“Solitary, singing in the West. I strike up for a new world.’’ —Walt WhitmanVol. 89; No. 31 The University of Chicago Copyright 1980 The Chicago Maroon Friday, February 1, 1980Doug BraunFire at 5635 S.UniversityMrs. Cleon Truitt died late Tuesday afternoon after a fire broke outin her home at 5635 S. University Ave. Firemen say that they believethe fire began in the living room caused by careless use of “smokingmaterials.’’Mrs. Truitt was seventy years old.According to the fire department, the fire burned a “good percent¬age” of the house which is next to the Psi I'psilon fraternity house.University Ave. and Woodlawn Ave were blocked off for more thanan hour as firemen fought the fireThe fire was reported after some bystanders noticed smoke comingout of some of the windows Firemen were forced to break into thehouse to extinguish the blazeMrs. Truitt is survived by her husband Richard B Truitt, an attor¬ney and trustee of the Brain Research Foundation — -Jeff DavitzA proposal for a SI6 student ac¬tivities fee to be collected from allregistered students won the sup¬port of the dean of students’ Facul¬ty Student Advisory Committee onCampus Student Life (FSACCSL)at the committee's last meeting onJanuary 28. A referendum on thefee will he held in conjunction withgraduate spring registration onMarch 31 and undergraduate pre¬registration in May.Student Government (SG) andthe Major Activities Board (MAB)have been forced to cut back fun¬ding of student organizations andcampus concerts because theirbudgets have not kept pace with in¬flation, according to spokesmenfor the tw o groups.“Under our current budget weare unable even to continue to pre¬sent concerts on the same level aswe have in the past.” VictoriaDorgan, MAB speaker, told theFSACCSL meeting.Jeff Leavell. chairman of the SGFinance Committee, told FSACC¬ SL that there has been more in¬terest in student organizations inthe past few years and that therehas not been enough money to keepup with the increase in fund re¬quests.Leavell cited the inability to funda major project of a social workgroup from the School of SocialService Administration (SSA) andthe poor financial condition ofcampus radio station WHPK astwo of the more extreme examplesof the funding problems.The Finance Committee hasreceived an annual grant of $30,000from the dean of students officesince 1974. Leavell compared thatgrant with ones of $37,800 in 1971-72and 1972-73 and $35,000 in 1973-74.MAB has received the same $12 feefrom undergraduates for fouryears for an operating budget ofabout $30,000.The proposal for the combinedfee had been discussed by the twogroups and FSACCSL members forseveral months and was put intoSee strict bill controlBy Jeff Davitz written form in mid-January. Thefee would bring in about $120,000with that money divided 60-40 bet¬ween the Finance Committee andMAB so that SG would receiveabout $72,000 and MAB about$48,000.The FSACCSL meeting was at¬tended by three undergraduate,three graduate, and two facultyrepresentatives. Although some ofthe graduate representatives ex¬pressed reservations with the plan,the recommendation was madewithout objection. The strongestsupport came from theundergraduate representativesand the representatives from theprofessional schools.Dean of Students Charles O'Con¬nell indicated that at least 30 per¬cent of the student body wouldhave to vote in the referendum forhim to consider the results, but hesaid he would accept a simple ma¬jority of the vote to adopt or defeatthe proposal. If the proposal isdefeated, O'Connell will take no ac¬tion on any new fee.A group from SG and MAB ismeeting with O’Connell’s staff toimplement the referendum. Shouldthe fee be accepted by students.O'Connell would recommend it toPresident Gray, and with her ap¬proval. to the Board of Trustees.The fee would replace the $12undergraduate MAB fee. andwould be added to the bills ofgraduate and professional studentswho currently- pav no activities fee.-A. P.Though some people in the linesat the registrar’s office mightargue, University officials contendthat the new computerized billingprocedure has done a lot to help theefficiency of the Bursar's office.As a result, according to LornaStraus, dean of students in the Col¬lege, more students may face the25 dollar late registration fee or the10 dollar late payment fee unlessthey straighten out their billspromptly.According to Bursar Lory Weav¬er Jr., the University loses the in¬terest and investment gains of afew hundred thousand dollars be¬cause of late payments. Weaversaid that in the past late paymentshave created cash flow problemsfor the University.Straus cited the University’sproblem with late payments as amajor reason for switching to thenew billing system.Weaver said that the new proce¬dure “makes life easier for every¬body.” He described the old sys¬tem as a “guessing game” inwhich “nobody knew who owedwhat when.”Straus also emphasized thateven if a student pre-registers, he _ Sharon PollackLorna Strausstill may face restriction the fol¬lowing year because of unpaidbills. The student will have to reg¬ister again after clearing the re¬striction.He may also have to pay the latepayment or late registration fee.Straus agreed that the efficiencyof the system has created its ownproblems. Many students were un¬aware of how the new billing sys-Turn to Page 2 College programs view mergerBy Jon ShamisPreliminary discussions aboutcombining public affairs programand the Politics, Economics. Rhet¬oric and Law (PERL) programsare underway. Such a mergerwould be a major alteration in thestructure of the College.Wendy Olmsted, program chair¬man of PERL, and Richard Taub.chairman of public affairs met for25 minutes last week for a prelimi¬nary meeting about combining thetwo programs. Olmsted said that itis too early to predict what the re¬sult will be.Both Taub and Olmsted have ex¬changed program bulletins and arepresently examining the similar- Richard Taubities between the majors. Taub ob¬served, “when 1 have gone travell¬ing around the country meeting prospective students, the same stu¬dent seem to be interested in bothPERL and Public Affairs pro¬grams.” Taub said that he andOlmsted are trying to determinewhether this is due to superficialsimilarities or because the pro¬grams are truly similarA follow-up meeting is scheduledfor next week If the merger isagreed upon, faculty and studentswill be consulted“Our first obligation is to the stu¬dents." Taub notedBoth programs have had prob¬lems recently. This year’s publicaffairs sequence for second yearstudents. (Public Affairs 221.2.3)had 35 students in it instead of theTurn to Page 2FSACCSL endorses $16 feeCarbon monoxide, health and employee problems plague The EagleBy Jaan EliasA drama has unfolded behind thedoors of The Eagle, a favoriteHyde Park restaurant and bar,which has raised questions aboutthe tavern’s safety and cleanlinesswhile also raising questions of pa¬tient confidentiality of some staffmembers at Billings.The problems for The Eagle,located at 5311 S. Blackstone Ave.,began on Sunday, January 20thwhen it was discovered that amalfunctioning heater w as pouringtoxic carbon monoxide gas into thebar and restaurant.Leslie Hatfield, a waitress on du¬ ty at the Eagle that Sunday, saidthat she had noticed that many ofthe employees and customers hadbegun complaining of a burningsensation in their eyes the daybefore.On Sunday, Hatfield said thatonce again customers andemployees complained of a burn¬ing sensation in their eyes. About7:30 that evening. Hatfield said,many of her fellow w orkers beganto say that they felt slightly dizzyand lightheaded.Hatfield said that she felt ex¬tremely shaky and-.weak. At firstshe suspected that she may havebeen suffering from her low blood sugar, but after eating at the Eagleand consulting with her coworkersshe discounted the possibility.She brought the condition to theattention of the manager Hatfield,a longtime employee of the Eagle,knew that there had been problemswith the heater in the past and su¬spected a gas leak. She felt evenweaker and went outside where thefresh air revived her.Hatfield decided to call for anambulance and a decision wasmade among other workers toclose the restaurant Despite call¬ing the emergency number of theChicago Police (911), help did notarrive until over a half an hour later.Hatfield was feeling very ill bythis time and when she wasbrought outside to the ambulance,she collapsed into the arms of aparamedic and was rushed to theemergency room of BillingsCity inspectors and People’s Gasinspected the heater and declaredit unsafe. Ed Koska of People'sGas said that the gas was shut offand the equipment was tagged asdangerousDolores Katsos, owner of theEagle, kept the bar open She toldThe Maroon that she had been toldby the inspectors that the buildingw as safe. John Noonan, a city inspector,said that the monoxide had beenbacking up into the restaurant dueto an improper exchange betweenthe heater and the outside air.However, he said the heater couldbe operated at low temperatureswith reasonable safety.Katsos discounted thearguments of her employees andclaimed that she had talked to doc¬tors at Billings who told her thatnone of the employees who hadbeen taken to Billings had had highenough levels to cause damage orweakness.Turn to Page 2Fewer womenapply hereBy Chris IsidoreThere appears to be a slight drop in thenumber of women who have sent in Part I oftheir application to the College, as com¬pared to this time last year.Fred Brooks, director of admissions, doesnot feel that this will significantly changethe male-female ratio in the entering classnext September.The Maroon was unable to learn the exactfigure of the drop in applications, only thatthe figure was “below 10%”, and that a cor¬responding increase in the number of maleapplicants has kept the total number of ap¬plicants about even. The overall number ofapplicants is up by only three-quarters of apercent this year.Brooks feels that these figures are too pre¬liminary to tell anything. Traditionally, theratio of males to females who send in Part Iis roughly the same ratio of the students whoenters the following fall.Brooks says that he is concerned aboutachieving a more balanced ratio. “Onecould make a strong case that the education¬al and social life on campus (could bestrengthened) if there were a more evenbalance between men and women,” saidBrooks, “(so) I would like to see a moreeven balance . . . But we need to do itthrough recruitment (of women), notthrough a double standard in admissionspolicy. One possible step would be a specialletter to women who have completed Part I,(urging) them to complete the entire appli¬cation.”Brooks said that mailings such as theseare only being considered at this time, butthat the knowledge of the decrease inwomen applicants allows the admissions of¬fice to make adjustment.“I think it (the drop in women applicants)had significance for the other parts of theadmissions process. We are looking at thatfactor when we consider the other factors inthe process. 1 do not see a significant changein the number of women who come to thiscampus in September But there are still somany factors yet to be played out, and thereare so many things out of our control, that itis hard to make any predictions.”There are other efforts which the admis¬sions office is making to recruit women.Brooks cited the Dudley-Wilson scholarshipprogram which is open to woman athletes,and the general effort to make female appli¬cants aware of the life which Brooks feelswomen can have at the College.“We highlight that we do have a womanpresident, and a woman dean of admissions(Lorna Straus). We highlight that there hasbeen a major place for women here from thebeginning. And we take care to let our bro¬chures and slide presentation portray therole that women are able to play in the Col¬lege.”Brooks feels that another method ofachieving a more equal balance will be en¬larging the applicant pool. He hopes to raiseit to 3000 students by next year, and feelsthat this will add flexibility which has been 100 rally against draftBy Jeff Caner-, j i Chip ForresterFred Brookslacking here. Brooks expects this year’spool to break 2900. Since 1977, the number ofapplciants has risen by 21% while thenumber of female applicants has risen only19.8%, thus losing some ground in theoverall ratio. Chicago area opposition to proposedregistration for the draft got underway thisweeK with a picket downtown and aFebruary 9 Viet Nam War memorial marchand service are planned.Campus groups nave begun planning pro¬test related activity. Under the slogan,“Money for schools, not for war", over 100people including 12 University students,picketed the Kluczynski Federal BuildingT uesday afternoonThe demonstration was organized by theChicago chapter of Coalition AgainstRegistration for the Draft (CARDi A groupof demonstrators visited Senator CharlesPercy’s office where they presented a peti¬tion against registration bearing 1500signatures, according to John Rossen, long¬time Hyde Park resident, and activemember of CARDThe group of demonstrators then visitedSenator Stevenson’s office where they weremet by an aide who said that Stevenson wasfor registration but against a draft. Rossensaid that the demonstration “was veryspirited for an event organized on a short notice”.CARD members are planning a memorialmarch and service on February 9 with areareligious leaders and student represen¬tatives “for the 55.000 Viet Nam dead andfor the tens of thousands doomed to die if thedraft is enacted”, said Rossen.The march will start at me Daley Plaza atnoon, and end up at Thorne Hall, thedowntown campus of Northwestern, wherethe service w ill be held.The February 9th march and service wasto be considered by the campus ProgressiveUnion, in an emergency meeting last nightto dis^u^s registration. The ProgressiveUnion has not been affiliated with CARD Apossible teach-in similar to last year'sMcNamara teach-in has been widelydiscussedStudents for a Libertarian Society (SLS)spokesman Dreg Kernan said that SLS is“willing to work in coalition that is non-ideological.” SLS plans to work withinCARDA spokesman for the Spartacus YouthLeague (SYL) said the SYL is interested incoalitions as long as the sentiment “For theDefense of the Soviet Union” is stressed.Black History month activities setFebruary is Black History Month and theOrganization of Black Students and Umojaw ill commemorate it with three weeks of ac¬tivities highlighted by a choir concert thisevening and a campus appearance this Sun¬day by Georgia State Senator Julian Bond.The choir concert will be held at Rocke¬feller Chapel tonight at 7:30 and will featurechoirs from Northwestern University. Re¬deeming Church of Christ, Trinity UnitedChurch of Christ, Centennial MissionaryBaptist Church, and Fellowship MissionaryBaptist Church. Admission is free.Julian Bond will speak Sunday at 7:30 pmin the Law School auditorium on “Solidari¬ty: Direction for the 80s.” Admission is alsofree.Three movies will be presented. TheMurder of Fred Hampton, on Friday, Feb¬ruary 8; Last Grave at Dimbaza. a docu¬mentary on South Africa, on Sunday, Febru¬ary 10; and Lady Sings the Blues, afictionalized account of the life of Billy Holi¬day starring Diana Ross, on Thursday. Feb¬ruary 14. All films are shown at 7:30 p.m.Admission is free except for Lady Sings theBlues which is $2.Two performing arts programs are sche¬duled. The African Performing Arts Pro¬gram will appear in Ida Noyes on Friday,February 15 at 8 pm; and The KuumbaWorkshop will perform the play “I Am aBlack Woman” featuring Kuumba directorVal Ward. On Sunday, February 17, at 7:30pm. Admission is $2.An art show' featuring the works of profes¬sional and non-professional Chicago artistswill take place in Ida Noyes on Saturday,February 16 from 9:30 am to 1:30 pm. Mostartwork will be available for purchase.The month’s activities will conclude with a lecture by Professor James Turner, direc¬tor of the Africana Studies and ResearchCenter at Cornell University, about “TheAt the Tuesday night finals of the Univer¬sity College Bowl tournament “8V2” defeat¬ing “1st Flint” by a score of 485-225. TheFlint team of College students David Rubin.Michael Alper, Steve Kritchevsky. andGrace Kim led 105-60 in the early going, but a200 point spurt by 8I2 College studentsJames Hyman and Zbigniew' Banas, Divin¬ity student Michael Dodge, and Businessstudent Lorin Burte then determined theoutcome of the match. 8'■> finished the do¬uble-elimination tournament unscathed,winning five matches without a loss.The winning team will now combine withfour all-stars drawn from the other 13 teamsin the tournament to form Chicago’s 8 per¬son varsity squad for intercollegiate compe¬tition. Four of these persons play at anygiven time. The all-stars chosen are Rubinfrom 1st Flint. Business student Mitch Gi-laty from the 3rd place team “Doppler Ef¬fect” and College students Tammy Ravittsand James Gillespie for the 4th place“Bayou Rangers”. Buste is team captainand College student Kate McGregor is teamcoach. The agenda of upcoming inter¬collegiate matches includes challengematches against IIT on Feb. 1 and North¬western on Feb. 8. both on the road, followedby the official regional competition in F]auClaire, Wisconsin. Life of Malcolm X", at Ida Noyes on Satur¬day, February 19 at 7:30 pm. Admission isfree.The Chicago team is likely to be one of thefavorites at Eau Claire, and if successfulthere would qualify for the national tourna¬ment. The national tournament will be heldin two segments in March, one in Hunting-ton. West Virginia and the other at an as yetundetermined site “out west”. Phoenix andSalt Lake City were mentioned by the na¬tional College Bowl office as possible sites.Original plans to hold the tournament inFlorida were scrapped when College Bowland the Association of College Unions adopt¬ed the policy of not holding any national con¬ventions or tournaments in non-ERAstates.The Chicago team also received news thatit would not be going to the national tourna¬ment as a radio representative. An “all-star” team sent to a CBS radio tournamentlast month emerged with a 1-0 record, nothaving had an opportunity to play in morethan one game. The producers of the show-decided instead that the 1980-81 Chicagoteam be invited back to the radio tourna¬ment to try to increase the present numberof wins. This leaves the regional tournamentat F3au Claire as the method to qualify fornationals, which will also be taped for radioand possibly televised. The match alreadyplayed, against Washington U. of St. Louis,can be heard on WBBM at 7:30 pm on March2.8¥2 wins College Bowl finaleEagleContinued from Page 1Hatfield told The Maroon that she hadheard that Katsos claimed that she andsome of the other employees who had goneto Billings “must have been on something.”She also expressed concern that Katsos hadbeen able to inquire about the specifics ofher medical condition without herknowledge.Titus Cranch, the assistant director ofmedical legal affairs at the hospital, saidthat Hatfield had called him and requested acopy of her medical records. He also saidthat he would make inquiries into the sourceof the information which Katsos received.Hatfield said that she had found that herlow blood sugar condition could have beenaggravated by fairly small amounts of car¬bon monoxide. She also expressed concernthat other people with medical conditionscould have suffered from the exposure to thetoxic gas. Hatfield has since resigned from theEagle and a number of her fellow employeeshave either been fired or resigned, she said.The health department also inspected therestaurant and ordered its kitchen closed.Health officials were unavailable for com¬ment, but Noonan said that he expected thatthe restaurant would be opened on January31st after the kitchen was cleaned andpainted.Hatfield said that fellow employees hadtold her that the kitchen had been dirty andthat this was symptomatic of a policy at therestaurant of letting things deteriorate untilthere was a dangerous condition.“Over 75 percent of our customers areUniversity employees,” Katsos said, “thetime that w'e had to be closed has been veryhard on them and the employees.” She saidthat in recent da^s she had been under agreat deal of pressure to get The Eagle inworking order again.The alderman’s office is also in¬vestigating the incident. “We hope that TheEagle will be able to stay open with safetyfor both its employees and its customers,”Luther Snow, administrative assistant to Lawrence Bloom said.Hatfield said that she bore no ill willtowards The Eagle. “It’s sad, sort of likewatching an old friend deteriorate,” shesaid.PERL, Pub. AffairsContinued from Page 1expected 15, and the course for WinterQuarter was dropped without a replace¬ment. Students will have to make it up bytaking both 222 and 223 this Spring, or bytaking 222 next year.Last year, Charles Wegener, then PF:RLprogram director, announced that the pro¬gram would be closed to this year’s secondyear students. A number of the students inthis year’s over-enrolled Public Affairscourse have stated that they had intended tobe PE^RL majors.Merging the two programs would be amajor change because the programs are indifferent divisions. Public affairs is in theSocial Sciences Division, while PERL is oneof the last remaining programs in the New Collegiate Division (NCD). If PERL wereremoved from NCD, it could bring about anend to the division, which has been operat¬ing without a permanent master since We¬gener stepped down in 1976.Official action to implement a final deci¬sion will be taken sometime this month, ac¬cording to Taub.Bills, registrationContinued from Page 1tern was going to affect them, and as a re¬sult came back to school facing restrictionsand fines.Straus still feels that the bursar’s officenow offers a better service. F>en though thelate fees will be assessed automatically,Straus says she “will continue to waive oncause.”Weaver said that the increased efficiencywill improve the University’s ability to dealwith “exceptional cases.”“We will be able to be more lenient incases where we should be,” he said.2 — The Chicago Maroon — Friday, February 1, I960Kurland attacks Woodward at WoodwardPhillip KurlandBy Chris IsidoreThe Brethren, Bob Woodward and ScottArmstrong s book about the Supreme Court,has met with both overwhelming sales andoverwhelming criticism since its releasejust before Christmas. Perhaps some of thesharpest and harshest criticism of all hascome from across the Midway, from lawprofessor and Supreme Court observerPhilip Kurland. He will be presenting hiscriticism this Sunday at the second Wood¬ward Court lecture of the Quarter, entitled,“The Brethren" - The Supreme CourtWatergate Style.’Kurland’s opinion of the book was firstvoiced publicly in a Chicago Tribune columnwhich Kurland wrote shortly after therelease of the book. The harsh review began“Virginia Woolf once wrote, ‘I think politi¬cians and journalists must be the lowest ofGod’s creatures, creeping perpetually in themud, and biting with one end and stingingwith the other.' Woodward and Armstrong’sThe Brethren’ is further evidence — if anywere needed — to establish the validity ofthis dictum. The book is not useful for muchelse.’’His opinion has not softened in the timewhich has passed. Kurland sees no benefitsto the book, and he questions the presenta¬tion. content, and accuracy of the work.“People who read the book think that thevare getting facts.” he said. “What they aregetting is hearsay on hearsav on hearsay.The primary problem is that much of the so-called revelation is trivia. There isn’t anymaterial in it that a lawyer would regard asevidence. Lawyers think of evidence ascompetent, relevent. and material. Thisbook is incompetent, irrelevent and imma¬terial.”Woodward and Armstrong got most oftheir information by talking with the law-clerks of the Justices. The clerks are amongthe top. if not the top. young law graduatesin the country, and a clerkship on theSupreme Court is usually the start of a verysuccessful career. For this reason, none ofthe clerks would be quoted by name in thebook, for fear of damaging their careers.Kurland, who was a clerk to Supreme CourtJustice Felix Frankfurter during the court’s1945-46 term, was disdainful of the authorsand the clerks for the off the record inter¬views. Reporters had never approached himwhen he served as clerk, . . because theyknew 1 would never talk.” Kurland feelsthat the loss of confidentiality on today'sCourt has occurred at least partiallybecause of the Court’s growth.“Clerks don’t have as close a relationshipwith the Justices today,” Kurland said.“When I served, there was only one clerk foreach Justice. (Most Justices today have atleast three.) They (the clerks) have no con¬cerns about the Canon of Ethics. By going on‘deep background’ (to give interviews) the clerks realize they are breaching con¬fidences. When (Justice Frankfurter) cameout of conference, and told me what hadhappened. I took that to be very confiden¬tial. I have no belief in the existence of deepthroats,’ and I can’t justify (the use of deep-background) in the case of The Brethrenon the ground that such secrecy wasnecessary.”Kurland advocates reducing the numberand the influence of the clerks. “The in¬crease in the number of clerks has increas¬ed the workload (of the Court), rather thanvice versa,” he said. “I don’t think theymake any decisions, but they are doing toomuch of the work, because they are con¬tributing too much to the decision makingprocess, and have too great an influence onthe selection of the cases.”Kurland also doesn't feel that the pictureof the Court which is told by the clerks istotally accurate. He doesn’t believe there isany “old-boy network," which is referred toin the book, where the clerks work amongthemselves to bring consensus among theJustices. “I don't think that existed (when Iserved),” he said, "and I don’t think it ex¬ists today. It is just more of the conspiracytheory that the press loves so. When I work¬ed at the Court. Justices talked to oneanother, and the same remains true today,despite the self-glorification of the clerks'statements. I think these are self-servingstatements which build them up to the rolethey would like to have. ”Kurland does not deny the main view ofthe Court presented in the Brethren, one ofpolitical in fighting: personality problems;and a Chief Justice who is vain, overbear¬ing. crotchety, self-righteous, and thin-skinned. In fact, the description of Burgerjust given is a direct quote from Kurland’sTribune column. But he feels that themethod which these views are presented inThe Brethren is all wrong.“I don’t think the Court should be immunefrom criticism.” he said “That’s how Imake my living. There have been a numberof good books . . . which cast aspersions (onthe inner working of the Court), but theywere supported by evidence. I think it’s im¬portant that the public be made to pay atten¬tion to the Court, but I think it’s importantthat the press bring attention to substantivematters, not to the personal idiosyncrasiesof the Justices, which are not of any im¬portance. But the public would rather hearthe tripe in this book than the substance ofthe Court’s work.”Kurland gives some thought to the con¬cern that the book will hurt the functioningof the Court by hurting the public's respectfor the institution, but is not too worriedabout it.“The Court’s capacity to function dependson the public's esteem.” he said. “Therewould have been damage if anyone had taken it seriously. But I don’t know anyonewho has taken it seriously.”Kurland’s career has been as distinguish¬ed as many of his fellow law clerks He hadreached the clerkship after graduating fromthe University of Pennsylvania in 1942. In1944. he received his law degree from Har¬vard Law School, where he had been presi¬dent of the Law Review.From there he went on to clerk for JudgeJerome N. Frank of the United States Courtof Appeals of the Second Circuit in 1944-45.The next year he clerked tor Frankfurter.After a short tour of duty w ith the Depart¬ment of Justice, in 1946. he returned to New York City w here he practiced law.He turned to teaching in 1950 with avisiting appointment at Indiana UniversityLaw School. From 1950-53 he was on thefaculty of the law school of NorthwesternUniversity, and from 1953 to date he hadbeen a member of the University of ChicagoLaw School faculty. In 1973 he was ap¬pointed William R. Kenan. Jr Professor inthe College In 1977 he became Distinguish¬ed Service Professor He founded TheSupreme Court Review in 1960. and has writ¬ten many books on the Court and the Con¬stitution. the most recent being “Watergateand the Constitution.”NewsbriefsSG sponsorsvoter registrationStudent Government will sponsor a VoterRegistration Drive this Tuesday. February5 in Cobb Hall and the Reynolds Club.Tables will be set up from 10 am to 2 pm.The only requirements for this registration•are that you be 18 years old by March 18 anda citizen of the United States on the day ofregistration. Registration will enable you tovote in the Illinois Primary for President,U.S. Senator, Congressman. StateRepresentative. Delegates to theRepublican or Democratic Nominating Con¬ventions, and other offices.Voters may also register at the Board of Election Commissioners. Room 308, CityHall. Clark and Washington Streets, untilP'ebruarv 11. The Board is open Mondaythrough Friday from 9 am to 5 pm andSaturdays. 9 am to 12 noon.An additional registration will take placeat precinct polling places on Tuesday,P'ebruarv 19.Iran delegationto speakThe Ad Hoc Committee to Support theHands Off Iran/Return the Shah Delegationwill present a talk and slide show tonight byone of the members of that delegation Lisa Radcliffe. a campus activist from theUniversity ot California at Berkeley, willappear at the Blue Gargoyle. 5655 S. Univer¬sity Ave. tonight at 7 pm Radcliffe hasvisited Iran twice — once in 1978 and againfor 10 days last DecemberPro ERAgroup formsThe fclqual Rights Amendment has notbeen ratified in Illinois and the National Or¬ganization for Women (NOW) has askedthat an action team be formed on campus tobegin a student drive for petitioning, letterwriting, and lobbying for the P'RA An or¬ganizational meeting will be held Monday. P'ebruarv 4 at the P'irst Unitarian Church.5650 S. Woodlawn. at 7:30.Judy Kolokoff. a NOW organizer, willspeak at the meeting All members of theUniversity community, female and male,are invited to attendIVI dinner plannedThe Near South Chapter of the Indepen¬dent Voters of Illinois (IVI-IPO > w ill hold its14th annual Spaghetti Dinner this Sunday.P'ebruarv 3. at the Hyde Park Union Church.56th and Woodlawn from 4:30 to 7:30 pmStudent tickets are $2.50. adults $3 75. andchildren under 12 $1.50. Public officials andcandidates in the March 18 primary will bepresent and there will be a raffleDISCOUNT TICKETS for an PUTT and ROSE theatresare available at the Reynolds Club box officeONLY $2.25. Big savings!Friday, February 1, 1980 — The Chicago Maroon — 3Letters to the Editor1 Cultural exchangeTo the Editor:In a previous letter, I gave the GoldenFleece Award to the Student Activities Of¬fice (SAO) for implying that Blacks shouldassimilate and attend .“white’' socialevents, while at the same time suggestingthat there is no sufficient need for whitestudents to undergo “Black” social ex¬periences. I have since been asked to ex¬plain my opinion in more detail.Last spring I approached SAO with a pro¬position that the Organization of BlackStudents (OBS) wanted to initiate an AnnualHomecoming Dance. Our idea was to pro¬vide U of C students, faculty, and alumniwith a dance similar to President Gray’s in¬augural dances, though on a more limitedbasis. The plan included having a soul bandand a rock band. SAO explained to me thatmost students wouldn’t attend a Homecom¬ing dance sponsored by the Organization ofBlack Students. They suggested that we co¬sponsor the dance with Student Govern¬ment. OBS agreed.For the rest of the quarter, officers fromOBS and SG proceeded to solicit administra¬tion approval and funds. We got both.However, the administration suggested thatwe provide swing music for alumni. Realiz¬ing that our budget could not support 3bands and wishing to get the strugglingdance project off the ground. OBS consentedto scratch the soul band.This fall. OBS's quarterly T.G.I.F (ThankGod It’s Friday) get-together was held atthe same time as SAO’s annual WassailParty. SAO expressed its disapproval atOBS for planning its T.G.I.F. at the sametime as their Wassail party. SAO explainedthat Black students should experience aWassail party and that our T.G.I.F. woulddraw many Black students who would haveotherwise attended the party. I agreed withSAO that Blacks should experience a Was¬sail party and assured them that I would at¬tend. I not only attended, but I also con¬vinced another Black to attend.About this time last quarter an idea struckme on how to get the majority of studentshere introduced to various forms of dif¬ferent cultures.President Gray’s two annual dances (onefor grads and one for undergrads) attractThe Chicago more students than any other events oncampus. This means they have the mostpotential for introducing the student popula¬tion to different cultural experiences. Theidea is to make permanent the two forms ofmusic that attract the majority of students.The other two events could then be changedeach year. This would enable students to ex¬perience the various forms of Black.Hispanic. American Indian. Oriental, etc.culture and/or music.Last quarter the Hispanic Cultural Socie¬ty sponsored a performance by Sonidos DeLa Calle. These performances combinedpoetry reading with music. Approximately90 students attended. They all enjoyedthemselves tremendously. It was a shamethat more students didn’t attend. SAO ex¬plained to OBS that most students wouldn’tattend an event sponsored by OBS. the sameis true of events sponsored by HCS.The most important reason for the im¬plementation of my idea, or one similar to it,is the need to root out misconceptions. Manystudents here think that all Blacks like theBlues. They don't. In fact, there are pro¬bably more white students here who enjoythe Blues than Black students. I nave evenheard some white students refer to the Bluesas soul music. It isn’t.SAO didn't even seriously consider myidea. (SAO plans and coordinates the dancesfor the President.) Last year the music pro¬vided at the President’s parties consisted ofrock, classical, blues, disco, and swing (U ofC Jazz Bands. This year’s College party hadmore of the same. Virtually all events spon¬sored by the Student Activities Office areplanned without consideration of the minori¬ty student population. It makes no attemptto hide the fact that it believes the minori¬ties on campus should learn to enjoy whatthe majority like, and that there is no needfor the majority to experience what minori¬ties enjoy.Charles (Tony) KnightVice-PresidentOrganization of Black StudentsThe word...To the Editor:SYL HAILS RED ARMY IN AFGHANIS¬TAN!The effective deployment of thousands ofSoviet troops in Afghanistan is one moregratifying, stinging humiliation for Ameri¬can imperialism in the Near East. In themilitary confrontation pitting the Soviet sol¬ diers backing the People’s DemocraticParty of Afghanistan (PDPA) against feu¬dal and pre-feudal forces armed by imperi¬alism and China, Marxists side with theRussian tanks! Hail the Red Army!Recognizing that (as American analystshave long admitted) Afghanistan has nostrategic importance for the U.S., the Sovi¬ets took the opportunity to shore up the secu¬lar left-nationalists in Kabul and in theprocess extend their defense perimeter byseveral hundred miles around the easternflank of Iran. From a military point of viewthe Soviet intervention may or may not havebeen wise, though certainly it is deeply justto oppose the reactionary insurgents backedby imperialism. What really drove the Afgh¬an mullahs into opposition was the attemptby the Kabul regime to restrict (not evenoutlaw) the bride price! For centurieswomen have been sold like chattel slaves inIslamic countries. One need only look at thegains that women have made in the SovietEast to see what proletarian liberation ofthese pre-capitalist areas has meant. TheOctober Revolution proclaimed the fulleqaulity of women; and Bolshevik cadres inthe Asian regions where the mullahs heldsway struggled, often at the cost of theirlives, to draw women out of enforced seclu¬sion. Even though this work has sufferedunder the Stalinist political counterrevolu¬tion, nevertheless women in the Muslimareas of the USSR have vastly more socialgains and real equality than in any bour¬geois Islamic country. Extend the socialgains of the October Revolution to the Afgh¬an peoples!The Carter administration has seized onthe pretext of Soviet troops in Afghanistanto translate the Cold War rhetoric of theiranti-Soviet “human-rights” crusade into ac¬tion — economic warfare against the USSR,including withholding food shipments(something Carter pledged not to do evenagainst Iran). In addition, Carter is increas¬ing the Pentagon budget by 4.5 percent —over and above the $20 billion in the next fi¬scal year. The imperialists will stop at noth¬ing in their aim of reconquering the USSRwhich is the strongest of all the deformedworkers states. As Marxists we uncondition¬ally defend from imperialist attack thegains of the October revolution — collecti¬vized property forms and a planned econ¬omy.By giving unconditional military supportto the Soviet army and the PDPA Afghanforces we in no way place political confi¬dence in the Kremlin bureaucracy or the leftnationalists in Kabul. Only a proletarian po¬litical revolution in the USSR can fully re¬ store the Red Army and the Soviet state toits internationalist and revolutionary mis¬sion. And only Trotskyist parties armedwith the program of permanent revolutioncan lead the colonial masses in their com¬plete emancipation. Only the overthrow ofthe imperialist powers by their workingclasses can lay the basis for the world so¬cialist orders which can lift the deeply op¬pressed and backward regions like Afghan¬istan out of their poverty, isolation andobscurantism, establishing the genuine so¬cial equality of all peopled. But the libera¬tion of the Afghan masses has begun!Dave Richardfor the UC SpartacusYouth League...from MoscowTo the Editor:What sort of a newspaper can come outone week with the banner “Hail the RedArmy in Afghanistan”, and appear the nextweek with the familiar heading “U.S. KeepHands Off Iran”? You know, as do I. A moremeaningful question would be: Why botherto publish such a paper? Why not just dis¬tribute back issues of Pravda?With all the furor over Iran and Afghanis¬tan in the past weeks, it has become increas¬ingly obvious that the Sparts are doing noth¬ing more creative than parroting the Sovietline. Look at their stand on military interfer¬ence in Southwest Asia. On the part of theU.S., the mere threat of intervention repre¬sents bloody U.S. Imperialism in support ofa defunct dictatorship. On the part of the So¬viet Union, armed invasion becomes a noblestruggle against Islamic Reaction. This isobfuscatory nonsense: when I mentioned toone Spartisan that Adam Smith, too, mighthave favored education for Moslem Women,he blurted, “We support Adam Smithagainst Islamic Reaction!” Furthermore,the Sparts tend to ignore the historical factthat since the 1800s. imperial Russia has co¬veted Afghanistan and, ultimately, an outletto the Indian Ocean; their newspaperdoesn’t appear too eager to question Sovietmotives. Even more recently, we have alldiscussed the issue of the draft. Down withjingoism!: the Sparts oppose the draft vehe¬mently. That is, they oppose the UnitedStates' draft, vehemently. I asked one dedi¬cated newspaper vendor if the Soviet Uniondidn’t have a draft. “Of course, but we favorthe Soviet armed forces,” he replied stolid-MaroonEditor-in-Chief: Andrew PatnerEditor: Jaan EliasGrey City Journal Editor: David MillerFeatures Editor: Mark WallachSports: Andy RothmanLiterary Review: Richard Kaye and MollyMcQuadeSenior Associate Editor: David GlocknerAssistant Editor: Chris IsidoreSenior Editors: Abbe Fletman and ClaudiaMagatAdvertising: Steve KaszynskiAssistants: Jan Borengasser, Brian Gaff¬neyOffice Manager: Leslie WickBusiness Manager: Joel GreenProduction: Jake Levine, Scott Rauland,Karen HornickThe Chicago Maroon is the student news¬paper of the University of Chicago, pub¬lished on Tuesdays and Fridays. Editorialand business offices are located on the thirdfloor of Ida Noyes, 1212 E. 59th Street, Chi¬cago, Illinois 60637. Telephone 753-3263.We welcome all letters and corresponden¬ce. We ask that writers limit their letters to500 words. We reserve the right to edit let¬ters for reasons of length or clarity. All let¬ters must be signed by an individual andshould be typed and triple-spaced. Nameswill be withheld upon request. All letters be¬come the property of the Maroon. A subtle and sinister changeBy Abbe FletmanIt is not surprising wrhen older genera¬tions romanticize earlier days and lookwith disapproval and alarm at youngergenerations — even if the gap betweenold and young is a mere four years.This natural tendency to misjudgethose who follow is what I first thoughtwas working when I heard upper classfriends berate underclassmen. But anumber of incidents within the last two%Opinionyears have persuaded me that a subtleand — yes — sinister change is takingplace at the College of the University ofChicago.The first concrete evidence of this shiftpresented itself last spring when anumber of Burton-Judson Court resi¬dents locked over 40 Vincent House resi¬dents in their dormitory and bombardedthem with smoke bombs. While the gas jused was not toxic, the smoke was so 1thick that the victims, participants, and the University are lucky no one waskilled.Early this fall at a party at the Shore-land two College students were sent toBillings Hospital emergency room withmultiple head injuries inflicted by atleast one other student with part of a ban¬nister wrenched from a stairway at anearlier party, which the brawlers hadbeen asked to leave.Finally, just last week at Winter Week¬end. a group of students caused so muchdamage to a Wisconsin retreat that theUniversity may be banned from thecamp for future freshmen weekends.I have tried to dismiss these happen¬ings as unrelated, the product of a fewcrazies in a student population of relati¬vely stable, or at least non destructive,individuals. But the fact that these oc¬curences were enacted by groups of stu¬dents reveals a collective lack of judge¬ment that is frightening. The knowledgethat I have cited only three of the mostextreme examples of such behavior hasallowed my uneasy feeling to persist.Some friends insist that only this col¬lege has changed. The declining pool ofhigh school seniors, they argue, hasforced the College to admit students who.although as bright as past College matri¬ culants, are less intellectual. But as theCollege becomes more “fun,” it also be¬comes more dangerous.My own hypothesis is that there hasbeen a nationwide shift in the nature ofthose of college age. A product of the“looking out for #1” syndrome, the“new” college student wants to look goodand feel good now.Not only are these immediate plea¬sures elusive, especially at a place likethe U of C, but the likelihood of future ful¬fillment appears slim. While earlier col¬lege generations were born into a worldwhere the standard of living was rising,where parents believed their childrenwould do better than they had, and wherethe possibilities seemed endless, today’scollege student confronts a future of di¬minishing opportunities and decreasingwealth. The frustration these studentsfeel expresses itself in rage, and rageturns to violence.Whatever the cause, I am convincedthat the University has become a bleakerplace — not because of the gray sky orgranite classrooms, but because of thestudents themselves.Abbe Fletman was Editor of TheMaroon last year.4 — The Chicago Maroon — Friday, February 1, 1980ly. Apparently the Sparts, like Pravda. areloath to criticize any Soviet policy that isless than thirty years dead.Maybe Joe McCarthy was right. PerhapsTHE COMMUNISTS (shudder) are unwilledsoldiers who take their orders straight fromthe Kremlin.J. S. GillespieStudent in the CollegeFund appeal Projected opinionAn open letter to DOC films:When I hear applause for a credit on thescreen, 1 usually think, “They must be ap¬plauding the projectionist — who else?”, butat DOC films I know that can’t be true.When will you learn not just to programfilms but to project them?James BoneStaff memberAn open letter to U of C students:This week marks the beginning of the 1980U oi C Jewish United Fund campaign. Whenyou consider your commitment this yearremember that peace in Israel has noteliminated the many problems and needs ofJews throughout the world.Israel laces social and economic crises noless difficult than the military threat of thepast three decades. Staggering rates of in¬flation, the search for new energy sources,and the post-war resettlement programshave severely curtailed much needed socialand educational programs throughoutIsrael. Many of these programs are beingmade possible through JUF.The needs of the Jewish community ex¬tend well beyond Israel. Religious persecu¬tion in the Soviet Union has not diminishedand JUF will continue to support the dif¬ficult relocation of those Jews allowed toleave the Soviet Union. Many are relocatedin Israel, others in cities throughoutAmerica, including Chicago. Local pro¬grams. including Jewish education, com¬munity services, senior citizen care,medical care, and drug rehabilitation, mustbe maintained and expanded.As you consider your personal commit¬ment, please feel free to ask for any in¬formation on JUF' programs. Our intent dur¬ing this campaign is not only to gain yourfinancial support, but also to make youaware of the problems of our community. Ihope you will open your mind and heart tohelp make Jewish renewal at home andabroad possible.Art LustigJUF' Campaign ’80 Men’s warsTo the Editor:President Carter’s decision to reinstateregistration for the draft clearly shows thatthe U.S. government intends to send us toanother war. The more discrete forms ofcapitalist intervention — CIA activities,covert military actions, academic advisorymissions, and international bankingorganizations — are no longer sufficient tomaintain U.S. control of third-world nations.The quadrupling of the price of gold in thepast year is further evidence of the crisis ofU.S. capitalism. Gearing up for war will haltthe decay of the domestic economy, but onlytemporarily.By inciting the people of the U.S. to racistand militaristic nationalism. Carter ismanufacturing a movement so that he. asits leader, can be re-elected. His popularitybegan to rise when he refused the Iranianpeople’s demands for the return of the Shah.His continued support of an individual whois now only a symbol of former U.S. controlis an example of patriarchal linear thought.The predetermined solution which suchthought provides has kept the U.S. commit¬ted to imperialist policies formed 30 yearsago. International diplomacy, because it isbased on elitist male bonding, precludes anypossibility of altering policy in response tochanged historical circumstances.Serving Carter’s campaign andcapitalism's dictates, the media has viewedevents in Afghanistan through its narrow-cold war glasses. The presence of Soviettroops in Afghanistan poses no threat to theU.S. whatsoever. However, the presence ofany foreign troops in Afghanistan, whether Soviet or American, can only be destructiveto the people of Afghanistan. We should notbe fooled by Carter and the media intobelieving that there is no alternative than to fight a war motivated by male pride.As a direct result of the Women’s Move¬ment, the U.S government may requirewomen to register for the draft. That theU S. government can draft anybody to fightits wars is wrong; that it considers draftingwomen, who are not yet granted equalrights under its constitution, is absurd. Yeta Selective Service System that does not in¬clude women deprives us of a voice to effec¬tively express our dissent. We must not bebought off by a decision requiring us toregister, but which promises that we will notbe drafted for combat duty. We who are onlypawns in the machinations of corruptgovernments must oppose the use of ourbodies to carry out their self-serving ac¬tions. We cannot contribute to a patriarchalimperialist war through any form ofmilitary service. The women of one countrymust not pick up guns to kill women of othercountries while the rich old white men sit inWashington and Moscow- counting theirnuclear w arheads.Ann LahiffKatherine MostkoffStudents in the CollegeREPAIRSPECIALISTSon IBM. SCMOlympia, etcFREE repairestimates, repairsby factory-trainedtechnician.RENTALSavailable withU of C I D New andRebuiltTypewriters,Calculators,Dictators,AddersU of ChicagoBookstore5750 S. Ellis Ave753-3303RESTAURANT52 1 i South Harper Courtpresents theMonteverdi SingersFebruary 7, 1 0:00 p.m.Please join us and enjoyone of our homemade pastries or snacksEye ExaminationsFashion Eye Wear NEW 2-drawer files $59.00Contact Lenses NEW 6-ft. folding tables $49.onDr. Kurt RosenbaumOptometrist(53 Kimbark Plaza) DBA lilt EQUIPMENTBKANEJ & supply co.1200 E. 53rd St, 8600 COMMERCIAL AVENUE493-8372Intelligent people know the differ- OPEN MON FRIence befween advertised cheap 8:30-5:00glasses or contact lenses and com- SATURDAYSpetent professional service.Our reputation is your guaranteeof satisfaction 4-2 1 1 1 9:00-3:00 • Eye Examinations• Contact Lenses• (Soft and Hard)• Fashion Eye Wear• Contact Lens SuppliesDR. M.R. MASLOVOPTOMETRISTS1MSioiUOMlIsottiNsrHyde ParkShopping Center1510 E. 55th363-6363Friday, February l, 1980 — The Chicago Maroon — 5It’sFingerlickingGood”Visit the ColonelKentucky Fried Chicken1513 E. Hyd* Park Blvd. 25% OFF SALEGET ACQUAINTED SALE FOR U of CSTUDENTS AND FACULTYBrand name clothing such as H. FREEMAN. CHAPS,DONALD BROOKS, MALCOLM KENNETH, AQUAS-CUTUM, LONDON FOG, SERO and others at 25%off of our very low listed prices.This is a special offer for U of C students and facultyonly. This sale applies Mon - Fri from 3 PM - 6 PM andSAT from 10 AM to 4 PM.Your U of C ID card is necessary for admission tothis sale.Slight charge for other than basic alterations.WILLIAM’S TRADITIONALCLOTHING19-S. LaSalle St. - 782-9885(Entrance on Arcade Place)^Aaj'Jo/Ze iAa/mtosn1650 East 55th St root 405-0666PERFECT LOCATION. PERFECT CONDO. 57th K Blaekstone. 3 bedrooms.2 baths, 'im |torch, jrrcal kitchen, ira- fireplace, loads of storage. Mint condition.SI 15.000NOI SE LNIVERSITY AREA - RAY SCHOOL AREA I .ocalion: near 57thKenwood. Condition: Excellent Size: Three Stor\ Brick. Caraire: Attached 2 ear.Lot Size: 188 deep. Availabiiitv: On Clo-iii«. Price: 8265.000 (This is a new listin'!)NONE OTHER WITH THIS SPACE ANI) OR ACE Kaniib living on KenwoodVnicest famib Idoek near 19th kimbark excellent -vsteins - beantifulK maintainedbrick - larjic rooms 8172.500.NEAR 56th H ARPER WITH O AR ACE 8115.000 \ SOLD xC Tri-level brick.Central air. favorable financing available.SPACIOI S CONDO. (Approximatelv 3.600 ft. of living -pace) BOl LEY ARI)REALTY. Nine rooms. excellent condition. 3 baths. Near 51th & llvde Park.8106.000. ^ onld consider rent-option to bnv.SY1 ALL APT - SMALL PRICE! 839.000 bins condominium over lookin'! the lakeI bedroom new kitchen. Here's vonr chance. Other deal fell throu<'h. so this i- la-1season's price.LLXLRY 56th STREET CONDO at pentlmu-e level ri*:ht on the Lake -ide.I bedroom-. I bath-, approx. 3.000 -«p ft. Imagine hi- and her - -Indie-. Main -Indvi- rosewood. true luxiirv. Jack-on Tower-. 56th v\ Everett. 8163.000.NOTE: We tiko have a nice one bedroom apartment in a hi«h ri-c on 51thiV Hvde Park Boulevard. 8 18.000. . .and lots more. Call.OVERLOOK THE Ylll)\* AY AND PARK Co-op apartment on 59th near Harper.House—Ivle fl<m>r plan. 3 bedrm-. 2 bath- in a building vou've admired before. Loadsof natural w<mmI throughout. wood burning fireplace, bright and sunnv with frenchwindows. Lots of storage, nevvlv rew ired 868.500 cash.W ILD ON HYDE PARK'S ( HOK E CORNER. Vacant R-5 panel. Now 200frontage. ^ ill div ide into four 50* sections. 828.000 each. Expanded residential orinulli-familv use. <>.k.ASK A BOLT A 1 BEDROOM HOLSE EOR RENT with option to buv on asmall hike. New construction-builder worried, can have below cost nearMichigan Citv. Ind. - 50 minute drive. 885.000 or 8 100 per mo.CAN IT BE? - 8 room- for 8.35.000.Shore I )r. Lake front co-op apartment. 7.3rd and South [CHANCESFeatures a Super Salad Bar . Steak Burgers . Super Sandwiches . Soup and SaladBar . Steak and Salad Bar Carry-outs available 7 days a week The Michelob is on uswhile you wait to pick up a carry-out order (Sorry, only 1 person can drink free!)Jazz! Sunday evenings 8:005225 S. Harperin Hyde ParkTelephone 363-1454(Good with this ad.) *'.Ve'ro swinging Steakburqers 7 days a week6 — The Chicago Maroon — Friday, February 1, 1980by Andrew PatnerWe went to see the new Hyde Park Hiltonthe other day at the invitation of NataliePress, director of sales for the hotel. "Salesis when you're booking any kind of group ormeeting," Natalie's assistant Pam Knab ex¬plained when we asked if they were alreadyselling the hotel.Pam picked us up in an unmarked whitevan which will soon have a sign and willmake the rounds of Hyde Park and McCormick Place to transport guests. "I love driv¬ing this van," Pam told us, although in Aprilthe hotel will have a full time chauffeur.As we approached the hotel we were unsure of what we would find. Hyde Park oncehad many hotels. An initial generation ofhotels grew up with the Colombia Exposition in 1893 and included the Beatrice andthe Hyde Park. This generation's demisewas another's rise: during the thirties, forties, and fifties, night people danced at theShoreland; visitors stayed at the HotelsWindermere, East and West; baseballplayers and Midway Airport stewardessescalled the Del Prado their home away fromhome; and the Picadilfy had a grand moviepalace. In more recent years the local hotelscene has changed. Some hotels have beenconverted to dormitories or apartmentbuildings, others have been torn down, andstill others have gone to seed.Chief among these last was the 50th on theLake Travelodge. Because of its physicaland commercial decline in its last days, it isbest remembered for the huge plaster fishthat adorned its dilapidated buildings.We asked Pam what had happened to thefish and she laughed, "You know everybodyasks that question. They were so horrible. Ireally don't know." We approached thehotel and found that the changes were indeed more than superficial. A refurbishingproject of nearly $10 million is nearing itsApril completion. Pam showed us the newsigns which had just gone up and told us that117 rooms were ready and that 72 morewould be available within the week. By theApril grand opening the hotel will have 330rooms.We asked Pam if anyone were staying inEnemy of the People at Goodmanthe sake of business, but the Mayor also decides that his brother's name must be defaced in the process. The power of Ibsen'sstory lies in his unrelenting insistence on thetriumphant ability of narrow minded evil¬ness; man after man, at an ever quickeningpace, abandons the doctor and succumbs tomoneyed authority in the guise of themayor. Even the common people do not recognize the doctor as a friend and brother inoppression.ibsen places the doctor's growth in directopposition to this steady erosion of the town;the doctor's understanding and principlesgrow stronger with each hurdle he faces, sothat in the end he oecides to stay in the townand see out the crisis, even though the rocksthat come hurtling through his windowsseem only the beginning of his troubles.Paul Winfield, as Stockmann, undergoes awell developed process of charactergrowth; he opens as a breezy bourgeois,stout and happy in the flush of success. Winfield bubbles with sociability; a kind of"Golly Gee! " attitude pervades even his scientific seif. But the loose limbed, dancingmerriment fails from him as his persecutiondevelops; his gestures become nervous andimpatient anq his muscles tighten, preparing themselves for a fight and a burden.Winfield's blackness lends power to his riseto middle class life, and contributes a special kind of excitement to the scene in whichhe and the black liberal editor (playedcontinued on page 4An Enemy of the Peopleby Henrik Ibsendirected by Gregory MosherThe Goodman Theater. 443 3822by Jeanne NowaczewskiIt is too bad that Goodman's An Enemy ofthe People isn't better than it is. Ibsen is amaster, and even his second best plays(such as this one) are potentially powerfultheatrical events, still realistic and relevant100 years after their time. While Goodman'sproduction is solid and well crafted, it lacksspirit and speed. Even director GregoryMosher's special efforts to spice up the playby using Arthur Miller's 1950 adaptation andintroducing a black and white cast still leftme with the feeling that the master hadn'tbeen given his due.Ibsen, of course, is the father of mid nineteenth century social realism; he specialized in writing plays about syphilis and suicide and the inequality of women — the kindof stuff that probably strained quite a fewafter the theater strolls. The hero of AnEnemy of the People, then, is an Ibsen-typecharacter, struggling to communicate a difficult truth to the masses.Dr. Stockman, a medical man and a scientist, discovers that the health spa, keystoneto his community's economy, is fed by poisonous spring waters, capable of causingmore illness than they cure. Stockmann isebullient and, believing he has prevented acrisis and a scandal, merrily accepts the ac colades of his family and friends. Unawareof political ramifications he releases thenews to the liberal press and presents thecase to his brother, the mayor and chairmanof the board of the spa, naively expecting fraternal congratulations. It is here, with Ithe whole heartedly evil reaction of the |mayor, an archetypal establishment man,that Ibsen starts his ball of deviltry rolling; Inot only is the report to be suppressed forFishful thinkingthe hotel right now. "I don't know, but wedid have some overflow from the hou¬sewares show at McCormick Place. Theywere real troupers. We fed them a continental breakfast in the lobby and went andbought some dinner for them and made abuffet. We hope to have parents stay here at! graduation. I've been talking to Katie Nash! and Lorna Straus about how we can let them| know about us."Pam left us in the lobby where we were to! help ourselves to a continental breakfast.! Natalie joined us midway through our meali of stale bismark and orange juice. She toldI us about the construction. "We had a delayin the restaurant construction because of aholdup in building materials, so we're building a temporary restaurant from scratchright here in the lobby. We'll have a real restaurant, the Chartwel! House, in the newbuilding, which will seat 90 to 100 people. It'sgoing to be very nice with wicker and hanging plants. There will also be a coffee shop,the Laurel Cafe, and the Bristol Lounge forcocktails."Just then Henry Brown walked in. "Henryis our restaurant manager," Natalie said."I'll be needing students from the Universi¬ty of Chicago to be waiters and waitresses,"Henry said. "I'll be hiring in mid March."We thanked Henry for the information andasked if he knew what had happened to thefish. "No," he said, "I don't know wherethey went."Natalie then took us around to severalnicely appointed rooms. "We have four different kinds of rooms," Natalie said, "double doubles, kings, studios, and suites. Webought Drexel furniture;that's about thebest you can buy."Are the Gideon Bibles here yet? "No, Idon't think so, I met some Gideons at a con¬vention once," Natalie said. We wonderedhow the Gideons drop their books off. Does 1 one of them come with a large suitcase? Na¬talie didn't know either."There are 34 rooms on each corridor inthe five buildings that have rooms. Therooms are larger here than in many newerhotels because the building is 22 years old.These beds are big too. I've been talking toUniversity people and I told Jeff Metcalfthat we're very good for visiting teams. Athletes love these larger beds."We asked Natalie where the dinner camefrom when the housewares people werehere. She told us that they got it fromMorry's, "although I don't know if I'm sup ! posed to tell you that." We asked what theHilton would do to attract Hyde Parkers toits facilities and suggested that there couldbe afternoon tea dancing in the newballroom and that local musicians might appear in the Bristol Lounge. Natalie seemedcool to these ideas and told us that the hotelwas on the C.W. Limousine route and thatthey were thinking about a route to MidwayAirport.Pam came around with the van and wethanked Natalie and asked if she knew whathad happened to the fish. "No, no I don't.I They were just awful weren't they." KarenHornickASHUM-AMSASeminar Series 1979-80Program in the Arts and Sciences Basic to HumanBiology and MedicineandAmerican Medical Students’ AssociationPresentRenee Fox, Ph.D.Professor of Sociology and Psychology, The University of Pennsylvaniaspeaking on the topicThe Human ConditionofHealth ProfessionalsWEDNESDAY, FEBRUARY 6, 19807:30 P.M.HARPER MEMORIAL 130 DOC DOC doc DOC DOC DOC DOC DOC DOCRockefeller Memorial Chapel5850 South oocllawn AvenueSUNDAY • FEBRUARY 3I I A.AT. I niversitv Religious ServicePreacher: BERNARDO. BROWNDean of the (JiapelSermon: “MEMBERS”Wednesday. February 68 A.M. SERVICE OF HOLY COMMUNIONTh ursdav. February 75 P.AT. EVENING PRAYERX>C Xi>All films $1.59Cobb HallFriday February 1 7:00, 9:00 & 1 1:00Walter Hill sTHE WARRIORSPANCAKEHOUSEAll batter made from qual¬ity ingredients blended in¬to authentic recipes thathave been carefully col¬lected and selected fromthe very best of eachcountry or area of origin.CORNER OF HYDE PARK BLVD. 151 7 E. HYDE PARK BLVD.& LAKE PARK AVE. HOURS: 7 a m. - 9 p.m. DAILYIN THE VILLAGE CENTER Saturday February 2 2:30, 7:1 5 & 9:00Walt Disney sTHE JUNGLE BOOKSunday February 3Robert Bresson's 7:15 & 9:00LANCELOT DU LACSAN DIEGO CITY SCHOOLSCONDUCTING INTERVIEWS FORQUALIFIED TEACHERS IN THEFOLLOWING FIELDS:Elementary (K-6)Bilingual fSpanish and Asian Languages)Secondary 17-12)MathematicsEnglishBilingual capabilities in mast subject areasSpecial EducationSpeech and Hearing fAphasia)Severely Emationally DisturbedRepresentative on campus February 11. For infor¬mation and/or appointment, contact Ms. JoanO’Donnell at 753-3286.2 — the grey city journal, Friday, February 1, 1980 *fc:.>ncr.:hkMoviesNadine Armstrong, John Finch, and Brian Finn will appear >n CourtTheatre's production of Pe+er Shaffer's Equis when t opens nex’ Thursday, February 7. Curta.n + ime is 8.30, S3.50, $2.50 students. 752 3561The Warriors (Waiter Hill, 1V79,: theseguys are cool; I mean, while watchingthis i wanted to join a gang. A loved andrespected leader of fht n.Y. gangs issho’ at a peace convention The War¬riors get blamed. As they try to getoacK across town, everv gang groundtries to get them. Their trials result irmembers g^tt;nc, beater Killed, andcaught, but they don t get much rewardfor passing the test. Hill's compellingnarrative nrings the whole city fc iite;every street, subway station, and bodyhide threats to ou" heroes. The tensionets up momentarily in order to supplynew and different problems. Sure, theguys are amazingly arliculate and theytight an overwhelmingly powerful organization. But who cares when you re on’he edge of your seat anti abou v > jump•ike its a knife's edge . Tonight at 7. 9,anc. <: in Quantrel! Doc; $..50C-.B.Jungle Book (Walt Disney Studios, i967)This isn't Fantasia but it's almost asmuch tun Mowgli's amma! friends decide he has lived in the iungle with thewolf family too lone so they set out tcreturn him to the man village. Hemeets danger and fun along the way:Louis the ape dances up a storm a JohnWayne like bear befr,ends him, a python and a tiger vie for the tirst nibbleof his flesh, and he becomes a pa1 to agang of vultures with cockney accents,There is a lot of social commentaryhere for such a lighthearted flick: theelephants march "the militarystyle,” Louis the ape sings a iazz tuneabout becoming 'one of them' so hecan swing in the man viaagt andMowgli is finally drawn from the crushby theflmting eyes o' a girl who has iusthiked down to the river to fetch somev-ater Noboay was we’ching in 1967 except the children. Tomorrow a* 2:30,7:15 ana 9 in Quantrec Doc; SI— B.J.Lancelot Du Lac pobert Bresson,1974 . Don 1 expect a test pacec. dragon slaying, damsel sav;ng adventure inthis film. The knight; oi King Ai *hur scourt return weary horn thee’ emptysearch tor 1he Hoiy Graii, aoubfinathem cause and in need of moral oadership Arthur declines reaioas >.-Questto set cut again, shocked by the 'Laughter Lancelot (Luc Simon) is paralyzedby his conflict between desire arm duty,convinced the tailu'o was causeu toy h;saffair with Queen Guinevere HumbertBalson) Amid rumours ot aduitc' y. theinactive camp becomes restiess anamore knights detect mom Lancelot'shypocritical chivalry to Mororeg' . biatant opportunism A i ousting tournamen1 provides a brie' unifying goal butit is too shallow, the schism too deepLancelot is finally shaken from histemptation by Mordred’s treachery,and he and his followers ride off fo theinevitable confrontation. The men andnot the myth of the Sound Table. Sunday at 7:15 and 9 in Quantreii. DocSI 50 - M.MThe Lost Squadron George Arghainbaud, 1932): Another patriotic ettortGibby (Richard Di>.• Red, and Woodyare three WW I tighter pilots. After thewar they become Holly wooc stuntfivers and the- |Ob becomes more cangerous than they d expected Erich vonStroheim gives ar excellent perfor¬mance as the authoritarian Germandirector for whom they work. Umortunately, his part makes Germans seemevil, and Dix's portrays American1" assaps Monday at 7:15 mQuantrelL Doc;$1 double feature DMWhat Price Holiywooci? :George Cukor,1932) Very much, at least for those whoare after tame and fortune in T msel-town. The story, fun ot snippets from illustnous lives of those who die make ithas a gentle ironic touch tc if. (See ifyou can spot John Barrymore;.' Itmocks rather than moralizes. Cukor atthis ear ly stage .n his career alreadyshows his deft hand ai coaxino finely-feit performances from his players.the greyjcity journal Constance Bennett, a decorative actress if there ever was one, gives a surpnsinqiy sensitive interpretation ot anactress on her way up. jowell Shermanas a skid row bound director, is veryfine. The film, by the way, is a precursor to all subsequent pictures about Hoii/wood, (eg A Star <s Born.) Wednesgay at 8:45 in Quantreil. Doc; SI douDiefeature 7 S.A Portrait of the Artist As a Young ManJoseph Sfrick, 1977) An adaptation,t imed in Dublin, of Joyce's autobiographical novel Like his version ofUlysses, and perhaps any attempt tofilm —- yet remain true to — a novel.Strick's Portrait imposes a cinematic'og*c upon Joyce's notoriously uncon\enfional narrative A simplification,then, but worth seeing for Stnck's sens fivity and intelligence Chicago promiere. Tonight and tomorrow night at5 30 and 7:30 at The Film Center of IheArt institute, Columbus ana Jackson.$2. 443 3737. - K.H.Dougias Sirk Retrospective:: Tearierker!” she said, and that was that. Nomore watching those superficial characters clumsily working out theiroverblown, soap operatic conflicts Nomore melodramas tor her. Weh, shespoke too soon; she didn't know thatDouglas Sirk films had entered theneighborhood. Sirk made the 50's bestmelodramas fiims like Written on theWind, Tarnished Angels and imitationor Life. Imitation of L ite? That was thebiggest grossing melodrama of the 5C's;now can it De auality Sirk adhered closely fo the* genre's conventions, yet heconstantly tested and challenged themin Ai: That Heaven Allows Jane Wymanmust choose either to remain a respected membe-r of New England society orto marry a much younger Rock Hudson.Her dilemma and its resolution seemdear: her ' friends'' merely want her in’he fold Hudson wants her ''icve''; scchoose Mr Natural But Sirk exploitshis problem of people constantly wanting things from Wyman; he wonderswhat they will give In other films Huoson s love would have been taken torgranted; Sirk questions it. Hudson's de derations ot love have ;,o apparentfoundation, he may be using them tc-pressure Wyman ana ’o sa’is’v h,s ownego. Atteraii Sirk Shows Huoscn construtting a following sim ar tcWyman s societ y, a Though he c m ms ’oreject ners. ‘mp'iot y and overfly .n hisfiims Sirk examines re!ationst’*os he♦ween art ana life Melodrama is aprime genre for that since If deals directi / with people's ves anc prob * ms.Through February 2 at Facets Mu'timeOia. 1517 W Fuherton. Tomaht three re *cent student films supervised by SirkThe films cited above anc more will beshown over the res’ cf the week Henvon ana Wind isfarr.ng Rock Hudson.Lauren Bacall, Robert Stack anc*Dorothy Malone are tomorrow ai ~ano ft & '0. imitation of Lite anc infer'ode shew Sunday o’4 4 6 anc ft ij rarnished Angels Faulkner's favoritescreen adaptation ot any ot his books,this is basecor Pylon) is Tuesday at 7 &5. S2, $1.50 for Facets memoers. 281 4114G BArtVienna Moderne. 1898 1918 A reminderthat this smashing exhibit continuesthrough February 25 at the Smart Ga*lery. A dazzling exploration into the or *gins of modern aesigr. The Smart sopen Tuesaay through Saturday, 10 4Edward Stephen's . "GretaGarbo" (1928) is one ot 241 Amer¬ican photographs in PhotographyRediscovered. See "Art."Gary Beberman, Ben Davis, Melame Deal, Sandy Harris, Don Hausler, Bennettjacks John K.m, Bob Lewis, Rebecca Lillian, Philip Maher, Jeff Makos. RoryMcGahan Mike Moore, Mark Neustadt Jeanne Nowaczewski, Dan.la Oder, Andrew Patner. Sharon Pollack, Martha Roseft, Renee Sarack.. Danny Schulman,Ted Shen, Helena Szepe, Ray Uliassi, L.sa von Drehle. Phoebe Zerw.ck.Edited by David Miller Associate editors: Laura Cottmgham, Karen Hormck,Mary Mankowski Friday. February 1, 1980k Unity TroupeA.degoke Steve Colson and the UnityTroupe Inaugurate a 'new music.”series at Midway Studio1 ton qht TheUnity Troupe, featuring Colson onpiano and his vocalist wife iqua, is one-o‘ the- foremost groups representingthe Association tor the Advancementof Creative Musicians in Chicagotoday, anti on its wav to internation¬al recognition.Unify Troupe was brought togetherfour years ago by the Coisons and reedplayer Wallace McMillan Followingan Italian tour last summer, theyrecorder: an album, which will bereleased later this year ,f includesguest appearances by Joseph jarmanand Douglas Ewan’ on reeds on twotracksColson play1: piano with a harmonicbasis unique among the generation opianists following Cecil Taylor Hismusic assimilates a great dee otclassics; techmaue ano theory ancrecent has included ragtime as wehColson aiso lists Bobby Timmons themost soulful ot the hare; boppers, as aformative influenceThe Coisons have revived the songas a form appropriate to their coliaberation although iqua is an adeptimproviser in the staf Singing trad*‘ion. Her darkly eolorea. we l icontrolled voice is capable of manyroles"he Colsons coultin'f ask for threebefter music ans fo complete the lineuc Aaiiar.e McMiuan is one ofChicago's unsung masters, ar ear1-,A a CM memom whose pee-s have e*‘th s center ot crea’iv •*, for the world serr-ter rif comm.er e Dusr-un Mosely,tne former Motcwn session -nus'ciaris one of Chicago's strongest drummens Bassist Reggie Wiius is aveteran who has resurfaced *n "heoast cc jo v cf y*-arsAle a Mae H uron ano Kenny o NealRicers ir, the Skythe Gospe* JubHatorsA Magnificent cngir Concert 'he Orgamza’'on of B ec k Students ana Umojapresent se'er'ec: -'ho rs mom the Chicego area heraid;ng Black HistoryMonth Featured w ■ De the Northwestern cnora:e Ensemble and cho-rstrem the Redeeming Cn.jrch of Cnr*$t.Tr.n11/ uniter. Church ot Christ 'heCentennial Missionary Baptist Churchanc 'he Fellowship Tower MissionaryEept:st Church Tonight in Rockefe'lerMemoria1 Chaoel ai 7:30. A recep’*on inci- Noyes L.;brarv wi.i to* tow Free.Live at the pud 'he 'rouble Boys yvho,accoromc to one loc.at punk critic are’he dpst U C. oanct and constantlyimprcvino piay tonight trom 9 30 to12 3C Nc cover but you must be 21 anca Pub memberJazz at Nioon ■ A ‘ree concert featuring ‘hemusic of Brazilian composer AntonioJobim, and Chck Corea, an Americancomposer anc piamst whose music incorDcrates 'oeas from both North anaSouth America. Larry Sullivan gui’arand vocals has a umaue backgroundwhich nciuces working w.th Latino musicians in Chicago a huapango band ofNauhautl Indians in Mexico, anc musicians of 11 tribes in Zaire Peter Goiemme stuoied piano with MiklosSchwaib ano Ran Blake, ana he hasolayed extensively on the East andWest coasts, as well as on a crosscountry Amtrack train. The purpose ofthis senes is to provide the U of C comrrsunify with a chance to enioy free livetazz, any musicians of any style whowish to present their own concertshould talk with the performers afterthe show Tues Feb 5 in ReynoldsNorth lounge at noon. — A TLunchtime Concert A piano scio byDavid Cates will be featured in thisThursday's concert, sponsored by theDepartment of Music Feb 7 in Reynolds North Lounge at 12:15 FreeKAM Isaiah Israel Congregation willhonor Max Janowski for his 40 years asmusic director, composer, cantor, andorganist with a musical presentation ofworks by Ernest Bloch and Janowskihimself Author of 100 Jewish composi¬tions, Janowski's music is used by 900congregations in the United States andCanada and has been recorded by Sherrill Milnes and Jan Peerce 8:15 tonightat KAM, 51st and Greenwood Free.Leonard Emmanuel —A.Pthe grey city journal, Friday, February 1, 1980 — 3anc Sunday, '<2 4 5500 S Greenwood.7532121 creeFhotocraph/ Rerhsrcverea _erge retrospec five o' American photography.1900 :?3C, ones Men. Feb. 4 P'ar to see;t twice Art rst-fute Michigan a*Acams. Open Mon F- 10 <0 4 30. Sat10 5 Sun neon 3 443 360r- Admissionchscrphoparv.Touch Me An exhibit of .vc'ks b, iitteenChicago area artists dealing w.th theemo* onai ano physical aspects of"Touch. The opening is tonight from 5’o 8 ano ’he artists w-ii tx- presen’ tc oetouch ed <0; the r ideas. Throua* Feb. 23a’ N A M E Gaiiery, 9 W HubbardCall 461 6550 <or ga1 lery hours.— D S.Martin Purvear, Options i; The secondir the Options senes at the Museum: ofContemporary Art is to be an instadation Piece by Martin Purvear The worxwill consist of a group ot th.rt , foot saphogs collected by the artist r0 be dis¬played m the Beroman Gaiiery whichcar^be peerea nto from s’reet levti.Through Mar fi 237 fc Ontario. TuesSat., 1C-.-. Sun., 12 5. Stuoent admission$1 260 2660.MusicU of C Folk Fest: Concerts tonight, tomorrov c-no Suncay in Manaei Han8:15 pm tonight $4.50, S3 UCiDThe Gospel JubilaforsEleanor TownsendVank RachelThe Ree-i World String BandAigia Mae Hinton anc Kenny O'NealMama Yancey & Erwin Heifer3 pm Saturday $4.00, S3 UCIDRiders in the SkyBi ne Arvella Grayhe Pee! Worlo String BancThe Fiddle Puppets^.eonerd EmmanueSarah Gunning8 15 pm Saturdav $5.50 53 UCiDThe Fiddle PuppetsYanx RachelFleming BrownSons of the BiuesSarah GunningEleanor Townsend7 30 pm Sunday $4.50; S3 UCiDSons of the BluesGeorge and Gerry Armstrong iqua ano Aaegoke Steve ColsonThe h:trh points of Unity Troupesperformance at last tails AACMfestival came when the auintet brokecow" mto duos and solos. Flashes ofvirtuosity became apparentLike so many AACM groups, UnityTroupe :S noteworthy *or its versatilety Acegoke anc McMillan aouble proficient’y on aito sax and oass, resDecfive,, anc sometimes perform duostogether or* those instruments Thea:bum ranges from an easy Latin swup ’o a oig band sound w*th Jarmarana Ewart from a auie’ narmomcai'v rich p ane soio to a thrusting, surgna high energy *our de force tor ThequintetUnif y T rovnc will present two showstoniqtv at 8 an- io at Midway Studios,6C’fcS '■yiesac 53 4821 $3 — CBiCWliiiH'IHiiiilBti f'iiTI'Hl^iii^ijj^^ii^iiSiiiiif^tiitkikjiMikiiftk.'iik-i't^1Carpenter's Hazy Exercise in HorrorThe Fog. Directed by John Carpenter;screenplay by Debra Hill and Carpenter;music by Carpenter. With Adrienne Barbeau, Jamie Lee Curtis, Janet Leigh andHal Holbrook.by Ted ShenGreat films are expected of John Carpenter ever since his cult masterpiece of a yearor so ago — Halloween—frightened and delighted audiences all over. With that film,Carpenter established himself as a masterof cinematic techniques and an expert at audience manipulation. The film, moreover,showed that the apprentice Carpenter haslearned much from the works of his reveredmasters—Hitchcock and Hawks. In fact,Halloween has been hailed by many as thebest thriller since Psycho.Now comes The Fog, his latest effort. Thematerial sounos promising: a mysterious,dense fog suddenly engulfs and plagues aCalifornia coastal town. It conjures up vi¬sions of unspeakable horror. It's the stuffnightmares are made of.The film opens with a prologue in which asalty old sailor tells his spellbound kid audi¬ence of a vow made by some dying shipwreck sailors years ago. They vowed tocome back to haunt Antonio Bay onehundred years later. Sure enough, at the eveof the town's centennial celebration, strangeand eerie things begin to happen. Radio signals are interrupted, walls vibrate, lights gooff by themselves, and a piece of plasterfalls from the wall in Father Malone'sstudy, thereby revealing a diary. The diary,kept by Father Malone's grandfather (bothEpiscopalian priests, you see) tells of acrime committed by the townspeopleagainst the six shipwreck victims.In the meantime, disc jockey AdrienneBarbeau, ensconced in her light house radiostudio, notices a strange fog rolling againstthe wind and heading towards a cabin cruis¬er. On board the cruiser, the three passengers become alarmed by this unexpected,peasoup fog. Suddenly, six apparitions appear.The rest of the film follows the progress ofthree groups of people as they gradually become aware of the menace of the fog as theirpaths intersect. One group is Barbeau, herson and her unseen admirer; another ishitchhiker Jamie Lee Curtis and her newfound love; the third is civic minded JanetLeigh and her assistant, Nancy Loomis.Most of them, after undergoing varioustrials and tribulations, end up in Father Ma¬lone's chapel waiting for the grand denouement.Carpenter's skill at manipulating audience response is as well honed as ever. As inHalloween, a flurry of violent activities inthe first reel establishes the danger of theunknown force. Thereafter, every move- All in the family: Adrienne Barbeau and her husband; Jamie Lee Curtis and her mother.Enemy of the Peoplecontinued from page 1smartly by Gregory Williams) debate thebest methods of battling the establishment.But the play has not been transformedinto a racial struggle, for Peter Stockmann,the mayor, is also played by a black, thewondrously dignified William Marshall. Thecolor element is simply an interesting sidelight allowed to flicker in our brains as weconcentrate on the one fiery theme of theplay: the solitary hell of heroism. Marshail's portrayal of the mayor is sometimesslow-paced and tired, but at his best he isspine-tinglingly bad — his mellifluous voicemay sound like God's, but it's reallySatan's. If you're looking for a sympathetic,psychological portrayal of power seekers,you won't get it here: Marshall plays themayor as a cold blooded, ruthless dynamowho neither swerves from his course, nor regrets its heartless destination.The Arthur Miller translation contributesto the strength of this production, by supplying new methaphors and, most importantly,by dropping lines; the most significant alteration occurs at the play's end when thefamily is huddled together in the cold study.In older translations, the doctor makes hisstatment: “the strongest man in the world ishe who stands most alone," and then hiswife shakes her head maternally and hisdaughter clasps his hand. Miller cuts thesesentimentalities; we know Stockmann'sfamily is behind them, but he has made his decision despite his family and its needs.The older translations suggest that Stockmann is a typical eccentric who needs prac¬tical women to take care of him; Miller correctly dispenses with this implication andcloses the play with a firm restatement ofIbsen's theme: Stockmann stands oppositehis family on the stage and states loudly:“The strong must learn to be lonely."The set reflects the harshness of Ibsen'sgoverning idea: when the curtain opens, theset is warm and appealing with its simple,Scandinavian wooden chairs and tables. Asthe plot becomes more somber and disheartening, the set reflects the change and wooden lattices suddenly throw prison like shadows on the walls. Behind the set at all timesis a dun and ivory colored photograph oftumbling spring waters. Its constant presence reminds us that while every characterthings he knows the springs, only the doctorhas really seen them for what they are. Tohim, the truth is as obvious as the constantpicture is to us; yet, he is as powerless as weare to communicate his truth, though he hasventured everything in the effort to achievethat communication. Such is Ibsen's harshassessment of political realities in our modern world: it is an analysis as right for the1980's as it was for the 1880's. Goodman hashelped the master say it once again, but ifthere were more spirit and energy in thisproduction, I think we would all be listeningharder.4 — the grey city journal, Friday, February 1, 1980ment ana every object become suspect. Thewell planned camera angles accentuate themenace; the ingenious mise en-scene instills danger in every frame.Carpenter's ironic humor is also intact, although somewhat abated and forced. In onescene, the centennial celebrant Leigh pipes:“We must keep the old spirits alive." Butthe humor here lacks the spontaneous tonepresent in Halloween. The jokes here standout, whereas in Halloween, the baby sitter jone-liners are interwoven into the narrative jso that they seem natural.Yet, neither the thoughtful mise-en-scene !nor the wry wit salvages the film from i.ts \meandering narrative and Carpenter's jcheap trick in turning a real threat into a ilaughable one. The narrative, with its jvarious subplots, needs a unifying thread, it jdoesn't get one. Barbeau, whose voice isheard throughout the film commenting onand precipitating actions, is obviously in¬tended as one. But the device doesn't work:it's too superficial. The narrative needs anunderlying theme, or an ongoing emotionalconcern. The plot needs to be taut and wellplanned. As it is, by the time the variousgroups converge upon the chapel, the plothas already lost much of its credibility.The unknown force, the fog, has an air ofmystery. But Carpenter undermines the po¬tential of this menace by turning the dangerinto a corporeal one—into ghosts. Ghostsare too commonplace to be convincinglythreatening. In this one, the apparitions looklike the Creature from the Black Lagoon dressed up as Capt. Hook. They are so ludicrous looking that each time they appearthey dilute the force of the threat.The root of Carpenter's problem, howev¬er, goes much deeper. It lies in Carpenter'soverzealous tribute to Hitchcock andHawks. The film is full of allusions to theirworks The parallels between The Fog andThe Birds are obvious. Both deal with super¬natural forces, The Birds came right afterPsycho There are several specific references to Hitchcock's masterpiece—AntonioBay is next to Bodega Bay; Curtis, likeTippi Hedren, seems to have brought on thecurse, and there is a scene of gas leakingominously at a deserted gas station. (Car¬penter makes a talking cameo appearance.)But the similarities end here. Hitchcock'sstroke of genius was in turning harmlessfine feathered friends into an inexplicablethreat; whereas Carpenter's mistake is in turning a potentially menacing force into alaughing stock. Hitchcock set up the menacing situation as pretext for examining emotional relationships; Carpenter squandersaway an opportunity for a profound study ofhuman frailties by emphasizing the histrionics of the unknown force.The homage has an interesting twist:Carpenter tries to put a Hawksian situationinto a Hitchcockian context. But the Hitch¬cockian universe is necessarily differentfrom the Hawksian one. In Hawks, comraderie among equals can measure up to anydangerous task; in Hitchcock love and trustgrowing out of people as a response to external threat can ward off any danger. In TheFog, Carpenter tries to combine elementsfrom both. The group, barricaded inside thechapel, is out of Hawks; Barbeau, pleadingher son to forgive her neglect, is out ofHitchcock. The attempt at fusing the twoworlds may be ultimately futile When theycollide, as they do here, the result is a smattering of half baked ideas.It's senseless to talk about acting in TheFog. since none of the characters get ade¬quately developed. The actors are usedmore for their iconography. Barbeau looksworld weary, Curtis looks as sullen as ever,Leigh looks harried, and Holbrook looks repentant. Most of the others look right fortheir parts. The spine tingling music, byCarpenter himself, although quite effective,is getting rather tiresome. It sounds moreand more like a variation on a one notetheme.For The Fog. Carpenter had a tree reinwith budget Nowadays, big budget seems tobe more a hindrance than a blessing to mostyoung filmmakers. Look what happened to1941 and Apocalypse Now when Spielbergand Coppola had all the money they couldspend. When Carpenter faced limited resources, as he did in his first three ventures,he used imagination. Here, with a big budget, he resorts to dry ice. Lots of it. The foglooks quite impressive: heavy, misty and insidious. But no amount of it can conceal theglowing defects inherent in the script.Folk Festival previewby Ben DavisThe 20th annual University of ChicagoFolk Festival, bringing performers of traditional American music from all over thecountry, happens this weekend in MandelHall and Ida Noyes Hall. A wide range ofmusical styles will be featured, includingblues, mountain ballads, old time stringband music, and a cappella gospel.Four concerts will be held in Mandel Hall:tonight at 8:15 ($4.50); tomorrow at 3:00($4.00, $3.00 for students, children and se¬nior citizens) ana at 8:15 ($5.50), and Sunday at 7:30 ($4.50). Free workshops, folkdancing and jam sessions will run from 10-2Saturday and 126 Sunday in Ida NoyesHall.Especially noteworthy in this year's Festival is the great variety of vocal artists.Blues singer Mama Yancey, a Chicago legend and widow of bluesman Jimmy Yancey, has performed at the Festival in recentyears but rarely makes other appearances.She returns for the Friday concert, backedup by virtuoso blues pianist Erwin Heifer.The Gospel Jubilators, a five man a cappella group from North Carolina, will performold time gospel music on Friday and Sunday. Also featured are balladeer Sarah Gunning, National Hollering Champion LeonardEmmanuel, and Blind Arvelia Gray, whosetradition of street singing is well-known to1C commuters for his performances in theRandolph Street underpass. Many of theseartists will participate in the Vocal Stylesworkshop Saturday afternoon.The Festival also features outstanding instrumentalists, including North Americanfiddle champion Eleanor Townsend, banjoplayer Fleming Brown (the original host ofWTMT's “Midnight Special"), blues guitarists Algia Mae Hinton and Kenny O'Neal,and the^Reel World String Band, a group ofaficionados will enjoy clogging by the Fid¬dle Puppets, a group of cloggers/musicians/puppeteers which includes former Blind Arvelia Graymembers of the famous Green Grass Cloggers, and Algia Mae Hinton's buckdancing.And Chicago folkies will not want to missGeorge and Gerry Armstrong's interpretations of British and Anglo American folksongs and ballads.In addition to vocals, there will be workshops in clogging, blues, fiddle, and womenin American traditional music, as well asfilms, international folk dancing with theUC Folkdancers (Sunday), and a lecture byfolklorist Dana Epstein.Tickets for the festival are available atthe Reynolds Club box office and at IdaNoyes Hall during the workshops. For moreinformation see the schedule on page 3 orcall the Folklore Society at 753 3567.good theater, your Honor”The Chicago Conspiracy TrialOdyssey Theater EnsembleCapitol Recordsby Rebecca LillianThe Chicago Conspiracy Trial is a recordi¬ng of a play of a trial. The record wasbrought to us by Capitol records; the playby Ron Sossi, Frank Condon, and the Odyssey Theater; the trial by history.It was the trial of the "Chicago Eight"when it began on September 26, 1969 in theFederal District Courthouse of Northern IIhnois. They became known as the "ChicagoSeven" after defendant Bobby Seale wasgagged, bodily removed from the courtroom, and severed from the case.All of the defendants were charged withconspiring to incite a riot at the 1968 Demo¬cratic National Convention. Had they beenfound guilty, they could have been sen¬tenced to up to 10 years in jail and a $20,000fine.By the time the trial ended five monthslater, each of the defendants — and theirlawyers — had received numerous citationsfor comtempt of court. They were acquittedon the original charges.The actual charges were dubious from thestart. David Dellinger has used the gaggingof Bobby Seale as evidence of this: "BobbySeale is the perfect example of how the defendants in the Chicago conspiracy trialwere selected; it was not on the basis of any¬thing they had done in Chicago, but becauseof their prominence in the various consti¬tuencies of the anti war movement, or othermovements which the government wantedto intimidate."Defense attorney William Kunstler waseven more explicit in his opening statementto the court. ", . . the real conspiracy in thiscase," he stressed, "is the conspiracy tocurtail and prevent the demonstrationsagainst the war in Vietnam and relatedissues that these defendants and other peopie, thousands, were determined to present.. . the real attack was on the rights of everybody, all of us American citizens all, to protest under the First Amendment to the Con¬stitution. . . "Few people — certainly not Judge JuliusHoffman, or the media, — were preparedfor such a free form, public confrontation ofvalues. Much of the trial's significancestems from this uniqueness.The recording of a play culled from the22,000 page transcript of a five month longtrial has obvious limitations: as communication, as history, as art. After filtrationthrough so many forms of media, the subtlety of the original is easily blurred or lost.The entire event looses something by beingcondensed and taken out of context.But something is also gained. The compilers of the play have retained many dialogues verbatim, and, because they are condensed, the bizarre quality that permeatedthe case is exaggerated. Jerry Rubin's reaction to one of his 16 counts of contempt exemplifies this. Although he faced a harshsentence if convicted, he viewed the proceedings as absurdly fun:Rubin: I did not walk out onthe trial Your Honor. That is absolutely wrong. I like being hereThe Court: That is the beststatement I have heard hereduring the trial. You said youenloyed being here.Rubin: It is good theater,Your Honor.The trial was not the sort of theater inwhich the audience, totally separated fromthe action on stage, willingly suspends itsdisbelief. It was a Total Environment theater, rushing freely from comedy to tragedyand back again, with everyone present constantly performing, watching, clapping, andbowing.Obviously, the trial held a different meaning for each participant. To the defendants,it was an extreme example of the Establishment's lack of justice. It was their chance toexpose the very attitudes that had landedthem in court.Abbie Hoffman and Jerry Rubin, the morevocal defendants, giggled together andpassed notes throughout the trial. In the Police protect Civic Center courtroom during the Chicago Seven Trial.play, all of the defendants and some of thespectators scream "Yippie! Yippie!" whenever that word is mentioned, although thisdoes not show up on the official transcript.Rubin's and Hoffman's antics were wasted on Judge Julius Hoffman. It is still unclear exactly what the trial meant to theJudge. Dwight Macdonald's introduction toThe Tales of Hoffman, an edited documenta¬ry of the trial transcript, says that "there issomething peculiar, assuming the Judgewas not in cahoots with the defendants to undermine our legal system . . about the consistency with which he perpetrated injudicial outrages from beginning to end..."During the proceedings, Hoffman failedmiserably both as an impartial administrator of justice and as a comedian. There is afine line between being aloof and beingsnotty; between being full of wit and full ofslurs. Hoffman was consistently on thewrong side of that line. He came off merely jas obnoxious and defensive:The Court: I won't hear anything written by a reporter whois writing a story that might beappearing as a news story. Thatis no reflection on the reporter,but he is here to get a living andbring a good story back, or abad one, as the case may be.Mr. Kunstler Your Honor,the story —The Court: I will not hearwhat is in the newspapers.Mr. Kunstler: I am not goingto tell you what is in the newspapers. If you will hear me out,Your Honor —The Court: You brought it up,"What I saw in two newspapers."The interaction between juage, defen Jdants, and attorneys might be called a jfarce; it might be used to prove that the hip jpie Yippies were incapable of being serious iabout anything. Actually, despite the clowning, they were deadly serious. Realizing the Isignificance of their case to free speech andthe right to dissent, their goal was to satarize the American legal system. They jwanted to show that certain law enforcers ! were incapable of being fair about anythingTheir manner indicated that they could notassume official, impersonal roles.Both the defendants and their lawyers attempted to observe October 15, 1969 as Moratorium Day. They refused to let protocolrearrange their proprieties for them. Ofcourse, they didn't get very far:Dellinger: Mr. Hoffman, weare observing the moratorium.The Court: I am Judge Hoffman, sir.Dellinger: I believe in equali¬ty, sir, so I prefer to call peopleMr. Or by their first name.The Court: Sit down...Dellinger: I wanted to explainto you why we are reading thenames of the war dead...Wewere just reading the names ofthe dead on both sidesJudge Hoffman was trying to make it as \"straight man" while the defendants impro ■vised around him. He was so consistently jpredictable that the improvisers easily {twisted his dead pan style to fit their own vi jSion of the trial as theater. They didn't try to jbe hysterically funny; their humor was sim jply a by-product of their attempt to mthe whole event appear ridiculous. Forample:Abbie Hoffman: My name isAbbie. I am an orphan ofAmerica.The Court: Where do you reside?Hoffman: I live in WoodstockNation.The Court. Will you tell theCourt and jury where it is?Hoffman it is a nation ofalienated young people. Wecarry it around with us as astate of mind in the same waythe Sioux Indian nation carriedthe Sioux nation around withthem...The Court. Just where it is,that is all.Hoffman: In my mind and inthe minds of my brothers andsisters. And, later:The Court. Can you tell theCourt and jury what is yourpresent occupation?Hoffman: I am a cultural revolutionary. Well, I am really adefendant...full time.While listening to all of this, however, onecannot forget that the Odyssey Players arerecording a play, not a triai. The voices wehear belong to actors and they fictionalizereal people.The discrepancy between the productionand the actual event is most problematic forthe actors playing the defendants. Rubin'sand Hoffman's own speeches were charac¬terized by their honesty and spontaneity asno stage direction could adequately convey.Perhaps Judge Hoffman would have liked tohave written the complete script for thetrial, but most of it was improvised.The play is not fiction. It all happened; wehear words that were actually said, but theyhave been edited considerably and coloredby various interpretations. Enough so tomake us wonder exactly what the recordingmeans as communication, as history, as theater.The recording is far from improvised; attimes it is stilted and phony. None of the participants in the actual trial were usheredinto the courtroom or called to the witnessstand with the melodramatic drumrolls wehear on the record There was no ominoussounding narrator announcing their presence. These trappings add nothing to ouri sympathy for the defendants, which is the{ apparent intention. They only detract fromi the dramatic effectiveness of the productj ion.Most of the recording's effectiveness liesj in the material on which it is based The} ethos of the original trial is preserved in thisI rearranged dramatization of it. The audi! ence responds to the realization that thesej words, these actions actually happened in a} court of law.The Odyssey Players are most successful| when they change nothing in the transcriptI That is when we see the history as an amazing feat of life, exaggerated. That is goodi theaterthe grey city journal, Friday, February 1, 1980 — 5 PhilLathropi Ruby's Merit ChevroletSPECIALDISCOUNT PRICESfor all STUDENTS andFACULTY MEMBERSvJust present your University ofChicago Identification Card.As Students or Faculty Membersof the University of Chicago you areentitled to special money-savingDISCOUNTS on Chevrolet Parts.Accessories and any new or usedChevrolet you buy from Merit Chev¬rolet Inc. iIP1 s GM QUALITY$£HV)C€ PARTS |3JENEJUU MOTORS PARTS DIVISION Lt W / U ^Any; I hut (tirufCM I tfltnti(, \l Pwt- if-RUBY’SCHEVROLET72nd & Stony Island 684-0400Open Daily 9-9 Sat. 9-5 Parts open Sat ft! Noonyfy RUBY’S*^VOLKSWAGEN r72nd & Stony Island 684-0400Open Daily 9-9, So#. 9-5 Port* open Sat. 'til NoonMajor Court Studio ProductionPeter Shaffer’sEQUUSDirected by Michael HildebrandThurs. - Sun. £Feb. 7 - March 2 » • h8:30 pm, 7:30 Sundays s/Reynolds Club Theatre5706 S. 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THAT'S BE(,H IBED - THEN WE I LCONTACT YOC BY PHONE AM) KEEP YOl Bl'SY WITH SHORT OBLONOTFBM ASSIGNMENTS THAT WILL SITl YOl B SCHEfM I.E.IDEAL FOB STUDENTS A STCDENT W IVES!WE OFFER: TOP PAY. BONUSES AND VACATION PI.ANSSTIVERS TEMPO!! ARY PERSONNELbkichtdn PARK FOBD CITY EVEBCBEEN PARK1308 S. Ari-lier 7601 S. koslner (,730 S. W estern927-5028 ! 581-3813 >23-5912Ian equal opportunity empfover m,T|Beverly Hills.He leaveswomen feelingmore alivethan they'veever felt'before.Except one.Paramount Pictures Presents A Freddie Fields Production A Film by Paul Schrader Richard Gere m “American Gigolo"Lauren Hutton Executive Producer Freddie Fields Produced by Jerry Bruckheimer Music Composed by Giorgtc MoroderWritten and Directed by Paul Schrader OngScu iotnck Recotdm? or Poiydw Recwd',and iapo A Paramount Picture1RESTRICTED -UhDt« U At JURIS *CCOWP»Nri»COAOT Of fQUIT GUXRC'XK j Read the Dh! Bock Cat' Me pwfotmed b» Biondte COPYRIGHT MCMiJtXRATION HIALL rights reserved LLNOW SHOWING AT SELECTED THEATRES1301 E. 47th St.548-1300 FT r-rtq-;TT^—i—(—- Jl » *4-1 f-J-tlFEBRUARY IS RAUQOETRAI.I. MONTHAT HYDE PARK RACQUET CLUBFa mill MEMBERSHIP R \TESl1*1 thru Sept. 7. 1980)SI 05.00Individual 15.00Daytime 25.00Jimior/Sltidcni* 18.00*a|»|ili*‘> In I lit .m* 22 \r- ami muter who art- full time| -itul. iil*.—> T MEMBERS! fake advantage of mliiml( Kaetpiclhall Rale- thi* moiilli.r t > < r r » ■l—i L-L-l 1 - 10 Tcnni* (!ourt*- 12 Rnnptcihall < lotirt*- E\erei*c area include*Nautilus weijrlit equipment- 1/10 mile rinmine track- I.oeker Room with whirlpool*& '•nniiUK-Special Event* Batnpni R<*omS5.00/f fourRocrvcd courts on prime and non prime linniTt-rtJm vL >> •**■ —I6 — the grey city journal, Friday, February t, 1980The Lives ofDancers ’Shoes-and ofDancersA Dance Autobiographyby Natalia MakarovaKnopfDancershoesby Daniel and Stephanie SorineKnopfby Molly McQuadeThe glamour and romantic discipline ofballet first hit me when I read about it —not when I went to a performance. Thebook was one of a series by NoelStreatfield. In it, three orphaned childrengot their bearings thanks to theater anddance. After pinching pennies to studywith Madam this-or that, afterhumiliation and hardship, they(predictably) blossomed — and then,their futures were assured. No moreworrying, except for the sake of art; nomore dismal walks in the park withearthbound nannies and jaundiced aunts.Studios, impresarios, stage managers,sheet music, matinee posters — even thegrimy corps — became the cares of thesestage-struck adults. They had grown uphardly noticing it.When / wanted to talk ballet lessons,my mother tried to talk me out of it. Notas easy as it looks, she said. Just think ofthat book. What about it? I wondered,remembering only an appealingmustiness, as Pauline waited in the wingsto make her entrance ... or, Posy, risingguiltlessly to her toes. Or even Petrova,who eventually rebelled, and who wantedto fly planes — even she had her finemoments, when the teacher praised herback and her stalwart knees. Ease?Ease That wasn't at all the point. Iwanted to work and to have talent, talentthat would show up, that everyone wouldsee I wanted to be like the girls in thebook.I won out in my argument, but haveshelved the other hopes. To honor them,though lamely, I've begun again to readballet books. And it's a good thing. I'llnever strain my tendons, this way, orblister my toes, or cringe at the reproachof an autocrat posing as the secondDiaghilev. I won't feel the competitivecurrent running through rows ofteenagers at their splits and pirouettes.And I'll get free of dressing room gossipand make-up and pretentiousness — backto the bookstore aisles.Those aisles are increasinglywell stocked with dance books. The pastyear's yield has been varied and rich.From histories (like Richard Buckle'sDiaghilev) and personal accounts ( TheMagic of Dance, by Margot Fonteyn) tohilarious parodies (Frogs and the Ballet)and luxurious calendars, publishers havemore than supplied us. Of the recentarrivals, ballerina Natalia Makarova'sautobiography (published by Knopf) isparticularly attractive.Before reading it I wondered, willMakarova be articulate? Some dancers,like Tamara Karsavina, have writtenwith enviable color and insight, but thereis generally no reason to expect them tobe wordsmiths. Makarova, however,joins the exceptions. Though A DanceAutobiography was begun as a series ofinterviews and "ballet seminars" heldwith Makarova, her editor, andcolleagues, and though — one canassume — it wasn't written so much astalked out, it reads well. The writerwastes no time over unimportant detailsor with material that would interest onlyexperts; she is perceptive, and verballyprecise. Because she (with her editor'shelp) steers so decisively through herstory, without excluding laymen from it,Makarova ends up by giving us herself.And who is that? A woman who,against the wishes of her parents, beganballet as a lark but soon came to investher emotions and ambitions in it. "Mymother was horrified," Makarovarelates. ". . . how could I, . . . heir to the Natalia Makarova in "Swan Lake."intelligentsia, plan to spend my whole lifehopping around on my toes? She trainedmostly at the Vaganova School inLeningrad, where traditions of French,Italian, and the Russian ballet had beensystematized, and where dancers wereurged to take an intuitive as well as ananalytical approach to their art.Makarova responded profoundly to this.Though she enrolled in an acceleratedprogram designed for students of specialtalent, she was never overwhelmed bythe purely technical aspects of dance."I did not attempt to develop myreason," she says. "I simply stored upfeelings, and my feelings poured out inthe dance, in spite of myself . . .”Of course, this is too simple an accountof Makarova's sophisticated andpainstaking efforts, in fact, thoughimpeccable when dancing romanticparts, she has her weaknesses — as sheadmits. "Soft legs," and a lack ofstamina, plagued her in the early days ofher career, and Makarova never becamea cold-blooded virtuoso. Technique fortechnique's sake simply didn't obsessher."For me, dancing means overcoming... formality of movement, it meansspirituality — otherwise what good is it?"this Giselle of Giselles asks. Spirituality,and more concrete qualities, led her intothe corps de ballet of the Kirov Balletdirectly after she graduated from theVaganova School. But herabsent mindedness (and spirituality)played havoc with the blandsynchronization of the corps. Makarovamoved up into solo roles, and soonattracted enthusiastic notice.Her years at the Kirov involved muchgrowth, particularly under LeonidYakobson, a choreographer who ledMakarova out of the shelter of lyricismand into more down to-earth, evenirreverent, parts. She toured wisely; herschedule wasn't rigorous. Still, as timewent on, Makarova began to chafe at the fmlimited classical repertoire of thecompany, and at Party dogma. "TheParty administration which oversaw theKirov did not understand that it isimpossible to produce a ballet about theconstruction of a hydro electric plant,"she complains.For these and other reasons. Makarovadefected to the West in 1970. It was asudden and unpremeditated move,leaving even the defector startled.Confused by the complexities of theEnglish language, and disappointed whenBritain's Royal Ballet didn't invite her tojoin the company, Makarova felt« intimidated by the "more intense,j opulent, and diverse" habits of Europeand America.But, joining the American Ballettheatre, Makarova found whaut she hadpreviously missed: artistic challenge.She danced a wide variety of roles with arange of partners, and at a pace that lefther breathless From Balanchine toTudor to Ailey to Robbins, she learnedstyles foreign to the Soviets. She alsooccasionally coached other dancers, andeven helped to stage a companyproduction. No longer affiliatedj excusively with ABT, Makarova has! appeared with many other companies,has married, and recently had a child.For all this information, theautobiographer's gifts became clearest inher photographs. A Dance Autobiographyis packed with them. Especially in theseries on "Giselle," Makarova's nesenceis haunting — not a dancer striking apose, but a strange, spiritual shadowdrifting about a shoal.A second dance book to appear isDancershoes (also published by Knopf).In this big, glamorous album by Danieland Stephanie Sorine, 43 dancers talkabout their shoes. Fetishistic? No. Thebook was designed for a ballet audience-eager for inside secrets now thatcommon facts about the art are known.And the audience is rewarded. Without becoming too technical, the dancersexplain how they select, care for andperform in their shoes — as well as whataesthetic values the shoes are assigned.The problems of male and femaledancers' feet are quite different. Womenspend most of their practice andperformance time in pointe shoes, whosesolid boxed tips let the dancer rise to hertoes. The rest of the shoe is made mainlyof reinforced satin. Usually dancers sewfastenings to the shoe, fitting elastic overthe top of the foot and winding ribbons afew inches up the ankle before knottingthem. Though they create an impressionof delicacy and grace, pointe shoes arenotoriously painful to wear, and canthreaten a dancer's health.Various rules and precautions surroundthe wearing of the shoes. Asquare shaped foot, supported by astrong ankle, is ideal for pointe work —and yet, the square shaped food isn'tappealing to look at. The narrower,tapered sort seems more elegant, butmay survive the strains of toe dancingless well. Training on pointe 'r'oSt notbegin before age twelve — and not beforea thorough training in soft shoes iscompleted. (Otherwise, back and legmuscles won't be strong enough to bearthe effort.)The actual art of dancing on pointe isfull of niceties, difficulties. The boxed toeand tight fit of the shoe can inhibit adancer's leaps and even produce the echoof a clatter when she lands. Toe shoescommonly raise blisters and causebleeding. Without enough rosin on thefloor or shoe, the dancer may slip. Whenshe rises on pointe, she must take care tostand on her toes and not "knuckle" —rest on her toenails instead. She alsomust allow for the extra height that toej shoes give her, when considering hermale partners. (As a consequence, tallballerinas are taboo). Above all, toeshoes force the dancers to convince theaudience that this most painful andartificial contrivance comes as secondnature to her."... I am sympathetic to girls whodance on pointe — it's torture," confidesGary Chryst (of the Joffrey Ballet) inDancershoes. Though men almost neverdance on pointe, a few roles (such asBottom in Frederic Ashton's The Dream)require it, usually for comic effect,i Ordinarily, men wear canvas or leatherj ballet slippers and don't rise beyonddemi pointe — the balls of their feet.But the male dancers interviewed seemto be as concerned about their shoes asthe women. The goal is to find a verysensitive yet durable slipper. As Chrystsays, when dancing he would like to feelbarefoot but maintain the clean classicalline possible only with ballet shoes. PeterMartins, of the New York City Ballet,wants always to feel the floor through thesoles of his shoes. He also wants hiselastics sewn on just so — and, unlikemost dancers, has found someone to do itfor him. His ballet shoes werecustom designed after molds were madeof his feet ano discussions were held witha Parisian shoemaker. Few of the otherdancers were as scientific or particular.Dancershoes benefits from good editingand luxurious photographs. The dancers'comments are informative but alsopersonal, concise yet not cold(Barishnykov mugs behind a scarf anddenies the romance of his first shoes). Inaddition to a personal photograph, eachstatement is illustrated with a picture ofthe dancer's shoes — on many pagesmore prominent than the dancer himself.The moods of the shoes vary.Sometimes the toes bunch into exhaustedyet charismatic piles Others arehemmed in by a pensive darkness.Brilliant insteps adorn the women'spages. This is not to say that the shoesoutdo the dancers. But they add drama —definite personae of their own.Unassigned Readings and other Guilty Pleasures Compiled by Richard Kaye and Molly McQuade,with the staff of the Chicago Literary Review.the grey city journal, Friday, February 1, 1980 — 7Hear NoEaglesby Lisa von DrehleIf you think that the Eagles' outrageoushumor makes them "America's best punkband" then think again. Granted, Americanpunk is a wimpy version of the English stuff,but there is still nothing punky about theEagles. The boring, middle of the road slopwhich they (and groups like Styx, Heart,and Foreigner) churn out has commerciali¬sm and not creativity as its driving force.Punk arose largely in reaction to such carefully manipulated and overproduced soundsand the consumer society which they refleet.The original punks didn't view their efforts as a joke, nor did they sacrifice (artistic) integrity to mega bucks the way theEagles do. The punk movement startedseriously, arising out of the depressing social and economic situation in England infhe mid Seventies. The sound was strippeddown, a constant barrage of tense, quickriffs. The cloying harmonies and professionally calculated hooks which characterizetne Eagles, et al., were gone. Instead, anykid could pick up a guitar, join some friends,bang out a few chords and wail about beingon the dole. Music escaped from theclutches of the big conglomerates (RCA,Sarris to speakLaw School Films has arranged for Andrew Sarris to lecture here on Friday, February 15.Sarris is the author of The American Cinema and is a main proponent of the auteurtheory of film. He is presently a film reviewer for the Village Voice.Alfred Hitchcock's Strangers on a Trainwill be shown in the Law School Auditoriumfat 1 pm and will precede Sarris' lecture. Admission to both film and lecture or lecturealone will be $1.50; LSF members, free.Crown and ThornSend your kidsto the Universitynow.They’ll beready for collegelater.• hi Schools53 '>6'vM/impr uvtr Student Government, especiallySteve Kehoe, Jeff Lasky, and JeffLeavell: for efforts toward the student fee, which can't help but be efforts toimprove student life. Rah!U of C Lab School Publicity: for.the ad in the February issue of Chicago magazine which implies thatsending your children to the lab school issending them to the University. This addisturbs we who would have enrolled in thelab school if someone had told us it was theway to bypass common core, avoid graduate students, pay less tuition — but still bea U of C student.—LJC WEA, etc.) and into the hands of the kids.While the Eagles immortalized the bourgeois life at Hotel California the Clash sangabout "Career opportunities, the ones younever got" and the Adverts tried to picturelife through Gary Gilmore's eyes.Three years ago I saw Sham 69 play at theRoxy Club in London. This was about thetime that punk was beginning to peak andhead towards the obnoxious commercialismwhich has spawned the now inescapable"new wave." But, the driving force behindthe music had not yet been corrupted and areal sense of commitment came throughboth the music and show which Sham 69 puton.The Roxy Club in Soho is a real dive. Itwas a punk club for a brief six months before the authorities stepped in, closing itdown in an effort to curtail the growth ofpunk. There were two floors, ground andbasement. The ground floor had a small barin one corner which only served pints ofbeer, warm and flat, in plastic mugs and ata ridiculous price. This area was packed.There was a juke box offering the Pistols,Nosebleeds, Jonathon Richman, 999 and thelike.I went in the women's room. The wallswere covered in black grafitti. There was abloke passed out on the floor end a load ofgirls stepping around him to get to the mirror, adjusting fishnet stockings, leather outfits and elaborate hair styles. Conversationcentered on one topic: what time to leave toget the last train home "so as not to upsetMum." It took a stretch of the imaginationto picture them as dutiful daughters.I emerged from the loo and went to checkout the band. The stairs were wooden andunstable, the basement a small cement cubewith no ventilation and stuffed with people.There was a makeshift wooden stageagainst one wall, about six inches off theground.Sham 69 looked much like everyone else inthe crowd: short, spiky hair, a constantlymenacing expression, and drab, almost miiitaristic clothes decorated with writing,rips, chains, bondage gear, or safety pins.Their first song was of the three chord, twosyllable variety, fast, raw, chain-saw action. The lyrics were unintelligible until theyhit the refrain, which was a screaming"Fuck Off!." All of their songs were thesame, a staccato "Da Da Da Da Da Da Da..FUCK OFF," until they got to one whichthey stopped to announce. Jimmy Purseyshouted, "This one's for all you fucking richkids out there," and they broke into thesame sound, only this time with the refrain Jimmy Pursey, lead singer of Sham 69, with his grandmother."Fuck off rich kids" squeezed into the samemeter.Everybody was pogoing, jumping up anddown frenetically, crashing into anybodyaround. Beer swilled everywhere, peoplewere spitting, there was no room. I was pogoing, someone crashed into me at thewrong instant and I bit through my lip.The set lasted 25 minutes but the crowdwanted more. Sham relented and repeatedthe set exactly: they had only 25 minutesworth of material. Pogoing continued, andSham invited people to join them on stage.When bouncers objected and started pullingpeople off, Sham stopped playing and started beating up the bouncers.I had lost the feeling in my lip: it wasswollen and bleeding. Someone spilled awarm beer over me. There was no air. The music started again, relentlessly. Twoblokes were dancing, strangling each otherin the corner.The set finished, we straggled upstairs foranother tepid beer. 12 o'clock, time to close,we got in the car, put the Sex Pistols on thecassette and headed home.Sham weren't putting anybody on thalnight. Okay, times have changed and theyhave since had big records, in the chartswith a bullet (at least in England), but theyare still not as culpable as the Eagles. Ihaven't seen the Eagles in concert, and I amnot about to brave Madison Square Gardenor any similar huge arena for the experience, either. But I have been a victim oftheir songs on the radio for years. I knowthat they're not punks. Think about it . . .you know it too.by Laura CottinghamWith all the romanticized pathology of a spoilt American youth,I've been waiting for war for a long time. I called home recently totalk about things, and ended up talking about wari have five brothers. The one who answered the phone is usuallythe one who refuses to accept my collect call. But this time he washaving a party Probably a little drunk, he said hello and even wanted to talk.A senior in high school who is usually breaking his ieg, wrecking acar, or refusing to study history, he seemed unusually amiable. Wenever have much to say to each other so I usually taunt him withepistemological questions of food, sex, or the inevitability of war.The last time I called home all three of my draft age brothers haddecided that going to war with Russia was inevitable — and theywould go. It was their duty.So Michael, are you going to war?Yeah, I guess so. Not much else to do. How aboutyou?Well, if they let meYeah, girls never have to do anything.Get it straight Michael We never get to do anything.That's a lie. Here, talk to mom. Evasive as ever, he handed the phone to my mother. After askingme about school and the weather, she told me what Michael hadn'ttold me about his day at school:The principal withdrew all the seniors from afternoon classes andshuffled them into the gymnasium."/ just received a bulletin from President Carter. The Russianshave invaded Yugoslavia. We're sending troops riqht overCarter's declared a national emergency and has decided to sendover the first round of new recruits. He's chosen the following sixtime periods. All those born in 1962, with birthdays falling withinthese time spans, will be sent to Yugoslavia within the week."As he called out the dates, the boys reacted. Some ran screeching,up and down the bleachers. Two pounded the walls. One ran up tothe principal and pounded his chest.My brother said he just stood silent and thought of how his recently broken leg might never heal so he would never have to go.Then the principal told them it was just a joke."I'm not serious, it was only a psychological experiment. We'renot really going to war. We just wanted to see how you would respond. Just a test."I called the principal on the phone.Why did you do it?"It was meant to be a psychological test. But those kids wentcrazy. I had no idea they would react like that. I'll never do anythinglike it again."8 — the grey city journal, Friday, February 1, 1980CalendarFRIDAYCrossroads: English classes for foreign women,10:00 am.Center for Middle Eastern Studies: Turkish Circle -‘Some Problems of Contemporary Turkey” speak¬er Mahmet Ali Irtemeelik 12:30 pm, Kelly Lounge.Islamic Society: Friday prayer will be held at 12:30pm in the home room of I-House.Economics Department: Discussion - “The Philoso¬phy and Use of SEARCH” speaker Ed Learner, 1:30pm, SS 402.Geophysical Sciences Colloquium: “Approaches toPrecambrian Paleoecology” speaker AndrewKnoll, 1:30 pm, Henry Hinds Lab Auditorium.Middle East Center: Arabic Circle - "Outlines ofMulla Sadra's Philosophy" speaker Dr. Fazlur Rah¬man. 3:00 pm, Pick Lounge.Department of Economics: “The International Riceand Wheat Economy, 1868-1914" speaker LarryNeal, 3:30 pm. SS106.Dept of Biophysics: Seminar - “Synapes-SpecificComponents of the Neuromuscular Junction"speaker Zach Hall, 4:00 pm, Ciynmings room 101.Hillel: Liberal-Progressive Shabbat Service, 5:00pm, Hillel.Womens Union: Meeting 5:00 pm, in Ida Noyesabove the Frog and Peach.UC Gymnastics: Instruction available between5:30-8:00 pm. Bartlett gym, free.Hillel: Adat Shalom Shabbat dinner, 5:45 pm, Hil¬lel. $3.UC Karate Club: Meets 7:00 pm in the dance roomof Ida Noyes.DOC Films: “The Warriors" 7:00, 9:00, and 11:00 pm,Cobb.Southside Coalition for Rape Victim Assistance:Meeting at 7:30 pm. at the Blue Gargoyle LynnForeman will speak on “Rape: Myths vs. Reality'discussion will follow. Info call 753-4218.UC Christian Fellowship: Series of talks on Chris¬tian doctrine - “God the Father and the Problem ofEvil” 7:30 pm, Ida Noyes east lounge.Organization of Black Students: Choir Concert fea¬ turing Northwestern Chorale Ensemble, Redeem¬ing Church of Christ. Trinity United Church ofChrist, the Centennial Missionary Baptist Church,The Fellowship Tower Missionary Baptist Church atRockefeller Chapel, 7:30 pm.U of C Midway Studios: Concert featuring The Col¬son Unity Troupe/AACM. 8:00 and 10:00 pm, 6016 S.Ingleside.Ad Hoc Committee to Send Back the Shah: Lisa Rad-cliffe will speak. 7:30 pm, Blue Gargoyle.SATURDAYCreative Dance and Movement Group: Meets12:30pm, Ida Noyes dance room.UC Gymnastics Club: Instruction available between2:00-5:00 pm. Bartlett gym. free.DOC Films: “Jungle Book" 2:30, 7:15, and 9:00 pm,Cobb.Crossroads: Swiss Dinner, 6:00 pm. Advance reser¬vation only. 7:30 pm. slide presentation "life inSwitzerland".SUNDAYRockefeller Chapel: Ecumenical Service of HolyCommunion, Preacher-Charles H.D. Brown, Episco¬pal Chaplain, 9:00 am.Congregation Rodfei Zedek: Lecture- “The Syna¬gogue” speaker Rabbi Vernon Kurtz, 10:00 am, 5200Hyde Park Blvd. Info cal PL2-2770.Rockefeller Chapel: Coffee Hour and DiscussionClass - “Christianity and Contemporary Literature*"10:00 am.Akiba-Schechter Jewish Day School: Movie-“C.H.O.M.P.S." 10:30am-12:00 noon. 5200 S. HydePark Blvd.Hillel: Lox and Bagel Brunch inviting those inter¬ested in visiting, studying and working in Israel atHillel, 11:00 am.Rockefeller Chapel: University Religious Service.11:00 am.DOC Films: “Lancelot Du Lac" 7:15 and 9:00 pm,Cobb.Greek Student Association: Lecture- “SundayGreek" speaker Kostas Kazazis. 7:30 pm, I'Househomeroom. Tai Chi Ch'uan: Meets 7:30 pm, 4945 S. Dorchester(enter on 50th).Folkdancers: Meet 8:00-11:30 pm. Ida Noyes Hall.Woodward Court Lecture: “The Brethren-the Su¬preme Court Watergate Style" 8:30 pm. WoodwardCourt, free.Hunger Concern Group: Meeting, 8:30 pm, IdaNoyes Memorial Room.MONDAYPerspectives: Topic - “why Clinical Research is inTrouble” guests Dr. Richard Landau. Ann DudleyGoldblatt. and Stephen Toulmin, 6:09 am. channel7.Crossroads: English classes for foreign women.10:00 am.Cognitive Science Lecture Series: “Syntax and itsAcquisition" speaker James McCawley, 4:00 pm. SS122.Dept of Chemistry: “aser-Induced Lanthanide IonLuminescence: A Structural and Kinetic Probe forChemistry and Biology" speaker William DeW. Hor-rocks. Jr. 4:00 pm. Kent 103.Kundalini Yoga Society: Stress-Away Yoga Coursewill meet from 5:00-6:30 pm in Ida Noyes.UC Gymnastics: Instruction available between5:30-8:00 pm, Bartlett gym. free.UC Judo Club: Meets 6:00-8:30 pm. Bartlett gym. Be¬ginners welcome.UC Karate Club: Meets 7:00 pm, in the dance roomof Ida Noyes.Ski Club Meeting: at 7:00 pm. Ida Noyes Hall.DOC Films: “The Lost Squadron" 7:15. “What PriceHollywood?" 8:45 pm, Cobb.Progressive Union: Steering Committee meetingat 7:30 pm in Reynolds Club Lounge. All are wel¬come.Chess Club: UC Winter Round Robin tournament,7:30 pm, Ida Noyes Memorial Room.Medieval and Renaissance Recreation Society:Meeting 7:30 pm. Ida Noyes Hall. Everyone wel¬come.ERA Information Meeting: and Action team organi¬zation, Judy Kolokoff of the ERA Ratification officewill speak 7:30 pm. 1st Unitarian Church.Folkdancers: Meet 8:00-11:00 pm. Ida Noyes Hall. I lieFLAMINGOurn! CABANA (II B5500 S. Short* Drive• Simlin and I ItfdriNini• h iirui-hi'il and I iifiirni-lird• I . of <.. Inc >ln|i• • hitdiMir Pool and < .ardi ic• < laqM-ting and Drapr- Incl.• Srinritv• 1 ni\iT>il\ Snlcidx forStndi'iil* and Naff• I >«-l ii-ali—«-n• llarlxT Shop• Iti'auH Shop• I.IM). Kr-tanrant• I >»• M i-l• \ aidFBKF I* \RKI\(.M.SnvcJerPL 2-3800Classical LoversThe Event You’ve beenwaiting forA StorewideClassical SalefeaturingVOX BOXES(3-record sets)• 6" ea. 3 for s2000 5478547954805481548254835484548554865487 oMfaSuaListon every classical L P in stockRACHMANINOFF Piano MuSiC Vol II So'-ata Op 28 MomentsMumcaux Op 16. 7 Pieces Op 10 4 Pi^es 2 Pieces Prelude2 Fantasiestucke. Meiodie Serenade. 2 Nocturnes 4Improvisations. Ouentai Sketch-- PontiBACH 24 Organ Preludes 5 Fugues 6 Chorale Preludes Vo1 I-Anthonv Newman - OrganBACH 24 Organ Pm jdes 8 Fugues 6 Cnorale Preludes Vo; ll —Anthony Newman- OrganPURCELL Solo Harpsichord Music (Complete'—Janos SebestyenIVES Piano Music (Complete'- Nina DeutschFRENCH SOLO PIANO MUSIC La Belie Eoogue >1890 191-41—RAVEL. SAINT SAENS. CHABRIER DEBUSSY FRANCKSATIE, etc - JohannesenGRANADOS Solo Piano Music (Complete) Vol l--Marylene DosseGRANADOS Solo Piano Music (Complete). Vol il - Marvlene DosseMESSIAEN 20 Regards sur I enfant Jesus-OhvoiraSCHUBERT Piano Music Imptomptus Moments Musicaux.Scherz March DiaOeili Variations Allegretto Wanderer Fantasie.Adagio 3 Piano Pieces Frank!RACHMANINOFF Piano Music Vol III Sonata No 2. Variations6 Duets for Piano 4 Hands Suite No 2 Prelude Fantasy RussianRhapsody Romance. Poir-a Italieime 2 Pieces for Piano 6-HandsPont1 (with Leonardv m the 4 ,n,t t>hanJ wo-Ks 549 DVORAK Chamber Music, Vol I—Kohon Q?550 DVORAK. Chamber Music, Vol II—Kohon Qt551 DVORAK Chamber MuS’C. Vol w — Berkshire Qt Sandor552 BIBER 16 Violin Sonatas—Lautenbacher553 BEETHOVEN Trios for Violin. Cell® & Piano Vol I — Mannheim Trio554 BEETHOVEN Tnos tor Vioim Cello & Piano. Vol II —Mannheim Trio555 HAYDN. String Quartets Vol I — Dekany Qt556 HAYDN String Quartets. Vol II —Dekany Qt557 MOZART The 6 String Quintets—Fine Arts Quartet with Tursi. viola‘o 558 HANDEL. Concerti Grosst. Op 6 (Complete)—Southwest GermanChamber Orch . Angerer559 HAYDN String Quartets, Vol III — Dekany Qt560J KODALY Chamber Music (2 String Quartets Sonatina & Sonata forCello & Piano. Duo for Violin & Cello: Serenade Cello Sonata)—Chicago Symphony String Quartet Varga. Cello. Sandor. PianoLautenbacher & Schaefer Violins. Koch, Viola561 HAYDN String Quartets. Vol IV —Dekany Qt562 HAYDN String Quartets. Vol V —Dekany Qt563 HAYDN String Quartets, Vol VI—DeKanyOi564 IVES Complete Chamber Music. Vol I—Giazer & Baisam Piano.Taylor. Harris. Celentano. Hasty566 MOZART: Four-Hand Piano Music —567 BACH Brandenburg Concerti, Violin Concerti —Kehr568 MOZART Piano Trios—Mannheim Trio569 SCHUBERT Music tor Violin & Piano—PauK. Otetsky Frank!, Hautzig571 DVORAK Chamber Music. Vol IV—DumkaTrio572 FITZWILLIAM VIRGINAL MUSIC (Selections!— Payne573 HAYDN Sonatas tor Clavier. Vol I—Neumeyer574 HAYDN Sonatas for Clavier. Vol II — Kyriakou575 HAYDN Sonatas for Clavier. Vol III—Klien576 HAYDN Sonatas for Clavier. Vol IV—Galling577 BEETHOVEN Chamber Music for Flute—Rampai578 BRAHMS Chamber Music for Winds—579 BEETHOVEN Quintets & Sextets—Endres, Hungarian.So German Quintets580 BEETHOVEN Chamber Music tor Winds—Stuttgart Wind Ensemble5473 RAVEL Piano Music iCompietel—Abbey Simon5474 SCRIABIN Piano Music. Vol IV Poemes Impromptus NocturnesScherzo Aibumieaves Dances Canon. Fugue Pieces tor LettHand. Fantasv for 2 Pianos—Michael Ponti (with Robert Leonardil5475 LISZT Piano Music. Vol IV 2 Legendes Harmonies Poetiques etReiigieuscs 3 Consolations Christmas Tree —Jerome Rose Piano5476 SAiNT SAENS Complete Works tor Piano Vol t-MarvleneDosse. Piano iwith Annie Petit in 4 hand works!5477 SAINT SAENS Complete Works for Piano Vol II- MaryieneDosse Piano (with Annie Petit in 4 hand worksi (/)T3mmm a3iOSc/>“D5i0)(Dcrc(/>TJmmm t3iFriday, February 1, 1980 — The Chicago MaroonHEAR AGAIN STEREOSoll> "iKirantrnl iianic l»r;in«l ■■->«*«I and drum stereo mm*|miiients ul UK/ In 71KT off regular prices.Check this spot for week I v. onc-of-a-kintl specials. like;<;ARRARt) DD75 DEMO 81 1<).<)5PIONEER PROJECT 60 En. 30.00BIC 940 10.00GARRARD GT25 85.00PIONEER SA8100 135.00JENSEN 24 En. 75.00TEAC A150 DEAR) I 15.00EPIC ! RE 1 100.00SONY T( 200SI) 225.00FISHER \P0 75.00Complt'ir system, from $75 lo $750. 60-<la\ Irait.-lia.k |»rivil«M'«'Naim' liraml <•<*111 jknn-nf~ for limitoil l>inl<'<-t,.PLUS MUCH, MUCH MOREHEAR AGAIN STEREO7002 N. CALIFORNIA 338-7737TALENTAUDITIONSThe Midwest's Largest EntertainmentCenter is Auditioning For 1980 SeasonCasts.Minimum age for performers is 16years. Short resume and recent photodesirable.Dancers: no routme necessary, weardance attire. Singers: be prepared withone minute musical selection of yourchoice. Piano accompanist available.Be present at posted time.Waukegan Sheraton Inn200 N. Green Bay RoadWaukegan, IllinoisDancers OnlySaturday, February 99:00 a.m.Singers OnlySunday, February 1012:00 noonO'Hare Marriott HotelHighway 194 at Cumberland Ave.Chicago, IllinoisSingers and DancersSaturday, February 169:00 a.m.Singers OnlySunday, February 1710:00 a.mInstrumental musicians and those inter¬ested m theater support service areasshould send resume to: Marnott'sGreat America, Show OperationsPO. Box 1776Gurnee, Illinois 60031Harriotts MATH STUDENTSPART TIME CAREERACTUARYCombined Insurance Company has afew openings for math oriented stu¬dents to work 15-20 hours per week inthe Actuarial Department. Possibili¬ties include future summer jobs oreven full time actuarial positions aftergraduation. If you are interested orhave questions, call Steve Roger on275-8000, Extension 242 or write to5050 North Broadwav, Chicago, IL60640 * Court Studio announcesauditions forSIDE BY SIDE BY SONDHEIMdirected by Anthony CaMantiaFeb. 9 & 10. 1-5Reynolds Club Theatre57tli iK UniversityPlease prepare a son*;(Sondheim preferred)753-3581 for infoFatsoStarring DOM DeLUISE in "FATSO"ANNE BANCROFT • RON CAREY • CANDICE AZZARAWritten and Directed by ANNE BANCROFT Produced by STUART CORNFELDAssociate Producer JONATHAN SANGER Music by JOE RENZETTIA Production of Brooksfilms Ltd. Color by DeLuxe‘9iPG PARENTAL GUIDANCE SUGGESTEDSOME MATERIAL MAY NOT BE SUITABLE FOR CHILDREN READ THE BALLANTINE BOOKSTARTS \ Ford City • Golf Mill • Southlake Mallj 7501 S Cicero Niles Merrillville'ftp Jtf J Orland Sq. • River Oaks • WoodfieldW'f Orland Pk Calumet City SchaumburgDO NOT EAT:apple piebaked beansbolognabreadcandycannellonicheesecakechocolatecupcakesdanishdoughnutsdumplingseclairsegg rollsfettucinefonduefrench friesgravyhoneyice creamlasagna marshmallowsmuffinsnoodlesoatmealolivesparfaitpizzapotatoespretzelsraviolisalamisaucesscrapsspaghettisundaestamalestartsA FILM BY ANNE BANCROFT16 — The Chicago Maroon — Friday, February 1, 1980Marquette and North Park stop womenBy Darrell WuDunnThis past week proved disheartening forthe University of Chicago women's basket¬ball team as Coach Marcia Hurt’s Maroonslost both their games including an all impor¬tant district game with rival North ParkCollege 71-63. Their other defeat came fromthe hands of Marquette University 73-39.On Wednesday, Chicago played against amuch taller Marquette University team.The starting team averages almost 5’11”.Marquette capitalized on their height ad¬vantage, as they controlled play from thevery start. With nine minutes past, Chicagofound themselves down 17-6. Led bv 6’3”Scott RaulandMaroon Coach Marcia Hurt instructsher harried players during a timeoutWednesday.center Kathy Andrykowski, who scored 18points in the first half. Marquette dominatedthe boards at both ends of the court. By theend of the half, Marquette led Chicago bytwenty points, 37-17.At the beginning of the second half, Chi¬cago suddenly seemed to come alive. Led bysome fine shooting by Kim Hammond andNadya Shmavonian, the Maroons closed towithin fourteen points of Marquette. Chica¬go’s surge, however, was short-lived. Mar¬quette regained momentum and Chicagocould not stop them as Marquette sailed onto victory 73-39.In the Maroon’s lowest offensive outputthis year, guard Hammond led the scoringwith 12 points. Shmavonian contributed 10points in the losing effort.Coach Hurt described Marquette as avery good team. She noticed a vast improve¬ ment since last year when her Maroonsplayed Marquette as a Division III team(Marquette has since advanced to the Divi¬sion II level). Hurt explains that this im¬provement reflects an overall trend in thequality of play of Chicago’s opponents thisyear.The game against North Park on Mondaywas Chicago’s first district contest of theseason. North Park, along with Lake Forest,figured to be Chicago’s leading rivals for thedistrict title. Last year, the Maroons handilydefeated North Park but last Monday, Chi¬cago saw an improved squad.Always aware of the importance of thegame, the Maroons played a superb gamedespite the loss. In fact. Coach Hurt de¬scribed her team’s performance as theirbest game this year, especially for forwardNadya Shmavonian. The Maroons' co-cap¬tain scored a season high of 32 points andgathered a large portion of the team’s totalrebounds. The other co-captain, forwardCheryl Flynn, also had a fine showing as shecollected a personal high of 14 points. AsCoach Hurt explaind later, however, “Youcan’t have just one or two players doing allthe scoring. You need everyone to score.”The team was quite disappointed with theloss. It ruins the Maroons’ hopes of sweep¬ing the district and jeopardizes the team schances of taking the title.The results of the past week brings Chica¬go’s season record to 0-1 in the district and0-10 overall. As their record shows, the sea¬son has been rather frustrating for theMaroons. “We’ve been scoring a good 60points a game,” says Hurt, “which showswe’re not lacking on offense." Next week isa crucial one as Chicago will meet two dis¬trict opponents Trinity College and St. Xa¬vier College. Hurt believes that the team isin a must win situation for both games, notonly in order to boost the team’s district re¬cord but also for the players’ morale. TheMaroons have shown much effort thus far.and certainly deserve a victory.The Trinity game will be played here onTuesday while the St. Xavier game will beplayed here on Thursday. Both games arescheduled for 7:30 p.m. in the fieldhouse. Men coming homeThe University of Chicago men’s basket¬ball team concludes its four-game road tripthis evening at Lake Forest College and re¬turns to the field house for a 3:00 pm startagainst Coe College tomorrow afternoon.Both games are Midwest Conferencegames. The Maroons are 4-6 overall and 0-4in the conference. Tomorrow’s game can beheard on WHPK, 88.3 FM beginning at 2:50pm.Scott RaulandChicago guard Christie Nordhielm (15)had this fast-break layup attemptknocked aside by one of the tall War¬riors.Sportss * The warm -upquestionBy Dr. S. David StulbergThis week’s question: Is warming upnecessary? What is a good warm-uproutine? Should the warm-up routine varywith the sport?Although a great deal has been writtenabout the importance of warming up, thereis actually very little informationavailable to indicate exactly what warm¬ing up does. Nevertheless, there are manyAsk Dr. Stulbergstrong proponents of a good warm-up,most of whom support their claims for thebenefits of warming up by pointing out thatmost coaches recommend that mostathletes do it. Although a reasonably largenumber of sports medicine experts believethat the importance of warming up hastraditionally been overemphasized, mostof these experts suggest that participantsin athletics may wish to continue some sortof warm-up < and warm down i routine untilfurther evidence is collected on the role ofwarming up in exercise.In general, the objectives of w arming upare: (1 > to reduce the likelihood of injury,and <21 to improve athletic performance.It has been claimed that warming up ac¬complishes these goals by .(1) increasing the muscle temperature,which is felt to enhance the efficiency andforce of muscle contractions and. thereby,improve muscle performance ;(2) pre-stretching muscles and tendons,and thereby, prevent muscle and tendoninjuries:(3) stimulating circulation, which may-better prepare the cardiovascular systemto undergo subsequent stress;(4) providing a “rehearsal” of the paceand form of activity which is to be usedduring an athletic event.Although there is very little informationon how these effects of w arming up actual¬ly improve performance and prevent in¬juries. there is evidence available thatfewer abnormalities in the rhythm of theTurn to Page 18Staff meetingThere will be a Maroon sports staffmeeting today, Friday. February 1. at3.00 pm in the Maroon office. Ida Noyes303. Anyone interested in writing or pho-tographv is encouraged to attendAxinn, Wohlhuter say Carter and USOC must decideBy Howard SulsIn the continuing drama concerningUnited States participation in the 1980Summer Olympics, the University athleticcommunity has at least two voices withlegitimate cause to be heard: Mike Axinn.a sophomore in the College, and RickWohlhuter, a member of Ted Haydon’sUniversity of Chicago Track Club. Axinn,a marathoner, qualified for this year'sUnited States Olympic Trials with a timeof 2:20:28. bettering the qualifying time of2:21:54 by over a minute, and Wohlhuter, atwo-time Olympian who has not as yetqualified for the trials.Wohlhuter, in an exclusive interview, ex¬plained his feelings as a veteran of theGames. Having competed in Munich in1972,"where he ran the 800 meter race, andMontreal in 1976, where he won a bronze inthe 800 and also ran in the 1500 meter race,he has been reticent about voicing an opi¬nion to the press, but did have this to say,“I would like to agree with Coach Haydonthat it’s a shame that political applicationshave to enter into the Games. It seems tobe the case in a number of Games. Theyprobablv had the same problem in Greecefor all I know. If we boycott the Olympics,to have an effect, it needs to be boycottedby a number of countries. President Carter at this point is receiving more andmore support for a boycott.”Axinn. on the other hand, had mixedfeelings, “I was pretty happy even toqualify. This is an achievement in itself,becoming one of a certain class of runners.“I see the Olympics itself as mixed up. Itdoesn’t surprise me that it's beingdestroyed at this point. It happened in ’76,’72, and ’68. It was used by certain athletesto express political views. I think 1972 wasthe w'orst example (when 11 Israeliathletes were killed). It’s not just ameeting of the world’s best athletes, it’s ameeting of world ideologies.On the question of whether they woulddefy or ignore a presidential request toboycott, both men had the same opinion.“If it wasn’t a threat to our national securi¬ty I would go,” said Axinn. “but I wouldwant to take the emphasis off using theOlympics as a political tool so Cartermight settle this whole thing in a morecivilized manner. I’ll have plenty of op¬portunities to compete on a high level, sogoing to the Olympics is not so importantthat I would go against the national in¬terest.” W'ohlhuter agreed. “I would stayhome. The President should ask the UnitedStates Olympic Committee to ask the ath¬letes not to go. I don’t think it should be anindividual decision. Either we’re for or against it. Either back President Carter ordon’t."Axinn is not very happy with Carter, “Idon’t want to point a finger at Carterbecause it’s too easy to do. but Carter hasnot fulfilled his ideals in foreign policy,and it’s a last resort, an ace in the hole,because other options didn't work, which isnot necessarily his fault.“If the boycott represents a breakdownin communication with the rest of theworld, it's like he’s giving them the silenttreatment He’s trying to settle it in anegative manner and that’s terriblywrong. That's giving in to national opi¬nion.”Wohlhuter was more neutral. “Carter isobviously scoring some political points.The best we can do is boycott the Olympicsto show the Soviets that we object to theirmilitary intervention with our political in¬tervention. It's better not to go to theGames than to go to Moscow. A boycottwon't kill the Games. Each and everycountry is interested in how their athletesdo. and that will keep the Games alive.Russia is using the Olympics for politicaladvantage and that in itself is against thecharter, and I don’t think that's right ”As far as patriotism is concerned. Axinnfeels that, “it's not unpatriotic to want tocompete with international athletes in the highest international competition. That's avalid desire and has nothing to do withpolitics. I don't know if I'll make the teamIt's fun to dream but realistically I don'tthink so. On the other hand stranger thingshave happened.”Wohlhuter said, “I can really sympa¬thize as an athlete It's a dream that canbe made into reality. It can be a real disap¬pointment and a crushing blow to someonewho's dedicated a part of his life to par¬ticipate in the Games. I hope we cansalvage a part of that. The best way is tohold the Games somewhere else in 1980 or1981.”Axinn believes. “The Olympics shouldepitomize the best thing in sports,athletics, and culture. Ideally I would liketo see it transcend political goals. I got thefeeling that what was so special was themeeting of athletics and culture, not com¬petition and the free world meeting thenon-free world It belongs in anothersphere. Too many bad things have happen¬ed during the Olympics for me to think it'sa good thing and ought not to be changed. 1think the concept is important. If it was aquestion of having what we have ornothing at all. 1 would go with what wehave. I like something along the lines of aTurn to Page 18Friday, February 1, 1980 — The Chicago Maroon — 17IM reportUpper Rickert and Michelson shine intrack; Snow Bears upset Mr. Bill ShowBy J. A. NetosThe hero of last Tuesday’s IM track meetwas. no doubt, Steve Willette. Willette wonthree events, breaking one undergraduateintramural school record in the process.Running the 200 meters in 23:75. Willetteeclipsed Tim Lorello’s 1979 school record of24:14. Willette also was first in the 60 meterdash with a time of 7:15. Willette added thelong-jump to his impressive collection offirsts, jumping 6.27.Two other participants had two firstplaces each. The Medical School’s Brownwon both the women’s 400 and 800 meterruns, the first with a time of 66:7 and the se¬cond with 2:29.9. Business School’s Paper-master won the men's 400 meter run. with53:58. and men's 800 meter run with a timeof 2:05.6.Other overall meet winners were: men’s1.500 meter run. won by Charles Lutz of theMedical School with a time of 4:10.2:women’s 60 meter dash was won by Snell’sCampbell, with 8.79; women’s 60 meter low-hurdles was won by Lower Wallace’s Car¬rera with an 11.1; and the women’s 200meter dash by Rosett. of BLT with a 30.82.First place in the men's 60 meter low-hurdles was shared by Bishop's love andMichelson's Jeff Foreman, with a time of9.3.The men’s 800 meter relay was won by theMed School team and the women’s 800meter relay was won by Upper Wallace,with 2:22.Lower Wallace's Tammy Ravitz won thewomen's long jump, with a jump of 4.10 feet.One other teammate, Cissel. won thewomen's high jump with a mark of four feet.The men’s high jump was won by KevinTetsworth with an impressive 5.6 mark An¬dy Ebbott won the Graduate shot-put with42.412, and Upper Rickett's Iravedra wonthe Undergraduate title, with 38.1. UpperWallace’s Ingrid Smulkstys won thewomen’s Undergraduate title with 27.2. The team competition was as follows:IM Track StandingsUndergraduate teamsUpper Rickert 41Michelson 30Hitchcock 22Lower Rickert 19Tufts 18Bishop 16Henderson 12Fishbein 11Chamberlin 6Lower Flint 3Dudley '2Salisbury 1Shorey 1BradburyGraduate Teams 1Business School 62Med School 52Law 10Broadview 9IM basketballIn a major upset in the Graduate RedLeague, the 5 and 1 Snow Bears defeatedfirst place Mr. Bill Show. 46:36. The lossplaces Mr Bill Show, now 8-1. in secondplace, leaving the Albanian Refugees alonein the lead of the Red League.For a while it seemed as if Bill Showwould have another easy game on theirhands. During the first seven minutes of thefirst half. Rich Friedman and Corey Levenskept Bill Show in the lead, by two or fourpoints. Only Greg Collins' precision shootingfrom the outside kept the Snow Bears close.It was Collins again who. with the score tiedat 10, after 10 minutes and 7 seconds of play¬ing. gave the Snow Bears their first lead inthe game, 12-10. The Bears increased theirlead to 16-13 with 2 minutes and 10 secondsremaining in the half, but three unansweredfield goals by Friedman and two by Gary Ellquist helped Bill Show regain its lead. 23-16. with fifth seconds remaining. The twoteams retired for the half time with BillShow barely in the lead, 23-20.It was a different story in the second half.Wally Morgus scored the first two points inthe half for the Bears, and then it was DaveWhalen's game, scoring the next 8 of theBears’ 10 points, answered by only one shotby Ellquist, Whalen led the Bears to anastonishing 30-25 advantage after only 3minutes of playing. Bill Show appeared inthose moments confused and disorganized,unable to find the answer to the Bears’sWhalen and Mark Cone, who kept showeringthe Bill Show goal from the top of the key. Italso appeared that some of the Bill Showplayers were somewhat intimidated by therough and physical style exhibited by theBears. With three minutes to play Bill Show-closed the gap to 4 points, as Friedman con¬nected on four free throws and Levens hitfrom the Field. With 1:35 to play, however.Whalen and Cone increased the Bears’ leadto 10 points, 44-34, and the game was all butover.The basketball schedule was otherwisevery light this week and swings back intofull scale competition this weekend.Basketball Top Ten<First place votes in parentheses)1. Albanian Refugees (10) 1002. Uranus and the Seven Moons 803. Mr. Bill Show 794. Dred Scott’s Revenge 685. Snow Bears 676. The Champs 507. Hitchcock 458. Dudley 389. Chamberlin 2010. Willis Reed 13Votes: Commuter Magic, Coho’s, Med. II,Vincent. Dartsos Rides Again Matmen bombed;by Cy OgginsFitting themselves against extremelytough competition, the University of Chica¬go wrestling team placed eleventh out oftwelve teams last Saturday at North CentralCollege in a meet that included three highly-ranked teams; Whitewater of Wisconsin,seventh in the NAIA, and Muskegon Collegeand College of DuPage, two schools rankedfourth and twentieth respectively in the jun¬ior college nation.“Saturday’s meet was a very good tour¬nament for us in getting a look at high-cali¬ber wrestling,” commented coach LeoKocher. “We went searching for tough com¬petition this year, which is what you have todo to improve as a team; we are not going tolearn by w-restling against smaller easierschools.”Although no Maroon placed in the topthree in his weight class. Freshmen BobTuel and Mark Farwell came close, both los¬ing tight bouts against high-seeded oppo¬nents. Tuel. in his first match at 150-lbs.missed placing when he lost his final match,while Farwell (126) fell to the number oneseed. 1-3 by just missing several take¬downs.Injuries hit the Maroons hard again asSteve Rubin (142) suffered a sprainedshoulder while wrestling the number twoseed. His participation this weekend isdoubtfui, as are those of 190-lb Rich Meade(shoulder) and 167-lb Jim Leonard (knee).OlympicsWorld Hope and Peace Games proposal,where the athletes have no uniforms andnationalities are forgotten.”Wohlhuter summed it up best. "It wouldbe nice if this never happened but theworld isn't like that. I don't want to see theSoviets or any other country pushing hereor there. Maybe this is a way to delay orhelp avoid a war.”With the recent Congressional actionsupporting a boycott, it may well be thatthe United States will not be a part of the1980 Summer Olympic Games. In anycase, it does not appear that either of thesetwo Chicago Olympic hopefuls will bebreaking any national rulings just so theycan go to Moscow and try to bring homethe “golden” bacon.Stulberg says warm-ups should have objectivesheart occur, in both physically fit and unfitindividuals, if a warm-up has been carriedout prior to participation in vigorous exer¬cise. Some investigators, therefore,believe that the likelihood of developing anabnormality in the heart rate, which couldlead to a heart attack or cardiovascularcollapse, can be reduced by warming up.Some investigators have also reported alower incidence in musculoskeletal in¬juries among individuals who warm up.Therefore, it might be helpful if warmingup were viewed as preparing both the car¬diovascular and musculoskeletal systemsfor exercise. By taking this view, one canbetter tailor his or her warm-up routine tothe exercise which is being planned.The purpose of preparing the car¬diovascular system for exercise is toreduce the stress on the heart and improvethe efficiency with which the heart func¬tions. One might do this by avoiding a sud¬den marked increase in heart rate andgradually increasing the rate and depth ofbreathing. Jogging slowly, walkingreasonably quickly or running in place aregood ways in which to raise the heart rateand force of heart muscle contractureevenly and efficiently. If the athletic event to be performed requires short bursts ofmaximal effort, e.g. weight lifting orsprinting, the warm-up should be vigorousenough to increase the heart andrespiratory rate to near full performancelevels for short periods of time. Thus, onemay wish to run a few short, quick sprintsbefore actually starting a race. If the eventto be performed requires a prolonged sub-maximal effort, eg. distance running,basketball, racquet sports, the warm-upshould try to increase the heart andrespiratory rate more slowly and to lowerlevels. In fact, for most endurance events,the cardiovascular component of thewarm-up can probably be carried out bystarting and proceeding with the activityat a steady and perhaps slightly slowerthan normal pace for 5 to 6 minutes.The purpose of preparing the mus-culaskeletal system for exercise is toreduce the likelihood of injuring musclesand tendons and prevent the developmentof tight, sore muscles. Both muscles whichare to be used during the exercise andmuscles which are not should be warmedup. The rationale for preparing bothmuscles which are to be used and thosewhich are not is that the muscles to be usedwill be contracting during the exercise and those which are not used may be stretched.Thus, both groups of muscles are at risk ofinjury and both contribute to performance.The best way to prepare muscles and ten¬dons for exercise is to stretch themgradually to their limits three or fourtimes. This can be done relatively quicklyand efficiently if the muscles to be stretch¬ed are identified and then specificallystretched to their limit slowly but per¬sistently. The muscles which shouldreceive attention are those which come in¬to play (either directly or indirectly) dur¬ing the exercise. Thus, exercises toprepare for running should stretch themuscles of the lower extremity, abdomenand back. However, warm-ups to preparefor weight lifting, wrestling or racquetsports should stretch muscles of both theupper and lower extremities. In order toobtain maximum benefit from themusculoskeletal component of the warm¬up period one should try to be precise inidentifying the muscles to be stretched andefficient in carrying out these exercises.The likelihood of injuring themusculoskeletal system during exercisecan also be reduced if one gradually in¬creases the strength of the muscles whichare being used. Strengthening exercises and warm-up stretching exercises are car¬ried out differently. In order to obtain op¬timum benefit from a muscle strengthen¬ing program, one should, if possible,designate a specific period of exercise forstrength training. Muscle strengtheningexercises, performed properly, are notnecessarily good warm-up exercises.Finally, one should be aware of thepossible adverse consequences of warm¬ing up: (1) overheating; and (2) musclefatigue. One should avoid the tendency toprolong either the cardiovascular or mus¬cle stretching components of the warm-up.This is especially true in warm weather,when profuse sweating can lead to rapidwater loss and greater (rather than less)likelihood of cardiovascular or muscle in¬jury.In general, the best warm-up routine isone that has specific goals which can beachieved efficiently. Each individual has adifferent requirement for warming up. sothe length of the warm-up period will vary.For most of us. however, warming upshould not take more than 5 to 10 minutes.The thought and the performance of war¬ming up should not detract from the mainexercise event, but should make it safer,more effective and more fun.*SELL IT IN THE MAROONMaroon classifieds are cheap & effective18 — The Chicago Maroon — Friday, February l, 1980***TH£ *** MaRooN^ClASS! F!ET>***ADS***AD RATESMaroon -'assifieds .ire effective andcheap. °iace ihem in person at theMaroon business office in ida NoyesHall by mail to ,he AAaroon, ida NoyesHall room 304, 1212 E. 59th St.,Cnicaao, 60637 All ads must oe paid inadvance. Rates *0' per line (30spaces. *or U of C people, 75' oer lineotherwise. St for special headlineDeadlines For Tuesday paper, 12noon Friday; for Friday, 12 noonWednesdayDisplay advertising ra*es areavailab'e upon request. 753 3263.SPACENear campus, large room to rent formale student $10/wk. D03-252I.Large room in spacious apart. Preferfemale grad to share with 3 others andcute cat. Avail, early Feb. $100/mo.955-0481.Basement studio apartment. SllO/mo.Call Rhonda at 643-1268.SUMMER SUBLET 3 br 2 ba apt dateand price negot. Full equipped ONCAMPUS modern 947-9579 eves.5123-32 S. KIMBARK, Desirable studioand 1 bedroom apts., newly decoratednear shopping, transportation and U ofC. Inquire premises engineer FredSaliman. 752-8066 or Sat. and Sun 1-4pm. Call 643-4489. HARRY AZISOOK AND SONS, 786-9200.Large furnished studio $216/month in-cl. utilities 51st and Kenwood.Available Feb. 1st. (negotiable).324 5592 or 963-4600 weekdays.FEMALE- ROOMMATE WANTED: toShare 2-bedroom apt near 56th &Maryland Graduate student or staff,non-smoker preferred S159/mo +utilities. Available immediately. CallElizabeth. 493-9864eves.Unfurn garden apt avail Feb 1 forlease Call 003-4508.Roommate wanted, 55th and Dor¬chester. S150/month, short term possi¬ble 241 6367 or 6584PEOPLE WANTEDThe Department of BehavioralSciences needs people who want toparticipate as paid subjects inpsy chol inguistic and cognitivepsychology experiments. For furtherinformation call 753-4718MAKE $40 '.NO TAX DEDUCTED) INONE DAY Interviewers needed forstation WLS, Channel 7 primary elec¬tion day poll in Chicago on March 18.Limited openings. Pick up applica¬tions immediately from Ms. Johnson,Career Counseling and Placement.Needed. A-t- and B-f- males betweenthe ages of 18 and 30 years, as blooddonors for research program. ContactRose, Monday thru Friday 8:30-5:00,947-5033/5037. WE PAY $20 00 PINTSTUDIO DIRECTOR for Recordingfor the Blind, Inc. University ofChicago branch. Challenging worksupervising volunteers. Collegedegree preferred Flexible hours. Call939-4162 or 288 7077,The Original Pancake House at 51stand Lake Park is now hiring a parttime assistant manager. Call 238-4600for appointment. 9am-3pm.Exceptional person wanted to cook,clean, and care for baby in SouthShore home Top wages and benefits.40 hr. 375-6353.WANTED. Research assistant for fulltime research in musular dystrophy947-5507 10:00-3:00.Seeking partner with teaching, salesor supervisory exp age 25 to 45, tooperate substantial income, P.T.sideline from home. Married, college,No investment. 667-4339 call 5 10pm.VERSAILLES5254 S. Dorchestermi MAINTAINEDBUILDINGAttractive 1V2 and2 V2 Room Studiosurnished or l nfurnished$192 to $291Rased on AvailabilityAt Campus Bus Stop324-0200 Mrs. Groak FOR SALEBrother Boutique Sewing MachineCabinet and accessories. Call MsQuinn, Z53-2006 or 7, 9 5. Mon Fr$250.IBM Model 11 electric officetyoewnter !6; carriage carbon ribbon. Also Heathki! amateur radiowaikie (144MHZ) w. rechargabie batteries CaU Doug at 753 2356 or241 5431.PEOPLE FOR SALEExcellent, accurate typist w/iegai experience will type papers and dissertations or IBM Reasonable rated684 7414ARTWORK posters, illustrationcalligraphy, invitations etc. Noe'Yovovich 544l S Kenwood 493 2399Experienced painter available for intenor work. Call Cliff after 6 p.m3240733.SCENESWOMEN! Self-defense classes byChimera women Learn preventionphysical techniques. 6 wks. Mon 7 9p.m., 5655 University Begins 2/4. $25Call 332-5540 more info.Christian Science OrganizationMeeting Thursdays, 5:30-6:30 Gates-Blake 117. All are welcome.International Women's Day Coalitionplanning meeting-all interested inplanning/scheduling festivities andworkshops please attend. TuesdayFeb. 3, 7:30 pm UC Women's Center-Blue Gargoyle 3rd floorLOST AND FOUNDFOUND: Med size female dog, black,white, brown w/collar. Found Jan. 29,Ellis and 57th Call 684-2987or 753-8165.LOST Gold Cross pen with"Whirlpool" Corp. insignia mountedon pocket clip. Has sentimental value.REWARD. Phone 753-2261, #830BLOST- one gold chain in mens lockerroom at the field house. Monday 11:30am 1-21-80. Reward. Leave message.Paul 3413. 753-2249.HELP! Lost my glasses probably atReynolds Club week of Dec. 10. Blackcase, brown frames, photogray.753-2249, *3301SERVICESAnnouncing the opening of a privatepractice in psychotherapy andcounseling in Hyde Park. Students,faculty, staff welcome. Fees on asliding scale; insurance accepted.Joan Rothchild Hardin, PhD.Registered Psychologist. 493-8766 daysand evenings for appt.Pregnancy tests, Saturdays 10-1Augusfana Church. 5500 S. Woodlawn.$1.50 donation. Southside Women'sHealth Service. 667-5505.We keypunch your data. Precise, fastcheap. Call Mike. 753-2517.R0SE/PL1TTT1XDie. movie theatre tickets at ReynoldsClub Box Office.VEHICLESVOLVO PERSONS: I buy them deador alive. Also have complete inventoryof used parts to keep yours alive SaveAd 924-4103SAVE ON MOVIESRose and Plitt theatre discount ticketat Reynolds Club Box Office.CRAFTY PEOPLEA Singular Group, a creative artscooperative is looking for newmembers to round out ifs gallery ofarts and crafts. Come visit us at 57thand Woodlawn in the Unitarian Churchor call Chris at 493-3290. UC HOTLINE 753-1777Go* the Winter Quarter blues? If youwant to talk, nave a question or need areferral, try the UC Hotline -7 p m -7a.m19 INCH TVSFOR SALE19" Zenith hospital TVs for sale'’nicago Osteopathic Hospital 5200 SEllis. Excellent condition, as low as$49.95 and up See Herb Eastman547-3000. After 6 cali 676-2226FANTASY GAMERSIda Noyes, Sat. Noon Finat and Bar-morath D&D campaigns start. Beginners welcome Contact 947 0439 formore information.PERSONALSWRITER'S WORKSHOP PLaza2-8377,DARK LADY’ Are you a Reader per¬sonality? If so, did you go to the lastparty’ Maroon personals are easier,and cheaper than Reader personals,plus you don't have to know how totype. Franco Fone.Make your dreams come true orchoose from our own stock. Call SecretServices. 947-9026Anyone who ordered Yearbook seniorportraits from Nancy Cleveland canpick them up at the Student ActivitiesOfficeM.K.M. I still miss vou. Fox.W B It is cold outside time for usbears to keep each other warm. P S.Yankees in ’80! P.BCHICAGO NOORAM REPORTMcNamara attends party for Cambodian relief Waitlisted freshman spendwinter weekend in Hyde Park HiltonProtesting students respond to screening of "Hair" by burning registrationcards, cancelling appointments withadvisorsHey Jay My keys are missing, butthere are tire tracks on my hands.For John, my enlighiener, tomorrow isthe day when sensibility begins turn¬ing into senility. Thanks for being youand Happy Birthday. Love, PuppyDog.Will the person who borrowed a CanonA-1 from the yearbook room lastmonth please return it. It is well mark¬ed with the owners name and home ad¬dress Contact the yearbook orMaroon. No questions asked.LIVE INFACULTY CONDOPrivate room w/bath in North Ken¬wood condo. Use of kitchen, livingroom, dining room on campus busroute. Asking $175 a mo but negotiable.753-3912, 373-1305SPACE WANTEDCampus area need 3 br apt. Start leaselate May-eariy June. Call 753-8342XH17 Leave mess.Unicorn, there's no cure for birth ordeath, so let's enjoy the interval. DarkLadyDiplomacy players wanted Prefergrad students. Call 753-8763 afternoonsif interestedSECRETSERVICESWe deliver anything (letter, rose,brick) to anybody (lover prof., dog)anywhere on campus (dorm, classsewer) anytime. Price negot. Use im-magination. Call 947-9026.SECRETARYComputer research project teamneeds secretary to act as a "glue" forPIZZA PLATTER1460 E. 53rdM13-2800 No deliveryHy&rPark^i|ir_attii U41 harm 5’lm}.i1552 E. 53rd - Under IC tracksPipes ■ Pipe Tobaccos -Imported Cioarettes - CioarsMon -Sat 9-8 Sun 12-5Students under 30 net 10°o offask for “Bici Jim" tughiy uyOanin. prv>t;Sfttviidi$ i^ut'ej•nclude handling schedules, inputtingtc a word processing system, technicaldocumentation and some graphicwork. Typing (60wpm) required.Salary • commensurate with experience. Campus location Call753 2929INDOCHINESEREFUGEESIMMEDIATENeec of basic 'urniture hshid good espoeds child clothes (9 children 2 to 20yr ) CaU 684 3326 or 288 3066 (QuaxerHouse).SENDASPARTTO AFGHANISTANContribute to the education of deludedyouth! G:;e a Nerd the opportunity to"hail the reo army". Make 'he U of C abetter piace to be!HOW CRAZYARE YOU?Have ar elfin minstrel escort you toclass. Cali Secret Services 947-9026JAZZ AT NOONPeter Golemme (piano) LarrySullivan (guitar), and Andy Tecson(sax) will play south American iazzand music by Jobim at Reynolds ClubN.E. Lounge on Tues Feb. 5,Noon-1 20.HELP!REWARDOFFERED!Student Co-op Bookstore has lostRECORD-PRICING NOTEBOOK Ifyou inadvertently picked it up on Monday afternoon 1/28,80 PLEASE Dringit back as soon as possible! Otherwisewe cannot order new records! FREENEW RECORD for the one whoreturns it!PULMONARYFUNCTIONTECHNICIANFull time, Monday-Friday, 8:30 am to4:30 pm. Responsibilities include P FTests, calibration, Maintenance ofequipment, supply management,arterial blood gases and record keep¬ing. Previous experience preferred.Competitive salary and fringebenefits Please call: 363-6700 ext. 233.Personnel Coordinator, LaRabidaChildren's Hospital and ResearchCenter, East 65th Street at LakeMichigan, Chicago, II. 60649. EqualOpportunity Employer M/F.CLASSIFIED ADWill the person who borrowed a CanonA-l from the Yearbook room lastmonth please return it. It is well mark¬ed with the owner's name and homeaddress Contact the yearbook orMaroon No questions asked KIMBARK HALLCondominiums$2000 DISCOUNT UNTIL JAN. 1980 - 80%MORTGAGE LOANS AVAILABLEThe developers are offering model units forinspection every Sat. and Sun. between 1and 5 p.m.36 opts.24 1 bedroom 1 both from 30 350 37,0006 2 bedrooms, 1 both from 37 000-38 8506 2 bedrooms 2 bath from 46 000-46 900At! apartments include new kitchens and appliancesnew ba'hrooms. carpeting and decorating (colors ofyour choice), triple-track storm windows and kitchenstorm doors, modern laundry facilities and individuallocker soace.Your inspection is invited5 ! 26 S. Kimbark Ave. - Phone 643-4489Harry A. Zisook & Sons, Agts.786-9200MEDICISunday BrunchWe now servehomemade butter croissantsmade fresh on the premises65c each 50c each to take outJoin us for fresh coffee,croissants, orange iuice andhomemade yogurt every Sundayfrom 9:30 am to 2 pmAlso, try our Eggs Benedict, S3.501450 E. 57th Street667-7394ALL YOU EVER WANTED TO KNOW’ ABOUTVISITING, STUDYING. AND W ORKING IN ISRAELDAVID BEN CHAIMELLIOT CHODOFFRABBI DANNY LEiFERRORBI BLUMENTHAL with:Sholiach. Aliyah CentreAmerican Zionist YouthFederationsHillel DirectorHillel Outreach Workerat:THE HILLEL LOX AND BAGEL BRUNCHSUNDAY, FEBRUARY 3 -11:00 A.M. -1 P.M.5715 Woodlawn Avenue752-U27(Sponsored hv Students for Israel)Friday. February 1, 1980 — The Chicago Maroon — 19Tuesday* February .yihWE- (A!Donald Fecit. blafeCHICAGO SYMCIIONYOHCIIRSTK \i m init st/ \In a lertuiyi^huUAlHsJratiniiAdmission free,1 The Student GovernmentSpecial Winter Electionsare beingheldCast yourvote atReynolds Clubfrom 10:30-3:30or at Cobb Hallfrom 9:00-1:30U of C folklore Societymm amuami\ 1n □B£»a 111 ffl&BSL h* 1 CONCERTS: FEB. 1,2. 3FRI. 8:15 pm $4.50SAT. 3:00 pm 4.00 studentSAT. 8:15 pm 5.50 di’co“",,Party after performance at Alpha Delta Phi, $1.50 coverSUN. 7:30 pm 4.50timun IrMUlTickets on Sale at Reynolds ClubBox OfficeFREE WORKSHOPS: Sat. & Sun.IDA NOYES HALL