The Chicago Maroon■^86, No. 21 The University of Chicago Friday, November 12,1976Wilson announces enrollment drop400studentenrollment diveforces million dollar cut,bodes faculty reductionBy JAN RHODESThe effect of an unejdrop in enrollment and con-lexpectedand cccomitant budget cuts, theprojected size of the University,repercussions for the College,and housing in the Universityarea were discussed Wednesdayat a campus press conferencewith President John Wilson.The Maroon will publish the textof the press conference withPresident Wilson Tuesday.The actual number of studentsthis year is about 400 less than theprojected number, resulting inthe loss of anticipated tuitionmoney amounting to nearly $1million.Wilson said budget cuts havebeen made in “all areas of theUniversity where cuts werepossible.” He said some areascould not be cut, and he askedthat financial aid ‘‘be protected.”The specific cut-backs weremade by the comptroller and the"Vcuious deans and the peopleresponsible for non-academicareas,” Wilson said.“We’re all hanging together,”said the President. Some areasvolunteered to handle more thantheir share of reductions, he said. citing some professional schooldeans who agreed to draw onmoney from their alumni funds.Longterm projection downIn his State of the Universityspeech Tuesday, Wilson saidoverall enrollment was expectedto reach 8,200 students, including2,500 in the College. Actualenrollment for the University thisquarter is 7,800, with 2,400 in theCollege.The nationwide decline in thenumber of college-age students isnot the reason for the drop thisyear in the College, Wilson said.He said the entering classremained stable, but there was adecline in the number of retur¬ning students. Wilson saidstudents failed to return forvarious reasons, including takingthe quarter off for political workand delaying graduating untilspring quarter.The long-term projected size ofthe University will have to bereadjusted from 8,500 to 8,000, asa result of the demographictrend, Wilson said. The projec¬tion for the College will berevised from 2,750 to 2,500.The size of the faculty,projected at 1,000 for 8,500students, will be reduced ac-Conference to 3 President seeks end to deficit,calls for continued ‘distinction’By DAVID BLUMPresident John T. Wilson madeclear in his State of the Univer¬sity message this week that,despite the fiscal strains broughton by low enrollments andgovernment regulation, he has‘‘no fear for the future of theUniversity.”He told the 85 professors whoattended the speech in QuantreilAuditorium in Cobb Hall lastTuesday afternoon that theUniversity will “withstand anyimpact from the comings andgoings of chief executive of¬ficers,” and quoted with prideextensive excerpts of the recentaccreditation report of the NorthCentral Association of Collegesand Schools.But interspersed throughoutthe 45 minute speech werereferences to problems that havealready caused or are expected tobring on a major reassessment ofriorities in many areas ofniversity policy.They included:•the unexpected Universityenrollment drop this autumn,which has brought an across-the-board cut in university ex¬penditures, in an effort to ensurea balanced budget this year.•the adverse effect of thefederal bureaucracy on themedical center budget, includingPiU Wilson: “It to possible that we will have to lower ourplan for a University of2^500.” (Photo by anda College ofneeded reimbursements forhospital services•the limiting of libraryresources, as a result of the effectof inflation on purchasingpowers.•the struggle to provideadequate housing for students and new faculty, in the face of arapidly changing neighborhood•efforts to improve the qualityof the undergraduate curriculum,including discussions aimedtoward altering the common coreof requirements in the College.< Speech to 2QUADRANGLES)L ENROLLMENT(December Count)••/s • •mm <F>g00 10 20 30 • 40 50 60 70 80 90YEAR)00— , T~TFACULTY SIZETotol Budget Count;Net Count About 4% Lower) "HT,‘AA** ''tnJil01ococoFig.2 .00 10 20 30 40 50 60 70 80 90YEARA 1074 faculty comand faculty pirojftcttofit Cor enrollmentreduction that itfqurrt policy. News analysis *Drop creates uncertaintyBy PETER COHNWhen the University embarked upon athree-year program of budgetaryausterity in 1973. John T. Wilson, thenProvost of the University, outlined aprogram which called for an increase instudent enrollment from the 1972-73 levelof 7.635 to 8,000 in 1976-77.Gradual increases in studentenrollment, to be accompanied by tuitionincreases of "no less than $50 per quarterfor the following years.” was to sene asthe underpinning of the University’s effortto eliminate a deficit which approached $6million in the 1973-74 budget.EnrollmentIn the three years since the an¬nouncement of the enrollment expansiondrive, projected levels have been con¬sistently met This year’s drop in thenumber of students on the quads comes asan unanticipated setback to the effort, withthe 7800 total representing a shortfall of 400from the University’s Septemberprojections and 200 short of the projectionsfirst formulated in 1971 The 1973 projection was met ahead of schedule lastyear, when enrollment reached 8.022.The new enrollment figures pose somevery important questions for theUniversity administration A combinationof the policy of faculty reduction, whichhas shrunk the faculty from 1.116 six yearsago to 1.076 as of last June, will have to beconsidered. Admissions standards arelikely to come under pressure, as depart¬mental officials have to make the difficultchoice between the maintenance ofacademic sandards and the filling ofenrollment quotas. Enrollment to 3Inside:Editorials, p. 4GCJ, p. 5Sports, p. 14Students: finals weekyou'll have to roll upyour sleeves againBy MARTHA CONGERStudents between the age of 18 and 24will be required to have an additionalinnoculation against swine flu to completethe effort now underway in Reynolds Clubto vaccinate the University communityagainst the virus.Dr. David Fedsen, professor of medicineand director of the University im¬munization program, said that govern¬ment-conducted studies have shown thatyoung people require a double vaccinationto obtain the effect that healthy individuals(ages 25-59) gain from only one shot. Thesecond round of innoculations is scheduledfor final exam week, December 5ththrough 10th.Free swine flu vaccinations will beavailable today from 8 am to 2pm, andSaturday from 9am to noon, in the northlounge of Reynolds Club for Universitystudents, faculty, and staff and theirspouses and dependents over the age of 18Screening questions asked at the Loungeto define “low risk” and “high risk”, andthe age of the individual, will lead either tono immunization, one shot, or a series oftwo inoculations separted by a month.What government trials and UCHospitals cannot show is that there ac¬tually will be a swine flu pandemic;whether this world-wide virus would strikethis year, or next, or three years fromnow; or whether the present im¬munization, developed in a break neckseven months, will provide antibodieseffective against swine flu for that lengthof time.No case of swine flu has been reportedanywhere in the world since the deaths of10 recruits at Fort Dix, N.J., in Februarythis year.Structural similarities between the“Fort Dix flu” virus and the devastating virus of 1918-19 that killed over a half¬million Americans led President Ford andCongress to mandate the $135 millionprogram for mass inoculation in March.Students may want to take into accountpossible reactions to the shots, whichrange from the universal sore arm tomuscle aches, headaches, and a com¬bination low-grade fever and chills.The first word which leaps out from theconsent form all immunized individualsmust sign is “fatal”; Dr. Fedson calls theconsent requirement “a guide to suing thegovernment,” which is the responsibleparty in case of serious problems from theimmunization.For those afraid of the needle, all flushots are administered with a non-needlejet gun which, in effect, turns the vaccineinto a skin penetrating spray.For the University population less than18 years old, only those with chronic healthconditions (pulmonary, cardiac, or kidneyproblems, or diabetes) need be im¬munized. They also will receive a doubleshot.For reasons of “economics and publicpolicy,” Dr Fedson says, bivalent vaccinecombining protection against swine fluand last year’s Victoria flu is reserved forthe University population 60 years of ageand older.Immunization at University Hospitalshas reached an estimated 5-10% of the in¬patients, 15-20% of the out patients inclinics; and about one-third of thehospitals’ employees Speech from 1More Budget CutsIn an interview Monday. Provost D.Gale Johnson said the University wascutting the non-academic budget by ap¬proximately one percent to compensatefor what he estimated was a SI million lossin revenue resulting from the unexpecteddrop in enrollment.While noting that the enrollment dropresulted from a decline in the number ofstudents returning to the University.Wilson said little in regard to possiblerecruitment efforts to increase the size ofthe student body. Instead, he praised theOffice of Admissions for improvements intheir effort to attract more applicants andproposed the possibility of setting lowertargets for the size of the Universitypopulation“It is possible." Wilson said, “that weshall have to lower our aspirations andplan for a University of approximately8.000 students, with a College of 2.500." In1974. a University committee projectedsteady enrollment increases that led toplans for a University-wide enrollment of8.200 students this fallFaculty SizeWilson noted that a readjustment in thesize of the student population might alsoaffect the size of the faculty, which theadministration has sought to bring to alimit of 1.000“This change will affect assumptionsregarding faculty size." Wilson said to theaudience, comprised almost entirely ofsenior faculty members. He praised thefaculty for its continued distinction, citingtwo Nobel Prizes, one French Prix andthree elections to the National Academy ofSciences among the accolades received byprofessors here.He also told the audience, in the onlydeviation from his prepared text, that hehas “some confidence that this year'sJefferson Lecturer in the Humanities willbe from here." but said he was not free toelaborate. Last year’s winner of the an¬ nual grant from the National Endowmentfor the Humanities was John HopeFranklin, a Professor of History hereSeveral senior faculty left the Universityduring the past year. Wilson said, in ad¬dition to the deaths of 6 Universityprofessors. Of those whose departureWilson made note, three have joined thefaculty of Harvard Universitv 'StanleyTambiah in Anthropology. Robert I^eVincin Behavioral Sciences, and Brian Berry inGeography); Herbert Kessler, formerlychairman of the Art History Department,filled the same post at Johns HopkinsUniversity; Gibson Winter, until last yeara Professor in the Divinity School, nowteaches at the Princeton TheologicalSeminary: and William Zachariasen. nowan Emeritus professor, retired this pastyear from the faculty.Medical Center FundingWilson used harsh rhetoric in hisdiscussion of the state and federalgovernment, whose proposals to hold backreimbursements to the hospital for healthcare services might seriously affect thecontinuation of such services by BillingsHospital, owned by the University.The public climate, said Wilson, ischaracterized “by a weariness in thecitizenry and in legislative bodies of theescalation of health costs, for whateverreason“The general reaction." Wilson went on.“is to blame anyone and everyone con¬nected with health care We find thisattitude earning over to a point whereGovernment officials. . view theUniversity simply as another of severalpressure groups.’ no different from theAmerican Hospital Association or theAmerican Medical Association."Wilson expressed little confidence thatany resolution of the difficulties in fundingat the medical center was in sight“A very probable end. with which we arethreatened under <a proposed system onthe reimbursement procedure for PublicAid). is a further erosion of private controlof our hospitals, and thus a portion of theUniversity." Wilson saidDUE TO CIRCUMSTANCES BEYOND OURCONTROL THIS AD MAY BE CORRECTFISHSMOKED LOX $gooCHUBBS $2«9SABLE $399TROUT $399WHITE FISH $399 PER LB.ai a 3d 66 it 831SN30MPER LB. 81 a 3d 66 Z« NISNOOSIMvanoao81 83d 66 Zt asiaNvwanoo81 83d 66 Z* VJL33PER LB. 81 83d 69 U AEIOO3S33HDPER LB.PER LB. MEATKOSHER SALAMI *2" per lbCORNED BEEF *4" per lbPASTRAMI $3" per lb.ROAST BEEF $459 per lb.LIVER SAUSAGE $289 per lbHOURS:M-SAT10-8SUN. 8-3 5500 S. CORNELL 241-7050 or241-70512 The Chicago Maroon Friday.November 12,1976Conference from 1cordingly, Wilson said. He said thestudent faculty ratio has historically beenheld around 8.5 to 1. A student body of 8,000would mean a faculty of about 940. Thereare currently 1,050 faculty members.Giving figure realisticDiscussing the area of donations to theUniversity, Wilson stressed the need todevelop a program of ongoing, yearlydonations, in addition to efforts like theCampaign for Chicago, the University’s$280 million fund drive.Wilson said he thought this year’sunrestricted donations, funds not ear¬marked by the donor for specific uses,would meet the projected $4.9 million goal.Last year unrestricted giving fell $1.25million short of the projection.Wilson explained that last year’s figurewas not really a projection, but a figure“plugged in” to balance the budget.This year’s figure is in touch withreality,” Wilson said.Discusses CollegeWilson was questioned about the effectsof the future changes in student body andfaculty size on the College. He said thatthere shouldn’t be overcrowding in classeswhether the College had 2,750 students or2.500.Wilson was questioned about the HarperFellows program, set up last year,establishing thirteen untenured two-yearappointments to instruct in the College,primarily in core courses. With the in¬troduction of the fellows, students can nolonger expect to be taught by associate,assistant, or full professors in their corecourses Wilson said thirteen positionsdoes not seriously dilute the students’possibilities of working with professors intheir undergraduate careers.Enrollment from 1Before any long-range decisions can bemade, however, administrators mustdecide whether this year’s enrollment diprepresents a leveling off of the past threeyears of growth or if the decline is atemporary setback. Most officials are nowsaying that it’s too early to tellThe University’s 2.7 percent enrollmentdrop comes in a year when collegeenrollment nationwide fell by one percent,and graduate enrollment in Illinoisdropped six percent. Earlier predictionscalled for a 4 5 percent increase nation¬widefDrop in returning studentsA breakdown of the decline at theUniversity indicates that it resultedlargely from an unexpected decrease inthe number of returning students In theCollege, for example, the size of the en¬tering class went up from 649 last year to700. but the overall size of the College fell60 to 65 students short of the projected2.500.Both the humnaities division and thesocial sciences division fell by ap¬proximately 100 In the humanities, theEnglish department lost approximately :iostudents, and philosophy and art lost acombined total of between 50 and 60 Insocial sciences, history declined bv :M)-:J5.with relatively small declines distributedevenly over the other departments. Anincrease of approximately 26 students inthe economics department was a notableexception.The Ph.D. job marketThe most widely accepted explanationfor the drop points to the depressed Ph D.market as a major deterrent to graduatestudents. The state of the economy is asecond reason. Although financial aidlevels at the University have not changedover the past year, general economicconditions are thought to have pushedstudents enrolled last year into the jobmarketA strong sentiment exists in theUniversity administration that Chicago isnot subject to trends that adversely effectnationwide enrollment The 1974 report ofan advisory committee which studiedenrollment at the University and offered a >“I don’t really believe the only goodteaching is done by full professors,”Wilson added.Wilson said he expects the HarperFellows program to be extended after the .original appointments terminate this year.Wilson expanded his remarks in theState of the University address about theCollege curriculum and the need for adiscussion of goals and programs by theCollege and the Divisions.“The undergraduate curriculum couldprofit from a broader discussion than ithas had,” Wilson said.Wilson was asked if the University hadany plans to alleviate the student housingproblem, the lack of adequate apartmentsand the conversion of existing apartmentsinto condominiums. He said the Universityhas no power over local realtors and has nointention of building apartments itself.Wilson said that “if Mr. Friedman’s”economic ideas are correct, privatebuilders should respond to a demand forhousing.Wilson said the University has no plansto build new dormitories and will continueto use space in the converted ShorelandHotel.He said he was in favor of expanding theuse of non-need financial aid to students iffunds can be found.Wilson spoke with six members of thecampus news media: two reporters fromThe Chicago Maroon, the Chicago Journal,and WHPK. The Red Gargoyle, apublication distributed on campus, was notadmitted to the conference.Wilson said he and D.J.R. Bruckner,vice president for public affairs, decidedthat “house organs,” publications fornarrow-interest constituencies, should beexcluded from the press conference. Theyfelt the Red Gargoyle was a “houseorgan.” Wilson mentioned the medicalcenter publication, the Tablet, and the labschool paper as other examples of “houseorgans.”set of proposals and projections up to 1980exemplifies this attitude. The reportsuggested that the University not acceptthe “PhD glut” fatalistically, main¬taining that if our Ph D.’s are indeed ofhigh quality, we should not cut back on thenumber of them because of difficulties inthe national job market.”Budget cutbacks“The cutbacks should come,” the reportsaid, “as there is some reason to believethey are. in doctoral programselsewhere.”Dean of Students Charles O'Connelechoed the sentiment of the 1974 report inan interview Wednesday. “W'hat disturbsme most is that people think that theeducation you get at one school is as goodas what you can get at another. ”“You would think that the good schoolswould drive out the bad.” he addedAfter three difficult years of budgetaryrestraint, a continuation of the deficit thisyear could be avoided only by the SImillion budget cut approved by the Boardof Trustees yesterday. The unexpecteddecline in tuition income has deprivedUniversity administrators of the period ofstability they have been working for since1973. as an array of hard decisions facesthem in the immediate futureFaith in predictions shakenUncertainty makes the policy decisionsnext to impossible according to Provost I)Gale Johnson “The major problem is howwe will feel about making projections fornext year.”“is it just a temporary dip or aforeboding of a general decline orstabilization” he asked rhetorically, “1haven’t made up my mind yet. and thething that worries me most is that we maycome to conclusions that are notw arranted on the basis of one year "Johnson and his colleagues can takecomfort in realizing enrollment projec¬tions in previous years have often beeninflated In 1974. planners missed by 200.and in 1970 by 600Faced with a complexity of problems,the University seems to be fated to anotherphase of fiscal conservatism Thj? ad-ministation will have to make decisionsbased on projections of questionablereliability as they walk the shaky dividingline between economy and academic selfdestruction A CONCERTIN CELEBRATIONOF THE DEFENSE OFTHE BILL OF RIGHTSFeaturingmetSeegerHononnqRichard CrileyHarvey O’ConnorFrank WilkinsonFri., Nov. 19,1976Auditorium Theater8:30 PMTicket PricesBox Seats S2 5 S1 3Main Floor Front Center SIOMain F! Rear 6 1st Front Balcony S7 501st Balcony Center L Rear S3 OO2nd Bale ony L Gallery S3.50Tickets Available FromChicaqo Committee toDefend the Bill of Riqhts431 South Dearborn. Room 823Chu aqo It 60605Phone 312 9 39 06 7 5and at Fu ketronThere are two makes ofdiesel car sold in America.Ours lists forsome $3,000 less.Peugeot 504 DieselBase Pnce $8,260*Sunroof StandardMetallic paint StandardElectric front windows StandardTcnal $8,260 Mercedes-Beru 240 DBase Price $10,278*Sunroof $378Metallic paint: S435Electric windows (front and rear) $308Total $11,399A different kind of luxury car.& LeslyMotors2347 South M’ctof n A«*nutC»*CIf Ufwxv* *9*1*Aroo Cod# 312 32* 2*50•Manufacturers suggested retail prices. East Goxt PO E l>ealer ('reparation inchi.W-d rVlivery charges optionalequipment arwi taxes extra3 The Chicago Maroon Friday, November 12, 1976doesn’tsee RedHPh v "".w■_*iglltejis#H ts On occasion, the process of covering the newsbecomes the news itself. Such is the case withlast Wednesday’s campus press conference withUniversity president John Wilson The RedGargoyle* a student publication which covers thenews from a politically left stance, was excludedfrom the conference oh questionable grounds.D.J.R. Bruckner, University vice-president forpublic affairs, who handles arrangements for thequarterly conferences, claimed that theGargoyle was a “house organ” for a studentorganization, the Society for Alternative Culture< SAC >, and therefore “not the kind of generalnews student publication that can be ap¬propriately included in the Presidents pressconference”Both President Wilson, during the conference,and Bruckner, in a follow-up letter to theGargoyle reaffirming his decision, said thattheir definition of the Gargoyle as a “houseorgan” was based solely on a reading of themasthead Both administrators admitted thatthey ‘‘hadn’t had time” to read the stories in thepaper s most recent issue, which appeared lastMonday. Both President Wilson and MrBruckner said they were unfamiliar with thepublication, which has appeared on an in¬frequent schedule since March of 1975 with lastMonday’s issue being the second one of thequarterTo investigate the nature of a publicationsolely on the basis of its masthead, which is whatMr Bruckner claims to have done, withoutexamining its content, is an unrealistic andultimately an inadequate means of evaluationparticularly at an institution which prides itselfon reasoned and thorough analysis of complexissuesHowever, even if we are to restrict ourjudgement of whether the Gargoyle has alegitimate place at the press conference as to thenarrow confines of the paper's statement of..' ‘ :; . ' -that the Gargoyledeclares itself to be a house organ in its'by not quoting the Gargoyle s statements in theirentirety.-In his response to the Gargoyle’s request. MrBruckner wrote!! /ISISj§ewmSi!1mm■ ‘vT-lllS®JJSg | g|,3Bk;'; ’ ■MM■mmM Its masthead says that ‘SAC was formed topromote cultural and social alternatives tothe one-dimensionality of the Universityand the community it dominates SAC alsosponsors films and educational forums andis open to all those who wish to contribute toour efforts.’ It then adds that ‘through the: Red Gargoyle, we intend to publicize etc.v-ry- - intends to “publicize campus social, cultural—iui^ | organizations anddo substantial investigative reporting on a whole range of issuesthat effect (sic) tne campus ana the. com¬munity.”l * :completely, and in context; makes it clear thatits publicity, Junctions ; as well as its newscoverage extends beyond the SAC’, anorganization of only ten membersWe grant that deciding what publications areeligible for a press conference is not an easyissue to resolve. However, we would hope thatthe University administration does not always:base its judgement, particularly when it in¬volves, to use a phrase often used bv theUniversity, “the free flow of information,” uponthe kind of superficial analysis which was used tojustify the exclusion of a legitmate campus newspublication.4- The Chicago Maroon Friday, November 12,197« , 1» ’ v? *,. - I: . ;; ”■I::.;":.-:-'X'§t '41| kmm 1 ginmm f RST OFF. Till THE mt DEFWSTMEwT To ESTABLISH D1PIOMAHC RBVWMS WITH THE WEST"toMastery theoryTo the Editor:As is the case in many fields ofendeavor, those who may be onlysomewhat conversant with a par¬ticular issue or perspective, areoften the most outspoken in regardto. it. This seems 4o be the un¬fortunate case in a recent letter tothe Editor regarding MasteryLearningIt is true, as Ms. Schwedes’ letterremarks, that the “wonderous.mythical Beastie, Mastery Lear¬ning” does still stalk the educationalworld But if indeed his presencemay be “odiferous,” it is a^.improving educational programsthroughout the world.Mastery Learning does not (andnever will) hold to a doctrine that“All are Equal in Ability ” Theability to learn, in particular, variesgreatly among individuals Whatmany of us involved in educationalresearch have come to believe,however, is that this ability is not apermanent attribute of the in¬dividual That is, we can dosomething, to change it.Administrators, teachers andparents may have differing opinionsas to what a child should learn by thetime he enters the fourth grade Butthere is little doubt that he doesknow for certain who are the “good”the■that.traditionally, this.arrangementisn’t likely to change very much theentire time the child is in schoolThere are certainly giftedchildren (the Platos and Einsteins>whose special educational needsmust be met In addition there are“sp*->educational difficulties must bethe greatest proportion of childrenfail somewhere in between MasteryLearning aims to provide the mostfavorable learning conditions forthose individuals, altering that not-so-permanent ability to learn, andimproving the academicachievement of the vast majority of (as measured by nationally stan¬dardized tests) is a program em¬ploying Mastery LearningstrategiesA major difficulty in trying toenact any change in educationalprocedures is dealing with “nard-of-heart” teachers who cling to theadage “I taught them; they justdidn’t learn it!” which seems assenseless to me as saying T sold itto them; they just didn’t buy it!” Myexperience as a teacher on bothelementary and college levels leadsme to believe that Mastery Learningis a tremendous tool for any teacherconcerned with having his studentslearn and learn well what he sets outMs Schwedes’ words were en¬tertaining, but sorrowfully un¬witting, and I am certain hermovement from Education toBusiness was an improvement toboth fields.Thomas R. GuskeyDepartment of Education Women’s UnionCops boostedTo the Editor:I trust that my job with TheUniversity of Chicago will not bejeopardized by this letter, but I amstrongly compelled to write itanyway.As a Hyde Parker for the past 13years. I have known fear of walkingthe streets at night. Indeed, I havehave been lucky; 1 have never been:-dead in an alley as a friend of minewas; I have not been murdered as a‘These incidents occurred beforeThe University of Chicago installedan emergency phone system con¬nected to its security department.These phones are everywhere, andthose squad cars are everywhereThe University guards makeme feelsafer than I would feel anywhereelse in the City of Chicago orperhaps even in a suburb I wouldmore quickly call the Universitycops than the Chicago cops.fchildrenContrary to what Ms. Schwedes know from experience that a lot- •, of minor harrassment by silly kidswould have us believe, the ‘Mastery has ceased because of this excellentLearning Beastie” has not yet been system. •found in the company of “Falling But now, the University, havingStandardized-Test-Scores ” One of instituted the system, doesn’t wantthe few programs found successful to pay for it. rin improving the reading level ofchildren in Chicago Public Schools JjjjLX To the Editor,We feel that in the article, “UCFeminist Groups Multiply”, by PamHodgson (Maroon Tuesday. 9November, 1976) the Women’s Unionwas misrepresented We do not wantto be classified as a feminist group,because the word “feminist” im¬plies a predjudice which we hope totranscend We look towards creatinggreater harmony between the sexesby focusing on women’s problemswhich have been neglected orO!W0!(Bk0fMs Hodgson’s statement that theWomen’s Union has not done muchfor women here, and has not startedfirst major project w;welcoming incoming women, atwhich we introduced ourselves, andprominent university women Ourcommittees are presently in¬vestigating possible sources of sexdiscrimination in the recruitment offemale student, staff, and facultymembers and assisting in the im¬provement of student gynecologicalservices. We are working towardsstructuring a wormprogram in the College, coor¬dinating a university chapter ofRape Crisis, and organizing womeninterested in forming a universityday care service In StudentGovernment we have supportedmore positions than last year ByGovernment, we have made it moreresponsive to the needs of womenClub, haw beei xtrehiwH^ aife-cessful In addition, by featuringSophinisba Breckinridge, the•’character for yin, *he femaleprinciple in nature; we feel we haveheightened feminine consciousnesson this campus. The proceeds fromthese T-shirt sales” will 'providefunding for several projectsThe University FeministsOrganization and;the. Women’sUnion have spent -many, hoursnegotiating their differences. Frompoint of view of the Women’stheUnion, their is no communicationgap, and we certainly feel no bitiiaterness. Ji! B 1V.v.'cTor the reasons stated:above, webelieve we have already. proven; * ourselves. ’ ''Women’s UniSlfiW«- mk :’ j vr I fa m ' x- • . ’ ■> M *.< 6 a,*5* T:iV r ^ s ,, : ■ ■: ■ ... ; » - ■ u ' « : p:mm ■ ■ !i ! ■■. . . . . Mi*vu | m a. i vThe Chrcago Maroon's Weekly Magazine of Criticism and the ArtsThe New Art Examiner: Challenging OldAttitudes with Controversy and CriticismByL. R.Uoshaw wIn the three years since its founding, The New ArtExaminer, a monthly newspaper devoted to art inChicago, has brought liveliness and controversy to thelocal scene. Its iconoclastic some would saymuckraking attitude has earned the Examiner its shareof enemies, both among institution officials and artiststhemselves. The paper is edited by Jane Addams Allenand Derek Guthrie Allen graduated from the Universityof Chicago in 1956, earned her A M. in 1961, and returnedin 1969 for further studies with the Committee on CulturalHistory Guthrie, a native of England, studied at theCollege of Art at Bristol and later spent two years in Indiaon a Commonwealth Fellowship He came to Americabecause of the dominance of the international scene by theart and art system of the United States, which he was"tired of coping with from a provincial situation "Grey City Journal: How and why was The New ArtExaminer started?Allen We had the idea of starting a newspaper back in1961 when we were involved in the Chicago chapter of thenational New Art Association, which was a radical spinoff of the College Art Association We thought that whatChicago really lacked was intelligent commentary on artand some kind of communications system between thevarious segments At the time we tried to raise funds tostart the newspaper, but weren't successful; however,during that time Derek and I were offered the job of beingjoint art critics for the Chicago Tribune We accepted withalacrity and worked at the Tribune for almost two yearsGCJ: Why did you quit?"I don't believe in objectivity in art."Allen: We were fired.GCJ: What for?Allen: Well, they said "unprofessionalsirn " We feel it wasa combination of office politics within the Tribune andexternal pressure from institutions In any case, we thendecided we'd write for the glossies. We got a commissionto do an article on the Chicago linagist exhibition at SaoPaulo for Art News, but pressure from Chicago killed it inArt News It was in the galleys for the October (1973)issue.Guthrie: It was actually taken off the galleys We knowthis.GCJ: What kind of pressure are you talking about?Allen: We made the mistake of showing copies of thearticle to people here, and they called up the editor andhad fits about the content of the article First Art Newscalled us and asked for footnotes, so we sent them dozensand dozens of footnotes. Then they finally just killed thestory So we sold it to Studio International, where it wasprinted in the November (1973) issueGCJ: How much influence do institutions have in gettingcritics they don't like removed?Guthrie: EnormousAllen: A lotGCJ: You mentioned something about a young lady fromthe Maroon who talked with you a couple of years ago Photos. Meyersohn"The great majority of people in theart world in Chicago are made verynervous by controversy and criticismbecause they feel that cultured peopleshould close ranks against the yahoosthat make up the great Midwestmasses."Guthrie: She came to see us about our seventh or eighthissue, something like that, and she was going to write astory on us. She was full of enthusiasm We said that wedid represent one point of view and suggested that she, inorder to get a more complete story, move around and askother people. In fact, we provided her with a list of peopleto go and see. The story never came, and we rang her upShe started saying that she had an awful lot of work to doand that assignments were difficult. I let it go and eventually spoke with her again She was in a terrible state, infact, she was crying She said that she'd been speaking tosome museum people, she wouldn't tell me who, but shesaid that they had told her that no self respecting art criticwould even mention our name or the Examiner's name inprint, and she didn't want to be in the middle of a politicalsituation.Allen: To get back to your original question, once werealized that any efforts we made towards getting storiesprinted in the major media were going to be axed out ofChicago, we decided that the only thing we could do wasjust go ahead and start our own newspaper, even thoughwe didn't have the funding, unless we wanted to stop beingcritics. We had a hundred dollars, and the Chicago branchof the New Art Association had a bunch of dedicatedpeople who all agreed to put in a year's volunteer laborAmong tnem we had artists who could do layout and so on,and that's what we started withGCJ: When did this start?Allen: Our first issue appeared in October, 1973Guttirie: Just for the record, to give you some idea of theamount of effort that was entailed, we put out our first tenissues on $5,000 That was our budget for the first year,and it was possible only because we were able to gam freewriting, free layout, and everything It was an assertion ofa needGCJ: What is your circulation?Allen: Our current circulation is about 5,000GCJ: What do you see the function of the Examiner asbeing?Guthrie: We're not an expensive format and have no intention of getting into that expensive format Given thewhole range of the art scene, successful and unsuccessful,institutional and non institutional, the funcation as I see itis to'develop a publication that will be able to respond toany aspect of the art scene without being too dependent on gallery and institutional press releases We would alsolike to develop diverse styles of writing which can accommodate different critical points of view and also copewith different contents.Allen: It's our belief, certainly my belief, that the formatof an art magazine imposes its own values on the kind ofthings that are discussed. The tradition of Art Forum, forexample, is to have long, rather heavy critical pieces onindividual artists; this is the style one associated mostclosely with Art Forum A format has its own kind ofaesthetic attached to it; it influences certain kinds ofvalues as to what is significant. By using a tabloid, anewspaper format, we believe that we can be actuallymuch more closely in tune with the total situation as itexists in the seventies, with all its ramifications, its videoart, its performance, its looseness, its casualness Also itsrelationships with institutions and agencies of patronageGCJ: What are your feelings about those who call theExaminer overly aggressive in its criticism?troversy, to push people into discussing ideas and valuesin art, rather than simply feeling that they have topromote whatever is at handGuthrie: I think that what is just as aggressive is asituation of closing out people, of shutting them out fortheir expression It is a covert form of control, and that tome is very aggressive One of the commitments that theExaminer has got is that we see nothing wrong withpeople being passionate or opinionated, but we do thinkthat the nature of contemporary art means that peoplehave to reach out, and we do believe in a dialogue TheExaminer is there for people to use I think that that isvery democratic, and I don't think that is aggressive Inother words, I think people have a right to be passionate,and I think they have a right to a forum, and I think theyhave a right for involvement.GCJ: Is there a slant which you try to give the paper?Allen: Derek and I are very opinionated about a lot ofthings, but we're terribly happy if we get intelligentwriting that expresses opposing views We try very hardnot to shut out views or aspects of the Chicago art scene,with one qualification: those things which receive amplecoverage in the metro media press, we tend to play downThose things which aren't going to receive metro mediapress, we tend to play upGCJ: Speaking now in the personal sense, do you have anyprejudices of which you are aware in terms of artcriticism?Guthrie: I think you are really asking a question about artcriticism I don't believe in the idea of objectivity in art,anymore than I believe it in the social sciences In otherwords, I think one can most easily find oneself as a criticby acknowledging one's own prejudices, rather than(continued on page 2)Grey Cltv Journal Friday November 1? -1Allen: The great majority of people in the art world inChicago are made very nervous by controversy andcriticism because they fundamentally feel that culturedpeople should close ranks against the yahoos that make upthe great Midwest masses. This has been a traditionalway of dealing with criticism; the hype is very pervasiveIt's a response to a situation where culture was simplyregarded as a frivolity and a frill by large numbers ofpeople. We feel that this has really reduced the intellectual capacities of Midwest art and artists down to anabsolute nil. One of our aims is, by encouraging conNew Art(continued from page l)trying to pretend one doesn't have any. I think that allhuman beings have their own tastes and their own values,and as a critical process, I think one has to be responsible-for them rather than trying to pretend one's being ob'/liljective. My prejudices are probably quite obvious I comefrom an English taste, and I'm going to like, say, the which he has to write a catalogue ana even iusmy ms y/Z these government arts patronage agenciesunfortunate! It's something>'■; response I think the show didn't quite arrive at that, and l y|7 that's desperately needed. -think that was unfortunate, but I think that if that had^C 4 ’ ? " . ;V'.Jn ***,happened, it would be a way to know who critics really , GCJ: Do you think that, governmen .pat . 9® 'are. I think that is very important, because today mostbecome more or less important. , -people cope with art through media, which,in a way is 0h , |3f 7 37 * • | z •Guthrie: Obviously it will become more important, r .7 ^ ’ / ‘ , ; because the government is getting more m charge. I don t.... . _ GCJ: Why does the Examiner discuss at length govern see, really, any difference between this as a System nfm "T9 < ment programs and legislative decisions in the artslike the aesthetic of Jackson Pollock if it's a question ofcritical prejudices, I don't like formalism, which to me ,7 ,-AIUn. R^ailc* >hara !c ™nfhar „llKiirat.««Ar nm„6 77yyyGuthrie: What I mean is that the problems of governmentH patronage, have been inherent to the art story since thp-»♦ ik« nr«»amr v beginning. One can't pretend that it doesn't exist‘Or!that' "7. "'"7 '^.7' Allen: Because there is no other publication or even group1^?!'!?!!’!?®!???!*!!'* an attempt to Ibeheve you don t which has taken upon itself the ,ob of look.ng at andevaluating the area of arts patronage/The area itself is arather new one The National Endowment for the Arts wasstarted in, I believer 1965 and most of the Arts Councilswere started a few years after that. Yet the programs see, really, any difference between this as a system of'fho lOth rontiiru PfPfirh ArfldPfTlVs. 't ' 7:'s/7777 >.1Allen: Except that perhaps in the 19th century Frenchhave prejudices and to make yourself into a sensitiveantenna to the formal aspects of art I'm really interest»n the whole contextural aspect " " “Mgdangerous thing to be interested in:GCJ: You two write reviews together iiStepsgtfBN&iftv^..^., Does this requirthat, you have the same tastes, or do you fight these thiout? And if you have to argue about them, then why writethem jointly? 7 7 Vy 7s. ?* tr •.w ff:■ \have grown enormously, and they're spending large amounts of money.;.In a story that we have this month/theiKpipfPl aIt's a way of pushing oneself.TheAllen:tendency ~ towards complacency/ H mmiThere's a stdialogue is onlbetween yourself and the art object This can lead to acomplacent feeling of reflection We argue a,great deal,1and that maway keeps us on our toes■GCJ: In the Tribune of October 10, Alan Artner reviewed at * show at the 1134 Gallery which-was put/together bysever-> v . ^eluding yourselves He refused aninvitation to participate, saying, "There is something^oc-ut ,r,e w' r unquestioning acceptance of my or— -.22 ..... . . Allen: I think that it expanded a great deal a few yearsphenomena of the American art scene in the past twentyor thirty years is that basically you have more and morepeople who are spending other people's money, whetherworking for the National Endowment or as the curator ofa museum There will always be private patrons, but interms of the total picture, 1 think that art reputations interms of patronage are not too f . . onvatepatronage anymore If there is a private patronaqe, 1think that with the fragmentation of taste and thefragmentation of society, art experts are go n . to have abigger and bigger influence upon the pn-other words, the old idea of a private patron was a connoisseur who had money and a great streak of individualism I don't think tha’ we u 1 .many of those in the future as perhaps we did back in theTwenties and Thirties.GCJ: In your opinion, what is the current state of art inChicago?Allen: In many respects, the current state of art inChicago is lively and expanding, but the problem that Imentioned earlier, that is, the impoverishment of theintellect has had a very sad affect on Chicago art Onenotices over and over again that the level of talking aboutaesthetic problems and about values remains at a veryprimitive state and really does not refer to anythingoutside itself, whereas m more cosmopolitan centers,such as New York, one finds a constant interaction between science, between philosophy, between events inother fields In Chicago, there's this tremendous insularity, and if Chicago artists are pigeonholed, it's theirown fault, because they refuse to push themselves beyondvery simpleminded classifications.•. ...7. 7. ... - .(continued;. anyone else's recommendations which goes against what- the critical enterp -between influence and power, negotiable suggestion andaccomplished fact ',' Artner goes on to point out that mostof the artists included have had shows before and says,"since the gallery is not revealing which critic chose,whom, isn't it likely that any possible media, discussion ,would involve a horn tooting whose reasons the audience /will never know? What would you say to Mr Artner s In Chicago there's this tremendousinsularity, and if Chicago artists arepigeonholed, it's their own fault,they refuse to push them--beyond very simplemindedclassifications/'qualms?Guthrie mink he also says in the article that there wasonly one critic who really responded to the original changethe gallery put upon the critics which was to chooseunknown art Sfs Who hadn t show-' oe* Ai ■■only critics to have done that. My objection to the reviewwas that heAhouid,have menhonec uv * -one r r tn^r that me idea m *- -idea, oecause I think criticsother words, 1 would love to see a series of exhibitionschosen by one enhe; you know, seven or eight art.sts on'-777'71i'K: '7b ' ■a Kj. ;. 'A * h •/’ - - r / ICHINESE A.VIRICANRESTAURANT/ Specializing inCAKTONES€ ANDAMCRtCAN DiSHCSy/\ ONN DAILY/‘ "H AAA. TO 0:30 PM.IUMOAYS AMO HOLIOATS ,ISTOfcJOeM.^ .. ~M . . TOr«U»rt to talk* owl back, but with the recession, it's had to hold its level,because in a contracting economy corporations simplycan't explain to their stockholders the extra expenses for"art.; ' ’ 'GCJ: What about the role of the individual patron? Willthat stay the same?Guthrie: Obviously not, because one of the overridingNational Endowment has spent, or rather has generated,over f i ve mil lion dollars for public sculpture, but there'sbeen no evaluative process We feel that one of the functions of the Examiner is to stimulate public interest inACCOUNTING ANDFINANCE MAJORSLET US HELP YOU PLANAHEAD TO BECOME A C P ACPA;3:t2.346.78 713.i,2:299..W23.. AJ2gJ46;>8 Ylvv.OUR SUCCESSFULSTUOENTS REPRESENT ; SIPttfr30F8 Erie Street Chicago Illinois 60611(312) 642-6349Spll -a i H 7 -ft m (312)642-6349 _■ • ■/: - Z in Ida Noyes4:00-1:30Monday-SaturdayThis Week in the PubSaturday, November 13. . Cook County Do Pa Boy’sDixie Land Band8:30-12:30Open to All Pub Members;No Cover ChargeONKYO RECEIVER TX 2500 7ADS 500 LOUDSPEAKERS _D - PHILLIPS 212CONNOISSEUR TURNTABLE UH ' THORNES 165(Stands Optional) COMPLETE ..... .$599 ISSUES IN SCIENCE ANDRELIGION'■■, ■ v / 7 : Arthur PeacockeScientist and Theologian fyP:-Klare College, Cambridge, England/ ... < t. i < >•-_.. 1100 East 55th StreetInformal Discussion: Issues in Science and Religion3:30 p.m., Thursday, November 182- Friday, Hcfimrt*r 12 Gov City Journal) if Swift Commons, 1025 East 58th Streetit's not a crucial factor m the nature of the expression ofartGCJ:'■ -. : • ? / . ' . i ,/;/-/ '/ ' , /y. -. ■ |771 >77,7:GCJ: How would you compare the Chicago artist to hisNew York counterpart? Are there concerns common tothe majority of Chicago artists which are not shared byartists elsewhere? Is there any second city paranoia?Guthrie: When you talk about New York artists, you areusually talking about someone who decided to go to NewYork. It's like talking about any metropolitan center, suchas Paris the School of Paris was predominantly nonFrenchmen at various times. So you have a different typeof person because he's taken that decision. I think that theconcerns of the Chicago artist are very different than theconcerns of the New York artist, because what theChicago artist is asking himself is, "How can l be viable ina non art situation?" He is asking a different questionabout himself and about the type of things he producesthan the man who's gone to New York. I don't think aChicago artist is any more paranoid than all other intellectuals who have decided to stay in Chicago When youtalk about New York, you talk about the artist whobelieves he has immediate access to the significantmedia, which is the New York media The New Yorkaflists are much more sophisticated and professional because they have no illusions left if they stay in NewYork on how the system works. The man in the provincesalways has illusions that the system will work in a morepositive way than it has.GCJ: Would you say that Chicago is in the mainstream?Allen: Yes, at the moment Chicago is in the mainstream,for the marketplace, because of the National Endowment,is moving outside of New YorkGCJ: In your opinion, what is the most promisingdevelopment in the local scene and what is the leastpromising?Guthrie: The best development that I've seen in Chicagohas been the expansion of activity A healthy cynicism hasgrown up about the New York media. People are gettingvery interested in criticism and understanding therelationship of criticism toward art The sign of this is thatmore and more people want to get into that process,whereas two years ago it was a thing that people justdidn't want to think about, they didn't feel competentabout it. To me, it's the beginning of wanting to cope with ideas and the evaluation process of art, ano that willultimately mean that Chicago will generate its ownprocesses and its own dialogue, which wilTbe a significantcontribution, as well as the art.Allen: The most discouraging aspect of the Chicago sceneis the increasingly bureaucratic and closed door postureof the Art Institute, which receives public funds but whichin no way acknowledges its public debt I think that thetype of exhibitions which they've been putting on, whichreflect the interests of the trustees, point to growing indifference to the actual, vital needs of Chicago. The ArtInstitute has a very insular government and a very closedpolicy. In large part, the staff has very little say in how theInstitute is run The trustees are enormously powerful.There is no one to protect the staff from the inroads of thetrustees' self interest. It's a very poor situation.The New Art Examiner is available in the reading room ofthe Art Library in Goodspeed Hall. In Hyde Park, copiesmay be purchased at the Renaissance Society in Goodspeed, the Waller Gallery at 5300 S Blackstone, and ArtDirections in Harper Court )Blackfriars’‘Merlin’By Mike SingerThe Blackfriars' fall production is Merlin,an original musical by Peter Gillis Merlinuses the standard play within a playdramatic construction, and an old, tiredtheme- love conquers all.Owen Merlin, a theatrical producer andloveless grouch, is staging a serious musical. He runs into difficulties,however, when three bums invade histheater and start tampering with the castThey manage to arrange love affairs aswell as a new show. Merlin's musical turnsout to be a theatrical disaster, but it helpsteach him a lesson. He comes to realize thenecessity of love.Interwoven with the essential action areseveral subplots dealing with the lovedevelopment (or lack of development)among several members of the cast. All ofthis concentration on the power of lovegets rather heavy handed; the tritephilosophical statements, and terribleofficialswiss army^ knives$5.50 to $42.00Free brochureI complete ime in stock or it we rjnIout of your favoMe we # orde' itfor you. 3 week deliverythe hodgepodgei 506 Mam St. Evanston !L 60202312/864-4300) Open Sundays 12-4:30i : ¥£8SAHUES315415. Porch—IfWELL MAINTAINEDBUILDING*TTtA01V1 i % AMO900** *tuo*o*tvmmmm* «* u*tt uomhmcoi $138.. $225"Short Term"i Soved on AvottobiiiryAil Utilities IncludedAt Comput Bus Stop1 f A 4*0200 Mr*. Oroak> m in i ■ ———mmmm—wmm*——mJ £Yt EXAMINATIONS• »ASHKWfTfWtAB(CONTACT LENSES IDR. KURTROSSN3AUMOptometrist(3S Kimbark Plaza)j T200 East 53rd StreetHYdePark 3-8372) poetic analogies don't help alleviate theproblemUnder Mary Kennedy's direction, theactors range from good to incompetentPeter Syvertsen, playing Martin, deliversthe evening's most memorable per¬formance: his well studied pacing andvocal delivery make him believable as alove struck boy. Pua Ford, Michael Kaye,and Randall Solomon, playing the threebums, are comical and endearing. Iparticularly enjoyed their variations ingesture and voice as they moved fromparocymg ruffians out of Oliver tocavaliers The Three Musketeers Susan Korhonen, as Laurie, is also goodIn short, Merlin isn't going torevolutionize the American musicaltheatre, nor will it send David Merrickback to school for lessons in stageproduction. Merlin is, however, a firststep. Peter Gillis has got talent; hisdramatic techniques are good, and I'msure his next effort will be more creative intheme. Considering their restrictions intime, finances and crew, the Blackfriars, astudent run organization, have also done apraiseworthy job Merlin is enjoyable andaccesible, it deserves your support.Dorothy SmithBeauty Salon5841 BlackstoneHY 3-1069open 7 A M -7 P MMon. thru Fri.closed SaturdayHair Cutting - Wedgies • etcTinting - Bleaching - Permsonly the bestCall for appt. BAMBOO10UMG€Mixed Drinks,Pitchers of Beer, ’FREE POPCORN'Open PianooR for yourenjoymenton the first floorof the Dei PradoHotelSTUDENTS WELCOME St. Gregory of NyssaLutheran Campus ChurchLiturgical and EucharisticCelebration|Sunday 10:30 a.m.Graham Taylor Chape5757 S. University Ave.• Eye Examinations• Contact Lenses (Soft & Hard)• Prescriptions FilledDR. MORTON R. MASLOVOPTOMETRISTSHyde Park Shopping Center1510 E. 55th363-6363GALA PREMIERE DEC.The First Play to WinAll Major Critical fAwards LOW PRICE PREVIEWSNOV 26-DEC. 1USSTUDENTS GET BEST SEATS IN HOUSEAT EVERY PERFORMANCEOn stage seeting is reserved exclusively for students with a current ID card 58seats are available 'or each performance, including the previews Reserved forstudentsPRICES FOR STUOENTS ON STAGE: Tuee thru Thurs 8 PM, and Sun at 7 -*4 00; Fri A Sat 8 30 - $5 00; Wed & Sat 2 PM - *4 00 SEATS CAN BEPICKED UP IN ADVANCE.GROUP SALES CALL 922-2976SEATS GO ON SALE MON., NOV. 15.For Information 922-2973.STUDEBAKER THEATRE. <16 S. Michigan Ava., Chicago 6Q6Q5Part Time Physical Education InstructorsPre-School W.S.I. Mon 9-11 A MTues., Thurs 9-10 30 A MIce Skating Tues , Wed . Thurs.3:30-6 P MGymnastics and Sunday 7 30-9 P MTrampolineHyde Park Jewish Community Centerphone: 363-2770 DUNCANSSTOREWIDE SALE20% Off on Games & Toysincluding FISHER-PRICEUse our Christmas layaway1305 East 53rd HY 3-4111One Week OnlyA PORTRAIT of Jackie BouvterOnassis' aunt and cousin, 8 catsa 28 room house and no runningwaterGREYlfpgardens! The Story of aBible Salesmanat 7:20 10:25 p.m. 1 at 5:50 0:55 p.m.l CHELEX THEATRE1204 NO DEARBORNFORMERLY PLAYBOY Phone944 3434 J IMPORTANT MEETINGforStudents in the Collegeinterested inElementary School TeachingHigh School TeachingGraduate Work in EducationThursday, November 18 — 7-8:30 P.M.Judd Hall Commons Room(1 st Floor)5835 S. KimbarkIMAGINING THEHOLOCAUST?How does one write about the holocaust:The difference between imagining andexperienceARTHUR COHEN Theologian,Novelist, Publisher,M.A. Univ. of ChicagoNOV. 15-8:00 PMAt Hillel 5715 WoodlawnGrey City Journal Friday November I? 3rThe . vskvnutcracker?Qp 7\ANTALDORATITCHAIKOVSKY: THE NUTCRACKER,OP 71 (COMPLETE!Boys Choir of St Bavo Cathedral: Con-cergehouw Orchestra/Anta! Do>ati.6747.257 (2 record s«t! GLUCK: ARIASJanet BaLer, English Chamber Orchestra/Raymond Leppard.9500 023SPIN-IT Continues its FallSeries of good listening buys.The entire Philip Cataloguesingle L.P.S. and multi-recordsets are on sale7.98 List price Lps...$4.79 sale priceSale Extends from FridayNov. 12 throuah Thurs. Nov. 25MAHLER DAS LIED VON DER ERDEJanet Baker, James King,ConcertgebouwOrchestra/Bernard Haitink6500 831SPIN- IT Records1444 E. 57th St.684- 1505rrnmssomeosco nr/mPHonyorgkscmcourt mxRODRIGO: FANTASIA PARAUNGEN-TILH0M8REGiULIANI INTRODUCTION, THEMEWITH VARIATIONS AND POLONAISEOP 65Pepe Romero; Academy of St. Martirt-in-the-Fieids/Neville Marriner.9500 042Store Hours: Monday - Saturday 10:30-8:00Sunday 1 2:00 to 6:00tmm ausmsommmtmKsc mjrtrMENDELSSOHN SYMPHONY NO 4"ITALIAN”; "A MIDSUMMER NIGHT'SDREAM"Boston Symphony Orcbestra/Cohn Davis9500.0684 - Friday, November 12 Grey City Journal Barbara Schubert:A Live ConductorBy Esther Joy SchwartzBarbara Schubert is a tall and very at¬tractive blonde, but wrapped in a bluemidi-coat and saddled with books underher arm, she looks like any number ofother good-looking, serious-mindedstudents that populate the walkways of U.of C.'s campus. Arriving at Mandel Hall ontime, and clad in corduroy waisted pantsand a ribbed turtle-neck sweater, shebegins rehearsing the University Or¬chestra promptly at 7 o'clock. She ad¬dresses the orchestra members like amature, competent, and dynamic con¬ductor. "Even if we are not alwaystechnically accurate, if we are weak inspots, if we do not have the command overour instruments that professional playershave, we can still put on a very musicalperformance and that is what we shouldstrive for. I want us to play expressively. Iwant us to think about what we are doing. Ido not want us to be merely mechanicalbodies."For the very reason that tonal languageand richness of style is what she expectsfrom those under her, often the orchestrais eloquent and expressive. She charmsher musicians with metaphors: "A per¬formance of a piece of music is like a poemwritten in beautiful calligraphy. If the inkgets smeared a little bit or if there arerough edges in the performance, it reallydoes not hurt the conception at all. For ifthe writing of the poem, or if the playihg ofthe music is beautiful, sensitive, and ar¬tistic, and if it is appropriate to the poemor the music, then it is a worthwhile ex¬perience."My basic aim," she says, "is to have theplayers learn to play as well as theypossibly can. This involves learningmusic, learning new techniques, learningto play expressively, and most especially,learning to enjoy it all. Certainly if they donot enjoy rehearsals or playing the music,they will not play well."An amateur orchestra often plays wellbecause it can generate an enthusiasm andbecome more excited when performingthen a group of semi-professionals orprofessionals who read through musicwhich does not have much meaning tothem. To us a concert is an event, it isimportant to us. It is something we shouldnot be nervous about. Rather it should be ajoy because it is the culmination of all thework we have done."On next Saturday evening, Nov. 20, theorchestra will unveil its new "leadinglady" at its Fall quarter concert. Theprogram will include Weber's "DerFreischutz Overture," Hindemith's"Symphonie Mathis der Maler," andMendelssohn's "Symphonie No. 3."Schubert hopes to reconcile all the inconsistencies of rehearsals past, andmake the performance a coherentstatement. Though the program is a dif¬ficult one, Ms. Schubert has great faith inthe ability of the orchestra and herjudgment of its talents. "In choosing ourrepertory I have to keep in mind thecapabilities as well as the needs of this particular group. There are some worksand some composers that I would just haveto stay away from either because they aretoo hard or because I do not have a largeenough orchestra to play them."To us a concert is an eventit is important. It issomething we should not benervous about. Rather itshould be a joy because it isthe culmination of all thework we have done.""The orchestra should certainly bechallenged however. I try to challenge usin technique and in style, but I certainly donot wish to overwhelm us with either one."We are not a professional orchestra andpeople should not judge us as one. Veryfew people have any professional in¬volvements with music at all. We havemajors of every kind: medicine, law,business, and diverse undergraduatefields of concentration. But I do feel thatthis orchestra has a great deal of potentialand we certainly have made a remarkableprogress. The first time we read through apiece it was only a rough approximation ofthe music. Yet we have steadily madegreat strides all through the quarter andthat certainly is a real accomplishment."Any accomplishment by the orchestra isthe direct result of the hard work and faith¬ful encouragement of its new conductor."My most important responsibility is tothe players. I have to teach them themusic; I have to keep them inspired; Ihave to make them want to play; and Ihave to make them respect my in¬terpretations as well as respect me."Across the varying levels of musicalproficiency the orchestra members cer¬tainly respect their conductor. "Vibrantyet simple," comments a bearded horn-player. "She's super," says a violist, "sheis really neat." A cellist remarks, "in¬credible kinesthetic control." Disregar¬ding semantic differences, the overallconsesus is approving and receptive.In the conductor, a 23-year-old Smith"My most important responsibility is to the players. Ihave to teach them the music; I have to keep theminspired; I have to make them want to play; and I haveto make them respect my interpretations as well asrespect me."graduate, the orchestra has found not onlya brilliant bassoonist but a magneticleader with a dramatic, spirited, andelectric style. "In order to conduct youmust come to grips with a piece of musicand then come to some understanding of itby yourself. If you really know what youwant from the music, automatically yourhands are going to do the right thing. Thisonly happens, however, if you know theexact type of expression you want."In order to cultivate different types ofexpression," insists Schubert, "a conductor should be a learned scholar inmusicology." It is for this very reason thatshe is so adamant about combining heracademic interests in music with her in¬terest in performing, and has chosen to doso at this university. "I decided to come toChicago because it has such a goodacademic reputation. Also, I heard that I(continued)would have more opportunities for per¬forming here. The music departmentsponsors a lot more performingorganizations then do a lot of other com¬parable musicology departments."There are very few schools which allowyou to actively pursue academic andperforming interests. A conservatory isexclusively playing and the academic lifeis virtually non-existent. On the otherhand, many quality academic schoolsoffer very few opportunities for per¬forming. The University of Chicago is theperfect solution. I am able to continue mywork in history and theory which is veryimportant to me, yet I am also able to getthe kind of practical experience not of¬fered at a conservatory. If I went to aconservatory program in conducting, Iwould never get the experience of being infront of a live orchestra. That is the onlyway you can really learn. Conducting ismore than just standing up and wavingyour arms about. is very closed and the idea of a womanconducting (with the exception of AntonioBrico and Sarah Caldwell) is still new.Schubert laughs and recalls one un-forgetable summer at the Domaine Schoolfor Conductors, when she had to conductbefore a class of fifteen male conductors,the majority of them being SouthAmerican and European, and ratherancient in their views of a woman's placein life. "After I finished there was deadsilence. Then one conductor from Brazilgot up and remarked: 'Why don't we askher why she ever started conducting in thefirst place when there is no word for afemale maestro!! From then on I wasknown as the 'maestra'."Either way you refer to her, this conductor has big plans for the U. of C. or¬chestra. There will be a concerto com¬petition opened to the entire Universitycommunity in the middle of Winterquarter, and the winner will be presented"You have to know how a work is put together, how ilfunctions on its own terms, how it functions as far asthe tonal language of its own time, before you can knowhow it should be performed.""I cultivate an expressive style. I want toshape music with my hands. I want tomake beautiful gestures when I wish theplayers to play beautifully, so I will beelegant and graceful. But I certainly havesome fire in me too and I try to make thisshow in my physical movements."I once conducted the Bruchner Sym¬phony No. 4, and after the performanceseveral of the players came up to me andsaid, 'we did not know you had so muchfire in you!' They expected everything tobe weak, dainty, and feminine. And ofcourse, being a little bit of a crusader,there is nothing that gets my bristles upmore then for someone to say that mymusicality is so feminine."Schubert has had to bear the brunt ofmale chauvinism, and will continue to doso for a very long time. The field of musicPennBalletBy Eden ClorfeneFor a long time New York City has had avirtual monopoly on every Americanballet company of merit. However, sinceinterest in dance has been spreading in thelast decade, so has the wealth. Lastweekend the Pennsylvania Ballet, aPhiladelphia based company, came to theAuditorium Theater and demonstrated theabundance of the spread. BarbaraWeisberger and Benjamin Harkarvy, thedirectors of this group, have assembled avery fine battery of dancers.The Pennsylvania Ballet is a companyfrom the regional dance movement. Themovement consists of various nationwidedance associations interested in escalatingdance on a local level. The movement isyoung, so at present each associationsurvives more on the regional spirit thanon a wide public support. That the Pennsylvania Ballet is making a national tour,however, proves that the 11 -year-old grouphas gained a reputation beyond its district.Though the company's youth need notnecessarily influence an evaluation, thePennsylvanians still have far to go beforethey become a "great" ballet company.They hold their own because the dancersare not insecure about their youth. Thereis no attempt to proselytize their work.They do not compensate for theirdeficiencies with an excessively pious andserious tone for Art. They just go about thebusiness of dancing, and bring a freshnessto the stage as a result. Additionally, thedirectors have skillfully put together therepertoire. The works I've seen so far arethose which well suit — sufficientlychallenge without going beyond — thedancers' level of technical and performance ability. And, luckily there are anample number of magnificent balletsavailable which a company still in thegrowing stages can perform.Balanchine's "Concerto Barocco," one ofthe works performed Friday, is such aballet. It is vintage Balanchine, and likemost of his masterpieces, the ballet usesnothing other than its accompanyingmusic, Bach's D Minor Double ViolinConcerto, to provide a choreographic plan.The dancing corresponds to the music, but with the orchestra at the bpring Concert.Future performances for the group includeworks by such luminary figures asSchubert, Debussey and Janacek.As far as Ms. Schubert's own plans go,she hopes to enter the conducting program(which has never accepted a woman) atTanglewood. "I am toying with the idea,"she confides ' of trying to make it inprofessional conducting. I think a fewmore years of experience and I'll be ableto know whether it is suited to my tem¬perament. In many ways though, the ideaof teaching people in a school orchestra, ofbeing able to help players who are notautomatically good play much better, ofgiving them something new that theywould not otherwise have, is very exciting.That's what I am trying to do right now."not as an exact reflection. Rather, weenjoy a visual and kinetic interpretation ofthe score, and the result is a homage to thediscipline of classical ballet.Balanchine interpreted Bach well; thePennsylvania Ballet, however, did notinterpret Balanchine well, despite theguest appearance of American BalletTheatre dancer Martine van Hamel. Therewere no serious problems with techniqueor choreography. The ten womendisplayed grace as easily as their extendedlegs. But, it was the finer distinctions thatwere missing. The first movement,marked Vivace, demands speed,precision, and clear articulation of thesteps. Instead, I found the dancing tooheavy, appearing more Legato. In thesecond movement, Largo (Ma Non Tanto),Balanchine concentrates long lines and theexecution of slow, smooth gestures. Theidea is that we should be able to closelyfollow gesture, from its gensis to itscompletion. Unfortunately, van Hamelrushed through the Largo like there was notomorrow.The program moved to this decade withMargo Sappington's "Under the Sun," afantasy, fairy-tale ballet. Sappington is a"freelance choreographer," havingpreviously created for Broadway (thenude scene in "Oh, Calcutta") and theJoffrey Ballet. In "Under the Sun,"Sappington pays tribute to AlexanderCalder. The curtain opens to a bright,colorful drop curtain, a huge print ofCalder's designs. This curtain then rises tomore Calder — mobiles, costumes afterhis fashion, and a vague semblance of hiscircus.It was then the men's turn to demonstratewhat they could do in Harkarvy's "FourMen Waiting." The tone here was solemn,soft, and quiet, in accordance with theaccompanying music, Saint-Saens'Fantasie for Harp and Violin. As explainedin the titles — four men dance whilepatiently waiting for four women. Thefinal twist is that only three arrive, leavingone man alone. This ballet wasreminiscent of Antony Tudor's "mooddancing," where a particular feelingblended wifh the choreography, thedancing embodying the mood. Techniquewas challenged but not forthrightlyparaded (similar to Balachine), and therewas satisfying male dancing not in theusual bravura style ^ KeconlsSpin-lt helps you enjoy the end of Fall Quarterwith a sale on the entire ABC catalogue. Thisincludes all Impulse Jazz Lps.$6.98 list price Lps... $3.88 sale price.All other list prices similarly reduced.Sale extends from Friday, Nov. 12 throughThurs., Nov. 25.cI Hope We Get To Love In TimeSpin-lt Records1444 E. 57th St.684-1505Store Hours: Monday - Saturday 10:30 - 8:00Sunday 12.00 - 6.00YW\DE MARCUSMetamorphosis THE DRAMATICSJoy RideSA ME ON ALBUMS BYGato BarbieriBobby Blue BlandJimmy BuffetJohn ColtraneJim CroceCrosby/NashFour Tops Keith JarrettB.B. KingJohn KlemmerSonny RollinsRufusSteely DanMcCoy TynerAnd Many MoreSpin-lt - For the finest quality in today's music.% iWifar...FilmAdmission to Doc and CEF films, shownin Quantrell auditorium, Cobb hall, is$1.00. Admission to the NAM film,presented in Cobb hall, and the I Housefilm, shown in I House auditorium, is $1.50.Doc offers: Rebecca (1940), directed byAlfred Hitchcock. Based on Daphne duMaurier's tale of the second mistress ofManderley, the film is brilliantly hauntingand suspenseful, and one of the master'sfinest. Rebecca is the story of a simple,modest, and self-effacing girl who seemsto have no chance against every one's —even her husband's — memories of thefirst, tragically deceased Mrs. de Winter.Presented through the second wife's eyes,the frail young heroine's blunders, tearsand fears torture the viewer as well.Laurence Olivier is excellent as Max deWinter. Joan Fontaine is terrific as thesecond Mrs. de Winter. Highly recom¬mended. Saturday at 6:30 and 10:30. Frenzy (1972), directed by Alfred Hitch¬cock. As a Parliament official lectureson pollution, the nude body of a womanfloats down the Thames — the striped tieknotted around her neck indicating she isthe latest victim of London's notoriousnecktie strangler. Nearby, an embitteredand down-and-out former RAF pilot quitshis bartender job when the pub owneraccuses him of cadging drinks. Alsoclose at hand is his chum, a fruit andvegetable dealer who has rather"peculiar” tastes in women and a specialliking to the 93rd Psalm. Recommended.Saturday at 8:30.Sanjuro (1962), directed by AkiraKurosawa. In mid-19th-century Japan, thechamberlian, who heads a powerful clan,is suspected by his nephew of fomentingpolitical unrest. The nephew and eightsamurai wait to meet the superintendentin a deserted shrine when Sanjuro, a wild,unkempt samurai, bursts in to warn themthat it is the superintendent, not thechamberlian, who is to be feared.Recommended. Sunday at 7:30 and 9:15.Two Mules for Sister Sara (1970),directed by Don Siegel. Shirley MacLainestars as a nun involved in the Mexican revolutionary movement against theFrench. Our favorite macho-man, ClintEastwood, agrees to take her to the. revolutionaries' camp and promises tohelp them attack the French garrison ifthey offer him enough money. To hissurprise, silent Clint discovers talkativeShirley smoking a cigar and sneaking ashot of whiskey. Actually, she's aprostitute with a heart of pure gold andintimate knowledge of the French fort, therevolutionaries' major military objective.Tuesday at 8:00.Moano (1926), directed by RobertFlaherty. A documentary film of life on aSouth sea island by the director of Nanookof the North (that perennial favorite ofhigh school civ. classes). Filmed in thesmall village of Safune on the islandSawau. Moano is a captivating and poeticdepiction of Polynesian life. Recommended. Wednesday at 7:30.Witchcraft Through the Ages (1922),directed by Benjamin Christensen. Thisfilm of the supernatural delves into themechanics of sorcery, revealing thedevious machinations of the devil from asteam model of hell to an orgy of Satan'sdisciples. Christensen depicts varioustypes of witches, their work and their subsequent burning at the stake. Thepicture is, for the most part, fantasticallyconceived and directed. Wednesday at9:00.CEF presents: Fellini Satyricon (1970),directed by Frederico Fellini. In search ofhis lover Giton, student Encolpius visitsthe Roman baths. There his best friendand rival Ascyltus boasts that he has soldthe youth to aged actor Vernachio. At thetheater Encolpius recovers Giton, whodeserts him in favor of Ascyltus. Anelderly poet, Eumolpus, invites thedisconsolate Encolpius to a feast at thehome of Trimalchia, a wealthy formerslave and amateur poet As nonsensicaland confusing as day-time soap-opera, theoriginal work on which the movie is basedor for that matter, any other Fellini film. Astory of suicide, nymphomania, her¬maphroditism, cannibalsim, orgies,students, mutilation, priapism, dwarfs andeverything else that is lodged in thecatacombs of Fellini's mind. Friday at7:00 and 9:30.Shoot the Piano Player (1962), directedby Francois Truffaut. The Frenchmaster's superb film about a retiringpiano player in a cheap Parisian dance barwhose sole aim in life is to avoid trouble.-1 MUSIC BYontcvcnUS.}V JT1I VU3so L.SchtitThe Motet Choir of the Collegium Musicum assistedby the Viol Consort & The Chicago Cornett andSackbutt EnsembleBOND CHAPEL 8:30 P.M.Friday, 12 November & Saturday, 12 NovemberFree and open to the public UNIVERSITY RELIGIOUS SERVICES! ROCKEFELLER MEMORIALCHAPEL The University of ChicagoChamber OrchestraSUNDAY NOVEMBER 14,9 A.M.Ecumenical Service of HolyCommunion conducted by! Bernard O. Brown, Jeanne SchaeferAssociate Dean of the Chapel Alexis Darden, soprano11A.M.THE REVEREND CANON Bach — Brandenburg Concerto - No. 3BURGESS CARR , Handel — Concerto Grosso Op. 6 No. 1 1General Secretary fAll Africa Conference of Churches Mozart — Exsultate Jubilate4P.M.ORGAN RECITAL ; Saturday. November 13. 1976ROBERT LODINE. Guest Artist 8:00 P.M.Program of French music without ticket and 1 Hutchinson Commons Freewithout charge *Free Swine Flu ImmunizationUniversity of Chicago Employees, Faculty, Studentswith valid University identification; also all spousesand dependents age 18 and over who accompanvUniversity personnel.Thursday, November 11, Noon - 6 P.M.Friday, November 12, 8 A.M.-2 P.M.Saturday, November 13, 9 A.M.-NoonNorth Lounge, Reynolds Club,5706 South University AvenueOpen meetings to discuss immunization program:Noon — Monday, Tuesday, WednesdayNovember 8-10North Lounge, Reynolds Club6 - Friday. November 12 Grey City JournalIt’s All in the FamilyBv Carl Lavln rTwo of his brothers ask for help inescaping from some gangsters whom theyhave double-crossed over some stolenmoney. Fearing his life, the pianist seeksrefuge at the apartment of a waitress inthe cafe, who has fallen in love with himand has discovered his hidden andtroubled past. Years before, he had been aconcert pianist obsessed with his career.Highly recommended. Thursday at 7:t5and 9:30.NAM films presents: The EmergingWoman (1974), directed by HelenaSolberg-Ladd. NAM films says:...acarefully researched documentary aboutthe history of women in America. Usingengravings, photographs, newsreels andother material, the film-makers show thevaried economic, social, and culturalexperiences of American women, how theyfelt about their condition, and how theirsex, race, and class shaped their lives.Recommended. Monday at 7; 15and9:30.I House offers: Hustle (1975), directed byRobert Aldrich. He's a cop and she's a call-girl. They both hustle for a living. Get themessage? Friday at 7:15 and 9:45.- Yaren Heller When did you last see a positive filmabout wholesome love and a supportivefamily where good sensuous sex betweenmature lovers was not corrupted throughlies or hiding? “Cousin, Cousine" whichopened in Chicago Oct. 29 after delightingpacked houses in New York all summer,does this and more. A comic film withoutpretension, it seriously portrays theimportance of the family in contemporarylife.The emphasis on the family beginswith the credits, in which the actors' andactresses' names are shown next to theirchildhood photographs, bringing to mindone's own memories of looking through oldfamily scrapbooks. This theme is con¬tinued in the first scene of the movie,which pictures the welding together of twolarge families to make one; a boisterousmarriage of a lively older couple attendedby their children and grandchildren Oneof the guests, a bored intense teenager ("Ihate society. It's too real. It lacksimagination.") named Nelsa acts as anunofficial photographer. She snaps pic¬tures of the bride successfully draining atankard of beer in one quip and the groom dropping his trousers while standing on thebanquet table., Within the framework of the newlyformed, extended eccentric, emotionalFrench family two cousins fall slowly inlove. "Cousin. Cousine" is the story of thiscouple, but it is also the story of the middleclass family which includes their spouses,siblings, parents, children and cousins.The depiction of Marthe (Marie ChristineBarrault) and Ludovic's (Victor Lanoux)love affair is bracketed by two warmfamily gathering scenes. The wedding ofMarthe's mother and Ludovic's uncleserve to bring the two cousins in lawJANE LEE RESTAURANTFAST SPECIAL LUNCHEON:Mon.-Thursll:30 AM-9:00PMFri. & Sat. 11:30 AM-9:30PMSun. 3:00 AM 9:00PMCLOSED TUES.643-34071316 E. 53rd St. together for the first time. The last scenein the film portrays a Christmas Eve partyat Marthe's mother which is attended bythe same people.This movie has recieved such popularacclaim because it offers a refreshinglycomic and realistic view of life. DirectorJean Charles Tacchella attempted "torecreate the aspects of life I find mostbeguiling its absurdity, its drollery, andits fragility." He and his superbly naturalcast did this quite successfully. While mostfilms being produced now tend to glorifythe individual, the outsider, "Cousin,Cousine" places an emphasis on the valueof the family. Even more unusual is theportrayal of a slowly built, realistic loveaffair in which sex has no early major role.This is a rare in a film.7 Days A Week {HYDE PARK PIPE AND TOBACCO SHOP1552 E. 53rd - under 1C tracksAll students get 10% offask for “Big Jim"Pipa*Pipe Tobaccos Imported Cigarettes CigarsHere's your store,thoughtful personYou’re the kind of person who cares about others—re¬membering birthdays and anniversaries, cheering friendswhen they’re ill. So we wanted to make a special kind ofstore, thoughtfully planned and arranged, just for yourconvenience. It features Hallmark cards, party sets, sta¬tionery, unusual gifts, gift wrap and books, a selection ofover 1,000 paper backs and all the best sellers and oth¬ers in hard covers. Almost everything a thoughtful personneeds.Grand opening Friday & Saturday,November 19 & 20 (9:30 to 6)Sunday, November 21 (11 to 3)Doralee1538 East 55th St.HyCk Park Shopping Center 288-5500■ ■ .. -- : — : — ...30 stations hijacked on the air...TE LETHONa new play byMark KenmoreNovember 19, 20, 21 8:30 PMThe New Theatre Reynolds Club57th and University 753-3581 COURT[TgEATRE.,L®j taidmission$2.00BUckfHars presenteRlinOKThe ThreelV^u_s LettersPeUr Bemto fyiLCi*November 9, fc> and 7ll, 13, and l4turturn. cJc 8»50^cunptds Club Theaterstudents(jtkers 1.001,00 at ifu. davrl.5o*50a£ isajnokls CbJb Desmond Student T^trvittGsGrey City Journal Friday, November 12 7FREE'PregnancyTESTBORTIONHOTLINE787-3567Student Discount\\yi_ \ GUITARS, BANJOS,MANDOLINS,7nt V—. RECORDERS,Shop Q\ VIOLINS, AUTO-HARPS ANDV HARMONICASSl/o S Harper*M Horptr Covrt-*M0 7-/060 als°BOOKS . INSTRUCTION AND REPAIRS—THIS WEEKFEA TURING:Craft Books11th EditionBritannicaGreat BooksDollar BookTable“The best lack all con¬viction and the worst arefull of a passionate in¬tensity. "POWELL'SWE ARE STILL EAGERLY BUYING YOUR BOOKS1020 S. Wabash8th Poor341-07489-5 Mon.-Sat. ATPOWELLS1501 E. 57th955-77809 A.M.-11P.M. Everyday RIP-OFFAUTO REPAIRFOREIGN CAR SPECIALISTSSERVICE ON VW& AUDIWe Offer Top-Quality Mechanical ServiceTune-Ups * Electrical * Brake SystemExhaust System * Other RepairsConveniently Located at5508 S. Lake Park(Gateway Garage Bldg. — Downstairs)Monday-Saturday, 9am-9pmCALL:684-5166 L. With This Ad Only2 drawers files4 drawer filesDrawing TablesEQUIPMENT&SUPPLY CO.8600 Commercial Ave.Open Mon.- Sot. 8:30- 5:00RE 4-2111God has so made us for himself that our hearts are restless until theyfind rest in him. A ugustineBRENT HOUSE5540 WoodlawnSUNDAY5:00 Vespersfi:00 Social hour & Supper ($1.25)Write for free information—without obligationGlenmary Missioners, Room S-4Box 46404, Cincinnati, OH 45246Name AgeAddressNo one who has a friend is ever alone.You can share your love, your gifts, yourself withthe rural people of Appalachia and the Southas a Catholic Brother, Sister, or priest. In giving,you will receive again, and again, and again . . . . A FINE CIGARCOMPLETES YOUR DINNERTREAT YOURSELF #| $AND YOUR GUESTSTHE ONLY ONE OF IT'S KINO IN THE H.P. AREAp>lro»vopAt Harper Court Shopping Center5225 S. Harper C- 7 288- 5151SEMINARY COOP BOOKSTORE5757 S. UniversityChicago, IL 60637ANNUAL MEMBERSHIP MEETINGwill be held 12:00 noonTuesday, November 16thin the room above the bookstore in CTSAgenda will include voting the rebates anddividends for 1975-76, electing a newboard of directors, and any other business.SEMINARYCOOPERATIVEBOOKSTORE5757 S. University752-4381 9:30-4:00 M—F/TAN'S DO/1IMIOAT £THE ENVTRON/MMLCRISIS1 A REFLECTION on Gt^LSls I* PSALn 8A/ov i a.2 SO pmoct Hill-el5TI5 bioadHow*PROF. JOSEPH SUTLERkRCF tMCkifUs ,U< UVINITYSCHOOL ^iStriNL PRGf OF:vfS>re7)i. Ut’,'i{<,{ Lcin-f.frttCfu. r ,y j MKr /I? The Chicago Maroon Friday, November 12, 976 Tfteetiny StudettfoCtt rftl *Diui4iwt4 <x£ t&e @MeyeInterested in the newProgram in theArts and Sciences Basic toHuman Biolog) and Medicine(ASHUM)FRIDAY, NOVEMBER 12, 19762:30 P.M.HARPER 130Faculty participating in ASHUM will I* present at I hr meeting to tfona. Freshen and Sophomore, iulrrmtrd in tmr aspect of humande»rribe lh«* aim** auil rontrnt of the program anti to answer que*- health are espet ially urged to attend.i•r*>-■* .w»*si CalendarFridayHillel: Adat Shalom Shahhat Dinner, fipm.Hillel House. Creative Services. 7:30pm.Hillel House.Crossroads: "Life and Religion in SouthIndia," a slideshow designed as an in¬troduction to Tamil Nadu and Hinduism.8pm. Crossroads Student Center. 5621 SBlackstone.Baha’i: Informal discussion on the life ofBaha u elah. Dr. Moayyad. EasternStudies, will present his views. 8pm.Student Government room. Ida Noyes.Middle East Studies Center: Faculty-Student lunch. 12:15pm. Sun Parlor. IdaNoyes. Informal talk. "Law. Women, andSocial Change in Iran," Shahla Haeri. Deptof Anthropology. Harvard. 1pm. SunParlor. Ida Noyes. Ha-Sad nah."Relationships Between the Ancient NearEast and Biblical Israel.” Rachel Dulin.Lecturer in Biblical Hebrew. NorthwesternUniversity. 2:30pm. Pick 118. Arabic Circle."The Lebanese Civil War and itsSignificance to the Palestinians." DrGhada Talhami. Director. Arabl In¬formation Center. 3:30pm. Pick 218. PersianSociety. "Women’s Liberation in Iran.”3:30pm. Pick 118. Sherrv Hour. 4:30pm.Kelly 413.Folkdsncers: 8pm. Ida NoyesHillel: "Man’s Dominion and the En¬vironmental Crisis: A Reflection on Genesis1 and Psalm 8.” Dr. .Joseph Sittler. 8:30pm.Hillel House.South Asia Seminar: "The ChangingPosition of Indian Women." M.N. Srinivas.1:30pm. Social Science 108Geophysical Sciences Colloquium: "PostGlacial Rebound and the Viscosity of theMantle.” W.R. Peltier. University ofToronto. 1:30pm. Auditorium. Henry HindsLaboratory. Contemporary Mathematics from aHisotircal Viewpoint: "The Fermat Curvesand Modular Curves.” Serge Lang. YaleUniversity. 4:30pm. Eckhart 13 .CEF: "Fellini Satyricaon." 7 \ 9:30pm.CobbUC Blackfriars: "Merlin." original Black-friars musical. 8:30pm. Reynolds ClubTheater.Collegium Muaicum: Motet Choir and In¬strumental Group; Howard M. Brown,director. Sacred choral music of Schutz andMonteverdi. 8:30pm. Bond Chapel Free.SaturdayCompton Lecture Series: “The Moon. OurNearest Neighbor.” Dr. Ian Hutcheon.10am. Eckhart 133.Croearoads: International dinner. Nigerian.6pm. Crossroads Student Center. 5621 S.Blackstone. Reserve seats bv Fridav 1681-6060).Pub: Cook County Doo Dah Boys DixielandJazz Band playing tonightPhi Delta Theta: Last Chance Party, livemusic. UC ID required. 9pm. 5625 SUniversity.DOC: "Rebecca.” 6:30 \ 10:30pm; "Fren¬zy.” 8:30pm. Cobb.Blackfriars: "Merlin.” an original Black¬friars musical. 8:30pm. Reynolds ClubTheater.Collegium Muaicum: Motet Choir and In¬strumental Group; Howard M. Brown,director Sacred choral music of Schutz andMonteverdi. 8:30pm. Bond Chapel. Free.UC Chamber Orchestra: Bach. Bran¬denburg Concerto #3: Handel. ConcertoGrosso Op. 6 No. 11: Mozart. ExsultateJubilate: conducted by Jeanne Schaefer,with Alexis Darden, soprano; 8pm. Hut¬chinson Commons. Free.SundayHillel: Lox and Bagel Brunch. ($1,751. 11am.Hillel House Rockefeller Chapel: Ecumenical Service ofHoly Communion. 9am; UniversityReligious Service. Rev. Canon BurgessCarr. General Secretary. All Africa Con¬ference of Churches. 11am. RockefellerChapel.Croearoads: "Man is the Measure of allThings.” Part IV of Kenneth Clark'sCivilization series. 8pm. CrossroadsStudent Center. 5621 S Blackstone.Brent House: Vespters, 5pm; social hourand supper. 6pm; program discussion.7:15pm. Brent House. 5540 S. Woodlawn.Folkdsncers: 8pm. Ida NoyesWoodward Court: "The Pentagon and theAll-Volunteer Military.” Morris Janowitz.Distinguished Service Professor. Depart¬ment of Sociology and the College. 8:30pm.Woodward CourtComputer Club: 1pm. Reynolds Club.Bridge: Beginners and experts welcome.3pm, Crossroads Student Center. 5621 S.Blackstone.“a poetry magazine (w/art)”: Editingmeeting, staff members must attend. 8pm.Ida Noyes LibraryChanges: Workshop on "Dealing with yoursexuality." lead by Norton Knopf. ChicagoCounseling Center. 7pm. Blue GargoyleDOC: "Sanjuro." 7:30\ 9:15pm. Cobb.Blackfriars: "Merlin.” an original Black¬friars musical. 8:10pm. Reynolds ClubTheater.Rockefeller Chapel: Organ recital. RobertLodine. 4pm. Rockefeller Chapel Programincludes works by Nicholas de Gringy.Cesar Franck. Olivier MessiaenMondayOuting Club: Steering committee meeting,to discuss club organization, finances. future trips. 8pm. Ida Noyes, theater.Chess Chib: 7pm. Memorial Room. IdaNoyes. Everyone welcome.Karate: 6:30-8:30pm. Ida NoyesBible Study: 7-8:30pm, Brent HouseSailing Club: 7pm. Ida NoyesHillel: Yiddish Folk Singing Choral Gr ip.3:30pm. Hillel House.Folkdancera: 8pm. Ida Noyes.Eckankar: Film of Sri Darwin Gross, ndintro lecture. 7:30. Blue GargoyleDepartment of Music: "Rational F n-dations of Tonal Theory.” Eric Reg* ner.3pm. Music Seminar Room. JRL 264Center for Policy Study: “China: heProgress of Science Under Political < n-straints." Saunders Mac Lane. Departr ntof Mathematics. 4pm, Breasted lectureHall. Oriental InstituteDepartment of Chemistry: "AnionsRadicals of Non-Conjugated Diketones.”Prof Stephen Mazur. 4pm, Kent 103.Middle East Studies Center "The Greeks ofPontos (Trebizond Black Sea Districts ofAnatolia).” Anthony Bryer. Professor.Department of History and Director.Byzantine Studies Program. University ofBirmingham. Eng.. 4:30pm. Pick Hall 218.Department of Biochemistry: "Charac¬terization of the Gene for 5S RNA inXenopus Borealis.” Jeffrey L. Doering.Dept of Embryology. Carnegie Institutionof Washington. Baltimore. 2pm. CLSC.room 101.Committee on Southern Asian Studies:“The Sufi Thought of Shaikh FariduddinGanj-i-Shakar (d 1269 A.I).).” Dr.Mohammed Noor Nabi. 3pm. FosterLoungeHillel: "Imagining the Holocaust '" ArthurCohen, theologian. 8pm. Hillel HouseThe University Of ChicagoMajor Activities BoardINVITES YOU TOANIRREGULARDEMOCRAT! 3PARTYFriday, November 12Ida Noyes Hall 8:00 pmAdmission $1.00; Republicans & IVI $1.50FREE WITH ACTIVITIES FEE AND CAMPAIGN BUTTONCoffee House, Dance,'Gambling. & much morewith U Of C ID13 The Chicago Maroon Fri<-* •ember 976V-ball heads for stateByDANMANSUETOThe University of Chicago’s women’svolleybaU team prepared for the incomingIAIAW Small College Championships bysweeping a tri-meet Thursday at IdaNoyes Hall and taking two of three mat¬ches in a meet two days at GeorgeWilliams College.The Maroons won Thursday’s tri-meetwith relative ease. Playing exceptionallywell together, they downed fourth rankedWheaton College in the opening contest, 13-8, 15-4. In the first game of the match,Chicago quickly fell behind 4-1. But behindClaire Oner’s serve, die Maroons scoredfive consecutive points and then held thelead for the rest of the game. Early in thesecond game, Janet Torrey served tenconsecutive points to put a lock on thegame and the match for Chicago.Even though North Park lost to Wheatonin the second match of the tri-meet, theygave the Maroons a much harder timethen Wheaton did. The Maroons coasted toa 15-5 win in the first game, but North ParkJumped out to a 7-0 lead in the secondgame. Before the opposition could runaway with the game, Janet Sullivan camethrough with seven sendee points to helpthe Maroons come back and tie the score.Neither team was able to build asignificant lead imtil North Park pulledahead 14-11 with 1:06 left in the game. Atthat point, the opponents only had to stayahead until the eight minute game clockran out.The Maroons came back but couldn’tquite pull the game out. With LuaraSUvieus serving, Chicago pulled within onepoint or North Park with just :31 secondsremaining. The Maroons continued win¬ning pressure points and took the lead 15-14 with : 14 seconds left in the game. NorthPark finally managed to break Silvieus’serve and forced the game into overtime.In the overtime, the Maroons dramaticcomeback proved to be all for naught asNorth Park quickly scored three points towinthegame.But Chicago didn’t let down. Scoring 12points before North Park could score any,the Maroons rolled to a 15-5 win to take thematch and sweep the meet.The Maroons continued winning onSaturday. They whipped Illinois WesleyanUniversity 156, 15-3 and then defeatedTrinity College 152,15-9. Only top-rankedGeorge Williams College was able to beatthe Maroons, 158,15-9.Assistant coach Rosie Resch waspleased with her team’s performance.“The team really began to Jell Thursday.We were playing like we are capable ofplaying. On Saturday, we were sub¬stituting a great deal and everyone wascontributing. It was a very even per¬formance.”Thursday’s and Saturday’s meets werenot significant in that the Maroons had allready qualified for the IAIAW SmallCollege Championships. In deciding whowould qualify for the State Cham¬pionships. In deciding who would qualifyfor the State Championships, each team’srecord against teams in their own division,was taken into account along with theiroverall record. It was decided two week¬ends ago that not only would the Maroonsbe qualified to enter the meet, but thatthey would be seeded seventh out of 26. Ifthe Maroons live up to their seeding, theyshould reach the quarter final round.“From there” said coach Resch “Howwell we do depends on who we face and onbow well we play.” Janet Sullivan picks up a return as Joy Simpson (13) looks on. (photo by MikeLove)Harriers place thirdBy FRANK MERRIWELLOn a course set in the hinterlands ofAmerica, the Chicago Cross Country teamproved they were a force to be reckonedwith as they took third in their first Mid¬west Conference Championship meet.Carleton College, ranked fourth inDivision 111 of the NCAA won the meethandily placing seven runners in the topeight. Second was Lawrence whose 83points was 20 points better than Chicago’s103.Fourth year stude. Julian Brown wasthe first man across lor Chicago, takingfifth with a 27:14 time for the five milecourse. Third year scholar Jim Thvedtalso placed in the top fifteen taking 15thwith a 27:25 mark. At 27:43 Pete Smith wasthe next man across at 18th followed byJoe Knapp at 24th with a 28:07. JohnPearson would have been fifth man had heseen one of the last flags. As it was, heIM grid playoffs this week didn’t and everybody saw that he didn’tand so he was disqualified. Instead PaulHart was fifth man for the team, whileJohn Schuster, who did not have one of hisbetter days, rounded out the Chicagosquad.Coach Haydon commented after therace that his team had lived up to ex¬pectations. “We had everybody’s time andthings went like we figured. We knew thatBeloit, Lawrence and Chicago would befighting it out for second, third and fourth.Lawrence was fairly well bunched, bun¬ched a lot better than we were.”“For our first introduction to the con¬ference,” he said, “we were in pretty goodposition.”Next week the top seven, minur Hart butplus Lester Savit, will travel to Cleveland,Ohio for the NCAA Division III NationalChampionships. Asked about the chancesthere, Haydon opined that, “if only goodteams show up we will be in trouble.’’ ButChicago has proved that they are betterthan some teams in the division and shouldhave a good day Saturday.By RW ROHDEPhi Gamma Delta drove to the un¬dergraduate I-M football title this week,while Wild Bunch trounced their op¬position and took the graduate title. Bothteams look good, but Wild Bunch shouldhave a substantial edge when the twoteams meet for the all-University title.The Phi Gam team started their playoffseries by beating Thompson NorthThompson North had to struggle to reachthe play-offs, edging Vincent 6-0 to win thewhite league. But although Thompson putup a tough fight, Phi Gam came throughto win 13-6. Meanwhile, Shorey shutout arough PsiU team 6-0, earning the right toplay Phi Gam for the undergraduateresidence title.Shorey opened Monday’s game with ascoring drive, and took the lead 6-0. ButPhi Gam came right back, topping theirtouchdown with a conversion, taking a 7-6lead. Shorey got the ball back, but two badsnaps gave Phi Gam a safety. They tookthe ensuing free kick and ran it back 50yards for a touchdown, and put the gameaway 15-6. The other Monday afternoongame saw Wild Bunch defeat the SugarBears 13-0.Wild Bunch went on to meet the WabunoBay Bucaneers Wednesday. Wabuno Baylooked good, forcing Wild Bunch to punt onthe first series. But Wild Bunch put up afierce rush on Wabuno Bay’s first down,getting a questionable safety. Wild Bunchtook the kick and drove for a score, cap¬ping the drive with a fourth down pass thatthe receiver pulled away from twodefenders. Another chive later iced14 T* the game for Wild Bunch.At the same time. Phi Gamma Delta wasfacing the Blackstone Rangers, the in¬dependent champions, and beat them 18-6.Football was not the only sport havingchampionships. Lower Wallace defeatedthe Divinity school 15-8,15-8 to win the All-University Women’s Volleyball title.The med school dominated the coedswim meet last Thursday night. They wontwo of the three relay events, the sweat¬shirt and the freestyle, setting a newrecord time of 1:25.5 in the latter event.The med school team also won 3 of the 6regular events. Cote and Hainer won the 40butterfly, while Vaanderlain and JudyBanks teamed up to win the 100 freestyle.Banks then joined Ebbinger to win the 40yd. backstroke, and set a new record of 51.6. Banks now holds three of the jointcoed records.In other events, Tim Lorelle and CarolynLagrange of Upper Ricker/Lower Wallaceteamed up to win the diving uncontestedBreckinbridge swept the innertube relay.Laura Rhodes of Shorey teamed up withDave Murdock to win the 40 yd. freestyle,and with Lyons to win the 40 yd. breast¬stroke.The undergraduate leader in the meetwas the Hitchcock/Snell team, whichdidn’t win any events, but placed in almostallWomen’s bowling is continuing thisweek, with several scores over 200. TheAll-University Turkey Trot is nextThursday, and pre-Christmas BasketballstartsTuesday. IM TOP TEN1 Wild Bunch2 Sugar Bears3 Wabuno Bay Bucs4 Phi Gamma Delta5 Shorey6 Psi Upsilo,7 Mathews Maulers8 Thompson North9 Bramute Bush10 VincentAlso receiving votes:Penguins, Upper Rickert, Shoreland9 b. 10, Shoreland 7 6 8, DivinityStickwomen win, place at tourneyBy DAVID RIESERIt was a good end to a bad seasonEntering their district tournament win¬less and score-less the University fieldhockey team scored three goals, won itsfirst game and placed three women on theall-college teams.The tourney started as expected Theteam got blanked by a squad from theUniversity of Wisconsin at Madison, but itwas in the second game that the inevitablefinally happened. Kathy Phillips blasted aHelen Harrison centering pass by asuprised University of Wisconsin-tfilv aukee goalie and scored the firstChicago point of the year.“'•omber i?( 1976 Although the team lost 2-1 the ice wasfinally broken. The Maroons went into amatch later that afternoon against arch¬arrivals Concordia College ready andconfident. With goals by Kathy Phillipsand Helen Harrison, the team rolled to a 2-0 shut-out for their first win of the season.Coach Larkin was pleased but not im¬pressed. “We played the same way weplayed all season,” she said, “We justfinally got the goal.”The way field hockey tournies work isthat teams in the district play a couple ofgames in the weekend and then two all¬district teams are picked by the coaches.It is these teams, an A and a B that go on to isregionals, where an all-regional teampicked and goes on to nationals.Three Maroons were picked for the all¬college team from this district. HelenHarrison who earned a spot last year andproceeded to Nationals was picked to playmidfield on the all-college A team. CollenCacic was named to the B team goalieposition also for the second year in a row.Kathy Phillips was the third player to getthe nod and was chosen for left wing on theall college B team.These three will travel out to the NorthCentral Field Hockey tournament thisweek end. Tlie tourney will be heldscenic Deerfield, Illinois m) MCLASSIFIEDADSSPACEPerson to share clean, sunny 2 br. apt.repainted w/refinished hardwoodfloors, 5 min. walk from campus. Nonsmoking preferred. 324-1977.2 Broadview Hall contracts $120/mo.Sngl. Furn. Crp. Drapes. Priv. bath,avail, immed. Toni H. or MikeDelaney. 753-2130.One Bd. Apt. large, quiet, bright newlypainted on 55th St. Avail, on or beforeDec. 1 Pent S285. Tele. 324-2763 evens.Wanted rent or buy house Dune Acresor Beverly Shores or nearby 288 6847,or 753-8110.Roommate wanted 52 & University,call John 493 2863 & 637-5151.Clean, sunny, 1V2/ $171 incl. util,available immed 643 9059.Garages by qtr $80. Cornell 5508.HP 55 3 flat L YN 929 5600, 643 9086.Need one female to share apt. at 57th &Woodlawn. Own bedroom avail. Jan. 1.Call 241-5230.Wanted. Mature oerson to sharehouse. Very desirable location. PL 2-8377.5 + 6 Room apts. in building beingrehabilitated. 5 min. from U. of C. on61st st. Coleman Carp. 373 1800Studio, $125/mo., 54th & Cornell, Call373-0518.FEMALE ROOMMATE wanted toshare large, modern townhouse,53/Woodlawn (across from shopg. ctr)with 4 friendly UC people. $72.50/mo.& 1/5 util. 363-2013.Studio Apt., sunny, spacious, $132/mo.avail. Dec. 1, call 752 7830 eves.PEOPLE WANTEDFull time position at Frog & Peach.Inquire in person weekdays 2:30-4:30.Help! Busy Kenwood family needscooking and shopping help. Licenseddriver preferred, but not essential.Room and board in exchange; smallsalary may be negotiated if agreedupon duties warrant it. Call KE 6-1707eves.Students needed to serve UC guests atreception. Sat., Nov. 13th, 12:30 4:30p.m. Transportation provided. $3/hr.Call (eves.) 684 1264 or 947 9590.SUBJECTS WANTED forpsycholinguistics experiments in theBehavorial Sciences Department. Payis$2/hr. Call 753-4718 to register.EARLY PREGNANCY DETECTION.Pregnancy accurately detected beforeyou miss your next period, 5cc of bloodwill be drawn. Medical researchproject test is free. Call Sandy at 947-6620 or 947-5550.PEOPLEFOR SALETyping/Word Processing 378-5774.For piano teacher call 947-9746.Native French Teacher offrs. tutoringand translating $5/hr. call 324-8054.Typlsf/Selectric/Fair/667-4282.TENSE? ANXIOUS?Call 947-6983 and ask for Frank tovolunteer for our Evaluation of anewly developed Anti-AnxietyAgent.WE WILL GIVE YOU ...-A comfortable room-Good foodA thorough physical exam-expert psychiatric evaluation-and. $450 00 cash•N RETURN you will give us . ..-a day and two nights of your timeeach week for 9 consecutiveweeksTO QUALIFY, you must ...-be between 21 and 35 years old-be a high school graduate-be healthySuch a Deal! Call Monday. Wed¬nesday or Friday 9 AM to 5 PM.947-6983 SCENESLAST CHANCE PARTY at Phi DeltaTheta 5625 S. University. Dance to livemusic. Refreshments available. UCIDand 20c cover. Sat. Nov. 13,9pm-l am.Bryan Bowers in Concert for FamilyFree School at the Gargoyle Nov. 20, 8& 10. Tickets at Fret Shop, at door.Parent Coop for early learningpreschool, full (7:30-6:00) £ part timeprogram; 3 classrooms designed for 2yr. olds, 3-4 yr. olds & kindergarten;5300 S. Shore Dr. 684 6363.Robert Ornstein (Psychology ofConsciousness) lectures on the MindField, Conditioning, Cults and Con¬sciousness. Monday, Nov. 22, 8 p.mThorne Hall, 740 Lake Shore Drive.Info. 858-2800 ext. 2356.BAZAR! Delicious Chinese Snack eggrolls. Wan ton, etc. Gifts. Nov. 13,noon 5 p.m. Hyde Park C.R. Church,5144 S. Cornell.FOR SALEHeavy Drapes with rods call 955 2568after 6 p.m.SLEEPING LOFTS, built for smallHP apts. $65 Dan: 363-6748180 cm Fullplast $85 205cm Siderals.Americana Plate bindings included$65. 924 2967 Joe.New OSTER KITCHEN CENTER $90.Color-harvest gold, call Mrs. DavidTues., Thur. & Fri. 9 4, 363 6700.Frames, Albums, Matt board,Passport Pictures, Books. MODELCAMERA has it all! Stop in and seeour newly remodeled photo gallery!MODEL CAMERA1342 E. 55th St.SLIDE PROJECTOR SPECIALArgus Projector with remote control.Reg. $109.95, Now $49.95.MODEL CAMERA1342 E . 55th St.LIGHTING DEMOStop in and see a selection of lightingequipment and have your lightingquestions answered.MODEL CAMERA1342 E . 55th St.Nikon Rebate Program: ask about ourNikon Rebate Program and specialNikon Prices.MODEL CAMERA1342 E. 55th St.CASSETTE TAPE SPECIAL!TDK SD 90, Reg $4.50 Now $2.99.MODEL CAMERA1342 E . 55th St.ACADEMIC RESEARCH PAPERS.Thousands on file. Send $1.00 for your192 page, mail-order catalog 11322Idaho Ave., 206H, Los Angeles, Calif.90025. (213) 477-8474.LOW-COST CHARTER FLIGHTS toEurope. Call 327 2858, 4-6 p.m64 VW Comp Rblt Mech. Rust $400?Tony 422-7976 AM 7-10 MF.Hans Kristian of Copenhagen,Denmark, will speak on "fulfillingChrist's commission to the suf¬fering church in eastern Europe "Wed, Nov 17, 7:15 PM., Eastlounge of Ida Noyes.U.C CHRISTIANFELLOWSHIP5655 UNIV. AVE.BRYANBOWERSBenefitConcertforFamily Free SchoolSAT. NOV. 20 ^Tickets: Fret ShopOld Town Schoolfor information call:288-2950UNDERGRADUATE FELLOWSHIPSupper-Friday 6:00 p.m.Sponsoreaby Episcopal & Lutheran CampusMinistries atBRENT HOUSE, 5540 WoodlawnAll undergraduates welcome SUBJECTS WANTED SONG & DANCESubjects needed for experimentaldrug studies in department ofpsychiatry. Must be over 21 and ingood health. Minimal time required.Call Ron at 947-6985, mornings bet¬ween 9:30 10:30 only. TOMORROW'S BROADWAY BLOCK¬BUSTER IS AT BLACKFRIARSTODAY! MERLIN, an originalmusical Reynolds Club Theater, Fri.,Sft., Sun. 8:30 p.m. $2.50, $1.50students. Found: Red address book. Blackstone& 57th. 643 1378. Keep Trying!CHINA REPORT by Prof. SaundersMac Lane: PROGRESS OF SCIENCEUNDER POLITICAL CONSTRAINTS.Monday, Nov. 15, 4:00 p.m., OrientalInst. Open to Public. EXHIBIT OF ESKIMO ART 11/13 (105) & 11/14 (12-5). Some pieces on sale.C.C.E., 1X7 E. 60th St. 753 3188 Noadmission.STUDENT CO-OPBooks bought and sold. New shipmentof books in stock now all subjects. No.12, 13 last two days of the OdysseysaleECKANKARThere is life beyond the mind! ThePath of Total Awareness. Introductoryfilm and lecture Nov. 15, 7:30pm, BlueGargoyle.SOUL TRAVELOut of your mind? You could be bystudying ECKANKAR, the AncientScience of Soul Travel. Introductoryfilm and lecture Nov. 15, 7:30pm, BlueGargoyle.EASY MONEYFetch books from JRL stacks at15c/bk. or $3.00/hr. 753-0247. FEMINISTANTHOLOGY KENNEDY, RYAN, MONIGAl & ASSOCIATES, INCPARTYBoogie on down to the 3rd PSI UPSI LON PARTY of the quarter. 5639University Sat. Nov. 13th. From 9.30 -? UCID requiredGAY LIBERATIONOFFICE MEETING to discuss thisyear's budget and activities. E veryoneinterested is urged to attend Wednesday, Nov. 17 at 8 pm, room XI IdaNoyes Hall.LAST CHANCETo see Blackfriars' musical MERLINis this Fri, Sat. Sun. 8:X, ReynoldsClub Theater. 2.50, 1.50 students. 753-3567.MERLINLast smash week for off-off-offBroadway's newest! Fri., Sat., Sun.8: X, Reynolds Club Theater.THYDE PARK CARWASHDeluxe Exterior Carwash49c with 15 gal. purchaseAmerican & Foreign CarsRepaired1330 E. 53rd Ml 3-1715 Prinavera, a women's literarymagozine, is on sale in most HydePark bookstorePAN PIZZADELIVEREDThe Medici Delivers from 10 p.mweekdays, 5-11 Saturday, 667 7394,Save 60 cents if you pick it up yourself.BOOKS BOUGHTBocks bought & sold everyday,everynight 9-11, Powells, 1X1 E. 57thSt.SPACE WANTEDWANTED: Housing for WINTER andSPRING get a quiet congenialroommate, sorry no university con¬tracts. Call evenings, 363-5424 ask forRoss.PERSONALSAlice—What's the top of your headlook like?Pregnant? Need Help? Call 233-0X5,10-1 p.m., M-F or 7-9 p.m., M&TH.New service-Have giggle Will Gigolo.Call the Panda or Thud.To the girl from Mich who's here tillChristmas, whom I met at Univ. Bankwith your two-party check: Call Pat,288-8523, you forgot something.Pregnancy testing. Sat. 10-2Augustana Church, 5500 S. Woodlawn.Bring 1st morning urine sample, $1.Xdonation. Southside women's health.324-2992.Writers' Workshop PL 2-8377.Lost: Silver octagonal pocket watch.Please call 753-2233. rm. 222.CARPET CITY6740 STONY ISLAND324 7998Has what you need from a$10 used room size Rug toa custom carpet. Specializ¬ing in Remnants & Mill re¬turns at a fraction of theoriginal cost.Decoration Colors andQuolit.es Additional 10%Discount with this ad.FREE DELIVERY Directory of ValuesWe Know Hyde Parkfteal Estate Inside OutHOUSES FOR SALEJACKSON HIGHLANDSEnjoy a fireploce with a beautifulhome around It. rm*., 2Vj baths, recrm. side drive and garoge. Beautifulporden. Many extras. Nr. 70th andEuclid $64,500.LOVELY HIGHLANDS HOME5 BR brick home on Bennett Ave LRwith wbfp, formal DR. A very nicebuy at $59,500. For more info, collMargoret Kennedy, 667-6666.CHATHAM4 BR brick w/modern kitchen. Fullyfinished bsmt. 4 2 car garage A rarefind. Priced to sell quickly In the 40’*.To see call Mrs. Haines, 667-6666.RAY SCHOOL DISTRICT3 BR Frame w/side drive, 2 car go-roge. Large country kit., family rm.Cozy & quaint but comfortable Ga»ht. 100 am© w/220. Priced right ot$39,500. To see, coll Mrs. Haines 667-6666.UNEQUAIED VALUE!5 BRs, 3 bcfhs w/aft street pkg., goodsize yard. Wbfplc. NaW woodwork ln/w floors thruout. super kitchen.Move-in condition (ond I really meanIt). $72,500. To see coll Mrs. Hainei667-6666. former fraternityHOUSEFirst o 1890-1sh residence, then a trothouse. Since 1940, ogain a residence.All new wiring, heating, roofing. In-cony from 4 brick garoge* Large- 3W btocks north of 55th onKImbark. Asking $60,000. CharlotteVikstrom 667-6666.STATELY colonial11-room resiaence in tovely setting.Nat. fireploce in targe living room. 6bedrooms - library - solarium. Cent,oir, undergrd. sprinkler*. 3-car brickgoroge. Side drive. $69,900. Coll Mr*Ridlon 667-6666.ONLY 1 LEFT1Of the seven town homes to be builtat 54-Blockstooe tor Soring occupan¬cy, only two remain unsold. See ourscale model ond floor plons for theseexciting housing opportunities. Eachhome features 3 or 4 bedroom* 2 or2Vj bath* In-house garage, solariumand many more feature* to Insurecomfortc*>le ond convenient living.SOUTH SHORE DRfVEBrick 4 BR home LR, formal DR.Large enclosed porch. Extra largebock yard next to Rainbow Beach.Asking $47,500. For more info.,please coll Margaret Kennedy, 667-6666.PERFECT STARTERTwo king-size bedrooms, l’/j bath*Like-new townhome. Carpeting, allappliance* free parking included.Quiet, charming design approx. 1,800sq. ft. One block from Lake Michiganneor 74th. $26,000 CharlotteVikstrom, 667-6666.APARTMENTS FOR SALEOAKFIREWOOD$70 a TONaisc birchcherry and mapleHYDE PARKFIREWOOD549-5071a / H s /6 SALES withservice is our £<t> BUSINESSREPAIR specialistson IBM, SCM, Q§£ Olympia & othersFree Estimate >\ Ask about ourRENTAL with un option to buyNew & Rebuilt AK. TypewritersCalculatorsDictators <u AddersU. of C. Bookstore iV 5750 S. Ellis Ave.753 3303 TY4 MASTER CHARGE >700 BANKAMERICARD 70 t TWO BEDROOMSIN THE SKYImmoculcrte 5 rm 2 bath condo homeat 50th ond the Lake Mony deaxatarextra* Ready to move An idealhigh-rise home for the discriminatingbuyer.LARGE 3 BEDROOMModern kitchen w/dlshwosher,washer and dryer in apt. 4th BR wasremoved to make o very targe LR.Low ossmt. inc. taxes. Near tran¬sportation, Bret Harte school. J.Edward LoVelle, 667-6666. 'HELP STAMPOUT RENTHere is an excellent opportunity toget the benefits of home ownershipwithout maintenance problem* Thistovely co-op apt. has 2 bedroom* 2baths ond a spectacular view ofdowntown and the lake Excellentcondition. Super-secure building.Parking available FOR HOSPITAL ORSOUTHWEST CAMPUSIt you work to close to southwestedge ot campus, available now "neatas a pin” apartment In brick, con¬crete ond steel 62nd & Indiana Lowmonthly - nicely maintained. $11308Charlotte Vikstrom, 667-6666.ONE BEDROOM CONDOVery clean third floor condominiumot 55th & Cornell Asking $29,775. CallNadine Alver at 752-5344 or 667-6666.HYDE PARK BLVD.Spodous 3 bedroom, study, utilityroom. 2 bath 3rd floor condo Asking$32,000 Coll Nadine Alver or RichardE. Hiid at 752-5384 or 667-666*ELEGANT SPACIOUSRare Hyde Park Boulevcrd *V> roombeauty Building ond dfl units ex-ceJ!enf cond. inside ond owl.Gorgeous apt. - huge room* <keamkitchen- walk-ln closets gertore Ow2.800 sq ft. (Master BR atone 23 x14.) Yet low monthly assessments(because self-manoged t only ttreeowners). If you see It, you love It*Call Charlotte Vikstrom. 667-666*APT. BLDGS. FOR SALESOUND SECURE .For Investment or owner-occupied 6-fkzt all 6Vi rooms. Good location Inpath of South Shore upswing neor68th & Clyde. Income over (UNOChorlotte Vikstrom, 667-666*GOOD CASH HOWOwner will finance. 50 Rimished cot*M M rental* Well managed. Excel¬lent condition. Stable tenancy. GoodDrexd Btvd location. Ceil Mr* Ni¬ger 667-ASTI. U TIMES iNCOMDJ*.Rood cash flow coming.Woodlawn Ave. location. Flncror*avaflctole. Coll Richard E. Hild. 667-65H.BRICK 3-FLATFirst time offered. 3-7 room opt.along South Shore Drive 220 ft. lot. Scar garage. Far more Into, pleasecall Margaret Kennedy, 6*7-664*KENNEDY, RYAN, MONIGAl & ASSOCIATES, INCd D1461 East 57th Street. Chicago. Illinois 60637667-6666Doity 9 to 5 Sot 9 to l O coll 667 6666 An^.me15 ThP Chiraoo MArnnn Friday hinypmHAr 1? 1974CHEESE SALEMOST ITEMS ONE WEEK ONLYBRIE II De France $2*’J ARLSBER^J Norway Swiss $]99CANADIAN CHEDDAR $2^5GOUDA RED WAX „„„„„„ $25’NOKKELOST Norwegian Spice $199DANISH TYBO $]79SWITZERLAND SWISS cod. .u.,,.',* $]”NORWAY TILSIT S]99PROVOLONE $]69M Walnut Almond %GOURMANDISE 1 Orange Cherry 1m Port Wine Garlic & Parsley U $21’MINIMUM PURCHASE 1 lb. for sale itemsWINE SALE5 BORDEAUX RED WINES $219 5 *, $10°°BEAUJOLAISMo,'Zd°w;„eVren‘h $17’—,1970 HERMITAGE RED French Rhone $2« FifthPORTUGESE ROSE 2 Brands ^1" FifthIMPORTED SANGRIA Spain's Finest 1 FifthThe Patty Matt2427 East 72nd Street BA 1- 921016 The Chicago Maroon Friday, November 12, J9.’6