Vol. 89, NO. 25 The University of Chicago t Copyright 1979 The Chicago Maroon Friday, November 30, 1979Tim BakerStomping the Iranian FlagDeath to the ShahMinority students aidBy Chris IsidoreMembers ol the Hispanic Cultur¬al Society (H.C.S.) and the Organi¬zation of Black Students (O.B.S.)have spent the last three nightscalling hundreds of blacks and Hi¬spanic high school students, urgingthem to apply to the College. Theorganizations are trying to fill thegap that they feel the admissionsoffice has left in efforts to recruitBlacks and Hispanics.“The excuse that the Universitygives for the low number of blackand Hispanics in the College is thatnot many apply,” said Julio Mateo,president of the H.C.S. “We aretrying to solve this problem by in¬creasing the number of studentswho apply. This does not mean low¬ering any standards. It’s been ourgut feeling that if we weren’t heredoing this, that nothing would bedone.”That gut feeling is shared by theother members of both organiza¬tions. “When President Gray saysthat they have been talking aboutincreased recruitment, that’s allthey are doing — talking,” saidMark Wheeler, president ofO.B.S.“We have been suggesting otherprograms to increase (minority)enrollment, programs which wouldnot cost anything or lower anystandards. We have suggested pub¬ licity stories about minority stu¬dents already here which could besent to different newspapers andmagazines that are known to reachminority students.“They have done nothing. Theonly program that is being done isthe one that we do all the workon.”Formidable workThe work that volunteers fromboth groups have done is formid¬able. For two weeks before thephonathon, students were in theadmissions office all day, compil¬ing lists of students to call. Theygot most names from one of twolists. The first list of 15,000 names,consisted of all those who had con¬tacted the University for informa¬tion about applying. H.C.S.members went through that list,and tried to pick out as many stu¬dents with Spanish surnames asthey could.The second list, provided by theStudent Search Service, containedstudents who had done well on theSAT or PSAT, and it contained in¬formation about.many student’sethnic background. The thirdsource of names were 200 “seniorprospective cards,” which con¬tained the names of students thatUniversity recruiters had metaround the country.Students whose phone numbers John Wayne bums i im Baker #70 waves Old Glory i im BakerProtesters clash over IranBy Jeff DavitzA scheduled pro-Iranian protestturned into a tense confrontationbetween members of the Revolu¬tionary Communist Youth Brigade(RCYB) end students shoutingpro-U.S. slogans on Wednesday inHutchinson Court.recruitingwere missing from these lists weresent “phonathon interest replycards.” along with literature ifthey had not already received any.The 3x5 cards, with return post¬age included, outlined the purposeof the phonathon and asked for thestudents to send their phonenumbers back to the University ifthey were interested.Turn to Page 3Mark Wheeler Tim Baker The protest began at around11:30 am when members of theRCYB and their supporters took uppositions around the center square.Approximately 30 pro-Iranian de¬monstrators appeared carryingbanners denouncing the deposedshah and the U.S.A dozen anti-Iranian protestorsstood off to the side singing GodBless America and shouting“Death to Khomeni!” They alsoheld a sign that read “Bomb Iran!Kill Khomeni.” They later said thatthis sign and chants supporting theCIA and the shah “were notserious.”As the protest went on thenumber of anti-Iranian protestorsgrew. Gradually, they moved outonto the square and faced the pro-Iranian demonstrators. About seventy-five onlookerswatched the protest. Some joinedthe anti-Iranian chants bringingthe number of anti-Iranian demon¬strators up to between 40 and 50.At one point, the shouting matchbetween the two groups escalatedinto some pushing and fighting.Administrators from the office ofthe dean of students stepped inquickly to separate the groups.According to assistant dean ofstudents. Steven Schreiber. the of¬fice of the dean of students guaran¬tees any group with official per¬mission to demonstrate the right todemonstrate free of physical inter¬ference.“We’re just giving them thatright,” said Schreiber explainingthe efforts of the administrators toTurn to Page 3Cambodian benefit tonightTonight at 8 p.m., Cambodia Re¬lief Now will present a program ofSoutheast Asian culture. Proceedsof the program at InternationalHouse will go to aid Cambodians.Cambodia Relief Now wasformed in response to the massivestarvation in Cambodia. The groupis based on campus and has al¬ready raised thousands of dollarsin support.In a related development, theAmerican Refugee Committee(ARC) has launched an effort toget medical volunteers and sup¬plies to the Thai-Cambodianborder. ARC is asking for doctorsand nurses to offer their services tohelp alleviate the starvation.Friday night's performance willfeature a varied program of exoticThai, Balinese and Phillipinodance, music from all over South¬east Asia, slides, and a show offolk-costumes from different na¬ tional groups.The dances will be performed byvarious members of the SoutheastAsian community in Chicago andTurn to Page 3PublicationnoteThis is the last Maroon of theQuarter. Next week. The Chica¬go Literary Review will appear.The Maroon will resume twiceweekly publication beginningJanuary 11.As we prepare for a new year,we welcome any and all com¬ments on our progress. Pleaseaddress any criticism or sug¬gestions to the EditorWe wish all of our readers ahappy holiday season and ak joyous new year. AThe Friends of the Symphony & Music Departmentpresent the third in a seriesof five concerts featuring ) /U‘2 ■49.3-<>8<iBLovely Corner-56th & Kenwood,k 7 ", ... ALovely House - central air<vs furnace, woodburningfirepl^ojS^isty & cozvLovely Space - 6 bedrVums. 2Vi bathsA real ‘‘must see" - S200.000i ; ■ • • ;-Lk • .... — m ■ ■ f- 7k. kv, SPLASHY LOCATION - High penthouse floor overlookingpanoramic Lake Michigan view. Luxury eight room,four bath condo, includes large gallery, floor-to-ceilingteakwood study. Available for immediate closing, orcould wait until Spring. $163,500 is much less than ahouse of similar space. Near 56th Everett.;JUST FINISHED! - Free standing coach house on 60' widelot. Super insulation, newly re-built brpane picture windows, zone heating, two ceramic tilebaths, .new kitchen, .k.on and on. $95,000 °wood & Hyde Park.“Lon CallCHARLOTTE VIKSTROM. BROKER493-0666* q,k>'' k ' I- ’ K#thy Ballard. Sales Associate (res 947-04531Ken Wester Sales Associate (res 947-0557)in music ofFRIDAY, DECEMBER 14,8:00 p.mMANDELHALLPrc ■Divertimenti #3 in E-flat, K, 166*13 in F, K. 253- Beethoven's Trio on a theme\ C’.H ! ! ^*0 J tj, , T >J , V t kk,.. \ “k ( i ^from Don GiovanniTICKETS AT REYNOLDS CLUB BOX OFFICE.igle Concert Prices1 General Public $6.5(V i’t- ;:v -KUC.students$450For further information call 753-3580 or 753-2612; :ert Dates kJanuary 19, February 2x ■""" ■ .... ..II i |k | |.; :tAi. ,'k».S;. k ill®n sfitl| | I £j&i I ,. ,p|g!§S;i__ •“kt'lkafNovember 30 7:Terror in 3-D reaches from the screen to s■ -X Ib 1 UDhN IS AxND r ACUL Y\. . .. - ■ ■ ,Brand name clothing such as H. FREEMAN. CHAPS,DONALD BROOKS, MALCOLM KENNETH. AQUAS-CUTUM. LONDON FOG. SERO and others at 25‘Vooff of our very low listed prices. (FREE 3-D GLASSES!)KPiSSi ;v» 'aturdayJ.-'vC'k'Uibr*'x v *-&.*'* ^ ‘ - 7:15 and 10:00December 1x i, 4 J - T r \ ^ ^ * ‘ ? VSam Peckinpah sr ..... rv n..A.aonly. This sale applies Mon - Fri fron \1 - CSAT from 10 AM to 4 PM.„ _ _ r „ -Your U of C ID card is necess'ap®^dm..ssion tothis sale.*3kkSundayWILLIAM’S TRADITIONALCLOTHING19-S. LaSalle St 782-9885(Entrance on Arcade Place)2 The Chicago Maroon Friday, November 30, 1979 A—| -r:A—| >- A-t ^■ ■ J fl wJ ■ 4 I ik': ;-3 J”" .1 w 1 7 ■ 1 LI| " I:■ -,.4, LDUL.NewsbriefsSocial SciencesCelebration. The Social Sciences Division will cele¬brate the 50th Anniversary of the SocialSciences Research Building with a two-dayCelebration to coincide exactly with the 50thAnniversary of the Building’s dedication in1929, Sunday and Monday, December 16 and17.The Celebration will feature three Sympo¬sia and an Address by Herbert A. Simon ofCarnegie-Mellon University. Simon, a NobelLaureate in Economics and a Universityalumnus, will ask “Are Social ProblemsProblems that Social Science Can Solve?”The three Symposia will be chaired byProfessors Bernice L. Neugarten (HumanDevelopment), Chauncy D. Harris (Geogra¬phy), and Neil Harris (History); and willfeature papers by Theodore W. Schultz, win¬ner of the 1979 Nobel Prize in Economics;Norman M. Bradburn; Mary Jean Bow¬man; Paul E. Peterson; Marshall D. Sah-lins; and Barry D. Karl; all of the Universi¬ty; as well as speakers from the Universityof Michigan, and Stanford and PrincetonUniversities.Topics of presentations will include “Dis¬tortions of Economic Research”, “The De¬clining Significance of Social Class”, “Indi¬vidual Experience and Cultural Order”, and“The Revival of Narrative; Reflections onNew-Old History”. The first Symposiumwill be held Sunday at 2 pm in SocialSciences 122 to be followed by the Address at4:30 pm in the Oriental Institute. A recep¬tion in the North Lounge of the ReynoldsClub will be held at 6 pm that night.On Monday the second Symposium willtake place in Social Sciences at 10 am andthe third at 2 pm.All events are free and open to the pub¬lic.Conference on blacksand censusSome of the nation's leadingdemographers and civil rights experts willmeet at the Center for Continuing Educationthis weekend for a conference on blacks andthe 1980 Census.The conference will discuss the “minorityundercount;” the failure of the census tocorrectly count members of minoritygroups. Because census figures are used toallocate federal and state funds to cities, anundercount of minority group members canresult in the loss of money for many socialprograms. Researchers estimate thatChicago has lost as much as $2.5 million offederal funds each year since 1970 becuaseof an undercount of minorities.Among the speakers at the conference willbe Vincent Barabba, director of the U.S.Bureau of the Census; Rep. Cardiss Collins,Chairman of the Congressional BlackCaucus. Gary, Ind. Mayor Richard Hatcher,RecruitingContinued from Page 1Besides these cards, the only other cost tothe University from this program has beenthe nominal charge of WATS line calls beingmade by the volunteers. The Universitymade one of their W ATS numbers open tothe 10 phones, and it seemed to be sufficent,for the volunteers were not having troublegetting a line out. In the first hour of thephonathon on Tuesday, each caller wasaveraging between 3 and 4 conservations,each about 10 minutes long. If this rate wasmaintained over the three nights, then theorganizations should have been able to con¬tact over 400 students.No one was quite sure of how large the listof names had been to begin with. “Westopped counting that long ago,” saidMateo. “But there is no way that we will beable to call all of them by Thursday at10:30.”The calls were to find out what the studentneeded before applying, whether it was lit¬erature, Part I of the application, or infor¬mation about life at the College. One of the and University professor emeritus PhilipHauser, noted sociologist.The conference is scheduled to open Fri¬day afternoon and continue through Satur¬day afternoon. For further information, call492-5122.Milkereit quits PIJohn E. Milkereit, the director of publicaffairs for the University medical center,will leave the University to become directorof public relations for the Medical Universi¬ty of South Carolina in Charleston. He willhelp reorganize the public relations pro¬gram for South Carolina, its six divisions,and its hospital. Milkereit has been at theUniversity since 1970.Anderson campaigngroup meetsA group of students interested in sup¬porting Republican Presidential candidateJohn Anderson will meet tonight between 4and 6 pm in the Ida Noyes Hall Library.Anderson is the former chairman of theHouse Republican Conference, and is theranking Republican on the Ad Hoc EnergyCommittee. He was the first Republican tocall for President Nixon’s resignation, thefirst Republican to call for the withdrawal ofU.S. troops from Vietnam, and is the onlyRepublican candidate for President to en¬dorse the SALT II treaty. He is also creditedfor helping to save the 1964 Civil Rights Actfrom defeat.Those who canot attend the meeting, butwould like to work with the group are askedto call Tom Powers at 753-2240.Iran forumThe Progressive Union will present aforum on the Iranian situation Tuesday,December 4, at 4 pm in Kent 107. Fourspeakers, including two Iranian students,will be presented.New ChaplainThe Rev. Father Cyril Lukashonak hasbeen appointed as Chaplain to Eastern Or¬thodox Christians at the University effectiveimmediately. Father Lukashonak will be atRockefeller Chapel (lower level) eachThursday from 1 pm to 5 pm to meet andtalk with students of all Orthodox jurisdic¬tions. He will also conduct Vesper Serviceson Thursdays at 3 pm.Hostage tributeIn response to President Carter's appealto churches on behalf of the Americans heldhostage in Iran, Rockefeller MemorialChapel will ring 49 strokes on the GreatBourdon each day at noon until the hostagesare released.most frequent questions asked by the can¬didates was about tuition costs and financialaid. Questions were also about the neighbor¬hood, activities on campus, etc. After eachphone call, the volunteer filled out a formwhich included the name, phone numberand address of the candidate, the caller’sname, the date of the call, and space forcomments about the calls. O.B.S. and H.C.Shope to use these sheets and the lists theyhave compiled already to have a follow-upphonathon second week of winter quarter.The only phonathons done by these organi¬zations in the past have been to contact stu¬dents who have already completed Part I. orthose who were already accepted and en¬courage them to come here. It had also notbeen a joint effort. This year’s program hasbeen well received by those in the organiza¬tions and those in the admissions office.“This is a very positive thing.” saidDonna Robinson, assistant to the director ofadmissions and coordinator of minority re¬cruitment. “The volunteers are very enthu¬siastic, and I’m very enthusiastic.”Robinson had volunteered to stay at theadmissions all three nights of the phonathonto answer any questions which the volun- Iran protestContinued from Page 1Flag burningThe fighting began w'hen several pro-U.S.students rushed into a crowd of RCYBmembers who were setting fire to a pictureof John Wayne and a facsimile of the Ameri¬can flag.Larry Wilt said he rushed the group ofRCYB members because they were “burn¬ing a symbol of the United States.“That’s something I don’t like,” he said.Eric Schmaler, another one of the pro-U.S. students, said their protest was “not ateers might not be able to answer The othervolunteers had worked whenver they could,and some were willing to work one or moreentire evening. The atmosphere in the ad¬missions offices was jovial, though.H.C.S. has 30 active members, and O.B.S.,which draws from the graduate schools aswell as the College has 40 active members.But as enthusiastic as the volunteers areabout their program, they are still disap¬pointed about the role the admissions officehas played in recruitment.“O.B*S. has put up $5,000 of its own moneyfor the past two years in order to have tfTeadmissions office match it. just to send re¬cruiters on different recruitment trips (suchas Black College Fairs),” said Wheeler.“There is only one minority recruitmentcounselor, but she has many other respon¬sibilities and is over-burdenkl.“If they say that the University is makingan effort to recruit minorities, it is clear tous that that is a lie.”“We don’t feel that it is our responsibilityto shell out all this time and effort,” saidMateo, “But we are willing to meet the ad¬missions office half way if they are will¬ing.” formal one.” It was intended, saidSchmaler, to harrass the pro-Iranian de¬monstrators.“We’re sick and tired of communistgroups stepping on Americans,” he said.According to Rebecca Israel of the RCYB.the pro-Iranian demonstrators were de¬manding an end to U.S. “imperialist” in¬volvement in Iran, the return of the Shah toIran, and an end to the “attacks on Iranianstudents in the U.S.”Israel said that the RCYB was “taking astand with the Iranian people.” She calledthe student take-over of the U.S. embassy inTeheran a “continuation of the Iranian revo¬lution.”Many of the onlookers cheered when theanti-Iranian demonstrators unfurled anAmerican flag and paraded around Hutchin¬son court They also shouted some supportwhen an Iranian flag was burned.Several times during the protest, RCYBmembers yielded the microphone to anti-Iranian speakers.“I have one thing to say,” said one of theanti-Iran protestors into the mike, “Iransucks. Commies suck!”Paul J. Thiboutot, one of the administra¬tors involved in keeping the groups apart,said that at least two or three security ad¬ministrators were at the demonstrationThiboutot indicated that this was standardpolicy in circumstances like these. Twoplainclothes Chicago policemen were alsopresent.At about 1 pm the demonstration brokeup. Remnants of the two groups moved to¬gether and continued to argue vehementlyfor about a half an hour.BenefitContinued from Page 1will present a great diversity. From theslow' and stately movements of Thai danceto the rapid and fiery action of Phillipinodance. Dancing will be the centerpiece ofthe program.Tickets are available in advance fromtables set up in Reynolds Club and Cobb Hallor at the door. All proceeds will be turnedover to the Red Cross. UNICEF, and Ox-Fam. The minimum donation is $2.50 forstudents and $5 for non-students thoughlarger contributions are requested.ARC is a private non-profit group with of¬fices in Chicago, Minneapolis and Washing¬ton. They have raised over $40,000 but areshort of their goal of $225,000 $225,000 willallow ARC to send and supply 75 medicalworkers.ARC is still looking for more applicationsfor people willing to go to the Thai-Cambo-dian border. Volunteers should contact theARC. 310 Fourth Ave. South. Minneapolis.MN. 55415 and call Neal Ball at 866-4033.Further information about Cambodia Re¬lief Now can be received from InternationalHouse, 753-2275.Tonight's cultural program will takeplace with the generous support and spon¬sorship of the International HouseThe Chicago Maroon — Friday, November 30, 1979 — 3./Letters to the EditorFiller fill-inTo the Editor:We have read with great interest your ar¬ticle written in the Maroon on Tuesday, No¬vember 13, 1979. While we appreciate thefairness with which you have addressed theincident, we feel that you have obscured oneof the major points raised on Mr. Filler’s be¬half. Mr. Filler has received academic sanc¬tions for activities alleged to have occurredduring the extracurriclar employmentunder the jurisdiction of the personnel de¬partment and not the Division of BiologicalSciences.Accordingly, it would seem the propersanction should have been one affecting hisemployment status rather than his status asa student. The University convened improp¬er disciplinary panels which were held tolesser due process standards and therebyhanded down excessive penalties to Mr. Fill¬er.Joel D. WeismanLawrence E. JustAttorneys for Aaron FillerPolitical tactTo the Editor:On Tuesday November 20th, a group ofperhaps thirty people of various political af¬filiation and opinion gathered in Hutch courtto protest the presence of CIA recruiters oncampus. About fifteen other studentsformed a counter-demonstration in front ofa banner reading “SYL — Go to Hell.”These people shouted anti-SYL slogans,anti-communist, anti-foreigner, and pro-CIA chants, sang ‘‘God Bless America,” andengaged in abusive exchanges with otherdemonstrators.This incident seemed like part of thefrightening national trend toward flag-wav¬ing America-Firstism. Nativist movementsof this kind have led, historically, to lynch-ings, detention camps, war, and genocide.American Nationalists include advocates ofIranian detention camps, of “nuking” Iran,of anti-homosexual politics, of public reli¬ gion, and of the K.K.K.The counter-demonstrators of the 20th,however, seemed motivated less by Ameri¬canism, than by hatred of the SpartacusYouth League. It would be unfortunate ifany U of C students let themselves be dupedby a jingoist movement for which they haveno real sympathy, simply because of the ac¬tivities of one small Protskist group. Peopleshould separate the issue of SYL politicaltactics from the issue of American imperial¬ism. You can hate the CIA, the FBI, JimmyCarter, the Shah of Iran, Khomeini, and Jin¬goism without supporting the SYL, or anyother organized “Left group.”The SYL tends to alienate people by dog¬matism and abrasiveness. Some people, un¬fortunately, because the SYL is so organizedand vocal, associate SYL tactics with all leftgroups. The tendency of almost all politicalgroups to an inflated sense of self-impor¬tance and righteousness lends to this anti¬communist sentiment. These tendencies aredistressing because such characteristicsare inimical both to effective political work,and to the development of democratic andMarxist political thought.Politics requires tact. It is not very effec¬tive to try to educate people through rigidpolitical dogma, name-calling, and disrup¬tive behavior. Most people respond to thiskind of argument in the way the U of Ccampus responds to the SYL — by ignoringit, by laughing at it, or by attacking it. Evenif these tactics did work, we could not right¬fully use them. Political rigidity holds manyother dangers. Authoritarianism — whetherfrom the left or from the right — is unac¬ceptable. Legitimate government must bebased on informed political discussion andpopular participation — that is, on tolerantdemocracy. This kind of democratic princi¬ple is at the heart of Marxist-socialism; pop¬ular (proletarian) control of governmentand the means of production.Last Tuesday we saw the frighteningspecter of confrontation between dogma¬tism on the far left and on the far right.Americans will, in the near future, makeimportant decisions about the values whichguide this nation. I hope this kind of jin¬goism and authoritarianism will not deter¬mine our direction.Rhonda AdamsStudent in the CollegeThe Chicago MaroonEditor: Andrew PatnerGrey City Journal Editor: David MillerManaging Editor: Jaan EliasFeatures Editor: Mark WallachSports Editor: Andy RothmanPhoto Editor: Tim BakerLiterary Review Editors: Richard Kaye and MollyMcQuadeAssociate Editors: David Glockner and Chris IsidoreSenior Editors: Abbe Fletman and Claudia MagatBusiness Manager: Joel GreenAd Manager: Steve KaszynskiOffice Manager: Leslie WickGraphics: Chris PersansProduction: Jacob Levine and Scott RaulandStaff: Curtis Black, Doug Braun, Dan Breslau, JeffCane, Nancy Cleveland, Jeff Davitz, John Dugan,Mark Erwin, Wendy Glabman, Jamie Graff, JackieHardy, John Kim, Carol Klammer, Greg Mizera, Sher¬rie Negrea, Danila Oder, Sharon Pollack, KathleenRestifo, David Rubin, Allen Sowizral, Howard Suls,Calvin Thrilling, Darrel WuDunn, John Wright,Phoebe Zerwick.• • •The Chicago Maroon is the student newspaper of theUniversity of Chicago, published on Tuesdays and Fri¬days. Editorial and business offices are located on thethird floor of Ida Noyes Hall, 1212 E. 59th St., Chicago,60637. Telephone: 753-3263.We welcome letters and comment. Correspondenceshould be addressed to the Editor and should be typedand triple-spaced. Letters must be signed and the writ¬er should identify his or her connection with the Uni¬versity or the community. Names will be withheld atthe writer’s request. All letters become the property ofThe Maroon.4 — The Chicago Maroon — Friday, November 30, 1979 Black student-faculty meetingTo the Editor:On Sunday, November 11,1979 the Organi¬zation of Black Students (OBS) sponsoredthe first of its quarterly meetings with theBlack Faculty. These meetings are beingheld because the OBS officers and membersfelt that Black students had a need to com¬municate with the Black Faculty. Thesemeetings are not social meetings, for thatpurpose is accomplished with the annualEntering Minority Students Banquet heldevery Autumn quarter. They are being heldto; (1) see if there is a general consensus onissues pertinent to Blacks at the Universityof Chicago (2) devise plans to successfullydeal with problems concerning all of us and(3) suggest and recommend solutions to in¬dividual problems.The discussion at this inaugural meetingcentered around two problems that con¬cerns all of us, (1) the dismally low percent¬age of Blacks at this university and (2) thelack of complete communication and totalsolidarity between and among us.Increased Faculty and student involve¬ment in both (1) requesting better efforts inBlack recruiting by the various Admissionsoffices and (2) active recruiting are solu¬tions to the first problem.The lack of complete communication andtotal solidarity is due to the limited amountof interaction between Black students. Oneway suggested to increase interaction is forBlack students to become more involved inOBS activities. By working together, indi¬viduals tend to become more closer to oneanother. More specific actions proposed, aswell as the date, place, time, and agenda forthe next Black Faculty/Students meetingwill be discussed in future Organization ofBlack Students meetings.*Golden Fleece Award — President Gray fornot attending the first Student AdvisoryCommittee to the President meeting.Golden Star Award — Monica Jackson who,through the Student Volunteer Bureau, isteaching children the art of dancing.Charles (Tony) KnightVice-PresidentOrganization of Black StudentsCIA fussTo the Editor:I don’t understand all the fuss about CIACounter-Intelligence recruiters.At least they live up to their name.James ReadStudent in the CollegeNOMORTo the Editor:I read Rebecca Lillian’s article “TheAtom Bomb: Then & Now” with much inter¬est. 1 would like to make a few commentsabout the “Now” and the “In-Between”.Not many people are aware that Einstein,with the help of Szilard, wrote a third letterto Roosevelt in 1945. In this letter he ex¬pressed his concern that any short term mil¬itary advantages from using the bomb werefar out weighed by the disadvantages of thearmaments race that would follow. Later,Einstein was to tell Linus Pauling, “I madeone great mistake in my life, when I signedthe letter to Roosevelt recommending thatatom bombs be made...”In the same year (1945), petitions urgingTruman not to resort to using the bomb were delivered from Szilard, 68 scientists at OakRidge, and 18 physicists here at Chicago.These petitions were withheld from Trumanby General Leslie R. Groves, the director ofthe Manhattan Project.Not having been alive in 1945, I can onlyrely on what I have read and heard to judgethe sentiments of that time. But even so, onething seems certain: there was significantdisagreement as to whether the bombshould be used, even among the top militaryleaders. Having grown up in the seventies, Ihave witnessed the signing of SALT I, thenegotiation of SALT II, the deployment ofMIRV’s, and the development of MARV’s.Our leaders have stopped debating the useof atomic bombs, and now calmly speak of‘limited nuclear war’ and of new weaponssystems costing 40-50 billion dollars. Oh howthe times have changed! It’s no wonder thatthe common man feels alienated and help¬less in this situation. Fortunately for us, theseventies has evolved a political beast fordealing with such a situation: It’s called aspecial interest group. I feel it is appro¬priate that on the campus where the firstcontrolled nuclear chain reaction wasachieved, a group has formed whose specialinterest is a unilateral moratorium on allnuclear weapons research and develop¬ment. This group is called NOMOR.NOMOR realizes that total disarmament isnot possible at this time: because of this,they seek only a halt to the building of nu¬clear weapons.To many people, the idea of a nuclear waris remote; so for just a moment, imaginethat it happened. A missile is launched fromits silo in central Russia; it carries a single15 megaton warhead, which is 1000 times aspowerful as the bomb dropped on Hiroshi¬ma. In less than 30 minutes it explodes overthe Chicago Loop, instantly killing all thosewho witness it from Hyde Park. Those in¬doors survive for another minute or two,until the shock wave roars through, flatten¬ing every structure in its path. There wouldbe no survivors in Hyde Park. Think aboutit. If this knowledge disturbs you or leavesyou slightly frustrated, then do somethingabout it: NOMOR meets every Thursday at7 P.M. in Ida Noyes Hall.Keith Snailgraduate studentPhysics DepartmentGray meaningTo the Editor:Again Mrs. Gray has lapsed either fromlogic or intelligence, and has certainly againlapsed from grammar and lucidity. I neverdoubt of the clumsy editing hand, but Mrs.Gray’s inanity in her interview (Maroon,Nov. 27) is too unmitigated to allow such anexplanation.Mrs. Gray says of the Pick Aw*rd:“There were as many different positionsoutside the University as in it, so Idon’t know if it hurt the University or not. Idon’t think the University should be afraidof controversy though, in a way the Univer¬sity is in the business of controversy.”It is expectable that the existence of manydifferent positions should leave Mrs. Grayunable to decide. There are so manythoughts that she doesn’t know which tochoose. It may be, however, that Mrs. Graybelieves that a mere variety of opinionsmeans that none is right and none is wrong.I also wonder where she came by the notionthat the University might be afraid of con¬troversy. I don’t need Mrs. Gray’s rarelyepigramatic encouragement to believe thatno University should avoid contro¬versy; I never suggested, and nev¬er heard it suggested that the Universityshould be afraid of controversy, but ratherthat the University should fear dishonor,dishonesty, and disgust. It might also striveto sidestep vulgarity and stupidity.An epitome of Mrs. Gray’s manner is hersentence: “A part of the development ofthat entire matter was the result in a senseof an accident of transition, and under othercircumstances we wouldn’t have had it.”The subject is not merely the “matter,”“that entire matter,” or even “the develop¬ment of that entire matter,” but rather, “apart of the development of that entire mat¬ter.” One would surely be interested in theentire matter, but Mrs. Gray shrinks fromthis in favor of the act’s development, andfrom this to a part of it. Which part? Whatabout all the other parts? This part is notsimply the result of transition, but of an ac¬cident of transition, and not wholly, but “ina sense.”Finally: “under other circumstances wewouldn’t have had it.” What is “it”? Whatwouldn’t we have had? The “part,” the“development,” the “accident,” the “tran¬sition,” or the “entire matter”? It may bethat Mrs. Gray is saying that if things hadbeen different they would have been dif¬ferent. If so, that is a long way to go for atautology.The embarrassing and outrageous lengthsto which Mrs. Gray will go, verbally andlogically, to purge her statements of anymeaning might be amusing “under differentcircumstances,” but they would have to bequite radically different.Adam O’ConnorStudent in the CollegeAmnestyextendedTo the Editor :The recent article on Amnesty Interna¬tional (Tuesday, November 13) did not men¬tion that in mid-September Amnesty broa¬dened its “Prisoners of Conscience”category to include not only those “detainedanywhere for their beliefs, color, ethnic ori¬gin, sex, religion, or language”, but thoseimprisoned for homosexual acts or orienta¬tion as well.This change is important. It demonstratesAmnesty’s understanding that homosexualacts and advocacy of sexual freedom are po¬litical acts, and that punishment of personsfor freely (and non-coercively) exercisingtheir sexuality as they choose is a gross vio¬lation of human rights. The freedom to con¬trol one’s own body is no less a freedom thancontrol of one’s mind, speech, and belief. In¬deed, the movements for equal rights forwomen, for access to abortion and birth con¬trol, for health care under the control of theconsumer, against the draft and militarism,for “children’s rights”, and for sexual free¬dom all spring from an awareness of themost basic human right: to choose what todo with one’s own body.Amnesty International’s welcome actionwill probably not free anyone convicted of“sodomy” or “unspeakable and unnaturalcrimes against nature” in the United States,for we proudly believe that we have no polit¬ical prisoners in this country. But if youknow or know of people arrested for these“crimes”, or of others held against theirwill in mental institutions for their sexualorientation, let them know that this interna¬tional watchdog group considers them to beprisoners of conscience, and let AI knowabout their cases.Every day. gay men in prison are raped(most often by violent non-gay men); gaysin mental hospitals are given shock, drug, oraversion therapy; gays outside the wallslive in fear of harrassment, entrapment, orarrest by the police; and gay youth areafraid to talk to their legal guardians forfear of being confined in a psych ward. It istime that all of us, with Amnesty Interna¬tional, recognize these women and men asprisoners of conscience who have been de¬nied their full human rights, and demandtheir freedom.Peter Burkholderdoctoral student in music FRIDAY NIGHT1 MUSIC at the PUBNICK FILIPPOandMARK DANIELS9:00-12:30 MUSIC BYThe University CPU Y’fT'Zof t IlKUVO O 1 1 VV 1PA UeST/U NA2S'S SC HEINFERRABOSCOCourt Studio Theatre presents:George Bernard Shaw’sTHE PHILANDERERdirected by Abbie KatzNov. 23 - Dec. 2Fri.-Sun.8:30 pm, 7:30 Sundays Artr$2.50 general admission ^$1.50 students/seniorsReynolds Club Theatre57th & University753-3581 COPERARlOSWEEUNCKZ^prjAugustana Lutheran Church5500 South ‘Woodlawn .Ave-.'Trida-y- 7 Decemter’1979 -o.io p-M■Z222222222222222SUPPLY ANDINVENTORYMANAGEMENTIf you want experience in supply or inventory man¬agement, there’s no faster way to get it than as aNavy Supply Officer. In less than a year, you couldbe responsible for supplying a single ship, the equiv¬alent of running a million dollar-a vear business.Also top salary, travel and complete benefits.For complete information, send your resume to,or contact:Dept, of the Navy ((lode 04)Management Programs, Bldg. 41NAS Glenview, IL. 60026312-657-223422Z *2222222222$ 363-1454LIVE JAZZ AT 9:00 P.M. /s Coffee Souse'Friday , Kwmkr 30,1979$**00,*.^ f:00 Xjyri,JjJ tano# attar at KouesFree PermissionSponsor^ StudentThe Chicago Maroon — Friday, November 30, 1979 — 5Yeshiva discovery.Scholar Golb to speak on Rouen findBy Chris IsidoreUniversity professor Norman Golb will begiving a lecture a week from next Tuesdayon a discovery of his which has made himsomething of a celebrity in parts of France,but for which he is still greatly unknownhere in America.Golb, through the study of ancient Hebrewmanuscripts, which is his area of expertise,was able to predict the location of amedieval Jewish academy of higher learn¬ing. Such centers, called yeshivas, had beenreferred to in different manuscripts, butnone of that period had ever beendiscovered in Europe by archeologists.In the spring of 1976, Golb suggested in abook which he had written in Hebrew thatsuch an academy had existed in the city ofRouen, and that it had been located where a16th century building, the Palace of Justice,is now located. Later that summer, abulldozer crew which was working on therestoration of the palace fell into a hole inthe court yard, and explorations of the arearevealed the foundations of another struc¬ture. The discoverers first believed thebuilding to be a synagogue, for a number ofsynagogues from that period have beenfound in Europe. But the city’s rabbi, whilesearching through the town’s library, founda copy of Golb’s book, and in it the passagewhich had identified the then undiscoveredbuilding:“It is too bad that this text concerning theAcademy (a reference to a 15th century-manuscript described by a 19th centuryhistorian) has been lost. This manuscriptwould perhaps have made it possible for scholars to know the precise place of thebuilding in the Street of Jews. The fact thatthis building is not mentioned after the 15thcentury encourages me in the view that itwas on the northern side of the street andthat it was destroyed at the time of thebuilding of the Palace of Justice. ”This passage caused great excitement onthe excavation site, and officials im¬mediately wired Chicago asking Golb to ex¬amine the find.Upon his arrival, numerous newspaperand magazine articles appeared in Rouenabout the discovery, about Golb’s predic¬tion, and about his visit. His name becamesomething of a household word in the largeport city. He gave lectures at the Universityof Rouen, and became friendly with the ci¬ty’s nationally prominent mayor and hiswife. But his work in France and thediscoveries there have gone largely unnotic¬ed here in America.This has led Mme. Jean Lecanuet, thewife of Rouen’s mayor, to come to Americato raise interest in the discoveries of Rouen.It will be in honor of her visit to Chicago intwo weeks that Golb will be giving his firstpublic American lecture on the subject, at 8pm. on Tuesday, December 11th at theOriental Institute.Golb’s interest in studying manuscriptsgoes back to his student days in Chicago.And in 1954 he received his doctorate inJudaic and Semitic studies from JohnsHopkins University. From 1958 through 1963he was on the faculty of Hebrew Union Col¬lege in Cincinnati, and he has taught at theUniversity since 1963.The foundations of the Academy as found in the excavations6 — The Chicago Maroon — Friday, November 30, 1979 Golb (right) with the chief historic architect of France and a professor from the Universityof Rouen in Rouen at the time of his discovery.“Since I was quite young, I was fascinatedby the possibility of new knowledge,” Golbsays. “I realized that new knowledge in therealm of history and culture had to be ob¬tained, primarily, by exploring newsources, instead of through synthesis andnew interpretation of known sources.“Hebrew manuscripts offer a greatpossibility for new knowledge because oftheir abundance. And I have always beenfacinated by the history of the Jews, theirrelationship to society at large and theircontribution to medieval culture.”This does not mean that Golb only studiesnewly discovered manuscripts. Some of hismost important discoveries have been madewhen he re-examined manuscripts which hediscovered had been misread. His researchinto the Jews of Rouen was sparked by hisdiscovery that an earlier manuscriptscholar had misread the name of Rouen asDreux, which is a small town near Paris.Dreux and Rouen have very similar Hebrewnames and for many centuries, scholars ac¬cepted that Dreux had been the center ofJewish learning in the middle ages. By stu¬dying the original manuscripts, though,Golb was able to infer that Rouen had beenthe true home of the Academy of that time. was constructed, and he felt that he hadcompleted his work by presenting the factshe discovered from the manuscripts. Hedescribes the discovery of the foundation as“a happy moment,” but says that thediscovery itself was out of his field, andmore in the field of archeology.“I think there is a certain competition bet¬ween archeologists and manuscriptscholars,” he says. “I would favor greatercooperation. Archeologists are in greaterneed of manuscript experts than they aresometimes willing to admit, and vice ver¬sa.”Golb’s lecture a week from Tuesday willbe illustrated with slides that he took at thesite of the excavations. The site is beingrenovated in such a way that it will soon beopen as an exhibit to the public. Thediscovery has caused a large amount of ex¬citement in France, and it is this excitementand interest that Golb and Mme.Lecanuethope to convey to Americans through thispresentation.Rouen was then the capital of Normandy,which was independent from France, and itwas the major port of western Europe. Inthe years between 1096 when the last majorpersecutions of the Jews of that period tookplace, and 1306, when the Jews were expell¬ed from France, Jews in that area enjoyedgreat freedom in what Golb describes as the“golden age of medieval French Jewishculture.” Fifteen to twenty yeshivas ap¬peared around Western Europe, and Jewishculture was able to survive and flourishthrough these schools. Golb believes that theYeshiva in Rouen was the most importantone in Europe, and that the Jewish popula¬tion of the city ranged between 3,000 and4,000.In 1204, Normandy was reunited withFrance, and the situation of the Jews of theregion started slowly to deteriorate untilthey were expelled in 1306. The Yeshiva pro¬bably stood until the building of the Palaceof Justice at the end of the 15th century.Golb says that no one knows what thebuilding was used for during those two cen¬turies, or whether there was only onebuilding of the academy, or if the founda¬tions that were found were those of the mainbuilding in a complex of buildings.Golb did not press for the excavation ofthe site of the palace once he had concludedthat the Academy had once been there. Hewas not sure that the foundations of anyother remains had been left when the Palace A reproduction of one of the manuscriptsGolb worked with•wm 5*r"jrWrMP8** J r-qj?- jr» **rm iracnt-* ^ ^Ha’9* *5* yn»«**,*!***•JV "M ttvr T*y 1:rw yrd* •j-jym r»rv/* om jo -. —. .. . _-----"* * ** )»ttf* J**’*’jr "3 .**» 0 Kt ** BN tf* "I** **rnrji-nr **T3 mr***V* ran* m jjm, **?< Ar ^AndyDavid 1the grey city journalSecond City benefits Court on December 17by Philip MaherSecond City, Chicago’s nationally famouscomedy company, will perform at MandelHall on December 17, a Monday evening.The show is a benefit performance, part ofthe final fund raising push for the CourtTheatre's new building.Second City and the University go back along way together — alumni of both institu¬tions include Mike Nichols, Severn Darden,and David Steinberg. Second City practical¬ly invented improvisational humor; theirskits and revues have spawned countlessimitators and branch-offs — Saturday NightLive is one current progeny. (John Belushi,however, did not attend the U of C.)The benefit will be a special show — Sec¬ond City is celebrating their twentieth anni¬versary this season. Some former SecondCity players are expected to return for theevent. They will perform their best skits ofthe past twenty years in a revue, "The Bestof Second City."The Court Theatre, although not on Satur¬day night television, is equally a nation¬al institution — one of the last bastions ofclassical drama in the country. Unfortuna¬tely, it's working space is limited to thethird floor Reynolds Club Theatre and thefirst floor New Theatre, in which Courtholds its main winter productions. The NewTheater has no wings, no backstage, anddressing rooms three flights up. Needless tosay, the potential for full technical prod¬uctions is non-existent.The New Theatre was built as a temporary structure four years ago, while plansfor a new building were drawn up. The pro¬posed building proved to be too costly, how¬ever, and two years were lost. New planshave now been made; the theatre dimin¬ished from 475 to 250 seats, which is, accord-,ing to Court's director Nick Rudall, "intimate"; but not "claustrophobic."The plans, drawn up by Harry Weese,Assoc, in conjunction with the Theatre'stechnical staff, include; sophisticated light¬ing, a scene shop to build scenes, room onstage to change scenes, dressing rooms,wings, even a backstage. The weight of theperformance will still be on the actors, forthe theatre, although technically sophisti¬cated, will still be quite small. Most impor¬tant, however, technical productions suchas Shakespeare, Chekhov, and the Greektragedies will all now be possible.Money raised by the benefit will also helpinstall a professional resident company atthe Court Theatre. These professionals willbe sought nationally and competition is ex¬pected to be keen. "It's a chance that manyactors would love to have," explainsRudal," "It's what actors are trained for. QCourt Theatre Director Nicholas RudanSecond City performers on stage in Mandel Hall last spring.You go to school to learn Chekhov, Ibsen,Moliere — you get out and you're doing NeilSimon."The need for a professional core is crucial.Rudall says, "There is no way to do theatrewell without this core of people." Not justanyone can play King Lear or Willy Lomanas they should be played, "you need a WillyLoman who is 48, and you need a Lear who is58, or can at least project 65."Still, the Theatre will be both professionaland educational; students will work withand learn from the professional actors. Anyone will be able to audition.The benefits of a professional companyshould be great both in financial returns and in educational value. The Reynolds Halltheatres will stay open, so there will be nocurtailment of experimental or communitytheatre; there will simply be room formore.Approval and construction of the buildingare expected to take about two years fromthe completion of fund raising. Rudall hopesto break ground in early spring, though nodefinite site has been found. A likely spot ison Ellis between 55th and 56th.Court's new building will cost well overthree million dollars; all but $100,000have been raised — which brings us back tothe Second City Benefit. The Court Theatreis not in any way funded by the University. They depend entirely on box-office receiptsand fund raisings. "We are not a commer¬cial theatre," says Mr. Rudall. "We arehere to do Shakespeare ... to benefit thecommunity."S100 seats are now on sale — benefactorsmay attend a reception after the show withthe Second City cast. $1000 will buy a seatnamed after the donor in the new theatrebuilding. Also on sale, however, are generaladmission tickets for $7, $5 for faculty andstaff, and S3 for students."The Best of Second City," A Second Citybenefit performance for the Court Theatreis on Monday evening, December 17, at8:30.Freddie (Fred Wellich) meets Joe (Willamarie Moore) as Meagen Fay (left), Bar¬bara King, and Derek Evans look on in ADay in the Death of Joe Egg. Joe Egg benefits us through Dec. 22A Day in the Death of Joe Egg, by Peter Nichols. Directed by Nicholas Rudall. Winter Court Theatre Production: Through December22. The New Theatre.by Julie A- Lessa oe Egg is a vegetable. Oh, not a real one, of course. You know, a•/ sort of human imitation of a vegetable, the kind that sits aroundthe house a lot and never quite gets anything done. Joe Egg's grand¬mother is always warning Joe's parents not to be like their daughter, Josephine — that is, sitting around the house like Joe Egg. ButJoe's parents, Brian and Sheila, don't like to sit around the house,really. They've always been a little afraid of having friends or goingout, for fear, it seems, of only eliciting pity for Joe Egg (or for themselves). So they have become like Joe Egg.Brian and Sheila live in a fantasy world where their living roombecomes a hypnotist's parlor. And here, always at home, they liveand re live (in re-enacted satirical dramas) all the pains, thedoubts, and the shattered hopes that Joe Egg brought into theirworld: ten years is a long time to live with the hurt of giving birth tosomeone who is not quite dying, not yet dead, but waiting, and neverawakened. . . What if Sleeping Beauty was the story of a spastic?Joe Egg's mother wishes, forever hopelessly hoping. What if JoeEgg had been any number of these multiple fascinating personal!ties?, her father, Brian, mimes, always memorializing the non existence of his real though not lively daughter. Wouldn't she have beenlovely, if she were up and running about?, the grandmother often bluntly says, flashing the teeth of her own disappointment. Sheilafeels guilt and failure as a woman. Brian fears incompetence at hisjob, and as men often do, holds all emotions in, except to laugh atthem. Brian and Sheila have become like Joe Egg, and their mindsdon't often seem connected to their bodies. Sitting around the housewith Joe Egg, Sheila reflects correctly, has taught me to recognizethe signs of vegetation that are in us all.Go see A Day in the Death of Joe Egg. English playwright PeterNichols has made Joe Egg's fate a modern mirror of the Fall,and the actors in this Court Theatre production have each given thecharacters of Joe Egg's life a personality which is wholly identifi¬able and moving. Meagen Fay's Sheila is particularly disarmingwith her emotional honesty, neither hysterical nor melodramatic,Ms. Fay brings to Sheila (who is in the midst of one of woman's mosttroublesome traumas) a sense of strength and wisdom which elicitsneither pity nor misunderstanding. Derek Evans's timing in the roleof Brian, appropriately that of a comic and not of a clown, is impecc¬able. His humor is never sick but always transparent in the pain andconfusion it is intended to hide. Nichols is a masterful truth sayerwhose parables and metaphors are drawn from the very heart of thehuman psyche, and Court Theater has fleshed out his story in a waythat carries us all into its emotional and ethical dynamics. As Nicho¬las Rudall's "Director's Notes" say, "There is no thesis: there aremerely questions." And you will not walk away from A Day in theDeath of Joe Egg wishing they had never been asked.CHANCESFeatures a Super Salad Bar .. Steak Burgers ... Super Sandwiches ... Soup and SaladBar Steak and Salad Bar Carry-outs available 7 days a week. The Michelob is on uswhile you wait to pick up a carry-out order (Sorry, only 1 person can drink free!)Students—Don’t Forget Us on Sundays.5225 S. Harperin Hyde ParkTelephone 363-1454HIHHmi(Good with this adWe’re swinging Steakburqers 7 days a week2—the grey city journal, Friday, November 30, 1979 Mgcmi ^ Mo four^boppingat tbe Hepnold# duband more!CRAFT FAIRTue/. & Wed.. Dec. 4 & 5REYNOLDS CLUB LOUNGE11:00 - 6:00iSponsored by the Student Activities Office★★★★★★★★★★★★★★★★★★★★★★★★ if% PETITIONERS WANTED %M ' *-jt Professor Will Harber needs 2,000 signatures if-jf on his petitions to be on the ballot for your ward ifX committeeman. To be state representative JX you need only 300. This means only persons with J****** organizations behind them can get on the ballot.(HEAR! HEAR!) *Professor Harber has been a resident of the ^Fifth Ward for 38 years. He has worked in the Mcampaigns of Barratt O’Hara, Marshall Kor- )f■¥■ shak, Len Despres, Ab Mikva, Otto Kerner, if■¥■ Ross Lathrop, Barbara Currie, Cecil Partee IfX & Jane Byrne. Jn n* ifX Professor Harber has looked over the field of J£ contenders and has concluded that he is sui- JX generis. jlX (CHEERS!) JX “PETITIONERS-TO-BE” CALL PROFES-X SOR HARBER WEEKDAYS AT 878-1700X EX-2394 & 2266: EVENINGS & WEEKENDSX 324-1878.** You must be 18 and a registered voter of the Fifth. ififififififif★★★★★★★★★★★★★★★★★★★★★★★★★N.BMoviesIt Came From Outer Space: JackArnold (1953). One of the hackiestof the fifties hacks, Arnold (HighSchool Confidential) serves up abasic mid-fifties sci-fier with someillegal aliens (and I don't meanMexicans) landing in the desertand making things hot for thehumans. It's from a Ray Bradburystory — for all that's worth— andall in 3 D. With tricks like scenesshot from a creature's-eye view,you can expect some effective, ifsleazy moments. Doc Films, to¬night at 7 and 9 pm.The Wild Bunch: Sam Peckinpah(1969). A virile ribbon image of lifeon the Mexican-American border(ca. 1900), this is also a Peckin¬pah's ultimate statement on man'sinfinite capacity for cruelty anddestruction — and don't thinkPeckinpah will let you forget it. Heoffers an allegory with a band ofaging and hard-boiled outlaws,some young and incompetentAmerican soldiers out to stopthem, and The Railroad — allwithin Peckinpah's rollingRubens-like expanse of wide¬screen. The compositions arefilled with boisterous detail andfrontal postures studied from oldCivil War photographs, as well asRobert Ryan in a tense and finely-controlled performance as theleader of the outlaws. But thereare also endless repetitions ofslow-motion violence, boisterousn¬ess, and some scenes of downrightInhumanity (the little kids watch¬ing the scorpion burning), as heseems so intent on working every¬thing and everyone into his overallpattern of viciousness. Doc Films,Saturday at 7:15 and 10 pm.Perceval: Eric Rohmer (1978).Translated and adapted byRohmer from Chretien de Troyes'medieval romance and placed in ascaled-down world of painted skiesand six foot castles, this story ofthe naive Knight of the Grailcomes off as an elegant and inno¬cent tapestry. Shot cleanly in thebrightest of colors by Nestor(Days of Heaven) Almendros itfeatures a Gallic Buster Keaton asthe hero, and a good deal of struc¬tural intelligence on Rohmer'spart. Guy Robert provides 13th-cent. style musical settings for theverses. Doc Films, Sunday at 7and 9:30 pm.The Way of the Strong: Frank Capra(1928). Before he hit it big with ItHappened One Night, Capra alsomade this B production aboutsome romantically-styled bootleggers. Pretty-Boy Williams (whocan't stand to look into a mirror,and not because he's ravishing)has been hijacking Tiger Louis'shipments, so Louis (with the helpof his songstress girlfriend) kidnaps the blind street violinist thatWilliams has taken in and loves. Itall works fine in Capra's hands:the characterizations are simpleand direct, Capra's sentimentalityis toughened up by the cynicalbootlegging stuff, and there'shardly a wasted bit of footage inthe film's brief length. Doc Films,Monday at 7:30 pm.Corsair: Roland West (1931). One ofthe more obscure thirties figures,West is remembered if at all forthis film. Long unseen and unavailabie, it has a great reputationthe grey city journal LSD, through Jan. 14. 9:30 - 4weekdays, 9:305:30 weekends andholidays.Chicago Drawing: Traditional andnon traditional techniques ofdrawing, featuring the work of 32contemporary Chicago artists,will be shown in this survey ofdrawing in Chicago which runsthrough Jan. 12 at the ColumbiaGallery of Columbia College locat¬ed at 600 S Michigan Ave. 10 am - 5pm, Mon.-Fri., and noon- 5 pm Sat.663-1600, ext. 600. Free.Image and Life: 50,000 Years of Jap¬anese Prehistory: The oldest pot¬tery in the world, making its firstappearance outside of Japan, willbe on display at the Field Museumthrough Jan. 31. Roosevelt Rd. atLSD. Weekdays from 9 to 4, week¬ends from 9 to 5, and Fridays from9 to 9. Admission for students is 50cexcept on Fridays, when it is freefor all.oppies on the Wall, the first feature length Albanian film to come to America, will be shown thisSunday, December 2 at 7 pm in the United Church of Hyde Park, 1448 53rd (at Blackstone). Theshowing is free.In Poppies, boys in an Albanian orphanage during World War II find themselves at the center ofa struggle between the partisan liberation fighters and the Italian fascists. In the still reproducedabove, the orphanage director and the fascists interrogate the boys, hoping to discover who criedout, "But we heard shots," contradicting the officials' contention that Sulo simply "Fell anddied." Even though Poppies is shown in Albanian without subtitles, the action is easy to follow,and audiences throughout the country have found it a unique experience.for its misty expressionism andproperly cynical treatment ofsome more tough material aboutbootleggers. It features a tight-lipped Chester Morris and, as acigar-chomping stoic, Ned Sparks.I haven't seen it yet — but don'tthink I'll miss this chance. DocFilms, Monday at 8:45.All Doc Films are shown inQuantrell Auditorium, Cobb Hall,and cost $1.50 Fridays, Saturdaysand Sundays, $1.25 on Mondays.—Rory McGahanFifth Chicago Science Fiction FilmFestival: This extravaganza con¬tinues through Sun., Dec. 16 andwill include everything from clas¬sics to "Schlockfest." A samplingof this week's features: the origi¬nal Invasion of the Body Snatchers(tonight at 7, Sat. at 4 pm), SilentRunning (Sat. at 10 pm, Sun. at 4pm), The Fly (Wed. at 9 pm) andthe American premiere of Alex¬ander Kluge's New Wave Germansci-fi film, The Big Mess (Mon. at7 pm). Roger Corman Night isTuesday, featuring "three sleazydelights by one of the foremostnames in "B" films." Facets Mul¬timedia, 1517 W. Fullerton. Admis¬sion is $2, and an extra $1 for eachfilm seen on the same day. Forcomplete program info, call281-4114.German New Wave: The Sandburgcontinues its retrospective ofworks by the most prominent NewWave directors. The first half ofthe twin bill is Herzog's new film,Woyzeck. From Nov. 30 thru Dec.1, the bottom half will be Herzog's Heart of Glass. Two fine Fassbinders follow: The American Sol¬dier (dec. 3 & 4) and Effie Briest(Dec. 5 8.6). The latter is a pivotalFassbinder. The Sandburg,951 0627. $2.75. — T.S. 280 2660.B.L. $3, $2 for students. —MusicGary Beberman, Curtis 3lack, Marie Breau, Laura Cottingham, Melanie Deal,Ozzie Enders, Nels Erickson, Abbe Fletman, Jackie Hardy, Sandy Harris, Bennett Jacks, Karen KaDner, John Kim, Julie Less, Bob Lewis, Philip Maher, MaryMankowski, Rory McGahan, Robin Mitchell, Mark Neustadt, Sharon Pollack,Martha Rosett, Renee Saracki, Robert Saska. Danny Schulman, Ted Shen. HelenaSzepe, Ray Uliassi, Lisa bon Drehle, Ken Wissoker, and Phoebe Zerwick.Edited by David Miller. Calendar compiled by Rebecca Lillian Not associate editor: Karen Hornick. University Orchestra: The center-piece of this end-of-the-quarterconcert is Shostakovich Cello Cto.01 with soloist Don Moline of theCSO. The concert will open withBeethoven's Lenore Overture 02and conclude with Tchaikovsky'sSymphony 01, aptly subtitled"Winter Dreams." Barbara Schu¬bert conducts. Sat., Nov. 30 at 8:30in Mandel. Free. — T.S.Chicago New Music Ensemble: Easley Blackwood, John Bruce Yeh,and Elsa Charlstonn are some ofits members. The program fea¬tures Schoenberg's "Pierrot lun-aire" and works by Haubenstock-Ramati, Blackwood and Levi.Sunday, Dec. 2 at 8 in Mandel.$1.50, students, $3.50, general.Live Music Tonight: The Pub pres¬ents Mark Daniels and Nick Filip¬po, playing a variety of folk andcountry & western songs. Tonightfrom 9:30 to 1 am. No cover, butPub membership is required.Sunday Blues: A History of ChicagoBlues: Proof that the Blues are notplayed exclusively by senior citizens — this week's segment fea¬tures two excellent bands whosemembers are all under twenty-nine: the Atomic Souls, led by theHarrington Brothers, Vernon (gui¬tar), and Joe (bass); and the Sonsof the Blues Band made up of KokoTaylor's incredible 19 year old gui¬tarist, Lurrie Bell, Queen Bee'sdrummer, Jeff Ruffin, and two ofWillie Dixon's Chicago Blues All-Stars, Freddie Dixon (bass) andBilly Branch (harp). Two Sets: 1and 3 pm. Museum of Contemporary Art, 237 E. Ontario. Ceska — The Art of Glass: Morethan 500 glass works by contem¬porary Czechoslovakian artistsand artisans are included in an ex¬hibit proving that being utilitarianand decorative are not mutuallyexclusive. At the Museum ofScience and Industry, 57th and TheaterThe Philanderer: George BernardShaw's comedy about confusionbetween the sexes in the 1890'sruns for one more weekend. TheCourt Studio production will beheld in the Reynolds Club Theatretonight through Sunday, at 8:30Fri. and Sat., 7:30 Sun. Admissionis $2.50, $1, students. 753-3581.Relief now!Southeast Asia: A Cultural Presentation: All of the proceeds fromthis gala multi-media event, spon¬sored by CAMBODIA RELIEFNOW/Hyde Park Action Group godirectly for immediate use inCambodia through Red Cross, Un-icef and Oxfam. The varied pro¬gram will include Thai, Balineseand Filipino dance, slides andmusic from all over SoutheastAsia and a show of colorful folk-costumes. It's tonight at Interna¬tional House,, 1414 E. 59th, at 8pm. 753-2275. Minimum suggesteddonation is $2.50 for students, $5for others — but if $5 will keep fivepeople alive for one week, then $10will keep 10 people alive; $15, 15people .. . Please help as many asyou can.Richard Vickstrom conducts the Rockefeller Chapel Choir.Richard Vickstrom and the MessiahWhat is Handel's Messiah without Christmas? Or vice versa? The an¬nual tradition of Rockefeller Messiah continues this Sunday, Dec 2. Theconcert inaugurates the 1979 80 Oratorio Series which includes a perfor¬mance of Bac h's Christmas Oratorio on Dec 9 and another one of theMessiah on Dec. 16. The series also marks the last one Richard Vik-strom will conduct as Director of Chapel Music, for Mr. Vikstrom isretiring at the end of the school year. Mr. Vikstrom initiated the tradition and the series back in 1949. He can be credited for the impressivereputation the series has gathered over the years. These farewell con¬certs, in particular, should have an aaded emotional element. They un¬doubtedly will live up to their reputation. Mr. Vikstrom will conduct the43 voice Chapel Choir whose soloists are Janice Hutson, Phyllis Uno-sawa, Dale Terbeek, Henry Hunt, Alonzo Crook and William Diana. El1 iot Golub is concertmaster of the 25-member orchestra and Ed Mondello will play continuo.All performances are at 4 pm on Sundays in Rockefeller Chapel. Ticket prices are $8 for reserved seating, $7 for chancel seating, $6 for general admission, and $2.50 for students. 753 3381. —T.S.the grey city journal, Friday, November 30, 1979—3-•Knivcdrq 5qtr>pfx>nq dD,OrcBcstrx <‘harfwa 5cfudcrt; ConductorfKitwq. Powam 306L30 p.d). iDWDtLfWl.sp* & Qnivcr-src)tSxdicnvri: Lconore' Outturn 7p.Z<y Sliostcdlcnddi.: CelCo Concerto f[o. 1bon WhCty?', 5obist’Tcku&os'shf ••5y»w(iOfty 1 i*[Cj VtiqprCW 'i^terbreams *)XlVDlddlOtt (H^e Eye ExaminationsFashion Eye WearContact LensesDr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know the differ¬ence between advertised cheapglasses or contact lenses and com¬petent professional service.Our reputation is your guaranteeof satisfaction We GiveCASHFor UsedRecords1701 E. 55th684-3375This Holiday SeasonGive a Gift Made at theNorth Pole by Eskimos!•HandmadeEskimo Art•Warm EskimoClothes•Many UniqueGift Items£Hp Alaska 5>luipr Of LAKE FOREST '777 Bank Lane, N.LAKE FOREST, IL.295-1910 14 E. OakCHICAGO, IL.943-3393 HYDE PRBK PIPE RND TOBRCCO SHOP1552 E. 53rd - Under IC tracksStudents under 30 get 10% offask for “Big Jim'Mon. - Sat. 9-8; Sun. 12-5PipesPipe Tobaccos. Imported Cigarettes Cigars.NEED A LITTLECAN TO MOUTHRESUSCITATION?Call in Tecate Trio Bravo. An icy, red can of TecateBeer imported from Mexico, topped with lemon and salt.It takes your thirst and puts it away!Cibco Importing Co . IncDallas Texas 7S229 TECATEROCKEFELLER MEMORIAL CHAPEL5850 SOUTH WOODLAWN AVENUE • CHICAGO, ILLINOISSUNDAY AFTERNOONS AT 4:00 O’CLOCKDecember 2 and I6Two PerformancesHandel’sMESSIAH December 9Bach’sCHRISTMASORATORIORICHARD VIKSTROM, DirectorTHE ROCKEFELLER CHAPEL CHOIRAND ORCHESTRA (25 players)JANICE HUTSON, Soprano DALE TERBEEK, Counter-tenorPHYLLIS UNOSAWA, Contralto HENRY HUNT, TenorALONZO CROOK, Tenor WILLIAM DIANA, BassEDWARD MONDELLO, Contlnuo •MX.%1On Sale at: MANDEL HALL BOX OFFICE, 5706 S. University AvenueCOOLEY'S CORNER, 5211 S. Harper AvenueSingle Ticket Reserved $8.00 • Chancel Seating $7.00General Admission $6.00 * Student (with I.D.) $2.50Chapel Box-Office Opens at 3 P.M. on Performance Day4—the grey city journal, Friday, November 30, 1979Now that winter has arrivedplan to escape the grey citywith the UC SKI CLUBLEARN TO SKI NIGHTSSunday, Jan. 13 Saturday, Jan. 19Wednesday, Jan. 30 Friday, Feb. 15includes: equipment, lifts, lesson, transportations19.50 Members s24.00 Non-MembersLACROSSE WEEKENDCARNIVALFebruary 22-24includes: transportation, 2 nights lodging,2 days lift ticketsS7900 Members Sign Up EarlySTEAMBOAT Spring BreakRT transportation, 7 nights condos,5 days lifts “incredible skiing”S43000 ($150 deposit due 1 /21)Ski TeamFor both new and seasoned racers.Challenge yourself. Practices and racesfor all abilities every week.Call Mitch 752-5977 or Robin 752-7705Vail A very limited number of placeson this fantastic trip are still availableCall 955-9646 for info.Cross Country A specialevent for Nordic skiers is in the works;watch the Maroon for details.UC Ski Club Membership 750/yr.Regular meetingsMonday & Thursday 7 pm IdaInformation Call 955-9646Don’t forget to bring your skis backfrom winter breakLEARN TO SKI NIGHT 1January 13 !"’1 OFF COUPON |You Must SIGN UP BY THURSDAY 1/10 j Woyzeck (Klaus Kinski) contemplates the unthinkable.Little man,* by Ted ShenWoyzeck. Based on a text of GeorgBuchner; directed and written by WernerHerzog. With Klaus Kinski and EvaMattes.Herzog's Woyzeck continues the direc¬tor's preoccupation with the lot of the socialoutcast. Herzog's protagonists — KasperHauser, Stroszek, Aguirre and Nosferatu, toname a few — form a parade of lonelyheartsseeking their places in the sun. Theirsearches always end in disappointment andtheir fates are doomed from the start. But,for Herzog, the obsessiveness of their questsand the irony of their destinies provide aglimpse into the mystery of life.Buchner's Woyzeck seems a natural Her¬zog anti-hero. He is Everyman oppressed bysocial conditions, incapable of action, andmarginally satisfied with his circum¬stances. He is also a man prone to hearingvoices, bullied by his peers, and cuckoldedby his simple mistress. When he finallyrebels, it's not against authority and compe¬tition. It's against himself. He is consumedby his obsessive jealousy and fear of losinghis only source of happiness. He kills hiswoman.Buchner's work, written in 1836, mocksthe social mores of the time, decries the lotof the masses and explores the psyche of thecommon man. It examines the social envi¬ronment as well as the fate of the man inwhich it unfolds.Herzog's version places the tragedy on asmaller scale — that of a chamber piece. Itemphasizes the personal over the social.The film begins with a panoramic view of atranquil village, and ends with it. Envelopedin between is the tale of Woyzeck. The fram¬ing device suggests the universality of Woy-zeck's tragedy. Woyzeck is a foot soldierstationed at the village. A great deal of thenarrative is devoted to showing Woyzeck asa man suppressed by the authority of his su¬perior, repressed by the sexuality of his mis¬tress Marie (Eva Mattes), and oppressed bythe scientism of his employer, a hack doctor. But when Woyzeck finally explodes, it'sdirected at Marie.The climax of the film, then, is obviouslyWoyzeck's killing of Marie. The way Herzoghandled this, however, dilutes the emotionalforce of the act. It's filmed in slow motion. what now?This technique retards the action, lingersover the imagery of death, and, in the con¬text of what has occurred before, dissipatesthe emotional intensity and urgency of thescene.The rest of the film looks episodic: eachscene is a tableau representing a facet ofWoyzeck's life. The only connecting threadis Woyzeck's presence; but the psychologi¬cal currents within him are not strongenough to permeate all the scenes. Some¬times, Herzog undermines a buildup in ten¬sion by giving characters soliloquies thatdistract from the action. They may be socialcommentaries or elucidations of character,but they sound extraneous, false. All theseobscure Woyzeck's motives and blunt theforce of his final, decisive action. They dullthe irony of his last act.Herzog, unlike his compatriots Fassbinder and Wenders, has never cared for theforce of mise-en-scene. His films tend tohave the look of a documentary. This predo¬minately cinema-verite style often creates aproper feeling of immediacy, but it can bedistracting when the context is inappropri¬ate. In Stroszek, it gives a hard-edged, real¬ist look; in Aguirre, it intensifies the claus¬trophobic feeling. In Woyzeck, however, it'smisapplied. Long-shots and close-ups aremixed together indiscriminately; cameraangles are ill planned. The slice of-life lookoften cuts deep into the drama. The story ofWoyzeck deserves a tight and carefully-orchestrated mise-en scene. The indif¬ference here dilutes the force of thedrama.As Woyzeck, Klaus Kinski is an impres¬sive icon. His sad clownish mouth, his febrile eyes and his gaunt look lend appropriate physicality to the character. But it's apresence without much substance. In a way,Woyzeck resembles a Hollywood star vehi¬cle. It displays an actor's physical range atthe expense of the drama. It's a showcasefor Kinski.The inadequecies of Woyzeck are frustrat¬ing. Given more attention and thought, itcould have been an involved chamber piece.But, Herzog has managed to take the mastery out of Buchner's fragmentary masterpiece and leaves a mere fragmented piece.This, coming from a master of the GermanNew Wave, is an unexpected disappoint¬ment.VkVm/erisit^ ofCfikogoCfumfcr OrcfiesTmJetmt ScfidCfer, ConductorIfioiMT ~ SympHony \o.l9inJt MAjorIfLcniehsohn ~ String Sgmpkomf kfo 9 in C KinorScfiiveucr Sin fvHi'eJCespigHi - \ncient \ira ( Dunces, Suite Kfo 3Jiindemitk - TrauermasiCSaturday, Dec. 3, 3.50pm . iltaiulrj hull, freethe grey city journal. Friday, November 30, 1979—5JakeLevine(2) An ultra evening with UltravoxBy Renee SarackiUltravox, one of the first and best bands toemerge from English punk rebellion, was inChicago recently for two shows at the ParkWest. I was able to interview two membersof the group, Chris Cross and new memberMidge Ure before the show. The interviewtook place in their motel room and bothmembers of the group were warm andChris Crossfriendly (and cute).Ultravox was formed in 1976 with an ex¬clamation point at the end of their name anda desire to play music more interestingthan basic three-chord punk. They combin¬ed synthesizer, violin, and guitar, toppedwith the ultimate android singer, JohnFoxx. Mr. Foxx was often so detached thatit was difficult to distinguish him from theinstruments, even though he clearly had ahuman voice. The first album simply titledUltravox! is a cult classic (even though thegroup now plays nothing from it) and con¬tains "I Want to Be a Machine/' and anEnoesque tune entitled "My Sex." Thisalbum is memorable for its beautiful synthesizer riffs as are all of Ultravox's, aswell as for John Foxx's lyrics. Many ofUltravox's old songs concern modern man'salienation and detachment from himselfand others — in other words, thedehumanization of humans. Add to thistheme a spacey lead vocalist who sings inshort, clipped phrases with obscurereferences and you have your ultimatemachine group. It is said that that terminal space case, Gary Numan, looks up toUltravox as his guiding light.After three albums and a successfulAmerican tour in which the group actuallyturned a profit with no record company orpress support, John Foxx left the group. Ac¬cording to bassist and keyboardist ChrisCross, John had become too obscure and toodetached while at the same time hedominated the group. Also, Foxx no longerwanted to tour, while the rest of the banddid. As Chris explained, John just warded tostay in the studio and make records notunlike ELO.With John gone, the group was left withouta lead vocalist. This situation was quicklyremedied when the Rich Kids broke up andtheir guitarist and vocalist, Midge Ure,began talking to keyboardist Billy Curriefrom Ultravox. Midge it seems had been in¬terested in the group for awhile, and whenhe was finally asked to join earlier this yearhe accepted quickly. Both Midge and thegroup get along very well, musically andsocially. Ultravox no longer wanted to be aband dominated by one man and the factthat Mioge also plays guitar and keyboardsmust have helped in their decision to havehim along.Ultravox without John Foxx is a differentgroup, and Chris Cross acknowledges thisfact. One man no longer dictateseverything, and on stage they are muchmore together. But Foxx's departure alsohas its costs: some of the best Ultravox songs are no longer performed because thegroup doesn't want to live off a departedmember's music. Much of the material theyperformed was new, songs written by Midgeand the rest of the group. Ultravox now em¬phasizes keyboards and tends toward amore commercial sound, a change rein¬forced by Midge's poppier musical background. Talking to the group one feels theyare trying hard to be a band made up of fourequal members.Ultravox is presently a group without arecord company since they and Islanddecided to call it quits. However, they arenot a group starving for instant success andthis is reflected in their somewhat carefreeand laid-back attitude. They are nowwaiting for a decent record company tocome along and give them the artistic con¬trol they want, and then they will sign.Unlike many New Wave groups, Ultravoxdoes not publicly knock record companies.They think the current "knock your recordcompany" trend is just a fad and thatalthough it makes great press, this activityultimately deceives fans because it is notreally rebellion.Both Chris and Midge think the punk ex¬plosion is dead and that punk has turned intoa business. Midge in particular thinks manyof the newer "New Wave" bands are nomore New Wave than any other rock 'n' rollband around. According to him, Ultravox isa New Wave group only because they werearound in England when it all happened.This seemed meaningless to me, so Idiverted the conversation toward the dif¬ferences among American and Englishyouths.We all agreed that English youths are fed-up with the same old shit being shoved atthem and as a result they have rebelled.This rebellion is due in part to the economicconditions existing in England, but it hasbeen helped along by the English radio sta¬tions that play all sorts of music and leave itto their audience to decide what they likeand don't like. Chris Cross suggested thatAmerican youths haven't yet forsaken theirheavy-metal heroes because America is sohuge that a rebellious music like punk is dif¬ficult to spread, and thus people's tastestend to be conservative and narrow. MidgeUre simply stated that it is a known fact thatAmericans are always three or four yearsbehind Britons.Our conversation stopped when someoneknocked and told Chris and Midge that theywere late and that they should start gettingready for the show. Both wanted to talksome more and offered to talk while theywere dressing. But since it seemed impossible to compete with the sounds of razors, Ithanked Chris and Midge profusely andheaded toward the Park West. * As Midge and Chris had led me to believe,Ultravox's shows were very band oriented.Gone were Foxx's machine like movementsand almost total domination, and in its placewere more keyboards and a lead singer(Midge) who also played guitar. Most of thesongs were new and were therefore unfamiliar to the audience, but they ap¬preciated them anyway. The best songswere the older ones, since everyone alreadyknew how to dance to them.Much of the old Ultravox's charm wasfound in the spaciness of John Foxx's lyricswhich the group has changed to a more narrative type of lyric. These new songs,however, tended to sound too much alikeand the synthesizer riffs were borrowed andtired. Once these new songs become known,however, they should sound a little less aliento these ears. Ultravox's music is not andnever has been instantly hummable butit grows on you and remains permanentlycarved in your mind. Time too will loosen upMidge and the group will become a littlelivlier. These objections, however, are comMidge Ureing from someone who views a good, rowdydance band as an end in itself. So, if youwant to hear some good, spacey music aboutentrapment and alienation and you don'tmind synthesizers, you should definitelycheck out Ultravox!Court Studio Theatreannounces auditions forBeckett’sTWO ROUGHS FOR THEATREDirected by Steve SchroerDec. 5 & 6,7-10 p.m.5706 S. University753-3583 • Eye Examinations• Contact Lenses• (Soft and Hard)• Fashion Eye Wear• Contact Lens SuppliesDR. M.R. MASLOVOPTOMETRISTSHyde ParfcShopping Center1510 E. 55th363-6363 The University of ChicagoROCKEFELLER MEMORIAL CHAPEL5850 South oodlawn \venueSUNDAY • DECEMBER 2.19790 A.M. Ecumenical Service of Holv CommunionThe Rev. Michael Kinnamon. Disciples I>i\inilv House,preaching10 A.M. Discussion ( '.la—. The Ke\. Philip Blackwell.I niter! Methodist ( Jiaplain. leader. < ,ue»t: Rohin W .Lo\ in. Di\ initv School"The Bihlical Covenant and School DesegregationII \.M. I ni\ersit\ Religions ServicePreacher: BR! \N A. (JERRISH. Professor of ChristianTheology, The Divinity SchoolSermon: “SIN"1 P.M. Handel's MKSSI MlThe Rockefeller Chapel Choir and Orchestra.RICH \RD VlkSTROM. DirectorThe ho\ office opens at 5 P.M.International House FilmsMel Brooks'THE TWELVE CHAIRSSAT., DEC. 1 - 7:30 & 10:00 P.M.I-HOUSE ASSEMBLY HALL, 1 41 4 E. 59th St. Admission $ 1.506—the grey city journal, Friday, November 30, 1979A whole less than evensome of its partsAn ordinary shot of an ordinary hole.by David Miller“Evidence” is an exhibit of 79 photo¬graphs on display through January 6 at theMuseum of Contemporary Art at 237 EastOntario. It was organized by Mike Mandeland Larry Sultan, two San Francisco ar¬tists. They chose the exhibit from severalmillion photos made available to them bythe governmental, research, and educational institutions which produced them, originally, to record some event or situation.Within “Evidence,” however, the photos'original documentary status is forgotten —and therein lies the art.Mandel, Sultan, and the Museum achievethis forgetfulness simply : a list of contribut¬ing institutions hangs at the start of the exhibit, but each photo is presented withoutidentification, thus leaving its source,maker, subject, and purpose unknown.Mandel and Sultan hope to “restructure im¬agery," explains the Museum's leaflet;“When removed from the documentary con¬text, the photographs, because they are nolonger performing their relatively simpleand straightforward record keeping func¬tion, become complex and open to many in¬terpretations, much like found objects in aDada collage. They are intriguing, even bi¬zarre, and many assume a surrealistic na¬ture, inviting the viewer to interpret the imagery and become actively involved in theexhibition."The photos themselves make fewer suchself-conscious artistic claims. The lowerthree quarters of one show a hole in a field ofprairie grass; the upper quarter — groundlevel and above — shows a man, cut offabove mid-chest, stabilizing a metric mea¬suring stick which descends into the hole. Aditchdigger, a Thunderbird, an Impala, andthe corner of a pickup truck appear in thebackground.The situation is obvious. A hole was dug,and somebody wants both to measure itsdepth and retain a visual representation ofthe measurement, as well as to show thehole. Because the ground is not perfectlylevel and because the point from which thephoto was taken is slightly above groundlevel, the photo performs its mnemonic service imprecisely, yet it is nevertheless stillcapable of performing it. The photo shows that, allowing for perspective, the hole isabout 10 meters deep.The photo's aesthetic qualities are nomore involved. It has a raw, 8" x 10“—glossy, machine processed look; and despiteits fairly full range of tones and good shad¬ow detail, it represents its subject in a flat,neutral manner. One supposes a mediumspeed film like Kodak Plus X was used — ageneral purpose film capable of producing afine grain, full tone negative.The photo's perspective suits its subjectand purpose: the camera was positionedslightly above ground level, so the hole'ssides are partially shown. The hole couldhave been shown more fully by raising thecamera more, but since the ground levelthen would have intercepted the ruler wellabove the mark appropriate to the hole'sdepth, this would have interfered with thephoto's main purpose. The slight distortionof what one assumes is a vertical post in thephoto's upper right corner is also due to thecamera's slightly downward looking per¬spective, and not to the use of a wide-anglelens. Instead, what manufacturers havetaught the public to call a “norma!" lens hasbeen used; a fact evident from the elongatedforeground and the slight separation be¬tween the plane containing the ruler and thebackground.AM this evidence argues that the photogra¬pher filled a piece of the most standard pho¬tographic machinery thinkable with themost conservative of films, and made aphoto illustrating the most ordinary rela¬tionship of hole, ruler, man, vehicles, andhorizon possible. Looking just at its evidentfeatures, it is boring. This interpretation, ofcourse, flies in the face of “Evidence's" purpose, as stated on the Museum's orientationsheet. Things have been taken much toomuch at face value; not enough “active in¬volvement" is in evidence.Look at the photo this way: This man hascaught a ten meter hole somewhere in thegrasslands of California, and, although hishead is for some unknown reason missingfrom the photograph, the photographer's in¬tent is to show his friend with his catch, pre¬sumably so the lucky man can take thephoto home and hang it alongside the photoof the ten kilogram marlin he caught off KeyWest — a photo whose maker also, inexplic¬ ably, cut the fish/hole catcher's head off.Etc.If all other parts of "Evidence" were asboring as The hole, the exhibit would be verybad indeed. Some are better — one of an exploding car is exciting; another of men inhard hats, wading into a waist high sea offoam, is humorous; five of altered landscapes at the exhibit's end present a power¬ful surprise. Yet beauty is not really anissue in “Evidence," its appeal comes fromthe transformation of utilitarian photos intoobjects of appreciation.An aura of the unknown surrounds thephotos partly because people, even thoughthey appear, are never subjects. Instead,nine photos incorporate anonymous armsholding rulers, cords, or pieces of equipment; faces are cut off in nine more. Peopleshown in full are props: a young man mo¬delling a mesh undersuit stares with effortto the camera's left; a middle aged man exhibits a space-aged three wheeled dolly bypeering downward at it. Both these menwould rather not have been photographed;they knew they were being used.It is the photos' compositions that ultimately lend them a surreal character. Any pho¬tographer composes with some intent; partsrelate to the whole in a certain way for somereason. Since many photos in “Evidence"were made to record information aboutsome one thing, that thing is shown well, andother things are not — a true case in whichthe part is more important than the whole.But with often unfamiliar subjects, the photographer's intent is not evident to theviewer. The photo seems ill at ease with itself, and the viewer attends to accidental details or to the aesthetically nonexistent whole. Looking at “Evidence" is thus likewatching a card game without knowing therules: players, like photographers, followperfectly arbitrary (though agreed) rules inpursuit of some unknown goal. But withcards, the observer's objective is to iearnthe rules; with “Evidence" the point is to re¬main mystified.Mystification occurs as much because thephotos are in a new context as because theyare no longer in their old. Hung next to oneanother on the Museum's matte white walls,their “objective" perspectives in service ofthe unknown are perfectly suited to strikethe viewer as surreal; and this is an odd re¬versal in itself, for the museum setting isone of the first places one would expect toencounter the unusual. But the reversal isfounded upon just this expectation: con¬fronted by the Museum's “interpret the artbefore it's encountered" sheet and by a listof the institutions from whose files “Evidence" is taken, the viewer is drawn into amoae of perception that allows these orod-ucts of technology to seem more deep thanthey are. This is of course what the exhibit'screators want to achieve, and they suc¬ceed.“Surrealism," claims Susan Sontag, “liesat the heart of the photographic enterprisein the very creation of a duplicate world, ofa reality of the second degree, narrower butmore dramatic than the one perceived bynatural vision. The less doctored, the lesspatently crafted, the more naive — the moreauthoritative the photograph (is) likely tobe." The photos that comprise "Evidence"are only capable of this authority; it tookMandel, Sultan and the MCA to bring thispotential to full surrealization.Take a break from your studiesBenefit for Court theatrein Mandel HallMonday, Dec. 17at 8:30 p.m.Tickets on sale at Reynolds Club Box Office$3.00 for students $5 for faculty and staff$7 general admission $100 benefactor ticketsMNNMIETURN SHAPIRO ARTSbyTUES., DEC. 11 to Ida Noyes Hall 210If the weather is bad, please cover your painting 9:00a.m.-4:30p.mThere will be a late chargethe grey city journal, Friday, November 30, 1979—7mmetefetefefe&b ww^wwwwwwwwwww^^^^^'siinfnrwwwwww! WORLD’S GREATESTHOLIDAY BOOK SALE!AT YOUR UNIVERSITY OF CHICAGO BOOKSTOREHyperbole, perhaps. But there is nothing academic about ourannual sale of books of all kinds for all readers — a matchlessopportunity for gift buying and personal indulgence. Our Holidayarray for the university community includes a large stock of pub¬lishers’ remainders of discontinued titles at astonishingly lowprices, as well as special discounts on many, many other values:• children’s books• cookbooks• sports and games• literature, biography andautobiography• history• “how-to” booksOUR SALE BEGINS TODAY, FRIDAY,NOVEMBER 30th%e eeeeeee€The University of Chicago BookstoreGeneral Book Department (first floor)HOURS:8-5 Monday-Friday9-5 SaturdaysPhoneg WE ACCEPT VISA AND MASTERCHARGE 753-3311, 3314#tf if ijf $ A af flf if A# A # # A A A if if if tf if if if if if A A A A A A A A A A A if A A A A A a’£&8—the grey city journal, Friday, November 30, 1979*>&*>& fc,<».5>.s»'^>3SB3>V^»r>^*^jns^.04* e^o^s-cs,®* /» o® r1<Sn0$0I Out of oldendays and the«hoary past...covered withcobwebs and steeped in acrusty tradition comes —THE II)ANOYESFriday, Dec. 7, 19794 P.M.Ida Noyes HallWalter’s Last Holiday PoemWassail Brass Choir CarolingSANTA CLAUS Cake & CookiesSUPPORT LOCAL TALENT!«**SpeciallyPriced at *%/SPIN-ITTHRU DEC. 10 ONLY s4.99 Dr. Seuss, in Chicago to promote new bookDr. Spockthis Doc An outloud experience ofany segment of Oh say canyou say? is an experience oftongue twisting. Butwhether the experience isnonsensical, who can say?Webster's 1973 New Colle¬giate Dictionary can say thenoun form of nonsensicalis:la: words or lan¬guage having nomeaning or con¬veying no intellig¬ible ideasb(l): language, conduct, or an ideathat is contraryto good sense(2): an instance ofabsurd action This is for Sarah.I grew up on you.Our daughter got an'A' last year whenshe wrote your biog¬raphy.Oh say can you say?by Dr. SeussRandom House, New York$3.50 Pages unnumberedby Laura CottinghamThe same author whobrought us the tale of thecreature who prefiguredKafka's Hunger Artist butwas forced to eat grass-colored pre-chickens beforestarvation (i.e., Green Eggsand Ham), now brings us amulti-sensual experiencethe Library of Congress Cataloging in Publication datasummarizes as "A collection of nonsensical tonguetwisters."The tongue twister description is easily justified ifyou read the following excerpt to your mother, yourdog, your roommate, or theCoke machine next to you:Bed Spreaders spreadspreads on beds.Bed Spreaders spreadbutters on breads.And that bed spreaderbetterwatch out how he'sspreading. . .or that BreadSpreader'ssure going to butterhis bedding. Springfield, Mass., U.S.A.produced both the Websterbook and the tongue twistcreator, so I'm sure theymust both agree on themeaning of nonsensical. Iagree with Webster's. Butdoes the Library of Con¬gress? Can you say that youthink that you do?If you do, do you thinkthere's no meaning inmoney, food, big pigs,Daddys, careers, or the dif¬ference between spots anddcts when the distinctionpromotes the separation of aKlotz from a Glotz? Becausethat's what Seuss has to sayin Oh say.Last weekend at downtown Dalton's the waitingforhis-autographpeopleON OH SAY CAN YOU SAY:If you eat eel soup when you say the book,You'll include all five senses,TASTE, SMELL, HEAR, FEEL, AND LOOK! Thank you.He sat at a table near yel¬low and orange balloons andwhen they brought him aglass of water he said:I usually spill them.Norman Maclean, Professor Emeritus in English andWilliam Rainey Harper Professor Emeritus in The Col¬lege, was an undergrad withSeuss at Dartmouth in theearly 20's. That's when theycalled him "Theodore SeussGeisel" on course registration forms, "Ted" in the office of the Dartmouth JackO'Lantern. He, however,was signing himself "Dr.Seuss."I wonder if he signed theanimal drawings he illus¬trated the Dartmouth chapel hymnals with? NormanMaclean remembers those.the grey city journal, Friday, November 30, 1979-9Krochs Brentano’sTHE FULL SERVICE BOOKSTORES'^ Take afriend^hometo study*Study with Cliffs Notes, becausethey can help you do better inEnglish class. There are more than200 Cliffs Notes covering all thefrequently assigned novels, plays /\f>\and poems Use them as aguide while you'rereading and again asan efficient review for examsThey're great for helping youunderstand literature andthey're ready to help you nowKrochs 8k Brentano'sTHl FULL SERVICE BOOKSTORES*29 South Wabash Avenue Chicago. IL 60603 • (312) 332-7500BRANCH STORES: S16 N Michigan Ava • 62 E Randolph SI • 16 S. LaSalla St.1711 Sharman A»a . Evanston • 1028 Laha St.. Oak Rark • North Mall. Old OrchardOakbrook Cantor ■ Evargraan Plaza • Rivar Oaks • Lincoln Mall • Randhurat CantorHawthorn Cantor • Tha Mall at CharryVale (Rockford) ♦ Woodhald Mall • Fos VallayCanter • Water Tower Place • Orland Square REPAIRSPECIALISTSon IBM, SCM.Olympia, etcFREE repairestimates; repairsby factory-trainedtechnician.RENTALSavailable withU. ofC. I D New andRebuiltTypewriters,Calculators,Dictators,AddersU of ChicagoBookstore5750 S. Ellis Ave753-3303Mastercharge and Visa Accepted '‘Court Studio ”TheatreannouncesAuditions forPeter Shaffer’sEQUUSdirected By Michael HildebrandDec. 1 & 2, 1 - 4 p.m.Reynolds Club5706 S. University753-3581|( Actors will not be paid.cAnother great classical sale atSPIN-IT!thru Dec. 15t, Ruby's Merit ChevroletSPECIALDISCOUNT PRICESfor all STUDENTS ondFACULTY MEMBERSJust present your University ofChicago Identification Card.As Students or Faculty Membersof the University of Chicago you areentitled to special money-savingDISCOUNTS on Chevrolet Parts,Accessories and any new or usedChevrolet you buy from Merit Chev¬rolet Inc. )m GM QUALITYSERVICE PARTS r %Ki t ii Thut Grra?G l/ Mianu ithGXHEBAX MOTORS MUTTS DIVISION Oo \i huh ■iA RUBY’SCHEVROLET72nd & Stony Island 684-0400Open Daily 9-9 Sot. 9-5 Part* open Sat. 'til Noonim RUBY’S-A V VOLKSWAGEN r72nd & Stony Island 684-0400Open Daily 9-f, Sal. 9-5 Port* open Sat. 'til Noon TheANGEL CATALOGOC8USSVIMAGES FOB ORCHESTRAGifu— tbaviA Rondos de print ampsPRELUDE A L APRES-MOOUNFAUNELOR pen Or<k***» OF CLASSICAL RECORDINGSNow Specially PricedforCHRISTMAS RIVINGAvailable for a limited time only low price—this representative selection of Angel’s finest classical albums.ANGEL LP & CASSETTESuggested List Price: $8.98OUR SPECIAL PRICE: $5.58 per LP/Cassette TCHAIKOVSKYVIOLIN CONCERTOSERENADE MELANCOUOUEPERL MAMTHE PHILADELPHIA ORCHESTRAQAMANCT05)7*74 DigitalMwi Sfade « 3Ulu*H • Dmnlz*Mh MHUnnonk OtfUilriKansanNEWEST ALBUMRELEASES.Bartfk: Miraculous Mandarin • Suite OtmandyBr turns Piano Concerto He I OtwssonCHOP* Comotete Nocturne* Ohisson < ? L Pi iUeoussy PrtfN et Meltspnde Von SladeSteoBii Kjr ajan illPsiDvelfk Symphony Ho 1 Rosno0ov.cn. Faust. Domingo ftem Gniau»ov $Z 37608*57 376665/A 3889P*fct« UPsiHaydn Hem Concertos 1 4 l. moie Tuchwe*fHindemith Concert Music For Strings weOrmpndyHindemith Mathis Der Meier. f.scher D*s*auk.ng Kubelik <3lPsiMahler Symphony Ho 5 moie Tennstefli(2 LP5)Massenet Werther. Kraus Troyanov Piasson(3 IPs)Mozart Requiem G.ui.niOffenbach Orpheus In The UnderworldSenecnai Mespie Piasson (3iPsiStravinsky The Arte of Spring MidiTchaikovsky Manfred SymphonyRostropovichTchaikovsky Violin Concerto No I.PenmanVerdi Don Cartes. Carrera* f'er. Gh.aurovKaran" 4lPs>Verdi Requiem. Mui. .2 lPs>Verdi Aigotetto S'i" M'ines Kraus Rudet3 IPs)R W *De los Angeies in live ConcertOtvme Gtuliani guitar worns * °omeoGreet Opera Choruses 8u»?*rhy faust etctrader Recital/Schubert A Strauss P*.ceViolin incores -Vrimar. SZ 37536S2CX 3869S/8 3883SZ 37297*S/ 37640SZ 37546*SZ 3732bS/ 37676S/ 37631SZ 37560 Hotel: The Pta«e«t Bou tMahler Symphony Ho 1 Then TennsreciMezen Piano Concertos S 4 71. hesse-bercme. PrqvmPeter 4 The Waif. Ustinov Karaiannphonv He 2. tem.rvanovRevel Sotere. more Ka'ajanRespighi Pinos of Remo mote Garde' "Aombero The Stetfent Prince MacRaeSamt-Seens Symphony He 3 OrganShostakovich Symphony Ho 5. Prev.nStrauss J favorita Music of ka aianStravinsky The Firebird-Suite more MuTchaikovsky Nutcracker-Ballet prevmComplete 12 IPs.HUSTchaikovsky Ptano Concerto Ho \ GutPtev.rTchaikovsky Romeo 4 Juliet-Overture mo-tRostroDov.cnTchaikovsky Swan Lake Prev.nComplete < 3 i R$ > S 36420*S 37608S 37567*5-37117*5 35630*S 37520*5 37438*S 37402*S 373*8* Prokofiev Ivan the Torrthte MjtComo-ete t2 LPsRachmemneff: Vespers. Svesnn.kov t2IPsVerdi RequteM. Giu'<ni -7 IPsINSTRUMENTALBack Goner Transcriptions Pa^en r-gBach Cello Suites 6. Casa s <3 IPs*Beethoven S Piano Concertos We sse»berQ5-3/ '2 Ka'aian 4lPs.••S 37286* Beethoven Piano Concano Ho 3. mo'eS 37144* Ricnter Mut>S 37639’ Beethoven Piano Concano Ho 5 G»rs S/eBrahms Vtetm Concano in 0. Penman GvtSB 2788* Chopm Piano Conceno Ho 2 Oh'-ssorS 36990* Chopin Tho Romantic u«c uCes Elude »n EPteiude m A 11 more. Pen nanoS 37117* Qvoflk Cello Conceno. mo e flost'ocov.cfiS 37520*SCI* 3834*S 37561*$-37298S 37097*And More OfAngel’s Finest GrieB Piano Conceno c .enter MdiaccHaydn Cello Concenos in C 4 D Rosvopc^c^Mozan Horn Concenos B’Paganini Violin Conceno Ho t. Pem"anRachmaninoff Piano Conceno Ho 2, .mereWeisse^Deig Kara,anRodrigo Concieno de Araniunz Jtome.oSatie Piano Music iTro-s Gymnooed.es mo'eiCKTCOtin.Shankar Sttar Conceno Sna^wai Prev.nVtvatdi four flute Concertos 9 w.»son S 37512S 36031 *5 37286*6 37’8CS 37457*S 3F999*S 37193*35092*S 36482*SfO 36806*S 37325*THE ANGEL 45 rpmSONIC SERIESAihinoni Adagio Pachelhei Canonmom Mgr reiprBeethoven Overtures JochumBorodin Potevisien Oencesmure Rc/hdestvenshyElgar Pomp 4 Circumstance Marches 1 4 IBoonGershvGeol4 Grand Canyon Suite AoravaneHandel Royal fireworks Music. Mac«e"asHoisi The Planets Suite "evmJenKes Smtomette Ga**JogiM Red Back Book chuuerftetalhey Favonte Music anchDei*Liszt Hungarian Rhapsodies 2 4 3 Bos*Cv5«yMahler Symphony HoMozan Horn Concenos 3 4 4. Tut»weMussorgsky-Ravel Pictures At An lihihttipnMui.Poulenc Conceno in G for Organ Pfrv.rRachmaninoff Symphony No 2. Pre»n '2lPj.Havel Bet^ro. -ore Kaiaiar.Revel Rapsodie Ispagnoie e Man.nonRespighi The Pines of Rome Ga»oe'Rimsky Korsakov Gepr.cc.o Espagnoi onRosl'opovichRimsky-korsakov Scheherezadefl0Sif000»K.h f2LPs).Smetana The Moida*. mo-'e karaiarStrauss favonte Wafi/es BoskovsvyStravinsky The Firehird-Suite G-j 'Wegner Preludes A Overtures • vaia*Wetdieutei Watties -3os*o.skyRenaissance SuiteUSA Olympic fanfare A Marches a’*FAVORITES OFEVERYONEBeethoven Piano Sonatas I 14 A 23 5$ 45026SS 46009SS 45001SS 45028SS 460'5SS 45000SS 45007SS 45029SS 450’?SS 45014SSB 4501SS 450'3SS 45004SS 45006SSB 4500SS 4500?SS 45018SS 45005SS 450HSSB 4602SS 45017SS 450?4SS 45003SS 45008SS 4‘/MO OPERASoeciai Deluxe Sets:Bizet Carmen. Ca»as Gedda PffcreComplete (3 lPs|Donizetti Don Pasquele Si'is Gramm KrausCaidwe'i Complete (2 LPs>Puccini Turandot. Cab4'<e (3lPsiRossini Barber of Seville he) Sit's GedOaM.mes Lev.ne Complete 13 IPs >Shostakovich lady Macbeth of MtsenskRostropovich (3 IPs iStrauss (R) Saloma Ka.aian (2 LPsiVardi Aida. Caba"F Oomingo Mut.Compieie (3 LPs)Verdi It Trovalore Pr.ce Obra/tosova Bon.soi)Cappuccii'1 Ra.moi d Ka.aiar Complete >3 IPs)Verdi La Travtata Sws Gedda CeccatoComoiete (3 LPsiVerdi Habucco Manugue^a Scono Mut<Complete (3 LPsiVerdi Dtello V'Ckets f rer> Kd'mnCompieie i3 IPs : SCLX 3815*SCLX 3855*SCLX 3780-sax 3050*sax 3809*We-s '’pe'cnuBeethoven Symphony Ho 7 uochunBerlioz Symphonic fentesfique •Bntien four See InterludesEiger A Walton Marches -Grieg Peer Gym " i nr dr u8*om.Hanqei Water Music V, Genera! Opera CatalogBeethoven fideiio Oernesch v.ckers OonatnVan Dam Kaia»art Complete ; 3 lPs >Gounod Romeo A Juliet. Core'n fren. lomtwrflComplete 3 LPsiHighughtslehar The Merry Widow. Sms Titus Rude>HighiighisMozen Don Giovanni h/achter ScTwaf/*>optGiu'in. Complete'4 tPsiHighlightsMozan Magic flute The Gedda Janowi'z,«.dw.g Schaar/vool KiempeierComplete (3 LPs'HighlightsPuccini Madame Butterfly De os AnQeiesBioerimg Sari.n. Complete '3 i PvPuccini La Bohime Cana* 0> Stet^nc vottoComplete t2 IPs)Puccini Tosca Ca<<as Bergon/. Good-Complete i? lPsjHighlightsARIA COLLECTIONSAnas-trom Traviata Barber, more S>i»sAnns from WaikWre Oulchman A Parsifalcher DteSkacCaffen la Divine ■■•n Giea’eRecordings1953 64 l/lPsiCelias The Lefeno^Puccini Aries ^ rPuccmt HeroinesVerd- AnasCHORALBeeihpven Mess n C G u..eBeethoven Ode to Joy A Choral fantasia■ • npenBloch Sacred Service .ds* iF.-xies*Brenms Germer RequiemMozan Mass in C SCI 36048l 356C COLLECTIONSVocal/Orchestral/lnstrumentalA Little Hiflnt Music Marr.nerAuvergne Songs De »os Ange.esDuets For Two Violins Per'man ZukermanDuets from Operetta S«**t M:)nesOuets with Spanish Guitar Aimeda TerVol 1favorite Classics For Piano Pennanoimpressions For FluteKoto Handel Water Mus<c 8 Roya> f.iewchsKdo EnsembleMonteverdi s Contemporaries MunionParkening And The GutterPerlman Plays Kreisier Showpieces At 1Pleasures of the Court WumowPrelude Romantic Studies For Guitar iime.daRomantic Orchestral Music PrevnRomantic Plano Music PernanoSills Sings Victor HerbertTea tor Two Menuhin GuopcfiVirtuoso violinist PenmanORCHESTRALAlbinoni Adagio. Man nt<Beethoven Symphony Ho 3 EroicaBeethoven Symphony Ho 5 • empe'e*Beethoven Symphony No t K'emoe't'Complete t? L^s.Bertio/ Symphonic Fentastique ManinorBntten Spring Symphony PrevmBruckner Symphony Ho IBruckner Symphony No 9Oebgssy La Mer, -.oie Mar'.nonOvorafc Hew World ' na'aiJhDvoFafc Symphony No 7 Git'.rvGershwin American m Pans, ^rev.f.I tut Hungarian Rhapsodies 2 3 4 5. ^n'eBcsudvskyMozart Symphony No 40 with ^>ano Conce'to21 Barenboim p.an>st/conORachmaninoff Symphony Ho 2 PrevmRevel Bolero ore ManncnRevel Daphms 4 Chloe Ballet MurimonRimsky-Kursakov Scheherazade Rest opo* cSchubert Symphonies *j'afjnComplete <5 lPs)Schumann Symphony No ? VSibelius Symphony No 4 »a»Smetana MyfathertandStrauss Wtee Women & SongStravinsky Apollo mo»e AtavaneTchaikovsky I112 OvertureTchaikovsky Su Symphames/MenfreeRosiropov.cn CompieteHneikovsky Swan Lake-BalletTchilkovsky Symphony Ho S fto/h<j**’«e.Vaughn WIHiam« Grtanstetvas *>urvivaldi Tho Four Soesons Rw mar'tnflicates cassette avanat>.iity S 37443*5 3689’6 37406S J7323*S 36050*5 J6049*S 37308*S 37620*S 375/4S 36053-S 37171*S 3685-’S 37322*S 37157*S 37324*SfO 3716C*S 37533*S 37456*5 17044*S 37410*S <684.-S 37562SB i89jS 37287• •S 3/43/*S 37270) 36«i!S 36964 *S 37147*S 37*48*' 40137*J 40/6536799*10—the grey city journal, Friday, November 30, 1979 Angel assures you. you’re giving the finest1GREY CITY VINYL GUIDEGreatmoments inbackgroundmusicThe Secret Life of PlantsStevie WonderMotownby Mark NeustadtWhen the civil rights and new left move¬ments of the last decade began to wane,top rhythm-and-blues performers foundthemselves at an important crossroad. Nolonger were they promoted by the ideologyof the counter-culture; if they were to continue to produce important music, theywould have to find new approaches to keepup with changes in society around them.The paths these performers chose to followare diverse; none has been more criticallyand financially successful than that takenby Stevie Wonder.Wonder embarked on a project thatmight be described as finding his owm per¬sonal musical space. He took over the com¬position an<^ arrangement of all of hismusic; oversaw its production; andthrough sophisticated tracking, managedto play a large majority of the instrumentson his records himself. The album thatmany feel to be his best is appropriatelytitled Innervisions.Stevie Wonder's new album is entitledStevie Wonder's Journey Through the Se¬cret Life of Plants, and it is without ques¬tion the farthest extension of his personalmusical space on record to date. On theback of the album there is a note cryptically stating that "substantial portions ofthis album are contained in the soundtrackof the motion picture 'The Secret Life ofPlants,' " but we can be sure, as the pro¬motional material emphasizes, that StevieWonder's own aesthetic sensibilities havebeen in no way compromised by the factthat he was producing a soundtrack. Onthe contrary it seems to offer him the per¬fect opportunity to indulge in elaboratedisplays of moog-synthesized bravado.While one half of the two record set is instrumentals of this sort, and the other ismore traditional Stevie Wonder fare, thewhole package ranges from mediocre tolaughingly bad, and many cuts are so badthat they will cause listeners to reevaluatethe many excellent Stevie Wonder albumsof the last eight years.The more traditional songs are easy toevaluate. Eight of ten are ballads, and ofthe others, one is the mandatory disco cutand the other is from a recording of a con¬cert date. Wonder's voice is as lovely asusual, but the songs suffer most from theweakness of the instrumental accompani¬ment. Oh, how unfortunate it is that StevieWonder insists on being his own back-upband. He is, to be sure, a splendid harmon¬ica player, but he is a mediocre guitarplayer and a terrible drummer. On Plantshe doesn't even employ a horn section butproduces the sound himself on his belovedmoog. As for the lyrics, they are quite lit¬erally about the secret life of plants:In myself I do containThe elements of sun and rainFirst a seed with roots that swellI gradually burst through my shellPushing down into the groundThe root of me is homeward boundA trunk, a leaf and there I amA miracle of least by far.©1979 Jobete Music Co. Inc.If it is true that plants respond to musicthey will love this album.And as the songs on the album talk aboutthe life of plants, the instrumentals on thealbum are definitely designed as back¬ground music for watching plants grow. Itis dull beyond compare, with simplethemes cloaked by layer on top of layer ofelectronically produced sounds. The in- Stevie Wonderstrumentals are not short either, but moveon with the unfailing fortitude of my palmtree.It is simple to criticize the musical content of The Secret Life of Plants, but itcould be argued quite convincingly thatmusic is not what this album is all about. Itis about sound; and it is without doubt thefinest sounding album I have ever heard.Everyone should sit through one listeningof it just to enjoy the quality of its digitalrecording. The moog simulations of astring quartet, rain, waves, and birds areall impressive, and the moog-producedthunder on "Earth's Creation" and "Finale" is awesome. Everything on this albumsounds great. The mock Indian piececalled "Voyage to India" sounds just likeIndian music; in fact, it sounds better thanIndian music.For me the one piece on this album thatbest exemplifies Stevie Wonder's currentmusic is entitled "Kesse Ye Lolo De Ye."On it he imitates traditional Dogon ritualmusic. Perhaps because he realized hisown shortcomings (but probably not) heemploys one Ibrahim Camara to play thedrum parts: Djebe drum, congas, bells,bass drum, higa drum, zyla box drum, andjimbae drum according to the jacketnotes. This means that Camara played allthe drum lines, not simultaneously, butinto a tape recorder; the ludicrousness ofthis state of affairs is self-evident.Ever since the introduction of high fidel¬ity recordings there has been discussionthat the immediacy of the musical experi¬ence would be lost as people became moreand more used to hearing music on re¬cords. Up until now at least, most recordedmusic has tried to sound something likelive music, so the listener could imagine alive musical experience; Stevie Wonder'snew album could never be mistaken forlive music nor is it intended to be. Wonderhas produced a perfectly self-containedproduct, with no direct correlation to theworld of performed music. Much of itsounds like music, but in all cases what isimportant is the sound, not the music. It isa pure sensual experience for the ears. Itwould not be inappropriate to label thisalbum the Apocalypse Now of records.Some may enjoy both very much, but forme their technical mastery is an unfortu¬nate indication that the production of popular art is being turned over to techni¬cians. MemorableMahlerKlaus TennstedtMahler, Symphony No. 5 in C sharpminorAngelby Robin MitchellTennstedt's new recording of Mahler'sSymphony No. 5, accompanied by the"Adagio" to the unfinished Symphony No.10 in F sharp, is part of a cycle of Mahlersymphonies which he and the London Phil¬harmonic began earlier this year with theFirst Symphony. Mahler's Fifth is an epicwork spanning a wide range of emotions,all of which Tennstedt renders successful¬ly-The first movement opens with a trumpet fanfare in which Tennstedt slowlybuilds intensity until joined by full orches¬tra. The rest of the movement is a funeralmarch played with a deliberate, pulsatingrhythm. The mood here is more funerealthat the interpretations of Haitink and Levine, which emphasize urgent and distressful aspects.A wild and desperate frenzy dominatesthe second movement. Tennstedt paysstrict attention to the score's directionsand unleashes the full force of the music.This movement also contains some warm¬ly sensuous music to which the conductorallots proper emphasis, thus effectivelycontrasting it with the other stormy sections.The third movement, a scherzo, combines Viennese waltzes with landler tunes.Tennstedt takes a lighthearted approachto the complexly interweaving melodiesand, except for two moments when thepace falters, the jaunting rhythms are cap¬tured well.Tennstedt's moving account of the "Ada-gietto" is perhaps the highlight. The con¬ductor slowly increases the volume untilthe climax in which soaring violins arestunningly brought back to earth by thevery effectively timed entry of thebasses.Tennstedt begins the final movementmorp slowly and in a much more pastoralmood than other conductoi s. Great care is taken in the development of the initialtheme with the powerful fugato writingwhich soon enters and develops to a triumphant conclusion."My symphonies represent the contentsof my entire life," commented Mahler; "Ihave written into them all my experienceand all my suffering." This recording ofhis Fifth bears out his words.Hoosierlandrocker HiattJohn HiattSlug LineRCAby Melanie DealSlug Line is not a brand new album, noris John Hiatt new to the rock music scene.The album, which appeared at the begin¬ning of the summer, is Indianapolis- bornHiatt's third, after Hangin' Round the Observatory (1974) and Overcoats (1975),both of which are no longer listed in thecatalogue. With no record company pro¬motion — no highly visible ads, no well-placed interviews, no major tour — SlugLine seemed destined for a similar ob¬scurity.Nevertheless, those rock & roll fanaticswhose interest was aroused by the promiseof an intriguingly pasty faced album photowere rewarded with a finely-crafted auralmasterpiece. Hiatt is hard to classify, butechoes of the big boys abound; wonderfulElvis Costello vocal touches, a GrahamParker-like caustic lyric content,Latin/reggae phrasing ala Garland Jef¬freys. Yet Hiatt is no imitator; his style isas unique as his lyrics are clever. He is amaster of musical hooks, hummable melo¬dies and danceable tunes.The title track sums up Hiatt's opinion ofrecord companies and the "packaging" ofan artist:l went to the marketplaceThey said they liked my faceBetter than a digital watch. . .First we sterilize itThen we merchandise itEverybody tries itEverybody buys itWell, that's finePut me on the slug linePunch a pretty hole in my mindAnd show me where to sign. . .From the rastaman vibrations of "Madon¬na Road" to the frenetic urgency of"You're My Love Interest" to the cruisin'music of "Radio Girls," the album neverrelaxes in intensity.At B. Ginnings on August 17, his onlyChicago-area appearance, Hiatt performed a smashing set with his tight 3-piece band, despite a chest cold and anunresponsive audience who had thrilledto the opening act, a comically offensivenard-rock group called Lois Lane. AfterHiatt closed with a fond up tempo cover ofthe Isley Brothers' "Fight the Power," theugly specter of the anti-disco movementreared its obnoxious head. A young manwho had been listening dubiously through¬out loudly exclaimed that the Isley numberseemed to him to be a disco song (it is in¬deed danceable), and the ever-familiarcries of "disco sucks" began. Ironically,"(No More) Dancin' in the Street," whichwas Hiatt's opening number, could betaken as an anti-disco anthem itself, al¬though the September New York Rockerquotes Hiatt as saying: "I wasn't reallyaiming it at disco. I was more or less be¬moaning the fact that the golden age ofsoul music that I'd grown up on, that wascertainly part of American rock & roll,was gone."Slug Line is a superlative album andprobably can be found in better sale binsaround town. Let us hope that John Hiattwill return to Chicago to a more compati¬ble audience at a more accessible club.Don't miss him again.the grey city journal, Friday, November 30, 1979—11Portrait ofa poster artistby Ray UliassiI visited a Hyde Park artist the other day— a short man with light hair, a small goa¬tee, a mustache, and glasses. The door to his-apartment, at the top of a narrow flight ofstairs, opened without my knock, we introduced ourselves, and I was ushered down along hallway, coated on both sides with hiswork. The hallway provided me with a sur¬prise: his work was not unknown to me. Infact it was very familiar to me. In fact, Irealized it would be familiar to everyone oncampus. In fact he is probably the most seenartist in Hyde Park. He is, in fact, David P.James, the man behind the posters of DOCFilms.In the living room i found a small but im¬pressive sampling of over 1,000 postersJames has designed and executed in the lastten years. Each was varied ana original.One senses a development over the years;even periods. The various styles include popart, graphics, collage, medieval type pic¬tures, and others too numerous to mention.His talent does nor lie in actually drawing —most of what he uses comes from othersources — but rather in the creation of theposter. "I have a way of finding things thatfit and combining them with perfect letter¬ing. I can lay out ideas."James never attempted art until he cameto the U of C, and even then not at the start."I think I was in the physics department orsomething. I had no idea what was goingon." The one thing that attracted him wasDCC, which was only natural since his fa¬ther had been a film projectionist andJames was used to seeing a movie a weekever since his childhood. He found DOCmuch to his liking but got bored taking tick¬ets, so third quarter he started making post¬ers. By now he was an English major andbegan devoting, he says, over 100 hours perquarter to making DOC posters and calendars. (He now compiles the DOC brochureas well, and spends over 200 hours perquarter altogether.)At the end of autumn quarter of his fourthyear, disillusioned with the English depart •O>HJODavid P. Jamesment and undecided between Art and En¬glish, he chose to take a quarter off. Thequarter turned into eight years. During thattime DOC was a continuing devotion, buteven it changed for him. After its peak be¬tween 1968 and 1972 he felt it declined and isonly now rebuilding itself. "It's not the fun itused to be because there is a different typeof people. It used to be people who liked towatch a bunch of movies."Besides DOC posters, James has also designed one book cover which he says did notcome out very well. "It looks like a badLichtenstein." But it is in this field that hismain interest lies: to design book covers or,better yet, movie soundtrack record covers.Soundtracks are a passionate hobby forhim. The great majority of his 1,000 albumrecord library is devoted to movie sound¬tracks, and the knowledge he can relate onthe subject is astounding. But the business istight and tough to break into. "I don't knowwhat to do...I picked all this up along theway teaching myself..Now that I have thistalent I don't know what to do with it." He feels that free-lance work would bebest for him but has also considered working in an agency, even though everyone heknows who has gone into the field has dis¬liked it. "It seems that no matter what youwere in — English, physics, business — youalways end up being a copywriter. Everyone I know has become a copywriter."Looking back over the last ten years hesays, "I learned more about things in DOCFilms than in my classes. This quarter I'velearned more about learning than in myfirst four years...I've matured a lot." But headmits to two problems he needs to overcome. "In the, last few years," he says,"I've been suffering from inertia and lethargy...so a lot of it's my problem...Anotherproblem was that years ago I lost my selfconfidence and am only now getting it back.What I need now is for people to flood mewith compliments — even if they don't meanit." David P„ James has a great talent andwhen he does find his niche the Universitywill have lost a great resource, and I meanit.The doublecrust debut previewby Abbe FletmanThe only thing Hyde Park needs less thananother greasy Greek restaurant is anotherpizza place. That's what I thought when Ifirst heard that Edwardo's Pizza was mov¬ing in at 1321 E. 57th Street, former home ofthe Dove.After tasting Edwardo's fare at his 1937W. Howard St. restaurant, I'm convincedthat another pizza place can be worth hav¬ing. I'm also glad that the Medici offers, be¬sides pizza, a pleasant atmosphere, ham¬burgers, soups, and salads. Otherwise itwould be in big trouble come December 10and Edwardo's grand opening.The Howard St. Edwardo's, in the border¬land between Chicago and Evanston, is asmall unpretentious neighborhood pizzeria,much in the style of the old Giordano's.Scenes of Italy hang on the wall, and freshoregano and basil grow near the entryway.Walking in, the open kitchen is visible, al¬though it could not be seen from our booth.While waiting for our stuffed pizza, whichtook between 45 minutes and an hour to ar¬rive, we took the edge off our hunger with asmall antipasto ($2.50) that easily couldhave served four. Ringed by provolonecheese and salami, the plate was piled highwith well-dressed greens and olives, andcrowned with two breadsticks. Small tossedsalads ($1.00) and a large antipasto ($3.95)are also available.When the star of the meal arrived, it wasalmost two inches high, and liberally sprin¬kled with fresh herbs. Its construction wasidentical to that of a Giordano pizia —layers of crust, filling, cheese, crust, andfresh tomato sauce melted into a sublimetreat.While far superior to other Hyde Parkpizzas, Edwardo's suffers when comparedto Giordano's, largely because the pie is toosalty. Reliable friends report that when theyvisited Edwardo's, their pie was watery.But these flaws are mendable. LETTEREdwardo's also suffers when price is compared. A medium cheese and tomato Medicipizza (four slices) costs $2.77, while a smallEdwardo's pizza (six slices) costs $5.45. Edwardo's manager reported that prices willgo up before the Hyde Park opening. Theonly consolation is that it is nearly impossible to finish an Edwardo's pizza. Each of usbrought home a full slice, enough for dinneranother night. Friends always tell me that the test of agood pizza is whether it can be eaten coldthe next day. Edwardo's passes the test easily.Decor in the new restaurant was de¬scribed as "ultra-modern" by its managerand will include an open kitchen, a drop ceil¬ing, and plexiglas touches. Liquor will notbe served, but if you bring your own bottle, acorkage fee of $.50 will be exacted. Editor:Who is Laura Cottingham and what isshe doing representing the University ofChicago on a "New England Weekend"with $200 of University Money provided byDean Smith? She certainly wasn't arepresentative through any of the moreconventional and established organiza¬tions on campus. Last year's Intercollegiate Conference Committee ispresently defunct and no attempt wasmade to reorganize it for this year. I hardly think that going to the planning sessionin Cambridge as Laura Cottingham, stu¬dent at large could be considered!representative of the student body. Un jfortunately for Ms. Cottingham, but for-;tunately for the remainder of the student!body, legitimacy requires more than amandate of one.Ms. Cottingham's weekend jaunt alsoraised the question of priorities in a waythat touches (or rather chills) the heart ofevery student involved in a campusorganization that has ever requested funding from the administration. Two hun¬dred dollars spent for a weekend at Harvara to have ". . . people smile, get highand live their lifestyle. . ." seems to me to jbe a misuse of University funds. Besides:the fact that student representation of astudent conference is a student decision,not an administrative one, Dean Smithcould have gotten a more in-depth, andcertainly less expensive report on U of C'sinvolvement with the Intercollegiate Conference had he spoken to the delegatesfrom last year's conference. Laura Cottingham did not have to spend $200 of veryscarce (or so other student groups aretold) University money in order to informthe University community that she decid¬ed the conference was a waste of her time.| If however, l have misinterpreted the entire issue, and Dean Smith has in realitydiscovered a new student vacation fund,i may I request consideration to be the seicond person so funded? I could use anexpense paid weekend on a nice, warmCaribbean beach, eating chickpea spreadand smiling, getting high, and living myjlifestyle.With all due respect,Jennifer GurahianResponse:—The editorsROC KSAN DSTARSby Danny SchulmanI've finally returned to Hyde Park after a twenty year absence.Actually I've been back for occasional visits during holidays andvacations. I lived here when I was a child Of course, things havechanged. Buildings usually remain standing, yet over a period ofyears their occupants move in and out. For example, two Hyde Parkinstitutions on the same block have long since been replaced by twonew businesses that seem like "old institutions" to many: SteinwayDrugs and Woodworth's Stationary store have turned into Agoraand O'Gara. Buildings burn down as well and their occupants neverreturn. This was the case with Chicken A Go Go at 56th and LakePark. (I remember Chicken-A Go Go vividly only because one timeon the way there my hand got caught in the car door and I went toBillings instead). But all of these examples are as trifling as tryingto attach the names to the faces of the Reynolds Club barber staff of1965.Much more subtle than a mere change in occupancy, but at thesame time more earthshaking is a change in the landscape. Untilthe early seventies there was a large structure resting on the tip ofthe promontory point of 55th street. If you arrived after its removalyou probably don't know that a military base occupied about a thirdof the space on the Point. Like almost everybody in Hyde Park myfamily took out sandwiches from Unique's on 53rd to picnic on thePoint. There was a concession stand next to the underpass that soldCoke in red wax-paper horns with little red cups stacked on thesmall end. When it was emptied the circular piece of paper coveringthe bottom could be removed, thus making a great bullhorn.We ate roast beef sandwiches, cole slaw, Baby Ruths and drankCokes. The rich sound of beatniks slapping bongos was accompanied by a bass line supplied by the electric power hum of the army base. After eating we walked around the Point. My ears tuned in andout of bongo drums, radios, and conversations as we passed groupsof people. The electric hum never changed in pitch or volume. Wewere forced to walk single file on the top level of the rocks becausethe fence surrounding the outpost came right up to the tip of thePoint.Inside the high fence were some wood shacks, a Jeep or two, and asquat radar tower about 60 feet high. A blinking red light wasperched on a pole at the top. As the sky darkened the red light gotbrighter and we would go home. Eventually the installation was dismantled and the bongo players, who must have felt lost without thebass line hum of electricity supplied by the base, left too.I came back to the Point many times, but never fully rememberedthe variety of sensation it once held for me. I came to forget al¬together that an army installation once stood on the Point. A fewweeks ago I suddenly remembered the old scene for the first time inseveral years. I was spending the evening at the Point with somenew friends. They go to school here, but arrived in Hyde Park afterthe military installation had been removed. They saw the Point asan escape from the urban. They talked about nature in purely sen¬sual terms and reduced the experience to the elements sky, sea andland. At that point I clearly recalled the Point of my childhood,bursting with human and cultural activity and in contrast to myfriends' view of the Point as refreshingly exclusive of gritty HydePark.Actually, I never left Hyde Park. I was born here and I grew uphere. I left for college in New York only two years ago. I wasn'tlying when I wrote that I'd returned to Hyde Park after twentyyears I just wasn't all here. Now I'm here working on incom-pletes.12—the grey city journal, Friday, November 30, 1979Basketball ge,By Andy RothmanTwo years ago University of Chicago var¬sity basketball coach John Angelas had astarting front line that averaged over 6’6”.Last year he complained that the team suf¬fered from a lack of height as the startingcenter was 6’6” and no one else on the teamstood taller than 6’4”. Angelus does notknow what to expect as he prepares for the1979-80 season, which opens tomorrow atRipon, with the tallest players on the teamat 6’4”.Angelus is heading into his fifth season atChicago with a 43-34 career record, all ofwhich have been at Chicago. Last year theMaroons were 8-10 overall and 4-6 in theMidwest Conference. Only five of his cur¬rent players were with the team last year,some were full-time starters. Of the ten thatleft after last year the most sorely missedwill be forward Jay Alley, the school’sfourth leading career scorer, who averaged18.3 points per game overall, and centerBret Schaefer (15.7). Both were All-Confer¬ence last year. This year’s team will operateunder a completely revamped offense andwill show a more balanced attack.The team’s overall strengths and weak¬nesses, according to Angelus, are that, “Wehave good team balance and almost all theplayers can handle the ball fairly well. Ourweaknesses are obvious, that we don’t haveany height or depth.”The guard, or wing positions show somebench strength. A pair of 6’3” returnees, se¬nior Ken Jacobs and junior Vlad Gastevitch,who led the team in shooting percentage lastyear with a .552 average, lead the way there.Another returning player, sophomore JeffMitchell, will see much duty at the point po¬sition. Behind them, Angelus is looking fornewcomers Eric Kuby, a sophomore, andfreshman Wade Lewis (who is only 6’0” butcan dunk) along with sophomores Jeff Fore¬man and Will Hogan to provide somedepth.Angelus knew he was going to have prob¬lems underneath the basket this year but hisrecruiting year did not provide needed addi¬tions. “We really didn’t get any help insidein terms of muscle.” Returning 6’3”juniorPete Leinroth will combine with 6’4” secondyear player Rich Martin to form theMaroons pivot combination. Angelus willneed help from two new 6’4” sophomores,Kevin Brady and Mitchell Price, because, ashe said, “when you start out short and youdon’t have any help inside, you’re reallyasking for trouble.”Martin has shown much improvementover his play of a year ago in the Maroonspre-season scrimmages, in which they were ew faces to open awayThese four returnees will form the nucleus of the 1979-80 Maroon basketball team. Theyare, clockwise from upper left, Ken Jacobs. Vlad Gastevich, Pete Leinroth and Rich“Snake” Martin.>1Sports3-1-1. He still has some problems on detense,according to Angelus, on fronting and lobs,but, “The more he plays, the more he willimprove. I feel confident of that.” Angeluswarns, however, “If he or Leinroth get infoul trouble we’ll be in great difficulty.” The Maroons restyled offense will featurethe low posts moving outside along the ba¬selines. Angelus explained. “It doesn't payfor us to get the ball inside to a guy who's6’3” who’s going to have guys 6’7” and 6’8“around him because he won’t be able to get a shot up anyway.” So Angelus is hoping thathis forwards will get a lot of short jumpshots from the corners, or, if their opponentscome out and cover them, that the middlewill open up. Angelus knows his team willhave to connect on their shots because, “Wedo not have strong offensive reboundingagainst the zone. There’s no sense denyingthat. That’s the way it is.”The offense will also be geared to alloweveryone in the game to exploit their offen¬sive talents. The Maroons have seen threedifferent players lead the team in scoring intheir five preseason games. The heightproblem will linger with the team though asAngelus admitted, “We have to get awfultough on the boards. For a college team tohave one starter at 6’4”, that’s absurd. Eventhe weaker teams we play have people thatare 6’7” playing center.”The height problem is likely to hurt theMaroons most on defense. The Chicago de¬fense will feature a variety of zones. Theteam will be instructed from the sidelines asto which defense to play with cards as theywere toward the end of last season, in Michi¬gan St. fashion. Angelus’ favorite is the 3-2“claw” trapChicago will be trying to establish astrong defense in order to stay close in alltheir games. Then they will try to get aheadand go into a four-corners isolation offenseand attempt to draw the defense out of themiddle even further, according to Angelus.Adding to the new look of this year’sMaroons is their new assistant coach JimHargesheimer. Hargesheimer is a formerplayer and assistant at North Park College(in Chicago). North Park has won the NCAAdivision III championship in each of the lasttwo years.As for the 79-80 Midwest Conference sea¬son, Angelus explains, “Everybody in ourdivision is missing, at most, one starterfrom last year. We lost all five starters andsome of the first subs. It looks very desper¬ate this year to say the least.” Beloit, lastyear’s Eastern Division and league champi¬on. lost only Mark Hanzlik. Lake Forest hasa 6’8” transfer from Yale. Ripon andLawrence who tied for second in the divisionlast year, both have most of their teams re¬turning. Ripon has to be the early favoriteas coach Kermit Weiske’s team will be ledby senior co-captains Tim Barnes and ChrisOgle. Junior Guard Terry Cramer, fifth inthe conference in scoring last year, will alsobe back and the Maroons will get a chance tosee them tomorrow night at Ripon as theseason opens with a conference game. Theconference season goes into full scale com¬petition in January. The Maroons open up athome next Saturday. December 8, againstTrinity Christian. Next week’s game canalso be heard live on WHPK. 88.3 FM begin¬ning at 7:15 PM.Football 79: A year of adjustmentBy Howard SulsMisrep¬resentation?To the Editor,As a loyal Ohio State alum, the Maroonarticle of Friday, November 16 entitled“Ohio State cheats Chicago” caused megreat distress. To the extent that theevents reported actually occurred withoutmitigating circumstances, (I make thisqualification because by now I’ve learnedthat there are two sides to every story), 1wish to remind the U of C sailing team andcommunity that these actions were thework of a small group of individuals. Theyshould not be construed to be represen¬tative of the Ohio State University as awhole. Neither the athletic officials nor thegeneral student body would ever condonewuch unsportsmanlike conduct. A copy ofyour article and this letter have been sentto President Enarson to ensure that thismatter will be looked into at Ohio State.David W. PriestleyStudent in the Business SchoolEditor's note:The Maroon certainly did not mean toimply that the Ohio State sailing team is anadequate representative of their school.We will also gladly overlook the fact thatWoody ‘Rocky" Hayes used to coach loot-ball there for a couple of tickets toPasadena and the Rose Bowl over the holi¬day break. This year was not the oest year in Univer¬sity of Chicago football history, but some¬day it may rank as one of the most impor¬tant. The football program, in a state of fluxwith the departure of head coach Bob Lom¬bardi, took an important step towards re¬spectability in 1979, mostly due to the effortsof new coach Tom Kurucz. This is not to saythat everything was perfect, which CoachKurucz w’ill readily admit. Despite returning14 starters, 1979 saw the Maroons drop to 2-6from the preceding year’s record of 3-5.“Record-wise it was disappointing." saidcoach Kurucz in a mid-November interview,“I was disturbed about not having a winningseason. I saw a lot of good come out of theseason. I watched personal dramas unfoldon the field that led me to respect theplayers.”Why the disappointing record? There area number of factors that can help explainwhy. Not excuses, but factors. Most impor¬tant was injuries. Key injuries can hurt anyteam, especially one with a small squad andthe Maroons were clearly short-handed. In¬juries to Joe Olshefske, Nick Filippo. JimMoranto, Mack Gillespie, and Joe Mullenstrained the team in the search for a solidweek-in and week-out nucleus, forcing aconstant juggling of players and positions tofill in gaps where necessary. The replace¬ ment of a player of the caliber of record-breaking running back Dale Friar was alsono easy task.Any time a new coach enters a programthere is bound to be a period of time neces¬sary for him to become accustomed to theday-to-day operations of that program,especially with the institution of a new of¬fense and defense. Coach Kurucz and his as¬sistants were for the most part new to theUniversity, and it takes time for players andcoaches to get to know one another.I’m trying to adjust my value system tothe University’s value system.”* Kuruczsaid. “I need to become more organized. Inother situations I was a spoke in the wheeland now I’m the hub. I came in with bigthings in mind and then the small thingscame up, which was unforeseen.”Besides having to deal with jus: the prob¬lems of playing football, other matters tookup a lot of time (like travel arrangements,meal situations on campus, and even littlethings like projector bulbs). Whereas at aschool with a larger budget such matterscould be delegated to a number of paid as¬sistants, most of the responsibility fell di¬rectly on Coach Kurucz. “If I was tardy, itwas because I was giving in other aspects. Icouldn’t be everywhere. I would say yes tosome request and not follow it up. Possibly itwas an overextension, but I don't want tomake excuses. I’ll spend this winter plan¬ning and organizing.” Under a new coach, a few toes are boundto get stepped on, and the Maroons were nodifferent than any other team. Usually ithappens to the upperclassmen, who haveadjusted to one system and may find diffi¬culties adapting to a new one. Not so muchthe on-the-field system, but the change in at¬titude off the field, and perhaps a differentconception of goals: individual, team, andprogram as a whole.Tom Kurucz is a strong man. with strongideas on w’hat football should be at the Uni¬versity. He came in with a set of guidelines,in a way. and established players don’talways see eye-to-eye with a new coach inhis wavs of doing things. According toKurucz: “It takes a while to establish a suc¬cessful program. I like to set a tone rightfrom the start and get down to business, Irespect the opinions of players and theirfeedback. I attempted to do the best job Icould in fielding a competitive team repre¬senting the University of Chicago. I continueto adjust to fit my value system with theplayers' and the University’s value system.The first year was a good indicator of whatto do and what not to do. Discipline andstructure are the key to success. Threethings can happen if there is difficulty: theguidelines are adjusted, from whence they(the difficulties) came is adjusted, or theplavers adjust. I’m pretty close to finding ahappy medium. I’m not revamping my phi-Tum to Page 21The Chicago Maroon — Friday, November 30, 1979 — 19IM ReportB-Ball scouting reports andBy J. A. Netos resultsmmr i at .• > %3SEm*** z.rrThe Junkyard Dogs used their option reverse effectively en route to a 27-9 victory overTufts in the All-University football championship game on November 13.The Albanian Refugees easily trouncedControlled Substance 60-29, only to prove, ifa proof were needed, that a team featuringso many ex-varsity players is nearly un¬beatable in IM basketball. The Refugeeswon last year’s championship, ending theseason undefeated under the name of Jere¬miah Joyce, 19th Ward. Although they areprobably going to miss the shooting and re¬bounding of Dan Hayes, who left for St.Louis, three of the newcomers to the teammore than compensate for his absence; therugged and aggressive style of Tod Lewis,the quickness of Kevin Tetsworth, the calm¬ness of Gary Downey, when combined withthe experience of Steve Shapiro and GregRetzlinger, put the Refugees in a categorynot shared by any other IM team. WhenMarty Gleason joins the team next quarter,the validity of this proposition will becomeeven more apparent. (Marty is now recov¬ering at home, after being beaten by sixyoung hoodlums outside his home on thesouth-west side. Speedy recovery, Martyf)The presence of the Refugees in IM bas¬ketball raises an important issue, that of theparticipation of ex-varsity athletes in IMsports in general. It is true that people playfor fun. It is also true, however, that theyplay to win. If the possibility of winning isforeclosed, an intangible, though essential,element of sport is destroyed. The very term“competitive sport’’ then becomes mean¬ingless. If you cannot win. whatever you do,you no longer compete.That the Refugees are the favorites to winthis year’s championship is a foregone con¬clusion. The very fact that they have easilydominated their opposition early in the sea¬son should spur the IM authorities to re¬assess present IM regulations. In particularthought should be given to limiting thenumber of ex-varsity players on the rosterof any one team.In the Graduate Red League the AlbanianRefugees reign unchallenged. There are afew teams who will fight it for second andthird positions; The most promising is Mr.Bill Show, now with a record of 2 and 0 andthis week’s number two ranking, after de¬feating Nassau Senior 45; 27 and Manic De¬fensive 45:25. A solid team, Mr. Bill Show isdominated by the versatile Rich Friedman,who is receiving much support from BillPelletier, Mark Mitter, and others, in addi¬tion to a spirited couching from the side¬lines.Another team to look for in the RedLeague is Controlled Substance. Althoughinevitably losing to Refugees, Substance easily defeated Abbott Sisters 52:22, and hassome good players, led by Hugh Wilson.Among teams with a record of 1 and 0 arethe Snow Bears, which defeated The Six-Packers 32:18. The Divinity School team,last year’s powerhouse, which defeated theGod Squad 38 :29, to up their record to 1-1 fol¬lowing an opening game loss to the Alban¬ians.The jury is still out on Uranus & the 7Moons. They share the lead of the GraduateWhite League with a record of 2 and 0:Uranus defeated Scruffulo Botems 58:20 andoutscored Willis Reed 35:22. Admittedly, itwill take more than the lackadaisical Scruf¬fulo or the inexperienced Willis Reed to stopUranus, but not much more. If Uranus failsto persuade the sceptics that its sluggish,unconvincing game against Willis Reed lastMonday was nothing more than a bad day,then it might yet capture the title of the mostover-rated team of this season. Dartos RisesAgain may well prove to be this season’ssurprise: They defeated Dead Popes 31:28in a close game, and convincingly wonagainst Laughlin, last year’s powerhouse,36:24, to share the White League’s lead witha record of 2 and 0.The Dead Popes are united again. Afterdividing the black-T-shirted multitudes intoteams A and B (Team B was supposed toplay in the Grad Red League), the Popeswisely decided to reunite, and are now play¬ing in the White League. The happy reunioncertainly gave the Dead Popes a new leaseon life. After losing a game to Dartos 31:28,the Popes rallied last Monday to trounceEat My Torts 39:11. Excellent shooting fromthe outside by Kevin Buchanan, the enthusi¬asm of Frank Byers, and the spirited leader¬ship of Jeff (“No Prob’s”) Paulson, makethe Popes a team to contend with in theWhite League.Another team to look for in the WhiteLeague is Med II. They are untested as ofyet, having been awarded one game by aforfeit.An intriguing situation is likely to developin the Undergrad Residence White League,where two evenly matched teams, exhib¬iting different styles of basketball, will befighting it to the wire. Both Chamberlin andDudley are now 3 and 0: Chamberlin easilydefeating Upper Flint 56:13 and destroyingGreenwood 55:4; Dudley effortlessly pun¬ishing Salisbury 66:12 and defeating Bishop55:20. Both teams have also won one gameby forfeit. While Chamberlin, under the ex¬perienced guidance of Kevin Gleason andDon Pasulka, enjoys a greater depth and isthe more disciplined team, Dudley’s for¬ wards (Jim Moskal, Nick Facaros, ana DoKim) are an awesome trio, whose full-courtpress defense and extreme quickness on theoffense have proved very effective so far.Based on the two teams’ performances todate, Dudley has to be favored to win theLeague’s championship, if only by a veryslight edge. If Dudley can acquire additionaldepth, and work on developing more conser¬vative defensive games in addition to theone they now practice, they will prove morethan an even match for even the betterGraduate teams this season.In the Undergrad Residence Red LeagueHitchcock is unlikely to face a serious chal¬lenge, unless Tufts can entice Mark Erwinto join their team: without his confidentcoordination, above-average players likeJosh Newman, Bill VanderClute, and BobMcCarthy were far from effective. Tufts de¬feated the lackluster Breckenridge team44:27, but lost to Hitchcock 44:28 (the gamewas held less than two hours after the toughFootball final, which Tufts, the Undergradchampion, lost to the Junkyard Dogs, theGraduate champion). Tufts came back todefeat Dodd/Mead 41:35, and are now 2 and1. Hitchcock, by far the tallest team amongthe undergraduate teams, has many talent¬ ed players, Like Brian Weber, Rick Johnsonand Mike Taxman, but its team play can bevastly improved. Even lacking that, theydefeated Alpha Delta Phi 31:14, and did nothave too difficult a time against Tufts.Hitchcock later defeated Fishbein, 56:19, togo 3-0. Fishbein somehow managed to out-score Breckenridge 29:24, in a singularlyunimpressive game.In the Undergrad Residence MaroonLeague Vincent is likely to walk away withthe League’s championship : still recoveringfrom its astonishingly poor performance inFootball, Vincent, under the able directionof Fred Rynne, is leading the MaroonLeague with a record of 2 and 0 (defeatingCompton 31:17 and Michelson 28:24).In the Independent White League, theDroogs dropped their opener to the Returnof Zero the Hero 27:21 and then defeated Hi-howdoyado II 26:10. The Coho’s are 2-0 andare led by Mike Owens. They defeatedGrand Illusion 27:22 and Sid’s Kids 39:12.Independent Red League action saw DredScott’s Revenge blast U.F. Outcasts 61:40and The Gang of Five 29:21. The Champsbeat Joint Effort 40:24 and Charlie’sCherves 36:24 to equal Dred Scott’s 2-0 re¬cord.20 — The Chicago Maroon — Friday, November 30, 1979Division III sports from the inside“homers”.By Vlad GastevichLong anticipated, the December 1stopener of the University of ChicagoMaroons basketball team against Riponhas finally arrived. The opener is the cul¬mination of two months of practice andpreparation, spanning the summerlikedays of early October until the present, inwhich only the hardiest of athletes is stillrunning outside. In this article, I intend toprovide a bit of insight into the experienceof a Maroons basketball team member.To begin, the U.C. eager is not providedwith a Monte Carlo for transportation. Nordo wealthy alumni slip him a tidy sum of“spending money” after a particularly ef¬fective performance or important win. Asa matter of fact, I have not even once hadto turn in a “fixer” in to the authorities foroffering me cash in return for maintaininga point spread. No, these are all Division Imyths. The Division III player does nothave to put up with such “atrosities”.Division III rules provide that no athletecan receive financial aid based on athleticactivity. However, we are provided withmeals and lodging, if necessary, whiletraveling. (Ever eat a Big Mac for break¬fast?) The only true danger in traveling isthe possibility of encountering a “homer”.A “homer” is a man in a black and whitestriped shirt who is hired by the hometeam’s school. He fears his job security. We play, however, many teams that areextremely competitive and classy. Onesuch opportunity arose last year when theteam flew to Florida to play Stetson Uni¬versity. They were a huge team <6’11”center, two forwards over 6’6”, etc.) andquite talented. We stayed with them formost of the first half, but their size and tal¬ent finally prevailed, when they beat ushandily. Not only was this a great opportu¬nity to play a powerful team but we hadtime to visit Disneyworld on the final dayof the trip. In twenty years, I don’t knowwhat I will remember the most: Stetson,l Disneyworld, or my miserable sunburn.| What, then is a Chicago basketballo player like? Good question. He partici-£ pates solely because he enjoys the game.£ He is willing to make sacrifices toward> producing the team’s best effort. These at-« tributes can be expected of any ballplayer,^ right? Well, what I particularly like aboutthis year’s team is the great intensity withwhich we play the game. At first glance,many immediate reactions have been thatwe are too short. This is because despiteour three 6’4” centers, three 6’3” forwardsand 6’4” guard, we don’t have a 6’6” centeras we did last year. In a conference whereno ballplayer is talier than 6’7” or 6’8”,physical strength (this year’s team alsohas 5 players who are. 190 pounds orgreater) and intensity can certainly over¬line.He convinces the home team to call himoack by doing his best to make sure thatthey don’t fall too far behind, and if theydo, he does his best to help them rally. Hismethod is to blow his whistle often andagainst the visitor. Conventionally, he iscalled a referee. In the Midwest Confer¬ence, I have encountered many come a height differential. Moreover, toget away from the basketball world’spreoccupation with “the big man”, I knowwhen I come away from practice withbumps and bruises that this team is cer¬tainly going to leave its mark wherever itplays.Finally, we have recently finished an ex¬hibition schedule which has provided agreat opportunity to assess the team’sstengths and weakensses-. Interestinglyenough, our final scrimmage against Illi¬nois Institute of Technology, ended in a58-58 deadlock. Since it was only a scrim¬mage, the coaches decided not to risk un¬necessary injury by having an overtime.That left our exhibition record at 3*1-1.Have you ever heard of a basketball teamwith a tie in their record? Ties are re¬served for such sports as football, soccer,and hockey. So, as the writer of this arti¬cle, 1 must take a writer’s perogative andannounce that the Maroons are engagingin tomorrow’s competition having finishedour exhibition season with a fine 4-1 re¬cordJunior Vlad Gastevich is a second yearmember of the varsity basketball team atChicago. He has agreed to share his obser¬vations on playing varsity sports on theNCAA Division III level in this column pe¬riodically during the 1979-80 basketballseason.Football 79Continued from Page 19 Women’s track in traininglosophy as much as adjusting to the environ¬ment'.’'One of the most unfortunate events of theseason was the release of sophomore Do Kimand senior Cassius Scott from the team.Kim, a Stagg Scholar, a running back, defen¬sive halfback, and quarterback, and Scott, adefensive lineman were asked to leave theteam before the last game with Carleton. AsMark Meier’s backup at quarterback, Kim’sdeparture left the team in a weak positionfor that game. It also raises questions as tothe team’s hopes for next year if Kim, whowas being groomed as Meier’s replacement,elects not to play.Coach Kurucz was asked about the situa¬tion, “Well, I’m not going to air anybody’sdirty laundry for them. It was a very unfor¬tunate situation. It came down to whetherone man was more important than the restof the team. My door is always open. As faras I’m concerned, when the gun went off, theseason was over. It’s time for both parties tolay back and rest, and reflect on the season,in terms of constructive criticism and theneed for improvement.”There were also other incidents, nothingspectacular, but other players were at timesdisappointed. There were doubts raisedabout Coach Kurucz’s openmindness, withhis background in the Marines lending cre¬dence to questions of “discipline”. Playersfelt they were penalized for returning late orwere not given a fair chance in practice.The impression gained was that problemsstemmed from a lack of communication.This being a transition year, players andcoaches did not always have the tacit under¬standing necessary to induce team and indi¬vidual harmony. This is not something thatcan be easily dismissed, for in fact it is es¬sential for the program to survive here.“It is difficult to coach at this university,”said Harold ‘Jeff’ Metcalfe, Director of Ath¬letics, “it’s a demanding and challengingtask. It places an enormous demand on peo¬ple. We think we found the right person to behead football coach.”“He demands things of us,” one playersaid. “Kurucz forced the unified aspect. It’sidealistic to think everybody should be bestfriends.” Some of the players talked to lik¬ened this year to Lombardi’s first year andthe troubles he had, especially with some ofthe upperclassmen. Kurucz’s years in theMarines worried some players, and theyseemed to feel that there was too much dis¬cipline, resulting in a forced type of teamspirit. One player told of the solemnity ofpractice and the pre-game locker room. Hefelt it was too serious and destroyed thatsense of looseness so helpful to a team.There was no locker beating and pad-punch¬ing, no pre-game screaming and yelling —nothing to get the adrenalin flowing. Attimes it showed on the field. The Maroonswould come onto the field looking flat, cer¬tainly not eager for a fun-filled afternoon ofaction and hitting. There was no sense ofreckless abandon but a controlled serious¬ness. How much of this is the first-yearcoaching syndrome remains to be seen.“Someone told me ‘You’ll age ten years inyour first year as head coach’, and I feel like 1 have,” said Kurucz. “I take athletics andwhat I’m doing very seriously. There are alot of lessons to be learned from athletics.One can be dedicated to a lot of things, andathletics and coaching.”“I don’t think I have all the answers andI’m continually learning. I’d like to feel thatthere are certain things I hold true and holdfast to. It wasn’t an easy year. It wasn’t adifficult year. It was a year of learning, de¬cision-making, and soul-searching; a strug¬gle in terms of weighing decisions. I didn’tmake them lightly. You play to win, but howintensely is another slice of the pie.”Athletics has reached a possible turningpoint at this University. After the apathy ofthe ’70’s, the ’80’s may be a decade of activi¬ty, extending even through the student bodyto the playing fields. There is a danger,though, of an athletic elitism; a jock mental¬ity, or whatever you might call it, isolatingdifferent factions of the student body. Theends and means of athletics are not alwaysthe same, and while it is sincerely hopedmore student-athletes are recruited by theathletic staff and the admissions office, ev¬eryone must remember why they are here— for an education. Students, especiallyhere, learn priorities quickly. By theirfourth year, they realize that it is just agame, and when it comes down to thisweek’s game, and your career after gradua¬tion, of your MCAT’s or LSAT’s, who canblame a player if his concentration leveldoes not seem to be 110% on the game?With Coach Kurucz and the other new staffmembers there seems to be a renewed com¬mitment on behalf of athletics here. Chica¬go’s full fledged membership in the MidwestConference, new facilities at the FieldHouse, and the above mentioned items showa genuine concern to upgrade the college ex¬perience for those who wish to be involved.As far as next year goes for the Maroons,the situation looks promising. Coach Kuruczis looking forward to the 1980 season, despitethe newly revised schedule that pits Chicagoagainst tough teams like Lawrence and Coe.With a good nucleus of thirty to thirty-fiveplayers returning, Kurucz expects the teamto be scrappy and more experienced, havinghad a season uner the new system. Of coursea good recruiting year is essential, consider¬ing there were only about seven recruits thisyear, mostly due to the efforts of Nick Filip¬po and Mark Meier. The Maroons will needto fill gaps, at running back, defensive back-field, and both sides of the line. Kurucz is al¬ready working hard recruiting, not only forthe football team, but also the school, askingat each school for the best student, the beststudent-athlete, and the best student-foot¬ball player, in that order. “I expect nextyear to be smoother, much smoother. Thiswas a year of growth, of give and take, andgrowing pains.”Hopefully, most of the bugs were workedout this year. If so this campus can look for¬ward to a period of growth and stability onthe football field and hopefully in all athlet¬ics. If not, Chicago may have to re-evaluateits goals, collectively and individually, andexamine the role of athletics within thestructure of the university. By Sarah BurkeThe University of Chicago womens trackteam has been going great guns since its or¬ganizational meeting three weeks ago. Anencouraging sign this year with the squadhas been its depth. Last year, many girlsended up running three and four events in ameet and this hurt their overall perfor¬mances somewhat. This year, the squad isabout twenty-five strong and they are out ofthe starting blocks already with practicethree times a week even though the officialseason does not begin until WinterQuarter.At first, practices have been lighter sothat the squad can work up to the intensepractice level that Coach Marianne Craw¬ford hopes to achieve. For now, five times aweek, the sprinters, middle distance anddistance runners will begin training hardright up until the State IAIAW track meet inMay 1980.The squad is very optimistic, for not onlyis it larger than the 79 Maroons team, but italso has racing experience. Most of lastyear’s team is returning — the team onlylost three seniors to graduation, which willespecially aid the relay teams who have al¬ready worked together before.Like last year, the most depth can befound in the distance squad. Of course, a lotof this could be due to the current “distancerunning craze” which has been sweepingthe country. After all, as Coach Crawfordsays, she knows that there are sprinters andmiddle distance people out there in the Chi¬cago community and she hopes that theywill come and join the team (Contact her atSports BriefsFTiouse breakThe varsity locker room at the HenryCrown Fieldhouse at 56th Street and Uni¬versity Avenue was broken into during thebuilding’s open hours on Sunday, No¬vember 25. No estimate of the cost of dam¬aged or stolen articles was given by theUniversity of Chicago athletic departmentbut an amount of cash and blank checkswere reported missing and some damagewas done to lockers. A similar incidentwas reported to have occurred at BartlettGym at 57th and University in recentweeks. Dan Tepke, Assistant Chairman ofthe Athletic Department was very upsetwith the robberies, “because we have thiskind of situation under control,” but he didadmit, “as long as we live in this neighbor¬hood I guess we will have some problemwith this type of thing.” Increased securitymeasures have been implemented at theathletic facilities this week, such as strictchecking of facilities passes. 753-3574). “The object of the team is to race,of course. But underlying that, it’s a lot offun just being on the team with all thewomen and training as hard as you can to doyour best”, one team member said.So, with their winter break training pro¬grams in hand, the Women’s Track teamwill take a three week respite from teamtraining but not from running all together.They will return in January raring to go,with the Illinois State title as their optimumgoal.★★★★★★★★★★★★Season’s GreetingsThe Maroon sports stall would like towish everyone a happy holiday season. Weappreciate your compliments andcriticisms and hope your interest con¬tinues to grow. See vou in JanuarySarah BurkeMark ErwinVlad GastevichW. ReedAndy RothmanAllen SowixralHoward SulsMark WallachDarrell WuDunn★★★★★★★★★★ +rkWomen cagersThe University of Chicago women’s bas¬ketball team went down to defeat in theirfirst practice game on Wednesday at theFieldhouse, 86-60 to North Central College.Coach Marcia Hirt was pleased with herteam’s efforts as everybody on the clubsaw equal playing time. The regular sea¬son opens up in January.FootballAll-ConferenceThe 1979 All-Midwest Conference BlueDivision football team was released earli¬er this month. University of Chicago quar¬terback Mark Meier and linebacker MarkKosminskas received all-conference nods.OffenseQB Mark Meier, Sr., ChicagoBacks Eric Moe. Sr. CarletonGene Reid, Fr., GrinnellJohn Joyce, Sr., Lake ForestTE Brian Davies, Sr., CarletonFlanker Paul Vaaler, Fr., CarletonPIZZA PLATTER1460 E. 53rdM13-2800 No deliveryPHOTUZZLESA most unusual gift for any special occasion. Just mail in yournegative of any subiect matter, along with $9.95 for each puzzle, andwe will enlarge it to a full 11 * x 14” photograph and then photuzzle itinto a 120 piece interlocking, personalized jigsaw puzzle A perfectgift for that special person.PLEASE PRINTName Phone <Address StatePlease allow 4 6 weeks tor deliveryPhotuzzles Carton SuppliesDept CJN7000 N Mannheim RdRosemont, III 60018 KIMBARK HALL Mallory’sCondominiums$2000 DISCOUNT UNTIL JAN. 1980 • 80%MORTGAGE LOANS AT APPROX. 11%AVAILABLEThe developers are offering model units forinspection every Sat. and Sun. between 1and 5 p.m.36 apts:24- 1 bedroom, 1 bath from 30,350-37,0006 - 2 bedrooms, 1 bath from 37,000-38,8506 - 2 bedrooms, 2 bath from 46,000-46,900All apartments include new kitchens and appliances,new bathrooms, carpeting and decorating (colors ofyour choice), triple-track storm windows and kitchenstorm doors, modern laundry facilities and individuallocker spaceYour inspection is invited,51 26 S. Kimbark Ave. - Phone 643-4489Harry A. Zisook & Sons, Agts.786-9200 Joe Trasser, Soph.. BeloitSteve Huffer, Sr., CarletonDoug Peterson, Sr.. Lake ForestDan McMahon, Fr„ BeloitBrad Schultz, Sr.. CarletonTim Kruse. Fr., CarletonFred McDougal. Jr., GrinnellDefenseMike Nuesse, Fr., BeloitSteve Carlson, Jr., CarletonDave Warriner, Jr., BeloitSteve Sallstrom, Jr.. CarletonCrafg Van Metre, Soph , BeloitMark Kosminskas, Soph.,ChicagoSteve Kadamian, Soph . BeloitDon Petrick, Sr., GrinnellZak Helmerich, Sr., CarletonTim Franz, Sr., CarletonPhil Lombardo, Jr., Lake ForestThe Chicago Maroon — Friday, November 30, 1979 — 21★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★CalendarFRIDAYPerspectives: Topic - “The Function of Federal Regu¬lations in the Vitamin Market Place" guests Dr.Irwin Rosenberg, Philip White, and Dr HildaWhite, 6:09 am, channel 7.Crossroads: English classes for foreign women,10:00 am.Workshop in Economics and Econometrics: Liqui¬dity (Information Cost) and Asset Returns. LaxariBhandari, Ro 301, 10:30-12:00.Graduate Committee on the Study of Women: “Fe¬minist Literary Criticism” panel discussion, 12:00noon, Ida Noyes East LoungeItalian Table: Meet 12:00 noon at the Blue Gar¬goyle to speak Italian.Geophysical Sciences Colloquium: “Upper Tropo¬spheric Tropical Circulations During a Recent De¬cade” speaker Hua-lu Pan, 1:30 pm, Hinds Labora¬tory Auditorium.Center for Middle Eastern Studies: Arabic Circle -“Oil Prices and Industrial Economies: An EconomicAnalysis" speaker Dr. Khairy Tourk, 3:30 pm, Pick218.Workshop in Economic History: "Geography andHistory: Spatial Approaches to Early American His¬tory” Speaker Edward Cook. SS 106 , 3:30 pm.Biophysics and Theoretical Biology: “Dynamic Re¬arrangements of Nucleosome Structure” speakerHeini Eisenberg, 4:00 pm, Cummings room 101.Dept of Philosophy: “Individuality and Selection”speaker David Hull, Comment: William Wimsatt,4:00 pm, Harper 103.Women's Union: Meets 5:00 pm in the Women's Union office in Ida Noyes above the Frog andPeach.UC Gymnastics: Instruction available 5:30-8:00 pm,Bartlett gym, free.Hillel: Reform-Liberal Shabbat Services, 5:30 pm,Hillel.Hillel: Orthodox (Yavneh) Shabbat Services, sun¬down, Hillel.Hillel: Adat Shalom Shabbat Dinner, 5:45 pm, Hil¬lel.DOC Films: “It Came From Outer Space” 7:00 and9:00 pm, CobbHillel: Lecture - “Jewish and Muslim W'ays of Life:Similarities and Differences” speaker Prof. DanielPipes, 8:30 pm, Hille.Pub: Live Music tonight - Nick Filippo and MarkDaniels, 9:30-1:00. Membership required.SATURDAYHillel: Orthodox (Yavneh) Sabbath Services, 9:15am, Hillel.Hillel: Conservative-Egalitarian (The Upstairs Min-yan) Sabbath Services, 9:30 am. Hillel.Holiday Bazaar: First Unitarian Church, 5650 S.Woodlawn, 10:00 am- 5:00 pm. Handcrafts, imports,bake sale, used books.UC Gymnastics: Instruction available 2:00-5:00 pm,Bartlett gym, free.DOC Films: "The Wild Bunch” 7:15 and 10:00 pm,Cobb. G.A.L.A. Dance: 7:30 pm, Ida Noyes Theatre, thirdfloor.Greek Student Association: Lecture - “Hellenic Val¬ues in American Culture and Society speaker Dr.Arthur Nikelly, 8:30 pm, I-House East Lounge.UC Jazz Band: Coffeehouse concert. 9:00 pm, IdaNoyes Cloister Club. Free admission, refresh¬ments.SUNDAYRockefeller Chapel: Ecumenical Service of HolyCommunion, 9:00 am.Rockefeller Chapel: Discussion class - "The BiblicalCovenant and School Desegregation” 10:00 am.Hillel: Lox and Bagel Brunch, 11:00 am, Hillel.Rockefeller Chapel: University Religious Service,11:00 am.Rockefeller Chapel: Handel’s Messiah, 4:00 pm, boxoffice opens at 3 pm.United Steel Workers of America: A speak out onequal right amendment, 7:00 pm, Local 65 UnionHall 9350 S. Chicago Ave. Info 731-6500.Tai Chi Ch’uan: Meets 7:30 pm, 4945 S. Dorchester(enter on 50th).Folkdancers: Meet 8:00-11:30 Dm at. THn Nnvoc t~.MONDAYDept of Chemistry: “Quantum Beats in the SingleRovibronic Fluorescence of Biacetyl” speaker Prof.J. D. McDonald, 4:00 pm, Kent 103.Center for Middle Eastern Studies: Lecture - “Atti¬tudes toward Political Opposition in Turkey”speaker liter Turan, 4:30 pm. Pick 218.UC Gymnastics: Instructions available 5:30-8:00 pm,Bartlett gym, free.UC Judo Club: Meets 6:00-8:30 pm, Bartlett gym. In¬struction available.Chess Club: Meets 7:00 pm, Ida Noyes memorialroom.A FESTIVAL OF NINE LESSONS AND CAROLSA service which recalls the themes ofAD \ E\T and CHRIST MASThe First Sunday of AdventDecember 2. 1979, at 4:00 PMPresented byTHE PARISH CHOIRBenjamin Lane. Organist and ChoirmasterHE CHURCH OF ST. PAUL AND THE REDEEMER*Dorehester Avenue at 50th StreetChicago, Illinois 60615624-3185The public is invited to attendfree of admission charge. COMMUNICATIONSASSISTANTNORC is seeking a person to handle a busycall director switchboard in our researchorganization. Duties also include typing andclerical assignments. Applicants must havepleasant courteous telephone manner, heable to take messages accurately, and type40 - 50 WPM. Salary $8,300 plus benefits.Call 947-2558.AN EQUAL OPPORTUNITY/AFFIRMATIVE ACTION EMPLOYERThe University of ChicagoDepartment of Musicprwfnl* I heCHICAGO NEW MUSIC ENSEMBLERichard Grttcf flute, piccoloJohn Brace Yell clarinet, bit** clarinetKa«lev Blackwood pianoRichard Perrin violin, violaMargaret Evitn* celloF,I*h Charlxton \oicein a program featuring Schoenberg** “l*icrrol litnuire** and w ork* laHaiihcn«loek-Rainali. Blackwood, anti LeviSUNDAY • DECEMBER 2. 1070 • 8:00 p.m. • M ANDEI. H \l,l. • 57th Street \ Univerwiiv Avenueceneral admi**ion I Concert Office. 5835 I nivendlv \\«\. 60637 and at Mantlet llall82.50 ( MS *tib*criber* I , • t t_. , .. ... ■ box office on evening <>( iierformancc81.50 student with ID ■ 'mail order* accepted • plea*c make check |>ii Millie to The I niversitx of Chicagoand encloHC a *clf-addre**cd «tainpc<! envelopeBENEFITS CLERKNORC IS looking for a Benefits Clerk in its Personnel Department.Duties include detailed recordkeeping for insurance plans, prepara¬tion of insurance claims forms, clerical tasks related to processingmonthly insurance bills, and typing various benefits forms and corres¬pondence. Typing (40 WPM), previous office clerical experience, andability to maintain accurate, detailed records. 37Vfc hour week. $8,000- $9,500 plus benefits. Call 947-2558.AN EQUAL OPPORTUNITY/AFFIRMATIVE ACTION EMPLOYER TheFLAMINGOand CABANA CLUB5500 S. Shore Drive• Studio and 1 Bedroom• Furnished and Unfurnished• U. of C. bus stop• Outdoor Pool and Gardens• Caqieting and Drapes Inel.• Securitv• University Suhsidv forStudents and Staff• Delicatessen• Barlier Shop• Reautv Shop• J.B.D. Restaurant• Dentist• ValetFREE PARKINGM. SnyderPL 2-3800TRIPLE PLAY!CLASSES,TO LIBRARY,TO JIMMY'S. Amnesty International: Monthly meeting 7:15 pm.Crossroads, 5621 S. Blackstone.DOC Films: “Way of the .Strong” 7:30 pm. "Corsair'8:45 pm, Cobb.Folkdancers: Meet 8:00-11:00 pm. Ida Noyes. BeginTUESDAYRockefeller Chapel: University organist. EdwardMondello will give a lecture-demonstration and re¬cital, 12:15 pm.UC Gymnastics: Instruction available between5:30-8:00 pm, Bartlett gym.DOC Films: “Magnificent Doll” 7:00 pm. “Moonrise9:00 pm, Cobb.Hillel: Israeli folk dancing, 8:00 pm, Ida NoyesTheatre.WEDNESDAYRockefeller Chapel: Service of Holy Communion,8:00 am.Hillel: Faculty Luncheon - “Reflections on Jokesand Jewish Humor” speaker Prof. Ted Cohen, 12:00noon, Hillel.Rockefeller Chapel: University Carillonneur RobertLodine will give a recital, 12:15.Commuter Co-op: get-together in the CommuterLounge G.B.l 12:30 pm.Crossroads: English classes for foreign women, 2:00pm.Committee on Cognition and Communication: Col¬loquium - "Motor Programming of Speech” speakerStephen Monsell, 4-5 pm, Beecher 102.UC Gymnastics: Instruction available 5:30-8:00 pm,Bartlett gym.Women’s Rap Group: Meets at 7:30 pm, in the BlueGargoyle women's center.Badminton Club: Meets 7:30 pm, Ida Noyes gymna¬sium.Tai Chi Ch’uan: Meets 7:30 pm at the Blue Gar¬goyle.Science Fiction CLub: Meets 8:00 pm, Ida Noyes. Ev¬eryone welcome.Country Dancers: Traditional dances of England,Scotland, and New England taught. Ida NoyesCloister Club, 8:00 pm.THURSDAYCenter for Middle Eastern Studies: Persian Circle -“Balnchistan" speaker Jane Bestor, 12:30 pm, Pick218.Orthodox Christian Fellowship: Meets 3:00-5:00 pm,Rockefeller Chapel lower level.Graduate Student Forum: Colloquium: “Dreamsand the Design of Plato's Republic” speaker Ste¬phen Gabel, 3:30 pm, Ida Noyes East Lounge.Committee on African and Black American Human¬ities: “Blacks and Musicals of the 1930’s and 1940’s”speaker Etta Moten Barnett 4:00 pm, SS 122.Committee on Virology: Seminar - “BacteriophageLambda DNA Packaging - The Role of the SI Gene”speaker Dr. Helios Murialdo 4:00 pm, Cummingsroom 1117.NOMOR: Committee meeting at 7:00 pm, Ida tyoyes3rd floor.UC Gymnastics: Instruction available 4:00-8:00 pm,Bartlett gym, free.Rockefeller Chapel: Evening Prayer, 5:00 pm.UC Judo Club: Meets 6:00-8:30 pm, Bartlett gym, in¬struction available.Table Tennis Club: Meets 7:30 pm, Ida Noyes 3rdfloor.Medieval and Renaissance Recreation Society:Meeting at 7:3 pm, Ida Noyes HallHILLEL LECTURE“JEWISH AND MUSLIM WAYS OF LIFE:SIMILARITIES AND DIFFERENCES.”FRIDAY, NOVEMBER 30, 8:30 P.M.SPEAKER: PROFESSOR DANIEL PIPESWilliam Rainey Harper Fellow inthe College5715 WOODLAWN AVENUEEMPLOYMENT OPPORTUNITIESWITH SOCIAL SECURITYAS CLAIMS REPRESENTATIVESPositions open for June. 1980. You mustapply between Dee. 3 and Dec. 10. 1979.Applications are available in ReynoldsClub, Room 202.A representative from Social Securitywill be on-campus Tuesday, December 4that 1:00 p.m. in the Office of Career Coun¬seling and Placement. He will assist withapplication procedures, as there is nolonger a written test.Starting Salary is $11,243. leading to$21,717 within three years.22 — The Chicago Maroon — Friday, November 30, 1979CLASSIFIED ADSAD RATESMaroon classifieds are effective andcheap. Place them in person at theMaroon business office in Ida NoyesHall by mail to the Maroon, Ida NoyesHall room 304, 1212 E. 59th St.,Chicago, 60637 All ads must be paid inadvance. Rates: 60' per line (30spaces) for U of C people, 75' per lineotherwise. $1 for special headline.Deadlines: For Tuesday paper, 12noon Friday; for Friday, 12 noonWednesday.Display advertising rates areavailable upon request. 753-3263.SPACEStudio apt available Jan. 1. Blac-skstone Villa 752-2223.Faculty house for rent winter quarter.Call 373-6618 or 753-8564 for info.Share one bedroom apt. 5480 Cornell.Call 643-1482 after 6 pm. Male only.1 bedroom available in 6 bedroomhouse of students. Two blocks fromReg. Fern, grad, preferred. 241-6171,Sublet turn. 1 br apt in New York City.Avail now $300. 493-8127, 753-0516.Quiet roommate wanted-furn. room,$150, close to campus. Avail, now.493-8127, 753-0516.ROOMMATE WANTE'd” BeginningWinter Quarter. Convenien to csr.ipusand Co-op. Modern 4-bdrrr, nice view.$130/month.493-1184. v ',GARAGE SPACE or off street parkingneeded for s'rriall foreign car-preferably nr. 54th and Dorchester.Call 241-5725 eves, best.Lovely Co-op near campus. 2 bdrms,w/wood burning frpl, beamed ceilingin Ivg rm, dining rm, new kitchen andbath, move in now. To see call E leanorCoe. KENNEDY, RYAN, MONIGALASSOCIATES, 5508 S. Lake Park,667-6666.1 bedroom in 3-bedroom semi-furnished apt. A/C, 24 hr. security, oncampus bus routes. $92/mo. & elec.Start Jan. 1. Call Jane 7-6897 or538-6159. Non smoker preferred.10 room house 6127 S. Kimbark St. (2)full, 2 half-baths. $400 per mo. U payutilities & heat. Phone 955-4511,842-3994Looking for an inexpensive and conve-niently located (near 57 andWoodlawn) place to live? DU has anopening for Winter and Springquarter. Call Wendy at 753-3444. Leavemessage.Room-mate wanted to share threebedroom apt. with two others in E.Hyde Pk. Apt. is spacious and furnish¬ed. Rent is $190 per month. Call643-6049.Roomate wanted large sunny apt.room w/ bath, $72/mo. near campus, 3affable roommates, call 643-6238.PEOPLE WANTEDThe Department of BehavioralSciences needs people who want toparticipate as paid subjects inpsycholinguistic and Cognitivepsychology experiments. For furtherinformation call 753-4718.Chicago Sinai Congregation seeks afull time secretary (40 hrs.) for theRabbi. Excellent typing skills, someshorthand. Available December 1. CallMrs. Kallish 288-1600.OVERSEAS JOBS-Summer/yearround. Europe, S. America, Australia,Asia, etc. All fields, $500-$l,200 mon¬thly. Expenses paid. Sightseeing. Freeinfo. Write: IJC, Box 52-11, Corona DelMar. Ca. 92625.Interesting work for professor ofPsychology U.C. Engaged in researchand editing of professional journal. 15hr/wk, conveniently arranged. Neatand fluent typing required Compensation commensurate with experience.Applicants who seek a steady andpleasant association may call 753 4725between 10 am and 1 pm weekdaysand 752-7723 evenings.WANTED. Graduate student toassume UC housing contract.REWARD! Call Jane at 247-6037,SECRETARY-Center for the Management of Public and Non Profit Enter¬prise in the Graduate School o!Business seeks a Secretary, full timeor part-time. Must be able to deal ef¬fectively with the public in person andon the telephone. Good typing skills required. Separate office Please callLeslie Evans, Personnel Office.753 4464.Full-fime positions available forfriendly, attractive, hard working peopie. Call Jean, 667-2000 Mellow YellowRestaurant, 1508 E. 53rd St.Part-time physical education andRecreation worker needed for gymnasties, swimming, ice skating andfencing. Hyde Park J.C.C. 363-2770.DESK RECEPTIONIST, Full-time,Mon. thru Fri. 9:00a.m.-5:00p.m. Goodworking conditions, excellent benefits.Call 548 1303, ask for Nancy.WAITRESSES WAITERSCounter CooksThe Medici Restaurant at 1450 E. 57thhas several full and part time positionsopen. Please see either Jim or Jerry. Part-time Lab Tech-20 hours. Smallclinical lab at U of C. Must be depen¬dable and careful. Pay according toqualifications. Equal Opp'tyEmployer. 947-6997.FOR SALEHALF FARE UNITED COUPONS forsale call 955 7472 or 241-7282 exceptweekends.Airline Vj coupon $40/offer. 667-5620 7-9a.m„ 5:30-7 & 10:30p.m.SAY HAPPY HOLIDAY with aWomen's Crew Stroke shirt, or newrainbow design! Perfect for the hard-to-please. Only $5, Reynolds Club eachMonday, Tuesday 11:30-1:30.Half-fare coupon for sale. AM Airline.Make offer. 234-6332.FOR SALE: Am. Airlines Vi fare Tel643-0045. Call after 6p.m.1973 VW 412 SQBK Wgn. 69,000 mil.Good running cond. Needs minimalbody work. Radials, AM-FM stereo.$1300 or best offer. 624-0742, after5p.m.USED FURNITURE, excellent condi¬tion, for sale. Last Chance, Dec 1,Saturday, 10a.m.-3p.m. Benefit ofHyde Park Neighborhood Club. Store¬front location, 1612 E. 53rd St.73 Duster, low mileage, good condi¬tion, Winter garaged, A/C, pwr.brakes and steering, snow tires, $1300.Call Art or Renee 241-6220.PEOPLE FOR SALEARTWORK - posters, illustration,calligraphy, invitations, etc. NoelYovovich, 5441 S. Kenwood 493-2399.Typing done on IBM by college grad.Pica type. Term papers, theses,dissertations, law briefs, manuscripts,resumes, letters, etc. Fast, accurate,reliable, reasonable. Near North Side.Call today 248-1478Excellent, accurate typist with legalexperience will type papers anddissertations on IBM Selectric.Reasonable rates. 684-7414Term papers. Convenient to U of C forpick-up and delivery. $1.00 per page,please call 684-6882.Thesis, Disert, Manuscripts, latestIBM Corrective Sel II typewriter.Rates based on Vol. and condition ofdraft. Best Eminence Bond turn. Mrs.Ross, 239-5982SERVICESGirls, be thrifty! Skirt those pants.Call 752-4811 weekdays after 5 pm.Need your car repaired quickly? Wedo on the spot work. Get going withouttowing. 624-5118.UC HOTLINE753-1777From 7 p.m. to 7 a.m. there is a placeyou can call if you have a Question,need a Referral, or want to Talk - TheUC HOTLINE.PROGRAMMERANALYSTComputing Services in the GraduateSchool of Business needs a Program¬mer/Analyst whose primary functionis to work with the GSB faculty. App¬licants should be well- versed instatistics and/or econometrics, in addition to having programming skills.The environment includes a DEC-2050and IBM 370/168 If interested andqualified, cal! Faye Citron, 753-4290The University of Chicago is an EqualOpportunity/Affirmative ActionEmployer.INTENSIVEGERMANHigh pass the German Exam! Studywith Karin Cramer native German,Phd, using the comparative structuraltranslation method 15 week course, 60sessions, start Jan 14 Mon-Thurs 12-1and 6-7 Call 493-8127 or 753-0516.SALES SECRETARYHyde Park Hilton Exciting job foroutgoing, people oriented person Ex¬cellent typing, Great benefits Salarycommensurate with experience. Ref.288 6500UNIVERSITYSYMPHONYORCHESTRAAutumn Concert: Friday, Nov. 30, 8:30PM in Mandel Hall. Under conductorBarbara Schubert, the Orchestra willperform Beethoven's Leonore Overture No 2, Shostakovich's Cello Concerto No.l, with soloist Don Moline ofthe CSO, and Tchaikovsky's Symphony No 1 in G Minor, "WinterDreams." Admission is tree Excellent, accurate typist with legalexperience will type papers anddissertations on IBM Selectric.Reasonable rates. 684 7414Term papers. Convenient to U of C forpick-up and delivery. $1.00 per page,please call 684 6882.Thesis, Disert, Manuscripts, latestIBM Corrective Sel II typewriterRates based on Vol. and condition ofdraft. Best Eminence Bond turn. Mrs.Ross, 239 5982.SERVICESGirls, be thrifty! Skirt those pantsCall 752-4811 weekdays after 5 pm.Need your car repaired quickly? Wedo on the spot work. Get going withouttowing. 624-5118.PERSONALSWriters' Workshop Plaza 2-8377.Purchasing presents puzzling you?Solve the mystery at the ReynoldsClub Lounge, Dec. 4 and 5, during theStudent Activities Craft Fair.Davey: I love you! Please don't beafraid. I won't hurt you. I promise.Sonya.What do hangmen read on Sundaymorning? Answer: The Noosepaper.Hi Ho Diana, Hey babes, enjoy life.J.B. P S. Don't forget.WHOA-ls #1614 well-hung!AEM-Happy 21st you wild woman. Seeyou in L.A.BURGLAR wants a good job-plenty ofexcitement and reasonable reward, ifinterested come to tea on Wednesday.For someone soft and sweet or to makethem more so! Cuddly woven animalsat Shanks!Cute Stuff-Be patient, the presenteconomic plight can not be enduredforever-Penguin.COLLETTE AND YOU: Men need toread Colette to understand women.Women are born with the understan-ding of Colette.To N.G. Oh there are beasties who: br¬ing toys to Christmas girls bring wineto empty wine racks Oh Springfieldgirl won't you come-out tonite, come-out tonite and play by the light of themoon -Beastie.If you like Pina Colada, gettin' caughtin the rain you're not my type. I likeCognac and Spain. -Still Lookingtfe second tloor is where much to thedisappointment of the suave males onthe third floor, there are markedly fewdemure females sitting in the "pits."It's a floor of comfy chairs, wherestudents study by the time- provenmethod of auto-hypnopaedia. Reg.Ron, you looked great. How wereTristan and Isolde? Dark Lady.KEYPUNCHINGFast, accurate keypunching. $10/hr.Verify possible. Call 753 2517 afts.SLEEP LABMale undergraduates, ages 17-22needed for sleep study. Payment willbe $100.00 for sleeping three nights inlab and completion of variety of testsand questionnaires. Apply in person at5741 S. Drexel, Room 302, M-F, 9-4. Nophone calls please.CONDO FOR SALEE. Hyde Pk., 2 bd., new kitchen, cpt.$42,500.493 3822ASINGULARGROUPOur Gallery of creative arts and craftsis now open Tues -Fri, 11-2, Sat. 11-3and Sun 11 1, located at the corner of57th and Woodlawn in the UnitarianChurch We have a iarge selection ofjewelry, pottery, paintings, softsculpture macrame, weavingphotography etc. Stop in and browse.YEARBOOKHurry, Hurry 1980 Yearbooks onadvance sale now-still onlv $10Beautiful color photos, seniorportraits sports housing peop'e-20Cpages in ail Books will arrive Maybut you can't be sure of getting a copyunless you order now. The Yearbook isfor sale in the Student ActivitiesOffice INH 210. 753-359! Ask forGuntaREDTAPEStuck in the bureaucracy? Issomething not working as it should?The Student Ombudsman can help youcut red tape and solve that problemTalk to the Ombudsman in ReynoldsClub 204 or call 753 4206 JAZZCOFFEEHOUSEThe U.C. Jazz band presents acoffeehouse concert Sat. Dec 1 at 9p m Ida Noyes Cloister Club. FreeWOMEN'SRAP GROUP -Women's Rap Group meets everyWednesday at 7:30p.m. on the 3rd floorof the Blue Gargoyle. For info call 752-5655CRAFT FAIRLooking for that special holiday gift?Try the Student Activities Craft Fair,December 4 and 5, in the ReynoldsClub Lounge. *SATURDAY NIGHTLIVEThe U of C's one and only Jazz Band inConcert. Sat. Dec. 1 Ida Noyes CloisterClub. 9 pm. Free coffee and cookies.Great Jazz. SHANI'SDon't use raid on your SILVERROACH! SHANI'S 5501 Everett, Dechours: Fri 5-7, Sat 12-4, Sun2-6.LIVE MUSICFriday night at the Pub Mark Danielsand Nick Filippo. If you like PrineGoodman and Jerry Jeff you'll likeNick and Mark. 9:00-12:30.THEATRE PARTYCHUTZPAH UNLIMITED for JewishSingles, 25-45, is hosting a TheatreParty, Sunday afternoon, December16. For reservations and more in¬formation, call Ed 324 3686 or Eleanor248 2661.GOURMET3-Quick-Can't Fail Holiday Recipes-$3-D Irving 746 E. 79th St #60 ChicagoW/LOVE & CARE!Hand-Created JEWELRY & WEAV¬ING by Shani 5501 S. Everett, 752-5173/241-5173. Call for appt. AIRLINE COUPONSVs FARE AILINES COUPONS $40 00EACH 684 3183MARVEL'SHERENow Marvel and DC comics at "thefunny papers" Hyde Park 5238 S.Blackstone, 955-0974.GOTTA PLAY *SANTA?Rent our complete red and white out¬fits for your party Ms Claus outfits,too! Call Student Acitvitiesext. 3-3592.WANT TO BEA RABBI?Rabbi Barry Starr of the JewishTheological seminary (Conservative)in New York City will be at Hillel. 5715Woodlawn, on Wednesday, December5 from 11 AM to 2:00 PM Call 752-1127to make an appointment. Op¬portunities for Jewish academic andRabbinical studies and a social work-Jewish studies degree with ColumbiaUniversity.WOMEN'SMAGAZINEPrimavera V is out! On sale in mostlocal bookstores. We need new staffmembers. Call 752 5655 for info.FOLK DANCINGThe U. of C. Folkdancers have twoweekly meetings at Ida Noyes. Sun¬days at 8 00 Int-Adv. and Mondays at8:00 Beginners. All welcome.COMING OUTDANCEThe U. of C. Gay and Lesbian Alliancewill have its first dance of the yearSaturday, Dec. 1 at 7:30p.m. in the IdaNoyes Theatre, third floor Come andenjoy yourself before the finalsonslaught. Admission one dollar.SCENESMUSCLE BOUND? Learn from an ex¬pert. How to relax and move with easeand control. Free introductory lessonin Dance Exercise Sat. Dec. 1 at 3:30Special course follows. 10 lessions for$20 At the Lehnhoff School of Musicand Dance, 1438 E. 57th St. 288-3500.LOSTAND FOUNDLOST: Watch at Pub the Wednesdaybefore Thanksgiving. Please return toReynold's Club Box Office.LOST: Black Looseleaf notebook.FOUND: Black looseleaf notebook.Apparently switched at UC Book StoreNov 21. Contact J. Wiegand. 752-9655.HILLEL LIBRARIANNeeded for Winter and SpringQuarters. Must be a full timeregistered student who qualifies for aWork-Study Scholarship 15 hrs. perweek. Excellent experience and work¬ing conditions. Call 752-1127 and talk toMrs. Charlotte Rosen or Rabbi LeiferPHOTOGRAPHERSAND OTHERSThe great yearbook people who helpedto meet the tomorrow deadline.Especially NLC. You are all great.Hope we can grow greater. LJC GIFTSCandles, Batik, toys, t-shirts, jewelry,ceramic and more, much more. At theCraft Fair Tues. and Wed. Dec. 4 and5,11a.m 6p.m. Reynolds Club LoungeSponsored by SAO.SATURDAYNIGHT DANCEU of C. G A L A sponsors a night ofrefreshments, disco dancing and goodclean fun this Saturday, Dec. 1 in theIda Noyes Theatre, Third floor at7:30p.m. Admission: A Dollar.SELF-STUDYGROUPFor UGs only Sociology Concentration Program to offer new course WinQr combining participation in self-analytic study group with instructionin how to observe group dynamics andassess personal motivations (Sociol240). Registration limited. For moreinfo contact instructor, F Strodtbeck,3-4393 or program chmn. D Levine, 3-3556SHAPIRO ARTBe sure to Return your borrowed artby Tues. Dec 11 to Ida Noyes Hall, Rm210. There will be a charge if youreturn them any later. If it is rainingor snowing, please cover the paintingsand frames with plastic.ALCOHOLICSUNANIMOUSMeeting in the Pub Sat. 4:30p.m. LiveEntertainment Don and his amazingmerging atomic Beams. Don will alsolead us in a chorus of "I Saw theLight."FLIP FLOATContinental Drift Flip books byChristopher Scotese, Geo Sci at "thefunny papers."OLYMPIC RECIPESGIVE A COOKBOOK of athletesrecipes as a gift this Christmas to support U S. team and Chicago Women'sCrew. At Reynolds Club Monday,Tuesday 11:30-1:30. $5 UNIVERSITYOF ILLINOISPEORIA SCHOOL OF MEDICINEneeds systems analyst. Professionalneeded with combination of Universitytraining and data processing, experience totaling five years, includingat least one year in systems development. Ability to develop and com¬municate ideas and to reason logicallyregarding operational aspects of data,processing applications and functionof high speed digital computer complex Minimum starting salary $19,392BENEFITS INCLUDE: 37>/j hourworkweek, paid insurance, retirement/disability program, Paid vacation days, paid sick leave, paidholidays APPLY AT Peoria School ofMedicine, 123 S W. Glendale, Peoria,III. 61605. The State Universities Civil-Service System may waive them nimum qualifications establihseda position in those cases wherecompensatory qualifications are offered by the applicant. The Universityof Illinois is an Affirmative Action/Equal Opportunity Employer and encourages applicants from members ofminority groups and women.VERSAH.I.E$2S4 S. DarrhesterWEEK M AINT AINEDBUILDINGAttractive 1V? and* 2‘/i Room StudiosFurnished or Unfurnished$192 $291Rased on AvailabilityAll Utilities IncludedAt Campus Bus Stop$24-0200 Mrs CroakCafe Enrico1411 E. 53rd StOur25thAnniversarySpecialAll you can eat menuFried Chicken $3.50Ocean Perch $3.75Lasagne $3.25Rib Tips $4.50with cole slaw and potatoestossed salad. 30? extra7 days a week11:30 am-1:00 amThursday nightBeer Night60 oz pitcheronly$1.75HEAR AGAIN STEREOSells vuaranteed name brand used and demo -lereocomponent- at 10# to < O# off regular price-,t Jitvk tIti~ -pot for weekly, one-of-a-king -peeial-like:M \il \NTZ 18 8199.00PIONEER CT-41 11 85.00B.I.C. 960 .19.00IV At DIO EXPANDER 85.00SHERWOOD 8900 150.00HER TAGNI l -50 each 15.(K)IH \l 121 1 15.00SANSII \L-5500 . . 110.00GARRARD 125 lOOOE.S.S. TEMPEST each 75.00t.i’inplete -ystem- front $73 in $730. 60-da\ trade-hack privilege.Name brand f. r limited budget*.PLUS MUCH, MUCH MOREHEAR AGAIN STEREO7002 N. CALIFORNIA 338-7737The Chicago Maroon — Friday, November 30, 1979 — 2325 fine "Open me first" gifts from Kodak2XTelephoto1 Lensyou payBuilt-in electronic flash combines with aim-andshoot simplicity of operation in the KODAKEKTRALITE 10 Camera Outfit. Fun for the wholefamily in an outfit complete with film andbatteries. Built-in electronic flash. Normal and 2X telephoto lenses plus built-in elec¬tronic flash. That’s the KODAK TELE-EKTRALITE 20Camera Outfit, and easy-to-use gift idea that says"Open me first" on Christmas morning. Film andbatteries included.2XTelephotoLensyou pay$67.95 ^ ^7.7^Automatic exposure control helps you get goodpictures with the KODAK EKTRALITE 30 CameraOutfit. It features built-in electronic flash anda low-light signal in the viewfinder that tells whento use it. More pictures, more places, under more condi¬tions. You can do it with the KODAK TELE-EKTRALITE40 Camera Outfit. Normal and 2X telephotolenses, automatic exposure control and built-inelectronic flash. Batteries and film included.UNIVERSITY of CHICAGOBOOKSTORE PHOTO DEPT.5750 S. ELLIS753-33174*69.95The top of the line . . . that’s the KODAK EKTRAMAXCamera Outfit. With its fast f/1.9 Aspheric lens andASA 400-speed film, it takes pictures under justabout any conditions. A fine gift for that top-of-the-line person on your Christmas list. Film andbatteries included. KodakPR00UCTSin r^N \\11 it