Chicago ‘"‘"TTOBTHP^^' " "" ' —" " "' — —.11 — ■ — ■■■ ■ — ■■ ■■■■■■ - ■ —1 ■■ ■■ — — — ■ —■ -■ ■ — ■■ ——— ..I- ■ —■■ — .. — -.... _ —. - — - - - - - - -Grad, post- Ph.D. studentsteach math and French inbeginning College coursesBy ABBE FLETMAN Gerwe, head fundraiser, resigns;Chauncy Harris gets vacant postChauncy D. Harris, new vice president for developing who will directthe University’s fundraising efforts. (Photo by Phillip Grew)Increasing undergraduateenrollment, tight budgets, and ashrinking faculty have contributedto an ongoing staffing problem inboth the 100-level mathematicscourses and the first and secondyear sequences in the romancelanguage sequences.Traditionally, the College has areputation of using only full facultymembers to teach its students.However, since '1971, themathematics department hasemployed a complex system oftutors, lecturers and fellows toteach 100-levei courses. Theromance language department,according to chairman PeterDembowski, “has systematized apolicy of using A.B.D’s to teachfirst and second year courses.” AnA.B.D. is a PhD. candidate whohas completed his or her qualifyingexams and is in the process ofwriting a dissertation.Both departments are con¬fronted with similar situations.Students in all division of theCollege are required to take eithera language or math. Large num¬bers of students register forclasses in these departments withrelatively small staffs. Neitherdepartment wished to raise classsize and neither can afford to hire more junior faculty members.The math department, ac¬cording to chairman FelixBrowder has developed “an ex¬plicit program which works.”“Nobody teaches during the firstyear of graduate school. Agraduate student then becomes aCollege fellow. He is assigned to afull faculty member as a teacher-in-training. He attends classes andmay give a few lectures.”The new position in the mathdepartment hierarchy is lecturer.These fourth-year graduatestudents teach calculus and pre¬calculus sections.In addition to these positions forgraduate student, undergraduatesare employed in two capacities.Anyone who completes a calculuscourse and did “reasonably well,”said Browder, is eligible to be apaper’ grader. “Advanced un¬dergrads are employed as juniortutors.”“It’s not possible to cover all theteaching requirements withfaculty members,” Browder said.“There are about 50 un¬dergraduate sections. About 25 aretaught by faculty; about 30 bylecturers—third, fourth, and fifthyear students.Staffing to 3 By DAVID BLUMEugene F. Gerwe, the Univer¬sity’s vice-president fordevelopment and chief ad¬ministrator of the $280 millionCampaign for Chicago fund¬raising drive, has resigned hisposition effective April 1.Gerwe, 45, whose resignationwas announced to the staff of thedevelopment office Mondaymorning, is leaving to becomevice-president for development atthe University of Santa Clara, afour-year Jesuit college 45 milessouth of San Francisco.In a memorandum to thedevelopment office staff,President John T. Wilson saidGerwe’s position “will not befilled.” Chauncy D. Harris, vice-president for academic resources,will “assume overall respon¬sibilities” for development, Wilsonsaid. Herbert E. Newman, directorof development, has been named aspecial assistant to Harris forspecial projects.Gerwe was unavailable forcomment on his resignation orplans, despite several efforts toreach him over the past threedays. According to his secretary,he was immersed in transitionmeetings all week long, and wasleaving on a California trip onThursday.Interviews with developmentofficials indicate that the tran¬ sition has begun smoothly, andthat Harris’ selection as Gerwe’sreplacement will provide an addedboost to the Campaign for Chicago,which is now halfway toward its$280 million goal.“Harris is the kind of man whocan pick up the phone and callanyone at this University,” saidClyde Watkins, who replacedNewman as director of develop¬ment. “He’s a combination of ascholar and a good fund-raiser.”“He’ll probably have Wilson’sear a lot better than Gerwe did.” said one administrator. “That’sbound to help the Campaign.”Hams, 63. has been a member ofthe University of Chicago facultysince 1943. He was educated atBrigham Young University, Ox¬ford University and the Universityof Chicago, receiving his Ph Dhere in 1940. A native of Utah.Harris holds the Samuel N. Harperendowed chair in geography, andhas been vice-president foracademic resources since 1975.Gerwe to 3Little money, few jobs UC health expert criticizesAnthro grads question dept, size universal health insuranceBy DAN WISENearly 100 students and facultyin the anthropology departmentmet Monday to discuss studentconcerns about the size of thedepartment. The students com¬plained that understaffing andover-enrollment had led toproblems of faculty access,scarcity of University aid, in¬creased competition for adiminishing number of research grants and, eventually, job op¬portunities for anthropologydoctorates.The general problem of ob¬taining support money wasaggravated by a “bulge” in theentering class of 1974, whichconsisted of 53 students, well abovethe desired range of 25-30.The University’s anthropologydepartment, ranked firstnationally in a recent survey ofscholars in the field, has been relatively successful in obtainingscarce support money from out¬side sources for study and fieldresearch in recent years, but theunusually large third year classhas aggravated an already tightsituation. The over-enrollment,according to department chairmanRaymond T. Smith, was due to anunexpectedly large number ofstudents which elected to acceptthe offer of admission that year.“You always accept more thanyou want to take.” he said, notingthat the ideal number of studentsentering the five-year doctoralprogram annually is between 25and 30. “There’s no foolproof wavto handle fluctuations like thatfrom year to year.”In an open letter to the faculty, acommittee of students suggestedthat the department either hiremore faculty or restrict thenumber of students accepted intothe program to some number“proportional with funding and jobopportunities.”Although the scarcity of fundsand jobs are similar to problemsfacing graduate students in nearlyall fields, the over-enrollment in1974 has intensified the com¬petition for the third-year studentswho are now seeking field researchgrants.Anthro to 3 Odin W. Anderson, a Universityexpert on health services,yesterday told the AmericanAssociation for the Advancementof Science at its annual conventionin Denver that the Carter ad¬ministration should forget aboutcomprehensive national healthinsurance “for the indefinitefuture” and should instead focuson specific national health careproblems.Health problems isolated byAnderson include the unequaldistribution of medical resources,persistent pockets of healthproblems, and skyrocketingmedical costs.Anderson advocated severalmedical policies includingcatastrophe insurance to protectall segments of the populationagainst high-cost illness, com¬prehensive national health ser¬vices for low-income groups, andthe targeting of health problems“that have a reasonable chance ofshowing improvements from theefforts.”Anderson is the director of theUniversity’s Center for HealthAdministration Studies and aprofessor in the sociologydepartment. The Center is aUniversity research organizationwhich concentrates on publicpolicy problems in health care,funded through endowment,research grants, and contracts.The Kennedy-Corman universal health insurance bill, is “utopianon two counts,” Anderson said.“It’s neither politically feasiblenor practical to administer.”He ascribed the politicalpopularity of nationalhealth insurance to the support of“The broad middle incomegroups’’ who “are now in favor ofuniversal health insurancebecause they believe it will correctthe deficiencies in the existinghealth insurance benefits andimprove the supply.”Politicians, he added, favor thepolicy, “aside from responding totheir constituencies — becausethey believe universal health in¬surance is a cost containmentmethod and a lever to restructurethe system ”Health to 3Inside iLetters, p. 4Opinion, p. 5GCJ, p. 7Sports, p. 17Students in the anthropology department met Monday with depart¬ment faculty to express grievances, brought on largely by expandedenrollment in the department. (Photo by Dan Wise)^ 'K<:TWA Charters.if you cant get a seatit s because ■ .you ve waited too loneTWA Charters to |Las Vegas and London \ ^gCrcgSBare filling up fast. \o \wonder. You get the \a \charter flight and thedependable service of a Vscheduled airline.Charters to London start in May. To get on youmust reserve at least 45 days in advance. But if youreally want to go, act now. At just $349 round trip,seats are going fast.To Las Vegas you get round-trip airfare plushotel accommodations for not much more than thecost of a regular Coach ticket. Flights are leavingnow. Just book at least 15 days before you plan to fly.Because of government regulations, TWAcannot book you directly. You must makereservations through your Travel Agent or a charterorganizer.If you would be interested in organizing your i f own college charter,f f write: Manager, TWAI Charter Sales. Box 25.f Grand Central Station,New York, New York 10017.§ For more informationjust send us the coupon.TWA Charters to London and Las Vegas.Flights are filling up fast. So get moving. If you can’tget a seat it’s because you’ve waited too long.I TWh Charters| Box 25| Grand Central Slat ion, New York. New York 10017| Please send me more Information on TWA charters to| London □ I^as Vegas O| When do you want to go?| For how long?i Student .Teacher OtherNameAddressMy Travel Agent isTWA CHARTERS*i2 The Chicago Maroon Friday, February 25,1977 • Eye Eiamwations• Contact leasts (Soft l Hard)• Prescriptions FilledDR. MORTON R. MASLOVOPTOMETRISTSHyde Park Stopping Center1510 E. 55th3S3-B3S3TAI-5AW-\3MfCHINESE AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOMN DAILY11 A.M. TO *30 P.M.SUNDAYS AND HOLIDAYS12 TO ft: 30 PM.Ordan to lake out13111«Mt 43rd MU 4-1062CARPET CITY! 6740 STONY ISLAND324-7696las what you need from>10 used room six* Rug to a;rustom cor pet. SpeciolixintRemnants 4 Mill returnsfroction of the original*:ost.•ecorotion Colors antlalities Additional 10%,iscount with this ad.FREE DELIVERYDorothy SmithBeauty Salon5841 BlackstoneHY 3-1069Open 7 A M -7 P M.Mon thru Friclosed SaturdayHair Cutting Wedgies * etcTinting Bleachng • Permsonly the bestCall for apptEYE EXAMINATIONSFAHSHION EYEWEARCONTACT LENSESDR. KURTROSENBAUMOptometrist(58 Kimbark Plaza)1200 East 53rd StreetHYde Park 3-8372a / t * = ✓ { }3 SALES withservice is our 24> BUSINESSREPAIR specialistson IBM SCMrL Olympia & othersFree Estimate 3>Ask about ourA RENTAL withoption to buyn New & Rebuilt A< Typewriters <CalculatorsUJ Dictators *■AddersV U. of C. Bookstore5750 S. Ellis Ave.7533303 TY MASTER CHARGE, CXI6 BANKAMERICARD V0 £ « t ‘ " M tGerwe from 1Most administrator, and developmentofficials believe Gerwe « decision to resignwas based on personal reasons, and did notreflect any dissatisfaction with the Cam¬paign or the University itself. In an in¬terview with Maroon reporters in earlyFebruary, Gerwe praised the Wilson ad¬ministration for “getting into motion a lot ofpolicies that we can really be thankful for.’’The month of December was the secondmost sue ’essful month of the Campaignthus far, \ ith $9.5 million entering Universi¬ty coffers in the form of pledges or gifts.Figures released by the Development Officeshow that over $141 million has been raisedsince the Campaign began in June of 1974.The new director of development, ClydeWatkins, said Wednesday that the transitionhad moved “quickly,” despite the shortnotice to the staff of Gerwe’s impendingdeparture. Watkins, a 1967 graduate of theCollege, has worked for 4 years on thedevelopment office staff, and was associatedirector of development until his promotionthis week.Herbert E. Newman has been named aspecial assistant to Harris. He will super¬vise special projects such as the MiltonFriedman Fund, an effort to solicit cor¬porate contributions that will help to expandthe size and scope of the department ofeconomics.No public announcementNo public announcement of Gerwe’sresignation was made, nor were the re¬alignments of the development officepublicized in any way by the University.D.J R. Bruckner, the University’s official spokesman, said that Wilson’s memoran¬dum to the academic deans on Mondayannouncing Gerwe’s resignation would berelayed to The Maroon, but as of Thursdaymorning it had not been received.Late Thursday, public informationdirector Thomas Mullaney explained thatthe University was waiting for clearancefrom the University of Santa Clara beforemaking any public announcement of Ger¬we’s resignation.Prior to his appointment as assistant vice-president for development in May of 1974,Gerwe had been institute trust officer at theCalifornia Institute of Technology. Hereceived a B.S. degree in finance from theUniversity of Notre Dame in 1952, and is theco-author of two books, “The Case forDeferred Giving” and “Administration ofCharitable Remainder Trust Funds.”Harris: “continuity”In an interview Wednesday morning,Harris promised “continuity” in thedevelopment office after Gerwe’s depar¬ture.“Things are going to continue upward,”said Harris, a low-key administrator whoseprimary duties, until now, related to budgetmatters. A member of the department ofgeography, Harris chaired the Dean’sBudget Committee which recommendedenergy cutbacks and tuition increasesearlier this winter to maintain a balancedbudget.Was he ready to accept the additionalburden of the development office on hisduties as a vice-president?“I’m full of incapacity,” Harris said. “ButI’ve only had the job one day.”THE UNIVERSITY OF CHICAGOFOUNDBD BY JOIN D lOCIIMUBITHI IOAID OP T1USTEU3B01 BUIS AfINUI • CKCiCO • ILLINOIS «OBJ?CAct mMM of the bomriRobbbt W RinikirFebruary 14, 1977Tc the Students of The University of Chicago:At the meeting of the Board of Trustees last Thursday, 1 appointed a committeeof Trustees to recommend a nominee to become President of the University next year.The President of the University will ask the Council of the University Senate toelect a committee from the Faculty to advise the Trustee committee.When John Wilson agreed, in November of 1975, to accept election as President,he requested in writing that he be asked to serve no longer than June of 1978. TheCommittee tried to persuade him to change his mind—-and we had asked him, before hewas elected, to postpone his retirement as President at least until 1980. TheTrustees acknowledge a great debt to him for having taken on work he did not seek andfor having done it magnificently. Now the time has come for us to do the mostimportant work the Trustees have: to elect a new President.This job is one that we take up in the hope we will be given all possible help.We will be seeking advice from all members of the University. The Trustees, theFaculty through its cowsittee, and the alumni will be urged to offer their suggestions.The thoughtful suggestions of the students of The University and of our facultystem from a special understanding and love of The University that only its membersshare. You have an understanding that is different. When it cooes down to it, itis that shared understanding and loyalty that gives life to this great University,more than any other support.I ask you for individual suggestions as to who might be the best President ofthe University. If any of you has a nominee, please write to me. You should sendyour letter to me at Room 503, 5801 South Ellis Avenue, Chicago, Illinois 60637.This is an urgent task; the work must begin now. So, please do not delay.Write now.Thanks in advance for your help.Sincerely,Robert W. Reneker Staffing from 1“We have a steady graduate enrollment.We’ve succeeded principle,” said associatechairman of the mathematics departmentWilliam Meyer,” all graduate students aresupposed to teach. They are simultaneouslya learner and a teacher of mathematics.“Next year,” Meyer added, “we proposeto have the same division of sections to theseveral courses as we’ve had this year.“We made a change as a result of lastyear; we encountered many sections thatwere too big. We increased the number ofsections.“More graduate students are at work,”Meyer continued, “this year, we had to layaside a governing policy of the departmentthat no graduate student after his fourthyear should work. We now have a half-dozenfifth year students at work.Meyer did not anticipate any bugetaryproblems for next year. “Is there aproblem?—No. Could there be a problem?Yes, if they take away what we have.”Leon Stock, master of the physical sciencecollegiate division said that it is too early topredict trends for next year. “I do not at thistime anticipate any problems about nextyear’s budget, there are two unknowns. Wedon’t know how many students will enter theUniversity and we don’t know aboutplacement.”“Staffing is a history of problems.” saidPeter Dembowski. chairman of theromance language department. Every yearis a new difficulty.” We have succeeded'in asolution for this year.” Dembowski criticized the “teachingassistant experience.” He said, “We arereluctant to do this type of thing. It wouldswamp the College with relatively inex¬perienced teachers.“We have a type of compromise. We haveseveral dedicated full faculty membersteaching half of their load in the languagecourses. We also set up a search committee.We tried to look for foreign languagestudents who are A.B.D’s—all but disser¬tation. These are people who have passedtheir comprehensive exams. We compiled alist. We offered them a position as a full timelecturer for one year, renewable for oneyear. We think of them as junior facultymembers. They are full-time, full-fledged,and full-paid. They consider this thelegitimate beginning of their careers. Timesare a little bad for the graduate schools. Wetake people who would normally be on thejob market.”“The ideal solution would be to have anunlimited amount of money. The budget isalways a problem. Everything is budget inlife. We have worked out something whichis, in my opinion, a good program. I hope itwill work out—a set of limited positionsNow we have two lecturers in French andone in Spanish.”In both departments classes have beenkept small and budgets minimal. TheUniversity has upheld its reputation as “ateaching university.” The question whichfaculty and students alike are asking, is thisat the undergraduate’s expense9Anthro from 1“How the problem is in other depart¬ments, we don’t really know,” remarkedCarol Hendrickson, a second-year an¬thropology student, “but comparing it withpast years in this department, there aremore people who are not getting money.”Smith emphasized that it is not up to thedepartment to regulate the number of an¬thropology students.Although some anthropology departmentshave limited their enrollments. Smithdoubted whether it would enhance thechance of obtaining grants.“If Chicago were to reduce its intake ofgraduate students, will there be fewerstudents competing for jobs and funds?There has been no decision on a nationallevel to cut back. If people aren’t acceptedhere, they will get accepted somewhereelse. Some of you would simply be at otherinstitutions competing for the same funds.”Marshall Sahlins, professsor of sociology, warned that “it is very dangerous for thefaculty to become a market force.” Bylimiting enrollment to the areas where thereare opportunities, he argued, the depart¬ment would allow outside forces to deter¬mine what the department would study.“We’re not going to organize our facultyaccording to the amount of oil there is,” heremarked, jefemng to the growing amountof funds available for middle Easternstudies since the beginning of the oil shor¬tage.Ironically, the anthropology department,because of the relative availability of out¬side funds and the stature of the depart¬ment, has one of the highest proportions ofstudents with financial aid in the socialsciences division.“Our students are beginning to feel thepressure that had been felt by otherdepartments several years ago,” Smithsaid, “If you want to get money, you have towork very hard for it.”Health from 1Citing the experience with national healthinsurance programs in other countries,Anderson maintained that the evidenceshows that the programs have not beensuccessful in controlling rising medicalcosts, equalizing the availability of healthcare, or having “A measurable impact onthe standard health indicators.”An untargetted national health insurancepolicy, Anderson maintained, could result inthe monopolization of health services by themiddle class. “The poor and underservicedwill remain underserviced,” he added. Asan alternative, Anderson advocated“positive discrimination” for the ap-Droximatelv 70 million DeoDle with incomesless than $10,000, a group with an illness rategreater than the rest of the population.In particular, he supported thefederalization of Medicaid, which he saidwould provide a vehicle for deliveringcomprehensive standardized benefits to theunderprivileged and lift heavy medical taxburdens from the states.To bring medical care to underserviceareas, Anderson suggested that doctors“can be bribed” to work in outlying areas bysalaries of at least $75,000 a year. That, he said, would be “more in the Americantradition than some kind of grudgingpenance service at a low price for a coupleof years.”He recommended maternal and childservices in areas having infant mortalityrates, extensive immunication programs,nutritional services, and services for con¬trollable and curable diseases.He ventured several predictions on thecourse of health policy over the next 10years. Among them were:•Some type of catastroph insurance forhigh-cost illness will be passed.•Medicaid will probably be federalized.•Attempts to monitor physician decision¬making in hospitals will continue throughthe Professional Standards ReviewOrganization, but control cannot be wrestedfrom the medical profession.•It is a toss-up whether legislation will bepassed for universal health insurance or fora particular age group such as children.•High technology procedures will con¬tinue to be emphasized, disease by diseasePriorities will be spontaneous rather thanplanned.•Private health insurance will flourisheven in the event of universal health in¬surance because public financing will betight.NRM Films: Main TannerLE RETOUR D’RFRIQUESat. Feb. 26 7:15 & 9:15 Cobh S1.50The Chicago Maroon Friday, February 25,1977 3EditorialConfrontation or Opinion: a responseDraft resistance: anarchic dissentcommunicationWhile organizers of the “Speakout Coalition”plan their massive confrontation with the ad¬ministration over the issue of tuition hikes, agroup of graduate students in the anthropologydepartment are working quietly but with fargreater force towards progress in fighting theproblems that have plagued the prestigiousdepartment during the last few years.The art of confrontation has its place, andperhaps the meeting the Speakout organizersseek with President Wilson will lead to moreopen discussion between administrators andstudents in the future. But to most students,whose lives revolve almost exclusively aroundtheir academic field, the problems departmentsface far outweigh those facing the FacultyCouncil or even Wilson.During the past few weeks, students in thedepartment of anthropology — long known as thetop department of its kind in the country —began to organize their complaints into anorganized set of grievances they hoped to discusswith department officials. Many of the problemswere ones that had been debated over the pasttwo years among students and faculty, but nomethod had ever been devised to act on theissues themselves. Problems included over¬enrollment in the department; limited facultyaccessibility; not enough grant support moneyfor students; and a series of other chargesrelating to the general problem of too manystudents.It is not yet known whether or not thosecomplaints, first voiced in an open letter to thefaculty and later discussed in a departmentalmeeting of the faculty and students, will everresult in efforts to reduce the numbers ofstudents in the anthropology department. Theissues, complex and somewhat confused,warrant further debate in an organized foruminvolving all interested parties. But steps havealready been taken in the right direction.No department at this University serves all itsstudents as well as it can. There will always be aneed for open channels of communication bet¬ween frustrated students and the faculty andadministrators who make key departmentaldecisions affecting their lives. The anthropologydepartment has made an important step in thatdirection.The Chicago MaroonEditor P#terCo»wi Founded In ttmHtm Editor- OarW-.itF**tur« Editor Jan Rhode*Sport* Editor: David RieierPhoto Editor: Dan NewmanAaoocUrto Editor: David BlumProduction Manapar Michael DalaneyGraphics: Chri* PervamBusiness Martagar NikoMafcsimyadisAd Manager: Doug MMtecStaff:Tony Adler, Earl Andrews. Steve Block. Steve Brown. EllenClement*. Nancy Cleveland. Steve Conodes. Lisa Cordell. AOtoeF let man. Mort Font. Maggie Hlvnor, Joel JaHer. Tom Petty, BarbaraPlnsky. RW Rohde. Rutty Rosen. Claudia Rossett. Adam Sc heftierChuck SMIke. Carol Studenmund. Bob Wanerman. Sarah ZesnarThe Chicago Maroon it the student newspaper ot me University otChicago, ptmtished Tuesdays and Fridays during fha regularacademic year The Maroon office is located at 1212 E sttn St .Chicago. Illinois SOS37 The teiaphone number Is 7$} )2a3 By RAYMOND BOONEUpon reading Mr. Spink’s article“The Pardon,” I am compelled torespond to his reasoning. In ademocratic society laws are madeby elected officials. Participation ofprivate citizens in the form ofcommunication with theirrepresentatives is mandatory if thegovernment is to function properly.Mr. S’s opinion that the draftresisters were right and by so doingsaved the country’ is, in my opinion,wrong. Expression of preferences toCongress, by written letters, shouldbe the avenue to generate change.Mr. Boone is a last quarter, 4thyear student in the college. He wasa member of the U.S. MarineCorps from Jan. 16, 1967, to Jan. 2,1970.Not the anarchical state of everyoneacting on their own whims, e.g. Ifthe public wanted the speed lawincreased, the democratic way tocause the increase would be to writeCongressmen, urging change in thelaw. By Mr. S’s reasoning, the wayto change the law would be for thedrivers involved, by their ownauthorization, to completelydisregard the speed lav/ and drive inthe fashion each individual pleased.The disadvantages of his method areobvious.Laws are made for the benefit ofsociety. If the law is perceived as nolonger beneficial, the reasons shouldbe reported to Congress. Where, ifthe infringments outweigh thebenefits, the law should be repealedor at least reduced to a productivelevel.The event of the Viet Nam warwas the culmination of a foreignpolicy based on power and non¬compromise. A policy, whose ad¬vocates remembered well theresults of compromise. They did notknow if the present policy wascorrect, but it appeared to be theonly avenue that didn’t guaranteefailure. Viet Nam was a test of thispolicy. Had the war consisted of conventional elements and strategy,in all likelihood, the war would haveended quickly, resulting in a verypositive attitude by mostAmericans. However, even theoverall strategy differed. Ho ChiMinh stated that the war was asocial conflict, the winning of whichwould resolve the military situation.General Westmoreland was con¬vinced a military win, givenadequate strength, was possible andit would resolve the social situation.As in any situation, the testerchooses the conditions, the testedadapts. Ho was the aggressor and assuch, the tester. The methods andconditions he chose for combatallowed his strategy to be superior.The inability of U.S. troops todetermine friend from foe resultedin social defeats such as the Tetoffensive and the killing of innocentbystanders in order to kill theenemy, e g. the My Lai massacre.With the initial interventionAmericans kept their commitmentsof the SEATO pact. With the Tetoffensive it became apparent thatthe people of South Viet Nam nolonger wanted our assistance. It wastime to leave, our committments toSEATO honored. The support of theAmerican public shifted from in¬volvement to withdrawl. The cardsand letters poured intocongressmen’s offices and in turntheir support shifted. Why PresidentNixon responded so slowly is subjectto speculation and value judgments.However, it is safe to sav that thewithdrawal of U.S. troops wasbrought about by a shift in publicopinion, brought about by theineffectiveness of the militaryaspect of the war (with little ornegative effect from the draftresisters). The keeping of theSEATO treaty in Viet Nam was notwrong. Poor judgment was usedwhen the plan for military victorywas accepted. What was wrong wasperpetrating mistakes by continuingthe plan, long after it was apparentto all that it was a failure. It was the realization of the failure of this plan(not the dissention of draft resisters,nor a realization that th; in¬tervention, per se was wrong < thatled the American population todemand withdrawl. The fact thatdraft resisters and the americanpublic ended up supporting the sameissue is purely coincidental.Every person must decide forhimself the appropriate response toa given situation. Following theLogic of Dr. Martin Luther King, hemust also be prepared to accept theconsequences. This is also true forthe national level, though the effectis much greater. The governmentdid what they thought was right andthe safest of the possible alter¬natives. The nation incurred con¬sequences of much greatermagnitude than expected. It is easyto say, with perfect hindsight of 1977,that mistakes were made in sup¬porting direct military involvement,especially after Tet. But that type ofknowledge was not available in 1968.The individual must live withhimself and his decision of militaryservice or flight. The time elementinvolved would allow ample op¬portunity to rationally contemplatethe decision. In theory, the draftresisters should face the con¬sequences of their decision, just asthe soldiers, in reality, faced theconsequences of theirs. However inthe interest of healing a country, toolong separated by conflict and strife,the alienation caused by the VietNam War needs to be alleviated.This is the reason the draft resistersshould be pardoned: not becauseAmerican society owes themanything, for as I have shown above,they did nothing to deserve anythingmore than the Constitution and theDeclaration of Independence grantsto all, irregardless of whether theydefend it or not.The fact that Mr. Spink and myselfarrive at somewhat the same con¬clusion is purely coincidental.Raymond A. BooneLetters to the EditorThe “fearlessstalwart boys”To the Editor:I thought the story on the very tall,clean cut, square (shouldered),goodlooking American boys andtheir spending time to meet the poorcreatures in Latin American washighly interesting and informative. Iwas really moved when these twoboys suddenly changed from being“sturdy, confident, and curious” tobeing “wretched, sick, and poor”and had to stay in a church. Whenthese stalwart and fearless boysbraved the dangers of welfare andbasketball-land, amidst yells of“Hey whitey”, I almost cried. Theirmisfortunes in Mexico andelsewhere kept me on the edge of thetoilet seat. I did wonder, however,how the 18-inch high mexicanswandered off with the ten-speed.There had to have been a conspiracyof fifty at least; perhaps acrobatsstanding on each other’s shouldersrode it away. I also wondered whatmexicans would do with $25sunglasses, since one lens wouldprobably cover one of their faces;maybe they used them for tintedwindshields on their wind-up cars, orwindows on their paleta-stickhovels. I was happy to hear that thepoor, downtrodden Latins who havevirtually nothing and live on a crustof bread for breakfast, “haven’t reached the level of rejectingmaterialism yet”. It made me feelgood to know they hadn’t given up onwhat they didn’t have.Nothing pleased me more than tohave the mounting tension in theirjourney alleviated by their summerjobs, the help they gave one another,and arriving just in the nick of time,just like the cavalry, their mothers’checks. This is surely the greatestadventure story since “HuckleberryFinn.”The advetnrue was so great, sointeresting, I really think it rankles,I mean ranks with getting up in themorning for chemistry. I’d like tothank The Maroon for showing usthat not everyone south of the borderis a conniving, bloodthirsty bandito,and I hope they continue to bring usfeatures that help us understand theworld outside of Hyde Park.Roberto GuadianaP S. I’d like to thank Mike Woodfordfor holding me up so I could reachthe typewriter keys.Speakout supportTo the Editor:The Call For a Student Speakoutand The Maroon editorial, publishedside by side on Feb. 18, whilestrikingly different in tone, are bothreflections of the serious concern ofstudents for the well-being of theuniversity as a whole. Most studentssee themselves as members of anacademic community, not merely as paying customers, and they feel aconcomitant sense of responsibilityto that community. This is amplydemonstrated by the numbers ofstudents willing to work long andhard on everything from MAB toStudent Government and the variousadvisory committees. A seriousconcern such as this ought not to bedismissed whenever it leads toquestioning or criticizing thedecisions of members of the ad¬ministration or Board of Trustees.Whether or not the administrationis trying as best it can to keep tuitionincreases as low as possible,students deserve the informationwhich would enable them to produceresponsible suggestions and con¬structive, meticulous analysis inplace of the impotent griping thatnow occurs. The Maroon editorialpoints to the need for carefulresearch, but this is impossiblewithout information beyond what ispresently available. The publishedCall For a Student Speakout seemsas much a request for such in¬formation as an expression ofconcern over rising tuition. Acourteous response from the Ad¬ministration would be a welcomeindication of its respect for students,as well as of its concern for thevitality of the entire academiccommunity.Laura R. SchulkindHenry KandrupTony Mansueto363-20134 The Chicago Maroon Friday, February 25,1977OpinionAdministrative accountability and the moral trustBy ANTHONY MANSUETO, LAURASCHULKIND, and HENRY KANDRUPIn his recent press conference PresidentWilson stated that he did not have to answerthe questions of the University communityconcerning the policies of his ad¬ministration. From the standpoint of hisstatutory responsibilities as President of theUniversity this is, of course true. And heshould not be legally coerced to answer thequestions of the campus press. TheUniversity, however, is not just a system ofstatutory offices and procedures the objectof which is to perpetuate itself andguarantee the legal authority of its officers.It is an institution which has been given amoral trust to perpetuate a tradition, as theAnnouncements put it “of unflagging in¬tellectual inquiry...a climate of freedom inwhich...such inquiry can flourish...ofresponse to the needs of communities out¬side the University” and “a commitment tospeak — and to be judged by — no standardsbut those of the highest excellence.” TheUniversity has not only an apparatus, butalso a purpose, and a commitment to bejudged according to the manner in which itfulfills that purpose and trust. Thus, thelegal guardians of the University’s purposeare called not proprietors or directors, buttrustees.Anthony Mansueto, Laura Shuckind, andHenry Kandrup are students in the college.The University is not unique in having amoral trust of some sort. All the institutionsof Civil Society, be they churches, hospitals,foundations, or business corporations alloperate with a moral purpose in mind. Theytend to the spiritual and physical health ofmen, they endow causes they deem worthyof support, and they yield profit for theirowners. Rather, what distinguishes theUniversity from certain other institutions,and in particular from the business cor¬poration is not its endowment with a moraltrust, but the difficulty in ascertaining howwell it has fulfilled that trust. This leads toambiguities concerning the accountabilityof its officers. The stockholders of a cor¬poration can look at the company’s balancesheet and determine how well themanagement has fulfilled its trust — to turna profit.With the University the situation is not soclear. Both the meaning of the University’strust and the definition of those to whom it isresponsible are ambiguous and subject todebate. In a narrow legal sense theUniversity is responsible to the trustees. Butthey do not operate the University for or attheir pleasure, but rather must insure thattheir trust is fulfilled. So we say that they, inturn, are responsible to our civilization, thecultural traditions of which the University isto preserve and enrich. Yet this is not aconcrete, institutional accountability, butan accountability to God and history which can judge, but do little to alter, theUniversity’s current activity.How then, and to whom, is the Universityto be held accountable for the fulfillment ofits trust? The President is accountable in astrict, legal sense to the Board of Trustees.The content of this accountability is con¬fined to those elements, mostly in¬strumental, of the University’s trust whichcan be defined clearly and distinctly. ThePresident is responsible, under the statutesof the University for maintenance of itscorporate structure and fiscal well-being.This does not mean that the President’sresponsibility is limited to these functions.The President must be accountable in apractical, institutional way, for his ad¬ministration of the whole moral trust of theUniversity, and not merely for the corporateinstruments of that trust. Here, again, thetrustees have a role. But just as the trust isnot for the benefit of the trustees, but ratherfor the preservation and enrichment of ourcultural traditions, so, too there must be anaccountability, however weak, whichreaches beyond the trustees. While thetrustees alone have legal sanction over thePresident on both instrumental and finalconcerns of the trust, there must be an in¬stitutional sanction which holds thePresident, and through him the trustees,accountable for the administration of theirtrust to our culture.One would have hoped that this sanctionwould arise naturally, out of the inner, in¬stitutional workings of the University. APresident closely tied to his colleagues onthe faculty, and, to a lesser but stilldiscernable extent, to his students and to theleaders of communities outside theUniversity, would, in the course of his work,be called on to answer questions from, andperhaps be criticized by, those he respects.We do not pretend to know anything aboutthe pattern of Mr. Wilson’s day to daycontacts, but his comments are not those ofa man who feels responsible to his com¬munity, even when that responsibilityconsists only in answering questions con¬cerning the administration of a trust whichaffects us all.In the light of this situation, we believethat it is our responsibility to take someaction to bring to the constant attention ofour community Mr. Wilson’s refusal to beaccountable to us, and thereby, howeverweakly, hold him responsible for thisrefusal. Thus, we call for the formation of acouncil of concerned members of theUniversity, students and faculty, who willdiscuss — and above all invite Mr. Wilson toanswer questions concerning, the issues ofthe University which affect the execution ofits fundamental trust. This would not, and ofcourse should not, impose any legalrequirement on Mr. Wilson. Perhaps hisdecisions, even his decision not to answerour questions, will be born out over time.Such a council would, however, make itmore difficult for Mr. Wilson to remainsilent, and much more to make foolish andcontemptuous remarks, without loss of public esteem. In this way Mr. Wilson wouldbe reminded of his larger responsibilities:that whatever legal perogatives areessential to the discharge of his duties,neither he nor the Board of Trustees are, inthe long run, free agents. They are theagents of a moral trust, charged to interpretit and carry it out, but not to disregard it. Further, it would remind students andfaculty that, while the statutes of theUniversity, and to a lesser extent thepractical imperatives of its administrationforbid for them a binding legal voice in itsaffairs they are members of the communityit is bound to serve, and among the finalguardians of its sacred moral trust.If we knew why, maybe it wouldn’t be so badBy SETH ROSENThe University of Chicago sees itself as acommunity of scholars. But for a truecommunity to exist there must be a freeflow of information between all those con¬cerned. This is especially true of thefinanciual affairs of the University as thefiscal state of the University determinesscholastic resources, personnel, andSeth Rosen is a second-year student inthe college and a member of the SpeakoutCoalition.facilities. For this reason every member ofthe University has a right to be fully in¬formed about the University’s financialaffairs. Unfortunately, the only budgetaryinformation publicly available is contained in the University’s yearly Financial Report,and in the Consolidated Budget which ap¬pears as a memoranda in the University ofChicago Record.The little information that can be gleanedfrom these documents reveals that thepresent trend of the University’s financialpolicy has been to shift the burden of acollege education on those least able toafford it. Tuition has climbed from $2,325 in1970-71 to $3000 in 1974-75. Outright aid in theform of grants, scholarships, andfellowships has decreased by 27 percent. Inan effort to compensate for this decline,loans have increased by 163 percent. In spiteof this increase in loans, the net effect hasbeen a decrease in the dollar amount offinancial aid of 3.4 percent. The result of thishas been that the financial aid percentage ofthe budget has gone from 5.5 percent in 1970-71 to 3.8 percent in 1974-75, a drop of 30.9percent. This means that there are fewer students at the University from amongthose groups least able to meet the spiralingcosts. One example is the enrollment ofBlack students which has dropped 15.4percent from 7 percent of the student bodyin 1970-71 to 4.8 percent in 1974-75.The University explains these budgetarytrends as necessary measures to cope with afinancial crisis. But the budgetary in¬formation available is woefully inadequatein defining the University’s financial status.The University has not published a detailedFinancial Report since 1969-70, and eventhis Report leaves many questions unan¬swered. For example, there is little break¬down of $58,890,104 in income received fromunrestricted gifts, government contractsand grants, and certain unrestricted funds.Additionally, there is no breakdown of$2,236,381 expended for student services.Even when a financial category is detailed,the breakdown remains incomplete. Ex-The penditures for Instruction and Research of$99,653,213 receives only two pages of at¬tention in the 106 page Report.The Financial Report, the most completedescription of the University’s financialstate available, has since been reduced tofour pages. If the available information wasinadequate before, it is infinitely more sonow. Due to this lack of information, werequested from the office of Provost D GaleJohnson the Presidents Annual Report ofthe Budget and the Dean's CommitteeReport of the Budget. We were denied ac¬cess to these materials essential forevaluating the true financial state of theUniversity. Therefore, we reiterate our callfor the administration and the Board ofTrustees to release the financial affairs ofthe University to the entire Universitycommunity. Until this is done we call for amoratorium on the tuition increase ancutbacks.Chicago Maroon Friday, February 25, 197/ 5We wantyour business.DrexelPHONE: 538-4600Your Hyde Park Chevy dealer.4615 SOUTH COTTAGE GROVESALES: MONDAY THRU FRIDAY 9 TO 61 SATURDAY 9 TO 5SERVICE DEPARTMENT OPENS AT 7:30 AM MONDAY THRU FRIDAY >\30Sf!>t£IN MEMORY OF THE 2 28-MASSACRE IN TAIWANOn February 28. 1947, the Taiwanese people rose up to demand theChiang Kai-Shiek regime for government reforms and people’s repre¬sentation in policy-making. The dictatorial regime responded with amassacre or more than 20,000 people.Since then the political repression in Taiwan has never been stop¬ped. The 28-years-old martial law has deprived the Taiwanese peopleof their fundamental human rights.Amnesty International has reported that political prisoners inTaiwan are “held incommunicado for several weeks or months, orsometimes years” during interrogation. “Among the forms of psycho¬logical and physical pressure are solitary confinement, round-the-clock interrogation, electric shocks, lack of sleep and severe beating.”President Carter has repeatedly stressed a “moral foreign policy”that would include, among other steps, U.S. pressure on nations withrecords of severe abuse of fundamental human rights. We are encour¬aged by his dedication to civil liberties.Our demands are as follows: 1) Terminate U.S. aid to the ChiangChing-Kuo’s regime. 2) End the 28-years-old martial law in Taiwan.3) Free all the political prisoners in Taiwan. 4) Honor the Taiwanesepeople’s right to self-determination.Concerned Taiwanese inSouth Chicago AreaYou are welcome to the Memorial Service at 205 W. Wacker Dr.,Chicago on Feb. 26. 1977. 10:00 AM.MAKE SURE YOU GET■rSljc jNcUr Jlork (timesON SUNDAY MORNINGHAVE IT HOME DELIVERED.Only $1.50Starting March 5th you can have the Sunday New York Timesdelivered to your door. You’ll never miss it again just call:368-4390 night or dayand ask for the Sunday Morning News ServiceFOR GUARANTEED HOME DELIVERY6-The Chicago Maroon Friday, February 25,1977Yon Freeman: Creative Music Played with TasteBy Jon MeyersohnVon Freeman has played jazz inChicago for over 40 years, and in thattime has played with some of thegreats: Charlie Parker, Lester Young,John Coltrane, and others. But Von hasstayed in Chicago, watching the jazzscene qrow with the biq bands and thenbe bop, then fading as blues and evenrock have taken over the audiences.Jazz has always existed, somewhere,and Freeman has always found someplace to play. Now that it has returnedonce again, Freeman is ready for thatrebirth, and at 54 wants to keepgrowing with jazz.The Enterprise Lounge, whereFreeman plays every Monday night, isthe place to go if you want to hear andsee the history of Chicago Music in oneneat package. Freeman plays 40'sstandards, he plays blues and R&B, heplays more recent pop numbers, and heplays be-bop. Freeman mixes them allup; he injects an R & B howl or gruntinto a smooth jazz classic like "Bag'sGroove," starts a standard in thelowest notes of his tenor, smoothly rollsover a sweet, slow trill, then suddenlyhe squeaks up an octave, thins out hissound and finishes with a flurry ofdescending sixteenth notes.Freeman's style is "Chicago sax,"but it is also a synthesis of all he hasheard over the years. Freeman fills theroom with a big tenor sound that iswarm and steady, never weak, neverdull. He sails, he honks, he lulls with asteady vibrato while leaning back withhis sweet sound and gently bouncing tothe music. The Enterprise isFreeman's scene.Von Freeman has settled; he hassettled in Chicago, he has settled at theEnterprise. At the Enterprise, a largeplush club with a long bar and formicatables, Von is the central figure. Hepresides over the scene, smiling like aCheshire cat, while everything movesaround him. He sits near the door, saxin hand, where he welcomes guests,tells jokes, and calls to the waitresses. He is rarely seen without a drinknearby, from which he takes long sipsbetween songs.Von controls the scene. He turns theset over to the guest singer, the soloover to the drummer. The melodieswere created years ago, but everyonewatches Von Freeman as if his werethe first cue, the first solo, the firstphrase. Freeman is relaxed and jovial,but he always gets back to his music.He plays gracefully, freely, with noconstraints to his tone. His throat isopen and the notes just float over thelarge room.Despite — or perhaps because of —all this talent, Von Freeman has chosento stay in Chicago, not to throw himselfinto the tumultuous musical worldbeyond his home. Last August, TedPanken asked Freeman about his lifeand why he decided to stay:"I had to make a decision, and itwasn't easy, but I had a family here.""I find it very difficult to get the fame and the moneytogether without compromising myself. I just got alittle old thing where I got to be happy, and I got to be atpeace with the Creator. I got to try to be creative andplay with taste." "I remember Lady Dayused to play around herewith us every six months orso, but she stopped coming.After a while they wouldbring her downtownsomewhere."Freeman seems so sure of himself, ofhis life, of his position in jazz here. Yethe did admit that he always wonderswhat would have happened if he'd left."Perhaps ! would be famous had Igone." So to every young musician hesuggests: "I would tell a young cat if hewants to play music that he should go toNew York, 'cause that's where the fastthing is happening."At one time the fast thing was hap¬pening in Chicago, back in the '30's,40's and early '50's, when Freeman sawit all. The man is an oral history ofChicago jazz, its disappearance and re-emergence."My main influences were LesterYoung, Coleman Hawkins, and DaveYoung. After I played in the Navy bandI came back to Chicago and playedwith people around here like RoyEldridge and Lips Page. Around thenthere were many clubs in Chicago, andI played lots of places until about theearly 1950's, when the blues thingstarted happening."When blues arrived the whole scenechanged. "You could tell from thereception these blues cats were getting— and then rock was coming in — youcould tell that everybody didn't reallyknow where to go. I remember LadyDay used to play around here with usever six months or so, but she stoppedcoming. After a while they would bringher downtown somewhere."But jazz was still strong in the early50's, when "everything was zooming,but when Bird died, in '55, well ... by'59 there was hardly a club on the wholescene."Von Freeman tells a jazz historyinterwoven with the social and musicalhistory of the country. "When urbanrenewal came along 63rd Street waswiped out. But I had seen that comingabout 10 years prior, 'cause anothertrend was setting and the younger cats,like Ornette Coleman, they just didn'tknow what. Those times were justrough."There were still clubs on thesouthside, perhaps even more thantoday. "But, really other than a fewplaces around there's nothing reallyhappening where a cat can play. That'swhy the little set we have on Mondaysis crowded, 'cause most of the guysdon't have a place to play, and they're‘so starved to play."On Monday at the Enterprise, afterVon has finished his set, everybodyplays. The open jams include the oldsingers and even a melophone player,the bassists and drummers who neverrealty made it but love to play and act.Every one of these jazz ancients hasta style, a presence that he has devel-loped for years. Each singer has hisown bounce, his own delivery, his ownhand gestures, all of which definethe musician and separate him. Thispresence is almost as important as themusic, because image is half of anyThe Grey City Journal "It all encompasseslistening. The ideal is ifeverybody could be free,and yet swing."performance. While Freeman's imageis the relaxed, jovial, accessiblemusician, another musician might putit all into his dip, his wink, his jump, orthe way he struts. These stylizedgestures become the musicians fantasythat he acts out once a week, thencarries with him for the rest of theweek.Though Von insists he is not ateacher, that "creative jazz is such amonster cause you can't teach it — itssomething you got to do alone," thereare a lot of tips a young musician canpick up from Freeman, and many do.Every Monday four of five young saxplayers come down to the Enterprise,sit in the back of the room while Vonplays, and wait for their chance to jam.Each boy takes Von's phrases and riffsas gospel, then steps forward and triesto work from that to develop his ownstyle. But Von Freeman is a hard act tofollow.Freeman's favorite people aremusicians, especially those who arewilling to work hard and not com¬promise themselves "Lets just saythis: I got a thing about musicians — Ilove them. I think that anybody who'sgot the guts to get into this and staywith it, whether he plays contemporarymusic, or jazz music, or rock music, orwhatever. If it's creative, if he'splaying it honest, he just has myheart."Because Von has had to struggle incontinuing to play and per¬fect a kind of music few others do—a progressive approach to olderstandards — he respects the self-mademusician who remains true to himself.Freeman has seen so many styles comeand go that he knows every style has aquality, and that all forms, even the(continued on page 3)-Friday, February 25, 1977-1Don Byas: Unsung MasterThe RumprollerDon Byas, Savoy Jam Party, SavoySJL 2213 (two recordset)The first recording I heard of DonByas was from an event called theTown Hall concert held in 1945. Forsome reason, when it came time for thestart of the concert, the only musiciansready to play were Byas and theridiculous, but highly competent bassplayer Slam Stewart. They played animpromptu Cherokee and I've GotRhythm, and the two pick-up numbersbecame captured classics. It would beabsurd to say that anybody has madeI've Got Rhythm his own, what withjust about every swing band plavina itfive times a night every night, butByas' version comes as close todefinitive as any I've heard. He playschorus after chorus at breakneckspeed, at every turn delving deeperinto the harmonic fabric.At the time, many ot the in¬congruities of the performance hit me,others I only saw later. What they allboil down to is: What is a tenor mandoing playing I've Got Rhythm as fastas a bebop man (but not a bebop man)in Town Hall in 1945. According to thesimple scenario taught b/ jazzhistorians, Byas should either havebeen working out the implications ofbebop in some dark nightclub wearinga beret and sunglasses, or playingswing in a dance hall and drinkinghimself to ruin because his music isdying and the kids are coming todethrone him. The answer is quitesimply that Don Byas did both, almostsimultaneously.For all intents and purposes DonByas' career began in 1941 when he washired to replace Lester Young in theCount Basie band. He had playedpreviously with the Hampton outfit andEthel Waters' back up band, but injoining the Basie band, he wascatapulted from relative obscurity tothe most closely watched first hornchair in all of jazz. He was immediatelyput on the line; other tenor playerswatched him closely to see if he couldoffer some new and original sound or ifhe was just another disciple, competentbut nothing to emulate.What Byas offered to those tenorplayers, and to the world wassomething he later termed the"sexophone." The sexophone had awarm edge with almost no bite at all.Its vibrato was steady and deep but notoverpowering, and it remained con¬sistent even at the fastest tempos. The sexophone preferred to slide betweennotes when it was appropriate, seeinglittle reason for heavy articulation, andit rejoiced in the slow ballads. Youngpeople today, if asked what asexophone would sound like wouldprobably describe something close tothe getupandboogie-'tilyourpantsareallwet sound of King Curtis, butByas was just the opposite. He believedin wrapping his audience in soft fursand lulling them to a state of sexualwarmth. Leaving aside the respectivemerits of the two concepts of sexuality,Byas with his sexophone offered thejazz world a new insight into the tenorsax, which elevated him into thepantheon of tenor greats.In 1943 Byas quit the Basie band toset up shop on 52nd street. Most critics agree that from this year until 1946when he left the country Byas enjoyedhis most creative and expressiveperiod. It happens that these are thesame years when bebop built upenough steam to take over the musicworld, and the takeover began on 52ndStreet. In January of 1945 Byas joinedforces with Dizzy Gillespie to recordthe session which produced / Can't GetStarted and Bebop. Gillespie, in talkingabout Byas, said, "He came in the clubto work as a single. When we'drehearse, he'd be there too. So he justwent right in. He wanted to play withus." In listening to those sides, one isimmediately struck by the fact thatByas doesn't really belong. He is aswing man playing out of context. Butit is just as true that Byas is an ac¬ complished musician, and there isperhaps no context more importantthan quality. He appeared again on theGillespie session which produced 52ndStreet Theme, Anthropology, and ANight In Tunisia, the other personnelconsisting of Milt Jackson, Dizzy, RayBrown, Al Haig, Dill DeArango, and JC Heard. Again Byas stuck out but hewas also essential for without him, thesession might not have contained thenecessary amount of professionalism.At the same time that Byas par¬ticipated in bebop explorations, hemade his own recordings as a leader,over a hundred sides, mostly for smalllabels. Up until now it has been hard tofind a large quantity of Byas' ownwork, but now, with the re-issue of theSavoy sessions everyone can enjoy alarge taste of Byas.And enjoy it is! Of all the records inthe Savoy re-issue series, this is one ofthe most enjoyable. Byas was a trueprofessional who never put a bad noteon wax. As one listens to the four sides,he can't help but get caught up in thebeauty of this musician. There are thelyrical ballads like Candy and What DoYou Want with My Heart? which werealways Byas' specialty. Also there areuptempo numbers like How High TheMoon in which Byas excells with acontrolled hard-swinging passion.Charlie Shavers, Slam Stewart, ClydeHart, Milt Hinton, and Max Roach allappear as side men and all performwell.I don't feel it necessary to wax longand eloquent about Byas' work on theSavoy sessions. His playing is one ofthe underrated wonders of jazz. Hehappened along at a transition point,and in a way he is a spectre in amusical purgatory between twopowerful ideologies. But he is also theperfect prescription for someone who isfinding it harder and harder today tofind some wonderful music in jazz. Ifyou haven't heard Don Byas, pick upthe Savoy two-fer and prepare yourselffor some of the warmest music in jazz.P.S. As I was lyping out this review Iput on Clarinet Gumbo by BarneyBigard (APL1-1744) which I justreceived today. I have a feeling for thenext few days the only thing to emenatefrom the Rumproller domicile will bethe filigreed runs of the master. It is afine record from a great musician.Don't forget tomorrow night in IdaNoyes Hall Cecil Taylor and VonFreeman take over. It may be youronly chance to see the Rumproller witha silly grin on his face.... in a way he is a spectre in a musical purgatorybetween two powerful ideologies. But he is also theperfect prescription for someone looking for somethingwonderful in jazz.SPECIAL SERVICE DISCOUNT FOR U OF CSTAFF, FACILTY OR STUDENT WITH IDFREE-FREEINSPECTIONON ALL VOLKSWAGENSAND FOREIGN CARSWITH $10.00 OIL CHANGEAND LUBRICATIONHAVE YOUR CAR CHECKEDOUT FREE NOW FORAll defaults andproblemsCtm'i Peitieitmm Ship671 5 SOUTH CHICAGO AVE.363-9436 CHICAGO, ILL. 60637 jJc *jc sfc * j|c j|c sjc j|c jjc jjc sjc j|c sjc jjc j|c ^jc ^Jc j|c jjc- GOLD CITY INN *** * * * rt ****givenby the Maroon|New Hours: Open DailyFrom 11:30 a.m.to 9:00 p.m.A Gold Mine Ot Good Food"Student Discount:1 0% for table service5% for take homeHyde Park's Best Cantonese Food5228 Harper 493-2559** (near Harper Court)Eat more for less. ********************J(Try our convenient take-out orders.)tU# A d» d# dr d# d» d# d# d» ^ ^ ^ ^ ^ ^Vp ^ ^ ^ ^ ^ ^ •'n ^ ^ ^ ^ ^ ^ ^ ^Von Freeman(continued from page 1)most progressive, will someday beaccepted."They'll come around. Valueschange. Sure a whole lot of people aredoing a whole lot of things because theywant to eat, because they want a biggerpiece of the pie. It's not even that theydig what they're playing, but if theycan get over it's the same old story.And let's face it - every man wants tobe recognized. Some want it more thanothers, but it's just human nature towant to be priased for your work andget the financial thing that goes along."While tolerant of those musicianswho do sell-out, Von has never forfietedhis musical integrity for variousreasons; his family, his religion, hisinner patience. "I find it very difficultto get the fame and the money togetherwithout compromising myself. It'svery difficult, but that's just me. I got alittle old thing where I got to be happy,and I got to be at peace with theCreator. I got to try to be creative andtry to play with taste."Von is a very religious man. Hisreligious experiences have ac¬companied his music, which may bewhy he remained a musician. The twocomplement each other, because forVon "creative" and "Creator" aresynonomous. In fact, playing has oc¬casionally become a religious ex¬perience:"I've had a few experiences thathave really turned me around. Onenight in 1951 I was playing my horn andI felt like I never played like thatbefore. And I don't think I've playedlike that but once or twice since. It waslike I wasn't even playinq. I camehome after and thanked the Creator,'cause I did things I didn't know Icould. It let me know that it wasn'treally me playing. That's right, 'causeI wasn't even concentrating. I wasn't doing nothing. I was just everything Ithought came out of that horn. And Iknew then that I was playing for theCreator."Despite his religious exhuberance,Freeman is an interesting mixture ofthe reserved world-weary musicianand the ebullient spokesman ofcreative music. He has seen an entireworld of jazz clubs come and go andreappear recently. Only in the last tenyears has jazz become popular again;now people are willing to "listen to andtake heed of creative jazz." Vonrecognizes that people need to be en¬tertained, that often jazz is toothoughtful and cerebral to please massaudiences, but he feels that the day willcome when even creative jazz will becommercially accepted.The musicians Von grew with, theChicago jazzmen like Gene Ammons,Sonny Stitt, Sun Ra, Clifford Jordan,John Griffin, Muhal Richard Abramsand Henry Threadgill, make up a lossefamily of creative pioneers. ToFreeman these men have set forth aChicago idea of creative progressivemusic that affected all jazz and allmusic. Though stylistically diverse,"all these guys are around the sameage, all were connected with Chicago,and all got a nice thing now. A youngman, he can come to any one of thesedoors and I think he'd be allright. WhatI'm saying is that we all love oneanother." The associations these menformed are based on tradition, style,geography, and most of all, taste. Allthese styles are interwoven, each musician has a "different thing and it'sstrong."★ **Though Von heard many saxmenover the decades, one of his biggestpersonal and musical influences wasCharlie Parker. To Von "CharlieParker had it." Not only was hetechnically brilliant, but he had thatspiritual ease Von has always strivedfor. "To me that was the most amazingthing about the man. When I listened toBird play, it was like he was at ease. Nostrain. He might be looking in thecorner somewhere, but that stuff wascoming out of his horn."Parker was in touch; he never lostcontrol. "If you listened to his musicand could analyse it - these things weredeep; they're extremely deep, Butthey're deep in the sense that they'reright with the creator. You understand,it's right there, and he's doing it with nosweat. It was eerie."Freeman returns to the mundane:"but these instruments are stillphysical, and a young man has moredexterity, and his mind is quicker. Ifyou see a man get along without moneyor fame, and he's still trying to grow,that's beautiful, 'cause it's harder toget old and still grow." So Von keepsplaying, waiting for that divine tran¬scendence he feels every 15 years or so."But at 54 I don't have too many ofthose 15 year waits left in me." It'shard for the musician to keep growing,but it's very important to Freeman thathe not stagnate. That's the last thing acreative musician can afford to do. "Creative jazz is such amonster, 'cause you can'tteach it - it's something yougot to do alone."Freeman always discusses his lifeand music with reference to 'creativeemotion." Everything he does must becreative to in some way harmonizemusically and spiritually with thecreator. Even when it comes down topure technique, it's still a matter ofcreative communication. "The numberof notes you play mean nothing. When aman is playing with creative emotion,no matter how fast or slow he'splaying, time stands still."Time is the artist's creation, hisfreedom, and his expression, becauseonly he can alter it. The meter isunimportant; what matters it is whatcomes across when the musician plays.Ultimately the musician wants to freehimself from all time and meter so thateach member of the band can play hisown music. This will take time toperfect and accept, but "it all em-compasses listening. The ideal is ifeverybody could be free, and yet swing.I think that's what everybody wants toget to, just to be free, and have notrouble with the time."Notes don't mean a thing. Like JohnColtrane could play fast as lightnin',but if you take it and listen ,o it and youknow where Coltrane is, it just slowsdown. If the playing is perfect, thenotes mean nothing. When you justplay a lot of notes but don't say nothingwhile someone else plays simple butsays something; well, it's like one issimply complex, while one is com¬plexly simple, to use words."Von Freeman is complexly simple.That Von Freeman didn't go to NewYork and get famous is most certainlyour gain. Be sure to see him tomorrownight at Ida Noyes, he's a greatmusician."Charlie Parker had it. When I listened to Bird play,it was like he was at ease. No strain. If you listened tohis music and could analyze it - these things were deep.But they're deep in the sense that they're right with theCreator. It was right there, and he was doing it with nosweat. It was eerie."UNIVERSITYSYMPHONYORCHESTRABarbara Schubert, ConductorSchubertDebussyJanacek Symphony No. 9 in C Major. . . . Prelude a I'apres-midi d'un jauneSinfoniettaSaturday, February 26, 8:30 PMMandel Hall, University of Chicago57th Street and South University AvenueADMISSION FREE N mmmmTuesday, March 1stthe(dark Brody; Clarinet«.CHICAGO SYMPHONY ORCHESTRAFIRSTIn a lecture-demonstration( IIHRBreckinridge House8 pmAdmission frre!§The Grey City Journal-Friday, February 25, 1977-3On the Case with Lukacs LeBagA NightI. Friday night: QuadrasectThis was not music for the impatient,♦he intolerant of dissonance, or thelover of the back-beat. Quadrasect, atIda Noyes Library, presented atremendous challenge to the listenersand to the players themselves, andthose who stood up to the challengewere rewarded.As has been pointed out, here andelsewhere, Afro-American music tendsto place rhythm above a pitch, har¬mony and melody in the hierarchy ofmusical values. Quadrasect, however,attempts to deal in that Afro-Americantradition without a "rhythm section" —consisting as it does of one brass player(George Lewis), and three reeds(Douglas Ewart, Mwata Bowden, andJames Johnson), with some effectsfrom a synthesizer and various smallpercussion instruments. Percussiveinstruments punctuate and emphasizephrases, provide a time-framework,and fire up individual and groupstatements: denying access to drums,bass, and piano makes a difficult musiceven more obscure and inaccessible.And yet, as is amazingly common withpresentations by the Association for theAdvancement of Creative Musicians,the music reached out and com¬municated. The AACM musicians posethemselves great musical problems,and manage to over come themthrough creativity, discipline, andvirtuosity.Quadrasect's music is to a largeextent composed, obviously highlythought-out, and yet it is difficult,especially on first hearing, to discernthe design of their compositions. Theyare almost devoid of reference points,tonal or rhythmic, with whichaudiences might be familiar. Listeningto the two halves of the program (thefirst consisting of George Lewis'"Nostradamus Comes to Chicago" andthe second of Douglas Ewart's "ThreeIt's in a High-Rise") seemed likegroping through a totally dark, strangeroom. One had to grasp on to littlethings, guess at their significance, butwhen it was over, there was no way toretrace one's steps and see what thewhole room looked like. at the LabI feel kind of dumb, only being able tocomment on fragments of the per¬formance despite a full notebook. Somemoments that stood out,chronologically: An alto/baritonesaxophone exchange between DouglasEwart and Mwata Bowden, where thetwo traded phrases as one instrument,the interplay finally launching Bowdeninto an intense, interesting solo. A sortOf "shadow-solo" by Ewart, fingeringnotes but playing only a few, shadingaround the pulse. George Lewisdisplaying his mangificent range andtone on the trombone in a pianissimopassage that, through pure coin¬cidence, was poignantly highlighted bythe tolling of the Rockefeller Chapelbells and a police siren across theMidway. An ensemble passage of non-saxophonic reeds (bassoons andclarinets) and synthesizer that broughtout most effectively the com¬plementarity and contrast of the windand electronic instruments. And thelast, a hypnotic, dirge-like theme that,when it suddenly ended, concluding theconcert, made me (among others)realize how much I'd been moved.Much of the reward in listening tothis concert came in simply being ableto stay with the music all the waythrough. One is never too sure wherethe music is coming from, or where it'sgoing — after all, it is possible to makea case, as one audience memberstated, that "this is a lot closer tomodern classical music than to jazz."And it can be easy not to be into themusic, to let one's mind wander, andeven to quit on it. But there is a com¬pelling quality to it. Messrs. Lewis,Ewart, Bowden, and Johnson have noscholastic axes to grind. Their concern,it is very apparent, is strictly incommunicating and creating. At theend, one almost has to say, "YEAH!",although one may not know exactlywhy.Quadrasect is a remarkable group,no doubt about it. But I wonder if theconcept of a rhythmless ensemble canever be more than experimental. Icouldn't help but think that a basicallyrhythmic force in the group (con¬sidering the reeds and brass as melodicforces) would have added to the overall effect. Notably, there were a number ofquasiatonal, staccato passages thatseemed to be a little too loose. Whetherthey were designed to sound that wayor not, it sounded like they neededsomething, like drums, to hammer thephrases into place. No rhythm also putsa tremendous onus on soloists, andsometimes it becomes too much evenfor a great follower to maintain in¬terest. But, on the other hand, thepresence of rhythm players might haveruined the conception of the group.Besides, there are opportunities to hearthe members of the group play withmore conventional instrumentation. SoI, for one, could be content for one nightnot to hear any rolling, plucking, Douglas Ewartcomping, or bashing. One otherminigripe: despite the fine playing ofJohnson and Bowden, I continue toretain my doubts as to the usefulness ofthe bassoon in a non-Western-classicaltradition.People may get tired of The Rump-roller and me proclaiming that thisreally is great and important music.But we'll keep saying it. Our next op¬portunity to flame, after Cecil Taylorthis Saturday in the MAB's all-timecoup, will come on March 13 atN.A.M.E. Gallery, 9 West Hubbard,with a duet performance by GeorgeLewis and Douglas Ewart, as theposters will doubtless tell you soon.Quadrisect's music is to a large extent composed,obviously well thoughtouh and yet it is difficultespecially on first hearing, to discern the design oftheir compositions.The288- We Also CarryLingerie -Sleepwear -Hose - Jewelrythe Co-opNEW HYDE PARKCENTER1536 E. 55th StreetChicago, Ill. 60615PleasantShopPresentsSelectedPantsuitsAt 'WHERE IN THE WORLDIS GOD?"Learn that Godis very near -right where we all are.Come to thispublic lecture,Thursday evening,March 3rd, at 7:30 at theCenter for Continuing Education,1307 East 60th Street.Sponsored by10th Church of Christ, Scientist.It's freeandit's foryou!Free parking andchild care. There IS a difference!!!PREPARE FOR:GMAT • GRE • OCATCPAT • VAT * SATOur broad ranqe of programs provides an umbrella of test¬ing know bow that enables us to offer the best preparationavailable no matter which course is taken Over 3S yearsof experence and success. Small classes Vo'uminoushome study materials Courses that are constantly updatPd Permanent centers open days & weekends all yearComplete tape facilities for review of c ass lessons and foruse of supplementary materials Make-ups for missed les¬sons at our centersASK ABOUT OURCOMPACT COURSES2050 W. DevonChicago, III. 60645(312) 764 5151Outside NY State OnlyCALL TOLL F«CE800-221-9840 f£Sr PRf pah* rsefCUl'Srs S'*ci wi.Centers in Major U S CitiesPREPARE FOR THE NEW MCA TWHERE THERE IS ALWAYS ADIFFERENCE!!!4-The Grey City Journal Friday, February 25, 1977...A NightII. Saturday night: ZZ TopChrist . . . how do I come up with anexcuse for doing this? Talk aboutuseless ... I could have watched RioLobo on TV, worked on my tax return,clipped the cats' claws, had a sundae atthe C-Shop, visited a massage parlor,passed out leaflets for RomanPucinski. I could have done a lot ofgreat things Saturday night, but I hadto go see the Z Z Top World Wide TexasTour.I know I told my editor that I wanted— just for the hell of it — to review arock concert. I know that thepromoters, unlike most in town, werereal nice, and even told us about the 70tons of equipment they were cartingaround. I know that I still carry fondmemories of 1970 and CSNY, Stones,the Zep, Quicksilver, and even BlueOyster Cult. But, as they say: curiositykills the cat, flattery gets you nowhere,and you can't go home again. I, ofcourse, had to rein in my better in¬stincts and truck off to West MadisonStreet.Well, the evening wasn't without itsconsolations. For one thing, I know I'llnever get another seat that good at theStadium — directly across the icesurface from Arthur Wirtz' privatebox. Hot damn.And then there was the buffalo. Thegoddam buffalo. I'm sure some geniusdown in Austin felt so proud of himself,coming up with the idea of a bull and abuffalo rising up from the wings of thestage for the opening of the act. Hemust have said to his old lady, betweenhits on a Lone Star, “I bet Mick Jaggergonna SHEET in his PANTS'." I can'tspeak for Mick, but I was freaked out at the Zooand astounded. Yeah, it really was alive, goddam buffalo, chewing his hay,happy and contented. Yeah, he was justchewing his hay — whaddya want,anyway? I mean, he didn't charge theaudience, and he didn't stand up, foldhis arms, and bellow "AND NOW,ROYT HERE, ON OUR STAGE, IWANT YOU TO GIVE A RILLY BIGHAND TO SOME GREAT FRIENDSOF MINE. . .11 TOP!" It was a realgoddam buffalo, and you don't see realgoddam buffalo rise up out of the wingsof the stage at your garden variety rockconcerts, do you? And he really was thestar at this Z Z Top concert, far out-shadowing the bull, not to mention thebuzzard, the rattlesnake, and thetarrantula (In fact, I didn't even seethe tarrantula). You go to the LyricOpera, say, and you might well seehorses, and monkeys and rabbits anddonkeys on stage. But you won't see abuffalo, I assure you.Not that the Buffalo was the onlyhighlight of the evening. There was thebass solo by the fat, ugly guy in theAtlanta Rhythm Section. I mean, thisdude was straight out of Lord Of TheFlies. And, of course, there was the guywho took his shirt off during in¬termission, and his old lady. Definitelythe second greatest moment of theevening. This guy got up on top of hisseat, stripped to the waist, made aNixonian gesture, and the crowd,which until that point had contenteditself with pitching beach balls,frisbees, and rolls of toilet paper,started to get turned on. Then he triedto interest his buxom old lady, dressedin a vest-like thing, in following suit, asit were. Dammit if she didn't unbuttonit but she wouldn't take it off. Believeme, by this time every pair of eyes inthe place was on them. This babe washigh, but she wasn't completely out ofit. Time and time again, this dude andanother friend, who had joined himbare-chested atop the chairs in themiddle of the floor, tried to get her upwith them, but modesty continued toprevail. After several minutes ofmounting tension, she finally came up,TOOK IT OFF and embraced her oldman, much to the delight of the 15,000music lovers. I checked out the AndyFrain usher in our section, and itlooked like hp was definitely learnina It was a real goddam buffalo, and you don't see realgoddam buffalos at your garden variety rock concerts,do you?something from watching it all. "AH,YOU CAN'T BEAT FUN AT THE OLDROCK AND ROLL HALL", can you,folks?Now, once again, why did I go see Z ZTop? How about this? I had just read inthe paper, and been greatly moved andsaddened, by the death of Andy Devine.As l looked out over the official Texasstage, with its split-rail fence, cactustree, and scenic slides of the coun¬tryside, I couldn't help but think of theold Western back-lot sets used for the200 or so grade-Z Andy Devine movies.And I looked out at all those kids outthere, all acting like they're supposedto be having a good time, and lreflected: those Z Z Top schlepps onstage, along with the animals, the set,their songs and guitars and running,jumping, and pumping away — it's justlike ol' Andy and Froggy on theSaturday morning TV shows, makingthe kids happy with the lore of theWest. Except, it occurs to me, one thinghas changed: Schlitz, Rameses Fourexand E-Z Wider have replaced Mattel,Cheerios and Snickers as the sponsors.Concluding Unscientific Postscript:(If you're going to get serious, invokeKierkegaard, I always say.) I wasn'tgoing to say anything critical about themusic itself. Only speak good of the blah-blah-blah and all that. But I justpicked up the new Rolling Stone andwhat do I see but a review of Z Z Top'sTejas album by one Dan Oppenheimer.In the space of two paragraphs, oneDan Oppenheimer invokes the namesof: Lightnin' Hopkins, Robert Johnson,John McLaughlin, Billy Cobham, JohnLee Hooker, B.B. King, Albert Collins,Johnny Winter, and Steve Miller. Arewe talking about the same band? Did Ireally go to the concert? Yeah. And LeBag will not be cowed by any preten¬tious, name-dropping, San FranciscoB.P. Who probably has a hand-tooledleather shoulder bag and wears Jovanmusk oil. I stand by what I obviouslyimplied above: Z Z Top's music wasincredibly loud, unimaginative, and notvery competent. I think I can tell ablues player when I hear one, and therewere none on the Stadium stageSaturday night. I think I also know ablues audience when I'm in one, and tothat crowd, Albert Collins is theirprecinct captain and Robert Johnson isa Buick dealer in Elmhurst. Okay, Ican see the connection to JohnnyWinter — at best, Z Z Top is a less artyversion of everyone's favorite albinohippie. But, really, who's kiddingwhom?Recent Arrival:HARVARDUNIVERSITYPRESS TITLESandThree more days left forthe french, Spanish andgerman language booksale: ail Vz price(at the 57th St. store only)I, . U, hi* ih* «•<*•»« hPOWELL'SWE ARE STILL EAGERLY BUYING YOUR BOOKS1501 E. 57th955-77809 A.M. -11 P.M. Everyday ATTENTIONMAROON ADVERTISERSUSING FAC EX FOR ADDELIVERY MUST ALLOWONE WEEK FOR TRANSIT.PLEASE ENCLOSE 102 FORMWHEN APPLICABLE.Frank Herbert's National BestsellerFirst time in paperback! $1.95 Beffcley ij Civil Rights: Theory and PracticeJ.S. UERBACH. Unequal JusticeR. KLUGER, Simple JusticeD. DWORKIN, Taking Rights SeriouslyR. FLATHMAN, The Practice of RightsJ. BUCHANAN, The Limits of LibertyG.J. STiGLER, The Citizen andthe StateAll points of view represented. Right.Left and WrongSEMINARYCOOPERATIVEBOOKSTORE5757 S. University752-4381 9:30-4:00 M-FThe Grey City Journal-Fridoy, February 25, 1977-5By Karen HellerAdmission for NAM, I House and weekendDoc and CEF films is $1.50. On weekdays,Doc and CEF films are $1.00. All Doc, CEFand NAM films will be shown in Cobb hall.International House films will be presentedin I House auditorium.Hard Times (The Streefighter) (1976),directed by Walter Hill. (Doc) ToughmanCharles Bronson stars as a streetfighterduring the Depression. Charles Coburn, ashis manager, has great faith that the quietloner can make it big. In keeping withBronson's pledge that he would never againappear in a film without his wife, JillIreland appears as the woman he is at¬tracted to. A nicely photographed film thatdisplays a poetic realism about fighting andthe period. Friday at 7:15 and 9:30.Amarcord (1973), directed by FedericoFellini. (I House) a Fellini film you can sinkyour teeth into. A pleasant pastiche ofpassages, portraits and pieces from thedirector's youth. Like most of Fellini's laterworks, Amarcord is an exercise in pureself-indulgence, but this time the style'srichly romantic. Certainly one of his best ina long time. Recommended, Friday andSaturday at 7:00 and 9:30.Le Retour D'Afrique (1973), directed byAlain Tanner. (NAM) An account of theinterior voyages of a young Swiss couplewho are attracted by the political romanceof the Third World but who never quitemanage to get there. The director's tact andpatience, which only assume the in¬telligence of the spectator, cause Le RetourD'Afrique to jump out of its painstakinglyflat surface and become a rich, paradoxicalpolitical parable of theory vs. practice, withovertones of science fiction, screwba’Icomedy, gangster film, and absurdistdrama. Saturday at 7:15 and 9:30Memories of Underdevelopment (1968),directed by Tomas Alea. (NAM) Alea'sacclaimed film version of the novel byEdmundo Desnoes, Memories is a diary of abourgeois intellectual caught up in therapidly changing reality of revolutionaryCuba. Memories was the first Cuban featureto be shown in the U.S. after the JusticeDepartment lifted its ban in 1973. HighlyRecommended. Also: For the First Time(1967), directed by Octavio Cortazar. Awonderful short which follows a mobile filmtruck of the Cuban State Film Institute to eremote mountain villaqe and the firstscreening ever for the inhabitants. In caseyou're wondering, they show them a Chaplinfilm. Sunday at 7:15 and 9;30.Bad Company (1972), directed by RobertBentdn. (Doc) When *he Union Army comesrecruiting, Drew Dixon's parents give him$100, a gold watch and instruct him to headfor Virginia City. On the way there, Drew isrobbed by Jake, a boy his own age. Drew finds Jake and the two team up for anHiustrious career in crime. Ar adolescentversion of Butch Cassidy. In the role of thederelict Jake, who else but that perennialdrifter Jeff Bridges. With Barry Brown, whodoesn't seem to have appeared in a filmbefore or since. Tuesday at 8:00.The Alphabet Murders (1966), directed byFrank Tashlin. (Doc) Based on AgathaChristie's A.B.C. Murders. Hercule Poirot(Tony Randall of Odd Couple fame), thefamous Belgian detective, learns thatBritish Intelligence has assigned one oftheir men, Hastings (Robert Morely ofBOAC commercials fame), to follow himwhile he is in London visiting his tailor.Poirot seems to attract crime and while inLondon, an aqua-clown Albert Aachen isfound murdered in a swimming pool. LaterAmanda Beatrice £ross enters in a frenzyand declares she is a compulsive murderessand obsessed with the alphabet. Next on theagenda, Betty Barnard, Charmichal Clarke.Duncan Doncaster, Eddie Evarts, FedericoFellini. . .With Anita Ekberg, (of La DolceVita fame) as A.B.C. Wednesday at 6:30.Black Thursday (1974), directed byMichel Mitrani. (CEF) ''The story of July16, 1942, the day that the French policebegan a massive round-up of 13,000 Jews inoccupied Paris. The film follows a twentyyear-old gentile student whose desperateand futile attempt to save as many lives aspossible results in tragic, personal loss.Examining romantic fascism as it does.Mitrani's masterpiece stands as the finestexample of a recent French cinemamovement that deals with the amorality ofthe French.” Recommended. Thursday at3:00. By Eden ClorfeneAlvin Ailey Visits AuditoriumThe Alvin Alley American Dance Theatervisits the Auditorium next week, bringingan unprecedented number of eight localpremiere works.Formed in 1960, Ailey's company is one ofthe first black dance companies to breakinto the established dance community.Originally intended to be a showcase forblack culture and music, with blackchoreographers (Ailey, Katherine Dunham,Donald McKayle, George Faison) creatinga large part of the repertoire, the companynow performs many ballets that go beyondthat ethnic theme. With suchchoreographers as Ted Shawn, Jose Limonand Rudy Perez, the Ailey repertoire hasexpanded to a showcase for modernAmerican dance.Ailey was first attracted to dance by themovies of Gene Kelly and Fred Astaire, andgot his start dancing to jazz in night clubs. Itis not -difficult to detect the theater as amajor influence in his choreography. Oftenimbued with show-bizz flash, his balletsreveal an instinct toward strong theatricaleffects. He is notable for good use of color,costume and scene, and a clevermanipulation of big group dance numbers. As a choreographer, however, Ailey has alimited dance vocabulary. Much of it isconfined to the movements expressive ofoppressed peoples: out-turned palms, un¬dulating arms, rolling heads, and agonizedstretches. His movements are oftenrepetitious, and poorly developed. His ef¬forts to blend ballet, ethnic, and modernmovements often are not concerned with theoverall design of the ballet. Ailey's worksimitate rather than epitomize or extend themodern dance tradition to which he is af¬fined.Yet, one eventually pardons Ailey for hisflaws as a choreographer. With the help ofsuch dancers as Judith Jamison, SaraYarborough, and Dudley Williams, Aileyh-js become an expert at projecting energy,vitality, and spirit. Ailey displays raw griefwithout a dramatic context, then asks hisaudiences to respond to that grief. On theother hand, when Jamison appears ec¬statically triumphant at the end of''Revelations,” snapping her fingers,tossing and swaying to the rhythm, Aileywould probably be thrilled to have theaudience dancing onstage with her.The company will be here from February28 to March 5, and the time for all per¬formances is 8:00. Tickets range from $12.50to $3.50. For further ticket information call922-6634.rThe Ailey schedule for next week: 1"Night Creatures” Tina Yuan and Dudley Williams 2/28 - *Three Black Kings(Ailey/Ellington) ‘Hobo Sapiens(Faison/Stevie Wonder/Billy Preston)* Blood Memories (McKayle/Roberts)3/1 - Three Black Kings'Coverage(Perez) Blood Memories3/2 The Lark Ascending(Ailey/Williams) Cry (Ailey/Various)* Gazelle(Faison/Newman/Blakey/Lateef)‘Countdown (Perez) ‘Caravan(Falco/E llington)3/3 - Night Creature (Ailey/Ellington)Love Songs (Ailey/Various) Gazelle CryCaravan3/4 - Myth (Ailey/Stravinsky) ‘Journey(Trisler/I ves) Portrait of Billie(Butler/Holiday) ‘Untitled Ballet (Jen¬nifer Muller) Revelations(Ailey/Traditional)3/5 - Untitled Ballet Rainbow 'Round MyShoulder (McKayle/Traditional)Revelations‘indicates premiere worki )RIP-OFFAUTO REPAIRFOREIGN CAR SPECIALISTSSERVICE ON VW& AUDIWe Oiler Top-Quality Mechanical ServiceTune-Ups * Electrical * Brake SystemExhaust System * Other Repa rsConveniently Located at5508 S. Lake Park(Gateway Garage Bldg -Downstairs)Monday Saturday. 9am 9pmCALL684-5166 With This Ad OnlyLots of used office furniture just in, includ¬ing: desks, chairs, file cabinets, tables,sofas.Drawing Tables $65C BRAND ) EQUIPMENT&SUPPLY CO.8600 Commercial Ave.Open Mon.- Sat. 8:30- 5:00RE 4- 2111 ROCKEFELLER MEMORIAL CHAPELSunday,February 279 A.M.Ecumenical Service of Holy Communion11A.M.University Religious ServicePreacher:BERNARD O. BROWNAssociate Dean af the ChapelmmFri. 25 & Sun. 277:00 & 9:30 * *• O REMLMBEH”) l-House S1.506-The Grey City Journal-Friday, February 25,1977CalendarFridayMiddle East Studies Center: Faculty-StudentLunch, 12:15pm, East Lounge, Ida Noyes;Arabic Circle, “The Significance of theFriday Sermon in Jordanian Villages,’’Richard Antoun, 3:30pm, Pick 218; PersianSociety, 3:30pm, Pick 118; Sherry Hour,4:30pm, Kelly 413.Crossroads: “Is there still a PopulationProblem?” Fasi Fasihuddin, 8pm,Crossroads Student Center, 5621 S.Balckstone.Folkdancers: 8pm, Ida Noyes.Christian Forum: “The Celibate Alter¬native,’’ 8pm, Brent House.Hillel: Creative Services, 7:30pm, Hillel.Department of English and the Committee onMedieval Studies: “Myth and History in theOrigins of Arthur," Patrick Ford, 3:30pm,Harper 130.Department of Microbiology: “Early In¬termediates in Pneumococcal Tran¬sformation,” Donald A. Morrison, 4pm,CLSC 101.Contemporary Mathematics from a HistoricalViewpoint: “The Rise of Exact Science:Babylonian & Greek MathematicalAstronomy," Asger Aaboe, 4:30pm, Eckhart133.Geophysical Sciences Colloquium: “AminoAcid Racemization Reactions and TheirGeochemical Implications," J.L. Bada,1:30pm, Hinds 101.ArtsChamber Music Series: Ricercare, aRenaissance wind ensemble, Michel Piguet,musical director and oboe soloist, 8:30pm,Mandel Hall. Rockefeller Memorial Chapel: Organ Recitalby Jim Thvedt, all Bach program, 12:15,Rockefeller Chapel. Ree.Blackfriars: Reg $19.95, a spaced odyssey,8:00 & 9:30, Ida Noyes Library.DOC: “Hard Times," 7:15 & 9:30pm, Cobb.International House Films: “Amarchord,’7:00 & 9:30pm, International House.Court Theatre: “A Little Night Music,"8:30pm, Reynolds Club Theatre.Performance/Midway: “Vigils,” 8pm,Midway Studios, 6016 S. Ingleside.Women’s Basketball: UC vs Quincy College,7:30pm, Ida Noyes Gymnasium.SaturdayBaha'i: Prayers and meditations from theWorld’s Holy Scriptures, 4pm, Bond Chapel.Change Ringing: Handbells, 10-llam; towerbells, llam-lpm, Mitchell Tower ringingroom.Crossroads: The International Meal, German,& two short films on Germany, 6pm,Crossroads Student Center, 5621 S.Blackstone.Committee of the US-China Peoples Friend¬ship Association: Prof. Paul T.K. Lin,7:30pm, Kent 107.Compton Lecture Series: “There’s a Crab inthe Lab!" Earl Swallow, 11am, Eckhart 133.ArtsUniversity Symphony Orchestra: BarbaraSchubert, Conductor, 8:30pm, Mandel Hall.Free.Black History Month Observance: “BlackMusic in America," Cecil Taylor, speaker,4pm, Judd Hall.NAM Films: “Le Retour D’Afrique," &“Introduction to Schoenberg’s ‘Ac¬companiment to a Cinematographic Scene,”7:15 and 9:30pm, Cobb. International House Films: “Amarchor,” 7:00& 9:30pm, International House.Court Theatre: “A Little Night Music,”8:30pm, Reynolds Club Theatre.MAB: Cecil Taylor & Earl von Freeman Trio,8:00 & 10:30pm, Ida Noyes, The Night Club.UC Gymnasts: 1pm, Bartletta poetry magazine (w/art): 3pm, ReynoldsClub North Lounge. Interested peoplewelcome.Canges: “How to settle interpersonal con¬flicts," Marshall Rosenberg, 7pm, BlueGargoyle.Rockefeller Chapel: Ecumenical Service toHoly Communion, 9am; University ReligiousService, Bernard O. Brown, 11am,Rockefeller Chapel.Folkdancers: 8pm, Ida Noyes.Brent House: 12:30, Undergraduate lunch;Vespers, 5:15; Social Hour, 5:45; Supper, 6:15;Program, 7:00pm, Brent House 5540 S.Woodlawn.Crossroads: Bridge, 3pm, Crossroads In¬ternational Student Center.Tai Chi Chuan: 7:30pm, St. Paul’s Church,50th & Dorchester.Computer Club: 1pm, N. Reynolds ClubLounge.Hillel: Lox 'n Bagel Brunch, 11am, HillelHouse.Woodward Court Lecture Series: “HumanCharacteristics and School Learning,"Benjamin S. Bloom, 8:30pm, ResidentMasters' Apt., 5825 Woodlawn.ArtsNAM Films: ”M emories of Un¬ derdevelopment," 7:15 & 9:30pm, Cobb Hall.DOC: “Faust," 7:30 & 9:15pm, Kent 107.University of Chicago Chorus and Hyde ParkChamber Orchestra: Works by Purcell, JohnBlow, & Britten, 3:30pm, Mandel Hall.Court Theatre: “A Little Night Music,”8:30pm, Reynolds Club Theatre.Department of History: Meeting of HistoryConcentrators, 3:30pm, Pick Lounge.Ki-Aikido: 7:30pm, Bartlett Gym.Judo: 6pm, Bartlett Gym.Chess Club: 7:30pm, Ida Noyes MemorialRoom.Folkdancers: 8pm, Ida Noyes.Change Ringing: 6:30-8:30pm, Mitchell Towerringing room.Department of Chemistry: “PlatinumComplexs: Probes of Polycucleotide Struc¬ture and Anti-Tumor Drugs," StephenLippard, 4pm, Kent 103.Department of Music: “The Behavior ofChromatic and Diatonic Traditional Har¬mony in 19-Note Equal Tuning," EasleyBlackwood, 3pm, Lexinton Studio.US-China People’s Friendship Association:“Views of Student Life in the Peoples’Republic of China," Saunders Mac Lane,7:30pm, Ida Noyes.Marketing Group: “Case History of BettyCrocker’s Snackin-Cake," Scott McWhinnie,3:30pm, Business East 105.ArtsBaha’i: Free recital with music of Beethoven,Chopin, Handel, Bartok, Debussy, presentedas a gift to the University of Chicago, fromthe Baha’i Club in celebration of IntercalaryDays.Sunday MondayThis Week in the ArtsMarsh and Konitz at ShowcaseWarne Marsh, legendary (and great) Showcase through Sunday. With Marsh willtenor saxaphonist, will be at the Jazz be Lee Konitz, a great New York saxman.The Miller MoodNightclubCecil Taylor is one of those rare musicianswho advance iazz not by an inch but by amile. The work he did in the early sixtieschanged everything but unlike many innovators, fifteen years after that groundbreaking work, Taylor is still out in front.This is a rare Chicago appearance and itis not to be missed. People who have heardTaylor live all swear that his music doesn'treally make sense until you've seen him. Alegend is coming to our humble campus, agood turnout will insure that the Nightclubbrings more legends.Playing warmup to Taylor will be VonFreeman, a local legend. So all in all, thisSaturday night should be the Saturday nightof the year.UC OrchestraThe U. of C. Orchestra will perform onSaturday under the baton of BarbaraSchubert. These concerts always provesurprisingly professional, as well asproviding a chance to show a little schoolspirit. The program includes works byDebussy, Schubert (the other one) andJanacek. The concert will be at 8:30 pm inMandel Hall, and is free.Ricercare, a Renaissance wind ensemblefrom Zurich, will perform Tonight at 8:30pm in Mandel Hall. The ensemble wasformed by oboist Michel Piquet toreproduce early music as accurately aspossible, and to see the instruments is aloneworth the price of admission, which is S6, $3for U. of C. students. For information call753 2612. UC ChorusThe University Chorus will play on Sun¬day with the Hyde Park Chamber Or¬chestra at 3:30 pm in Mandel Hall. It'salways pleasant to attend a concert on aSunday afternoon, especially when theconductor is the entertaining and talentedJames Mack. Free.On Tuesday, March 1st, Clark Brody,clarinetist of the CSO will perform as part ofthe celebrated First Chair Series. Theperformance lecture will be 8 pm atBreckenridge House, and is free.SpoonsHave you ever watched someone playinga couple of old kitchen spoons and wonderedto yourself, ''How does he do that?" Or haveyou ever seen someone take an ordinarylooking saw, give it a funny S-shaped bend,and proceed to play "My Old KentuckyHome" with ear-defying tremolo?If such feats of musicianship have puzzledyou, (along with the mysteries of playingwashboards, washtub bass, and emptyjugs), then the time has come to seek an¬swers to all those questions you've beenasking yourself. On March 3rd, a programof "music of the kitchen-sink period" will beheld in Ida Noyes Hall at 7:30 pm. Players ofmusical saws, spoons, and otherparaphernalia will assemble to givedemonstrations of techniques, provide in¬struction to aspiring musicians, and finally,get together for some real music and fun.Bring an instrument with you if possible,that night. (Waxpaper combs are ac¬ceptable, too.) Or just come for the fun of it.More information about the evening isavailableat 753-3591. The music of Glenn Miller and his Or¬chestra will be featured this week on the"Saturday Swing Shift," which can be heardevery Saturday over WHPK-FM (88.3) from9 am to 12:30 pm. This special program willcommemorate the 73rd anniversary ofGlenn Miller's birth (March 1, 1904) and willinclude many excerpts from the late bandleader's Chesterfield and Cafe Route radio broadcasts during 1940 - 1942. Host GeorgeSpink will discuss Miller's enormouspopularity during the Swing Era and why,more than 30 years after Miller's disappearance over the English Channel duringWorld War Two, his orchestra continues toenchant millions of people in the UnitedStates, Europe, and Japan. For informationcall George Spink, 753 1919.The Grey City Journal-Friday, February 25, 1977-7Now AvailableSundaysIn Hyde Park AtA & P, 1501 East Hyde Park BoulevardBook Center, 5211 South Harper CourtDoralee Book Store, 1538 East 55th.50th. on the Lake Motel,4930 Chicago BeachNewsstand, 53rd. and BlackstoneNewsstand, 51st. and DorchesterNewsstand, 55th. and KenwoodNewsstand, 51st. and Lake ParkNewsstand, 53rd. and Lake ParkStop and Save, 1742 East 55th.Swain Drug, 1204 East 53rd.Walgreens, 1554 East 55th.8-The Grey City Journal-Frlday, February 25, 1977 University of ChicagoCommittee on Public Policy StudiesDeadline for Applicationsfor the 1977-78Academic YearMarch 1,1977For further information, contactCommittee on Public Policy StudiesWieboldt HallRoom 3011050 E. 59th Street753-1897VOULEZ—VOUS...VANS?1977 FORD CRUISING VANWe’ve Got Them...PLAIN OB FANCY.Motors2347 South Michigan AvenueChicago, Illinois 60616Area Code 312/326-2550SALES PARTS/SERVICE LEASINGsf «n<!thisorrnto C M121MIC1ARO2 E.AGC>063ON59H>, IL7 CHAIIGf*11 ADI IK ADVANCE| HEADINGS Thar* n no rHorga br ragutor Kaod.ngt i, t ** NON UC PfOPlffo* Sola Spot# >oopt« Womad #tc ) Tow' own Kaod.ng 50' pa* l.n# pa* l.*aL. MS •poem) com II 00(7S-»or#pootipo» Irfte 40* pa* lm# ,c 'apaoi 60* pa* l.n# >o rapaof^ A Thefe 30 spaces per ime rv:lu<*og <*i lettersmiaoing— spaces and punctuation marks Circle a« lettersto be capitalized1—IjYoung Designs byELIZABETH GORDON PURtrenCome Ye Sons of Air Ilk' \ln>u PqvtT»if>ir .friii*'IhiiunH»pr.Tirmw Pitas'n soprano-Mw^ti/e.sopanoTvrfyii 11:/,pur .ProD,ii, TnM(. oouiirer-rc'iu’rRrlnt HaHrilp/u.tetwrjivw< M,vm BLOW5t'ein r/ieSono-I'uiimiryrflliudfiilwiw SuneUy.27 Feb. 1977HiPtiil^ t hiiwlv i Wh< <trj 3*00 r. 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SHORE BEACH APTS.LUXURY ON THE LAKE7447 SOUTH SHOREStudio apts. from $1551 Bedroom from $1902 Bedrooms from $296'Modern hi-rise bldg, in pleasant surroundings,Iwith central air cond., private beach, commissary,!"beauty shop, indoor and out door parking avail}For an appt., call 768-3922 or visit our office’,M-F 9-4:30.DOWNS, M0HL&C0.Equal Opportunity Housing If you want to get into nuclearengineering, start by getting intothe Nuclear Navy.The Navy operates more thanhalf the reactors in America. Soour nuclear training is the mostcomprehensive you can get. Youstart by earning your commissionas a Navy Officer. Then we giveyou a year of advanced nucleartechnology, training that would cost you thousands if you couldget it in graduate school. Duringyour career, you’ll get practical,hands-on experience with ournuclear powered fleet. Maybeyou’ll work on a nuclear subma¬rine, maybe a nuclear cruiser. Butwherever you work, you’ll reallyget to prove your worth-as ayoung Nuclear Propulsion Officerentrusted with the most advanced technical equipment known to man.If that sounds like the kind ofresponsibility you’re looking for,speak to your Navy recruiter. Hecan tell you if you qualify as aNuclear Propulsion OfficerCandidate. Or call toll free 800-841 -8000. (InGeorgia,800-342-5855.)Navy Nuclear PropulsionOfficer. Some men wait for thefuture. He lives it now.NAVY OFFICER.IT’S NOT JUST A JOB, IT’S AN ADVENTURE.The Chicago Maroon Friday, February 25,1977-15* W *3 1 4f %University of Chicago Court Theater AnnouncesOPEN AUDITIONSCasting for TWO ProductionsA TASTE SU0JECT TO FITSOF HONEY BY ROBERT MONTGOMERYBY SHELAGH DELANEY DIRECTED BYDIRECTED BY KELLY NESPOR LESLIE AUERBACHPerformers will not be paid.SAT. FEB. 26 1-4 in the NEW THEATRESUN. FEB. 27 3-7MON. FEB. 28 7-10 first floor Reynolds Club5706 S. University Ave.753-3581A FIN! CIGARCOKWETB TOO* MNNftTtlAT YOURSILF J £AND TOUR GUISTSTW ONtT ONE OF IT S RIND IN THI H R. AREAAt Harp*r Court Shopping Center3225 S. Horpcr C- T 2M 5151pipe^SKopATTENTION: MINORITY STUDENTSINTERESTED IN LAW SCHOOLThe IIT/Chicago-Kent College of Law is located inthe heart of one of the major legal centers in the UnitedStates. Along with a full time day division, the Collegeoffers classes in the evenings to students who mustwork during the day. Freshmen may apply for eitherthe fall or spring semesters. The Bulletin for prospec¬tive students states the following with regard to admis¬sions. "Students from racial, ethnic, and culturalminorities are particularly encouraged to apply. It isonly through a substantial increase in the number ofsuch applications that the legal profession can changethe imbalance that currently exists between lawyersfrom racial, ethnic, and cultural minorities, and thosefrom majority groups."Any interested applicants are encouraged to contactthe Minority Recruitment Committee of the StudentBar Association by phoning or writing to:Jim Koch-Chairman of the Minority RecruitmentCommitteec/o Chicago-Kent College of Law77 South Wacker Dr.Chicago, III. 60606312-567-5017Applications may also be obtained by writing to theadmissions office at the above address.ALLTOGETHERAt One LocationTO SAVE YOU MOREt W AGIN • CHEVROLET VOLKSWAGEN .SPECIAL DISCOUNT PRICES lFor ALL STUDENTSAND FACULTY MEMBERSJust present your University ofChicago Identification Card.As Students or Faculty Members ofthe University of Chicago you are en¬titled to special money savingsDiscounts on Volkswagen & ChevroletParts, accessories and any new orused Volkswagen or Chevrolet youbuy from Volkswagen South Shore orMerit Chevrolet Inc.U10VA1N3 • M^WMSMIOA 1310MA1IOSALES A SERVICEALL AT ONE GREAT LOCATIONMERITCHEVROLET rVOLKSWAGENSOUTH SHORE7234 Stony IslandPImm: 684-0400Opon Daily 9-9 PJA. / Sat. 9-5 PM.Part* Opan Saturday too til 12 Nooivnag cm • CHEVROLET TYThe7ni5 hep OflioS HarperHorpcrNOI-IOAC MUSICAL INSTRUMENTSWe specialize in new instruments of finequality, plus genMy used, old-time man¬dolins, banjos, guitars & fiddles. 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J16 The Chicago Maroon Friday, February25,1977The columnTitle season starts; gusto almost grabbedBy DAVID RIESERThe championship season is upon usagain.This weekend the wrestlers will be thefirst to grapple for a Midwest Conferencetitle as they travel up to Ripon college forthe championship tourney.The team is coming off a sixth place finishat the Washington to tourney in St. Louis,where Bob Michell and Mitch Martin tooksecond at 118 and 134 respectively. KeithMillikan and Joe Knurek each placed fourthat 126 and heavyweight.Although the team has few expectations oftaking the Conference title this year, therecould be some individual winners. The 118-pounder, Michell has a 13-3 record and looksto be the Maroon’s best chance. However hiswork, as they say, will be cut out for him.Michell will be facing three of the top fourwrestlers in his weight from last year in¬ cluding two former conference champions.In a sport where experience counts for a lotthe freshman, Michell will not have an easytime.Frank Valentine at 126 also has a chanceto do well. Valentine is probably the bestwrestler on the team, certainly one of thefastest. He has also been suffering a brokenhand, the cast of which came off yesterday.But Valentine’s pure talent could win out,despite the injury.The last Maroon chance for a high placewould be Mitch Martin at 134. Martin is alsoa more than able wrestler and with a coupleof inspired matches, could take the crown.Also making the trip for Chicago will beJoe Cullun and Jim Leonard, both freshmenwith little chance of getting more than ex¬perience.Coach John Schael was cautious about histeam’s chances, “this is going to be theBob Michell about to pin an opponent in the 118 pound class, (photo by DanNewman)Gagers outrun CoeBy GENE PAQUETTEThe University men’s basketball teamassured itself of an overall winning recordTuesday night by decisively beating atalented but fundamentally mismanagedCoe College squad, 91-83, at Bartlett Gym.The Maroons, playing their last homegame of the season, "had surprisingly littletrouble proving that a team well coached,and well rehearsed in the basics, is moreoften than not successful when matchedagainst the inconsistencies of a poorlyorganized team, even when the latter isdeeply ridden with individual talent.Coe did show its varied talent—height,speed, and shooting ability—early in thegame as they led for a good portion of thehalf, with margins of up to seven points.Maroon patience against a zone press,however, resulted in Alley, Scheafer, andHayes connecting on easy perimeter andcrib shots.Meanwhile, a tight man-to-man defense,particularly Alley’s work on Coe’s leadingscorer Bill Schmarzo, deprived Coe offeeding its big men inside to take advantageof the height difference. Chicago outscoredCoe 17-5, to take a 38-31 lead towards theclosing minutes of the half. But Coe foughtback to within two, 43-41, as the half ended.The Maroons exploded in the first minutesof the second half, scoring three quickunanswered baskets, the last coming on aScheafer steal, full court dribble, andresounding dunk. The ensuing prematurecelebrating by players and fans alike had abad effect on Maroon concentration. ThoughCoe was still struggling, it was almost threeminutes before another basket was scored,fortunately by Chicago, giving them a 10point lead.Coe finally got untracked to score nineunanswered points against the momentarilybefuddled Maroons. But Dan Hayes scored toughest competition they have faced allyear.”“I don’t like to make predictions,” hecontinued, “but I just hope we do as well as Ithink we can.”The men’s gymnastics team will behaving their last home meet this weekend,as they tak on University of Wisconsin-Whitewater, and Central MichiganUniversity.The Maroons should be able to take fourout of the six events. Joe Collin will be apretty good bet to win the pommel horsewhile Izzy Reyes, might well take both therings and the parallel bars. Both men areworking on their qualifying scores forNationsl and could make them thisweekend.George Tingwald will be going for wins inthe vaulting and the floor exercises.The meet will be held this Saturday atBartlett gym and will start at 1:00.For those of you who might have beenwondering what happened to all the gustoTufts and the Bongers were supposed to begrabbing for last Tuesday, the time hascome. Between sports editors who can’tcount and shop people who don’t read thoselast paragraphs just kind of got lost.Tufts and the Bongers are supposed to bepicking a date for a rematch to decide whichteam will represent the school in the SchlitzIntramural Tournament. The Schlitztourney is the first of it’s kind in the area butis modeled second city fashion on a similar Izzy Reyes wffl ben an the rinpapria thisSaturday at the last home gymnastics meet,(photo by Dan Newman)New York event. Basically an advertisingopportunity for Schlitz, the tourney will takein the top intramural teams from areacolleges.Business I, won the IM tourney here butcannot go because the rules specify thatparticipants must be undergraduates.Which brings up the Tufts-Bongers game,which must be played to prove that Tuftscan win without the aide of assistantresident head and graduate student As ofthis writing the teams had yet to come toterms on a time for the game. Indeed theymay well forfeit the dubious honor ofplaying in a tournament that starts on theSaturday before finals week.Fencers concentrateon national goalsthree quick buckets inside to help Chicagoregain a nine point lead with just under 10minutes lett.From there on in Hayes, Scheafer,Shapiro, and Alley took turns supplying thescoring power to hold off Coe. The closestCoe came was five or six points, and theMaroons coasted in to an eight point victory.Once again Jay Alley led Chicago scoringwith 26 points, 10 for 13 from the line. Thistime, though, he had plenty of support.Three of his teammates scored 20 points ormore—Scheafer had 21, Haves and Shapiro20.The Maroons visit Grinnell for theirseason finale Saturday afternoon. Coverageof the game and a seasonal overview will beprovided in next Tuesday’s Maroon. By R.W. ROHDEThe Chicago fencing team will be havingtheir last home meet this Saturday at 10 amin Boucher gym. The meet will be a fourway event with teams from Milwaukee AreaTechnical College, University of Wisconsin-Parkside. and Ohio State.The team hopes to improve on its 4-13record. Chicago has previously met andbeat MATC, and UW-Parkside is not sup¬posed to be too tough. Ohio State, on theother hand, is reported as being a goodteam, a challenge for Maroon fencers.Although their overall record is not veryimpressive, the team has a few individualstandouts. Junior Dave Murdoch has a 38-8record, at sabre, outstanding for a Chicagofencer. Coach Bob Ostrowski called Mur¬doch, “the highlight of the year, one of themost successful fencers this University hasseen.”Ostrowski said that Murdoch would berepresenting Chicago at the national finalsat Notre Dame, the first time the team hassent a member in several years. Althoughevery school in the nation may send up tothree members, Chicago has not sentanyone in the recent past because fencershave had trouble meeting the usual criterionthat a fencer must have won at least half hisbouts.Murdoch isn’t the only standout.Sophomore Ron Gagnon also on the sabre squad has a 21-6 record. But since the teamcan only send one fencer from each weapon,Gagnon will have to stay behind as Mur¬doch’s record is slightly better.Eric Jacobsen is best in the epee squadwith a record of just under .500 Dependingon this weekend’s match he may make it tothe finalsBob Grady is top man on the foil squad butis probably not good enough to make the bigmeet.Although four wins doesn’t look too im¬pressive, it is a good sign for the team’sfuture. An improvement on previous years,it shows a good trend.Most of the losses this year were by closescores, like 15-12, 14-13. the team is young,and will not lose any of their members tograduation. Eleven members of the 18member squad are freshmen, who willsteadily be gaining experience over the nextfew years.The team has one more thing to lookforward to in the future. Phase II of the fieldhouse renovation includes plans for a fen¬cing room, allowing the swordsmen toescape the crowded confines of Boucher.Besides the home meet this Saturday atBoucher, and nationals the team will alsoparticipate in the Great Lakes cham¬pionships. also being held at Notre Dame.The team will send two fencers from eachweapon to the March 12 meet.Last home game for Ida tonightBy FRANK MERRIWELLIt was a pretty full week.Actually the women’s basketball teamhas been having a lot of very full weeks.Playing 20 games in seven weeks hasmeant a season difficult in quantity if notin quality.But last week in particular may justhave been the most gratifving.First the team had an easy time withtheir two games They crushed KnoxCollege last Friday, winning 70-38. Then,two nights ago they blew Lake Forest offthe court in a 64-26 romp in whicheverybody got their chance to play. Thisbrought Chicago’s record to a respectable11-7 tally. But perhaps the biggest news is that theseedings for next week’s state tournamentcame out and it was announced thatChicago would be ranked third in the state.George Williams and Concordia weregiven the top spots. Both teams have beatthe Maroons. Last year at the tourneyChicago came in unseeded and went on toshock everyone by taking fourth.Tonight the Maroons will be taking onthe fourth ranked team this year, QuincyCollege. Not much is known about thedowmstate school, but they must have atleast some talent In early February their5’11” center Michelle Quinn was averaging18 points a game and was reputed to begood on the boards. Guard Nancy Sepick is also supposed to an able ball player.The game will be worth seeing for otherreasons than the play, most of them sen¬timental. If all goes well with the fieldhouse, it will be the last women's varsitygame played in the venerable Ida NoyesGvm.More important, it will be the last homegame for a group of outstanding seniors.Emilie Townes, Claire Orener, HelenHarrison, Laura Silvieus. and YadisCothran could make up an excellentstarting five all by themselves They haveall contributed as much as anyone inbringing the team from it’s anonymity oIfour years ago to being third in the state.The game will be held at Ida Noyes andwill start at 7:30.The Chicago Maroon Friday, February 25,1977 17rCHARTERFLIGHTSNEW YORK DEPARTURES ALSO AVAILABLESPECIAL CHICAGO/LONDON FLIGHTS CHICAGO/FRANKFURT FLIGHTSOur special IRELAND CHARTER will depart Chicago on June 23 for 2 weeks at a rate of $380.00,plus taxes. Escorted tour for $421.00 per person based on double occupancy or a fly/drive tourare optional. Call for brochure and further information.OTHER DESTINATIONS: ZURICH, MUNICH, SHANNON, ROME, PARIS, DUBROVNIK, ZAGREB andHONG KONG. Prices of all charters are based upon pro-rata costs for fullflight plus $3.00 U S. departure tax and any foreign airport taxes.18 The Chicago Maroon Friday, February 25, 1977 TRAVEL TIME17 N. State StreetChicago, Illinois 60602Phone: 726-7197AIRLINE DATE DURATION RATE AIRLINE DATE DURATION RATEPan Am May 21 / Jun 05 2 weeks $349.00 World May 28/Jun 11 2 weeks $349.00World May 21 /Jun 05 2 weeks $315.00 World May 29/Jun 14,21, 2,3,4, or 5 $369.00World May 23/Jun 21 4 weeks $315.00 24, Jul 5 weeksPan Am May 26/Aug 17 12 weeks $415.00 ONA Jun 02/Jul 01 30 days $349.00World May 30/Jun 14 2 weeks $315.00 Condor Jun 08/Jun 23, 30, 2 thru 6 $389.00Brit Air May 31 /Jun 21 3 weeks $349.00 Jul 7, 14,21 weeksBrit Air May 31 /Jun 28 4 weeks $369.00 World Jun 18/Jul 02 2 weeks $349.00Pan Am Jun 03/Jun 25 3 weeks $349.00 Condor Jun29/Jul 14, 21, 2 thru 6 $399.00World Jun 06/Jun 28 3 weeks $328.00 28, Aug, 4, 11 weeksPan Am Jun 07/Aug 01 8 weeks $415.00 ONA Jun 30/Jul 29 30 days $379.00Brit Air Jun 07/Aug 16 10 weeks $398.00 World Jul 03/Jul 28 3 weeks $389.00World Jun 11 /Jun 26 2 weeks $328.00 World Jul 03/Aug 30 8 weeks $389.00World Jun 13/Jul 12 4 weeks $328.00 World Jul 16/Jul 30 2 weeks $349.00World Jun 16/Aug 22 9 weeks $379.00 Condor Jul 20/Aug 4, 11, 2 thru 6 $399.00Pan Am Jun 18/Jul 08 2 weeks $389.00 18, 25, Sep 1 weeksWorld Jun 20/Jul 05 2 weeks $328.00 ONA Jul 21/Aug 19 30 days $379.00Pan Am Jun 24/Jul 16 3 weeks $389.00 World Jul 30/Aug 13 2 weeks $349.00World Jun 27/Jul 19 3 weeks $328.00 World Jul 31/Aug 9, 23, 9 days, 3 to $369.00 &Brit Air Jun 28/Aug 02 5 weeks $389.00 30, Sep 6 5 weeks $389.00World Jun 30/Sep 02 9 weeks $379.00 Condor Aug 03/Sep 01 4 weeks $389.00World Jul 02/Jul 1 7 2 weeks $328 00 ONA Aug 04/Sep 02 30 days $379.00Brit Air Jul 06/Aug 17 6 weeks $389.00 World Aug 06/Aug 20 2 weeks $349.00World Jul 11/Jul 26 2 weeks $328.00 Condor Aug 17/Sep 01 2 weeks $379.00Pan Am Jul 16/Jul 31 2 weeks $389.00 World Aug 20/Sep 03 2 weeks $349.00World Jul 18/Aug 09 3 weeks $328.00 Condor Aug 31/Sep 15,22, 2 thru 5 $369.00Pan Am Jul 22/Aug 13 3 weeks $389.00 29, Oct 6 weeksWorld Jul 25/Aug 23 4 weeks $328.00 World Sep 04/Sep 13, 20, 9 & 17 days, $349.00Brit Air Jul 26/Aug 17 3 weeks $389.00 27, Oct. 11 3 & 5 weeksWorld Jul 30/Aug 21 3 weeks $328.00 World Sep 10/Sep 24 2 weeks $329.00Pan Am Aug 05/Aug 27 3 weeks $389.00 World Sep 24/Oct 08 2 weeks $329.00World Aug 08/Aug 30 3 weeks $328.00 World Sep 25/Oct 4, 11 9 & 1 7 days $339.00Brit Air Aug 10/Aug 30 3 weeks $389.00 Condor 0ct05/0ct20, 27 2 or 3 weeks $349.00Pan Am Aug 12/Sep 03 3 weeks $389.00World Aug 22/Sep 06 2 weeks $328.00< ✓ it i*i ' ,9r cA \V?V1 1.* 1 .» 1 • *>* t M -T>*"»<CLASSIFIED ADSSPACEGrad dorm rooms avail single men ad¬jacent UC campus Theo. Sem. Spr Qfr.Student Serv Offc 752-5757, ext. 32.Share large apt w 4 people own rm 85per mo occupancy immed or beg spr-ing quarter call 493 2822evenings.F med std seeks studio or one bedrmapt or quiet rm in home (with kitchpriv) 947-0855.House wanted to rent-4-third yearmedical student desire 3-4 bdrm hse inHyde Park area occupy about June'77. References Frank 955-5537.UC housing contract, male or female,single 753-3771 Grant.LONDON, ENG, JULY 26 to SEPT 4, 4bedrm 3 story home V/t baths mod kitden TV. Cleaning help avail. Ex transnear Hampstead Heath *900 Airmail:owner, 19 Lisbure Rd. London, Eng.NW3 2M.S.HOUSING CONTRACT FOR SALEMale grad in coulter, male/femaleelsewhere in system. REWARD callJim Drennan 753-2261 0515.Senior Faculty member seeking fur¬nished apf fo sublef for Spring qtr only(3/28-5/31) No children, no pets753 3851.Student wishing to sell dormitoryroom contract. Single room w/privatebath and kitchen facilities optional.324-0235 ask for Bob room 632 or leavemessage.Spacious Hyde Park apt wants roommate call 955-5932.Sunny room in large apartment- Spr¬ing Quarter 1400 E. 57th (LittlePierce). 955 4437.Roommate wanted to share spaciousapt (5 bdrms, 3 baths) w/2 congenialworking students. S. Shore, pleasantneighborhood Call 288 5799PEOPLE WANTEDPart-time clerical position 12-15 hoursa week. Filing, duplicating and lighttyping McCormick Seminary. 241 7800Ms. Ginder.Man student wanted as companion forhandicapped child 2 3 afternoons wkly.$2 hr. HY 3-7973.Like children? Need a job? Child CareTask Force needs people to fill parentchild-care requests. Full or part time,your home or theirs. 388 8391, 9-1weekdays.Choreographers, music director,designers, techies come to BF meetingfor more info.Aspiring musicians wanted to learntechniques for spoons, jugs, saws, andother musical instruments. Bring instralong.Musicians wanted to play jugs, spoons,musical saws, washboard, etc. onThur March 3. Call 753-3591.$2.00/hour. Subjects wanted forpsycholinguistics experiments,Department of Behavioral Sciences.Call 753 4718 to register.General maintenance person forapartment bid near campus. 4 rmbsmt. apartment in exchange for 10 hrwork/wk. Previous exp andmechanical ability desirable. PreferGrad student couple Call 947-0855.PEOPLEFOR SALEFRENCH LESSONS/conversation expd French native teacher call 288 7058.FRENCH tutorials with expd Frenchnative teacher 324 8054.For expd piano teacher of all levelscall: 947-9746Piano, music theory lessons, call AndyHuddleston, 241 7767.Interested in typing evenings in myhome. Will discuss price. Barbara,373-3594 after 5:30p.m.TYPING SERVICE/HY PK7667 4282between 4 11 pmDISSERTATION TYPIST Long exper. UC. Evanston 328 8705Typing-accurate, neat 8i speedy anymaterial will pick up & deliver. CallElaine624 3192.Thesis, Dissertations, Term Papers.Inc. Foreign language gen corresLatest IBM corrective SEL IItypewriter. Reas, rates. Mrs. Ross239-4257, 11am 5pm. -SCENESBLACKFRIARS membership meetingMon nite 2 28 in IDA 7 30 pm SpringShow and other business.FOLKDANCING is the poetry of thefoot come join UC Folkdancers at IdaNoyes 8 pm Sun, general level, andMon, beginning level, 50 cents; alsoFri., all levels Except Fri Feb 11,every weekLIBRARYASSISTANTMajor Research library has openingfor a documents clerk. Full time onlyLight typing necessary Call PersonneT, 955 4545 for interview Equal Opportunity Employer M/F FOR SALELike new portable blood pressureequipment 266 2968.1966 Chevy Belair,' V8, AC, radio, lowmileage. *390. 338 4503.1971 Buick Skylark-Green, V8, A/C.Body fair, engine good. *650. 288 6568.70 DODGE Dart Swinger, 2 dr, gcyl.Body & engine in perfect condition.Absolutely no rust. 27700 miles only.Snow tires. Must sell for leaving U.S.Asking *1150, or best offer. Call753-3745 or 947 0615.BIKE guys 1-speed wl wicker basket,*15. Also, TENNIS RACKETaluminum seamless, *15. Both gd condition. 288 2378.Portrait Photography since 1892 inblack & white or color. Graduation,resumes & passports. We furnish Cap& Gown. Koehne Studio 17 North StateSt. in the Loop room 110 DE 2-2780.Sale U.C. Campus. 1 bed rms 4’/j near1C & Lake Shore Drive. TV Security.Call 298 8514.REGENERATEInterim yoga classes forming for moreinfo call 643 3595, Dobbi.INTERNPROGRAMFEDERAL SUMMER INTERN PROGRAM: Applications for nominationsare now availagfsikcReynolds Club,Rm 202. Completed applicationsshould be returned to Reynolds Club202 no later than March 7, 1977. In¬terested students, third year andabove, are eligible to apply.AUTOS WANTEDVOLVOS WANTED-sick, dead, dying,unloved or healthy. Will also diagnoseabove cond. First and Last ad soSAVE 493 0680."10 BEST" FILMGodard calls TO BE OR NOT TO BEone of the 10 Best American SoundFilms. Next Thurs. Law Aud. 9 pm.REAL ESTATE .LUXU^V'ONE Bi^ROftM CONDOAuthentic vintage with modern bathand kitchen plus a full dining room.Hyde Park's finest location, 56th andDorchester. Priced to sell today.REMARC 288 7838.A turn of the century mansion design¬ed for elegant, comfortable living foryou and your family. Seventeengorgeous rooms serviced by 5’/jmodern baths, 2 kitchens pl(Ts the cozywarmth of 7 wood burning fireplaces.This unbelieveable showpiece must besold. Financing available. REMARC288 7838GET RICH QUICKAD SALESPERSON need for the REDGARGOYLE. 35% of revenues; yourown hours. Call William Johnson: D947 6098, N 288 6657.STAR TREKHAS NOTHING TO DO With REG*19.95 Fri 25 Ida Noyes Library twoshows 8 00 9:30 admission 25 cents.STUDENT COOPBooks bought and sold. Permanentbargain book table; new additionsweekly. None such record sale still inprogress; more records have arrived.Open 9:30 6:00 M F, 10-4 SatIMPORTED ALBUMSImported and Rare Domestic LPs areavailable by mail-order All types ofmusic—rock, jazz, folk, blues,bluegrass and country For catalogueswrite to RARE TRACKS 5312 S.Blackstone Chicago, IL 60615. PleaseSpecify Musical Interest.FREE TUITIONFREE TUITION for 1 or 2 years at anyone of 140 Universities, TechnicalSchools and Yeshivas in Israel. Fullyaccredited programs for Junior Yearand Graduate study. Enrollmentminimum 2 years in advance, benefitsvalid for 12 years Please contact;THE GIFTOF EDUCATIONDepartment CH Suite 51475 Rockefeller PlazaNew York, New York 10019212 541 7568 or 7530CONDO FOR SALECONDO WITH FIREPLACE, 3 bdrm."2 baths, Irg. living rm., Irg dining rm.,+ kitch. Easily one of Hyde Park'sairiest & brightest 3 bdrm. condosMarble wdburning fireplace,numerous community rooms in basement, lovely setting & drk stained oakfloors throughout. Very close to campus 955-0422. PAN PIZZADELIVEREDThe Medici Delivers from 5-10:30weekdays, 5-11:30 Friday and Satur¬day, Sunday 5-10:30, 667-7394. Save 60cents if you pick it up yourself.BLACKFRIARSPresents REG *19.95 The first sciencefiction show produced for under *20Fri Feb 25 in Ida Noyes Library twoshows 8:00 & 9.30 admission 25 cents.MASSAGEWORKSHOPThe best way to get a good massage isto learn how to give one. Workshops inSwedish and Rumanian Deep musclemassage begins this Thurs. Feb. 24th,7.30 9:00 at the Gargoyle. Text-Downing's The Massage Book. 7 sessions *35. Call Cobbi 643-3595.BOOKS BOUGHTBooks bought & sold everyday,everynight 9-11, Powells, 1501 E. 57thSt.HIRE AN ARTISTFree-lance artist specializes inpreparation of visual stimuli for psychresearch. Also general illustration,etc. Noel Price 493 2399.BUY A CONTRACT?I will pay *100 to any student currentlyliving off-campus who will move intoany room in the University housingsystem for the Spring quarter. CallLarry. 752-2893CARE OF THE COWFriday, Feb. 25 at the Blue Gargoyleat 8:00 p.m. Tickets at the door or theFret Shop 2.50.GOOD CHEAP FOODJoin the Hyde Park DistributionCenter—a non profit food coop. Atwholesale prices we get fresh produce,dairy products, meat, baked goods,nuts, grains, flours, honey, cider, etc.Next distribution Tuesday 2/22 at 6p.m. at 5655 S. University. Come seehow we work. For more info call955-5826 1:30 4 30only.NIGHTLIFEDANCE AND DRINK ATTHE EFENDl. Friday, February 25 10:45-3.00 *1Cover, Drinks *1. Beer 50 cents.CHILDCAREWe are looking for native Englishspeaxing mothers and their (approx¬imately) 12-20 month infants to par¬ticipate in a year long study of earlylanguage comprehension at U of C.The study will provide free time whenwe will care for your child at home. Toknow more about it, call Mrs Hut-tenlocher's office, 1-5 p.m., 753 3836, or538 7022 evenings.FEELGREATTotal Body massage workshop beginsthis Thurs., Feb. 24 at the Gargoyle.7:30-9:00p.m. *35/7sessions. Call Dobbi 643 3595.YOGA CLASSThe Yoga Class welcomes Vicki,Ricardo, Barbara, John, Corene,Marilin, Frank, Jane& Barry.FOUNDFound female, small, brown & blackdog (dachsound & spaniel?) on 51stand S. Hyde Park Blvd., 2/22 If youare fhe owner, or would be interestedin giving her a good home, call 493 5679after 6 pm.I found a WATCH Feb 16 eve. on DorChester. Call 955 4333 eves anddescribe the one YOU lostPERSONALSPregnant? Troubled? Call 233-0305 foraffirmative Help 10-1 pm Free TestChicago Hot Line—the city's sexreview. Straight and gay erotica *5 00to T R A., Box 7425-CM, Chicago,60680.Writers Workshop (Plaza 2 8377).DATING SERVICE Over 1200members Ladies join free 274 6248 or274 6940Pregnancy Testing Sat 10 2Augustana Church, 5500 S WoodlawnBring 1st morning urine sample *1 50donation Southside Women's Health.324 2292T.J RUNDLE-PRIVATE EYE WhyWorry? Why be doubtful or confused?Why be gnawed by suspicion? Consultcool, careful, confidential, discreet investigator. Tel 947 0310. PERSONALSShould you recant, the invitation re¬mains open.Welcome back, dancing shadow! Can Iinvite you to breakfast?Moffi, your car may be a lemon, butI'll never sour on you. BananasT "1" is for Zittell, my mother'smaiden name. Other details w/plain,brown, stamped, self addressedenvelope. Jonathan Z. Smith.Russian typewriter wanted,preferably used. Call Spider OstapChuk 324 2285.WOMEN'SMAGAZINEPrimavera, a women's literarymagazine, is on sale in all Hyde Parkbookstores & Bob's NewsstandVolume #3 is out!CREATIVESERVICESCreative Sabbath Services are heldevery Friday at 7:30 p.m at 5715 S.Woodlawn. For more info, call752 5655.*■——— ■■ ■■ ■ ■■1/ane J2eer£e6tauzantDelicious iontone*e foodFast Special Luncheon:$1.95Mon-Thur* 11:30 AM 9:00 PMFri. & Sat. 11:30 AM 9:30 PMSun. 3:00 AM 9:00 PMCLOSED TUES.643-3407 1316 E. 53rd St.PBRENT HOUSE! 5540 WoodlawnjSunday, February 27 .? 5:15 VespersI 5:45 Social hourI 6:15 Supper ($1.25) IApplications for THE PRO-GRAM IN THE ARTS ANDSCIENCES BASIC TO HUMANBIOLOGY AND MEDICINE(ASHUM) are due Friday,March 11.(753-2722) in Harper 226• HYDE PARK - KENWOOD’S •J FINEST J•A turn of the century mansion de ••signed for elegant, comfortable*•living for you and your family •^Seventeen gorgeous rooms serviced J• by 5H modern baths. 2 kitchens*• plus the cozy warmth of 7 wood*Jburnmg fireplaces This unbeliev J•able showpiece must be sold ••Financing available ••REMARC 288-7838**••••••••••••••••*Ann s House of Beauty6736 S STONY ISLAMO^PHONE 363 3398a man SalePERMANENTS -Regular S35 00 tor Tiltedaid Color HairFREE CONDITIONER tor Dry.Brittle l Gauge* HairFREE FACIAL with Every Hair StyleNow Only $15.00TOES l WEB 10 - < 30wisuts.wiss cum# i stumJ£WUM.C0MKTICS.Cix*if# t K itttVLM COLOGNESf„»e T'jrkey wft) *50 00 P<jr<:hos<?MM HUME* Advoored Hr,,r SV'Vtat Mwitifi at Ntsuui Ckects OtKmI w net rallies Itfan at t C C awm'VERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDINGATTRACTIVE 1% AND2 Vt ROOM STUDIOSFURNISHED or UNFURNISHED*138 *o *225' Short TermBased on AvailabilityAll Utilities includedAt Campus Bus StopFA 4 0200 Mrs. Groak KENNEDY. RYAN, M0NIGAL & ASSOCIATES. IKDirectory of ValuesWe Know Hyde ParkReal Estate Inside OutHOUSES FOR SALEREMEMBERALLTOWNHOUSESARE NOTCREATED EQUALOur new townhouses to bebuilt this Spring onBlackstone at 54th offeroutstanding design featuresfor contemporary livingEach home features 3 or 4bedrooms, 2 or 7Vs baths, inhouse garage, solarium andmuch, much more See ourscale model and floor plans.PERFECT STARTERTwo king-size bedrooms, I’/jbaths Like-new townhome.Carpeting, all appliances,free parking included Quiet,charming design approx.1,800 sq. ft. One block fromLake Michigan near 74th.*26,000 Charlotte Vikstrom667 6666KENWOOD LOCATIONA 2-story house with 7 largerooms, large kitchen, 2 baths,woodburning fireplace, 4bedrooms, full basement,new furnace, new roof. LotSize 35 x 150. All for *49,500.Call Don Tillery 667 6666. PRAIRIE SCHOOLMANSIONThis lovely 15 room brickmansion has great potentialfor a super Kenwood home. 5baths, 2 car garagesurrounded by period ironfence. For information or tosee, call Richard E. Hild 667-6666 or 752 5384NEW LISTINGRAY SCHOOL DISTRICTFrame home with 4bedrooms, bath and a half. Tosee, please call Richard E.Hild 667 6666 (res 752 5384LIVE BY LAKE4 BR brick home along SouthShore Drive Back yard nextto park and beach. Only*47,500 Please call MargaretKennedy at 667-6666.BEAUTIFULHIGHLANDS11 -room residence on lot 100'x 135'. Large LR w/naturalfireplace 6 bedrooms,library, solarium. 3 full bathsplus 2 half-baths. 3 car brickgarage w/side drive. Centair. Priced in upper 60's CallMrs. Ridlon 667 6666.APARTMENTS FOR SALETOUCH OF HI RISE CONDOOLDE ENGLISHNear 57th & Dorchester, 6rms., 2 baths, wood burningfireplace, beam ceiling, LRapprox 24x15 Views east,west and north. Formal DR. 2master size bedrooms, sunporch. Excellent cond.*39,500 Call Vikstrom 667-6666 LOCATION!LOCATION!*31,500 Buys this charming,immaculate 4 room condo onBlackstone south of 55th.Working fireplace. Modernkitchen Many extras.Available for immediateoccupancy.BESTBUYIN HYDE PARKVery large modern kit. withappliances incl. D W., formalDR, large LR (15x18) withgas log fireplace, 1 large BRplus study/sun porch & 1modern tiled bath. Priced at*24,000. AssessmentS96/month. Call FrankGoldschmidt 667-6666OVERLOOKSI4TH HOLEThis cozy condo at 67th &Crandon enjoys a panoramicview of Jackson Prk, U of C.and downtown. 6 rooms,working fireplace, indoorparking Only *23,750. Call667-6666TEAK BUILT-INSuper coppertone and walnutkitchen. 5 large rooms - 2baths high floor - sunsetviews. Financing available.*21,500 coop CharlotteVikstrom 667-6666 Spectacular 14 floor view ofthe lake and city. 3 bedrooms,2 full baths - like new kitchenwith dishwasher, doubleoven, side by side refrig andfreezer, complete with break¬fast area LR has diningalcove and study alcove CallJ. Edward LaVelle 667 6666AGREATLIFESTYLEIn this deluxe apartmentcondo-3 bedrooms, 2 baths-parquet floors, carpeting,custom shutters, sauna, pool,24-hour security-all in CornellVillage. Asking $60,000 CallDon Tillery 667 6666U.OFC.LOCATIONWalk to class. Newlydecorated Beautiful oakfloors Less than *100 permonth assess This co-opbuilding even has a pooltable *13,500. To see, pleasecall Richard E Hild. 667 6666(res. 752 5384LIGHT ANDAIRY2 BR coop apt. in well-keptcourt bldg. Convenient toUniversity and 1C ParkingIndividually-controlledradiant heat Requires boardapproval. Call 667 6666LARGE CONDOON HYDE PARKBLVD.Only 3 apts. in bldg thisbeautiful third floor unit has 9large rooms, 5 bedrooms,formal dining room, lots oflarge closets, sunporch, twobalconies, fireplace twochandeliers, 3 baths, modernkitchen and storm windowsthroughout. Low assessment.Asking $43,000 Call DonTillery, 667 6666APARTMENT BUILDINGSAND LAND FOR SALEBLOCK LONGVacant land near 84th &Stony Transfer good titleimmediately. *125,000 CallCharlotte Vikstrom 667 6666.8 UNITAPARTMENTBUILDINGExcellent Hyde Parklocation. Good income.Double plumbing. Newwiring. For information sheetand to see, please callRichard E. Hild 667-6666 (res752 5384).INCOME PROPERTY17 flat bldg. w/c'6'/i, 6 4'y &2-3's incl. new roof, newwiring w/circuif -brkrs.,outside door intercom, newgas furnace & water heaterGreat for condo conversionNear Lake Price *145.000 isnegotiable. 71st and Coles.Call Don Tillery 667 6666 SOUTH SHOREDRIVEBrick 3-flat with extra deeplot. 3-7 room apts. in goodcondition 5 car garage Formore information, please callMargaret Kennedy 667-6666A GREAT SIX FLATLocated in West Hyde Parkon 52nd St. 3-5 rooms, 36rooms. All w/2 baths, newcircuit breakers, new furnace 4 car garage Pricedlow at *57 000 (negotiable).Call Don Tillery at 667 6666INVESTMENTOPPORTUNITYSharp, corner, wellpmaintained 15 apts near 70th& Oglesby 9-4's, 6 5's Goodtenants. Asking *115,0001461 East 57th Street. Chicago. Illinois 60637667-6666Daily 9 to 5 Sat. 9 to 1, Or call 667 6666 AnytimeThe Chicago Maroon Friday, February 25. 1977 t9T V4 PresentsDrinks SandwichesBeck’s, fight* darkSchlitzin bottles...Miller’sHeineken’s, light * dark Domestic wines availableby the glass Com beef $2Roast beef $2Submarine $2All sandwiches are servedwith potato chips.(Persons under 19 years of age may not be sold alcoholic beverages)Cover $S.OO. $1.00 discount w-activities feeNo drink minimum, 1212 E. 59th St.753-3563 - 24-hour concert info\oUce: lie ran onty (vcommoelnte 300 per shou20-The Chicago Maroon Frida/, February 25,1977 warn!featuringCECIL TAYLORSaturday Feb. 268:00 & 10:30Von Freemank