Iranian students here are “uneasy”By Greg MizeraPresident Carter’s recent order to inves¬tigate all Iranian students in the UnitedStates for possible visa infractions hascaused some uneasiness among Iranianshere.The presidential order was announcedlast Tuesday in response to the occupationof the American embassy in Tehran byMoslem students demanding the extraditionof deposed Shah Mohammed Reza Pahlevi.The shah is now receiving treatment forcancer in a New York hospital.Seyed Ghorashi, a spokesman for theIranian consulate in Chicago, said Carter’sorder was an act-of political revenge andwas “not humanitarian.” According toGhorashi, several Iranians have alreadybeen deported without just cause. He sug¬gested that Iranian students facing deporta¬tion should try to stall the process as long aspossible.Ghorashi also said that the United Statesgovernment has “raised feeling against theIranian people” among the American public and that “they (Americans) are not awareof what the shah has done” during hisreign.Karim Pakravan, a research associate inthe department of economics, said that hefeared innocent Iranian students may be de¬ported during the crackdown on visa viola¬tors. Pakravan said that the great majorityof Iranians in this country do not support theKhomeini regime now in control of Iran orthe students who occupied the embassy andare holding 62 American hostages. Never¬theless, he said that most Iranians here are“lying low right now” in fear of reprisalsfrom angered Americans.Pakravan’s feelings were echoed by Frai-borz Maissami, a doctoral candidate in thepolitical science department. Maissami saidthat “Iranians, like any other nation, have acomplex system of ideals ... to label allIranians as supporters of Khomeini is sim¬plistic.” He blamed the American media formisrepresenting the Iranian community asbeing solidly pro-Khomeini.As for those Iranian students who haveparticipated in anti-U.S. demonstrations while here, Maissami attributed their ac¬tions to misguided patriotism. “It is a trage¬dy that many Iranian students who are liv¬ing in the United States are blindly agreeingwith what is happening in Iran ... it is as if avacuum of independent thought existed.”Maissami criticized Khomeini and his fol¬lowers for establishing another repressivegovernment after overthrowing the shah.He said he doubted that Khomeini will beable to deal effectively with the economicand political problems which face Iran inthe twentieth century.No harassmentBoth Pakravan and Maissami said thatthey have not been harassed or insultedsince the crisis in Tehran began last week.They agreed that the lack of friction oncampus could be traced in part to the factthat foreign students at the University ofChicago tend to be more absorbed in theirstudies and less politically active than Iran¬ians at other schools in the area.According to statistics from the interna-Turn to Pagel5 llliPPsTim BakerFraiborz MaissamiThe Chicago Maroon“Solitary, singing in the West, I strike up for a new world.” —Walt WhitmanVol. 89, No. 22 The University of Chicago Copyright 1979 The Chicago Maroon Friday, November 16, 1979$3.76 million budget deficitseen for 1980; budget up 9.3%Edward Coleman Nancy ClevelandNew union contract willstrain budget: Job chiefBy Jeff CaneThe recent University clericalcontract settlement, ratified byrank and file Monday, will have amajor impact on the University’sattempts to meet budgetary con¬straints, according to Edward C.Coleman, director of personnel.Coleman said that the wage in¬creases contained in the contractare “substantially more” thanthose projected in the Universitybudget for the 1979-1980 fiscalyear.According to the budget state¬ment released by the Universityprovost, the original budget“implied” a staff reduction of 200employees. All of these reductions,the statement said, would comethrough attrition.However, Wednesday, Johnsonsaid that the new contract maymean increased staff reductions.The 1,900 clerical workersrepresented by InternationalBrotherhood of Teamsters Local743 are a large portion of theUniversity work force. Theclerical contract includes- salaryincreases totalling roughly 23 per¬cent over the next two years, jobsalary upgrading, and short-termdisability benefits. The contract’s salary upgradingof 932 employees will producewage increases higher than presi¬dent Carter’s wage guidelines,Turn to Page 3 , By Jaan EliasThe fiscal 1980 Universitybudget will show a deficit of $3.76million, according to a budgetstatement released by UniversityProvost D. Gale Johnson on Oc¬tober 31.The total University budget of$308,964,000 shows an increase of9.3 percent over the last year.“Unfortunately the reductions inthe number of faculty and othereconomies that have resulted inthe decline in the real expen¬ditures or resources to the Univer¬sity have not been enough to main¬tain a budget balance,” the state¬ment said.Among the largest increases inexpenditures have been allotted tomoney for public affairs anddevelopment and for the library.Public affairs and developmentwill receive an increase of $1 million over last year’s budget.Most of the extra funds will go toan increased development pro¬gram, other components of publicaffairs will suffer an eight percentreduction.The increase in monies to thedevelopment office will be usedpartially to offset a reduction inrestricted income the developmentoffice receives as well as to in¬creasing the size of the develop¬ment effort.“We are going to put together aprogram that the University reallyneeds,” William Haden, directorof development, said. He notedthat the development program hasnot grown substantially over thepast ten years.The development monies arespecifically earmarked to hire newstaff members and to increase thequality of the alumni magazine. “The alumni magazine is themajor vehicle of communicationbetween the University and itsalumni,” Haden said, “and werealize that the quality of themagazine is proportional to themoney we invest in it.”The development office has set agoal of increasing fundraising thisyear by 22 percent over last years'total.The library will receive an in¬crease of 32.4 percent over lastyear’s budget and an increase ofover ten percent of last year’srevised budget. The 1979 fiscalbudget was corrected in midyearto allow the library to purchase ad¬ditional books.The increase in this year’sbudget for the library will onceagain go to increased acquisitionof books and monographs. Ac-Turn to Page 5Local Cambodian relief efforts organizedBy John DuganTwo meetings were held at InternationalHouse on Sunday afternoon and Mondaynight on how people in the Hyde Park areacan help those starving in Southeast Asia.The Sunday meeting was intended “to addfurther to our knowledge of the situation inCambodia.” The Monday night meeting wasan organizational meeting of “CambodiaRelief Now!” group of students setting upthe machinery to direct the Hyde Park ef¬fort to help the refugees.The meeting on Sunday, attended by some80-90 people, included representatives ofvarious organizations dedicated to those inneed in Southeast Asia, including EdwardIngram, on leave from the State Depart¬ment, now at Lake Forest College; JanetKholler of the American Friends ServiceCommittee and Bob Stein of the IndochinaRefugee Action Committee, based in Wash¬ington.Ingram spoke first, explaining the govern¬ ment’s political posture on the issue and itsrole in trying to alleviate the situation. Hesaid that although those in governmentwould like to do more, “the governmentcan’t do as much as we would like to do.” Hesaid that the politics of the area make itvery difficult for the American governmentto do much more than provide the $99 mil¬lion that he said that they have committed toaiding the refugees. He did not rule out thepossibility, however, of more funds beingappropriated as a result of Mrs. Carter’s re¬cent visit to Southeast Asia.In response to questions, Ingram said thatthe United States does not recognize the PolPot regime. “In fact, we have taken theworld lead in criticizing the regime.” Hefurther contended that the U.S. vote in favorof admitting Pol Pot into the U N. was castas a protest against the Vietnamese invas¬ion of Cambodia by the forces of HengSamrin.Another question concerned the reactionTurn to Page 3 Cambodia relief group Danila OderI%mj; : ■ - y.m :CHANCESFeatures a Super Salad Bar... Steak Burgers... Super Sandwiches .. Soup and SaladBar . Steak and Salad Bar Carry-outs available 7 days a week The Michelob is on uswhile you wait to pick up a carry-out order. (Sorry, only 1 person can drink free!)(Good with this ad.)We’re swinging Steakburqers 7 days a week.Students—Don’t Forget Us on Sundays.5225 S. Harper& in Hyde ParkTelephone 363-1454 °$5*OPEN HOUSEi&x i *^y sat. Nov. 17i n-HIX\S f.yiArf \J / * * 4£7 tsbfj ilie * y» 57 t* l UJoodhuJn.re -fre.sh.rn cn hestop in € birouise!ASHUM-AMSASeminar Series 1979-80Program in the Arts and Sciences Basic to HumanBiology and MedicineandAmerican Medical Students’ AssociationPresentProfessor of Surgery, the University of ChicagoDirector, Sforts Medicine Clinic, Billings Hospitalspeaking on the topicGetting in Shape:What does it mean?MONDAY, NOVEMBER 19, 19797:30 P.M.HARPER 130UNIVERSITY of CHICAGOnewmusicensemble’ 20th -centgiy chamber musicoetat tar mat! M.urMi•rartra by cbaoan'a "r.tchatl at ha,*2—The Chicago Maroon—Friday, November 16, 1979ASHUM head sketches expansionBy David RubinASHUM, the program of Arts andSciences Basic to Human Biology and Medi¬cine, is now preparing to expand the numberand type of curricular programs it offers.According to Arnold W. Ravin, programcoordinator for ASHUM, these additions arean attempt to attract to the ASHUM pro¬gram students not intending to continue onto medical practice.ASHUM was founded three years ago “totake advantage of opportunities to developsuperior methods to train for health careand related fields”, said Ravin.“ASHUM was founded to help arrive at aclinical, human, and social understanding ofhuman health.” Ravin emphasized thathealth is often as dependent on social condi¬tions such as pollution, as on medical practi¬tioners. Because of this, Ravin said, the pro¬gram set out “to help medical andnon-medical personnel share a common cur¬ricular foundation.”However, ASHUM has not fulfilled the in¬tentions of its founders in this area. Eventhough ASHUM courses have been open tothe general student body, and interest inthose courses has been very high, thenumber of students in the program who arenot bound for medical training has re¬mained disappointingly low. Of 34 studentsadmitted into ASHUM in the program’s first year of operation, only two have entered thethird year of the four year program withoutthe intention of applying to a medicalschool.Ravin said that now the problem has beenidentified, and that new programs specifica¬lly designed for students who will not be con¬tinuing their education in a medical schoolwill now be offered. This will probably en¬courage the balance between medical andnon-medical students envisioned atASHUM’s-founding, Ravin said.ASHUM combines the last two years of ed¬ucation in the College with the equivalent ofthe first two years of medical school. Thosestudents with a medical career goal willoften enter their third year of medicalschool upon completion of the ASHUM pro¬gram, and all students who complete it areawarded a master of science in human biol¬ogy degree.ASHUM’s major contribution to curricu¬lum reform has been “the more general sci¬entific discussion’ allowed by the program’sgreater emphasis on the theoretical base ofmedicine, Ravin said. Because of this moregeneral discussion, Ravin said that moststudents arrive at a clear and more broadlyapplicable understanding then they wouldhave had they taken the same course in astandard medical school curriculum.Ravin said that the rethinking of curricu¬lum has been so successful that there is aconsiderable probability that innovations made by ASHUM in its biomedical courseswill be adopted by the Pritzker School ofMedicine within the next two years.ASHUM students are presently expected'to complete their Common Core courses,calculus, organic chemistry, and a year ofadditional humanities or social science fortheir general education. Once admitted intothe ASHUM program the student takes bio¬medical and related physical sciencecourses, electives classified as Liberal Artsof Biology and Medicine, courses withintheir concentration, and an independent re¬search project.The students are encouraged to begintheir independent study early; in addition,those who wish to do that study during thesummer receive stipends.Some projects funded this past summerincluded studies of triage and patient flow inthe Billings Emergency Room, Britain’s na¬tional health service, and the relationship ofEastern and Western medicine in HongKong.The University regularly meets with sixother schools with programs that combineundergraduate and post-baccalaureatetraining in health fields. Like the other six(Dartmouth, Boston University, Johns Hop¬kins, Duke, University of Rochester, and theUniversity of California at San Diego), theUniversity’s program de-emphasizes thedifference between undergraduate andgraduate education; unlike the others, the Arnold Ravin Tim BakerASHUM program is not exclusively for med¬ical students, and its primary function iscurricular innovation, rather than the earlyidentification and release from pressure ofmedical students. The next meeting amongthe seven “Interface” schools will be held atthe University on April 17, 1980.Relief Disarmament analyst speaksend of World War II, to the developmentof tactical nuclear weapons and “firststrixe capabilities in the 1950s, to the morerecent development and emphasis on “se¬cond strike” capabilities.The development of more accurateweapons, Forsberg said, is a sign thatthough deterence is the stated policy of theU.S., it is not our actual policy. She said thatthe new accurate weapons are designed foruse against particular military targets, notas threats against population centers.Forsberg argued that new weaponssystems such as the MX and cruise missilesare undesirable and give incentive to boththe U.S. and the U.S.S.R. to return to firststrike policies. She said that none of the newsystems contribute to a policy of deter¬ rence. According to Forsberg, a mutualfreeze on the arms race is the best solutionto the buildup of nuclear arms. She said thatthe U.S. already has the arms advantage,and that MX development would reduce theopportunities on an arms freeze. She ex¬pressed a deep concern about the possibleeffect of a deliberate use of nuclear weaponswhich she considered a more possible oc¬currence than an accidental launching.Forsberg has worked at the Stockholm In¬ternational Peace Research Institute forseven years and is the co-author of ThePrice of Defense, published earlier this yearby the New York Times Publishing Com¬pany.The U of C NOMOR committee meetsThursdays at 7 pm. in Ida Noyes Hall.Illinois divestment backedContinued from Page 1of the other Southeast Asian countries. In¬gram said that they were very concerned bythe precedent set by Vietnam by invading aneighboring country with whom it had dif¬ferences, in spite of the egregious humanrights record of the Pol Pot regime. He saidthat the government maintained communi¬cation with the Heng government, throughlow level diplomatic channels and throughgovernments that do officially recognizethem, but that “we have a terrible commun¬ications problem with Pol Pot”.The other guests dealt with the actionstaken by their organizations to get suppliesto the refugees. Kholler said that five repre¬sentatives of the American Friends ServiceCommittee had visited the part of Cambodiacontrolled by Heng Samrin. They confirmedthe reports of mass starvation and cameback with another observation, she said.“I think that we can’t underestimate thepsychological devastation of those Cambo¬dians who are remaining. They (the repre¬sentatives) told us that women kept takingthem aside and asking them, ‘please listento how my husband died’, or ‘please listen tohow my baby was killed.’ ” She said thatthis is very important to appreciate forthose who are trying to deal with the peo¬ple.SponsorshipA representative from the American Ref¬ugee Committee explained how peoplemight sponsor a refugee in this country. Hesaid that sponsoring entails helping a familyfrom Indochina get established in thiscountry. “This means meeting them at theairport, finding them a place to stay untilthey find permanent housing and all kinds oflittle details: many of them do not know howto shop in a supermarket, most also arrivehere without any warm clothing, they haveto be enrolled in schools, have to takecourses in English, they need furnishingsfor their apartments, things like that.”It was stressed that there is no great fi¬nancial strain in sponsoring a refugee; thatafter a short period of time they begin to re¬ceive government funds. It was pointed outthat sponsorship is an essential part of theresettlement process, because all immi¬grants need sponsors, and that the moresponsors there are, the more refugees cancome into the country.The Monday night meeting of “Cambo¬dian Relief Now!” took suggestions on howthe organization should operate, organizedcommittees to deal with specific aspects ofthe effort to procure funds and other types ofaid for the refugees, and a collection thatnetted some $263.00.The group was originally organized as aspontaneous reaction by some students at¬tending the “Cambodia Today” lecturegiven two weeks ago by Dr. Edwin Silver-man, director of the Governor’s Information By Phoebe ZerwickRandall Forsberg, director of the Institutefor Defense and Disarmament Studies inBoston, spoke Sunday on the feasibility of adisarmed world within the next hundredyears and for a moratorium on the furtnergrowth of U.S. and Soviet arms within thenext five years.The lecture and subsequent discussionwere held at the Augustana LutheranChurch under the sponsorship of the HydePark-Kenwood NOMOR Committee, agroup for a moratorium on the production ofnuclear arms.Forsberg traced the development of U.S.nuclear policy from that of threateningmassive nuclear retaliation against Sovietconventional attacks on Europe used at theCenter for Asian Assistance. “We were justappalled by what we heard, and we wantedto do something, so we organized this groupto see what we could do”, said Bob Lerner,one of the organizers.The three committees formed were: asponsorship committee, a committee forcanvassing door-to-door, and a publicitycommittee. The group is presently seekingrecognized student group status from theUniversity, and plans to set up tables and or¬ganize activities on campus upon receivingit. It was stressed, however, that the groupis not restricted to students of the Universi¬ty, and that activities will also extendbeyond the campus. They listed their aimsas 1) to channel money to establishedgroups aiding those still in Cambodia, 2) tohelp the effort to empty the refugee camps,and 3) to handle incoming refugees.Suggestions made at the meeting includedgetting dorms to sponsor refugees, the es¬tablishment of tutoring services for thoseweak in English, a possible petition, a poss¬ible teach-in, a letter writing campaign, anda publicity campaign.Ngoan Le, a former Vietnamese refugee,told the audience of her first weeks in theUnited States, and stressed the value ofsponsors...She described the dusty, hot tentsof the refugee camp, and the feeling of beingdispossessed. She said that she was spon¬sored by a church, where she was takencare of by a different family every day. Shesaid “after what we went through at thecamp, we were grateful for what we had.When I compare what I went through withwhat the Cambodians are going throughnow, I consider myself very lucky.” She ispresently helping to organize a fundraisingnight at International House on November30.Those wishing further information on howto aid the effort to bring relief to the Cam¬bodians may contact Bob Lerner of Cambo¬dian Relief Now at 753-2004. By Jeff DavitzA legislative subcommittee charged byRep. Larry Bullock (D-22) recommendedpassage Monday of a bill that “would pre¬vent deposits by the state treasurer in banksmaking loans to persons or firms doingbusiness in or with South Africa until theUnited Nations certifies that the doctrine ofapartheid has been abolished.”Frank S. Byers, a student in the businessschool, testified before the subcommittee onMonday. Byers was asked to testify becauseof research he had done in the area ofdivestiture.In June of 1979, Byers wrote a paper entitl¬ed Costs and benefits of divestiture of SouthAfrican relafed assets by the University ofChicago: A general approach.The paper is a projection of the costs theUniversity would incur by divesting fromfirms doing business in South Africa. Byersconcludes in the paper that the cost to theUniversity would not be significant.In his testimony on Monday, Byers pro¬jected costs of divestiture by the state basedon his paper’s findings.Byers concluded that “the only costswhich the state could pia? on incurring due to a policy of divestiture would be transac¬tions cost and the costs of having someonedesign a new portfolio.”Transactions cost is the cost of changingthe composition of a portfolio. According toByers, this “would be 3% of the value of theset of stocks and bonds it (the state or theUniversity) chose to sell.”As for the cost of designing a new port¬folio, Byers suggested “presumably agraduate student could do this cheaply.”The bill recommended by the subcom¬mittee on Monday will now go to the fullFinancial Institutions Committee forevaluation.Sponsors of the bill. Woods Bowman (D-11) and Carol Moseley Braun (D-24) couldnot be reached for comment about the bill’schances there.Others offering testimony in support ofthe bill included: Dennis Brutus, of Nor¬thwestern University; Dumisani Kumalo, aSouth African exile; Harold Rogers, of TheCoalition of Black Trade Unionists; andRev. John Pawlikowski, of the CatholicTheological Union and Clergy and LaitvConcerned.Contract continued from Page 1said Coleman. As a result, theUniversity is preparing a statement to theCouncil on Wage-Price Stability requestingthat an exception be granted to the universi¬ty*Coleman and other administration of¬ficials have been meeting with departmentheads and superv isors describing what is inthe contract and how it is to be im¬plemented. “Department heads are ex¬pected to absorb increased costs with thesame appropriations,” said Coleman.Coleman said that attrition decisions would be made by department heads andsupervisors for their respective depart¬ments.“There will be no ‘cross-University’ lay¬offs,” said Coleman. Work force reductionwas a cost-saving idea discussed in a memoby senior-level administrators sent todepartment heads.In the possible event of lay-offs in variousdepartments, Coleman said that his office,“would probably be able to replaceemployees in other vacancies.”Clerical union officials were unavailableto comment on the possible consequences ofthe contract.The Chicago Maroon—Friday, November 16, 1979—3The 33rc) Latfee-v Ha^cnf'ash5yotpo$iuTuesdayNovember 207=30 PNPARTICIPANTSProf. Allan Drazen (BusinessProf. Harry Harootuman(History and Par EasternLang. and Civilization)pr9f. fovii Halaneav (Philo¬sophy and Conceptual Found¬ations of Science)Prof. Bernard S. Siiberman(Political Science and East,Studies, Master Social^SeiCollegiate Division)Moderator: Prof. Ira Katznelson(Chairman, Political Science) The metaphysical, histo¬rical, scientific,political, psycholog¬ical, commercial andcomparative implica¬tions of the 3500year old feud betweerthese gastronomicdelicacies.OoisTcrClub ofda Noyes1212 East 59th St.BACK AT HILLEL. . .Latkes, Hamentash,sour cream, applesauceand cider served afterthe program for asmall charge of 50gThe Friends of the Symphony & Music Departmentpresent the second in a seriesof five concerts featuringTheCHICAGOSYMPHONY WINDSin music ofMOZARTFRIDAY, NOVEIYTBER16,8:00 p.m.MANDEL HALLiProgram Highlight:The great C MinorSerenade K. 388TICKETS AT REYNOLDS CLUB BOX OFFICE,Single Concert Prices: General Public $6.50, Faculty/Staff $5.50,U.C. students $4.50For further information call 753-3580 or 753-2612Remaining Series Concert Dates: December 14,January 19, February 22. B> <§irAfci<L it o IS®fcKARTfe.fcZ.BJlr o TTCfcCL<$$o(LOTT Ct CR A GiSf Q-l Q§T CDaZTSTo&>cvo lfqclo^<£)QJ A.CRirfECE-CLm' ° ITALfc0?DA£fl2.DtTD£E 5 c oA CMff-CR B<LAfci <S<LtW^a-AD2_fW6E.W 0-BTB.02ARVf fc> BA o [pAlZ CDACUD'S o(Gfc KtVBtOYoCLtrtH □ fL<5 c. <§ 8S>tLO^OC)TrcE^trCct)«. NtWQ3&£. (EjEArDOiAirCE^(FA (LCuD-TTm LPCHOtt-^^rPtHtTtj)d>(DCE.W AIL «*DcfcJ (LILDTTO CD <=>C*3«_T&3B21R_ a 50(bO-(TTAWCD 3 <b W W CD o ft* t WfcJN G®_A.N Bp W c.«> Mev/fc-tTTTtR-S (L0i(3-tr0d: AIL .QfiifnxUaTPJ'ty O R.fE-V0E-Wo[PtHQtLCDScDCPEhDCLA. (L-CF<t,CE- d> 0<A c> CJBH «,CDtuAK.TrcEjE.a’TC tRLtwotLsVCbCF Tl-O'D’CLE. A.TT d> 02. OL oc fcJCLW trcDKOc"D'DO^Ct.<5> tgAXDOs OS-ttVOCtsW oA *6l *BT B-f'02. P €) *-€3(pA.tR.KrT5 A CdRdVotlluV c C.®H ®CAt)€RltS/«e»V'O d<b MirCEMrFtt02A(2VQ_BTTOLCKAlTdi02-Ct. (T—.ALu PABm Of OtSt—COI/VEd lOTJ Of 3©U3CMA1^2>Aim TTESFUObKlAJ/^ , Al/OK^"WITK ^°aE- OVIirCATAXvOAUE/Of 5xa^JFlC!/ClJTTJAtiK. J55U&S<5t£jWOfdA02-'\CC<£»<l>(P (BOlfKSinWE-lt.“>25'?<S<dqnrtH qj wovnopsairir'W<Dfc(*TnH<DtP$ <£>25<fc*fis<&<t>(FRO <D5J<t»«<5S04)SAtr ®0s<ai>*4U<i><t>l-HOUSE FILMSCASINO ROYALESAT., NOV. 17 -7:30 & 10:00 P.M.Assembly Hall of International House1414 E. 59th St. with David NivenWoody AllenUrsula AndressAdmission $1.504—The Chicago Maroon—Friday, November 16, 1979NewsbriefsTerrorism forumPsychopathology and Political Vio¬lence: Terrorism and Assassination isthe title of a conference to be held todayand tomorrow at the Center for Continu¬ing Education under the sponsorship ofthe department of psychiatry and the In¬stitute of Social and Behavioral Patholo¬gy-Themes of the conference will includethe social, psychological, and politicalcauses of and reactions to terrorism andassassination, and will be divided intosessions dealing with functional perspec¬tives and psychological and ethical im¬plications of terrorism. Major addresseswill be delivered by Ambassador Anth¬ony C. E. Quainton of the State Depart¬ment, and Dr. Lawrence Zelic Freed¬man, Foundations’ Fund ResearchProfessor of Psychiatry. Other partici¬pants include Stephen Marcus, chairmanof the English department at ColumbiaUniversity, who will speak on “Cultureand Terrorism” and the directors of sev¬eral institutes on international relationsand terrorism.The fee for the conference is $175, $87for University faculty and students. TheCenter is at 1307 E. 60th St.Grant deadlineThe National Endowment for theHumanities through its newly-expandedYouthgrants program will offer morethan 100 awards throughout the nationthis fall to students and other young peo¬ple in their teens and early twenties topursue independent projects in thehumanities.The deadline for submission of com¬pleted applications has been extended toDecember l, the only deadline duringthis academic year. Application forms should be on file in college offices whichdeal with federal grants.These federal grants offer up to $2,500to individuals and up to $10,000 to groups.They are intended primarily for thosebetween the ages of 15 and 25 who havenot completed academic or professionaltraining. While the program cannot pro¬vide scholarship support or financial aidfor thesis work, undergraduate workwhich seems assured of publicdissemination can be supported. Thehumanities include such subject areas ashistory, ethnic studies, folklore, an¬thropology, linguistics, and the history ofart.COINTELPROforumThe FBI’s counterintelligence pro¬gram against the New Left, and the re¬cent prison escape of black womanrevolutionary Assata Shakur are amongtopics that will be discussed at a forum atthe Blue Gargoyle on Sunday, November18, at 7 pm.The forum will feature Judith Clark,one of eight plaintiffs in a major lawsuit,Clark et al versus the United States,which hopes to open all FBI files, and toprove that black revolutionary na¬tionalists were framed. Clark, who at¬tended the University of Chicago duringthe late 1960s, said that “prisons can nolonger contain the black struggle.”Admission is $2.50. Proceeds will bedonated to the National Task Force forCOINTELPRO Litigation and Research.Scholarships awardedKevin Bright, Mich Dejanovich, KathrynPetersen, and Kevin Wendort. all first-yearstudents, have been awarded scholarshipsto cover half of their tuition. The programwas started in 1976 by the University to helpchildren of Chicago Police and Firefighters.Acting Police Superintendent JosephDiLeonardi and Fire Chief Albrecht were atthe award ceremony held here last Tuesday. Gray to chaireducation councilPresident Gray was elected to thechairmanship of the board of directors ofthe American Council on Educationearlier this month.The Council comprises more than 1600higher education institutions and na¬tional and regional education associa¬tions, and is the nations, principal, in¬dependent nonprofit coordinating bodyfor post secondary education. It serveshigher education administrators,students, and faculty members by pro¬viding national leadership forstrengthening educational standards,policies, and programs.BudgetContinued from Page 1cording to the budget statement, “me in¬crease in expenditures on acquisitions hasmade it possible to halt and reverse thedecline in the number of monographs pur¬chased.”The budget includes an increase of $1.27million to student aid. This represents an in¬crease of 13.5 percent over last year’s com¬mitment.The statement said that the commitmentto increase student aid came at the sametime last year when tuition was increased.However, the statement goes on to point out,students and their families are paying a“somewhat larger” percentage of the totalcosts of attending college than they did atthe beginning of the decade.The budget also includes allowances forincreased energy costs. 8.8 percent of theunrestricted expenditures will go to payingthe University’s energy bill. The statementsaid that the University is now aiming atlimiting energy costs to six percent of theunrestricted expenditures, a goal which if ithad been met by this year would have ac¬counted for a savings of $2.25 milliondollars.The statement said that despite the in¬crease in expenditures many budget re¬ quests that would have been consideredlegitimate were cut out. “Approximately $4million dollars of expenditures that wouldhave been considered appropriate underless stringent financial conditions” wereeliminated.Johnson said Wednesday that inflationwas a primary reason for the University’sfinancial difficulties. “Inflation,” Johnsonsaid, “is a very serious threat to the majoruniversities in this country.”The decline in the real earning power offaculty salaries is one of the primary con¬cerns of the University, Johnson said. Com¬pensation for professors has decreased inconstant 1970 dollars from an average of 26.6thousand a year in 1970 to 23.1 thousand in1978; from $18.5 thousand to 15.5 thousandfor associate professors; from $14.4 thou¬sand to $12.5 thousand for assistant pro¬fessors and from $11.7 thousand to 10.9 thou¬sand for instructors.“We have tried for the last two years toraise the real compensation of faculty,”Johnson said, “but we have been frustratedeach time by underestimating the increaseof the inflation rate.”The compensation rate at the Universityhas stayed competitive with compensationat other universities. Despite the decreasein the real compensation rate of the faculty,“the University has remained very strong,”according to Johnson.He noted that other universities were ex¬periencing similar declines in the real com¬pensation of their faculty members.“We hope to reverse the rate of declinewithin the next two years,” Johnson said.The present budget deficit represents thesecond consecutive deficit experienced bythe University. In fiscal year 1979, theuniversity incurred a deficit of $483,000dollars, much less than a $3.8 million deficitwhich was projected at midyear.Johnson said that the University will pro¬bably incur a deficit until fiscal year 1982.President Gray has put forward a threeyear plan to balance the budget.Johnson admitted that the deficit may endup to be less than anticipated, as was thecase with last year’s mid-year budgetdeficit projection.Reynolds Club Lounge fri,novl6freeGRADUATE SCHOOLOF BUSINESSProfessional OptionAdmission MeetingFor all students in the CollegeTUESDAY, NOVEMBER 204:30 p.m.HARPER 284Dennis Metcalfe, Director of Admissions, Graduate School of Business,& Arlin Larson, Advisor in the College, will be on hand to answer ques¬tions about admissions procedures. Now is the time to plan for applica¬tions for summer & autumn 1980. YOU CAN EARN AN M.S.W. DEGREEFROM WURZWEILER SCHOOL OFSOCIAL WORK OF YESHIVA UNI¬VERSITY WITHOUT LEAVING YOURCOMMUNITY.The Wurzweiler School provides field instruction place¬ments for the Block Education Program in cooperation 4with Jewish and general communal agencies in the U.S.,Canada and Israel.For appointment with the recruiteron his trip to Chicago, please call:Mary or Jill346-6700, Extension 421 or 375• • • or • • •write for an application to:Sam GoldsteinWurzweiler School ofSocial WorkYesheva University55 Fifth AvenueNew York, N Y. 10003&/>'• wn753-3581 WINTER COURT THEATRE presentsA Day in th« Death ofin The New Theatre, 57th and UniversityThursdays and Sundays, November 1 5 thru December 228:30 p.m., Sundays at 7:30 JOE EGGby Peter Nicholsdirected by Nicholas Rudallset design by Linda BuchananThe Chicago Maroon—Friday, November 16, 1979—5Editorial The Chicago MaroonWe must help the Cambodian peopleIn coming to terms with the Holocaust, thenotion that something so terrible could neverhappen again has become a popular one.Somehow, according to this myth, the Germanpeople reached a level of demoness unparal¬leled in understandings of the past and concep¬tions of the future. When we look back on NaziGermany, it is common for us to ask, or evendemand, of those who were alive then, “Howcould you let something so terrible happen.”And it is just as customary for us to dismisstheir responses — “We didn’t know”, “Wecouldn’t believe it”, “What could we do?” — indisbelief and sometimes in disgust.Well the Holocaust could happen again —and is. This time the genocide seems less sys-temized and somehow less horrible. Yet how isit more palatable? When it comes to systemsof death, there are few more tortuous thanslow starvation. This time the people seem sofar away and unlike us. But so, too, in anothertime, did the Jews seem to an indifferentworld. This time we are not at war, this doesnot involve our enemies, and we hear that it isall the fault of longstanding racial emnity be¬tween the Vietnamese and the Cambodians.But we were at war with these people, and wewreaked terrible destruction on their oncepeaceful land.The photographic and televised images arehard to look at and easy to turn away from. Wefeel horror, but we know that if we knew thesepeople we would also feel compassion. Thereare probably no Anne Franks among the dead and dying, no diaries of happier times andhours of introspection will be found among theruins. For the Cambodians, those times aregone, probably forever, and if there is an AnneFrank there, she sits shriveled and addle-brained and calls out for the help that does notcome.Anne Frank wrote of her undying faith in thegoodness of the heart and of the generositythat she was sure was a part of human nature.Next week we will offer thanksgiving for theAmerican bounty and for the kindness and giv¬ing that we have been so fortunate to haveseen and felt. But it will also be a time for us tosay “Enough! ” and to do all that we can to aida dying people.Checks marked “for Cambodian relief” canbe sent to:UNICEFc/o U.S. Committee for UNICEF331 E. 38th St.N.Y., N.Y. 10016ICRCc/o American Red Cross2025 E Street N.W.Washington, D.C. 20005OXFAM-America302 Columbus Ave.Boston, Mass. 02100Mailgrams urging President Carter to re¬double American relief efforts can be chargedto your telephone by calling 435-0200. Theycost about $2.The next meeting of the University Cambo- Editor: Andrew PatnerGrey City Journal Editor: David MillerManaging Editor: Jaan EliasFeatures Editor: Mark WallachSports Editor: Andy RothmanPhoto Editor: Tim BakerLiterary Review Editors: Richard Kaye and MollyMcQuadeAssociate Editors: David Glockner and Chris IsidoreContributing Editor: Nancy ClevelandSenior Editors: Abbe Fletman and Claudia MagatBusiness Manager: Joel GreenAd Manager: Steve KaszynskiOffice Manager: Leslie WickGraphics: Chris PersansProduction: Jacob Levine and Scott RaulandStaff: Curtis Black, David Blaszkowsky, Doug Braun,Dan Breslau, Jeff Cane, Jeff Davitz, John Dugan, MarkErwin, Wendy Glabman, Jamie Graff, Chris Isidore, JohnKim, Carol Klammer, Greg Mizera, Sherrie Negrea, Dan¬ila Oder, Sharon Pollack, Kathleen Restifo, David Rubin,Allen Sowizral, Adam Spiegel, Howard Suls, Calvin Thrill¬ing, Darrel WuDunn, John Wright, Phoebe Zerwick.• • •The Chicago Maroon is the student newspaper of theUniversity of Chicago, published on Tuesdays and Fri¬days. Editorial and business offices are located on thethird floor of Ida Noyes Hall, 1212 E. 59th St., Chicago,60637. Telephone: 753-3263.We welcome letters and comment. Correspondenceshould be addressed to the Editor and should be typed andtriple-spaced. Letters must be signed and the writershould indentify his or her connection with the Universityor the community. Names will be withheld at the writer’srequest. All letters become the property of The Maroon.dian relief group will be held Monday night at7:30 at International House. Committees arebeing formed to deal with publicity, fundrais¬ing, lobbying, and resettlement. The lastmeeting was attended by 200 people.Letters to the EditorWalter’s farewellTO ALL MY FRIENDS!Most of us have dreamed, after a long andtiresome journey, of coming upon an oasisto rest and perhaps find a treasure, leftbehind by a long ago departed Sheik.Well, my Dream has become pure reality,because I’ve found such a green spot. It’scalled Hope Hull, Alabama and has a Jewelin it. Her name is Mary, she has becomevery precious to me and agreed to sharewith me the open life that lays before us.This verdant spot is bordered on one sideby the Selma Highway (Freedom MarchFame) and on the other by the MontgomeryAirport Runway. The Peace and Quiet iswonderful after the Jets have finished skim¬ming the Trees. From the Kitchen window Ican see the Squirrels play crazy games onthe lower part of the large Pinetrees, asmall rabbit covers the area with amazingspeed, upwards of a dozen different kinds ofBirds keep diving in and out of the large Ap¬ple and Fig trees and using them for theirhome, and all this with Mary’s full consent.I’ve made friends with 4 dogs already and2 of them, called “Lucky” and “Scruffy”have become very close.me people are very friendly and sogracious. They have an inner pride inAlabama, as well they should, because thisis perhaps the greenest, most wooded andbeautiful state in the U.S.A.From Mary I have assurance that she willput a halter on-my political dissertationsand never ever harp on my U. of C. up¬bringing. If ever you are near please dropby or at least let us hear from you.Now my triends, I wish to say thank youfor having made 50 years of my Life at theUniversity so unforgettable.Auf WiedersehnWalter JeschkeRecruiting rightsTo the Editor:I turn away from price theory to give my6—The Chicago Maroon—Friday, November mind a rest, and pick up that ever reliablesource of non mind-taxing material, TheMaroon. I find that Andrew Patner hastaken to philosophizing on the Higher Truthsof Education and why-the-University-should-not-talk-to-imperialist-blood-su/ Imean, the Navy and the CIA.Not surprisingly, Patner is far afield ofthe point. Consider what would happen ifNAM came here to recruit and the Universi¬ty denied that organization access to its stu¬dents. Would that be wrong? Of course.Why? Because the students’ opportunities todo what they wanted with their career wouldbe subject to the manipulation of this Uni¬versity’s administration. That is not theUniversity’s job.Just so in this instance. While Mr. Patnerand his merry band of pretend radicalsmight find it difficult to believe, there arepeople here who think it a good idea to de¬fend the country. I know it’s silly, but it’stheir opinion, and they have a right to it. Theease with which any student pursues hisgoals must be the same regardless of whatMr. Patner or anyone else thinks of thosegoals.It is undeniably good that people make de¬cisions regarding Morality. But it is undeni¬ably bad for people to make decisions aboutother peoples’ morality. That is whatPatner, the SYL, & etc. propose, and that iswhat the Univesity has quite correctly re¬fused to do.Jerome M. Marcusstudent in the CollegeThe Editor replies:If University students want to join theNavy, the CIA, the Communist Party, orIBM, nothing prevents them from doing so.Recruiters for these and other organizationshave offices downtown and are more thanhappy to meet with prospective employees,and sometimes will even take them to lunch.That does not mean that the Universityneeds to make these arrangements forthem. In a letter from the Editor of TheMaroon published ten years ago about asimilar controversy surrounding ar¬rangements for recruiters, the Editor sug¬gested that maybe the best thing to do would16, 1979 be for the University to phase out on-campus recruitment by agencies or cor¬porations that had other means to do theirrecruiting. Maybe that wouldn’t be such abad idea.Amnesty clarifiedTo the Editor:I appreciate the Maroon’s interviewingme about Amnesty International’s work. Iwould like to correct two errors made by theauthors in transcribing or interpreting myremarks.One error is serious. I did not say, nor do Ibelieve, that the Shah’s regime in Iran wassucceeded by another whose violations ofhuman rights were “equally violent.” Thepoint I was trying to make, as explained inthe rest of the quote, was that Amnestyjudges government’s actions, not theircharacter or legitimacy.Amnesty condemned violations of interna¬tionally recognized human rights by the Im¬perial regime in Iran, and we will dolikewise with respect to the revolutionaryregime. We do not try to compare onegovernment’s violations with those ofanother, as I was misquoted as doing.Members of Amnesty have various views onpolitical issues, including the Iranianrevolution, but we agree on the duty of allstates to respect international agreementson human rights.The second error was in describing theprisoners in Paraguay whom we defended inour group’s first action as “American an¬thropology students.” Dr. Miguel Chase-Sardi and the other organizers of the Maran-du Project were Paraguayan an¬thropologists. They were arrested and tor¬tured for organizing the native Americans(indigenas) in their own country. AlthoughDr. Chase-Sardi was released, we neverreceived word of the fate of his less knowncolleagues.Sincerely yours,Barnett R. RubinCoordinator, Group 18AIUSA Welcome unionTo the Editor:I would like to welcome the union tocampus, especially its grievance proceduresection. Having tried a few months ago tochange jobs on campus under the old “gent¬lemen’s agreement” (or rather, “old gentle¬men’s agreement”) type arrangement, it isnice to know that now one has some sort ofrecourse when such efforts go astray.Zelma J. GotsteinVolunteers soughtTo the Editor:Once again the Organization of Black Stu¬dents is sponsoring a drive to get Universitystudents, black and white, male and female,graduate and undergraduate, to becomeCook County Juvenile Court Volunteers.Mrs. Joan Watson of the Juvenile Courtcame to the University and met with stu¬dents interested in the program. She ex¬plained the aims and goals of the programas well as the obligations of volunteers.The goal is for the volunteer to beeme afriend of the youth, someone the youth cantalk to. He or she is also expected to be a rolemodel for the youth. It is stressed that thevolunteer is not expected to change thehousehold. The Court does not expect mira¬cles. Volunteers are not psychologists or so¬ciologists.A volunteer is expected to be consistent.They cannot be committed one week and notcommitted the next. They should nevermake a promise to a youth if they can’t keepit. Volunteers are not required to meet withtheir youths every week, although theyshould at least telephone them every week.A volunteer must expect to meet resis¬tance, sometimes from parents and siblingsas well from the youth. Parents may be jeal¬ous of you, and siblings may be jealous ofthe attention you give their brother or sister.The youth will test you, to see if you are sin¬cere or not. He will force you to commityourself to him many times before he willTurn to Page , 5the grey city journalUnleaving Hyde Parkby Martha RosettAt least once I would like to see the skyhere dark and starry instead of grittypink.Last Wednesday was rough. The usualmid-term pressures were epitomized in amiserable six page statistics exam (half¬way through it I looked down and saw mycalculator generate a series of randomnumbers, then go blank). Life lookedbleak.As I trudged to Harper that evening,hoping to be soothed by high windows andwooden beams, deep chairs, a chancemeeting with a friend, I yearned for arural setting.Somewhere away from Hyde Park thereare places to wander and contemplatetrees and sky. Life is good and large andour individual actions are small fragmentsof a whole (I do believe that), but this iseasier to feel in the country. In the city weare surrounded by man's designs. Evennature must conform to an artificial orga¬nization, and where can we turn to escapeour own constraints long enough to recap¬ture a philosophical perspective on life?Thus brooding, I was passing StewartHall when I was startled by a BurningBush and a deep voice.From behind, a man in the orange twi¬light intoned, "Poison Ivy.""Euonymus alatus," I corrected,"usually called Winged Euonymus butalso called Burning Bush because of its fallcolor."The burning bush is an old friend. Its au¬dacious fall color scheme is one that couldonly be beautiful in nature: the uppermostleaves, having greatest exposure to thesun, turn bright crimson; lower leavesdarken to maroon, inner leaves blush pink,innermost leaves fade to yellow-white.A long, drawn-out autumn such as wehave had this year develops fall foliage toits fullest color potential. Along with theeuonymus, there are many bushes andtrees in Hyde Park that provide enoughfall color to solace any nature lover. It ismostly a matter of knowing where tolook.In a scattering of slender, vulnerable-seeming trees on the front lawn of Regen-stein are some red maples. Of the Latinname, one needs only to know that it isderived from the word for "sharp," andrefers to the hardiness of these deceptivelyfrail-looking saplings.Our Regenstein maples are strong, ableto withstand Chicago's winters, and theyare more: between winter's twiggy naked¬ness and summer's full-blown leafinessare twin seasons of fire. In spring thebranches have a red haze of flowers, in fallthe trees are scarlet splashed with brightyellow.Although the official label on the bush in Witch-hazel leavesfront of Ryerson says Hamamelis virgin-iana, the plant is actually H. vernalis, thespring witch-hazel, a plant that blooms soearly it could be said to flower in thewinter. As early as February it starts toput out spicy-sweet blossoms. In fall,witch-hazel turn yellow but retains greenveins on leaves that are scallop edged withgolden-brown. These multi-colored leavespersist and provide color long after the redmaples, the golden ginkgoes, and thehawthorns (purple and cream) have beenstripped by wind and cold. Even after itslast leaves have withered or fallen, I watchthe witch-hazel. In November I can reas¬sure myself — spring will come — by look¬ing at those swollen buds, heavy with ai pent-up promise of warmth and new Hawthorne leavesRed maple Cecropia mothleaves.Hawthorns are heavy with another sortof pent-up life. Their cheery embers ofleaves have fallen, fallen prey to the grayof Hyde Park dust and frost, but in fallinghave revealed a small wonder. Chicagohas more than pigeons and squirrels — wehave wildlife that few suspect: a stand ofhawthorns in front of the Law Quadranglesupports an unprecedented population ofcecropia moths.Cecropias are "Oh, gee!" insects — sixinches of velvety chocolate—maroon andcream—colored wings; usually only two orthree are found in any one tree. Each of thehawthorns I speak of had at least twenty.In early May full-bodied moths will droplike strange, furry fruits that cling silently j to twigs until their wide wings recoverfrom the crumpling of a winter's sleep.Even in November, even in Hyde Park,we can be sure of this: fall color fades to abrooding winter mystery of buds and co¬coons that forecast spring. Despite the bit-• terness of cold, and exams, and a perpetu¬ally pink night sky, our trees (precociousi witch-hazel, forthright maple, dark-fruit-, ed hawthorn) are strong, and they willgive us leaves and blossoms, come whati may.Southside Johnny and the Asbury Jukes ditch the blues; MAB makes big catch; U of C wins outBy Melanie DealSouthside Johnny and the Asbury Jukes will performSaturday, November 17, at 9 pm in Mandel Hall. Whatused to be New Jersey rhythm and blues is now MuscleSho’als big band rock & roll, but devoted fans and newcom¬ers will undoubtedly enjoy the Jukes in any incarnationthey choose.When the group played Chicago's I vanhoe Theater threeyears ago, they were still an R&B bar band, dressed inthree-piece suits and looking like Mafia rejects. Johnny'strademark dark glasses, inspired harmonica-playing andblues-drenched vocals showed from whence he had gainedhis nickname: his reverence for Chicago's Southside bluesmusicians. This wasn't the "blue-eyed soul" of such soft¬core artists as Hall and Oates or Boz Scaggs; the Jukeswere a band of streetwise ethnics who came to praise theblues, not to bury it in sweetness and strings. TerrificR&B-type songs by Miami Steve Van Zandt (guitarist inBruce Springsteen's E Street Band and Bruce SpringsteenHimself were interspersed with covers of classic Sam andDave, Solomon Burke and Sam Cooke numbers. TheJukes' first two albums boasted such prestigious "guest"vocalists as the Drifters, Lee Dorsey, the Coasters, Ronnie Spector and the Five Satins. By their third album, 1978's Hearts of Stone, the focushad changed to a more upbeat, rock & roll sound, with noguest artists or cover versions. Van Zandt and Sprjngsteen penned less soulful-sounding songs, and the MiamiHorns became a permanent and prominent part of theJukes' sound. While on tour for this album, Johnny cut hishand badly on some glass and sadly, his blues-harp play¬ing necessarily became a less integral part of the show. .This past September 15, at the reopening of the GranadaTheater, the band promoted their new album, aptly titledThe Jukes, in a vital and energetic crowd-pleasing show.Composed of eleven members, the group filled the hallwith sound and exuberance. The new album is the first notproduced by Van Zandt, and all the songs were written bymembers of the Jukes — giving them a much neededfocus and control over their own material. Pure rhythmand blues has been discarded for horns driven rock androll. Johnny's harmonica only briefly appeared forSpringsteen's "The Fever," and it was a minor epiphanytoward the beginning of the show when Johnny actually ... took off his shades! In his skinny tie and sneakers, heseemed to have discarded all the trappings of his blueseypast persona: one expected him to announce he had dropped the "Southside" from his name as well. Hedanced and leapt about the stage as never before, thoughhis vocals were as true and emotion packed as ever. Thehorns were so loud that, although the musicians are ex¬cellent, the overall effect was cacophony instead of ac¬companiment.Perhaps the new songs are not so polished as those byVan Zandt and Springsteen, but they are rousing andhard driving, especially "I'm So Anxious,". Vertigo," "AllI Want is Everything" and "Living in the Real World."Guitarist Billy Rush is featured more often now, singinglead on "Security."It's obvious that the Jukes want to leave their bar bandimage behind, and accusations of their .being mereDrifters imitators or Springsteen clones must have ran¬kled. Still, it's such a joy when they play their trademarkencore, Sam Cooke's "Havin’ a Party," or when they singCooke's "Bring It on Home to Me" a cappella. Theyneedn't reject the blues to play rock & roll, and hopefullythey'll find the same synthesis of the two on record thatthey achieve in their excellent live performances.Don't miss Southside Johnny and the Asbury Jukes tomorrow evening. A good time is guaranteed!®* ' 'V i —!# ms imib%$❖::::::* November 16«Ingmar Bergman'sAUTUMN SONATA7:00, 9:00 and 1 1 :i.V| Sunday November 18Carol Reed'sODD MAN OUT7; 7 5 one/ 9:|j Monday November 19ERIK, THE GREAT ILLUSIONIST7:30 8Rupert Julian sWALKING BACK8:45Ail Films in Cobb AuditoriumMonday films $ 1.25Others $1.50 :*V*THECHICAGO SYMPHONYCHAMBER PLA YERSSAMUEL MAGAD, violin• JOSEPH GOLAN, violin• MILTON PREVES,• FRANK MILLER, cello• LARRY COMBS, clarinetConcert FeaturesMOZART & BRAHMSCLARINET QUINTETSSUNDAY, DECEMBER 2nd, 3:00 p.nCONGREGATION RODFEI ZEDEK5200 S. HYDE PARK BLVD. -. .i.vw, yOFTICKETS: $7.50 TICKET INFORMATION:$3.50 (students and aamor citizans) Qa|| qt write THE AKIBA-SCHECHTERJEWISH DAY SCHOOL5200 S. Hyde Park Blvd, 493*8880' 'BENEFITFOR THE AKIBA-SCHECHTER JEWISH DAY SCHOOL, mi ■■ Atop the Del Prado Hotel53rd & Hyde Park Blvd.324-6200Serving the finestCantonese cuisineto discriminatingdiners for over30 years.2 the grey city journal, Friday, November 16, 1979ii— ' '■ ^ J* :m #»; Lunch • Dinner • CocktailsIn our showrooms you will find familiar brands of stereo components, names suchas McIntosh, Tandberg, Acoustic Research. Thqrens, Yamaha, Dual, Bang &Olufsen, Harman/Kardon and many more. But we also feature brand names thatyou have likely never heard of.We at Audio Consultants are audio component specialists, not just merchandisers.We select components on the basts of quality ot construction, reliabilityand objective measurements of performance, as well as our sub¬jective evaluation of sound quality. We do not choose products on thebasis of how many we can sell quickly to make room for the nexttruckload.We are conservative in our selections (not wishing tomake our customers pay for ourexperiments), but we are also verysensitive to the constant develop¬ments in high fidelity equipment. Thisis why Audio Consultants was thefirst dealer in this area to offer suchbrands as Advent. ADS. Yamaha.Nakamichi. Dahlquist. Audio Pulse,Genesis. Signet, Bowers & Wilkins.IMF and Hafler. Unknown at the time,they are now among the mostrespected names In the audio industry.selectionAudio Consultants sold them because of their merit, not their reputationA shining example of this philosophy is our introduction of the Apt Holman pre¬amplifier. It is an exceptional product and an extraordinary value, it was designed byTom Holman, who also designed the Advent 300 receiver.We know you've probably never heard of it, but we are certain you'd be hearing a lotabout it in the future— 7 r; •lL / _ r!c jn o °O O 'Cl cNo sale is final until you're completely satisfied.audio consultantsthe finest in stereo 1014 Davis St. • Evanston864-9565757 N Milwaukee • Libertyviile362-5594axofirtjr/o//e i (J£d£#a/n.■ tfrti/ ' 'Tjo.493-0666HANDSOME HERITAGE HOUSERent with Option to Buyas soon as dust settles on mortgages or whatever ...$128,000One block north of campus4 bedrooms -1V2 baths - stunning kitchen - large yardOR STRAIGHT SHORT TERM RENTALWe have a good supply of Near Campus Property.Call us.For Seles i n f or m at ion C al iCHARLOTTE VIKSTROM, BROKER493-0666Kathy Ballard. Salat Attoctaltlrai Ml 044JiKao Watt*, Salat Attoctata (rat *47 0557)'■ ■ %■ a iMoviesAutumn Sonata: Ingmar Berg¬man (1978). Existentialist LivUllmann, married to a pastor inrural Norway, invites her motherover after an absence of sevenyears. To liven things up themother (Ingrid Bergman) hasiust lost her husband and herdaughter hates her guts; besidesthere's her other daughter, men¬tally retarded, who's also stayingwith Liv. And that's only the be¬ginning. Hardly paced at all, andwith a fairly shapeless narrative,the film winds down to Bergman's one-on-one confrontations,crowded compositions, and theusual ethereal photography bySven Nykvist. But it's old groundfor both Bergman and the audi¬ences — although there is at leastone pleasant addition when con¬cert-pianist Bergman and herdaughter take turns at the pianoand at a series of facial cadenzas.Doc Films, Tonight at 7, 9 and 11pm.An American In Paris: VincenteMinelli (1951). Gene Kelly is anAmerican painter in the fabledcity and Oscar Levant his wise¬cracking pal. The girl he's afteris Leslie Caron, and the wholebusiness is an elaborate excusefor Kelly's dancing, lots ofGeorge Gershwin music, andsome of the more extravagantmusical sequences ever filmed.It's a little too ambitious and aes¬thetic, though, especially the bal¬let in which famous Impression¬ist paintings come to life.Overlong and overblown, it alllooks good and is very muchworth seeing, especially if you'veonly seen it on television whereMinelli's wide-screen composi¬tions become hash. Law SchoolFilms, Saturday at 7 and 9:30pm.Casino Royale: John Huston, Jo¬seph McGrath, Val Guest, KenHughes, Robert Parrish (1967).This attempt at a spoof of JamesBond movies doesn't quite comeoff, partly because Bond is al¬ready halfway there, but mostlydue to the discombobulating ef¬fect of having each sequencedirected by someone else. It fea¬tures a plot to take over the world(of course), a slew of fake andreal James Bonds (includingPeter Sellers, Woody Allen, andDavid Niven), Ursula Andress asthe daughter of Mata Hari, andOrson Welles who plays a fat andhammy gambler. This all soundsfunnier than it plays, but thereare a few hallucinatory bits bydirector McGrath that are asfunny as they're supposed to be.1-House Films, Saturday at 7:30and 10 pm.Odd Man Out: Carol Reed (1947).Reed tries hard to transform intoa classical tragedy this storyabout an I.R.A. leader (JamesMason) wounded in a mill holdupand on the run, but it doesn'tquite work. The hokey low angledshots, expressionist lighting, distorting tricks, and general squall¬ing picturesque mucking aboutserve only to reduce the charac¬ters and the drama, especiallysince the I.R.A. men are mostlyindistinguishable from WarnerBros.' romantic gangsters. Butthe carefully modulated sound¬ track provides some interest,F.J. McCormick is quite memo¬rable, and it is an interestingfilm, if not always successful.Doc Films, Sunday at 7:15 and9:30 pm.Erik, the Great Illusionist: PaulFejos (1927). Fejos' entire repu¬tation rests on one half of a film— the silent portion of his Lone¬some which is very tender andexpressive. The rest of his filmsremain pretty much unseen, in¬cluding this one about a magicianwho gets what he wants throughhypnotism. With Conrad Veidt asEric and Fejos behind the cam¬era, though, you can be assuredof some authentic Expression¬ism, since that's where they bothstarted, and gained their reputa¬tions. Doc Films, Monday at 7:30pm.Walking Back: Rupert Julian(1928). Julian was the number-one director on Universal's silentlot, but from this film it's hard toquite say why. This is a decidedlyodd little opus about a boy whosteals a car to take his girlfriendout, cracks it up in something likea demolition derby, and winds upas the driver of a get-away carfor some bank-robbers. The pac¬ing is reasonable, the composi¬tion simple and clean, and theperformances gesturally ade¬quate, but the technical slicknessonly serves to highlight its exoticapproach to cars and gangstersand moralism (“Cosmic jazz. . .the Universe"). Doc Films, Mon¬day at 8:45 pm.All Doc Films are shown inQuantrell Auditorium, on the sec¬ond floor of Cobb Hall and cost$1.50 Fridays, Saturdays, andSundays, $1.25 on Mondays; allLaw School Films are shown inthe Law School Auditorium andcost $1.50. The 1-House film will bshown at International House; itcosts $1.50.— Rory McGahanMusic%CSO Winds: Their first concertwas an unqualified success, sowhy shouldn't this one be? Thebig piece on this all-Mozart pro¬gram is the Serenade No. 12 in C,k. 388. The Divertimento No. 14 inB Flat is also featured. Friday at8 in Mandel. $4.50 students, $6.50general. — T.S.New Music Ensemble: This U ofC group is presenting a concert of20th century chamber music.Among the pieces scheduled areStravinsky's Octet for Wind In¬struments and works by studentcomposers Chenette, Mitchelland others. Sun., Nov. 18 at 8 inIda Noyes Library. Free.Jazz Against Nukes: ErwinHeifer, Gloria Morgan, AngieJarree, Jack Baron and That-Sherpa are among the musicianswho'll appear at a benefit for Citi¬zens Against Nuclear Power.Sun., Nov. 18 at Redford's Pub,2548 N. Halsted. 6 pm - 2 am.528 5870. $3 cover.Oktoberfest-Chicago '79: Chicago's version of the 170-year oldMunich-originated festival,which has been acknowledged byErich Kiesal, Lord Mayor of theGerman city, occurs in Nothe grey city journalGary Beberman, Curtis Black, Marie Breaux, Laura Cottingham, Melanie Deal,Ozzie Enders, Nets Erickson, Abbe Fletman, Jackie Hardy, Sandy Harris, Ben¬nett Jacks, Karen Kapner, Kurt Keefner, John Kim, Bob Lewis, Philip Maher,Mary Mankowski, Rory McGahan, Robin Mitchell, Mark Neustadt, Sharon Pol¬lack, Martha Rosette, Renee Saracki, Robert Saska, Danny Schulman, Ted Shen.Rob Sturm, Ray Uliassi, Lisa von Drehle, Ken Wissoker, and Phoebe Zerwick.Edited by David Miller Calendar compiled by Rebecca Lillian. Not associate editor Karen Hornick. Produced by Katherine Larson and David Miller.Friday, November 16, 1979. Sonidos de la Calle: Angel Figurora, Paul Hanover, David Hernandez,Ken SerritosSonidos de La CalleA performance which combines Afro-Latin and Urban iazz with thepoetry of David Hernandez will be given by Street Sounds tonight at 7:30pm in the Reynold Club Lounge. The recital is sponsored by theHispanic Cultural Society and admission is free.In performance, Street Sounds merge music and poetry so that onecan't tell whether the poetry sets the rhythm for the music or the musicadds rhythm to the poems. David Hernandez sings sweet love poems tosoft jazz melodies. He chants to drum beats and his voice wails with thesax.Hernandez has published one volume of poems called Despertan-do/Waking Up. He is presently working on two books antitied RoscoeStreet and Rebula/Chicago Jam. He has also taught poetry at ColumbiaCollege, in Chicago. — Phoebe Zerwickvember. The program includeseverything from Bavarian,French and rock music to lots offood and souvenir shops to a Chi¬cago Sting Soccer exhibition.Fri., Nov. 16 am through Sun.,Nov. 18 at Navy Pier. Call266-6464 or check the ubiquitiousposters for explicit details. Daily admission is $5.A Royal Blast: The UniverityConcert Band's fall program in¬cludes Handel's Royal FireworksMusic, Walton's Crown Imperialand Alleluia! Laudamus te byReed. The free concert will beheld Sun., Nov. 18 in Harper Li¬brary at 7:30. TheaterYou're a Good Man, CharlieBrown: Blackfriars presentsClark Gesner's musical, based onthe "Peanuts" comic strip. Thisweekend, Nov. 16, 17, 18 at 8 pm,with a Saturday matinee at 2 pm.Ida Noyes Cloister Club. $2 stu¬dents, $3 general.A Day in the Death of Joe Egg:The Court Theatre productioncontinues through Dec. 22 in theNew Theatre, 57th and Universi¬ty. Thurs. Sun. (except Thanks¬giving Day) at 8:30 pm, 7:30 onSundays. 753-3581. $2.50 and $3 forstudents, $4.50 and $5.50 general.ArtFor Young Collectors: Japaneseprints, Italian missal leaves, en¬gravings and etchings from thesixteenth through nineteenth centuries, and contemporary piecesare among the works to be of¬fered for sale at the RenaissanceSociety's "Art for Young Collec¬tors sale." The sale, located inthe Bergman Gallery of CobbHall, opens this Sunday and runsthrough Sun., Dec. 16. Open daily11-5, Sun. and Wed. until 8.753 2886.Laurie Anderson Violinist/performance artist presents American-son the Move." Tonight at 8:30.Thorne Hall, LSD & Superior.$3.50 students. Presented byYoung Hoffman Gallery.Sophie and Morrie Wessel willhost an open house this Sunday at5499 S. Hyde Park Boulevard,from 1 to 8 p.m. Above, the coup¬le pose with Sophie's portrait ofMorrie.University ChorusThis Sunday the University Chorus and orchestra, conducted byJames Mack, will perform Mozart's Great Mass in C Minor. Many con¬sider this unfinished Mass to be Mozart's best choral work and also rankit among the greatest choral masterpieces. A work of such magnitude,however, deserves the best its performers can give; if the quality ofthese performers is any indication, Sunday's performance is sure to bememorable.James Mack came to the University first as a student, then later as aFord Foundation Scholar and as a fellow of the Contemporary ChamberPlayers. He is the chairman of the Department of Humanities of Chi¬cago City Colleges, and is music director at the First PresbyterianChurch. He has arranged, composed and produced for Ramsey Lewis,Nancy Wilson and Tyrone Davis; he also arranged and conducted musicfor Frank Sinatra and Sammy Davis Jr. for their recent benefit in Chi¬cago.Mack has directed the University Chorus since 1970. Since then, hehas managed to inject some of his own philosophy into the workings ofthe chorus. Largely due to his efforts, the chorus has become an enjoy-James Mack able facet of the lives of its participants; for many, the one 2 hour rehearsal makes the week. The members work hard; they have to, because Mack thinks the chorus should beopen to anyone who wishes to sing, and his subsequent demands for excellence serve to "weed out" those whoare not qualified. In his words, "a liberal policy doesn’t necessarily indicate a lack of high artistic stan¬dards."Besides hard work, the standards are maintained by the diversity of the chorus — it includes faculty, alumni, and a growing number of students; by a diverse repertoire of what Mack terms "serious music"; and bythe pleasure the chorus members takes in their work. In Mack's words, "people must have fun." Rehearsalsand performances should be "rewarding and enjoyable; (they) should make a significant contribution to thequality of the lives of the people." When good feelings are present during a rehearsal, the concert becomes alabor of love making for a truly enjoyable performance.In short, go. If you go just for Mozart, you will be pleased to note that there will be four excellent soloists;Janice Hutson, soprano; Carol Loverde, soprano; Robert Heinrikson, tenor; and Donald Ziff, baritone. Thefree performance is Sunday at 3:30 p.m. in Mandel Hall. I'll be there — I'm singing! — Sandy Harristhe grey city journal, Friday, November 16, 1979—3• fVA NewEnglandweekendby Laura CottinghamIn February of 1978, the College £of the University of Chicago par- jStic i pa ted in an Intercollegiate g1conference held at the University gBrown representative at conference, Eric Nelsonof Pennsylvania. The conference °was organized around specific nstudent interest topics including £Admissions, Social and PoliticalRole of the University, AcademicAffairs, Minority Affairs, andWomen's Affairs, t participatedas a delegate in Minority Affairs.After that conference, a few fol¬low-up meetings have been heldon the East coast. I attended oneof these meetings last Spring.Two weeks ago a member of theHarvard delegation called abouta meeting at Harvard on No¬vember 10. With travel fare sanc¬tioned by Jonathan Z. Smith, Jflew to Boston for the weekend.Friday night at HarvardSquare. At Grendel's. It's so HarvardSquaresque. Great chickpeaspread and decorative plants, it'sme and five males. One, fromPenn, organized what was oncecalled the “Little Eleven," then itwas good-bye MIT, hello “LittleTen." “Little Ten" equals ivyLeague plus Stanford plus U. ofChicago.After dinner and too much wineand too much scotch we go backto Mather House where the guysfrom Yale and Columbia are ar¬riving, Supposedly someone isworking on an agenda for tomor¬row's meeting but really every-apartment in Quincy Housewhere there are no roaches. Hisroommates come and we singsongs and look at art books andplay “guess which museum thisone lives at" and I win becausemost of them are from the Art In¬stitute so haha. People smile, gethigh, and live their lifestyle.Whenever introduced, myname was epitheted with “fromthe University of Chicago" andusually the first comment was,“Do you know anyone at North¬western?" The second questionconcerned the whereabouts oftheonly student from their schoolwho transferred to the U. of C.Five people asked me, “Are youhappy there?"The next morning, I am theonly one on time for the 9 ammeeting. The Harvard guysoverslept. Dartmouth isn't com¬ing. Cornell got lost. Stanford istoo far away.t sit reading Susan Sontag. Shedidn't go to Radcliffe but whenthe Harvard guys show up theytry to say she did. But she was anundergrad at The College. It's afact, written on the bookcover. SoI win — the Harvard guys neverdispute the facts.After the Harvard guys finishapologizing for bringing eightdozen Dunkin Donuts to the meet¬ing and concensus rules outsmoking and we go through fourand a half rounds of introductions, it's time to talk about theissues.Ooohh the issues. The assumptions behind the issues are muchmore interesting* than the issuesthemselves: We are the IvyLeague, an important definitiveGroup. We are students who un¬derstand the world order in a way it's never been understood. Wealone care about the horrible,wretched existence we call life,we call America. Only we.The issues (direct from thehand scribbled blackboard inM17):1. Obligation of IvyGrads2. Racism: coping withInstitutional racism3. Sexism4. Tenure: Who decides +teaching/faculty5. Ed. Philosophy6. Student Power7. Advising8. Student boycotts byleftwing radicals9. Security10. University Investment11. Who gets into IvyLeague (AffirmativeAction)12. University and theCommunity13. Financing Athletes14. Alums15. Financial Aid16. Frats17. Health oh Is Harvard20. Abuse of DrugsMe: But these are the samethings we talked about at the lastconference.Them; But that shows they'reimportant.M: That shows we're wastingtime.The donuts have been eaten up.We order out for pizza and beer.We discuss the issues and decideto narrow them down.The nine big issues are:RacismSexismTenure 4- TeachingAdvisingCosts of Education/Financial AidAdmissionsStudent PowerAthleticsJudicialThere are 15 men at the meeting now. One black. Two women— one doesn't open her mouth foreither eating or speaking.M: Don't you think one of theissues should be the issue of Edu¬cation itself? What purpose Edu¬cation should serve ... In servingthe individual, in serving the soci¬ety it supports.T: (Silence)M : Perhaps we should considersectors of American society thatare just as excluded from elitistinstitutions as blacks and womenare. Specifically, certain economic and geographical groups.T: We are not elitists.After we decided on the realissues we talked about the confer¬ence itself.M: What is the purpose of thisconference? How is it different from what we did at Penn in February?T: Let's stick to the issues.A proposal has already beentyped that outlines two conferences. One, a “small one" to beheld at Harvard in February is tobe a follow up to the Penn confer¬ence.M: What are we following upon, you guys? We don't have anyreports from any school but the Uof C. There's nothing going onanywhere.T: Let's stick to the issues.The second conference, the"big one," will be held in Manhat¬tan, Ted Kennedy will be asked tospeak. The conference will takeplace the weekend before March25, date of the Democratic Pri¬mary in New York.T: It'll cost $100,000. So we'rewriting up a proposal to get agrant from some corporation.T: We're asking for $200,000,just to make sure we get it all.We'll call it 'Ivys in the Eighties'.Don't worry, Chicago, IvyLeague is just an arbitrary clas¬sification that originated out ofwho played football againstwhom. And by now the issueshave been erased from the black¬board although we're still talkingabout the 'masses.' "A Harvard guy comes runningin with the latest news, and nowthe chalkdust from the issues iscovered over with:Harvard 41Penn 27Brown-losingYale-winningI flew back to Chicago the nextday. On the plane, a Boston busi¬nessman eying my notebook andA World History by WilliamMcNeil:“Are you a student?""Yes, Sir. Anthropology at theUniversity of Chicago."“My wife's brother went to theUniversity of Chicago. He says itwas the weirdest place he'd everbeen.""Oh."Woman on my left turns tospeak:"They have one of the best An¬thropology departments in thecountry, don't they?""Yes, we do."- "But I hear there's nobodyhappy there.""Oh, yeah, well I mean we allhave trouble being happy, don'twe?"(She, not convinced): "But doyou tike it?"(Me, smiling): I don't know. Ismile most of the time."The conversation changes toTed Kennedy, the Toulouse-Lau¬trec ashtrays they're selling inthe Museum Store at the Art In¬stitute, and how we hate feelingsick on airplanes.My thoughts change to how dif¬ferent our needs are from theother schools that think they havesomething in common with us.But they are the "objective," wethe "subjective." And they'resmiling, we're not.one is just trying to be cool. TheHarvard pre Med and I go to hisI was the only one on time for the meeting. The Harvardguys overslept. Dartmouth isn't coming. Stanford is toofar away.Killing its Students18. Judiciary19. Religion4—the grey city journal, Friday, November 16, 1979 GREY CITY VWaylon JenningsWhat Goes Around Comes Aroundby Mark NeustadtWaylon Jennings persists at least partially becauseno one has come to supplant him. He is the most re¬cent in a line of larger-than-life country-and-westernstars tracing back to Hank Williams. Unfortunalely,his years of glory ended in 1976 or '77 and what wehave been offered since is a rather pale reflection ofhis former self.Jennings has primarily two talents that account forhis stature. The first and most obvious is his vocalability. He has a rich, full baritone that scans a widerthan usual range, and a style of phrasing that leaveshis imprint on everything he sings. His second is hisskill at arranging and producing his music. He is oneof the few producers that I know of in Nashville whoserecords bear an easily recognizable sound.When Jennings was at the peak of his success, from1972 to 1976, both of these talents were used to best ad¬vantage. Although he wrote almost none of his ownmaterial, he produced album after album containinga coherent musical personality. It was during thisperiod that Jennings became known as an "outlaw."His outlaw, though, was a strange character, not at alllike the austere outsider portrayed by Clint Eastwood.’This outlaw would leave women in the middle of thenight, but also stay long past his welcome; he was atough lone-rider but occasionally exhibited unex¬pected intellectual leanings like in this phrase from"Let'sAH Help The Cowboys (Sing The Blues":)Cowboys have to fall in loveGet hurt and all that bit.Let their hearts hang outSo they can write you all of it.(1975; RCA records)Like the great performers of country-and-westernmusic, Jennings conveyed a musical persona thatwent beyond the simple stereotypes of the genre.But that was then and this is now; and as I said, thepresent Waylon is but a pale reflection of his formerself. His newest album, What Goes Around ComesAround, comprises a batch of unexceptional materialperformed in a perfunctory manner. The productionhas been turned over to Jennings' drummer, RichieAlbright, and the mix is unremarkable save for an oc¬casional over-mix of the drums. Jennings movesthrough the songs professionally but with little seriousattention; no song stands out from the rest for thequality of the rendition. The instrumentals sufferfrom an excess of guitarists (perhaps intended to ap¬peal to an FM audience). The one bright note is thebackup work of one Carter Robinson whose voice,reminiscent of Emmylou Harris's, is used to best ad¬vantage.It is unfortunate that country-and-western starshave such brief periods of peak creativity, and thatmost often their discovery by a wide audience marksthe end of that period. This does not diminish theirquality as performers so much as attest to the rigorsof producing music in such a commercial setting. Atleast we have records like Honky Tonk Heroes andDreaming My Dreams to remind us of Jennings's bet¬ter days; and they will have to suffice until anotherlarger-than-life male country-and western star comesto offer his personal vision of the cowboy in modern-day America.Juilliard QuartetHaydn: String Quartets Op. 20, Nos. 1-6 ColumbiaMozart: The Six Viola Quintets Columbiaby Ted ShenThe Juilliard String Quartet has been a vital force inchamber music ever since 1946 when its first violinist,Robert Mann, founded the group at the suggestion ofWilliam Schuman, then Dean of the Juilliard School.Certainly no other quartet commands a more exten¬sive repertoire: the Juilliard's ranges from Haydn toGinastera. Few other major quartets are as en-thusiastic in championing modern music: theJuilliard premiered several Elliot Carter works. Evenmore importantly, only a handful of quartets rival theJuilliard in the excellence of its playing. As its recor¬dings of the Beethoven Quartets amply demonstrate,the group's superb command of technique and intensefeeling for music are second to none. New darlings,like the Guarneri or the Quarteto Italia no, maymomentarily capture the public's fancy, but theJuilliard's place in that pantheon which includes theBusch and Budapest Quartets is comfortably assured.The Juilliard's personnel has undergone severalchanges since its formation, but its brilliance is not atfected at all. Of the present generation, only Mann re mains from the 1946 vintjCarlyss (second violin), SaJoel Krosnick (cello) — artway, I believe that Mann, 1dian, is deliberately infusinclest complacency should dt.group's approaches to varchanged, but its playing irigorous and masterful.In recent months, two r<personnel have been releastever been recorded by the gthe Haydn Op. 20 QuartetsQuintets are logical comp,tributed much to the de\quartet genre, and the latteigenre's achievement.The Haydn Quartets werhave always been recogniHaydn's oeuvre, to the strincthe history of music. Haycphonic form shows clearlquartets, as a whole, have ataking in the genre. In some,dramatic purposes. Haydn ithe quartet to balance the o'Nos. 2, 5, and 6 all concludAnother innovation was the'art music.' The third movebased on a Hungarian melcand more varied structure Itellectual level not commonquartets of that time.The Juilliard's performanexcellent, rightly emphasizand highlight the subtle nthese quartets as light nbrought out the intellectu,music, in their hands, not oialso intrigues the mind.Mozart's six viola quinteachievement in chamber rprofundity and the ambitkdirectly to the late quartets <we have to choose at all), th<one in E-Ftat (K. 614), Mozare indisputable masterpiecquintet, by departing from 1ble of four instruments, in'used successfully, the extraLeft: The Juilliard String QiWaylon Jennings. Bottom rsurably to the sonority and <of color and the possibilityquintets are good example:um.The Juiliard's recordingbably become the definitivJohn Graham playing thebrilliantly the expressive pcin particular, are performetensity. Take, for examplQuintet, a personal favoritplaying and careful attemmosphere can do full justicformance, the extraordinart0VINYL GUIDE'46 vintage. The others — Earl>lin), Samuel Rhodes (viola) and5) — are all recent recruits. In aMann, the group's artistic guar¬infusing the group with new bloodtould dull its performances. Theto various pieces might havelaying has remained resolutelyful.two recordings by the presentreleased. None of the music hasby the group before. To listeners,uartets and the six Mozart Violacompanions. The former con-the development of the stringle latter stand at the apex of thatets were composed in 1772 andrecognized as being central tostring quartet as a form, and toHaydn's interest in the sym-clearly in these pieces. Thehave a heavy texture previouslysome, the minor key is used forHaydn also introduced fugue intothe overall structure. Quartetsonclude in complicated fugues,/as the inclusion of folk tunes inmovement of Quartet No. 4 isn melody. This care for tightericture lifts the music onto an in-mmonly associated with stringormances, which are uniformlyiphasize the structual intricacyibtle nuances. By not treatingght music, the Juilliard hasllectuality of the pieces. Thenot only appeals to the ear butd.quintets represent his greatestnber music; and in emotionalmbition of the plan they leadirtetsof Beethoven. Of these, (ifII), the one in D (K. 593) and the), Mozart's last chamber work,erpieces. The form of the stringfrom the more common ensem-ts, invites special attention. Ifextra instrument adds immea- * is fully realized, from the yearning expressed by amournful cello in the first movement, to the poignan¬cy of the second, through the anguish and consolationof the Menuetto and to the exuberance of the finale. Ittestifies to the healing power of music.In these sets, we have the most personal andwonderfully inventive music of two great composersplayed superbly by an incomparable quartet (andrecorded in magnificent). Maybe that's one definitionof perfection.Lowell GeorgeThanks, I'll Eat It HereWarner Bros.by Bob LewisLittle Feat guitarist and vocalist Lowell George'sfirst solo album, Thanks, I'll Eat It Here is one ofthose albums that for several reasons you would liketo say is good. You liked Little Feat and you likedLowell George, but now Little Feat is gone andGeorge is dead — you really hope this last album willbe good, a kind of lasting monument and testament toGerge's ability as a musician. These songs are well-written, excellent songs; songs with those distinctiveLittle Feat rhythms that combine elements of jazz,blues, soul, country, and rock to create that "happy"feeling that dominates most Little Feat material.George's vocals on this album are also superlative,possibly the best he's ever done.Nonetheless there is something about Thanks I'llEat It Here that prevents you from really liking thealbum; it is horribly over-produced. George obviouslytried so hard to make the album perfect that he endedup making it sterile. When Little Feat built a rhythmthey did it by improvising on the basic rhythm, byvarying the changes; in a phrase, they made therhythm sound like a live jam. George put an end to allthis on his album — he kept the great rhythms, but inmaking them perfect he destroyed the live effect. Theresult is disasterous, the album feels like a cold, scien¬tific, and monotnous lecture on the song writing andvocal abilities of Lowell George. Even the songs thatwere meant to be funny, "Cheek to Cheek" and"Himmler's Ring," lose most of their effect becausethey are done so seriously. A joke can't be told scien¬tifically.A more graphic illustration of George's sterility ong Quartet: Robert Mann, Earl Carlyss, Joel Krosnick, and Samuel Rhodes. Top right:right: Lowell Georgethe album is the almost complete lack of George'sslide guitar work. With Little Feat, George wasfamous for his distinctive and superlative slide guitarstyle that rivaled that of Duane Allman. On ThanksI'll Eat It Here George ignores his talents as if hewere ashamed of them. Like the many black people,Chicago bluesman Buddy Guy speaks about who ig¬nored blues because "they had been taught that theblues is a low-class, gut-bucket music," George, itseems, is afraid his slide guitar might destroy the sophistication he wants so badly to achieve on ThanksI'll Eat It Here. A little less sophistication, a littlemore soul, and George's album would have been tre¬mendous. As it stands, it is very average.nd expands greatly the rangeility of dialogues. The Mozartof success in this medi-ing of these pieces will pro-nitive one. The Quartet, withthe additional viola, explorese possibilities. The later ones,rmed with great emotional in-mple, their rendition of theorite. Only superb individualention to the emotional at-stice to the piece. In this per¬nary range of emotional tones — —-———-—-— —The Aches and Pains of an Anthologyby Molly McQuadeWhen I was a student ofJoyce Carol Oates, I learned todistrust her classroomjudgment. In literature sheseemed to value objects overtreatments, to disregardcallow or slack-handed prosefor the sake of a sensationaltopic. Areas unknown to heraroused her interest, thoughthe writer might not — but shedidn't differentiate betweenthe two, or put blame, as wellas praise, where it belonged.At the time, the pieces Oatesconsidered were written bystudents — clumsier than mostprofessional fiction, andunlikely to inspire unanimouscritical support. Oatescertainly wanted to giveencouragement, even when ourstories didn't deserve it. Still,her seeming critical lapsesmade me curious to read thisyear's Houghton Mifflinanthology of best Americanstories, which she edited.What is Oates's attitudetoward colleagues, rather thannovices? And what is hertaste? First, it is necessary tonote that she worked with acollaborator, who made theinitial selection of 125 storiesfrom 1494 (153 periodicals wereconsulted). 100 runner-ups arelisted in an appendix, butwe're unable to appraise them,let alone the remaining 1369.All of which means that thebook was subject to the usualanthology chicaneries, that noone can be held solelyresponsible, and that the massof material in some sensedefied purposeful selection.Survivors of the process, editorincluded, deserve more than alittle love.Yet, the most outstandingcharacteristic of Oates'volume is its conservatism.This is a trait typical of theHoughton Mifflin series itself.The rival O. Henry anthologytends to be more adventurous.O. Henry prize stories dredgeup fewer familiar names andfewer shop-worn story lines.Their aim, in part, is tointroduce new talent, not justrecapitulate the old.The best anthology doesmore than represent trends; itenlarges on them, bysupporting experimentation. Itbrings to light writers whobreak from current practice,who defy fatuous rules. Ittakes risks. It suggests newdevelopment. This theHoughton Mifflin anthologydoes not do.Instead, the anthology (notto say Oates) retrievesestablished talents, and invests(shakily) in a minority of newwriters. At times, theanthologies choose work ofwriters who have publishedbetter, during the year, in onecase, the anthology rewardsbanality that only a slickwomen's magazine could havesupplied. (The offender?Mademoiselle.) In general,Oates appears to prefer thesmall moment, in fiction, thegentle revelation, and, morebafllingly, the predictabletalent.But there are exceptions.One is Lynne Sharon Schwartz,published in The OntarioReview, which Oates and herhusband edit. In "Plaisir D'Amour" Schwartz deftlyevokes the loneliness of a NewYork widow. Vera, the widow,succumbs to illness anddespair after her husband'sdeath, but chooses to makerather than accept sacrifices.She sends her son away toschool although he wants tostay and help her. She puts upwith the capricious moods ofher daughter, and with theyouthfulness that lets Jeanexpress every frustration andinnocent hope freely. ThoughJean seems more authoritativeand knowing than her mother,she is only younger, lessexperienced. She doesn'tappreciate the meaning ofrisks, because she hasn't livedto regret the big ones yet.But Vera has, and Vera (asher name implies) regretsthem faithfully. She's sensitiveand sponge-like, can't deny theinfluences and mishaps thatbefall her. Since she can'tresolve any more than denythese mishaps, they take oddshapes in her mind. Thoughshe doesn't discuss them, sheprivately transforms them."Plaisir D'Amour" involvesone such transformation, onehealing act. In her state ofstoic widowhood (grief itselfhas passed), Vera invents apair of lovers who keep hercompany. It doesn't seem thatshe invents them; they cometo her in a dream, withstrange, otherworldly namesthat themselves help impose acure, help remove Vera fromher inconclusive struggle.".. .the name Brauer hadsomething to do with theGerman word 'Frau,' and'Elemi' was a word shehad often written in cross¬word puzzles. It meant asoft resin used in makingvarnish."*’But Vera doesn't abuse herphantoms with demands forexplanation, proof. She’simplyenjoys their ongoingexhibitions. They show,always, that they're in love."She saw Brauer andElemi again, this timefollowing a Spanish build¬ing superintendent up thestairs to see a vacantapartment. . . Brauer andElemi “Were holdinghands as before, theirfaces glowing with joy."Because she watches them,Vera herself feels the effects oflove, but with a difference. Shedoesn't depend on a loveobject; she makes no requestsof anyone. Love transports andnever disappoints her. Itleaves her detached, pure.And unhurt — or so shethinks, in her mood of elation.But left alone for the summer,Vera becomes a victi r\ toromance.Brauer and Elemi reawakenVera's fear of love when, aftervisiting her apartment oneevening, they make love. Theynever have before, not in herpresence. She never askedthem to, didn't expect it,because for Vera passionalways constituted a threat.For her husband's sake, sheadapted to it, until her fear otthe threat came to define her.His death allowed her a foggy. release from the responsibilityof being herself. Brauer andElemi end, as well as initiate,Vera's false, forgetful serenity. Yet clearly Schwartz haswritten better stories than this.1 She went out on a limb for"Counting Sheep," publishedlast spring in The ChicagoReview, as she didn't for"Plaisir D'Amour." "Plaisir"abounds with careful details;characters are well-drawn;Vera's fantasy and unheavalare wonderfully handled. Butthe structure of the story isconventional."Counting Sheep" is not,> though the theme is quitesimilar. By way of interiormonologue, a womancharacter describes herdifficulties with men, while sheis sleeping with one. Herworries keep her awake, so shetries "counting sheep" —personifying each one as itjumps the fence, clears onepart of her past life. Eachidentifies a different aspect ofthe woman. By the time shehas lulled herself to sleep, herlover has woken and begun to1 make demands. As she firstadmitted, she cannot reallymeet them, only appear to.Her imagination, not just herfear, separates her from him.And her imaginationenriches the story, short as itis. Vera's does not, in "PlaisirD'Amour" — or, not to thesame extent. It isn't meant to;it's frailer, more whimsical,more private, and we aren'tallowed in.But as for the other storiesin the anthology. . .severalmake satisfying Sundaymorning reading, without, offering many surprises.Bellow's, Styron's, andBowles'sstories belong in thisclass. Each one is powerful.Bellow writes about a roguishSouth Side businessman andthe fierce, unconventional lovethat binds him to his son.Styron tells the story of a freedslave who returns to theplantation where he was bornwhen he is about to die. Bowlesstarkly recounts the death, byslow poisoning, of a newcomerto Tangier. Each storydefinitely makes its mark.Each leads you dependablyaway from the confines of yourlife, and returns you refreshed.But none of them shocks orastounds. They're toocomfortable, somehow, toowilling to merge with the restof literature and to continuethe writers' own lifespans.They connect too well withwhat's been written before, as, if there weren't new ground or1 new ways of writing about it.Not everyone has to makeconscious efforts at fictionalinnovation, but editors shouldmake conscious efforts atfinding it. The short story, likemost, is an elastic, changeableform.( Some disagree. ReynoldsPrice, reviewing theanthology, had someastonishing suggestions tomake. One was that short1 story writers, such as himself,have no time to read shortstories, and no desire to.Unsurprisingly, Price went onto pan the anthology,particularly Schwartz'scontribution. It's hard tounderstand how a writercouldn't take fiction seriously;how he could fail to respectoriginality endlessly demandedby the genre.Unassigned Readings and Other Guilty Pleasuresthe grey city journal, Friday, November 16, 1979—5t Ruby's Merit ChevroletSPECIALDISCOUNT PRICESfor all STUDENTS andFACULTY MEMBERSJust present your University ofChicago Identification Card.As Students or Faculty Membersof the University of Chicago you areentitled to special money-savingDISCOUNTS on Chevrolet Parts,Accessories and any new or usedChevrolet you buy from Merit Chev¬rolet Inc. i’ Ket•/> Thai (rVrtiPGW FerlinifGZNEBAL MOTOBS RABTS DIVISION G tGRUBY’SCHEVROLET ^otvtatiyegu,^c/ /*•CAREERS TOMORROWBy GENE R. HAWESThe first and only guidebook thatconcentrates on those career areaswhich will have substantial growthduring the 1980s Orawn from thelatest Department of Labor statistics,it reveals the highest-paying, mostsecure professions in the comingyears More than 100 are discussed,with information about:• the character of the workthe personal qualficationsrequired• die salaries and personalsatisfactions offered• working conditionsi advancement and relatedcareers• the best method for “breaking in”much, much more.PLUME Z5214 *4 95 VDon’t Just Wade Through the Snow —Glide Over It With the Helpof DANCE EXERCISEFREE INTRODUCTORY LESSONSaturday, December 1at the Lehnhoff School tof Music and DanceA special course from December 1 throughFebruary 23 (Xmas excluded) taught byLinda Wagnon, member of the RichardArve Dance Co.Saturdays 3:30p.m. -4:30p.m.10 lessons for $201438 E. 57th StreetChicago. IL 60637288-3500 YOUR CAREERHow to Plan It, Manage II, Change IIBy Richard H. 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HawesThe only guide that ranks colleges good,better and best buys the least expensiveschools with the best programs and repu¬tations The only guide that lists schoolscategorically by state ratherthan alphabetically, oflenng thereader fresh insight and useful¬ness(g)PLUMEZ5183 $7.95NEW AMERICAN LIBRARYEducation Department120 Woodbine Street Bergentield N J 0762172nd & Stony Island 684-0400Open Daily 9-9, Saf. 9-5 Parts open Sat. 'til Noon(Vfiw RUBY’SVOLKSWAGEN r72nd & Stony Island 684-0400Open Doily 9-t, Sot. 9-5 Parts open Sat. til Noon Drink!For you knownot whence youcame, nor why;and know notwhy you go,nor where.Jimmy’sTHE JEWISH LEGAL POSITIONON CAPITAL PUNISHMENTR ABBI MOSHE SOLOVEICHIK - ProfessorTalmud. Brisk Rabbinical College. ChicagoFRIDAY - NOVEMBER 16 - 8:30 P.M.HILI.EL FOUNDATION - 5715 WOODLAWN VERSAIIIE5254 S. DorchesterWELL MAINTAINEDBUILDINGAttractive 1V* and272 Room StudiosFurnished or Unfurnished$192 - $291Rased on AvailabilityAll Utilities IncludedAt Campus Bus Stop324-0200 Mrs. CroakThe Visiting Committee to TheDepartment of MusicpresentsPerspectives on OperaMonday, November 19Professor William C. Holmes,The University of California, IrvineThe Reworking of Guiseppe VerdisLa Forza del Destino8:00 P.M.LEXINGTON STUDIO • 5835 University Avenueadmission is free and open to the public NOW! at these select theatres—ESQUIRE * FORD CITY * GOLF MILL58 E. Oak 7501 S. Cicero NilesRIVER OAKS * SOUTHLAKE MALL WOODFIELD*Calumet City Merrillville, Ind. SchaumburgA MARVIN WORTH/AARON RUSSO PRODUCTION • A MARK RYDELL FILMPRODUCED BY MARVIN WORTH A AARON RUSSO • DIRECTED BY MARK RYDELLSCREENPLAY BY BILL KERBY AND BO GOLDMAN • STORY BY BILL KERBYEXECUTIVE PRODUCER TONY RAY • DIRECTOR OF PHOTOGRAPHY VILMOS ZSIGMOND. A S CCOLOR BY Of LUXE • ORIGINAL SOUNDTRACK RECORDING AVAILABLE ON ATLANTIC RECORDS AND TARES • READ THE WARNER BOORIN 70MM m SELECTED THEATRES fDDL DOLBY STEREO + " [•& wesriwcreo ~~mm n mouims icttmrtiim Inil ■ i ii mu i lutmu /6—the grey city journal, Friday, November 16, 1979FunkyPunkyPoliceby Lisa von DrehleWhat can be said of a rock and roll banawhose lead singer appears in concert in alavender leisure suit and whose new L.P. iscalled "30 Seconds Over Schaumburg"?Well, for starters, they're Pezband, they'refrom Chicago and they opened for The Po¬lice last Friday night at the Riviera.Pezband are a four piece band — two gui¬tars, bass and drums — who specialize in su¬burban rock and roll. They played for about40 minutes to a lukewarm crowd and werenot called back for an encore.In contrast to the amateur antics of Pez¬band, The Police gave a very professionalshow. This is characteristic of their work.Before the release of their first album theymade a lucrative deal with Wrigley's to ad¬vertise their gum. This move brought onstorms of criticism from the British musicpress, N.M.E. et al, feeling that they had be¬trayed the ideal of the starving artist andhad thus lost all rock and roll credibility.The Police have been working to overcomethis stigma ever since.Friday night's show was an assertion oftheir ability. With Sting on lead vocals, fre¬tless bass and moog; Andy Summers on gui¬tar and moog, and Stewart Copeland ondrums, they played a fair selection of songsfrom both their first and new albums. Theyopened with "Next to You," followed by "SoLonely," two familiar songs which thecrowd was sure to recognize.During "So Lonely" they started jam¬ming, Sting extending the refrain of "so lon¬ely" until it ran for about five minutes. Heused a foot pedal moog to achieve an echoeffect on his voice, a trick which was repeat¬ed several times throughout the show.After these two crowd pleasers The Policemoved on to material from their new album,Regatta de Blanc. Like those on their firstalbum, most of their new songs deal with thestandard rock and roll theme of rejection,loneliness and love problems. Regatta deBlanc explores further the reggae fusionwhich Police originated on their debutalbum. Since "Regatta de Blanc" means,white reggae," this title stresses theircommitment to reggae rhythms.It was the funkier, more reggae inspirednumbers ("Message in a Bottle," "Walkingon the Moon," "The Bed's Too Big WithoutYou") that The Police played on Fridaynight. They all feature Sting through promi¬nent bass riffs and vocals. Sting has acharismatic stage manner and quickly be¬came the center of attention. The self assur¬ance, which comes from starring in a majormovie (he recently got good reviews for hislead part in the Who's Quadrophenia), wasapparent as he strutted and skanked aroundthe stage. Unfortunately, Copeland andSummers had little exposure due to theheavy emphasis on Sting.The crowd seemed sedated, but with"Roxanne" they finally rose, remainedstanding, and danced until the end. The Po¬lice finished with the appropriate "Can'tStand Losing You" and then did two en¬cores. For the finale Andy Summers re¬placed Sting in the spotlight for "Be MyGirl." In the middle he recited a poem aboutthe delights of love with an inflatable doll.This idea, although not original, was prettyfunny, expecially when sandwiched betweenthe bubble gum sounding refrains of "Willya be my girl?" The crowd loved it.During the show Sting announced that Po¬lice would be going over to "Rollermania"at the Aragon afterwrds. All three hung out,chatted and signed autographs in a casualfriendly way, later donning roller skates tojoin the crowd in "Rock and Roll Rollermania."It is pretty amazing for a popular group tobe this accessible. Having alienated themusic press they are determined to be goodto their fans. This refreshingly friendly atti¬tude is a welcome change from the "Don'tTouch Me There" attitude of most groups.Although they are not doing anytmngstartlingly new musically, their development of reggae riffs in mainstream musicdeserves attention. Despite what N.M.E.may say, support The Police. Gerard Charles conducting a class at the Lehnoff StudiosHyde Park's schoolof dance and musicby Robin MitchellThe Lehnhoff School of Music and Dance presented a concert by faculty members onSunday, November 4, intended to show the high quality of its teachers. The project resultedin a concert which was highly personal, as is the school itself.Located at 1438 E. 57th St., the school is centered on the individual. Children enrolled indance classes are told that no two people can dance the same because every body is dif¬ferent. The emphasis in the children's programs is on creativity rather than on technique,which is considered later. All kinds of dance at every level are taught. From what I couldobserve, students and teachers seem to have good relationships with one another.The music department, supervised by members of the Chicago Symphony, offers lessonsin various instruments, voice and music fundamentals, the program of instruction is flex¬ible; children can learn to play violin and piano either by the Suzuki method, in which stu¬dents learn to play by rote method before acquiring the ability to read music, or by thetraditional style, in which they learn music fundamentals before playing an instrument.Many adults are enrolled in beginning and advanced classes. Chamber music groups arealso arranged for those interested.The faculty concert was initiated by Mrs. Lehnhoff's concept that a good teacher whoconcertizes is an excellent one. The concert began with soprano Teresa Orantes, a teacherof voice who has appeared as soloist with the Chicago Symphony. She was accompanied byEvangeline Mendoza, a piano teacher who is also on the faculty of Chicago State University,in a series of Spanish songs, which were a nice vehicle for her beautiful voice and warmpersonality. One extra pleasant touch was the song she sang especially for the children inthe audience.Mark Zinger, a recently emigrated Soviet violinist and former head of the Odessa StateConservatory, performed in the second half of the program. The first piece, the VivaldiDouble Concerto,, saw Mr. Zinger accompanied by his daughter on violin and Ms. Mendozaat the piano. His performance was very precise and contrasted nicely with the rich, fullbodied tone with which he played other works by Shostakovich and Tchaikovsky. He beginsteaching in January.Conversations with several students enrolled at the school indicated they think highly oftheir teachers both as educators and performers. From their comments and what could beseen in observing several classes, much of the success of this institution stems from itsemphasis on personal instruction and the resulting friendly relationships among studentsand faculty. Sunday Artby Philip MaherThere will be an artists' studio open houseat 5471 Dorchester this Sunday, November18. That is: good original art, inexpensivelypriced, in a comfortable setting.Alma Mathews lives with her husbandthere. She is a prolific artist and has filledtheir house with watercolors and batiks. Herwatercolors are mostly landscapes collect¬ed from their travels through America:from New Mexico, Arizona, and Utah toNew Hampshire and Maine. Interspersedare scenes of Chicago as well.Her style is simple and true to life. Thereis never any question as to what the viewerlooks at. Besides landscapes she paintsclose-ups of natural scenes: lavender cro¬cuses in bloom, Ocatillo cactus, or rocks onthe New Mexico desert floor.Mrs. Mathews works in many mediums:on display are batiked wall hangings, intri¬cate and multi-colored, more abstract thanher watercolors. Also some acrylic paint¬ings on fabric, as well as some prints.The artist explains that she jumps fromproject to project. She may paint ten dif¬ferent skys in watercolor, then work on eachone separately. One may inspire a batik de¬sign, which in turn inspires a fabric design,and so on.Sharing the house on Sunday will be Deb¬bie Shapera — a young jewelry maker whoworks chiefly in silver, though she plans totake up gold soon.She is Chicago born and raised — shespent two years as an apprectice tye dyerbefore discovering her calling as jewelrycraftsman. She learned the trade from Bar¬bara Zuckerman, another Chicago artist —but is now developing her own originalstyle.One can see the progression of her work —starting with small, simple designs in silverwire to intricate mazes of interlockingforms. Her work has an admittedly Orientallook to it, reminiscent of mandalas or Isla¬mic arabesques. Also exhibited are abstractsand cast designs — markedly in contrast tothe tightly knit structure of her wire jewel¬ry.Ms. Shapera explains that she is torn be¬tween the sinuous, woven designs and thearrangement of planar, abstract shapes.Thus she has invested in lapidary equip¬ment to combine the smooth shapes of rockwith the flexibility of silver.The most surprising aspect of this show(and the most pleasing), is the prices. Theyare low enough to fit any student's budget,and though the quality of the work wouldseem to demand higher prices, as Mrs.Mathews put it, "I just want everyone to beable to have one of my paintings."The show is truly an "open house." In thekitchen are coffee, lemonade, homemadecake, and breads and cheeses. Both artistsare affable and easy to talk to.The address again is 5471 DorechesterAve., this Sunday, Nov. 18, 1 to 6 p.m.Snooky, Ted, Homer, Jimmie, Bob, Fenton, Jimmy,and Johnny Shines say boogie on down to the MCAby Bob LewisThere are problems with a blues concert in an art gallery. Thelights are bright, the acoustics average, and there is no dance flooror bar. In many ways the musician appears like an exhibit or astatue, the product of someone's creative genius and not thecreative genius himself.The amazing thing about the "Sunday Blues" series at the Museum of Contemporary Art is the way in which both the audience andthe musicians cooperate to overcome these apparently overwhelming obstacles. The shows start awkwardly: the musician wonderswhether he can step off his pedestal and establish emotional contactwith the audience; the audience wonders if it is proper to acknowledge emotion or whether a shout will attract armed guards and acrowd of shocked, gaping onlookers. Nevertheless, the spirit of theblues overcomes the entire group, inhibitions are forgotten and, inthe words of Snooky Pryor and countless others, "Everythin' gonnabe alright."The first Sunday concert on November 4 was intended to illustratethe origins of Chicago blues, by featuring three 1920's style bluesmusicians: Ted Bogan, Homer Harris and Jimmie Bell. Unfortunately, Harris and Bogan never showed, so the show was left to Jim¬mie Bell. Bell's performance was unusual; his style combined manyof the styles of the various types of musicians he has worked withover his long career. When he played straight blues or jazzy, St.Louis blues he was tremendous. His knack for improvising melodiesis great: while playing one song he discovered something in the metody that hinted at another melody and suddenly he would be playingsomething very different. The transition was so smooth, so naturalthat the change was almost unnoticeable. He demonstrated thisability to take advantage of many hidden potentials in melodies inall his songs. Unfortunately, however, he tended to drift away from blues and jazz and to play — and play well — a horrible style bestdescribed as 1940's pop; "I Left My Heart in San Francisco"music. So many years spent playing Holiday Inn lounges takes itstoll.Last Sunday's show was the second in the series, and it more thancompensated for all the problems of the first. It featured SnookyPryor, Homesick James Williamson, and Johnny Shines. Pryor wasscheduled to play with Homesick's band but Homesick was unableto attend (home sick, maybe), so Pryor played with his own band.Without Homesick, Pryor played all the solos himself; and while heis a moderately good harpist, it is not easy to solo over the sametwelve bar blues in A for two hours without becoming repetitious.Still, Pryor handled the task passingly well and by the end of his sethad the whole audience, from the 70 year old women to their fouryear old grandchildren and everyone of all ages and races in between, boogieing.The second performer, Johnny Shines, is certainly one of the mosttalented musicians I have heard. He did not play electric blues as Ihad expected, but played solo acoustic blues, a style which, to mytastes, is the most moving. Shine's ability to sing one melody and atthe same time to play another, is incredible. Add a bottleneck to hispinky and the interplay between bass notes, chords, fingered notes,bottleneck playing and vocals is overwhelming. Shines arrived a bitlate — he had just driven from Alabama — and had no time to warmup. It showed during his first number, but after that he was nearperfect.Sunday Blues continues in future weeks with more outstandingperformers. Next week, November 18, Fenton Robinson and JimmyDawkins, both well known electric bluesmen, will perform. Twomore concerts, on December 2 and 9, will be noted in the November30 gcj calendar.the grey city journal, Friday, November 16, 1979—7DavidMillerThe Trouble Boys: (front) Don Heddeker, Bart Goldberg, Mark Erwin,Larry Cohen, (rear) Tim Spears, and Michael HaederleNo trouble with these boys!by Renee Saracki *The University of Chicago is not a campus that is bursting with rock 'n' •-roll bands. All last year there was only one band on campus, Radio Free £Illinois, but last spring The Trouble Boys formed to play good rock 'n' roll jfor U of C students. They are comprised of six kids, five of whom are U of cC students, who only want to play good rock 'n' roll. The members are £Bart Goldberg, guitar; Mike Haederle, guitar; Larry Cohen, bass; Mark £Erwin, drums; Tim Spears, vocals; and Don Heddeker, guitar (Donny isalso a deejay for Chicago's best punk show, "Anarchy in the U of C" onWHPK).The Trouble Boys arose last year to counteract the deadness of U of C'sother rock band, Radio Free. Now that Radio Free is defunct, The Tro¬uble Boys have a fairly open field on campus and they're just beginning totake advantage of it.The Trouble Boys formed from a desire to liven up the lives of a greaterpercentage of dorm dwellers. They are not a band that wants to pander tothe chic apartment resident but to reach the alienated freshman throughgood rock 'n' roll covers.The Trouble Boys have diverse musical tastes which encompass TheStones, Neil Young, and The Heartbreakers. Their repertoire consists ofabout 30 songs with such obscure rock 'n' roll treasures as Sam Cooke's"Twisting the Night Away" and Johnny Rivers's "Secret Agent Man."Each Trouble Boys show has three sets and ends with powerful rock 'n'roll songs like Lou Reed's "Sweet Jane," Neil Young's "Hurricane," andThe Stones's "Satisfaction."One of the main influences of The Trouble Boys is Chuck Berry, everyshow starts with a rollicking version of "Sweet Little Sixteen." MoreChuck Berry songs are present throughout their sets: "It Wasn't Me,"'Little Queenie," and, occasionally, "Johnny B. Good."Visually the group is pretty low-key with the possible exception of DonHeddeker, whose dress and buttons express a certain punk allegiance.Their dress, however, belies their enthusiasm and the thrill they get justfrom playing. They are a great band, for watching as well as dancing.The Trouble Boys have played two gigs this year. The first was at TuftsHouse, where they were called back for three encores. Last week theyplayed in the Woodward cafeteria and I was there for the third set. In thatset, The Trouble Boys played a great version of "Little Queenie" and didjustice to the Heartbreakers's "Born Too Loose" and New York Dolls's"Pills." For an encore, they did "Satisfaction" and everybody danced.The more the kids danced, the better the group played. The Trouble Boystruly relate well to their audience, a virtue that plagues them during theirrehearsals — kids come to watch and end up staying and dancing. As aresult, The Trouble Boys's practices will be more private in the future,thus insuring continued excellence.The Trouble Boys want to get kids dancing and achieve this through ablitzkrieg attack of three guitars and a steady rhythm section whichbacks up these manic guitars. The primary aim of The Trouble Boys isfor students to have the opportunity to dance to something other than TheDead or disco. They want to get kids out of their dorm rooms and onto thedance floor through good rock 'n' roll. For this noble ambition, The Trouble Boys should be called back for another encore. And don't forget todance! me Funny paper*But who will buy me something?by Lisa von DrehleThe other day I went to The Funny Papers on Black-stone at 53rd and got all of my Christmas shoppingdone in one fell swoop. I chose something for everyoneon my list from among the original art works, cartoonmemorabilia and neat little objets d'art.My Dad, who is a ruthless corporate executivebased in Des Moines, is going to get a framed originalfrom the "Powerman" cartoon strip. This was expen¬sive at $40, but I figure it will appeal to both his vanityand sense of style. I got my mother an adorablematching apron and potholder set, with a graphic of apig and "Cochon" written on it. This came to $10. Myolder sister, who just got her M.B.A. from Harvard,isgoing to get an assortment of hand painted expression¬ist greeting cards. These were$2.50 each and shouldappeal to her new bourgeois mentality.My little brother is always fun to buy for, but I reallyindulged myself this time, buying him an art deco air¬plane lamp. It is beautiful, in chrome and coloredplastic and cost $75.Uncle Fred and Aunt Dorothy in Cincinnati aregoing to get some artsy stationary. Their two spoiled kids will each be getting something, that, for once,they have to do themselves. Bucky gets make-yourown moving picture books and Cindy can color herown greeting cards. These came to $4.I really went overboard for my boyfriend, Stanley.They had a beautiful poster of Marilyn Monroe, aclose-up of her face with her lips slightly parted —very sexy. It was worth the seven bucks 'cause I fig¬ure that it will remind him of me.I'm giving my analyst a Mickey Mouse watch($17.50) and Leslie, the leader of my Woman's-Con-sciousness Raising-Group, is getting books on car¬tooning. Friends will receive an assortment of rubberstamps. I got an appropriate stamp for each friendwith messages, letters,and designs on them. Thesevaried between $1.50 and $4.00. They're making up aspecial stamp with a cheerleader on it for my darlingroommate, Betsy.The Funny Papers is a pleasant store and is run byNancy Turpin, a woman who prefers Hyde Park to theNorth Side. She has made a valuable contribution tothe bohemian corner of Hyde Park. Try to get therebefore the Christmas rush.Indian Danceby Ellen ZimmermanSunday evening at 1-House a few luckymembers of the U of C community weretreated to an evening of pleasure which, un¬fortunately, the majority of the communitymissed. Sharon Lowen, who has recently re¬turned from five years of dance study inIndia, performed a program of variousby Ken WissokerRecently I went home to Boston for the weekend, and had the oc¬casion to stay at a friend's house for a day. Leah was a good friendin high school, and Friday night we invited over another friend,Dena, and sat around and talked. I had a relationship with/crush onDena for two or three years in high school, which manifested itselfin long nightly phone calls. I hadn't seen her in a few years, and wewere both a little apprehensive about how things would be.It turned out very well, and I ended up talking to Dena on thephone for an hour on Saturday and again on Sunday. Just like oldtimes. Saturday, wandering through Cambridge, I realized thateven though Leah, Dena and I had ail changed significantly, I couldstill communicate with them, still liked the people they are. If theylived here I knew we would still be close friends.Normally the past seems so unsatisfactory that I want to severmyself from it, to repress it as soon as possible. Yet, here was thispart of myself I could go back to and feel really good about.There are people I know from my first year whom I consideredgood friends and spent a lot of time with, but when we meet now, wehave nothing to say. I am happy to see them when we first sight eachother, but usually feel relieved when we part.This has been my usual experience with friends from high school:we exchange the facts about our life situations, but the interest ishistorical — one thread accounted for, a file completed. Then, whenI meet someone else I tfave nothing to say to, l can relay these facts,and we can comment on them, instead of really trying to talk about•—the grey city journal, Friday, November 16, 1979 ourselves.When one has only fit into a role in relation to another person, howcan you begin years later to say, "Really, I am not reducible to thisor that; other things are more important to me."A similar-situation prevails with parents, at least with mine. Theyhave values, and a structure of relations which I fit into in a certainway. They sometimesunderstandhow I have changed, but cannotreally adjust to it, and when it is in inevitable conflict with theirown values and expectations, they can barely accommodate it. Icome home to their static situation and am expected to fit in as if Inever left. I think my mother still expects me to sleep in paja¬mas.To know and understand someone in a way which accommodatestheir changing requires knowing and liking them as a person, not assomeone who fills a particular role for you at a particular time. Thisinvolves a certain honesty and an effort at some mutual understand¬ing of what life is about, of what is worth doing for what reasons.What must be avoided is the objectification discussed in the por-nography/repe articles. We are socialized into ways of dealing withpeople, and because of what socialization is, the particularness ofindividuals is easily lost. People become both interchangeable anddispensible when they are only filling roles. This is how we mustdeal with people we come into contact with, however, if we cannotdeal with anyone in a more personal, honest, and less programma¬tic way, then we have become mechanized, and have lost the greatpotential that there is in human relations, and in ourselves. styles of Indian dance, sponsored by U of C'sSouth Asia Language and Area Center, andpresented free of charge.Sharon began her program with four ex¬amples of the Manipuri style, which is veryrarely performed in Indian dance concertsin this country. The first two, Vasanta Rasand Dheera Sameeraj, were performed witha lyrical grace that captured the mood ofpassionate religious love inherent in thesedance dramas. Sharon's performance of theKartal Cholom was an interesting breakwith tradition, as this dance is considered amasculine style in India. The constant useof the kartal (cymbal) by the dancer createsan intricate rhythmic pattern, which soundsextremely unusual to the Western ear.ear.Sharon excelled in the Chhau style dance,Natraj, in which Shiva is depicted in medita¬tion, in victorious battle with demons, and incelebration of peace. The piece, involvesmany torso thrusts and leg extensions in themidst of extremely difficult balance postures, which are representative of the godShiva. Sharon executed these movementsflawlessly, giving impressive evidence ofher extensive training in ballet and moderndance prior to her study in India.The second half of the program consistedof three dances in the Odissi style, which isperhaps more familiar to Western observers of Indian dance. Sharon's performance of the intricate rhythmic pattern ofsteps, combined with her delicately joyfulstyle, left the viewer with the delightful feel¬ing of having been briefly transported to an¬other world.>**)fcfcis?i■■■.>■TLetters Continued from Page 6trust you. He may try to frustrate you by,showing up at engagements late, not show¬ing up at all, or by deliberately avoiding allcontacts with you. They will not becomeyour friend until you have proven yourfriendship to them.I am personally disappointed at theamount of apathy in the students heretoward helping others. Besides the O.B.S.volunteer program, there is the Student Vol¬unteer Bureau as well as local, state, andfederal volunteer programs. Every student,faculty member, administrator, and em¬ployee is urged to spend at least 8 hours amonth volunteering their services.Charles (Tony) Knightvice-president, OBSOh that MaudeTo the Editor:In speaking of Maude Hutchins, thefamous Christmas card was a line drawing,done Egyptian style, of Franya Hutchins,aged about 13, carrying a large candle andwearing nothing. I can still see it leaningagainst our mantlepiece. I also rememberthe last card — thus ending an era in whichthe holiday season hadn’t begun until yougot the yearly Hutchins card — my motherand our neighbor, Jacob Viner’s wife,opened ours with glee, only to find a drawingof Jesus Christ, with a crown of thorns, andHis face was Maude’s.After that, really nothing any U of C presi¬dent sent was terribly significant, howeverfriendly.Maryal Stone DaleMore on rapeTo the Editors:Since the debate began a week ago overthe relationship of rape, pornography andviolence, I have attempted to familiarizemyself as thoroughly as possible with thesociological studies which have been con¬ducted on rape. What emerges is that thestatements contained in my article “InDefense of Pornography,” wereremarkably accurate, far so in fact, than I—.bad even expected. Both Adrienne Weseleyand Jerry Dyer are critical of my thesis thatrape is a product of subcultures of violence,and insist that it be viewed as a manifesta¬tion of a sexual ideology prevalent in societyas a whole. Dyer claims that my view “fliesin the face of the facts, given that rapeoccurs at every socio-economic level of soci¬ety.” Here, then, are the facts. Feminist au¬thor Susan Brownmiller states in her recentbook, Against Our Will: Women, Men andRape, widely hailed as the most comprehen¬sive study of the subject, that “the typicalAmerican rapist might be the boy next door.Especially if the boy next door happens to beabout 19 years of age and the neighborhoodyou live in happens to fit the socioeconomicdescription of lower class or bears the ap¬pellation of “ghetto.’ That is what the statis¬tics show.” The data she supplies, and theinterpretations she offers for them, are sosimilar to and corroborative of those ex¬pressed in my article, that I will do best toquote them in response to my critics.Ms. Brownmiller endorses the computeranalyses of the statistical data concerningrape in urban areas of Marvin E. Wolfgang,in her words ‘‘America’s leadingcriminologist.” One of these studies, whichfocused on Philadelphia, showed that ninetypercent of the rapists “ ‘belonged to thelower part of the occupational scale,’ indescending order ‘from skilled workers tothe unemployed.’ ” I stated also that rapistsare prone to criminal violence in respects.And indeed this study found that half “had aprior arrest record” ranging over “theusual run of offenses such as burglary, rob¬bery, disorderly conduct and assault.” In- - fact, as Ms. Weseley and Dyer refuse tobelieve, “there is no getting around the factthat most of those who engage in antisocial,criminal violence (murder, assault, rapeand robbery) come from the lowersocioeconomic classes; and that because oftheir historic oppression, the majority ofblack people are contained within the lowersocioeconomic classes and contribute tocrimes of violence in numbers dispropor¬tionate to their population ratio in the cen¬sus figures, but not disproportionate to theirposition on the economic ladder.” “Apreponderant number” of the rapists werenot married, as the group most likely tocommit rape was the 15 - 19 year old bracket, and the median age 23. The rapistgenerally lived in “one of those inner-cityneighborhoods that according to 4he censustracts are known for a high degree of crime,and most particularly for ‘crime against theperson.’ ” (Any similarity to the South Sideand Hyde Park?) “His victim,” the studyshowed, “also tended to live in the sameneighborhood.” Another study, this one ofWashington, D.C., and based not on policedata but hospital examinations followingrape, found that “in this city with a blackpopulation of 70 percent, black-on-blackrape accounted for 76 percent of all cases,white-on-white rape (my critics’ favoredcategory) accounted for 3 percent . . . butblack-on-white rape accounted for a signifi¬cant 21 percent of all reported Washingtonrapes.” Similarly in Philadelphia, 82 per¬cent of reported rapists were black, “aswere 80 percent of the rapists’ victims.”The general consensus of the studiesacross the entire nation is expressed in thestatement of one researcher: “Although weagree that reported rape is mostly a black-black phenomenon, the increasing numberand proportion of black-white rapes in¬dicates to us an increase in aggression andviolence, in hostility to females, and to whitefemales” during the past decade. TheF.B.I.’s national statistics for 1973 show thatthere is a roughly equal likelihood that anarrested rapist will be black as white: 47percent were black, 51 percent white.Despite this, the city-based studies showedthat white rapists too belonged overwhelm¬ingly to the economically oppressed lowerclasses, indicating against Ms. Weseley’sand Dyer’s untutored opinion, that rape isnot largely a middle class phenomenon bet¬ween whites, and that it is far from equallydistributed across all socioeconomic strata.Ms. Weseley cites the statistic that “morethan 50 percent of all rapes are perpetratedby men their ‘victims’ know,” but thinks,amazingly, that this means the 50 percentwho know each other are middle class.Lower class people know each other too Ms.Weseley! This statistic therefore showsnothing about the economic class of the ra¬pist or of the victim. In Philadelphia, 18 per¬cent of rapes took place outside (the figureis 23 percent nationally), and 48 percent ofthe rapists first spotted their victims on thestreet — which conflicts with Ms. Weseley’sstatement that rapes do not occur in suchplaces as alleys, but mainly between middleclass people who know each other.All this suggests the bankruptcy of Ms.Weseley’s and Dyer’s pretentious andideologically driven talk about the inherentrelation to rape of pornography and men’sattitudes toward women as, inter alia, ob¬jects of sexual desire. By contrast, my ownexplanation of rape accurately reflects theempirical evidence, and to my surprise wasalready articulated in Marvin Wolfgang’stheory of the “subculture of violence.” Ac¬cording to this theory, Ms. Brownmiller ex¬plains, which unlike other theories ofcriminal rape “is soundly based onstatistical analysis,” there exists within ourculture “a subculture formed of those fromthe lower classes, the poor, the disenfran¬chised, the black, whose values often runcounter to those of the dominant culture. ..The dominant culture can operate within thelaws of civility because it has little need toresort to violence to get what it wants. Thesubculture, thwarted, inarticulate andangry, is quick to resort to violence; indeedviolence and physical aggression become acommon way of life.” Anticipating such un¬thinking responses as Ms. Weseley’s chargethat this is a “racist” and “classist” view,Ms. Brownmiller points out that “Wolfgangwould be the first to say that social injusticeis one of the root causes of the subculture ofviolence.” . • «My critics have also railed against myconsequent comparison of rape with theft,without realizingrthat by claiming that evennonviolent erotic pornography manifests aform of violence in treating women as “ob¬jects”, and that essentially the same at¬titude is involved in rape, they havethemselves established the similarity bet¬ween rape and theft (the latter of which isnothing if not violence toward objects as theproperty of others). Ms. Brownmiller, infact, agrees with this conception or rape.She notes-that “when other crimes ofviolence are compared statistically withrape, the profile of the forcible rapist falls ata point midway between the profile of theman who commits aggravated assault andthe man who commits robbery. . . /And/ itseems likely that this ... profile of the forci¬ble rapist reflects the nature of his act, which ‘borrows’ characteristics from theother two offenses. Like assault, rape is anact of physical damage to another person,and like robbery it is also an act of acquiringproperty: the intent is to have’ the femalebody. . .” But despite this bare similarity ofdesiring a woman as object in pornographyas in rape, the decisive difference remainsthat in erotica (but not in violent por¬nography) a man and a woman freely giveto one another the object of the other’sdesire. Objectification can coexist, in realrelationships and in erotica, with respect,non-coerciveness and even affection.What Dyer dubiously dubs “Remba’sReduction” turns out to be Dyer’s Distor¬tion. Both Dyer and Ms. Weseley argue thatI have diverted us from our attitudinal com¬plicity in rape with an illicit “psychologicalreduction;” for I judged the rapist to bepsychologically abnormal. Yet Ms. Weseleyclaims that the fact that “97 percent ofrapists are determined normal bymainstream psychological tests” is simplya result of our culture’s, and psychology’s,sexist myths. But in saying so, she in effectconcedes that by an authentic andhumanistic psychology’s standards, rapistswill not be regarded as psychologically nor¬mal. Unfortunately, by using such terms as“disturbed” and “deranged”, I may havebeen taken as suggesting that the question iswhether rapists are psychotic. This was notmy intended meaning; surely it does nottake delusions or a “break with reality” inorder to commit an act of rape or violence.But while 97 percent of rapists may not besuffering from psychosis, most rapists willbe determined to suffer from neurosis, per¬sonality or character disorders, and otherpsychological abnormalities. And thereason is that men who must relate sexuallyto women through rape, i.e., throughviolence or other coercion, are unable tocontrol, sublimate or resolve - even repress!their hostile and aggressive, as well as theirsexual, impulses. One who cannot deal withthese impulses in what we would reasonablyconsider a healthy way, such as in one of thefour ways just mentioned, would, by anypsychology’s standards, be unhealthy andabnormal. Poor self-image, feelings of sex¬ual inadequacy, manipulativeness and animpulsive tendency to demand that hiswishes be immediately gratified - these maybe psychological problems at play, par¬ticularly with middle class white rapists.Rape is also a statistical abnormality, inthat it is committed by a minority of men. Ifwe do not presuppose such “personality-1 disturbances,” as Ms. Brownmiller callsthem, in the rapist as well as in othercriminal offenders, we will be incapable ofexplaining why some men can relate towomen healthily, equally and with respect,and so control their hostile and sexual im¬pulses so as never to perform rape, whileothers cannot, and so commit rape. But ofcourse, one who thinks, as Ms. Weseleydoes, that “most men condone rape,” doesnot think she has to explain why some con¬done, yet refrain. It is much easier tomindlessly and misandrously say that theproblem is simply “men,” as Ms. Weseleydoes, in a manner somewhat reminiscent ofthe teenage sexual neophyte confiding herfrustrations to her girlfriend: “It’s justmen!”Ms. Weseley also tries to show that I amwrong saying that the rapist stands “outsideour moral system,” by citing a study of con¬victed rapists which showed that “mostrapists did not believe they were doinganything wrong, and saw their behavior asno different from that of a normal man.”But a person who subscribes to our moralstandards would consider it wrong to com¬mit rape; and one who refuses toacknowledge the wrongness of the act doesnot, therefore, adhere to these values. (If infact it is true that the rapist does not unders¬tand the wrongness of his act, then thisraises the question of whether theM’Naghten Rule in law is applicable to him,thus possibly making him “legally in¬sane”) When I said that the rapist does notrequire a woman’s consent, I did not meanthat he didn’t have his own twisted idea ofwhat it is to have a person’s consent, or thathe didn’t need to think (wrongly) that hisvictims- “consented” to his act as heunderstands it. I meant what you, too, Ms.Weseley, mean by consent - free, noncoer-cive relations. And insofar as there is por¬nography which depicts such relations - andthere is — a radical difference remains bet¬ween such erotica and rape, as well as bet¬ween erotica and violent pornography.But do empirical studies show that thereThe Ch is nonetheless a causal correlation betweenrape and pornography? The research Ms.Weseley cites suffers from this flaw: it didnot differentiate between violent and non¬violent pornography, and thus failed todistinguish any correlations which mightexist between either of these and rape. Ifthese studies do establish a correlation bet¬ween violent pornography and criminalrape, this certainly does not hold for eroticaof the nonviolent sort. In any case, the ma¬jority of the U.S. Commission on Por¬nography and Obscenity saw fit to doubt thevalidity of these studies, and determinedthat “pornography is not a cause of criminalconduct.” By bandying about such slogansas “pornography is rape,” and “Por¬nography is violence,” which ignore theabove elementary distinctions, Ms. Weseleyand her supporters are helping to obfuscaterather than illuminate the question.Similarly, Ms. Weseley provides a defini¬tion of rape, which she then proceeds tosystematically rape! — by interpreting it in¬comprehensibly. She says that “Rape...isany sexual intimacy, whether by directphysical contact or not, that is forced on oneperson by another. Our definition thusbroadens to include sexually-threateninggazes, cat-calling, wolf whistles, grabbing,pinching, etc.” Since she has included cer¬tain types of “gazes”, I wonder whether the“etcetera” are to include thinking aboutwomen as sex objects within the confines ofcriminal rape! Whether or not Ms. Weseleywould want to outlaw such “mental rape,” itis as absurd to view it as rape as it would beto adopt the puritanical notion that to look ata woman lustfully is already to commitadultery with her. But the definition clearlymeans that it is the forcing of the sexual in¬timacy which could be either by directphysical contact, or by nonphysical (i.e.,verbal) means. It is not sexual intimacyitself which could be in the form of verbal orvisual “contact”! To talk about the “sexualintimacy” of cat-calling and whistling is totalk in contradictions, and to suggest thatthere could be sexual intimacy of attitudinalsorts, pace our lustful puritan.Both writers rely several times on adhominem arguments, on the assumptionthat by engaging in a form of mockpsychoanalysis and imputing to me dubiousmotives, they might discredit my politicaland social views. Ms. Weseley thought myanalysis of the reactionary politicalcharacter of the anti-pornography move¬ment could be sloughed off as the product ofsome “traditional male fear” of women’spower from which she diagnoses me as suf¬fering. This represents an unwillingness todiscuss ideas on an analytical level, as Ms.Weseley never actually attempts to debatemy arguments. Dyer accuses me of “ra¬tionalizing” and seeking to avoid com¬plicating my moral life, for the sake of ac¬tivities I “enjoy”. But apparently unless themoral conclusions I reach happen to agreewith Dyer’s version of feminist ideology, Iam guilty of “moral quietism.” Ms.Weseley, equally dogmatically and inex¬plicably, construes me as “mocking and re¬jecting feminism.” Ms. Weseley: neitheryou nor anyone else has a monopoly onfaminism; when did you acquire the right tojudge the pedigrees of those who disagreewith your particular brand of feminism? AsI said in my article, feminism “is a liberaland liberating movement.” But I am notconvinced that the anti-pornography drive,condemning as it does even nonviolent por¬nography, is not antithetical to the over¬riding liberal spirit of feminism. Not¬withstanding, I found myself in great sym¬pathy with many of Ms. W’eseley’sstatements about the desirability of furtherhumanizing our sexuality. But if, as shesays, this will result in the creation of“erotica”, then we do not differ greatly overthe desideratum.Gidon D. RembaIraniansContinued from Page 1tional student services office, there are pre¬sently ten Iranians attending the Universityof Chicago on student visas. Figures on thetotal number of Iranians in the universitycommunity were not available. Estimatesof the number of Iranian students in the Chi¬cago area range from 1243 to 4000.The American Civil Liberties Union an¬nounced Wednesday that it may challengePresident Carter’s order to deport illegalIranian students on the grounds that it dis¬criminates against people of a certain eth¬nic group.:ago Maroon—Friday, November 16, 1979—15vt ;t> i * * « * »*Kocher adds life to Chicago wrestlingSports BriefsConf. champsThe Midwest Conference now has 1979champions in football and soccer. Thechampionship soccer game was won byNorthern Division winner Lake Forest overKnox. 4-0 on November 3. The football cham¬pionship was taken by Lawrence, who de¬feated Carleton 52-7 last Saturday. Basket¬ball gets underway next month.F’house users...The end of construction of Phase II in theHenry Crown Field House is in sight. Theproject is sufficiently far advanced so thatrecreational use of the upper deck is nowfeasible during weekday evening hours.The basketball/volleyball courts havebeen in use for scheduled intramural con¬tests for nearly a month and, effective,Monday, November 19, the running trackis available for joggers during the hours of6 PM to 10:30 PM, Monday through Fridayand 10 AM to 3 PM on Saturdays and Sun¬days, for holders of currently valid athleticfacilities passes. Locker (and shower)rooms are not yet operational, so users arerequested to carry in their workoutshoes.The Henry Crown Field House will beclosed for these purposes during scheduledvarsity contests and on Thursday, No-vember 22 (Thanksgiving Day). By Howard Suis“I don’t want the article to be about me; Iwant it to be about the program. What I’vedone doesn’t matter, it’s what I do from nowon.” So began Leo Kocher, new head wres¬tling coach, and a welcome addition to theUniversity of Chicago coaching staff.A former Big Ten wrestler at Northwes¬tern under Ken Kraft, and later an assistantcoach at Northwestern and Northern IllinoisUniversity, Kocher finished as runner-uptwice in the prestigious Midlands Tourna¬ment, where NCAA, AAU, and even Olympi¬ans are regular competitors, along withsome of the best teams in college wrestling.He competed in his tenth consecutive tour¬nament last year, but considers himself an“underachiever”.After obtaining his bachelors degree inhistory from Northwestern in 1973, Kocherconcentrated for three years on making the1976 Olympics squad. “I had a fairly goodtrial in ’72 until I suffered a serious shoulderinjury, and I wanted to try the Olympics in’76.” Working part-time jobs and trainingwith the Northwestern team until 1975, andthen having saved enough money to trainfull-time in until the trials, he was beaten inthe fourth round by the guy who won thetournament. “There were four or five guyswho would have had to have serious acci¬dents for me to make the team.”As far as 1980 goes, Coach Kocher feels:hat he is not intensely pointed to the Olym-Dics. He still enjoys competing, but is notgoing to go through what he went throughfrom 1973-76. “I have a career now, and Imjoy coaching.”What drew Leo Kocher to wrestling? “Istarted my sophomore year in high school after being the last guy cut from the basket-oall team, and I’ll be thankful to that coachfor the rest of my life.” He loved athletics,and wrestling had an appeal as an intensesport, where you get out exactly what youwork for. As a state semifinalist his senioryear in high school he was recruited by Kraftto attend Northwestern.Has he found the change in atmospherebetween here and Northwestern difficult?“I had been an assistant in some capacityfor 5-6 years, and it got to the point where Ireally wanted to get out and run a program.There’s a difference between Division IIIand Division I, but that doesn’t disturb me.The wrestlers I have here are really hardworking and enthusiastic. That’s all I reallywant, I don’t care that I don’t have bluechippers out of high sAiool.”“I feel that we can achieve this year inwrestling. We can certainly improve overlast year. We have some new people andalong with last year’s returning lettermen, Ithink we can live up to our potential. Theteam last year had much greater potentialthan what they showed, and I hope to bringit out.”This year’s personnel includes returneesBob Michell, who finished fourth in the con¬ference last year; Rich Stein. Jim Leonard,Glen Van Moffaert, Steve Rubin, Bob Fer¬guson, Eric Robinson, and Rich Meade. Thefreshmen will be a welcome addition to theteam, as will some football players, espe¬cially Mack Gillespie, Joe Knurek. and DougSiberry.“I have twenty young men on the team.Unfortunately, the academic schedulemakes it very tough to get a person to fiveoractices a week. Besides there being an in¬tense academic pressure, there are a lot of situations where an athlete can’t hope tomake more than three practices a week.I’ve scheduled one evening practice, but ide¬ally the best time is late afternoon. A lot oftimes I will only have 12 guys in the roombecause of academic commitments.”The Maroons only have three dual meetsscheduled, but will be in four tournaments.“I favor tournaments because conferencestandings and NCAA standings are tourna¬ments, not dual meets. A lot of coaches be¬lieve the sooner you get them out there com¬peting the better. I believe competitiveexperience is good, but is not too conduciveto a learning environment. Learning sufferswhen the wrestler is concerned about mak¬ing weight, making the team, and upcomingcompetition. It overshadows the idea oflearning technique and developing wres¬tling style.”“I don’t consider myself as having a lot ofnatural ability. I have a very analytical ap¬proach to wrestling, and am very techniqueconscious. I take an educator’s approach tocoaching. My ten years at the collegiatelevel and my analytical level have put me ina position to give a lot to a wrestler.”“I’d like to say we could win, but due tothe domination by Coe and Cornell, even ifwe had 7 out of ten conference champions,we probably still wouldn’t win. A third teamwould make it real interesting though. I’mshooting for an upper division finish, withthird being the goal for now.The team is very excited about their pos¬sibilities this year, and perhaps this is bestsummed up by the following quote of WayneHardy, a senior who was out last year with aknee injury, “Not only is he (Kocher) teach¬ing us how to wrestle, he is teaching us howto win.”Sports bue to the lull in-between fall and winteisports, the Maroon is discontinuing sportsin its Tuesday issues until January. Fri¬day’s issues will carry more sports, in¬cluding features, than they have been forJherestofAutumn^uarter^^>ii—iMaroon harriers 12thBy Andy RothmanThe University of Chicago’s Mike Axinnqualified for this week’s NCAA Division IIICross-Country Championship as he ran 12thout of 151 finishers at the NCAA RegionalChampionship at Augustana College in RockIsland, Illinois last Saturday. The Maroonvarsity finished 12th out of the 29 teamsentered.Axinn, a sophomore, ran the five milecourse in 24:46.5, his best ever at thatdistance. Saturday’s individual winner wasDan Henderson of Wheaton, who also wonthe University of Chicago Invitational onOctober 27 in Washington Park. The otherMaroon finishers were Art Knight, 49th,Marshall Schmitt, 89th, Paul Hart, 98th, andDave Taylor, 120th.The only runner, other than Axinn, to qualify for the Division III Championshipsfrom a Midwest Conference school was JimMiller from Lawrence who finished justahead of Axinn.North Central College took the regionalteam championship, 1979 Midwest Con¬ference champion Carleton was the onlyconference team to finish ahead of Chicago.The Knights wound up third and are amongthe six teams to qualify for the Division IIIfinals this week. The others are North Cen¬tral, St. Thomas, Augustana, Luther and St.Olaf (a cross-town rival of Carleton in Nor-thfield, Minnesota). Amont the otherMidwest Conference competing Saturdaywere Beloit, 15th, Grinnell, 16th and Mon¬mouth 20th.Tomorrow’s Division III Championshipswill also be at Augustana in Rock Island. 1979 Women’s Volleyball PlayoffsSnellDelta UpsilonLower WallaceLower FlintBuJo CoHoMatthewsVolleyball - CoedBradbury over Hale by forfeitLower Flint over Commuter Madness 16-14, 15-9Bradbury over Lower Flint 13-15, 16-14, 15-6Delta Upsilon over Hale by forfeitLower Rickert 1/Upper Wallace 3 over Delta Up¬silon 15-12, 15-9Hitchcock/Snell over Compton 15-1, 15-7Dodd/Mead over Greenwood 15-12, 15-7Hitchcock/Snell over Dodd/Mead 15-12, 10-15,15-13Greenwood over Compton 15-4, 15-12Women’s Volleyball PlayoffsDelta Upsilon over Tufts 15-1, 15-1Lower Wallace over Compton 15-12, 15-13Dogs’ physical style of play, which hasbrought them this far. Gametime is 3:00 thisafternoon, out on the Midway.As the football season ends (as it has forall but those two teams), the basketball sea¬son is just getting underway. In the Gradu¬ate League, Albanian Refugees must be fa¬vored, with a roster of former University ofChicago cagers. Included on the team (justto name a few) are Steve Shapiro, ToddLewis, Kevin Tetsworth, Mark Miller, GregRetzinger, etc. Other teams to watch areUranus and the 7 Moons, Mr. Bill Show, andMed II, among others. In the Undergradu¬ate League, Hitchcock, Chamberlin, Dud¬ley, and Tufts appear to be some of thestronger Residence teams, while the defend¬ing Undergrad champions, The Droogs,head a group of strong Independent teams.These include The Champs and Dred Scott’sRevenge. Since many teams have yet toplay their first game, the first BasketballTop Ten Poll was tabulated based on a com¬bination of last year’s performances andgames played this week. Intramural Basketball Top Ten(first place votes in parenthesis)1. Albanian Refugees (10) 1002. Uranus and the 7 Moons 893. Mr. Bill Show 794. Dred Scott’s Revenge 665. The Champs 586. The Droogs 567. Med II 498. Hitchcock 259. Chamberlin 1710.Dudley 12Intramural Football Top Ten(first place votes in parenthesis)1. Junkyard Dogs (6) 952. Tufts (4) 923. Psi U 834. Wabuno Bay Buccaneers 815. Ed’s Bar and Grill 746. Manifest Destiny 727. Hooligans 458. Chamberlin 409. Hung Jury 2810.The Pod 17Votes: Capitalists, Lower Rickert, Dud¬ley, Barristers, Smegma BreathTufts’ Tom Dunne has had quitea season catching passes.IM reportDogs and Tufts in Midway Bowl todayn hi ■) ii in ill in ipJason Cha makes a leaping grab for Ed'sbar and Grill on Tuesday.16—The Chicago Maroon—Friday, November 16, 1979 By Mark ErwinTwo teams remain out of the seventeenoriginal teams which made the IntramuralFootball playoffs. They don’t have much incommon in style of play, except for theirwinning ways. This year’s Under-GraduateChampion, Tufts, enters the All-UniversityChampionship game with an 8-0 record.After winning the Residence Championshipwith a 21-0 victory over Chamberlin last Sat¬urday, Tufts defeated Independent winnerEd’s Bar and Grill, 20-6 for the Undergradu¬ate Championship on Tuesday. They mustnow face the tough Junkyard Dogs, theGraduate League Champions, for the All-University Championship. The JunkyardDogs have the impressive record of knock¬ing off both of this year’s top-ranked teams,the Wabuno Bay Buccaneers, and Psi U.The victory over Psi U came in the hardfought Graduate championship game whichthe Dogs won 7-6. After opening their seasonwith a 14-6 defeat at the hands of The Pod,the Dogs have come back to win six straightgames. Tufts will have to contend with the TimBakerVOhio St. cheats ChicagoA controversial altercation ruined theUniversity of Chicago sailing team’schances for a second place finish in a highlycompetitive regatta at Purdue Universitylast weekend. Despite sharp boathandlingby skippers John Podmajersky and MarkGolberg, the team was denied in its effort tomove up from third place by an incidentwhich led to cheating and near fisticuffs.It was hailing when the racing team ar¬rived at the Purdue Boat House outside ofBrookston, Indiana. Most of the teams in theregetta were already there and keepingwarm by several camp-fires. Forty-sevendegree temperatures helped race officialsdecide that competing schools would raceTech Dingeys instead of the usual FlyingJuniors because the dingeys are less vulner¬able to capsizing.The Chicago team of Podmajersky, Gol¬berg, Mike Kotin and Captain Ed Roha per¬formed well considering the conditions.Podmajersky, with a string of seconds andthirds, did well to maintain himself in sec¬ond place, individually. Golberg’s skill as asecond division skipper allowed the team tohold third place after four races, two pointsbehind second place Ohio State. Both teamstrailed the University of Michigan squad.Snow was falling by the fifth race. Chica¬go was looking for a good finish to vault intosecond place and their positioning for the start was perfect. Ohio State’s skipper, rea¬lizing that Chicago had a great start, sensedthat his team would do poorly and drop be¬hind Chicago so he directed his boat towardthe Chicago boat, rammed it and then heldonto the side while the other boats passed.While holding the Chicago boat, the OhioState skipper threw several punches at Kotin(none connected) and then pushed off, leav¬ing Chicago’s boat stopped and dead last.Race officials looked on and did nothing.Podmajersky was shocked, “I was toostunned to retaliate. I could not believe thatanything like that would ever happen. Thatthis could ever happen in a regatta is unbe¬lievable!”Captain Ed Roha pulled the Chicago teamout of the regatta in protest of the event andsaid, “Such flagrant violations of the sailingethic should never occur. That no actionswere taken by the officials who were watch¬ing only portrayed their incompetence.None of the rules were enforced. It wasn’tracing, it was chaos.”The Chicago team tried to “discuss” mat¬ters with the Ohio State skipper but he hadretired to the comfort of his automobile. Inspite of the incident the team remainedhappy with its efforts, which were much bet¬ter than expected since it was only theteam’s second formal regatta of the season.The sailing season is now closed for thewinter and will resume in March, 1980.Tim Baker St. ThomasdesignatedhistoricSt. Thomas the Apostle Church at 5472 S.Kimbark Ave. has been placed on the Na¬tional Register of Historic Places. St.Thomas was designed by Barry Bryne,and was the first church in America not co¬pied from a European church. Bryne, adisciple of Frank Lloyd Wright, used asquare design with Moorish and Italianateinfluence, when he designed the church inthe 1920s. These scenes by Tim Baker givesome idea of the church’s uniqueness and modernity: St. Christopher withauto, train, and steamship; the entry way;and the altar.To raise funds for the maintenance andrenovation of this historic structure, thechurch will hold a St. Nicholas Marketwith bazaar and auction this Saturday andSunday.MATH STUDENTSPART-TIME CAREERACTUARYI Combined Insurance Company has a few openings formath oriented students to work 15 - 20 hours per weekin the Actuarial Department. Possibilities includefuture summer jobs or even full time actuarial posi¬tions after graduation. If you are interested or havequestions, call Kenneth Klinger on 275-8000. extension326 or write to 5050 N. Broadway, Chicago, IL 60640. ATTENTION ADVERTISERSDue to the Thanksgiving Holidays,all ad copy for the Tuesday, Nov. 27thissue of THE CHICAGO MAROONmust be submitted before 12:00 Noonon Wednesday, Nov. 21st. There willbe no issue on Friday, Nov. 23rd. FIELD ASSISTANTSNORC needs Field Assistants to per¬form a variety of clerical tasksassociated with the data collec¬tion portion of a survey. Dutiesinclude editing questionnairesand light typing. Some collegeand previous office experiencepreferred. 37 1 /2 hour week. Projectcontinues through May 1980.$4.00 per hour plus benefits. Call947-2558. An Equal Opportunity/Affirmative Action Employer.Dudley House presents The Original unedited Showing at6:30,8:30,10:30,12:30“NIGHT OF THE LIVING DEAD”Saturday, Nov. 17th .Admission: $1.50 at the Door Quantrell Auditorium Don t Miss this Classic!GOLD CITY INNgiven * * * *by the MAROONOpen DallyFrom 11:30 a.m.to feOO p.m.5228 Harper 493-2559(ifmr Hmrpmr Court)Eat more for less."A Gold Mine Ot Good Food"Student Discount:10% for table service5% for take homeHyde Porlc't Best Cantonese Food REPAIRSPECIALISTSon IBM, SCM,Olympia, etc.FREE repairestimates; repairsby factory-trainedtechnician.RENTALSavailable withU. of C. I D. New andRebuiltTypewriters,Calculators,Dictators,AddersU of ChicagoBookstore5750 S. Ellis Ave753-3303Mastercharge and Visa Accepted Eye ExaminationsFashion Eye WearContact LensesDr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know the differ¬ence between advertised cheapglasses or contact lenses and com¬petent professional service.Our reputation is your guaranteeof satisfaction.SOUTHSIDE JOHNNYand the ASBURY JUKESplus YIPES!Mandel Hall Sat., November 17, 9:00 MAB Fee-payers $3.50 & $4.50Others $7 & $8Reynolds Club Box OfficeOnly 90 seats left!The Chicago Maroon—Friday, November 16, 1979—17CalenderO'Vm Uw{mhw in flee -Cocj)•Come in to see our fine selec¬tion of Quality Brand-NameUniforms for Professional Menand Women•Coordinating Tops, Skirts, andPants as well as Dresses, Suits,Lab Coats, etc.•White Shoes - Clinic and Nurse-mates/Day lites!7 W. State -Steuea'a BMg.- !!tk (Cm25% OFF SALEGET ACQUAINTED SALE FOR U of CSTUDENTS AND FACULTYBrand name clothing such as H. FREE*MAN, CHAPS, DONALD BROOKS, MAL¬COLM KENNETH, AQUASCUTUM, LON¬DON FOG, SERO and others at 25% off ofour very low listed prices.This is a special offer for U of C studentsand faculty only. This sale applies Mon -Fri from 3 PM - 6 PM and SAT from 10AM to 4 PM.Your U of C ID card is necessary for ad¬mission to this sale.Slight charge for other than basic alter¬ations.WILLIAM’S TRADITIONALCLOTHING19-S. LaSalle St. - 782-9885trance on Arcade Place)^Ent] FRIDAYPerspectives: Topic: “America’s Energy Future’’guests, Thomas Long, Linda Gaines, Joseph Asbury,and George Tolley, 6:30 am, channel 7.Crossroads: English classes for foreign women,10:00 am - noon.Workshop in Economics and Econometrics: “StockReturns and Inflation: The Disaggregated View,Thomas Kutzen, Debt Ratios, Taxes and Inflation:Cost of Capital Considerations” Susan Chaplinsky,Ro 301, 10:30-12:00.Center for Middle Eastern Studies: Arabic Circle —“The Socio-Economic Changes in the West Bank”speaker Husayn Jamil al-Barghouti, 11:00 am, Picklounge.Italian Table: Meets 12:00 noon, Blue Gargoyle tospeak Italian.Grad. Committee on the Study of Women: Femin¬ist Literary Criticism - Panel, 12:00 noon, Ida Noyes2nd floor East Lounge.Dept, of Microbiology: “The Role of DNA Damageand its repair in Chemical Carcinogenesis” speakerDr. John Roberts, 2:30 pm, Cummings 11th floorseminar room.Luce Seminar: “Orientalism” speaker EdwardSaid, 4:00 pm, Pick Ol. Open to the public.Dept of Biochemistry: Seminar — “Structure andEvolution of Preproinsulin Genes” speaker ArgirisEfstratiadis, 4:00 pm, Cummings room 101.Hillel: Liberal-Progressive Sabbath Services, 5:00pm, Hillel.Hillel: Sundown-Orthodox (Yavneh) Sabbath Ser¬vices, Hillel.Women’s Union: Meets 5:00 pm in the Women’sUnion office in Ida Noyes above the Frog andPeach.UC Gymnastics Club: Instruction available 5:30 -8:00 pm, Bartlett gym, free.Hillel: Yavneh Shabbat dinner, 6:00 pm, Hillel.Crossroads: Games night-ping-pong, Chinesecheckers, chess, scrabble, etc. 7:00 pm - 10:00 pm.Free popcorn.DOC Films: “Autumn Sonata” 7:00, 9:00, and 11:00pm, Cobb.U of C Christian Fellowship: Meeting - “Evange¬lism” Rev. Tom Hurley, leader, 7:30 pm, Ida NoyesEast Lounge.Lectures in Armenian Cultural History: "NewLight on the Origins of Christmas from ArmenianSources" Gabrielle Winkler, 8:00 pm, JRL A-ll.Hillel: Lecture - “The Jewish Legal Position onCapital Punishment” speaker Rabbi Moshe Solovei-chik, 8:30 pm, Hillel.SATURDAYUC Gymnastics Club: Instruction available2:00-5:00 pm, Bartlett gym, free.Regenstein: Exhibit - “Anthropology at Chicago—Tradition, Discipline, Department” thru Feb. 1980.Law School Films: “An American in Paris” 7:00 and9:30 pm, Law School Films.UC Christian Fellowship: Meeting — “Why GiveThanks?” Rev. Tom Havard, 7:00 pm, Pierce Master’sLounge.Libertarians: Film — “The Incredible Bread Ma¬chine” 7:00 pm, Ida Noyes, with discussion by David Padden.Crossroads: Lecture — “Brazil Today” speaker LuiyFlores, 7:30 pm, Crossroads.Hillel: Israeli Folkdancing, 8:00 pm, Ida NoyesTheatre, to be followed by a party.Progressive Union: Party, 9:00 pm - 1:00 am,Crossroads, 5621 Blackstone.Hillel: Graduate Student Mixer — 9:00 pm. Interna¬tional House.SUNDAYRockefeller Chapel: Ecumenical Service of HolyCommunion, 8:00 am.Rockefeller Chapel: “The Covenant and WorldConsciousness” discussion led by Philip Blackwell,10:00 am.Hillel: Bagel and Lox brunch, 11:00 am.Rockefeller Chapel: University Religious Service —“Source, Guide and Goal of All That Is” 11:00 am.MAY 19TH COMMUNIST ORGANIZATION: Spon¬sors a forum: “Free All Afrikan POW’s: The FightAgainst Cointelpro” Benefit for the National Taskforce for Cointelpro Litigation and Research, 7:00pm, Blue Gargoyle, 5655 University.Tai Chi Ch’uan: Meets 7:30 pm, 4945 S. Dorchester(enter on 50th).Music Dept.: New Music Ensemble Autumn Con¬cert, 8:00 pm, Ida Noyes Library. Info call753-2612.Folkdancers: Meet 8:00 pm Ida Noyes. Intermed.Advanced.MONDAYPerspectives: Topic: "Medicaid in the 1970’s”guests Stephen Davidson, Jeff Goldsmith, and Rob¬ert Bennett, 6:30 am, channel 7.Crossroads: English classes for foreign women,10:00 am - 12:00 noon.Dept, of Chemistry: “The Synthesis and DirectSpectroscopic Observation of 1,1-Diaxenes” speak¬er Prof. Peter Dervan, 4:00 pm, Kent 103.Anthropology at Chicago: Lecture — “The BuddhistSaints of the Forest: A Study of Charisma and itsTransmission” speaker Stanley Tambiah, 1:00 pm,Social Sciences 122.UC Gymnastics Club: Instruction available 5:30 —8:00 pm, Bartlett gym, free.UC Judo Club: Meets 6:00 pm, Bartlett gym. In¬struction available.Chess Club: Meets 7:00 pm, Ida Noyes MemorialRoom.DOC Films: “Erik, The Great Illusionist” 7:30 pm,“Walking Back” 8:45 pm, Cobb.Outing Club: Thanksgiving trip to Smoky Moun¬tains organizational meeting, Ida Noyes 3rd floorlanding, 8:00 pm.ASHUM: “Getting in Shape: What does it Mean?”speaker Dr. David Stulberg, 7:30 pm. Harper 130.Music Dept.: “The reworking of Giuseppe Verdi’sLa Forza del Destino” speaker Prof. WilliamHolmes, 8:00 pm, 5835 University.Folkdancers: Meet 8:00 - 11:00 pm, Ida Noyes. Be¬ginners.UC Judo Club: Meets 6:00 pm, Bartlett gym. In¬struction available.Hillel i Tnter national Houseere Sponsor/ "3 aGraduate Student Mixerd M*PuAfheft S'unefttfs•Potr AllNovember 17 mo. f:ggM8+ 3 n4er national -Mousettomeroom 14 14 £. S9^18—The Chicago Maroon—Friday, November 16, 1979CLASSIFIED ADS imp Bionotes, lost around Harper. If found,return to Adm. 1 or call 647-2478.AD RATESMaroon classifieds are effective andcheap. Place them in person at theMaroon business office In Ida NoyesHall by mall to the Maroon, Ida NoyesHall room 304, 1212 E. 59th St.,Chicago, 60437. All ads must be paid inadvance. Rates: 60' per line (30spaces) for U of C people, 75' per lineotherwise. $1 for special headline.Deadlines: For Tuesday paper, 12noon Friday; for Friday, 12 noonWednesday.Display advertising rates areavailable upon request. 753-3263.SPACELarge studio 2Vz rms. 53rd and Cornellnear !C campus bus. Sublet Dec. 1.$185 util, inclu. 288-0278 after 7:00p.m.61st and Ingleside: 4 room apt. nearUniversity. Good transportation. Callweekdays 9 to 5. SkylineManagement-674-1590.Reward $50 for individual to assumeUC Housing contract. Call J. Spencer.288-6338.Professor in residence spring quarteronly, wishes to discuss the possibilityof occupying the apartment or house ofanother faculty member who seeks oc¬cupant while he or she is away for spr-ing quarter. 753-8712. ^Huge room now avail for 1 or 2 inestab. Hyde Pk. collective. Lg. closets,cptd., solarium. Not cheap, but worthit. The Winter Palace, 288-6657,'/2 of 2 bedroom apt. available forquiet, responsible male for winterbreak 1979 and/or winter quarter 1980.Bedroom available is very large. Apt.is 2 blocks from campus and rent isvery reasonable. Call Mark at752-4053. Leave message.Room with bathroom in large Kosherapt. fully furnished at 55 Cornell-mustkeep Kosher. $110/mo. immediate oc¬cupancy. Call Larry or Miriam,752-2159, 752 2467, Male or female.Student-mother needs a female room¬mate to help share large S room apart¬ment. Within Hyde Park radius. Ex¬cellent access to U. of C, campus. Rentwith utilities included is $155.00 mon¬thly. Call after 5p.m. weekdays.684-0507, Available now,1 bedroom apartment, $155 util. inc.5120 S. Hyde Park, sublet, immed.avail. Call 363-2352 or 643-1400.Faculty house for rent winter quarter.Call 373-6618 or 753-8564 for Info.Interested in sharing apartment withfemale in Hyde Park. Can move innow. Call 955-7452 by 2:30p.m.PEOPLE WANTEDThe Department of BehavioralSciences needs people who want toparticipate as paid subjects inpsycholinguists and Cognitivepsychology experiments. For furtherinformation call 753-4718.Chicago Sinai Congregation seeks afull time secretary (40 hrs.) for theRabbi. Excellent typing skills, someshorthand. Available December 1. CallMrs. Kallish 288-1600.EASY EXTRA INCOME! $500/1000Stuffing envelopes-Guaranteed. Sendself-addressed, stamped envelope toDEXTER ENTERPRISES, 3039Shrine PI. LA, CA. 90007Craft people wanted to sell their goodsat Student Activities Craft Fair, Dec. 4and 5 in Reynolds Club. Call x3598 orx3570 to reserve a space. Entry freefor students.OVERSEAS JOBS-Summer/yearround. Europe, S. America, Australia,Asia, etc. All fields, $500 $ 1,200 mon¬thly. Expenses paid. Sightseeing. Freeinfo. Write: IJC, Box 52-11, Corona DelMar, Ca. 92625. .People needed to work in campus area(fast food grill). 10-15 hrs. a week.Several openings. Lunch and Dinnershifts. Call 753-3597 after 1:30p.m.RESEARCH ASSISTANT WANTED towork on study of urb. finan. andpolitics at U. of C. Job involves someadmin, and supervising respon¬sibilities. Computer exp. desirable notessential. Willingness to learn moreimp. 20-30 hrs./wk. Some eves. Beg.sal. $5-7/hr. Call 753-2134, leave name,phone f and time you can be reached.Looking for talented individuals toperform in student government coffeehouse. Call Katy at 753-8342, #1221.Student attendants for the Oriental In¬stitute Museum. $3.36 per hr.Preference given those who qualify forWork-Study Program. Call Ray Tindelat 753-2491.Research library on campus needspart-time student assistants incataloging department for shelving,general clerical work. Call Personnel,955-4545 for appointment between9:30a.m. and 1:00p.m. United Va fare coupon, $50 . 324-5852p.m.Antique bedroom set, $175. Call after5:00p.m., 734-1751.FOR SALE: refrigerator, stove andcar. Leaving town, need to sell fast,and cheap. Call 268-5192 days, after10:00a.m.FOR SALE: HM Lux technicalmicroscope with wide field eye pieces,Lietz optics, 4 objectives, cover, case.Call 493-3338 to 6p.m. ASK FOR Jesseor 481-7942 after 7p.m.Sale continues at 63 E. Marquette Rd.(67th and Michigan) sofa, bed, tableand dresser left, some appliances.753-3751 wkdays, 483-3414 wkends.1973 station wagon, 23 mpg. Ford Pin¬to, 2 dr-4 cyl. 50000 miles. $450. 752-6247/eve.75 Dodge Dart loaded, good condition,best offer, call 684-4509.USED FURNITURE, Excellent condi-tion, for sale one day only, Saturday,Nov. 17th, 10a.m.-3p.m., benefit ofHyde Park Neighborhood Club.Storefront location: 1612 E. 53rd St.PEOPLE FOR SALEARTWORK - posters, illustration,calligraphy, invitations, etc. NoelYovovich, 5441 S. Kenwood 493-2399.Typing done on IBM by college grad.Pica type. Term papers, theses,dissertations, law briefs, manuscripts,resumes, letters, etc. Fast, accurate,reliable, reasonable. Near North Side.Call today 248-1478Excellent, accurate typist with legalexperience will type papers anddissertations on IBM Selectric.Reasonable rates. 684-7414Thesis, Disert, Manuscripts, latestIBM Corrective Sel II typewriter.Rates based on Vol. and condition ofdraft. Best Eminence Bond turn. Mrs.Ross, 239-5982.Professional typist: Thesis,manuscripts, term papers, etc. Gram¬matical corrections. One day service.667-8657.PERSONALSWriters' Workshop Plaza 2-8377.PREGNANCY TEST SATURDAY10-1. Augustana Church, 5500 W.Woodlawn. Bring 1st morning urinesample. $1.50 donation. SouthsideWomen's Health. 667-5505.HEY PEOPLE-I am Alive and freeand have (re) gained my POWER andI will not relinquish it every again!Carol.The third floor is for cruisers, thesuave males who are interested in thedemure females on the second floor.Each suave male makes a full circle ofthe "pits" on his way to the john. Reg.4 mo. old Ger. Shep./Doberman pupneeds loving home. Affectionate, in¬telligent, nad shots. Owner in¬capacitated. Free to good prospectCall 373-5631/eves.WANTED: 14th member for a partythat is seeking adventure, gold, andrevenge. Hero preferred but will takeburglar if necessary. If interested callT. Oakenshield and Co.Squirt-'Till you have the love of a realgood woman...I know, I know! Don'tleave your heart in S.F., knock 'emdead. Thanks for the soup, that's it!Baby BubbaLOST AND FOUNDLOST-Classical Dynamics, Marion 2DCalc (Osserman) Linear Algebra (NotUC Textbook) Computability andLogic (light rd hrdback) Dunphy 808,Shoreland 753-8342.Brown corduroy coat with gray fake-fur lining. Call 947-9770. AUDITIONCONDO FOR SALEE. Hyde Pk. 2 bd., new kitchen, cpt.$42,500. 493 3822.UC HOTLINE753-1777From 7 p.m. to 7 a m. there is a placeyou can call if you have a Question,need a Referral, or want to Talk - TheUC HOTLINE.CRAFT FAIRAttention Craft people; the AnnualStudent Activities Crafts Fair will beon Dec. 4 and 5. Reserve a space nowto sell your goods. Call x3750 or x3598.Entry free to U.C. students.MEMORY GAMESMEMORY GAMES! Have Fun Pass¬ing Tests! Save Time Studying torecall facts, definitions, concepts, for¬mulas, foreign languages, dramaticparts - Anything you must remember!Ask my Record-a-Call about low coststudy groups. 643-2826.BLACKFRIARSDon't be wishy-washy. Come seeYOU'RE A GOOD MAN, CHARLIEBROWN Nov. 16, 17, 18 at 8:00 p.m. QfFNF^with a matinee Nov, 17 at 2:00 p.m. Ida JNoyes Cloister Club. WOMEN'S SOCCERWomen, come learn basic soccer skillswith the U.C. Women's Club. Open toall U.C. Students, staff and faculty.Ida Noyes Gym, Mondays 4:30-6:00RED TAPEStuck In the bureaucracy? Issomething not working as it should?The Student Ombudsman can help youcut red tape and solve that problem.Talk to the Ombudsman In ReynoldsClub 204 or call 753-4206. ALCOHOLICSUNANIMOUSMeeting in the Pub in Ida Noyes HallSaturday at 4:30p.m. Live entertain¬ment by Phil and nls Baby howitzer.BASS PLAYERBass player needed for fusion band.Call Bob 363-6797 aft. 6.AD PHI PARTYSaturday, Nov. 17 featuring the BrainPolice one dollar to see tne historicBar Room at 5747 University UCID re¬quired.Gilbert and Sullivan's RuddigorePrincipals-chorus-orchestra. Sun., K TTFNSNov. 18, 2-5p.m. and Mon., Nov. 19, 7- 1X1 1 110p.m. Lab School cafeteria, 5840 Ken¬wood. More info 667 1079 or PL2-1166WOMEN'SMAGAZINEPrimavera V is out! On sale in mostlocal bookstores. We need new staffmembers. Call 752-5655 for info.FOLK DANCINGThe U. of C. Folkdancers have twoweekly meetings at Ida Noyes. Sundays at 8:00 Int-Adv. and Mondays at8:00 Beginners. All welcome.RIDESTrese Bart wants you to read the backpage!There are STILL some tickets left.Buy yours now and avoid the rush atthe door. SEE YOU IN THECLOISTER CLUB!KEYPUNCHINGFast, accurate keypunching. $10/hr.Verify possible. Call 753-2517 afts.SLEEP LABMale undergraduates, ages 17-22 need¬ed for sleep study. Payment will be$100.00 for sleeping three nights in laband completion oi a variety of testsand questionnaires. Apply in person at5741 b. Drexel, Room 302, M-F, 9-4. Nophone calls please.NEWMUSICENSEMBLEA concert of 20th Century chamberworks, featuring compositions byRhodes, Chenette, Mitchell, andTjepkema, plus Igor Stravinsky'sOctet for Wind Instruments. Sunday,November 18, 8:00p.m., Ida Noyes KIMT^ILibrary. Admission is free. lew I >New music by Joan Armatrading andSan Francisco based jazz group Alive!featured this Sat. on WHPK, 88.3 at WAPMTM5p.m. Fine Wimmin and song show *ini\/ifl I nBlack with white trim, playful, cuddly.Six weeks old. 752-7477.COME SEE USAT THE STUDENT CO-OP, Newrecords and book stock now In at theStudent Co-op. Open 9:30-6:00p.m.,Mon-Fri, 12:00-4 : 30p.m. Sat.Downstairs in the basement ofReynolds Club.HORROR MOVIEDudley House presents: "Night of theLiving Dead" Sat. Nov 17 at Quantrellin Cobb, 6:30, 8:30,10:30, 12:30, $1.50.DOOR POSTERSPosters as big as your door at "the fun¬ny papers" 955-0974, 5238 S.Blackstone, Hyde Park.Drive 78 car to Palm Springs 50% gasallowance, depart after Dec. 20. Phone973-5041.ALMOST FREE TRAVELDRIVE-NO RENTAL FEEReservations and Information NowCars to Major Cities-Most States Vansand Pickups to Calif.CALL NOW312-939-3600Split Gas with Friends.MUST BE AT LEAST21 YEARSOLDAUTODRIVEAWAY310 S. Michigan Ave., Chgo, IL.WANTED: ride to Bloomington, Ind.for Thanksgiving. Hyde Park cpI. will¬ing to share expenses, etc. Need rideWed. 21. Call 285-3071 P. and D. WestBACKPACK T-DAYScott at 493-6581. 5uting club. CallENGLISH DEPT.COLLOQUIAA. Scott Berg, Biographer of Max cu . .. ./cPerkins, will speak in the Nonesuch 5nAN I OCoffeeshop, 408 Wiebolt at 4:30p.m. onFriday. All are invited. There are walnuts, brazil nuts, allkinds of nuts. But only 1 PEANUT, andit's by Charles M. Schuiz (actually, thePeanut is plural) Come see the show!!WOMEN'SRAP GROUP Starting Nov. 180PEN SUNDAYS!! 2-6p.m., 5501 A S. Everett. Only the bestfor your friend or lover! JEWELRYAND WEAVING created w/love andcare!! 752-5173.Women's Rap Group meets everyWednesday at 7:30p.m. on the 3rd floorof the Blue Gargoyle. For info call752-5655. MOZARTMozart C-minor Mass performed by Uof C Chorus and orch. Sunday Nov. 19at 3:30. Mandel Hall. FREE.':ORSALE•iano-used upright, good condition,nust sell for $100 or best offer, you paynoving. Call 363-3S46 between 8 10p mkMC Gremlin '72, stick, a/C, am. tm.0 mpg (reg), runs well, always starts.6,000 miles. $795 negot. 667 6999 keeprying, TheFLAMINGOand CABANA CLUB5500 S. Shore Drive• Studio and 1 Brdroom• Furnished and Unfurnished• U. of C. bus stop• Outdoor Pool and Cardens• Carpeting and Drapes Inel.• Security• University Subsidy forStudents and Staff• Delicatessen• Barber Shop• Beauty Shop• J.B.D. Restaurant• Dentist• ValetFREE PARKINGM.SnyderPL 2-3800 • Eye Examinations• Contact Lenses• (Soft and Hard)• Fashion Eye Wear• Contact Lens SuppliesDR. M.R. MASLOVOPTOMETRISTSHyde ParkShopping Center1510 E. 55th363-6363HYDE PRRK PIPE HND TOBACCO SHOP1552 E. 53rd - Under IC tracksStudents under 30 get 10% oftask for “Big Jim’* Mon. - Sat. 9-8; Sun. 12-5PipesPipe Tobaccos. Imported Cigarettes Cigars. From SHANI'S: wrap yourself warmw/hand woven WOOL SHAWLS!CHORUS CONCERT A ROYAL BLASTCome and enjoy our concert of com¬positions fit for a king In HarperLibrary by the University ConcertBand Sunday Nov. 18, 7:30p.m.GAY AND LESBIANCOFFEEHOUSEGay and Lesbian coffee house this Fri¬day Nov. 16th from 8:00 to 12 00p.m.Come and visit one of the University'sabnormally healthy and excitingsocial spots In the Ida Noyes Library.SENIOR PORTRAITSYearbook senior pix are now beingtaken. Portraits are free, and you canorder copies yourself ($3 for 8" x 10"or $1.50 for 5" x 7"). Be casual, be daring. Any seniors not pre-registeredlast year contact Yearbook im-mediately. INH #218, 753-3562.RUBBERALPHABETSAn alphabet of rubber stamps at "thefunny papers" 955-0974, 5238 S.Blackstone, Hyde Park.HANDEL INHARPERRoyal Fireworks Music Walton'sCrown Imperial and other up-liftingpieces in a concert by the UniversityConcert Band Sunday Nov. 18,7:30p.m. In Harper Library Free ofCharge.PALM BEACHDrive our car to Palm Beach Dec 17or 18. All expenses paid w/generous tipat the end. Call Sidney Cohen, MI2-0621mornings.U of C Chorus and orch., cond. JamesMack performs Mozart C-Minor Mass-Mandel hall, 3:30 Sunday, Nov. 19.FREEYEARBOOKHurry, Hurry. 1980 Yearbooks on ad¬vance sale now-still only $10. Beautifulcolor photos, senior portraits, sports,housing, people-200 pages in all Bookswill arrive in May, but you can't besure of getting a copy unless you ordernow. The Yearbook is for sale in theStudent Activities Office, INH 210,753-3591. Ask forGunta.Spend Thanksgiving break in theSmokies with the Ou Mallory’sv»M y uu uui/.RestaurantTenth Floor1525 East 53rc) StreetHyde ParkChicago. Illinois 60615312 241 5600Breakfast 8:30 to 11:00.Lunch 11:00 to 5:00, Dinner5:00 to 11:00. Friday andSaturday until 12:00, Sun¬day Brunch 10:30 to 4:00.Security, Parking “We're Stumpingfor theComing Revolutionin HigherConsciousness!”ComeHeartheStudentsofElizabethClareProphet!Elizabeth Clare ProphetREDISCOVER the power ofGod within you through theteachings of the ascendedmasters—ancient wisdomapplied to the new ageLEARN how to balanceyour karma and purify youraura with the violet flameEXPERIENCE LIGHT withmusic and meditations tounlock your creative potential!You're invited to a lecture,movie, and slide showNOV. 20Tues. 7:00 p.m.Umv. of ChicagoBlue Gargoyle. The Theatre5655 S. UniversitySpeaker: Patrick DanahyCall: (312) 477-8980No Admission ChargeSponsored by Summit University*Gaof'<tfv '9r9 ’9'9St/W'i v^$8y A* "qnis♦ KIMBARK HALLCondominiums$2000 DISCOUNT UNTIL JAN. 1980 - 80%MORTGAGE LOANS AT APPROX. 11%AVAILABLEThe developers are offering model units forinspection every Sat. and Sun. between 1and 5 p.m.36 opts:24 - 1 bedroom, 1 bath from 30 350-37,0006 - 2 bedrooms. 1 bath from 37,000-38 8506 - 2 bedrooms. 2 bath from 46,000 46 900All apartments include new kitchens and appliances,new bathrooms, carpeting and decorating (colors ofyour choice), triple-track storm windows and kitchenstorm doors, modern laundry facilities and individuallocker space.Your inspection is invited51 26 S. Kimbark Ave. - Phone 643-4489Harry A. Zisook & Sons, Agts.786-9200TheChioago Maroon—Friday, No\)em&er T6; 1979-^19IDA NOYES CLOISTER CLU51 *nov. 16,1716, 600 p.m.with matinee nov. 17; 200 p.m.$>200 students, children, andseniors; $600 generalTickets on sole at Reynolds Club box Office 6 Cobb Hall5LACKF Rl A R5 PRESENTS