totalitarianismwhich permeates the director's homeland.Tarkovsky is universally recognized asthe greatest Soviet director since Eisenstein. Yet, The Stalker, like Tarkovsky'searlier films Solaris (1971) and The Mirror(1974), is no propaganda film, no call toarms; nor is it Uttered with Eisenstein's di¬dactic aesthetics. Indeed, to read this filmas a narrow political allegory would ignoreTarkovsky's searingly pessimistic vision.For a brief moment in The Stalker Tarkovsky both pays tribute to Eisenstein'spast achievements as an artist and dis¬misses his political ideology as simple answers to the complex and possibly unsolvable problems of our time: At one point inthe film the camera slowly surveys a shal¬low puddle cluttered with rusted guns, dis¬carded syr nges, and broken bottles.Amongst this debris lies a corroded platewith a Jesus figure in the center and Rus¬sian verse bordering the edge. This imagerecall a similar plate in Eisenstein's 1925masterpiece Battleship Potemkin, a platewith the phrase "Give us our bread, our daily bread" bordering its edge. Whereasfor Eisenstein this plate symbolized the reli¬gious and aristocratic repression againstwhich the ship's crew and eventually the en¬tire Russian nation revolted, for Tarkovskythe submerged plate symbolizes the death ofhuman faith in a cold and determined world,a world seemingly indifferent to humanhopes and ideals.The hopelessness and despair which per¬meates The Stalker is reminiscent of suchRussian pessimistic seers as Dostoevskyand Solzhenitsyn. But the closest structuralparallel is Victor Fleming's 1939 fantasyfilm The Wizard of Oz. The narrative struc¬ture of Tarkovsky's film, shot in strikinglyrealistic black and white, creates a book-end like enclosure around the meanderingand colourful expedition which occupies themajority of the film.It is within the stark black and whitestructure that the film's hero is first intro¬duced. The stalke (Alexander Kaidanvsky) from The Stalkeris a wretched, pain-ridden man who desper¬ately clings to the faith that sustains his bar¬ren existence. But the stalker does not in¬vest his hope in an orthodox religion orprogressive politics — the last vestiges ofcontemporary humanism. Instead, thestalker sustains his existence through hisspiritual faith in a mysterious, abandonedurban area named "the Zone."The Stalker is a guide who, for what is pre¬sumably a paltry fee, escorts into the Zone awriter and a scientist who seek its preciousgift: the granting of one's wishes. Heavilyguarded by barbed wire fences, watchtowers, and military patrols because thegovernment considers its attraction a poten¬tial disrupter of the regime, the Zone's mys¬tery is never fully explained. It remainsenigmatic throughout, save for a vague illu¬sion to a meteorite that might have fallenthere twenty years ago.Although they successfully penetrate theZone's intimidating exterior and come closer to the reward that lies in its interior,once safely inside, the trio's problems arehardly over. In fact, their problems becomemore complex, their goals more illusive, asthey comfort a labyrinth of invisible boobytraps which only the stalker is capable of negotiating without mishap. Thus, the mostdisheartening aspect of The Stalker is thatthe idyllic Zone, once finally breached, presents an even more desperate picture thatthe opressive and militaristic exteriorworld. In The Stalker, a film riddled with allegory, the Zone symbolizes, to put it bluntly, the meandering confusion of the twentieth century mind.Tarkovsky's characters are unmistakenlyallegorical; and the social connotations suggested by the psuedonyms, "the writer","the scientist", and "the stalker” (refereoto by the English word throughout the film)are finally borne out in their most pejorativesense when the trio reaches its destination.In the end the scientist denounces the falsehopes the Zone must encourage, and toyswith the notion of blowing it up, while thewriter, rot with cynicism and contempt, refuses even to formulate a wish. And thestalker, now defeated and half demented,must return to his wretched reality to su..tain a doubtful faith in a vision which healone believes.Stretching and meandering over a running time of 160 minutes, The Stalker is true-ly an epic film, the most vividly fatalisticmasterpiece from a director who has developed a penchant for masterpieces. AlthoughTarkovsky has forsaken the didactic politi¬cal vision of Eisenstein for a more ambitious and fatalistic one, the parallels be¬tween these two Soviet directors are stillpresent. Especially in his command of TheStalker's complex visuals and style doesTarkovsky recall the aesthetics of the earli¬er master. But more impressively, whenwatching a Tarkovsky film one feels the presence of a film director who may have asprofound an affect on contemporary cinemaas Eisenstein exercised on the cinema of the'20s and the '30s.In conjunction with the midwest premiereof The Stalker, which will be shown tonightat 6 and 9 p.m. and Sat., Oct. 24 at 3, 6, ana 9p.m., The Film Center (Columbus Dr atJackson Blvd.) is currently presenting a retrospective of Tarkovsky's films throughNovember 21.SPECIAL DISCOUNT PRICESk for all STUDENTS, STAFF,% and FACULTY MEMBERSJust present your University of yChicago Identification Card. Asstudents, Faculty Members or Ad-tre entitledministrative Staff you ato special money-saving DIS¬COUNTS or Chevrolet farts. Accessories and any new or usedChevrolet you buy from RubyChevrolet.DISCOUNT PRICESSTUDENTS STAFF,FACULTY MEMBERSSPECIALfor alland bnr*s Openbut.'til noonJust Present your University ofChicago Identification Card. Asstudents, Faculty Members orAdministrative Staff you art en¬titled to special money-savingDISCOUNTS on Volkswagen PartsAccessories and any new or usedVolkswagen you buy from RubyVolkswagen2 Miles-5 MinutesAway FromThe UNIVERSITY 72nd l Stony IslandOpen Mon.-Thurs.until 7:30 pm. 684-040072nd & Stony IslandOpen Mon.-Thurs.until 7:30 p.m.684-0400L RENAISSANCE SOCIETY NEEDSGALLERY ASSISTANT - VOLUNTEERExcellent opportunity for anyonewho wants hands on experience.Duties include:• General Office Work• Mounting of Exhibitions• Gallery Sittinga Participation and implementation of special programs• BookkeepingPlease contactSuzanne GhezRenaissance Society753-2886By Michele WhiteWhile I was at the Some Girls exhibit, adistinguished-looking couple peered in thedoorway. Their curious smiles deterioratedinto looks of puzzled disgust when theylearned about the $2.00 door fee. They didnot pay and they left. Few galleries chargesimply to walk into them. Why Some Girlswhich celebrates the work of Chicagowomen artists, requests such a donation requires an explanation.Put together in a couple of months by twowomen who took out a personal bank loan todo it, the exhibit complements Judy Chicago's Dinner Party which is across the street.Taken together, the two present a compre¬hensive picture of women's art. The DinnerParty provides the history and Some Girlsdisplays what's happening today.Some Girls is now presenting the secondof its three month-long shows. Lasting untilNovember 14, this part encompasses a lot. Itshowcases the city's visual artists in its gal¬lery space. Several women's bookstores puttogether an exhibit of Chicago women of let¬ters and are sponsoring poetry readings onThusday nights. In addition, Urban Gate¬ways contributed work by Chicago publicschool students. The spirit of this show thatincludes children's art along side that ofprofessional artists tied its diversecomponents together for me.In the gallery space, I found the collectivepiece by 13 women-identified artists moststimulating. Instead of taking women fromhistory as Judy Chicago had done, thesewomen recreated parts of their own her-Some Girls: stories. Each artist chose for her plate awoman who touched her life in a deep way.Once place setting had a feminine napkinfor a napkin and speculums as eating instru¬ments. Pictures of a woman's naked pelvisframed a purple and red snake-filled va¬gina. To me, the place setting symbolizedhow women feel when the male medical pro¬fession and society scrutinize them. Op¬posed to this anger at being regarded in sex¬ual terms, another setting expressedwomen's relation to nature. A shallow bowlheld autumn leaves. In its center, a smallround mirror reflected my face as I lookeddown into it. The other place settings poke todifferent aspects and interpretations of thefemale experience. Woman as territory tobe conquered. Woman as witch. One with asteering wheel asked, "Where to, Lady?"The result is a moving collage of women'sfeelings.The literary exhibit was cluttered, but Ifelt renewed by the support which this vastarray of women's literary journals and fe¬minist books gave me. In typical U of Cstyle, I wanted to buy many of them. I alsoenjoyed the artist's books. By the way, U ofC's painting teacher, Edith Altman had oneon display.I can't give Some Girls unqualified praise.The gallery work was of inconsistent qualityand much of the exhibit could have been pre¬sented in a more appealing way. Theseproblems and the unobtrusive nature of theexhibit caused that distinguished-lookingcouple to refuse to pay $2.00 to walk intoSome girls — that same couple that didn'tbat an eye at paying $4.00 to see the DinnerParty.The women's movement has raised theconsciousness of many women to the pointthat they go to the Dinner Party. But, sup¬porting a "winner," a work of art that hasgained recognition, is safe and easy, even ifyou don't understand it. These women don'trealize that the Dinner Party is the happyending of a story that begins across thestreet at Some Girls. Some Girls does nothave the polish, the finish, the slick muse¬um-cleanness of Judy Chicago's DinnerParty. Yet, a monumental work such as theDinner Party began at the grass roots levelof Some Girls.Chicago women artists are bursting withenergy and excitement. Many of the artistsdonated their own time and money to trans¬form the old building into suitable galleryspace. This exuberance has its limits; itneeds support. These women, along withother artistic and political groups that offeralternatives to established values, mustfight for the limited funding and public sup¬port that is available. In this country whosemain source of wealth lies in corporatestructures and whose president has beencutting back on arts and other funding, al¬ternative art shows need to ask theirbrowsers for support. Some Girls has suf¬fered because of its door fee. Judy Chicagohas not; people expect to pay. Some Girlsmust continually justify its requested dona¬tion. Maybe they should hang a banner out¬side. "SUPPORT YOUR LOCAL WOMENARTISTS!"Chicago Women in Art Partial lists of twenty or thirty womencan only ultimately discourage andconfuse people with a genuine interestin women's contributions to thegraphic arts for, while implying thatthere are no significant obstacles tothe emergence of excellence by exaggerating the achievements of an arbitrarily chosen group, they account forthe actual contribution of women in aninsultingly small way. The struggle ofhalf the population over centuries isworth a single book, a single exhibition and the subject is drained of all interest until it may be done again foranother, equally ignorant generation.At every listing old names are omittedand new names are included...Germaine GreerThe Obstacle RaceBy Susan Franusiak and Nancy Goldstucker"Is she still alive?"—Georgia O'Keefe, upon being asked re¬cently what she thought of Judy Chicago.Having been exposed to the political andthe promotional propaganda detailing theart and the making of Judy Chicago's Din¬ner Party, one wonders whether The DinnerParty itself meets the expectations createdby the literature and film which preceded it.The Dinner Party, which attempts to cele¬brate the lives of 1,038 women throughouthistory, succeeds only in identifying thesewomen rather than exp'oring their accomplishments. The initial striking image is theluminescence of this installation, envelopedin the darkness of the flat black walls of theroom in which it is exhibited. Also, one is impressed by the magnitude of time and laborput into the exhibit by the workers involved.This work defies the classic dichotomy between Art and Craft by reaching the highestlevel of technique in traditional crafts suchas needlework, weaving and porcelain making. However, evident in the finished product are blatent inconsistencies concerningthe art and the politics of Judy Chicago herself.The Dinner Party's ambiguity causes theaudience to question the purpose of the project. Does this installation depict the historical origins, visions, and progress of theWomen's Movement, and does it assume thepresent Movement is both strong and unitied? Or does this piece present an autobiography of Judy Chicago, the Artist? Each ofthe representative women was selected according to three criteria: 1) Did she contri¬bute significantly to society? 2) Did she attempt to improve conditions for women? 3)Did her life illuminate some aspect ofwoman's experience and provide a rolemodel for the future? The 39 women honored with individuaplace settings necessarily reflect the personal choice of the artist herself, thus conveying her specific vision rather than producing a unified image of the creativeheritage of women. The vast scope of thework itself and the collective effort in producing it both emphasize the universality oa personal message. While Chicago affirm:this project as a cooperative labor, her presence permeates and suffocates both its politics and its art.That Judy Chicago is reknown while thosethat work with her remain anonymous, thashe is an artist while those around her remain craftworkers further demonstrate:the inconsistencies of her political views. Irthe display of The Dinner Party, Chicageconfuses the function of both art and pol it*cal propaganda. If the purpose of art is tcexplain the personal and provide for an exchange of emotion, then Chicago has failecin her work.Can the work be appreciated for its owrmerits, as the "fine art" it asserts that it is'Or is it that in so drastically isolating theideas from the art that both are ultimatelydrained of impact and value, the content subordinated and not supported by its conceptual foundation?The Dinner Party itself, the "artwork,'fails to adequately portray the actual ereative and political activity of the representative women which seems to be the verybasis for their distinction among many othe artists; but the accompanying massiv<heritage documentation of the historical figures and The Dinner Party project itselcannot even claim to succeed as anythin*greater than cursory background materialThough these two elements sufficient!'complement each other, this crucial interdependence of art and "explanation" poinup an essential weakness of The DinneParty as an exercise in beaux-arts. Thouglits individual components — primarily th<needlework — can be appreciated as genuine fine art, within the context of the exhibiTHE FLAMINGO APARTMENTS5500 South Shore DriveSTUDIOS & ONE-BEDROOMS• Unfurnished and furnished• U.of C. Bus Stop• Free Pool Membership• Carpeting and Drapes Included• Secure Building• University Subsidy for Students & Staff• Delicatessen • Beauty Shop• Barber Shop • T.J.’s Restaurant• Dentist • Valet ShopFREE PARKINGM. SNYDER 752-3800 SADAT'S DEATH:THE FUTURE OF THE MIDDLE EAST ANDTHE CAMP DAVID ACCORDSLecture By: Professor Marvin ZonisMONDAY, OCTOBER 26, 7:30 P.M.HILLEL FOUNDATION. 5715 WOODLAWN AVENUESponsored By Students For Israel6THE GREY CITY JOURNAL — FRIDAY OCTOBER 23, 1981the comprehensive effect is of the represen¬tative crafts remaining utilitarian, merelyin the service of the Chicago manifesto.As unified as it is exquisitely diverse, themost positive aspect of the exhibit is the nee¬dlework. This feature stands out prominent¬ly as that which was a collective product. Itsimpact informs us of the original goals ofthe project — to reveal to us "the range andbeauty of our heritage." The dearth of commentators qualified to appreciate the actualtechnical skills involved well illustrates thecultural conditioning that dismisses craft asunworthy of serious attention. Even whilesuch arts as needlework attained a highlevel of refinement, women's pursuits wereeffectively relegated into oblivion. Yet,somehow, male-oriented craft, such as furniture woodworking have maintained a rec-pectable niche in the fine art collection, subcategorized as "applied art," butacknowledged nevertheless. From the earli¬est moment we learn it is "natural and cor¬rect" to brush aside the insubstantial em- Smyth is unique in that it is sculpted in theimage of a piano rather than that of a va¬gina. Thus, Ethel Smyth becomes a musi¬cian and a woman of specific talent. She isnot merely one whose body is a woman's:she has substance. Chicago captures themystique of Emily Dickinson in utilizing thelace that is so much a component in ourmemories of and musings upon the poet'scloistered existence. Typically, Chicago hasromanticized the role of Georgia O'Keefe inwomen's art and portrays her as the firstwomen to explore, in her paintings,women's genitalia. While the pendulumswings between the artist and the critics,O'Keefe herself insists that her flowers areprecisely flowers. The highly sculpted,flesh-colored vagina that Chicago made torepresent O'Keefe would have suited moreappropriately the primordial Goddess whowas both the Creator and Destroyer of life.In her preface to True to Life AdventureStories, Judy Grahn refers to such writersas Flannery O'Connor, Carson McCullers,Art of Women/Women as Artlual3er:on3rofivethejroy of■ms)reoolosehatreites. Inagoliti> toexlediwnis?theelysuepreen?ryofveigelfngal.My?rntoryhheu)it broidery and lace doily in favor of the solidchiseled oak beneath it.Chicago's obsessive use of the vagina inher plates is prompted by a desire to freewomen from the oppresive constraints ofgender-identification, of taking it as a symbol of exploitation by male society andtransforming it into an exotic blossom, abutterfly to flaunt victoriously. If one mea¬sures the success of the individual works bythe skill with which they convey the spirit ofthe women they represent, then one canidentify those plates which are most singular. These plates which are most successfulin celebrating a woman's achievementsidentify the woman as an individual with aclaim to certain accomplishments. The factthat one is born a woman is not an end in andof itself. The plate which portrays Ethel and Shirley Jackson, stating that they"wrote about alj kinds of people, theirwomen were real instead of cardboard orseen only for what they have to do with men,and they rarely used stereotypes for thesake of a dramatic point." In The DinnerParty, Judy Chicago creates a vaginalimage to represent the usurped power of allwomen. Just as pre-twentieth century artists represented women with no pubic hairand thus reduced them to pre-adolescentvirgins, Judy Chicago represents women asgenitalia, reducing them to sexual objects.Chicago, instead of portraying women asvirgins, portrays them as vaginas. This portrayal manages to alienate both the femaleand the male audience. Classic rhetoricstates that women are alienated from theirbodies in patriarchal society and men are repulsed by women's genitalia. But in thiscase, the audience's alienation is not causedin this fashion. Instead, the alienation is theaudience's inability to identify with theseimpersonal stereotyped images. But peoplecannot reduce themselves to their sexualorgans, and while Judy Chicago's plates arenot particularly erotic, they do become fe¬ tishes. The vagina is amputated from thewoman's body and displayed as a clinicalspecimen, as pornography, and as an objectd'art. In creating a political and historicalevent, and in making a museum piece, Chi¬cago has offered the female on a platter as asacrifice to the male art gods and critics.From the Dining Table***By Michele WhiteThe exhibition of china painting currentlyat Artemisia Gallery proved to be lively dis¬cussion material for my friend and me onthe home bound Jeffrey Express bus. Whatis the difference between art and craft? Dochina painters lack recognition becausethey are women?In addition to test plates by Judy Chicago,From the Dining Table to the Dinner Partypresents the wide spectrum of styles of thenation's top china painters. Traditionalplates fit for a grandmother's table contrasted with the bold geometric pattern of"Peacock Feather Design" and the brilliantblue and gold swirls in a plate titled "Infin¬ity." Many plates depicted roses and several boasted portraits of women. Autumnleaves framed one plate while a kangarooenhanced another.Quotes of these china painters revealedthat their attitudes toward their art are asdiverse as the plates they create."My grandmother painted in 1917, and shegave me her pallet and paints.""I paint china and publish my designs andgive lessons to earn a living."I got into china painting when my sonwas killed in Vietnam in 1969. It has helpedme preserve my sanity."On a panel accompanying the plates, theartist Judy Chicago explained that at first,she had difficulty appreciating the aestheticmerits of china painting. Her art traininghad "emphasized the fine over the decorative arts and the strict separation betweenart and craft." Her exploration of chinapainting led her "to move beyond the arbi¬trary categories to a larger definition of art— one that can embrace a wide range of expressions of the human spirit."Although Chicago could see the art inwhat is typically considered a craft, she experienced a clash between the two when sne,a trained artist, attempted to learn the te¬dious and time-consuming process of chinapainting. In the first class she took, herteacher couldn't relate to the images shewanted to make; for her part, Chicagocouldn't understand why her teacher wanted her to learn to paint a baby rose. Sheeventually quit china painting in despair.Chicago realized that "historically chinapainting had been tied to a certain kind ofimagery; therefore one did not learn chinapainting as one learned oil painting. Rather,one learned to paint a particular flower ortraditional image. In order to use chinapainting for my own personal imagery, Irealized that I had to abstract it from its historic context and make it a more flexibletechnique."My friend and I walked out of the Artemisia Gallery with very different reactions tothe exhibit. I was moved by the dedicationand persistence of these largely unrecog¬ nized women. Having grown up in a home inwhich the best china was plain white, I hadfound myself intrigued by talents at which Ihad previously scoffed. I forced myself tofigure out why I had always found chinapainting so unimportant. I took a new attitude toward china painting after seeingFrom the Dining Table to the Dinner Party,precisely because Chicago presented it as along lost female art form. My friend, on theother hand, thought Chicago was makingthese women into "unsung feministheroes." She said, "Cabinet-making andwoodcarving are crafts dominated by menand they are also unrecognized. Thesewomen aren't rebelling. They aren't femin¬ists. They are doing what's been acceptablefor them to do. Why make them heroes justbecause they are women?"My friend's comments forced me to refleet on the exhibit and ask questions. Howmuch does china painting's lack of recogni¬tion result from its being designated a craftand how much is related to the fact thatwomen have dominated the field?One argument insists that the utilitarianuses of china limit its artistic possibilities.As a craft, china painting impresses peopleby its complicated glazing and firing tech¬niques. People admire the fine detail work,but not the emotion being expressed.Another argument admits that the cum¬bersome process of china painting limits itspossibilities for artistic expression. But, itcontends, the women who paint have man¬aged to express themselves within these re¬straints. The quality of their creative en¬ergy transcends its form. A good painting isa good painting, whether on canvas orchina. Not all paintings are art; not all chinais craft.A third argument insists that the craftissue can not be so easily separated from thefemale one. Rather, the two are mutuallyreinforcing. Women have painted china forthe same reasons they have decorated cakesand bathrooms and kitchens. The home hasbeen defined as their domain and they havewanted to enhance their environment — anactivity acceptable for women to pursue.According to this argument, the fine artworld has not been as opn to and supportiveof women as the china painting communityhas been. Women, therefore, should be recognized for their success in this field — onethat has been available to them.Who defines and recognizes art may be, inthe end, the most crucial question. Sophisti¬cated art critics have different standardsthan those of average museum goers. Similarly, most men, many feminists maintainhave different expectations than womanhave. Various audiences recognize themerits of china painting to different de¬grees, as art and as craft.USED OFFICEFURNITUREUsed wood desks from $135Used metal desks from $25Used 6 ft. drafting tables4 drawer files from $50Open Daily 8:30-5Sat. by appointmentBRANDEQUIPMENT 8560 S. ChicagoRE 4-2111Open Daily 8:30-5Sat. 9:00-3 Bring your wares to the Student Activities'ARTS & CRAFTS SALENOV. 23 - 24reynolds club loungePick up reservation/registration form inIda Noyes Rm. 210 before Nov. 13call 753-3591 for informationTHE GREY CITY journal - FRIDAY OCTOBER 23, 1981 7ELTON 7for tafaff BawsomofloeoaiJ Treasurer• Vote in the SG Elections, fTlonday - Oct. 26• Emphasize Sound Leadership and Funding PoliciesFROMMOL SON-• 'A goldenI cant believe it I trusted you... and vou drank the last MolsonBREWED AND BOTTLED IN CANADA, imported by Martlet Importing Co.. Inc Great Neck. N Y POETRYTHE MODERN POETRY ASSOCIATIONPR ESENTSThe Twenty-seventh Annual Poetry DayDAVID WAGONERReading from his poemsSATURDAY. OCTOBER 24. 1VHtK:<K) P.M.ihe Law School AuditoriumThe University oj Chicago11 n Last both Street ■ ChicagoTICKETS S' (Ml; STUDENTS S2.(K>Available in advance from Poetry MagazineP O. Box 434X • Chicago, Illinois 6(16X0Phone: 996-7X03The University of ChicagoBookstoreTypewriter Department(2nd Floor)970 East 58th Street753-3303FlamingoTraditional&ContemporaryHairstyling5500 S. Shore Drc - LobbyJoe StabileServing ihe University<£ the Hyde Park areaFor Over 25 Years324-3883Ample Free ParkingStudent Government meeting7:30 p.m. Third floor, Ida Noyes HallWednesday, October 28 All Representatives and Observers are cordiallyinvited to attend.8 THE GREY CITY JOURNAL - FRIDAY OCTOBER 23, 1981Lost in the DarkBy Lonnie StonitschC.O.D.'s, formerly an obscure local barfor Loyola University students, has been re¬vamped into the newest club where some ofthe newest live music can be seen. C.O.D.'sis comprised of four or five small areas connected by hallways that wind and turn andstop abruptly. This, combined with thetwenty-odd steps one has to descend in orderto enter the club, gives it a very sub-caver¬nous feeling. The main room where thebands perform has poor acoustics, bad light¬ing, and atrocious ventilation. The stage it¬self is small, set up on risers about four feetoff the floor. C.O.D.'s drawing card, in spiteof all this, is its venue. Bob Rudnick, in con¬junction with WES Productions, has man¬aged to book some very interesting acts; todate, the Dead Kennedys, Echo and the Bun-nymen, The Professionals, and Tom Ver¬laine. My first visit to C.O.D.'s was to seethe Dead Kennedys. To my pleasant sur¬prise, I found the drinks cheap, the bouncerscordial, and the Loyola students absent.True, the temperature was unendurable,but it rather complemented the Old GuardLeather Punks, who were in full regalia andabundant.Very cold, very windy night. Long carride, interspersed with alcohol and flip flipping through songs. Not much talk, as it seems superfluous when costumed and onan energy overload. Four of us on our way tosee Orchestral Maneuvers in the Dark(OMD) at C.O.D.'s.Andy McCluskey and Paul Humphreyscomprise OMD on their records; they werejoined by two other men for the C.O.D.show. They appeared alert, clean, and effi¬cient, odd adjectives, I suppose, to describea band. Odd, but apt. They looked like howtheir music sounds — melodic, tight, highlysynthesized, and dull.OMD uses synthesizers extensively, mak¬ing them the focus of nearly every song.However, the manner in which they use,nem is quite different from that of otherbands, viz., Kraftwerk, Ultravox, and Depeche Mode. It is important not to clump together bands that use synthesizers underthe inane title of "space rock" or anythingsimilar. There are distinctions to be drawnbetween them in terms of actual sounds produced, tempo, and degree of imaginationemployed, to name just a few. Synthesizedmusic can be very upbeat and highly danceable, and it can also be incredibly boring.The bands that I have mentioned, in particular Kraftwerk, are usually successful inmaking their music interesting and non-repetitive. This is a problem for OMD.A good portion of OMD's songs are ballads(yawn . . . oh, ecuse me . . .); slower, andless syncopated than other synthesizedmusic. I found myself swaying si*de to-sidemore often than frenetically bouncing offwalls and people. I wanted to dance, but ev¬erything seemed a half-step too slow for igSpin-lt Presents Some Pre-Midnight Madness Specials.tkL DAVID GR1SMANtx Moruio MandoIrx luJr* Lalu ntr An*Hjman I Funkito fmSHE'S GOT CIMS L%BOYS UKE MEYOU ARE YOU ARE5 99 SD 38-143 5 99 eS" 361Sabacab KRAFTWERK'TIB»0 REPLY E AL *■ANOTHER RECORD COMPUTER WORLD_ tnckxkn Pocket Cate wet orComputer love/Home Computerxr /r s More Pun To Compute5.99 SD 19313 5.99Spin-lt’s Midnight Madness Will Be Oct. 30th From9 pm - 2 am. Save 37% Off Manufacturer’s SuggestedList on all LP’s. Everything in our store Will Be On Sale.Make Your Lists Now!Spin-lt1444 East 57th684-1505Spin-lt Now, Spin-lt Later, But Spin-lt! nition. OMD's "hits" (forgive me), "EnolaGay" and "Electricity", are faster songs,and it was during these that the audience ac¬quired definition and cohesion. The remainder of the time, most of the audiencestood impassively distant, watching thepassing fashion show, their attention notheld by the performance. All of OMD'ssongs were well-executed, with flawlesstiming. They were obviously practiced andin control, which is all fine and good; but,frankly, it's not fun. I was bored, and I kepttrying not to be. I expected more and I gotless. The second encore, a repeat of "Electricity", left many people incredulous andmuttering. Boo, Hiss.What it comes down to is that I did not findmuch of Orchestral Manoeuvers in theDark's music to my taste. Synthesizers havechanged popular music in a way analogousto the advent of the electric guitar; for aband to array itself with banks of synthesizers and to produce such blana, swooning, pasty music is inconceivable and unacceptable. Synthesizers are so versatile, andcan produce so many different sounds, thatit is embarrassing to watch a band flauntthem so unimaginatively.Late night ride home, after a stop atEXIT, another new wave bar. Not muchtalk, too much disappointment, and a lack ofstimulation. Occasional, repeated slursagainst a band that played a song twice foran encore ("Cheap, cheap!" went the littlebird). No alcohol. WmwmDear Grey City Journal,I, like many, found the Rent-A Frig ad inlast Friday's Maroon extremely offensive.Though I believe all we sensitive U of C students understand why, I'd like to explain itto you anyway, just to show how intelligentand sentitive I am.The message of this ad, to the unenlightened, would appear to simply be "rent oneof our refrigerators." But look at the illustration; it shows a bear laying between tworefrigerator units. The doors of the refriger¬ators are open — obviously the bear is getting very cold. The message is now clear."Rent one of our refrigerators," it says, "orwe will continue to freeze the bear." By tak¬ing the refrigerators off their hands, we remove the instruments of the bear's torture.The bear is depicted smiling, laying on hisback (in Western Art, known as the "comehither" position). Thus, not only does thispicture serve as an invitation to an act thatis illegal in this state, it also subtly reinforces the submissive, Arctically-orientedstereotype of the bear that persists even intoday's society.As you can now see, the strongest message of the ad doesn't involve refrigeratorsat all, but rather, man's long time oppression of bears, and indeed, the entire animalkingdom. To see an advertisement condoning, even promoting, this abhorrent attitudein the Maroon shocked me. In the future,more thought should go into deciding whichads are suitable for the paper perhaps anadvertisement advisorv hoa<'d could be setup, consisting of Gre, City Maroon staffmemoers who have > cau -ohn Berger'sWays of Seeing; and who have excessivelyover active imaginations, along with MikeRoyko, who would be given the decidingvote.A concerned member of today's society,Michael J. KotzeCRITICISM♦♦♦♦♦♦♦♦♦♦♦,♦>44♦♦♦♦♦♦♦♦♦444♦♦ KIMBARKLIQUORSand Wine ShopUQUOR750 ML EARLY TIMES S5.09750 ML HOUSE OF STUART $4.79750 ML DIXON SPRINGS S3.49750 ML SKOL VODKA S3.39750 ML BACARDI RUM (WHITE OR GOLD) $5.09750 ML CHRISTIAN BROS. BRANDY S5.89WINE750 ML MOUTON CADET (BORDEAUX) $4.99750 ML CASTELVECCIO LAMBRUSCO $2.09750 ML NECTAROSE $3.99 - 2/57.00750 ML GANCIA ASTI SPUMANTE $6.99750 ML NICOLAS CLARINCE WHITE BORDEAUX $2.99750 ML WEDDING VEIL PIESPORTER MICHELSBERG $3.99 - 2/57.00BEER6 PK - 12 OZ. CANS BUDWEISER $2.09 WARM6 PK - 12 OZ. CANS GOEBEL $1.79 WARMSOFT DRINKS2 - LITER COCA COLA $1.29 WARMSALE ITEMS 10/22 - 10/26493-3355 1214 East 53rd(Kimbark Plaza) ♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦THE GREY CITY JOURNAL — FRIDAY OCTOBER 23. 1981 9The Metamorphosis of Vasily Kandinsky #Only rarely are we offered an opportunitysuch as the current Vassily Kandinsky exhibit at the David and Alfred Smart Gallery(of the University of Chicago). Kandinsky(1866 1949) was one of the early 20th Century's most influential artists, and this exhibitreveals a cross section of watercolors fromKandinsky's artistic maturity. Kandinskywas an important figure in painting, and hisaesthetic views helped accomplish the liberation of painting from the requirements ofrepresentation. This artistic freedom wasthe culmination of the Romantic vision of anart which would resemble music (the title ofseveral of these paintings is "Improvisation."). ,This art was meant to touch thephysical, intellectual, and spiritual sensesof the viewer. As Kandinsky wrote in 1912,"It has no significance whether the artistuses a real or an abstract form. Both are inwardly equal."The watercolors divide into two groups:the period of Der blaue Reiter (1911 1920)and the period of the Bauhaus (1922 1944).The first section of the exhibit includes examples from Kandinsky's first great cre¬ative period, the period in which Kandinsky,leaping into the realm of the unexplored,broke with pure representation. Nevertheless, among the swirling masses, colors, andshapes, some recurring icons maintaincontact with "realty": boats, mountains,men on horses (the blue rider or blaueReiter), and echoes of a fairytale Russia.These works are vivid expressionist landscapes in which the painter unfolds his subjective apocalyptic visions.This fine exhibition also contains the revolution within a revolution of Kandinsky'stransition to the Bauhaus aesthetic. In genAeral, the free-swirling shapes of the earlierperiod are replaced by simple geometric At the Smart, from Blaue Reiter to Bau Haus 4forms. The later Kandinsky paints watercolors which rationalize the newly liberatedabstraction in art. The varied panorama ofworks from the Bauhaus days is impressivewith its range and vitality. Kandinsky sworks in this period included radically lin¬ear paintings constructed of complexes ofsimple geometric shapes in black and pri¬mary colors and to soft focus, pastel, gentleand somewhat Klee like works.Late in life Kandinsky moved toward arapprochement of the Blaue Reiter tendencies and "constructivist" Bauhaus style.The late works dispense with the simple geometric shapes of the Bauhaus period infavor of biomorphic shapes. Examples ofthis late, tentative move back toward theapparent freedom of the first great periodare included in the exhibition. These worksindicate that Kandinsky himself was awarethat something was stolen from painting,not by abstraction but by reducing paintingto a mere rendering of simple geometricshapes. What might have resulted had Kandinsky lived to fulfill a final synthesis! Ultimately, it is tempting to view some of theBauhaus watercolors as reductive analysesof the rich Blaue Reiter pieces."Painting is a thundering collision of dif¬ferent worlds intended to create a new worldin and from the struggle with one another, anew world which is a work of art. Each workoriginates just as does the cosmos —through catastrophes which out of the chaotic din of instruments ultimately create asymphony, the music of the spheres. Thecreation of works of art is the creation of theworld." This apocalyptic vision is not unjus¬tified from one who endowed us with somuch art of such variety and wealth.Don't miss this opportunity to see the richvisual music of Vasiliy Kandinsky, a mastermagician. By David Gable and Michael MahaleyT“l$^ WOMAN WANTEDVital Information:Birthdate: 12/15/62Birthplace: Salt Lake CityHeight: 6Weight: 1 55 lbs.Favorite book: The World According to GarpFavorite movie: Dr. ZhivagoFavorite pastimes: Pop & classical music,running, raquetball,& writingFor More Information:Call 324-8978or contact The Maroon,Box 62Available:Bright, sensitive, & oftenwitty, U. of C. male under¬grad seeks to build relation¬ship with female of similarcircumstances.10 THE GREY CITY JOURNAL — FRIDAY OCTOBER 23, 1981HYDE PARK UNION CHURCHChurch School (all ages) 9:45 a.m.Worship 11:00 amNursery ProvidedW Kenneth Williams, MinisterCome, Worship, Study, Serve Young Designs byELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd 288-2900HILLEL STUDIESALL CLASSES BEGIN THE WEEK OF OCTOBER 26thAM) TAKE PLACE AT HILLEL FOUNDATION,5715 WO()DLAWN AVENUEMONDAYS -OCT. 26 * YIDDISH - All Level*at 1st meeting Mrs. Pearl kahun 6:00 p.tn.- PAR ASH AT HASH AVI AHWeekly Torah Portion Mr. Avi Vieiss 7:30 P.M.- TALMUD - KETUVOT -For Advanced Students Rabbi Milton \Yakschlag 5:00 P.MTUESDAYS -OCT. 27 * MODERN CONVERSATIONALHEBREW - All levels at1st meeting Mr. Eli Lieberman 7:00 P.M.- MIDRASH-PESIKTA DRAYKAHANA - Hebrew Text Rabbi Daniel I. 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(Through 10.. 30)All LP s in the section are only 5.99ausmu.iA.Hxr-Itfcinow only 5.99 now only 5.99Check us first...We’re the Phoenix(basement of Reynolds Club) New and RebuiltTypewriters,Calculators,Dictators, AddersCasioHewlett PackardTexas InstrumentCanonSharpElectronic Watches REPAIRSPECIALISTSon IBM, SCM,Olympia, etc.FREE repairestimates; repairsby factory-trainedtechnician.RENTALSavailable withU.ofC.I.D.The University of Chicago BookstoreTypewriter & Calculator Department970 East 58th Street 2nd Floor753-3303TheMorganBankCome to an informational meeting for BAsabout a career in banking. Talk with someyoung bankers from Morgan GuarantyTrust Company of New York. We ll give youstraight information about what working foran international bank is really like.Thursday October 29 at 3 PMReynolds Club—Room 201(5706 South University Avenue)The Morgan Bank is an equal opportunity employerTHE GREY CITY JOURNAL FRIDAY OCTOBER 23 1981 11Sweet's New Play:Plight of the PoliteTim Halligan and Jean Amsler in "Stops”By Keith FlemingJeffrey Sweet's new play, Stops Along TheWay is a likeable piece about lovers inlimbo. A friend who saw the swell play said"Stops” reminded him of daytime TV, andwhile this may be true, it always seemed tome soap opera meant haunted, hyper emotional characters, and the general dismissalof real life and its tame or elliptical exchanges between people. As anyone whosaw "A Street Car Named Desire" mightconclude, soap opera depends on people wholive life furiously—who have a gift forgrudges and nostalgia. If "Stops” is soapopera then, it is a new kind of subtle soapopera which has adopted the modest, lessspectacular, rhythms of every day life.For one thing, the male lead is neither adynamic cad nor a suffering hero — hedoesn't even have a "past”. Larry's just anice, quiet, complicated guy who admits hecan be a "zombie" at times. It must be hardto make this kind of role compel I ing onstage, but Tim Halligan succeeds marvelously, giving Larry a rumpled little-boycharm which makes Donna, his ex-lover(Jean Amsler), snuggle up to him and say,"You're the cutest guy I ever met, you knowthat?” Donna is obviously crazy aboutLarry4 but he's driving her back to her husband in Baltimore, having tired of his affairwith her after a scant five weeks. In a playwhich draws so heavily on real life, it's oddthat things should begin with such a juicy,'mprobable premise: what real life manwo 'd ever dream of driving 500 miles aloneBy David BrooksThere are two reasons why you mightwant to see Vanities, directed by MichaelBenjamin, at the Court Studio Theater thisweekend. First, you might have been one ofthose head cheerleader/homecoming queentypes in high school whose life went downhillafter graduation and you want to see a playthat will tell you that you weren't alone. Orsecond, you might have gone through highschool with pimples and glasses and you'dlike to enjoy the sweetness of revengewatching the lives of "most popular" can¬didates fall apart. The latter is probably abetter reason to see this play, because notonly do you discover that cheerleaders turninto mistresses, drunks and whores, but youfind out their stories don't make for verygood Dlays either.Vanities, by Jack Heifner, is just too dif¬fuse to have much impact on its own. Notonly does the play, which is relatively short,try to capture the spirit of three distincteras, but it tries to trace the reactions ofthree distinct girls to those periods. The resuit is a simplistic combination of stockcharacters and cliches.We know act one takes place in 1963 because the whole world seems to go to highschool; there's mention of drive-ins, pettingand pep rallies. Similarly, in 1968, lip ser¬vice is paid to the flower children, the pilland pot. And in act three everybody's welldressed and self-centered. This must be theme generation of 1974.Into these sitcom settings drop threestock characters. True, they all start off asthe same stereotype, the peppy cheerleader,but by the end of the play they each fit neatly into their own cliche: Joanne is the conventional housewife whose life has no meaning without her man, Mary is thenymphomaniacal bitch so popular ontoday's soap operas, and Kathy is the consciencious, liberated woman who feels berayed by her pre feminist upbringing (seeRor o Jaffe, Judith French, etc., etc.).► with a woman he's just rejected, offeringher unlimited opportunities to reproach himfor leaving her and beg him to take herback?"Stops” follows a love story formula Ifirst discovered in Daudet's Sapho. An olderwoman bowls her way into bed with a politeyoung man; he grows tired of her and endstheir brief affair; she follows him and pathetically tries to win him back; eventually,she provokes him into treating her cruellyand his subsequent shame persuades him totake her back after all; she, however, satis¬fied that he does indeed love her, disappearsfrom his life, her pride intact. But whileStops shares Sapho's structure, it has noneof Daudet's extravagant romanticism.Sweet accomplishes something very difficult he gives us realistic lovers who are"natural" with each other but not boring,whose talk is convincingly trivial yet neverentirely meaningless. Sweet is a master atdrawing out character revelations from themost unpromising, apparently humdrumscenes, demonstrating that it is not alwaysnecessary for characters to open theirhearts at the slightest prompting. Minor cir¬cumstances, Sweet shows, can easily betrayour deepest feelings.A wonderful case in point is the gas stationscene. The gas station (as are all the othersets) is a marvel of economy — an ancientgreen soda machine manages to suggest ev¬erything. Donna complains she's thirsty,and Larry dutifully replies: "Take thissoda." "I take what I can get," is her an¬swer. And she certainly would like to gethim — though there never seems to be any question that he might take her back. This, Ithink, is one of the play's shortcomings. Forwhile there are other themes (politenessand defense, for instance; how far can youpush a polite man? what ingenius evasionswill he use to defend himself?) It seems tome Stops could have benefitted by capitulating a bit to conventional melodrama andgiving us some suspense.Instead Donna is made to look alternatelyvulnerable and resentful, and consistentlyfoolish. Her longing for Larry grows as theyclose in on Baltimore, culminating in themotel scene. Car trouble has grounded themfor the night, and they are not in their room(twin beds) for five minutes before Donnatries to seduce him. she fails, of course, andhe flees to the motel bar. When she comes looking for him later she finds him drunkand very silly, blowing bubbles in his gin.She tries to lure him back to their room buthe counters by bringing a well meaningbore to their table. Donna eventually explodes and has a good old fashioned Tennessee Williams poetic tantrum, spitting out theline: "The possibilities of what can happenbetween two people are limitless and thrilling."My only objection is that there are limitsto what can happen between two charactersin a play in which the style has already beenestablished. To suddenly veer into meludrama, however thrilling such a change mightbe, is inconsistent. And puzzling. This iswhat occurs in the final scene when Larryadmits he does love her after all but justcouldn't "hack it". The very words "hackit" symbolize for me the kind of dismal, lowvoltage power Larry brings to his characterrevelation. Which is to say that not only ishis confession unconvincing (to suddenlysay he loves a woman he's been sick to deathof throughout the play just won't work) butit's not even a good literary outburst.There's no need at all for the rest of thisscene to be played either, in which Donnasays — I won't give away the ending, butsuffice to say that the play descends to abathos it had seemed to be so scrupulouslyavoiding.While I'm at it, one wonders why such anugly, obvious, unnecessary backdrop wasconstructed ("travel" is suggested by a collage detailing a map, key, receipt, etc.).Particularly since set designer James Boleyis so adept at bringing a whole scene to lifewith only a few meagre props (this summerI saw Sweet's Ties in the same theatre, andwatched while an entire bus terminal wasevoked by a suitcase and some stirring acting).All in all it's a fun evening of theatre, andpart of the fun is provided by actor RonDean. Dean plays a different role in eachscene, and one begins to anticipate whatloony functionary he will be appearing asnext (he has a hawk face like the youngGeorge C. Scott, and a seedy, tough talkingdelivery). Don't be fooled by the evening'sfirst offering, Routes, a short play beinggiven its world premier. One hopes the restof the world won't be inflicted with this horror, all the more astonishing as it was written by Sweet. "Last night my son Steventhrew up," the play begins. It's all down hillfrom there as the play works itself through aconfusion of styles, none of them interesting. The action all takes place before ablue and yellow backdrop, like a wall in aNursery school — perhaps appropriategiven the play's low level of intelligence.Perhaps it would be better to skip Routesaltogether and enter the theatre at intermission. Who knows how many people mighthave left the theatre in disgust, never suspecting Routes was merely a flop along theway to a moving theatrical experience?Stops is being performed Tuesday throughSunday at the Victory Gardens Theatrewhich has become part of the Body Politiccomplex at 2257 N. Lincoln. Tickets are 7dollars. To get there take the 7 11 to Clarkand Fullerton and walk west on Fullerton toLincoln Victory Gardens is 2 blocks south onLincoln. Or take the el to Fullerton and walkwest to Lincoln.Court Studio: BanalitiesFortunately, in the first two acts, thesecharacters are occupied with somethingother than their own personalities. First,they are planning a pep rally and the seniorprom, and later they are planning rush weekand the spring carnival. At times, in fact,act two is quite good. The characters aregrowing out of one stereotype and haven'tyet grown into another. For a while the simultaneous loyalty and incompatibility areentertaining. But by act three, they are hopelessly self conscious. What we get is anunpleasant cat fight which alternates between sensationalist revelations ("Youdon't know the joy of motherhood!" "Yes,but I know the relief of abortion!" "Gasp""Shriek" etc.), and bitter ridicule. The linesare long and heavy. They might be what'sknown as realistic but they don't make forvery good theater. The play's climax is reminiscent of those "loss of social convention” situations which can be so powerful.But this one, without weight, has no punch. VanitiesWhen Vanities first opened in New York, asuperb cast saved it. The very same almosthappens here. Although the actresses occasionally trip over their lines, they are, on thewhole, good. Particularly, Terri Mason, whotakes the character Joanne — generally asilly and unimportant character — andlends her some weight. In one scene at theend of act two, when Joanne's best friendshave neglected preparation for her wedding, Ms. Mason's handling of the situationproduces, for me, the play's only dramaticmoment.I probably would have liked Vanities morehad I seen it when it opened in 1976, andwhen this type of feminist literature didn'tseem so stale. Since this is the case, Iwonder why the producers bothered to revive it at all. They would have been wiser tohave saved their money until 1990 and theninvested it in a play about three happy preppies who grow up to be men's roojm attendants.GetawayChinese bakeries: an unusual and inexpensive tasteBy Sho-ann Hung andDavid AckermanEveryone has eaten at a Chinese restau¬rant at some time or another. Whether it ischop suey with an egg roll or steamed squidin black bean sauce, good Chinese cuisine isoffered in a number of easily accessible es¬tablishments throughout the Chicago area.However, a lesser known branch of Chinesecuisine is found at Chinese bakeries. Thesebakeries are located in Chinatown and theNorthside.One such bakery. Happy Gardens Com¬pany, lies near the southern boundary ofChinatown at 2358 South Wentworth Avenue.It offers an assortment of buns, each con¬taining a different filling. Dessert buns havecream, coconut butter, lotus bean paste, orDRIVE CARS TOFLORIDA& MOST CITIES U S.A.NO CHARGEAAACON AUTO TRANSPORTPHONE NOW FOP FUTURE DATESREPRESENTATIVE WANTEDON CAMPUS.(ALL NO W 427-0056With The Sponsorship of the CommitteeOn Southern Asian Studies and TheFederation of India Associations ChicagoA&'wi AtfdPRESENTSjCotalutu Sluuduw,mo&iitIn A Concert of North IndianClassical Music accompaniedon the Tablaby Arvind DeobhakteSATURDAY, OCTOBER 24th at 8 P.M.at The University of ChicagoADMISSION FREEIDA NOYES HALL LIBRARY1212 East 59th StreetRocHcfellcrMerporialCbapel9 a.m. Ecumenical Serviceof Holy Communion11 a.m. University ReligiousServiceJames Lawson, Jr.,preaching sesame bean paste filling. The cream bun(forty cents) is topped with coconut shav¬ings and a delicious semi-sweet cream flowsout the top. (They definitely don't play the“hide the filling in the pastry’’ trick.) Thesesame bean paste bun (fifty cents) has aspherical shape with a crunchy sesamecoated exterior and a soft interior that hasan almost fig-like taste.For a more substantial meal, there aremeat-filled pastries. The various types in¬clude chicken, spice pork, and ham and eggbuns. All buns are under one dollar. Theshop also sells large almond cookies at fortycents each and two and a half pounds of for¬tune cookes for seven dollars.Although Happy Gardens is within China¬town's tourist-business district, its neigh¬borhood appears more residential than com¬ mercial. A few blocks north of the bakery,especially at the intersection of Cermak andSouth Wentworth, the level of activity andconcentration of people increases due to thenumber and variety of shops and restau¬rants. One shop. Yick Wing, is a facsimile ofa Chinese five and dime store. Managed andowned by an elderly Chinese gentleman, thestore sells alot of small merchandise, mostof which is under one dollar. Most shops andrestaurants remain open until 10:00 PM or11:00 PM.Another Chinese bakery, Fong’s Fortune,is located in the Northside at 2850 NorthClark. Though, they do not have as wide aselection as Happy Gardens, they do offersome unusual pastries not found at the otherbakery. In addition, the buns (not the fill¬ings) taste sweeter and are not as drv. Again, the baked goods are all under onedollarFong's Fortune is just north of the Centu¬ry Mall and the Parkway Theatre. Othersmall stores, clothes, shoes, jewelry. Pier I,are located around the Clark/Di-versy/Broadway intersection. Small restau¬rants featuring a wide range in cuisine arealso found in this area.Happy Gardens is open every day of theweek except Tuesday from 9:30 AM to 8:00PM It can be reached by taking the *55 Gar¬field west to the Dan Ryan El and getting offat the Chinatown-Cermak stop. Fong's For¬tune is open Monday thru Saturday from7:30 AM to 6:30 PM. From the Loop one cantake the Ravenswood El to the Diversy stop,the »22 Clark bus, or the »36 Broadwaybus.ELECTRIC PERFORMANCES,GRAND FUN, |OH|ELEGANTLYRAUNCHY, UN-1# Ml]EXPECTEDLY "TOUCHING." uSheila Benson, LOS ANGELES TIMESOUTRAGEOUSLY ENTER¬TAINING, BITCHILY FUNNY.David Ansen NEWSWEEK MAGAZINEWONDERFUL DIALOGUE,HILARIOUS SEX SCENES,BRILLIANT ACTING." *Metro-G ol d wy n - Mayer PresentsA Jacquet-William Allvn Production A George Cukor FilmJACQUELINE BISSET CANDICE BERGEN"RICH AND FAMOUS” DAVID SELBY HARTBOCHNER Musk by GEORGES DELE RLEScreenplay by GERALD AYRES Based on a pla\ by JOHN VAN DRUTEN Produced by WILLIAM ALLYNR; M.wru -j: Directed bv GEORGE CUKORH«0'> ‘KQVXItS KCMPtl'W - nnvj'Vi- mil’ M I*,.' ia.io.u Ml I RcKOl OR' United ArtistsNOW PLAYING AT A THEATRE NEAR YOUThe Chicago Maroon—Friday, October 23, 1981—19SportsErrors plague spikersKaren Kitchen goes up for a spike as teammates Bev Davis (15) and RandiWagner provide coverage.Crew conquers CharlesBy Lee BadgettThe volleyball team had “one of thosedays” Tuesday night in a 5-15, 6-15, 3-15 lossto Elmhurst College, its second straight lossat home. Nothing seemed to work for theMaroons as many of the problems they hadin previous games came back to hauntthem. Chicago might have been able to getaway with those errors against a weakerteam, but the solid Elmhurst squad pouncedon Chicago’s mistakes.Neither team came out biazing in the firstgame. The Maroons scored first off an ille¬gal hit for their only lead of the game. Chi¬cago came up with several nice plays fromRandi Wagner and Celeste Travis duringElmhurst’s serve, thus giving the Maroonsplenty of opportunities to score. But as inlast week’s game against St. Xavier, thehome team could not convert its service intopoints when hits and hitters repeatedly land¬ed in the net. Chicago's defense kept the ballin play with save after save, but hitting mis¬takes wiped out many of those plays.The Maroons almost got a big break latein the game when the Elmhurst coach re¬ceived a yellow card warning for getting outof his seat during a dispute over a call by thereferee. Another such action by the coachwould have led to his ejection, but he man¬aged to control his excitement for the rest ofthe match.Between games, the small but enthusiaticcrowd tried to spark the Maroons, but thesecond game looked much like the first. Themany errors and the lack of offense provedto be the Maroons’ downfall once again asthey lost 6-15. Elmhurst completely con¬trolled the third game, giving up only threepoints to Chicago on a Celeste Travis spike and two Randi Wagner serves. Elmhurstbegan to take advantage of the lack of block¬ing by the Maroon front line, drilling the balldeep into Chicago’s court and sending Au¬drey Light sprawling several times as shetried to keep the ball in play.Problems on the front line frustrated theMaroon all night. A general lack of blockingcombined with errors in hitting gave Elm¬hurst too many chances to put the ball away.Coach Rosie Resch took the loss ratherphilosophically, writing the game off as abad night for most of the hitters. “Theywere not doing their job as hitters orblockers,” said Resch.Another major problem for Chicago in¬volved the lack of communication betweenthe players. They did not seem to talk toeach other enough during play on the court,a tendency noted by Resch. Even whenplayers did call for the ball, at times team¬mates seemed not to listen to each other.Resch emphasized the need for communica¬tion during play in order to adjust for holesbetween the players. The precision neces¬sary for effective coverage leaves littleroom for concentration and communicationerrors.With several important matches in thenext week, the Maroons will have a chanceto redeem themselves after two rather dis¬appointing showings. Today and tomorrowChicago will be participating in the Carth¬age College tournament in Wisconsinagainst several unfamiliar teams as well asold rival Lake Forest College. On Monday,Chicago will be playing at North Park Col¬lege in an important game which may affectthe team’s seeding at the state tourna¬ment. By Daniel LaurenceDespite a wind-whipped course and an un¬familiar boat, the University of Chicagomen’s crew club managed to hold its own inBoston’s celebrated Head of the Charles Re¬gatta last weekend.Guided by veteran coxwain Myer Blank,stroke-man Alan Hodges led his seven fel¬low oarsmen under seven bridges to the fin¬ish of a gruelling three-mile course. Therace saw Chicago finish 23rd out of 40 boatsfrom all around the country entered in themen’s club eight event. Chicago’s 17:30placed it in the middle of the pack. A bit ofexcitement was added to the race when aUniversity of Pennsylvania shell rammedDartmouth, putting a hole in the Dartmouthboat and placing both in the low 30’s.The club eight event was won by theWorcester Rowing Association with a veryrespectable 16:00.7. However, this mayseem slow when compared to the winningtime of 14:36.5 posted by the U.S. Naval Aca¬demy in the men’s championship eightevent, which shattered the previous recordby nearly 25 seconds.“The Navy boat was beautiful. It lookedlike it was set in concrete,” observed CoachMarty Howard as he described the Annapo¬lis crew’s smooth and stable style.A poor financial situation almost prevent¬ed Chicago’s nine-man team from attending“The Head,” as it is affectionately referredto. However, the individual team memberspooled their private resources and came upwith just enough money to fly out, rent ashell and oars from Northeastern Universi¬ty, row, and return to Hyde Park.Four varsity members, Alan Hodges,Bruce Lifka, John Pritchett, and DaveKoester along with cox Carla Pritchett planto enter a four-man shell in the Head of theTennessee Regatta in Knoxville on October31.In the meantime, the novice members willhave a chance to race this Saturday againstthe Lincoln Park Boat Club in Lincoln ParkLagoon on Chicago’s near-north side.Interest in rowing at UC seems to haveescalated since men’s crew’s successfulspring season and this summer’s defeat ofPurdue (one of the midwest’s toughestcrews) at Evansville. Indiana. Membership>n the club has doubled this fall, and willlikely be up again in the spring of 1982,Since its inception in 1975, UC men’s crewhas reached a level of achievement.unparal-leled in its history, and has risen to the posi¬tion of one of the top crews in the midwest. In order to maintain and, as is hoped, aug¬ment its winning status, the entire club willprepare for the spring season by holdingregular winter work-outs in the field houseand by rowing at the tanks of the Universityof Wisconsin at Madison on selected week¬ends.Sports briefsX-Country resultsMike Axinn and Art Knight placed firstand second, respectively, in the Beloit Col¬lege Invitational Cross Country Meet heldon October 10. Axinn smashed the course re¬cord as he and Knight led Chicago to a sec¬ond place finish in the eleven-team field.On October 17, the cross country teamcompeted in the Track and Field Associa¬tion USA National 10,000 Meter Champion¬ships at Madison, Wisconsin. Axinn placed18th and Knight placed 45th to lead the teamto a ninth place finish. All 19 varsity teammembers were able to complete the 6-'imile course despite a driving rain.Soccer ties LoyolaThe soccer team tied Loyola 1-1 in anaway game played on Monday. The loneChicago goal came when a Loyola defenderlost control ot the ball in front of his owngoal. Forward John Assadi was able to stealthe ball and score. The team's record is now2-5-1.Manager WantedThe men’s varsity basketball team is look¬ing for a manager for the 1981-82 season.Some knowledge of basketball is necessary,plus a willingness to travel. This is a paidposition. All interested persons should con¬tact Coach Angelus at 753-4683.Sports CalendarSOCCEROct. 24 — Lawrence, 1 p.m., StaggFieldOct. 25— Washington University, 1p.m., Stagg FieldCROSS COUNTRYOct. 25 — UCTC Open 5-Mile Hun, 3p.m., Washington ParkASHUM-AMSAThe Committee on General Studies in the HumanitiesandThe William Vaughn Moody Lecture Committeepresent a lecture / seminarSCIENCE & LITERATURE: CRYPTICMEANINGS IN JULES VERNE’SJourney to the Center of the EarthbyPROFESSOR PIERRE LASZLOProfessor of Chemistry, University of Liege, BelgiumVisiting Professor, Romance LanguagesJohns Hopkins UniversityFriday, October 30, 1981 • 4:30 p.m.Harper Memorial 1301116 East 59th Street, Chicago 60637Admission is free and without ticketReception after in Harper Memorial 28420—The Chicago Maroon—Friday, October 23, 1981Inside IM’sCoaches and supervisorswill pick new IM top tenBy Bob LaBelleLast years Maroon sports page included a“Top Ten’’ poll of IM football teams. Thepoll was tainted by its subjectivity, so Iplanned to drop it from this weekly “InsideIMs’’ column. At the urging of many IMfootball participants, however, I have beenless than gently persuaded to return the“Top Ten’’ to the Maroon. In an effort to re¬duce unavoidable bias, the “Top Ten” willnow follow three criteria in establishing thebest teams in IMs. The following are the cri¬teria in their order of importance:First : similar to the UPI coaches’ poll, the“Top Ten’’ is based upon the votes of eachteam captain in each league. At the coaches’meeting, each captain received a ballot. Theballot instructed the coaches to pick the fivebest teams in their league (undergraduate,graduate or independent) excluding theirown team. They were then to rank one ofthese teams first and list the remainingteams randomly. The first ballots were to bereturned by Wednesday, October 21 withsubsequent ballots being due each Wednes¬day until the conclusion of the football sea¬son.The ballots were counted so that any teamreceiving a first place vote got three pointsand all other teams receiving a vote got onepoint.The problem with this method is that itdoes not rank teams in different leaguesagainst one another. Since, for example,coaches in the undergraduate league couldhardly be expected to know the best teamsin the graduate league, a second criterionwas established.The IM supervisors were polled separate¬ly and asked to rank in order the top ten IMfootball teams from the list established bythe coaches’ poll. The supervisors were cau¬tioned not to guess. At any point they feltthey were guessing, they were asked to stopranking even if they hadn’t reached tenteams. Since the supervisors watch practi¬cally every team in IMs at least once, theyare in the best position to evaluate teams be¬tween leagues. All five supervisors are af¬ filiated with different teams. That fact plusthe restriction to the coaches’ list of teamsshould prevent personal bias in the overallpoll.The supervisors’ poll was counted so thata first place team received ten points, a sec¬ond place nine points, and so on. The resultswere compared to the coaches’ poll resultsand the “Top Ten” was completed by in¬spection.In case some obvious glaring discrepan¬cies should occur, I will add my unbiasedopinion to the results as the third criterion.The poll will not degenerate into my opinion,since there are three things I will not do: (1)I will never add a team to the “Top Ten”that was not already there via the coaches’poll, (2) I will not move a team more thantwo positions, and never out of the “TopTen” completely, and (3) I will not exercisethis prerogative more than once per poll.These guidelines should prevent my per¬sonal misjudgment from biasing the poll.If all of this is clear, here is the first 1981“Top Ten” poll in football. Monday at the field house. Teams should re¬alize two important items: (1) ALL volley¬ball team members must have facilitiespasses to enter the field house (no excep¬tions will be made by the VCA), and (2) ifyour team plays on a particular night in twotime slots, then your referee will be sche¬duled to officiate in the other two time slots of that same night. For example, if yourteam plays at 6:30 and 7:15, your refereewill officiate at 8:00 and 8:45. Failure of anofficial to appear is one forfeit for the team;a second failure will eject the team. Also,today in Ida Noyes 203 at 4:30 p.m. is theCo-ed volleyball managers’ meeting.Pts.1. Wabuno Bay Bucanneers (4) 672. Chamberlin 663. Bovver Boys 514. Stiffs 505. Manifest Destiny 396. Res Ipsa Loquitor 277 Chicago Seven 268. Hale 249. Psi Upsilon 2110. Dewey 12Deserving Mention: Sick Dogs—11 Hitch-cock—10, Henderson—10, N.U.T.S.- 9, RawMeat—8. IM ScoreboardDodd-Mead 14 Bradbury 6Manifest Destiny by forfeit over InternationalHallHenderson 27 Tufts 18Filbey 7 Alpha Delta Phi 2Bradbury 0 Phi Delta Theta 0(Bradbury won in OT)Dodd-Mead 25 Bishop 15Stiffs 39 Chicago Seven 12Psi Upsilon 40 Thirty-Seven Stoned Dudes 0Step Aside Buddy by forfeit over CommuterMagic Dewey 2 Fishbein 'Michelson 37 Blackstone 0Chamberlin 48 Breckin idge <j \Compton 7 ThompsonHale 31 ShoreyRaw Meat 14 Res Ipsa Loquiter *JIN U T S. 7 Axes To Grind £ jLegal Lunatics 6 Broadview CrjLower Rickert 15 Upper Rickert 12Wabuna Bay Bucaneers 30 Bovver Boys 15|Dudley 9 Salisbury-Vincent ofBishop 22 Phi Delta Theta 111WOMEN:: Compton,Points were established by the votes ofcoaches and supervisors. The numbers inparentheses refer to the number of supervi¬sor first place votes. The “Top Ten” is accu¬rate as of Wednesday, October 20. Re¬member, if you think that this list is screwy,you can do something about it by turning inyour ballots. The next ballots are due byWednesday, October 28.In other IM news, volleyball began on Sweatshirt RelayMEN: Chamberlin, Compton, Mead.Compton, Upper Wallace, Snell. COEDUpper Flint, Dodd/Mead.Innertube RelayMEN: Chamberlin, Phi Delta Theta, UpperRickert WOMEN: Compton, Lower Wallace,Upper Wallace. COED. Compton, Upper Flint,Upper Wallace/Lower Rickert.100-yard FreestyleMEN: Pound <Lower Rickert), Archer (UpperFlint), Bradburg (Chamberlin). WOMEN:Schroeder (Snell), W'agner (Comptoni, Chung(Upper Wallace).40-yard BreaststrokeMEN: Parker (Shorey). Bradburg (Chamber¬lin), Flemming (Comptoni. WOMEN: Vandlstyne(Compton), Chung (Upper Wallace), Donohue(Snell).40-yard FreestyleMEN: Pound (Lower Rickert). Gewirth < Hitch¬cock), Kieter (Chamberlin). WOMEN: Schroeder(Snell), Vlahides (Lower Wallace), Vandlstyne(Compton). IN SWIM MEET40-yard BackstrokeMEN: Aswald (Henderson). Dann (Chamberlin). Parker (Shorey). WOMEN: Williams (Snell)Donohue 'Snell), Williams (Snell).40-yard ButterflyMEN: Archer (Upper Flint), Doi <Dodd/Mead),|Gewirth (Hitchcock). W'OMEN: Vlahides (LoweWallace), Weber (Upper Flint), Wagner (Compton).160-yard FreestyleMEN: Chamberlin. Upper Flint. Phi Delta |Theta WOMEN: Snell. Lower Wallace. Upper gWallace COED: Lower Wallace/Upper Rickert. §Snell/Hitchcock. Dodd/MeadOverall Standings(total IM points for meet)MEN: Chamberlin (100), Upper Flint (94). PhiDelta Theta <89). Lower Rickert 89), Dodd/Mead(78), Compton (72), Hitchcock (67i, Shorey ■ 671,Upper Rickert >56), Henderson 1 56 >.WOMEN: Snell 1100 >, Compton < 87 >, Upper Wal¬lace (75), Lower Wallace '63), Upper Flint (50).COED: Compton (100), Upper Flint (90i. LowerWallace/Upper Rickert (80), Dodd/Mead (70).Hitchcock/Snell (60), Upper Wallace/Lower Rickert (50).Rugby club gaining strengthBy Tim Blackman“A ruffian’s game played by gentlemen”has always been the phrase used to describethe century-old game of rugby. It was in¬vented during a soccer game at Rugby Pub¬lic School when an overly enthusiastic-player decided to pick up the ball and runwith it, of all things. From that day, thegame flourished in the British Common-•■ ealth and has recently gained popularity-in such countries as Argentina and Japan.Surprisingly, the game did not reach theUnited Slates until the late 1960’s. It caught on slowly, but exploded in the mid '70’s.Eventually, rugby reached the University ofChicago.To the uninitiated, rugby seems foreignand barbaric compared to American sports.However, rugby is actually considered to bethe ‘-father” of American football, andmany similarities remain. The team has fif¬teen men (or, in the last five years, women)divided into forwards and backs. The for¬wards’ job is to gain possession of the ball.They then give it to the more mobile backs,who try to score by grounding the ball in thein-goal (touchdown) zone. The rules are toonumerous to explain here (the Rugby UnionHandbook is almost 200 pages long), butthey can be learned by viewing the Universi¬ty of Chicago club's home games.‘The 1981 season got off to a less than en¬couraging start. With a roster of over 40 peo¬ple — twice that of last fall — the team trav¬elled to Gary on October 10 and came backwishing it hadn’t gone.However, last Saturday the team travel¬led to DeKalb for the second annual ChicagoArea Tournament. The first game wasplayed at 8 a m. against Kankakee. TheMaroons won easily by a 12-4 score and hada 45 minute rest before facing age-old rivals,the West Side Condors. Having lost fiveplayers to injuries in the first game, theMaroons lost a difficult bout. But they cameback to defeat Libertyville, 10-9, and cap¬ture fourth place in their 12 team division.The team will face Notre Dame andAmoco in the coming weeks. It is alwayslooking for new talent, and captains PeteLayton and Jerhone Fikker will be runningpractices Tuesday through Thursday at 4p.m. in front of Ida Noyes for the remainderof the quarter. The Varsity Sport of the MindThink You’re Smart?U of C College Bowl Intramural TournamentNov. 2 thru 8Tournament information and registration in IdaNoyes 210. Graduate and undergraduatestudents eligible.It s not trivia — it’s fun!The Chicago Maroon—Friday, October 23, 1981—21CalendarFRIDAYCrossroads: English classes for foreign women,10:00 am, 5621 Blackstone.Calvert House: Mass; 12 noon and 5:00 pm, 7535 S.University. Brown bag lunch, 12:30 pm, 5735 S.University.Middle East Center: Organizational meeting forstudents and faculty interested in learning Persianlanguage and culture, 12 noon, Kelly 413.Geophysical Sciences Colloquium: “Phase Equili¬bria and Petrogenesis of Some ExtraterrestrialMagmas" 1:30 pm, HGS Auditorium.Mineralogy-Petrology Seminar: “Phase Equilibriaof Primitive Crustal Sources in the Planets”speaker John Longhi, 3:30 pm. HGS 101.Comp Center Seminar: Introduction to SCSS onthe DEC-20. 3:30-5:00 pm. Pick 124.Hillel: Yavneh (Orthodox! Services, sundown, Re¬form-Progressive Shabbat Services, 5:45 pm, AdatShalom Shabbat Dinner, 6:30 pm. 5715 S. Wood-lawn.Doc Films and LSF: “Ordinary People” 7:15 and9:45 pm, Mandel Hall.Court Theatre: "The Seagull” 8:00 pm, 5535 S.Ellis.Armenian Cultural History Lecture: “SomeAspects of Armenian Oral Epic - David of Sas-soun” speaker Mrs. Arpine Khatchadurian, 8:00pm, Regenstein.Hillel: Student discussion “On Being a Woman”8:30 pm, Hillel.SATURDAYHillel: Yavneh (Orthodox! Services 9:15 am, Hillel,The Upstairs Minyan (Conservative-Egalitarian)Services, 9:30 am, Hillel.Doc Films: “The Reluctant Dragon” and “TheMany Adventures of Winnie the Pooh” 2:30 pm,Cobb.Crossroads: Buffet dinner, 6:00 pm, no reserva¬tions necessary, 5621 S. Blackstone.Doc Films: "Atlantic City” 7:15 and 9:30 pm,“Glen or Glenda?” midnight, Cobb.Crossroads: “The Impact of Westernization onAsian Culture” speaker Don Luce, 7:15 pm, 5621 S.Blackstone. Free. MAB: Jimmy Cliff, 8:00 pm, Mandel Hall.Court Theatre: “The Seagull” 8:00 pm, 5535 S.Ellis.SUNDAYLutheran Campus Ministry: Sermon and Eu¬charist 8:30 am, Sunday School and Adult Educa¬tion, 9:30 am, Sermon and Eucharist 10:45 am, 5500S. Woodlawn.Calvert House: Mass, 8:30 am and 5:00 pm, CalvertHouse 7535 S. University, 11:00 am, Bond Chap¬el.Chicago Sinai Congregation: Marvin Zonis speak¬ing on Israel in the Context of the Middle East, 9:45am, 5350 S. Shore Dr.Hillel: Lox and Bagel Brunch, 11:00 am, 5715Woodlawn.Court Theatre: "The Seagull” 2:30 pm and 7:30pm, 5535 S. Ellis.Music Dept.: Flute Recital by Elizabeth Baltas,3:00 pm, Goodspeed Hall, free.MARRS: Fighting practice, 3:00 pm, Ida Noyes.Calvert House: Home cooked supper, 6:00 pm, 5735S. University.Doc Films: “Red Psalm” 7:15 pm and “AgnusDei” 8:45 pm, Cobb.MONDAYCrossroads: English classes fox foreign women10:00 am. 5621 S. Blackstone.Music Dept.: The Printeton Tigertones an a cap-pella singing group will be performing jazz, spiri¬tuals, popular music and madrigals at 12:15 pm,Goodspeed Hall. Free; all invited.Child Development Colloquia: "PsychobiologicalMechanisms in Breastfeeding” speaker NilesNewton, 12:15 pm, Judd 313.Hillel: Talmud-Keuvot class meeting for all levels,6:00 pm. Hillel.WHPK: Hermann Hesse reads Hermann Hesse,7:00-7:30 pm, on the German Radio Program, 88.3fm.Hillel: Lecture - “Sadat’s Death: the Future of theMiddle East and the Camp David Accords” speak¬er Prof. Marvin Zonis, 7:30 pm, Hillel.Computer Club: ADA Lecture and more, 8:00 pm,Ryerson 251 (enter through Eckhart).Doc Films: "Air Force” 8:00 pm, Cobb. Classified AdsSPACELarge bedroom in spacious apt east of 1C kit¬chen privileges 200 a month 643-9843eves.Graduate student cooperative seeks responsi¬ble woman for Nov. 1 occupancy. Near campus. Low rent. Call 955-2653.Townhouse 3 br den 2'2 bath c/a yard park, utilsale or rent $800/mo eves. 493-0543.1 bdrm apt in Univ. Park Condo (55th &Blackstone) Carpet; Indoor parking avail. $399493 3111.3 BR townhouse in Richton Pk. 1# bath, bsmt.central air, walk to 1C. Ph 3-8417. $450/mo.1 Br apt luxury Hi-rise, security bldg. HydePark. Walk to transp, shopping, U of C.S475/mo—Ms. Gibson: day 947-2912; eve 947-8462.NEWPORT 1 BR lux dec. w/w carpet ac indoorpool. Nov 1 occ $475 mo624-2537.UC ALUM OWNER GOING ABROAD 1 5' 2 rm(2 bedrms) & 1 6V2 (3 bedrms) condo in vintage6-flat nr. 72nd & So. Shore Dr., $35,000 & 38,000.Ea. w/2 baths, fml. D.R. Big yard, parking. Oncampus bus rt., 1 block to I.C., 4 buses. 375-7435.3 or 4 bdrm apt for rent Good location. Campusbus at door. $650. 538-3350.58th/Blackstonepart. turn. Ig. studio; LR, DR,K. bale, huge closets, beautifully painted;wood flrs/windows/drs just refinished. Nonsmoker $390/month 955-6933.1-2 roommates wanted to share beautifulspacious North Side apt. Call Ahamed: 633-6000ext 3488 am, 784-4441 pm.CONDO for sale. 3-bdrm, 2-bdrm, 2 bath.Bright spacious, with oak floors 52nd & DorChester. $45,000 538 3350.SPACE WANTED1961 lady graduate writer wishes pleasantroom or studio in Hyde Park house, hopefullyfireplace & garden (kitchen priv.) Call 743-6648rm 525.Room needed for the month of January for avisiting student. Dependable. Please call 643-3898 and ask for Molly.PEOPLE WANTEDPaid subjeefs needed for experiments onmemory, perception and language processing.Research conducted by students and faculty inthe Committee on Cognition and Communication. Department of Behavioral Sciences.Phone 753 4718.CHILDREN'S NARRATIVES ANDGESTURES. U of C faculty research needschildren, 4 through 12 years of age, to par¬ticipate in a study of children's narratives andgestures. The procedure is enjoyable tochildren and takes about 1 hour on campus.Refreshments and payment provided. If interested, please call 3-4714 for an appointment.Wanted: Players of Killer by Steve Jacksoncall Q 10:00 am-5:30 pm 643 4777.Full or part time leasing consultants neededfor rent up of newly renovated apt bldg in HPMust be knowledgeable of HP area, personable, & have pleasant appearance. Priorleasing/sales exp. preferred. Must be willingto work some weekends. Call Diane Pedersen298-9590 for interview. Sabina Realty Corp.E.O.E.Interviewing for aggressive personablesalesperson. Full time position may beavailable. Must print neatly. Apply in person.Model Camera 1344 E. 55th St.Looking for very responsible individual able tocare for 7 yr. old overnight in my home. Part-time position. References and transportationrequired. Call 752 3801 9am-5pm.RENAISSANCE SOCIETY needs galleryassistant-volunteer. Excellent opportunity foranyone who wants hands on experience. Dutiesinclude: general office work, mounting of ex¬hibitions, gallery sitting, participation and implementation of special programs, bookkeeping. Any of the above qualifications will bewelcome. Please contact Susanne GhezRenaissance Society, 753-2886.The Chicago Counseling and PsychotherapyCenter, 5711 S. Woodlawn, needs people whoare willing to talk about their persbnal pro¬blems and feelings for either 10 or 20 sessionswith a psychotherapist-ln-training. Participa¬OPEN HOUSESh...Sh...a secret to share!OPEN HOUSETHREE BEDROOM CONDO5341 CORNELLPrice Reduced *69,500Sunday Oct. 25, 1:30 - 3:30Shiny clean front icing of u-ell established buildingRENT WITH OPTION:53rd & Hvde Park 8¥z rooms . . . *800 -•105,00054th & Dorchester 5 rooms *575 - *58,000(8% City Mortgage)57th & Kenwood 5 rooms $550 - *67,50056th & Kimbark 4 rooms *450 - *47,500(Price Reduction)53rd & Kimbark Townhouse *118,500All have required option fees - all have“academic leases” guaranteed through June, 1982Sh...Sh...a secret to share!Spacious 2,000 sq. ft. condo.Owner will accept any reasonable offer even if you think it’s low.50th & the lake. High floor - 2 bedrooms 2 baths - realfireplace asking in $60’s.FREE CATALOG OF PROPERTIES AVAILABLECall anytime.Charlotte Vikstrom Real Estate493-066622—The Chicago Maroon—Friday, October 23, 1981 tion should not be seen as psychotherapy or asa substitute for psychotherapy, although par¬ticipants may find it a useful experience. Par¬ticipants will neither be paid nor charged fortheir sessions. Call Pat at 684-1800.Student wanted for occasional babysitting inmy home near 55th and Blackstone. 324 9533.FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E. 55th St. 493-6700.Rug Chocolate brown 18 x 12 150/off Jon 752-8486.Twin size trundle bed. Excellent cond. Bothmattresses incl. Call 752 1916 eve. Keep trying.Beautiful 2 ft jade plants Paul McCobb dresserand table res. to cheap prices 624-2537.Used furniture Sat Oct 24, 9 to 5 1709' 2 E. 55thSt.SERVICESJUDITH TYPES—and now has a memory.Phone 955 4417. Plan your typing needs for thequarter. Bibliographic and revision services.Dissertations, resumes.Female therapist, MSW, ACSW, Women'sgroups, couples, individual therapy, childrenand adults, sliding scale, 947 0154.WORD PROCESSING SERVICE/TYP¬ING/HEADLINE S —Dissertations, Tapetranscription. Tables, Form letters, Reports,Statistical Typing, List maintenance,Resumes, Newsletters. NANCY COHEN PRO¬FESSIONAL TYPING—378 5774.Typing student papers on Selectric II pleasecall 684 6882.Psychology and counseling. Fees on a slidingscale; insurance accepted Joan RothchildHardin, PhD, registered psychologist in HydePark. 493 8766.Typing service—Xerox 860 Work Processor.All kinds of typing. Reasonable Rates. CallDebbie Randall 753 4093 or 863 3947.Typist: Experienced secretary types reports,thesis, all material, grammar corrected. Oneday service, IBM type, pickup and del. 667-8657.SCENESThe Princeton Tigertones sing Monday, Oct.26, lunchtime, 12:15 pm; Goodspeed RecitalHall; free.CHESS Club's fall tourney Ida Noyes 7:30 Mon.STUDENT GYNE FLICKS: The film BIRTHPLACE Introduces two families who sharetheir birthing experiences with the viewer,beautifully and explicitly presents two different types of births. Some viewers may haveintense emotional reactions. Free to U of C andU High students and their friends. Tuesday,October 27, 7:00 pm, Billings Auditorium, Bill¬ings Hospital.PERSONALSIMPROVE YOUR GRADES! Researchcatalog—306 pages—10,278 topics—Rush $1.00.Box 25197C Los Angeles, 90025. (213) 447 8226.Writer's Workshop (PLaza2 8377).Sweetheart, when are we going to hear Hannaat the Museum of Science and Industry?French Armenians fake the Big O. Signed—ahouse in B-J.Gauguin: lend me your ear. Let us talk aboutINQUIRY. Van GoghWANTED: recent U-C deserter. Known to frequent Barn yards. Believed to burn at stakefind ASAP.VULCAN Could you be fempted by the fruit ofanother ?—Someone etse's peach.SCIENCEITES -Bx. Sci graduates reunion onSaturday Oct. 24 at 4.30 at The Medici.LOST & FOUNDLOST: Tan & brown tabby cat-male right frontleg shaved. Needs medical attention. If foundcall 324 3550.RIDESWanted occas'l ride beL UC & TerreHaute/Bloomington, In. Either direction.Karen 643 4619.If you live in Beverly and reach Hyde Park by7:45, daily; I would like to ride with you. I'm aKenwood Academy Student willing to sharegas expense. 233-0756.MOVINGStudent with Pickup Truck can move your stuffFAST AND CHEAP. No job too small! CallPeter at: 955-1824 10am 10pm.SPECIALSTUDENTOFFERStudents—Encyclopedia Britannica and GreatBooks of the Western world on display now atthe University Bookstore. Stop by and askabout our new special student test marketingoffer.THE PHOENIXWe have the best prices on books, records,games. Check us first. In basement ofReynolds ClubCALENDAR DEADLINEDeadline for the FALL, PART 2 ActivitiesCalendar is Oct 23. Bring all copy to Libby,Rm. 210, Ida Noyes Hal!. 753 3592.UNFURNISHED APTS.FOR RENTStudio Apartments, HILD REALTY GROUP955 1200.6 room condo for rent, HILD REALTY GROUP955 1200THE PHOENIXCheck the Phoenix first for books, records, andgames in the basement of the Reynolds ClubUC HOTLINENeed information, referrals, help in anemergency, or just someone to talk to? Call theUC Hotline at 753-1777, 7 pm to 7 am.KUNDALINI YOGAKundalini Yoga classes are starting againEveryone welcome. Tune up your body andmind to withstand the challenge of Universitylife Regular meeting times Tu, Th 5 7 pm IdaNoyes East Lounge, 2 fir. More info call 3386066!ORIENTAL CARPETSOPEN HOUSE-SALESaturday, Oct. 24, 10-5, 5314 S. Kimbark Ave.Large selection of newer and older carpetsfrom Persia, Afghanistan, S. Russia andPakistan. Sizes from 3'x5' to 10'xl4'. For moreinformation or private showing call 288 0524,David Bradley, PhD student and former MEeducator.DANCING & SWORDPLAYAnd medieval crafts demo Sat Oct 24 INHPatio (theatre in rain) 9:30 5. Sponsored by MARRS. Peasant lunch avail, hurdy gurdymusic.CONDO FOR SALELovely sunny 5 rm. condo, 2 BR TotallyRenovated. Oak fl & buffet, frpl., bale., PLUS!Fin. 13%. Call Karen d. 947 5456 e. 947 0859INTENSIVE GERMANCOURSEthrough CCTS at LSTC. Fee $150Beginning Mo, Oct. 26class will meet M-Th from 12-1 in rm 309Learn to read and translate scholarly textsFor info, and reg. call.G.F. Miller, PhD (native speaker) 363 1384 orCluster Office 667-3500 ext. 266.DO YOU PLAY JAZZ?If so, the U of C Jazz Band may have a spot foryou. Come to an organiztional meeting Monday, Oct 26, 8 pm at Robie House, 58th &Woodlawn for more info call Geoff at 684 0690.THU RSDAYBUFFETAt Mallory's, 5:30-10:00 pm— $8.95 Duckling,shrimp, salads, and more! Mallory's, 1525 E.53rd St., 241 5600. Open ThanksgivingBEST BUY IN TOWNHILLEL’S LOX AND BAGEL BRUNCH(also orange juice, coffee, tea, tomatoes andonions). Every Sunday, Hillel, 5715 Woodlawn.Cost: $1.50per sandwich.ESCAPE FROMHYDE PARKBe part of Doc Film's Fall production For further details, look for notice in next Friday'sMaroon.COOK'S HELPERPart time night work. Apply in person at theMedici cotfeehouse. Ask for Sarah No calls.GERANIUMSGeraniums will be dug on Campus on October26, 1981GERMAN RADjO SHOW_"HOERFUNK" every Monday 5-7:30 pm onWHPK 88.3 FMINQUIRYMAGAZINEInquiry Magazine, a journal of outstandingpapers written in college classes, is now accepting papers for its autumn issue. Deliver yourbest work, by Oct. 30, to the Inquiry box in theIda Noyes checkroom, any questions callKaren Kapner, 752-0797ELECTRONIC MAILElectronic Mail can facilitate day to day communications. Learn about the ComputationCenter's Mail Manager system at a seminar onWednesday, October 28, 3.30-5:00 pm., Cobb103. No previous computer experiencenecessary. Classified AdsSCRIPT YOUR PAPERFormat your paper or article by usingSCRIPT, a program on the Amdahl computerA two session computation Center seminar willbe held Tuesday and Thursday, November 3and 5, 4:00 5:30 pm. Classics 18 All welcome-no charge.UCJAZZ BANDOrganizational meeting for UC Jazz Bandopenings this year in all sections come to RobieHouse, 58th & Woodlawn Monday Oct 26, 8 pmREGGAE PARTYFREE BEER!! FREE MUNCHIES!! Partyat Delta Upsilon 5714 S Woodlawn Sat. Oct.24, 9 to ??HUMANITIESCOMMITTEEAll students in the Humanities interested injoining the Humanities Coll. Div. Stud. Advisory Comm should call Nina Fritzsche at752 8358. Activities include discussing role ofthe Humanities in the College and summarizing student evaluations of courses.FRESHMEN WELCOMEPUMPKIN SALESaturday Oct. 24 10:00-2.00 all different kindsand sizes. Ancona School 4770 S Dorchester.On the grass lot behind the School Bake saleand fresh apple cider too.CANON LENSSALE24mm/f2.8 $149.0028mm/f2.8 $109 0035mm/f2.8 $79.0085mm/f 1.8 $155.00135mm/f2.8 $135.00135mm/f3.5 $95.00135mm/f5.6 $199.00100/300mm/f5 6 $199.00Special Close out PricesModel Camera1344 E. 55th St.493 6700HERMANN HESSE READSHERMAN HESSEIn German Oct. 26 7pm 7:30pm WHPK 88.3 FMspecial presentation by the German radio program.TREATISEUse the computer to format dissertations in accordance with University requirements (alsouseful tor books and papers). ComputationCenter seminar will illustrate use of theTREATISE program, Tuesday, October 27,4:00-5:30 pm, Classics 10. Advanced featureswilt be discussed Thursday, October 29—sametime and place. No previous computer experience necessary All welcome no chargeCall Model Camera for DetailsMODEL CAMERA1344 East 55th Street493-6700We’re taking the^Nikon Seminarito Model Camera , MHOUSESTUSCAN MANSION has apartments for income,large yard, offstreet parking, garden and lots of sun¬shine’ *145,000RAY SCHOOL DISTRICT. 3 bedroom town houseCozy fireplace, garage, fenced backyard, 2 Vs baths, 2dens make this a super buy at *139,500WALK TO SHOPPING (only a few steps away; andlive in this efficiently designed 3 bedroom, 2H> bathtown house Private backyard, central air and more*105.000THIS LOVELY Queen Anne family home boasts 3fireplaces, tiled kitchen and bathrooms Lots ofstorage space, fenced back yard 2 car garageAsking *125,000CONDOMINIUMSSENSATIONAL PRICE - 3 bedroom condo nearshopping and park, walk to U of C. Ray Schooldistrict, needs work, "do-in-yourselfer” or in¬vestors dream, as is *36,000EXCELLENT FINANCING AVAILABLE anda low down payment purchases this 27th floor studioin the Newport *40.000N AR RAG AN SETT! Magnificent five room con¬dominium home Beautifully decorated Must beseen *100.000LUXURIOUS CARPETING and a wonderful built-inoak hutch make this sunny 2-bedroom condoespecially inviting Mid *60'sNEWPORT glorious views from this 1 bedroom,wall to wall carpeted condo Priced right in the 50’sSPACIOUS beautiful back yard, two porches andspacious rooms make this 3-bedroom home a realvalue East Hyde Park Close to lake and tran¬sportation Low 80 sUNIVERSITY P.ARK color co-ordinated, levelorbiinds and carpeting highlight this one bedroommodern condo with indoor garage Good financingavailable Moderately priced in the *40 sHUGE PRICE REDUCTIONNow pneed m the *60 s V A financing/ovner finan¬cing Ask about special discounts Enjoy a spacioussunny country kitchen dining room made for afamily, ceramic tile baths and a large masterbedroomAN OUTDOOR VERANDA and a backyard for bar¬becuing when you move into this 3 bedroom 2 bathcondominium Gracious living modestly priced in theupper 60 sBRET HARTE DISTRICT Close to lake and tran¬sportation This 3-bedroom East Hyde Park condohas 1600 sq ft. of living space East and West porchesadd to the charm Priced in the mid 80 sPANORAMA CONDOMINIUM Hyde Park s mostcomplete renovation of a charming old six unitbuilding, over 2000 sq feet and a wine cellar$114,500 Call today’ Or rent with option to buy *850per monthTENNIS COURT, garage balcony and a largebackyard are a few of the amenities surrounding this2-bedroom home priced in the upper *40 sGREENWOOD COURT convertible 3 bedroomsNew kitchen and baths Some stripped wood En¬closed front porch and large open back porch for en¬tertaining Reduced to *69.300THE RIGHT LOCATION, south of 55th 2 bedroomhome with family room modem kitchen garageMid (80 sCONVENIENT LOCATION This 2 bedroom condowith a sunny living room and alcove overlooks quiettree-lined street Close to campus, shopping andpark Mid*60’s58TH AND BLACKSTONE 4 bedroom 2 bath, over2.000 sq ft Super location Large enough for afamily Walk to Lab School *145,000 and financingUNIQUE the floor plan in this gracious 3 bedroomassures privacy A wood burning fireplace and lovelybuilt-in pieces add to the charm Large porch withSouthern exposure affords a view of greenery Mid*80 SCOOPERATIVESNEAR CAMPUS, one bedroom co-op, lots ofbeautiful wood, built-ins. modem appliances, love¬ly courtyard building, affordable living, unitmoderately priced low *30 sSPACIOUS hi-nse co-op with great east westviews 2 bedrooms, 2 baths, foyer and formal diningroom 24 hour security , near U of C bus Mid *50 sPOWHATAN - Elegant living in this top floor unitwith wood burning fireplace Exceptional buildingamenities, security and service Call for more in¬formationSUN. SPACE, SCENIC VIEW - all in thistwobedroom Good transportation walk to campusand garage all for under *40.000 Owner FinancingavailableBUILDINGS•East Hyde Park Blvd . 18-units *325.000•61st and Drexel, 24 units $$165,000HILD REALTY GROUP1365 E. 53rd St.The Chicago Maroon—Friday, October 23, 1981—23IIof Hyde ParkWhat Matters IsWhat Your Friends Say..."CHICAGO’S BEST PIZZA!" "THE ULTIMATE IN PIZZA!"Chicago Magazine New York TimesMarch, 1977 January, 1980Dining Room&Pick-Up Service5311 South Blackstone947-0200 THE HISPANIC CULTURAL SOCIETYINVITES YOU TO A UNIVERSITY-WIDESALSA DANCE PARTYSaturdayOctober 24th8:30 pmCloister Club - IdaNoyes Hallfeaturing TIPICA 78FREE ADMISSIONBEVERAGES AND MUNCHIESUCID REQUIREDSponsored by the StudentGovernment Finance CommitteemmM\smm• Pick Hall 1 0 am - 1 2 pm • Cobb Hall 2 pm - 4 pm• Reynolds Club 1 2 pm - 2 pm • Woodward Court 5 pm - 7 pm• Pierce Hall 5 pm - 7 pm • Burton-Judson 5 pm - 7 pm• Business School11 am - 1 pmMONDAY, OCTOBER 26