"9BtB&iCannon increases staff sizePostal deluge delays Fac ExBy DAVID BLUMVisual terminals will eventually link all departments of theRegenstein library system with the University’s ComputationCenter computer. (Photo by Dan Newman)Library automation:another year to goBy JOEL JAFFER andDAN WISEAfter more than ten years ofpioneering research anddevelopment, RegensteinLibrary’s computer systemplanners are still unsure whenthe project, which has alreadyautomated some functions of thelibrary, will be completed.The automation program,linking departments within thelibrary with central com¬puterized file and the UniversityComputation Center computer,will eventually computerize allcirculation, billing, acquisition,cataloging and search processes.According to Howard Dillon,director of public services, the total computerization ofoperations in Regenstein is atleast one year away. The link-upof departmental libraries indifferent locations on campuswiil follow.The circulation department,the area of the library directlyaffecting most library users, willbe the last to be automated. Apilot program is currently beingtested in the reserve department.A central file, containing in¬formation on millions of volumesin the library, becameoperational in 1974.One of the advantages of acomputerized system, accordingto library officials, is that it willallow’ the library to maintainLibrary to 3 A recent decision by the U.S.Postal Service to refuse deliveryof letters addressed to campusbuildings has left the University’sfaculty exchange service with amassive increase in its deliveryburdenOver 10 bags a day are nowdelivered to the exchange by thepostal service, which began thepolicy last September. Vice-president for business andfinance William B. Cannonnegotiated a three-month delay,but the government agencydiscontinued delivery of mailwithout proper street address onDecember 1.“I guess we’re going to have aproblem,” said Universityspokesman and vice-president D./ R. Bruckner Wednesday af¬ternoon. Bruckner, who claims tobe the largest user of the tinyfacility, • said faculty and ad¬ministrators have been urged toindicate proper street addresseson stationery that contains only abuilding name.Cannon, who oversees thefaculty exchange, declined to beinterviewed by The Maroon.Bruckner submitted a reporter’squestions on the matter toCannon and later read Cannon’sresponses over the telephone“Cannon told me that the staffof faculty exchange has grownfrom 3 to 4,” Bruckner said Theexchange office is located at 970E. 58th Street, and makes week¬day deliveries and pick-ups ofintra-campus mail from mostUniversity buildings An unidentified employee at Faculty Exchange sorts mail on amake-shift space in the tiny 58th Street facility. A recent U. S.Postal Service decision to refuse delivery of mail to correspon¬dence without a specific address has brought 12 additional bags ofmail a day into the office. (Photo by Dan Newman)-V.-, .••• - •IS^ if ,'f'S ju/-' Mi v" . Yv'-r»<vv**-, ••'■. -t ••. . .>*1 El- ' jSL’ • > VST 4V ^- •X^*-** .•.fr ..3." ”*** ^ H.- * -.?•»’ ? a***1” ~ , i’*-*t t • § §jHk &Vol. 86, No 29Law school students askHEW to investigate biasin faculty hiring policy The University of Chicago■■■■■■■MUKVTSai Friday, January 21,1977By PETER COHNThe text of the law students’complaint is reprinted on page 4.A group of law students, con¬cerned over the near-totalpredominance of white males onthe law school faculty, haveasked the Department of Health,Education and Welfare iHEW) toinvestigate the absence of womenand minorities on the law schoolfaculty.More than 70 students signedthe complaint, which asks thatHEW investigate the law school’s“failure to hire women andminority faculty members andstaff attorneys’’ and to take“whatever action is necessary toassure the rights of women andminority members to full con¬sideration for availablepositions.”There are no women and onlyone black on the school’s 49member faculty. The black, astaff attorney with the school’saffiliate, the Criminal DefenseConsortium, is resigningFebruary 1 to go into privatepractice. All of the 13 faculty appointments within the pastyear have been white and male.Norval Morris, dean of the lawschool, declined to comment onthe complaint, referringreporters to University vice-president for public affairsD.J.R. Bruckner. “There will beno comment at this time.” saidBruckner in a release preparedfor the media. “Our reply willeventually be written and sent tothe government agency inresponse to the complaint.”Members of the Law Women’sCaucus, the group sponsoring thecomplaint, last year submitted alist of 38 women to the law schoolappointment committee, in¬cluding minority women, whothey considered qualified for jobopenings. This fall, the caucussubmitted a list of 58 women.“Despite the fact that othermajor law schools have foundqualified women and minorityfaculty members,” the complaintstates, “the University ofChicago law school remainsexclusively white and male.”Law to 3 Affirmative Action officer namedBy BOB WANERMANMargaret Fallers, assistantdean of students in the socialsciences division, has been ap¬pointed affirmative action officerfor the University She willreplace Cedric Chernick,currently assistant vice-president for sponsoredprograms, who previously hadhandled affirmative action inaddition to other grant ad¬ministration duties.Chernick, who will continue toadminister the University’s grantprograms, said that the ap¬pointment of an administrator tohandle affirmative actionprograms full-time reflects a“long-term commitment” on thepart of the University to improvethe University’s record on therecruiting and hiring ofminorities and women.The University has notpublished an affirmative actionreport which are required an¬nually, since 1974 Chernick saidthat the Department of Health,Education and Welfare (HEW)had changed its regulations twicesince 1974 and had to dateprovided no “clear guidelines”regarding the preparation of anew’ report. D.J.R. Bruckner,vice-president for public affairs,said that all of the relevant data“is there, it’s just a matter of howto put it together.”Both Fallers and Chernickagreed that there are many Margaret Fallers has been appointed the University’s first full¬time officer in charge of Affirmative Action programs.stumbling blocks in finding morewomen and minorities for facultypositions. Chernick complainedthat in the physical sciences forexample, there was only alimited pool of qualified womenJanel Mueller, an associateprofessor of English, a formermember of the University Committee on Women and acritic of the University in the fieldof affirmative action, counteredthat the administration must takestronger action. She urged thatthe University “take theFallers to 3Thanks to the support theCAP and GOWN receivedlast quarter, we’ve been ableto go ahead with our plansfor publication - yet we stillneed to sell more books. TheCAP and GOWN will go onsale again this week, in thedorms, Reynolds Club, andStudent Activities Office.For only $8.00. After Feb.4th, the price is going up to$10.00, so act now, and takeadvantage of our specialoffer. The Best ‘“The Last Tycoon’ is the b«t!”frank Rich, New York PostIntelligence “More than anyother screen adaptation of a Fitzgerald work-‘The Last Tycoon’ preserves original feeling andintelligence!” —Vincent Canby. New York Timex“Haunting! Ranks amongi an astute, shimmeringscreenplay by Harold Pinter!”- William Wolf, Cue MagazinePerfection “One performancemake** ‘The Last Tycoon’ a virtual must! RobertDe Niro’s Stahr is perfection itself!”—John Simon. New York MagazineCF ScottcFitzgerakfsLasFlycocxiParamount Pictures Presents A Sam Spiegel-Elia Kazan Film*tarhng Robert De NiroTony Curtis Robert Mitchum Jeanne MoreauJack Nicholson Donald PleasenceRay Milland Dana Andrews and introducing Ingrid Boultingsireenpi»> b> Harold Pinter i*r«iuced hi Sam Spiegel Directed hv Elia KazanMusic by Maurice Jarre P">d<*t>onScrssce,bvHrrvicrTerKnicoior ■ K'*dW'pg.'nbm mm mmm-tC LI———1°Now StlpWing At These Theatres:QTelex, ^Deerbrook, Old Orchard, Raqdliurst,Chicago Deerfield Skokie Mt ProspectcYorkloWn. Evergreen, Ctbggfbadg,Lombard Evergreen Park Merrillville IndCARPET CITY6740 STONY ISLAND124-709$Has what you need Tram a$10 used room size Rug toa custom carpet. Specializ¬ing in Remnonts & Mill re¬turns at a fraction of theoriginal cost.Decoration Colors andQualities Additional 10%Discount with this ad.FREE DELIVERY DATES TO RUNNAME, ADDRESS, PHONE .. 1lCHARGE: UC PEOPLE NON-UC PEOPLE50* per line 75* per line40* per line to repeat 60* per line to repeatThere are 30 spaces per line, including all letters,spaces, and punctuation marks. Circle all lettersto be capitalized.All ADS PAID IN ADVANCEDorothy SmithBeauty Salon5841 BlackstoneHY 3-1069 HEADINGS: There is no charge for regular headings (i.e.,For Sale, Space, People Wanted, etc.). Your own heading(15 spaces) costs $1.00 (75* to repeat) per line.open 7 A M.-7 P.M.Mon. thru Fri.closed SaturdayHair Cutting Wedgies • etcTinting - Bteach.ng - Permsonly the ties'Call for apptEVE CX AMIN ATIOMSFAHSHION EYEWEARCONTACT LENSESDR. KURT |ROSENBAUM &Optometrist |(SR Kim bark Plaza) $[1200 East 53rd StreetHYde Pork 3-8372 f HEADINGAdvertising deadlines for Tuesday editions, 12 :00 noon the orecedinn Fnriaufor Friday editions, 12 00 noon the preceding Wednesday P “ 8 F d y’2-The Chicago Maroon-Friday, January 21,1977Kenwood-Oakland abandonment studyStudents complete housing projectBy RUSTY ROSENAlthough 30 percent of the housing in theKenwood-Oakland neighborhood north ofHyde Park is unoccupied, the neigh¬borhood “has the potential to become,once again, a popular, economically viableportion of the city,” according to a student-directed study made here last year.The six-month $21,000 study, funded byUie National Science Foundation, wasinitiated by students in the University’spublic affairs program.Housing abandonment in Kenwood-Oakland was found to be the end product ofa process begun with white flight and theinflux of blacks of a lower socioeconomicstatus, followed by an increasing inabilityof landlords to maintain buildings and payproperty tax because of falling rents.Neighborhood deterioration decline, theresearchers suggest, was accompanied bya decline in city service, higher crimerates, and poorer schools.The growth of more attractive neigh¬borhoods elsewhere in Chicago and in thesuburbs over the past decade compoundedthe problem, making it increasingly dif¬ficult for landlords to attract high incometenants to the area, according to thereport. The group recommended a large-scalerehabilitation of housing in the area,emphasizing programs that would notforce residents out, including tax breaksand other incentives for landlords torehabilitate their properties, the creationof new commercial strips to provide high-quality, low-cost goods and services. As aleast desirable alternative, the authorssuggest that continued neglect will lead tofurther declines in real estate values,possibly to a level making reinvestmentand new construction possible.The study was proposed by a group ofundergraduates in the public policyprogram in late 1975. Brad Wilson, CarolWilinski, John Tuohy, and Mitch Martinstarted the project because they found thatthe current literature on housing aban¬donment to be inadequate.Working on the study gave the students“a greater realization of how bad urbanblight is and a real feeling of how bad itmust be to live in a blighted area,” saidJohn Tuohy.“We did run into a number of residentsin the area that were optimistic and notoverwhelmed by the condition of thecommunity they lived in. Finding andmeeting people like that was a goodfeeling.”UC hires publicity chiefThomas R. Mullaney, senior editor withthe City University of New York (CUNY),has been appointed to succeed Hoke Norrisas the Director of the Office of PublicInformation on February 1.Norris, 63, resigned in December, aftertwo years as Director, to return to free¬lance writing and editing.Mullaney, 34, received his M.A. in in¬ternational relations in 1968 from theUniversity of Chicago, after completinghis undergraduate work at Fordham University. Prior to his position at CUNY,Mullaney was an assistant economicseditor for Business Week.Mullaney will be responsible for ad¬ministering the Office of Public In¬formation, which comprises severalwriters and professional publicists whowork with local and national media topromote the University of Chicago.Mullaney could not be reached forcomment on the appointment. Fallers from 1initiative to find more young women, andto take them seriously.” She commentedthat although more women had been hiredat the junior faculty level since the lastreport to HEW, she stressed that womenhave not been granted tenure morefrequently than in past years. Affirmativeaction compliance at the faculty level, was“just the tip of the iceberg,” she said.Fallers views her appointment as areflection of “increased awareness”within the administration, suggesting thatit was part of an extended process of“consciousness raising” within theUniversity.Fallers sees the installemnt of a new,Democratic administration as addedimpetus for change. She said that although“major social change takes a long periodof time,” the vigor President Carter hasdisplayed in advocating equal opportunityfor women and minorities may speedchange.The progress the University has madeon affirmative action may soon be put toan important test. The Law SchoolWomen’s Caucus has asked HEW toreview the search and hiring procedures atthe Law School. Both Fallers and Chemickdeclined to comment on the complaintcharges filed by the Caucus this week.Library from 1current records on the staggering numberof serials (newspapers, magazines,journals) which the library acquires.“The cost of serials is what is runningmany research libraries into the ground,”said Rob McGee, assistant director oflibrary systems. “Out of 3.76 millionvolumes in the library, there are 1.39million titles, which means that about 40 to60 percent of library materials are serials.“The serials never stop and every yearthe University subscribes to more,” hesaid.The new system will offer some newcapabilities to users and staff as well assome drawbacks. Although automationwill speed communications and tran- Law from 1Stanely L. Hill, the black attorneyresigned from the University affiliatedprogram next month, expressed sympathywith the complaint. “Because of the lawschool’s reputation and impact on thecommunity, it should at least be morerepresentative of the community as awhole,” Hill said. “Not enough has beendone, and what the women’s caucus istrying to do is a good thing.”“I’ve been affiliated with the law schoolsince January, 1975,” Hill said, “and in theentire period of time that I have been af¬filiated, I have never been questioned bymembers of the faculty if I know anypeople who might be interested in makingapplication to the faculty.”The complainants expect a responsefrom HEW by next week. According toTom Esbrook of the higher educationbranch of HEW’s civil rights office, theoffice is “still evaluating” the complaint,in accordance with Title 9 of the 1972higher education amendments.Title 9 investigations normally takethree to four months. The process includesscrutiny of data provided by the institutionunder investigation and interviews withboth the complainants and the respon¬dents.sactions, operations will occasionally bedisrupted by the unexpected “down time”periods when the computation center’sIBM 370 computer becomes inoperative,necessitating manual transactions whichlater must be entered on the computer.Long waits may also be possible duringpeak periods of computer usage.The project began with a $600,000 grantfrom the National Science Foundation in1966 In 1971, it received $800,000 jointlyfrom the Center for Library Research andthe National Endowment for theHumanities.The Joseph and Helen RegensteinFoundation gave the project $350,000 forthe development of machinery for theentire project.The Peugeot Sale:The kind of car you wantto drive. At the kind of priceyou want to pay.Save on a Peugeot504 Wagon. It’s morethan a squared-offsedan, because it’sdesigned as a wagonfrom the ground up.Save on a Peugeot504 Sedan. The room¬iness, equipment, andquality construction of aluxury car, with theoperating economies ofan economy car.*Save on a PeugeotDiesel Sedan. It never needs tune-ups,and runs on a fuel that nationally averages 11 cents a gallon less than unleadedgasoline.*Save on a Peugeot Diesel Wagon. The only car in America to combinethe practicality of the Diesel with the practicality of the station wagon.Sale ends February 28, 1977.*EPA mileage results (transmission M4): 24 mpg highway, 17 mpg city (in California, 23mpg highway, 17 mpg city). Actual mileage depends on where and how you drive,optional equipment, car maintenance, and other variables.* Federal Energy Review, August, 1976.1341 Woufh Mtctogan Av.no.CtaM*. Itt.noM (MUAr»« Cod. 312 / IH HU Sunday • January 30, 1977 • 4:00 P.M.ROCKEFELLER MEMORIAL CHAPEL59TH STREET AND WOODLAWN AVENUE • CHICAGORICHARD VIKSTROMconductingTHE ROCKEFELLER CHAPEL CHOIR AND ORCHESTRAJ. S. BACHMAGNIFICATCANTATA 4"Christ log in Todesbanden'THIRD SUITE IND MAJORFOR ORCHESTRATickets: Reserved 56.00 Chancel Seating $5.50General Ad mission $ 5.00 Students $2.50Group rates available upon request. For information call 753-33S1On Sale: Cooley’s Corner, 5211 Harper CourtReynolds Club Box Office, 57th Street and UniversityMail Orders: Rockefeller Memorial Chapel59th Street and Woodlawn AvenueChicago 60637Pleas*, mule*.' checks payable to The University of Chicago and enclosestamped, self-iuldrcssed envelope.THp Chir&gc Maroon Friday, Januar 1977 3; : :: ; ^ 55:.:V: : :A H . *, & , , •% • „„ .»>- :--^-i-v- ^ve. v.^4/L_^f_^_il_.;’-<v ^ *--* » - ->v <»,■- -\ C'Cvk-^iy'^^M. fi'CJ \*’i - ^■;Jfr!: ";> >«Undergraduates are not the only students onthis campus Both students and faculty have atendency to assume that all teaching is for thebenefit or entertainment of undergraduates.They imply that graduate students are nevermere beginners at something, are never puzzledby the complexity of material, are never seenattending classes. They imply that graduatestudents are always working intimately with asingle member of the faculty on some profoundresearch. Undergraduates who often findthemselves registered for courses which arecross listed as graduate courses know better,Despite the fact that teaching is a necessaryand ubiquitous event on campus, the systemdemands its neglect. Faculty members com¬peting for tenure have no choice but to play bythe accepted rules. Publishing, not pedagogy, iswhat counts. Young faculty members muststruggle to prove themselves as academicsuperstars. Particularly now that the Universityhas stopped doling out tenure freely and is ex-tending the number of years that a candidatemay be a non-tenured member of the faculty,prolonging the fight to win tenure, teaching takeson a low personal priority.Yet, it seems that now is precisely the timewhen teaching ought to become important. Itslimited funds allowing for only a limited numberof tenured appointments, the University shouldmake the most of its money and offer tenure onlyto those who are acclaimed both in scholarshipand teaching. The University is confronted witha buyer’s market.The University’s Committee on Criteria ofAcademic Appointment concluded five years agothat teaching ability should run a close second toresearch ability in assessing a tenure candidate.The Committee, known as the Shils Committee,recommended that “advisory studentassessment of candidates for appointmentshould be taken seriously, particularly withregard to teaching performance and graduatesupervision.”5 If the University is to implement the recom¬mendations of the Shils Committee, a coor¬dinated system of student evaluation of teachersis necessary. Evaluations by students are ac¬curate and valid; they are, in fact, the onlyreliable gauge of teaching.The student advisory committees to thedivisional masters are the most appropriatebodies to handle the evaluation of graduate andundergraduate teaching. These committeeshave made laudable preliminary steps towardan overall effective evaluation system. Morethan that, these committees are thankfully freeof the prankish political orientation that so oftenoverwhelms our Student Government.In these strange times when the prize of tenureis only slightly more common than the Nobel, weurge the departments, deans, and ad¬ministrators who make tenure decisions to recallthe words of the Shils Committee. We urge theUniversity to put our money where its mouth is— to lend financial support to a system ofteacher evaluations and to respect its con¬clusions.The Chicago MaroonFounded in 1902Production Manager: Michael DelaneyGraphics: Chris PersansBusiness Manager: Niko MaksimyadisAd Manager: Doug MillerEditor: Peter CohnNaws Editor: Dan WiseFeatures Editor: Jan RhodesSports Editor : David RieserPhoto Editor: Dan NewmanAwociete Editor: David Blum' “ Staff / - -Tony Adler, Earl Andrews, Steve Biock, EllenClements. Nancy Cleveland, Nina Cohen, SkyeFackre, Abbe Fletman, Brian Foster, Mort Fox, Jeff, Hackeft, Andrea Holliday, Burt Itzkovitz, BonnieKunkel, Fred Mac Rae. Dan Mansuefo, BruceMcLaughlin. Pat Mercer, Elaine Monchak, KrisOrgan, Dan Patterson, John Prunskis, RW Rohde,Ma^k"1Woodworth Stratton' Caro( Studenmund,The Chicago Maroon is the student newspaper of theFridays during the regular academic year. TheMaroon o'fice is located at 1212 E 59th St, Chicago,. Illinois 60637. The telephone number is 753 3263.• •■■■■■ y ■■ ■■ ■■ ■■ ■■ - ■. ■ ,■■■Th«C‘ <cago Maroon Friday, January 21,1977 Law students'We are writing to lodge acomplaint against the Universityof Chicago Law School becausewe feel we are injured by itsfailure to hire women andminority faculty members andstaff attorneys.According to the enclosedUniversity of Chicago Law SchoolAnnouncements for 1976-77, of the34 Professors and VisitingProfessors, none is a woman or amember of a minority group. Ofthe six Lecturers and VisitingLecturers, none is a woman or amember of a minority group. Ofthe six staff attorneys at theMandel Legal Aid Clinic, af¬filiated with the Law School, noneis a woman or a member of aminority group. Of the three staffattorneys of the Woodlawn Officeof the Criminal Defense Con¬sortium of Cook County, af¬filiated with the Law School, noneis a woman and one is a minoritygroup member. The minoritygroup member is resigning onFebruary 1,1977.During the 1975-76 academicyear, the Law Women’s Caucussubmitted to the Law SchoolAppointments Committee a list of38 women, including minoritywomen, whom we felt meritedconsideration for faculty, lec¬turer, and attorney positions. Representatives of the Caucusmet with the Dean of the LawSchool, who requested that thelist be pared down since theAppointments Committee hadlimited resources to investigatepotential applicants. The LawWomen’s Caucus then submitteda list of ten names. Thislimitation by the AppointmentsCommittee was disturbing, sinceto the best of our knowledge, theLaw School does not advertise itsopenings, and only names whichcome to the AppointmentsCommittee by recommendationare considered.Since all AppointmentsCommittee meetings and recordsare closed to students, it is im¬possible to know how seriouslyany women or minorities wereconsidered for Dositions. It isnoteworthy, however, that thewomen on the list included for¬mer Supreme Court law clerks,professors of law, and womenwho have subsequently acceptedteaching positions at other lawschools. Yet a comparison of theLaw School Announcements forthe past two years shows thatwithin the last year there havebeen five new appointments atthe Professor and VisitingProfessor level, three new ap¬pointments at the Lecturer and Visiting Lecturer level, and sixnew appointments at the StaffAttorney level. Of these, nonewas a woman and only one was aminority group member.A new list of 58 women wassubmitted for consideration toProfessor James White, Chair¬man of the AppointmentsCommittee, in the fall of 1976. Weare aware of no plans to hire anywomen or minorities, and we feelthat we have taken every steppossible within the institution toencourage the hiring of womenand minorities.Our belief that highly qualifiedwomen and minorities are notbeing considered for teachingand attorney positions at this lawschool leads us to file thiscomplaint. Despite the fact thatother major law schools havefound qualified women andminority faculty members, theUniversity of Chicago Lawfaculty remains exclusivelywhite and male. To protect ourinterest as students in having thebest possible faculty, wetherefore request that you makean investigation and takewhatever action is necessary toassure the rights of women andminority group members to fullconsideration for availablepositions.Letters policyThe Maroon encourages itsreaders to submit letters to theeditor. Letters are not cut orchanged by the editors.Studentreturns diplomaTo the editor:In response to the recentdecision regarding the em¬ployment of Professor WilliamSwenson, I hereby publiclydisavow the legitimacy of myUniversity of Chicago degree. Iam returning my diplomabecause I consider this thing ameaningless skin, if it onlyrepresents the completion of acourse of study that has beenadministered by someone un¬deserving of the confidence of hispeers. The decision means,moreover, that the committee ofscholars (Professors Olsen,Isenberg, Wick, Playe, McKeonet al.), who formulate andprescribe this course of study,are by implication — inasmuchas they have given this man theirtrust and respect — persons of*feeble judgement. For their ownpart the administrators of theUniversity have, in this decision,denied confidence not only to aperson, but also to the entiredepartment of which he has been,de facto, the co-ordinator andinspiration.I have been part of thatdepartment, and am forced toone of two conclusions. Either myexperiences in the College — witha man I stupidly considered oneOf my finest teachers, in aprogram I thought exemplifiedwhat the College was all about —were worthless, and I have noteven begun to be educated; or theadministrators of this Universityare completely alien from itsaims, its distinctive character,and esprit-de-corps Given the former, 1 must have been un¬worthy to receive an academicdegree; and given the latter, theofficers of this place were unfit toconfer it. Whichever — I believemy name should be struck fromthe records of the University ofChicago.With shame and regret,Thomas A. KeenanEditor’s Note: William G.Swenson Is an assistant professorof humanities in the College.WHPK protestsTo the Editors:WHPK-FM, the University ofChicago’s non-profit educationalradio station has been thwartedin its attempts at stereo con¬version by the University’s ad¬ministration.Since November 1st WHPK hassought the release of a $3,300alumni gift to the station. Thefunds were assured to the stationby Acting Advisor and director ofStudent Activities, Riley Davis.Mr. Davis claimed, that uponreceipt of a stereo conversionequipment list, there was a 95-99% chance the funds would bereleased. The week of December10th WHPK submitted a stereoconversion equipment listamounting to $3,069. Prior to this,In anticipation of a stereo con¬sole and with the approval of Mr.Davis, WHPK sold its secondstudio production console,necessary for all taping andauditioning work, in order tocreate space.To this date the funds have notbeen released. Without aproduction or stereo console ourproduction work is disrupted, oursignal is still mono and ourcontrol room console has no backup in case of equipment failure.Dean O'Connell’s explanationfor holding the funds was thatWHPK’s “student experts” werebiased and unreliable There is nodenying that WHPK members are biased towards the station’sinterests, but in view of ourpresent situation, reliability isnot a description the UniversityAdministration should uselightly.Michael HoffStation ManagerHarris prizesaid wealthyTo the Editor:The Maroon’s coverage of thenew Abram Harris prizes hasthus far been misleading.Although it is true these prizesare intended to reward“achievement,” for studentsalready in the College the Harriscommittee chose to define thisword in an unusual way.In assessing a student’sacademic record, the committeefirst estimated his ability bylooking at his S.A.T. scores, highschool grades, and initial collegegrades. Then later college gradeswere measured against thisability: if later college gradeswere better than expected, astudent had “achieved.”For instance, someone whoimproved his college grades“-achieved” more than someoneelse with steadily high collegegrades. Someone with lowS.A.T.’s and high college grades“achieved” more than someoneelse with the same grades, buthighS.A.T.’s. Such details may beconfirmed with Loma Straus,Dean of Students. . :In addition, of course, theprizes are not based on financialneed. So who receives aid underthis new $30,000 scheme who didnot receive it before? Studentsfrom wealthy families, with lowS.A.T.’s, low high school grades,Or low first years college_grades!Richard Biemacki3rd year, the College- - - & /f- / .V :VIn® ciitv l >ou rn QThe Chrcago Maroon's Weekly Magazine of Criticism and the ArtsLooking Back at \HKK — the Gol den.DaiEdward R. Murrow Teddy WilsonA New Channel,a New AgeBy Peter CohnIn the opening scene of Network,two aging veterans of the electronicnews business sit in a New York barfelling bad jokes about Murrow daysat CBS. Fittingly, an unseen narrator— in the mode of a Lowell Thomasnewsreel — begins the story of Net¬work.Howard Beale, a graying UBS-TVanchorman (Peter Finch), has beenfired because of poor ratings. He'sgetting drunk with his old newroombuddy, Max Schumacher (WilliamHolden) the flabby, rocky voicednews director.The next two hours tell the story ofan epocha1 generation gap — a clashbetween the values of men who are aproduct of the glorious news teams ofWorld War II and the prioritized goal-oriented procedure modules of thetechnocratic elite of the post-warboom.Howard Beale cannot accept theobsolescence of his world view andihis rejec*:on by the network. So hegoes nuts He first announces he isgoing to t!ow his brains out on TV.When he g^ts his chance to apologize,he ir.stec ilks about the bullshit of life. "Life is bullshit," he says, "and Idon't have any bullshit left."When Beale goes off the deep end onTV, the way is paved for *his ex¬ploration by the systerh that hadsought to get rid of him. DianaChristianson (Faye Dunaway), thedriven vice president for program¬ming at floundering UBS, sees inBeale a chance for a bold gambit forrating shares—Beale will become thenetwork's "angry prophet denouncingthe hypocrisy of our times." Theevening news becomes a forum forBeale's raving denunciations of asociety that appears to be fallingapart and for the anchorman appealsto the viewer to reassert his in¬dividuality. Beale urges his watchersto stick their heads out the windowand scream "I'm mad as hell and I'mnot going to take it anymore." Theirony is that Beale has become asocio-political Werner Erhart of theairwaves. "Go to your gurus, go toyour gods, go to yourselves," Bealepleads.As Beale evolves in his messianicrole, the network puts his show under(continued on page 2) Wilson at the Ritzthe RumprollerIf Teddy Wilson were the onlyremaining spokesman for those yearsbefore the war, that would be suf¬ficient. Fortunately he is not, butthere is no more perfect way to ex¬perience the spirit of the late thirties,and early forties than to hear Wilsonplay (preferably at the Ritz).Last time I wrote about the Ritz itwas during the engagement of Earl"Fatha" Hines. There are manythings I left unsaid. The Ritz mixes itsgin-and-tonics with Schweppes tonicwater. It has the finest coffee in all ofChicago, and it employs the finestpianists in the history of jazz ascocktail pianists.Teddy Wilson is a musician onemust love in order to enjoy. He wasnot so easy to love his first set at theRitz:"Good evening, ladies and gen¬tlemen, and welcome to the beautifulbar of the Ritz-Carlton. And now it ismy pleasure to introduce TeddyWilson.""One O'Clock Jump""...and that was "One O'ClockJump" by the great Count Basie. Andtonight I'd like to play some of thepieces I played with the BennyGoodman trio, some of the pieces bytne great composers Fats Waller George Gershwin, and Cole Porter.But first Duke Ellington...""It Don't Mean A Thing If It Ain't GotThat Swing""Don't Get Around Much Anymore""Solitude""Satin Doll""I Got It Bad And That Ain't Good""Take The "A" Train""...and that was Duke Ellington.Before I continue let me introducesome of the finest musicians I havehad the honor of playing with in a longwhile, Eddie DeHaus on bass andTony Bel Ison on drums. And now forsome of the pieces featured in theBenny Goodman trio...""Avalon""Stompin' At The Savoy""St. Louis Blues""Don't Be That Way""Ain't Misbehavin''"Sweet Georgia Brown""Basin St. Blues""Whispering""I Can't Get Started With You""Rose Room""Thank you very much. In a minutethe trio will be with you for yourdancing pleasure. Thank you verymuch and good night."Wilson had whipped through these(continued on page 2)The Grey City Journal - Friday, January 21,1977 - 1Network(continued from page 1JChristianson's department and give ita "Lets Make a Deal" format. Bealewalks out onto a blue lit game showset and before an audience of soulslost in the dehumanization of our agehe preaches EST. He finally steps outof line, however, when he announcesthe merger of the network parentcompany, CCA, with the WesternWorld Funding Corporation, "aconsortium of banks and insurancecompanies" acting as a front for theSaudis.Beale has gone too far —and onlythe chairman of the board can sethim straight. In the climactic sceneof the film, Chairman Jenson (NedBeatty) shows that he too is a secretevangel of a messianic spirit — but hehas evolved beyond the humanisticidealism of Beale and has recognizedthe zietgeist of our age.He delivers a sermon on our newholy order — which Beale, in hispopulistic denunciation of the cor¬porate merger has profaned."The world is a college of cor¬porations determined by the im¬mutable by laws of business. It hasbeen that way since man crawled outof the slime. There is one vast ec-cumenical holding company. . . Wewill reach an age where all needs areprovided, all anxiety tranquilized, allboredom amused."Beale is converted. "I have seen theface of God," he says. "You justmight be right," answers Jensen."But why me?" asks Beale. "Becauseyour on TV, dummy," intones Jensen.While Beale is exploited by thecorporate technocracy, his old palMax Schumacher is being raped bythe zealous programming director,Christenson. Walter Cronkite is beingemasculated by Barbara Walters.Their relationship makes little sense,particularly because PaddyChayefsky's dialogue is so em¬barrassingly unreal. For example;take the scene in which the liaison isestablished, and the generationsbridged:Christenson: My soothsayer toldme last week that I am going tobecome emotionally involved with acraggy, middle aged man.Shumacher: What are you doing fordinner tonight.Christenson: (talking into thephone) I can't make it tonight, love. Shumacher: Do you have a favoriterestaurant?Christenson: I eat anything.Shumacher: I've got a feeling I'mbeing made.Chrisfenson: We'll see.Their relationship is as believableas the dialogue, and once again theconflict of world views comes intoplay. The clash is put on a personal-sexual level. Max can't figure out whyhe's fallen in love with a prematureejaculator. "I'm not sure if she'scapable of any real feeling" hesays. "She's television incarnate; shegrew up on Bugs Bunny.""Are you in love with her," asks hiswife. "I don't know how I feel. All Iknow is that I'm obsessed with her."Says Max's wife, "You're in forsome dreadful grief, Max.""Yes, I know," he answers.The irony of Howard Beale andMax Shumacher, and of the WalterCronkites and of the Eric Severeids, isthat they are more dignified andarticulate than the world they reporton nightly. Churchill and Roosevelthave been replaced by SqueakyFromme and Gary Gilmore. Themasculine camraderie of the Murrownews team has been replaced by in¬stant replay and Nielsen ratings.Howard Beale, before his "cleansingmoment of clarity" is a mass symbolof a world left behind, a world of greatpowers and articulate ieadership.Before Network came out, it wassuggested that the movie be theDoctor Strangeiove of the seventies.In coming close to fulfilling that ex¬pectation, Network is a significantmovie. Social and political insight ishard to find in the recent Americancinema — Lumet's Dog Day Af¬ternoon and All the President's Menare two noteworthy exceptions.Network has something to say aboutthe corporate world and about thepeople who work in it.But Network is not in a class withDoctor Strangeiove. As a denuncia¬tion of TV, Network is an impassionedstatement, but it is not consistentlyfunny, Contained within the clichedTV satire and the awkward dialogueis a compelling statement on theworld of toasters, microwave ovens,and radial tires, but Chayefsky getscarried away with his indictment andblowing his plot and his charactersinto unbelievable proportions ofgrotesque verbal excess. There is azone of intelligence and wit dividingthe obvious and the unfunny from theperceptive and amusing — andChayefsky unselfconsciously passesfrom one end of the zone to another. Teddy Wilson(continued from page 1)pieces as if all were one and none wasworth the paper it had been printedon.I was disappointed. The audienceseemed satisfied enough, at pointsinterjecting comments like, Boy,doesn't that take you back!". ButWilson is a poet who had refused tosing.Actually the thing only began tomake sense once the house trio took tothe stage and people got up to dance.They haven't lost it at all, each coupleexhibiting the steps in vogue whenthey were young.At one time people used to woothrough dancing. When you foundsomeone who danced the same wayyou did, you got married. The worldwas beautiful and what mattered wasif your partner dipped the way youdid, if knees would cock at the samemoment and in the same way.I engaged the man next to me inconversation."Probably the greatest thrill of mvlife was getting to know BillieHoliday. Me and my friends used to godown to 52nd street and in betweensets I would talk to her.""I bet she was beautiful.""Oh yeah, she was beautiful. Shehad such a stage presence."Another person joined the con¬versation. "She was having a problemwith drugs.""Oh yeah, she did. She was sobeautiful, so professional. And such aregular person once you got to knowher. So regular."At one point things begin to pile upand evidence could no longer passunnoticed. The Ritz is everythingmodern about money, made for ageneration that no longer wants tofeel what it's like to walk down thestreet, who don't want to be botheredby environment. But there is a con¬nection between these people andTeddy Wilson. At the moment he isnothing more than a cocktail pianistand you can tell he's sad about it. Hisplaying in the first set was on the levelwhich he left long ago to become ajazz great. The music that Wilsonplayed in the late thirties with hissmall groups is the most beautifulthing to come from the period,perhaps the most beautiful thing in allof jazz. The problem is that his con¬cepts are so beautiful and simple thatABORTION and CIVIL RIGHTSDISCUSSIONREV. E. SPENCER PARSONSDean of Rockefe’ler ChapelFounder and First Chair nan of The IllinoisReligious Coalition for Abortion RightsChairman of the Abortion RightsAssociation of IllinoisDENNIS J. HORAN, J.D.Lecturer in Law at U of C. Law SchoolCo-founder and member of the Board ofThe Illinois Right-to-Life CommitteeAuthor of the Human-Life AmendmentBacked by The NationalRight-to-Life CommitteeQuestions entertained from the audienceMON., JAN. 24,1977 - 7:30 P.M.IDA NOYES LIBRARY m JEWC Of CWCAG'D:Cf|tfTEF£ tM mm RUEDHl$mTUB. TAN 1$1-30 PM , AT hillel5TI5UOODLAUWTHE UNWRITTEN HISTORY OF JEWSIN THE LkBOR HOVENENT OFCHICAGO ELIZABETH BELANOFfCARL SHIERDAVID SIHIACTER. PETER PEROtUOC racieNTMTON they can be overlooked and classedwith the notes of men wifh whom hehas nothing in common.The second set was completelydifferent. By that point the bar hadthinned out to a few lonely late-nighfers. Wilson no longer had tocontend with obnoxious commentsand background noise. He didn't fireoff a "best of the period," as he hadthe first set; he played to someonewho was not there but who may havebeen listening. All of the beauty of theWilson style was there; the tur¬narounds that glide effortlessly fromone chord to the next; the singlepeari-like notes that transform amelody into a poem.Not once did he stop to tell hissidemen what he was playing next.There were long unaccompanied solosthat led right into uptempo, groupnumbers. DeHaus and Bellson faredwell but their work became irrelevantas Wilson's sound overwhelmed thebar. He didn't look up nor did heacknowledge the smattering of ap¬plause from the audience. He playedas he used to, and for a momentseemed to forget that it was fortyyears later and he was in the Ritz bar.The last piece of the night was "All OfMe."It was getting on to one o'clock, anathe bar was almost empty. The fewthat remained seemed more in¬terested in their brandy than whatwas going on on stage. Wilson played"All Of Me" a little up-tempo, as If topartially conceal something he heldprecious. The faintest smile appearedon his lips as he lingered over the lastfew bars.Yes, Teddy Wilson was there and hewas part of a priceless moment. Hewas the man who provided theoriginal accompaniment for BillieHoliday. He led the sessions in NewYork when the jazz experience con¬tributed its music to the best of times.For those who listen the notes linger.They speak of a time when rich menwould buy you drinks and everyonewas together for the greatest party ofthe century. Teddy Wilson was in themiddle of it all. You can hear it in thenotes he recorded then and oc¬casionally, like that night at the Ritz,now.Editor: Jonathan MeyersonnManaging Editor: Karan HellerAssociate Editor: Mark Neustadt, Mike SinoerMusk: Lukacs LeBag, Toby Hofslund,Deborah Hughes Bruce McLaughlin.Paul Gudei. Richard Brown.Theater: John Lanahar., Stephen Cohodes,Esther Schwartz, Christine Martinez,Charles HarveyArt: Carl Lavln, Chris Gauker, uuiie Siegel,Jane Salk, Gwen CatesDance: EdenClorfeneGraphics: Karen MolineThere IS a difference!!!PREPARC FORMCAT© DAT© LSAT© SATGRE • GMAT • OCAT • CPAT • VATOv#r3* years of experience end success Small classes Volumlnous home study materials. Counts that are consnntlv^ p a in 1V1 op#r! aiy* *■ **«R«hds all year. Completetape facilities for review of class lessons and for use ofsupplementary materials. Make-ups for missed lessor,s atour cintirs.ECFMG o FLEXNA« L MEDICAL be GcNTAL BOARDSFlenble Programs A HoursOu, D,oad * o* p., ,IOl, kt ^in*, , 'Mtias us ti. ,t»0, (hr if si , ,1 ,nn ,irq. ; ,cu »r<3i?i /r,4 ‘,ir.»?C,50 IV (.!». „Chn.iu,) it«, IViiD,., fnn(M ISrsi rl*8 . l4**or# *»*t|Ouis-d* Nv Sfriti* Oi/CALL„ Toff Free.jc ■*,800-221-9840 . MPIAMEDUCATtONAl CENTcRrrsf eftfParunoNSPECIALISTS SWCf '8J*2 - The Greg City journal - Friday, January 21,1977TheaterA Generous“Miser”By Mike SingerThe Miser,currently being staged by OldTown Players, is Moliere's comic attackon avarice and greed. Harpagon, the miserand father to Elise and Cleante, is thedriving force of fhe dramatic action.Harpagon attempts to manipulate hischildren in order to win the love ofMarianne, a girl who is young enough fo behis daughter. By manipulating hischildren, Harpagon prevents them fromfollowing fheir natural inclinations. By theplay's end, however, the happiness of Eliseand Cleante is restored, and Harpagondoesn't marry Marianne. Left only withhis treasure box of money, Harpagon'sgreed is chastised by humor. His childrenare the objects of audience sympathy,since they are now allowed to live simpleand direct Ifves in accordance with nature,not artifice and deception.The Miser was written in the 17th cen¬tury and although avarice and greed areattacked as universal evils, other wrongsof more timely social significance areridiculed. The power the French fatherhad in choosing the spouses and careers ofhis offspring, the extravagant manner inwhich a 17th century bourgeois householdtried to ape the manners of the Frenchnobility, and the ludricous ceremony andetiquette involved in simple chores ofquotidian life all come under attack.By setting The Miser in the 1930's,director Michael Maggio has disregardedthe play's criticism of a 17th centuryFrench famiiy or assumed that thosefamilial conditions existed in the '30's aswell. The latter isn't true, and to try tojustify Harpagon's parsimony in terms offhe American depression adds charactermotivation external to the script. Besidescausing conflicts in historical fact,Maggio's update engenders some blatantstylistic incongruities. The cast addressone another with such formal and archaicappellations as ''your humble servant" incostumes that are casual and rathermodern. The set is a perfect embodimentof the conflict between the two timeperiods: there is a French, provincial sofanexf fo a modern calculating machine, anda Gainsborough portrait below an electricchandelier.Stylistically and dramatically thesecriticisms would seem to be groundsto condemn Maggio's production. This, however, is impossible; Old Town Playershaven't really perverted a play» butenhanced it.Fortunately, Maggio didn't tamper withMoliere's script in an attempt to moder¬nize the dialogue. Instead, his cast uses acombination of schmaltz and camp tosentimentalize and parody the situationsand characters. The result is heightenedfarce-the law officer becomes a Bogartgangster, Marianne has the air of a MaryPickford ingenue, La Fleche has GrouchoMarx's gait/and Costello's voice, andHarpagon himself seems a bif like DannyThomas in an ascetic version of Life WithFather. Every so often the action is punc¬tuated with melodramatic music, comicasides, blinking eyes, and gaping mouths.The characters are blocked in a widevariety of positions and patterns thatstrengthen the farcical anfics as well asthe deceptive artifices. In short, thiseclectic assortment of theatrical tricksdoesn't serve as shallow divertisement,but as a meaningful and excitingheightening of the play's comic overtones.The cast, headed by Ron Verson in therole of Harpagon, is first-rate. Much ofMoliere's characterization stems fromduplicity of motivation; the first-act scenebetween Valere (Michael Gorman) andElsie (Kathleen Melvin) masterfullybrings forth the character deceit with allits comic overtones. Barbara Steele, asFroisine, isn't physically endowed with thequalities of a conventional "femmed'intrigue," yet she won me over with hercunning alone. Playing the servants inHarpagon's household, Vivien Aladjem,Chris Fisher, Randy Paradise, andespecially Roberta Braucher are all en¬dearing and amusing. James Baiocchi,Dean Krone, Melinda Stinnett, and CliffUrbanski are the other talented membersof the cast.Patt Esvang's 1930's costumes are ap¬propriate for the characters; most of thecostumes have a certain foppishness thatheightens the farce. Despite its stylisticincongruities, Janice St. John's set suc¬cessfully suggests a proper mood of mustand decay by the preponderance of murkycolors and a few well-placed cobwebs.Cherie Rubel's lighting is especailly ef¬fective in the initial scenario. Phil Nauntoncan be praised as well for providing thesound behind such arousing numbers as"Happy Days Are Here Again" at theplay's end.If not happy days, at least a very happyevening can be had at Old Town Players.Moliere is rarely produced in Chicago, andthe excitement, originality, and marvelousfarce in this production makes The Miserdoubly good. The Mier will play onweekends through March 20. Tickets arevery reasonably priced, and can bereserved by calling the box office af 645-0145.THE HEBREW UNIVERSITYOF JERUSALEM1977/78 PROGRAMSFOR AMERICAN STUDENTS□ ONE YEAR PROGRAM (or college sophomores and juniorsCourses taught in both Hebrew and English.Q] REGULAR STUDIES for college transfer students towardB A and B.Sc. degrees[ GRADUATE STUDIES-Master s. Doctoral and VisitingGraduate programs[ SUMMER COURSES given in EnglishPLEASE CHECK DESIRED PROGRAMlrb For Application and Information writeOffice of Academic Affairs.American Friends of The Hebrew University11 East 69 St. New York. N Y. 10021 • (212) 472 9813Name .AddressJET CALIFORNIA$149 - $169ROUND TRIP BOEING 707 NON-STOP TOLA. OR S.F. VIA AMERICAN AIRLINESRecently C A B approved A B C. flights. Week¬ly departures. Full in flight meals/beverages.Pathfinder Corp., world wide. Over 450,000satisfied customers since 1961, includingthe US. Gov. Advance booking (35 days)requirement period. Must call at once to re¬serve space Europe & Hawaii also avail.CALL: 752-2348(24 hrs.) nTCraft & Mini-ProgramsArts • Crafts• HobbiesFor enjdyment theyear aroundFeaturing non-creditprograms inStained Glass,Calligraphy, Wood,Astrology, Cooking,Pottery, Tennis,Dancing, Yoga,Macrame, Theatre,Fencing, Guitar,Women’s StreetDefense& MORECall for free brochure567-3077Registration:Ian. 18-Feb. 12Illinois Instituteof Technology “The Wiz” and Show BizBy M. Am a tern noWhat is happening to "legit" Broadwaytheater in Chicago? Big time theatricalproductions have never done as well inChicago as in New York. Perhaps this isbecause we get them transplanted, oncethey start to dry up in the Big Apple. Incontrast our local theater is blooming.Current north-side productions like"Switch Bitch", "All I Want" and "Who'sHappy Now?" are excellent and diverse.They indicate vitality off-loop. But howabout in the loop? Can Broadwayproductions survive in Chicago?A couple of weeks ago we saw "SameTime, Next Year" at the Blackstone. Thisplay is an inconsequential two characterlight drama, billed as a comedy. It is notmuch funnier than the average TV sit¬coms and may be making money, but isunlikely to draw substantial audiencesfrom Hyde Park or the University ofChicago. We suppose that out-of-townconventioneers will go to anything, so there may be a place for this kind of thingin the loop. If it were staged at the VictoryGardens, Organic Theatre or Body Politic,it would probably have folded months ago.Last week a love tor Baum's "TheWizard of Oz" drew us to the loop again.We fought parking hassles and felt in¬dignation at inflated ticket prices, butmade it to "The Wiz." Six bucks for aSaturday matinee second balcony at theShubert."The Wiz" is a song and dance retake ofthe "Wizard of Oz" with an all black cast.Three tiers of massive speakers weremounted above the stage. Before thecurtain went up, they radiated a heavy,jivey disco sound that accuratelyforespoke the mood of the play. "The Wiz"is a lot of singing, good music, dancing, funcostumes and color.George Faison does an outstanding jobchoreographing, particularly when heworks with a limited number of dancers.The four men who abstractly play theyellow brick road and the dancers whoDlav the crows and poppies are nearlyfaultless. Sometimes with more than sixdancers, things get a big chaotic, but thisis consistent with the spirit of theproduction.With twenty-three songs, "The Wiz" hasas much or more singing than talking.None of the songs are so outstanding thatwe found ourselves unable to stop hum¬ming; they are, however, uniformly good."The Wiz" could be liberally called a popoperaAmong the principal characters, theTinman, Scarecrow, Lion and Witches areclever, comical constructions. The Wiz(played by Kamal) is well done, and onlyDorothy (played by Renee Harris) suffersin comparison. The problem here may bethe actress and not the character. Toooften Ms. Harris appears to be formula¬acting and counting under her breath tokeep pace with the performance aroundher."The Wiz" was enjoyable as a lightspectacle, not much different than the bigmusical productions that made Broadwaydecades ago. Much of the audience at thematinee were Brownies and Cub Scoutsfrom the South side of Chicago—there's noquestion that they enjoyed the show. Ofcourse the evening audience is likely to bea bit older."The Wiz" performed a miracle bybringing Broadway theater to a newaudience of urban residents. The play isvirtually sold out for several weeks tocome. Provided the producers keep inmind who the urban audience is, Broad¬way theater will survive in Chicago.PIZZAPLATTER14MLSMMl 3-2900FAST DELIVERY 1AND PICKUP jYo u n g Designs byELIZABETH GORDONHair Designers1620 E. 53rd St.288-2900VERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDINGATTRACTIVE IV, AND2 V, ROOM STUDIOSFURNISHED or UNFURNISHED*138 .o *2251 Short TermBased on Availabili'yAll Utilities includedAt Campus Bus StopFA 4 0200 Mrs. Groak NEW ARRIVALSM. ELIADE, No Souvenirs; Journal1957-1969, $15.00H-G. GADAMER, Ed., Seminar:Philosophische Hermeneutik, $5.20H. REICHENBACH, Laws, Modalities,and Counterfactuals, $10.75A. GOLDMAN, A Theory of HumanAction, $3.95C. PICKVANCE, Ed., Urban Sociology,$6.00D. NORTON, Personal Destinies: APhilosophy of Ethical Individualism,$4.95J. VINER, The Role of Providence in theSocial Order, $2.95SEMINARYCOOPERATIVEBOOKSTORE5757 S. University752-4381 9:30-4:00 M-FTh* Gr*u .Cttu Journal - Friday, January .21, 1977 • 3with the qualities of the mood it evokes.And while it is true that most ballets aregraceful by nature, this ballet is as tran¬sparently lovely as ever. If love issomething that gradually grows into fullbloom, this ballet is satisfying because themovement and its qualities reflect this.Each couple has a solo, and each onefurther develops the gentle climax. Thecircles get progressively larger, the liftsbecome more exquisite and daring. Thebrief work was poetically tight and con¬vincing as the movement and its carefuleconomy alone conveyed the emotion ofthe title.Maurice Bejart's "Songs of aWayfarer," set to the Mahler score, wasmarred by a faulty sound system, provingunsetting not only to the audience but alsoto the dancers. This is a male duet forWayne and Rhodes, and what could havebeen a great opportunity for exciting maledancing, Bejart only gives the men aseries of isolated poses, long hard stares atone another, and sequences of Waynedemonstr ates-wh i le- R bodes- fol lows.Our wayfarer, played by Rhodes, is astudent of life who u.idergoes the painfulteachings of his spiritual master, playedby Wayne, in order to become a disciple.The conception has potential for apowerful piece of theater as well, if thedramatic aspects were not overdone.Maybe Bejhart was only too aware of this,for the main problem is a lack of a com¬pelling dramatic frame. Wayne wasmaster only by virtue of his ever-presentpenetrating stare to the audience, brisklyexecuted gestures, and authoritativecarriage. On the other hand, Rhodes wasquite a capable student, especially in hisability to strike a balance between suf¬fering and eagerness to learn.The highlight of the afternoon came withthe final work, Marcus Schulkind's "Andthe Dawn Surprises No One." The musicfor the piece was Beethoven's StringQuartet, Opus 130, starting with the thirdmovement—an unusual piece of music tochoreograph. But Schulking made ex¬cellent use of the work's persistentrhythm, and "Dawn Surprises" turned outto be a rather fast-moving, engaging work.As the title indicated, the curtain opensto five energetic, ready-for-action women.It seems to be a sort of exercise class. Notthat the movement is exactly calesthenic,but the women dance in unison, and withan amusing, near-automoton regularity.By Karen MolineQuartet, told the story of a love-lorn girlwho finally finds her mate at the end.Francix Szony's "Lovers" created aromantic, soft mood rather than at¬tempting a literal interpretation, while theworld premiere of a third version of "AnAfternoon of a Faun," set of course to theDebussy score of the same title, describesa fantasy of love."Lovers," choreographed to the secondmovements of Shostakovich's SecondPiano Concerto, was by far the mostsatisfying. More than an evocation of love,it is about three couples who love to dance.There are dozens of ballets similar to this,and it probably has received its greatesttreatment in Jerome Robbins' "Dances ata Gathering." But utter uniqueness is notalways a requisite for good choreographyor for sitting back and en joying it."Lovers" emphasizes the qualities oflyricism, grace, and flow, in accordanceGiselle or Odette, there are plenty who feelthat swans belong in ponds, not thetheater. Wayne and his company intend tostart from scratch, to build up a vital,contemporary repertoire (They callthemselves "a contemporary balletcompany") for an equally vital audience.It is clear that Wayne has enormousconfidence in himself, his dancers, andhis audience. Though the classics can bestultifying, they nevertheless are goodtemporary vehicles to get a companyestablished. But Wayne refuses to rely ontradition and is more willing to pay theprice for individuality.Another growing pain is also a lack ofdiversity, as the program on Sundaydemonstrated. No less than three of thefive works presented were variations onthe theme of love, two of which were set toDebussy scores. "The Still Point" by ToddBolender, set to the Debussy StringBy Eden ClorfeneDennis Wayne's Dancers, a year-oldcompany, is off to an auspicious start. Thecompany performed for the first time inChicago last Sunday at the Auditorium to avery receptive audience.The twelve members of Dancers arealready proven professionals. Waynecomes from ABT, Joffrey, and Harkness.Donna Cowen is also from the Joffrey,Lawrence Rhodes is from both theHarkness and Pennsylvania Ballet, BuddyBalough from the ABT, and Marilee Stileswas a long-time corps de ballet member ofthe New York City Ballet.One of the reasons Wayne formedDancers was to get away from theclassics, the ballets which everybody hasseen before. And while there are somedancers who feel they have not proventhemselves until they've taken a shot atWalt Disney’sSNOW WHITE RNDTHE SEVEN OWRRFSFRI., JRN. 21 6:: Cobb Sf.SO, 8:30,10:30. Rian Resnais’STRVISKYSUN., JRN. 23 - 7:15 5 9:30 Cobb SI.50js.«L t ^ d*'-" ‘ y&r*-’ ' : '*.. • - ..*«;*'.* r :.rDanceDennis Wayne:the Old and the New\\7*e7rti V GUITAR CLASSESstarting Monday, January 24Youth and adults, beginnersand intermediates. Also SaturdayShotD c,asses in banjo, recorder, auto-j harp, advanced guitar and fiddlebeginning Feb. 5.fiwS Nerprr )*<#» Warjptrxn-foto Register now and reserve yourplace in class. BRENT HOUSEFriday 4:30 - Sherry HourSunday 5:15 - Vespers5:45 - Social Hour6:15- Supper ($1.25)7:15- Program - Bring a PoemTo ReadWednesday 4:00 - Theological ForumMr. Don Browning(Breasted Hall)MWe Otter Top-Ouaiity Mechanical ServiceTune-Ups * Electrical * Brake SystemExhaust System * Other RepairsConveniently Located at5508 S. Lake Park(Gateway Garage Bldg -Downstairs)Monday Saturday. 9am 9pmCALL684-5166RIP-OFFAUTO REPAIRFOREIGN CAR SPECIALISTSSERVICE ON VW & AUDI With This Ad Only2 drawers files $354 drawer files $45Drawing Tables $65BRAND EQUIPMENTASUPPLY CO.8600 Commercial Ave.Open Mon.- Sat. 8:30- 5:00RE 4- 21114 - The Grey City Journal - Friday, January 21,1977 A FINl CIGARCOMPIFTB TOUR DIMMERTWAT TOUtSUF J £AND TOUR GUESTSTHE OMIT ONE Of IT S KINO IN THE H R. AREApipe^hopAt Harper Court Shopping CenterSMS S'. Herper C- 7 788 S1S1ROCKEFELLER MEMORIAL CHAPELSUNDAY, JANUARY 239 A.M.Ecumenical Service ol Holy CommunionUniversity Religious Service11 A.M.AVERY DULLES, S.J.Professor of Systematic TheologyCatholic University, Washington, D C.“THE UNITY WE DON’T WANT ANDTHE UNITY WE DO WANT”Grey City Winter Record ReviewsJazzRYO KAWASAKI-JUICE: RCA APL1-1855; Ryo Kawasaki (lead guitar andstring synthesizer), Hugh McCracken(rhythm guitar), Tom Coster (Keyboardsand Synthesizers), Mike Lipskin (syn¬thesizer and percussion), Andy Laverne(piano on "Andes" and "East SideBoogie"), Stu Woods (bass), JimmyYoung (drums), Muhammad Abdullah(percussion) and Sam Morrison (tenor andsoprano sax, and flute).The liner notes on Ryo Kawasaki's solodebut album cannot but impress thereader. Here we tind Ryo to be the epitomeof the progressive musician: he's a vir-tuosic guitarist, an arranger, a composerof "new wave" electronic music, and healso plays synthesizer and builds guitardevices in his spare time. He has alsoperformed with an impressive array ofmusicians, including Gil Evans, CedarWalton, Chico Hamiliton and he presentlyappears with the Elvin Jones group. WelUthe album will disappoint the listener,because although Kawasaki fits manycategories, he is not especially strong inany of them.Ryo's tunes are not riding a new wave,but are straddling two old ones: a soul funkwave, and a jazz-rock one begun years agoby Chic Corea. In fact, he owes so much toCorea that his music sounds a bithackneyed. There is little originality inthe guitar work, either. On his fast, fuzz-* muffled scale runs, Ryo reminds me of AlDiMeola, and the only "clean" guitar solosounds like a mediocre Benson imitation.Usually, though, the guitarist gets caughtup in note-bending banalities."Raisins," "Sometime," "East SideBoogie," "El Toro," and "Bamboo Child"all suffer from similar problems. Thesetunes all generally begin with either a bassor drum intro and end with a cymbal crashand/or a screeching-slren-type syn¬thesizer sound, which tends to make themsound alike. This is only one symptom ofthe inferior arranging done by Kawasaki.Compositionally, all the tunes are ratherunmusical and cliched fragments throwntogether, with all the seams very ap¬parent. "Bamboo Child" deviates fromthis pattern slightly in that an ostinatobass line is repeated ad nauseum, withoutany reason. The two other songs on thealbum, "Andes" and "The Breeze and I"(the only non-Kawasaki tune), are donedisco style and are incredibly corny anddry.Saxman Sam Morrison deserves creditfor playing the only decent solos on thealbum. He couldn't save the session,though. Stu Woods' plodding bass lineskept the music firmly rooted to the ground,but left holes in the overall sound. TomCoster, the Santana keyboardist, wasusually buried beneath the arrangementon most of the tracks, but when he wasallowed some room to solo he didn't addanything. In particular, on "Andes" hisparallel fifths runs on synthesizer onlymade that song more dry.J/a/re JZeeI2e6tauzantDelicious tantonefe FoodF«*t Special Luncheon:$1.95Mon-Thun 11:30 AM 9:00 PMFri.lSat. 11:30 AM 9:30 PMSun. 3:00 AM 9:00 PMCLOSED TUES.643-3407 1316 E. 53rd St. OAK FURNITURE-ANTIQUESMFIMISMfD -4- AS IS1449 E. 5Sfh447-43401-6:00 PMTUES.-SAT. DesksTablesChairsDressersBookcasesMuchMoreAlso DoRefinishingVOULEZ—VOUS.VANS? 4 •1977 FORD CRUISING VANWe’ve Got Them...PLAIN OR FANCY.LeslyMotors Inc.L 2347 South Michigan AvenueChicago, Illinois 60616Area Code 312/326-2550SALES PARTS/SERVICE LEASING The album could have been better evengiven the limitations imposed by the tunes.The instruments were out of tune on someof the cuts, and this is just an indication ofa sloppy performance. The lack of spon¬taneity could have been somewhat rec¬tified had the backup band and thearrangements been better. I don't want tomake it seem that Ryo is without talent asa guitarist; he may just surprise us in afew years if he strays from his influencesand develops a more original style.Richard BrownClassicalProkofiev: Cinderella (Music from theBallet), Britten: Young Person's Guide tothe Orchestra (Variations and Fugue on aThem by Purcell); Andrew Davis con¬ducting the London Symphony Orchestra.Columbia M33891.This is Andrew Davis's debut on theColumbia Masterworks label, and thealbum does much to explain the youngBritish conductor's fast-growingpopularity and critical acclaim. HisCinderella is exhilaratingly powerful, andhe makes the ultimate use of the romanticcharacter of the music without making itsound schmaltzy or overly sentimental.Britten's piece comes across in all itsmajesty, also imbued with tremendousenergy. Davis realizes the full potential ofthe music, as he closely observes detail,and remains faithful to the composers'intentions. His choice of music for thisalbum is excellent. Prokofiev is one of the great 20th centurycomposers who seems to get slighted onthe concert program, but I'm glad to seethat his music is well represented on therecent recordings. Cinderella is one of hislater works, having been completed In1945. The piece is modern, yet veryromantic in mood. It is Prokofiev at hismost lyrical. Perhaps it is less bold thanhis Romeo and Juliet, the most popular ofhis ballets, but all the same, it is moreunified in concept and fits its story better.To a great extend Cinderella does lackthe radicalism that typifies Prokofiev'searlier music, but I disagree with criticswho cite this as a weakness, or who regardits absence as purely a result of Russia'spressure on composers to simplify theirmusic. His Classical Symphony, written in1916-7, is in many ways similar in style toCinderella, and was composed at a timewhen the composer was free to write as hewished. He always greatly admiredHaydn, and I tend to believe that he wouldhave gravitated toward a more simplestyle In his later years without anypressure being put on him, as have manyother composers. Anyway, it is not valid tocriticise his style.Britten's selection was written as asoundtrack for a film, but it has been usedto introduce to young people the in¬struments in an orchestra, and has alsobeen performed without narration. It isdefinitely one of the composers finestpieces, and his treatment of Purcell'stheme is quite good. Especially interestingis the way at the end of the piece Brittensuperimposed the original theme over afaster variation. The music shows muchmore strength than a lot of the composer'sother works.Goodman Well AttendedBy Dan MundaneIf Mama ever decides to allow musicplayin' in here, Steve Goodman is ruined.He closed his act with the famous CarlMartin song, "Mama Don't Allow", lastSaturday night at Mandel Hall. He and hisnine-piece band of musicians alwaysmanage to excite an audience with thechallenge to Mama's authority.Musicians seem to depend upon suchcontrived means of interesting theaudience in his musicianship, but it isn't,always the best of which they're capable.Goodman's early set of folk tunes andbrief, beautiful versions of recent R & Bhits far surpassed any of the performancesby the Rolling Blunder Revue, whichoverpowered the audience through sheernoise.Had the audience only heard SteveGoodman and Jim Pest, as originallypromised, the concert might have beer,easier to judge. But Goodman hasorganized a band to orchestrate his loudersongs, and occasionally some of his set+erones. The performers were unquestionablytalented, but their chemistry was iost inthe mass of electronic equipment requiredto amplify things like clarinets andacoustic guitars.Goodman alone was brilliant. He per¬formed better than on almost any previousoccasion in a local night dub setting I canremember, and generated a great deal ofexcitement from the crowd. But thereseems to be this fear musicians likeGoodman have that unless they changesomehow, every few minutes, people willstart generalizing about their style ormusical taste. Goodman s tastes areeclectic, as he made clear; but he oftenuses that to his advantage.He has written a new song about MayorDaley, and this may have been the debutperformance. However, I doubt whether itwill go down in the annals of great politicalsongs—not even alongside Goodman's"Paul Powell" song, about the late IllinoisSecretary of State—despite the message itcontains. Goodman probably didn't realizethat though his audience was living inChicago at that moment, not that manypeople here are native Chicagoans or evenknow who Michael Bilandic is, let alonePaul Powell.It's hard to be critical of such an out¬standing musician, but Goodman iscapable of giving a far greater concertthan the one he put on last weekend. Whileit was exciting, energetic and fun, theloudness of it all masked the musicianshipand talent that has made Goodman great.A brief word about Jim Post if theaudience reaction was any measure, Jim^ost could crobablv sel* out Mandei Hall ’hotg by Jim Schmitzby himself. He is an outstanding singerand really knows how to perform, and I'mhopeful he'll get the opportunity to do soclown here in the n^r future.Otherwise, the commercial folk scene inChicago was nothing more than dismalthis past week. Tom Paxton gave hisshivering audience at the Ivanhoe lastSunday plenty of reasons to go back out inthe cold. It's amazing to me that greatartists like Steve Goodman have to run allover Chicago, from dingy bars to collegecampuses while Tom Paxton—whosetalent doesn't come close to Goodman—israking in money at fancy, over-pricedclubs like the Ivanhoe.The Grey City Journal - Friday, January 21, 1977 - 51Admission for CEF, NAM, InternationalHouse and week end Doc films is $1.50. Onweekdays. Doc single tickets are $1.00. AllDoc, CEF and NAM films will be shown inCobb ball. I House films are shown in theInternational House auditorium.SnowWhlte and the Seven Dwarfs (1937),produced by Wait Disney. (Doc) See ex¬tended review. Recommended. Friday at6:30, 8 30, 10:30.Seven Beauties (1975), directed by LinaWertmuller. (CEF) A bitter, ironic taleabout a man who kills his sister's loverpimp to save her from prostitution, getscaught and then pleads temporary in¬sanity at his trial. Consequently he is sentto an asylum, leaves to fight in WW 11, getscaught by the Germans and is put in aprisoner of war camp. You might not likeWertmuller but Giancarlo Giannini's(Seduction of Mimi, Love and Anarchy ) asthe Cowardly immoral scamp is nothingshort of miraculous. Recommended.Saturday at 7:15 and 9:30.Three Days of the Condor (1975),directed by Sydney Pollack. (I House) Ourboy Bob Redford wages a one-man battleagainst the sinister CIA. In the act ofescaping the forces of evil and justice, bothof which are after him, he kidnaps FayeDunaway and then makes love to herphotographs. In the end, his CIA superiorthreatens, "You're going to be a verylonely man," meaning that he is withoutfriends or sympathy for his cause. ThreeDays of the Condor is very similar; a verylonely movie, without friends or those whoadmire the confused plot. Saturday at 7:00and 9:30.Stavisky (1974), directed by AlainResnais. Serge Stavisky is often creditedwith having financially controlled theRiviera, crippling the French treasury andgetting France to give asylum to Trotskyand then having him exiled and sub¬sequently killed. This film is Resnais'sbrilliant portrait of a man and the age hecontrolled and formed. Everything about the film, Jean-Paul Belmondo and CharlesBoy e r's p e r f o rm a nces, thecinematography, Steven Sondheim'smusic, is as beautiful, complete and asfragile as cut crystal. Recommended.Sunday at 7:15 and9:30.Thit Traitors (1973), made by theArgentinian Greepo Cine de la Base.(NAM) The Traitor makes its politicalpoint by examining the life of one man.The main action of the film, set in the early1970's, centers on a union election in whichthe established leadership is challengedfor the first time by a militant rank-and-file insurgency, Barrera, the unionpresident, arranges for his own disap¬pearance and uses the "kidnapping" as apretext for the beating and torture of theopposition's leaders, interwoven with themain action are segments that traceBarrera's rise within the unionbureaucracy — from a militant Peronistorganizer in the early 50's, through in¬creasingly less principled compromiseswith management, to outright collusionnot only with management but also withthe AFL-CIO, the U.S. Embassy, and theArgentine military in the 70's. Theproducers decision to stress dramaticc oh e re n ce over B rec h tia n"estrangement" must be seen as apolitical as well as an artistic choice,because the film deals with a strugglewhich is as immediately "on the agenda"as any struggle could be. Now, with? Per ondead and his wife out of power, the bitterand bloody feud between the right and theleft in Argentina has intensified. And withSadlowski's bid for election only a fewweeks away. The Traitors becomes doublyrelevant : both to the struggle in Argentinaand to the increasing stirrings of dissentwithin the ranks of labor in the U.S.Recommended. Monday at 7:15 and 9:30.Show People (1928), directed by KingVidor. (Doc) A Southern girl leaves herGeorgian home to seek fame and perhapsfortune in mecca called Hollywood. AsPeggy Pepper (Peggy Pepo»re in her moreserious dramatic roles). Marion Daviesproves herself a very good comedienne, inspite of her liaison with William RandolphHearst. With appearances by Chaplin andDouglas Fairbanks. Tuesday at 7:30.Not So Dumb (1930), directed by KingVidor. (Doc) Marion Davies stars as Dulcy, a woman with a vein for tac¬tlessness, a talent for malapropisms, andan irrepressible penchant for broadcastinginformation which has been confided toher in secrecy. Luckily Dulcy's flood oferrors have a happy ending- With DonaldOgden Stewart and William Holden.Tuesday at 9:00. -Marquette Park: August 21,1976 (1976),made by Tom Palazzolo and Mark Ranee.(Doc) Doc says: "Not exactly a comedybut perhaps difficult to classify elsewhere,this documentary (receiving its Chicagopremiere tonight) shows some of theevents that occurred during a racialconfrontation in Chicago's MarquettePark this past summer. In this, his latestwork, Palazzolo continues to findstrangeness underlying social and politicalhappenings. Here, he directs his attentionto the neighborhood Nazis.Recommended. Wednesday at7:30, Innocence Unprotected (1968), directedby Dusan Makavejev. (Doc) Doc says:"Yugoslavian Dusan Makaveiev (WK:Mysteries of the Organism) reconstructsthe first Serbian talkie, Innocence Un¬protected (1942), to create his mostbrilliant film. Using footage taken fromthe original version intercut with in¬terviews with surviving members of theoriginal production, Makavejev assemblesa weird collage that is both hilarious anddisturbing. With the world s strongestteeth." Wednesday at 9:00.Ninotcbka (1939), directed by ErnstLubitsch. (I House) Greta Garbo stars as aRussian commissar sent to Paris to takeover the duties of a comically flounderingthree-man mission entrusted with the saleof the former court jewels.Thursday at 7:00 and 9:30.By Karen Moline '' J1 f ft ft "tfridou. taflitaru jtl, J9Z7TOGETHERAt One Location9AVt MURE Ann’s House of Beautyand Boutique6736 S STONY ISUWUPttONE: 363-9390bBury SalePEMUNOITS-Rtplar $35 00 for TiateNMl Dolor HairFREE CONDITIONER fM Dry.Brittle l Baeagri HairfKEE FACIAL with Every Hair StyleNow Only $15.00TIES. 6 WED 10-4:30wirlet j.wiss clemeo » styledJEWELRT«COSNETICS.CM*lefe l« itNEVL0H COLOCRESFree Jurkev w^ith S50 OO PurchaseWAtEN • CHEVROLET VOLKSWAGEN .SPlijw ALL STUDENTSAND FACULTY MEMBERSJust present your University ofChicogo Identification Card.As Students or Faculty Members offne University of Chicago you ore en¬titled to special money savingsDiscounts on /olkc.«vogen & ChevroletPorts, accessories and any new orused Volkswagen or Chevrolet youbuy from Volkswagen South Shore or jMerit Chevrolet Inc • ■ JMU101AJH) • NIDYMSYIOA 11TORAIN)SALES 4 SERVICEAll AT ONE OREAT LOCATIONMERITCHEVROLETVOLKSWAGENSOUTH SHORET-, Island4R4-0400 UNIVERSITYBARBERSHOP1453 E. 57th ST.ICLOSED MONDAYS684-3661HairstylingRazor cutsCHINESE AMERICANRESTAURANTSpecializing inCAKTONf Si ANDAMfRICAN DISHJESOWCN DAILY11 JLM. TO B:3jO PJIL-SUNDAYS AND HOLIDAYSTlTbMOtJlLOrOnnYo Yah • art By HenryDoc films is showing the longunavailable complete version of SnowWhite and the Seven Dwarfs tonight andyou should go see it. If cinema is the resultof the manipulation of light and motion,Snow White is an excellent example ofwhat film can do. It is also a lot of fun.In 1937 Walt Disney was not the head of alarge corporation. There were noamusement parks, no television shows, nomovies starring Dean Jones. Only aramshackle studio building full of drawingboards and movieolas and floors strewnwith discarded pieces of film, Apprenticesand in-betweeners (low-echelon artistswho do fill-in work) and animators andeditors spent long hours, for incredibly lowpay, hunched over their desks drawingpictures of mice and creating gags toaccompany them. And people seeking jobswere turned away by the hundreds, somedejectedly returning to better paying,more prestigious jobs. Disney himself hadnot yet hardened into a right-wingmoralistic businessman and spent hours inconference with his assistants devisingnew twists for old gags and working out thestory lines for the transformation of theliterary into the cinematic.Long hours of hard work for low pay allto make animated cartoons. Why? What isa cartoon?A cartoon is a series of pictures of linesthat when projected gives the illusion ofmovement. These lines can be twisted andcomposed in almost any way. OriginallyDisney chose to use these lines to create aworld where animals acted like cutehuman beings. But, at least early on, hedid so in a straighforward manner. Heavoided a sense of self-consciousness bytaking as much of a child like view ofnature as was possible. In its worstmanifestations the results of thisviewpoint led to sickeningly cute animals:blushing doves, rabbits snuggling upagainst each other; all drawn in soft roundlines and pastel colors. But in this way healso created worlds where magic wasplausible. This was accomplished through’he accumulation of detail. Faces are aliveand have the ability to express a large range of emotion; backgrounds andcolorful and intricate, the texture of light,from sunrise to sunset and from flashinglightening to serene moonlight is alwayscarefully pictured. In these self-containedtotal universes these details surround theseven dwarfs, poisoned apples and talkingmirrors and give them an aspect ofbelieveability. At least this aspect existsfor children and it was for children that allthis effort was initiated.For children it may not be such astrange world anyway. Fears areterrifyingly brought to life as Snow Whiteruns through an ever-darkening forest.Branches grab like hands and floating logsbOdome snapping crocadiles. Sinister eyesglow in the darkness. This sequence buildsIn intensity until the screen is filled withswooping eyes and other abstractedimages of terror. AH turns out well withthe return of daylight and it is revealedthat the eyes belong to a nunber of thepreviously mentioned cute animals.Although obviously meant for children,bits like this can be enjoyed by everyone.Children would not be able to appreciatethe triumph of technology this movie alsorepresents. This was the first featurelength cartoon and besides its pioneeringuse of Technicolor it contained other in¬novations, especially the use of the multi¬plane camera. This camera, which wasdeveloped at the Disney studios and wasused there exclusively, gives an illusion oftrue three-dimension. Unfortunately, it isincredibly expensive to operate and fellinto disuse quite some time ago. In fact,the quality of the studio's output,especially since the death of Disney tenyears ago, has gone downhill to the pointwhere their last cartoon feature, "RobinHood," was not even total animation.Word is, however, that a return to the oldways is afoot at Disney studios and that anew generation of animators has dustedoff the multi plane camera for use in themaking of a new feature, "The Cauldron."Like "Snow White" it is based on a GrimmBrothers tale and js full of witches andmagic.The Frankenstein SagaRy DirharH QtoloarBy Richard SteigerMary Shelley's Frankenstein is probablythe most abused novel ever written. In thehands of Hollywood this astute social andphilosophic allegory has been distortedbeyond recognition, and its substancereduced to mere vulgar banality. Todaythe title invariably evokes the hackneyedimages of megalomaniacal mad scientistsattended by grotesque dwarfish assistantsengaged in the creation of insanelymurderous monsters. The original novel isin fact something quite different. Althoughwhen it was written in 1818 it followed inthe already well established tradition ofGothic horror tales, it was also apenetrating social commentary reflectingthe intellectual atmosphere in whichShelley lived.The writer of Frankenstein, MaryGodwin, later to marry the celebratedEnglish poet Percy Shelley, was born in1797. Her father was a well-known writerand publisher, and a widely read exponentof libertarian politics. Her mother, MaryWollstonecraft, had been active during theFrench Revolution, particularly its radicalphase when Robespierre and Saint-Justcarried out their bloody purge of thearistocracy, and during this period she hadpublished a book demanding socialequality for women. But the career of thisremarkable feminist was cut short whenshe died a few days after her daughter'sbirth. Mary Godwin grew up in the shadowof her mother's premature death, andthough she showed intellectual promise,the bitterness of her family relations left amark on her. She spent much of her timereading and writing poetry by hermother's grave.She was seventeen when she metShelley. Her father, facing economic ruinafter the collapse of his publishingbusiness, had invited Shelley to visit them,and managed to swindle the alreadyfamout poet out of the equivalent of$50,000. Mary Godwin took advantage ofthe opportunity by inviting Shelley to visither mother's tomb and then seducing himin the graveyard.Percy Shelley had by that time already achieved notoriety; while studying scienceat Oxford, he published a pamphletdenying the existence of God and wasexpelled resultantly. Due to inherit hisfamily's estate, Shelley turned to poetry.While he was an avowed atheist, Shelley'smind was steeped not in scientificrationalism but in ancient mythology andstories of gothic horror. He claimed tohave once spent the night in a char-nelhouse, sleeping on a coffin lid. He hadbeen married only a short time when hedeserted his wife Harriet and marriedMary Godwin.In the summer of 1816, Percy and MaryShelley were living in Geneva along withMary Shelley's sister Claire, with whomPercy Shelley had periodic affairs withMary's full knowledge. It was at this timethat they made the acquaintance of LordByron and Polidori, a less well known poetand scientist whom some biographersconsider to have been Byron's male lover.Byron, then 28, was the subject of stillmore ostracism than Shelley. Afer em¬barking on a promising literary careerand having achieved considerablepopularity, Byron was almost forced intoexile by his former mentors who foundtheir association with him too sociallycompromising. Byron's wife, whom he leftin 1816 in favor of Mary Shelley's sisterClaire, described him as insanely brutal.During their ill-fated marriage, Byron hadpublicly carried on an incestuous sad¬omasochistic affair with his half-sisterAugustea Leigh.Throughout the unusually cold summerof 1816 this group of aristocratic poetslived in virtual seclusion in Switzerland.Bad weather, Mary Shelley recalled, keptthem inside, and to while away the time inthe evenings they turned increasinglyfrom Greek drama and philosophy to talesof the supernatural and the occult.Originally a mere diversion, these seancessoon developed into an obsession. Theirformerly intellectual social gatheringscame to resemble satanic masses as theyread and recited progressively morenightmarish prose and poetry. The effectof the macabre atmosphere was un¬ doubtedly abetted by the writers' ownimaginations anbd their sombre andunhappy pasts.Mary Shelley was to incorporate severalof these tales into Frankenstein andrecalls in the novel's autobiographicalpreface the story of an armored ghost who,like Hamlet's father, walks the bat¬tlements of the castle where he wasmurdered and is condemned, against hiswill, to bestow the kiss of death upon thechildren of successive generations. In thisatmosphere Byron found ample op¬portunity to exercise his vaunted cruelty.He recited a Coleridge poem Christabel,based in part on Mary Shelley's own life.Christabel, the protagonist returns to herfather's castle to meet her doom at thehand of a woman, the incarnation ofChristabel's mother, who died in childbirthbut cursed the infant in her last breath.The writers' nerves became in¬creasingly frayed. The neurotic and un¬stable Polidori tried to provoke Shelley toa duel over a triviality.Byron precipitated a crisis one nightwhen he read to his company a Germanstory about a man who sleeps with his newbride on their wedding night but awakensin the morning to find himself lying besidethe decomposing corpse of the first wife hehad deserted. Mary Shelley, of a morestoical disposition than the rest, listenedimpassively, but her volatile husband wasstruck with horror at this story whichparalleled his own desertion of his formerwife and the unhappy woman's subsequentsuicide. He fled raving from the room interror with his friends in hot pursuit. Therefollowed a madcap chase through thecountryside, and Shelley could only besubdued after Polidori anesthetized himwith ether.It was in this atmosphere that theoriginal Frankenstein was written. Takingup Byron's suggestion that they all writetheir own ghost stories, Polidori vin¬dictively authorted The Vampyre, a thinly-disguised analogy of Byron's life depictingin some detail his endless succession ofmistresses and his renowned sadism.Mary Shelley too drew in part on theircommon experiences, and the ever¬present theme of social stigmatization thatis an undercurrent in the book reflects theAge of ComputerburgersBy Steve BlockI was in a nurry on Saturday, so I lefthome without lunch, figuring I could get abite to eat later in one of those fast-serveplaces in town. At about 2 o'clock I stoppedat a popular fast-food chain, planning on abig juicy hamburger.I got in line at the counter. A pretty girlwearing a cowboy hat and a plastic smilestepped up to me and said;"Howdy pardner! What can I rustle upfor ya?"Amazing! The smile never stopped!"Hello. I'd like a hamburger.""A what?""A hamburger. You know. A beef pattyon a bun?""Oh, we call that a ranchburger aroundhere, cowpoke ""My name's Steve, not cowpoke. Justgive me a ranchburger. And hold thepickles." She was shocked. The smile stopped."Are you serious?""No, Steve. Serious about what?""Nobody has ever asked to nold thepickles before."She started to cry, and I hate to seecowgirls cry."All right, leave the pickles."The smile reappeared. She pushed abutton, and out popped a Pepsi onto myplate."Miss, I didn't ask for a Pepsi.""Oh, sir, please take it. I pushed thewrong button, and if you don't take it, I'mresponsible, I might lose my job, it wouldmean my daddy couldn't have hisoperation...""Okay, okay, I'll take the Pepsi! Nowwhat about my hamburger?""Ranchburger.""Okay, Ranchburger. Now where is it?I'm really in a hurry, and..." The manager, who resembled the resultof Dick Butkus mating with a gorilla,stepped up, growling, "What's thetrouble?""Sir, this dear girl can't seem to pushthe correct button for my hamburger .""Ranchburger.""Right. I now have a Pepsi. Could Iplease have my Ranchburger?"He pushed another button, and walkedaway. A bag of french fries spilled onto mytray."Mr. Manager, sir, this is not a Ran¬chburger.""So?""I don't want fries. I want a Ranch¬burger ""Don't you like french fries? You sick orsometing?""No, all I want is my ...""All right, already." Another button."Sir, where is the meat?"He pulled open the sesame seed bun, andin amongst the special sauce, lettuce,cheese, pickles, and onions, was a greenglop. He pointed to it. "There."That did it. King Kong or not, I was mad."Sir, I refuse to pay for this so-calledmeal, this crime and outrage you haveperpetrated on the public.”The cowgirl with the plastic smile beganto cry again. Behind me, the sfalied linebegan to sound like a lynch mob."Listen, mister. I don't know who youthink you are, but you better pay up, or I'llcome down on you so hard you'll never eatanother 'burger for the rest of your life."The crowd cheered. I paid. I had bowedto the pressure of a button pushingcowgirl."One more thing. Could I have someketchup?""Boy, you must be a real sickie, Mister.All right, here's your ketchup." Anotherbutton. Out poured Heinz's inventory for1976.Defeated by a computerized chef, I wasdejected. But as I left, I turned to thecrowd, and declared: "In the name ofRonald McDonald, Roy Rogers, Big Boy,Burger Chef and Jeff, and Burger King,I'll get even some day."And with that, 53 cents worth of thick,rich milk shake splattered In my face.Done in by a five year old with a CowboyMoo-Cow.Th# Gr#£| City Journa • lives of the romantic poets who, ostracizedby the conservative society around them,chose in turn to reject societal values andglory in the notoriety they had achieved.But her main inspiration came fromGreek mythology and from her husband'spoetry. Percy Shelley in one poem hadtaken up the Greek myth of Prometheus,the titan who raised up mankind from hisabjection, and thereby condemned himselfto eternal torture. Mary Shelley adaptedthe idea to a contemporary setting. Dr.Frankenstein is driven by the humanisticideal of enabling man to conquer death, toattempt to creale a perfect being from theremants of the dead. But his ownlimitations cause him to fail in this en¬deavor, and his creation condemns him toendless remorse and sorrow. The creatureFrankenstein creates is predictably notthe gruesome monster of later Hollywoodversions, but a sentient, rational being whosuffers hatred and ostracism. He is drivento reject society and morality, committingmurder in order to revenge himself on hiscreator for having given him life, althougheven he is not bereft of regret over hisactions. On one level, the creaturerepresent man confronting God; onanother, the creature embodies the twocontradictory sides of the human per¬sonality, the emotional and the rational.His emotional torments drive him tomurder, which he rejects on rationalgrounds, and it is this conflict which in theend drives him to suicide.Mary Shelley's writing managed tocapture the mood of what was to be only ashort epoc of English literature. Of three ofthe greatest English romantic poets, allwere to die within a few years of eachother. Keats died of tuberculosis in hisearly twenties, and was to be eulogized inthe poetry of Shelley. Shelley himself wasdrowned in a shipwreck off the coast ofItaly in 1823; his body was cremated by hisfriends on the beach where it was washedashore. Byron, having joined the Greekrevolutionaries in their fight for in¬dependence from the Ottoman Empire,was killed in 1824. Mary Shelley, thoughonly 24 at the time of her husband's death,never remarried, but lived out most herlife disconsolate and in seclusion.DunesA kind of accomplishment, relieved tocross this prairie,ride this train. Gray brown glass-shard samenessshards of light between the cloudsand the marsh reeds piercing thefrozen stillness.The still quiet sounds louder than thewind.Why do these Midwestern women,eventhe smallest girl-child look so cold sosoon?Transluscent skin, cheap milk glasswhiteblue-veined eyelids, that pull down atthe cornersof her mouth, the girl stares out thewindow.She is gone now, but her reflectionlooksthrough the thick prism window,mouth looselips parted already she is brokenby this wind. It sweeps through ail herdays.She is empty, her breath slips outbetween herlips, her spirit stillborn. Wintermorningslike these whip orphan soulsacross the plain, north and west.There never was a day like thisanywhere in Africa.The spirits there keep each otherwarm.The people feed them, beer andmillet.By Susan PaulFriday, January 21, 1977 - 717th UC Folk FestivalComing next weekend is the musicalevent of the quarter, the 17th annual U. ofC. Folk Festival-. Over the years thefestival has achieved greatness, bringingtogether some of the top performers infolk, as well as bluegrass, rock, andvarious combinations therein. The entirefestival promises to be great, and be sureto catch Carl Perkins, whose "Blue SuedeShoes" got rock going so many years ago.The man is a veritable legend, as are suchnotables as The Red Clay Ramblers, U.Utah Phillips, and Sammy Price, an ex-trordinary blues pianist.The festival will be held from Friday,January 28 through Sunday, January 30.As always, there will be three eveningconcerts plus a Saturday matinee in Mandel, and the usual assortment otworkshops, lectures, folk dancing, openmike, jam sessions, etc., in Ida Noyes onSaturday morning and all day Sunday.Tickets for the evening concerts are $3and $4, and tickets for the Saturdaymatinee are $3, $2.50 with student I.D.Tickets are available at Mandel Hall boxoffice,'and at Iday Noyes during theSaturday and Sunday workshops. Here is aschedule of events:Friday, January 28, at 8; 15 p.m.Earnest East and thePine Ridge Boys Glenn OhrlinMama Yancey and Erwin HeiferThe Apple Chill CloggersMelecio MartinezMelvin WineSaturday, January 29, at 3:00 p.m.Carl PerkinsSammy PriceMark O'Connor and theMorgan BrothersHenry and Vernell TownsendGlenn OhrlinEarnest East and thePine Ridge BoysMark O'Connor Saturday, January 29, at 8:15 p.m.Harmonica FrankThe Red Clay RamblersHenry and Vernell TownsendThe Apple Chill CloggersCarl PerkinsMelvin WineSunday, January 30, at 7:30 p.m.Mark O'Connor and theMorgan BrothersU. Utah PhillipsJohn and Elizabeth SloanSammy PriceHarmonica FrankThe Red Clay Ramblers ■hhHSHllCarl PerkinsThe University of Chicago Extension announcesThe Second Lecture in the SeriesPsychoanalytic PerspectivesbvRobert LeVineHarvard UniversityPsychoanalysis and Other Cultures: An African PerspectiveDiscussant: Donald LevineWednesday • January 26 • 7:30 PMLaw School Auditorium, 1111 East 60th StreetStudent Rate $3 • General $5Tickets - 753-3137 or at doorGRADUATE SCHOOL OF BUSINESSPROFESSIONAL OPTIONADMISSIONS MEETINGFor third year students in the collegeWEDNESDAY, JANUARY 263:00 p.m.HARPER 284John Prinz, Director of Admissions, & Arlin Larson, Advisor in the College,will be on hand to answer questions about admissions procedures. Nowis the time to plan for applications for summer & autumn 1977. rSaturday NightFrom ROCK ’N ROLLROCK “N ROLLROCK ’N ROLLROCK ’N ROLLROCK ’N ROLLROCK ’N ROLLROCK ’N ROLLROCK ’N ROLLROCK ’N ROLL6 pm till MidnightWHPK's rock music staff will play for youWHPK's 44 top albums&15 top singles of 1976LISTENER’S REQUESTS INVITEDSEND CARDS BY FACULTY EXCHANGETO WHPK-FM (5706 University Ave.)BY AIR DATEWHPK 88.3 FMGuest Art is ft:Elea Charleton, sopranoShulamit Ran, piano The Department of Music presents TheCONTEMPORARYCHAMBER PLAYERSof The University of ChicagoRALPH SHAPEY, Music DirecforWorks bySCHINDLER • WEBERN • BIRTWISTLE • RANFRIDAY, JANUARY 21, 1977 • 8:30 P.M.MANDEL HALL, 57th & University AvenueFree and open to the publicA notice to all patrons of Harper LibraryNew HoursforWeiss Coffee Shop(located above the library)The Coffee Shop is now open all day, from 8:30 am - 8:30 pm(Mon. - Thurs.)We will offer our full selection of sandwiches,yogurts and drinks through out the day.Drop on up6 - TK* Gr*y City Journal - F; Jay, January 21,1977CalendarFridayMeetingsMiddle East Studies Center: Faculty-Student Lunch, 12:15pm, Ida Noyes Hall;Ha-Sadnah, 2:30pm, Pick 118; ArabicCircle, 3:30pm, Pick 218; Persian Society,3:30pm, Pick 118; Sherry Hour, 4:30pm,Kelly 413.Hlllel: Creative Services, 7:30pm, HillelHouse.Bayit and Hillel: Shabbat Dinner, 6pm,Hillel House. Discussion-"What Are OurResponsibilities as Students to Israel?"Crossroads: Slideshow, "Modern Egyptand its Medieval Legacy," 8prrt,Crossroads Student Center.William T. Hutchinson Memorial Ser¬vice: 5pm, Bond Chapel.UC Folkdancers: 8 pm, Ida Noyes.LecturesDepartment of Microbiology: "Plasmidsin E coll and Pseudomonas," Dr. PaulBroda, 2pm, EBB 117.Department of Microbiology: "Etiologyand Epidemiology of Human ViralHepatitis," Dr. Friedrich Deinhardt, 4pm,CLSC 101.Department of Germanic Languages andLiteratures: "Wagner and the Greeks,"Hugh Lloyd Jones, 3:30pm, HarperMemorial Library 130. ArtsRockefeller Chapel: Edward Mondello,University Organist, in recital, 12:15pm.Free.Contemporary Chamber Players: RalphShapey, Director, 8:30pm, Mandel Hall.Free.DOC: "Snow White and the SevenDwarves," 6:30, 8:30, 10:30pm, Cobb.Women's Basketball: UC vs III. State,7pm, Ida Noyes.SaturdayMeetingsChange Ringing: Handbells 10-1 lam;Tower bells, llam-lpm, Mitchell TowerRinging Room.Bayit: Oneg Shabbat, 4pm, the Bayit, 5458S. Everett.Crossroads: Saturday Night Dinner, 6pm,Crossroads International Student Center,5621 S. Blackstone.LecturesCompton Lecture Series: "E-mc , Hit¬ting, and Pushing," Earl C. Swallow,11am, Eckhart Hall Auditorium, Rml33.ArtsCEF: "Seven Beauties," 7:15 and 9:30,Cobb.International House Films: "Three Daysof the Condor," 7pm and 9:30pm, In¬ternational House.Chicago Opera Studio: Mozart's "TheAbduction from the Seraglio," 8pm,Mandel Hall. SportsSki Team: Illinois Open at Wilmot, callSteve 955-0380.Ski Club: Learn to Ski Night, call Sherry753-2249 (11070.Swim Team: UC vs U Wisconsin, 10am,Bartlett.SundayMeetingsCalvert House: Student-Faculty Party,6pm, Calvert House.UC Folkdancers 8pm, Ida Noyes.Hillel: Lox and Bagel Brunch, 11am,Hillel House.Rockefeller Chapel: Ecumenical Serviceof Holy Communion, 9am; UniversityReligious Service, "The Unity We Don'tWant and the Unity We Do Want," AveryDulles, S.J., 11am, Rockefeller Chapel.Changes: "Loving: How to Get What YouWant in Relationships; and ExaminingWhy You Don't," Dobi Kerman, 7pm, BlueGargoyle.Computer Club: 1pm, N. Reynolds ClubLounge.Tal Chi Chuan: 6:30pm, St. Paul's Church,50th & Dorchester.Crossroads: Bridge, 3pm, St. Paul'sChurch, 50th & Dorchester.Crossroads: Bridge, 3pm; "The Light ofExperience," Clark Civilization filmseries, 8pm, Crossroads InternationalStudent Center, 5621 S. Blackstone.ArtsChicago Opera Studio: Mozart, 3pm,Mandel Hall. DOC: "Stravisky," 7:15 and 9:30pm,Cobb.MondayMeetingsUC Folkdancers: 8pm, Ida Noyes.JUDO CLUB: 6pm, Bartlett Gym.Chess Club: 7:30pm, Memorial Room, IdaNoyes.Change Ringing: Tower Bells,, 6:30-8:30pm, Mitchell Tower Ringing Room.Brent House: "Introduction to the Book ofMoses," Richard Buhrer, S.J., 7:30pm,Brent House.LecturesThe Child Development Group (a newstudent organization): "Lords of theFlies: A Play for Power in Male andFemale Adolescents at Summer Camp,"Richard Savin-Williams, 4-5:30pm, EastLounge, Ida Noyes Hall.The Marketing Group: "Contac's LittleBrother," case history of Contac Junior,Gloria di Silvestro, Senior BrandManager, & Domenic Mandea, Treasurer,Menley & James Labs, 3:30pm, BusinessEast .05.Department of Chemistry: "Photoelec¬tron Spectroscopic Studies of Surfaces andAdsorbates Using SynchrotronRadiation," David Shirley, 4pm, Kent 103.Committee on DevelopmentalBiology: "Cell Substrate Interactions,"Jane Overton, 8pm, Zoology, Lillie Room§79.UC Pro-Life: Debate, "Abortion and CivilRights, " Dennis J. Horan, J.D., and Rev.E. Spencer Parsons, 7:30pm, Ida NoyesLibrary.This Week in the ArtsContemporaryChamber PlayersThe Contemporary Chamber Player ofthe U. of C. will appear under the directionof Ralph Shapey, on Friday, January 21 at8:30 in Mandel Hall. The concert will befree, and will feature the premiere of anoriginal work by pianist Shulamit Ran.The featured work, Double Vision, is fortwo quintets and piano. The form of thework has been described roughly as a setof six variations without a theme.Mr. Shapey's performances are alwaysinnovative and interesting, and he amongthe few Chicago musicians involved withmore avant-garde trends. What's more,he's associated with the University. Besure to attend.ChicagoChamber OrchestraOn Sunday, January 23, 1977 at 3:30, theChicago Chamber Orchestra will open its25th Anniversary Season with an ad¬mission-free performance at the Museumof Science and Industry. Dieter Kober,founder and conductor, will conduct RalphVaughan William's "Fantasia onGreensleeves" as a memorial to RichardJ. Daley.Ihe program will recreate the or¬chestra's debut concert of 24 seasons agowith Handel's Concerto Grosso in A minor,Op. 6,4 and Bach's Brandenburg ConcertoNo. 4. New music of the 1977 Program willbe represented by Polish composerHenryk Gorecki's "3 Pieces" in an af¬ternoon that will appropriately concludewith Symphony f)lo. 25 by Franz JosephHaydn. ChicagoOpera StudioThe Chicago Opera studio will performMozart's "The Abducation from theSeraglio" on Saturday, January 22, atMandel Hall. The concert is at 8 p.m. andtickets are $7.50, $5.50 for students andsenior citizens. Chicago FilmmakersMembers of the U.C. community whoare willing to make the journey toN.A.M.E. Gallery, the Museum of Con¬temporary Art, or the Art Institute FilmCenter know that there is a large andactive community of independent film¬makers in the Chicago area. Such peopleare also aware that the work of these ar¬tists has been sadly underrepresented onthis campus.Exhibiting a spirit of cooperation, thetwo film societies on campus have takenmeasures to correct this situation. Overthe next three weeks, DOC and CEF willpresent a series of four programs con¬sisting entirely of films by Chicago film¬makers.The series begins Wednesday night,January 26, in Cobb Hall at 7:30 p.m., withtwo films by Tom Palazzollo. Palazzollo isa documentarist with a taste for theslightly bizarre. His new film, MarquettePark, has its Chicago premiere at thisshowing. In August of last year, when thecommunity was the scene of racial con¬frontations, Tom Palazzollo was there withhis camera. This film is a record ofMarquette Park's American Nazi Partyand its participation in the events. Another film of Palazzollo's will beshown af this program. Enjoy Yourself,It's Later Than You Think is a document ofa senior citizens' picnic hosted by MayorDaley and his political organization. TomPalazzollo will be present at the screeningto discuss his films.The next evening, Thursday, January 27,in Kent Chemistry Building 107 at 7:30, thefilms of Wayne Boyer, Dana Hodgdon,Michael O'Brien, and Erik Wiklund will befeatured. These filmmakers explore thelimitations and advantages of filmtechnology and raise theoretical questionsabout the filmmaking process itself. Theirfilms are short, centered on a particularproblem, and invite the viewer to par¬ticipate in the solution to the problem. Thefilmmakers will be present to discuss theirfilms.The series will continue the first andsecond weeks of February, with films bydocumentarists Michael Rabiger andU.C.'s John Feldman, and a program offilms by various artists from the School ofthe Art Institute.Admission to all programs is $1.00 andall programs begin at 7:30 p.m. The firstprogram is in Cobb Hall, the remainingthree, are in Kent 107.SundayJan. 30ROCKEFELLER CHAPELCHOIR and Orchestra;Richard E. Vikstrom,director. Rockefeller Chapel.4:00 P.M. For information,call 753-3381. All Bachprogram MondayJan 31Lecture Series: CurrentTrends in Musical Theory.JOHN CLOUGH (Universityof Michigan). JRL 264 . 3:00P.M. Free. "Diatonic Sets"The Chicago Maroon-Friaay, January 21, 1977-13By R.W. ROHDEAfter losing three games to tough teamson the road, the Maroon's womensbasketball team came home to an easyvictory over Mundalien college Mondaynight: The Chicago hoopers totally out¬classed their opponents, rolling up a 66-27score in a cool Ida Noyes gym.The Maroons took the opening tip andnever stopped rolling Center VadisCothran hit a ten-foot jumper to start thescoring, and the team jumped out to a 9-0lead before the Mundalien team even§C0re&After the Maroons had established asubstantial lead, Coach Pat Kirby begansubbing players freely, taking out all thestarters within the first seven minutes.Except for a few dry spells, the subslooked pretty impressive. The team playeda good aggressive defense, holding theMundalien team to just 11 points in thefirst half, while roiling up 33 pointsthemselves.Mundalien came out better organizedthe second half, but it didn’t really matter.Tjbe Maroons rolled up another 33 points toMundalien’s 16.The Maroons got off 8 shots from thefield to Mundalien’s 57, and shot 33%, an improvement over their combinedaverage of 25 per cent for the first threegames. Freshman Kim Curran was theleading scorer, shooting eight of 19 shotsfrom tiie field, a 44 per cent average, aswell as six for 11 from the line, for 24points. Vadis Cothran was second highest,shooting 50 per cent from the field andscoring 10 points. Emilie Townes had 31points and also shot 50 per cent from thefield.For Mundalien, the statistics weren’t sogood. It was only their second game, and itshowed. Tess Calibfesse led the team with9 points and shot 31% from the floor, butthe team overall shot only 18%.All in all, it wasn’t much of a contest. Atone point, the radio sportscasters werereduced to talking about last night’s cardgame. Still, as Coach Kirby said, “Thefirst win at home is always nice.”Although Kirby hadn’t anticipated theMundalien team being so weak, she washappy for the opportunity to use her fresh¬men players. All fourteen players got agood chance to play, and the game provedthat the team has strength and depth.“I was impressed by the shooting andrebounding of Kim Curran, as well as theoutside shooting of Teresa Frind.” stated Kirby. Curran is a 5’9” center who lookslike she will be anle to fill the shoes ofsenior Vadis Cothran, when Cothrangraduates after this year. Curran, as wellas hitting the boards well, has a deadlyturn around jump shot. Friend, a Fresh¬man, hit three of seven shots.Kirby praised the team overall, althoughshe thought they could have played betterball. “Against a weak team” she admitted,“it’s hard to tell.” Kirby was lookingforward to the upcoming games, where the Maroons would finally meet some teamsmore their level. “I’m very optimisticoverall about our team, and today con¬firmed it” Kirby said after the game.The Maroons took on North ParkCollege last night, but results were notavailable at press time. Tonight thewomen’s team takes on Illinois StateUniversity at 7 p.m. in Ida Noyes Gym. Ifyou can’t make it over, Tom Bradley andMark Pennington will be broadcasting thegame for you on WHPK, 88.3 FM.Ann Specfcman (14) got* up for a lay-up against Mundelein. (photo by Jon Wright)Squash club in top ranksFaculty board formedThe University of Chicago, recognizedthroughout the world for its standards ofacademic quality and contributions to artsand sciences, has arrived in squash cir¬cles. That’s right. Squash. Squash raquetsto be precise.Thomas Ricks, a second year student inthe business school won the Illinois State Bleague squash tournament on January 16at the University Club in Chicago. Hedefeated Theodore Marmor, associateprofessor in the school of social serviceadministration and member of theCommittee on Public Policy Studies, infive games, 16-18,18-15,10-15,15-6,15-6.Ricks was the number one seed in thetournament draw. A tall player withtremendous reach, he showed great hustlein overpowering his seemingly impotentopponents.However, Marmor, often kidded by hisparteners for an over abundance of en¬thusiasm on the court, drew first blood.Jumping out to an early lead the elderstatesman and captain of the squash clubplayed virtually errorless squash in thefirst game, winning in overtime, 18-16.Ricks accepted the challenge. Changinghis tatics in the second game he over¬powered his elder with crisp long-drawnrallies. Ricks triunmhed 18-15 in overtime.But Marmor came back. Blasting hisThe column opponent off the court in the third game hestunned Ricks 15-10, and took a 2-1 gamelead.As the players took their optional fiveminute pause between the third and fourthgames, they were candid with thisreporter.“I can either do it now, make my move,or regret it in the showers,” confidedRicks.“I’ve been there before,” mumbledMarmor.Ricks was everywhere in the fourthgame. His raquet control and shotmakingwas spectacular. Marmor played hard andwith superb touch but fell 15-6.The scene was set for a dramaticclimax, but the game was over before itstarted. Ricks jumped out to a com¬manding 8-2 lead. Marmor struggledbrilliantly, returning near perfect drivesand staying in many excellent rallies. ButRicks was too persistent as he keptMarmor off-balance and forced the agedacademician to make mistakes. Ricksfinally ended the match, 15-6.Chicago now boasts the top two BLeague players in the state. Upon hearingthe news, director of athletics Harold R.“Jeff” Metcalfe remarked, “We are anational power now and should have neversacrificed our original courts to nuclearphysics and sculpture.” ByDANMANSUETOSince the beginnn.^ of the 1976-77academic year, University athleticprograms, both on varsity and intramurallevels, have had their policies formed andcontrolled by the recently created Board ofAthletics and Recreational Sports.The trustees of the Universityestablished the board last summer inaccordance with a recommendationsubmitted by University President JohnWilson in June 1976. Wilson made therecommendation with the concurrence ofthe Departments of Physical Educationfor Men and Women, the Council of theUniversity Senate (a governing body of theUniversity composed of faculty mem¬bers), and the Committee of the Council (acommittee within the Council of theUniversity Senate).But it was the findings of a sub¬committee of the Committee of the Council, headed by Paul J. Sally that wasprimarily responsible for the creation ofthe board. The sub-committee found thatwith the increased size and scope ofathletics in the University, there was aneed for an official governing body to formthe policies of athletic programs and therole of athletics in general in theUniversity. The board they recommendedto take on these responsibilities was toreplace an existing informal facultycommittee that was assuming theseresponsibilities at the time.The sub-committee decided the preciseresponsibilities of the board in a jointeffort with the Physical EducationDepartment. The board created is to workclosely with the Phys-Ed Department. Thedirector of athletics and the chairman ofthe department of physical education aremembers of the board by virtue of theiroffice.It is a responsibility of the board torequest an annual report from the Directorof Athletics on the policies of the PhysicalEducation Department. The Board willalso review the in^ei collegiate athleticschedules that are prepared by thecoaches of the varsity and the director ofathletics. In general, according to itscharter, the board will rely on theDirector of Athletics for staff assistanceand .will solicit the Director’s recom-Jock economics: sweating outDAVID ROSSER7,;V Eventually, the rumor reached the earsof chairman of the athletic departmentMary Jean Mulvaney, who is in charge ofmonetary affairs.The men’s Order of the C awardsassembly was definitely lackingsomething of it’s usual ambience. Therepeating lettermen discovered that theywere not receiving their valued goldlooking plaques, which usually go with thehonor of lettering.The new policy was finally announced:one’s first gold plaque in a sport would alsobe one’s last.so“l£meiSamoSf of" SatZ *** *>Since plaques do no. end uparnong^Uie°athletes^espeC?aily*when ^the in places of respect with"‘ the athlete smore important niceties of varsity “Nonesense,” she snorted, “it hadnothing to do with money.”As it turns out, the decision not to giveadditional plaques was made by thecoaches. According to Mulvaney, thecoaches decided that the athletes don’treally do anything with all the plaquesplaces of respectabode, the plaques could be done awaywith. - *r\ . ■The letter sweaters, on the other hand,are just plain late. Apparently it was awhile before associate director of athleticsJohn Schael realized that outgoingdirector Wally Hass hadn’t ordered thethings Although Schael made the orders inmid fall quarter, the regailia has yet to‘ Jtlett lockerroom B » economics has effected at least one• ■ "■ iVV . , ■ :s jackets.and watches were not immediately for¬thcoming. The more cynical began todiscern a pattern.Economv they muttered, the depart*have cut our awards right out of thebudget. The rumors quickly circulated in team this year. At the swim meet lastWednesday, it was graphically brought tothe attention of this reporter that the swimteam was without sweatsuits. This lack isnot onlv demeaning but cold. Apparentlythe charming white UC aquatics suits thatthe team had as late as last year allgraduated or walked away, and so theteam is left shivering.Mulvaney took limited responsibility forthis. “I inherited an unrealistic budget,”she said, “and we have to make economysomewhere. We’re just trying to makeends meet, just trying to do the best wecan, and we can’t add budget expenses.”Mulvaney also pointed out that theaquamen were not being singled out. Thetennis team would also be without sweatscome spring.As it turns out the problem may be morethan just staying warm. Apparentlysartorial effectiveness is also a factor.“When we go to the Conference meet anddon’t have sweats,” moaned one swim¬mer, “we’re just going to look terrible.” mendations.”The board has several other specificresponsibilities concerning all phases ofathletics, intramurals, and recreationalsports in the University. It is to review andmake recommendations in connectionwith the annual budget for the Departmentof Physical Education and Athletics. Itmust also review the conditions of theathletic facilities annually and establishpriorities for allocating facilities to thegroups that use them. And finally, it is theresponsibility of the board to recommendcandidates for the position of director ofathletics.The board currently is chaired by RogerHildebrand and served by thirteen othermembers, including the president andprovost of the University, the vice-president and dean of students in theUniversity, Charles O’Connell, thedirector of athletics Harold Metcalfe, thechairman of the department of physicaleducation, Mary Jean Mulvaney, and eightmembers of the faculty, several of whomserved on the informal faculty advisorycommittee which the board replacedCLASSIFIED ADSSPACEGraduate student or working womanwanted to share large apartment w/3of same and 2 cats 57th and Kenwoodarea. $88.75/mo. plus utilities. Call241 7228.Roomate Wanted: own bedrm. andstudy. Low rent! Cali 667-3734.SUNNY 1 bdrm apt (3V? rms.) in well-maintained bldg, on Kimbark near 53st. UC students, faculty, or staff only.Call 664-3131 eves. & weekends.Apt. covers whole 3rd floor of buildingin quiet South Shore neighborhood. 5bedrms need one roomate. Call288 5799.Roomate Wanted. 57th and Dor, LittlePierce. Live with 2 med stds. Ownroom, avail now, A/C, 7th floor. Preferquiet non-smoker. $127/mo. 493-5534.Spacious Hyde Park apt. wants room-mate. Call 955-5932.Room for rent in 6V2 rm. apt., w/2 gradstdts. 51st & Greenwood, $90/mo. Call752-6151.5 & 6 room apts. in building beingrehabilitated. 5 min. from U of C on61st st. Coleman Corp. 373-1800. FOR SALE YOGA PERSONALSSale: medical texts, 1st year completetyped notes 871 4585PONTIAC 68 2 doors good 8 cylinderengine vinyl top $400 call 753-0053.All brands stereo equipment atwholesale prices. Ph 752-3818.CANON AE 1 INSTOCKModel Camera1344 E. 55th St 493 6700FUJI CASSETTE TAPEIS COMING!Model Camera1344 E. 55th St. 493-6700Good used dining ar=d bedroom fur¬niture at excellent bargain. FirstUnitarian Church. .‘650 Woodlawn.Sat. Jan. 2210-2 p.m.Radio-Tape Player NationalPanasonic A/C Battery 2SW 1MWband. One year old Cassette. Call 753-0300 early or late. Keep trying. $50.1 Bdrm. Co-operative apt. Vicinity:55th 8> Woodlawn Near U. of Chicago.$12,000 or best offer. Call 736-3696 after5:30p.m.ITS. LOW-COST Charter Flights toEurope. 327-2858 4-6 p.m. Relax, energize, unify body-mind- Pregnancy Testing Sat. 10-2spirit, a perfect balance for the life of Augustana Church, 5500 S. Woodlawn.the mind. Yoga begins on campus Bring 1st morning urine sample $1.50Mon Jan. 17th for continuing students, donation. Southside Women's Health.8, Thurs. Jan. 20th for beginning 324-2292.students at the Gargoyle. Taught by —p,.... —ZTTZ—ITDobbi Kerman on campus since 1971. 7 2.P,jT„ P,aasf nc°rn* ba^k J,®sessions $30. Followed by a massage ^ ,B' ius,s ,or yourHurs. $5 off tuition for nubile young body!workshop Thurs.both. Call Dobbi 643 3595. COURSE EVALUATION Book is being prepared by SG. We need people tohelp get it together. Contact Kathy Edwards or come to SG mtg Tues. nite,Ida Noyes.LOST & FOUNDgnr7,n fnlheUC °-L. ■ don't know about you but I livef J ?K r!.nt..rpC ,or 3 litt,e nwe than just a pleasant In-Sl Pam at 753 ^2 P ,erlude We could make if 50 muchmore.Lost: Small green hardcover MEMO T.J.BOOK 3"x4" on Wed. Jan. 13. I need itdespareately! PL2-1000 ext. 925, Aina.Leave message. OPIE: Aunt B. is begging to run herfingers through your oh-so sensuoushair.Found: Collie, F., 8-10 mo. old Near \a/&(tcdc' uunoircunp pi o uniMurray Elementary School Call 288 WR,TERS WORKSHOP PL 2-83771520.PEOPLE WANTED THEYOGACLASSHelp care for two 4-yr olds afternursery school, 11:30-3, 2-3 days/wk.Lunch included. $2/hr. Call 241-6269, 7-9am or after 3.The Citizens Action Program is hiringcollege students. Promote citizeninvolvement in a salaried capacity.CAP 2468 N. Lincoln Ave. 929 2922.$2/hr. Subjects wanted forpsycholinguistics experiments, Dept,of Behavioral Sciences. Call 753-4718 toregister.EARLY PREGNANCY DETECTION.Pregnancy accurately detected beforeyou miss your next period. 5cc of bloodwill be drawn. Medical researchproject test is free. Call Sandy at 947-6620 or 947-5550.Undergraduate with strongprogramming experience to programminicomputer (Nova 3/12) 15 or morehours/week. 753-2363.Woman attendant for retired, han¬dicapped woman physician living nearUniv., one Friday (Eve. to Sat. AM)per week and/or one weekend permonth (Fri. eve. to Mon. AM) atreasonable salary. If interested call726-6509 weekdays 10:30 AM. to 5P.M., or 268-2507 eves. 7 to 9 P.M., andweekends.PEOPLE FOR SALEInterested in typing evenings in myhome. Will discuss price. Barbara 373-3594 after 5:30 p.m.TYPING SERVICE/HY PK./667 4282Thesis, dissertations, term papers inc.Foreign Language gen-corres. LatestIBM corrective Se II typewriter. Reas,rates. Mrs. Ross 239 4257 Bet 11 a.m.&5p.m. Yoga for beginner and intermediates.Also included is do-in an adaptation ofACCUPUNCTURE to self-massagetechniques taught by Ron Green, whohas taught for the British WorkersEducational Association. Starts Jan.23, 5:30 p.m. Lutheran Schl. ofTheology. Call 324-2415 for Details. 7Classes for $15. A MESSAGE FROM"A"LEVELBDanke Sohn.Though I may seem frightening, Ioften retract my fangs, and veryseldom bite. Do talk to me. Student Govt needs people. We meet at7:30 next Tuesday, Jan. 25, in IdaNoyes. We have vacancies in justabout everything, including GraduateDivisions, other college, fraternity,and dorms Tufts, Shorey, Blackstone,Shoreland. Please come.OPIE: HATE TO BREAK IT TO YOUbut Aunt B. has run off with GomerPyle. A Feline Friend.WANTED S.T. You said you didn't know where-Blue and Brown, my head is. I don't know how you couldhave missed it. But since you did I'lljust have to come over and put it thereagain. D.R.OPIE: You can have her back in exI want to buy or borrow books by ME ch e for the missing bo„s hwt.Braddon. Call 324-2238 Love always, Gomer.SPSS CLASS SHABBATONLearn to use SPSS statistical packagefor analyzing your data. 6 sessions,$25. Computer time provided. Come toComp Center to register-call 753-8409for info. Class starts Jan. 31. DATINGmembers.274-6940. SERVICE.Low cost Over 1200274-6248 orMASSAGEWORKSHOPThe best way to get a good massage isto learn how to give one. Workshops inSwedish and Rumanian Deep musclemassage begin MON. JAN. 17th 12-1:30 8, THURS. JAN 20th 7:30-9:00 at D A RTYthe Gargoyle. TEXT—Downing's The * r^rv 1 1Massage Book. 7 sessions $35. Yogaprecedes massage on Thurs. 5:30-7:15,$5 off for both. Call Dobbi 643-3595. Sponsored by the Bayit and Hlllel.On JQ TH0SE BUSY BODIES WHOM IT"nfnnJ Hiller ' «« DOES N0T CONCERN: I will not beat R JTkw held responsible for the costly andWoodlawn, 6.30pm, $2 50, followed by foo|jsh prani<s of a sick New Yorkersinging and student initiated . .discussion: "WHAT ARE OUR Mun °RESPONSIBILITIES AS STUDENTSTO ISRAEL?" For reservationscontact Hillel (752-1127) or The Bayit(752-2159). On Jan. 22 a Sat. afternoonOneg Shabbat will be held withFaculty at 4pm at The Bayit, 5458 S.Everett. KENNEDY, RYAN, M0NIGAI & ASSOCIATES, INC.Ain't you glad to be back... Weil thenBoogie on down to another PS I UParty Sat. Jan. 22, 9:30 to ? 5639University UCIDPAN PIZZADELIVEREDSCENESFOLKDANCING is the poetry of thefoot — come join U of C Folkdancers atIda Noyes 8pm Sun., general level andMon, beginning level, 50 cents; alsoFriday all levels. Except Fri Feb 11,every week. •EUROPE/WORLDWIDE academicdiscounts year round. SATA 4228 First,Tucker, GA. 30084 (800 241 9082).OVERSEAS JOBS-summer/year-round Europe, S. America, Australia.Asia, etc. All fields, S500-S1200 monfhly. Expenses paid, sightseeing. Freeinform.-write: International JobCenter, Dept. 11, Box 4490 Berkeley,CA 94704.Friends (Quaker) meeting for worshipevery Wed. noon, Chicago Theol.Seminary, 5757 S. University. Visitorswelcome.MODERN DANCE CLASSES.Graham background, expressivemovement, body alignment. Winterterm begins Jan. 23rd Classes held inHyde Park at the Hyde Park ArtCenter, 5236 S. Blackstone, and also inLincoln Park. For further informationcall Wendy Hoffman, MI3-3304Wagner and the Greeks? Mein lieberSchwan.. Listen to Hugh Lloyd Jones.Fri., Jan. 21 3:30p.m., Harper 130 The Medici Delivers from 10 p.m.weekdays, 5-11 Saturday, 667-7394.Save 60 cents if you pick it up yourself.BOOKS BOUGHTBooks brought & sold everyday,everynight 9-11, Powells, 1501 E. 57thSt.LOX'N BAGELSYou are invited to Hilel brunch at 11AM on Sunday morning. $1.75 gets youtwo Lox 'N Bagel Sandwiches, goodcompany, and ail the Sunday NYTimes you^n eat. Come and enjoy.752-1127. 5715 S. Woodlawn (nearcampus). FEMINISTANTHOLOGYPrimavera, a women's literarymagazine, is on sale in most HydePark bookstores.CREATIVESERVICESTIBETANBUDDHISM Creative Sabbath Services are heldevery Friday at 7:30 pm at 5715 S.Woodlawn. For more info, call 752-5655.POETRY READINGPrimavera #3 is out! Come celebrateat a poetry reading Thur Jan. 27 at7:30 in the New Theater of MandelHall.In honor of the Gualua Karmapa'scoming visit to Chicago, there will be ashort film and talk at CrossroadsStudent Center 5621 S. Blackstone,Tuesday, Jan. 25, at 7:30 p.m. Free• Eye Exaiut»tt• Cadet loses (Sett l Kart)• Prescriftiees FilledDR. MORTON R. MASLOVOPTOMETRISTSKyle Park SMppi«{ Carter1511E m363-063 7 Days A WeakHYDE PARK PIPE AND TOBACCO SHOP1552 E. 53rd * under 1C tracksAH students gat 10% offask for ’ftlg Jim”Pipm Tobectos lmport«4 OfarettM GfariATTENTIONMAROON ADVERTISERS USINGFAC EX FOR AD DELIVERYMUST ALLOW ONE WEEK FORTRANSIT. PLEASE ENCLOSE102 FORM WHEN APPLICABLE. SO. SHORE BEACH APTSLUXURY ON THE LAKE7447 SOUTH SHOREStudio apts. from $ 1551 Bedroom from $1902 Bedrooms from $296'Modern hi-rise bldg, in pleasant surroundings,kwith central air cond., private beach, commissary,!"beauty shop, indoor and out door parking avail.For an appt., call 768-3922 or visit our office^kM-F 9-4.30.DOWNS, MOHL & CO.Equal Opportunity Housing Directory of ValuesWe Know Hyde ParkReal Estate Inside OutHOUSES FOR SALETHE POSSIBLE DREAMA new house in Hyde Park!Of the seven town homes tobe built at 54- Blackstone forSummer occupancy, only oneremains unsold. See our scalemodel and floor plans forthese exciting housing op¬portunities. Each homefeatures 3 or 4 bedrooms, 2 or2Vz baths, in- house garage,solarium and many morefeatures to insure com¬fortable and conventionalliving.GRACIOUS ANDINVITING11-room residence in lovelysetting. Nat. fireplace inlarge living - room.- dbedrooms - librarysolarium. Cent, air, un-dergrd. sprinklers. 3-carbrick garage. Side drive.Upper 60's. Call Mrs. Ridlon667-6666.SPIC AND SPAN6 rm., IV* bath townhouse.Large stainless steel kitchen.Deep back yard. Off-streetparking for 2. ExcellentSouth Shore location on busroute. $28,500. Call CharlotteVikstrom at 667-6666. PRAIRIE SCHOOLMANSIONThis lovely 15 room brickmansion has great potentialfor a super Kenwood home. 5baths, 2 car garagesurrounded by period ironfence. For information or tosee, call Richard E. Hlld 667-6666 or 752-5384SOUTH SHORE DRIVEBrick 4 BR home. LR, formalDR. Large enclosed porch.Extra large back yard next toRainbow Beach. Asking$47,500. For more info.,please call Margaret Ken¬nedy, 667-6666.A DESIRED LOCATIONIN KENWOODA 2-story house with 7 largerooms, large kitchen, 2 baths,woodburning fireplace, 4bedrooms, full basement,new furnace, new roof. Lotsize 35 x 150. All for $49,500Call Don Tillery. 667-6666.APARTMENTS FOR SALETWO BEDROOMSIN THE SKYImmaculate 5 rm. 2 bathcondo home at 50th and theLake. Many decorator ex¬tras. Ready to move. An idealhigh-rise home for thediscriminating buyer.BACHELOR APT.This bright 4 room co-op 4 airconditioners, new supergourmet kitchen, communityrooms for workshop andrelaxation. A bright rehab,third floor apt. To see callRichard E. Hild 667-6666 (res.752-5384)COZY LIVINGNEAR U.OF C.Four large rooms plusstudy/sun porch, modern kit-chen with built- indishwasher and appliances.Modern bath with ceramictile, monthly assessment$96,00. To see call FrankGoldschmidt 667-6666.AGREAT LIFESTYLEIn this deluxe apartmentcondo-3 bedrooms, 2 baths-parquet floors, carpeting,custom shutters, sauna, pool,24-hour security-all in CornellVillage. Asking $60,000. CallDon Tillery 667-6666.APARTMENT BUILDINGSAND LAND FOR SALEINVESTMENTOPPORTUNITYCentral Hyde Park apt. bldgExcellent condition, 30 apts.-4's, 5's and 6's. Annual in¬come $90,000. Asking$325,00071ST & CORNELLVacant parcel of land $21,000.78x125. Transfer good titleimmediately. Call CharlotteVikstrom 667-6666.(1461 East 57th Street, Chicago, Illinois 60637WINSTON E. KENNEDY312/667 6666Real EstateHI RISE CONDOSpectacular 14 floor view ofthe lake and city. 3 bedrooms,2 full baths - like new kitchenwith dishwasher, doubleoven, side by side refrig, andfreezer, complete withbreakfast area. LR has din¬ing alcove and study alcove.Call J. Edward LaVelle667-6666.WORKINGFIREPLACEDelightful four room condosouth of 55th on BlackstoneSuperior condition. Availablefor immediate occupancy.New kitchen and many ex¬tras. $31,500.CLASSIC BEAUTYThat looks out over park &lake. 5 rooms w/2 baths,private parking, beamed ceil¬ing & WBFP in liv. rm. Mo.assmt. $109. Full price$13,900. Call Mrs Ridion667-6666.BLOCK LONGVacant land near 84th &Stony. Transfer good title im¬mediately. $125,000 CallCharlotte Vikstrom 667-6666BRICK3-FLAT3-7 room apt. along SouthShore Drive, 220 ft. lot. 5 cargarage $57,500. Ideal forowner occupied. Our salesassociates can help you Call667-6666The Chicago Maroon-Friday, January 21,1977-15Bob Pittman. WKQX Program Director“We re the rock station you asked for. WKQX 101 FM, Stereo. A new, different station. □ Different because we askedthousands of people, you and your friends, what music you wanted to hear. H You said: Today’s best albums fewer/-* m m nrr'\‘~i\r-' loll.__ i . _ r. , , . . 'commercials, less talk, more music. H You get no commercials at all for the first two months, no hype D.J.’s and muchmore music. tH Try WKQX^'i01 FM, Stereo. We think you’ll like what you hear.” * '’-t, - - * >:'- ■' ■' A-vI6-The Chicago Maroon-Friday, January 21,1977. / ... -y •■•2S^ m<*#'•>*£*•>.<• V-. ,* X%L AX ‘ *