SPRING READINGCRITICAL UNDERSTANDINGThe Powers and Limits of PluralismWayne C. BoothBooth pursues the problems raisedfor anyone who rejects the search forsome single, unitary, even “scientific”resolution to conflicting criticalmethods.Cloth 400 pages S20.00 JuneTHE AMERICAN OUEST FORA SUPREME FICTIONWhitman’s Legacy in the Personal EpicJames E. Miller, Jr.“This study displays the sensitivity wehave come to expea from ProfessorMiller. It offers an outstandingnumber of fresh and often excitingperceptions.”—John C. Gerber,SUNY, AlbanyCloth 376 pages $20.00 MayUTERATUREAGAINST ITSELFLiterary Ideas in Modern SocietyGerald Graff“Gerald Graffs Literature AgainstItself is a courageous and importantbook about the state of our literaryculture. Those who read it through... will find that Graff has calledmany a fashionable dogma intoquestion.”—Frederick Crews,University of California, BerkeleyCloth 272 pages Si5.00 MarchON THE MARGINS OFDISCOURSEThe Relation of Literature to LanguageBarbara Herrnstein Smith“Barbara Herrnstein Smith is one of avery few outstanding theorists ofliterature writing today, and her newbook is a major contribution to thecontemporary critical debate.”—John M. Ellis, University ofCalifornia, Santa CruzCloth 248 pages S 12.50 AvailableLANGUAGE AND THE POETVerbal Artistry in Frost,Stevens, and MooreMarie BorroffMiss Borroff examines langauge notonly in terms of its intrinsiccharacteristics, but as pan of thecultural inheritance in which allspeakers participate.Cloth 208 pages $15.00 MarchYEATSThe Poetics of the SelfDavid Lynch“David Lynch makes a convincingcase for the importance of readingYeats’s work in the light of recenttheories in narcissism, and clarifies infrequently brilliant ways the functionin Yeats of the idealized self.”—Helen Vendler, Boston UniversityCloth 288 pages $19.50 MayThe Universityof ChicagoPress NEW READINGSVS. OLD PLAYSRecent Trends in the Reinterpretation ofEnglish Renaissance DramaRichard LevinThis volume suggests newalternatives to the thematic, ironic,and historical critical approacheswhich have long dominatedcontemporary criticism of EnglishRenaissance drama.Cloth 288 pages $19.00 AprilTHE ORIGINS OF CERTAINTYMeans and Meanings in Pascal’s PenseesHugh M. DavidsonIn five concise and elegantly writtenchapters, Davidson analyzes Pascal’ssearch for a supreme certainty—anunshakeable faith in God.Cloth 176 pages $13.50 March*A RIVER RUNS THROUGH ITand Other StoriesNorman Maclean“These stories have that magicalbalance of the particular and theuniversal that good literature is allabout.... He writes brilliantlyabout work and sport.” ~—John Cawelti, New RepublicPaper 232 pages $3.95 AvailableTHE COMIC MIND*Comedy and the MoviesSecond EditionGerald MastMast traces the development ofscreen comedy from the first crudeefforts of Edison and Lumi^re to thesubtlety and psychologicalcomplexity of Annie Hall.Paper 366 pages lllus. $7.95 MayAlso available in clothD. H. LAWRENCE: NOVELISTF. R. Leavis“Altogether, his book, with all itsfervor and cantankerousness, standsout monumentally in the criticism inits field.”—Harry T. Moore,New RepublicPaper 416 pages $6.95 MarchBROOKLYN BRIDGEFact and SymbolSecond EditionAlan Trachtenberg“Brooklyn Bridge is familiar in somany movies, in so many stage setsand, as Mr. Trachtenberg shows inthis brilliant book, it is at least asmuch a symbol as a reality.”—TimesLiterary SupplementPaper 224 pages lllus $6.95AvailableCHINESE THEORIES OFUTERATUREJames J. Y. Liu“The book is a clear and worthwhilecontribution to both Chinese literarystudies and literary theory in general.All we might ask is that it beget amuch longer sequel.”—Stephen Owen, Modern LanguageNousPaper 208 pages $4.95 March The- / \Chicago LiteraryReviewChicago 60637i ■■■ ... ifa.1 ,11.1 1 Like its literary counterpart, thephotographic essay may tell a story, org¬anize ideas, explore issues, make arguments,or convey sentiments. The photographic essayis thus not very different from the ways wehave been trained to think. 3ut beyond thisbasic similarity (however an important one),the photographic essay is alien to an envir¬onment glutted'with words. For in the photo¬graphic essay, the dominant communicativemedium is the photograph- ani it communicatesvia visual rather than a verbal resolution ofexperience. The intent of this issue is toargue that this visual resolution should notbe thought of as having a role naturallysubordinate to that of words, of being r.ere’’illustration.” It stands well on its own,and when interwoven with words, the result hasoften been ’’pictures illustrated by a text.”This is, at the very least, a little hiatusfrom what most of us are used to.Editor: Peter EngDesign Director: Jeff MakosAssistant Editors: Molly McQuade and John PaiPeter Eng is a fourth-year student in the Col¬lege.Leslie Lapides is a fourth-year student in the Col¬lege and a reporter for the Chicago Journal.Jeff Makos is a third-year student in the Collegeand a former Editor of The Grey City Journal.Molly McQuade is a second-year student in theCollege. She writes for a number of campus publica¬tions.David Miller is a fourth-year student in the Col¬lege and Production Manager of The Grey City Jour¬nal.John Pai is a fourth-year student in the College.He takes photographs for a number of campuspubli-cations.Jim Scanlon is a 1977 graduate of the College.Joel Snyder is Associate Professor in the Commit¬tee on Art and Design at the University of Chicago.Mr. Snyder has written about photographs and thetheory of pictorial representation for the past tenyears and has had one-man exhibitions of his ownwork at the Art Institute of Chicago and the Smith¬sonian Institution.Michael Starenko is a student in the DivinitySchool.Eric Von der Porten is a fourth-year student in theCollege and News Editor of The Maroon.CO\Jtf phofoS hj Jot/ ShyJtr2 — The Chicago Maroon — Friday, March 16, 1979Lead photograph of “Country Doctor" byW. Eugene Smith: Life, September 20. 1948The evolution of the photographic essayby Peter EngThose of us who grew up with Life magazine, andfew of us did not, can readily appreciate the uniquecommunicative power of the photographic essay.The most memorable Life stories were those of theessay variety; over the years, even with Life’s tem¬porary passing and its unrecognizable rebirth, theimages from those essays have endured in ourmind’s eye. Yet much confusion arises in any at¬tempt to make sense of the various approaches tothe subject. It has proven difficult for both practi¬tioners and critics to even agree on the term to bediscussed; works with certain features common tothem have been given many different names: “pic¬ture story", “photographic story", “picture essay”,“photo-essay”, and so on. Even where “photogra¬phic essay” was the agreed-upon term, the questionof just what characteristics in a work justify thatlabel has been much debated. Proposals to definethe term have ranged from the wide-open “storyusing pictures” conception to the strict and uncom¬promising definition most strongly voiced by W. Eu¬gene Smith, one of the great masters of the form.The confusion and controversy over terms anddefinitions has in the main resulted from a failureto adequately understand the gradual, evolution¬ary nature of the history of the form. The origins ofthe photographic essay cannot be traced to a singleperiod of time or single periodical or single innova¬tive hand. Its evolution is the convergence and sym¬biotic relationship among technical and editorialbreakthroughs, historical events, and a changingartistic consciousness. When the history of the pho¬tographic essay is written, its major goal should benot to arrive at an exclusive definition of the term,but to explain why someone like Smith, workingwhen and for whom he did, and being the personali¬ty he was, came to his particular conception of hiscraft.The Halftone Creates PossibilitiesAlthough scooped by two and a half decades by aLondon publisher, Frank Leslie founded America’sfirst illustrated weekly in 1855. Leslie’s paper soldphenomenally well, even in a climate of not incon-siderale criticism against an illustrative approachto news. Its success encouraged the founding in 1857 of Harper's Weekly, the first American publicationto publish news pictures. Here again London hadtaken the first step; at any rate. Harper's Weeklyand the Illustrated London News provided large-format outlets for the pioneering war photographyof Roger Fenton (the Crimean War) and MatthewBrady (the Civil War).Fenton and Brady brought back good sets of pho¬tographs from the battlefields. Why were these notmade into photographic essays?One major problem was that there was no meansof mass-reproducing these photographs on thepresses that so quickly turned out type. Harper'sWeekly hired fast-working artists like WinslowHomer to do line drawings either on the field orfrom the photographs; these in turn had to be trans¬ferred on to wood or metal plates by engravers.Only then could they be mass-reproduced.In 1880 the New York Daily Graphic printed whatwas in all probability the first halftone. The half¬tone process, in which photographs are reproducedthrough a fine screen, made possible for the firsttime fast mass reproduction of photographs in thesame operation as type. At first, publishers wereslow to accept the new process because theythought their readers would consider it a cheap sub¬stitute for hand art. By 1910, however, the old handengraving was headed for oblivion; it became clearthat readers were fascinated by the photograph'sability to present a sense of realism and of immedi¬acy. National Geographic editors sent swarms ofphotographers around the globe after the enthu¬siastic response to the magazine’s first halftone in1903. By 1924, just five years after its founding. NewYork’s word and picture tabloid Illustrated DailyNews outsold all other American newspapers.In such a favorable climate, editors could affordto experiment. Even when publications were con¬fined by the engraving process, Harper's Weeklyhad experimented with a variety of layout devicesfor its pictures, such as simple geometric patternsand double-page spreads. When the halftone cameinto use. Le Journal Ulustre published, in 1886. thefirst sequence of photographs of a single subject, aninterview with French chemist Marie-Eugene Chev-challe. This sequence, along with the studies ofThomas Eakins and Eadweard Muybridge in thatsame decade, may be considered simple forms of the picture story. Each photograph was a discrete,localized component of a specific event — the inter¬view or the gallop.By World War I, the halftone process was alreadywell-developed, and the layout devices used inHarper's Weekly were applied to photographs inthe rotogravure (smooth-surface paper) sections ofthe major Sunday newspapers. But photographic or¬ganization was just as primitive: the week's bestnews pictures were assembled into cookie-cutterpatterns on the page. When the major picture mag¬azines took to using the halftone, they fared onlyslightly better. Maitland Edey, for many years aneditor at Life, gives The Illustrated London News'scoverage of Armistice Day in London in 1918 as anexample:(The spread) does give an idea of the tu¬mult of Armistice Day in London in 1918.But that is all it does. No attempt ismade to tell a complete story or to em¬phasize a particularly good picture. Allare the same size, arbitrarily arrangedin an overall design that calls attentionto itself, rather than to the developmentof any story line inherent in the pic¬tures.Still, pictures grouped around a single theme be¬came more and more common as editors sensed thatgrouped pictures produced particularly strong com¬municative effects.The tendency toward extreme pattern-orienta¬tion in the layout was for the most part due to asecond major technical drawback: the undevelopedstate of camera technology. From the start, newsphotographers were hampered by the bulkiness ofcameras, the glass plates, the slowness of emulsionsand lenses such that anything resembling move¬ment was difficult if not impossible to capture onfilm. Coupled with the deadline pressures of thenewspaper, these hinderances often forced thenews photographer to limit his coverage of a givensubject to a single picture. Photographing an eventwas an achievement in itself; artistic quality wassecondary and photographic perspective was of noconcern at all.The result of these technical and professional lim-The Chicago Maroon — Friday, March 16, 1979 - 39r,9t ,6* daafeM ,v&piV3 — nooae.v ov?6>fO ,,,nitations was, much more often than not. motionlessand conventional pictures. Even had he enjoyed thebenefits of the halftone process, Brady’s picturescould hardly have been turned into photographicessays. He brought back stacks of photographs, buteven his field pictures were stiff and posed. WilsonHicks, Life's first picture editor, wrote that due tothe bulky cameras and later, the exploding flash,photography from its inception to the early 1920’swas plagued by “camera consciousness”: “When thephotographer entered a situation of movement in¬volving people, life stopped dead on its tracks andoriented itself to the camera.”Static photographs, of course, prodded theviewer to visually isolate each photograph from theothers in a group, even if they were all on the samesubject. Photographs could be fitted into patterns,but not with each other. As the halftone processwas perfected, editors came up with more elabo¬rate layouts, but the limitations of the photographsthemselves suppressed any innovative thoughts ed¬itors might have had about photographs being usedto tell stories or to develop ideas.A New RealityThe needed push toward innovation was given bythe development in the 1920’s of fast and compactcameras capable of a much broader range of func¬tions than ever before. The first of these was theErmanox, a product of the German camera industry.Scarcely larger than today’s 35 mm, and equippedwith very fast lenses, the Ermanox allowed the pho¬tographer to work under natural light conditions,and more significantly, to unobstrusively capturepeople and events in their natural course. Both aninformality of pose and a sense of presence could beachieved. Using an Ermanox, the German Erich Salo¬mon directed photography on a new course withcandid, behind-the-scenes photographs of diplomat¬ic conferences.Salomon’s work electrified a whole generation ofyoung European photographers and spurred the im¬pulse to develop even better cameras. The mostnotable of the better cameras was the Leica, also ofGerman manufacture. The even greater mobility ofthe Leica permitted the photographer to capturethe natural, successive change within an event, suchthat a fluidity akin to that of the motion picture’sserial image could be achieved. And of vast signifi¬cance for the later forms of the picture story, thefacility of the new cameras allowed the photogra¬pher to worry less about the imperatives of his cam¬era and concentrate much more than ever before onthe exercise of judgment and selection in relationto subject matter.The new look at reality sparked the publication ofpicture magazines in Germany and the develop¬ment of a fresh editorial approach in those maga¬zines. The most popular picture magazines inpostwar Europe were those published by the Houseof Ullstein, especially the Berliner Illustrirte Zei-tung and the Munchner Illustrierte Presse. Kurt Sa-franski, manager of the Ullstein magazines, be¬lieved that photographers were most effectivewhen used as groups. He would accumulate relatedpictures coming in at different times and from dif¬ferent sources in order to build a story. StefantLorant, editor of the Munchner Illustrierte, en¬couraged Felix H. Man to take sequences of photo¬graphs on a single theme. Man’s coverage of concertperformances was published in 1929; his series onfamous personalities began with “A Day with Mus¬solini” in 1931.Events must be recorded as they occur, saidLorant, and not interrupted in order to arrange apicture. Lorant’s major contribution to the develop¬ment of the picture story was his innovative ap¬proach to design and layout. If the pictures were toconvey an overall sense of action and of presence,he thought, their content must dictate layout andnot the desire for an overall pattern. He used varia¬tions in photograph size and grouping in order toenhance the effectiveness of the photographs.These German magazines were the first to use whatHicks has termed “the principle of the third effect”:a juxtaposition of two selected photographs pro¬vokes the viewer to mentally combine their individ¬ual effects. Their effectiveness, in other words, isenhanced by the viewer’s interpretative reaction totheir grouping.Still, in their enthusiasm over pictures, editorsoften allowed the picture for the picture’s sake tocarry them away. And more often than not, the pic¬ture spreads lacked cohesion and fell far short ofachieving an ordered and progressive narration.Finally, not ...och attention war paid to the place olthe Ph°'4 — The Chicago Maroon — Friday, March 16, 1979 tojournalistic techniques, at any rate, galvanizedAmerican publishers, and it was in this charged at¬mosphere that Life magazine was founded in 1936.To See LifeThe history of Life has been much-written aboutin recent months; it suffices here to look at some ofthe significant aspects of and transitions in the pho-tojournalistic form as it was practiced at Life overthe years..Besides the German innovations, Life also drewfrom the examples of two American magazines,Time (founded in 1923) and Fortune (1930). FromTime, Life learned to make the expression of ideas amajor concern. News photographs were to bebrought under strict editorial scrutiny: does the pic¬ture make a point? how effectively did it make thepoint? Selection of photographs became of criticalimportance. Life's debt to Fortune is best suggestedby photographer Margaret Bourke-White’s accountof the founding of Fortune in her autobiography:Mr. Luce and his associates were plan¬ning to launch a new magazine... of busi¬ness and industry. They hoped to illus¬trate it with the most dramaticphotographs of industry that had everbeen taken. They were breaking awayfrom the practice most magazines hadfollowed in the past of picking up illus¬trations at random, almost as an acci¬dental sideline. Instead, pictures andwords should be conscious partners. Thecamera should explore every corner inindustry, showing everything, Mr. Luceexplained, from the steam shovel to theboard of directors. The camera would actas irtterpretor, recording what modernindustrial civilization is, how itmeshes...Bourke-White was already established as an in¬dustrial photographer when Life hired her to photo¬graph a dam under construction in Montana for itsfirst cover. For the first issue of Fortune Bourke-White photographed a sequence on a meat-packingindustry which took the viewer from waddling pigsto the slaughterhouse to packaged meat. With that picture story she had distinguished herself fromother industrial photographers by paying attentionto industrial processes as well as industrial forms.Bourke-White got Life's cover, but she also broughtback a set of photographs on the boom towns whichhad sprung up around the construction site. Thestory published in that same issue, designed byHenry Luce and Ralph Ingersoll, is generally consi¬dered a major advance in magazine photojourna¬lism. Instead of photographic components of a sin¬gle event, Luce and Ingersoll organized severalsub-elements (the taxi dancers and constructionworkers, a government relief project, the bars)within an overall theme (the tough, dusty life ofthis last Western frontier). Still, this first story lacksa strong narrative drive; the lead photograph isstrong, but the middle juts off into several differentdirections, and the ending is extremely weak. Noris the interrelationship among the photographsstrongly established.What was first known in Life's editorial offices asthe “Bourke-White type of story” became a struc¬ture in the minds of editors by mid-1937. Accordingto Luce’s biographer, Luce coined the term “photo¬graphic essay” after seeing photographer Alfred Ei-senstadt’s February 1, 1937 story on Vassar College.And in its April 26, 1937 issue, Life advertised itselfas the promoter of the “The Camera As Essayist”:When people think of the camera injournalism they think of it as a reporter—the best of reporters: the most accurateof reporters: the most convincing of re¬porters.Actually, as Life has learned in its firstfew months, the camera is not merely areporter. It can also be a commentator.It can comment as it reports. It can inter¬pret as it presents. It can picture theworld as a seventeenth-century essayistor a twentieth-century columnist wouldpicture it.A photographer has his style as an es¬sayist has his. He will select his subjectswith equal individuality. He will presentthem with equal manner. The sum totalof what he has to say will be equally hisown...Life was certainly not the first periodical to con¬ceive of photojournalism in this manner. But it didmuch more than any of its predecessors (and succes¬sors) to establish the picture story as a universally-understood language. As evidenced by the not in¬frequent recurrences of the weaknesses of theBourke-White story, Life did not always make goodon its “camera as essayist” claim. But there gra¬dually came about what Maitland Edey calls “themost significant element in the evolution of thephoto essay: the emergence of a true partnershipamong editor, photographer, and designer.” In thehands of brilliant professionals such as, for examp¬le, Ed Thompson, managing editor from 1949 to 1961,Charles Tudor and Bernard Quint, designers in the1950’s and 1960’s, and photographers LeonardMcCombe and W. Eugene Smith, the photographicessay was polished not only into its analogically lit¬erary form, but also into an independent artform.The photographer’s perspective is central to themodern photographic essay, and at Life it was thedifferences in the strong personalities of the pho¬tographers that injected variety and turbulenceinto the form. As opposed to the news-oriented pic¬ture stories of its predecessors (and the early issuesof Life), Life was to present photographic essaysthat worked around more difficult, subtle conceptsAnd editors were more an more willing to grant thephotographer greater freedom in interpretingtheir assignments.The first Life essay to emphatically break fromthe constrictions of a news orientation and editori¬al scripts was “The Private Life of Gwyned Filling,”photographed by Leonard McCombe for the May 3,1948 issue. Gwyned was a young college graduatebeginning a career in a New York advertisingagency; McCombe stayed on her heels until she be¬came oblivious to his presence and gave him candidphotographs of every aspect of her daily routine aswell as of her special joys and sorrows. TheMcCombe approach— a close, intimate look at an or¬dinary human situation with the sympathetic eye ofa participant— was soon adopted by other photogra¬phers and became the basis for a distinctive andvery popular type of photographic essay.Barely five months later, in the September 20,1948 issue, W. Eugene Smith brought another humanpersonality under the camera’s probe in “Country Doctor.” With this essay Smith infused another sig¬nificant element to the phptographic essay form.McCombe’s was a homey portrait which endearedthe reader to one life lived among many. Smith’scountry doctor is, on the other hand, a figure ofShakesperean proportions. The photographs high¬light him in such a way that in dealing with illnesshe is confronting human Tragedy; in healing his pa¬tients he is affirming human Nobility. Smith hadbrought out what he himself saw in the doctor’s sit¬uation. John Szarkowski, curator of photography atthe Museum of Modern Art in New York, wrote in1965 that “Country Doctor” was “a pivotal essay”:“the best of the photographs dealt not simply withwhat the doctor did, but in the profoundest sense,with who he was. With this example the photo¬essay moved away from narrative, toward interpre¬tative comment.”Smith’s interpretative approach was to fuse withan even grander vision in the April 9, 1951 “SpanishVillage.” This essay may be the most famous Lifeever published, and is regarded as the classic essaybecause it brings all the elements of the form intoan elegant statement of overwhelming power. Allseventeen photographs evince a painter’s eye forperfect composition and beauty. Yet thanks to Ber¬nard Quint’s masterly design and the consistent,rich chiaroscuro quality of the prints, they rein¬force rather than detract from each other. As hehad done for the country doctor essay, Smith shotthe village of Deleitosa as an archetypical placewhere epic human dramas were played out. An un¬derstanding of what Deleitosa is and what it ultima¬tely means informs the entire essay. As TheodoreM. Brown wrote:. “Spanish Village” is structured in a se¬quence from youth, promise, work, andgrowth to death. Dramatic emphasis isachieved by size, position, and content.All items are organized on the pageswithin a vertical-horizontal scaffold;thoughts and images are rhythmicallyrelated in time. One moves through thevisual events with the ease, pleasure,and empathy of moving through a well-structured short story, film, or sonata...Not surprisingly, Smith had always unyieldinglydeclared that any group of pictures, even if they make a powerful visual statement, is not a photo¬graphic essay if it is not given coherence by the es¬tablishment of an interrelationship among the pic¬tures.Other outstanding essays contributed more so¬phistication and variety to the photographic essayform: McCombe’s “Displaced Germans,” Smith’s“Nurse Midwife," Gordon Park’s “Flavio,” GeorgeSilk’s “America’s Cup Race,” Bill Eppridge’s “WeAre Animals in a World No One Knows,” BrianBrake’s “Monsoon,” Lennart Nilsson's “Inside theWomb,” and others.All of this, of course, came to an abrupt halt withthe folding of Life and Look. Unfortunately, as sym¬bolized by the tabloid-like nature of the new Life,the well for photographic essays has just abou* rundry. In recent years photographers essayists haveturned more and more to publication in bookform.The essay form in books involves several ele¬ments distinct from those in magazines, as for ex¬ample, the much more frequent one page-one pho¬tograph layout in books, and hence a radicallydifferent conception of the structure of the essay.Nevertheless, it too developed correlative to thetechnical and editorial breakthroughs previouslydescribed, and has influenced, and been influencedby, magazine photojournalism. Its roots can befound in documentary photography.The Documentary and the EssayJust what documentary photography is has alsobeen debated; it suffices for our purposes here todefine it as essentially the photographic record ofan event or a way of life. The documentary has beenmainly historical or sociological in purpose, re¬cording, that is, what things were like in a certainperiod of time, or exploring the makeup of soci¬ety.In the first fifty years since the camera’s inven¬tion in 1839, the photographer conceived of his taskas akin to that of the painter: to copy nature asfaithfully as possible. The very same things thatpassed before the photographer’s eyes were pre¬served by the camera’s eye. Brady made no furtherclaim about his Civil War photographs than thatthey “represent grim-visaged war exactly as it ap¬peared.”As the camera came to be accepted as a reliablevisual recorder, the photographer found that hecould not only reproduce the real world, but alsocomment upon it. Thus for 29 years Eugene Atgetlugged his bulky camera all over town to amass pic¬tures that conveyed his deep affection for turn-of-the-century Paris. This central vision, a native'sfondness for his native land, established a relation¬ship of each photograph to every other photo¬graph.In the United States of the late 19th and early20th century, the guiding vision was essentiallythat of the muckraker. Jacob Riis and Lewis Hinewere crusaders with cameras who set out into thesqualid slums and factories of New York City “toshow,” in Hine s words, “that things had to be cor¬rected.” There was a moral point to be made inevery snap of the shutter; in Riis’s book, How theOther Half Lives (1890), each picture revealed thatthe inhuman world of run-down tenements pro¬duces inhuman people. This was an age of a height¬ened social awareness of hard immigrant life andcorrupt industrial practices, and photography setout to rally the conscience of society.The Depression, and the plight of rural Americansin particular, had forced many to realize that thefree enterprise system could no longer be uncriti¬cally trusted; the preoccupation with technologicalthings and processes was tempered, as in the caseof Bourke-White, by a greater concern for the prob¬lems and needs of masses of people. By the 1930’sthe photographer was so deeply involved in the ser¬vice of reform and reconstruction that a documenta¬ry photograph had come to mean a picture with asocial purpose.The small photographic section of the Farm Secu¬rity Administration (FSA) did much more than any¬one else to fuse photography and reform. Federalrelief programs for the farmer had met consider¬able opposition; FSA photographers set out to winpublic support for the New Deal legislation. Theirphotographs were used in many publications, andmost importantly, in a number of outstanding-v-vti... .*!v luuiiij, ktdiKvi tvan .i .nij uii i (to,.graphs (1938), Archibald MacLeish’s Land of the Free(1938); Dorothea Lange’s and Paul Taylor's AmericanExoaus (19391; Richard Wright’s and Edwin Rosskam’sContinued on p.7The Chicago Maroon — Friday, March 16, 1979 — 5Vt9i ,6f (1D16M ,v&t>nH ~ hOOifeM optOirO *><11Lead photograph of “Spanish Village” by W. Eugene Smith:Life. April if. 1951NIKON REBATES!Now move up to photography’s finest and geta big cash rebate direct from Nikon!$40 CASH REBATEON NIKON FEAUTO COMPACTOffer Expires May 31,1979The finest automatic you canbuy. Advanced Nikonelectronics give you superbphotographs with focus-and-shoot simplicity. Offers easymulti-exposure control, quick-change finder screens, and fullNikon system versatility. 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NIKONCARRY-ALL BAGSUPER SPECIAL:BUY AN FM OR FEw/50mm f2 receiveFREE 1 - NIKONCARRY-ALL BAG*A s24.50VALUE ‘While Supply Lastsmaster charge.L THC wrERiM, CAM l UNIVERSITY OF CHICAGO BOOKSTORE5750 S. Ellis Ave.PHOTO DEPT. 753-33176 — The Chicago Maroon — Friday, March 16, 1979Continued from p*512,000,000 Black Voices (iimu); and James Agee s andWalker Evan’s Let Us Now Praise Famous Men(1941).Roy Stryker, assembler and superviser of thisgroup of sensitive photographers, took pains to en¬sure that they would bring back sets of interrelatedpictures which would, taken together, forcefullydramatize the message the FSA wanted to impart.Stryker insisted that his photographers researchtheir topic thoroughly before they ever picked upthe camera. He would share with them whateverknowledge he had about a topic, and wrote scriptsindicating objectives and desired sequences. Theywere to work freely within loosely prescribedlimits.The FSA project influenced many other photogra¬phers. The Photo League, founded in 1936 with acredo which declared that “photography has tre¬mendous social value,” produced several volumeson New York’s neighborhoods, including HarlemDocument (1938). Bourke-White was taking poignantpictures of the plight of the rural South in You HaveSeen Their Faces (1937, text by Erskine Caldwell),which provided the format upon which the FSA-pho-tographed books were to be modelled.You Have Seen Their Faces was recognized uponpublication as a major advance in the communica¬tive effectiveness made possible through relatedseries of photographs. The grouping of photographsand their careful alignment on the page en¬couraged readers to think of them as composing anintegral narrative. Text and pictures blended todrive home a social message. As opposed to pre¬vious photographically-illustrated books, the em¬phasis was on visual rather than verbal informa¬tion. Unlike Riis, Bourke-White and the FSAphotographers attempted not to stun the publicwith pictures and details of horrible conditions, butto show in the faces of the farmers an uncompromis¬ing inner nobility in the face of the ravages of theDepression.Writing just three years after the publication ofthe Bourke-White book, photography historianBeaumont Newhall saw in the documentary photo¬graphy of the 1930’s several characteristics that were to become crucial to the sophisticated formsof the photographic essay. The documentary pho¬tographer, Newhall wrote,' uses his camera to con¬vey his own feelings about a problem, to interpret asituation. He puts into pictures “what he knowsabout, and what he thinks of, the subject before hiscamera. Before going on an assignment he carefullystudies the situation which he is to visualize.” Themost effective documentary study is that in which a“program” of factual reporting is most clearly con¬ceived:A shooting script is as important for thistype of still photography as for movie¬making, and should be planned by theeditor and the photographer working to¬gether!' This does not mean that everyshot need be envisaged on paper, but itdoes mean that the photographer shouldbe considered the creator, not simply ofindividual pictures, but of a relatedseries. Trimming, quality of reproduc¬tion, its relation to text and other repro¬ductions in size and spacing— these are allas important as the photographer’s workon the field and in the darkroom.The photographers who turned their cameras onissues other than those of the FSA group helped torefine the graphic power of the essay type of docu¬mentary. Pare Lorentz, in The Roosevelt Year (1933),set down, in photographs, an interpretative recordof the first days of the New Deal. Notable for itsparticularly effective interweaving of news, text,and pictures was Anita Brenner’s and George R.Leighton’s The Wind That Swept Mexico (19351.The world wide conflicts of the coming yearspreoccupied many photographers. Robert Caparisked his life to snap haunting pictures of the Span¬ish Civil War, published as Death in the Making(1938). Ansel Adams protested against the war-timeinternment of Japanese Americans on the WestCoast in Born Free and Equal (1946).Intent, as everyone else, on getting back to thebusiness of living and working on the native land,post-war photographers once more turned theircameras on the American soil. Paul Strand and Nancy Newhall presented a deep slice of the NewEngland tradition in Time in New England. Edwinand Louise Rosskam produced Towboat River., anow-classic study of Mississippi, in which words andpictures fuse to evoke the flavor of a locale. Morerecently, such photographers as Bruce Davidson,East 100th Street (1970) and Danny Lyon Conversa¬tions with the Dead have explored the effect of theurban landscape on human lives.But it was what was perceived as an anomic andanemic postwar American culture that inspired a ri¬veting new concept of documentary photography.For some photographers, this was a time of despairbrought on by the apparent failure of the photo¬graphic crusades to reform society. The crusade'shad stirred some consciences, even caused somelegislation to be enacted, but fell far short of refin¬ing the behavior of men. W. Eugene Smith, for ex¬ample, considered his devasting photographs ofWorld War II a failure because they did not eradi¬cate war. The crusaders probably set for themselvesan impossible task; at any ate, disillusioned post¬war photographers foresook the social crusades fora tense study of an American society in decline. Theoverall theme of the pivotal book in this period,Robert Frank’s The Americans (1958), is suggested bya photograph of a Fourth of July celebration inwhich glum faces wander in all directions amid apatched American flag. Frank explained: “I hadnever travelled through the country. I saw some¬thing that was hidden and threatening. It is impor¬tant to see what is invisible to other. You felt notenderness.”An unrelenting candor and depth of vision had re¬placed the missionary impulse. In the contemporarydocumentary photography that has attracted themost attention— led by Frank and the late DianeArbus— the photographic essay is to be produced notby personal interpretation of public events, but byan attempt to confront head-on the tensions of theinner man. That these volumes are photographicessays is no longer as obvious. Instead of tellingstories they explore personal sentiments or makepersonal arguments. Each photograph demandsclose psychological reading, and the thread thatweaves them into a whole may lie in the inner, hid¬den resources of the human mind.CAT SHOWMarch 24,1979Jy.<!, t | , lk 11; jj/' .if Li /•“Se W![u, u/d‘V20C cSvhne&on Qi^b-tayWindemere Hotel1642 E. 56th Street Tj™:Adults: 1.75 10:00a.m.-Children: 75C 5:00p.m.“Parade—Hoboken, New Jersey"A desolate American placeby Joel SnyderIn the twenty years since TheAmericans was first published in thiscountry, the book has become a classicof photographic documentary as well asa touchstone for the new dominant styleof “serious” photography.This edition marks the second re¬publication of The Americans. The pro¬duction values for this volume are high,and by comparison with those ot the twoearlier editions demonstrate the accep¬tance of Frank s work as fine art.The prints in this edition are twice aslarge as those of the earlier books andfloat upon ample fields of white — as ifexhibited on museum walls. The printingis rich and smooth and has none of the“gritty” quality of the first edition — aquality that in 1959 seemed appropriateto the photographs. Frank, who has hadso much to do with the re-direction ofmuseum-oriented photography awayfrom the fine print esthetic of EdwardWeston and Paul Strand, has beenassimilated into that tradition.The first publication of the book in1959 was preceded by a major exhibitionof Frank’s photographs, mounted by Ed¬ward Steichen at the Museum of ModernArt in New York City. The criticalresponse to the exhibition and the bookwas divided between a large group otmuseum goers and newspaper reviewerswho found the photographs formallyflawed, ugly and anti-American and asmall group of photographers andcurators who saw the work as a revela¬tion.I was in the latter group. I was onlyeighteen, and for perhaps the first timein my life, the feeling that I had seensomething exciting, important andbrilliantly executed did not slowlychange into the dread knowledge that Ihad once again been duped by fluff andtinsel.1 £ e a 1 i z e now that Frank’sphotographs had a crucial influence The Americansby Robert Frankwith an introduction by Jack Kerouac83 photographs, 187 pages$25upon my decision to become a profes¬sional photographer six years later. Hispictures changed my mind about whatphotographs are, how they relate to“reality,” and finally, to what depic¬tion itself is about.Despite my passionate interest in thebook, I have never endorsed Frank’spoint of view about America andAmericans. The book portrays Americaas a place without Spirit, a land of sourmilk and artificial sweeteners, a nationwhere people and objects are inter¬changeable. Americans are shown mov¬ing through their day-to-day liveswithout joy, without satisfaction, fulfill¬ing biological appetites with mechanicaland unfelt gestures. Probably because Ihave never seen America this way — in¬deed that I think this view is glib, easy,and self congratulatory — I am astonish¬ed at the power I continue to see in theohotographs.The Americans is an argument in 83pictures, it is impossible to get the senseof the argument by looking at an in¬dividual photograph in isolation.Frank’s mode of exposition requires thateach picture be seen in sequence with therest, so that the style of the picturesbecomes understood as the only crediblemeans of seeing the Americans.Frank’s achievement can beunderstood only in relation to thehistory of style in photographicdocumentary. Before these pictures wereshown at MoMA they would have servedas textbook examples of how not to makephotographs. Frank’s mode of presenta¬tion works against the habits of viewingthat were well established in the 1940’s and 1950’s by such photographers asHenri Cartier-Bresson, W. EugeneSmith and Andre Kertesz. Thesephotographers made formally precisepictures — pictures that were interestingfor their formal qualities as well as fortheir nominal subject matter. They pro¬duced photographs that lookedcomposed, that looked as if someonewith an elegant sense of design and sym¬metry had worried about the movementof line, the progression of tones, andplacement of elements that create theframe. By contrast with the work ofthese photographers, Frank’sphotographs show only occasional in¬terest in formal clarity. Usually theywork against giving a viewer the impres¬sion that a gifted photographer informedthe photographs with his sense of clari¬ty, design, or for that matter, with a sense of what is preeminently importantto show.Frank’s style is intended to convincethe viewer that what is shown is crediblebecause the manner of depiction is flaw¬ed. Thus, the horizon is often tilted,figures are blurred either because oftheir motion or because the camera mov¬ed, objects and figures go out of focusbecause they are too close to the camera,frames begin abruptly by cleaving anddiscarding a face or body, eyes areshown in mid-flutter, and the fuzz of filmgrain abounds.All these devices assure the viewerthat the photographs are spontaneous,that they were made with little or no con¬cern about the esthetic qualities of thepicture. A war photographer uses thesame conventions of spontaneity to getthe same effect, but in his case, the flaws"Store window—Washington, D.C.”hi’ \ n1 ’<4 - • a*v rserve to assure us that the terrain andthe action made it impossible to makef9rmally precise pictures. With Frank’sphotographs, these same devices assureus not that he is doing the best he can ina dangerous situation, but rather thathis interest is in calling attention to “thefacts and not to his capacity to makesilk purses out of sows’ ears. Sows’ earsare after all, just that. And it is the “justthntness” Frank is afterThe first photograph in TheAmericans, “Parade—Hoboken, NewJersey,’ shows the side of a buildingwith a pair of windows, one of which ispartially covered with an American flag.A figure is standing in each window —one barely visible in the darkness, gaz¬ing out, the other with her head obscuredby the flag. From the viewer’s perspec¬tive, the flag robs that figure of her per¬sonality. But from her point of view, theflag hides the world, or, at the very least,filters her perception of it.The major premise is unfurled with theflag and Frank then moves out acrossAmerica, jumping into the South, backto New York, then to Los Angeles, backto Nebraska, then to Idaho and back toNew York. The book is a journey, but itis not a chronologically sequenced ortopographically logical trip. The erraticjumping around underscores thesameness of the Americans. Thetopography may look different, theclothing may change, but the people arealways the same. The book is an expedi¬tion into a realm of habits and attitudes.Frank sees in this place of conditionedresponse our alienation from each otherand from ourselves. Old people in St.Petersburg, Florida, sit on a bus-stopbench, gazing in every direction butnever at one another. Blurred, vaguefigures pass by an elevator operator in aMiami Beach hotel, never looking at theoperator, who, in her well-delineatedboredom, has become part of theelevator — a part of the machinery. In a Detroit drugstore men line up at acounter to drink ten-cent Orange Whip,never looking at one another, and seem¬ingly unsatisfied or uninterested in be¬ing satisfied by the drink,Two photographs stand out as fullyrepresentative of Frank’s peculiargenius. The first, “Movie premiere —Hollywood,’’ shows a sharply-definedcrowd in the background looking, withawe, at a passing starlet who occupies alarge part of the foreground. The actressis bejewelled and beflowered, and herblond hair is locked into place. Frankhas placed her in the center of the framewhich she thoroughly dominates, but sheis quite out of focus.The picture is about a relation and astate of mind. It depends upon our“privileged” position as viewers tomake sense of what is being presented.To the crowd, the starlet is an object ofenvy and admiration. The relation bet¬ween audience and starlet is almost pain¬ful for at least one of the people in thecrowd who nervously chews on a finger.But this is not a picture of the Israelitesworshipping the Golden Calf. Thatstatue, after all, was real gold. We asviewers know that the object of thecrowd’s admiration has no realsubstance, that it takes its form from theact of their admiration. The act is called“fantasy” and the object of the act isfantastic.The second photograph that hauntsmy memory is not as well conceived asthe Hollywood premiere photograph, butit has a perfection of its own. “Cafeteria,San Francisco” shows a middle-agedman eating off a cafeteria tray, seated at.a table cluttered with dishes and cokebottles. The point of view is slightlydownward and the foreground is oc¬cupied with out-of-focus dishes half-filled with leftover salad. The man’s ex¬pression is blank as he sits with his forkpoised over the food left on his plate.He seems caught forever in the act of“Cafeteria—San Francisco” Movie premiere—Hollywooddeciding whether or not he has the will tolift the next forkful to his mouth. Aloneat a table with the uneaten remains ofsomebody’s supper, he is beyond appe¬tite.This photograph intrigues me becauseit is ugly, because it re-expressesFrank’s view that in America we eat notto satisfy but to anesthetize ourselvesfrom hunger, and finally because it is sothoroughly familiar and, at the sametime, not familiar to all.These two photographs reveal Frank’sprogram in a most important way.In general, photographs made asdocuments are concerned with “exotic”topics. By “exotic” I mean only thatwhat is depicted is remote from our ex¬perience. So, it is not surprising thatdocumentary photographers havereturned again and again to prisons,ghettos, war zones, and mentalhospitals. The point of the work is toshow us what we cannot, owing to cir¬cumstances, or will not, owing to per¬sonal fears, look into on our own.This is not to say that the usual topicsof documentary photography can bethought of as subject matter. Rather, Ihave chosen the word “topic” to indicatea starting place rather than a set of pre¬existing subjects. The photographer’sjob is to make the subject matter.However, most photographers fail to dothis and fall back upon formulae — con¬ventional prescriptions for what will beshown and the manner of showing it.There is nothing inherently odd aboutthis — painters and writers work with oragainst accepted ways of doing thingsand there is no reason to suspect that“the facts of the moment” have anymore coercive or restrictive effect upon aphotographer than they might on anyother sort of artist. That it sometimeslooks otherwise is a statement about theability of the average photographicdocumentarian. What Frank did in making TheAmericans was to grab the unused poleof an unstated opposition. Rather thandepict an exotic and socially oresthetically countenanced scene in afamiliar way, he showed the trivial andfamiliar in a most unfamiliar way. Hisachievement is exactly this — the crea¬tion of a new subject matter out offamiliar and trivial “object matter.”Thus the selection of the ordinary andeveryday as the stuff out of which hissubjects are made together with thepurposefully flawed mode of presenta¬tion is the essence of Frank s style.Frank recognized that the familiar,trivial and everyday are not undefinablequalities, but receive their definitionfrom our notions of the important, wor¬thy, and acceptable. What is trivial canbe understood as such only in oppositionto what is important.Finally, then, with all the assurancesthat Frank gives us of his non-artistry,he converts the familiar into the exotic,the trivial into the worthwhile.Frank's journey ends nowhere. Thelast photograph shows a car pulled offthe side of a road in the middle of a vastand vacant place. It is daytime, yet thecar’s headlamps are on. A woman sitsnext to the empty driver's seat and wesee her across the out-of-focus hood ofthe car. She is about the only thing infocus in the photograph. Thebackground is an endless gray streak.There is a slight overall blur. Thephotograph reminds me of the feeling Ihave after driving 700 miles straight andthe road vibration has become imprintedon my vision. Focusing on anything is anact of will. It is the end of a journey, butthat end occurs en route, in the middleof no place.We are left in Frank s Americannowhere with his vision of us. It is a vi¬sion motivated by a glib cynicism and in¬formed by a pure genius for depiction.The Chicago Maroon — Friday, March la, 197? 9*' ji- The University of Chicago Bookstore isproud to have played an important rolein the growth and progression of theideals of education.We now have an expanded referencesection which will prove invaluable toyou in your research endeavors.We invited you to come in soon so thatyou may browse in a store which is filledwith books on all subjects that sustainthe human spirit.-The University of Chicago BookstoreGeneral Book DepartmentHours:8-5 Monday through Friday9-5 Saturdaysii;u-aM nip ' ;O '10 — The Chicago Maroon — Friday, March 16, 1979Iwmm rwnDKi'• a>>: m“He’s The Best”Wayne Lynumn is one of the best boxers to comeout of Chicago in many years. His amateur record isa stunning 112 wins against 16 losses. He has won sixconsecutive Chicago Golden Gloves titles and in1977-78 won the National Golden Gloves and anumber one ranking.In the week before the finals of the 1979 GoldenGloves, Wayne recalls how he first got into the pro¬fession. “I had a friend in high school who was intoboxing. I was more interested in football then. But Iused to watch him work out at the gym, and Ithought I could beat him. So I decided to give it atry.” Lynumn lost the fight, but he’s more thancome back since. Success has meant quite a demand¬ing schedule, with roadwork at dawn, training inthe gym in the early afternoon, and work as a phys¬ical education instructor till late at night.Lynumn’s steady progress had been uninterrupt¬ed until the past year.He broke his hand three times during that period,and fought when it was not properly healed. “Mybest punch used to be a right uppercut. But after Ibroke it, I had to change my style. I used my left jaba lot more. I couldn’t use my right on the heavy bag.It used to swell up after every fight.” Hindered bythis recurrent injury, Wayne had to drop out of theNationals in 1978. He then laid off for about fivemonths, until last January, in order to let his handheal properly and completely. “It's fine now.” hesaid, flexing his fingers and knuckles. “No prob¬lem.”Lynumn would like to compete in the 1980 MoscowOlympics, but turning pro before then is also a pos¬sibility. “Everybody turns pro after the Olympics. IfI turned pro now, 1 could get a jump on all the otherfighters.” Lynumn has already had considerable in¬ternational experience, fighting in Europe and Photographs by John PaiText by Jim ScanlonSouth America. His record against internationalcompetition is 11-3, his only losses coming against aRussian, a Cuban and a Pole, all of whom tend to bemuch older and more experienced than the Ameri¬can amateurs. The style of the Russians impressesWayne. “The Russians stand straight up and lookstiff. They look easy to hit, but they're not, andthey’re strong.”In the Park District Office, friends and local resi¬dents wander in and about. One young man sees re¬porters around Lynumn and comes up to the group.“Here's something you can write in that article. Heis the best. He’s got here, here and here." he said,touching his head, heart and hands. “I'm not sayingthat because he's a great fighter or because I think Ican give him a phone call when he makes it big...I’msaying that because he has stayed down here andworked when he could have gone out. A man couldget knifed sitting right in that chair, behind thatdesk — but nobody bothers Wayne — he’s got re¬spect."The evening of the Chicago Golden Gloves finalsstarted on an off note, as nightclub singer KarenMason-forgot the words for the Star Spangled Ban¬ner midway through it. In the face of echoing boosfrom the Ampitheatre audience she pulled herselftogether, finished it off, and the fighting began.Early bouts featured mainly novice fighters, whohad never won a Golden Gloves before. High schooljuniors and seniors for the most part, they made upin enthusiasm what they lacked in finesse, often fir¬ing looping roundhouses which breezed by theirmoving targets.Midway on the program was the 110-pound openbout featuring Lynumn vs. Jekiel. While Wayne’scredits take a few minutes for the announcer toread off, Jekiel is no stranger to the ring either,having won two Golden Glove titles at 106pounds. Both fighters come out quickly at the bell. Wayneprobs with his left, moving smoothly, looking forcombinations with his right, showing no hesitationin using it. Jekiel moves warily, jabbing away andtrying to keep his distance, the lines of fear etchedin his face. The first round is mainly scout work, andlittle heavy combat is made. In the second round Je¬kiel becomes bolder, coming out to meet Wayne inthe ring center. Wayne opens up with a right to thegut and drops Jekiel to his knees. Confident and incontrol, Lynumn holds his punches back as his oppo¬nent topples and aw-aits the referee's signal. Aftera standing eight-count and a brief skirmish, Lynumnagain delivers a right to the body dropping Jekiel.The fight is stopped at 1:44 of the second round.Lynumn was confident during the fight. “I felt Icould take him anytime. I've been working a lotmore on power lately, doing a lot of work on theheavy bag and leverage.” By all appearances hisright hand was finally healed, as it was the majorforce behind Jekiel's trip to the canvas, and wasneither painful nor swollen afterward.As the evening was coming to an end, Lynumnstood in street clothes, talks to his wife and friends,Owen Putnam, the winner of the Novice 119 weightclass, comes over to congratulate Lynumn. He asksLynumn about his plans for future fights, he was vis¬ibly disconcerted to find that Wayne had alsoplanned to enter the Chicago Park District Tourna¬ment. A crestfallen look comes over Putnam’s face.“Oh. I didn’t know you were going to fight in thePark Districts.” said Putnam.“Yeh, I want to get in as many fights as I can be¬fore Nationals.” A pause, then Wayne advises. “Godown to 112.”It looks as though that's going to be good advicefor a lot of 119 pound boxers this year.,df rtzneM ,\&Dh nooicJack NicholsoninFIVE EASY PIECESFriday. March 16 - 7:15/9:00All Films $1.50 DOC FILMS‘The best animatedfilm in years!”- M. Mouse Walt Disney’sTHE RESCUERSSat.. March 17 - 2:30/7:15/9:00Cobb HalltiOOCOOCCCO!I 1COCOOOW"Che HniDersitu of ChicagocccoscccoooooooooocaTHE DEPARTMENT OF ARTandTHE VISITING COMMITTEE FOR THE VISUAL ARTSannounce%>. Tfaufen "THem&iuii lecture SeriesonNEW DISCOVERIES AND DIRECTIONSIN THE STUDY OF CHINESE ARTW tint dayApril 4 "Art Museums and the Problems Representative of China: Formsand Contents,” Sherman E. Lee, Director, Cleveland Museum of Art.April 18 "The Chinese and Japanese Neolithic Why So Different?”Hsio-Yen Shih, Director, National Gallery of Canada.May 2 'listening to the Bamboo—The Art and Life of Wen Ching-ming(1470-1559),” Richard Edwords, Professor, University of Michigan.May 16 'Now Discoveries and Directions in Chinese Painting Stadias,”James Cahill, Professor, University of California, Berkeley.May 30 'Collecting Chinese Art,” Jon Fontein, Director, Boston Museumof Fine Art.All lectures will be held at 4:00 p.m. inCochrane-Woods Art Center 157 • 5540 S. GreenwoodReception will follow each lecture. Public Invited.SvcocosccccccoCCCOCOCOOOOCOOOCrOCCOCOOOOOCOCCCOO DnncecemeRColumbia College • Chicago4730 N Sheridan PdDANCE CHICAGO IVThe Chicago Premier of4*HARRYDance and Other Works bySenta DriverMarch 16 and 17 8:00 pmComing SoonKo-ThiDance Company March 23 & 24Elizabeth KeenDance Company March 30 & 31Oregon Mime TheatreApril 6 & 7Mordine & CompanyApril 27, 28. May 4, 5, 11, 12, 13Ceneral $5 00(Buv any 3 shows, pick a 4th free )Student/Seniors $3 00CAPA WelcomeCall 271-7804 for reservationsDance Center ofColumbia College4730 N. Sheridan Rd.Parking at Lawrence "El" City GarageCTA - 151 or 153 bus,Wilson or Lawrence "El"Supported in part bv the NationalEndowment for the Arts and the IllinoisArts Council STANLEY MOSSFRIDAY, MARCH 16, 8pmThe Poetry Center at The Museumof Contemporary Art • 237 EastOntario Street • $3.00 admission$2.00 for Students- MCA MembersSAO presents aTenth WeekROCK DANCE CanonThe Canon A-1Six-mode exposure control puts an end toarguments about which exposure methodis the best - forever - because it has themall, and then some! Six-mode exposurecontrol:•Shutter Priority AE•Aperture Priority AE•Programmed AE•Stopped Down AE•Electronic Flash AE•ManualNowOr bring in your old CanonSLR for a great trade-in deal!THE END OF THE ICT TUNNELWITHThe U.C. Jazz BandFRIDAY MARCH lfi CLOISTERCI.UB !):IHI|>m FREE'UC ID REQUIREDIDA NOYES HAI LAi .vyufjftA— —-.t-V OQ' > ’ .••12 — The Chicago Maroon — Friday, March 16, 1979 Body onlymodel camera1342 e. 55th st. 493*6700■■ ■■■■■*At the youth center where he works,Wayne lends an attentive ear to one ofthe kids under his supervision.The Chicago Maroon — Friday, March 16, 1979 —IBSWayne does not permit his profes¬sional career to clamp down his devo¬tion to his family his wife Vicki andtheir 11-month old girl Jewel. If thechild had been a boy. Wayne says, hewould have wanted him to be a boxerlike his father. He wants Jewel tosomeday flex her muscles as a gym¬nast..ZZm- Lm* *«*•**•si:*c-:3Ss=2:«*■.<*•»» V ■■*8 ^5■si M*•4.... „ _ j* u•>.—»*>*.•£ •zmMMutmmsamm«. «» * 4S A a,*• •»»*»•■<®ji. M «■»*«* A *» » **4■WTO"!,Wayne’s intense dedication to train¬ing means daily roadwork at dawn, butthat doesn't deter him from a friendlysparring match with Vicki (below), anoccasional running partner.BrAt a few minutes before one o’clockevery afternoon, Wayne heads over toa gym at 1140 West Jackson. Here, amidall the familiar boxing paraphernalia,his real work begins. He loosens upvery deliberately before his regularworkout. The week before a fight, heomits sparring and instead pounds forseveral relentless minutes on theheavy bag. His workout is in eventempo with the anticipated bout, asbells sound in three-minute intervals,starting and stopping the flurries.Today Wayne spent ten rounds makingthe leaden bag jump. Those looking onare left with no doubts about it: theguy’s ready.\m - Th^ ChKac7iMerz>o*tjt>.f^idayw&Aar£frt36_M79In Timelor SpringSPRING FEVER STRIKES DOC FILMSCAMPUS REELS!At Last Year's PricesAre we crazy? Our Spring Schedule contains over90 movies! Tuesdays are devoted to the Films ofJoseph Losey and Otto Preminger (THE GO-BETWEEN, THE SERVANT, SECRET CEREMONY,ADVISE AND CONSENT, MAN WITH THE GOLDENARM. . .1. Wednesday is Film Noir night when A-merican films tinged with despair and cynicismare offered in contrast to the jolly weather andsmiling faces (UNDERWORLD USA, THE KILLERS,GIRLS IN CHAINS, 10 SECONDS TO HELL . . J. Ourlong weekend features many recent features: SAT¬URDAY NIGHT FEVER, COMING HOME, CLOSE EN¬COUNTERS, INTERIORS, VIOLETTE, 1900 (W.NAM),THE SOUND OF MUSIC and many more, but* ofcourse, what would Spring be without yet anothershowing of BEDAZZLED. Not only that, but therewill be a special evening of science-fiction and hor¬ror films as well as FOTA's Film series on “GreatBooks." Doc Films offers the best bargain in Hyde With NikonBodyTrade-In*FE Body I$320.95with 50mm f/2.0 lens$399.95Ail prices reflect $40.00 Nikon FE rebateWe reserve the right to refuse any cameracomingthis Summer iBARBIERI CE^TFR/ROMF < AMPUS {JUNE 15 - JULY 25 - $995Art History ■ MusicItalian Socia1 Sctftce |Classical CivilizationBarbieri Center/Rome CampusTRINITY COLLEGEHartford, Conn. 96106 So you’ve got a few problemswith your shape. Don’tworry about it, do some- I IKSSgthing about it. And agood way to getstarted is Dy read- xScjf Ting the next issue jdpof “insider”—thefree supplement to ^ \your college newspaper \from Ford. * XYou’ll find tips on exercise,training and sports. And you’ll discovera few of the unusual ways some athletesstay in shape. It’s not all running andweight lifting. And you’ll also findsome very interesting information abouthow to shape up your ride with thegreat lineup of 79 Fords. Double chin fromlots of pizza withdouble cheese.Sunken chest.Makes breathinghard.marian realty, inc 600 calories.Tennis elbow.Great for restingon table tops.Belt overhang, makestying shoes a problemStiff knee. Used mainlyto walk to refrigeratorand back.REALTORStudio and 1 BedroomApartments Available-Students Welcome-On Campus Bus LineConcerned Service5480 S. Cornell684-5400 Look for “Insider”—Ford’s continuing series ofcollege newspaper supplements Swollen ankles.All-around gluttony.FORDHasn’t touched histoes in years.ford divisionMarch 16. 197*?• model C# ct 1Y) fA Winner*tiicaqo Maroon *iw-'.+*»***;- * r;dav, March »6, 19/9*'k1WE HAVE THE BEST!!!C(ulh<M?uc Home CondiaMy PteaettL...Magical Mystery Tour 6 Night of the Living DeadWednesday April 4 7:45 5 10:45 - 5:00, 3:00 0 MidnightDouble Feature: $2.00Single: $1.25in Kent 10725* OFF With This AdSome to Sorneltdfiis SummerWhere else can you polish your writing skillsand learn to use a computer or be in an under¬graduate prelaw program and take a course inintaglio printing? Where else can you interactwith so diverse a group of faculty and studentsin a uniquely attractive setting of hills, lakes,gorges, and waterfalls?Here at Cornell, you can fulfill requirements,complete courses in order to accelerate, orsimply take the time to study those appealingthings for which you’ve never before had thetime.Request an Announcementand see for yourself all thereasons why Cornell iswhere you should be thissummerCornell University SummerSession, 111 Day Hall,Ithaca, New York 14853.SPRING BREAK IS COMING...GOING TO O’HARE?There’s a convenient service to O'Hare for you fromChicago’s South Side. Buses leave hourly from 5=00a.m. to 9,00 p.m. from these locations, 333 East63rd, Roberts Motel and 1307 East 60th, The Centerfor Continuing Education, Windemere Hotel, DelPrado, Shoreland, 55th and Lake Park. Fare is$5.00. Charter buses and limous ine sen/ice avail¬able.Also, vans available to charter for anight’s outing. Call for info.C.W. Limousine493-2700/0120 The Chicago Maroon — Friday, March 16, 1979 GAS $1.00 PER GAL?BUY A SMALL CAR THATWILL GET UP TO 45 MPGSPECIAL DISCOUNTS TO U.C. STUDENTS.FACULTY & AFFILIATESFOR INFO AND APPOINTMENT, CALLJOSEPH A. CLARK374-7600TOYOTA - HONDA - DODGE - PONTIACNEW, 1979 MODELSORATORIO FESTIVAL SERIESRICHARD VIKSTROMconductingTHE ROCKEFELLER CHAPEL CHOIR & ORCHESTRAJ. S. BachPassionAccording toSt. Matthew(Concert Version—Two and One-Half Hours)HENRY HUNT, Evangelist WILLIAM DIANA, ChristusSoloistsJANICE HUTSON, Soprano PHYLLIS UNOSAWA, ContraltoALONZO CROOK, Tenor JAMES TUCKER, BaritoneDALE TERBEEK, Counter-tenorAPRIL 8, 1979 4:00 P.M.ROCKEFELLER MEMORIAL CHAPEL5850 SOUTH WOODLAWN AVENUETICKETS AVAILABLE AT:Reynolds Club Box Office57th Street and University AvenueCooley’s Corner5211 Harper AvenueReserved $6.00 General Admission $5.00Chancel Seating $5.50 Students $2.50MAIL ORDERS TO:Chapel Music Office, Rockefeller Memorial Chapel5850 South Woodlawn Avenue Chicago, Illinois 60637Please make checks payable to The University of Chicago andenclose stamped, self-addressed envelope[ £ .of rhWta noenfiAA o*?6'>ifO «,ot9WJSe le c ted/ ~Images Text and Photographs by Michael StarenkoEverywhere around us we have been baraged byimages of The American Dream. The conventions are sooverbearing that they press on the very way in whichwe as human beings think of ourselves. When I asked apawn shop owner if I could take her photograph, herbrows wrinkled in disbelief. “Why do you want to takea photograph of an ugly black woman?” Everywhere — /am unworthy of being photographed.Still, it was precisely because of the reaction I ex¬pected from her that drew me to her. I have grown upwhite male, middle-class, and the camera has providedme with the means by which I can circumvent theseinfluences at the same time that I am dealing withthem.This is a series of “controlled” photographs. In eachcase, I would ask for permission to take a few photo¬graphs. If the person agreed, I would decide whichangle would most effectively express their relation¬ship to their surroundings. The method of control is es¬sentially that of waiting, and waiting and more wait¬ing, until the posed facial expressions —the expressionsthey though that I wanted —had faded away and theirawareness of the camera's presence is recedded. Thisis thus an essay first of all about people as types —I amdrawn to women and blacks because they differ fromme. But I see them as types only because of my white,male, middle-class situation; it remains to go beyondwomen and blacks as types and try to come to gripswith the very essence of what it is to be a woman andwhat it is to be a black.Y\*t *The Chicago Maroon — Friday, March 16, 1979 — 21I22 — The Chicago Maroon — Friday, March 16, 1979/ VTh©^i's#p?s «4#WQ9kdi ]9J« - 23 u■-''••>•? >V; <C%l\24 — The Chicago Maroon — Friday, March 16, 1979c', .6! /6bii-t 00016M OOBDiflO efITy'\Vl ,Oi Dj loiVt >YOOi i i ituo im«> Ju tThe Chicago Maroon — Friday, March 16, 1979 — 25AUDITIONS for Blackfriars Spring ProductionSWEET CHARITYSaturday. April 7. 12:00 Ida Noves Cloister Club (lilT(‘tcd fov V ic*tor Smith Performances Mav 1 1. 12. 13. in Mandel Hall,Music available or bring a song of vour ownPlease wear elothes von ean move in easilv.HYDE PRRK PIPE RND TQBRCCO SHOP Young Designs by1552 E. 53rd - Under 1C tracks ft ELIZABETH GORDONStudents under 30 get 10% off II HAIR DISIGNERSask for “Big Jim>: ^-^11Mon. - Sat. 9 - 8; Sun. 12-5 1 1620 E. 53rd St.PipesPipe Tobaccos. Imported Cigarettes Cigars, 288 2900 TAl-SArM-MNCHINES! AMERICANRESTAURANTSpoc/of/iing InCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M. TO 8:30 PM.SUNDAYS AND HOLIDAYS12 TO «:30 P.M.Ord*ri to Toko Out131t Eo«t 63rd MU 4-1062 McDonald’srt in Rensselaer, Ind.has a Special Break for U. C. Stu¬dents.McDonald’s on Interstate 65 in Rensselaer has a spec¬ial break for students cruising down to Florida. Alarge order of French Freis FREE with the purchaseof any large sandwich.“The quickest route to Florida.’’FREE FRIESThis coupon redeemablefor one large order ofFrench Fries FREEwith the purchase of anylarge sandwich on ourmenu.Offer good only atMcDonald’s of Renssel¬aer. Ind., junction 114 &1-65.Offer expires 4-20-79Limit: One large fri perUniversity of ChicagoStudent.i Ruby's Merit ChevroletSPECIALDISCOUNT PRICESfor all STUDENTS andFACULTY MEMBERSJust present your University ofChicago Identification Card.As Students or Faculty Membersof the University of Chicago you areentitled to special money-savingDISCOUNTS on Chevrolet Parts,Accessories and any new or usedChevrolet you buy from Merit Chev-_ rolet Inc.GM QUALITYSERVICE PARTS Kfi’/> Ihul (trinfG 1/ ttrhnuit if A !AYGENERAL MOTORS MATS DIVISION I M1/ \l huhT__ pp1ER 3CHEVROLI ET 7y \lV72nd & Stony Island 684-0400Open Daily 9-9, Sal. 9-5 Pert* open Sal. 'til Noon£72nd & Stony IslandOpan Daily 6-6, Sol. 9-5 Part* open Sal. 'til Noonm VOLKSWAGENSOUTH SHORE rr684-040026— The Chicago Maroon — Friday, March 16, 1979Myronby Leslie Lapides Davis: the Lifephotographer at workAccording to Myron Davis, long-time Life photog¬rapher, the concept of the photographic essay de¬veloped haphazardly and was influenced by theGreeks. “Lots of pictures were taken for newsstories and the editors at Life realized they wouldhave to run a lot of them,” he said recently. “Beingmostly Yalies, Harvard types, East Coast people,they needed to deal in the classic Aristotlean con¬cept of a poem with a beginning, a middle and anend. The “opener” would set the theme for thewhole thing and, naturally, the “closer” would sum¬marize it.In Davis’s opinion, it was W. Eugene Smith’s“Country Doctor” (September 20,1948) which did themost to establish the concept of the photographicessay. Two later Smith essays, “Black Midwife” and“Albert Schweitzer” “really jelled it.” Davis recallsthat because Smith worked in New York (Life’s maineditorial office) and was ergarded as a genius in hisfield, he could lobby for his own ideas and suggestlayout. Other photographers, however, had little ifany input into the layout.Davis feels that group journalism as practiced byLife had its advantages and disadvantages. “TheNew York office could pick a topic and have peoplearound the world send in stuff and get a phenome¬nal amount of information,” he said. “It was incred¬ible. Only Newsweek and later Time could do this.On the other hand, you could not centralize respon¬sibility too much. There were rarely if ever by-linesand it allowed buck-passing. That was the most ob¬vious negative aspect. Often New York would havea preconception of the slant to give a story. Youcould work your butt off in the field trying to get allthe angles and they would present only their slant.The people in New York were bright but they sawthe world as in that New Yorker cartoon, with NewYork taking up most of the map.”Another effect of group journalism was that thephotographers sometimes did not have much say inwhat they were to shoot. Two ex-University of Chi¬cago students, John Morris and Don Morris, both do¬mestic Life correspondents at the Midwest bureau,completely conceived the 1945 essay on the Univer¬sity and did the research for the text. “I was muchmore, in effect, the illustrator of their ideas,” saidDavid, who had attended the University with themin the late 1930’s. “Photographers at that time werekept on the road almost continuously,” explainsDon Morris, now managing editor..of MarketingNews, a biweekly tabloid. “Myron was probably inIowa or Missouri. John and I sent the managing edi¬tor an outline of text points and pictures that couldbe taken. Suggestions sometimes ran from 10 to 20pages. It was a story that had the usual problems.One time Myron and I were in Rockefeller Chapel ona ladder. He handed me a light stand and it shortedand I found myself connected to two light plugs.Luckily, the cord fell from my hand as I fell off theladder.”David recalls posing President Hutchins in a histo¬ry professor’s office to get background of a Gothicchapel in the window: “The professor got into thespirit of the thing and helped us wash the windowsso they could be seen through.” Other pictures fea¬tured individual students and a three-quarter page-size picture of a Great Books class around a tablewith two volumes of Plato and Aristotle in the mid¬dle of it. “What you want to achieve is a synergisticeffect,” Davis said. “The photographs together musthave a greater effect than one could possibly do.This is what motion pictures can really do betterthrough the flow of time—explore the cause and ef¬fect relationship. We can only approximate that instills.”Eight years later, Davis did another college essay,but this time he was given almost total control.“You were frequently assigned to jobs so rapidlyyou didn’t know what you would do before youstarted,” he said. “But at Hamilton College I hadtime to look around and I had an idea before Ibegan. I spent two or three days there before I tookout my camera.“In 1953 public university enrollment was expand¬ing out of sight under the GI Bill. Hamilton was asmall, all-male liberal arts college, and I realizedthat it was fairly unique, a disappearing species. Icaptured, from the Hamilton College essay byMyron Davis: Life, April 27, 1953■ O - »i- j£>aw me '*** tcopyright 1953 by Myron Davis• •; ' ’ the close student-faculty relationship.”The unusual feature of the essay is a full-pagespread of twelve pictures of individual studentscalled “The College Product.” “That was my owncontribution,” Davis said. “Any institution shouldbe analyzed on the quality of their product,whereas most schools emphasize everything else.The thing I regretted was insufficient time. Icouldn’t capture these people spontaneously. Ididn’t want to fake, so I had the students looking atthe camera. T canvassed faculty members I’dlearned to trust and other students on who was rep¬resentative.”The closing picture is of a spindly professor cos¬tumed as a football player doing a song and dancefor a student-faculty show, which still worriesDavis. “The professor was holding a copy of the Lifecover of a football player and he could have known Iwas going to be there. It might have been a falseimage. I got personal pleasure in what was com¬pletely honest and I was unhappy if I thought thesubject was trying to project an image. In laterstages of Life people began to play to the media.It’s still phony.”How does one go about doing the photographicessay?“Most people, particularly budding photogra¬phers, can’t realize the percentage of over-shoot¬ing. Occasionally you played the percentages be¬cause of over-shooting. Occasionally you played thepercentages because you didn’t know what to do. Itwas a knowledgeable and necessary operation, butyou didn’t know until a few hours before the endwhat layout would be used, whether they wouldneed verticals or horizontals. Particularly when thephotographer didn’t act as director, you neverknew when the prime image would come up. You’redealing’s 5/100ths of a second. That’s why timing isso important. You have to be very mentally alertand physically adept.“One of the techniques to get natural shots ofpeople is to purposely start grinding out frames sothey figure it’s not so important. You become partof the background. Once I even experimented withan empty camera, though I would never dare dothat again. I would purposely bore people so they’dbe consumed with the people around them. I wouldsometimes appear ignorant and unknowledgableon purpose. I could get more information than thereporter because they thought I wasn't listening.People would feel free to say things in front of methey wouldn’t in front or a reporter. They thoughtwe were mechanical octupuses with the facility topress buttons. The Hollywood stereotype of photog¬raphers was that they were either too dumb or toodrunk to be a reporter. You could turn it to youradvantage as leverage. If you took it seriously itcould wound.“The camera is always an obstacle between thecreator and the subject you’re trying to interpret.The expert has learned to contravene this by play¬ing it by ear. It works when it’s an innate part ofyou. My best method is to so submerge myself thatI'm like a mouse in a corner observing. They ultima¬tely become unaware of my presence. People of ahigher intellectual level are more aware ofnuances, they're very conscious of the ultimateimage that will be presented. The good thing aboutstudents is that they don’t give a damn.“You often get people, especially older women,who don’t want their picture taken. You just talkand relax, sit down and drink well water with them.The New York types were too high pressure forthat.” Davis once spent 20 minutes convincing onewoman to pose for a story on Kansas garden clubsand got only two frames, one of which was print¬ed.“I acted as a student by dressing as one, sitting ata desk,” he continued. “I looked physically youngenough and was often thought to be a member ofthe group. When 1 was taking war pictures I had auniform and a shaved head. The commandersthought that I was some crazy young amateur whohad permission to run around with a camera.”Summing up. Davis said “If you're a good enoughtechnician you become like a concert pianist. Youthink q( the total presentation, not just notes,chords, 'or phrases.!' ■-n«The Chicago Maroon - Friday. March 16, 1979 - 27«1D16M ,Y6bn3 — OOOTbM OQ6D.no 5*7 - 65m *Julia. Margaret Ca.mercn. •"WT Eu^etve Smitk * DianeArkvs • P&vl Strand* ]EveA^rxold * E - J. BelUccj •HAw&rA \vTes"t <qhl * e-lbc.at tKeSEMtNJAFV CO - OPESATJxTE B®Ojy$rofUS5757 gouTH XJM3VBKS5TYjM<s?e * FfiUt ^‘Jo • 5:©o Sap ill:®<d'^o© •Eye Exominations•Contact Lenses(Soft & Hard)•Prescriptions FilledDR. MORTON R. MASLOVOPTOMETRISTSServing the UniversityCommunity for over 40 years.Hyde Park Shopping Center1510 E. 55th363-6363RSafterPick up onlyMI3-28O01460 E. 53rd ST. Eye ExaminationsFashion Eye WearContact LensesDr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know the differ¬ence between cheap glasses orcontact lenses and competent pro¬fessional serviceOur reputation is vour quaranteeof satisfactionA short course inBonded Bourbon.First lesson:Bonded Bourbon is sounique that it took anact of Congress (in 1897)to establish thestandards forOld Grand-Dadand other Bondedwhiskeys. 100 is perfect.Bonded Bourbonmust be 100 proof.No more. No less.Final exam.You need only onesip to recognizethe clearly superiorquality and taste ofOld Grand-Dad.Cheers!Old Grand-Dad Bondedis authentic Kentucky sour-mashBourbon, made with pure limestonew'ater, the finest grains, and aged in newcharred-oak barrels.Only Bondedw'hiskeys have a greentax stamp. It's your guar¬antee that the whiskey isat least four years old.Old Grand-Dad Bonded isalways aged longer.Kentucky Straight Hour by n Whiskey KKI proof.Bottled in Bond Old Grand-Dad Distillery Co.. Frankfort. Kv. 40MJ17t — The Chicago Maroon — Friday. March Id, 1979Ed Thompson on thephotographic essaymFrom W. Eugene Smith's “Spanish Village”,published during Ed Thompson's tenure as managing editorby David MillerAs Managing Editor from August 1949to July 1961, Edward K. Thompson pre¬sided over the publication of nearly 600issues of Life magazine. Some of Life'sfinest photographic essays were pro¬duced during his tenure. Thompson iscurrently Editor of Smithsonian maga¬zine, based in Washington.The following interview was conduct¬ed by telephone on March 9.DM: When did you start working forLife regularly?ET: It was ten months after Life start¬ed, and they started in November of'36; you can do the arithmetic.DM: What were your first dutiesthere?ET: I was assistant picture editor.DM: Maitland Edey (for many yearsan editor at Time Inc.) has called Life a“news-oriented general interest pic¬ture magazine. ” Do you agree withthat?ET: Yes. Everybody was always tryingto describe Life, for editorial reasons,for promotional reasons. I don’t thinkanybody did it better than the prospec¬tus Luce put out at the beginning. (To«jp« Life, to see the world . - od dDM: Could you say what the photo¬graphic essay is9LA*. » certainly ccu:cl not. It s what themanaging editor happens to like thatweek. In the photographic essay youdon’t necessarily “cover” things, as itworked with the old Life. Presumablythe photographic essay is to displayphotographs, and they may indeed beof topical interest; they should notcover “hard news”. But frequently theycover a topic that’s of continuing inter¬est. Or indeed they may be photo¬graphs just for the sake of photo¬graphs.DM: So the photographic essay ismore appropriate for feature storiesthan for news stories?ET: I hate the word “feature.” I thinkit connotes in journalistic languagesomething rather saucy, offbeat. Iwouldn’t call it a feature story.DM: Do photographs tell the story bythemselves in the photographic essay?ET: If they do it’s a rarity, for theyvery seldom do. The text can be of vary¬ing importance. A number of photogra¬phers think that they don’t need text—or pretend to think so. Personally Ithink that the essay is something inwhich words and pictures complementeach other, and naturally the picturestake most of the burden.DM: Is it necessary to have a singlepoint of view in the essay?ET: It may be about a state of being orabout beautiful aspects of somethingor it may tell a story. I don’t think thatany definition or any consideration ofpoint of view should be applied to it.It’s kind of a free form.DM- How were the subjects of the Lifephotographic essays determined?ET: If you talk to the photographersthey would tell you that the bestessays were never published. Whatthey thought were great essays werenot published. I’m exaggerating onlyslightly. Sometimes photographers arenot very good judges of their ownwork. Pictures that take a great deal oftrouble to produce may seem dispro¬portionately valuable to the photogra¬pher. For instance, if he hangs from hisheels at the crossbar of a telegraphpole and takes a picture from there, hetends to think that the picture is great.But it may be a lousy picture.The subjects of the Life essays camefrom an editor or a photographer or acombination of both. Usually a photog¬rapher who came up with an idea for anessay would discuss it with somebodyand get the go-ahead, or if an editorthought that a certain subject lent it¬self to essay treatment he might sug¬gest it to a photographer. DM: Were photographers generallydifficult to work with?ET: No...well, yes and no. Photogra¬phers are like writers—each one has hisown personality. And photographersare certainly among the greatest indi¬viduals that you could meet, and that’sfine with me, because they’re very in¬teresting people.DM: Did design assume an increasingimportance in the photographic essay? Iknow Edey says in his introduction toGreat Photographic Essays from Lifethat it did.ET: If Edey does it’s because he feltthat the art directors were not givensufficient credit or acknowledgement. Ithink he indicates that he ratheroveremphasize this. Edey credits thedesign of one essay to me, but actuallyI think the design of a lot of stories wasinfluenced a great deal by the editor.Or by wrestling writh both the art direc¬tor and the photographer. But the onestory credited to me is one that laid it¬self out: the photographer really de¬signed it by the pictures he took.DM: Do you remember particular pho¬tographic essays that posed unusualproblems or were particularly difficultto complete?ET: Well, I can’t remember any easyones. An awful lot of sweat went intothem, you know, from the editor, thewriter, the art director, and the partic¬ular photographer. They are all dif¬ferent: they all had particular prob¬lems as well as the usual range ofdifficulties. The one Edey credited tome was no problem at all, but becausehe couldn’t find any art director who had done anything about it, he just ar¬bitrarily credited it to me. But I had alot more to do with the design of a lotof other essays than that particularone.DM: Has the photographic essaychanged since the old Life?ET: I think it’s vanished.DM: What about publications thatprint photographers together with textnow? Why don t you consider those pho¬tographic essays?ET: Well, they're not presented asphotographic essays, for one thing.DM: What does the photographicessay entail in presentation?ET: As I say, in the last analysis it’swhat the group that’s involved with itthinks. I’m staying away from the word“group journalism.” but a lot of peopleare involved, that’s the only point Iwant to make.I don’t think anybody is trying to dothe photographic essay now, thoughsomeone at Life may disagree. I don’tthink the photo magazines like ModernPhotography and so forth try to do any¬thing like that. And there's a dif¬ference between a photographic essayand an exhibition of photographs or aphotographic look by a certain photog¬rapher.DM: How did you help shape the pho¬tographic essay while you were atLife?ET: 1 was there for eighteen years. Isuppose I must have had something todo with it. Actually the concept of itwas there when I came.DM: So you dealt with a heritagefrom previous editors? ET: In different hands it takes dif¬ferent forms.DM: What form did it take in yours?ET: Eclectic. To try to give it a hardcharacterization would result in allkinds of overlap.DM: So it’s not really possible.ET: Well, let’s put it this way: it’s notreally possible for me. One of thethings that enables you to get from oneissue to the other is that once you’vegotten to the point you can’t do any¬thing more about it you tend to forgetit. You forget what you’ve done; you'rebusy applying yourself to somethingelse.DM: Was there any difference be¬tween the work staff photographersturned in and the work freelancersturned in? Or were they given equaltreatment?ET: Oh, they were treated the same.The arrangement—and it’s been givenup by practically all magazines now —was that you’d have a staff which wasversatile enough to do almost any¬thing, and then you’d have a specialiston the outside. For example, a medicalphotographer would photograph thefetuses of babies. But the idea of staffphotographers —and it doesn't perhapswork out economically in today’sterms —was that they could do almostanything, but not necessarily thebest.The staff photographer systemproves to be rather a luxury. In somecases you’d have an idle photographeron the staff and you’d say to yourself,gee, gotta keep him busy, and thenmaybe you’d try and assign him to astory that maybe some outsider couldhave done better. But I would say thatthere wasn’t any difference betweenthe treatment the two kinds of photog¬raphers received. In news stories whereseveral photographers contributed, Iwould never look at the back of the pic¬ture to see who took it.DM:/s it possible to have photogra¬phic essays without staff photogra¬phers?ET: I think it would be more probableyou’d have them without staff photog¬raphers. Today or anytime.DM: But didn't Life want staff photog¬raphers so they could become very in¬volved in the stories in a way that out¬side photographers couldn't?ET: Well, it happened that we had avery large staff, w-hich was certainlynecessary during the war, in order toassign people different theaters, andso forth. But I think the old Life couldhave succeeded just as well using free¬lancers.Being a staff photographer gives youa certain amount of security you per¬haps don’t have as a freelancer, but onthe other hand there are many varie¬ties of freelances. You take a talentedphotographer and give him a yearly-guarantee. and tentatively assumehe’s going to pfoduce so many photo¬graphic essays a year. In other words,it’s not a very sharp distinction be¬tween staff photographers and peoplewho you use all the time. Some photog¬raphers didn’t want to be on the staffbecause they thought it would cramptheir style I suppose.DM: What do you think of Edey’s se¬lection of essays in Great PhotographicEssays from Life?ET: Every individual who ever workedon Life would make his own nomina¬tions, and with a few exceptions theywould be different selections from theones Edey made. But I think there arenot bad ones in there.DM: Which essays not in Edev's bookwould you have included?ET: Well, you know, there were 51issues a year.DM: So you like quite a few ofthem?ET: Yeah.VWI ,6i Mj-lbM — itOOrf*SS*4iThe University of Chicago Dept, of MusicandFriends of the SymphonySUNDAY. APRIL 8.1979 8:00 P.M.MANDEL HALL - 57th & University Ave.$4.50 Genera! Admission. ($3.50 U.C. Fac /Staff & Non U.C. Student)$2.50 U. C. Student >Tickets at Reynolds Club box office -Dept, of Music. 5835 University Ave \ -T TW7VBL » • ^r% it&mi fvsws&TxMmvwvss.MINOLTA XD-ll 'Special with this Ad!Minolta XD-ll Plus50mm £4.7 lens$344.95Prices reflect $35.00 Minolta rebateThis exacting camera offers a choice between aperturepriority, shutter priority or metered manual operation atthe flip of a switch. Accommodates the MD series lenses,specially designed for multi-mode operation. Optimalautowinder advances film as fast as 2 frafnes per second!Come in for a demonstration today.model camera1342 E. 55th St.493-6700SNOWED UNDERDue to Typing Delays?RELAX!Avoid the Rush and Leave the Typing to Us.We Do:Manuscripts / Theses / DissertationsResumes / Reports / Transcriptions24 Hour Telephone Dictation ServiceEMA KW IK SECRETARIAL SERVICE180 West Washington 236-0110Weekends & Evenings 726-3572 2nd Hand TunesQuality Used RecordsJazz-Classical-Rock-Disco-EverythingWe Buy Used Records1701 E. 55th St. 684-3375OPEN 12-6:30 7 DAYS A WEEK }sTATF''vi\,:ksit' «.i \Vv YORKin cooperation withTHE DEPARTMENT OF EDUCATION& CULTURE, W.Z.O.announces its 1979THIRTEENTH SUMMERACADEMIC PROGRAMin ISRAELEarn up to 9 Undergraduate or Graduate Credits. Forinformation write or call: Office of InternationalEducation, State University College, Oneonta. N.Y.13820, (607) 431-3369.PUT A LITTLE CLASS IN YOUR SCHEDULE.NEW BREED MUSTANG 79.PRICES START AS LOW AS•Excluding title, taxes, destination charges.#549 $4478 Want others to take notice? Include sporty Ford Mustang in yourdaily game plan. It’s got the looks, and luxury, to help you make goodimpressions where they count.Full instrumentation inside includes a tachometer. There aretasteful woodtone touches, plus carpeting, bucket seats, and more.All standard. Test driving is believing, though. So put our New%Breed Mustang through its paces. Check handling features thattake you smoothly through traffic, and around tight turns. Thencheck our student deal. We think you’ll be pleasantly surprised.OUR DEALS ARE MAKING HISTORYLesly Motors, Inc.2347 South Michigan Ave., Chicago10 — The Chicago Maroon — Friday, March 16, 1979:fu vT9f ,6f rtoieM vfcbn1* — nocneM opsDirO erlTby Eric Von der PortenJonas Dovydenas is a professional photographerwell-known for his work for Earth magazine and nu¬merous other publications. He is currently workingon a group of photographs of the people and land¬scape of Nevada. The collection will be exhibitedand may eventually be used in a book. Three of Mr.Dovydenas’s photographs are included in the“Homage to Hugh Edwards” exhibit at the Art Insti¬tute.The following interview was conducted March 5 inMr. Dovydenas’s Uptown home.EvdP: You are known at least in part as a pho¬toessayist. Is that a way you would identify your¬self?JD: Not precisely. I think of myself as a photogra¬pher who photographs reality, which means I seemyself as a taker of photographs, not a maker. So Imake photographic statements about things thatinterest me; right now that happens to be a state¬ment about a part of the country, Nevada.EVdP: Have you ever done work in which you'veincorporated text and photographs on a specificsubject?JD: My own text?EVdP: Yes.JD: No, I have not worked in that way. Not byavoidance, it’s just that I think doing the text is akind of luxury in terms of time that I haven’t beenable to afford.EVdP: Is that something you would considerdoing?JD: Weil, it’s something I’m considering doing inNevada in a way, to supply a text by interviewingpeople and taking interesting segments out ofchose interviews. So I’m thinking of that but it alldepends on how much time I have.EVdP: Working with portraits and expanding onportraits by adding text or adding quotes aboutthat person seems to me a precarious way to work.How do you deal with the question of portraying anindividual's character, rather than imposing yourown judgement about the subject? Or do you thinkof your subjects more as symbols of something youperceive rather than as individuals?JD: My portraits are individuals and insofar as I *-v>JonasDovydenasNevada Portraitfrom work in progress by Jonas Dovydenas might incorporate text I would follow the samerules I follow with portraits. That is, a portrait tome is a photograph, a photograph of somethingthat I found interesting. That can cover a lot ofground because I can consider almost anything in¬teresting. I’ve never seen any person that I wouldconsider ugly. I’ve seen some people who are to meuninteresting but never ugly or objectionable. Socaptions to me would be talking, sitting there andtalking to a person and taking out of that stream oftalk that which to me is interesting either aboutthat person, the way he speaks, or something thatperson says about something. In any case it wouldbe unretouched, just as the photographs are.EVdP: How does your philosophy of “taking” aphotograph rather than “making” it translate itselfinto the way you approach a subject, especially aperson?JD: First of all, that means I’m subject-oriented. Iaddress myself to a subject; my subject is right infront of the camera. Now obviously there’s only somuch objectivity possible. These photographs aremade by someone, that’s me and I can’t deny that inmy work. I look for things out there that interestme and I photograph it in some way, my way ofcourse.EVdP: The portraits you showed me from your Ne¬vada work were all taken head-on, mostly veryclose-up. Is that a necessary mode for what you aretrying to do?JD: Well, that’s one of the things I’ve been doingand it’s a necessity insofar as I’ve gotten interestedin the structure of the human face. By working thatway you focus not so much on the character of theperson but simply on the structure of the face, sothe ego recedes behind the structure. I asked mysubjects to look directly at the camera and relax.What you see is the structure of the face and theevidence of the character within that person is thenborne most heavily by that structure. Somebodysaid we are what we look like and we become whatwe look like. I could turn that around and say thatyour face is responsible for you to a certain extentbut also what we are determines how we look. So Ithink the approach I used in these photographsallows that inherent character to come out and min¬imizes my intrusion.M.A. IN PUBLIC POLICY STUDIESat theUNIVERSITY OF CHICAGOThe Committee on Public Policy Studies is a formal academic unitof The University of Chicago, offering a graduate master’s degreeprogram which focuses on preparation for a w ide variety of careers.The Committee does not automatically assume that governmentsolutions are the preferred solutions to public policy problems.Its program presupposes a role for the private sector as well as thepublic sector, in solving public policy problems, and assumes thatpublic policy leadership requires an understanding of both arenasand of the complex economic and social framework yvithin yvhiehpublic policy operates.The Committee on Public Policy Studies offers a new two yearprogram leading to the Master of Arts degree in Public PolicyStudies. Major components of the program include Analytic Coursesin Economics. Political Analysis. Statistics, and Decision Analysis;a range of Applications Courses offered by the Committee and theother departments and professional schools of the University: aseries of Policy and Research Seminars devoted to the scholarly,interdisciplinary investigation of specific public policy issues; andInternships in the public and private sectors.For additional information and applications:Prof. Robert Z. Aliber. ChairmanCommittee on Public Policy StudiesThe University of ChicagoVi ieboldt Hall - Room 3011050 East 50th StreetChicago. Illinois 6063 *Applications for Fall Ouarter 1970will be accepted until May 15. Vj' I I I |V| I « WAUDITIONSCOURT STUDIO THEME'Spres&nfcation ofT/)6 Waiting Game-3 one*actjJjysMarcli i7 f I? - noon to 5Reynolds CluloTheatr6-S76h^lhv\/.ALSO AUDITION'S FOR AFEIFFE1US PEOPLEPlRECTFITftVl.IftlW,ft*RSKThe Chicaqo Maroon — Friday, March 16, 1979 — 31HEAR AGAIN STEREOSells guaranteed name brand usedand demo stereo components at 40%to 70% off regular prices.THESE ARE OURWEEKLY SPECIALS:MARANTZ 2270 $285.00TECHNICS T 300 79.00 EA.ONKYO TX 2500 179.00PHILIPS GA 212 69. (HISANSUI 8 249.00Kl.H 317 65.00 EA.JVC 4604 89.00KENWOOD KX 620 125.00SCOTT 342 C 79.00MITSUBISHI DA-A10 269.00Complete systems from $75 to $750.60 day trade back privilege. Namebrand components for limited bud¬gets.HEAR AGAIN STEREO7002 N. California 338-7737 Come) i Law SchoolUndergraduate Prelaw ProgramJune 11 to July 24,1979A demanding six-week programfor college students who wantto learn what law school is like.For further information write toProf. E. F. Roberts, Cornell Law School314B Myron Taylor Hall, Ithaca, NY 14853Icelandicannouncesthe best dealto Europe:*934*roundtrip.(*Kv oneway)No restrictions.Chicagoto Luxcmbouig.Every scat atthe same price.Confirmed reservations.Free wine, meals cognac.4 flights weekly.Stay lto365d^ys ^Purchase tickets intheL.S.A.See your travel agent. Or write Dept. * , IcelandicAirlines. 6 East Monroe St., Chicago, Illinois 60603. Or call tollfree 800-223-5390.K □York aChicago, New York and Baltimore,-'Washington,on European Fly/Dnve and Fly/Rail Tours.NAME Your brochure.ADDRESS-CITY .STATE ZIP.ICELANDIC25 years of low air fares to Europe. ICELANDAJ*J|PnoeeffectiveAg^l^tIv\j^1a^l^^Uu^ecn<^cto^LOOKING FOR SOMETHING BETTER?He will have several apartments available forLease in the very near future.2 to 3V4 room 1 bedroom apts.Starting at $225.Security and one-year Lease required.%’e have a lot to offer. Come see us.MAYFAIR APARTMENTS. 5496 So. Hyde Park fcivd ROCKEFELLER MEMORIAL CHAPELCONVOCATION SUNDAYMarch 18 • 11 AM.University Religious ServiceTHE REVEREND RICHARD HOLLOWAY,RectorOld St. Paul’s Church, Edinburgh, Scotland“YESTERDAY, TODAY AND FOREVER”4:45 P.M. Edward Mondello. Organ Recital5:00P.M. Service of the Holy EucharistCelebrant: The Rev. Charles D. BrownCo-sponsored by the Episcopal ChurchCouncilUsed Oak Desks$25°° and upUSED 4 drawer file cabinets$9eoo*3 AND UPBring your own trailer““I "VBRAND 1EQUIPMENT&SUPPLY CO.8600 Commercial Ave.Open Mon.-Fri. 8:30-5:00Sat. By Appointment OnlyRE 4-2111WE CARE ABOUT YOU!JONMAR CORP.7227 S. STONY ISLAND, CHICAGO, IL 60649493-2600Secretarial Service(The Personalized Professional Service)TYPING XEROX COPIESLetters - Manuscripts - EnvelopesTheses - Resumes - StatisticalTRANSCRIBING Cassettes - TapesNOTARY PUBLIC- Conference Room Available -* PROMPT EFFICIENT * ACCURATE niMOd SMtOJSXOOBS. TTlAAOd MMCUSXOOa %.TUMQdPowell’s BookstoreHelp!We’ve built a new aisle, got some space.WE NEED YOUR BOOKS — BRING USYOUR TIRED. YOUR POOR, YOURHUDDLED VOLUMES.CASH FOR BOOKSNew arrivals:Expanded andStraightened ReligionSection. Set ofChurchill’s Speeches,Over 130 Review Books,Cook BooksPowell’s Bookstore1501 E. 57th St.955-77S09a.m. -11 p.m.Everyday Powell’s BookstoreWarehouse1020 S. Wabash, 8th floor341-0748Thursday. Friday 10:30 - 5:00Sat. 10:00 - 5:00• POWELL'S OOOKSTORES POWELLS TOntS POWELL'SSTANLEY H. KAPLANFor Over 40 Years The Standard ofExcellence In Test PreparationPREPARE FOR! MCAT- DAT- LSATillIlllllII CHICAGO CENTER16216 N. CLARKCHICAGO, ILLINOIS60660| (312)764-51516RE • GRE PSYCH • GRE BIO • GMATPC AT • OCAT • VAT • MAT • SATNATIONAL MEDICAL BOARDS * VQE • ECFMGFLEX'NATL DENTAL BOARDSPODIATRY BOARDS • NURSING BOARDSFlexible Programs and Hour*,H Visit Any Center And Set forroust It Why Wo Most The DifferenceUS Madtuon Am• N Y 1Se» (n> S4et) TEST PREPARATIONSPECIALISTS SINCE 1tMCtnttfi kUjcr US Cdtet PutMo IhccToronto Ci'TAtU 11 u|«oc S*«t4E'4ndSEX? MONTH:SAT k i/K/MCATS. V. SUBUfibAN19 S. LAGRANGE 30.SUITS 201LAGRANGE, ILLINOIS60525(312)352-56^0for uw Of mot tort About Other Cantor* in Mc'» T n*n DC M *,cr US C :<•» 4 AotoaGSPRING, SUMMERFAIL INTENSIVE*COURSES STARTINGTHIS MONTH:MCAT—-SAT LSATDAT—-GREIIII|OUTSIDE N Y. STATE CALL TOLL FREE: 800-^im^JNEWFU|ICHROME 100IS HERE! ■'SHARPER IMAGES!BRIGHTER COLOR! FINER GRAIN!one 20 exposure slide film$ 1 .75 reg $2.55ONE PER CUSTOMtRWITH THIS AD ONLYNameAddre« :model camera1342 E. 55th St.493-6700!2 - The CWw* Maroon - Friday Marcel’” BOOKSTOWESPOWELLSCalendarFRIDAYPerspectives: Topic: “Professional Roles for Women inAsian Societies”, guests, Liza Crithfield, Joan Erdman,and Jacqueline Swearingen, 6:30 am, channel 7.Dept, of Economics Seminar: “Monetary Policy UnderAlternative Exchange-Rate Regimes: Simulations witha Multi-Country Model", Howard Howe, speaking,9:20-12:00 noon, Ro 215.Crossroads: Free English classes for foreign women,10:00 am-noon.Smart Gallery: Exhibit-“Jackson Pollock: New FoundWorks”, March 14-May 6.Geophysical Sciences Colloquium: “Surf Zone Dynam¬ics-Sorting out the Scales of Motion”, Speaker WilliamL. Wood, 1:30 pm. Hinds Lab Auditorium.Economic History Workshop: “Prices of Slaves in Mu¬scovy, 1450-1700", Richard Hellie speaker, 3:30 pm, SS106.Dept, of Sociology: “Why Nationalism?”, Reinhard Ben-dix speaker, 3:30 pm. SS 122.Center for Middle Eastern Studies: Lecture-“TurkishStudies in the U.S.S.R.”, Dr. Tibor Halasi-Kun speaker,3:30 pm, Pick 022.Center for Middle Eastern Studies: Arabic Circle (discus¬sion in Arabic) “The Political Settlement of the Arab-Israeli Conflict”, Prof. Abdul Malik Auda speaking, 3:30pm. Pick 218.Women’s Union: Meeting 5:30 pm, Ida Noyes Hall abovethe Frog and Peach.Karate Club: Meets 7:00-9:00 pm in the dance room ofIda Noyes Hall.DOC Films: “Five Easy Pieces”, 7:15 and 9:30 pm, CobbChristian Fellowship: Sharing and Worship, 7:30 pm, IdaNoyes East Lounge.Student Activities: 10th W'eek Disco, 8:30 pm, Ida NoyesHall. FREE!!SATURDAYWHPK: Children’s Hour, 10:00-12:00 noon. Not for chil¬dren only.Table Tennis Club: Practices 10:00-1:00 pm, Ida Noyes 3rdfloor.Rugby Club: Meets 10:00-noon, Field House.Overeater’s Anonymous: Meets 10:30 am. WashingtonPark Field House.WHPK: Saturday Opera, noon to 4:00 pm.DOC Films: “The Rescuers”, 2:30, 7:15 and 9:30 pm,Cobb.WHPK: Success Without College: Comedic Humor,4:00-5:00 pm. Fine Women and Song: Music a Woman CanIdentify With, 5:00-6:00 pm.SUNDAYWHPK: Finest in Rhythem and Blues, 6:00 am-mid-night.Rockefeller Chapel: University Religious Services, Con¬vocation Sunday, the Reverend Richard Holloway, 11:00 am.’Hillel: Lox and Bagel Brunch, 11:00 am, Hillel.University Extension: Works of the Mind Series, Mr.Harold Haydon speaking on “The Mind of the Painter”.2:00 pm Spertus College, 618 S. Michigan.Overeater’s Anonymous: Meets 3:00 pm, Illinois CentralHospital, 4th floor.Tai Chi Club: Meets 6:30 pm, 4945 S. Dorchester (enter on50th).Folkdancing: General Level with teaching, 8:30-11:30pm, Ida Noyes Cloister Club.MONDAY ^Perspectives: Topic: “Understanding the New Reli¬gious”, guests Dr. Lawrence Z. Freedman, J. PatrickDobel, and R. Stephen Warner, 6:30 am, Channel 7.WHPK: Wake up and stay awake with WHPK Rock, 6:30am-l:30 pm.Crossroads: Free English classes for foreign Women,10:00-noon.Regenstein: Exhibit-“100 Very American Books” fromthe Epstein Collection, Feb. 6-April 15.Developmental Biology: “Nerve Growth Factor: Biolog¬ical Aspects,” speaker, Dr. Ralph A. Bradshaw, 1:00 pm,Cummings 1117.Chicago City Colleges: Sponsors English as a second lan¬guage classes, 4:30-6:30 pm, Ricketts Lab.WHPK: Classical Music, 6:00-9:30 pm.Chess Club: Meets 7:00 pm, Ida Noyes Hall.Karate Club: Meets 7:00-9:00 pm in the dance room ofIda Noyes Hall.Women’s Rap Group: Meets 7:30 pm in the Blue Gar¬goyle in Women's Center 3rd floor, info, call 752-5655 or752-5072.Ski Club: Meeting 7:30 pm, Ida Noyes Hall.Baptist Student Union: Meets 7:37 pm in the 2nd floorEast Lounge of Ida Noyes.Folkdancers: Beginning level with teaching, 8:00-11:30pm. Ida Noyes Cloister Club.TUESDAYPerspectives: Topic: “The Evangelical Renaissance inthe United States” guests Langdon Gilkey, Dr.Lawrence Z. Freedman, J Patrick Dobel, and R. StephenWarner, 6:30 am, Channel 7.WHPK: Wake up and stay awake with WHPK Rock. 6:30am-4:00 pm.Dept, of Biochemistry: Seminar-“Fatty Acids, Vitamin Eand the Proliferation of Aortic Smooth Muscle Cells."speaker, David Cornwell, 1:00 pm. Cummings room101.Ultimate Frisbee Team: Practices 1:00 pm. main floor ofthe Field House. New players welcome. For more info,call Robin 955-0481.Ki-Aikido: Practices 4:30-6:00 pm, Bartlett, next tosquash courts.WHPK: Folk Music, 4:30-6:00 pm. Classical Music.6:00-9:30 pm. Jazz, 9:30 pm-3:00 am. Kundalini Yoga Society: Meets 5:00 pm. Ida Noyes EastLounge.Hillel: Israeli folkdancing, 8:00 pm, Ida Noyes 3rdfloor.Sexuality Rap Group: Sponsored by UC Gay and LesbianAlliance, Ida Noyes 3rd floor, 8:00 pm, Info call 753-3274Sun-Thurs 8-10 pm.Archery Club: Practices 8:30-10:00 pm. Ida Noyes Gym¬nasium.WEDNESDAYPerspectives: Topic: “Do Congressional Investigationsinto the Activities of Religious Groups Pose a Threat toFreedom of Religion in the United States?” guests Lang¬don Gilkey, Dr. Lawrence Z. Freedman, J. PatrickDobel. and R. Stephen Warner, 6:30 am, Channel 7.WHPK: Wake up and stay awake with WHPK Rock. 6:30am-4:00 pm.Commuter Co-op: Get-together in Commuter Lounge inbasemeny of Gates-Blake 12:00.Crossroads: Free English classes for foreign women,2:00 pm.Dept, of Biochemistry: Seminar-’Selective Transcrip¬tion of Xenopus and Drosophila Genes in ReconstructedSystems”, speaker Carl S. Parker, 4:00 pm, Cummingsroom 101.WHPK: Folk Music, 4:30-6:00 pm. Classical Music,6:00-9:30 pm. Jazz 9:30-3:00 am.Duplicate Bridge: Meets 7:00 pm, Ida Noyes Hall. Newplayers welcome.Country Dancers: British folkdancing. All dances-taught. Morris. 7:30 pm. Dancing. 8:00 pm. Refresh¬ments, 10:00 pm, Ida Noyes Cloister Club.Badminton Club: Practices 7:30 pm, Ida Noyes Gymnasi¬um.Science Fiction Club: Meets 8:00 pm, Ida Noyes Hall, ev¬eryone welcome.THURSDAYPerspectives: Topic: “Experience of Writers as Chil¬dren”, guests Daniel Guillory. John LeBourgeouis Mari¬lyn Kaye, and Bob Strang, 6:30 am. Channel 7.WHPK: Wake up and stay awake with WHPK Rock. 6:30am-4:00 pm.Nuclear Overkill Moratorium: Weekly meeting. 3:00pm Ida Noyes 2nd floor East Lounge.WHPK: Folk Music, 4:30-6:00 pm. Classical Music,6:00-9:30 pm. Jazz, 9:30 pm-3:00 am.Ki-Aikido: Practices 6:00-7:30 pm. Field House balconyTable Tennis Club: Practices 6:30-11:00 pm. Ida Noyes 3rdfloor.Debate Society: Meets in Ida Noyes East Lounge. Prac¬tice. 7:00 pm. Debate at 8:00 pm.American Meteorological Society: “The Lake SnowStorm of December 10. 1977, speaker Roscoe R. Braham.Jr. 7:30 pm. Hinds Lab.Ski Club: Meeting, 7:30 pm, Ida Noyes Hall.Hillel: Chug Ivrit (conversational Hebrew). 8:00 pm. Hil¬lel.Lamberene. 1954 by W. Eugene Smithfrom an essay on Albert Schweitzer■ I - T I «>■ HI- - u- way; man* * 33theFrenchKitchen3437 Vt est 63rd776-6713Open for Dinner5 P.M. Daily3 P.M. SundayClosed MondaxModel aielv Priced <hicago Guide:"Haling at the Frenchkitchen is like tliningn il It Julia (Jiiltl." ^Aajt/a/fe ^l/tAd/xcsri'Real Estate CompanyServing Hyde Park And South Shore 493-0666ELEGANT KENWOOD HOMECALLS FOR HELPBuilt in a solid era of brick, steel beams, lovely panelledwood (still not destroyed with paint), stained glass. Libraryand office on first floor, five bedrooms on second (usualservants ouarters on third). Recent furnace, circuit breakerelectrical. Needs lots of work but w'orth it!Coach house small 3 room apt could offsetusual maintenance of house. 3car spacebelow . .Would prefer to sell as one parcel...Call Charlotte. $88,500$42,500$131,000$130,000NEAR 56th DORCHESTER“PROFESSOR’S ROW” invites you to completely renovated house of antiquity’sstone and brick. Contemporary feature greenhouse free standing in garden. Fiverooms upstairs, three on first, study downstairs. $165,000. Call Kathy. 493-0666 (Eve947-0453).MODERN, TROUBLE-FREECentral air, air filter, clean sunny 14 year old house. Fourbedrooms up, country kitchen, large living room/diningroom, panelled sparkling white family room downstairs. Pri¬vate patio, large central garden. Built cooperatively withother homes ... all maintenance, taxes, cared for on co-opbasis. Most sensible deal in town. $92,500. Call Charlotte.MODEL APT - MODEL CONDITION50th & the Lake - 15th floor vistas from traditional beauty four room condo apt. Seeto enjoy. $45,000. Charlotte.c r THE STUDENT CO-OPh RCA Classical sale continues:selected s798 list discs at s470.1 |0 Some VOX/Turnabout recentreleases have arrived withmore expected soon.HOURS:9:30-6:00WEEKDAYS10-5 SAT.DOWNSTAIRS ATREYNOLDS CLUB D & D supplies restocked.Basic D & D, manuals,percentile dice, etc.,now available plusWar of the Rings.CASH For yourused winter quarter texts orgeneral interest books.COME SEE US! FLAMINGO APTS.5500 S. Short* Dr.Studio & On»* BedrmKuril. \ I nfiirn.Short iX l.on« Term KenitiL$200 - $400Parking pool. re-laurant.valet, deli ami trans¬portation. Car|Miiii"drape* inel.752-3800 gallery b1645 e. 53rdsculpture from new guineatues. - sat. 2 to 6324-3088VERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDINGAttractive IV2 and2*/2 Room StudiosFurnished or Unfurnished$189 - $287Based on AvailabilityAll Utilities includedAt Campus Bus Stop324-0200 Mrs. Groak MEN! WOMEN!JOBS!( HUSK SMies.KHKK.UTKHSNo experience. Highpay! See Europe, Ha¬waii. Australia, So.America. Winter. Sum¬mer!Send $2.75 toSEA WORLDBOX 01035Sacramento. CA 95X25 VISITJIMMY’SANDYOU BETHE JUDGEHarper Court SportsWide selection ofsquash, racquetbali, andtennis equipmentRunning Shoes - Swimwear363-3748 i15225 S. Harper ATTENTIONGRADUATE STUDENTSGERMAN EXAMHigh-pass the German Exam thissummer with the structural translationtechnique of Karin Cramer, Ph.D., nativeGerman, years of teaching experience.USSSSSgMPiS^0****** “LAUDANTILLASEDISTA LEGUNT”We’ve Marshalled A Great SelectionOf New Books For The Spring Break :Liquori’s ON THE RUN; Innes’s AMPERSANDPAPERS. Edwards’s CRAZY FOR GOD; Hynd’sFALSE FLAGS; Grossbach’s NEVER SAY DIE; Per-sico’s PIERCING THE REICH; Drucker’s AD¬VENTURES OF A BYSTANDER; Linet’s LADD;Buck’s WOMAN WHO WAS CHANGED; Deighton’sSS-GB; Thomas’s EIGHTH DWARF; Diamond’s BK;Wager’s BLUE LEADER; Fast’s WEATHERLANGUAGE; Fowles’s ISLANDS; Bainbridge’sYOUNG ADOLF; Asimov’s OPUS 200; Ludlum’sMATARESE CIRCLE, Boulle’s GOOD LEVIATHAN.HARPER LIBRARY’SPOPULAR READING COLLECTION34 — The Chicago Maroon — Friday, March 16, 1979tr, d( rfoieM .Yebn^ nooisM ogeoirlD eiiTCLASSIFIEDSSPACELooking for tenant or apt? Come toS.G. housing Referral Service. Weeklylist available in S.G. office in IdaNoyes Hall. Open 12:00 3:30 Wed.,1:30-5:00 Thurs.Studio apts. available Immediately.Call 238-7941 am, 924 4287 pm. Gradstudents preferred.Female roommate to share luxuryapt. Carpet, dishwasher, a/c, 2 baths,2 bedrms., view. $246.643-8975.Studio and garage to sublet eft. Apr. orMay thru July. Part turn. May takenew lease. Uni. Park Condo $300 callaft. 6.643 2287.Furnished room for rent, nice U.C.location. Call 955-7083.Furnished 2 rm. apt. sublet 5442Harper for Spring with summer op¬tion. $195/mo. incl. util. BeautifulSiamese cat if you want. Call 752-8125.WALK TO CAMPUS, shops, 1C. 2 BR 2Ba professional decor. MODEL apt.mod. bldg, rent incl. AC, carpet,drapes, pool, 24 hr. sec. 947-9597 eves.2 Studio apts. to rent in UniversityGardens, one available now and one inmid May. air conditioning; security;health club; swimming pool about tobe built. Phone 752-4757 after 8 p.m.Roommate wanted for turn. 2-bdrm.apt. w/A/C, sunporch, laundry facil.:$137. 50/mo. + elec. Call 753-2788,288 1648.Law student seeks mature roommateto share large and elegant six roomcondominium. Carpeting, air condi¬tioning, parking, doorman, andlakeview. Call 667-3386 between 5 p.m.and 7 p.m.Spacious, light 3 bedroom apt. on theLake at South Shore. Seven room flatwith screened porch and yard. $350 in¬cludes heat and off-street parking. Ph.375-1661.PEOPLE WANTEDBabysitter for 2 boys age 3 yr. and 3mo. Mon-Fri 4:00-6:30 pm at our homein E. Hyde Park. 955-9571 after 7 pm.Male for French conversation withbeginner 1 hr. per wk, 667-2846.Need exceptional full-time person todo cleaning, cooking and care fornewborn in South Shore home. StartApril. Salary negotiable. Benefits. Call375-6353 eves.Tutor wanted for 9 year old withminimal LD proolems 2 hrs. onweekend-needs help with phonics,comprehension, sentence structuring,composition. Call 548-3772.Wanted for U of C lab-work mostlywith tissue cultures Exper. preferred.753-2718 -Subjects wanted for psycholinguisticsexperiments. Will be paid. To registercall 753-4718.Normal adult males over age 21 areneeded for project in reproductivephysiology. Please see Dr. Jones inBillings M-170 or call 947-5437.Sexual problem? Univ. of ChicagoPsychiatrist investigating two stan¬dard treatment modalities for sexualdysfunction. Needs volunteer couplesover 18, in stable heterosexual relationship, with sexual difficulty. Freetreatment provided. If interested,telephone 947-6412.PART-TIME Admin. Assistant, 10 25hrs. p/wk $5 p/hr small office inHuman Services. 793 2080. Ask forGeorge.Morning babysitter needed 8-9 AM.good salary. Call Rosalie 684-2488 E.Hyde Pk. Location.KEYPUNCH person needed tokeypunch data for grad student $3/hr.cash 486-5579 eve/wknd.The Chicago Counseling andPsychotherapy Center has severalopenings for men and women 18 andover in a long-term group. MeetsThursday evenings 8-10 p.m. Fee:$40/month, first two months payablein advance. Preliminary interview required. Call 684 1800. Leave messagefor Dan.Waited—Assistance with a dissertation Jn psychology. Must be well versed in the standards for dissertationprojects in general. Familiarity withthe APA Manual is required along withthe ability to do editorial work, type,and correct grammar. 994 6972.Volunteer Coaches for Men's CrewExpenses payable. Call Andy at will probably involve full-timeemployment initially and part-timewithin a month or so. Please call us at493-2525 if Interested.Telephone callers to call Universityalumni pledges p/t eves. $4.00 p/h callGregory Volk. 753-0893.Full time babysitter for infant in ourhouse. 51st and Woodiawn. 493-7697.FOR SALENew excellent fullsize boxspring, leav¬ing town $20, if needed free old mat-tress. 752-7708.2 night tables $20. 1 double bed $30.Desk table $20. Din. table and 2 chairs$30. Camping lamp $10. kit. stuff.955-8828.1970 VW, excellent running cond. (newbat. rep. eng.) 30 ml/gal. $550 Calleves. 955-8828.Hand carved oak dining room set (6chairs) Good condition. $175.00 firm.Call 752-8865.PEOPLE FOR SALETyping done on IBM pica by collegegrad. Fast, accurate, reliable. Termpapers, theses, law papers,manuscripts. Lincoln Park West area.Call 248-1478.ARTWORK of all kinds-drawing,calligraphy, illustration, hand¬addressing of invitations, etc. NoelYovovich, 493-2399.COOKING CLASSES-Chinese and International series. Full participation.Call Wendy Gerrick, 538-1324.Typing: Student term papers, etc.Quick convenient and not too expen¬sive. Please cali 684-6882.SCENESFIGURE DRAWING AND PAINTINGWKSHPS all levels-individual atten¬tion. Mon. Tues. eves-6:00 to 9:00 Sat.mornings-9:00 to 12:00. 10dasses-$50.00. Artists Studio 200-546W. Washington (near "L''-buses-trains-parking. Telephone 930-9317 or446-7183.DON'T VEGETATE. Women's Crewwill be training in sunny KnoxvilleMarch 23-29 during spring break, andyou can too. Those eligible.Undergrads, grad students, U.C. staff,alumni, and spouses. Beginnerswelcome; we will teach you. Don'tmiss this chance. Call 955-0932 or753-2233 rm. 320 now for information.This is our final offer.Mar. 21 Tuesday 8:00 Inf Housepremier performance Crumb's Voiceof The Whale also Imbrie HindemithMessaien the Chicago Ensemble, JohnYeh CSO clarient tickets $2.50.271-3810.PERSONALSWriter's Workshop (Plaza 2 8377).LOST: Black and white Tabby cat withwhite spot on his back and blue rabiestab - Call 684-4962, keep trying.Pregnant Troubled Call 233-0305for help, free test referral.Female cat, possibly calico, foundFeb. 28 in Reynolds Club. Call 753-3583,Judy Fink.NOTICE TO 57TH ST GARDENERSIf you have a garden plot available on57th St. we would be interested in ren¬ting it for this summer. Call Nan andJohn Bender at 955-7869 after 6 p.m.Lost wallet. Would appreciate returnof ID cards. Reward enclosed and$2.00 for license. Matthew Muldoon 433Hitchcock Hall.Tom-Happy 20th. Glad I got you beforeyou passed your prime Love, yourl.m.b.Anyone who witnessed the arrest of aman on the Midway Plaisance andWoodiawn on Nov. 1st 1978 please contact 889 1200.Gray-white fixed cat available free288-4273 eves til to, 561 9200 ext. 306Evelyn Mon. and Wed. only.Joel and Laura did it last‘year, sothey're ready. You too can practiceballroom dancing at home and be instep for April's two swing dances:SIMULATED PEARL, Apr 14 andSTRINGOF PEARLS, Apr. 27. WOMENDrop by the Women's Center at theBlue Gargoyle for information aboutwomen's activities. Open wed. andThurs. from 7:30-10:00. Rap Group isnow Mondays at 7:30, 3rd floor. Themore the merrier. 684-3189.FOLKDANCINGEvery Sun. and Mon. eve. at IdaNoyes. New time Sun. only: 8:30(general level). Mon. 8:00 as usual(beginning level with teaching). Joinus!Rx FORTENTH WEEKDance off your tension and anxiety atTHE END OF THE ICY TUNNEL, aFREE rock dance—live music—Fri.,March 16, 9:00. UCID required. Spon¬sored by Student Activities in IdaNoyes Hall.INQUIRYWinter issue (No. 3) of INQUIRY isnow available upon request at thefollowing places: Harper Library,Reynolds Club Box Office, Ida NoyesHall Cloakroom.FOTAFESTMusic, comedy and dance—Yeah. SPRING!GLENNMILLERLIVESTickets for STRING OF PEARLS, adance featuring the Glenn Miller Or¬chestra, April 27, are on sale now atthe Reynolds Club Box Office. UCStudents, $5.00, UC Facul¬ty/staff/alums, $12.WANTEDConvocation ticket wanted. Call Steve955-9089.WOMEN'S UNIONWomen's Union meets every Friday at5:30 in Ida Noyes Hall above the Frogand Peach. Everyone welcome.FOTAFESTCOMING SOONMighty Joe Young, Faith PillowReification Co. plus a disco,FOTAFEST FOTAFEST FOTAFEST.THE ENDISNEARTHE END OF THE ICY TUNNEL-aROCK DANCE with the UC Jazz Band.Fri., March 16. 9:00. UCID required.Sponsored by Student Activities.FREE. Ida Noyes Hall. RIDE WANTEDRide wanted to NYC, 3/23 or 3/24. Willshare driving and expenses. Call Jackat 3-4109 days or 667-7753 evenings.FILM SNOBSNIGHT OF THE LIVING DEAD andMAGICAL MYSTERY TOUR, April4th Kent 107, at 6,9 and midnight.SIMULATEDPEARLSHold Sat., April 14 for a FREE swingdance with the UC Jazz Band. Instruc¬tion available. Get in step for STRINGOF PEARLS, with the Glenn MillerOrchestra on April 27. P S. Tickets forthe real thing —STRING OFPEARLS—are on sale now at theReynolds Club Box Office.CABARETAUDITIONSFOTA will be sponsoring a Cabaret 7thweekend of Spring qt. Needed aresinger/actors and/or dancer Actors.The program will be created by thecast. Sun., April 8 from 3-7 in the IdaNoyes third floor theatre. Bring asong.PASSOVERIS COMING!!!!APRIL 12- 19th. Have you made your Seder and Meal reservations at Hillel?40% Rebate on drom meal contract ifyou eat all Passover meals. COME INBEFORE YOU LEAVE CAMPUSSEDER WORKSHOPS:Thursday, April 5-8:00 p.m.; Monday,April 9-8.00 p.m.Hillel Foundation, 5715 Woodiawn.SINGERSANDDANCERSAre needed to create and perform a Cbaret in the true style. Will be held 7thweek of Spring qt. Audition will beApril 8 from 3-7 in the 3rd floor IdaNoyes theatre Bring a prepared songTOT1ME INC.Time Inc: you can shove your fiftydollars perTAI CHICHUANClassical Chinese Health ExercisesPrivate lessons. 324-0868.WORK/STUDYAPPLY NOW FOR SUMMER 1979AND TERM-TIME 1979 80!!Undergraduates: Apply at College aid,Harper 281. FAF due April 1, AllWork/Study applications due April 18.Graduate Students: Apply at CareerCounseling and Placement, ReynoldsClub 200. GAPSFAS due April 1; Sum¬mer Work/Study applications dueApril 30; Term-Time Work/Study applications due June 29753-3774.Driver with van or station wagon forpart time. Good man. 753 8342.Workers for Frog and Peach snackshop in Ida Noyes Hall. Varied hours,come in or call after 1:30 p.m.,753 3597, talk to PeterTurn TV time into extra income. $200to $500 monthly. Call 4 p.m. to 9 p.m.for appt. 667 4038 NOW.Mothers Group seeks new membersMothers of toddlers and up 684 384S.Hyde Pk Real Estate Company seeksa mature, preferably experienced person 1o work in a position involvingskills related to bookkeeping, clericaland public contact situations. We willconsider, and give preference to so¬meone who is retired, as the position ri °I CI -o>2OCO><m A Special Offer For Agfachrome 64 Film20 exposure print film. The best film to use on cloudy, winter^ $3.89model camera1342 e. 55th st. 493-6700 Onlyone per customerNameAddress includes processing— with this Ad onlyThe Chicago Maroon — Friday, March 16, 1979 — 35OLYMPUS 4 DAY SPECIALMARCH 16,17,19,20th ONLYVERY LIMITED SUPPLYPRICES APPLY ONLY TO CURRENT STOCKFEATURED ATTRACTION!WE’VE GOTTHE LIGHTWEIGHTCHAMP.OLYMPUS OM-1-... Heavy-weight features!Lightweight champ of the 35mm SLR world, it's the OlympusOM-1. Weighing in at 23.3 ounces (with the 50mm f/1.8 lens), it’salso 35% smaller than conventional 35mm SLR's.The OM-1 uses air dampers on its mirror to reduce shock andvibration. And it’s tough enough to go the distance, with its 5frames per second motor drive operation.It’s bigger, brighter viewfinder makes focusing and composinga snap Backed by a strong supportive system of over 200accessories.Come see the OM-1 in action today. It's a knockout.OM-1W/50mm f 1.8$22995 FORGETMEMORYBUT REMEMBER TO COME INAND SEE WHY. _OLYMPUS OM-2Memory is a thing of the past with the Olympus OM-2. That’sbecause unlike other automatic SLR cameras that "remember’’exposure information just before taking a photo, the OM-2 has aunique metering system that measures light directly at the filmplane, during the actual exposure.So, without a “memory," the OM-2 automatically takes accurateexposures every time. Used with our Quick Auto Flash 310, theOM-2 renders perfect flash photographs since the camera actu¬ally controls the duration of the flash by cutting the flash unit offwhen the proper amount of light has reached the film plane.And the complete OM system has over 200 accessories. Re¬member the name. Olympus OM-2. It's unforgettable.OM-2 SOJQ95W/50mm f1.8 043^OM-2 7Zuiko 75-150mmf4.0Zoom LensONLYs23995Perfect for portraits,landscapes and sportsas well as general photography. Zuiko 135mmf3.5Telephoto LensONLY$12495Very compact, with built-inlens hood. Zuiko 100mmf2.8Telephoto LensONLY$14495More pleasing perspectivesfor portraits. Zuiko 35mmf2.8Wide Angle LensONLYS11195Preferred as a ‘’normal"lens by many pros. Zuiko 24mmf2.8Wide Angle LensONLYs18695Amazingly compact and fast.Zuiko 200mmf4.0Telephoto LensONLYsi 8495Light weight andsmall size for easyhand-held shooting. Zuiko 28mmf3.5Wide Angle LensONLY$14495The most popularwide angle focal length. Zuiko 135mmf2.8Telephoto LensONLY$17995Excellent choice for indoorsports or stage photography. OLYMPUSRapid Winder 1ONLYs9795Single frameadvance up to aspeedy 3 frames per second. OLYMPUSMotor Drive 1ONLY$29295The lightest andmost compact motor driveavailable Full 5 framesper second capabilityALSO IN STOCK SPECIAL ALSO IN STOCK35 70mm f3.6 s3199585 250mm f5 43495 SPECIAL35mm f2.8 Shift s3199585mm f2 21495UNIVERSITY OF CHICAGO BOOKSTORE5750 S. Ellis Ave.PHOTO DEPT. 753-3317fis over and:■ * M IS* tT <£ *' 'if v4 % ''',/<' -J '-v;- i ; a- A,', ' ■ The Collegeof TheUniversityof ChicagoiIl\tmarian realty, inc.■mREALTORStudio and 1 BedroomApartments Available-Students Welcome-On Campus Bus LineConcerned Seivice5480 S. Cornell684-5400IIII♦♦III for your summer tripa guide toMAGICAI&MYSTICALSITESEurope and the British IslesPaperback CM 656 $4.95Elizabeth Pepperand John WilcockA fascinating tour guide to some ofthe great enchanted places of theWestern world. "A delightfully be¬witching tour of Europe s strong¬holds of magic and mysticism...Wild and wonderful tales abound!'— Los Angeles TimesHARPER & ROWPaperback Dept.10 E 53rd Street.New York. NY 10022 nLJL 4IIIIIIISTANLEY H. KAPLANFor Over 40 Years The Standard ofExcellence In Test PreparationPREPARE FORMCAT* DAT* LSATGRE • 6RE PSYCH • GRE BIO • 6MATPCAT • OCAT • VAT • MAT • SATNATIONAL MEDICAL BOARDS ■ VQE • ECFMCFLEX-NATL DENTAL BOARDSPODIATRY BOARDS • NURSING BOARDSPiDxibM Program* and Hoursi-HIN Visit Any Center And See ForYisrsalt Wky Wi Make The DifferenceTIST PREPARATIONspecialists since rsa*C**1*'S •" J$ C.t«s *ectTorvto Cft14ioeCHICAGO CENTER6216 N. CLAHKCHICAGO, ILLINOIS60t>60(312)764-515:. W. SUB’.:fi i. UxAa~~ rd. n*'xt rc:.TH:SUITE 201LA CHANGE, ILLINOIS .'-.AT—UAI60525(312)352-5640fo> HXwmn* C*>»' Mew r. MIW USSPUING, SUMMERFALL IMTENSIVEScc'jhsss 5:a-.?i::gthisSAT—6 aK/MCATOUTSIDE N Y. STATE CALL TOLL Cornell Law SchoolUndergraduate Prelaw ProgramJune 11 to July 24,1979A demanding six-week programfor college students who wantto learn what law school is like.For further information write toProf. E. F. Roberts, Cornell Law School314B Myron Taylor Hall, Ithaca, NY 14853 STUDYIN ENGLAND?Q YLS - 1 am interested in Allan. Sri,itt t Mverstty'sSI MMER SC IKK) I ,n Oxford f. Camhridgt . F ngland.Courses in Art, Economies, English, History, politiiScience and Sociology. Tuition |.>r Ihrco-veek rour.siis $3(i.j, plus accommodation r ha rues ol >4i', ((»\Jord)and $4!i.'i (Cambridge).Q] YES - I am interested in tl,e SE.ME.ST EHstudying politics in l.ondou, England, wilt prac ticalf.x|» rirncc ill international (>«.1 i*i< ni institutionFull tuition for $l,!t‘* i )>ei semester.[~~| YFS - I am interested in (he M.A.fl'niiti •<in Fuio|kj, including practical exponent'semesters, tuition !?! ,!!*' i toi eael. I it.NAMFA DDK ESSTO: Adam Smith t nivemtv, II'm "4, l.ee-i,*■f- •r^:2«S6«-.- ^ >ai»pwmAbout this productionA degree from an American college or university (as dif¬fering from , say. a degree from a European university, or anAsian University) can have almost any weight or value,ranging from a certificate of attendance to a demonstrationof significant intellectual achievement. Amazingly enough,except to DJR Bruckner, and your parents, who are limpingover the hill to the trailer camp, a degree from the Universityof Chicago looks a lot like a degree from any other univei sity,(except Harvard).When a high school student considers the college to whichhe might apply, he raises certain questions: How will 1 everpay for this? Will I look like these people too*? Why all thedead fish on the 57th Street beach? Why not the best?Perhaps because you stuttered, and picked your nose at theinterview, or for other reasons which we won’t explore here,you couldn't get into the best, and that s why we’re here.This is why we are putting out this publication : to convinceyou and Time Magazine that we are indeed special, that wesuffer more, that we are humiliated constantly, that theweather is even worse than what you might have expected,and finally that we are especially tiresome on the subject ofourselves.' sHgTrPUBLIC LECTURE SERIES V4-Sponsored by the ENRICO FERMI INSTITUTEof theUNIVERSITY OF CHICAGOTHE ARTHUR H. COMPTOH LECTURESNinth Series byChristopher T. HillThe Enrico Fermi InstituteSaturdays April 7 through June 9, 1979"QUARKS, LEPTOHS AHD BOSOHS”First Lecture: Introduction: From Hydrogen to CharmoniuiSaturday, April 7, 1979, at 11 A M.Eckhart H all-Room J 3 3-1118 E. 58th St. Qometo (BornoilS'fiis SummerWhere else can you polish your writing skillsand learn to use a computer or be in an under¬graduate prelaw program and take a course inintaglio printing? Where else can you interactwith so diverse a group of faculty and studentsin a uniquely attractive setting of hills, lakes,gorges, and waterfalls?Here at Cornell, you can fulfill requirements,complete courses in order to accelerate, orsimply take the time to study those appealingthings for which you’ve never before had thetime.Request an Announcementand see for yourself all thereasons why Cornell iswhere you should be thissummer.orv CHECK US OUTh Cornell University SummerSession, 111 Day Hall,Ithaca, New York 14853.New challenging positions are currently availableat the First National Bank of ChicagoSYSTEMS MANAGERAre you a strong "people-oriented"systems manager? FIRST CHICAGOCORPORATION needs an intelligent manager to guide our expert groupof 5 EDP technicians in their efforts to support compilers and othersoftware utilities.The primary requirement is proven management skills. Managers of appli¬cations programmers will be considered. Preferred candidates will havetechnical knowledge of the MVS operating environment including supportsoftware utilities such as PL/1 and COBOL compilers, linkage editor,and PANVALET.EDP TRAINING INSTRUCTORHere is your opportunity to get involved with the development of trainingobjectives and teaching of technical skills to all levels of EDP personnel.We are looking for candidates with classroom teaching experience com¬bined with EDP knowledge in one or more of the following: PL/1, IMS,TSO, and Analysis.BUSINESS PROGRAMMER/ANALYSTWork with Personnel management to develop solutions to businessinformation problems, and program in an interactive computer environ¬ment. Applicants should be familiar with systems analysis, statistics,economics and mathematics through completion of college or a combina¬tion of education and computer-related work experience totaling fouryears. Knowledge of APL would be helpful.SENIOR PROGRAMMER/ANALYSTSWe have several openings to develop, design, program and maintain:Interactive decision-making tools for managers, such as Bond EvaluationSystems and an Executive Information Systems; Accounting Systems;Savings Systems; and Demand Deposit System.Candidates must have ability to work closely with users and operate ina constantly changing environment. Good systems design backgroundand experience in PL/T, IMS, APL and TSO is preferred.TECHNICAL ANALYSTThis is a new position with responsibility to develop sophisticated capacityplanning techniques for forecasting computer resource usage and workloadsas well as conducting analytical studies for new hardware justification.Minimum qualifications are two years of statistical analysis and threeyears of EDP including one year of high level language programming.Candidates with light programming experience but solid statistical know¬ledge will be considered.Our salaries are excellent, and our benefits are the best in the bankingindustry including 100% tuition reimbursement. Blue Cross/Blue Shieldmedical and a free lunch program.Call David Fyhric732-6443between 8:30 a.m. and 5:00 p.m.or send resume in complete confidence toFIRST CHICAGOThe First National Bank of ChicagoOne First National PlazaChicago, Illinois 60670an equal opportunity employer m/f A superbly suspensefulexpertly crafted,riveting entertainment.Richard Schickel, Time MagazineKathleen Carroll, N.Y. Daity Newtr ******* MMCOLUMBIA naummSlNTS A MICHAtl DOUGLAS (KftMS PRODUCTION A JAMES WUDGFS ftLMJACK LEMMON JANE EONDA MICHAEL DOUCE ASTHE CHINA SYNDROMEWritten by MIKE GRAY fit T.S.COOK and JAMES BRIDGES Assdci.iie Producer JaMES NELSONExecutive Producer BRUCE GILBERT Produced by MICHAEL DOUGLAS -Directed by JAMESBRIDGESc* STEPHEN 8fiHOP fpf&n0W/lttUSM8&MEJ1tS*«a^lIVtamWATER TOWER DOLING BROOK BREMEN CENTURYCHICAGO NN 649 5790 BOLINGBROOK 739 3901 TINLEY PARK 429 1010 HOFFMAN ESTATES 88? 4667DEERDROOK DIANADEERFIELD 272-0212 HOMEWOOD 798 1140 EVERGREEN MT.PROSPECT CINEMAEVERGREEN PARK 636 8800 MT PROSPECT 392 7070NORRIDGE OLD ORCHARD RIDGE PLAZA YORKTOWNNORRIDGE 452 9000 SKOKIE OR 4 5300 GRIFFITH 219/923 9100 LOMBARD 495 0010< «■ V v v* - f c *• w-"v»> > * ^ ' "S V-C-VV ‘S>*<&->>.y--A University that worships itselfGenerally regarded as the Chicago of universities. TheUniversity ol Chicago is acclaimed by almost everyone “inthe know" as the breeding and stomping grounds forthoroughbred intellectuals. This University has broughttogether more than its share of retiring scholars and invertedminds, of overkill and underwear, of fast and hard. It alsohas come through with more than its share of posted signs forfuture generations along the turnpikes of knowledge. Thehockey puck was discovered, measured, and split here; thepatty-melt was pioneered here; a school of sanitaryengineering and the field of Corn were developed here.That the University of Chicago is one of the shy, yet frail,bastions of esoteric research is obvious. What is carefullyhidden is that it is also a teaching university. The rule atChicago is very simple: the best members of the faculty, themost prolific in their writing and the most respected in theirresearch, should be available to students. Unfortunately,they are not.The reason is not difficult to find. Imaginatively emptyminds are not disposed to fill the shallow vessels of the first-year Chicago brain with the wayward, weaned, and war-likeknowledge common to many university courses. At Chicagoit is understood that professors are not to teach down to theyoung and uninformed. For this reason it is important toselect students who are mature technicians.This is the chief criterion for selecting students for admis¬sion to Chicago, more important than test scores or grades oranything else in their nursing home records.At Chicago what is esteemed as much as intellectural ex¬cellence is residential freedom — the ability to move out ofthe molds of established dormitories, or the often oppressive "Students may be viewed as astronauts, and professors can belikened to lunar modules. Regenstein Library is, of course,the sun."A Chicago administrator rehearses for an American Express commercial.3presented bvThe {Iniversitu of Chicaoo Dept nf MusicandFriends of the Symphony jSUNDAY. APRIL 8.1979 8:00 P.M. jjjj-MANDF.L HALL. 57th & University Ave.- a7pji -T'ITi „ii•1-aL', \»-•$4 SO General Admission... 'S.TSO UC Far Staff NnpUC ‘snider*' \lT $25011 C Sbiden*'r Tickets at Reynolds Club box officel Deph of Mi isic. 58SS {Jniversitu Ave. h y s v yj THE UNIVERSITY OF CHICAGQ STUDENT ACTIVITIES OFFICE PRESENTS< I HAILSTlhC ac^ HILLEL(tit IS|IAundet UiediKi tknc(IIHH'JIM fists- y- y- > y / • y• y■ y 11II \\ Ull 27.1309KW I .H.■ HAS(>mUI■tii*fMik-nlv ,ukl I <i\tM <ii>m Iif wnnLI2.\III«SIV.III III**I M I I I V VI VI I .OHI VII HNi:11774 III III**III ki'l \ .rv.rii.U4, ,M Ilk' I Ik kfv I Mil< \ I Ilk i‘ ystructures of the apartment building, or the hierarchies ofavenues separating highrise and tenement. At Chicago thereis no hard dividing line between B-School condominiums andundergraduate shacks, no large mental space between thelavatory and the bathroom, and no patronizing of freshmenby established second-year students. The tradition is old andworn; it grips every new student and faculty member by theballs. There will be equal access to the most rundownbuildings in Hyde Park. There will be robbings and pillagingwhen that residence is found. There will be light.Does the University of Chicago fulfill the sense of missionand purpose inherent in all universities? Because she felt thisquestion probably would never be answered, and because sherarely answers any question, Hanna H. Gray, president ofthe University, was able to mutter at a recent gathering ofCollege drop-outs, “One might say this, that, and the otherthing, that..If any group of mere words could convey the power and theglory that is the University, it would be that maxim utteredby first year student Harper Avenue who is now bronzed andhung in Harper Memorial Library, that a university is.should be, could be. and might be “a summer camp forscholars.” This “summer camp for scholars” was nevermeant to be a secret society, but an open playground,organized in bunks, and adhering to a sort of “buddy system”where scholars work in groups so that they will not lose eachother.The solar system of the University of Chicago has alwaysbeen a real world, with Harper Library, say, as Pluto, andPick Hall as the moon. Students may be viewed asastronauts, and professors can be likened to lunar modules.Regenstein Library is, of course, the sun. The question,however, is how did it all begin?Chicago offers a galaxy of degree programs administeredby intraprofessorial committees. In the Humanities Col-4 "In the Humanities CollegiateDivision, the Committee onGeneral Generalities in the Hu¬manities allows students to takeunrelated courses in all the Di¬visions for up to six years andget degrees at the end."At Chicago, professors are humorous too. Here Secretary to the TrusteesAllison Dunham confides that he is not wearing any pants.TChr UniDcrsitu of ChicagoTHE DEPARTMENT OF ARTandTHE VISITING COMMITTEE FOR THE VISUAL ARTSannounce*76e 6ent 2 TJteuf&i ^dectwie S&Ue&onNEW DISCOVERIES AND DIRECTIONSIN THE STUDY OF CHINESE ART W:WednesdayApril 4April 18May 2lAay 16may 30 "Art Museums and the Problems Representative of China: Formsand Contents," Sherman E. Lee, Director, Cleveland Museum of Art."The Chinese and Japanese Neolithic—Why So Different?"Hsio-Yen Shih, Director, National Gallery of Canada."Listening to the Bamboo—The Art and Life of Wen Ching-ming(1470-1559)," Richard Edwards, Professor, University of Michigan. |"New Discoveries and Directions in Chinese Painting Studies,"James Cahill, Professor, University of California, Berkeley."Collecting Chinese Art," Jan Fontein, Director, Boston Museumof Fine Art. IAll lectures will be held at 4:00 p.m. inCochrane-Woods Art Center 157 • 5540 S. GreenwoodReception will follow each lecture. Public Invited. For Goodness Snacks...&m<>8:30 am - 4:30 pmMonday - FridayWeiSS - Mezzanine of Harper Library(both Weiss & Cobb now offer soft drinks!)Cobb - The Basement of Cobb HallNonesuch - 3rd floor of Wiebolt HallCoffee, Variety of Teas, SandwichesYogurt, Milk. Soft Drinksall at reasonable pricesHyde Park teaches us that we can all live together in peace and harmony , legiate Division, for example, the Committee on GeneralGeneralities in the Humanities allows students to takeunrelated courses in all the Divisions for up to six years andget degrees at the end. Students have written papers on theascaris as seen through history in literature, and on the im¬pact of native Americans on setting cab rates in Bath, Maine.Similar programs are available in the Physical Sciences,Biological Sciences, and Social Sciences Divisions.Students do not roam aimlessly through the curriculumhoping to find some coherence and unity in their studies atthe end of their four years. They roam purposefully. Not allstudents can work this way, few work well this way, most donot work at all this way. but w'hat the hell. For $18,000. thereare worse ways to spend four years.It is this view of education which characterizes the Univer¬sity of Chicago. It is radical and it is conservative, it is in¬dividual and communal, it teaches the tradition of liberaleducation and it opens the mind to unforseen insight andachievement. It is black and it is white. It is rich and it ispoor. It is bigger than a breadbox. It is able to leap over smallbuildings at a single shot. It wears red tights, a red cape, anda blue shirt. It stays up all night three nights in a row andthen meanders into class. It doesn't do its reading. It hasseventeen incompletes. It just flunked out.DOC FILMS/liis is your lust chance to see the original un¬cut R Rated version of John Iladharn sSATURDAYNIGHT FEVERFRIDAY. APRIL 6 6:45/9:00 and 11:158 OSCAR SOMISATHHS’S!HAL ASHBYSCOMING HOMESATURDAY. APRIL 7 6:15/8:45 and I 1:002 liyKCS RISSELLWOMEN IN LOVETHE MUSIC LOVERS(9:30)Sunday April 8All Films * $1.50 The Pub Is Still Open!!(FOR THOSE 21 YEARS OR OLDER)Freddy, are you 21 years old yet?The Pub is in the basement of Ida Noyes Hall -4 p.m. -1:30 a.m. M -F7 p.m. 1:30 a.m. Saturday*StillJthe best selection ofbeers in Hyde Park...*Game Roome .. Checkers orBackgammon available ...*Sand\v iches & MunchiesJane Fonda insists she was never a Chicago student. More greatness fasterWe at the University of Chicago are glad you re askingabout standards. In an age when talk is cheap, when theworld contains equal amounts of complexity and hypocrisy,when the good die young and the brave are reduced to tears— the University of Chicago maintains high standards. Ac¬cording to God, we are great, great, great. Of course, we can¬not promise you greatness; we can, however, promise you aceaseless spawning, a constant dawning, and what we like tocall “the confusion of direction.”Just between the two of us, the University of Chicago hasconsistently attracted and produced the finest minds sincetime began. What follows is a greatly abbreviated list ofalumni: Socrates, a philosopher; Margaret Trudeau; oneCincinnati cabdriver; three french hens; Wallace Johnson,Ergo; In Essence; In Conclusion; As It Were; all the leadersof seventeenth, eighteenth, nineteenth, twentieth, andtwenty-first century thought, and a myriad of other fineminds who were attracted to or produced by the University ofChicago, just between the two of us.When a university is as great as the University of Chicago,the prospective student might find himself asking, “How doyou maintain high standards in light of the rest of the world'slow standards?” It is easy to misunderstand phrases like“high standards” and “low standards”; it is easy to misun¬derstand the question you are asking. You should be asking,“Why the hell should I come to the University of Chicago?”We’ll skip both questions, thank you.But if the University of Chicago has set standards, we arealso always seeking new standards, as opposed to older stan¬dards. The concept of standards grows increasingly difficultto pin down. All we can say to you is. there are standardsymcyxosw va&r&x mzm&zmiim&vMikXiKmik >m. >ae< yamyatmam smbc mscmx ymmtmKzomz:Laii- Sc hool Films \f If H A TTI riIPTI7’fi "Sl,,r W t,rs Irill‘ nal wrtlx."-UUA 11^0 i„,lrr,t Foris. I illnur i oirrTHE ADVENTURES OF ROBIN HOODWith Errol Flynn and Olivia de HavillandSunday, April 8 Special Matinee at 3.00 p.m. Also at 8:30 p.m. $1.50 Law Schoof AuditoriumHEAR AGAIN STEREOSells guaranteed name brand usedand demo stereo components at 40%to 70% off regular prices.THESE ARE OURWEEKLY SPECIALS:KENWOOD KR 4070SONY TC 134 SDSCOTT R 36 ASGARRARD 0-100CSHERWOOD 7900 ASANSUI 6060EPI150KENWOOD 4002TECHNICS SL 1310SANSUI AU 217 $175.0099.00129.00 •99.00199.00199.0069.00 EACHK9.00149.00129.00Complete systems from $75 to $750.60 day trade back privilege. Namebrand components for limited bud^gets.HEAR AGAIN STEREO7002 N. California 338-7737 , WE CARE ABOUT YOU!JON MAR CORP.7227 S. STONY ISLAND, CHICAGO, IL 606494932600Secretarial Service(The Personalized Professional Service)TYPING XEROX COPIESLetters - Manuscripts - EnvelopesTheses - Resumes - StatisticalTRANSCRIBING Cassettes - TapesNOTARY PUBLIC- Conference Room Available -* PROMPT EFFICIENT ACCURATEgallery b1645 e. 53rdsculpture from new guineatues. - sat. 2 to 6324-3088 Special Deskand Chair SetSingle Pedestal Metal Deskwith Walnut Plastic Topwith Matching Steno Chair —Specially priced at$95.00Bring your own trailerEQUIPMENTASUPPLY CO.8600 Commercial Ave.Open Mon.-Fri. 8:30 5:00For the Month of April, we ore openSaturdays 8:30-4:00RE 4-2111everywhere, and each standard is different; some are fool’sgold, others objective truth. At the University of Chicago wefind standards in the most curious places: sometimes in thefog off the lake on a mild April night, often at the bottom of acup of coffee! The search for fog and coffee is essentially andthusly the search for excellence; the ideal of excellence isone-third debate, one-third a question of standards, and one-third another matter entirely. The idea of excellence, not tobe confused with the ideal of excellence, cannot be confused,or alford to be confused, in a world which is perpetually inilux, and where education is too often regarded as a stepping-stone to a career. The standard of excellence, frequently mis¬taken for the ideal of excellence, reflects, neither abstractlynor emptily; but longwindedly and fully, the high standardsof the University of Chicago.Obviously, the existence of high standards leads to all man¬ner of competition, including the most unfortunate emphasison the Grade Point Average. The University of Chicago tradi¬tion finds its roots in competition: not competition for “goodgrades," but competition for standards. At every other col¬lege in this country, students spend four years in an all-con¬suming search for an A average; at the University of Chicagowe drink coffee and watch the fog roll by. We cannot guaran¬tee you will “get” a standard, but we can offer you plenty ofcoffee, and we promise that if you study hard you might getsome A’s, in spite of us all and our own standards. "The standard of excellence,frequently mistaken for theideal of excellence, reflects,neither abstractly nor emptily,but longwindedly and fully, thehigh standards of the University of Chicago."Former Governor Dan Walker furtively looking for a motiondiscomfort bag.7How does this tie into “society” — for we always return tothat age-old problem of “society.” We try to ignore “soci¬ety,” but it won’t go away, so we like to say we’re interestedin it. “Society” turns atomic bombs into war weapons, so¬ciological theory into busing and community control, andchemical and biological research into dangerous drugs whichwarp the minds of young people. “Society” challenges ourvisions, our dreams, our standards, our ideals and ideas;“society” threatens the University of Chicago and all that isbeautiful and meaningful. Because of “society” it is notenough to dream, to theorize, to achieve without creating:students must write papers; later, they will write books.At the University of Chicago we subject dreams andschemes to the most superlative intellectual rigor and vigor;we render order from chaos, lucidity of thought from the hu¬midity of dreams; we propose a college education rich indepth and breadth, in reason of meaning, but reasoning withmeaning, with depth of breath; seasons teeming with feeling,reeling, healing; moments of beauty and duty; “We willsteer you but we will not domineer you, we will guide you butwe will not collide with you, we will question you but we willnot molest you.” At the University of Chicago, students learnhumility along with history, integrity without obscurity, fun¬damentally without basically, failure with laughter, and suc¬cess with the best.This is how a great university must offer itself to students:not promiscuously or aggressively, but articulately, simply,boldly; this is how the University of Chicago offers itself. The Committee on Social Thought"At the University of Chicagowe subject dreams andschemes to the most superlativeintellectual rigor and vigor; werender order from chaos, lucidity of thought from the humidity of dreams."v8Chicago is also an artichokeThe University was founded by men whose extraordinaryresources far exceeded their intelligence or compassion.They could have chosen any location for the new University— Sunny California, Florida, the Bahamas, even New York.Instead they chose a plot of flooded swamp land on the SouthSide of a sprawling, filthy city in the middle of now'here.Chicago was one of the centers of the great movements ofpopulation from the country to the city in the latter decadesof the 19th century. Like such cultural giants as Milwaukee.Cleveland, and Trenton, New Jersey, it brought together,masses of ignorant, superstitious peasants from the coun¬tries of Eastern Europe with redneck hayseeds from thefarms and small towns of middle America, not to mentionthousands of former slaves and their children who saw'Chicago as the ideal location for their first, quaint, ghetto.On the full wave of the technological and urban revolution,Chicago became a teeming, uncontrollable mass of humanenergy. This energy was the key to all development, whetherof organized crime, happy ghetto life, or police corruption.Add to it all the rising prominence of Chicago as a center forpowerful bankers, financiers, and advertising men, and youget a sense of the intense polarity of the kinds of energy thatwere gathering in this place.Big risks, big failures, that was the boast — a justified onein Chicago’s history. Perhaps more people around the worldknow' Chicago as the home of A1 Capone then as the seat ofAmerica's most simplistic school of architecture and theoriginal home of Theodore Dreiser, Carl Sandburg. HughHefner, and other formative American writers of the twen¬tieth century. And well they should. Richard Speck and, inour own time, John Wayne Gacy have continued this tradi¬tion of free-wheeling, high stakes big-city life.Perhaps more people think of Chicago as the place where awoman took on the last big-city machine and won thanMORTON-MURPHY AWARDSThe deadline for application for Morton-Murphy awards isFriday, April 13th. The awards for a maximum of $T50. aregiven “to show recognition to students who have madesome significant contribution above and beyond the call ofduty or personal fulfillment to campus life”.An undergraduate or graduate student may apply directlyfor an award or be nominated by any member of the Univer¬sity community student, faculty or staff.AUTUMN QUARTER 78 RECIPIENTSWERE:NEIL ALERS MA TTHEW NA YDENKA TRINE A NDERZOHN GREG SA CHSPEGGY CULP _ RACHEL SCHACTERVINCENT HILLER Y ADAM SCHULMANJANET SUMMERSMORTON-MURPHY APPLICATIONS AREA VAIL ABLE INHARPER 252 EW (£<0]LiLIE<£TOyNgOTP AGUT© AiVCE. — A&ID)TIHI.A.'Tr 'Y©tUWOU'tt TTINTIS)o TTHTE ■WO^lK'Sj <C3F TEr^'W&IjyrsTPiseA]B)iTrfi3rAji,ji/-Y"THr COMAJVftE? TT IBUEAnr P^SjETStf'T «<-»<£© - <£Dp®R4JTA'VE <G)WJVE/R5!HIIF..X&T ^THr^HTT, TWAX YOU"Wo hjjl id lExnP* x (R <© jr*rIT MTJE o ooSemwary co opBooks TOREr*rc.*yTyr SorJTPrwivi?n.siTrMo>>r -TRr9;3o •^ A/Tfftoo • ^JOO"Is this the right place for agreat university? The foundersof the University thought that itwas, and boy, were theywrong.” associate the city with the names of Clarence Darrow, PaulDouglass, or Adlai Stevenson. Well, here at Chicago we liketo think that Jane Byrne can’t hold a candle to Hanna Gray.(But then again, why would she want to?)Is this the right place for a great university? The foundersof the University thought that it was, and boy, were theywrong. Social problems are generated at the center of energyin a civilization. And it is there that they are solved. Suchpioneers in urban sociology as Burton, Park, Wirth, andWaner did their work here. Today, under the affectionateguidance of Julian Levi, the University’s Center for UrbanStudies has all but ignored their work and enabled the riddlesof life in an urban world to remain unsolved.The study of social sciences is stimulated at Chicago by thepresence of the great, troubled, thriving city. The directrelationship between the University and corrupt politicianshas enabled that great, troubled city to thrive right up to theborders of the University community itself. Surrounded onthree sides < the University’s fourth border is Lake Michigan)by a teeming ghetto, undergraduates feel their work inspiredwith an exhilarating urgency. Getting out into the citybecomes a research project in itself. Whether he encountersa friendly mugger on an L platform or one of the vivaciouswhite street gangs of the city’s many ethnic communities, thestudent will be given plenty of opportunities to ponder themeaning of life as his own flashes before his eyes. The city isthere to teach the student the facts of life in a personal, directway.Cultural life resembles a vast wasteland in Chicago. Theabsence of any sign of visible nightlife in the Hyde Park areacoupled with the prohibitive expense of those “first-class”events in the city's Downtown and North Side enables the stu¬dent to devote his full time to the life of the mind without anyoutside distraction. Though there were once numerousrestaurants of all nationalities from Byelorussian to10"Whether he encounters afriendly mugger on an L platform or one of the vivaciouswhite street gangs of the city'smany ethnic communities, thestudent will be given plenty ofopportunities to ponder themeaning of life as his ownflashes before his eyes.”Chicago ha9 ad unnyaied park system Macroorganic in Chicago, most of them are Greek now. TheChicago Symphony Orchestra, under the direction of SirGeorg Solti, is among the world's best. However, moststudents are able to hear them under the direction of HenryMazer.Chicago is a living museum of architecture and humanplanning. Daniel Burnham’s planned parks and forestpreserves give new meaning and drama to evening strolls.The skyscraper is a Chicago invention and today Chicago hasfound them as an excellent alternative to the costly, humaneapproach to the public housing of the past. The University’scampus includes many of Chicago’s great buildings. Most ofthem have been creatively converted into office space orclosed to students completely as in the case of Frank LloydWright's world-famous Robie House.A university's task forbids serenity. But it also requires animportant kind of isolation.Chicago's is a closely knit university community imposedupon the residential community of Hyde Park. Hyde Park isa unique neighborhood on Chicago's South Side. Once it hadthe opportunity to be a completely integrated community.But despite the goals of the federal urban renewal programof the 1960’s and the concerted efforts of numerous citizens,financiers (including some of the University's top pro¬fessors) have turned back the tide of integration through thedevelopment of condominiums.No other university has done so much to break the spirit ofits community, and to insure that it would remain a white andexpensive one. No other university gives its administrationand faculty a life as good and as rich in amenities whilesacrificing its courage and honor in dealing with its studentsand the most grievous social problems of our day.It still remains true today as it did in 1892: there's a suckerborn every minute and we hope that you all will spend yourcollege years here.11The College CurriculumDean of the College: Jonathan Z. Smith, William Benton Pro¬fessor of Religion and Human Sciences in the College, Pro¬fessor in the Divinity School, in the Department of NewTestament and Early Christian, and in General Generalitiesin the HumanitiesThe programs in the College are organized into four and ahalf divisions, each headed by a master, a person who is alsoassociate dean of the University or simply a much despisedindividual. Each master is charged with creating, maintain¬ing, realigning, redistributing, undermining, desecrating, ordestroying the degree programs in their divisions as well asoperating the coffee machine in the divisional offices. Need¬less to say being master is no bowl of cherries; a master hashis toes to the frontlines of education. He demands your loveand support.The College is committed to a program of general educa¬tion; students learn as many generalizations as possible. Stu¬dents learn to discriminate between the broad generalitiesand the very broad generalities in each division through theyear long sequences that each student is required to take.Students come off the broad plain of general knowledgeand descend into the wholes of specialization. They declare adivision, fulfill its requirements. They declare a concentra¬tion, they fulfill its requirements.Some students find declaring and fulfilling about as inter¬esting as sorting and filing. For these students, the Universi¬ty provides esoteric electives in an unimaginable number offields. Students learn very quickly that they can enliven theiracademic careers by trying to convince advisors that elec¬tives also fulfill requirements, though some students, chosencompletely at random, must take 17 Urdu courses to gradu¬ate. Students are not told until ten minutes before their grad¬uation whether or not they have truly fulfilled the require-12 ments. This heightens student tension and leads to astimulating senior year, a unique feature of the College.Students who fulfill their requirements are granted Ameri¬can Tourister luggage and years supply of Milk Duds. Thosewho do not graduate receive correspondent school version, ofthe University of Chicago.Tuesday, April 10thTHEJoseph Golan, ViolinCHICAGO SYMPHONY ORCHESTRAFIRSTIn a lecture-DemonstrationCHAIRGreenwood Hall8pmAdmission free!The Biological SciencesCollegiate DivisionThe program has these broad goals: To provide studentswith certain understandings; to provide a theoretical frame¬work; to provide less ambigious students with something todo.Broad philosophical questions touching on biology are con¬sidered in the program. For example, evolutionary theoriesdescribe the development of one-celled creatures to modern,intellectual man, and, later development to the highest formof life, the Chicago Alderman.In pursuit of these educational objectives, many facultymembers are called upon. And called upon. And called upon.You and BiologyHave you considered a career in biology? Students concen¬trating in biology are required to concentrate hard! At leastone course in each of the following is required: departmentalbiology, College biology, biology for fun and profit, and pos¬tulation biology. Students are also expected to be able to iden¬tify three different laboratories and tell what kind of animalswere cleaned up in them.Language RequirementSuccessful biology students must be able to identify severalforeign languages. Students should be able to recognize dif¬ferent languages and state with confidence, ‘ Hey! That’sFrench!” or. “sounds Portugese to me.” Students can placeout of this requirement by naming the capital of Chad.ElectivesThese may be used for any number of reasons - mostly topursue a broad range of studies.Senior Projects and Peace with HonorsGluttons for punishment have the opportunity to undertakea special laboratory or library project and receive small redstars on their diplomas. These students will be required todefend their research in front of a group of very mean peoplewhile hot wax is poured down their backs.13Charles Oxnard, Jonestown professor of human anatomyEX LIBRISBegins Its SecondSuccessful Quarter!The Finest100% Columbian Coffee,over 40 varieties of Tea,Natural Snacks, A Plethoraof Pastry, Much Else.A Level, RegensteinM, T, W, Th. 6pm -11 pmSat. 1^2 Noon - 8 pmSun 12 Noon -11 pmNow Accepting Applilcationsfor Emplolyment:CONTACT DAVID W. REDER753-3548 - 9-5753-3390 - Eves.667-5549- Any Time IN ERNAT ONALHOUSE F LMSSPRING QUARTER 1979ADMISSION $1.50Sat. April 7 7/9:3op.m.THE AFRICAN QUEENJohn Huston (l .S. 1952)In the film for which he is best-remember¬ed. Humphrey Bogart is a gin-soaked river-boat captain who thaws out an ironcladspinster (Katharine Hepburn' as theysteam down the Congo battling rapids,malaria, insects and German gunboatsComing up:Sat. April 14 7/9:30 p.m.THE CONFORMISTBernardo Bertolucci <Itah . 1970)Sat. April 28 Two British Coined) (lassies:S p.m. Boulting BrothersLUCKY JIM i k ick.*»::{(»/«»:45 p.m. CrichtonTHELAYENDAR HILL MOB a k it.i.Sat. Max 12 HiJop.m.THE BURMESE HARPlchi Kawa (Japan 19.MHSun. Ma\ 27 sp in. Free Admission*COI jLEG E Starring Buster KeatonG S 1927 Silent> Piano Plaver: Paul Goldstein1414 E. 59th St.NAM FILM GROUP SHIRLEY CLARKE’SPORTRAIT OF JAS >ONMONDAY, APRIL 9 7:15/9:30 COBB HAULTickets: White Sox vs YankeesBox Seats Back of 3rd BaseDate: Sunday, April 15thGame Tickets $6.00Bus Tickets $2.00 Call 753-4953300,000 BOOKS AT 40% TO 60% DISCOUNTTitles for the browser,collector and student.A vast selection in Arts, Literature,Social Science and ScienceJHtttel JH. TftatotllBOOKSELLER1301 EAST 37th STREET9 AM II PM EVERYDAY1020 S WABASH 8th FLOOR9 to 5, Tues.-Sat.We buy collections including paperbacks and textbooks atour 57th Street BranchEye ExaminationsFashion Eye WearContact LensesDr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know the differ¬ence between cheap glasses orcontact lenses and competent pro¬fessional serviceOur reputation is your guaranteeof satisfaction.REPAIRSPECIALISTSon IBM, SCM,Olympia, etc.FREE repairestimates; repairsby factory-trainedtechnician.RENTALSavailable withU.of C.I.D. New andRebuiltTypewriters,Calculators,Dictators,AddersU of ChicagoBookstore5750 S. Ellis Ave753-3303Mastercharge and Visa Accepted HOW TO CHOOSETHE RIGHT SIZE ENGINEBIGGER ISN’T NECESSARILY BETTER IN NEW, MORE EFFICIENT GM CARS.The lighter the car, theless power it takes to move it.That’s the most importantthing to know when you’retrying to decide what engineto order for your car.The power-to-weighttheory holds true no matterhow you intend to use yourcar: city, highway or subur¬ban driving; with two passen¬gers or six; with a smalltrailer or pulling a heavyboat.Since we redesigned al¬most all our cars to makehem lighter and more effi¬cient, the power-to-weightheory enables us to move:hem with smaller enginesthat use less gas. You can getgood performance from a:rull-size GM car under mostconditions with a six-cylinderor a small eight-cylinder en¬gine instead of a larger op¬tional V8. Mid-size cars,uxury cars, and redesignedcompacts to be introducedthis spring follow the samepattern.To help you choose anengine, we designate one asstandard for every model.It is an engine that provides enough acceleration to mergesafely with traffic whenentering a freeway, enoughpick-up to cross a streetquickly after heeding a stopsign, and in most models, evenenough power to haul a trailerweighing up to 1,000 pounds.Standard engines costless than bigger, optionalengines and get better gasmileage, especially in citytraffic. There is no differencein durability between stan¬dard and optional engines.However, to get the most outof any GM engine, follow themaintenance schedule in theGM Owner’s Manual. Andremember, please, that smallengines are as durable aslarge engines only if you givethem the same care.There are some reasonsfor choosing larger, optionalengines: if you intend tocarry six passengers and lug¬gage with any frequency, ifyou intend to haul a trailerover 1,000 pounds, and if youexpect to drive often in hillyterrain. For people who drivemainly in altitudes over 4,000feet we offer a special high-altitude package, including alarger engine, to ensure satis¬factory performance.Finally, your own senseof how a car should ’Teel”must be the deciding factor.GM dealers have cars that you can take for a test drive.Take that test drive. Drivethe same model with a standard and an optional engine,if the dealer has "demonstra¬tors” with both configura¬tions. You’re the driver.Decide for yourself.We charge more for op¬tional engines. Even so, ourhonest advice is to buy thesmallest engine that fits yourtaste and needs. You’ll savemoney when you buy yourcar, and in most cases, you’llsave money on gas for as longas you own it. That’s the nicepart of energy conservation.This advertisement is part ofour continuing effort to givecustomers useful informationabout their cars and trucks andthe company that builds them.General MotorsPeople building transportationto serve peopleThe New Collegiate DivisionTl:e role of the New Collegiate Division is to offer creativeand independent students the opportunity to fulfill their po¬tentials for self-actualization and oneanism unfettered bypetty requirements. Learning is not stressed in this division,but rather professors attempt to get close to their students inintimate classroom settings, furthering the students’ rangeof experience rather than broadening their educational hori¬zon.Despite the intensity of these activities, the New CollegiateDivision has earned a reputation for producing the most bor¬ing courses, faculty, and students in the college. The last Di¬vision Master fell asleep in the middle of an intensive com¬munication session and a suitable replacement has not beenfound. Dean of the college Jonathan Smith drops by occasion¬ally to say hello.ProgramsDevelopmental Urology, Linguistics and Logic (DULL)This program is intended to equip students to deal with awide range of health problems confronting the modern logi-cist and linguist while preparing him/her/it for a career inthe field of insomnia treatment.Ideas and Methods All courses taught by George Staff in ex-crutiatingly tedious fashion. No one ever graduates.The Physical ScienceCollegiate DivisionThe University of Chicago has long been known for itsachievements in research and development (they didn’t splitthe atom in Skokie you know) but little is known about theCollege’s new progressive three prong program of under¬graduate mental recombination. The three prongs of intimi¬dation, frustration and elimination (the final solution) pro¬ vide a complete program for the aspiring scientist.Prong One: IntimidationFirst year students must attend Chem 106-7-8 meetings at6:30 am five days of the week, and all day Saturday with anintensive program in laboratory sabotage. Beginning physicswill be taught by Ugo Fano. Ugo will lecture directly from hisown book “Bosons, Leptons, Left-handed quarks and You” toa class of blindfolded freshmen receiving shock treatment atodd intervals in the five hour lecture. Senor Cuevas will ad¬minister the treatment.Prong Two: FrustrationComplete frustration will be achieved by the new quarterschedule followed by one week of orientation. No more freeelectives.Prong three: Elimination (The Final Solution).Special offerings: The Chemical God: a two quarter se¬quence to be taught by Martin E. MartyChem 456: The Estrogen Free Woman, taught by LornaStraus (see woman’s program)Cow Fart Technology 55: taught by Coach Simms (see alter¬native energy program)Problematic probabilities: probably offered in the Spring(see questionable listings)Alchemy 201: Make your own LSD.Physics 007: Uranium treasure hunt: conducted at StaggFieldParticipants will be given one shovel and a time limit oftwenty-four hours. Winners will get a weekend trip to ThreeMile Island. Accelerated program for the precocious twoyear old: Twenty five endowed high chairs were awardedlast year to young students who will study why Hutch Coffeeglows in the dark and why Woodward Court steaks have ahalf-life 4,000 years. These things effect you!A BLUES ROCK AND ROLL PARTY WITH:5 THE EDDY CLEARWATER BLUES BAND$1505■ISaturday, April 7 piercetower ftoop.M. u.c.idreq.JCORNELL LOUNGE1610 E. 53rd St.684-6075Business Person Luncheon Special$1.95 11:30-4:00Drink Special -1/2 price every dayEntertainment NightlyOpen Mike - Tuesdavs GOETTLER PRIZETHE H AROLD E. GOETTLERPOLITICAL INSTITUTIONSPRIZEFIRST PRIZE $500SECOND PRIZE S300THIRD PRIZE S100ESSAYS ARE INVITEDFROM UNDERGRADUATES%c Innocent\ i^uontis Sensual L|bc »4a I )ia»l*<4k*jiI Marti;ujtGlAM \KI.O (jl \NN|\IU rvAntomli.i JinnihkO\H!I_ Cotor Prints cv MoveiaD*lrY\ ANALYSIS FILM RELEASING CORPORATIONa i*w fM BTimn w cnwwrNowShowingAvrtucea pa • '*><) at Came*}* THAT CLEARLY AND SIGNIFICANTLYRELATE TO THE ORIGIN. DEVELOP¬MENT, STRUCTURE. OR FUNCTIONINGOF POLITICAL INSTITUTIONS.DEADLINE FOR SUBMISSION:TUESDAY, 17 APRIL 1979Further information available inGates-Blake 132The HumanitiesCollegiate DivisionWithout a doubt, humanities are as important as any divi¬sion that teaches the nuts and bolts of living. Humanities con¬centrators are truly sensitive. They know the joy of a windyday or the pathos of baby chickens being crushed under theheels of cowboy boots. They enjoy death and see sexual over¬tones in every piece of literature.Both the verbal and the nonverbal arts are stressed andstudents must fulfill course requirements in both. Musicmajors are taught how to read and English majors are taughtsex. Every orifice of a humanities major’s body quivers withthe joys of the neurotic lifestyle.General requirements: Students in the humanities are en¬couraged to break down the artificial boundaries betweenman and nature, between the spirit and the soul, betweenGod and man, between Bolivia and Nova Scotia. Students areencouraged to explore the most elemental level of caring, offeeling, of being deep. Therefore all humanities students arerequired to take the year long Touch and Feel sequence.Degree programs in the humanitiesArt: Art does not imitate life, but, rather, takes it by thehorns and forces it down on a piece of paper.Committee on General Generalities in the Humanities: Ahighly-structured degree program focusing on life in gener¬al.Disciples of the Humanities: The life and times of JochiamWeintraub are studied and discussed in detail.Early Christianity: No grades are given, since salvation isassured.English: This course goes beyond basic literacy, to draw outall that which is important, and sometimes interesting, in lit¬erature, drama and poetry. Students prepare a senior projectwhich will be germane to the life of an artist. In one recentproject, a student bought a garret in Greenwich Village, at- Professor Seth says: “Under -graduate ignorance makes mepuke."George T. Merriweather, dean oflaundryA. Robert Abboud, Universitytrustee, after return from hisvisit to South Africa M.l. Oldd, professor emiritus inthe anatomy departmenttempted to write Old English poetry, and died of a heroinoverdose. icIMMEDIATE BESTSELLER!“Does for Washington, D.C.,what Heller did for themilitary in Catch 22”—Time MagazineWhether as the funniest and most acerbic Americanpolitical novel ever written (“An astounding visionof our leaders in Washington’’—N.Y. Times BookReview), or as the ultimate American-Jewish novel(“A savage, intemperately funny satire on theassimilation of the Jewish tradition of liberal¬ism into the American main chance”—RZ.Sheppard Time), Joseph Heller’s Good as Gold(200,000 copies in print) is being hailed as the novelof the year.JOSEPH HFI.I.FRMain Selection of The Literary Guild $12 95 SIMON AND SCHUSTER i•A«»* k-V«WW.%0 (BfDNfcofAtflUl YUgERAttDKW«U>9E'MW'ftS1" HowMW"Y"YouTJoMftfiI’M IN TRAININGTO BE TALLAND BLONDECartoons by NICOLE HOLLANDERLook out, Feiffer. Move over,Garry-Trudeau. Here come liberatedlibidos, punctured sexist stereotypes andlaughter galore! 128 pages. $3.95 paperbackAvailable at bookstoresSt. Martin's Press175 Fifth Avenue, New York 10010The Social SciencesCollegiate Division- The Social Science Division seeks to make clear the other¬wise muddy world of Society to the bright and dedicated stu¬dent. There is no obsfucation, no mincing of polite adjectives,in determining what is what and what is not what, that whichis, is, and it can be measured, and there are plenty of statis¬tics for everyone.Program Offerings in the Social SciencesPolitical Short Orders and Small Change. Students sitaround long tables pretending they have read Plato, Locke,Home, and Rousseau. Professors sit around pretending theyunderstand them.Human Being, Citizen, Soldier, Spy : Free Secret Decoderring with every registration.Concentrations in the Social SciencesBehavioral Sciences: Students are given practical instruc¬tion in the ways of the world. 0 vive la difference betweenhanging loose and just hanging out.Economics: Students prepare free lunches for professors.Bidding on grades in encouraged.The Committee on Public Policy and Chocolate Bunnies: En¬dowed by the Brach Candy company, this committee pro¬vides professors and students with a number of opportuni¬ties.Education and Death: Elizabeth Kuhbler-Ross brings RobertMaynard Hutchins back to life in order to lecture on the 103dgreat idea.Sociology: Suburban blight and the inner city are consi¬dered and rejected. Students are given crayons to draw con¬centric circles on maps of various cities around the world. Morton Kaplan, Howdy Doody professor of international relationsa MARTIN RITT ROSE AND ASSEYEY production"NORMA RAE"SALLY FIELD RON LEIBMAN BEAU BRIDGES PAT MINGLE BARBARA BAXLEYscreenplay by IRVING RAVETCH and HARRIET FRANK, JR music DAVID SHIREdirector of photography JOHN A. ALONZO, A.S.C.produced by TAMARA ASSEYEV and ALEX ROSE directed by MARI IN RIT I"IT GOES LIKE IT GOES" lyrics by NORMAN GIMBEL music by DAVID SHIRECOLOR BY DeLUXE* pggucamk suggested|«Of MtTTUXt «u < MOT M surrtau <OMO<LD<WM]. ©•« W !*»*!•! tw CINIU0* *0*Now playing at a theatre near you. Check localnewspaper for specific theatre listing. WE HAKE STUDYINVITING!Tel Aviv University invites you to take courses in English andtransfer the credits to your college back homeWe offer semester and full-year programs in the liberal arts,natural sciences, social sciences, Judaic and Middle Easternstudies, Hebrew and Archaeology. A four week summer sessionand a summer archaeological dig are also offeredm Tuition and living expenses at TelAviv University are moderate Scholar¬ship assistance is availableFor information on these and otherprograms, RSVP with the coupon below■ or cal: American Friends of Tel Aviv■■ University. (212)687-5651UNIVERSITY 4?AMERICAN FRIENDS OF TEL AVIV UNIVERSITYOffice of Academic Affairs342 Madison Avenue, New York, N Y 10017I would like to receivemore informationregarding□ One Year ProgramHI Semester ProgramG Summer Session□ Ulpan NameAddressCityState ZipUniversity .Roscoe only wishes he had Astato hump instead of desperateUC studentrjrrrrrfrrrrrrr *If it's Saturday night and Jimmy's is empty, try someof the locals. Student Strife"Students often take styrofoamcups to classes with them, mak¬ing sure to spill tea all over everyone else's notebooks, if notall over themselves."Orientation week\f Real Estate CompanyServing Hyde Park And South Shore 493-0666EAST VIEW PARK CONDO(54th next to the lake) on the sunny side, three exposures, six rooms, two baths.All rooms spacious, in fine shape. Floor plan ‘‘bungalow’’ (not a railroad). Kitchensomewhat updated but still has a pantry. Priced to sell quickly. $68,500IN UNIVERSITY CAMPUS AREAOne bedroom condo, 57th and Kimbark. Completely remodeled with supercountry kitchen $50,000 (Possession in Fall.)Five room condo, 57th and Kenwood. Quiet garden setting, excellent condi¬tion. No extra charge for sunshine all day. $59,500.Wne room Victorian near 56th and Dorchester. Drastically reduced to sell im¬mediately from $165,000 to $149,000. Prime location for less than prime price.Unique room arrangement for family living and entertaining — innovative buttastefully distinctive. Woodburning fireplace, private greenhouse, extensivegardens, and much more. Call Kathy (eve 947-0453).MODERN TOWNHOUSE NEAR 56TH AND HARPER(Large E-1 floor plan.) Extra window and terrace because end unit, $126.000.EAST HYDE PARK CONDONear 55th and Cornell. Wood, wood and more wood! Waiting for your antiques.6V2 rooms filled with true “Hyde Park Character”. Many originals: oak buffet indining room, hardwood floors, modern kitchen and baths. $68,500 Call Kathyfor appointment (eve) 947-0453.)IN KENWOODNow scheduling appointments for 3 stony stone and brick Victorian home. Sidedrive, woodburning fireplace, all the charm of heritage architecture. $137,500.HI-RISE15th floor condo with traditional setting. Gorgeous views, excellent condition.50th East End. $45,000FOR RENT1 bedroom at 4800 Chicago Beach. $390 month Garage available, extraHouse near 57th and Harper for 15 mos. fully furnished Begins June 15.Super coach house in Kenwood, two bedrooms, air conditioning, everythingnew - $400 00. FrenchKitchen3437 West 63rd776-6715Open for Dinner3 P.M. Daily3 P.M. SundayClosed MondayModerutelv Priced Chicago (.aide:"t'aliiifs at the FrenchK itchen is like din ini’nil It Jnl in t.hihl."Food of the French CountrysideBeef H cl I in "tonStde en SacCrab DishesCrepesExcellent ^ ines. Moderated Priced Yu*AmAUDmONS tor SWEETBlack Friars Spring Production/^x ¥ \ '■’rwixrSaturday, April 7,12:00 J [ / m | L I 1Ida Noyes Cloister Club dieted by Victor SmitMusic available or bring a song of your ownPlease wear clothes you can move in easily. Performances May 11.12.13, in Mandel HallhAs the saying has it, those who work hard don’t haveenough time to play, those who play hard are lousy stu¬dents, and those who are attracted to good living might justas well stop here.Speaking of campus events, they are interesting. The Uni¬versity promotes a wide range of activities, programs anddonuts. We recommend the “Bomb”—a flaky pastry coveredwith chocolate and filled with custard. The campus’s nu¬merous coffee shops have taken to offering an ample selec¬tion of the most obscure, and often quite foul, teas in theworld. Students often take styrofoam cups to classes withthem, making sure to spill tea all over everyone else’snotebooks, if not all over themselves.One of the most distinctive campus events is the “Artists toLive With" program. Several hundred original corpses aredistributed at the beginning of each quarter. Dozens of stu¬dents spend the night waiting to claim a favored Picasso,Shakespeare, Van Gogh, or Rimbaud to hang in their rooms.Student reaction to the program has been overwhelmingly fa¬vorable through the years: “I really enjoy my Hemingway,”said one student in dead earnest.Music, too, is an important element of campus life. WHPKis the University’s radio station, boasting a broadcastingpower of ten watts and a small, unpleasant office in the Mit-chel Tower. WHPK is also headquarters for the “Stealing Sil¬verware From Hutchinson Commons” Club, whose membersmeet each day at noon to discuss possible implications oflyrics of Barry Manilow songs, the coming of the second IceAge, the passage of time, and various moments of truth. AthleticsTo paraphrase Robert Maynard Hutchins, “Whenever I feellike getting up to go to the bathroom, I sit down and wait for itto pass.” In addition to the bathrooms, there are nineteen in¬tramural sports at the University, including Soccit, a non¬sexist version of soccer played with neutered cats.The unusually wide interest and participation in Universitysports cannot be explained.s.The Elusive Honesty of the Academic EndeavorBecause there are so many campus activities, the Univer¬sity chooses to maintain a large number of bulletin boards, ofa wide range of styles and functions. Some of these are Na¬tional Landmarks, of course. Professor Pompous Ass of theUniversity of Dublin referred recently to “the one on the nor-west side of Harper Library, a large wooden geometric struc¬ture, etc.”If the tradition of liberal arts is to survive, indeed, if we areto survive, we must be honest with ourselves. Such honestydoes not come easily when students are not shown how torelate theory to action. At the University of Chicago, liberalarts means above all theory with action; the integration of“student life” witty “academic life,” the realization of “stu¬dent life” as the Muse of “academic life.” As for the Muse,it's academic.She has to say yes to the feelings within her...before she can know herself.a LARRY PEERCE/ROBERT A GOlDSTON F,im“THE BELL JAR"Storing MARILYN HASSETTJULIE HARRIS -ANNE JACKSON BARBARA BARRIE' ROBERT KLEIN * Lenny V'eenpirxj by MARjORIE KELLOGGSaved on the nc»eJ by SYLVIA PLAIN • ftodued by JERROLD BRANDT. JR and MKHAEL TODD. JRCo ftoduced by TONY LoMARGA ora ANDREW P BONIME Mu-* by GERALD FRIED ’Executive ftoduco ROBERT A GOLDSTON • D**ted ny LARRY PEERCETJ ~‘T;-* .fAVCQ EMBASSY PICTURES Reewe'HU m **.0 tMtASS’ * JUS™. V*Now Showing at theWaterTowerTheatre.835 North Michigan Avenue 2nd Level 649 5790 RICHARD VIKSTROMconductingTHE ROCKEFELLER CHAPEL CHOIR &: ORCHESTRAJ. S. BachPassionAccording toSt. Matthew(Concert Version—Two and One-Half Hours'!HENRY HUNT, Evangelist WILLIAM DIANA, ChristusSoloistsJANICE HUTSON, Soprano PHYLLIS UNOSAWA, ContraltoALONZO CROOK, Tenor JAMES TUCKER, BaritoneDALE TERREEK. Counter tenorAPRIL 8, 1979 4:00 P.M.ROCKEFELLER MEMORIAL CHAPEL5850 SOUTH WOODLAWN AVENUETICKETS AVAILABLE AT:Reynolds Club box Office57th Street and University AvenueCooley’s Corner5211 Harper AvenueReserved $6.00 General Admission $5.00Chancel Seating $5.50 Students $2.50Plainclothes University security officerCleanup efforts following one of Fermi's little accidents"There are nineteen intramuralsports at the University, includ¬ing Soccit, a non sexist versionof soccer played with neuteredcats."Nude barn storming is a popular sport.I-House Films1414 E. 59th St. Humphrey Bogart, Katherine HepburnThe African QueenSaturday, April 7 79:30 $1.50 ini COURT TbCATRC«r 1 *S70bSUni\«»rsitv Avenu** Chicago IllinoisfaObM 1t81Winter Court TheatrepresentsShakespeare’sMEASURE FORMEASUREDirected by Nick RudallSet Design by Maher AhmedApril 12 through May 138:30 P.M., Sundays at 7:30 P.M.New Theatre,57th & University753-3581Low priced preview onWednesday, April llat8:30P.M 1 very limited number of tickets tire avail¬able for the8th Annual Jefferson Lecturetuesday, April 10,19795:00 o’clock“Render Unto f 'arsnr...:(>orcrnment. Society and thel nirersilies in TlieirReciprocal Rights andDoties"by Edward ShilsPick up tickets at theStudent Activities OfficeIda Noyes 210,9:30 a.m. Monday, April 9One Ticket per Student 1979 Jewish United FundCampaign 5739ApriB -22Kickoff: Sunday,April 8, 7:00 p.m.at Hillel Speakerand Solicitor training(Refreshmentswill be served)Co-Chairmen:Naomi Bayer 947-0065Art Lustig 947-5071THIS IS A YEAR OF RENEWALHELP REACH OUR GOAL OF ’5739°°AdmissionsLast year, nearly 40 percent of the applicants to the Univer¬sity of Chicago were summarily rejected.To be eligible for admission, a student should give evidencethat he is patient; possesses three pairs of “highwaters,” andhas the ability to go three weeks without food — between loanchecks. All students are required to complete the SAT of theCollege Entrance Examination Board, the ACT of the Ameri¬can College Testing Program, the BBC of the Walgreen’sBLT. Unfortunately, success in these tests convinces manystudents that they are hot shit. This should not be the case.Upon entry, the student will be taught to think, to read, and toshower.Early Decision: All students in possession of a wealthy rela¬tive will be admitted prior to receipt of the application. Inaddition, students possessing exceptional characteristicsthat make them particularly well suited to the University ofChicago (i.e., four pairs of “highwaters” may also apply forEarly Decision. A general guideline for the student to re¬member is that the applications committee takes pity on any¬one who considers Chicago his first choice.Early Entrance Tests: The base egalitarian nature of theSAT and ACT exams force the University to apply its ownball-busters that begin Monday of orientation week at 6:15am. The exams will end when the student cries.20Attention BSCD StudentsInterested in Undergraduate Research:Edmanson Research SummerStipends Available.Students interested in applying for astipend should contact Prof. GersonRosenthal, Gates-Blake 17, no later thanApril 10,1979. NEEDLEPOINTCREWELEMBROIDERYHOOK RUGSJAPANESEBUNKA EMBROIDERY5210 Harper Ave.Hours: Tue., Thurs.Fri.. Sat. 10 4Wed. 12:n-6 p.m.Closed: Sun.-Mon.324-2266Voung Designs byELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd St.288 2900FLAMINGO APTS.5300 S. Shore Dr.Studio v\ < bit* liednnKuril. «\ I iifurn.I i*ii» l«-r»n Ki'iilnl*3200-3400Kurkin” jmmiI. restaurant,valet, deli and tran»-I»nr1alinii. Car|H*tin”dra|»e' iml.752480Q “I want tobite yourFunny Bone-Count DraculaI§HYDE PRRK PIPE RND TOBRCCO SHOP1552 E. 53rd - Under IC tracksStuderts under 30 get 10% oHask for “Big Jim’Mon. - Sat. 9 - 8: Sun. 12 - 5PipesPipe Tobaccos. Imported Cigarettes Cigars.Late Transfer Admissions: There are always a few studentswho come to realize that they are not quite up to the stan¬dards of work required at Chicago and decide to transfer,thus creating spaces for a limited number of exceptionallyqualified transfer students from other competitive institu¬tions of higher learning. Prospective transfer students neednot complete the normal application forms but must provideadequate evidence that they are no saner than the rest of thestudent body.Early Admission: For many years, the College has madeit possible for secondary school students, with superior abili¬ty, preparation, and the maturity to live the independent lifeof the Grind, to apply for admission. In fact, many male stu¬dents find it advantageous to attend Chicago prior to reach¬ing puberty. While these students undoubtedly find adjustingto the College more difficult than other students, they willfind there are many younger playmates to share experienceswith. Contact: Billy Allison.Students-at-Large-Forever: The University offers two selectprograms for students aspiring to be students-at-large forev¬er. Students with two or more years completed and six ormore outstanding incompletes will be given special consi¬deration for bottle-washing jobs in the University Hospitalsand Clinics. They may graduate upon receiving special dis¬pensation from William Rainey Harper. Other students maywish to remain enrolled in the University while becoming stu-dents-at-large-forever by eating 20 nutritious meals a weekat any University cafeteria during winter quarter. The mighty Maroons.Financial AidComprehensive expenses in the University for 1979-80 are$3.62. Costs may be slightly higher for students enrolling inthe 1979 deluxe programs.The College Financial Aid Policy: The University devotes agenerous amount of its total resources to a program of finan¬cial assistance for undergraduates. This year, that meansthat you, the prospective student, may be eligible for up to 50percent support in grants ($1.81) but will be expected tomake up the $3.8 million deficit in future years through end¬less fundraising efforts.2155+udentCo-op BookstoreWE STILL HAVE BOOKS FOR THE FOLLOWING COURSES:BEH/HD306BIO SCI 152 185, 244BUS, 307,309,335,343, 370, 511ENG. 391,432FRENCH 209GERMAN 290HIST. 133,289HUM. 117,125MATH 204NCD 212PHA. 307PHYS. 226POL. SCI. 245,275SSA 301,420.466,475,488, 499AND MANY, MANY MORE... HOURS 9:30 - 6 WKDAYSlO - 5 SAT.DOWNSTAIRS AT REYNOLDSCLUBWE ALSO PAY THE BESTPRICES IN TOWN FOR YOURUSED TEXTS AND NON¬TEXT BOOKSSALE CONTINUES ON SELECTED RCA CLASSICAL ALBUMSNONESUCH EXPLORER SERIES REDUCED TO S265/DISC.VOX/TURNABOUT LPS NOW IN STOCK GOLD CITY INNgiven * * * *by the MAROONOpen DollyFrom 11:30 a.m.to feOO p.m.5228 Harper 493-2559(near Hmrpec Court)Eat more for less.(Try our convenient take-out orders.)A Gold Mine Ot Good Food'Student Discount:10% for table service5% for take homeHyde Pork's Best Cantonese FoodUniversity of Chicago v.Canadian Soccer TeamAPRIL 22 3:30 P.M.Hanover Central High SchoolCedar Lake, IndianaWrite for Tickets:Cedar Lake JC’sP.O. Box #491Cedar Lake, Iowa 46303$1.50 at Dance/$2.00at Door •Eye Examinations•Contact Lenses(Soft & Hard)•Prescriptions FilledDR. MORTON R. MASLOVOPTOMETRISTSServing the UniversityCommunity for over 40 years.Hyde Park Shopping Center1510 E. 55th363-6363MEN! WOMEN!JOBS!( HUSK SIIIPS.KKKK.IITKRSNo experience. Highpay! See Europe, Ha¬waii, Australia. So.America. Winter, Sum¬mer!Send $2.75 toSEA WORLDBOX 61035Sacramento. CA 95825TAl-S/WV*-vmCHINESE AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M. TO 8:30 P.M.SUNDAYS AND HOLIDAYS12 TO 8:30 P.M.Orders to Take Out1318 East 63rd MU 4-1062HAVE ANICE DAYJIMMY’SFor the first year, when the general demands of adjust¬ment to college work are usually most acute and when thenaive student is most succeptible to being convinced of thegenerosity and good intentions of the Financial Aid Office,the Committee attempts to keep loans and term-time em¬ployment to a minimum. In the last three years, loans andjobs are introduced in varying proportions according to a for¬mula derived from Milton Friedman’s novel Whatever theTraffic Can Bear.In estimating the student’s lack of need, the Committeeconsiders the following:1. The weather.2. Whether anyone has heard of the student’s home town.3. Have I taken five or six shots? Ask yourself: “Do I feellucky today?”Need Appraisal and Financial Aid Counseling: The Directorot b inancial Aid and his staff are often able to offer sugges¬tions for personal budgeting and may be able to direct students additional sources of financial assistance. See FredBrooks for his lentil stew recipe, archivist A1 Tannler for ad¬vice on sleeping in Regenstein Library (“what can beatsleeping with four million books?”), and economist ArnoldHarberger for instructions to the IC Randolph St. station tun¬nel (“who said you can't get something for nothing?”)Educational Loans: Don’t worry about loans, bubballa. We’lltake care of you.George Beadle, president emeritus: "Will someone oet thosestudents out of my field."222nd Hand TunesQuality Used RecordsJ a/,z-( !1 ass ieal-Rock-1) isco-E very thingWe Buy Used Records1701 E. 55th St. 684-3375()PEN 12-6:30 7 DAYS \ WEEKSNOWED UNDERDue to Tvping Delays9 *RELAX!Avoid the Rush and Leave the Typing to Us.We Do:Manuscripts / Theses / DissertationsResumes / Reports / Transcriptions24 Hour Telephone Dictation ServiceEM A KWIK SECRETARIAL SERVICE1R0 West Washington 236-0110Weekends & Evenings 726-3572“WHY STUDY CHRISTIANITY?” ?PROFESSOR SAMUEL SANDMEL,The Helen A. Regenstein ■Professor of Religion, jU. C. Divinity School jFRIDAY. APRIL 6th, 8:30P.M. jHillel Foundation. 5715 Wooidlawn . VERSAILLES5254 S. DorchesterWELL MAINTAINEDBUI,DINT.Attractive 1 V2 and2»/2 Room StudiosFurnished or l nfui nished$189 - $287Based <»n Availahilit\All Utilities includedAt Campus Bus Stop324-0200 Mrs. CroakPeanutButterSI MMER STUDY INNEW YORK CITY:Columbia University of¬fers over 350 undergrad¬uate. graduate and pro-fessional schoolcourses Write for bulle¬tin:Summer Session.Columbia University.102C Low Library.N Y . N Y 10027 HOLY WEEK SERVICESApril 8, 5:00p.m. Palm Sunday Liturgy at AugustanaChurch6:00p.m. Supper at Augustana ChurchApril 9, 9:00 a.m. Morning Prayer, Bishop Brent House10 & 11, 5:00p.m. Evening Prayer, Bishop Brent House5:15p.m. Holy Eucharist, Bishop Brent HouseApril 12, 9:00a.m. Morning Prayer, Bishop Brent House5:00 p.m. Sung Eucharist, Rockefeller ChapelApril 13, 5:00p.m. Good Friday Liturgy, RockefellerChapelApril 14, 7:30p.m. Easter Vigil. Rockefeller ChapelApril 15, 5:00p.m. Resurrection Eucharist, RockefellerChapel6:00 p.m. Supper at Bishop Brent House\L BISHOP BRENT HOUSEThe Episcopal Church at The University of Chicago 312 753-33925540 SOUTH WOODLAWN AVENUE CHICAGO. ILLINOIS 6062i Ruby's Merit ChevroletSPECIALDISCOUNT PRICESfor oil STUDENTS andFACULTY MEMBERSJust present your University ofChicago Identification Card.As Students or Faculty Membersof the University of Chicago you areentitled to special money-savingDISCOUNTS on Chevrolet Parts,Accessories and any new or usedChevrolet you buy from Merit Chev¬rolet Inc. i72nd & Stony Island 684-0400Open Daily 9-9 Sat. 9-5 Parti open Sat. 'til Noonif72nd & Stony Island 684-0400Open Daily 9-9, Sot. 9-5 Parti open Sat 'til Noonm VOLKSWAGEN-Sy SOUTH SHORE r•IWise youth! Get your whistle atIda Noyes orReynolds Club Box Office %ROCKEFELLER MEMORIAL CHAPELt\olu fflcck ServicesPalm Sundau/ GetAPRIL 8, 1979-11:00 A M.SPENCER PARSONSDean of the Chapel"THE SHADOWED TRIUMPH"Maundu ThursdauAPRIL 125 P.M., Anglican Eucharist 8 P.M., Chapel Communion©ood Friday ecumenical ScrtuccAPRIL 13, 12:00-12:50 P.M.5:00 P.M.©ood Fridau Iiicurgu (Anglican)©aster ©tic VigilAPRIL 14, 7:30-9:00 P.M.©asterAPRIL 15, 11:00 A.M.SPENCER PARSONS"WHERE CHRIST IS KNOWN"SUNY New PaltzOverseas Program9th YearUniv ersity of Paris—Sorbonne0 Undergraduates in philosophyand related majors earn 30-32credits in regular Sorhonne i ParisIV'i courses SUNY-Paris IVagreement insures students avoidcumbersome pre-inscription andattend Paris IV. not provincialuniversities 1 Program also for onesemester or full academic year forstudents just beginning to studyFrench » Director assists withhousing, programs, studies Orien¬tation language review Sept 15 -June 15 (estimated iving. airfare,tuition, fees $3700 \ Y residents$4200 others Professor PriceCharlson. Philosophy Department.SIT. New Pall/.. New York 12502' *t! 4 > 257 2tm PESACH AT HILLELAPRIL 12 -19SEDER MONDAY, APRIL 9,8-10 ZP.M.WORKSHOP: History .. Traditions,Structures and Content of Haggadah,Making A Seder, Table Setting, Rituals,Foods.SEDERS: Home Hospitality and Congre¬gational Placements through HillelLUNCHES: THURSDAY, APRIL 12 -THURSDAY, APRIL 19Time: 11:30a.m. -1:00p.m.DINNERS: FRIDAY, APRIL 13 - WED. APRIL 18Time: 6:00P.M.IF YOU HAVE NOT MADE YOUR PASS-OVER ARRANGEMENTS, YOU MUST DOSO IMMEDIATELY AT THE HILLELOFFICE, 5715 WOODLAWNThe University of Chicago/Brief ProfileFloundered:In 1891 by John “Education” Rockefeller. Classes first heldon October 1,1892, with an enrollment of 594 students and aninitialled faculty of 103, including eight former college pres¬idents who resigned their posts shortly after arriving.Character:Private, nondenominational, coeducational, constipationalinstitution of higher learning, with just a smattering of re¬search.Plot:A little bit pregnant.The CollegeGraduate Divisions of Biological Sciences, Humanities, PhysicalSciences, and Social SciencesGraduate School of BusinessDivinity SchoolLaw SchoolGraduate Library SchoolPritzker School of MedicineSchool of Social Service AdministrationEnrollment:2,500 in the College, but they’re going like hotcakes.2,700 in the graduate divisions, 700 of which are also in the trenches.2,600 in the professional schools; met any exciting LibraryScience students lately?300 students-at-large; “the belly is bigger than the eye.”Faculty:1,050. Nearly all hold the Ph.D. or equivalent professional de¬gree. Through the years, 39 winners of the Nobel Prize havebeen associated with the University. On the faculty are 53members of the National Academy of Sciences. 18 members ofthe American Philosophical Society, 97 fellows of the AmericanAcademy of Arts and Sciences, and 202 charter members of Al¬coholics Anonvmous.Setting:This idyllic 165-acre campus is conveniently located near LakeMichigan, eight miles south of the Loop, where buildings riseand shadows swarm. The tree-lined campus extends along bothsides of the tree-lined Midway Plaisance, designed for theWorld’s Columbian Exposition of 1893. The University’s build¬ings represent botanical trends of the past 85 years — from theivy ensnaring Ida Noyes Hall to the crumbling green-houses onscenic 57th Street. 564 baths, one block from IC station, exercisefacilities, many closets, W/W gray, built-in stainless steelcounters. Gracious living in prestigious Hyde Park, all for $265million. To see call H. Gray, 753-3001.23Major routes away from TheUniversity of ChicagoEditor’s note:For the morons who haven’t figuredit out yet, this is The Maroon’s annualhumor issue. Thank you to all thosewho helped.The Maroon resumes publicationTuesday. For the record, this is Vol. 88,No. 43. It is also April 6, 1979.24CalendarFRIDAYPerspectives: Topic: “The Illinois State Legislature’sBills to Fight Child Abuse —Part II” guests, GregoryColer, Barbara Baldwin, Thomas Young, and JeanineSmith, 6:30 am, Channel 7.Crossroads: Free English Classes for foreign women.10:00 am-noon.Smart Gallery: Exhibit-“Jackson Pollock: New FoundWorks,” March 14-May 6.Geographical Sciences Colloquium: “The Opposed Tec¬tonic Terranes of New Zealand,” speaker Gregory Re-tallack, 1:30 pm, Hinds Laboratory Auditorium.Public Information Office: Student Volunteer meeting,2:30 pm. Harpe*- 235. Refreshments.Men’s Tennis: U.C vs Roosevelt, 3 pm. Varsity Courts.Economic History Workshop: Paper-“The Reinterpreta¬tion of Monetary History,” by Bruce Lehmann, 3:30 pm.SS 106.WHPK: “The Local Beat.” interview with Alderman vic¬tor Larry Bloom. 4:30 pm.Comm, on Social Thought and Hellenic CivilizationsSeries: Lecture-“The Shields of the Heroes: Aeschylus’sSeven against Thebes.” speaker Prof. Pierre Vidal-Naquet, 4:00 pm. Harper 103.Middle East Center: Discussion with Iranian womanfilmmaker Marva Nabili, 4:30 pm. Pick 022.Women’s Union: Meets 5:30 pm, Ida Noyes Hall abovethe Frog and Peach.DOC Films: “Saturday Night Fever.” 6:45, 9:00, and 11:15pm, Cobb.Karate Club: Meets 7:00-9:00 in the dance room of IdaNoyes Hall.Baptist Student Union: Is co-sponsoring a Share Semi¬nar at Cornell Baptist Church from 7:30-10:00 pm. Re¬freshments.Southern Africa Solidarity Film Series: "Six Days InSoweto,” 8:00 pm, Ida Noyes.Baha'i Association: Informal Discussion, 8:00 pm. IdaNoyes Hall.Hillel: Lecture-“Why Study Christianity?” speaker Prof.Samuel Sandmel, 8:30 pm, Hillel.Chamber Music Series: Michael Tree, Jacob Kalichstein,and Larry Combs, 8:30 pm, Mandel Hall. Ticket Info:753-2612.SATURDAYBaptist Student Union: Is co-sponsoring a Share Semi¬nar at Cornell Baptist Church, from 9:00 am-5:00 pm,lunch included.Women’s Invitational Track Meet: 9:45 am-noon atStagg Field.Table Tennis Club: Practices 10:00 am-l:00 pm, Ida NoyesHall 3rd floor.Compton Lecture Series: “Introduction: From Hydrogento Charmonium,” 11:00 am, Eckhart 133.1 Mile Coed Fun Run: 11:25 am, Stagg Field.Men’s Basketball: U.C. vs. Concordia, 12:00 noon, StaggField.WHPK: Opera: “The Queen of Spades” by Tchaikovsky,1:00-4:00 pm.Tamil Film: “Bhadrakali,” 2:00 pm. Ida Noyes EastLounge.Hillel: Lecture-“The Resurgence of Jewish SpiritualityCampus film on the Kibbutz” speaker Mr. Gidon Elad, at the Bayit,5458 S. Everett, 2:30 pm.Crossroads: Spring Festival from 5 to 10 pm. Games,movies. Cultural Entertainment, singing and dancing,and an International Buffet. Don’t miss it!International House Film: “African Queen,” 7:00 and9:30 pm, I-House.DOC Films: “Coming Home,” 6:15, 8:45, and 11:00 pm,Cobb.SUNDAYRockefeller Chapel: University Religious Service, E.Spencer Parsons, 11:00 am.Hillel: Lox and Bagel Brunch, 11:00 am, Hillel.Law School Films: “The Adventures of Robin Hood,” 3:00and 8:30 pm. Law School Auditorium.Esprit de Cors: U.C. Horn Quartet in concert, 3:00 pm.International House. Info 753-1150. Free.Rockefeller Chapel: St. Matthew Passion, 4:00 pm, Rock¬efeller Church Chapel Choir and Orchestra.St. Thomas Apostle Church: Lenten Organ Recital, 4:00pm, at 55th and Kimbark, St. Thomas Apostle Church.Hillel: JUF kickoff meeting, 7:00 pm-volunteers areneeded, Hillel.DOC Films: “Women in Love,” 7:15 pm, “The MusicLovers,” 9:30 pm, Cobb.Netherlands Wind Ensemble: Mandel Hall, 8:00 pm. Tick¬ets and info at 753-2612 and at Mandel Hall box office.Folkdancers: General level with teaching, 8:30-11:30pm. Ida Noyes Cloister Club.MONDAYPerspectives: Topic: “Pancreatic Cancer: Shedding Lighton a Little-Known Disease" guests, Dr. A. R. Moosa, Dr.Bernard Levin, and Dr. James P. Bowie. 6:30 am, Chan¬nel 7.Danforth Meeting: “Is Mathematics Creative?” speakerMike Stob, 12:00 noon, Wieboldt 409C.Regenstein: Exhibit-”100 Very American Books” fromthe Epstein collection, Feb. 6-April 15.Committee on Southern Asian Studies: “The Body Con¬cept in Ayurvedic Medicine,” speaker Francis Zimmer¬man, 2:30 pm, Harper 130.Committee on Social Thought: Lecture-“Milton and Mel¬ville: Epic and the Status of Knowledge” speaker MaryAnn Radzinowicz, 4:00 pm, Classics 10.Ultimate Frisbee Team: Practices 4:00 pm, on the Mid¬way in front of Ida Noyes.English as a Second Language: Classes in Rickett’s Lab,4:30-6:30 pm, free. Sponsored by Chicago City Col¬leges.Karate Club: Practices 7:00-9:00 pm, in the dance roomof Ida Noyes Hall.Chess Club: Spring Chess Championship, four roundUSCF-rated Swiss tournament. Registration 7:00-7:15pm, round begins 7:30 pm. Ida Noyes Memorial Room.NAM Films: “Portrait of Jason,” 7:15 and 9:30 pm,Cobb.Sailing Club: General meeting, 7:30 pm, Ida NoyesHall.Women’s Rap Group: Meets 7:30 pm, in the Blue Gar¬goyle women’s center 3rd floor. Info, call 752-5655 or752-5072.Baptist Student Union: Meet to discuss Prison Ministry, DRACULA ^ T IWfe*-' I Your 1favorite pain r-4v-Sjin the neck -: is about •-to bite your Ifunny bone.Melvin Simon Productions Presents a George Hamiiton-Robert Kaufman ProductionGeorge Hamilton • Susan Saint James ■ IWhard Benjaminm love At First Bite • Dick Shawn • Arte Johnsonr.«!wr Robert Kaufman«George Hamilton iw< t, Charles Bernsteinw,», Robert Kaufman t Mark Gindes v—nui», Robert Kaufman Joel Freeman DmM b, Stan DragonPG|'e*«mt*icuouictsusostA -3£- (*-mh wo-rr-n^iwu* An American International ReleaseSTARTS FRIDAYAT THEATRES ALL OVER CHICAGOLANDLINCOLN VILLAGE PORTAGESUBURBS & NEARBY TOWNS ———Arlington HeightsARLINGTON DeerfieldDEERBR00K ElmhurstYORK Elmwood ParkMERCURY EvanstonCORONETHanover Park HomewoodTRA0EWINDS DIANAMerrillville. IndS0UTHLAKE MALL MattesonLINCOLN MALL Morion GroveMORTON GROVENapervilleOGDEN SIX WestmontSTUDIO ELEVEN7:30 pm, Ida Noyes 2nd floor East Lounge.Dept of Germanic Lang, and Lit.: Reading by Swedishpoet Lars Backstrom, 8:00 pm, Swift Commons Room.Hillel: Seder Workshops in History and Tradition, Struc¬ture and Content of Haggadah, Making a Seder. Ritualsand Food, 8:00-10:00 pm, Hillel.Folkdancers: Beginning level with teaching, 8:00-11:30pm, Ida Noyes Cloister Club.By Ethan EdwardsSaturday Night Fever (Doc) Directed byJohn Badham. The dancing at times is spec¬tacular. the music (if you like disco) is ter¬rific. John Travolta is surprisingly compe¬tent actor — so what went wrong? Themovie could have been either a fascinatingsociological study (as was the original NewYork Magazine article by Nick Cohn fromwhich the movie was ripped off) or a 1970’sversion of all those charmingly empty oldmusicals. Instead, the film shoots for bothgoals and is 0 for 2. The Brooklyn home lifeand discomania of Travolta and crowd aredrained of their authenticity by the depic¬tion of Manhattan as the Emerald City <anunlikely idea for anyone who has ever livedin Manhattan). The bridge leitmotif ex¬pressing the desire to cross over to the mid¬dle class is overdone but effective in aRebel-W’ithout-A-Cause manner The endingis also confusing — Travolta finally reachesthe Emerald City, adopting as his rolemodel another Brooklynite who has suppo¬sedly made it in Manhattan by typing andsleeping with her boss. But my feeling wasthat by leaving Brooklyn his troubles werejust beginning; after all. he can’t even type.Despite all of this, the movie is exceedinglyenjoyable, and although the film is schizoid, the two parts are each intriguing. Highlyrecommended Friday at 6:45, 9:00 and11:15 in Cobb Hall.Coming Home Doc> Directed by HalAshby. With its hoked-up dramatics, Com¬ing Home rings false more often than true.Jane Fonda is excellent as the w ife of a Viet¬nam soldier (Bruce Dern) and Voight turnsin a good performance as an anti war veter¬an amputee who brings raised conscious¬ness and the almighty orgasm to Fonda.Molly Haskell in The Village Voice finds itstrange that this film and the Fonda-Voightrelationship is considered to have feministovertones, when, despite Voight’s love forFonda, he sacrifices Fonda to Dern’s maleterritorial prerogatives <much as in Casab¬lanca Humphrey Bogart sacrifices IngridBergman to Paul Heinreid). As pointed outby Haskell, Voight is not emotionally re¬sponsive, but another in a long line of actorswho “fuck women with their eyes” — amuch less desirable approach than thedirectness of a John Wayne or the true re¬sponsiveness of a Charles Boyer. Local tal¬ent Penelope Milford deserves an Oscar(but probably won't win > for her supportingrole as a woman whose man is fighting inVietnam. Another North Shore product,Bruce Dern, gives a performance devoid ofnuance, but may win the award for BestSupporting Actor. I came away from themovie feeling that, despite the film’s manysubtleties, it oversimplifies a complex emo¬ tional and political situation. If you put yourmind on hold, you may enjoy it. Saturday at6:15, 8:45, and 11:00 in Cobb Hall.Women in Love ( Doc). Directed bv Ken Rus¬sell. Even Glenda Jackson’s Oscar-winningperformance can’t save this turkey. D. H.Lawrence’s dialogue may read well, but itseems stilted on the screen. Given the poten¬tial that w-ent into this film — good material,fine performers an inventive director — it isamazing how bad the product can be. Actu¬ally, there are many superb scenes, but themost noteworthy sequences are the ridicu¬lous ones you may hve heard of: GlendaJackson dancing with a bull (catch the sym¬bolism? ) on a remote island; the winter ver¬sion of the classic suicide ending in ComingHome and the first two versions of A Star isBom; and a delicious firelight sumo wres¬tling-love scene between Alan Bates andOliver Reed. I saw this film on the advice ofmy roommate, who, like many others,thinks this is the greatest movie ever made.That roommate dropped out of college andwas last seen driving a Coca-Cola truck inPortland, Maine. Sunday at 7:15 in CobbHall.The Music Lovers (Doc) Directed by KenRussell. Russell once again tackles his fa¬vorite theme — the creative process. Herehe examines the life of Tchaikovsky but thefacts of the composer’s life are substantiallychanged so that Russell can achieve the ef¬fects he is after. If Russell makes enough films about creating art. perhaps he wiii dis¬cover why his own impressive talent isnever fully realized on the screen. Russell’sfilms are filled with brilliant moments, butthe utter stupidity of the screenplays even¬tually takes its toll. Sunday at 9:30*in CobbHall.The Adventures of Rooin Hood < LSF)Directed by Michael Cur? L ud WilliamKeighley. Errol Flynn steals irom the rich togive to the poor and sun has time to ro¬mance Olivia de Havilland on the sly. Thegood guys (i.e., not Basil Rathbone) weargreen and live in Sherwood Forest, but ifyou have any trouble the stirring score byErich Korngold will let you know which sidethe characters are on. The Adventures ofRobin Hood is fun for the whole family witha rousing climactic swordfight betweenFlynn and Rathbone. An excellent ChuckJones cartoon, Robin Hood Daffy, precedesthe feature. Sunday at 8:30 with a specialmatinee at 3:00, in the Law School Auditori¬um.Portrait of Jason (NAM) Directed by Shir¬ley Clark. This obscure 1967 example of cin¬ema verite has been praised by IngmarBergman with the following words: “Themost extraordinary film I’ve ever seen inmy life is certainly Portrait of Jason. For 2hours a black homosexual tells us on thescreen about his life as a prostitute. It is ab¬solutely fascinating.” Unseen by this re¬viewer Monday at 7:15 and 9:30.Classified adsSPACEFemale nonsmoker (grad preferred)wanted to share apt. w/2 others. Bigsunny front bedrm. $83/mo Avail, irr.med. 752-5597.Summer sublet w/Fall Option $117mon. David N. 947 8047 D. 667-1060.Male roommate wanted for 2 bdr apt. lblock from Co-op. Available May 1st$145 955-1592.Visiting prof, wants furnished room orapt, for May 955-9782.Female roommate wanted til end ofSpring Q. Very nice apt. w/lg. kitchenoverlkg. pk. $90/mo. plus utilities.Convenient loe. 241-6816.SUBLET 3 bdrm from May til Sept. 79.Air conditioned, carpet, furnished 57and Drexel. 753-2249. Nancy (3205)Wendy (3225). AVAILABLE ONLYTIL NEXT WEEK!Near campus, room and private bathfor rent. $10/week. 003-2521. •Need registered student uninvolvedwith University housing to take overmy housing contract. I am offeringdiscount call 241 6851.AVAILABLE to Grad Stu-dent/Teacher, 1 1/2 rooms, telephone,private bath, kitchen, desirable location, $140 (Plaza 2-8377).For rent: 3 rm studio apt. 54th andKenwood available May 1. 324-1121early mornings.For rent: 4 rm apt. 1 bdrm 5th andKenwood available May 1. 324-3515early mornings.Roommate wanted: share apt. w/4others. Own bdrm $120/month. Goodlocation. Dog and cat incl'd. Non-smoker please. May 1st. 324-1121 or324-3515.$25.00 REWARD FOR GARAGE Location between 55th and 58th, Harper andKenwood. Call Day: 753 3675. Night:241-6305.Family wanted to appreciate ParkForest home with 3 block walk to ICG,quiet street, nice neighbors, a kitchencustom designed for cooking conve¬nience, 3 bedrooms, den, panelledfamily room, central A/C, patio, extrainsulation, garage and much more.Priced for quick sale in the low $60's.Phone evenings or weekends: 748-6496.PEOPLE WANTEDTurn TV time into extra income. $200to $500 monthly. Call 4 p.m. to 9 p.m.for appt. 667-4038 NOWSubjects wanted for psycholinguisticsexperiments. Will be paid. To registercall 753 4718.Driver with van or station wagon forpart time Good man 753-8342.Part time. Comparison shopping formajor national corporations Permanent local work on irregular basis. Noinvestment. Include phone numberw/response. Shop'n Chek, Box 28175,Atlanta, Ga 30328. In summer months. Part-time and full-time secretary. Ex¬cellent typing skills. Variety of workassignments. Must enjoy detail work.Flexible hours. Museum of Scienceand Industry, 57th and Lake shoreDrive, 684-1414. Equal OpportunityEmployer. Interview by appointmentonly.Small professional social science assnseeks asst editor for journal and admin aide to coordinate conferencesand related activities. Persons seeking1st full time job encouraged. Excellentopportunity for person seeking shiftfrom graduate school program topublishing or administrative career.Send resume to M. Janowitz Box 31Social Science Bldg. Univ. of Chicago,Chicago, III. 60637EXPERIENCE THE ULTIMATETHRILL; U.C. Women's Crew has aplace for you. No experiencenecessary, we can teach you SaturdayApril 14 at U. Wisconsin in Madison.Call 955-0932 or 753-2233 rm. 320 for in¬formation. C'mon. Take a chance.Lab tech needed for doctor's officePart time S. East. Salary open call731-1754.SIT DOWN AND GET FIT QUICKJoin U.C. Women's Crew now andlearn to row at U. Wisconsin Saturday,April 14. No experience necessary!Call 955-0932 or 753-2233 rm. 320 for info. Your time has come.MAKE MONEY PLAYING BUNNY.The Hyde Park Shopping Center 55thSt. and Lake Park Ave., will pay $3 50per hour for a person to wear anEaster bunny Costume and hand outcandy during various hours from April11 thru April 14. Call Bob Salomon,Promotions Agent at 943-1300 fordetails. Excellent Accurate Typist with col¬lege degree will type themes, termpaper and theses as well as letters,resumes or whatever your typingneeds. Work done quickly and neatlyat very reasonable rates. Call Wandaat 753-3263 days or 684-7414 evenings.Comp Sel typist Mss Theses Letters.Pickup and delivery. 374-0081.SCENESFOR SALEHand carved oak dining room set (6chairs) Good condition. $175.00 firm.Call 752 8865.Box spring and bed frame-excellentcondition call 548-7131.Food coupons $120 worth. Buy anyamount for 75 cents per dollar or bestoffer. Call 955-0462.Complete home furniture cheap call371-3245 9 to 11 am for appointment.3 antique chairs leaded glasschandelier Ogee mirror more call363-2519 eves/weekends.Assorted furniture and office supplies,inelegant but serviceable: black sofa-bed, steel storage cabinets, compactrefrigerator, and more. Best offer byend of term. 752-1572.PEOPLE FOR SALEARTWORK of all kinds-drawingcalligraphy, illustration, hand- ad¬dressing of invitations etc. NoelYovovich. 493 2399.COOKING CLASSES-Chinese and in¬ternational series. Full participation.Call Wendv Gerrick. 538 1324. The department of GermanicLanguages and Literature and theWilliam Vaughn Moddy Lecture Committee present a reading by theSwedish poet, Lars Backstrom onMonday April 9 at 8:00 pm in SwiftCommons RoomWomen! Enjoy spring this year. Self-defense classes for women begin Monday April 9, 7:00 pm at the Gargoyle. 6week classes 5655 S. University. Call955-4108 for more information.Modern dance classes. Grahambackground, body alignment, ex¬pressive movement. Telephone WendyHoffman-Yuni, 924 4523.Joel and Laura did it last year, sothey're ready. You too can practiceballroom dancing at home and be instep tor April's two swing dances.SIMUATED PEARL, April 14 andSTRINGOF PEARLS, Apr. 27.PERSONALS2 cats (male and female) free to righthome. Have been neutered andspayed. 667-0472 after 6 p.m.Clones, fifth level please. Dronesfourth. Cruisers, third. Cruisees second. Minorities first, thank you. Reg.AUDITIONSA MEDIEVAL PAGEANT. April 7 and8, 12-5, Mandel Hall. We need men only. Call 3-3583.SPRING FESTIVALCrossroads. Spring Festival willfeature: International Buffet, Gamesplus MAGICIAN for children, aCasino, Auction, and Cafe de Pariswith live entertainment. AtCrossroads International StudentCenter, 5621 Blackstone. 684 6060.APRIL 7th; 5pm-10 pm.TOTHE GIGGLERYou may be the convert, but I'll goEast with you any time FOTAFESTBluesman Mighty Joe Young, femalevocalist Faith Pillow the improvecomedy group The Reification Co plusa disco, all in Ida Noyes April 20, star¬ting at 9 pm. On the Northside it'd beover $10, but $3.50 lets you roam IdaNoyes and catch these popularChicago acts. Tickets are on sale in theReynold Club Box Office, Wed April11.Festival of Arts (FOTA) presents anevening of music, comedy and danceFOTA FEST---in Ida Noyes, FridayApril 20 9:00 pm, $3.50. Performers in¬clude Mighty Joe Young, Faith Pillowand the Reification Co. A disco too.FORTRAN CLASSLearn to program in Fortran. 10 session class begins April 17. Cost: $25.Computer time provided Come toComputation Center before April 13 toregister Call 753-8400 for more in¬formation.MATH MINUSFEAR GROUPAt Blue Gargoyle Thursdays 6 8 30pm. Apt. 26. Call 636-4709 or 624-0595for more infoPUB NOTICESThe Pub in Ida Noyes is still open!Coming very soon checkers, chess,and backgammon sets. Also within aweek or so, we will have available afull Fast Food menu.Chicago City Council has made itnecessary for members to be 21 yrs inage or older.SAILING CLUBGeneral Meeting Monday 9th 7:30 pmat Ida Noyes Come find out about raceteam practices and Spring ActivitiesSHARE SEMINARWhen: Apr 6 and 7: Fri 7 30-10 and Sat9-5 Share Cornell Baptist Church 5001S. Ellis. Cost: $3 inc. materials andSat Lunch info and ride call Cheryl684-7747.COMP-CENTERCLASSESSpring quarter class list availableSeminars are introduction to: DEC-20,SCSS, SPEAKEASY and Superwylber.Courses in: SAS and Fortran. Formore information, come to main Com¬putation Center, R.I., C B27 orBusiness Office, 5737 University, orcall 753 8400State of SiegePhotographs by John WellsMidway StudiosATTENTIONGRADUATE STUDENTSGERMAN EXAMHigh-pass the German Exam thissummer with the structural translationtechnique of Karin Cramer. Ph D., nativeGerman, years of teaching experience.Course starting Apri’ 9 <4 hrs./weektfor 15 weeks. $150. Call 495-8127.Mon.-Thur. 6:15-7:15 \Pi4K.iv«Gn Cavvftl* MechanismD-«®TDK |l \I\ EKSITY OK ( till \GOROOKSTOREphoto dept. 75:;-:;::i7 SAFEIN GOD'S CAREFree public address tomorrow at theChritian Science Reading Room (between Spin-it and the Medici on 57thSt.) 2:30 p.m.CABARETAUDITIONSThe Fetival of the Arts will sponsor anevening of JUST CABARET on May19. Needed are singer/actors/anddancer/actors. Auditions will be heldon April 8 from 3-7 and April 9 from7-10 in Ida Noyes. Dancers pleasecome dressed to dance and singersplease bring a prepared song. Formore info, call Mary Beth Dunn-cavage at 3 2220 or Laura Reed at3-3582. (mornings ). SIMUATEDPEARLSHold Sat April 14 for a FREE swingdance with the UC Jazz Band, Instructions available Get in step for STRING OF PEARLS with the GlennMitle- Orchestra on April 27. P S.Tickets for the real thing STRING OFPEARLS are on sale now at theReynolds Club Box OfficeGLURBISFRI BJI BIT!GAMES NIGHT AT IDA NOYESHALL. Tonight Fri April 6 7:00 pmthru Saturday AM Fantasy Gamersand STUDENT ACTIVITIES will provide coffee, some games. Bring yourfavorite board games stay all night ifyou want. Free UCIDCHRISTIANSCIENCE GAMESFree public address tomorow, April 7.at: Christian Science Reading Room(57th St. between Medici and Spin-it)2 30 Topic"Safe in God's Care."SECONDCITYThe resident company of Second Cityreturns to Mandel Hall for their annualUC show, Monday April 30 Tickets goon sale Monday April 16 at theReynolds Club Box Office.CARWASHSaturday April 7 Ida Noyes Parking lot10:00-3:00 pm. $1 25. PROCRASTINATE NOW whilethere's still time! GAMES NIGHT atIda Noyes Hall 7 pm Fri (that'stonight) thru Saturday morningS.A.O and Fantasy Gamers will pro¬vide coffee, some games and stay allnight. GIVE YOUR PAINTHRESHOLD A WEEK OFF. Free-UCIDDISCO VOLANTEFeeling awkward on the dance floorMissing out because you're shy tomove your feet? Hankering to crank avolta or two? Shake the fear of flyingand spring yourself from the chains ofugliduckosis Sign up for DISCOLESSONS Tuesday evenings beginn¬ing April 17. Ida Noyes Hall $8 00 for 5lessons (1 1/2 hours each). Sign up inthe Student Activities Office-ldaNoyes 210 or call 3-3598STEPTUTORINGVolunteer Tutors needed-No previous RUMMAGE SALEfor math-all age groups If you are at RUMMAGE SALE FOR Anaconaall interested, or you want more in- School, clothes, books householdformation, call Charlie Carpati items, bargains, bargains April 7, Sat(752-5860) or Frank Yang (324 3693). 9to5, YMCA 1400 E 53rdARTISANS 21 gallery and shop is cele¬brating Easter with a special openingSAT., APRIL 7th from 10 - 4 in the FirstUnitarian Church at 57th and Wood-lawn (57th St. entrance). There will befree tea and cookies as you browsethrough all forms of decorated eggsand a new group of ceramics, jewelry,paintings, toys and more for Easter.Our regular Spring hours beginningApril 8th are Sun. 12-2 Thurs. 8c Fri. 11 - 2.rft \1 If i \ iAI PO, BUT I LOVEWHAT WE GET WITH IT.WAIT A MINUTE,YOU HATE PIZZA! WHAT6 THAT?PASS A MUSHPOOMWHAT TASTES BETTERWITH PIZZA THAN MAYBEANYTHING ELSE IN THEENTIRE, ISAIRENTIRE WORLP? y I PUNNO. **■ '*7 b