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BOX 338WEBSTER, NEW YORK 14580(716) 265-1600The Chicago Maroonno- 1 ©1980 The Chicago Maroon Thursday, July 3, 1980NU aid chiefhere to headadmissionsby Chris IsidoreDan Hall, the present Director of FinancialAid at Northwestern University, has beennamed as Dean of Admissions and Aid in theCollege, the University announced on Tues¬dayCharles O’Connell, Dean of Students in theUniversity and chairman of the search com¬mittee which picked Hall, made the an¬nouncement. He called Hall, “probably oneof the three best known people in the U.S. inthe area of financial aid.’’Hall accepted the University’s offer lastFriday, and he will begin work on July 15. Histitle here indicates a strengthening of theposition of the chief admissions officer. FredBrooks, who left last month to become direc¬tor of admissions of Vassar College, hadbeen Director of Admissions and Aid in theCollege, and he reported to Lorna Straus,who held the dual titles of Dean of Admis¬sions and Dean of Students in the College.As Dean of Admissions and Aid, Hall will re¬port directly to O’Connell.When asked if he planned any majorchanges in admissions policy, Hall declinedto respond, saying that he is not yet familiarwith the procedures of the College admis¬sions office. He emphasized the importanceof achieving a more balanced male-femaleratio, and increasing the number of minoritystudents, but did not suggest any specific re¬cruitment plans.“I don’t believe that a university like thisone brings someone in specifically to recruitstudents,’’ said Hall. “It’s incredible to thinkthat a student picks an institution like thisone because of the admissions director.What I do see the admissions director beingis a communicator and a faciltator of infor¬mation between the administration, facul¬ty, students and alumni on one side, and theprospective students and their parents onthe other.’’Despite the shifting of administrative re- Dan Hal, the new Dean of Admissions andAid in the College.sponsibilities which his appointment willbring Hall does not expect any animositybetween administrators.“One of the things that is very positivedown here is the cooperation between all ofthe different deans and administrators,’’ hesaid. “The admissions office ought to workvery closely with the Dean of Students. Ahigh attrition rate means admissions is notpresenting an accurate impression of whatschool is like to the prospective students.’’Hall has been Director of Financial Aid atNorthwestern University since 1973. Duringthat time, he has also worked with the ad¬missions office, interviewing candidates andhelping with the review of applications. Be¬fore he became the Financial Aid Director,he was Assistant Director of Admissions andAssociate Director of Financial Aid. Beforecoming to Northwestern, was a member ofthe admissions staff at Augusta College inRock Island, where he had received his BA1962.Hall is vice chairman of the College Schol¬arship Service Council, an elected policy set¬ting group for the 1,500 colleges and univer¬sities that make up the College ScholarshipService, which is associated with the collegeEntrance Examination Board. Student fee uncertaindespite win in collegeby Chris IsidoreBy a better than 7-1 margin, students inthe College have voted to increase the stu¬dent activities fee by one dollar perquarter, from four to five dollars. However,News Analysisopposition among graduate students, ex¬pressed in voting conducted at the end ofwinter quarter, may prevent the five dollarfee from being expanded to all students.In the College vote, 86 percent of the stu¬dents voted for the increase, and thatpushed the University wide totals io 58 per¬cent for the five dollar fee. But the resultsfrom the graduate divisions and profession¬al schools did not give a clear mandate ei¬ther for or against the fee. The majority ofthe graduate schools and divisions eitherapproved the fee, or split exactly 50-50. Butin a few of the schools and divisions where itlost, the fee was rejected overwhelmingly.Therefore, while the fee won an “electoralcollege” type victory, by winning the major¬ity of the schools and divisions, it lostamong graduate students overall, with only46 percent of the students voting for thefee.The turnout was heavier than in previousuniversity-wide student votes. In the Col¬lege, 52 percent of the students voted in thereferendum this spring, while 51 percent ofthe graduate students voted last winter.The main reason for the differences in re¬sults was that undergraduates and gradu¬ates were voting on different fee increases.College students are already paying fourdollars a quarter for a Major ActivitiesBoard (MAB) membership, and they werevoting on whether to raise that. Because ofthe strength of their support, it is virtuallycertain that they will be paying five dollarsper quarter, no matter what the graduatestudents do. At this time, graduate students do notpay any fee, so what they were voting onwas whether to impose a full five dollar feeupon themselves. Still, this difference be¬tween the size of the fee being voted on byundergraduates and graduates may not bethe full reason for difference in the returns,for when undergraduates originally votedon whether or not to have the four dollarMAB fee a few years ago, they passed itoverwhelmingly. The graduate schools anddivisions in which the fee lost heavily werethose whose students traditionally are notas active in clubs or activities funded by Stu¬dent Government (SG).Student Government (SG) is pushing forthe approval of the fee in order to increaseits level of funding. Presently, SG receives$30,000-$35,000 a year from the University,but receives requests for grants from stu¬dent organizations totaling $80,000. If onlythe undergraduates pay five dollars nextyear, there will not be enough of an in¬crease in funds to meet these requests. Butif all students are included, a total of$120,000 would be raised. MAB would re¬ceive $48,000 of that, up from the $30,000they receive from the present fee, while theSG Finance Committee would receive $72,000to distribute to the various studentgroups.The final decision on whether the fee willbe put into effect now rests w’ h the assess¬ment which various administrators make ofthe graduate vote. The first assessment isnow being made by Charles O’Connell, Deanof Students in the University. His officeoversaw the election, and he will soon for¬ward the results of the election and his rec¬ommendation to President Gray. O'Connelldenied reports that President Gray opposedthe fee, and said that she was neither fornor against it, but instead was waiting tosee what the election results would indi¬cate.Shoreland Masters and students battle over ousterby Jaan EliasMeeting in emergency session on the Sun¬day before exam week (June 8), the Shore-land Council voted by an overwhelming mar¬gin to condemn the housing office’s evictionof graduating law student Michael Schley.Schley was evicted from the Shoreland onthe previous Friday by the director of Stu¬dent Housing, Edward Turkington, for post¬ing notices announcing an “Alma sucks”chant that evening. A second student mayhave been involved in the incident.^Jma is the first name of Mrs. Lach whoStaff meetingThe Maroon news staff will gatherMonday at 7:30 pm in the Maroon of¬fice to discuss story assignments, nextweek’s editorial, and the inevitableOrientation Week issue. Present staffmembers are expected to attend; newstaff members are also invited. Re¬freshments will be provided. along with her husband Donald, the Berna-dotte E. Schmitt professor in history, is a res¬ident master of the Shoreland dormitory.Schley’s signs were removed after theywere put up and no chant took place thatevening. The Lachs say that a chant tookplace two days later.The Council passed three motions pro¬posed by Schley criticizing the actions of thehousing office. The first called Schley’s evic¬tion “unwarranted.”“Schley has been charged with no infrac¬tion of any rules and has not been given achance to respond to the charges. Disciplin¬ary procedures were not complied with,”the council said. The motion passed 11-4 withthree abstentions.The second motion charged that Schley'sactions were protected by the First Amend¬ment and the Student Bill of Rights adoptedby the University. The Council demandedthat the housing office apologize to Shore-land residents “for its attempts to infringeon the rights of students.” This motionpassed by 12-3 with two abstentions.The third motion condemned “any actionsby any of the parties involved... in communi- Edward Turkingtoneating their displeasure at Mr. Schley’s ac¬tions to those outside the housing system.”This passed 12-2 with two abstentions.The third motion refers to the fact thatSchley’s Dean of Students in the Law Schoolwas informed of the action and that Schleyfeared future repercussions. Dean of Stu¬dents in the University Charles O’Connellsaid in a letter to the Council that contact¬ing a student’s divisional dean was standardprocedure in housing disciplinary actions. A number of amendments were proposedto seften the original motions but all theamendments failed by substantial margins.The council also formed a grievance commit¬tee charged with investigating the state ofrelations between the resident masters andthe students of the Shoreland.The Lachs said that they felt that the ac¬tion of the Shoreland Council threw a badlight on their entire year as resident mas¬ters. “One person led the Shoreland Councilinto this action,” Alma Lach said, referringto Schley. “We have had a beautiful year upto this and it’s just making me sick.”Alma Lach said that Schley was “a viciousand unbalanced man.”Schley said that despite the fact that hedid write the motions that the Council ac¬cepted, he kept his "mouth shut during thedebate.”Turkington was also present at the Councilmeeting and said that Schley's signs werenot a positive way of changing conditions atthe Shoreland.O’Connell respondsO’Connell responded to the motions of theContinued on page 3Newsbriefsnew shows and disc jockey’s. Schedulesshould be available sometime this week inRegenstein, the Reynolds Club and Cobb,and to publicize the new quarter's program, ijthe station will be giving out WHPK T-shirts Severy hour during the day tommorrow, July IS4. Listen to 88.3 FM for details. £Included in the new line up of shows,which includes music from classical to newwave, is a current events interview programcalled The Public Domain. It will air from 7 to8 pm on every other Tuesday. The first showdealt with independent politics in thisyear’s presidential election, and it includedineviews with John Anderson’s media advi¬sor, David Garth, and Citizen’s Party co¬founder Don Rose. There will be a special In¬dependence Day rebroadcast of the firstshow, tomorrow at 6 pm.Administration changesLike students, University faculty membersalso come and go. Among the recent depar¬tures and title changes are:Trustee A. Robert Abboud, who chose notto stand for reelection to the University’sBoard of Trustees when his three-year termexpired in June. Until this year, Abboud wasChairman of the Board of the First NationalBank of Chicago, one of the country’s mostpowerful financial institutions. Abboud wasousted from that post after a poor financialThe Chicago MaroonEditor: David GJockner Business Manager: Lorin Burtegrey city Editor: Laura Cottingham Ad Manager: Jake LevineLiterary Review Editors: Richard Kaye and Office Manager: Leslie WickCandlin Dobbs Staff: Sharon Buiter, Jaan Elias, RichardManaging Editor: Chris Isidore Kaye, Philip Maher, David Miller, AndrewPhoto Editor: Carol Klammer Patner, Chris Persans, Jon ShamisCOURTTllCATRC5706 S University AvenueChicago, Illinois 60637OPENING TONIGHT!In Hutch Court 8:30 p.m.Summer Court Theatre’s 26th SeasonAll’s Well That Ends Wellby William Shakespearedirected by Nicholas RudallOpening July 10The Servant Of Two Mastersby Carlo Goldonidirected by Robert SklootOpening July 17Love’s Labor’s Lostby William Shakespearedirected by James O’ReillyTickets at Reynolds Club Box Office-studentdiscounts available. For information andreservations, call 753-3581.Resident Masters quitWanted: Senior faculty members interestedin undergraduate life. Must be willing toparticipate in social, academic, and recrea¬tional activities with select group (approx,several hundred) of fun-loving undergradu¬ates. 24 hours daily, 7 days per week, butsummers and holidays off. Fringe benefitsinclude apartment, unlimited dormitoryfood. Qualified applicans should contact Ed¬ward Turkington, Director of Student Hous¬ing, 753-4534.The University housing system is seekingresident masters for two of its dormitoriesnext fall. Morris and Gayle Janowitz, theresident masters at Pierce Tower for the lastthree years, and Johnathan Fanton, who hasbeen the resident master at Burton-JudsonCourts since 1977, have told Turkington thatthey will not be returning to the housingsystem in the fall.Turkington said that his office has been te¬lephoning faculty members who might be in¬terested in the positions but that none haveyet promised to take either of the jobs.“There are not lines of people wanting to dothis sort of thing,” Turkington admits.WHPK Summer showsWHRK-FM, the University radio station, ison the air this summer with a program of Jeff Metcalf is leaving his position as Direc¬tor of Athletics. A replacement has not yetbeen named.report. Abboud’s departure reduces themembership of the University’s Board ofTrustees to 49, 11 below the number provid¬ed for by University by-laws.Julian H. Levi, executive director of theSouth East Chicago Commission (SECC),and a professor of urban studies at the Uni¬versity. Levi, who has led the SECC since itsfounding 28 years ago, will become a profes¬sor of law at Hastings Law School in Califor¬nia. The SECC is a community organizationlargely funded by the University, and con¬centrates its efforts on fighting crime. Leviwill be replaced by Michael J. Murphy, aformer assistant attorney general of Illi¬nois. Governor Thompson proclaimed Mon¬day, June 9 Julian Levi Day in Illinois.Cedrick Chernick, Vice-President for Spon¬sored Programs. The Office of SponsoredPrograms is responsible for helping to seekand administer research funding. Chernickwill join the Searle Foundation, which givesgrants for scientific research. “It is moreblessed to give than to receive,” Chernicksaid.More $ from parents?Always alert for new sources of incomefor the University, the people in the Univer¬sity’s Development Office are suspiciousthat some parents have money left over after paying $9000 a year to send their chil¬dren to school here.This spring, the Development Officemailed letters to 2300 parents of undergrad¬uates soliciting donations for a newly-es¬tablished Parents’ Fund. That fund is to con¬sist of unrestricted grants and will be usedfor student aid, library acquisitions, labora¬tories, and student housing.The mailing has received “a pretty goodresponse,” according to a spokesman for theDevelopment Office. Approximately $10,000in donations have been received so far, in¬cluding five donations of $1000. There havebeen no letters from parents angry at beingasked for more money, the spokesmansaid.Gymnastics clubFifteen dollars and a valid athletic facili¬ties pass may launch you on your way to be¬coming the next Nadia Comenechi or KurtThomas, the University of Chicago gymnas¬tics club says.The club will offer a gymnastics class fornovices on Mondays and Thursdays from 6:30to 7:30 in Bartlett gym. Classes will beginJuly 7 and run for the next eight weeks. Ad¬vance registration is required.For those beyond the novice stage, theclub holds open practices every Mondaythrough Friday from 6:30 to 8:30. There is nocharge for attending these workouts. Formore information on either the class or thepractices, call Dennis Sadowski at 947-6475.Although the club won’t participate in anycompetitions this summer, they plan to holdseveral exhibitions in the fall and begintheir competitive season around Thanksgiv¬ing.FOOD SERVICE ATINTERNATIONAL HOUSESummer Quarter, 1980Monday through Friday:Breakfast: 7:00-9:30 amLunch: 11:30-1:30 pmWeekend: ClosedOpen to our neighbors and members ofthe University Community!1414 East 59th Street(The cafeteria will be closed from August 30 to September 22)2 — The Chicago Maroon, Thursday, July 3, 1980MAROONSUMMERSCHEDULEFriday, July 11Friday, July 18Friday, July 25Friday, August 1Friday, August 8Friday, August 15Classified deadline:Preceding Wednesday, noonRates: 75* per line (30 spaces)For display advertising call 753-3263'MOVi mf‘ ssYLB. HLZSAVE.« OFFICE EQUIPMENTA Wide Choice of UsedMETAL DESKS SAQ95VALUES TO $250 ■ WVALUES TO $150 *44*3-4-5 DRAWER FILESVALUES TO $65 WNEW 2 DRAWER FILESVALUES TO $100SWIVEL ARM CHAIRS *39“VALUES TO $75STENO CHAIRS *1495TREMENDOUS SAVINGS!Everything must go-No reasonable offer refused!• Side Chairs • Side Arm Chairs • Sorters • Folding Tables• Bookcases • Coat Racks • Transfer Cases • Crezendas • ShelvingDELIVERY AVAILABLEBRAND <£w,p ment any c*^Dl4ppl\j V*^o.8600 South Commerical AvenueChicago, Illinois • Phone: RE 4-2111cio»ed Saturday, July 5 Open Daily 8am-Spm, Saturday flam-3pm Alderman worried aboutsummer crime preventionSummer has brought its usual increase incrime in Hyde Park as well as new concernover its prevention, this time voiced by FifthWard Alderman Larry Bloom.After several recent incidents in HydePark and along the Lakefront, Bloom's officerequested the 21st Police District improvepolice protection in the area. The 21st dis¬trict agreed to include a unit from the Spe¬cial Operations Group to supplement nor¬mal coverage. There will also be anadditional tactical team to patrol the 53rdStreet area and a force of plainclothes of¬ficers assigned to Lake front areas, wherethere has been a sharp increase in attackson bike riders.“These units have been assigned by the21st District in response to community re¬quests which I and the South East ChicagoCommission supported," said Bloom.“The tactical team has been specificallydesignated to patrol between 52nd and 53rdStreets and Harper and Kenwood Avenueswhere incidents have recently takenplace.”The alderman commended the 21st Districtfor its quick response and urged residents toparticipate more fully in the WhistlStop pro¬gram, a crime-prevention program in whichresidents, equipped with whistles, are towhistle whenever they see a crime, so as tonotify authorities and frighten away at¬ tackers.Several incidents have occurred near 47thStreet. In one incident, a man was attackedwith a steel bar while biking on the Lake-front near the 47th Street Bridge, accordingto Bloom’s assistant Luther Snow. In anothercase, a bicyclist had his arm broken when hewas attacked at noontime by a man wield¬ing a large branch. Snow said that since May1, there have been four rapes and 1 homi¬cide near the lake.Meanwhile, police have released a com¬posite drawing of the alleged assailant ofIna Walker, owner of the Sunflower healthfood store in Harper Court who was shot inthe head and robbed two weeks ago. Policedescribe him as a stocky black man in hislate twenties, five feet 6 inches tall, weigh¬ing 170 pounds, and wearing a blue denimjacket, blue jeans, and large dark glasses.Walker is recuperating in Michael ReeseHospital from her wounds and a brain sur¬gery operation necessitated by her gunshotinjury. Harper Court merchants have hired asecurity guard for the Harper Court areaand are posting signs offering $2000 for in¬formation leading to the arrest of Walker'sattacker. A “Friends of Ina Walker” Fundhas been set up to pay for Walkr’s hospitalexpenses, and anyone with information onher attack should call 744-8380.Richard KayeShoreland ouster disputeContinued from page 1Shoreland Council in a letter to ShorelandCouncil president Jim Daly saying, "I amsorry that I must disagree with all three mo¬tions.”O’Connell said that the Student Informa¬tion Manual clearly states that the Directorof Student Housing can remove a studentfrom the housing system if the student's con¬duct is disruptive to the general welfare ofthe house. In his judgement, O'Connell said,“the signs (Schley) posted and the actionsthose signs called for were examples of suchconduct.”O’Connell also disagreed that Schley'srights under either the First Amendment orthe Student Bill of Rights were violated.“Serious and reasoned dissent, however,should not be confused with the kind of ac¬tion represented in posting signs that arepersonally abusive, cruel, and call for themindless chanting of obscene slogansagainst a particular individual.”The fourth paragraph of the Student Bill ofRights guarantees the right of every studentto “exercise his full rights as a citizen informing and participating in campus, organi¬zations for intellectual, religious, social, po¬litical, economic, or cultural purposes, andto publish and/or disseminate his viewsand those of this organization on or offcampus.”O’Connell cited the paragraph in the Stu¬dent Information Manual which states “TheUniversity may take disciplinary measuresagainst residents who violate Universityregulations, infringe upon the basic rights ofother residents, or whose conduct disruptsthe general welfare of the House."In a Maroon interview. Turkington saidthat he was the person responsible for de¬termining if the general welfare of a Houseor dormitory has been threatened. He saidthat his decision to evict Schley was hisalone and that he stood by his decisionTurkington declined to comment furtheron the eviction, saying that disciplinarymeasures are private between the adminis¬trator and the student.Schley's statementAccording to Schley’s statement, to theShoreland Council, he met with Turkingtonand his resident heads on the night he post¬ed the signs but refused to meet with theLachs. The following morning he reconsi¬dered his actions and decided that “my ac¬tions were improper in that I failed to gothrough normal channels in voicing my com¬plaints." He met with Turkington who theninformed him that he had sent Schley a let¬ter ordering him to leave the Shoreland im¬ mediately. Schley was allowed to leave hisbelongings in his room until the quarterended.According to both O'Connell and the Stu¬dent Ombudsman. Schley was also offeredalternative student housing.Schley said that he filed an appeal withO'Connell on the Monday after he was evict¬ed. He said that O'Connell rejected his ap¬peal saying that Turkington's punishmentwas ‘relatively mild .”Schley apologized to the Lachs in his state¬ment to the Council. “Although judging mo¬tivations is difficult. I do not believe that Iwas in any way motivated by a desire tocause the Lachs any emotional pain, but tothe extent I was in fact so motivated, and tothe extent to that pain resulted from my ac¬tion. I apologize to the Lachs.’’Alma Lach labeled Schley's apology “theoldest trick in the book.”“The damage was already done,” shesaid.“I do in fact sincerely apologize for mymode of expression,” Schley said yesterday,“but I believe that I was expressing a widelyheld position.”Schley said that he believed the entire af¬fair was “a severe over-reaction."Grievance committeeThe grievance committee which grew outof the emergency meeting held a dormitory¬wide meeting on Wednesday of exam week(June 11) which drew about 30 residents.There were equal amounts of support andcritisism of the Lachs. Students at the meet¬ing objected to some of the activities, par¬ticularly the dinner parties, held by theLachs but most of the critisism was of the at¬titude of the resident masters to the stu¬dents. One student characterized it as avery “patronizing” attitude.Donald Lach said “We have done our dam-nest to try and bring students some of thefiner things in life, but we will do what thestudents want."This year, the Lachs have held dinner par¬ties with faculty members, ice cream socials,and a trip to a White Sox game among otheractivities “Why should I do this if this iswhat I get in return," Alma Lach said.“They told me that they did not want tocome to dinner parties where the professorsstare down their noses at them,” Alma Lachsaid.Donald Lach said that the interests of thestudents seemed to revolve around “beerparties and pinball.”“This is a lower-middle class populationthat doesn't seem to appreciate finerthings,” Donald Lach said.The Chicago Maroon, Thursday, July 3, 1980 — 3S.M« T•v« T « F • 5the grey city journal—Friday, July 3, i»70 3 4 56 7 8 9 10Alexandria Eiva: Ms. Eiva was chosenby the Committee on Art and Designas the best MFA student of the year.According to Vera Klement, assistantprofessor on the Committee, Eiva'sdistinction draws from her "ability tograpple with certain contemporaryissues and come up with a personal vision that is truly unique." The fiveworks on display in the ReannaissanceGallery attest to this description.Enormous in size (7'xl4', approx.), theframeless canvasses are an excitingexploration of color, shape and perspective. A full review of Eiva and herwork will be published in next week'sGrey City. In the meantime, go see theshow. The Rennaissance Gallery,fourth floor Cobb Hall. Daily, 11-4.Free. — LJCInner Landscape: 23 Illinois artists haveused the camera not to explore the outside world but to look into themselves.The result is^t least 23 different waysof seeing — from the meticulous detailof Gary Kolb's "Creation Series" tothe blurry abstraction of Joseph Jachna's "Iceland," as well as more literalapproaches. Yet as the singularity ofLandscape implies, these 56 prints arethought to exhibit at some level onecommon inner self; indeed, the show'scurrator, Margaret Peterson, has stated that in selecting these 52 photographs from the 566 submitted shesought those that were universallysymbolic. Peterson then added a second unity by arranging the 52 prints inan order intended to represent stagesin the photographer's search for theself. Taken individually, some of thesephotographs are interesting — evenexciting — but Inner Landscape hasyet to convince the viewer of either ofits proposed unities.Through August 2 at ARC Gallery, 6W. Hubbard. Tuesday-Saturday, 11-5.266 7607. Free — DMAmerican and European Cubism: An exhibit of works from a new collection onloan to Smart. The show includesworks by Picasso, Braque, ArthurDove, and others. July 9 August 31.David and Alfred Smart Gallery,Cochrane Woods Art Center, 5550South Greenwood. Tuesday thru Saturday, 10 4; Sunday, noon 4. Free.—LJCMoviesThe Hound of the Baskervilles (SidneyLangfield, 1939): The first of the BasilRathbone/N igel Bruce SherlockHolmes movies, Hound follows closelythe novella of the same name. This isthe only one of this Holmes series to beset in the Victorian England of ConanDoyle. After this, Holmes and Watsonjumped into the 1940s (keeping theirfin de siede outfits) to fight Hitler andthe Nazis. The movie is straightforward and fun and Bruce's classic mis¬interpretation of Dr. Watson as a bumbling old fool is delightful. Friday at7:15 and 9:30 in Quantrell. SOQ; $1.50— APThe King of Hearts (Philippe De Broca,1967): A film that focuses on that fineline between insanity and sanity, incorporating the usual romaticized 60'sfondness for the former. Set duringWW I, the story features Alan Bates asa young Scottish soldier sent to disarma bomb planted by the Germans in asmall French town. When he gets tothe town he finds all the local inhabitants have fled, except for the inmatesof the local asylum — apparently noone told them about a war, a bomb, orany of the other absurdities of thesane. Though the extended glorification of the fantasies the inmates explore once released in the otherwiseempty town gets rather tiresome (asdoes the "who are the real insaneamong us?" theme), the film is generally both sensitive and satisfying. Saturday at 7:15 and 9,30 in Quantrell.SOQ; $1.50 - LJCthe grey city journalMike Alper, Gary Beberman, RichardKaye, Carol Klammer, Laura Lavi,David Miller, Molly McQuade, An¬drew Patner, Ted Shen.Edited by Laura Cottingham. The Thirty-Nine Steps (Alfred Hitchcock, 1935): Quintessential Hitchcock.All the pet themes are there — the innocent man accused, the commonplace nature of evil, the attraction ofguilt, etc. This has always been one ofHitchcock's most popular films as well(it was his first international success),and for good reason. In addition to itssheer technical virtuosity and stylisticinventiveness, it is also graced withone of the most felicitous castingchoices of his career. Robert Donathas such an ingratiating presence(he's so much more a mensch than,say, Robert Cummings), and Donatand Madeleine Carroll are so wellmatched in their comic romantic byplay that any scene of them together ispure pleasure to watch. Great entertainment. Wednesday at 8 in Quantrell. SOQ; $1.50. - MAThree Bogart Classics — Facets Multimedia Center is offering three American Classics, all featuring HumphreyBogart in leading roles.Facets Multimedia is located at 1517West Fullerton Ave. Admission tofilms in the series is $2.50, $2.00 to filmmembers. Each feature after the firstis $1.00. For more information call281 4114. — LLTheatreBuried Child: Sam Shepard's PulitizerPrize winning play set in a small rundown Illinois farm house. The playersconsist of an old man, his wife, twosons, and a long lost grandson accompanied by his gutsy girlfriend. Thethree generations confront their dar¬kest family secret. Shepard's handlingof each character's reaction to thefamily's gruesome secret deservesmerit, though the play itself — especially its grotesque outcome — mayturn your stomach. The Body PoliticTheatre, 2261 N. Lincoln. Currentlyplaying Tue Fri at 8 pm, with Sat performances at 6 and 9:30 pm. Sundayperformance is at 7:30 prn. For ticketinformation call 977-1700. — LL MusicDeJeuner sur L'Herbe (ballads forbrownbaggers): The student Activities Office is offering free noontimeconcerts again this summer. The Summer on the Quads Tuesday ConcertSeries will be presented at noon everyTuesday beginning July 1 thru August19. July 8 marks the second noontimeconcert featuring Spike Bones: Bones,Balls 8. Bells. All concerts are atHutch Court and are free. — LLCarillon Recitals: Members of the National Guild of Carilloneurs will perform out of Rockefeller Chapel eachThursday evening at 7:30 and eachSunday afternoon at 4:00. The July 3performance will feature patrioticsongs, including The Star SpangledBanner and Stars and Stripes Forever.On July 6 the program will include folksongs from Czechoslovakia, Russia,and America. The July 10 perfor¬mance will offer selections from Bachand others. The best place for hearingthe concerts is the Ida Noyes Cloisterscourtyard, but on a clear day you canhear them anywhere on campus. —LJCRavina Festival 1980:Shubert Concert: James Levine con¬ducts the Chicago Symphony Orchestra in Shubert's Mass No. 6 in E flatmajor and Symphony No. 9 (The greatC Major). Kathleen Battle, FlorenceQuivar, Vinson Cole & John Cheek arethe featured artists. The Chicago Symphony Chorus directed by MargeretHills is also featured. The concertbeings at 8:30 July 3.Mahler Song Cycles: James Levine conducts the Chicago Symphony Orchestra in a musical feast of Mahler’swork. Tatiana Troyanos, Mezzo So¬prano, and Dale Dueing, Baritone, arethe featured soloists. Songs of a Way¬farer, Five Songs to Poems by Ruckertand The Youth's Magic Horn are thefeatured works. The concert begins at8.30 July 5. Brahms Program: James Levine conducts The Chicago Symphony Orchestra in this evening of Brahms. Christian Altenburger, violinist, and YouriEgorov, pianist, are the featured soloist. The program will includeBrahms Piano Concerto No. 1 in Dminor, op 15, and a Berg violin concer¬to. The concert starts at 6.00 pm JulyPoetry Magazine: Memorabilia fromthe early history of the magazine. Established in 1911 by Harriet Monroe, AChicagoan, Poetry is unique amongAmerican small magazines, both forits pioneering efforts in seeking unrecognized talent and for the talent itfoud. Pound, Eliot, Yeats, and Frostwere only a few of Monroe's discoveries other Poetry poets have includedMoore, Stevens, Williams, and D.H.Lawrence. The magazine continues tobe published in Chicago. It's paperstell a fascinating story. Through September in Special Collections, Regenstein.—MMcQKing Richard's Faire: The 8th annualsummer Renaissance faire celebratesa Carnival of Dance this weekend,with performances by the U of CCountry dancers as well as other performers. A day at the fair offers an interaction with a fun facsimile of thetrades, tournaments, and entertainments of the far past centuries. Timeand ticket information at 689 2800.Taste of Chicago: Over 40 Chicago restaurants will be offering low pricedwares on the Fourth of July along Mi¬chigan Avenue from Ohio Street southto the River. Music will be provided bya variety of Chicago groups includingthe Eddie Clearwater Blues Band, theSpecial Consensus Blue Grass Band,and Barrett Deems and Deemus.Nothing will cost more than $2.50 andmost items will be less. Friday from 10am to 8 pm. Free admission. JaneByrne is your host.— APHelena (Meagen Fay) tells the dying King of France (Leonard J.from All's Well that Ends Well, opening tonight at Court Theatre. Kaft) that she can cure him in this sceneSummer Court opens with Shakespeare comedieCourt Theatre opens its 26th summer season with WilliamShakespeare's classic comedie All's Well That Ends Well.Court's Artistic Director, Nicholas Rudall, directs this livelycomedy based on a novella by Boccaccio. Shakespeare's delightful fable tells of Helena, a physician's daughter, who magically cures the King of France of his mysterious ailments.Eternally grateful, the King gives the hand of the reluctantBertram to the ripe and willing Helena. Unwilling to accepthis destiny, the "proud and scornful" Bertram flees to thewars in Italy. Helena pursues her husband, intent on winninghis love through any means within her power. She joinsforces with Betram's Italian lover, managing to manipulateher Bertram in such a way that the marriage is finally consumated, happily ending the play with Helena winning Be tram's love. All's Well That Ends Well is a tale of magic, lust,and love: a great beginning for Court Theatre's summer season.The outdoor unit set is masterfully designed by Court's resident designer, Linda Buchanan. Costumes are by JordanRoss. The Lighting designer is Ron Greene. All performances are out of doors in the U of C's Hutch Court. Performances are tonight, Friday, Saturday, and Sunday at 8 :30. Incase of rain, rainchecks will be given. Tickets are currentlyon sale at Court Theatre's Box Office, 5706 S. UniversityAve., or by calling 753 3581, 9:30 am to 4:30 pm. Tickets are$4.50 $6.00, depending on the day chosen, with $l off for students except on Saturday. There is no reserved seating. —Laura Lavi Brothers AckrThe Blues Brothers. Directed by John LandWith John Belushi and Dan Ackroyd.by Andrew PatnerA good blues is a well-written, tightly crafed song that tells a convincing story. Althoucblues composition and performance involvithe use of technically "incorrect" notes (tfso called "blue" notes) and often unconveitional language, within the blues each muscal and lyrical element is closely tied to thojthat precede and follow it, and each song atheres to a variety of formulas — of rhythrrrepetition, melody, phrasing, and even of thlyric's moral — which may at first make thblues seem a simple, even imitative, musicedevice, when, in fact, it is a deceptive, corrplex, and compelling art form.Similarly with comedy there are certaiforms, rules, and conventions that have to bfollowed, or at least understood, to makecomedy "good" — that is to make it work. Athough what we today call comedy differfrom what Aristotle defined in his time, it istill a poetic style, an artful form of storytelling. And it still has its bounds of compositioiand direction — joke construction, style, amplacement — and of performance — presence, delivery, and timing, for exampleThose comic artists who have broken wittheir contemporary conventions — PrestoSturges, the Marx Brothers, and RicharPryor, to name only a few — have done sonly after examining the current bounds ancreating new ones of their own. They havchanged systems, not abandoned them. Ilooking critically at comedy, we can see whejudgements the director and performer havmade, and we can distinguish the high frorthe low, the example of craft from the cheashot, the satire of manners from thbathroom gag.TheThe Tin Drum. Directed by Volker Schloidorff. Based on the novel by Gunter Gras;Germany's entry for the Best Foreign Filroscar.by Molly McQuadeFor Gunter Grass, imagination is the priicipal saving grace — a sort of hydra heade"good", capable of countless incarnationWhen he wrote The Tin Drum (1959), it wasproof of his partisanship; like grass, thnovel's hero refused to let the world's madates and contingencies bind him. He denieas Grass had, the authority of literal circunstance, replacing it with transformationalnot simply preservative — powers. Wheth<these powers inspired full-fledged art, <howling of a lower order (performed by tfnovel's many crackpots and near poets), theundermined the soulless status quo and babarians attendant on it.One of Grass's weapons was, of course, hhigh art. The clarity and suppleness of his laguage (translated by Ralph Mannheimmade it uncannily responsive to the complexties of his claims. Lyrical, ironic, and horrifby turns, The Tin Drum is utterly engrossinas curative as a dream. The candor wiwhich Grass conveys the dense, fantastmatter of his book is what really distinguishit — and the way this candor is made overthe movie of the novel is nearly as impresive.Produced in Germany, the film faithfulreports the adventures of Oskar Matzeratmidget, musician and iconoclast (and nati'of beleaguered Danzig). Grandson of a feeless pyromaniac and a potato farming peThe Blues Brothers: A Blue MovieAckroyd and BelushiLandis.y craft-Ithoughnvolvestes (theconven-h musi-to those,ong ad-■hythm,n of theake themusicale, corn-certainve to bemake a'ork. Al-differsne, it istorytell-positionyle, and— pre-xample.en withPrestonRicharddone sonds andey havenem. Iniee whatter havegh fromle cheapom the In their best forms, the blues and comedyhave a great deal in common. And thoughthey are not always inclusive of one another,they usually share a number of elements.Nietzsche called a joke "an epigram on thedeath of feeling" and the modern readermight extend that definition to the blues aswell. When blues and comedy succeed they doso for similar reasons: because they tell astory that we can identify with, because theycause us to reflect on our emotions and ac¬tions in an artistic manner, because they en¬tertain us and make us feel better for havingbeen so entertained, and because, quite sim¬ply, they tell us something about ourselves —sing about us, act us outThe Blues Brothers is nearly a total failureas a movie. And though its violation, misuse,and ignorance of cinematic conventions arecontributors to this failure, its inability to ad¬here to the rules of comedy — it is not funnyand it intends to be so — and of the blues — itis not of a piece and it must be so — are thereal causes of its bankruptcy.In the press kit for the movie, director andco author John Landis says, "John (Belushi)and Danny (Ackroyd) are very knowledgeab¬le about music, not dilettantes. They under¬stand who black musicians are and whatthey're doing, and they wanted to honor andbe a part of that tradition." Belushi even callsthe film "a tribute to black Americanmusic."If these statements were actually made(and press kits are full ofhyperbole and inven¬tion), the kindest description of them is thatthey are lies. For this film goes well beyondmisunderstanding black music and musiciansto the point of belittling and abusing them.When the "Brothers" "perform" "GimmeSome Lovin'," "Everybody Needs Some¬body," and "Sweet Home Chicago," their efforts are childish, insulting, and entirely for¬ gettable. Standing in front of a band ofcapable and experienced musicians, Belushiand Ackroyd try half heartedly to sing, dance,and play the harmonica. They seem to say,"Isn't this music easy, and silly too!"The other musical numbers reek of conde¬scension. A scene with James Brown leadingwhat appears to be a circus and clown show ata black church service is perhaps the most de¬meaning treatment of black gospel musicsince Robert Altmann's Nashville. Slit-skirted women do cart wheels and acrobaticswhile their male counterparts jump 20 feetinto the air before passing out from physicaland spiritual exhaustion.The remaining musical scenes are, howev¬er, the film's only redeeming moments, butagain Landis and Ackroyd (who co-wrote thescript) have handled them with inept handsand eyes. Aretha Franklin is so genuine in herrole as a waitress that for an instant no one inthe audience seemed to recognize her. Herquick movement from speaking her lines tosinging a reprise of her sixties hit "Think" isperhaps the film's only graceful moment andFranklin is superb throughout the number.But Landis never knows where to put his camera and continually cuts back and forth fromFranklin to an impromptu group of restaurant customers singing backup to the dishwasher playing the saxophone to the wall to ...effectively undercutting the power of the per¬formance.And when Cab Calloway performs "Minniethe Moocher" (which he has been doing sincehe co-wrote it 51 years ago) towards the end ofthe film it is an enjoyable and joyous scene.But Landis needlessly cuts to audience shotswhich don't even look like they were filmed atthe same time as the performance. During"Minnie," Calloway and the band appear inwhite coats and tails. Landis reveals this to bethe Calloway character's fantasy, but the realfantasy is that Landis is treating the musicwith respect.The band members are all good musicians,but only two gave convincing performancesboth on and off the stage. Matt Murphy of theJohnnie Lee Hooker Band and studio musi¬cian Al Rubin. (Hooker himself appears withthe Muddy Waters Band playing one Sundaymorning at Maxwell Street. Of course thecamera moves right by him. Hooker might bethankful. The "Brothers" claim him as an"inspiration" and stole their costume ideafrom him). Murphy, as Aretha Franklin'shusband, and Rubin as the maitre d' of ChezPaul, were both endearing.ie Drummer’s Difficult ArtSchlon• Grass,gn Filmrhe prin-i headednations,it was inass, thei's mani denied,circumtional —Whetherart, orfj by thes), theyind bar-irse, hishis lan-nheim),mplexi-horrificrossing,or withntasticguishesover inmpresithfullyzerath,nativea feckig pea sant, at age three Oskar decides to stop grow¬ing. What inspired the move? Precociousobservation of immorality in adults. Apparent to Oskar were: his mother's dallyingswith her cousin, a handsome (but weakkneed) aesthete employed as a bureaucrat atthe local P.O.; his father Matzerath's stupid,stolid, borish burgher temperament; and theless easily assignable vulgarities and mean¬nesses of life in general.But without his drum Oskar might neverhave mounted opposition to such things.Given him as a toy, the drum quickly becamehis spiritual mainstay. He interpreted whathe saw by beating an accompaniment to it,and he also remembered what he thoughtby drumming. Not only that — Oskar madehis ruminations unuerbicinuautc tu auoicnv.es,as he played. His drum, though mystifying tothe family circle and the neighborhood guttersnipes, was an arrestingly eloquent meansof contact with other artists, outcasts and eccentrics whose various visions the stale, secular world denied.Of these rare comrades, few were depend¬able, and Oskar only really felt at home uponjoining a travelling circus. Bebra, manager ofthe troupe, nourished Oskar's strange intelli¬gence, and Roswitha captured his heart.Meeting enthusiastic response, the companyperformed for the Nazi officers who, withtheir troops, had meanwhile occupied Poland.The war was certainly one spectacle of theevils Oskar abhorred, with brute strength cel¬ebrated and widespread destruction approved. But it was on the small scale that horror truly flowered - during carefree family As a comedy the movie is a disaster. A goodcomedy works when it involves the audiencein its story. We either feel ourselves in thesame position as the performers (as with thephysical failures of Buster Keaton or the per¬sonal failures of Woody Allen) or we feel thatwe would like to do the same thing as the performer given the opportunity (the MarxBrothers). Even outrageous or absurdistcomedy says "Here, how would you react tothis?" This is why comedy forums like SecondCity are so successful. They recognize the au¬dience as a component in their work and docomedy with or about the audience, not atthem.The Blues Brothers comes at you like a tonof bricks, and is about as funny. The script isvulgar and scatological. The jokes are pre¬dictable and thus rarely funny, and the styleand plot, which concerns the efforts of the"Brothers" to raise money for their old or¬phanage, are so forced that I not only couldn'tbelieve that any of it could ever happen, Icouldn't believe that any of it could ever befunny. With the exception of a very briefsketch by Belushi (what appears to be an improvised part of a restuarant sketch), thescenfes that evoked the most laughter fromthe audience were the ones that exhibitedLandis's belief that the more money youspend on car wrecks the better the movie youmake. The car scenes are many and technically well-executed, but after wrecking a S10million shopping mall in the first half hour,there is nothing that Landis or any otherdirector can do. It's a case of "Can you topthis?" and you can't.Ackroyd's performance is unbelievably badand wooden; Belushi's little better and thenonly when he attempts to break out of the ri¬diculous mold of the "Brothers." It is difficultto judge the performances of either ot meprincipals because neither of them actuallyacts. They are even billed in the credits as"Jake and Ellwood Blues." In stretching andmilking one of their poorest skits from Saturday Night Live, Belushi and Ackroyd havesucceeded in building a money-making busi¬ness, but only at the expense of what somepeople thought was considerable talent.Landis's direction outside of the car scenesis almost as bad as Nancy Walker's in the emharassing "Can't Stop the Music." In "Animal House," Landis showed an apparent understanding of the comedy film. That moviewas funny throughout and has withstood second and third viewings. Even Dave Kehr laughed at it. It was quite a movie for a 27-year old director to make. But Landis hastaken "Animal House's" weakest scene — theunraveled car smashup at the end — and triedto make a whole movie out of it.Landis fills his movie with insipid subplotsand unexplained cuts and fade outs. With theexception of the beautiful opening scene (aslow pan over the South Chicago steel mills inearly morning which has nothing to do withthe rest of the film) and Stephan Katz's hand¬some photography, the film does very little vi¬sually either. Yes that's the Sears Tower, yesthat's Wacker Drive, yes that's the Picasso,yes that's even the South Shore Country Club,but that's not Chicago on the screen.But one can explain this failure to get thecity into the picture. The Blues Brothers is thefirst big budget film to be made in Chicago.(Mayor Daley forbad the filming of movies ortelevision shows in the city for fear that thecity's gangster reputation might be maintained or magnified. Perhaps he had his artis¬tic reasons too.) So many of the city's best lo¬cations and angles have yet to be discoveredand we're left with all the conventional shots.And Landis's devotion to mgn speea oarchases and smashups forced him to shootmost of the footage on Sundays and holidaysso the city we see is an empty city. A sensitivedirector could certainly still make a "Chicago" movie using Richard Wright or Nelson Al-gren as his text and the original low-budgetfilms Cooley High and Stony Island bothshowed how the city can be used as muchmore than a backdrop, how it can be a part ofthe film. (Incidentally, both films used extensive musical scores and did so very well.Stony island was almost a straight musical.)It will be interesting to see what Zefferrelliwill do with Scott Spenser's Endless Lovewhich he will shoot on location, though proba .bly not in Hyde Park.Most of the elements in this picture arethere — good music, good actors, good seenery, good photography, and a good director.But tomake a movie, or a song, or a story — oreven a skit — craft, balance, and form arenecessary. Without these structural guides,and without the organizing spirit that comesfrom respect and understanding, there is noway to make a good piece of art. There aremany bad ones, though, and this movie hasfound quite a few. It's the kind of film thatmakes one realize the difficulty of appearingsimple, of making people laugh, of singing theblues.outings and childish games played in ordi¬nary bock lots.One of the most affecting scenes of the filminvolves the mindless brutality of childrenwho, like eerie urban sprites, cook a revoltingstew (including live toads, spit, rocks andurine) and force Oskar to taste it. They singlehim out for punishment because he is unfathomable to them, yet it is their hostility whichstuns and bewilders him. And the unstablecharacter of even the most settled habits andfriendships becomes shockingly clear duringthe Matzeraths' innocent trip to the beach.Watching a fisherman reel in a rotting horse'shead, acrawl with eels, Oskar's mother sud¬denly, wretchedly realizes how many sinsdamn her, and how useless it is to live.Despite the movie's memorably grim mo¬ments, bizarre humor revives others. As if toinsist on Oskar's comic as well as heroic stature, he narrates his own birth, peering balefully out from behind a purplish curtain ofstuff in the womb. The inanity of Matzerath,Mama and Jan (beloved cousin and sinmonger) is often hilarious, as each maneu¬vers ineffectually for the other, ardent butblind.Well-acted, The Tin Drum is also visually evocative. Jan's charming but irresolutesmile, Mama's big boned intensity, Oskar'sminiaturized militance, pass from stodgilyrespectable interiors to the gloom of alleyways and on to the rarer freedoms of ameadow or a square.Hard though it is to make good work of abrilliant, eccentric precursor, The TinDrum admirably adapts and renovatesGunter Grass's novel. Natural love in the South PacificA Lost LagoonThe Blue Lagoon. Directed by RandalKleiser. With Brooke Shields and ChristopherAtkins.Sir James Frazer must be chortling in hisgrave now. The ethnographic mumbo jumbowhich he had inculcated in so many Victorianminds has resurfaced in The Blue Lagoon.Frazer's survey of tribal customs, along withVictorian intellectual curiosity about evolu¬tion and sex, must have prompted HenryStacpoole to spin the fantasy on which thefilm is based. The tale essentially speculateson what would happen to two unspoilt youthsgrowing up innocent on a virgin isle, far fromthe trappings of rigid Victorian conventions.How would they survive? Would they getalong with each other? Would they stumbleonto sex?The film is a kind of coming of age forBrooke Shields. We watched her in PrettyBaby, playing a passive child beauty amidstdecadent adults. She was beyond corruptionthe and devoid of suggestive sexuality. In TheBlue Lagoon, she retains her innocence butnot her virginity. Here, she gets her firstscreen kiss, and her girlish body is caressedlovingly by the voyeuristic camera. Her lovescene with Atkins has the solemn weightinessof a momentous occasion. It's tastefully andartfully photographed — a montage of Weston like images. Kleiser exploits her, andAtkins's, sensuality in the same way he surveys the luxuriant environ. With abandon.One problem is that Kleiser, not at all shyabout depicting sensuality, forgot to deletethe silly aspects of Stacpoole's intellectualsubtext. The stuff about the natives worship¬ping an Easter island godhead was Stac¬poole's debt to The Golden Bough. But itneedn't be Kleiser's. Later ethnograhic stu¬dies have put to obsolesence that naive atti¬tude. The Blue Lagoon looks stunning, butdoesn't stimulate the mind. Its indigo serenitylulls. —Ted Shengrey city journal—Friday, July 3, 1980—2Younq Designs byCalendarTHURSDAYPerspectives: Topic-“The Role and Influenceof Students in Iran” guests John Woods,Karim Pakravan, Fariborz Maissami and PaulSprachman, 6:09 am, channel 7.Student Activities: Mini-Course registra¬tion, 9:30am-4:00pm, Ida Noyes 210.Carillon Recital: 7:30 pm. Rockefeller Chap¬el.Court Theatre: “All's Well That Ends Well”opens tonight, 8:30 pm, Hutch Court.FRIDAYPerspectives: Topic-“Iranian Students in theU.S.” guests John Woods, Karim Pakravan,Fraiborz Maissami and Paul Sprachman, 6:09am, channel 7.Student Activities Film: “Hound of the Bas-kervilles" 7:15 and 9:30 pm, Cobb.Court Theatre: “All’s Well That Ends Well”8:30 pm, Hutch Court.SATURDAYStudent Activities Film: “King of Hearts”7:15 and 9:30 pm, Cobb.Court Theatre: “All’s Well That Ends Well”8:30 pm, Hutch Court.International House: “Banjo” Jaitian Bandand dancing to Latin American CaribbeanMusic, 9:00 pm, tickets at door. Info call753-2270.SUNDAYRockefeller Chapel: University ReligiousServices, 11:00 am.Rockefeller Chapel: Carillon Recital, 4:00pm.Court Theater: “All’s Well That Ends Well”8:30 pm, Hutch Court.marianrealty,inc.mREALTORStudio and 1 BedroomApartments Available- Students Welcome -On Campus Bus LineConcerned Service5480 S. Cornell684-5400 MONDAYPerspectives: Topic-“The Parent-Child In¬teraction” guests Patricia Brady, Dr. PaulWeiner and JoAnne Householder, 6:09 am,channel 7.TUESDAYPerspectives: Topic-“Infant DevelopmentalDisturbances from Zero to Three” guests Pa¬tricia Brady, Dr. Paul Weiner, JoAnne House¬holder and Dr. Chaya Roth, 6:09 am, channel7.Student Activities: Concert-Spike Bones,Balls Bells, 12 noon, Hutch Court.WEDNESDAYPerspectives: Topic-”Intervention Tech¬niques for Treating Disturbed Infantsand/or Disturbed Parents” guests PatriciaBrady, Dr. Paul Weiner, Dr. Chaya Roth andMargie Morrison, 6:09 am, channel 7.Smart Gallery: Exhibit-selections from theJohn L. Strauss Loan Collection, Smart Gal¬lery, 5500 S. Greenwood, Tues-Sat 10-4, Sun12-4. Admission free.Student Activities Film: “The Thirty-NineSteps” 8:00 pm, Cobb.THURSDAYPerspectives: Topic-"Development of Cre¬ative Potential on Education” guests ElsiePinkston and Herbert Walberg, 6:09 am,channel 7.Computation Center: Introduction to theDEC system 20 4:00-5:30 pm, Cobb 214.Rockefeller Chapel: Carillon Recital 7:30pm.Court Theatre: “The Servant of Two Masters”opens tonight 8:30 pm, Hutch Court. jRorkrfrlUr (ChapelWednesday, July 98:00 A.M. Holy CommunionThursday, July 107:30 P.M. Carillon Recitalgiven by Linda Walker,of Indiana Universityat Bloomington.ROCKEFELLER MEMORIAL CHAPELSunday, July 69:00 A.M. Ecumenical Service of HolyCommunion11:00 A.M. University Service of Worship,Philip Blackwell preaching.Director of United MethodistFoundation on campus, andAssociate Dean of the Chapel4:00 P.M. Carillon Recitalgiven by Karel Keldermans of theThomas Bees Memorial Carillonin Springfield. ELIZABETH GORDONHAIR DfS'GiNfRS1620 E 53rd St288 2900TheFLAMINGOand CABANA CI.IIB5500 S. Shore DriveI•Studio and I Bedroom• FtirnMicd and t'nfurni«l»ed• 1’. of Ini» »lup• Outdoor Pool and Garden.-• Ciiqwtinj: and Drape- Inrl.• SerurilA• Univer>il\ $ul**id\ forStudent- and Staff• D**lieale*M‘ii• Barlx-r Simp• Beaut* Shop• J.B.O. Re*laurant• Denti-I• ValetFRICKPARKINGM. SnyderPL 2-3800r \KIMBARK HALLCondominiumsEye ExaminationsFashion Eye Wear 90% MORTGAGE LOANS AVAILABLEContact Lenses A lesson in economics. Buy o condo today, spend fourDr. Kurt Rosenbaum years at the University, sell your condo and help defraythe cost of your education.Optometrist The developers are offering model units for iinspection every Sat. and Sun. between 1(53 Kimbark Plaza) and 5 p.m, j1200 E 53rd St. 36 opts.: i24-1 bedroom, 1 bath from 30 350-37.000 j493-8372 6 2 bedrooms, 1 both from 37,000-38,850Intelligent people know the differ- 6-2 bedrooms, 2 bath from 46 000-46 900 jAll apartments include new kitchens and appliances,ence between advertised cheap new bathrooms, carpeting and decorating {colors ofglasses or contact lenses and com- your choice), triple-track storm windows and kitchenstorm doors, modern laundry facilities and individualpetent professional service. locker spaceOur reputation is your guarantee Your inspection is invited.of satisfaction 51 26 S. Kimbark Ave.-Phone 643-4489Harry A. Zisook & Sons, Agts.786-9200Under the auspices of the Coalitionagainst Military Escalation:RAMSEYCLARKFriday, July 11 Just back from theInternationalConference on U.S.intervention in Iran, 7:30 pmRockefeller ChapelDonation: $2Students &Unemployed S 1 Corner of 59th St.and Woodlawn Ave.For more informationcall 663-12484 — The Chicago Maroon, Thursday, July 3, 1980Classified AdsSPACEApt. to sublet Aug-Dee 1 bdrm a c fullyfurnished w/all appliances andhsehold needs. $260. 3 mins to U of Ccall 363-6280 eves 6-12 Univ-affilpreferred, (can let for 3-4 mos).APT FOR RENT spectacular view 2bdrm 2 ba AC carpeting for saleavailable Aug $536/mo. Call 753-8236 or955-5704 evenings.For sale by owner. Studio condoUniversity Park. 1451 E. 55th. $28,900.No existing mortgage. 929-9143.SUMMER SUBLET AVAILABLE-thru 9/15, own rm, bath furn/unfurn insunny 3 br apt 56th and Blackstoneavail immediately. Woman grad stu¬dent or working woman preferred.CALL KILROV at 288-7433.PEOPLE WANTEDRegistered student to help us moveearly Aug. Call 753 8236 or 955-5704evenings.Young lady wanted to care for 10-yr-old girl, serve meals and clean upM-Th 3:30-7:30 or 8:30. $50/wk in¬cludes dinner. Start around Aug. 20,Aug 27OK, Call 288-5464eves.Faculty family seeks part time helpwith housework. Very near campus.Flexible hours, good rates. Studentpreferred. Please call 241-6766 or753-4258.Address and stuff envelopes at home.Any age or location. $800 per month,possible. See ad under Business Op¬portunities Triple "S".HOW DO THE TWO SIDES OF YOURBRAIN WORK? Left and righthanders needed for paid participationin behavioral science studies. Call753-4735.The Department of BehavioralSciences needs people who want toparticipate as paid subjects inpsychology experiments. For furtherinformation call 753-4718.FOR SALEWANTEDSERVICESVERSAILLES5254 S DwrfceiKfWELL MAINTAINEDBUILDINGAttractive l‘/i and2>/> Room Studio*Fermefced ec IJafarwtWd$218.o $320lutd mi AvailaMHrAtC*M|w« Bm Slmf3244200 Mr*. G reekTAlsH'/ONCHINESE-AMERICAi'JRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOpen Daily11 AM to 8:30 PMClosed Monday1318 EAST 63rdMU 4-1062 Professional editing and tutoring forarranging materials for technicialreports and research works. By thehour or page Phone: 731-0880.Sailing lessons individual instructionBrad Lyttle 324-0654,Typing term papers etc pickup anddelivery on campus reasonable. Call682-6884. LEARN TOPROGRAMPERSONALSIs there anybody out there? IzakQWERTY: Thank you very much foryour generous invitation, I'm sorry 1couldn’t come but I was taking a muchneeded vacation. I'm back, and readyfor all the summer personals you canthink of. OK folks, Maroon personals, 5lines or less, are FREE!! I By mail, orbring them into the office, I want to seesome volume!!LAWe giYoilegs: You should see my back. I'll belooking for you behind our building.14th Law of Gizmatics-You neverknow if the person alseep on the bushas missed their stop.GIZMOYes-color photos ordered from theYearbook are all here and all ready tobe picked up. Call before you come byour office in Ida Noyes 218 (753-3562).If no answer try 684-5478.Englander mattress and box spring,extra firm, only $75. Purchased lastyear for $150. Gene, 924-1922.G E. Air conditioner, 10,000 BTU $150.684-0673.Sell TV, yellow rug, shelves, callBrigitte 753-8682 or 241 6433.WANTED. Sleeping bag call Brigitte753 8682 or 241-6433Do you have writing problems?Published writer teacher can helpreas. rates, call KE6-1662 after 10pm.Tennis lessons former varsity playerBrad Lyttle 324-0654,Summer Child Care in my home inHyde Park. All day; all summer carefor a small group of children. Now thrumid-Sept. Phone 363 7256.TYPIST Exp. Turabian PhD Mastertheses Term papers Rough Drafts924-1152. Eight session Computation Centercourse; Indroduction to ComputerProgramming using PASCAL, startsJuly 15 Come to Computation Centerbefore July 11 to register-call 753-8400for information. Cost: $25. Computertime provided.VACATION CABINOn lake avail 8-16 into Sept. EagleRiver Wl. Call x3598.TRAVELLING?Youth Hostel Cards (Inexpensiveh o u sing throughout the U.S. and 50 othercountries) and Int'l Student ID Cardsare available at the Student ActivitiesOffice, Ida Noyes Hall. Rm 210.GOOD MONEYNeed cheerful, energetic people torhelp with heavy housecleaning a fewhrs/wk. Call Andrea 288-5248.SCRIPT YOURPAPERProduce formatted letter, paper,reports and inssertations without ex¬tensive revisions and retyping. Twosession Computation Center seminarJuly 21 and 23, 3:30-5:00, Cobb 214, willintroduce you to SCRIPT, Allwelcome, no charge.CAR TO RENTTwo German Doctors taking part in a summer workshop at CFSC want torent an inexpensive car for a holidayfrom August 22 or earlier to October 3,car with sleeping facilities preferredCall Dr. Erler Windermere Hotel324-6000.BABYSITTINGFull-time babysitting near campus inmy home. Judy Zurbrigg 684-2820.BUSINESSOPPORTUNITIESAddress and stuff envelopes at home.Any area. $800 per month, possible. Of¬fer, send $1 (tefundable) to Triple"S", 869-Tll Juniper, Pinon Hills, CA92372.DECSYSTEM-20An introductory seminar to the Com¬putation Center's DEC-20 computerwill be held Thursday, July 10,4:00-5:30, in Cobb 214. No previousknowledge of computers is assumedAll welcome, no charge.RIDE TOPHILLYFREELooking for a rider to share driving toPhila Leaving Chicago July 10. CallRanee at 348-1720 or Irene at 753 3598DOG DAYCAREVery friendly medium size mutt needscompanionship otherwise occupiedDo you have a son or daughter who isresponsible, likes dogs and would liketo make a few extra bucks a week’ Ifso please contact 288-7433 and ask forKilroy. STANLEY H. KAPLANfor Over 41 Years The Standard ofExceSence In Test PreparationMCAT* DAT* LSATME • ME PSTiH • ME BIO • SHUTPCAT • 0CAT • EAT • MAT • SATNATIONAL MEDICAL BOARDS • VQE ■ ECFMQFLEX • NATL DENTAL BOARDS ‘TOEFLPOOUTCY KOAJtDS • HUtSMC BOARDSFlailM* Profram* *n4 Hour*If ii Vtut Mi UiUf MlMifir21 •* MaU TW »n*teaAT t* tL)CHICAGO CCNTEN•21$N CLANKCHICAGO. ILLINOIS SCjMCI312i ?M-61ftlt A lUBUfttAM10 S LAGftANGC ROAOSUITE 201LA GNANGC. ILLINOIS(3121 3S2SAAC SPRING, SUMMER jPALI INTENSIVE 1TKlJ TfArTIrT;iCUT!!:It URE.. .. 3U,utEi:• • • uUi i* A'. I#«uAT .DAT.. . .IiCAT. . . .4*:,.iCAT. .. LJAT. . •| Courses Constantly UpdatedLicensing Exams in Canter Se<f-StudyU For ■«—'WMMQR Oov t*0'# ?*M> *C M**' Jt Cm.m a AA’oae^oursec nr. ?tatk call tou. fuse too-za-i runninninHimiinniinniiiiiiiiiiiiiiHiiiiiiiuiiiiiinnn■v°JS We Buy and SellUsed RecordsTONfS 1701 E. 55th684-3375 F£The Maroonneeds writersand copyeditorsfor the summerL J j o • 4. vl•0 r> r>~ t do -V■ V. ■ S • J , * a ^•3'- '»>•,-!/; ; 7‘JCall Daveat 753-3263or stop in theMaroon office l — SPECIAL DISCOUNT PRICESfor all STUDENTS andFACULTY MEMBERSJust present your University of Chicago IdentificationCard As Students or Faculty Members you are entitledto special money-saving DISCOUNTS on ChevroletParts. Accessories and any new or used Chevrolet youbuy from Ruby Chevrolet —GM QUALITYSSMCS PARTSSXMESAX MOTORS FASTS DIVISIONKtrfj I hat Grrut G 1/ FrrUng U ith Gt.\ t l.\E G Y Parts3tr£t£|s1 72nd & Stony Island 684-0400■—j Open Evenings ond Sunday Ports Open Sot til noon1 Miles - 5 Minutes AwayFrom The UNIVERSITYSPECIAL DISCOUNT PRICESfor all STUDENTS andFACULTY MEMBERSJust present your University of Chicago IdenttfkottonCord As Students or Faculty Members you ore entitfedto special money saving DISCOUNTS on VolkswogenParts, Accessories and any new or used Volkswogenyou buy from Ruby VolkswagenThe Chicago Maroon, Thursday, July 3, 1980 — 5fri. july 4 7:15 & 9:30 • the hound of the baskervillessat. july 5 7:15 & 9:30 - king of heartswed., july 9 8:00 - the thirty-nine steps» *all films in air-conditioned quantrell auditorium,cobb hall, 5811 ellis avenueE SHOPS the coffee shopsare open this summerWEISS COFFEE SHOP8:30 a.m.*2:00 p.m. monday-fridayCOBB COFFEE SHOP basement)8:30 a.m.-4:30 p.m., monday-friday