Crerar library considering Grade change argued at forumUniversity affiliationBy DAN WISEOfficials of the John CrerarLibrary, currently located on thecampus of the Illinois Institute ofTechnology (IIT), are discussingthe feasibility of moving theirfacilities to Hyde Park and af¬filiating with the University.According to J. Walter Shelton,associate librarian of Crerar, aprivate science library, thelibrary is considering “allpossible alternatives” to itscurrent status, but is “seriouslyconcentrating” on a possiblemerger with tne University.Currently Crerar is in¬dependent of any institution, buthas a contract to manage the IITlibrary. Shelton said thatfinancial considerations andspace constraints led Crerar toconsider the move.Crerar is a privately endowedlibrary with a collection of over1.25 million volumes in medicine,science, and technology.“We simply don’t have enoughroom, or enough financial sup¬port.” he said.IIT was asked to contribute tothe general support of the librarybut decided in late Septemberthat it could not afford to expandtheir obligations to Crerar. The University, which heldpreliminary' discussions withCrerar last year, withdrew fromthe discussions in order to allowIIT and Crerar to negotiate alone.Following IIT’s decision, Crerarand the University appointedcommittees to begin gatheringinformation on the legal andservice requirements of theirrespective institutions todetermine how both librariescould be merged withoutviolating the provisions whichgovern their respective collec¬tions.Crerar, by the terms of the willof John Crerar which establishedthe library in 1894, must behoused in a separate building andmust be open to the public.Charles Wegener, chairman ofthe University’s Library board,said that although talks betweenCrerar and the University are“back on the track,” he em¬phasized that “this is not a sprint,but a three mile race.” Bothcommittees are trading in¬formation but are workingseparately, and no meetingsbetween the two sides have yetbeen scheduled.Crerar’s contract with IIT hasa five-year notice provision and,according to Shelton, Crerar hasnot yet decided to terminate theircontract. ByABBEFLETMANProfessors and students joinedin a heated debate on the plus-minus grading plan now beingconsidered by the College facultyTuesday night.Proponents of the plan said themeasure would lead to improvedaccuracy in grading, while op¬ponents denounced Ylranking bygrades” as “destructive ofcooperativeness and the com¬munal education goals.”The plan would place plussesand minusses, now used in¬formally by many facultymembers, on official transcripts.Plusses and minusses would addor subtract one-third of a pointfrom normal letter grades.The College Council, thelegislative body of the Collegefaculty, will vote on the proposalNovember 30.The Chicago Political Union, astanding committee of theChicago Debating Society,sponsored the debate attended bynearly 50 people, the first forumon a campus issue held by theUnion.George Playe first speaker,casually stood before theaudience, with his hands in hispockets, and commented, “Ican’t take the malarkey we’regoing to hear tonight.” Playe is aprofessor of romance languagesand literatures and is on theseven-member Committee of theCollege Council.He then launched into adiscussion of the history ofgrades, saying, “Grades are areasonable guide towards an understanding of just what aperson’s academic and personalexperience has been.’He spoke next of the nation¬wide trend of grade inflation.“Grades were inflated andbecame less and less reliable.This,” he said, “worked againstU. of C. students.” Playe believesthat the plus-minus system willimprove the accuracy of gradesana so help the student and theUniversity.He concluded, “It may be thatF*ades are vicious and inhuman.don’t believe that. Since we dohave grades and since we seem tohave reasons for having grades,let’s make them as accurate aspossible... It is my conviction thata university that cannot makedistinctions is a bankruptuniversity.”Next, speaking in opposition tothe proposal, Arlin Larson, ad¬visor m the College began,“There is a bit of truth in whatMr. Playe had to say., and I’mnot sure where it was.” He posedthe question, “Why naveevaluations in education?” andproceeded to speak about threecategories of evaluation:criticism, certification, andranking.“They move from educationalrelevance, to professionalrelevance to economicrelevance.” Criticism adds to theeducational process by fosteringself-improvement. Certificationis necessary because it evaluatesa “certain level of competency byobjective standards.” Ranking,according to Larson, isdestructive. It is an “evaluation to distinguish between those whoare qualified.” The “idea is to getthe better of your fellows... itseducational relevance is nil.”“Grades are an easy way ofranking. They are destructive ofcooperativeness and the com¬munal educational goals ... andit (plus-minus grading) is notsomething neutral added on. ”Larson maintained that plus-minus grading was motivated by“the economic system,” not adesire for more accuratemeasures of a student’s per¬formance.Norman Gelfand, associateprofessor of Physics in theCollege and assistant dean ofstudents in the College, spokenext, responding to Mr. Larson.He rejected Larson’s definition ofcertification, asserting that “ifyou want to certify i students),you either give them a certificateor you don’t.” He cited infrequentuse of the pass/fail system asproof that students seek ranking.He examined the presentsystem and proclaimed. “What’sso sacred about it?” we’re notdiscussing educationalphilosophy ... not whether thereshould be grades at all . . . Thepqint of having grades is todistinguish one student fromanother.”Gelfand supports the proposalfor two reasons. He feels it willincrease the accuracy of gradesand that it will minimize errors ingrading. “Instructors will have aDebate to 3The infamous. ‘T!sIncompletes: your turn next?By DEBORAH HUGHESWith the end of the quarter approaching,the College advisors are being confrontedwith a steady stream of visitors. Most ofthem asking for one thing — an incompleteform.Although the advisors’ offices arecrowded, only ten percent of the gradesgiven out during any single quarter are theinfamous “I”’s. However, advisors saythat nearly all students take at least oneincomplete during their years here.To arrange an incomplete, a studentobtains a form from his advisor. The formis, literally, a contract between the studentand the teacher. On the form, the teacherstates the reason for the incomplete, thework that must be completed, and thedeadline for the completion of the work.Normally the completion period is onequarter, but special arrangements can bemade. The teacher also indicates what willhappen to the grade if the work is notcompleted.If the work is not finished by thedeadline, the teacher has several options.The deadline may be extended; thestudent may receive an “F”; or he mayreceive some other grade based upon hiscompleted work If the teacher does notnotify the Registrar’s office of the status ofthe grade within one month after thedeadline, the incomplete becomes per¬manent.Permanent incompletes are a majorpitfall in the system. There is often con¬fusion about deadlines, and someprofessors are notoriu? for theirprocrastination; stir others simply forget. Many students complain about the lackof communication between students,teachers, and the Registrar. As one third-year English student said. “I was notifiedat the end of October thai my incompletehad become permanent earlier in themonth. I think I deserved a warning ratherthan an obituary . ’ .^permanent incompletecounts as an “F” in the grade pointaverage.Once an incomplete becomes per¬manent, it is very difficult to have thegrade reconsidered. If a student isn’tsatisifed with it, he may ask his teacher toagree to re-open the incomplete. If theinstructor agrees, the student may ask theassistant dean of students to re-open theincomplete. However, teachers are notAlways willing to do this, and the dean doesnot have to consent to re consider the in¬complete.Advisors generally do not encouragepeople to taxe incompletes except whenthe student has been ill or has had personalproblems. They are quick to point out thealternatives to incompletes. A studentmay withdraw from a course at any timeduring the quarter Although this shows onthe student s record, it does not affect hisGPA.The advisors claim that incompleteslook bad on a student’s transcript wnen heapplies for graduate school. DoreenHerlihy, advisor to pre-law students said,“We worry about incompletes because it Conservative columnist William F. Buckley, Jr. (right) and Dean of theBellow Jefferson LecturerIncompletes to 3 Saul Bellow, winner of the 1976 NobelPrize in Literature, will deliver the 1977Jefferson Lecture under the sponsorship ofthe National Endowment for theHumanities (N EH).The lecture, which was given last yearby John Hope Franklin, Professor ofHistory, will be presented early nextMarch in Washington and Chicago. Thenovelist, a member of the University’sCommittee on Social Thought, will receive$10,000 from the NEH as part of the award.Previous Jefferson lecturers includeRobert Penn Warren, the author, andpsychoanalyst Erik Erikson.Franklin’s 1976 lecture was recentlypublished by the University of ChicagoPress under the title of “Racial Quality mAmerica.” Bellow’s lecture, on the generaltheme of the American writer and hismaterial, is expected to be published afterits presentation next spring Bellow, the Raymond W. and MarthaHilpert Gruner Distinguished ServiceProfessor, recently accepted a visitingprofessorship at B'randeis University fornext fall, and has said he plans to write anon-fiction book on his remeniscences ofChicago. His most recent book, “ToJerusalem and Back,” was a non-fictionaccount of his trip to Israel last year.Inside:Opinion, p. 4GCJ, p. 5Calendar, p. 13P- ISG fills SFA vacancies'4 W. ByADAMSCHEFFLERStudent Government electedrepresentatives to the all-campus courtand made progress in filling assemblyseats and committee posts at its meetingTuesday.Robert Pasulka and Joshua Guttmanwere elected to serve two-year terms onthe joint Student-Faculty-AdministrationCourt. Kevin Finnigan and Steve Stronginwere elected to one-year terms, and Bobvan Meter was chosen to complete the lastyear of a two-year term.Two off-campus (undergraduate) andtwo Social Science (graduate) seats on theassembly also were filled; Vacanciesremaining are: Business School—5:Divinity School—2; Law School—2; SocialService Administration—2; BiologicalSciences (graduate)—6; Humanities(graduate)—2; and Social Sciences(graduate)—5.All undergraduate assembly seats arecurrently occupied.Elected to the Human Rights Committeewere Kate Moskoff; Jeff Bedick; AnandKumar- Don Rosdil; Robin Langfur;Claire Toth; and Jeff Gould. Gould wasappointed committee chairman by SGpresident Margaret Dudney.Steve Kehoe and Chuck Weibel wereelected to the Housing and TransportationCommittee. Assembly member Sandor John’smotion not to elect student members to acampus-wide disciplinary board wastabled, John said that stucfents serving onthe board would be “lackeys for the ad¬ministration.”Due to a loss of quorum, no action wastaken on a resolution protesting the ex¬clusion of The Red Gargoyle newspaperfrom University president John Wilson’spress conference on November 10.The resolution noted that the newspaper,put out by the Society for AlternativeCulture, “was funded by the Committee onRecognized Student Organizations(CORSO), with the approval of StudentGovernment in part because it covers andinterprets news differently from andpresents perspectives not found in, othercampus news media.”The resolution also called on Wilson andD.J.R. Bruckner, vice-president for publicaffairs, “to not selectively withhold in¬formation about University policies andactivities from any news outlet.”SG’s undergradute secretary, RogerDeschner, resigned from that post ef¬fective with Tuesday’s meeting. He citedtime considerations, but saia he wouldcontinue to serve on both the assembly andthe Elections and Rules Committee. Asuccessor will be named at the nextmeeting.SingingTelegrams?TELE-TUNE338-8708 Songs tor all occasionsaccompanied by banjo, ukulele,Oagpipes and piano.Wtojor credit cards accepted.IT’S ENTERTAINMENT TIME AGAINWe can help make your entertaining easier. Instead of spending yourtime preparing & planning your menu, we can make a lazy susan foryour party. We have fish, meat or cheese trays. Every tray is amplyfilled with food plus pickles, salads, bread & rolls. The trays are smallenough for 3 people or large enough for the biggest office party. Toinduce you to come in and discuss your party needs, we also have onsale:WISCONSIN COLBY s1"p.,l». SMOKED SABLE S5"p.,Lb.JARLSBERG s24Vu,. KOSHER CORNED BEEF s449,.rU,PICKLED HERRING S1"p..Lb. KOSHER SALAMI S2"p„ Lb.in cream or wine sauce2 The^-hieaao Maroon Erkfay, November IV, Y/16Debate from 1greater imput into G.P.A.’s... rather thansome computer in Princeton.”Gelfand supports a 0-100 scale forgrading whicn he says would radicallyminimize errors, for there is very littledifference between a 97 and a 95, a widerdifference between an A- and an A, and anirreconcilable difference between an Aand a B. He believes that the plus-minussystem is a happy medium between theother two.Finally, Mark Handel ,who proved to be acaptivating speaker took the floor againstIncompletes from 1tends to look as though a student can’tcomplete his work on schedule. Thisfeeling was echoed by the other advisors.Another concern was voiced by KatieNash, an advisor to students inhumanities: “Incompletes may also affectthe student’s work in the next quarterbecause of the added responsibility.” Inaddition, she says, “Students aren’t the proposal. First, he pointed out that thiswas not a hypothetical idea they werediscussing, but rather a real proposal to bevoted on by the College Council onNovember 30.His main point was that even with fivecategories of grades, “they are a crudemeasure.” Handel maintained that gradesare only accurate if one knows “theinstructor, the course, the school, and theyear in which the course was given.” Heraised the question of how plus-minusgrading would be more accurate than thepresent system when, “We can’t get twosides of the quads to agree as to what theseletter grades mean.”always able to estimate tne amount of timeit will take to complete the work.” Nashsays that she believes fewer students takeincompletes now that “W’s” are available.Incompletes can’t be given to a studenton probation unless he sees a dean. Certaindepartments are also reluctant to grantincompletes. Norman Gelfand, assistantdean of students in the College, and aphysics professor, said, “I won’t grantthem except under exceptional cir¬cumstances.” The physical science “When someone reading a transcriptpicks up a -I- or -, they’re going to attributesome significance to it that iust isn’tthere.” He ended saying, “We should notgo as far as to ada significance to ourtranscripts that doesn’t exist.”The debate quickly became a heatedarena of opinion, often skirting the issues.A vote was taken as the audience lefteither through a nay or aye door. Thetotal vote was overwhelmingly against theproposal, 13 to 35. The faculty, however,supported the proposal, 6 to 1.According to Handel, the vote was“strictly a straw poll.” “The purpose indepartment, the foreign languagedepartment, and any other departmentwhere courses depend on knowledgeassimilated in the previous quarter, allbalk at granting incompletes.However, things aren’t as bleak as theymay seem. The advisors admit that thereare times when an “I” is an absolutenecessity. Patrick Hall, an advisor tostudents in the physical sciences and thesocial sciences, said, “One wants to dogood work. Incompletes are necessary in essence (of the debate) is to publicize anissue that had been kept virtually quietand to get some measure of studentopinion.”The Chicago Political Union sponsoredseveral debates last year on variousaspects of the Middle East question. Thishas been the first debate on a Universityissue sponsored by the Union.Several Union members attributed thesparse turn-out to the fact that it was notcovered by the University media, to a lackof publicity and to a Maroon error inprinting an advertisement that omitted thelime, date, and location of the forumthe case of health problems or personalproblems, and even intellectuallyjustifiable in a course in which it takesmore than a quarter to assimilate theknowledge. . and to do work that issatisfying to both the student and theteacher.Incompletes are, to say the least, amixed blessing. Advisors and ad¬ministrators don’t like them, and moststudents look upon them as an evil, albeit anecessary one.' # iSl M fiDATES TORINAME. ADDS IROON CLASSIFIEDSJN . _ .• ' ' ■' ‘ ' "■ < . ■ •ESS. PHONECHARGE: EC PEOPLE NON-t’C PEOPLE50* per line 75* per line40* per line to repeal 60* per line to repealThere are 30 space* per line, including all letters,spaces, and punctuation marks. Circle ail lettersto be capitalized.ALL ADS PAID IN ADV ANCEHEADING . (our regular ooes free, voursll per IStpaces)! -— ———|“T-TODAY AND TOMORROW AT THE U. of C. BOOKSTORETreat yourself to the greatestBOOK-BUYING SALEin our history!SALE BOOKS-marked down ’way below our cost!* Quality paperbacks* Hardcovers* Christmas gift books * Publishers overstock* Remainders* ReprintsTWO DAYS ONLY!FRIDAY, NOVEMBER 19 and SATURDAY, NOVEMBER 20University of Chicago Bookstore5750 Ellis, first floor 753-3311t 1 'll; .t f * t *» *1 ■'» ‘ ■ •t 1 * M* / , (* Mil,.'» » ♦ 0 * * r % K * » T . ^ ^The Chicago Maroon Friday, Noyerpber 19,1976 3EditorialCommunication and realityFor many students at Chicago, there is astrong sense of alienation from the ad¬ministrative bureaucracy that runs theUniversity. The feeling is that it is “us” against“them.” Suspicions of administrators oftenreach the point of becoming conspiracy theories,wherein the administration has consciously setout to deceive or in some way harm the students.In many cases, the sentiment comes about forgood reasons. The people who run the Universityare not communicators; their job is themanagement of the institution. Explaining orjustifying policy decisions to students is often aneglected aspect of the process.The recent exclusion of the Red Gargoyle fromthe quarterly press conference with PresidentWilson is a good example. A student newspaperwas barred from the conference on the basis of atechnicality, apparently without any con¬sideration ‘of the broader implications of theaction, be they real or imagined. In the wake ofthe negative feelings aroused by the exclusion, itis clear that the decision snowed excessivecommitment to questionable legalistictechnicalities and a olindness to the oroaderissues involved.During the press conference, another goodexample of flawed communication arose. WhenPresident Wilson was asked why he did not in¬clude students in his discussion of the apartmentshortage in Hvde Park in the State of theUniversity Address, and if students have “theright” to live in the community he said “ofcourse, and if I had written better I suppose Iwould have included student in the paragraphabout young faculty.” His initial omission,although certainly not indicative of any per¬nicious intentions, does, however, reveal a lackof sensitivity to what for many students is aburdensome problem.Student attitudes of powerlessness andhostility to the administration become moreunderstandable in light of these kinds ofdecisions and expressions of policy. But theadministration should by no means have to takeall the blame. Many of the campuses most activestudents hold rigidly ideological views that haveundermined any constructive role by students inUniversity policy making. Student governmentand the ideologues who lead it are a case in point.in consequence, the real issues are obscured.The divergence between students and ad¬ministration is not a result of conspiracy. It is astandard example of conflict of interest.University administrators tend to approachdecision making with the attitudes of fiscalmanagement. Tne policies adopted frequentlywork against the interests of students, who, asconsumers of the educational product haveevery right to be fully informed of the decisionsand to seek a role in influencing the process thatleads to their implementation.The Chicago Maroon: Ptter CohnIT Jan Rhodes Founded in 1902: David Rinrr; Dan Newman: David Blummr. Michael Delaney'rrsMir: Niko MaksimyadiafeChri.R Douc MillerT«ay Adler. Earl Aadrews. Saul Hrlkra. Hlork FilmClewean, Saary Clrxrlaad. Vuu Cnhm Mar*arrt l»ay«. SkyrF ark re Abbe F let man Brian Foster. Mnrt I'm Jrff llarkrtt.Andrea Hadiday Hurt It/kovK/. Bonnie Kunkel Fred Mar Ha.Dan Maaeneta. Hntre Mrlaackla I'at Mrrrer Flame MonrhakKm Organ. Dan Patterson John Pruaskis KVA H<>h<k \<!amScheffler. Mark Stratton. Carol Studrnmund Mark WnoduorthTVCbtraao Maroon •a the Student newspaper »( the ( HI vers It) ofChimp published Tuesdays aad Fridays during the meutaracademic year The Maroon other is located at l.'i: F *Mth St .Cbicaan. IWiania MBT The telephone number is T.VS taut4 The Chicago Maroon Friday, November 19,1976<* »V* Cl ‘Fr<rj A /VO\«/»C jfC. "r .jm“ AH, PRESIDENT CARTER.... WHAT 3C6M3 TO BE THE PROBLEM?"Letters to the EditorHarper Fellowblasts coverageTo the Editor:During the past year The Maroonhas promulgated an inordinateamount of misinformation about theHarper Fellow Program—manyhalf-truths and a not insignificantamount of utter nonsense.Sometimes— as in the case of yourwretchedly distorted feature storyon the Harper Fellows late lastspring— The Maroon was solelyresponsible for the results; at othertimes you merely reported themisconceptions of others. Eitherway the result is that the Universitycommunity has received agrotesquely perverse picture of theProgram ana of the Fellows.Instead of arguing the question ofthe ultimate responsibility for thesecircumstances let me try to set therecord straight by citing a fewsimple facts.1. Well over half the HarperFellows had Ph.D.s in hand whenthey were hired; as of this autumn 12of the original 14 have completedtheir degrees. The Harper Fellowsare not graduate students.2. Many of the Fellows hadteaching experience— on regularfaculty appointments, not asteaching assistants in graduateschool—before coming to Chicago;one of the Fellows has had six yearsof full time teaching experience,another four years. The HarperFellows are not novices; frequentlythey have more teaching experiencethan tenure track junior facultystaffing the same courses.3. Tne vast majority of Fellowsare pleased with the University,with the Harper Program, with theirclasses, their students, theircolleagues. Many of us are morethan merely pleased. I for my partfind the course I teach, Humanities104-5-6, extremely satisfying; andthis is far from an idiosyncraticposition.4. As a group the Fellows arestrongly committed to un¬dergraduate teaching and to theprinciples of the common core. Moreimportant, this kind of teaching isnot only something they believe in, itis something they want to do.5. At least half the Fellows teachcore courses specifically designed tomake little or no use of conventionalscholarly or academic expertise. InThe Maroon transcript of the recentPresident Wilson press conference,the reporter from The ChicagoJournal is quoted as saying:One of the things people’ i •, t, 1 s M i > I > I v . r.*> come here for is to knowthat they have aprofessor who’s anexpert in that field, thatwill teach them thecommon core.But the common core is not a field,it is a core common to a number ofcognate fields; and it is em¬phatically and by design not pre¬professional. Humanities 104-5-6, forexample, investigates poetry, fic¬tion, history, historiography,philosophy, rhetoric, and theprinciples of effective composition Isuspect we can feel safe in assumingthat no one today, not even at theUniversity of Chicago, is “an expertin that field.” But some people arebetter teachers than others. And, ascertain events of last spring madeclear, they are not always tne onesto get tenure.Under the circumstances I ammore than a little tired of beingconsidered a stop-gap, a body to putinto a class-room when no one with“real” qualifications can be found, alabor saving device or a moneysavinjg device. We are willing tostana on our record: studentevaluation forms are on file; asummary of their judgements ap¬peared at the start of the quarterand seemed to vindicate theprogram, at least as far as thestudents were concerned.Harper Fellows have receivedPh.D.s; they have had teachingexperience; they have written anapublished; they have been suc¬cessful In teaching common corecourses to which they are devoted.In short they are remarkably likefaculty members. And like facultymembers, and students and ad¬ministrators and other humanbeings, they have emotions andwould be pleased to think that, TheMaroon notwithstanding, theirpresence at the University issomething more than a necessaryand inescapable evil more thananother expression of the blight manwas bom for.One final point: anyone who fondlybelieves that “a professor who’s anexpert in (a) field” is always— oreven usually—the best and mosteffective teacher of that field,especially to beginning students, haseither never attended a university orlearned painfully little while thereSincerely,.. Mike FrankHarper Fellow in the Humanities Red GargoyleTo tne Editor :As a former student at theUniversity of Chicago, 1 was ex¬tremely disappointed to learn, via aMaroon editorial, that PresidentWilson’s recent press conferencewas deliberately closed to a a left-of-center publication, the RedGargoyle. This publication hasappeared on campus for the lastyear, and the majority of its articlesrelate to campus issues. Whateverreasons may be offered to justify itsexclusion from the press conferencewill only be read as rationalizations,and an indication that the Universityis retreating far trom that “freeexchange of ideas” which we wereoffered as its raison d’etre!May 1 urge that this policy bereversed, and the Red Gargoyleinvited to attend the President'snext news conference.Sheila BradySYL/MaroonTo the Editor:The SYL vigorously protests theadministration’s exclusion of theRed Gargoyle from UC presidentWilson’s November 9 press con¬ference. This blatantly un¬democratic exclusion of a paperwhich expresses leftist views ex¬poses the hypocrisy of the ad¬ministration’s pious sermons about“rational discourse” and “freeinquiry.” Perhaps his high-handedlordship Wilson is imitating the“real” press conferences held at theWhite House, where only“legitimate” newspapers areallowed and each and every reporteris carefully screened.We have deep-going politicaldifferences with the Rea Gargoyle.Yet we naturally defend its right toattend press conferences andspeeches and we oppose the ad¬ministration’s attempt to limit at¬tendance to the “official” press.Typically, the Maroon has ap¬proached the exclusion issue withthe air of a loyal servant humblvbegging permission to offer themaster some advice Of course theadministration has the right of“deciding what publications areeligible for a press conference,” butthis particular exclusion was“inadequate.” whispers the Maroon.For our part, we do not recognizeWilson’s “right” to exclude anvpublication be it the social-democratic Red Gargoyle, thecommunist Yotng Spartacus, or theLibertarians’ journal from hisconferences. Down with Wilson'sexclusions! Abolish the ad¬ministration! For student/faculty/worker control of theuniversity ? Spartacus Youth LeagueTThe Chicago Maroon's Weekly Magazine of Criticism and the ArtsBy Karen HellerThe film: Richard Sarafian's The NextMan. The time: "troubled" present. Theplace: New York, London, Riyadh, Nice,Dublin, Teterboro (New Jersey?!) Thecharacters: The man; handsome, rich,powerful, intelligent, mysterious, quixotic.His job; the Saudia Arabian Secretary ofState The woman: beautiful, rich, sexy,bright, mysterious, ambitious. Her job; tokill the Saudia Arabian Secretary of State.The action: Will she kill him? Will he turnher in? Will they live happily ever after?The complication: They fall in love. Theresolution Somebody dies. Who cares?Khalil Abdul-Mahsen (Sean Connery),the Saudi Arabian Secretary of Statecomes to the United Nations to proposebreaking the oil cartel, peace with Israel,and creation of world peace. Seen more asa lunatic than a visionary, threats startmounting on the minister's life. Undaunted, he continues his program at theUN, revisits his old college stompinggrounds, and falls in love with Nicole Scott(Cornelia Sharpe), the spy hired to killhim Supposedly, she falls in love withhim, and that makes the whole business abit sticky.It's a good story, but, been done beforeand done better (as in Jewison's TheThomas Crown Affair and Wilder's DoubleIndemnity.) The film might haveamounted to something had it not been forthe uninspired screenplay The joint effortof four men, including the director,Richard Sarafian, the script seems more aseries of re writes and edition than anoriginal collaboration. Absurd lines andendless repitition are the screenplay'spredominant features. Comments onCornelia Sharpe's beauty are so numerousthat the viewer begins to strongly doubt it.Sean Connery is described as "a tiger withsoft brown eyes." (Why?) Worst of all isthe fortune-cookie philosophy the filmattempts to peddle. When someone askswho could solve the problems of the worldand looks up to the heavens, another manlooks down at the Christmas parade below(and there are many parades in this film, And the Next Shall Be LastjSean Connery is the next manfor no apparent reason) and answers,"Santa Claus." The most profoundforewarning of possible dangers comesfrom a scene in King Kong: "It was beautythat killed the beast." Too much.During the first seven minutes of TheNext Man, the action changes to sevendifferent locations and seven people arekilled Presumably, these people and theirdeaths are all interconnected. Unfortunately, this is an assumption whichthe film never really proves one way or theother. While the speed of the locationchanges is somewhat reduced as the filmprogresses, the initial confusion is still present at the end. The momentum doesn'tbuild, instead it dies shortly after the firstfew ambitious minutes never to berecovered again.Filled with silly idiosyncracies, TheNext Man is rather tedious to follow SeanConnery plays a Saudia Arabian who attended college in New York With no hint ofhis Arab origin (Connery certainly doesn'tlook Arab), he speaks English mar¬velously, and with a thick Scottish accentCornelia Sharpe is the daughter of theretired American ambassador at St.James' Court who now resides outside Dublin. She has everything necessary forthe epicurean life she desires money, lotsof clothes, beauty, cleverness and prestige- and yet for no obvious reasons she keepson killing powerful Arab members ofOPEC. Does she like killing men? Is sheanti Semitic? Does she ever really loveSean Connery, or any man for that mat¬ter? The answers to these questions, andcountless others, are never answered Theviewer is left confused to the point ofboredomSean Connery attempted to make good inhis thankless part Considering he quit thelucrative 007 role to do more serious andchallenging work, it is rather odd he tookon a role which required nothing more ofhim than baring his chest, making loveand fighting off evil. Connery plays asensitive humanitarian version of JamesBond, superman with a vision. The manobviously can act, so why can't he choose afilm that will allow him to display it? Hisbeautiful accent and voice and charm arewasted on Abdul Mahsen.Breaking the current trend of filmsstarring two males, The Next Man is to becommended Casting the female lead withan unknown actress is equally admirable.But using Cornelia Sharpe, a starlet whosesole asset is cheekbones so high theyconverge with her forehead, is anotherthing. Sharpe's only "major" role prior toThe Next Man was as Al Pacino'sgirlfriend in Serpico, an appearance on thescreen which lasted no longer than tenminutes, and for good reason the womancan't act Trying to cash in on a slightresemblance to Faye Dunaway, Sharpedoesn't have the talent She spits' out lines,pouts (is that supposed to alluring?) andquickly becomes highly unattractiveThe cinematography plagerizes all thecreative, oft repeated shots used in daytime soap operas The music is Frenchmuzak with such awe inspiring lyrics as"Who are you’ I love you," given a throatyrendition by an aging Frenchman. Theediting is sheer butchery. Well madethrillers, particularly political ones, aregreat entertainment The Next Man, withits patch work script, lazy camera workand poor acting, isn't even a thriller; it'sjust bad filmBy John LanahanI've noticed in the last few years that theAmerican stage has turned to the work ofSouth African playwrights to discuss theproblems of racism. It seems we've givenup on the subject, in anything but the mostlocal productions. Perhaps putting it in aSouth African context makes the subjectmore polite, and gives us the luxury ofpointing to another culture and saying,"shame, shame."Removing racism to another social en¬vironment, however, does make it easierto evaluate its dramatic vehicle. SizweBanzi is Dead, by Athol Fugard, JohnKani, and Winston Ntshona is the currentproduction at Goodman's Stage 2. Thepiece starts off as a seemingly one-manshow, in which a photographer namedStyles tells how he left his job at a Fordplant and set up his own business in PortElizabeth, South Africa. Near the end ofhis long monologue a man enters thezeema, and asks that a photograph betaken of him so that he can send one to hiswife and family in King Williamstown. Theremainder of the play tells how this man,once named Sizwe Banzi, destroyed hisname and his passbook, required of allblack South Africans, and took another'sname and passbook so that he couldcontinue to work in Port Elizabeth andsend money to his family. The last tableauof the show flashes forward to thephotographer's studio, with Sizwe Banziand Robert Zwellinzeema posing for aphotograph. *The piece has a simple eloquence that Ifind impossible to convey. Political theatreis most profound when it simply tells astory, depicts a situation, and then showshow people, not ideas poking, ^^,Characr.Jers. rqa^.t ,to, th^t situation. For allr.09'dogmatism, Brecht's Thf Mother has that Sizwe Banzi: Intensedeep and moving power. So does SizweBanzi Is Dead. The director, GregoryMosher, just lets the story tell itself. Heused very few theatrical tricks. Thestaging was not literal, but each scene wasnicely focused. Although the show wasproduced on a proscenium stage, therewas a great deal of contact, bothphysically and emotionally, between theactors and the audience.The acting was superb. The cast con¬sisted of two men, and thus avoided mostof the problems of a loose ensemble.Meschach Taylor, one of the best residentactors in Chicago, played two roles;Styles, the exuberant and confidentphotographer; and Buntu, the bitter anddeterminedly resourceful friend of SizweBanzi. Mr. Taylor's monologue as Styles was precise, warm, and affable. He provedwhat a good actor can do on stage withminimal props and a good script. Hisperformance as Buntu was subdued, butmarvelously focused, and punctuated thestory of Sizwe Banzi beautifully. LionelSmith, as Sizwe Banzi, continued to adddepth to his role throughout the show,starting with the shy and apparently naiveRobert Zwellinzeema, until he portrayedthe struggle of a man facing the combinednightmares of computerized bureaucracyand official racism. Mr. Smith played thehapless but determined Everyman thatoften appears in political dramas; hesucceeded in making the role workbecause he insisted on playing it as a man,not as some disembodied and preachyidea.i JJlill .jA oJccosLionel Smith and Mesnach Taylor in Sizwe Banzi is Dead fin.9:1 he Grey . The set was stark, being an empty stage,with no cyclorama or backdrop. Thelighting, by Richard Christen, was white;and one vertical spot was the only deviceapproaching a theatrical gimmick. Thesounds were either vocal sounds or knocksproduced by the actors. The costumes, byMichelle R. Demichelis, were simple, andMr. Smith's suit captured the aspiration ofthe simple worker trying to look the urbansophisticate.This show is excellent. The program forthe piece referred to Stage 2 as Goodman's Other Professional Theatre." If thiswork is any indication of the quality ofStage 2 productions, Goodman should putits shows on the "other" foot. Sizwe Banziis Dead plays Fridays and Saturdays at8:00, Sundays at 3:00. Stage 2 is located atthe Ruth Page Auditorium, 1016 N.Dearborn, in Chicago. Parking near thereis scarce and expensive, so I would advisetaking public transportation and seeingthe Sunday matinee. Tickets are ex¬pensive. This time, I'd say it's worth it.For further information, call 443-3800.If you're caught in Newtown aroundmidnight on a Saturday, and are either sobombed you just want to giggle, or wouldprefer postponing going home for someother reason, The UnNatural Acts presentImmaculate Reception every Saturday atMidnight at the Jane Addams Hull HouseTheatre at 3212 N. Broadway. The show isa silly and infectiously sloppy series ofscenes that revel in mixed and totallyunrelated Biblical allusions. It's shallowand tacky, devoid of any subtelty or in¬trospection — in other words, perfect ifyou happen to be in a mind just to laugh.The show costs $2, and gets out around 1:30am. Then you can take the el home, and. stop laughing. Call 549-163.1 tor furtherliidMkwtmuhM. uu mitu mwni OfTjSV v*| , CHt •_ rO' r T-.\City Journal - Friday, November 19,1976 l2 IThe “Rumproller”Recollections of BebopBy M. NeustadtThe nightclubs will be crowded. We willlisten to bebop, to Charlie Parker. (AnalsNln 1942)The specter of the forties played a onenight engagement last Friday at the MABinaugural bash. It was an evening ofbemusement for some and delight for afew Presiding over the evening was theEd Wilkerson quintet featuring Wilkersonon tenor sax. The group, besides en¬tertaining the student body, allowed mymind to indulge in a few ramblings.1. There is a rumor that Charlie Parker,near the end of his career, sensed thedeath of the formal chord progression andthe coming of a music which would be freefrom harmonic constraints. This is one ofthe two legacies of bebop , the changes areworn out and you don't have to play them.2. Kenny Clarke, house drummer atMinton's: "We (Thelonius Monk, DizzyGillespie, and myself) were composingpieces with complex changes to keep allthose musicians ott the stand." Translatedinto gospel this comes out as: jazz will nolonger conform to popular tastes but willbe responsible only to the artists.Maybe if most of the musicians since theforties hadn't abused these two lessons Iwouldn't be wastinq my time, and EdWilkerson his energy, reminiscing aboutthe past. But the fact is the spirit and theartistic understanding contained in bebophas been mistreated and misused.Parker didn't want to dispense with chordchanges because they were too hard andhe had trouble getting through them. Henever suggested chord changes bereplaced by electrified pabium. Manymodern (and very popular) musicianstoday don't understand what it means to becri at ve within set constructs and whythjse constructs are as important to therr usic as the freedom of improvisation.After the forties jazz became the musicalterritory of great musicians. After thebebop era there was no room for a mass ofmediocre musicians as there was in theswing era. The music was not to entertain,it was to express, and if you couldn't makethe grade there was no consolation.The record companies would have usbelieve that there are more goodmusicians today than ever before. But howcan this be? A good musician today mustknow what Parker was doing, what Or¬nette Coleman was doing, and then gobeyond it.Friday night Wilkerson took his groupback to the junction in jazz history whereshlock separated permanently from art.Not to be misunderstood, he did not at¬tempt a sort of bebop revival, a "soundslike" for the ears of tired golden oldiesfans. Instead he imposed the rigidrestraints of a great musical form on hisown music and tried to speak through thatform.His first piece was Parker's "Millestones," one of the harder progressions in bop literature. The band was up to thechallenge, each soloist fighting thechanges to his own best advantage.The sound was astonishing. Ben Mon¬tgomery played a small undynamic drumset, and a better drum set he could nothave been blessed with. The dull, softsounds of the drums matched well those ofKenny Clarke in the forties. Montgomerywould slam the bass drum with all hismight and I would be transported backthirty years. Donald Jackson, a bassplayer very comfortable with the music ofFred Anderson and Muhal RichardAbrams, can also walk his bass worth adamn, and that's exactly what he did. Therather dead acoustics of the MAB coffeeshop (on another night a possible flaw),Friday only added a touch of the past.I can hear the reader putting me down forrevelling in a dream of years-gone-by andfor forgetting that these are musiciansplaying in the present. But here, thereader is wrong. The Wilkerson bandestablished a conformity to the rules ofbebop, and I enjoyed that. But, it just sohappens that these are very creativemusicians who can be creative within such a context. Ed Wilkerson is gifted with anoriginal harmonic sense. He has his ownideas, which nowadays is rather un¬common. I am skeptical whether amusician of this talent will ever beproperly received as long as the publicdemands music which is constantlyfamiliar.Both Wilkerson and the trumpet player,Frank Walton, are able to construct solos.It's a shame that the construction of a solois a lost art. Louis Armstrong layed itdown in the twenties and right up throughthe sixties the word was that one had tomake a cohesive, progressive musicalstatement in a solo. Then all of a suddenmusicians started making two statements,end on end. Nowadays they plan until theirlips get tired.My friend was amazed when I explainedthat Montgomery was actually playing adrum solo of set bar length. He never knewthat drummers could play for a setnumber of bars.The evening went smoothly, the bandmoving through a repertoire of solid bopheads, proving with each piece they couldbe creative within the chords. Then, in themiddle of the second set, Ed Wilkersondecided to take on a masterwork"A Night in Tunisia" stands with ahandful of themes from the bop era as awork of great creative artistry. Like"Round Midnight," it not only lays down aseries of chords but establishes a mood ofdepth and beauty. Everything that isCommentsSpokesmen for the Reagenstein Libraryannounced this week that as part of theLibrary's current renovation program, thewidth of the toilet-paper provided in theLibrary's public restrooms will be reducedfrom its present 3’/2 inches to a somewhatnarrower IV2 inches wide. Fenster Book¬worm, Head Librarian at the University'smain research facility, acknowledged thatthe switch to narrower toilet tissue "ismotivated chiefly by reasons of economy."Users of the Ronald Reagensteinrestrooms will note that the presentreduction in toilet paper width is thesecond such cutback at the University ofChicago in as many years. A year ago theLibrary provided individual sheets a full 5inches wide, which were quietly replacedwith the 3’/2-inch roller dispenserspresently in use."Toilet paper is a service we supplyfreely," Bookworm explained. "Somemembers of the community have beenabusing our generosity." He elaborated byexplaining that the University was faced .with the choice of either reducing thepaper's quality or cutting back on itsquantity. "W4 followed *the UrirVbtSlty's established educational policy in thismatter," said Bookworm. "Refusing tocompromise our standards, we chose tooffer less."Unnamed sources acknowledged thatadministrators were encouraged to cutback on toilet paper width by the suc¬cessful "destabilization" of the LibraryCanteen, a previous element of therenovation program. "Now that we'vemade the Canteen less popular," said onesource, "there will be less demand fortoilet paper in the entire Library."Other sources revealed that the ad¬ministration expected little criticismagainst the move As one well-placed of¬ficial put it, "Who could argue about toilet-paper with a straight face?" FensterBookworm moved further to cut offcriticism by putting the move in a moreadvantageous light: "We are not reducingthe width of the toilet tissue. Rather, weare increasing its narrowness."Officials declined to answer questions aSto the practicability of I1 2-inch wide toilet-paper The Head Librarian asserted that,"We tested it ourselves before committingthe University to the change." But othersources indicate that the contract was thensigned without the customary shakingh£n<?4 •2 The Grey City journal Friday, November 19,1976 TelethonFrom November 19 21 New Theatreoffers an original work, Telethon, by MarkKenmore. The work sounds very interesting, and of course, is right oncampus. Shows are at 8 30 pm, and ticketsare $2.00, $1.50 for students. demonic in jazz is contained in the themeto "A Night In Tunisia."When Wilkerson told me between setsthat they were going to play "A Night InTunisia" I was excited but slightlyanxious. The rest of the evening the bandhad not tampered with the establishedmodes for playing pieces such as "An¬thropology" and "Speedball," but anuntampered-with "Tunisia" is just notgood enough. Besides being a theme ofrare depth, the thing has been layed downfor all time. Just as very few trumpetplayers play "I Can't Give You AnythingBut Love," there are passages of "A NightIn Tunisia" in which one inevitably comesup against some of the greatest men in jazzperformaing at their best.The intro begins with a solo bass figurewhich is owned by Ray Brown (1946Gillespie septet). Mingus also had his sayat Massey Hall, but his was overdubbed soit doesn't really count. The bridge alwayswas and will be a Parker spectacle. WhenDizzy Gillespie and Clifford Brown playedit they both played a written part knowing,one before the fact and one after, that thebridge belonged to Mr. Parker.At the end of thd theme there is a fourteenbar coda which is a slow build up to anexplosion. The explosion is the leadvoice's cadenza, and it is one of the mosthorrible moments in jazz for a trumpetplayer. Dizzy Gillespie blew it for all timein 1946. He would hit a peak on an in¬credibly high note, and then come downeasily and surely in a blaze of sixteenthnotes. No trumpet player since has evercome down the way Gillespie did and veryfew trumpet players ever brave thecadenza in "A Night In Tunisia."So Wilkerson's band was going up againstsome very heavy people, and the way theyhandled the challenge proved themmusicians understanding of jazz past andpresent. What they did was call on theresources of twenty years of musicaldevelopment to help them out. Instead ofstarting with Ray Brown's intro figure,Donald Jackson played a long solo im¬provisation interpreting the mood of thepiece. The band joined in and played the 30bars leading to the next obstacle, thebridge. When the moment came Wilkersonpulled the band to a halt and accompaniedby the drums alone, plowed through with avery loose, very contemporary 8 bars. Itwas a brilliant way to contribute anoriginal thought to something which hadbeen essentially the same since the earlyfifties. The band returned for the final 8bars of the theme and then executed thefirst bars of the coda in traditional fashion.All that was left to surmount was the ex¬plosion at the end of the cadenza. And ifone man can't do it, two can. Wilkersonand Frank Walton traded licks atlightening speed and made it throughunscathed.The performance by the Wilkersonquintet was an illustration of how thelessons of the past and the music of todaycan be assimilated. With such a firmbedrock under his musicianship Wilkersoncould easily become one of the clearestvoices in contemporary music.Jazz Notes: After a brief dry spell, jazz iscoming back to Chicago. Last Saturday theFred Anderson sextet was a nonet. Sun Rais scheduled to make a stop here soon andJoseph Jarman will be playing on campusDec. 4.Th« cS? JournalEditor: Jonathan MeyersohnManaging Editor: Karen HellerAssociate Editor: Mark NeustadtMusic: Lukacs LeBag, Toby Hofslund,Deborah Hughes, Bruce McLaughlin,Paul Gudel, Ken Wissoker. P.L. SpackleTheater: Mike Singer, John Lain ah an,Stephen Cohodes, Esther Schwartz,Christine Martinez. Chalres HarveyArt: Carl Lavin, Chris Gauker, Julie Siegel,Jane Salk, Naomi Gilman, Gwen CatesDance: Eden ClorfeneGraphics: Karen MolineHumor: Jeff Baddeley. Steve BlockTelevision: David Blum1By David Blum *I think the puss has reached Hunter Thompson's brain.A er five or six sniffs out of a miniature bottle of "lockerbra,n ce,,s slowly begin to deteriorate, andafter thousands of sniffs, they are completely destroyed.Drug freaks and comedians have a lot in common thatway; they're always passing off little jokes about cocaineand the Mary Tyler Moore show just to prove that they'renormal enough to really freak us out. I wouldn't believethat Hunter Thompson really watches Monday Nightfootball, but he really cultivates that straight image sothat he can break it down in front of your eyes.As soon as he walked out on the stage of the Louis Room,a semi gymnasium in the student union building at North¬western, I could tell by his green and white polo shirt andhis Marlene Dietrich cigarette holder that he was puttingon all these journalism students and drug freaks who hadpaid $1.50 to see him. I wanted to leave.But when he pulled out that little bottle of locker roomand sniffed it, I knew for sure I would have been happierat home listening to comedy albums. Even Don Rickiessaves his first insult for a couple of minutes, waiting forhis act to get rolling. Thompson really needed that firstbig gasp from the audience, that shock of recognition, tosell himself to the crowd.The narrator was an officious campus leader who hadcome out with a set introduction and prepared questions tothrow at Thompson. He tried to bring up something aboutThompson's recent trip to Australia, but the audience keptshouting questions and cheers kept flying every time hepulled out that little bottle of locker room or took a dragoff of his cigarette. Finally they opened the floor toquestions, ranging from his favorite book to whether hewould endorse extra terrestial research He said he wouldsupport it if there was some fool crazy enough to oav for it. Gonzo withthe Wind For the first hour or so, the joints proliferated. Thencame the bottles of Wiid Turkey. There wasn't much senseof community there, though, or else I might have beenable to drown my feelings of alienation and boredom in agulp of whiskey or a toke, perhaps. Instead, I was forcedto daydream, which isn't easy among a group of selfish,frenzied freaks out for a good time.After a while, though, the dope odor blew to other areasand the questions began to deteriorate. The Rolling Stonenemesis still follows him, leading to such questions as,"What is John Dean really like?" Thompson said he reallydidn't know, he'd never met the man. He talked mostfreely about the characters from his books, ranging fromOscar in "Fear and Loathing in Las Vegas" to the HubertHumphrey connection in "Fear and Loathing on theCampaign Trail 72." But there weren't many new insights there-only the repetition of old ideas and ancientmannerisms that tittilated the audience beyond allcomprehension.He did get around to talking about President Carter, anold friend of his, but only to accuse him of lying about apossible offer to make Thompson his Press Secretary. Thelaughter was dying down rapidly. He had to keep theaudience alive.So out came the locker room, and with a sniff, hebrought the crowd back to consciousness. I was beginningto wonder whether I might find Thompson's name inAaron Gold's column the next day-something like"Hunter Thompson, seen on the scene last night, munching Frito's with Faye Dunaway at Sweetwater." Andmaybe Kup would mention Thompson's plans for writingthe Great American Pornographic Novel.All I wanted was to get out of there and find some shiny24 hour diner, maybe the Gallery Restaurant on MichiganAvenue, and have a coffee with cream and a chocolatecovered cake doughnut and try to forget how only eightyears ago people were gassed by police in the streets rightoutside this window After all, as Thompson says, RichardNixon represents the fulfillment of the American Dream.Art For Young Collectors SaleThis weekend the 30th annual’Art forYoung Collectors Sale opens at TheRenaissance Society. This is art you canreally live with, and some of it inexpensiveenough for a student budget There arehundreds of works at the RenaissanceSociety, 1010 E 59th, and even if you don'tbuy anything, the show will be lots of fun.Over the years this sale has becomesomething of a campus event, and pricesrange from S5 up The most interestingthings I've seen are the posters (most runabout S15) and a special collection of Japanese woodcuts. The show continuesthrough December 12, and includes paintings, drawings, sculpture, posters, maps,quilts, jewelry, and antiques from Chicagoand around the worldThis year's sale also features the worksof many young local artists The profits ofthe show will go to support the Society,located in Goodspeed Hall, and the galleryis open seven days a week, 11 am 4 pm.even on Thanksqivina The RenaissanceSociety is also open until 8pm on Mondayand Thursday.ROGER GROD PRESEN'There IS a dif ference!!!PREPARE FOR:MCAT© DAT® LSAT® SATGRE • GMAT « OCAT * CPAT • VATOvir 38 years of experieoce and success. Small classes Vol¬uminous homa study materials. Courses that are constantlyupdated (.enters open days £ weekends all year. Completetape facilities for review of class lessons and for use ofsupplementary materials. Make-ups for missed lessons atour centers.ECFMG © FLEXNAT L MEDICAL a DENTAL BOARDSFle*ifc*e Programs 4 HoursOn't' ian iw < r t -cHjfar-x. jv-n'i.-s >rM "mi . us in.- rvsl I f-r.iinr . im th*> ■ndi.'ttuai u’S* ,ou «• • # >»><8 vvwL, t^'O'Outs df Nr Glair O'"/CALLToll Free 800-221-9840 test PRf panenoNSPECIALISTS SINCE 1938DUNCAN’SSTOREWIDE SALE20% Off on Games & Toysincluding FISHES-PRICEUse our Christmas layaway1305 East 53rd HY 3-4111 a(5t3tn-a191i3 p *4 u7 Days A Week jHYDE PARK PIPE AND TOBACCO SHOP1552 E. 53rd - under 1C tracksAll students get 10% offask for "Big Jim"Fipai . . —_Pip* Tobacco* Imported Cipor.Ma. C1»or« Ei FACESA FILM CONCERTSpecial Appearances byRQNNiE WOODKEITH RiGHARDof the Rolling StonesG3Distributed by Apache FilmsA Links/Goodman ProductionSTARTS TODAYAT 8 SPECIALLYSELECTED THEATRES rhe aTU57C t>€p*\fiCAia€iic op theanivefificq of chtcxQO pizesencsoiAgnrpCACC.p.e.PACHy% oi as sBCjixvmskyendzecs of t>u fm)BRA/1015, BRUCkll£Rcht' untvfc'usicq op Chicago"J cheque hqOe paRkcbAinpeR opchescfcklAiTieS OlAClv, COIlOUCCOJiAloises: fAmcefiucsoiX'evetettiiajitypeiz kutze jz,jeypneq scnxues j*\cne3M iopecosunCvuj. 21 nov.f 19763:30 penoiAnocl hc\LL57th &riinivensicqykf€ A.nC' open fo ch* jThe Grey City Journal Frioay, November 19,1976 3' >~ ■*• » 1 ■*«•, *» - J «»» ‘f* ' 'VeilOM gold plated.L. 117 95 WJewelry-casegift boxwith each watcfBUY DIRECT A^D SAVE!6-Function L.E .0. WatchTeltronics manufactures and sells exclusively these quality-crafted solid state watches worldwide-over 1 million sold—at much higher prices Now, order direct and get tremendoussavings, all these features• 6 functions controlled by a single button: hour, minutesseconds, month, date, and day Accurate within 2 minutesper year• Full year warranty against defects in materials or workmanship, except battery We will repair or replace any Teltronicswatch developing such defect within 1 year of purchase• 30-day home trial, if not completely satisfied with yourwatch, return it within 30 days for full refund of pufchaseprice, no questions asked• Ultra-thin case, with stainless steel back All watches havematching bracelets -<?»Orders received by Dec 15 1976 writ fee delivered before ChristmasMail check or money order to. TELTRONICS. 2400 E Devon Des Plaines, Ilf 60018Order any twoTeltronicsLED watchesand getthis 8-digK5-f unctionelectronicmemorycalculatorwith battery anacarry case. FREE' Rlease send the following watch!esi Specify your choice o* 10styles A thru J followed by “S' for Silver rhodium #$16 95 orG for gold ..#$17.99.11 understand that i win receive tree aTeltronics calculator with every two watches i orderQUANTITY STYLE FINISH PRICEAdd $1 00 shipping and handling cost for each watch Illinoisresidents add 5% sales tax t enclose my check or money Orderfor the total $ . , ,• No cash—no COD s accepted Otter good in continental USA onlyName ■ , , •Address : ..City—.1.-, .... .... n—.—,—State .... . Zip——There are two makes ofdiesel car sold in America.Ours lists forsome $3,000 less.1 Diesel$8,260*Sunroof: StandardMetallic paint: StandardElectric front windows: Standard Mercedes-Benz 240 DBase Price $10,278*Sunroof: $378Metallic paint; $435Electric windows (front and rear); $ 308Total $8,260 Total: $11,399A different kind of luxury car.»i» /*H»ni Aomen yi frur rf mail pwtaa. EwGeuPO E Dealer prepereoun aickklrvi rXcfcvrfychatgn. opoonal . This week's campus film calendarcovers films shown up to the end of thequarter. Admission to all Doc films, shownin Quantrell auditorium, Cobb hall, is$1.00. Admission to the NAM films, shownin Cobb hall, and the I House films, shownin I House, is SI .50Doc offers: Royal Flash (1975), directedby Richard Lester. This film, based on theFlashman series, boasts a superb castheaded by Malclm McDowell and directedby the master of farce, Richard Lester.Unfortunately the script is unimaginative,and Lester seems more concerned with thegadgets and machines than with his actors. Someone forgot to tell Oliver Reed,who portrays Bismarck, that this was acomedy. But still, Florinda Bolkan ischarming and Alan Bates, as always, isbeautiful, amusing and fascinating.Saturday at 8 00 and 10:00.Hester Street (1975), directed by JoanAAicklin Silver. Jake, a poor Jewish immigrant comes to America hoping to findsuccess and fortune. Instead, he lives inthe poor Jewish ghetto of New York andsecures a job in a small clothing factory.Jake falls in love with an Americanizedgirl and remains quite happy, althoughstill ambitious, for the next four years.Then his wife and small son arrive,speaking Yiddish and respecting the OldWorld traditions. The director's first filmand worked under a small budget, HesterStreet is rather naive arid crude at times.But it is also simple and understated,which enhances the work and makes itcharming. Carol Kane is quite good as thewife. Recommended. Saturday, November20at 7:30and9:45at I House.Young and Innocent (1937), directed byAlfred Hitchcock. Doc says: One of Hitchcock's last British films, Young andInnocent revolves around perhaps hisfavorite situation. An innocent man isaccused of murder and must find the realkiller in order to clear himself. This timethe young man is befriended by an innocent (what else?) bobby's daughterOnly an old tramp knows the identity of thereal killer. Sunday at 7:30.Marnie (1964), directed by Alfred Hitchcock. Tippi Hedren stars as a youngwoman who loves only her cripped motherand her horse, and who has a hystericalfear of thunderstorms and bright redcolors. She is a compulsive thief whosemethod is to obtain a secretarial position,establish an honest reputation and thenloot the safe. Marnie finds a job with apublisher (Sean Connery), who falls inlove with her, catches her trying to rob hissafe, and offers her the choice of marryingher or going to prison. After marriage,Connery attempts to discover the reasonsfor Mamie's fear of men and love of crimeAn underrated psychological suspensethriller. Recommended. Sunday at 9:00(Doc)The Beguiled (1971), directed by DonSiegel. Toward the end of the Civil War, ayoung rebel student at a girl's seminary,goes on a mushroom hunting expeditionand discovers a seriously wounded unioncorporal (Clint Eastwood) lying neardeath in the woods. The girl takes himback to the school where headmistressMartha (Geraldine Page) decides to nursehim back to health rather than turn him into the Confederate authorities The corporal, the only man in the house, becomesinvolved with several of his amorousnurses; first, he takes to his bed a morethan willing student; next, he convincesthe lovely romantic young teacher(Elizabeth Hartman) that he's in love withher; Martha, too, is beguiled by theThe ChicagoC* -; - - • . ■ Yankee's charm, for he reminds her of herbrother with whom she once had an incestuousaffair. Tuesday at 8:00. .The Marriage Circle (1924), directed byErnst Lubitsch. A comedy of manners.Professor Stock sees his long awaitedchance to divorce his wife Mizzi when shebegins a flirtation wifh Braun, the husbandof her best friend Charlotte. Charlotte is inturn admired by Braun's business partner,Dr. Mueller. Neither Braun nor Charlottetake the admirer seriously, and in the endMizzi and Dr. Mueller turn their attentionto one another Wednesday at 7:00.The Strong Man (1926), directed byFrank Capra. As part of the war effort,Mary Brown (Priscilla Barnes) anAmerican, writes letters to Paul Bergo(Harry Langdon), a Belgian soldierfighting on the German front Paul iscaptured by the Germans and loses trackof Mary. After the war, he emigrates toAmerica and looks everywhere for her.Finally he discovers her and they declaretheir love But Mary's father, a puritanminister objects to Paul because he worksin a music hall. Wednesday at 9.00.. Bringing Up Baby *(1938), directed byHoward Hawks. One of Hawks' finestcomedies starring that beautiful andcomic pair, Katherine Hepburn and CaryGrant. She's an eccentric, mind bogglingheiress who enjoys life and a good laughHe's a serious, mind boggled osteologistwho likes dinosaur bones in the museumand not buried by a dog. Together, theypursue Hepburn's dog, a lost bone, twoleopards, and each other. With manycolorful versions of "I Can't Give YouAnything but Love, Baby." And youthought Kate and Cary couldn't sing. Awonderful film highly recommended.Thursday, November 25 and Friday,November 26, at 8:00Gentlemen Prefer Blondes (1953),directed by Howard Hawks. MarilynMonroe and Jane Russell (before shestarted doing bra commercials) star inthis film about two American singers.They board a ship and go off to conquerEurope. With much success there, theystill pine for their American loves. Theplot's not great but the dialogue is. Russelland Monroe add to each other's performances instead of detracting. Monroegives her famous rendition(s) of"Diamonds are a Girl's Best Friend" andRussell does a good job of trying to imitateit. A great way to end Turkey day. HighlyRecommended. Thursday, November 25and Friday, November 26at 10:00.NAM films: Ivan the Terrible, pts. I andII (1944 46), directed by Sergei Eisenstein.In staging this panorama of the reign ofIvan IV, Eisenstein has patterned hispicture in a series of theatrical tableaux,vast and elaborate representations ofepisodes in the ruler's career. He has puton the screen a human conflict of thesternest and most elemental sort.Eisenstein has expanded ominous scenesof stylized acing and searching looks atfacial expressions. The musical score byProkofiev and the employment of tonalqualities are quite as important in thispicture as the eloquent images cast uponthe screen. The result is a film of awesomeand monumental impressiveness Highlyrecommended. Ivan the Terrible, part Iwill be shown Saturday, November 27 at7:15 and 9:30. Ivan the Terrible, part IIwill be shown Sunday, November 28 at 7:15and 9:30.The Sunshine Boys (1974), directed byHerbert Ross. Two old vaudevillecomedians are brought together in thisfilm based on the Neil Simon play. WalterMathau is a bit miscast as one of the oncedynamic duo. He actually comes of lookingolder than Burns. George Burns is spriteand vivacious in his role, his first in over ascore. Actually, the film is rather funnyconsidering it's Neil Simon. Thursday,December 2 and Friday, December 3, at7:15 and 9:30 at i House. - Karen HellerFilm FestivalBy John AikenSmall Change, Francois Truffaut's latestfilm, is a disarming movie which dealswith the children of a small French town.Truffaut seems to have an understandingof children that comes not only from aretention of the events of his ownchildhood, but also of the feelings thataccompanied those events. The filminevitably releases forgotten memories ofone's own youth; this response isgenerated by the film's ability to make theaudience reexperience how a child ap¬proaches life.Because Truffaut has retained a child-, w v«**. r v *• •,, »,««• 0, w t.(continued>r>y "jV ' *';’v ,r,v-." • *" ty, j> *, -* s J * ’ : i f ’>like view of the world, it is relatively easyfor the child actors to act from hisscreenplay. The characters' actions anddialogues are approximations of thingsthat the actors might say or do off-screen;consequently, there's not an arch or af¬fected performance in the entire film.Truffaut does occasionally stray fromthis natural quality as when the adultcharacters sit back and philosophicallycomment upon an incident involving one ofthe children. Truffaut had already madehis point when he directly showed us whathappened; to bluntly verbalize an ideawhich had just been relayed visually andwithout dialogue is redundant and not thebest film form.For the most part, however, the film usescinematic tools to their best advantage.Truffaut's debt to Hitchcock is illustratedin a scene where a small childprecariously plays on a window sill highabove ground level. Truffaut masterfullybuilds tension by means of deft cross¬cutting, heightening and prolonging thesuspense and the audience's anxiety.Establishing a rhythm with the successiveshots within a scene for optimum effect isno easy matter, but like Hitchcock,Truffaut makes it seem effortless. Bothhave mastered the basic movie-makingtechniques which elicit the strongestreaction from an audience.With one exception, none of thecharacters exhibit a trace of mean-spirifedness. The exception is a boy who isnot as open or ingenuous as the others, and who is also a thief. Truffaut discounts anynatural inclination of evil on the child'spart by showing that the thief is the victimof psychological and physical child abuse.The child abuse incident is the onlyjarringly unpleasant thing about the film,although there is one other disquieting butmuted incident. An impoverished childscrounges in the dust at a carnival site insearch of loose chanae while two childrenwho have everything that they really needpersist in money making schemes. Why?A teacher in the film speaks aboutchildren's rights and a child'spowerlessness in an adult world. To thechildren in the film, money provides access to power and independence from theirparents. Whether they be loving parents,as most in the film are, or abusive parents,autonomy must eventually be gained bythe children. Children begin to realize thatmuch of the adult world revolves aroundmoney and come to understand it'ssymbolic means of entry to the adultworld.The predominant mood of the film,however, is a happy one as we follow thecharacters through their adventures. It'salso extremely funny. Unlike otherfilms with children here the humor flowsnaturally from the characters and settingsand is not at all strained or coy.Something is lost in the transition fromchildhood to adulthood, something morethan innocence or naievete, and Truffauthas done an excellent job of capturing thiselusive and ephemeral quality on film.LumiereBy Karen HellerJeanne Moreau's Lumiere is the actress'sfirst directorial and writing effort. Thestory of four actresses and their menfriends, the film is a French Nashville, ahighly polished collection of characters,all well portrayed and interrelated. Thefilm opens with a series of confusingscenes with the four actresses vacationingin the country. An imitation of the sym¬bolism and profoundity of a Godard orBunuel work, Lumiere begins by at¬tempting to be something it is not andcould never be. Then the action shifts toParis, never to return to the country houseagain.It is in Paris that the film really begins.Sarah (Jeanne Moreau) Is a celebratedfilm actress. Unattached, surrounded bymany admirers and acquaintances, shetakes without asking or thinking. She givesonly her presence and detached sym¬pathies to those who respect and worshipher. She is a complete actress, in front ofthe camera and after hours. She discards alover as she completes his film and startsup with anolher who she believes can takecare of her, end her frustration and giveher everything. Her closest friend, Laurais an Italian actress who she does not seeoften. Much like Sophia Loren, she hasgiven up her career for her husband andher four sons. Arriving in Paris to giveSarah the Prix Diamant, an acting award,Laura discovers that her husband is inNew York having an affair and that she isagain pregnant. Another actress is a youngstarlet who wishes to make a serious film.Posing for Playboy, telling the press she'sonly interested in money and courting menwho can further her career, she feeds thepublic what it wishes to see. In real life,she is sensitive, naive and admirable.Caroline, the last of the four actresses, is ayoung model with untapped, and perhapslimited, talent. Wishing to do anything tobreak into the industry, she is willing tomake porn films and prostitute herself forpotential producers. Her boyfriend, Nano,is insanely possessive of her. A frustratedwriter, he goes to great length to endCaroline's pursuits and maintain her as hisown.As a first film, Lumiere is well-drawn andintriguing. The opening scenes at Sarah'scountry home are frustrating and un¬necessary, particularly as the film flasties* ” 1 I » i • t i i . . !><• I c « to an earlier time and never returns backto the house. The first moments are lostand the rest of the film suffers because ofit. The camera shots are strange, at firstfrenzied and later uncomfortably stable.Moreau seemed to have toyed with thecamera as she fancied, rather thanbenefitting from techniques she mighthave observed from the great directorsshe has worked with. The opening music isvery drmatic, a level of intensity the filmnever really reaches.Moreau's screenplay is well constructed.The many characters are paralleled andinterwoven to create a complete picture ofthe milieu and the industry. The actors arewell chosen for their roles and each ofthem perform well. For this, Moreau is tobe applauded. The only problem withdealing with so many characters with suchseriousness and introspection is that itoften borders on melodrama. Altman'sNashville and Doctorow's Ragtimeavoided this problem by ridiculing theircharacters, making them predictable andrough generalizations of known quantities.In light of the tremendous task Moreautook on, Lumiere is an admirable work,fast moving and captivating.As a director, Moreau's efforts seem tohave been directed towards her actresses.It is wonderful to finally see a film which isabout women, particularly fourfascinating women. Moreau is very goodas the possessive and self-consumedSarah. She is amazingly subtle woman, sosubtle that none of her friends realize herconstant taking and superficial attention. Iwished that she had allowed someoneelse to direct, at least co direct Lumiere. 11is quite a task for one person to write,direct and star in a serious work. Sheherself stated last Sunday after thescreening that she had wanted Bibi An-dersson or Audrey Hepburn to star in thework. It is fortunate that neither couldperform for it is her role. Unfortunately, itis her acting, rather than her writing ordirection, which is her finest contribution.Moreau shows promise as a scenarist, herscreenplay is original and avoidsrepetition. Her directing is adept, althoughsomewhat confused I look forward to hernext film with the hopes that it is a morerefined and polished work, as long as itdoesn’t stop her from gracing the screenwi*h her presence * * *i't»." ...30 stations hijacked on the air...November 19, 20, 21 8:30 PMThe New Theatre Reynolds Club57th and University 753-3581BEFORE YOUTAKE THATPLUNGE,TALK TO US!For over 50 years S.A. Peck has been savingstudents up to 50% on the purchase of diamonds.How? By importing our own rough diamonds, cuttingand polishing them and designing our own settings.We eliminate the middle man mark-up and pass thesavings on to you.Send for our beautiful 52 page catalog and see foryourself.\muty fhirl)kummds55 E. Washington St.Chicago, Illinois 60602A ftThe Grey City Journal Friday, November 19,1976 5* : Grey GapViews ofThanksgivingIt's been three years since I've spentThanksgiving back home and yet i knowthis year it will be the same, even if I'm notthere. The fourth Wednesday in Novembermy mother takes the day off from work,starts frantically running about the house,cleaning, cooking and complaining to mybrother, my sister, father and me to help.We do the best we can but there is neverenough time in the day to do it all the“right" way, the way she feels it ought tobe done. My brother runs out to get morefirewood, as it's inevitable that it will rainor snow the night before Thanksgiving andthere must always be a fire onThanksgiving. My sister ana i set thetable, getting out the aging piacecards andputting our favorite relatives next toourselves. The special silver is brought outfor its semi-annual use. Glasses are wipedspotless, candy corn and autumn flowersare strewn across the dining room table.On Thanksgiving day, my father goesdowntown to gather our various relativesand friends who have come to celebratethis year. Although it's never exactly thesame group of people, it is an intimatecollection of loved and familiar folks. Mygrandparents load us down withchocolates and nuts, although my grandmother warns us of our faces and myfather of his protruding belly. My mothermakes all of us take turns standing guardin the kitchen, watching that the culinarydelights occupying all four burners and thetwo ovens do not overcook.In the living room, my grandparentscollect all their children around them andtell of their past year's adventures. My mother puts on Handel's Messiah. “It is sowonderful," she comments on her favoritemusic. We always complain about howearly it is for Christmas music, but shethinks differently “Christmas is only aMadison Avenue creation; there is nogiving, only buying." She is the greatestlover of Thanksgiving. In spite of hercomplaints, the cooking isn't really abother. Sitting on the sofa in a long skirtand apron, her arm around my sister andher mother, she sings along with the altochorus. My sister giggles, her mothersmiles, and we all start singing.Around four in the afternoon, as the skybecomes darker, with a hint of snow (Wealways hope for snow on Thanksgiving),we all descend upon the dining room. Thebuffet is laden with platters of smallFrench green peas and onions, thickorange sweet potatoes covered with abrown crust of small marshmallows (mybrother eats only the marshmallows), amold of apricot pudding, lucious cranberrysauce and of course, that favorite fowl,that phenomenal pheasant, that blessedbird: Thanksgiving turkey. It always isbest on Thanksgiving; it has a specialtaste nothing like the stuff served onWednesdays in cafeterias or in salad bowlsat drug store counters. The skin is tight,brown and crackily. The meat is steaminghot, begging for rich gravy and cranberrysauce. And the stuffing is always spicy andcrisp.The dinner conversation is knever trulyserious: in fact, it usually borders on theabsurd. Grandpa always has a ridiculousjoke to tell. My grandmother, havingheard it before, interrupts just before thepunchline. Once the jokes start, my father,not wishing to be outdone, pulls out hisfinest stories. Then my mother startsrevealing her comic talents, which aretruly the greatest, probably because halfof the time her humor is so subtle and theother half of the time no one understandsher. She has a tremendous laugh, as doesmy grandfather Both are amply practicedduring the course of the dinner. My sistersneaks candy corn constantly throughoutthe meal and then complains of being toofull to finish her plate My father con¬tinually replenishes my glass as well asmy brother's. “Let's not have any models, , a.' *- A- A. 4 ' "j ^ * •: / te. *:_ -A * ■{ 4,V' V v* ■* *>■" >:xz tz : . ?. v ** «. 't: • p: \ fr. H*' iUNIVERSITY • t- * y*-SYMPHONY f fy 1-•>-*-- : : *r:'*0, 0 fr M ■' ; < ■.mrrORCHESTRA■+■ '} '?■Barbara Schubert, Conductor , ; . * ;;f : if* ~y . :» : ifWeber: * *■ * ■ fMendelssohn:*. f ^ — * ; :— ’ 4 t/jf •• . Symphony No. $ in A MinorHindemith: Symphome Mathis der Maler. " a "a u " i * « ♦ '' » '# _ jt ■» * p.+ ** f *f ■ : ' /-*. 0 P ♦— +•** . . -/m, 0 r* • Jr..... Jif&jjt: ♦ . i* f- r;.::-. r i . , i w.T •—ri(f—Saturday, November 20, 8:30 PMmanaei nauf J - Aomission rree1 f .!*■ ]> :> f- rrsp-rs_Jssw rc==^=*iSS,4 • ' f i * # V 0 0 & ' of sobriety here. Remember yourinebriated forefathers." My grandmotherchastizes him for having two lushes forchildren. Everyone is stuffing his face,talking constantly and acting siliy,perhaps it is the wine, perhaps it's just the happiness of the occassiobn.After second and third helpings ofdiminishing proportions, we rest a while inorder for the food to settle and our heads toclear. My father gives grace. My mother(continued on page 11)For Thanksgiving 1976A Feast of TurkeyorA Turkish FeastFrom 1:00 to 7:00 we wilkbeserving a completetraditional Thanksgiving din¬ner-turkey, dressing, sweetpotatoes, baked oysters,cranberry relish, pumpkinpie, etc.-with secondhelpings- for$5.95or choose something Turkishfrom our regular menu in¬cluding Rock Cornish henfilled with turkish rice andraisin stuffing.If you can’t go home, dinewith us with U.C.I.D.student special $5.00.FOR RESERVATIONSCALL 955- 5151Chicago’s only Turkish RestaurantAtop of the Hyde Park Bank BuildingYour Hosts Juanita and Gilbert Rosenberg--iV> »Tt « I ^ / >(continued from page 10)attempts to remember the words to "WeGather Together." Coffee is served in theliving room, along with my grandmother'schocolates. ("Help yourselves, butremember your faces dears.") My greatuncle rushes off to the perennial footballgames, taking half of the party with him.Upstairs there is constant swearing andcheering, usually my great uncle, as healways bets on the winning teams.Downstairs I wash the dishes and singalong with the Messiah. My mother, herclose friends, and her mother are gatheredin the living room discussing the pastelections, this year's important events andfuture plans, particularly for "the kids."Later, after all the important footballgames have been played, we all regroup inthe living room. My father and I dancearound the room in a half-drunken stupor.Our cat lies complacently in the middle ofall the chatter and the clamour. There isgreat peace in the midst of everything. It isa wonderful day, inspiring and relaxing.This year, like many students, I'mstaying in Chicago for Thanksgiving.Ninth week papers and the mountingpressure of exam week stops me fromgoing too far from my books and papers.But still, I look forward to Thanksgivingthe way I always do. This year I'mspending it with close friends. I haven'tknown them as long as my family but Ilove them still. With my folks or myfriends, it's still the finest of celebrations --all the love and sharing without the rushand pressure of buying gifts. A time to getmushy and sentimantal. A day thateveryone celebrates, in almost the samemanner with much food, thanks and love.-K.L.H.Thanksgiving and afterWell, once again the Chicago autumn hasrapidly surrendered to winter, and with itcome cold winds, final exams, and shor¬tened days. As we learn early, fall goes byvery fast here; in fact, this year's con¬sisted of one brisk morning early in Oc¬tober. Fall is so fleeting no one even thinksto take Columbus day weekend off and goto the country to see the foliage. In fact, at the U. of C. we've never even heard of theholiday, or of Columbus. I guess theseminor vacations seem too trivial.It's only the big holidays, the one's thatinvolve purpose, tradition and family thatwe allow to interrupt us. So, forThanksgiving we momentarily halt for alast break before the final crush and theonset of that "real" vacation AtThanksgiving we pause for memory, forthe way it's supposed to be, for the rest ofcountry, and because there are really fewthings more sentimental thanThanksgiving in Hyde Park. Somehow thegrey seems particularly homey and insulating. Last year it even snowed. Plus,it's good to celebrate a national event inyour realm, at school; it's even more adultthan voting. Holidays on your own are abeautiful experience. Just sitting therewith your friends, cooking your own dryturkey in an undersized pan is the essenceof mundane celebration. A friend callsThanksgiving mushy (in a good way), butit's fortifying too. But remember, HydeParkers, that you're really in trouble whenyou start actually getting into the idea ofspending Thanksgiving alone Horn'nHardart, freeze dried cranberry sauce,and all that. It's truly the closest thing tounrequited suicide. Some people spendtheir time in cafeterias simply to test theirsanity, but that can be dangerous duringholidays. In fact, sociology majors, as wellas one sociologist I know every Novembersavors the thought of heading out to thenearest cafeteria for a dose of turkey andambulatory psychosis. Who else woulddream of spending Thanksgiving at Valois.Beautiful.. The problem is, public domainslike train stations and Walgreen's may bethe only places this year we'll get to seewhere people coagulate.Okay, forget about U. of C isolation, itdoesn't exist. I mean, wasn't that the pointof the quarters melange of "festivals."Anywhere sane they would simply havebeen called events, or tours. But"festivals," that's just a bit grandiose Itimplies that there is something freakyabout culture, or about comedy, and thatwe can't just enjoy these things withoutconstantly being reminded of theiruniqueness and sophistication It's part ofChicago's attempt to attain respectabilityThe overwhelming and slightly depressingofficialswiss armyV knives; W $5.50 to $42.00Free brochurei( complete lire .n s»ock or * we njrj ou* o< icut 'avcote »c H o'd-v itj fcr you 3 wee* oei'veryj the hodgepodgei 506 Mam St Evanston it 60202i 312'864-4300I Open Sundays 12-4 30 5*3^ %, Porch—IfWSU MAINTAINEDBUILDINGATTWACTIVI 1 % AMOioom sn—ot«* uw tmaumoj $138- 5225“Short Term"ij &a*«d on Availabilityjj All Utilities Included1 _ At Campus Bus Stopj f A 4-0300 Mr*. Groak Dorothy SmithBeauty Salon5841 BlackstoneHY 3-1069open 7 A M.-7 P M.Mon. thru Fri.clcspd SaturdayHair Cutting - Wedgies - etcTinting - Bleach.ng - Perms -only the bestCall for appt.PROGRAMS:HOCKEY LEAGUES-Age 6-18 and ADULTHOCKEY CLINICS-Age 6-18 and ADULTFIGURE SKATING-Pre-tchool thru AdultLEARN TO SKAfE-Pre-school thru AdultSCHOOL A UNIVERSITY PHYSICAL EDUCATIONPROGRAMSVOLUNTEER COACH, STATISTICIAN, REFEREE-Free Clinics GROUP SKATING AND'OR IN¬STRUCTION BY APARTMENT BUILDING. Classesfor Mentally Handicapped. 225-3373.COLLEGIATE CHAMPIONSHIP HOCKEY TEAMSCRIMMAGE GAME ** PROFESSIONAL REFEREES.REGISTER WHEN YOU SKATE OR BY MAIL FOR INFORMATION CALL 225-3373.31st Street Exit from Lake Shore Drive500 East 33rd StreetChicago, Illinois 60616 effort isn't what's bothersome aboutCulture, it's the insistance that you have towork at what should (and does) comenaturally. I've been told over and over thatby Chicagoans that we are in mainstream,and its true The question is: why push it?Why bother with all this second cityparanoia, when we're surviving, and well,here already.I think the reason may lie in the fact thatChicago is made up of two distinctpopulations, that Chicago art/culture isthe product of two forces: the intellectualsand artists who decided to come to Chicagoand have stayed, and the many fine localpeople who work here, travel elsewhere,but always decide to return. By the latter Irefer mostly to the jazz and bluesmusicians who play the best music to beheard anywhere in America only a fewmiles from our Hyde Park homes. Thesemen are products of black emigration toChicago.To all who arrive less by choice than bynecessity and cultural movement, Chicagois the last stop on the line. You can't reallygo any farther north without freezing yourass (you do here anyway), and directlyeast and west are too flat and too far. So,Chicago becomes home. That emmigration to Chicago was a massmovement, both black and white, andrepresents at least half, if not more, of anycharacteristic you can ascribe to the city.Chicago as a haven may be hard for someof us to imagine, but it is, and it makes ithard for those who came, and their sonsand daughters to ever leave permanently.The other emigration to Chicago, thatof intellectuals and eastern artists, givesthe city a set of externalities a naturalentrance lacks. Chicago is thus partly aconscious city, a city of externalities. Inorder to make it in this kind of set up allmust be externally proven, and all must befinancially viable. (First ask; is itbankable.) Comedy can’t simply bestarted and then revived naturally), that'stoo simple And so, it must be celebratedwith a festival.It wasn't enough that the French tourstopped in Hyde Park Nothing could havebeen more pathetic than watching us poorcountry bumkins be snobbed and snubbedby some French creampuffs at brunchcelebrating their arrival last month.. And why did we put up with it, and just smile alot? Too many why's come to mind.Why didn't we just serve jelly donutsinstead of ridiculous imitations of Frenchpastry.Why did they assume that ridiculousposture toward the over cookedasparagus, and who ever heard ofasparagus at breakfast? Certainly not theFrench. It's just that we're so out of touch,or think we are, that we think the Frenchlike soggy greens with their scrambledeggs. I suppose the Philadelphians weresnubbed, and the Minnesotans, and eventhe New Yorkers, but I'll bet the hostsdidn't insist on proving that they couldplay the game when they couldn't. We playour own game; we are in the mainstream;we do create our own art, some of which isthe best in the world; so why push it. Why?True, Chicago artists are insulated, butthey don't really need to be They continueto wonder what would happen to them ifthey left Chicago, and continue to forcethemselves into justifying their own worthon grounds unconnected with those contained in their art. As Derek Guthrie said,Chicago artists maintain a paranoiabecause they ask themselves, "How can Ibe viable in a non art situation " Well, theydon't really need to ask this question,because there is no answer anyway. Arfists aren't supposed to ask questions likethat, U of C. students are.Perhaps it would be better to be unconscious of these greater problems, to goback to seeing Chicago as a bastion, as alast stop on the artistic, as well as culturalpath. Of course that's impossible, but atleast it makes Chicago a home, a place tospend Thanksgiving, a place always andabove all meant to be returned to. That'swhat is meant by the bluesman's label,"Sweet Home Chicago " Chicago may notalways be a great place to stay, but it's oneof the best I know of to return to Thinkabout it: Sweet Home Chicago It makessome sence, and maybe that's why there'sno fall here; fall is too transient andtransparent. Winter is more like it, more"Chicago," because in that biting wind youneed an uncomplicated home, a place toeat your turkey in comfort and peace.Winter is Chicago's season because winteris insulated. It's simple. It has only onemessage; just keep warm, that's all J.M.a / t 4- - / {6 SALES with lservice is our* BUSINESS nREPAIR specialists<P on IBM, SCM,Olympia & others §£ Free Estimate >X Ask about ourRENTAL withoption to buy nAn New & RebuiltTypewriters <Calculatorsu> DictatorsAddersu U. of C. Bookstore $- 5750 S. Ellis Ave. ’tV 753-3303Y MASTER CHARGE COe BANKAMERICARD 7C - — t X UNIVERSITY RELIGIOUS SERVICESROCKEFELLER MEMORIAL CHAPELSUNDAY • NOVEMBER 219 A.M.Ecumenical Service ofHoly CommunionBernard 0. Brown,Associate Dean of the Chapel11 A.M.E. SPENCER PARSONSDean of the Chapel"JESUS CHRIST INHUMAN EXPERIENCE'1WANTED:ARTISANS & CRAFTSMENParticipate inthe Arts &Craft Sale tobe held in theCloister Club,Ida NoyesHall, Dec. 3& 4. Call ext.3-3591 forinformation.ThoGrpvC:iv Journal. Frioavr November 19 '076 ?MIDWEST PREMIERE TODAYCMMqfo RUSHOAK ADULTS ONLY, 944-2966RWJCJir W0) 07 Sjw. Elm8 The Grey City Journal Friday, November iy, lv/6„ r fetaki U “Keetje is outstanding!A definite must-see!dene Shalit—NBC learncan be inWe have the slopes,the snow, equipment torent, instruction forall- and the nearnessto make it a tong-playingweekend. For next tonothing, you're info every¬thing in Michigan, If thegreat skiing up here doesn'tcome naturally to you. a lotof other things doFor latest snow conditions,road conditions, free MichiganSki and Snowmobile Map...Call toll free800-248-5456Michigan. //,Mirror of America. 3201A5335Of writeMichigan Travel CommissionSuite 102,300 South Capitol AvenueLansing, Michigan 48926Please send free Michigan Ski and Snowmobile MapNameSchool _______Address... __CityStateHYDE PARK £ARWAStDeluxe Exterior Carwash49* with 15 gal. purchaseAmerican & Foreign CarsRepaired1330 E. 53rd Ml 3-1715VUE CLIP & SAVE20% OFFMETAL SECTION PICTUREFRAMESGOtD-SItVER-PEWTERART & DRAFTING SUPPLIESSTAIR'S Point Center3801 W. 63rd open 7 days 767-5355 84MBOOlounce.Mixed Drinks.Pitchers of Beer. *FREE POPCORN ‘Open Pianoaft for yourenjoymenton the first floorof the Del ProdoHotelSTUDENTS WELCOME ITAI-SAM-MMCHINESE-AMERICANRESTAURANT *Specializing in •CAKTONISf ANDAAMERfCAN DfSHCSOPtN DAILY. IIUHTORMRiiUaMMyt AMD HOLIDAYS* IS TO MORAL.Orlin te tefce ewtSt Gregoryof NyssaLutheran CampusChurchLAST SUNDAY OF THE CHURCH YEARSunday 10:30 a.m.Graham Taylor Chapel5757 So. University Ave. NW6-K*aU of C Student Govt's A U.S.-ChinaPeoples Friendship Assoc.-U. of C. Committee present:Jim VenerisAmerican Worker inPeople's ChinaMon., Nov. 22 8 p.m.Law School Aud., Till East 60th St.Share Veneris' experiences of living in new China for 23years. One of 21 G.l. P.O.W.'s who chose to remain inChina after Korea. CARPET CITY6740 STONY ISLAND ’324 7998Has what you need from a$10 used room size Rug toa custom carpet. Specializ¬ing in Remnants 8 Mill re¬turns at a fraction of theoriginal cost.Decoration Colors andQuoiittes Additional 10%Discount with this ad.FREE DELIVERY r «yf EXAMINATIONSi« ASHtON fYfWf A»CONTACT LINUSDR. KURTROSENBAUMOptometrist(SSKimbmrfc FIcem)1200 East 33rd StreetMYde Park 3-0372f PIZZAPLATTER14MI.5MNUSttOOFAST Dai VERYAUD PICKUP • Eye Examinationsa Contact Lenses (Soft & Hard)a Prescriptions FilledDR MORTON R. MASLOVOPTOMETRISTSHyde Park Shopping Center1510 E. 55th383-6383Kpetj&TIppeJIN DUTCH,IT MEANS K AT HIE,THE STREETWALKER!"POSSIBLE OSCAR CONTENDER -A JOY, CHARMING AND SEXY!" up. J2ee‘TZeitauzantDelicious uintoneje FoodFast Special Luncheon:$1.95Mon-Thun 11:30 AM-9:00 PMFri.iSat. 11:30 AM-9:30PMSun. 3:00 AM-9:00 PMCLOSED TUES.643-3407 1316 E. 53rd St. Who wouldn’t want to bea member of the Co-op?3,000 people can't bewrong.Think aboutit.SEMINARYCOOPERATIVEBOOKSTOREs.752-43819:30-4:00 M-FMichigan Ski Weekends.Good if you’re good. Good if you’re not.3' s' --*•3,,.- ....-d%..p.^r.|WKtSk CalendarFridayMiddle East Studies Center: Faculty-Student Lunch, 12:15 pm. Library. IdaNoyes. Informal talk, “Aramic Studies,”Jonas Greenfield. Dept, of SemiticLanguages. Hebrew University, 1 pm.Library. Ida Noyes. Ha-Sadnah, “SomeAspects of Hebrew' and Aramaic Studies,”Jonas Greenfield, 2:30 pm. Pick 118. ArabicCircle. “Intervention in the Lebanese CivilWar: The Syrian Official View,” LeonardBinder, 3:30 pm. Pick 218. Persian Society, arecorded recitation by the celebrated Per¬sian poet Mahdi Akhavan, 3:30 pm, Pick118. Sherry Hour. 4:30 pm, Kelly 413.Christian Forum: “Essays by ThomasMerton.” 8 pm, Brent House. All studentswelcome.Hillel: Adat Shalom Shabbat Dinner. 6 pm,Hillel House. Creative Services, 7:30 pm,Hillel House.UC Folk Dancers. 8 pm, Ida Noyes.Crossroads.Argentina, 8Center. 5621 S. BlackstoneSlideshow on Northernpm. Crossroads StudentGeophysical Sciences Colloquium:“Magnetic Instabilities in the Earth'sCore,” Paul H; Roberts, 1:30 pm.Auditorium. Henry Hinds Laboratory.Cluster International Students ConferenceCommittee Colloquium: “Imperialism -Syncretism - Indigenization: the Relation ofTheology to Culture.” Robert Schreiter, C.Shelby Rooks, and Mr. John England, 7 pm,LSTC Student Lounge Irm. 201). Anastaplo, 8:30 pm, Hillel House.Ben May Laboratory for Cancer Research -26th Anniversary Program: ScientificSession, 2-4:30 pm, Billings P-117.Contemporary Mathemetics from aHistorical Viewpoint: “TransformationGroups: Past A Future,” Wu-yi Hsiang,Univ. of Cal., Berkeley, 4:30 pm, Eckhart133.Morris Fishbein Center: “Descartes and theRosicrucians,” William Shea, McGill Univ.,4:30 pm. Pick 016.Hitchcock Films: “Myra Breckenridge,” 7pm. 9 pm, 11 pm, Cobb.SaturdayCrossroads: Saturday night dinner, 6 pm.Crossroads Student Center, 5621 SBlackstone.Crossroads: Documentary film on thehistory of Crossroads, 8 pm, 5621 S.Blackstone.Change Ringing. Handbells 10-11 am, towerbells 11 am-1 pm, Mitchell Tower ringingroom, 4th floor.Blue Gargoyle: Bryan Bowers in concert forFamily Free School, 8 A 10 pm. BlueGargoyle.Pub: “Fallen Women and UnrequitedLove,” Barbershop sing along.Compton Lecture Series: “Cosmic Rays andthe Lunar Surface,” Dr. Ian Hutcheon, 10am, Eckhart Hall. rm. 133.University Symphony Orchestra Weber.Overture to Der Freischutz; Mendelssohn,Symphony No. 3 in A min: Hindemith,• Symphonie Mathis der Maler; BarbaraSchubert, conductor. 8:30 pm, Mandel Hall.Free. “Hester Street," 7:30ternational House. A 9:45 pm. In-DOC. “Royal FIush,“8A 10 pm. Cobb.a Hillel: ‘The Juggler," 8:30 pm,Hillel House.Sunday L. Mack, director, 3:30 pm, Mandel Hall.Gree.Operatic Recital: Duets and arias by Verdi,Tchaikovsky. Mascagni, Saint-Saens,Giordano; Diane McCullough (metzo-soprano), Peter Freund Ibaritone),Con¬stance White (piano). Stone Chapel, KAMIsaiah Israel. 5039 S. Greenwood. 4 pm.Hillel: “The Trial of Jesus.” George International House Talking Pictures: Hillel: Lox and Bagel Brunch, 11 am. HillelHouse.Brent: Vespers, 5 pm; social hour andsupper, 6 pm; program discussion, 7:15 pm,Brent HouseCrossroads: Bridge class, beginners andexperts welcome, 3 pm, Crossroads StudentCenter.Computer Club: 1 pm, Reynolds ClubRockefeller Chapel Ecumenical Service ofHoly Communion, 9 am; UniversityReligious Service, "Jesus Christ in HumanExperience,” E. Spencer Parsons, 11 am.Rockefeller Chapel.Changes: “Focusing: A Method forDeveloping Meaning in Your Life,”workshop by Jim Iberg, 7 pm. BlueGargoyle.Crossroads: Informal meeting of all peopleinterested in helping out Crossroads withnew talents, ideas or whatever you wish tointroduce, 7:30 pm. Crossroads StudentCenter.UC Folkdancers: 8 pm. Ida Noyes.The Roundtable for African-AmericanHistory: "Free Frank and NewPhiladelphia: Slave and Freedman.” JulietE. K. Walker, 2:30 pm. Washington ParkYMCA.University Chorus: University Chorus andHyde Park Chamber Orchestra; C.P.E.Bach, Magnificat: Stravinsky, Mass; James DOC: “Young A Innocent.” 7:30“Mamie,” 9 pm, Cobb. pm;MondayBaptist Student Union: “World Hunger,Part II,” 7.30 pm, Ida Noyes Hal!.Hillel: Yiddish Folk Singing Choral Group.3:30 pm, Hillel House.Chess Club. 7 pm. Memorial Room, IdaNoyes.Brent House: Bible Study, 7-8:30 pm. BrentHouse.UC Folkdancers: 8 pm, Ida Noyes.Change Ringing Tower bells. 6:30-8:30 pm,Mitchell Tower ringing room.US-China Friendship Committee & SGSpeaker’s Committee: James Veneris, aformer American POW from the KoreanWar. who decided to live in China followingthe armistice, will speak at 8 pm, LawSchool Auditorium.Oriental Institute Armenian Studies Series“Religious and Magical Terms in AncientArmenia," C.F.J. Dowsett, Univ. of Ox¬ford, 4 pm, Breasted Hall, Oriental In¬stitute.Department of Chemistry . “The Synthesisand Physical Properties of Some UnusualPorphyrins,” James P. Collman. Stanford.4pm, Kent 103.FREEncyTESTBORTIONHOTLINE787-3567Student DiscountTHE TRIAL OF JESUSPROF GEORGEANASTAPLOLECTURER IN LIBERALARTS AT UNIVERSITYEXTENSION DOUNTOUNCENTER .PROfPOU.SaKT HILLELms s. woodirun RIP-OFFAUTO REPAIRFOREIGN CAR SPECIALISTSSERVICE ON VW & AUDIWe Offer Top-Quality Mechanical ServiceTune-Ups * Electrical * Brake SystemExhaust System * Other RepairsConvenientty Located at5508 S. Lake Park(Gateway Garage Bldg — Downstairs)Monday-Saturday, 9am-9pmCALL:684-5166 With This Ad Only2 drawer* file* *.... 5354 drawer file* 545Drawing Tobias 565( BRAND > EQUIPMENTASUPPLY CO.L 8600 Commercial Ave.Open Mon.- Sot. 6:30- 5:00RE 4- 2111A FINE CIGARCOHWETES TOUt DINNERTHAT YOURSELF J SAND TOUt GUISTSTHE ONLY ONE OF IT'S KIND IN THE H.P. AREAAt Harper Court Shopping CantarS225S. Harpar C 7 28t S1S1nipe‘ShopA cose study on the experience of em¬ptiness with The Rev. Doug Petersen,Center for Religion & Psychotherapy.ATBRENT HOUSESunday 7:15Vespers 5:00 Social hour 5:45Supper ($1.25)6:155540 South Wood lawn■ ■■■ THE JUGGLER(** V""“ \mission:ATNUATtS *L00OTHERS *150 NOV^P850 pmAT HILLEL3TI5 UJOOOlRU)*The Chicago Maroon Friday, November 19,1976*13■ pThe WM BunchPortrait of a dynastyBy rw rohdeThere have been several great teams inU.C. intramurals. The I-house teamsusually win soccer and volleyball. SeeYour Food dominated softball a coupleyears back Shorey constantly wins ihecoed overall championship But probablyone of the strongest teams in football isWild Bunch.Wild Bunch has reigned over intramuralfootball for just two years, but during thattime they have been incredible. Theirvictory margin has never been below 13points in the sixteen plus games they haveplayed in the last two seasons. They haveonly given up one touchdown in that time,which captain Joe Hill claimed “was a 60yd. bomb that was completed only becauseit was dark, bounced off two trees and twoplayers, and fell into the receiver s handswhile he was laying on the ground ’ Flukeor not, their defense is awesomeThe team originally got their name,taken from the movie of the same name,because of their defense of three yearsago. “Back then” said Hill, “they d doanything to get to the quarterback fromtriple safety Blitzes to throwing men overthe offensive line. But their wild tacticswere their eventual downfall, and they lostin the playoffs.”Harold Lloyd changed that last year.Lloyd was the founder of the team, aBusiness School student who playedquarterback for Penn State when he wasan undergraduate He lost most of hisplayers from the first year, so he had to dosome recruiting He recruited several B-school and Med students, including theonly four carryovers to this year. Hill. DanCummings. Tyrone Bird, and AlexCurland. “Lloyd was super organized last year.He was the central figure We let him workout all the plays and stuff along withTyrone. He really got into organizing,and took care of everything, we justshowed up” said Hill.“Last year’s team was probably betterorganized, and thus a better team.” Hillwent on, “We had a better offense with ankiller instinct. We had no real competition,so no one came within 25 points of us. Theonly thing we might have lacked wasdepth, something we do have this year.”Needless to say, Wild Bunch easily wonlast year’s title. But most of the teamgraduated, leaving only four players;Curland, a good rusher when he couldshow up, Cummings, who played collegeball at Dartmouth, Bird, wno also playedat Dartmouth, and later for the Green BayPackers, and Hill, a college basketballDlaver and pass receiver on Wild Bunch.With Lloyd gone. Hill stepped in and tookover. He and Tyrone found, among others,a group of med school students wno wereplanning to form their own team, andinvited them to play for Wild Bunch. It ’wasn’t specialized recruiting. Hill was iustlooking for guys who “looked like theycould play a decent game.”Hill found a quarterback in Dick Walker.“With Lloyd gone, we were going to try T-Bird (Tyrone), but I saw him rollright andpass right-handed, then later roll left andpass left-handed, and decided we betterkeep him as receiver. Dick can’t run aswell as T-Bird, and he can’t throw thebomb like Lloyd, but he’s very accurate onshort and medium passes.” said Hill.“Dick really came through for us in thechampionship games. It’s the best passingand play calling he’s done for us. I couldn’task for much more.WHEN WORKCOMES AT YOUBYTHE REAMbut stilt you want to keepin touch with the world,you need a news sourcethat informs withoutwasting your time.CHRISTIAN’■ '. pillsfulfil ’ ", MONITOR®The Monitor is a dailyworld newspaper thatmany people, students toU S. senators, depend onfor solution-orientedcoverage of politics,world affairs, finance,the arts, sports, theenvironment, and manyother subjects.The Monitor is the kindof newspaper you candepend on when textbookanswers are not enough.And the Monitor is nowon sale Monday throughFriday at many Chicagoarea newsstands.Pick up a copy today, at55th & Kenwood, theUniversity Bookstore, theInternational House, or .thenewsbox at 1448E 57th.■ Aax-THE CHRISTIAN SCIENCE MONITOR®A way of seeing the world. Clearly.•J-5^ ,iiMwisfe s ,'$gkU The Chicago Maroon Friday, iV: ' :. -NYI '',, §§ tesai '; HI® 1?, The Wild Bunch: front row (1 to r) Jeff Cox, Myron Goldstein, Steve Johraon,“Doonesbury” Von Dusenberg. Back Row (I to r) Scherwin Waldener, Dick“Crazy Legs” Walker, Tony Meier, Gary Downey, Tyrone “T-Bird” Bird, Don“Doughboy” Commings. Alex Curland, Joe “Homs” Hill..Hill put together a good line for WildBunch, both on offense and defense. TonyMeier would bring the line up on offense,making assingments for blocking then, orcalling audibles if needed. He was sup¬ported by Sherwin Waldman “an excellentblocker”, Van Dusenburg “a tough littleguy” and Dave Capelenski “small andstocky, likes to kill people, being a doctorhe likes blood.”The line gave Walker plenty of time tofind his quick receivers, Bird and Cum¬mings, or lob the ball up for his tall guys.Hill and Gary Downey.Wild Bunch is a first half team, they liketo score early, get a good lead, then controlthe ball in the second half while trustingtheir defense to hold the other team. Thedefense did the job, shuting out every teamit faced this year.“We had an excellent pass rush and thathelped. Doonesbury (Dusenburg),Waldman, Kurland and I alternated on thedefensive line.” said Hill.Wild Bunch was well organized overall.They had 30 to 40 offensive plays, usingabout ten different plays, all diagrammedout on cards carried by Walker, per game.They also has 20 to 30 different defenses,depending on the situation.Mark Ferguson did the play calling atmiddle linebacker for Wild Bunch.Ferguson played middle linebacker forHarvard, and knew what to do. Hill said,“He’s a smart ball player, who reads theoffense well.”Backing him up was a fast defensivebackfield, consisting of Bird, Jeff Cox,Keith Holman, Steve Jackson, and MyronGoldstein.“Goldstein was one of our phantomplayers who only showed up occasionally (back-up quarterback Ed Meier was theother). He’d rather go to class than playfootball.” said Hill, “We couldn’t un¬derstand that.Wild Bunch swept through the season.Hill remarked, “The only game that wasclose was our first one. because we weren’treally used to playing with each other. Butas the season went on we got accustomedto playing together. We were loose andconfident, and had fun while we were outthere. It was quite a team effort. It was aninteresting combination too, the B-schoolguys got us organized, and the med schoolguys kept our players in the game. ”Some people have remarked that WildBunch seems a little too professional,taking the fun out of the game. Hill replies,“We may have been last year, but thisyear was different. We didn’t practiceafter the season started, and only a coupletimes before. We didn’t know who wasgoing to show up for a game until we gotthere. The reason we won was our overallquickness, even our big guys were quick.”“There wasn’t one guy on our team 1could point to as the star” Hill said.Everybody added something Everybodywas dependable. We had a lot of ex¬perience and enthusiasm. Team play andspeed was the basic reason we did so well,we make them play our game, not theirs. ”theirs.”The solidarity of the team stayed on thefield. The team rarely got together off thefield. Most of the team members didn’tknow all the other people on the teamEveryone is going their separate wav now.“Almost all our guys are graduating”said Hill, “I don’t know if anybody will bearound to pick up the pieces next year.” IfWild Bunch doesn’t carry on a lot of peoplewill not be sorry to see them go.Shorey, Scanlon win grapplingQyRWRHOOEShorey won the intramural wrestlingmeet last week, although no housemember took an individual championship.They only put one wrestler in the finals,Steve Abelman, who lost to Tim Lorello inthe 140 lb division. Second place overallwent to Psi-U, with help from KeithHardman, who won the heavyweight class.Paul Shea of Henderson won the 159 lb.weight class, helping his team to a tie forthird with Chamberlin.Other individual winners included JimScanlon of Hitchcock in the 132 lb. division,John Cullen of Thompson South in the 149lb. division, Charles Vavrus of ThompsonNorth in the 169 lb. division, and PatCostello of Vincent in the 179 lb. divisionThe Football season may have endedlast week, but tennis is still dragging onBruce Carman of Lower Rickert emergedfrom a field of over 70 tennis players to winthe men’s undergraduate residence title.Carman didn’t have much trouble with anyof his opposition through the finals, wherehe beat Mark Winston of Dodd-Mead 6-0,6-3. ■ ' • ' -Carman will face Kurt Robson for theundergraduate title. Robson won the in¬dependent tournament, which was plaguedwith double forfeits.The graduates had their stuff together,with only one double forfeit in their wholetournament. Ervin Hollman fought' his way to the finals, where he beat PatrickMersch 6-4.6-4.In co-ed doubles, Bruce Delahorne andMary Struthers of Upper Flint beat DaveCoplan and Amy Leiden of Shoreland 12, 6-2. 6-2. They’ll face the team of Schultz andBrink for the undergraduate title.Barb Brink of Greenwood beat MaryStruthers in the Women’s undergraduatefinals 6-3, 4-6. 6-0 She’ll face Judie Max¬well. the only graduate entry, for theUniversity championship.Holiday basketball opened this week,complete with the new rule requiring eachteam to supply an official. This gives In¬tramural director Bill Vendl a largesupply of refs to draw from, and shouldimprove the overall quality of officiating.Members of the I-M staff will be goingaround and monitoring the quality of refs“If they’re doing a lousv job. or making afarce of the game, we’ll pull them off thefloor and replace them right away” saidVendl.At the same time, however, officialshave been instructed to be much tougher.At a meeting for basketball refs lastThursday, they were told to take nogarbage’ from the players. They werealso told not to hesitate in using technicalfouls, throwing players out of the game. or.if needed, throwing teams out of theleague Much tougher, but a welcomechange from football3..■ :CLASSIFIED ADSSPACEWe are looking for a responsiblestudent to stay in our apartmentduring the interim. Call 324-1057evenings.Spacious Hyde Park Apartmentroommates wanted. Call 955-5932.FREE room £ board in exchange for20 hrs. child/care wk. Mother £ 2 girls.Student pref. 493-0270.Available immediately: V/i rms.;balcony, sunny, huge walk-in closet;nr. 59th 4 Blackstone; $160/mo. (sub¬lease through May, 77) Call Bonnie752 8827/455 8644.Female non-smoker pref. to share aptw. same, own BR. Near hospitals,$120. 753 8655/667 4282.I have a housing contract in Broadview Hall that I would like to give upfor Winter and Spring quarters, callme at 753-2103 or send a note toMichael Delaney through FacultyExchange, 5540 S. Hyde Park Blvd.Room 518.Sunny room, 58th 4 Woodlawn, formale graduate student. 752 7764.Two bedroom furnished home onspproximately two and one half acreswithin walking distance of the DunesState Park, Lake Michigan and theSouth Shore Railroad. Has large livingroom with natural fireplace, mod.appliances, central air-conditioningand one car garage. The right partywith good references can move in thiscomfortable home immediately. Call363-4831 for appointment.Sublease: 5405 S. Woodlawn, 3 rm.furnished apt. 324-8018.Current tenants 5550 Dorchesterseeking double at same address orthereabouts. Goin away? WANT TOSUBLET? Call 752-7563.2V2 rm. (studio apt Newlydecorated, bright, ciean. Wellmanaged bldg., 53rd 4 Kenwood. $140per month Immediate occupancy.Parker Holsman 493 2525.Sunny room available tor winter andspring quarters—1400 East 57th (LittlePierce) 955-44375 + 6 Room apts. in building beingrehabilitated 5 min. from U of C. on61st st. Coleman Carp. 373-1800.Studio, $125/mo. 54th 4 Cornell, Call373-0518.FEMALE ROOMMATE wanted toshare large, modern townhouse,53/Woodlawn (across from shopg ctr)with 4 friendly UC people. $72.50/mo4 1/5 util. 363-2013.Studio Apt., sunny, spacious, $132/mo.Avail Dec. 1, call 752 7830eves.Garages by qtr. $80. Cornell 5508.HP55 3 flat L YN 929 5600 643 9086One bd. Apt. Large, quiet, bright,newly painted, on 55th St. Avail on orbefore Dec. 1. Rent $285. Tele 324 2763even.Roommate wanted for six roomapartment at 54th 4 Woodlawn at $62per month. Call David at 324-3863.PEOPLE”WANTEDTemp. Library Asst, to 7/77. Will train.Must have Regenstein Card 493 0200.McCormick Seminary, HYDE PKSeeking person with excellent typingskills. 65 WPM, Shorthand requiredcollege preferred. Bright, resourcefulperson with experience will be considered salary dependent on exp andQualifications. Call Business Managerat 241-7800.Native English Speaker to translatehistorical article from Spanish intoEnglish 643 0394.Responsible woman to care for 2children, 9:30-5:30 M-F (Hrs.negotiable) 955 3891 Any time or 3242418 after 6p.m. or weekends.COACH needed for Hyde Park SoccerClub juniors. Experienced 16-19 yr. oldplayers in Natl Soccer League YouthDiv Spring Season. 3-8372 for details.EARLY PREGNANCY DETECTION^Pregnancy accurately detected beforeyou miss your next period. See of bloodwill be drawn. Medical researchproject-test Is free. Call Sandy at 947-6620 or 947 5550fToacher wanted: Parent cooppreschool, degree 4 experiencerequired. Send resume: 5300 SouthShore Dr., 60615.PEOPLE FOR SALEStudent willing to house or apartmentsit next quarter or for rest of academicyear References supplied at request241-7203 eve.Thesis, dissertations, term papers incforeign language gen corres. latestIBM corrective SEl II typewriterReas, rates Mrs Ross 739-4257 Bet 1!am 4 5 pm,Typist/Selectrlc/Falr7667 4282.For piano teacher call 947 9746GAYSONLY!li 60871 * '■ < * SCENESRegistration, for mechanics crs. forwhich orientation was held 11/15 willend at first class next Monday at theGargoyle at 7 p.m. The course istaught by Ken Dunn and costs $10 for 8weeks.Free film 4 presentation about aunique international summer campfor children 9-17. Tuesday, Nov. 23,7:30-9 p.m., 1st Unitarian Church, 57th4 Woodlawn. For more informationcall 753-1813.Bryan Bowers in Concert for FamilyFree School at the Gargoyle Nov. 20, 84 10. Tickets at Fret Shop, at door.Parent Coop for early learningpreschool; full (7:30-6.00) 4 part timeprogram; 3 classrooms designed for 2yr. olds, 3-4 yr. olds 4 kindergarten;5300 S. Shore Dr. 684 6363.Robert Ornstein (Psychology ofConsciousness) lectures on the MindField, Conditioning, Cults and Con¬sciousness. Monday, Nov. 22, 8 p.m.Thorne Hall, 740 Lake Shore Drive.Info. 858 2800 ext. 2356.MYRA BRECKENRIDGE withRAQUEL WELCH, MAE WEST, Fri.Nov. 19, Cobb. 7:00-9:00-11:00The Turkey Came From Turkey!That's why our Turkish master-chefZahit Ertekin will prepare for you thebest Thanksgiving turkey you haveever tasted. Come to the Efendi onNov. 25, 1976, from 1 pm-7 pm. Here iswhat you will get:TURKEYwith appetizers, cranberry sauce,salad, bread and buffer, homemadepumpkin pie with whipped cream.Coffee or tea. And of course seconds!For only $5.95. Student special with UCID $5.00.STUDENTCOqPBooks bought and sold. French stockstill going up on shelves. Non classicalrecords now alphabetized Open 9:306:00 M-F, 10:00-4:00 Sat.FOR SALEAPT SALE twn bd w/hdbd, dbl bd, kchtbl, bureau, bkese, rugs. etc. CallHoward: 667 7809.Cozy red chair 4 white table CallBonnie 752-8827/465 8644UNICEF WORLDWIDE HANDCRAFTS. 5 N. Wabash rm. 1107, M-F10:00-6:00, Sat. 10:00 4:00. 372-5359.Bookcases, $15 4 $25, queen sizewaterbed w/heater $75. Sleeper sofa$75.50 Playboys, 50c each, $15 all; pairof comf. U shaped chairs, $25; rubbertrees, 3 ft. tall $5; cat house $7.50,books of all types, cheap, radio $3;wine rack $3, ironing board etc 955-3381 eves 4 weekends. Boy's CCM Hockey Ice Skates size 9D,$30.00. Girl Figure Skates, size 9,$25.00. Call 753 2052 Barbara.Apt. Sale Sat. Nov. 20 noon 5. 5723Kinbark #1, Air cond. $15 rugs $10.Books furniture etc.Hyde Park Resource Center haseverything including Hyde Parkfirewood's fantastic transeedentalOak cherry and birch. Available 10 to4, 7 days a week or call 549 5071 toorder.ACADEMIC RESEARCH PAPERS.Thousands on file. Send $1.00 for your192-page, mail-order catalog. 11322Idaho Ave., 206H, Los Angeles, Calif.90025. (213 ) 477-8474.SLIDE PROJECTOR SPECIALArgus Projector with remote control,Reg. $109.95, Now $49.95.MODEL CAMERA1342 E. 55th St.LOW-COST CHARTER FLIGHTS toEurope. Call 327-2858, 4-6 p.m.Go home for the Holidays and saveenough to pay for your gifts! Chi/NYCDec. 12 4 19 return any time. $107 r/t$53 savings. Book now Imt space avail.Call NUS specialists in inexpstudent/youth travel 7264836.SLIDE PROJECTOR SPECIALArgus Projector with remote control.Reg. $109.95. Now $49.95.MODEL CAMERA1342 E. S5th St.Frames, Albums, Matt board,Passport Pictures, Books. MODELCAMERA has it all! Stop in and seeour newly remodeled photo gallery!MODEL CAMERA1342 E. 55th St.CASSETTE TAPE SPECIAL!TDK SO 90, Reg. $4.50, Now $2.99MODEL CAMERA1342 E. 55th St.NIKON REBATE PROGRAMAsk about our special Nikon prices.MODEL CAMERA1342 E. 55th St.WORD OF MOUTHReads Zukofsky, translations andoriginal works, Monday, Nov. 22, 7:30.Blue GargoylePHOTOGRAPHYCreative^ Camera Studies ofchildren 4 adults... in your home byappointment... phone Michael Donnerat 241-7896.ARTS & CRAFTSParticipants wanted for Arts 4 CraftsFair, Dec. 344, Cloister Club. IdaNoyes Hall. Call 3-3591 for info.A GREAT NEWATHLETIC SHOE STORE IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIShoes for all sportsADIDAS»BAUEfUCONVERSE«NIKE*PUMA»TIGE-R and many more, (over 300 styles-tot size togiant 17) also sweat sox«warm upswgym bags.SPECIAL!SALE PR- REDRUNNERS & I0GGERS CLINICAT THE CENTURY NOV. 23.7:30 PM-Athletes /cZ'rThe ¥T\ Foot ^ /SHOPPING CTR.j 2828 N. Cork St./327-7333TtAI OUT THIS A0...IT'S WORTH Si .00 TOWARDS1 PURCHASE Of SROfS-Good 'tfl Dec 23, 1976•’ r.t.) i v,r.i.nr ! ) i'ftW tr,ij i i I i i t i I‘J'J FEMINISTANTHOLOGYPrimavera, a women's literarymagazine, is on sale in most HydePark bookstores.PAN PIZZADELIVEREDThe Medici Delivers from 10 p.m.weekdays, 5-11 Saturday, 667-7394,Save 60 cents if you pick if up yourselfBOOKS BOUGHTBooks bought 4 sold everyday,everynight 9-11, Powells, 1501 E. 57thS«.FREE TUITIONFor fully accredited Junior Year orPost Graduate study in Israel.Enrollment-minimum 2 years in ad¬vance; benefits valid for 12 years.Please contact:The Gift of Education Department CH-Suite 514, 75 Rockefeller Plaza, NewYork, New York 10019. 212-541-7568 or7530.PERSONALSParrot Lost Green Amazon. If seen orheard shrieking, call 288-5744 anytimefirst, then RE 5 3000 days, evesREWARD.Lost: Brown glasses in blue case nearRegenstein or Blackstone Hall.Reward. Mary at 753-3774.DATING SERVICELow cost. Over 1200 members274-6248RIDE from NEW YORK CITY to UCneeded for two girl-friends on SundayJan. 2. Will pay all tolls on 1-80 plusshare gas 4 driving. Call Dave at 7530391. ;Pregnant? Need help! Call 233-0305.10-1 pm, M-F, or 7-9 pm M 4 Th.Writers' workshop PL 2-8377Renee—get ouf of the stacks and comeaway with me." : 4^ Hyde Park ^ ~~5655 UNIV. AVE.BRYANBOWERSBenefitConcertforFamily Free SchoolSAT. NOV. 20,*;®®Tickets: Fret ShopOld Town Schoolfor information call:288-2950modelcamefd1342 E 55 St493-6700Tradeup to thefinest:Nikon F2ASK ABOUT THENIKON REBATEViwiO -i) KENNEDY, RYAN, M0NIGAI & ASSOCIATES,INCCDirectory of ValuesWe Know Hyde Park.'Real Estate Inside OutHOUSES FOR SALEJACKSON HIGHLANDSEniov o fireploce wilt) 0 beautifulhome around it. rms., 2'/? baths, rec.rm side drive and gorage Beoutifulgarden Mony extras. Nr 70th andEuclid S64.500LOVELY HIGHLANDS HOME5 BR brick home on Bennett Ave. LRwith wbfp. formal OR A very nicebuy at $59,500. For more into, collMar goret Kennedy, 667-6666UNEQUAI ED VALUE!5 BRs, 3 „3?hs w/oft street pkg., flooasize yard WbfDlc. Nat'I woodwork Ln/w floors thruout. Super xnenen.Move-ln condition (and I really meanit). $72,500. To see coll Mrs Haines667-6666former fraternityHOUSEFirst a 1890-ish residence, then a frathouse. Since 1940, ogoin 0 residence.All new wiring, healing, roofing. In¬come from 4 brick goroges Lcrgeyard - 3’/j blocks north of 55th onKimbork Asking $60,000. CharlotteVikslrom 667-6666STATELY COLONIAL11-room residence »n lovely setting.Nat fireplace in large living rcom 6oedro&ms - library - solarium Centair, undergrd spr.nkters 3<or brickgarage Side drive $69,900 Call Mrs.R'dion 647-6466.SOUTH SHORE DRIVEBrick 4 BR home. LR tor mol ORLarge enclosed porch Extro largebock yard next to Rainbow Bt_-och.Asking $47,500 For more into.,please coll Vcrgo'e' Kennedy, &676666 ONLY I LEFT!Of the seven town tomes to be builtat S4 Block stone for Summer oc¬cupancy, only two remoin unsold.See our scale model and floor plansfor these exciting housing oppor¬tunities. Each home features 3 or 4bedrooms. 2 or 2Vj baths, in housegarage, solarium and mony morefeatures to insure comfortable andconventional living.PERFECT STARTERTwo king size bedrooms, IV* bathsLike new townhome. Carpeting, allappuonces, free parking included.Quiet. Charming design appro*. 1,800sq. ft One block from Loke Michigannear 74th. $76,000. CharlotteVikslrom. 667-6666.FIRSTANNOUNCEMENTSix exciting Y.C. Wong-designedtown homes are scheduled lor oc¬cupancy late Summer on 49th stnear Dorchester Preliminary plansare available in our office for yourinspection.PRARlE SCHOOLMANSION .This lovely 15 room brick mansionhas 9'eal Potenhal tor a super Ketvw>Dd home. 5 baths, 2 cor gofogesurrounded by period iron ferKe forin’ormahon or to see, coll Richord EHild 667-64/4 or 757-538474TH& MERRILLMove in lor Christmas' 3 BRColonial w/finished hsmt . wb»ptc. inLP- Formal DP 2<ar f riw«Ts. To see. call Mrs Ha^s 66TAPARTMENTS FOR SALETWO BEDROOMSIN THE SKYImmaculate 5 rm 7 oath condo homeat 50th and the I oke Many decoratorextras Ready to move An idealhigh rise tome tor th» discriminatingboxer,LARGE 3 BEDROOMModem k.tchen w,’dishwasher,washer and c'ryer in apt 4th BP wasremoved to make a very large LRLow assmt inc taxes Neor (revsportobon, Bret Horle school jEdward LcVe’le. 667-6666HELP STAMPOUT RENTHere Is cn excellent opportunity toget the benefits of home ownershipwithout me ntenance problems. Thislovely co-oo opt. has 7 bedrooms, 2boths and a soectacutor view ofdowntown and the lc'«e. Excellentcondition Super secure buildingParking o.c ladle.HrDt PARK BLVD.Spocious 3 bedroom, study utilityroom, 7 bo'h 3rd tloor condo Asking$37,noo Coll Nodiise Alver or RichardE. Hild at 757 53f4 or 667-6666ARTIST S SHOWCASEYou’re the lucky one! Owner-artisthas spent tcvivh money and Lme onthis beautiful large 6-room, 3 bathopt High boor Njrrogurisett Supersecure condo. Upper 40's CollCharlotte Vikstrcm 667 4666. ELEGANT-SPACIOUSRare Hyde Park Boulevard IVj roombeoutv Building ond all units ex¬cellent cond inside ond out.Gorgeous opt huge rooms. & earnkiirben, walk in closets galore Oxer7.530 SO ft (Master BR olur* 7? x16.1 Yet low monthly assessments(because seif-monaged t only threeowners) !‘ you see ft. vou lave it'Call Charlotte Vikslrom. 667-6466ER1GHT AND CHEERYThis lovely one bedroom ccndotc-afed near tron'ocvtation ks in aIc-.ely cour*way building For in¬formation coll Nod.ne Alver 66T-W6.FIRST TIMEOFFEREDFour large rooms plus study/sunporch, modern kitchen with built-in D.W , and appliances. 1 modernbath with ceramic tile, monthlyassessment only $96. Near 54th 4Cornell. To see, call FrankGoldschmidt. 667-6666LESS THAN RENTNeat 7 BS condo, newer welt kectbuilding st Phillips School SI7.300Cali Alfred Dale, 667-6C66,8 ROOM CONDO,7ith 3 baths, la'se LR and large DRCor.cn ent k.tchen with beautifulnonk l ow os- s«n ents park.ngincluded All ‘rvs in a or luxe three-flot Puce sfSnnc Coll Don T,”ery66 7 4466.APT BLOGS. FOR SALEU Of C JAWGOOD CASH FLOW SCHOO(Owner will finance 50 furnished opts. OLrlLAA KJLAflON •M V rentals. Vke'l monuged. Excel- 35 units, good cash ftow commalent condition Stable ‘money Good v.ood’own Ave location. FinoncinaDrexei Blvd location Coll Mrs. Bit- ovoitable Coll Richard E Hild, taj-ger 66 7-6 5 70. 65*-BRICK 3 FLATPirsl lime ottered 3-7 room <®4.along South Shore Drive 770 ft tot 5cor parage For more Info., pleasecoll Margaret Kennedy. 667-6666KENNEDY. RYAN MONIGAt & ASSOCIATES,INC(tig.i: Mil ffet (■»»)1^51 East 57th Street. Chicago, Illinois 60637667 6666Do>l> 9 to 5 So* 9 I© 1 O'toll 6666 Ar,t t*OAKFIREWOOD$70 a TONbirch, cherry andmaple also ovail.HYDE PARKFIREWOOD549- 5071—■ HitchcockFilms Presents:MYRABRECKENRIDGEw?hRoquet WelchMae WestRex ReedTONIGHTCOBB HALL7:00. «:00. 11:00* St. UCIDTho rhir^AKA''dO^ Fi'iaay.'NGverfibcr Tf.rntBrnwa - mwwW - *--**-•> 1 W6• i ik . I. 'fls*» „H~ S | “: :•V:* :v>>-a iA ■ m- mV z * ^.► f -" ' ',.' *4=•• '}$ *#*?■-y*r \Vr ■ ■;■■■■•. • ■ . ->•man having.■t • :.: ■:■ ■ ' - * --■vr. .- ~■,.. -. ;' ■. / ■ ■ '■' -Red WinesWith Heartier Flavored Foods- - - ■n-'v.AAi; ’’ a-■' ■.■■;.■,•. ■■ ; ■•• ■ - . , ■.. ■ -: . <$* ,.White WinesWith Lightly Flavored FoodsDnnillu EiiiecArouilly Fuisse 1971 Beaujolais .....1971 Ch. du Vaurenord1973 Fleurie .......Muscadet........Ze liar Sen warier Katz1973 Moulin-A-VentWiltinger Kupp' ■ - : .. . .■ ' ' ;■ ■ '■ &?sjp§Pungent orSharmm el mm _ ;Very Sharp Vermont..Esrom Port Salut ..Black Diamond Cheddar Prices Per PoundSweet or Desert CambreeDanish Duke CreamTangerine or Peach MelbaFrench Goat .........v. . V "■ ■GorgonzolaBluesComte & French GrueryeFrench Roquef ort■zm ■ . _Norwegian Blue .Danish Blue.. 'I ' I :JarlsbergW* V- 'Vr'/:(' 1■:■ ,'m i - m Quartse IM 116 The Chicago Maroon Friday, November 19,1976'