Solitary, singing in the West, I strike up for a new world —Walt WhitmanVo1- 89, No. 57 The University of Chicago ©Copyright 1980 The Chicago Maroon Friday, May 30, 1980Robert Geroch John MacAloon NewmanQuantrell Awards to 5 Ted HaydonBy David GlocknerThe men’s varsity track andcross-country coach, two physi¬cists, a humanities lecturer, and asocial sciences instructor havebeen named recipients of the 1980Quantrell Awards for Excellencein Undergraduate Teaching. Theawards, which carry a $2,500 cashprize, will be presented at com¬mencement exercises in June.They were announced yesterday atthe university honors assembly.Ted Haydon, professor of phy-scial education and athletics, Rob¬ert Geroch, professor of physicsand mathematics, John Simpson,the Arthur Holly Compton Distin¬guished Service Professor of phys¬ics, Amy Kass, senior lecturer inhumanities in the College, andJohn MacAloon, instructor in thesocial sciences Collegiate division,will receive the awards.This year, the committee whichselected the Quantrell winners re¬ceived more than 200 letters no¬minating faculty members for theawards, a sharp increase over pastyears, according to Dean of theCollege Johnathan Z. Smith. Thecommittee also reviewed nominat¬ing letters received in past years.In making public the names ofthe Quantrell winners, Smith alsoannounced the appointment of Jo¬seph Williams, professor in the de¬partments of English and linguis¬tics and in the College, to aone-year position as the Peter BRitzma Professor in the College.Williams’s appointment was made“in recognition of his imaginativeleadership and efforts with respectto writing,” Smith said. Williamshelped organize the Little RedSchoolhouse lecture series thisyear, and has also made sugges¬tions for a College-wide program toimprove the quality of undergradu¬ate writingWilliams’s appointment is the,first in what will be a series of oneyear appointments to the Peter B.Ritzma chair in the College. Smithsaid The chair, which recently be¬came vacant, will be used as a ro¬tating chair to honor Universityfaculty who have made out¬standing contributions to the Col¬lege and tc bring visiting facultymembers to the CollegeHaydon may be the first personin the 42-year history of the Quan¬trell Awards to win an award with¬ out teaching in a traditional aca¬demic field; he has been a memberof the University’s physical educa¬tion department and the coach ofthe men’s track and cross-countryteams since 1950. He also foundedand coaches the University of Chi¬cago Track Club, one of the na¬tion’s premier track clubs. Amember of the U S. Track andField Hall of Fame, Haydon hastwice coached Olympic trackteams.Like Haydon, Simpson is also along-time faculty member. Heworked on the A-bomb project atthe University from 1943 to 1946,w'hen he began teaching in the de¬partment of physics. In addition tohis teaching duties, Simpson hasalso served as Director of the Enri¬co Fermi Institute.Geroch joined the Universityfaculty in 1971 after teaching for ayear at the University of Texas atAustin.During her four years on the Uni¬versity faculty, Kass has spentmuch of her time teaching in theCommon Core. She has taught inthe Human Being and Citizen Com¬mon Core course for the past threeyears, and also teaches courses onthe Illiad and the Oddessey.MacAloon has taught in the Self,Culture, and Society course in theCommon Core, as well as courseson various aspects of modern cul¬ture. John Simpson*s>.. Admission figuresremain unchangedAmy Kass Dan Newman By Chris IsidoreNext year’s entering class willhave only two more students thanthis year’s first-year class, accord¬ing to figures released by FredBrooks, director of College admis¬sions.As of this week, 701 studentshave accepted offers of admissionfor the class of 1984. There may be-some slight fluctuation in thisnumber before next fall, but is isunlikely that the class will increaseby the original goal of 25 to 50 stu¬dents that President Gray an¬nounced in late April. That in¬crease was tc be the first step inincreasing the size of the college bymore than 300 students.The new class will resemble theclass of 1983. There will be 468 menand 233 women, a ratio of slightlymore than 2-1, and an increase of afew more women than at this timelast year But during last summer,a few additional women entered,and by the time classes started, theratio was marginally more bal¬anced than next year’s class wouldbe.The number of minority studentswill also increase, but only by aslight amount. There will be 26black students, one more than lastyear, and 20 Hispanic students,four more than last year.There will also be a slight shift inthe geographical origins of theclass, with 46% now coming fromthe Midwest, (down from 54% lastyear) 28% from the Mid-Atlanticstates, <up by about 9%). and 10%from New England, <up by 2%).The remaining 16% will againcome from the South and West.“We are very pleased to be at701,” Brooks said Our goal hadbeen to reach 700 students, and Iwould not be surprised if the classstill increases by a handful of stu¬dents. There are still some peoplewho we have not yet heard from,some who will be changing theirminds, etc. But much of the expan¬sion will come through higher re¬tention ”Conference: schools share faultsBy Jon Shamis‘Things really aren't so dif¬ferent at other institutions,” according to the report of the secondIntercollegiate conference held atHarvard on April 11-13. The nineschools attending the meeting in¬cluded Yale, Harvard, Bryn Mawr.Columbia, Cornell, Brown. Duke,and Penn as well as the Universityof Chicago The group of elevenstudents representing the Univer¬sity sat on committees concernedwith the problems of racism, sex¬ism, educational policy, studentservices, and teaching and ten¬ure.The committee on racism dealtwith topics ranging from ethnicstudies to admissions. Tony Knight. who was on this committee, recom¬mended that the University makestudents more aware of offeringsin ethnic studies. It should increasethe number of courses offered andinclude one on Asian-Americanhistorv Knight also believes thatone quarter of Minoritv Americanhistory should be integrated intothe common core. In the area ofminority recruitment. Knight rec¬ommended the expansion of exist¬ing minority programs. He alsosuggested that the University lookat the action other universitieshave taken in this area. For exam¬ple, Yale has created the MinorityRecruitment Program (MIP).Under this program, minority stu¬dents are sent to different parts ofthe country to recruit minority ap¬ plicants. “Brown University hasincorporated the Minority ReviewCommittee (MIC). MIC is com¬posed of students, faculty, andstaff, who, together with admis¬sions officers review all minorityapplications Brown also has adirector of minority admissionsand has two other minoritiesamong its 12 admissions officersChicago does not have a minorityadmissions director and has onlyone minority admissions officerout of seven.” according toKnightThe committee on sexism at¬tended by Sue Rosenberg dis¬cussed three major issues: securi¬ty, sexual harassment, andwomen's studies. Although Rosen-Turn to Page 3 Brooks will be leaving his jobhere at the end of this year to be¬come director of admissions atVassar College in Poughkeepsie,N.Y. The search to find a replace¬ment is preceding on schedule, butwill not be completed until mid-June.“The search is going well,” saidCharles O’Connell. Dean of stu¬dents and chairman of the searchcommittee. “W’e began with 62candidates, and we are down tofour. We plan to make an offer byJune 15, and have a replacementby the beginning of July.”Of the four remaining candi¬dates, at least one of them is awoman, none of them are black orHispanic. “We only had one or two-minority candidates in the wholesearch,” said O’Connell.The new director of admissionswill also retain the position ofdirector of financial aid. “That ispart of the problem with findingsomeone.” said O’Connell. “Thenumber of people in the countrywith extensive experience in bothareas is limited. Fred’s a very dif¬ficult person to replace.”Julio Mateo, president of the Hi¬spanic Cultural Society comment¬ed on the new class. “When youlook at the seven Hispanic studentsthat came when I did three yearsago, and when you look at the 20that are coming next year, yes thatis an improvement. That increaseis due in part to the efforts of HCSand OBS (the Organization ofBlack Students) and in part to theefforts of the admissions office.But the bulk of the work should nothave to originate with the students,it should be the day to day job ofthe admissions office. Were notout to see more ‘minority recruit¬ment’ per se: we’d like to see morerecruitment of students of all back¬grounds.A spokesman for OBS could notbe reached.Editor’s noteStaff meetingThis is the last issue of the1979-1980 Maroon. The ChicagoLiterary Review will appearnext Friday June 6. The 90thvolume of The Maroon willcommence with the first issueof the summer on ThursdayJuly 3. There will be a staffmeeting with the new editorthis afternoon at 3:30 for all in¬terested in working on thenews, features, photos, sports,and production staffs next year.The meeting will take place inThe Maroon office on the thirdfloor of Ida Noyes HallTo staff and readers, thankstor opportunities and friend¬ship. praise and damnation.Good luck on your finals andhave a very nice summer.—ed.Hy&r$lark$iprani Siibarro ^bup1552 E. 53rd - Under IC tracksPipes - Pipe Tobaccos -Imported Cigarettes - CigarsMon.-Sat 9-8. Sun 12-5Students under 30 get 10% off.ask for ‘‘Big Jim” Younq De'Mqns byELIZABETH GORDONHAIR DISIGNERS1620 E. 53rd St288 2900A MASTERPIECEOF MODERN HORRORA STANLEY KUBRICK FIMSTARRINGMiiiiimrlairWITH BASED ON THE NOVEL BYSCAIMANHIK Hill) SPUNKIISCREENPLAY BY PflOOuCED AND DIRECTED BYSmiDHJiniEYKBEXECUTIVE PROOUCERwnaDKnMiuin m mi to R MSTRICTCO <£&U»K« IT MQUIMS XCCOBfMYIMPARENT M A0UIT SUMOIMFron Wamei Bros Q a Warner Communications Company © MCMLXXX Warner Bros Inc All Rights ReservedWORLD PREMIERE MAY 23NEW YORK and LOS ANGELESAND FROM JUNE 13AT A THEATRE NEAR YOU «♦UNIVERSITYOF ILLINOISATCHICAGOCIRCLE£ Department of Mathematicsoffers a professionalconcentration inComputer Mathematicsleading to aMaster of Science♦ Day or evening programsClasses for Fall Quarterbegin September 22Registration September 17-18 •S—Course TopicsLanguages: FORTRAN, PL/I, COBOL, BAL,Statistical Packages, List ProcessingOperating SystemsComputational Linear AlgebraData StructuresStructured ProgrammingAlgorithms and ComputabilityAutomata TheoryNumerical Analysis,Facilities: IBM 370/158-MVS with CRT access usingWYLBUR text editing available to all students atno additional chargeTuition & Approximately $130 per course for Illinois residentsFees: plus $21 health tee unless already insuredAdmission: Bachelor's degree and appropriate backgroundSeveral kinds of financial aid are availableTo obtain information contact:Neil RickertDepartment of MathematicsUniversity of Illinois at Chicago CircleBox 4348Chicago, IL 60680(312)996-3041 iINI♦IImINI♦IIm.!SENIORSLOOK FOR YOURenior WeekPACKETS IN THE MAIL-They contain inForma+icn about *i cl ervtif,cation -for-fc^se- uotnry attractions'.FRI.6/6SAT. 6/7MON. 6/STUE. 6/10WED. 6/11 SR. DISORIENTATIONHANGOVER BRUNCHPICNICA TOUCH OF CLASSMOVIE NIGHTTickets -for A Tonx-h of Class goon sale /fond-June [ fhe'Reynolds Club '©ox Office.GET YOUR JUST DESSERT.2—The Chicago Maroon—Friday, May 30, 1980Judaicacollectionpresentedto LibraryBy Sherrie NegreaDriven by a curiosity in Jewish historyand a passion for books, Ludwig Rosen-berger, a retired Chicago businessman, de¬voted 40 years of his life to creating what isnow considered the second greatest bookcollection on Judaica in North America. .This impressive collection, which theowner donated to the University this year,comprises over 20.000 volumes and manu¬scripts acquired from book dealers aroundthe world. It includes writings from the 13thto the 20th centuries which relate to Judai¬ca, a term referring to the secular life of theJews in history, literature, and areas otherthan religion.Within the broad category of Judaica, thecollection emphasizes several subjects, in¬cluding the Jews of western Europe, the his¬torical relationship between Jews and mod¬ern socialism, and the Jewish emancipationin England. The collection represents majorworks of Jewish thought as well as Christianand anti-Jewish writings.Rosenberger’s incentives for buiding thecollection seem too simple and modest for aman who dedicated himself to such a mon¬umental pursuit. “You read three books andthen you want to read a fourth,’’ he said ofhis avid interest in book collecting. Rose«-berger said that he senses “a more personalfeeling with the writer” when reading a firstedition book instead of the standard editionsavailable in most libraries.Unlike most book collectors, Rosenbergerpurchased the majority of the books in hiscollection to read, rather than to resell.“Most of the books in my collection I boughtfor reading,” he said. “I never intended tosell one, so if I bought a book for $100 and Icould sell it for a million dollars, I wouldn’tcare.”Even so, the self-taught scholar who neverattended a university confesses that he hasnot read all the books in his vast library.Despite his indifference to the value of hisbooks, the collection contains many vol¬umes which are priceless either as first edi¬tion copies or as the only copies in existenceof a particular work. Some of the first edi¬tion copies in the collection are Marx’s DasKapital, Hitler’s Mein Kampf, and works byMendelssohn, Spinoza, and Herzl. Rosen¬berger estimates that 90 percent of his col¬lection is irreplaceable.TheChicago MaroonEditor: Andrew PatnerGrey City Journal Editor: David MillerLiterary Review Editors: Richard Kaye andMolly McQuadeFeatures Editor: Mark WallachPhotos: Dan Newman and Dan BreslauSports Editor: Mark ErwinAssociate Editors: David Glockner andChristopher Vialante IsidoreAd Manager: Wanda JonesOffice Manager: Leslie WickStaff: Curtis Black, Jeff Cane, Abbe Flet-man, Jake Levine, Rebecca Lillian, LindaLowd, Philip Maher, Sherrie Negrea, CyOggins, Chris Persans, Gerard Poll, ScottRauland, Andy Rothman, Famous Shamis,Howard Suls, Darrell WuDunn. Rosenberger was born in Munich, Ger¬many and lived there until he immigrated towhat was then Palestine in 1923. He left Ger¬many because of the existing political condi¬tions and the hostility toward the Jews.“The atmosphere was filled with hatred,”he recalls. “The Catholics hated the Protes¬tants, the southern Germans hated thenorthern Germans, and everybody hatedthe Jews.At the age of 19, Rosenberger decided tomove to Palestine where he thought there“would be a future for a Jewish man.” Onthe barren and uncultivated land of the fu¬ture nation of Israel, Rosenberger did farmwork on the kibbutzim. Six years later, heleft for the United States because of an ill¬ness.Once he had settled in Chicago and estab¬lished himself as a factory agent, Rosen¬berger started his collection, ordering booksthrough dealers or buying them on his trav¬els. The first step in building his collectionwas to limit the subjects he would attempt todocument.He restricted his collection to books deal¬ing with the secular life of the Jews, andwritten in the languages he could read —French, Hebrew, German, Italian, Spanish,and Dutch.Though he has no favorite book in his col¬lection, his particular field of interest is his¬torical documentation.Before donating the collection to the Uni¬versity, Rosenberger kept most of his booksat home and the rarest ones in bank vaults.Because of the problems of storing them ef¬ficiently, he was not aware of how manybooks he had.This year Rosenberger decided to donatehis library to the University because, hesaid smiling, “I thought it would be betterthan putting them in a wastebasket.” Ro¬senberger is a member of the University Li¬brary Society, whose members donate timeand money to the furthering of exhibits. Robert Rosenthal, curator of the SpecialCollections department, described the per¬sonal attachment of his friend Rosenbergerto his books.“He talked about his books as his chil¬dren. It was very hard for him to give themup.”Rosenthal said the collection was given tothe University because of the facilities atRegenstein, the interest of the faculty in thecollection, and the owner’s desire for it to re¬main in the city where it was made.“The collection will add great distinctionto the library because it will amplify andsupport other subjects which the library hasbeen interested in,” said Rosenthal. “It willmake a vast difference in terms of the possi¬bility to study Jewish history,” he added.John Boyer, associate professor of histo¬ry, hopes that the presence of the collectionwill stimulate further interest in Europeanhistory, an area which he claims has fallenbehind. He said that access to the collectionwill help scholars because many of thebooks it contains are presently not availablein standard editions.To accommodate the new collection, thelibrary has proposed to build a special roomfor it by the end of December. This roomwill house part of the collection which hasbeen selected for a permanent exhibit.CorrectionDue to a typographical error, a paragraphin last week’s story on Norman Golb and theDead Sea scrolls was distorted. The para¬graph should have read:Similarly, in studying another Genizahtext, he found that another French town,Rouen, had been misread as Dreux. and hewas able to successfully predict where inRouen the major Jewish yeshiva (academy)of that region could be locatedThe Maroon regrets the error. ReportContinued from Page lberg concluded that “Chicago was farahead of the other schools in providing ade¬quate security personnel, phones, and trans¬portation”, she was impressed by the ac¬tions taken at Penn where the Departmentof Public Safety and the Penn’s WomenCenter publish a safety resource guidewhich, in addition to describing safe meth¬ods of university transportation in the areaalso gives the name and number of the uni¬versity’s full time crime specialist whomstudents contact if they have questionsabout crime or are victims. Penn has an or¬ganization which meets weekly to discusssecurity problems, as well. On the issue ofsexual harassment, Rosenberg agrees withUniversity Student Ombudsman BruceLowenstein that a policy concerning sexualharassment should be formulated by theUniversity and printed in the Student Infor¬mation Manual. On the question of women’sstudies, Rosenberg says, “Harvard’s situa¬tion is most like that of Chicago. They seemconcerned, like Chicago, with whetherwomen's studies constitute a disciplineHowever, unlike Chicago, the issue is con¬sidered a serious one by the institution.Three years ago, the Dean of the faculty ofarts and sciences at Harvard founded a fac¬ulty committee on the study of women. Thecommittee has five tenured men, one ten¬ured woman, six non-tenured faculty andthree students. It is chaired by the Dean ofthe graduate school. At the end' of next year,the committee will present a proposal onwhether to establish a permanent commit¬tee.” She also recommended that if any stu¬dent feels a course at the University is "one¬sided”, he or she should “makeappointments to discuss their efforts withthe Dean of the College, and also arrange forthe issue to be brought to the attention ofthegoverning committee of the Collegiate divi¬sion involved.”Leslie Perlman, who was Chicago’s repre¬sentative to the committee discussing edu¬cational policy said, “the Harvard Confer¬ence served as a confirmation of theUniversity of Chicago’s unique academicadvising program.” She felt that there wereno recommendations to be made.In the area of counseling, Jenny Gurahiansaid, “counseling services at the University-are characterized by a lack of centraliza¬tion, almost a sense of diffusiveness.” Sherecommended that “it might be useful toconsider some of the programs run on theother campuses. Drug and alcohol counsel¬ing, stress counseling and time manage¬ment, greater emphasis on vocational coun¬seling, peer counseling, crisis centers, 24hour drop-in centers, and more extensiverape counseling are things to consider.”Although the committee on teaching andtenure attended by Stephen Jeffries did notmake any formal suggestions in this area,they did recognize major problems in tenureand affirmative action hiring. Jeffries said,“Since we thought that teaching should playan important and substantial part in a pro¬fessor’s consideration for tenure, we re¬solved a statement which ended as follows:’Candidates are expected at a minimum tobe outstanding on either research or teach¬ing. An adequate rating on research must beoffset by an outstanding rating on teaching,or vica versa. If either research or teachingis found to be inadequate, it shall be con¬cluded that there exists no case for ten¬ure.’”In the area of affirmative acton. Jeffriessaid, “The programs at the schools attend¬ing the Harvard Conference were generallyfound to be ineffective. We found that thepercentages of women and minority facultywere embarrassingly low.” Presently, theUniversity's faculty consists 10% of womenand 8.1% minorities, Jeffries said.Ida’s throneis missingAn ornately carved armchair with redpadded seats, part of the original 1915 fur¬nishings of Ida Noyes Hall, is missing. If thechair is promptly returned to Ida NoyesHall, no action will be taken, the Student Ac¬tivities Office has promised.The Chicago Maroon—Friday, May 30, 1980 —3Libby Bancoff Janet ReibsteinNew lifelines for women in needMothers of twins sometimes stay in their self-help groups for up totwenty-five years.By Philip MaherEveryone has heard of Alcoholics Anonymous but fewhave heard of Compassionate Friends, a self-help groupfor parents who have lost a child. Yet these groups havemuch in common with each other as well as with Naim, aself-help group for widowed Catholics, and with MendedHearts, a group for recovering heart surgery patients.Self-help groups have blossomed around the country in thelast decade, with a range of purposes from heart surgeryrecovery to women’s consciousness raising groups.Mort Lieberman, professor in the committee on humandevelopment at the University has received a grant tostudy self-help groups to see if their popularity may indi¬cate widespread dissatisfaction with traditional psychoth¬erapeutic formats. His study, called The Self-Help Proj¬ect, focuses on four types of self-help groups: groups fornew mothers, groups for the mothers of twins, groups forwidowed people, and groups for bereaved parents.“Compassionate Friends is the most similar to a pys-chotherapeutic agency because they deal with immedi-bate psychological pain,” said Lynn Videka, the projectdirector, “but it’s different because it focuses on theparents becoming aware of their pain and the necessity ofit.” The group serves a normalizing function, lettingbereaved parents know that their tragedy is not uniqueand that they can go on.“It’s interesting,” said Videka. “CompassionateFriends’ main point is that the parents mustn’t be preoc¬cupied, they must reinvest their time into other people oractivities. But in the group meeting itself they focus ongrief, even dwell on it. It’s sort of an encapsulated griev¬ing place, so that the grief doesn’t leak out and spill intotheir day to day lives.”The loss of a child is probably the most traumatic expe¬rience an adult will ever feel, according to Videka, evenworse than the loss of a spouse. Since infant mortality ispractically nil in America, children’s deaths are usuallyfrom accidental causes, and therefore sudden. Bereavedparents pass through stages of shock, guilt, and anger,and many marriages never recover.Traditionally, parents can turn to clergy, doctors,friends or relatives, but often, even these outlets are inad¬equate to soothe an unbearable grief. Bereaved parentsneed someone to talk to who has shared the experience.This is how Compassionate Friends began.The organization began in England about ten years ago,where a hospital clergyman working with terminally illchildren saw that the parents received much help and sup¬port while the child was ill, but little or none after thechild’s death. In 1972, a couple in Florida, having lost adaughter, began a branch in America. In the two coun¬tries, the groups have taken different paths, said Videka.England’s Compassionate Friends focuses on accidentprevention and public health while the American branchgives one-to-one emotional support, as well as teachingprofessionals and the general public about death.Compassionate Friends is a self-help group, which inthis case means that its members help each other without“professional” assistance. Though the group is interna¬tional, the members run their chapters separately, com¬municating with other chapters for information or advice.The group depends mostly on donations and private fund¬ing for its few expenses, but Compassionate Friends issteadily growing and is considering whether to accept4—The Chicago Maroon—Friday, May 30, 1980 funding. As a grassroots movement, CompassionateFriends did not need much organization, but since a PhilDonahue show in 1975 spotlighting the group, the numberof chapters has mushroomed.Videka explained the reason for CompassionateFriends’ popularity: “Friends and professionals may bewilling to help but no one can offer understanding likesomeone w'ho’s been through it. There’s tremendous com¬fort in simply talking to another bereaved parent. Mostdon’t know anyone else who’s lost a child until they jointhe group. It gives them comfort and it gives themhope.”Double TroubleThe Mothers of Twins Clubs exist for opposite but simi¬lar reasons as Compassionate Friends, said BeverlySweny, in charge of this branch of the Self-Help Project.“The birth of twins is a joyful experience, but full of prob¬lems that only another mother of twins can under¬stand.”Many women don’t discover they’re having twins untilthe last moment, she said. “Then they need to know iftwins can sleep in the same crib; how to prevent themfrom keeping each other awake all night, or simple prob¬lems of physics, like how to grocery shop with a pair oftwins in tow. It’s not easy.”Mothers of twins are a happy, proud group and there¬fore their meetings border on social gatherings, particu¬larly as the twins grow up. For many, it’s their only nightout, said Sweny, so they don’t bring the children.Last summer, Sweny attended the national conventionof The Mothers of Twins with 400 mothers of twins. Thenational group has published a book, “the Dr. Spock ofraising twins,” said Sweny, and has made filmstrips to bedistributed to obsetricians of women bearing twins. Aunique feature of this organization is its close communica¬tion with scientists, who study twins particularly for gene¬tic research.Learning What to ExpectWhile twins bring unique problems and special joys tomothers, even a single birth brings a world of trouble.Janet Reibstein is studying mothers’ groups, the most in¬formal of all the self-help groups. “It may sound likethey’re talking about Pampers,” she said, “but reallythere’s much more going on. They’re mothers helpingeach other in learning the role of motherhood.”Too many mothers are isolated, Reibstein believes, un¬sure of what is normal and what is not: “How high is ahigh fever? When should I begin to worry?”Many of these groups are a continuation of the Lamazemethod of childbirth. Once out of the hospital, a group ofnew mothers will be contacted and brought together tomeet each other. A Lamaze volunteer attends the firstmeeting, and after that the women are on their own, ableto meet whenever they want.Unlike the mothers of twins, who need a break fromchild care, mothers bring their children to these groups. In both groups, however, the nature of the group changesas the needs of the mothers change. Most of the groups,for example, discontinue their meetings after perhaps ayear or so, while the mothers of twins sometimes stay intheir self-help groups for up to twenty-five years.In situations like that, the group is obviously serving asocial function as well as a therapeutic or informationalone. A veteran of the self-help group can be a tremendoushelp to new members, as in the case of mothers of twins,but in some groups can be a detriment.Enjoying It Too MuchThis problem arises in self-help groups for widowed peo¬ple. Libby Bancoff is studying two of these, THEOS (TheyHelp Each Other Spiritually) and Naim, a group for theCatholic widowed.Naim is a Chicago organization founded twenty-fiveyears ago, said Bancoff, originally created for widows andwidowers under the age of 45. But as the members havegrown older, they have raised the age to 55. “The problemnow,” she said, “is how to juggle the social activities theolder members want with the emotional needs of the newmembers.” Naim stresses that widowed people must notfeel sorry for themselves, but dances and socials are stilla bit much for the newly bereaved. Nevertheless, Naimjuggles its two functions well, being quite popular in theChicago area.THEOS’ format is much like Compassionate Friends’ —the members focus on their grief in the meetings, but areencouraged to get out and live their lives as fully as ever.“THEOS may work better for the newly bereaved,” saidBancoff, “because it’s a newer organization and thereforethe members are younger. Naim has more complex prob¬lems.”Both groups deal with the “fifth wheel syndrome” (awidow out with two couples). Alternate activities are pro¬vided, and members gain the confidence to show their oldfriends that they are still okay.Bancoff’s study raises the interesting problem of whysome people join self-help groups and some don’t. “Theinitial hypothesis was that people sought professional helpand it didn’t work for them. So they looked for an alterna¬tive to fill the void. But we found that this wasn’t the case.People who went to professionals had nothing but praisefor them.”The alternative hypothesis is that the informal networkof support, friends, family, and neighbors, was inade¬quate. This turned out to be the case. People who joinedNaim had friends, but in a crisis did not feel they couldcount on these friends. People who were able to count ontheir informal network tended not to join.“It’s a feeling of ‘comunitas’,” said Bancoff, “Peoplejoin to be with others in the same situation. They go forhelp, but the what becomes important is the friendship.There’s something special and unique about being in thesame boat.”Enter PoliticsIn a different vein, Women’s Consciousness RaisingBeverly Sweny(CRi Groups were founded more for political purposes.Women's Liberationists originating the groups in the latesixties used many of the self-help formats. Through dis¬cussion of their experience and emotional support foreach other, women were encouraged to reevaluate theirdocile acceptance of stereotypical women’s roles.As with other self-help groups, the members tended tofocus on their personal problems from one meeting to thenext. This unstructured format led to more social activitythan political.Involved with CR groups from the beginning, JanetReibstein had first hand experience of the change, “Wefound that the open ended, self-determined groups attract¬ed distressed women who needed to build up their self-es¬teem. These women were going for psychological aid.This wasn’t what the liberation groups had wanted, sothey dropped out.”Feminists expected the CR groups to disintegrate, butthe opposite happened. Apparently women needed aforum to discuss their dissatisfaction. For a while, con¬sciousness-raising became a loose term to describe therole of women’s groups around the country, but in 1974 theNational Organization for Women (NOW) founded a Na¬tional CR Task Force.Having discovered that the mere existence of CR groupsdid not actively further the women’s movement, NOW’reorganized its prerogatives to make the CR group a per¬suasive experience as opposed to an educational one.NOW’s method stresses a well-organized, professionallyled group that concentrates on specific feminist issues.Where a CR group of the early seventies might have dis¬cussed the topic, “Mothers and Fathers” for instance, aNOW group will discuss, “When/how were you first awareof your mother as a woman and wife instead of only amother? To your knowledge, u'as your mother ever rebel¬lious or unhappy as a w'oman/wife?” (This topic is a sug¬gestion from the NOW manual for CR groups.)These groups meet for ten weeks, then break up, saidReibstein. Experience indicated that long-term groups en¬courage personal links, while shorter groups generate adegree of dissatisfaction which must find an outlet, suchas in political action, according to Reibstein.Women interested in forming a consciousness-raisinggroup naturally find NOW’s package attractive. It elimi¬nates the initial difficulties which accompany the me¬chanics of any self-help group, such as contacting poten¬tial members, determining the purpose of the group, oreven how' to go about achieving that purpose. NOW haseffectively co-opted the women’s consciousness raisingmovement for its own purposes.Although all the groups studied in the Self-Help Projectare chiefly for women, this does not mean that they arefeminist-oriented, said Lynn Videka. “One reason that somany more women than men join self-help groups is thatwomen tend to seek help more readily than men.” LibbyBancoff noted that men are often scared away at introduc¬tory THEOS or Naim meetings because of the unbalancedproportion of women to men.Amazingly, none of these nation-wide groups is run for aprofit. Self-help groups are co-operative. Successful man¬agement of the groups takes time and effort by themembers, but it must be worth it to them because thegroups thrive. Evidently, they meet needs. Self-helpgroups that don’t meet needs, die out, but the few de¬scribed here are strong and getting stronger. More banknotesWhen we wrote our article on the twobanks in Hyde Park, we expected the bankofficers to remain characteristically mum.So we were pleasantly surprised when twoHyde Park Bank officers invited us in for achat.Francine Rubenstein, vice president incharge of marketing, has been with the bankfor a while. John Rodelli, senior vice presi¬dent in charge of operations, on the otherhand, joined the bank last fall after a nine-year stint with Northern Trust. Rodelli isnot the only Northern employee to switch al¬legiance. Two others joined the ranks aswell. Some customers coo relate this infu¬sion of new blood with recent improvementsin the bank’s service.At the meeting, both officers expressedconcern with grievances levelled againsttheir bank. Both stressed the bank’s willing¬ness to remedy any shortcomings. Rodelli,in particular, is quite aware of the finepoints of consumer psychology. He ex¬plained that customers get especially irate when their complaints are not handled expe¬diently. He felt that is where his bank mustmake its first move in improving their rela¬tionship with customers.After we enumerated the major gripes,Rodelli said that he would look into all ofthem. The bank will probably adjust the ser¬vice in its Co-op branch to insure maximumnumber of tellers at peak hours. It will de¬finitely modify the look of the lobby in itsbuilding to preserve the architectural char¬acter. And it will try to become a force incommunity and student affairs. Rubensteinmentioned the possibility of sponsoring stu¬dent activities on the campus. She cited theevents the bank used to stage in its plaza asthe kind of activities the bank is interestedin. We suggested that she get in touch withUniversity administrators.The upshot of the meeting seems to be thatthe bank is keen on self-improvement. Soperhaps Hyde Park will have a good bankafter all.—Ted ShenSummer PhotolEditor neededCaliDavid Glocknerat 753-3263The Chicago MaroonifDan BreslauZhou Peiyuan Peking U. president visitsBy Linda LowdUniversities in China engage in a “collec¬tive effort’’ to improve education, accordingto Zhou Peiyuan, President of Peking Uni¬versity and a 1924 alumnus of the Universi¬ty.Zhou visited the campus Tuesday to talkwith University officials about the possibili¬ty of academic exchanges between the Uni¬versity and Chicago and Peking University,which is China’s leading university.The collective organization of Chinese un-iversitites and their willingness to learnfrom each other has led to a similarity ofteaching methods and curricula at universi¬ties throughout China, Zhou said at a pressconference. The government plays a role ineducation by organizing teams of experts todevise the best curriculum for each univer¬sity. The Chinese government requires alluniversity students to take three courses, in¬cluding a course in the history of the Chinesecommunist party. But these required courses are only a minor part of a student’sprogram of study, Zhou said.Students play an active role in the admin¬istration of Chinese universities by workingwith administrators to solve student prob¬lems, he said.Zhou emphasized the increasing promi¬nence of women in Chinese universities. AtPeking University, the proportion of womenstudents has increased from 14 percent in1949 to 30 percent today, he said. Approxi¬mately 30 percent of the faculty members atPeking U. are women, he added.Zhou explained that he was in the UnitedStates when the Chinese Revolution beganin 1948, but he decided to return to hiscountry “to work for my people.’’ He was inPeking when it was taken over by the Com¬munists and said he was very impressedwith the honesty of the communist army incomparison with the Nationalists, whom hefelt were trying to exploit the people. Aphysicist by training, Zhou said that theCommunists welcomed his scientific knowl¬edge and allowed him to stay in Peking afterthe revolution.Senior Week plans are setSenior Week begins on June 6 — the dayseniors’ grades are due — with “Senior Dis¬orientation.” Celebrants will gather atcampus bars to toast one another, with en¬tertainment provided later in the evening.The following morning will feature a Han¬gover Brunch in the Ida Noyes CloistersClub. On Monday, June 9 seniors are invitedtothe Point for hotdogs and athletics from1:30-4:30. Tuesday, June 10 will bring “ATouch of Class” at the Quadrangle Club,with dancing, open bar. and hors d'oeuvresfor members of the Class of 1980 and theirguests. Wednesday, June 11 is “MovieNight,” with “Zero de Conduit” and “Hor- sefeathers” in the Woodward Court Cafete¬ria from 9:00 to 11:00.Senior Week was planned by the SeniorWeek Committee, organized last fall byfourth-year students Erica Peresman andElizabeth Staehle. Part of the funds for theweek’s activities were raised furing an 18-hour Dance Marathon held April 18-19. Therest of the expenses were met by CharlesO’Connell. Dean of Students in the Universi¬ty, and Jonathan Z. Smith. Dean of the Col¬lege. who, along with College Dean of Stu¬dents Lorna Straus and Assistant DeanKatie Nash aided the program.Friday May 302 by AntonioniZABRISKIE POINT7,15BLOW-UP9:15Saturday May 31WEST SIDE STORY(directed by Robert Wise)6,45 and 9,30All Films $1.50 Cobb Hall6—The Chicago AAaroon—Friday, May 30, 1980'* ' >nj ';,l: • » * c J SCHOOL OF PUBLIC HEALTH • UNIVERSITY OF ILLINOIS ATTHE MEDICAL CENTER, CHICAGOInvites Applications for Degree ProgramsMASTER OF PUBLIC HEALTH (M P H.)MASTER OF SCIENCE IN PUBLIC HEALTH (M S.)DOCTOR OF PUBLIC HEALTH (Dr PH.)DOCTOR OF PHILOSOPHY IN PUBLIC HEALTH (Ph D.)Concentrations are offered in Biometry. Epidemiology. Environmental andOccupational Health Sciences. Industrial Hygiene and Safety. Health Sciencesand Community Health Sciences. Administration and Health Law. Health Edu¬cation, Population Sciences and International HealthFinancial assistance is available through Public Health Traineeships and Re¬search Positions. Deadline to apply for M P.H. Program is February 15. 1980.Deadline for M S. Dr PH. and Ph D Programs is six weeks prior to the quar¬ter in which the applicant wishes to enter.For further information, write or telephone:James W WagnerAssistant Dean for Student AffairsUniversity of Illinois at the Medical CenterP 0. Box 6998Chicago. Illinois 60680(312) 996-6625The School encourages applications from qualified minority students.NEW 2-drawer files S59.00NEW 6-ft. folding tables $49.00 CHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOpen Daily11 AM to 8:30 PMClosed Monday1318 EAST 63rdMU 4-1062BRAND EQUIPMENT& SUPPLY CO.8600 COMMERCIAL AVENUERE 4-2111 OPEN MON.-FRI.8:30-5:00SATURDAYS9:00-3:00 PIZZAPLATTER1460 E. 53rdMl 3-2800No Delivery« * I > 4 LilU*.' « i i 4'. w * I ‘ I I J 0 ♦. . . inf, I lv J i wv UJA Summer ReadingCompiled by David Millerand Andrew PatnerRolf Achilles (photographer): Somebooks in German — Heinrich Boll, BertoltBrecht, and Berlin Alexanderplatz, a socialcommentary on Berlin written in the latetwenties. And I've just gotten wind of DorisLessing, who seems interesting.Ruth Adams (editor of the Bulletin of theAtomic Scientists): A book that's elegant inits perceptions is the Robert Oppenheimerbook. A "then what" book is PrometheanEthics by Garrett Hardin, and a "whatwe're doing" book is The Wooing of theEarth by Rene Dubos. Those who can't af¬ford to make a trek but want to make oneshould look at Stones of Silence by GeorgeSchaller. Two small and thoughtful sort of"right on" books on energy are World En¬ergy Strategies by Amory B. Lovins and En¬ergy in Transition by Lonnroth, Steen, andJohannsson. I don't know of a good book onthe most important subject: the cost of themilitary and the arms race.Paul Alivastos (co-chairman of DocFilms, 1980-81): Manny Farber's NegativeSpace definitely. Plays by Bertolt Brechtand junk books by P. J. Wodehouse andothers.Mark Ashin (English professor): I use mysummer reading to catch up with ail thethings I should have read during the year.So on the serious side I'm going to read Rob¬ert B. Heilman's The Ways of the World:Comedy in Society, Richard Levin's NewReadings versus Old Plays, and LiteratureAgainst Itself by Gerald Graff. Then I'd alsolike to read Bernard Malamud's Dubin'sLives and I haven't read anything by SusanFromberg Schaeffer. For re-reading, I'mteaching a course in Pirandello next yearand so I'm going to read some of his minorworks. You might say I'm going to readaround Pirandello. I don't really use read¬ing for escapism.Paul Ausick (assistant dean of students):The Southpaw by Mark Harris. It's one ofthe Henry Wiggin baseball books. Oh yeah,that's a fine book.Lynn Bender (University planner extraor¬dinaire) : I read spy novels and informativeliterature; War and Remembrance by Her¬man Wouk; Smiley's People by John LeCarre; Passages by Gail Sheehy; and Orien¬tal rug literature.Patrick Billingsley (statistics professorand very good actor): Stephen Booth's edi¬tion of Shakespeare's sonnets looks good tome.Easley Blackwood (music professor andAmerican composer): Fritz Redlich's Mold¬ing of American Banking, Charles Warren'sHistory of Bankruptcy in the United States,and Bray Hammond's Banking and Politicsin the United States from the Revolution tothe Civil War. I love to read about banking;it's just one of those things. It provides anintriguing look into human psychology. I believe that the problems we are having todayare not a result of politics or political partiesas they are phenomena associated withbanking.Walter Blair (English professor emeri¬tus) : Mrs. Blair and I both like to read fromHorace Walpole's letters and I think I'llread some of them this summer. They offer wonderful insights into many facets of life inthe 18th century.Mike Boos (Public information office):j Norman Mailer's Armies of the Night and !Zen and the Art of Motorcycle Maintenance.I know these books have been around for awhile, but I like to wait until all the reviews !are in.Wayne Booth (George M. Pullman Distin¬guished Service Professor of English): Theremaining works of Ursula K. LeGuin, acritical work by Rorty that Jay Schleusenerrecommended, and H.G. Wells's feministwritings including The Wife of Sir IsaacHerman. I imagine that one ought to give anesoteric recommendation so I'll tell you thatI was reading Moral Perspective: La Prin-cesse de Cleves when you called.Dr. James Bowman (professor of medi¬cine and director of University Sickle CellCenter): I read all year round. Some booksI've read recently that I would recommendare Orientalism by Edward Said, Been inthe Storm So Long: the Aftermath of Slavery by Leon F. Littwak, A Practical Ethicsby Peter Singer, and Barbara Tuchman's ADistant Mirror.Lea Brilmayer (assistant professor in the ,Law School): I'll be reading some ChopinNocturnes; some papers on mathematicallogic, philosophy of science, and jurisprudence; some books on causation. I'm goingto spend a month in Nova Scotia readingabout probability. But I always read Chopinand Scarlatti.Fred Brooks (outgoing College admis sions director): I'm completing the project iof reading Jefferson the President with thefifth and final volume, The Second Term.That's by Dumas Malone. I also recommendThe Meaning of the City by Jaques Ellul andSouls on Fire by Elie Wiesel. The last thingI'll be reading this summer is the VassarCollege catalogue.Bernard Brown (dean of RockefellerChapel): Alan Gewirth's Reason and Moral¬ity. I'd also recommend a book by RobinLovin with James Fowler called Trajec¬tories in Faith. It consists mainly of biogra-I phies not all of which are of Christians in thej traditional sense.D.J.R. Bruckner (VP for public affairs): Iwould recommend what I think is the bestbook of its kind, Eugene Parker's CosmicalMagnetic Fields. You need some math toread it and it would take you an entire sum¬mer. But I don't read in the summer. Whydo people waste their time reading in thesummer?Clarke Campbell (SG Finance Chair¬man): A lot of German economic texts,Siddhartha by Herman Hesse. I'd say I'mgoing to read War and Peace but I'm not. Alot of Proust.The Chicago Review Crowd: Bill Monroe:some Walker Percy, Eudora Welty, Reyn¬olds Price, and Iris Murdoch. Also ShirleyHazzard's new novel, Venus in Transit.Maggie Hivnor: The Education of HenryAdams. Akeel Bilgrami: All of Trollope.Irene Conley (Assistant Director, StudentActivities): Tell anyone who has taken an intro art history course and they'll vomit,but I'm reading Jansen's History of Art. Arthistory is a particularly weak point ofmine.Laura J. Cottingham (next year's editorof the grey city journal): Reading and rereading the literary and personal writings ofthose authors I consider the "greatest au¬thors in the English tongue": George Eliot,Virginia Woolf, and Djuna Barnes. Specific¬ally, and respectively, Middlemarch, Orlan¬do, and Nightwood.The Critical Inquiry Crowd: Toby Gordon,Plainsong by Wright Morris; RobertStreeter, Dance to the Music of Time (12 volumes) by Anthony Powell, and Democracyby Henry Adams; Felicia, War and Peace.Eugene Fama (Theodore O. Yntema pro¬fessor in the B School): l read French news¬papers myself. But I don't read much, I'mkind of a sports freak, so that's where mytime goes.J. W. Getzels (R. Wendell Harrison Distin¬guished Service Professor of education): AI great, great thing, a huge book is The RaiQuartet, four novels in one enormous vol¬ume. I went to the country last year thinkingthat I would have a lot of sunning to do. Ipicked up this book the first day that I wentout there and I didn't see the sun until theend of the summer. It's a marvellous book.Lubosh Hale (dean of students in the Busi¬ness School): The Neoconservatives byPeter Steinfels and The Totalitarian Temp¬tation by Revel, the author of Without MarxContinued on page 2More Summer Reading SuggestionsContinued from page lor Jesus. Any young intellectual should readthis.Larry Hawkins (director of special pro¬grams for pre-collegiate students): C. S.Lewis, The Screwtape Letters and FourLoves. I just finished Chesapeake by JamesMichener and that was very good.Janet Heller (student and an editor of Pri-mavera): Cora Fry, a very interestingseries of poems put together like an novel.It's not very long and was written by Rosellen Brown. Also, a book by Judith Arcana,Our Mother's Daughters, another of thesestudies of mothers and daughters, but not asangry as the others that have come out. Ar¬cana is a sociologist who lives in Chicago.Jean Judson (Librarian, Harper Li¬brary): I'm looking for a summer of lightAmy Kass (senior humanities lecturer inthe College): Oh you've asked the wrongperson, every summer I reread the Iliad andthe Oddysey. I try to do it more in Greek butI would recommend the Lattimore transla¬tions to those reading in English.Richard Kaye (student and co-editor ofThe Chicago Literary Review): Winnersand Losers: Battles, Gains, Retreats,Losses and Ruins from a Long War byGloria Emerson, which I read last summerand which has burned a little hole in mymemory. It's mainly about Vietnam's ef¬fects on the lives of Americans, and it's avery powerful book, alternately angry andsad. Then Stendhal's The Charterhouse ofParma, which someone recommended tome as a great book about youthful ardor.Also, I want to read these things called Har¬lequin Romances, because a woman I knowtold me that the influence of D. H. Lawrence(probably my favorite novelist) is limited tohis monumental effect on the authors ofthose books. Of course that's absolutely ri¬diculous. There are no nurses, for example,in any of Lawrence's books.Don Kingsley (Reserve librarian, HarperLibrary): I don't plan reading that farahead. I'll just pick up whatever looks good,unless I try Ulysses again.Joseph Kitagawa (dean of the DivinitySchool): A few detective stories. I'm oldfashioned so Agatha Christie and Judge Beeare my favorites.Peter Kountz (Alumni affairs director):Essays of T.S. Eliot, the Edmund Wilson let¬ters on culture and politics, Frank LloydWright's Autobiography and the two latestworks that have come out on him, PaulGoodman's The Empire City and some ofhis essays, and some Thomas Merton. I'minterested in the contemplative versus theactive artist and that's why I'm readingthese things.Philip Kurland (William R. KenanJr./Distinguished Service Professor in theCollege and Law School professor): Thefirst 100 volumes of the Supreme Court re¬ports which go from the beginning to justafter the Civil War; George Orwell; TheTransformation, Moore; G. E. Moore andthe Cambridge Apostles by Paul Levy, andthe third volume of Virginia Woolf's diaries.That's enough to keep you young peoplebusy.Faye Isserow Landes (student): If l makeit to the beach I'll read E.L. Doctorow's newbook to spite Richard Kaye, Anne Beattie'snew book to spite Molly McQuade, and The ■New Yorker every week from cover to coverto spite everyone — particularly those whojust read the cartoons.Donald Levine (sociology professor): I'mreading Shogun and that should get methrough the summer.Ralph Lerner (professor of social sciencesin the College): I don't want to recommendbooks for others, I have enough trouble get¬ting them to read the ones I assign.Bruce Lewenstein (student ombudsman):Robert Oppenheimer: Letters and Recollec¬tions, the latest books by Carl Sagan andLewis Thomas, and I'd recommend a book Iread last year, Freeman Dyson's memoir,Disturbing the Universe.Roy Mackal (University energy coordina¬tor and seeker after monsters): Why mybooks, of course. My new book, Searchingfor Hidden Animals, is coming out in Augustfrom Doubleday. It's a book of what we callcryptozoology, zoological mysteries. My =Monsters of Loch Ness is out in paperback?from Swallow/Ohio University Press. I read.-?a book of short stories called Strangeness. |They were way out. O Sal Maddi (professor of behavioralsciences): I'm going to read On a Clear DayYou Can See General Motors by J. PatrickWright. Max Frisch's Memoirs, a man atthe end of his life writing a lot of sensitivepsychological reflection with less ego than alot of men. Nevit Sanford's Life After Col¬lege, a psychologist looks at what happensafter you get a degree. Frank Sollawy'sFreud the Biologist; he seems to say thatFreud was a sociobiologist and I think thathe's probably right. Richard Sennett's Au¬thority; I get a lot out of his work. Then I'mgoing to try Jacques Lacan's latest bookEcrits, a kind of far out French psychoanalyst. And just for fun I'm going to rereadLawrence Durrell's Alexandria Quartet.Martin Marty (Fairfax M. Cone Distin¬guished Service Professor in the DivinitySchool): Anthony Yu's two volumes of Jour¬ney to the West, and Mircea Eliade's TheOld Man and the Detective. Also RobertWohl's The Generation of 1914.Edward Maser (art and German profes¬sor and director of the Smart Gallery):Thomas Mann over again, the four volumesof Joseph in Egypt. And some science fic¬tion, Alfred Bester's The Demolished Man. Ialways read books over again. ‘Gerald Mast (English professor): I'mgoing to be writing a book on Howard Hawksso I won't have time to read.William McNeill (Robert A. Millikan Dis¬tinguished Service Professor of history andauthor of many, many books): I'm going tobe working on a book that has to do withtrends of people and places, macroparasi¬tism, that's warfare. You should ask some¬body who reads books instead of writingthem.Molly McQuade (student and co editor ofThe Chicago Literary Review): I may notbe able to read what I'd like this summer (I may have to study instead), but if I could,I'd pick Malcolm Lowry, Wright Morris,and Swinburne.Jeff Metcalf (director of athletics): I'mgoing to be reading Random Recollectionsof an Anachronism: My 75 Years of LibraryWork by my uncle Keyes DeWiit Metcalf.I've just learned that my great grandfatherwas born during the war, the RevolutionaryWar.David Miller (almost ex-grey city editor):I'm so sick of reading, I think I'll just look atthe photos in Robert Frank's The Ameri¬cans over and over until they sink in; thenI'll look for a book by Garry Winnogrand, jbecause his photos are really intelligent |even though they don't look it at first.Julie Monson (director of career counsel¬ing and placement): Novels of Chicago au¬thors that highlight Chicago neighborhoods,Bellow, Frank Norris, James T. Farrell. I'drecommend Men and Women of the Corporation by Rosemary Kanter.P.B. Moore (professor of geophysicalsciences): I'm reading a lot of technicalpapers, monographs, on the schizophrenias.I have a research project on that. I just read jMoodswing by Ronald Fieve on manic de¬pression. All the great guys are in it. Win¬ston Churchill and everybody.Andrew Patner (about to be former }Maroon editor): l always recommendJames Alan McPherson's Hue and Cry andNorman Maclean's A River Runs Through <It because they are fine books. I'm going toread the Peloponessian Wars, the Platonic jDialogues, and the Homeric epics until I !think that I understand them. And then I'mgoing to read David Grene's Man In HisPride, Jamie Redfield's Nature and Culturein the Iliad: The Tragedy of Hector, andUlysses by James Joyce until I know that I idon't. Then I'm going to read Onward and2—the grey city journal—Friday, May 30, 1980 Upward in the Garden by Katherine S.White to start learning about flowers. Andthen I'm going to buy every Michelin guidevert and be on my way.James Redfield (professor of socialthought): K.J. Dover's Greek Homosexua¬lity and Steven Runcman's Mistra: Byzan¬tine capital in the Peloponnese.Braxton Ross (master of the humanitiesCollegiate division): The Samuel Johnsonbiography by Jackson Bate. A book thatshows you how to do biography.Michael Schudson (assistant professor ofsociology): I'd recommend Rise Gonna Riseby Mimi Conway, about textile workers atJ.P. Stevens; George Forgie's Patricide inthe House Divided, a psychohistory of Lin¬coln; Tom Wolfe's The Right Stuff; andFred Exley's autobiographical novel AFan's Notes, about a man whose whole liferevolves around the New York Giants andFrank Gifford. I'm going to finally getaround to Gabriel Garcia Marquez's OneHundred Years of Solitude.Mark Schwehn, (assistant professor of hu¬manities in the College): Hans Kung OnBeing Christian and Dietrich Bonhoffer Letters and Papers from Prison.Ted Shen (grey city cultural vagabond):The summer movies don't look all thatpromising. So I suppose I'll hole up in myroom and read a book or two. Books I havein mind : Tuchman's The Distant Mirror andCochrane's Florence in the Forgotten Cen¬turies; Sir Henry Merrivale mystery storiesby Carter Dickson; and the usual dose oftrash novels. One book I do recommend forothers is Jonathan Raban's Arabia: A Jour¬ney Through the Labyrinth.Nathan Tarcov (assistant professor of po¬litical science): This summer I'm going tobe writing a book on Locke so I won't havetoo much time to read anything else. But inprevious summers I've read Churchill, whois as good a candidate as any for greatestman of the century, and he writes very pleasantly. I would especially recommend MyEarly Life and the Life of Marlboro. I alsolike to read Jane Austen in the summer,Emma and Sense and Sensibility are goodsummer books. For something gloomierthere is Solzhenitsyn, perhaps the greatestman alive. The Gulag Archipelago de¬scribes vividly the characteristic depress¬ing political phenomenon of our century.Garth Taylor (assistant professor of polit-cal science): A Distant Mirror by BarbaraTuchman, Caught in the Web of Words byElizabeth Murray (about the man wrote theOxford English Dictionary), The Making ofthe Popes by Andrew Greeley, and Ideasand Problems in Econometrics by FranklinFisher. All of these are indispensable todoing the New York Times crossword puzzle.Beth Tobin (Lower Flint resident head):Some weirdo 18th century English stuff.David Simple by Sarah Fielding, SpiritualQuixote (we say kwik-sut) by RichardGraves, and Miss Betsy Thought/ess byEliza Haywood.Ken Wissoker (bookseller, grey citystaff): I tend to read books in search ofideas of "Why do people do what they dorather than something else." In pursuit ofthis I hope to read Richard Sennett, Authori¬ty and Dorothy Dinnerstein, The Mermaidand the Minotaur: Sexual Arrangementsand Human Malaise. To others, I would rec¬ommend a new novella which deals with thisquestion in terms of relationships, Jane La-zarre's Some Kind of Innocence. My peren¬nial summer reading in Hyde Park is TheFour Gated City by Doris Lessing, whichnames life as well as any novel, and which Iwould strongly suggest to anyone who wasleft alienated by the rest of the year here.Marvin Zonis (associate professor of be¬havioral sciences and television personali¬ty): Karl May, The Desert War; SabriMoussa, Seeds of Corruption; Sami Bindari,House of Power; and Kafka's Penal Colony.Karen Hornick (GCJ staff, proofread¬er) : War and Peace, The Odyssey, and TheOresteia. (But only for typos.)Jon Shamis (student and Maroon staffmember): Three Mile Island: TurningPoint by Bill Keisling; Self Portrait U.S.A.by David Duncan, Will by G. Gordon Liddy;and The Douglas Opinions by W. O. Douglas.These books I sincerely feel are worthwhileand I look forward to reading them duringthe summer.N.BMoviesZabriskie Point (Michelangelo Anton¬ioni): Apocalypse then. Antonioni'sfirst and only American film (comingat the heel of his enormously successful Blow Up) casts a jaded look at theclash of two 'cultures — rebelliouscounter culture and complacent Middie America — from its initial skirmishes to the final explosive end. Thepawns in this war of worlds are a coup¬le of youthful ciphers. They meet, theymake love, the Boy dies, and the Girlcries. But don't let this conventionalscheme fool you. The plot hardly matters, but the message comes acrossloud and clear anyway. Through theimages of billboards, truck stops, sky¬scrapers, and the insistent sound ofdrug dazed music. The visual poet inAntonioni captures the essence of sixties America much better than hiscrowded ream of hired script writers(Sam Shepard included). Tonight at7:15 in Quantrell. Doc, SI.50. -- TSBlow Up (Michaelangelo Antonioni,1966): An amazing film. David Hem-mings plays a mod London fashionphotographer who accidentally re¬cords a murder in progress. The situa¬tion is like that in Coppola's The Conversation, but where that film uses ahumane protagonist, this one substi¬tutes an evil, misguided one. Antonioni's vision is similarly different: he University Orchestra conductor Barbara SchubertU of C Orchestra PerformsThe University of Chicago Symphony Orchestra will present its third and final concert of the season tomorrow at 8:30pm in Rockefeller Memorial Chapel. Under Conductor Barbara Schubert the Orchestra will perform a single work: themonumental Symphony No. 5 in C sharp Minor by GustavMahler.The 100 member University of Chicago Symphony, whichis made up primarily of students, faculty, and staff of theUniversity of Chicago and members of the Hyde Park com¬munity, has been preparing the challenging program sincethe beginning of April. Mahler's 70 minute composition,scored for large instrumental forces, consists of five move¬ments arranged in three large sections: a C-sharp minor fu¬neral march plus an A-minor fantasia on the same materialthat together make up the deeply tragic first segment of thesymphony; a lilting D major Scherzo, led by an ebullientcorno obligato line, that forms a spirited core for the sym¬ phony as a whole; and an F major Adagio meditation forstrings and harp that leads into the huge, complex, and tri¬umphant finale that successfully resolves the conflicts andtensions created in the earlier portions of the symphony. TheFrench horn solos will be played by Elizabeth Rising andDavid Barford, and the trumpet solos by Richard Leister.Normally the University of Chicago Symphony Orchesraperforms in Mandel Hall, the University's regular concerthall. Currently Mandel Hall is undergoing extensive acousti¬cal renovation; while this construction is being done the Uni¬versity Symphony Orchestra will be taking advantage of thespecial ambiance and acoustic of Rockefeller MemorialChapel for its performances. Admission to the May 31 performance of the Mahler Fifth Symphony is without ticket andcharge. Free-will donations, to help cover the increased costsof preparing the Chapel for a concert performance, will gratefully be accepted at the door.rejects the cliched existential melodrama of works like The Conversationand substitutes—what? Well, this is athoughtful film, and its conclusion isnot easily stated. Maybe it is surreal;maybe labels don't matter. The issuesit raises—the illusory nature of reali¬ty, the social basis of knowledge—arereal, and confront us here. Their presentation is also first rate: cameramovement, color, and consistentlygood acting (Vanessa Redgrave is thefilm's other star; Veruchka also appears) combine to provide, at first,disorientation. But as the actionbegins to make sense, Blow Up offersenough engrossing enjoyment for tentimes all those who don't care about allthe thoughtful crap. A masterpiece; amust see; etc. Tonight at 9:15 in Quan¬trell. Doc; $1.50 — DMWest Side Story (Robert Wise, 1961):Somehow, a review seems superflu¬ous., Regardless of how many times wewatch this love story, the music, dancing, acting, and singing have an inexhaustible appeal. We're transported tothe West Side of New York City wheretwo street gangs rival for rule of theneighborhood, never suspecting thattheir taunting will catapult into a vio¬lent showdown. In the classic Romeoand Juliet style, Tony (RichardBeymer) and Maria (Natalie Wood),each associated with opposite sides ofthe warring gangs, fall in love. Eventhough the tragedy is a familiar one,outstanding choreography by JeromeRobbins, music by Leonard Bernstein,and lyrics by Stephen Sondheim makethis film exciting and refreshing. Nomusical can avoid some abrupt or un¬natural transitions when the straightdrama switches into musicalnumbers, but in this musical the tran¬sitions occur so smoothly that they'reoften imperceptible. A definite "mustsee": after dabbing away the tears,you'll leave Quantrell Itching to singand dance. Tomorrow at 6:45 and 9:30in Quantrell. Doc, $1.50 — MWThe Third Dimension: The ingenuity offilm technicians never ceases toamaze me. They fincigled voices tocome in sync with actors' lips, flushedimage with color, and stretched thesize of the screen. The sundry outcomes of their invention—sound, Technicolor, and Cinemascope—haveworked in tandem with directorial visions in expanding the boundary of filmic art. But behind all these crafty designs lurks the urge to make art astrue to life as possible. 3 D then mustbe the logical conclusion of this imitation of life. Yet it's a gimmick carriedone step beyond. It was a a rage in thefifties. But the trouble of donningdainty 3—D glasses and painting the screen silver finally defeated anyinroad the device hoped to make. So inthe eighties we are le*t with relicsfrom the past. In the month of June,the Sandburg will mount an exhibit ofthese curiosities. The list includes ColePorter's musical Kiss Me Kate; MissSadie Thompson with Rita Hayworth;and sci fi classics House of Wax, Crea¬ture from the Black Lagoon, and ItCame From Outer Space. But thejewel of this exhibit is unquestionablyHitchcock's Dial M for Murder. Hitchcock relished in toying with the latesttechnical inventions. Dial M forMurder was the product of his brief infatuation with 3 D. It's a minor Hitchcock. Among its glaring defects are astagy script, Bob Cummings, and flatdialogues. But then its saving gracesinclude Grace Kelley, Hitchcock'scameo appearance, and a grippingmurder scene. As with other Hitchcocks, the film has a certain visualflair. The fascinating camera stuntsshould look even more so in the ori-gianl 3 D vision. As a bonus, the Sandburg people will treat their customers §to vintage movie trailers from other ^Hitchcock films. Dial M for Murder owill be screened May 30 June 5, other ^3 D wonders are to follow. Dial the §Sandburg (951 0627) for further infor O'mation. — TSMusicConcert for Composers and Experi¬menters: Two experimental works byPaul Goldstein and Patrick Hogan:Music for Keyboard and Strings (&Things), for two pianists, one grand piano; and Sonata for Violin, PreparedPiano, Woods, & Metal, with violinistNatalie Silberman. Also Terry Riley'sI.C., with large ensemble, and work byFrederic Rzewski. Sun, June 1, at International House at 7 pm. Free.Organ Recital: Paul David Petersen,Augustana Lutheran Church's parishorganist, presents a program including pieces by Seweenick, Scheidmann,Buxtehude, Bach, and Brahms. A wineThe Chicago Children's ChoirThe Chicago Children's Choir willpresent its annual Gala Concerts tomorrow at 8 pm and Sunday at 3 pm atthe Lutheran School of Theoiogy Auditorium, 55th Street and University Avenue. The singers, who come from allracial and socio economic backgrounds, will present work byBruckner, Buxtehude, Pergolesi, andPoulenc, as well as madrigals, international folk songs, and songs fromthe gospel tradition. Younger singersfrom the Choir's training units willpresent works by Dvorak and Vivaldi.Tickets are $5 general admission, $3students, and $2 children and seniorcitizens. and cheese reception follows. Sundayat the Church, 5500 S. Woodlawn, at 8pm. 493 6451 Free.George and Jerry Armstrong: Theseworld-reknowned local folkies are areal treasure. George has openedevery U of C Folk Festival with hisheart-rending bagpipes. (We heardhim open the decade with Auld LangSyne; it was stirring.) He and Jerrywill appear in costume with bagpipes,dulcimer, and guitar to sing and playseasonal songs. "If the weather begood," bring a picnic supper and listenon the grounds of the Sensibar home inKenwood. 924-2550. $4 includes icecream.Schubert & Beethoven: Well, there'snothing like ending a concert seasonwith a big bang. The Chicago Ensem¬ble's program for its final concertlooks challenging enough to ignite lotsof musical fireworks. To start off,pianist Gerald Rizzer will demon¬strate his virtuousity with Beethoven's"Tempest" Sonata in d, op. 31 no. 2.Then flutist Julie Zumsteg is scheduled to show hers by playing thesame composer's Serenade for FluteAfter intermission, the group has instore Schubert's Trio in Eb for Violin,Cello, and Piano. This sublime masterpiece, if you recall, served as backdrop to Barry Lyndon's dalliances inthe Kubrick film It's a tough piece toperform well. So how the ensembletackles this trio should give an indication of their future course. My bet isthat they will acquit themselves honor¬ably. Wednesday at 8 in I House Assembly Hall. $3, students and seniors,$4.50, others. 271 3810. - TSMusic to Eat By: Classical guitar concert by Kevin Byrnes. Thursday June5 in Reynolds Club Lounge at 12:15 pm.Free.Ken Prince and Emmanuel CranshawBenefit: Von Freeman and manyothers perform tor two hospitalizedfriends. Sunday, 8:30 pm 1 am atChances 'R\ 5225 Harper. 363 1550.$5the grey citythe grey city journalGary Beberman, Curtis Black, Abbe Fletman, Richard Kaye, Jake Levine, Rebecca Lillian, Jeff Makos, Rory McGahan, Molly McQuade, Elizabeth Oldfather,Renee Saracki, Marjie Williams, Ken Wissoker.Edited by David Miller. Associate editors: Laura Cottingham and Karen Hornick.Contributing editor: Ted Shen. Friday, May 30, 1980 ArtJoan Miro: The Development of a SignLanguage: Through June 18 at theSmart Gallery, 5550 Greenwood. Tue-Sat, 10 4, Sun, noon 4. 753 2121. Free.The films "Miro makes a Color Print"and "Around and About Joan Miro"will be shown this and next Sunday at 2pm in Cochrane Woods 157; gallerytalks are scheduled for this and nextWednesday at 12:15 pm in the SmartGallery. Both are without charge. Seearticle, p. 5.Michael Singer: New Work: ThroughJune 21 at the Renaissance Society, 4thfloor Cobb. Daily, 11 4. 753 2886. Free.Poetry Magazine: Through Septemberin Special Collections, Regenstein.... To Live Without: Shapiro artwork isdue back in Ida Noyes 210 by Wednesday, June 4. Late fee: 25c/day.One of a Kind: Its creators claim this ex¬hibit "demonstrates that Polaroidcolor photography is an artistic idiomthat occupies its own place in contemporary photography." It does not. Adistinct or characteristic style doesnot exist among these 72 prints: Joe!Sternfield's snap shot aesthetic opposes Jan Groover's attempt at formalelegance and Ben Friedman's thicklycolored nighttime exposures opposeWilliam Eggleston's clear, clean stilllifes. While this show's premise — unlike the corporation that funded it — isbankrupt, the individual works arepretty. Yet they are neither engagingnor impelling; these color photographers are still concerned by the spectacle of their medium. That may be allright, but as Dorothea Lange said,"You can't compare Paul Strand, whoworks in solitude, with aesthetic prin¬ciples, to those fellows who go right outinto the hurly-burly." Art Institute,Michigan and Adams. Mon-Wed, Fri,10:30-4:30; Th, 10:30 8, Sat, 10-5; Sun,noon 4. 332 3600. Admission discretion¬ary; Th, free. — DMTheaterMidsummer Night's Dream: Tonightand tomorrow night at 8 in the court¬yard of the U of C Laboratory School.$3.50Hare: The Adventures of Alice: TheBusiness School's annual spring musi¬cal production. Tonight and tomorrownight in the International House Auditorium at 8 pm. S3, we think.Uncommon Women and Others: The lastweekend of Court Studio's excellentproduction. Fri-Sat at 8:30, Sun at 7:30pm. $1.50 for students, $2.50 general.See review on p. 8.Gioia Timpanelli: Stories from severalcultural traditions told in the mannersof poetry reading and performanceart. Tonight at 8 in the performancespace at the school of the Art Institute,Columbus and Adams. 443 3710. Stu¬dents $2, other $3.Who'll Save the Plowboy? A radio premiere of Frank Gilroy's play about thereunion of two army buddies and theirbitter disillusionment. CSO trumpeterGeorge Vosburgh provides the music;Yuri Rasovsky directed. Monday,June 2 over WFMT, 98.7 FM, at 8 pm.Etc.First Rate Television: In The FrontLine, an Australian cameraman tellsof his experiences in Southeast Asiaduring the Indochinese war. Tomorrow at 2:30 pm on Channel 11.Barn Dance: Fred Field calls The Chicago Barn Dance Company performs;square, circle, and clog dancestaught—no experience necessary. To¬morrow, 5 pm—midnight at MoMing,1034 W Barry. 472 9894. $4 admissionincludes chili dinner.Register Now, Ask Questions Later: TheMuseum of Science and Industry issponsoring a trip to Com Ed's Ridgeland Generating Station and to theFermi National Accelerator Laboratory led by WGN TV's "How and WhyMan" J Bruce Mitchell next Saturday,June 7. They ask $12.50 ($10 formembers); 684 1414 As Slim Pickenssays, "Yeah Ha!"Calendar compiled by Rebecca Lillian.journal—Friday, May 30, 1980—3Spokesmen Bicycle Shop4WUy / 'j 8301 Hyde Park Blvd.1 Selling Quality Imported j\ Bikes.P Raliegh, Peugeot, Fuii,. Motobecane, Windsor\ And a fall Inventory\ of MOPEDS\ j 1 U Open 10-? M-F, 10-5 Sat.j 11-4 Sun Rollerskates forJ 684-3737 Sale or Rent. FOR SALE -RENT W/ OPTION orWhatever - Beautiful brick 4bdrm., brand new. White oak,pannelled cathedral ceiling,wood burning fireplace, largeoutside deck on your ownprivate lake! Builder gotcaught in money squeeze out¬skirts of Michigan City - $500per mo. $85,000 house & acre& lots of clean.sunshine. CallCharlotte in Chicago 493-6153or Rickey (219)926-7128.HUDSON CO.Chesterton IndianaGmutty.TEnlJl Zl. REPAIRSPECIALISTSon IBM, SCM,Olympia, etcFREE repairestimates; repairsby factory-trainedtechnician.RENTALSavailable withU.of C. I D New anuRebuiltTypewriters,Calculators,Dictators,AddersU of ChicagoBookstore5750 S. Ellis Ave753-3303Mastercharge and Visa Accermorionrealty,inc.mrealtorStudio and 1 BedroomApartments Available- Students Welcome -On Campus Bus LineConcerned Service5480 S. Cornell684-5400 \KIMBARK HALLCondominiums80% MORTGAGE LOANS AVAILABLEThe developers are offering model units torinspection every Sat. and Sun. between 1and 5 p.m.36 opts:24- 1 bedroom, 1 bath from 30,350-37,0006 - 2 bedrooms, 1 bath from 37,000-38,8506-2 bedrooms, 2 bath from 46,000-46,900All apartments include new kitchens and appliances, inew bathrooms, carpeting and decorating (colors ofyour choice), triple-track storm windows and kitchenstorm doors, modern laundry facilities and individuallocker space.Your inspection is invited,51 26 S. Kimbark Ave. - Phone 643-4489Harry A. Zisook & Sons, Agts.7869200 —SEye ExaminationsFashion Eye WearContact LensesDr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)! 1200 E. 53rd St.493-8372Intelligent people know the differ¬ence between advertised cheapI glasses or contact lenses and com¬petent professional service.Our reputation is your guaranteeof satisfaction.S I riilll it!§TH€ COUt'gfUM MU5ICUM or TH6 UN/V6R.S/TY OF CHICA.QOrnesents a. concert or music byFRIDAY 30 MAY 1980 POND CHAPGl 8PMFR€€ AN D OPEN TO TH€ PU Bl I C __ ^ RSITY* CHICAGOSYMPHONY ORCHESTRAGUSTAV MAHLERSATURDAY, MAY 31, 830RockAlltr Memorial ChapelWdi Street & S. Wood lawn Avenue SCHUBERTA4mi«ion Free *The U. of C. SAILING CLUB offersSailing Lessons during the summer.Six week introductory course — *50Ten week comprehensive course — *80Sign up for weekend or weekday sessions at our Meeting, Wednesday,June 4, 7:30 PM Ida Noyes. Sailing Club members have first choice ofsessions. You must pay at the meeting to reserve your spot.4—the grey city journal —Friday, May 30, 1980A Chalkboard History of Rock 'n' Rollby Ken Wissoker and Renee Sarackimmmmrnm& % frtj? / If-The Year in Punk: A Retrospective with Regretsby Renee SarackiLast June I wrote my first article for thegrey city journal. Entitled "Punk Rock andthe New Wave Sensibility," it attempted toarticulate my incredible delight with punkrock and the movement's following. Wellneedless to say, looking back on that articlemy once genuine enthusiasm now both em-barasses me and saddens me. I'm em-harassed because the article was uncritical,uninformative and just plain silly. But I'malso saddened because I now realize that Ihave lost much of my uncritical enthusiasm,and while I'm not yet a cynic, I can nolonger admire a band with the uncriticalabandon of the true rock 'n' roll fan.Often I ask myself, "So girl, what hap¬pened? Did punk go sour all of a sudden?And if so, why?" For the longest time I hadrefused to believe that punk as an identifi¬able, postive, exciting movement stoppedexisting shortly before The Pistols broke up.But being in America and all, news hits uskind of late and it wasn't until 1979 that Blon-die and her disco hits made punk acceptablein this country and at the same time sig¬nalled its demise. How ironic, a full yearand a half after punk disintegrated in England.Today I am forced to accept that much ofwhat I believed in in punk rock was a mythand that a movement no longer exists. De¬spite this heartbreaking realization, I stillfind solace in the fact that there is morefresh and interesting music around todaydue to those original punks. It's hard to say exactly when punk lost itspiss and became a rather bizarre but ac¬cepted American pasttime. Probably in themiddle of 1978, but 1979 was definitely theyear when the average American's reactionto punk rock switched from a feeling of re! pulsion to one of rather intrigued curiosity.The one punk group mainly responsible forthis transition is Blondie. When Blondiecame out with "Heart of Glass" as a singlein 1978, Debbie Harry abandoned herleather gear for Murjani jeans. As a result,while many people considered her the firstThe Psychedelic FursThe Psychedelic FursCBS (Import)by Ken WissokerThe Psychedelic Furs. How to choose aname that, even after we've been throughThrobbing Gristle, will still be disturbing,which will still confound new wave sensibili¬ties of what a group should be called? Withthe exception of a few stylistic points, thealbum plays counter to the image of thetitle, which is perhaps best understood in thespirit of that other bizarre name, The VelvetUnderground.I am at the disadvantage, as a critic, of punk star in America, Debbie Harry was nolonger a punk. Ms. Harry's dilemma is al¬most symptomatic of the success of thewhole New Wave in 1 his country.1979 was a poor year for many of the origi¬nal punks. Either the groups began to makemajor concessions in their music like Blondie with "Call Me" and The Ramones' Endof the Century or they became dried up, disillusioned old farts producing inferior musiclike The Buzzcocks or The Damned. The oldguard of the New Wave began to go stale,boring, and repetitive and people began tohaving no outside information on the group.I was induced to buy the record by a songwhich Skafish has been playing on XRT,"We Love You." This song takes the titleand retrain of one of the best Stones psyche¬delic songs and produces another which vir¬tually turns the Stones' on its head. TheStones had just been sent to jail and the songwas their "we can change the world withlove" response—"We love you and we hopethat you will love we too." Of course manyof us no longer put much faith in this approach.The Psychedelic Furs, in their song, turnthe sentiments from universal to pop, re¬place a chanting sincerity with an ironicContinued on p. 6 search in vain for the latest trends to follow.Hence the success of such fads as The B-52'swith their bee hive hair-dos and trashy,mid-60's fashions, England's mod and skarevivals, and the recent rockabilly revivalamong disillusioned punks. While many ofthese revivals and fads are temporarily in¬teresting, they aren't nearly as intense orprovocative as a simple Pistols' song. Punkhad become a mish-mash of novel styleswith little or no real substance.Lest this article becomes another punkobit, there are still groups like The Clashand PiL who continue to make great music.Last summer, The Clash were in a musicalrut having just released a shabby EP. "TheCost of Living EP" was the group's first re¬lease of any significance following Give 'EmEnough Rope. The four songs included analright cover of The Bobby Fuller Four's "IFought the Law," a different, extended ver¬sion of "Capitol Radio" and two pretty stin-ko originals; "Gates of the West" and"Groovy Times." After a second Americantour last fall, The Clash released LondonCalling and were once again a great group.However, in order for The Clash to have pro¬gressed in any way, they had to turn to rock'n' roll's past, it's all but forgotten rich tradition. With London Calling, The Clash havebroken out of their recent dilemma and leftthe battlefield still punks.PiL is another interesting survivor.Formed by John Lydon after The Pistols'demise, it has successfully shut-up all thecritics who continue to bad mouth JohnLydon, by playing some pretty fascinatingContinued on p. 6the grey city journal—Friday, May 30, 1980—5Don't Blame the NameIJoe Strummer and Mic JonesRock Retrospectivej renaissance are The Gang of Four and Thej Undertones. They are as different as nighti and day, but the very fact that these twoj bands can be grouped together under thesame banner shows how diversified theI punk movement has become.It's often said that because the punki movement has become so eclectic, 1he word! punk no longer has any meaning. This wouldbe true if these groups had nothing in com¬mon either musically or spiritually. Butthey do. Within every decent new group withenergy, enthusiasm, and commitment there! is a spiritual bond with all those garage-j bands from 1977. And it is because of thosegroups that I'm not yet a cynic and am still ai fan.Continued from p. 5music. Although I liked the wild excesses oftheir first album, the Second Edition is themore subliminal and hypnotic album, ensnaring the listener with its insinuatingrhythms.Sometime in the middle of 1978. a secondgeneration of punk groups arose in England.And while many of these had little to do withthe famed three-chord musical attack oftheir predecessors, they shared much withthe original punks in terms of attitudes, energy and integrity. These groups includeThe Cure, The Fall, The Monochrome Set,The Two Tone groups, and others. Two ofthe best groups to emerge from this secondPsychedelic Furssongs along in a manner reminiscent of theVelvet Underground. The total production isnot dissimilar to Roxy Music, though thevocals are drier, and closer to those of theGang of Four. What is most difficult to de¬scribe is the effect they get from the drivingrepetition of sound, as if the music were lapping itself around the track.This effect is prominent in what might bethe best song on the aloum, "Flowers." Itstarts with the same chorus repeated in amantra-like fashion, with word changeseach time:|H Continued from p. 5burlesque, and make the iove object variousconsumer goods, "your blue car," and othercultural objects. These become increasinglyIff preposterous, through "the nuclear bomb|| that falls," until the whole series is reject| ed: "No blue cars will run my life." Still,; there is some reflection of the original evenin its negation, and there is something in the% overall sound which is reminiscent of the|§ Stones' psychedelic period.There are two producers listed on thef§ album; more precisely, "We Love You" and; two other songs are produced by Howard|f Thompson, Ian Taylor, and the PsychedelicX Furs. They are the most heavily rocked, theH most danceable, and the most (ironic) fun.|| The rest of the album is produced by Stevep| Lillywhite. This music is more densely tex-| tured, the saxes, the key instrument in thesound, are more droning. The words are|I also more nihilistic, and the whole approachH is slightly more heavyhanded: more pessi-mistic and more polemical.'0. These songs, with the exception ofm "India" and "Fall," lay the existential ma¬ll laise straight out. Like the Cure's "Killing\yf an Arab," (a sohg based on Camus's The His body is upon the wallHis teeth are sharp and whiteThey/He cut his eyes/feet/teeth/facewith razor bladesAnd out of him came foul white light.April Music LimitedThe last time this is repeated "foul white" ischanged to "stupid" and the singer adds,"that's flowers." In one verse he sings:There's flowers all around his feetThere's flowers in his heartIf you take the needles outhis body falls apart.April Music LimitedBesides the subject matter, the song alsoshares the instrumental ending of the Vel¬vet's "Heroin." However, I think it is amore successful song—well, somethingmust have been learned in ten years—partlybecause it is more subtle. It is also suc¬cessful, and this is in general true of thewhole album, because of the strength of thepresentation, the compelling nature of themusic, and because of the insistent and ap¬pealing, though sometimes puzzling, inter¬est of the lyrics. Some new groups are con¬cerned with what there is to be learned.6—the grey city journal—Friday, May 30, 1980 When Is the EOur Hitler—A Film from Germany directed byHans Jurgen Syberberg, Film Center, Art Institute.This Saturday and Sunday, 2:30 6:20 pm and 7:4511:10 pm. 443 3737. $12.When It's Metaphorby Karen HornickHans-Jurgen Syberberg's Our Hitler—A Filmfrom Germany is an epic collage, a cosmic catalogue of light, props, actors' performances, and pro¬jected images. It is about the history, drama, sensi¬bility, aesthetics, morality, iconography, memory,century, hours, minutes, seconds, people, gods,ideas, moons, and planets that comprise and sur¬round Hitler,- Hitler (for Syberberg) the HistoricalPersonage par excellence.The seven hour film's underlying premise isvoiced repeatedly, so it is not obscure. Hitler wasthe logical, demonic culmination of the centuries-old German Romantic Tradition. Syberberg's sec¬ond thesis is that much of this tradition was worthpreserving. The making of Hitler into taboo, a dis¬grace to hide in the closet of modern German history, not only reduces our cognizance of the sheer,horrible magnitude of his evil, but the real natureand banality of his evil as well. By merely repress¬ing his image, we are blinded to the cultural currentthat produced him and that continues to flowthrough the veins of our arts and sciences. We'releft with the desire to create art, advance science —without, a vision, a passion, a purpose, a knowledgeof Why.The Germanic Romantic Tradition — the GRT —the security blanket for countless Nordic dreamers,from Schiller and Frederick the Great, throughGoethe and Wagner, through Nietszche and ThomasMann. With varying degrees of humanism, socialconsciousness, and self interest, they were all a self-proclaimed great race of great men. Each seizedpersonal freedom for the sake of personal expres¬sion and attainment of personal grails. With theright something — genes perhaps? — an individualcould become the Ultimate Artist and the UltimatePolitician in one. For Politics, one of their tenetsheld, is the Art of the possible. So Wagner equalsBismarck, and Hitler equals...Within the scope of this film, Hitler has no peers.At once Artist and Politician, his success defied allcompetitors. Pure evil, he is like that described inMann's Doctor Faustus: Vice, evil, "the Evil Onehimself,., did not consist in itself but got its satisfac¬tion from the defilement of virtue, without which itwould have been rootless; in other words, it consist¬ed in the enjoyment of freedom, the possibility ofsinning, which was inherent in the act of creationitself." Hitler, unchallenged politically and full ofGermanic passion, had access to this kind of freedom. Charismatic and ruthless, he became the Ul¬timate Politician, in his fantasies this century'sgreat emperor; his model of empire based on theRoman and British. As Ultimate Artist — and Sy¬berberg insists Hitler had this self image — he became the great auteur, for film is the art form of thecentury. Because Hitler had been given the choicebetween good and bad, and chose bad, his master¬piece became Catastrophe, the Apocalypse. Viceturned fully on its source, virtue.Syberberg's view of Hitler as filmmaker is hyperbolic, but it is based partly on fact. He makes much,of the fact that Hitler viewed movies nightly; FredAstaire in Broadway Melody was a typical favorite.After the war began, Hitler continued his nightlyhabit — but watched only newsreels prepared by hisstaff on the progress of his campaigns. It had become his turn to sit in the director's chair; he, ofcourse, had final approval of all footage released.Syberberg claims, to this point, that the only remaining achievement of the Nazis are the propaganda films of Leni Riefenstahl. (Triumph of theWill, which plays occasionally at such places asFacets, is the best known).So for Syberberg film was a medium obviouslysuited to his subject. He interpolated also that thematerial to be dealt with requires a formidablegenre — one so large and so rare, unseen — worthyof its focus. Produced: Our Hitler—A Film fromGermany, perhaps the first true "epic" of the cin ema. "Epic" must imply a (reference to earlier works,unrepeatable in its form, ci*s inclusion and scale. Moreing a documentary or dramlike this movie.Its entirety was filmed wiwith a small number of actplay several roles. Most of tpets, all represent der Fuhreassociates at one time or othanging megaphone, an enmodel ot Black Maria (Edisry) and mannequins are ragain. Snatches of actual Naof Beethoven, Bruckner,Durer's "The Four Horsemertowering above all, Wagner ,creation of mood and settingalways at the rear, onto whi<stant onslaught of images. Sthing in his cinematic carpetbexamine his perpetual, singthis forms.This is not a movie like tlberg's German contemporzbinder, et al. There is no narrsign of fraternity with the esand American filmmakers oisixties. Syberberg's filmed v} End of the World Not the End of the World?iply a created work not withouti/orks, but completely new andorm, completely audacious in!. More than a new way of f ilm-' drama. There is nothing elsened within a single soundstageof actors, almost all of whomost of them, and assorted pup-r Fuhrer or his most importantie or other. Props like a huge,an enormous world globe, a* (Edison's first film laborato> are manipula+ed again andtual Nazi speeches, and strainskner, Mozart, Mahler, and, Surrealistic impulse of the twenties, and the Wag¬nerian operatic vastness of the nineteenth century.All the speaking parts, with few exceptions, are offigures drawn from the world of entertainment.Ringmasters and patent medicine barkers. Actorsportraying actors like Chaplin and Peter Lorre(whose "I can't help doing what I do" speech fromFritz Lang's M is re-enacted). Even the boors whomonopolize conversations at parties, and a professorial type who sits behind a desk and reads — andreads, and reads — from his heartfelt but poorly arranged notes. Hitler makes one appearance as aRoman orator declaiming from the grave of Rich¬ard Wagner. He quotes Shylock, "When you prickme, do l not bleed?" In one of his puppet forms,Hitler sits as a dummy on the lap of a ventriloquistorsemen of the Apocalypse"i/agner are as essential to thed setting as the giant screen,>nto which is projected a con-iages. Syberberg uses every-carpetbag to examine, and re¬al, single focus: Hitler, in alle like those made by Syber-temporaries, Herzog, Fass-no narrative, no restraint, noh the esthetics of the Frenchakers of the fifties and earlyilmed vision draws from the actor, who looks and broods like the stereotypiclyric poet. In short, there is a conspicuous dearth ofpersonalities in this film from whom we are not separated by footlights or podium. Syberberg borrowsthis device of alienation and others like the piaying of more characters than one by a single actor -from Bertolt Brecht.Syberberg's only obvious modern model is in factBrecht. But the filmmaker lacks the playwright'sallegiance to socialism and the wisdom of das Volk.Syberberg's sensibility is grand and aristocratic —and he is not cagey about it, his movie is itself aproduct of the GRT. Satire, psychological drama, clever allegory based upon folk legend are genresoutside the tradition he mourns and inadequate forhis subject. A ringmaster participating in the film'sextended opening crescendo vows what follows willbe neither an emotional drama of Hitler in thebunkers, nor full of footage of the cheering Nurem¬berg crowds. An account of a historical event, yes,and a trial of a sort for parties already known to beguilty. But the larger subject is the collapse of a cul¬ture, the end of the world, no more, no less.The screen at the rear of the stage is Syberberg'smetaphor for culture — it is, literally, the backdropin front of which everything human is played out Asthe characters stand before it — at times seeming towalk, but actually only shifting their weight whilethe projection itself shifts — their position in relation to their culture changes. What can one individu¬al do or signify when everything is swirling aroundhim, like a dream or nightmare? The individualshave small effect on the total Picture.Hitler, the individual, the former house painterand "Catholic acolyte," himself made little impact;he was a madman who kicked his dog away whensomeone caught a glimpse of him petting the beast.One extended passage in Our Hitler has an actorpose as Hitler's valet. He walks before photographsof Hitler's dwelling places and tells how he was cho¬sen for his job and what it was like. This goes on forforty-five minutes — three quarters of an hour of re¬vealing anecdotes about Hitler's choices in under¬wear, Hitler's penchant for cocoa at breakfast,r.itler's unwillingness to wear brown shoes with hisuniform. These are interesting; they make derFuhrer seem so much a man like us. The film's"banality of evil" theme receives here its greatestunderscoring. Syberberg uses, however, the ultramundane to a negative purpose as well: these"facts" about Adolph, this list of weirdo groominghabits only open so many keys to the inner sanctum.Hitler's meager psychology containing the finalanswer to the Nazi holocaust and the loss of the an¬cient heritage? Syberberg won't buy it. He arguesthat if Hitler had not come along we would have invented him anyway. Hitler is "in us," we are not inhim. He is represented frequently as a puppet, by anactor playing Charlie Chaplin playing Hitler, by aplush dog with a velveteen Hitler face. A young girl(Syberberg's eleven year old daughter, Amelie) ap¬pears at the beginning and end of the film, dressedin black or white with a halo of film. She clutchesthe Hitler dog doll to her breast.The movie is anything but a defense of Hitler andNazism — but it does decry the way we have overinterpreted his ordinariness, his predictability onone hand, and pegged him as Black Messiah on theother. Both approaches allowed us to repress hismemory — that was a mistake — and inevitably ex¬ploit him — that is profane. He became for many apoint upon which to project their own feelings ofguilt. Others have even benefitted commercially —a passage near the end is scathing to those whowould build in Germany a Disneyland of Nazi Hor¬ror; two travel agents bump-and grind in delight atthe prospect of their new Hitler museum, a Lourdesconstructed not for a healing saint but for a destroying demon. We shiver.Viewing all of Our Hitler—A Film from Germanyis an oddly cool experience. It is work to endure allseven hours. Vet the necessity and importance ofSyberberg's film cannot be questioned. He hassculpted in celluloid the landscape of his conscious¬ness; we seldom ask more from our artists. And weare always dazzled when someone suggests a wholeis greater than the sum of its parts.When We're Givena Second Chanceby David MillerAny attempt to come to terms with history in¬volves recreating it, holding it before the mind'seye, and looking, asking, and, at some point, accept¬ing. The endeavor is as difficult as it is necessary,demanding honesty, patience, and humility beforeit yields an understanding of the events of the past.One's relationship to them, and the present they have created. The virtues of Hans-Jurgen Syber¬berg's Our Hitler—A Film from Germany are theseexactly: honesty, patience, and humility. This is be¬cause its director, having found his place, allows usto find ours.Syberberg's film embraces German history, andthus his effort might seem inappropriate for Ameri¬cans; but the opposite is the case. The relevance ofthis film for us results both from his presentationnot of the "real" Hitler (who is dead and gone) butof the Hitler of our minds, and the more abstract butno less real possibility in any time and any place ofsuch a larger than-iife leader. I remember thatCharles Manson was an American, but JamesJones—he was a Ghanaian, right?The most interesting question about Our Hitler inthis respect is Syberberg's method. As described al¬ready, the film plunges into romantic German cul¬ture and yanks from it all manner of people:Goethe, Wagner, Nietzsche, Wilhelm II, Mann, andfinally, Hitler. Syberberg's notion is that one mustaffirm a culture to critique it, what is unacceptablemust be understood before it can be qualified. Thusthe Ubermensch is not the mad conception of a de¬monic mind (Hitler's), but a cultural legacy.Such honest meditations are bound to be unpopu¬lar, and Syberberg's is no exception. His fi'm wasboycotted by critics at its first German pressscreening; subsequent acclaim has been purelyforeign. But one wonders if its cross-cultural criti¬cal implications have been understood. The attitudethat "these problems of guilt, responsibility, and ac¬countability are German problems" misses thepoint. The only good result of such a shift in emphasis from ourselves to the Germans is that by our approval we may encourage a German audience forthe film (this appears already to be happening).The more detrimental aspect is that we tnerebydeny the possibility of such a cultural catastrophehere and avoid the reality of our own history. What,one asks, was the attitude in 1941 toward JamesAgee and Walker Evans's Three Tenant Families?Did Americans rush out in droves ana buy this criti¬cal account cf legitimized American slavery? No.Altogether, only 600 copies had been purchased bythe time Agee died in 1955.The most recent chapter in the history of thisgreat book (also known, erroneously, as Let Us NowPraise Famous Men, actuaily the title of Agee's textalcne) was published last Sunday in The New YorkTimes Magazine. Entitled "Let Us Now RevisitFamous Folk," the article brought the history of thethree families up to date. "How they got Daddy'spicture without a shi>t on and barefooted, I'll neverknow," stated Ruby Fields Darley, one of the origi¬nal subjects of Agee and Evans's study. I laughedwhen I read ner words, for here, surely, is someonewho misunderstands Evans's photographs and maynever nave waded through Agee's prose. Both arebrutally honest—one is impressed that the book'sauthors found the strength to look so long and hardat so depressing a result of the American economic,legal, and ideological system. Darley's words belieher complicity with the system; her ideals are heroppressors'.Consciousnessness and historical sense — theseare the cultural critic's goods. If Germans can'tface Syberberg's film and we can, the facts argueless for Germanic hypocracy than for the distanceof Chicago from Bonn and Munich, a fact most of ushave accepted already. "Where would Hitler havebeen without us?" asks Syberberg. SubstituteMcCarthy for Hitler.Our past evils are our own, and until we face themthe present ones will persist. Nobody ever deniedthat this job is hard, but if we don't do it, who will?We don't believe the Russians when they offer theirviews on captialism and American ideology, andwhy should we? They understand the evils of ourlives in a theoretical fashion, a manner that leads toboth truth and bullshit. We are the people who mustlive with our history everyday. If it helps to see thehonesty deflected, aimed at another, different set ofhistorical results, we should look and see how it isdone If others can come to terms with their heri¬tage, then we can come to terms with ours. Then we,too, can say, "You see, I can feel guilty and beproud, in spite of it. I am full of energy because l amguilty and my work and thoughts are devoted to ex¬orcising that guilt." Syberberg said that, and heshould know. He made Our Hitler—A Film fromGermany.the grey city journal—Friday, May 30, 1980—7RonKrajewski BacktoBasicsby Laura CottinghamIt's difficult to write about the art of anyartist who has already gained significantreputation the way Joan Miro has. It's as ifthe paintings come equipped with interpretation, even if the understanding is as super¬ficial as "this must be good, it's Miro."Deciding you don't like an acclaimed ar¬tist like Miro means running the risk ofbeing epitheted "philistine" — a label caus¬ing a cringe in any "culturally concerned"individual, especially a self-conscious col¬lege student. But deciding you do embracethe work of an already adulated artist is asequally risky, just because it's so easy. Who,after all, doesn't want their aesthetic tastealigned with the likes of Hemingway, Picasso, and the curators of he Museum of Modern Art — all of whom own(ed) Miros.It's with rather awkward difficulty that Iadmit I don't like most of Miro's work, butnonetheless feel compelled by existing artis¬tic opinion to appreciate him, or at feast tokeep looking at his work.The current exhibit at the David AlfredSmart Gallery, includes 44 Miro worksdrawn from two decades of the artist's ca¬reer (1924 44). Cosponsored with the Galleryof Art at Washington University, St. Louis,most of the works are drawn from private "Apparitions," 1935—relating to those pri mai formsand public collections in St. Louis and Chi¬cago.Sidra Stich, Assistant Professor of Art andArcheology at Washington University is theMarcia Riegel, Millie McManus, and Bonnie FreemanWomen in Court Studio's UncommonClassy Reunion guest curator. Her allegiance to archeologyas well as art suggests a certain perspectiveori Miro which is stated in the title of theshow: Joan Miro: The Development of aSign Language.Jacques Dupin, Miro's biographer, de¬scribes Miro as being "with the Surrealistswhile following his own path." Curator Stichfeels that this prevailing opinion on Miro isan over-simplification. As she states in thecatalogue:The prevailing scholarship onMiro...so stresses a Surrealist andmodernist context (which tends to asserf a private base for his languageand to overemphasize a formalist ori-►►►►►►►►►►► entation) that the universal characterof his signs and his deep concern withcontent is overlooked.In her presentation of Miro, Stich focuses onthe prehistoric and anthropological rootsthat she feels are at the base of Miro's art.Miro's connection with prehistoricimages, or at least our modern conception ofprehistoric images, is far from subtle. Hispaintings exhibit the same handprints,crude animals, simple suns, and geometricdesigns familiar to anyone who has seen acave painting in Southern France or pic¬tures of aboriginal art in an anthropologicaltext.This particular exhibit avoids Miro's less"primitive," more "surreal" works, quiteconsciously in agreement with the curator'sunderstanding and appreciation of Miro.While a viewer can appreciate Miro fromany perspective, it's unfortunate that an exhibit of his works would exclude all his sur¬realist works done in the early twenties, ineluding two of his more interesting works,"The Farm" (1921-22) and "The Farmer'sWife" (1922 23).But why don't I like Miro? I don't relate tohis primal images, which causes me to besuspicious of the entire premise. If all humanity — across time, across space — supposedly finds it's conscious roots in thesebasic shapes, I still don't. What does itmean? It could mean I have corrupt consciousness. But I prefer to think that theidea itself is a fallacy. What necessitatesthere being anything universal about humankind anyway?Not only do I fail to find favor with Miro'scontent, I also have little appreciation forhis technique. His paintings seldom seemunified to me and more often seem to bepoor Dali or Picasso imitations or else pri¬mitive renditions of the primary colors.It's not as if I haven't tried. Or my friendseither. As a close friend who took a Miro outon loan from the Shapiro collection remarked, "I hung it on my wall for sixmonths and stared at it for hours. At the endof the six months, I still couldn't appreciateit."So maybe a campus exhibit of Miro is justwhat we need.Uncommon Women and OthersBy Wendy WassersteinDirected by Ronald FalzoneAt Court Studio Theatre. 753-3581.by Rebecca LillianDespite the title of Wendy Wasserstein'sbittersweet play, the characters in it areperfectly common. That, along with someuncommonly superb acting, makes thisproduction rise above the cliches so typicalof the college-friends-reunite and-reflect-upon-changes genre of storytelling.The former Mount Holyoke dorm-matesrediscover one another over white wine inthe opening (and only flawed) scene. Atfirst, Uncommon Women seems like an update of Mary McCarthy's The Group orcountless similiar stories. But as soon as the"grown-ups" flash back to their tumultoussenior year, the production begins to glow.These women dubbed "uncommon" bytheir college catalogue, and are still comingto terms with that description six yearsafter graduation. Kate (Marcia Riegel) isan unintentionally condescending over¬achiever who programs herself into the roleof famous attorney. Samantha (Millie MacManus) is a giddy, childish woman who iscontent to bask in the glow of her friendsand, later, her husband. The heiress to theVelvateen fortune, Holly (Bonnie Freeman), constantly searches for options. Sheis a perpetual student and a perpetualdieter. Glamorous Muffet (Diane Stein) isselfish but kind; she expects her prince tocome, but makes it on her own when hedoesn't show. Rita is mischievous and excit¬ing, forever insisting that "when we're8—the grey city journal—Friday, May thirty, no, forty, no, forty five—were gonnabe pretty fuckin' incredible!"There were other influential women backat Holyoke; women who influenced the livesof this clique more than they realized. Therewas Leilah (Jennifer Campbell), who livedin Kate's shadow until she felt she had nostrength, Suzy Friend (Linda Van Etten), ahyperbolic brown-nose who bounced aroundthe dorm; and Mrs. Plum (DorothyBoroush), the retiring house mother. Andthere was Carter, a brilliant freshwomanwho appeared almost catatonic, but servedto mirror reality for the frantic meander-ings of the graduating seniors."I need to type fifty words a minute to geta good job when I get out of here," Cartertold Kate the day the senior was accepted toHarvard Law School.Predictably, men punctuate the women'slives. As Holly says to a man she chased vialong distance telephone one desperatenight, "Sometimes I can't wait for a date ora relationship to be over, so I can talk aboutit with Kate or Samantha." But in her nextbreath, she sighs, "I guess women aren't asscary as men, so they don't matter asmuch."Yet each woman is both horrified by anddeeply concerned about the others. All hadbeen afraid to face the others but each leftfeeling as though she had spent time withher dearest friends.Ronald Falzone has directed this showwith an uncanny insight into women's rela¬tionships. This is a perfect time of the yearto mount the play, too. As many of myfriends prepare to graduate, UncommonWomen makes me wonder: where, what,who will we all be in six years?30, 1980STANLEY H. KAPLANFor Over 4 / Years The Standard ofExcellence In Test Preparation»»«M'AHf IUHI MOAT- DAT- LSAT1 6RE • 6RE PSYCH • 6RE BIO • SWATPCAT • OCAT • VAT • MAT • SATNATIONAL MEDICAL BOARDS * VQE • ECFMGFLEX *NATL DENTAL BOARDS TOEFLPODIATRY BOARDS • NURSING BOARDSFleilble Programs and HoursI 41N(tfacsttsssl CsstsrUS Madison AvaN Y 100SS (nr 14 ft.) Visit Any Ciftlar AsS SstFsrYourself WAy Wi Miki Ths OitloraocaTfiT PREPARATIONSPECIALISTS SINCE IBMCrMt'i « Miioi U$ Cit'ti Pjtno*icoToronto C»n*d* | t ujj«c S«'til'l<fl4CHICAGO CENTER6716 N CLARKCHICAGO ILLINOIS 60660(3171 784 5151S W SUBURBAN19 S LAGRANGE ROAOSUITE ?01LAGRANGE ILl INOIS 60525(3121 362 5840 SPRING, SUMMERFALL INTENSIVESCourses Constantly UpdatedLicensing Exams In Center Self-StudyFo> Inlormatioft About 0<K«r in Me># Tn»- to Ui,c us CitiM A Ab'oMiOUTSlOE N.Y. 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As Students or Faculty Members you are entitledto special money-saving DISCOUNTS on ChevroletParts, Accessories and any new or used Chevrolet youbuy from Ruby Chevrolet. &GM QUALITYSEflVKX PARTS“ GENERAL MOTORS PARTS DTVTSJONKeep Thai Great CM heeling if ith i>h.\ L l.\h GM Parts72nd & Stony Island 684-0400I—j Open Evenings and Sunday Parts Open Sat. til noon2 Miles - 5 Minutes AwayFrom The UNIVERSITYSPECIAL DISCOUNT PRICESfor all STUDENTS andFACULTY MEMBERSJust present your University of Chicago IdentificationCard As Students or Faculty Members you are entitledto special money-saving DISCOUNTS on VolkswagenPorts, Accessories and any new or used Volkswagenyou buy from Ruby Volkswagen72nd & Stony IslandOpen Evenings and Sundays 684-0400Parts Open Sat. til noonIIIIIIIIIIIUIIIIIIIIIIIIIIII’ START YOURDAYOFFRIGHTBREAKFASTAtUutrhinamtCommmta7-10 a.m.Comer of 57th & University.L^fftfltkefeller Memorial Chapel5850 S. Woodlawn Ave.Trjnitg_Sundajr9:00 Holy Communion10:00 Discussion Class11:00 University Religious ServiceJames P. Morton of theCathedral Church of St.John the Divine, New YorkCity, preaching.^amiAgoCABANA CLUB sP'S2 MEMBERSHIPi^«„ ISl• Quiet, restful Country Club atmosphere IWIA| • Private cabanas available , ♦ -• 1- "" .nl\| • Olympic-size heated Swimming PoolsiPLaza 2-3800Phone Mrs. Snyderthe grey city journal — Friday, May 30, 1980 —9Sociophotography:: ■Photography and SocietyGisele FreundGodineby David MillerGisele Freund founds her history ofphotography on two good ideas: Culturalvalues, technology, and commerce haveshaped photography; photography hashelped to shape society. Sadly, whatFreund finds pleasing does not satisfy us,for by themselves these two notionsobscure as much as they illuminate. Anauthor bent on proving such appealingand general claims must delve far into anumber of specifics; so it is no surprisethat Freund, in her relatively short book,fails.Yet Freund's tactic of looking not atphotographs themselves but at how theyare used is a pleasant shift fromstandard photographic criticism. This istoo often aimed at the connoisseurs of(real or imagined) fine "artistic"photography, and tends to forgetphotography's less lofty socialapplications. Photographic meaning isprofoundly influenced by context (evenphotographs by luminaries such asStiechen or Strand would look mandanein newsprint), and the contexts deserveattention. Had she done it well, Freundcould have forced upon us the realizationthat many people, positions, and forcesare responsible for the mass ofphotographic information presented to usall every day; as it is, she makes abeginning.The first half of Photography andSociety was written forty years ago asFreund's Sorbonne doctoral thesis. Thefirst of these eight chapters—"TheRelationship Between Art andSociety"—indicates problems to come. Itmoves quickly from the statement that"Each moment in history has its ownform of artistic expression, one thatreflects the political climate, theintellectual concerns, and the taste of the "L'Oeil Percant de Cartier Bresson,"by Jean Lattesj period" to a general affirmation of thej importance and power of photography in ;! contemporary society. Her assertionswork as manifesto, but since they hardlyhelp explain why photography has thesepowers, they make poor criticism orj history.Freund next details the development of 1the photographic portrait in France.Portraiture was photography's firstj widespread social use, but it did not; assume this function simply as a matterj of its invention. Instead, the risingI bourgeoisie had sought since the 1700s to| legitimize its increasing status by owningpersonal or portraits—just as the nobilityj had for centuries. In a series of uniqueattempts to satisfy this need, full-sized,painted portraits were followed byincreasingly stereotypic paintedminiatures; engravings; cut silhouettes;physionotraces (a combination of thesilhouette and the engraving); and, by 1850, photographic portraits.This section is Freund's most sustainedand convincing. But photography spreadmore rapidly than Freund is able tofollow, which leads her to simplify itshistory. Freund writes not of individualphotographs, but of photography's mainsocial uses. Portraiture was one; in thepresent century, journalism is its other.But the period between 1850 and 1900seems crucial in this shift, not onlybecause it was at the time relativelydevoid of glorious practitioners, but alsobecause it was followed in 1900 by bothamateur photography and, particularly inAmerica, by pictorialism.Freund explains the first of theseadequately: amateur photographyresulted from the combination oftechnological developments anddemocratic demands. But the second shederives, indirectly, from amateurphotography. When amateurs becamecapable of making their own portraits,professionals lost business. "By 1900photographic portraiture had become alimited field... Influenced by theimpressionistic style in painting,photographers used soft-focus imagery toadd an 'artistic' touch to their prints.Ironically, the soft focus techniqueeliminated the most characteristicfeature of the photographic image, itsclarity." Yet of the main Americanphotographers who worked in thepictorialist style, only Anton Breuhl,Arnold Genthe, Laura Gilpin, FrancesJohnson, and Karl Strauss ever workedas commercial portraitists, and three ofthem only after immersion inpictorialism.This error points to the main flaw inFreund's history. She considersphotography and society in terms of oneanother, but forgets that photography isalso an art. Freund frequently notes thattechnology often provides answers toproblems not yet posed: for example, the"halftone" process was discovered in1880, but the first widespread use ofphotography in journalism did not beginuntil 1900. Freund has forgottennonetheless that photography is itself atechnological answer. Pictorialism didnot arise from professional desire torecoup lost fees; instead, it was amisguided but healthy attempt to come toterms with photography's artistic nature.As one does not expect perspectivedrawings from Roman cave dwellers, soThe Return ofJonathan BaumbachThe Return of Serviceby Jonathan BaumbachU. of Illinois Pressby Jeff LantosWhile reading Jonathan Baumbach'scollection of stories, I laughed out loudeleven times. Now, when you considerthat the book is only 134 pages long,that's not bad. That's one good outburstevery twelve and 2/11 pages.Such data might suggest that TheReturn of Service is the sort of collectionyou might want to give a hospitalizedfriend in order that he or she might —like Norman Cousins — laugh his or herway out of illness. But you should beadvised that in addition to the mirth, thewit, and the word-play in Baumbachthere is also a swift under current of painand poignancy. Indeed, a cover photo ofthe author seems to say, "Here is a manwho has known his share of pain andpoignancy." In this photo, Baumbach isstaring, squinty-eyed and crinkle browed,at someone or something we can't see.Perhaps this someone or something is anex wife. Perhaps it's a gorilla who hasdrunk to excess and is now behaving in alewd manner.Baumbach writes much of ficklewomen, and sometimes he writes abouthedonistic gorillas. In a story called, "The Adventures of King Dong," hetakes as his premise, "What if, aftermaking the movie 'King Kong,' thegorilla hung around Hollywood andsuccumbed to that city's sybariticpleasures?" Sex with starlets is possiblebecause, as Dong's female co starattests, "Dong has a disproportionatelysmall member which is why he tends toprefer human females to the women ofhis own species."She confides to a male friend, "It'sbarely bigger than yours.""Is that so?""It is the reason he is so unsure ofhimself."Baumbach's writing is infused with asort of over educated, social activist'ssense of humor. "The removal of Dongfrom his homeland might create anecological imbalance," he remarks. In aparody of "The Maltese Falcon" entitled"Another Look at the Black Bird," amen's room at Teachers College smellsof "structured curriculum and lonelyafternoons." When a young couple moveinto what they think will be theirdreamhouse, they encounter a womannamed Doris. Doris says she's a triflebehind and will be out in a day or two."I split with my husband two days ago,then my girl friend moved out, then mybaby left. I'll be gone one of these daysand my loneliness will be complete.Please go about your business as if I were barely available to the naked eye,"she tells them.In a cheeky summarization of a novelcalled, The Swan Flies at Midnight's Fallby "Sexton Lovelady," Baumbachwrites: "When Cora discovers thatHarmon has gone — she is content atfirst not to be constantly importuned —she falls into a spiraling depression. Oneday in despair she tears her clothes offand invites in the local toughs to punishher sexually in an orgy that lasts fourj days and thirty-two (236 267) torridI pages. I can only hope that the readerwill not come to this vast panoramicnovel for those pages alone."In most of these stories, Baumbachtakes a familiar subject such as a| marital break-up, a tennis match, asibling rivalry, or a jewelry heist, andthen adds some sort of fantastical twist— a baby who talks like an adult, aprofessor of anthropology who grows apair of lethal fangs, a tennis opponentwho turns the match into a Kafkaesqueconfrontation between father and son. Ifthere is a weakness in the stories it isthat, on occasion, Baumbach carries thistechnique too far. The plots become tooconvoluted, the characters too repellent.Humor usually works best when thesatire or parody does not stray too farfrom the original. But in all the storiesthe writing is clean, controlled andinventive. The book is great fun. one should not expect '/straight"photographs from serious Americanphotographers in the early 1900s. Tounderstand pictorialism as an economicnecessity is to take the social explanationtoo far.Freund briefly discusses the work ofseveral turn of-the-centuryphotographers—Heinrich Zille, EugeneAtget, Jacob Riis, and Lewis Hine—andthen charges into her account ofphotojournalism. These four chapterscenter upon the development of its use inGermany in the twenties, its continuationin France, and its culmination in theAmerican Life magazine. This section isthe book's most interesting, but it doesnot present the history in the detailj accorded to portraiture. Much is! anecdotal:Under the title 'the firstphotographs ever taken in thegamerooms of the Monte CarloCasino,' Salomon published a seriesof photographs in April 1929, eachone of which had been posed.Under no circumstances would thecasino management allowphotographs of gamblingcelebrites, but it did permit itsemployees to pose when thegamerooms were closed. Salomon'sskill consisted in making thesephotographs so vivid that theyappeared to have been taken from, life. The public could notdistinguish the actual from theimitations.In an unusual but welcome relief fromI history of this sort, Freund discusses thei function of Life. "From the timel advertising became their major source ofI profit, publishers were no longer; interested in the reader as reader, but in! the reader as consumer. ...(Periodicals)became promoters of advertising copyand magazines became an integral partof the American marketing system."This shows insight, and indicates whatFreund could have achieved had shepursued her subject diligently. Instead,; throughout these chapters and those thatfollow, Freund recounts an increasing| number of events that sometimes do andj sometimes do not prove her points.Freund concludes her history withj chapters on photography and politics,: and the law, in scandal sheets, as art,I and for amateurs. While Freund's littleI stories are interesting, each of thesei chapters documents but does notsubstantially further the author'spremise that photography both shapesand is shaped by society. Freund seems; to go in too many directions at one; one! wonders why she did not include| photography in advertising as well, for itj could surely form the basis for a similiar! treatment.| While it is good to read the thoughts ofa photographer on her medium, onej finally finds that Freund, while conscious| of photography's varied character and! some of its uses and limitations, is notj the right sort of author for the book sheI has embarked upon. On museum walls,j she claims, "photography has recaptured| the artistic aura it once possessed."■ Whey should one impressed with this! democratic art care for its glorification; as art? She also tells us: "Wheni photographs began to appear inj newspapers at the beginning of thej century, people clipped them out andI pasted them in albums. In this purelyi mechanical juxtapostion of images, the! photograph's meaning was not changed."! It is a small wonder that someone writing| an entire book on the uses of photographycould state that context makes nodifference. She also seems naive whenshe speaks of "the sexual revolution forwhich Playboy had fought so hard."These are most of the outright errors lfind in Freund's book, and they are morethan compensated for by insights gotright. But such bald errors do serve tocast doubt on the unsubstantiatedobservations which form the basis ofFreund's book.Unassigned Readings and Other Guilty Pleasures Compiled by Richard Kaye, Molly McQuade, and The Chicago Literary Review10—the grey city journal—Friday, May 30, 1980\ /Is it Anti-Disco?Is it Bad Taste?Is it Disgusting?Is it Wonderful????1$ it right for Finals Week?Who Knows.STEVE DAH LandTeenage RadiationOpening Act ■ Acme ThunderFeaturing - John Jeremiah,the Aliota Brothers,and Harvey MandelIda Noyes HallFriday June 6,9:15 PMTickets on Sale Monday1.00 MAB Feepayers3.00 Others M.B.A. or Ph.D.,Social Sciences,with Big Business Experiencesought for career position at prestige, opinionsurvey research firm. 50% travel, intellectuallyrigorous and professionally rewarding environ¬ment in Chicago-based firm.Resume to:P.O. Box #7 7095Chicago, IL 6067 7/juts/j/c / tAifrcsn/A'ea/ Sx/a/e1(tlH East 55th Street 105-0666UNBELIEVABLE! $14,900 for 24 room co-op apt near 59th & Harper. See today.sowBARGAIN CORNER...! 13,500.(Don’t J 1--*.rear 59th and Stonv.PRICE REDUCED to $49,900. Condo 3 Bedroom 14 Bath near 55th & Hyde ParkBlvd. Hurry.NEAR HARPER AVE. & Park PL, Tri-level (“E” plan) Townhouse. 8 rooms$112,000.RED BRICK END UNIT SPACIOUS TOW£V>Vt AJ wn walk-in garage!Everything approx, two years old. Eight Oieenhouse. PossessionSummer. 54th Blackstone. $145,000.A SMALL DOLLHOUSE...$72,500. Near 55th and Dorchester. 7 rooms. 2 bathsNice garden - double storage bldg in rear.OVER 2800 Sq. Ft. (That’s bigger than a lot of houses) Eight room condo. Sun¬shine and spaciousness - master bedroom (huge) has double closets - study inTeakwood - three baths Excellent modern kitchen AND AIR CONDITIONED.Over 2800 sq. ft. Hydge Park Blvd. $93,500.57 KIMBARK - We have a first floor at $57,000 and a third floor (with superkitlkchen for $68,500. You ought to see both.PRICE REDUCED...only $42,500 for two A/ dining room - nice“eat-in” kitchen. Pretty oak floors. Walk Cl) V^mnear Harper. This is aco-op, but owner will partially finance. >3LUXURY STEP-UP in five room, 2 bath Lakefront Barclay Apt. High Floor.Superb view. $72,500.ACROSS FROM REGENSTEIN LIBRARY...we have a 5 room apt., woodburn¬ing fireplace, sunny light. Adjacent garden on University Ave. is yours to enjoy.$39,000 cash (Co-op).AVAILABLE JUNE 15, two bedroom in So^/V\ Ayrersity Park lookingdown Blackstone Avenue - the campus a ^^Vy MUST SELL. Beingtransferred. PRICE REDUCED $57,000. WHIGH UP gives you city views and lakefront views. 4800 Chicago Beach. Owmerwilling to talk “creative financing”. 2 Bedrooms, 2 baths - well maintained.$76,000.N ARRAGANSETT - near 50th and Chicago Beach woodburning fireplace - viewsin all 4 directions. 2 Bdrm. 2 bath - Sept, possession. Price in $70’s.SOUTHEAST OF CAMPUS New listing 14 blocks near 73 Paxton - a "Highlands”type, big, nine room brick - panelled bsmt - nice kitchen 34 Baths $85,000.yiote: He are "f ’o-operating" brokers. 4nv registered broker is welcome tosell these listings. (all your favorite broker ( Hc hope that's l si.the grey city journal—Friday, May 30, 1980—11PhotosbyDavidMiller McGahanCottihgha^ #Lauraour+VPe settersDavidMillerTireo Horn**'CurtissowerGary Beberman and Karen HornickA Messy PIThe Maroon officeFriday, May 30, 1980♦he grey city journalto"O0tSiv.uinn>4—aatuxat12June 6 Literary Review Deadlines:DISPLAY CLASSIFIEDToday, 5 P.M. Monday, 4 P.M.Next to 1C TracksDo It YourselfRepairs$3.75 hourwith tools$4.95 hourrented tools -(metric & standard)One Month Onlyrast Oil Change*10.95May 1 - May 31SOON TO COMEUSED CARRENTAL667-2800 JSHAPIRO PAINTINGS ARE DUE!by Wednesday, June 4Please return to Student Activities, Ida Noyes,Room 210, between 9:00 A.M. - 4:30 P.M.25 cents per day late fee PLEASE - Cover the pictures with plastic if it’s raining!TheFLAMINGOand CABANA CLUB5500 S. Shore Drive•Studio and 1 Bedroom• Furnished and Infumi-hed• l . of ( .. hii' stop• ( hitdoor Pool and (harden-• Caifietinj: and Drape- Inel.• Seeurit\• l Diversity Snh-id\ forStudents and Staff• Delicatessen• Barher Shop• Beautv Shop• J.B.D. Restaurant• Dentist• ValetFREE PARKINGM.SnyderPL 2-3800The Chicago Maroon—Friday, May 30, 1980—19Granitza (12), Ressel (25), and Advocaat(22) celebrate another Sting goal Women’sfacilities to beimprovedBy Mark ErwinThe Women’s locker and shower facilitiesin the basement of Bartlett Gymnasium willbe enlarged and renovated this summer, ac¬cording to Vice-Presi dent and Dean of Stu¬dents Charles O’Connell.The Department of Physical Educationand Athletics and the faculty Board of Ath¬letics and Recreational Sports recommend¬ed the improvement in the women’s facili¬ties, and University President Hanna Grayapproved the project for summer comple¬tion.The project will increase the number ofshowers for women to eight, from the pres¬ent two, add 65 full-height lockers wherethere are now none, and increase thenumber of half-height lockers from 56 to 258.The renovated space will permit directaccess for women to the Bartlett pool, an¬other important improvement. Women pre¬sently have to go upstairs and across thepublic lobby to enter the pool area.When women began using Bartlett in theearly 1970’s, after it had been the men’s in¬door athletic center, a former storage facili¬ty was converted for shower and locker fa¬cilities. O’Connell added that a majorremodeling and upgrading of Bartlett Gymnasium remains a high priority project.The Sting tops in ChicagoSting leading scorer Karl-Heinz Granitzamaneuvers through trafficscored by the winning team up to a maxi¬mum of three per game). Second placeMemphis trails the Sting by an incredible 35points. Only one of the league’s other 23teams has more points than the Sting, thatbeing Seattle of the National Conferencewith 77. The Sting’s record is 9-2, with thetwo losses coming on the road, 1-0 at Phila¬delphia, and 4-3 at New England. Chicagohas won all six of its home games, which areplayed at Comiskey Park (11 games) andWrigley Field (5 games).The team’s leading scorer with 17 points isKarl-Heinz Granitza, a 28-year-old forwardfrom West Germany. Granitza finishedfourth in the league in scoring last seasonwith 50 points (20 goals, 10 assists), and wasnamed a second team NASL all-star. Grani-ta receives strong support up front fromwings Peter Ressel, Jorgen Kristensen, andArno Steffenhagen, who scored two goals inWednesday night’s 3-1 Sting victory overEastern Division leading Ft. Lauderdale. Goalie Phil Parkes is counted on heavily toanchor strong defenseFrom the pressboxA look back at four yearsBy Howard SulsIt has been said that all good things mustcome to an end. The some for this byline.That is, it must come to an end. Before itdoes certain things must be said.An explanation of the Top Ten polls is inorder. Three years ago Top Ten was simplya list of the Top Ten teams, but it was im¬possible to tell exactly how much better oneteam was than another. When I took overthe intramural report, it was decided toswitch over to a more accurate intercolle¬giate AP-UP1 type poll, with first placevotes and a point system. In this way it ispossible to distinguish the differences be¬tween, let’s say three good teams, four me¬diocre teams, and the best of the rest. So forthe next two years I voted as five peoplemight do. This year when two of us starteddoing the polls we expanded to ten votes,each of us taking five. But we were alwaysscientific about it, talking to players and of¬ficials.Except for one time I ranked my friends’team #10 as a joke in a football poll threeyears ago. It was the first poll I ever did.Much to everyone’s surprise, mostly mine,Walloo’s Wacks went on to capture the un¬dergraduate championship and finish theseason at #3, on the way to the beginning of areign known as the Wack Dynasty. Hey, Icall them as I see them. So don’t take thingstoo seriously.A few words should be said about the ath¬ letic philosophy at this school. Seriousnessis a problem. People tend to take intramu¬rals much too seriously, while neglecting in¬tercollegiate athletics. Although the philoso¬phy here is based on direct participation,support for our classmates is just as impor¬tant. Athletics here as a whole is a problem,because the levels of ability vary so muchbetween participants. This difference is aproblem in that competition is most benefi¬cial if the competitors have at least a cer¬tain minimum level of ability and if the twocompetitors are at about the same level.This is something that intramurals does nottake into account. Many students here havehad little access to athletics and participa¬tion in intramurals becomes a lopsided af¬fair— kill or be killed. It is very unusual toplay even three or four close games in a sixgame season, which is sad, and almostmakes participation unworthwhile. This is asituation that should be further analyzed forthe benefit of all involved. It might necessi¬tate the abolishment of the undergraduateover all competition, but this may be some¬thing that has outlived its usefulness.In terms of varsity athletics, whether theinterest in the last few years has been at alull or not I cannot accurately say. However,a patient observance of the situation indi¬cates an improvement in the years to come.Of course winning seasons would help, butthe basis of any good team is a strong orga¬nization. I believe that Chicago is on the wayto achieving that organization. People likeDan Tepke and Leo Kocher are a genuineasset to this school. I can’t admit to being as familiar with the rest of the coaches as Iwould like to be, but the coaching here iscomposed of a fine core of individuals, bothin men and women’s sports, and shouldstrengthen the entire program as a whole inthe upcoming years. I only hope they can getthe support they need, from alumni, admin¬istration, and especially students. Granted,we all are short on time, but don’t we haveenough to spare to lend our support toothers, especially those competing underour name?In these four years, which now seem soshort, I saw the Field House go from a dimly-lit, dirt floor building to the fine facility it istoday. Some have said that the reopening ofthe Field House is the greatest thing formorale around here in the last twenty years.Participation is on the upswing, somethingwhich has caught the athletic departmentoff guard. As they adjust, services providedshould become even greater and much moreefficient. One of these days the Universitymight even build a first-class natatorium,which would give Chicago top-notch facili¬ties, something it deserves.It has been a pleasure to work with theathletic department over these last threeyears, and I can only say how sorry I amthat athletics was not given the full andproper coverage it deserved. I myself havetried to inform the University communityabout what was going on around here, fromcoaches to facilities, to club sports, while attimes offering opinions about things in gen-ral. I can’t say it hasn’t been fun, and I’llmiss it. Thanks.Sting goalie Phil Parkes currently holds thesecond best goals against average in theconference at 1.16 goals allowed per game.Parkes came over to the Sting this seasonfrom the Vancouver Whitecaps, last year’sSoccer Bowl champions. Parkes led theleague with the lowest goals againstaverage for the last two seasons, while atVancouver. Assisting Parkes on defense areveteran sweepers Horst Blankenburg, DickAdvocaat, and Derek Spalding, along withnewcomers Frantz Mathieu, Greg Ryan,and Bret Hall. Midfielders Ingo Peter, Char¬lie Fajkus (from Wheaton H.S.), Tasso Kout-soukos, and Rudy Glenn add offensivepunch to the team in addition to having im¬portant defensive responsibilities.The Sting is off to an exceptional start,and with the season only about a third of theway over, have opened up a huge lead overthe rest of their division. They have the po¬tential to go further than last year’s Stingteam, which was eliminated in the secondround of the playoffs by San Diego. TheSting has ten home contests remaining thisseason (six of which are at nearby Comis¬key Park), so go out to a game and see whysoccer is fast becoming one of this country’smost popular sports.By Mark ErwinThe Chicago Sting is more than what hitsthe windy city every winter. For people newto the sport of soccer, the Sting is Chicago’srepresentative in the North AmericanSoccer League (NASL), the fastest growingprofessional sports organization today. TheSting not only gives area fans an alternativeto baseball, but it is providing much excite¬ment for soccer fans as it continues to be oneof the premier teams in the league, thus giv¬ing Chicago fans what they desperatelywant— a winner (especially in the sum¬mer!). For those of you remaining in Chi¬cago this summer, hopefully this look at theSting will familiarize you with Chicago’s toppro sports team and provide incentive foryou to head out to the field this summer.The Chicago Sting leads the Central Divi¬sion of the NASL’s American Conferencewith 76 points (each victory is worth sixpoints, plus one bonus point for each goalCHICAGO STING 1980 SCHEDULEMAY31 9:30pm at Los Angeles AztecsJUNE3 7:30pm at Memphis Rogues7 2:30pm vs Washington Diplomats(WF)14 7:30pm vs New England Tea Men(CP)22 4 00pm at California Surf25 7:30pm at Memphis Rogues(CP)28 8:00pm at Minnesota KicksJULY2 9:30pm at San Diego Sockers6 2:30pm vs Tampa Bay Rowdies(WF)9 8:00pm at Dallas Tornado13 7:00pm at Rochester Lancers16 7:30pm at Edmonton Drillers(CP)19 7:30pm at Tulsa Roughnecks(CP)23 6:30pm at Detroit Express27 3:30pm at Edmonton DrillersAUGUST2 8:00pm at Tulsa Roughnecks6 7:30pm vs Houston Hurricane(CP)9 7:30pm vs San Jose Earthquakes(CP)12 7:30pm at Houston Hurricane16 2:30pm vs Seattle Sounders(WF)23 2:30pm vs Dallas Tornado (WF)All Starts CP Comiskey ParkChicago Time WF Wrigley Field20—The Chicago Maroon—Friday, May 30, 1980IMReportA look atyear’swinnersBy Mark ErwinLast week, “Jeff” completed this year’ssweep of the three major sports by Gradu¬ate teams over the Undergraduates, as theyknocked off KUUC in the All-Universitysocim championship game, 2-0. “Jeff” joinsThe Junkyard Dogs (football) and The Al¬banian Refugees (basketball) as majorsport All-University champions. We hadhoped to know the IM team champion (thehouse with the most IM points won through¬out the year) this week. However the finalpoint totals are still being totalled. At theend of winter quarter, the race was down tofive teams; Henderson, Hitchcock, LowerRickert, Michelson, and Upper Rickert.Being the last issue of the quarter, here’sa review of this year’s team winners. Thispast fall, Tufts went undefeated through its’regular season and defeated Chamberlin forthe Undergraduate Residence footballchampionship. Ed’s Bar and Grill took theIndependent League title, and the two teamsmet with Tufts emerging as the Undergrad¬uate champion. The Junkyard Dogs cap¬tured the Graduate League crown, surpris¬ing some people by knocking off TheWabuno Bay Buccaneers and Psi U in suc¬cession. The Dogs then went on to beat Tuftsand claim the All-University football cham¬pionship.In basketball, Chamberlin outlasted astrong field of Undergraduate Residencechallengers to take the Residence champi¬onship, defeating Dudley in the final game.Dred Scott’s Revenge got by The Champs ona last-second basket and won the Indepen¬dent League. Dred Scott’s Revenge then de¬feated Chamberlin for the Undergraduatechampionship and the right to meet The Al¬banian Refugees, for the Graduate Leaguechampions, the All-U championship. TheRefugees, as expected, defeated the Under¬graduate winners and took the All-U title.Lower Wallace took the Women’s champion¬ship in basketball, as they did in volley¬ball.Finally in socim, Lower Rickert took astep toward the overall team title by win¬ning the Residence League in a shootoutover Henderson. K.U.U.C. took the Indepen¬dent title over Long Johri Silver, and thendefeated Lower Rickert for the Undergradu¬ate title. “Jeff” defeated Liberal Traditionfor the Graduate League championship, andthen won the All-University by beatingK.U.U.C. 2-0. Men’s crew going through a 6am practice at Lincoln ParkCrew resurfaces as competitorBy Andy LangAfter getting off to a late start this season,the University of Chicago Men’s Crew hasre-emerged as a competitive force in Mid¬west rowing, following respectable show¬ings in regattas the last two weekends. Ren¬ovations conducted on the Lincoln ParkBoathouse, at which the crew practices, de¬layed the team’s entry onto the water bynearly four weeks. Already a week or twobehind most Midwestern crews, this delaycost the team valuable water time andforced them to cancel several early seasonmeets. It was not until Friday, April 25, theday before the Midwest Sprints Regatta,that the team finally made it onto thewater.Following three hard weeks of practiceunder Head Coach Ed Stack, a formerBrown varsity oarsman, the team jour¬neyed to the Great Lakes Invitational Re¬gatta being hosted by Michigan State Uni¬versity in Lansing. In the preliminary heatof the Varsity Eight race, the basic power ofChicago’s first Eight was apparent as theboat took off with a notably quick start, holding second place for the first third of therace. The boat was unable to sustain its’ po¬sition however, placing last in its heat offour. In the Varsity Eight Consolation Final,the Chicago crew again got off to a quickstart, was able to keep up its speed, and in arace won more by guts than style beat hostMichigan State, with a time of 3:17 for 1000meters. (The fastest time for an Eight thatday was 3:17 by Grand Valley) Chicago’striumph was sweetened by taking home theshirts of the Michigan State crew, the twoteams having bet shirts before the race.Chicago finished fifth out of seven amongVarsity Eights overall, behind Grand ValleyState, Wyandotte Boat Club, Detroit BoatClub, and Wayne State, but ahead of Michi¬gan State and Lincoln Park Boat Club. TheU of C also put together an exhibition boatfor the Novice Eight race which made astrong effort but did not make the finals.The next weekend, the first Eight trav¬elled to the State of Michigan Champion¬ships (to which U of C crews have tradition¬ally been invited) in Grand Rapids hostedby Grand Valley State. The competition waslargely the same but the distance waslonger, 1850 meters, a fact which caused some uncertainty as to how Chicago wouldfare. In the Varsity Eight race, Chicagoplaced fourth out of five with a time of 6:17,losing to Grand Valley, which placed firstwith a time of 5:47, Wayne State, and Wyan¬dotte, but again beating Michigan State, ateam which was hot for revenge. CoachStack was pleased overall with Chicago’sperformance, as its’ boat rowed a muchsmoother race over a considerably longerdistance. Chicago’s improvement in timing,balance, and bladework earned praise fromseveral of the other coaches at the regattaas well.The team will conclude its spring seasontomorrow by competing in the ChicagoSprings Regetta, hosted in the Lincoln ParkLagoon by the Lincoln Park Boat Club. Thetimes for the events were unavailable atpress time but the U of C is anticipating stiffcompetition in the Varsity Eight and OpenFour events, in which there will be at leastfour other entries. The regatta, with its nu¬merous rowing and sculling events is ex¬pected to be an all day affair. In short, itpresents an excellent opportunity for all toput aside their books, catch some sun. andcheer the home team to victory.Softball playoffs are this week, with Co¬ed, ladder, and mini-tournament playoffstaking place. The reason there was no soft-ball top ten this year was because of the nu¬merous different tournaments.1980 IM Softball PlayoffsCO-ED(Undergraduate Residence)Breckinridge vs. Tufts Undergraduate IndependentO.B.S. vs. Ginghis & Sylvia Khan(Graduate)Jimmy’s vs. B.S. HittersLADDER(Undergraduate)Hitchcock vs. TuftsBreckinridge vs. Chamberlin(Graduate) Pritcker vs. Nads of CoulterDead Popes vs Geneva Country RespersMINI-TOURNAMENTLower Flint vs Lower Rickert - Chamberlin win¬nerUpper Flint vs. Henderson - Dudley winnerSee Your Food vs. Coulter - P & D winnerIce Nine vs. Diamondheads - Nuttering NobobsOld Stvlers vs. Sammy WalkerSummer jogging - take it easy on those legs JBy Dr. S. David StulbergQuestion: I once injured my knee. Now,when I try to jog, the knee hurts. Am I da¬maging my knee when 1 try to run? Will Iever be able to jog safely and withoutpain ?This question and its many variations arethe most common that I am asked. As a jog-Ask Dr. Stulbergger and as one interested in the diseaseswhich affect joints, from torn ligaments toarthritis, I have thought quite often aboutthe implications of various types of kneepain. Although it is difficult to apply generalinformation to a specific problem, I believethat a number of misconceptions about kneepain can be clarified and that a certain de¬gree of apprehension can be allayed by con¬sidering this question.The knee can be injured in a variety ofways. For example, a ligament and/or men¬iscus (a “shock-absorbing” and shock-dispersing structure in the knee) can betorn. The lining tissue (synovium) of theknee can be stretched or torn. The knee cap(patella) can be dislocated. These injuriesall require that the knee be subjected to asignificant and relatively sudden force, asmight occur when one falls down or is tack¬ led. Other sports or activities also produceknee pain. A few of the sports frequently as¬sociated with knee pain are bicycle racing,the breaststroke (when the whipkick isused), rowing, skating and, particularly,long distance running. Although the kneepain associated with these sports can oftenbe severe, the pain is almost never the re¬sult of an injury to a ligament or meniscus, atear in the synovium, or a dislocation of thepatella.Knee pain often occurs soon after onetakes up jogging, or after purchasing a newset of shoes, or after increasing the distancejogged by a significant amount, or afterchanging jogging surfaces, or after joggingup and down hills. The pain may be locatedin one or a number of areas around the knee.Occasionally, but not usually, the pain is as¬sociated with a small amount of swellingabout the knee. A variety of explanations forthis knee pain have been suggested and caninclude types of bursitis, tendonitis, synovi¬tis (swelling of the synovial lining of thejoint) and a condition called chondromala¬cia (softening of the articular cartilage ofthe knee joint). In fact, a precise cause ofthe knee pain often cannot be established.What a physician can accurately determine,however, is that a ligament or meniscus isnot torn. If these structures are intact, (andjogging almost never disrupts a ligament ormeniscus), a number of statements can al¬most always be made about the pain asso¬ciated with jogging: (1) that proper exer¬cises will usually relieve the pain — and that improper exercises will aggravate the pain;(2) that the pain will go away with absten¬tion from jogging but may return when jog¬ging is resumed unless a proper exerciseprogram is first undertaken, proper foot¬wear obtained, and an appropriate joggingroutine planned; (3) that the pain is not anindication that the knee is being permanent¬ly damaged, even if the pain intermittentlyrecurs.One of the most difficult ideas for an indi¬vidual who is just beginning to jog to under¬stand is that knee pain is common amongrunners and that it may occur as one firststarts jogging or after one has been joggingfor years without pain. That is not to saythat one must accept knee pain as an inevi¬table and constant consequence of jogging.Rather, a jogger should understand that theonset of knee pain, even if it is severe, doesnot imply that one’s running career is overor that running will, thereafter, be associat¬ed with damage to the knee.Much the same type of generalization canbe made, in most cases, for those individu¬als who have sustained a previous knee inju¬ry and wish to resume jogging (or anysport). These individuals will experiencemore commonly, perhaps, knee pain whenthey first start jogging. However, the painusually does not mean that the previous in¬jury has not healed or that there is residualdamage in the knee which will prevent jog¬ging. The pain usually means that the indi¬vidual has not properly prepared for takingup jogging Rarely, will a previous knee in¬ jury prevent one from safely resuming jog¬ging (or most sports) if the nature of theoriginal injury is assessed and proper pre¬paration for jogging carried out.If one experiences knee pain while joggingand if this pain does not subside with a shortperiod (a few days) of rest, a change in foo¬twear. or a change in the running routine orjogging surface, then obtaining experiencedmedical advice will usually result in anevaluation and treatment program that willallow a relatively rapid return to jogging. Ifone has had a previous knee injury andwishes to begin jogging but is worried thatknee pain will occur, it would be wise tohave an examination before starting to jog.This examination will establish whether ornot a ligament or meniscus or patella hasbeen injured and will lead to an exercise andjogging program tailored to the condition ofthe knee.It has been my experience that once an ex¬perienced or prospective jogger recognizesthat knee pain is not a sign of a serious orpermanent injury, that the worry and con¬cern which accompany the pain are usuallyrelieved These joggers then undertake aprogram of preparation to relieve the kneepain, confident that they will soon be safely,comfortably and vigorously back on thetrack or out on the jogging trail.Question: 1 am a 16 inch softball player. Willexercises or weight training help meAnswer . No. Try transferring to MichiganState and catching spitballs.The Chicago Maroon—Friday, May 30, 1980—21calenderFRIDAYHillel: Reform-Progressive Shabbat Minyan, 5:00pm, Hillel.Women's Union: Meets 6:00 pm in the Women’sUnion office, above the Frog and Peach.UC Karate Club: Meets 7:00 pm in the dance roomof Ida Noyes.Hillel: Adat Shalom Shabbat Dinner, 8:00 pm, Hil¬lel.Doc Films: “Zabriskie Point" 7:15 pm, "Blow-Up"9:15 pm, Cobb.UC Christian Fellowship: Holistic Health, 7:30 pm,Ida Noyes.Crossroads: Samhradh Music plays traditionalIrish Music, 8:00 pm, 5621 S. Blackstone.Dept of Music: Collegium Musicum, 8:30 pm, GondChapel, Free.SATURDAYUC Ki-Aikido Club:>lWeets 10:30-11:30 am, in theFieldhouse wrestling room.Compton Lectures: "Where Did the Matter ComeFrom?" 11:00 am, Eckhart Hall room 133.Crossroads: Buffet Dinner, 6:00 pm, no reserva¬tion necessary.Doc Films: "West Side Story" 6:45 and 9:30 pm,Cobb.Crossroads: Mexico in Film —“Oaxaca" and "TheSentinels of Silence" 7:15 pm, 5621 S. Black-stone.UC Symphony Orchestra: Gustav Mahler concert,8:30 pm, Rockefeller Chapel.SUNDAYCrossroads: Bridge, 3:00 pm. Beginners and ex¬perts welcome.Badminton Club: Meets 6:00-7:30 pm, Ida Noyes.New players welcome.3Concert for Composers and Experimenters:Works by Paul Goldstein, Patrick Hagar, andTerry Riley, 7:00 pm, International House audito¬rium.Tai Chi Ch’uan: Meets 7:30 pm, 4945 S. Dorchester(enter on 50th).MONDAYPerspectives: Topic-" Before the Convention:Strategies and Choices in Presidential Nomina¬tion Campaigns" guests John Aldrich and Benja¬min Page, 6:09 am, channel 7.Women’s Exercise Class: Meets 9:30-10:30 am, IdaNoyes dance room.UC Judo Club: Meets 6:00-8:30 pm, Bartlett gym.Beginners welcome.UC Karate Club: Meets 7:00 pm in the dance roomof Ida Noyes.Chess Club: Meets 7:00 pm in the Memorial Roomof Ida Noyes.TUESDAY ’Perspectives: Topic-"The 1980 Primary, Part I"guests John Aldrich and Benjamin Page, 6:09 am, channel 7.UC Ki-Aikido Club: Meets 4:30-6:30 pm, in thefieldhouse wrestling room.Physical Education: Instructin available 7:30-8:30pm, Ida Noyes.Hillel: Israeli Folkdancing, 8:00 pm, Ida Noyes 3rdfloor.Chicago Ensemble: Schubert and Beethoven Con¬cert 8:00 pm, National College, 2840 SheridanRd.WEDNESDAYPerspectives: Topic- 'The 1980 Primary. Part II"Guests John Aldrich and Benjamin Page, 6:09 am,channel 7.Italian Table: Meets 12 noon at the Blue Gargoyleto speak Italian.Committee on Genetics: “Sexual Selection andSpeciation in Higher Animals” speaker RussellLande, 12:30 pm, Cummings room 1117.Commuter Co-op: Get together in the Commuterlounge. 12:30 pm, G.B.l.Dept of Art: Lecture-"The Magdeburg Ivories andthe Beginning of Ottonian Art" speaker CharlesLittle, 4:00 pm, Cochrane Woods Art Center 157.Women’s Rap Group: Meets 7:30 pm in theWomen's Center, 3rd floor of The Blue Gar¬goyle.Tai Chi Ch'uan: Meets 7:30 pm in the Blue Gar¬goyle.Badminton Club: Meets 7:30 pm in Ida Noyes gym¬nasium.Science Fiction Club: Meets 8:00 pm in IdaNoyes.Country Dancers: Meets 8:00 pm in The Ida NoyesCloister Club. Teaching, Beginners welcome.Chicago Ensemble: Schubert and Beethoven con¬cert, 8:00 pm. International House.THURSDAYPerspectives: Topic-"Sport and Soviet Society”guests Istvan Balyi and John MacAloon, 6:09 am,channel 7.Women’s Exercise Class: Meets 9:30-10:30 am inthe dance room of Ida Noyes.Hillel: Faculty Luncheon, 12 noon, Professor Mar¬tin E. Marty speaking on “Mappling American Ju¬daism Today" Hillel.Lunchtime Concert: Classical Guitar concer, 12:15pm, Reynolds Club.UC Ki-Aikido Club: Meets 4:00-6:00 pm, in thefieldhouse wrestling room.Christian Science Or¬ganization: Meeting 5:15 pm, Gates Blake 117. Allwelcome.UC Judo Club: Meets 6:00-8:30 pm, Bartlett gym.Beginners welcome.Zen Meditation: Meets 6:00-7:30 pm, Ida Noyes.Newcomers welcome.FRIDAYPerspectives: Topic-"The Olympic Boycott”guests Istvan Balyi and John MacAloon, 6:09 am,channel 7.Baroque Chamber Ensemble: Concert at 8:30 pm,at the Chicgo Theological Seminary Chapel, 5757S. University. For Further information call667-3477.V*• Eye Examinations• Contact Lenses• {Soft and Hard)• Fashion Eye Wear• Contact Lens SuppliesDR. M.R. MASLOVOPTOMETRISTS Hyde ParkShopping Center1510 E. 55thp COURT Th€ATR6Wendy Wasserstein'sUncommon Women and Othersdirected by Ronald FalzoneFri.-Sun., May 23-June 18:30, 7:30 SundayGeneral admission $2.50; students; $1.50Reynolds Club Theatre5706 S. University753-3581 Got news, need sans...No ideas,no layouts,no stories...must be production day!!! SPACE61st Dorchester: Modern 2 & 3 bd apts.rental from $350.00 to $425.00 a month.Sec, dep. req. 425-7300University Park studio. 55th and Dor¬chester. Drapes, w.w. carpet. $30,750.435- or 955-7399Looking for an apartment or tenant?Come to the Student GovernmentHousing Service. Weekly list availablefrom 3-6 Mon.-Friday at the SC officeroom 306 Ida Noyes Hall or call753-3273.WANTED: Male roommate to shareone bedroom apt. 5480 Cornell. $165.Phone 643-1482 after 6 p.m.NEEDED Housing starting Sept. 1,1980 or sooner. 2 persons and afghan.Call collect Geoff (608) 256-3294 orNina (608) 249-2354 thanks.Michigan, two story brick and cedarhouse on Singer Lake. Two baths, twobedrooms plus sleeping loft, woodpanelled two story living room withlarge stone fireplace, 120 ft. lake fron¬tage, 3/4 acre wooded lot. (7 miles eastof Bridgman, 80 miles from campus)Call R. Lashof, 753 8064 from 9 to 4,Tues,-Thurs. $79,000.SUMMER SUBLET UNDER $115/MONTH: 3 spacious, furnished roomsavailable in huge apartment at 52 &Kimbark. 8 rooms, 2 baths plus sun-porch and large pantry. Convenient toshopping; or mini-bus route. Possiblefall option. Women preferred. Call654-1268 till midnight.Condo for sale-2 bd E. Hyde Pk condonew condition close to 1C 492 2179SINGLE BEDROOM-Available June15 and next year-call Jo 324-3515.2 bedroom house, huge insulated andheated garage, 2 outbuildings on 13acres mostly wooded adjoining In¬diana Dunes National Park. 45 min toU of C via car or train. $75,000 CallRenard at Callahan Real Estate (219)926-4298.Female roomate wanted for spacious 2bedroom apt handy local $180 readyJune contact Breckie 241-7429 even¬ings^Summer Sublet: Lg Studio 53rd and SDorchester $195/mo. (incl util) MidJune to end Sept pref female clean inlg well maintained building Call955-5295 evenings best. /Furnished townhse in Harper squarecoop-Dorchester and 49th, $9,000 downand $450 per month. 531-3390 day373-7315 evenings.OLDWORLDELEGANCEOne of S. Shore Dd. classic smallbldgs, huge palatial 3000 sq. ft. 8 rm2>/a bath apt ornate sculptured andbeamed ceilings, w/b fplc, near beach,1C, CTA. Idry, good security.Available Sept 1 no pets (allowancepossible for talented decorator) pro¬fessional adults $595 mo call 221-6606.alsoSimilar 6 room IV? bath avail June 1$475 mo. Call 221-6606.also3V2 rm in same bldg Ideal for singleavail, July 1 $235 mo. Call 221 6606.Summer sublet 5742 S. Kenwwod 1bdrm circa $135 call 947-9770.Hy Pk nr UC 2V? 4 6 rm apt avail nownice bldg adults BU8-0718.SUMMER SUBLET spacious H P. aptnewly renovated, near lake and co-op,Hyde Park blvd and 55, Indry new ap¬pliances $125/person/mo. Rentnegotiable 753-2240 rm 1713.ROOMMATE WANTED to share 3-bdrm apt. $143/mo. 22nd fl lake vw.A/C. Covered garage avail. Lots oflight and space. Start at end of springqtr. 548-4911.Basement apartment on South HydePark Blvd. Large living room,bedroom, kitchen, bath. 200/month.One-year lease. Call 955-0413,Gorgeous co-op, formal dining, newkitchen & bath, entirely redecorated,all appls. Monthly assesmt. only $150.1 blk. from UC. $37,500. Tel: 363-2529. Summer sublet-3 bdrms., newly refur¬nished at 57 8. Drexel. $125. Call Davidat 753-229 (Ext 3227) (if not in, leavemessage)Attractive four room furnished apart¬ment located on 55th St. bus route.Available for summer sublet for Junethrough September. Rent 325/month.Phone 684-7414, keep trying.Summer Sublet: 4 bdrm. apt. each rm.$l40/month, no utilities, air condition¬ing. 57th 8, Dorchester; Universityowned. Call 955-7811 or 955-7798 beforenoon or after 11,4 bedroom condominiums at 50th &Dorchester. 3 left from 47,500 to 49,500Common elements 8. exterior rehabb-ed apts as is 363-1332.SUMMER SUBLET: 4 bedrooms at54th and Harper, near coop $100 monthper person. Call 3-2233 rm. 131,321.Room available in 3 bedroom apt.June 8 - Sept, 3 w/Fall option high ceil¬ings (cool!), stained glass window,other niceties. 947-0450.SUMMER SUBLET in large close tocampus apt. with med student. Spacefor 2-4 avail. Call Cecily 955-4437.One bedrm. apartment available Aug.1st. Formal dining rm„ hardwoodfloors, on campus bus route, one blockfrom lake. $310 a month. Call 643-7145evenings after 6.Regents Park-3 Bdrm., lake view, 12mo. lease, avail. July 1, 288-4534.Summer sublet, 3 bedroom, $180/person negotiable incl util., ac, 57 8, Dor-chester call 753-0045, 753-0184. 753-0504.REGENTS PARK South tower, 21stfloor Lake view, modern conven.share 3-br apt. $170/mo 324-2853.Room Needed July 9-Aug 12 753-0445 orl-House#847,2 bdrm. avail. July prime loc Universi¬ty Gardens 1450 E 55 $550 eve 432-2434Or 642-6220.Spacious 3rd floor apt in Kenwoodavail Sept in return for supervision ofchildren 7, 11, 13, maximum 25 hrsweekly. Trees, privacy, well-patrolledare on U.C. bus route. Good for gradstudent couple or single person Call548-0017 eves or weekend withreferences.Spacious, furnished 1-br apt very nearto campus. From June 12 for 2 monthperiod. $265 per month. Call 955-5566.Roommate wanted: F/M grad toshare 5 rm apt 10 min from campus,start 7/1 w/fall option. $142.50 uti extracall 241-7225.Summer Sublet-One BR in fully fur¬nished, sunny 2 BR condo at 54 andDorchester. $175/mo includes allutilities, a/c, in-building laundryfacilities, etc. Call 324-4380 around din¬nertime.ROOM FOR RENT In spacious 3bedrm apt w/sunporch, on corner of 568, Blackstone Beginning mid June2/fall option possible $167 per mo.,female wanted call 288-7433,1 bdrm furnished apt on lake 15th floornear campus. Laundry, store,rest./bar, pool. For rent June-Sept.684-7397.SUMMER SUBLET available fornear, quiet female, 1 bdrm in 3 bdrmapt; only 2 bldgs east of law schl; only$90/mo + utilities; call 363-6094 din¬nertime.One bedroom apt. summer sublet midJune to mid Aug. Furnished rent less$200 - you make offer! Contact ChrisMarlow 753-4677 day.Female wanted to share spacious 6room apt. at 5711 Kimbark - $110. CallMinna 947-6468 or 667-7611,Mature, non-smoking black femalelaw student seeks reasonable rent,clean, quiet apt. to rent, sublet orshare. 667-6323.SUMMER SUBLET Fall option 54thand Woodlawn Furn. $160 month utilsInc avail June 15 955-0219,Roommate needed for Ige 3 bdrm apt 2blks from Reg $125/mo. Sum subl/fallopt avail July 1 Women, grads pref.241-5751.Professional woman in 30's seeksmature grad student or workingwoman to share two bedroom apt. inEast Hyde Park, nonsmoker, pleasea.m. runner would be nice. AvailableJuly 1 for summer and next year. 324-5669, early evenings.VERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDING ,Attractive 1 Va and2'/i Room StudiosFurnished or Unfurnished$218.o $320Based on AvailabilityAt Campus Bus Stop324 0200 Mrs. Groak Air conditioned apt 54/Kimbark128.75/month 4 bedrm 2 spaces avail.Call 667-1622 for info.SUMMER SUBLET: Studio aircondown entrance furn on take NO OP $100a mon. 6/25-9/15 Lv messageRudebusch Pick 421.Female wntd share 2bdrm apt 8> foodstarting 7-1 your share $84/mo.modern secure Janet 288-0350.LONDON, ENGLAND-JULY 23 toAUG 27 VICTORIAN Terrace HSEnear Hampstead-Heath buses subway,museums-4 bedrooms, IV? baths - gas,elec, dishwasher, freezer T.V. washer- dryer - cleaning help - rent 5 weeks750 lbs. call 869-2978.PEOPLE WANTEDEarn extra money at home. Good pay.Easy work. No experience necessary.Send for application. Home Money,Box 2432B, Iowa City, Iowa, 52240.Responsible, reliable woman neededto care for my one year old. 8:30 5:00.Begin July. Call evenings 743-6454Individual with access to private vehide wanted for summer delivery job in22—The Chicago Maroon—Friday, May 30, i960Hyde Park. 753-8342 X1015. if noanswer leave message for JohnBoorom.POSTAGE METER JOCKEY: Incharge mail room CFSC, 12-15hours/week. Filling orders, handlingboxes, going to the Post Office. Preferundergraduate with two-plus yearsbefore graduation. Call Isabel GarciaCFSC, 753-2518.The Department of Behavioral SCENESSciences needs people who want toparticipate as paid subjects inpsycholinguistic and cognitivepsychology experiments. For furtherinformation call 753-4718. f«,nnr«ien»ed^Secre,ary tyPes thes|s-reports, etc. Grammar corrected. One8657 SerVice' P|ckup-Dellvery. 667-Need it now? Emerg serv at 120 wpmI BMcorr spell. Ted 32240 1919x. sion. 957-3762.The football team is in need of amanager and statistician next fall.Please contact Coach Larsen if in-terested. Room 102A 753-4683.We seek mothers of 15-to 16-month-oldchildren for a Dept, of Education studyof mother and child language. For fur¬ther information cajT 752-288-6099 after 6pm.Desk work and light chores 2 or 4 eves,per week from 5 to 8 pm. LehnhoffSchool. Male preferred. Call 288-3500.Energetic intelligent, ampathetic per¬son (students of U of C affiliated) 20-30's wanted to be part of pre and postear surgery support team For womanplaywright to listen, run errands, lightcooking. $4.50 per hour Call Belle orDobbi 288-3706,664-6650.Wanted script's for 30 and 60 minuteradio shows. Theme should be childrenor adult oriented-prefer childrenstories. Each show should be self con¬tained. Author retains all rights-Feenegotiable-all material returned.Mall to-Davis, 5007 S. DorchesterChicago 60615.FRENCH MANUSCRIPT TYPIST.Student part-time. Prepare copy tormonographs and journals. 55 wpm.Knowledge of French grammar essen¬tial. Accuracy more important thanspeed. Excellent pay. Call GeorgeRumsey-Community and FamilyStudy Center. 753-2518.OFFSET PRESS TRAINEE. StudenTpart time during school. Full time insummer available. Learn multi-colorprinting. Experience in photographyor printing desirable. Prefer personwho will be on campus three years ormore Excellent pay. Call MatthewWoodruff. Community and FamilyStudy Center. 753-2974.Positions available - Full-time andpart-time. Assistant managers,hostess, cashier, waiters andwaitresses, busboys. Call for appoint¬ment. 241-6593.Fill in for 1-girl office week of June 9.Open mail, answer phone and type.8:45-5:00. Near 1C S. Chicago. 221-5737.Sailing instructor wanted for summerposition. Teaching experiencedesirable but not imperative. Musthave extensive knowledge of smallboat sailing. Call Channing 947-0933.RESEARCH ASST Full time positionavailable now. Work involves theanalysis of criminal court files. Posi¬tion for summer. Send resume to Qr.Gilboy American Bar Foundation, 1155East 60th St. 60637. Tele 667-4700Part-time gym teacher for AkibaSchechter School grades 1 thru 8 5 hrsper week call 493-8880.Interested in China, people andbooks . Full-time permanent opening ^at China Books. Call 782-6004. £Housekeeper wanted to look after con- |dominium from July 12 to August 12. zlive in rent free. Campus loc. Married ccouple preferred. Call 791-2583. 9:30- <o4:30Mon-Fri. QThe Chicago Counseling and Psychotherapy Center, a registered psychological agency, announces the for¬mation of a new, on going PersonalIssues Group for Men: identity,-chang¬ing roles and expectations, career,transitions. Minimum age 18. Wednes¬day evenings beginning June 18, 1980.$45 per month payable in advance.Leader: William Bradley MTS, SW.684-1800 for further information orpreliminary interview.or PIR VILAYAT INAYAT KHAN, Headof the Sufi Order of the West, offers anevening lecture and meditation entitl¬ed "In Search of Meaningfulness."Wed, May 28, 7:30, 600 W. Fullerton.Info. 281-8523.Hear the University Symphony Or¬chestra perform Gustav Mahler'sSymphony No. 5 In C-sharp Minor:Saturday, May 31, at 8:30 pm inRockefeller Memorial Chapel. Admis¬sion Is free, but contributions (to helpcover the increased cost of performingin Rockerfeller) will be accepted atthe door.YOUR ACHING BACK. A free lectureat the Chicago College of OsteopathicMedicine, 1000 East 53rd street,Thursday, June 5, at 7:30 p.m. Ticket to College graduation for my 80-yr-old grandfather. 955-5372.Someone to produce statistics andtables from 15 simple questionnaires.994-6972.Teacher seeks used flutes to buy.Please call Laurie at: 667-4547.I will pay for UC graduation tickets.Gordon, 324-4380. Keep trying.I need graduation tickets. Name aprice. Please call 752-7160 evenings -Frank.LOST AND FOUNDFOUND: 2 mech. pencils Kent 1075/22, 10 a m. Leave message for Jeff753-2261 ext 331.ENVIRONMENTALACTIVISTSNEEDEDSummer canvassing (public educationand fund-raising) positions areavailable now at Citizens for a BetterEnvironment, Illinois' largest andmost active environmental organiza¬tion. All training will be provided, theonly prerequisites are a concern forthe Issues and basic verbal skills. Thecanvass positions are salaried andthere are opportunities for advance¬ment. To Interview call: C.B.E 59 E.Van Buren, Chicago, 312/939-1984 Please call 753 3273 3-6. Ask for Jeff orcall 955-7011 Ask for Clarke.Kathy - Finally did It., Happy personal. Love, Edwin.Desperately need 1 extra ticket forgraduation. Reward neg call 753-32733-6 ask for Jeff.Chairbunny, Dept, of F.B.A.: Tons ofappreciation for loving support in pur¬suit of one degree, and tons of anticipa¬tion for loving instruction in pursuit ofmore valuable degree. MFBA Can¬didate.Cathy: Happy second. Love Howard.Society for the PREVENTION of quietin the Regenstein loves! Get your SP-QR button today! M.B.LeslieNow that you have gone to the MiddleEast who will I be able to talk to onweekends? Secret Admirer.12th Law of Gizmatics: You knowyou're in trouble when your 35mmcamera is smarter than you are.-GIZMOFan, ou es-tu? Let's show that there Islife in Hyde Park during the summer.Talking over melting ice creamsounds good to me See you in a coupleweeks. Izak.MOST CHARMING CAPITALIST-2more years to freedom! Congratula¬tions, kisses and all my love.•MEP S. I'd love to cologne you.GIZMO-One more spring issue afterthis - June 6. I've got nos. 13 and 14, I'llhang on to them for the summerpapers. July 3 to Aug. 22.LAW USEDAUTOMOBILESJEEPS $59.50, CARS $40 00, TRUCKS$112.00. Call (615) 266-5142, Ext. 405TRAVELING?Int'l Student I.D. Cards and AmericanYouth Hostel Cards (also good inEurope) are now available at the Stu¬dent Activities Office. Ida Noyes rm210, Mon-Fri. 9:30-4:00,MAHLER'S FIFTHPerformed by the University Sym¬phony Orchestra under ConductorBarbara Schubert. Saturday, May 31,at 8:30 P.M in Rockefeller MemorialChapel. Admission is free, but con¬tributions (to help cover the increasedcost of Performing in Rockefeller) willbe accepted at the doorMARRIOTT'SGREAT AMERICAGo spinning, soaring, screaming andsplashing and save! Buy GreatAmerican discount tickets at theReynolds Club Box office and save upto $1.95 per person. Tickets good from5-3 to 7-27 and 8-25 to 9-13GARDENER-Pref. exp., pt time worknr 73rd and lake. 567-3115 days or 375-7435 before 9 p.m. TU on< on 4Hc4win$. GRADTICKETSWill buy convocation tickets for Frl-day 3p.m. Call955-5814.PROGRAMMERFOR HIREProgrammer fluent in COBOL, PLI,FORTRAN, SPSS, and others seeksfree-lance assignments Prefer flexi¬ble hours. Call 288-1676.LOVELYAPARTMENTAttractive four room furnished apart¬ment located on 55th St. Bus route.Available for summer sublet for Junethrough September. Rent $325/month.Phone 684-7414, keep trying.HOUSESITTINGGoing on vacation? A day, a weekend,a week? Will house-sit. Referencesavailable. Call 493-6186, evenings.SUMMER SOFTBALLSummer softball application formsare now available in Bartlett 101. Theseason starts June 30th.TIX EQUALS$ PLUS HAPPYTurn your extra ticket for 6/14 gradua¬tion into money and make my dear oldgrandmother very happy. Call 752-3807. Leave messageSATURDAY NiGHTThis Saturday at 8 p.m. in the IdaNoyes East LoungeRIDERide offered from Denver to Chic,on/ab June 20. Share usuals Contact:Michelle: 753-3777.CREATION MINDThe Rita Warford/Mwata BowdenEnsemble-in concert Friday, June 6 atthe Blue Gargoyle, 57th and Univ. $4.00donation.FOLKMUSICSamaradh Music plays traditionalIrish music Fri May 30 8:00 pm atCrossroads 5621 S. Blackstone Admis¬sion is freeSUMMERCHILDCAREIn my home in Hyde Park all day, allsummer care for a small group ofchildren, ages 5-8. Beginning mid-Junethrough Labor Day. Call evenings andweekends 363-7265.VACATION HOMEFOR RENTMichiana-View Lake Mich, one blockfrom beach, 4 br, 2>/j be $250/wk availJuly . 624-5978 or 753-8074FOR SALE7" Tape reel $1 piece 1970 Good condi¬tion. Chevrolet Impala $400 or best offer. Call 268-9262 eves.74 Ford Maverick, 6 Cyl., Auto. LikeNew Parts. $800. 288-1266.Large chest of drawers $35. Wood kit¬chen table $8. Brown Rya rug $25 typ-ing table $8. 241-6640 anytime.Matt and bxspg $20 good cond. Desk$20. Call Carole 753-3776.1975 Fiat Wagon 30,000 mi $2000 or bestoffer 241-5055 or 753-1162.PEOPLE FOR SALETyping done in IBM by college grad;pica type. Term papers, theses, lawbriefs, resumes, letters, manuscripts.Fast accurate, reliable, reasonable.New Town area. Call 248-1478.TYPIST Dissertation quality, helpwith grammar, language as needed.Free depending on manuscript. IBMSelectric. Judith. 955 4417,I Exp switchboard operator needs pttime position hours flex. Serious inquiries only 493-9638Excellent care for 6 mon-2 yr. childavail July 1, fulltime Stim environment, warm expernd teacher. JudyZurbrig, 684 2820.Babysitting mother of one baby will* take care of children, phone 241-6833,Maryland and 58th. Free Hypertension Screening. HydePark Co-op Shopping Center. Satur¬day, May 31, 9:00 a m. • 3:00 p.m.Sponsored by the Chicago College ofOsteopathic Medicine.SERVICESCarpentry, drywall, painting, wiring.Competent and imaginative work.Free estimates. 684 2286Counseling. I am training as apsychotherapist. I consult with an ex¬perienced psychologist. Low fee. CallMike, 288-8751.The Chicago Counseling and Psychotherapy Center. Client-Centeredpsychotherapy (since 1945). 5711 S.Woodlawn and 6354 N. Broadway,Chicago. A Registered PsychologicalAgency. (312 ) 684-1800.Professional musicians seek privatestudents in piano, organ and flute,B.M. performance call: 667 4547.TENNIS LESSONS: Experienced in-structor offering private individualclasses. Specialist in teaching begin¬ners and players with little court ex¬perience. Telephone 324-2371.WORRIED? Talking can help. Blackfemale therapist. Licensed (ACSW).Sliding scale. For appt. 493-3647.Voice coach and Accompanist - M M.in Voice Performance, Exp. Teacher,Ph 493 3851.WANTEDCash for Graduation Tickets - Fri.June 13, 3 pm. Humanities, 2nd ses EDWARDO'SHyde Park's best pizza. Salads andsoda, too. BYOB, 50< corkage. Mon.,Tues., Wed., Thurs., Sun., 4:00 to11:30. Fri., Sat., 4:00 to 12:30 ClosedMon. 1321 E. 57th St. Delivery Service241-7960$! charge.LITERARYMAGAZINEPrimavera, a women's literarymagazine, needs more women to jointhe staff. Call 752 5655 for info On salein most Chicago bookstores.MONEYMONEYMONEYFor 3 graduation tickets. Amountnegotiable. Call Howard 3-3444, leavemessage.PERSONALSWRITER'S WORKSHOP (Plaza 2-8377)Pleeease! Anyone who ordered aYearbook or senior photos from theYearbook come and get them 8 3010:30 Mon thru Fri in Ida Noyes 218.Phone 753 3562.Will somebody from the HUNSHumans United for Noisy Socializing Sisyphus-do you suppose that I mightbe sensitive too?? It is quite cruel ofyou to leave me hangingD. UR my 11 sweetie, not to worry C.SUMMER BC/BSOff-Quarter BC/BS Coverage for Sum¬mer Quarter-Friday, May 30 Is ab¬solute deadline for enrollment. Pick upoff-quarter applications in Adm 103.ACHTUNG!ENJOY LEARNING GERMAN THISSUMMER! Take APRIL WILSONScourse and highpass the German ex¬am. Starts June 23. 3 sections, M-F.10:30-12, 1-2:30, 6:30-8. To register,call: 667 3038INTENSIVEGERMANHighpass the German Exam this sum¬mer, study with Karin Cramer nativeGerman PhD using the comparativestructural translation method. Coursestarting June 23 M-F 9-11, 6 8. Call493 8127.RESUMESWould you like a professional lookingindividualized resume? We offer type¬setting and offset printing serviceswith choice of typeface, format, paperstock. Call 753-2074 or drop by theHuman Resources Center, 1225 E 60thSt. DISCOUNT TICKETSFOR GREATAMERICAYou've read about Rose! You've beenpleased with Plitt! Now marvel at ourdeal on Marriott's Great Americatickets! Check it o7t at your nearestReynolds Club Box Office.UC HOTLINE753-1777Are you partied out? Studied out?Tired out? Down and out? Call us andtalk it out. The UC Hotline-questions,referrals, and someone to talk to. 7pm-7am.UC HOTLINENOTICEThe Hotline will be closed for the sum¬mer starting at 7 a m. Friday, June 13.We will, however, have a tape on withalternate numbers to call. We willreopen in the Fall. Have a good summer!GAYCOFFEEHOUSEWondering about that person sittingacross from you in French class? Lastchance to find out in the Ida NoyesEast Lounge at 8 p.m ACUPUNCTUREFor the summer class, call and leavemessage at 493 1233, 642-2819 or 2886807LIBRARIANFOR SUMMERHillel needs a librarian for summer.Must be registered for Summerquarter and must be qualified forwork/study scholarship. Call: Hillel752-1127 for appointment.WILL PAYFor one ticket to June 14 graduation.Call 947-8184MALKA MOUSEThis Is your last personal-Stay coolthis summer-Your Fan.MEXICOIN FILMTwo films: "Oaxaca" and "The Sentinels of Silence" shown at 7:15 p.mSat. May 31 at Crossroads 5621 S.Blackstone Admission is freeZAP!Dem weasels wanna get me off dastreet? I say, spit on 'em! Push me off,rat!The Chicago Maroon—Friday, May 30, 1980—23 >_^COUNTERSTbitr b****+u.&?&*}§! —A C'OLUMBI A/EMI PrtstnuoonF ENCOUNTERS Of- THE THIRD KINDPS Production A STEVEN SPlfci BERG FilmYFUSS *l*> urnng 7ERI GARR .nd MEIINOA WFRANCOIS TRUFFAUT * UcmbrLLIAMS V,su*l Effect* r» DOUGLAS TRUMBULLMOS ZSIGMOND A S C Produced h> JULIA PHl IPS Written <nd Dittoed b> STEVEN SPIEl ***'O if oil <x.n4ir»ck A**tUfc» 1On Am—»-HOLLY IVJ ^Katacast1VST*-“gH+il’S***s» n 1 “M >ma . ***«/#** ’**> COUjUftio Pierces (WXlSTfttES.Recent Books on Gay Issues Blyt Paz ReviewedRichard Sennett: Local Boy StumblesEudora Welty Holds Court Interview with Edmund White PoemsThe Future ofSmall Press PublishingTess Gallagher Interviewed Fiction Berger and Kael: In the DarkThe Home- Gro wn Crazies in Hyde Park No velsThe Chicago Literary Review'Les Enfants Terribles' Pamela Barrie