Vol. 86, No. 35 The University of Chicago Friday, February 11,1977,Search for new president beginsBy PETER COHNThe process of selecting asuccessor to UniversityPresident John Wilson beganyesterday when the Board ofTrustees announced the for¬mation of a committee of sixtrustees to search for a newpresident.News BulletinRobert Reneker, chairman ofthe board, also announcedyesterday that President Wilsonwill next month ask the Council ofthe University Senate to elect afaculty committee to advise thetrustees in their search.When President Wilson ac¬cepted the University presidencyin November, 1975 he told theBoard of Trustees that he wantedto retire no later than June, 1978.Wilson served as actingpresident during the 10 monthsearch for a successor to EdwardLevi, and reportedly becamepresident with reluctance onlyafter the search committee failedto find an acceptable alternative.Reneker said yesterday that“John Wilson repeatedly andmost feelingly told us he did notwant to be elected president. ”“But, after more than 10 months of work, the committeeunanimously asked him onceagain to accept the post, and italso asked him to agree to acceptit at least until 1980. His reply tous was finally that he was willingto be elected, but he requested, inwriting, that he be able to lookforward to retiring from hispresidential responsibilities bythe summer of 1978, and weagreed.”The “Browder report,” aminority report highly critical ofthe University administrationpresented at the January 11meeting of the Council of theUniversity Senate, called for theimmediate formation of a newpresidential search committee.Felix Browder, chairman of themathematics department andauthor of the report, then saidthat “In view of the difficultissues raised by current rends aswell as the problems faced by thelast presidential search com¬mittee, it is certainly high timefor the process to begin of for¬ming a new trustee-facultysearch committee.”D.J.R. Bruckner, vicepresident for public affairs, saidyesterday that the formation ofthe search committee “hadnothing to do with” Browder’scharges.According to Bruckner, BoardChairman Renker told the boardat its November 11 meeting that a search committee should beformed in February. Bruckneralso said that Reneker had againin January called for the start ofa new committee this month.Members of the Committee ofthe Council of the UniversitySenate and of the Council com¬mittee recently formed to in¬vestigate the charges of theBrowder minority report whowere contacted by The Maroonlate Thursday had not yet beeninformed of the formation of thenew search committee. They alldeclined to speculate if there is aconnection between the Browderreport and the initiation of thepresidential searchGeorge J. Stigler. a member ofthe Committee of the Council,said that he had expected theformation of the committeesometime between February andApril. He added that he “did notexpect it for a month or two.”The trustees appointedThursday to the new searchcommittee are:•Gaylord Donnelley, chairmanof the executive committee of R.R. Donnelley & Sons Co., andformer chairman of the Board ofTrustees of the University.•Kingman Douglass Jr., vicepresident of Merrill Lynch PierceFenner & Smith, Inc.•Stanford Goldblatt, president,Goldblatt Brothers, Inc.•Margaret Bell Cameron (Mrs.First year of the /eeMAB: No more than just music?Peter Mensch Major Activities Boaro member “9u percent of ouractivities are music. I feel we re constituted to do music with fewexceptions. ” (Photo by Abbe Fletman)By ABBE FLETMANIn response to the perennialcomplaint that “there is nothingto do at the U of C” the MajorActivities Board (MAB) wasformed two years ago to bringentertainment to the Univer¬sity.MAB got its start in the wakeof the excitement and en¬thusiasm generated by thetaping of an NBC MidnightSpecial concert in Bartlett Gymin March, 1975Administrators iiked thepublicity and Student Govern¬ment. called for a student ac¬tivities fee for the funding ofentertainment events.President Wilson respondedfavorably and came up with$20,000 from an anonymousdonor to fund “major events’as a one year experiment.MAB, a group of sevenstudents chosen by a committeeof students and administrators,was formed to manage andselect the events.At the end of MAB’s firstyear, a referendum was held inthe College on the Question of afour dollar per quarter studentactivities lee to fund MAB foithe next year. Thirty six percent of the students returnedI ballots, which were included 'n, all undergraduate registrationi packets. Seventy three percentj of the respondents approved the[ fee and all undergraduateswere required to pay the ?ee thisyear Aaron Filler, Chairman ofMAB said that the referendumdid not include graduate andprofessional students because“MAE had gotten this $20,000and we didn’t want to take achance of failing.“VVe hope* that eventuallyeverybody wili pay the fee Wethink a lot mere programmingcan be done, but we need themoney f'rst.”Students who pay t'ne feereceive discounts at MARevents Graduate students torwhom the tee is optional havecontributed $i,000 to MhB’s1976-71 $25,000 budgetSpendingMAh will this yea: <pend inexcess »t $8o,uno. according to Filler, although Riley Davissaid that the figure is “morelike $40,000 to $50,000.” Ticketsales provide the revenue forthe MAB spending not coveredbv the activities fee.“MAB is never actually jmaking money.” said Filler Hepointed to the Steve Goodmanconcert in the fall quarter as anexample.“We had $6,Out). The concertcost $5,000 We sold $4,700 in Itickets. So we lost $300 We’re Inot always that lucky.’MAB lost $4,000 on the Jerry jJeff Walker concert, also iasi jvjuarter. even though Mandei 1Hal was sold outMAB to3 II JohnT. Wilson (Photo by Philip Grew)George G. Cameron) of AnnArbor, Mich.•Robert S. Ingersoll. deputyand first vice chairman of theBoard of Trustees of theUniversity and former DeputySecretary of State.•W’illiam B. Graham, chair¬ man and chief executive officerof Baxter Laboratories Inc.Reneker said that HermonDunlap Smith, a life trustee of theUniversity and president of theField Foundation of Illinois, willact as the committee's senioradvisor.Faculty panel probesBrowder allegations,Kolb made chairmanBy DAVID BLUMMeeting amid a flurry ofmemoranda and debate over theissues raised by the controversial“Browder report” the FacultyCouncil was told Tuesday that areport on the investigation intothe report’s charges would not befinished until March 8. at the nextCouncil session.In a meeting in the basement ofRosenwald Hall lasting slightlyover an hour, the Council calmlyvoiced its approval for theproposed modifications in theaffiliation agreement betweenMichael Reese Hospital and thePritzker School of Medicine. Inwhat most observers describedas a low-key debate the Councilavoided the acrimonious tonesthat characterized their Januarysession.But during the last monthbehind-the-scenes discussion anddeliberations have kep^Browder's depiction ol a facuity-administration power strugglefresh in tiie minds ot Council members and the faculty atiarge. The Committee of theCouncil reported to the CouncilTuesday that they have formed asub-committee to carry outPresident Wilson's directive lastmonth to investigate Browder’scharges.The subcommittee includes• Gwin Kolb, chairmanprofessor of english.• George J Stigler.distinguished serv ice professor ofeconomics, and• Jacob W. Getzels,distinguished service professor ofeducationWilson had originally asked theCommittee of the Council, whichserves as the “executive’’committee of the Council itself, tooperate as a committee of thewhole to conduct an inquiry intothe issues raised by the Browderreport. But Suzanne OpariJ, anassociate professor of medicineCouncil to 3inside:Opinion, p. 4 GCJ, p. 5Sports, p. 17mflBPresentsthe nightclubTracey Nelsgj^QjS^lother EarthIn a special showBeerBeck’s, light & darkSchlitzin bottles...Miller’sHeineken’s, light & dark Bryan Bowers&Thom BishopCover Charge $2.00WineDomestic wines availableby the glassSoft Drinks SandwichesCom beef $2.00Roast beef $2.00Submarine $2.00All sandwiches are servedwith potato chips.R.C.7-UpRoot BeerSATURDAY FEB. 12coming attractions:Feb. 19 • Bill Quateman • The hottest national rock actto come out of Chicago in the past 5 yearsMeisberg & Walters - “The beginning of abeautiful friendship” from Casablanca RecordsFeb. 26 * Cecil Taylor • Great black music on theUniversity of Chicago CampusVon Freeman • One of the main men of Chicago jazz.Show times: 8:00 p.m. & 10:30 p.m.(Persons under 19 years of age may not be sold alcoholic beverages)Cover $5.00. $1 .OO discount w-activities feeNo drink minimum1212 E. 59th St.753-3563 - 24-hour concert info2—The Chicago Maroon — Friday, February 11,1977 \'otice: W e can only accommodate 300 per shonGyn clinic adds sessionThe student gynecology clinic in Billingshospital opened a third half-day ap¬pointment session at the beginning of thequarter in order to alleviate a patientbacklog problem which has existed since1973. The added session shortens thewaiting period for regular appointmentsfrom over six weeks to less than four.Dr. Joseph Swartwout, associateprofessor of obstetrics, has volunteered tostaff the clinic on Tuesday afternoonsbeginning this quarter, enabling the clinicto service approximately 20 more patientseach week. The clinic is now open forappointments on Tuesday and Wednesdayafternoons from 1-5 pm, and on Fridaymornings from 9 am to 1 pm. Swartwoutwill also be on call for emergency casesreferred by the student health clinic.Several appointment slots are alsoreserved for walk-in emergency callsduring regular hours.The clinic, which is operated by facultyof the obstetrics and gynecology depart¬ment, has been open only twice a weekbecause of a shortage of personnel.According to an agreement between thedepartment and the University healthservice, the clinic was expected to operatethree half-days a week in order toadequately service the University’sstudent population. However, thedepartment’s staffing problems led to thecutback to only two appointment sessionseach week in 1973.“When you’re short of staff, what do yougive up? Delivering babi'es? The cancerclinic? You try to compress everythingand hope it will hold together,’’ saidGeorge LeRoy, director of Universityhealth service.Kim Kalkowski, chairman of StudentGovernment student services committee,had been discussing the need for a thirdclinic day with hospital staff since last June. She said that she is satisfied with thenew arrangement. According to Dr.Swartwout, “She seemed pleased to me. Ifound a loaf of homemade bread from heron my desk when I got to work one mor¬ning.”The extra session is an emergencymeasure since Swartwout is manning theclinic outside his regular duties. Swart¬wout, also medical director of ChicagoLying-In out-patient department, says heis working a twelve hour day on Tuesdays— but finds his “good will gesture” to besatisfying and not too taxing. He alsohopes to gain a better understanding of thegynecological needs of students throughhis work with the clinic.Ivy Annamunthodo, administrativeassistant of the University Health ser¬vices, emphasized that emergency ser¬vices are always available.“If a woman feels that she has an urgentproblem she should not be put off when sheis told to wait three weeks for an ap¬pointment,” she said.Immediate attention is available fromeither the Student health clinic or from theLying-In emergency room when studenthealth is closed.According to Annamunthodo, anydecision made regarding urgent cases willbe “medical, and not clerical.”Pregnancy testing, which is alsoregarded as an emergency situation, ishandled by the Student Health clinic on awalk-in basis. A new testing method allowsstudents to receive results the followingday.Student health officials haven’tdeveloped a permanent solution to theclinic’s staffing problems but they don’tanticipate any major problems in the nearfuture.“I only live one month at a time,” saidAnnamunthodo, “and hope that the shipstays afloat.”STUDENTgynecologyThe Student Gynecology clinic, located in Chicago Lying-In Hospital, to the west ofBillings hospital, is now open for appointments two afternoons and one morningeach week. (Photo by Dan Wittenberg)Dean promises $1500for WHPK stereo planCampus radio station WHPK-FM plansto enter the modern era next quarter.At a time when some radio stations areexperimenting with quadrophonicbroadcasting, monophonic WHPK ispreparing to convert to stereo broad¬casting, following approval of a $5,000conversion plan by Dean of StudentsCharles O’Connell last week.The proposal, submitted in December bythe station was originally set to cost a littleover $3,000. However O’Connell, on therecommendation of WFMT-FM engineerRich Warren, a technical consultant,approved the purchase of a more ex¬pensive broadcast console and committedup to $1500 in extra funds, to pay for itsupplementing a $3,000 alumni donationreceived last year. The station will con¬ tribute $ouu received from the sale of thestation’s mono production console inDecember.At the end of autumn quarter, stationmanager Michael Hoff submitted theproposal to student activities directorRiley Davis who assured him that the planwould be approved in time to allow con¬version by the beginning of winter quarter.However, O’Connell requested outsidetechnical opinions on the feasibility of theplan, delaying approval until the middle ofthis quarter.Stereo conversion includes the purchaseand installation of a stereo operatingconsole, assorted cables, and leasing feesfor an additional phone line to carry thestation’s signal from its Reynolds Clubstudios to the antenna, located on the roofof Pierce tower. Council from 1and spokesman for the Committee of theCouncil, told the Council Tuesday that apossible conflict of interest was avoided byforming a sub-committee, since Browder— who presented the charges — is amember of the Committee of the Council.As a result, the sub-committee wasformed to continue the investigation intothe facts relating to the specific chargesBrowder raised.Oparil’s report to the Council Tuesdayserved to postpone formal debate withinthe Council on the Browder report or anyresultant ramifications. However, facultymembers on or close to the FacultyCouncil have written memoranda andtalked to key council members withvarying opinions on the report.Walter Blum, professor of law and amember of the Council, has reportedlywritten a memo to members of the Councildenouncing the report. A similar memowent to selected faculty from ArnoldHarberger, chairman of the economicsdepartment, who reportedly denouncedBrowder’s charge that the administrationwas sacrificing the University’s academicstandards in the face of budgetary dif¬ficulties.Meetings of the Faculty Council areprivate, and attendance is limited toCouncil members and invited guests.Minutes of Council meetings are cir¬culated to all faculty after a two-weekperiod, during which time members canrevise their remarks for the record.The minutes, despite their circulation,are marked “confidential,” and allmatters relating to Council business areconsidered privileged information. Tuesday’s Council actions were reportedthrough interviews with members of theCouncil.Reese affiliationThe Council voted overwhelmingly infavor of the modification of the Pritzker —Michael Reese Hospital affiliationagreement, and only formal approval bythe Board of Trustees is now needed beforethe affiliation becomes effective.Despite continuing opposition from someCouncil members to the encroachment ofthe medical school on the Universitybudget, the modifications were passedwith little debate among council members.The modifications as approved by theCouncil, included:• A restriction to be placed on thenumber of tenure appointments given todoctors at Michael Reese Hospital, withthe specifics of financing those ap¬pointments made clear.• A plan to conduct the affiliation by aschool-wide, rather than a department-by-department basis.• The formation of a single academicdepartment in each area between the twohospitals.• The deletion of the designation“Michael Reese” for staff located atMichael Reese Hospital and appointed toterm positions in the University.Robert Uretz, acting dean of the Prit¬zker School of Medicine, told the FacultyCouncil last month that the Universitywould give six tenure appointments toReese faculty. Any further appointmentswith tenure, Uretz said, would have to beprovided for with endowment funds fromMichael Reese.MAB from 1Defining a roleWith thousands of dollars of studentmoney and a diverse and academicallyoriented campus to please, MAB has runinto its share of problems. In DecemberMAB member Jeff Mennassee quit theboard because of a disagreement about thekinds of entertainment MAB shouldsponsor and because of personality con¬flicts on the board.“MAB needs a focus,” Mennassee said.“I don’t know how many people on MAB oroutside of MAB know what theorganization is. Do ‘major activities’entail a barbaque in Jackson Park? Theycan’t be so nebulous. They should sit downand say that the money they are allotedshould be appropriated to a certain type ofactivity.” Aaron Filler is interested inpresenting folk concerts and light rockthat is easily accessible on the NorthSide.”MAB member Peter Mensch maintainedthat the purpose of MAB is well defined.“We’d like to bring at least part of thecity’s social life to the students. MABrecognizes that it’s difficult to get offcampus. Ninety percent of our activitiesare music. I feel we’re constituted to domusic, with few exceptions. ”Filler offered a more concise definitionof MAB. The purpose of MAB, he said, is“to bring memorable events that bring alarge segment of the campus together.”Mennassee wasn’t willing to acceptthese perceptions of the board. “Whoknows what MAB was set up to do? TheNightclub idea is the best idea that they’vehad I believe events are much better on asmaller basis.”“MAB was an appeasement to thestudents, but there are only a small per¬centage of students who care. On thiscampus, you don’t get 1,000 students at anyevent. We rely on outside people.”Outside advertisingIf MAB does rely on non-Universitypeople to support events, an ad¬ministration ruling has created a problemby prohibiting outside advertising of boardevents. “It’s a legal problem,” said Filler.“We would like to advertise in the Reader15,000 people in Hyde Park pick it upHowever, we cannot compete with a for-profit organization in Cook County. Intheory, a music producer could sue theUniversity and force it to pay real estatetaxes on Mandel Hall.”Matt Perranod. another MAB member,estimated that 25 to 50 percent of MABaudiences are from outside the Universitycommunity.Mensch sees outside advertising asnecessary for the continued success ofMAB. “We’d love to sell out every show toThe Chi UC people; We can’t. We can’t advertiseoff campus. If we sell out the shows, themore shows we can put on. ”The board is waiting for the Universitylegal office to prepare a statementclarifying advertising guidelines.Student inputThe seven MAB members were selectedby a complicated application and in¬terview process. MAB members are nottied to any constituencies and are notdirectly tied to any student organization.Mensch sees no problem of isolationfrom student tastes at MAB. “MAB isconfident that there are enough people onthe board with different musical tastes torepresent the students,” he said.“You know wnat happens when you letthe students decide who to book0 When Iwas at Brandeis, the student body votedfor Aerosmith. When the concert camearound, six Brandeis students were there,and every' teeny bopper in Boston. ”Filler measures student response toMAB selections by turnout at the events.“We’re selling out the shows,” he said.“We wouldn’t be doing that if we weren’t intune with student tastes.”The NightclubMAB’s most recent project is thenightclub in Ida Noyes Hall, which isbringing live music by national acts to theCloister Club ever Saturday night inFebruary.A small turnout of between 50 and 100students marred the opening of the clublast week. MAB member Matt Pernodattributed the poor attendance to “a lackof publicity.”“There’s a question,” Pernod said, “ofw'hether that type of thing can reallyhappen.Mensch also cited poor publicity. “Weadmit we haven't been advertising very'well, he said. “We haven’t advertised ourconcerts, much less ourselves. ”Filler is still optimistic about thenightclub “We believe it’s a well doneprogram and it’s something they want oncampus. As the month proceeds andpeople understand what we have, it will bevery successful ”CorrectionIn the January 28 issue of The Maroon,the copyright and permission credits oftwo articles reprinted from otherpublications appearing on page threewere inadvertently reversed. The D.J.RBruckner article was copyright andreprinted by permission of The LosAngeles Times. The Don Rose articlewas reprinted courtesy of In TheseTimes. The Maroon regrets the errorjgo Maroon — Friday, February 11, 1977—3The PardonEditorial OpinionThe wedge of hostilityMath Department chairman Felix Browderhas charged that the University is “moving froma faculty-run University to a Multiversitydominated by a special administrative castewithout real responsibility to the faculty.”In his minority report to the January 11meeting of the Faculty Senate, Mr. Browderpresented a series of specific cases to back up hisbroader accusation. Although it appears that hemay have misinterpreted several of the ad¬ministrative decisions he cited, his basic point isa telling one. The entire University communityshould carefully consider the implications of hisreport.The actions and public statements of theleading officials of the University serve toconfirm Mr. Browder’s description of “a specialadministrative caste. ’’President Wilson has forcefully denied that hehas any accountability to the University com¬munity. The chairman of the Board of Trusteeshas declined to talk to a reporter from thecampus newspaper, and the reason given by thesecretary of the board is that President Wilsonis, according to the Statutes of the University,the spokesman for the University. Such ironicinconsistencies lend an aggravating absurdity tothe muted public stance of the Universityleadership.The current upsurge of faculty dissatisfactionwith the administration has resulted from thesame administrative attitude that has closedPresident Wilson to public access. For when thePresident and his administrative colleaguesmake difficult decisions, particularly inallocating the limited University budget, andoffer no explanation for those decisions,frustration and disaffection are the inevitableresult.The budget austerity of the last three years hasnot been easy for anyone at the University, andthe process of adjustment has been made harderby the inability of the administration to clearlyarticulate the University’s problems to thefaculty, students, and staff on campus.Part of the problem stems from the personalbackground of the managers of the Universitybureaucracy. President Wilson, unlike hispredecessor, does not have deep roots at theUniversity. This, along with his personalreluctance to assume the presidency and thetemporary nature of his tenure, have j*n-doubtedly contributed to his isolation from' thefaculty. Under President Wilson is a corps of tvice presidents, a majority of whom do not havedirect links with the faculty.The realities of tight “budgets, an isolatedcorporation of managerial planners, and themanagers’ failure to articulate the goals andnecessities of University policy have combinedto create a wedge of hositility between theUniversity’s leadership and the campus com¬munity.The Chicago MaroonEditor: Peter CohnNews Editor: Dan WiseFeatures Editor: Jan RhodesSports Editor: David RieserPhoto Editor: Dan NewmanAssociate Editor: David Blum Founded in 1902Production Manager: Michael DelaneyGraphics: Chris PersonsBusiness Manager: NikoMaksimyadisAd Manager: Doug MillerStaff:Tony Adler, Earl Andrews, Steve Block, Steve Brown, EllenClements, Nancy Cleveland, Steve Cohodes, Lisa Cordell, AbbeFletman, Mort Fox, Maggie Hivnor, Joel Jaffer, Tom Petty, BarbaraPinsky, RW Rohde, Rusty Rosen, Claudia Rossett, Adam Scheffler,Chuck Shilke, Carol Studenmund, Bob Wanerman, Sarah ZesnerThe Chicago Maroon is the student newspaper of the University ofChicago, published Tuesdays and Fridays during the regularacademic year. The Maroon office is located at 1212 E. 59th St.,Chicago, Illinois 60637. The telephone number is 753 3263. By GEORGE SPINKPresident Carter’s pardon of thosewho resisted the draft during theViet Nam war is the first ray of hopethese brave young men have had.The light at the end of the tunnel canbe blinding at first, but at least itsignals that the end may be near. Itwill be a testimony to the strength ofthe constitutional fiber of this nationto see whether it can accommodatethose who felt strongly enough toresist the draft in spite of the con¬sequences of doing so. The resisterswant to return home, to live as otherAmericans live, and they certainlyare entitled to that.They are not seeking absolution,after all, for in their own con¬sciences they have been right allalong. The crime was the war in VietNam, not resisting it. Their voiceswere the first to shout out for all tohear that the war was wrong, indeedimmoral, and although mostAmericans shunned them at first,toward the end of the 1960s manybegan to see that there was truth inwhat the resisters were saying. MyLai attested to that.It is sad that thereality of the situationwill probably be thatwhether granted am¬nesty or a pardon, thedraft resisters willreturn home to findconsiderable hostilitytoward them.In the mid-Sixties, mostAmericans believed that ourgovernment was right in conductingthe Viet Nam war. American in¬tervention had the purpose ofpreventing South Viet Nam frombeing defeated by Hanoi and thenbeing subjected to communism.Young men had a duty to obey theirgovernment and to fight for it, evenif they did not agree with thegovernment’s policies. Resistance,therefore, could only be unpatrioticand intolerable.But the resisters didn’t see theViet Nam conflict in the same termsas most Americans viewed it. Theresisters asked many questionsmost Americans either refused toconsider or, if they did, failed toanswer:• Why was the United States soeager to support the dictatorshipin Saigon?• Why should we fight to perpetuatean economic system that deprivedsuch a high percentage of theSouth Vietnamese populationwhile permitting the ruling elite tolive in luxury?• Wasn’t the situation in South VietNam as tyrranical as China hadbeen in the days of Chiang KaiShek?• If the United States succeeded inhelping South Viet Nam defeatNorth Viet Nam, what was thelikelihood that the United Statescould persuade Saigon to establisha democratic political system withconstitutional guarantees of civilrights and civil liberties?• And if Saigon did consent todemocracy, would the Vietnameseeconomy be strong enough tosupport it?The question that most tormentedso many young people concerned themorality of this war: did the UnitedStates have any moral justificationto inflict the deaths of hundreds ofthousands of Vietnamese and Americans in an effort to preservethe Saigon regime and to destroy theHanoi government?These questions bothered me asearly as 1964, when the war was inits infancy. It was election year, andin the autumn I took a leave of ab¬sence from graduate school atStanford, touring the country andtalking with people from coast tocoast to see how they felt about thewar and the two presidential can¬didates, Barry Goldwater andPresident Johnson. The issues atstake in that election set the stagefor the domestic conflicts of thefollowing years. Goldwater made itclear that he would escalate the warso that one day the Vietnamesemight know freedom anddemocracy. His economic viewsreflected an unwavering faith inAdam Smith’s “invisible hand” tomaximize the wealth of society,while his social views called for“law and order.” Goldwater’scatchy motto summed up the feelingof his supporters: “In your heart,you know he’s right.” LBJ promisedthat the war would not escalate. Hisachievements in the area of civilrights legislation had surprised evenhis strongest opponents in Northernintellectual circles. And his vision ofa “Great Society” had wide appealfor the blacks and the poor, who feltthey had been getting the short endof the stick for far too long.In 1965 LBJ disregarded hiscampaign promises about the war.Anti-war opposition intensified,demonstrations became morefrequent, and the counterculturethat evolved from the beatgeneration of the Fifties found aunifying cause. The cost of the warsoared, and LBJ’s “Great Society”soon turned into a nation afflictedwith race riots in almost everymajor city. Anti-war sentiment oftensurfaced into violent attacks on localdraft boards and businessesassociated with defense. Manyresisters, however, disapproved ofmilitant tactics as strongly as theyopposed the war. Their onlyrecourse was to leave their country.The crises at home and the ever-widening opposition to the war cameto a head in August 1968 at theDemocratic Convention in Chicago.Earlier in the year, LBJ recognizedthat he could only harm theDemocratic Party by seeking re-election. Considerable opposition tothe war had developed within theParty, and the convention became adebacle as Mayor Daley’s in¬sensitivity to the war protestersturned Chicago into a nightmareshared by millions of televisionviewers.Nixon’s election to office and hisfurther escalation of the wareventually polarized the nation.What Nixon’s supporters neverrecognized was the intense distrustof their hero among the Americanleft, dating all the way back to thelate Forties when the youngCalifornia congressman became thechampion of those who fearedanyone foreign. The Cold Warsprung from those fears; so didMcCarthyism.Some businessmen began torecognize that the war, by drainingour economy of some $30 billion peryear, would strongly affect theirability to earn profits in the years tocome. One day the nation wouldhave to come to grips with the bill,paying it not only through directtaxation but also indirectly throughthe hidden taxation of inflation.America’s inner cities continued todeteriorate, and in 1969 economicindicators stated conclusively thatbusinessmen did have something to worry about indeed.Nixon failed to grasp the growingnumber of Americans, young andold, who were coming out againstthe war 8 just as he failed to perceivecorrectly so much of what washappening throughout the nation.The horror of the war, its con¬tradictions of values long cherishedby Americans, and the specter ofNaziism were revealed by the MyLai incident.By the early 1970s, Nixonrecognized that the only politicallyfeasible alternative left to him wasto get American troops out of VietBy early 1970S/ Nixonrealized that the onlypolitically feasiblealternative left to himwas to get Americantroops out of Viet Nam.Nam. When this finally happened inJanuary 1973, it was anticlimaticalbecause millions of Americans hadwanted it to end long before, not invictory or in defeat, but simply toend. Watergate topped it off,showing unequivocally how in¬different, dishonest, and amoralNixon really was - just as his criticson the American left had beencharging for decades.When one considers the horren¬dous legacy Nixon left to Ford, it isimpossible not to admire how muchFord did for the nation during hisbrief two years in the White House.Unfortunately, it was not in himeither to grant amnesty or to pardonthe draft resisters.Carter has opted for their pardon.Is this enough? Would amnesty havebeen better? Should deserters havebeen include^? There are no easyanswers to these questions, but itcertainly is time for them to beasked. It is sad the reality of thesituation will probably be that,whether granted amnesty or apardon, the draft resisters willreturn home to find considerablehostility toward them. Theirresistance to the war probably willmar their careers for the rest oftheir lives. Whether they will haveany recourse to discriminationagainst them remains to be seen.They dissented - and by theiractions helped the nation to see thatit was wrong for the United States tointervene in Viet Nam. It took time,but eventually many Americanssided with them. We should welcomethem home, for our debt to them isgreat. They resisted. What wouldAmerica be like today if theyhand’t?George Spink is Assistant Directorof Development at the University.He received an MBA with aspecialization in finance from theGraduate School of Business in June1976.OpinionpolicyThe Maroon opinion page seeksto provide a forum for readersand to facilitate public discussionof both campus issues andmatters of general public con¬cern. The Maroon is willing topublish the opinions of its readersregardless of whether theopinions are in agreement withthe editorial position of the paper.Those interested in submittingopinions are encouraged tocontact The Maroon.4—The Chicago Maroon—Friday, February 11,1977The Real McCoy?Recently, a companion accused me of being a"jazz purist." I was very hurt. What an ugly con¬cept: "The jazz purist." Obscurist. Elitist.Dwelling in the past, not in the mainstream of RealLife. Hates everything everybody else likes.Boring. Moldy fig. Arty. Inaccessible.Now, if we were talking about something withinherent snob appeal, like French cuisine, then wecould talk about being purists — we can't deal withtournedos Henri IV and Del Monte, Gallo, and SaraLee on the same level. But with jazz, we're talkingabout a phenomenon that has consistently defiedattempts to define what it is and what it isn't.Anyone who closes his ears to what else is hap¬pening in music besides what he takes to be "purejazz" is asking for many sleepless nights when themusic changes. In fact, I regard myself as less of a"purist" than many of my friends whose recordcollections and knowledge are perhaps moreeclectic than mine. They will only listen to jazzunder certain conditions, and won't (or can't) in¬tegrate it into their daily pattern of listening andliving. More's the pity in that: try Eric Dolphy's"Jitterbug Waltz" on Sunday morning sometime.But, in another sphere, these part-time purists tendnot to be very intelligent listeners when they doattempt to deal with jazz. Reputation is important,but you should be aware of what you're listening to.*There's a lot of calculated bullshit going on in themusic world; of this the intelligent Hyde Parkerneed not be told, I'm sure. But, in striving to be hipand abreast of things, intelligent Hyde Parkers,North Siders, Evanstonians, and even dudes fromHoffman Estates can put more significance inhonest and good music than perhaps is really there.The music should be appreciated on an appropriatelevel.Whicn brings us to McCoy Tyner's recent per¬formance at Amazingrace. His sextet put on a verylong, loud, intense set, which was received withnear ecstasy from the full-house-plus audience.They thought they had received a large dose ofSignificant Jazz, and adiourned to the cold night,got into their Rabbit's and GTO's, and returned tothe world of WXRT while waiting for their carheaters to come on. LeBag, however, kept his coolabout the whole experience.Not that I have anything against McCoy Tyner,mind you. McCoy is a totally admirable musician.As a stylist and innovator on the piano, his namemay well rank with Tatum, Monk, Ellington et ai.someday. Tynerisms creep in with increasingfrequency, even among top-flight pianists (forexample, it sounded like the very excellent JeanneBrackeen, in town with Stan Getz recently, haddone a whole lot of listening to McCoy.) He alsoplays a music of great integrity: he has never, tomy knowledge, dealt with gadgetry or productiongimmicks; he has always played hard and honestlyhimself, and employed competent to excellentmusicians in his bands. From the time he joinedJohn Coltrane about sixteen years ago as a straight,serious, twenty-year-old, he has consistently been apositive and uplifting force on music. Certainly,part of the reason for his reception at Amazingrace(which is the reception he tends to get nearlyall the time) lies in the obvious sincerity andcommitment of the leader and his sidemen.Another factor is the high level of musicianshipfound in all the members of the group. Too oftenjazz musicians show up for a gig and either don'tcare, or have onstage certain members of thegroup who can't cut it musically. McCoy is an ex¬ception in this regard, and it's worth something toan audience to have performers who put out. Theset, on the whole was quite a loud one; it wasn't loudbecause of amplification, but because the group,especially drummer Eric Gravatt, was playingvery hard. Nonetheless, there were problems withthe music made that night, and they should bebrought out before audience members chalk up thisperformance as a great musical experience.First, there was a distinct lack of melodic varietyin the set. The three or four ensemble piecessounded almost the same. Now Tyner has always written fairly simple tunes, using a modal approachmost of the time and what one might describe assort of "Pan-Third World" themes: vaguelyAfrican, Arabic, Indian, etc. But nothing caught myear, which made it difficult to become interested inhow soloists would develop themes in their longimprovisations. Compounding the soloists' problemwas the lack of dynamic variation. As I said earlier,most of the set was very loud and intense. Therewasn't much to do especially for saxophonists RonBridgewater and Joe Ford — except runColtraneish scales at peak volume for severalminutes per solo in an effort to be heard. There wasjust no room to be subtle.In all, there just didn't seem to be much room fordevelopment in the music. I'll admit to not beingoverly familiar with McCoy's recent production,but I had heard enough to find everything in the setto be entirely predictable. In a weird way itreminded me of a competent rock band heavily intoendurance, like the Grateful Dead or the AllmanBrothers. Which is OK, but it's not anything thatdifferent from what many in that audience wereused to already. Hence, I would sav that people areperhaps misleading themselves to think that therewas real significance in that set, outside of Tyner'spresence itself.In fact, I was a bit troubled by it all. CertainlyMcCoy is worthy of all the popular reception andacclaim (down beat's "Jazzman of the Year"award, for example) he has received. But I thinkhe's in a rut. I've talked about his compositions, buthis playing also seems to have lost some of thedefinition that has made it so extraordinary. Hisright hand, especially, seems to just fly along under its own momentum: I hear runs, not melodies, noteven interesting contours. I consider myself to havea well-trained ear for Coltrane, Cecil Taylor, andother musicians who are into a "dense" sound; Ididn't hear much happening in McCoy's playing.Also, drummer Gravatt was heavily into the BillyCobham rock-em-sock-em school of drumming —which is nowhere near as interesting as whatFreddie Waits of past Tyner groups did, not tomention Elvin Jones. Saxophonists Bridgewaterand Ford both seem still to be haunted byColtrane's shadow to make their own musicalstatements, and percussionist Guilherme Franco isa great showman, but I'm dubious as to whet headds to the group.I contrast what I heard on January 28 with myfavorite recorded Tyner: Expansions, recordedaround 1969 on Blue Note. There was themusicianship and the commitment, (but withdynamics, variety, many tonal colors). A lot moretended to be said in much shorter solo spaces. Itwas so much more interesting. If that's a purist'sattitude, so be it. But if you only know the 1977McCoy Tyner, check out Expansions, or the 1966Real McCoy, or his playing on a Coltrane albumsuch as Crescent. That will give you a much betterfeel for his significanmce, and may do more for youthan the two hours of flash and bluster atAmazingrace did.PLUG: There's never a problem with CharlesMingus being interesting. He's at the same place(Amazingrace) this weekend with Natural Life,who are said to be interesting, and from Minneapolis to boot.The Grey City Journal - Friday, February 11, 1977 - 1A Reading of E. P.’s Cantos in ItalyFrom 1 July to 25 August a viva vocereading of Erza Pound’s Cantos will bethe center of a study session at Brunnen-berg Castle in Northern Italy. The castleis the home of Mary de Rachewiltz, thedaughter of the poet. In addition tocritical studies of materials related to theCantos, independent work will be offeredin beginning and advanced Italian. Latin,Greek, Chinese and Provencal. Work¬shops in music (for singers, composersand poets), in poetry, in translation, andin Chinese and Japanese literary formswill be offered. If you are interested inattending the session, write or call:Arts & Letters141 South Professor StreetOberlin, Ohio 44074(216) 774-2859AMERICAN PROFESSORSFOR PEACE IN THE MIDDLE EASTAnnounces a ConferenceAMERICAN FOREIGN POLICYIN THE MIDDLE EAST:POST ELECTION•PROF. SEYMOUR MARTIN UPSET(Stanford Univ.)•PROF. JOHN G. STOESSENGER (CUNY)•PROF. FRED GOTTHEIL (Univ. of III.)SUNDAY, FEBRUARY 13,1977 at 1:00 PMUNIVERSITY OF CHICAGOCENTER FOR CONTINUING EDUCATION1307 E. 60th ST.Registration: $2.00 SKOWHEGAN SCHOOL- - Of PAIN TING & SC ULPTOR! -Skowhegan, Maine£ June 27 - !s> 77 - August 26^ FACULH VISITING ARTISTSMartha Diamond Jennifer Bart let tCesar Domela Grace HaruganWillard Midgette Yvonne JacquettcSusan Shatter Lowell NesbittRichard Stankiewicz Isamu NoguchiFresco: George SegalWilliam King Robert W ilsonFor Advance Students Limited ScholarshipsFull 9 Week Session Onl> Deadline: April 7For Information : Joan Franzen, Director329 East 68th Street, New York, N Y. 10021(212) 861-9270THE DYBBUKSAT. FEB. 12 8:30 PMAT HILLEL 5715 WOODLAWNadmission:affiliates: $1.00others: $1.50The 1938 original full length film of Ansky’sdrama classic about the possession of a youngbride by the soul of her dead heavenordained husband. -Dorothy SmithBeauty Salon5841 BlackstoneHY 3-1069ooen 7 A M -7 P M.Mon thru Fri.closed SaturdayHair Cutting Wedgies • etcTinting - Bleach.ng • Permsonly the ires'Call for apptTAKCArW-WNCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESONN DAILY11 A.M. TO *30 PM.SUNDAYS AND HOLIDAYS13 TO *30 P.M.OrdTt to toko out1310 lost 43rd MU 4-10*2CARPET CITY16740 STONY ISLAND324-7998la* what you neod from a1• 10 u*od room sizo Rug to ajcustom carpet SpociaTizinRemnants ft Mill returnsfroction of the originalcost.lecoration Colors andjal ities Additional 10%(liscount with this od.free delivery•mwwmmmmm*Sales ManagementwithPROCTER & GAMBLEProcter & Gamble Sales will be at the University of Chicago —February 14 — Placement Office, Reynolds ClubFebruary 15 — Placement Office, Reynolds ClubMr. Ken Taylor, a U. of C. Grad, will be representing P & G.If you are interested in discussing Procter & Gamble SalesManagement opportunities, please sign up at the Placement Office.2 - Th* Grey City Journal - Friday, February II, 1977TheaterHorseplayBy M. AnatemnoNote well: this is a "last chance"review. If, after all you may have heard orread, you still haven't decided whether tosee Equus or you've seen it but for somereason haven't made up your mind aboutits merits - read on.Equus is the play by Peter Shaffer (histwin brother Anthony authored the playSleuth). It is the story of a screwed-upteenage boy whose family life is racked bysuch extreme ideological conflicts thatthe boy comes to confuse Christ with afantasy god, Equus. This develops into astrange blend of religious fervor,equestrian fanaticism, and the memory ofdisturbing sexual experiences. Finally theboy goes completely beserk and blinds sixhorses. A child psychiatrist is left the taskof formulating a coherent explanation ofthe boy's distraught behavior.The play begins with the arrival of theboy at Rokeby Psychiatric Hospital. In thecourse of the play the shrink manages toreconstruct the relevant psychologicalevents, which are revealed to the audienceas they are revealed to the doctor, in aflash-back, stream of consciousnessfashion.With an understanding of his patient, thepsychiatrist is forced to face his ownpassionless existence, and eventuallycomes to envy his patient. The play has asits single theme, praise of passion and thesubjugation of this emotion to the conceptof sanity.Equus has been highiy acclaimed - touredas the greatest play in years. It has beenreviewed in just about every majornewspaper and magazine. After star-studded successes in London and NewYork it came to Chicago, where it has nowrun for two months at the StudebakerTheater on Michigan Avenue, and shouldplay there at least another month.What surprises me is that Equus is not agreat play. It is neither outstanding asliterature, nor as social/psychologicalexploration. It is exceptional, however, inits staging and dramatic presentation.Since Shaffer specifies the setting indetail, all action takes place on or around asingle, square platform placed center-stage. Depending on the scene, the squareserves as the psychiatrist's office or thehorses' stable. There is bleacher seatingon stage behind the platform (discounted for students), while railings in front ofeach row simulate a corral, and likeparabolic mirrors, focus attention on thecentral action.Equus is primarily a medium for actors,offering them challenging, intense partsand a staccato pace.Answering this challenge the actors inthe Chicago company do well. Those whoplay the horses produce proud and warybeasts from masks and mime. MichaelSnyder, as the boy, is superb particularlyin his frantic scenes with the psychiatristand the horses. The character of thepsychiatrist is adequately performed byKen Howard.The character of the psychiatrist,however, accounts for the greatestweakness in the play. His monologues areexcessive, sometimes superficially clever,but more often heavy-handed. Thepsychiatrist learns, understands andillucidates everything, in monologues tothe audience. In fabricating the boy andhis psyche, Shaffer felt compelled tosplatter his play with symbols andallusions from Greek classicism. Thatmight have been tolerable, except that hethen felt compelled to explain all thesymbols and allusions, rendering Equusnearly devoid of subtlety.The issue of the "cost of sanity" is apopular subject of recent literature.Kesey, Weiss, Camus and many othersdeal with it insightfully, their works beingserious inquiries from the outset. Incontrast, Schaffer's psychological ex¬plorations are contrived for the livetheater. Schaffer seems to have picked histopic with his pocket-book in mind. Afterall, there are hundreds of thousands ofpeople who question their sanity and findsolace in the passion of their despair. Theywill be able to identify with the charactersin Equus. Shaffer thus rounded up anaudience for his play before he began towrite.When I left the theater after seeingEquus my mind oddly locked in on someacademic, clearly non-theatric facts. Irecalled that horses and their closerelatives, the tapirs and rhinoceros, are allthat's left of the once great mammalianorder, the Perissodactyla. I recalled thathorses have been around since the earlyCenozoic but now their lineage is virtuallyextinct. Man's symbiosis and fascinationwith these giant tetrapods saves themfrom instant annihilation.When I drove my mind back to Equusand my job as a reviewer, my first thoughtwas "Nobody writes Shakespeareanymore." “Full Circle,”By Mike SingerGerman writer Erich Maria Remarqueis best known for his war novels, whichinclude the best seller All Quiet on theWestern Front. He also wrote drama; FullCircle, currently playing at the JaneAdams Theatre, is meant to recount thehorrors that transpired when Berlin fell tothe Russians.Set in the Berlin apartment of Anna, theaction occurs on the evening of April 30thand the morning of May 1st, 1945. Anna,who betrayed her husband to the Nazis,shelters Rhode, who has recently escapedfrom a concentration camp. A predictableromance develops between Anna andRhode, and is suddenly aborted whenRhode leaves to avoid having to work forthe new communist regime. Interspersedwith this situation are scenes of seduction,suicide, and double-dealing for the sake ofpersonal survival.The play has potential for arousinghorror and some anti-war sentiments, butRemarque gives us carboard characters,bland dialogue, and trite philosophy thatall work to defeat audience sympathy.Rather than delving deeply into the tormented mental states of the war victims,Remarque relies on external melodramaand violent action. We all know that war isviolent; Full Circle doesn't do much to Half-Bakedshow us why this particular ideological orpersonal suffering is responsible forhuman devastation.The Jane Addams production makes theplay seem worse than it really is — theirproduction is slow-paced, poorly-acted,and ill-conceived. Director Burt Ferrinnitries to set the mood and locale of the playby having his actors use German accents;unfortunately, these accents are oftenforced and unbelievable. Worse still, theactors deliver their lines with little vocalvariation, physical involvement, or deepunderstanding of who their characters aresupposed to be.According to a program note, Anna is a"bitter, tragic woman." The only tragicthing about Laima Rasthenis, who playsAnna, is her performance. She walks aboutwith a lot of stagey poses, tousled hair, anda perennial look of fatigue. Her voice is anaffected imitation of Deitrich's. GeorgeSolomon, playing Katz, wears a ridiculouswig that looks like it came from aHalloween shop, and delivers his suicidespeech in an unmodulated fit of puerilehysterics that is downright repulsive.Terri Kreeger, playing Anna's neighborGrete, parades through the show with anaive smile that is too simple to beamusing and too dull to be intriguing. Asfor Roland Moore, John Koester, andGeorge Solomon, who portray the Russiansoldiers, one can hardly imagine, based onthe total lack of military rigor and energyin their performances, how the Russiansever managed to get out of Moscow, letalone conquer Berlin. Howard Ellman isflat and unthreatening as the two-+imerSchmidt, and Jack Baum, as Koerner,speaks as if he had ten scoops of ice creamin his mouth. Barry Stigler, playingRhode, delivers the oniy thoughtful andsensitive portrayal of the whole evening. Ifhe didn't have to worry about his accent somuch his performance would be enhanced.The environment in which these actorsmaladroitly move is much too large for theaction; a sense of being trapped andsecluded is lost by the capaciousness ofthe set. The set itself is furnished with a lotof art deco accessories from Ksmingo,and winds up looking like a poorly-suckedart deco store. David Johnson's set isilluminated by lighting that changes verysuddenly at times, without any apparentstimulus from either the weather or timeof day. Yolanda Custer's costumes, whilelacking in sartorial grace, are at leastauthentic to the period, which is more thanone can say for this infelicitous play andproduction.Full Circle will play on weekendsthrough March 27th. For reservations andticket information call 549-1631.FREE JEFFREY STRAUSS, bassFebruary 12,1977Ida Noyes Library FREE1212 E. 59th Street8:00 p.m. MAKE SURE YOU GETSljciNVlu jjorketmcsON SUNDAY MORNINGHAVE IT HOME DELIVERED.Only $1.50Starting Feb. 20th you can have the Sunday New York Timesdelivered to your door. You'll never miss it again just call:368-4390and ask for the Sunday Morning News ServiceFOR GUARANTEED HOME DELIVERYGilbert and Sullivansin Mandel HallFRI. FEB. 27 8 P.M.SAT. FEB. 28 1:30 P.M.8:00 P.M. THE GONDOLIERSTickets at Reynolds Club$4.00 and $2.50The Grey City Journal - Friday. February lly 1977 - 3VOULEZ—VOUS...VANS?1977 FORD CRUISING VANWe’ve Got Them...PLAIN OR FANCY.Motors nc2347 South Michigan AvenueChicago, Illinois 60616Area Code 312/326-2550SALES PARTS/SERVICE LEASINGan evening withDENISE LEVERTOVFRIDAY, FEBRUARY 18, 8 PMBENEFIT READINGThe Poetry Center at The Museumof Contemporary Art237 East Ontario Street$4.00 admission • $3.50 for StudentsoMembersThis program is partially funded by a grantfrom the Illinois Arts Council4 - The Crey City Journal - Friday, February 11, 1977 I musicRecordReviewsBy Richard BrownClassicalBela Bartok:Piano Concertos No. 1 and 3; StevenBishop (piano), with the London Sym¬phony conducted by Colin Davis; PHILIPS9500 043.it is rather strange that a composerpianist like Bartok wrote so few pieces forhis instrument with orchestra, and evenstranger that these pieces are among hisleast popular works. It is true that theHungarian composer concentrated mainlyon chamber pieces, but of those pieces it ishis compositions for string quartet andstring orchestra that have attained themost recognition. One explanation for theFirst and Third Piano Concertos' lesseracclaim is that they are in different waysuncharacteristic of Bartok's chambermusic, probably because his approach tothe piano is more percussive and stylizedthan toother instruments.The First Piano Concerto, written in1926, is one of Bartok's more asceticcompositions. Like Stravinsky's Rite ofSpring, this piece is a violent onecharacterized by simple rhythms and dry,discordant harmonies. Especially stressedare the intervals of a major and minor 2nd,a major and minor 7th, and a minor 9th.The piano writing is very sparse, veryoften calling for a run of parallel seventhsor octaves, or banging upon seconds orsevenths. Because in the first movementall the musical ideas are essentially rhyth¬mic themes, development of these themesis brought about rather ingeniouslythrough ostinato variation. In the softer,slower second movement, the piano part ismore melodic but still remains largelypercussive; when the woodwinds come init becomes strictly percussive. At thatpoint the piano part reverts to pure ac¬companiment, but later opens up andpartially resumes its solo role. Here thestrings are notably absent. The thirdmovement brings the main ideas of thepiece together, and the percussion, windsand piano still dominate the music. Thevirtual absence of the strings in a largeportion of the Concerto is especially oddfor Bartok; also interesting, but unusual,is the way that the piano alternatelyshares its solo spot with the woodwinds.The Third Piano Concerto was com¬pleted after Bartok died in 1945, the lastseventeen measures having only beensketched approximately. Like the otherAmerican period pieces, the music tendstoward simplicity, but the strangeamalgam of styles found in this piece issomewhat less than satisfying. The firstmovement is characterized by the Bar-tokian use of Hungarian-type syn¬copations, but is coupled with surprisinglytonal material, which is very staticbesides. The movement conforms ap¬proximately to sonata form. The calmer,more melodic second movement is themost convincing of all of them, and inparts the music is very classical,straightforwardly going through the circleof fifths. The strings and piano alternatelyplay slow solo passages unaccompanied.The woodwinds come in, the strings dropout, and Magyar scales begin to appearwithout their associated rhythms. Thestrings return in a way similar to theiropening motif, and the arch form iscompleted. Notable in the secondmovement is Bartok's interesting use ofdiminished seventh and dominant ninthchords to bring static passages to life. Inthe final movement the composer's morecustomary dissonant-syncopated styleshows its head, and we now have threedisparate ideas in the piece that neverreally reconcile themselves. Thisdissonant style alternates with the more classical style, and then with the har¬monically simpler Hungarian style, andafter a flourish of scales, comes to adramatic close.These two concertos are hard to coor¬dinate in terms of balance because of theconstantly shifting solo role, but ColinDavis and the London Symphony do a finejob in this regard. Steven Bishop not onlydeserves praise for his first-rate performance, but also for his recording two ofBartok's more slighted works.Yarbrough and Cowan:Clementi, Two Sonatas, Op 12 and 46.Schumann, Andante and Variations,Reizentstein, Ballet Suite; Joan Yar¬brough (piano), Robert Cowan (piano);ORION ORS 76232.Piano duos are generally more suited tothe concert hall than the recordingmedium, but the husband and wife team ofYarbrough and Cowan prove that thedifficulties faced by these duos in recor¬ding are not insurmountable. They trulywork as a team, and at times theirphrasing is so together that it seems as ifthe music is coming from one piano. Thesound is always clear and the duo adaptswell to the various styles presented on thealbum. The recording lasts a full forty fiveminutes, allowing enough time to giveeach composer an adequate representation.The Clementi sonatas are delightfullittle pieces, full of lively scale passagesand arpeggios tossed between the pianos.Clementi wrote in the early classicalperiod, and it was he who established thepiano sonata as a compositional form.Although the two sonatas written for twopianos are rather limited harmonicallyand have little development, it is easy tosee what Beethoven found appealing in thecomposer's music, and thematically theyare not very different from some ofBeethoven's piano sonatas. The two pianosonatas have a lot of character.Franz Reizentstein's composition is anadaptation made of his Ballet Suite fororchestra by one of his students for Ms.Yarbrough, who studied piano withReizentstein. Written in 1946, it is wellsuited to performance on two pianos andthe adaptation is a good one, but it is acurious piece. The adaptation consists ofseven short movements which alternatelyremind me of Gershwin and DaveBrubeck! The music isn't incidentalmusic, but there is a strong suggestion ofjazz, especially in the abrupt cadentialendings, the homophonic, chordal treat¬ment of the material, and its highly syn¬copated beat. The ruminative, im¬provisatory feel and The harmonic contentin "Pastorale" do bring to mind the jazzpianist's work, even though "Pastorale"is more thought out than Brubeck's pieces.Certain things in the piece are quite good;the first movement uses shifting syncopations very effectively, the Bolero hasan interesting variant of the stereotypedSpanish chord progressions, and thepolyphonic treatment in the finale is attractive.Schumann's Andante and Variations,arranged by the duo pianists after theoriginal work scored for two pianos, twocellos and horn, lasts a full seventeenminutes. Perhaps it is a little long, but theoriginal theme undergoes quite ametamorphosis by the end of the piece,which is very well done. The treatment ofthe variations is very Schumannesque; hischaracteristic wit and his "enfantterrible" side shines through Notable inthe piece is its long modulating sectionnear the beginning, its clever use of offsetrhythms in the variants and thesuperimposition of these themes, butespecially interesting are those false notesthat begin To appear more often as thepiece continues. At first they sound likemistakes, coming in a period of relativecalm, and they do have their shock value.Later in the piece they ingeniously comeback in a variant based on the harmoniesof the original theme. Schumann's onlypiece for two pianos (he rescored hisoriginal version for this combination, also,in slightly different form), it is a very goodcomposition.Reflections on the StokmanDuo Piano RecitalBy Deborah HughesWhat an audience. There is almost noone here. After all, it's free; can't be muchgood if it doesn't cost an arm and a leg ...The people are, to say the least, in¬teresting. There are many students ofcourse, but they are of the rather asceptictype, almost bohemian. The older people,too, add to the bohemian atmosphere: alady with long gray hair, a faded beauty; aman in an ancient black suit and bow tie.I am sitting behind the composer of oneof the pieces. I wonder if he realizes that acritic is behind him, just waiting to tear hiswork to shreds.First piece: "Music for Two Pianos,"by Elias Tanenbaum, written in 1968. It'smodern — almost ridiculous to hear themworking so hard to make such weirdsounds. Mr. Stokman just picked up amallet and began to strike the strings ofMrs. Stokman's piano as she plays. Is thisfor real? Yet it's very unique, fascinatingmusic — excitingly modern. IsadoraDuncan at the piano, perhaps?I like the music, but it doesn't follow anyset traditional form. In the program notes,Mr. Stokman says, "The diverse sectionskeep recurring in a kind of rondo form."All right, but it's not close to any rondo I'veever heard. I know this is serious, but theStokmans jump up like little robots, facesintent, and bang the strings of their pianoswith mallets in unison. Don't they realizehow ludicrous they look? That's theproblem with most artists: they can't takethemselves lightly.The second piece is Igor Stravinsky's"Sonata", written in 1943 1944; modern butmelodical. "Neo classic" is how Stokmandescribes it in the notes.These pieces are not played solely fortheir difficulty; they're not brilliantenough. The artist's personality mustshine through in order to give the selec¬tions character. The Stokmans emanatesincerity, they seem cool, almostunemotional — not the romantic player ofDebussy.Third, another Stravinsky piece:"Concerto for Two Solo Pianos/' (1935), isperformed. Now, this one is difficult, it's brilliant in an imposing sort of way:sonorous, minor, discordant, pesante.There is a nice interaction between the twopianos, both in the piece and in the performance. Although the performers arecertainly proficient, technically able,there is still no feeling of stage presence, ofblatant professionalism.The "Notturno", is fast, discordant,minor — it could be imposing, but there isan underlying feeling of civility. I'm notsure this is what Stravinsky had in mind;the effect could be caused by a rathercommonplace performance rather thancivil "cool."The next movement is smooth — veryclassy, very cosmopolitan — streetlightson the wet pavement in Paris in thesummer. The Stokmans do a good job bothtechnically and in their attempt to createan atmosphere. The music is not quite jazz— it's not as American, not as free — it ismodern classical and radiates modernclass. It evokes images of New York,cocktail-party music in a Fifth Avenuepenthouse. It's the cool of Gershwin withthe talent of Stravinsky.It's difficult to give a blow by-blowcriticism of piano music (which evokespainful memories of Peter Schickele). Onecan only try to catch its all-too-ephemeralatmosphere. So one thinks aboutStravinsky. He was a genius when writingfor the piano, but one must learn not toromanticize. It is easy to idealizesituations, but I also sometimes get flashesof the feeling that this is merely themidwest, the University of Chicago — notreal music, just attempts at it. Actually, Ican't think of a better city for music atpresent, but it is always wise to considerthat not every musician is the world'sgreatest.Basically, I approve. This is not per¬fection; something about the mentality,the emotional quality of the music missesthe effect of Beethoven played byRubinstein. The performers are strictlyJuillard — yes, that's it. Everything thatcomes out of Juillard is like this: com¬petent but rather mechanical likeMoravec, or the string quartet. In fact,Elias Tanenbaum, the composer of thefirst piece, and Abraham Stokman wereboth students at the Juillard School.Now for my-friend-the-composer'spiece: "Sonata," written in 1975, by ScottEggar, who is currently a student at theUniversity of Chicago under RalphShapey.This is not a bad piece; some of thethings in it are absolutely charming. It is alittle awkward, choppy, but it has at¬tractive rhythms and nice counter¬melodies — actually, they don't counter,but directly oppose each other. Theproblem with this piece, as with modernmusic is that it is too apt to pass off simplediscord as music.The piece is at this point slow, almostreminiscent of Debussy, a bit too heavy,too serious. Maybe it's the way it's beingplayed. Modern music isn't necessarilymeant to be banged out. A good touch isparticularly important in modern classicalmusic because without it, the piecedegenerates into a two year-old'sbangings.Here is a nice parody of a classical entry/echo theme: probably the "Dies Irae"theme which is, according to Stokman,"traditionally used in a forebodingmanner. The piece is quite impressivethrough here; Eggar should stick tomelodies, and not rely on complex totalstructures. Pure melody makes the bestmodern classical because that's wheretrue originality shows; practically anyonecould eventually learn to put togethermodern harmony.The final piece listed on the program is atranscription of "La Valse," a famousorchestral work by Maurice Ravel, writtenin 1919.In general, I have little faith in transcriptions, even when done by the composer. This piece is no exception. It wasobviously not written for the piano. It is abit too heavy when transcribed: thebeautiful clear melody can't soar. TheStokman's played too heavily, missing theessence of Ravel's lightness.fh* Grey City journal - today, February II, 1977 - 5 WSZM&. ■>o 'flC’r ;Gertie’sgrow.|5vIce Cream^ Vp'\ ', featuring the Vworld’s most i]delicious ice ^V J cream creations BShare more thanlove thisValentines Day >)ill! 5858 S. Kedzie(on the corner),737-7634 0JTifeO®wrrwfldSTORE WIDESALEFeb. 14-20thCanonAE-l body$199.50AE-l w50m/l.8$264.95\E-1 w50m/ 1.4$304.95CASE $15 OOextra(we specializeIN REPAIRS1342 E. 55th49341700 5 This Week at The Seminary Co-operativeBooks for Adult Tastes:CARL SCHNEIDER, Shame, Exposureand PrivacyD.F. STRAUSS, Christ of Faith andthe Jesus of HistoryLEARNED HAND, The spirit of LibertyTED HONDERICH, Political ViolenceJACQUES DERRIDA, Of GrammAtologyJ. BEN-DAVID and T.N. CLARK,Culture and Its CreatorsR. ALCALY and D. MERMELSTEIN,The Fiscal Crisis of American CitiesNo I.D. RequiredSEMINARYCOOPERATIVEBOOKSTORE5757 S. University752-4381 9:30-4:00 M-FFor Valentines DavMonday, Feb. 14Available at Doralee’s1538 EAST 55th STREETCHICAGO. ILLINOIS 60615HYDE PARK SHOPPING CENTER288-5500VPhil Berkman: PerformanceBy Leon R. UpshawShadow Makers 1976Phil Berkman will be appearing tonightat 8:00 p m in the Midway performanceseries. Born in 1946, Berkman was raisedin Pennsylvania, taking his B.F.A. inpainting from Syracuse. He moved toChicago in 1971, where he was in¬strumental in founding N.A.M.E. Gallerytwo years later. His work has been shownin Chicago, Montreal, New York, and SaoPaulo.Grey City Journal: What led you to doperformance art9Berkman: I think it was the Army. After Igot out of school, I waited and got drafted.While I was in the Army, painting seemedlike a superfluous activity, since I wasdealing with some gut-level things. Imean, I was just a draftsman/illustratorin the Army, but I was in there in '69-'70.Tet had just happened, and other peoplewere being killed. There was a chance Icould have gone to Vietnam, but I was sentto Germany. It was just a personaldecision that painting, as serious as it was,was not enough for me to work out what itwas I was going through. When I got out, Iwas kind of up in the air. I had a friend inSan Francisco. While I was in the Army, Iread everything on art that came along,everything I could get my hands on. Sowhen I got out, I went to San Francisco,where my friend was making films andthings like that. I looked at the scene, and Iasked him a lot of questions. Basically, hewas my stepping stone for moving intoconceptual areas.GCJ: Do you do any painting now?Berkman: Strictly representationalthings, commercial art. It's for money, ithas no spiritual interest.GCJ: What characterizes something as aperformance?Berkman: The closest thing I can think of,to use a synonym, is "non-static,” and thatseems too general to be an answer. Ifyou're working in three dimensions as asculptor would, it's just too limited, thoughsculpture's moving into something wherethings are occuring, interesting machinesand kinetic art. I'd be interested in that as long as there were a dynamic thing goingon, and it wasn't just a purely cerebralkind of activity. In performance, eventhough it can be very dry, almostnegligible, and very close to nonmovement, there is still some movementwhich to me is more alive than sculpture.It's more reflective of life. I still do whatare on the surface two and three-dimensional works; I document a lot ofworks, I present them on gallery walls, butI consider them something eise, because ofthe use of language or images. Per¬formance is a very chancy thing, becausethe artist of a painting or sculpture doesn'thave to be there to defend his thing. Whenperformance happens, he's right there andmore or less vulnerable. He's responsible,even if he may not actually perform in thepiece. One of the issues in performance iswhether a piece of folded paper or an actorcan do your performance. That's not anissue for me.GCJ: To what extent is your performance"yours"? Do you have a persona, or is ityou up there? Is it personal or not? Couldsomeone else do one of your works ?Berkman: I think so, but then, I don't knowhow much of myself I evince in a per¬formance. I've done performances bothwhere I've been the focus of attention andwhere I've had someone else do it andhaven't had anything to do with it except toview it from the side. My pieces don'thappen in direct confrontation with what'sgoing on. A lot of my things are quiteserious endeavors, and they seem to belike the sciences in these areas: geometry,biological or behaviorial concerns. But Ihave a kind of subliminated questioning ofthese things. I'll present it straight, butthere's a twist to it. It's almost like it'stongue in cheek. I don't really try to do thisconsciously, and I'm pretty serious when Ido it. Sometimes this questioning justcomes out, but I really can't tell where itcomes out. Someone said of Henry Millerthat his novels aren't really about sex; heuses sexual occurrences, but the novelsare really about him, fighting with what'sgoing on, whether in his life or the world atlarge. In some ways, that's how I use myperformances. I put things out there, butthey're not always literal. They may bedealing with a specific issue, but it'susually how I handle them that comes out. I don't consider this a persona thing; somepeople call it a brand name or atrademark, something that you couldconnect with the artist. People have saidthat some of my things have had to do withwit, kind of like, "Oh, it's funny, so let'sforget it." Humor is there, but I don't dothat consciously at all.GCJ: How do you create a piece? Do youstart with an idea, with somethingphysical, or both?Berkman: I mix it up. Sometimes you getsomething really mundane, a simple ob¬ject or prop. Maybe in the back of yourhead, you want to deal with language orsomething like that, but you don't knowhow to do that. Then later you're sort ofbrowsing around, and you'll come uponsomething that makes the connection, something that makes you say, "Hey, thiswill work." I don't use an idea consciously,though for some reason the things seem toevolve into ideas I'm serious about. Mostof the things I pick out may be props orlittle objects, but they're symptomatic ofsomething else, not a symbol and not arepresentation, but something that con¬nects with my own personal life, someelement or activity that I think haspotential for art. Like working in thekitchen; there are a lot of things that go onwith tools and with food and itspreparation that are really conducive tothis. It is ritual in a way. It's nice if there'san easy connection, because when you'redealing with mundane suoject matter,everyone can hook into it very easily andmake an association. There's not a bigjump for them to make, iike, ' Hev, this issome weird gimmick which the artistcreated." It's something that everybody(continued on page 7)RIP-OFFAUTO REPAIRFOREIGN CAR SPECIALISTSSERVICE ON VW & AUDIWe Offer Top-Quairty Mechanical ServiceTune-Ups * Electrical * Brake SystemExhaust System * Other Reoa rsConveniently Located at5508 S. Lake Park(Gateway Garage Bldg -Downstairs)Monday Saturday. 9am 9pmCALI684-5166With This Ad OnlyNEW FILE CABINET SALE2 drawers $354 drawers $45"cash and carry"EQUIPMENT,&SUPPLY CO.8600 Commercial Ave.Open Mon.- Sat. 8:30- 5:00RE 4-2111 ,r PIZZA ] Young Designs byPLATTER ELIZABETH GORDON1460 f. 53rdMl 3-2300 Hair Designers| FAST DELIVERY j 1 6 20 b ' 53rd 5fAND PICKUPL J J 8 6 2^00• Eye Etanutfions• Contact lenses iSnft l tardi• Prescription HiedOR. MORTOK R. MAS18VoPTQurror^i,l thde Pari Sigppi«{ Center15101. 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WoodlawnSunday February 1312:30 - Undergraduate lunch5:15 - Vespers5:45 - Social Hour6:15 - Supper ($1.25)7:00 - Program May reading IIJ6 - The Grey City Journal - Friday, February 11, 1977(continued from page 6)connects with; it's almost a Pop Artsensibility.GCJ: What do you see the principal concerns of your work as being?Berkman: i don't know. I think I would bethe least objective person to say what myconcerns are. I don't try to keep an interwoven element in all my performance.The only thing that I try to do with eachone is to keep it stemming from somethingthat's not just personal, but something Ifeel honest about. There are little or nopretensions; if I couldn't defend il intellectually, I could defend it on anemotional basis. I move around — maybethat's the common denominator. I movearound a lot. I'm not really investigatingsome huge body of work. I use what in¬terests me. whether it's related to thesciences, or it could be movement, or justa human interest thing that I pulled out ofthe newspaper.I do performances, but I also do certainother things, too, such as installationpieces or documentation. It's not really anescape valve, but a lot of things I mightselect are reflective of something thatbothers me and bothers other people, butwhen it comes into art, there's a channeling of that energy. I really thinkanything has potential to be used in art.I've used political possibilities, I've usedmedia - I've tried a couple of mediatheater pieces. This stems from my in¬terest in the use of media; also, my wife isin advertising, which is something we aresubjected to everyday, but we don't knowhow we're subjected to it. In the com¬mercial world, there's a great deal ofmoney invested in how these things can beapplied, a lot of money spent ondemographics. You as an individual sayone day, "I'm going to the beach, I feelhot." Yet somewhere there's somebodysaying, "There are approximately 17,00018,000 people one can reach on this day at♦he beach," and it's very accurate. Inadvertising, people are employed to sell aproduct, and even though it's done in aseemingly harmless way, there are verymanipulative elements. They'll useeverything from fear to I don't know what.GCJ: Have you seen an evolution in yourwork, whether in terms of techniques orconcerns?Berkman: i think it started off prettyloose, poking fun at investigations andissues with conceptual art. I started usingnarratives. I still use them now and then,and they'll usually show some kind ofquasi-scientific theorem, but they'reusually poking fun at the very thing theyare talking about. After a while, I startedgetting serious, and I presented some big- worded paragraph explanations of what Iwas doing. There was the art coupled withthe art statement, which was part of theart, too. Now I think I'm moving awayfrom that; I don't make statements asreadily. My work is still reflective of myconcerns, though it might not be as dry asbefore. One piece that I did in Montreal■and at the Museum of Contemporary Artwas, some peanuts were given out topeople, and they ate the peanuts and threwthe shells in a rectangle I had made on thefloor. My part of the performance was tosweep the rectangle, which to most peopledidn't look like a part, it looked like thewhole thing. But it was very important forme that they supoly the refuse that I wassweeping up. I swept it up, and the firsttime that I did it, it took 45 minutes. Thesecond time, it took about 15, and peoplewere saying it was still too long. It was justa very repetitive kind of action.GCJ: Why the difference in times?Berkman: I don't know. It might havebeen a little smaller rectangle, or maybe Ijust learned faster (laughter). But for me,it was a very intent thing. It was not justmy action, but my concentration; I had thehighest level in the room. I believe that theartist still has to in some way provideshortcuts for people. way through. Some dancers can improvisevery well, but it's a really chancy thing.Making decisions, changing things at thelast minute — I do that before the thingstarts, and once in a while I will hearaudience reaction during something, but Idon't really react to that. I take it intoconsideration somewhat, but I'm stillpretty intent; there's still a distancebetween me and them.GCJ: How sensitive are you to theaudience, or are you so intent on whatyou're doing that you're really not awareof them ? Berkman: It depends on the set-up: thesize of the audience, the piece, if it'sdirected toward using that, or if it's a thingapart. I do both. I remember one timehearing some laughs, and I just said,"Well, to hell with it, I've still got to dothis." I don't know who's motivated orwhat, but I respect the audience a lot. Ithink that the reason a lot of tne pieceswork is because people get a lot out ofthem. I don't know if they get as much outof them as I do, bu+ I just hope when Iselect the materia1 for a piece that thesubject is something which they can relateto.GCJ: What kindderstanding? of shortcuts? To un-Berkman: No, not to understanding, but tomake things easier. It was like I wassweeping up for them, I was doing that forthem. Another piece that I did in which Iwas very conscious of the artist as an aidwas a piece called "Shadow Makers." Itwas really more of an installationai thing.It was just cut-outs of hands that wereformed to make different figures whencasting shadows. Now I could very easilyhave just presented the pure information,the directions to how the audience orgallery goer could have done that, but Iwent ahead and did it for them. All theyhad to do was use one hand to hold up astick. I was saying, among other things,"The artist still does these things."GCJ: Does audience reaction play a partin your work? Do you take it into account?if you saw they were bored, would youchange what you were doing to regaintheir attention?Berkman: No, you can't do that. I thinkthat as soon as you start anticipating orsecond-guessing, you're undercutting yourown reason for doing it, if your reason wassomething that you wanted to work all them This Week at PerformanceBy Carl LavinLast WeekOn Friday the six week series of performance art at Midway Studios startedwith a talk by Ira Licht, who in an attemptto confuse and antagonize the audiencebegan by emphasizing the rather narrowhistorical trend of self-mutilation in bodyart while eauating 'body art' with 'per¬formance art' At the end of the talk Mr.Licht drove his point home with sen¬sationalist slides of Chris Burden (who, inthe name of art, has crawled over brokenglass and was shot in the arm) and otherbody artists.Between nis opening and his ending Mr.Licht, currently the director of theNational Endowment of the Arts' Arts inthe Parks program did make somesubstantive points about issuesraised in performance art. Whilecomparing it with other 'traditional' artforms he stated that performance is adirect confrontation - the experience of theaudience touches the experience of theartist without an object or plot in¬tervening. Instead there is the activity,psychology, and corporeal reality of theartist.Mr. Licht also said "that the Universityof Chicago is presenting such a programattests to the amazing growth of this artform" but he left no doubt as to what hefeels to be the future of performance art."Comercially it can't survive. . .for art tosurvive it needs an audience and a buyer."He did not feel that private individuals ormuseums will continue to pay for artists tocontinue doing performances. As directorof the Arts in the Parks program he shouldrealize the importance of governmentfunding for the survival of all art forms.Hopefully he wiil be able to prove his ownprediction wrong by providing moregovernment funding for performance. During the question and answer periodMr. Licht hinted at the true reason heenjoys art. "I'm very bored by the gran¬deur of nature." Finally he claimed thatan artist is consciously seeting up an artsituation just by defining it as such. Inother words, art is what artists say it is.Mr. Licht was narrow in nis oefinition ofperformance but broad in hisgeneralizations about art. His talk sparkedmuch discussion and perhaps raisedissues people will keep in mind while at¬tending the performances.The name performance art is given to awide variety of art forms Mr. Licht'sstatements covered some of this range andthe performances that are being given willexpand his meaning of performance evenmore. Michael Crane's two performanceslast Tuesday were well within the boundsof Mr. Licht's definitions. The first piecewas like a long poem with movementadded. His second piece dealt with theissue of life as art focusing on the ideas"artspace as lifespace" and "lifespace asartspace." Incorporating dance, slides,and colored lights, Mr. Crane showed anaudience of about sixty how he uses ob¬jects, ideas, and activities from his life tomake his art. His background inphotography showed through during themost active movement part of the piecewhich was very carefully composed formaximum visual effect. It was a fine piecewith which to initiate the seriesThis WeekTonight Phil Berkman will be per¬forming a new piece at eight o'clock.(seeinterview.) Tuesday night, also at eight,Chris Abiera, who is a member of theN.A.M.E. gallery, will be performing apiece incorporating video and sound tapes,performing a piece Incorporating videoand sound tapes.WHAT IS A JEWISH BURIAL?THE WORK OF A HEVRA KADDISHAHILLEL FOUNDATION5715 Woodlawn AvenueTUESDAY, FEBRUARY 15th, 8:00 P.M.RABBI ER W//V J. GIFFINMember of the Executive Board of The ChicagoHevra Kaddisha, will speak on Traditional JewishFuneral Law and Practice and the work of TheChicago Jewish Sacred Burial Society. y* ] iMM ihappy Valentines Day 7ht \ MUSICAL INSTRUMENTSJrti5hcp We spec alize in new instruments of tmequality plus genMy used old-time non-dolinv banjos guitars & fiddles Visit ussoon and let us help you find the in¬strument you want c* the price you caraffordAlso books accessories repairs in¬struction, The Fret Shop Musical'm Horptr i Museum now open,/ Mon.- Sat., 11-6.Free AdmissionOsito S HarperTWhat is cheaper than anOdyssey, higher in quality thanmost 6.98’s, and leaps tallturntables in a single bound?Nonesuch records, on sale atThe Student Co-opReynolds Club Basement M-F 9:30-6Sat. 10 4 Spend your spring break inDaytona Beach - £159.00 ?orNassau Bahamas - £299,00Includes transportation & hotelHOBBIT TRAVEL996-4488he Grey City Journal * Friday, February ll, 1977 - 7Private LivesBy Jeffrey BaddeleyJohn Wilson, by his own statement, is notthat noteworthy. In his position as the headof a major university, he does, however,influence the lives of several futurenewsmakers—University of Chicagostudents. Assuming that U. of C. graduateswill bear the stamp of their alma materand bring the Wilson legacy to all fields ofhuman endeavor, we can expect to seeheadlines of this nature in the near future:VATICAN, Rome: the Pope todayrefused to reveal the position of TheCatholic Church on abortion and birthcontrol to the Church's members. In astatement released today, the Pope stated,"There are two reasons for this decision.First, the decision was arrived at themeeting of the council of bishops, and theproceedings of those meetings are not opento public scrutiny. Second, it has come tomy attention that certain communicantshave been taking an interest in so-called"secular" affairs, such as earning a livingand buying personal possessions. It is my hope that this decision will limit discussionof Church affairs to the church com-' munity, strictly speaking."WASHINGTON, D.C.—The president ofU.S. Steel refused to speak to the FederalTrade Commission concerning the rumorthat his corporation has purchased acontrolling interest in Penn Central andBethlehem Steel. According to the official,U.S. Steel is a private enterprise, and thusnot subject to public review of its actions.He also declined to answer questions onthe ax-murder of his secretary in his officeduring working hours, claiming tht hespoke to the public "as a courtesy," theonly questions he would answer before theCommission were those regarding theeffects of rising natural gas prices onproduction of steel.NEW YORK—The mayor refused toallow the reporters of The New YorkTimes to participate in a scheduled pressconference, giving the reason that "TheTimes prints 'all the news that's fit toprint', which often includes a good deal ofnews not strictly germaine to New York.Besides, I never read the Times, so it mustnot have a very wide circulation. In con¬clusion, gentlemen, let me say that it's myVHt SAULES3294 $. OorchetltrWELL MAINTAINEDBUILDINGA TO ACT! VI 1 % ANO17. BOOM STUCMOSAMNtlNIO or UMfUAMItMfD$138,. $225"Short Term"iosed on AvoiloOii’tyAll Utilities IncludedAt Campus Bus StopFA 441200 Mr>. Oro«>i Ann's House of Beauty6736 $ STOAT ISLAMO«PHONE- 363-S398Jjdjf-yPEMUNOfTS-Refiir S35.00 tor THrtoiMi Color Hair -FREE CONBTHMER tor Dry.Brittle l Damaged HairFREE FACIAL witti Every Hair StyleNow Only $15.00TIES, t WED 10 - 4.30WISLETS.VVISS CLEMEI« STTIE0JEWELftT*COSMET!CS*Cawsier> line itREVLON COLOGNESFree Turkey <v>rh S50 00 PurchaseINN NINNER. Advanced Hb• ' SfyliftMl Jnr.carl and Prsawi Curts ttelcsne[w-wcMit failies kifare »* < 8X Nticw1 PEVE EXAMINATIONSFAHSHION EYEWEARCONTACT LENSESDR. KURTROSENBAUM^f Optometrist £jjj (58 Kimbark Plaza)81200 East 53rd Streel£ HYde Park 3-8372%V At noon on October 25th,the Transcontinental Express left Geneva Stationwith almost one thousand people on board.Their destination: Basel, Paris, Brussels,Amsterdam, Copenhagen and Stockholm.No one arrived.SOPHIA LOREN RICHARD HARRISMARTIN SHEEN O.J SIMPSON LIONEL STANDER ANN TLRKELINGRID THULINLEE STRASBERG’-Bl'RT LANCASTER.. Mackenzie:.* AVA GARDNER mom eTHE CASSANDRA CROSSING "! \l,rrr«,LI IL CASTE I. TOMHINTER JOHN PHILIP LAW R.AV I.OVEUM KA LIDA VALLI.1 -* •» JERRY GOLDSMITH «,.»»>.>« ,, nv TOM M ANKIEWKZ im. ROBERT KATZ A GEORGE PAN ('OS MATOS,t.w, »\ ROBERT K ATZ >m>GEORGE PAN COSMATOS PANAVISION Color Prints b\ * El...oh rioa, CARLO PONTI .Mi.or,.,GEORGE PAN COSMATOS ,R RESIMCTO* Avto Eiwtawy Krirw irom } ENTERTAINMENTSTARTS TOMORROW ■ ($0fietifof Downtown782 6311HIGHLAND PARK 2Highland Park 831 4646★OLD ORCHARDSkok,« OR 4 5300 Hanover Park 837 3933DUNES KENNEDYGary. Ind 219 938 0700 Hammond, Ind 219 Tl 4 9769MT. PROSPECT 2 ★NORRIDGEMl Prospect 392 7070 Norridge 452 9000TRADEWINDS YpRKTOWNLombard 495 0010ALSO PLAYINGJEFFERSON SQUARE * LAKEHURSTJoliet Waukegan★Opens Friday February 18th8 - Th# Cey City Journal - Friday , February II, 197? press conference and I'll snub whom Idamn well please." A spokesman for themayor said that the action was in no wayrelated to the fact that the Times hadreferred to the mayor as a "two-bit die-,tator."WASHINGTON, D.C.—The Presidentannounced today that he was sendingtroops to Mexico without the approval ofCongress. Asked if this was not a usur¬pation of political power, the Presidentresponded that "Congress really isn'tinterested in running the countryanyway; I saw a bunch of Senators fallingasleep during my last State of the Unionaddress. Besides, if they're so interested incommunication, why don't they come tomy prayer breakfasts?"SAN CLEMENTE—Former PresidentNixon was buried with a hero's honorstoday. Billy Graham eulogized Nixon as "amartyr to the fight to keep an individual'sactions out of sight of a snooping press."And that's the way it is, October 1,1984. The Clfv JournalEditor: JonathanMeyertohnManaging Editor: Karen HollarAssociate Editor: mm/ywift AAIk* Slng*fMusic: Lukacs LeBag, Toby Hofslund,Deborah Hughes, Bruce McLaughlin,Paul Gudel, Richard Brown.Theater: John Lanahan, StephenCohodes,Esther Schwartz, Christine Martinez,Charles HarveyArt: Carl Lavln, Chris Gauker, Julie Siegel,Jane Salk, Gwen CatesDance: Eden Clorfene •Graphics: Karen MolineHumor: Jeff Baddeley, Steve BlockTelevision: David BlumThe Grey City Journal it published weekly during theacademic year et part of the Chicago Maroon. The editorInvite* comment*.AT THESE SELECTED THEATRES *“CHATTER BOX”Starrinq CANDICE RIALSON • LARRY GELMAN • JANE KEANGuest Stars RIP TAYLOR • PROFESSOR IRWIN COREY • SANDRA GOULDSongs by Michael Hazlewood • Music Scored and Conducted by Fred KargerScreenplay by Mark Rosin and Norman Yonemoto ■ Produced by Bruce Cohn CurtisDirected by Tom De Simone • Color by DELUXE *A Bruce Cohn Curtis ProductionSHE TALKS WITH HER WHAT?CHICAGO:] LUNA MIKE TODD VILLAGE 400SUBURBS ANONEARBY TOWNS: ADDISON LYRIC WESTERN LINCOLNAddison Blue Island Chicago Hts.OLYMPICCiceroOGDENNaperville DOLTONDolton GLENGary.Ind.MEADOWSRolling Meadows DEERPATHLake ForestDRIVE-INS: DUPAGELombardSKYLARKAuroraFilmBy Karen HellerAdmission for International House,NAM, and weekend Doc and CEF films is$1.50. On weekdays, CEF and Doc filmsare $1.00. Doc, CEF and NAM films will beshown in Cobb hall. All InternationalHouse films will be shown in I Houseauditorium.The Sailor Who Fell From Grace WithThe Sea (1975), directed by John Carlino.(Doc) The transposition of the late YukioMishima's fable of purity and horror fromYokohama to Dartmouth makes littlesense sociologically or artistically. SarahMiles rather desperately plays Anne, anexplicitly lonely widow who lives with herprecocious son. Into her life comes arugged American ship's officer who leavesthe sea for Anne's bed. Her son believesthat in establishing perfect natural order,the sailor must return to the sea. A bitfarfetched for Southwestern England.Sarah Miles is a bit too neurotic for mytaste but Kris Kristofferson is nice to lookat. Friday at 7:15 and 9:30.Salt of the Earth. (Crossroads) A semi¬documentary film recreating an actualyear long strike of Mexican-lndian zincminers. Friday at 8:00 at Crossroads, 5621S. Blackstone.Such A Gorgeous Kid Like Me (1973),directed by Francois Truffaut. (CEF) "Abreathless Truffaut comedy about themurderous maneuverings of an en¬terprising slut, not so innocently un¬ concerned by the trail of death and double-cross she leaves behind. While innocentpeople are convicted of her crimes, Ber¬nadette Lafront finds success and hap¬piness as a rock star." Saturday at 6:30and 10:00.The 400 Blows (1959), directed byFrancois Truffaut. (CEF) Jean-PierreLeaud stars as a young Truffautesque boywho wages a personal campaign againstthe world. A beautiful first feature filmand excellent exercise in self-indulgence.Saturday at 8:00.Lady Sings the Blues (1972), directed bySidney J. Furie. (I House) Diana Rossstars as Billie Holiday in this supposedfilm biography. The film is well-done andDiana Ross is a lot better than I expected,but it is a fraud in terms of the actualHoliday story, and just adds more to themyth. Billy Dee Williams is a little tooleading-man-perfect. Ross indulges in"Streisandism," the self-glorification ofher own presence rather than the film'ssubject. Still, she's got a nice set of pipesbut they're nothing compared withHoliday's. Saturday at 7:00 and 9:45.Bed and Sofa (1927), directed by AbramRoom. (NAM) A little-known masterpieceof the early Soviet cinema, Bed and Sofadeals with the problems of a young coupleliving in a cramped Moscow apartment. Afriend of the husband pays a visit, andcomplications ensue; in the end the wifeleaves them both to "wash and cook forthemselves." Notable for its deftly con¬structed comic plot and its rare andsympathetic focus on women. Also shown:Chess Fever (1925). Pudovkin's first film(a short), Chess Fever is a simple andsatiric study of the International ChessTournament held in Moscow in 1925.(featuring Capablanca) Monday at 7:15and 9:30. Northwest Passage (1939), directed byKing Vidor. In 1759, Major Robert Rogersand Rogers' Rangers stealthily launchedtheir whaleboats on Lake Champlain atCrown Point and rowed quietly away on apunitive expedition against the Indianvillage of St. Francis on the St. Lawrence.They travel through bog and swamp,across white water to accomplish theirbloody mission one of the most hazardousmissions and glorious triumph of theFrench and Indian War. Spencer Tracy isthe effectiously enthusiastic MajorRoberts. Robert Young is a drop-out fromHarvard who joins the Rangers. Tuesdayat 7:00.Man Without A Star (1955), directed byKing Vidor. (Doc) Kirk Douglas stars as acowboy very different from the con¬ventional Hollywood mold of the period.He has a strong sense of humor, com¬passion and a talent for getting along withthe town ladies, particularly the rich andbeautiful ranchowner (Jeanne Craine) heworks for. She wants to keep the rangeunfenced for her thousands of head ofcattle but the small ranchers, also hisfriends, want to wire their holdings toprovide winter feed for their stock. WithClaire Trevor. Tuesday at 9:15.The Great McGinty (1940), directed byPreston Sturges. The story of machinepolitics. Dan McGinty, a bartender in abanana port dive, tells by way of flashbackto a suicide-inclined customer — the storyof how he rose from the breadline to the jobof "collector" for a political boss becausehe repeated at the polls (A Daley machinefavorite) and was handy with his fists;how he became an alderman and later a"reform" mayor; how he married hissecretary just for appearances because, asthe Boss put it, "marriage is the mostbeautiful set-up among the sexes, " how hefell in love with his wife, went on to theNightclub, MAB, and YouGrey GapThe lobby of Ida Noyes looked as itmight on any Saturday night. A few peoplewere milling aimlessly around the foyer,pretending the building was a studentcenter, some were playing basketball andvolleyball in the gym, while others staredstarry-eyed at the color television asKatherine Hepburn crooned "Oh Charley"to Humphrey Bogart in "The AfricanQueen." It seemed like a typical evening,but the first hint that something might bedifferent was Riley Davis's (head ofstudent activities) ominous presenceoutside the Cloister Club. Davis waschecking ID's, something he seems to bedoing a lot of lately. We looked into thecandle-lit room to see a few scatteredpeople sitting casually around checkeredpaper-covered fables, drinking wine,waiting for others to show up for the lateshow of MAB’s first Nightclub. TheNightclub will run every Saturday inFebruary, and the show's organizers hopethat turnout for subsequent shows willimprove.MAB head Aaron Filler blames lack ofadvertising and organizational difficultiesfor holding attendance down to the sparse40 or so people at the late show. The Night¬club was originally planned to bring localtalent to campus, to establish a regularcampus entertainment spot where peoplecould relax and enjoy themselves. Theidea has grown to include national acts and"industry" musicians, but even that didn'thelp.When we stepped inside the CloisterClub, Filler was hurrying around makinglast minute arrangements. The peoplesitting at the tables seemed a little lonely;some were students hoping to find someescape on a Saturday night, but thestudents just didn't seem to be out in forcethat night: a later check showed manytables empty at Jimmy's and the fewparties we heard of didn't seem to be wellattended.Just what do people do on a Saturdaynight in Hyde Park?They certainly didn't go to Ida Noyes,though those who made it were treated to anight of fine music by two young acts. African folk singer Tony Bird opened theset with his brand of wailing, iilting vocalsand acoustic guitar, a voice like an earlyDylan, if slightly less acidic. His musicwas disengaging, almost disturbing, butthe audience seemed to enjoy it.Bird said he had fc§en on tour for threemonths, but that he still liked to play thesesmall uncrowded clubs. To him Hyde Parkwas just another club date, and the socialscene here should be like that at anycollege. Little did he know.The second performer, Ben Sidran, wasaware of the University of Chicago, sayinghe had applied here when he was 18, butwas rejected. He then went north to playwith Steve Miller, another musician whogot started at a university not too far fromhere: Madison. Sidran played his ownbrand of Mose Allison white piano garbagejazz.You know: Skipping piano runs, talkingblues, it doesn't seem to be my night, orday, I think I'll do myself in. Perfect forthe small Hyde Park audience, and Sidranseemed to know it. Sidran told us thatwinning is everything, and that we here atthe University are learning this."There's no place for losers at thisUniversity," chided Sidran, who couldhave passed for any shy physics major.The people at MAB already know aboutthe loser's place, and now they want toavoid it. The Nightclub is to be a sociaicenter, and entertainment idea forSaturday nights, and I personally hope itsucceeds, not only for MAB, but for the U.of C. community, because it's the kind ofthing we need. I hope the forces at play willlet Filler et al. advertise outside theCampus in order to attract regular concertgoers from around the city. Otherwise,there's no telling how many people willcome. It's about time something socialworked on this campus, and even if theNighclub idea is a bit hackneyed, it's nobleto have some overall desire to entertainthe campus. Instead of just puttingtogether a series of concerts, MAB wantsto create a place where people cancongregate, a place they want to go notonly for the music, but to gather, seefriends and feel part of something.Still, one must wonder, what is MAB'sstake in all this. Essentially it's your own,because you pay $12 a year to supportMAB, and you have to make the people who run it answerable to you. MAB isbasically a good organization, but they areso independent and so unaccountable fortheir money that there is always thedanger they are not serving you. Let themknow. These people control $25,000 a yearand this year have been putting it to verygood use, but only we can see to it that thatleadership continues.Filler told me that MAB expects to lose$1,000 a night with the Nightclub, whichmay not be too terrible, but the reasons areso sadly bureaucratic.First of all, there were problems withthe liquor and getting permission to servein the Cloister Club. The Rosenbergs, thehelpful people who run the Frog andPeach, had to be placated in order to servebeer and wine. The Rosenberg's aregreedyThen there was the prolonged mess withoutside advertising; it seems that thiscampus is getting smaller and smaller,with The Chicago Journal not even considered a campus newspaper. This is whyit's important for all of you to get out andgo to the Niqhtclub show them that therereally is a campus, that there can be acampus-wide activity, that you like to havefun and hear good music in a pleasantsetting.Filler said that MAB "is delighted tothrow away the money on something likethis, because we've never done anythinglike it before. You see, we'd like to givepeople a place to go on the weekends, andeventually we'd like to see somethinghappening every weekend."Don't disappoint Aaron Filler, and don'tdisappoint Peter Mensch, another MABmember. Mensch told me after Saturday'sshow that: "Frankly, the attendance wasthe pits." We don't want Peter to have totalk like that anymore. Especially withsuch a fine sound system, such dedicated(if slightly self-conscious and confused)waiters and waitresses, such concernedorganizers, and such fine performers.I actually didn't mean this to be adiatribe for nightclubs (the angry prophetof the airwaves and all that), but basicallythey are a fine idea. Whether their conception is innocent or not (and what isreally innocent in the music business), isreally unimportant. Some of the bestnightclubs were started for the bestreasons, Amazingrace for example, andThe Grey City Journal governorship, crossed the Boss bythreatening to go straight and took aterrific fall. With Brian Donlevy. Wed¬nesday at 7:30.The Lady Eve (1941), directed byPreston Sturges. A very good comedy inthe Sturges tradition. Barbara Stanwyck isa card-shark who happens to be workingthe boat which picks up a wealthy youngscientist fresh out of the Amazon jungle.He falls for her — and eventually, she forhim. They part but she returns to deludethe young man as a member of the Englishnobility. Barbara Stanwyck is excellent asJean/Eve. Henry Fonda, too often un¬derrated, proves himself a great comedianas the rich boy. With Charles Colburne,William Demarest and Eric Blore. Wed¬nesday at 9:00.Nashville (1975), directed by RobertAltman. (I House) Altman's collage ofsome twenty-odd characters interwoven inthis impressive panoramic work. A look ata different American lifestyles. The filmhas been touted by quite a few and isgenerally, overrated but still it containssome very good performances. LilyTomlin, Henry Gibson and Ronee Blakelyare particularly good. Thursday at 7:00and 10:00.Chloe In The Afternoon (1972), directed,by E ric Rohmer. (CEF) The last of Roh¬mer's six moral tales. Although ostensiblycontent with his serene life and successfulprofession as a business executive,Frederic (Bernard Verley) feelssomewhat closed in by marriage and thesuspicion that life may be passing him by.One day Chloe, a hedonistic unconventialgirl, pops into his life asking for comfortand offers him open conversation. Whatfollows is recurring inconsistent visitsfrom Chloe, and Frederic's relation withhis wife. Thursday at 7:15 and 9:30.Tony Bird at last week's Nightclubsome were not, like The Bottom Line inNew York or Ratso's, but one cannot dobetter than establish an informal clubwhere people can gather and hear goodmusic for little money. (The cover atMAB's club is only $4, very cheap for anight club.) They can have no direction, noidealogy, once they are established, but Ithink MAB has done well to try to bring oneto Hyde Park, a college community.Whether it is a community is debatable,but maybe this can start to make it one.Any resident would hope so.After all, do we absolutely have to bedifferent (or indifferent) at the U. of C. Iknow the answer is yes, but this February,on the cold Saturday nights when there'slittle else to do, let's just see if we can'tpretend to have fun. I think it's time toactively fight the Hyde Park (or Chicago)stigma: just because this club is in HydePark doesn't mean it's mediocre.- J.M.Friday, February 11, 1977-97 Days A WeekHYDE PARK PIPE AND TOBACCO SHOP1552 E. 53rd - under 1C tracksAil students get 10% offask for "Big Jim"ripe*(pe Tobacco* Imported Cigarettes Clger«OAK FURNITURE-ANTIQUESten NISH CD + AS IS1649 E. 35 th667*43601-6:00 PMTUES.-SAT. DesksTablesChairsDressersBookcasesMuchMorea Also DoRefinishingMIT Department of Urban Studiesand Planningis now accepting applications forSeptember. 1977.Graduate degree programs:Master of City Planning Program,Doctoral Program.Areas of specialization includeHousing, Community Develop¬ment Planning for DevelopingCountries. Public Policy Analysis,Environmental Design, andEnvironmental ManagementFor information: Graduate Admissions SecretaryDepartment ofUrban Studies and PlanningRoom 7-338Massachusetts Institute ofTechnologyCambridge. Massachusetts 02139ALLTOGETHERAt One LocationTO SAVE YOU MOREf WASEN • CHEVROLET VOIKSWACCN .SPECIAL DISCOUNT PRICESFor ALL STUDENTSAND FACULTY MEMBERSJust present your University ofChicogo Identificotion Cord.As Students or Faculty Members ofthe University of Chicogo you are en¬titled to special money sovingsDiscounts on Volkswagen & ChevroletPorts accessories and ony new orused Volkswagen or Chevrolet youbuy from Volkswagen South Shore or »Merit Chevrolet Inc.UIOIAJH) * IU3VMS)nOA II10MA3N)SALES l SERVICEALL AT ONE 6REAT LOCATIONMERITCHEVROLETVOLKSWAGENVCy SOUTH SHORE r7234 Stony Island_ WiNiw: 614-0400Open Dolly 9*9 P.M. / Sot. 9 5 P M.Port* Opon Saturday too til 12 Noon.CKVMUI Pre-ExpansionSaleVz price for allSpanish, German& FrenchLanguage BooksPOWELL'SWE ARE STILL EAGERLY BUYING YOUR BOOKS1501 E. 57th955-77809 A.M. -11 P.M. Everyday? given * * * *by the Maroon?**£* New Hours: Open Daily? From 11:30 a.m.to 9:00 p.m.A Gold Mine Of Good Food"**************** Student Discount:10% for table service5% for take homeHyde Park's Best Cantonese Food5228 Harper 493-2559(near Harper Court)Eat more for less.J(Try our convenient take-out orders.)!*************************The University of ChicagoCourt TheatrePresentsAN EVENING of ONE-ACTSTRIFLESby Susan GlaspellTHIS PROPERTY IS CONDEMNEDANDAUTO- DA- FE*By Tennessee WilliamsADMISSION52.00/5 7.50THENEW THEATRE5706 S. UNIVERSITYFor ReservationsColl753-3581 8:30 P.M.FEB.11-12-13918-19-20 A FIN! OGARCOMPLETES Y0VR DINNERTVEAT YOURSELF #) $AND YOUR GUESTSTHE ONLY ONE OF IT S KINO IN THE H P. AREAAt Harper Court Shopping Center3225 S. Harper C- 7 288 5151pipe*ShopFASTSPEEDYRAPIDSWIFTPRONTO...IF YOU NEED IT FAST WE’RE AS NEAR AS YOUR PHONE...OUR SERVICES INCLUDE•Copying eBusiness Cards »Xerox Copies•Folding aMaillers .Copying &•Collating .Flyers Ouplicating-Fast•Binding *Ad Books•Wedding Invitations .Church Bulletins•Padding. Etc.•Envelopes•LetterheadsQc UIKROSS •Thesis - Term Papers•Funeral ProgramsPRINTINGFAST Hyde Park Bank Bldg.1525 East 53rd StreetChicago, III. 60615INSTANT PRINTING WHILE U WAIT Suite 626£************************£! GOLD CITY INN !*********************** Mr. President...We haveinvaded Silo 3.We are prepared tolaunch nine nuclearmissiles.We demandten million dollars,Air Force One...STARTSFRI.FEB.11f-*" §10-The Grey City Journal-Friday, February II, 1977 R LORIMAR BAVARIA P'«L,ms A CIRIA PROOUCTlONTWILIGHT S L AST GLEAMING s,BURT LANCASTERAlsosliiii>ni){iiiBl|itubeiK<laidri| ROSCOf III BROWNf ■ JUS1PH CUHIN • W||V*N OOUGIA<CMARIIS BURNING - RICHARD JAlCKlt • WUilAW MARSHAtl • GIHAID S OlOUGHIINRICHARD WuOWAKK • PAUl WlNIillO • BlJRI YOUNG • Durum li, ROBERT ALDRICHSc.renp.i.b, RONALD M COHEN -.EDWARD HUEBSCHBdstrrtonihp novrt Vijin Ihier by WALTER WAGER p,MERV ADELSONfwculivePioduiri HllMUl JIOIK • M., ,, Jl HR» GUt OSMl IH • Punish, lichmctlo, •AN All ill) ARIlSIS M| It AM QDAT THESE SELECTED THEATRESESQUIRE •NORTOWNChicago Chicago•RIVER OAKSCalomet City•U.A.CINEMASOakbrook•HARLEM CERMAKN Riverside ARLINGTONArlington HtsGOLF MILLNiles•CORALOak lawnCalendarFridayMeetingsChristian Forum: “R.H. Tawney andChristian Socialism,” 8pm, Brent House.Hillel: Adat Shalom Shabbat Dinner, 6pm;Creative Services, 7:30pm, Hillel House.Folkdancers: 8pm, Ida Noyes Hall.Crossroads: ‘‘Salt of the Earth,” a semi¬documentary film recreating an actual year¬long strike of Mexican-American zincminers, 8pm, Crossroads, 5621 S.Blackstone.Middle East Studies Center: Faculty-Student Lunch, 12:15pm, Sun Parlor, IdaNoyes; Arabic Circle, 3:30pm, Pick 218-” Poetry-as Felony: Readings in ColloquialEgyptian Poetry,” Prof. Farouk Mustafa,Dept, of Near Eastern Languages &Civilization: Persian Society, 3:30 pm, Pick118; Sherry Hour, 4:30pm, Kelly 413.The D.J.R. Bruckner Fan Club: 4pm, Cobb302. All interested persons are invited.LecturesDepartment of Microbiology: “Error ProneRepair in Carcinogenesis,” Dr. WalterTroll, 4pm, CLSC 101.Department of Economics: EconometricsWorkshqp, ‘‘Models of Single Establish¬ment Births,” Dennis Carlton, 4pm, Cobb102; Economic History Workshop, ‘‘Noteson the Industrialization of the HungarianPeasantry,” John Komlos, 3:30pm, SS 106.Geophysical Sciences Colloquium:‘‘Cenozoic Tectonics of Asia,” PeterMolnar, 1:30pm, Auditorium, Henry HindsLaboratory.Department of English: ‘‘On theDiscriminations of Imagination,” JeromeMcGann, 4pm, Social Science 122.Morris Fishbein Center: ‘‘Towards aDefinition of Occult Science in theRenaissance,” Brian Vickers, 4:30pm, Pick022.Hillel: ‘‘Survivor’s of the Holocaust: AnOral History Project,” Prof. Arthur Mann.8:30pm, Hillel.ArtsRockefeller Chapel: Edward Mondello,University Organist, in recital/lecture, free,12:15pm, Rockefeller Chapel.University Theatre: 3 one-act plays,“Trifles,” “Auto-Da-Fe,” “This Propertyis Condemned,” 8:30pm, New- Theatre.—New TheatreOn Friday night, three one-act playsopen in the New Theater at 57th andUniversity: Trifles, by Susan Glaspell, andThis Property Is Condemned and Auto-Da-Fe, by Tennessee Williams.This Property Is Condemned captures inits short span the desolation of an active,innocent mind in the wasteland of anunguided life, and the poignancy andtransience of human meeting under anempty white sky. Mary Yordy portraysWillie, a young girl whose family by theprocess of attrition has left her alone in acondemned house with no company but herdoll and her imagination. We see whathappens when she meets Tom, a youngman from the nearby town, played bySteve Goodman.Steven Holliday and Irene Schweyerplay mother and son in Auto-Da-Fe. Life¬long repression of lust festers within, until,like a cancer, it erupts, destroying everything in its path.Curtain time is 8:30, Friday, Saturdayand Sunday, February 11, 12, 13, and18,19,20, in the New Theater, 57th andUniversity. General admission $2.00, allstudents and senior citizens $1.50. Forreservations or information call 753-3581. DOC: “The Sailor Who Fell from Grace withthe Sea,” 7:15 & 9:30pm, Cobb.SAO Soap Opera: POSTPONED.Midway Studios: “Performance/Midway,”a showcase combining the artist, theatricalperformer, science, & the humanities inTime, Place & Artist-Audience in¬volvement, Phil Berkman & Chris Abiera,8pm, 6016 S. Ingleside.SportsWomen’s Basketball: UC vs ValparaisoUniversity, 7:30pm, Ida Noyes Gym.SaturdayMeetingsCrossroads: Saturday Night Dinner, 6 pm,Crossroads International Student Center,5621 S. Blackstone.Change Ringing: Handbells, 10-llam; Towerbells, llam-lpm, Mitchell Tower ringingroom.LecturesCompton Lecture Series: “CerenkovCounters and All That: The Ways ofKnowing,” Earl Swallow, 11am, EckhartHall 133.ArtsHillel Film: “The Dybbuk,” 8:30pm, HillelHouse.International House Films: “Lady Sings theBlues,” 7:00 & 9:45pm, International House.CEF: “Such a Gorgeous Kid Like Me,” 6:30& 10pm; “The 400 Blows,” 8pm,Cobb.Student Activities Office: A madrigalprogram featuring Dale Terbeek, KathleenTerbeek, Jeff Strauss, Mark Zolezzi, andPhyllis Unosawa, 7:30pm, Ida NoyesLibrary. Free.Court Theatre: Three one-act plays,“Trifles,” “Auto-Da-Fe,” and “ThisProperty is Condemned,” 8:30pm, NewTheatre.Major Activities Board: Tracy Nelson withMother Earth & T. Bishop, two shows, 8 &10:30pm, Ida Noyes Nightclub.From the Midway: “A Psychoanalyst Looksat Emmanuel Kant’s View of HigherEducation,” Rudolf Ekstein of the Reiss-Davis Child Study Center in Los Angelesspeaks on a liberal versus a practicaleducation, 7am, WHPK. Context: Jim Ruddle discusses the pastweek’s news with UC faculty and otherexperts, 8am, WHPK.Your Doctor Speaks: From the UICCMedical Center, Dr. Audrey Kalafatch talksabout the emotional side of teens withteenage participants, 8:30am, WHPK.SportsMen’s Basketball: UC vs LawrenceUniversity, 3pm, fiartlettGym.Men’s Wrestling: UC vs Grinnell College,11am, Bartlett Gym.Men’s Fencing: UC, Univ of Notre Dame,Univ. of Detroit, Wayne State Univ., &Univ. of Winnipeg, 10am, Boucher Gym.Ski Team: Welch Village Minnesota, callSteve, 955-0380.SundayMeetingsCalvert House: “How Discuss Values in aPluralistic Society? A Theologian’s Point ofView,” David Tracy, 7pm, Calvert House.Hillel: Lox and Bagel Brunch, lam, HillelHouse.Brent House: Vespers, 5 pm; Social hourand supper, 6pm; program/discussion,7:15pm, Brent House, 5540 S. Woodlawn.Rockefeller Chapel: Ecumenical Service ofHoly Communion, 9am; UniversityReligious Service, “On the Difficulty ofBelieving,” George Peck, 11am, RockefellerChapel.Tai Chi Chuan: 7:30pm, St. Paul’s Church,50th & Dorchester. All are welcome.Computer Club: 1pm, N. Reynolds ClubLounge.Crossroads: Bridge, 3pm, Crossroads. 5621S. Blackstone.Folkdancers: 8pm, Ida Noyes.Changes: “Life Cycle Crisis Counseling.”Beth Rainsford, 7pm, Blue Gargoyle.LecturesAmerican Professors for Peace in theMiddle East Conference: “AmericanForeign Policy in the Middle East: PostElection,’’ Seymour Lipset, JohnStoessenger, Fred Gottheil, 1pm, Center forContinuing Education.University Theatre: Three one-act plays. “Trifles,” “Auto-Da-Fe” and “ThisProperty is Condemned,” 8:30pm, NewTheatre.MondayMeetingsJudo Club: 6pm, Bartlett Gym.Chess Club: 7:30pm, 2nd floor, Ida Noyes.Foldancers: 8pm, Ida Noyes. Valentine’sDay Party.Change Ringing: Tower bells, 6:30-8:30pm,Mitchell Tower Ringing Room.LecturesBanking Group: Max Becker of ChemicalBank speaking on REITS, 12:45. BE 101.Marketing Group: “The Evolution of theMemory Typewriter,” Michael Bernique,IBM, 3:30pm, Business East 105.Department of Chemistry “Photodetach¬ment Spectroscopy: Structure andEnergetics of Negative Ions,” 4pm, Kent103.Committee on Developmental Biology“Aspects of Nervous System Develop¬ment,” Dr. Margaret Hollyday & Dr. PaulGrobstein, 8pm, Zoology. Lillie Room #29.Department of Music: ‘‘On Partial SerialOrdering,” David Lewin, 3pm, Regenstein264.Middle East Studies Center: ‘Retrospectiveand Prospective Therapies: An EncounterBetween Protestant and Hasidic SalvationEthics,” Prof. Mordechai Rottenberg. Sr.Lecturer in Social Psychology andCriminality, Hebrew University, 4pm, Pick218.ArtsEarly Greek Studies Project: “OedipusRex,” 8pm, Social Sciences 122, Free.Student Activities Office: UC clock tour ledby Paul Kwiatkowski, tour begins at11:45am in the lobby of Ida Noyes Rail. Signup in INH 209 or call 3-3591.University Theatre: Three one-act plays,“Trifles,” “Auto-Da-Fe,” “This Propertyis Condemned,” 8:30pm, New Theatre.Your Doctor Speaks Re-broadcast ofSaturday Morning's show , 9pm. WHPK.Talk to the People: Discussion of com¬munity affairs with WHPK s JudsonHixson. 9:30pm, WHPK.This Week in the Arts Don MoveGilbert and SullivanTrie Gilbert and Sullivan Opera Company announces its performance of H.M.S.Pinafore to be given on:Friday, February 18 at 8 p.m. in MandelHall.This comic opera, known also as TheLass That Loved a Sailor, marks theseventeenth year of performances for thisope* a company. It has a cast and chorus of31 faculty members and city wideresidents. Mr. Lubway, many timesleading performer of this company, singsSir Joseph Porter. Miss Culler who hasbeen a member of the Chicago OperaStudio and the Repertory Opera Theaterwill sing the leading role of Josephine. Mr.Lindsey is Captain Corcoran. Mr. Vorrasi,a librarian with the Suburban LibrarySystem and tenor soloist with the WilliamFerris chorale sings Ralph Rackstraw.Tickets for these performances are:$2.50 $4.00 on Friday, Feb.18 at 8 p.m. and$2.50 $5.00 on Saturday, Feb. 19 at 1:30 and8 p.m. Tickets may be purchased at thedoor or by phoning for reservations to 4930684. Tonight, at 8 p.m. in Ida Noyes Hall DonMoye, drummer for the Art Ensemble ofChicago and percussionist extrodanaire,will once again raise the roof. Contrary topopular belief, it will not be a solo concert.Along with Moye there will be MalachiFavors, bass player of the Art Ensemble,and Julian Hemphill, a distinguishedreedman of the AACMDon Moye is a unique musician in jazztoday. His studys of third-world percussioninstruments, and new techniques inplaying drums, have risen him above mostof his contemporaries. In the course of anevening he will utilize close to five-hundred different instruments, and, mostamazingly, he can make his music en¬tertaining and accessable. The receptionof last years concerts was tremendous andthere is no reason why this concert shouldnot be as good or better.This is one not to miss. What with themass-migration to New York, the chancesto hear these musicians in their home townare becoming much less frequent. Forsakethe drearyness of this winter for one night;come to the library in Ida Noyes Hallwhere Don Moye will be cookin'.The Creu City Journal-Friday, February 11, 1977-11UNIVERSITY of CHICAGOBOOKSTORE5750 S. 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She plays basketball andvolleyball as well as short-stop, (photo byDavid Rieser)Tufts, Lower Wallace continue wins Last year, 10 percent of the incomingclass was attracted by the Stagg Dudleyprogram. Out of those 60 people only fivecame because a full-tuition grant at amajor university is hard to turn down.That means that 55 are here because theyactually liked the place.It is another program then, within whichGreg Retzinger(21) goes up for a lay-up against Beloit, (photo by David Rieser) winning and success are two differentthings.INTRAMURAL TOP 10The scholarship is a four year full tuitiongrant, recognizing excellence in bothacademics and athletics in high school.Winners are not required to play the sportonce the scholarship is awarded, butrecepients have to reapply every year, justin case the old GPA dropped a little toomuch. Any applicant has to be accepted asa student first. A scholarship then, for thetrue student athlete.There have always been fears hereabout the idea of an athletic scholarship.When the Stagg scholars program began in1961, a Maroon editorial ran, “we object tothe University giving money to a studentfor his participation in an activity which inno way contributes to the exchange ofideas or the development of thought.”Not having too high an opinion of theacademic record of the winners in theprogram was and is a mistake. Of thefourth year Staggs now, Michael O’Conner has pro-opted into B-school, Greg Ret-zinger has been doing cell growth andcancer research and is on his way to Medschool, and Doug Richards was not only aStagg but a University and Merit scholaras well. An econ major, he is thinkingabout law school. The others are all just asgood if not better.They came for a variety of reasons, mostof which were academic. As third yearstudent Daniel Hayes put it, “I could haveplayed basketball at other schools but Iwanted the education.It is difficult to compare the Staggs andthe Dudley programs in this or any otheraspect, because the Dudley is so unique.Good male athletes can go anywhere andall but get paid for it but the opportunitiesfor women are much more limited.Especially for the non-PE types who areactually interested in learning a thing ortwo.Four years ago The Dudley scholarship!M reportBy R.W. ROHDETufts house swept through the un¬dergraduate playoffs this week,culminating it with a ten point victory overThe Bongers Wednesday night. Mean¬while, the Zephyrs and Business 1 fought itout last night for the graduate title, resultswere not available at press time.Tufts first took on Filbey house Mondaynight, beating them 40-28. while LowerRickert upset Upper Rickert in the battleof Woodward court 4^43. Other Monday action saw Beechum step on Ed’s Shoes,giving them the White league title, whileBusiness 1 beat Coulter.Tuesday night saw another meeting ofWoodward teams, this time in women'sundergraduate residence finals. LowerWallace came out the victor over LowerFlint 38-14. In men’s action Tuesday, Tuftsoverpowered Lower Rickert 51-40, whileZephyrs blew away Beechum. Tufts willmeet the divisional winner tonight at 7:30in Bartlett. Lower Wallace was scheduled to playthe Independent champion, theAristoquatics, for the undergraduate titlelast night, the winner plays the LearnedHands tonight at 6:30 in Bartlett. INTRAMURAL TOP 101. Tufts (2)2. Business I (2)3. Vincent(1)4. Zephyrs (1)5. Beechum6. Bongers7. Ed's Shoes8. Coulter9. Filbey10 Lower RickertAlso receiving votes:Snorklers, Upper Rickert, PhiGamma Delta, Laughlin, HendersonFirst place votes in parenthesisA quick roundup of recreational leagueshows the Bongers getting a second chanceat play-off action in the Maroon leaguewith AKBPN4-2H second. They’llprobably meet the Quadranglers, who heldoff Lushkin and sons. Snorklers, Upper Rickert, PhiGamma Delta, Laughlin, HendersonFirst place votes in parenthesisThe Chicago Maroon—Friday, February 11,1977—17John Dahl (74) leads Nick Arnold (33) on a sweep, (photo by David Jaffe)was the first of it’s kind, the firstscholarship for women that had anythingto do with athletics. As such it attracted agroup whose major interest in the schoolwas athletic. Laura Silvieus was one ofthese. Knowing nothing about the school,she came to play ball.However, Silvieus has not neglected theacademic side, of course. She is now in theB-school on the professional option.Her classmate Noel Bairey reflectsperhaps another side. She was aware ofthe school’s academic record and was“thrilled to be able to come here.” She isalso in at Pritzker and waiting to hearfrom Harvard Medical school.The sporting half of the scholar athletehas not been neglected either. The footballprograms recent success can be traced tothe Stagg program. Rochards had themost pins of the season when he wrestledand Dan Hayes and Greg Retzinger havemade their contributions to the basketballteam. In fact of the 11 Staggs on campus,only one was not a starter on his team thisyear.The women are equally as good as theirsports. Bairey has already qualified forthe National swimming meet in threeevents. Cheryl Flynn led the tennis team toit’s first place finish at State. And it wouldbe hard to find two such gifted athletes asLaura Silvieus or Janet Torrey.On the men’s side however, questionshave been raised concerning the efficacyof the non participation clause. This keepsthe scholarship from being actual athleticgrants, which are outlawed by the MidwestConference and by most conscienceswithin the admissions department.Most Stagg winners insist that this isheld to, and see the thing, as John Dahl putit, as “a reward for going through highschool without cutting yourself off fromthe rest of the world.” Kim Johnson goeson to say that, “it’s not even an unwrittenrule that Staggs have to compete.Still, a different kind of undercurrenthas been felt. Both Mike O’Conner andNick Arnold decided Wally Hass’ footballprogram was not for them but feltpressured when they dropped the team.Pete Wendel was informed as early asStagg weekend that Staggs who didn’t playwould be looked down upon, and subject toassorted pressures. According to DanTepke who is coordinator cf the Staggprogram, “I tell guys that you don’t have to play — but we would like you to.”The point may be moot because, for allthe Staggs, athletics in any form oforganization is a part of their basicexistence. They play because they enjoyplaying. Even Pete Wendel, who ex¬pressed doubts about the program partlybecause of a perceived obligation tofootball, will be quitting that sport to goback to his first love, soccer, to help thatailing program.The other major issue with thescholarship is that most of the winnershave been football players. Only three outof the eleven now on campus were notnoted primarily for football in hich school.There is no question that the footballprogram has been the major beneficiary ofthe Stagg.The problem is answered in severalways. First it is pointed out that theathletes do not only play football. Manyare either involved in the track or thewrestling teams. The official lines has been that, “that isjust how it worked out.” In other words thetop students in the group have all just. happened to be football players as well.There is a reason things just worked outso nicely, mainly that the football teamworked harder at the program. Tepke isnot only in charge of getting the in¬formation out but is football coach as welland is not above talking to the footballcoaches at the schools he visited.Further, according to Dahl, “it really isa matter of what the players of each sportare willing to put into it. “He went on tonote that only recently has he seen athletesother than football players helping outStagg weekend.There is no pressure on the Dudleyscholars to play because there is noquestion of anyone’s not playing. Allserious athletes with a chance to par¬ticipate in a reasonably well run program,the women just don’t seem to have anydoubts.Further, there is less problem with onlyone sport’s being favored. To be sure, mostof the Dudleys have been involved with thethree majors, volleyball basketball, andsoftball, but all have had talents in othersports.The final answer to the favored sportissue is the same for the men as for thewomen. That is that the real purpose andthe real achievement of both programs isthe attraction to the school of well roundedpeople, who not only stress academicexcellence but athletic ability. The rise inathletics here, the so-called Renaissance isdue to the attraction of a kind of personwho can see bevond the books.The Peugeot Sale:The kind of car you wantto drive. At the kind of priceyou want to pay.Save on a Peugeot504 Wagon. IrV morerhan a squared-utilsedan, because ir’sdesigned as a wagonfrom rhe ground up.Save on a Peugeot504 Sedan. The room¬iness. equipment, andquality construction of aluxury car, with rheoperating economies ofan economy car*Save on a PeugeotDiesel Sedan. It never needs tune-ups,and runs on a fuel that nationally averages 11 cents a gallon less than unleadedgasoline.*Save on a Peugeot Diesel Wagon. The only car in America to combinerhe practicalirv of rhe Diesel with rhe practicality of rhe station wagon.Sale ends February 28, 1977*EPA mileage results (transmission M4): 24 mpg highway, 17 mpg city (in California, 23mpg highway, 17 mpg city). Actual mileage depends on where and how you drive,optional equipment, car maintenance, and other variables.* Federal Energy Review. August, 1976. Ski Continentals Colorado.Tired of the same old scene? Relax andthink snow. Colorado snow. Continentalcan get you there on a wide-bodied DC-10or spacious wide-look 727. Then ski yourway through Colorado with one of ourgreat ski packages. Here's a sample:Breckenridge 8144-5 days/4 nightsAccommodations at Der Steiremark.askierized Avis rental car. 3 days of lifttickets, plus meeting service at theairport.Vail 8264-8 davs/7 nights Accom¬modations at Vail's Holiday Inn. a skierized Avis rental car. .3 days of lifttickets, plus meeting service at the airport.Don t forget to ask about how you cansave even more with our special discountairfares. For more information tin Conti¬nental s ski package, call your Travel Agentor Continental Airlines.Prici-s per person double oeeupunex tax airfare andxus lor rental ear are extra Omers must be 21 or oxerWe really move our tail for you.A different kind of luxury car &2247 touth X*Ch»9»n AvenueAm Code 212 / 32* 2**0 SportsMaroons win one, lose twoWomen beat Trinity, take on Valpo tonightBy R.W.ROHDEThe Women’s basketball team playedthree games on the road in four' days,coming away with two losses and onevictory.One of the losses was expected, amismatch against Northwestern lastSaturday night, while the other was aheartbreaker, a two-point loss to rivalConcordia on Tuesday. Sandwiched bet¬ween the two losses was a win againstTrinity on Monday, a victory which shouldgive the Maroons first place in theirconference.Northwestern was definitely out of theMaroon’s league, outclassing the UC teamand beating them 86-50. The Wildcats whowill be joining the women’s big 10 as soonas it is formed, recently beat Elmhurst byclose to 90 points. Against the Maroons,they got off to a quick lead and justdominated the whole game. Still, theMaroons did manage to score againstNorthwestern’s defense, hitting 30% fromthe field, including some fancy shooting byPaula Markowitz.Chicago came back Monday to takeTrinity 59-49. The win was a team effort,with scoring spread around, and goodrebounding everywhere. Markowitz ledthe team with 15 points, Helen Harrisonshot for 12, Janet Torrey had 10. and VadisCothran sank 9 points. Overall, theMaroons shot 33% from the field. Trinity was UC’s main challenger fortheir division title. The Maroons are un¬defeated in league play, with one game leftagainst Lake Forest.Tuesday, the team went to Concordiaand lost a close one 47-45. Coach Pat Kirbycalled it a super good game. It was adefensive game, with a lot of fouls, and thefouls hurt Chicago more than anything.The Maroons led most of the way, andwere up by five at halftime. But toward theend of the game, both Vadis Cothran andPaula Markowitz were in for trouble. Thescore was tied in the last couple minutes,when Chicago committed a couple fouls,Concordia converted two of the freethrows, while shutting the Maroons out.The loss was particularly painful for theMaroons because Concordia was the teamthat beat them at state last year.Overall, Coach Kirby said she wasimpressed with the way everyone ischipping in. “They were playing especiallywell against Trinity, and looked good.” shealso mentioned.The Maroons seem to be playing as ateam more, getting better and moreconsistent as the season progresses.They’ve moved their shooting percentagesup from the middle 20’s in the early games,to between 33 and 37%, which coach Kirbycalls ‘pretty good for women’s basketball.’Chicago will take on Valpariso tonight at7:30 in Ida Noyes Gym.Cagers beat EIT, NilesAlley leads league; men play LawrenceCONTINENTAL AIRUNE5The Proud Bird wiih the Golden TailWell give you a snowjobyou’re gonna like.By FRANK MERRIWELLThe University men’s basketball teamwill be playing their first home game intwo weeks tomorrow afternoon as part ofthe Stagg-Dudley festivities.Since their last home loss to Beloit, theMaroons have been 2-1 on the road.Chicago fell further in the Conferencewhen they lost to Lake Forest 58-53. Thegame was close all the way through but theMaroons lost it at the free throw line. Theteam managed to have 25 fouls calledagainst them as opposed to the Forester’s13. Their North Shore rivals picked up 23points in the second half alone purely onfouls.Assistant Coach Schacht commented onthe discrepancy saying the officials were“inconsistent. One of them called 19 foulsagainst us as opposed to 2 against them. ”Jay Alley was high scorer for Chicagowith 16 {Joints. Dan Hayes and BretSchaefer also hit double figures with 13and 12 points respectively.The following weekend Chicago beat IITfor the first time in three years. Playing onthe Techhawks’ home court, the Maroonstotally dominated the first half and wentinto the locker room with 36-26 lead Although the team got a little ragged inthe second half, they hung on to win 66-60.Again Alley was the high scorer with 18points. Steve Shapairo had 16.Last Wednesday the Maroon creamedNiles 76-44. Niles took the lead in the firsthalf which surprised Chicago so much thatthey decided that they had better startplaying ball. After their opening basket, inthe second half, Niles missed 19 shotsbefore their next score.Eventually Chicago cleared the benchagainst their outclassed opponents. Alleycontinued his hot streak with 22 points.Shapairo had 14.With their 2-4 conference record, theteam has no shot at the league title. Theymust beat Lawrence tomorrow and Riponnext week just to break .500. Still theMaroons are not without recognition in theleague. Jay Alley is top scorer in thedivision with his 17.1 point average. BretSchaefer is third at 15.6.Chicago has beaten Lawrence before,but they are not assured of an easy victory,the Vikings have an odd way of getting theball to their top shooter Kelly Taylorwithout fail, and he can get hot.The game will be at Bartlett Gym,Saturday afternoon at 3:00.18—The Chicago Maroon—Friday, February 11,1977CLASSIFIED ADSSPACEIDEAL APT quiet safe street in SouthShore 1 bdrm carriage house backyardarage space, 5 min drive to campus,all Mr. Straus at 325 1700, M-F, 9-5.Lake front cottage private sand beach4 rooms Ige WBFP 2-2 Blocks from UCcampus bus sfop avail. 4/1. Yr. roundres. red brick patio $375/mo. 731 8378F Grad std seeks studio apt SPRINGqtr or academic yr 77-78: 752-5482.Room ate 2 bedroom 493-2863 or 637-5151.Apt for rent 3 bdrms $240/mo & upavail Feb 15/Mr 1.924 5964.Grad stdnt-own rm new bid at 48 & thelake $85 mo, 624 1892 eves.1 bdrm coachouse apt frplce availMarch 1st S160/mo 493 3399Spacious Hyde Park apartment wantsroommate, call 955-5932.Own room available in modern, 3bedrm apt $85 per month, fr March orApril thru June with longer opt. CallArt 548 2426.1 bdrm bachelor apt, stove, oak floor,New refrig, tile kit bath walls- availnow 3066 E. 79 8180 call 374-1239,5 & 6 room apts in building beingrehabilitated 5 min from UC on 61st St.Coleman Corp 373-1800.PEOPLE WANTEDIt's greatly to his credit that he is anEnglishman. Who? Sir Joseph, ofcourse. Come Aboard HMS PinaforeFeb 18 and meet the crew.Babysitter needed in my house 3 days10-2, 4 children, Good pay 643-8465,6676215.SINGERS wanted to join firstUnitarian Church choir for May 1stconcert. Thomas Peck, director. RehThurs eve 324 4100 FOR SALELOFT BED for sale. Ideal for someonewith a tiny room. Must Sell. Call 4936645 evenings.SKIS-Rossingnol, Strato, 170 cm CubcoBingings Garmisch Boots, size 8Misc. Used 5-6 times. 8125. 328 3585Swivel deak chair- $20, Fine bluegreen rug-840; air conditioners: usedSears BTU-840, new carrier 6700 BTU$180 324-1999Bunk Bed sturdy wooden 3 drawermattress incl $120. 241-5314.1971 Buick Skylark- Green, V 8, A/C.Body fair, engine good. $750. 288 6568MODEL CAMERAVivitar Zoom Lens Sale Series 1 70-210marcro zoom. In Olympus, Nikon,Minolta, & Cannon Mts.List $489.00 Now $279.0075-205/3.8 close focusing lens in Nikon,Olympus & Minolta Mts.List $318.00 Now$199.5075-150/3.8 close focusing lens in Nikonmt.List $250.00 Now $159.95THESE ARE SALE PRICESGood through Feb. 20 on existingstock.CASH & CARRYFOR THISSALE ONLYMODEL CAMERA1344 E. 55th St. 493 6700DIAMOND ENGAGEMENT 8.WEDDING RINGS: Up to 50discount to students faculty 8. staff(full or part-time) Example, 1/4 ct.$75, Vi ct. $250, 1 ct. $695 by buyingdirect from leading diamond im¬porter. For color catalog send $1 toSMA Diamond Importers, Inc., Box 42,Fanwood, N.J. 07023 (indicate name ofschool) or call (212) 682 3390 forlocation of showroom nearest you.DANFORTH$2.00/hour. Subjects wanted forpsycholinguistics experiments,Department of Behavioral Sciences.Call 753-4718 to register.Excellent typist, highly intelligentperson required for boring butdemanding work. Top pay. Someflexibility in hours possible Call 222-9350, X512.PEOPLEFOR SALEThesis, dissertations. Term papers,Inc., foreign language gen-corresLatest IBM corrective Sel IItypewriter. Reas, rates. Mrs Ross 2394257 betw. 11am & 5pm.Free lance artist wants work Portfolioavailable Experienced in illustrationand advertising Call 947-0330Babysitter available-daytimeWoodlawn and 58th-1.50/hour. Ph: 947-9749.TYPING SERVICE/HY PK./667 4282between 4-11 p.m.For exp piano teacher of all levelscall: 947-9746French tutorials with expd Frenchnative teacher 324 8054SCENES Danforth Fellows lunch meetingMonday, Feb. 21,12:00, Swift Hail, rm.200. Topic: What is teaching?US SAILING CLUBGeneral meeting will feature freeSAILING MOVIE, intercoll, racingschedule, instruction program forSpring. All new members welcome.Thursday 17th at 7pm in Ida NoyesLibrary.SPACE AVAILABLEIMMEDIATELYLarge bedroom in 3 bedroom apt with2 male UC students $78/month. 1517 E.57th, 493 3343FOR SALEMODEL CAMERASTOREWIDE SALEThis is our first annual We Love YouInventory Sale. Everything will beslashed. We must lower our inventorythis week. Savings of 25% to 50% inmany deptsCASH 8, CARRYFOR THISSALE ONLYMODEL CAMERA1344 E. 55th St. 493-6700Valentine's Day almost here, and youcan't afford roses? Not even candy?Bring your sweetheart, libe, diridika,lyagushka or anyone else to St. V'sParty, Ida Noyes, 8:00 Mon. Feb. 14.From UC Folkdancers, with love.ON VALENTINE'S DAY, takehim/her for a one time-only tour ofantique University clocks! Sign up atStudent Activities, Ida 210, 753 3591.HMS Pinafore, Gilbert 8. Sullivanfavorite at Mandel Hall Feb 18 & 19 Friat 8. $2.50 8. $4.00 Sat. at 130, $2 50;8pm, 83 50 8.85.00Discussion group in basic JungianPsychology Free Six Wed Eves.,beginning Feb. 16. For more info call475 4848 after 1pm daily.DON MOYE, Julius Hemphill,Malachi Favors Concert. Feb 11 IdaNoyes Hall 8pm $2 50. Great BlackMusic Series by The Chicago Front.VALENTINE'S DAY 11:45a m Takeoff from Ida Noyes for a tour of an¬cient and little-known clocks oncampus (led by the Caretaker ofClocks). Sign un in Ida Noyes 210, 7533591.H.M.S Pinafore, Gilbert and SullivanFavorite, at Mandel Hall Feb. 18 8,19.FOLKDANCING is the poetry of thefoot—come join U of C Folkdancers atIda Noyes 8pm Sun., general level andMon, beginning level, 50 cents; alsoFri, all Levels. Except Fri. Feb. 11,Every weekSUMMER JOBS: FREE (50) stateinfo on over 2000 summer employerssend stamped, self-addressed envelope to: SUMCHOICE, Box 645,State College, PA. 16801.OVERSEAS JOBS-summer/yearround Europe, S. America, Australia,Asia, etc. All fields $500 $1200 monthly. Expenses paid, sightseeing Freeinform, write: International JobCenter, Dept 11, Box 4490 Berkeley,CA 94704Experiential focusing is a method forexploring and working on feelingsdeveloped by Eugene Gendin. It hassome similarities to meditation Afocusing group will meet Mon. nightsat Chicago Counseling Center $35 6841800 for info.EUROPE/WORLDWIDE academicdiscounts year round SATA 4228 First.Tucker, GA 30084 ( 800 241 9082) WHPK (88.3 FM)Friday Night Women vs Valparaiso at7pm, Mark Pennington 8. TomBradley.Saturday afternoon Men vs LawrenceU at 3pm, Keith Weissman, TedPanken & Gene Pacquette.HOMERIC SOCIETYProf Frederick Brenk MarquetteUniv, to speak on Aphrodite's Girdle:Near Eastern Evidence. Wed. Feb 16,4:30, Classics 10.SOAP CARVINGGood clean contest. Large bars ofIvory soap available in INH 209 35cents. Deadline for entries is Feb 183-3591 for info.PAN PIZZADELIVEREDThe Medici Delivers from 10 p.m.weekdays, 5-11 Saturday, 667 7394.Save 60 cents if you pick it up yourselfBOOKS BOUGHTBooks bought 8, sold everyday,everynight 9-11, Powells, 1501 E. 57thSt.WOMEN'S UNIONThe Women's Union will hold ameeting on Wed (Feb 16) at 7:30 p.m.in the Blue Gargoyle, rm 22.GAYCOFFEEHOUSESat. Feb 12 at the Blue Gargoyle. 57th& University, 8 00 Bring your favoritealbums and your favorite friendsWHPK (88.3 FM)The Mellow Fellow plays music forlovers, Mon., Feb 14. from 10pm to3am- put your business in the streetCall 753 3588. ADMINISTRATIVESECRETARY/RECEPTIONISTServe as Secretary to Head of Personnel and Administrative Services ina major research Library. Must beable to type 45-50 w.p.m., have goodspelling and vocabulary. One to twoyears related secretarial experience.Full time only. Call 955-4545, ask forPersonnel. Equal opportunity em¬ployer, M/FLIBRARYASSISTANTSerials Check in Clerk. Requires typ¬ing; familiarity with foreignlanguages helpful. Full time only. Call955-4545; ask for Personnel. Equal opportunity employer, M/F.CO-OP FOR SALEOverlooking lake, museum, and all ofHyde Pk. in a spacious sun bathed 8,perfectly maintained Mies van derRohe co-op. 2 bdrms-2 baths, 24 hr.Security. 825,000 by owner. 752 5868WOMAN ENOUGH?WOMEN'S CREW Spring Recruit¬ment MTG Thurs. Feb. 17, BartlettGym, 7.00p.m. Slides, Information.HIRE AN ARTISTFree-lance artist specializes inpreparation of visual stimuli for psychresearch. Also general illustration,etc. Noel Price 493-2399TENNIS LESSONS!Rackets Prov. All Ages 8> Levels. ProLessons as Cheap as $10 for 8 lessons.FREE LESSONS if on Public Aid orGreen Card. From 52nd to 103rd St.Small group 8. Private. College, YMCA, etc. Certified Pro with 22 yearsexp. Call Jim Smith 667-4038 NOW!WOMEN'SMAGAZINEPrimavera, a women's literarymagazine, is on sale in all Hyde Parkbookstores 8> Bob's Newstand. Volume#3 is out!CREATIVESERVICESCreative Sabbath Services are heldevery Friday at 7:30 pm at 5715 S.Woodlawn. For more info, call752-5655LOST & FOUNDLost 1 heart at Washington Park 7/21or was it outside Oakbrook? Finderplease keep. Love, Rotifer'sCtenophore.Lost man's brown fur hat in SocialScience Bldg. Feb. 2 Wed $10REWARD for return Call 288 5622.REWARD 4 RETURN of red leathercheckbook. NO questions. 363 1080 B4,9am after 10pm. PLEASE HELP!Lost, American Tourister atache atHarper Library. There is a $35 rewardfor its return—No questions. Call324-4021. Howard L. NiaenPERSONALSMany thanks to anonymous donor ofhuge PAPERBACK collection. TheMystery Library Loves you.Wanted: Russian typewriter,preferably used 324-2285Gilbert and Sullivan alive and well inHyde Park. Mandel Hall Feb 19 8. 18 at8 Tickets at Reynolds Club DeskWriters' Workshop (Plaza 2 8377).Books due Feb 11? The Library willgive you a receipt if you ask, can burnyou if you don't have one Be safe getone. (SG)DATING SERVICE Over 1200members Ladies join free 274 6248 or274 6940Pregnancy Testing Sat. 10-2Augustana Church, 5500 S WoodlawnBring 1st morning urine sample $1 50donation Southside Women's Health.324 2292You are a blonde and have short hair Isaw you on the Garfield bus onSaturday 1/29 when you went groceryshopping at the Co-Op with yourroommate (?) You got off at Ellis (orUniversity?). Wanted to talk to youthen, but my wife wouldn't have likedthe idea. Can't get you out of mymind...can I get you into my bed? Letme know if you're interested Replyhere. -Don QRain at beach parties is a drag JoeReg curses what's between your earsWe thank the rest of our appreciativefans.We love people who return booksborrowed from the Mystery LibTo John WilsonYour white hair destroys me Will yoube my ''private man"?I love you madly, Sadie^Hey Jan! It's Feb and you haven'tcome around! KENNEDY. RYAN. MQNIGAL & ASSOCIATES, INC.Anna-Banana, when are we gonna do itin the stacks? Kingstone.Moj dragane shto te nema? May be Ishould settle for a pot of basil.Twig Woman: Please meet me againat Billings. Aigae Man.Pedro, I'm mad about you—your hair,your eyes, your smile, your cowboyboots, your crumpled shirts. Butwhere are the two dozen red roses?Juanita.To my cute Valentine Cookies are asmall price to pay.David A, the meddler: for your goodtaste in roommates, Happy Valen¬tine's Day.To my Valentine: Fuck you andeverybody that looks like you.Dear Ex-(L.C). Happy V-Day!Love, Lili.Dear Josie, Happy Valentine's Day!Love, Swan Oil.Dear Cookie Munster II, HappyValentine's Day! Love, CookieMunster I.Wanted: Valentine written on a dirtysock for George, a lonely ChicagusMaroonus.Happy Valentine's Day EMHi hot stuff! Happy VD!Luv Agent 132/135.To the 4th floor stacks office gang inRegenstein, Happy Valentine's Day!Love, John's receptionist.Baby, we're moving in the samedirection, but I'm beginning to thinkwe're parallel rather than in¬tersecting. But you're still thegreatest. PC.Be my Valentine, you obscene curd.GCJ Valentine salutations to Karen,Anne, Gwen, Cheryl, Micki, Denise,Crazy Liz. and even Hearbeat. Barrysays so too.Renee, be my Valentine, even if it hasbeen only Friday nights. We'll seeabout that.Dear faithful but unsociable GA,Happy V.D.! Love, Larry.Happy Valentine's Day to Bud Weiser,Frank Merivell, the laid-back Ad manand those cute little Jewish boys at theMaroon—Pedro, Dan Mundane, P.L.Spackle, Rumproller, Opening NightMike and Dan the Photo man Lovefrom the girls.Heartbeat, don't look over yourshoulder It's all Hyde Park games,but you're still a spring chicken; and aValentine.Be mine, Tatoo Moma; from Billy¬boy, Ramrod, Cretin, Alex and Porky.Feature Editor: the roses are red.Calvert HouseSunday Feb. 13th7:00 pmDAVID TRACY“HOWTO DISCUSSVALUES IN APLURALISTICSOCIETY?A THEOLOGIAN’SPOINT OF VIEW.” «Directory of ValuesWe Know Hyde ParkReal Estate Inside OutHOUSES FOR SALEREMEMBERALLTOWNHOUSESARE NOTCREATED EQUALOur new townhouses to bebuilt this Spring onBlackstone at 54th offeroutstanding design featuresfor contemporary living.Each home features 3 or 4bedrooms, 2 or 2Vi baths, inhouse garage, solarium andmuch, much more. See ourscale model and floor plans.X / t 1 - * { /6 SALES withservice is ouri, BUSINESSr REPAIR specialists4> on IBM, SCM,Olympia & others §£ Free EstimateAsk about our >A RENTAL with 1!option to buy An New & Rebuilt£ Typewriters <CalculatorsuJ Dictators «-AddersVV U. of C. Bookstore5750 S. Ellis Ave. <rV753-3303Y MASTER CHARGE. oo0 BANKAMERICARO V0 E 6 E - - r ± + PRAIRIE SCHOOLMANSIONThis lovely 15 room brickmansion has great potentialfor a super Kenwood home. 5baths, 2 car garagesurrounded by period ironfence. For information or tosee, call Richard E. Hild 667-6666 or 752 5384KENWOOD LOCATIONA 2-story house with 7 largerooms, large kitchen, 2 baths,woodburning fireplace, 4bedrooms, full basement,new furnace, new roof. Lotsize 35 x 150. All for $49,500.Call Don Tillery. 667-6666.49th & GREENWOODBest block of Kenwood. Well-landscaped 6 BR, 4'/2 bathhome w/study, billiard rm.,w/b/fplc. Beautiful con¬dition. $125,000 asking Tosee, call Mrs. Haines 667-6666LIVE BY LAKE4 BR brick home along SouthShore Drive. Back yard nextto park and beach. Only$47,500. Please call MargaretKennedy at 667-6666APARTMENTS FOR SALEON CAMPUS HI RISE CONDOSpectacular 14 floor view ofthe lake and city. 3 bedrooms,2 full baths - like new kitchenwith dishwasher, doubleoven, side by side refrig andfreezer, complete with breakfast area. LR has diningalcove and study alcove. CallJ. Edward LaVelle 667-6666PERFECT STARTERTwo king-size bedrooms, l’/abaths. Like new townhome.Carpeting, all appliances,free parking included. Quiet,charming design approx.1,800 sq. ft. One block fromLake Michigan near 74th.$26,000. Charlotte Vikstrom667 6666.This sunny 3rd floor apt has3bedrooms, 2 full baths, formal dining room w/stainedglass, large kit. w/breakfastarea all this and located at56th and Blackstone. Call J.Edward La Velle 667 6666BESTBUYIN HYDE PARKVery large modern kit. withappliances incl. D.W., formalDR, large LR (15x18) withgas log fireplace, 1 large BRplus study/sun porch & 1modern tiled bath. Priced at$ 2 4,000. Assessment$96/month. Call FrankGoldschmidt 667 6666.U.OFC.BACHELOR PADNew listing. Less than $100per month living cost. Newlydecorated. Newly refinishedfloors. Terrific location. Tosee-please call Richard E.Hild 667 6666 (res. 752 5384).LOCATION!LOCATION!$31,500 Buys this charming,immaculate 4 room condo onBlackstone south of 55th.Working fireplace. Modernkitchen. Many extras.Available for immediateoccupancy.APARTMENT BUILDINGSA GREAT LIFESTYLEIn this deluxe apartmentcondo 3 bedrooms, 2 bathsparquet floors, carpeting,custom shutters, sauna, pool,24-hour security-all in CornellVillage. Asking $60,000 CallDon Tillery 667 6666.LIGHT ANDAIRY2 BR co op apt. in well-keptcourt bldg. Convenient toUniversity and 1C. Parking.Individually-controlledradiant heat. Requires boardapproval. Call 667 6666OVERLOOKS14TH HOLEThis cozy condo at 67th &Crandon enjoys a panoramicview of Jackson Prk, U. of C.and downtown. 6 rooms,working fireplace, indoorparking. Only $23,750 Call667 6666.AND LAND FOR SALEBLOCK LONG 8UNITAPARTMENTVacant land near 84th &Stony. Transfer good titleimmediately. $125,000. CallCharlotte Vikstrom 667-6666.A GREAT SIX FLATLocated in West Hyde Parkon 52nd St. 3-5 rooms, 3-6rooms. All w/2 baths, newcircuit breakers, new fur¬nace. 4 car garage. Pricedlow at $57,000 (negotiable).Call Don Tillery at 667 6666.INCOME PROPERTY -17 flat bldg. w/9p6’^, 6 4>/2 &2 3's incl. new roof, newwiring w/circuit brkrs.,outside door intercom, newgas furnace 8. water heater.Great for condo conversion.Near Lake Price $145,000 isnegotiable. 71st and Coles.Call Don Tillery 667 6666 BUILDINGExcellent Hyde Parklocation. Good incomeDouble plumbing. Newwiring. For information sheetand to see, please callRichard E. Hild 667 6666 (res752 5384). »EXCELLENTBUSINESS LOCATIONVacant parcel of land $21,00.78x125. Transfer gooc titleimmediately. Call CharlotteVikstrom 667 6666.BESTBUYHyde Park townhouse converted to 3 apts. Owner mustsell. Asking $35 000. Ideal forowner occupant. Call 667-6666« m Sy 'k V/Anil INwl nfl1461 East 57th Street, Chicago. Illinois 60637667-6666Daily 9 to 5 Sat. 9 to 1, Or call 667 6666 AnytimeThe Chicago Maroon—Friday, February 11,1977—19IMPORTED DRY SHERRYs2.50 FifthIMPORTED HALF BOTTLE SALEENOUGH WINE FOR TWO AT A PRICE FOR ONE, $1.79 EACHMANY RED AND WHITE FRENCH WINESVALUES UP TO $2.993 for $4.505 RED BORDEAUX CHATEAU WINES 5 for s10.s2.19 eachCHEESE SALEVERMONT CHEDDARDANISH BLUEJARLSBERGCHEDDAR SPREADS SHARP-SMOKE-GARLICBRANDY WITH CHERRIESPISTACHIOSWISS GRUYEREHOLLAND RED WAX GOUDAPIPO CREME THE FINEST FRENCH BLUE CHEESE ALL SALE CHEESEONE LB. MINIMUMs2.69s2.39s2.19s2.49s2.39s2.59REGULAR $4.99 s2.59BEER SPECIALSPABST BLUE RIBBON BEER1MILLER BEERBUDWEISER L( CASE OF24-12 0Z. CANS s4.95s4.98s5.692427 East 72nd Street BA 1-9210! 5?PEN WEEKDAYS 10 A.M. to 9 P.M. SUNDAY NOON TO 6 P.M.! ?0-The Chicago Maroon Friday, February 4,1977