The Chicago Maroon, No. '9 The Unlversltyof Chicago Friday, November 5,1976,evi expected to return to UCw School faculty next yearBy DAVID BLUMals at both the Depart-0f Justice and thety of Chicago believener President EdwardI return here in Januaryresigns as U.S. Attorney"former Law School dean,left the University inuary, 1975 to join Gerald*s cabinet, had originally1 to retire on his 65th birth-1 had accepted a one yeari as the Arthur Goodhart visiting professor of legal scienceat Cambridge University inEngland.The resignation of AttorneyGeneral William Saxbe from thecabinet in December of 1974 in¬terrupted those plans, asspeculation centered around Levias a possible successor to theformer Ohio Senator and Nixonappointee. On January 14, 1975,Ford sent Levi’s name to theSenate for confirmation as At¬torney General.Jimmy Carter’s victory bringsLevi’s brief government careerySp*1.J,( to a close, and many of his friendsand associates both here and inWashington expect thedistinguished legal scholar torejoin the faculty and resume hiswriting.At the Department of Justice,Levi said Wednesday that he had“not made any final decision” onhis post-inaugural plans. Hewould not elaborate on hisalternatives.“He’s still got a couple of booksleft in him,” a friend of the for¬mer President remarked a fewweeks ago. Levi, the author of“Introduction to LegalReasoning” — published in 1946and still widely used as a legaltext — and two books oneducation, will be 66 next June.Levi, a native Hyde Parker,went to the University of Chicagolaboratory school, and attendedthe University of Chicago as anundergraduate and graduatestudent. He received his Ph.D. in1932 and his J.D. in 1935, and washired in 1936 as an assistantprofessor of law, after havingserved as editor-in-chief of thelaw review. 5th wa rdvote totalsPresidentJimmy Carter (D) 15794 80%Gerald Ford (R) 4129 20%GovernorMichael Hewlett (D) 7974 43%- James Thompson (R) 10449 57%State's AttorneyEdward Egan (D)^Bernard Carey (R) 75779826 44%56% iCarter, Carey take wardIVI candidates sweepFrom 1940 to 1945, Levi heldseveral positions in the Depart¬ment of Justice under AttorneyGeneral Thurman Arnold, in¬cluding first assistant in theI Levi: The former president of the University who is now antitrust division. In 1950, he was! General will probably return to the Law School after Jimmy appointed dean of the law school,•’sinauguration. Levi to 2 Candidates endorsed by theIndependent Voters of Illinois(IVI) swept the fifth ward inTuesday’s election. The IVIsweep of the traditionally in¬dependent ward did not come as asurprise to observers of localpolitics.Democratic Presidentialcandidate Jimmy Carter took theward with the widest margin,winning 80 percent to RepublicanGerald Ford’s 20 percent. IVIcandidates James Thompson, thevictorious Republican candidatefor Governor, and Bernard Carey, the successful Republicancandidate for State’s Attorney,carried the ward by 57 percentand 56 percent respectively.The Maroon’s vote totals arebased on unofficial precinctreturns provided by the lVI, with49 of the ward’s 61 precinctsreporting.Voter turnout in the ward wasapproximately 64 percent. Thereare roughly 28,000 registeredvoters living in the fifth ward,which includes Hyde Park, partsof Woodlawn, ana parts of SouthShore.lews analysisCop talks: 11 months of foot draggingthe By DAN WISEi negotiators for the University andcampus security guards meetf, November 15, it will be the 13thJ for the two sides in a dispute that: been continued for over 11 months,much has happened since talksn mid-January, the situation thefind themselves in at thetable has not changed con-«y.negotiations opened in January,[Wards were represented by local 710 ofInternational Brotherhood of Team-(IBT). The Teamsters hadthe campus police since 1969,®ey had narrowly won an electionJ by the American ArbitrationThat year, the University hadto a representation election afterTeamsters established an “in¬picket line around the»cutting off deliveries. Talks went.and it was not until May before thetag team and the ad-_ i had reached an agreement toold contract with a 40-cent raiseof the first two years, and aener” clause (meaning that a*°uld be the only topic for0 for the third year. Therejected the agreement andeach back local 710 went to the bargaining table.Meanwhile, a group of guards becameinterested in replacing the Teamsters withtheir own union.The guards who formed the new unionwere dissatisfied with IBT representation,charging that increases in the guards’wages since unionization had not kept pacewith the cost of living or with the increasesbeing granted to some of the other campusunions. A copy of the agreement that theIBT had made with the University to hold arepresentation election in 1989 was cir¬culated. It showed that the IBT had agreedto a perpetual no-strike agreement, ef¬fective as long as the IBT represented theguards. The guards were also dissatisfiedwith the progress of the negotiations thathad been going since January. A secondagreement was reached with theUniversity, incorporating the 40-centraise, but it was again rejected by themembership.A petition for a representation electionwas accepted by the National LaborRelations Board in June and on July 23rd,the University Police Association (UPA),was voted in as the new collectivebargaining representative, replacing theIBT.The UPA has now held 12 sessions withthe University but has not extracted any concessions from the administration. Theysought an entirely new contract,demanding that the University yield someof its rights concerning overtimeallocation, promotion, and job assign¬ments. Only recently have the guardsmade a wage proposal, asking for a onedollar increase over the first two years.The UPA has also filed five charges ofunfair labor practices against theUniversity with the NLRB. The unioncharges that the University has failed toprovide information necessary fornegotiation, and that a 40-cent across theboard raise, retroactive to the end of thelast contract, is illegal. The union claimsthat according to the Taft-Hartley act, anemployer is not allowed to change acondition of employment, such as a raise,which is currently under negotiation.Jean Pollard, the president of the UPA,has been at the negotiating table for boththe Teamsters and the UPA. She says thatsince the UPA has taken over, theUniversity has become much morecautious and the atmosphere has grownmore tense. The University has rarelyconsented to meet with the union morethan once a week and the union, chargesthat when they do meet, the UniversityGuards to 2 ulty and Staff:5. How lowithout theLie »rFAl*ANO EXPRFSSCOOPERATION.THE OKIVERS I OLICE ASSOCXiUniversity securitysought to enlist the support ofstudents in their contract talkswith the University with thisGuards from 1breaks the meetings for caucusesfrequently, refusing to discuss issues oncethey return.Two attorneys were successivelyretained and then dismissed by the UPAduring the early stages of the negotiationsin August. The first lawyer, according toPollard, had counseled them to “go slowand gain the respect of the University”and not to press the University. The unionleadership subsequently decided to retainnew counsel. Another lawyer was retainedbut he was also replaced after the uniondecided to hire J. Frierson, a former in¬ternational vice-president of the Retail,Wholesale Department Store WorkersUnion (RWDSU), to chair the negotiations.A federal mediator, Leo Gant, was askedto Join the talks by the union in early Oc¬tober, but he has not yet succeeded in bringing the two sides closer to a set¬tlement.The union now intends to mount apublicity campaign. Last week, flyersinforming the community of the disputeurged residents to relay their opinions onthe need for a prompt settlement to theUniversity office of public affairs. Itbrought little response, according toD.J.R. Bruckner, the University vice-president for public affairs. He said hisoffice has only received two calls at thispoint.The union plans to call a press con¬ference next Monday to publicize theirdispute, and will participate in a StudentGovernment forum two days later. Withthe University considering its finalposition, and the membership urging astrike, this long smoldering dispute willshortly either ignite or be snuffed out,probably depending upon bow well theunion can fan the flames of public opinion. $12,000 to 15 organizationsSG approves CORSO budgetStudent Government (SG) Tuesdaynight approved the annual budget for theCommittee on Recognized StudentOrganizations (CORSO), allocating over$12,000 in grants and loans to 15 campusgroups.CORSO’s annual budget, provided to theCommittee out of the Dean of Students’budget, was cut by $7,000 from last year’stotal. The two highest grants this yearwent to WHPK-FM, the campus radiostation, which received $5457, and the SGspeakers program, awarded a grant of$3600.Levi from 1When scientist George Beadle camefrom the California Institute of Technologyto become the University's President in1961, Levi was brought over from the LawSchool to become Provost. As an ad¬ministrator he was generally consideredsuperior to Beadle, which led many tobelieve that Levi controlled the Univer¬sity's day-today operations.In 1968, when Beadle resigned, Levi wasthe unanimous choice to succeed him asPresident. The search committee, headedby advertising executive and Board ofTrustees chairman Fairfax Cone, con¬sidered no other candidates for the Job.“Only somebody else’s mother wouldhave recommended somebody else,” saidGeorge Stigler, professor of Business anda member of the search committee.During his tenure as President, Levifaced an activist student body that, inMarch of 1969, took over the Ad¬ministration Building in one of the nation’sfirst major student protests. The studentsprotested the University's decision to denyMarlene Dixon tenure in the department ofsociology. From a make-shift office in the Centerfor Continuing Education, Levi main¬tained a posture of silence toward theprotestors. He refused to negotiate or toinvolve the police in the sit-in, and after 14days the students left and Levi returned.His national reputation was enhanced byhis hard-line posture throughout theprotest, and under a disciplinaryprocedure devised by Levi's colleagues atthe law school, 41 students were expelledfrom the University. The Committee, chaired by fourth-yearstudent Jon Grossman, is given theauthority to determine the size of grantsand loans to student organizations. CORSOhas thus far received 22 requests for fundstotaling nearly $40,000.The panel also set aside a contingencyfund of approximately $12,000. Other CORSO funds, alreadyspent, include $1688 in lo$5,000 in summer grants.The Tuesday meeting, thek*year, came on the expirationyear's CORSO budget.The Assembly also votedNiko Maksimyadis as SG w,unanimous vote. SG Presto^Dudney charged MaksimyjSeyear business student,compile summer expendMattend important budget JMaksimyadis claims thatorganization kept him inforj]radis resigned theimonth, but Dudney said Wewithout a formal letter of iAssembly had to go throuj?5impeachment procedure. Thethen elected Jean Scott a fftlstudent to the position.SPIENCE FICTION CLUB $203.00 grantSOCIETY FORALTERNATIVE CULTURES $120.00 grantThere will be a meeting for all Maroonstaff members Tuesday, November 9 inThe Maroon office, the first and onlystaff meeting of the quarter. All staffmembers interested in the policies of thepaper, and interested in having a voice intheir formulation, should attend.The Maroon apologizes formisrepresenting Debbie Bloom’sstatements on the Presidential can¬didates on the cover of Tuesday’s paper.While she said that “I'm for Fora,” shedid not state that she was in fact planningto vote for Ford. STUDENT GOVERNMENT $2370.00 + 100.OU loanSTUDENT TUTORS EDUCAT- 2b5.00 grantIOVAL PROGRAMSTUDENT GIVERNMENT $3600.00 grantSPEAKERS PROGRAMUMOJAWOMENS' UNIONWHPK $371.00 + 300.00 loan$235.00 + 186.00 loan$5467.00 grant BLACKFRIARS $l,200.0{jCAPS & GOWNS $850.00!COUNTRY DANCERS $202.00CHANGERINGERS $175.00DEBATING SOCIETY $180.00FR1END$. OF THE SYMPHONYGAY LIBERATION $657.001ORGANIZATION OF $603.001BLACK STUDENTSHA VING A PARTYiSave yourself some labor. We will make a lazy susan for anumber of people from 8-100. There is more than enoughfood for your group. We will also deliver these trays to yohome or office without a delivery charge. Being a kosherdeli we have a choice of three separate trays: a cheese traa meat tray, or a fish tray.Come on in and discuss your partyplans with us. We can help.THIS WEEK'S SALE ITEMS INCLUDE:FRESHLY SMOKED STURGEON *5.99Perib.IMPORTED SWISS EMMENTHAL *2.29 PeHbWISCONSIN COLBYFRESH LOX Regular or Nova *1.69 per lb.*1.69 per lb.5500 S. CORNELL241-7050 or 241-705>—The Chicago Maroon—Friday, November 5,1976Calendaruaroon encourages campusiJtions to publicize their activities„^ndar. AH entries and questionsffgflrected to Midd.FridayentsEast Studies Center: Faculty-Lunch, noon, Ida Noyes Library,j Talk, “Old Problems and NewIhflhe Study of Al-Ghazzali and OtherPvadArab Authors,” 1 pm, Ida Noyesrv Ha-Sadnah, “Religious Dialectics[liadidi ” 2:30pm, Pick 118. Arabic. jjg impact of Middle East Oil onIS Balance of Payments,” 3 pm, PickPersian Society, “Iran’s Change ofLf” 3-30 pm, Pick 118. Sherry• 4:30 pm, Kelly 413.goyie: Rosehip String Band,he Sanctuary in the Blueoyle.‘Nanook of the North,”r’S classic film on Eskimo life,Crossroads Student Center, 5621 S.iAve.jturesJiysical Sciences Colloquium:iup From Rest: A Curious Problem ining Fluids,” Edward R. Benton,anal Center for Atmospheric1:30pm, Auditorium, HenryLaboratory.j: “Causes of Animal Aggression,”Marler, Rockefeller University,a, Zoology 14.of Microbiology: “VirusDifferentiation,” Dr. JosephUniversity of Tennessee, 4pm,:i01. Coffee 3:30pm, CLSC 850.flumntttee 00 CognitiOO and CODfr-on Colloquium Series: JacquesLaboratoire de Psychologie,.Seminar, “Perceptual InvestigationNeonates,” 10am, Beecher Hall 101.lium, “Psycholinguistics with aFlavor,” 1:30pm, Beecher Halli for M. Mehler, 3:00 pm.tsInternational Folk Festival: Miniwith R. Wixman, M. Leyton,t. Moreau, 8-9:30pm, Sunny Gym,jl. Kenwood. Request dancing, 9:30-12“Merlin,” an original Black-5 musical, $1.50/students, $2.50/other,, Reynolds Club Theater. DOC: “Alice Doesn’t Live Here AnyMore,” 7:30 & 10 p.m., Cobb.SaturdayEventsPub: Cindy Whiting, Pub birthday party.Oneg Shabbat: Open House, 4:30-6:00pm,at the Bayit, 5458 S. Everett. All welcome.Debate on Human Rights: “Which form ofgovernment can best guarantee humanrights, a Western Democracy or a Marxistgovernment?” Debate organized byNelson Ndove of Mozambique, will includeSest speakers. Crossroads Studentnter.Compton Lecture Series: Ian D. Hut-cheon, 10am, Eckhart 133.Crossroads: Saturday night dinner, 6pm,$1.75, Crossroads Student Center, 5621 S.Blackstone Ave. 12:30-2:30pm; rap session, 2:30-3:30pm;tandem workshop (Wixman, Leyton),3:30-5:30pm; party with live & recordedmusic, 10:30pm. Workshops will be held inSunny Gym, 5823 S. Kenwood.Blackfriars: “Merlin,” an original Black-friars musical, 8:30pm, Reynolds ClubTheater.CEF: “Dirty Harry,” 6:30; “Johnny GotHis Gun,” 10:30pm, Cobb.SportsFootball: UC vs Loras College, 1:30pm,Stagg Field.SundayEventsHQlel: Lox & Bagel Brunch, $1.75, 11am,Hillel House.Brent House: Vespers, 5pm; social hourand supper, 6pm; program/discussion, Lutheran Vesper Service, 4pm,Rockefeller Chapel.ArtsBergman Gallery: Opening party for thenew exhibit, photographs by Kenda North,4-6pm, Bergman Gallery, fourth floorCobb.Blackfriars: “Merlin,” an original Black¬friars musical, 8:30pm, Reynolds ClubTheater.14th International Folk Festival: Tandemworkshop (Leyton, Moreau), 9-11 am;tandem workshop (Moreau, Wixman),12:30-2:30pm; rap session, 2:30-3:30pm;tandem workshop (Wixman, Leyton),3:30-5:30pm, Sunny Gym, 5823 S. Ken¬wood.CEF: “The Passion of Joan of Arc,” 8pm,Social Sciences 122.DOC: “The Seven Samurai,” 8pm, Cobb.SportsCross Country: UCTC Open 5 Mile, 11am,Wash. Park.MondayMeetingsBaptist Student Union: “World Hunger,Part n,” 7:30pm, Ida Noyes Hall.Bible Study: Richard Jorgensen, and JohnHurley, 7-8:30pm, Brent House.Folkdancers: 8pm, Ida Noyes.Karate: 6:308:30pm, Ida Noyes. Come &watch.CM): 7pm, Memorial Room, IdaNoyes.EventsNAM Films: “The Emerging Woman,’7:15 & 9:30, Cobb.ArtsLexington String Quartet: PerformingHaydn, Prokofiev, and Beethoven, 8pm,Bond Chapel. Free.14th International Folk Festival: FolkConcert, featuring Dennehy Irish Dancer,Darlene Blackburn Afro-AmericanDancers, Balkanke Igre, Felix FibichIsraeli Dancers, Polish Dance Troupe, LosFlamencos, Phillipine American CulturalDancers, 8pm, Mandel Hall.14th International Folk Festival: Tandemworkshop (Leyton, Moreau), 9-llam;tandem workshop (Moreau, Wixman), 7:15pm, Brent House, 5540 S.Woodlawn. LcCtllXCSBridge: Bridge class, beginners andexperts welcome, 3pm, CrossroadsStudent Center, 5621S. Blackstone Ave.Computer Club: 1pm, Reynolds Club.Workshop, “Dealing With YourSexuality,” Norton Knopf, ChicagoCounseling and Psychotherapy Center,7pm, Blue Gargoyle. Free.Rockefeller Chapel: Ecomenical Serviceof Holy Communion, 9am; UniversityMemorial Service, E. Spencer Parsons,“Celebrating More Than We Remember”; Department oi Chemistry: “ResonanceRaman Spectroscopy of Radical Ions,”Richard Van Duyne, NorthwesternUniversity, 4pm, Kent 103.Computation Center Seminar: In¬troduction to TSO (Time-Sharing Option),3:30pm, Cobb 104. \Middle East Studtafcepter: “The IslamicCity: The Town and the People,” NikitaElisseeff, Professor of Islamic History andArcheology, University of Lyon, 4:30 p.m.,Pick 218.'★★iH —Gene Siskel.Chicago Tribunev —Roger Ebert,Chicago Sun TimesPulitzer Prize winning criticN a PH M BY .It AN CHARLES TACCHEttAL ^STlNEBARRAUl' • VtOTC'H 1 ANOUK • VARJfc ERANGF PIS'EP • GUY MARCHANDr’l'Hfm* Da.,Pi's p<yne>eu • Nonhal P D.si Ltd,pU*WG H Chicago atVUILHA Michigan 7*7-4722 7 Days A Week jHYDE PARK PIPE AND TOBACCO SHOP1552 E. 53rd - under 1C tracksAll students get 10% oKask for “Big Jim”PipesPipe Tobaccos Imported Cigarettes CigarsSingingTelegrams?TELE-TUNE338-8708 Songs for all occasionsaccompanied by banjo, ukulele,bagpipes and piano.Major credit cards accepted. FOR ONLY $2 STUDENTS CAN ROAR-AND WEMEAN LAUGH YOUR HEAD OFF-AT THERECORD-BREAKING COMEDY ABOUT LIFE ANDLOVERS!“UNCOMMONLY REWARDING IN LAUGHTER.HONEST AND INCISIVE!” Sydney J Hams Datly News“THE FUNNIEST COMEDY ABOUTLOVE AND —CLIVE BARNES N Y TfMESBarbdra Offish \ Jom Troupe(tar•*y~ »t*. fc50% OFF ON 2nd BALCONY SEATS!Reg. Box Off. PriceTues , Wed . Thur 8 PM. S6Wed Mat 2 PM. $4Sat Mat. 2 PM. S5Sun. Mat. 3 PM, S5 Student Price$3S2$2 50$2 50Reserved seats available at box office hour before curtaintime with 10.BLACKSTONE THEATRE60 E. Balbo. Chicago. Information 236-8240Tha Chicago Maroon—Friday, Novombor 5.1V74—3EditorialThe issue is fairnessContract negotiations are supposed to be a. matter of give and take from both sides, but fornearly a year now, the University has adopted anattitude of “take it or leave it” in its talks withrepresentatives from the campus securityguards.The University Police Association (UPA), theindependent union of University guards, hasambitiously demanded a totally rewrittencontract which would reduce managementrights and alter the current pay structure. TheUniversity has refused to consider redrafting thecontract and has not budged from the offer of a40-cent across the board wage increase.The merits of the bargainers’ positions are notat issue here. The issue is the condescendingattitude of the University toward the campuspolice and their negotiators.Holding their noses high in the air, butdragging their heels, administration officialshave shown a marked tendency to stall and delaythe talks. Frequent caucusing followed bystonewalling tactics has produced little progressat the bargaming table.Two weeks ago, the University gifted theguards with the 40 cents an hour raise packagewhich, the union had not found acceptable. TheUPA charged that a raise implemented despitetheir objections was illegal, and filed a com¬plaint with the National Labor Relations Board.Whether or not the NLRB finds that the movewas actually illegal, the action was definitely ablatant show of arrogance.In its memo to the guards explaining the raise,the University indicated that “fairness” dictatedthat the University implement the wage in¬crease. The implication was, “This is all you’regoing to get, so you might as well get it now.”The raise was a not-so-subtle attempt todiscredit the union by denying the union’sauthority to determine what is most beneficialfor the guards. By circumventing the legallydesignated bargaining agents of the guards togive them their raise retroactively, theUniversity was, in effect, bribing them todisregard their union.The guards have tolerated the lack of a newcontract and the delaying tactics of theUniversity with a rapidly dissipating store ofSatience. The possibility of a strike looms largerie longer the dispute drags on.During this wage dispute, the guards haveexhibited a high level of professionalism. Therehave been no work slowdown or vocalizedthreats of a strike. No one can guess what wouldhappen if the guards were to strike. Thepresence of the guards plays an important partin the quality of life here. We have a right toexpect the University to bargain seriously,rather than to attempt to force a settlement onthe UPA. As any security guard will tell you, youhave to meet force with force. If that happens,we will all lose.The Chicago MaroonEditor: Peter CohnNews Editor: Dan WiseFeatures Editor: Jan RhodesSports EdRor: David RJeserPhoto Editor: Dan NewmanAssociate Editor: David Blum Founded in 1902Production Manager: Michael DelaneyGraphics: Chris PersansBusiness Manager: Niko MaksimyadisAd Manager : Doug MillerStaff:Tony Adler, Earl Andrews, Steve Block, Ellen Clemente, NancyCleveland, Nina Cohen, Skye Packre, Abbe Fletman, Brian Foster,Mort Fox, Jeff Haekett, Andrea Holliday, Burt Itzkovitz, BonnieKuakei, Fred Mac Rae, Dan Manaueto. Bruce McLaughlin, PatMarcar, Elaine Monckak, Kris Organ, Dan Patterson. John Prun-skia, RW Rohde, Adam Scheffler Mark Stratfex.. Carol Studen-mund, Mark WoodworthDka Chicaco Maroon is tha auidaot aawapapar of (ha Univaraity of Chicago,pobUahad Tuaadajri aad Friday* during tha regular acadamic yaar. Tha MaroocMem ia located at 1211 E Mth 8t.. Chicaao. fUioeia «MT7 Tha talaphooa number4—The Chicago Maroon—Friday, November 5,1976 Letters to the EditorWegener clarifies positionTo the Editor:I do not accept the statementsattributed to me in your article onthe Regenstein canteen in TheMaroon of October 29 as anythinglike an accurate representation ofwhat I think about it. I don’t intendto wrangle about what I said to yourreporter-phone interviews oncomplex subjects can be confusingto both parties. The fact is, however,that there is no difference betweenme and Mr. Dillon so far as thepolicy to be followed with respect tothe canteen is concerned.Management within that policy is noresponsibility of mine and I have nomore expert or informed viewsabout it than do any other membersof the faculty.As I understand (and endorse) the policy position to which we arepresenUy committed it amounts tothis. The canteen has been reworkedin order to provide a more adequateplace for short breaks with lightrefreshments for library users. It isnot adequate f<H* and is not intendedto be a dining hall or a social center.We do not anticipate that any ad¬ditional space will be allotted to it orthat there will be any fundamentalchange in the kind of foods availablein it. Within this policy there isplenty of room to discuss details ofmanagement, better coffee, simpleways of dealing with noise levels,tastes in nutrition, and all the otherquestions which concern someusers. Suggestions about thesematters are always welcome butthey must he evaluated (and onehopes they will be offered) with some recognition of the ecoa,and managerial consequent!!may have and within the frSof the policy stated above!member of the Board of theI am painfully conscious Sfirst priority in the pibudgetary situation of the iksity must be maintainingcollections and the services!related to their — ■users.I emphasize that I speakonivmyself, but I am not awan>there is any significant differ^opinion, in these general telamong those who shareresponsibility for policy aministration of the Library.Charles WegenerChairman, Library BoardA questiono f rightsTo the Editor:For a while it seemed that theCatholic Church would succeed inreducing “abortion rights” to aCatholic issue. Today, I no longerfear that the rational expression ofopinion and discussion of this ethicalquestion on its merits can be sonarrowly constricted.My change in mood occurredduring a recent program that I at¬tended at Calvert House on the topic“The Right to Live, The Right toDie”. To my surprise, neither thespeakers (James Bresnahan, S. J.and John Madden, M. D.) nor theaudience, which was predominantlyCatholic, sought absolute answersbased upon Christian theology orchurch dogma.Indeed, the idea of “right” waslargely disregarded; issues werediscussed broadly from a personaland humanistic viewpoint. Rev.Bresnahan’s remarks revealed aspirit distant from that of theCatholic bishops in their currentattempts to politicize the “abortionrights” issue. In Dr. Madden’s view,Q.ach situation merited individual evaluation; his personal decisions asa physician would rest upon multipleconsiderations that were in partmedical, and in part compassionate,that is, involving concern for in¬dividual “good” over absolute (andabstract) “rigit”.The audience responded in thesame spirit as the speakers. Someexpressed personal doubt and agonyover the difficulty in making choicesin concrete situations. As theprogram neared its end, one personfrom the audience, seeming to me tospeak for all present, declared herinability to find absolute moralguiding principles. Her decisions,she said, would be based entirelyupon compassion and the need topreserve individual dignity andfreedom.The evening’s experience raisedmy hopes that we as a nation mightfind a solution for the abortionquestion that would not cause fur¬ther suffering. We seem to en¬counter little difficulty in reaching acommon ground of understandingwhen we talk of a particular in¬dividual’s good or of his autonomy,when our discourse is at the ex¬periential level, and when we avcusing such abstract and debatab ~terms as Rights, Life, and Death.Martin B. MathewsMastery learning: odiferous beastTo the Editor:Reading your article, “NewLearning Theory Advanced,” I amreminded once again that thewonderous, mythical Beastie,Mastery Learning, still stalks theeducational world. This greatBeastie can be readily recognized bythe many ponderous and odiferousexpressions which fill the airwhenever he is near, expressionslike “Cognitive Entry Behaviors,”and “Affective Entry Charac¬teristics.” The wonder and at¬traction of this beast stem from hishappy ability to mesmerize. Manywho come near Immediately lapseinto hypnotic Euphoria and beginrecitation of the Beastie’sTrinitarian Doctrine:1) AIL are Equal in Ability (or: weare all Platos and Einsteins); (2) Wecan All Learn Anything if it isJatoken into Sufficiently-Small-Teachable-Packets (or: the theoryof relativity is a variant of LongDivision);3) Failures to Learn are Not theFault of Students, Much Less of theDoctrine of Mastery Learning, but of Teachers trapped in the Lock-Step-Teaching-Approach (sin, sin!)This Greate Beastie has tworather constant companions - Grade-Inflation and Falling-Standardized-Test-Scores. The former he lovesdearly and has espoused as areflection of our growing Equality.The latter he has attempted to kickto death by calling vociferously foran end to testing.Riders of this pedagogical HobbyHorse are numerous. Many publicschool administrators hoppedaboard long ago. At the reins guidingthe beast on his destructive courseare professors of education whoteach teachers about their failings,usually through methods other thanMastery Learning.I have met this Greate Beastiemany times in my years as ateacher. Being hard-of-heart, I havenot been touched by his hypnoticEuphoria or his happy Delusions. Iam, however, sensitive to hisodiferous Presence.Rosemary SchwedesBusiness School VictoriousgratitudeTo the Editor:I would like to personally hthe many University affiliateddivictuals who worked on theCacampaign. At a time when itorate apathy - particularly saiapathy - is viewed as a givenwjthe political culture, thisticipation was heartening to witaI am confident that the time!talent extended by UniversityChicago students contribasignificantly to the 3-1 Cartelmargin recorded in the 5th Wartwell as to the city-wide Cartertotal.Richard M. KriegPolitical syntaiTo the Editor:Acting upon the advice of abewildered acquaintances,lalike to take this opportuatjclarify the acutely insightful imeant inscribed beneath my pain Tuesday’s Maroon:Ford has had his chance atshowing, I hate to say, his truecolors, but as much as he cando. At least Carter still has apossibility.✓Swept away by the gusto of1976 campaign’s political ittmy sentence structure, eververy thought process becamebued with and reflects the pambiguity which markedcandidate’s statements thnwthe presidential race. What Itended to say was:Ford has had his chance atshowing — I hate to say JJtrue colors, but.. — as mudas he can do. At least Carterstill (offers) a possibility.Actually, I too held vestainterests in this campaign'PeanUtbU“fir Marti—Letter! policyThe Maroon encourages Its read#submit letters to the editor LettatFchanged or cut In any way, «* Jconstraints make It Impossible *>letters received to appear In printStarting SATURDAY, NOVEMBER 6...an extraordinaryBOOK SALE* Thousands of paperbacks for all interests... at 50% and MORE OFF regular prices* Excellent hardcover books from major academicand technical publishers... many at LESS-THAN-PAPERBACK prices* Beautiful and useful gift books... that everyone can affordtGET THE BEST SELECTION! Take advantage of ournew, convenient Saturday hours of 9 AM to 5 PM.UNIVERSITY OF CHICAGO BOOKSTOREGeneral Book Department5750 South Ellis, First floor 753-3311Your Bookstore charge, BankAmericard, or Master Charge, as always, is accepted.Tha Chicago Maroon Friday, Novombor 5. 1*70—5CommentThe Chicago Maroon : all the news that fitsBy STEVE ASK3N“FINANCIAL AID CUT FORFIFTH CONSECUTIVE YEAR”“LOAN DELAYS MAY BETOE LONGEST EVER”“STUDENT REPORT SPARKSRE-EVALUATION OF THECOMMON CORE”“UNION DROPS U OF CCLERICAL ORGANIZING DRIVE”Are those headlines news to you?They shouldn’t be. Each should haveappeared in the Maroon. None of them did.And the stones capsulized above are just afew of the many news items that theeditors of our oldest campus newspaperhave missed or misreported in recentmonths.Each of the past four Autumns I havewatched, with high hopes, as a new groupof reporters and editors come forward totry to make 'Die Maroon a betternewspaper. Each new staff has made bothimprovements and new mistakes.This year’s crop seem to be betterwriters than most. But I’d gladly tradethem in for a few illiterates with good newssense. Their writing skill is useless,because the Maroon consistently missesthe stories which most crucially effect thelives of is readers. Though the Maroonbills itself as the “student newspaper ofthe University of Chicago,” its recentcontent has made it look more like a twice-weekly press release from the ad¬ministration. No high powered investigative reportersare needed to uncover the stories theyhave missed. Some are commonknowledge on campus; others requireexercise of The Maroon staff’s collectivepowers of observation or careful readingand analysis of documents published bythe University and readily available toanyone on campus; still others could havebeen reported if Maroon staffers hadasked a few slightly probing questions of Uof C officials they have interviewed inrecent weeks.It took just a little bit of reading, andconversations with a few people who knowthe University well, to compile the list ofstories the Maroon failed to coverproperly. I don’t have time to do all thatpaper’s reporting for it, but I can illustratethe problem by outlining a few of thosenews items.FINANCIAL AID: This is among themost crucial issues for a majority ofUniversity of Chicago students. Yet theMaroon’s story on the University’s newbudget buries a cut in the allocation for aidin the 22nd paragraph. The story reportsas fact - without identifying the source - anadministration analysis which asserts thatthe cut in aid is an artifact of shifts inaccounting practices. It fails to note thatthe University has cut its aid spending,and increased tuition annually for the pasthalf decade.The story quotes an administrator’sstatement that tuition, adjusted for in¬flation, has remained roughly stable forthe past half decade. But it fails to notethat financial aid spending, adjusted forinflation, has dropped sharply, thus in¬creasing the cost of a U of C eduction. CLERICAL UNION: The campus-wideclerical worker union organizing driveground to a halt this summer. The Marooncovered that effort extensively in the past,and sometimes reported on the ad¬ministration’s intricate maneuvering toMock unionization. But the paper neverfound out, or never bothered to report, thatthat ongoing story has ended with theclosing of the Distributive Workers ofAmerica office in the Blue Gargoyle.COMMON CORE: This Fall, the Maroonhas already devoted two lengthy articles,and a sizable chunk of a third, to the stateof the Common Core. When PresidentWilson and Dean Oxnard told an in¬terviewer that changes are being con¬sidered by the administration and thefaculty, the paper diligently reported theirremarks. But it has never reported thecontent or existence of a student advisorycommittee report to Oxnard which helpedThe Maroon's reportingfailures would be badenough if they wereproducts of random acts ofincompetence. But theomissions cited above allfollow a pattern: they areevidence of the existence ofan editorial blind spotwhich blocks out most of theUniversity community. spur the current deliberationsreport, which discusses the Un!declining committment to what'the centerpiece of undergo'education at U. of C., went to tmittee of the College Co^February. One well-placed fmember has told me since that "ifthoughtfully done that we wereinto action. ” The Maroon has had athat report since last Spring, yetnever gave any coverage to the j'1raises until high ranking adspoke.The Maroon’s reporting failuresibe bad enough if they were 1random acts of incompetence,omissions cited above all follow a Lthey are evidence of the existence!editorial blind spot which blocks out Jof the University community. 1So far this year, The Chicago Ihas been written as if administraLthe only font of wisdom, as if officiaiJis the only news. If the paper is to sreaders, Maroon reporters will idevelop more respect for U of Ciand employees, they need to ooeyes a little wider to eventscampus; and they must learnbetween the lines of the press iissue forth from the second floorl]administration building.Steve Askin has worked as aeditor for newspapers in ChicS]Hand, Oregon; and Minneapolis, Inesota. He is currently a /ourttjstudent in the College and astudent government.There IS a difference!!!PREPARE FOR:MCAT® DATo LSAT® SATGRE • GMAT • OCAT • CPAT • VATOvtr 3 8 years of experience and success. Small classes. Vol¬uminous home study materials. Courses that are constantlyupdated. Centers open days <• weekends all year. Completetape facilities for review of class lessons end for use ofsupplementary materials. Make-ups for missed lessons atour canters.ECFMG o FLEXNAT L MEDICAL a DENTAL BOARDSFlexible Programs & HoursOur broad range of program*, provides an umbrella of lesfma knowho* that enables us to offer the best prrpar.ition avadabfe furtherimproving fhe md»vKJual course you ve selected(31?) 7G4 51512050 W DevonChicago. ILSpring, Summit & VVimer compactsMost classes 8 weeks before examOuts*de NV Sfate OnlyCALL, Toll FreeM#«or US C '*■%800-221-9840 EDUCATIONAL CENTERTEST PREPARATIONSPECIALISTS SINCE 1938St. Gregorof Nyssa>J Lutheran CartChurchFestival of All SaintsSunday 10:30 a.m.Graham Taylor Chape5757 So. University Ave.6—The Chicago Marooo—Friday, November 5,19761 m*t * UunaoL O yxaO THE POLITICS OFCHICAGOJEWRYDR. EDWARD IWURPROF, SOCIAL SCIENCES,CHICAGO CITY UlDEINSTITUTE OF THEcirv collegesNOVEMBERffl HIILEL5TI5 UOODLhUDN VERSAILLES>1541. Porch—torWELL MAINTAINEDBUILDINGATTSACTTVY 1 % AMO1% aOOM SVUMOt'$138^5225“Short Term"toted on AvailabilityAll Utilitiat tnctudadAt Campus But StopFA 4-0100 Mrs. Oroahj KYI EXAMINATIONSFASHION ETEWf A*CONTACT LINUSDR. KURTROSENBAUMOptometrist(9S Klmbacfc Plaza 1120* lost 53rd StreetHYde Park 3-1372Sales ManagementwithPROCTER & GAMBLE■ t tProcter & Gamble Sales will be at the University of Chicago-November 8—Placement Office, Reynolds ClubNovember 9—Placement Office, Reynolds ClubMr. Ken Taylor, a U. of C. Grad, will be representing P & G.If you are interested in discussing Procter & Gamble SalesManagement opportunities, please sign up at the Placement Office. Dorothy Smith]Beauty Salon5841 BlackstcHY 3-1069open 7 A M.-7PM.|Mon. thru Fri.closed SaturdayHair Cutting Wedgies-iTinting - Bleaching-Paonly the bestCal! tor appt.TAI-tfAM-1CHINESE-AVIWCAARESTAURANTSpecializing inCANTONISfAM|AMERICAN MOMEN DAILY11 A.M. TO MOW*.]SUNDAYS AND I' ,12 TOASOFAOrAorato131* Cost MUt*JANE LEE RESTAUSFAST SPECIAL LUNCMon.-Thursll:30 AMiFri. & Sat. 11:30Sun. 3:00 AM-ftCLOSED TUIS.643-3407131 BE. S3rd SIJ• Eye Examinations• Contact lenses (Soft 111• Prescriptions fiWDR. MORTON R..OPTOMETRISTSHyde Park 11510 E 55th363-6363r r»cn tOYW1^taJtThe Chicago Maroon's Weekly Magazine of Criticism and the ArtsThe State of JazzBag's OpinionfUMeLeBWIn* man came from Georgia and said,hv not the best?" And what I want to1 is why is that question being askedand less in jazz these days? There are’ rewards to be had if you look andhip. Anybody can get away withanything, for Boots Randolph'sAnd at least Boots knows where his(halftime at the Alabama-game). Not that I'm becomingSc for the hip things mat were goingduring my pre-natal period, mind you,note a definite lack of honesty andAlness in music that's gettingiice, acclaim, and money.(Regardless of the adeptness, virtuosity,adventuresome-ness of the acts thatayed the ECM festival last weekend atjndel Hall, I was left cold by the whole[fair. There was a lot of posing, a lot ofriousness, and a lot of pretention--andcious little that led one to accept theiise of the weekend as "an in-ational CELEBRATION (emphasisline) of international jazz." Take Enricova and his group. (Please.) Now, therei to be a dearm of jazz trumpeters in•world; some, even if they have feelingI ideas, fall down due to poor techniquel intonation. As for the people with the..well, truck on down to the Stateair and check out Doc SeverinsenFreddie Hubbard will follow shortly),hich is all to say mat I would have likedlike Enrico Rava: I feel starved for aumpeter, even one whose game mightbe all together. And a lot of what heayed was quite good. But the overallof the set was pretty dreary. Therei nothing going on within the group, norail concept to his music. Melodiesto wander aimlessly, aitnougnvery far from a conventional tone-jre. Some of Rava's free-jazztemporaries have been able to com¬plicate in an obscure musical structurety through power and urgency, butlis Rava, John Abercrombie and the|king rhythm section were unable to doivians may be good-looking andat in bed, but gawd they can't play thes'). The much-touted Abercrombieto be just noodling all night, andmuch too busy during the trumpets. The only section of interest in the seta samba-like piece-and that, to me,too much like McCoy Tyner'sl-waver, "Love Samba", where thejtensity level is at about ten times what ECM Friday Night:So What?Photo: Jim Schmitz Jim SchmitzRava and company ever got.Gary Burton, however, poses moresubtle problems. While, as I say, thereseemed to be precious little in the way ofconcepts in Rava's music, Burton has hadhis thing pretty well down for a number ofyears. First of all, one cannot help butadmire his abilities on the vibraharp: few,if any, can do what he does. He may deal in wandering, irregular melodic forms, buthe knows that it is necessary to resolvewhat one starts. The result is that somevery fresh-sounding things come out of hismusic, and he has the sense of a rockmusician who, when he finds a hip musicalphrase, milks it for all it's worth.Theimpact of Burton's music and pleasant on¬stage personality is not unlike that ofkan Luc Ponty: Varietyand CommunicationfJonMeyersohnWer a weekend of soft and wandering»Hevel electronic jazz at Mandel Hall, itj5 ’’•Ashing to hear a powerfully tightby one of the best progressiveclans, jean Luc Ponty, Wednesdayon the North Side. Ponty is playingay and Monday at the Ivanhoe (3000|Clark), and if your ears are still open to“' directions at loud volumes, the showWd be a definite winner. Ponty is awist extrodinaire who consciouslyhments with a number of styles. Hisis actually a series of short sections»i«d closely together by the fine playing,•and his band play electronic jazz/rock,me*°dlou» more traditional jazz,^Oht rock with a European classical*Wce music, and even a country*Pjc®. "New Country." Ponty has•wbing the American scene for[I*1* y®ars now, and has played with1 musicians, from Frank ZappaNovember 5,1*7* to John McLaughlin. He is decidedly opento new ideas, and comes across as amusician supremely comfortable with hisinstrument, yet puposefully aware of itsmusical possibilities.Ponty received a classical training in theviolin, and like open European rockmusicians, tends to lean towards a moreesoteric conception of rock. The Americancounterpart to this intelligence may wellbe Zappa, who in his eccentricity somehowmanages to play any style he is parodyingbetter than the original, Ponty's eclec¬ticism tends to make his show seemdisorganized, but if anything, he is still inthe planning stages of any new directions.After the show I talked with Ponty.Grey City Journal: What musical direc¬tions do you feel you're moving in?Ponty: Right now I'm moving away frommy immediate past and more toward myroots, which are in classical musk. I also(continued on page 3) Chick Corea's Return to Forever.Moreover, Burton gets along without thespace-age clutter of synthesizers,modulators, lyricons, and other suchoutrageousness. For all the humanaspects of his music, however, there is stillsomething very calculating about it. Thisis a criticism that's difficult to make fromthe live set, but over time Burton's recordstend to wear like clothes-which is to say,not well. Really, it's a music built on ef¬fects and not on actual playing. Thevibraharp is a very evocative instrument:it can be either somber or celebratory.However, after a certain point the notesthat are being played become important,and not just the density. At that point,Burton generally loses me. Interesting andcompetent as his band is (and, in¬cidentally, I hate to see Steve Swallow sofar in the background in his presentaggregation), it is still Gary Burton'sshow, and his facility and ultimately hisfacileness dominated the evening.I'm not saying here that man must liveby old Art Blakey records alone. Jazz canbe more laid-back, quiet, reflective,- artyif you will-and still be in character. It caneven exist in a shopping center. There's anexcellent example of this that every HydeParker can catch every Wednesdaythrough Saturday at the Kaffenio on 55thstreet. Listen to the guitar/flute and bassduo of David Bloom and Larry Gray: thereis considerable virtuosity there, plussomething that is often missing elsewhere.One feeis that there is actually musicalwork going on between the two of them.Put another way, there is a content ofsome depth in the very pleasant musicalform in which they are preforming. Bloomhas a tremendous respect for melody, andplays with unusual care, plus a sense ofurgency creating a tension that Graysupports and augments with almost im¬peccable taste and tone.It's getting cold and Lincoln Avenue is along way away. Plus, there's usually acover charge up there, drinks are ex¬pensive, and the food is lousy if it exists.The whole scene-the very fine music plusthe almost-unrelenting purity of theKaffenio decor-worked very well the nightI was there. In time, people might come torecognize that there's not much better inthe city. Remember: it's getting cold.Lincoln Avenue is a long way away. Mostclubs have a cover charge. Drinks areexpensive and watered-down. How manytimes can you see goddam Judy Robertsand Santez and Mighty Joe Luther KoKoWilbert Whatsisname's Blues Band? Notto mention Bonnie Koloc! Seriously-getover to see Bloom and Gray."A genius can't be a genius every night. It's better tohave a structured show and occasionally take off.With improvisation the musician has fun but it's avery egotistical way of playing."Qny City JournalThe “Rumproller”ECMBy M. NeustadtLetter from a rock fan:Dear Mr. Neustadt,First, I would like to thank you forturning over the space of your excellentweekly column to a few of us true enjoyersof music. I read your column each weekwith great interest but I cannot helpfeeling that you have sacrificed a certainamount of emotional involvement with themusic in order to develop your criticalskills. I hate to mention it, but myself andmany of my friends were aware of the factthat you spent most of this past weekendeither sitting in the third row asleep orbolstering your ego at Jimmy's.I understand that as a rock fan manypeople would question my own capabilitiesto review this past weekend, and I amcertainly not going to propose that themusic we heard was a pure extension ofrock music. But no one could question thatthe elements of rock were always presentto a greater or lesser extent, and I cancertainly make some contribution.The fools at the afternoon workshop whoseemed to think that because the musicwas improvised it was automatically jazzare incredibly nearsighted. Have theyforgotten about the Cream "Spoonfuljam"? And what about the GratefulDead's all night improvisations? Im¬provisation has been an important part ofrock music ever since its inception. If themusic we heard this weekend wasn't rock,it wasn't because it was improvised.I have to admit that I was more thanslightly disappointed with Friday night'sconcert. The sound system was much toosoft and I'm sure that much of thevibrancy of the music was lost at such alow volumn. The musicians didn't seemquite sure how they were supposed tobehave. Enrico Rava's stage presencewhen he was not playing was em¬barrassing to anyone familiar with concertmusic. Certainly the way an audienceapproaches music is affected by what themusicians exude. Friday night it appearedthat no one could decide whether to be arock musician or a jazz musician.One interesting thought did strike me asI viewed all those European musiciansplaying their music. I thought about theBeatles and the Stones and what they didin the mid-sixties. To American critics itseemed as if they were imitatingsomething wholly American, somethingtied to the blues experience. I will concedethat the work of the Beatles, Stones, andWho was a cultural rip-off, but thesegroups went on to create something muchgreater than the source. They developedan instrumental proficiency lacking inrhythm and blues and added elements ofEuropean music to create a synthesis ofincredible originality.Perhaps the ECM musicians are asecond wave! Perhaps once againEuropean musicians are using anAmerican form to create something ofgreater polish and creativity. It is tooearly to see exactly where this music isheaded but my theory should be kept inmind. The similarity between EberhardWeber and Jack Bruce is astonishing.Saturday afternoon's all guitar concert,as expected, was the highlight of theweekend. I'm not sure that it would appealto a jazz fan, but of course the guitar hasnever properly been a jazz instrument. Noone would deny that the most advancedwork produced on the electric guitar isproduced in the realm of rock. Who doesjazz have to compare with Jimi Hendrix,or Carlos Santana, Jorma Kaukonen, andJohn McLaughlin?The Pat Methany section, for all itsrehearsed virtuositi, was a little boring,but it was more than made up for by theTerje Rypdal set. Rypdal proved that hecould assimilate the work of all the pastmasters into an incredibly one might sayshattering guitar style. It was awfully niceto hear some music that was not sodamned pretentious, that was willing torock the house down. Goodness knows whyECM tucked such an exciting musicianaway in the afternoon concert.Saturday night was quite interesting, but1 must confess by that point I was morethan a little tired. The only musician to2 Grey City Journal really impress me was Eberhard Weberwho, as I said before, is the next greatadvancement over the groundbreakingwork of Jack Bruce in the sixties. They areboth essentially melodists and bothpossess a technical facility adequate tomeet their demands.In conclusion I would like to state howmuch I appreciated the chance to hear thismusic. Not all of it was good, that's forsure, but given time I could see becomingassimilated to the European pretensionsand Scandanavian classicism. I'm sure theBeatles sounded pretentious to one raisedon Little Richard. Now if they could onlyturn up the volume!—Omen PurdonMiles Davis "Nefertiti" Miles Davis,Trumpet; Wayne Shorter, tenor sax.;Herbie Hancock, piano; Ron Carter, bass;Tony Williams, drums.*****As much as "Kind of Blue" spawned thefree jazz movement of the sixties, will thisalbum, just released on Columbia recordsaffect a new movement waiting in thewings. One cannot listen to the first eightbars of the opening title track withoutrealizing the importance of "Nefertiti."Miles Davis has defined a new concept ofsonority which will be more than topicalten or even twenty years from now.As with all of Davis' albums, the per¬sonnel is of the highest quality. But insteadof allowing each member of the group arather free rein with improvisation, Davishas insisted that they all become unified inthe expression of a mannerism, a greatmannerism which speaks clearly to thetired ears of the present time.Most of the compositions on the albumare not based on traditional chordprogressions but on thematic cadenceswhich are applied to circular mutations ofchords. The cadences are played over andover again the entire length of the piecewith soloists alternating the lead voice. Itis a revolutionary concept which appearssimple on the surface but in the executiontakes on a thrilling richness. Sonority iselevated to the level of art.I would certainly not expect this theoryto be widely applied for it is not in thetheory, which is childish and limited, butin Miles' brilliant execution that itbecomes meaningful. But the idea ofemotional serenity achieved throughpleasant repetition certainly has its placein modern music. What this record ex¬presses so well is not any concept but amood of calm.There is a rumor in music circles thatDavis' next album will utilize electronicinstruments and I would not be at allsurprised. Electronics allow an arrangerto synthesize many basically differentsounds into one homogeneous whole. Anelectrified sax sounds very similar to anelectric guitar, to an electric bass, to anelectric piano. This would appear to be alogical avenue for the ideas expressed inNefertiti.Letter from a jazz fan:Dear Mr. Neustadt,I remember last Thursday night atJimmy's joking with you about howworthless this whole ECM extravaganzais. Unfortunately, these men cannot bedismissed as easily as we thought. Evenwhen the music wasn't very good, theyproved that they can play well.Friday night was an interesting warmupfor the music to come. There is no way oneacquainted with the work of Miles Davisand Freddie Hubbard could not see EnricoRava's music as derivative. UnfortunatelyRava doesn't seem to have the lips or thelungs necessary to sustain the energywhich Miles and Hubbard achieve so ef¬fortlessly.I was so wilted by Rava's set that eventhe cool professionalism of Gary Burton'sgroup could not arouse me. I thought it waskind of interesting that Burton used twobass players neither of which had anydesire to play anything faster than quarternotes in the ensemble passages. It wasevident from the questions asked at the workshop the next day that most youngfans of this type of music don't understandthat traditionally bass players are allowedto rhythmically improvise. As a matter offact, they don't understand that there issuch a thing as rhythmic improvisation!The workshop did prove veryenlightening. I had to giggle when PatMethany explained that his compositionentitled B&G was exactly that: a single riffusing the two chords B and G. All threepieces which were explained make theblues look like a complex progression ofchords. These guys are unquestionablygood musicians but they certainly make iteasy on themselves. They don't even haveto know turnarounds.The great confession of the workshopcame from Mr. Swallow who explainedthat he hadn't even met some of themusicians on his recent LP. With candor inhis eye he said, "Actually the whole albumwas overdubs." I wasn't sure that I wasnot still in the Chicago Festival of Comedyand perhaps this was just a sick joke. I doappreciate levity, especially early in theafternoon, and when Eberhard Weberplayed his waltz I even tapped my foot.The afternoon guitar concert is best leftto those with rock in their souls, for thejazz man there was little of interest. PatMethany played pieces heavily derivativeof the worst in Baroque music and the bestin American folk music. I couldn't help butthink of Charlie Byrd who certainly doesthis type of stuff better than Methany andhas always been considered a sort of freakby many jazz fans. I couldn't believe ayoung audience would take to such apabulum sound, but they lapped it up.The Abecrombie-Towner duet sectionwas much more revealing as they aremuch more proficient in the production ofMuzak. Although I'm sure a classicalmusic fan would not claim this stuff I mustthrow it into his ballpark. It certainly hasno place in jazz. Neither Towner norAbecrombie seem to be able to conceive ofa harmony more sophisticated than aminor seventh, and neither has ever heardthe word syncopation. How can all theseintelligent U. of C. students enjoy some¬thing so bland and tasteless? At this ratethey will be listening to the beautiful musicstations by the time they are thirty.Saturday night was easily the mostentertaining concert of the weekend. Thefirst group to play was Eberhard Weber'sColors featuring Charlie Mariano.Mariano is a bad choice for the band as hedemonstrates the ungodly dullness of therest of the band. Besides his own solos heput on a silent show the likes of which Ihave never seen. When the electric pianoplayer began to solo, Mariano who wasobviously bored began to play along. Hedidn't actually blow into his sax, but hefingered the exact notes the pianist wasplaying. It was obvious that he had heardthe same solo so many times before that heknew it by heart. He did the same withWeber's solos except when he would add alittle embellishment of his own. Marianosilently put everyone else in the band in hisplace.Steve Kuhn's set was so pleasant in itsmediocrity that no comment seemsnecessary. I would rather skip right to theDejohnette set.Dejohnette displayed the finest regardfor Albert Ayler I have ever heard. Buthow many people in the audience evenknew who Ayler was? When Dejohnettechopped his jaw and let out a deep un¬controlled vibrato I almost shouted withhappiness. The rest of his set, althoughexcellent, falls away from that moment ofsheer beauty. I turned to the person next tome and said, "Do you know what he'sdoing?" and of course she didn't. It's timesomeone paid tribute to Albert Ayler and itwas worth that whole long weekend just tohear it.James Mayor MorrelA Lecture by Professor Kitzler:Good evening class. Tonight we open oursecond series of lectures with a discussionof a figure in jazz who has gone almostcompletely overlooked in the manylearned treatises on jazz history. By thistime In the course you are fully aware ofthe importance of a proper historicalperspective when dealing with jazz and Iam sure that I will have no problem con-. . and so we see that improvisation is not anessential element of jazz." A Hodier vicing you that the figure I have chosentonight's discussion is as important!proper understanding of jazz as a 1sideration of the directional microoho^?For the lack of a better term |*S;entitle this figure the producer, tut ttSnot to say that he is any nobody^manages to have his name appear»record jacket. I am talking about a nr!and powerful figure of which there h*only been four or five in the whole histSof jazz. JAt the head of this profession stan*man who occupies a throne consumjwith that of Louis Armstrong in the realof the trumpet. That man is NormGranz. I do not have time to go into tpersonnel history of Mr. Granz, it js (public life which interests us here.In the forties, Norman Granz beganseries of concerts entitled Jazz At TPhilharmonic. He was able to attrmusicians the stature of Charlie panand Lester Young to his fold becausedemonstrated a sincere desire to obtain ithese artists the financial return wMthey rightly deserved. His list of starsualmost endless: Billy Holiday, gWebster, Bud Powell, Roy Eldridge.OiiGillespie, Johnny Hodges and many morUnfortunately Norman Granz beu^one thing above all others. That was: gthe public what they want. One Frertheorist has suggested that Norman Gr<actually possessed some small amounttaste but there is no evidence to that eftand we will have to dismiss his theoryunfounded. This desire to please the putled Norman Granz to augment his groutstars with less serious musicians«appealed to popular conceptioiFrequently these musicians had noartksensibilities at all, as is the case aOscar Peterson and Buddy Rich. Othwere mediocre talents who were willingbecome mere crowd pleasers i.e. EFitzgerald.Because Norman Granz held his dinterests above those of the artistsbegan to combine the fine musicians nthe no talent crowd pleasers. This wasbto elevate the stature of the bad musiciiand dampen the frequently unpopucreativity of the good ones.Granz was once quoted as saying,")may tell me Bud Powell is a better pi«than Oscar Peterson, but Bud Powell cifill a concert hall." This may strike ywinsanity but we can no more disrrNorman Granz to the ranks of the insthen we can Dizzy Gillespie.I would play for you some ofrecordings Granz made in the forties)fifties but I am afraid that the soundthese records might cause depressand/or outrage in the hearts of our mserious students.The main thing which Morman Grtaught producers was: if you want torecords, cultivate a stable of popsmusicians and package an easrecognizable sound. Then if you wanlelevate your stature by recording a ijazz artist, you can back him with«known mediocrity which the public iidentify with. CTI went slightly too fathis direction and ended up incurringwrath of even the popular teenage marlGranz also taught the financial viabilitthe jazz festival as a way to elevatelesser known members of one's stable1level of fame.The three imperfect examples ofGranz philosophy are CTI, ECM, and INote. (Notice that two of these compatake their producer's initials as titles.]course now that Granz himself is bunder the name Pablo records, ilquestionable whether the other compacan survive. Granz has proven that I*still the king by charging a dollar isthan normal list price for his recordsissuing the most tasteless recordingever bear the Montreaux name.It is hard to imagine what jazz wouklike today without the presence of menGranz and his disciples. It would proNlong have departed the realm of pop]music which it fries so hard to f*ee. Bidare too short on time for ejspeculation. The Granz's of the workexist and rest assured that if we leftroom with the intention of assassin*every one, replacements would sprWin their place.Your assignment for next week *listen carefully to Count Basie's complbehind Shad Collins' solo on the F®1939 Decca recording of "Oh LadyGood" and then re-evaluate every*you ever thought about Thelonius WGood Night.(continued from page 1)fyn with the violin, which ismuch electronic ex-JL The part of the show ISy enioy is when we stop toto do 3 fc* m,nutes °* pure e,ec*Jouftd.what does the electronic ex-for the show?, toil it strikes a great balance. It's^Ssity, but it is a bridge; it givesto the playing. The experimentalTf ike a dream, a trip away from;',-t know what you feel or see.rttat kind of market do you thinkfor your kind of jazz?That's very funny, because I don'tmySelf a jazz musician, I have, jazz influences from Americanmusicians like Coltrane and Milesbut also from American blues. Iteamed these languages, and I usein my experience, but I have my> foots, which is my background.How would you describe your music,as jazz or rock?• My music is very hard to describe,are some elements from jazz, aularly certain rhythms. From rockfind that progressive rock uses GCJ: Who has influenced you in yoursearch for this variety?Ponty: Well, everyone from Hendrix toStravinsky and Bartok. I listen to muchFrench music; Debussy and Ravel.GCJ: After seeing a recent ECM festival, Ifelt American musicians seemed superiorto the Europeans.Ponty: Jazz is the American idiom, andthey are finer musicians. But not all. Yousee, styles and sounds remain the same.You said that my guitarist (Daryl Stumer)sounded like Zappa on the wah-wah; wellthat's because that is a particular sound.Only Daryl is one million times better thanZappa.GCJ: As a classically trained musician,how did you make the transition to jazz?Ponty: It didn't happen overnight. I playedin a symphony orchestra while jazz wasstarting to make it in Paris. There weremany clubs and I started jamming around.Three years later I decided to leave thesymphony orchestra. I found jazz moreexciting. Classical music can befrustrating, as the mentality of classicalplayers is static. The orchestra and theconservatory were a factory with skilledworkers; few were still true artists. In jazzthere is a common passion.GCJ: Do you notice the divisions inAmerican musical styles?GCJ: How much improvisation do you donow? EwartConcertBy Theodore PankenPonty: As you can see in "New Country" Iam trying to get a country style. I haveplayed in Nashville and Texas, and thereactions there were very good. As for theeast and west thing, players on the Eastcoast have more fire. They're more laidback on the West coast. But I think that'sall changing as musicians travel more andthe energy communicates more. In theend, it's the music of childhood that is themost influential. Right now I feel an af¬finity with groups like Yes, and the(defunct) Soft Machine, becausemusically they have had the samebackground as me. Douglas Ewart and Soji Adebayo, twofar too little known creative Chicagomusicians performed last Sunday at theMuseum of Contemporary Art. The musicas in most productions associated withEwart, was rhythmically complex, im-provisationally creative, and thematicallycoherent."Mao's March" began with dense tex¬tural themes by Soji on piano harp andEwart on gong and tenor saxophone.Ewart followed with a tenor solo, usingprecise staccato, "pointillistic" phrasingand a biting tone to emphasize melodicvariations. Soji's piano accompanimentcreated the effect of a drummer'spolyrhythms; in his subsequent solo, heutilized the entire octave range of thekeyboard while elaborating the texturaldynamics of the theme. He was supportedby Ewart's interesting rhythmic patternson "small instruments.""Ripples and Rumples" was a per¬cussive tour de force for piano and variouspercussion instruments, emphasizingsonic variation. Ewart's "Pamita"followed, a hauntingly elegiac ballad in thetradition of such AACM masterpieces asKalaparusha's "Humility in Light of theCreator." Ewart made an impassionedstatement on tenor, accentuating themelody with Booker Ervinish wails andBen Websterish growls.Ewart's bass clarinet work began"Tribute to Our Motherland," a simple sixnote theme with unexpected potential.Explorations of the theme were layered bya variety of overtones. The finale, "MusicFor Today and Tomorrow" had a somnabulatory quality, as evidenced by thereaction of this reviewer, who dozed off. Iwas occasionally roused by the soft strainsof Ewart on bamboo flute and bassoon. Myreaction should be taken as a reflection onthe limitations of my physical constitution,not on the merits of the performance.I was unfamiliar with Soji's art, and canenlighten the reader no further on thepublic aspects of his existence. In thedemanding world of collective im¬provisation, he tended to play backgroundto Ewart. A technically excellent andimaginative musician, he should be heardin solo concert. For Ewart, there can be nosuperlatives that adequately describe histechnical proficiency, and his creativeexploitation of wind instruments. Heseems to have eliminated a prior tendencytoward tentative noodling during im¬provisation. Those unacquainted with hisart should hie themselves to 1529 N. Wellsat midnight some Saturday evening in thenear future to hear him with the FredAnderson group. {This had better bq done soon, as Ewartwill soon be off to Ne^ York, and will servethe Apple's august critics as the latestdiscovery from Chicago.Ponty: Not so much as I used to. For awhile I had a band and that's all we did.What happens is that you become lost inthat. After all, a genius can't be a geniusevery night. It’s better to have a struc¬tured show and occassionally take off fromthere. With improvisation the musicianhas fun, and so do the few people whounderstand the music, but it's a veryegotistical way of playing. I stopped doingpure improvisation because I wanted to bea more organized musician. If I choose togo on the road, and not sit at home andplay, then I feel that part of my role is tocommunicate to people. It's stupid to tourand play to big audiences if no one canunderstand the music. Communication;that's what going on the road is all about.as a classicalhen I was five,the symphony orchestraa factory with skilledfew were still truecal music in its own way. Basically Iariety, which is why my show hasdifferent aspects. I started as acal violinist when I was five, and Ilever abandon that. My greatestis to achieve a spectrum of sound.Say“I will”to theIRREGULARDEMOCRATICPARTYSponsored by theMajor Activities BoardFriday, Nov. 128- 12 p.m. Ida NoyesAdmission $1: Republicans and IVI $1.50Free with Activities Fee and Campaign ButtonCofeehouse, dance and much, much more"This city ain t ready for reform ” For a New NovelBy Gwendolen CatesDuring the French Contemporary ArtsFestival, Alain Robbe-Grillet lectured, inFrench, at the Oriental Institute on "orderand disorder in the contemporary novel."Robbe-Grillet is the most prominent figurein the revolutionary "New Novel" schoolof literature in France. Actually, theschool might more appropriately beconsidered post-adolescent, as it wasconceived about twenty years ago. Likemany of the New Novelists, Robbe-Grillet's first career was not that ofauthor. He started out as an agronomist;only in his thirties did he begin writingprofessionally.Among Robbe-Grillet's written worksare Jealousy, Le Voyeur and Essays for aNew Novel. He wrote the scenario for thefilm Last Year at Marienbad, and haswritten and directed a number of his ownfilms. Three of his movies accompanied traditional literature. Theprovided with a pair of eyeswith omniscient perceptions MpJ?’observation, not in the intert *"those observation . As a ccRobbe-Grillet's style has oft*Tdescribed as cinematique wphotographic. Common, r*wobjects and images, by virtualfamiliarity, are used to convey , |unfamiliar ideas and images Th«— a broken glass, rows ofphotograph — are meticulously tto insure the substance of theirtransiency. They are emhimechanisms that order the messai'!not the objects which are imiylstates Robbe-Grillet. "Their signilis relative to the probability ofmeaning for each reader. . .the r*placed in front of an empty space«A..him to U. of c.: L'Homme qulL'Eden of Apres, and GllssementsProgressJfsdu Plaisir.The "New Novel" is a self-consciousattempt to examine the organization andpurpose of traditional literature and film.There is a stylistic and compositionalintrospection which frees the reader, andthe viewer, from assumed truths that areargued to be the stagnant attributes oftradition. Familiar referents are pointedlyabandoned. The orderly measurements oftime and sequence do not exist. Imagesthemselves are fluid. In order to un¬derstand and appreciate each novel orfilm, the audience must accept the lack ofimmediately recognizable structure anddelineations.The protagonist in Robbe-Grillet'snovels observes not only for himself, butfor the reader. He presents both contentand context. This is the principal distinc¬tion between the New Novel and create. When the book is finished heiito arrange a new order in the...there shouldn't be a truth willtext." The freedom given to the iitself the message. "You can'tyourself from ideology," savsGrillet.In his lecture, Robbe-Grillet discthe existence of order and disorder,!can be described as established!...,,appear to give true meaning to perciDisorder is the apparent disrupt,coherency. Robbe-Grillet views theflict as a dialectic that is both vihcreative. If the relationshipstatic, it is then uncreative and p..destructive. "Established orderpretends to be natural, just, andu....like a divine law. The order in myis neither more nor less naturaltraditional order. It is an order crthe story itself."By Mark BiggsMany's the time I've heard it said that"man does not live by bread alone." Norshould he, for such a high carbohydratediet wreaks havoc on both body and soul.Indeed, in these dreary days of soybeanburgers and frozen pizzas, it has becomeincreasingly difficult to satiate the palateand revive the spirit. One of the surestsolutions to this epicurean dilemma andquickest avenues to a gourmet's delightlies on Chicago's Near North side, at 1150Dearborn Street. Here stands statelyBiggs Manor, home of fine French cuisine.Here, fireplaces flicker dimly in thebackground while delectable dishes ap¬pear one after the other in smooth suecession amid candle lit tables. And best ofall, here in the semi seclusion of small,tastefully appointed rooms the diner mayfinger over each course and savor everybite, paying the due respect his fooddeserves.For over sixty years prior to the Mansion's transformation into today'srestaurant, Chicago's elite enjoyedsuperior service within these portals. Onlyfor the past ten years has the rest ofChicago dined in quiet elegance at Biggs.Yet, now perhaps more than ever "le bonvivant" fills these rooms as people enjoyfine dining.Today as in the past, Biggs' sports one ofChicago's most renowned, well stockedwine cellars. In this appropriately deep,dark, and (with some imagination) dankdungeon, you even occasionally stumbleacross a Chateau-Haute Brion 1947, or astray cask of amantillado.As there are no menus, when your waiterpresents the day's choices, you may ex¬perience some momentary confusion,simply because every dish sounds sopalatable. But, delectable as everything infact Is, eventually you must choose. And oh!, what sweet agony it is fordecide between appetizers; betweentichoke hearts dipped in warm,butter, fresh Nova Scotia salmon inilemon sauce, or sauted chicken livsimmering in white wine. Your tastelthus tantalized, a delightful aroma Itickles the nose, as your waiter ibearing the steaming soup du joir. 1you may forget the complicated!this rare marvel, the full-rich flavorosplit pea and tomato puree willforever indelibly imprinted uponpalate. Still glowing from thispotage, the next dish to appear isfreshly tossed salad. Designedpliment not to mask the crisp greenstaste, your dressing is prepared fold family recipe using safflowertarragon vinegar, and tangy blue <Titilated by this unusual combinatkmellowed by a Baron de Rothschikyou are ripe for the opportune anyour entree. You may have orderedlthe house's specialties, the rareWellington, or the roast rack of Iantwo. Or, being a bit more risque, younjust feast on one half of a crisply Iduck swimming in orange sauce,brazed sirloin tips with mushrowine sauce served over a bed ofshaven wild rice. When you'veevery last savory morsel of the <are greeted by the welcome sight ofau-lait, a fruit tray, and solidchocolates. Though by this time youhave to surreptitiously loosen younyour choice of a sweet still re ‘your gourmetic ardor has cooled,'try a creme^de minthe parfait, oridescribeably sublime chocolateOr, if you're still inflamed, why noliup in a firey flourish with cherriesiau flambeau?Having reached the closing stagemarvelous meal, it would certainlyshame to leave with a bad taste *mouth. Realizing this, Biggs'final pleasing dish, your bill, wj®below $12 per person, excluding W*wine. And in today's inflation fiiwjfor this price a person mightJ*spread his bread around a little ***an elegant meal at Biggs.4 • Grey City Journalare a lot of good films on campus"2k ^ to mention the opening of thel'rhicago international film festival,^•nflthis Friday through November 18,Sval will be offering 70 separate"Lilts at the Uptown (4816 Northf[ay) and Biograph (2433 NorthSni theaters. Tickets can be purJdatall Ticketron outlets, the UptownUoaraph box offices and the festivalB located at 415 North Dearborn, 3rdChicago 60610. For further in¬nation call 644-3400..Mission to Doc and CEF fjlms, shown[fflbb hall (except for The Passion ofArc which will be shown Sunday inJ. lienees 122), is $1.00. Admission toNAM films , shown in Cobb hall, andinternational House films, shown in I•auditorium, is $1.50.; films presents: Alice Doesn't Live^Anymore (1974), directed by Martinrcese. If you missed I House'smentation of this work last month,re's your chance to see it again. Ellenyn stars as a young widow whoams of a piano bar, a sleek clingingtit to hug her curvacious body, and aJnwho can call her his own. Unjustly^sed by many as a film of femaleration and independence, it is much• a film about a woman who is lonelyyearning to be dependent uponneone. Alice is a serious portrait of onenan and it is with this attitude that thei is entertaining and successful. WithyinLutter III as Alice's Woody Allenishn, Jodie Foster as a Ripple-guzzlingnk, and Harvey Keitel as the Wrongi.Kris Kristofferson plays Mr. Right, aof the Kennedy boys, the bountifulrican soil and truckstop waitresses,nmended. Friday at 7:30 and 10:00.i Seven Samurai (1954), directed byra Kurosawa. John Wayne and Clintflirty Harry" Eastwood in Imperialistjn, complete with two meter samuraird (the most powerful cutting weapon(the world -slice your head off with one(lack, punk). Words can n'er express theer of this work. A must see. Sunday atLineup (1958), directed by DonI. Doc says; An investigation of awith no inhibitions, an addict with a(I bug habit. The car chase at the end oft film is one of the best chase sequencesfilmed. Starring Eli Wallach.day at 7:30.ill is for Heroes (1962), directed bytSiegel. Steve McQueen stars as Reese,ullen and rebellious American soldier(tag WW II who is demoted forkenness and sent back to his outfit ingium. Although their instructions arerely to hold their position untililacements arrive, Reese realizes thatcan no longer continue to fool theins, and he leads an unauthorizedThe raid is unsuccessful andis slated for court martial. In the• he is vindicated by his selfless and^ic actions. A very good war film. WithDarin, Fess Parker, Bob NewhartJames Coburn. Recommended.iyat9:15.ty'able David (1921), directed by Henry“ Richard Barthelmess is forced tothe duties of running a rurall,d after his father suffers a fatal(and his brother is crippled by Iscahum, fugitive from justice. Because ofmother's fear, Barthelmess forgoesfor his brother and is branded aby the villagers. Forced to carryJJ-S. mail in the Virginia mountains,elmess finally proves himself aI’V success to the brother whom heI™ With Gladys Hulette as thehe loves, Walter P. Lewis as theIscah, and Lassie as "the dog."1 by Easy Street, a Chaplin short,ay at 8:00.goffers: Dirty Harry (1971), directedSiegel. Talkative Clint Eastwood"n«1i??tect,ve Harry Callahan (known«ny Harry" because he is given thelobs) in this film about revenge*°»ence. in tracking down a madScorpio, Harry forsakes^ norms for his own personalhrL • wice' Cop and crook becomeT'jjwable in this hauntingty violenti-abelled as a "right-wing fantasy" by several critics, Clint Eastwood provesthat a .44 Magnum is a man's best friend.The best of its genre but definitely not forthe sqeamish. With Harry Guardino asLieutenant Bressler, Reni Santoni asChico, Harry's right-hand man, and AndyRobinson as Scorpio. Saturday at 6:90 and10:30.Johnny got his Gun (1971), directed byDalton Trumbo. Dalton Trumbo's firstdirectorial effort based on his 1939 novelabout an American doughboy who looseshis arms, legs and face in the first WorldWar. Surgeons keep the boy alive,believing him to be completelydecerebrated. But the mutilated youth canboth think and feel. He trys to recollectpast events and permits dreams andnightmares to intermingle to retain hissanity. Finally he is able to speak to anurse by using his head to feebly tap outmessages in Morse code. With TomothyBottoms as the soldier, Jason Robards ashis father and Donald Sutherland as acard-playing and all-too-human Christ.Saturday at 8:30.The Passion of Joan of Arc (1928),directed by Carl Dreyer. The Danishdirector used a cast from the ComedieFrancaise in this film about the last eighthours of the life of Jeanne d'Arc. MariaFalconetti gives an excellent performanceas the Maid of Orleans. There is littleaction or written dialogue but rather facialexpressions virtually tell the story in thisexcellent silent. Highly Recommended.Sunday at 8:00 in Social Sciences 122.Mutiny on the Bounty (1935), directed byFrank Lloyd. The epic film about mutinyon the high seas. After discharging itscargo in Tahiti, the Bounty is sailing homewhen Christian, the second in command,leads the mutinous sailors and seizes theship. The ship's apt but savage LieutenantBligh is set adrift in the mid-Pacific with18 loyal men. While the mutineers put backto Tahiti, miraculously Bligh takes hisopen boat 3,600 miles to the Dutch EastIndies. Charles Laughton gives an in¬credible performance as the sadistic andbrutal Bligh. Clark Gable is the rebelliousMr. Christian, Franchot Tone is thehumane midshipman Byam and DudleyDigges is wonderful as the royally drunkship's doctor. Highly recommended.Thursday at 7:00 and 9:30.international House offers:Closely Watched Trains (1967), directedby Jiri Menzel. A subtle sort of sardoniccomment on the slowness with which theCzechoslovakians become aware of themenace of German munitions and trooptrains, given priority passage throughtheir occupied country during World WarII. The film is primarily a folk comedyabout the embarrassments of a youthcoming of age in a peculiarly innocent yetwordly provincial environment.Recommended. Saturday at 7 :15.Loves of a Blonde (1966), directed byMilos Forman. The director of One FlewOver the Cuckoo's Nest bestCzechoslovakian work. A hopeful shy girlmeets an off-beat young Prague pianist ata dance in an all-girl factory town. Thefollowing weekend she goes up to Pragueto find him after he has abandoned her,and gets mixed up in delightful confusionwith the pianist's father and mother intheir tiny apartment. It is a human, truebut understated story of the romantichopes of its heroine, beautifully portrayedby Hana Brejchova. Recommended,Saturday at 9:00. -Karen HellerSecond City Player's Workshop willpresent THE NEW SHOW at 11 am inAAandel Hall on Saturday, November 13, aspart of the Festival of Fantasy. CourtTheatre sponsors this children's theatreseries for children ages 4-12. Admission is$1.50 at the door. MILTON FRIEDMANwill autograph copies ofhis bookThere*s No Such Thingas a Free Lunchat theUNIVERSITY OF CHICAGO BOOKSTORETUESDAY, NOVEMBER 9, 19765750 Ellis Avenue2-3 PMrefreshmentsthere'sNO SUCHTHINGAS A FREELUNCHMILTONESSAYS ON PUBLIC POLICYIncluding Milton Friedman's Playboy interviewPUBLISHED BY OPEN COURTGrey City Journal - 5Alex and the Gypsy: Hollow Roles Charming WitBy E. Torsten YoungquistAlex and the Gypsy/ is a bittersweetromance that starts with a very good ideabut goes steadily downhill to a sadly patending. The film chooses to emphasizememory and incident at the expense ofcharacterization and logical development.Seen purely as a Jack Lemmon vehicle, itworks fairly well, as it is his kind of film: acomedy/drama that allows him freedomto exercize his ironic and mildly absurdistwit. However, Genevieve Buioid is sadlymiscast as Maritza, the gypsy girl, Sheseems disinterested and unable to give thecharacter much more than the onedimensional the script calls for. The onlyreasons for seeing Alex and the Gypey areif you're a Jack Lemmon fan, or if you aresuch a fan of Genevieve Bujold that youare willing to see her in this limited role.Alex and the Gypsy should have beenmade in the forties: done correctly, itwould have been a perfect vehicle forBogart/Bacall, a team that excelled instories of cynicism and lost faith. AlexMain is a bail bondsman, a man who liveswithout faith. To him, everybody is acalculated risk. Into this cynic's worldcomes Maritza, a gypsy girl who had lovedand left him years ago. The idea is classic;she is in jail and asking him to bail her out -a true test of his code. In doing so, he putseverything on the line; his money and histrust. If she jumps bail he loses what littlehe had of either. Unfortunately Alex andthe Gypey ignores the great potential ofthe story, choosing instead to wander amidold memories and to pit Lemmon andBujold against each other. It ignores thepossible development of their relationship on a growing understanding of what itmeans to trust someone. He had neverreally trusted, while she never could betrusted. This play of opposites had greatpotential. Unfortunately, what remains isa mock battle in between the love scenes.Alex is constantly thinking of novel waysto keep her from running off, while shespends her time waiting for the propermoment.The plot line is reduced to onesterile question - "When will she make herbreak?"Alex and the Gypsy belongs to JackLemmon, for he gives it its life. It is to hiscredit that he is able to pull together thecharacter of Alex amid the barrenness ofthe story line; his soft-boiled cynicism fitsthe part well. He brings Alex the samekind of vitality and left-field view of thingsas Jason Robards brought to Murray in AThousand Clowns, only in a slightly moresarcastic way. There is even one line takenfrom A Thousand Ckwms - he asks Maritza"six years ago you went downstairs for acheese sandwich. How much longer wouldit have been if you had wanted it grilled?" Jack Lemmon is less an actor than apresence, a voice and a wit that are per¬fectly suited for lines like that.Lemmon does a good job with thecharacter of Alex, yet the plot stops himhalfway. We see Alex the cynic, the comic,the lonely man, yet we are never witness tothe changes that produce the sudden Alexof the ending. We see what he was andwhat he finally becomes, but we don't seehow or why. In the context of the film as awhole this is a fairly minor criticism,because his final actions are not com¬pletely out of character. The potential forsuch sudden action was always there, andsurfaced only when needed for a happyending, following strict Hollywoodlogic .While the film rightfully belongs to JackLemmon, he gets it partially by default.He certainly has no competition fromGenevieve Bujold, who is saddled with arole that not even she can salvage. Whileshe certainly looks the part of themysterious and sensual Maritza, she iscalled upon to do little beyond just that.The character of Maritza is fuzzy from beginning to end, passing off ayDSuand a strange accent as c!wdefinition. Genevieve Bujold af*1better. It is sad to see her talentsthis kind of plastic role. 9Without any logicaldevelopment, the ending of AJex l?1Gypsy comes as a shock, albeit a vS!one. After fully an hour of tlMaritza's desire to escape, Alex ^frees her. This action is shockirwmuch in its logic as in its suddenness.’gives it a hollow ring, as if the haoJding had been tacked on by the stuff?sudden ending is symptomatic of tjias a whole, for instead of a coherentfocused story line, we get a serandom ordering of memories antcidents. The memory sequences actawork fairly well, giving apoignancy to Alex's desire toMaritza.The real hindrances in Alex andGypsy are the many incidents that ia poor substitute for story line; ins,enlightening us about the charactenLserve only to confuse. Instead of a set*]time passing or of impending m'(Maritza must go back to jail in four!we have what seems like one long,crowded with incidents that are 1tangential to the main plot, or ifhappen to be relevant, aremisplaced.Essentially, the entire film is anu*for Jack Lemmon's wit; he is thatsaving grace in a string of missed iportunities, of characters that might!come alive, and a story that could Ibeen great.By JohnLanahanThere are times when I think Westerndrama took a turn for the worse when it"outgrew" commadla del'arte. No otherdramatic style makes the dichotomybetween literary and theatrical valuemore obvious. On the literary level theworks are the worst, most hackneyedcliches of a comic plot: boy and girl loveeach other, girl's father doesn't like boy,girl's father sets her up with some richidiot, girl hates idiot, boy outwits girl'sfather, and boy and girl get each other.Usually the girl's mother, or step mother,or nurse, or the boy's servant, are alsohelping the boy and girl to get each other.On 'the theatrical level, however, corn-media provides a veritable dramaticgymnasium for improvisation. Since theplot is so stupid that even an actor canfigure it out, the cast and the director have Ridiculous Improvisationan almost limitless number of ways ofgetting from point A to the inevitable pointB.The Ridiculous Bag, the final offering ofthe International Centre of TheatreResearch, was billed as a collection ofscenes from early works by Moliere. Itwas also a collection of scenes fromnumerous commadla scenarios, which iswhere Moliere got them. I do not mean thisas an attempt to downgrade Moliere—after all, what is Tartuffe but the standardcommedia plot, different only in that therich idiot is, in fact, a poor and intelligentscoundrel. Or, to mention another greatwho borrowed from commedia, what isRomeo and Juliet but a commedia plotTHE CHICAGO THEATER STRATEGYPresentsSYLVIA PLATH:A DRAMATIC PORTRAITAdapted By Barry KylePenelope CourtCamilla HawkMarge KotliskyAt The Body Politic, 2261 N. LincolnThursday and Friday at 8:00 pmSaturday at 7:30 and 10:30 pmSunday at 4:00 and 8:00 pmReservations 871-3000EXTENDED THROUGH NOVEMBEREXTENDED!!EXTENDED!! / t ’L - / {OJ SALES withservice is ourBUSINESSREPAIR specialistson IBM, SCM,Olympia & othersFree EstimateAsk about ourRENTAL withoption to buyNew & RebuiltTypewritersCalculatorsDictatorsAddersU. of C. Bookstore5750 S. Ellis Ave.753-3303MASTER CHARGEBANKAMERICARD ft£6 i +t T that goes wrong in the third act with thedeaths of Mercutio and Tybalt? So muchfor rhetorical questions. The RidiculousBag, from a "cultural" point of view, of¬fered the audience the opportunity to seehow one of the great dramatists, Moliere,mastered certain forms which he latervaried to achieve brilliant literary results.From a dramatic view point it gave thetheatre freaks, on stage and in theaudience, a chance to have a great timeand to create a work of art that, althoughquite structured, would never exist again.How one directs commedia is a mysteryto me. I once acted in a commedia show,The Servant of Two /Masters, by Goldoni,and I was never sure if the director, or justplain good luck, gelled that show into adecent piece of theater. I also trieddirecting Sheridan's play The Rivals as acommedia show; but my general feelingabout the production is that it was a turkeyof almost mythic proportions. Whateverone should do when directing commedia,Yoshi Oida, the director of The RidiculousBag, did it. He first had an excellentcompany of actors, who trusted eachCARPET CITY6740 STOHY ISLAND324*7998Has what you need from a$10 used room size Rug toa custom carpet. Specializ¬ing in Remnants & Mill re¬turns at a fraction of theoriginal cost.Decoration Colors andQualities Additional 10%Discount with this ad.FREE DELIVERY other, and who were flexible enoughtoiin a scene within the loose comitframework. Mr. Oida also used no set]costumes except the most comical Iobvious. He threw subtlety out the winand let his actors have fun.The cast was excellent, and itamazing to see the disciplined anditremely serious cast of The IK havinglmuch fun on stage. Mr. Oida in theroitflthe rich idiot, under the name ofToyota," and Malick Bagayogo inistandard commedia role of the"dottore," had an energy and imagingthat are the marks of good clowns, and]their scenes the show approached!outrageousness of a circus. Bruce mwas fine as the naive young lover, iMichele Collison was also very goodaslsensible and sensuous mother. AndrtjKatsulas could have had more funin|Pantalone role of the rich father, Icarried his end of the show. Hector!in blond wig and drag, substituting foriinjured Miriam Goldschmidt, added)bizarre and ridiculous note to the iproduction. Charles Ludlam, youalone!Somehow somebody figured our new]do a commedia show, and pass it oHjpart of a French cultural exchanjejguess that person was Moliere, wholwhere to find his source of inspiralYoung Designs byELIZABETH GORDONHair Designers1620 E. 53rd St288-2900 PIZZAPLATTER14MI.UHMl 3-MOOFAST DELIVER! |AND PICKUPA FINE CIGARCOMPLETES TOUR DINNERTREAT YOURSELFAND YOUR GUESTS J* pipe'ShopTHE ONLY ONI OF IT'S KIND IN TNI N.P. AREAAt Harper Court Shopping Canter3225 S. Harper C- 7 288 3131 SUoS Harper•in Harper Covrtmi-mo Guitar ClassesWant to 'play chord melodies jaojsolos? l^eam how in advanced ?u’,a,|class, Mondays, 8 p.m.JOIN NOWBeginning guitar mm* Monday*1 P*]Also {(rival*- le»w>n* by a|({«'in,me,lt6 - Grey City JournalC'~ *• v/'n if i* / Vi ll i V -'VuVnA-v*. *.> 11’»fl-Four inpole's Republic of China,«Pp|oded its 19th nuclear'aordieg to observers Th.a^particularly unusual; mosttchers interpreted the event asfSrength following the death°* Mao. The interestingthe idea that the U.S. is. _ a ci0Se surveillance of Redu mould appear that thent is more aware of the__ jD China than those inThis must involve expenditureounts of men and money, andis none too proficient at, either. Imagine for a momentL day in the life of the guybit is to fly over China all dayjetting is the cockpit of an oldAirlines jumboliner. “Red«" has been painted on the side,jour pilot, code-named ‘Ralph,’tone of his frequent daydreams.j. y’know, this job ain’t all thatI never dreamed when I„jed in the Air Force that I’d bei to fly around all day and getI for it. It’s like being back inen. I sure wish I’d_bt of signing up here before Ij those stupid ICS courses: youj’tmake this kind of dough as ar repairman. That security checks pretty rough, though. ThoughtI blown it when they found out Ii a contributor to PBS last year.: Bombs away!1: What in the hell was that?e’s my gun? Who stole mydictionary?...Oh, Charlie,i you. I wish you’d cut the crap;once, could you give me myfor the day without giving\ a heart attack? I’ve got a high-job, y’know, and yourof humor doesn’t make it'easier.5: Oh, can it, will ya? Youi to think I’ve got it easy downon the ground, that it’s alland skittles when you're not[ one of those “big babies,” ascall them. Well, it’s not. I’vea tough job too, y’know, andi tired of you giving me flak alltime - sorry, Ralph, just aof speech. I do wish you’dto be a little more pleasant,1:1 know you’ve got a tough job,and I apologize forping at you. I’m just a littlei today.Yeah, well, it’s prettyhaving to watch this radarall day. All those blipsaround in circles can driveleYisionIBHimmonths of intense campaigni■ McCarthy, independent candid“t'dent, spent last Tuesday nithe United States.ked the pilot of his tra"a* fl'Qht not to announce «1 returns over the public addrhile, on national televisinrators continued to stress"JY ot a “spoiler" role for^ator from Wisconsin. In sc/•eluding Illinois, it appeared t.McCarthy could provide Germ the victory margin.**** the issues of the 1976 Jcampaign?ttoows. No one remembers.McCarthy received arr■ trom the press as a result ofthat ultimately broufitting President. He captive^Journal-7 the Skiesyou nuts. The other night I came inwith a hangover and I thought Iwas watching Roller Derby inblack and white...RALPH: All right, I’ve said I’m sorry.So what’s today’s orders?CHARLIE: What’s your big hurry?You’re not going anywhere; talk tome for a while. How’s the wife andkids?RALPH: Oh, man, the less said aboutthem the better. The wife refuses tokiss me any more, ’cause I’ve gotrings around my mouth from thishigh-oxygen mask. She says I looklike I’ve been playing the tuba allday. And that kid! You'd thinkhe’d be proud of his old man beinga pilot and working for the U.S. ofA., but no way. I heard him callingme “ring-lips” behind my back.Last night I fell asleep in front ofthe TV and he painted the circle soI looked like Emmett Kelly. Tookme all night to get that crap off myface.CHARLES: Did you ever think ofdoing something with him?Y’know, get to know him a littlebetter?RALPH: You think I haven’t tried?Last week I took him for a ride in LettersDear Editor:Congratulations on the impressive lookand readability of the October 8, 1976edition of the Maroon, it was one of the bestissues in sometime , but for some reasonissues of the paper since then have notbeen up to the same standards.My second reason for writing isTelevision critic's David Blum's review of *Barbara Walters, quote, "Debut astelevision's first female news anchor."Blum is quite critical of a news programhe obviously did not watch in its entirety.Obviously he changed channels because hesays, "Anyone interested in knowing whatreally happened (on the day of Waltersdebut) switched to Walter Cronkite."As to Reasoner's and Walters personalcomments on the resignation of Earl Butz,perhaps Blum is not aware of the "newjournalism" whereby many expect apersonal touch by journalists.Blum also omits facts in connection withthe Butz's story when he says, "Butz madea mistake in judgement in using a racialslur while talking to Pat Boone at theRepublican Convention." The facts arethat Butz made the mistake of telling hisracial joke to Pat Boone and former NixonWhite House attorney John Dean (workingas a reporter for Rolling Stone) while aboard an airplane leaving the RepublicanConvention. The point is that as a jour¬nalist Blum must get his facts right.Blum comments on Walters' interviewof Egyptian President Anwar Sadat,saying Walters shouted as if Sadat werelistening on a CB radio. Did he miss theannouncement that the interview was liveand Walters was forced to almost shout inorder for Sadat to hear her because oftechnical difficulties? If Blum missed theannouncement he failed as a journalist, ifhe chose to ignor that fact, then thejournalistic effort was not worth the effort.Blum asks, "Was the whole thingstaged?" What does he mean by staged?Certainly the interview was set up beforethe show but is that staging? If so, then weare all in trouble. Blum is critical ofmaking the news "relevant," it wouldseem that the more "relevant" the news,the more interest the news will be to onesaudience, whether that audience obtainsthe bulk of it's news from the print orelectronic medium.As a former University of Chicagostudent and, still Maroon reader, I hopethe quality of your reporting will keep on ahigh plane.—Bob PettyMr. Blum replies: I admit that I didchange the channels during the openingnight of the Barbara Walters debut. Willthe show's format change? If not, thenwe're all in trouble.Gregory Revisitedthe plane, just to show him whatthe old man does all day. Theminute we get off the ground, hestarts bawling that he wants to getdown. I let him try on the oxygenmask, and he said he didn’t want toget ring lips. By the time we land,he’s hysterical, and the wife thinksI’ve been beating up on him;wouldn’t speak to me all night. Thetwo of them just sat there withthose wounded looks on their facesall through the Bionic Woman.Here I am trying to be nice to thelittle monster and I end up feelinglike a child molester.CHARLIE: Jeez, I’m sorry I raisedsuch a touchy subject. Anyway, nospecial orders today; same asalways, try to get propagandapictures to distribute among thepeople. General Bullmoose reallyliked that one of Mao’s wife eatingspaghetti with a fork.RALPH: OK, Charlie, see you at thepoker game Friday night. Over andout.CHARLIE: Roger Wilcox.RALPH: Wilco, you dummy!CHARLIE: Why can’t you just saygoodbye like every other humanbeing? Well, see you later.RALPH: Boy, I thought he’d neverleave. Hope my main man in Tibetis still on the airwaves. “Hello,Panda Bear, this is ImperialistRunning Dog. You got ears for thisgood buddy?”the spirit of a large coalition of Democratsand independents dissatisfied with theJohnson administration. The media couldnot escape the needs of a demandingelectorate, and covered his 1968 campaignas if it was a revolutionary politicalmovement.Judging from the coverage of the Mc¬Carthy campaign this year, particularlyby the networks, McCarthy must have lostmuch of his ability to govern the nation inthe eight intervening years sir.ee his loss toHubert Humphrey.His positions on the issues were virtuallyignored by the networks, what was, atbest, an unrealistic route to the WhiteHouse, he continued to speak on a platformof issues. They differed substantially fromthose of either Gerald Ford or JimmyCarter, yet were nowhere to be found amidstories that focused primarily on the"horse race" aspects of the Presidentialcampaign.The three commercial networks,focused from the beginning on vote totals,poll results, and soundings from politicalleaders on who the favored prospects wereamong the announced Presidential can¬didates. As the field began to narrow, sodid the minds of most reporters: and as The Maroon’s review * Friday, Oct. 8)of Dick Gregory’s appearance here wasoutrageous. Mr. Gregory’s points as tohow power operates in this countrystruck me as more than a littleplausible. And many of his remarks onracial and sexual relations, things I’dhad enough experience with to knowsomething about, caught me off-guard;they were accurate and they werethings I hadn’t seen clearly before.One’s judgement on such matters is, ofcourse, a question of one’s own ex¬periences and convictions. And clearlyMr. Gregory’s convictions run againstthe grain of what most of us believe isgoing on. But to call him “insecure andparanoid?” If nothing else the man isobviously smart, obviously been placesyou and I aren’t likely to see, obviouslyhas enormous integrity. He may bewrong - things may not be anywheienear as bad as he thinks they are orthey may be bad for completely dif¬ferent reasons. But to dismiss himoffhand and write it up as though onecould hardly do anything else. Whatmakes you so sure your picture of theworld is steadier than his, or clearer.The remarks on the comedy routinewere equally misleading. Mr. Gregorydid take some care to separate thisfrom the straight political rapping.Still the connections were clear enough.And the sense in which it was “stan¬dard fare of every comedian” was, tosay the least, ambiguous. A comedian’snatural territory are all the places wefeel embarrassed and uncomfortable,the thousand and one little fears thatrun through our lives. Making comedyJimmy Carter's lead grew, the attentionwent to him.While the Carter campaign chargedthroughout the fall that the media hadignored the issues, they fared much betterthan McCarthy in gaining voter visibilitythrough evening news programs.Coverage of McCarthy was limited tooccasional glances into his largelyvolunteer organization, trying to analyzethe extent of his support rather than thenature of his candidacy. His efforts to geton the ballot in New York, which failed atthe last minute, also generated littlecoverage — even though Carter's forces inNew York were behind the effort to keephim off the ballot.No accurate measure exists to determine the effect of television coverage on apresidential campaign. But the networksmust all share the blame for havingignored the McCarthy effort and the issueshe tried to raise throughout his candidacy.Through their actions they have giventheir endorsement to a two party systemthat is based on tradition, not constitutional precedent. political is less a matter of shiftingground than of the awareness onebrings to the material, of how oneconnects up the little recognitions thatcome from seeing our anxieties playedout and our actions parodied. The motifthat ran through Mr. Gregory’sroutine was that these fears not onlyconstrict our lives, but are used todivide us from each other, to render usimpotent and deflect us from the realissues. He was very funny. But thelaughter had to do with more than “hisconsummate craftsmanship. ’ ’The remarks about Mr. Gregory’s“paranoid thoughts of F.B.I. agentseven in Mandel” are equally amazing.What does Mr. Block think it means tobe followed? And forget Dick Gregory,if one were simply trying to keep trackof radical and potentially radical ac¬tivity in this country wouldn’t anevening like this be a likely place toshow.Which brings us to the bit aboutGregory losing his “cool facade”despite his advice to the audience tokeep cool. “Keeping cool” does notmean not caring, or caring passionatelyabout what’s going on around you. Ithas to do with being able to giveyourself space, to stay agile when theodds are stacked tKfe other way.As for the other condescensions inMr. Block’s review, one hardly knowswhat to say. There was nothingseeming or uptight or passe about DickGregory at all. The man was im¬pressive. If any of you haven’t had achance to hear him, go!Daniel SmulewiczThe clw JourncilEditor: Jonathan MeyersohnManaging Editor: Karen HellerAssociate Editor: Mark NeustadtMusic: Lukacs LeBag, Toby Hofslund,Deborah Hughes. Bruce McLaughlin.Paul Gudel. Ken Wissoker. P.L. SpackJeTheater: Mike Singer. John Lanahan,Stephen Cohodes, Esther Schwartz,Christine Martinez. Chalres HarveyArt: Carl Lavin. Chris Gauker. Julie Siegel.Jane Salk, Naomi Gilman, Gwen CatesDance: Eden ClorfeneGraphics. Karen MolineHumor: Jeff Baddeley, Steve BlockTelevision: David BlumThe Grey City Journal la published weekly duringthe academic year aa part of the Chicago MaroonThe editor invitee commence<ge Maroon -Friday, November* 5.1976—ijBUckJrUrs crese*ifiVju^keteerstnecb'T^e XxJoffjruui.^ TeU** Bemio GjiftUcU**ette<t ^ tV[or tj 1\tHHtAyNovember 9, (? anA 7j 12., 13, awl l4CurtiuvL at 8:50pm.^ctjtiplAs Oak Theater^ttuLehijdtkcrs £«/W1.002..00 air tk*. pCoct^1.50V°tuL^ at ^Gjnotls CUo Qesf^aniL Student AptMh&s Ojj^iceOFFICE OF CAREERCOUNSELING AND PLACEMENTGRADUATINGSTUDENTS 76-77If you have questions about finding a job, thelabor market, resumes, interviews, etc., come toourOPEN HOUSE ANDINFORMATION SESSIONFollowed by Refreshments and InformalDiscussion.Tuesday, November 9 at 3:00 p.m.New TheatreReynolds ClubU^Thr Chit—o ttifn FrH>y,H»vrwb«r3 1976 ATTENTION GRADUATE STUDENTSREADING FRENCH READING GERMANPreparatory Courses forThe Foreign Language ReadingExaminationGraduate students who wish to prepare for the Foreign Langu0gsReading Exams scheduled in Spring, 1977, can now register f0rflcourse especially designed to meet their need.The University Extension Division, in cooperation with the Departments of Romance Languages and Literatures and GermanLanguages and Literatures, is offering on campus two NON-CREDITcourses, each equivalent to a two-quarter sequence—spanning01 5-week period:FH 106 Reading French for Graduate StudentsM-Th 8:30-9:30 AM, beginning Jan. 3, ending Apr. 21*; meets inCobb. 104.GH 106 Reading German for Graduate StudentsM-Th 8:30-9:30 AM, beginning Jan. 10, ending AQpr. 28*; meetsinCobb 101.The Fee is $150 for the 15-week course. There will be a one-weekbreak during interim (week of March 21).Courses must have a minimum enrollment of 15 students,Preregistration is, therefore, essential. Absolutely no auditors. Ifyou wish to register, contact University Extension, 1307 E. 60thStreet 60637, phone 753-3137, anytime between 9 AM and 5 PMMonday through Friday.Deadline for registration is December 3, 1976*Reading examinations will be given by the Test Administration onMonday, April 25, in French, and Monday, May 2, in German. Cour¬ses have been arranged to conflict the least with regularlyscheduled classes, and to end immediately prior to the ReadingExamination for optimal results. For further information concerningReading Examinations, consult Spring Quarter Time Schedules, orcall Test Administration, RC 201, Ext. 3-3283.HELP!We need to sell 200 yearlbooks by Nov. 15th in ordeto keep the Cap and Gowjgoing, and so far, we’rjshort of that goal. We knoiwe’re an unknown qualit]but we have a talented stafthat will guarantee yououtstanding yearbook!For only $8, it’s a gambljwell worth taking. Giveyour support now, an|you’ll help bring backyearbook to the U. of C.■rade proposal debate setBy ANDREA HOLLIDAY| -me Chicago Political Union, a branch ofJ Chicago Debating Society, is workingTolans fw a on a proposedt^einthcCoUegeg-adingsystemPme proposal would include plus andinus grades on student transcripts,Jch would add or subtract one-third of ajoint from normal letter-grade values. AIdj." for example, would be worth 3.3Cnts’ An “A+” would count for 4.0the same values as an “A”.[meCollege Council, the legislative body1 the College faculty, will vote on thewige at their next meeting on Novemberflf the proposal is passed, the new systemav go into effect as early as wintery. Faculty members interviewedt that most of their colleaguesuse the pluses and minuses.[TheChicago Political Union is hoping fori large crowd at the debate, tentatively'cheduled for Tuesday evening, NovemberTin the Law School Auditorium.’Until now there has been no formalpportunity for students to express theirlews on the question.The planned public debate wouldwide a chance for differing viewpoints) the proposed revision to be presented ini orderly manner and discussed openly,re would be four principal speakers,proponents of the change and twoents. One faculty member and onent would speak from each side. Theatter would then be opened to questionsI comments from the floor. The debateild close with summary statements by> two faculty speakers.IThe debate would be open to all, andperson attending would have the. tunity to cast a “vote,” by simplyaving through either a “yes” or “no”at any time after the opening> have been presented. The change was suggested by membersof the executive Committee of the CollegeCouncil, as a means of adding flexibility tothe grading system. Many facultymembers had expressed a wish to be ableto make finer distinctions in grading.Not all faculty, however, are pleasedwith the idea, and students presented withthe proposal have expressed widelyvarying opinions.The position one takes will depend inpart on some basic assumptions abouteducation at the College: “What is the trueacademic spirit of the College?” “Howreliable are grades as an evaluation of astudent’s performance?” “How valuableor destructive is competition, used as aneducational tool?”There are contrasting predictions of howsuch a revision in the grading systemwould affect the academic atmosphere ofthe College. Some say the plus and minusgrades will remedy grade inflation. Othersinsist that the change will only add to theproblem. There is disagreement as towhether the University has a grade in¬flation problem in the first place. If it does,and the new grades reduce this, someargue that students will be put at adisadvantage in competing for acceptanceto graduate schools with students fromother colleges with inflated grades.There is also much disagreement overwhat psychological effects plus and minusgrades would have on students. Would thenew system ease or intensify academicpressures? Would it increase competitionby throwing undue emphasis on grades, orwould it simply provide a fairer evaluationof a student’s performance, so that hewould be satisfied with the grade hereceived and therefore more relaxed?Should he be relaxed, or is an atmosphereof intense competitive pressure moreconducive to learning?PhotographsByKENDA NORTHoriginal dye transfer printsBergman Gallery, 4th floor CobbNov. 3 thru Dec. 10Opening party Sunday,November 7 - 4 to 6 The plus-minus grading plan now being considered by tbfc College Council isconsidered by some to pose the threat of added grade inflation and by others as apotential addition to Chicago’s competitive atmosphereWithin the College, the plus and minusgrades may be more or less applicable inthe various areas of study. They may beparticularly useful in large lecture courseswhere grades vary continuously, whereasthey may have little worth in smalldiscussion classes where it is difficult tomake an accurate, objective evaluation of a student’s work.Most faculty members interviewed werein favor of the change. Many of them havealready been recording plus and minusgrades, although they don’t show up ontranscripts. The plus-minus system is usedat Harvard, Stanford, and other univer¬sities. Northwestern is considering it now.COME ON OVER ANDPICK UP YOUR FREECOPY OF OUR BIG1977 CATALOGGet Aquainted With OurThousand^ Of EverydayLOW LOW PRICESCHECK THESE OUTSTANDING VALUESgciF ELECTRIC EYEINSTANT LOAD& - CAMERAft i “Exelar” 3-FUNCTIONDIGITAL WATCH By NovusComplete With .Color Film. »Magicube jAndWrist Strap !SPECIAL Hourt, Minutes Second!•Chrome Plated Berel• Stainless Steel Back999 Now 4. "795Only I fn kr <r0l0:i P/m,i RETAIL $13.95 •Or Color Sl.des MIMIT j retail $49.95 23056JUNDERWOOD 319PORTABLE TYPEWRITERWITH CASE SunbeamSPECTRUM IH WINK-AWAKEALARM With Lighted Dial27814JT Pica27816JT Elite• Key Set Tabulator• Memory Line Finder 69 95 H JLecl“RETAIL $109.50Af yj FROM OUR REGULAR IVVf V LOW LOW PRICE • Wakes You. LetsYou Sleep AndWakes You Again• White Case With SimulatedWoodtone FaceCATALOGS MAY ALSO BE PICKED UP AT:MOTHER'S AID GIFT SHOP, Chicago Lying-In Hospital, 5841 S. MarylandCOHN & STERN, Men's Fashions Hyde Park Shopping Center, 55th & Lake ParkMONROE1050 EAST 81st STREET CHICAGO, ILL. 60619Phone: 873-1005 Mon., Thurs., Fri.9:00 AM to 9:00 PMTues., Wed.9:00 AM to 5:30 PMSaturday9:00 AM to 5:00 PMSunday12 Noon to 5:00 PMThe Chicago Maroon— Friday. November 5,19>- 5MELLOW SOUNDSOF YELLOWFill Your EARS with the colors ofThe Sound Spectrum—LIVE—FromTHE MELLOWYELLOWInHyde Park. ViaWHPK 88.3 FM-Sunday 11-7-76, 9AAA to Noon.Your Host Al ChambersIf you can, stop by, if not, tune into WHPK-88.3 FAA at 9 AAA.You Can Also Hear the SoundSpectrum every Saturday at Mid¬night on WNIB-97 FAA.SEMINARY COOP BOOKSTORE5757 S. UniversityChicago, IL 60637ANNUAL MEMBERSHIP MEETINGwill be held 12:00 noonTuesday, November 16thin the room above the bookstore in CTSAgenda will include voting the rebates anddividends for 1975-76, electing a newboard of directors, and any other business.SEMINARYCOOPERATIVEBOOKSTORE5757 S. University752-4381 9:30-4:00 M—FaWkkW 7lie pA.Howard m. homc-,a of KiovjlvfidV, Mf\." f rVlTH /VMb TH-fca* 'tg&MT5 \k)ccA ICLCun./Ur. u*ll (P*> <■u-htJueldl*s v.H.v fitlipbust cAmerican^ &UN<pm*e!‘t\uss*pte$/er*s^—A "class'(^...naturally!starring M0 0Mf UMOf R, 7 A0MITTf 0Margo WinchesterwithAdolph. Homer. Sweet li'l Alice, and the Headsperson .Paul. Pocahontas, and the Greek Chorus . .the Ethiopian Chet. Rate, and the Chesty Young Thing .. .Limehouse. Leonard Box. Gwendolyn. Eva Braun, Jr. ...and Harry the Nimrod!!!If you don't see <Qj*...you’ll feel dowA,rm films international, inc ^ * &Am produced A directed by RUSS MEYERCOMING VPFRIDAY, NOVEMBER SEXCLUSIVE SHOWING!Opens 8:30AM Daily Midnight Shows' Fri.A Sat.State nearRandolph' ST 2-2321 vii p®® hmft FULL LENGTH DNEHA VEkUE FILD 0F THEDREXEL HOW, P. HONE FOR JEWISH ELDERLY INHYDE PARK. _ Pad1! Gmfd "ferniaTien urffTUBS. NOV. S8 00 PIA ^eeAT HILL EL5?I5 U00DLAU1N’ UNIVERSITY RELIGIOUS SERVICESROCKEFELLER MEMORIAL CHAPELSUNDAY • NOVEMBER 79 A.M.Ecuminical Service of HolyCommunionBernard O. Brown,Associate Dean of the Chapel11 A.M.UNIVERSITY MEMORIAL SERVICEE. SPENCER PARSONSDean of the Chapel"CELEBRATING MORE THANWE REMEMBER"4 P.M.LUTHERAN VESPER SERVICEHoward Hong, St. Olaf CollegeLarry Hofer, Pastor, Augustana LutheranChurch, Richard Jurgensen, Campus LutheranPastor Augustana Lutheran Choir, r0|Charlston, Director, Edward MondelloOrganist.MODEL 0 CAMERACANONDEMO.e 3m our Canon - Cl BACH ROMEDEMO.1342 E. 55th St. 493-6700We Specialize in RepairsFri. & Sat.Nov. 5th & 6thPUBLIC LECTURE"CAUSES OFANIMAL AGGRESSION"Professor Peter Marier(Rockefeller University)FRIDAY, NOVEMBER 5,19762:30 P.M. - Zoology 14(Refreshments will be served following the lecture.) I\ <|14—ThtOtfcegoMaroorv—Friday, Novembers, tfliReportSwim meet, footballhighlight IM actiongyRWRHODE>rs were either getting dumpedtubes or lost inside of wetshirts at the men’s and women’s^al swim meet Tuesday night. Butinner everyone kept their tops on and went onswimming.Chamberlain won the men’s sweatshirtrelay while Shorey won the inner tuberelay and Upper Wallace won both event’son the women’s side.SportsEtai<** »•-W '*• ■ . *Crew rows at homeuniversity women’s crew club willtheir fall season at home thiswith a tri-meet against Purdue1 Notre Dame.meet will only include eights withbut there will be several races as thePark Lagoon course can only; two across.Chicago club will probably be! two boats down, the eight that tookat the Head of the Charles and ai eight. It is not yet certain how manyi the other clubs will be sending,two Maroon teams will be sharingclub’s new racing shell paid for fromclubs earnings from t-shirts and someL,idonations.meet will serve several purposes,i of course, it will be an opportunitythe novices to get some racing ex¬ perience. Secondly, it will give all tenmmembers a taste of competition so theywill stay hungry through those long andboring weeks of winter training.Third, it will give the club some ex¬posure. So far this season, the club hasbeen racing in such exotic places as Bostonand Madison, and this will be the first timethat they will be able to display theirtalents at home. There had been plans tohire a bus to go from campus to give thoseinterested a look at the sport, but thesehave fallen through. Still the race will becovered by cameras from ABC sports inaddition to anyone who finds their way upfrom Hyde Park.The race will be held at the Lincoln Parkjust off Lake Shore Drive at thele St. exit. The races will start at 1:00p.m. IM TOPTEN1 Wild Bunch2 Wabuno Bay Bucss3 Sugar Bears4 Bramble Bush5 Shorey6 Phi Gamma Delta7 Psi Upsilon8910 Mathews MaulersPenguinsVincentOverall, however, it was Upper Rickertthat dominated Men’s swimming. TheRickert team racked up 44 meet pointscompared to 30 from their closestchallenger, Dodd-Mead. The Women’smeet, which had a low turnout, saw LowerWallace edging Upper WallaceBut it was the grad students whodominated the more serious events,in men’s swimming. The Law>1 produced two winners and a newrecord. Yanofsky blazed to the new recordtime, swimming the 40 yd. freestyle in 18.3seconds while teammate Varick won the100 yd. freestyle and then came right backto win the 40 yd. backstroke. FluidDynamics, another graduate team, set anew record in the 4 x 40 freestyle relay(1:20.5) as well as sponsoring first placewinners in the 40 yd. fly (Schloss) andbreaststroke (Johnson).Meanwhile, the women were settingrecords in every event an occurance madeeasier by the fact that this is their firstyear. Ellen Morrati of Breckinridge tookfirst place in three events, winning boththe 40 and 100 yd. freestyle as well as the 40yd. backstroke. Laura Rhodes of Shoreytook first place in the 40 yd. breaststroke.Hayner of the Med school won the 40 yd.fly, while her team took the 4 x 40 freestylerelay uncontested.Tim Lorello of Upper Rickert and MaryBryde of Lower Wallace won the divingevents. Probably the most interestingevent of the night was the freestyle dive,featuring everything from conventionalforward summersaults to cannonballs,‘the frog’, and an attempted hari-kari.Lower Wallace added the swimmingtitle to their under-graduate volleyballtitle, won by defeating Shoreland 9 & 10 inthe playoffs. The Wallace team will squareoff against Divinity for the University title.In football, the regular season endedwith some excitement, hut all the playoffpositions have been decided except for theug white league, where both Vincent andThompson North are 4-1, Thompson edgedHenderson 6-0 this week, while Vincent,had a much harder fight to stay alive.Losing 2-12 with less than a minute left,they had to resort to an onside kickoff and Also receiving votes: Thompson North,Upper Rickert, Shoreland 7 & 8,Blackstone Rangers.the passing of Mark Oles to squeak byTufts 15-12.The winner of the Thompson-Vincentrematch, which Thompson won last time,will have to contend with a tough PhiGamma Delta team. The frat capturedtheir title after fighting off a challengefrom Shoreland 9 & 10.Psi U and Upper Rickert went down tothe wire in the cold and dark of Wednesdayafternoon, but Psi U emerged victoriousand dealt Rickert it’s only defeat 12-0.However, they’ll have to face an awesomeShorey team, however which smashed allit’s competition and looks like the best betto win the undergrad title.The Sugar Bears Droved their strength,blazing by the Penguins 37-0 in graduateaction. However, they are fated to meetWild Bunch, last year’s defending champs.Wild Bunch looks like they’ll do it again,coming off a 19-0 victory over a strongMathew’s Maulers team.The wily real challenge to Wild Bunchmay be the Wabuno Bay Bucaneers. Afterdefeating a fine Bramble Bush team theydecimated SSA 49-0 for the biggest pointtotal of the season, it should be an in¬teresting match.One thing that cannot be overlookedwhile watching some of the undergradgames was the questionable behavior of acouple resident and assistant residentheads. In one game, an undergrad wasphysically assaulted by a head of a houseafter ordinary touch football contact, andin another a team appeared as though itwas being run by a college coach. Thehouse head was screaming at his players.Squash and tennis still continue. Themen’s wrestling meet takes place nextThursday (sorry, no co-ed wrestling) andthe Turkey trot, which will he bigger thanever, especially with the inclusion offaculty and staff, a week later.Holiday basketball begins in less thantwo weeks, despite a squeeze in facilitiesas well as officials. B.C. Vendl hasreceived a lot of criticism for the new ruleregarding officials, but none of it con¬structive. Therefore, every team entrymust be accompanied by an application toofficiate.*7IM Refs neededIM refs will he needed for all those in¬terested Thursday, November 11 at 12noon in the Ida Noyes Theater. Pre¬ meeting applications are now available inthe IM office, room 203 of beautiful IdaNoyes Hall.FREE<tjaney.VESTBORTIONHOTLINE787-3567Student Discount RIP-OFFAUTO REPAIRFOREIGN CAR SPECIALISTSSERVICE ON VW& AUDIWe Offer Top-Quality Mechanical ServiceTune-Ups * Electrical * Brake SysterrrExhaust System * Other RepairsConveniently Located at5508 S. Lake Park(Gateway Garage Bldg — Downstairs)Monday-Saturday. 9am-9pmCALL:684-5166 With This Ad Only2 drawers files *354 drawer filetsDrawing Tables 565L EQUIPMENT&SUPPLY CO.8600 Commercial Ave.Open Mon.* Sat. 8:30- 5:00RE 4- 2111 [Tl U.UAJ, CrM.u IJAu.inh.r < 107A—_ 17CLASSIFIED ADSSPACEClean, sunny, IV2, $171 Incl. util,available immed. 643-9059.Need female roommate near UC $50including everything, call 955 7452before 10:30.Need one female to share apt. at 57th &Wood I awn own bedrm. avail. Jan. 1,call 241-5230.5 + 6 Room apts. in building beingrehabilitated. 5 min. from U. of C. on61st St. Coleman Carp. 373-1800.HP 55 3flat.LYN 929 5600 643 9086.Garages by qtr. $80. Cornell 5508.Roommate wanted to share very Ig. S.Shore house 67th & Euclid, $88/mo.util, included. 752 7958Need one female to share apt. at 57th 4Woodlawn. Own bedroom avail. Jan. 1.Call 241 5230.Wanted. Mature person to sharehouse Very desirable location. PL 2-8377. physical and $225. Call Roy at 947 6983.Make easy money, no investmentneed. Sell stereo equipment on yourcampus for one of the midwest'slargest HI-FI distributors. Call DaveCrundman toll free 1-800 247-2480.GENCO, Des Moines, I A.EARLY PREGNANCY DETECTION.Pregnancy accurately detected beforeyou miss your next period. 5cc of bloodwill be drawn. Medical researchproject-test is fre^. Call Sandy at 947-6620 or 947 5550.PEOPLEFOR SALEInterested in typing evenings in myhome. Will discuss price. Barbara,373-3594 after 5:30 p.m.Typing/Word Processing 378-5774.Native French Teacher offrs. tutoringand translating $5/hr. Call 324-8054.For Piano Teacher call 947-9746. preschool; full (7:30 6:00) 4 part timeprogram; 3 classrooms designed for 2yr. olds, .3-4 yr. olds 4 kindergarten;5300 S. Shore Dr. 684-6363.FOR SALELOW COST CHARTER FLIGHTS toEurope. Call 327-2858, 4-6 p.m.Fill the space In your life. Originalartwork at reasonable prices. Polin,752-1260.Upright piano. On wheels. Old, but invery good condition. Moving up to you.$300/offer. 288-5248.Women s 10-speed. Used twice. A stealat $85. Lock 4 chain $10. 288-5248.Modern desk. I'll deliver to your doorcheap. $10. 753-0276.1970 VW Square-back, Dependablestarts, safety inspected, snow fires.Super car but I need $$. $750. Call 241-7467, 7 to 11 PM.CANON DEMOFri 4 Sat. Nov. 5th & 6thMODELCAMERA1342 E . 55th 493-6700Students Part-Time 1-6 and weekends.Must know basics of photography.Retail experience helpful! Apply inperson. Model Camera, 1344 E. 55th St.PEOPLEWANTEDEcology workers get your dailyexercise for pay. An hour or so eachday. Resource Center. 493 1466.Driver needed to pick up 11 yr. boy inLansing, II. at 12:30 on Thurs-drive toMichael Hospital for 1:15 apt. Wait 45min. and drive child home. Call Mrs.Manar, 643-0452.SUBJECTS WANTED forpsycholinguistics experiments in theBehavioral Sciences Department. Payis $2/hr. Call 753-4718 to register.WANTED: record reviewers for theGrey City Journal. We have many finerecords which could be yours tree inreturn for a little easy work. ContactJon Meyersohn, 753-3263.Experienced sales lady wanted part orfull time. The Pinocchio Toy Store inHyde Park Bank Building, call Minya,241-5512.Male Research Subjects wanted fortesting of psychotherapeutic com¬pound. Subject must remain inBillings complex for 72 hours (M-Th orTh-S) for two consecutive weeks. Mustbe 21 and in good health. For partlcipation you will receive a complete SCENESMechanics class for car owners. Whatto do yourself and how to communicate with a mechanic to get therest done. Olive Harvey class at BlueGargoyle taught by Ken Dunn $10/8weeks, 1st class at 7 p.m. Nov. 15.Pro-Life, Tues., 7:30, Ida Noyes.Live from Mellow Yellow—Mellowsounds of yellow in the sound spectrumon WHPK 88.3 FM Sun. 11/7/76, 9 a.m.til noon, your host Al Chambers.Come to the Oneg Shabbat at theBayit-4:30 p.m., Saturday Nov. 6, 5458S. Everett.GET IN SHAPE! Lose inches in apleasant way. Exercise Sunday from11-12. Call Ms. Hyman 373-3099.BAZAR! Delicious Chinese Snack eggrolls. Wan ton, etc. Gifts. Nov. 13,noon 5 p.m. Hyde Park C.R. Church,5144 S. Cornell.Robert Ornstein (Psychology ofConsciousness) lectures on the MindField, Conditioning, Cults and Con¬sciousness. Monday, Nov. 22, 8 p.m.Thorne Hall, 740 Lake Shore Drive.Info. 858 2800ext. 2356.Parent Cooo for early learning CIBACHROME DEMOFri. & Sat., Nov. 5th 4 6thMODEL CAMERA1342 E. 55th 493 67004 pc. Mahogany Doctors Office Fur¬niture. Nelson 424-8464.ACADEMIC RESEARCH PAPERS.Thousands on file. Send $1.00 for your192-page, mail-order catalog. 11322Idaho Ave., 206H, Los Angeles, Calif.90025. (213) 477-8474.YIDDISH FOLKSINGINGMonday, Nov. 8, 2:30 p.m., HillelHouse.CALCULATORSFor lowest prices and best prices onTexas Instrument and HewlettPackard calculators call 241-5496.There are two makes ofdiesel car sold in America.Ours lists forsome $3,000 less.Peugeot 504 DieselBase Price $8,260*Sunroof: StandardMetallic paint: StandardElectric front windows: Standard Mercedes-Benz 240 DBase Price: $10,278*Sunroof. $378Metallic paint: $435Electric windows (front and rear): $308Total $8,260 Total: $11.399A different kind of luxury car.Wbiou, 9nc2347 SO. MICHIGAN AVL,CHICAGO, ILLINOIS 60&lfiTEL.: 326*2550•Manubcturm suggested retail prices. East Coast PO E. Dealer preparation included Delivery charges, opobnalequipment, and taxes extraIt—The Chicago Maroon Friday, November 5. Tf74 MUSIC WORD OFHear Rosehip String Band at the MOUTHGargoyle in the Sanctuary Nov. 5, 8:30p.m. Presenting works of Lorca, Spicer,Zukofsky, others, Work of local poets.Monday, Nov. 8, Blue Gargoyle 7:30.INTERNATIONALFOLK CONCERTAND FESTIVALRegular Fri. 4 Sun. eve. dancing inIda Noyes cancelled this weekendonly; come to the festival! MERLINBERGMANGALLERY The opening of MERLIN the newBlackfriars musical. Reynolds ClubTheater. $1.50 students, $2.50 others.Don't miss it!GAY PEOPLECOFFEEHOUSE Sat. Nov. 6, 9 p.m. atthe Blue Gargoyle. Where the frien¬dliest folks on campus gather—fordancing, talk and home-bakedgoodies! ROSEHIPSTRING BANDIn the sanctuary NovTT^'sale at Fret Shop,PAN PIZZADELIVEREDThe Medici DeliverTw'weekdays, 5-11 SaturdTSave60cents if youpickit..'*BOOKS BOUGHTBooks bought & ^everynighf 9-11, Powells,Opening on Sunday from 4 to 6 for ournew exhibit, photographs by KendaNorth. Come, bring your friends, eat,and see beautiful dy-transfer printsSunday 4-6, Bergman Gallery, 4thfloor of Cobb. DIRECTA PLAYProposals for Winter Quarterproductions at the Court StudioTheatre will be accepted throughNovember 10. Proposal forms andinformation can be had by calling 753-3581.INTERNATIONALFOLK CONCERTAND FESTIVALFolkdance concert Sat. Nov. 6 at 8p.m. Mandel Hall featuring Irish,Israeli. Balkan, Polish and otherdance troupes $2.25 students $2.75others.Folkdance workshops in Polish,Balkan, and Armenina dance Fri. 8p.m. and Sat. & Sun. 9a.m., 12:30 p.m.,and 3:30 p.m. at Sunny Gym, 5823 S.Kenwood. $1.75 students, $2.25 othersper workshop. Folkdance party Sat.Night. Syllabus, records, weekendticket available. 753-3567 for message.LOX& BAGELSCome on down Sunday morning to theHillel Bunch. From 11-1. We will havelox, bagels. Sun. N.Y. Times, boychiks& glrlchiks. 5715 S. Woodlawn. 752-1127. WOMEN'SUNIONWomen's Union T-Shirts will be soldduring the noon hours in the Reynold'sClub from Thurs. Nov. 4 through Fri.Nov. 12. Two designs are beingfeatured, one of SophibisbaBreckinridge and one of the Chinesecharacters or "gin", the femaleprinciple in nature.SPACEWANTEDWANTED: Housing for WINTER andSPRING get a quiet congenialroommate, sorry no university con¬tracts. Call evenings, 363-5424 ask forRoss. LOST & FOUNDKeys on ring with RWcitilHshop written on. Please call68*1"Lost: Gold DuPont lighteTit*PS. Lost on Regenstein w iReward: call 241-7467 or m llibrary main desk '""IFOUND: 10/29 near LibCobTu.med. M dog w/white spotoncvlis mostly labrador & hasdottJ1& flea collar. Call 324 ui8 °LOST: U.S. Savings Bank p«0HS727O. PLS. Call L. Day32*£lPERSONALSTony: Congratulationstolhethe big heart. You deservedHappy ECM Aarron Filler,fire escape cop. Your sisterliHeartbeat—I still think yooYeciiJlTo the girl from Mich who'sh.CHRISTMAS, whom I metstiBank with your two-party check!Pat 288-8523, you forgo) somethin]Dean Ben,Happy Birthday!!Love.ilPregnancy Testing „Augustana Church, 5500 S.).Bring 1st morning urine samdonation. Southside women324 2992.Writers' workshop. PL 2-8377.Free Swine Flu ImmunizationUniversity of Chicago Employees, Faculty, Studentswith valid University identification; also all spousesand dependents age 18 and over who accompanyUniversity personnel.Thursday, November 11, Noon - 6 P.M.Friday, November 12, 8 A.M.-2 P.M.Saturday, November 13, 9 A.M.-NoonNorth Lounge, Reynolds Club,5706 South University AvenueOpen meetings to discuss immunization program:Noon — Monday, Tuesday, WednesdayNovember 8-10North Lounge, Reynolds ClubMAROON CLASSIFIEDS CANMAKE YOU A BUNDLE!DATES TO RUNNAME, ADDRESS, PHONECHARGE: UC PEOPLE NON-UC PEOPLE500 per line 750 per line400 per line to repeat 600 per line to repeatThere are 30 spaces per line, including all letters,spaces, and punctuation marks. Circle all lettersto be capitalized.ALL ADS PAID IN ADVANCEHEADING (our regular ones free, yours$l per 15 spaces)__— ——■1- -- -■AD MANAGERWANTED:Call the MAROONat 753-3264or955-2568 KENNEDY RYAN. MONIGAl & ASSOCIATES,INCG ww mDirectory of ValuesWe Know Hyde Parkfteal Estate Inside OutHOUSES FOR SALE ONLY 2 LEFT]01 the seven town homes to be ix/fttat S4 tor So' ^9 oec.Dan¬cy. only remain unsold See ourscale model end floor cions far thesetie * r; oocor*--" * es Eachhome tectvres 3 or 4 bedrooms. 2 or2 - bet^s. in-house so'* or amand many more feature* to nsorecomfor1c.b:e and cortvement living.APARTMENTS FOR SALE■ ■ - 11 1 1OAK iFIREWOOD |$70 a TONalso birchcherry and mapleHYDE PARKFIREWOOD549-5071PARK CARWASH*Deluxe Exterior Carwashwith 15 yal. purchaseAmerican & Foreign CarsRepaired53rd Ml 3-1715 "The man without some achievedoverview of life will come into thisworld and go out of it without everreally knowing why." — John PowellBRENT HOUSE5540 S. WoodlawnSUNDAY: 5:00 Vespers6:00 Social Hour &Supper ($1.25)7:15 Howard V.Hong, guestspeakerMONDAY: 7:00 Prayer Group(Calvert House)7:30 Bible Study(Calvert House)TUESDAY: 4:30 Evensong(Bond Chapel)THURSDAY: NOON Eucharist(Bond Chapel)FRIDAY: 4:30-6:30 SherryHour6.00 UndergraduateFellowship Supper! officialswiss armyV knives$5.50 to $42.00Free brochurecomplete line In stock, of V we runout of your favorite we # order itfor you. 3 week deliverythe hodgepodge506 Main St Evanston IL 60202312/864-4300Open Sundays 12-4:30BFIMBOOLOUMGGMixed Drinks,Pitchers of Beer,FREE POPCORN'Open Pionoofl for yourenjoymenton the first floorof the Del ProdoHotelSTUDENTS WELCOME JACKSON HIGHLANDSEnjoy o firtoioce with o beoutiMhorn* oround it IT rmy beths.rec. rm side drive orvd yvoge.Beoutitul gorden Many eitros Nr70th and Euchd $69,500LOVELY HIGHLANDS HOME5 BR bock home on Bennett Awe LRwith wbtp, lormol DR A very nicebuv a! SSA500 For mote into, cotlMorgoret Kenr^dy. 6A7-6666.MODEL HOMEBrick A loom, tVj both like newto*~home Carpeting. oil appliancestree porkmg included. Ou*et. char*mtng design oooro« 1.M0 sa tt. Oneblock trom loke Michigan neor 74thWt OflO Choi totte Vikstrom t*T *064Chatham4 BR brick w/modern k tchen Fullyfinished bsmt & 2 cor garoge. A rorefind. Priced to sell ouickJy in tt.e 40'sTo see coll Mrs He nes.SPACIOUS3 BDRM BRICKSouth Shore-double lot Seperote den,new root, & furnace. Tuckpcinting,Huge LR. seoorote DR. >rg. kitchen lgorden 2 beths, side drive l goroge.132XW RAY SCHOOL DISTRICT3 BR Frame w, side drive, 2 car Bo¬rage. Large country kit., family rm.Cory 1 ouc nt but comfortable. Goshi 1» amp W/22C Priced right atW0 WO To see. coll Mrs Hones 647-664*.UNEOUATED VALUE!5 BRs. 3 boms w/off Street ckg goodsire vord. Wbtptc Sat'l woodwork ln w ncors turnout scpe’ k -cnen.Move-in condition (and I reolly mvonit) S72 MO. To see coll Mrs Heine*.667-6664.FORMER FRATERNITYHOUSEFirst o lt?C sh residence, then o trothouse Since 1940. egoin o residence.All new wiring, heating, roofing. In¬come trom 4 brick garages, largevord - 3'rb blocks north of 55th onKin-berk tskmg SOP.000. CharlotteVikstrom 667-6644.STATELY COLONIALIt room resioence in lovely setting.Not fireoloce in lorge Fving room 4bedrooms - librory solarium Cent,oir. undergrd sprinklers 3<ar brickgoroge Side Orive v-9«00. Col! MrsRidion m7-6666. TWO BEDROOMSIN THE SKYimroocufafe 5 rm 2 bath o-'Jc rwr*al 50*h or*d the Loke Ma~*v -"orertrtrt Reodv to niove An ocolh«gb-f tye bofTie for the d»sc/iminotingbuverl*?GE 3 BEDROOMModern kitchen » dishwasher,wesher one dryer »n opt 4th SR «*3Sremo.ed *o moke a very Uyge LR.Low essrr.t inc toies trarvsaortation. Bret Horte vchod. J.Edward LoVefle. 667-6*64 -• HELP STAMPOUT RENTHere is on eiceiient opcortbniry toget the benef:fs «f home c-me-shipwi'hout —o —eoonce problems. Thislovely coop apt hos 2 bedrooms 2beths end o spectoculor view ofdowntown end the loke. Eiceiientcond.f on. Super secure buildingFc-king ovc'loWe.5 ROOM CO-OPVt BUC FROM U. Of CLAW SCHOOLBed'oom study (or bedroom). LR,DR. Kit Sect ca-eofor apt U UCwith lew msessment Alfred Dele 947-APT BLDGS. FOR SALE10 SETTLE ESTATE"as is' nr 53rd & Maryland. y-ttatstore end brick. All offers considered.Charlotte Viksf-om «' mns SOUND SECUREFor io*e«*ment or ptumer -oc c uo*e6 4-hef att 6 ■'j roomy Good oec* or toDCtn of Socth Shore uc^wing Tearaffth 8. CNde income over *U 00$CVriotYe V kA%rom. kb'-«S364.GOOD CASH ROW0*r»er «nU finooce 5C Turn'vVd actvA m re*^cfv Well nx^xjged E*c*4-.eot cone' or St^>*e tenancy GoodOre>e< Bivd lacct or Call Mrv BIFper 667-6571.KENNEDY RYAN. MONIGAL & ASSOCIATES.INC114S1 East 57th Street, Chicago, Illinois 60637s vt. vf-vfr “ . 6666 (\\ r;Do*yR*oS Sot R »0 I O' coR B6’ b6bt A-,The Chicago Maroon—Friday, November 5.1974—CHEESE SALE .199JALSBERG Norway SwissCANADIAN CHEDDAR $2”GOUDA RED WAX Holland *2”MNOKKELOST Norwegian SpiceDANISH TYBO $179BRIE II De France $2*9SWITZERLAND SWISS Grade A Large Eye ^NORWAY TILSIT <1”PROVOLONE MwGOURMANDISE s2”Port Wine Garlic & ParsleyMINIMUM PURCHASE 1 lb. for sale itemsWINE SALE• . /5 BORDEAUX RED WINES $2” u 5„ $10°°BEAUJOLAIS *°“7dtr™‘h1966 CHATEAU CITRAN $1 79and upBordeaux Red of Hi 9htaQ0QualityPORTUGESE ROSE i»«.<■>IMPORTED SANGRIA of High CQ|o$1 Fifth99 FifthSpain s Finest $] 49 FifthThe (Haul2427 East 72nd Street BA 1-921920—The Chicago Maroon—Friday, Novembers, 1974