DavidGlockner THE CHICAGO MAROONVolume 90, No. 10 The University of Chicago Copyright 1980 The Chicago Maroon Friday, October 10, 1980Britannica Gift Effort toKeep Company PrivateBy Sherrie NegreaTom LambertySecondShorelandStudentEvictedBy Chris IsidoreDirector of Student Housing Edward Tur-kington has evicted a second student fromthe Shoreland because he held an elevatordoor open while a friend put up a sign thatcalled for an “Alma Sucks” chant.Tom Lamberty, a second year graduatestudent in public policy, did not play anypart in the writing or posting of the signs,which referred to Alma Lach, who with herhusband Donald, is Resident Master at theShoreland. The student who did write andpost the signs was graduating law studentMichael Schley. Schley was told the leavethe Shoreland just before exams started lastspring.At the time housing officials suspectedthat Schley had help, but Turkington had noevidence concerning either the identity ofthe person who had assisted or the extent ofhis help. During the summer Turkington re¬ceived information that Lamberty hadplayed an active role in the incident, andwrote to Lamberty asking for an explana¬tion. Lamberty wrote back, explaining hisroll in the incident. Turkington requestedthat Lamberty come in and see him when hecame back to campus in the fall. They meton Sept. 22, and the next day Turkington in¬formed Lamberty that he could no longerlive in Shoreland.Lamberty was given the choice betweentwo other locations in graduate studenthousing, and chose an University apartmenton East Hyde Park Blvd. But he still wantedto live in his fifth floor, lakeview Shorelandroom, so he appealed to Dean of StudentsCharles O’Connell. His appeal was rejectedlast week, and despite the fact that he hasgone to see the Student Ombudsman, he isnot optimistic about getting his room back.‘‘Everyone I taked to couldn’t believethat this has happened,” said Lamberty. “Ihave said that I would be willing to takeback the one word that was so offensive, butI won’t take back what I did, or what thegeneral thought of the sign was. I wouldsooner give up the room than do that.”Lamberty is not sure what his next stepwill be. He has no official channels of appealleft. He may ask the Shoreland council tosupport his efforts. The council voted lastspring to condemn the actions taken against Schley, and Lamberty was a member of thatcouncil. The council has no official power inthe matter.Lamberty wrote to The Maroon lastweek objecting to statements made by theLachs last spring, when Donald Lach toldThe Maroon that Shoreland had ‘‘a lower-middle class population that doesn’t seem toappreciate finer things.”The Lachs refused to comment on Lam-berty’s expulsion.Stephanie Browner, the Student Ombuds¬man, said she is not optomistic about thechances of getting Lamberty his room back‘‘I am sympathetic,” she said. “I think whathe did was rude, but I also think that there isdefinitely a difference between what Tomdid and (what Schley did). Maybe an alter¬native could have been worked out at onetime, but it is too late for it in this case. WhatI am really interested in now is working onreforming the appeals procedure, whereMr. Turkington is the police, prosecutor,jury and judge, and where the only appeal isto Dean O’Connell, who is so close to Mr.Turkington.”Turkington apparently does not see anydifference between Schley’s and Lam-berty’s roles in the incident. ‘‘He said hecould not separate my actions from(Schle’s) actions,” Lamberty said. ’‘And hesaid our actions went beyond reasonabledissent.”Turkington said that it would be improperfor him to publicly comment on the specificsof the case. But he did give a general expla¬nation for his actions.‘‘It is not appropriate, justifiable or toler¬able to use anonymous, abusive, cruel signsto communicate dissent. That is really theissue here — the way in which the senti¬ments were expressed,” said Turkington. ‘‘Iread his (Lamberty’s) letter in The Maroon,and without commenting on whether or not IContinued on page 4 The recent creation of a University-relat¬ed foundation to own the Encyclopaedia Bri¬tannica was the result of an effort to keepthe company in private ownership.The Britannica company, previouslyowned by the William Benton Foundation,had faced the threat of becoming publiclyowned because the company had not com¬plied with federal tax laws affecting privatefoundations. To remain a privately ownedfirm, the company decided to create a new“supporting foundation” which would be de¬dicated to supporting communications pro¬grams at the University and thus wouldqualify it for certain tax exemptions.The supporting foundation is expected toestablish a fellowship program in communi¬cations at the University which will be opento individuals already working in mediafields.A Benton beneficiary since 1943, the Uni¬versity had already received royalties fromthe original Foundation totalling over $60million in exchange for providing editorialservices and lending its name to Britanni¬ca.The new owner of Britannica will be therecenth established supporting foundationto be governed by a board of members from the University, the Britannica company,and the public.“One hundred percent of the stock will goto the supporting foundation, which is a newcorporation, and not totally to the Universi¬ty,” said John Robling, vice president of theBritannica company.The University will receive annual grantsfrom the new foundation to finance the pro¬posed communications programs. Theroyalties previously paid to the Universitywill also continue as part of the new agree¬ment. These royalties consist of three per¬cent of the company’s yearly sales.The supportingfoundation has beenrenamed the WilliamBenton Foundation,after the late SenatorWilliam Benton <D-Conn.j, who servedas chairman of Ency¬clopedia Britannicaand as a vice-presi¬dent of the Universi¬ty.Robling said that if the supporting founda¬tion had not been established, the originalBenton Foundation would have had to divestitself of the Britannica company because ofa federal law regarding investments held bya private foundation. The law requires thatsuch a foundation have no more than 50 per¬cent of its net worth in one company andown no more than 20 percent of any singlecompany.The original Benton Foundation, however,owned 100 percent of the Encyclopedia Bri¬tannica company. To comply with the law.the Foundaton would have had to sell muchof its interest in Britannica and then pay outno less than five percent of its assets or in¬come to a public charity.As a “supporting” foundation, however,the new foundation will be exempt from taxlaws required for private foundations. Inthis capacity, it will not pay a 2 percent ex¬cise tax on its investment income, nor will ithave to comply with compulsory payoutlevels required for private foundations. Thelaw requiring that no more than 50 percentof a foundation's net worth be invested inone company will also not apply.Although no decision has been reached asto the specific type of programs the founda¬tion will fund, the first project, according toRobling, will be a fellowship program for in¬dividuals already working in the televisionand radio fields. The fellowships will be mo¬delled after the Nieman fellowships at Har¬vard. in which journalists spend one yearthere studying an area related to their workin communications.Robling said that the program will have“nothing to do with students (at the Univer¬sity) directly. The very very sketchy plansthat we have of this does not seem to applyto undergraduate or graduate students," hesaid.D. Gale Johnson, a professor of econom¬ics at the University and one of the facultymembers serving on the new foundationboard, said the program could be useful as aresearch source for students. “I see no rea¬son why it couldn’t support dissertationwork in communication.” he said.The specific type of program the founda¬tion will finance will be determined by thefoundation board, w hich is expected to meetwithin a few weeks.Homecoming Starts TonightThe kazoo is no more.The giant kazoo which has graced thefield of Homecoming football games inrecent years will spend tomorrow’sgame in storage, the victim of efforts bythis year’s Homecoming organizers tomake the game’s entertainment moreconventional.“We’re trying to build up enthusiasmfor athletics, so we’ll have a conventionalpep band instead of kazoos, explainedNoreen Marriott, the fourth-year studentwho, along with Alison O’Neill and KarenEschenbach, has organized this week¬end’s activities.Nor will there be a homecoming queen“This year we re not having a homecom¬ing queen because the last one elected was a refrigerator,” Marriott said.But despite these changes, most of thetraditional features of Homecoming willremain this year. A bonfire tonight inHitchcock Court, a soccer and footballgames tomorrow, and fraternity partieswill all be back this year. An addition tothe program this year is a block party to¬morrow night on University between 56thand 57th Streets.This year’s Homecoming activities arefunded by a grant of $275 from StudentGovernment, Marriott said. The fivecampus fraternities are also helping outby providing refreshments for the blockparty tomorrow night.Schedule of events on page 3 ENCYCLOPAEDIABRITANNICAMACRORTDIAStudents for Commoner/Harris presentBARRY COMMONERCitizens Party Candidate forPresident :Ida Noyes Hall, Cloister ClubSat., Oct. 11,8 P.M.All are Invited to AttendReception to follow6:00 P.M. Benefit with Dr. CommonerLight dinner - $ 15 personfor info, call 332-2066II !•:i * — also —SID LENS candidate for Senator& JOHN ROSSEN U. of I. Trustee candidatewill speak on REGISTRATION & THE DRAFT,NUCLEAR POWER, OIL, AND THECITIZENS PARTYAS THE MORAL ALTERNATIVESunday, Oct. 12, 7:30 P.M.Friends Meeting House 5615 S.WoodlawnSponsored by Plowshare Peace CollectiveAt Budgetyou’re rntior FALLSPECIALLIMITED TIME ONLYCall or come in and ask about our Specialweek-day savings. Rate applies to carspicked up Sunday through Thursday. Nominimum rental period.Rent a 1980Mercury Bobcat forjust*1795per day. 75 miles per day FREEAsk about our special truck rates.70% discount to students and employees of theUniversity of Chicago.Budget:2 — The Chicago Maroon — Friday, October 10, 1980 VISIT OURNEW LOCATIONVisit our showroomwarehouse for nationalbrands of office furnitureDesks • Chairs • SortersFile Cabinets • And MoreDELIVERY AVAILABLEBRAND EQUIPMENT8560 S. South Chicago AvenuePhone: RE 4-2111Open Daily 8:30 a.m.-5:00 p.m.Saturday 9:00 a.m.-3:00 p.m.AUGUSTANA LUTHERAN CHURCH OF HYDE PARKLUTHERAN CAMPUS MINISTRY5500 South Woodlawn Ave.493-6451Lorry Holer, PastorConrad Swanson, Vicar for Campus MinistrySUNDAYS8:30 and 10:45 a.m. Sermon and Eucharist9.30 a.m. Church School and Adult Study6:00 p.m. SupperTUESDAYS5:30 p.m. Eucharist6:00 p.m. Pizza Supper and DiscussionOctober 7:Christian Love andPolitical Justice-Larry Bouchard,Divinity SchoolTHURSDAYS7:30 a.m. Eucharist and BreakfastFRIDAYS12:15 p.m. Eucharist and Lunch+ + +Saint Gregory of Nysso Lutheran ChurchGraham Taylor Chapel at CTS5757 South University Ave.Boyd Faust and Dave Meter, PastorsSUNDAYS10:30 a.m. Sermon and Eucharist+ + +NEWS BRIEFSBike Races Sunday on MidwaySelf-Help clinicfor DiabeticsThe University’s Diabetes Research andTraining Center is sponsoring a free eight-day course for diabetics entitled “DiabetesSurvival. . . Pathways to Self-Manage¬ment.” Beginning on Monday, October 20and running through October 30, the pro¬gram will offer daily sessions from 1:30 to3:30 p.m. at Billings Hospital focusing ondiabetes control and self-management.Topics to be covered include diet, medi¬cine, exercise, and coping. Instruction willbe led by a team of physicians, nurses, nu¬tritionists, physical therapists, and pharma¬cists. The course will also include somepractical learning-by-doing experiences indiabetes control.Registration closes October 14 and is li¬mited to the first 15 applicants. Brochuresare available at Billings Main InformationDesk or call 947-2644 for further informa¬tion.CommonerHere SaturdayAnti-nuclear activist and Citizen’s PartyPresidential candidate Parry Commonerwill be campaigning in Hyde Park tomor¬row. At 6 pm he will attend a fundraisingdinner at 4730 South Kimbark. Tickets are$15 per person, $25 per couple. Call 332-2066for reservations.Later, he will come to campus for aspeech in Ida Noyes Hall at 8 pm. Studentsfor Commoner/Harris will hold a receptionafterwards. A donation is requested. Getzels BeginsWoodward Ct. SeriesOne of the most popular and well-knownlecture series on campus will begin its tenthyear this Sunday night, as the interestingand creative Woodward Court lecture serieswill begin when J.W. Getzels speaks on“Creativity: Studies with Children, Artistsand Executives.”Getzels is the R. Wendell HarrisonDistinguished Service Professor in theDepartments of Education, BehavorialSciences, and in the College and has been aninstructor at the College since 1951. His ma¬jor research interests include higher think¬ing processes, creativity and talent, theschool as a social system, and the acquisi¬tion of values.He has authored numerous journal ar¬ticles and chapters and co-authored severalbooks. Professor Getzels received theNicholas Murray Butler Medal for Contribu¬tions to Philosophy or Theory of Educationfrom Columbia University. He was amember of the Education Panel-President’sScience Advisory Committee, a consultantto the W’hite House Conference on Educa¬tion, and Chairman of Study of EducationSection, National Academy of Education.Isak and Pera Wirzup began the Wood¬ward Court lecture series in 1970. Lecturesare open to students, faculty, staff, andalumni; those attending are invited to an in¬formal reception in the Resident Master’sapartment after the lecture. Other lecturersfor the Autumn Quarter include: Richard A.Epstein, Professor in the Law School;Robert N. Clayton, Professor in Chemistryand Geophysical Sciences; Robert E.Streeter, English Professor- anr) RrianBarry, Professor in the Departments of Po¬litical Science and Philosphy.—Mario Orlovich Hyde Park residents can participate in apreview of Chicago’s Fourth of July GrandPrix races by riding in the “Great FifthWard Bike Race,” a series of bike races andother activities that will take place on theMidway from noon to 5 p.m. on Sunday, Oc¬tober 12. In addition to the racing, there willbe food, drink, live music, information on bi¬cycle safety and maintenance, and the raf¬fling off of two bicycles.Races of various lengths for a number ofdifferent age groups will be held, with theFridayComputation Center Seminar: Introduction toEDIT on the DEC-20, 3:30-5:00 pm, Cobb 102.Hillel: Refrom-Progressive Shabbat Services, 5:30pm, Hillel.Hillel: Yavneh (Orthodox) Shabbat Services, sun¬down, Hillel.Gymnastics Club: Informal practice, 5:30 pm,Bartlett gym. Beginners welcome.Hillel: Adat Shalom Shabbat Dinner, 6:15 pm, Hil¬lel. Coxt $3.Crossroads: Volunteers meeting, 7:30 pm, refresh¬ments served. 5621 S. Blackstone.Crossroads: Russian class, first meeting, 7:30 pm,5621 S. Blackstone.Hillel: Lecture- “Terrorism, Violence for Sake ofPeace in the Nuclear Age” speaker Dr. Carlos Ri-zowy, 8:30 pm, Hillel.Pub: Live music- “The Schmaltzie Fingers ofPeter Golemme” on piano, 9:30-12:30. Pub member¬ship. UCID 21 age required.SaturdayAikido: Meets 10:30 am, Bartlett gym.Compton Lectures: "What About Light? It is andIt Is Not a Wave" 11:00 am, Eckhart 133.Crossroads: Buffet dinner, 6:00 pm. No reserva¬tion required.Citizens Party: Barry Commoner speaks at IdaNoyes 8:00 pm.Friday7:30 A torchlight parade leaves HitchcockCourt for the major campus dormitories togather students to attend the bonfire later inthe evening. One stop will be Regenstein Li¬brary. “We can’t officially tell the Universi¬ty that we’re going to rampage through Reg,but we’re going to anyway,” Marriott said.9:00 The Homecoming bonfire will be litin Hitchcock Court, and members of all thefall varsity teams will be introduced.10:00 All-University party begins at DeltaUpsilon fraternity, 5714 S. Woodlawn.Saturday10:00 Soccer game against Loyola. Staggfield. day’s finale a special six-mile race for expe¬rienced riders. The entry fee is $3 forcyclers under age 17, $5 for all others, andprizes will be awarded to the winners.The day’s events are sponsored by theFifth Ward Citizens’ Committee and Aider-man Lawrence Bloom for the benefit of theAlderman’s public service office.Entry tickets are available at the blueGargoyle, 5655 S. University as well as theday of the races. Contact Carol Parham at667-0900 for more information.SundayLutheran Campus Ministry: Sermon and Eu¬charist 8:30 am, Sunday School and Adult Educa¬tion, 9:30 am, Sermon and Eucharist, 10:45 am, 5500S. Woodlawn.Hillel: Lox and Bagel Brunch, 11:00 am, 1.50 persandwich, Hillel.Crossroads: Bridge at 3:00 pm. Beginners and ex¬perts welcome.Lutheran Campus Ministry: Supper, 6:00 pm, 5500S. Woodlawn.MondayjComputation Center Seminar: Introduction toTELL-A-GRAF 3:00-5:00 pm. RI 180.Dept of Chemistry: Lecture- “Solarchemistry ofMetal Complexes" speaker Harry Gray, 4:00 pm,Kent room 107.Yoga: begins at the Blue Gargoyle, 5:30-7:00 pm.Gymnastics Club: Informal practices 5:30 pm,Bartlett gym. Beginners welcome.WHPK: Opera night- “Alcis and Galatia" by Han¬del, 6:00 pm, 88.3 fm.Crossroads: Beginning Spanish, 7:00 pm, 5621 S.Blackstone.Self-Hypnosis Seminar: Begins at the Blue Gar¬goyle 7:00-9:30 pm.Crossroads: Intermediate Spanish, 8:00 pm, 5621S. Blackstone.12:00 A parade leaves Stagg Field for thequads and the campus area to gather peoplefor the football game. One stop will be thePresident’s picnic for first-year students.1:30 Kickoff time for the football gameagainst Lake Forest. Students with identifi¬cation cards will be admitted free to thegame, and the Order of the C has offerred akeg of beer to the house with the best atten¬dance at the game. Halftime entertainmentwill be provided by the gymnastics club, apep band, and the Brass Society. AlphaDelta Phi, 5747 S. University, will host apost-game reception.9:00 Block party on University between56th and 57th Streets. The Misfits, a bandmade up of recent College graduates, willplay from 9:00 to 12:00.Homecoming ScheduleCALENDARDon’t cry if you didn't get tickets to EVITA ... WE HAVE MORE!THE STUDENT ACTIVITIES THEATRE DISCOUNT PROGRAMWe will be selling tickets for these Tony-Award-winning plays:Whose Life Is It, Anyway?Children of A Lesser God Nov. 20 performance mezzanine seatsJan. 15 performance mezzanine seatsmatinees 1st balcony seats(more tickets, too!)tickets will go on sale.Special extended selling hours if you’re busy from 9 to 5!Guaranteed seats for a low price.Evita Jan. 24 and 25Watch for posters and Maroon classified for information on whenThe Chicago Maroon — Friday, October 10, 1980 — 3EDITORIALt\ Sir\f>uUr SVoup& cre^m/e iurts cooperativeB&ck Vo Sthoo 1Op^rx HouseS&+. Oct. 11; U-4-57^ K Woodtawr\stop \r\ -to browserefresh mer\TSwill be served.cm sj)ck a *<mt> of aeesf pm so*e cmc&kcpust itJ 7Hf CMfw mo CPu. it "Pizza*, ftrr ae f#eur satis-Fiet> JUST 70 LfWf Ytfu STUFFED / &€ ft rE&ecT8AUWF OF F&5H IH<#n»enr£ tmt w TRI/LY u/saousMO kjf PCfiT W TWW / Tiff SW<Atf TFfTfi “TO <^Tfl^dwne T?*W 15“ KfWBS SIZZLttiC> half fouHt> BV&FRSjpgt to me*jtw*j ou£ ts&vfx bisHFS. takf rr r*c*\ ^LOtfVZC di MCOta Art SWITCH FPCrt OXb/WfcY °f=psrFcov* 70 A fiOHF PLefXuaABLS &MlM£ FXF&t&xe>a%-A tfVDE PARK TfflDIT70/V~DELIVERY TO YOUR DOOR AFTER S oon■ MomyY-oATumy H20 -roomSUNDAY TRY OUR SRfoAL B/eeHYfiKT TREWSfROM-^Eip *H—J>So AU14*50 £. 57-k Si.4 — The Chicago Maroon — Friday, October 10, 1980 A Question of JusticeThere is a need to reform “theappeals procedure, where Mr. Tur-kington is the police, prosecutor,jury, and judge, and the only ap¬peal is to Dean O’Connell,’’ saidStudent Ombudsman StephanieBrowner, referring to the case ofTom Lamberty, the student whowas evicted from the Shoreland forholding an elevator door open whilea friend posted an offensive sign.The Maroon’s editorial page isnot the place to proclaim guilt or in¬nocence in matters of student hous¬ing disputes. But we agree withBrowner that Mr. Turkington’svoice shouldn’t be the only oneheard in deciding such matters.Every quarter scores of housingdisputes end up in Turkington’s of¬fice; disputes between roommates,between neighbors, and betweenstudents and the residence staff.Turkington manages to settle mostof the problems to the satisfactionof everyone involved — even incases in which a student is asked toleave a dormitory. But this is notalways the case, and the experi¬ence of Tom Lamberty has demon¬strated the inadequacy of the exist¬ing appeals system.In this case, Lamberty freelyadmits his role in the affair. His ar¬gument to Turkington was thatholding the door while a friendposted a sign is not the type of be¬havior worthy of eviction. Turking¬ton, who doesn’t have to justify hisdecision to anyone, thinks evictionis justified. And under the presentsystem, that is that.Lamberty’s only appeal is toDean of Students Charles O’Con¬ nell. O’Connell works in the sameoffice as Turkington, and it isunrealistic to expect him to over¬turn his collegue’s decision unlessthe student presents new informa¬tion or a new argument to counterTurkington’s case. For all practi¬cal purposes, there is no way to ap-peal Policeman/Prosecu¬tor/Jury/Justice Turkington’sdecision. This should change.One solution would be to form aBoard of Housing Appeals to hand¬le these few cases where studentsfeel they were wronged. To balancethe concerns of the administration,which might fear turning over thewhole decision to students, and theconcerns of students, who wouldnot want to appeal to just anothergroup of administrators, the com¬mittee should include members ofboth groups. A proper balancewould perhaps be two students whoare elected by either the studentbody or the Student Goverment as¬sembly, one student who is appoint¬ed by the Dean of Students, onemember of the housing residencestaff, appointed by Turkington, andone administrator, appointed bythe Dean of Students. This way, theadministration would be appoint¬ing the majority of the committee,but at the same time, studentswould make up a majority of thecommittee.Unlike other student committees,proceedings would have to be con¬fidential. But at least such a groupwould give frustrated students achance to make their case andforce Turkington to do the same.Continued from page 1agree with the letter. I found nothing objec¬tionable in it. He had a perfect right to makehis feelings known that way. But signs arenot a good way to communicate.”The Shoreland Council met on Tuesday ata regular meeting, and Lamberty’s letter to the Maroon was informally mentioned. Noresolutions or actions by the council wereformally discussed, though. But the issue isstill unlikely to go away quickly.“The feelings are running pretty highabout this,” said Turkington. ‘T don't thinkit will die easily.”The Chicago MaroonThis Issue’s Staff:Editor: David GlocknerManaging Editor: Chris IsidoreNews Editor: Sherrie NegreaAssociate Editor: Ran AnbarSports Editor: Mike OcchioliniProduction Manager: Joan SommersBusiness Manager: Lorin Burte Advertising Manager: Wanda JonesOffice Manager: Leslie WickPhoto Editor: Dan BreslauStaff: Ras Crowe, Jeff Davitz, RobertDecker, Len Glasser, David Gruenbaum,John Kloos, Bob Labelle, Linda Lee, HenryOtto, Terry Wilson, Darrell WuDunn.Rockefeller Memorial ChapdSunday, October 129:00 a.m. Ecumenical Service of Holv Communion10:00 a.m. Coffee Hour and Discussion ( la**“Wholly Art- A Survey of the Place of Religion in ModemArt,” led by Scott Stapleton11:00 a.m. University Religious ServiceBernard (). Brown, Dean of the C.hapel, preaching -“Creative Fidelity”4:00 p.m. Vespers and Discussion“Human Rights in the Foreign Policy of the UnitedStates' - Robin Lovin, Professor in the Divinity Schoolin Ethics and Society6:00 p.m. Undergraduate Supper Fellowship, held in thebasement of the Cha|>el. Call 753-3381 for information.LETTERS TO THE EDITORFinancial AidPlan ProposedI believe that I have discovered a dishon¬est, but amusing, way to obtain a fifty per¬cent discount on this quarter’s tuition. Ithough you might be interested in hearingmy plan. Personally, I have not the nerve toexecute this plan. Moreover, I do not wish tosee anyone else win glory for having suc¬ceeded in an enterprise of my own inven¬tion. I therefore nullify the practicability ofthe proposed enterprise by submitting it forpublic consideration.Suppose I choose from among my friendsand acquaintances one whose tuition bill forthis quarter is identical to my own. In addi¬tion to this qualification, my friend needhave only a passive desire to save fifty per¬cent on this bill. You can see that my re¬quirements are not very selective.As usual, I write my check to the Universi¬ty of Chicago in the amount of the quarter’stuition. However — and here is the catch — Iinclude with it in the same envelope not thestub from my bill, but rather the stub fromthe bill of my passive friend. In this mannerwill my check be credited to my friend’s ac¬count. In this manner will I also receive acancelled check from the University of Chi¬cago.At this point I must confess a weakness inmy plan. Ignorant as I am of the Universi¬ty’s accounting procedures, I cannot saywhether in addition to recording a paymentin an account, these procedures would alsorecord the identity of whoever might havemade that payment. It is probably a safe as¬sumption that no such record is kept. It is,after all, conceivable that payments on oneaccount might derive from four or five dif¬ferent sources over the course of the year.To keep records of the origin of each pay¬ment on each account would present a cum¬bersome task to the University (or to itsagent, the Continental Bank). It would alsobe possible for the University to mark eachcheck received in such a way as to indicatethe account to which it has been applied. I donot know if any such procedure is in effect.Save endorsements, my own cancelledchecks from the University seem to be un¬marked.Let us assume, then, that the Universitycannot determine from an examination ofmy cancelled check whether it has in factbeen applied to someone else’s account. Inthis case, my account goes unpaid; and I re¬ceive a past due notice. I visit the appro¬priate bureaucrat in the appropriate admin¬istrative office; and, appropriately smug, Itriumphantly display my cancelled check.Surely this check would be a curious devel¬opment, surely it would cause some bureau¬cratic consternation; but in the end howcould it not be accepted as proof of my pay¬ ment? In this manner could my friend and Itake advantage of this quarter’s special:two college educations for the price of one.But would we not, my friend and I, feardetection and apprehension and ultimatedismissal from the University? Certainlynot. Let us suppose that the worst possibleoutcome does in fact occur; that the Univer¬sity immediately perceives that my checkhas been applied to my friend’s account. Ac¬customed as the University is to accountingblunders, it is not likely that foul play wouldbe immediately suspected. Inevitably, arepresentative of the University would getin touch with my friend concerning his ac¬count. “There seems to be a problem,” thisrepresentative would begin to say; and myfriend would quickly interrupt, “Yes, I knowmy bill is overdue this quarter. I’ve hadsome trouble scraping up the cash, but I ex¬pect to be able to pay it next week.”“You haven’t paid your bill at all?”“I know, but I should have it nextweek.”This conversation would indicate that theUniversity had merely made a mistake. Theerror would be corrected and my accountwould be properly credited. My friend wouldstill have to pay his tuition, but we could atleast say “Nothing ventured, nothinggained.”P.S. I have sent a copy of this letter to theBursar’s office in anticipation of the eventthat any unscrupulous member of theMaroon staff might try to act upon myplan.Vince KenyonIs it possible? Four officials at the Univer¬sity’s collection agent, Continental IllinoisNational Bank, refused comment or to makeany speculation concerning the scheme.However, a senior administrative officer atthe First National Bank of Chicago believesit is very unlikely that the scheme wouldsucceed. He explained that microfiche andmicrofilm copies of all transactions aremade at most banks, not only as a good busi¬ness practice, but to comply with federallaw.The Bursar's office took pains to explainthat Continental Illinois National Bank usesa “docutrack” system that imprints eachcheck with a computer code. The code in¬cludes the date, check amount, studentnumber, the account to which the check is tobe charged, and, most importantly, thetransaction number. This prevents the samepayment from being credited to two ac¬counts.Furthermore, the Bursar’s office investi¬gates each inquiry and complaint fully be¬fore making any adjustments. The probabil¬ity of succeeding with this scheme is verylow because of the audit trail left by thecheck. Persons who try this scheme will notcome out ahead since no deposit will be cre¬ dited to both accounts since this would im¬balance the books. As we all know, sound in¬stitutions, such as Continental IllinoisNational Bank, have balanced books.- Terry WilsonOppressors,Rise and Unite!In a poster recently plastered in publicplaces frequented by proles and plutocratsalike, the Young Americans for Freedomhas alluded to itself as the successor to theBourgeois Capitalist Running Dog LackeySociety. While we applaud the noble goals ofthe Reagan Youth, keeping the poor docile,hardworking, and superstitious, we do notwish to be confused with this less selectgroup. The B.C.R.D.L.S. is the one and onlyorganization that adheres to the pure Ken-nerist/McCartney ideology, that is, an abso¬lute and complete dictatorship of the poor,by the wealthy, and for the wealthy. TheY.A.F., however, appears to have fallen prey to the very myths and superstitionswith which we, the wealthy elite, shackleand control the minds of the proletariet.They advocate confrontation and conflictwith the Soviet Union, whereas we realizethat the Soviet Leadership is working thesame racket we are, namely oppressing andexploiting the impoverished masses. Theyfervently profess support for the traditionalAmerican values of “freedom” and “de¬mocracy”, whereas we recognize that theseare simply political fairy tales with whichwe, the plutocracy, can placate and appeasethe restless proles. While we support thedissmenination of such propaganda, a vitalcomponent of our plan to keep the poorhappy while they are straining under ouryoke, it is necessary that those future eli¬tists who attend this university are able tosee through the smokescreen to the holyflame of the true American value, namelythat of the ever-shrinking dollar. Renouncethe Y.A.F.! Denounce the revisionist Rea¬gan Youth! Oppressors of the world unite!You have nothing to forge but new chains!The Bourgeois Capitalist Running DogLackey SocietySAME DAY SERVICEAVAILABLE IN MOST CASES.• *$L*i%**«**a«*■contact lensesby\o' c° TWO LOCATIONS:Water Tower Place Professional Center Suite 976W 943 6061Merchandise Mart Main Floor 644-2116Dr Harriet S. Winsten. OptometnstIf you ain't country,you ain't s...The Chicago Maroon — Friday, October 10, 1980 — 5TERRORISM: VIOLENCE FOR SAKE OF PEACE IN THE NUCLEAR AGEDR. CARLOS RIZOWY, Ph.D. from the Dept. of Political Science, UCFRIDAY, OCTOBER 10f 8:30 P.M. HILLEL FOUNDATION5715 WOODLAWN AVENUE| 1j SHORT DATED SPECIALI FUJICOLORi Ann| ASA 400 Film124 EXPOSURES ‘1.49[Regular ‘3.29J Coupon Expires Oc¬tober 14 1980. With| this coupon only. Wej stock and sellFujichrome MovieFilm.model camera1342 last 55th St.493-6700O — I lie uniLdyo waroon — Friday, October 10, 1980 S DR. M.R. MASLOVOPTOMETRISTS• Eye Examinations• Contact Lenses (Soft & Hard)* Ask about our annual service agreement• Fashion Eye WearHyde Park Shopping Center1510 E. 55thS 363-6100 Join us in Eucharist and music.ST. GREGORY of NYSSALutheran ParishWorshipping Sundays at 10:30C.T.S. 5757 S. UniversityOct. 12 Pentecost XXThe NSA Professional Qualification Tfest.Register by November 1st1980.On November 15th, on campuses throughout thenation, the Professional Qualification Tfest (PQT) will begiven — a test that could lead to your most exciting careeropportunity:Successfully competing on this test qualifies you forconsideration by the National Security Agency: NSA is cur¬rently seeking top graduating students in Mathematics,foreign languages and the physical sciences to meet thechallenges of important communications security andforeign intelligence production missions.If you qualify- on the PQT, you will be contactedregarding an interview' with an NSA representative. He or shewill discuss the specific role you can play within such fields asdata systems, languages, information science, communica¬tions, and management support.So pick up a PQT bulletin at your college place¬ment office. Fill out the registration form and mail it before November 1st, in order to take the test on November 15. Thereis no registration fee. But act soon. The PQT is given onlyonce each year.If you have a Masters degree in Mathematics, orif you are graduating with a Bachelors or Masters Degree inElectronic Engineering, Computer Science or a Slavic, NearEastern or Far Eastern language, you may sign up for aninterview uithout taking the PQT.All NSA career positions require U.S. citizenship, athorough background investigation, and a medicalexamination.The National Security AgencyMore than just a career.BigJim’sPipe &Tobacco Shop1552 E. 53rd St.(Under the I.C. tracks)9 a.m.-7 p.m. weekdays12-4 p.m. SundaysNo Social Life ?Join the Student GovernmentActivities CommitteeAgenda: CoffeehouseUpcoming Country-Western DanceOctober 12,7:30 P.M.Student Government Office,Ida Noyes Hall/ NTV INTERVIEWERSNEEDED$45(NO TAX DEDUCTED)Make $45 in one dayfor Channel 1 ElectionDay Poll in Chicago onNov. 4. Limited open¬ings. Pick up applica¬tion immediately in theCareer CounselingPlacement Office. Jthereycityjournal13thYear 9th Issue 10 October 1980Lord of the Known Universe.by Brent WidenTonight and Saturday night, BruceSpringsteen will play the Uptown Theatre.Anyone who has seen Springsteen will at¬test gto his sincerity, flexibility, and sheerenergy on stage. His fans are fanatics, truebelievers of what rock-and-roll music cando and mean. Accordingly, Springsteen'sarrival in town generates a great deal ofanticipation and excitement. This excite¬ment was heightened when some friendsand I learned that Bruce wouldn't play themonolithic Horizon (capacity 20,000) aspreviously announced, but would insteadperform at the much smaller and more in¬timate Uptown (capacity 4,000).The Uptown Theatre is the perfect set¬ting for Springsteen's dramatic and veryurban songs. The decor is dusty 1930's or¬namentation, the stage is low and broad,and most importantly, the theatre sits,along with the Aragon and the Riviera, atthe rock capital of the north side: Broad¬way and Lawrence.Tickets for these shows were to go onsale on a Friday morning at 9:30 a.m. Un¬fortunately, we could not buy them fromthe Uptown box office, but only from themore expensive Ticketron outlets. To besure of getting tickets, my friends and Ichose the main Ticketron office on Michi¬gan Avenue, an office we knew sometimesopened early for a major ticket event. Tobe extra sure, we went there at 8:00 p.m.the previous night — a good 13 hours be¬fore selling-time. When we arrived, wefound some people had been there sinceWednesday. Well and fine. They deservedtickets and besides, we were only (rough¬ly) 75th in a line that would hold threetimes that number come morning.The night on the pavement passed enjoy-ably. It was warm and dry, with enoughbeer to keep one comfortable. Whatseemed pointless was the facrt that themedia folk visited us throughout the night:there were photographers from the Sun-Times and the Tribune (one of the latterasked me to hold a pose for him), and apetit young woman from WMET. Shepassed out WMET buttons and interviewedwaitees with her strap-on cassette-deck forMET's "street-talk.” She appeared to ad¬mire the hardship many people were en¬during for tickets, and she gave these peo¬ple a chance to express just why they weredoing it. Given this opportunity to express moment I ran to the ticket-counter win¬dow. The person who was next in line whenthe last ticket sold was still standing there.He couldn't believe it. He had been in linesince early Thursday, and now he was yell¬ing. Meanwhile out on the street, the mini¬cams pounced on this distressing situationfor a quick story. Someone shoved a cam¬era in Stuke's face. He responded aptlywith the finger and screamed the appro¬priate phrase. The cameraman and hiscrew loved it: "C'mon, gimme more man, wait for 2>/2 days. With a computerized sys¬tem that has scores of outlets working si¬multaneously, you cannot tell what kind oftickets you will get, or if you will get anytickets at all. By contrast, in a single location box-office sale, you can easily deter¬mine your chances of getting a ticket. Butthen the Ticketron people wouldn't maketheir money.Nevertheless, we were determined to gettickets at nearly any cost — if only as anact of vengence. Three hours later, my drum set than to get caught up in that kindof gross scene. Or so I felt for a couple ofweeks. Last Thursday, however, l re¬ceived word from Mertz that he had found20th row tickets from a scalper in Evan¬ston. Of course the price was ridiculous,but my disillusionment was instantly con¬verted back into excitement and I accept¬ed the offer. The scalping system sucked,yet I had a ticket in my hot, sweaty palm.Everything was OK. Until I turned on theradio.As part of their "Rocktoberfest" cele¬bration, WMET announced that it wasgoing to give away 100 Springsteen ticketsfor those unfortunates who couldn't buythem. This give-away event, to be done bya random selection at a given time andplace, was receiving a good deal of hooplafrom the station. Every other commercialbreak or so mentioned the event. WMETwas, after all, doing a great service to therock fans of Chicago.What a cruel contradiction. If WMET re¬ally wanted to help Bruce Springsteenfans, they would have kept their greasyhands out of the operation altogether.WMET's 100 tickets may not have affectedme, but what about the young man whcwas at the window when the tickets ranout? Some kid from Northbrook will go in¬stead. He may now know anything aboutSpringsteen, except that he must be good— after all, so many people want tickets.He will probably wear a black "Journey"t-shirt.Through the "Rocktoberfest" giveaway,WMET is presenting an image that hasnothing to do with their real motivation.Like the scalper, WMET wants to make asmuch money as possible. Unlike thescalper, who is at least honest about hisaims, WMET wants to be popular (goodratings mean more money) and to appearas the people's friend in need. But Ishouldn't forget: They did throw us orangejuice, those blatant pretenders.The final blow was delivered this weekwhile I was stuck on Lake Shore Drive dueto Monday Night Football. High above Sol¬dier's Field flew a plane with a brightly litmessage announcing WMET's greatSpringsteen ticket giveaway. WMET wassqueezing every last drop of publicity outof Springsteen's name and concert. Howmany of those Bear fans were concernedwith such matters? Some had probablyWanna' See Springsteen? Ha!himself, my friend Stuke asked her, "Whodo you go down on at MET?" This scaredthe twerp away and gave us a decentlaugh.In the morning things worsened. The of¬fice did not open early. The line condensedand halted. It started to rain. Worst of all,the Chicago media was now blitzing. Twotelevision stations appeared with mini¬cams, while WMET, with their usual bar¬rage of buttons and microphones, startedthrowing us cartons of orange juice.Around 9:45, some kids happily emergedfrom the office with tickets, yet the linewould not move. Then, bam: About 50 min¬utes had passed and both shows were com¬pletely sold out. And no more than 40 peo¬ple in line had purchased tickets. At that gimme more!" he pleaded. (Kids justdon't riot the way they used to.) Stuke justsaid, "O God," and walked away. This wasin invasion of privacy and a manipulationof our emotions. It was sickening.Our first reaction was one of angertowards the Ticketron system. There arecountless outlets hidden a way in shoppingcenters all over Chicagoland. Ticketronoutlets in Milwaukee, Cleveland, etc. cansometimes sell tickets for Chicago events.Perhaps other outlets employed highly ef¬ficient tellers. Had we been unlucky or justdumb enough to choose the wrong place?We didn't know. What we did know is thatwhile waiting in line, you can never be cer¬tain if you will succeed, unless of courseyou can get off work and/or school and friend Mertz phoned two of our favoritescalpers. One we know as "Ainslie;" theother, as "The Worm." Ainslie reportedthat he had four front row seats, and wasalready offered S200 each for them, in¬stead he was taking his wife and kids. TheWorm refused to discuss such mattersover the phone. Rock and-roll is Big Busi¬ness. Very risque — not an affiar for youngpeople like ourselves. But did thesechumps wait in line for 13 hours and getsoaked in the morning? It was disgustingeven to have to deal with them in the firstplace.So I wasn't going to see Springsteen andso what? At heart, rock is folk music, notsome sacred essence for a selected few.Better to sit at home banging on an old heard Springsteen's name. Some probablydislike his music. Some probably hateRock and Roll altogether. Some may evenlike Springsteen, but they didn't wait inline for hours. All these fans really learnedwas that Springsteen was associated withWMET, the "mighty MET."I find it hard to believe that Springsteengives the go ahead for such money-makingmiddlemen as WMET, Ticketron and thescalpers. He is far too busy performingand besides, he turned down the highly lu¬crative opportunity to perform at the Hori¬zon for the sake of reaching a small, recep¬tive audience with incredible impact. Onlya fair and honest box-office sale for top-notch artists can solve the problems pre¬sented by middlemen.-■k. . y - _ - '---r . : ; P ' *' PPP. -l.-P--■.•;■ r?f$**i* ■%< . y-f'f ■:? ■•.■?; v.-:■■■,•:y pV ' ' ' • - .493-0666▼e wrought11 Charlotte,49th 8iron work, trees, shrubs, all on a 250' deep Kenwood lot. $1493-0666.lawn. Needs 6ome work. Priced to51st & Greenwood: All you have to do is more in! Gracious foyer, lovely enclosed sunceiling. Closets galore (3 of 'em cedar). Formal dining and living rooms, beauti¬fully carpeted. Fine building. Fine condo at $89,500. Call Charlotte, 493-0666.53rd ft Cornell. Homey 6 room condo PLUS 2 enclosed porches. Lovely natural wood¬work throughout. Brand new master bath. New electrical service. Charmingcabinet kitchen. Assigned parking space outside back door! $73,91)0. CallCharlotte. 493-0666.54th & Cornell. 15' x 20* (!) all electric kitchen, lovely cabinets, new appliances. 2 cer-amic baths. 3 bedrooms, laundry nook, plus light living room and large diningroom. Electric heat and central air. All this, plus 2 porches and large back yardfor only $71,500. Call Charlotte, 493-0666.•w'P'Y:;."P '^P,^ p p P Pp p : pp'PPPPP.P PP pppPP PPcP ,:..Py > ; pp;c OnCornell. $72,900. Call Ken, 947-0557.■- • - - ■. ■ ; ■ ' • ■ ‘ p; -ppp * ib, maim,'Itwhirl*.. y-..;. ... : , . .. ■* ; .. ' j 4ksM • k v yon, 2 bedro MM*. ilkiftk blew* itiiM p, CI2 bedroom corner unit (N/NW views) at $68,000. Call Ken, 947-0557.1 Pp P; toOk,Ol P-p;- A1 . MS si tfOUfl ; HO lllCOia ; . fod&efO|KBtinen?s; PpP Py: ; ; P P P-p ... 'P.'-vp: ■ ’ - ’ r -->0at $49,500. Call Charlotte, 493-0666.56th Street & Harper bright & sunny 5 room condo. GE kitchen appliances. Oak floors.Large private back porch. $68,900. Call Charlotte. 493-0666.56th Iackson Towers, across from Museum of Science & Industry, a prestigious address.7 room condo. $128,000. To see this "must see", call Charlotte. 493-0666.- study. Natw . room Nicely amrogadmodern cabinet kitchen. Ray School district. Priced to sell at $55,000. Call Ken,947-0557.m PI, is a quarterly journalof essays written bystudents in the college.We heartily invite you tosubmit your best work.The deadline forconsideration for theAutumn issue isFriday of 5th week.f) paper- he Ida NoyesCloak room or mail to: t V: ': . $- ■ ' <pInquiryFaculty Exchange MailboxIda Noyes Hall1212 East 59th StreetChicago, Ill. 60637P PP . VPp ..." 'ON 55th, Fashions for Her>r 26threg. $25 to $28QW $16 to $19reg, $34 tc $36of BLOUSESS#IP|M-!p£PP:Lpi;: PP P POpFP Pv* ;iPPPPPJPppPY..p PPPPyPP. p: ■PPPP;p::^ "j ' ‘ ■*-, ;u" : •, ■PSPS? PsPpytPP'ypSSlflllpi: A Reminder to all incoming graduate andDe ir . lei t in inritati m t ■ jet t . .erinFTry ■« mI: '8 ~ 8 8 mM M. ML. Mi.^4'ptPS«"Ppp^-pppStPp;pp:;rpP;KpPppiYP;';?gp;^O.fP:pp;'Dates and timesPpSpPPPrPLrLPrPriP::;t- * it:ppp;: ppppp'-pppppp-:,::;; .-.^,pvp p^pp^pppPPPilPPrfph ppp;ppppp, .p.pP>p ■' Pp-p L-PP,' Y-p P'-P * : .P 'P-P:'Pp;p"p- PP; p.pY; 'PPPyp'F :l p . p :.p,..P; ppp-;'PpPP ■; ' P"P’’ 'PP'j - 'i: yy/yy-^.uyj" y~:^ "P^iPPPPp,:- kkWWMkl misoles, Kneesocksrns]¥ .p"p PPPP.pppp''pppp:pp:p k the Hyde Park Shoppin jO rite¥p¥T%: tpi^tp1 pppriiricppp;pppp Ppp;ppp'p pp,p t ..^pp'-i pPi ; ,:-;-p l . '.p;.P PP; .PPPfP P PP P PPP,: P p >P' .. ,P".P., SvU:P'PtP'pp;-: ppp;.p:p,pp.;:p;:04P:P^: y.P-puP,--:P;-pp.-; ;PPP'p.pP.p pPppPPP ;U-p P,'P P^O-P'.vPc: ^PPP.p ¥ -'PPP .p.p p PPPP' p: PPP'. ¥¥¥: y.: ,P..:,!-.Pi- y 'yy y L;P=p:> ;pppppp;pp pppppp-p ppp;pp#ppp:p;'pp%?pppp2 the grey city JournalvP ' .: • y P.P y -■ P PP' P P P P PP; .. PP: * P,;. Ppr::;PPi; :,P ';p': p -: p pp ; ;::: », 'r y, ;; ■'. 'y ■ ' c ■ y y' P P -P':"'V Pv P ' P P'pPp P pp:p:;:ppp:pp;::p-;.:p:;':p:pp:pppppPp: :pp;':pp.p„ ;■ : PP PP i, Pp' y ; : ;,y j; .4—Friday lO Saturday 11 Sunday 12Monday 13 Tuesday 14 Wednesday 15 | Thursday 16the grey city calendar: Attempts to preview cultural events of importance oncampus and in the city. Contributionsare welcome Monday - F riday,9:30-4:30, in Ida Noyes 303.ArtArt Moves: The Hyde Park Art Center,presently at 5236 Blackstone, is mov¬ing into the Del Prado Hotel Buildingat 53rd and Hyde Park where its ad¬ministrators hope to be established bythe beginning of 1981. While theCenter's classroom space remains,their gallery space will be replaced byoffices for the Hyde Park Y.M.C.A.,which owns the building, the Council ofHyde Park-Kenwood Churches andSyngogues, the Hyde Park KenwoodCommunity Conference, the HydePark Kenwood Community Develop¬ment Corporation, the South Side Con¬dominium Coop Owner's Association,and the Child Care Task Force. Theseoffices are in the process of construetion. — IGThe Portrait Extended: A black andwhite and color photo exhibition aboutphotography, Portrait takes people asits subject. Since the point is to supersede conventional portraiture, it's nowonder that the eight artists involvedhave produced a variety of differentprints in a variety of styles. The mostevident of these is the snapshot and itsvernacular cousins; the work of morerefined sensibilities, such as BarbaraJo Revelle's, shines in contrast. Alter¬nately a deep and shallow show.Through November 16 at the Museumof Contemporary Art, 237 E. Ontario.Monday-Saturday, 9:30-5; Sunday,noon-5. 280-2660. $2.50; $1.50 students.— DMFilm The Artist at Sunday's opening.Taxi Driver (Martin Scorsese, 1978):Robert De Niro plays Travis Bickle, acabbie who decides to clean up thosemean streets all by himself. WhereMean Streets built toward its bloodyclimax with terrifying fatalism, TaxiDriver just teases its audience withthe promise of violence. Instead ofcatharsis, we're offered a carrot on astick. Clinical in the extreme, withabout as much emotional impact ashaving your teeth drilled. Tonight at 6and 10 and tomorrow at 1:55, 6 and 10.Hyde Park Theatre; $1.50 for the firstshow, $2.50 thereafter. — MAApocalypse Now (Francis Ford Coppola,1979): Divergent opinions of this hugeeffort seem to be combining. Thosewho once criticized its over-moniedand overblown quality now appreciatethe beach scene at least; those wholoved this and other parts all alongnow admit the film's feeble ending.Other, smaller strengths (the music)and weaknesses (Why wasn't Sheensimply flown upriver? — PaulineKael) have also been noted. A betterfilm than the roughly contemporan¬eous and comparably budgeted StarWars and Jaws, but only a "Gardenvariety big hit" (Stuart Byron) in relation to Kramer vs. Kramer, BeingThere, or even All That Jazz. Todayand tomorrow, October 10 and 11 at 7and 9:45 in Quantrell. Doc; $1.50.—DMMean Streets (Martin Scorsese, 1978):Harvey Keitel plays a grown up streetkid in Hell's Kitchen who longs forsomething better and Robert De Niro Miyoko at Bergman GalleryMiyoko Ito: A Review, The Renaissance Society at the Bergman Gal¬lery, Cobb Hall, fourth floor. The hours are 11 a.m. to 4 p.m. Admissionis free. There are thirty-eight pieces in the exhibit, dating from 1948 to1979. The exhibit will run until November 9.Miyoko Ito is the possessor of a very private imagination,queen of her own personal universe. A universe carved outof the pure power of insight, it is for the most part a friendlyplace. Her colors flow into one another like a life flowing intothe desolate places, breathing, giving, and most of all, liv¬ing. Her paintings have titles like: "Egyptian Night," "SeaChanges," "Step by Step," and "No Place Landscape."In "Egyptian Night," 1978, the dark sea colors of blue,green, and grey, in rectangles, line the lower half of thepainting; to the left above this is a pyramid with a red moonimplanted in its center. It made me think of Keith Douglas(the British poet of the Second World War), his poem called"Egypt," and the last line of that poem: "The king of thiscountry must be proud." Egypt! Country of gods and le¬gends, country learning to breathe. If one desires humor, "No Place Landscape," 1972, is theplace, or rather, the painting. A conventional description isinadequate, the work is to be seen, the child like colors, yel¬low, brown, red, and green, are the colors of this painting,and what looks like a pastoral fence is spanning what lookslike a river.Miyoko Ito incorporates geometric planes with organicplanes in a lot of her work; she organizes space to createambience. Her favorite color? Red: color of blood and foodof life!Probably her most conventional work is "Easel andTable," 1948, which contains a pear, an apple and a lemon ona tray, a pitcher, two plants, and; of course, an easel. Noth¬ing really exciting, but it does illustrate the growth evidentin later works like "Mandarin, or the Red Empress," 1977,"Sea Changes," 1977, and "Dream of a Dream," 1979.I think a new kind of clarity has taken hold of Miyoko Ito'swork, and the landscape for criticism hasn't been carved inthis new place. I feel lonely. —LAplays his troublemaking sidekick whogets them entangled with the Mob,with inevitably disastrous results.This chilling, claustrophobic thrillermoves with the unrelenting momen¬tum of a tragedy; the entire plot is im¬bued with a nervous, ticking energy.Highly recommended. Tonight at 8, tomorrow at 3:55 and 8. Hyde ParkTheatre; $2.50 — MA A Woman is a Woman (Jean-Luc Go¬dard, 1961): Godard says he set outto make a neo-realist musical. Thecharacters try to be in a musical, to beCyd Charisse and Gene Kelley — butas Godard also says, this is not a musical; it's the idea of a musical. In eachof his early films where a genre (detectives, gangsters, musicals) is in¬voked, it is always set up and then knocked over, by the self-awareness ofthe characters and the referential self-knowledge of the film itself. HereAnna Karina is a stripper living inParis with Claude Brialy. She wants tohave a baby, he does not. Enter (even¬tually) Jean-Paul Belmondo, theirfriend who is in love with Ann Karina.Everything is resolved in twenty fourhours. This is a comedy, fun to watch,Ritual Drama at Court TheatreJean Genet's The Blacks, be;ng performed on the third floor of The Reyn¬olds Club, is a play by a white manwritten for black actors to perform before white audiences. It is about a ritu¬al conceived and performed by blackactors for a white audience that is re¬ally black actors wearing whitemasks. It is about kinds of love andhate, about the boundaries betweenblacks and whites, audiences andactors and, finally, about the humiliathegreycityjournalLester Afflick, Mike Alper, Curtis Black, Lee Chait, Peter T. Daniels, John Egan,John Egan, Ingrid Gartner, Nancy Harward, Richard Lerner, Jeff Makos, JudyMcCarthy, Adam O'Connor, Mark Pohl, Rene Saracki, Margaret Savage, BruceShapiro, Michele White, Ken Wissoker.Contributions by Charla Gabert, Brad Bittan, David McFadden, and BrentWiden.Molly McQuade, Unclassifiable page editor.Lucy Conniff, book editor.Lisa Bloch, copy editor.David Miller, associate editor.Edited by Laura Cottingham.The grey city journal is published weekly by the Chicago Maroon, Ida Noyes Hall,1212 East 59th Street, Chicago, Illinois. For editorial and/or advertising information, call 753 3265.10 October 1980 tion of an oppression that turns bothsides into clowns. But it is too long.According to Genet, an actor askedhim to come up with a play for an all¬black cast. "But what exactly is ablack?" asked Genet. "First of all,what is his color?" The Blacks does acreditable job at answering thesequestions with rage and beauty, andThe Chicago Theatre Company does asplendid job at performing, but afterthe second intermission a wearinessbegins to set in that is noticeable bothon the parts of the audience and theperformers. Right at the point when itseems that things are coming to afever pitch, actors and actressesbegin stumbling over lines. So manythings are going on, so many levelsbeing explored that it becomes tootaxing to concentrate on anything except the sheer spectacle. The speechesare lovely and well delivered, the action is fast paced, the costumes aregaudy and gorgeous, but somehow it isail too much.The first two parts of The Blacks arewell worth seeing, however. The act¬ing of The Negroes is superb, that ofThe Court observing them serviceable(with the exception of Victor Kervia,who is outstanding as the fawningValet to the Queen). Steve Bailors, as Archibald Absalom Wellington, mas¬ter of ceremonies, smiles so hard youthink his face is going to break in two,but never loses the sharp edge thatcontrols the show. There is no doubtthat he is in charge here. CynthiaBrown, Wendell A. Jackson and IrmaRiley are also outstanding performers, delivering types of innocence,confused morality and stark bitter¬ness respectively.Charles Finister's direction is wellcontroled but seemingly spontaneous,arranging and rearranging groups onstage in a way that is interesting without being obtrusive Perhaps he canwhip the third section of the play intobetter shape, or perhaps it will become more polished with practiceMr. Finister also designed a fine setthat makes good use of a very smallstage. The costumes, by Jan ElizabethBranion and Yaounde Olu, as mentioned earlier, were great.The Blacks has at one time or another been condemned for being toohateful and too "white liberal." Nownearly thirty years old, it seems neither; nor does it seem to speak only towhites. It is a play that takes theatrefor nearly everything it can do. It maybe a lot to take, but it certainly isnever dull. — MS and mostly pre-political (this is a da¬daist world: the women are all strip¬pers or prostitutes). Recommended.Tomorrow at 7 and 9 in Cobb 425. Renaissance Society; members free,others $1. - KWAnnie Hall (Woody Allen, 1977): Anotherneurotic tale. Another "relationshipsare so difficult" narrative. Another"oooh Lobsters" comedy. AnotherWoody Allen movie. Tomorrow at 7:15and 9:30 in the Law School Auditori¬um. LSF, $1.50. - LJCGone With the Wind (Victor Fleming,1939): It hardly matters whether it'sgood or bad, it's an American institu¬tion, and as such, is not to be missed ifyou've never seen it. Just for the re¬cord, some of it really is excellent:Sidney Howard's screenplay is cleverand literate, and Vivian Leigh as Scarlett is brilliantly entertaining. The offi¬cial director is Victor Fleming, butsome three or four other directors hada hand in the production, includingGeorge Cukor and King Vidor. Wind'sreal guiding spirit is producer DavidO. Selznick, without whose megalo-maniacal genius the entire projectwould never have held together. Sun¬day, October 12 and Monday, October13, at 12:40, 4:30, and 8:20, Tuesday,October 14 at 7:30. Hyde ParkTheatre; $1.50 for the 12.40 shows,$2.50 at all other times. — MAAndy Warhol (Christian Blackwood): Awonderful, unpretentiously gossipy exhortation of Warhol as radical, voyeur,sophisticate, sadist, naive, egoist, andgenius. All in keeping with Warhol'sself-created and media perpetuatedenigmatic image. Warhol doesn't talkabout himself in this film, but f ascinating people talk about him, for him.Words about Warhol come from Emilede Antonio, Clement Greenberg,Harold Rosenberg, and others. Briefexcerpts from some of Warhol's films,including I a Man, Chelsea Girls,Trash, and Women in Revolt, alsoenter this one hour Warhol profile.Showing with "Super Artist" AndyWarhol (Bruce Torbet, 1967) on Sun¬day, October 12 at 7 at Chicago Film¬makers, 6 W. Hubbard. 329 0854. $2.25.- LJCThe Tree of the Wooen Clogs (ErmannoOlmi, 1978): A lengthy and slow-moving drama of peasant life in Italy at theturn of the century. Unseen by greycity reviewers. Sunday October 12 at 8in Quantrell. Doc, $1.50.Hearts and Minds: Tuesday October 14at 7 in Kent 107. Free.Orphans of the Storm (D.W. Griffith,1921) : The most remarkable and onlyintense Griffith shown so far thisquarter. This work shares with Intol¬erance a lengthy (but more managable) and grandiose (though moredown-to-earth) quality. But unlike Tol¬erance, Orphans does not separate itssubplots, but includes all in one en¬grossing action. This concerns the difficulties of two orphans (Lillian andDorothy Gish) during the French Rev¬olution. Like those shown already, thisGriffith concludes on a positive note;but Orphan's ending alone seems un¬contrived and justified by the action it¬self. A film to see. Monday October 13at 7:15 in Quantrell. Doc; $1 for doublefeature. — DMIsn't Life Wonderful (D.W. Griffith,1924): Doc's fifth presentation of Gritfith replaces the fast paced, downhome stories of True Heart Susie andA Romance of Happy Valley with thismore slowly drawn consideration oflabor class woes in twenties Germany.Carol Dempster replaces Gish, andcapably. But Orphans is still the filmto see Monday Ocatober 13 at 9:30 inQuantrell Doc; $1 for double feature.- DMTheaterKrapp's Last Tape and Endgame: Twointimate Beckett productions directedby The Man Himself, with the castscoming from the San Quentin DramaWorkshop The plays's powerful clari¬ty and compassion and the actors's im¬pressive performances produce ameaningful night in the theater.Through October 18 at Goodman Stu¬dio Theater, 200 S. Columbus.443-3811.the grey city journal 3Waiting for Dostoyevskyby John SvatekA few years ago Masterpiece Theatrewas the bastion of dignified, intelligenttelevision. Such shows as The GoldenBowl, Tom Brown's Schooldays and theLord Peter Wymsey detective thrillerswere typical of the series. Then, with thesuccess of Upstairs, Downstairs, Master¬piece Theatre changed — for the worst. Itbegan producing soap operas (albeit witha British accent): the Poldark "saga,”Love For Lydia, The Duchess Of DukeStreet. It seemed as if MasterpieceTheatre was going to redeem itself withthis season's premiere of Dostoevki'sCrime and Punishment. Unfortunately,that redemption will have to wait.The series has always fared better whenpresenting top-notch light literature. Forexample, Murder At The Bellona Clubfared much better than The Mayor Of Casterbridge, though Mayor was the better ofthe two originally. The reasons for this aremany: in the lighter productions one wasnot so concerned with the faithfulness ofthe adaptation; problems of interpretationwere not that serious; and MasterpieceTheatre has always had that air of unpre¬tentiousness (in spite of the title) — thatknowledge that it was all in good fun. Inthe "heavier" shows, however, that "air"gave the productions a slightly schi¬zophrenic quality, as if the director(s)could not decide whether to play it serious¬ly or chuck it all and have a good time.In Crime and Punishment this schism isdisastrous. So much so, that, even if therest of the production had been top notch,as a whole it would have failed. The con¬trasts in mood in the show range fromdoom-laden morbidity to light-hearted,cheerfulness. This in itself would not sinkCrime and Punishment, but the changesare so abrupt (and made for no discern-able reasons) that the viewer is left reeling— never knowing quite how to take thescene. To add insult to injury, both thelight-hearted and somber moods are handied so poorly that one begins to wonder ifthis is a professional production.The "dark" moments have no subtletywhatsoever and so relentlessly paced;they become one long shout, lackingnuance and depth of feeling. They arealways signaled by the cliche-ridden scoreof Francis Shaw. It is so bad one almost(almost, not quite) begins to long for even4 the grey city journal a John Williams score.As Roskolnikov, John Hurt tries his best,but to no avail. The script (the novel is dramatized by Jack Pulman) changes Roskol¬nikov from self-tortured character to asnivelling, obnoxious cardboard cutout.The mike, which must have been placed inhis throat, records every breath he takes— mercifully this is played down a bit inthe second episode. Hurt is forced to con¬stantly carry pained, lost expressions onhis face everywhere he goes. He is alsoforced to groan and moan so often it re¬minds one of Speed Racer. He is alsoforced to perform such silliness as lookingat himself in a cracked (meaning! mean¬ing!) mirror and whisper to himself,"Could someone do that? Could someonemur...." The scene is unintentionallylaughable. Hurt is covered with set threequarters of his time in front of the camera— did he never wash?Hurt, at least, manages to add a shred ofrespectability to his performance. Theothers do not even do this. They are eitherwooden enough to pass for Clint Eastwoodor are so animated they seem to haveescaped from Monty Python's Asylum forOveractors. When they cry, they don't justcry — they CRY; they are not just intoxi¬cated, they are DRUNK. All this gives theimpression that the actors must believethe audience is composed of thick skinnedsimpletons who cannot even understandreal emotions.The jovial mood of parts of the show isvery annoying because it makes one real¬ize that the actors have British accents(usually thick). The accents lend the production a British feel which is wholly opposite of the Russian feel that it needs. It hasthe effect of Hamlet with a Southerndrawl.On other fronts, the pacing is non stopclimax, changing abruptly to slow (readboring) introspection. The lighting is ei¬ther too white or non existent. As men¬tioned before, the sound is over miked.One hears every nuance of every rustle ofevery moment (or so it seems). The exteri¬ors look as if they were filmed in Italy andthe interiors suffer from a habitual Mas-terpiece Theatre problem: just realenough that one knows they are studiosets.So, it seems that Crime and Punishmentfails to reestablish Masterpiece Theatre'scredentials. It fails altogether. SPIN-ITpresentsAnother GreatClassical Sale!TheHOROWITZCollectionBEETHOVENConcerto No. 5 in E-Flat("Emperor”)Fritz ReinerRCA Symphony OrchestraH ) / H H BIZCTYMPHONY IN CESIENNESUITENO.1tSENEORMANDYTH€)£LPHIA ORCHESTRA NE PRICEina/Volume 5ANO ARIAS FROMTO BRITTEN>nia OrchestraNow thru Oct. 7 9SAVE 40% offMFG.SUG.LISTOn ail RCA Red SealRecordings8.98 ListSpin it now, Spin it later,but SPIN-ITSpin-lt1444 E. 57th684-150510 October 1980Another Star Bites the Dustby Lee ChaitIn Annie Hall Woody Allen asks the ques¬tion, "Why do human beings, endowedwith rational faculties, associate with oneanother?" He answers, "Because we needthe eggs." In response to the same ques¬tion in Interiors he gives the same answerif a bit less deftly than before. In Manhat¬tan, Allen wonders why we seem to go outof our way to hurt those we love, as well asourselves; he answers "Because of fear."In his latest movie, Stardust Memories, hewants to know why he is not free to do whathe wants to do. He tries to blame us, tomake us believe that we, the moviegoers,tie him to his past achievements. He showsus, however that the fault lies with him.Manhattan is such a graceful and ma¬ture movie because we can differentiatebetween Woody Allen and the characterthat he plays in that movie. It's dramadoes not revolve around Allen's characterso much as it involves him, as it involvesthe other characters. The five of them arepainstakingly defined. They are total char¬acters, not stereotypes, complete with i -dentifiable motivations, goals, and seeming contradictions of those ends. Theyevoke our sympathy and compassion because we are able to see ourselves in them,and in their struggle to overcome theirproblems. In Manhattan, Allen moves suc¬cessfully from the realm of pure comedy,at which he was already a master, todrama.In Stardust Memories, Allen moves backto the "one man — one movie" schema ofhis comedies. But this time the characteris not a comic one. And though all of thecharacters that Allen plays are somewhatautobiographical, never before has onebeen so blantantly similar to Allen him¬self. Sandy Bates is a comedian turnedsuccessful maker of comedy films. Thetopics of his brand of humor include psy¬choanalysis, philosophy (especially exis¬tentialism), sex, and the Big Questions:life's meaning, and on. The problem of themovie is that Sandy no longer wants tomake funny movies. He wants to createfilms that address (and solve undoubtedly) the Big Questions. This crisis explodesat a retrospective of his movies. We see thetypes of movies that he has been making,the movie that he is currently making — aserious one which he cannot finish becauseno one will let him make a serious movie —and those responsible for straight jacketing him: his fans.Up to this point, Bates is a typical Al'enprotagonist: the schlmeil who complainsthat life as we know it has passed him by,but he gamely and charmingly endures itas best he can. Like the others, Bates be¬lieves that his troubles come from without,and are beyond his control. But Bates isnot funny. He does not woefully resignhimself to his fate, but struggles ever earnestly to do what he wants with his life.Bates is an Artist. For the remainder of the movie we are shown the torrents ofabuse the philistine fans heap upon theMaster. One after another, Bates is confronted with hideous looking, obnoxious,and demanding urchins who rob him of hisenergy, time, and liberty. It is Bates'smost stridently enthusiastic audience whowe, Allen's audience, are supposed to de¬spise.We might wonder about the relationshipbetween the artist and his audience, andthe responsibilities that each has to theother if the film were not so simply and unnecessarily vicious. Here it is not Bates,the actor director in the movie, but Allen,the director of the film, who reveals himself.Most glaring is a completely distasteful, as well as ineffective scene in which Allenmakes fun of a rape victim because she ishideously ugly and a rabid fan of Bates. Inanother scene, after another cruel daywith those merciless fans, Bates is confronted by an old school mate who nowdrives a cab for a living. We are supposedto consider the cabbie's impropriety as audacious and another marvelous exampleof the galling liberty that little people believe that they have with celebrities justbecause they are famous.Asking the audience to side with Allenagainst the cabbie because he is not onlykeeping Bates from a beautiful and lovingwoman waiting in a luxury hotel room, butis also making him somewhat uncomfort¬able is galling of Allen. The scene only fills us with contempt for Allen for being so of¬fensive and hypocritically callous.This example points to a problemthroughout the film's narrative: the veryinstances that are supposed to make ussympathize with Bates create the oppositeeffect. Certainly, fame brings demands,many of them unreasonable and wasteful.But contrary to Bates's belief and as wefind at the film's end, Allen's belief, fame'sburdens do not remove control of one's lifefrom oneself. Bates/Allen do havechoices: they can make the serious moviethat they desire and risk 1) making a goodone and 2) making one that will be finan¬cially successful. The other alternativeopen to them is to give up making films al¬together. They might consider the latteralternative no alternative, but it is certain¬ly preferable to the type of violent ragethat seems to rack Allen and cause him toso cruelly villify the characters in StardustMemories for the crime of adoration.This is not to say that we empathize withthe other characters in the film. Allendraws them so weakly that we have noth¬ing to side with. The characters are nothuman but represent idea^ that Bates con¬templates or forces that inhibit his fulfill¬ment. Because we cannot sympathize withBates, the narrative becomes tiresome atbest, and irritating at worst.When Allen the director unites himselfwith Bates at the end of Stardust Memo¬ries we have little sympathy for his fail¬ure. The blame for it cannot lie with the in¬tractability of the public, but, in this case,with Allen's lack of courage to follow hisprofessional convictions, and most impor¬tantly, with a lack of compassion that isvital to understanding and interpretinghuman beings and their actions.Even with the problems of the movie'snarrative, it is masterfully constructed.Part of the success is due to the exquisitecinematography of Gordon Wills, who hasworked on Allen's last two films, Interiors,and Manhattan. The camera work does notoverpower the narrative, but completes it,shaping imperceptively our interpretationof the action. The black and-white tech¬nique is extremely expressive, allowingWills to soften the principles in a lovescene into a hazy and tranquil unity, or toreveal all too clearly the ugliest features ofa face as if they were etched in granite.Allen's shot set-ups are equally effective.Many of them are strikingly novel, but areso well suited to the action that they do notdivert attention away from the story.Unfortunately, Allen's expertise in thetechnical side of his enterprise turns uponitself because of the failure of his narrativeto win us over to his point of view. Becausewe cannot accept the premise of themovie, we do not trust the sentiments thatthe cinematography creates. We feel betrayed doubly by the movie, and instead ofenlisting our support for Bates and his predicament, the film's beauty only turns usfurther against him.Many classes still open: ECLECTIC EDRegister today for the SAO Mini-Course ProgramTO a.m. to 4 p.m. Ida Noyes Rm. 210Leaded Glass, Mime, Photography, Wine-Tasting and much more...10 October 1980 the grey city journal 5Capote Turns Viperous Pen on Himself and OthersMusic For Chameleonsby Truman CapoteRandom House,,262 pps., $10.95by John EganMusic For Chameleons is Truman Ca¬pote's latest collection of writings; thereare thirteen short stories and one "nonfic¬tion short novel/' all of which have ap¬peared in The New Yorker and Esquireover the past five years. In the preface,Capote explains his creative quandry;"How can a writer successfully combinewith a single form—say the short story-ail he Knows about every other form ofwriting?" He was alarmed that he was"taking three pages to arrive at effects Iought to be able to achieve in one para¬graph." He set about re-writing every¬thing that he had ever written, concentrat¬ing on what he felt was his strongestasset—recreating everyday conversationswith other people.Perhaps the most unfortunate, and cer¬tainly the most strident, aspect of Capote'smost recent work is the arrogance of histhesis—that he is developing a new artform. His creation will have "the credibili¬ty of fact, the immediacy of film, the depthand freedom of prose and the precision ofpoetry." The result of Capote's experi¬ment is often immediate and precise;whether any of It is credible as fact is a question that cannot be answered until thedichotomy of a "nonfiction novel" is eitherclearly explained or abandoned.Music For Chameleons is filled withdarkness, violence, and alcoholism. Thefirst of the book's three sections containssix short stories; the unifying theme forthis section seems to be that appearancesare often more deceptive than even a skep¬tic would assume. In addition, mayhemlurks close to the lives of many of thepatchwork characters, in "A Lamp in aWindow," Capote is stranded near a cot¬tage in the Connecticut woods and is drawnto the house by a flickering lamp. There hemeets an old widow, a Jane Austen devo¬tee, who keeps her dead cats stacked neat¬ly in a deep freeze, like hamburger patties.Another story, "Mr. Jones," centers onone of Capote's neighbors, an apparentlyblind invalid who receives visitors andphone calls at all hours of the day andnight. One day the old man disappears,and foul play is suspected. Ten years later,in a Moscow subway car, Capote recog¬nizes Mr. Jones walking briskly out of thetrain.Capote's birthplace, New Orleans, is thesetting for "Dazzle," which concerns theyoung Capote's fervent wish to become awoman. Towards this end, he consults aMrs. Ferguson, who is "a witch who couldmake wishes come true. I had a wish." in¬stead of granting Capote's wish, Mrs. Fer¬guson teaches him an expensive lesson.The title story, "Music For Chame- Truman Capoteleons," is an engaging piece set in Martin¬ique, an island that, like many of thestories in this book, "floats in strange¬ness." An aristocratic woman "the color ofrum" plays Mozart sonatas which callforth dozens of chameleons. These chame¬leons then arrange themselves on the floorin accordance with the note patterns of thesonata.Capote includes transcribed conversa¬tions in this book; these conversations alltook place between 1955 and 1979. In one,by Lucy ConniffThe pu Wishing houses' major lists ofnew books appear in the fall and spring.Therefore, it is fitting that the grey cityjournal inaugurate its new year of bookcoverage with a synopsis of the majorbooks that will be reviewed on this page inupcoming weeks.This month, there are two books comingout by master story tellers. Both TheStories of Ray Bradbury and CollectedStories of Eudora Wetty (who visited andlectured on campus last spring) markmilestones in their authors' careers.Welty, although famous for her shortstories, won the Pulitzer Prize in 1971 forher novel The Optimist's Daughter; hernew book includes all her publishedstories. Author of the well known MartianChronicles and other books, Bradbury is amaster of the science fiction genre.At the other end of the spectrum, thereare two biographies of American writersof the same generation. John Dos Passos:A Twentieth Century Odyssey by Townsend Ludington is the authorized biography of the author of U.S.A. Dos Passos wasa contemporary of and friend to both F.Scott Fitzgerald and Ernest Hemingway,-and lived longer than both of them.6 the grey city journal William Faulkner, another contem¬porary of Dos Passos, is the focus of a newbiography by Michael Minter which pur¬ports to discuss both the man and his art infewer pages than the authorized, two-vol¬ume Faulkner: A Biography by JosephBlotner, published in the mid '70s. In addi¬tion, Lion in the Garden: Interviews withWilliam Faulkner, 1926 62 contains all in¬terviews with Faulkner published togetherfor the first time.Two new books of photographs, Allureby Diana Vreeland and Writer's Image:Literary Portraits by Jill Krementz, wiltgrace coffee tables this fall. Vreeland'sbook (a section of which was published inThe New York Times Magazine earlierthis fall) is a collection of photographs thathave fascinated her during her years aseditor of Harper's Bazaar and Vogue. Pho¬tographers include Cecil Beaton and Rich¬ard Avedon, to name just a couple, but thecommentary is all Vreeland's. On theother hand, Krementz has made her repu¬tation with her writers' portraits, as wellas her A Very Young girl series, and hernew book marks the first time that her lit¬erary portraits have been published in asingle volume.Mary McCarthy's Ideas and the Noveland Thomas McGuane's An Outside Chance: Essays on Sport reveal two novelists writing on totally different non-fictionsubjects. Another non-fiction title, Firs)Person America selected and edited byAnn Banks, collects eighty life history narratives compiled by the Federal Writer'sProject between 1938 and 1942.Although it isn't an authorized biogra¬phy, Mark Harris' Saul Bellow: DrumlinWoodchuck is sure to be as interesting asone to Chicago readers. Harris, a novelistwho usually uses baseball as his subjectmatter, spent twenty years trying to become Saul Bellow's authorized biographer. He didn't succeed; this is the story ofhis struggle. Also, Barry Hannah, a nove¬list who gave a reading here two yearsago, is the author of Ray, a novel of "life onthe edge." .Two poets will also be reviewed this fall.Seamus Heaney, Irish poet, is representedby Preoccupations: Selected Prose1968 1978. His most recent book was thehighly praised Field Work, published lastyear. The first American publication of theEnglish poet W.S. Graham is the book Selected Poems.Reviews of these books, and more, willgrace the pages of the grey city journalthis fall. Check every Friday for the bookof your choice. he follows his maid around New York Cityon a regular work day. Capote also inter¬views two convicted murderers and in¬cludes those interviews in this section.After interviewing one of these murderers,Capote is summoned to appear in thatcriminal's re-trial when his original con¬viction is overturned on a legal technicali¬ty. Capote defies the subpeona, and thestory, "Derring Do," recounts his at¬tempts to get out of Los Angeles Interna¬tional Airport. Pearl Bailey wanders bywith a troupe of backup singers, and Ca¬pote rescues himself. He changes clotheswith one of the singers, feigns illness andhuddles close to Peartie-Mae, a tacticwhich renders the diminutive Capote near¬ly invisible. These two stories are enter¬taining but nearly pointless; they are in¬cluded to show some of the results ofCapote's experiment with journalism as anew art form.Two other pieces in the same section ofconversational portraits are better con¬structed and more powerfully narrated:"Hello, Stranger" and "A Beautiful Child"are the two best pieces in that section."Hello, Stranger" is the story of an ex¬classmate's descent into physical andmental chaos after he answers, innocentlyenough, a twelve-year-old girl's messagefound floating in a bottle on Long IslandSound. "A Beautiful Child" recalls an af¬ternoon spent with Marilyn Menroe, who isdescribed by Constance Collier, her actingteacher,, as having a "presence," a "lu¬minosity," and a "flickering intelligencethat issofragile and subtle." Alcoholism isthe hell that both Capote's ex-classmateand Monroe are descending into; there islittle doubt in Capote's mind that eachcharacter would become more irresponsi¬ble before they died.Capote conducts a self-interview in thethird section of Music For Chameleons. Hesums up his life: "I'm an alcoholic. I'm adrug addict. I'm a homosexual. I'm a ge¬nius." His abrupt summary is almost over¬shadowed by the implied jest; must one bean alcoholic, a drug addict, and a homo¬sexual in order to be a genius? This is Ca¬pote's style; he prefers "to underwriterather than overwrite." The result of hisunderwriting is prose that is "simple,clear as a country creek."There is a "nonfiction novel" included inMusic For Chameleons; this story, "Handcarved Coffins: A Nonfiction Account of anAmerican Crime," is a synthesis of theprinciple strengths contained in the othertwo sections of the book, Narration and recollected conversation are adeptly com¬bined to tell the story of a series ofmurders that took place in "a small West¬ern state" between 1972 and 1975. Themurders are quite grisly, but there is nophysical evidence to built a case around;consequently, no one is ever charged.However, it is apparent to Capote who thekiller is; when he plays a game of chesswith the unaccused killer, Bergman's film"The Seventh Seal" is recalled, in which agame of chess is played with Death.Darkness is an important part of thestories in Music For Chameleons: thereare several blind men in the world of Capote. Several other characters wear darkglasses, both indoors and outdoors; Ca¬pote's self interview is done on a nightwhen sleep proves to be particularly elusive. In the title story, Capote's eyes aredrawn to a mirror that once belonged toGauguin. The mirror refreshed Gauguin'svision, renewed "his reaction to color, thetonal variations." Capote's eyes are drawninexorably towards this mirror; it is"soothing and also disquieting." Theblackness, the longer one stares at it,ceases to be black but becomes a queersilver blue, "the threshold to secret vi¬sions/' Music For Chameleons is similarlysoothing and disquieting; the thresholdawaits!10 October 1980TheFLAMINGOand CABANA CLUB5500 S. Short' Drivei• Sliiilio and I IVdriMirn• Ktiriii'lit-tl jihI ( iifurui'lK'd• I’, of (.. «-to|»• t >nli1oor P.m*1 and (iarilnw• i .arjwtin^ and l)rap» Itn l.• Scnirih• l iiivcr-ilx Suh-idN furSlmlrnl* and Staff• IVlirahSM'n• Burlier Shop• B«-;tnl\ Shop• J.B.O. Kolaurant• IVnfi-f• ValrlFREE PARKINGM. SnyderPL 2-3800CHINESE-AMERICAtfRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOpen Daily11 AM to 8:30 PMClosed Monday1318 EAST 63rdMU 4-1062AUDITIONSforBLUE GARGOYLECOFFEE HOUSEMusicians, Mimes, Poets,other "acts"Monday, Oct. 13, 7:30-105655 S. Univ. Ave.Contact: Carol Jones, Mgr955-4108We Buy and SellUsed Records1701 E. 55th St.684-3375 ECONOMICS and BEHAVIORAL SCIENCE MAJORSThe PhD Program at the Stanford Business School offers specializations inECONOMICS AND PUBLIC POLICYORGANIZATIONAL AND CONSUMER BEHAVIOROther fields offered includeDecision Sciences, Accounting. Finance, and Marketing.Excellent opportunities for academic careers in research and teachingCall or write for admission and financial aid information.Office of the Doctoral ProgramGraduate School of Business — Room 223Stanford UniversityStanford, California 94305(415) 497-2831 APPLIED MATH and ENGINEERING MAJORSThe PhD Program at the Stanford Business School offers specializations inAPPLIED MATHEMATICS. DECISION SCIENCES. PRODUCTION.FINANCE, MARKETING, ACCOUNTINGOther fields offered includeEconomics and Public Policy, and Organizational Behavior.Excellent opportunities for academic careers in research and teachingCal! or write for admission and financial aid information.Office of the Doctoral ProgramGraduate School of Business — Room 223Stanford UniversityStanford. California 94305(415) 497-2831AR 101These two TI calculators can help youhandle courses in math, in science, or business.Now, and in the real world.One real-world lesson you’ll learn inschool is the importance of productiv¬ity. Time you spend doing the mathpart of the problem is time you can’tspend learning concepts.A Tfexas Instruments professionalcalculator will help make your studytime more productive. And it can alsohelp you move into the world of a pro¬fessional. A world where knowing theconcept is only part of the solution.Bringing out the answer requires aworking knowledge of a powerfulperson al calculator.Economical TI Business Analyst-Iwith Statistics and advanced busi¬ ness functions.Pre-program¬med with busi¬ness functionsfor time-valueof money, statis¬tics, profit mar¬gin. And otherproblems you’ll encounter inbusiness school. Other capabilities in¬clude percent, squares, logs, andpowers. Its 140-page book, “Keys toMoney Management”(a $4.95 value),has step-by-step instructions plussample problems. It’s an extra valuewith every BA-I. The TI-55 advanced slide rulewith statistics and program¬mability.This capable calculator has AOS™easy entry system, statistical func¬tions, 10 memories, 9 levels of paren¬thesis, trig, powers and roots, plusprogrammability. Its book, “Calcula¬tor Decision Making Sourcebook” (a$4.95 value), helps you get all thepower pre-programmed into the TI-55.See the whole line of TIcalculators at your collegebookstore or other retailer.•Trademark of Tfexas InstrumentsIncorporated.Texas Instruments technology — bringing affordable electronics to your fingertips.Texas Instruments© 1980 Texas Instruments Incorporated INCORPORATED 4573110 October 1980 the grey city journal 7Writers, arflMs^ and others are welcometo contribute to Unclassifiables; the end ofthe issue, the grey city's, weekly forum foressays, forays, iconoclastic articles, rumi¬nations, monologues, recipes, cartoons,short stories, photographs, villanelles,confessions, caricatures, interviews andvers libre. Suggestions will be takenseriously- Calf Laura or AAofly at T$3-32<$S.by Charla Gabert"Those kids, they think it's Halloweenor Fourth of July," Beth said."They don't know anything about it,"said Barb. "They're young hoodlums whodon't know the time of year, and theydon't much care either. One day's asgood as the next for blowing each otherapart.""And they think it’s fun. Those kids.They think they're invincible. They thinkthey'll live forever. They think they'recool.""Tonight when I came home they weresitting on our steps.""What did you do?""I walked past them. I ignored themcompletely. I pulled out my key andglanced at it. I admired the view. Ibreathed in the evening air. Then Iopened the door and closed it in theirfaces. They didn't try to follow me in.They just stared through the glass as Igot the mail." .Beth was not impressed. "Theywouldn't have done anything to you.""Of course they would have.""And why didn't they?""Because I was brave. I psyched themout, and they respected me. They knew Ididn't give a shit about them. It was abattle of wills, and I won.""You are so foul-mouthed. And youwere hallucinating. There was no battle,you weren't in any danger.""You're wrong. You have nounderstanding of the ways of the street."They sucked on the oranges in silence.Beth thought in silence, he's not going tocall. Barb thought to herself, those kidscouldn't touch me."When was the last time your friendcalled?" Barb asked."Why do you want to know?""I want to know the details. I want toanalyze the situation.""He called four days ago. Tuesdayafternoon. He said, 'I'll call you.' He saidit deliberately, like he meant if. Now It'sFriday, and no call." Barb swung her legs up on the table."You don't understand men. You have tostand up to them. Inside they're just littleboys, little punks who make a lot ofnoise. They play games—they pretend tobe interested, they pretend to be fed upThey're waiting for you to control thesituation/'"What time is it?""Ten to midnight. It's late.""It's not that late. Those kids are stillawake, and they have school tomorrow.""Tomorrow's Saturday. They'll be outon the street all night ""Maybe he tried to call earlier, whenwe were out.""We've been here since five thirty. Hedidn't call.""You have no way of knowing. Maybethe phone is broken." Beth lifted thereceiver and put it to her ear. A lowsteady hum sang into her ear. Shehummed back, and hung up the phone."Let's go to sleep," she said. She stoodup and clipped her hair up on her head.She poured the beer down the sink. Sheswitched on the faucet and filled the sinkwith hot water. "We'll just let thesesoak.""Listen, I told you he wouldn't call,"said Barb."You were right," Beth said, defeated."Shit,""I'm not sleepy. I'm not ready to go tobed," Barb complained."It's time. Why do you want to stay up so late?""So I can sleep late tomorrow.""Is the front door locked?" Beth asked,standing in the kitchen doorway."I don't know, I can't remember. It's asafe neighborhood.""It's not a safe neighborhood. Thestreets are dangerous, the kids are on arampage.""It's dangerous in the streets," Barbconceded, "but it's safe inside.""Tonight's the night," Beth said, andshe meant it. It was past eleven, and hot,and out in the street kids of all ages weretearing the streets apart, blowing uptheir homes with firecrackers, and tryingto wake the dead or their neighbors ortheir enemies —* it was hard to tell which."Tonight's the night," Beth repeated,and this time she sounded convinced. Herroommate Barb nodded. Barb was eagerand thin, and her voice was much deeperthan it should have been. That is, itseemed to belong to someone else, as ifshe had borrowed it in the past, oragreed to guard it for a few days, andhad simply forgotten to return it. Beththought that it was the kind of voice Barbwould have wanted if she hadn’t had it tobegin with, and she was right. Barb wasconstantly disgruntled because her voicewas so perfect and yet mismatched withher body. It was like having tits thatwere too large; they made you look sillyand seductive, when inside, you wereonly twelve, or fourteen at the most.Beth, however, was a dancer and anartist's model, and she felt comfortablyentrenched in her body. It protected herlike a shield, and she could retreat into itas if it were a hiding place. And because she was strong and sure of her strenght,it was also sometimes a weapon.Beth pulled back her hair and clampedit into a pony tail. She stretched herhands against her thighs. "That's hot,"she said."Be careful," said Barb. Outside theopen windows, a firecracker in a tin canexploded with a hollow bang. Someoneshrieked, and the roommates looked ateach other, wondering if it was time toget serious. But the scream was too high,and it lasted too long; they relaxed theirmuscles, looked at the ceiling, and waitedfor it to stop. And it did, suddenly,sharply, cut off just like in the movies.The girl had done her homework, nodoubt about that."Fuckin kids," Beth swore."You have such a foul mouth," Barbcommended her, caught betweenadmiration and disgust.They sat at the kitchen table and ateoranges and drank warm beer. Thehigh intensity lamp bleached their hair,and ragged shadows cut across the table,their hands, and the walls. Barb sulkedabout something that Beth had saidearlier. It was an insult that only Barbhad perceived and remembered. Bethretused to give in to Barb's tactics. Sheignored the sulking and pulled the skinaway from the orange segments. Shepiled the pieces in front of Barb, whopretended not to notice and went onpeeling her own private orange — just topunish Beth, who didn't care anyway."He’s not going to call tonight," saidBarb, and she knew that he wouldn't.Although she said it to hurt Beth, she alsoknew that it had the force of a prophecy.Tonight wasn't the night; she could justtell."He'll call," said Beth, and she untiedher hair. Awkward strands of black hairfell reluctantly toward her face and stuckout at odd angles. Next door the phonerang in an abandoned apartment, echoingloudly over the noise outside. It keptringing, and Beth sighed. "I never heardthat phone when the couple lived there.""It must have been the carpet, thefurniture. They were like insulation.""I wonder who's calling, and why thephone is still connected." She paused"Do you think he'll call?"Barb shrugged her shoulders. "Hemight." On the street a baby yelled, andfirecrackers popped under their windows.A ball thudded against the side of thebuilding."Mother fucker," shouted a boy. "I'mgonna kill you, bastard." A car passed byand honked, then speeded up andsquealed its tires.HE PRINTINGPRESS A/ANAGENT OE5 O.NOW IN PAPERiARY COOPERATIVE BOOKSTORE5757 S. UNIVERSITYM TH 9 30 6 30 F 9:30 5 SI 1 48 the grey city journal DOC Films is Seeking Contributions for itsWinter Quarter, 1981Writers will receive passes to Winter QuarterDOC films. Meeting Monday October 13at 8pm in Cobb 304.10 October 1980CITIZEN'SPARTYCampaign GroupsStruggle for AttentionBy Bob LabelleIt’s not easy to organize support for apresidential candidate, a number of campuspolitical groups have discovered this fall.Campus political leaders cite voter apathyand difficulties in recruiting activemembers as the biggest obstacles to theirplans. The smaller campus political groupsface the additional problem of gaining rec¬ognition for their candidates’ cause.This fall, five political parties are activelysupporting presidential candidates: the Col¬lege Republicans, the Young Democrats,the Independents, who are backing John An¬derson, the Libertarians, who support EdClark, and the Citizen’s Party, which backsBarry Commoner.Of these groups, the largest appear to bethe Anderson and the Libertarian organiza¬tions, both of whom claim active member¬ships of between 30 and 40 students. The Re¬publicans have between 20 and 30 members,according to their leaders, while the Citi¬zens’ Party has about 15 members. Repre¬sentatives of the campus Democratic orga¬nization were unavailable for comment.While all the groups would like to increasetheir membership, their numbers are rea¬sonable considering the demands of school,according to K. G. Wilkins, the Anderson or¬ganization’s president, and A1 Mackrell, of¬ficer of the campus Libertarians.In order to boost membership and to letthe students know they exist, each organiza¬tion hosts a variety of activities. All the or¬ganizations have tables in Reynolds Club orIda Noyes Hall to distribute pamphlets, but¬tons and bumper stickers. In addition, theorganizations sponsor events to attract at¬tention or money or both to their candi¬dates.The Independents will stage a poetryreading for Anderson on October 20. Theyare also canvassing in the Hyde Park areathis Saturday.The Commoner people will be active thisweekend to coincide with Commoner’s visitto the campus. He will speak at the CloisterClub on Saturday at 8:00 pm with the Citi¬zen’s Party aiming at a crowd of 300.The Libertarians will be working in con¬junction with their organization at North¬western to plan for Clark’s visit there in lateOctober. They also have plans to hold a vic¬timless crime party at which everyone willbe expected to commit victimless crimes,Mackrell said. be expected to commit victimless crimes,according to Mackrell.The Republicans recently hosted a Repub¬lican Issue Seminar: a panel discussion withLoyola Professor of Political Science CarlCarson and former Anderson chief organ¬izer Jean Bradner, among others.Each organization also does work off-campus usually consisting of canvassing.The Republicans, ‘in particular, devote alarge percentage of time to off-campusstumping for Republican candidates in thepredominantly Democratic wards of Chica¬go.For each group the major effort is toreach the large number of undecided stu¬dent voters who otherwise might not vote atall. For all the political organizations thiswas an objective made more difficult by theUniversity’s late start. Most of the groupscommented that they were just now gettingback together, leaving little time to organizesupport.This particularly hurt the third-party can¬didates’ organizations on campus whosemajor problem is recognition. CommentedCitizen’s Party organizer Richard Davis,“Our main problem is that nobody knowsabout the Party,” and from Mackrell, “Theproblem with Libertarianism is just thatpeople dont’ understand it.”Moreover, the third-party organizers fightthe image that their candidates are not con¬tenders in November. When asked aboutthis, two of the three, the Libertarians andthe Citizens’ Party, were resigned to defeat,noting that this campaign year would beused to gain recognition for their parties.Said Mackrell, “The Libertarians are notcounting on winning because it’s not all overif we don’t . . . we’ll keep going after¬ward.”Not surprisingly, the Anderson peopletake a different view. When confronted withthe “Apderson equals no vote” principle,they respond, “The point in a political sys¬tem is to establish who you personally thinkis the best candidate and we explain to peo¬ple that if they think Anderson is the bestcandidate, they should vote for him regard¬less.” As evidence of the viability of theircandidate, they cite the Anderson visit tocampus last year where an hour before hearived, Quantrell Hall was packed with nositting room available. Faculty Argue AgainstTenure PublicityBy Robert Decker“Poorer faculty, poorer students, and thedegradation of the university's mission.”This is how one University faculty memberdescribed the potential results of openingtenure decisions to greater public scrutiny.The concern over confidentiality in tenurecases has increased following the jailinglast June of James Dinnan, a University ofGeorgia professor who refused a court orderto reveal how and why he voted in a tenurecommittee.Maija Blaubergs, whose tenure was de¬nied by the committee, brought a sexual dis¬crimination suit against the university, andher lawyer called for the disclosure of howthe six committee members voted. Dinnanalone refused. He was fined $3,000 and jailedfrom June 3 to September 30.Serving on a tenure committee, said KarlWeintraub, Dean of the Humanities Divi¬sion, is “a delicate task. I would be very sus¬picious of any such decision made in pub¬lic.” Of forcing these proceedings into theopen, Weintraub said, “it is a serious threatto the way tenure decisions are made.”At the University, tenure decisions aremade by variously organized committeeswithin the academic departments. The com¬mittees’ recommendations are given by thedepartment chairman to the divisionaldean. The Dean makes a recommendationto the University Provost, which then goesto the President of the University for ap¬proval.The main problem with open tenure deci¬sions mentioned by Weintraub is the privacyof recommendations and evaluations soughtby tenure committees to help them make adecision. Individuals who provide recom¬mendations, Weintraub said, “don't wanttheir private opinions published in the news¬paper.”This aspect of recommendations was alsomentioned by William Kruskal, Dean of theSocial Sciences Division. Kruskal said thatcertain states have adopted laws wherebythe government has access to confidentialuniversity documents. In some cases, Krus¬kal said he has refused to send evaluationsto universities situated in those states.“It is obvious,” said Kenneth Dam, Uni¬versity Provost, “that (an absence of con¬fidentiality ) would have a ‘chilling effect' onthe discussions.”From a more philosophical viewpoint,however, the openness and the confidentia¬lity of tenure decisions are quite equally un¬desirable. Jane Mansbridge, an assistantprofessor of political science at the Univer¬sity who is on leave as a visiting professor atNorthwestern, is awaiting the final decisionof her own tenure at the University of Chi¬cago.Eye ExaminationsFashion Eye WearContact LensesDr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E 53rd St ‘493-8372Intelligent people know the differ¬ence between advertised cheapglasses or contact lenses ana com¬petent professional serviceOur reputation is your guaranteeof satisfaction “There is a conflict,” Mansbridge said,“between the universalistic standards of alarge bureaucracy and the informal colle¬gial procedures of a small collective, whichpervades academia.”The result of the conflict, she went on tosay, is that the personal preferences whichallows people to work together in an infor¬mal way “tend to discriminate against min¬orities.”“In order to make changes that wouldguarantee benefits for women.” Mans¬bridge said, “collegiality would have to besacrificed.” This sort of conflict, she said, is“the tragedy of a disadvantaged group.”The legal issue in the Dinnan case, ac¬cording to Philip Kurland, Professor in theLaw School, is whether or not the court wasseeking “relevant evidence.” The court al¬ready knew, said Kurland, how the otherfive committee members had voted, sothere was really no question about Dinnan'svote.Kurland said that the Georgia case is partof a larger movement by the courts andstate and federal government toward in¬volvement in university affairs. This trendposes “a great threat to the independence ofthe universities,” Kurland saidKurland acknowledged that Dinnan's con¬stitutional rights may have been violated inthis case, and added that there is very littleconstitutional protection for academic free¬dom. If this case eventually makes its wayto the Supreme Court. Kurland said, “it mayestablish some landmarks in the area of ac¬ademic freedom.”Weintraub and Kruskal did not agree onwhether the Georgia decision representedonly part of a larger trend of government in¬terference on university campuses.Weintraub said the Georgia case “doesn'tindicate any particular trend toward moreuniversiy interference.” The government,said Weintraub, has “no design against un¬iversities.”“I think there is a trend.” Kruskal said,“but I couldn't give quantitative informa¬tion to back it up.”New andRebuiltTypewriters,Calculators,Dictators,AddersU of ChicagoBookstore5750 S. Ellis Ave.753-3303REPAIRSPECIALISTSon IBM. SCM.Olympia, etc.FREE repairestimates: repairsby factory-trainedtechnicianRENTALSavailable withU. ofC. I DMastercharge and Visa AcceptedThe Chicago Maroon — Friday, October 10, 1980 — 15MATH STUDENTSPART-TIME CAREERACTUARY«.t.» %JUi A si» ;%JL» >t% *A» vX* v^Lr xLr »i« »1» %jLv *JL* «JL* «Jt>- -<t* »j>,*jv l^p*. *^S. *^Sr ■**£* *J* *Y*Combined Insurance Company has afew openings for math oriented stu¬dents to work at least 15 hours perweek in the Actuarial DepartmentPossibilities include future summer jobsor even full time actuarial positionsafter graduation. If you are interestedor have questions, call Sheryl Matsuoat 275-8000, ext, 264, or write to5050 North Broadway, Chicago,Illinois 60640.SPECIAL DISCOUNT PRICESfor all STUDENTS andFACULTY MEMBERSJust present your University of Chicago IdentificationCard As Students or Faculty Members you are entitledto special money saving DISCOUNTS on ChevroletParts, Accessories and any new or used Chevrolet youbuy from Ruby ChevroletGM QUALITYSBMCf PASTSGD03UU MOTORS MUTTS DIVISIONKeep that Great 61/ feeling With Gt.\ LfSk GM Parts72nd & Stony island 684-0400Open Evenings and Sunday Parts Open Sat, ‘til noon2 Milrs - S Minutes AwayFrom The UNIVERSITYSPECIAL DISCOUNT PRICESfor oil STUDENTS andFACULTY MEMBERSJust present your University of Chtcogo IdentificationCord As Students or Faculty Members yau are entitledto special money-saving DISCOUNTS an VolkswogenParts, Accessories and ony new or used Volkswagenyou buy from Ruby Volkswagen72nd & Stony Island 684-0400Open Evenings and Sundays Pam Open Sot. 'til noonJA — The Chicago Maroon — Friday, October 10, 1900 And slxe’s outto heat themob at theirown game.She’s tough...but she sideswith thelittle guy.GOLD CITY INNgiven * * * *by the MAROONOpen DailyFrom T 1:30 a.m.to 9:00 p.m.5228 Harper 493-2559Eat more for lessA Gold Mine Of Good Food 'Student Discount:10% for table service5% for take homeHyde Park's Best Cantonese Food USED AND DEMO STEREO CLEARANCESaved 40% to 70% on one of a kindunits like ...MARANTZ 2270 . . .. ‘225.00GARRARD DD75... 109.00SCOTT 370R 240.00MARANTZ 150B ... 250.00SANKYO 1800 90.00DYNACOST 120.... ....95.00DYNACO PAT-4.... 65.00SANSUI 8 225.00B.S.R. 310 20.00Plus much, much more!Complete systems from $75 to $75060-Day Trade-BackHEAR AGAIN STEREO7002 California, 338-7737Open M-Sat, 11 AMCOLUMBIA PICTURES PRESENTSA JOHN CASSAVETES FILMGENA ROWLANDS „ GLORIAMusic by BILL CONTI Produced by SAM SHAW PG>«»iin«6u®«<iccsu6ttsno«E.Written & Directed by JOHN CASSAVETESmSPORTSSoccer player Dan Welsh fights for control of the ball in Wednesday’s game againstNorthwestern.Soccer Nips NUMike OcchioliniThe Maroon soccer team won its firstgame of the season Wednesday, as they de¬feated Northwestern University in overtime3-2 at Stagg Field.The Maroons were led offensively bystriker Todd Talashek, who accounted fortwo of the three Chicago goals. Talashek, ajunior, is in his first year of varsity play,and has overcome strong odds to start atstriker.The Maroons scored first, as a misplavedpass from a Northwestern defender eludedhis own goalie. Talashek was credited withthe goal, being the last Maroon player totouch the ball. Northwestern came backstrong, scoring on a headball by Dave Ha-kemian. Hakemian’s shot landed above theoutstretched hands of the Maroon goal¬keeper John Condas. Northwestern took thelead 2-1, on a penalty shot by forward JohnMattson. Mattson was taken down from be¬hind by Todd Silber, who attempted to stopMattson from breaking in all alone onCondas. Northwestern led 2-1 at halftime,seemingly gaining control of the game at theend of the first half.Chicago scored the only goal in the secondhalf, on a beautifully played cross by rightwing Dean Carpentar. Carpentar’s crosswas taken by midfielder Soo-Hyun Chin,who headed the ball into the upper left handcorner of the net. The game ended in a 2-2stalemate, and the coaches decided to playan overtime period.The teams played two overtime periods,switching sides at the halfway point. North¬western missed a good opportunity in thefirst period, as a strong shot passed over thetop of the Maroon net. The Maroons misseda great opportunity to go ahead at the end ofthe first overtime period, as Soo-HyunChin’s shot, a slow roller to the corner of thenet, hit the post.In the second overtime period, Chicagoscored on a great shot by Talashek. Tala¬shek, on a pass from Silber, shot the ball im¬mediately, easily beating the Northwesterngoalie.Wednesday’s victory raises the Maroon’srecord to 1-2-1. Coach Barry DeSilva was impressed by the play of Talashek, who ho¬pefully will help solve some of the offensiveproblems displayed by the Maroons in pre¬vious games. “If the kid would have comeout as a freshman, he would have been astar by now.’’ DeSilva added that Talashekis a “natural striker.” The Maroons hope tocontinue their winning ways as they faceLoyola this Saturday for Homecoming. Straus LeadsField HockeyTeam to 2-0 WinRecord Now 3-1By Mike OcchioliniIt was another impressive victory for thewomen’s field hockey team Tuesday, asthey defeated Concordia's Teachers College2-0 at Stagg Field.The Maroons were led by first-year for¬ward Helen Straus, who scored both of theMaroons’ goals and just missed having an¬other hat trick when her third goal wascalled back because of an offside penalty.The Maroons controlled the action imme¬diately, with almost all of the action takingplace in Concordia’s end of the field. TheMaroons missed some excellent opportuni¬ties in the beginning of the game, as forwardAlice Zino had two accurate crosses in frontof the net. The Maroons took the lead on ashort corner, a penalty shot which occursdue to an infraction inside the goal circle.Jackie Ciblis took the short corner, passingit to Straus at the top of the left circle.Straus made a beautiful shot, drilling theball into the lower left corner of the net.Straus’ second goal came on the same typeof play, scoring from the top of the circle onanother short corner. The Maroons led 2-0 athalftime.The Maroons failed to increase their leadin the second half but they did have twogoals called back due to offside penalties.The first of these came on a mad scramblein front of the net. The second disallowedgoal was one of the best plays of the game,an Emily Bloomfield to Zino to Straus passplay through a group of Concordia defend¬ ers. The Maroons pressured Concordiathroughout the second half, maintaining thestrong offensive rush they displayed in thefirst half.For new head coach Linda Whitehead, itwas her third victory in four games. Thepopular head coach has reorganized theMaroon field hockey team, using new talentas well as experienced veterans from lastyear. Whitehead was pleased with herteam’s performance, citing their “superstick work and impressive passing.” TheMaroons play two games this Saturday onthe road, facing Lake Forest College andPrincipia.* 4 %%r 2 0.Helen StrausChamberlin, Eds, Junkyard Dogs, StiffsAre Early IM Football FavoritesBy David GruenbaumThere are 50 teams entered in the 10 dif¬ferent intramural football leagues this fall,with more than 500 games scheduled amongthem. The games began Wednesday, andwith them the annual quests for leaguechampionships. Here are a few predictionsfor the coming season:UndergraduateGreen League: Chamberlin should winthis league despite stiff competition fromHenderson and Fishbein. They are also thepreseason favorite to win the undergraduateresidence title.Blue League: Dudley will probably winthis one going away.Yellow League: Hitchcock is the best bethere, with Tufts a possible surprise. Tufts,last year’s undergraduate champions, hadan influx of women house members thisyear, a fact which seriously hurt their foot¬ball team.White League: Lower Rickert should de¬fend its title, with Upper Rickert and Breck¬inridge challenging.Red League: Hale and Lower Flint willprobably fight it out; Hale seems strongerat this point.Independent Division: This divisionshould be very strong this year. Defendingchampion Ed’s Bar and Grill has to be thepreseason favorite, having picked up speedin Chris Lombardi and power in John Thom¬ as and Doug Barge. Psi Upsilon, on theother hand, though still tough has lost quar¬terback Peter Reaven and receiver PaulHarris. The dark horse in this league is theCommuters. The Commuters have pickedup a lot of really good football players andwill feature a halfback who was offered afootball scholarship to the University of Illi¬nois but came to the University of Chicagoafter injuring himself.GraduateGreen League: Wabuno Bay should walkaway with this one.Blue League: The Dead Popes should winthis one, with the Capitalists challenging.Red League: Manifest Destiny should beable to capture this one but Sigma Breath IIshould provide good competitionWhite League: This is the toughest gradu¬ate league, featuring both the defendingchampions. Junkyard Dogs Deja Vous, andthe Stiffs, a team led by last year's Maroonvarsity quarterback, Mark Meier. Interna¬tional Business Machine is the dark horse,having picked up several former WabunoBay players.Games to WatchBy David Gruenbaum andPeter BernsteinHale vs. Lower Flint: Friday, Mid I, 4:00Spread: Hale by 6: ... no upset here. Can Bob and Andy take Carl and Mark0Sons of Mofo vs. Psi Upsilon: Thursday,Mid 3, 4:00Spread: Psi U by 7: ... but Psi U with ques-tionmarks! Can the University's strongboys recover from the loss of quarterbackPeter Reaven and their hangovers fromlast weekend0Wabuno Bay vs. Bovver Boys: Thursdav,Mid 2, 4:00Spread: Wabuno Bay by 15: ... just too goodthis early. While Wabuno Bay has beenpracticing in their eleven different defen¬sive alignments, the Bovver Boys havebusied themselves by ingesting largequantities of Foster Lager.The Stiffs vs. Junkyard Dogs Deja Vous:Saturday, Mid 3, 11:15Spread: Junkyard Dogs by 2: ...the Dogs getthe nod. Last year’s champions JunkyardDogs will open their season in pehaps themost crucial matchup of the season,against the Stiffs. Who are the Stiffs? TheStiff should be one of, the best footballteams this year; they feature two stand¬out players; Mark Meier, quarterback oflast year’s varsity football team, andPeter Reaven, leader of last year’s out¬standing Psi Upsilon team. The game willpit what may prove to be intramural com¬petition’s best offense, the Stiffs, againstperhaps the best defense, the JunkyardDogs. Quite a game!The Chicago Maroon — Friday, October 10, 1980 — 17 LenGlasserThe Army was no laughing matteruntil Judy Benjamin joined it.PRIVATE BENJAMINA HAWN • MEYERS • SHYER ^MILLER ProductionA HOWARD ZIEFFF.ImStarring GOLDIE HAWN m “PRIVATE BENJAMIN”EILEEN BRENNAN • ARMAND ASS ANTE • (ROBERT WEBBER] • SAM WANAMAKERBARBARA BARRIE • MARY KAY PLACE • HARRY DEAN STANTONSpecial Appearance ALBERT BROOKS • Mus,c by BILL CONTI • Executive Producer GOLDIE HAWNWritten and Produced bv NANCY MEYERS & CHARLES SHYER 4 HARVEY MILLERipcCTDirTPn ^ l looted by HOWARD ZIEFF Distributed by W*fn+< BrosflLO I IIIU 9 til A Warner Communications Company B J■ ' : . c wa Warner Bro* Att Rights ResentedUndt*' 0 <enun*s oj Mutt Sujrd-aoRADIATION: LASERS, ATOMIC CLOCKSAND A SURPRISING LOOK INTO NATURE”Second Lecture: WHAT ABOUT LIGHT?IT IS AND IT IS NOT A WAVESaturday, October 11,1980, at 11 A.M.Eckhart Hall - Room 133 -1118 E. 58th St.For further Information, phone 753-8611 OPENS OCTOBER 10THAT A THEATRE NEAR YOUCOLLEGESTUDENTSImprove yourgrades!Send $1.00 for your306-page, research papercatalog. All academicsubjects.Collegiate ResearchP.O. Box 25097HLos Angeles, Ca. 90025I Enclosed is $100.| Please rush the catalog,i Name|| Address *| City I■ State Zip I1 1 marianrealty,inc.EREAUORStudio and 1 BedroomApartments Available- Students Welcome -On Campus Bus LineConcerned Service5480 S. Cornell684-5400Court Studio TheatreOpen AuditionsTHE EMPIRE BUILDERSby Boris VianDirected by Steve SchroerOct. 11 and 12,1-5 P.M.October 13-7-10 P.M.Reading from the script. No one will be paid.Parts available for 3 women, 2 men and 1 Schmurz.57th & University 753-3581NEW!"Do-tt-yourseU”Copy a one-hour cassettein less than 2 minutes.Make a Copy of your FavoriteCassette For Only 49C•Price includes the copy cassette and theCopying Service! Guaranteed perfect monauralcopies, every timeWhat can you copy?The potential uses for cassette copies are endless Here are just a few of themost common applications: lectures, seminars, language labs, meetings,college classes, sermons, sales messages, weddings, interviews, talkingletters, family events, relaxations, exercises, word-processing data, ondcomputer programsI Thu coupon is redeemable tor one (1) cassette copy of your original cassette for only 49cAny odditionol copies of your original cassette ore at the prices below. Simply bring yourI original cossette ond this coupon with you The copy cassette ond the copying service oreincluded in one priceII Your OriginalCosaatta Length30 minute60 minute90 minute120 minute Ragular PricePer Copy$1 89$2 59$3 39S4 39 High-SpeedCopying Time1 minute2 minutes3 minutes4 minuteseezDusiD CASSETTE COPYING CENTERSThe coupon expres 10/24 80model camera1444 E. 55th 493-6700 ONE SHOTAUDITIONSfor a productionof Eugene O’Neill’sThe Dreamy KidTheatre, 3rd FloorSunday, Oct. 124-8 P.M.Monday, Oct. 134-8 P.M.IDA NOYES HALLOR BY ARRANGEMENTCALL: 363-6748Young Designs byELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd St.288-2900MOODY ALLEN'SanniEHALLPUBLIC LECTURE SERIESSponsored by the ENRICO FERMI INSTITUTEof theUNIVERSITY OF CHICAGOTHE ARTHUR H. COMPTON LECTURESTwelfth Series byReinhard FurrerDepartment of Chemistry andthe Enrico Fermi InstituteSaturdays October 4 through December 13, 198018 — The Chicago Maroon — Friday, October 10, 1980CLASSIFIED ADSSPACEWANTED: Male non-smoker pref.for room and study and bath in lovelyS. Shore Dr. small classic building.Very secure. Part of larger apt. oc¬cupied by owner (teacher) who isgone alot. Inside parking avail., UCbus 1 blk, CTA #1 in front, 1C 2 blks.221-6606.3 rooms furnished apt. 5405Woodlawn. Mrs. Green 643-2760,667-5746.Straight female commuter seekssame to share living expenses. Twobrm NW side apt. Call Deb or leavename and number at 478-3777.NOV. 1st Occupancy for 2 femalegrads in a Co-ed Grad Student Co-op.Rents average 70/mo. 5621 S Univer¬sity. 955-2653.Seeking RESPONSIBLE ROOM¬MATE. Male grad student in his 30'soffers furnished bdrm/study in 2 brmapt. Laundry fac in bldg. $165/mo. +util. Prefer male non-smoker. CallJohn 753-2923 day or 493-6291 earlyeve. Avail, immediately.For Rent: Studio apt in UniversityPark condo. Walk-in kitchen,carpeting, drapes. $325. 393-1034,955-7399.Pref. female grad to share rent in 3bdrm condo at 56 and Dorchester.200/ mo., heat incld. Call 776-6207.Studio apt avail. Nov. 1 near campus.Pref. grad stud. $200. 238-7941.2 or 3 persons sought for spacious 3bdrm apt w/lakeview, 49th/Dor-chester. Co-op bldg, no landlord,parking, 24 hr. security. $430/mo. +deposit. Possible subsidy. Call Dick643-1329.Nice furnished room kitchen privavail now non smoker. Call 955-7080.Inexpensive Housing for undergradapply to Delta Upsilon Fraternitynow. Please come to 5714 Woodlawnor call 753-3444 by 10/14.FOR SALEOld icebox, china cabinet, washer,dryer, fridge, dinette set, dresser.Lots more cheap Sat Oct 11, 9am un¬til..9728 S. Yates 731-8657'72 Chevy Vega GT only 57,200 mi.runs better than average Vega Call667-3307 mornings $500.Brand new unused Schwinn Varsity10-speed. Mans blue frame. Will sellfor $140 which is $150 off store price.Call 667-4247 between 4-9pm.19" B and W TV. $35. 947-8896 eves.YARD SALE, Several households.Sunday Oct. 12 12-6, 5540 Blackstone.1972 VW Camper full camping equip¬ment. Good running condition.Recently repainted. 288 4112 after 5p.m.Great Kenwood Treasures SALE Sun¬day Oct. 12.11am to 4pm. 4725 S. Kim-bark. Furniture, art, toys, antiques,kitchen stuff. Misc.AUDIO CASSETTE COPIES Drop byfor a personal demonstration by ourRezound experts. Ask about ourFREE introductory offer! ModelCamera 1444 E. 55th St. 493-6700.U of C pictorial dinner plates of 1931Wedgewood and Spode 17 scenes acollectors find. Goodman 753-8342.SERVICESBABYSITTING, CARWASH,PAINTING-We can help. We have aready supply of neighborhood teens,pre-screened and trained to handleyour temporary job. CALL: The BlueGargoyle's Youth Employment Ser¬vice, 955-4108, Mon-Thurs 10-5. The Chicago Counseling andPsychotherapy Center, has openingsfor men and women (18 or older) inan established long-term therapygroup. Meets Thursday 8-10 pm, star¬ting October 16, at 5711 S. Woodlawn.Fee $45/month, first two monthspayable in advance. Preliminary in¬terview required. Leaders: MargaretWarner, PhD and William Bradley,SW. 684-1800.TYPIST-Dissertation quality. Helpwith grammar, language as needed.Fee depending on manuscript. IBMSelectric. Judith 955-4417.We move almost anything almostanywhere. Call W.P. Bear MovingCo. at 241-7052 anytime day or night.Recorder lessons offered by ex¬perienced teacher and former facultymember of the New England Conser¬vatory of Music. Studio convenient toU. of C. Call Charles Coldwell,363-2526.VIOLIN REPAIR IN HYDE PARK:Professional repairs and rehairing.William Whedbee 684-0565 eves andweekends.TYPIST exp. Turabian PhD MastersThesis Term Papers Rough Drafts.924-1152.Expert typing spelling proofing fairrates rush jobs 7 days call Pat924-1573.SPORTSCLUBSRegistration packet for 1980-1981 isavailable in INH 203. This must bepicked up by 10/15/80 to be eligible forfunding this year. Sport Club councilmeets 10/20/80, 7:30 pm, EastLounge, INH.BABYSITTERWANTEDIn my home in Hyde Park for 2 boys(2 and 4 yrs) Mon-Fri 4-7 pm. Calleves 955-9571 or days 947-1825.PEOPLE WANTEDSPANISH TRANSLATOR Studentpart-time (15 hours/week) schoolyear, full-time summer if desiredTranslate training materials fromEnglish into Spanish. Spanish as firstlanguage desirable, but notnecessary. Complete knowledge ofSpanish grammar, vocabulary, andidiom. Contact Donald Bogue, Com¬munity and Family Study Center,753-2974.MANUSCRIPT TYPISTS-U) Part-time (12/15 hours week) school year,full-time summer if desired. Will betrained to type camera-ready copy onIBM Composers. Must type 55 WPMTop student rates. Contact GeorgeRumsey, Community and FamilyStudy Center 753-2518.FRENCH TRANSLATOR-Studentpart-time (15 hours/week) schoolyear, tull-time summer if desired.Translate training materials fromEnglish into French. French as firstlanguage desirable. Completeknowledge of French grammar,vocabulary and idiom. ContactDonald Bogue, Community andFamily Study Center, 753-2974.SPANISH MANUSCRIPTTYPISTS-(2). Part-time (12/15 hoursweek) school year, full-time summerif desired. Will be trained to typecamera-ready copy on IBM com¬posers. Must type 55 wpm. Top stu¬dent rates. Good knowledge ofSpanish vocabulary, grammar andidiom. Contact George Rumsey orIsabel Garcia, Community and Fami¬ly Study Center, 753-2518Paid subjects needed for experimentson memory, perception and languageprocessing. Research conducted bystudents and faculty in The Commit¬tee on Cognition and Communication,Department of Behavioral Sciences.Phone 753-4718. THE CITIZENS PARTY needs yourhelp in the fall campaign. Help uscreate a real political alternative. Tovolunteer, call 332-2066.Earn $5 to $10 per hr in spare timeselling anyone can do. No sales expnec. Call 667-4038 eves.Person FRIDAY to keep businessrecords, run errands, and do oddjobs. 25-40 hours per week. Scheduleflexible. Minimum pay $6 per hour.Apply only if avail for af least 2 years.Box 201 Hyde Park Herald.Subjects needed for interestingresearch in brain asymmetry. Pays2.50 hr call 753-4735 M-F 9-5.OVERSEAS JOBS-Summer/yearround Europe, S. Amer., Australia,Asia. All Fields $500-$1200 monthly.Expenses paid. Sightseeing. Free in¬fo. Write: IJC, BOX 52-IL5, CoronaDel Mar. CA 92625.Author requires part time secretary,flexible hours, typing ms. plusgeneral office assistance. Begin im¬mediately. 643-8395. Call evenings.Babysitting for 3 yr. old-girl Tues. pmand odd occasions pay flexible955-2148.Childcare help wanted Seeking empathic woman to do chilocare, driv¬ing, vegetarian cooking, shoppingand light housework. Must have owncar in good working condHion. Daybegins with picking a child up at U ofC Lab school. Hrs. 2 pm to 7 pm Mon -Fri. $5/hr + car expenses. 549-7574.Wanted: Reader and Research Assis¬tant. $3.00 an hour. Flexible schedule.15 to 30 hrs a week. Call 472-8092Part-time help wanted apply in person 9:30-2:00 at the Pinocchio 1517 E53rd St. 241-5512SCENESSid Lens, John Rossen-Citizens PartyCandidates speak on Sun. Oct. 12,7:30pm, 5616 Woodlawn.Students for Commoner/Harris Pre¬sent Barry Commoner Ida NoyesHall-Cloister Club 8:00 pm Saturday,Oct. 11.ANDERSON!Neighborhood Canvass for JohnAnderson Sat. Oct. 11. Meet inReynolds at 10:30 am. Call: 752-7107.LANGUAGECLASSESAt Crossroads 5621 S. Blackstone.This fall we are offering Spanish,Frenv i, Russian and German. For in¬fo on c 'ys and times, class levels etccall 684 -060.MONDAY NIGHTFOOTBALLWatch Monday night football at thePub in Ida Noyes Hall. Now withamplified sound,CONCERT BANDBring your band instrument with youto the Homecoming game this Satur¬day and play in the U of C Pep BandInstrumentalists of all abilities arewelcome and a good time will be hadby all. We will begin playing at 1:00.CITIZENS PARTYBARRY COMMONER speaks oncampus Ida Noyes, Sat. Oct. ll at8:00 Info call 332-2066.COSTA'S CAFENow hiring waiters, waitresses,hostesses, bartenders, cooks. For aninterview, apply-at 1550 E, 55th St.Costa's Cafe, 7523633 or 241-6592 GRUNDRISSE ‘Study Group: Marx's analysis ofeconomic development. For info callJim 493-3500 Rm 203ENERGY DEBATEJoin with experts in debate on thetopic: The U.S. should go to decen¬tralized energy forms, 7:30 pm Tues¬day, 14 Oct. Ida Noyes Library. AC-PU debate.U.C. HOTLINEFirst week is gone. Did you survive?If you feel disoriented, just want totalk, or need some information, CallU.C. Hotline 7 pm-7 am. 7 days aweek.THE UOFCCHESSCLUBMeets Monday nights at 7pm on the2nd floor of Ida Noyes Players ofALL STRENGTHS are welcome!Come for informal games, speedchess and FREE INSTRUCTION tobeginners and non-players! Clubplayers range from novice to master.The club will provide chess sets if youdo not have them.HOSPITALVISITATIONEvery Sat. in the Late afternoon,Visit the Jewish Patients in the U of CBillings Hospital. Meet at Hillel andwalk over. Time will vary dependingon the length of day o' Shabbat. Coor¬dinator: Avi Weiss. Hillel Founda¬tion, 5715 Woodlawn.TUTOR!Volunteer tutoring at Kozminski andCarnegie schools. Orientation andtraining begin Tues. Oct. 14 at theBlue Gargoyle, 5655 S. UniversityContact Bob Rueter or Anne Kok at955-4108 or stop by the Blue GargoyleTHOUGHTSWANTEDCollege student: Are you"trilliant," "exceptional," "in¬cisive,'' "profound," "clear¬headed," or just plain "right"? If so,Inquiry may want to publish yourwritten work. Inquiry is a quarterlyjournal of essays by students in thecoileg . The deadline for considera¬tion f <r the Autumn issue is Friday of5th v eek (Halloween). Please submityou? best work at the Ida NoyesClo.kroom or mail to Inquiry facultyexcnange. Mail box Ida Noyes Hall,1?i2 E. 59th St., Chicago, 11.60637.SHUTTERBUGSLearn to use your camera in a moreeffective, creative way. Register forthe SAO mini-course on photography.Registration today, Ida Noyes, rm 210between 10am and 4pm.MUSICIANSInterested in playing chambermusic? Organizational meeting, Fri¬day, October 17, 4:00 pm, LexingtonStudio, 5835 University Ave All par¬ticipants are welcome.SKI CLUB/TEAMMeeting: Thurs. 10/16 8 00 pm INHMovie, Information, membershipfees and deposits will be accepted.SOFT?/HARDJoin in the Chicago Political Uniondebate in U S energy policy, 7 30 pm,Tuesday, 14 Oct in the Ida NoyesLibrary Brad Bittan!We're sorry about The boss irTCleveland Next week. See you Sun¬day.—grey city.STEPTUTORINGVolunteer two hours a week to tutoran elementary or high school student,come to STEP'S meeting Tues. Oct.14, 7:00 pm at 1357 E 56th or callDave at 493-3925.WOMEN!Self-defense classes beg Oct 20 6 wks7-9pm $25 Blue Gargoyle (57th-University) info 332-5540FRIENDSOFFLINTWafcha gonna do tonight? Deal withNeal, smoke pot with Scott, Jam withSuzanne, pinch Ten Inch, space withTrace and get down with Grace!Augsberger will reign, So don'trefrain. 852 is fine-show up after 9PLAYOFFSANDTHE SERIESWatch the final days of the '980baseball season at the Pub in IdaNoyes Now with amplified soundCRAFTSPEOPLEA Singular Group-creative artscooperative is looking for newmembers to share its selling space at57th and Woodlawn in the UnitarianChurch. 3 hrs. work every other weekand $5/mo dues required. If in¬terested call Chris 493-3290FOLKLOREAll those interes*ed in planning theFall Concert and Folkfestival shouldcome to meeting Mon. Oct. 14 at 7:30Cal! 955-5770 or 493-6850BARRY COMMONERCitizens Party candidate for Presi¬dent Ida Noyes Hall-Cloister Club8:00 pm Saturday, October 11.HOUSE FORSALELarge family house 3 blocks N. of labschool good condition by owner241-5999.PERL LECTUREDr, Gerald Stourzh, "Human Rightsand Fundamental Law In the Age ofDemocratic Revolution" Tuesday,October 14, at 4:00 pm Swift Lectureroom,MATH GAMESLearn and supervise academicproblem-solving games as avolunteer with high schools students.Teams form for tournaments. Orien¬tation and training begin Tues. Oct.21 at the Blue Gargoyle Contact AnneKok at 955-4108 or stop in our office,5655 S. University.HEARSIDLENSCitizens Party Candidate for Senatorand John Rossen, U. of I. Trusteecand. in open community forum Sun¬day Oct. 12, 7 30 pm, Friends Mtg.House at 5615 Woodlawn. Spon byPlowshare Peace Col.SLAVIC FORUMSlavic Dept's Student-Faculty discus¬sion group presents Prof. J. Brooks,"Research Conditions In the USSR/'and impt. org mtg. Tuesday, Oct. 14,7 30 pm, INH 309 New memberswelcome.VERSAILLES5254 S. DerrWibrWELL MAINTAINEDBIDDINGAttractive 1 Vi tad2 Vi Ream Stadia*FrmM #r I'lfaraitWd5218 to $320Butd m AviflaMMtAt CiapM Im Sup324-MW Mr*. CreakPROUD TO HAVE GUESTSIn this 6 room condo ot 57th & Kenwood. 4 year oldkitchen has maple flooring and day-light ceiling.Natural wood hutch w/leaded doors in dining room.Workshop & bike room in basement. Ray School dis¬trict. Charming apartment in charming building.V $69,500. Coll Charlotte, 493-0666. V SECRETARIES TYPISTSTOP RATES+ LOTS OF HOURS- Highest EarningsIf you have top skills, we need you now! Call955-47771701 E. 53rd St.ChicagoThe“Kelly Girl”PeopleSERVICEStquui Upuu i,n » ,. i j.v \A tKLLM MORRIS DANCING!Women's morris team forming tolearn ritual English dancing and perform by Christmas If interested, call241-6738 evesAUDITIONSFor ONE SHOT'S production of "TheDreamy Kid" by Eugene O'Neill. SunOct. 12, 4-8 pm, Mon Oct. 13, 4-8 pm in3rd floor theatre in Ida Noyes Hall.Black players neededFOLKDANCINGSwing your partner! with the CountryDancers. English, Scottish, andAmerican dances taught everyWednesday night. Live music from8-9 pm. Refreshments are at 10 pm.Beginners are welcome, dances aretaught.NEURO-LINGUISTICPROGRAMMING.*&PSYCHOTHERAPY"They have come up with a descrip¬tion of the predictable elements thatmake change happen." VirginiaSatir, Neuro-linguistic Programming(NLP) t.m. and Psychotherapy: Aworkshop on a new model of humanbehavior, communication, andchange begins on campus at theGargoyle Thurs Oct. 16th 7-9 30 pmNLP was dev. by Bandler andGrinder through study of Satir,Pearls & Erikson. Course includesstudy and application of the model,concepts and techniques of NLP thatlead to predictable and productivechange see posters for cirriculum.Taught by Doboi Kerman, M.A.,Grad U of C who has studied withfounders of NLP and completed 200hr. training for NLP practitioners. 7sessions $75, info and pre-reg Dobbi288-3706, 664-6650YOGARevitalize oody, mind and spirit. Aper'ect balance to the lite of the mindYoga begins on campus at theGargoyle Mon. Oct T3th and ThursOct 16th, 5 30 to 7:00 pm. Includesyoga postures, breathing, relaxation,energization and meditation. Led byDobbi Kerman on campus since 19717 sessions $40. i4-$65. Register 1stclass Info call Dobbi 288-3706,664-6650PSYCHOTHERAPYPrivate clients for short term, goaloriented psychotherapy now beingaccepted. Special U of C affiliaterates. Call Dobbi Kerman M.A288-3706,664-6650SELF-HYPNOSISThe Self-Hypnosis Seminar begins oncampus at the Gargoyle Mon Oct.13th 7:00-9:00 pm Use self-hypnosisto learn info., improve concentration,retention, exam prep, make daily lifemore active, enjoyable, identity andactualize goals, develope psysicalskills, improve self-esteem, changehabits, speed healing, deepen rela¬tionships. Text, "Hypnosis withFriends and Lovers" by Dr. MorrisTaught by Dobbi Kerman, M.A., UCGraduate Graduate UC and clinicalhypnotherapy program 7 sessions$75 Pre-register call Dobbi 288-3706.664-6650.GOMEDIEVALMARRS meets Monday Ida Noyes at7 30 pm. Recorder and Madrigalgroups 8 30 pm. NewcomersWelcome!MUSICIANSWANTED!Country Dancers welcome all musi¬cians Interested in playing music tortraditional English and Americandancing to join the band We rehearsefrom 7 to 8 pm and play for dancingfrom 8 to 9 pm Wednesday m IdaNoyes if you are interested. Call241-6738 for detailsPETSFor adoption: friendly, handsome,med size dog Healthy, loves kids.Giving him up for personal reasonsCall 363-1259 before 9:00 am or lateafternoons.PIZZA DELIVEREDThe Medici delivers pizza as well asbamburoers, salads and deserts at 5pm and Sat. Beginning at 4 pmFOTAMEETINGFOTA organizational meeting, Oct15, 7:00 pm, Ida Noyes Hall rm 218Be there1 AlohaThe Chicago Maroon — Friday, October 10, 1980 — 19¥¥¥¥*Jf*************3f************* P* ■ ■■■ EhT 1 IUlLIGrand Opening ContinueswithThese Saturday SpecialsLocated in the University Bookstore 58th & Ellis(1st floor next to new 58th Street entrance)*WIN$5WORTH OFFOOD ANDRECEIVEA FREE JUMBOPOLISH SAUSAGEShow os your own version ofwhat an "I love Big Worry's"poster should look like I altposters must be 24" x 30" orbigger) and get a FREEJUMBO POLISH SAUSAGE.The most unique and unusual"l love Big Merry's" Posterwill win $50 worth ofFOOD -First 25 customers thru the'door starting at 8:00 a.m. willreceive a FREE MORRY'ST- shift (a $3,15 value) with'the purchase of any sandwich. -W'-Y^W'V;CDCCrixLL ^DONUTS &SWEET ROLLS t************First 100 customers thru thedoor starting at 8:00 A.M. willreceive a FREE donut orsweet roil with the purchaseOVER 60 TYPES OF SANDWICHES ANDSALADS TO CHOOSE FROM ... ALLFRESHLY SLICED AND PREPARED BE¬FORE YOUR VERY EYES. A COMPLETE ASSORTMENT OF SWEETROLLS DANISH. DONUTS. TURNOVERSPECAN ROLLS. APPLE SLICES BROWN¬IES AND CUPCAKES . . . PLUS COFFEETEA. COCOA. AND MILK. ALL PASTRIESSERVED FRESH AND READY TO GOFROM 8:00 AM TO 10:30 A.M. IF YOU CANT MAKE IT TO LUNCH ATMORRYS CAMPUS LOCATION. BE SURETO JOIN US FOR DINNER AT THE ORIGI¬NAL MORRY’S 1603 E. 55th FOR OURSPECIAL 5:00 P.M. to 6:00 P.M DIS¬COUNT SPECIALSHERE'S WHAT PEOPLE ARE SAYINGABOUT MORRY'S DELINorman Mark, WIND RADIO . . , "Worry's was voted theNo. 1 deli in Chicago by our listeners in our city wide poll.WIND RADIO../'the closest thing to 'SATURDAY NIGHTLIVE' Chicago has to offer."CHICAGO READER . , . "for the money and the quality,Worry's Deli ranks as one of the top 3 deli's in all Chicago."CHICAGO SUN TIMES ... "...Morry's offers great value andhigh quality, Morry's is a must ."TRAVEL AND LEISURE MAGAZINE . .. "...not only greatfood, it's an experience in international relations."PICK OUT "THE REAL BIG MORRY AND GET IINCREDIBLEIBUYNEW YORKPASTRAMIREG. 1.89 (CUT ON DOTTED LINE)—WEEK i—“NOWONLY ********M*****155|I I y. -y10* OFF ANY DRINK CONTESTJust draw an X over the photo of the real BigMorry That's all there's to if. Cut out entry on dottedline and bring it to Morry's 'Compos" Deli. If you recorrect, we ll give you a JOC discount on any drink.20 — The Chicago Maroon - Friday, October 10, 1980 ' |"”T(GOOD ONLY OCT. 11thWITH THIS COUPON)INCREDIBLEDISCOUNTFREESWEETROLLSWHEN YOU PURCHASE4 SWEET ROLLS (OF THE SAME KIND)(GOOD ONLY OCT. 11 tbWITH THIS COUPON)(GOOD ONLY OCT. 1 Tth)win $20WORTH OF FREE FOODJUST Fill IN COUPON AND DROP OFFAT MORRY S CAMPUS DELI.NO PURCHASE NECESSARY. I Purchase 4 of the samesandwiches get 1 freeGood only from Oct. 10thto Oct. 17th""WEEK2™Ii * FREE ¥IIial 7-up or Tab with the purchaseof any 2 sandwichesGood only from Oct, 18th■ to Oct. 25th|”""WEEK3—II w BTfc iir"* vv¥ ►— hr r* ft— -V-'I IV Imi 'Em f(Cut ON DOTTED LINE)WINNER WILL BE DRAWN & NOTIFIEDMONDAY OCT. 13th AT 10:00 A.M. jMORRY'S T-SHIRTjwith the purchase ofany 7 0 sandwichesor as Song as stock lastsIiI Good from Oct 26th to Nov. 2nd jMORRY'TDELICAMPUS LOCATION58th & EllisHRS: 8 to 4 M-F9 to 4 S 1603 E. 55fhHRS: 9-6 30 M S