DanBreslau —THE CHICAGO MAROONVolume 90. No. 25 The University of Chicago Copyright 1981 The Chicago Maroon Friday, January 9, 1981University Plans $3.9Million Budget DeficitBy David GlocknerProvost Kenneth Dam’s budget report tofaculty members, released late last quarter,shows a $3.9 million deficit in a $349.1 mil¬lion budget for the current fiscal year, andwarns that “We can expect the budgetaryfuture to be a difficult one.”Total expenditures for the fiscal year end¬ing June 30 are up 13 percent from lastyear’s figure of $309 million. Of that total,$184.1 million makes up what is called the“academic budget,” which represents theamount spent on teaching and research, thelibrary, student aid and services, and ad¬ministration. It excludes the expendituresfor the University’s largely self-supportingUniversity Provost Kenneth Dam.auxiliary operations, such as the hospitaland the laboratory schools. This year’s aca¬demic budget is up 11 percent from the1979-80 school year.The budget is divided into restricted andunrestricted portions. Restricted funds con¬sist largely of government grants and con¬tracts and a portion of the endowment in¬come designated by its donors for specificuses. Because the University has little con¬trol over how these restricted funds arespent, the unrestricted portion of the budgetis the focus of the University’s budgetingprocess. The University has total controlover how these revenues are spent. Tuition,short-term University investments, and en¬dowment funds donated with no strings at¬tached provide most of the University’sunrestricted income.Graduate student aid programs and the li¬brary gained more than any other area inthis year’s budget. The total amount of stu¬dent aid allocated from the unrestricted por¬tion of the University’s budget grew by 23.3percent, from $6 million in ’79-’80 to $7.4 mil¬lion in ’80-’81.Dam’s report termed this increase a“major experiment,” and said that most ofthe increase is “aimed at arresting the de¬cline in graduate enrollment and at enhanc¬ing the University’s competitive position in attracting the most qualified students.”Should the increased financial aid not proveeffective in slowing the slide of enrollments,future increases in graduate student aid willcome at a much slower rate, Dam said in aninterview Wednesday. The amount of stu¬dent aid from restricted sources grewslightly, from $14.7 to $14.8 million.Expenditures for the library rose 11 per¬cent this year, with increases coming inboth the restricted and unrestricted portionsof its budget. Most of the additional fundingis earmarked for a 12 percent increase inbook purchases. However, despite this in¬crease and a similar one last year, Damsaid, “it will be difficult for the library to re¬turn to the relative level and range of acqui¬sitions enjoyed in the 1960s.”Much of the revenue for these increasescame from the 13 percent tuition increaseannounced last winter. Total tuition incomein 1980-81 is projected to be $44.8 million, orabout 49 percent of the unrestricted aca¬demic budget, according to the report.The University will also benefit from anunusually large 15.4 percent increase in rev¬enues from “indirect cost recovery.” Thiscategory includes the portion of governmentgrants and contracts which reimburse theUniversity for such overhead costs as theuse of laboratory space, administration,space, and energy costs incurred by a re¬search project. Indirect cost recovery is ex¬pected to account for $18.9 million of thisyear’s budget.Other sources of the University’s incomedid not fare so well this year. Endowmentincome will fall — from $8.3 million to $8.0million in the unrestricted budget, and from$7.5 million to $7.4 million in the restrictedbudget. This drop is the result of the Univer¬sity’s endowment investment policy, whichaims to increase the long-term value of theendowment, but does so at the expense ofhigh short-term returns.The anticipated $3.9 million deficit will bethe third deficit in a row for the University,and follows deficits of $2.6 million in 1979-80and $560,000 in 1978-79. However, Dam re-Continued on page 22 Drexel Cut Prompts FightBy Robert DeckerMore than 1100 daily riders of the CTA’sHyde Park-Drexel (No. 1) bus may have tofind another means of transportation to andfrom the South Side if a CTA proposal toeliminate that route and other South Sidebus routes goes into effect as scheduled onMarch 1. City-wide service cuts were an¬nounced last month as part of the RTA's at¬tempt to offset its current $150 million defi¬cit.“The kind of cuts which the CTA has pro¬posed, are devastating, and go to the heartof the CTA’s capacity to operate the transitsystem,” said State Representative Bar¬bara Currie (D-24).Although the Hyde Park-Drexel (No. 1)bus carries more riders than 40 other citybus routes, Currie said, the CTA eliminatedthe route on the basis of its proximity to al¬ternate modes of public transportation,rather than ridership figures. This was theexplanation of the service cuts given Currieand other South Side political leaders in alengthy meeting with CTA chairman Eu¬gene Barnes earlier this week.The problem with this logic, said Currie,is that the alternative bus routes are al¬ready operating at full capacity during peakhours, and additional buses will be neces¬sary to handle new passengers from discon¬tinued routes.To avoid the service cuts, Currie said, “help must come quickly,” perhaps, shesuggested, in the form of a loan from thestate or a reinstatement of subsidy money.Among the long-term solutions which Curriesaid are being considered in Springfield is apercentage-based statewide gasoline tax. Itis unlikely that any long-term solution w ouldbe reached before June, she said.Other South Side bus routes earmarkedfor elimination are the 59th/61st St. (No. 59)and Indiana (No. 38) routes, but the mostconcern is over the fate of the Hyde Park-Drexel (No. 1) route.Although the Illinois Central < IC) was pre¬sumably considered an alternate routewhen CTA proposed the No. 1 cut, LarryBloom, fifth ward alderman, said the ICcannot be considered replacement servicebecause of the comparative infrequency oftrains and the higher, separate fare.The Hyde Park/Drexel, said Bloom, isalso a primary route for “intercommunity”transit within the South Side, and carries anumber of riders to church and to the HydePark Co-op. Its elimination. Bloom said, willleave “no East-West bus from 47th to 55thSt. for a mile duration. The normal break¬down is one-half mile.”Bloom suggested that the ultimate solu¬tion to the problem in Hyde Park would be tomake the IC South Shore line part of theCTA, and perhaps include a small sur¬charge for riders who could transfer fromContinued on page 20Draft Registration Ends TodayBy Nate HonorofOne week of draft registration will endtoday for U.S. males born in 1962. The Selec¬tive Service System, the governmentagency in charge of registration, expects 95percent of the 1.9 million 18 year old malesacross the nation to register at local post of¬fices by 5 pm tonight, ending the final day ofthe second round of peace-time registrationfor the draft.President-elect Reagan has stated that hewill wait until he takes office to announcehis decision on whether to cancel the regis¬tration program implemented by the Carteradministration. In his campaign platform,Reagan said that he opposes both a peace¬time registration and draft. Last summer,he said that he would abolish the registra¬ tion program if elected. But the present reg¬istration plan, the first one enacted since thedraft was abolished in 1973, will remain in¬tact for the time being.As the law stands now, after today allmales residing in the U.S. are required toregister for the selective service within oneweek of their eighteenth birthday. Includedare aliens, refugees and persons on parole.Americans abroad who fit into these cate¬gories are instructed to report to the U.S.embassy for registration. The only exemp¬tions provided are for tem orary non-immi¬grant aliens and those or active duty in thearmed forces, according .o information dis¬tributed by the Select /e Service Systemheadquartered in Wasl <ngton, D.C.No place is provide i on the registrationform in which to clair i conscientious objec¬ tion. However, as the guidelines stand atpresent, any male seeking conscientious ob¬jector status will have an opportunity to filean appeal upon receiving the notice of con¬scription in the event of a draft. Recent revi¬sions in the regulations permit those whoregister invite anyone they want for counselat his draft board hearings. According to arecent New York Times interview with Ber¬nard D. Rostker, the Director of SelectiveService, local draft boards will be formed inthe spring of 1981.The registration system, which has beencalled thorough, complete and accurate bythe General Accounting Office, has alreadyencountered legal difficulties. A Novemberruling by a Federal District Court judgestated that the use of Social SecurityContinued on page 5JDanBreslauINTRODUCTORYJan. 9. 7-00AT IDA NOYES HALL CLASSPMCLUB MEETS EVERY MON. AND TRf. 7-9PMAT | 0 A NOYES HALL, f OR MORE INFOC ALL STANLEY 9S5-12G32 — The Chicago Maroon — Friday, January 9, 1981NEWS BRIEFSPhysicist Urey DiesBy Anna FeldmanHarold C. Urey, professor emeritus, whoworked for the control of the nuclear weap¬ons that his research had made possible,died of an apparent heart attack Monday athis home in LaJolla, California. The nobellaureate chemist was 87.Famous fo his discovery of deuterium, theheavy isotope of hydrogen used in the hydro¬gen bomb, Urey worked in many other sci¬entific fields as well. He was a leader in thestudy of the entropy of gases, properties andseparation of isotopes, and the chemicalproblems of the origin of the earth, meteor¬ites, the moon, and the solar system. He wasthe first to isolate heavy isotopes of oxygen,nitrogen, carbon, and sulfur, and he contri¬buted to research during World War II thatled to the separation of fissionable uranium235 from unenriched uranium 238. Duringthe war, he also worked on the ManhattanProject which developed the atomic bomb.Ironically, Urey was opposed to the re¬sults of some of his own efforts. He main¬tained in an article of the Bulletin of theAtomic Scientists (Nov. 1, 1946) that “atom¬ic bombs are evil and... they cannot be usedto maintain peace.”Urey was also opposed to the constructionof nuclear reactors because he believedtheir wastes to be dangerous. He was one ofthe founding sponsors of the Bulletin ofMusic to Study By,Movies, and SkatesThe Student Activities Office (S.A.O.) hasannounced a partial list of their winterquarter programs including films, concerts,discount tickets, and their popular ice skaterental.The S.A.O. will present a noontime filmseries featuring the original Flash GordonSpace Soldiers series starring BusterCrabbe on Mondays through Thursdays inthe Reynolds Club Lounge. Each Fridaythey will show a special short film such asMel Brook’s The Critic.Four concerts certain to shock afternoonstudiers will be held in the Main ReadingRoom of Harper Library. Groups includinga brass quartet will perform free of chargefrom the room’s balcony at 4:00 p.m. onJanuary 14 and 21 and February 18 and 25.Starting this Friday, S.A.O. resumes rent¬ing out their ice skate collection at the IdaNoyes desk for 50( a pair with UCID. Theold skates have been resharpened and addi¬tional used skates purchased. Each winterthe city floods the Midway directly in frontof Ida Noyes to form a two-block long skat¬ing rink.Once again, S.A.O. offers several waysfor students to save money while enjoyingChicago’s cultural life. Discount tickets forthe Chicago runs of Evita, Sweeney Todd,and Children of a Lesser God are on sale inRoom 210, Ida Noyes Hall. Also available inRoom 210, S.A.O. has acquired a limitednumber of free passes to Ken Russell s newmovie Altered States. Furthermore, anumber of Chicago Magazine two-for-onecoupons, good at many Chicago theatersand cultural events will be distributed for 2<tapiece.S.A.O. continues its mini-course programthis quarter w'ith the following classes.rhythmic-aerobic dancing, improvisa-tional comedy, beginning recorder,ballroom dancing, gymnastics, calligraphy,mime and clown techniques II, beginningharmonica, baking, leaded glass, Japaneseflower arranging, and jazz dancing.Registration will take place January 12and 13 for students and January 14 for facul¬ty and staff. Atomic Scientists, which has consistentlyadvocated the control of nuclear researchand weapons. “He was concerned with thescientist’s responsibility for the use of re¬search,” said Ruth Adams, present editor ofthe Bulletin.The son of a clergyman, Harold ClaytonUrey was born April 29, 1893, in Walkerton,Indiana. After earning a BS in zoology fromMontana State University in 1917, Ureyworked for two years as a chemical engi¬neer.He continued his graduate study in physi¬cal and mathematical chemistry at Univer¬sity of California’s Berkeley campus, untilreceiving a doctorate in 1923.The following two years, Urey workedwith some of the world’s leading atomic sci¬entists and studied under Niels Bohr whileat the University of Copenhagen.Urey joined the chemistry faculty ofJohns Hopkins University in 1924, thenmoved to Columbia University in 1929.There he discovered deuterium in 1931 withGeorge M. Murphy and Ferdinand G. Brick-wedde. Gaining wide recognition for hisachievement, Urey was awarded the NobelPrize in chemistry in 1934.After he worked on the Manhattan projectduring the war, Urey worked at the Univer¬sity of Chicago’s Institute for Nuclear Stu¬dies where he became a distinguished ser¬vice professor in chemistry.The Shapiro “Art to Live with Collection”will be open for loan on January 13 at 4:00p.m. in the Ida Noyes Cloister Club. Piecescan be kept through the end of the academicyear.One final note: the Chicago Art Institutememberships are in at Ida Noyes and canbe picked up by those who ordered them.Business Contest SetThe 1981 General Motors IntercollegiateBusiness Understanding Competition has in¬vited the University of Chicago GraduateDivision of the Committee of Public PolicyStudies to research the roles of business andgovernment in nationwide competition. GMis awarding a top prize of $10,000 to the uni¬versity team which best researches thetopic “Business and Government — Whatare Their Rights and Responsibilities?”GM began the competition in 1976 to en¬courage creative thought about business.The competition, offering awards totalling$17,000, has been extended to 14 universitiesincluding both undergraduate and graduatedivisions. Team entries will consist of anoral presentation and a written treatise dueon May 4. In 1953, he conducted the Urey/Miller ex¬periment with Stanley L. Miller, a graduatestudent. The landmark experiment demon¬strated that lightning charges could causeorganic matter to arie under conditions sim¬ilar to those on the primitive earth.Urey stayed at Chicago until 1958, when hemoved to the University of California to be¬come a professor-at-large.Other awards and honors bestowed onUrey include the National Medal of Science,the gold medal of the Royal AstronomicalSociety, the Gibbs medal and the PristleyAward of the American Chemical Society,and over a dozen honorary doctor of sciencedegrees.Percy, Cropseyto WoodwardThe Woodward Court lecture series is setto begin its second decade of informal lec¬ture-discussions with a diverse selection oflecturers and subjects.Izaak and Rera Wirsup, the Resident Mas¬ters of Woodward Court who began theseries in 1971, have lined up Joseph Cropsey,Sen. Charles Percy, (R-Ill.), John McAloonand Janel Mueller for this quarter’s pro¬gram. _Cropsey, the professor in the departmentof political science who gave last year’sAims of Education Address, will give thefirst lecture, entitled “Liberalism and theLeft,” on Tuesday. January 20. All lectureswill begin at 8:30 pm.On Sunday, February 1, Universityalumnus Percy will return to campus tospeak on “Priorities for Today.” Percy aRepublican, is the new Chairman of the Sen¬ate Foreign Affairs Committee.McAloon, Assistant Professor in the Col¬lege, Associate Faculty member with theCommittee on Social Thought, and winner oflast year’s Quantrell Award for excellencein undergraduate teaching, will give thequarter’s third lecture, entitled "Who CaresAbout the Olympics Anyway?”. He willspeak on Tuesday, February 10.Mueller, professor with the Department ofEnglish and the Committee on General stu¬dies in the humanities, will give the final lec¬ture of the quarter on Sunday, March 1. Hisspeech will be entitled "Things Invisible toMortal Sight: Milton’s Paradise Lost andRepresentational Traditions in the VisualArts.”When the lecture series was begun 10years ago, it was envisioned as a series ofsmall gatherings of about 25-30 people, inthe Wirszup’s living room.Editorial MeetingThose Maroon staff members interestedin discussing the editorial for Tuesday’spaper should meet at 2:30 pm this afternoonat the Maroon office. We will only be dis¬cussing the editorial — story assignmentswill be distributed later. O-Aides to Payfor Winter FunOrientation Aides who were planning ongoing on the Winter Weekend to Wisconsinmay have to change their plans or prepareto pay $67 to go. This was announced in a let¬ter to the Aides earlier this week.Traditionally, the upper-classmen whocome back to campus a week early to helpwith Orientation Week have been allowed togo on the trip free of cost as a fringe benefit.But it appears that rising costs have forcedthe University to limit the number of Aideswho go for free to 10, and to ask that thoseaides help out with the running of the week¬end.The University sponsors the week-end tripfor all first year students and new transferstudents in the College, as well as facultyand their families and residence hall staffs.This year’s trip will be held from Friday,Jan. 23 through Sunday Jan. 25. The groupwill be housed in cabins at a Winter Camp inGreen Lake Wisconsin, and activities in¬clude winter sports, indoor swimming, acider and cheese party and a square dance.O-Aides who will be helping out will haveonly minimal duties during the week-end,such as getting people on the buses, helpingset up the parties, etc. The Dean’s office willchoose the 10 by lottery’, with five being cho¬sen from the O-Aides who were assigned to aspecific dorm, and five from those whoserved in the College in general.There are roughly 150 O-Aides this year.When the weekend was offered for free,somewhere between 1/4-1/5 attended. Thisyear’s attendance might have been reducedeven without the cost because those on thetrip will miss seeing the Super Bowl on thatSunday. The Aides have been given the op¬tion of entering the lottery without commit¬ting themselves to paying $67 if they are notchosen. Few have sent in any decision one¬way or another yet, but those who haveasked to be considered have indicated thatthey would be willing to pay the $67.The decision to ask the Aides to pay wasmade in mid-December. It is reported thatJonathan Z. Smith, Dean of the College, andLorna Strans, Dean of Students in the Col¬lege, are still discussing the final decision,though it is not known what options they areconsidering.Margaret SteinMargaret Stein DiesMargaret Stein, a second year studentin the College, died in an automobile ac¬cident while travelling home for Christ¬mas vacation. The accident occurred inOhio as she was driving to Ithaca, NewYork.Stein was an English major and aformer employee of the QuadrangleClub. She graduated from Ithaca HighSchool in 1979.The Chicago Maroon — Friday, January 9, 1981 — 3Til* Forlv Untinrc* Golf in the Snow, Dictionary Holders,X IIV EjM iy JL/UlIUl Canals, and Other OdditiesBy Andrew BlackLike all American private universities,the University of Chicago could never havestarted or grown without a small cadre ofpeople who were dedicated, resourceful,and most of all, wealthy. The names ofmany such people prominent on campus,but few students who use facilities in IdaNoves or Cobb halls, or who walk throughthrough Hull Court every day know any¬thing about the people behind the build¬ings.The life story of a few of the University’s“immortals”, such as John D. Rockefeller,are well known. But most people could hard¬ly tell you who some of the early donorswere, let alone how they made the moneywhich later built the school. Interestinglyenough, one of the best known donors ishardly ever associated with the University.Anyone who lives in Chicago will recog¬nize this contributor’s name. He was thewealthiest man in Chicago in his day, aswell as the sixth richest man in the world.He gave a total of $361,000 to the University,making him one of the largest contributorsduring its early years. He was also one ofthe six men to sign the University’s charter.Yet he is unlike many major early donors,for despite all his gifts, no building, street,or statue on campus bears the name Mar¬shall Field.Field was never extensively involved insocial, cultural or political issues, and manyof his friends chided him for not being moregenerous with his money. According to T.W. Goodspeed, a scholar and a historian ofthe University’s past, when one of Field’sfriends dared to suggest that he build a uni¬versity in Chicago to benefit the people ofthe west, Field became furious and repliedthat, “other men may build monuments ifthey wish...it is very easy to give away otherpeople’s monev.”Thus when Field was approached by thegroup of men attempting to found the Uni¬versity of Chicago, they found him reluctantto give. However, after some cajoling hewas persuaded to let them have the 10 acresof swampy marsh land along the midwaythat later became the campus quadrangles.Field was so pleased with the public appre¬ciation he received in response to this initialgift that he soon became a large donor to theUniversity and many other public causes.Just before his death, he made his final do¬nation to the school of the land north of themain quadrangles on which Regenstein Li¬brary, Pierce Tower, the Smart Gallery, theuncompleted new theater and the HenryCrown Field house are today located. Theland had been a marshy athletic field knownto students as “Marshall Field”. But theMarshall Field name of the Henry Crown Field house hasnothing to do with the man who gave theland it stands on.Field had one other great love in life, be¬sides business, and that was golf. Golfseemed to renew Field; he became youngagain when he played. Golf also killed him.On New Year’s Day, 1906, he and threefriends played golf on a course covered withknee-deep snow, using red balls so theycould see where they lay. Field caught acold, which later worsened into pneumonia.Sixteen days later he died at the age of 69. Inthe many eulogies that appeared soon after¬wards, Field was not called “a great hu¬manitarian,” although he did give to manycauses, but rather “a great merchant.”Field felt his store was his great gift to Chi¬cago. His gifts to the University and othercauses were only a second thought, andcould not compare in his mind with the goodhe felt he did through his store.La Verne and Ida NoyesLa Verne Noyes, another early benefactorof the University grew up on a modest Iowafarm - which he hated and spent most of hisLaVerne Noyesadolescent years trying to escape. He finallyleft the farm for four years of school atAmes Agricultural College, where he ma¬jored in physics. With this newly acquiredscientific knowledge and his love of innova¬tion, Noyes became an inventor, and at age25 went into business manufacturing andselling his own improved farm machinery.In 1879, two years after the start of hisbusiness, his newlywed wife asked if hewould construct for her a device by whichshe could carry her writing dictionary aboutwith ease. A few weeks later he brought toher a wire-framed dictionary holder. Shewas ecstatic about this new gift, and herfriends were also impressed by it. Noyes pa¬tented and began to manufacture the dic¬tionary holder, which helped Noyes lay thefoundation for a later immense fortune.While Noyes' dictionary holder spreadacross the land, he turned his attentions toimproving the windmill. Noyes developedthe aeromotor, a wind powered electricalgenerator which became a huge success,though not as successful as some originallyimagined. T.W. Goodspeed said of it in 1922,“It is by no means impossible that in the fu¬ture, the distant future, when the last oilwell has failed and the coal fields are ex¬hausted, the electric aeromotor will supply for all the world an abundance of heat, lightand power.”A common campus myth is that the con¬struction of Ida Noyes Hall was due to an un¬fortunate accident. According to this ac¬count, Ida Noyes was La Verne’s beloveddaughter who was killed in a swimming ac¬cident. Noyes was supposedly so bereavedat the loss of his daughter that he proposedto build Ida Noyes Hall, but only upon thecondition that the school would teach its fe¬male students how to swim. Beautiful andtouching as it may be, this story is also to¬tally false.Actually, Ida was Noyes’ wife, and thecouple was childless. When Ida died in 1912at the age of 59, Noyes built Ida Noyes Hallin her memory. The building’s cornerstonecontains a letter written by Noyes to his de¬ceased wife, describing the building. Hefirmly believed that she would know whatthe letter said, and would appreciate the giftbeing given the school in her name.After this gift, Mr. Noyes became a fre¬quent donor to this school. For example heset up the extensive La Verne Noyes Foun¬dation for Civil War veterans. He was alsoinvolved with a plan to improve the centersection of the Midway Plaisance. Noyes sug¬gested it be turned into a long, windingcanal, running the length between Washing¬ton and Jackson parks. It was to eventuallyhave had ornate bridges crossing it at Ellis,Dorchester, and Woodlawn avenues, and awaterway connection with Ida Noyes Hallwhere boats could be launched into thecanal. La Verne Noyes died in 1919 at 71years old, before his canal could be built.Silas CobbThe University has long had stronger tiesto Chicago than many other private schoolsdo to their cities. Because of this, manymajor figures in the school’s past are alsomajor figure’s in the Chicago’s past. Onesuch man was Silas Bowman Cobb, whoplayed an important role in the growth ofboth the school and the city.Probably the best word to describe Cobbis “gutsy”. He was born in Montpelier, Ver¬mont in 1812. His family was poor, and notable to afford any formal education for him,so at an early age he was apprenticed to ashoemaker.It wasn’t long before Cobb decided hedidn’t like shoemaking. He ran away fromhis master and returned home without atrade. His father was greatly displeased,and not without reason; one simply did notleave an apprenticeship in the 1820’s.Cobb was quickly apprenticed off again,this time to a mason. Cobb was apparentlyunimpressed by masonry as well, and wassoon back on the road to his family’s house.Upon arriving home his father made it quiteclear that Cobb was no longer welcomed,and that he had to find an occupation on hisown. Forced to make his own way, he appre-ticed himself to a harness maker, and foundhis life’s occupation. After a few years hebecame a master-journeyman, travellingabout Vermont as a harness maker.In 1833 at the age of 21, he heard of abooming village called Chicago. He set outon the 1,000 mile journey with $60 cash in hispocket and a bag of harness-making tools.While en-route on the Erie Canal he wasrobbed of all his money except for seven dol¬lars. With this money he was able to buy onesmall ham, six loaves of bread, a bedtickfilled with shavings, and one ticket for pas¬sage to Chicago. He survived for 35 days onthis food, sleeping on deck during the coldMay nights, and arrived on the shores ofChicago May 29th, 1933.The sight of Chicago in that year of 1833was hardly awe-inspiring. There was a totalof 50 settlers living in cabins about FortDearborn. Nearby was an Indian reserva¬tion.The town was growing though, and Cobb’s fortunes g ew with it. Cobb showed his greatbusiness acumen early. Chicago was a cen¬tral staging point for movement to the stillwild west. Settlers would come off of the wil¬derness trails from Ohio, and Indiana, cashSilas Cobbpoor, and with too many possessions tomake the trip further west. Cobb boughtthese family heirlooms from the settlers,providing the travelers with cash, and thensold the articles to the Indians at a greatprofit to himself. With the money he madefrom these and other business deals, andfrom his harness-making shop, he proceed¬ed to invest in real estate and small busin¬esses. He became a central figure in Chica¬go’s business and social, life. He evenbelonged to the Pioneer Hook and LadderCo., and the Chicago Cavalry. Through hismany real estate investments he became avery wealthy man, capitalizing on the boom¬ing Chicagoland prices.Cobb never lost his penchant for savingmoney though. Even after he had made hismillion, he made it a habit to lunch in an in¬expensive diner every day. He would neverorder more than a 10C meal of a cup of coffeeand a donut. With the money he saved, hewas able to reinvest in business and real es¬tate. This almost ridiculous propensity forsaving his nickels and dimes gave him apersonal estate of about $6,000,000 at thetime of his death.In the year 1892 when Cobb was 80 yearsold, solicitors from the new University ofChicago approached him about making adonation. Cobb was willing to give them$165,000 which was then earmarked for thenew lecture hall being built. It was formallychristened Cobb Lecture Hall, and it be¬came the center of campus life for the next30 years. Because it was the first building tobe finished on campus, it became an all-pur¬pose building, and has had its internal char¬acter changed over and over again. Atvarious times it has housed a chapel, lecturerooms, and even the offices of the presi¬dent.Helen Culver and Charles HullHelen Culver was one of those few peoplewho seemed to be able to handle any job sheput her hands to. The one impediment to herwas the time that she lived in. There was lit¬tle a woman could do outside the home in the1800’s.Culver was fortunate in being able to se¬cure for herself an education at the Cham¬berlain Institute before the death of her fa¬ther in 1851. Upon his death, Culverrelinquished her family estate to her step¬mother, and set about finding a job. She wasa well educated young lady, so the most nat¬ural thing for such a girl to do in the 1800’swas to teach. She departed for Chicago in4 The Chicago Maroon — Friday, January 9, 1981RegistrationQuestion NumberQuestioned Yes No Undecided1. Did you know that you are requiredto register for the draft? 52 men 96% 4%2. Do you plan to register? 52 men 72% 24% 4%3. Do you feel that draft registrationis now necessary? 100 men and women 52% 44% 4%4. Should women be requiredto register? 100 men and women 72% 28%Continued from page 1 mS&SmSBBSmSmHelen Culver1852 at the age of 20 to find a teaching job.Culver readily found employment there as aprincipal of one of its six elementaryschools. She continued within the Chicagopublic school system for 6 years, rising to ateaching position in the high school.At the end of this six year period her for¬tunes were once again turned by death. Thewife of her cousin, Charles Hull, becamegravely ill. Knowing that her end was near,Mrs. Hull asked if Culver would give up herteaching career and take care of her twoyoung children. Culver could not refuse thislast request and thus upon the death of Mrs.Hull, Culver became a mother to the Hullchildren.Although the duties of a governess pleasedCulver greatly, she found that other respon¬sibilities called for her attention as well. Theoutbreak of the Civil War drew Culver awayfrom home to care for Union soldiers wound¬ed on the battlefields of Tennessee. She was given the position of administrator of nursesin a hospital very close to the front battlelines.When she returned from the war she foundMr. Hull still trying to rebuild his businessfrom the crash of 1857. Seeing that he need¬ed her help very badly, she joined in withhim in business. With no previous experi¬ence, she became a real estate executive.With Hull’s connections in the field, andCulver’s new found business acumen, theypulled the company out of debt and turned itinto a huge success in a matter of years.Culver became an indispensable part of thehuge real estate operation, acquiring therank of sole executive in charge of Chicagoaffairs.Some time earlier both of Hull’s childrenhad died, and when in 1889 he becameseriously ill, he decided all his wealth shouldgo to a public cause. However he couldn’tdecide which public cause to give it all to.He decided to let his resourceful cousin han¬dle dispensing their joint wealth, and diedthat same year with a clear conscience.Culver, however, was left holding the bag.She could not choose a single cause whichshe deemed worthy enough to give all theirwealth to, so she gave little chunks to manydifferent causes.The one cause she decided to give a bigchunk to was the University. The school wasin need of a biology laboratory, but could notfind anyone to foot the $100,000 bill. Culvernot only gave the money for the lab itself,but also donated an additional $1 million tothe school for a fund for the study of biolo¬gy-Culver requested that all buildings erect¬ed and endowments started with this moneyshould be made in Hull’s name. Thus thearea between Cobb gate and the iron orna¬mental gate is call Hull Court. The four labserected with this money were the Anatomy,Physiology, Botany, and Zoology buildings. numbers by the Selective Service System isin violation of the Privacy Act of 1974. TheSocial Security number, which appears inthe slot before the registrant’s name on thecurrent registration form, would be used asthe primary tool to identify registrants andregistration evaders. According to Rostker,the recnt court ruling could cause enforce¬ment problems.Another matter left hanging in the courtsis the question of whether women should berequired to register. The Supreme Court isnot expected to rule on the constitutionalityof an all-male registration program untilspring or summer. Even if the Court decidesagainst the exclusion of women, the con¬gress must vote necessary funding for theincorporation of females into the system.Registration in the Hyde Park area willtake place at two post offices only. One is lo¬cated at 700 E. 61st and the other at 4601 S.Cottage Grove. Registrants should bringalong valid identification.Kat Griffith, the founder of University ofChicago C.A.R.D. (Coalition Against Regis¬tration for the Draft), expects less compli¬ance this time around than when the pro¬gram began last summer. However, she says, “The political attitudes here generallytend to be more conservative than the na¬tional average.”“A lot of University of Chicago peoplewon’t register; a lot of people just won’tbother,” Griffith said. “Last time the na¬tional C.A.R.D. statistics were somethinglike 70 percent compliance. Less people willregister this time simply because they as¬sume that Ronald Reagan will not prosecutepeople not complying with a system hedoesn’t believe in in the first place. Onlypeople that make a lot of trouble about it arehassled anyway. As it is I think the penaltyis up to above five years and $10,000 for notregistering.”A poll of approximately 100 eighteen yearold male and female College students takenin Kent and Cobb halls by two first-year stu¬dents in the College, Paul Duffy and SheilaBlack, during finals week indicated thatmost male students here will register.However, only slightly more than half ofthe men and women polled felt that registra¬tion is necessary at this time. Also, a strongmajority of the students polled, 72 percent,said that women should be required to regis¬ter.• COFFEE HOUSEsponsored by SGAC9-30pm-130amFROG & PEACH Ida NoyesFood* FREE COFFEE— — 1Free Entertainment fri. ian.9by JMick h)<ppo Paul Barfonc'Qukki, Cheese3#kkxMboqeLi+Citm CMeest,SouidUMe*\lh Cfto*Z>odAHSiCuLvi WHITE SALEContinues......with NO-IRON PERCALEBED LINENSbyUtica®Graphpaper PlaidTailored plaidnavy/ruby/white Main StreetContemporary geometric inearthtone colors$5.99 TWIN $5.998.99 FULL 8.9911.99 QUEEN 11.9913.99 KINGSTAND & 13.996.99 QUEEN P/C 6.997.99 KING P/C 7.99...and see our advertised specials onSHEETS - COMFORTERS - TOWELS10-6 Dally12-5 Sunday Just say Chary* it!"VISA' Harper Court955-0100The Chicago Maroon — Friday, January 9, 1981 — 5The money inthis checking account■iiiiiBiii'ii fltHfrft tlnftWhich would you rather have?Money in your checking account, while waiting to be used, does littlemore than collect dust.It could be collecting 51/4% interest!With a Hyde Park Bank NOW Account, every dollar you deposit earns5V4%, compounded continuously, paid monthly,until the second it's used.A NOW Account works exactly like regularchecking. Same checks. Same checkbook.The only difference is interest. But, what adifference!There is no charge for a NOW Account, solong as you maintain a minimum balance ofat least $1,000 Should the balance fallbelow this minimum, a $7 fee will becharged for the month. . Consider switching to a NOW Account if:• Your monthly checking balance is $1,000 or more.• You have a combined checking/savings balance of$1,000 or more.If you already have a Hyde Park Bankchecking account, we can switch it to a NOWAccount without delay. If you have anaccount elsewhere and wish to open a HydePark NOW Account, we'll arrange to transferyour funds at no chargeComplete NOW Account details are availableat the NOW Account Center in the mainbank lobby or by phoning 752-4600.The checking account that pays 5V4% interest!Federal regulations require that NOW Accounts be offered solelyto individuals, sole proprietorships and qualifying not-for profitorganizations Corporations do not qualify at this time HYDE PARK BANKAND TRUST COMPANY1525 EAST 5:3rd STREET CHICAGO. ILLINOIS 60615 (3121752-4600 Member FDIC6 — The Chicago Maroon — Friday, January 9, 1981ALL PREPPED OUT WITH THby Laura CottinghamPeople tend to identify recent histori¬cal decades by personal memory of thecultural occurrences and social arti¬facts of the time. Clothing is such aubiquitous visible symbol in our every¬day experience that the memory re¬calls what one wore when with almostthe same alacrity as the recollection ofone's personal location during a signifi¬cant world event.Certainly no one has escaped expo¬sure to the current American clothingcult. A cult of the alligator, khaki, theduck motif, oxford cloth, topsiders,Fair Isle, and neatness; known trium¬phantly to its members as the preppylook. Sunday's New York Times notedthe current cult bible, The OfficialPreppy Handbook, has been numberone on the trade paperback bestsellerlist for the last two weeks. The look ofthe eighties has been sanctioned.If the sixties were civil rights move¬ments, they were bell bottoms, peasantsmocks, tie-dyed T-shirts, mini-skirts,and patched blue jeans. Sixties clothingcombined California MoTown, identi¬fied itself with Eastern immaterialismand farm fresh values, set itself con¬sciously apart from the American con¬ventional. While the fashion inspirationhad its roots in the anti-establishment,counter culture youth, the influencespread up the social ladder and acrosspolitical lines. You didn't need to par¬ticipate in an anti-Vietnam project to beentitled to go braless, wear psychedeliccolors, or let your hair grow long andstraight. Except for its most radicalaspects, sixties counter culture garb af¬fected the way all Americans in the six¬ties dressed.If the seventies existed without mem¬orable social or political significancefor most of us, so did the clothing. Fadsemerged and faded without much last¬ing affect: disco clothing, the AnnieHall look, jogging outfits and runningshoes, designer jeans, wild west attire.New Wave fashion offered the only dra¬matic fashion challenge in the seven¬ties, but its adherents were few. Andwhile the post-punk, new wave partici¬pants mocked fifties styles, dyed andshaved their hair, and resurrected thetheg r e y c i t y13th Year 16th Issue r n a I9 January 19800’S TO GOV80’s19th century byronic fashionableness of consumptivecomplexion, the general population limited its participa¬tion to the permission of royal purple as an acceptablecolor for a winter neck scarf.But even if seventies styles were blase, not accepted,or nonexistent, they shared the sixties identificationwith a cultural faction. The most significant differencebetween the social factions guiding fashion in the sixtiesand those influencing fashion in the seventies was thepolitical difference. While the purest form of new waveoriginated in an alignment with the British workingclass, the class consciousness lost its umph early in themovement. Disco, while certainly a black inspiredvogue, had too much fluff and mindlessness to be considered anything significantly political. And there wasnothing approaching a progressive plea in the DianeKeaton look, Nike on your feet, or Gloria Vanderbilt'sname on your ass.But the eighties have brought us another direct con¬nection between the political and the fashionable. Itdiffers drastically from the sixties link. Sixties clothingwas new, it broke American fashion precedent. Thepreppy look is not only not new, it has never even beenold or out of style. It exists outside any fluctuating notion'Of fashion, previously confining itself to a consistent cul¬tural sector that perpetuated the style as easily as theyperpetuated themselves. While sixties clothing identi¬fied with the rebellious youthful component of the de¬cade, the preppy look identifies with America's closestequivalent to an everlasting aristocracy: old money. The preppy look is less a fashion in¬spiration than a sign of class aspiration.Noveau prep attire (the kind you canread about in the Preppy Handbook,and buy as cheaply as other clothing)democratizes a look previously restrict¬ed to those equipped with trust funds,and time spent within the halls ofChoate Rosemary, Exeter, andLawrenceville. The permission grantedto the American white middle class toidentify with America's upper crust isno new aspect of American mythology. Photos byLaura Cottinghamand Karen HornickAmerican conservatism hasflourished on the notion of sharedplenty and equal opportunity,acknowledging the right of themiddle class to see themselves asan actual or potential rulingclass. It doesn't matter that themiddle class doesn't approachthe power or money of the classabove it. It doesn't matter thatthey can never be real preppies,that although they can buy L. L.Bean khakies at $12.95, they'llnever be able to wear grandma'skilts from Smith.What matters is the illusion ofshared values and interests. Anillusion that permits the perpetu¬ation of an unjust system becausethe majority always hopes theblessings of money can cometheir way, so they see reason toprotect the already blessed. Inthe meantime, they can all dresspreppy.80’s<r i/rMORTON-MURPHY AWARDSThe deadline for application for FallQuarter Morton-Murphy awards isFriday, January 16th, 1981. The awardsfor a maximum of $150 are given "toshow recognition to students who havemade some significant contributionabove and beyond the call of duty orpersonal fulfillment to campus life."An undergraduate or graduate student mayapply directly for an award or be nominated by anymember of the University community student,faculty or staff.SPRING QUARTER '80 RECIPIENTSWEREBrian DavidAn th on y LaMan ti aBart LazarApplications can be picked up in Rm. 210, Ida NoyesHall and Harper 242. Return applications to Harper 242. DOC FILMSFRIDAY: ALL THAT JAZZ6:30, 8:45, 11:00SATURDAY:KRAMER VS. KRAMER6:30,8:30,10:30SUNDAY:An extraordinary movie experience bythe director of THE SORROW AND THE PITY:Marcel Ophuls'THE MEMORY OF JUSTICE7:15 onlyAll Films in Cobb HollMonday; January 12thTHEJoseph Golan, ViolinCHICAGO SYMPHONY ORCHESTRAFIRSTIn a lecture-demonstrationCHAIRPierce Hall8pmAdmission free!THE HYDE PARK ART CENTER SWinter Term Classeswill be conducted5236 S. BlackstoneADULT CLASSES CHILDREN'S CLASSES•Ceramics •Ceramics•Drowing/Painting/Design •Painting•Calligraphy •Photography•Creative Fiber and Fabric •CalligraphyTechniques •Drawing/•Figure/Portrait Drawing Painting/•Photography Design•Watercolor Painting•Chinese Paper CuttingTen week term begins Monday, January 12Registration begins Monday, January 5.Please reserve class space as soon as possible.For further information, call 947-9656, Monday-Saturday 1 -5. We Buy and SellUsed Records1701 E. 55th St.684-3375grey city journal Friday 9 January 1980Friday 9 Saturday 10 Sunday 11Monday 12 Tuesday 13 Wednesday 14 Thursday 15John Hejduk's "Silent Witness Model", one piece in Hejduk's exhibition currently on display in the Berg¬man Gallery, 4th floor Cobb.FILMAll that Jazz (Bob'Fosse, 1979): Fosse'sself indulgent warning against the pa¬thology of success. Mornings cata¬lyzed by Vivaldi and eye drops, daysdominated by nicotine and stress,nights spent in escapist sex comprisethe cycle of Fosse's autobiographicalcentral character. And in between hedances and directs. Some of the danceroutines are boring, and what Fossereally expects us to think of his com¬pulsive dance to death is unclear. Doc;Friday, January 9, 6:30, 8:34 and11:00. In Quantrell. $2.00 —LJCKramer Vs. Kramer (Robert Benton,1978): Benton and cinematographerNestor Almendros, Meryl Streep andDustin Hoffman combine efforts andcreate a product 99.94% pure. A little,well-intentioned slice of life melodra¬ma never hurt anyone — and KramerVs. Kramer as a vehicle of ideas isvery little indeed. Yet it looks good —almost like a Truffaut — and its con¬tent is rarely found outside the televi¬sion. This is about as perceptive asHollywood gets when it looks at it selfand its audience: middle class Ameri¬ca. Doc Films, Saturday, January 10,at 6:30, 8:30 and 10:30. Quantrel. $2.00.- KHThe Wizard of Oz (Fleming, 1939): TheHomeric epic of the imaginative ex¬cursion of one girl's escape from mid¬dle America. While the characters areoften straw, hollow, or fall short ofthemselves, and their desires difficultto understand (who could want aheart, a brain, or air fare to Kansas?),they're nonetheless amusing in theircapacity to so enjoyably express therainbow of feelings abounding duringpost Depression/pre-WW11 America.You'll never forget there's no placelike home. Law School Films, Satur¬day January 10 at 7:15 and 9:30, Sun¬day January 11 at 2:00. Law School Au¬ditorium. $1.50. — LJCThe Memory of Justice (Marcel Ophuls,1976): Ophuls' follow-up to The Sorrowand the Pity is another penetrating ex¬amination of guilt and social responsi¬bility, this time focusing on the proceedings and the implications of theNurnberg Trials. And it's long — fourand a half hours. It is not mere length,howver, that makes an Ophuls docu¬mentary so devastating, but the over¬whelming weight of disturbing materi¬al that refuses to be reasoned away.Sunday, Jan. 11, at 7:15 in Quantrell.Doc; $1.50.Flash Gordon Space Solider: Student Ac¬tivities will be offering a NoontimeFilm Series this quarter, featuring theoriginal, Buster Crabbe version of theintrepid astronaut. The films will beshown every Monday and Friday,starting this Jan. 12 and running tillFeb. 20, at 12:15, in the Reynolds ClubLounge, free of charge. As an openerfor some chapters, SAO will also bescreening some award-winning shortsubjects. This Monday's offering isBob Godfrey's Do It-Yourself CartoonKit (1961). The Docks of New York (Josef vonSternberg, 1928): A piece of slum poet¬ry starring von Sternberg's second fa¬vorite performer, George Bancroft.Unseen by this reviewer, but no less acritic than Bernard Shaw hailed it as"the finest motion picture I have everseen," and another writer cited italong with Dreyer's The Passion ofJoan of Arc as the apotheosis of silentfilm art, so it might be worth a look.Monday, Jan. 12, at 7:15 in Quantrell.Doc; $1.50 MAThunderbolt (Josef von Sternberg,1929): Another contribution by vonSternberg to the gangster genre he hadpioneered a few years before in Under¬world. George Bancroft once againplays the gangland chief brought lowby his lady love (played here by FayWray, who demonstrates irrefutablythat it doesn't take talent to sit in a go¬rilla's paw and scream). Thunderboltwas von Sternberg's first sound fea¬ture, and it shows. His dialogue is atro¬cious (it was never to get much better)but some of his other uses of sound arestartlingly innovative — this was, forinstance, the first film to use onlysource music rather than a back¬ground score. The film is saddled witha diffuse, flatulent script and a gooddeal of soggy bathos wholly out ofkeeping with such gutsy subject mat¬ter, and von Sternberg's sense of pac¬ing is probably weaker than that ofany other great director. But as isalways the case with his films, Thun¬derbolt more than compensates forany weaknesses by virtue of its breath¬ taking visual impact, a peculiar blend¬ing of German expressionism and Hol¬lywood high-gloss. Monday, Jan. 12. at8:30 in Quantrell. Doc; $1.50 — MAMizoguchi Retrospective: On Thursday,Jan. 15, Doc opens their ten-film retro¬spective of the work of Kenji Mizogu¬chi, one of the towering figures of Japanese cinema, with a showing ofSansho the Bailiff at 7:30. The screening will be followed by a talk by J.Dudley Andrew, professor of film stu¬dies at the University of Iowa and au¬thor of The Major Film Theories, andco-author (with his brother Paul An¬drews) of the forthcoming biographyof Mizoguchi.MUSICPub Music: Live music at the pub, fea¬turing the Pepte Baron Jazztet. Satur¬day, January 9, 9:30-12:30. membership ($2.00 with ID) required.Chances R — Tenor saxophonists AriBrown and Duke Payne will be backedby the Robert Shy Trio this Saturdaynight starting at 9:00. Payne will dou¬ble on bagpipes for this evening ofmodern jazz. Chances R is in HarperCourt, 5225 S. Harper Avenue. Therewill be a $3.00 cover charge. — JCValhalla — Pianist Louis hall andFriends will bring to Hyde Park theirfunky progressive jazz this Saturdaynight at9:00. Valhalla isat 1515 E. 53rdSt. There will be a $3.00 cover charge.- JGAp Jhenkin Ensemble: "Traditional"music for traditional instruments. Au¬thentic folk tunes for hurdy-gurdy,concertina, bagpipes, autoharp, pen-nywhistle, bones, fiddle, guitar, an¬tique wooden flute, tambourine. Tunesof British, Scottish, Irish, and MiddleEastern origin. Performers John Ra-lyea, Dan Dick, Barbara Rubinstein.Sunday, Jan. 11, at 5:00 pm, at Inter¬national House Main Lounge, 1414East 59th St.; Free.First Chair Series — Opening this year'sseries of lecture demonstrations bymembers of the Chicago SymphonyOrchestra, principal second violinistJoseph Golan will appear Monday,January 12 at Pierce Tower, 5514 S.University Ave. The presentation willbegin in the Resident Master's apartment at 8:00. Admission is free. —JGSome Big Winter Music: Due to lack of aconcert hall, the Music Departmentfell behind Rockefeller Chapel in con¬certs last quarter. Rockefeller gave us— grey city journal a uniformly excellent Memorial Dayprogram, drawing on many facets ofthe University and Hyde Park commu¬nities; a not-to-be-missed organ reci¬tal by Marie-Clark Alain (and an eve¬ning of silent films accompanied byorganist Gaylord Carter, who playedat the world premiere of Ben-Hur in1923); three sing alongs; and, last andgreatest, two performances of Han¬del's best known work that were verit¬ably Messiah incarnate. Except forthe fact that far more was omittedfrom the concert than was conscionable, this was the finest Messiah Ihave heard in concert or on disk. Thesoloists were uniformly excellent bothtechnically and artistically, andamong the orchestra special mentionmust be made of the continuo perform¬ers. Conductor Rodney Wynkoop atlast got his chance to reveal his talent in a major work; and, all personal con¬siderations aside, I think he must bealready called, again both technicallyand artistically, great.The Department's first answeringsalvos are from some pretty big guns:the Gabrieli Quartet plays Mozart,late Beethoven, and the local premiereof Britten's Third Quartet, and PeterSerkin offers the Goldberg Variationsas well as Wolpe and Haydn, both onthe Chamber Music Series. A few tick¬ets are available. These two concertsinaugurate Mandel Hall, even beforethe gala Beethoven concert (free tick¬et required) next month. But first ofall, Monday evening at 8:00 is the firstconcert in Goodspeed Recital Hall (4thfloor; take the elevator and turn left):pianist Paul Bempechat, on his firstAmerican tour, plays Schubert's Sonatas in A and Bb, D.959 960 (a demanding program) — and admission isfreeMeanwhile, Rockefeller is not standing idly by. First, next Friday at 8:00there's a sing along of Haydn's oratorio The Creation (in English, Parts 1Vand 2). Admission is free, bring avoice (or just ears), and a score if youcan — though the translation isn't thestandard one in the Schirmer edition.Then on Sunday is the celebration ofEdward Mondello's twentieth anniversary as University Organist; he playsa recital, for which a ticket is required(call 753-3381)^Further information is available fromthe Music Department Concert Office(Goodspeed 310) and from the Rockefeller Chapel Office. — PTDETC.See the Illinois state animal: 700,000 Illi¬nois students elected the white taileddeer as the official state animal. Overa century ago, taxidermist Carl Ake-ley created the "Four Seasons" diora¬mas, which illistrate the seasonal dif¬ferences in appearance and habits ofthe white tail. The "father of moderntaxidermy'"s creations are on displayat the Field Museum, Roosevelt Roadat Lake Shore Drive. Monday thruThursday 9 4, Friday 9 9, Saturdayand Sunday, 9 5.ther e y c i t13th Year 16thBrad Bittan, Leland Chait, Peter T. Daniels, John Egan, Jim Guenther, JackHelbig, Karen Hornick, Danny Kahn, Jeff Makos, David Miller, Neil Miller,Mark Pohl, Renee Saracki, Margaret Savage, Bruce Shapiro, John Sva-tek, Michele White, Ken Wissoker.Molly McQuade, Unclassifiable Page editor.Mike Alper, film editor.Richard Pettengill, music editor.Lucy Conniff, book editor.Edited by Laura Cottingham.Production this week by Mike Alper, Carol Klammer, and Laura Cottingh¬am.The grey city journal is published weekly by the Chicago Maroon, IdaNoyes Hall, 1212 East 59th Street, Chicago, Illinois. For advertising infor¬mation, call Wanda at 753-3262.Friday 9 January 1980 R.I.P.. + tUf11 t.tby Richard PenaBefore I moved to Chicago,friends in New York told me thata place called the Sandburgshowed really great prints ofrarely-seen films. Once I got toChicago, new friends told me thatthe Sandburg had the most com¬fortable theater seats in town.Amazingly, everyone was cor¬rect. In the few months that I'velived here, I've come to really ap¬preciate the fine work the Sandburg has done. The programminghas been consistently innovativeand highly intelligent: who elsewould even care enough to show a35mm print of Leave Her ToHeaven?Back around September. Iheard that the Sandburg was hav¬ing financial problems — certainseries, especially "Jazz andFilm," had done poorly, and thestrain was beginning to show. Yetthe October November schedule *seemed as fine as ever, so I as¬sumed that they were probablypassing through one of the frequent slumps that afflict alterna¬tive movie houses. Yet therumors continued, and some timein early December I heard it offi¬cially: on January 15, the Sand¬burg would be closing its doors.To say that the Sandburg willbe sorely missed would be, ob¬viously, an understatement. Thededication of Al, Peter, and Billto bringing first-rate prints ofclassic films, as well as manynew films which might otherwisehave remained unseen in Chicago, created a high standardagainst which any alternativemovie house — profit or nonprofit— had to be measured. The Sand¬burg might be gone, but it won'tbe forgotten.Richard Pena is the assistant directorof the Film Center at the School ofthe Art institute.31V.SUNDAYJANUARY 11 WEDNESDAYJANUARY 219:00 am.Ecumenical Serviceof Holy Communion11 00 a.m.University ReligiousService, Bernard O.Brown, Dean of theChapel, preachingTUESDAYJANUARY 1312:15 p.m.Organ Recital,Edward MondelloWEDNESDAYJANUARY 148:00 amHoly Communion,followed by breakfast12:15 p.m.Carillon Recital,Robert LodmeFRIDAYJANUARY 168:00pmSing-Along - Haydn'sorator to The CreationRodney Wynkoop,Director of ChapelMusic, conductingSUNDAYJANUARY 189:00 amEcumenical Serviceof Holy Communion1000 a m.Discussion Class onPoet/Prophet:Visions and Revisions"led by RonneHartfield, poetess,Dean of Students andfaculty member at theArt Institute ofChicago1100 amUniversity ReligiousService, PhilipBlackwell, Associatein Ministry at theChapel, Minister forthe United MethodistFoundation at theUniversity of Chicago,preaching8:00 pm.Organ RecitalEdward Mondello's20th anniversary asUniversity Organist,With George Vosburgh,Chicago SymphonyOrchestra, on trumpet 8:00 amHoly Communion,followed by breakfast12:15 p m.Carillon Recital,Robert LodineSUNDAYJANUARY 259:00 amEcumenical Serviceof Holy Communion10:00 amDiscussion Class onPoet/Prophet:Visions and Revisions"11 00 a m.University ReligiousService, RobertDnnan, S.J., formerMember of the UnitedStates House ofRepresentatives fromMassachusetts,preachingTUESDAYJANUARY 2712:15 p.m.Organ RecitalEdward MondelloWEDNESDAYJANUARY 288:00 amHoly Communion,followed by breakfast12 15 p.m.Carillon Recital,Robert LodineSUNDAYFEBRUARY 19:00 am.Ecumenical Serviceof Holy Communion10:00 amDiscussion Class on"Poet/Prophet:Visions and Revisions"11 00 amUniversity ReligiousService, Rabbi DanielLeifer, Director ofHillel Foundation,University of Chicago,preachingTUESDAYFEBRUARY 3 ilpckcfdlcr Memorial ChapelWEDNESDAYFEBRUARY 4 SUNDAYFEBRUARY 228 00 a m.Holy Communion,followed by breakfast 9:00 am.Ecumenical Serviceof Holy Communion 9:00 a.m.Ecumenical Serviceof Holy Communion12:15 p m.Carillon Recital,Robert Lodine 10:00 am.Discussion Class on"Poet/Prophet.Visions and Revisions" 10:00 a.m.Discussion Class on"Poet/Prophet:Visions and Revisions'FEBRUARY 68:00 p.m.Chicago Chamber BrassConcertSUNDAYFEBRUARY 8 11:00 a.m.University ReligiousService, Robin Lovin,Associate Professorof Ethics andSociety, DivinitySchool, University ofChicago, preaching 11:00 a.m.University ReligiousService, Bernard O.Brown, Dean of theChapel, preachingTUESDAYMARCH 109:00 amEcumenical Serviceof Holy Communion10:00 a m.Discussion Class on"Poet/Prophet:Visions and Revisions"11:00a.m.University ReligiousService, Bernard O.Brown, Dean of theChapel, preachingTUESDAYFEBRUARY 1012:15 p.m.Organ Recital,Edward MondelloWEDNESDAYFEBRUARY 11 4:00 p.m.Mozart's Mass in C, 12:15 p.m.Organ Recital,Rockefeller ChapelChoir, Edward Mondello,Organist, and Rodney Edward MondelloWEDNESDAYWynkoop, Conductor MARCH 11TUESDAYFEBRUARY 24 - 8:00 a.m.Holy Communion,followed by breakfast12:15 p.m.Organ Recital, 12:15 p.mEdward Mondello Carillon Recital,Robert LodineWEDNESDAYFEBRUARY 25SUNDAY8:00 a.m.Holy Communion,followed by breakfast MARCH 15CONVOCATIONSUNDAY12:15 p.m. 9:00 a.m.Carillon Recital, Ecumenical ServiceRobert Lodine of Holy Communion8:00 a.mHoly Communion,followed by breakfast12:15 p.m.Carillon Recital,Robert LodineSATURDAYFEBRUARY 148:00 p m.Mass in C, by Ludwigvon Beethoven,University Chorus andOrchestra, RodneyWynkoop conducting(in Mandel Hall)SUNDAYFEBRUARY 159:00 a.m.Ecumenical Serviceof Holy Communion10:00 a.mDiscussion Class on"Poet/Prophet:Visions and Revisions"11 00 a.m.University ReligiousService, Bernard O.Brown, Dean of theChapel, preachingTUESDAYFEBRUARY 17 SUNDAYMARCH 19:00 a.mEcumenical Serviceof Holy Communion10:00 a.m.Discussion Class on"Poet/Prophet:Visions and Revisions"11 00 a.m.University ReligiousService, Hans DieterBetz, Professor ofNew Testament,Divinity School,University of Chicago,preachingTUESDAYMARCH 312:15 pmOrgan Recital,Edward Mondello 1215 pm.Organ Recital,Edward MondelloWEDNESDAYFEBRUARY 18 WEDNESDAYMARCH 48:00a.m.Holy Communion,followed by breakfast 8:00 a.mHoly Communion,followed by breakfast 10:00 a.m.Discussion Class onPoet/Prophet:Visions and Revisions"11 00 a.m.University ReligiousService, David Tracy,Professor ofChristian Theology,Divinity School,University of Chicago,preachingTUESDAYMARCH 1712:15 p.m.Organ Recital,Edward Mondello8 00 p.m.University ofWisconsin Choir,Robert Fountain,ConductorWEDNESDAYMARCH 188:00 a.m.Holy Communion,followed by breakfast12 15 p.m.Carillon Recital,Robert Lodine12 15 p m.Organ Recital,Edward Mondello 12 15 p.mOrgan Recital,Edward Mondello 12:15 pmCarillon Recital,Robert Lodine 12 15 pmCarillon Recital,Robert LodineNote — The Director of Chapel Music, Rodney Wynkoop, invites all those who wish to sing with the RockefellerChapel Choir to attend a 10 00 a m rehearsal on January 25th and February 22nd, and to sing with the Choirduring the University Religious Service immediately thereafter For additional information, call 753-3381 inthe week preceding the Sundays indicated—4 grey city journal -Friday 9 January 1980■HM-DE-5IECLEBriN-DE-5IECLEBFIN-DE-SIECLE VIENNACARL SCHORSKE■ ALSOBTHE GNOSTIC GOSPELSELAINE PAGELSNOW IN PAPERBACK ATSEMINARY COOP BOOKSTORE5757 S UNIVERSITYM-TH 9:30-6:30 F 9=30-5 S11-4■FI MDE-5IECLEBEINDE5IECLEBPRODUCED BY KEVIN CRONIN, GARY RICKRATH KEVIN BEAMISH CO PRODUCED BY ALAN GRAIZER. MANAGEMENT JOHN BARUCK MANAGEMENT•EPIC" IS A TRADEMARK Of CBS INC. © 1980 CBS INCAVAILABLE AT YOUR FAVORITE RECORD STORE by Brad BittanSteve Forbert is one of the music in¬dustry's best kept secrets. Although For¬bert has neither attained consistent com¬mercial popularity nor received massiveFM radio acclaim, he has recently burstonto the music scene with a style thatdefies strict musical classification, a stylethat invigorates and inspires, and finally,a style that is all his own.Steve Forbert was born and raised inMeridian, Mississippi. After playing withseveral local bands, Forbert left Meridianand, acoustic guitar in hand, set out forNew York. At the age of 21, he continuedhis musical career by working the GrandCentral Station circuit with an open guitarcase.Forbert was soon discovered by punk ex¬pert Danny Fields, it was not long beforeForbert was recording his first album,Alive on Arrival, on Nemporer Records.From this album's gallant opening, "Goin'Down To Laurel,” to the last note on "YouCannot Win If You Do Not Play," For-bert's vivacious, raspy-voiced talent fillsthe album with biting lyrics and magneticmelodies that float in your head long afterthe music stops. On several cuts, we getsome insight into the musician himself. Onthe song "What Kinda Guy?" the clues areevident:What kinda guy am I really whoDon't wear pajamas and l don't sniffglueI'm Mississippi, got the New Yorkblues. . .What kinda guy am I really whatI might be leaving but the door ain'tshutI'm here for lovin', but I ain't noslut.Although music critics initially consi¬dered Forbert to be highly promising, therelease of his second album, JackrabbitSlim, shattered those hopes at least temporarily. Described by Rolling Stone magazine as "dead on arrival" critics wereespecially quick to condemn the album forits overproduction. Heavy instrumentalsand the addition of three back-up singersgave the music an extended "glossy" qual¬ity. Even so, the album contains some ofForbert's most provocative material todate. From the sweeping romanticism of"Romeo's Tune" to the quick paced rockof "Say Goodbye to Little Jo," he has setdown the groundwork for his subsequentworks.With the release of his most recentalbum, Little Stevie Orbit, Forbert ex¬plores virtually every facet of the musicalspectrum. As music critic Paul Gambac-cini explains, "Here we have the best ex planation of the power of music since "DoYou Believe in Magic?" The album con¬tains thirteen songs that are immensely at¬tractive on the first listening. With subse¬quent listenings, however, the brillance ofthese tunes shines through even more.From the daring rocker of the album'sopener, "Get Well Soon," to the enigmatic"Cellophane City" — which he describesas "a song of acute paranoia" — Forbertquickly sets the tone for the rest of the re¬cord. The visionary yet simplistic "Songfor Katrina" ranks among the most grace¬ful songs I have ever heard.After an extremely brief instrumentalon the beginning of side two, a song enti¬tled "Rain" consistently leaves me with ahappy, wholesome feeling. This song is fol¬lowed by the good-humored "I'm an Auto¬mobile." Next is the playful "Schoolgirl,"a tale about a guy who finds himself in awoman's college town. The country-styledinstrumental break in the middle of thissong gives the tune an alluring flavor. Thelast song on the album is entitled "A Visi¬tor". Although the lyrics deal with the ideaof rejection and disappointment, "A Visi¬tor" is sung in an encouraging tone, a tonewhich generates optimism and assurance."A Visitor" is ultimately a song of hope,and it is in this light that we must judgeit.Paul Gambaccini has said of Steve For¬bert and his most recent album: "He willsurvive as an artist during the 80's, butmore important than that, he will grow. Heoffers us a first class seat on this excitingjourney. This album is part of the trip."New York Times critic Robert Palmer hasnoted that:The one idea that turns up over andover in reviews of Forbert's recordsand performances is that he makeslisteners feel they actually do knowhim . . . After seeing two or three ofhis shows, it becomes evident thathis lyrics do connect directly withyoung audiences, and he's got thebright melodies and rock and rollshowmanship to back them up.So I ask you to give Steve Forbert achance. Before a variety of distasteful re¬views of Little Stevie Orbit are published,listen to his album(s) as objectively aspossible. And after listening to his music,if you still disapprove, here's his answerfrom (Rolling Stone)The criticism may get h«Bvier andheavier, I may sell a lot of records ornot sell a lot, but I'm just gonna dowhatever I feel like doing at anygiven time, and I wanna do my bestat it; I want my heart to be in it.That's the way it's gonna be.Stevie, we wouldn't want it any otherway.IThe following interview was iaped on Dec.4, 1980 in Cliff's room at the Best WesternHotel on Lake Shore Drive, Chicago. Thatevening Cliff gave two compact put stunningperformances at the Park West, doing songswhich span his career from the success of thefilm The Harder They Come in 1972, to his re¬cent MCA album I Am the Living. Openingwith a slow, gospel-like spiritual chant withbongo accompaniment, Cliff broke into arapid succession of some of his best knownsongs, such as "You Can Get It,” "She's aWoman, "and the title cut from the new album.He then delivered powerful renditions °f"Many Rivers to Cross," "All the strengthWe Got," and "The Harder They Come."by Richard PettengillRP: I've read that you grew up in a smalltown near the Montego Bay on the north coastof Jamaica. What were your first musical ex¬periences and influences as a child growingup there?JC: Calypso, and mento, which is anotherkind of rhythm. And of course there wereother what you might call religious types ofmusic like pocomania. .. it's a religious set ofpeople who play drums. My father was a Pen¬tecost and I went to that church, too, andthere were other forms of music like rhythmand blues or jazz, Latin music, country andwestern.RP: Did you hear these mostly on radio stations?JC: Radio.RP: I was going to ask you whether it wasafter you got to Kingston and technical schoolthat you began to hear those stations.JC: Before I went to Kingston, I remembermy father asking me what would I ratherhave, a radio or would I rather go to school toget some further lessons. I said I prefer aradio, so he bought a radio. Then we couldpick up stations in America. Mostly Miamistations. . . a few New Orleans stationsRP: Right, because you've talked about hav¬ing been influenced by New Orleans boogiepiano, Fats Domino, Sam Cooke, RayCharles, Louis Jordan, Little Richard, SmileyLewis. Are these primarily vocal influence onyou or. . .JC: I like Fats Domino for beat, the beat hehad, and I like Professor Longhair from NewOrleans for the rhythmic playing of his piano.I like Sam Cooke because he had a greatvoice.RP: Of course Toots Hibbert must have beeninfluenced by him as well.JC: Yes, and I like Ray Charles because hehas such great feeling. . . the emotion he putsout. Those were the inspiring things fromthose artists.RP: What about Little Richard, who was . .JC: Little Richard ... I loved his voice, hisrhythm, incredible, incredible. . .R P: He's the closest to rock 'n' roll of the peopie you've mentioned, Little Richard; I mean"Good Golly Miss Molly" and all. I don't heartoo much of the 1-4-5 pattern in your music,for instance. I was wondering: was it mostlyhis energy and his vocals?JC: Yes it was that, his energy and hisvocals.RP: It's interesting that you said your fatherwas a Pentecost, because there's definitivelyv a religious feelingin a lot of your music. Imean a lot of people can say that "ManyRivers to Cross" is like a hymn, and especial¬ly in your last two albums you make more andmore religious references. For instance youquote Psalm 133 on the new one, I Am the Liv¬ing.JC: Well you know we. . . I grew up and sawmy father as Christian, and I came into Ras-tafarai when I was... I don't know... eleven,those kind of age, you know. Anyway but yousee Rastafarai, now, know the Bible mor thanany other Religious sect or cult that I know,except probably for Muslims. But they knowit, and through Rastafarai I learned to readthe Bible with understanding, not in a mythi-—6 THEJimmyCIcal way, but with clear understanding. So ah,I mean Jamaica is a very religious society —if you want to sell religion, you can go to Ja¬maica (laughs). So I mean you can't get awayfrom all the religious over and undertones,you know, if you grow in a society like in Ja¬maica. Well, you know, I think America is likethat too, you know. I mean, when I checkAmerica, the people that came and builtAmerica were people that came looking forpolitical and religious freedom, you know,and it's almost the same in Jamaica only it'sa different circumstance than you have gothere. Yes, but I'm not religious, I am spiritu¬al. You know, religion right now is an organ¬ized thing to stablize people, and I don't needthat. I am a spiritual person. I believe that the white; then, you see, it's a subliminal trick.So it's Christianity that has created racism,and they created sexism by putting down thewoman in the Bible, by saying woman means"woe to man." That's what was started inChristianity. Woe to man. And everything youread in the Bible they always try to show youwhere "a woman did that and that is why...So in order to keep a woman down from thesame. . . Mary and that thing, so WesternChristianity has created sexism — the divi¬sion in the sexes — and the struggle and that,you know. And that's where the politics iscoming from too, so I can never like WesternChristianity. It's hypocritical, and it's one ofthe great things that we have to get rid of inthe world.I'm not religious, I am spiritual...! believe that the high spot ofhuman intelligence is the part that we call spirit, and if you candevelop that there is nothing harder that you can't really do,you know.high spot of human intelligence is the partthat we call spirit, and if you can develop thatthere is nothing harder that you can't reallydo, you know.RP. You've said that your music and reggaein general is an expression of what you call"divine culture."JC: Yes, divine culture now is the fact thatthere is only one divine creator over the cre¬ation. Because even if you believe the theoryabout evolution, there had to be an evolver.There had to be a force that caused the evolu¬tion, and whatever that force and that poweris, that is what I think of as the divine creator.So there is that divine creator over creationand this divine intelligence, then, has sentdown laws and orders to mankind and man onearth, how they should rule the earth. Andsome were great men, some were in biggermagnitude than some, you know, like thegreat prophets like Adam and Mohammed,you know, to Haddam, Moses, Jesus, Mo¬hammed. About seven of them are the proph¬ets, and then you have minor prophets aswell, you know. But it's the same truth thatthey all come with, and the same laws. Someof them just come reminding you that.. . "re¬member that's what he said, that's what thecreator said," you know. So they come re¬minding you and warning you that if you don'tdo that, that will happen. And the divine ineach individual — like in myself — is the conscience. My conscience tells me what is rightfrom what is wrong. So the divine culture thenis really the same laws that all the prophetscame down with. Now after the prophetscame, they form some religion and call itafter the prophets, you know. Like after Jesusleft they form up a religion and call it Chris¬tianity after him you know, and so on and soforth. So the way I see the divine culture iscoming down from one source, throughout thetime, throughout the ages, and I don't need togo into. . . I've studied a lot of religions andphilosophy but the main thing is you have toknow yourself and connect yourself, your in¬dividual self with the divine supreme being.RP: The reason I ask is that recently a lot ofmusicians, especially say, Bob Dylan, nowhave explicitly Christian messages in theirmusic. But it's Western Christianity: God,Jesus, and so on, but l sense that you don'tsubscribe . . .JC: ... to Western Christianity? It is hypocritical; it is what has caused most of theproblems in the world today, Western Chris¬tianity. For example, the three great prob¬lems that you have in the world today are poli¬tics, religion and commerce. Now you canattach so many things to those three, youknow; you can attach racism, sexism, any ofthem... imperialism, communism... any po¬litical ideologies you an attach to those threethings, and the great ones like racism, that isdone through Christianity. Christianity madethat right, you know, by showing you Euro¬pan, Caucasian, and the cross and say thisCaucasian man is the son of God. Thereforethey're suggesting to you then, that God is RP: You've also said that your songs are notabout politics, and that politics are a parasiteon the people. But aren't you being politicalwhen you sing in "Let's Seize the Time":"Let the system pay for it's crime/ If thepower of the people is worth a dime"?JC: (continuing) "It's your thing now, let'sseize the time." Well, you see, what politicsmeans to me as I see it in the encyclopedia, itsays "Poli" means "people" and "tics" is aparasite. Therefore, politics is the people'stics; they prey on the morals of the people,you see. So then, what I am dealing with then,is not politics 'cause I'm not a prey, I'm not aparasite on anyone's beings. I believe moralis the basis of our strength as human beings.But politics is a parasitic element that feedson that. A politician will come, and if ..heknows that you're gonna say "ray!" when hesays whether it's true or whether it's lies, hejust go ahead and say it, 'cause he know hegonna get an applause for it, you know. Sothat's preying on the morals of the people. SoI don't deal with the politics then. My reason¬ing is not politics; I believe in fair deal, comestraight to the point, you know. Good overevil, I believe in eventuality of good over evil.RP: A lot of your song speak of coming fromhumble beginnings (like starting in a shantytown) and the quest to fulfill one's full potential in the world (usually, say, in the city,whether it's inside or outside of the law). Ofcourse Ivan was eventually outside of the lawin the movie The Harder They Come.JC: I've never really been outside the law(laughs) in that way, but I mean I fightagainst the system, I don't like the system be¬cause it's not just, it's not just, there's no justice. So ah, like the movie, it reflects a lot ofmy life, you know. I've gone through that kindof thing like Ivan in the movie.RP: Yes, we've heard about your being of¬fered one shilling for your first record, butyou turned it down where Ivan took it, the tendollars from Hilton.JC: Yeah, you see Ivan was in a positionwhere he kinda had no choice. I mean they offered me a shilling to pay a bus fare to school,and I could walk and I rather walk. But Ivanhad all these people around him who werelooking to him for money. It happens too, youknow, it happens in Jamaica too, it happenedto me in real life.RP: You know, when The Harder They Come sions of Cambridge are, since you've had sucha profound influence on the place.JC: Well it's an intellectual. . . it's a collegestate, you know, university and that sort. Youfind the intellect there is high, and TheHarder They Come is a highly intellectualmovie. I think that is why they were able totune in to it so much easier than like mostplaces. It's been very popular in New Yorktoo, but I think Boston is really the. . . thatarea, that area. So I like going there because,you know, I get good vibes, good reasoningyou know, which is stimulating to me in myPhoto by Carolwork, in my writing. I like, I enjoy goingthere.RP: You say that you found Rastafarai whenyou were a child, and it was interesting: whenHaile Sellasie died in 1975, I think it caused akind of crisis of faith among many Rastas,that since, the lion of Judah had left the earth,the 111th descendant of King Solomon and theQueen of Sheba...JC: Well, you know, when you check it outthere is no... I haven't seen any proof to showthat he died. I mean, someone like that, ofthat stature in the world, when there is someone like that they probably show you a coffinor something, regardless of whichever way hedied. Not even the church, not even the orthodox church said anything about it, you know,and he was the head of the church as well andall that, so I have no proof that he reallydied.RP: Do you believe that he's alive?JC: Well, the secret of God is with them thatfear him.RP: So that's why you sing in "Satan's King-don" that "the conquering lion's here" andyou say that "The Lion of Judah is here/ Be¬cause justice has come for all."Oneness is my outlook on life, my...it's not a philosophy,'cause to me philosophy is just something for conversation.was released in 1972 I was living in Cambridge, Mass., which is where it made it'sworld premiere at the Orson Welles Cinema.JC: Right, right, we were there. . .RP: 0, recently? I was going to ask you... ofcourse more in the early 70's reggae was verymuch of a cult obsession. Any night you couldwalk the streets and hear the music of thesoundtrack, and see bodies swaying andbumping to, like, "Shanty Town" or "Sittin inLimbo." I was wondering what your impres-grey city journal JC: Yes, and I am also Judah, you know.RP: You are Judah?JC: Yeah, I am from the tribe of Judah aswell, so his Imperial Majesty, yes, is grandmajesty the first, and I am tribe of Judah so Iam dealing with myself as well. 'Cause when Iwrite I write on three levels: I write for my¬self first (l have to put myself in the picture),then on a family level, then on a universallevel. So it was relating all three ways in thatsong when I speak of the Lion of Judah.— Friday 9 January 1980lift InterviewRP: But has justice come for all?JC: Yes, justice didn't come for one people orone set of people. It come for all people; thatis the meaning, you know. Justice has comefor all, and that is why Satan's kingdom mustfall, because since it has come for all it cannotexist — Satan's Kingdom — 'cause justice willeventually cut him down, good over evil.RP: So you're proclaiming the arrival of thepredominance of good now.JC: Yes, it's here, and the point is ... you seeI base a lot of my reasoning on scriptures. Thepoint is we are in the last days, according toarol KlammerI the scriptures. It's only a very, very smallnumber of people is going to be saved. . .• saved in the sense of, not this tribe with thisi Babylon system. The Revelation shows onlyi 144,000, so that's to show, I mean look howmany billions of people on the earth and only144,000. . . more than that will be saved still,- but Revelation gives you an example to showyou a small fraction will be saved or whatev-f er, so. . . Satan's Kingdon must fall.' RP: When you sing ''Chant down Babylon",f what is Babylon?JC: Babylon is. . . the system. You see, sincei Nimrod's time . . . it's the same teaching> that's coming up from Nimrod's time. He hadan empire in Nimrod's time. They had anr other empire in the Greek time, the GreekI empire, it's the same teaching coming fromthere, the same Babylon teaching, the Towerof Babel, the Greek, then from the Greek youhad the Roman empire which is the same\ teaching coming from Nimrod. Then after thefall of the Roman empire, it is here now,America is the seat of it now. America is theI seat of it, but Europe also is Babylon. It's theold teaching, all the teaching that came downfrom that time, that's the Babylon teaching,the religion, the politics, the commerce. All ofthat is the Babylon system. So now the Revelation shows about the fourth beast, and hewill visit the sins of the father to the third andfourth generation. Now this is the fourth gen¬eration that we're living into, the fourth em-•> pire. This is the last, the fourth beast, and. . .I that's the Babylon system, you know, thechurch and state psychology.RP: You say that the Rastas are closer to theBible than other religious cults that you know,but the Rastas are famous for interpreting theI Bible in certainways; for instance, the smok-• ing of Ganga is a sacrament, isn't it? Whatare the lines that are interpreted that way?0 Friday 9 January 1980 JC: "The grass was made for cattle, and theherb was made for man."RP: Does one smoke ganga to go higher, andcloser. . .JC: You don't have to do it, you know. It's tra¬ditional. This is not something new, it's fromway back, you know. You don't have to do it,but the priests and the kings and the judgesand all them did it from the ancients comingup. When I am fasting I don't smoke, and Idon't need to smoke, but I like it.RP: why don't you smoke when you fast?JC: Well a fast to me is a fast, I don't do any¬thing when I fast, neither smoke, neitherdrink nor nothing. I just. . . pray and medi¬tate.RP: Many of your recent albums seem tostress a kind of personal self-determinationguided by inner faith. Like in "Look at theMountains" you sing "faith can move themountains."JC: Well I always sing about faith because Ibelieve so much in that, you know. Jacob had12 sons, the tribe of Israel. There was only oneafter Jerusalem was destroyed that was. . . aremnant of them was saved and it's the tribeof Judah from which, after they went to Jeru¬salem, they went to Ethiopia. That is how youget all the things in Ethiopia right now, andHis Majesty and all. . . But the thing why aremnant of Judah was saved was because ofFaith. They were the only ones who were real¬ly faithful, and Faith is a thing. . . there'shardly anything you can't do once you havethat faith, and I always think about that, youknow. One of my earlier songs called "HardRoad to Travel" says "and my faith will seeme through," and I sing about it in "Sitting InLimbo," and I sing about it in "Look at theMountains." Faith, you know, is an importantthing. If we can develop that, we can be greatpeople.R P: "Give thanxx, for oneness is a reality forthe dignity of humanity, so give thanks itur-nally" that's on the album jacket to GiveThanxx. Is "iturnally" a variation on eternal¬ly?JC: Yes, continually, truly, itinually, iturnal¬ly. . .RP: Is that from the "I and I?"JC: Yes. You see, the I and I and I is the con¬cept of the trinity, which Western Christianitywill tell you about. But the trinity is really I~ and I and the most I. You know, this is threepeople: first person and I, first person singu¬lar pronoun person speaking, so I and I andthe most I.RP: I and I meaning, or affirming, the exis¬tence f others on the earth?JC: That is it. I say "give thanxx continual¬ly," 'cause oneness is a reality — the I and Iand I — 'cause we are all really one mind, youknow. It's really only one mind, we are all onemind. Even though we are all individuals andthink differently, at the same time we areone.RP: That album is produced by Jimmy Cliffand Oneness?JC: Oneness is my outlook on life, my. . . it'snot a philosophy, 'cause to me philosophy isjust something for conversation. But it's myoutlook, it's my way of life, it's how I see thewhole universe set up, it's how I see that manand man should live together in a oneness. Itwas meant to be that way, that is how the ereator set it up, and that is the only way it canbe. It's because you have two-ness now, youknow, why you have so much struggling in theworld, church and state, struggling, churchstruggling against state, state strugglingagainst church.RP: When I was a child I remember being appalled and fascinated by Prince Buster's"The Ten Commandments," which my sisterhad brought back from a visit to Jamaica.Now it's considered a sexist classic. What'syour connection with Buster?JC: Buster and I have a very close connection. Buster was one of the people who in¬spired me as a Jamaican artist, you know. Ihave not been influenced by anyone, but theyhave inspired me like those American artists that inspired me, and Prince Buster is one ofthe Jamaican people who inspired me. Plus,he is a Muslim and l am Muslim as well (Istudied Islam, religion) so we had that kind ofcloseness going.RP: What's he doing today?JC: I don't know, but you see Prince Busterwas the first Jamaican artist who was astreet. . . what you could call a street poet,who use the street language and communi¬cate with the people on their level in Jamaica.'Cause the thing in Jamaica was to be sound¬ing like an American artist, you know, in theearly days, and Prince Buster was really theperson who break that barrier and sing Ja¬maican, sing in Jamaican, communicate withthe people. The first street poet, the first Ja¬maican street poet, and who they consider tobe political as well. Plus I admire him a lot.R P: Your most recent album seems to show abit of American disco influence on songs like,say, "Gone Clear."JC: I don't consider that disco, you know, be¬cause that beat, I learned that beat when Iwas travelling through West Africa. It's jujumusic, what they call juju music. "What isDown There, Pick it Up" is juju music. Thebass drummist is playing four like the usualdisco play four, straight, but up on top it isdoing something different.RP: You're recording now on the east andwest coasts with some American studio musi¬cians. Do you see yourself as reaching outmore to your American audience, or specif¬ically American blacks?JC: Yeah, that is true. But at the same timeit's not something new that I've done, youknow, recording in America, because I'vedone an album in Alabama — Muscle Shoals— that's where "Sitting in Limbo" was re¬corded. I recorded "Many Rivers to Cross" inNew York, so it's not really something new.But yeah, the connection of this oneness, yousee... first of all, the black people have to gettheirself in a oneness. We have been a peoplewho have been separated, and so if Africa isnot free humanity can never be free, and forAfrica to be free all black people of the worldhave to get together into a oneness. If thatdoesn't happen, humanity can never be free.So I am a soldier in this cause, and so it is myduty therefore to try and connect with blackAmericans, you know, so that is part of it aswell.RP: I wonder why your audience so far hasbeen more white than black in America.JC: I think it's more white over the wholeworld, except maybe for Africa and SouthAmerica. For America, then, l think it's be¬cause of the media. See, black Americanshave developed a music of their own, and thento me Americans are a very conservative peopie — you know they have to get into you toknow you, so black Americans have had todisband their heritage and their culture inorder to fit into the American society. And sothey are very American, even though they areAfrican; that is one part of it. Secondly themedia. They don't have the access to themedia that the white public have as easily, sothe music don't go to them as easily. Whenyou have a black station they play that kind ofblack music, and the media don't get throughto black America as well, so right away youhavve two problems there. So that is why thewhite Americans havve more access to themedia; they can get into reggae quicker, easi¬er. Or anything that is new coming into thecountry. So those are the two reasons I seewhy reggae or myself is more popular amongthe white people, especially in America. Butmy biggest market is really Africa, you know.That's where I have the most, that's the onlyplace I ever have a gold record from. RP: Is there anything specific in your morerecent music that is attempting to reachblack Americans? Again, the beat of "GoneClear" struck me as one which might appealparticularly to blacks. . . .JC: What really happened on this album is Iwent out to L. A. to write some songs with Den-eice Williams and Allee Willis (the three of usco-wrote "I Am the Living" and "It's the Be¬ginning of an End" together), and we went into make a demo of them as we wrote them.But the vibes were so good that I just decided.. . well, I had some other songs and I had mykeyboard player with me, so I just decided"Alright, let's just record them" you know.Everything was good. That is how it turnedout, but the focus on reaching America, orblack America, would be more from the writ¬ing point of view, more than the music point ofview. For instance "Beginning of an End;"that is a song any America can relate to. Yousee I like this album, / Am the Living, I lovethe material on it, but if l was working on italone it wouldn't have sounded that way. Iwork with two black American producers onit as well.RP; It sounds pop-influenced, slick almost.'.JC: Much more than Give thanxx, which isone I worked on myself, so that is the rea¬son.RP: You've said that you helped create themusic that's behind the current revival ofska. In what sense is that true? Spiritually,musically?JC: Both, 'cause when l came into the busi¬ness professionally, there was people likePrince Buster, Derek Morgan, Monty Mo -risand them, so ska was like already on its v ay,started. But then my contribution. . . thei itchanged from ska to rock-steady, and nov it'scalled reggae. So and I've been with itthrough all the stages that it has ccmethrough, so the music that is called ska, lhave performed that, I helped to create that;the music that is called rock steady, I helpedto create that; the music that is called reg¬gae, l helped to create that. 'Cause this is t' emusic that we created in Jamaica, you know.We had to create something, because as l wassaying earlier, they play a lot of black Ameri¬can music, or American music. . . foreignmusic, then on the radio in Jamaica. In thosedays you had to try to sound like a foreign ar¬tist to be recognized. So we find out that wehad to do something of our own, to createsomething of our own, to have an identity,some recognition from our own people. Sothat is how we created the music, musically.RP: Can you sum of the distinction between... the progression from ska to rock steady toreggae?JC: The progression is one of the amount oftempo. . .RP: Ska is the almost mechanical, offbeat. .JC: Yes, faster, oom-cha oom-cha oom-cha,must faster. Rock steady, now, slowed itdown, slowed the beat down.RP: More like some of Bob Marley's things?JC: Yes, that's what we call, like, the one-drop, we call it one drop, they call it rock¬steady. It's the same name, the same mean¬ing. Then the reggae, now, was myin between both of those, the fast and theslower, it was the in between. But the reggaenow is more like what the people want, it isreally a people music, reggae music is peo¬ple's music.R P. Well, is there any final thing you'd like tosay?JC: Yes, you know, just to say that oneness isa reality, I mean, just love and oneness we'redealing with, and there's no other way out,love and oneness. . . .—grey city journalFor example, the three great problems that you have in theworld today are politics, religion and commerce. Now you canattach so many things to those three, you know; you can attachracism, sexism, any of them...imperialism, communism...anypolitical ideologies you can attach to those three things.7—AUGUSTANA LUTHERAN CHURCHOF HYDE PARKLUTHERAN CAMPUS MINISTRY5500 South Woodlawn Ave.493-6451Larry Hofer, PastorConrad Swanson,Vicar for Campus MinistrySUNDAYS8:30 and 10:45 a.m. Sermon and Eucharist9:30 a.m. Church School and Adult Study6:00 p.m. SupperTUESDAYS5:30 p.m. Eucharist6:00 p.m. Pizza Supper and DiscussionTHURSDAYS7:00 a.m. Eucharist and BreakfastFRIDAYS12:15 p.m. Eucharist and Lunch“Beauty in the Indiana Dunes ”- a slide show byEmma Pitcherpresented by theUniversity of Chicago Outing Club7:30p.m. Tuesday, Jan. 13Ida Noyes HallNEWNo-wax Skis For RentAlso Wood Skis$8/weekend $5/Mon.-Thurs.(includes boots and poles)To Reserve, Call AFTER 5 P.M.PEG, 753-4912Join us in Eucharist and MusicST. GREGORY of NYSSALutheran ParishWorshipping Sundays at 10:30C.T.S. 5757 S. UniversityJan. 11 Baptism of Our Lord 2 drawerfull suspensionfile cobinets26" deep fileS50 Order 3 or more$47.50NEW AND USEDDesks • Chairs • File CabinetsSorters • Much MoreDelivery AvailableBRAND EQUIPMENT85i0 S. south ChicagoPhone: RE 4-2111Open Daily 1:30 AM-5:00 PM, Sat. 9:00 AM-3:00 PMGOLD CITY INNgiven * * * *by the MAROONOpen DailyFrom 11:30 a.m.to 9:00 p.m.5228 Harper 493-2559Eat more for lessA Gold Mine Of Good FoodStudent Discount:10% for table service5% for take homeHyde Park's Best Cantonese FoodINTERESTED IN STUDYINGAT THE HEBREW UNIVERSITYIN JERUSALEMCOME AND MEET THEVICE PROVOST FOR ADMISSIONSPROFESSOR REUVEN KAMINERAT THE FIRSTBAGELS AND L0X BRUNCHSUNDAY, JANUARY 1 1 ( 1 1:00 A.M.HILLEL FOUNDATION,5715 WOODLAWN AVE.TEST PREPARATION FORL» School Amissim Tut6mn«te Hmmemeit Aom Tut6mmcti Recbrb EumiutioiAkncii Count AmTist ;641-2185 Am.Test JbAtest™Prep The Kundalini Yoga Societypresents"APPLIED INTELLIGENCEandYOGA TECHNIQUES"A Free Lecture/DemonstrationbyGuru Shamsher Singh Maulen, M.A.Monday, Jan. 12, 5 P.M.Ida Noyes East LoungeDR. M.R. MASLOVOPTOMETRIST•Eye Examinations•Contact Lenses (Soft & Hard)FRIDAY, JANUARY 9th 8:30 P.M.THE NEW ANTI-JEWISH ATTITUDES IN THE MIDDLEPROFESSOR DANIEL PIPES,William Rainey Harper Instructor in the CollegeHILLEL FOUNDATION, 5715 WOODLAWN AVENUE BJUISOfLOMBSOFLENS _ . , # - . .(poiymacon) Ask about our annual service agreementContact Lenses _ , . _ ...•Fashion Eye WearHYDE PARK SHOPPING CENTER1510 f. 55th363-6T00 /YOU DON'T HAVE TO BE ADOCTOR, DENTIST OR NURSETO CONTRIBUTE TO THEPUBLIC S HEALTH. WE OFFERTHE POUND OF PREVENTION -NOT THE OUNCE OF CUREJoin Us AtIllinois only School of Public HealthUniversity of Illinois at the Medical CenterChicagoMasiers & Doctoral Degree Programs are offeredin Biometry, Epidemiology, Environmental andOc'- ^pational Health Sciences, Industrial Hygieneand Safety, Health Sciences and CommunityHealth Sciences, Administration and Health Law,J-lealth Education, Population Sciences andInternational Health.Financial Assistance is available through PublicHealth Traineeships and Research Assistantships.Deadline to apply for M.P.H. Program isFebruary 16, 1981. Deadline for M.S., Dr.P.H.and Ph.D. Programs is six weeks prior to thequarter in which the applicant wishes to enter.For further information, write or telephone:James W. WagnerAssistant Dean for Student and Alumni Affairs,University of Illinois at theMedical CenterP. O. Box 6998Chicago, Illinois 60630(312)996-6625| The School encourages applications fromEASTm TWO WAYS HERBIE HANCOCKWIU GRAB YOURUNDIVIDED ATTENTION.“MR. HANDS?A brand new all¬instrumental album.Featuring Herbie on amultitude of electronickeyboards, plus an all-star supporting castof players.“MONSTER?Herbie’s current hit album withguest vocalists. Includes allthe latest singles like “Stars InYour Eyes” “Making Love”and “Saturday Night” There’sjust no escaping its grip:HERBIE HANCOCK. ON COLUMBIA RECORDS AND TAPES.Produced by David Rubmson S Friends Inc and Herbie HancockAdams Dad Management Co San Francisco Columbia »s a trademark of CBS Inc c t90OCBS»ncAVAILABLE AT YOUR FAVORITE RECORD STOREmIII THE BLUE GARGOYLEVegetarian Food ServiceOpen 9 AM to 1:30 PMMonday-FridayOpening January 5 for Winter TermServing:Healthy DessertsDelicious BeveragesWhole Grain BreadsGreat Soul Warming SoupsDaily Ho t En tree5655 S. University (corner of 57th & University)Inside the University ChurchBring this ad in for 50c off on our soups.Join the Episcopal Church Council this Quarter torTHURSDAY NOON EUCHARISTS AT BOND CHAPEevery week, & this January 11 forSUNDAY EVENING EUCHARIST & SUPPER5:30 & 6:00 P.M., atre?K7 BISHOP BRENT HOUSE5540 South Woodlawn Avenue Robert DeNiro as boxer Jake La Motta and Joe Pesci as his brother Joe, in RagingBullBULL HEADEDRaging BullDirected by Martin Scorsese.Screenplay by Paul Schrader and MardikMartin.Based on the book Raging Bull by Jake LaMotta with Joseph Carter and Peter Sav¬age.Starring Robert DeNiro, Joe Pesci, andCathy Moriarty.by Gary BebermanFriday 9 January 1980 Taxi Driver was a new kind of film with anew kind of vision. While director MartinScorsese embraced traditional narrative el¬ements (moral loner crusades against deca¬dent society; beautiful, blond "angel" in¬spires crusade), he twisted those devices sothey were much less familiar and seemedmuch less rational. Instead of freely choos¬ing moral alternatives his hero drove him¬self to irrational extremes (single-handedlykill a fraud, and demolish a whorehouse).Travis, the title character, did those things,not because his victims were "bad," but be¬cause he was a maniac. In Scorsese's vision,people are compelled by constant frustration. Nobody thinks; everybody reacts.That's true for taxi drivers, film directorsriding in cabs, jazz musicians, and evenrock stars. No degree of success alleviatesthe pain and dissatisfaction mystically in¬herent in people's lives. They blindly and obsessively compete with their enemies andtheir "loved ones" for control, for praise,for sex, for anything.In Raging Bull, Scorsese and screenwriterPaul Schrader have constructed anothertale of explosive obsession, and in manyways this one is better. The story is pacedpowerfully, the characters are developedmore fully, and each actor's performance isexcellent. But despite these virtues, the nar¬rative dies of schizophrenia, the hero remains enigmatic and the film is ultimatelyunsatisfying. In making the film, Scorsesetook on the senseless compulsion of his char¬acters. Raging Bull charges from conflict toconflict, but lets the energy fade away, leaving the issues unsettled and the audiencehanging.Scorsese's problem begins with his per¬ception of the main character, Jake LaMotta, who boxed middleweight in the 40'sand 50's. The film presents LaMotta's slowand strenuous ascent to the middleweightcrown and his subsequent retirement. Alongwith the fights, it examines his closest relationships, those with his wife and brother, ittreats them just like the fights. Scorsese introduces each event — in boxing ring or liv¬ing room — with identical subtitles. You canimagine how close a family he had.At home or at the fights, the raging bullmetaphor persists. Like a bull, LaMottaplows ahead. He may want to win the title,prove his manhood, or establish that hiswife and brother cheat on him (his ownimaginative construct), and he'll do it. Also,like the bull, his direction lacks consciouschoice. No goal-oriented behavior for Jake;grey city journal each accomplishment merely provides anopportunity to be compulsive about some¬thing else. The bull picks himself up andcharges again: at his opponent with upper¬cuts, at sexy teenagers with kisses, at hiswife with suspicion, or at his brother withright hooks.As you can imagine, such behavior pro¬vides many personal conflicts, and this iswhere Scorsese enters his bind. Aristotlesaid you need discovery in your plot; Scor¬sese says people are incapable of discovery,instead they create new obsessions. But ifthat's the case, how can he resolve personaltensions without self-awarness? In TaxiDriver he dealt primarily with social con¬flicts, settling the audiences' tensions andthe narrative's problems by re-establishingthe proper social order. Travis blows out hisfrustrations through a gun as he blows awaysleazy opportunists and sets Jody Foster inthe "right" path. The movie's romance,however, ends on a flat note when Travisgives Cybil Shephard a free ride home with¬out speaking. Those three minutes areclearly the most dissatisfactory part of TaxiDriver; the last 30 of Raging Bull are filledwith similar enigmatic, empty resolutions.La Motta's wife leaves him. Why? Can't besure. Does it affect him? Doesn't show. LaMotta hugs his alienated brother. Does hemean it? Can't tell. Does it mean anythingto bro? Guess so, but don't push it. Thirtyminutes of existentialism ad absurdum,especially after 90 of sex and violence, justlets the movie fade away and die.Scorsese's cinematography sets up theconflicts well. The black and-white photo¬graphy helps to create a nostalgic feel andto emphasize the characters’ harsh atti¬tudes toward each other. He used interiorsas if they are sets of adjoining boxing rings,constantly reminding us of walls whichsquare off the fight's boundary. And amidotherwise realistic photography, he injectsone interesting idiosyncracy. Just beforeeach of La Motta's emotional explosions,Scorsese shoots the scene in slow motion.The effect recalls the beginning of a bull'scharge: slow, powerful, but ending in a bar¬rage of violence.All of these tools work well unti La Motta'sretirement. Then Scorsese drops the slowmotion and has no ring with which to con¬trast his closed-in compositions. Either hedecided simply to photograph the action orhe mysteriously changed techniques drasti¬cally enough to disorient the viewer. In ei¬ther case, just as he allowed the narrativeconflicts to fade away, he ignores the visualtools associated with those conflicts. Thefilm dissipates.The first three quarters of Raging Bullare extremely enticing. The tensions in LaMotta's household and in the ring feed oneach other and propel the narrative for¬ward. The cinematography enhances thestory's conflicts. And each performer pro¬foundly portrays a solid compulsive. Unfor¬tunately, Scorsese couldn't carry thatstrength throughout; Raging Bull ends amidconfusion and ennui.greycityites iiiiiiiiiiiiiiiiitmiiiiiiiiiiiiiiiiiiiiiiHiniiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiifiiiiiiiiiiiiiiiiiiiiMiiSUNDAY BRUNCHSAME PLACE12:30 ish O'o*,, #XL® s'?'&WE THINK YOUSHOULD KNOW:there is a uniqueinexpensive alternativeto the hum-drummediocrity of campusfood.Why not try it?EAT ATTHE WHYThe Why Shop5751 S. WoodlawnIn the CTS Dorm next to RobieHouse Open for lunch 11:30 -1 30 Hours to be expandedsoon Featuring SpaceInvaders"! BigJim’sPipe &Tobacco Shop1552 E. 53rd St.(Under the I.C. tracks)9 a.m.-7 p.m. weekdays*12-4 p.m. Sundays CHINESE-AMERICAi'JRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOpen Daily11 AM lo 8:30 PMClosed Monday1318 EAST 63rdMU 4-1062GRAFF & CHECKReal Estate1617 E. 55th St.11/2-21/2-4 RoomApartmentsBased on- AvailabilityBU8-5566Available toall comersmarian realty,inc.mStudio and 1 BedroomApartments Available- Students Welcome -On Campus Bus LineConcerned Service5480 S. Cornell684-5400 STANLEY H. KAPLANFor Over 42 Years The Standard otExcellence in Test PreparationCPA • GMAT . LSAT . GRESAT . MCATFLEX . NATIONAL MEDICAL BOARDS . ECFMGNURSING BOARDS . TOEFL . VOEGRE PSYCH . G*f BtO . OXT . PCAT . OC»l • Y»TMAT . SAT ACHVS • NATIONAL DENTAL BOARDSROOIATR* 0OAROSFlexible Programs and Hoursf Cen* And Sea Forf Why W* Mane Trig'm* Any Cvounmk iEducator Cm1J1 W Mr Sinew vom 10019 TEST PREPARATIONspecialists SNCE IMSm uapr u SPuwto AcoTo*omo Canada ft Zunc*SwuanandCHCAOO Cf NTEP•319 H CM*CAcaoo. Nknota 90660(111) 794-9191ft W SUSuPftAM19 ft L« Grange Road/Surt# 20’U Grange 90525(311)993 9940■NORTH ft n w suburban474 Centra* AvgyuppM* m«m lev*ttgMand ParK iBinota 90039(319)433-7410 SPRING, SUMMERFALL INTENSIVESGNATNEXT MONTHNCAT...GRE...SAT...OATCour— GwMUnBy updaiM„ m. r, CM. SMI SMSyh Mp tees Oem C««. r mm nw fto jS Cbm ft abOUrSotN Y tTATI CAU TOU. FREE WOEye ExaminationsFashion Eye WearContact LensesDr. Kurt RosenbaumOptometrist(5* Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know the differencebetween advertised cheap glasses orcontact lenses and competent pro¬fessional service.Our reputation is your guarantee ofsatisfaction. New andRebuiltTypewriters,Calculators,Dictators,AddersU of ChicagoBookstore5750 S. Ellis Ave.753-3303 Readyto teachhomenursing,first aid,parenting, childcare,watersafety,CPR.Red Cross:Readv for a new century.Young Designs byUZABETH GORDONHAIR DESIGNERS91620 E. 53rd St.288-2900HYDE PARKThe Versailles324-0200Large StudiosWalk-in KitchenUtilities Incl.Furn.-Unturn.•Campus Bus at DoorBased on Availability5254 S. DorchesterREPAIRSPECIALISTSon IBM, SCM,Olympia, etc.FREE repairestimates; repairsby factory-trainedtechnician.RENTALSavailable withU.ofC.I.D.Mastercharge and Visa Accepted ^hajf/attes tyi/cA/karrisSftea/ Sl/a/e493-0666GOLDEN ERA HOUSE IN GOLDEN AREA, 57th &Blackstone, 9 rms, well kept brick $155,000. Cal Char¬lotte.1890 COTTAGE NEAR 54th Place & DORCHESTER. Justlisted, finished panelled basement. Full useable panelledattic space. Nice shape but small. $65,500. Call Marie.ANNOUNCING 10%% ASSUMABLE on 2M> story brickresidence near 54th Dorchester. 7 rooms, 2 fireplaces niceback yard. Needs work but worth the effort. $82,500. CallCharlotte.NINE ROOM SHEET ROCK SHINGLE RESIDENCE.NEAR 56th KENWOOD. $205,000. Ask for Charlotte.HIGH IN THE SKY - PIE IN THE SKY. LOW PRICE$31,500. This is a new listing. Owner leaving the country.Gorgeous view of city and lake. Two-plus rooms “studio”at 55th & Dorchester. Call Marie.JANUARY CLEARANCE?..RENT WITH OPTION TOBUY IN SPRING..low rent until you close at 4800 ChicagoBeach Drive. Purchase price also low, $74,800...five roomwith “wraparound” cornerwindows. Ask for Cleve.HYDE PARK/KENWOOD’S MOST SPLENDIDCOUNTRY ESTATE...Deep lot, 230’. Side drive, brickgarage w/genie door opener. Main residence, spacious,gracious parquet flooring, separate mahogany libraryformal reception room, new country kitchen with picturewindow overlooking garden, two solariums. Servantsquarters full five room apartment with own private en¬trances. Must be seen. $325,000, Charlotte.57TH & KIMBARK CONDO 6 nice rooms - new kitchenacross from Ray School. $55,000. Call anytime. Call Ken.LEAP TO LAB OR LIBARY! NEW! 2 bedroom condo(really 2 bedrooms plus study) with WBFP, yard &garage. 56th & Kimbark. Call Ken.Ken Wester (eve.) 947-0557, SalesCleveland MeC owan (eve.) 799-1419, SalesCharlotte Vilestrom 495-0666. Ilntker—10 grey city journal Friday 9 January 1980by Neil MillerI wouldn't say television and pro footballhave warped the holiday spirit, but it isgetting tougher and tougher to endure theholiday season when I hear my brother inlaw explain the meaning of the holidays tohis seven year old son.I should have suspected something wasamiss on Thanksgiving. I spent the day atthe home of my sister and brother in law.Naturally the television was tuned in tofootball. During the game, my nephewcame up to his father."Daddy, do they always play football onThanksgiving?""Yes son. Detroit and Dallas alwaysplay every Thanksgiving.""No daddy, I mean was football part ofthe first Thanksgiving? Our teacher hasbeen talking about Pilgrims and stuff. Whydo you always watch football on Thanks¬giving?”"Well, it's like this. There was this teamfrom England called the Pilgrims. Theyplayed a strange style of football so thatnobody in England wanted to play withthem. The king and his chief minister,Duke Peter of Rozelleshire, outlawed thePilgrims' style of football. In order to playtheir own kind of game, the Pilgrims de¬cided to sail to America.""Daddy, why didn't they just play thekind of football Duke Peter wanted them toplay?"My brother in law, a bit peeved, contin¬ued:"It's hard to say. Maybe the Pilgrimsknew no other way. Maybe they just stoodup for their rights, as all good Americansdo. Maybe they just were stuck in a tough division in England and took the easy wayout.""Why did they go to America?""Because in America no one cared whatkind of football you played. Besides, thePilgrims heard the existing Americanteam, the Indians, were a real pushover.So the Pilgrims came to America, and theyplayed the Indians in a friendly footballgame and everyone sat down to a big feastafterwards.""Who won the game?""That first year the game ended in a tie,so everyone was happy. They decided toplay every year. Before long, the Indianswere getting clobbered year after year.But after we took all of the Indians' land, itwas no fun playing against them. So theNational Football League was born.""But what about Miles Standish, JohnAlden and Priscilla Mullens and all thatstuff?""Well, Standish was-coach of the Pil¬grims and Alden was his star quarterback.Standish loved Priscilla but was too shy toask her to marry him. So Standish askedAlden to woo Priscilla for Standish. ButAlden also loved Priscilla and eventuallyPriscilla married him.""What did coach Standish do when hefound out?""I don't know. Maybe Alden was demot¬ed to second string. Say, I think I re¬member reading that Standish really goteven by trading Alden to the New OrleansSaints. Now shut up because I'm missingthe game. I could see the kid was taking his fatherseriously. I was going to mention to mybrother in law that he was hardly in theright holiday spirit, but Evans and theBears needed my attention more than mynephew. Besides, if my brother in lawwants to have some fun at his own son's ex¬pense, why should I tear myself away fromthe television to set things straight.However, when I went back to my sis¬ter's place on the Sunday after Christmas,my brother in law went too far. We wereabsorbed the whole day watching the firstround of the NFL playoffs. My nephew wasplaying with some of his new toys andmaking quite a racket. My brother in lawglared at my nephew."Will you stop making all that noise?""Please play with me daddy. I love thishelmet and shoulder pads you boughtme.""Daddy is watching the game right nowand wili play with you later.""Why do you always watch football ontelevision during the Christmas holidays,daddy?""Son, sports is as old as Christmas it¬self.""I don't understand.""You see, many centuries ago, therewas this hot shot rookie in a stable in Beth¬lehem. This kid was so good that stardompointed towards him from the very begin¬ning. The Shepherds wanted him to playfor them, so they sent three scouts to try tosign him up. They brought him presentsand everything." "Daddy, what about the three wisemen?""Herod, head coach of the dominantteam of the time, the Romans, was wor¬ried that the local team, the Jews, wouldfind a new star for their team and chal¬lenge the Romans' superiority. The threewise men warned Herod of just such a potential prospect in Bethlehem. Herod sentthe wise men to check up. Sure enough thewise men found the kid in the stable on thesame night that the Shepherds did. Thekid, Jesus that is, was showered with gifts,but ended up not playing for either theRomans, Jews or Shepherds. He got somepeople together and started his own team,which became the dominant team in a cou¬ple of centuries.""Daddy, I don't get it. You're telling meJesus played football or started a team orsomething. I thought Jesus was the basisof our religion.""Son, what could be a better way tospend our God-given Sunday than bywatching football. Haven't you noticed profootball is usually played on Sunday?"I could not take it anymore. Since it wasnow halftime, I got up from my chair andscolded my brother in law."How can you go and tell your son suchstories about football and Christmas?"' What do you mean?", he replied inno¬cently."That boy took you to heart", I said."He'll probably always think watchingfootball on television is a religious celebra¬tion of Thanksgiving and Christmas.""I Know", beamed my brother in lawproudly. "He'll become part of the greatAmerican tradition".I was going to argue further but the sec¬ond half started.THE HOLIDAY BALLTHE UNIVERSITY OF CHICAGOTHE UNIVERSITY HOUSE SYSTEMApplications for the positions of Resident Head and Assistant Resident Head on the staffof the University House System for the 1981 -82 academic year are now being invited fromfaculty, administrative staff, and advanced graduate students working toward the Ph.D.or a professional degree.Candidates for Resident Head should be at least 25 years of age. Applications are wel¬comed from both married couples and single people. Assistant Resident Head positionsare open to graduate and undergraduate students who are single and at least 20 yearsof age.Members of the Housing Staff live in the University Houses. They provide informalguidance to residents and work with students to promote a variety of cultural, social, andathletic programs to enhance the Houses as communities supportive of the educationalprocess.Persons interested in applying for staff positions may obtain further information from theAssociate Dean of University Students and Director of Student Housing, Administration232. The selection process will include a series of personal interviews in the Winter andSpring Quarters. Applications must be submitted before the deadline of March 1. Earlyapplications are encouraged.sFriday 9 January 1980 grey city iournal -11—Xby Lee Sorensen-12 grey city journal Friday 9 January 1980The Chicago Maroon — Friday, January 9, 1981 — 19Looking back at it, our friend appears rather shortsighted. In 1864, The Travelers had just starteddoing business. He was concerned about the uncertain world situation and decided to stick with a jobwith a future. So he turned down our offer and went on selling blacksmith supplies. The rest is history7.Our point is, in the hundred-plus years we’ve been doing business, The Travelers never lostfaith in the future. Through good times and bad, we’ve achieved our growth by daring to innovate. In1864, w7e were the first company to insure against accidents. In 1919, w7e w7ere the first to offer aircraftliability insurance. In 1979, we were the first company to install the Distributed Claims ProcessingComputer - the fastest way there is to pay claims. We could go on, but you get the point.Today, The Travelers is a Fortune 500 company with wide-ranging career opportunities inaccounting, sales, engineering, underwriting, data processing, finance. We’re taking the lead to make sureno man or w7oman at The Travelers is shortchanged when it comes to having an equal opportunity to succeed.*Our Representative will be visiting your campus on January 13. Your PlacementDirector has additional information.At The Travelers, wre’re ready to meet the future, starting yesterday.The Travelers Insurance Companies, One Tower Square, Hartford, Ct. 06115An equal opportunity employer M/R THE TRAVELERSLETTERS TO THE EDITORonly aggravate the government repressionin El Salvador. Consequently, we adamant¬ly oppose any American military aid to ElSalvador and call for the withdrawal of theAmerican advisors. We support the right ofself-determination and oppose any overt orcovert intervention.Any one in agreement with us, or anyonewho isn’t but is willing to give us a hearing,is welcome.Hugh WilsonCondo Board ExplainsTo the Editor:We are aware of the bad feelings that clos¬ing our gates to through foot traffic hascaused within the community. UniversityPark Condiminium (UPC) in the middle of55th Street is one of the best know land¬marks in Hyde Park, and we want harmoni¬ous community relations.All of us remember with nostalgia the pre¬vious years when UPC was an open thor¬oughfare, but UPC is owned no longer by alarge impersonal company. It is owned bythe people living there, your neighbors. Inorder to create a first-class condominiumthat you as well as we can be proud of, clos¬ing off foot traffic is essential.By law, we are required to keep the poolinaccessible for your family’s safety. Al¬ready, UPC is faced with pending litigationfrom a non-resident allegedly injured on ourproperty while “passing through”. More¬over, we would have vandalism, noise, andsecurity problems, and would deteriorateour residence unacceptably.We realize all changes create unwantedside effects. In this case, some neighborsare forced to walk greater distances. Wehope that those individuals will accept ourapologies for that inconvenience. Think ofthe corner house which had ugly paths worninto the lawn by “short cutters” until a pick¬et fence was erected. We were in the sameVictim Praises SecurityTo the Editor:As a recent victim of a robbery at 57th andDrexel, I had the opportunity to call on thecampus security. They responded immedi¬ately. They radioed my description of myassailants to the rest of the security force,and within five minutes had caught themcrossing the midway. The alleged assailantsare currently in police custody awaitingtrial. Campus security acted swiftly, effec¬tively, and professionally. I sincerely thankthem, and commend them for a job welldone.James Paul CroninEl Salvador GroupTo the Editor,This coming Tuesday, Jan. 13,1981 will in¬augurate the formation of a new organiza¬tion on campus: The Committee Assembledthe Unite in Solidarity with El Salvador.We hope to make the university communi¬ty more aware of the situation in El Salva¬dor and the (ominous) threats of a LatinAmerican Vietnam. El Salvador is the focalpoint of the region, a country that clarifies,that magnifies, as though it were a lens, thecontradictions of all the underdevelopedcountries of the Americas.As with Vietnam, the American govern¬ment has chosen to identify itself with a cor¬rupt, barbarous regime supported only bythe multinationals and the oligarchy, a re¬gime maintained against the will of the peo¬ple and sustained by American economicand military aid.In agreement with the United NationsGeneral Assembly, Amnesty International,the National Conference of Catholic Bish¬ops, The Catholic Church of El Salvador andthe assassinated Archbishop of El Salvador,Monsignor Romero, we believe that armsshipments and collateral military aid will situation. As in the case of the homeowner,we could maintain our property best byfencing it, and maintaining our property isone of the best things we can do for the com¬munity as a whole.Board of Directors ofUniversity Park CondominiumLamberty Says StopTo the Editor:While I am most grateful for the supportand encouragement that I have receivedsince my eviction from the Shoreland, Imust ask — in fact, demand — that all ef¬forts to promote my cause be stopped. Thisis not because I have had a change of heart.I still believe that my eviction was unjusti¬fied and that the Lachs are the wrong couplefor the job of Resident Master. The effortsmust be stopped because the aboveboard,constructive attempts of the majority haveattracted a hateful and malicious few whohave done great harm to the Lachs and anumber of others connected with lastspring’s incident. It is my hope that whenthe majority treats the subject as closed thefew will follow their lead. The messagewhich Mike Schley and I tried to get acrosshas been heard loud and clear. There is noneed to pursue the matter further.Tom Lamberty CTA CutsContinued from page 1CTA routes to the IC. Bloom said, however,that no such proposal is now under consi¬deration. The availability of such transfers“was a main purpose of the RTA,” Bloombelieves.Bloom said he fears that cuts may becomepermanent if the state Legislature cannotbail out the RTA before June, and he said“interim funding together with a long-termprogram” would be essential.The proposed service cuts, said Currie,have also raised the question of CTA dis¬crimination against black riders. AlthoughChairman Barnes denies that cuts were dis¬criminatory, Currie said, the “cuts weredisproportionately on the South Side.” Cur¬rie said, however, that this would probablynot become an issue as long as the servicecuts are still in the “proposal” stage.In addition to the elimination of 22 dailybus routes in the city, the CTA has also an¬nounced plans for a series of fare increasesto ease an expected $150 million deficit inthis year’s budget of the Regional Transpor¬tation Authority (RTA), of which the CTA isa part. The basic bus and el fares went from60 to 80 cents on January 1, and will jump to$1 by August 1. These increases will makeChicago’s bus fares the most expensive inthe country.Chicago Style By Peter ZaleJeez! cm glad i gotAway from those guys/I coold have drownedIN ALL THAT CYW/ajH.' Admit it.uike.. THERE'SSomething Attractive AhourCYNICISM.. SOMETHIN*EAST.SPECIAL DISCOUNT PRICESfor all STUDENTS, STAFF,and FACULTY MEMBERSJust present your University ofChicago Identification Card. Asstudents, Faculty Members or Ad¬ministrative Staff you are entitledto special money-saving DIS¬COUNTS on Chevrolet Parts. Ac¬cessories and any new or usedChevrolet you buy from RubyChevrolet. 72nd & Stony IslandOpen Evenings andSunday684-0400krrp Hal (rirul G 1/ FrrUagHut, OL\LI\FOMtJaruSPECIAL DISCOUNT PRICESfor all STUDENTS, STAFF,andf ACUITY MEMBERSk Just Present your University ofChicago Identification Card. Asstudents, Faculty Members orAdministrative Staff you are en¬titled to special money-savingDISCOUNTS on Chevrolet Parts.. Accessories and any new or usedChevrolet you buy from Ruby^^Chevrolet.k Parts OpenSat.'til noon2 Miles-5 MinutesAway FromThe UNIVERSITY20 — The Chicago Maroon — Friday, January 9, 1981 ©copyright1980PeterZaleSPORTSMaroons Net FourBy Mike OcchioliniThe men’s varsity basketball team contin¬ued its winning ways last Tuesday, defeat¬ing Nazareth College G9-58 at the Field-house.The Maroons have won four of their lastfive games, starting with a victory over Oli¬vet College 78-64 on December 6. On Satur¬day, December 13, Chicago defeated RosaryCollege 98-73, on the strong play of ShawnMahoney, who came off the bench to leadthe Maroons with 25 points. Pete Leinrothalso contributed 17 points and 9 rebounds forChicago.The University of Chicago Holiday Tour¬nament, on December 17 and 18, saw theMaroons play host to John Wesley College,Mount Mercy College, and Grinnell. Chica¬go’s first round opponent was Grinnell, andLeinroth led Chicago with 14 points and 10rebounds, disposing of Grinnell by a score of73-57. In the other first round game, MountMercy advanced into the final game againstChicago by defeating John Wesely. Chicagolost the tournament championship 55-52 to Mount Mercy in a game not decided until thefinal seconds. Chicago and Mount Mercywere tied at the half 31-31, and Chicago re¬mained within reach in the second half de¬spite going scoreless for two long stretchesof eight and four minutes. Chicago’s EricKuby evened the score at 52-52, hitting twofree throws with 52 seconds left. Pat Toheyscored a field goal for Mount Mercy with 39seconds left, and another foul shot by MountMercy clinched the 55-52 victory. GuardWade Lewis led the Maroons with 18 points,and freshman center Mike Shackletonpulled down 12 rebounds for Chicago.Last Tuesday’s night victory against Na¬zareth by a score of 69-58 raised Chicago’srecord to 5-3. Chicago and Nazareth ex¬changed the lead in the early going, and at13:27 Chicago gained the lead 10-9, never re¬linquishing it. Chicago then proceeded tooutscore Nazareth 26-12, opening up a four¬teen point lead at halftime 36-21.Lewis led Chicago in scoring in the firsthalf with 13 points, hitting 5 of 6 from thefield and a perfect 3 for 3 from the foulline.Chicago forced Nazareth to turn the ballRefs, Nuts Clamp ChampsBy David GruenbaumN.U.T.S. defeated the Champs in a gamefor the independent division lead, Wednes¬day. It was supposed to be the key mat¬chup of the independent league, but itturned out to be a farce. Both the Champsand N.U.T.S. shot well in practice, makingall kinds of outside shots, but when thegame began both teams came out shootingcold. Most of the points in the first halfcame on layups and foul shots, due mainlyto poor outside shooting and good defen¬sive play by both teams. At the half,N.U.T.S. led 16-15. The fireworks started inthe second half. First, Don Pasulka ofN.U.T.S. was called for charging on a playwhere the defensive man was in back ofhim, a seemingly impossible foul. LaterJeff Foreman of the Champs was calledfor a moving foul in which he was run intoby a man in an obvious charge.Things got worse, as the referees beganto lose control of the game. The Champswere called for two technical fouls and thegame began to border on the ridiculous.Somewhere amongst all the excitement,the Champs lost a seven point lead asN.U.T.S. mysteriously gained four pointson a two point play to take a 37-35 lead.N.U.T.S. proceeded to run out the game asPete Karabas of the Champs was forced totackle a N.U.T.S. player in order to get thereferees to call a foul. Hopefully whenthese two meet again in a few weeks, it willbe a much better game. Certainly a game of such importance should have the best of¬ficials available.Turning to other games, BasketballTeam defeated Average White BasketballTeam 56-20. It was a good game for intra¬mural’s most pathetic basketball team asthey piled up a season of high of twentypoints. In a key move, AWBT decided todecline shooting a technical, figuring itcould only hurt their morale.In other sports, men’s and women’s rac-quetball entries are due on Wednesday.♦Games to WatchN.U.T.S.—AVERAGE WHITE BASKET¬BALL TEAM Mon 8:30 Court 2Spread: N.U.T.S. by 99 ...After their bigvictory over the Champs on Wednesdaynight. N.U.T.S. should roll. AWBT is com¬ing off its best game having lost to Basket¬ball Team by only 36, but should present noproblem for the independent league divi¬sion leaders.HITCHCOCK—PHI GAMMA DELTA Mon7:30 BartlettSpread: Hitchcock by I...After a toughovertime loss to Upper Rickert at the endof last quarter Hitchcock should comeback to win an important match with divi¬sion-leader Phi Gamma Delta.CHAMBERLIN-DUDLEY Sat 11:00 Bart¬lettSpread: Dudley by 4...Rematch of lastyear’s undergraduate championship. Dud¬ley has looked a little better this year, andtherefore they got the nod. of Last Five Gamesover late in the first half, and many ofLewis’ points came on breakaways due tothese turnovers. Chicago shot 55 percentfrom the field, while Nazareth made lessthan 30 percent of their shots. Nazareth,however, outrebounded Chicago 20-15.Nazareth came out strong in the secondhalf, quickly cutting the Maroons' fourteenpoint lead to six at 39-33. Nazareth was ledby forward Chris Werme, whose hot shoot¬ing helped Nazareth close the gap. Nazarethcontinued to play well, pulling to withinthree points at 48-45. Nazareth looked muchquicker in the second half, and Werme con¬tinued his strong performance, hitting sevenof his first eight shots. The game remainedclose up to 58-55, as the point guard for Na¬zareth, Steve Rider, scored 8 points to keepNazareth within reach. Chicago’s offensesettled down, however, and their four cornerspread formation allowed them to open a tenpoint lead 64-54. Chicago was able to main¬tain its lead, winning 69-58.Shackleton’s accurate outside shootingand Leinroth’s offense enabled the Maroonsto withstand Nazareth’s strong second half surge. Lewis led Chicago with 17 points,with Leinroth and Shackleton adding 16apiece. Chicago, however, was out rebound¬ed by Nazareth 31-26. The Maroons continueto have difficulty in the rebounding depart¬ment, even against Nazareth’s relativelysmall squad, and could have considerabledifficulty when facing some of the tallerteams in conference competition.Chicago has its first conference game thisSaturday at the Field House againstLawrence University. The game starts at3:00, and it’s keg day, with a free keg goingto the dorm with the highest percentage ofits members present. Saturday’s game wrillbe broadcast on WHPK.Basketball NotesThis is only the second year of varsitycompetition for the Nazareth Moles, whosenickname is due to the underground pas¬sageway between the dorms and classes.Freshman Steve Lines left the team latelast quarter, and senior Bob Kusik wasadded to the rosterCAREERS IN SYSTEMS,DATA PROCESSING andINFORMATIONCONSULTINGOur representatives will be at the CareerCounseling and Placement Office todiscuss career possibilities in systems,data processing and informationconsulting. We have outstandingopportunities for 1981 graduates of theCollege.January 21,1981.ArthurAndersenAn Equal Opportunity EmployerThe Chicago Maroon — Friday, January 9, 1981 - 21 PhotosbyDanTaniCALENDARBudget from page 1minded faculty members that the $3.9 mil¬lion figure is a maximum, and may be re¬duced by the end of the fiscal year, as wasthe case last year, when a projected deficitof $3.8 million was reduced to $2.6 million bythe time the year ended. Dam said that theUniversity still plans to balance the budgetby the 1982-83 fiscal year.Dam, who assumed the University’s sec¬ond highest’s office on July 1, also gave a re¬view of the University’s fiscal history in the’70s in his report. Dam painted a grim pic¬ture of that history, a period marked by adrop in endowment income, a levelling off offederal research spending, a dip in enroll¬ment, sharply rising energy costs, and a de¬cline in the proportion of endowment incomemade up of unrestricted income.Like nearly every other major university,the University of Chicago suffered financial¬ly during the 1970s from the aftereffects ofits rapid growth during the 1960s. Duringthose years enrollments rose, the economywas strong, and federal funding of researchgrew dramatically. When the boom fadedaway during the early 1970s, universitiessuddenly faced the problem of how to fi¬nance their expanded operations with fewerstudents, a weakened economy, and aslower growth in federal spending. In thelast three or four years, the University’s fi¬nances have begun to adjust to these cir¬cumstances, partly as the result of tightercontrols on spending and more cautious fi¬nancial management.During the decade, the University turnedto tuition increases to help adjust for the de¬clines in other sources of income. The cost oftuition, room, and board more than doubledfor students in all divisions during the de¬cade. Each undergraduate paid a total of$3585 in fees in 1970-71, a figure whichjumped to the present level of $7915.According to Dam’s report, tuition ac¬counted for 40 percent of unrestricted in¬come in ’70-’71, compared to this year’s fig¬ure of 49 percent.During the same period, the amount of fi¬nancial aid appropriated by the Universitydipped sharply and only in 1979-80 did itclimb above the $10.1 million spent in1970-71. Dam said in the report, however,that federal and state financial aid pro¬grams grew substantially during the de¬cade, and partly offset the slow growth inthe University’s financial aid programs.University students received a total of $2million in aid from external sources lastyear, Dam said.Despite the size of the past decade’s tu¬ition increases, Dam’s report said, the costof tuition has risen only slightly as a per¬centage of the median family income —from 36.3 percent of the median in 1970-71 to37.1 percent in the current year.Faculty families have fared far worsethan the families of students during the pastdecade, according to the report. The pur¬chasing power of faculty, the salaries at all levels dropped steadily through the decade.In 1979-80 dollars, the average salary for afull professor has dropped from $52,200 in1970-71 to $42,500 in the current year.“In an effort to arrest and even reversethis deplorable trend,” the report said,President Gray and the Trustees haveagreed to a large faculty salary increase inthe coming year. The salary increase, thelargest in the University’s history, will ap¬proximately equal the rate of inflation, ac¬cording to Dam. He said that precise figureson the size of the salary increases were un¬available. The report said that further facul¬ty salary increases are planned for the com¬ing years. “We may hope that a return tosmall increases in real terms may soon beachieved,” the report said.The money for faculty raises will comelargely from tuition increases. “Since theteaching function of the University is fundedlargely from the unrestricted budget, theconclusion is inescapable that tuition mustrise to meet added costs of instruction,” thereport said.The report also addressed the issue of fac¬ulty size, and said that some additional re¬duction in the number of faculty memberswill be necessary in the coming years. Thesize of the faculty fell from 1167 in 1970 to1066 in 1978, but has remained virtually un¬changed since then. “In view of the in¬creased dependence on tuition income to theactivities of the University and with reducedjob opportunities for Ph. D.’s having led tolower enrollments in some of the divisions,some reduction in the overall size of the Uni¬versity is a precondition to financial equilli-brium. Financial disequilibrium seems cer¬tain if we do not adjust the size of theUniversity to the past decline in the size ofour student body and the all-too-apparentlimitations on resources.”Readyto teachhomenursing,first aid,parenting,child care,watersafety,CPR.Red Cross:Ready for a new century FridayCrossroads: English classes for foreign women,10:00 am to noon. 5621 S. Blackstone.Dept, of Economics: Seminar on LongitudinalData Analysis and Survey Design. 12:00-2:00,Main Conference room, NORC.Geophysical Sciences Colloquium: “Intense Con¬vective Systems" speaker Frederick Sanders. 1:30pm. HGS.Center for Middle Eastern Studies: Arabic Circle:“The Palestinian Victory: The Recognition of thePalestinian Liberation Organization” speakerMundhir al-Qutb, 3:30 pm. Pick 218.Dept, of Economics: Economics of UncertaintyWorkshop and Economic Theory Workshop—"Cost Allocations via Prices,” speaker LeonardMirman and Yair Tauman, 3:30 pm, Ro 11.Hillel: Reform-Progressive Services, 5:30 pm, Hil-lel.Gymnastics Club: Meets 5:30 pm, Bartlett gym.Beginners welcome.Hillel: Adat Shalom Shabbat Dinner, 6:00 pm,$3.00 Hillel.Doc Films: “All That Jazz” 6:30, 8:45 and 11:00pm, Cobb.Hillel: Lecture-“The New Anti-Jewish Attitudesin the Middle East” speaker Prof. Daniel Pipes,8:30 pm, Hillel.SaturdayHillel: Yavneh (Orthodox) Sabbath Service, 9:15am, Hillel.Hillel: The Upstairs Minyan (Conservative-Egali¬tarian Services) 9:30 am, Hillel.Kinetic Energy: Creative Dance and MovementGroup meets 11:00 am, Ida Noyes Dance Room.Crossroads: Buffet dinner, 6:00 pm. No reserva¬tion necessary. 5621 S. Blackstone.Doc Films: “Kramer Vs. Kramer” 6:30, 8:30 and10:30 pm, Cobb.Law School Films: “The Wizard of Oz” 7:15 and9:30 pm. Law School Auditorium.Pub: Live music featuring the Pete Baron Jazztet9:30 pm-12:30am membership required.ISundayRockefeller Chapel: Ecumenical Service of HolyCommunion 9:00 am. Discussion class—10:00 am.University Religious Service, 11:00 am. Hillel: Lox and Bagel Brunch, 11:00 am. $1.50 persandwich, Hillel.Law School Films: “The Wizard of Oz” 2:00 pm.Law School Auditorium.Crossroads: Bridge at 3:00 pm. Beginners and ex¬perts welcome. 5621 S. Blackstone.Concert: “Ap Shenkin” Ensemble: “Traditional”music for traditional instruments, 5:00 pm, I-House, 1414 E. 59th st.Doc Films: “The Memory of Justice” 7:15 pm,Cobb.Women’s Union: Meets 8:00 pm, Ida Noyes.MondayCrossroads: English classes for foreign women,10:00am to noon, 5621 S. Blackstone.German Table: Meets 12 noon in the Blue Gargoyleto speak German.The Christian Science Organization: Weekly mtg,2:30-3:30pm, Gates-Blake 428.Dept of Chemistry: “Electron Transfer Reactionsof Excited States of Metal Complexes” speakerProf. Norman Sutin, 4:00 pm, Kent 103.Kundaalini Yoga Society: Applied Intelligenceand Yogic Techniques-a free lecture/Demonstra-tion by Gurushamsher Singh. M.A., 5:00 pm, IdaNoyes East Lounge.Gymnastics Club: Meets 5:30 pm, Bartlett gym.Beginners welcome.Hillel: Beginning Yiddish, 6:00 pm. Hillel.Chess Club: Meets 7:00 pm, Ida Noyes 2nd fl,winter tournament, 60 cents entry fee.Doc Films: “Docks of New York” 7:15 pm, “Thun¬derbolt” 8:30 pm, Cobb.Hillel: The Sabbath Eve At Home: The Prayers,Songs and Customs of the Sabbath Meal, 7:30 pm,Hillel.M.A.R.R.S.: Party, 7:30 pm, Ida Noyes. Bringmunchies to share.First Chair Series: Joseph Golan, violin, 8:00 pm.Pierce Hall. Free.TuesdayPerspectives: Topic—"Is There A Difference Be¬tween Early and Later Reading?” guests ThomasTrabasso, Lynn Stoll and Beau Fly Jones, 6:09 am,channel 7.("STUDENT GOVERNMENT'!MEETINGTHURSDAY, JdlllMRY 13ID4 MOY£9, 3RD FLOOR22 — The Chicago Maroon — Friday, January 9, 1981 BOOKSTOREPOWELL’SBOOKSTOREafei'n CLASSIFIED ADSCLASSIFIEDClassified advertising in the ChicagoMaroon is 75 cents per 30 characterline. Ads are not accepted over thephone, and they must be paid in ad¬vance. Submit all ads in person or bymail to The Chigago Maroon, 1212 E.59fh St., Chicago, IL 60637. Our officeis in Ida Noyes, room 304. Deadlines:Wed. noon for the Frl. paper, Frl. noonfor the Tues. papers.SPACEThird roommate needed to share largeapt. Convenient to shopping, transporfation. $137 per mo. Call 241-6380 or643-9830. 1975 Mercury Comet, green, cpe. 6-cyl., auto., P/B, P/S, air cond., new(Sept.) shocks, brakes, muffler, bat¬tery; Dec. tune-up and snows plus 5good tires: only 38,000 miles. Excellentcond. $2150. 493-2684.1980 Pontiac Phoenix fron wheel drive,air-;cond, defrost, am-fm radio, snowtires, kept in garage a real Bargain on¬ly 12,000 miles. Asking $6000 butnegotiable call 363-2567 after 10 pm.Full size bed perfect condition $75.00.947-9641.Moving must sell upright piano Esteybrand $500 or best offer 947-2655 days363-5267 eves wknds ask for Janineleave messg.Female room ate wanted to share 5rmfurnd apt at 55th & Everett non- SERVICESsmoker. Rent 50. Call Pat, day:886-3717; evenings: 955-2188.Lg. 5 rm-2bdrm English bsmt. aptArea 53rd and Maryland-nearOsteopathic Med. Center $275 mo +sec. 643-4640 or 667-4875.Female roommate wanted for ownroom in three-bedroom apt., $115/mo.,56th and University. Call 643-2454.Room mate wanted 2 bedroom 2 bathroom apt excellent condition on cam¬pus pref grad student call Elaine eves955-8373 leave message 787-0479.For rent avail immed 3 bdrms, 2baths, E Hyde park. Prefer faculty,staff, grad couple/family 288-0641.STUDIO APT for rent. Semi-turn. 24-hr sec., N. view, 9th fl. $300/mo. 6-9mo. lease w/opt to renew. 55th nr Dor¬chester. University Pk Condos.947-9039 days + eves.PEOPLE WANTEDAIRLINE JOBS-Free info Nationwide-write Airline Placement Bureau 4208198th SW 1101 Lynnwood, WA 98036Enclose a self addressed stampedlarge envelope.Part or Full Time work from home,processing mail or typing. Experiencenecessary. Excellent income poten¬tials Information, send stamped, self-addressed envelope. Mr. Breen, P.O.Box 624, Severna Park, Md 21146VOLUNTEERS WANTED:Overweight women wanted for hor¬mone study. Required ages 18-35,200-300 lbs. For more info, call947-1825.MANUSCRIPT TYPIST (English,Spanish, French). Part-time (12/15hours week) school year, full-timesummer if desired. Will be trained totype camera ready copy on IBM com¬posers. Must type 55 WPM Top stu¬dent rates. Skill in grammar/composi¬tion. Contact George Rumsey, Community and Family Study Center.753 2518Male Desk attendant 3 eves per week.Lehnhoff School of Music and Dance,1438 E. 57th St 288-3S00Jr Programmer. U of C ResearchCenter. SPSS, SAS or FILEBOL. 20hrs/wk, $5.94/hr. min. Need Im¬mediately. Call Ralph Bell 753-4188Bi lingual English and Japanese, Ger¬man, French or Spanish? Earn extramoney part time. Subustantial profitmust be married and have a car. Forappt 667-4339 eveningPart time sales any one can do fromhome. No parties. No door to door.Adults. 667-4038 after 5 pm.FOR SALEPlymouth Barracuda, 36,000 mi.AM/8-track, runs great. 643-9830. etude bowling ana parties, gamesnites, and ethnic dinners. We alsosponsor the JEWISH SINGLESDATING DIRECTORY, a matchmak¬ing service for Jewish Singles of allages. For further information, writeus at: P.O. Box 2400, Chgo 60690 or callthe JEWISH SINGLES HOTLINE(312) 248 2661. FOLK DANCEWORKSHOPLearn the Hambo and beginning Scot¬tish dancing. Cloister Club, 1-5 pm onDec. 10th (Saturday). $2.00.LOSTAND FOUNDFOUND: Black Doberman, female,friendly Cali 324-8018 eves.RIDESShare Drive-Away ride to L.A. 7 daytrip. Leave Chicago Jan. 15: 753-0344.COFFEEHOUSEDEC-20 SEMINARS THEATISEcian. Fresh baked goods, coffees,teas; relaxing atmosphere; fireplace.50 cents cover. MUSICPAUL BEMPECHAT, Concert pianist,in an all-Schubert program. Monday,January 12. 8:00 pm. Goodspeed Hall.FREESISYPHUS CHILDCARE SCHUBERTExistieren Sie noch? Ich mochte mitSle sprechen TPR v2 C Exc. full-time care for infantavailable. Stimulating environ.684-2820.THE WRITER'S AID. Editing andwriting: flyers, pamphlets, reports,books, ghost-writing; resumes;creative pieces. Prompt, professionalservice. 288-1911.TYPIST-Disseration quality. Helpwith grammar, language as needed.Fee depending on manuscript. IBMSelectric. Judith 955-4417.ARTWORK-Posters, illustration, let¬tering, etc. Noel Yovovich 493-2399.TYPIST: Competitively priced, highquality work by freelance writer. Pro¬mpt; minor editing without charge.Call after 6 pm 472-2415 or 472-0860.The Chicago Counseling 8<Psychotherapy Center. Client-centered psychotherapy. 5711 S.Woodlawn, 6354 N. Broadway and 111N. Wabash, Chicago. A RegisteredPsychological Agency. (312 ) 684-1800.Carpenter 5 yrs exp. will exchangework for rent or room in U of C area338-5615.Professional typing of resumes, thesis,reports, forms-reasonable rates callMidwest Secretarial Service 235-5417PERSONALSWRITER'S WORKSHOP (PLaza2-8377)Green Lady If your orange or wazuneed a foot rub give me a call.ChicanoYOU MAY STILL ENTER ASSASSINBY LEAVING YOUR NAME & PICAT BJ 242 OR SIGNING UP TODAYIN COBBJohn W. Booth says “Rules for all usassassins are available today in Cobb-get yours now!JOHN LENNON1940-1980In loving memory and in fond tribute.Sholom Singles presents "The YellowSubmarine" and "The MagicalMystery Tour" plus selected Beatleshorets, January 17 at 7:00 pm at theTemple Sholom, 3480 North LakeShore Drive. Admission Members:$2.00; non-members. $4.00. For moreinfo: Call 525-4707 (days); 324 3686(evenings/weekends).UC PEP BANDWe are inviting musicians of allabilities (especially brass players) tojoin us at the Henry Crown FieldHouse tomorrow after noon for the UC- Lawrence basketball game at 3:00.For further info call John Harris643-1735 (753-2105) or just show up atthe game. ALTERED STATESFree tickets to a Jan. 12 screening atMcClurg Ct. Available now from SAO,Rm. 210, Ida Noyes. ^MINI-COURSESBrochure now available from Rm. 210,Ida Noyes. Registration next week.See back page for info.COMECome to see the ultimate in horror onTuesday January 13, HALLOWEEN at7:00 and 9:00 and THE NIGHT OFTHE LIVING DEAD at 11:00 at KentHall. Separate admission for eachshow.COMPUTATIONCENTERCOURSES ANDSEMINARSWinter quarter schedule is nowavailable. Course in FORTRAN andSAS. Seminars are introductions to:Mail-Manager, DECsystem 20,TREATISE, EDIT, SuperWylburMACRO, SCRIPT, DISSPLA, andTELL-A-GRAF. For more information, come to main ComputationCenter, Rl C-B37 or Business Office,5737 S. University, or call 753-8400.KUNSTKRIEGThe Sex Anarchy Party is starting ajournal of guerrilla artfare. Firstmeeting of said journal is 8:30 pm WedJan 14 INH Memorial Room. All arewelcome. An introduction to the ComputationCenter's DEC-20 computer, willbegiven Tuesday, January 20, 4:-5:30,Cobb 107. Introduction to EDIT on theDEC -20 will be held Thursday,January 22, 4:00-5:30, Cobb 107. Allwelcome, no charge.KETCHUPSex Anarchy Party first WinterQuarter meeting Jan 13 Tu at 7 pm Wewill discuss our plans for taking overStudent Government.FOLK DANCINGJoin the Country Dancers everyWednesday for an evening of English,Scottish, and American folk dancing.Live music by Hit and Miss DanceBand (Musicians welcome) Dancing8-10:15, refreshments follow. Free.Cloister Club. Use the computer to format disserta¬tions is accordance with University re¬quirements. Comp-Center seminarwill illustrate use of the TREATISEprogram. Wednesday. January 21,3:30-5:00 pm, Classics 10. All welcome,no charge. No previous computer ex¬perience necessary.ASSASSINS-KILLDUE TO LATE ENTRIES THESTART OF ASSASSIN HAS BEENDELAYED. RULES AREAVAILABLE TODAY IN COBBSTAYTUNEO FOR FURTHERDETAILS. Two Sonatas performed by PaulBempechat, concert pianist. Monday,January 12. 8:00 pm, Goodspeed Hall.FREEPLAY IT AGAINSam, Paul, Nick, Tom...at the S.G.Post Libris Coffeehouse. Fridays..thisweek-Nick Filippo and Paul Bartone.Frog and Peach, 9:30-1:30.FREECOFFEEGuitar and piano at Post Libris thisFriday, Frog and Peach, (HN9:30-1:30LANGUAGECLASSESLIVE MUSICFLASH!“Flash Gordon, Space Soliders"begins on Monday. Chapter 1: ThePlanet of Peril. Don't miss it! 12:15Reynolds Club Lounge.THEATREDISCOUNTS Saturday night live music at the Pub inIda Noyes Hall FEATURING THEPETE BARON JAZZTET.9:30pm 12:30 am. Membership re¬quired.FREE TICKETSTo the Folk Festival! We need peopleto cook, drive, answer phones, put upperformers, etc. For more info, callDan, 493-6850 or Lee, 955-5770.NEW CLASS ATHILLELFOUNDATION"The Sabbath Eve at Home: ThePrayers, Songs and Customs of theSabbath Meal, “Beginning Monday,Jan 12, 7:30 pm, Hillel Fon. 5715Woodlawn Avenue.TRANSCENDENTALMEDITATIONIntroductory Lectures Weds Jan. 14,Noon or 7:30pm. Library in Ida Noyes.TM relieves stress. Spanish, German and French classesresuming at Crossroads next week.Call 684-6060 for information.YOGA FOR LUNCHA great way to give yourself a breakfrom a stressful day. Gently exercizeyour body. Learn to relax your mind.Classes will emphasize physical adjustment (back pains, headaches) andstress copping techniques.We meet M,W 12-1 pm ida Noyes Hall.THE MISFITSAre back and available to play at yournext party. Standard and originalRock. Call Steve Katz at 947-5345 byday or Terry at 667-6212 evenings.SATURDAY DINNERAt Crossroads, 5621 S. BtackstoneResuming Jan. 10, 6:00 pm. A goodhome-cooked meal with beverage,dessert, and coffee. Only $2.50.KUNDALINI YOGA HALLOWEENandTHE NIGHT OF THELIVING DEADTuesday, January 13th,Kent HallHalloween 7:00 and 9:00The Night of the Living Deod 11 OOft.OO admluion moth ihowDiscount for for N of LD ffa Halloween patronSAVE BIG onCALCULATORSYoga classes starting now! Come toour free lecture/demonstration. Thisquarter each class will emphasize aspecific RESOURCE! (E g courage,commitment, flexibility, coordination,creativity, compassion). We willdevelop each resource through yogictechniques. These will allow you todiscover, enhance and apply theresources. We meet M,F 5-7 pm IdaNoyes Hall. m HEWLETTPACKARDHP41C $189.00Optical Wand .. .99.99Card Raodar .. 169.00Printer 289.00HP 97 569 99HP 67 288 99HP 38C 114.99HP 371 58 99HP34C 114.99HP33C 68.99HP 321 42 99 HP 41C$189.00For Evita, Children of a Lesser God,Sweeney Todd. Rm. 210, Ida Noyes.ELECTRONIC MAILLearn how the electronic mail systemrunning on the Computation Center'scomputer can facilitate your day today communications. A seminar in¬troducing this system will be heldMonday, January 19, 3:30-5:00 pm inCobb 107. No prior computer ex¬perience is necessary.JEWISH SINGLESMEETANDMINGLECHUTZPAH UNLIMITED offersJewish Singles, 25-45, the opportunityto me»»f ^nd minqle. Our acitivities in- The Windermere Barber Shophas a new home -I am now located in theFlamingo Barber Shop5500 South Shore DriveHaving served the Hyde Park Community for the past 25years, I hope to be able to continue to serve you nowPlease call for an appointment, 9AM - 6PM324-3883, Ask for JoeAmple Free parking available Texas Instruments fV-ITl 59 $200 OO VTl 58C 88 99Tl PC10OC 156 99Tl 58/59 Ubr 3199Tl PROG 46 99Tl 57 28 99Tl 55 32.99Tl 35SP 19 99Tl MBA 52 99Tl BA2 38 99Tl Bus Anal I 16 99Tl Bus Card 38 99 $200.00Tl 59CALL TOU. PMC 800-621-1269CXCCPT Illinois, AKitkq, HawaiiArcessor.es discounted toe Corporate Accounts InvitodMastic!^arge or V.sa by *na*.' or phone Me*1 Cashiers Check.Money Ode Awsone >ec» 2 MBUtodear aoj S40C1st <vem ji qo eac* additional tor shipping and hendfmQSh.pmentsx »l access add 6% ta» Prices subiecttc changeELEK-TEK.inc.The Chicago Maroon — Friday, January 9, 1981 - 23ECLECTIC 1©Student Activities’ Winter Mini-Courses program features classes in:Leaded Glass •Calligraphy ‘Rhythmic-Aerobic Dance •Mime and ClownTechniques II •Baking *Jazz Dancing ^Japanese Flower Arranging <■•Improvisational Comedy *“Fred and Ginger” 201 Popular Dance •BeginningHarmonica ‘Intermediate and Beginning Gymnastics •Beginning RecorderRegistration in Room 210 Ida NoyesJan. 12,10 a.m. to4 p.m. and Jan. 13,10 a.m. to4 p.m. and 5 to7 p.m.for students and their spousesJan. 14,10 a.m. to 4 p.m. and 5 to 7 p.m. for staff, faculty and their spousesJan. 15,10 a.m. to 4 p.m. final registration MASSSS LIBRARYMUSI©A series of informal concerts. In the Main Reading Room,4 p.m. Jan. 14, 21, Feb. 18, 25Now on sale: tickets for certain performances of Evita,Sweeney Todd and Children of A Lesser God, Room 210,Ida Noyes.N©©NT9MiSFlash Gordon, Yale graduate and world-renowned polo player, escapesfrom a doomed earth in a rocket ship with girlfriend Dale Arden, only to fallinto the clutches of Ming the Merciless, shark men, and giant iguanalizards. And that’s only chapter one. See the original Flash Gordon serialFlash Gordon Space Soldiers, every Monday and Friday beginning Jan. 12at 12:15 p.m. in the Reynolds Club Lounge. SAO will also be screeningaward-winning short subjects. Thirty minutes of socko, rocko action! Don’tmiss it! ICE SKATERENTALSAO has revamped its collection of ice skates, and you can be making figureeights on the Midway for a miniscule 50* rental fee per pair. At the Ida NoyesCheckroom Desk, during regular hours.AST INSTITUTE®I§©®U(NTIf you signed up for discounted membership ($9, instead of theregular $15), pick up membership cards now in Rm. 210, IdaNoyes Hall. Bring cash or check made out to University of Chicago.ART-Y® • LOW! - WITHDistribution of the Shapiro Collection will be Jan. 13 at 4 p.m. Numbers can be pickedup from 9 to 10 a.m. in Room 210 and thereafter in the Ida Noyes Checkroom.A Iso.... Chicago Magazine/coupons are here... a special wine-tasting course! Call 753-3592 for details.