The Chicago MaroonVol. 86, No. n The Chicago Maroon Friday, October 8,1978/Harper loses room to graduate programStudents protest loss ofroom, demand restorationof College study facilityby Kris Organ.The appropriation of theWieboldt Reading Room inHarper Library by the committeeon public policy studies (CPPS)has led a group of students andombudsman Virginia Blanford tojoin forces in an attempt toregain the popular study space.Blanford circulated a petitionafter she received six complaintsabout the Wieboldt modification.The ombudsman has also laun¬ched an inquiry into the decision¬making process behind thechange.University officials initiatedthe Wieboldt takeover in earlySeptember. The allocation of thecollege computation lab and aportion of the reading room to theCPPS and the related move of thecomputation lab into part of theWieboldt floor space has reducedthe size of the reading area by 60percent.Students interviewed in Harperlibrary expressed strongdisapproval of the decision toreduce the size of Wieboldt.“I’m outraged,” said onestudent studying in the northrocm of Harper. She and anotherstudent sitting close by describedthe move as “incredibly badplanning.”Wieboldt reading room seemed“very, very popular,” more sothan the other two rooms, ac¬cording to Harper’s librarianJean A. McClelland, a six-yearHow it started employee. She said that Wieboldtwas used more heavily than theother rooms in Harper, at¬tributing that to the more in¬formal setting and the com¬fortable furnishings.. Students who frequentedWieboldt in the past are upset forseveral reasons. One studentreflected that Wieboldt is “not acathedral. Here (Harper ReadingRoom) you don’t want to slamyour book shut.” His friendproclaimed Harper “one big,boring library” without the use ofWieboldt.The smaller Wieboldt isscheduled to open sometime nextweek, but interested studentshave maintained that the allottedspace is large enough to ac¬commodate the student demand.McClelland acknowledged thatshe “can’t do too much with thatamount of space.”Student ombudsman VirginiaBlanford responded to sixcomplaints by posting a petitionproclaiming discontent with theWieboldt situation. The petitionwas signed by 37 students, and 19more signed a subsequentpetition.The ombudsman’s office hasalso asked the decision-makers tojustify the appropriation, with“little success,” according tosecretary to the student om¬budsman Laura Cuzzillo.Reaction to 2 Public policy group gets spaceby Dan WiseHarper Library has a newneighbor.The public policy studiescommittee, a recentlyestablished graduate program,has taken over nearly half ofWeiboldt reading room. Thecollege computation lab, locatedin an adjoining room has alsobeen turned over for use as officespace. The computation lab willbe relocated in the Wieboldt area,further reducing the areaavailable for study space.The final decision to ap¬propriate the space was madeduring August, when severaladministrators were out of townon vacation. The decision in¬volved consultations betweenadministration officials, librarypersonnel, and several deans vialong-distance phone calls.Charles Oxnard, dean of theCollege, Loma Straus, dean ofstudents in the College, and JeanMcClelland, Harper librarian,were all out of town when thetake-over plans were im¬plemented. The decision wasfurther complicated by the factthat although Harper library is apart of the Regenstein librarysystem, it is primarily intendedfor undergraduate use. Thecomputation lab is also a collegefacility.According to D.J.R. Bruckner,University vice-president forpublic affairs, the decisionultimately rested with the libraryadministration and with WilliamB. Cannon, University vice-president for business andfinance. Cannon is also a memberof the public policy committee.Howard Dillon, director of Wieboldt: the committee moves in.library public services, said thatthe library decided to sacrificethe space in Harper because of“the acknowledged fact thatusage of the library was not atmaximum. The decision is atemporary allocation whichmeets the short-term need foroffice space without sacrificingthe long-term needs of theCollege.”The under-utilization of Hamerwas an issue discussed in lastyear’s Committee on the Qualityof Life in Regenstein (CQLR)report. The report recommendedthat use of Harper by un¬dergraduates be encouraged toalleviate the problem ot crowdingat Regenstein.Dillon said that the reduction instudy space at Harper does notcontradict the CQLR recom¬mendations: “I don’t think thatthe encouragement of the use ofHarper will be thwarted by the modest allocation of space.”Oxnard emphasized that heparticipated in the decision togive the committee some of thelibrary space and denied that thecollege was a “victim” of the newarrangement. “Harper is notCollege space, it is a part of thelibrary system. It appeared asthough the need to give space forthe policy committee was animportant need and I believe thatone should try to give some helpto other areas of the University. ”Oxnard was aware of theconsideration of Harper as apossible site for the policycommittee offices in June butimplementation delayed by anillness of one of the major partiesinvolved, did not begin until earlyin August, while he was inAustria, and Dean Straus wasvacationing in upper Michigan.Harper to 2The festival of Chicago comedy Inside GCJ p. 7Opinion p. 4 Sports p. 21fay Abbe PletnunThe Chicago Festival ofComedy, dubbed “acelebration of the comic spiritin Chicago,” brings to lighttwo questions. First, why acomedy festival in Chicago,and second, why here?About a year and a half ago,Joan Cowan, assistant dean ofthe University extension, andVirginia Wright Wexman, amovie critic for the Reader,hatched the idea of sponsoringa reunion of the performersfrom the old Compass Bar on55th St., the first im-provisational theater in thecountry. The idea gainedsupport from Ranlet Lincoln,dean of the University ex¬tension, who gave the twowomen the go-ahead.The job of tracking downperformers and funds fell toMarsha Cassidy of the ex¬tension division. Under hersupervision, the scope of thefestival was expanded to in-clude Chicago radio. television, politicalsatire, and editorialcartooning. Featuresfrom Chicago radiocomedy, prevalent inthe twenties, include“Amos and Andy,”“Fibber McGee andMolly,” and Vic’n’ SadeHighlights fromChicago television ofthe ’forties are“Garroway at Large”and “Kukla, Fran, andOllie,” among others.Letters written topotential guestsprompted enthusiasticresponses. To date, onlyAlan Arkin and BobNewhart turned downthese invitations due toprevious commitments.The National En¬dowment for theHumanities inWashington turneddown a petition for funds. The Festival thenturned to the IllinoisArts Council and theIllinois HumanitiesCouncil for support,receiving close to$12,000. Originally, tne$40,000 Festival con¬sidered charging noadmission fees, but a$28,000 deficit has to bemade up in ticket salesif the festival is to breakevenBecause of financialdifficulties, the festivalwas “on and off for along time,” confrontedwith the prospect ofbeing less than the“public program in thebroadest sense” thatCassidy had envisioned,with tickets runningbetween two and fourdollars for eachprogram Cartercomes toSouth SideJimmy Carter, democraticpresidential candidate, brings hiscampaign to Chicago thisweekend. On Sunday, he willappear at the Tabernacle Baptistchurch, 4130 S. Indiana ave. Therally is being sponsored by theMetcalfe congressional cam¬paign and the Carterorganization The rally starts at 3pm, and Carter is expected toarrive at 3:30 pm.Despres speaks out, knocks LathropFormer fifth ward alderman LeonDespres has ended his self-imposed silenceon the performance of his successor,criticizing current alderman Ross Lathropfor being too “quiet and passive.”Despres, who was dean of a small band ofindependents in city cowcil, retired in 1975after 20 years as alderman.Speaking Tuesday night on Universityradio station WHPK Despres said, “His(Lathrop’s) concept of the office is a farmore passive, qiriet approach to theproblems of the ward.” Despres explainedhis own actions in office as “deeply im¬mersed in community affairs, deeplyresponsive, active, energetic, taking theinitiative but always in response to thecommunity.” Despres said that Lathrop isnot active enough, not responsive enoughto the Fifth Ward Community. “Now,”says the former alderman, “everything isquietly and cautiously run. When peopleask insistently for help he gives it, the restof us used to be energetic...you have tosearch out the areas of the ward thataren’t pressing you, it’s very important togo after the people who are notdamerous.” Lathrop is “the quiet man.”He waits for people to come to him.Asked to comment on Lathrop’s positiveachievements, Despres found it verydifficult to think of any. Grouping himselfwith the two aldermen who preceded him,Aldermen Robert Alerria and PaulDouglas, Despres said “We had someconscious, articulated goals for the wardthat we worked very hard to achieve, thatwe pushed for. That’s the style oflegislating that I like and that many peoplelike. That’s the style of legislating that Ilike and that many people like. That’s notRoss Lathrop’s style. “Does AldermanLathrop appear to have any goals for hisfour years? “He’s not expressed any.”In a telephone interview followingDespres’ radio appearance, Alderman Lathrop seemed taken back at Despres’scomments. He agreed that he has. a“different conception of the office, foreach incumbent must necessarily shapehis own office.” As Lathrop listed some ofhis achievements in-the year and a halfthat he has held office it was clear that heviews his role in a much less personal levelthan Leon Despres would find acceptable.“It’s not my style,” says Lathrop “to dothe P.R. work, the kind of telling peoplewhat we’ve done work.” Instead, heclaims to work diligently and effectivelyby keeping less in the spotlight.Lathrop is unhappy with his own“communication with the constituency.”Although he admits that “We need a greatdeal more work in that area (the area ofcommunication), he said also that “con¬stituents enjoy an equal obligation to me,the obligation is for me to go to them andthem to go to me.”Lathrop feels that his achievements inthe City Council have been substantial.Serving as one of five non-machinealdermen on the Council, Lathrop is theonly one to have had legislation passed andhe takes partial credit for the fact that“independently introduced legislation isno longer laughed at, no longer sent to thegraveyard.”In terms of achievements immediatelyaffecting the ward, the Alderman saysthere has been “one helluva lot of physicalupgrading in the ward itself.” A surveydone when Lathrop first took office foundthat 129 of 5000 streetlights in the wardwere malfunctioning. Eighteen monthslater this figure has been reduced to thirty.Tfie Alderman continued, “We producedfour times more asphalt for potholes andhad four times as many sewers cleaned outand rebuilt in one year than was true forany of the previous four years.Despres views these kinds ofachievements as “things that have been done of a sort of routine nature, things thatany alderman does.” The former aider-man finds a lack of “any dramatization ofissues.” “You don’t have any greatleadership or articulation of issues, anyrallying of people around certain issues.We tried to make this an exciting ward, wetried to stimulate support and concern.”As Despres sees it, Lathrop’s style“promotes apathy.”Despres said repeatedly that “Lathrophasn’t created any great resentment oranger. That’s a negative achievement butit’s something.” Are people in the wardsatisfied with this type of alderman? “Wellthere’s no great satisfaction, the majorityof the people of the ward don’t have muchconsciousness of who the alderman isanymore...they’re simply acquiescent.’’Lathrop spoke of such issues as theredevelopment of the South Shore businessarea (71st Street) and in Hyde Park thecommunity development on 53rd Street(i.e. the new MacDonalds which is beingbuilt) as issues in which he has taken theinitiative and actively worked for com¬munity response.This past year has been a very quiet onefor the Fifth Ward in that there have beenno strong issues and no great crises. DoesDespres feel that Ross Lathrop would becapable of handling a crisis if one were toarise? “I’d hesitate to say that he’s not,because sometimes a person can becarried along on a wave and carried rightthrough. Politicians often get credit forthings they haven’t done...it is quitepossible for a wave to carry through cm acrisis.”So, as Leon Despres sees it, we wouldhave to hope for a wave if anything im¬portant comes up, and further hope thatAlderman Lathrop will be carried throughon that wave. Certainly Despres doesn’tsee any signs that Lathrop will make hisown waves in the future of Fifth Wardpolitics. •- Harper from 1Straus said her first reaction to the news!was one of “shock.” 1“Then I took a pragmatic view.” gJsaid. “The wall (dividing the office fctjJthe remainder of the Wieboidt room) wasbuilt and there was little chance it womJbe taken down. We have been told u Jtemporary — but temporary things have away of becoming permanent. And even if ft \is vacated, it may or may not revert back Itothelibrary. J“Fight now we are interested in getting jit back (when the period of allocation, tvyears, is up). If undergraduates were irise up and start using their library, v* |can get it back,” she said.Straus was asked whether she thoughthe college had “gotten the shaft” in thenew arrangement. She paused for severalseconds before responding, “That thoughthad occurred to me.”Reaction from 1Harper library serves as the primaryacademic resource center for the college.Many students claimed Wieboidt was the imost comfortable room. One student!that Harper Reading RoomNorth Room were too cold during the |winterOne student circulating the petitionmaintained that her only objective is tohave the temporary walls removed and theWieboidt room removed. She added thatthere is no point in trying to (dace blame |for the action.HYDE PARK'S BIGGEST CHEESE SELECTION AND LOWEST PRICESIT HAPPENS FINALLY...WE LIVE UP TO OUR NAME!) ON THIS SUNDAY WE will deliver to anywhere inHP-KEN. ONE (OR MORE!) FLUNG LOX BOXES FOR THE PRICE OF SIX THIN $1.00BILLS. IT WILL CONTAIN ENOUGH LOX FOR TWO (COUNT THEM TWO) GENEROUS SANDWICHES, BAGELSFROM KAUFMAN'S, CREAM CHEESE (CHIVE REGULAR OR PIMENTO), YOUR CHOICE OF COLE SLAW ORPOTATO SALAD, AND TWO GENIUNE DR. BROWN'S SODAS. ALL THIS AND DELIVERED BEFORE 9:00 AMSUNDAY TOO. THERE IS A CATCH HOWEVER, YOU MUST PAY FOR IT BY SATURDAY NIGHT. FOR $1.00EXTRA WE WILL ALSO DELIVER ONE FRESH SUNDAY N.Y. TIMES.BY THE WAY AS AN INDUCEMENT WE WILL ALSO HAVE ON SALE:HALVAHWISC. COLBYFRESH SMOKED STURGEONHOURS:M- F. 10 A.M.* 8 P.M.SAT. 10 AM.-8 PM.SUN. 8 A.M.- 3 P.M. 1 ^ per lb- HAND SLICED LOX 11 "per ib.1 69pir lb. FRESH CORNED BEEF 4"per ib5"per ib. AGED VERMONT CHEDDAR ^per ibDR. BROWN'S SODA 35C each5500 S. CORNELL241-7050 or 241-70512 — The Chicago Maroon — Friday. October 8,1974CLOSELY BOUNDnewstanwas'ouldit is>vealifit^acktwo« to»w«the,eralJghtaryJge.thelentionthe CalendarFridayn]mg- Short Subject—ENTRACTE;frilS ANDALOU; SIMON OF THESEBT; and PEEP SHOW; 8 & 10 p.m.bbJSICtaBNEBI STBING QUARTET:flber Music Series. (Arnold Steinhardt,,. John Dailey, violin; Michael Tree,!!» David Soyer, cello). Music of Bartok,vden & Beethoven. Mandel Hall. 8:30i Adm: $6; UC student, *3. A limited„ber of tickets for the entire Series of fiverrerts are available at $17.50, general; $15,‘ faculty & staff; $9, UC student. Ticketsi information at Concert Office, 5835iversity Ave., 60637; 753-2612.,^-NlGHT JAZZ: Starts tonight at 10PMWHPK-FM 88.3, with free Jenry Jeffker albums and “Whistlestop” whistleslisteners. The “Whistlestop” giveawayntinues all weekend long on WHPK.{EATER)RNET: Court Theatre presents Facets(rformance Ensemble in CORNET, 8:30ro„ New Theatre, 1st floor, 57th &aiversity. Tickets: Students $2; others $3.ons: Fri., Sat., Sun., Oct. 8,9, & 10SMINARSEOPHYSICAL SCIENCESDLLOQUIUM: Jack E. Cermak, Fluidechanics and Diffusion Laboratory,jlorado State University, PHYSICALODELLING OF THE ATMOSPHERIC3UNDARY LAYER, Friday, 1:30 p.m.,uditorium of the Henry Hinds Laboratory;’34 Ellis AvenueELIGIOUS SERVICE!0CKEFELLER MEMORIAL CHAPEL: 9m., Ecumenical Service of Holy Corn-union, followed by breakfast in the Chapelndercroft. 11 a.m., University Religiouservice. Preacher: E. Spencer Parsons,ean of the Chapel. Sermon: “God and the[ystery of Life”rthodox (Yavneh) Service: 6:OOp.m., Hillelouse Conservative Services: 6:30 p.m.,illel HouseiDAT SHALOM SHABBAT DINNER: Inie Sukkah. Sign up in advance at Hillel(ouse, $2.50,6:45 p.m.[PORTSWOMENS TENNIS: State Cham-ionships (Also Saturday, Oct.9) Varsity &tagg Courts.PECIAL EVENTHE RADIO HUMOR OF “VIC ’N’ADE,” with Clarence Hartzel {“Uncleletcher”), Bill Idelson {“Rush”), FranklinIcMahon, artist-reporter, and Jeanhepherd, humorist; moderator—Chuckchaden, radio historian; with audio-tapesf'“Vic m Sade” 8:30 p.m.. Breasted Hall ofriental Institute, $2.Saturday40VIESSF Filins: GRAND ILLUSION, 7:15 &:30 p.m., Social Science 122, $1.JNCERTSbY JEFF WALKER & THE LOSTZO BAND PLUS VASSARELEMENTS BAND 8:00 p.m., Mandeltoll- Tickets available at Reynolds Clubfesk 57og University AvenueHEATERBNET: See Friday, October 8 listing.THEATRE FESTIVAL OF(/~jTASY: Mike Brandwein, magician, forages 4-10, 11 a m.. Mandel Hall, humorists by Will Geer; discussants—Hamlin Hill, Univ. of New Mexico, andWalter Blair, Prof. Emeritus, UC; 8:30 p.m.,Reynolds Club Theater, 5706 S. University,$3.“The Early History of the Solar System: AnExperimental Viewpoint”: Topic of aSaturday morning public lecture seriesbeing held October 9 through December 11.The third series of Compton Lectures,sponsored by the Fermi Institute, will beheld at 10 a.m. in room 133, Eckhart Hall,1132 E. 58th St. Ian Hutcheon will be thespeaker for all lectures. First talk will be:“The Origin of the Solar System, or ’In theBeginning.”’RADIOWHISTLESTOP GIVEAWAY. Starting at 9a.m. Saturday morning, WHPK-FM will begiving away HPKCC “Whistlestop”whistles, at the rate of at least one or two perhour, all weekend long: on the Saturdaymorning jazz shows, on the Saturday nightrock shows, on the Sunday R&B shows, andon the Sunday night jazz shows.FOOTBALL: HEAR the UC/Beloit gamelive on WHPK-KM 88.3, with Tom Bradleyand Mark Pennington doing the play-by-play. Pre game shows starts at 1:30 p.m.WORLD PREMIERE Hear the worldpremiere of Thin Lizzy’s new album,“Jimmy the Fox.” Peter Mensch willpresent its world premiere at 9 p.m., WHPK-FM 88.3.SPORTSUC soccer vs Trinity: away 10 a.m.UC Womens Field Hockey vs Rockford:away 10 a.m.UC Cross Country: Spring Arbor Invit.:awayUC Football vs Beloit: Away 1:30 p.m.SPECIAL EVENTSDel Close Improvisation Workshop: 2:00-5:00 p.m. The Cabaret of Comedy, BergmanGallery, 5811 S. Ellis, 4th floor. Enrollmentlimited to 20. $10.Trip to Morton Arboretum: Chance to seefall foliage. Arranged by CrossroadsStudent Center for students. Leave 5621 S.Blackstone at 10 a.m., return by 5 p.m.Drivers needed; non-drivers-$l. Bringpicnic lunch and hiking shoes. Call 684-6060to sign up.SundayMOVIESDoc Film: CUL-DE-SAC (Polanski, 1966)Social Science 122; 7:30 & 9:30 $1.CIVILIZATION: Film series on the historyof Western Art written and narrated byKenneth Clark. First episode, “The FrozenWorld”, Sunday, 8:00 p.m.; CrossroadsStudent Center, 5621S. Blackstone Avenue.MUSIC“An Evening Of Bach”: conducted byJoshua Rifkin; soloists—Ray Still oboe;Susan Davenny Wyner, soprano; GershonSilins, baritone. 8:00 p.m., Mandel Hall.Tickets: $6; students with I.D. $3.50; UCstudents with I.D. $3; $1 discount for UCAlumni & CMS subscribers. Tickets atConcert Office, 5835 UniversityLECTUREWoodward Court Lecture: S. Chan¬drasekhar, Dept, of Physic, “Why are theStars as They Are?-Some Reflections”Woodward Court, 5825 Woodlawn Avenue,8:30 p.m.CLUBSComputer Club: meeting, Reynolds Club, 1p.m.lectures^<sr>e Sense”: a reading of Chicago inrfU|i—wWit Campaign Committee: can¬vasser’s organizational meeting, 4 p.m.,Independent Campaign CommitteeHeadquarters, 53rd and Kimbark. Bridge: game played, 3 p.m., CrossroadsStudents Center, 5621 S. Blackstone. In¬struction provided if desired. 684-6060Changes Meeting: subject of CreativeThinking. Blue Gargoyle, 7 p.m.RELIGIOUS SERVICESRockefeller Memorial Chapel: 9 a.m.,Ecumenical service of Holy Communion,followed by breakfast in the Chapel Un¬dercroft. 11 a.m., University Religiousservice. Preachers: E. Spencer Parsons &M. Magdalene Rocky.Jewiah Women’s Group: 7:30 p.m., HillelHouseServices at Brent House: 5:00 p.m. Vespers,6:00 Social Hour jmd Supper !$1.25), 7:15Program/discussion. Brent House, 5640 S.WoodlawnTHEATERCORNET: see Friday, October 8.SPORTSCROSS COUNTRY: UCTC OPEN 4 MILE:Washington Park, 3 p.m.SPECIAL EVENTSAn Evening with Steve Allen: Moderator:Robert Streeter, Prof, of English, LawSchool Auditorium, 8:30 p.m., $4.Monday LECTURESStatistics Seminar. 3:30 p.m., Eckhart 206Chemistry Lecture: “A Total Synthesis ofGliotoxin”, Prof. Yoshito Kishi, Depart¬ment of Chemistry, Harvard Univ. 4:00p.m., Kent 103The Second City Cast: a sampler of currentroutines. Followed by a discussion withBernard Sahlins, producer of The Second* City; Edward Rosenheim, Jr., Prof, ofEnglish, U of C; George Anastaplo, Prof, ofPolitical Science, Rosary College; andmembers of The Second City Cast. MandelHall, 8:30 p.m. $3.CLUBSChess Club: 7 p.m., Memorial Room, IdaNoyes second floorKarate Club: 6:30-8:30 p.m. Ida NoyesFolkdancing: Beginning level with teaching,8 p.m., Ida Noyes, 50 centsSpanish Class: Conversational classes forbeginners or intermediate. CrossroadsStudent Center, 5621 S. Blackstone, 7:30p.m. Taught by a native speaker. $5 perquarter for students, $8 for non-students.684-6060 to register.HILLELYiddish folk song Group: 6:00 p.m., HillelHouseBeginners Yiddish Class: 7:00 p.m., HillelHouseAdvanced Yiddish Class: 8:30 p.m., HillelHouseBible Study: 7-8:30 p.m., Brent House, withRichard Jurgensen, Lutheran CampusPastor and John Hurley, Roman CatholicChaplinMOVIES SPORTSNam Films: SAMBIZANGA, Cobb Hall,7:15 & 9:30, $1.50 UC Women’s Volleyball vs Mundelein: IdaNoyes 7 p.m.NEWGRADUATESTUDENTSDon't forget Your orientation-Anecdotes about the Universityfrom popular faculty members andfun with fellow graduate students.4:30 p.m.Oct. 11Oct. 12 .Oct. 13Oct. 14 —PLEASE JOIN US!—Ida Nyoes HallJonathan Z. SmithEric CochraneMargaret RosenheimNorman NachtriebPlease call 753- 3591 if you would like tocome on an afternoon other than the one youwere invited to.Refreshments courtesy of select HydePark Restaurants: Court House, Kaffenio,Lucitas and House of Eng.The Chicago Maroon — Friday, October 6,1976 — 3>EditorialsThe deficit endsAfter three years of belt tightening, the Universityhas a balanced budget. Since 1973-74, a year in whichthe budgetary shortfall was $5.9 million, theoverriding concern of the University administrationhas been the elimination of the deficit.Ramifications of the three-year effort have been feltat all levels of the University. The planned reductionin the size of the faculty, the rapid increase in studentenrollment, and rapid decline in the real value ofUniversity expenditures go to the core of the in¬stitution.The impact of the austerity on the quality of theUniversity’s programs is not easily measured.Provost D. Gale Johnson suggested in last week’smemo that “the University has passed through a verydifficult period of adjustment without loss of quality ormorale.”Provost Johnson did point to the reduction in facultysize as having significant impact on the University,particularly at the untenured faculty levels where therelative and absolute decline has been the greatest.In the period between June, 1970 and June, 1976 totalfaculty size declined from 1,116 to 1,076. During thesame period, the number of assistant professors andinstructors fell from 434 to 370. The drop in untenuredfaculty represents a proportional decline from 39percent to 34.5 percent of the faculty.The reduction in senior faculty was accomplishedthrough the normal process of attrition and a reducedhiring rate at the senior faculty level. Although thereduction in the number of tenured faculty did notimpose any hardship, the slowing down of new hiringat the upper faculty level threatens to seal the facultyoff from younger professors, and hence from thenewest ideas.For the untenured faculty, the last three years havebeen more difficult. With the limitations on the size ofthe senior faculty, the turnover rate for youngerfaculty members has gone up and the frequency oftenure has gone down. Troubling personal andprofessional pressures are the inevitable result.Simultaneous to the policy of faculty reduction wasthe successful effort to increase student enrollment.From a low of less than 7,500 in 1973-74, total on-campus enrollment has increased to a projected 8,200for this year, 200 more than anticipated in the originalausterity plan of 1973. The College has grown rapidly,while the size of most of the divisions has remainedconstant or declined. This year the College is expectedto reach 2,490, up from 2,079 in 1972.When juxtaposed with the decline in the size of thefaculty, the enrollment explosion of the last threeyears has serious, but unknown, consequences for thequality of the educational enterprise.The direct impact of the concomitant shifts is a dropin the faculty-student ratio. In 1975, the median classsize at the undergraduate level was 18. The medianclass size in the divisions is less than half than in theCollege, with considerable variation from division todivision.The impact of the changing student-faculty ratio hasnot been studied in a systematic way. The Universityadministration is quick to point out that the ratio atChicago is much higher than that of comparable in¬stitutions. At the same time, the administration isready to admit that the years of restraint havebrought the University to the borderline, beyondwhich further cutbacks will begin to take their toll.Assessment of the changing character of theUniversity should not be left to conjecture. A close,hard look at the quality of education at Chicago and atthe impact of the hard years just past is an immediatenecessity. It is incumbent upon concerned students tojoin in the assessment. Not to do so would represent afailure to achieve an understanding of and an inabilityto participate in the most basic processes effecting thefuture of the institution.The ChicagoMaroonEditor. Peter Cohn Founded in 1892New* Editor: Dan WiseFeatures Editor: Jan RhodesSports Editor. David RieserPhoto Editor: Dan NewmanAssociate Editor*: David BlumProduction Manager: Michael DelaneyGraphics: Chris PersansBusiness Manager: Niko MaksimyadisAd Manager: Doug Miller4 — The Chicago Maroon — Friday, Octobers, 1976 " tORR'i YOU HAD TO QUIT, EARL,BUT I UHDER57AMD"Letters to the EditorAbortion: response to Dean ParsonsAn open letterto Dean ParsonsDear Spencer,Thanks so much for speakingout on abortion last week. Yourpublic statement is probablygoing to accomplish exactly whatthe Catholic bishops have at¬tempted. to do through theirpublic statements on abortion,namely, to bring out the diversedimensions of the topic whichhave not yet been satisfactorilyaired and to enlarge thediscussion of the thorny issuesinvolved in this ethical, religious,cultural and medical matter.Hopefully, public consciousnesswill be raised, and the in¬tellectual resources this nationpossesses will be mustered in thestruggle to advance truth.As one who has met you andlistened to you, I respect andadmire your concern forwomen’s freedom and theseparation of church and state. Ishare those concerns. But theAmerican Catholic bishops alsoshare the same concerns in their“Right to Life” movement. In theAmerican Declaration of In¬dependence our forefathersstated that any truly just societymust affirm the “inalienablerights...of life, liberty and thepursuit of happiness.” I am sureyou and the Abortion RightsAssociation are attempting toexpand wo/nen’s individual“liberty and the pursuit ofhappiness.” The bishops in their“respect life” effort are em¬phasizing that at times individual“liberty” may conflict with themore fundamental right to “life”possessed by all persons,especially the defenselesselements: the unborn, the aged,the outcast. There is an obvioustension between these values of“life” and “liberty”, and, as youknow, it is difficult to resolve thistension.You are upset about the en¬trance of the Catholic hierarchyinto the political realm.Clergymen are accustomed tohear such complaints, ratherthan voice them. “Stay out ofpolitics!” was the cry to thosepreachers who spoke about civilrights in the 60's. “Pulpitpolitics!” was the accusationleveled against those expressingopposition to the Vietnam War or urging amnesty after the samewar. You, who preach so oftenand so eloquently, understand thedistinction between using thepulpit for partisan politicalpurposes, and using the samepulpit to preach on ethical issuesthat affect the political arena.The Catholic bishops have,indeed, entered the politicalrealm, as you did in 1969 whenyou joined the Abortion RightsAssociation. However, thebishops, like you, are not urgingthe election of one candidaterather than another. But thebishops do seek the influence allcandidates - and all citizens - toback an amendment protectingthe unborn. The social in¬strument which society hasdevised to prptect the weak fromthe strong is the law. Imperfectas the law may be, there is noother instrumentality availableto serve this purpose. Thebishops, along with many otherwell-meaning Americans desiresuch a protection. And I doubtthat you would deny them thisright simply because they are“religious*’ people. Are only “areligious” people allowed to seekto establish law?It is my hope that there will bemore public statements from youana irom the Catholic bishopscalling Americans to face othercritical life-issues that needresolution, especially those af¬fecting the poor, women, theaged, etc. If you or they speak outon only one issue, much of yourcredibility will be lost. Oursociety must be challengedrepeatedly to decide whether it isto continue in the present path ofemphasizing individual self-fulfillment, or whether it mustbegin to deal with the'objectivewell-being of society at large.The concrete actions taken inresponse to these questions mayseparate us; but thankfully wehave the opportunity to raise theconsciousness of the Americanpeople, and to prod them todetermine for themselves howtheir basic dream of “life, libertyand the pursuit of happiness” willbe best realized today.Reverend John Hurley,Calvert House Director To the Editor:Both sides in the current abortiondebate have failed to make explicittheir own answers to the rootquestion “What is the basis forlaw?”; i.e., it seems that a morefundamental issue is that of legalphilosophy.If, on the one hand, it is the natureof law to impose a particular ethic,then there is the dispute as to whoseethic is to be imposed in a pluralisticsociety.If, on the other hand, it is thenature of law only to limit eachsociety member’s freedom to theextent that such freedom infringes(Mi another member’s freedom, thenthere is the question of exactly whensomeone is to be considered a“member” entitled to protection.Romanticizing aside, an infantappears to be much closer to a non-viable fetus than to most adults.How comes it that protectionbasically intended for the adult(under this model) is extended to theinfant, and not to the unborn?Thus, one camp must answer whyone sin must be outlawed whileanother sin (likewise against otherpersons) is not, while the other mustanswer why some non-productiveorganisms may be disposed of atwhim while other non-productiveorganisms are protected.TimRoifeLockerfair playTo the Editor:Right under our very noses aspecial interest group has gainedcontrol of our sports facilities—namely organized sport. The factthat in regard to sports facilities theabove mentioned group is privilegedand all else are second class citizensrevealed itself clearly in the lockercrisis of the past week. Becauselocker space is no longer available inthe field house, it by no means im¬plies that those who would have usedthat space are entitled to thechoicest locker space in Bartlett tothe exclusion or inconvenience ofindividual practitioners of sportAfter all, participants in organizedsports presumably contribute nomore in the way of tuition towardsthe maintenance of the facilitiesthan anyone else. So why should theynot wait in the same lines for thesame locker space as everyone else?Fair play should not only bereserved for the playing fields.w-.cW" ic -\(V/V ’ 'iVi :«•kldridge Cleaver returned and reformedby Daphne Maddincaging Eldridge Cleaver at Nor-ho^tern University a couple of weeksreminded me of the Beach BoysScert there a year ago. The Beach BoysBid to show up, and it probably wouldWe been better if Cleaver, too, had met*same mysterious fate. His appearancea disappointment. I expected somesightful observations from that returned__ maybe an explanation of hisI Change of politics. But what I witnessedEL a polemic between Cleaver and somedissatisfied former disciples in hislaudience. It was a shame to watch CleaverI allow the discussion to degenerate intoI meaningless argument.Cleaver, you will recall, is a founder ofthe old Black Panther Party, anorganization variously described as aI movement for political power for theLeopie or an association of sociallyI enlightened thugs. Cleaver is most widelyknown for his book, Soul On Ice, writtenI during his stays in prison. The book wasconsidered a must for radicals and liberalsI alike. Cleaver also wrote, edited, andpublished the Panther nationalnewspaper. After a variety of exploits,Cleaver, facing indictment and a return toprison, fled to Canada and then made around the world sojourn to those altars ofradical political thought—Cuba, the SovietUnion, North Vietnam, China, and Algeria.In the end he settled in France, and, hesays, watched America change under theimpact of the Watergate scandal.The student moderator said that he had[spent the day with Cleaver, and that[Chicago:TheSportingby Barry KaptovttzHere, in one of the world’s premier[sports towns and at one of America’sgreatest sports factories, the unhappy factI is that things could be better. For fans,jpbflaaqpbes, and those who more or lessI participate and compete at different levels[of ability and temperament, sports inChicago and at Hie University Thereof canbe either paradise or the pits.If you prefer to participate as a fan,meaning primarily in a sitting or recliningposition with beer and beer gut well inhand—as a paying customer or in front of atelevision—you can spend four years inThe College and ten more in SocialThought before you’ll glimpse anythingremotely bearing resembalnce to a win¬ning tradition or championship calibre ofplay from any Chicago college orprofessional team in any sport.Chicagoans have more excuses andtheories for how and why their teams losethan CBers have handles. Only if you arealready seriously into chronic disap¬pointment and depression, in which caseyou’ve come here from Atlanta or Detroit(why?), wui Losing, Chicago Style, holdany appeal for you. Even Chicagoans,when they go at all, go more to see whoQiicago is playing against than to seeChicago teams play. All Chicagoans havea favorite team playing one sport oranother; the Red Sox, the Vankees, theMets, the Redskins, the Cowboys, theDolphins, the Raiders, the Warriors, theNuggets, the Sixers, the Cavaliers, thefocks, the Canadiens, the Blues, the[slanders, the Sabres, the Kings, Pele orme Rowdies.Fall is the time of year when sportsThe Chicago Maroon — Friday, October 8, Cleaver was a “sensitive and perceptiveguy.” Cleaver made a few short remarks.He announced that he had seen the rest ofthe world and that home was best. To me,it seemed like a heartfelt statement of anexile gratefully returned. I wanted to hearwhat he had to say.Cleaver said that what really “flippedhim out” about the Watergate scandal wasthat it would never have been uncovered ifa Made security guard hadn’t discoveredthe burglery in progress — “if some‘nigger’ hadn’t been walking aroundshaking doors,” Cleaver joked. However,the white radical left fringe was offended.One woman shouted, “We don’t use thatword here.” Cleaver’s response was thathe was sorry. He’d quite forgotten that hewas in Evanston.Cleaver quickly turned the evening intoa question and answer game, not a lecture.A small but hostile contingent of blacks,who claimed to be Panthers and Panthersympathizers, and a group of white leftistsattempted to control the dialogue. Cleaverallowed himself to be cast in the role of adefensive and apologetic high schoolhistory teacher. The atmosphere was likea theater of the absurd. Hie questionerskept popping up from nowhere, as if thewhole disturbance had been carefullyplanned. Hie hostile white and blacks didnot limit themselves to direct questions.Instead they recited long-winded,dogmatic laments, like prayers forCleaver’s radical soul, as if they wanted toperform a political exorcism on the spot.One white male questioner said he hadwarned Cleaver not to appear at St. Dominick’s Church in Chicago in 1968,because of a police plot to assassinate him.Cleaver had followed their advice. Now theman wondered, “Can you tell me, Mr.Cleaver, did I save a collaborationist?”The antagonists continued to questionCleaver about his sincerity and his formerbeliefs, his relationships with his formerPanther comrades, the charges he wascurrently facing, and the Fred Hamptontrial. Hie shouting match was bothemotional and pathetic. It ceased onlybecause the moderator stepped in andangrily demanded respect for Cleaver as aguest of the University. Cleaver himselfdid little to assuage their hositility. Heoffered to stay as long as necessary to dealwith the questioners, and then abruptlyterminated the discussion after someoneasked about his political future.Earlier on, I had asked Cleaver if he feltthat a political conversion like his — to aphilosophy which now included a belief in astrong military defense and foreign policy— would happen to most of the radicalheros of the sixties. Geaver replied byscolding me for using the term “mellowingout,” and said that all he could hope wasthat others would do what he was doingand tell the truth.I wanted to ask Geaver about hischanged attitude toward women — blackand white. He had been notorious for hisearlier defense of rape as a politicalexercise, but had now changed his mind.That morning, appearing on the PhilDonahue Show with Susan Brownmiiler,seasons overlap. In Chicago, though, theyear seems like one long losing seasonpunctuated only by the changing ofuniforms. A glance at the baseball stan¬dings as the season reaches its conclu¬sion locates both the Cubs and the Soxapproximately twenty five games out offirst place in their respective division.Highlights for both teams generally oc-. curred off the ball field this season, and onrare occasions when something notabledid happen on the diamond, it didn’t in¬volve playing baseball. The highpoint thisyear for the Cubs was undoubtedly whencenter fielder Rick Monday staged his ownversion of “90 Minutes Over Entebbe” inDodger Stadium, rescuing an Americanflag from two American Indian im-molators preparing to do their thing in left-center field. The Cubs do possess oneredeeming feature, their ballpark.Wrigley Field, along with Boston’s Fen¬way Park, remains one of baseball’s onlyromantic connections with its past. It isone of the sport’s minor ironies that suchan intimte and potentially excitingballpark has been the backdrop to the mostdepressing and mediocre of baseballorganizations197d — sall lHl Mi liMMH III Ijlll The Woe-Is-Me White Sox more thanmade up for their pale performances onthe field with the Bill Veeck Show off thefield. Beginning with a dramatic stroke-before-midnight purchase of the franchise,Veeck has reinjected his brand of “Bar-num Baseball” into Chicago and the rest ofthe major leagues: Ethnic nights for everynationality except the North Vietnamese,Breakfast at McDonald’s games, Fourth ofJuly picnics on the playing field, mother-in-law nights, Bermuda shorts uniforms,and a fifty-three year-old DesignatedHitter who just happens to be MinnieMinoso. They’ll lose for a while, but Veeckhas a knack for developing winners withunlikely talent, and anything is better thanthe ninety minute trip to Milwaukee to seethe Brewers. Things could be worse on theSouthside.After a competitive preseason and twoopening victories over teams slightlyfavored to beat them, the Bears cameright back down to earth, losing to theAtlanta Falcons (1(H)), one of the fewteams in the National Football League thatthey were favored to beat this season.Sunday, they trounced a stale and author of Against Our Will: Men, Women,and Rape, Geaver had apologized for whathe had said and done in the past. I wantedto ask if his new awareness was a result ofhis new celebrity status of reformedradical and his inclusion into the “blackbourgeoisie.” I refrained because theprevious barrage of questions had leftGeaver unable to answer any substantivequestions. At this point in the evening hewas too paranoid about his political self-defense to respond with anything otherthan empty rhetoric.In the course of the evening, Geaver didmake a few humorous and perceptiveobservations about current Americansociety. He commented knowledgeably onthe complexities of race relations In Cuba,Algeria, and Africa with particular detailnot usually available to the casual politicaldogmatists. He said that his disen¬chantment with the radical left had ac¬tually begun during the height of hisnotoriety as a counter-culture hero.Geaver was also asked who he supportedin the Presidential race. His wittyresponse was to wonder who he shouldsupport in public — the candidate he ac¬tually wanted to see win, or the opponent?I could not help feeling that some of thecomments and questions were simply inbad taste. What most of us wanted was tohear this relic of modem American historyattempt to explain his metamorphosis — toexplain the fact that Eldridge Geaver isnow an older and a wiser man. Un¬fortunately, a too vocal minority refused torecognize the simple fact that time passesand things change.Spunky’scampaign notebookWashington—The popularity of JimmyCarter’s witty campaign slogan, “fritzand grits”, has prompted the Presidentto respond with his own ingeniousjingle, “Ford and Dole”.Plains, Ga.—In a related story, Carterdenied early this morning that he iswriting a new autobiography entitled,“Why not the breast?”San Francisco—Gerald Ford andJimmy Carter, acknowledging thattheir first debate was dull andunimaginative, have agreed to formatchanges fopr their third encounterFollowing a swimsuit, evening gown,and talent contest, the candidates willbe asked such questions as, “whatwould you do if you had a milliondollars?” and “do you think a boyshould let himself be kissed on the firstdate?”exhausted Redskin team that had playedan overtime thriller in Philadelphia theprevious Monday night. They have wonthree and lost only one — their best start inhalf a decade — but the jury is still out onthan. Hie Bears have been losing badlyand “rebuilding” since Gale Sayersretired. “Rebuilding” has featured aperennial succession of dismal tomediocre quarterbakes, conservativeoffenses (not to be confused with ballcontrol), and porous pass defense WalterPayton, who is not a Gale Sayers imitationbut a Walter Payton original, brings life tothe backfield, but the offense is as con¬servative as ever and the defense has yetto face an All-Pro quarterback. With theirgood start and their good schedule (anyschedule that includes playing Green Baytwice is a good one), though, they’ll have achance at a 7-7 record, their best in years.Even with Bobby Orr in his prime aodhalf a dozen other serviceable stars, ISporting to 21Mffld a ffi£ sjstmlki lessm itmAt Tonight's Mini-Lesson you II actually improve yourreading efficiency, both speed and comprehension,by using our techniques which have worked for over1/2 million people just like you.Whether you're a "Lazy Reader" unable to concentrate,a "Word-at-a-time Reader" who spends days,'weeks,and months reading material that should take minutes andhours, a reader who can't remember anything you read,or a "Skimmer", who reads fast but retains little ..we can help you.All the advantages of Evelyn Wood Reading Dynamicswill be explained and demonstrated completely at theFREE Mini-Lesson. Stop wasting valuable time . ..you've got nothing to lose, everything to'gain!Attend a FREEMini-LessonBRING THIS COUPON TO THE MINI-LESSONAND RECEIVE A $25 DISCOUNT OFFTHE STUDENT TUITION RATESCHEDULE OF FREE MINI LESSONSIn The Library Of The Blue Gargoyle5655 S. UniversityMon., Oct.4 7:00 pmTues., Oct. 5 7:00 pmWeds., Oct. 6 7:00 pmThurs., Oct. 7 7:00 pmFit, * Oct. 8 7:00 pmIf you cannot attend a Mini-Lessoncall Pam Modica at 236-1996 forinformation and registration.Most people go through life reading,without ever learning how! t mEVELYN WOODREADING DYNAMIC!6 — The Chicago Maroon — Friday, Octobers, 1976r-N i r\ i \/ r*l I I t i r-N.The Chkago Maroon's Weekly Magazine of Criticism and the ArtsmlrMis8fi8$p** Comedy and Protest:a Gregorian Can’t)ick Gregoryonner in 1964. Photo: Michael By Steve BlockThe Festival of Chicago Comedy,sponsored by the University ofChicago Extension, made a successfuldebut last Friday night as a sell-outcrowd packed Mandel Hall right to the“cheap seats,” as the evening’sheadliner would later describe thedistant balcony.The comedy got off to a good startwhen the Dean of Extension, C. RanletLincoln, faced with microphonetroubles when making the introduction,commented that “our delay was onlyAVi minutes,” referring to the dif¬ficulties at the first Ford-Carterdebate. The topic, he explained, was“Laughter and Poliltics.” “As acomedian, political activist, andhumanitarian, Dick Gregory makes agood connection between Comic Artand Political Action.” Gregory immediately set the pace forthe show by asking that the houselights be turned up. “When you’vemessed with the CIA for as long as Ihave, you want to see the assassins.”After establishing this mood he ran thegamut from Ford and Nixon to the FBIand CIA. However, when Dick Gregorydoes an FBI joke, he does it from astandpoint for comedians can claim:"personal experience.“When I knew that my phone wastapped, I went to my lawyer. ‘Let’s goto court to get it taken off.’ Trouble is,the judge gave the order to allow thewiretap.”“You can have fun with the spies,though. Call home, and read thealphabet backward. They’ll be up allnight cracking the code. ‘Niggers areplottin’ somethin’ big tonight.’ ”(continued on page 16) D. Bright’s conception of Gregory in 1976By Toby Lou HofalundTo some last week’s Chicago Sym-ony Orchestra opening might haveaded routine. After all, thei, Schubert’s Symphony No. 9Strauss’ tone poem. Einleben, was not especially ad->me. However, it turned out to[rather special. - .reason was that two weeks agoicago was visted by the touringis from Israel and Buffaloaducted, respectively, by Zubinhta and Michael Til son Thomas.Israel Philharmonic has a fairlyreputation and the Buffalo issidered a few ranks above manycity orchestras. The Buffalo in An Expected SurpriseSome of the players in the Chicago Symphony Brass section music of Mozart, Beethoven and Ives,and the Israel in those two orchestralblockbusters, Bartok’s Concerto forOrchestra and Berlioz’ SymphonicFantastique, had exciting momentsand some that seemed to go by withoutremembrance. The Israel playedtogether well, had respectable brassand woodwinds, but especially thin inthe strings. Nothing great, mind you.But adequte.“But adequate” is not the phrase todescribe that Chicago Symphonyconcert and its musical director, SirGeorg Solti. The Schubert SymphonyNo. 9 was a masterpiece of clarity,correct phrasing, shading and vir-(continued on page 16)I didn’t want to go homeBy Ken Wissoker ■It is rare these days to see a real band play. II had seen some, but now I realize I’d seenJy tight acts from which a band occasionally1. Southside Johnny and the Asbury Jukes, —aying at the Quiet Knight last week—proved to be aband. They are that type of group which playedtown YMCA’s while they tried to plot a future'themselves. As they played, week after week, theyId wait to hear from the bass player’s cousin whosomeone who worked at Electric Ladyland orlike that. And as they waited, the saxwould memorize the riffs off every Fatsalbum, while the drummer learned to playbad” with his toes. The Band started like this, anddid the Allman Brothers and Creedence Clear-Revival—but most bands just disappeared.Johnny and the Asbury Jukes are fromPark, New Jersey, and, watching them, it1 that they must have been playing around therew isest 10 years. Of course its a lot easier to breakthat circuit and get a real job when the guy youto jam with down at the bar is BruceSoothnde Johnny and the Asbury Jukes remindof the band in American Qrafitti. I only saw theonce, and that was three years ago, but I still•n image of that band. Just a few years olderthe lads dancing, the band really frit the ex¬tant of their music.Asbury Jukes are like that—a very tight bandi the style of Van Morrison on IBs Band and Street Choir. The sound is rich and thick, and it never getssloppy. The horns play with the band and not againstit.Everyone in the band but Johnny wears a whitesuit and most have on dark glasses. Everyone hascirca 1963 short haircuts, and the one beard looks outof place.Southside Johnny looks the most alien, almostmod, with his red glasses and straight blond bangs.He gesticulates flamboyantly in front of the band,tossing his head to the sound of the horn section. Hedoes not look like a rock singer. He lories more likesomeone working at the post office singing nights in aband to pick up some record money.The band plays hard, concentrating on ignoringJohnny. This is my imoga of Ronnie Hawkins, asecond rate Carl Perkins imitation, playing in frontof The Band, who used to be his backup group. Asthey played roadhouse bars across Canada, TheBand eras developing new musical ideas, butHawkins would just get up and belt out the samesongs every night.Fortunately, Southside Johnny has a lot moretalent. Hie style hovers between self parody (TheRamonas) and sincerity (Tbs Band). Just looking atHim, it teems as though he’s doing a spoof on singershe has seen on the Midnight Special. Hearing thesongs though, it is clear that be means every word.At the heart of the Southside Johnny album, titled“I don’t want to go home,” are two songs written forHim by Bruce Springsteen, “The Fever” and “YouMean So Much to Me,” two fantastic R&B numbersthat could easily be mistaken for rid standards. It is the Springsteen of “Spirits in the Night” rather thanof “Thunder Road, ” except there is even greateremphasis on rhythm and melody and the lyrics arekept simple.Springsteen’s guitarist, Mianti Steve Van Zandt,produced the album and contributed two good songsand one genuine killer, “I Don’t Want to Go Home.”“Oh I know that it’s getting late, but 1 don’t want togo home,I’m in no hurry baby time can wait, ’cause I don’twant to go home,Listen to the man sing his song, hut I don’t want togo home,I don’t mind if they take all night long, cause Idon’t wanna go home.(Listen baby)—I know we had the time, to reach upand touch the sky(Baby) Whatever happened to you and I that I don’twant to go home.”c 1976 CBS Inc.As with few other songs, “Don’t Think Twice It’sAlright” comes to mind; the melody and the lyricsseem to have been conceived together, for they areinseparable. The band's sound is that kind of brasssupported R&B that is almost formulaic. The soundshave been correlated to the same lyrical idaas in somany songs since Lieber and Stoller and before, thatcue knows what the aoc£ is saying even when thewords are indecipherable."In concert, they blew out the music, and it erasevery bit ae polished and dear as on record. Therewas no lull, no period to sit back and think aboutwhat to do after the concert, because every songconnected To the laet chorus of “Stager Las” (thesecond encore) the show was the beet I’ve seen sincelast September, when King Bruce was in town.Southside Johnny won’t be the next anything, but hehas the beat band this side of Atlantic City.The Chicago Maroon — Friday, October S. — 7TheaterOrganicVolponeBy John LenahanVolpone, by Ben Johnson, is the only dra¬matic satire I know that assumes the struc¬ture of a tragedy, not comedy. The playhas a delightful irony, in that Volpone'ahubris is not a virtue accentuated to thepoint of vice, but vice accentuated to thepoint of virtue. It is Volpone’s pride when heis caught in his own scheme of corruption,not the perspicacity of the Venetian judgesnor the virtue of Celia and Bonario, thatexposes the guilty and saves the innocent.The play has a serious note of cruelty andcorruption which, once the sub-plot of SirPolitick and Lady Would-Be is removed,unifies the work and gives it a bite that goesbeyond simple satiric ridicule.The work, however, is a satire, and muchof the action is intended to be ridiculous,however serious the message of the play.Unfortunately, the current production ofVolpone by the Organic Theater, at theVictory Gardens Theater, misinterprets thisridicule to mean that the play is basically afarce. There are certainly farcical elementsin the work: the Corvino-Celia subplot is abrilliant rip-off of Machiavelli’s classiccommedia piece, La Mandragola; and therelationship of Volpone and his servantMoaca is straight out of Roman comedy. Thedirector, Stuart Gordon, concentrated onthis aspect of the work, and it came acrossas if it wereJ>y Feydeau, not Jonson. Theresult was, in my opinion, all icing and nocake. Mr. Gordon made his cast expendconsiderable physical energy, and exercisedhis own visual imagination well in somescenes; but the production lacked thestructural backbone of tragedy that makesVolpone one of Jonaon’s few three-dimensional characters, and the play theintriguing and complex work that it is.The cast was hampered by Mr. Gordon'sapparent insistence that they assume thephysical mannerisms of the charactersrepresented by their names. Although this“pick "an animal that represents yourcharacter” direction can be a useful tool foractors early in rehearsals, it works bestwhen the performer is able to submerge theanimal mannerisms to a somewhat less thanobvious level. Had Mr. Gordon chose todirect the play as a pure allegory on greedand corruption, this use of animal man¬nerisms might have succeeded, and theproduction would have assumed the sim¬plicity of a fable. Instead, he had the castact like animals, but directed the show as anextremely physical, essentially empty, andeven nihilistic farce. The result was that theanimal mannerisms became distracting andeventually annoying, and hindered theenergy of the play.Richard Fire, as the foxy Volpone, suf¬fered most from Mr. Gordon’s failure tograsp the tragic structure of the play. Mr.Fire's Volpone was oddly powerless, bored,and unmotivated; a pawn, a rich and kinkyeccentric who enjoyed having his servantprovide amusements for him. Mr. Fireaccepted his character's greed as a given,and did not use the role, as Jonson hadintended, to examine greed. Volpone is lees“greedy” than he is greed itself: that is thethrust of Volpone’s character, and onewhich Mr. Firs failed to portray. The playthus lost the keystone of its entire tragicstructure, and the production simply fellapart.Tom Towles as Moses, Volpone’aparasitic fly of a servant, was able to cap¬ture Moeca's sly and slimy urban unc-tiouaneea, although he was hindered by hiecontinue! buzzing at the beginning and endai hit sentences. Mr. Towles realized thatMoeca is often the one link that connects thefareial and serious elements of the olav. andhe focused his scenes, preventing theproduction from falling into chaotic com-midis pamfamonhan. Mr. Towiss alsocaptured Moeca’s resigned cynicism, andthus did what he could to add his share ofdepth to the production. cut through all her needless fretting andBetty-Boopisma. Ms. Purdy-Gordon camedangerously close to parodying the “virtuein distress" that Celia represents, in herattempts to make Celia a real person. Celiais admittedly a wooden role, and not ahuman being. Jonson’s roles for women,with the possible exception of Dol Commonin The Alchemist, simply aren’t very good.Fortunately, Ms. Purdy-Gordon’s inherentsensitivity as an actress gave Celia thebackbone she needed to provide the onestandard of virtue by which all the othercharacters are ridiculed. Ron Koules asBonario, the son of the ravenous Corbaccio,unfortunately destroyed the necessary,although admittedly vapid, virtue of hispert by parodying Bonario as some kind ofcross between Beaver Cleaver end CrusaderRabbit.Michael A. Saad, as Corbaccio, was theonly thoroughly successful characterizationin the show. Mr. Saad has an energy and asimple directness that conveys the crotchetymiserliness of his character. Mr. Saad alsolet his amazing costume tell the audience herepresented e raven, and fortunatelyrefrained from either moving or cawing likeone. Dennis Franz, as the corrupt carrion ofjustice, Voltore, however, did not follow Mr.Seed's excellent example. Mr. Franz’sperformance, especially in the first half ofthe play, was obfuscated by his chronicflapping and cawing in a number of inop¬portune moments. Only' during the trialscenes, when Mr. Franz played Voltore as aperson and let his costume do the animalact, did his performance assume power; andthen he successfully added one of the fewserious notes to the production. Joe Man¬tegna, as the ridiculous and cruel wimp,Corvino, occasionally let hie crow imitationstand in the way of his performance; butgenerally he captured the essence of the onecompletely farcical and loathsome characterof the play. Mr. Mantegna, however, couldhave concentrated more on Corvino’s pettycruelty to his wife, Celia, instead of garblingaome of his best speeches in a stagey ItalianWilliam J. Norris was interesting as thethree of the originally four Venetianmagistratas, who. eventually punishVolgpne and his cohorts. I only wish he hadplayed Volpone—he would have beenperfect. The bizarre trio of Nano the dwarf,Androgyno the hermaphrodite, andCaatrone the eunuch, waa too noisy andunfocused, and their parts should have beendrastically reduced, or even cut from theshow.The set for the show, by Dean Taucher,waa excellent. It had a perfect opulentsqualor, and gave a feeling of cruelty andcorruption that elodsd the rest of theproduction. The lighting, however, byRobert Shook, was static and saemad toilluminate a billboard, rather than use lightas a means to convey sensations. Althoughthe lighting did help define a number ofplaying areas on stage, I found it cold andTom Towles as Mosca and Ron Koules asBonario in Ben Jonson's classic farce,VOLPONE directed by Stuart Gordon.VOLPONE is opening Victory GardensTheater's season and will play throughOct. 17.unemotional. The music, composed byJonathan Pearthree, and performed by Mr.Peerthree, Stewart Klawans, Ron Koules,Joe Mantegna, and Bill Norris, gave theshow the air of a rock musical. No comment.The costumes, by Maggie Bodwell, woegood; and the masks for Corbaccio, Voltore,and Corvino were excellent.1 looked fopnrdto this show, not havingseen an Organic Thsater production sinceFebruary. 1 was also anxious to aee what Gordon would do with a classicI was disappointed, and disspby my disappointment. This showi—*. t——, jg too oftentp say it.Jonson" i*hards who go toi turkeys of the great, however,Gardens Theater is located stlark, just west of Wrigley Field.for ticket i"l«W7n«tinn.The images in Rilke s poetry, such as tkrecurrent rose, ere created through picton*!groupings, and the mood of the play, ^often than not, relies purely on the actSmovements, and not on the external ag^of script and lighting. This heavycentration on the creative talents of tkactor is quite taxing; one need only look j!the amount of sweat the performers *cumulate during the show to aee this. Wk.is amazing and quite wonderful to see ia bZvery tightly synchronized and energetic tkensemble of players remain during tkperformance. *Of the indivudual performances, PatrickCruz is outstanding. Like all of the otLperformers in the cast, her movement*well modulated, ranging in tone from tk*acrobatic to the expressive. Her voicehowever, is dearly the greatest of all tkfive performers; she makes Rilke’s verse,poetic to a heightened degree. Often timesthe four other players speed up their voceidelivery to give the work too frenetic a paceMy biggest complaint about the productionis that the rhythm of the piece needs morevariation; the constant, and at times forcedforward thrust left not only the actors, butthe audience, in a bit too frenzied a state.Kate McDermott's costumes, which arereally stylized ballet suits, are red, white,blue, and rose. Hence, they add to the moodand symbolism of the work. TonHagglund’s lighting is never obtrusive,which reinforces the audience’s deservedconcentration on the actors.In a very real sense, Drieske and hercompany have created a poetic and musicalballet, which is a treat to the senses, andbecause of its literary base, a stimulus forthe mind. In conversation, the directorremarked that the work, like a good piece ofmusic, had to be experienced several tim^to be appreciated. In retrospect, this indeedseems true. Comet, however, will only be oncampus this weekend: don’t miss it!HardWorkingCornetBy MikeSinasrComet, currently playing at the NewTheatre on campus, is s highly evocativeand theatrically creative work. The FacetsPerformance Ensemble, under the directionof Nicole Drieake, have taken the poetry ofGerman writer Rilke and added their im-provisational, vocal, and physical skills asactors to create a work of theater, which inthe final analysis, transcends its literarybase and becomes poetry in its own right.Comet does help one appreciate Rilke; butmore importantly, it helps one' appreciatethe talents of an actor.Using many of Rilke’s poems as a literarybase, Comet attempts to bring out several ofthe themes, moods, and images in the poet’swork. The relationship between mother andson, man’s attempt to transcend mortalitythrough love as he journeys towards death,and the undercurrents of religious sym¬bolism all emerge. The five performers,however, don’t simply recite poetry; rather,they use a combination of gestures, sounds-,dance techniques, and facial expressions tomalra their art as well as Rilke’s becomepoetic.In terms of acting technique, the group’sperformance in quite incredible. There is noscenery on stage, and the music is createdby the voices and bodies of the actors alone.f — Tha Chicago Maroon — Friday, October 1,1976The Renaissance of EarthBy Naomi GilmanAmerican artists began to make ear¬thworks in the late 1960’s, just at the timewhen a general movement back to the earth*a8 becoming popular. Widespreadecological concerns, the rise of rural com¬munes, and increasing interest in band-crafts and natural materials were all relatedto a deep suspicion of western technologyand rationality, which came to be seen as thecause of the Viet Nam war and ofsystematized racial and sexual oppression,among other evils. The best earthworks ofthe late 60’s reflect all of these concerns, andthose by Robert Smithson which arecurrently on exhibit at the RenaissanceSociety, do so in an especially consistentway-“Robert Smithson. Mirror/Salt Pieces.Drawings,” is an exhibition that began inthe salt mines in Cayuga Lake, New York in1969, just when Smithson was attempting tobreak away from making autonomoussculptural objects and trying to produce artthat would penetrate, reflect and react withthe natural world. A dozen mirrors, eachtwelve inches square, were placed in andaround the tunnels of the Cayuga Rock SaltCompany mine. This stage of the project isdocumented in the exhibition by a geologicalmap of the area and by photographs made inthe mine at the time of the original work.The manufactured twentieth century ar¬tifacts were set against the landscape,providing an irrational juxtaposition of thenatural and the technological. These op¬posites could not, however, remain discreteand separate from each other in thesituation Smithson had created. The mirrorsreflected their environment, creating a kindof symmetrically patterned order out oftheir naturally chaotic surroundings, and atthe same time the salt mine altered themirrors—shifting rocks cracked and'brokeseveral of them.The choice of a salt mine for the initial siteof this work was not coincidental, forSmithson often commented on hispreference for locations “that had been insome way disrupted or pulverized."(Having grown up in Patterson, New Jerseywith William Carlos Williams as his familydoctor, Smithson’s revulsion/attraction forthe technologically battered environment isnot surprising.) Since the 19th century, thelandscape has been altered as much byhuman enterprise as by natural geologicalprocesses, and Smithson relished thedisintegration which he saw as the finalresult of both of these types of change.Smithson eventually came to see entropy asthe inevitable result of all processes, andbecame somewhat obsessed with makingworks of art that participated in processesof change and decay. He was never con¬cerned with slowing down or stopping theinevitable disintegration of the world, buthis attitude toward museums and galleries,which do attempt to preserve artifacts intheir original states, was somewhat am¬biguous. On the one hand, he did not believein the conservation of objects; nevertheless,he saw the gallery as an accessible meeting place where artists and friends could ex¬change visual and verbal ideas. For thisreason he developed what he called the non¬site, or re-creation of an earthwork within agallery space. The Renaissance Society’scurrent exhibition is Smithson’s‘‘Mirror/Salt piece” non-site.It is immediately obvious that the non-siteis not intended as a reconstruction of theoriginal site. Rock salt and mirrors havebeen carefully manipulated, according topre-planned drawings, into shapes thatresemble traditional sculpture far more thanthe inside of a mine tunnel. However, someof the same ideas are expressed in both thesite and the non-site, and both are subject tothe same threat of entropy. In fact, thegallery exhibition may speed up the entropicprocess, for every visitor to the non-site willcarry away traces of rock salt on his shoes.The relationship between the site and thenon-site is further emphasized by thedrawings that are included in the exhibition.The three drawings mounted next to“Corner Unit,” a construction of three largemirrors and a mound of rock salt, show howSmithson worked through the compositionto get a set of symmetrical reflections andthus create an artificial order or system,much as the mirrors in the mine “ordered”their environment by providing sym¬metrical reflections. The gallery exhibition,or non-site consisting of a re-grouping of theoriginal materials and a series of ex¬planatory drawings and documents, must be seen as a kind of explanatory second stageof the whole work.While many artists who made earthworksin the late sixties saw their actions asredemptive in some way, Smithson did not.His famous “Spiral Jetty,” (1970) anenormous earthen walkway which spiralsinto the Great Sait Lake, has often been seenas a permanent monument to humancreativity and skill. In actuality, the saltcrystals in the lake are gradually buildingup on the earthen embankments, and willeventually fill in the spiral, leaving nothingmore than a slightly altered shoreline. Thisis a process that Smithson relied on; herecognized the destruction that geologicalprocesses work on both natural and man¬made structures, and though he was neverwilling to entirely give up the activity ofmaking things, he most often chose to makeobjects whose gradual disintegration woulddramatize the decreasing organization andloss of distinctiveness of the entropicprocess. This process, of course, requireshuge amounts of time to complete its decay,but Smithson saw his work as part of aninfinite continuum of life and death cyclesand resulting in eventual nothingness. Inthe film he made of the construction of theSpiral Jetty (to be shown in Harper 130 onOctober 21 at 8:00 p.m.) he made visualcomparisons between the earth-movingmachines and dinosaurs in a natural historymuseum, as well as between ancientgeological constructions and his own earth embankment. At the end of the film he hadhimself photographed running out to thecenter of the spiral, then pausing, turningand walking back. According to those whoknew him, he took a good deal of pleasure inthe viewer coming to the center of the spiraland finding nothing there. A primitive- earthwork might appear to be similar to theSpiral Jetty, but would certainly be madefor magical or ritual purposes—healing, orother improvement of the quality of humanlife. For Smithson, the Spiral Jetty sym¬bolized the irreversibility of entropy; sincehe saw the world as involved in constantdisintegration and decay, he made art thatcould participate in these processes andcelebrate the meaninglessness of it all.Robert Smithson was killed in a planecrash in 1973 while working on the“Amarillo Ramp” in Texas. Since that timethe social and ecological concerns of the late1960’s have become less pressing in thepublic mind. Nevertheless, Smithson’s workdeserves to be remembered for having ex¬pressed these concerns so consistently andsuccessfully, and also for having widenedour view of what is acceptable as art. TheRenaissance Society is to be congratulatedfor having brought this artist to our at¬tention again.The show continues through Saturday,November 6. The Renaissance SocietyGallery is at 1010 East 59th Street inGoodspeed Hall 108 and is open to the publicfree of charge Monday through Saturdayfrom 11:00 a.m. to 4 p.m.Robert Smimson, Mirror Dl«p*ac.^mem.The Organization of Black StudentshostsThe Annual Reception forEntering Minority Studentson Sunday, October 10,19767:30 p.m., Ida Noyes Library CflnPUS WORSHIPBOflDCHAPa£utn$ono 'fue'iddjjtuchcLfhl' Thurscku ^oonV J -JSluii Ae (W omin h 3ohn0n€n4-€a ■WJdfdp^Sona.1 Cjrouibi iMeUfiVoo.'MOMMY 7fwPfNT HOJSL 55.0 WCuXXJUWMM- BRENT H0USL,Leaden: father John tdurltCffOifor liKhard JurqtMQA adwam imtm amssoo South \tJ00U4w*tjSunmv fjummi low**.TtttSMV (JlCH/HilST l oo a.m.Karrcj kf,r>VO 6 lOooJiaiuH. 7fj-3jVZ. UNIVERSITY OF CHICAGOCOURT THEATRE PRESENTSFACETS PERFORMANCEENSEMBLEbased on the works ofitainer Maria RilkeOct. 1,2,3,8,9,10 in THE NEW THEATRE$3 general $2 students 753-3581 57 & University8:30 pmThe Chicago Maroon — Friday, October i. 1974 — 9AWi ,8 ■ *dorX> \tbiH— woieM ogsyirD ylT —iMorris Philipsonwill autograph copies ofhis new book,THE WALLPAPER FOXpublished byCharles Scribnersat theUNIVERSITY OF CHICAGOBOOKSTORE5750 EHis AvenueOn MONDAY, OCTOBER 11,1976 from 3-5 P.M.r* - i ,«>• v.x't < •*> .'♦r-n i'i - -1 * w i -10 — The Chicago Maroon — Friday, October 8,1976 musicRythmBy M. NeestadtThe band is gone. Its existence nowbecomes a piece of jazz history. We’ve allknown the score for years. Those hundredsof records that we buy and those poorlywritten but anecdote-crammed books thatwe read fade into thin air the minute weapproach the music. The band was a musicalexperience on the level at which books arenot written and records are rarely made. Themusic that some of us were lucky enough tohear not only defies history but is now gone.For those who knew about the band, itsdistinguishable tone added to the city ofChicago, by its once a week performances onthe south side. It was 16 to 20 musicians allgiving up a certain amount of their ownintellectualized creativity for a more fun¬damental and social creativity. Morestatements of truth came from this bandthan any in recent history.In the early thirties there was a band inKansas City. Most of the players had beat-up, second hand instruments. Lips Page,Buck Clayton on trumpet, Lester Young,Herschel Evans on Tenor Saxophone,Walter Page bn bass, Jo Jones on drums,Bill Basie on piano, Jimmy Rushing vocals.Charlie Christian passed through KansasCity as did Ben Webter. Charlie Parker wasthe little kid outback, fingering his un¬dersized alto as Pres solod. They playedhead arrangements, or in other words, theydidn’t have arrangements. (For a glancepick up Decca MCA2-4060.) The Basie bandis a legend and legends are empty. TheMuhal Richard Abrams big band is now alegend too.Don’t cry that I’m overstating. It’salready happening and in ten years theverdict will be in. Fusion is drowning in themud it created, and third stream was neveralive. (For evidence check out the ECMpromotional marathon late** this month.)Read the New York Times. Muhal andGeorge and the rest are going to blow awayfive years of bad notes. They are going tomake records downbeat can’t handle.• • •Meet Martin Williams. For the present heis the man in charge of jazz memorabilia andmemories for the Smithsonian institution.Go to Washington and you may view LesterYoung's saxophone complete with mouth¬piece and reed.Conversation with Martin Williams (3/76)Rhythm: I come from Chicago.Williams: Oh?Rhythm: They have some great music outthere ... like the big band.Williams: Do they still drees up in costumesand wear makeup?Now that the band is gone, it falls intoMartin Williams realm of study. If hemanages through some injustice to outliveMr. Abrams, I assume he will manage to This weekon WHPKHere follows a summary of some of *highlights of WHPK’s upcoming week- 41JERRY JEFF WALKER ALBUMS: Lanticipation of Walker’s upcoming MaJ!Hall appearance, WHPK will continue^give away copies of his current album, "fta Good Night for Singin’,” on tonight', ip.m. jazz program, and on tomorrow titemoon’s 4 p.m. rock program. Walk,appears in concert in Mandel Hall tomorrownight at 8 p.m.JAZZ: WHPK’s all-night jazz starts anp.m. tonight and continues non-stopnoon tomorrow. From 9 a.m. to nootomorrow, George Spink will be featuriathe sound of big bands past and presentWHISTLESTOP GIVEAWAY: Bpopular demand, WHPK’s “Whistlestopwhistle giveaway, in cooperation with ttHyde Park—Kenwood Community Co,ference, continues all this weekemBewteen 6 a.m. Saturday and midnigiSunday, WHPK will be giving awiwhistles to listeners at the rate of at leaone per hour.FOOTBALL: Live from BeloiiWisconsin, the undefeated University iChicago Maroons take on Beloit College jtheir first Midwest Conference game jhistory. Pre-game show with Tom Bradkand Mark Pennington starts at about 1;|p.m. Saturday; game time is 1:30.WORLD PREMIERE: Thin Lizzy“Johnny the Fox” album debuts at 9 pjSaturday on WHPK. The all-night ro<show starts immediately after the footbigame and continues all through Saturdinight.JAZZ: All-night jazz starts Sunday nighat 7 p.m.COMEDY FESTIVAL GIVEAWAStarting on Monday morning's 6 a.m.-norock program WHPK will be giving awitickets to events in the Universitj“Festival of Chicago Comedy,’’ which ruthrough October 21. Also featured next wewill be cuts from appropriate albums in W!PR’s collection of comedy albums (e.g., oNichols and May routines). To win, tuneeither the morning rock shows or the inight jazz shows, starting at 10 pjweeknights on WHPK.REGGAE SPECTACULAR: N<releases featuring Toots and the MayteBob Marley and the Wailers, and Peter Toon “The Barracuda’s” morning rock shoMonday, 6—9 a.m.obtain Abram’s briefcase for display nextBill Bojangle’s bronzed dancing shoes.Not to be dishonest, I will not be outdoiIf in ten years some little kid asks me abcthe Chicago jazz scene in the seventieswill do my best to satisfy his desire foistory.Beat wishes to all the members of tband, may they enjoy long and creaticareers. I would like to personally thaMuhal Richard Abrams.Jazz Notes: Line up early for QuadriaeDouglas Ewart, George Lewis, Jan- Johnson, and Mwata Bowdwen at the NaiGallery, 4 P.M. Sunday. Max Roach, Igreat Jewish drummer Oct. 13-17 at IShowcase. Be forewarned, Teddy Wilsondoing Christmas at the Ritz."Unless you refresh the mind fromtime to time you cannot alwaysremember or believe how deep theinscape of this is" GM HopkinsBRENT HOUSE5540 W. WOODLAWNSUNDAY: 5:00 Vespers6:00 Social Hour andSujpper ($1.25)7:15 FILM: "A SENSE OF PURPOSE'MONDAY* 7:30-8:30 p.m.* Bible study of St. JohnTUESDAY: 4:30 Evensong (Bond Chapel)THURSDAY: Noon Eucharist (Bond Chapel)FRIDAY: 4:30-6:00 Sherry Hourk0,MMS: I,®ue to“-“If,*t’an'ow ti.Walk,»orro»lestith the I' Con.ekend.idniffklaw»jit lea, |leloitjsity of Iliege itune it IBradley Iut l:i| |Lizzy't I9 Pisit rodootbali Iiturday I’ night,]next toitdone.s aboutlties,e foriof thereativ,tJisnlrrifledJamaNamii, tinat tinsonii 'uarnen[nd Rifkinmusical music fans will have the op-I LL«7tv to wage full scale war against theKish and red-necked tendencies of theb°mtry music uprising this weekend, by[Sanding a pair of promising concerts atXmdel Hall. The Guarneri Quartet and?Mhua Rifkin are sandwiching “Jerry JeffV^zlker, and both shows should be welltfortbwhite'On Friday night, the critically acclaimedruarneri String Quartet will perform theconcert in the University’s 76-77eJuunber Music Series. The Guarneri is asuperior Quartet, and play on campus often.[ vjjgl with the Fine Arts, the Julliard, and| foe Vermeer Quartets, the Guarneri has' (wtablished itself as consistent and com¬fortably professional performers. The NewYak Times said that “singly- and as a-roop. . .The Guarneri Quartet has noJopelior on the world’s stages." The con¬cert which begins at 8:30 pm, includesHaydn’s Quartet in G, op. 77, no. 1; Bartok’sQuartet in A minor, op. 7, no.l; andBeethoven’s Quartet in F, op. 69, no. 1. TheGuarneri Quartet, now in their eleventhyear, comprises Arnold Steinhardt andJohn Dailey, violinists, Michael Tree,violist, and David Soyer, cellist, each anartist of international reputation, andtogether hailed by Time as the "world’smaster of chamber music. ”After you’ve digested that, prepare yourself for what may be the height of HydePark’s fall classical music season. OnSunday at 8:30 pm, Joshua Rifkin, wellknown popular and classical pianist, willconduct an evening of Bach. The programsounds exciting, and few of us know whatRifkin has in store. He is a fine pianist, andhe will be accompanied by some superiormusicians, so the performance should beinteresting. To add to this, Rifkin hasreconstructed an oboe concerto from Bachcantata nos. 35 and 156. Bach’s fine sense ofbalance and design are well exhibited in hisoboe parts, and Rifkin seems to have comeup with a good idea. With Ray Still, firstoboist of the CSO, the piece can hardly lose.The program i§ also fortified by the ap¬pearance of Susan Davanny Wyner, lyricsoprano (the Boston Globe calls her "im¬pressive... gorgeous.’ ), and Gershon Silins,baritone.In addition to the oboe concerto, theevening includes two cantatas, "Mein Herzeachwimmt in Blut,” BWV199, and "Ich geh’und suche mit Verlangen,” BWV 49. Evenwith all this talent, the originality of theconcert still lies with Rifkin. While knownpopularly for his performances, recordingsand revival of Scott Joplin’s piano rags, healso holds degrees in composition fromJulliard, and in musicology from Princeton.A fine and innovative musician and com¬poser, he is now assistant professor of musicat Brandeis. He has the imagination and thetalent Co put an exciting show like thistogether, and the evening should be en¬tertaining. Tickets for the Rifkin are $6,$3.50 for students. Tickets can be purchasedat Mandel on the night of performance. Forfurther information call 753-2612.The Guarneri Quartet. Left to right; John Dailey and Arnold Steinhardt, violin,David Soyer, cello, Michael Tree, viola.Jerry JeffWalkerFor a quarter of a century, the Americanmusic industry has been dominated by twocities, Los Angeles and Nashville. In thelast few years this supremacy has begun tofalter. Jerry Jeff Walker, Waylon Jen¬nings, Willie Nelson, Jessi Colter, four ofthe leaders of a new music anchoredthemselves in Austin, Texas. There was arebellion against the California establish¬ment where Captain & Tenille walked offwith the Grammy for Record of the year,and against the increasingly “formula”country music from Tennessee.‘‘These are some special people, veryspecial. They’ve been waiting in the wingsfor years, too many years to assume theirproper places in the structure of AmericanMusic. When it became apparent to themthat their proper places were perhapsbeing unduly delayed because of their realand imagined unconventionality, they - byGod-decided to take matters into theirown hands. There resulted a rather dif¬ficult period of figurative doors beingsmashed and general confusion and namecalling in Nashville. When the smokecleared and the fallout returned to earth,there was effected a major shift in Countrymusic. "Progressive Country” (for wantof a better term) was on the map, was heret°r good. And these are the peopleresponsible for that. Call them outlaws,C*H them innovators, call themrevolutionaries, call them what you will,they’re just some damned fine people who•re also some of the most gifted•oogwriters and singers anywhere.‘They’re the cutting edge of a brand ofAmerican music that I find the most satisfying development in popular musicin the past decade. It's not country and it’snot cobntry-rock, but there’s no real needto worry about labelling it. It’s justdamned good music that’s true and honestand you can’t ask for more than that."These words, written by Cbet Flippoassociate editor of Rolling Stone, are areflection of the firm establishment ofTexas Music. This new music center isgaining strength and momentum.Jerry Jeff Walker is coming to Chicagothis October to help in the midwest assaultof the outlaw musicians. The joint ventureby the University of Chicago Major Ac¬tivities Board, the Ivanhoe (recently*purchased by Bob Briggs of Ratso’s) andMCA records, is scheduled for October 9thand 10th. Congratulations,you're in medical school.Now, you have topay for it.That can be a very serious problem loday. especially withtuition costs climbing relentlessly. Yes. you can borrow, but bythe time you enter practice those debts can be substantialThere is an alternative—an Armed Forces Health Professions (AFHP) scholarship. Whether you're studying to be aphysician or a dentist, whether your goal is to become anosteopath or an optometrist, it can pay your entire tuition andfees all through medical school It will also provide you with asubstantial monthly allowance In other words, il you qualify,one of those scholarships can give you linancial independencenow, when you need it most.When you’re ready to go into practice, an AFHP scholar¬ship will also have paved the way for you to start your careerunder highly favorable circumstances. You'll be a commissionedofficer in the military branch of your selection. Your practicewill be waiting for you. 'ibu’ll step into it and know that thechallenges you’ll meet will be solely medical ones and professionally stimulating.There will also be opportunity for further study TheArmed Forces have created extensive and outstanding clinical,teaching and research programs. Once you decide on a spedalty, you may find yourself taking the graduate medical studiesof your choice at one of their facilitiesThe details are many. But if you’ll send in the coupon. we'll mail you literature wiiich will give you a good overview ofthe scope of our operations Why not write’ We think you’llbe interested in the possibilities.IT,Armed Forces ScholarshipsPO Box AF Peoria IL 61614 2 CN-106IC*]Ves. I am interested in Armed Forces Health Professions Scholarshipopportunities I understand there is no obligation1 am especially interested inC Army □ Air Force □ Navy□ Veterinary' □ Psychology (PhD)' □ Physician □ DentalC OptometryName. .Sex DM OF.Phone.City- .State. -Zip-Enrolled atTo graduate in_ .(School)..Degree—L (month, year)'Wterinarv not available in Navy Program. Psychology no* available in ArmyProgramArmed Forces Health Care.Dedicated to health care andthe people who practice it JPAVILLOISIAU BORD□E LA RIVIEREAn adaptation in Frenchof a 13th century Chineseopera-drama by Kuan Han ChinA contribution of the French Governmentin celebration of the United States BicentennialMANDEL HALL57th a UniversitySunday October 24 at 8 p.m.Monday, October 25 at 8:45 p.m.54 general $3 U.C.staff $2 studentsTHE UNIVERSITY OF CHICAGOFRENCH CONTEMPORARY ARTS FESTIVALjerry Jeff WalkerThe Chicago Maroon — Friday, October 8,1976 — 11cA * ’ x foet jO -v.tl 11 - - r.cc tbfA opaoifw enT — hiHonest DanceBy EdonClarfsneA couple of weeks ago I was invited to theBody Politic theater for a general briefingon the Chicago Contemporary DanceTheatre. This briefing included watchingthe daily master class, taught by CCDT’sdirector and principal choreographerMaggie Hast, and watching rehearsals ofsome of their standard repertoire pieces.In the Orientation issue of the Maroon Imentioned that Chicago has a horriblylimited dance supply, especially in view ofwhat New York has to offer. But in escapingthe limelight, dance in Chicago, and otherlesser cities, also escapes the intensecompetition and dependence on supportfrom the critics for a necessary audienceturnout. CCDT is such a company that doeswell by existing in Chicago.Maggie Kast and the other four membersof her troupe are not obsessed withpresenting works of genius, of beingNumber One, of being recorded forposterity. The atmosphere is informal, openand pleasant. Surprisingly, the youngestmember of the company is 23, the oldest, 38.The point is that these people dance becausethey like to and because they enjoy bringingit to other people.In fact, CCDT is very much a sociallyconcerned artistic organization. It’s the firstdance company I’ve yet encountered whichoperates under a “social policy statement,”that, since CCDT’s inception, has “in¬formed” its artistic practices.Strange? Well, not so strange. Thestatement reads: “We feel that dance has acontribution to make to society and that itshould be made from a socially responsibleposition. Our acts have far-reaching con¬sequences which we must not ignore.Therefore, our acts should conform to thefollowing goals: to make art available to allregardless of class or economic position; toprevent art being used to maintain the classsystem; to affect the lives of people from ahuman, artistic or social point of view; andto diminish bureaucracy in the arts andelsewhere.”By definition, CCDT’s efforts must beconfined to the community level, in suchplaces as school auditoriums, and smallneighborhood theaters. The statementcontinues: “We want to become as aware aspossible of what goes on in both the arts and in the daily life of people in our city, ourcountry and the world, and especially thecompanies and communities we visit ontour. We are most eager to improve com¬munication between dance companies andcommunities and will 'welcome -op¬portunities to reach new segments of thecommunity...”All these goals and desires are quiteambitious, and one might wonder how asmall battery of five people intend to realizea vision as far-reaching as their “acts” citedabove, namely, a vision of continuity bet¬ween life and art, a vision which has noplace for a contented, supine spectator. Butin the case of Kast and company, their-words are not mere platitudes; CCDT reallypractices what it preaches.For instance, this year Kast created aunique children’s program, “Hope, Skip,Run, and Dance,” geared for the 3 through 9age range. It is designed exactly for spec¬tator participation, where the kids at firstrespond in their seats, using shoulders,heads, eyes, etc., to on stage solicitations of gesture, and then have a chance to actuallydance onstage. Throughout there is lear¬ning, communication, and expression; theidea is that the kids leave the theater havingexperienced dance, not just having watchedit.Then there is “City,” an hour-long piecein the repertoire which consists of an in¬terchangeable sequence of dances. “City”conforms to the company’s ideals in that itwas choreographed around and for par¬ticular spatial situations — for a doorpassageway, for a staircase, and most im¬portantly, for the open space of outdoors.Again, Kast removes dance from the realmof ornate and chandeliered foyers to a realmof accessibility. Kast’s aesthetics gostraight to the core of what dance is; humanmovement, and her aim is to mu Ira f.hi« asclear and simple as walking down the street.‘ ‘We aim for legibility. A person should beable to see a precise sense of rhythm, acertain dynamic, a certain tension, a certainline and flow. The body is communicatingall these things, some at different times. But the body is always communicatingsomething,” Kast said.It follows that they are interested in gjjkinds of movement. As the name impliesthe company does primarily modern dancebut they use the kinetic vocabularies 0fballet, Karate, sports, Yoga, and everydaymovement. I was surprised to see how muchthe class exercises were really slightvariants of the basic ballet exercises.Kast herself has had both ballet andmodern training, though most of hertraining.was from Ethel Butler, a formerMartha Graham dancer in WashingtonD.C. After getting her B. A. degree from theU. of C. she and a man named Neville Blackwent to work to establish a nucleus ofmodern dance choreography, which at thattime (1963) was non-existent in Chicago.They incorporated under the company'spresent name. Since 1965 Kast has been soledirector, choreographer, and teacher.This week-end CCDT is presenting achoreographer’s showcase, “Fresh Foot¬prints II.” Contributing choreographers areother company members besides Kast,company apprentices, and actors of theBody Politic'8 Dream Theatre. I did not seethe first edition of “Fresh Footprints,” so Icannot write any sort of preview. But I cantell you to expect a number of solos whichmay be more than entertainment. You cantalk to MGM about that.Showtime is at 8:30, Friday and Saturday.There is a suggested donation of $2.00.Th«cl‘vvioumo|w»n—i—■immiMwiKlwCTwmiEditor: Jonathan MeyersohnManaging Editor: Karen HellerTheater: Mike Singer, Esther Joy Schwartz, John!LanahanMusic: Toby Holfslund, Paul Gudel, MarkNeustadt, Lukacs Lebag, P. L. SpackleArt: Carl Lavin, Chris Gauker, Jane Salk, NaomiGilmanDance: Eden ClorfeneGraphics: Karen MolineHumor: Jeff BaddeleyThe Grey City Journal is published weekly duringthe regular academic year as part of theChicago Maroon. The editor invites com¬ments.Carter Frank, Maggie Kast, Geri Atwood and Marjorie Synakiewicz in the ChicagoContemporary Dance Theatre's “City,” performed at the Civic Center Plaza at theChicago Festival of the Arts.TO FACULTY and STUDENTS% ^November 1st. Will be the last day Autumnquarter books will be on sale. Due to the briefinterim period between Autumn and Winterquarters and the small amount of operating spaceavailable to the textbook dept., it would be almostimpossible to process Autumn overstock andcontrol the large influx of receiving for Winterquarter, unless a realistic operating period is set.Please notify all of the students reporting to youabout this date. Also if you plan to add books toyour reading list please do so at least 8 workingdays before this date.12 — The Chicago Maroon — Friday, Octobers, 1976CLOSELY BOUNDeleVisionBy David Blumirbara Walters’ debut as television’s[female news anchor on the Mondayng edition of the ABC News should, it clear to all TV watchers that therican Broadcasting Company is moreed with the Wide World of En-pujjent than the Wide World we live in.Lone interested in knowing what reallyened Monday made the decision afterinutes to switch to Walter Cronkite’s„aional and informative CBS eveningshow. Curiosity seekers stayed witha Walters straight through to the„j)st likely, witnessing a thirty-minuteof happy talk covered by an all-too-ayerof serious news reporting.ABC News staff includes somending reporters, including Sam Donaldson, who reported Jimmy Carter'sreaction to Agriculture Secretary EarlButz’s resignation from the Ford cabinet.But co-anchor Harry Reasoner and Walterspulled the show to the lowest possible level,taking outstanding film reports out of theirnews context, by discussing their personalreactions to the Butz uproar.No such standards exist for anchoranalysis because, with the exception of EricSevareid and Howard K. Smith’s nightlycommentaries, television newscasters rarelyspeak their minds. They generally read offof a carefully concealed teleprompter, andtheir eyes move far faster than their brains.On Monday, Barbara and Harry agreedthat Butz had made a mistake in judgementin using a* racial slur while talking to PatBoone at the Republican Convention. In an“off-the-cuff” encounter, the two highly-paid newspeople gave evidence for the caseagainst TV news — that words go by wellbefore a listener can possibly absorb andunderstand them. Frankly, I can barelyremember one word of the newscast — ex¬cept Egyptian President Anwar Sadat’sravelBy Andrew Newmani an entering freshman, the Universityicago seems a surprising anda frightening institution. Buthaving a chance to settle down andtlete the hassles of registration, a new[ student finally has a chance to moveI find what Hyde Park is all about. Iftakes the time and initiative to seeis beyond the edges of the campus,will discover a new and interestingnunity. Any nice day will do, but sincefamously cold Chicago winter isJy descending upon us, these are the' weeks to enjoy the sun and maybe aI warmth, and there is a lot to do and seeoff the campus. Other than the obvious walks on campusto see the better known sculpture and ar¬chitecture, there are a number of places togo to rest the weary mind off- campus.Because of the nature of the planning of thecampus many buildings are actually a partof the surrounding community. Even if youdo not live in the Shoreland Hotel, you mayfind it is a nice walk down 56th or 57th Streetto the lakeshore, where frisbee playing oronly sitting and watching the waves roll inhas been taken up by many Chicagostudents as well as residents. It is also oftenpossible to watch the interesting spectacleof middle aged men proving theirmasculinity in the icy waters of LakeMichigan.If you have more practical things in mindsuch as shopping, you can walk along thelengths of 56th or 57th Street to look forsmall stores. There is, of course, the con¬venience of the Hyde Park Shopping Centerwhich offers the sale of almost anything thatyou could think of, and small delicatessensand restaruants are plentiful for a snack.Between the Illinois Central tracks and theDirected by Peter BrookPresented by theInternational Centre of T1 teat re ResearchSaturday, Sunday, Monday, October 23,24,25 at WX) p.rnBartlett Gymnasium5640 University Ave.$4 general $3 U.C. staff $2 students753-3581The University of Chicago French Contemporary Arts FestivalA contribution of the French Government in celebration of die US. Bicentennial continual use of the word “Barbara” duringtheir conversation.Sadat was shown on a small screen behindWalters, and her brief interview on theLebanon crisis with the Arab leader wasdull and virtually unlistenable. In atremendous display of theatrics, Waltersenunciated each word as if she were dic¬tating to a Western Union operator — andshouted as if Sadat were listening on a CBradio.Was the whole thing staged? We’ll neverknow, but ABC could choose to followWalter Cronkite’s on-air interview format —live and with an atmosphere of spontaneity.An interview with Henry Kissinger on theCBS Evening News on September 23rd fromLondon offered listeners an opportunity tolisten first-hand to a participant in theRhodesian negotiations, while Sadat’sappearance on ABC on Monday looked as ifit were planned weeks in advance tocorrespond with Walter’s ABC debut.It is unfortunate that all the attention thisweek has been drawn to Walters’ presenceon the broadcast, and not to the show’squality. She is a competent newscaster, andlakeshore there are streets of continuousstorefronts where you can do anything frombuy specialty foods to get your typewriterrepaired.As you walk around, you may be noticethat Chicago has well earned its reputationas a city of parks. Whether it is a small parkor the mile-long stretch of lawn we call theMidway, there are always places to go tocommune with the insects. The only thingthat - matters is that you are interestedenough to venture off campus, for if you do, her interviews generally show insight andunderstanding. But the advancement ofwomen in media, in this instance, hascoincided with the continuance of poorquality programming.The major problem of the ABC EveningNews is approach. The producers, alongwith Reasoner and Walters, believe thatnews should be made “relevant:” they saythey want to explain the ramification ofnews events on the personal lives of mostAmericans.That job belongs to the listener. Theproducers’ responsibility should be tochoose the events that warrant coverage — *that decision relates to the Reasoner-Walters “relevance” philosophy — andallow the viewer to determine how each newsstory affects his life. Reasoner and Walterseek to over-explain the news, and by doingso they will undoubtedly under-inform theviewer leaving NBC, CBS and PBS’sMacNeil-Lehrer Report to provide com¬petent and detailed coverage of the news ontelevision.you will find a beautiful and very oftenfriendly community to walk around andshop in. The Hyde Park residents, many ofthem University students living off campus,show their interest and concern over theircommunity through groups such as theWhistlestop program and their various civicgroups, and their work shows itself on thestreets. If you are willing to give the area achance you may find it well worth your timeto go out and see what our neighobring areais like.A LECTURE BYPETER DEMBOWSK!PROFESSOR, RESIDENT MASTERSUNDAY, OCT. 10th- 7:00 P.M.TOPIC: ' 'VOCATION: LIFE- GOAL"CALVERT HOUSE. 5735 UNIVERSITYAU WELCOME!Where can you buy a Vilb. of ground Sirloin,broiled to your taste,complete with cole slaw,pickle, your choice ofFresh breaded onion rigngsor french fries.ANDa stein'of ice cold droughtbeer?ALL FOR$2»iSUITtSUBBETRESTAURANT50th ON THE IAXEThe place where you can get awayfrom it all-and still stay in theneighborhood.Open 7d)0 A.M. to 1:30 A.M. mi 3- 4900The Chicago Maroon —- Friday, October S, 1976 — 1314 — Tht Chicago Maroon — Friday, October 8,1976"DON’T BUY JEANS ON FAITH.COMPARE YOUR PANTS OFF.”"My jeans are better thanyour jeans. And I can prove it:"Mine are 100% naturalcotton denim. And so are yours."There the similarity ends.Because mine are SedgefieldDo-Nothing® denims."The first 14-ounce 100%natural cotton denim withthe built-in edge: the amazingSanfor-Set* process."So what? So this...“SEDGEFIELD JEANSNEVER NEED IRONING."The jeans I have on havebeen washed and tumble dried15 times and never ironed."You heard right."Never ironed.“SEDGEFIELD JEANSCANNOT SHRINK OUT OF SIZE."It's true."Sanfor-Set's the reason."The reason the size youbuy is the size they stay.“SEDGEFKLD JEANSSTART OUT MUCH SOFTER."Brand new were much,much softer than old-fashioned-jeans without Sanfor-Set.And we keep getting softerso fast your old-fashioned |eansmight even wear out beforethey can catch up. “SEDGEFKLD JEANSDON’T COST A BUNDLE."Our biggest edge?"We cost no more than theregular price of the biggest seller.“IF PM LYINGYOU GET YOUR MONEY BACK."It's one thing to make claims."We back ours with a one yearunconditional warranty."None stronger in the business."Just send us back our jeansand well replace them."Or send you back your money.“TO FIND OUR JEANSCALL 800 T-H-E E-D-G-E."If you want the jeans with thebuilt-in edge, just dial this number(800 843-3343) toll free and welltell you where to get them."And start comparing yourpants off."Trademark ofThe Sanforized CompanyFilmssioo to Doc and CEF films is $1.00.ision for the NAM and InternationalTalking Pictures is $1.60. All filmsshown in Cobb hall, Quantrellditorium except I House films which arented in the I House auditorium.Films presents: An evening ofgjigtic sensationalism. Destined toire you confused and bemused, Fridaybt’s Doc will present an excellention of short surrealist works.irtr’Acte (1924), directed by Rene Clair., rather strange but famous surrealistspge in a game of chess on a roof in Paris,jnChian Andalou (1929), directed by Luisnuel and Salvador Dali. I haven't seeni one but everyone assures me that it isjibly disgusting and borderlines on the.pring which sounds like all of Senori’g “works of art.”moo of the Desert (1966), directed byi Bunuel. Doc Says: "Perhaps Bunuel’ssavage satire of the Church and hisaiest movie is the greatest 43-minute filma made. Simon’s always wanted to be antraffic controller, but no one has in-ed the airplane yet. There is, however, anice coffin and early example of the>craze. With Silvia Pinal.”Show (1968), directed by KenDoc Says: “A bizarre, stylizedsy-comedy from the darling of deadapoeer8.” All films will be shown Friday|8:00 and 10:00.il-de-Sac (1966), directed by Romanmaki. Am American mobster confines ar- of married weirdoes for about 24 hoursan 18th century castle on the coast ofEngland. Within the realisticof this ancient castle, Polanski has spread an outrageous set of cir¬cumstances that fringe regularly on thesurrealistic. Donald Pleasance isgrotesquely amusing as the husband whogets his kicks from flying kites, using make¬up and wearing frilly nightgowns to bed.Francois Dorleac, Catherine Denueve'ssister, plays his equally absurd wife. WithLionel Stanler. In Social Sciences 122 at 7:30and 9:30.Hie Suspect (1944), directed by RobertSiodmak. A very leisurely excursion into acrime committed out of desperation by amiddle-aged fellow and his subsequentattempts to conceal it. Charles Laughtonplays a sweet, generous fat man whopresides over a London tobacco shop backin 1902. With Ella Raines, Rosalind Irvingand Henry Daniell. Tuesday at 7:30.Dark Mirror (1946), directed by RobertSiodmak. Siodmak’s film is about a murderinvolving twin sisters no one can tell apart.It looks like the perfect crime has beencommitted, but luckily Lew Aryes, theperrenial young doctor of the forties, hasreturned from the army to resume hismedical practice, this time a psychologistwith a convenient interest in the mentalprocess of twins, particularly identicaltwins. With Olivia de Havilland as the goodRuth and the evil Terry. Tuesday at 9:00.Three Bad Men (1926), directed by JohnFord. Doc Says: "One of Ford’s mostpersonal films, Three Bad Men is generallyregarded as his most important silent afterThe Iron Horae. Three kind-hearted outlawsserve as matchmakers for a young coupleand later protect them during the tumultousdays of the Dakota land rush of 1876.And before the film, two shorts, HaroldLloyd’s The Chef and Leo McCarey’sLiberty. Wednesday at 8:00.CEF presents: The Grand Illusion (1937),directed by Jean Renoir. This film iswithout a doubt one of the greatest filmsever made. The master French director,Jean Renoir, has brilliantly created an art¬work about the dying of the old France andthe coming of the new during the Great war.TIST PREPARATION FORl» Scmol ftDMISttW TillGhmot Mmmmut AwksiEuNI'I RlCMt tuMIOTNMfoicit CniiK tM Tin• PMIttWOMl IMTMKTMS• CUUIII MAT! RIALS782-2185nUKAAM JBkS WVBSAUES51541 Oorchnefrill MAINTAINEDBUILDINGAITIACVIVI l'A ANDIVfrBOOMSTUMOf138 . $225"Short Term"Bosed on AvoilotxiityAll Utilities IncludedAt Campus Bus Stop|A44200 Mrs. Gro«k AUTO REPAIRFOREIGN CAR SPECIALISTSSERVICE ON VW & AUDIWe Offer Top-Quality Mechanical ServiceTune-Ups * Electrical * Brake SystemExhaust System -* Other RepairsConveniently Located at5508 S. Lake Park(Gateway Garage Bldg -Downstairs!Monday-Saturday, 9am 9pmCALL:684-5166BdMBOOlOUMG€Mixed Drinks,Pitchers of Beer,FREE POPCORN!Open Pianocrfl for yourenjoymenton the first floorof the Del PradoHotelSTUDENTS WELCOME FREEr\ancyTESTBOKTIONHOTLINE787-3567Student DiscountA LECTURE BYPETER DEMBOWSKIPROFESSOR, RESIDENT MASTERSUNDAY, OCT. 10th- 7:00 PM,topic: "VOCATION: LIFE- GOAL"CALVERT HOUSE5735 UNIVERSITYALL WELCOME/ French WW I prisoners of war are confinedin the castle of a German artiatocrat, andthey teach one Annthar that the frontiersthat divide men are only illusory. Thecinematography is magnificent, the script isfaultless, the acting superb. The,whole filmis perfection. Erich von Stroheim, MarcelDalio and Jean Gabin. Very highlyrecommended. Saturday at 7:16 and 9:30.Who’s Afraid of Virginia Woolf (1966).directed by Mike Nicholas. The formercomedian has transposed Edward Albee splay of hysterics and neuroticism onto thesilver screen. The fighting, loving, rantingand raving of Liz Taylor and RichardBurton is unnerving and exhausting. Theirlate Saturday night activities with ayounger couple, played by George Segal andSandy Dennis, could be called anything butrelaxing. Unfortunately Nichols’ aptdirection of the play and Burton, Segal andDennis’s performances too often playsecond fiddle to Taylor’s non-stop shrieks,blubbering and over-powering bitchiness.Appropriately, perhaps, George (Burton) isa university history professor and Martha(Taylor) is the University president’sdaughter. Thursday at 7:00 and 9:30.NAM films presents: Bamhiitanga (1972),directed by Sarah Maldore. The award¬winning first film by Sarah Maldore,assistant to Pontecorve on The Battle ofAlgiers and wife of a leading member of theAngolan resistance. Sambizanga is theworking class district of Luanda, formerseat of Portugese colonial rule in Angolaand now the capital of the revolutionarygovernment of the MPLA (PopularMovement for the Liberation of Angola).Since the Portugese army still controlledAngola in 1972, most of the film had to beshot in the neighboring republic of Congo.Set in 1962, a few months after the uprisingof February 4, which marked the beginningof armed struggle in Angola, the film dealswith the struggle and ordeal of a youngworking class couple.When the husband is arrested as apolitical prisoner, the wife, who knows nothing of his politics, wanders from placeto place with their child, trying to find him.While he is tortured and eventually killed,she encounters a world that, as one reviewerput it, "rarely explains anything towomen.” As Nora Sayre of The New YorkTimm said: “...the range of possibilities —good or atrocious, life enhancing and deathdealing — makes Sambizanga arevolutionary picture. Both subtly andsimply, we’re shown how bad things are,how much better they could be. AsAmericans, we may feel helpless while wewatch this film. Yet the determination forchange is deeply contagious.” HighlyRecommended. Monday at 7:16 and 9:30 inCobb hall.International House presents: M (1932),directed by Fritz Lang. Lang’s superb andchilling film about a whistling child mur¬derer. Peter Lorre is excellent as the manwho ‘can’t help myself.’ The trial scene isunforgettable. Highly Recommended.Friday at 7:15 at I House.The Last Honor of Katrina Blum (1976),directed by Volker Schlondorff. The story ofa young woman living in Germany and theradical journalist that she loves. A goodinsight into eastern European Communistactivities. Friday at 9:00 at I House.Alice Doesn’t live Here Anymore (1973),directed by Martin Scorcese. Ellen Bustynstars as a young widow who dreams of apiano bar, a sleek clinging outfit to hug hercurvacious body and a man who can call herhis own. Unjustly assessed by many as afilm of female liberation and independence,it is much more a film about a woman, whois both lonely and yearning to be dependentupon someone. Alice is a serious portrait ofone woman and it is with this attitude thatthe film is entertaining and successful. WithAlvin Lutter III as Alice’s Woody Allenishson, Jodie Foster as a Ripple-guzzinglypunk, Harvey Keitel as the Wrong Man andKris Kristofferaon as Mr. Right, a lover ofthe Kennedy boys, the bountiful Americansoil and truckstop waitresses. Recom¬mended. Saturday at 7:16 and 9:46.•Kama HallerLiving in one ofChicago’s oldest communitiesdoesn’t have to mean living in one ofChicago’s oldest buildings.The University ofChicago. Frank LloydWright’s Robee House.Gulliver’s Book Store. TheOrientalInstitute.The intel¬lectualandartisticcom¬munity.These are just a few ofthe many things thatgive Hyde Park a styleall its own.And we at ChicagoBeach Towers, with one ofChicago’s newest apartmentbuildings, are proud to be.a part of it.We offer you a roomyapartment that includescentral heating and air-condition. Incredibleviews of the city and thelake. 24-hour security andservice. Indoor heatedparking. And a penthouse hospitality suite.Then there are tenniscourts. A sundeck. Bar¬becue pits. And a beachacross the street.All just 12minutes fromthe Loop.*.Come seewhat it’s like tolive the life oftoday in theChicago of yesterday.Studios from $200.1 bedrooms from $265.2 bedrooms from $300.Visit our furnishedmodels and park free.Open every day.CHICAGO BEACH TOWERS5050-5020 South Lake Shore Drive 288-5050Kquvl HousinirOpportunity Prices subject to availability.Tha Chicago Maroon — Friday, Octobar 8,197$ - 15+Vf' i 'a VjVC yV-’ * 1 - 'I'XVfcrtA 'Vy.-'i'l/ *.l lGrey GapI ' ,There’s no such thing as discriminationin Chicago. Everybody hates everybodyebseeaually.Bradley C. CohenEverything changes, even Hyde Park. Itmoves up and down. In the past fewdecades, while new concrete has beenreplacing old, dwellings and lots have beenraised to high .rises, and three storytenements have been lowered to two storycondominiums. Those who could, or would,stayed, and the others fled north. HydePark itself has been left with a populationby choice, a citizenry who consciouslydecided to live here, and unconsciouslychanged with the area. Of the students whodrift through, some become enamored byHyde Park’s insultation, some becomeisolated by the schizophrenia of its (self-made) urban-suburban identity, and otherssimply become impatient with its preten¬tious mix of pride and self deprecation, ofcommunity and ghetto, and of urbanity andMidwestern boredom. Those Hyde Parkerswho do not flee to the corners of the country,or to the diverse realities (or fantasies) ofLincoln Park, or of Skokie, soon learn thatto stay in Hyde Park is to adapt to it. Forthose who stay, no matter why or for howlong, one thought emerges: To know HydePark may not be to love it, but to know itwell, and to stay in it, will be.Last weekend I learned some more triviaabout “our Hyde Park.” I was told, manytimes, that it had, at one time a large semi¬radical, semi-professional group ofcomedians and actors. When I was a baby Isat on my mother’s knee and cried to thejokes of Alan Arkin and Barbara Harris on56th Street, and only recently have I been re¬inundated with Second City’s supposedconnection to the University, and to HydePark. I’m sure the association was intense,but the impetus behind the entire Festival ofComedy seems less innocent reminescencethan self-congratulatory nostalgia. That’swhat Hyde Park needs, and yet has alwayshad; some way to sell the area.Hyde Park, unfortunately, is not the endof the universe. As much as Elaine May orDick Gregory learned from it, eventuallythey had to leave. They couldn’t adapt for along enough time. That’s not Hyde Park’sfault, it’s simply that it’s not New York orLoe Angeles. Professional comedians wouldno more have stayed in Hyde Park than theywould have stayed in Akron or Minneapolis,as richer forces called them onward. What’scrucial is that an entire school of comedycould never have gotten started in Akron orMinneapolis in the first place. Hyde Parkhas always had the ability to serve asmidwife to any number of talented figures,but can rarely hold onto them. Saul Bellowstays because he has been given freedom,and because he is partly an academic, a“Social Thinker,” not because Hyde Park isconsistently a great setting for novels. (Forone or two maybe.)Still, the number of novelists, as well aspoets, musicians and artists who lived hereand grew by Hyde Park (and it by them) isimpressive. Philip Roth now says he hasvague memories of the area, but chaptersfrom letting Go are brilliant accounts of* Hyde Park as an influence. Hyde Park gaveRoth a crucial opportunity to experimentand mature. The superb descriptions ofurban life, academia, growing (and lettinggo) could possibly only have been nurturedin Hyde Park. While the community takesmore than it gives, it’s only a little bit more.Roth the novelist formulated here, but, ofcourse, one once he had completed hisostensible purpose, teaching, he left. HydePark can’t hold on.Hyde Park is an important transitionalphase (many Hyde Parkers are in a state ofpermanent transition), not only for writersand comedians, but for all who pass throughas students, professors, and less ivory folk.It seems Hyde Park breeds nostalgia, as allChicagoans who used to live here share astrange longing for, and remembrance of its,and their past. Not only because they arerecalling old college days (and the tablesdown at Jimmy’s), but because Hyde Parkhas a melancholy character conjured uponly by cold winds, warm beer, and intensemonastic indulgence. Hyde Park’s uniquelyascetic qualities somehow allow fondremembrances.There are Hyde Parkers who were neverstudents, but enjoy having students around,and also enjoy the ease by which they candisdain the University from the outside (orthe inside). These are both very comforting,in a perverse sort of way.Everyone is reminded of something byHyde Park. Hyde Park inspires. Whether itbe comedy, or business, or solitude, the areais thoughtful and thought-provoking. Lastweekend I saw two Hyde Parkers, one whowas returning, and one who had recentlystarted out here. I don’t know whether DickGregory can often speak for two hours, buthe did in Hyde Park last Friday. He talkedso long and so hard that his half-bakedpolitical ideas seemed almost plausible, andeven the word-worthy Wayne Booth had.nothing to add. Once in a while living canout-class thinking in Hyde Park, but not toooften. It must be that old rhetoric ofreminiscence again. Gregory was adapting,he was coming home to the comfort of livingwith, and joking about, a world he knows iscrazy. What Hyde Park lets one do is stepback and analyze that craziness long enoughto appreciate it, formulate it in the mind,and express it. After that, it spits you out;or you spit it out.The owner of the Kaffenio restaurant, anovice to the Hyde Park game, jwas alsolearning last weekend. He had to realize thatHyde park is a concept, not a nerve centerfor bankable items. It’s the testing groundonly of the mind. It isn’t enough to servegood food at low prices in a pleasant andcasual setting. Not in Hyde Park, anyway.Kaffenio does all of these things, but peopledon’t always accept casualness and easyenjoyment. Hyde Parkers don’t like Muzak.People don’t unwind here, they simplycontinue to learn of new ways to justify theirsituation. They continue. They have fun,but only as an afterthought, through othermediums, not by sitting near a row of pottedplants. Sure it could be fun, but it doesn’thave to be.Hyde Parkers are unpredictable. They seethe world, particularly the students, as acatagorizable continuim they must un¬derstand before they can enjoy. They can’tjust can all that rationality because they’reeating a good souvlaki. How bourgeois.Instead,- they learn from everything. Ifthere’s one thing the University has in¬stilled in Hyde Park, it’s that nothing is ajoke, even a joke. Everything meanssomething. Hyde Park has learned ex¬pediency, planning and seriousness, and asmuch from .Tulien Levi as from Aristotle,! PIZZAPLATTER,14M 1.53rdMl 3-2300FAST DELIVERYAND PICKUPIPrevent Vote FraudBe on Election Judge$35, one day only, no ex¬perience needed must be oregistered Cook county voter.Call:Republican Judges 493-6986Democratic Judges 752-8415Operation Leap 726-3954 Urban renewal and integration don’t justhappen, especially in Chicago.As people choose to spend their time, ortheir lives, in Hyde Park, acceptance mustbe a given, and successful writers,comedians, and restaurant owners learnwhat they can about the world, and them¬selves, by trusting Hyde Park. By ap¬preciating it, they are allowed the freedomto create, and to become successful. Onceone has adapted to the inevitability ofplanned change, of friendly authority, ofsatire, of artistic expression, of 24 hourmeaningfullness, and of the spontaneity andcomfort of mutual alienation, the benefits are tremendous. Minds are alio*cubate, to mature, knowing thatlearned to be both self-assureddoubting, both trusting of their tparanoid enough about the world |express themselves. Thro*moratorium that insulated Haoffers, many gain the momentumthemselves in what hardened Hydcall the “real world.” As the onlymay truly have beaten the Rsystem and snowed the entire (establishment once said: “Arehere to laugh.” Yes, perhaps we ailaugh at, only with. Only with.Symphony(continued from page 7)tuosity. Because of the magnificentsonorities and many moods of theStrauss, this turned out to be one of thegreatest musical experiences in my life.And so, this all means that whereasBuffalo and Israel are adequate,Chicago is blessed with an orchestracapable of going way beyond, and ofcreating moments of splendor.Specifically, from the drumroll of the“Star Spangled Banner” to the con¬cluding climaxes and calms of theStrauss, they played with clarity andcohesion. The instrumental soundsmeshed together so beautifully, it ishard to imagine it being any other way.The players moved as one, and togethercreated for Solti that special sound thatexpands and fills the hall, like aballoon growing so large that you thinkit must burst. But it doesn’t. You aresurprised, again and again.The performance was even moreamazing considering the Dlavers hadjust concluded a nine-concert down-state tour. In one way this preseasonactivity might have tired them, butinstead, it jelled them into their mid¬season form. And of course, there wasSolti on the podium. Usually we haveguests for the opening, and it’s just notthe same. Wherever you must “per¬form” — in class, factory, or concerthall — you respond better to the man incharge. Solti’s orchestra saves for himthat extra measure of attention andeffort that makes all the difference inthe world.This season Chicago is fortunate tohave Sir Georg on hand for 10 weeks,fully one-third of the season. In ad¬dition to three more weeks of sub¬scription concerts this month, he opens the same University Night SeWednesday, October 13, with iprogram of Shostakovichdelsohn and Beethoven heoregular subscribers. For the rebest time to go the regular subconcerts is Friday afternoon,p m The box office has tick'when Solti is scheduled to comAlso, next week the Chicsphony Brass opens a specialCSO Artists Concerts Mondaj7:30 p.m. with a program thatworks by Gabrieli, R.Debussy, Hoffman, Daubrat, jand John Austin (a world prenAnd if you still have spare tall this, turn on your radionights at 8. WFMT has juibroadcasts of recorded concerCSO. They are aired both on 1and AM (1450) frequencies.Gregory(continued from page 7)“The FBI figured that withmy sex life was open season «tried to discredit me. They vsetting me up with women,pictures out of Jet andmagazines and sent them withJ. Edgar Hoover, saying:Cleveland next week. Can yosome ot these?’ ” -Besides this portion of his rthowever, the remainder of hiiroutine was just that: routmaterial was as dated as th<breasted „ sports jacket hAirlines, family, obscene phcV.D. and the ecomomy, stamof every comedian, were histargets.UNIVERSITY RELIGIOUS SERVICESROCKEFELLER MEMORIAL CHAPELSUNDAYsOCTOBER 109 P.M.Ecumenical Service of Holy CommunionBernard O. Brown, Associate Dean of the Chapel11 A.M.E. SPENCER PARSONSDeal of the Chapel"GOD AND THE MYSTERY OF LIFE"KYK EXAMINATION*FASHION EYEWEARCONTACT L IN SISDR. KURTROSENBAUMOptometrist(S3 Kim bark Plaza)1200 East 53rd StreetHYdoPork 3-8372 FALL FOLIAGE TRIP OCT. IIACT SOON - while space isstill available. See BROWN COUNTY,INDIANAUNIVERSITY, NATIONAL WILD¬LIFE REFUGE.For Details: 363-0290 (7 to 9 p.m. onliINTERNATIONAL HOUSE ASSOCI/16 Tha Chicago Maroon — Friday, October 8,1976that |uredheir[orld tc«I'hrou*i HyJntu®l Hy^ j- °nly tietire (jjAre *,]we ar«; |i. 1 Dick Gregory is a performer, an*i performer. He gave the, nearly two hours of non-stopGregory enjoys his work, andv*r\rj£je in his excellence. Theappreciated his consummateanuJiship. and rewarded him withouous applause, laughter, andUy 8 standing ovation.jLfy started in show business^Chicago. He considers the city a# starting ground, with its cori¬ng press and gracious audience.> papers ask: ‘what about comedyI Chicago?’ I tell ’em City Hall isr in Chicago.”ory’s low-key approach seemedr relaxed, as he talked right at youhis center-stage stool. He’s, a member of the audience. ItI*this manner he tried to convey inconstant message: don’t get up-don’t be so serious. “Keep cool. What’s comedy for, but to deal withtough situations and problemscalmly.’’As he built momentum in the lastpart of his act, though, he lost his coolfacade, and seemed to become veryuptight, working himself to atremendous fervor. And at thisfeverish pitch, he excitedly poured outmore and more social dogma. Heresponded to the scattered calls of‘right on’’ and “tell it to ’em, Dick”with a delivery that brought to mind“fire and brimstone” preaching. Helectured the audience about a variety oftime-worn topics: racism, Kissinger,communist fear, government secrecy,Vietnam, the gas crisis, draft evaders,and women’s rights. The basicallywhite middle-class audience explodedwith applause, in appreciation for Gregory’s apparent insight, whichappeared a bit warped by his owninsecurities and paranoid thoughts ofFBI agents even in. Mandel Hall.There were two comments he madethat did have some redeeming value.He claimed that a university exists tosatisfy student needs; students do notexist to satisfy the needs of a univer¬sity. A university should provideeducation, not indoctrination. “Tellthem to teach you how to live, not howto make a living,” he cried.Although he does not apparentlybelieve it himself, he stated that “youcan’t entertain fear and knowledge inyour brain at the same time.” Finally,he came to a solemn close with an in¬teresting story, telling why hedemonstrates and protests:“Blacks waited outside the door foryears. There was a man at the door witha gun. When we walked through one at a time, we were stopped. We finally gotahead by rushing the door. Some gotthrough, some didn’t.“Now I have blood on my shoes. I’mdemonstrating to get the blood off myshoes. Then I’m gonna get it off ofyours. Then everybody can behumorous.”Dick Gregory uses a style that wentout with the Vietnam War. He con¬cluded his performance with that fadedpractice of raising his arms in peacesigns. Although you don’t have to likehis style, or accept his social com¬mentary, you cannot avoid being im¬pressed by the power he has exuded,and respect what he has done thatevening, and other times over theyears.I rose and applauded.idio Ti** justncertsbionFMi.ith ten•n wheniy woolin. Soand ]is repelhis ax HAIRCUTS&ftl stylingcialndaythatR.rat, B.premien , .areti?*» AM) wonenDiscount WithI) of C HIMunw Cntrwttca JewelryftlfrneWawfac—CoimaticBoutiqutiWpe Court, Chicago. lllinow 00615Telephone (312) 493-2903officialswiss army. knives-' $5.50 to $42.00Fraa brochureith » lme ,n stock- or ,flula® out of your favoriteit for you. 3 w«eki you a Itm>y-ie hodgepodgeMain St. Evanston IL 60202312/864-4300Open Sundays 12-4 30outine.the da WDawNwwiNwohe, CARPET CITYphone (740 STONY ISLANDandardhis fan 324-7998IS w!iot you n«*d from _0 used room size Rug to o!CWi^stom cor pet. SpecializeItmnonts & Mill returns *,itraction of the origina:pration Colors andjilifies Additional 10%iBunt witluhis ad.wee deliveryLEE RESTAURANT! SPECIAL LUNCHEON:tlJ9UI.se PM* tie u se fase u se PACLOSED TUES.843-34071316E.5HSLAl CHINESE-AMERICANRESTAURANTSpecializing incaktonise andIMKKICAN dishesONCN DAILY’1AM. TO *30 PM.Mrs AND HOLIDAYS1lTO«t$ON.M.ON*, to toko outMU 4*1043 SR-56The super slide ruleprogrammable powerhouse...with 10 memories and 100 program steps,$ 109* 6t?83 / 053S7-49The SR-56 is a tremen¬dously powerful slide rulecalculator. Yet you can pro¬gram it whenever you’reready.Ther e a re 7 4 prepro¬grammed functions and op¬era t i o n s. You can doarithmetic within all 10memories!. It has AOS — aunique algebraic operatingsystem that lets you handleproblems with up to 9 levelsof parentheses. There’s alsopolar to rectangular con¬version-built in. Mean.Standard 'deviation. De¬grees, radians, grads. And,it works with TI’s newprinter —the PC-100.Chances are,*you’ll be pro¬ 1 SI" —sn s<> JMV logins io*Tm~ BHfin) lAl lot V*IPN CTO tin cot tinbet **t CM* EXC PRODSST sit STO act SUMNOP Alt vT fin \TR/» RST S» If y*CP eutx rtn( i BM* m 1 trn1 +o X-B 1 a NADP-»R■* R-PD1 S Dev prl pep llet1 a ■ 1 £3 gramming. That’s what pro¬fessionals in your field aredoing —right now. And withan SR-56 you’re ready. Ithas 100-merged prefix pro¬gram steps. 6 logical deci¬sion functions. 4 levels ofsubroutines. You can decre¬ment and skip on zero toiterate a loop as mpwy timesas you specify. Tfi^re are 4levels of subroutine to letyou use your program stepsto maximum advantage.And, you can even comparea test register with the dis¬play to make a conditionalbranch. So you can check anintermediate result fViUfor convergence, or amaximum.The edge you need. Now. And in your career.Texas Instruments will rebate $10 00 ol your originalSR-56 purchase price when you return this couponand your SR-56 customer information card post¬marked no later than October 31,1976. To apply:1. Fill out this coupon2. Fill out special serialized customer information• card inside SR-56 box3. Return completed coupon and information card toSpecial Campus OfferP.O. Box 1210Richardson, Texas 75080 NameAddressCityUniversityName ol SR-56 RetailerSR-56 State Z.PSerial No (from back ot calculator)Please aliow 30 days lor rebate* Suggested retail price111 with the T-registerk 1976 Texas instruments incorporated Texas InstrumentsINCOKPORAT t DThe Chicago Maroon - Friday, October 8,1974 - 17When was the last time that yousaw the complete ODYSSEY catalog?When was the last time youthat the dollar was worth morethan two 1956 pennies? Then come seeTHE ODYSSEY SALEthat CBS and the Student Co-ophave cooked upBRUNOWALTERCONDUCTSMAHLERSYMPHONYNO. 1 IN D“THE TITAN”COLUMBIA **SYMPHONYORCHESTRA% V* # BRUNO HALTEREINE KLEINENACHTMUSIKSS* ColumbiaSymphonyoo/ssey OrchestraMOZART:t ine Kleine \aehtmusikCost tan Tutte OvertureThe Marriage of FigaroOvertureThe Mun 'ie Flute OvertureThe Masonic Funeral MusicThe Impre st io Overture GEORGE GERSHWIN PLAYSH hi* 1925 Piano Roll ofRHAPSODY IN BLUEwith^TheC*»|umbia .)a//Jiand _AN AMERICAN IN PARISMICHAEL LILSONTHOMAS,ConductorY 3004? Y30048'02R£CORDSET Bachoev-vey The Complete Elute SonatasJean-PicrreRainpalROBERT VEYRON LACROIX HARPSICH0R0JEANHUCHOT CELLOMB* MlPICTURES AT AN EXHIBITIONony^Y USSORGSKY:i EXHIBITIONOrchesfruted by Ravel.-Y2 31925* vrenesrrurea oy travelGEORGE SZELLand THE CLEVELAND ORCHESTRAOriQinaf PianoVersion;SVIATOSLAV RICHTERWinner, Grand Prixdu Disque£* •«:* - ‘if,-•Y32223* XM 34205 Record of the Month—Aunique combination of Gershwinplaying on a 1925 piano roll andMichael Tilson Thomas conducting.Plus a new version of “An Americanin Paris.”and the QOLLMBIA Record of the MonthatMon.-Fri. 930640Sat. 104*• ~ OdcaooMaroon — Friday, October t. it7«Maroon ClassifiedsMove It!uc PEOPLE40" per tne to repeati-4 PEOPLEThere are 30^* <*s per1>iFree personalsYOGAA perfect balance to the life of the mind,inning Autumn Quarter Monday October 4th and Thursday)ber 7th Yoga classes will be offered on campus at the Bluejoyle, 5655 Universityses will meet from 5:30 to 7:15 P M.a will be led by Dobbi Kerman who has taught yoga for student'•ties at the 0 of C 1971-73, at the Gargoyle since 1973atllTin 1975.a will include Asanas (Hatha Yoga Postures), Pranayamaath Control), Energization, and Meditation.ssions $30, Registration is open until space is filledse wear comfortable clothes and bring a blanket.information call Dobbi 643-3595; answering service•4435.c: following yoga a massage workshop will be held at thee location with a $10 reduction in tuition for those whocipate in both sessions.'amBRIDGEPORT LIQUIDATING COMPANYINC.3619 S. Halstead927-4343ALL KINDS GF USED FURNITUREi* AND OFFICE EQUIPMENTleaks^writers cSKMng Machinesol«S StovesiuA. T.V.’s $40"ecabinetsIINI REFRIGERATORS • *SAVE 10% with this A0-onomist criticizeseign aid policiesres change in aid programsby Bonnie Kunkd, John* >n, a leading member of thei- itv economics department,Klv criticized the existing^ ?ents for aid to underdeveloped.« overly dependent on the United’ bureaucracy at the first Wood-[court lecture of the year Sundayi questioned several of the“^epted policy ideas for both the■ai economies of poorer countries and[relationship with the developedincluding restrictive traders and the exploitation of resourceilies by the third world nations.to the UN, Johnson com¬bat “a demand for a new in-ljnal economic order is to a certaina demand for greater power forNational bureaucrats.’’of the aid given by the wealthyto the underdeveloped countriesi the UN, according to Johnson, isj by the UN bureaucracy. He alsoIt much of the money that does getI poor countries ends up in the hands[affluent classes instead of the needy.\ reliance on the UN for distributingon suggested, comes in part asto deceive taxpayers of thejting nations with an illusion ofy. As a result of the policy, funds, in the hands of college educatedtats and often goes to countries not considered by most to be in need, hesaid.Johnson scorned the suggestion that theunderdeveloped nations can benefit theirworkers by raising the prices of exportgoods. Higher prices, Johnson said,“create income for whoever controlsmonopoly.” Underdeveloped nations thatraise prices also run the risk of pricingthemselves out of the market, and aresultant increase in domestic unem¬ployment.Johnson implied that a fundamentalchange of attitude is necessary before a“new international economic order” canbe achieved. “To most people in poorcountries,” he said, “the world seemsstatic even though it is not.”Johnson recommended several policychanges:•an end to restrictive international tradepolicies designed to benefit domestic in¬dustry in the developed nations whichwork to the detriment of the undevelopedcountries.•the transfer of funds from rich to poornations through a mechanism other thanthe UN, although he admitted that he couldoffer no specific alternative.•the lifting of trade barriers maintainedby the developing natioas.Johnson is the Charles F. Greydistinguished service professor in theeconomics department. Johnson: the UN bureaucracy criticized, (photo by John Wright)goddo®«£nxdK.®jvjnKMillions of children in the rural South andAppalachia are as poor as little Willie. As aCatholic Brother, Sister, or priest, you can helpthem believe in themselves. And you’ll growin the process.Write for free information—without obligationGlenmary Missioners, Room J-4Box 46404, Cincinnati. OH 45246Name _AddressCityState Zip7 Omy* A WmkYDE PARK PIPE AND TOBACCO SHOP1552 E. 53rd - under 1C tracksAILtlud«nh get 10% eftask for "Big Jim’'fifttftp* Ubov oi lmp*n»d (jfawili Ciftw HOTEL FURNITUREfrom finest hotelsKing size box springs& mattress sets $99.95Full size box springs& mattress sets $49.95Queen size box springs& mattress sets $59.95Desk chairs $ 5.95Chest of drawers \7 529.95Lounge chairs. 510.00Table lamps 5 3.95Floor lamps 5 9.95AMSTADTER FURNITURE7315 Cottage GroveDaily 9-5 224-7444The Chicago Maroon — Friday Octobers, 1976 — 19While you were on vocation,we hope you didn't miss these ads."One of the thingsin my lifeI have been unhappyaboutis that! was notbetter-lookingthan I actually was.On the other hand, one of the things I havebeen pleased about is that at least I was asgood-looking as I was"THE LIFE AND DESTINY OF ISAK DINESENis a magnificent photo-biography of thewoman whose real name was Karen Blixen.The book is dominated by her face as it wascaptured by photographers, amateur andprofessional It was a face that grew in beautyas it was ravaged by time and illness, until,in the last portraits by Cecil Beaton, theluminous eyes are seen shining from thebrink of deathThe photographs in this book show thepeople and places important to Karen BlixenThey tell parallel stories-of the glamorous,lionized author at the center of a world ofartists and writers, and of the hardworking,contemplative genius who created a spiritualworld exclusively her own The rich play oflight and shade in her nature and in her lifeare unerringly reflected inTHE LIFE AND DESTINY OF ISAK DINESENCollected and Edited by Frans Lasson.Text by Clara Svendsen.Paperback $8 95 8 1/2” x 11"The University of Chicago Press, v# .Chicago 60637 "ObserversofAmericanreligionregularly needto mapthe terrain"This is what Matin E. Marty, one of the mostnotable of these observers, does in hisnew book, A NATION OF BEHAVERS"The act of describing the landscape andits landmarks will not save souls or makeall sad hearts glad. But it can contribute to aworking-out process that will be helpful toboth participants and observers!' writesMarty.The most prominent landmark in Marty'snew map is "Mainline Religion" which isdefined as Protestant-Catholic-Jewishestablishment. "Evangelical Fundamental¬ism; "Pentecostal-Charismatic; "NewReligions," "Ethnic Religion; and "CivilReligion" are other clearly visible points.It is Marty's contention that the inhabi¬tants of these various religious clusters aredistinguished not so much by what theybelieve but by how they behave - that religiontoday is used as a means of establishing -identity and social location in a secular,pluralist society$8.95 *The University of Chicago PressChicago 60637 ...the horoscopereveals to you anew dignity;it shows how intimately you are related tothe entire universe. It is true your life isdetermined by the movements of the stars,but at least this determinant has an incom¬parable grandeur. Although, in the lastanalysis, a puppet pulled by invisible ropesand strings, you are nevertheless a partof the heavenly world. Besides, this cosmicdetermination of your existence constitutesa mystery.... Following the instructionsof your horoscope, you feel in harmonywith the universe and do not have tobother with hard, tragic, or insolubleproblems. At the same time, you admit,consciously or unconsciously, that agrand, though incomprehensible, cosmicdrama displays itself and that you are apart of it, accordingly, you are not de trop"Mircea Eliade, eminent historian ofreligions, considers in OCCULTISM,WITCHCRAFT, AMO CULTURAL FASHIONSthe reasons for the extraordinary success ofoccult movements in this age of scientificrationalism. He reveals the persistence,throughout the ages and in differentcultures, of certain myths, symbols, andrituals and traces the source of manycontemporary cults to humanity's enduringneed to seek religious significance in life.$795The University of Chicago PressChicago 60637 He taughtliteraturefor forty years.Nowhe creates it.Not many people can do that.During Norman Maclean's career in theEnglish Department at the University ofChicago, he won the Quantrell Award forExcellence in Undergraduate Teachingthree times. Nobody else has done that.Now in his seventies, the former WilliamRainey Harper Professor of English haswritten A RIVER RUNS THROUGH IT andOther Stories, a collection of two novellasand a short story. Maclean grew up inMontana, the son of a Scots Presbyterianminister, and the first line of the title storymay weH become a classic: "In our family,there was no clear line between religionand fly fishing" (In fact, the whole storymay well become a classic.)The stories are about fishing ond loggingin the Montana of fifty years ago ond wordslike "magic" and "poetic" keep croppingup in reviews Publishers Weekly talkedabout Maclean's "own relaxed and offhandmagic, a stunning debut!' The NewRepublic said: "These stories have thatmagical balance of the particular and theuniversal that good literature is all about!'The Village Voice said: "All three of thestories display Maclean's special magic,but the title story is a masterpiece!' John KHutchens wrote of "a remarkable and sen¬sitive mingling of realism and poetic feelingThe New York Review of Books reviewercalled the title story "on enchanted taleI have read [it] three times and each timeit seems fuller"These are just a few of the praises beingsung for A RIVER RUNS THROUGH IT andOther Stories Let the Chicago Sun-Timghave the last word for now The work of ohighly intelligent sensitivity, they cry out notonly to be read, but to be returned to agomand again"$795The University of Chicago PressChicago 60637[ate net tourney opens todayuniversity of Chicago women’stennis team will try to establish ade reputation this weekend as theyJpwith teams from fifteen schoolsLnd tomorrow for the Small Collegesmumament.tournament will be held at thesift Preliminary rounds will be/ at the varsity courts, Stagg FieldL| Kenwood courts today startingfno am. All semi-final and final!<• will be played tomorrow at the/courts.representing their schools in anf0r a team championship, thewill also be competing for in-jjonors. The winners of both the“and doubles competition will ad-to regional or national tour-ats But because this is the first year[the Illinois Association for In¬nate Athletics for Women hasstate tennis play into large and"school draws, what they will ad-to has not been determined. Thechools regional tournament, a smallregional tournament or a smallI national tournament are the most[possibilities.ey Ross and Rosemary Safranck,liversity of Chicago’s number oneb team are seeded number one andSie best chance of any of theSity of Chicago entires of ad-l However, Ross and Safranck areto coast to the doublesip. The Elmhurst College andlie College doubles entries areand are expected to give the)team a tough time,i the rest of the team is young andrienced, they are not far behindand Safranck in their chances toNumber one singles player,Flynn, is considered the “class■ of the squad. The main obstacle inith is Elmhurst’s Cheryl Ruyak, the number one seed in the tournament. If theseedings hold true, Flynn and Ruyakshould meet in the quarter final round.Number two singles player, CarolyneLaGrange, has the misfortune of a toughdraw. She will probably meet the fourthseed in the second round. But she iscapable of winning, as her quarter-finalfinish in the Cleo Tanner invitational twoweeks ago demonstrates.A lack of playing experience as a teamwill hurt second doubles Laura Rhodes andBeth Ciezki. They wil have played doublestogether in varsity competition only oncebefore the meet. But the draw is on theirside. They will not meet a seeded teemuntil the semi finals. So while they may bethe weakest University of Chicago entry,they could end up contributing as many, oreven more points to the team total than theeither of the singles players.Hie University of Chicago has a chanceto take the Championship. Though theyhave only one seeded entry, DuPage is tthe only team with more, and they havejust two. With Ross and Safr-mck seedednumber one in doubles, and Flynn andLaGrange both capable of pulling upsets,no one is counting the Maroons out.Inheriting a team comprised mostly offreshmen has made it difficult for CoachChris Scott in his first year of coachingwomen’s tennis to assess his teams vchances for the upcoming tournament. Hedoes note one factor that may hurt histeam’s chances in the relatively short timethe team has been practicing. “We are at atremendous disadvantage because of thequarter system. Most teams have allready played seven or eight dual meetsand in two or three invitationals while wehave only played in one invitational.”Never the less Scott remains optimistic.“Our spirit is super, and I do mean super.The girls have been working very hardand, well, I think our spirit will prevail. ”ting from 5recall the Boston Bruins skating offdynasties. On the other hand theylid sell tickets, and that is whatOrr is going to do for the Black. No Stanley Cups here, though.Bulls have always been the mostling team in Chicago. Now they; also be the best. Last year they werethe worst team in the NBA. Nowone of the best, and it is con-trie that they could bring a cham-rip to this city within three years,they were able to win without ai on the strength of the Chetr’s one-on-one prowess in the clutch,' maniac, chest-to-chest defense ofNorm Van Lier and Jen~y Sloan,very year they would crumble orin the semi-finals, losing withnamed Boerwinkle, Autrey,n, Ray, and Thurmond to teamscenters named Chamberlain andor, losing without a* fastbreak to: which ran exclusively, like GoldenWhat really made them losers,were the poisonous relationsdie players, their NapoleonicDick Motta, and the team’sughiy antagonistic owners, theiWirtz. Everything finally caughtthem last year, and they lost 58• But even when they won, they wereof this has c! ged as they pre> start the new season. Gone is Dick. taking his egomania and inferiority~xes to the Washington Bullets.• is Artis Gilmore, five years an All-flter in the American Basketballation and Most Valuable Player twowhen he led the Kentuckyto a championship; a certifiablewith the physical tools and the. dy-hoped-for winning attitude.Jf.^ach Ed Badger, former scout* it coach to Motta, but morejy. a winning junior collegewvoted to the fastbreak and2 to the locker room. Drafted isJJtoy. the best player in collegelast year, who along with Mickey «ohnson and Gilmore, completesthe best young frontcourt in basketball.Finally, the Bulls have decided to join theNational Basketball Association — andrun.Finally, mention must be made of theChicago Sting, who play soccer in prac¬tically deserted stadiums — and win. Inthem first season they qualified for theplayoffs, but lost in the first round. If theycan afford to keep vanning in front ofcrowds of 1500 at Soldier Field, they maywell be the first Chicago team to win achampionship, and then declarebankruptcy. Fhobably, they will declarebankruptcy first.There are a lot of great bowlers who callChicago home, but there isn’t a competentsportswriter in the town. (Remember, thisis where Sports Illustrated is published,not written.) In fact, the best sportswriterin town is The Tribune’s televisioncolumnist, Gary Deeb, who writes once aweek about sports on television Becausethere are none, spectators and fans also SportsSoccer: UC VARSITY SCOREBOARD\Purdue-Cal umet 8 Maroons 1Tennis.Northwestern 1 Maroons 2Volleyball:Morraine Valley Comm. College 15 Maroons 5Morraine Valley 15 Maroons 8Morraine Valley wins best two out of 3Maroons 15 Illinois Benedictine 3Maroons 15 Illinois Benedictine 1Maroons win best two, out of threeUPCOMING EVENTSFootball: xUC at Beloit, Sat, Oct. 9,1:30, Beloit, Wise. Game will be broadcast over WHPK-FTV188.3 starting at 1:15.Tennis:Illinois Small Colleges state Championships, held at the University Fri and Sat,beginning at 10:00, Varsity, Stagg, and Kenwood courtsVolleyball:UC vs Lake Forest, Sat, 7:00, Ida Noyes GymField Hockey:UC at Rockford College, Sat, 10:00, Rockford, Ill., <1Crosscountry:UC at the Spring Arbor Invitational, Sat, 10:00, Spring Arbor, Mich.Golf:UC takes on Chicago State, IIT, and DePaul, Fir, 1:30Golf fails in firstfall flinglose out on coverage of national cham¬pionships; international competitions, andall the amazing characters and flukes ofsports that happen not to be from or aboutChicago. It’s sorry enough when none ofthe sports franchises can produce a win¬ner, but it’s thoroughly dismaying thatnone of the newspapers can hire a sport¬swriter. Statistics, after ail, can tell onlyso much of the story writers have to tellthe important partAs bad as the Chicago sports scene isfor the fan, the sports scene in Hyde Parkis almost paradise for participants andcompetitors alike And this despite theshortage of adequate facilities and thespecial premium on facilities this year.Almost any sport can be played at the U. ofC. at either the intercollegiate or in¬tramural level, but tl»e pickup game reignsin this community, being the mostdemocratic form of participation (and insome sports where the best competitorsand highest level of competition is to befound).An informal sampling of opinion wouldprobably reveal that the most popularsports on and off campus in this com¬munity are basketball, tennis, and soft-ball, in about that order Gunners andhackers abound here, while every bar,eatery, and some aldermen seem com¬pelled to sponsor any group, sober or not.that can make it over to Pierce Tower orStagg Field in the spring and summer.Injuries abound too, and it seems thatthe smartest people in the world haven’tlearned that one doesn’t play sports to getin shape, rather one gets in shape to playsports. Usually such injuries occur whenan out of shape an thro grad student at¬tempts to go one-on-one with some gazellefrom Woodlawn, or when a drunk firstbaseman tries to handle a hot peg from hisequally drunk shortstop.Finally, sometimes sports are played bymen and women together in Hyde Park.This is good, because usually men andwomen in Hyde Park would rather playgames with each other, often leading to themost serious kinds of sporting injuries. A switch of the season from the spring tothe fall and the capricious weather that theswitch was designed to avoid have thus farkept the University golf team in the rough.The Chicagoland Conference, with whichthe Maroons are affiliated, changed theirse ason to take advantage of Giicago’scomparitively leliable fail weather. But toavoid the coming cold, they also shortenedit, and teams are playing six matcheswithin two weeks. (The Maroons have Been severely han¬dicapped by the facfr.that they are juststarting while other teams are well intotheir seas j. Chicago was soundlywliip-r j in their first meet on October 1stlosing 24 -zip to DePaul and IIT. LewisCollege also joined in the pillage winning22l/z-V/2 Freshman Mark Swanson wasChicago’s lone scorer. Their second meetwas scheduled for la&i Tuesday but,perhaps fortunately, it rained.In addition to the late start, confusionand lack of practice time have helped inChicago’s poor showing Chuck Schachtwas only very recently named as golfcoach and apparently, it was not untilafter his appointment that he found outthat the Conference changed their season.With the aid of fourth year student ScottZiemba he quickly rounded up a squad ofseven golfers to face the onslaught Giventhis, and the Maroon's usual inability toget together for practice under the best ofcircumstances, they are a team more to bepitied than censured.Being stuck in Hyde Park this weekenddoesn’t mean you have to miss Saturday’sMaroon football game at Beloit CollegeLive play-by-play coverage of the gamewill be broadcast Saturday afternoon, withthe pre-game show starting at 1:15, on WH-PK-FM88.3.Tom Bradley and Mark Pennington willagain be handling the play-by-play chores,as they ’ve been doing for the two previousgames of this year’s season.The Chicago Maroon — Friday. October 8.1974 —I no**CwtC*<N6ACCOUNT *«OASAVINGSACCOUN*TSCJMC*fO<TUNICHTOUNGACCOUNT SAVINGSACCOJN'f«Ov>C*lD»r liN* IIO CNf CKtWG: SAVINGSCHfC*lNGOtOUOiso«CHfC*iNC< Of owe1fHO*SAVINGSSNCtOStD*1m\4***-s'*‘i u.un^iiwwiNIIUMMwiour friendly 24-hour bankThe Hyde Park Bank nevercloses to MAC Cardholders. MAC’S WINDOW TELLS VOLHOW TO MAKE HIM WORKWe’re proud to Introduce our newest employee,MAC, our “always available” new 24-hour teller.. If you’ve ever been strapped for cash after ourbank has closed, or If you absent-mindedlyforgot to do your banking during regular hours,MAC Is at your service. He works 24 hours aday, every day, to take care of practically allyour banking needs.We’ve given MAC his own modern office on theground floor of our building, just west of themain entrance. It’s climate-controlled, beauti¬fully decorated and maintains top security,day and night.To enjoy the convenience of 24-hour banking,you’ll need a MAC Card. On your next visit tothe bank, stop at our Personal Banking Depart¬ment and pick up your MAC Card application.Once you’ve done business with MAC, you’llknow why he’s called MAC the MACnificent. ■ HVDF PARK BANKjH* AND I Rl ST COMPANYciTTs |ui a r r a, nUnlocks all the services of MAC,the friendly 24-hour banker MAC lets you make cash withdrfrom yourcheckingorsavingsaccAnd if you qualify for a line of ereMAC will even give you a cash adviwithout seeing a single loan officMAC loves money, too! You candeposit cash or checks into yoursings account, checking account,both. Simple insert your deposit ina sealed envelope in MAC’S deposand he’ll give you a deposit receipimmediately."MAC transfers your moneyautomatically—from savings tochecking, from checking to saviror from your Line of Credit into yochecking account.MAC accepts payments on notesjloans. He’ll deduct it from yourching or savings aegounts, or he’llyour payment in his depository.You simply push the buttons andjdoes the rest—he handles 95% iyour banking needs.Your MAC Card is the keyto the Hyde Park Bank24 hours a day! HYDE PARK BA1AND TRUST COMPANY|1525 EAST 53rd STREETCHICAGO, ILLINOIS £0615(312)752-4600Member FDICIFIED ADSBss-Pvery reasonable.message-—t. close to cam-Mini"all Tim 343 4300aieafHitcbcockmeal contract. already ta pedbother calling» message]7grad student52nd and Dor-risi-king woman., i, Kimbark.well keptce & Cornell,on U of C bus14 eveningme of faculty: male medmornings orre person to sharetreble location. PL■^iSieMllS. EllTsT(. Clean Seevre for in,t building beingfrom U of C on1.373-1800.;d for sunny, thoIblks. from Reg.rm. turn./apt.„ Greenewly decorated,managed bldg.,>er month. Imd.Isman. 493 2525.res, Ind 3 or 4eplace. CentralLg. site w/treesbl. future Nat'l00. Call Renard926-4298fANTEDTED for psycholriments in thes Department. Pay10 to register.Iffernoons—Maturece needed. Call<8-3300._ _s couple to live intake care of our 3house 11:15 6:15school year. 2dive neighborhood$225/month rent,1.548 0017.I needs part time sfu-speedy accuratebly manuscript ex-alary. 12-15 hrs./wk.Family Studentartha ThompsonLaboratory needsI help. Three personsaudio experiencemulti-color offsethitedark room skills,nmunity and FamilyTel. Ms Thompsoninfant morn, or after-I eve. Good pay. CallOF RECENT EASTMATHEMATICALneeds competenttranslators with aPledge of scientifics good typists with a. i of the Russianxe information call) at 753-2741 or come;hart Hall, Dept, of•ring office hours,programmer who•ref has sm computerelephone survey, calliSSSS stallsdatasions, $:Registercome toIRATORn,*s a day. FreeIP" Rental 221 3700>UGHT4nd sold everyday,p"^lls150i E. 75th.IED^ from io p m.^Saturday. 667 7394.* I* up yourself RIDES *RIDE NEEDED from Campus toLogan Square at 5 PM. Will Pay. 60cents/ride. Call Bob: 276 2894. PMs.WEEKENDRETREATRetreat for Jewish students from UC,Northwestern and U of Wis., Madisonat Lake Delton, Wl. Fri., Oct. 22-Sun.Oct. 24. Informal programming,sports fac. available. Kashrut observed. To sign-up, visit Hillel House,5715 Woodlawn. or contact: MarcGould: 924 2744.PERSONALSTo Susan, who can give living and lovegiving: HAPPY BIRTHDAY.Happy Birthdays, Lars, Deb andFritz!!!Writers' Workshop, PL 2-8377,Is there anyone around here interestedin alternative technology, the NewAlchmists the L 5 Society, or likethings? If so. I'd like to talk with you.Steve, 363 5151. ,Love to Russell from Deneki.Pregnancy Testing, Sat. 10-2Augustana Church, 5500 S. Woodlawn.Bring 1st morning urine sample. $1.50donation. Southside women's health.324-2992. •PEOPLE FOR SALEFor piano teacher call 947-9746.Tutoring by French natives, teachingexperience. PhD candidate call 354-0275 or 837 8524.Tutor reading & related subjects.Experienced, Masters. Non-Labstudents. 684-3183 Eves.Interested in doing typing evenings inmy home. Will discuss price. Barbara373 3594 after 5:30p.m.SCENESLibertarian Par y Candidate ProfJames D. McCawley on "TowardConsumerism and Commercialism inEducation.'' Also showing Awardwinning film, ''The Incredible BreadMachine". TIME: 8:30 p.m., Mon.,Ocf. 11. PLACE: Library Room, IdaNoyes.MENNOS: H.P. Mennonite Fellowshipmeefs tonight 7:30, Quaker Hse, 5615 S.Woodlawn. 363-5660.Student-faculty group planning aMinority and Women Lecture SeriesOrganizational meeting, Tues., Oct12, 7:00, Ida Noyes. Anyone interestedin helping is cordially Invited.CHRISTIAN FORUM ORIEN¬TATION. Discussion of fall program.Any member of university communitywelcome. At Andy Dhuse's. 1141 E.50th. 7:30 p.m. Oct. 8."Dance is the poetry of the foot" Jointhe U of C folkdancers every Mon. beglevel w/teaching or Sun gen levelw/teaching in Ida Noyes 8 p.m., 50cents or Fri gen level no teaching 7:30.Pottery classes-handbuilding, wheel¬throwing, and glazing. $5.00 persession including clay, glazes andfiring. Tues and Thurs. evenings 8:3010:30 call Mariamfe Hammett 538-6717before 5.00 p.m.FOR SALEVW roof rack for bug, $10, SC T writer$15. 667 6031 afterS.Stereo receivers, speakers, tapedecks, tapes. TVs, calculators,refrigerators, CBs, all at lowestprices. CALL 752-3818.Block Garage Sale4800 S. Kimbark Block Sat. Oct. 9,11:00 to 3:00 bargains from manyhomes on the block, furniture,clothing, household items.1970 Ford Torino GT, $1300 . 50,000miles, Bucket seats, new muffler,tires, shocks. Call 7534)268 or leavemessage for RM 568 at 753-2270.ACADEMIC RESEARCH PAPERS.Thousands on file. Send $1.00 for your192-page, mall order catalog. 11322Idaho Ave., 206H, Los Angeles. Calif.90025.(213) 477 8474,Rossignal Stratix 190 cm with LookNevada Bindings. Kotlach ski bootssize 8. Poles. Hardly used. Best offer.Call 9SS 2662.6-10 p.m.Playpen, new. $20. Call: 643 0394Tenor sax; must sell 324 5215.REPAIR CLINICSat. Oct. 9th, 10-4Bring a camera or lens 8, have itchecked at no charge by one of twoprofessional repairmen that will bein our store!MODEL CAMERA1342 E. 55th * 493 6700FUJK FILM SPECIALFujichrome 36 exp 4 rolls for $7.50 withthis adMODEL CAMERA1342 E . 55th St. 493 6700PASSPORT PHOTOSColor. 2 for $9 00- MODEL CAMERA1342 E ,55th St. 493 6700Start the new academic year outright—without .insulting televisioncommercials. Outfox fhe advertisersby fixing your set to cut off the soundof their ads. For easy Instructions sendalong $2 with a self addressed,stamped envelope to Box 7742-C,Chicago IL 60680 PARENTCOOPParent Coop for early learningpreschool; full (7:30 am-6:00 pm) &part time program; 3 classroomsdesigned for 2 yr olds. 3-4 yr olds 8,kindergarten; 5300 S. Shore Dr. -6846363.SHOVE ITTake away our comfortable usedfurniture and household items atreasonable prices. Saturday 9-noononry. 5428 S. Dorchester.KUAN HAN CHINLe Pavilion au bord de la rivieree:drama from France. 13th centuryChinese Opera Drama. Mandel Oct. 248i 25, Tickets on sale now RC 304, 253-3581.TRANSCENDENTALMEDITATIONFree Lecture on TranscendentalMeditation Tuesday, October 12, 7:3<Vp.m. in Ida Noyes East Lounge.Sponsored by the Students In-ternational Meditation Society.FOUNDFOUND—Small brown and white cat,vicinity S9th and Ellis. Call 752 3818.PUBENTERTAINMENTThis Saturday 8:30 p.m. June ShelleneFree All Pub. Members Welcome.OBS RECEPTIONFor entering Minority students Sunday, October 10, 1976 at 7:30 p.m., inIda Noyes Library. FREE FURNITUREMattresses, complete beds, stuffedchairs, tables, bikes. All free for thetaking. Sat., Oct. 9. 11 AM 5 PM. 5714Woodlawn. 753-3444.POLISH STUDENTSASSOCIATIONOrganizational meeting Monday Oct.11 at 7:30 p.m. Ida Noyes. AnyoneInterested is invited.FEMINIST/ANTHOLOGYPrlmavera, an anthology of art &literatureebbbbbbbbby women. Ison sale in all Hyde Park bkstores.THE WEEKENDON WHPK-FMWe’ll be giving away morecopies of Jerry Jeff Walker’s“It’s a Good Night for Singin’ ”album tonight on our 10pm jazzshow and Saturday on our 4pmrock show, with Dan WisePlay-by-play coverage of theMaroon football game startsat 1:15pm Saturday, live fromBeloit College!World premiere of an importantnew rock album: Thin Lizzy’s“Jimmy the Fox” album, 9pmSaturday, with Peter Mensch.“Whistlestop” whistle giveawaycontinues ail this weekendWe’ve got dozens left to giveaway; tune in anytimeR&B all day, jazz all night -Sundays on WHPK-FM 88.3.We start giving away “Festivalof Chicago Comedy” ticketsMonday morning on our Gam-noon rock shows; listen fordetails.Maroon ClassifiedsMove It!UC PEOPLE50* per line40* per line to repeatNON-UC PEOPLE75* per line60* per line to repeatThere are 30 spaces per line,including all letters, spaces,and punctuation marks.Free personals. KENNEDY, RYAN, M0NIGAL & ASSOCIATES. IKDirectory of ValuesWe Know Hyde ParkReal Estate InsideOutHOUSES FOR SALEJACKSON PARK^ HIGHLANDSGracious home in heart of thisattractive residential area.Large LR with WBFP, formaldining room, 4 BR on secondfloor plus enclosed sunporch.Finished 3rd floor. 2 car garage,fenced back yard. Call MargaretKennedy 667-6666.COUNTRY ESTATESuburb in the city: over 2 acresof land in Kenwood. 30-roommansion, coach house apartment, rose garden and tenniscourt areas. Total parcel,$150,000. Call Charlotte Vikstromat 667-6666.NOSTALGIC VISIT.To tree-lined GreenwoodAvenue of yesteryear. 8 rm.brick - real fireplace in doubleLR, full DR w/beam ceiling,mod. kit. & breakfast room,paneled area in bsmt. 3 BR &study upstairs. Large prettyyard. 2 car garage. $52,500.Charlotte Vikstrom, 667-6666. PREVIEWAn exciting new community ofseven extraordinary townhomesfor Spring 1977 occupancy. Initialpurchasers may participate indesign features. Each home willfeature 3 or 4 bedrooms, 2 or 2Vzbaths, in-house garage, centralair conditioning, solarium andmuch, much more. From $76,100.See our scale mode! and plans667 6666.CHANCE OF A LIFETIMEIf you are lucky. Try this one forsize. A 7 rm. frame house withalum, siding, 2 baths on a50'x175' lot. Side drive, woodburning fplc, new windows, largerooms with full basmt. Stoverefrig., air cond., crptgthroughout. All for $23,000. CallDon Tillery 667 6666.LOVELY HIGHLANDSHOME5 BR brick home on Bennett AveLR with wbfp, formal DR. A verynice buy at $59,500. For moreinfo, call 667 6666.STOP, LOOK-AND BUY!Tired of searching for an E-l?This Kenwood home has 3 BR,2»/z baths, finished rec. rm. plus4th BR or study, large kit. adouble an E-1 in square feet offloor area. Newly decorated.Immediate possession $69,500.To see call Mrs. Haines, 667 6666APARTMENTS FOR SALETHIS IS REALLYLOVELYVery special 2 BR-2 bath co-opapt. Fantastic 25th floor north-south views. Beautifully locatedin Hyde Park. Parking. Low$30's. "Call George Bilger, 667-6666."A DRAMATIC CONDO APT.4 rooms, 1 bedroom, large formaldining room, nice size kitchen.Living room has very highcathedral ceiling and floor toceiling windows - fireplace. 1bath. Parking. Asking $12,500. 70PI.-Paxton. Call Don Tillery, 667-6666.ENJOY THISLarge 6 rm.* condo apt. w/2batns. Enlarged kitchenw/laundry and appliances incl.Sun room for plants. A realtyattractive unit w/low assmf.Priced at $25,000. Call Mrs.Ridlon 667 6666.50TH& LAKE CONDO1 bedroom, with formal diningroom and excellent kitchen. Highfloor in secure building. Pricedat only $24,900 To see callGeorge Bilger, 667-6666.OVER 1,800 SQ. FT.Handsome bungalow plan onhigh floor 50th nr. Outer Dr.Tastefully decorated throughout.Parquet floors, lovely kitchen,all appliances included. 6 rms. 3full baths. You must see to appreciate. Charlotte Vikstrom 66/6666.TWO BEDROOMSIN THE SKYImmaculate 5 rm. 2 bath condohome at 50th and the Lake. Manydecorator extras. Ready tomove. An ideal high-rise homefor the discriminating buyer. JACKSON TOWERSSuper Lake views from highfloor. Spacious w/large modernkitchen, reasonably priced at$41,900. Call Mrs. Ridlon, 6676666.HYDE PARK BLVD.3 BR & study condo home w/2 fullbaths. Modern kit. w/DW, stove,ref. incl. Laundry rm. Off-streetpkg. $33,900 asking To see, callMrs. Haines 667-6666.BEAUTIFUL5 rm. apt. w/modern kitchen &bath. Large Liv. rm. w/wood-burning fplc. Views of Park andLake. Mo. assmt $98. Priced at$12,000 Call Mrs. Ridlon 6676666.YOUR VERY OWNBalcony plus 7 rms. 2 baths inthis spacious apt. appliancesBack porch and yard. Mo assmt$100. Hf. 55th on Everett. $32,000Call Mi's. Ridlon 667-6666.DELIGHTFUL VIEWSFrom this 5 rm. apt. in east HydePark. Elegant secure bldg.-mod.kitchen, 2baths, new appliances,carpeting Priced at $24,500. Mo.assmt. $288 Cal! Mrs. Ridlon 6676666.NEW LISTING3 BR, l'/z baths on South HydePark Blvd. Bret Harte schoolwasher/dryer within apt. Boardapproval necessary. Lowassessment incl. taxes. Call JEdward LaVelle. 667 6666.WOODLANDViews from this lovely 5 rm. apt2 baths, woodburning fireplaceDen. Private pkg. Mo. assmt$106, total price $13,900. Call MrsRidlon, 667-6666.APT. BLDGS. FOR SALE• TO SETTLE ESTATE"as is" nr. 53rd & Maryland. 3-flat stone and brick $22,500.Charlotte Vikstrom 667-6666. 6 APTS.Well maintained property onfuiet Hyde Park side streetach apt. has 5 generous rooms1 bath and a balcony. Mechanicalsystems are first rate $72,000KENNEDY, RYAN, MONIGAL 8 ASSOCIATES. INC(Haaraan rim mn)1461 East 57th Street, Chicago, Illinois 60637667-6666Daily 910 5 Sat 9 to 1 Of call 667-6666 AnytimrYhe Chicago Maroon — Friday, October 8,1976 —at least one full pound must be purchased of sale items, for sale price. : ■ ' . ' . ' . . • ■ • '. . ■ . ' ' ■ . 'price per lbRich & Creamy ■y :.-s -*■Walnut AlmondOrange CherryParsley & Garlic Port Wine;illlf§SSSwitzerlandm.Vermont Very SharpGrand Toast'. . i .. ' ? . . .. . , . : . & . • • . . . ' ,Have a glass of MadeiraBlandy s Famous Duke Qualitys4" to $449 Regular ON SALES02«■3Z', j; 4 ■' . ■; ;^^''4 ,. . .■ A ■ ■ :v ■■■ i2427 East 72nd StreetBA 1-921024 — The Chicago Maroon — Friday, October 8,1978