Vol.86. No. The University of Chicago Friday, April 29,1977Wilson firm on accountability,calls issue a ‘misunderstanding’President WUson: “I was trying to convey the fact that I was not apublicly elected official and therefore did not think that the rules ofpress conferences that seem to obtain with reference to them obtainwith reference to the presidency of the University of Chicago.” (Photoby Dan Newman)By JAN RHODESPresident John Wilson Wed¬nesday said that his earlierstatement about his accountabilityto the campus community led to“misunderstandings” that “are sounimportant that I just let themgo"Last quarter, Wilson said that hedoesn’t “feel it necessary to an¬swer to the public at large, eventhe campus public, for what I do.”Although Wilson stuck by hisearlier statement, he emphasizedthat his comment “somehow gotmisconstrued.”“I was trying to convey the factthat I was not a publicly electedofficial and therefore did not thinkthat the rules of press conferencesseem to obtain with reference tothe presidency of the University ofChicago,” Wilson said.For precisely one hour, Wilsonanswered questions posed byreporters from The Maroon andWHPK, commenting on timelycampus issues, such as theproposed Student Governmentconstitution, as well as on issues ofless immediate concern, such asthe impact of the Browder affairand the proposal to finance therenovation of campus buildings bybond sales.Discussion centered on Wilson’srelationship with the campuscommunity and campus mediaonly briefly, a sharp departurefrom the past two campus pressgatherings.The questioning commencedwith a handful of short questionspulled from the “Ask PresidentWilson” suggestion boxes whichWHPK had sprinkled aroundcampus.Questions SGWilson had no opinions about theprovisions of the proposed studentconstitution, but questioned whether the students would acceptthe $3 per quarter activities fee inthe balloting this week.“I think there is a problem as towhether such a way of going aboutit will get the support of thegraduate students and whether ornot enough students would supportit,” said Wilson.He said that the “whole conceptof student government is aproblem here” because of thelarge proportion of graduatestudents. He said he has oftenthought that a government limitedto undergraduates might be moreuseful.Bonds a good ideaWilson reflected on the Browderaffair, a three-month-long episodewhich began when Felix Browdersubmitted a minority report to theFaculty Council in Januarycharging the University ad¬ministration with a lack of concernfor academic matters and endedlast month when the Council rejected Browder’s charges afterits investigative sub-committeeconcluded that the allegationswere untrue.Although Wilson said ad¬ministrators are always subject toquestioning, he said “I don’t thinkthe concept of questioning waseither “wasteful of time ornecessarily constructive. ”Controversy avoidedThe questioning session Wed¬nesday didn’t once reach thefeverish pitch that has previouslymarred Wilson’s meetings with thecampus press. In the fall, Wilsonhad to explain the exclusion of theRed Gargoyle from the meeting,and in February he had to justifythe exclusion of the ChicagoJournal as well as the RedGargoyle. Also during the win-terquarter interview. Wilson madehis controversial statement on thepublic accountability of thepresident.Wilson to 3Wilson press conference textThe following is an excerpted transcript ofPresident Wilson’s meeting with tworeporters from The Maroon and tworeporters from WHPK Wednesday.Q. Why is there no place on campus open 24hours a day for commuter students whomight need to use the library late andhave a early ciass?W. Do they mean a dormitory0Q. I think they mean a lounge where theycould studv, if they had to stay up allnight. Say they had a test the nextmorning and they want to spend thenight studying, they really have noplace to do this. The library closes atone and the computer centers are openall nightW. Well, if it was a case of exam time, therewere enough interest and demand, atleast in the past, we have tried to workout new or extended hours for thelibrary, and I suppose if there wereenough demand for it, we would respondby keeping up at least a part of thelibrary open all night long, but I wasn’taware that there was that muchdemand, and I must say that this is thefirst time the question has come to myattention Now, if I were a student andfor some reason or another, wanted tostay on campus all night to read orstudy, I guess I would walk over to thehospital which is open 24 hours, and 1guess 1 would find a quiet comer and sit there and read. And I think I could findone. I don’t know if the hospital wouldlike it very well, on the other hand Iwould have thought also that you mightsit in the BJ or someplace like that, andI’m sure they wouldn't make you leave,would they? The question has not oc¬curred to me before but if I were facedovernight on campus and I didn't havea friend in the dorm who would put meup, for example. That’s what 1 wouldthink of doing.Q. O K.W. Keeping the library' open for 24 hrs. isnot a new idea, we have discussed itwith faculty. It’s a very costly idea,because the number of people who wantto use the library on a 24 hours. 365 daysa year basis is easy to satisfy by givingthem a key, rather than keeping thewhole thing open.Q Whv don’t student’s children have tuitionbreaks at the Lab School like the facultyand staff do0W, Because thev are not employees.W. That’s an employee fringe benefit whichis cranked into the employee fringebenefit, as they say package, and it’saccounted for that way. It isn’t thatthey get it for nothing, it’s though, Isuppose we can crank in a fringebenefit compounded into all tuition costwhich will pay for the children ofConference to 5 Administration weighs planto back energy conservationand renovation with bondBy PETER COHN Savings to back paymentsPlans for a major renovation ofcampus buildings, to be financedby $17 to $25 million bond sale, arenow being discussed by Universityadministrators Receipts from thebond issue would be used for theremodeling of offices and forstructural changes designed to cutenergy costs.Buildings that administratorssay would be included in therenovation project include thephysical science division’sfacilities in Jones, Kent, Reyerson,Eckhardt, and the acceleratorlaboratory; space occupied by thehumanities division in Classics andWieboldt; Haskell Hall, now oc¬cupied by the business school; andthe Walker museum, which now-houses offices of the anthropologydepartmentConsideration of the bond-financed renovation plan began inJanuary, and administratorsexpect a detailed proposal to beready within two or three months. Savings resulting from the moreefficient use of floor space andenergy would be used to repay theinvestors who buy the bonds, whichwould be sold through the IllinoisEducational Financing Authority(IEFA) The IEFA, established in1969. allows Illinois universities tosell bonds which are exempt fromfederal taxation, making the bondsattractive to investors.Energy costs underlie the in¬terest in remodeling existingfacilities, which have placed amajor strain on the Universitybudget, as well as inability of theUniversity to solicit funds fromdonors to cover the cost of newconstruction.Modifications that would in¬crease the efficiency of energyutilization, such as the installationof storm windows and alterationsin heating systems, could result insignificant savings that would beused to pay back the bond holders.Bond to 3Part of the bond-financed renovation proposal now being discussed byUniversity administrators calls for the utilization of unused officespace, such as this empty room In Walker museum (Photo by PhilipGrew)$77 million damage law suitfiled against UCby patientsover carcinogen use in 50’sBy PETER COHNThe University, along with theEli Lilly & Co., was named as adefendant in a $77,700,000 class-action law suit filed in Chicagofederal court Monday on behalf ofmore than 1.000 women who tookpart in a Pritzker experiment inthe early fifties involvingdiethylstilbestrol (DES), a drugthat was later linked with vaginaltract cancer in their daughters.The late Dr William J. Dieck-mann, a professor in the depart¬ments of obstetrics andgynecology', directed the study,which in 1953 found that the drugdid not have the beneficial effectsclaimed for it.Used as a miscarriagepreventive for more than 25 years,DES was banned by the FDA in1971 after a study by Dr ArthurHerbst, now the chairman of theUniversity’s department of ob¬stetrics and gynecology , found thatdaughters of the women who tookDES during pregnancy haddeveloped v aginal cancer The complaint alleges thatbetween September, 1950 andNovember, 1952 a clinical trial ofDES was carried out at the Lying-in Hospital in which 2.163 pregnantwomen were involved. Half of thewomen were given DES pillscontaining DES and the rest aplacebo. The complaint says thatall were told they were taking“vitamin pills.”DES to 3InsideEditorial p. 4GCJ _p. iSports p. 17Calendar p. 18LABOR WEEKSunday, May 1#8 pm SIT-DOWN, an original play based on the Flint, Michigan sit-down strike of 1937 performed by the Bread and RosesTheater troupe. Ida Noyes Hall Theater at 59th and Wood-lawn. $2.00 donation.Monday, May 24 pm Stanley Aronowitz, author of False Promises and other notedbooks on the American labor movement, will speak on thehistory of the American labor movement and what recenttrends foretell for the future. Ida Noyes Hall Lounge at 59thand Woodlawn.Tuesday, May 37.-30 pm. Class Struggle and Trade Unionism, a forum discussion with:Pat Wright, shop steward AFSCME local 205, New York City.Member CBLUW and CBTU Frank Rosen, director United Elec¬trical Workers, District No. 1, Chicago Harold Rogers, CookCounty College Teachers Union, Chicago CBTU Ida NoyesHall, Cloister Club 59th and Woodlawn.Wednesday, May 48 pm to Midnight International Workers Music, a coffeehouse withaudience participation featuring Latin American and Blue-grass Music. Musicians are invited to attend with their instru¬ments. Blue Gargoyle Coffeehouse, 57th and University Ave.Thursday, May 57:30 pm Organizing Unorganized Workers, a forum discussion with;Carl Shier, international representative for UAW BarbaraMerrill, organizer at J.P. Stephens, with ACTWU and a repre¬sentative from the United Farm Workers Union North Lounge,Reynolds Club, 57th and University Ave..Friday, May 66 pm United Farm Workers benefit dinner and film showing;Union Maids, award winning film about women organizingfor the C.I.O. $3.00 employeed, $1.50 unemployed, seniorcitizens and children under age 12. United Church of HydePark, 1448 East 53rd St.Saturday, May 7Nam PICNIC ON THE MIDWAY. All studentsand workers invited!I Sponsored by the university of Cnictiito Si.>den Govern'~>nr- 'chokers Committee. I We wantyour business.DrexelPHONE: 538-4600Your Hyde Park Chevy dealer.4615 SOUTH COtt 4 0F oq(V/cSAl.£S: iVtONDAV THRU FRIDAY 9 TO 8/ SATURDAY 9 TO bSERVICE DEPARTMENT OPENS AT 7:30 AM MONDAY THRU FRIDAY |2—The Chicago Maroon — Friday, April 29. 197/Wilson from 1Wilson stated that his comment winterquarter had been misunderstood. He hadsaid on February 2, “I’m not in thepresidency to have news conferences. Thepurpose of having a president is not so thathe can appear at a news conference. Nor doI feel it necessary to answer to the public atlarge, even the campus public, for what Ido.Wilson said Wednesday, “I thought therewas some mistake on the part of thequestioner as to whether this was a publicinstitution or a private institution. And I wasresponding to say that I was not a public-elected official. And I think that somehowgot misconstrued as to public and privatepersonality and that wasn’t what I wasintending to mean at all.”Wilson also discussed a number of othertopics, some serious and some silly:• He said a dormant faculty committee onminority concerns had been reactivated tokeep abreast of any minority concerns oncampus.• A policy of granting tenure only at thelevel of full professor can be worked out,Wilson felt, citing the success of that policyat the business school here and also atHarvard University.• Wilson said the recommendation by aDES from 1According to the complaint, the hospitaldid not notify the women of possible hazardsto their daughters until 1976, nearly fiveyears after the DES-cancer link had beenestablished.Withe the exception of a statement fromthe public affairs office signed by D.J.R.Bruckner, vice president of the office, mostUniversity officials declined comment onthe case.Bruckner’s statement said that thedepartment of obstetrics and gynecologybegan to contact ‘ those involved in thestudy” in 1972, in contradiction to thecomplaint, which says that the efforts didnot begin until 1976“When the effort to trace these patientsproved to be extremely difficult,” Brucknerwrote, “an application was made to theNational Institute of Child Health andHuman Development for program sup¬port.” After the contract was awarded inJune, 1974. the department, under thedirection of Dr Marluce Bibbo, began astudy “to assess the danger of cancer fromDES and any effects the drug may have onother aspects of sexual development in thechildren- of users.” The study group hastraced 1,400 people involved in the originalstudy, examining more than 1,000 of thesepeople at University hospitals and receivingreports on 250 who were unable to come toChicago.Allison Dunham, legal counsel of theUniversity, said yesterday that “there is adifference of opinion about whether you College Council committee to restructurethe administration of the College,weakening the position of Dean, and givinggoverning power to a faculty committee,could not be construed as an attack on theoutgoing dean, Charles Oxnard• He said the new college dean will facethe ongoing problems of maintaining facultyinterest in teaching Common Core coursesand maintaining the quality of the entireinstruction program.• The new University president will haveto deal with the same problems that havetroubled Wilson — lack of money anddeclining enrollment.• Wilson said students are not given thefringe benefit of sending their children tothe lab schools for half tuition, as membersof the staff and faculty are “because they’renot employees.”• He has no idea if the newly renovatedField House will be available for ac¬commodating rock concerts. He wondershow the team coaches will react to peoplewalking on the basketball floors with high-heeled shoes, and he hopes never to be askedto adjudicate the issue.• Wilson said that if he were a commutingstudent who wanted to study all night oncampus, he would walk over to Billings andfind a quiet hallway.need informed consent when the objectivewas not to find out about the side effects ofthe drug.” He said that, at the time of thestudy, DES had been on the market foryears and “no one had thought anythingabout it.”The University has 20 days to respond tothe complaint and plans to hire an outsidelaw firm to argue the case in court Theaction was brought by attorneys from thelitigation group of Ralph Nader's PublicCitizen organization in Washington and wasfiled by the Chicago law' firm of Stack andF:lipi. Patsy Takemoto Mink, a former six-term congresswoman from Hawaii who isnow an assistant secretary of state, was oneof the three identified plaintiffs in the suitFilling Botany Pond Bond from 1Fund raising problem citedWilliam Cannon, vice president forbusiness and finance and chief architect ofthe bond proposal, said that energymodifications would include “whateverpays back relatively quickly and pays forthe cost of improvement ’ ’“We’re not looking to renew the plant tomake it pretty, but to make use of unusedspace,” Cannon said of the renovationproposal “We’re trying to get as economica utilization of space that is available as wepossibly can.”The decision to explore the possibility ofextensive remodeling of the older buildingswas, at least in part, dictated by the lack offunds for new construction. “If theprospects for raising money aren’t good,then one consideration is that it doesn’t costas much to maintain existing buildings as itdoes to build new ones,” Cannon said.Chauncey Harris, the University’s headfund raiser, suggested that chances offinding donors to make large gifts for newconstruction are not good. “The prospectsare on the whole rather poor,” said Harris“If there were abundant money for newbuildings, the feeling would be to undertakenew construction .” The realities of the fundCollege programs dayStudents are invited today to find outabout divisional and concentrationrequirements and to talk to divisionalmasters and faculty members at CollegePrograms Day, a series of presentationsdesigned to inform students about programsof concentration in the CollegeCollege Programs Day represents adeparture from past efforts to gatherstudents to discuss concentration programsThe new program consists of one meeting atCobb Hall rather than several meetings inUniversity Residence housing Planners ofthe new format in the office of the dean ofstudents on the College hope that it willattract more students and faculty membersalikePat Swindle, a College Advisor, indicatedthat the new format will avoid the at¬tendance programs which plagued Haroldsystem was an improvement. “We used tohave what we called division night in thedorms,” said Swindle. “We would havethree different meetings. Attendance wasnot as good as we would have like it to be. sowe decided on the new format ”Swindle has received positive responsefrom virtually all 36 concentration chair¬men who will give short presentations ondivisional requirements and answerquestions from students. In a follow-upeffort, concentration chairmen will holdspecial office hours between May 2 and Mav¬is. “We re hoping now,” said Swindle, “toget good attendance from students ” raising situation, Harris said, mean “anemphasis on using what we have.”Deans participate in discussionAlthough the specifics of the renovationplan have not been determined, divisionaldeans have discussed the general needs ofdivisional faculty with the administration.Albert Crewe, dean of the physicalsciences division, said that “although theplans are by no means concrete or fixed, wehave made suggestions as to how we mightproceed.” Crewe suggested that the totalspace available for divisional laboratoriesand offices is “inadequate,” adding that theproblem is “not only overcrowding but alsodisuse.” He cited the mathematics andstatistics departments as particularly“fragmented and cramped. ”Karl Weintraub, dean of the humanitiesdivision, confirmed that he has been in¬volved in discussions with the ad¬ministration, but declined to comment onthe proposal until the final details areworked outEarlier plans involving the renovation ofHaskell hall and the move of business schooloffices into space in Walker museum nowoccupied by the anthropology department orinto new offices in Haskell have also beendiscussed by the anthropology' departmentor into new offices in Haskell.According to business school deanRichard Rosett, the specifics of the proposalhave not been worked out, although“something is going to happen soon ”Rosett said that either move is dependenton the business school’s ability to contributefunds for repaying the proposed bond—either through increased tuition revenue orthe fund raising opportunities created bynew facilitiesStill tentativeAdministration officials emphasize thatthe bond proposal is still in the planningstages.Provost D Gale Johnson pointed to thedecisions that "have not been made.”“There are a lot of alternatives,” Johnsonsaid “Choices will be made among alter¬native, some of which are mutually ex¬clusive.”According to Johnson, the plan has in¬volved “somewhere on the order of 50people.” Seven outside consultants havebeen hired to examine the energy con¬servation part of the plan.CorrectionIn the Friday. April 27 issue. TheMaroon incorrectly reported that BrianBarry, who will be joining that faculty nextyear as professor of political science,would be in the geography departmentThe Maroon regrets the errorCHECK OUR NEWEVERYDAY LOWMAGIC PRICESOSCAR MAYERWIENERS99c. OSCAR MAYERPURE BEEWIENERS1091 lb. F RED LABELICE CREAMAll Flavors'A Gal £% WReg. 1.29 W #OSCAR MAYERSLICED BACON149Reg. 1.79 ■ lb. TUBORG BEER(Warm Only)1496 Cons KReg 1 74 B CALIFORNIAARTICHOKES29c(Large 24 Size) * lb.STORE HOURSMonday-WednesdayThursday and FridaySaturdaySunday 9 a.m. to 7:30 p.m.9 a.m. to 8 p.m.9 a.m. to 7 p.m.9 a.m. to 3 p.m.HYDE PARK CO-OP SUPERMARKET1526 E. 55th STREET 8-The Grej City Journal-Fdday, march 4, 1977 667-1444The Chicago Maroon — Friday. April 79, 1977 3Editorial Letters to the EditorPrivacy and leadershipWhen President Wilson said last quarter thathe doesn’t “feel it necessary to answer to thepublic at large, even the campus public, for whatI do” he provoked an outraged reaction fromboth students and faculty at the University.Now Mr. Wilson says that the episode was a“misunderstanding.” He is even flip enough tosuggest that the “misunderstandings are sounimportant that I just let them go.”While there is little doubt that the contrivedpress conference situation, that Mr. Wilson in¬sists on, creates an excellent opportunity for thepresident to make awkward comments" that hemight later regret, the transcript of last quar¬ter’s conference provides little evidence of a“misunderstanding.”Either Mr. Wilson should stand by his earlierposition on the president’s public role and hisrelationship with the campus press, or he should,if he has the nerve, correct his earlier pom¬posity. From his comments Wednesday it ap¬pears that he has opted to stand firm, and onshakey ground at that.The president may think that shrugging off theissue as “unimportant” will placate those whowere offended by his callous insensitivity to theweighty responsibilities associated with thepresidency of an institution of the size and in¬fluence of the University of Chicago. He ismistakenAs in many other matters, President Wilsonhas decided to “stonewall” the entire campuscommunity on the accessibility issue. As timepasses, so the theory of stonewalling suggests,the issues are forgotten. Mr. Wilson’s closed door-may remain shut, but if he thinks that thecampus will give up its effort to pry that dooropen, he is wrong.Although the University is an amorphous -community, there is still a widely shared feelingof group identity and concern for the preser¬vation of the institution as an environmentconducive to the successful attainment of in¬dividual goals. Part of that concern must focuson the policies of the central administration.As chief administrator, Mr. Wilson not onlymust direct its operations, but must also acceptthe responsibility of explaining its actions tothose outside the administration. This respon¬sibility cannot be fulfilled by a president whoemerges from behind his locked doors only oncea quarter and who thoughtlessly and carelesslydismisses his weighty public role on these rareoccasions of public access.Perhaps Mr. Wilson deserves our sympathyrather than our resentment. He didn’t "want thejob, and when he got it, worked under theassumption that his hands were tied. Un¬fortunately the extenuating circumstances makefor a very lame excuse When a man decides totake a job, he has assumed a commitment to do itright.The Chicago MaroonEditor: Peter CohnFeatures Editor Jan RhodesSports Editor: David RieserPhoto Editor: Dan NewmanSenior Editors: David Bium,Dan WiseAssociate Editor Abbe RetmanProduction Manager Michael DelaneyGraphics Chris PersansBusiness Manager NikoMak.simyadis,Ad Manager: Doug MillerStaffTony Adler, Earl Andrews, N S. Baer, Peter Blanton, Steve Brown, EllenClements, Stephen Cohodes, Skye Fackre, Mort Fox, Philip Grew, JeromeMarcus, Mary Lisa Meier, Barbara Pinsky, RW Rohde, Rusty Rosen,Adam Scheffler, Carol Studenmund, Carol Swanson, Bob Wanerman4 — The Chicago Maroon — Friday, April 29,1977 Lincoln on CCETo the Editor,In reference to The Maroon articleon the University Extension (April26), while I do not disagree with thepersonal opinion quoted from MaryConrad, coordinator of the Center forContinuing Education, i.e. “. . theconvenience of having such facilities.. .is well worth any (financial) loss,” Iwant to emphasize that the policy ofthe Center is* to make every effort tobreak even. It is in that context thatyour reporter’s observation that in thelast three years, there has been anincrease in use of the Center byUniversity academic departmentscan best be understood. The Directorof the Center and his staff, includingimportantly Ms. Conrad, have beenmaking a strong and effective effortin recent years to bring the Center’sfacilities and services to the attentionof members of the faculty, and toincrease significantly the level offaculty involvement with the Center’sprograms. This is necessaryeconomically, but more important, itis necessary if the Center is to fulfillits purpose of extending the in¬tellectual resources of the Universityto the wider community. We areproud of the professional services andexperience we can provide, and areeager to add to our growing list ofsatisfied faculty “customers.”Ranlet Lincoln, DeanUniversity ExtensionReneker letterAn open letter to Robert WCReneker, Chairman, Board ofTrustees:A few days ago, the Speak OutCoalition mailed personal letters toeach of the members of the Board ofTrustees explaining what the SpeakOut Coalition was. and expressing ourwish to present our views to them inperson. By this letter to you. theSpeak Out Coalition formally asks tohave a point on the agenda at theupcoming Board of Trustees meetingso that representatives of theCoalition can present our positions tothe Board as a whole.We feel that it is necessary to takethis step because of the way the ad¬ministration has reacted to theCoalition. Since we were formed inFebruary, the Coalition has bent overbackwards to give administrativespokespersons the opportunity torespond and discuss our positions withus. before the March 3 Speakout, weattempted to make appointments witheither President John T. Wilson orProvost D. Gale Johnson, only to beshunted to Dean of Students CharlesO’Connell (who was not in a positionto effect either a release of theuniversity’s financial affairs or amoratorium on the tuition increaseand cutbacks). At the Speakout, weinvited the administration to send arepresentative to explain theirreaction to the nositions of theCoalition and left a point on theagenda of the Speakout open for thatpurpose. No one came. That sameday, Deai, O’Connell released astatement distributed around campusdefending the financial aid policies ofthe administration bin again neveraddressing tne central issue offinancial disclosure.Since the Speakout, we have con¬tinued to seek interviews with Wilsor.or Johnson, and have again beenreferred to O’Connell. The positions ofthe Speak Out Coalition are well-known, and the 2400 signatures on ourpetition and the 200 people at ourSpeakout are evidence that many oncampus support us. But despite theseriousness of the issues we haveraised and the concern manystudents, faculty and staff membershave for these issues, the administration has yet to respond to ourspecific positions. It is not the casethat the administration has refused todisclose the financial affairs; it hasattempted to avoid the issue entirely. The administration has even gone sofar as to refuse to tell us when the nextBoard of Trustees meeting is, on thebasis that the meeting is not a“public” matter.Faced with this recalcitrance, theSpeak Out Coalition has no choice butto seek other channels such as goingdirectly to the Board of Trustees. TheSpeak Out Coalition will not go awaywith the warm weather; indeed, wehave doubled in size since lastquarter. We urge you to give seriousconsideration to placing on theagenda at the Board meeting. If youwish to discuss with us the details ofour appearance or anything else, wewill be glad to meet with you at anytime. Please call 684-4567 if you wishto get in touch with us, or write us atIda Noyes Hall, 1212 E. 59 St. Hope tohear from you soon.The Speak Out CoalitionDobry on WilliamsTo the editor:The article in the Maroon of Friday,April 22nd, on the DemocraticMayoral Primary, referrederroneously to James Williams as“the new head of the fifth wardregular Democrats.” As the FifthWard Democratic Committeeman,elected by the vote of the ward’sDemocratic voters in last year’sprimary election. I am still the headof the Fifth Ward RegularDemocratic Organization. In ac¬cordance with state law, I cast theWard’s votes in the Central Com¬mittee of the Democratic Party ofCook County, appoint delegates to theparty’s State Convention and carryout other party business until theexpiration of my term of office in 1980.Mr. Williams’ electoral activitiesuntil recently have been confined tothe Eighth Ward, where his partner.John Stroger, is the DemocraticCommitteeman. His only notableactivity in the Fifth Ward so far washis contest with Richard Newhouselast year for the Democraticnomination for State Senator. Hereceived less than 10% of the votes inthis ward. Mr. Williams is not eventhe head of the City Hall patronageworkers in the ward. They arecommanded by George Cole irom theBilandic office on 53rd st, not fromMr. Williams' office on 55th street.•lames Williams would undoubtedlylike to become Ward Committeemanand head of the Fifth Ward RegularDemocrats. However, his per¬formance so far suggests that thisattempt from the outside to take overthe Democratic Party in this wardwill be an unsuccessful as was theprevious effort in 1963Alan Dobry5th Ward CommitteemanSG constitutionTo the editor:As one of the members of StudentGovernment who spent a great deai oftime working on the proposed Con¬stitution. 1 am highly offended by thecavalie’’ arid careless manner inwhich "he Maroon has treated theentire subieot. The April 27 editorialon he subject contains faciuai errors,dis orbons, and characterizationsdiokuii: X justify when viewed in thecontext o.c the tacts.Fust ot all, your editorial states.hat funding of religious groups isforbidden while funding of politicalgroups is permitted under theproposed constitution Neitherstatement is true. The current or“old” constitution forbids funding of“religious, quasi-academic orpolitical groups “ This provision hasbeen difficult to enforce in the past, assome groups; do not fall neatly intothose categories. It has also' beenpointed out that political and religiousgroups sometimes sponsor activitiesof non-political and non-religiousnatures. For these reasons, the newconstitution shifts the focus fromgroups to activities. No group iseliminated from consideration forfunds; judgments in this area are to be based on individual activities. Forexample, if the Bahai group oncampus wanted to show Bunuel’s filmViridiana, funding for the event wouldbe permitted, even though the groupis religious, because the activity isnot.Having missed the distinctionbetween activities of groups and thegroups themselves, the editorial thengoes on to miss the distinction made inthe new constitution betweenUniversity political activities andnon-University political activities, inspite of the fact that the exact wordingof the provision in question waspersonally given by me to the authorof the editorial and explained to himprior to the editorial’s being written.The proposed constitution wouldforbid funding of any political ac¬tivities relating to non-University, oroutside, political issued. Thus, itwould be forbidden for StudentGovernment to allocate donations tostriking Washington Post pressmen orto use student money to organize anti-Apartheid demonstrations. Whatwould be permitted is the expenditureof funds for political activities of aninternal, University or “inside”nature.I am pleased that the editorialistsare in agreement with the proposedconstitution’s ban on debating outsidepolitical issued. But, as the authorboth of that ban and the wording in theprovision on funding of religious andpolitical activities, I find it hard todiscern the reasoning that applaudsour continuing ability to debate“inside” (as opposed to “outside")political problems but would like todeny us funds to do anything aboutthem.Finally. I might say that I am noapologist for (he faults of StudentGovernment. The above-mentionednew’ provisions of the proposed con¬stitution were severly criticized bymany other members I offered themand worked for them because I amconvinced that Student Government'sgeneral lack of repute on campus is adirect result of its excessive andunnecessary involvement in allmanner of issues not directly relatedto campus life. I am certain thatStudent Government’s salvation liesonly in a redirection of its effortstowards solving the problems ofstudents and making campus lifebetter for all The above-mentionedprovisions w’ere offered and. I believe,adopted in that spirit. I find itdisheartening that those of us who jworked on the new constitution. Isuffered through an aggregate of jtwelve hours of debate on it. and went |to interminable meetings to perfectlanguage and w'ork up proposals,should be rewarded with the carelessand indifferent reportage of a campusnewspaper whose concern over thenew constitution was so great thatthey did not send a single reporter to asingle meeting regarding this con¬stitution, did not observe the debateon it, and did not start eliciting in¬formation about it until two or threedays before the appearance of thisshoddy editorial.In view of this fact, it is hard toknow on what basis the editorialistsarrived at the conclusion that“planning leading up to the current iproposal was characterized by an jalmost complete insensitivity to therealities of campus politics or to theattitudes of those outside StudentGovernment." Indeed, given the levelof the efforts made by the Maroon tocover this story, it would be difficultfor you to know whether this con¬stitution was arrived at through idiligent polling of individual studentsof through divine revelation, for thatmatter. Students at the University ofChicago may indeed deserve betterrepresentation in Student Government, but on the basis of yourcoverage of this story, I would have tosay that they deserve more diligent,careful and accurate journalism aswell.Joe DeLisaConference from 1students, but I suppose many studentswon’t like that.Q. But won’t it be a form of aid perhaps forstudents who have the heavy burden,natural burden of graduate school.W. It certainly would be a form of aid, yes.Q. Then wouldn’t that be a legitimateservice to provide to students.W. I suppose the aid that is given is fun¬dable with other money that is spentand that money becomes available tosend children to lab school.Browder reportQ. Last quarter a fairly controversialdiscussion took place within the FacultyCouncil concerning ProfessorBrowder’s report. Now that that’spretty much behind the council and thefaculty, do you think that the issues thatwere raised, first of all, and second ofall, the ways in which these issues wereraised were ultimately beneficial or didperhaps the discussions do more harmthan good for the University or at leastfor the Faculty Council and faculty.W. Well, I think you have to ask Councilmembers that.Q- ' I’m interested in your point ofview.W. Well, I guess that I would say that it tookan awful lot of time that I thinksomething more constructive mighthave been handled in. I’ll let the reportof the committee speak for itself, so thatI can...Q. Well, what I’m getting at is not so muchspecifics or the reports but it didgenerate a lot of discussion, not so muchformal but more informally in terms ofthe basic kinds of questions that wereraised in that respect. Do you think thatkind of discussions basic questioningsome of the ....W. I think that an administration is alwayssubject to questioning or whatever it isdoing is subject to questioning. So Idon’t find that the concept ofquestioning is either wasteful of tune ornecessarily destructive. I think thatanyone that goes into administrationmust make up his mind that his actionsare always subject to questions byanyone who wishes to do it.Q. And you were satisfied.W. Constructively or destructively.Q And you were satisfied with the com¬mittee, subcommittee reports!W. Yes, I have no comments other thanthose I made at the Council meetingsMinorityrecruitmentQ. You think that the drop in minorityenrollment is anything to try andreverse?W. Yes, I do think its something to try toreverse.Q. How would you want them to do that?W. I wouldn’t want that committeenecessarily to be the only mechanism, Iwould want the recruiting procedure,whatever is involved, with bothgraduates and undergraduate to be aseffective as possible in the recuitment ofall kinds of students, but especially onminority students if we’re not doing asgood a job as we should. We may bedoing as good a job as we can and as canbe done, because the competition forsuch students is very keen. I just want tomake sure that we are doing as good ajob as we can do.Q. Why is the University hesitant to createa minority officer...W. Well I wouldn’t know how to go aboutthat because there are a variety ofminorities. You don’t have a recruitingofficer for girls, a recruiting officer forblacks, a recruiting officer for Chinese,• a recruiting officer forCzechoslovakians who have beendisplaced into lower Bohemia. Youhave recruiting officers for recruitingstudents. I want more students as wellas more minority students.Q. If you Deneve you snouia mane a con¬certed effort to...W. I didn-t say that. You are putting wordsin my mouth. I said we should be doingas good a job of recruiting as we can do,for all types of students. Now it happensthat the record was showing that wewere dropping in terms of minoritystudents, and that’s something to lookat. Q. In addition to this committee...W. We did hire another person in the Ad¬mission Office last year, as I remem¬ber. Primarily as a result of therecommendation from the group ofminority students who met in my office,we created these kind of non-need kindsof awards. I was in favor of that a longtime ago. I think we need more non-needkinds of incentives in the University.AccountabilityreassessedQ. Also, related to something that happenedlast quarter in our press conference.This time last quarter, there was agreat deal of attention given to thestatements you made about ac¬cessibility and your involvement withthe community as a whole.W. I think there was a big misun¬derstanding.Q. Well, that’s why I asked the question.First of all, I was interested in whetheror not there was any reaction to thisdirected to you and also have youregretted any of the statements that youmade at the time or perhaps in the wayin which they were handled by theMedia.W. No, I don’t know how quite to answeryour questions, I don’t know what thequestion is the misunderstandings areso unimportant that I just let them go.They really weren’t that important.Q. You still believe in those principles thatyou stated then at that time, then?W. Yes, I think so! I thought that there wassome mistake, on the part of thequestioner at that time about whetheror not this was a public institution or aprivate institution and I was respondingto say that I was not a publicly electedofficial, and I think that somehow gotmisconstrued as to public and privatepersonality and that wasn’t what Iintended to mean at all. Publiclyelected officials seem to be in a habit ofhaving daily press conferences. I wastrying to convey the fact that I wasn’t aFpublic elected official. And thereforeaiu not think that the rules that seemedto abstain to them do not obtain to thepresident of the University of Chicago.That was all.SGQ. On a different vein, I have a four¬pronged question which is about thenewly proposed SG Constitution whichis starting its ratification vote today andI don’t think anyone knows how long itsgoing to go. First of all, I would like toknow if you have spoken to DeanO’Connell about the constitution?W. No, Dean O’Connell spoke to me about it.Q. What do you think about the proposal fora $9 per year tax on students to free theStudent Government from the depen¬dence on the administration in terms oftheir money?W. Well I think there is a problem as towhether such a way of going about itwill get the support of graduatestudents, and whether or not enoughstudents will support it. I think that’sthe problem. I don’t know whether thatwill come out that way, you’ll have towait till the vote comes out. I think that1fundamentally there is a problem herein the concept of Student Government,that is the ratio of graduate to un¬dergraduate students, and I’ve oftenthought that some form of studentgovernment limited to undergraduatesmight make a more useful concept thanstudent government as a whole. But I’mnot an expert on this at all. You askedme what I thought the problem was,and I think that’s the problem.Q. The Constitution provides for the tax,and if its passed the tax in the Con¬stitution is going to be collected by theadministration...W. Well that is the proposalQ. ... with the MAB, tuition and all that...I want to know what you thought of that.W. There is somewhat of a difficulty herealso because collecting the fee withouthaving any control over how it is usedcould lead to difficulties. For example,if the fees are used to support politicalactivities then our problem would arisewith respect to the tax free status of theUniversity, because I think there aresome laws about that.Q. About Student Government in generaland how the administration or how you view this body that claims to be arepresentative of student opinion.Student Government is always askingfor things from you, they are alwaysasking for information, they want ac¬cess. What is your response to demandslike that? Do you think that they are justfoolish requests? What would StudentGovernment have to do in order topresent itself as a real viable politicalbody? For instance, the Speak OutCoalition has formed to voice an opinionon something that really a StudentGovernment could be voicing anopinion on. They failed to capture thatissue. What is the role of StudentGovernment?W. Obviously student government is a validconcept and a valid organization, and asis the case with any organization itcomes up with good ideas andsometimes comes up with foolish ideas.I suppose basically my conception isthat Mr. O’Connell is the primary pointof contact with the Student Governmentorganization and I think that’s the wayit has been working by and large. I don’tknow that they have asked to see me onanything, at least recently.Bond issueQ. We’ve talked many times about thefinancial affairs of the University, as Iunderstand, there is a proposal whichcalls for the taking out of a large bondissue by the University, and also thehospital...W. There are discussions going on now as tothe possibility of both of these things butneither one of them has materialized toa point where...Q. My understanding was that the Illinoisauthorities have been contactedalready...W. There have been discussions back andforth. With their contacting us, and vice-a-versa but this is something that wouldhave to be presented to and approved bythe Board of Trustees before serious...Q.. In that case the question was moregeneral in terms of the prospects ofeither of those two, and I understand theone at the hospital is very premature atthis point because only the feasibilitystudy is now going underway. Myquestion is more oriented towards whatthat kind of bond proposal means to theway in which the University financesitself, though I know it has been donebefore here, it is still...W. The problem basically is how to handlefinancial problems connected with themaintenance of the University’s plant,i.e., buildings, and the renovation ofolder buildings versus the constructionof new buildings. Fundamentally, thereis a problem of raising money in thesense of gifts for renovation purposes incontrast to raising gift money for newbuildings. Although in the case of theBrain Research and Surgery Building,it was financed through a bondingprogram. Now the state agency wascreated for the purpose of giving privateinstitutions an opportunity to float tax-free bonds at rates which would beattractive on the market and therebymaintain its physical plant over years,and these bonds would be lengthy termbonds. So we are exolorine this.The opportunity arises fromthe fact that there is a state agencywhich wasn’t always in existence and isnow in existence and has been inexistence for several years and we haveused it twice, once for the BrainResearch and Surgery Building, and thesecond time for the new computer. Inthose two instances I think its workingquite well. We are exploring it for theseother purposes. This, in a sense, isrelated to the larger issue of whether ornot the time has arrived when theUniversity should develop a capitalbudget in addition to its generaloperating budget so that for example,the energy components are pulled outand looked at. in and of themselves,because the energy budget is getting tobe a major Droblem.Q. Is that under discussion now?W.That’s part of the motivation for doing itthis way, and having buildings whichare inefficiently used for example, butwhich if renovated would be more ef¬ficiently used is part of the...Q. As I understand it the bond that theUniversity as a whole would be taking islargely devoted to energy problemsW. That’s partlv it but not all of it College deanQ. In March a College Council Committeechaired by Mr. Clayton came up with aproposal to reorganize the governing ofthe College, which would effectivelyeliminate the dean as the real powerbase in the College. I was wondering ifyou view this as an attack on theoutgoing dean, how he has conductedthat office...W. No.Q. Do you think that the proposal is a goodone? To put the governing of the collegein hands of a committeeW. That’s under discussion in the Collegeright now, and I really don’t think Ishould comment on it. Honestly, it’s stillbeing discussed in the College Council.Q. Would you characterize what you thinkthe role of the dean of the College is?W. The role of the College dean is to be theacademic leader of the college and, inlarge measure, undergraduateeducational activities in the University.He represents the College to the rest ofthe University in the sense that he’sattempting to maintain the programs inthe College, some of which are sup¬ported by teachers from say theprofessional schools or graduatedivisions. He’s certainly representingthe College in that sense. He representsthe College interests to me and in thebudget, and presents the college budget.He attempts to maintain recruitment ofthe faculty and recruitment of students.In all ways he is the person who has theCollege interest at heart more thananybody. He tries to effectively ad¬minister the College.Q. So the dean of the College, should be aninnovator, a policy maker for theCollege, someone who is continuallyproposing ideas..W. To the extent that one makes policy froman administrative position. I presumehe would be recommending policies tothe College Council, to the committee ofthe College Council, or to faculty. divisions of the College, to the academicdivisions of the College, and hopefullymaintaining interaction betweenstudents in the College and faculty in theCollege through the student-facultycommittees.Q . As a follow up on that, what problems willthe new dean and the new presidenthave to deal with in the next five years?W. The critical problem in the College in thelast tew years has been maintainingfaculty instruction in the College, andattracting divisional faculty to teachundergraduate courses, maintainingthe quality of the programs in thevarious divisions, recruiting masters,and in general maintaining the qualityof the college Some of the specificproblems have had to do with theHarper teaching fellows and gettingthat program under way, and thecurriculum problem has been underdiscussion for a couple of years, so thosewill be ongoing problems and the newDean will have to cope with them. He’llhave to cope with a budget that’sinadequate to do all the things that theCollege faculty would like to do. butthat’s true of every academic unit andthat’s true of the University as a wholeQ. What does the dean of the College do tocombat those problems Do they just goaround and try to talk ..W. I don't know that you combat theproblems as much as you try to slowthem. We’ve participated with the deanof The College in discussions withfaculty groups from the variousgraduate divisions, attempting to getthem to understand the relationship sayof the core courses to the second quartetand to the areas of concentration and todiscuss the perennial problem of thecore courses as staff taught coursesversus courses taught by the individualfaculty member and the difference inattitude towards those two concepts,class size and that sort of thing, and Ithink with some degree of success in thelast couple of years. So that I presumethe new dean will continue to do thatQ. To stimulate discussion and always...W. Keep the problems alive and underdiscussion.New presidentQ. And the next president, what will he befaced with?W. He’ll be faced with the problems thatwe’ve been wrestling with.Conference to 6r\iiiii* Conference from 5Q. Do you see any major changes with thenew president...W. I wouldn’t see major changes that thenew president might generate, that willbe up to him. I presume he will bethinking on a somewhat longer timebase than I’ve been thinking of, since Ihave known what my time base was.Q. Do you think there are any changes in thecriteria^ that the Search Committeeought to' be looking from the previoussearch?W. I don’t think there are any changes in thecriteria. I hope they find someone whomeets some of the criteria somewhatdifferently. I don’t think this is an areathat I really want to discuss becausethere is a search going on and I am not amember of the committee, and I don’treally want to in any way intrude myselfinto die search.Q. I don’t want to ask about the committee, Iwant to ask you about the problems thatwill be facing this University, for in¬stance in the past couple of years youfaced the energy crisis.W. The energy crisis is only a minor part ofthe general financial problems that facethis and other universities, so that if youhad scads of money the energy problemwouldn’t be a problem, you’d simplypay the higher price for gas. So that ifyou’re talking about that kind ofproblem it is a general problem of longrange finances, and financing ofprograms of the University, than theshorter range problems of any givenyear for the budget. The budget being areflection of financial difficulties at anygiven time. That is going to continue.There is no way out of that becausethere is no magical formula that isgoing to triple your endowment or stopthe rate of inflation or increase thenumber of students, or that sort of thing.So, obviously all of the private in¬stitutions, with the possible exception ofHarvard, are going to be faced withcontinuing difficult financial andbudgetary problems. The problem ofrecruitment of students will be a con¬tinuing one because of the demoeraDhic facts, the number of eighteen year oldswho combine with that age SAT scoreswhich in combination will total 1200 andwhose family income is sufficient to atleast pay part of the tuition at suchplaces, and who choose to go to privateinstitutions is limited, and all of theplaces are competing for those students.The limitation is somewhere in theneighborhood of a total population ofperhaps of 26,000. and those that chooseprivate institutions, say half of those, soyou’re dealing with a population of13,000 candidates. So that’s a continuingdifficult problem. A continuing difficultproblem has to do with the size andcomposition of the faculty in terms of nogrowth, because I don’t think thatfaculty size in any of the private in¬stitutions, or even public for thatmatter, will be continuing to grow,certainly not at the rates that were inforce five years ago. and that meanswith the faculty much more stable therewill be the problem of how you introduceyounger faculty into a stabilized total.That is the problem with tenure which isbeing examined here at the presenttime. So that’s sufficient to keepsomeone worried for a while.EnrollmentQ. On the question of declining enrollment,Professor Hauser may just havecompleted a study which shows that oneof the major problems and I think thiswas reflected in the drop last year, isthat people leave school in the midst oftheir education recognizing that thevalue of the degree is declining...W. Are you talking undergrad or graduatenow?Q. Both.W. I think the evidence may be mixed onthat whole issue.Q. So the concern is more related torecruitment in terms of admissions thantowards the problem of withdrawal.W. Well both. Certainly if you get goodstudents here you want to keep them,you don’t have to have a set of con¬ ditions that encourage them to leave.Q. Well, when you say mixed you don treally see evidence that that is the casehere specifically in terms of peopleleaving for those reasons9W. I don’t think so. The evidence is notentirely clear here. In fact I don’t thinkthe evidence is as clear as a single studymakes it. There are some other studiesthat I think are not supportive of thathypothesis. I haven't read up on all thatliterature.Q. Well the decline this past year waspartially due to...W. I’m not sure we really know what hap¬pened last October. We did not make ourgoal of 8,200. I don’t remember, wasthere actually a decline in the numbersof undergraduate students? No, I don’tthink there was a decline, I think wesimply didn’t make our target in un¬dergraduates. I think there were a fewmore than there were the year before,but we didn’t make quite what we hadtargeted. There was a decline ingraduate students in some of the areas.Q. So the reiteration of the previousstatements of the admissions com¬mittee that report that was done thisyear is all you can really do?W. I think we can work harder at recruitingthan we have been working even with allpast effort.TenureQ. I have a question about tenure. Do youfeel that a policy can be established togive tenure only at a full professorlevel?W. Well yes, because that is the policy atHarvard. And obviously it has beenestablished there. Now whether wewant to establish that here is a differentissue and that is what the committee isto find out.Q. You proposed that, right9W. No, I created a committee to look into it.I didn’t propose anything. Q I use those words because I was reading amemo that Mr. Clayton wrote, and hesaid that you proposed, that’s the wayhe termed it. He said that you said thatthe suggestion was not motivated out ofa budgetary consideration, but out of anintention to strengthen the faculty. Iwas wondering what you mean by“strengthen the facultv?”W. Well what I said earlier is I think reallyto have a strong faculty you need aninflux of younger people coming in, andin order to have that you have to devisesome way of creating room for them.That isn’t the only point about thetenure committee. The most importantpoint that I tried to make when weestablished that committee was thatduring the period of expansion theperiod of time that people most spent asan instructor dropped out and peoplewere recruited at the level of assistantprofessor (during the 60’s) so that underthe statutes the normal expectation wasthat there would be a tenure periodduring which a period could demon¬strate whatever he or she wanted todemonstrate, four years as an in¬structor, six years as an assistantprofessor. During the years of ex¬pansion the four years as instructor sortof dropped out, so that the problem ofdetermining tenure was made on aforeshortened time base namely amaximum of six years and that hasgrown, it seems to me, to be somethingof a problem because it isn’t quite longenough to demonstrate.Q. Do you think mistakes were made?W. Well I hope not too many.Q. By going back to the tenure method thatdoesn’t take into account that thenumber of jobs has declineddramatically...W. That's a different component of theproblem. If for example everyone willcome in as an instructor you don’t haveto you can still have tenured associateprofessors because you will have tenyears in which to look at them.tt: =35 S3■ David Silverman’s Tut Ankhamun Lecture 7pm Thursday May 12STUDENTS ONLY Mandel Hall Tickets: Wed. & Thurs. Mav 4 & 5 Ida Noyes Desk 9-51 per student Also: Free priority admission to Field Museum with UC ID.Court Theatre presentsQi Viiffl: EE BEGES?By Shelagh DelaneyDirected by Kelly NesporApril 29,30 and May 6,7,88:30 P.M.Reynolds Club Theatre$2 general admission$1.50 students & senior citizensTickets on sale at the Reynolds Club DeskCall 753-3581 for information NONESUCH VALUESIN CHEESES!Gourmet Imported and Domestic:Complete Sandwich for 70 centswith a variety of MustardsNonesuch Coffee Shop inWiebolt Hall - 4th FloorDOC Films PresentsRichard Lester's THE FOUR r £Fri.. April 29 6:30. 8:45.11:00 MUSKETEERS There IS • difference!!!PREPARE FOR;GMAT • GRE • OGATVKT • SATECFMG • FLEXNAT1 MEDICAL BOARDSNATL DENTAL BOARDSOur broad range o' programs prcivdes an umbrena of 'rslmg know how that enables vs to Oder me best n'epa ar onavailable no mallei which course is taken Over 38 vmrt-o! e«penehcr and success Sma‘t Ca**e* .'ntumihoushome siuOy materia'* Cou'ses that a’e r.-.n*tartiv upoaten Permanent centers oppr days ever ->yS K weekends an year Complete tape taco ties ‘or 'eve* of classlessons and ‘or use ot supplementary materials Mate uostor missed lessons a’ ow centersSPRING,SUMMER WINTER COMPACTSMOST CLASSES-8 WEEKS BEP.EXAMCOURSES SOON TO COMMENCE;GRE-LSAT-GMAT-SAT2050 W DevorChicago, III 60645(312)764 5151 ‘ *«wc*^ic«w4/ 'Ctateri is Maior U $ CitiM•r.atuasss SwitnnsesCobb Hall $1.50 :A — The Chicago Maroon — Friday, April 29,1977 fHi!Good Vibrations in Mandel Hall...Because Everyone Loves the SunshineBy Bruce MorrissettePhoto by Philip Grew. . . Vibrations, Sunshine. . . that's exactlywhat Roy Ayers Ubiquity generate andrepresent. Not your typical everydayaverage rock, soul, or jazz group; RoyAyers Ubiquity include some of the mosttalented musicians today.And sunshine and good vibrations filledMandel Hall last Saturday, April 23, as RoyAyers Ubiquity performed to a crowd of 800plus U of C studems, staff and HydePark/Kenwood residents.Ayers, born in Los Angeles, is a virtuosovibist, skilled composer, arranger andproducer. He became interested in music atan early age when he first learned to playthe piano. "My mother taught piano, I wasalways around music. I played boogiewoogie before I ever learned to read anote."A Chicago based group, "Bino" openedthe show and did a fine job of warming upthe crowd for Ayers. They did a number ofrearrangements of popular R&B tunes thatreceived good response, and some originalworks. One of the spectators said, "Bino is agood band and they appear to have apromising future ahead of them, but l didn'tpay $7 to see them alone. Where is RoyAyers?" I took this to indicate that "Bino"played a little too long.The lights in Mandel were low as Ubiquitytook their places on stage. Various soundsfilled the air as spectators coughed andmusicians tuned their instruments. Sud¬denly, the massive figure of WHPK'sresident ' Mellow Fellow", Franklin Lee,appeared with two sets of arms (one of themAyers'), and toyed with an anxious crowd before introducing Roy Ayers Ubiquity.The stage lights glared, Lee made his exit,and music blasted a frantically hypedaudience. The crystal-clear sounds of RoyAyers' mallets pounding on his vibes filledthe hall. A hard fast moving tune promptedhand clapping and dancing. Screams andsighs from female members of the audiencewere heard, along with brief solos byvarious members of Ubiquity. As the tempo toned down, Ayers in¬troduced two extremely beautiful women ashis vocalists. A listener with a well-trainedear could detect a subtle key change as thegroup broke into their hit single "Sear¬ching," from their latest Polydor LP, GoodVibrations. The sound was crisp and clearand I could feel the atmosphere in Mandelchange as the audience listened to thesounds The show was well put together. It seamedthat Ayers knew exactly where to stick thepin. "Searching" was followed by"Everybody Loves the Sunshine," the titlecut from his previous Polydor LP, and hisfast moving instrumental, "Hey!, Uhm!,What'cha Say, Come On." Ayers andUbiquity clowned and excited the audiencewhile performing "Damelo" (Spanish for"give it to me"). The tempo abruptlyslowed as they took the audience on a tripthrough "The Third Eye," featuring his twofemale vocalists and the smooth voice of hismanager/friend, Edwin Birdsong.Throughout the remainder of the concertUbiquity never ceased to amaze me withtheir vibrant sound and untiring enthusiasm. After their exit, I was hardlysurprised to hear the chants, screams, andshrieks of, "more, more, more," or to seethe uniform glare of lit matches throughoutthe audience.With lightening speed, Ayers and Ubiquitywere back on stage to finish with a fast-moving piece determined by the beat of theaudience's syncopated clap.In an interview preceeding the concert, Iasked Ayers about Ubiquity and how theycame to be. His answer overflowed withexcitement, as he called the names: PhilipWoo (all keyboards), Justo Almario (tenorsax), James Mason (guitar), William Allen(bass and arranger), John "Longhorn"Mosley (trumpet), Chano O'Ferral(congas), Steve Cobb (Chicago's own, ondrums), vocalists Ethel West and SylviaCox, and Birdsong.Ayers respects and praises the membersof the group. "Ubiquity has some of thegreatest musicians alive today. There havebeen a number of personnel changesthrough the years, but no one ever leavesUbiquity. The Ubiquity family just con¬tinuously grows. I expect every member ofUbiquity to someday have a band of hisown‘ (continued on page 5)Tutankhamun’s TreasuresBy Kathryn J. GallienI prepared for this expedition. I attendedthe lecture in Mandel Hall, which told me alittle bit about everything (except thecurse); scanned several books aboutTutankhamun, enjoying various descriptions of Howard Carter's incredible momentof discovery; and stared again and again atphotos of the treasures, whetting my appetite in black and white for what I wouldlater drink in unbelievable color.Having heard the usual horror stories oflong waits and parking disasters, I chose9:00 am Sunday for the excursion (as I wenton the first day of Daylight Saving Time, itwas actually 10:00, which explains whythere were so many people already insidethe museum; but most fools like meprobably thought it was only 9:00).Assurances of special privileges forUniversity of Chicago folk nothwithstanding, I was ready for a two hourwait. I'd had a good night's sleep, waswearing comfortable shoes, and had a booktucked in my bag to read in line.To my surprise, the parking lot was virtually empty when I arrived; I paid mydollar, stashed the car, and hurried acrossto the back door of the Field Museum whereonly a small queue was forming. In fiveminutes, I reached the cashier andpresented my U of C ID card on the oddchance that it might actually afford mesome privilege. At this point, an usher wasalready informing us of an estimated hourand 45 minute wait to get into the exhibit.Just as I expected — and it could be a lotworse. They operate a take a numbersystem, and you can wander through therest of the museum until your number appears on one of the many television screens."University of Chicago — no charge —take this receipt to the desk under the yellowbanners for your exhibit ticket." This deskis Tut Central, where most museum visitorsfirst get the bad news that they must wait afew hours for their number to come up. I hand the ticketeer my receipt and ID card,and she gives me a magic ticket stampedMember and says that I can go right in.Upstairs, I pass quickly into the entrancearea, avoid the line of people renting taperecorded tours, and glide right in. I can'tbelieve it — I have passed through fivecheckpoints (parking lot, museum en¬trance, Tut Central, exhibit area entrance,and the entrance to the exhibit itself) in 10minutes, and I do indeed feel privileged.One last checkpoint — an electric eye — andI am in, along with hundreds of others.I proceed quietly down a long, dimcorridor ("See, it's just like going into a realtomb," one mother tells her little boy). Thefirst room is already crowded, with littlegroups surrounding each display case andreading the texts next to the nuge blow upphotos on the walls. Crowded, yes, butsurprisingly quiet. Whether it's awe ofthings ancient, or respect for the dead, orfear of the curse — the people move throughthe display quietly and very politely.I am pleased each time I maneuvermyself to the position directly in front of apiece. The first room is filled with gorgeouschairs, instruments, boxes. After fiveminutes of weaving efficiently throughpeople, I realize that I am squandering myenergy and concentration on the logistics ofthe thing: I have made it, I am here; nowthere is no more need for me to rush. I havejust thrust a candle into the darkness, andmy eyes behold, as Howard Carter's did,"Wonderful things."The items are smaller than I expected (weAmericans always associate greatness withbigness, I guess), but indescribablybeautiful. I consider the time spent makingeach intricate detail. Each chair and stool isa delicate, artistic and functional creation. Istudy each piece quietly, delightedly andregrettably briefly. The items are displayed in the order onewould come across them in the tomb itself —the furniture from the antechamber, thenitems from the burial chamber, followed bythe magnificent pieces from the treasury.There is a slight bottleneck entering theburial display area, which is mostlyphotographic (the mummy remains in situin the Valley of the Kings), and then there isthe piece we've all wanted to see most, thegold funerary mask. It is every bit assplendid a sight as anticipated — glisteringgold shaped into a perfect face (nose tocheek, the line formed, incredibly, in solidgold can only be described as perfect).And then I am in the treasury, where goldmeets the eye from every corner. If one canmanage to view the items from a distance,passing from one treasure to the next, one isoverwhelmed by the room full of riches.After a careful look at each item, I realizethat the end is around the next corner, and Ibacktrack against the crowd for one last,glimpse of each item.All too soon, the exhibit ends, and I passfrom darkness to a brightly lit room. It's anabrupt change from ancient to modern,hushed to noisy, polite to, well, more normalbehavior. This is the souvenir shop, andhere is where the visitors come alive again,cash registers ring, people chatter loudlyand push in line (a child in line behind mesnapped her gum into my hair). For our"take out" culture, it's a relief, I suppose:the items on exhibit can be looked at, at nocost; but the postcards, scarves, pillows,books, posters, and jewelry can be boughtand taken home. And maybe it's not all thatcrass. The people at the exhibit wereserious, interested, somewhat awed. Ladiesstrained over their bi focals to read thecaptions; one next to me at the great goldmask quietly exclaimed, "JimminyChristmas." Even children were well- Statuette of the Goddess Selket. Photoby Lee Boltinbehaved inside, questioning their parentsabout various items (or, in some cases,explaining to their parents the history of theperioa). The experience is extraordinary,and I suppose you can't blame folks forwanting to take a little piece of it away withthem. The pieces are not cheap — postersare $3.75, the gorgeous catalogue is $6.95, areplica of one of the statues is $1500 00 — butthe proceeds will go to renovation of theCairo Museum. I managed to succumb toonly $2 worth of postcards.I was through it all in an hour, pleasedwith my first visit and anxious to comeback. By this hour (11:00 am) the lines (andthe grumbling) outside the museum hadgrown; the announced wait was now twoand a half hours. Arriving just as themuseum opens seems to be the beststrategy. For my second and third visits, I'llgo on Alumni night, and on some Sundaymorning when it is really 9:00 am. MaybeI'll be able to find a time when it is lesscrowded, but I doubt it.The Grey City Journal-Frlday, April 29,1977-1Sunny Murray Roscoe Mithcell Anthony Braxton f/JSam Rivers“Wildflowers”: Seeds from Chicago BloomBy The RumprollerIn a one week period last year many of themusicians participating in the New Yorkloft scene met at Sam River's Studio Rivbeato record the five records entitled Wild¬flowers. The series, which has now beenreleased on Douglas records, means dif¬ferent things to different people. To theestablishment media, represented by theNew York Times, it means the appearanceof a new, avant garde jazz movement. Tothe musicians, many of whom appear onrecord for the first time, it means a smallamount of recognition for work that hasgone almost completely unnoticed for sometime. For Marion Brown and Roscoe Mit¬chell, whose pictures are confused on therecord jackets, it means aggravation thatthe Wildflowers' packaging couldn't havebeen a little less flashy and a little moreaccurate. And to jazz fans in the windy cityit means the end of something good.For the past ten years Chicago jazz hasbeen one of the best kept secrets in music. Itdeveloped a musical excellence comparableto the widely talked about music of the earlysixties, and far greater than anything elseheard today. It developed a school whichturned out an incredible number of top-notch musicians with original techniquesand voices and styles. If avant-garde meansunrecognized by the establishment, theChicago music scene was certainly avant-garde.In a true sense the Wildflower seriesmarks the end of the Chicago avant garde.With its release the music enters themainstream of sizable audiences andadequate record contracts. Those whopersist in seeing this music as avant-gardemust ask themselves how it could springinto life so fully formed and complete. Thereare already cliches in the Wildflower music:techniques that don't beiong to an individualartist but are ingrained in the movement.These are not musicians struggling to ex¬press something they have not yet found avoice for, but men in their thirties andforties who have been playing for longenough to build a seven-minute gem out oftheir musical experience.The records themselves are better thananyone could have expected. Many of theperformances are classics, some the bestthings the artists have ever recorded. Thereare some musicians who by any right shouldhave been included and weren't, but notenough to detract from theauthoritativeness of the Wildflowers. It isalmost a perfect digest of jazz in theseventies, documenting a movement thatwas given cohesiveness by the work done inChicago over the past decade. Fewer thanhalf the musicians on the albums are actually from Chicago, but they are theunifying factor. In the future I assume jazzhistorians will rely heavily on the Wild¬flowers series. Never in the past has amovement produced as excellent a record ofits achievement.The music on the Wildflowers has all theearmarks of a movement. At the center arethe conceptual leaders, men like RoscoeMitchell and Anthony Braxton, around themmusicians from past movements who wereable to make the adjustment to a new way of playing, like Randy Weston and SunnyMurray, and also the young prodigies likeGeorge Lewis and David Murray.Those who argue that jazz is dvina, thatwith Ornette Coleman it saw its last greatinspirational light, have been silenced. Notsince the swing era has a single movementhad as many talented spokesmen. A singleexample is Air, the trio comprised of HenryThreadgill, Fred Hopkins and Steve McCall.This is the first time that Air has appearedon record, but I assume it will not be thelast. Hopkins is the premier bassist in jazz,McCall a fine drummer with the punctuation and phrasing of a jazz great, andThreadgill one of the clearest improvisers inthe AACM. The reason that they are such animportant group is not because of theirindividual talents, but because they havebeen willing to put aside personal con¬siderations in favor of molding the newmusic. It is a group like this that hasovercome the line between composed andimprovisational music by working togetherfor years and listening to their mutualmusical sensibilities. For sheer power, the most successful sideon the Wildflowers is Sunny Murray's"Something's Cookin'." Many of the shorterpieces in the series are just a taste:Kalaparusha gets seven minutes and LeoSmith gets six, and listeners will have to goto other records recorded by thesemusicians for a full unfolding of theirtalents. But Murray is given a whole side ofthe fifth record.Sunny Murray is best known for his workin the sixties with Albert Ayler and CecilTaylor. He is the man who was able tototally redefine the drum's use in a groupcontext, who destroyed its imprisonment inthe straight four. He uses the differentelements in this trap set like keys on aninstrument: none worthy in itself, buttogether capable of stating what he desires.Since his work in the sixties he has perhapsquieted down a little, but at the same timefurther refined his talent. On "Something'sCookin' " the drums are spread across bothchannels and come at the music from allsides, encapsulating it in a cloak of rhythm.The band, The Untouchable Factor, is anThe Wildflower SeriesWildflowers 11. Kalaparusha: Jays (w. Chris White, Jumma Santos)2. Ken McIntyre: New Times (w. Richard Harber, Andrei Strobert, Andy Vega)3. Sunny Murray feat. Byard Lancaster: Over The Rainbow (w. The UntouchableFactor)4. Sam Rivers: Rainbows (w. Jerome Hunter, Jerry Griffin)5. Air: USO Dance (Henry Threadgill, Steve McCall, Fred Hopkins)Wildflowers 21. Flight to Sanity: The Need to Smile2. Ken McIntyre: Naomi3. Anthony Braxton: 730S Kevin (w. George Lewis, Michael Jackson, FredHopkins, Barry Atschul, Phillip Wilson)4. Marion Brown: And Then They Danced (w. Jack Gregg, Jumma Santos)5. Leo Smith: Locomotif no. 6 (w Oliver Lake, Anthony Davis, Wes Brown, PaulMaddox, Stanley Crouch)Wildflowers 31. Randy Weston: Portrait of Frank Edward Weston (w. Alex Blake, AzzedinWeston)2. Michael Jackson: Clarity (w. Oliver Lake, Fred Hopkins, Phillip Wilson)3. Dave Burrell .Black Robert (w. Stafford James, Harold White)4. Abdullah: Blue Phase (Charles Bracken, Mashujaa, Leroy Seals, RickieEvans, Rashied Sinan)5. Andrew Cyrille & Maono: Short Short (w. Ted Daniel, David Ware, LyleAtkinson)Wildflowers 41. Hamiet Bluiett: Tranquil Beauty (w. Olu Dara, Butch Cambell, Billy Patterson,Juney Booth, Charles Bobo Shaw, Don Moye)2. Julius Hemphill: Pensive (w. Abdul Wadud, Bern Nix, Phillip Wilson, DonMoye)3. Jimmy Lyons: Push Pull (w. Karen Borca, Hayes Burnett, Henry MaxwellLetcher)4. Oliver Lake.Zaki (w. Michael Jackson, Fred Hopkins, Phillip Wilson)5. David Murray: Shout Song (w. Olu Dara, Fred Hopkins, Stanley Crouch)Wildflowers 51. Sunny Mu nay: Something's Cookin' (w. David Murray, Byard Lancaster,Khan Jamal, Fred Hopkins)2. Roscoe Mitchell: Chant (w. Jerome Cooper, Don Moye)2-Th* Cfy City Joumal-Frlday, April 29,1977 in New Yorkexample of the quality of musician lendinghis talents to the Wildflowers. First there isByard Lancaster, who has played withMurray since the mid-sixties. In volumn oneof the Wildflowers Lancaster comes out infront to play "Over The Rainbow," byHarold Arlen. It is a little too glittery, butvery beautiful, and may aggravate thelistener who thought he had advancedbeyond the Wizard of Oz. Lancaster showsus a complete understanding of a simplemusical quality, and it is a very successfulperformance.The other reed man is David Murray, thetenor saxophonist who has recently beentearing up New York. For those not yetacquainted with his music, I wouldrecommend his performance on Low ClassConspiracy (Adelphi AD5002). His stylecomes out of Albert Ayler but he owes hiscreativity to no one. Already at the tenderage of 21 (most men on the series are oldenough to be his father) he is one of the mostpowerful improvisers in jazz. His facility isawesome and his ideas spellbinding. Theensemble is completed by Fred Hopkins onbass and Khan Jamal on Vibes."Something's Cookin' " is a straight¬forward, simple piece, but it brilliantlypoints out some of the tendencies of the newmovement. In the sixties, when jazz firstwandered into the realm of group improvisation, most of the music was uni¬linear. Perhaps it was the idealogy of thetime, or the musical sympathies of theplayers, but what usually came out wasmusicians bending their music to a singlehigher purpose. "Something's Cookin' " andthe rest of the music on Wildflowers is notconstrained like this. Voices are heard,there is no overwhelming roar. FredHopkins plays, David Murray plays, andByard Lancaster plays, each with his ownsensibility. Perhaps this is why in certainquarters much of this music is referred to aschamber music.In "Something's Cookin' " it is FredHopkins who impresses the most. Near theend of the piece he takes a solo which is aclassic for his instrument. But, of course,tomorrow I will say it is David Murray whoimpresses the most. There is enough musichere even to satiate the schizophrenia of acritic.Because of lack of space I can not evenstart to describe all the great moments ofWildflowers There is Marion Brownblowing a cadenza that stops the record inits groove, Anthony Braxton stating thetheme to "73° s Kelvin" while George Lewisruns sixteenth note figures around it, etc.etc.The Wildflowers means a fairly sizableinvestment, not only because it is fiverecords, but because it will send a listenerrunning to buy album after album of musiccreated by the participating musicians. Butit is a must for any jazz fan's collection.Never has a musical period produced such adocument. It contains a piece of jazz historythat critics and tans wm De discussing toryears to come. We in Chicago should beproud of the music that this city hasproduced. No longer is it the Chicago school,a bit of home town culture for us to enjoy,but a national movement that will go downas one of the richest and most creative thatjazz has seen.Pieces by Student ComposersCSO Performsits MagicBy Fergus BarkerThe Chicago Symphony Orchestra gaveits expected impressive performance to itsexpected enthusiastic audience last Wed¬nesday at Mandel Hall. Solti and the CSOenjoy playing in Hyde Park because theaudiences give always greet themenergetically and allow the orchestra moreroom to move than downtown audiences.Hyde Parkers are hardly conservativelisteners, but with this artistic freedom it issurprising that the CSO offered such aconservative concert.The pieces were fine, some of the best inthe classical repertoire, but Haydn's 103rdsymphony, Mozart's 20th Piano Concerto,and Mozart's ''Jupiter'' Symphony hardlycomprise the most experimental concert.Nonetheless, the pieces are such excitingmasterworks, and were so well handled bythe orchestra, Solti, and pianist MurrayPerahia, that we can hardly complain.Solti opened the concert with the Haydn103rd, a masterful, fast paced, almostmechanical work. The orchestra handledthe staccato string parts formidably, neverslowing or getting mushy. I found the workrefreshing, if slightly heartless (or soul¬less). It prepared the audience for anevening of great music and super execution.It was as if the orchestra was re introducingitself to Solti, the master who had returnedfor the spring.Solti was majestic, regal and stately. Hedirected the attack, chiding and encouraging the players with his facial ex ¬pressions and joking hand on hipsplayfullness. The Haydn was perfect for thisreunion, as the musicians and the conductortraded musical jokes at a brilliant pace.Solti's return, like a general back from asuccessful campaign, was shared byPerahia, the tiny 30 year old pianist whoperformed Mozart's 20th Piano Concerto.Packing the orchestra and piano onto theMandel stage, the performers treated theConcerto in D minor with almost Romanticintensity. Perahia is technically brilliant, asall fine Mozart musicians must be, but headded a humane beauty that did justice to Sir Georg: stately and regalthe work. Pianists rarely choose the 20thwhich demands both a superior pianist andorchestra, bui Perahia handled the piecemagnificently, establishing an almosttangible musical conversation with Solti.After the multiple curtain calls for pianistand condurtnr CSO and Solti returned forthe "Jupiter,” a gift from Mozart to music-kind, and Wednesday from the CSO to us.They performed the work to perfection. Thedynamic balance, the soaring melodies, andthe subtle emotions, were all handledperfectly by Solti. He had perfect control ofevery note and every phrase, making theevening an expected height of the spring inHyde Park. Welcome back Solti; welcomeback CSO. The University and Hyde Park Com¬munity tonight will be treated to a concertby six composition students in the musicdepartment. The event, sponsored by thedepartment, is student organized andperformed. Simply in terms of the numberof musicians involved, this represents thefirst major joint musical effort by U of Cmusic students in a long, long time.David Beaubien, a student of EasleyBlackwood, will present his "Trio for TwoTrumpets and Horn," written in 1976. It's arather short piece, with an ABC tripartitestructure. The A sections are contrapuntal,and the constrasting homophonic B sectionis almost Wagnerian.Richard Brown, also a compositionstudent of Easley Blackwood, will have his"Quartet" (1977) performed. The piece hasthree short movements (originally con¬ceived as separate works): the first is forflute solo, the second for horn, guitar andpiano, and the last is for solo piano (thecomposer will perform on guitar). Youmight have already heard his "Sonata forEight Horns," performed two years ago atthe FOTA Finale, or his "Finality Fallout"for horn quartet, flute, piano and tuba thatwas performed last year.Peter Burkholder, a student of RalphShapey, will have two songs and a brasspiece for fourteen instruments performedon the program. Northwind (1977), forbrass, is a major work built on sustainednotes traded among the instruments as if the group functions as one instrument. Inthe last student composers' concertBurkholder had a solo violin piece performed, and last year his "Nightcrossing"was performed at a spring concert.Monroe Couper is also a student of RalphShapey, and will present three songs fortenor and chamber ensemble based on textsby Stephen Crane. Monroe is the managerfor the Contemporary Chamber Players ofthe University of Chicago, and next yearwill be director of the electronic studio in themusic department.Bruce Horst, a student of Shulamit Ran,will perform his "Fantasy for Organ," andtwo songs: "By the Waters of Babylon," and"I Have Seen the Lord" (a duet for twovoices and piano). "Fantasy for Organ"was first performed at the FOTA Finale twoyears ago and the first song was premieredin December.Gerald Levinson, whose teachers haveincluded Oliver Messaien, George Roch-berg, George Crumb and Ralph Shapey, willperform his "O alter Duft," for stringquartet and piano (with the composer onpiano). The piece was written in 1971, and isdedicated to George Rochberg. Also, it hasbeen performed at one of the celebratedTanglewood concerts.Don't miss this rare opportunity to hearwhat the next generation of composers hasin store for us. The concert is at AugustanaLutheran Church (55th and University), at8:30. It's free.BRENT HOUSE554C S. WoodlawnSunday, May 1st5:15 Vespers5:45 Social Hour6:15 Supper ($1.25)7:0C Poetry ReadingThe Grey City Journal-Frlday, April 29,1977-3*•' • * "• *■ S* * : ! *1 wA coupie-of-bundred books* for a coupie-of-hundred bucksFor more information and free estimatesChicago 312_2E>3~49B9BUPLINGTON 41<4“'763~8'7S2 Beach, sportsevents, campouts,spoiling o; casualwear, even parties.Beautiful designsin pink, orange orgreen colours.Iritiooucxory offeronly 5.99 includingpostage. Cendcheque or moneyorder to:INTERNATIONALQUALITYPRODUCTSDept. CP.C. Box 12142.Specify colour.Illinois residentsadd 5% sales tax.PROTECTED FROM THESyftrwHk^BEACH-HAT inSHOULDER BAG?:ASHION FROM EUROPE.MICRO INCORPORATE n507 ORIGEN STREETBURLINGTON, WISCONSIN 53105Don’t PERISH!now you canPUBLISHCOLLEGEPROGRAMSDAYCOBB HALLAPRIL 29th3*6 p.m.3:00 Quantrell AuditoriumLiberal Education and the Professions'a talk by Charles Oxnard. Dean of the College ^14&4‘*30 Classroom Presentations*!Special presentations by each field of concentration$:00 Bergman GalleryReception for students and facultyFind out Divisional and concentration requirementsTalk to Divisional Masters and Faculty membersSi immmmmam mmm mmmmm ‘Plenty o’ Sumttin” inPorgy and BessBy Esther Joy SchwartzA brilliant black ensemble is givingGershwin's Porgy and Bess its most sump¬tuous revival yet at Chicago's Arie CrownTheatre. The individual and collectivevoices are rich and luscious, and theyprovide some of the most gorgeous singingof the musical year. Andrew Meltzer con¬ducts with spirit, and Robert Randolph haskept the stage alive with great washes ofcolor and light. If opulence of sound andphysical vivacity were the essential stuff ofopera, Porgy and Bess would sweep allbefore it.Gershwin's music has certain smartsophistication, but its outstandingcharacteristic, it seems to me, is warmsentiment or a kind of yearning for sentiment. It is as if a skillful popular composerwere trying to reach some area of feelingbeyond the clatter and glister of Broadway'ssurface, an area purer, richer, more tenderthan what others were satisfied with.In the twenties everyone seemed to bedizzied by the brilliant energy andprosperity of the time, but the more sensitive found themselves lonely and wistful.They were "a lookin' for a home" — a safeplace amid the surrounding jungle in whichthere might be some repose, sweetness, andheart. The music of Porgy and Bess voicesthat quest. It may be no accident thatGeorge Gershwin, who was Jewish, shouldhave found the material for his masterpiecein what amounts to Negro folk tale — andthat the combination, with the aid of highlygifted lyrics of Ira Gershwin and DuBoseHeyward should have a lasting appeal forall Americans.The Shewin Goldman Houston GrandOpera production at the Arie Crownpresents the whole of Gershwin's "lovechild," not just bits and pieces. Ever sinceits premiere in 1935 American audienceshave been dealt only extracts of theirgreatest American opera.But this time it is different. The arias,recitatives, and spiritual ensembles havebeen patched back together, and the resultis magical. Catfish Row pulsates withrhythm and melody. It's clear that to everymember of the chorus, Catfish Row is areality and each actor acts with the spontaneity and integrity which seems to beendemic to black casts. Their singing isvibrant — every chord of sympathy is sounded; every scene becomes climactic.Indeed, enjoyment of this Porgy and Besstaxes one's emotions. There's the suddenfury of the street brawl; the pitifulness ofthe funeral; the poignant duet of Porgy andBess; the clamor and movement of thepicnic; the kidnaping of Bess by Crown; thehurricane; Bess' elopement with Sportin'Life; the anguish of Porgy and his settingout to look for her. It's all breathless,especially because director Jack O'Brienhas eliminated the former silent waitsbetween the scenes.Although the elementary tragedy of thecrippled beggar, Porgy, and his unhappyBess calls for two murders, a violent crapgame, a bacchanalian picnic, and ahurricane, the director has not allowed hissense of the dramatic and the pictorial tointerfere with the Gershwin music. Thevocal line of Porgy is uncommonly bold andlovely; those great scooping chords, thewailing sensual pulse which informs itsstunning use of a variety of native idioms,display the presence of a first-rate spontaneous musical imagination. Suchimagination is genuinely evident: the greatroll call of Gershwin tunes alone — Sum¬mertime, A Woman Is a Sometime Thing, IGot Plenty 0' Nuttin', Bess, You Is MyWoman Now, It Ain't Necessarily So —would be enough to convince anyone.The cast is a bit complicated — there arethree Porgy's, four Besses, and alternatesfor the remaining four principal roles, all ofwhom rotate in a manner that even themanagement finds itself unable to explainvery clearly — but the one I saw wasgenerally exemplary.Now accepted as an American classic, itseems odd to recall that when the DuBoseHeyward's Porgy was first presented withGeorge Gershwin's musical score in 1935, itwas not a spectacular success. Its fame hasgained impetus with each revival. It isusually risky to tamper with a masterpiece,but it seems to me that almost all thechanges are highly successful and thatPorgy and Bess, as it stands, is just aboutthe most exciting thing in Chicago, bothmusically and dramatically. Porgy andBess will be at the Arie Crown Theatrethrough Sunday, May 8. Performancesevery night, matinees on Wednesdays andSaturdays.' Call 791 6500 for ticket information.4-Th# Gfj/ City Joumal-Frlday, April 29,1977“Biography” Failsin Inception and ProductionBy Mike SingerYou may have noticed several eye¬catching posters around campus publicizingChicago City Theatre Company's currentproduction of S. N. Behrman's Biography.The posters could easily lead one to believethat an evening of sophisticated comedy isin store. Don't be deceived; the onlysophisticated talents the posters advertizedare those of its designer.Behrman was quite popular in the thir¬ties; many consider Biography his finestplay. A quick critical analysis will show thatBehrman, like his protagonist MarionFroude, is really a thrid rate artist.Behrman surrounds his protagonistMarion with a cast of chapters that includethe rich, cultured, and famous. Marion isthe center of interest, not because of herartistic skills, but because of the fame of themen she's painted (Lenin, Shaw,Mussolini), and the promiscuous lifestylethat enabled her to get these men to sit in thefirst place. Richard Kurt, a strugglingmagazine editor and a political radical, asksMarion to write her biography. Afteragreeing, Marion finds herself in apredicament. By publishing the biography,she will expose past sexual affiliations withher friend Leander Nolan that mayjeopardize his political career. If Marionrefuses to publish she will disappoint Kurt,who becomes her lover during the course ofthe play. Under pressure, Marion decides toburn the manuscript. With the helpfulcontrivance of a last minute telegram,Marion is summoned to Hollywood for a newpainting assignment. At the play's end, shere-embarks on the carefree, bohemianlifestyle she was accustomed to before theentanglements began.The characters' actions contain manyinconsistencies. Marion's career implieszaniness and strength; it does not imply thegreat degree of honesty and tolerance thatare supposedly Marion's primary qualities.Those who believe that Behrman is aprecocious spokesman for female liberationshould also take a closer look. Why doesMarion make a lifestyle out of flirtation anda sidekick out of art? If Marion is really aserious spokeswoman for .female liberation,it seems odd that she never has a "vulgarquarrel" or loses her temper. Similarly,Kurt presents some curious contradictions.If he is the uncompromising political radicalBehrman wants us to believe he is, then itseems odd that he chases after sensationalstories for a magazine with a circulation ofthree million.In addition to its structural weaxness,Biography contains some of the most selfindulgent dialogue ever written for theAmerican stage. Behrman can't simplyhave a character say, "I don't like you."Instead, they say something like this: "You are a flatulent and bilious young man." Ifthis sort of speech said something about thenature of a particular character, then itwould serve a valid purpose. The problem,however, is that all Behrman's charactersuse long words and literary phraseology;this only tells us that Behrman was well-acquainted with a Thesarus. The charac¬ters' morsels of wisdom are even morealarming in their lack of verisimilitude. TheViennese composer, for example, exclaims,"Noble impulses are luxurious ones youhave to be rich to have them".Indeed, Biography is impulsive andignoble; I can't imagine why a companywould want to produce it. More importantly,I can't imagine how a company with a smallstage and modest resources ever thoughtthey'd be able to pull the production off withany degree of grace and style. Well, theChicago City Theatre Company decided totake the risk, and their meager productionmakes Behrman's overblown drama seemdoubly ridiculous.A set designer wasn't mentioned in theprogram; this, in itself, is telling. Theset lacks unity of style and period; most ofthe furnishings seem to have been salvagedfrom grandmother's attics. If Marion canafford to keep a live-in maid, vet has suchfashionable taste one wonders why herapartment, as depicted in this production, issuch a tawdry mess. The total lack of styleand glamor in the set constantly conflictswith the supposed style and glamor of thecharacters who act in it.Behrman's script contains little subtlety;Director Joseph Ehrenberg is true to theplaywright. In order to show that LeanderNolan is an upright, moral man, Ehrenberghas actor Charles Karil parade around thestage like a stiff statue. To show that SladeKinnicott is a snob, Nina Petkoff sticks herchin up in the air throughout her scenes.Julie Noble, playing Marion, is all bubblycharm; her charm is initially captivating,but, as anyone can tell you, bubbles breakafter a couple of minutes. Gary Prendergast, as Kurt, has a few emphaticmoments of emotional depth, and JonPlatou, as Orrin Kinnicott, manages hisSouthern accent well enough to incite someaudience interest. .The other members of the cast, with thevery notable exception of Eva West, whodelivers a brilliant, comic protrayal asMinnie, aren't worth mentioning.The Chicago City Theatre Company hasthe potential to mount worthwhileproductions. In the future, let's hope theypick scripts that are more amenable to theirartistic integrity and financial budget.Biooraphy will be performed Thursdaythrough Sunday until May 29. For reser¬vations call 663-3618.r Ayers(continued from page l)Before the concert began, I had my doubtsabout his strong statements, but during theshow Ayers did something that shocked me.He did not upstage his band by having theirvolume set lower than his, and he allowedall of them the chance to prove their greatmusicianship.Although all the members of Ubiquitysolo, Ayers' vibes are the center of thegroup, and he assumes the role of leader.Ayers said he took up the vibes full timeduring his senior year in high school. He wasinspired by Lionel Hampton, Cal Tlader,and Milt Jackson. Initially he played withGerald Wilson, Phineas Newborn, TeddyEdwards, Curtis Amy, Leroy Vinegar andHampton Hawes, all notable west coastmusicians. Ayers later played with HerbieMann and became a major force on themusic scene at the Lighthouse in LosAngeles.After three albums produced by HerbieMann for Atlantic Records; Ayers formedhis own band, Ubiquity, and began recording for Polydor. Over the last several yearsthe music of Ubiquity has grown andmatured, but it has never lost the freshnessor the excitement of the first Ubiquity line I asked Ayers: "Your music wasoriginally filled with passive counterparts,but now you get down and get funky, thusselling out traditional jazz for the morelucrative disco market. Why?"Ayers did not hesitate to answer; "Tokeep from starving. Seriously, in 1970, I sawa dramatic change in music and I see itcontinuing to change. I saw the regularwalking bass in jazz almost completelydismissed from the whole music scenethrought the Latin influence, and throughthe R&B influence."In my opinion, it is no coincidence that henamed his group Ubiquity, a conclusion towhich Ayers will confess. "My music isubiquitous, meaning everywhere at thesame time. We're getting into some ofeverything; R&B, jazz, pop, bosa.nova,blues, and Latin music. My music is acombination of many different musicsbecause of what I've learned in my life."After witnessing the vibrancy of RoyAyers Ubiquity, I definitely agree, Ubiquityis — everywhere at the same time. And toquote Ayers: "The only way we can live upto our name is if everyone owns a copy ofour albums."uo.Th* Gr#y City Journol-Frlday, April 29,1977-5 FOTA-Dmitri PapemoFirst American Recital8:30 PMSaturday, May 14,1977Mandel Hall“He has always impressed me with his refinedmusicianship, excellent pianism, and artistryof a very high order” — Vladimir AshkenazySponsored by Festival of the ArtsRECENT ARRIVALS:GLYPH I: JOHNS HOPKINS TEXTUALSTUDIES, $3.45Hirschman, THE PASSIONS AND THEINTERESTS, $2.95Dumont, FROM MANDEVILLE TO MARX, $16.50Tragesser, PHENOMENOLOGY AND LOGIC,$9.75Engel & Rosenthal, FIVE SISTERS: WOMENAGAINST THE TSAR, $6.95Meier, JUNG’S ANALYTICAL PSYCHOLOGYAND RELIGION, $2.95Laszlo, GOALS FOR MANKIND, $7.95DROP IN, 9:30 to 4:00,MONDAY through FRIDAYSEMINARYCOOPERATIVEBOOKSTORE5757 S. University752-4381 9:30-4:00 M-FSunday,May 1 -7:30P.M.BREASTEDHALLORIENTALINSTITUTE1155 E. 58 Reflections of aCHINA DOLLone young woman growingup Jewish in AmericaPVA unique one-womanperformance by Broadwavand Otf-Broadway actressAdmission SUSAN MERSONHillel Affiliates& Contributors$1.00 |Others $2.00 (currently starring inVanities Off-Sroadway)a flawless performanceEx»raordinary-a bravuraperformance -&r*«ef*#«* yotammoSusan Merson has presence andpresents—she is definitely one ofthe actresses to watch.” un.tea *•»Tickets on Saleat Hillel j5715 WoodlawnRECEPTION AFTERWARDS A T HILLEL5715 WOODLAWN AVENUE *FREESEMINARThere will be c seriesof FREE SEMINARS on“How tc find a job afa radio or TV station.”To attend, phonefor a reservation.321-9400omegastare instiTLre237 E.GRAND AVE.ChiCAGO.It 606*46-Tho Grey City Journai-Friday, Apr COLLEGESTUDENTSPART-TIMEOur small Chicago based firm,expanding on both the local andnational levels, is seeking the following 2 college students forcareer related, part-time, flexiblehour opportunities with futurefull time potential.ADMINISTRATIVEASSISTANTYour marketing/business orientation as a last year undergraduateor graduate student in an MBAProgram could qualify you forwide ranging projects in our Loopoffice. 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To arrange a confidentialinterview, submit a detailed resumeincluding career objectives toPersonnel Man.jeer67 F 7th StChM-ago Illinois 606)9An Equal OpportunityEmployer m/fINTERNATIONAL GUIDE TOTRAVEL HOUSINGREDUCE TRAVEL COSTSStay in College and University Residences• over 230 colleges and universities listed• 21 countries represented (includingU S and Canada)• inexpensive rooms• low-cost meals• campus activities• available holiday periodsFor completely revised and expanded 2ndedition of Travel Guide to College andUniversity Housing, send $3 to TeachersTravel Service P. O. Box 7006. BerHeley.CA 94707.CampusTownhouseThis E-1 Townhouse is in mintcondition: It has beer pointedfrom top to bottom end the lovelyoak floors, iust re-done, aregleaming.Four bearooms and two and onehalf baths. 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Mosto. the creative work of this NobelPrize winner was achieved duringthe 30 years Miilikan lived ir, hischarming sun-filled WoodlawnAvenue homeA beautiful large living room haswoodburning fireplace. Lovely din¬ing room leads to large screenedporch.Three excellent size bedrooms anda library with woodburning fireplace on the 2nd floor. Three ele¬gant bedrooms, two full bathsand a porch-der on the 3rd floorLovely oak floors. A charmingbeer yard.Urban Search337-240C 144* I. 93th447-4940OAK FURNITURf-AMTIQUESMFINISMfD 4- AS IS TablesChairs_ _ Drassars1 -6iOO Pfn BoolecasasTUES.-SAT. ^ MuchMoraWa Also DoRo finishing7 Days A WeekHYDE PARK PIPE AND TOBACCO SHOP1552 E. 53rd- under 1C tracksAll students get 10% offask for "Big Jim"Imported Cigarettes CigarsPipesPipe TobaccosFASTSPEEDYRAPIDSWIFTPRONTO...IF YOU NEED IT FAST WE’RE AS NEAR AS YOUR PHONE... OUR SER VICES INCL UDE♦Copying ♦Business Cards***'0* Copies♦Folding ♦Maillers .Copying*♦Collating ♦Flyers Ouplicating-Fasl♦Binding .Ad Boohs I RM-707fl♦ Wedding InvitationseChurch Bulletins • fvfv♦Padding. Etc .Thesis - Term Papers♦Envelopes .Funeral Programs♦Letterheads____!inv "SK* '' Hyde Park Bank Bldg.XrS? 1525 East 53rd StreetROSS 'Chicago, III. 60615INSTANT PRINTING WHILE U WAIT Suite 626371-2200HONDACAN-AM_SSPORTS & CYCLEDAILY 9-9 SAT. 9-5, * 14723 So. Crawford Ave -Midlothian, III. 60445V •/ iSAVE SPACESAVE TIMESAVE GASSAVES $CHAIM GRADE LECTURENOTE CHANGE IN DATE FROM:MAY 2 toMAY 16th —8:00 P.M.hiLLEL FOUNDATION5715 Woodlawn AvenueRECENT ACQUISITIONSNOW AVAILABLE ATPOWELLSTHE INVENTORY OFA MARXIST BOOKSTOREANDN.Y.U. PRESS TITLESPOWELL'S BOOKSTORE1501 East 57th Street9 A ,M -11 P.M. Everyday955-7780 1020 S. Wabash Ave., 8th Floor9 A M.-5 P.M. Mon.-Sat.341 0748V /DanceBy Eden Clorfene Ballet and Modem: For M ordine,Flying Limbs and Exhausted TorsosThe more modern dance I see the more Iam convinced that this 70 year old dancegenre is not al! that different from its centuries-old partner and often antagonist,ballet. The term itself, "modern dance" is aconvenient catch all designation whichapplies to any theatrical dancing that usesexpressive means other than the classical orfolk vocabulary of movements.The modern dance pioneers, Isadora,Ruth St. Denis, and Loie Fuller, wereconvinced that ballet was too limited a formfor anything beyond light-hearted entertainment, and each sought to create aWay of dancing that could send audienceshome thinking about something other thanhow extensive Miss X's developpes were.Personal ideas and completely personalways of expressing them characterizemodern dance, and more aptly a movementthan a tradition, it fosters as many styles asit holds choreographers. However, after along period of war, modern and ballet havediscovered each other in this decade.Proponents of each have realized that eachstyle can contribute something to the other— ballet could well use the intelligence andfree ranged dimensions of modern, andmodern needs the discipline and technicalachievement of ballet. And, back to what Isaid earlier, the fact that artists of the twoJFilinBy Karen HellerAdmission to the international House,weekend Doc, CEF and Law School films is$1.50. On the weekdays, Doc, CEF and LawSchool films are $1.00. Admission to theNAM films is $1.00 for Doc pass holders and$1.50 for all others. Admission to Gloria,shown on Monday at the Blue Gargoyle, isfree. NAM, CEF and Doc films will beshown in Cobb hall. International Housefilms will be shown in I House auditorium.Law School films will be presented in theLaw School auditorium, 1111 E. 60th Street.The Four Musketeers (1975), directed byRichard Lester. (Doc) An excellent sequelto The Three Musketeers. Complete in itsportrait of the period and rich in story andcharacterization, the film is Lester's finestto date and one of the greatest farces ever.But let me warn you, though the film ishighly comic, the ending is not. MichaelYork is d'Artangan. Oliver Reed, FrankFinley and Richard Chamberlin are hisfellow swordsmen. Faye Dunaway is theevil Milady, Raquel Welch the bumblingConstance, and Charlton Heston thepowerful Richlieu. Highly Recommended.Friday at6:30, 8:45 and 10:00Sleuth (1972), directed by Joseph Manekiweez. (I House) Andrew Wyke(Laurence Olivier) is a snobbish, eccentricmystery writer and fanatic game player.One afternoon, Wyke invites Milo Tindle(Michael Caine) to cocktails only to disclosethat he knows that his estranged wife andTindle are lovers. Much to Milo's astonishment, Wyke claims to be delighted at theprospect of getting rid of his wife, so muchso that he has devised a clever scheme fromwhich both will benefit. But things are not asthey appear... Alec Cawthorne is very goodas Inspector Doppler. Friday and Saturdayat 6:45 and 9:30. styles are gradually accepting each other isalso an acceptance of the fact that there arebasic questions and issues to good dancing,period, such as the maintenance of achoreography's organic unity, no matterfrom what type or approach a particularwork springs.★ ★ ★ ★Last weekend, Shirley Mordine andCompany (of six other dancers) performedat her home, the Dance Center of ColumbiaCollege. A modern choreographer, theworks I saw on Sunday were all hers.Mordine has a style that is heavy, ear-thbound, and percussive. She herself looksand moves like some kind of matriarchalfigure — she is considerably older (I don'tknow her age, but she must be at least in herlate 30's), her body is heavy and her facehas a hard edged quality that evinces asturdy, fierce determination.With the exception of one dancer, JanErkert, the company has been trained inmodern techniques. And while the troupe asa whole is not technically sure, theynevertheless display a good working rapport with one another and perform withopenness and eagerness.In all of the four works, much of themovement ‘ consists of ensemble foot-stomping and jumping, emphasizing groupaccent and attack, and rhythmic force. Thefloor or stage itself becomes a kind of in¬strument, an "object" of reference (similarto the function of music) determining thepace, structure, and dynamics of thechoreography.A lot of this foot stomping is ugly, anddisturbing to flow and continuity. Mordine,in her emphasis on weight, noise, andrhythm, seems to be raising her ownquestions about how necessary the presenceof airborne lightness in the execution of adance phrase is or how necessary thequalities of grace and evenness for an ef¬fective, memorable dance image are. Andthis is precisely where the question of styleenters.To be sure, these are valid questions, andher concentration on these aspects is hertrademark. Yet, Mordine has failed toweave these concerns into a single focusedexpression, and they eclipse the more im¬portant concern for the overall design of agiven work. Rather than a whole, concreteThe Producers (1968), directed by MelBrooks. (Law School) It's springtime ... foreveryone, and for Hitler. The quintessinal(and the only consistently funny) MelBrooks' movie. Max Bialestock (ZeroMostel) is a bankrupt Broadway producerwho plays games like "The Chauffeur andthe Countessa" with rich old ladies to raisemoney for his erstwhile projects. Leo Bloom(Gene Wilder) is an accountant who auditshis books only to discover he should makemore money producing a flop (selling 1000per cent of it beforehand) than sincerelyattempting to present quality. (Sounds likethe current notion of several theatricalproducers.) I could do with a little less ofBrook's crass humor, but Mostel and Wilderare terrific together. Plus an "Our Gang"short. Friday at 6:30 and 8:30,The Mother and the Whore (1968),directed by Jean Eustache. (CEF) A verylong (over three and a half hours) but important film about mooern love. JeanPierre Leaud is a young Parisian who lovesand lives with one woman (BernadetteLafont) and comes to love another (Francoise Le Brun). It grossly simplifies the filmto say that one woman is a whore while theother a mother. Both culminate thesequalities, and many others. The film ishighly personal, intimate and improvised,so it is impossible to tell what the scenedictated and what Eustache and his actorssensed in its making. Recommended.Saturday at 8:00.O Lucky Man (1973), directed by LindsayAnderson. (CEF) A modern Candide.Malcolm McDowell portrays Mick Travis(the revolutionary student in If . . .) findshimself selling coffee, trading secrets aboutnucleur warfare, almost being turned into apig, becoming poor, getting rich, deliveringnapalm, going to jail, becoming the star of aLindsay Anderson movie and more, allwhile wearing a strange but nifty metallicsuit. Recommended. Sunday at 8:00.By the Law (1926), directed by LevKuleshov. (NAM) the most inexpensive statement, the percussive accents arefragmentary, originating from nowhere andthen disappearing. Her effect is confused,the dancing seems nothing more thanflying limbs and exhausted torsos, and allthe running and floor stomping does nothingmore than make a lot of noise.Confused is the appropriate descriptionfor her work. In "Three Women," set to acollage score compiled by composer inresidence Joseph Reiser, (1974) dancersMordine, Jane Erkert and Carol Bobroware dressed in something like burlapsmocks. Is Mordine giving us three differentsides of one woman? Is she portraying threedifferent kinds of women? Or is sheproviding us with an ecclesiastical itineraryof the life of a woman? There's muchjumping around, an incredible amount ofenergy expended, as if to designate hardwork. It is followed by floor rolling, as if todescribe the exhaustion from toil, and thena slow moving, sync'-ironizeo ritual ofsupplication, implying the feminineresponse to the masculine Three solosfollow, and the piece ends Mordine failed toeven hint at who these three are, and whatthey do by themselves or with each other.In "Rondeau," six dancers in their brightyellow leotards act like clowns or courtjesters performing for an invisible royalcourt. They are accompanied by Reiser'slive music, which is somewhat reminiscientof early Renaissance music. Reiser playedon "bambets," his own term for woodwindshe made himself that sound like predecessorsof the oboe.The whole work is composed of duets, butI felt Mordine could have choreographedsome kind of group work for her six dancers.Since she didn't, the piece again offered akind of commentary on the traditional duet.Partners miss each other and casuallycontinue, paying absolutely no attention toeach other's mishaps. The piece is seriousand funny at the same time, displayingsome really pleasing plastic images. Butbecause Mordine does not truly commitherself to either a serious or comic tone,"Rondeau" fails to deliver a memorable,forceful effect."Errant Gathering," a premiere workaccompanied by a jazz score of Reiser andhis live playing of the mellophone, indicatesno real development or progression offeature film ever produced in Russia.Although Kuleshov's reputation was rapidlyeclipsed by his brilliant pupils Eisensteinand Pudovkin, his films still rank as one ofthe enduring achievements of the earlySoviet cinema. In By the Law, his mostrepresentative film, Kuleshov perfected thetechnique of endowing every gesture andmovement with a mathematical precision toobtain "the maximum of effect with theminimum of effort." Recommended.Monday at 7:15.Gloria (1968). (Blue Gargoyle) Adocumentary. Gloria is interviewed byClient Centered therapist Carl Rogers,Gestalt therapist Fritz Peris and RationalEmotive therapist Albert Ellis. Besideswatching three distinctly differenttherapists at work, there is also a commentary by Gloria on her experience withthem. Monday at 7:00 at the Blue Gargoylein the United Church of Christ, 5655 S.University.Arsenal (1929), directed by AlexanderDovzhenko. (NAM) Described by Eisenstein as the example of a "liberation of thewhole action from the definition of time andspace ... of a dramatrugy of the visual filmform," Arsenal is the most brilliant ofDovzhenko's famous "film poems.”Recalling the film, he once wrote, "I daresay if I had been asked then what I wasthinking about, I should have answered, likeCourbet to a lady's question, 'Madame I amnot thinking — I am excited.' " Recommended. Monday at 9:30.La Bete Humaine (1938), directed by JeanRenoir. (Doc) Adapted from a story byEmile Zola. A man's parents and grandparents are alcoholics. He cannot escape thecurse they bequeated him — the overwhelming desire, on certain occasions, tokill. But the young man, a railroad engineer,attempts to dodge his destiny and for a whileleads a happy existence. He falls in lovewith a young married woman and attends tohis job. But the life Fate has prescribed forhim is an unhappy one. Tuesday at 8:00. Mordine's choreographic style. Much ofthe movement is lifted from her formerwork — the heavy, Graham-like con-tactions, the inward turning, the floorslithering — but the dancers executed theirmovements with greater clarity andprecision than they had in the evening'sother works.The work calls for five women, groupedfour and one. The sparse lighting andcostumes (the women wear leotards ofearth colors and what looked like nylonheadgear) remind one of an undergroundinsect gathering. The bulk of the workbelongs to the four, who like a pack of ants,are constantly scurrying on and offstage, asif lost in their environment or in search oftheir leader. Mordine. their reader, comeson alone, equally bewildered, as if lookingfor her lost tribe. Why they need each otheris never made clear, but as l guessed fromthe title of the work, the end would arrivewhen all five found themseives onstagetogether.The final work was "Sky Tale," score byReiser. Special mention should be made toCraig Miller's lighting, which projectedmarvelous shadows of the dancers on theblack walls of the performing area thatwere often more interesting than the dan¬cers themselves.KkDetour (1946), directed by Edgar G.Elmer. (Doc) "With a cast of only two ac¬tors (Tom Neal and Ann Savage), a cheapbed and window hotel set, and a backprojection screen endlessly displaying themoving highway, Detour is an exercise insustained pervisity and mad poetic tragedy:A hitchhiker becomes inextricably entangled in a web of lust and murder andlearns — "no matter what you do, no matterwhere you turn, you never know when Fateis going to stick out her foot and trip you."Wednesday at 7:30.My Name is Julia Ross (1945), directed byJoseph H. Lewis. (Doc) Julia Ross (NinaFoch) is a private secretary to a rich elderlywoman (Dame May Witty). Her employerplans to drive her crazy and cover upevidence of a previous murder. Julia, yousee, is a dead ringer for the victim and thesceme is to produce her as the corpusdeliciti. Wednesday at 8:45.Just Before Nightfall (1971), Directed byClaude Chabrol. (Doc) "When Charlesmuroers his mistress, he iearns themeaning of true friendship. Her husband(his best friend) understands H(s wife(Stephane Audran) does, too. Still, he feelsguilty and even considers turning 'imselfin. "But it was only a nightmare," theyargue. "Be practical," they console himClaude Chabrol (Le Boucher) once againreveals the dirt beneath the ant septicfacades of the middle-class, and he fashionsan elegant, witty comedy of high intelligentand dark order." Thursday at 7:15 and 9:30Unfaithfully Yours (1948), directed byPreston Sturges (Law Schoo ) RexHarrison is a great symphonic maestro whosuddenly suspects that his wife, for whom heis passionate, has been unfaithful to him.One night, while conducting a concertbefore a mob of ermine swells, his thoughtsturn to various revenges which he will takewhen he goes home that night. ThroughRossini, Wagner and Tchaikovsxy, hechanges his plans according to the mood andstyle of the music. Thursday at 8 30The Grey City Journal-Friday, April 29,1977-7Introductory Discussion of theTRANSCENDENTAL MEDITATIONPROGRAMThe Transcendental Meditation technique is a simple, effortless, practicalprocedure for all aspects of Se/f-development — mental, physical, social.Research at many institutions — including the U. of C. — shows this.TUESDAY, MAY 3rd At NOON and 7:30Ida Noyes East Lounge flOOOOCOSOCOOOCOOCOCCOCOCCONow, you can really saveon a new, fully equipped Peugeot beforeyou ever set foot in the showroom.Save 55J 1 Save $$$$on a Peugeot 504 Gas Sedan* j^>n a Peu8e°t 504 Gas Wagon*A very special offerIn an extension of our recent WFMT offer, Lesley Motors willprovide Free Maintenance at this dealership, covering all nor¬mal maintenance costs except fuel, for 12 months or 12,500miles, (whichever comes first) on all 1976 Peugot gasolineWagons purchased or leased from Lesly Motors through May 1,1977. Gwr^- 113° W)hJ- r£i r-j r iTj tjota, y 0 -u bfccososoooccccosccoscooccccooooccccccocccoccccoocccccoococ1A different kind of luxury car234 7 South Mxhi^tn AvenueChScayo HimoH LO«'lA fee CoOe 312 / 32t 2SS0'Savings indicated are based on manufacturer’s suggested retail prices tor 1976 models, includingdelivery charges and dealer preparation. Title fees, optional equipment, licensing, and taxes extra“Absolutely enchanting, the wayCastaneda is enchanting.” -*£«»,An astonishing spiritual journey to a land wherethe people have learned to live withmagic and have found a way to tunein to the entire spectrum ofknowledge the world sends outGf>yCityiouf Gifts ofUnknownThingslyall Watson** AUTHOR OFSUPERNATURE17.95 • Simon andSchusterv 'April 29.1977- THE DEPARTMENT OF MUSIC PRESENTS:A STUDENT MUSIC CONCERTFeaturing works by:DAVID BEAUBIEN MONROE COUPERRICHARD BROWN BRUCE HORSTPETER BURKHOLDER GERALD LEVINSONAt AUGUSTANA LUTHERAN CHURCH(55th AND UNIVERSITY)On: FRIDAY, APRIL 29th, 1977 8:30 p.m.FREE PIZZAPLATTER14«0I.Mr4Ml 3-2100FAST DELIVERYAND PICKUPV " u y< (, Designs hijELIZABETH CORDONHair Designers1620 E. 53rd St.288-290(1“Hilarious Heavenly Hash.Comedy gets a shot in theapse with‘Nasty Habits’.It knocks over a lot of sacred cowsboth on and off the altarof piety. It’s the ThWatergate mess setIn a Philadelphia outrageousnunnery, with comedy!refreshingly differentcinematic results. There won’t be asoul in the audience who doesn’t yell‘Give ‘em Hell!”’ -Rex ReedNew York Daily News“Puregold...Outrageous and amusing.The screen is set aglow. Glenda Jacksonis superb. Sandy Dennis steals theShOW.” —Judith Crist. Saturday Review“An unabashed, outspoken parody ofWatergate—with a bunch of naughtynuns as the principal mischief-makers.Performed with flippancy and malicetoward all.” —Bruce Williamson, PlayboyDAUT PRODUCTIONS PRESENTS A GEORGE OARRIE-RO0ERT ENDERS PRODUCTIONGLENDA JACKSON MELINA MERCOURI GERALDINE PAGE SANDY DENNISANNE JACKSON ANNE ME AKA SUSAN PENHALIGON/NASTY HABITS'attowomry, EDITH EVANS mho^o-3^ JERAY STIILER »p»».*.• RIP TORN ELI WALLACHoimo****,Musk by JOHN CAMERON Executive Produce' GEORGE QARAlE Qdop'ed from The Abbess of Cr^ve by MURIEL SPARKWritten for the screen ond Produced by ROQERT ENDERS Directed by MICHAEL LIHDSAY-HOGG Color by Techn<olOf KPG PARENTAL GUIOANCE SUGGESTEDDistributed by Wm tinge t AssocsNOW SHOWING At These Theatres |ESQUIREChicogo DEERDROOK OLD ORCHARDDeerfield SkokieSandhurstMr Prospect YORKTOWN | BREMEN RIVER OAKSLocnbord [ Tinley Pork Columer CiryWith This Ad OnlyNEW FILE CABINET SALE2 drawers $354 drawers $45"cash and carry"EQUIPMENT&SUPPLY CO.8600 Commercial Ave.Open Mon.* Sat. 8:30- 5:00RE 4-2111 • fye EijRMitiots• Cntxt leases (Soft l Hard)• Prescription FilledDR. 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Andsoon, a private Health ClubRegents Park brings youthe lifestyle of the 1970 stogether with the charmand graciousness ot HvdePark •.Come and live the life of A. _ .today in the Chicago ofyesterday.Visit our newly dec-orated models and ypark tree. Open everyV- *a w A\JS£jM OFUiNCU3fftr'VW ,4kR "'tkCT/pzrt m-v < v* KAivKday.Studios from S200bedroom from S2b5. 2 bedrooms from SLV.Regents forkvim uvnc DA DLIN HYDE PARK5050-5020 South Lake Shore Drive, 288-5050Equ.l Houmok OrporMam l*r»ee* to auiUhilm•-V^lVWWWV‘->WWWWVWWWWWv-A»^VVSrvW%V-.S(SV‘*V.'»ra'V“bV,ir^r« ;ROCKEFELLER MEMORIAL CHAPEL59th Street and Woodlawn AvenueSUNDAY MAY 19 A.M.Ecumenical Service of Holy Communion11 A.M.University Religious ServiceE. SPENCER PARSONSDean of the Chapel( c ENERGY AND ETHICS” The Committee on Medieval Studiesannouncesa new undergraduate major inMedieval Studiesbeginning Fall Quarter, 1977.Details available on Program Day (April 29)or in the Office of the Committee (Wieboldt 205)ALL TOGETHERAt One LocationTO SAVE YOU MORE!Pc'a~*Dur: Pc:„George C. ScottA Fronklin J. Schoffner Film"Islands in the StreamA Dort/Polevsky ProductionMv> yomngDavid HemmingsGilbert Rolandand Claire BloomBoxed Upon The Move1 Dy Ernest Hemingwayy^°P'Oy Dy Denne Dart PetitdercProduced Dy Peter Dart and Max PalevskyOrectec Qy Franklin J. SchaffnerMu*C Jerry Goldsmith SPECIALDISCOUNT PRICESfor all STUDENTS andFACULTY MEMBERSJust present your University ofChicago Identification Card.As Students or Faculty Membersof the University of Chicago youare entitled to special money sav¬ing Discounts on Volkswagen &Chevrolet Parts, Accessories andany new or used Volkswagen orChevrolet you buy from Volks¬wagen South Shore or MeritChevrolet Inc.SALES & SERVICEALL AT ONEGREAT LOCATIONGUNMMGE SUGGESTED 7234 Stony IslandPhone: 684-0400Open Daly 9-9 PM./ Sat. 9-5 PM.Part* Open Saturday W 12 NoonNOW SHOWINGat these theatresLincoln VillageChicogo Old OrchordSkokieArlingtonArlingtonHeights YorktownLombordEvergreenEvergreen Pork Horlem-CermokNorrh RiversideCrossroadsMerrillville Ind SO. SHORE BEACH APTS.LUXURY ON THE LAKE7447 SOUTH SHOREStudios A vailableStarting $155.00'Modern hi-rise bldg, in pleasant surroundings'jwith central air cond , private beach, commissary,!'beauty shop, indoor and out door parking availfFor an appt., call 768-3922 or visit our office1kM-F 9-4:30DOWNS, MOHL&CO.Equal Opportunity Housing Elegant cruise ship or luxuriouscaffrny... iocsil«id,«y,c; '*> ■ No other cruiie line offersmore indent sites, moremodern exdtement andunsurpassed luxury —and Karagaorgis does itwith style-aboard thesuperb 23,000 ton Navarino,formerly the Gripsholm.Experience the ancient splendorof Greece-Olympia, Mycenae,_______ Epidaurus. Delos. Delphi. Mt.Athos-plus four of the world's most exotic cities Athens JDubrov-nik Istanbul and Vemce. Aboard the beautifully refurbishedNavarino. from Venice alternate Saturdays or Piraeus alternateTuesdays. 14 ports in 14 days, and Karageorgis does it with style.Relax aboard the 16,000ton Mediterranean Sea orMediterranean Sky. Theconvenient, luxurious wayto take a car to Greece.Sailing from Ancona, thenearest port to the center ofEurope year round. Sailingto Patras-the ideal gatewayto Greece in 34 hours direct,or 35 hours via Corfu.Four convenient sailings perweek through the Summer.Two a week in Winter. Fromeither end. Luxury cruise linerstandards of accomodations.TuisinTand service, with the convenience of your car on board.And there's a bonus 30% reduction for students.r<p KARAGEORGIS LINES*Sm an • Xpert — your travel event - or for mora informationcontact Karapaorgn Lina*. 1350 Avenue of the AmaricasNew York, N.Y. 10019 Telephone (212) 582 3007All vessels are of Greek Registry.jpOOOOOOOOOOOOOOOOOOOPOOOOPOOO——QOOOOj7 Days A W—kHYDI PARK PIPE AND TOBACCO SHOP1552 E. 53rd - under 1C tracksAll students get 10% offosk for "Big Jim’Ftp* Tobaccos"IT IS UNMISTAKABIYA PIONEERING WORKOF THE MOVE ARTS. A continuously andspectacularly erotic work"o»iBQwau8«a£siK5ITS AN EXTRAORDINARY POWERFUL FILMportraying human obsession with physical sex...leaps 15 years ahead of Last Tango In Parts’!'-Clnrtw Udad OOH) DAT ME15THE MOST TALKED ABOUT FILM IN THE WORLD TODAYTHE SENSATION OF CANNES, LONDON, BERLIN & CHICAGOL EMPIRE DES SENS A HLM BY NAGiSA OSHIMAItIUMtAI’H ADULTS ONLYNo One Under 18 Admitted2433 LINCOLN • 348-4123 Today at O:00, 8 00, 10:00J■■?■h■ 1Playing the ruffian sportBy R.W. ROHDEOn the sidelines of the Washington Parkfield, not more than 10 spectators werewatching. The only other people who showedup were the second team players, a reporterfrom the Maroon, and some local neigh¬borhood kids who were there to rip off acouple of the out-of-bounds flags. One on thesecond team was telling the reporter. “Youhave to be a little crazy to play rugby.”On the field, members of eacn team wereforming into a kind of flying wedge, justopposite of each other. The two wedges, orscrums as they’re called, came together anda player rolled the ball between tne two.Chicago’s scrum pushed harder, enablingtheir hooker, Doug Van Ness, to snare theball with his feet and kick it backwards tohis teammates. As the ball came out theback, Steve Holopeter, the scrum half and asecond-year business student, grabbed theball and flipped it out to one of his backs,and the play was on. Thirty men weremoving simultaneously, playing whatlooked like an odd version of football, withonly one referee and little or no form ofprotection.Rugby is growing in popularity across thenation, especially in highschools, mainly atthe club level. Rugby can not be a varsitysport because both the NCAA and highschool athletic associations consider thegame too dangerous, and thus neither willsanction it.The game can be dangerous, especially if captain of the team. “But I don’t thinkrugby is all that dangerous. People don’t hittoo hard out of self-preservation. The rulesare designed to protect the players. There isno blocking. I don’t think rugby has as manyinjuries as football, certainly not in theknees and shoulders.”Chicago’s record also improved since fall,when they were 0-9. Besides being moreexperienced, the team added a few mem¬bers who opted for football in the fall. Thefirst team, or A side, was 1-2 going intoSaturday’s game against Northern. Besidesthe game against the Lions, who areprobably the best team in the area, Chicagolost to Fax Valley 16-11, and beat Nor¬theastern in their opener 38-4.The low-key nature of the game is a lot ofthe appeal at Chicago. There are only twopractices a week, and they are somewhatoptional. With less than two full sides,everyone who shows up gets to play at leastonce. The idea is to have a good time, bothbefore the game and after.Because of all this, many new people havejoined the club, especially undergraduates.The make-up of the team has changed andfor the first time there is a large un¬dergraduate contingent, instead of beingdominated by the business school. Eight ofthe 15 starters on the “A” side Saturdaywere undergraduates.Several of the players are new, but theteam is not without experience This is thefifth year for both co-captains, Van NessSportsi - — ^you aren’t in shape or are inexperienced. Inaddition to the intrinsic dangers ot tne gamein which people run into each other at highrates of speed, it tends to wear the playersdown, making them more susceptible toinjuries. Play is on a field 75 yards wide and80 yards long, plus endzones. There are two35 minute halves, with only a short half¬time. The game runs continuously, andthere are no time-outs or substitutions ex¬cept for injuries, and then play is stoppedfor two minutes, and the injured team hasthe option of making one of two allotedsubstitutions. The game has been toneddown from the official English version,where the field is bigger, the halves longer,and no substitutions are allowed.Chicago has been lucky with injuries thisspring. The team has lost only one player.Kevin Johnson, who suffered a concussion inthe previous week's 50-0 loss to the Lions.Johnson should be back next week.The team wasn’t so well off in the fallChicago had a lot of new and inexperiencedplayers, several of whom were out of shapeThere were several serious injuries, in¬cluding one person who broke their hip, leg.and shoulder all at once. But, most injuriesinvolve sprains or breaks of the ankle. “Wehad a lot of guys on crutches,” said VanNess, second vear business student and co- and Mark Ramirez. Van Ness played threeyears as an undergraduate at Princeton,while Ramirez, a sophmore, played threeyears in high school, “as a way to get out ofspring football practice .”Chicago put six people on the Chicagoarea rugby football union, all-star team,including' Ramirez, Van Ness, un¬dergraduates Mark Kirshenheiter and DougRichards, and Business student BillPaterson, plus one player w ho asked that hisname be withheld. Both Van Ness andRamirez have a good shot at the mid-westarea all-star team.Ramirez helped saved tha game for theChicago ruggers on Saturday. Chicago hadtaken a 3-0 first half lead on a full backpenalty kick Early >n the second halfNorthern took the ball across the goal lineand touched it down for a try, scoring fourpoints. The Northern team converted thekick after try for two more points, and tooka 6-3 lead. But Ramirez came back a littlelater, accelerating through Northern’sbackfield, and scoring a try for Chicago.They made the kick, and took a 9-6 lead.Northern threatened late in the game, butChicago held them off, to win the gameHooker Van Ness was happy with the wingiving most ot the credit to the scrum. The ruffian’s sport played by gentlemen as practiced by the UC rugby-footballclub, (photo by Dan Newman)i Northern is a good team, and has had a clubI for 5 years.Chicago is no new-comer to the sport: either. The Chicago club has been aroundI for fifteen years, making it older than“modern era football”. The club receivesI just $500 a year from COPSO, less than theuniversity spends on one football player inaddition,'the members pay $18 a year as| dues. All the money helps pay for dues to! mid-west area rugby union, field rental,uniform, other equipment, and the party.The party is as necessary to a rugby gamej as the field or the ball itself. Any hardfeelings between the teams usuallydissipate when the first keg is tapped. ThisMaroons loseBy MARK PENNINGTONHe wrho lives by the sword dies by the; sword. The Chicago Maroon baseball teamreceived proof of that ancient piece ofwisdom during the last week Early in theseason, the coaching staff hoped for rain topostpone a scheduled game againstpowerful Illinois Institute of Technology .They got the weather reprieve and a biti more time to prepare.Tirqes change, however. The early seasonj trepidation has been replaced with an air ofguarded optimism and Coach Angelus isj eager to get in all the work for his chargesthat he can. In fact, efforts were made toschedule an additional double header forlast Saturday.Then came the rain and cold Wed-| nesday’s clash with Concordia TeachersCollege was drowned after pitcher JohnnyPhillips had faced only two batters. A; rematch double header against Kennedv-! King was also scratched, rescheduled forSaturday, then forfeited when the visitors! did not show up.The team did get in one game — a 6-2 lossto IIT Tuesday afternoon at IIT. Although no one began after Chicago lost the B-sidegame 18-4. Gathering on the spacious porchof one of the local fraternities the playersgot together to talk, drink beer and singrugby songs, the lyrics of which are quiteunprintable. This particular party lasteduntil the last group of rugger staggeredincoherently homeward some five hourslater. They had finished the better part oftwo kegsCrazy? Not according to Van Ness, “Ienjoy the game. It’s a good way to stay inshape, and a good way to meet people.Rugby is ideal for hitting heads for 80minutes, and then you go have a party withthe other team That may be the ideal wayfor sports to go.”to IIT, rainloss can be described as good, assistantcoach Chuck Schact termed this one“positive.” One should remember that theearly season fears were that the gameagainst IIT would be such a devastating lossthat the team would be demoralizedWhile the Maroons managed only 3 hits,the game was far from a disaster. CarlHerzog went 2 for 3 and drove in bothMaroon runs Steve Roczniak had the othernit John Phillips went 6 innings, surren¬dering only 2 earned runs and scattering 7hits. Vinn' Bahl made another relief ap¬pearance, shutting down the IIT a;tack forthe last two innings.The Maroons nave several won-lossrecords, depending on what you are lookingfor. .As far as the NCAA is concerned, theteam is 2-3, since games against non-fouryear colleges like Kennedy-King are notcounted. The overall record for all gamesplayed is 4-7, but the two forfeited gamesdon’t mean much to the coaches who willtell you that the record is 2-7. The statisticsbelow are from games accepted by theNCAA.When winning is the only thingBy DAVID RIESERIt wasn’t an earthshaking incident. Noskeletons w'ere in the closet, no bodies in thetrunk, no harm done, really. In (act if one ot’the people involved had not had friends whoknew people on tne paper no one would everknow' about itBut it is an interesting saga of how anunreasoning will to win can penetrate UCintiamurals. fabeled for their laid backattitude.The names have been changed in this littlestory. Not so much to protect the innocent,but because it really doesn’t matter whowas involved. Anyway, we’ll call them Mikeand Frank.Mike and Frank were scheduled to playeach other in the first round of the raquet-ball tournament When the names came outone Tuesday Mike called Frank to say thathe had a court reserved for the next day.Frank wasn’t there but his roommate tookthe messageThe next morning Frank called Mike backand said that he couldn't play that dav. but that he had a courf for Friday That was OKwith Mike so they left it at thatMike still had the court for Wednesdayand raquetbai! courts oeing what they are atthis school be did not give it up Instead beWent over to Bartlett at the appointed timeto see if he could find someone to play ballwith Once there he saw one player hangingaround the courts and they decided to play.The second guy introduced himself asGeorge Thompson and beat Mike in threeclose games Mike thanked him for thegames and George wrote down his nameand number in case Mike ever wantedanother opponentWhen Friday rolled around Mike wentover to Bartlett for his match. Frank wasfive minutes late when Mike saw Georgestanding there George offered to warmMike up and Mike accepted Five minutesinto the warm-up (which was not as hadbeen suggested earlier, any more vigorousthan normal.) Mike turned around toGeorge and asked him his name again Then he got tne news.“Oh, my name’s Frank and i’m youropponent for the match.''Frank beat Mike easily, winning bothgames by convincing scores Even so hewould have won by even larger scores ii tiehad not been repremandeu by an observerfor a couple of calls.As it turns out Mike was the onl> pe?*sonFrank pulled this on He beat his next threeopponents all of whom said that nothing outof the ordinary occurred before or duringthe match In fact they all commented thatwhile somewhat unsocial. Frank was apretty good raquetball player Frank hassince denied any of thisThere really isn’t much Mike could say ordo about it. Frank hadn’t done anythingillegal and he would have won no matterwhat. But it just seemed to Mike like apretty foul thing to do. “I’m just concernedabout this guy’s ethics.” he said, “that’sw hat really pissed me off .” While the fielding has been srtakey orworse, some of the players hove com¬pensated with solid hitting. Shortstop ScottJansen has been impressive, hitting 500 anddriving in 9 runs. Carl Herzog who maymove from left field to catcher, is the secondRE l man with 7, earn ing a 375 average.Infielder Mike Giblin, who has played firstand fhird leads the team with a .556 hittingpei ventage. Paul Harris has 6 nits and fruns through five games, sharing thtscoring lead with Jansen and HerzogOther players wno have appeared in al.five games are regular right fielder RussellLee. Steve Roczniak. Kevin Te'sworth.Chuck Woods, and Lester Bern. The teambatting average is 264.John Phillips has emerged as the teampitching ace Phillips, a rookie has areasonable ERA of 379 and a 1-2 recordRick Dagen is 1-0 and the squad's secondstarter Vinn Bahi has done well in 2l3 in¬nings of relief, giving up 3 hits and an ear¬ned run Mort Fox has pitched briefly,played a game in left field, and may beheard from before the season is much olderJohn Pomidor has also hurled a couple ofinnings.The Maroons travel to Lake ForestSaturday for a double header, come home toface IIT May 4. and host Lawrence for a pairSaturday, May 7 at noon.The Chicago Maroon — Friday, April 29,1977 — 17CalendarFridayMeetingsKarate Club: 7pm, Dance Floor, Ida Noyes.Hillel: Adat Shalom Shabbat Dinner, 7pm;Creative Services, 7:30 pm, Hillel.Middle East Studies Center: Faculty-Student Lunch, 12:15pm, Ida Noyes; ArabicCircle, “Arabic and Her Semitic Sisters,”Sam Fox, 3:30pm, Pick 218; Persian Society,3:30pm, Pick 506; Sherry Hour, 4:30pm, Kelly413.Folkdancers: 8pm. Ida Noyes.Crossroads: “The Threat of Nuclear War,”film, sponsored by Women for Peace, 8pm,Crossroads Student Center.LecturesDepartment of Microbiology: “What’s Newin Neisseria?” Dr. Stephen Lerner. 4pm,CLSC 101.Department of Economics: EconometricsWorkshop, "Estimation of a DisequilibriumAggregate Labor Market,” Harvey S. Rosen10:30am, SS402; Economic HistoryWorkshop, “The Household Balance Sheetand the Great Depression,” 3:30pm, SS 106.Department of Biochemistry: “Maturationof RNA-Mechanism of Protein-Polynucleotide Interaction,” Dr. NormanPace, 2:30pm, CLSC 101.Hillel: “Aspects of Jewish Life in Italy in the19th and 20th Century,” Prof. ArnaldoMomigliano, 9pm. Hillel House.CHAS: “Medical Care as Social Policy —Child Health.” Dr. George A. Silver. 8:30pm,Center for Continuing Education.Contemporary Mathematics from a HistoricalViewpoint: “Grothendieck s Impact: Or IsThere Geometry in the Land of Schemes?”David Mumford 4:30pm, Eckhart 133. ArtsDepartment of Music: A Student Composers’Concert, program includes brass pieces,chamber works, & solo pieces for flute, organ& piano, 8:30pm, Augustana LutheranChurch, 5500 S. Woodlawn.Court Theatre: “A Taste of Honey,” 8:30pm.Reynolds Club Theatre.Sanctuary: Ezra Quantine Ragtime MemorialBand, with Judy Tenuta, 8pm, BlueGargoyle.Law School Films: “The Producers,” plusand “Our Gang” short. 6:30 & 8:30pm, LawSchool Auditorium.Doc Films: “The Four Musketeers,” 6:30,8:45 & 11pm, Cobb.SaturdayUC Round-Robin Table Tennis Tour¬nament; Deadline for entry, contact JohnHodges for details. 955-0168.UC Gay Liberation Front: Coffeehouse, 8-12pm, Blue Gargoyle.Walpurgisnacht: Torchlight Parade,11:30pm, starting at Hutch Court; ritualdeflowering and sacrifice, 12midnight, HutchCourt. Dancing and refreshments thereafter. Change Ringing: 10-1 lam, Mitchell Towerringing room; tower bells, 11am 1pm,Mitchell Tower Ringing RoomCompton Lecture Series: “ExplosiveNucleosythesis and Cosmic Rays,” Paul J.Witta, 11am, Eckhart 133.Crossroads: International Meal, Japanese,6pm, Crossroads Student Center.ArtsSanctuary: Ezra Quantine Ragtime MemorialBand with Judy Tenuta, 8pm, Blue Gargoyle.CEF: “The Mother and the Whore,” 8pm,Cobb.SundayCricket: Cricket practice, 11am, Stagg Field.Interested welcome.Hillel: Lox and Bagel Brunch, 11am, HillelHouse.Rockefeller Chapel: Ecumenical Service ofHoly Communion followed by breakfast inthe Chapel Undercroft, 9am; UniversityReligious Service. “Energy and Ethics,” E.Spencer Parsons, 11am, Rockefeller Chapel. UC Tai Chi: Chinese Massage, 4:30pm;Kung-Fu, 6:30pm; Tai Chi, 7:30pm, 4945 S.Dorchester.Folkdancers: 8pm, Ida Noyes.Blue Gargoyle: “Gloria,” a documentaryfilm about a woman who is interviewed bythree psychotherapists, Carl Rogers, FritzPeris, and Albert Ellis, 7pm, Blue Gargoyle.FOTA: May Day opening festivities, parade,maypole dance, mini-folk-fest, spring campusrituals, 12noon, main quadrangle.ArtsCourt Theatre: “A Taste of Honey,” 8:30pm,Reynolds Club Theatre.Hillel: Susan Merson in a one-woman per¬formance, “Reflections of a China Doll,”7:30pm. Hillel.CEF: “O Lucky Man,” 8pm, Cobb.UMOJA: Third Annual Black Arts Festival,“A Tribute to Black Music in the 20th Cen¬tury,” 7pm, International House.MondayFolkdancers: 8pm. Ida Noyes.Ki-Aikido: 7:30pm, Bartlett.Chess Club: 7pm. Ida Noyes.Judo Club: 6pm. Bartlett Gym.Change Ringing: Tower bells, 6:30-8: 30pm,Mitchell Tower ringing room.Department of Chemistry: Charles N. Reilly.4pm. Kent 103.Hillel: Chaim Grade will speak in Yiddish.Israel Herstein will translate, 8pm, Hillel.ArtsNAM Films: “By the Law,” 7:15pm; “Ar¬senal,” 9:30pm. Cobb.ATTENTION: ALL STUDENTSTHE BALLOTING CONTINUESYou can still vote in Student ReferendumPolling Places:Friday: Reynolds Club 11 am - 1 pmCobb 10 am - 4 pmEckhart 3 pm - 5 pmQuandragles 11 am - 1 pm(Weather permitting)Monday: IN FRONT OF THE U OF C BOOKSTORE:11 am - 1 pm AND OTHER PLACES TO BEANNOUNCED.EXERCISE YOUR DEMOCRATIC RIGHT18 — The Chicago Maroon — Friday, April 29,1977CLASSIFIED ADSSPACESunny summer sublet avail 6/13 Falloption negotiable $82.50/mo. Lgrooms, 3 blks campus 324-82613 gay men seek compatible rmte ownIrg br. Sunny quiet apt cmps & m bus$72 + Util 4- sec 924-5434Modern cottage sleeping 7, lake view,2 mins, fr sand beach, beautiful locat.,bed linen etc., included, 1 hr drive frHyde Park, call weekdays 10-5 4930200, available for August.1 rm available May thru Aug. 57th 8,Kenwood. Call 947-8498Summer sublet 2 bedrm 2 bth fur¬nished. Near shops, on bus. Corner of51st and Dorchester $237/mth. 7527907.Fern roommate for summer subletUniv bldg 60th 4 Ingleside; own bdrm& study in large sunny apt Pref w/owncar; $110, 288 5171Apt. available: 54th & Dorchester.Large, well-kept two bedrooms$195/mo Starting July 1. Evenings 241-7738.Summer sublet available E 54th andWoodlawn. Close to campus, Mr. G's,Jimmy's. Call 752 5409WANT TO RENT 2/3 bedroom aptHP/or nr SS, sch ace chldrn, Frances339 8617.Air conditioned summer sublet 2rooms in completely furnished LittlePierce apt 57th & Dorchester availableJune 10 955 5814.Sunny VU rm apt., exc loc, availMay 1.$132/mo, inclu. utilities. Call 363-8318eves Must Rent immediatelywSummer sublet fall option for onemale 1400 E. 57th667 68471 BR apt, huge sunny, 2 air condmodern, 24 hr security, 55th $285 5-7p.m. after 11-241-7203.Lake Front Cottage Priv. Sand Beach,Fireplace, Red Brick Patio, 1 bedrm,10 min U of C, rent May 1, Swim,Canoe, Sail, Fish 731-8378.LITTLE PIERCE. 7 mins, fromlibrary, air cond., etc. 1 bedroomavailable for sublet from May 1 thruSept. 30. Option for 77-78. Rentnegotiable. Call Marco 493-6645evenings.Summer Sublet, spacious 2 br. 1 r, dr.,piano porch laundry 2 blocks campus.$180. Call 241-5314.PEOPLEWANTEDPerson to locate subiects in Hyde Parkfor research project 20 hrs or less/$80486-5579The Resource Center needs a person towork 20 hrs a week at night $325 perhour. A position with responsibilityand physical activity 493 1466Visitor control personnel for BartlettGym during summer quarter 1977 andthe Field House and Bartlett Gymduring the 1977-78 academic year. Ifinterested, complete the form at theOffice of Career Counseling and°lacement, Room 200 Reynolds Club.PIANIST NEEDED for Tenet- Churchof Christ, Scientist, Hyde Park, forSunday morning and Wednesdayevening services Call 373-7642 or 493-1044Preschool teacher 2-3 yr olds degreeand experience required I,‘s20-6:0Cpm; 684 6363. *Substitute preschool teacher hoursflexible exp. req. 684-6363.OUTDOOR WORK SATURDAYSEarn $25. Opportunities for dynamicstudents. Fight pollution and end yourown personal recession at the sametime. Call Ken Arway at Citizens for aBetter Environment. 939 1985, Mon-FriBabysitter weekday mornings 9 to 12for a 5 month old sleepy head CallCummings 288 4549WANTEDStudent's daughter dreams of owningautoharp Do you have one to sell? Call493 0384WOULD BUY Scuba diving gear tanksand BCs especially day: 753 2054Eves 467 0384PEOPLEFOR SALETypist: Any material typed neat andaccurate. 624-3192.Typing done Ptck up and deliveryPrice negotiable 768 7206.interested in typing evenings in myhome. Will discuss price Barbara,373 3594 after 5 30 p mHIRE AN ARTIST Illustration of allkinds-even on short notice. Noel Price493 2399RESEARCHERS Free lance artistspecializes in the type of graphic workyou need. Samples, references onrequest Noel Price 493 2399.For experienced piano teacher of alllevels call 947 9746SERVICE ®K -667.4281DlSScff'-ATIOt ~:Ty~r (T in E\arsfor,. Long exper. UC Seiectric 32F8705. SCENESTICKETS to National Academyof Arts Orchestra & National Academyof Arts Orchestra & National Ballet ofIII., 3 pm, Frances Parker School, 33Webster, Sun. May l. Tickets go tofirst thirty. Call Student Activities,753 3591Blackfriars presents the Originalmusical the castle May 6, 7, & 8 at 8:30pm in Mandel Hall. Tickets are $2 Genadm and $1.50 students. For more infocall 753-3567Cricket practice Sunday 11 am StaggField Interested welcome.Harper SQ Child Care Center 4800Lake Park: Full-day program($40/wk). 538-4041,MAKE SURE SPRING ARRIVES ONTIME THIS YEAR. ParticipateWALPURGISNACHT, Saturday, April30. Torchlight parade from HutchCourt at 11:30, midnight sacrifice,dancing, beer, cider, and food. Join us.Ezra Quantine Ragtime MemorialBand at the Blue Gargoyle Fri Apr 29& Sat Apr 30 at 8:00. Tickets at thedoor or Fret Shop. A Sanctuary Ex¬travaganzaSocial Life lacking? Meet new feet.Join the Folkdancers in Ida Noyesevery Sunday, Monday and Friday,except May 13 and June 10.YEAR ROUND CHILD CARE : full orhalf-day programs; 7:30 a.m.-6 p.m.;ages 2-6; 3 classrooms; professionalstaff. Parent coop preschool: 684 6363.FOR SALEASA 400COLOR PRINTFILM IN STOCKA shipment of Kodak's new ASA 400color print film is expected today!MODEL CAMERA1342 E. 55th St. 493-6700CANON AE-1Body. $194.50AE-l/50m 1.8 $259.95AE-l/50m 1.4 $299.95MODEL CAMERA1342 E . 55th St. 493 6700CIBACHROME KITSpecial.. $17.95Everything you need to print colorslides except a slide and an enlarger.Kit. includes color filters, paper,chemistry, processing drum, & in¬struction.MODEL CAMERA1342 E . 55th St. 493 6700HOME AND CAR STEREO,RECORDING SUPPLIES^ Bestprices on Bose, Phase Linear,Marantz, Pioneer, Harman-Kardon,BIC, Teac. JBL, AR, many morewCall Leston, at 753T240 rm. 1424.Leave MessageIL FORD HP5 in stock.MODEL CAMERA1342 E. 55th St. 493-6700STUDENTEMPLOYEESNEEDEDReliable and trustworthy individualsfor Cobb Hall Coffee Shop availablemornings MWF apply at StudentActivities Office Ida Noyes Hall. Rm210 Must be registered UC studentAPT SALEIncludes sink-» Fridge cabs; turnstereo chest misc etew 241-6099CONDO FOR SALENew listing: Dorchester nr 56th sunny,4 br, 2 baths, low asses, taxes, allappliances, fully modernized, mid50's. By owner 955-0431 after 7 pm.STEREOSALESTEREOS WHOLESALE*- Stereocomponents, CBs, TVs, calculators allnew, warranteed 752-8012.TAILORD'LACYHOUSE OF FINE TAILORINGCUSTOM AND ALTE RATIONSWHERE QUALITY ISAMUST1747 E. 55th 752 3682ECOUNTERGROUPSGESTALT ENCOUNTER Groups forself exploration Personal problemsolving, relationship skills practice.Psychodrama incl. Tuesday eves. 52ndSf. Call Phil Watt, 864 3082 Alsoresidential (country weekends).HEY SWEETIE-A $25,000 education is nice, but can youcook? Enter FOTA's Baking Contestand find out Bring your wares toReynolds Club Lounge May 6 at 10a m. See special poster for detailsAHOYTHERE Ipaper Use*. Tves May 3 or!io*any Pone See special ons’tr ;ndetails Nitty P izes* 50 come on anofciow' FOTAN ontimeserie.-- GAY LIBCOFFEEHOUSE Sat., April 30, 8 12pm. Walpurgisnacht is a night forrevelry come to the Blue Gargoyle(5655 University) for coffee, conversation, music and more UC GayLib 753 3274.EZRA QUANTINERagtime Memorial Band with JudyTenuta, Chicago's Queen of CampFri. April 29 & Sat. ApFil 30 at 8:00 atthe Blue Gargoyle. Tickets at the dooror the Fret Shop.PAN PIZZADELIVERYThe Medici delivers from 5-10 30 p.m.,Sun.-Thurs; 5-11:30 Fri. and Sat 667-7394. Save 60 cents if you pick it upyourself.BOOKS BOUGHTBooks bought and sold everyday,every night 9-11 Powells, 1501 E 57th.TELETYPEMACHINESModels 15, 19 & 28's. ROs KSRs &ASRs $ 25-up. PWR SPLYS, PanelRack Cabinets, METERS, ETC.Cheap. C. G Goodman 752 1000.FREE CONCERT:STUDENTMUSICMusic By David Baubien, RichardBrown, Peter Burkholder, MonroeCouper, Bruse Horst and GeraldLevinson. Augustana LutheranChurch (55th and University), Fri..Apri1 29th at 8:30 p.m.TABLE TENNISTOURNAMENTPlay in the UC Tournament and Winone of six large Trophies*Date: May 5, 7,4 12.Sign-up Deadline: Sat., April 30.Entry Fee: $1.00Contact: John Hodges 955 0618.WOMEN'SMAGAZINEPrimavera, a women's literarymagazine, is on sale in all Hyde ParkBookstores 4 Bob's Newsstand.Volume 3 is out*CREATIVESERVICESCreative Sabbath Services are heldevery Friday at 7 30 p.m. at 5715 S.Woodlawn. For more info call 752-5655LOST & FOUNDOne brown, Scheaffer, mechanicalpencil of immense personal value, loston April 20. If found please phone 753-2233 rm 420. Leave message.REWARDBlue Schwin tandem fat tired bike,lost, last seen going north onWoodlawn at 54th St. The ResourceCenter 493 1466Lost: watch with inscription StaggField 4/1 REWARD Call 947-9132. Askfor Bill.White and black fixed male cat found55th Woodlawn 752-7715Soccer ball lost 4/18, UC team ballmisplaced in Bartlett locker roomCall 493-2556, JohnITAl-SAM-MHCHINESE-AMERICANRESTAURANTSpecializing inCAKTONfSE ANDAMfRtCAN DISHISOWN DAILY11 A M. TO *30 P M. *(UMOATS AMO HOLIDAYS12 TO *30 P MOrthart to tab* MfIHIlMlilM MU4-1MI-----SPRING SPECIALS’Clothing’Household Items*MOTHER'S DAY GIFTSDOLLARS & SENSE1312 tost 53rd StreetOpen 10 to 4 Monday FridayAnd SUNDAY, MAT*•*'«»- '• v< -' '**)>)* y12 Noon to 4. j i -x > ► r*X. TWO APT SALESCONDUCTED BYAT HOME SALESSAT APRIL 309:30 AM-2:30 PM1st Apartment 5716 Stoney Island,Chgo. Antique cane settee, dining rmtable 4 6 empire chairs; fine china;antique chair; pr pink chairs; Frenchneedlepoint chair; silk covered bench;6 piece twin maple bedroom set;Queen Anne desk; cloisonne; sewingcabinet Much misc2nd Apartment: 5762 Stoney Island:Couch; end tables; cocktail table;mirrors; pictures; pr. chairs; kneehole desk; lamps, 4 Amer. KirmanOrientals; mah. 18 Cent, dining rm setwith china cab.; drum table; linensbric-a-brac; dishes; utensils, dinetteset; mah. 6 pc. twin bedroom setperfect cond.; records from 40; muchmore.SYMPATHY FORTHE DEVILPlease allow me to introduce myself;I'm a man of wealth and taste...atWalpurgisnacht, midnight, April 30,Hutch Court.SUMMER SUBLETMale roommate needed to share onebedrm apt. furnished or unfurnished.Available now. AC, quiet, close tocampus. Ren^ negotiable. Option torenew. Contact Bill, evenings, at 3634300, etc. 211.SUMMERWORKEarn $2500 this summer. Must be hardworker. Call 328-2136.PERSONALSWriters' Workshop PL 2-8377Pregnant? Troubled? Call 233-0305 foraffirmative help, 10-2 p.m. Free TestPregnancy Testing Sat. 10-2Augustana Church. 5500 WoodlawnBring 1st morning urine sample, $1.50donation. Southside Women's Health324 2292.; Dorothy SmithBeauty SalonI 5841 S. BlackstoneI 493-1069| I will take appointmentsifrom 7 a.m. until 7 pm.‘Closed Saturday• facials - make up service| complete hair carei Member Chicago1 Hairdressers AssociationTnn’sHouse of Beauty, 6736 S. STONY ISUHDePHORE 363-93#Permanents, for colored & tinted hair,regularly S35.0Cnow only $15.00 Tues & Wed Only-yes we press and curl-WiGSWigs 2 tor $5 00Spring Saieloag ano snort Sressepants and pantssitsgaacno suites4 piece vest suitesBank American! and personal ctecu welcomea J t iU) iSALES withservice is ourBUSINESSREPAIR specialistson IBM, SCM.Olympia & othersFree EstimateAsk about ourRENTAL withoption to buyNew & RebuiltType writersCalculatorsDictatorsAddersU. of C. Bookstore5750 S. Ellis Ave.7533303r * MASTER CHARGE, j |0 J RANKaMERICANO j7T + KENNEDY, RYAN M0NIGAL & ASSOCIATES, INC.Directory of ValuesWe Know Hyde ParkReal Estate Inside OutHOUSES FOR SALEAKENWOODCHATEAUA 16 room house wifh stained glasswindows. Dramatic staircase, lots offireplaces and a wrought iron fenceall around the house Lot size 100 x190. Price $95,000. Call Don Tillery667 6666VICTORIAN DUPLEXThis 1890's Victorian has sixbedrooms, one bath, four fireplaces,lots of oak, cut stained glass, fullbasement, garage A super buy at$47,500BRICK 4 FLATTwo 7 room duplexes w/2 baths andtwo 4 room apts. Extra large fencedback yard Priced at $72,500 Formore info, please call MargaretKennedy at 667-6666.RENT WITH OPTIONTownhouse at 74th and Coles - 2 kingsize bedrooms, 1 Vi baths. Privateparking. 1 block from Lake. Inquireterms. Charlotte Vikstrom 667 6666 CAMPUS HOUSE4 bedroom frame on 56th Street.Large Lr w/wbfp—formal DR—kit¬chen w/breakfast area—full attic.Call J. Edward LaVelle667-6666FAVOREDby sunlight, this cheery townhousehas walled - privacy - patio andyard. 6 rooms. 2 baths, central air,modern kitchen w/all appliances.Move-in condition Asking $90,000.To see, please call Mrs. Ridian667 6666CLASSIC HYDEPARK ROW HOUSE3 floors. 9 rooms, yard, quiet streetnear 52nd and Kenwood. $65,000 CallAlfred Dale 667-6666SUPER FRAME VICTORIAN4 large BR w/2 full baths, 2 parlors,formal DR, big country kitchen, 5working fireplaces. 2 car brickgarage, lovely fenced yard. Call J.Edward LaVelle at 66? 66667 ROOM TRI-LEVEL HOUSE15 years old. 3 BR, 2'/2 baths,large LR, DR and den Modernkitchen, finished bsmt.w/wbfp, central air, centralair, security alarm system Onan all-residential block at 76th& Chappell. $52,500 Call DonTillery 667 6666APARTMENTS FOR SALELUXURY HI RISE7 splendid rooms - super kitchen -one block from Lake Michigan.Triple track storms and screensBeautiful floors spacious, graciousliving. $36,000 for equity. CallCharlotte Vikstrom 667 6666BACHELOR APT.This lovely remodeled one bedroomco-op has the very latest in supergourmet kitchen Newer building,quiet, close to campus To seeplease call Richard E Hild 667-6666(res 752-5384 )OVERLOOK PARKOne bedroom co op close to lake andtransportation. June possession$15,500. Board approval required. Toinspect, call Margaret Kennedy r>6"-6660LARGE TREE TOP APTSpace and grace in 8' i sunny roomsCompletely modernized. Systemsexcellent throughout. Sparklingkitchen. Master BR 21 feet longw/two huge walk-in closets.Panelled study. Many, many extras.$58,500. Charlotte Vikstrom 667-6666 RENT WITH OPTION TO BUYChoice Hyde Park hi-rise 5 rm. aptnear Lake—call for terms—parkingprovided Call Charlotte Vikstrom667-6666LAKE VIEWSFrom this spacious 6 room condo inEast Hyde Park luxury bldg. Mod |kitchen, 2 baths, parking space Moassmt. $19C Asking $34,900 To see jplease call Mrs. Ridion 667-6666MODERN CONDOLOW ASSESSMENTThis2BR 2 bath apt may be the taxshelter vou are looking for It islocateo near shopping in an elevatorbldg, with its own covered parkingspace Asking $45,000 Cal' NadineAlver ai 067-6666 (res 752-5384;IMMEDIATE POSSESSIONStunning views of ..ake and City.Near Cornell and 50th. 2 bedroom 2bath.. Will decorate. ParkingSpecial price ro settle living estate.$18,900 Charlotte Vikstrom 667-6666ELEGANTLIVINGOverlook Lake and Jackson Parkfrom this beautiful 3 bedrm 3 bathcondo with woodburning fireplaceano indoor parking $23,750 Call 6676666DECIDE NOW-PAY LATER4 new deluxe units (one alreadysold) - central air - thermopanepicture windows - ‘view of Lake -country kitchen own controlledheat. Patio. $27,500 8nd $28,000 Near73rd in South Shore CharlofeVikstrom 667 6666FIRST APT. HOMEConv. to transp.. low assessmentsClean, light 4 room spacious apt.with balcony. $27,500 To see callNadine Alver or Charlotte Vikstrom667 6666 BRETHARTESCHOOL DISTRICT6 room condo 3 bedrooms, 2 bathslarge LR w/mock fireplace andbalcony, gallery hall, forma! 0°nice Mfchen '*rge back pore" joutccor :nte •' X: i. 55t* nea- Laka I$4Z 5C» . o* ssessmee* Cali DcrTiiier 6c/-too6SPECIAL FEATURESMake this 6 rm. condo truly abargain - 2 sun porches, modernkitchen w/new appliances Laundryin apt Parking for 2 cars. Meassmt $127. Priced at $38,300 CallMrs Ridton 667-6666APARTMENT BUILDINGSAND LAND FOR SALEHYDE PARKNINE FLATVAT AWT I AMD This located six fiat has somevmcmtsi LMn u modification of apartments Gooo40 x 140 zoned R-S, 52nd and Kenn- conversion potential Doublewood To see. call Richard E. Hild plumbing, 2 garages heavy duty667-6666 (res. 752-5384). electrical, newer boiler, good in¬come To see call Richard E. Hild667-6666. (res 75? 5384).East Chtcaoc (IlinD'S lls'667 6666Daily 9 to 5 Sat. 9 to i. Or call Ac hdoc Ar 'tione-The Chicane Maroon . Aoni ?R, 3977 -opening sundag mag 1the fota handmadeobjects showat the bergman gallergnoon to 5:00 pm4th floor, cobb hallfree strawberries and whipcreamOLD TIMEMUSICCONVENTION&GRANDSPRING PICNIC* ala FOLK DANCE CE1EMTI0H #Sim!? May l; on tee Buds,Noon tm Hiibt =All Musicians Invited Especially; raincs kites 2.-00, foot races 1:00, fiddlers show cool@r m M7CB MUCI MOREFEES: SODA, URISODE OIHL8, ClAUOAL, ICE* COYDIMEITS, 8 VIOLESOKE EYTSBTillMEIT TOO !!' '»">!»Sponsored or. The Festival of the JLrts S The Folklore Society in case to of rain: Ida loves Rail20 - The Chicago Maroon - Friday, April 29,1977 IN CONCERTWed. mag 117:00 pm &10:00 pmmandel HallTickets: 97.50, 95.50t