The Chicago MaroonNo'The University of Chicago ^ The Chicago Maroon 197V Friday, March 2, 1979Photo: Abbe FletmanSouth AfricaInvestment policy Hospital replacement plannears Trustees’ approvalBy Abbe FletmanBy Curtis BlackAt the Action Committee onSouth Africa’s forum Tuesdaynight, President Hanna Gray saiddivestiture is “incompatible” withthe Trustees’ fiduciary and legalresponsibilities to the University.At issue, she said, is the Universi¬ty’s ability to aid the people ofSouth Africa by its votes on share¬holder resolutions in the corpora¬tions and banks in which it in¬vests.Speaking after Gray, ActionCommittee representative KinseyWilson stated three demands:• that University Trustees issuea position paper on their invest¬ment policy;• that a series of hearings in¬volving Trustees, facultymembers, administrators, and stu¬dents be held before fifth week ofSpring quarter; and• that a binding University-widereferendum be held on the divesti¬ture question.In the question and answerperiod following statements fromthe six panel members, Gray wasasked about Morgan Guaranty’srecent reaffirmation of its option tomake loans to the government ofSouth Africa. Gray said she serveson Morgan’s board of directors as“an independent public director”and that her views of campusissues are not influenced by her po¬sition on the Morgan board.While Gray never offered anopinion on Morgan’s continuedloan policy, she said she is “free toresign” as a director if her person¬al views come into conflict withMorgan’s policies.Over 750 students, facultymembers, and administrators at¬tended the forum entitled “TheCorporate Connection: UniversityInvolvement in South Africa.” Inaddition to Gray and Wilson,former U.S. Senator Dick Clark.Research Director for the Ameri¬can Committee on Africa JenniferDavis, Director for North andSouth America of the South AfricaFoundation John Chettle, andSouth African Congress of TradeUnions representative Zola Zembeaired their views about the influ¬ence of corporations on apartheidin South Africa.Clark, who headed the SenateSubcommittee on African Affairsand has been named roving am¬bassador for refugees, called South Africa “the most racist society onearth.” He said American corpora¬tions have played a “pivotal role”in “strengthening apartheid andundermining progress” in SouthAfrica. Affirming that “U.S. cor¬porations can play a positive rolewithin South African law and thecriteria of profitability,” Clarksaid they do not.“My own goal. . . is not punitivebut corrective,” he said, listing therecommendations he made to theState Department while Subcom¬mittee chairman. Clark has calledfor measures aimed at stoppinggovernment encouragement of in¬vestment in South Africa, and atpromoting an active policy dis¬couraging such investments.‘Playing games’Davis, a South African exile,challenged the assertion that bystaying in South Africa, corpora¬tions can exert a positive influ¬ence, saying it was based on“games played with percentagepoints.” “It’s time for this Univer¬sity to change sides and supportthe struggle for liberation,” shesaid.Davis said U.S. corporations inthe 1950’s moved into oil, motor,and computer industries, areaswhich strengthen the machinery ofapartheid and in which South Afri¬ca lacks self-sufficiency. Concern¬ing the good corporations can do inSouth Africa she said, “If Rev. Sul¬livan and his supporters wereright, there should be a blackprime minister by now.”The proportion of Africans inskilled jobs reached a high in 1975of 2.9 percent, and by 1977 wasback down to .4 percent, Davissaid. Per capita income for blacksper year is equivalent to per captiaincome for whites per month, sheadded.“Corporate withdrawal won’ttopple apartheid,” said Davis, butwithdrawal has to be viewed in thecontext of the struggle in SouthAfrica.Media blamedJohn Chettle, who opened theNorth American office for theSouth African Foundation in 1968,said the divestiture movement is aresult of distortion in the media,undue attention on human rightsviolations in South Africa, and thepower of “fashionable ideas.” Heacknowledged “failures and inade¬quacies” by the South African gov- Final approval of a $70 millionrenovation and construction planfor the University of ChicagoHospitals and Clinics (UCHC) isexpected from the Board ofTrustees in early April, PresidentHanna Gray said yesterday.The Executive Committee of theBoard meets Monday to “discussendorsement in principle” of theernment, but said the sameprocess is occurring in South Afri¬ca that the U.S. went through in the1950’s and 1960’s, noting thatsports, entertainment, and educa¬tional facilities are increasinglybeing made available to blacks inSouth Africa. Chettle said therehas been a 500 percent increase inspending on black education in re¬cent years. At present $750 perpupil is provided to schools forwhites and $65 per pupil to schoolsfor blacks.According to Chettle, conditionsare much better in some respectsfor blacks in South Africa than forblacks in America, mentioning theNational Health Program forblacks. The largest area of healthspending, according to the worldcouncil of churches, is for a pro¬gram of “family planning,” em¬phasizing voluntary sterilization.According to The Student’s Afri¬can Movement, “Racial discrimi¬nation premeates every aspect ofmedicine. . . In December 1975there were 13,347 registered medi¬cal practitioners in South Africa.482 worked in the homelands. 84 ofwhom were African.” In one home¬land, 68 percent of all childrenunder the age of five suffer fromthe disease of malnourishment. .Chettle said the “fundamentalquestion is whether blacks desirecorporate withdrawal,” and said“responsible leaders” do not. Henamed Gatsha Buthelezi, the gov- $70 million “replacement” planand to authorize more planning.Gray said. Discussion of the planwill continue in the Council of theFaculty Senate meeting March 13.The “replacement” option waschosen from among three alter¬natives outlined in a 250-pagefeasibility study and a shorter ex¬ecutive summary circulated to anumber of University ad¬ministrators and faculty membersernment appointed Chief Ministerof the Zulu Territorial Authority,as a “responsible leader” who sup¬ports foreign investment.‘Master and servant’According to Zola Zembe, theonly black South African on thepanel, even Buthelezi acknowl¬edges the authority of Nelson Man-della, the African National Con¬gress leader who is serving lifeimprisonment on Robbins Island.Zembe named Mandella, RobertSobukwe of the Pan Africanist Con¬gress. and Steven Biko, founder ofthe South Africn Student’s Organi¬zation and Black People’s Conven¬tion, as representatives of the peo¬ple of South Africa. Sobukwe andBiko both died in South Africanprisons.Zembe said the forum was thefirst time he had shared a platformwith a white South African whosupports the apartheid regime Hesaid in South Africa their relationwould be that of master and ser¬vant. He described apartheid as asystem where four million peopleelect a parliament to make lawsover 22 million people, and “take agiant share of everything,” includ¬ing 87 percent of the land. He de¬scribed pass laws, which requiresblacks to carry a pass card and“produce it on demand.” Blacksface imprisonment if they arecaught without the pass card ontheir person. last May. The options were:•a $70 million plan that wouldallow for the construction of a newpatient care unit to replace olderareas in the UCHC which are nolonger suitable for in-patient treat¬ment;•a $55 million “current course”alternative that provides forrenovation, but no new construc¬tion: and•a recommendation that theUCHC be sold with the teachingbranches remaining affiliated withthe University.The “replacement” plan allowsfor later renovation of older partsof the UCHC complex when fundsare available. Until those areasare converted into classrooms andoffices, they may remain vacant,said Gray.Although the “replacement”plan provides for 500 new beds, thetotal patient capacity of the UCHCwill not increase. Gray said. Thenew patient care building will beconstructed on the parking lot at58th St. and Drexel Ave. Theguiding principle of the “replace¬ment” plan is to consolidate pa¬tient care areas. Gray said.The “replacement” option waschosen over the “current course”alternative, said Gray, becauserenovations with no constructionwould ultimately be more expen¬sive than a combination of the two.The recommendation to sell theUCHC was never seriously con¬sidered. a source said, adding.“Who would buy the thing’’”Future discussions will concernthe financing of the project. Com¬mittees of the Board of Trustees,administrators, and facultymembers will also be “testing thefeasibility” of the plan, and settingtimetables, said Gray.The plan has already beendiscussed in the Executive Com¬mittee, Investment Committee,and the Committee on Hospitalsand Clinics of the Board ofTrustees.The replacement plan does notprovide for an ambulatory service,said Gray. This type of serviceshould “have a feasibility study ofits own.” she said.The UCHC feasibility study in¬cluded a patient census andbreakdown of patient mix. ananalysis of the prospects for UCHCincome, and recommendationsconcerning funding of the renova¬tions and building, said JohnMilkereit. director of public affairsin the University Medical CenterThe study has been reviewed by anumber of administrative commit¬tees, said Vice-President forBusiness and Finance William B.Cannon.A decision still pending on ac¬creditation of the UCHC will takeinto account plans to improve thephysical plant through renovation,said Max Russell, an official at theJoint Commission on Accredita¬tion of Hospitals. For the pastthree years, the UCHC has receiv¬ed a one-year rating from the Com¬mission. a nation-wide private not-to 3to 3Photo: Abbe FletmanLeft to right: Forum panelists Hanna Gray, John Chettle, ZolaTsembe; moderator William J. Wilson; panelists Jennifer Davis.Dick Clark, and Kinsey Wilson.debated at forumCollege enrollment increase may change characterPhoto: Tim BakerBy Jaan EliasA University committee to study the feasi¬bility of substantially raising the enrollmentof the College will be appointed by PresidentHanna Gray in the near future.The committee will be charged with exa¬mining the mix and the size of the Universi¬ty as a whole. But Gray has said increasingthe size of the College is one of the primaryconcerns for the University in the next sev¬eral years. One of the committee's majorobjectives, therefore, will be to focus on theexpansion of the size of the College.The committee will set numerical goals inthe context of some kind of stepped programof gradual increases.Increased size of the College will force thecommittee to find ways in which to increasefaculty involvement in undergraduateteaching, expanding the applicant pool, andincreasing the ability of the student housingsystem to absorb more students during atime of extreme budgetary constraints. Theentire nature of the College, its place androle in the University will be questioned.The enrollment of the College has in¬creased 28 percent in the last seven years,causing staffing problems with undergradu¬ate level courses in many departments.Similar staffing problems have occurred inthe staffing of Common Core and civiliza¬tion courses.‘ The strain of the increased enrollment inthe College is beginning to show at theseams.” said Richard Taub. chairman ofthe Public Affairs program and a memberof the College Council. The economics. Eng¬lish and political science departments haveall faced staff shortages at the undergradu¬ate level and the consequent overcrowdingin classes.Any move to expand the College will haveto consider faculty involvement in under¬graduate instruction. In her February bud¬get message to the Council of the UniversitySenate, Gray said the size of the faculty willbe reduced over the next three to five years.The committee must either find some wayto better utilize present faculty resources in undergraduate teaching or change the char¬acter of undergraduate teaching.Braxton Ross, master of the humanitiesdivision, said some of the slack in under¬graduate core courses may be taken up withthe Harper Fellows program. Already, up tonine Harper Fellows may be used to teachhumanities Core courses next year.Gray’s budget message emphasized herconcern with maintenance of the specialcharacter of the College. She said this in¬cludes, “relatively small class size, the op¬portunity of close contact between facultyand students and the opportunity for stu¬dents to learn from one another in a trulydiverse community of students.”“But what truly constitutes a smallclass?” asked Lorna Straus, dean of stu¬dents in the College. “Some courses cannotbe taught with more than ten students, someclasses are fine with twenty-five studentsand some can be run with a hundred stu¬ dents.”Reducing the number of courses that havevery small enrollment may be one optionthat can be followed in better utilizing facul¬ty resources, said Gerson Rosenthal, chair¬man of the standing committee on enroll¬ment and admissions of the CollegeCouncil.One of the basic problems in utilizing fac¬ulty resources is the refusal of many profes¬sors to teach undergraduate level courses.“This University is run on the principle ofcreative anarchy,” Taub said. Professorsare not required to teach in the College andthe whole system of obtaining teachers forundergraduate courses is based upon good¬will and departmental persuasion.The options that the committee has tochoose from all constitute radical changesin the nature of the College. The question ofwho the changes will effect, either the facul¬ ty or the students is left up to the commit¬tee.An increase in the enrollment would haveto be preceded by an increase in the appli¬cant pool. Fred Brooks, director of admis¬sions, said the number of applications thisyear is running slightly ahead of last year’snumber and there has been a steady in¬crease in the number of applicants for thelast few years. A sizable increase in the ap¬plicant pool, however, may require moremoney for recruiting students and the han¬dling of their applications.Nonacademic concerns will also be consi¬dered by the committee. The present under¬graduate housing system is filled to capaci¬ty according to Edward Turkington,director of student housing. Any significantincrease in the number of students requiringUniversity housing will be a severe prob¬lem, he said.Turkington said that if he were faced witha significant rise in the number of students,he might not be able to guarantee housing toevery student who requests it. If the Univer¬sity housing system could nol expand, thealready overburdened Hyde Park housingsituation would be strained.Turkington said other Univerity proper¬ties could be converted into dormitory use ifnecessary. Development of properties is anexpensive prospect but more feasible thenconstructing new dormitories. The con¬struction of new' dormitories w'ould be im¬possible, Turkington said, unless someonegave the University a sizable gift.The solution of the problems coming fromthe work of the committee on the size andnature of the University will be important informulating the role of the College in theyears to come. This University has alwaysbeen a center concentrating on graduate ed¬ucation. Faced with declining numbers ofgraduate students, the orientation of theUniversity is shifting from the graduate di¬visions to the College. This change in thefocus of the University will begin with con¬sideration of increased enrollment in theCollege.Open Non-Equity Auditions forSummer Court Theatre Court Studio Theatre presentsROPEMarch 10,11,17,18 by Patrick Hamilton12 noon til 5 p.m.Call 753-3583 for an appointment Directed by Randy SolomonMarch 2, 3, 4 and 9, 10, 118:30 P.M. 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Peter Stodder stoodalone and silent in the 5th Ward regularDemocratic headquarters, watching thetelevised election returns, while theprecinct captains bustled past him. busywith the Machine's work...— election night, February 27, 1979Independent challenger Larry Bloomswept ahead of incumbent Alderman RossLathrop and two other candidates, with 5318votes to second-runner Lathrop’s 4633, butNews analysisdid not clinch the aldermanic seat. Bloomcaptured 41 percent of the 13,000-strong 5thWard vote in Tuesday’s election, but needed50 percent plus one to win. Lathrop had 36percent.The two top vote getters will face oneanother again on April 3. The upsetDemocratic primary victor Jane Byrne andWallace Johnson (R), who will be tusslingfor the mayoral spot, will also be on theballot.With an epidemic of Spring fever, 5thWard voters turned out in force to giveByrne a resounding 74 percent Ward vic¬tory, the highest pro-Byrne vote in the 50Chicago Wards. Stodder, the regularDemocratic Party-backed aldermanic can- ioto: Nancy ClevelandIncumbent Alderman Ross Lathropdidate, and the only candidate to announcehis choice for mayor (Michael Bilandic),was crushed in the massive Machine defec¬tion. He won only 1865 votes. 14 percent ofthe Ward total. Joseph Wilbanks, the onlyblack candidate in the aldermanic race, won1103 votes, 9 percent of the total.Both Lathrop and Bloom predict victoryin the April run-off. Lathrop believes the Independent challenger Larry Bloomvoting pattern will duplicate the 1975 alder¬manic results. Then, first-time candidateLathrop initially placed second, trailing In¬dependent Voters of Illinois (IVI) backed A1Raby. But neither top candidate had the re¬quired simple majority. In the run-offLathrop picked up more than 1600 votes(with help from the regular DemocraticMachine > to bept Rabv bv 300 votesOver 750 attend S. Africa forumfrom 1Advocates ot corporate withdrawal inSouth Africa face imprisonment as “terror¬ists,” Zembe said.Zembe, executive member of SACTU, theonly multi-racial trade union in South Afri¬ca, and only trade union there with interna¬tional recognition, said black workers haveunions which are not recognized or allowedto strike. Black workers have no unemploy¬ment compensation, he said, and the gov¬ernment has no figures on black unemploy¬ment, which is estimated at above 25percent. W'hite workers are “privileged,” hesaid, often with servants in their home, andwhite unions only strike when a black is pro¬moted beyond their accepted positions.Kalven Report citedGray spoke, without directly mentioningconditions in South Africa, of the Universi¬ty’s role as an institutional investor, and thefiduciary and legal responsibilities of theBoard of Trustees. She quoted the Kalvencommittee report, which followed protestsin the 1960’s of the University's deposits inContinental Illinois, which made loans to theSouth African government. The Kalven re¬port says the University is neutral as an in¬vestor, except in “exceptional issues.”which merit “discussion and consultation''by the Trustees. Gray said.Gray said the Trustees had concluded thatdivestment was “incompatible” w'ith itslegal and fiduciary responsibilities.Discussing an “active shareholder poli¬cy” of voting against management withshareholder resolutions limiting activity inSouth Africa. Gray said the issue becomeswhat degree of exercise of “shareholder re¬sponsibility” is appropriate for institutionalshareholders. The Trustees changed their proxy policyof always voting with management to dis¬cussing shareholder resolutions “which re¬quire decision” on a case by case basis bythe Investment Committee of the Trustees.This decision was made after the “annualseason” of shareholder meetings last year.Gray said.Shareholder resolutions have been critic¬ized as having negligible impact on cor¬porate policy. Of 21 shareholder resolutionspresented to corporations in 1978 calling forsome movement toward withdrawal, only 14received over 3 percent of shares voted,enough to keep the resolution on next year’sagenda, and only three received little morethan five percent of shares voted.Distinguishing her personal opinion fromher role as trustee and president. Gray saidshe thought corporations could play a posi¬tive role in the South African economy.Discussion: ‘a luxury’Wilson welcomed the discussion as a con¬trast to the previous administration, butsaid “Discussion is a luxury.” He said ab¬stract discussion with no goal of decision is“worthless.” Wilson called on the Universi¬ty to face up to ‘recognition of the politicalrole” its investments play, and “can t as¬sume neutrality.” He later spoke of the “ex¬isting police state, suspension of all demo¬cratic rights and commonplace use oftorture” which U S. investments materiallysupport.Wilson said the demand for divestmentcannot be understood in isolation. Followingthe special session of the U.N. CommitteeAgainst Apartheid before which Wilson andMaroon reporter Richard Biernacki testi¬fied last May, Chairman Leslie Harriman.Ambassador to the U.N. from Nigeria, stat¬ed the Committee's intention “to maintain close cooperation with the student groupsconcerned in order to promote a world-widecampaign for the total isolation of theapartheid regime and for maximum supportto the oppressed people of South Africa andtheir liberation movement.”Wilson called it “naive” to assume thatthe interests that Gray represents as direc¬tor of Morgan Guaranty does not influenceher decisions as president and trustee. Hesaid the decision of the Trustees not to di¬vest was consistent with their interests asbusiness leaders.In the question and answer session. Chet-tle raised the issue of the cost of divestment,saying that a study at Princeton show ed thatdivestment there would have cost double thecost of the scholarship program there. Wil¬son pointed out that the report was preparedby the Trustees of Princeton, who had al¬ready gone on the record as opposing divest¬ment. and termed the report “highly ambig¬uous.” Davis, an economist, said the ideathat blue chip stock is the best investment isa “myth,” and suggested federal mortgagesas one alternative investment with a higherreturn.According to a Maroon report last year,the University’s endowment is not investedin areas which yield the highest rate of re¬turn availableDuring the question period. South Africanexile Dennis Brutus, professor of AfricanLiterature at Northwestern, characterizedcodes of conduct such as the Sullivan princi¬ples advocated by Gray as “cosmeticchange.” and said “We are not interested inhaving our shackles polished ” Brutus af¬firmed that “the people of South Africa arecalling for corporate withdrawal.”The tape of the forum will be broadcast onWHPK this afternoon at 4:30. “The IVI has done all that the IVl iscapable of doing,” said Lathrop. “Like anymachine, it has a fixed quantity of votes thatthey can get out and deliver.”However, in the upcoming election, bothcandidates are white, and Lathrop will nothave whatever benefit his race gave him in1975 in the primarily white Hyde Parkprecincts, where the highest 5th Ward voterturnout occurs.“The election was really a referendum ofthe past four years performance,” saidLarry Bloom. “And 64 percent of the voterssaid ‘no’ to that record.“At this point 1 am the one who is notknown.” said Bloom. “And I can only gainmore support with additional time.”One man can play kingmaker now:James Williams, head of the 5th Wardregular Democratic organization. Williamscan tell his precinct captains to boostLathrop. or he can keep mum.Stodder, although backed by the regularsin this election, was not really one of them.He worked in the past within the indepen¬dent movement, a record he hoped wouldgive him a broader appeal in the traditional¬ly independent 5th Ward. It did not. but theregulars did deliver nearly 2000 votes forhim and those votes are more than enoughto tip the April run-off.If Lathrop seeks or receives regularDemocratic support, Bloom intends to makeit a clear election issue. Lathrop says he isan independent.At 5th Ward regular headquarters.Williams was not available for comment.But the vice-president of the organization,John Hudson, said the group had not yet metto discuss the possibility of supporting a run¬off candidate, and would not speculate.Stodder and Wilbanks have not yet decidedto endorse either of their former opponents.Stodder will return to his fundraising posi¬tion with the Student Tutors Elementary* Project (STEP), and Wilbanks “just wantsto relax for a few days” before he startsthinking about his future.RegisterIf you have not yet registered to vote andwant to cast your ballot in the April 3mayoral and 5th Ward runoff elections, youcan still register today, tomorrow and Mon¬day at City Hall or the nearest publiclibrary. City Hall will be open from 9 am to 8pm Friday and Monday, and from 9 am to 4pm Saturday. The nearest public library,located at 4904 S. Lake Park Blvd., will beopen today from 1-5 pm and Saturday from10 am to 2 pm.Hospitalsfrom 1for-profit organization which surveys allaspects of hospitals. For the past threeyears, the UCHC has received a one-yearrating from the Commission, a nation-wideprivate not-for-profit organization whichsurveys all aspects of hospital care and ac¬commodations. 60 percent of the hospitalsreviewed by the Commission receive two-year accreditations, but the poor conditionof the UCHC physical plant has prevented itfrom receiving two-year status.The UCHC was surveyed for accreditationin November, said Russell, and a decision isexpected during the third week in March.“Sooner or later, there have to be majorrenovations in a medical center.” saidGray. These renovations occur about twicea century, she said, adding “We re at thatpoint in the century.” The Medical Centercelebrated its 50th anniversary last year.NAM Films Presents ... All Films Shown in Cobb HallSat. March 3Blue Collarwith Richard Pryor Director: ,Michael Schultz7:15/9:30 Mon. March 5fhe Third Man caToiReed7:15/9:30The Chicago Maroon — Friday, March 2, 1979 — 3■EditorialWe may look stupid...Really President Gray! All this rhetoricyou’ve been spouting for the last eight monthsabout how we need to sit down together and dis¬cuss the South Africa issue has been wonderful.So 750 of us came to the forum Tuesday night totake part in a discussion that never took place.You made it perfectly clear that the Trusteeshave no intention of disposing of the University’sSouth Africa-related investments nor of con¬sidering changing their minds. You said afterthe forum that the Trustees have not even collec¬tively discussed the South Africa issue since youtook office eight months ago. So why are youwasting our time?As the University representative and the onlyTrustee present Tuesday, you hardly attempted,let alone succeeded, in producing one moral,political, or financial argument that convincedus that the University should continue to investin corporations that do business in South Africaor in banks that make loans to South Africa.Unless you and the other Trustees involveyourselves in more sincere discussions with theUniversity community and make it clear thatsuch discussions will affect policy decisions,your rhetoric is meaningless.The Action Committee has “demanded,” weprefer “proposed,” that the Trustees release acomprehensive statement of their current posi¬tion on the South Africa issue and that a series ofhearings be conducted during the first half ofnext quarter to allow interested and qualified in¬dividuals to present testimony to Trustees,students, faculty members, and ad¬ministrators. We fully support these proposals,with the hope that such actions will force theTrustees to confront the issues and to askthemselves some hard questions before theydecide how to use their proxy votes this year. If,as you suggested, we are all truly committed tothe destruction of apartheid in South Africa, thatis the least we could expect from the Trustees.The Action Committee has also demanded thatall University students and employees be allow¬ed to vote a binding referendum on thedivestiture question. Such a referendum couldhave two important consequences. It coulddetermine the amount of campus support fordevestiture and it could force the Trustees torepresent the University community rather thanthe “fiduciary” interests of a limestone institu¬tion.We cannot support such a referendum. We donot believe that the Trustees should ever bebound irrevocably to the caprice of a referendumon an issue that is not widely understood. Andthere is no need to mount a costly, time-consuming referendum to find out whether thereis much campus support for the Action Commit¬tee’s positions. The 2400 people who signed theAction Committee’s petition calling fordivestiture last year already settled that ques¬tion.Editor: Abbe FletmanNews editor: Eric Von der PortenFeatures editor: Claudia MagatActing photography editor: Tim BakerPhotography editor: Carol StudenmundSports editor: R. W. RohdeAssociate editor: Jacob LevineContributing editor: Nancy Cleveland• Literary Review editor: Peter EngProduction: David Miller. Peter AdelsStaff: Curtis Black. David Burton, Lee Chait, Kendall Chris¬tiansen, Jaan Elias, Dave Glockner, Jackie Hardy, Chris Isi¬dore, Richard Kaye, Carol Klammer, Bob Larson, BetteLeash, Bruce Lewenstein. Donald Link. Dan Loube, MichaelRabin, Andy Rothman, Sue Sartain. Margot Slauson, HowardSuls, Calvin Thrilling, Mark Wallach, John Wright.4 — The Chicago Maroon — Friday, March 2, 1979 FIDOC/AiY (ft ■Ju'shi' er'YJ TO KhHO(n?fo)P£ATY15 EWTWSTED TO PtOU^CourROLC* MAUAfrE fae.AUOTH£f,. gLetters to the Editor‘Verbal smokescreen’The Maroon has received a copy ofthe following letter:Dear Mrs. Gray,You introduced your remarks atthe Forum on South Africa by referr¬ing to the complexity of the issue. Itseems that it is usually thoseresisting change who call upon com¬plexity as an apology for inaction.We all know that we live in a worldwhere the issues are complex, butcomplexity may be used to obscurethe fundamental simplicity of someissues. The content and language ofyour remarks seemed to be such anattempt to create a cloud of obscur¬ing complexity. This obscurity was,perhaps, a necessary consequenceof the contradictions your positionembraced. I can only conclude thatthe difficulty you had expressingyourself clearly was due to your ownrecognition of those contradictions. Iwon’t try to review everything thatwas said last night. I only want tofollow the implications of some ofyour points.You spoke of the University’s com¬mitment to defending academicfreedom. This argument appearscynical, at best. By continuing to in¬vest in companies active in SouthAfrica, the University participatesin a systematic denial of the largerfreedom of which academic freedomis but one part. That, of course, is theissue. Beyond that, though, your ownpresentation was a slap in the face tothe spirit of academic freedom. Ifind myself surprised to be sayingthis, having expected your remarksto be reasonable and straightfor¬ward. Instead, I found them to con¬stitute an obstacle to the reasonedpursuit of truth to which your com¬ments about academic freedom paidlip service.I do not say this only because Idisagree with your position ondivestment. Your discussion of thefiduciary responsibility of theTrustees of the University served toconfuse rather than clarify theissues. Your reading from the perti¬nent Illinois statute was. at best,misleading. Statutory language isdifficult enough to understand withtime for careful examination. Thegreater difficulty ot understandingsuch language read aloud indicateseither a disregard for your audience or an attempt at a verbalsmokescreen. Why did you introducethis statute? You must know' that itimplied no legal barrier to divest¬ment. The legal responsibilities ofthe Board of Trustees are not so nar¬rowly defined as to eliminate theBoard’s ability to make investmentchoices within the limits of its moralresponsibility. To even suggest thatthe Board of Trustee’s fiduciary rolemay somehow legally conflict withpolitically moral investment ismisleading.You also contributed to confusionby appearing to be talking about onething while actually talking aboutanother. You began with a simplestatement of your opposition to apar¬theid in South Africa. You then madeclaims about the possibility, con¬tradicted by all available evidence,of encouraging small improvementsin the situation of Africans in SouthAfrica by acting as a responsibleshareholder in companies doingbusiness in South Africa. Is it possi¬ble that you do not see that this ob¬jective, even if it were realistic, doesnot follow from your opposition toapartheid? To seek small social andeconomic gains for Africans whilecontinuing to support the economythat maintains and is maintained byTo the Editor:In articulating her policy ondivestiture, President Grayreiterated the Kalven committee’s“exceptional instances” position.This position sees decision-makingon social issues by the Universitywhen it acts as a corporate entity, asa two-step process. The first step. is.to decide whether the particularissue is of sufficient importance tobe considered “exceptional.” Thesecond step is to decide whether aproposed action, such as divestiture,will achieve the desired politicalend.The ostensible reason for thiscleavage is that the second step ofthe decision by the University as acorporation, injects undesirablepolitical pressures into the Universi¬ty as a scnolarly community. Ac¬cordingly, this second step is to be apartheid is a cruel insult and injuryto the people whose struggle forfreedom you expressed sympathyfor. The issue is not simply economicdeprivation; it is oppression, thebrutality of which is apparently in¬conceivable to you. Your unwill¬ingness to respond to ProfessorBrutus's question pointing out thisdiscrepancy was very disappointing.I began the evening clinging to ahope that you were somewhat opento the divestment position and wouldweigh the evidence rationally andobjectively. Your statements,however, suggest that your policy isto make a show of politely listeningto the call for divestment ratherthan to engage in any real exchange.As someone who values reasoneddialogue, the apparently closed col¬lective mind of the Trustees is per¬sonally disappointing to me, but thatis not important. The logic of thelarger cause of freedom in SouthAfrica, and the specific goal ofdivestment, has an inevitability thatthe University cannot long resist. Itis hoped, though, that the Universitywill not resist, that it will, byheeding the call to divest, act withthe dignity, humanity, and reasonwhich are appropriate to it.James Silktaken only if the issue has, in fact,been decreed exceptional. That is, ifthe procedure advocated by Presi¬dent Gray and the Kalven Commit¬tee is being followed, pronounce¬ment on the political desirability ofthe proposed action (the secondstep) implies that the issue in ques¬tion was judged to be exceptional.The two-part position of PresidentGray and the Trustees is that theproblem of corporate involvement inSouth Africa is not of sufficient im¬portance to merit consideration, andthat, on consideration, divestiture ispolitically inadvisable. Not onlydoes this position sound rather odd,but it is clearly inconsistent withthat of President Gray and theKalven Committee.Poor Mrs. Gray is left inconsistentwith herself.Rob KassAdministration two-step.ViewpointByrne: There will be changeThe following is an excerpted transcript ofan interview with Jane Byrne, the Demo¬cratic nominee for Mayor of Chicago, airedlast Friday on WHPK. Byrne was inter¬viewed by Charles Seigel, a third year stu¬dent in the College, for his “Local Beat”program.Q: Is the vote really a pro- Jane Byrnevote or an anti— Michael Bilandic vote?Byrne: When Pucinski ran against Bilan¬dic, he had nothing that he could campaignon. Bilandic was a man who had no record. Idon’t know of any candidate who ever goesafter an incumbent who doesn’t attack himon his record, otherwise you wouldn’t berunning. I feel that Bilandic has a very poorrecord as the Mayor of Chicago. He has noadministrative experience, and never hadany. He was a man they put in during acrisis. He was an acting mayor — a care¬taker mayor for two years. I’m surprisedthat no one else got into this race.Q: What changes will there be in CityHall?Byrne: Total. There will be absolute, totalchange. Number one, it’s become — and I’msure most people always thought that italways was, especially under Mayor Daley— there was an attempt, and it wasn’talways successful, to really bring profes¬sionalism into government, particularly inhis last (Daley’s) three or four years. Hehad reached the peak, people on the nationalscene were coming to him. He was proud ofhis city, and yet he would come to us atevery cabinet meeting, particularly at bud¬get-making time, and say, “What newideas are we coming up with? We’re doingthe same things we did ten years ago. Whydon’t we have better thinking in the cabi¬net?”I think sometimes you get used to doingthings in a certain way, and just go alongwith it. This is a great university (Chicago)and Northwestern is a great university. Chi¬cago has great professors who could be giv¬ing us input into what are really the hardquestions of what is wrong with Chicago — and there’s a lot wrong with Chicago.We have to bring all new people to the cab¬inet. And they must be professionals. Theymust be given a free hand to pick their depu¬ties, and the deputies, the supervisors.Under that, I don’t care if there is patron¬age, because I had patronage when I was acommissioner, but I picked my own depu¬ties and I picked my own supervisors, and ifthey had a letter and thought they weregoing to get promoted because of it, theyweren’t. You take the upper hand and say,“It’s a privilege to work for government,and if you don’t want to work for it, the un¬employment lines are huge out there.”Q: So you’re saying that there will be areal housecleaning.Byrne: Yes, there will be. I will have achance between winning the primary andthe April election to recruit the best. And Iwill tap the business community, and theuniversity community, and bring in thebest.Q: What about housing? That seems to bea special question here in Hyde Park. Con¬dominium conversion seems to be blockingout many students from housing outside theUniversity. What do you think about thequestion of condominum conversions?Should there be a moratorium on it?Byrne: I think you have to have a sensiblemoratorium. Back in 1975, we in ConsumerAffairs — as a matter of fact you should feelinsulted when I tell this story — we found outthat there was a lot of fraud in condomin¬iums, both new ones, and conversions. Andwe issued, I believe, 22 arrest tickets onthose conversions, and on the advertising,and on not following the state law, even atthat time, deceptive practices. It was sobad, we sponsored a law.Julian Levi called me up and said thattheir masters people here were working on amodel ordinance on condominiums and hewondered if we would like some input, and Isaid great. We wrote a fantastic law andthere was a lot of input from the Universityof Chicago. Mayor Daley sponsored it in theCity Council, it had hearings, and then Mayor Daley died. It sat there for 18months.The September before my firing (1977)American Invesco was holding a big semi¬nar on Michigan Avenue and they had sentout invitations up and down the lakefront.1600 people were attending and the responsewas so great they said, “Commissioner,could you come back next week, we have todo it again.” So I thought I better go downand remind him (Mayor Bilandic) that thatlaw was still in committee even though ithad passed. I went down, and I said MayorBilandic, I’m going to be giving a speech to¬night, there are going to be people therefrom the legislature, the real estate inter¬ests, and I know the question is going tocome up, “When is our law coming out?”And he said, “I’ve been thinking about that.Tell them it’s coming out at the next Councilmeeting.” I said, “The next Council meetingis the day after tomorrow,” and he said,“that’s when its coming out.” So I went andI announced it, and I said, on behalf of theMayor of Chicago, I want you all to know ...The next morning I get a phone call. It hadlanded in the papers. People said can we getcopies. The demand was so strong that in¬stead of xeroxing it we had to send it off to aquick print.I got a phone call from a lawyer who saidMike had promised him that that law wouldnot come out until they changed the parts ofit that they wanted to. I didn’t believe him.The law did not come out. Between the timethat American Invesco held that seminarand the law did come out in January, 16,000units converted. I was now gone.When the law came out, the entire law wasgutted. The points that were out of the origi¬nal law would at least be giving us an idea ofhow many condos there were, how manywere converted, how many were new. Ithink there are areas where you have tohave moratoriums, based on the census andon an inventory of rental apartments thatare available. The City of Chicago literallydoes not know who they are, where they are,or what they are. In this particular area wefought that the law be taken down to assmall a unit as four. When the law came outthey moved it up to ten, so there’s no protec¬ tion tor those buildings here that are beingconverted.Q: So you would favor a moratorium?Byrne: I am in favor of a moratorium, bycensus tract.Q: Another question — the stadium andwhether the legislature will fund . . .Byrne: I have no concern aboutthe stadiumwhatsoever. I’ve seen enough of the badneighborhoods, that the lowest priority Icould think of would be to build superdomeor anything like that. I think there is definiteneed in the neighborhoods for that moneyand I don’t think one tax dollar should bespent for George Halas. And the majority ofthe people who have the season tickets forthe Bears all live in the suburbs. Let themall get together and build a stadium.. Q: As Commissioner of Consumer Sales,you saw what was going on in the city, but isit really enough experience to handle the na¬tion's largest city?Byrne: Yes. It is. We had at all times in thecabinet a group that was identified, therewere five or six of us, it was a group thatwould meet at least once a month on a Mon¬day morning, at 7:30 or 8 am. where all ofthe problems, and all of the good things ofthe city were discussed. We came up withthe ideas, and it was all we were supposed todo. Ideas for the government. I was appoint¬ed to the transportation commission, 1 wasappointed to the Board of Health, I was ap¬pointed to the Environmental Commission.Q: Is that really enough to run a bureau¬cracy as big as the city government is?Byrne: What I’m saying is that was run¬ning it.Q: You said that the Machine is deadWould you like to explain that?Byrne: I believe in many ways the Ma¬chine is dead. I believe it devoured itself. Ialso believe that it became more importantto those people who had positions in the Ma¬chine to save the Machine rather than toserve the public and that is what killed itTw University of chicnoo Collegium MuskuntiiMVS 1C I NCMusicbijlAlonilcs, Jacket ofRE N AI S S'vMantua, l\ore and M’illaat FOR ALL YOUR TRAVEL NEEDS -AIRLINE TICKETS,HOTEL & CAR RESERVATIONSCRUISES, HAWAII, MEXICO, EUROPEMAKE HOLIDAY RESERVATIONS EARLYFOR BEST AIRFARES 8c FLIGHTSHYDE PARK TRAVELHYDE PARK BANK LOBBY1525 E. 53rd STREETNO SERVICE CHARGE 493-1813ANCE ITALY SCRIPTURAL ANDPSYCHOTHERAPEUTICAPPROACHESTOHUMAN DEVELOPMENTFRIDAY. MARCH 2.8:30 P.M.at theBAYIT, 5458 South EverettRABBI MILTON KANTER, Skokie ValleyTraditional Cong., U. C. Divinity School.Sponsored by the Hillel Foundation THEY’REHERE!BARBARAJORDAN,MEDUSA’S CHIL¬DREN. PAUL NEW¬MAN. and KING OFTHE JEWS. & others, in& others, inHarper Library’sPopular ReadingCollectionThe Chicago Maroon — Friday, March 2, 1979 — 5rEat it!Thrilling look at University foodBy Calvin ThrillingReading about food, service management does little toenhance my appetite, but after looking at some recent ar¬ticles on campus food, 1 decided to take a taste of whatpeople are eating in the campus cafeterias.My tolerance for the University’s food was lowered sig¬nificantly by the knowledge that Jimmy’s was a shortwalk away (their barbequed beef sandwiches make theSchlitz go down easier) and that I was only a phone callaway from a Chinese dinner. Still, 1 persevered, andlearned enough to realize that an enterprising restaurant-eur could make a large fortune just by opening a Berghofffranchise somewhere near campus.PiercePierce is reputed to be the worst of the three dining hallsoperating on campus. The basement commons look likewhat would happen if the federal government attemptedto build a ski lodge. The windows along the south end ofthe room offer a less than commanding view of NorthField and the Field House. The chairs are comfortable,and the tables are conductive to conversation yet littlemixing between College houses occurs.I recently stopped in for a Sunday dinner, figuring thatif I had to eat a meal in a dorm, it might as well be the oneadvertised as the week’s best. The choice for the day washam or beef stroganoff. I picked the ham since the stro-ganoff had a funny tint. It was tasty and surprisingly lean,although cut rather thin. For vegetables, I chose brusselsprouts and baked beans, later regretting I had not pickedthe noodles. The sprouts had a kind of golfball texture, andthe beans seemed to have been part of an aborted chile¬making experiment.Dessert was a pleasant surprise. I had a piece of pineap¬ple cheesecake that was properly moist with a very finegraham cracker crust. There are no seconds on dessert. and students sometimes avoid taking chances by askingfor fruit, which is always a dessert alternative.All meals in the dining halls are accompanied by extrasthat fill things out. There is a salad bar that is unspecta¬cular but certainly adequate. I was given a roll that wasstarting to get stale. There’s unlimited pop, flourescent-colored juices, and coffee that has improved since myyear on the meal contract.Overall, I found my meal at Pierce a little more thanadequate. Service was fine. I wa»hard for me to imaginefrequenting the place, although in another two years, Imay go back again.The C-ShopAmong my friends, the C-Shop draws extreme opinions.Some view it as a campus malt shop and love it, others seeit as a version of McDonald’s*with the University emblemon the napkins. Nonetheless, it has been very popular inrecent years.The basic foodstuff at the C-Shop is the hamburger. Infact, the C Shop seems to be a piece of rescued Ameri¬cana: a hamburger, milkshake and cola place. The ham¬burgers are mediocre in quality, and have more in com¬mon with Burger King than McDonald’s. Unless it’s beenbusy, you will probably end up with a burger that has beenlying on the grill for a while.The french fries are lousy. If the C-Shop is to becomeany kind of a campus landmark, someone is going to haveto apply for a federal research grant to come up with somesuitable fries, unless Jimmy’s decides to do catering. Thefries are definitely the weak link of this attempt to createa true American junk food palace.C-Shop milkshakes always seem to come out the propertexture even though the person making them seems to beon his first day of the job. McDonald’s and Burger Kinghave done substantial harm to the art of milkshake mak¬ ing, so this aspect of the C-Shop is delightful. Shakes (85*)can be made in a number of flavors and are much cheaperthan Baskin-Robbins.The C-Shop is done in pop-Gothic. Appropriately, it hasbooths, where you can look up and see Jay Berwangerstrike his Heisman Trophy pose or other great snapshotsfrom the University’s past, while listening to a DonnaSummer record on the jukebox. The place always lookslike it’s been hit by a tornado, even though it’s only reallybusy at lunchtime. As a campus hangout, it is not quitethere yet.The Frog and PeachThis Ida Noyes eatery takes its name from a Peter Cookand Dudley Moore sketch presenting the perils of a restau¬rant owner, who, despite his fabulous entree of Frog alaPech, and the complement item, Pech ala Frog, could notattract any customers. The comedy Frog restaurant hadtons of free parking, giving it an edge on the Ida NoyesFrog.Even by campus standards, the Ida Noyes Frog is noth¬ing special. The steam table where Turkish and other spe¬cialities are served offers an alternative to the greasyhamburgers and cardboard sandwiches served at thegrill. Most of the people who work and play in Ida Noyeseat there, making it crowded at lunchtime.The fries here are slightly better than those served atthe C-Shop, but the sandwiches and burgers are similar.The steam table items are sometimes tasty, sometimesbland, but the portions tend to be skimpy. A companionrecently summed it up best, saying, “At least the rice isalways good.’’Admirers of the late Mayor Daley might exclaim” Whatrestaurants do you build? What cafeterias do you run? Tothem, I have a modest proposal for the campus food ills:relocate Ribs ‘N’ Bibs to the Reynolds Club. Next time:my search for Harold, the Fried Chicken King.bill sargent presents A HILLARD ELKINS-STEVE BLAUNERPRODUCTION OF RICHARD PRYOR LIVE IN CONCERTProduced by DEL JACK and J MARK TRAVISExecutive Producer SAUL BARNETT • Directed by JEFF MARGOLISA SEE Theatre Network ProductionIn Association With COMPACT VIDEO SYSTEMS. INCReleased by SPECIAL EVENT ENTERTAINMENT'.ONCEP- Album available on WARNER BROS RECORDS AND ’APESSPECIAL £vE*t fMTCftTAriaMCMT au NO’S «(SERVEDWorld PremiereNOW SHOWING EXCLUSIVELYAT THE[Pj Roosevelt ‘Varsity • ParamountDOWNTOWN EVANSTON HAMMOND, fND.NO PASSES NO CHILDREN S TICKETS M.A. IN PUBLIC POLICY STUDIESat theUNIVERSITY OF CHICAGOThe Committee on Public Policy Studies is a formal academic unitof The University of Chicago, offering a graduate master’s degreeprogram which focuses on preparation for a w ide variety of careers.The Committee does not automatically assume that governmentsolutions are the preferred solutions to public policy problems.Its program presupposes a role for the private sector as well as thepublic sec tor, in solving public policy problems, and assumes thatpublic policy leadership requires an understanding of both arenasand of the complex economic and social framework within whichpublic policy operates.The Committee on Public Policy Studies offers a new two yearprogram leading to the Master of Arts degree in Public PolicyStudies. Major components of the program include Analytic Coursesin Economics, Political Analysis. Statistics, and Decision Analysis:a range of Applications Courses offered by the Committee and theother departments and professional schools of the University: aseries of Policy and Research Seminars devoted to the scholarly,interdisciplinary investigation of specific public policy issues: andInternships in the public and private sectors.For additional information and applications:Prof. Robert Z. Miber. ChairmanCommittee on Public Policy StudiesThe University of Chicago\X ieholdt Mall - Room 3011050 East 59th StreetChicago. Illinois 60637Applications for Fall (Quarter 1979will be accepted until May I 5.6 — The Chicago Maroon — Friday, March 2, 19791University food service: highest wages in cityThese are the final two parts of a three-partseries on the food services here and at otheruniversities and colleges.By Lee ChaitThe University’s food service paysworkers the highest wages of any schoolfood service in the city and is the most costlyto the students. Yet given Union wagedemands, the University’s food operationprepares quality cafeteria-style food atreasonable prices.The Maroon has found that DePaulUniversity, Roosevelt University, North¬western University, University of Illinois atCircle Campus, and Cornell University inIthaca, New York, have board rates at leastFood seriesParts II and III21 percent less than those at the University.However, the University pays its workers 22percent higher wages than anyone else. TheUniversity food service workers belong tothe International Brotherhood of TeamstersLocal 743.At the University of Illinois Circle Cam¬pus (UICC), 7000 people are served daily,according to Mel Smith, food service direc¬tor. However, because it is a commuterschool, there are no board contracts; no onehas to eat in the University facilities. UICCmaintains six differently styled cafeterias.Roosevelt College’s tiny food serviceresembles the University’s. At Roosevelt,dormitory residents choose from six plansranging from 19 to 5 meals per week.Northwestern University’s food policy isintricate: some dormitory residents mustbe on meal plans; others have an option.Over 3000 people eat at one of the sixcafeterias daily.Cornell University offerings include“Welsh Rabbit,” and “Peanut ButterRoast” in the regular menu, and it has aseparate “Pancake House.” The school alsohas a “Cross Country Gourmet” program.Once each month, a world renowned chefcomes to supervise a meal. This month thehead chef from Brenan’s of Atlanta willsupervise the entree. While a New Yorkbaker will contribute dessert.All these schools cost a student less thandoes the University. The 1600 students onfullboard contracts here pay $1300 for theservice. Size of the operation might be a fac¬tor in food costs - if it is cheaper to purchaseand producefood in bulk. However, Smith ofUICC; Bruno Adams, Northwestern’s Vice-President of Student Affairs; and ArtJaeger, Cornell’s food service directoragree that the price break they receive forbulk purposes is negligible. Says Jaeger,“We do not get much off at all; maybe one-half of one percent.”University food is nutritious, but not asimaginative, nor as elegant, as that offeredby some other institutions. In addition to its“peanut butter roast,” Cornell regularlyserves crepes, quiche lorraine and othercontinental cuisine. They offer beef Well¬ington, and roast duck l’orange under theirchef program. Their pancake house, wherethe students may eat instead of thecafeterias, is like a commercial pancakehouse.At Circle Campus the cafeterias serve avariety of hamburgers. Their restaurant-style Service, while not four star, is a nicealternative to cafeteria-style institutionalfood.VendorsOther schools have switched from runningtheir food service themselves, to outside Photo: Sue Sartainvending operations. The reason: they werelosing money. Schools with outside contrac¬tors save time, energy, and usually money.Roosevelt and Northwestern have been con¬tracted out for years. Northwestern usesthree different vending services: SAGA for its undergraduate cafeterias, ARA for thecafeteria on its Loop campus, and Zable forits hamburger shop on the Evanston cam¬pus. Said Bruno Adams, “The vending com¬panies work for us. We just did not find itfeasible to operate our own food service.”SAGA handles the bulk of Northwestern’sfood trade. Northwestern pays them by themonth, and takes a risk because they mustset the board contract fees, currently $1012,by the year. However, they have not lostmoney while with SAGA.Roosevelt has used Canteen Corporationfor the past nine years. Their students enjoythe flexible meal plan like Universitystudents. They pay approximately $850 eachyear for a nineteen meal contract.Roosevelt made a large profit on the servicelast year.DePaul, Circle Campus, Cornell, and thisUniversity run their own services. Of thefour, only Cornell and Chicago are solvent.Students pay $1050 per year and are allowedto eat in any dorm they want at Cornell. Ifthey work for the food service, with theirwages they received 22 percent off the nextsemester’s board payment. They get fourfree meals per semester, and four freemeals at the “Pancake House” All this plusthe monthly “cross country gourmet.” SaidJaeger, “Most students are very pleasedwith our service.”Last year the University turned a slim$5000 profit on its three cafeterias, C-shop,and Hutch Commons operation.According to Staimsky, “We did not losemuch money at DePaul last year, but our food operation is historically unprofitable.”There was “a fairly substantial deficit,” atUICC: Smith cited “not-so-qualified,”workers as a costly component of the cam¬pus’s food service. “The most costly factorthough, are the wages we must pay ouremployees.” he said.UnionsOnly two of the six schools studied, UICCand this University, employ union labor.The base pay rate for UICC student andunion workers is $3.35. Students seldommake much more, union wages go up to$4.30 for experienced cooks.At Northwestern workers start atminimum wage ($2.90), and top wages forexperienced cooks are $3.80. Roosevelt paystheir employees from minimum wage to$3.30. DePaul also pays its student workersminimum wage, and its 56 full-time workerslittle more than that.At Cornell 75 percent of the food serviceemployees are students paid minimumwage. Full-time employees make $3.20 to$3.50. Because they are unionized. CircleCampus pays its employees $ .50- $1.00 moreper hour than these other schools.The base pay for a University food workeris $3.85. Students make $3.75, and experienc¬ed cooks get $5.25. The University pays itsmore than 100 workers almost $i.00 moreper hour than Circle Campus, and almost$2.00 more per hour than the other schoolsstudied. University board contracts costmore than at other schools, but they do notpay for waste or inefficiency. They pay forunion salaries.Nutritionists evaluate food qualityBy Lee ChaitMeals served by the University’s food ser¬vice provide more than the federal Recom¬mended Daily Allowance (RDA) of mostmajor nutrients, but they are high in fat con¬tent, according to two University nutri¬tionists.Both vegetarian and regular menus pro¬vide the minimum amounts of most re¬quired nutrients, according to a study of afood service menu for a particular day byBillings Hospital nutritionists Myrna Schim-mel and Ellen Conroy. The vegetarianmenu, however, is slightly less nutritiousthan the regular menu, they said.The vegetarian menu only provided three-quarters of the amount of niacin required byw'omen, and less than half that required bymen. The amount of iron in the vegetarianmenu meets only 87 percent of the RDA forwomen. The regular menu was found slight¬ly deficient in Vitamin Bl, and possibly defi¬cient in iron for women. An iron supplement(ferrous sulfate talcen with Vitamin C) wasrecommended.A typical menu was high in calories, andfoods contained large amounts of excess fatand refined cholesterol, said the nutri¬tionists. Vegetarian offerings tended to belower in calories than entrees with meat, thenutritionists noted. Even without the addi¬tion of table salt, offerings were high insodium, according to the report.Because of the high cholesterol andcaloric content of University meals, thenutrionists recommended limiting eggs tothree or four a week, eating fish and chickenmore frequently than red meat, and curtail¬ing intake of “added” fats such as cream,mayonnaise and butter. Skim milk is prefer¬red to whole milk, they said.Whole wheat products, bran, and freshfruits and vegetables were recommended assources of fiber. Nutritionists' EvaluationCal. Prot. Fat Carb.Recommended Daily MenAllowance Women 30G02100 54 gm.46 gm. Nonenone nonenoneRegular Menu Total 3076 109 gm. 161 gm 311 gm.Reg. Menu Totals Menas % of RDA Women 103%146% 202%238% - --Vegetarian Totals 1915 83 gm. 83 gm. 41 gm.Vegetarian Totals Menas % of RDA Women 64%91% 153%180% --Going; Home For the Spring Break?Super Savers Requireat least 1 weekadvance purchasebut...They sell out way before that.Book Early, we’ll hold your reservationsMidway Travel-Adni. Bldg. Lobby753-23011-House Films Eisenstein’S 1414 Et59thAlexander NevskySaturday, March 3 ‘ 7 / 9:30The Chicago Maroon — Friday, March 2, 1979 — 7Great Buy onthePentax K1000Easy handling, Great pictures.Terrific price.•Enjoy fine 35mm photography atthe cost of a good pocket camera•Shutter speeds of 1 second to anaction-stopping 1 /1000th second•Accepts full system ofinterchangeable Pentaxbayonet mount lenses. 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ALONZO, A S Cproduced bv TAMARA ASSEYEV and ALEX ROSE directed bv MARTIN RITT"IT GOES LIKE IT GOES" lyrics bv NORMAN GIMBEL music bv DAVID SHIRECOLOR BY PeLUXE” /TV pgStarts Today At A TheatreNear You'INCLUDED AT NO ADDITIONAL CHARGE:★ ;ll fittings ★ all adjustments j^GVtOi★ audio/visual orientation ★ storage case ~ "* insertion and removal training / ■ •* lens car; instruction * illustrated COm»3CIinstruction manual and wearing scheduleWEAR YOUR CONTACTS HOMETHE SAME DAYT PRESCRIPTIONS IN STOCK associates/ inc.36 S. Wabash 10th floor, "TTTfSw< :ono, cine** »■ to*o? amCAIL 346-23238 — The Chicago Maroon — Friday, March 2, 1979The Grey City JournalThe arts and criticism supplement to Tile Chicago Maroon Spring's Awakening p. 15O’Connor and Malamud pp. 12-13Look and New Chicago p. 14Nineteenth Century Images:America Discovers PhotographyBaby On The Half-Shell: “Accurate landmarks and measurements for loving eyes.”By Richard KayeWhen photography first came toAmerica in 1839 in the form of the da¬guerreotype, Americans embraced itwith a passion. The many varieties of thenational exuberance which greeted thecamera is now displayed at ‘’The Cultureof the Camera” exhibit at the Regen-stein Library, and although the exhibit isnot large, the Irving Leiden collection ofphotographs and photographic acces¬sories includes nearly all of the impor¬tant features of nineteenth century pho¬tography. It is a fascinating exhibit, notonly in terms of the historical value ofthe photographs presented, but also be¬cause the exhibit has a weird combina¬tion of the domestic and the exotic, boththe refinement of a family group por¬trait and the stark sight of a veiled Mos¬lem woman with a displaced eye staringdirectly at the photographer.This old juxtapostion is of course indic¬ative of the many functions the camerahad in the nineteenth century, and sothose responsible for the creation of theexhibit — Edith Brinkel, head of libraryexhibitions, and Becky Chandler, the ex¬hibit’s researcher — decided on thephrase “the culture of the camera” as away of taking in the breadth of the Lei¬den collection, of which this exhibit isonly a small representative portion.Most of the photographers whose workappears in the exhibit demonstratesome of the early innocence of workingwith the camera as a “functional” instru¬ment with few aesthetic ambitions. Thenineteenth century photographers pre¬sented here are preoccupied with re¬cording the world, and only a smallnumber such as Francis Frith lone of themost prolific commercial photographersin England in the last half of the nine¬teenth century) and Roger Fenton (firstfamous for his Crimean War photos andthen well-known for photographing awide variety of subjects) seem to bereaching for something higher — an aes¬thetic appeal. Frith is represented with aphotograph of a Gothic church, and Fen¬ton appears with a landscape photo¬graph which show clear signs of beingformed by a special nineteenth century,Romantic sensibility.The first half of the exhibit is made upof daguerreotypes, the second of printedphotographs, and the third part of suchrelated items as photo cases inlaid withgold, royal velvet, and mother of pearldesign. The daguerreotype, the firstgenuinely successful photographicprocess, was created by Louis Daguerreand consisted of a single positive pictureon a highly polished silvered copperplate surface. The image was clearly de¬fined when viewed at an angle, and thedetail was quite good, but the daguer¬reotype proved to be a dead-end in thedevelopment of photography.Nevertheless, during the 1840’s the da¬guerreotype was produced in enormousnumbers on assembly line principles withthe finsihed photograph providing a fair¬ly cheap, accurate, and quickly producedsubstitute for the miniature portraitpainting. In galleries all over thecountry, silvered copper plates were po¬lished mirror bright; fumed straw yellowand rose red with vapors of iodine, chlo¬rine. and bromine; exposed in bulkywooden cameras; developed over heat¬ ed mercury; fixed, gilded and washeduntil they were fitted into cases. Thou¬sands earned their livelihood with Da¬guerre's invention, as hundreds of thou¬sands of Americans faced the camera foran agonizing twenty to forty minutes ofimmobility.Often this long wrait produced some in¬teresting. although unintentional reve¬lations; the daguerreotype portraits ofmarried couples in “The Culture of theCamera” exhibit look very far from mar¬ried bliss, the man and wife keep astony-eyed, cold distance from one an¬other. almost as if unable to disguisetheir mutual marital discomfort for morethan a minute. It was generally the da¬guerreotype portraits of a mother andher children, according to researcherChandler's highly literate captions,which displayed believable warmth andaffection.Although sitters did not always feelflattered by the photographer’s results,the public consensus on the daguerreo¬type was that it was superior to a paint¬ed portrait. “What are nine tenths ofthese facial maps, called photographicportraits”, wrote Lady Eastlake. wife ofthe first president of the Royal Photo¬graphic Society, “but accurate land¬marks and measurements for loving eyesand memories to deck with beauty andanimate with expression, in perfect cer¬tainty that the ground plan is foundedupon fact?" Photography was condemned as “a foeto graphic art ”, but painting as wholedid not suffer for its introduction, exceptfor portrait painters who were directlyhurt by the carte de visite. a single platemade up of a series of poses. Some pho¬tographers borrowed their techniquesdirectly from painting, as one can seewith such ''cabinet photographers” inthe exhibit as William Kurtz.Kurtz's portraits included elaboratebackgrounds and roccoco accessories,with his male sitters decked out inswords and military uniform as a singleharsh light was focused on them for dra¬matic effect. Kurtz was tremendouslypopular, and his effects were known as“Rembrandtist”. although I don't recallsever having seen a Rembrandt paintingwhich made me whoop in quite the waythat Kurtz’s portraits did.There is a certain morbid highlight tothe exhibit that cannot be ignored.Americans have the dubious distinctionof being the first people to make photo¬graphing one's dead child the rage short¬ly after daguerreotypes were intro¬duced to this country. Post-mortemphotography became a pecularly Ameri¬can phenomenon, and many photogra¬phers specialized in it. the post-mortemphotographs in the exhibit are nothingshort of chilling, and Ms. Chandler hasquoted a very moving passage from theAmerican Annual Of Photography inwhich a bereaved father rushes up to a photographer to request that he photo¬graph his son who has just been drownedin a mill race.The photographs in "The Culture of theCamera” exhibit provide some rich socialdocumentation. There are Edward S.Curtis’ reverent printed photographs ofthe vanishing North American Indianstaken from a 1900 photo-history of theirculture. Religious observances, huntingpractices, and war dances were all re¬corded by Curtis after he gained the con¬fidence of nearly every Indian tribe in theUnited States by establishing relationswith their chiefs and priests.These photographs are some of thefew to take the tribes seriously, andthey provide an invaluable record oftribal life. The building of bridges, thesoldiers of the Civil War, and profession¬al criminals all make their appearancesin the exhibit. From 1861 to 1866 soldierssent home photos to their family andfriends during the Civil War, and itbecame fashionable to keep an album ofnot only one's loved ones but one'slifelong heroes too.The high points of the exhibit tend tobe not only the photographs which showphotographic trends (the half tonewoodbury types and the binocular da¬guerreotypes, for example) but thosephotographs which elicit a deeper re¬sponse, a recognition of the importancephotography began to play in the livesof Americans (when the daguerreotypebecame unpopular, one man bemoaned“O sad and beautiful daguerreotype! Iwould to heaven I could forget it. But itlingers in my soul like fond remem¬brance of a dear departed friend”). Andthen there are those photographs in theexhibit which stand out today because oftheir sheer silliness and pretention: anadorable baby sitting on a large halfshell;a family group portrait with the fatherposing theatrically with the latest statussymbol — the telephone!It should be said that no exhibit ofnineteenth century American photo¬graphy is really complete or completelysatisfying without the "American pho¬tographer of an era”, Mathew Brady,whose business in its peak year of 1861involved a turnover of 30.000 photo¬graphs. But Ms. Chandler and Ms. Brin¬kel have brought off a wonderful accom¬plishment with this exhibit, and Ms.Brinkel's arrangement of the photo¬graphs show an intuitive grasp of preci¬sely what is needed in each display caseto make it look finished (her talent iseven more visible in the “100 Very Amer¬ican Books” exhibit she also arranged).There is really only one small point inthe captions that I disagree with.Somewhere in the exhibit one readsthat "a good part of the mystique of theimages” of the daguerreotype has beenlost to the modern viewer. I cannot be¬lieve this. It is true that today there is nomustique hovering over the idea of aphotograph and its ability to “capturethe very presence” of a person or scene,but these photographs are now investedwith an allure and a power that only his¬tory can grant. All one has to do is lookat the striking photographic tintype ofJohn Wilkes Booth in this exhibit to seethat there’s mystique enough in theknowledge that some of the darkeraspects of our American history are pre¬served in the photograph.NEWFUJICHROME100 IS HERE!0**t-=^% SHARPERIMAGES! BRIGHTERCOLORS! FINER GRAIN!With this ad — One 36 exposureroll of 100 ASA Fujichrome —REG $3.66$2504jipfnir»THE COLOR OF THINGS TO COMEMODEL CAMERA1342 E. 55th *493-6700 marian realty, inc.• REALTORStudio and 1 BedroomApartments Available-Students Welcome-On Campus Bus LineConcerned Service5480 S. Cornell684-54002nd Hand TunesQuality Used RecordsJazz-Classical-Rock-Disco-Everythin^We Buy Used Records1701 E. 55th St. 684-3375OPEN 12-6:30 7 DAYS A WEEK "Eye Examinations•Contact Lenses(Soft & Hard)•Prescriptions FilledDR. MORTON R. 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Begins June 15.House on lakefront for one year - 4 lex els o g i>s with cathedral ceiling -Beverly Shores. Indiana.10 — The Grey City Journal — Friday, March 2, 1979By Patrick WillSaturday night (March 3rd) Leo Kottkewill bring his sardonic humor, his much-maligned voice, and his virtuostic 12 stringguitar playing to Mandel Hall.Kottke's career began when he was twelveand purportedly spent two weeks with hisfirst guitar playing a single chord over andover, “fascinated by the sound.” Some¬where on the road between Athens, Georgia,his birthplace, and Minneapolis, Minnesota,where he now lives, Kottke developed an aw-some 12-string technique. In 1969, JohnFahey, another master of the instrument,heard Kottke play in a Minneapolis coffeehouse and was promptly signed to Fahey’sTakoma label. Since that time. Kottke hasreleased over a dozen albums under his ownname for various companies, and is nowworking on a new recording for Chrysalis.Kottke's audience has remained small butunderstandably fanatical over the years.His music is part of a tradition which in¬cludes flatpickers like Doc Watson as wellas stylists like the legendary John Fahey,whose own compositions quite clearly in¬fluenced Kottke’s own instrumental ap¬proach. Fahey’s quirky melodic structures,odd time signatures, and unusual finger¬picking techniques show up to some extentin Kottke’s work blended smoothly into anoriginal style. One of Kottke’s more unusualinnovations is his use of traditional finger¬picking techniques to create full and com¬plex harmonic textures rather than discreetmelodic statements. His 12-string bottle¬neck playing, although not flashy in the wayto which we are accustomed, is neverthelessunmistakeable in its virtuosity.Despite his convincing instrumentalwork, Kottke also finds room to sing as well.He has one of the most maligned baritonesin music, sounding occasionally, by his ownadmission, like “goose poots on a muggyday.” This self-prescribed stigma has fol¬lowed him since the time of his first Takomarelease, where it appeared in the liner notesas an attempt to explain why the album wasentirely instrumental. Since then, however. Leo Kottke at Mandel HallRecordingsTwelve String BluesCircle Hound the Sun6 & 12 String GuitarMudlarkGreenhouseMy Feet Are SmilingIce WaterDreams and all thatStuffChewing PineDid You Hear Me?(remixed AnthologyThe Best (some un¬released elsewhere)Leo KottkeBurnt Lips Oblivion (Out ofPrint)Symposion 2001Takoma 1024Capitol ST-682Capitol S-l 1000Capitol ST-11164Capitol ST-11262Capitol ST-11335Capitol ST-11446Capitol SW-11603Capitol SWBC-11867Chrysalis 1106Chrysalis 1191his singing has become more and more as¬sured with each album, and now its qualitycertainly exceeds, in spirit if not in range,the singer’s original estimation.Kottke’s material is mostly original. Hedoes, however, cover some traditionaltunes, as well as country standards like TomT. Hall’s delightful “Pamela Brown.” Hischoice of material is indicative of his ratherwarped and oftimes depressing sense ofhumor. Most of his vocal numbers deal withdeath and betrayal (“Louise” and “EndlessSleep”, for instance), while the titles ofmany of his instrumentals, such as “Takinga Sandwich to a Feast” or “When ShrimpsLearn to Whistle”, bring out the more sur¬real (or perverse) in his nature. Kottke isnoted for his self-deprecating humor onstage, once describing his treatment of atraditional song as “taking a nice, simplemelody and running it into the ground.” Hisliner notes are so funny that Grossett andDunlap have offered to publish any furthermeanderings of his in book form.It is unlikely that many are familiar withKottke’s music from the radio, as it lament¬ably receives little airplay. However, he re- mmmLeo neither singing nor playing his guitarcently gained some exposure by scoringpart of the soundtrack to Terence Malick’sfilm. Days of Heaven Some of his music iseven used as background for the “decision”on The Dating Game, although this last maynot be the type of exposure the artist truly seeks.Whatever one s familiarity with Kottkemay be. this Saturday. March 3. is an idealtime to hear the music of this undoubtablybrilliant artist, guitarist at Mandel Hall at8:30 pm. Bring your own geese.The Ethnic Heritage Ensemble: left to right, “Light” Huff, El’Zabar, and WilkersonLive MusicBy Curtis BlackEthnic Heritage Ensemble, one of the mostpromising of the AACM’s newer groups, willpresent a concert in the library of Ida Noyestonight. Led by percussionist Kahil El-Zabar,the Ensemble has just returned from a highlyacclaimed six-month European concert tourwith two new albums to its name.The Ensemble features twin reedmen LightHenry Huff and Ed Wilkerson. This follows atrend in the AACM toward minimalism in in¬strumentation. stressing resh and unique tex¬tural settings. Light’s fiery virtuosity andemotional directness and Wilkerson’s forcefulmelodism are perfect foils for each other.Both play tenor sax mainly, and other reeds.Light is an alumnus of the Sun Ra Arkestra.and Wilkerson. chairman of the AACM, analumnus of the University of Chicago.El-Zabar, who makes music with a widerange of African percussion as well as fluteand his bright scat singing, creates rhythm with an ear beyond punctuation to the melo¬dies projected by his rhythmic foundationAs former president of the AACM. El-Zabaris intimately acquainted with the musical cli¬mate in this cold city. Before joining theAACM, he was one of Chicago’s top studio mu¬sicians, playing with Donny Hathaway, PaulSimon, Nine Simone, and others. His most re¬cent foray to Europe was his first leading agroup.As usual for Chicago creative musicians. Eth¬nic Heritage Ensemble found more apprecia¬tion and support for its music in Europe thanin Chicago. “The significance of this is thatthere’s a cultural and artistic perceptivenesslacking here vis-a-vis Europe, where differentcities and national governments sponsor thearts. There’s a certain amount of appreciationmissing in the place that is the home of themusic.“We have been great ambassadors for thiscity — the Art Ensemble of Chicago even bearsits name — adding to its international prestige New BooksBy Richard KayeStravinsky: In Pictures and Documents byVera Stravinsky and Robert Craft (Simon andShuster, $35). This lavishly documentedbiography of the Russian composer, and, weare told, rather poor conductor, was puttogether by Stravinsky’s wife and his musicalassociate, Robert Craft. Craft traces Stravin¬sky's life through Russia. Switzerland. France,and the United States, and details the manyhistorical and musical problems behind suchmasterpieces as “Firebird" and “Le Sacre duPrintemps”. There are stories here concerningthe composer's friendship with T S. Eliot, hislong-running feud with Toscanini (caused bypolitical differences more than artistic ones),his meeting with Mussolini, and his relation¬ship with Mrs. Stravinsky. The book has beencalled indispensible. entertaining, and evenmoving, and it is most definitely designedfor the discriminating coffee table, as well asthe discriminating reader.The Collected Poems of Muriel Rukeyser(McGraw-Hill. $17.50) Rukeyser's poetry hasbeen described as "exuberantly feminine”, andher poetry demonstrates some of the socialistpolitical underpinnings that mark HoraceGregory's work as a poet and translator. Ms.Rukeyser often writes in the “open” traditionof Carl Sandburg, but her voice is distinctlypersonal.The Meaning of Aphrodite by Paul Friedrich(University of Chicago Press, $13.95). In hismost recent work. Paul Friedrich — an¬thropologist. linguist, poet, Homeric scholar,and professor at the University — traces thedevelopment of the figure of Aphrodite in anti¬quity. Drawing on archaeological findings andthe textual evidence from Hesiod. Homer, andSappho, Friedrich contrasts the goddess’s sym¬ bolic associations and those of Athena, Hera,Artemis, and Demeter. The author emphasizesAphrodite's bridging of traditional oppositessuch as sex and purity, and proposes the ex¬istence of an ancient and long-surpressedlover mother prototype.Wittgenstein and Political Philosophy: A reex¬amination of the Foundations of Social Scienceby John W. Danford (University of ChicagoPress, $17.95) Danford — last year a WilliamRainey Harper Fellow at the University —argues that the deepest structural assumptionsof Western political theory are based on atheory of language which Wittgenstein hasshown to be seriously questionable. By syn¬thesizing the German philosopher's non¬political ideas with those of Plato and Aristo¬tle. the author attempts to answer questions ofhumanity, justice, and the end of human life.The Edith W’harton Omnibus: Ethan Frome.The Age of Innocence. Old New York by EdithWharton (Scribners, $12.50) Gore Vidal sug¬gests in his introduction to this collection ofWharton's best writing that once the prejudiceagainst female writers wanes. Wharton’sliterary reputation will be equal to James's.Wharton insisted that the duty of the novelistwas to discover what the characters, “beingwhat they are, would make of the situation”,but in reality her characters are less free thanthose of James. According to critic MartinSeymour-Smith, “where James women are con¬vincing angels, Mrs. Wharton's are defeatedharpies." But. like James, she wrote of highsociety extraordinarily well, having been bornhigh on the social ladder and visited Europe ata young age Wharton rejected the determinismof naturalism, but in her best novels such asThe Age of Innocence she is acid and ironic,pessimistic in her belief that opulence corrupts.This is a much-needed tribute to a writer whodeserves better than her current neglect.and stature, without receiving what we de- be around forever.”serve for our efforts.” Support live music! Ethnic Heritage Ensem-Whatever the conditions. “The AACM has ble. Ida Noyes Hall library. Friday March 2 at 8been around, and the AACM will continue to pm. Donation *3.50. *2.50 with UCIDThe Grey City Journal — Friday, March 2, 1979 — 11The development of tFlanneryLetters from O’Connor:the Bird FarmLetters of Flannery O’ConnorThe Habit of BeingSelected and Edited by Sally FitzgeraldFarrar, Straus, GirouxNew York: 1979596 pages $15By Nancy CrillyThe Habit of Being begins with a letter from a twenty-threeyear old Flannery O'Connor to Elizabeth McKee about thepossible publication of O'Connor’s first novel, Wise Blood.O'Connor once admitted that prior to the publication of herbook, the most memorable event in her life was watching achicken that she taught to walk backwards by rewound Pathenewsreels, when she was six. Teaching the chicken to walkbackwards tells more about O’Connor’s patience, herperverseness, and her inordinate interest in birds, than this 600page collection of her letters. Nevertheless, the letters providea fine, and altogether appropriate history of a brilliant writer,who. because she became terminally ill at the very onset of hercareer, was forced to live a good part of her short life throughthe mails.O'Connor graduated from the Iowa State writing programand went to New York, like so many other young women whowanted to write, and who felt that their home towns were onlyplaces to escape from. The letters at the beginning of the bookrepresent O'Connor as a tough young woman with confidence inher writing, who resented editors trying to “work with her’’.She became friends with Sally and Robert Fitzgerald and mov¬ed into their farmhouse in Ridgefield, Connecticut. A few mon¬ths later. O’Connor contracted lupus, an inherited disease thateventually killed her. and she moved back to her mother'shouse in Milledgeville, Georgia.Here begins the major part of the book, and of O’Connor's in¬valids life. For the next 14 years, there was a sort ofSequestration de Flannery, a life of Christianity, of strangeand brilliant writing, often in a narcotic haze; a life entrappedamidst the peacocks and crackers of her north Georgia farm,relieved mercifully by critical acclaim for her writing, and let¬ters from her friends. One critic accused O’Connor of answer¬ing “any crank who wrote her”, an accusation that may well bevalid from the number of letters the editor calls a “selection” inthis massive book. Besides her friends and literary cronies,(including the Fitzgeralds. Robert Lowell, Robert Giroux,Katherine Anne Porter. Robie Macauley, Cecil Dawkins andRichard Stern) there were nuns, priests, and students confusedby her stories, who received her short colloquially self-deprecating letters with their “innocent spelling”. O’Connorcould be warm, or seriously critical, or encouraging, or dimwit- tedly southern in her letters, but most of these letters are alar¬mingly devoid of any emotion or serious self-reflectionIt is difficult to understand a lot more of Flannery O'Connoras a writer, as a Roman Catholic, as a Southerner, or as an in¬valid, from these letters.O'Connor was not particularly inclined to explain, even inletters to close friends, why she avidly created such bizarrecharacters, the June Stars, the Misfits, the Shepperds, TheTom T. Shiftlets, the Lucynell Craters (with their LucynellCrater daughters) the maimed, the terminally adolescent, thecriminally insane, the half-witted, and the evangelistic. Herfascination with these sorts of low-lifes is more difficult tounderstand in the context of her background (the daughter of aprominent family in Milledgeville. O’Connor grew up in whatFlannery O’Connor on the University of Chicago: 7 WQSThe following are exerpted by permission from The Habit ofBeing — The Letters of Flannery O'Connor, Farran. Straus andGiroux. New York 1979To Ex Bishop9 April 59I’ll be cheered to have you review the book iWise Blood). Itappears to be out of print but I have written Mrs. Porter atthe Signet place to see if they can provide me with some. Ifso. I’ll send you one myself. As for the music it's all one to me.I am a complete musical ignoramus, don't know Mozart fromSpike Jones. I never hear any music and don’t seek it out. Idon't know whether I feel guilty or cynical about this culturaldeficiency, but anyhow. I do nothing about it. . .Last month I went to the University of Chicago to "assist”at twa writing classes and give a public reading and live inthe dormitory for five days. Some old lady left them moneyto have a woman writer or some other female character livein the dormitory a week and be asked questions. The last onethey had was a sculptor and she brought a piece of marbleand hacked at it for them and this was apparently most en-12 — The Grey City Journal — Friday, March 2, 1979 tertaining. but I was less of a success. The girls were mostlyfreshmen and sophomores and their questions gave out longbefore my patience. I had to sit with them drinking tea everyafternoon while they tried to think of something to ask me.The low point was reached when — after a good ten minutesilence — one little girl said, “Miss O’Connor, what are theChristmas customs in Georgia?” I was mighty glad to leaveafter five days. They didn't have much in the way of writingstudents ar public reading there was no public. Andthe weathei . j yoking.To Richard SternApril 14 64I'm cheered my Chicago agent is keeping up with his duty' to keep you informed on my state of being. It ain’t much butI’m able to take nourishment and participate in a few Klanrallies. You’re that much better off than me, scrapping Tues-Ha v what voil a rnt ti MnnHav All !’</*> u/ritton thic woo ** hatrobeen a few letters. I have a little contribution to human un¬derstanding in the spring Swanee but I wrote that last year.You might read something called “Gogol’s Wife” if youhaven’t already — by one of those Eyetalians (Tommaso Lan-dolfi), I forget which. As for me I don’t read anything but the was once the governor of Georgia’s mansion, and attended astaid women’s college) and her devotion to Catholocism. Most¬ly O’Connor attributes her writing to her particular “talent”,and once admits that, “The Catholic, using his own eyes andthe eyes of the Church (when he is inclined to open them) is in amost favorable position to recognize the grotesque.”If O’Connor finds it difficult to talk specifically about herwriting, she often finds it nearly impossible to discuss herselfvery seriously: “I listens, but I don’t catch much”. She writesalmost cheerfully of her hair falling out, of her puffy body,(from the cortisone treatments) of her operations, taking themall, rather admirably as minor annoyances. It is in this, and inher statement that she had never once doubted the validity ofher religious faith, that O’Connor becomes suspect. The self¬depreciation becomes irritating, the little life with the squawk¬ing birds and the literary talk and the crazy farm help becomescoy, and empty.But as O’Connor grows older, and her reputation gets to thepoint where she is recommending writers for fellowships in¬stead of applying herself, and perhaps grows used to the idea ofher illness and isolation, she becomes more vulnerable andhonest.When O’Connor traveled to Lourdes, long after the lupus hadbegun to destroy her body, it is clear from her snide remarksabout the shrine, that she was afraid to hope for a miracle, andfor the first time in this book, she becomes a human that youcan feel something other than amusement for. More of this feel¬ing developes when she begins taking more emcftional interestin her friends, and begins to explain some of her characters.In writing to “A”, an anonymous friend, O’Connor says:You say there is love between man and God in the storiesbut never between the people — yet the grandmother is notin the least concerned with God but reaches out to touch theMisfit...Rayber’s love for Bishop is the purest love I haveever dealt with.Flannery O'Connor’s letters document her life as a writer,and as a Christian, but ultimately they support what D.H.Lawrence said: “The truth is in the tale, not the teller.”Flannery O’Connor in front of the family farmhouse inMillegeville, Georgia: "/ had to get my picture taken for thepurposes of llarcourl. Brace. They were all had Ithe pictures).The one that 1 sent looked as if I had just bitten my grand¬mother and that this was one of my few pleasures."bwo American writersBernard Malamud:More than a Balancing ActDubin’s LivesBy Bernard MalamudFarrar, Straus and GirouxNew York: 1979362 pages $10by Karen HornickThe central character of Dubin’s Lives, Bernard Malamud’snew novel, is William Dubin, a man undergoing the last yearsof his middle-age. The title refers to his profession and per¬petual state of mind, biography.Dubin is, like Malamud, a writer. Whether or not the novelis autobiographical is irrelevent and moot. In many respects,though, it is about a particular occupation, Malamud’s own,and the most moving passages in the book are those thatdeal with Dubin’s blocks and breakthroughs. But Dubin's Livesis bigger than the two of them, larger than the singular expe¬rience of the author and protagonist. It is an inclusive, large-scaled book in which Malamud, now sixty-three, attempts todraw satisfying, extrapolating conclusions.Whoever enters into Dubin’s Lives, walks headfirst into thebrick wall of Existential Themes that recur constantly in post-World War II fiction. “Ach, it’s a balancing act,” the title char¬acter says in the first paragraph without any antecedent forhis pronoun, and coptinues, ‘‘a lonely business...In essence Imean to say.” A modern man, according to recent novelistsand philosophers, is caught on a precipice between twoequally terrifying and unknown conditions: life and death,sanity and insanity—and aware of his situation, and awarethat there is, or once was, more than this “essence.”But turn the page. Gradually, the bricks in the wall beginto come loose, and a glow gleams through from the otherside. By the end of the novel bright sunlight is apparent; theexistential bricks and the (often) artistically sterile mortarthat held them together have begun to heap on the ground.Lying beyond is a sense of life that seems just. The rubble isstill there to be stumbled over, but Malamud finds that life—ormore precisely, some lives—can have meaning. The idea is tofill life with as much experience as possible. Find and enjoywhat D.H. Lawrence called “life’s plenitude”. Guilt should beconquered; sooner or later transgressions have to be paid foranyway.The setting is upstate New York or Vermont and there areexcursions to New York City, Venice, Stockholm, and Califor¬nia. The traveling motif is important, ‘Life is like a road forMalamud as well as Robert Frost in Dubin's Lives. Like roads,lives sometimes cross, but then continue on alone.The time is the early seventies. The Dubin family watchesWatergate on TV and Nixon becomes a symbol of the monoto¬nous liar that Dubin dreads he himself may be. There is a so¬cial revolution going on, Malamud observes. Dubin doesn'tnewspaper and the bible. Everybody else did that it would bea better world.Our spring’d done come and gone. It is summer here. MyMuscovy duck is setting under the back steps. I have two newswans who sit on the grass and converse with each other inlow tones while the peacocks scream and holler. You justought to leave that place you teach at and come teach in oneof our excellent military colleges or female academies whereyou could get something good to eat. One of these days youwill see the light and I’ll be the first to shake your hand.Cheers and thanks for thinking of me. I think of you often inthat cold place among them interleckchuls.To Cecil DawkinsGeo. Wash. Birthday (1959)It sure added to my pleasure and eased my pain to see youand Betty (Littleton) in Chicago. The plane not only went butwent on time and arrived on time and some of my faith wasrestored. I told Dick Stern about your writing on the way tothe airport and he said if you would be interested to send himsome stories to the Chicago Review. I haven't seen the ( hi-cago Review but he said they published good stuff. Richard G. understand his stepson Gerald, an Army deserter in Sweden,nor his daughter Maud, who begins concealing everythingabout herself, living for a while in a California Zen commune.Above all there is Fanny Bick, Dubin’s twenty-two year oldlover who comes across, at first, as an aging flower child. Shetalks of her experiences at a commune “Which was to be nosex and very vegetarian, including growing your own lettuceand beans. I liked it at first but one of the swamis there, asecret acid tripper, got on my nerves, so I split.” But Fanny isreally a ‘Me-Decade’ child; by the end of the book she intendsto find herself by becoming a lawyer.Malamud makes Dubin's Lives into a unique book in spite ofthe tiresome subject matter, the centrality of the search foridentity problem. Dubin’s is an odd case. His problem is sort¬ing out his life from those he writes about.Dubin acts, then lets Thoreau or Lawrence figure out why.Malamud rarely shows Dubin planning any thing. He acts sud¬denly, generally without foreshadowing from Malamud, andthen in following pages compares his action to a similar oneby Lawrence. Malamud’s prose changes as Dubin enters dif-Stern is name. I liked him very much. He seems to have solecharge of any writing program there, but there doesn’t seemto be much of one. Their students tend to abstract specula¬tion. . .To Cecil Dawkins14 January 591 told you Eudora Welty was coming to the University ofChicago this year She isn’t. I am. Her brother got sick andthey called me up and asked me to take her place and I foo¬lishly accepted. 1 can live for a year on what they are payingme for the week. I. . . will have two workshop classes and giveone public reading on Friday 13. I have to live in the dormi¬tory and confer with the young ladies as to how to attaintheir ideals — this being a clause in some old lay's will who isproviding 2/7 of the money for this part of the engagement.Maybe you can get down. If it were not winter. 1 would comeup to see you. but I am going to do good if I don't break myneck as it is. I foresee all sorts of awful weather, planes thatdon’t fly. etc. Last year my aunt started out for Chicago andhad to land in Milwaukee. . . ferent phases of thought: when he is thinking of Thoreau.there are lengthy passages on Dubin’s preception of nature;when Dubin is in a Lawrencesque mood (and he is for most ofthe novel) quotations from Lawrence appear in the text—sexis usually the focus and it is described with earthy, oftencrude details and words.Readers familiar with Thoreau and Lawrence will appreci¬ate the book more. It is necessary to understand their essen¬tial Thoreau is self-constrained, morally rigid; Lawrence isunrepressed. In Dubin's Lives, the hero leaves a Thoreaustage—one that worked for him, but that he has outgrown —andenters a Lawrence stage. He loses the guilt he feels in deceiv¬ing his wife, coming to realize it harms her more than his ac¬tual infidelity. Most of all, though, he enjoys the Lawrencestage more—it is more “fun.” Fanny loosens him up. His writ¬ing improves when he is sleeping with her. Thoreau oncehelped Dubin, making him realize the seriousness of nature.Lawrence also deals with nature but, for Dubin’s relief, worksman into it more pleasantly.As Dubin judges his life from the perspective of his histori¬cal-literary “lives”, Malamud gives him a very historical-lit¬erary life. Dubin is surrounded by women with names fromclassic fiction: Kitty, Fanny. Flora, Maud. Part of his attrac¬tion to Fanny is her namesake, Fanny Price of Jane Austen'sMansfield Park. He is attracted to his daughter Maud; she is,in one dreamy scene, a symbol of ungraspable, ideal love, asMaud Gone was for Yeats. Dubin chases after a woman hethinks is his daughter and in pursuit he recalls lines fromYeats.Dubin thinks he sees Maud in Venice but decides he is mis¬taken. He finds out later she was there, but weeks after hehimself was. His prescience doesn’t surprise him: Dubin be¬lieves in the literariness of real lives. Dubin thinks people arebrought together by some higher force (if not a god, then agod-like novelist) and that there are such things as a strang¬er-acquaintances, people who force themselves into one’s lifefor no apparent reason other than to make themselves acharacter in your book or your “movie” (a similarly used termof Walker Percy in his novel. The Moviegoer). Dubin has madea career making other people's into books; he has organizedhis life like one of his books. He discovers he's made a tragicmistake. The best lives are the richest, the most intricate, themost comlex, but not always the most logically structured.Despite the novel's length, it doesn't take long to under¬stand Dubin. It is a kind of fault that we do so, partly becausewe quickly recognize him as a type: he is a sensitive, middle-aged Jewish intellectual like Moses Herzog or almost anyprotagonist of a Philip Roth novel. Malamud is, of course, likeBellow and Roth, middle-aged. Jewish, and intellectual, butDubin's Lives, even if a representative of what is with timebecoming a new genre, is unique enough to make it tran¬scend its literary category: Malamud stays out of his book, asBellow often can't and Roth never would. William Dubin isnever a voice box for his creator.Dubin's Live’s is remarkable readability also marks it as atype Malamud, like Salinger, Updike. Bellow, Cheever, is amember of the New Yorker “well-made-story” school of writ¬ing. Dubin's Lives is realistic, dream sequences are calleddream sequences; the reader begins reading a passage that isbizarre, but plausible, only for it to end with Dubin awakingin a cold sweat. The novel has its poetic passage, its meta-ph ysical passages, its ribald and funny passages —all very tas¬tefully positioned and extremely functional as well. Finally,we are always shown things, we are not told things. Thereare few adjectives in this book but many incidents. We arealways shown things, we are rarely told things. Malamudstrives for the revealing gesture, a simple sentence not muchmore than subject and transitive verb to sum up his charac¬ters’ feelings. A good example from the book is almost a par¬ody of the technique; it refers to Dabin's wife Kitty, who isconcerned about his inability to perform in bed: “She wa¬tered the garden for half an hour, and holding the drippinghose, studied it for another half hour ”This is writing by someone who regards what he does as acraft. It is a reactionary attitude, this writing of twentiethcentury ideas in a nineteenth century style, writing in a waythat suggests Finnegan's Wake never happened.Malamud's kind of writing is, or ought to be by this time,old-fashioned. But it easy to appreciate, if not respect. Mala¬mud is restrained in style, but free in imagination. Dubin'sLives is never boring to read; it should be a best-seller. It is ofa particular sort of book, but will probably stand out in fu¬ture years, as a great book. Malamud can say things withoutsaying them: revealed is an old-fashioned but attractive, en¬gaging respect for his readers.The Grey City Journal — Friday. March 2, 1979 — 13mighty glad to leave there after five days’New Chicagoby David MillerNew Chicago is a new quarterly featuresmagazine. The first issue, distributed last Fri¬day, was subsidized by Student Activities($387) and by individual staff members (S100).Subsequent issues will be supported throughadvertising revenues.Editor David Skelding and managing editorLucy Conniff explain that the featuer story isthe premier literary form of New Chicago.Each issue will include a profile of a studentand a professor, an essay, and other articles.These articles will be different in kind fromthose in other campus publications: thoughexceptions are conceivable, in general NewChicago will not publish hard news, criticism,student academic work, or poetry. Fictionseems unlikely but is not precluded.The notion of feature stories is intimatelybound to New Chicago's purpose. The editorsrightly assume that because academic workhere is largely an individual enterprise, ingeneral students suffer from too deep an- in¬volvement in it. Thus in terms of subject andpoint of view, “feature” means non-academic:two articles in the first issue of New Chicagorelate that philosophy professions Paul Ri-coeur and first year Business school studentBill Mullen have combined academic workwith serious social commitments, and both ar¬ticles emphasize the social work at the ex¬pense of the academic. Similarly, Skeldingand Conniff hope New Chicago writing will beinsightful and exciting rather than compre¬hensive and oppressive. Altogether, New Chi¬cago tacitly espouses the end of the scholar'sisolation and employs the feature story to ef¬fect it.How the thinking person deals with the de¬mands and constraints of everyday social lifeis a difficult question. Since different peopledo it differently, the feature story seems ide¬ally suited to explain how specific peopleovercome their specific problems. However,the first issue of New Chicago exalts social in¬volvement without explaining how these peo¬ple accomplish it..For example, since by 1968 Ricoeur had beenstudying and teaching philosophy for morethan three decades, some account of his ideas Now Loo/c hereby David MillerThe news last autumn that French publisherDaniel Filipacci planned to resume publicationof Look magazine took second place to thepreviously announced decision of Time In¬corporated to revive Life. In most people’sminds Look had always been the lesser of thetwo big American picture magazines, andFilipacci’s frank admission that Time’s deci¬sion had given him the confidence to republishLook seemed to confirm that Life would againbe the leader of the two.Events have shattered espectations. Seriousissues have not been raised in Life, and whileeverything in it is beautiful, it is also super¬ficial and boring. The first two issues of Lookindicate it covers much more substantial sub¬jects. Last September Look was to be a weeklypublication. In its present biweekly form — achange attributed by one Look editor to anunavailability of presses — Look still presentsnews as well as feature stories, even though thestaff news section closes a full week ahead ofnewsstand sales. And most important, thoughLook is not devoid of articles composed offlashy photographs accompanied by flimsy text(“Brooke’s Make-Believe Weekend” includesmore of Betsy Cameron’s photographs ofBrooke Shields, previously seen in October’sLife), Look contains real articles.More than its photographs, Look’s writingmakes it worthwhile. Two articles placed backto back in the first issue of January 19 bearupon one another through treatment of a rele-to 15cago is both revolutionary and conservative,the contradiction yields a quality in short sup¬ply: optimism. Certainly other people oncampus rightfully find the University commu¬nity less positive, and fortunately New Chica¬go does not discourage these opinions. Tosome extent Skelding and Conniff agree thata less restricted viewpoint is necessary tomake New Chicago reflect a viable alterna¬tive to campus life. The editors want a varietyof opinions, and they look forward to hearingthem at their open staff meeting, thisWednesday at 4:30 p.m. in the Ida Noyes Li¬brary.New Chicago editor David Skelding (center), managing editor Lucy Conniff,and financial manager Donald Parker, photo: David Milleris necessary to understand his position be¬tween administrators and students at Nan-terre. New Chicago glides over the problem:“During these times of upheaval and uncer¬tainty, Ricoeur always tried to keep the chan¬nels of communication between students andthe authorities open.’’ We are told neitherwhat the students were demanding, nor whatRicoeur thought of their demands. Since thearticle is a tribute to Ricoeur’s social involve¬ment, and since Ricoeur in some sense sup¬ported the students, the article implies thatthe student’s demands were worthwhile;since Ricoeur tried to maintain communica¬tion between administrators and students, itimplies student activism is not worthwhile.But since these conclusions result not from ar¬gumentation but from implication, it is impos¬sible for the reader to judge Ricoeur’s actions. Furthermore, New Chicago praises Ricoeur:Even the most cursory look at ProfessorPaul Ricoeur yields a picture of a manwith a profound commitment to the val¬ues he has spent his life analyzing: jus¬tice, truth, right. In this way, he has suc¬cessfully avoided the comfortabledelusion from which many academicssuffer: that they are above the prob¬lems of the concrete world.This misses the issue. Nearly everyone prefersdiscussion to violence; the question is how Ri¬coeur reconciled more or less valuable stu¬dent demands with student activism, and howhe subsequently attempted to advance thestudents' cause with the authorities.It is odd that a magazine by and for disen¬chanted academics should laud the scholarlylife from which it seeks relief. But if New Chi-DOC FILMSFriday March 2 Cobb Hall $1.50Rudolph Valentino inClarence Brown’sTHE EAGLE(7:15)andGeorge Fritzmaurice’sSON OF THE SHEIK(9:00)CHICAGO PREMIERE!Satjayit Ray’sTHE MIDDLEMANSunday March 4 Cobb Hall7:00/9:30 $1.50 $$14 — The Grey City Journal — Friday, March 2, 1979 T\ ie DaySOUTHAn event sponsoredhy the DepLof MusicUniversity of ChicagoSun., Mar, 11,3 pmMandel Hall,The Universityof Chicago.5706 S. UniversityAve. Chicago.NORTHMon„Mar.l2,8pmSt.Raul’s UnitedChurch of Christ.655 W. FullertonChicago. GEORG PHILIPP TELEMANNSoloists, orchestraand chorusconducted hyThomas Wikman.TICKETS:89.50,8.00.6.50Discounts available.Senior citizens, students,CAPA voucher holders(special 83.00 discountfor University of Chicagostudents)I ickel* for MandelMull performanceavailable atRev nobis ClubBox < )ffi<u*Music of the Baroque1642 E. 56th St. Suite 206 Chicago, IL. 60637643-9386from 14vant American problem. The first, “Last of theRockefeller Giants” relates how Nelson endedthe Rockefeller family’s isolation and freed thenext Rockefeller generation through his boldforays into the public eye. At its end, the articlequotes Nelson’s son Steven: “Most of us haveseen that there’s no sense in living as robots ofthat great institution, the Rockefeller family.”“ ‘Survivor’ Patty Hearst: Is She ReallyFree’ ” again reviews the problems of richfamilies. The article considers what Hearstfinds her problems to be today: estrangedparents, an overly curious public, and an un¬just jail sentence. None of these would be herswere she not the daughter of the Hearsts. Likethe Rockefeller children’s, Patty Hearst’s fami¬ly wealth has brought her unhappiness. Thecommon theme of both articles is rich kids com¬ing to terms with their heritages; instead of ask¬ing if Look editors planned this parallel,perhaps it is better to ask who is not a rich kid.Already after only two issues it seems Lookhas its favorite projects. Three major articles —two by Evans and Novak — concern China andits new relations with the United States, andthree shorter ones relate advances in medicaltechnology. The China articles portray Chinafavorably and support normalization of rela¬tions; the medical articles question Americanmedical knowledge. Again, the two subjects arerelated through “Now, the AcupunctureFacelift” (March 5), which strongly condonesthe ancient Chinese art as a modern medicalpractice. Supporters of the AMA and op¬ponents of normalization of relations, look out.In another of its aspects, Look resembles Lifeand People magazines. Famous, wealthy, orpowerful people are featured repeatedly in bothissues: some of these are Marilyn Monroe, theKennedy family, Princess Caroline, BiancaJagger, the Blues Brothers, and Roman Pulan-ski. In general, these articles are themagazine’s worst because they are attractivephotographically but usually short on explana¬tion. Sensational paparazzi photographs ofCaroline sunning and diving can be expected tohave an impact, but cannot be expected to leadto much understanding of her. But according toassistant managing editor Curtiss Anderson,Look conceives its audience of newsstandbuyers to consist largely of women, and Lookmust compete with the magazines women read.People is one of the most successful of these. A Lobotomized Tragedy of Childhoodby Bruce ShapiroSpring’s Awakening by Frank Wedekind,directed by Joseph Slowik. Body PoliticTheatre, 2261 North Lincoln Avenue.Telephone: 871-3000. Through April 1.Spring’s Awakening Frank Wedekind’s ex¬pressionist “tragedy of childhood," was writ¬ten in 1891, but was not staged until a decadelater, and then in a severely bastardized ver¬sion. unwilling to look directly into Wedekind’sportraits.Spring's Awakening is about adolescentsstruggling with the confusion of ■emerging sex¬uality and sensibility in a repressive, restric¬tive society. One fourteen-year-old Gymnasiumpupil is driven by academic failure to suicide.A young girl becomes pregnant and dies froman attempted abortion: A brilliant student isexpelled for writing a treasise on humanreproduction. There are glimpses of masturba¬tion, masochism, and tentative homosexuality.Wedekind based the play on his own ex¬periences and those of his schoolfellows; itflows over with compassion, humor (Wedekindsaid he wrote only one entirely somber scene),and affection. It is a passionate, radiant indict¬ment.Slowik’s production retains the sexualfrankness so objectionable in 1906, butWedekind's devastating portraits of grown-upsociety have nearly all been excised. The pet¬tiness of Gymnasium professors, the perverse,horribying monologue of the abortion doctor, the detached sadism of a reformatory wardenhave been cut out as, worst of all, has thecrucial graveside scene where the dead son(from suicide) renounced by his father: “Theboy was no son of mine.”These are all small characters, mostly ap¬pearing but once, and brief scenes; but togetherthey form a context for the drama. Without thiscontext, without the harsh images of the adultworld’s perverse callousness, the audience canonly speculate on the causes of the children’sstrange behavior. These cuts do violence to Wedekind’s perception and dramatic sense. Weare left humor and some pathos, but none ofWedekind’s bitterly funny, deadly seriousirony.What is left after this lobotomy is directed bySlowik conventionally and without much im¬agination. Movement is mostly ♦stocknaturalistic gestures and posturing — there islittle sense of Wedekind's expressionism, hissubtle alternation of realism and stylization.Lines full of rich imagery are rushed over. Theactors are rarely equal to the huge challenge ofconvincingly portraying adolescents torn bet¬ween the ingenuous trust and clumsiness ofchildhood and a firce desire to appear grown-up— a conflict which informs every word ofWedbkind’s dialogue.There are, still, some fine moments.Wedekind’s affirmative humor shines throughthe final scene. The boys' brawls, choreograph¬ed by Gene Schuldt, spill over energy, thoughtheir erotic overtones are scarcely explored.The brief appearances of Jean Amsler as Mrs.Gabor stand out as pillars of thoughtful,graceful professionalism. And Nels Anderson'sset, built of sensuous curves, is functional,handsome, and evocative.The kind of “editing” perpetrated by theBody Politic on Spring's Awakening is both aninjustice to a playwright and an incalcuableloss to sensitive spectators. Brecht calledWedekind "one of the great educators ofmodern Europe.” We can still learn from hisclear, subversive vision, but we need that vi-.sion whole.and Look imitates it.But if Look gives women readers what itthinks they want, it also gives them what itthinks they ought to read. “Women of Iran:Fighting to be Slaves?” argues that the impen¬ding Moslem rule of Iran does not necessarilymean a lowered status for Iranian women. Nofirm conclusions are drawn, because none canbe, but the article does point out the low statusof women in Iran under the “progressive”Shah’s reign, and it does say that the status ofwomen could improve: “It is possible,therefore, to envisage an Islamic republic inwhich much of the current cultural discrimina¬ tion against women could be eliminated withoutviolating religious law.” The article does notprove that this will happen, it only indicatesthe possibility.Because it concerns an actual event, “Why IJust Got Married. Even Though. . .” by BettyRollin is a better example of Look's desire toargue intelligently on important issues. Lookmay be aimed at women, but everything Rollinsays about her reasons for marrying again isapplicable to men. Short and complete. Rollin'sargument is both timely and provocative. Itshould be read.On the whole the first two issues of Look are valuable. The magazine panders to a middleclass audience, but it also tries to change theaudience by considering serious subjectsrealistically. Look does not entirely accept itsaudience; when in “Beverly Hills: A ColonyThriving on Gilt” Look presents one of its au¬dience's most central characteristics (wealthand conspicuous consumption) it concludeswith an appropriately provoking image: “Andthen let's picture the $2 million house for sale inBenedict Canyon with its unusual weather vanepoised on the roof. It is an immense, stone-gray, grinning pig.”INTERNATIONALWOMEN'SDAY0 march 8th^ celebrate ourcommon heritage!WORKSHOPSLesbianism and the Women’s Movement -10:00 AM, East LoungeWomen and Legislation -10:00 AM, Memorial RoomWomen and the Labor Movement -11:00 AM. LibraryMen and Feminism -1:30 PM. LibraryWomen and Health -1:30 PM. Memorial RoomWomen and Violence -1:30 PM, East LoungeFORUM on the FUTUREA videotape of the 1978 New York forum on the future of the W omen sMovement featuring Flo Kennedy. Kate Millet, Gloria Steinem andothers will be showm. Afterwards, workshop participants will be en¬couraged to discuss their own ideas on the subject. 3:30 PM.FEMINIST FEAST — Dinner, entertainmentand celebration for the community, 6:00 PM, Sun Porch 3rd Floor,Ida Noyes.Evening Concert with Therese EdellTickets $2.00 and $3.00 available at Box Office,Reynolds Club. 57th & University. Child care providedAll Events are held at Ida Noyes Hall. 1212 E. 59th St.The Grey City Journal — Friday, March 2, 1979 — 15CampusThe Tokyo String Quartet. Campus Music.~ \ArtHans Haacke: Recent work by a conceptual artist with aparticularly large social consciousness. For Haacke, a visualimage is primarily a communicative image: it can and shouldbe used to convey opinions on very specific topics — politics,economics, and art itself. Closes March 10. The RenaissanceSociety Gallery in Goodspeed Hall, 1010 E. 59th St. Mondaysthrough Saturdays, 11 am to 4 pm. 753-2886-. Free.TheaterAntigone: Anouilh's version of Sophocle’s classic tragedy.Directed by Diane Rudall; set by Michael Merritt: costumes byJoan Kleinbard. Written during the Nazi occupation of Paris,Anouilh’s work investigates the moral obligations of rulersand citizens. Closes March 4, this Sunday. New Theater (firstfloor of Reynolds Club. 57th and University). Tonight and Sat¬urday, 8:30 pm; Sunday at 7:30 pm. 753-3581. Friday and Satur¬day. S4.50, $2.50 students: Sunday, $4. $2 students.Rope: A comedy mystery by Patrick Hamilton. This prod¬uction is the BA project of Randy Solomon, a senior in theCollege and abbot of Blackfriars; he directed. Opens tonight,closes March 11. Court Studio Theater, third floor of ReynoldsClub. Fridays and Saturdays at 8:30 pm; Sundays at 7:30 pm.753-3581. $2, $1.50 students.MusicLeo Kottke: Tomorrow night at Mandel. See article else¬where in this issue.UC Concert Band: A concert of classical music set in a splen¬did place for listening: Harper Library, whose stone wallspromise to ring with the sounds of Beethoven’s Fifth, “Al-cott's Movement " from Ives's Concord Sonata, and the ’ Ju¬piter'' movement from Holst’s “Planets." Tomorrow, March 3.7:30. Free.Therese Edell: Concert sponsored by the InternationalWomen’s Day Coalition. Thursday, March 8. Cloister Club, IdaNoyes Hall. 8:00 pm. 643-7248. Child care provided. Tickets — $3$2 for UC students — on sale at Reynolds Club box office.Music In Renaissance Italy: Performed by the University'sCollegium Musicum. Directed by Howard Brown. Music ofMorales, Jachet of Mantua. Rore. and Willaert. Tomorrow,March 3. Bond Chapel. 8:30 pm. Free.University Chorus and Orchestra Winter Concert: JamesMack conducting; Soprano Janice Hutson and harpsichordistKenneth Dorsch soloing. Program: Haydn’s “Te Deum" of 1798,the Clavier Concerto in C major of 1756, and “Mass in DMinor,” also called the “Lord Nelson Mass" because the un¬usual use of trumpets in the “Benedictus" is thought to markthe news of Nelson's victory at the Battle of the Nile. ThisSunday, March 4. Mandel Hall. 3:30 pm. 753-2612. Call forprices.Abelard Consort: A Divinity School group of singers per¬forming Sixteenth Century Italian and English Madrigals.Sponsored by Student Activities as a Noontimer — bring yourlunch. This Thursday, March 8. Reynolds Club Lounge. NoonTokyo String Quartet: One of the greatest string quartetsin the world appearing in the University’s Chamber MusicSeries. Ten years old, the group includes Koichiro Harada andKikuei Ikeda on violins, Kazuhide Isomura, viola, and SadaoHarada. cello. Since 1977, they have been the resident quar¬tet at Yale. Program: Haydn’s “Quartet no. 34 in D. op.20,no.4”, Smetana's “Quartet in E Minor, From My Life,’ ” andBeethoven's “Quartet in F, op.59, no.l.” Tonight, March 2, inMandel Hall. 8:30 pm. 753-2612. Tickets, few of which are left,can be purchased at the Concert office, 5831 University Ave..$6, $3 students.Ethnic Heritage Ensemble: A concert sponsored by the Chi¬cago Front for Jazz. Performing: AACM members Kahil El-The Grey City Journalthe arts and criticism supplement to the MaroonEditor: Nancy CrillyManaging editor: Melinda CoreyArt editor: Richard KayeThis Week in the Arts editor: Karen HornickProduction: David MillerStaff: Curtis Black, Harry Doakes, Ethan Edwards. Steven Feld¬man, Bruce Shapiro, Charles Stone16 - The Grey City Journal - Friday, March 2, 1979 Zabar, percussionist, “Light” Henry Huff reeds, and Ed Wil-kerson, also reeds. Tonight, March 2. Ida Noyes Library, 1212E. 59th St. 8:00 pm. $3.50. $2.50 with UC ID.LectureHadyn Solo Keyboard Sonatas Reconsidered: A Music De¬partment-sponsored lecture by Laszlo Somfai, a native of Bu¬dapest. Somfai is recognized as one of the world’s foremost ex¬perts on Hayden’s music. Today, March 2. Regenstein Library264. 4:00 pm. Free.FilmBy Ethan EdwardsHigh Sierra (LSF) Directed by Raoul Walsh. Humphrey Bo¬gart can thank Edward G. Robinson, George Raft and JamesCagney for Bogart’s first major role-they all turned it down.He plays an improbably named gangster. Mad Dog Earle,sprung from jail to lead a holdup of a California resort hotel.Bogart's life complicates when he becomes emotionally in¬volved with a crippled girl. Raoul Walsh directs in his usualstraightforward manner. Along with The Maltese Falconmade shortly after this film, High Sierra made Bogart a box-office star. It ends with a brilliant gun battle on a mountain¬side. Friday at 7:15 and 9:30 in the Law School Auditorium.The Eagle (Doc) Directed by Clarence Brown. When a hand¬some Cossack (Rudolph Valentino) spurns the advances ofKatherine the Great, he takes to the countryside as the BlackEagle — a Russian Robin Hood. (He takes to his horses leavingKatherine to hers.) As in most of Valentino’s films, he spendsmore time bowing to ladies than buckling his swash, butthat’s the point of a “romantic” adventure, isn’t it? AlthoughValentino played only in silent films, his screen presence andfancy eyework had the women on the ropes. The Valentinomystique, which grew out of his exotic beauty, burningglances and hermaphroditic aura, made him the leading ro¬mantic figure of the fist quarter century of film. In The BlackEagle Valentino met his match with America’s favorite vamp,Vilma Banky. Despite the hopelessly dated plots and dramat¬ic conventions of Valentino’s films, everyone should see atleast one. Friday at 7:15 in Cobb Hall.Son of the Sheik (Doc) Directed by George Fitzmaurice. Ru¬dolph Valentino, in his last film, released after his death, This WeekHall.Blue Collar (NAM) Directed by Paul Schrader. In Blue CollarSchrader, who wrote Martin Scorcese's Taxi Driver and wroteand directed Hardcore, examines a worker’s life in an auto¬mobile factory. Harvey Keitel, Richard Pryor and YaphetKotto are union workers who try to blackmail their ownunion. Blue Collar has a real feeling for workers and a cynicalattitude toward both labor and management. AlthoughSchrader captures very little of the beauty of Scorcese’surban landscape, he retains much of Scorcese’s surface hard¬ness. Schrader’s pictures look one-dimensional, but his char¬acters aren't. Saturday at 7:15 and 9:30 in Cobb Hall.The Middleman (Doc) Directed by Satyajit Ray. Despite thehuge popularity of films in India and the size of the local filmindustry, very few Indian films are exported. Ray’s slow, pen¬sive films are an exception, for they have enjoyed a surpris¬ing popularity in the United States. In The Middleman (1977)an honest student enters the street world of small-time com¬merce after being unjustly failed in a government exam. AChicago premiere. Unseen by this reviewer. Sunday at 7:00and 9:30 in Cobb Hall.The Third Man (NAM) Directed by Carol Reed. This 1949 Brit¬ish mystery is one of the most honored British films evermade. Its attraction derives from several sources. GrahamGreene has written an intelligent script with some wonderfulmoments of moral ambiguity. Joseph Cotten is very good andOrson Welles is at his most mesmerizing. Carol Reed’s obliquecamera angles are much too self-consciously “arty” for mytaste and I’m not convinced he really knows what he’s doing.The engaging zither music sarcastically comments on the ac¬tion, but every time I’ve seen the film, the music seems unne¬cessarily loud. The story involves a writer (Joseph Cotten) ofpulp westerns who arrives in war-ravaged Vienna to meet upwith a boyfriend (Orson Welles) only to find that the friendhas died under suspicious circumstances. A search for a wit¬ness to the death involves Cotten in the intrigues of blackmarketeering in the earily Cold War. Recommended. Mondayat 7:15 and 9:30 in Cobb Hal.City Listings begin here:ArtJohn Weber—Calligraphy Demonstration: A demonstrationof this fine art, which is currently undergoing a revival ofpopularity and interest. Weber will work with a chisel pointOur eclipseplays Ahmed, a dashing sheik in love with the exotic and fa¬scinating Yasmin (Vilma Banky). He believes her to have be¬trayed him to his enemies, but, of course, it all turns out inthe end. This 1926 sequel to Valentino’s 1921 success. TheSheik, was even more popular than its original. One curiousmyth of Hollywood filmmaking that was especially rampantduring the 1920’s and early 1930’s is that foreign morals arelooser. This attitude allowed European actors in Hollywood toengage in considerably more on-screen passion than recog¬nizably American actors. Valentino in particular was allowedgreater freedom to romance women as a sheik on the MiddleEastern desert than he would have been allowed as a cowboyon the American range. The attribution of sexuality toforeign actors gave the audience vicarious titillation whiledistancing it from the actors’ amorality. Friday at 9:00 in Cobb steel pen and show several styles of writing; on display willbe specimens from his collection of rare manuscripts. Tomor¬row. March 3. Chicago Historical Society, Clerk Street atNorth Avenue 1 pm to 4 pm. Admission free with admissionto building — $1.Sydney Drum/ Ron Cohen: Drawings by the former, sculp¬ture by the latter. Drum's work is positioned on both thefloor and the wall: “The viewer thus experientially perceivesthe work, examining it from different angles.” Cohen makescomplete use of the space provided by a room by cordoningoff sections with wires and rods. Both are Chicago artists.Closes March 10. N.A.M.E. Gallery. 9 W. Hubbard. 467-6550.Free. Call for times.The Sculpture of Marion Perkins: A retrospective of thelate- sculptor’s work, perhaps the greatest body of Afro-MusicWanda Wilkomirska: An Allied Arts appearance by thewell-known Polish violinist. Accompanied by I adeusz C hmie-lewski, Wilkomirska will play works by Beethoven, Brahms,Szymanowski, and Bartok. Tomorrow, March 3. OrchestraHall, 220 S. Michigan. 8:30 pm. 435-8122. $6 to S10.TheaterComedians: By Trevor Griffiths: directed by Judd Parkin.“Despite weaknesses, an effective production a comedy -drama about a night class for comics in England. Through mance in the title role and a set designed by Edward Gorey —Langella's presence in the Chicago production may be missed,but Gorey’s sets are reproduced here, reportedly, with alltheir clever, highly stylized, macabre glory intact. ClosesMarch 18. Shubert Theater. 22 W. Monroe. Tuesdays throughSundays: call for times and ticket availability. 977-1700. $6.50to $16.50.Sexual Perversity in Chicago and A Sermon: Both by DavidMamet. Mamet's first Big One. Perversity is about makingpasses. Many theater-goers may wish to pass themselves, butthis is a good opportunity to experience Mamet for the firsttime. Jim Belushi stars. A Sermon is a new work, a mono¬logue. A new production directed by Sheldon Patinkin.Through March. Wednesdays through Fridays, 8 pm: Satur¬days at 7 and 10 pm; Sundays at 3 and 8 pm* Apollo Theater DanceAmerican Ballet Theater: The ABT comes to Chicago everyyear in March; this year's visit brings the Chicago premiere ofMikhail Baryshnikov's Don Quixote. Baryshnikov will not beappearing, but Gelsey Kirkland, Martine van Hamel, andAnthony Dowell (on leave from the Royal Ballet) will. Opensthis Tuesday. March 6; closes March 18. Program varies night¬ly. Civic Theater. 20 N. Wacker. 663-5370. Tickets — which maybe impossible to obtain — start as low as $5 and skyrocket ashigh as $75. Call for times.Calendar compiled by Karen Hornick. Contributions by BruceShapi,-o.The Grey City Journal — Friday, March 2. 19<9 — 1 <in the ArtsAmerican art as yet produced in Chicago Perkins participat¬ed in the WPA Arts project and was a founder of the SouthSide Community Art Center. His work combines American andAfrican techniques and styles; he was one of the first to real¬ize in his art the connection between Black experiences inAfrica and America. Closes April 1. Randolph St. lobby of theChicago Public Library Cultural Center, Michigan and Ran¬dolph. Saturdays, 10 am to 5 pm; Sundays. 1 to 5 pm; Mondaysthrough Thursdays, 10 am to 8 pm; Fridays, 10 am to 6 pm.269-2837. Free.One Man’s Pipeline: Photographic views of the Trans-Alas¬kan pipeline by J. A. Sonnerman. Through March 18. Museumof Science and Industry, 57th and Lake Shore. Weekdays, 9:30am to 4 pm; Saturdays and Sundays, 9:30 am to 5:30 pm.684-1414. Free.Autochromes from Tonkin: Poignant, revealing photo¬graphs taken by a “Mr. Busy" in colonial Vietnam during 1915and 1916. Opens today, February 23; closes March 23. FacetsGallery, 1517 W. Fullerton. Weekdays, 7 to 9 pm; weekends, 2to 9 pm. Free.The Wasmuth Edition: Architectural drawings of FrankLloyd Wright. Floor plans and drawings of elevations from anearly, German edition of Wright’s work. Closes tomorrow,March 3 at the Archicenter, 310 S. Michigan. Mondays throughSaturdays, 9 am to 5 pm. 782-1776. Free.Robert Rauschenberg: Last two days of the New York ar¬tist’s first one-man show in Chicago. All new work. Closes to¬morrow Saturday, March 3. Richard Gray Gallery, 620 N. Mi¬chigan. Tuesdays through Saturdays, 10 am. 642-8877. Free.Vera Element: A collection of abstract paintings by thismember of the University’s Committee on Art and design.Runs through March 21. Tuesdays through P’ridays, 10 am to5:30 pm; Saturdays, 11 am to 5 pm. Marianne Deson Gallery,226 E. Ontario. 787-0005. Free.Irving Penn/ Michael Johnson: The city vs. the country;the artificial, urban world of fashion, the street vs. rurallandscapes, vegetation. These are the contrasts the viewermust be expected to make when he visits these two exhibits,obviously opposites, under one roof. Closes tomorrow, March3. Gilbert Gallery, Ltd., 218 E. Ontario. 642-3484. Free.Orlando Giannini: A collection of works by an artist andart-glass maker who collaborated with and influenced FrankLloyd Wright. Known largely because of his association withWright, Giannini’s early masterpieces in glass would havemade his reputation. Through June 4 at the Wright Home andStudio, 951 Chicago (corner of Chicago and Forrest in OakPark). Gelsey Kirkland as Kitri in ABT’s Don Quixote. See City Dance.March 11. Wisdom Bridge Theater, 1559 W. Howard. Thursdaysthrough Saturdays at 8:30 pm; Sundays at 7:30 pm. 743-6442.$6, $5.Dracula: A rare dramatization o the Bram Stoker novel: itseems to take the thriller seriously, avoiding the grossnessand camp that has preyed upon less inspired efforts. A big hitin New York last year because of Frank Langella's perfor¬ Center, 2540 N. Lincoln. 549-1342. S5.50-S8.50.Porch: The Chicago premiere of a comedy by the play¬wright-in-residence at New York’s Actor’s Studio, JeffreySweet. Tom Mula, the young Chicago actor makes his debut asdirector. Closes this Sunday, March 4. Thursdays through Sun¬days, 8:30 pm. 549-5788.The Ridiculous Theater Company: An infamous off-offBroadway troupe. Charles Ludlum wants to take theater pastthe Absurd to the Ridiculous. His productions are a mixture ofparody and perfidy — some people find them fascinating,others coldly repellent. This Thursday, March 8. Body PoliticTheater, 2261 N. Lincoln. 871-3000. Call for times and prices.Kurt Weill: A “Cabaret" with Martha Schlammer and AlvinEpstein. Songs of the great theater composer (ThreepennyOpera. Mahogany, Street Scene. Johnny Johnson, Lost in theStarsI with lyrics by, among others, Bertolt Brecht, MaxwellAnderson, Langston Hughes Performed by two of Weill’sleading exponents — Martha Schlammer’s portrayal of PirateJenny in the Fifties off-Broadway Three penny is legendaryThis Monday, March 5. St. Nicholas Theater. 2851 N. HalstedFuneral March for a One-Man Band: A comedy - drama -musical about a young songwriter who learns he’s dying andbegins a search for the meaning of life. By Ron MelvilleWhyte, a graduate of Union Theological Seminary. Music byMel Marvin and lyrics by Robert Satuloff. Directed by AmySaltz. Previews this weekend; runs through April 15. St. Ni¬cholas Theater, 2851 N. Halsted. Wednesdays and Thursdaysat 8:00 pm. Fridays at 8:30 pm. Saturdays at 6:30 pm and 10:00pm. and Sundays at 3:00 pm and 8:00 pm. 281-1202. $6 - $7.The Rover: The American premiere of the 17th Centurycomedy by Aphra Behn. Directed by Michael B. Diamond andJ. Dennis Rich. On its way to New York. A production of U ofI’s "Circle Theater Company and Actor's Equity. Closes March11. The Circle Theater, 1040 W. Harrison. Tuesdays throughSaturdays at 8 pm: Sundays at 3 and 8 pm. 996-2929 or 996-5286$4 to S6.Poor Murderer: WYitten by Pavel Kohout. An actor be¬lieves he has killed a colleague during a performance of Ham¬let. At the advice of his doctoi, he reenacts his life up to theimagined murder. An intellectual and political, neverthelesshighly theatrical work by the exiled Czech playwright Ex¬tended to March 25 because of its popularity. Thursdaysthrough Sundays. 8 pm: Sunday matinee at 3 pm. Parv Prod¬uction Company. 1225 N. Belmont. 327-5252. $5. $4.Don’t miss LEO KOTTKE in concertat Mandel Hall, March 3, 8:30 P.M. Only30 tickets left, available at Mandel Box Office.- " "Tf 1^on-"""SPECIALDISCOUNT PRICESfor all STUDENTS andFACULTY MEMBERSJust present your University ofChicago Identification Card.As Students or Faculty Membersof the University of Chicago you areentitled to special money-savingon Volkswagen &Chevrolet Ports, Accessories and anynew or used Volkswagen orChevrolet you buy from VolkswagenSouth Shore or Merit Chevrolet Inc.SAlfS & SERVICEALL AT ONE GREAT LOCATIONCHEVROLETm VOLKSWAGENsi/ SOUTH SHORE72nd & Sfony IslandPhone: 684-0400Open Daily 9-9 Sol 9-5Ports open Sot til Noon“I’ve got Pabst Blue Ribbon on my mind"Eye ExaminationsFashion Eye WearContact LensesDr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372U.C. Students, Faculty, EmployeesSpecial ConsiderationOUR REPUTATION IS YOURGUARANTEE OF SATISFACTION.Reader of THE MEANING OFAPHRODITE by Paul Friedrichmight also be interested in his volume ofnew and selected poems:BASTARD MOONSin five parts: ENTRY, BETWIXT ANDBETWEEN, A BLACK CYCLE, ANTHRO¬POLOGICAL EXPERIMENTS, LOVECYCLE. At Hyde Park bookstores, StuartBrent, and Rizzoli’s. Price: $1.00.18 — The Grey City Journal — Friday, March 2, 1979 SNOWED UNDERDue to Typing Delays?RELAX!Avoid the Rush and Leave the Typing to Us.We Do:Manuscripts / Theses / DissertationsResumes / Reports / Transcriptions24 Hour Telephone Dictation ServiceEMA KWIK SECRETARIAL SERVICE180 West Washington 236-0110Weekends & Evenings 726-3572 C 1979 PABST BREWING COMPANY W.s andothet c*t*esLOOKING FOR SOMETHING BETTER?We will have several apartments available forLease in the very near future.2 to 3Vi room 1 bedroom apts.Starting at 1225.Security and one-year I>ease required.We have a lot to offer. Come .see us.MAYFAIR APARTMENTS. 54% So. Hyde Park Rivd.Maroons take finaleEnd season with 62-54 victoryBy Andy Rothmanphoto by J. WrightEnd season 5-7The 1979 Chicago Fencers triumphantlyended their official season last Saturday.The Maroons traveled to Kenosha, Wiscon¬sin to participate in a dual meet with theUniversity of Wisconsin, Parkside.Since only 2 strips were ready, epee andfoil squads went first. Epee was led by an in¬spired performance by Brian Holmgren. Histhree victories spurred the squad to defeatParkside 6 to 3. Foil was having a toughertime. The Rangers picked up Chicagomistakes quickly and dealt the Maroons a 6to 3 defeat, with squad captain Ed Levypicking up 2 of the Chicago victories. Thescore at that point was Chicago 9 andParkside 9. The sabre fencers had to comethrough for a victory, and they did with PaulShea and Mike Stewart leading the way assabre destroyed the Rangers 9-0. TheMaroons won with the score 18 and 9 and fin¬ished the season with a record of 5 and 7.Coach Bob Ostrowski was satisiied withthe team’s overall performance of the Victory number 701 came easily forUniversity of Chicago basketball as the 1978-79 men’s team closed its season with a 62-54win over the University of Michigan, Dear¬born last Saturday at the Crown FieldHouse.The Maroons broke out strong, following abrief ceremony honoring the club’sgraduating seniors. Chicago seized a 20-3advantage before Maroon coach JohnAngelus replaced his entire starting fivewith 12:10 remaining in the first half.The Dearborn Wolves (9-13 going into thegame) were coming off a 76-48 thumping atthe Illinois Institute of Technology (a teamthe Maroons had previously beaten, 68-67)the night before, and appeared to be headedfor a worse beating at the Field House.Dearborn was totally disorganized on of¬fense, a fact that, combined with a strongMaroon man to man defense, resulted in aseason, but somewhat disappointed with theteam’s losses to Michigan, Dearborn, andMilwaukee Tech: “Those two close lossesreally made a difference. Next year we willwin those close ones and it will make a dif¬ference.” The Maroons return all of theirteam next year, including five fencers whohave season records over .500.Next Friday and Saturday, the GreatLakes Tournament, which is the qualifyingmeet for the NCAA championship tourna¬ment, takes place at Dearborn. Michigan.To qualify for the NCAA competition afencer must finish in the top six in his in¬dividual weapon. Chicago is representedthis year by Robert Tompkins and PaulShea from the sabre squad. Brian Holmgrenand Rich Gallo from the epee squad and Ed¬win Levy, foil captain. With the strength andexperience of these fencers, Chicago willplace high at the tournament and have goodchances at NCAA participation. slew of early turnovers. Led by Jay Alley’sfive for nine shooting from the field, plusMark Miller’s 4-5, and Kenny Jacobs’ 3-4,the Maroons took a 35-24 halftime lead.Angelus allowed his bench to see some ac¬tion in the second half, but it did not help theWolves’ cause. The Maroons continued theironslaught, building 20 point leads with 12minutes to go on a basket by sophomorePete Leinroth, making the score 47-27, andagain when Alley made it 49-29. After thesepoints the Wolves mounted a mild rally overthe closing stages of the game, comingwithin 10 at 55-45 with five minutes remain¬ing on a score by their 6’5” center, JoelRohn. Later Dearborn closed within 9 with27 seconds left on a shot by Mike Brewis(one of three Brewis brothers on theWolves) to make the score 61-52. Dearborn’s6’3” swingman, Bob Finnell, who also had abrother on the squad, scored the final points,closing the Maroon margin of victory toeight.The game’s emotional highpoint camewith a minute and a half remaining whenAngelus took Alley, a senior, out for the finaltime. Alley left to a rousing ovation by theappreciative audience, which includedmany of the players’ parents. In his final ap¬pearance as a Maroon, Alley tallied 18points, to finish with 1222 for his career.That left him 59 points shy of third placeheld by Billy Lester, on the alltime Maroonscoring list. Center Bret Schaefer, also asenior, departed with a similar ovationmoments later.Saturday’s win also marked the final ap¬pearances of seniors Ed Foley, DaveGlazer Tod I^ewis, Mike Mervin, Miller,and Kevin Tetsworth. In all, Angelus willlose eight of fifteen players to graduation.The 78-79 Maroons finished 8-10 overall, aslight improvement over last year’s 7-10mark. Chicago matched last year’s MidwestConference record of 4-6 this season. Thisyear’s club suffered mainly from twochronic ailments, the age old basketball pro¬blem of trying to win on the road, and thelack of a dominating center. The Maroonsfared miserably outside the friendly con¬fines of the Field House, going 1-6 on theroad, though losing two games by two andfour points respectively, and one in over¬time by nine. Bret Schaefer had an outstan¬ding season at center, though he often wentFencers foil ParksidersWomen place fifth at state meetBy Bette LeashChicago’s women swimmers culminatedtheir best season ever with more successesat the State Swimming and Diving Cham¬pionships on February 22, 23, and 24. Thetwelve woman squad of ten swimmers andtwo divers and their coach, Tom Schweer,travelled to Illinois State University at Nor¬mal, Illinois for three days of intense com¬petition. The results of the meet attest to thewomen's efforts and Schweer’s expertisethat have marked their excellent 6-1 show¬ing throughout the 1978-79 season.The meet went well for Chicago fromThursday, the first day. Judy Blank. PeggyCulp, Ann Merryfield, and Sharon Sadowswam a fantastic 200-yard medley relay andtook third place in the state and set a schoolrecord with a time of 2:08.23. Ellen Morattitook first place in the 500-yard freestyle andtook her first State title. In the 50-yardbreaststroke Peggy Culp placed fourth inthe state and Selina Long placed seventh.With a time of 2:33.27, Judy Blank tookfourth in the state in the 200-yardbackstroke. In addition. Chicago’s 800-yardfreestyle relay of Judy Blank, Ann Mer¬ryfield. Bette Leash, ‘and Ellen Moratticame in fourth place with a stong time. Alsoon Thursday divers Carolyn LaGrange andLisa Doane placed sixth and seventh in thestate.Friday went equally well for the Chicagowomen. Abagail Abraham swam the gruel¬ing 400-yard individual Medley and orougniin points for her eleventh place finish JudyBlank swam her best time and came in fifthin the 100-yard backstroke. Two Chicago swimmers did well in the 200-yard freestyle;Ellen Moratti’s time of 2:04 placed her se¬cond overall and Ann Merryfield placedtenth. Breaststrokers Peggy Culp andSelina Long came in fifth and eleventh intheir 100-yard race.Finally, in the 50-yard freestyle EllenMoratti came in second in the state and Judy Blank came in fifth with her lifetimebest split of 26.83. At the end of the secondday of competition the tired but triumphantChicago women still had a firm hold on theirfifth place standing at the meet.On jthe final day of the meet the womenonce again performed with energy and en¬durance. Ellen Moratti won second place inthe 100-yard freestyle and Sharon Sadowplaced ninth with her best time (1:04) in thesame event. Once again Peggy Culp andSelina Long swam extremely well in abreaststroke event: in the 200-yard racePeggy swam her best time of the season(2:481 and came in fifth and Selina swam alifetime best by eleven seconds (2:59) andplaced seventh. Later in the meet JudyBlank took another fifth place in the 50-yardbackstroke. Finally. Ellen Moratti wonanother State title in the 1650-yard freestylewith a time of 19:15 while Bette Leash tookninth place with a time of 22:39 in the sameevent.Coach Tom Schweer described thewomen's swimming at the State meet as“super.” Not only did many place in cham¬pionships and finals, but many womenswam their personal best times. EleanorLeyden and Cindy Zezulak swam their bestever in the 100-yard backstroke. Ann Mer¬ryfield clocked her fastest 100-yard butterf¬ly (1:15), and Bette Leash posted her besttimes in the 500- and 100-yard freestyles.Schweer and the women agree that theirperformances were terrific and the resultsas excellent as expected. Late Saturdaynight, the Maroons concluded a winningseason of swimming in a winning wav. pla-ceing fifth overall. photo by J. Wrightagainst centers two and three inches tallerthan his own 6’6” frame. While these centersplayed along side two sharp shooting for¬wards that were two and three inchesshorter than himself and simply could notsupply needed rebounding help.The team’s overall play improved steadi¬ly throughout the season. The Maroons wonthree of their last five contests. Angelus,however, will lose six lettermen, raising tonine the number of lettermen he has lostover the last two years. The only returningletterman from this year will be Jacobs,now a junior. 6’2” Soph Vlad Gastevitchshould be able to take over in Alley’s posi¬tion. Even with those two. the team will be acomplete question mark. Jacobs, a guard at6’3” this year, and Leinroth at 6’3” combinewith 6’4” freshman Rich Martin, whom noone is saying has played to his potential yet.to form a comparatively tiny front line.Other returnees include, 6’2” forward FeteLiber, 5 8” guard Jeff Mitchell, and 6’1”guard Steve RichardsAngelus. whose career coaching record isnow 43-34 (all at Chicago), has a thick stackof cards on his desk with the names of manyprospective freshmen for next year. He canonly hope that somewhere in that stack ofcards, or anywhere, lies the prize in hissearch for an adequate center, or two.photo by J. WrightThe Political ForumpresentsMr. Paul PetersononCongressional Electionsand theTaxpayer’s RevoltSun. March 4 7:30 p.m.Pierce TowerPLUSMr. Ted MarmoronThe Prospects forNational HealthInsuranceWed. March 7 8:00p.m.Pierce TowerFor additional information on the PoliticalForum, send a card to The Political Forum,Ida Noyes Hall, via Faculty Exchange. Valhallaserved on tap1515 east 53rd street, hyde park Chicago241-6827IN THE HEART OF COSMOPOLITAN HYDE PARKPRESENTSMarch 2, Fri. The Fantastic JasmineMarch 3, Sat. Hanah-Jon Taylor andThe Alien GangMarch 9, Fri. The Fantastic JasmineMarch 1O, Sat. Modern Jazz TrilogyMarch 16, Fri. HYDE PARK WORSHOPA JAM SESSIONNew Music EnsembleHanah-Jon Taylor andThe Alien GangMarch 17, Sat. The Fantastic JasmineMarch 23, Fri. Modern Jazz TrilogyMarch 24, Sat. The Fantastic JasmineMarch 30, Fri.' The Fantastic JasmineMarch 31, Sat. Hanah-Jon Taylor andThe Alien Gangiiimo* ssuoiSMoaas.'niMOdo3 UMOXSMOOa t.lllMOdPowell’s BookstoreHelp!We’ve been cleaning up — we need yourbooks — bring us your tired, your poor,vour huddled volumes.CASH FOR BOOKSNew arrivals:German LiteratureLinguisticsNew Judaica Section MJIIIIIIIIIIIIIIIIIIIIIItllllllllltlllllllllllllllllllllllllllllllllllllllllllllllllllllHIIIIIIIIIIIIYou don’tI have to shop around.Icelandichas thebest bargainto Europe.Powell’s Bookstore1501 E. 57th St.955-77809a.m. -11 p.m.Everyday Powell’s BookstoreWarehouse1020 S. Wabash, 8th floor341-0748-Thisweek only -Open only Saturday *295roundtrip.POWELL S BOOKSTORES POWELL'S TORES POGOLD CITY INNgiven * * . * *by the MAROONOp#n DollyFrom 11:30 a.m.to feOO pan.5228 Harper 493-2559fRRRe )Eat more for less.(Try our convenient toko-out orders.)A Gold Mine Ot Good Food"Student Discount:10% for table service5% for take homeHyde Park's Best Cantonese Food You’ve heard a lot about fares to Europe, but none ofthem can compare with the one you’ve just found.Icelandic s 14-45 day APEX fare from Chicago toLuxembourg is just $295 roundtrip. Tickets must be bookedand paid for 30 days in advance. Fare subject to change.No weekend surcharge.You’ll get free wine with your dinner, free cognacafterwards and excellent friendly service all the way acrossthe Atlantic.We’ll take you to Luxembourg, right in the heart ofEurope, where you’ll be just hours away by train or car fromalmost all of Europe’s most famous landmarks.Seats are limited, so don’t1 waste any more time hunting.You’ve already found thebest bargain of them all.See your travel agent or contact the Puffin nearest you. Or wnte Dept.#C-396, Icelandic Airlines. 18 S. Michigan Ave.. Chicago, IL 60603.Or call 800-555-1212 for the toll-free number in your area.Please send me more information on:n Low Cost Fares Q European Tours Q Alpine Ski ToursNAMEADDRESSCITY STATEICELANDIC25 years of low air fares to Europe ZIPIC ELAN DAI H rEducation For EnlightenmentIntelligence, perception, comprehension, and academicperformance improve directly through the TM program.TheTranscendentalMeditationProgramFREE INTRODUCTORY LECTURESunday Mar. 4 3 PMTuesday Mar. 6 7:30 PMIda Noyes Hall2nd Floor - East Lounge©1976 World Plan Executive Council—U S. All rights reservedTranscendental Meditation™ and TM® are service marks of WPEC—U.S., a non¬profit educational organization.SPRING BREAKin theSPANISH SUN!iOne week in theCosta del Sol from $399* Round trip air transportation between Chicagoand Malaga via World Airways DC-8, a U.S.charter air carrier.* Transfers between airport and hotel, includingbaggage handling.* Welcoming Sangria Party.* Seven (7) nights accommodations in the hotelof your choice.* Continental breakfast daily.* Hospitality Desk.* All tips, taxes and gratuities for included items.Departures: March 23, April 6, April 20, April 2~>(Prices are per person, based on double occupancy)AIR ONLY $339 (plus taxes)SI t VOL R IRA l LL AG I S7Charter Travel CorporationV ^ W 180 Mortti LaSalle Street Cfucaqo Illinois 6060’ 31? 9’ r 7400AHEAR AGAIN STEREOSells guaranteed name brand usedand demo stereo components at 40%to 70% off regular prices.THESE ARE OURWEEKLY SPECIALS:TX TEAC 4300 $399.00MARANTZ 26 99.00SANSUI551 119.00TECHNICS SL1350 149.00PHILIPS GA 427 59.00PIONEER XS 780 Demo 235.00DUAL 1218- 79.00SONY STR 3800 179.00JVC JRS 100 Demo 99.00INFINITY 1001 75.00 eachComplete systems from $75 to $750.60 day trade back privilege. Namebrand components for limited bud¬gets.HEAR AGAIN STEREO7002 N. California 338-773720 — The Chicago Maroon — Friday, March 2, 1979IM ReportDroogs and Joyce meet for titleBy Howard Suls and RW RohdeJerimiah Joyce scrapped out a victoryover Divinity while Psi-U whipped Dudley in*the graduate and residence title game lastSaturday. The top-ranked Joyce team, downby over a dozen points in the first period,held Divinity to 12 points for the remainderof the game while scoring 27 to change a 3-16deficit to a 30-28 win. Divinitv. which was hurt by committing 24 fouls to Joyce’s 10,blew two chances to send the game intoovertime during the final moments.Psi-U, who beat Fishbein 29-26 in a semi¬final game, had an easier time with Dudleyas they came up with a 57-44 victory behindthe play of Bob Kusyk and Paul Harris. Dud¬ley edged out Upper Rickert in their semi¬final match-up, 44-42. Psi-U must now faceChicago takes talents to state tourneyBy RW RohdeThe women’s basketball team travelleddown to Quincy, Illinois yesterday for thisweekends small college state basketball tournament. The tournament is a 12-teamsingle-elimination affair with the top fourteams receiving byes.Eighth-seeded Chicago was scheduled toSportsSkiers close out seasonBy Hack GibsonChicago’s men’s tennis team memberspoked their noses out of the Crown FieldHouse for the first time this winter with aTuesday trip to Marquette University inMilwaukee, Wisconsin. Before the day wasover, they wished they had seen theirshadows and run back in again.The Warriors trounced the Maroons 9-0.The only real Chicago hope came whenfourth seed Blair Ewing used the wrongscorecard and his teammates thought hewas winning. When he came off the court,the truth was known: defeat 6-2, 6-3.Marquette won the first sets in the singlesby a combined total of 36-6 and the secondsets 36-12, as Maroon coach Chris Scottpointed out to cheer his defeated team. In the spirit of the day, second seed Bruce Car¬man said, “Yeah, but we would’ve won thethird sets.”The doubles matches were almost as bad,with the teams of Carman-Geri Mildner.Ewing-Roger Lewis, and Eric Von derPorten-Bear Gibney all going down to defeatin straight sets. Fifth seed Ken Kohl sat outthe doubles matches.With only two weeks of practice undertheir belts (thanks to Midwest Conferencerules), most of the Maroons said they werenot too disappointed by the loss to Mar¬quette, a team that has been practicing.allfall and winter and has six excellent indoorcourts to practice on. But the loss may be anadded incentive for the Maroons to preparefor their next match which is not until lateMarch.Sports ShortsWomen rundown circleWhen the University of Illinois at Circlewomen’s track team arrived at the F'ieldHouse last Thursday, they were openlyconfident of repeating their January vic¬tory. Halfway through the meet it becameapparent that Circle had met their matchin the revenge-hungry Maroons.On their way to victory, Chicago’s teammembers broke eleven personal records.When they weren’t edging Circle in quali¬ty, the Maroons were doing it with quanti¬ty. The bigger and deeper Maroon teamhelped bring in a 65-58 victory (a smallcontingent from Olivet-Nazarene rackedup 10 points).Leading the way was Junior VickiPowers, who placed first in the long andhigh jumps, second in the 200m run andthird in the 400. Cindi Sanborn helped outwith victories in the 5,000 and 1,500, shat¬tering the old record in the later with atime of 5:04. Other first placers wereJackie’Carrera in the hurdles and BarbHornung in the 1.000.The women are in the middle of a twoweek break before their last indoor meeton March 10 at 12 noon. The meet willleature twro events open to the campus; a1.500 fun run at 11:50 and a men’s 1,500 runat 12:50. Basketballtop tenPoints1. Jeremiah Joyce, 19th Ward (4) 492. Divinity 463. Tar Heels 374. The Droogs 345. Stop Killing Lizards 316. White Lepers 227. Med II 188. Uranus & the Seven Moons 159. There’s the Rub 1210. SAC (tie), Montana Wildhacks 3Votes: Psi-U, Fishbein, Dead Popes, Dud¬ley, Upper Rickert, Zero the Hero & thePothead Pixies.Softball and Socim entries due March 8Rugby party/The University of Chicago Rugby Club ishaving a party tonight. Friday, March 2, at9 p.m. at 5615 University Avenue. Anyoneincluding students and faculty, interestedin playing rugby is invited There will befilms of international rugby, refreshments. and music. meet Olivet-Nazarene this morning. Assum¬ing a victory in that game, the Maroonswere to face top-seeded Lewis Universitythis afternoon.Although Chicago lost to Lewis by 20points earlier in The season. Coach MarciaHurt was not pessimistic. Hurt noted thatthe game was played on the road and earlyin the season.The team has improved much since then,and has continued to show improvement inthe past week, when they knocked off Trini¬ty and Knox before falling to IllinoisBenedictine, (the fifth-seeded team at Quin¬cy ). The nine point loss to IBC is more causefor hope than despair, because the Maroonswere without the services of forward KimCurran, leaving Hurt unable to rest theother front line regulars. Nadya Shmavo-nian and Ellen Markovitz, as much as shewould have liked. In addition. Shmavonianwas playing with an infected right arm,causing her to miss an inordinate amount ofshots.With the return to full strength. Chicagowill be a force to be contended with.CongratulationsIM champs! the Droogs, who beat Strategic Air Com¬mand in the independent title game, for theundergraduate title. The winner meets Jeri¬miah Joyce tonight for the all-Universitytitle.Other results had Lower Wallace overShorey 18-0 for the Women’s residence title,while in Open Rec action Steve-O-Reno,Jerimiah Joyce’s alter ego. knocked offMcCormick Seminary for the title. Semi¬nary beat the Winners earlier 35-31, whileSteve-O-Reno’s took the Droogs 36-24 inwhat could have been a preliminary to theall-U title game.While the officiating has been fairly goodin most of the games there has been a prob¬lem or two. One of the teams involved in theplayoffs felt that one of their officials wasquite biased due to the fact that said teamhad beaten that official’s team earlier in theplayoffs, and that the official in question hadmade some remarks that reinforced thatopinion. All this brings up the point that offi¬ciating all season long has been erratic, withquality ranging from college standards tothe level of referees who don’t know what abasketball looks like.While officiating quality is erratic in allsports, it is so much a part of the game inbasketball that the intramural office woulddo well to look into that area for next season.The best solution would be an increase ofmoney in that area to hire better refs andincrease supervision, but with the size of thedepartment s budget and the financialshape of the University this is pretty unlike¬ly-On the other side of the problem, and justas unlikely, it would be nice to see some ofthe people who play the game grow up a lit¬tle bit. The Intramural office could raiseparticipation greatly if they made referee-abusing a sport. Any one who is concernedabout the issue might divert their energiesfrom bitching to trying to change the situa¬tion for next year. IM director RosalieResch is certainly open to constructive sug¬gestions. which can be made directly to heror at the next IM council meeting. April 5.March 8. next Thrusday, softball andsocim entries are due.vT/Ps/?/;///s//V//;///’/y//w/;ss;/y’/V777/syzv///////// ////,Harper Court SportsWide selection ofsquash, racquetball, andtennis equipmentRunning Shoes - SwimwearFleece lined hoodedSweatshirts - $22.95- Great for Jogging -5225 S. Harper 363-3748 $$$ I cannottell a lie ...I go toJIMMY’SThe Cornell Restaurant and Loungepresents for your entertainment theBest Folk, Bogev, and Jazz Pianists andFolksinger in Chicago.Thursday - Chris Farrell,Friday - Erwin Heifer,Saturday - Tony Zito,Sunday - Leo Montgomery,Monday - Chris Farrell,Tuesday - Open Mike,Wednesday - Leo Montgomery.councutounctDinner served until 11:00 p.m. dailySandwiches and Hamburgers until 2:00 am1610 E. 53rd St. Daily ll:30am-4 am684-6075 Sunday Noon-4 am FLAMINGO APTS.5500 S. Shore Dr.Studio «Xr Out* KedrinKuril. A Inf urn.Short A I.oiijj I erm KrniaU£200 - £400Parking |mn»1. restaurant,valet, deli and traii'-|Mirtatioii. Car|M‘tiiigdrape* inel.752-3800PizzahatterPick qp onlyM3 3-£8001460 E. 53rd ST.MEN! WOMEN!JOBS!< Kt is* Mlll’Sst HI H.IITKNSVo experience Highpax! See Kurope. Ha¬waii. Australia. So.America Winter. Sum¬mer!Send 12 7.1 toska wtmi.nBOX Mill’,Sacramento. ( \ HSK2SThe Chicago Maroon — Friday, March 2, 1979 — 21CalendarFRIDAYPerspectives: Topic: “The Social Dimensions of Depres¬sion”, guests. Dr. E.H. Uhlenhuth and Dr. Chase P. Kim¬ball, 6:30 am, Channel 7.Undergraduate Physics Journal Club: “Man PoweredFlight", speaker Mike Kroupa, 12:30 pm, Eckhart 209.Free Hamburgers and french fries.Geophysical Sciences Coloquium: “Nonlinear Equatori¬al Waves", speaker John P. Boyd. 1:30 pm, Hinds LabAuditorium.Econometrics and Statistics Colloquium Workshop:"Methodogical Issues in the Measurement of Poverty",speaker N. Kakwani, 2:00-3:30 pm, Ro 301.Center for Middle Eastern Studies: South Asian SeminarLecture-“Translating the Qur'an’, Speaker Ahmad Ali,3:00 pm, Foster LoungeEconomic History Workshop: "Distribution of Wealth inthe Thirteen American Colonies, ca. 1774", speakerAlice Hanson Jones, 3:30 pm, SS 106.Center for Middle Eastern Studies: Arabic Circle (discus¬sion in Arabic) “Aleppo and the Levant Trade in the Ot¬toman Period”, speaker Bruce Masters, 3:30 pm, Pick218.Dept, of Music Lecture: “Hayden Solo Keyboard Sona¬tas Reconsidered", speaker, Laszlo Somafai, Regen-stein 264. 4:00 pm. Free.Political Science Undergraduate Advisory Commit¬tee: Panel Discussion on “Human Rights and Theory",with Nathan Tarcov and Brian Barry. 4:00 pm, Pick022.WHPK: "Local Beat" with Charles Seigel; guest: Aider-man Tyrone Kenner from the 3rd Ward, 4:00 pm.Women’s Union: Meeting at 5:30 pm in Ida Noyes, abovethe Frog and Peach.Hillel: Shabbat Dinner, the Bayit. 5458 S. Everett, 6:45pm.Karate Club: Meets 7:00-9:00 pm, in the dance roomof Ida Noyes.Law School Films: “High Sierra”, 7:15 and 9:30 pm, LawSchool Auditorium.DOC Films: “The Eagle", 7; 15 pm, “The Son of the Sheik9:00 pm, Cobb.Christian Fellowship: Serving through gifts, 7:30 pm, IdaNoyes East Lounge.Gay and Lesbian Alliance: Women's Coffeehouse, IdaNoyes Sunparlor, 3rd floor, 8-12 pm.Hillel: “Scriptural and Psychotherapeutic Approachesto Human Development", speaker Rabbi Milton Kanter,8:30 pm. The Bayit.Chamber Music Series: Tokyo String Quartet, 8:30 pm,Mandel Hall. Call 753-2612 for ticket info.SATURDAYWHPK: Children's Hour, 10:00 am-noonTable Tennis Club: Practices 10:00 am-l:00 pm, Ida Noyes3rd floor.Rugby Club: Meets 10:00 am-noon, Field House.Overeater’s Anonymous: Meets 10:30 am at the Wash¬ington Park Field House. Hyde Park Union Church: Showing Children’s cartoons,11:00 am, 5600 S. Woodlawn.WHPK: Saturday Opera, “Don Giovanni”, by Mozart.noon-4:00 pm.India Association: Film-“Arunodayam", 2:00 pm, IdaNoyes East Lounge.WHPK: “Success Without College: Comedic Humor",4:00-5:00 pm. “Fine Women and Song: Music a womancan identify with", 5:00-7:00 pm.International House Film: “Alexander Nevsky”, 7:00and 9:30 pm.NAM Films: “Blue Collar", 7:15 and 9:30 pm, Cobb.MAB: Presents Leo Kottke in Concert, 8:30 pm, MandelHall.Collegium Musicum: Howard M. Brown, director. BondChapel. 8:30 pm. Free.Pub: Open Mike Night. 9:30-12:00. Entertainers pre¬viously unknown to the Pub. Members only.WHPK: Live Broadcast from Valhalla Jazz Pub, 10:00-1:0<am.SUNDAYRockefeller Chapel: University Religious Services,Spencer E. Parsons, 11:00 am.Hillel: Lox and Bagel Brunch, 11:00 am, HillelStudents International Meditation Society: Introducto¬ry Lecture: Transcendental Meditation, 3:00 pm, IdaNoyes East Lounge.Overeaters Anonymous: Meets 3:00 pm, Ill Central Hos¬pital, 5800 S. Stoney Island, 4th floor.University Chorus: with orchestra, James Mack, conduc¬tor. Mandel Hall, 3:30 pm. Free.Rockefeller Chapel: Organ Recital, Edward Mondello,University Organist, 4:45 pm. Service of the Holy Eu¬charist, Celebrant, 5:00 pm.Greek Students Association: Films-(in English) Docu¬mentaries: Fire Walkers, Traditional Dance, Music,Folklore. By Nestor Matsa. International House, ho¬meroom, 6:00 pm. Free.Tai Chi Club: Meets 6:30 pm, 4945 S. Dorchester (enter on50th).DOC Films: “The Middleman", 7:00 and 9:30 pm, Cobb.The Political Forum: presents Mr. Paul Peterson on Con¬gressional Elections and the Taxpayer’s Revolt at 7:30pm, at Pierce Tower.Folkdancers: General Level with teaching, 8:30-11:30pm, Ida Noyes Cloister Club.Action Committee on S. Africa: Meeting at 2:00 pm, IdaNoyes.MONDAYWHPK: Wake up and stay awake with HPK Rock,6:30-9:00 am.Fluid Mechanics Films: "Turbulence" and "Eularian andLagrangian Descriptions in Fluid Mechanics", 12:30 pm,Eckhart 133.Germanic Lang, and Lit.: “Wagner’s Ring of the Nibe- lung—The Myths and their Meanings: an ExploratoryLook,” by Kenneth Chapman, 4:00 pm. Classics 21.National Lawyer’s Guild: Slide Show and Lecture onLast Summer’s Riot at the Pontiac State prison, pre¬sented by the Pontiac Prisoner’s Support Coalition, 4:00pm, Classroom 2, Law School.WHPK: Classical Music, 6:00-9:30 pm.Karate Club: Meets 7:00-9:00 pm in the dance room ofIda Noyes.Chess Club: Meets 7:00 pm, Ida Noyes Hall.NAM Films: “The Third Man”, 7:15 and 9:30 pm, Cobb.Ski Club: Meets 7:30 pm, Ida Noyes. Sign-ups info, etc.Student Government: Meeting 7:30 pm, Ida NoyesHall.Women’s Rap Group: Meets 7:30 pm, Blue GargoyleWomen’s Center 3rd floor. Info call 752-5655 or752-5072.Baptist Student Union: Meets 7:37 pm in the 2nd floorEast Lounge of Ida Noyes.Folkdancers: Beginning .level with teaching 8:00-11:30pm, Ida Noyes Cloister Club.Staff MeetingThere will be a staff meetingto discuss editorial policyon Tuesday.Editors: 7:15 Staff: 7:45IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIU^nrvinn)'TirflT>~irB~fl"r6TrBTW7i s 8 o c 8~b~b Bfl-tnnnrTo everyone who doesn’t ^nowwhat it is li*e to write articles,edit copy, ta*e photographs,and do lay-out:Refer to headline on page 6.4 a.m. D.M. N.C., P.A.NIKON IN TIME FOR SPRING,AT LAST YEAR’S PRICES!Nikon FM Body $222.95with 50mm 2.0 lens $307.95Special Rebate price on fM$30.00 good through March 9|With Nikonbody trade-inyour newFM costs$142.95 FE Body $360.95|FE with 50mm f 2.0 lens $439.95Special Rebate price on FEy - -si|$40.00 good through March 9With Nikonbody trade-inyour new FEcosts$280.951342 E. 55th St. We reserve the right to refuse any cameramodel camera 493-670022 — The Chicago /vtaroon — Friday, March 2, 1979CLASSIFIEDSSPACELooking for tenant or apt? Come toS.G. housing Referral Service. Weeklylist available in S.G. office in IdaNoyes Hall. Open 12:00 3:30 Wed.,1.30-5.00 Thurs.Roomate wanted for spacious 4bedroom apt. Rent: $108. Exc. locationat 58th/Kenwood. Open March 1. CallDave at 947 9770.Studio apts. available immediately.Call 238-7941 am, 924-4287 pm Gradstudents preferred.Room for rent in home of professor.Kitchen privileges and utilities in¬cluding washing machine. StartingApril 1, but also want to discuss sum¬mer arrangements. Location: Harperand 55th Street. Call days: 567-3407 or3400; evening: 324-3484. Lady preferred.Room available for male. Air condi¬tioned, kitchen priv. 56th Kimbark,667 2846.HYDE PARK: East Hyde Park - 2400sq. ft. of Ivg. space on your ownprivate park facing the lake. 3bd. 2 basun parlor, wood pnld formal diningroom, very sunny top floor. $79,000Elaine Farrell, Val Realty, 337-1450.Studio Apt. 5728 Blackstone.$180/month avail, immed. 667-7320.PEOPLE WANTEDMEN! WOMEN! JOBS ON CRUISESHIPS AND FREIGHTERS. No ex¬perience. High pay! See Europe,Hawaii, Australia, So. AmericaCareer Summer! Send $3.85 for Info, toSEAWORLD, ER Box 61035,Sacramento, CA 95860.WORK IN JAPAN! Teach Englishconversation. No experience, degreeor Japanese required Send long,stamped, self-addressed envelope fordetails. Japan-77, P.P. Box 336, Cen-tralia, WA 98531.Full time preschool Teacher Aidwanted. Hyde Pk area. 684-6363.Math majors have interesting brainorganization. If you are a math major,call 753-4735 or 947-0190 to make an appointment and assist us in finding Outhow your brain works. You will bepaid.Subjects wanted for psycholinguisticsexperiments. Will be paid. To registercall 753 4718.SECRETARIAL POSITIONAVAILABLE. Experienced secretary:60 wpm typing; use of officemachines; filing; knowledge ofSpanish helpful. Full-time 35 hrs perwk. Competitive salary and benefits.Small educational institution in HydePark. Contact Ruben Armendariz orDon Hasty 241-7800.Babysitter for 2 boys age 3 yr. and 3mo. Mon-Fri 4:00-6:30 pm at our homein E. Hyde Park. 955-9571 after 7pm.Male for French conversation withbeginner 1 hr. per wk, 667-2846.ENERGETIC STUDENT TO DOHOUSECLNING GOOD MONEY.285 1398 Evns.Like Children? Need a job? Child CareTask Force is looking for people to pro¬vide care for children, flexible hour,call the Child Care Line at 288 8391.English-Arabic secretary, full or parttime. Good salary tel. 446 6543.PERSONALSWriter's Workshop (Plaza 2 8377).PASSPORT PHOTOS While-U Wait,MODEL CAMERA 1344 E. 55th St„493 6700.Pregnant? Troubled? Call 233 0305 forhelp, free test referral.I can't wait till summer when there'llbe no more lovers in my soft chairs, nodrones at my desks, and no moredopers in my stacks. RegLOST: Female med sized dog Blackw/orange streaks, red collar.Resembles a lab rat Name is Tinker.643 3479.WOMENDrop by the Women's Center at theBlue Gargoyle for information aboutwomen's activities Open Wed andThurs. from 7:30-10.00. Rap Group isnow Mondays at 7:30, 3rd floor. Themore the merrier, 684 3189PUBLICRELATIONSASSISTANT ‘Position available immediately forenergetic, self directed individual whoenjoys much contact with people Ineludes work in fund raising, contactwith public, coordinating hospitalevents, initiation routine letters, typing public information, correspondence, and records Poised office style as well as 45 WPM typingwith high accuracy required.Photographic experience is a plusMonday Friday work weekStimulating, demanding environmentrequires flexibility, initative, interest in growth. Please Call: 363-6700 Ext.233, Personnel Director, La RabidaChildren's Hospital and ResearchCenter, E. 65th St. at Lake Michigan,Chicago, III. 60649.WOMEN'S UNIONWomen's Union meets every Friday at5:30 in Ida Noyes Hall above the Frogand Peach. Everyone welcome.RESEARCHSUBJECTS WANTEDEarn up to $165 as a research subjectin Psychotropic drug studies in thedept, of Psychiatry. Studies will beginin January through March. Minimaltime required. Must be between 21-35and in good health. Call Ron Mon.Thur. mornings between 9-10 a.m.947-1794.OPPORTUNITYEarn valuable experience in non-profitfund raising. Festival of The Artsneeds to raise funds for its twenty-fifthanniversary. Call 753-3562 or 753-3591.FOLKDANCINGEvery Sun. and Mon eve at Ida NoyesNew time Sun only: 8:30 (generallevel). Mon. 8:00 as usual (beginninglevel with teaching). Join us!JOIN SKI CLUBDon't miss all the Winter fun 7.50 getsyou all the discounts, parties, andevents. Call 955-9646 for info: meetingMon. and Thurs 7:30 Ida Noyes Bringa friend.SERVICESRoom for one toddler in campusplaygroup. $55/workweek. Call KarenMalik, 288-5355.FOR SALEMODEL CAMERA SPECIAL SALEPhoto Albums 23. off ColorEnlargements; pay for 2, get 1 free.Fuji chrome special-one 36 exposureroll of the new 100 ASA Fuji chrome,$2.50 with this ad and your U of C ID.(Reg. price $3.66.) Model Camera,1342 E. 55th St. 493-6700.Special Nikon Sale at Model Camera.We have great new prices on Nikoncameras and lenses. And Nikon has aspectacular rebate program in effectfor the next few weeks-as much as$100.00 off our already discountedprices! Model Camera 1342 E. 55th St.493-6700.CIBACHROME SEMINAR March 8th,7 p.m. Advanced registration required. $3.00 per person. ModelCamera, 1342 E. 55tgh St. 493-6700CANNON A 1 CLEARANCE! Believeit or not, we've overstocked. Foralmost one year we couldn't getenough of these state of the artcameras and new we suddenly havemore than we can afford to keep! Wehave to move them so stop in-we'llgive you a great trade in deal on yourold camera and the best all roundprice in Chicago! Model Camera 1342E. 55th St. 493 6700.Heavy blue jacket with Chicago seal,$10. Fine condition-Sells for twice theprice at the bookstore. X-large. CallRichard Rohde at 753-3257. 'Beautyrest mattress good cond. $40 orbest offer. Eves 324-2920LEO KOTTKE tickets for sale. 2 goodseats. Call David, 995-7100 or 684-1634.PEOPLE FOR SALETyping done on IBM pica by collegegrad. Fast, accurate, reliable. Termpapers, theses, law papers,manuscripts. Lincoln Park West areaCall 248 1478ARTWORK of all kinds drawing,calligraphy, illustration, handaddressing of invitations, etc. NoelYovovich, 493 2399.Dissertations thesis-illustrated-Phone324 0227 eve. Hyde Park.VERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDINGAttractive IV2 and2‘/j Room StudiosKurnishrH or Infurnished$189 - $287Based on AvailabilityAll Utilities includedAt Campus Bus Stop324-0200 Mrs. Groak COOKING CLASSES-Ghinese and In¬ternational series. Full participation.Call Endy Gerrick, 538-1324.POTTERY CLASSES, day and even¬ing. Small groups. Lots of individualattenfion. 624 7568.SCENESTAMIL film ARUNODAYAM Sat Mar3 Ida Noyes 2nd fir, 2pm. $2.The Dept, of Germanic Languages andLiteratures presents a lecture by Ken¬neth Chapman (Professor of Medievaland Modern Germanic Languages andLiteratures, UCLA) on "Wagner'sRing of the Nibelung -The Myths andtheir Meanings: An ExploratoryLook" on Monday, March 5th at 4 pmin Classics 21.FEMINIST FEAST! Join in a celebration of International Women's Day.Dinner for $1.00. Bread, soup, cheeses.March 8, Thurs. 6 pm-till ThereseEdell! Ida Noyes 3rd floor. Sponsoredby UC Women's Union.FIGURE DRAWING AND PAINTINGWKSHPS all levels-individual atten¬tion. Mon. Tues. eves-6:00 to 9:00 Sat.mornings-9:00 to 12:00. 10dasses-$50.00. Artists Studio 200-546W. Washington (near "L"-buses-trains-parking. Telephone 930-9317 or446-7183.Pottery classes-small groups in¬dividualized instruction Wed.9:30-11:30 am, 8:00-10:00 pm Thurs8:00-10:00 pm Sat 9:00-11:00 am $7,00per session all material firing incl.Call 'Marianne Hammett 538-6717.HUMAN RIGHTSBrian Barry and Nathan Tarcov willspeak on "HUMAN RIGHTS" ANDPOLITICAL THEORY” Friday,March 2, 4 pm, Pick 022..NOCONCERTThe ever popular UC Brass SocietyWinter Quarter concert scheduled fortonight, March 2 has been postponed tonext quarter.SGMEETINGThe last Student Government meetingof the quarter will be Monday 5th at7:30 in Ida Noyes Hall.KUNDALINI YOGAKundalini Yoga, the yoga ofawareness, is the most effective andpowerful form of yoga. The U of CKundalini Yoga Society is meeting onTuesdays from 5:00 to 6.00 pm in theEast Lounge of Ida Noyes. All arewelcome.REWARDFor return of tan briefcase and/or con¬tents, (Law books). All are marked"Ageson". Call 753-0445 or leave msg.at 753-2270.CONCERTOFFThe UC Brass Society concert schedul¬ed for tonight, Friday Mar. 2, has beenpostponed to next quarter. Sorry, fans.EINSTEIN'SBIRTHDAY PARTYArtisans 21 gallery at 57th andWoodlawn is celebrating Einstein'sbirthday with free birthday cake andhot cider. Come to celebrate March 10,10-4.BAND CONCERTCHANGEDThe UC Band Concert will be Friday March 9 instead of Sun March 4th,Harper Library at 7:30 pm.Beethoven, Ives, Holst, Sousa Free!FIELD ASSISTANTResponsible persons for job deman¬ding good office clerical skills and legi¬ble handwriting for a survey project.H.S. education, some college prefer¬red. Full time beginning Feb. 26. $7,425per year plus excellent benefits. CallMs. Harris at 753-1180. An equal op¬portunity employer.WOMENWomen's Coffeehouse tonight, IdaNoyes: 3rd Floor in the Sunparlor 8-12pm. Sponsored by the U of C Gay andLesbian AlliancePAYROLL ANDADMINISTRATIONASST.To perform various secretarial andclerical duties as assigned, for payroll,accounting and personnel dept, whileat the receptionist desk. Previousclerical experience, light typing andknowledge of operation of 10 keycalculator required. Begin immediate¬ly. Salary range $7,425-$7,900 plus fullfringe benefits. Call Mr. Armato at947-2558. An equal opportunityemployer.HELP!After many agonizing budget cuts,Festival of the Arts is still facingdeficits occuring from the sudden lossof a $10,000 grant. We need an ag¬gressive fundraiser to explore newsources of funding. Call 753-3591 or753-3562. We need help soon.WORK/STUDYAPPLY NOW FOR SUMMER 1979AND TERM-TIME 1979-80!Undergraduates: Apply at Colege Aid,Harper 281. FAF due April 1; AllWork/Study applications due April 18.Graduate Students: Apply at CareerCounseling and Placement, ReynoldsClub 200. GAPSFAS due April 1;SumerWork/Study applications due April30, Term-Time Work/Study applicationsdue June 29.COMMUNICATIONSASST.We are seeking a responsbile person tohandle a busy calf director swit¬chboard in our research organizationDuties also include typing and clericalassignments. Applicant must havepleasant courteous telephone manner,be able to take detailed messages ac¬curately and type 45 wpm. Excellentbenefits. Call Mr. Armato at 947-2558.FOTAFota needs a fundraiser. Despite major budget cuts following the loss of a$10,000 grant, Festival of the Arts is tillin financial hot water. We need an ac¬tive, dynamic fundraiser Call 3-3591,3-3562.WANTEDDesperately need one ticket for "An¬tigone", Sat. Mar 3rd. Bob, 684 3401.UNIVERSITY OF CHICAGO, BOOKSTOREPHOTO DEPT. 753-3:117Court Studio Theatre announcesOPEN AUDITIONS for LITTLE MARYSUNSHINE by Rick BesoyanDirected by Michael Hildebrand.Music Direction by Michael JinboMarch 10 and 11,12 noon til 5p.m.Reynolds Club Theatre, 57th & UniversityBring a prepared song 753-3581 A Special OfferFor Agfachromes 64 Film<o 20 Exposure Film.t The Best film to use" on cloudy, winter days,only $3.89including processingonly with this ad.model camera1342 E. 55th St.493-6700ROCKEFELLER MEMORIAL CH APEL5850 South Woodlawn AvenueSUNDAY • MARCH 4 • ll A.M.University Religious ServiceE. SPENCER PARSONSDean of the Chapel“THE DYNAMICS OFBEING AND DOING”4:45P.M.Organ Recital, Edward Mondello5:00P.M.SERVICE OF THE HOLY EUCH ARISTCelebrant: The Reverend Charles D. BrownCo-sponsored by the Episcopal Church Council| Anglican)gallery b1645 e. 53rdsculpture from new guineaopening sun. mar. 4 4-6tues. - sat. 2 to 6valuable couponKODAK Color EnlargementsOrder three,one is free!Beautiful KODAK ColorEnlargements of yourfavorite snapshots instantprints color slides, orKODACOLOR negativesmake great gilts or deco¬rative accents tor yourhome or officeAnd now is the time toorder them Because whenyou brder three you payfor only two The thirdone is freeStop m tor completedetails but hurry, this spe¬cial offer ends March 14COLORPROCESSING. Kodak Model Camera1342E.55thChicago, IL60615VAl UA8l{ COUPON-CUT OUT 1IIIIIIIIIIIIIIIIIIII.1The Chicago Maroon — Friday, March 2, 1979 — 23 s1 ■Ill(S l)Budweiser.LAGER BEER'tKtfH,%c*AndJhd3Udi y M& MMC<MCMIKO*TMH(US(ll|USnATu (V V ifttH' UC> AT tf I mu’“The inherent virtue of socialismis the equal sharing of miseries;the inherent vice of capitalismis the unequal sharing of Budweiser.”Misquoted without permission by Anheuser-Busch, Inc., $t. Louis—Winston A. ChurchillThe Chicago Maroon — Friday, March 2, 1979