A aroonVol.86, No. 9 The University of Chicago Friday, October 1,1976Statistics showHyde Park crimerate is dropping Parsons charges Catholicleaders with playing politicsParsons does battle with campaignPolice credit undercover squadsViolent crime in the HydePark-Kenwood area decreasedmarkedly over the nine monthperiod ending September 15 ascompared to the same period theprevious year, according tounofficial crime data from theChicago police.Homicidesdecreasedfrom seven tofour, a drop of42 percentduring thecomparisonperiod.The number of rapes decreased50 percent, from 34 last year to 17during the past nine months.Serious assaults increased byone, from 41 to 42. Robberiesoccurred 36 percent lessfrequently, dropping from 401 to225.Hyde Park-Kenwood’s indexcrime rate, including homicide,rapes, robberies, and assaults,fell 4.3 percent. According to theFBI, the crime rate in Chicagofor the first half of the year fellfive percent.The figures, based on thenumber of radio calls received bythe police from the period January 1 to September 15, in¬clude the number of calls an¬swered for specific crimes in thearea bounded by 47th Street onthe north, 61st Street on the south,and from the lake to CottageGrove Avenue.George McMahon, commanderof the 21stdistrict, whichincludes HydePark andKenwood,attributes partof the drop totheefforts of the 24 tactical squadsfirst introduced last year. Thesquads consist of four-personterms of plainclothesmen.“They make good arrestsbecause they’re not tied down toresponding to routine calls,’’ hesaid. “They are out on the streetsin plainclothes, in old clothes,walking around a lot, and theyare getting well known in thefjea.”The teams, which usually workfrom 9:30 pm to 2 am, are able tostake out high-crime areas or touse female officers to lurepotential criminals. By ANDREA HOLLIDAYThe Reverend E. SpencerParsons, Dean of RockefellerMemorial Chapel, has accusedthe hierarchy of the RomanCatholic Church of violating thespirit of separation of church andstate by trying to turn thisNovember’s voting day into aone-issue election.He was speaking as presidentof the Abortion RightsAssociation of Illinois (ABA), andaffiliate of the National AbortionRights Action League, in a pressconference held in the WaterTower Hyatt House HotelThursday.Parsons, an American Baptistminister, is a long-time advocateof “free choice’’ abortionlegislation. This is the first timehe has spoken openly against theCatholic Church. He said theCatholic leadership is pushing apolitical viewpoint that is notshared by the majority ofAmericans.Parsons said the ARA willencourage people to contact theirCongressmen to support legalabortion. He said the Catholicchurch has a $700,000 budget forits anti-abortion campaign andacknowledged that the IllinoisARA, with their budget of $2,000-3,000, may not be able to retaliatewith much more than a pressconference.The Tuesday press conference was called in response to aprogram ordered by the NationalConference of Cathlic Bishops inwhich anti-abortion sermons areto be delivered Sunday in RomanCatholic churches throughout thecountry. Churchgoers will beasked to sign cards pledging towork against abortion in theirCongressional districts. InChicago, the cards will be givento political right-to-life groups touse in their campaigns.Father O’Neill of St. ThomasApostle Church, 5472 S. Kimbark,said that although pledge cardswill be available in the churchSunday and pro-life sermons willbe delivered, “we will downplaythe political. We’re not trying totell people how to vote.” He saidthat the sermons will not beconcerned solely with abortionand pointed out that there aremany aspects to the Pro-LifeMovement. Topics such as guncontrol, disarmament, andeuthanasia will also be discussed.“We are not advocatingabortion,” said Mr. Parsons,speaking of the current ARAcampaign. “We are pro-choice inthis matter.”Mr. Parsons outlined severallegislative threats to “free choiceon abortion.”The Roman Catholic leadershipis advocating the adoption of a“Human Life Amendment” to theConstitution. Proposed by E. Spencer ParsonsSenators William Buckley andJesse Helms, the amendmentattempts to “protect human lifein all stages of its biologicaldevelopment”, beginning withconception. This amendmentwould outlaw not only abortion,but all devices which alter theuterine lining in such a way as toprevent implantation of thefertilized ovum. This includes theiUD, the combination pill,provera and stilbestrol (drugsused in rape cases), andprostaglandin.If this amendment is passed,“women wifi go back to coathangers, back to lye,” said Mr.Parsons. “It would put all family¬planning agencies in jeopardy .”Some politicians, includingIllinois Senator Adlai Stevenson,are advocating states-rightslegislation to make abortion amatter for state regulation.According to Mr. Parsons, thiswould merely create abortionmeccas in some states, aParsons to 3News AnalysisWilson profiled:Seeking his place in a long traditionBy DAVID BLUMOver 900 guests gathered amidthe simple splendor ofRockefeller Chapel last March 4to witness the investiture of theUniversity of Chicago’s ninthchief executive.John Todd Wilson—a com¬ponent of the University’s ad¬ministrative structure since 1961,when he came from the NationalScience Foundation to become aspecial assistant to PresidentGeorge Beadle—had been chosenfive months earlier to succeedEdward H. Levi as Universitypresident, after Levi’s ap¬pointment as the U.S. AttorneyGeneral. He sat silently at thefront of the chapel throughout theceremony, hands clasped insolemn devotion to the inauguralprocess—an ancient and honoredtradition.Wilson, the University’sprovost under Edward Levi andits acting Pres, after Levi’sdeparture, made special note inhis installation remarks of thetradition behind the inauguration and his reasons for hesitating toaccept the Presidential SearchCommittee’s initial offer.“Each of the men who hasstood in this place has spoken, inhis fashion, of the honor, of theresponsibility and of the ap¬prehensions that he felt regar¬ding the task which he was aboutto undertake,” said the newlychosen president.“With perhaps more reasonthan any of them,” he added, “Iecho such feelings.”That speech, as well as mostother appearances by the 62-year-old Stanford UniversityPh.D. and career administrator,refleeted a studied knowledge ofthe past and an intimateacquaintance with the presentstate of the University. But sixmonths after that cold Marchafternoon, many observerswonder whether John T. Wilsoncan see as boldly into the futureas his eight predecessors.Previous PresidentsFrom the very beginning in 1892, the University of Chicagohas been recognized as a homenot only for distinguishedscholars, but also for progressiveadministrators. William RaineyHarper, the University’s foun¬ding father and first president isstill credited with the basicgeneral education concepts towhich the University strictlyadhere 85 years later. His 25 yearterm was the longest of any of theUniversity’s nine chief executiveofficers.The most well-known of hissuccessors, Robert MaynardHutchins (1929-51), remains oneof the most prominenteducational philosophers of thiscentury. A pioneer in the generaleducation movement hisrevolutionary changes in theCollege format and his proposalsfor overhaul throughout theUniversity are praiseu by someand disdained by others—yet fewdiscount his impact on theUniversity’s general direction.Wilson to 2 bix months ago, John Wilson was formally installed as president of theUniversity. He had been serving as acting President since EdwardLevi's departure three years ago.Inside , Sports p. 22Opinion p. 4QCJ p. 7Summer News p. 21Given the political dealings that brought aboutWilson's appointment, said one department chairman,Wilson may be attempting to "rush through" his ad¬ministration so that a replacement can be selected assoon as possible.Wilson from 1Hutchins long believed that theUniversity’s motto — in English, “Letknowledge grow from more to more andso be human life enriched” — sould bechanged to a line from the poet, WaltWhitman: “Solitary, singing in the West, Istrike up for a new world. ”Although he echoed the words of pastpresidents for his public appearances,Wilson’s presidential posture reflects aphilosophy far removed from the loftyideals of Hutchins and Harper. Wilsonseems more concerned with maintenanceof previous changes than with the in¬troduction of new ones. He clearlypossesses the tools for his undertaking: adetailed understanding of the University’shallowed traditions.Government InfluenceWilson has continually sought to stress,for example, that the University’s abilityto maintain its standards has been ham¬pered by increasing fiscal and ad¬ministrative restraints imposed by federalregulation.“The federal govememnt is now exer¬cising its influence in every importantarea of the University activity,” Wilsontold a luncheon audience at the Com¬mercial Club of Chicago last winter, “andthe costs of complying with federalregulations have risen on campuses tomillions of dollars per year. ”Wilson cited six areas where govern¬ment encroachment has had a direct effectat the University of Chicago:•the extension of broad social legislationto universities•the specific regulation of universityoperations, as in legislation affectingconfidentiality of student records and inaffirmative action•the amendment of tax laws affectingprivate donations•the expansion or contraction of ap¬propriations to further specific public ends•the regulation of research as in theguidelines for fetal research and humanexperimentation, and•the alteration of educational programs,as in proposals to require outreachtraining for medical students.Campaign PromisesIn the six months since Wilson officiallyassumed the presidency, two issues haveemerged as his administration’s primaryareas of concern: the University’s $280million “Campaign for Chicago”, stillshort of its final goal, and the College,whose governing council has begun to re¬examine the undergraduate curriculumand its present function.“The real issue, and the proper criterionagainst which an administration should bemeasured, is the maintenance of academicdistinction,” Wilson told the March con¬vocation audience. His public activities —including a trip to two west coast alumnimeetings and a speech before the Com¬mercial Club of Chicago — illustrates thatfund-raising, in Wilson’s mind, is linked toachieving that academic distinction.“The role of University presidents ingeneral has recently involved more workin fund-raising,” said Isaac D. Abella,associate professor of physics and amember of the College Council, lastspring. “It’s a wise thing for Wilson to do,since the University is powered bymoney.” Active support for the campaignhas been a crucial part of Wilson’s workthus far, since Wilson was finally per¬suaded to accept the presidency because ofthe negative impact of the long presidential search on the Campaign’ssuccess.College Reformer“We are pressed for justification ofliberal education. There is a failure torecognize the fact that history is not onlythe record of decisions and actions, butalso the clash of ideas and values...Thisenterprise is the core of undergraduateeducation at Chicago.”These lines are the ones most frequentlyqouted from Wilson’s inaugural address —perhaps because the College has alwaysbeen a central issue of debate amongUniversity faculty and administrators.This year, Wilson claims to have alreadymade an impact on the common core — afour-course requirement prescribed for allCollege students — through the CollegeCouncil.“The College Council is discussing theCommon Core and I have a great interestin that. I think that perhaps I stimulatedthat in my State of the University ad¬dress,” Mr. Wilson told reporters lastspring.In that speech, presented to theUniversity Senate last November — justtwo weeks before Board of TrusteesChairman Gaylord Donnelley announcedthat Wilson had accepted the Board’spresidential offer — he noted the“rigidity” in the conception of the Coresequences. He proposed a re-examinationof the common core and its value to bothstudents and teachers, and urged alldepartments to study “the proliferation ofcourse offerings and the deployment offaculty resources within the variousacademic units.”“The pressure to increase un¬dergraduate teaching by senior facultyhas been enormous under Wilson,” saidone department chairman, echoing thesentiments of several faculty who claim tofeel the pressure of Wilson’s words.Charles E. Oxnard, dean of the Collegeand a professor in the department ofbiology, confirmed last spring that theCollege Council had begun discussionsconcerning possible changes in the un¬dergraduate program.“We’ve formed a committee of the wholeto discuss various possibilities of change in the undergraduate curriculum,” Oxnardsaid.“We’re reviewing the current commoncore, second quartet and concentrationrequirements, and by next fall we hope toreach some firm conclusions about thefuture.”However, in one area of policy within theCollege — the Harper Fellows program —Wilson has already been called to task.Wilson’s views “make it sound as if wewere brought in here like a research fellowin physics is brought in to work insomebody’s office,” said one of the HarperFellows hired by the University to teachsome of the introductory humanitiessequences last year.Alleged QuoteAt the height of the controversy last fallover the involvement of Chicagoeconomists Milton Friedman and ArnoldHarberger with the Chilean Junta, TheMaroon reported the substance of an off-the-record conversation between twostudent leaders and Wilson, concerning theproposed student government (SG)commission to investigate the in¬volvement.In that conversation, Wilson reportedlymade what has become thus far the mostoff-quoted statement of his presidency:“You could have a University withoutstudents, but you couldn’t have aUniversity without an administration.”Wilson was responding to one student’sclaim that a large and important portion ofthe University population is made up of'students, thus justifying SG’s right toinvestigate Friedman and Harberger aswell as other University affairs andpolicies.Wilson told the two students — AlexSpinrad, a third year law student and then-vice president of SG, and Garrett Brown,chairman of the SG committee formed toorganize the investigation — that heconsidered such a commission a “wit¬chhunt.” Both Friedman and Harbergerhad reportedly assisted the Chilean juntain formulating economic policy, and SGsought to form a commission to establishthe facts of the entire issue, which hadreceived widespread attention on campus and in the media since the autumn of 1975.At the time, Wilson refused to eitherconfirm or deny any of the publishedquotes from the meeting. His first openrepudiation came six months later, in aninterview with campus reporters.“Well, obviously I don’t believe that,”when asked for his view on that statementof attitude. He refused to elaborate, otherthan to suggest that Dean of StudentsCharles D. O’Connell’s vigorous denial ofthe statements attributed to Wilson in aletter to the editor of The Maroon “did nogood.”“When you say how virtuous you are,nobody believes you, really,” Wilson saidat the time.Feeling the added strain of fiscalausterity, Wilson has been placed (byexternal budgetary forces) into a reactiveposture, where he may very well remainfor the • last two years of his ad¬ministration. As a result, many seniorfaculty members feel more frustrated withWilson’s administration than with hisoredecessors.“Wilson just responds. When a problencomes up, he’ll deal with it, and usuallypretty well, But he just doesn’t act on hisown,” said one senior faculty memberearly this month. “He’s not a Hutchins, oreven a Levi.”Those sentiments are echoed throughoutthe faculty, though many are reticent toevaluate fully the first six months ofWilson’s administration. Given thepolitical dealings that brought aboutWilson’s appointment, said one depart¬ment chairman, Wilson may be at¬tempting to “rush through” his ad¬ministration so that a replacement can beselected as soon as possible.That theory may have credence, par¬ticularly since Wilson refused thePresidential Search Committee’s initialoffer of the job shortly after he took over asacting President. Most observers citepersonal reasons for Wilson’s initialhesitance, and those hypotheses wereborne out in November of 1975 when thesearch committee, was forced to pleadwith Wilson to reconsider his earlierdecision, after 10 months of unproductivedeliberations.Several persons close to the searchcommittee said later that intense pressurewas brought to bear on Wilson by two closeassociates, former President Levi andnoted law Drofessor and search committeemember Philip B. Kurland. They urgedWilson to consider the University’spredicament and accept the Presidencyuntil another search committee could beformed. Wilson finally relented, but hassince told associates that he looks forwardto quick departure from the ad¬ministration and a return to teaching andresearch in the near future.Those who know John Wilson wellbelieve that his lasting impact on theUniversity will be minimal. He entered thePresidency under duress, cajoled into achange of heart by his closest friends andassociates. He will leave close to the timeset by statute — his 65th birthday — andmost observers believe his three years inthe President’s office will be forgottensoon after his successor is chosen.By March 7,1979, Wilson hopes to see theCampaign coffers filled to the $280 milliongoal. He hopes to provide entering Collegestudents an improved common coreSequence. He hopes to bring a permanentend to deficit budgeting. The fulfillment ofhis hopes may give Wilson a permanent3lace in the tradition he holds so dear.OFFICE WORK AVAILABLETOP WAGESSec'ys, stenos, Dictaphone Operators:Challenging jobs in the Loop and on the SouthSide.2 or 3 Days a week or full weeksApply in person: Suite 631, Hyde park BankBuilding, 1525 E. 53rd Street.ELAINE REVELL, INC.Contact: Beverly - 684- 7000Chicago's Prestige Tomporary Office Service ysnmr cup & saveBRIDGEPORT LIQUIDATING COMPANYINC.3619 S. Halstead927-4343ALL KINOS OF USED FURNITUREAND OFFICE EOUIPMENTBeds LampsDesks TablesTypewriters ChairsAdding MachinesChestsSofasFile CabinetsMINI REFRIGERATORSSAVE 10% with this AO StovesT.V.’s $40[sEM. COUPON by expert GUNVOR REFETOFFAND ASK ABOUT GUNVOR CLOTHES.THE COPENHAGEN LOOK WITH THE PARISIAN TOUCHALTERATIONS snd CREATIONScsU 373-0989 for appointment.2—The Chicago Maroon— Friday, October 1,1976Morris Fishbein, 87By JOHN PRUNSK1SDr. Morris Fishbein, medical journalist,editor, writer, health advisor, fund raiser,conversationalist and lover of the arts andsports, died Monday at the age of 87.His association with the University andHyde Park was a long one. Fishbeingraduated from the college in 1910. In 1912,he received his MD. degree from theUniversity’s Rush Medical College. Hewas also a professor of medicine at thePritzker medical school.Fishbein, considered one of the mostinfluential figures in American medicine,edited the Journal of the AmericanMedical Association for 35 years, wrote awidely read newspaper column on health,and wrote and edited over 40 books, as wellas numerous magazine and journal ar¬ticles.“His greatest contributions were theenhancement of the quality of medicaleducation and his war on medicalquackery,” said Dr. Charles B.-Huggins,Nobel Laureate and William B. Ogdendistinguished service professor at the BenMay laboratories. “In the first half of thecentury there were three great con¬versationalists: Sinclair Lewis, ErnestHemingway and Dr. Morris Fishbein. Dr.Fishbein had the ability to vividly recallevents which had occurrred at any point inhis life.”Fishbein usually received 300 -to 500letters per day and would answer them all.At times he would dictate to threesecretaries simultaneously. He wouldnever fail to answer a letter regardless ofwho sent it. People throughout the world consulted Dr. Fishbein about their healthproblems.Dr. Joseph Kirsner, Louis Blockdistinguished service professor ofmedicine and deputy dean for medicalaffairs said that above all Fishbein wouldbe remembered for his work in exposingquackery in the world at large. “He was astandard-bearer of honesty, integrity andexcellence in all aspects of the health field... a champion of the sic.” Libel suitsadding up to $40 million were filed againstFishbein by chiropractors and other in¬dividuals whom Fishbein had labeled asquacks. He claimed that he n ever lost apenny in any one of the suits.During his life he was editor of theJournal of the American MedicalAssociation from 1914 to 1945. ModemHome Medical Advisor, The NewIllustrated Medical and Health En¬cyclopedia and Medical World News.Heestablished the magazine which is nowknown as Today’s Health and was alsomedical editor of the Britannica Book ofthe Year. He wrote 40 books including:“Medical Follies,” “The History of theAMA,” “Heart Care,’’ and hisautobiography, “Morris Fishbein M.D.”As a syndicated writer, Fishbein wrote amedical column which at one time ap¬peared in 700 newspapers. A if his schedulewere not busy enough, he read a book aday with perfect recall and he held seasontickets to the Chicago Symphony, the LyricOpera and the Chicago Bears. A realChicagoan, Fishbein was reported to haveplayed a mean game of poker.In 1966, Mrs. Fishbein announced a gift of $230,000 to the University to helpestablish a Morris Fishbein professorshipin the history of biology and medicine.William H. McNeill, professor andchairman of the history department at theUniversity said, “It is our hope that such achair will extend understanding of thesocial processes which affect the lifesciences and how the life sciences, in turn,affect society.” The Fishbein Center forthe Study of The History of Science andMedicine was established in 1971 under the direction of professor Allen G. Debus.The Doctor Morris Fishbein Collectionat Regenstein Library is also a part of theFishbein Center. The collection is anexhibiton of selected books in the history ofmedicine and the biological sciences. Thebooks are mainly from the sixteenth,seventeenth, and eighteenth centuries andcan be found in the special collectionssection of Regenstein library. Fishbeincontributed several of his own books to thecollection.Parsons criticized the Catholic Church for urging atough legal stand on an issue that is fraught withtheological and moral ambiguity. 'They're making thesame mistake as the prohibitionists. They didn't stoppeople from drinking, but they gave a big boost toorganized crime when they tried to make a moral sininto a public crime."Parsons from 1situation similar to that existing beforethe 1973 Supreme Court decision. “That isgoing to be a mess” he said, “the proposedstates-rights legislation on abortion is justa way to get the federal Congressmen offthe hook.”“It’ll be just as unfair if abortion is madeillegal in certain states. An upper- ormiddle-class woman can step on a planeand go to London to get an abortion. Butwhat about the 52-year-old wife onMedicaid, or the twelve-year-old out of theghetto?”Mr. Parsons also blasted legislationbanning certain types of medically safeabortions and making physicians liable toprosecution for violations. He called suchlaws “unconstitutional roadblocksdesigned to harass physicians. “Such lawsare put on the books purely as delayingmeasures. The people pushing them knowthey’re going to be knocked down as un¬constitutional. This is what gets me mad. ”Federal law presently forbids abortionsafter the twelfth week of pregnancy byinduction of saline or prostaglandinsolutions. Prostaglandin is a hormonewhich induces contractions of the smoothmuscles in the uterus, causing expulsion ofthe fetur. According to Mr. Parsons, 87 to91 percent of abortions are performedbefore the end of the twelfth week ofpregnancy.“My position is that, while we may regret late abortions, we must consider thecircumstances under which they occur.Who waits until after the twelfth week?Twelve-year-old kids who don’t un¬derstand what’s happening until they’rediscovered in the sixteenth week ofpregnancy. Women in their late fifties whothink they’re incapable of becomingpregnant until they miss their fourthperiod. Parents who have amniocentosisdone in the fifteenth week and learn thatthe fetus is seriously malformed.”Parsons argued that just as manywomen had abortions before it was legalas new, citing statistics from the Centerfor Disease Control in Atlanta. However,the number of hospital cases resultingfrom criminal or self-induced abortionshas declined steadily and substantiallysince the Supreme Court decision, he said.“The Chicago- Lying-In Hospital used totreat 25-28 from infectious cases frombotched abortions every month. Now theyrarely have any. “The Cook CountyHospital treated 22,000 such cases from 1961 to 1966. This is a sad humansituation.”Parsons criticized the Catholic Churchfor waging a tough legal stand on an issuethat is fraught with theological and moralambiguity. “They’re making the samemistake as the Prohibitionists. They didn’tstop people from drinking, but they gave abig boost to organized crime when theytried to make a moral sin into a publiccrime.”“They are distorting the facts byfocusing on the fraction of one percent ofabortions that are performed after thetwenty-fourth week,” he charged.Parsons said he feels that the possibilityof passage of the Human Life Amendmentis dim, and added that “people would befurious if they knew all the impolicationsof that amendment.” He quoted a 1975 pollwhich indicated that 70 percent of RomanCatholics do not support the amendment.The Illinois ARA group was organized in1966 to “preserve the constitutional rightto choose legal and safe abortions.” Mr. Parsons joined the group in 1969 andbecame president in 1971.With a group of rabbis and ministers,Mr. Parsons founded the ChicagoClergymen’s Consultation Service onProblem Pregnancies in 1968 to advisewomen in Chicago who wanted abortions.A that time abortion was illegal in Illinoisand most women had to travel out-of-stateto obtain legal abortions — to New York,Kansas City, Mexico, or Puerto Rico, toLondon or Tokyo. The clergymen’s servicesaw 50 to 100 women with problempregnancies each week, advising them asto their alternatives. They referred thewomen to adoption agencies, and alsohelped them to arrange transportation out-of-state for abortions and to procurecompetent medical services there. Ac¬cording to Parsons, the service also helpedto drive down the fees for abortions insome places from $600 to $400 because ofthe volume referred.A U.S. Supreme Court decision madeabortion legal in 1973, eliminating much ofthe work of the clergymen’s service, butthe organization continues to counselpregnant women in ten Illinois cities.Parsons testified before the Cook CountyGrand Jury twice in 1971 under subpoenaand was threatened with a contemptsentence for refusing to reveal the namesof thirteen area physicians who wereperforming illegal abortions.rStatistics reflecting a significant rise in the minorityenrollment of the Gass of i960 in The Maroon on Tuesdayresulted from misleading information from the Office ofCollege AdmissionsThe Maroon erroneously reported a 50 percent increasein minority enrollment among this year s enteringstudents According to the information supplied by theAdmissions Office concerning this year s enrollmentfigures, the increase would have been 100 per cent overlast yearHowever, last year's figure—showing a 6.5 per centV .uinority enrollment—resulted from the Office of CollegeAdmission's decision not to consider Oriental Americanstudents as minorities until this fall The Department ofHealth. Education and Welfare includes OrientalAmericans in their minority statistics, and AdmissionsDirector Fred Brooks changed the minority accountingprocedure this fall.Including Oriental .American students in last year'sstatistics. 10 of 10 percent of the Class of 1979 representedminority groups instead of the 6 5 percent figure reportedin Tuesday’s Maroon FOREIGN CAR SPECIALISTSSERVICE ON VW & AUDICALL:684-5166 We Offer Top-Quality Mechanical ServiceTune-Ups * Electrical * Brake SystemExhaust System * Other RepairsConveniently Located at5508 S. Lake Park(Gateway Garage Bldg -Downstairs!Monday Saturday 9am 9prnThe Chicago Maroon—Friday, October 1,1976—3EditorialAuspicious startThe academic year has started with a number ofvery noticeable changes around campus. Along withthe tangible changes there is an atmosphere of ac¬tivity and excitement uncharacteristic of theUniversity in recent years.Physical alterations made over the summer give anew look to some of the most familiar places at theUniversity. Regenstein patrons returning to academicsanctuary will find a work crew installing a flashy newterrazzo floor at the main entrance. On A-level, coffeedrinkers will discover an expanded brightly coloredcanteen. The canteen controversy was resolved intheir absence, and the naugahyde couches from theold staff lounge were taken awayTextbook purchasers will discover a reorganizedbookstore. With all the texts placed in a com¬partmentalized module, so the theory went, theregistration rush could be avoided.Even the dank confines of the Bartlett locker roomunderwent a facelift over the summer. The improvedfacilities, however, will not be accessible to theunlucky gym users who did not show up early enoughfor the recordsetting locker pass line.At the other end of the campus, motorists travelingthe north-south streets will.come upon a series of cul-de-sacs, an architectural innovation of the summerput in as part of the University’s south campus plan.The cultural happenings planned for the quarterpromise to liven up the fall season. Hie showing of TheFront set the pace for the festival of Chicago comedy,the most inspired program idea that has come along inquite some time.Most of the changes will not be apparent to therecord number of freshmen on the quads this fall. Thefreshmen themselves will represent a change forUniversity veterans, part of the trend towards anincreasing proportion of undergraduates that is subtly *altering the character of the University.The composite impression to emerge from thebustle of first week is one of a vital institution strivingto deal with its problems, both minor and major. Someof the solutions fall short of success, but the amount ofenergy put into the summer changes gives the im¬pression of trying to get things done, unusual on theunchanging quadrangles.Paul DouglasThe death of Paul Douglas marks the passing of oneof the most exceptional figures in the history of theUniversity. It is rare for an individual to mixacademic distinction with participation in the makingof public policy as Mr. Douglas did. Before he leftChicago to fight in the Pacific, Mr. Douglas hasestablished himself as an important economistthrough his original formulation of the productionfunction and his contributions to the economics oflabor.In his participation in local politics before the warand in his service in the Senate after 1948, Mr. Douglasproved himself a Dolitician of stature and principle.Mr. Douglas’ great achievement lies in the recon¬ciliation he found between the life of the mind and thelife of the world, and in the example he set in hissuccess.The Chicago MaroonEditor: Peter CohnNews Editor: Dan WiseFeatures Editor: Jan Rbodes 4Sports Editor: David RieserPhoto Editor: Dan NewmanAssociate Editors: David Blum, Lartdy CarienProduction Manager Michael DelaneyGraphics: Chris PersonsBusiness Manager NikoMaksimyadisAd Manager. Doug MillerThe Chicago Maroon is the student newspaper of the University of Chicago,published Tuesdays and Fridays during the regular academic year The Maroonoffice is locafed at 1212 E S9th St., Chicago. Illinois 60637. The telephone numberis 753 32634—The Chicago Maroon—Friday, October l, 1974K- - W' 'AV.rX ,»< * 'vV*Mw.:'• * ' A look at the debateBy MORTFOXFor better or worse, the debatesturned out to be a tempereddiscussion of republican anddemocratic social philosophy. Thiswas pointed out to me by the twomiddle aged waiters with whom Italked during the 27-minute gap. One,who called himself a primitiveBaptist, thought Nixon was still run- *ning the country. He was going to votefor Jimmy Carter because he couldtrust a man “who believes in God.”He admitted it didn’t make muchdifference because, basically, thosewho run the country “are just talkin’s .” He supported Democratsbecause he felt they spread the moneyaround a little more. The other waiterfelt Ford was a better man, and sincenine out of ten people interviewed onTV were for him, he thought Ford-would get elected. “Carter couldn’teven get elected to a second term inGeorgia,” he pointed out."Carter couldn't even getelected to a second termin Georgia/' he pointedout.Congressman Ralph Metcalf, aDemocrat running for reelection thisfall in the first district, which includesthe University, felt that Carter“scored some very good points.”Metcalf continued, “I recognized thathe was debating the incumbent andwas thus at a disadvantage. He stoodup well to the President under thoseconditions.” Metcalf said, “We haveto have jobs and we have to make theprograms in the Congress effective.”Economic issues predictablydominated the discussion between thetwo candidates. Carter scored thehighest points on the issue of jobs:unemployment has been the scourgeof post-Vietnam Republican ad¬ministrations. Ford’s remedy, ex¬panding the private sector throughtax reductions, is a sound fiscal ap¬proach that would perhaps help smallbusinesses hire an extra person ortwo.Carter’s proposals in this area arenot only good ones, but are proveneconomic and social successes. In1933, the Civilian Conservation Corpfound work for some 250,000 men inone year with intial funds coming Carter scored the highestpoints on the issue otjobs: umemploymenthas been the scourge otpost-VietnamRepublican ad¬mirations.from unobligated public works ap¬propriations. Though later troubledby administrative problems, its nineyear existence was successful inproviding immediate work and cashto people and families who had been“on the dole,” including urbanminorities.The danger in both these views, isthat they can be inflationary. A moredirect way would be to allow the fed-controlled monetary policy tostimulateinvestment. Carter calls fora “commitment in the private sectorto cooperate with the government inmatters like housing. . .” But insteadof this course, easing up interestsrates would make loans and mor¬tgages easier to obtain, aid the con¬struction industry, and its impact onthe total economy would be less in¬flationary than fiscal measures in ourcurrent period when demand is notexcessive.Ford’s defense of his use of vetoeswas justified by his socially con¬servative philosophy. His $9 billionsavings is admirable, but at whathuman cost? Health care for the agedand teachers for the young are beinggraded off, through tax rebates, forincreased consumer spending andmild inflation. Meanwhile, inefficientFord was caught denyingamnesty to militaryevaders when Carter,through a convenient slipof the tongue, mentionedNixon and, with apuckish grin, replied, "Ithink very differentlyfrom President Ford."allocation of resources in these hugegovernment bureaucracies remains.Carter’s intended zero-basedbudgeting, if jobs are maintained, might limit services, but also mayallow for more sensible distribution ofservices.Finally, though Ford can claimcredit for sensible management of thenatural course of the post-warrecovery, the greater number ofAmericans, particularly women nowin the work force, also had asignificant effect.In terms of style, Carter appearedbold in promising a balanced budgetby 1981 so resolutely. Ford was caughtFord's defense of his useof vetoes was justified byhis socially conservativephilosophy. His $9 billionsaving is admirable, butat what human cost.denying amnesty to military evaderswhen Carter, through a convenientslip of the tongue, mentioned Nixonand, with a puckish grin, replied, “Ithink very differently from PresidentFord.” Carter’s initial nervousnesswore off as the debate became sub¬stantive and was impressive withsome good Southern understatement:“We eliminated a substantial numberof programs ... 278 in the healtharea.”On the other hand, his ravingagainst “The bureaucratic mess likewe have here in Washington,’' wasn’tas effective now as before. Heprobably can’t be faulted for flauntinghis ambition (“If I’m electedPresident... AND I intend to be. .”),but it appeared aimed for thetelevision audience, not the televisionintelligence. Generally, Carterdemonstrated competence and abilityon the issues.Ford demonstrated that he coulduse the resources of the officeadequately to prepare. For instance,he effectively raised questions aboutCarter’s own administration. Though- - - cr -defensive on the issues, Ford couldfall back on the Republican platform,and hope that there exists a bonafide, consistent, conservative trendsweeping the country. Unexpectedly,he maintained the fighting stancethroughout. The newspapers said “hewanted to be Presidential.” Hisdelivery was smooth and poised.- - - - - --4Politics:a botanical viewpointBy JONATHAN KANSFollowing a one hundred eightyseven year old tradition, the twomajor political parties have, duringtheir respective national conventions,each chosen a representative plant asthe symbol of their campaign. Thistradition, begun with GeorgeWashington’s infamous cherry treeincident, has enjoyed less prominenceas a campaign issue in recent yearsthan it had when our founding aatherswere alive. The Democrats havepicked the peanut (Arachishypogaea) as their symbol from theplant kingdom, and the Republicans,with the slating of Sen. Dole for thevice-presidency, have gone with thepineapple (Ananas comosus). Asusual, the choice of plant promises tobe a reliable indicator of the type ofadministration that we, the Americanpeople, can expect to see.Perhaps the most importantcharacteristic of a prospectivepresident is his personal integrity.This feature is clearly reflected in abiological dichotomy of the twochosen plants. One sees that thepeanut, a dicotyledonous seed, hastwo faces, as does Gov Carter, andthat the pineapple, a more advancedmonocot, has but a single face, whichit shows rather poorly. Thus, Carter’spre-convention use of the terms“amnesty” and “pardon” concerningVietnam deserters and draft evadersis perfectly in character with a manwho is atetempting to prove false themaxim that “you can’t fool all of thepeople all of the time.” And PresidentFord should probably be believed when he states, albeit awkwardly,that there was no “deal” betweenhimself and former President Nixon.Another major characteristicdivulged by the party’s plant is thetype of organizational support that itsadministration would be based on.The peanut and its shell grow un¬derground, sprouting shoots whichcreep along the ground. This tends toindicate a low, “grass-roots” level ofsupport, and good contact with thegeneral public, especially with thelower classes. The pineapple, on theother hand, raises its head so highthat it cannot even begin to see theproblems of those in lowersocioeconomic classes. Also, thepineapple is an aggregate fruit,consisting of a conglomeration ofmany smaller fruits. This representsthe incumbent President’s in¬debtedness to a large number oflesser politicians and leaders of bigbusiness,, who haven’t the faintestnotion of how to properly run ademocracy, and who can only createmassive confusion when they try.Since peanuts and pineapplesflourish in differing climates, it isclear that in this bicentennial year thetwo executive administrations whichwe must choose between are vastlydifferent, and that we must allcarefully examine our own personalvalues before making that crucialselection in the voting booth. Someexperts have predicted that issuesmay play some sort of a role in thisyear’s campaign after all. However,botany remains the undisputed,although often ignored, leader in theanalysis of U.S. political events.WeekendSaturdayShabbat Worship: Orthodox (Yavneh) 9:15a.m., Conservative (Minyan) 9:30 am atHillel.Dinner: Every week a home-cooked mealat Crossroads Student Center, 5621 S.Blackstone Ave. Phone 684-6060. 6 pm,Students SI.75. . „MusicFM rock: All-night rock on WHPK-FMstarts immediately after the football game(see below). Dan Wise, Mark Bole, PeterMensch, Chris Heim, and Tom Speare willbe featuring several new releases andtaking requests at 753-3588.Festival of Comedy: As part of thecelebration, Ray Norstrand of WFMT willhost a “Midnight Special" of Chicagocomedy, 10:15 pm to 1:15 am. WFMT willcontinue to play selected comic bits duringOctober.“A Benefit Evening With Friends" for theChild Care Task Force. Ravenswood (Folkgroup) and Marty Peifer (singer) willentertain. Dance music provided by WH-PK. Refreshments, Beer 50<r. For tickets(which cost S5) and reservations call theChild Care Task Force 288-8343.SportsFootball: UC vs Marquette, 1:30 pm,Stagg Field. Come watch the Maroons wintheir second game in a row (third if youcount last year's win). WHPK willbroadcast live, play-by-play coverage ofthe game. Pre game show, with TomBradley and Mark Pennington, starts at 1p.m.Cricket: Festival cricket game at 9:30 am.Staff Field. All are invited to participate. Flea marketsRecycle Trash Into Cash: Sellers needed(furniture, housewares, linens. No clothesor books.), no charge for space. 9 am, IdaNoyes Hall. Call 753 3592 for info.Rummage Sale: Sponsored by the HydePark Neighborhood Club to raise funds forequipment and general programming expenses. Friends are asked to bring theirdonations of clothing, furniture, smallappliances, and other household items tothe Club (5840 Kenwood) by Oct. 1(Friday). All contributions to the Club aretax deductible. For further info call FayIsenberg at Ml 3-4602. SundayReligious servicesRockefeller Memorial Chapel: 9 am,Ecumenical service of Holy Communion,followed by breakfast in the Chapel Un¬dercroft. 11am, University Religiousservice. Preacher: E. Spencer Parsons,Dean of the Chapel. Sermon: "Landmarksof Reality."Yom Kippur Mincha Services: 6:15pm,Cloister Club, 1st floor Ida Noyes Hall.Sponsored by Hillel Foundation.Yom Kippur Liberal Services: 9pm,Cloister Club, 1st floor Ida Noyes Hall.Sponsored by Hillel, of course.ClubsComputer Club: meeting, Reynolds Club,I pm.Debate Society: meeting for new mem¬bers, East Lounge of Ida Noyes Hall, 3p.m.MoviesNashville Robert Altman (1975) 8:45 pmonly, Cobb. See Tuesday's Calendar forcomments. SI. CEFII Posto Ermanno Olmi (1961) 7pm only,Cobb. ". . . tells the story of a sensitiveyoung man named Domenico who seeks a-iob in a large impersonal corporation inMilan. . . . more than just powerful socialcriticism. . . Olmi has the ability torepresent the individual's oppression bydehumanizing forces with lyricalpoignancy and grace." *Bridge: Weekly bridge game playedSundays 3pm at Crossroads StudentCenter, 5621 S. Blackstone. Instructionprovided if desired. Phone 684-6060."Changes" This week's program:Focusing, how to get in touch with yourfeelings. Meets 7pm at the Blue Gargoyle,57th and University. Everybody welcome.Folkdancing: General Level. Teaching -IV* hr. Donation 50c Ida Noyes.The Chicago Maroon—Friday October 1,1976 5Mead a BE splreaNn lesan TMtHT!At Tonight's Mini-Lesson you'll actually improve yourreading efficiency, both speed and comprehension,by using our techniques which have worked for over• 1/2 million people just like you.Whether you're a "Lazy Reader" unable to concentrate,a "Word-at-a-time Reader" who spends days, weeks,and months reading material that should take minutes andhours, a reader who can't remember anything you read,or a "Skimmer", who reads fast but retains little ..we can help you.All the advantages of Evelyn Wood Reading Dynamicswill be explained and demonstrated completely at theFREE Mini-Lesson. Stop wasting valuable time . . .you've got nothing to lose, everything to gain!Attend a FREEMini-Lesson TonightMost people go through life reading,without ever learning how! EVELYN WOODREADING DYNAMICSThe Chicago Maroon's Weekly Magazine of Criticism and the ArtsThe reclining figure is a motif Moore hasworked at endlessly. He explains: "If one isreally as sensitive as one ought to be whenone’s doing sculpture, one gets into such astate of comprehension or apprehension ofeverything around one that it’s just aboutimpossible to go on living until you pick onone subject and get down to it.’’ Thus, of thethree fundamental poses of the humanfigure; standing, sitting, and reclining;Moore chooses the reclining figure simplybecause being self-supporting it allowsgreater compositional freedom.Moore was early influenced by the An¬cient Egyptian and pre-Columbian artworkhe visited at the British Museum. Until 1939(age 41) Moore worked primarily in stoneand wood. Only since 1945 has he con¬centrated on bronzes.Moore’s Reclining Figure and Pomodoro’sGrande Radar are here on a three-year loanfrom the estate of Robert B. Mayer, Win-netka. The Moore piece complements thecollection of Moore drawings and sculpturesinside the Smart Gallery. Catherine Keefe,gallery director, hopes to bring moresculpture to the gallery courtyard.Antoine Pevsner. Construction in Spacein 3rd and 4th Dimension. Laird Bell LawQuadrangle.Antoine Pevsner, born in Russia, brotherof sculptor Naum Gabo, emigrated toFrance in 1923 under pressure to limit his artto the service of communist philosophy. Hewas one of the first "constructivists," thosewho construct their works rather thanmolding them or cutting away to them.- Pevsner achieved prominence in the late40’s and 50’s for works, typified by thispiece, denying the primacy of volume insculpture and emphasizing the containmentof space in motion. This piece, his lastbefore his death in 1962, retains the ap¬pearance of his earlier works created bywelding together long strips of bronze orcopper, but is actually cast. The sculpturewas cast in France, and the base, alsodesigned by Pevsner, comes from SouthAmerica. Another casting of this sculpturemay be found in the Haag and yet another atPrinceton University.Prof. Walter Blum of the Law School tellsan interesting story about the PevsnerSculpture. A sculpture was needed to standin front of the Law School building. EeroSaarinen, architect, had suggested that aPevsner would be appropriate, but atSaarinen’s death in 1961 there was still nosculpture. When Alex Hillman, art-collectorand University benefactor, donated thePevsner, a controversy ensued over wherein the pool to place it. Eminent architectMies van der Rohe was called in to decidethe matter. A position was chosen at thecorner of the pool diametrically opposite thefountain and directly opposite columns onthe north and west wings of the building.Prof. Blum proudly claims that this was theplacement he had defended all along. Twoyears later a forgotten letter from Saarinenwas uncovered naming precisely the samespot as the site for the then-proposedsculpture. Such is the determinism of theaesthetic conscience.(continued on pace 8)By Chris GauktrAmid all the items of visual interest thatbedeck our campus, such as building*,trees, and faculty, there stand a certainnumber which especially effer themselvesup as candidates for aesthetic appreciation.These are the sculptures. Almost all of ushave encountered Nuclear Energy by HenryMoore on the west lawn of Regenstein, andDialog© by Virginio Ferrari in front of PickHall, but most of the other artifacts havebeen viewed only by a few. In the photoessay on these pages, then, we seek to bringthese more hidden sculptures to light.Here are some of the best, and morereclusive, campus sculptures.Arnaldo Pomodoro. Grande Radar, 1963.Smart Gallery courtyard, 56th andGreenwood ave. Grande Disco, 1963. Onloan from the collection of Mr. and Mrs.Nathan Cummings. Behind Cummings LifeScience Center, 58th between Ellis an-Drexel. ’.In 1954 Pomodoro settled in Milan whereas goldsmith and jeweler he won littlesuccess. It was probably as a jeweler,however, that Pomodoro learned the art ofjudging the consequences for the positivefrom the directly-sculpted negative cast.This is the technique Pomodoro has con¬tinued to employ for even his largest works.Indeed Pomodoro’s jewelry bore thecharacteristics of the sculptures he wouldlater create.Through the 50’s Pomodoro studied thecomplex textures he could create in greatslabs of clay and then cast in metal. In hisearly period Pomodoro had been closelyassociated with Informal Art, e.g. that ofJackson Pollock and Jean Dubuffet. It wasfrom this origin that his technique evolved.Grande Radar is an example of theculminating development of this technique.This piece seems to have come from outer-space bearing a message in cuneate runes weshall never decipher.More recently Pomodoro has learned tospeak through a greater variety of primaryforms; cylinders, spheres, and discs likethose of Grande Disco. These pieces oftenseem to be statements on technology. Theyseem to have burst, revealing a greatcomplex of functionless machinery within.Grande Disco, one of at least two such discsby Pomodoro, is a magnificent sculpture. Itis 12 ft. in diameter, weighs 11,000 lbs. andspine when pushed. Possibly it was inspiredby the spinning of a coin on a tabletop. (Thedisc supposedly has been designed to spin inthe wind, though this would be something ofphysical puzzle. The researchers in Cum¬mings thoroughly believe the wind does turnthe piece, though none can honestly testifyto having seen it being turned by the wind).A center cylinder 10 inches long rests in anunderground steel structural supportprovided by Pomodoro, which in turn restson an approximately 8-foot square concretepad four feet below the ground. The groundaround the piece has been mounded at therequest of Pomodoro.Arnaldo Pomodoro presently shares astudio with his sculptor-brother Gio inMilan. Campus Sculpture -♦ 'ain’t seen nothing yetArnaldo Pomadoro; Grande Disco, 1968.Wolf Vostell, der Erzvater dee deut-schen Happening; Concrete Traffic, 1970.Midway Studios.There’s a genuine 1957 Cadillac under thisblock of concrete. This project was executedin public as a "Happening" in January 1970,under the auspices of the Museum ofContemporary Art. The finished productweighs 37,500 lbs. It sat in a parking lot nearthe museum for six months, until the billgrew too large. Vostell and the museumoffered it to the University and HaroldHaydon, then director of Midway Studios,accepted it. The moving operation, in¬volving two crews of construction workersand a fifty-ton crane, was funded by ArcoleMidwest Corporation and the HeavyConstruction Workers Union to demon¬strate that even hard-hats could be sym¬pathetic to culture and youth.In 1954 Wolf Vostell began doingdecollages, the opposite of collages, byripping up posters and photographs,painting and scribbling over them andburning them. In 1958 he beagn to do this inpublic and called it an Ereignisse, orHappening. Vostell’s happenings differfrom the neo-Dadaistic American hap¬pening in bearing often chilling socialcommentary. For instance, Vostell’sdirections to a happening entitled Saigaon 1,carried out in Philadelphia in 1966, gosomething like this: "Place the latest issueof Newsweek on a music stand. Destroy the first page. Hun to a grand piano. Bite into adead animal. Allow your head and theanimal fall onto the piano keys. Run back tothe Newsweek, turn the page and repeat.Repeat until the magazine has been entirelydestroyed." More recently Vostell has beenexperimenting in "environmental ac¬tivism," for instance the room he built in1971, which was filled ankle-deep withbroken glass and a terrifying array of photo¬electric cell manipulated machinerytriggered uncontrollably by the innocentobserver.Henry Moore Reclining Figure, 1956;Smart Gallery courtyard, 56th andGreenwood. Nuclear Energy (not pictured),1965-66. West lawn of Regenstein Library.Moore is perhaps the most famous of allmodern sculptors qua sculptor (as opposedto sculptors qua painter, like Picasso,Matisse, and Miro). Perhaps what makes hissculpture so interesting is Moore’s ability toabstract and amplify upon a geo-and osteo-logic while retaining an interest in humanthemes. Moore has a great appreciation forthe efficiency of bones. Nuclear Energy andthe similar, smaller Atom Piece (1964) mayhave been inspired by the study of skulls.Nuclear Energy, however, is clearly not arepresentation of a skull. The work inclinestoward abstraction but retains its humanityin its affinity for the spherically perfectevent it stands for, emerging from therough-hewn drama of human discovery.LoredoTaft; FountalnofTIme. 1922 Henry Moore; Reclining Figure, 1956.The Chicago Maroon—Friday, October 1,1976—7(continued from page 7)Lorado Taft. Fountain of Time, 1922. Westend of Midway Plaisance. Memorial Angel,1923. Courtyard of Midway Studios, 60thand Ingleside Ave.Lorado Taft was born in 1860 in Elmwood,Illinois. He graduated from Illinois State,Champagne, studied art in Paris for fiveyears, taught at the Chicago Art Institute,and from 1906 onward was a father-figure fora merry band of twenty or so sculptors inMidway Studios, which was finally locatedat its present site in 1929.Soon after Taft's move to the Midway in1906 he and others conceived the momentous“Midway Plan." The deep depressions inthe Midway were to be converted intolagoons spanned by three ornate bridgessymbolizing Religion, Science, and Art.Along the Midway, under the trees, statuesof the world’s great idealists were to beerected. Finally, at either end of the Midwaywere to be two grgat Taft fountains. At theWashington Park end was to be built theFountain of Time, which, as it turns out,was the project’s only real fruition. At theJackson Park end, at a cite now ncrnnipd hvthe monument of Thomas Masaryk, Taftwas to erect another great fountain, theFountain of Creation. Taft toyed with theidea of the Fountain of Creation for the restof his life, and even completed a number offull-sized figures for the work.The Fountain of Time 120 ft. long andcomposed of about 90 figures, was com¬missioned in 1913 by the trustees of a fundfor the beautification of Chicago. Theoriginal plaster version of the sculpture wasfinally completed in 1920 and exhibited atthe end of the Midway for two years. At firstthe selection of a medium for the finalexecution was problematic. A newlydeveloped concrete composed of crushedquartz was chosen as the most economicalyet durable. The mold taken from theoriginal work in plaster consisted of 4,500pieces. The completed concrete fountain wasdedicated Nov. 15, 1922. Taft’s own scaleworking model of the fountain, along with anumber of his smaller works may be seen inthe loft of Midway Studios.Taft belonged to a dying breed of sculp¬tors. In 1921 he published a large volumeentitled Modern Tendencies in Sculpture,which all but ignored the work of artists likeBrancusi and Archipenko, whose influencewould be decisive in the evolution of modernsculpture. He considered such artists menwho had failed in the real world of art, who“for mischief or through sheer imbecility . .. turned to this form of prostitution.’’Antoine Poncet. Aileronde. 1969. CumingsLife Science Center, 58th between Ellis andDrexel Aves. The son and grandson ofpainters, Poncet was a painter already at 13.At 14, in 1942, he turned to sculplture. Afterthe war Poncet studied with Jean Arp, oneof the archetypal figures in the history ofmodern sculpture. Poncet is pleased to havehis work likened to that of his master. In¬deed, the likeness is indubitable in Poncet’searly work. But in later pieces, such asAileronde, while we see the preservation ofArp’s sensuous simplicity, Poncet has givena rationality to his lines never seen in thework of Arp.Buky Schwartz. Untitled modulesculpture behind Cochrane-Woods ArtCenter on Greenwood Ave., behindRegenstein. Another Buky Schwartz modulesculpture stands on the lawn of WoodwardCourt, 58th and Woodlawn. Both weredonated by Mr. Walter Mathan.Buky Schwartz is a 44 year old sculptorfrom Israel, now residing in New York. Hestudied sculpture at the Avni Institute ofFine Arts in Tel Aviv and at the St. MartinSchool of Art in London. He has exhibited*extensively in Israel. Through the 60’s heworked primarily in stone and concrete.Since the late 60’s he has worked in¬creasingly in steel and aluminum. Theiworks here on campus are constructed of 3 Vift. weatherproof aluminum “diamond-footplate’’ modules bolted together from theinside, and are partially filled with blackdirt to weight them down. They are builtfrom the same structural units that wereused in a temporary exhibit here on campusin 73-74. Schwartz has worked extensivelywith this kind of module, including anexhibit in Chicago in 1972 at the New IllinoisCenter Racquet and Health Club. At the ’72exhibit three sets of modules were used tocreate a variety of sculptures. An element ofinterest in the configurations of that exhibitwas an appearance of anti-physicalitycreated by making rather large sculpturesself-supportive at relatively small and fewcontact surfaces, an effect possible on ac¬count of the deceptively light weight of themodules. This feature of Schwartz’s moduleconcept probably had to be abandoned, as ■ %j. •***'... w,Virginio Ferrari; Love and Hope, 1966Richard Hunt; Whythe works here are intended to stand per¬manently.Schwartz recently held an exhibit in NewYork with O.K. Harris consisting ofsculptures constructed of wooden beamsand mirrors.Richard Hunt’s Why. Situated in thecenter of Harper Quadrangle this is not asculpture one is likely to miss, but isespecially interesting as a sojurn into themedium of cast bronze by an artist whosefame rests in welded steel. Hunt is 40, black,from Southside Chicago, and graduatedtrom the Chicago Art Institute. His workstand among the most widely applauded andexhibited of any American black artist. Thissummer Hunt’s work was exhibited for twomonth in the mezzanine of the Sears Tower.At ah early age Hunt began welding togetherjunkyard scrap in his parents’ basement.Through the 50’s and into the 60’s his workconsisted of delicate drawing-sculpturesand figures created of sheet-metalexoskeletons, showing the influence of six-years employment in the Bug department ofthe U.C. zoological laboratories. Huntcontinues to work in the “direct-metal”f—Th« Chicago Maroon—Friday, October 1,1976 Buky Schwartz; Untitled.Wolf VosteH; Concrete Traffic, 1970Antoine Poncet; Aileronde, 1969. Antoine Pevsner; Construction in Space3rd and 4th Dimension.technique, with acetylene torch and arcwelder, but his work has grown togargantuan proportions. His most recentpiece, pictures in the August 30 issue ofPeople Magazine, weighs five tons and issharply angular, in contrast to the flaccidamorphousness of Why. The merits of Whyare perhaps obscured by a disharmony withits surroundings, as if suddenly a statue ofWilliam Rainey Harper had been struck bylightning.Virginio Ferrari. Love and Hope, 1966.Wyler Childrens’ Hospital. Maryland Ave.between 58th and 59th. Title Unknown,Midway Studios, 60th and Ingleside Av.Dialoge, (not pictured). Albert Pick Hall forInternational Studies. 58th and UniversityAve.Ferrari came from Italy to MidwayStudios in 1966, where he worked assculptor-in-residence and AssistantProfessor of Art until he was denied tenurein a controversial decision last year.Ferrari comes from a long line of Italiansculptors. He began his sculpting career atan early age in his native Verona, assistinghis father in the cutting of marble angels. Harold Haydon, then director of MidwayStudios, discovered Ferrari’s work at anexhibit in Chicago in 1964 and offered him aplace in the university’s art program.Ferrari is a sculptor of great versatilityand continual evolution, as is apparent evenhere. He has experimented in a multitude ofmedia and mixed media; everything fromwood and bronze to aluminum andplexiglas. In the middle 60’s Ferrarirevealed a very playful imagination in thesculpting of a number of bizarre pop-organisms. It is in these works that we seemto see the influence of the artist’s earlyinterest in the paintings of Arshile Gorky.More recently Ferrari has worked in themore chast style of Dialogo. This movementhas taken him still further, toward aminimalistic expression of the positive¬negative template motif which has followedhim through-out his career. Another motif,employed even in Dialogo embodies asexuality that is perhaps nowhere as clearlyexpressed as in the Midway lovers pictureshere. Not an abstract artist only, Ferraricontinues to execute commissioned life-likefigures, most recently one of Sir Georg Solti.FilmCEF and Doc films are shown in Cobbhall, Quantrell Auditorium, and admissionis $1.00. Admission for the NAM film,shown in the Oriental Institute, BreastedHall, and International House TalkingPictures is $1.50. #Doc Films presents: The Passenger (1975),directed by Michelangelo Antonioni. JackNicholson stars as a loner who adopts theidentity of a stranger. Nicholson’s ad¬ventures and his relationship with MariaSchneider are as mysterious and intriguingas the dead stranger whose life he hasassumed. Filmed in Africa, thecinematography is dazzingly. Not JackNicholson’s best work, but it may be An¬tonioni's. Recommended. Friday at 6:00,8:15 and 10:30.The Spiral Staircase (1946), directed byRobert Siodmak. This suspense thriller isthe first in Doc’s Siodmak series. DorothyMaGuire stars as a mute serving-girl in asinister household who senses a dreadshadow hovering over her but cannot ex¬press her fear. This arresting tale about apsychopathic killer who terrorizes a NewEngland town, circa 1906, is an excellentexample of the director’s work. Siodmakeffectively employs every establisheddevice known to send chills up the spine inthis classic thriller. With Ethel Barrymore,George Brent and Elsa Lanchester. Tuesdayat 8:00.Way Down East (1920), directed by D.W.Griffith. Lillian Gish stars as Anna Moorein this tragedy of small-town bigotry.Trapped by a vicious scoundrel into a fakemarriage, thrown on her own resources bythe death of her mother, scorned by theworld because she is an unwed mother, andfinally sent out into a New England blizzardwhen her identity is discovered, Gish suf¬fers and survives the slings and arrows ofoutrageous fortune in Griffith’s moral epic.With Lowell Sherman and Richard Bar-thelmess. Plus The Blacksmith, a BusterKeaton short. Wednesday at 8:00 CEF offers: Naahville (1975), directed by •Robert Altman. This fall CEF offerseveryone not one, not two, but three chancesto see this scintillating Southern saga ofsong and story situated in the city ofcountry music. Robert Altman’s poignantexamination of life and lives focuses onNashville but could actually take placeanywhere in contemporary America. Overtwenty characters are woven and in¬tertwined in the excellent script. The end isa bit pithy but the acting, dialogue, songs,and interaction of the characters is superb.A cast of hundreds featuring terrific per¬formances by Lily Tomlin, Barbara Harris,Ronee Blakely and Henry Gibson. Saturdayat 7:00 and 10:00. Sunday at 8:45.D Posto, (1961), directed by ErmannoOlmi. CEF says: “It tells the story of asensitive young man named Domenico whoseeks a job (or posto) in a large impersonalcorporation in Milan. II Posto, however, ismore than simply powerful social criticism.For, like Clair and Chaplin before him, Olmihas the ability to represent the individual’soppression by dehumanizing forces withlyrical poignancy and grace.” Sunday at7.00.NAM Films offers: The Other Francisco(1975), directed by Sergio Giral. A superbanalysis of Sueroz Romero’s anti-slaverywork, Francisco. This Cuban Film delvesinto the reality behind the Reformist workon early nineteenth century slave conditionsand life. See extended review. Highlyrecommended. At 7:15 and 9:30 in BreastedHall, the Oriental Institute.International House Talking Picturespresents: American Grafitti (1973),directed by George Lukacs. A comic, light¬hearted, nostalgic film (that is amazinglypleasant and entertaining (which dares toask that mystifying question: “Wherewere you in ’62?” Set in a small town inCalifornia, the film covers the events ofthe final evening of summer vacationbefore college starts. With RichardDreyfuss, Ron Howard and MakenziePhillips. Saturday at 7:15 and 9:30 in In¬ternational House.The Committee on African Studiespresents: Two ethnographic films, TheHunters, a film on the Bushman, and TheHadza. Monday at 2:30 in Pick Hall, room22.Karen Heller BooksBy Lindsay WatersNorman Maclean. A River Runs Through It,and Other Stories. Chicago: The Universityof Chicago Press, 1976. $7.95Norman Maclean’s book of stories con¬sists of fictionalized memoirs. Like manymemoirs, they are sentimental, moving. Butthey are sentimental with a difference. Alarge difference. Maclean does not want totalk of the affectingly spiritual events of hispast unless he mixes them with the earthly,the homely, the unsentimental. There issomething Scottish about such a way ofretelling the past. Maclean, indeed,proclaims his Scottishness. That part ScotByron said of the trpe Scot Burns: “What anantithetical mind! -tenderness,roughness -delicacy, coarseness -sentiment, sensuality-soaring andgrovelling, dirt and deity - all mixed up inthat one compound of inspired clay!” Allthese antitheses are to be found inMaclean’s book. Nor is the word “inspired”too strong to use here. To mix the sublimewith the ridiculous in a way which does notundermine the whole project calls for specialgifts, an art and a grace beyond art. Macleanhas these.Art makes men different from the "damnmess” in which Maclean’s minister fatherbelieved they started. But the damn mess isessential to life. Maclean has a lot of funtalking about the damn messes. The fancyDan brother-in-law dressed as what hethought an international-cup tennis playershould look like cuts a ridiculous figure ashe gets off the train in fashion-free WolfCreek, Montana. Undressed, as he appearslater in the story, he is even funnier. He hadbeen taken fishing. In the last episode inwhich he appears, all he has left is his redfishing worm can, a redder skin, and the company of the town’s lady of pleasure. Thediminution is complete. In another story aranger station cook proves to be not quite sofunny, but no less of a damn mess.Maclean’s narrative self is willing toadmit to a partial inadequacy in the arts offly fishing and horsepacking. He is willingto admit he contributed to the mess byinsufficient genius in the case of one andyouth and craziness in the case of theother. By giving his narrator such a role,Maclean makes his stories antithetical inanother way: their development. In eachstory the narrator’s inability or in¬sufficient art is set off against the con¬summate art of a major character -hisbrother Paul the fly fisherman, Jim theLogger, and Ranger Bill Bell the horsepacker. (There are minor characters inthe stories, such as the Indian woman Mo-nah-se-tah, who are just as accomplishedartists in their own realms.) By developinghis stories in this antithetical way,Maclean gives a focus to his stories thatmakes them move quickly. He makesclear many mundane things about suchartists -for example, they may drink toomuch and they need not shine at cribbage.He also makes clear something veryspecial about such artists: the works theydo—fly casting, logging, tying a knot -arebeautiful. Artistry is the right word. R. G.Collingwood's distinction between a craftand an art helps here. Maclean is insistingthat the beauties he celebrates are theproducts of art, not craft.The artist Maclean celebrates in eachstory is tough (Maclean’s word). His art isa matter of an achieved equipoise of greatpowers, powers capable of great violenceif not under control. Since Maclean’sstories are not only about the artist's artbut the artist as well, his stories inevitablyhave to treat the situations into whichtough, violent men get themselves. All ofthis is very moving. It is moving but it isall under control. Maclean controls thesentiment his stories arouse because he isjust as much an artist as the men andwomen he celebrates were. His lines flowwith precision. They have a formaltoughness analogous to the toughness hisbrother Paul or the Ranger Bill had. Andthis toughness is that of an achievedequipoise, a control of the passions thatwent into telling the stories.1 tfcl4£ \N® \c ^SO^\Vv, fjfl®dc#*0^0 is.\\\There is always a special appreciation for awarm welcome, regardless of which languageis used to express it To our visitors friendsand neighbors from around the world.Hyde Park Federal Savings would like to beamong the first to welcome you to Hyde ParkShare all of our good feelings with us as webegin our 16th year by saving with us Itmakes a lot of sense Hyde Park FederalSavings gives you more interest on yourregular passbook deposits and certificates A six year certificate offers 7 75°f returnthe highest allowed by lawWith these certificates your savings doublein less than nine years Any way you look at itit s a good deal Your money is federallyinsured up to $40 000 and provides funds forthe loans to strengthen your communityThank you for choosing Hyde ParkFederal Savings and most importantWelcome!FSLIC FEDERAL SAVINGS .limn.5250 Soutftkake Park Avenue • 955 4444HOURS*Tues Wed Thurs 9-4 30 Fri 9-6 Sat 9-1 Closed Mon DETROITAMSTERDAMTOSTNLW ORLEANS!LOS ANGELES [PICAYUNEgetST SMB1BHIffiCLEVELAND PLAIN DEALERON GLOBEDISPATCHHHLthenews atAMI HERALDNNEAP0L1STORONTOKANSAS CITY (TRIBUNEThe bestnews-stand inthe worldalso has 2000magazinesHOURSM F: 7 AM-6 30 PMSAT 7 AM-8 30 PM +- 12 PMSUN 7 AM—5:30 PM 51st & Lake Park684-5100The Chicago Maroon— Friday, October 1, 1976—9STUDENT GOVERNMENTFIRST MEETING7:30 TUES., OCT. 5THEATRE. 3rd FLOOR IDA NOYESFuture meetings will be heldweekly, same time - same place.ALL REPRESENTATIVES ELECTEDLAST SPRING SHOULD ATTENDOTHER INTERESTED PERSONS SHOULD COME TOO—THERE MAY BE A VACANCY FOR YOU TO FILLFRESHMENELECTIONSf /WILL BE HELD ON OCTOBER 26 IN YOUR CAFETERIAPETITIONS ARE DUE TUESDAY, OCTOBER 19 AT 12 ;00NOON, AND MAY BE PICKED UP IN THE SG OFFICE,306 IDA NOYES. INTERESTED FRESHMAN MAYATTEND TUESDAY'S MEETING AS OBSERVERS.POLAROID DEMO TODAYUniversity of Chicaga BookstorePHOTO DEPT. 2nd floor753-3317A Polaroid Demongtrator$will be in our store FridayOctober 1 from 11 am. to 4 pmINTRODUCINGPOLAROID’S NEWSx70 ALPHA Ilist $210.00SPECIAL $169.9510—The Chicago Maroon—Friday, October 1,1976 Sunday 10 October 1976 8pmMandel Hall57th and UniversityThe University of Chicago Alumni Associationand the Department of Musicpresentan evening of Bach conducted by loshua Rif kin%soloistsRay, Still, oboeSusan Davenny Wyner, sopranoGershon Silins, baritoneprogramTwo contatas: Mein Herze schwimmt in Blut, BWV 199and Ich geh’ und suche mit Verlangen, BWV 49; and thefirst performance of the Concerto for Oboe, strings and' continuo in D minor, reconstructed by Joshua Rif kinAdmission $6; students with ID $3.50; UC students $3;($1 discount for UC Alumni and CMS subscribes)Tickets at Concert Office, 5835 Universityand at Mandel Hall on evening of concert.Joshua RifkinconductsBacHYou are cordially invited to participate in the rebirthof a University tradition. For the first time in eightyears, theCAP AND GOWNTHE OFFICIAL University year book, willagain appear on campus. Your contri¬bution of eight dollars will help providethe financial support that we need, butmore importantly, will allow you tomemorialize the Four most importantyears of your life. We think its a worth¬while investment. You’ll find us in TheReynolds Club, Monday thru Friday.-STfTlusicChicagoJazzBy Lukacs LeBaaSo, what do you do about an alleged jazzmusician who: is an avid admirer of Cageand Stockhausen, plays chess, smokes apipe, wears cardigan sweaters, diagramsinstead of names his compositions, andplays such un-Bird-like instruments as thecontrabass, clarinet and the sopraninosaxophone? Stay home and watch DavidSusskind instead?If the man in question was AnthonyBraxton, you either dug him at Amazingracelast weekend or regretted not having doneso.I have to say that I was a bit tempted,mkaing the long march toward HowardStreet, to get off at Lawrence to see if my oldpal Murray S. Krugman would return along-standing favor, and let me check outhis Blue Oyster Cult at the Aragon - but acar-full of young refugees from “Bagtime”getting off and a can of Schlitz Malt Liquorproved a sufficiently strongdiscouragement. Fortunately, Braxton andthe mighty Fred Anderson put on anevening of brilliant music - which was allthe more exciting for the tradition that theirmusic comes out of.What goes very loosely under the rubric of“free jazz” (or “new thing” or “Great BlackMusic” or whatever) has been under astigma since its inception around 1960 onseveral fronts: it was thought, by manyparties, not to be “in the tradition” of jazz;it didn’t swing; it required more politicalconsciousness than musicianship to play; ittook itself altogether much too seriously.Certainly, since the death of Coltrane -whose abilities as a musician were admiredby all - there has been a drift among freemusicians, be it towards inactivity (OrnetteColeman) trendy spiritualness and back-to-Africa-ness (Pharoah Sanders), or pop rootsand politics (Archie Shepp). On the wholethe musicians who have grouped themselvesunder the loose aegis of the Association forthe Advancement of Creative Musicians(AACM) have perhaps best maintained theseriousness and musicial discipline neededto continue advances in the world of blackmusic. AACM artists will never fail, ifnothing else, to challenge themselves andtheir audiences with every performance.Their problem has been, however,uneveness in conception and execution: Ihave heard a number of ambitious worksand solos that haven't quite come off, alongwith some possibly unnecessary addenda tothe playing (dancing, spoken word, etc.).What I saw and heard at the Brax¬ton/Anderson show was outstanding—Next WeekHeavy doses of jazz, rock, and R & B willbe featured this weekend on Hyde Park’sown WHPK-FM 88.3. The student-run, non¬commercial FM station features some of thebest (or at least most innovative) suchprogramming in Chicago, 24 hours a day.among the weekend’s offerings:BLUEGRASS: Definitely the bestbluegrass music in Chicago, with CarolEicher, today from noon to 2 p.m.CLASSICAL: Today and every weekdayfrom 2-5 p.m. and from 6-9 p.m.JAZZ: WHPK broadcasts all-night jazz toChicago’s south side tonight and everyweeknight, starting from 10 p.m. On Fridaynights, the jazz continues straight throughuntil noon the next day.FOOTBALL: Direct from Stagg Field.WHPK brings you live, play-by-playcoverage of the Chicago Maroon —Marquette Warrior football game. TomBradley and Mark Pennington kick thingsoff with a 1 p.m. pre-game show. The gamestarts at 1:30. musicians who were in total command oftheir instruments and ideas. And what awide range was covered, especially by Mr.Braxton and his quintet. One thing thatBraxton attempts to do, very effectively, isto expand the jazz musician’s idiom. Hisconcept of musical time and space is in¬credibly broad: his tempi ranged from“barely there” to “frantic” in three com¬positions, and his quasi-atonal melodiesheld together surprisingly well, especially inthe very slow second piece he played. Alsowith Braxton, one hears notes one can’t hearanywhere else. His outrageous contrabasssaxophone, which looks like something Jackcame down the beanstalk with, is no jokewhen he plays it, and the sound is all themore effective for its unfamiliarity.Admirable as his abilities as a multi¬instrumentalist and composer are, it wouldbe enough simply to have an altosaxophonist like Anthony Braxton around.Indeed, he has few peers on the instrument.One could hope for more warmth and feelingout of him, but he is about the only player Ihave heard to have actually broken newground beyond the virtuosity of Parker andDolphy on the instrument, particularly inhis unique articulation. There is definitelygenius at work.The remainder of his group also displaysnearly astonishing talent. Chicago greatMuhal Richard Abrams, despite being anavant-garde leader in keyboards, is, asalways, a highly accessible and effectivepianist. Trombonist George Lewis doeswonders on a highly difficult instrument.David Holland’s abilities on the bass arewell-known, and Barry Altschul is a crisp,attentive, and highly original drummerAnother credit to Braxton is his ability tomold, and to keep together, a group of suchvirtuosity over-time (with the exception ofguest-star Muhal): the interplay betweeninstruments is extraordinary, especially atthe level of intensity the music sometimesreached -a situation where “every man forhimself” ofteh takes over for a collectiveidea.I have to add to my list of “things I wishI’d done before” seeing the Fred AndersonSextet. He’s around town, has often playedin Hyde Park, and has gotten good noticesfrom many quarters. But I used to go towrestling at the Ampitheatre instead. Nomore. Again, they succeed where otheravant-garde groups fail: in musicianship,and in communication among themselvesand with the audience. Even their theatricswere excellent: at the start of the set. theband stood, silent, backs to the audience, atattention while the drummer tolled at bell.As a moment of preparation and meditationfor a restless audience, it was a highly ef¬fective little touch. Not that the musicshould go unmentioned. Vocalist EquaColson, trumpeter Bill Brimfield, andsaxophonists Douglas Ewart and Andersonall played with great expressiveness andclarity — no attempts were made to hidebehind a wall of free-blowing noise. Giventhat there are so few decent trumpetersaround anywhere, Bill Brimfield’s per¬formance was a particular revelation. Onehopes that this group will stay together andcontinue to grow in musical stature, toserve as an example of how well this musiccan be played in this city.on WHPKROCK: Saturday night’s really rock onWHPK. The music starts immediately afterthe football game, with Dan Wise. MarkBole, Peter Mensch, Chris Heim, and TomSpeare keep things going all through thenight.R & B: Sundays, WHPK becomesChicago's premier R & B station. Thesounds start at 6 a.m. and continue to 7 p.m.when things slip back into.Finally, in cooperation with the HydePark—Kenwood Community Conferenceand the Hyde Park Bank, WHPK will bepromoting the HPKCC’s “Whistlestopprogram all next week. For Hyde Parkerswho haven’t purchased their “Whistle-stop” whistles yet, WHPK will be givingaway whistles to a dozen listeners eachweekday morning on the 6 a.m.—noon rockshows. If you don’t have your whistle yet, orif you like to wake up to good rock musicuninterrupted by commercials, you mightwant to check out WHPK's morning rocknext week. BraxtonEnergyBy M. NeustadtFriday night there was the John Coltranememorial concert at the Osun art gallery,down in South Shore. Performing wereCharles Wea Cochran on reeds, Su Ra ondrums, and Acaaa on bass. The Osun galleryis quite small so that Cochran could enjoythe luxury of playing unamplified.I’ve been to Coltrane memorials beforeand they are usually disappointing. Perhapsit is because there are so many facets to thecraft of J.C. At every turn in his career hedeposited a few disciples who remain loyalto their own vision of Coltrane. For all of thedifferent spinoffs, though, there is onecontinually basic element of Coltrane’s art.This is his statement of theme.As Coltrane matured and progressed, hedeveloped purity of expression to the pointat which he was no longer improvising on atheme, he was just playing the theme.Thelonius Monk (as opposed to Miles)recognized this in Coltrane in 1957.“Naima” was recorded in 1960, and it is thefirst statement of what would come. The restof Coltrane’s career was a search for purityof expression in such beautiful works as “ALove Supreme” and “Meditations.”From the first notes of the concert, animprovisation on “Love, Consequences andSerenity,” it was evident that Cochran andthe rest of the band had a grasp on the logicof Coltrane (i.e. How can you improvise onsuch a beautiful theme?). The evening was,simple and straight forward, and verybeautiful.Special mention should be given to thebass work of Acasa. Cochran allowed him tohave an equal voice to his own, and the basswork was an added treat. It is unfortunatethat Coltrane could never find a formatwhich would allow more than ac¬companiment from the bass. Acasademonstrated with his empassioned playingexactly how much a fine bass can contributeto music of this type.• * •There are two bands of Anthony Braxton,both of which appeared last weekend at theAmazingrace. The first band is one of thefinest ensembles playing today. It featurestwo superlative soloists, Muhal RichardAbrams and George Lewis. This bandpromises a good time for all. Earlier in thesummer, when the group did a one weekengagement at a club in Washington, theplace went wild. The lines stretched aroundthe block and every show was a sell-out. Oneof the nights I attended, Braxton continuedafter the Washington curfew (2 a.m.) and itis the only time I have seen a club volun¬tarily acquiesce to the wishes of anaudience, they quietly cleared all the tablesof drinks and distributed checks while thesolos went on undisturbed. The set endedhalf an hour later, and a great sigh ofsatisfaction settled over the whole club.The band has one of the most irresistiblebooks going. Along with originals bymembers of the band there is a large helpingof “Parker,” “Giant Steps,” “Alexander’sRag Time Band,” “Body and Soul”(featuring an intro of extreme passion byAbrams), “Cherokee” and many more.Whether they are playing a standard or anoriginal there is always a spirit of greatcompetitive improvisation. The soloingorder usually follows one of two per¬mutations. In the first, Braxton starts withone of his scholarly yet emotive im¬provisations, and brings down the house.Then Muhal Richard Abrams solos,beginning because of the confines of hisinstrument, on a quieter level than Braxton.Muhal is the perfect second punch. Hetempers the facility of Braxton’s solo withharmonic richness. Usually he also bringsdown the house.Why does every guide to Hyde Park throwin a tribute to the Eagle’s fish and chips? Ifirst came to Hyde Park after a summer inLondon and got suckered in by theAvacado’s recommendation. The “fish andchips” I ordered were enough to make theprocessors at Mrs. Paul's barf. The fish wassimply a floppy, breaded filet of god knowswhet, and when I asked for malt vinegar all Igot were funny looks. And to call this stuff“splendid”-1 don’t think even the owners ofthe place would have the brass to go that far.William Grimes George Lewis begins to play and one isstruck with partial amnesia. He is one of thefinest improvisers playing today, seemingto live on a musical plane few even glimpse.It is right that he makes the audience forgetwhat has been played before, for he is thegreat, the man who can sing a song in everynote he plays.Of course Lewis also brings down thehouse.The other permutation allows Lewis totrade soloing positions with Braxton, andthis is equally dynamic. Among musiciansof this caliber, each one feeds off the othersand utilizes what he hears to further his owncreativity.This band should be in constant demandaround the country. Immense record con¬tracts should be placed at its feet. It shouldbe invited to the White House, and playbenefits for visiting heads of state. It shouldwin every poll from Playboy to (God forbid)downbeat. But it is only one of the twobands of Anthony Braxton, and, Sundaynight, during the first set at Amazingrace,the other band made its historic appearance.This is the band which plays the com¬positions of Anthony Braxton. There is noway to describe the music that they playexcept to say that they are true jazz com-positons. (Definition: a jazz composition is awork in which each performer subjugateshis own artistic expression to that of thecomposer.) There are no more great im¬provisations] showdowns. There is asinglemindedness of purpose. This bandnever appeared in Washington, whetherbecause of the absence of Barry Altschul orbecause of a lack of commercial appeal, Idon’t know. It took until Sunday night for aperformance by the composer, AnthonyBraxton.The piece began with a somber melody,played on the bowed bass. The audiencesettled in for one of those, you know, weirdthings. Most who were lucky enough to beon the floor lay dafrn. The next section wasa series of whole tones exchanged betweenthe bass and piano on the one hand, andamong the sax, trombone, and drums on theother. Following that was a long develop¬ment section for the whole group, in themiddle of which Braxton switched to thecontrabass clarinet. There was a build upand then, just as things were gettingclimactic, everyone dropped out, leavingBraxton clinging to a single note, threetones higher than a squeak. The audiencewas affected. A man in the balcony beganbanging on the floor. A woman muttered“kill it.” I don’t know whom she was ad¬dressing.There followed a contrabass clarinetcadenza, a march, a duet for trombone andsoprano, a full blown group passage, andimprovised sections for the trombone,piano, and alto sax.The piece was not especially humorous,but it was rather moving.And what did you say? Compositions arenot properly a part of jazz. Improvisationhas no place in a composition.Each listener must work out theseproblems for himself. But let’s not be stupidabout these things. The feeling Sundaynight was one of hill-blown jazz, andalthough this second band of AnthonyBraxton may not be popular, it is, and willbe, very significant.Notes: October is the hottest month thistown has seen in a long while. Oct. 1 and 2Charles Mingus is at the Amazingrace.Kenny Clarke, Wilbur Ware, Clifford Jor¬dan, and A1 Haig are at the Jazz ShowcaseSept. 29 thru Oct. 3. Max Roach with hisgreat rhythm section and slipshod soloists,Oct. 13 thru 17. a must is Quadrisect at theN.A.M.E. gallery Oct. 10,featuring DouglasEwart, George Lewis, James Johnson, andMwata Bowden. Finally, if you happen to bewandering around the Loop in a three-piecesuit, Earl Fatha Hines is doing two setsnightly at the Water Tower bar.The™,’JournaleditorJonathan Meyersohnmanaging editorKaren HellerstaffLukacs LeBag Paul GudelFergus Barker Carl LavinJeff Baddeiey Karen MolineEden Clort ene P.L. Spackie .1 w-nBob Gottlieb’sSecond EducationBy Jonathan MeyersohnBob Gottlieb is not a carpenter, nor is he abuilder, or a renovator. But he’s learning;fast. He has to, because last summer hedecided to transform the Bergman Galleryinto a bar. Not just a saloon, but HydePark’s Compass bar and theater, whichhoused the Second City players from 1955-67. Gottlieb is recreating history on the 4thfloor of Cobb Hall with a vacu-form ceiling(the original, was tin), a tiny stage, andbattleship grey walls.In the summer of 1955, a group of studentsfinished knocking a hole in the wall betweenthe Hi-Hat Lounge on 55th Street and thevacant storefront next door. There, a fewdays later, the group opened the first im-provisational theater in the country.Though it lasted only a year and a half,Compass launched some of the mostbrilliant comic talents of our time, includingMike Nichols and Elaine May, ShelleyBerman, Barbara Harris, and SevernDarden, as well as directors Paul Sills andDavid Shepherd.Short of asking the purpose of the entireFestival of comedy, being staged this month by the University and the Illinois ArtsCouncil, it would be simpler to examineGottlieb’s involvement with his own project.Gottlieb is an optimist, and he is a student;not only as an M.A. candidate in the artdepartment, but of all he encounters. Hetalks in terms of “modular units’’ and“environments.” There’s really little timefor this, but he manages, somehow, to blendartistic philosophy with his hurried work.Why? Perhaps because he is intelligent anddedicated and in part a product of theUniversity. Or perhaps because he knowsthat despite all the manual labor, he's stillin Cobb Hall, the ageless hallowed home ofprofessors from Thorsten Veblen andGeorge Herbert Mead to Phillip Roth andWayne Booth, and that as long as there is aU. of C. there will be Cobb.In his last project Gottlieb staged an“event.” In July, he rented tuxedos,waiters, and TV’s, and had dinner with theQueen (and Julia Child). There again wasthe imagination and the effort, and thedesire to capture the mood of a moment.Gottlieb is well aware of the limitations of atemporary structure, and he also knows thatthe country’s top improvisational"The place itself was not real exciting...it wasn'tsnazzy. The theater was designed to be a theater: nodistractions, no class."Living in one ofChicago’s oldest communitiesdoesn’t have to mean living in one ofChicago’s oldest buildings.The University ofChicago. Frank LloydWright’s Robee House.Gulliver’s Book Store. TheOrientalInstitute. a_The intel-J .lectuat'andartisticcom¬munity.These are just a few ofthe many things thatgive Hyde Park a styleall its own.And we at ChicagoBeach Towers, with one ofChicago’s newest apartmentbuildings, are proud to bea pail of it.We offer you a roomyapartment that includescentral heating and air-condition. Incredibleviews of the city and thelake. 24-hour security andservice. Indoor heatedparking. And a penthouse hospitality suite.Then there are tenniscourts. A sundeck. Bar-. And a beachacross the street.All just 12minutes fromthe Loop.Come seewhat it’s like tolive the life oftoday in theChicago of yesterday.Studios from $200.1 bedrooms from $265.2 bedrooms from $300.Visit our furnishedmodels and park free.Open every day.CHICAGO BEACH TOWERS5050-5020 South Lake Shore Drive 288-5050Equal HousinfrOpportunity Prices subje c/Tto availability. Bob Gottlieb and a friend. Photo by L. Volkerding.comedians will walk onto his small stage.So, I went to Cobb last Sunday, the daythe freshmen arrived, and watched Bobwork on his theater with the quixoticexuberance of a dedicated newcomer.JM; How did you get involved with thisproject?BG; Earlier in the summer Marsha Cassidy(one of the co-ordinators of the festival) .asked me if I would design a show at theBergman Gallery that would go along withthe comedy thing. What they had in mindwere photographs of Second City people, aswell as Steve Allen, Dave Garroway, andpeople like that. I wasn't really interested indoing that, and said if I can do what I wantto, I’d be interested. I was thinking aboutwhat the core of their show was, im¬provisational comedy, which started here on55th Street at the Compass. Well, improv issomething you have to listen to, it takes abit of time. They’re not short one-liners likeBob Hope. You have to listen to it. People, ifthey go into galleries and hear the tapes,they wouldn’t listen to it, they wouldn’t hearit. You have to have an environment,something they would spend some time in.The skits were long, so one must ask, whatkind of environment do I create. It’s got to *be something related to the theme. So Ipretty much immediately came up with theidea to recreate the Compass bar.Now, all this stuff was torn down withurban renewal, so what we had to do wasfind photographs. We looked everywhere,and surprisingly, there aren't any. All theshots are tight, photos of people and tables.We got some larger shots of the stage, andthe Chinese lanterns hanging above, but noone bothered to shoot the outside, or theroom. So we had to work from memory, andpeople did remember the Compass. JM: Who from Second City helped you?BG; Well, I talked to Roger Bowen, I spokewith Andrew Duncan, and with DavidShepard. Those three, as well as ex-ownerFred Branovich. Duncan was real helpful,as was Shepard. Bowen was really involvedwith it, and he sent me a little sketch.JM: Were they enthusiastic about theproject?BG: Very enthusiastic. They wondered, whyare you going to all the trouble to do it, butthey thought it was unique. They werenostalgic. The place itself was not realexciting; it didn’t have much class -itwasn’t snazzy. The theater was designed tobe a theater: no distactions, no class. Theywanted it simple. But one thing was the tinceiling. That’s important, and Shepardpointed it out. It was an interestingproblem. I didn’t think I’d have any troublegetting scrap tin, but it had all been thrownaway. New from New York it would havebeen about $900, so we got the idea for vacu-form.JM: Do you think about the original con¬nection between Hyde Park and SecondCity. Does that play any part in what you’redoing -was the group in any a way in¬digenous to the area?BG: I think in part it was. It plays a role inwhat I’m doing, because I realize it couldn’thave happened anywhere. Only here, or inNew York or San Fransisco. Although, ifyou look at the time, Ginsburg was passingthrough Chicago. So was Kerouac. This wasthe 50’s and things were happening, or atleast brewing. Second City was Chicago'sexpression of the ‘beat’ scene. We weren’tvery ‘beat’ about it, we were more in¬tellectual, and developed this humorContinuedPUBLIC LECTURE SERIESSponsored by the ENRICO FERMI INSTITUTEof theUNIVERSITY OF CHICAGOTHE ARTHUR H. COMPTON LECTURESThird Series byIan HutcheonEnrico Fermi InstituteSaturdays October 9 through December 11,1976"THE EARLY HISTORY OF THE SOLAR SYSTEM:AN EXPERIMENTAL VIEWPOINT”This third series of Compton Lectures is designed to acquaint the in¬terested individual with present-day ideas on the origin and early historyof our solar system. The lectures will follow the development of thesolar system from its inception as a cloud of gas and dust, through theperiod of planetary formation, to the intense meteoroid bombardment 4billion years ago which concluded the initial stage of-solar systemevolution. Recent experimental observations of meteorites and the moonand new findings from Mars will be particularly emphasized. Thelectures will cover many topics of current research activity but will bepresented at the level of “Scientific American” articles and should beunderstandable to anyone willing to think hard about these excitingconcepts.There will be ten lectures to be given on successive Sat urdays, beginningOctober 9, 1976 in Eckhart Hall, Room 133, University of Chicago. 58thStreet and University Avenue.A reading list for the lectures will be* provided.First Lecture: The Origin of the Solar System or“In the Beginning”Saturday, October 9,1976 at 10 A.M.Eckhart Hall-Room 133-1132 E. 58th St.For further information, phone 753 8611.12—The Chicago Maroon—Friday, October 1,1976JM: Do the old people you talk to mentionthis at all, the uniqueness of the time?BG: Yes, they do. There was a line betweenbeing entertainers and being radicalspokesmen. For the time they were radical.It was humorous, and they were all verytalented, but what I’m doing doesn’tnecessarily have to include those overtones.I’m more concerned with the atmosphere,which wasn’t wholly political or social initself. I’m trying to create an environment down for the weekend. Now maybe they-have a club up there, and have some stuff todo, some routines. They don’t have a lot oftime, but they got to perform. It was loose.It was human, informal, and also talentedand informational. That’s how we want torun our show. It’s all in modular units - ifyou have 5 minutes we’ll show you somestuff, if you have half an hour, we’ll showyou other stuff. It all changes, so you cancome back a few times and see new things.Anyway, for the opening night they"It'll be live...the main thing I'm concerned with isthe art situation. This is art. Any thing is art; and Idon't mean that in a condescending way.'As long asyou have your finger on what's important in society,so that people...can point out the fucked things aboutit."that these people will be able to come backinto. I’m building a sculpture, a theater setwithin which these people can come backand be inspired, have a remembrance ofwhat it was like. I was thinking about thiswhen I met Shepard. He’s in his 40’s, he’sgot a lot of long hair, but it’s all grey, and hedoesn’t look like a young radical anymore.Who knows -Barbara Harris will probablylook like a Hollywood actress. Openingnight we're having two young improvgroups, so that should be interesting. Theyworked with Del Close (Second City directorsince 1959). So the styles are similar, butimprov is now done all over the country. It’sjust that it came out of Hyde Park. Openingnight we’ll find out where improv is now,how it’s changed.JM: What kind of artistic conception do youhave in mind for the project?BG: First I have to think of this as a set,something being built efficiently, withthought given to location, construction, andmoney. But basically, when I’m finished Iwant to have something that people willcome into to see and perform, somethingthat isn’t a sterile environment.JM: How much the pure artist are you now?BG: I did have the freedom to build the set,though that was history, and not onlypresent films and slides with a voice-over.That’s too slick, and it doesn’t fit the en¬vironment. Rather than it being electronic,there will be people here. That’s what’simportant. That’s all it was to begin with.Let’s say it’s 1955, or ’56, and someone fromMinneapolis, or Milwaukee just dropped wanted a multi-medai, slick show. But Iwanted something live, an event; not just anart opening where people go, see theirfriends, have a couple drinks, and go homefor dinner. I wanted something that wouldget the whole feeling of what the set is about,cause no matter how good it looked, it's thecontent that’s the thing. So, that’s what Igot. It’ll be live. Those decisions were mine,and the main thing I’m concerned with is theart situation. This is art. Anything is art;and I don’t mean that in a condescendingway. As long as you have your finger onwhat’s important in society, so that people,people like Warhol, can point out the fuckedthings about it.I’m learning a lot. I’m dealing withpeople, buying materials, doing carpentry,going to lumberyards: general wheeling anddealing. It’s educational -every artistshould try it. It’s a business. Ultimately allthese things make what I’m learning, andthat’s the thing. It’s for me, but it’s for themtoo. What’s funny is that all this business isbeing conducted under abnormal cir¬cumstances, because the structure is tem¬porary. Normal carpenters don’t think thatway. The janitor came in the other night,wondering how long this thing was going tobe up for. When we said 4 weeks, he couldn’tbelieve it. We’re building this like a per¬manent structure, but it’s not. It’s art.That’s the difference. When you’re dealingwith other artists, or academicians, you cando anything weird. They say...well, it’s art.But when you’re dealing with people whodon’t deal with those kind of expanded artinterests, every time you have to explain it.And they’re...well, people aren’t dumb.They can understand it, it’s just that theydon’t encounter it very often, so they’rereally surprised and interested. That’s whyI like to do things that are both media andentertainment. 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Pub3)ba i^opfs feall4 pm -130 am monbar-saturbaRm .Happy Hour daily from 4 pm to 6 pm !1—/ftThe Chicago Maroon—Friday, October 1,1976—15it^Yi . >eOOOO W » T- , r V * VWELCOME:TO A GREAT UNIVERSITYTO A BEAUTIFUL CAMPUSTO HYDE PARKTO COHN & STERNPre - Season SPECIALSUPER NYLON QUILTED JACKETwith two large flap pocketszipper snap fly frontelasticized sleeve bottoms, snap off hoodRegular $40.00 October Special $33.95Available in Red, Blue and Orange.folWvStetoi1502 EAST 55TH STREETIN THE HYDE PARK SHOPPING CENTER • 55TH & LAKE PARKlMonday thru Saturday 9 to 6Thursday 9 to 8USE YOUR COHN & STERN CHARGE, AMERICAN EXPRESS,, MASTERCHARGE OR BANKAMERICARD ComedySome of the best comedy and comediansin the country got started in Chicago;thehumor and many of its makers will be backto celebrate "A Festival of ChicagoComedy,” from Oct. 1 through Oct. 21 onThe University of Chicago campus.In addition to a full schedule of im-provisational theater, the festival includesfilms, an exploration of Chicago television;and the mini*series, ‘‘Laughter and Politics:Political Satire and Its impact for PublicPolicy.” Political cartoonist Bill Mauldin isa featured guest for part of that program.The schedule is as follows:October 1 Dick GregorySocialProblems: Social or Anti-Social?” A public discussion ofmethods and issues follows,with *Wayne C. Booth,Professor of English at theUniversity of Chicago.Moderator: C. Ranlet Lincoln,Dean, University of ChicagoExtension. 8:30 p.m. at MandelHall, 5706 S. University. Ad¬mission: $3.00.October 4 Film-making in Chicago—TheEarly Years: ‘‘When ChicagoWas Hollywood,” adocumentary about the studiodays in Chicago; “His NewJob,” with Charlie Chaplin(1915) made in Chicago. Othersilent shorts will be shown. 7:30p.m. in Breasted Hall (OrientalInstitute), 1155 East 58thStreet. Admission: $2.00.Octobers Chicago Journalism on Film:“Roxie Hart” (1942), directedby William Wellman, withGinger Rogers and AdolpheMenjou, based on the play,“Chicago”; and “His GirlFriday” (1940), directed byHoward Hawks, based on theplay, “The Front Page,” byBen Hecht and CharlesMacArthur. 7:30 p.m. in theLaw School Auditorium, 1111E. 60th Street. Admission:$2.00.October 6 Private opening of the ComedyFestival exhibits at TheBergman Gallery. 4th floor,Cobb Hall, 5811 Ellis Ave.October 7 “The Chicago School ofTelevision Remembered,” withDave Galloway, Studs Terkel,Charlie Andrews (writer-creator of “Studs’ Place” and"Garroway at Large”), andJules Herbuveaux (director ofNBC’s Midwest Division in1948). Moderator: EdwardRosenheim, Jr., Professor ofEnglish, University ofChicago. Kinescopes of theprograms will be shown. 8:30p.m. in Mandel Hall. Ad¬mission: $2.50.October 8 The Radio Humor of “Vic ’n’Sade,” with Clarence Hartzell(“Uncle Fletcher”) Bill Idelson(“Rush”), Franklin McMahon,artist-reporter, and JeanShepherd, humorist andrecipient of the BicentennialMark Twain Award.Moderator: Chuck Schaden,radio historian, with audio-tapes of “Vic ’n’ Sade.” 8:30p.m. in Breasted Hall. Ad¬mission: $2.00.October9 Improvisation Workshop,conducted by Del Close,director of The Second City. 2to 5 p.m. The Cabaret ofComedy, Bergman Gallery,University of Chicago.Enrollment limited to 20; fee:$10.00.Will Geer, “Horse-Sense,” areading of Chicago humorists.With comments by HamlinHill, Professor of English,University of New Mexico andWalter Blair, Professor ofEnglish, University ofChicago. 8:30 p.m. at ReynoldsClub Theater, University ofChicago. Admission- *3.00. October 10 An Evening with Stave Allen.Moderator, Robert Streeter,Professor of English,University of Chicago. 8:30p.m. at Law SchoolAuditorium. Admission: $4.00.October 11 The Second City Cast: asampler of current comedy. /Vpublic discussion follows, withBernard Sahlins, Second Cityproducer; Edward Rosenheim,Jr., Professor of English,University of Chicago; GeorgeAnastapio, Professor ofPolitical Science, RosaryCollege; and members of theSecond City cast. 8:30 pm inMandel Hall. Admission: $3.00.October 13 Film-making in Chicago: TheRecent Years. “Goldstein”(1964), with Severn Darden,directed by Philip Kaufman,made in Chicago. Also, “TheBride Stripped Bare,” andother short features. 7:30 p.m.in Breasted Hall. Admission:$2.00.The Mirror: Improvisationaltheater with the audiencecreating the show. Directors ofimprovisation are DavidShepherd and Julio Rodriguez;video-playback is also used.8:30 p.m. at the Cabaret ofComedy, Bergman Gallery.Admission: $2.00. RepeatedSunday, Oct. 17 at 2 p.m.October 14 Two videotapes: “The Im¬provisation Olympic,” and“How to Make a Movie onTape,” with David Shepherdand Julio Rodriguez, pm at TheCabaret of Comedy, BergmanGallery. Admission: free.The World of Kukla, Fran, andOllie, with Burr Tillstrom,Fran Allisonk and theKuklapolitans. Moderator:Frank Galati, AssociateProfessor of Oral In¬terpretation, NorthwesternUniversity. 8:30 pm at MandelHall. Admission $2.00.Studs Terkel ht appeared on “Studs'Place.'' (All photos from Jim McPharlin.)Paul Sand and Barbara Harris willdance once more on October 16th.1*_The Chicago Maroon—Friday. October 1,1976Left to right: Alan Arkin, Paul Sills, and Anthony Holland.October 15 A Reunion of the CompassPlayers: Films, live per¬formances, nostalgia, im¬provisation, and discussion bythe artists who created a newform of American comedy atthe Compass Bar in 1955, the» forerunner of the Second City.With Severn Darden, PaulSills, David Shepherd, Markand Barbara Gordon, RoverBowen, Andrew Duncan, andEugene Troobnick. 8:30 pm atMandel Hall. Admission: $4.00.Theater Games: Lecture-Demonstration by ViolaSpolin. 4 pm at The Cabaret ofComedy, Bergman Gallery.Admission: free.October 16 A Reunion of the Early SecondCity Players: Films of oldroutines, live performances,reminiscences, discussion, andimprovisation. With BarbaraHarris, Severn Darden, PaulSand Mina Kolb, BernardSahlins, Bill Alton, AnthonyHolland, and Del Close. 8:30pm at Mandel Hall. Admission:$4.00.October 17 Film and the ImprovisationalStyle: With Second City alumniand film clips. Moderators:Virginia Wright Wexman, filmcritic, The Reader; and RogerEbert, film critic, Chicago Sun-Times. 8:30 pm at Mandel Hall,5706 S. University Avenue.Admission: $4.00.October 18 David Steinberg: In per¬formance and with a discussionafterwards. 8:30 pm in MandelHall. Admission: $4 00October 19 An Evening with ShelleyBerman. Moderator, D.Nicholas Rudall, Director ofUniversity Theatre andAssociate Professor ofClassical Languages andLiterature, The University ofChicago. 8:30 pm at MandelHall. Admission: $3 00.October 20 Editorial Cartooning andPolitical Satire: With BillMauldin, editorial cartoonist,Chicago Sun-Times: Neil Harris, Professor of History,University of Chicago; andDraper Hill, caricaturehistorian and editorial car¬toonist, Detroit NewsModerator: C. Ranlet Lincoln,Dean, University of ChicagoExtension. 8:30 pm at TheBergman Gallery. Admission:$2.00.October21 Comedy Showcase: Per¬formances by today’s newcomics in Chicago. Personswishing to perform should call753-4113 for an audition. 8:30pm at The Pub, Ida Noyes Hall,1212 E. 59th Street. Admission:free, by membership orreservation.October 7-21 The Cabaret of Comedy: a re¬creation of the 1955 CompassBar, rebuilt in every detail. Inthis forerunner of The SecondCity, Mike Nichols, ElaineMay, Alan Arkin, BarbaraHarris, David Steinberg.Severn Darden, Paul Sand,Eugene Troobnick, AndrewDuncan, Mina Kolb, HowardAik, and many more appear onfilm, slides, and audio-tape.Created by Bob Gottliev. Open10 am to 5 pm in The BergmanGallery. Admission: free. (Seeaccompanying article.)Editorial Cartooning inChicago: Works by John T.McCutcheon, Bill Mauldin,John Fischetti, and otherChicago cartoonists arefeatured. From 10 a.m. to 5 p.m.in The Bergman Gallery.Designed by Leslie Travis.Admission: free.The sessions on “Laughter and Politics,”(Dick Gregory, Will Geer, The Second City,and editorial cartooning), are sponsored inpart by a grant from the Illinois HumanitiesCouncil.The Festival of Chicago Comedy, spon¬sored by The University of Chicago Ex¬tension, is partially supported by a grantfrom the Illinois Arts Council, a stateagency. Events are subject to change. Forinformation, call 753-3157. The Art Institute offers a well organizedand comprehensive exhibition of Frenchand Belgium Art Nouveau which runsthrough October 31. As well as manysamples of purely decorative art, there isalso a large and varied collection of applieddesign - including architecture, furniture,book design, jewelry and glassware. Alsorepresented are the works of artists fromother countries, samples of the variousstyles and movements, both- prior to, andcontemporary with Art Nouveau.Art Nouveau was a movement in both theapplied and decorative arts which reachedits peak of popularity around the turn of thecentury. Described in narrow terms, ArtNouveau popularly refers to decorativeobjects from the turn of the century,characterized by a free-flowing or organicform based on floral abstractions, andlinear, flattened patterns with a skipping orundulating rythmic design. Clichedtrademarks include the long-haired an¬drogynous, yet subtly provacative womanand the colorfully exotic peacock. WalterCrane (whose book illustrations andwallpaper designs embraced Art Nouveau)termed it a “strangely decorative disease”.Actually, Art Nouveau comprises an oddassortment of characteristics: it expressesan interest in everyday life while at the sametime showing a decided proclivity for theexotic, the supernatural and the decadent.Much of the exotic in Art Nouveau stemsfrom the influence of Japanese and OrientalArt. In 1859, England signed a tradeagreement with Japan, and other occidentalcountries soon followed suit. Japaneseworks of art subsequently were displayedfor the first time at the World Exhibition of1862 in London. This stirred up a flurry ofinterest in the art world. The “JapaneseMania” resulted in a demand for Japaneseart and fabrics. Oriental Art bestowed onthe West a new concern for line and colorwhich would become apparent in ArtNouveau.Although Art Nouveau was to becomeprimarily a continental movement, many ofits roots originate in England. From thesesame roots grew the English Arts and CraftsMovement, which, although differing insome respects, may be seen as the coun¬terpart to European Art Nouveau. TwoEnglishmen figure prominently in bothmovements. The first is William Morris, aclose associate of the Pre-Rapealites. whopromoted the idea of a total aesthetics. Hefelt that art should not be confined tocanvass - art is a handmaiden to life andshould be empolyed in everything we do, forthe things we use can be beautiful as wellas functional. Morris therefore involvedhimself in many modes of artistic endeavor which included designing fabrics, furnitureand books. Like him, many members of theArt Nouveau Movement diversified theirlabors.John Ruskin’s contribution was moreindirect, but nonetheless important. Hetaught that men should revere nature anddepict it faithfully. He would have con¬sidered its use a mere tool in the develop¬ment of an abstracted design, tantamount totampering with God. Ruskin influencedSelwyn Image and Arthur Mackmurdo,founders of the Century Guild, which was tobecome an important and influential centerfor English artist-craftsmen. Through them,Ruskin’s concept of conformity to natureevolved into a desire to adhere to “allorganic structure, and as Image explained“Fine art is not the counterfeit of nature,but another world of imaginative creationout of which the raw material of naturesupplies it with symbols”. Followers of ArtNouveau Style adhered to this idea in muchof their work.Like the Arts and Crafts Movement inEngland, Belgian Art Nouveau representeda clear break from tradition, and it was therethat the Arts and Crafts Movement foundits most attentive audience. The popularityof Art Nouveau in Belgium is more evidentthan in any other country. Shops, publicbuildings and a variety of homes were builtin Art Nouveau style. Two of the mostimportant figures in Belgium Art Nouveauare the architect Victor Horta and HenriVan de Velde. Van de Velde gave up apromising career as a painter to producetapestries, metalwork, wallpaper and fur¬niture. His work is characterized by stronglinear tendencies.French Art Nouveau, unlike its Belgiumand English counterparts, drew heavily ontradition, especially upon Neo-Rococo andLouis XIV. There were two schools of ArtNouveau in France: the Nancy Schoolfounded by Emile Galle and the ParisianSchool, which boasted of such artists asEugene Gaillard, George de Feure andHector Guimard. A floriated motif is thedistinguishing features of the Nancy schoolGalle often used exquisite floral inlaysmade of exotic woods. In both his furnitureand glass work, his training as a botinist isevident. The showcase for artistic in¬novation in Paris was S. Bing's shop, whichopened in 1895. Also important at this timewas a group of artists who were advised byPaul Gauguin and led by Maurice Denis.Known as the Nabis, their ranks includedPierre Bonnard and Edouard Vuillard.Reaching its peak in the late 1890’s, ArtNouveau virtually died out by the nineteen-teens; although some of its adherants(especially in the area of book illustration)continued to work in that style through the20’s. Recent years have witnessed a rebirthof interest in Art Nouveau, especially in thelithography of such artists as AlphonseMucha, and the illustrations of AubreyBeardsley The current exhibit at the ArtInstitute, should do much to increase thepopularity and appreciation of all aspects ofArt Nouveau.Second City will be returning on Saturday, Oct. 16th, at Mandel Hall. Mina Kolb.Eugene Troobnick (front row), and Alan Arkin and Paul Sand (second row' Bill Evans will be at Amazingrace October 5-6The Chicago Maroon—Friday, October 1,1976—17"S tr mMajorActivitiesBoardPRESENTS: mm®OCTOBER29&30-ECMJAZZFESTIVAL FEATURING:GaryBurton,JohnAbercrombie.RalphTowner. EnricoRava.TerjeRvpdal.EberhardtWeber, JackDejohnette&Directions.SteveSwallow.FatMethenv, SteveKuhn,andanumberofother.ECMartists.V•■;£>*Themostimportantjd/./0VentintheteuntrvwillhemMonde/Hallthis()<tnhrigtughtoen{tppretimUnuartiststrain tiieECMju//arecordmxlabelwillheancampush/rtwodmsofconcerts,Tlinns,andwaikshofis-theQuco&istoponanationwidefestival-touropeningthepreviousweekwithdatesattheAveryFisherHallattheLincoln('entermNew YorkandattheKennedyCenterinWashington.DC..> .TICKETSiPUBLIC RESERVE: SECTION GENERAL1$8.00$6.00STUDENTS; UCFac.&Staff $7.00 $5.00w/ACTIVE!IE FEE $5.00'$3\00AVAILABLEATREYNOLDSCLUBDESK 5706UniversityAve.withTheLostGonzoBand .alsopresentingTHEVASSAR CLEMENTS bothinconcerthey university neighborsthere's a packpge waiting /or you‘ at the Hyde Parl^ BanK,Exclusively for U of C faculty and staffmembers. We've put together o pack¬age ot special bank services just foryou. We coll it the Maroon Club, andall you hove to do to join is openan account ot the Hyde Park Dank.Here's what you get:A free checking account. No minimumbalance, no strings. And to start youoff. we ll give you a package of 50complimentary checks.A family size safe deposit box free forone year.a acial Maroon Club color photoI.D. cord. It tells our tellers who you oreso you con get your checks cashedinstantly. Direct payroll service. You don t hoveto travel all over the city to do yourbonking. Just have the University moilus your paycheck and we II do the restAutomatic savings. You con take ad¬vantage of our "Saving Gracefully 'plan which automatically transfersmoney from your checking accountto your savings account each month—on easy, effortless way to build yoursavings.The Maroon Club mokes it easier foryou to save your money, and easierto spend it, too. And here s somethingelse to consider: When you put yourmoney into the Hyde Pork Bonk, you rehelping provide the resources to builda better Hyde Park community. For oil these good reasons you shouldjoin the Maroon Club now Drive bikeor walk over Or take the campus busto 53rd G Harper We re just a blockaway on 53rd G Lake Pori-. You conopen your Moroon Club oc :ounr any¬time between 9 AM and 3 P A Mondaythrough Saturdoy (9 AM to 6 PMFridays).HYDE PARK BANKAND TRUST COMPANY1525 EAST 53rd STREETCHICAGO, ILLINOIS 60615(312)752-4600Member FDICTKe Chicago Maroon—Friday, October 1,1970— 19TO FACULTY and STUDENTS* 'November 1st. Will be the last day Autumnquarter books will be on sale. Due to the b :'.efinterim period between Autumn and Winterquarters and the small amount of operating spaceavailable to the textbook dept., it would be almostimpossible to process Autumn overstock andcontrol the large influx of receiving for Winter- quarter, unless a realistic operating period is set.Please notify all of the students reporting to you .about this date. Also if you plan to add books toyour reading list please do so at least 8 workingdays before this date.WHPK-FM 88.3All-night jazz begins tonight (likeevery weeknight) at 10PMLive play-by-play coverage ofthe Maroon-Warrior footballgame starts at 1 PM Saturday.All-night Saturday night rockstarts at about 4PM Try us.Sundays. Chicago’s south sideis tuned in to WHPK. R&B from6AM to 7PM, jazz all night.Got your Whistlestop whistleyet? We'll give away a dozen onMonday’s morning rock shows(6AM-noon; no commercials). Student GovernmentWomen's Caucus andWomen’s Union invitesall S.G. women to a re¬ception welcoming thefirst year women to theCollege, and honoringthe women alreadyactive in the universitycommunity. The recep¬tion will be held at 4:00on Fri., 1 Oct., in theLibrary at Ida NoyesHall.ANTIQUES & USEDFURNITUREOctober 9 & 1011 AM-9 PMDel Prado Hotel,53rd & Hyde Park BlvdAdm. $1.00EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSISDR. KURTROSENBAUMOptometrist(S3 Kimbark Pina)1200 East 53rd StreetHYde Park 3-8372 PRACTICING THE ART OF M ASSAGEWORKSHOPS AUTUMN QUARTER REGIN MONDAY OCTOBER 4th &THURSDAY OCTOBER 7th. ON CAMPUS AT THE BLUE GARGOYLE. 5655UNIVERSITY. FROM 7:30TO9:15 P.M.THE WORKSHOPS WILL BE LED BY DOBBI KERMAN WHO HAS BEENTEACHING YOGA ON CAMPUS SINCE 1971.THE WORKSHOP WILL INCLUDE THE STUDY AND PRACTICE OFMETHODS FROM RUMANIAN MASSAGE. A DEEP MUSCLE MASSAGEPRACTICED IN MS. KERMAN'S FAMILY FOR OVER FOUR GENERATIONS.AND GEORGE DOWNING'S MASSAGE DOWNING S TEXT. THE MASSAGEBOOK, WILL BF, USED FOR THE COURSE.THE FORMAT OF EACH MEETING WILL INCLUDE THE DEMONSTRATIONAND EXPLANATION OF DIFFERENT TECHNIQUES OF MASSAGE ANDEXCHANGING MASSAGES USING THE METHODS WE WILL LEARN. '7 SESSION'S $30 WEAR COMFORTABLE CLOTHES & BRING A BLANKETOR RUG AND SHEETFOR FURTHER INFORMATION CALL DOBBI AT 643-3695 OR LEAVE AMESSAGE AT SU 7-4435.NOTE: BEFORE MASSAGE A YOGA CLASS WILL BE HELD AT THE SAMEPLACE WITH A *10 REDUCTION IN TUITION FOR THOSE WHOPARTICIPATE IN BOTH SESSIONS. PARENT COOPERATIVE FOREARLY LEARNING PRESCHOOL -r Full and half day program (7:30 a.m.-6:00 p.m.) for children 2-6 years- • classrooms designed for2 year olds3-4 year oldsKindergarten• professional teachersT")(G!^a 5300 s-Shore Dr-■■preschool. 684-6363FLEA MARKETSaturday, October 2 - 9:00a.m.Ida Noyes Parking Lot(in case of rain: Ida Noyes Gym)Furnished with Hyde Park’sfinest recycled merchandise.TV7L \ GUITARS, BANJOS.jnt, \ V MANDOLINS.Jrtt V—. RECORDERS,Shop \ VIOLINS, AUTO-O V HARPS AND\ HARMONICASSJL.ro S Harper- \•»#* Harper Cpwt* IHD?-IHO y ALSOBOOKS, INSTRUCTION AND REPAIRS A.FINE CIGARCOMPLETES YOUR DINNERTREAT YOURSELF ■AND YOUR GUESTS #i * pipe*8hopTHE ONLY ONE OF IT’S KINO IN THE H.P. AREAAt Harper Court Shopping Center5225 S. Harper C-7 288-5151 TheCOURTTHEATREInvites You To AnOPEN HOUSEFriday, October 1at 4-6 p.m. First andThird Floor ofthe Regnolds Club20—The Chicago Maroon—Friday, October T, 1976There IS a difference!!!PREPARE FOR:MCAT9 DAT* LSAT* SATGRE • GMAT • OCAT • CPAT • VATOver 3 8 years of experience and success. Small classes. Vol¬uminous home study materials. Courses that are constantlyupdated. Centers open days L weekends all year. Completetape facilities for review of class lessons and for use ofsupplementary materials. Make-ups for missed lessons atour centers.ECFMG • FLEXNAT L MEDICAL & DENTAL BOARDSFlexible Programs & HoursOu' tVOAd 0*ho* *h^f pnahips u* »'*("ipr TV,ng thp -n-tivi.l.i^l• ?r%4 Mf'1;wo v\ ?».vHi’* MS(V •' ] 5^• Ir»sF.cl !•**' •* P' ^ytiirs .in t|Phpfp»M p* t»('f• ■ p.1r If ''nCALLToll FreeOutS"iP Nv State 0"U800-221-9840 InEDUCATIONAL centerTEST PREPARATIONSPECIALISTS SINCE 1938C°*°"S,oO<VS&F♦4,4'POCKET BOOKSw r- „ PREVIEW TUES:EKS 0I\1 LY OCT. 5-17 oct.s.sp.m.;SKSSS^C!•eeeeeeeeeeeeeeeeeeeeeeeeeeej Leslie Uggamse in the Great American Classic MusicalWESTdrawS.ASTORV4 I•eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee**eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee^DANCES & SONGS YOU CAN'T FORGET!!"TONIGHT" "MARIA" "JFT" "I FEEL PRETTY""COOL" "AMERICA" "GEE, OFFICER KRUPKE"10% Student Discount with I D at Box OfficePRICES PREVIEW WEEKDAY EVE. A MAT FRI. 4 SAT. EVEMain Floor (Front) $9.00 $10.00 $12.00Main Floor (Raarl $7.50 $8 50 $10.50Balcony (Front) $7.50 $8.50 $10.50Balcony (MiddM) $5.50 $6.50 $8.50Balcony (Raar) $4.00 $4.50 $6.50PERFORMANCE OATES: EVES. Oct.5,6,7.8.9, 12.13.14.15.168 PM; MATS: Oct 6,9,16,2 PM Sundays Oct 10.17,3 PMSeats Now at Box Office & TICKETRON OutletsIncluding Sears & Ward StoresFOR GROUPS 791 6190; Info. 791 6000ARIE CROWN THEATRE jrCST" Amrm mtm men<5oo South woodlawmSunmy mmm lo.^am.TUteDM tdCHAHIST 1:00 a.m.Uirrci Lk fieyt pal-forKulytiri JarqeHWn, campus pastorS'F^o d tovoJ/ausK, 7r$- 3 3^2_0n€r4ea -^ouJarc) oeelurt^pyCSon<xl Ljroujf'n u>cFh irv4€li6cVu^l iM^CjTiTtjMONDAY 7 pm.HOC!SL,5~STO WOObLAWA/kPCiderS', Mhtr John tfarlecfpQ<A-or Thchard Jurqensesi"UJhen ihefl nokhiM m oar hoes/Qc/steme becomes d Headau 11 leading -nouAere. "Ufbibbohi Ciiuty>BRENT HOUSE.55«yo woodlrwaJSundau: ^5 oo VespersJ (o'DO 5oua| Hourbus Supper (i/.zs')7 • IS Dialogue a)i+b Sspemer horsonsbean of Rockefeller Chapel"FWH Mb THE MEMiHSt Of UFE *WondOJU' l:00-fci0p-m. , r,(Bible Sfudu of U Johr)i '-'•/>< t\lUGSOClu- H OO cjutruOficjThursday: Noon iuckarnF( Bon J Chapel)Friday'. Tio-b'OO Cherry HourUNIVERSITY OF CHICAGOCOURT THEATRE PRESENTSSept.24,25,26 Oct.1,2,3.8.9,10 in THE NEW THEATRE$3 §eneial $2 students isi-wi 57 & Umveisity8-36 pm University Religious ServicesRockefeller Memorial ChapelSunday • October 39 A.M.Ecumenical Service ofHolv CommunionBernard O. Brown,Associate Dean of the Chapel11A.M.E. SPENCER PARSONSDean of the Chapel“LANDMARKS OF REALITY”GIANT YARD SALESaturday, October 2nd10 to 6 5204 Greenwood(enter thru alley)clothing - trunks - furnituresauna - kitchen warennnnnnnnnnnnnnm nJCARPETCITY<6740 STONY ISLAND;S 324-7996I plas wliot you need from aJ >$10 used room size Rug to a] (custom carpet. Specializing), Jin Remnants & Mill returns otll [a froction of the original*(Decoration Colors and]►Qualities Additional 10%jl (Discount withuhis ad. (] FREE DELIVERYDorothy SmithBeauty Salon5841 BlackstoneHY 3-1069open 7 A.M.-7 P.M.Mon. thru Fri.closed SaturdayHair Cutting - Wedgies - etc.Tinting - Bleaching - Perms.only the bestCall for appt. .CHICAGO-MIDWESTHOTLINELOCAL GUIDETO SEXUAL ACTIONINACTION!•Hot*Tips •Warm Personals•Sensual Photos$5.00 toT.R.A.P.O. Box 7425-C.M.Chicago, II. 60608a Z { TT } -► + «- 4-6y SALES with %service is ourBUSINESS a9 REPAIR specialistson IBM, SCM,Olympia & others §e Free EstimateX Ask about our nRENTAL withoption to buy >11 New & Rebuilt\ Typewriters <K CalculatorsDictators $U) AddersU. of C. Bookstore y11 5750 S. Ellis Ave. ooV 753-3303Vy MASTER CHARGEBANKAMERICARD sd 0 I A a <$ X BACK YARD SALEFurniture, appliances,bicycle, typewriters, CB &Photo equipment, etc. Rainor shine, 11 am-4 pm Oct. 2& 3 at 5525 Hyde Park Blvd.Condominium.MEN! — WOMEN!JOBS ON SHIPS! AmericanForeign. No experience re¬quired Excellent pay. Worldwidetravel. Summer job or careerSend $3.00 for information.SEAFAX, Dept D-7 Box 2049,Port Angeles, Washington98362.B4MBOOLOUHG€Mixed Drinks,Pitchers of Beer,FREE POPCORN!Open Pianooil for yourenjoymenton the first floorof the Del PradoHotelSTUDENTS WELCOMEVAVAVWVVVVVVVWMODELCAMERANEWNKKORMATFT2Incomparable Nikonquality... at a moderate priaJUST s24253Buy now, attend the newNIKON OWNER SCOURSE FREE!New 4-hour traveling oourseteaches the basic operation ofyou* new Nikkomnat FT2 A $10value f;°e if you buy completecourse now1 See us for thecomplete oourse schedule Iftime and place are inconvenient,your purchase still entitles you tothe Owner's Course NotebookWorkbook, free Offer expiresDec. 31,1976.ASK ABOUTthe Nikon Rebate!1342 E. 55th493-6700WWWWVWWJWWWThe Chicago Maroon—Friday, October 1,1976—21Booters dropopener, 6-0- By DAN MANSEUTOIf their first game is an indication ofwhat Mali follow, expect exciting, com¬petitive efforts out of the soccer Maroonsthis year. Although they lost their firstsoccer match of the season 6-0 to NotreDame Wednesday, the Maroons gaveNotre Dame a fair sized fight and were notout of the contest until the closing minutesof the game.The score is not totally misleading ofcourse. The Notre Dame squad was biggerand quicker than the Chicagoans. TheIrish were able to bottle up the Maroon’soffense and keep pressure on it’s defense♦trough most of the game.Althougn the Maroons managed onlyThe Chicago football Maroons will try tosustain their unbeaten record thisweekend as they take on the MarquetteWarriors. three shots on goal while the Irish firedeleven at Maroon goalie Bob Kinzel, theIrish were unable to run up a score. Ex¬cellent saves by Kinzel and equally ex¬cellent defensive plays by Matt Hohen-boken, along with missed shots andinopportune penalties by Notre Dame,kept the game scoreless through a largeportion of the first half.Thirty minutes into the half, theinevitable finally happened. MarkO’Laughlin of Notre Dame was fed with aperfect pass and put the ball past thedefenseless Maroon goalie.Although the Maroons were unable togenerate a consistent offense, they didhave several opportunities to score in thefirst half. They almost tied the score whenChuck Kulinsky broke away with the balland had a one on one situation with theNotre Dame goalie. He let to with a solid' shot, but it sailed just over the crossbar.Notre Dame scored the second goal ofthe game with only seconds remaining inthe first period, and the half ended with thescore Notre Dame 2, the Maroons 0.For the first twenty minutes of thesecond half, the Maroons held the Irish atbay. But whenever the Maroons were ableto penetrate Notre Dame territory in thesecond half, they failed to make a shot ongoal. Consequently, they never pressuredthe Notre Dame goalie or threatened toscore in the last half.Finally the roof caved in on the Maroons.During the last twenty minutes, NotreDame poured through four ;»oals. Thesubstitution of Rick Miller for goalieKinzel was not the only reason for theMaroon collapse. When Miller came intothe game, the Notre Dame offense was justbeginning to subject the Maroon goal to itsheaviest bombardment of the game. of the game to maintain a respectablerecord this year. The players and theirnew coach, Barry DeSilva, are not makingany predictions but they do feel that theyshould improve over last year’s record of 1 and 13 and be competitive in all or most oftheir games.Their next chance to equal last year’swin total will be Saturday afternoon whenthey take DePaul, away.UC VARSITY SCOREBOARDSoccer:Notre Dame 6 Maroons 0UPCOMING EVENTSFootball:UC vs Marquette, Sat. Oct. 2, 1:30, Stagg Field, 56th and CottageGroveSoccer:UCat DePaul, Sat., 11:00Tennis:UC at the Milliken Invitational, Fri. and Sat., Oct. 1 and 2,Decatur, III.Crosscountry:UC vs University of Wisconsin-Milwaukee, Sat., 11:00,Washington ParkVolleyball:UC at Morraine Valley Community College, Mon., Oct. 4,5:00JAN HAMMER GROUP22—The Chicago Maroon—Friday, October l, 1976•... ^Hil < AURORAAs a special introduction to our jazz selection(one of the finest inthe city), we are featuring a special jazz sale. All jazz albums on theAtlantic Records Label are on sale.$6.98 List Lps...$3.88 Sale Price(Other list prices are similarly reduced)Sale Extends through Oct. 7This includes artists like: Nat Adderley; Mose Allison (Your Mindis on Vacation-Brand New); Roy Ayers (Daddy Bug and Friends-New); Dave Gary Burton; Oscar Brown Jr.,; Stanley Clarke (SchoolDays); Billy Cobham (Life and Times); Ornette Coleman; JohnColtrone; Chick Corea; Duke Ellington; Ella Fitzgerald; Jan Hammer(Oh, Yeah); Eddie Harris; Freddie Hubbard; Milt Jackson; KeithJarrett, Ronald Kirk; Joachim Kuhn (Spring Fever-o Brand new);Yuseef Lateef; Charles Lloyd; Herbie Mann; Les McCann; CarmenMcRae; Charles Mingus; Modern Jazz Quartet; bassport (lufinityMachine); Jean Luc Vonty (Aurora); Sonny Stitt; Miroslav Vitous;Lenny White; and Joe Zawino (Concerto Retitled- just released).And many more too numerous to list! MEAN-MiC RONTYJEAN-LUC PONTY“UPON THE WINGS OF MUSIC" SPIN-IT1444 E. 57th St.684- 1505Store Hours:Monday-Saturday 10:30-8:00,Sunday 12:00-6:00For The Finest In MusicSPIN-IT RECORDS...CLASSIFIED ADSSPACESingle rms. avail male grad students.Chic Theo sem Vs blk UC campus. ServOff 1164 E 58th, 752-5757 X43WANTED: Mature person to sharehouse. Very desirable locationPL 2-8377Room for woman student in privatehome. Very large. East Hyde Park.Light cooking. $85/mo. 684-5076. Evesbefore 10, or weekends.Female roommate for spaciousapartment, 53rd Dorchester $95 CallEvenings 947-930631/2 rm. secure Bst. Apt. nr. 73rd & So.Shore Dr. 1 blk. I.C. Day campus busat door. Grad, preferred. $139. 753-4428days, 375 7435. 6:30 8:30p.m.Roommate wanted to share a securenewly remodeled condominium twoblocks from campus. 57th & Kenwood.Your private bedroom and privateliving room. Share kitchen, bath. Goodkoarking. Near library, grocery,cleaners. Rent $175. Call Dobbi 643-3595 or ans. serv. SU 7 4435. Non-smoker.Rm. with priv. bath in home of facultywidow, edge of campus; male med.student pref. DO 3-8486 mornings orafter 4.Roommate wanted to share large apt.6 blks. from campus w/3 workingstudents. Rent low, share food andcleaning. Avail, now. Call 288-2825nights.SPACE WANTED PEOPLE WANTEDSitter needed several afternoons perweek In my home. $2.50 per hour.Experienced person with carpreferred. Call Susan at 241-5068.Kenwood family seeks couple to live inthree small rooms and bath on thirdfloor of pleasant house. Couple willcook and clean up after evening mealfor family of four and pay $150 monthrent in exchange for furnished rooms,full board, and access to amenities ofhours—laundry, piano, backyard andso on. Call Eleanor Nicholson at KE 61707 evenings or, if evenings notconvenient 924 2356 days.Babysitter wanted 3 days per week.2:30 to 5:30 p.m. very good pay. Closeto campus. Prefer someone begin 9/13.Will consider later date. Call afterSept. 8 at 667-3716, 947 6582, 753 3880.Carpenter, gardener, part-time 375-7435, 6:30-8:30p.m.Subjects needed to Ingest an ancientnear eastern substance.. For in¬formation call 947-8309 and ask aboutsouvlaki, dolmades or gyros at theAgora.The Blackfriars fall show "Merlin"needs singers, actors and dancers.Audition Sat. Oct. 2, 1:00, Ida NoyesTheatre.PEOPLE FOR SALEWife of Grad Student will babysit ather home. Any time any day Sip inChild Care. Cont after 7 evn. 863 6088.Ballet classes. Mon. at 5, Thurs. at5:30, Ida Noyes.Wanted: University of Chicagoprofessor needs furnished apartmentfrom Oct. 1 thru Dec. 1, 1976. Call 753-3851 days.Owner of successful Hyde ParkBusiness needs immediate housing inHyde Park area. Studio or one bdrm.preferred. Call John 752-2020 or 440-1522.PEOPLE WANTEDPart-time help needed, flexible hours.Call Niko, evenings, 643 5881.Like children? Then we like you!CHILD CARE TASK FORCE needsbabysitters to meet parent requests:full and part-time, infant care, live in.Your home or theirs. Call 288 8391 (9-2)weekdays.Accurate typist (55 wpm), two days aweek, 8:30am to 4:30pm. $3.50 perhour. Jan Shucart 944 2713 extension157.Babysitter for 2 yr. old boy 1:30 to 3:30Mon. and Wed. aft. Close to campus.955 2223.University family will give studentwho loves children rm. 8. bd. in ex¬change for babystg. 81 mealtime help.Primarily eves. 8, Satrudays. Goodlocation. 955-6384 eveningsSINGERS for fine church choir, oncampus. Work with TOM PECK ofGrant Park chorus 4 IVY BEARD ofLyric Opera. Nonneed to audition. 3244100.PART-TIME JOBS—Work for theCitizens Action Program, an in¬dependent grassroots organization.Help promote citizens participation inthe decisions that shape our future andour city. Training provided, ad¬vancement encouraged. Call for in¬terview. CAP, 2202 N. Lincoln Ave.,929 2922. SCENES-Pro-life, Tues., 7:30, Ida Noyes."Dance is the poetry of the foot".Come join U of C folkdancers everyMon. beginning level w/teaching inIda Noyes, 8 p.m., 50 cents or Fri.general level no teaching 7:30.Free Swimming instruction for Adults,Mondays 7:30 8:30 p.m. INH Pool,Begins October 4.CRICKET FESTIVAL MATCHSat at 9:30 am sharp, Stagg Field staff,students, employees, guests are in¬vited to participate. Beer, snacks,provided to all participants. GirlsInvited. Know how of game notnecessaryFOR SALESending your friends a treatise or yourMom a postcard? We've got dozens ofattractive, witty and low costbackgrounds. Gift sets and Christmascards too. Check us out at the FLEAMARKET, Sat. 9 12, Ida Noyes Park¬ing Lot. Your CURRENT represen¬tative.RUMMAGE SALE? HYDE PARKNEIGHBORHOOD CLUB 5480 S.Kenwood Ave., Sat. Oct. 2nd,9:00 3:00.ACADEMIC RESEARCH PAPERS.Thousands on file. Send $1.00 for your192 page, mail-order catalog. 11322Idaho Ave., 206H, Los Angeles, Calif.90025. (213) 477-8474.75 VW RABBIT 2 DR ., CUSTOM.20,000 mi. AUTO AC AM-FM $2950neg. 288-8968.3 Family yard sale, clothing 8, toys,brlc-brac. Oct. 1, 9 30 3:30, Oct. 2,9:30-12:30. 5506 S. Harper.OVAL DR TABLE. $45 955-1796.Substitute teachers needed for preschool on campus. Hours vary. Experwith young children req. 324-4100. 1970 Ford Torino GT. $1400. Excellentcondition, new shocks, muffler andtires. 753 0268.Part-time student TV attendant.Hospital in area. No TV knowledgenecessary. Call Mr. Eastman DO 3-6800 leave name 8. number. After 5pm,676 2226.MOTEL CLERK, STUDENT-WILLTEACH, 2 OR 3 DAYS. HOURS 4 PMto 12 OR 12 TO 8 AM CALL BET¬WEEN 10 AM TO 4 PM. LOCATEDSOUTH SHORE, TEL: 374 4500.Student student wife needed, aft.housekeeping 4 child supervision, 2’ahrs dally, good pay, call Mr. ZonisXX3 2729 or 548 4196 Clothes. Wtr-Sum., Jr. 7 9. Ms 9 10;bedsprds, curls., books, shoes, purses;Sat., Oct. 2,10-2,5720 DrexelSat. 8i Sun.. Oct. 2 8. 3. Toys, games,books. AM Flyer Trains 5 Guage, IceSkates, Sky Kennel. File Cabinet, Furnlture, Misc. Home Items 125 E. 84thStreet.Start the new academic year outright—without Insulting televisioncommercials. Outfox the advertisersby fixing your set to cut off the soundof their ads. For easy Instructions sendalong $2 with a self addressed,stamped envelope to Box 7742 C,Chicago IL 60680General office full time, good typing,filing, etc. Pleasant surroundings.Good fringe benefits. Parkingfacilities. Museum of Science andindustry. M. Jansen 684-1414 Ext. 330.Equal opportunity employer.Substitute teachers wanted All areasnursery 12. The Laboratory Schools.Apply to the director's office, Blaine199. PASSPORT PHOTOSColor, 2 for $9 00MODEL CAMERA1342 E. 55th St., 493 6700-eo shopping for ADVENT, BOSE,s, JBL, NAKAMICHI, YAMAHA,X, B 4 O, ADS, AMPZILLA, SAE,HLOUIST, and other seldom dlsnted brands? Or do you just wantbest prices on DYNACO,RANTZ, PIONEER, SHURE, and? Call 241-5752 evenings till 11. FOR SALETDK SP90 cassettes Reg. $4.95Special $2.99MODEL CAMERA1342 E. 55th 493-6700 CHESSUSCF tourney begins 10-4. Ida NoyesMemorial room, 7 p.m. Everyonewelcome, bring clocks.OM-1 Winder in stockSpecial $139.95MODEL CAMERA1342 E . 55th 493-6700HOUSE SALEFurn., toys, stuff. 5618 S. Kimbark.Enter via alley. Sun., Oct. 3,12-2.HE BREW CLASSESATHILLELThe first meeting of both the beginnersand advanced Modern Conversational ‘Hebrew classes will take placesimultaneously at 7 p.m. TUESDAY,OCTOBER 5th to determine languagelevels; to be followed by an instruc¬tional session for each group.YIDDISH CLASSESATHILLELYiddish classes at Hillel will begin onMONDAY EVENING, October 11.Elementary Yiddish, 7 p.m.; Ad¬vanced at 8:30 p.m. sign up in ad¬vance.YIDDISH FOLKSONG GROUPWill begin at 6 p.m. at Hillel House onOctober 11th. This group is open to all.sign up in advance.OTHER HILLELCLASSESWatch for announcement next week.COMPUTATIONCENTERNow that you've started classes, thinkabout taking a Computation Centerclass. Learn to program or learn moreabout IBM 370. Short, non-creditcourses. Schedule available. 753-8409FORTRAN CLASS WANTEDGoing on sabbatical? Mature, responslble 4 independent 29 yr. old owner ofa new and succesful Hyde Parkbusiness seeks hours or apartment sit¬ting position in Hyde Park area. Haveexcellent references from house sit¬ting experience. Please consider CallJohn 752-2020 or 440-1522.GAY PEOPLEOrganizational meeting of U of C gaypeople. Wednesday, October 6th, 8:00p.m. Ida Noyes Hall, room 301.Gay men's and women's coffee house,Friday, Oct. I, 8-12 PM, at the BlueGargoyle. New students, come andmeet the U of C gay community.FEMINIST MEETING"Feminism 4 Academia" is the topicof the University Feminist meetingTues. Oct. 5 at 7:30 p.m. in the diningroom of the Blue Gargoyle.MUSICAt the Gargoyle Care of the Cow 4June ShelleneOct. 1, $2.50 at the doorPAN PIZZADELIVEREDThe Medici Delivers from 10 p.m.weekdays, 5-11 Saturday, 667 7394.Save 60 cents if you pick it up yourself.AUTUMN NO-SHOWVACANCYQuiet, clean-living woman graduatestudent desires off campus subleasenow until December 10th. Anythingrespectable considered. Please reply,P.0 Box 5945 Chicago 60680A COMPLETE one day modelingand commercial advertising seminar.Conducted by top Chicago profes¬sionals and guest speakers. Forfurther info, 943-0614. Limitedenrollment. Mediafaces.Learn to program in FORTRAN 10session class begins Monday, October11, $25. Computer time given for pro¬blems. Register before October 7.Come to Computation Center or call753-8409.CALLIGRAPHYSAO offers beginning calligraphylessons. Thurs. eves. 9 weeks for $14;pens, ink, paper 4 text included. Signup in Ida Noyes 209.BLACKFRIARSMembership Mtg. 7:00 p.m., Oct. 7,Cloister Club, Ida Noyes. Newmembers invited. ORKFIREWOOD570 a TONalso birchcherry and mapleHYDE PRRKFIREWOOD1 549-5071IRACTICING THF. \R1 OF MASSAGEWORKSHOPS Al'Tl MN QFARTER BEGIN MONDAY OCTOBER 4th AHl’RSDAY OCTOBER 7th. ON CAMPl S AT THE BLl'E GARGOYLE. 56ooVTVITR^ITV FROM 7 .30 TO 9:15 P.M.THE WORKSHOPS WILL BE LED BY DOBBI KERMAN WHO HAS BEENTEACHING YOGA ON CAMPl'S SINCE 1971THE WORKSHOP WILL INCLCDE THE STCDY AND PRACTICE OFMETHODS FROM RUMANIAN MASSAGE. A DEEP Ml SCI.E MASSAGEPRACTICED IN MS. KERMAN'S FAMILY FOR OYER FOl’R GENERATIONS.AND GEORGE DOWNING S MASSAGE. DOWNING S TEXT. THF. MASSAGEBOOK. WILL REUSED FOR THE COURSE.THF, FORM AT OF EACH MEETING WILL INCLCDE THE DEMONSTRATIONAND EXPLANATION OF DIFFERENT TECHNIQUES OF MASSAGE ANDEXCHANGING MASSAGES l SING THE METHODS WE WILL LEARN.7 SESSIONS $30. WEAR COMFORTABLE CLOTHES & BRING A BLANKETORRCG AND SHEETFOR FCRTHER INFORMATION CALL DOBBI AT 843 3.595 OR LEAVE AMESSAGE AT SC 7 1435.\GF. A YOGA CLASS WILL BF. HELD AT THE SAMEFOR THOSE WHOL.AcfcBiwr! ” ' io' REDCCT^ON IN TUITIONVHTICIl’ATr \ t.oi n SESSIONS. BOOKS BOUGHTBooks bought and sold everyday,every night 9-11. Powells, 1501 E. 75th.CARE OF THE COWWith June Shellene at the GargoyleFri. Oct. 1 at 8:00. $2.50 at the door orat the Fret Shop in Harper Court.YOGARelax, energize, unify body-mind-spirit. Autumn quarter Yoga classesbegin on campus, Mon. Oct. 4th 4Thurs. Oct. 7th, 5:30 to 7:15 at theGargoyle. Led by Dobbi Kerman oncampus since 1971. 7 sessions $30Followed by massage workshop. $10off tuition for taking both. Call Dobbi643-3595, answ service SU 7-4435.ART OF MASSAGEPRACTICING THE ART OFAAASSAGE works. Begins on campusat the Gargoyle Mon. Oct. 4th andThurs. oct. 7th. 7:30 to 9:00 Based onDownings, The Massage Book 4 rumanian deep muscle massage 7 sessions$30. Call Dobbi 643 3595, ans. serv. SU7 4435 Directly follows Yoga sessions$10 off tuition for both. REFRIGERATORRENTALMini fridge. Pennies a day Freedelivery. Call Swan Rental 221-3700.FESTIVALCRICKETMatch Sat. 9:30 a.m. sharp at StaggAll invited to participate.Refreshments.PARROT LOSTGreen Amazon. If seen, or heardshrieking, please call RE 5-3000 days,288-5744 nights 4 weekends anytimeREWARDPERSONALSBaptist student union "Getting toKnow Your" Ida Noyes Hall. 7:30 p.m.Oct. 4.Writers' Workshop PL 2-8377.Pregnancy Testing, Sat. 10-2,Augustana Church, 5500 S. Woodlawn.Bring 1st morning urine sample. $1.50donation. Southside Women's Health.325 2992KENNEDY, RYAN, M0NIGAL 4 ASSOCIATES. IKDirectory of ValuesWe Know Hyde ParkReal Estate InsideOutAPARTMENTS FOR SALETHIS IS REALLY LOVELYVery special 2 BR-2 bath co-op apt.Fantastic 25th floor north-south viewsBeautifully located in Hyde Park.Parking. Low 30 s. "Call GeorgeBilger. 667-6666"A DRAMATIC CONDO APT.4 rooms, 1 bedroom, large formaldining room, nice size kitchen Livingroom has very high cathedral ceilingand floor to ceiling windowsfireplace. 1 bath. Parking Asking$12,500 70 PI. Paxton Call DonTillery. 667-6666.ENJOY THISLarge 6 rm. condo apt. w/2 baths.Enlarged kitchen w/laundry andappliances ind. Sun room for plants.A really attractive unit w/low assmt.Priced at $25,000. Call Mrs. Ridlon667 666650TH & LAKE CONDO1 bedroom, with formal dining roomand excellent kitchen. High floor insecure building Priced at only $24,900.To see call George Bilger, 667-6666.OVER 1.800 SQ. FT.Handsome bungalow plan on highfloor 50th nr Outer Dr Tastefullydecorated throughout. Parquet floors,lovely kitchen all appliances included6 rms. 3 full baths. You must see toappreciate Charlotte Vikstrom 667-6666. JACKSON TOWERSSuper Lake views from high floorSpacious w/large modern kitchen,reasonably priced at $41,900. CallMrs Ridlon, 667-6666ELEGANT CAMPUS BEAUTYWhere you want it! Handsome 8 rm3 bath on sunny high floor between57th & 58th on Kenwood. All systemsand appliances excellent. Newly remodelled with taste and quality. Ownerleaving state $89 500.HYDE PARK BLVD.3 BR & study condo home w/2 fullbaths Modern kit. w/DW. stove, ref.ind. Laundry rm. Off-street pkg $33,900asking. To see, call Mrs. Haines667-6666BEAUTIFUL5 rm. apt. w modern kitchen & bathLarge Liv rm. w/woodburning fplc.Views of Park and Lake Mo. assmt.$98 Priced at $12,000 Call Mrs.Ridlon 667-6666YOUR VERY OWNBalcony plus 7 rms - 2 baths in thisspacious apt - appliances Back porchand yard Mo assmt $100 Nr 55th onEverett. $32,000 Call Mrs Ridlon667-6666TWO BEDROOMS IN THE SKY DELIGHTFUL VIEWSimmaculate 5 rm. 2bath condo home at From this 5 rm. apt. in east Hyde Park50th and the Lake* Many decorator Elegant secure bldg • mod kitchen,extras Ready to move An ideal high- 2 baths, new appliances, carpetingrise home for the discriminating buyer Priced at $24 500 Mo assmt $288Call Mrs. Ridlon 667-6666KENNEDY, RYAN, M0NIGAL & ASSOCIATES, INCd D1461 East 57th Street, Chicago. Illinois 60637667-6666Daily 9 to 5 Sat 9 to 1 Or call 667 6666 AnytimeThe Chicago Maroon—Friday. October 1,197*—23yon aw invited tv attend (fee15th ANNUAL WINE SALE3 DATS ONLYFriday, October 1stSaturday, October 2nd^ - _ ' / - ~ V. ~ -V t ^Hours 10 AM to 9 PM* ' 1Sunday, October 3rd Hours12 Noon to 6 PMvWe suggest early attendance in orderto acquire the best values and the widestpossible selection.No discount offered less than 20%and some will be as high as 50%Not all wines will be on saleThe Pottfaf IHaid2427 East 72nd StreetBA 1-921024—The Chicago Maroon— Friday, October 1,1974