t Theicago MaroonTHE UNIVERSITY OF CHICAGO FRIDAY, NOVEMBER 21, 1*75Search Committee Nears Decisionsources report that a decision has been reached and will beannounced next week. By David BlumThe Presidential SearchCommittee has finallydecided on their choice for asuccessor to Edward Levi,and sources report a decisionmay be announced nextweek.The committee’s choice isa University of Chicagoprofessor, according toseveral sources close to thecommittee. This is reportedlythe result of pressure fromvarious segments of theacademic community tochoose an ‘‘inside”candidate.The list of candidates forthe Presidential post beganwith over 200 nominees lastFebruary, and wasnarrowed to six at a searchcommittee meeting twoweeks ago. Though the committee as a whole hasnot met since then, sourcesreport they have reached adecision.The search committee islikely to meet early nextweek, at which time thedecision to recommend theirselection to the Board ofTrustees is expected. Theentire Board must vote onthe committee’s choicebefore the actualappointment is madeofficial, but they areconsidered likely to confirmthe committee’s choice.The Presidential SearchCommittee includes 7trustees and a 7 facultymembers. The trusteemembers are:Gaylord Donnelly; A. RobertAbboud, chairman of theboard, First National Bankof Chicago; Katherine Graham, publisher of theWashington Post; BenHeineman, president ofNorthwest Industries;Hermon Dunlop Smith,President of the FieldFoundation of Illinois;George Ranney, Sr., vice-chairman of Inland Steel;and Robert Reneker,Faculty members are. JohnJeuck, Robert LawProfessor of Business; Erica Reiner, Professor of NearEastern languages andcivilizations; John HopeFranklin; Charles Oxnard,professor of biology andDean of the College; PhilipKurland. NormanNachtrieb, master of thephysical sciences collegiatedivision; and NormanBradburn, Chairman of theDepartment of BehavioralSciencesMcElderry Says LibraryAware Of ProblemsWilson Blasts Chile Commission ‘Witchhunt’Denies SG Right To Explore PolicyBy David AxelrodActing President Wilsonyesterday told represen¬tatives of the StudentGovernment that he viewsan impending SG in¬vestigation of the official tiesbetween the University ofChicago and the Chileanjunta as a “witch-hunt,” andangrily denied the right ofthe Student Government toexplore University policies.At a meeting requested byGarrett Brown, chairman ofthe SG committee formed toorganize the investigation,Mr. Wilson reportedly toldMr. Brown and SG VicePresident Alex Spinnard thathe detected no interest oncampus in the investigation.“Otherwise,” said Mr.Wilson, according to Mr.Brown, “I would have heardsomething at the Roundtableof the Quad Club.”The Roundtable of theQuad Club is a traditionalgathering place forUniversity officials andprominent members of thefaculty.Contacted after themeeting, Mr. Wilson refusedto confirm or deny this andother quotes provided to theMaroon by Mr. Brown,maintaining that it was aprivate meeting and his re¬marks were not made forpublication.“Let me say this,” he added. “If Student Govern¬ment ever wants to talk tome again, and they give thisinformation to the Maroon,they will have a hard timespeaking to me.”Mr. Brown said themeeting was called todiscuss a memo Mr. Wilsonhad circulated to the deans,department and committeeheads and officials, urgingthem not to support the SG’scommission of inquiry. Mr.Wilson contended in thememo that the commissionthreatens “the rights andfreedom of individual facultyand students.”“We felt that Wilsonmisunderstood the purposeof the commission,” said Mr.Brown. “We wanted todiscuss its purpose, and hismemo, with him.”After the meeting Mr.Spinrad accused Mr. Wilsonof intransigence.“He obviously did not wantto see the commission as afact finding body,” said theSG Vice President. “He hadformed an idea of what itwas, based on what I’m surewas a cursory first readingof the resolution forming thecommission, and simplyrefuses to budge from this.”Mr. Spinrad refused tocomment on Mr. Wilson’sspecific remarks, claimingthat it was “in appropriate”to reveal comments made inCorrectionsThe Maroon inadvertentlynegleted to credit the lakeclean up pictures appearingon page five of Tuesdaysedition. Richard Dreisertook the photos. MeetingTuesday at 11:30 am, Mr.Bill Farrell of the New YorkTimes Chicago Bureau willgive a journalism lecture inthe Maroon office (INH 303).All students and faculty arecordially invited to attend. private meetingsMr. Spinrad also praisedthe Acting President for his“meaningful concern withstudent participation inaffairs which concernthem.”Mr. Brown said Mr. Wilsonasked the studentrepresentatives why theyfelt Student Government hada right to investigateUniversity policies. Theyresponded that studentscomprise a large and im¬portant portion of theUniversity population.‘‘You could have aUniversity withoutstudents,” Mr Wilsonreportedly replied, “but youcouldn’t have a universitywithout an administration.”Mr. Wilson also reportedlydenied that the Universityhas a formal relationshipwith any government, andsaid he believed reports inLatin American newspapersand the New York Timesalledging that University-economic professors MiltonFriedman and ArnoldHarberger had advised theChilean junta to be “in¬significant.”“I believe Latin Americannewspapers even less than Ibelieve Americannewspapers, and I don’tbelieve Americannewspapers very much.”Also present at themeeting, which lasted forapproximately 80 minutes,were Charles O’Connell,Dean of Students and Vice-President of the University;D. Gale Johnson. VicePresident for AcademicAffairs; and Jonathan President and VicePresident for CommunityAffairs.Friedman called the threemember SG committee,whose responsibility it is toorganize the investigatorycommission, to his officeMonday.The Professor reportedlytold the group that he did notfeel personally threatenedby the investigation, but feltit would be harmful to theUniversity community.“He told us that this in¬vestigation woulddiscourage other facultymenbers from performingcontroversial work,” saidHelen Haggerty, a com¬mittee member. By Mike SherbergDirector of UniversityLibraries StanleyMcElderry stated in aninterview Wednesday thatwhile he concurs with therecommendations of theCommittee on the Quality ofLife at Regenstein Library<CQLRL), “they did notappreciate that we were wellaware of these problems andhad taken some action.”Noting that the CQIRL'sstatements were “somewhatexaggerated,” MrMcElderry said that thecommittee incorrectlyattributed the abuse of thebuilding to staff and library-policies and attitudes Hefaulted the committee for notundertaking an overallreview of library clientele todiscover reasons for theabuse problems.CQLRL, appointed byActing President John T.Wilson, recently submitted areport outlining problems atJoseph Regenstein Library(JRL) and offering possiblesolutions.Mr McElderry labeled theprimary problem at JRL asbudgetary. A roughChilean Government RevealsFacts About Father WhelanBy John VailThe Chilean government,in a reversal of policy, hasreleased a “correct anddetailed account of thefacts” concerning eventsleading to the arrests ofFather Gerald Whelan andothers.The statement comes atthe same time as an an¬nouncement by officials ofthe Congregation of HolyCross that Father Whelanwas released from solitaryconfinement “sometimeover the weekend.” Ac¬cording to the Congregation,Father Whelan has beenseen by other Holy Crosspriests and is reportedly ingood condition.The Chilean government’sstatement ends a self-Kleinbard, assistant to the imposed news blackout concerning the arrests Thegovernment cited “twistedaccounts that were divulgedabroad” as justification forpublic comment.Father Whelan is aUniversity alumnus and isstill officially a PhD can¬didateAccording to thestatement, Father Whelan,who became a Chileancitizen in 1972, “is presentlybeing detained for harboringcommon criminals, againstwhom there are court ordersof detention for havingseriously wounded twopolicemen.”Officials of theCongregation expect formalcharges to be filed early nextweekThe statement relates thatWhelan to 2 projection of cost increaseshas indicated that while thelibrary income hasincreased $1 million in fiveyears, $2 million werenecessary to maintain it atthe same level as five yearsago“The rate of inflation hasbeen so high and the rate ofincrease in income haslagged so badly that we’revery short on staff,” henoted He said that thelibrary has lost over 40 staffpositions, and that salary-increases have essentiallyforced further staff sizedecreases.Mr. McElderry noted thatJRL is “very thin on staff inthe public service spots.’’which has caused a majorbacklog in the circulation ofmaterials. While the libraryhas seven circulation points,it can only man one at atime.The budgetary problemhas also hampered the rateof growth of collections Thelibrary has suffered a 44%drop in the rate ofacquisition of monographsas compared to serials, “aserious decline.”Many of these problemswill be eliminated with theinstitution of totalautomation, which shouldoccur within the next yearPresently, the technicalservices divisions, primarily,in materials acquisition,have been fully automatedsince mid-summerThe circulation system iscurrently undergoingautomation and a pilotsystem in the reserve areawill be instituted by springExtension of circulationautomation to the entirelibrary and all branches willbe completed by next fallMr. McElderry alsoaddressed the issue ofalleged overcrowing at JRLand underuse of HarperLibrary He said that thefunction of Harper was “notjust as an undergraduatelibrary but as a generallibrary with a broadrepresentation of the moresignificant books in alldisciplines ” He suggestedthat the reserve book roomRegenstein to 2Regensteinfrom 1might be moved to Harper inorder to achieve a betterbalance between the twounits.Actually, however, thelibrary system accomodatesmany more students than atmost larger institutions. Mr.McElderry said that one-third of the student body canuse the libraries at a giventime, while other collegescan only accommodate ten tofifteen percent of theirstudents. “Overcrowding (atJRL),” he said, “is a resultof a sigificant number ofpeople coming in who haveno intention of studying.”Regarding the abuse ofJRL, Mr. McElderry said.“The fact that there is thiskind of an abuse reflects amisunderstanding of theextent and problems itcreates. Most students wouldnot condone abuse, and ifthey understood the fiscalconsequences and long-termimplications they would beinclined to change theirWhelanfrom 1police located a group ofRevolutionary LeftistMovement (MIR) membersat a small farm outsideSantiago on October 17. Ashootout occurred in which“two policemen wereseriously injured, one of theguerrillas was killed, fourothers were detained, andfour fled.”Subsequently, one of therevolutionaries was givenmedical aid at a convent inSantiago.“As a condition for beinghidden in the Convent ofNotre Dame, the terroristshad to give up the two AKA(Soviet trade mark) sub¬machine guns they werecarrying. These sub-machineguns were aban¬doned in the outskirts of thecapital by Fathers FernandoSalas and Gerald Whelan."The statement continuesthat the injuredrevolutionary and his wifewere subsequently tran¬sported to an unknowndestination by FatherWhelanThe statement confirmsreports that Martin Vasquez.identified as third in com¬mand of the MIR, wasarrested in Father Whelan’shome on November 2. attitudes and behavior. I justcan’t believe that peoplewould willfully destroy abuilding."Among the abuseproblems Mr. McElderrycited were the migration offood and beverages from thecanteen, which has yieldedstains on most of thecarpeting, and the evidenceof smoking throughout thebuilding, particularlyobvious in cigarette burns onmany of the tables.The solutions to theseproblems would entailremoving all the carpetingand replacing it with tile,recovering the tables withplastic surfaces, andreplacing all the upholsteredchairs with units of a moredurable fabric. Thesechanges would result in anoisier and less attractive buUdfrtg/’artdremodeling would be veryhigh.Despite the difficulties,however. Mr. McElderrynoted that staff morale is“generally good as far as Iknow We have been veryfrank with the staff about the(CQLRL) report. The reportgave the impression of beingmore critical of the staffthan we think is fair. Thestaff has been able toevaluate the report and isquite eager to do somethingabout following up on therecommendations.“We have visitors from allover the worid come to seethis building. It has areputation as one of the best-designed academic librariesin the world. But unless weget support on a broad scale,we don't see any hope at all.JACK WCHOKOHONE FUW OVER1HE CUCKOO* NEST/-jmmv\'ii H ‘h vi 1\ III M ; It K \l( Hi ’/.M 1% * l IN/ mu I $Lk lilt l < t Ajhi umiiik ,n.r*ilium kii'iiunnfH.nl IUA7V/ 11 U hi \ jn.1 hi 11 .t >11 M7 ^ /t,nrd-m Ihrmrvrl hi S kj.'l)mum u/\iik /.* k sii/m hi/v,,/u If / / 1/ \// v M/I HU I /* 1 (./. t.' I , trj n Ml Li IS LoKMAhJLRtSTRlCTt 0 —SHOW TIMES— United Artists^squire FRI. & SAT 2 00 4:30. 7:009 30 AND 12 MIDNIGHTSUN.-THURS 2 :00 4 30 7 :00 & 9 30/tozart ~ The brea. j Am in c- runcr ~The Unte&tu cj Chicago Chords £ the,Hude ibrk Chamber firchestraw___Jxnes Ctxck, eoiducierJ&iUe Hulieti y Vhu/ji* Mirixyi : boplineSAlcnzt Creek : ieyter'Cxn£S di, hereto : bxrct&YiC-SUUMV 7 tWIMK &, M5 ~ ~ - 5-2$^sHdNrfL, hall 7 si* w mmsity£fn£jL a^A fi/bo? £kt r Bin rrwrif'mMfW!From Apeto ....- ,Abstraction JtS'\New Titles by Conn pus Authors ^at the University of Chicago BookstoreUNIQUENESS AND DIVERSITY IN HUMAN EVOLUTIONMorphometric Studies of AustralopithecinesCharles OxnardThis study is a groundbreaking effort in the application of the resource ofmodern mathematics to problems in biology. Charles Oxnard uses themethod of multivariate statistical analysis to investigate a specific problemin evolutionary biology: the possible relation of a group of African fossils—the australopithecines—to the anatomy of certain kinds of living primates,including man.1975 144 pages Cloth $15.00CAN ETHICS BE CHRISTIAN?lames M. GustafsonIs there a special relation between religious beliefs and moral behavior? Inparticular, is there a distinctive Christian moral character and how is thismanifested in moral actions? The influential theologian James M.Gustafson probes these questions and offers an analysis of the dis¬tinctively religious reasons of the “heart and mind” which contributeto the basis for a Christian ethics.1975 216 pages Cloth $8.95THE FUTURE OF IMPRISONMENTNorval Morris“Professor Morris’ knowledge and insight into the purpose of criminalsanctions makes his book a leading dissertation on prison conditions andthe operation of our penal system. It is likely to have considerable impactupon the operation of correctional institutions in the immediate future.”— Floyd R. Gibson, American Bar Association JournalStudies in Crime and Justice series1974 xiv, 144 pages Cloth $6.95CONFRONTATION IN CENTRAL EUROPEWeimar Germany and CzechoslovakiaF. Gregory CampbellThe defeat of both Russia and Germany and the dissolution of the HapsburgEmpire in the First Worid War created a rare opportunity for the variousnationalities of Central Europe to live in independent nation-states beyondthe dictates of outside forces. This book deals with two of those nation¬alities—the Germans and the Czechs—and specifically with the diplomaticrelations between the two republics in which they played dominant roles.1975 xvi, 384 pages Cloth $15.00The University of Chicago PressThe University of Chicago BookstoreNEWS BRIEFS CALENDARDr. EscapesVietnamDr Vo Van Le. a refugeefrom Viet Nam, has receiveda postdoctoral fellowshipfrom the Chicago LungAssociation, and has joinedthe staff of RespiratoryMedicine at the University.Dr. Le, formerly of theNational TuberculosisHospital in Saigon, ispreparing to take hismedical examinations toqualify to practice medicinein the United States.Dr. William Lester of theUC calls him “among theworld’s most experiencedspecialists in tuberculosis.”Dr. Le was born in Saigonand attended the Lycee St.Charles in Marseille,France. He received his MDfrom the Faculty ofMedicine, Marseille. From1964 to 1967, Dr. Le served asmedical staff director at theNational Tuberculosis Hospital, Saigon, and thenwas associated with amilitary tuberculosishospital near Saigon.As Saigon appeared aboutto fall, friends of Dr. Le inthe US Embassy in Saigonhelped him and his familyleave Vietnam by militaryplane on April 25 and arrivedat Camp Pendelton,California, via the Philip¬pines and Guam.UC FootballOn TV“Two on 2” a WBBM-TVnews/ features program willfeature a report on theUniversity’s “low-pressure”approach to intercollegiatefootball Sunday, November23, at 10:30 pm on Channel 2.Filmed at the Loras game,it will include interviewswith the players, the coachesand the “Voice of theMaroons.” The pep talk and the locker room scene alonemake it worth a half hourstudy breakFigaroTonightThe University ExtensionDivision will present aspecial performance ofMozart’s Marriage ofFigaro, today at Mandel Hallat 8 pm.As a result of the raveresponse to last spring’sproduction, the fledglingChicago Opera Studio (COS)will do it again.In just two seasons’ theCOS has established itself asa valuable part of Chicago’sopera scene.The group is a youngcompany of young peoplededicated to providingChicago-based artists achance to perform inprofessionally mounted full-length operas and provideaudiences with a chance toHISTORY 140-60% DiTitles Including: I00KSiscountAncient EuropeanMedieval IndianModern AsianAmerican Japanese Southeast AsianAfricanLatin AmericanChineseHistories ofReligionArtMusicLiteratureScienceAll of these subjects in all modern European languages in¬cluding English, French, German, Spanish, Italian, Slovic.POWELL'S1020 S. Wabash 3414)7488th Floor9-5 Mon.-Sat.We are still buying books at our1501 E. 57th Street StoreU.C. Theatre presents hear standard repertory andnon-standard repertory witha new look at reasonableprices.Tickets are $6 for generaladmission, $5 for faculty andstaff and $3 for students.New Alumni FRIDAYFOLKDANCING All levels, teachingfor one hour, 7:30 pm, Ida NoyesHILLEL HOUSE: Shabbat Worshipservices, Orthodox at 4:05 pm andCreative at 7 30 pm, Adat Shalomdinner, 6 00 pm , Byron Gold speaks on"Federal Social Policy and the JewishCommunity" at 8 30 pm, freeGEOPHYSICS: Lloyd J ShapirooftheNational Hurricane Center speaks on"The Evolution of Tropical Waves inthe Atlantic" at 3 30 pm, Hinds Lab,AssociationPresidentThe UC AlumniAssociation Cabinet haselected a new president, Mr.Charles W. Boand, a partnerin the Chicago Law firm ofWilson and Mcllvatne.Mr Boand earned his lawdegree at the University in1933 and his master’s inbusiness administration in1957 and was a former 5734 Ellis Av.SHERRY HOUR Brent House, 5540Woodlawn, 4 30 to 6 00 pmDISCUSSION: "Are the Benefits ofNuclear Energy Worth the Risks?" atCrossroads Center, 7 30 9 00 pmLIBERTARIANS: Sponsor a lectugeby Richard Epstein, Law Professor,on "Duty in Laissez faire Society" at8 00 pm, Burton Judson LoungeKUNDALINI YOGA From noon to1 00 pm, Blue Gargoyle Call 288 2235for informationCOMPUTER CLUB Meeting at 7 00pm in North Reynolds Club LoungeLANCELOT DU LAC: Bresson'sabsurd version of the King Arthurlegend picks up where the MontyPython crew left off, at 7:15 and 9 30pm, Cobb, SI 00UNIV. OF CHICAGO THEATREPresents "Who's Afraid of VirginiaWoolf?" at 8 00 pm, Reynolds ClubTheatre Call 753 3581 for reservationspresident of the UC LawSchool Alumni Association.The Cabinet, composed ofabout 100 persons, is thegoverning body of theUniversity’s alumniassociation SATURDAYDINNER SI 50 a plate at CrossroadsStudent Center, 5621 Blackstone, 6 00pm Students welcome.KI-AIKIDO Practice meditation andaction with the U S Ki Aikido Club,3:00 to 4:00 pm, Bartlett GymHILLEL HOUSE: Shabbat WorshipServices, Yavneh 9 15 am, UpstairsNEWHYDE PARK THEATREJf THE ******presents*********** Dustin Hoffmanat his finest inLENNYandMarlon BrandoinLASTTANG0 INPARISKids Show MatineeSaturday at 1 P.M.PERILS OFLAUREL AND HARDYTake advantage ofU.C. STUDENT AND STAFFDISCOUNTSSI Mon.-Thurs. eves, Sat. 1-6$1.50 Fri., Sat., Sun. ******************5***WHO’S AFRAID OF VIRGINIA WOOLF?Fri., Sat., Sun, thru Dec. 7 *2.50, ‘1.50 Students Minyan, 9 30 amSANCTUARY Presents the RoseshipString Band in the Gargoyle, 5655University Ave along with theEuphoria Blimpworks MemorialBand Call 324 6143 tor time and info.CHINATOWN: 6 30 . 9 00 and 11:15 inCobb Hall, $1 00UNIV ORCHESTRA CONCERT:Prokofiev, Romeo & Juliet, Mozart,Paris Symphony, Liszt, Les Preludes8 30 pm, freeU.C THEATRE Presents "Who'SAfraid of Virginia Woolf?" at 8 00 pm,Reynolds Club Theatre Call 753 3581for reservationsCONFERENCE AGAINST RACISMPanel discussion on busing at 1 00 pm,workshops at 3 00 pm on "TheMarquette Park Situation," "TheDelbert Tibbs Case" and "TheHampton Family Suit.” Call theStudent Coalition Against Racism at643 1104 for infoREYNOLDS CLUB Open on Saturdayfrom 1 00 to 5 00 pm Come play pooland football.SUNDAYFOLKDANCING General Level,teaching for 11/ 2 hours, 8 00 pm, IdaNoyes. S 50BRIDGE Beginner class, 2 00 pm,Duplicate, 3 00 pm, CrossroadsStudent Center, 5621 BlackstoneHILLEL HOUSE Lex and BagelBrunch, 11 00 am, SI .75; JewishWomen's Group, 7:30 pmUNIV OF CHICAGO THEATRE:Presents "Who's Afraid of VirginiaWoolf?" at Reynolds Club Theatre at8 00 pm Call 753 3581 for reservationsDISCUSSION AND FILM: "TheConcerns of the United FarmWorkers" 7 30 to 9 00 pm, CrossroadsCenter.DUCK SOUP Marx Brothers, 7.30and 9:15 pm in Cobb Hall, SI 00CHANGES The Felt Sense Key toUnderstanding and Personal Change"at 7 00 pm, Blue GargoyleBRENT HOUSE UndergroundChurch, 5:00 pm. Fellowship Supper(SI 251 at 6 00 pm, Armita Boswellspeaks on "Sexism and Public Policy"at 7 00 pmBAHA'I FAITH Informal firesidediscussion "The Reality of Man" at3 00 pm, East Lounge, Ida NoyesROCKEFELLER CHAPEL Seminaron Mahatma Gandhi, 9 45 am,Religious Service with E SpencerParsons a* 11 00 am, Psalm Sing ofEarly Americana at 4 00 pmMONDAYCHESS U S Chess Club. 7 00 pm, IdaNoyes, everyone welcomeHILLEL HOUSE Beginners Yiddish,7 00 pm, Begmners ConversationalHebrew, 8 30 pm Advanced Readingin Yiddish, 8 30 pmKARATE: U.C Karate Club meets inIda Noyes, 6 30 pm 8 30 pmCHEMISTRY SEMINAR Prof JohnC Light of the U of C at 4 00 pm, Kent103REVIEW OF THE ARTS: "My ThreeArgels" currently at Drury LaneNorth will be discussed by RebeccaWest On WHPK 88 3 FM at 8 00 amand pmMORE HILLEL Abraham BYehoshoa, Israeli author, speaks on"The Holocaust Burden orChallenge’" at 8 00 pm, freeBADMINTON O r g a n i za t iona Imeeting tor undergraduate women'sBadminton Club, 5 30 pm, Rm 203,Ida Noyes STUDENT GOVASSEMBLY MEETING At 7 00 pm,Quantrel! Auditorium, Cobb Hall.LECTURE Avraham B Yehoshua,The Robert s Fitter Memorial IsraeliArtist lectures on "Modern IsraeliWriters Problems of Writing andIdentity" at 4 00 pm, Harper 284WORKSHOP "The Weird World ofInternational Money" sponsored bythe Union for Radical PoliticalEconomics, 7 30 pm, Ida Noyes, 3rd fl.CONTINUING EVENTSLIBRARY EXHIBITS: The Helen anoRuth Regenstein Collection of RareBooks, an exhibition of works ofHawthorne, Poe, Donne, Swift,Dickens, Trollope, Lawrence andJoyce among others Through March1In Celebration of Boccaccio, an exhibitof books and manuscripts and selectedprints from the Speculum RomanaeMagnificentae in the Dept of SpecialCollections, Mon Fri., 8 30 to 5 00,Sat , 9 00 to 1:00, through Dec 3MIDWAY STUDIOS Welcomes itsnew director, Tom Mapp and hisexhibit of photographs Exhibitionopen thru Dec 13, 9 00 am to 5:00 pm,6016 S InglesideLimited SeatingCall753-3581 forReservationsFriday, November 21, 1975 - The Chicago Maroon-3EDITORIALSThe Whelan QuestionAn aiumnus of this University faces the possibilityof execution for humanitarian, though politicallyunpopular, actions.Father Gerald Whelan is currently imprisoned inChile for apparently no reason other than lendingmedical assistance to wounded people. There is noexplicit allegation that any of Father Whelan's actionswere politically motivated. No formal charges havebeen levelled against him. yet he has been held in¬communicado in solitary confinement. Father Whelanhas been denied all the procedural niceties we havecome to take for granted in the American system ofjurisprudence.As humans, we should be concerned with whathappens to Father Whelan; he has undergonesuffering for attempting to alleviate suffering amongothers. As academics, we should be concerned withthe term of legal procedure and the ramifications ofthat form. In any case, each of us has a common stakein the fate of Father Whelan.Both the Embassy of Chile, and the United StatesState Department, have taken official note of anumber of cables and letters which have already beenreceived, urging just treatment for Father Whelan.We urge that your voices be added to the chorus. Theaddress of the Chilean Embassy is 1732 MassachusettsAvenue. Northwest, Washington, D.C. 20036.EDITORIAL STAFF:Editor Gage Andrew?Hews editor John VailManaging editor Peter CohnAssociate editorsChip Forrester Sally PetersonKurt HansonMaria Crawford ScottMike Jones Jan RhodesFrank Fo* Ellen ClementsDavid Axelrod David ReiserContributing editorsLisa Vogel David Blum BUSINESS STAFF:Manager Mike KlingensmithAd Sales B G YovoviChAssistant Karol KennedyStaffDavid Kuperstock, JohnMilkovich, Tom Meigs, LandyCarien, David Horowitz, DanWise, Deborah Harrold. JeanTobm. Jim Kaplar,, David Reiser,Bob Zivin, Gwen Cates. PeterEng, Martha Conger, JohnDocherty, Chock Schilke, MaryMarfise, Mike SherbergThe CHICAGO MAROON is theStudent run newspaper serving theUniversity of Chicago and HydePark The PUBLICATIONSCHEDULE is twice weekly, onTuesdays and Fr:days, during theregular academic yearOpinions expressed in the ChicagoMaroon are not necessarily those ofthe University of Chicago students,faculty or administration.EDITOR IALS state the pohey Of thepaper, and unless otnerwise notedrepresent the positions of theeditors All dessenting opinion —LETTERS, COMMENTARY, andGADFLIES— must be submitted tothe paper no later than two daysprior to the next issue, and must besigned The Maroon reserves the right to edit all submissions forpublication.CORRECTIONS may be broughtto the attention of the editors bywriting care of the Maroon office, orby calling the news office Allcorrections will appear in thesoonest issue after the error isbrought to lightThe OFFICES of the ChicagoMaroon are located at 1212 E 59thSt., Chicago, Illinois 60637. SUBSCRIPTIONS cover the threeregular academic quarters, and areS9 for the year, payable in advanceTELEPHONES of the ChicagoMaroon are. editorial office, 7533264 business office, 753 3266The OFFICE HOURS of the paper jare 8 30 1 and 1:30 4 30 weekedaysAllard To Leave UCBy Tom MeigsJean Allard, VicePresident for Business andFinance at the University, isleaving effective January lto accept a position with theChicago law firm ofSonnenschein Carlin Nath &Rosenthal.Ms Allard came to theUniversity to assume thebusiness managementfunction in May 1972 at thesuggestion of then-PresidentEdward Levi. Previous tothat she had practicedbusiness and corporate law.“I have always kept inmind that I enjoy thepractice of law. When anoffer was made to return topractice, because of mycontinuing and keen interestin law 1 decided to accept it,”Ms. Allard said.Ms. Allard's position will be tilled by William Cannon.Dean ot the Lyndon B.Johnson Schooi of PublicAffairs at the University ofTexas. From 1968 to 1974 Mr.Cannon was Vice Presidentfor Programs and Projectsat the University of Chicago.Looking over her threeyears in the University'sbusiness office. Ms. Allardsaid. “My time here hastaught me a lot aboutbusiness managementfunctions. The University isvery well managed.‘Tm going to misstremendously a lot of the funthings and the enterprisesI’ve been involved with,people saying, ‘I know yourname ‘cause you sign thechecks. And I'm going tojust miss seeing all thestudents around.”4-The Chicago Maroon - Fridpy, November 21, 1975(■ iurtiM. . rDor'T. cVV f i ycbiii LETTERSEditor:It is with great sadnessthat I see the United Nationsequating Zionism andracism. This has been one ofthe worst of the examples ofmoral bankruptcy andantisemitism that that worldbody has shown in recentyears. It is because of thisassociation of Zionism andracism that I wish to expandupon what Zionism is, itsorigins, and its historicalimpact and meaning Thesimplest definition ofZionism is the advocacy of aJewish national home, whereJews have sanctuary, selfdetermination and therenascence of theirei\ ilization and culture. Inactuality, Zionism was arevolutionary movement, amovement of nationalliberation against racist,exciusivist and reactionarypolicies and regimes.The latter part of thenineteenth century, whenpolitical Zionism began togrow was hardly a period ofnational aspiration. Thesubordination of scores ofethnic groups was taken forfor granted under theAustro-Hungarian Empireand Czarist Russia. Who inthat period advocatedindependent statehood forthe African nations orindeed, Syria. Lebanon orJordan?A less likely candidate forself-determination was theJewish people, dispersed onall continents, beset byprograms, lacking linguistic-culture homogeneity or asocial infrastructure. But theJews had cultural ties whichwent far beyond theirreligious faith. Jewishsolidarity was an historicaland cultural heritage,resultant from centuries ofpersecution.In the half century between the 1st ZionistCongress in Basel, and thedeclaration of Israel as anindependent state,incalcuable imagination andenergy was invested increating a national socialcontext for the JewishHomeland. The earlypioneers came from all overthe world, many giving uppersonal security and socialstanding to create a nationalentity, to build towns,villages and farms amidswamps and deserts, torevive the Hebrewlanguarge and overcomeinnumerable physical andpolitical difficulties. Theydid not come as colonizersfrom an imperial nation,exploiting the indigentpopulation. They came asworkers and farmers. Theyoitered their muscle on thelabor market. They did notform an imported makeshiftaristocracy but a socialfoundation. They shared inall strata of work and societyand eventually led the armedstruggle against theoccupying British power.Among Zionist ideologiesthere was always apreponderance ofprogressive forces whichundertook the task ofchanging Jewish socialstructure by basing it on astrong proletariat andfarmer foundation, bestillustrated by the Kibbutzim.Thus, the State of Israel isthe product of the earliest ofthe national liberationmovements. Its successorscannot be justified without itbeing justified. If Jews, theoldest of all the persecutedpeoples have no right toemancipation then no otherpersecuted peoples have noright to emancipation thenno group has that right. Infact, the triumph of idealisticconviction and determination representedby the creation of the State ofIsrael served as aninspiration to may peoples ofAsia and Africa that wontheir independence later.The right to selfdetermination is a basichuman right and in our eramany peoples and races,once considered inferior andunqualified for self-rule havebecome independent. In thestruggle for both human -national freedoms, theZionists have been amongthe foremost pioneers. Thedenial of Zionism is thus adenial to the Jew to be a partof a nation, to derive culturaland psychologicalgratification as well as thesense and reality of securityfrom that nation, which noone would today deny a non-Jew. To put Zionism on trialis not only to put the merit ofa particular nationhood ontrial, but individual man’sright to be a part of a nation.On Israel s borders todaythere are hundreds ofthousands of Arab refugeesand it is charged by somethat this situaltion resulteddirectly from the success ofZionism as the Jewishnational liberationmovement. This view,however, is oblivious to thenature of the strugglebetween the Arab andJewish national movements.While the overwhelmingmajority of Zionistenvisaged Arab-Jewishcoexistence, Arabnationalism in Palastine wasand is entirely exclusive. Fordecades the Zionistleadership soughtaccomodation andcompromise based on therecognition of both Arab andJewish rights to Palestine, inthe form of various partitionplans, schemes for abinational state or afederation of slates. TheArab nationalists rejectedall such solutions with theinsistence on their exclusiverights to Palestine and theremoval of its Jewishsociety. It is this Arabextremism that is responsible for the perpetualconflict.Whatever the passingexpediences of internationalcoalition politics andhowever absurd thedistortions begotten bythem, in the history of thenational liberationmobements Zionism willoccupy a place of honor. Itwas among the first of themand it remains an inspiringinternational example evenfor some newer nationsl thatfind it economicallyexpedient to manifest theirsolidarity with Israel’senemies. Seotl FieldsDear Editor:The Illinois statelegislature voted onNovember 19 to severelyrestrict the right of women toabortion on demand. TheHouse and the Senatedecided to overrideGovernor Walker's veto ofHB 1851. a bill requiring thehusband’s or parents’consent before the doctorperforms an abortion. Thebill also contains otherprovisions designed to makeit more diffieult for womento terminate unwantedpregnancies.Clearly, the new Illinoislaw is unconstitutional.Similar restrictions havebeen struck down by theCourts in a dozen statesalready. The law will causeconfusion and hardship forwomen and doctors andhospitals until is it repealedWe urge all concernedmembers of the Universitycommunity to write theirstale senators andrepresentatives, urgingthem to reconsider theirabridgement of the con¬stitutional rights of half theirconstituents. (Addressletters to the State OfficeBuilding/ Springfield. 111.62706.) Sincerely.Janet Ruth HellerGhislane GriswoldCarole Toy HallOiga PelenskySusan StarrJanet TumaUC Joins Midwest ConferenceThe University of Chicagohas announced itsmembership in the MidwestAthletic Conference, tobecome effective next fall ona two-year trial basis.The Conference includesten Midwestern colleges ofhigh academic caliber,including Coe. Grinnell, andCornell in Iowa; LakeForest, Monmouth, andKnox in Illinois; Beloit,Ripon, and Lawrence inWisconsin; and Carieton inMinnesota. Chicago is to bean associate member of theConference beginning in theautumn of 1976 andcontinuing through the 1977-78 school year.The University’smembership marks its firstconference affiliation sincedropping out of the Big TenAthletic Conference in 1946.The University had been afounding member of the BigTen in 18%, dominating theConference in the early partof this century. TheMaroons’ power reached aii frit bnf, f.Yw'lZ'.o zenith in 1924 when Chicagowon or shared conferencetitles in five varsity sports,including football andbasketball.Athletics were d e -emphasized at Chicagoduring the thirties as theUniversity refused toincrease enrollment orrecruit varsity athletes toremain competitive with therest of the Big Ten. Footballwas dropped as anintercollegiate sport in 1939and the University finallywithdrew from Big Tenvarsity athletics in 1946 afterlimited participation duringthe war yearsThe official announcementof Chicago's admission to theMidwest C o n f e r e n c efollowed a three day meetingat Coe College in Iowa City,Iowa, this past weekend.Walter Hass. Director ofAthletics at the University,said of the announcement,“We are proud to beassociated with the MidwestConference. We believe ourviews of liberal artseducation and athleticparticipation are consistentaev/tsd njitjrit’ib ie?U; f, with those of the Conferenceschools.”Mr Hass went on toexplain the league set-up fornext year’s va r s i t ycompetition. With theaddition of the Maroonsbringing Conferencemembership to eleven, theleague will be divided intoFast and West divisions forfootball and basketball.Chicago will be joined in theEast by Lawrence, Ripon,Beloit, and Lake Forest.These teams will play eachother once in .’ootball andtwice in basketball with thedivision titlists meeting thewinners of the V’est Divisionin championship play-offs.The alignment for soccercalls for Carieton to join theEast Division teams to forma North Division with theNorth champion meeting thevictor of the five team SouthDivision for t le MidwestConference championship.The baseball teams will playschools within their ownstate to determine statetitles worth cnampionshipplay-off berths. The tennis,golf, wrestling, swimming,♦ ?';<<*oo O i l/. !t iLI. tiuf cross-country, and trackteams are required only toparticipate in the MidwestConference Tournamenttoward the ends of theirseasons, although dualmeets between Conferencerivals may also be scheduledduring the regular season.Mr. Hass pointed out thatin addition to theirconference obligations allChicago teams will be able tomaintain limitedindependent schedulesagainst established rivalsoutside the MidwestConference. Gymnastics andfencing, the University’s tworemaining varsity sports,will not be affected bymembership in theConference. The Conferencedoes not sponsor competitionin either event.“Were looking for eachsport to have a basicschedule regardless ofwhether we have a good or amediocre team.” Mr. Hassexplained. “Playing for achampionship gives thegames more meaning for ourkids "■{'ifr) *. ir •»i i 'M .-. i >The Chicago Maroon's Weekly Magaiine of Criticism and the ArtsJimmy Cliff: InnovativeMusician, Cult HeroBy Gwendolen CatesQuickly rythmic, funky, moving andhappily uplifting—with a powerful spiritderived from Jamaican spiritual andpolitical overtones...that is reggae music ina nutshell. It sways you, enlightens you, andpicks you up. Reggae is full of soul andemotion that, like its consistent urgentcadence which actually moves your body,endears you... your gut reaction moves, likeyour body, involuntarily. The music itself ispredictable in terms of its persistent andintoxicating beat, but the mood can be lightand happy or heavy and somber. I havementioned the purely musical outline; theideas and goals behind the music are just asimportant, and equally effective. There is astruggle inherent in reggae, that of theJamaican, in both a political and religioussense This music parallels the frenetic,dose, tense atmosphere of the jamaicanghetto, no* only n incessant and visualbeat The mood and ’he iyrics so offer, : eflecithe oppression and suffocating atmosphereof life in the ghetto. A sense of anxiousdesperation is prctrayed, optimistically andpoignantly reinforced by a sincerephilosophy of love and brotherhood.Example; Jimmy Cliff's song "WonderfulWorld, Beautiful People"... Bob Dylancalled Clift's single, "Vietnam," the bestprotect song e er writtenJimmy Clift is not only an important,talented and innovative musician—he is acult tigure. in fact, at the packed concert atthe Quiet Knight two weeks ago he wasintroduced as "the star of the longestrunning cult film in America." This film,The Harder They Come, has become anaddiction for many, especially in Boston,where it has played non-stop for al¬most five years. Yet the same film hasbeen banned in its home country, Jamaica,for fear that it might inspire violence. TheHarder They Come is the story of Ivan(played by Jimmy Cliff), a country boy-arriving wet-behind the-ears in the big badghetto of Kingston. Ivan adjusts reasonablyto the trials and tribulations of ghetto life,gets very high very often, and wants to be amusician. Jimmy Cliff replays through thecharacter Ivan the actual initial incident ofhis musical career—Cliff was offered 12cents for his first recording efforts in aJamaican recording studio. The end ofIvan's story is very different from that ofCliff's: Ivan is overcome by oppression, Jimmy Cliff is now a star.The man and the movie are unusual andimportant. The movie is simple and honestin its statement; whereby the politicaltension. This political theme of oppression,racial and religious bigotry, and hardsuffering is a universal one in many ways; itis tangible. The Harder They Come workdbecause it is so clear and human, sotangible...that is why it has been banned inJamaica. Jimmy Cliff has come torepresent two of the elements of the filmitself in a significant way. His is theconstant and essential background music, he is the character to whom the audienceintellectually and emotionally responds.Cliff actually symbolizes certain conflicts. Idwell on this movie because it has madeJimmy Cliff a cult hero, and for validreasons it has increased his popularity andimportance.It is interesting that Cliff is not a member,as is Bob Martey, for example, of theRastaforian religious sect which hasenveloped Jamaica. This sect beiieves thatHaile Selassie is its God and that itsJamaican members are displaced Jews whobelong in Ethiopia. Smoking ganja, extremely potent Jamaican weed, is a partof their beliefs, and they are noticeablebecause of their fuliy braided hair. Thesebeliefs are controversial simply becausethey are extremely unusual. Cliff seems toadhere to certain elements of the beliefs—itscode of brotherhood, ganja, and hiskeyboard man appeared to be a member ofthe sect.Live on stage, Jimmy Cliff does notdisappoint. The man has a charisma that isunusual in the sincerity of its quality. He isunpretensious, open in terms of reacting toand with varying emotions of his versatilemusic. There is truly a gentleness thatradiates about him. His voice is clear andsoft, fine and strong. He has a magneticcharisma yet a thoroughly protective auraThis protecti/eness is understandable interms of the controversial nature ofreggae—being a reggae musician is not aneasy road I spoke with Cliff's lawyer, whocites various examples of how he has oeentaken advantage of, and oppressedThe band itself is very good. As a whole,their instruments, voices, and bodiessynchronize into the steady, moving reggaebeat. The/ call each other "brother." Cutsfrom the movie soundtrack wereenthusiastically received and I got thefeeling that many people were singing alongunder their brea+h.The show was consistently top quality,mesmerizing in the comfort exuded by nofault music. Jimmy Cliff is not Bob Martey,he is not Toots and the Maytals. The lattertwo reggae groups are his competitiveDeers, but they are different, more forceful.Their underlying tone is more deeplypolitical ana religious—and their musicshows it. There is some of Harry Balafonteevident in Jimmy Cliff—the gentle, carefullyrics ana melodies. Cliff started his careeridolizing Fats Domino. Sam Cooke, LittleRichard, he was msDired by the NewOrleans soul. His own songs nave beencovered by a wide array or pod artistsranging from Harry Niisson to BrownsvilleSfafion, from Johnny Rivers to Three DogNight and Cher (Reggae is actually aboutten years old.)The phenomenon of the cult is what makesJimmy Cliff so intriguing. His music isunquestionably of substantial quality, asconsistent and moving as the reggae beat.By the way, his fourth album, just relaesed,is called Follow My Mind.Listening To and Appreciating the CompetitionBy Janet FoxJudging by the applause which greetedZubin Mehta and the Los AngelesPhilharmonic on Sunday afternoon, theaudience at the Auditorium Theatre wasexpecting a good concert. It received considerably better than that. There wasnothing unusual about the choice ofprogram: Haydn's Symphony No. 22 ("ThePhilosopher"), five pieces from Prokofieff'sballet Romeo and Juliet, and Brahms'second symphony. However, the concert gofoff to a solid start and improved as it wentalong.The Haydn symphony was played withappropriately reduced forces and harpsichord continuo. Mehta's choices of tempiwere not innovative, but were generallysuitable; he managed the difficult task ofholding back the orchestra throughout thelengthy Adagio first movement, but hisinterpretation of presto did border on thefrenetic. The sound from the strings couldhave been crisper, with less vibrato.The excerpts from Romeo and Juliet were chosen from both of the suites whichProkofieff took from the completeballet; "The Montagues and the Capulets,""Balcony Scene," "Dance of the AntilleanMaidens," "Romeo and Juliet's Tomb," and"Death of Tybalt." Here the orchestrademonstrated its versatility, producinglong, flowing, sensuous melodic lines in the"Balcony Scene" in stark contrast to theharsh angularity of "The Montagues and theCapulets," and excellent solos from theviolin and woodwind sections in the graceful"Dance of the Antillean Maidens." Theperformance of the last excerpt, "Death ofTybalt," was notable for the precisionensemble playing; the attacks on the heavysforzando chords were clean, and the violinsnegotiated extended passages of sixteenthnote runs and arpeggios in perfectcoordinationBrahms' second symphony had obviouslybeen prepared carefully and with greatattention to detail, particularly in regard tophrasing and rhythmic accuracy. It waspossible to hear a clear distinction between passages marked legato in the score andthose marked staccato, dotted eighth-andsixteenth figures were distinguishable fromtriplet quarter note eighth-note patterns, afine point which is often muddled by a largeensemble. Mehta did take some libertieswith the tempi and seems to have the habitof introducing a slight ritard immediatelybefore the restatement of a principal themea* any point within a movement, but this isnot so pronounced as to detract from theoverall impact The last movement was thearchetypal rousing finale, beginning at abrisk enough pace and building uptremendous momentum toward the end Thefinal section was played so fast that it didnot seem possible that the ensemble couldhang together in a coordinated fashion, butit did, and the audience broke into applauseand cheers before the last measure wasfinished.The single encore was an unusuallyambitious selection, the first movement ofMahler's fifth symphony. This was anaudacious choice, considering what theorchestra, and the brass in particular, had just gone through in the Brahms work. Noapologies were necessary, however, for theorchestra gave a first-rate rendition. In acity so engrossed with its own orchestra, itwas refreshing to hear from sone of thecompetition.An acoustical postscr ipt Sunday'sconcert was the first occasion in nearly fiftyyears for which the Auditorium Theatre'sfull proscenium opening has been used,thanks to the renovation of the hydrauliclifts which allow the side tormentors to beraised The stage now sports a newacoustical shell designed to make best use ofthe hall's already excellent acoustics.However, the Los Angeles Philharmonicsounded bottom and brass heavy. Since theorchestra does not have an abnormallylarge complement of lower range and brassinstruments, it may be that the acousticalshell needs some tuning so that the higherinstruments, especially violins, are notoverwhelmed Be that as it may, therenovation of the hall to accommodatevisiting orchestras and other large ense'mbtes is'most welcomeFriday, November 21. 1975 - The Chicago Maroon-5n • mvV*?J By Mike SingerWho -s Afraid ot Virginia Wot*’ , ng/atthe Reynolds Club Theatre on weekendsthrough December 7, is Edward Albee's"■■ - ■ ■ • - -V knownplay This isn't necessarily saying much. Alarge portion of Virginia Wolf, particularlythe marital batles, is derived from Strind-berg's Tht Danct of Death The all mgh+dr "c tv * a ■ no n C Neill's LongDays journey u-?c Night. The play lacks awell-crafted dramatic structure, and muchof the material seems extraneous andvague v e" even A'Dee " a r- done *oct»rrCA n g anc ’ict eni ugn craM og. ms playhas received enough critical interpretationto prevent it from being easily dismissed.On the one hand, the play has been in¬terpreted as a metaphor for the decline ofthe West. This grandiose perception is basedon the play's setting (New Carthage), on theintellectual failures of George, who issupposedly a symbol of the American in¬tellectual, on the inability of the charactersto propagate the species (neither Marthaand George nor Honey and Nick can havechildren, and .Nick prophesizes thatchromosonal alteration and controlledbreeding will be the biological wave of thefuture), and on the names of Martha andGeorge, the play's protagonists. Like theWashingtons, Martha and George arechildless But unlike George, who couldn'ttell at lie, Martha and George chop downcherry trees left and right without giving adamn. Martha and George invent lies. Theselies become illusions and the substance oftheir ilves.. Nick says to Martha, "I don'tknow whether you're lying or not." Marthaquickly retorts, "You're not supposed to."Indeed, the American ideal of truth hasfallen down a steep staircase in this play.In contrast to this overblown interpretation, the play has also beendismissed as little more than a parody onhomosexual relations. According to thisaf§omant, the inability of the characters tohave children prove that they're realty allmales Their frustration and lack of communicatkm supposedly stem from their .truly homosexual nature. Critics who interpret the play in this light feel that Albeeintended an all-male cast to perform theplay. Albee has personally denied any suchintentions.Neither of these interpretations is based 'Wolf' is Noton a thorough consideration of the play as awhole, yet both show to what extremesVirginia Wolf is capable of provokingcritical reaction. The intensity of the play'sactions, coupled with its multi levelpossibilities of thematic interpretation,make Virginia Wolf a compelling drama.The play should be seen at least to see whatthe stir is about.The action of the play occurs early in themorning, over a three hour span of time.George, a middle age history professor, andMartha, his boisterous, dominating wife,return home from a faculty reception hostedby Martha's father, president of the localcollege. Although it is 2 a.m., Martha hasinvited two new members of the collegecommunity to her home. Nick, a goodlooking biologist, and his wife Honey, aplain, provincial girl, arrive at Martha'sand George's house for drinks. During thecourse of the early morning, Nick andHoney become victims of and participantsin the cruel games which Martha andGeorge play. These games have variousnames, such as "Humiliate the Host,""Get the Guests," "Hump the Hostess," and"Bringing Up Baby.""Bringing up Baby" is the most crucialgame in the play, and is vital to an un¬derstanding of Martha's and George'sbehavior. Martha could never have anychildren. She, along with George,, inventedtheir son. Their son is an agreed illusion. Ifhe is revealed to others, then he can nolonger exist.Martha violates this rule by mentioningher invented son to Honey. George, learntog of this fact, and seeking revenge forthe hum illation he has received fromMartha, announces that their son is deadMartha, devoid of the lie she lives under,protests furiously. "No, No, he is not dead,"She says. "You cannot. You may not decidethese things. You can't kill him." Georgeproceeds with the ritual enactment of killingtheir son, reciting the Latin lines of anexorcism, •Once the lie of the son is exorcised, Geor ge and Martha are faced with reality andthemselves. George sings to Martha,"Who's Afraid of Virginia Wolf?" Marthareplies, "I am, George." Virginia Wolf knewreality all too well; she killed herselfbecause of it. Martha is afraid of the con¬sequences of facing reality; she wants toremain divorced from life by living underillusions.George and Martha, then, relate to eachother with illusions; they feed each otherlies instead of love. Their inability to relateto one another on a human level forces theircommunication to assume the form ofgames with rules. These games are un¬derscored with verbal insult and physicalabuse. The world which George and Marthainhabit, like the world of Beckett'scharacters, is filled with despair, emp¬tiness, and sterility.The tension created between the fourcharacters on stage, a product of the verbalmurders and physical insults they inflict oneach other, can create an electric tensionwhich is both absorbing and shocking. Tocreate and sustain this tension, a productionrequires the finest actors available. Theactors are on stage for three hours, and littleof this time is spent in passive conversation.If one player is weak in the cast, then thetension so vital to the play's intensity isseriously dissipated. The film version ofVirginia Wolf was as successful as it wasbecause its actors were skilled enough todeliver performances which never falteredin sustaining this intensity. Since few actorscan rival the histrionics of Burton, Taylor,Dennis, and Segal, most productions ofVirginia Wolf seem rather pale whencompared to the definitive film version.Director Jenkins has managed toassemble & fairly strong cast, yet the tension of the play rarely culminates inproducing the electric shock waves itshould. Primarily, the tension of the playIsn't preserved because of a misinterpretation of George's character. FredWelitsch as George is obviously too youngfor the role, as is Lee Brazen m Martha, But whereas Ms. Brazen, despite her age!delivers a viable interpret r r of MarthaMr. Wellisch doesn't do the same forGeorge.George is obviously a weak male, one whohas long borne the torturous pangs ofhumiliation from his domineering wife.Although he is little more than a child, hischildish nature is fairly well-hidden by hisintellectual pretenses. He observes thehistory of the world in order to avoid facinghis own.George's vacillation in character is aproduct of his intellectually-absorbed mind,his love-hate relationship with his wife, andhis sexual impotence. His humor is bitingand wry, a product of his suffering and oneof the few defense mechanisms he has.Because his humor is a product of suffering,it is more black and vicious than childishand farcical.George can, when provoked far enough,rise above his biting, malicious bumor toattack Martha in other ways. His ability tofight Martha is shown by his aggressive actof killing their invented son. So, during theprocess of the play, George is provokedenough to rise from his intellectual slumberand childish passivity to demonstrate bothto himself and Martha that he has someaggressive behavior patterns.If George isn't portrayed as a sufferingmale, prepared to fight, but merely as achild who jokes, than the tension so vitalbetween Martha and George isn't realized.Such is the case in this production.Mr. Wellisch, tilled with a glitter in hiseyes, seems childishly good-humored andamicable through most of the play. Early inthe play, George says to Martha, "Justleave the kid out of this." Mr. Wellischrat ties-off this important line in a conversational tone of voice, not in the intenselyominous manner which could lead one tobelieve that he's prepared to fight Martha tothe bone if she should menfion the kid. Whenhe prepares his final revenge on Martha inthe last act of the play, Weilisch seems filledmore with the biting hatred his roledemands. Yet, because his childishamicability is so wrongly apparent duringmost of the play, his final revenge lackscredibility.Because Mr. Welitsch's performancelacks the hostility the role demands, most of(continued on page 8)KAFFENIO RESTAURANTPhone 643-2240 7-11 Every Day 1550 east 55 streetgood food at reasonable pricesGYROS $1.50 -— SOUVL AKI $3.00— GREEK STYLE BURGERS $145GREEK SALADS $1.30 GREEK PASTRIES $ .60 AND MORETri"!® OtiiofiMBto Opera. Studio otjut ction ofBlarriagr ©f JFfgarnOpera byMozart(sung in English)Tickets: Mandel Hall57th i UniversityU. OF C.EXTENSIONDIVISIONStudent: S3 30Faculty i Staff $5.00ATTHfREYNOLDSGenera; S6.0Cr l 1Grey City Disc Comments — Autumn. 1975Barry WhiteBarry White's Greatest Hits(20th Century Records)Barry White's greatest hits album has justcome out, and if you don't think that'simportant, read the liner notes: "In thebeginning God said, 'Let there be light,' andthere was light. Now there has come anothergreat time that the world has been waitingfor." (That time being, of course, therelease of Barry's album.) That's one of thethings I like about Barry White — anegotism of mythic proportions. Like JamesBrown, Barry White is a born emperor, andin his own way busies himself with creatinga personal kingdom — the Land of LoveUnlimited. (We already have the LoveUnlimited Orchestra, and you may noticecredit given on the album to Love UnlimitedSpiritual Advisor Larry Nunes.)Some time in the future — it's inevitable— world leaders will flock to the very sourceof Love Unlimited, to the Maestro himself,and beg on bended knee: "Barry, we'vetried everything: wars, bombs, threats,coercion; we need love, Barry, not hate —we need you." And Barry White, with thecalm dignity of one receiving his due, willassume control of the earth.Ever since his first hit, "I'm Gonna LoveYou Just a Little More, Baby," I have been aBarry White fan in spite of myself. Let'sface it, the guy is ridiculous. From thebeginning he has come on as a kind of libido-inspired Isaac Hayes. (That's not so bad,but take a look at a photo of the man andyou'll realize that we're not dealing with anormal human). It's all there in his firstrecord: the heavy breathing, the groans, thebasso-profundo pillow talk. But "I'm GonnaLove You" is a great record. So is "Can'tGet Enough of Your Love, Babe." So is "I'veFound Someone." Ridiculous or not, BarryWhite is a first-rate AM radio artist. Eventhough his iast few hits have sounded likespin offs of "Can't Ge+ Enough of YourLove." Barry's track record has been farbetter over tne past two years.All Barry's hits are here, with a fewmediocre fillers tnrown in. All the tunes arewritten, proauced and conducted by tnemaestro himseif, with the exception of astrange but wonderful rendition of "Standm'in the Shadows of Love." Barry does morethan justice to the old Four Tops hit, and hecomes ud witn an introduction in which hesurpasses himself. It begins with some trulyunreal groaning, but stranger still is whenBarry apparently leaves the recordingstudio for several minutes. For quite a whileit seems as though there isn't going to be asong after all, but Barry finally jumps inand saves fhe day with an inspired vocal.The only loser on this album is an incredibleseven minutes of heavy rap called "LoveSerenade." (My turntable is a little slow,and I still haven't distinguished a singleword of that one.) So if things have beendownhill since God brought forth light, pickup Barry White's Greatest Hits.William Grimess norElvis PresleyPromised Land(RCA?Let's face il find mg a decent F i v is albumisn't easy. He's put out a goodly numberover the years (forty-five of them arepictured on the inside of *his one), and yeryfew are worth: tne money. Promised .and isan Elvis rarity then, eveigreat album. ’It's nice to hridiculous camup with a mChuck Burr -Elvis trom 1 egajjDum is slickare no read/throwaways,performance ■A’or trthat f-at andlike ' -omek-h ".-oie < : .. ••stoning to e.oo i reiy produced a.-vi *-Dad cols, there aI consider thatfor someone whreleases an album with one hit and ^in*duds. ■ t o' the3 111 (■ f Gsevoraigoodusually Elvis has mellowed, there's no doubtabout it. I'm sure the thought of doingsomething like "Jailhouse Rock" would givehim a headache. At forty, his roots arebeginning to show, and he leans more andmore to a relaxed style of country. Hehandles that style well, too, as "There's aHonky Tonk Angel" proves. "It's Midnight"is first-rate Elvis, and it's worth the wholealbum just to hear the way he sings, "I'mburning deep down in my soul." Too manystrings and voices threaten to overwhelmthis number, but Elvis here as elsewhereremains in control. Even the last song on thesedond side, a spot where you'd surelyexpect a clinker, is surprisingly good.The actual record is only part of theenjoyment of Promised Land. Check out thejacket. The back has pictures of some recentElvis releases. The favored design is aclose-up of Elvis in space-age double knits,sweating over the microphone andcontorting his face. One shows what appearsto be a nursing home but is actuallyGraceland, Elvis's ancestral manor. Theone I want to hear, though, is Having Funwith Elvis on Stage, a "talking album only."How could hearing Elvis talk possibly beanything other than embarrassing? Thosewho regularly tune in the old Elvis movieswill understand the perverse desire to listento this one. —William GrimesBarry ManilowTryin' to Get The Feeling(Arista)Somewnere in his heart of hearts, BarryManiiow must yearn for Las Vegas. Theclinking of slot machines and glasses is aperfect background for his vacuous tinklingand flashy histrionics.Somewhere in my heart of hearts I stilldon't despise Barry. I remember the magicof the Midler Manilow combination. Hisproduction and arrangement were a solidbackdrop for Bette's performance. But thekey word here is performance. Midler'swork is an act in several senses of the word,in that it belongs to the world of the theatreand nightclub and, more importantly, inthat it is conscious and playful. However, itwould seem listening to Manilow's solowork, that he wasn't playing.Manilow really does only three songs: adisco song, a ballad, and a "swing" song.Within these severe limits he can at timesattain a measure of success. "It's AMiracle," "Mandy" (sorry against all mybetter judgment I like the song) or "AvenueC," all from Barry Manilow II, are fairlygood versions of his three songs.Tryin' To Get The Feeling is just whatManilow is again attempting, but like thetitle cut says. "It seemed to disappear asfast as it came." The album opens withNew York City Rhytnm," the disco song. 11has a solid, oanceable beat, urban in theenerqetk was all good bar music is. For‘nose of you who don't aance, aren'f oarflys,cr taxe your music more "seriously," thismay not come as a recommendation But itis meani as one, though even Maniiow, not tomention ethers, has done better, it is abouttne oniv recommenoation that can oe made,ar.a it is wet! to remember tna one songooes nor an album make.I here are other oisco songs on tn,s albumwhichsame,pa / s' erpsi•VUSli. d:•'he of surpr'singi >, sound much theone, "I Write The Songs," Manilovto his muse by frottinqhomagechoreL\ and ierse. onfhe;rtmaf mess fhe album,your goaionsisfs o'■mg; ■ tags A I' />ws " b B a pity•ust misguidedVegas. Most ofnspired baiiads’■■■3 trvrd• riouteSome timethings caimaginingBandstar.: ndogram.-.similari n H t MAndrews :*s ‘his forheatoum Bui I'd give it about a fivew '.WAWW sters orOU, •/ * Tier: ca nivjM like Tom T. HallGreatest Hits, Vol. II(Mercury)Two points need be made concerning thelatest release of Tom T. Halls's big sellers:that it is not a collection of his best work,and that it presents as clear a picture ofmainsteam country music as any film couldhope to achieve.The title of the album is accurate: thesesongs are Hall's greatest hits and mostfamiliar songs of recent albums, including"Country Is," "I Love," "That Song isDriving Me Crazy," "Sneaky Snake," "ICare," and "I Like Beer." All fit the countrypop mold perfectly, depending on vocalsrather than Hall's tremendous instrumentalability; all short, shallow tunes, with theexception of "Old Dogs—Children andWatermelon Wine." The latter is the longesttune of the album (four minutes), in whichHall flashes a bit of the storytellingbrilliance that separates him from the bulkof popular country musicians. This song andHall's liner notes provide most of the artisticproduct of the album.Lest the rest of the album be consideredan absolute waste, however, I mention thatone need only listen to realize that Hallmakes an accurate, if unintentional,statement with regard to the values of thepeople that make his records hits. Heexpresses an easy, unbothered, country-,mother-, and home-loving type of life inwhich people behave as they are supposedto, even in their relative disruptiveness.Local concerns dominate a world into whichthe external chaos cannot penetrateGambling and drinking Drovide somevariance to the strict mores, bu+ even theseare carefully restricted within sociallytolerable bounds. As for the kids, theyhave to get their kicks off root beer Knowmg your piace, minding your own business,working loyalty to home, children andfaithfulness are tne important values here.Hall thus provides a trip to a fantasy landof country mornings back oorches and quietstreams where the listener can escape ♦romurban encroachmen* anc an increasinglyhectic and chaotic existence. The ability +omake such a statement is hardly uniaueamong country artists, howeyer, and it isindeed unfortuna+e that a man of Hall'stalent should be restricted to such a meageraccomplishment. —Mat+ PerrenodHarry ChapinPortrait Gallery(Electra)Harry Chapin's first album in over a year(since Verities and Balderdash) is calledPortrait Gallery, and it certainly lives up toits name. Chapin is a storyteller, and hismusic evokes visions of real people. He hasauthored a handful of classics, among themthe incredible "Taxi." Nothing here equals"Taxi," but some of it is well worth hearing."Dreams Go By" is s sure follow-up to hislast hit single, "Cats in the Cradle," with thesame insights and scope as the latter and apleasant, catchy tune. "Startripper" is asong about a musician who likens hisexperiences tc those of a space travellerEveryone has these fantasies once in awhile.Not ail of tne album is that pieasanLnowever, CnaDin writes his share o‘oretentious lyrics, as in "Bummer." wh enis reminiscent ot one of Elton John's moredismai efforts "Ticking " This is tne onlyreal iow point of the album, though "Dir+Gets Under the ^mgernails" approaches therefreshing novelty of ' 30,000 Pounds o'Bananas" trorr Verities "Sandy" is histribute to his wife a la "Annie s Song" bycutsie-pie himself. Weii, it is kinds pur+y.it you get tne cnance, you might try to seeCnaoin in concert He usually does abouA 2> 2 hours of songs and stories, and they have♦his strange tendency tc grow on you. He >3noT a groundbreaking performe- but iconsider his albums an asset to my recordlollection.SN?e!eye SparAll Around Mv’< Chrysalis)<fee!eye Sparpcsiton of a barelease, All Ar<ack of good m,great deai itk<before.Tne problem -Chanes Larpat'Hatfinds itself in'h tied to a nuo* increasinu:td My Hat suffers trserial that ooesn t so> something they'vesetfiinqor musicneirlatestrs from and adonesere is that many of theVAtVP ♦of thfe album derive their strength from arrangements that Span hasutilized so often that the songs have begun tomerge into a muddle from which is isdifficult to extract them as works ofindependent stature. Both the title track and"Hard Times of Old England" are built atopthe same throbbing guitar-bass-drums beatby now familiar from previous Spanalbums. Similarly "Black Jack Davy" is seton the electric guitar-orchestral base oftenused by the band. Throughout the album thesame stories of love and adventurepredominate.Attempts at new styles vary in theirsuccess. The instrumental "Sun Waves" isnotable for its cunfusion. Clearly differentfrom the fiddle jigs usually found on Spanalbums, it is certainly not a turn for thebetter. On the bright side, however, is"Dance With Me." The flowing vocals andclear instrumental arrangement,highlighted by a smooth fiddle break, makethis the strongest song of the record.Another positive aspect to the album isthat the same tight vocals and professionalplaying that characterized previous Spanworks are much in evidence here. With thebreakup of Fairport Convention andlackluster work in their reformation, thereis none who canchallenge Span in theirperformance of traditional English music.Unfortunately, confined to the same arrayof instruments and a subsequent limitationof arrangement possibilities, together with alimited amount of material to draw from,there is little to set this album apart. AllAround My Hat is a good album, but in thecontext of Steeleye Span's previous work, itis unlikely to be long remembered.—Matt Perrenod WRmky Dink H. the Crystal SetCameo Roles(Capitol)Some of our hits from some of our shows,that nobody knows...that NOBODYknows...." That's what it says on the backcover of this album, and it's true. Thesesonqs are hits, and nobody knows aboutthem. At least not yet.If I were a musician, Rinky Dink is thekind of group I'd like to be a member of.They strike me as being one of the mostintelligent and witty bands I've ever heard.All of the songs except one are written andarranged by two memoers of Rinky Dink,Allan Black and Nigel Ward. They, alongwith the three other men and one woman(identified merely as "Astral Plane Jane")who compose the group have come up withnine consistently good Dieces that aren'thard rock, or soft rock, or country rock, orjazz rock, or even very good to whistle to,but are nonetheless guaranteed to captureand hold your au"al attention.Four of the songs deserve individualconsideration Van Morr ison 's"Moondance" is the kind of song thatvirtually everybody likes, especally whenMorrison sings it because his voice is amusical instrument tna1 fits well into themood of the song Rinky Dinx d'ves it abessa nova treatment +nat also works weil,usmg two voices se- agains* one another toachieve Morrison's voca! effect. " ' FlamingJune' (from the love epic Bois des Filiions'"b. a good example of how the group bienasseveral musical themes and devicestogetner and makes r sound iike tne mostnatural thing in the world. "Shotgun-boogie(Schi’tz blitz)' trom tne motion picture UpApamst A.W.O.L.l" describes a novei wayto get men very rapidly when ail you've getis a six pack, and is rhe first non-comedysong i ve ever listened to that induced me *olaugh aloud Arc- finally, The title alonemakes it worth mentioning li ain't art(but it ain't easy)' (from Tne WesT Endmusical One White hpot and A ThousandLas! Offs)."in the end what makes ‘his album soenjoyaole is the impression Rinkv D:nkgives that they enjoyed making it. it's rareto find an album that urges you to feel goodwithout any insincerity or guilt, but Carr.ecRoles is sucb an aiourn .., —M*rk Bc*eFriday, November 21 1975 The Ch.caqc Maroon "j. TheGreyCityJournalj'Benito Cereno': Difficult, Dramatic The‘"’Journal• By John LanahanBenito Cereno, the third play in Robert^ Lowell's dramatic trilogy, The Old Glory,jz opened last night at the Goodman Theatre.^ The work is an excellent, but very difficult,^ perhaps even flawed, piece of drama; andalthough Goodman gives it only an adequateand definitely flawed production, it istoo good a play to pass up.I do not mean to be glib when I refer toGoodman's production as adequate. This isa very difficult work, with two obvioushurdles to making it an effective theatrepiece. It is, first, a verse drama. RobertLowell is fortunately an excellent poet, sinceonly a master could write in such aconvention and make it work. There aremoments, however, when the play reflectson the descriptive imagery of poetry, andbecomes a static and contemplativedramatic work. These moments are few,but they can disrupt the flow of the play. Thework is also an example of "sociallyconscious" art, which is, in my opinion, aneven higher hurdle than verse drama. It isonly Lowell's brilliance that saves this playfrom the "probing social insight" thatbecomes tiresome in five years and silly inten.The social theme of the play is theinability of Americans to perceive asituation of obvious disorder, without beingblinded by the misconceptions of their ownand other nations and cultures. Lowellhandles this problem by giving the play thestructure of a mystery story. An Americansailing ship encounters a Spanish slave ship,the San Domingo, inhabited by a weird,often incoherent captain, Benito Cereno, afew Spanish sailors, and a number of slaves,no longer confined. Throughout the play, theAmericans interpret the bizarre eeriness ofthis ship and its inhabitants to be indicativeof the decadent Spanish Empire. It is onlynear the end of the play that the Americancaptain, Amasa Delano, realizes that theslaves have revolted, taken over the ship,and plan to kidnap Delano so that he canpilot them back to Africa.It is crucial to the intent of this play that adirector know the focus of each scene, andhow the tone of Delano's "Americanism"changes from exuberant jingoism, toconfusion, to military retaliation andextermination. The director of thisproduction, Michael Montel, unfortunatelydwelled too much on the freakish anddisjointed activities of the inhabitants of theSpanish ship. This idea was fine, until thesailors and slaves show Delano their form of"amusements." This is a crucial shifting point in the play, when Delano first realizesthere is something about the ship that hedoes not see. This transition focused toomuch on the seemingly insane antics of theperformers, rather than their effect onDelano. Another obvious lack of focus wasMr. Montel's blocking of the character ofBenito Cereno, who appeared on stage instrange and confusing locations. Thisdirection, or la ck of it, made too much of thedecadent and wraith-like aspect of Cereno'scharacter, and took much from theunderlying tension of the play. As the playprogressed, however, Mr. Monteldemonstrated a stronger hold so that whenDelano, his bosun, and Cereno are saved byAmerican soldiers, the show ends with apowerful feeling of simultaneous relief andoutrage.The acting was varied. Robert Guillaumewas amazing as Babu, Benito Cereno'sseemingly glib and clever servant, who is, infact, the actual ruler of the San Domingo.Mr. Guillaume's performance wastechnically perfect, without ever being stiff.He handled the uneasy ambiguity of Babu'slines beautifully, always appearing thepoised and cheeky slave, who underneathwas a strong man determined to be free.Tony Mockus as Captain Amasa Delano, theproud and often bumptious representative ofhis own conception of JeffersonianDemocracy, seemed a little too stereotypedto me. Delano is a caricature, admittedly,but he must also be receptive to hisenvironment; the change in his perceptionof the world is crucial to the play. I oftenfelt that Mr. Mockus's transitions were toosudden, and made Delano appear as thestandard "ugly American," rather thanshow the transition of the idea that Delanorepresents. Gus Kaikkonin, as BenitoCereno, lacked focus in a part that requiresextreme precision. Mr. Kaikkonen's Cerenotoo often seemed the impotent and over¬bred aristocratic ghost, rather than thedesperate hostage forced to act like acaptain. Only by the shaving scene, abouttwo-thirds through the play, did Mr.Kaikkonen master the tension of Cereno'scharacter and show that there was more tothe mystery of this ship than Cereno'sinability to govern. Thomas A. Stewart asJohn Perkins, the American bosun, was stiffand failed to exploit his necessary dramaticfunction of uncovering the information thatundermines Delano's misconceptions.Perkins is a difficult part, but one similar tothe mystery story's tradition of the minordetective who keeps unearthingdisconcerting clues. A more effective use ofYoung Designs byELIZABETH GORDONHair Designers1620 E. 53rd St.288-2900We SellRentRepairTYPEWRITERSADDERSELECTRONIC CALCULATORSDICTATORSU. of C Bookstoro9790 9. KillsHours: M-F99S9-1793-3303CARPET CITY6740 STONY ISLAND3267991(Has what you need from a*$10 used room size Rug to acustom o Specializing|in Remnants & Mill returns atla fraction of the original•cost.'Decoration Colors andiQualities Additional 10%iDiscount with this ad.FREE DELIVERY OAK FURNITURE-ANTIQUESMPINISHID + as is Desks1649 E. 95tfi fAf xA Tables667-4330 -Af If Chairs1-6:00 PM DressersTUES.-SAT. BookcasesMuchMorealso we doRefinishing10% Discounton pipes withU.C. IDuntil Nov. 30Js pipe'Shop1523 E 33rdin the Hyde Park Bank LobbyImported CigarettesFine TobaccosQuality Pipes the part would make the audience evenmore uneasy over the strange events on theship.David Jenkins's set of the Spanish shipwas excellent, and the lighting, by Gilbert V.Hemsley, Jr., gave the ship a creepy, gothicambience that made even the University ofChicago seem overt and healthy. The set forthe beginning of the play, however, seemedflat, and accentuated the basically staticnature of that scene. The costumes wereexcellent, contrasting the squalid pomp ofCereno and his servants with the crispsolidarity of Delano and his sailors.This production is flawed, but basicallyworthwhile. It occasionally uses andpresents the brilliance of a first-rate work ofmodern theatre. Many of the show'sproblems could be ironed out when the castgets more of a feeling for the structure of theplay. The production closes December 21,and it might be best to see it late in the run,when things may gel into a really amazingshow. Call 443-3800 for ticket information. editorPaul M. MillerstaffMiles ArcherGwendolen CatesEden ClorfeneKaren HellerW.T. HobsonBarry J. KaplovitzSandra KatzCarl Lavin Suzanne ListerC.J. MeyersJonathan MeyersohnAnne MontagueJohn PrunskisHarold RichardsMike SingerDean ValentineThe Grey City journal is published each Fridayduring the regular academic year as part ot theChicago Maroon Inquiries concerning subscriptionsand advertising should be addressed to BusinessManager. 1212 E 5»th St . Chicago. Ill M637 TheEditor invites comments JTAl-CCAM-YMfCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M. TO 3:30 P.M.SUNDAYS AND HOLIDAYS12 TO 8:30 P.M.Orders to take out1313 East 63rd MU 4-1062 52 io S Harper-Harptr Court*NO 7-/060 GUITARS, BANJOS,MANDOLINS,RECORDERS,VIOLINS, AUTO¬HARPS ANDHARMONICASALSOBOOKS. INSTRUCTION AND REPAIRSLATEX PAINT$1M Per GALLON1AKRILEX resin1 pkg. makes10 Gal. latexpaint@ $8.90 PKG. $ 4.75 AUTOMOTIVE ENAMELper gallon3*99 Latex Ext. House Paintper gallon2.99 Latex Wall Paintper gallon.89 t AKRILEX Resin (Makeyour own Latex paint )Detroit has cut back on auto production,We made a huge purchaae of paint they can’t uaeri$ht now. This paint is the very same originalI truck, worth 314.-il6.» 0par. Gal. You can easily re 11 it, brush it,spray it, on anythin*. We have any color youmay nead, just name It,your check. or mail us samples withONLY $ U.75 p*r Gallon if you order rightnow. Plus,** one free gallon with your firstorder,, PLUS.+t-t order U Gallons of one colorand get the 5th gallon FREE.HAIL YOUR ORDER TODAY, WHILE WE STILLHAVE MORE THAN 3OO DIFFERENT COLORS !!!!Per incredibla prices or. wholesale lotsof 50 gallons or more, call us 1 ‘GV367-3O83( All shipments F.O.B. New Orleans)You Cannot Buy Better Paint For Less Money.Dear SiraiIf your paint is as food asyou aay it ia. s.nd ua thefollowing yaliona and colors ■Gs liens Color priceYOUR ORDER FORMTO Mail Order Paint Co. DepC-33783 Fifth StreetGretna, La. 7OO53Enclosed find $ for^Gallons of your paint.Harp*.(Pitas. p.mi)Address.cal amcur.t 1( If yc„ car. a'tarr here«itt tap., small 'hipaor samples cf colors you•art).«* understand all yourpa i r.tad.ua City.Slat*. 2'P.tmant%uarar.tt*. (AU shipments F.O.B. New Orlaans)8-The Chicago Maroon - Friday, November 21, 1975Radar's ‘‘Lies’: Warm and SensitiveBy Karen HellerWith the wave of such popular films asJaws, The Exorcist, and The Godfather, itseems difficult to appreciate a film of awarm and sensitive nature. Jan Kadar'snew film, Lies My Father Told Me, hasneither the necessary violence nor sex toattract today's filmgoing audience. It canproduce no readily recognizable performersnor controversies of current interest. But itis an enjoyable film, even if it does seem togo against today's tide of cinema verite.Born in Czechoslovakia, Jan Kadar isrelatively unknown to American filmaudiences. Lies My Father Told Me isKadar's second English speaking film andonly his third to be released on acommercial level in America. His The Shopon the Main Street proved an enormoussuccess within the festival world, winningprizes at Venice and New York and anAcademy Award for the best foreign film in1965. He also directed Angel Levine (1970)with Zero Mostel and Harry Belefonte which subsequently closed after a brief New Yorkengagement. Similar to another Czechdirector, Milos Forman (whose One FlewOver the Cuckoo's Nest is also an entry inthe Chicago International Film Festival),Kadar made his pilgrimage to Americaaround 1969 when great supression of artistsoccurred in his native country.Written by Canadian writer Ted Allen, thescreenplay was taken from his previousshort story and radio play of the same title.Set in Montreal in 1925, the story is about therelationship between a small boy, David,and his grandfather. David lives with hisfather, mother and grandfather, Zaida, inthe immigrant section of the city. Hisgrandfather is a rags peddler who travelsthe area in his horse-drawn cart and readsonly one book, the Talmud. His father is awould-be inventor who comes up with suchrevolutionary ideas as creaseless trousersand adjustable cuff links. The father is aman who looks constantly to the future asthe source of his happiness, the grandfatherWHY REALISTIC...BECAUSE WE REALIZE THE VALUE OF A DOLLAR BOTH TO YOU AND TO US OURPHILOSOPHY IS TO BRING YOU THE BEST QUALITY PRODUCTS AT THE LOWEST POSSIBLEPRICE OVER 2 000 STORES SELL AND SERVICE THE EXCLUSIVE REALISTIC LINE OFELECTRONIC PRODUCTS MANUFACTURED FOR AND BY RADIO SHACK UNDER THE MOSTSTRINGENT QUALITY CONTROL THAT ASSURES EXCELLENCE FROM THE INSIDE OUTRADIO SHACK RETAIL OUTLETS ELIMINATEMIDDLEMAN PROFITS AND WE PASSTHE SAVINGS ON TO YOU WE MUSTBE DOING SOMETHING RIGHT WE RETHE WORLD-FAMOUS LEADER INCONSUMER ELECTRONICS50% OFF' OUR FAMOUSMC-1000 SPEAKER SYSTEMSSpft?aU thr sound with a pairot Realistic s boukshplfacoustic suspension speakersin hahdsome walnut veneeienclosures Only 173x8'-. ,11 Reg 59 95 Each$60SAVE $100! REALISTIC 'AM-FM STEREO RECEIVERWITH AUTOMATIC FM TUNINGReg 299 9519995Test listen <u,r sensationalSTA 8? See and leel theluxury of its gracefulstyling Experiment withthe many dials andcontrols Think of saving 33our STA-8? an exceptional rthose who know fine steieo*SAVE $5! DELUXE NOVA-14STEREO HEADPHONESEscape to your private world of stereolistening pleasure at an unbelievablylow price’ Set the volume balancecontrols for the Sound you like' Reg 1499CHARS ITAl RMk> S**cfcCHICAGO8612 ?outh Cottage Grove9137 South Commercial1453 iart 53rd St. Radio/hackjjt TANDY COeeoenTION COMPANY turns to the Talmud and adheres to thesimple moral ways of "the old country."Caught in between is David's mother, a firstgeneration Canadian who triessimultaneously to comply with both menand their ideals.As son and grandson, David (JeffreyLynas) must respect both schools ofthought. But as a small and precociouschild, he is naturally attracted to themystery and simplicity of Zaida's ways. Thestory is a montage of numerous scenesbetween the inquisitive David and hisgrandfather and the education Davidreceives from him. Although often overdone,these episodes provoke a tenderness andnaive simplicity that is the essence of thefilm's charm. David's questions are never-ending and Zaida's wisdom is without limits.Like many tender movies, the film ends ona sad note with the death of the grandfather.David must finally learn to accept themodernity of the times as embodied in hisfather. He now must contend with theconstant fighting between his mother andfather. David is left with an unblemishedmemory of his grandfather and the truthsthat he taught him.The actors in Lies My Father Told Me arealmost all new to the screen. As Zaida,Isreali actor Yossi Yadin tends to overdo hisrole at times. He is often reminiscent ofTevye of Fiddler on the Roof, particularlyduring a picnic scene in which he bursts outinto song and dance with fully orchestratedmusic in the background. Jeffrey Lynas asthe adorable David begins to wear thin half¬way through the movie. In the past fewyears there seems to have been anabundance of films about adorable andprecocious children who have a surplus ofprofanities in their language. The writer,Ted Allan, also took a part in the film, therole of Baumgarten, a revolutionary tailor,whom he portrays with much competenceand flair. But by far the finest performancesin the film are those of Len Birman andMarilyn Lightstone as the parents. Birmanis the epitome of the third generation son,wishing to make a big name for himselfwhere his parents and their parents failed.As the father, he is both ambitious and cruelin perceiving his dreams, using lies andschemes in order to attain them. Even withlimited dialogue, Marilyn Lightstone provesherself a strong and beautiful actress.Lightstone uses all her resources to showhow she is caught in the conflict between thegenerational differences of the men sheloves. Like many children born of immigrants, she is lost between theconservative naive ways of her ancestorsand the radical modernity of the changingtimes.Lies is in many ways a difficult film to t*categorize. For most involved with the filmit was a first venture, or the first of anynotable impact. It has some noticeabletechnical flaws, such as the double-trackingof David's voice almost throughout the film.The selection of Broadway style music to beplayed in the background and a shoddyethnic composition for the theme song givethe picture a commercial image thatdetracts from its tenderness. But aside fromthese few criticises, the film is remarkablyprofessional, particularly thecinematography, editing and acting. Thescreenplay proves successful in showing allthe various relationships and providing acertain amount of moral message withoutgoing overboard.Besides the scenarist and most of theactors, this is also the first film for theproducer, Hary Gulkin, who had previouslyworked in business and television. He saysthat the film was the product of a group ofpeople who really wanted to see the projectmaterialize. As indicative in the picture,Gulkin's interest, as well as Kadar's and allothers associated with it, was of a personalnature. Like the writer, Gulkin grew up inthe immigrant section of Montreal. Hebelieves that the commercial aspect of thefilm is only secondary, the primarymotivation was to document a time that isnow lost, in particular the conflict betweenthe immigrants and those Canadian born.Lies My Father Told Me is oftenoverwhelming in its tenderness. It is not afilm that may particularly appeal to thoselooking for a great message or art. Kadar isa director who is interested in the personalnature of his characters and theirrelationships, but does it with tendernessand restraint. There are no greatrevelations, no stylized truths. Hissimplicity is the key to his art andthroughout the film he manages to maintaina certain naivete and perspective which isso important to its success. Although oftenslow moving and at times a little too forcefulin trying to evoke compassion, the film isvery enjoyable and comforting.In these days of high-bred sophistication,anti-heroes and unresolved endings, it isrefreshing to see a film like Lies My FatherTold Me It is of interest to see whether thefilm will be able to succeed in thecommercial and artistic worlds.9 AM-9 PM 7 Days A WeekHYDE PARK PIPE AND TOBACCO SHOP,1 552 E. 53rd - under 1C tracks //All students get 10%ask for "Big Jim'' JImported Cigarette*Cigar*Pipe*Pipe Tobacco*I GOLD CITY INN !j given * * * * ** by the Maroon|* New Hours: Open Daily£ From 11:30 a.m.to 9:00 p.m."A Gold Mine Of Good Food"*#**********%** Student Discount:1 0% for table service5% for take homeHyde Park's Best Cantonese Food5228 Harper 493-2559(near Harper Court)Eat more for less.J(Try our convenient take-out orders.)f************************ iFriday, November 21,1******************** • Eye Examinations• Contact Lenses (Saft &• Prescriptions FilledDR. MORTON R. MASLOVOPTOHETtlSTSHyde Park Shopping Center1510 E. 55U383-8363EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURTROSENBAUMOptometrist(53 Kimbark Ptaata)1200 East 53rd StreetHYde Pork 3-8372DOROTHY SWTHBEAUTY SALONSMI S. BLACKSTQNE AYEHY 3-1069Permanents that ormanageable short ones — andlong ones. Tints — bleachesstreaks Hair shaping os youwish it. Childrens hoir cutsalso Call for oppt. Mondaythrough Friday.8 a.m. to 8 p.m.No Saturdays.975 - The Chicago Moroon-9 JournalPIP'Ptcktr'iars. performed»:r's Opera, the mostight spots m Enqlishfrom the death ofmany ways. very units time. The scenes do notfor example, hut are |uxranner of cinematic cosshowever, was popular; inpolar English play of thean effective work becauselies and plays off of twoions popular in the 18thi ./team now good you 1ccr, on frt ffeftlgiar!We nave the slopes.me snow eqyipnw 14o Htent inffetjQgjgan f& wnail - and f if afarc m % , JHHm make If a fofig ■playingwee*ref a rot rt6b$ f ;> \ % *»■nothing yo J re r Id ewbp - * A,thing in Michigan ft the * *great swings up here o *esh *romf; rioiyfaSy' f® y®y £ lot 'of other Jftngs daPdf iath# snow GQW&fc&nkipad cimclppm, into totPgalil andIrr^modim top,CaKtoiftMi ..Jr600-a4M486.LonDorFOGayauI ohi e <n British i c-, & Navy$85.00^ ,t \ otherj LQ1WQft. $;Wf.Coats from o6^Q0' IWiaISI" - * i *-1l G-Tne Chicago Mo■" r-,■ ■ -V .0<.’ ■ melodrama The conventions are stilt verymoch alive, so tthat .any ^competpruproduction can carry*itselt through the pieceby exploring these dramatic forms to thefullest.The Beggar's Opera is really a director splay, or, more precisely, a dramaturge'splay, which explains why Brecht'stole it Itrequires tha^ the director constantly knowwhat makes each scene work and whatconvention, either sentimental' prmelodramatic, that scene is eitherparodying or borrowing. The director, MissTern (the program insisted on being veryT8fh Century), often showed that she MA-.derstood what each scene was meant to do.The blacking, when the actors were con-enough to use if, effectively demonstrated .Miss fernts knowjedge of. - pITO ■Jfj.irri/ dh |hkdhg |jspecifically of the-clever way in which MissFern used sentimental comedy with Pollyand fhe Peachums m the first act, and theffIg&HihWgMPFfC tension of the third a<f. Iwtsh, however, that Miss Fern had had moretyfi yvi,h tne play Miss Fern proved sfeunderstood j|MI s'ru^urc of the play; OhCe♦hat is mastered, elaboration is infinite Anywork in which Pope and Swift collaboratedis open to all sorts of tortured pathways ofkinky rauncb. I can only guess (or should Isay sublimate?) what a more imaginativedirector could have done with the chorus ofwhores In Act II.Perhaps Miss Fern's direction washampered by the very uneven quality ofacting Often the players had difficulty inmastering Gay's dipped, rhythmic, andrhetorically balanced 18th century prose. Apleasing exception to this criticism was thedelightful scene between Polly, Lucy, andMac Heath in Newgate prison. On the whole. these three characters played by MissWjlfiams, Miss Mart i n, and MrHeinrichson, respectively, were the mostcompetent. Miss Williams, m particular,played the sweetness and light Pollybeautifully, alternafingly exploiting andundercutting fhe sentimental tradition onwhich she is based Miss Waqher, a$ Mrs.Peaehom, added the energy that made thefirst act move, and I was sorry that Gay hadnot written her a larger part Mr Swanton,as Peachum, had difficulty with fhe satiricalobjectivity of his monologues in the first act,but warned up once he could play off otheractors. Miss Stead, as Suky Tawdry, was adelightfully [fifing bit of baqqaqe; and Mr.Green, as the constable, was genuinelyfrightening. The remaining players, unfortunately, were forgettable or worse.The music, provided by Dr Kemp on theharpsichord and Dr. Sytsma on the viola dagamba, was effective and occasionally hada self conscious wit that was true to the spirit(continued on page 8)AVR AH AM B. YBHOSHUA oerr 0, ur.***** OIU ***** 0NW-HOLOCAUST:BURDEN or CHALLENGEfAon Nov 2.4 % 00 p.maL Hiltel 5? 15 Woodtown|*TR. MCHOSHUA A uC^OlNG ISRAELI MO'JE.'-IST t AMD THtRDfeERT S FtFFCft FVeFYOAlAu ftSAAEU ARTIST W RCSiOEMCC ROCKEFELLERMEMORIAL CHAPELSUNDAY • NOVEMBER 23 • 11 A.M.E. SPENCER PARSONSDean of the Chapel"TO RECEIVE WITH THANKSGIVING”SUNDAY SEMINAR9:45 to 10:45 a.m. Chapel Undercroft LawrenceM. Bouldin, United Methodist Chaplain, leads adiscussion of MAHATMA GANDHI: His relevancefor our f fan#.SUNOAY AFTERNOON AT THE CHAPEL4 O'ClockEARLY AMERICAN PSALM SINGCOLLEGIUM MUISCUM MOTET CHOIPDAVID YOUNG, Conduct*BRUCE HORST, Orgor>is1Michigan Ski Weekends.Good If you’re good. Good if you’re notThe DobsonDouble BreastedBelted Trench CoatWith Zip Out Warmerof 1Q0% Orton PHeSatin Yoke and Sleeve Lining,. • byStill et ah: Growing In Their MusicBy Jonathan MeyersohnWe entered oboist Ray Still's house as he,basoonist Milan Turkovic, and Pianist JohnPerry were practicing for their upcomingLunch-Time Concert at the First ChicagoCenter. The trio seemed relaxed and selfassured, if a little surprised by theiruncommon combination of instruments.Though established musicians, they werepleasantly anxious to define fheir musicaldirections as chamber musicians, teachers,and orchestral members. The trio started asprofessional colleagues and friends, and arenow embarking on an excursion into thesparse repertoire for oboe, bassoon, andpiano.These three musicians are by no meansnew to the scene, Mr. Still having playedwith symphony orchestras since the age of19, and with the Chicago SymphonyOrchestra as principal oboist since 1954. Hehas also performed with the Julliard,Vermeer, and Fine Arts quartets, as well asparticipating in the Marlboro festival, theCourtenay Music festival, and the StratfordMusic festival in Canada. Mr. Perry hastaught at Oberlin and at the University ofKansas, and has played many concertsthroughout Europe, Canada, and the U.S..Mr. Turkovic, principal bossoonist for theVienna Symphony, has been a visitingprofessor at Indiana University of Music, aswell as a soloist at numerous music festivals,including Marlboro, where he met Mr. Still.Yet for every experienced musician, achamber music experiment such as this willhave a new character, will add a newdimension to the encounter as eachperformer discovers the range andlimitations of the interaction. Chambermusic ;s delicate in its uncertain andeverchanging allowance for leadership,interdependence, and musical excellence.As musicians each is secure in his realm,yet is continually searching for ways toexcell and expand. Today there seems to bea great attraction towards chamber music,for here the musician is free to experimentand be his own conductor, yet cancontinually learn from his partners. Still,Turkovic, and Perry are no exception, andthey seem optimistic about the growth of theirmusical alliance, content to practice, learnfrom each other, and perhaps even forgetpublic appearance. Though there is much tobe gained from performance, one wonders ifthe goal of all musical endeavor isnecessarily concert. The feeling in Still'sNorthside house is one of satisfaction withthe musical relationship, with theoriginality of this creation.Last Monday's Lunch-Time Concert didnot go as well as they had probably hoped.The players seemed nervous and unable totruly concentrate on the sound. They appeared to be feeling their way cautiouslythrough the first piece, Willard Elliot's Suiteon Six Fifteenth Century French Songs.There was a minimum of involvementdisplayed, but the second work, Saint Saens'Sonata for Bassoon and Piano, went verywell, with Turkovic displaying a realversatility and sensitivity on theinstrument. As a duo, Perry and Turkovicwere comfortable with a more traditionalcombination of instruments, and were treeto concentrate on playing without having toworry about the character of the ensembleas a whole. They did not have to establishan extra-musical direction or cohesion, andboth were able to capture the presence of thepiece through just the right employment offorce and humor. It is a brave oboist who iswilling to tackle Schumann's ThreeRomances for Oboe and Piano. Schumannhad no conception of the oboist's necessity tobreathe, and wrote the pieces as if they werefor piano. Ultimately, the sound can becomealmost frantic, and this destroys theRomanitc lushness of the works. Mr. Stillhas played better on so many occasions thatone was surprised to find him practicallyfighting the piece, buting his reed, missingnotes, and muffling the sound.But all this could be forgotten afterhearing the final piece, Poulenc's Trio forOboe, Bassoon, and Piano. A very satiricalwork, the trio played it with an excellentfeeling of the lightness of the expression.They seemed to jell beautifully, capturingPoulenc's over dramatic, tongue-in-cheekpower and sudden lyricism. There was areal understanding among the players, andthey were obviously relaxed in their anti¬cerebral joking. From this final work onecan see that the group truly enjoyed playingtogether, and will certainly be able to carrytheir mutual respect and pleasure in aprofessional, yet uncommonly at-ease,manner in future performances. Let us jointhe musicians in Mr. Still's living room.Question: Do you feel yourself gravitatingmore towards chamber music?Still: Not really. Milan's main job is withthe Vienna Sumphony, John is primarily ateacher, and I'm with the CSO. This is forfun.Perry: Yet, it's tremendouslyinvigorating to get together with othermusicians and play another repertoire.Turkovic: Every musician needs it if he'sreally active, to play something besidesorchestra music. Chamber music improvesability and enhances orchestra playing. Thisis a completely different occupation, but itdoesn't spoil orchestra playing.Q: What stylistic changes have youundergone by playing chamber music?S: We've all played chamber musicconstantly throughout our entire careers.My preference is to play wind music of therPIZZAPLATTER1460 E. 53rdMl 3-2800FAST DELIVERYAND PICKUPSPECIALDISCOUNTPRICES 18th century—Mozart wind music, as well asbe involved in a chamber orchestra.T: We don't make too many distinctionsbetween orchestra music and chambermusic, because as a wind player you do a lotof chamber music within an orchestra.S: One of the obvious differences is thatwhen you play chamber music You are theone who is making, with your colleagues, allthe decisions, whereas many times in anorchestra the conductor, by the very natureof his job, is making the final artisticdecisions. We know, however, the better aconductor is the more he leaves to theindividual and solo players to do a lot oftheir own ideas musically. The poorer theconductor, the more he usually demandsthat you do everything his way.Q: What is it about the CSO that makes itso good?S: Conductors say that one thing about theCSO is that they're tremendouslyresponsive, and have more range of styles intheir playing, more range of sound. There isa great variety in our sound. Also, we'revery lucky to have a great number of fineconductors coming in. Sometimes withother orchestras, perhaps its out of themusical director's fear of competition,they don't hire good guest conductors.Through Solti we have damn good guestconductors here. This helps an orchestra'smorale, you know. I think that's the keyword. Part of an orchestra's character alsohas to do with the type of music beingplayed. The orchestra in Koln playsnothing but Avante Garde music, and itseems that there is a great deal ofdemoralization and neurosis here. In thewhole orchestra, it was as if the suicide ratehad gone up.Q: Why? How do you feel about playingAvante Garde music?S Well, musicians are trained to get themost beauty oft of their instruments, to getthe greatest of variety of sound They feelthat many times the contemporarycomposer is treating your instrument, andeven you, just as nothing There areunbelievable technical demands, just fromthe standpoint of digital manipulation andmultiphonic sounds, but as an individualyou're just part of a huge mosaic of sound.Nobody ever really plays in so much ofexperimental music. Musicians feel thattheir whole training means nothinganymore, and they feel neurotic aboutplaying very much of this. Even worse, inorder to deal with this problem manyplayers get what we call a specializedtraining. They really don't strive for abeautiful sound. They specializae so much inthis music that they sound like chickens.Q. What's audience reaction to this type ofmusic now? Chicago seems to have prettyconservative audiences.S: They're pretty polite. They don't boowhen they feel like booing I think that theyshould if they feel like it.Q: It seems like four or five years agopeople did get up and leave or boo, but nowthey are more polite. The performers maynot feel any better about it, but theaudiences seem to.S: Well, I enjoy listening to contemporarymusic myself, in the audience. I don'texactly enjoy being part of the orchestra, ifeel you're so insignificant when you'replaying. I like to be able to listen withoutofofFOR ALL STUDENTS& FACULTY MEMBERSJust present your UniversityChicago Identificahpn cardAs Students or Faculty Membersthe University of Chicago you are en¬titled to special money savingdiscount prices on all materials usedon Volkswagen Service Work, allVolkswagen Parts, Accessories andany new or used Volkswagen you buyfrom Volkswagen " *' rhoreAuthorized V"VolkswagenDeolerOpOpen iFor«. »ut>nPhone 4900 j r M. HERMESRESTAURANTLOUNGE AND BANQUET HALLGREEK AND AMERICANCUISINEIncluding MousakaPast itsloGyros<ShishkabobAnd Also PizzasLIVE ENTERTAINMENTFRI., SAT., & SUN.withGREGORY JAMES EDITION(Recorded on Brunswick Records)Tele: 684-4900 Hours: 11:30 a.m. - 2:00 a.m.56th & Lake Shore Drive Q.E.D. knowing what the printed page looks like,just soaking up the sounds.P: Something that should be said is thatthis age shares something with all ages ofartistic endeavor in that the cream hasn'thad a chance to rise to the top, and at any.time 95% of what you hear is not going tolast in any contemporary situation. Youexpect that most of what you hear is going tobe crap. So you must start open mindedabout it, and yet, is a person has a definitefeeling that he is having his time wasted andhis ears purged he has a right not to sit thereand assume he's listening to top drawerstuff. If you're offended by it, walk out orboo.Q: In what directions do you feel themusic world is generally moving?S: As for directions in oboe playing andmusic style in general, there is an incredibleamount of communication due to recordsand travelling. I think styles are beingmodified all over the place because of this.There are people who regret this and saythat necessary barriers and characteristicsare being broken down. Some people feelthat there should not be this meltingtogether of styles.T: Well, I partly agree with this becauseit could happen one day that you hear anorchestra on the radio, and even as amusician, you don't know which countrythis orchestra's from. I think thereshould be regional differences.S: They're all playing Beethoven.T: Yes, but imagine if every pianist in theworld played the Beethoven sonatas thesame way, then we would need just onepianist.S: Now wait a minute. You're assumingthat the pianists would all play differentlybecause they're from different parts of thecountry. This is a matter ofindividualization.T That's good, and I even like to knowthat in one country there are different stylesof orchestra playing, their own typicalsounds; that there is no internationalorchestra, like, let's say, the Wimpyhamburger is the same all over the world.T: No, not at all—just that there will be anequalization.P You'd fake away so much of thevariety that gives zest to listening.S I don't think it has so much to do withthat. I think that there is tremendousimprovement in orchestra playing all overthe world. Orchestras are getting better andbetter by leaps and bounds because of thiscommunication with each other. In the pastthey would nourish these great nationaldifferences and put a little wall aroundthemselves, saying we're the greatest.Chicago used to do this when they were amediocre orchestra. They wouldn't letoutsiders in, and they had the "Chicago"style because they were the Chicagoorchestra. Eventually these barriers wereknocked down and musicians came from allover the country. Is this a pollution? Theorchestra's ten times better than it was.T But the orchestra has its typicalsound, just as you have your typical sound,and I think that's what's good.S: But you're talking about nationaldifferences, and these aren't goodT No, No—I'm talking about differencesin general The variety is healthy, itencourages growth.S: Certainly we want to preserve thevariety of personal styles, but this hasnothing to do with a player's nationality, ithas to do with his personality. I'm talkingabout preserving these false nationaldifferences. This retards musical growthand expansion. I think that communicationhas made us all better musicians, and that'swhat's most important.With This Ad OnlyUsed Desks , *25 and upUsed Chairs ‘10 and upNew Chairs *25 and up"cash and carry"BRANDM|Ha^MH^H^Ma^^SUPPLY CO.8600 Commercial Ave.Open Mon.-Sat. 8:30-5:00RE 4-2111Frrdtrr November 91 1Q7S - Tb^ Chicago Maroon 11TheGreyCityJournal8-TheGreyCityJournal 'Wolf(continued from page 2)his humorous lines assume a farcical tone.There are many funny lines in Albee's play,ess of thehumor which must be emphasized, not itsjoking nature. Hence, when George says toMartha, "It's that habit you have—chewingyour ice cubes like a cocker spaniel," oneshould note the resentment felt. WhenWellisch delivers the line, though, he treatsit as a childish wisecrack. Given this lack ofintensity, Martha's counter-attacks onGeorge seem unwarranted. Clearly, theyshould not be.Mr. Wellisch's misinterpretation ofGeorge is a serious hindrance to Martha'seffectiveness because she must necessarilyrespond to the actor playing George onstage. This in unfortunate since Lee Brozendelivers a- fine performance as Martha. Herthroaty laugh,' mocking tone, and sexual gestur ' ' ■ ■ ible asa woman who desperately wishes to embrace life, bu^ When she fightsGeorge, she seems like a fighter Her veinsprotrude, her breast heaves, and her voicedeepens. If only Wellisch were more effective as George, than the tffisidn oetwtenthe two characters could have been fullyrealized.Dennis Ryan as Nick is competent in hisrole. He comes across more as an in¬tellectual than a stud, and his physicalappearance doesn't quite merit the attentionMartha so eagerly bestows upon him. Yet,Ryan know how to build lines to a high-pitched emotional climax, as proved by hisbuilding anger with George during Act l»The most remarkable performance of theevening was delivered by RobertaBraucher, who played Honey. She hasdeveloped a shrill, childlike laugh, which Isperfect for the part. Her laugh describesboth her nervous nature, and the naivedelight she initially feels at George's andMartha's home. Yet, the mood she creates of being a happy child at her first birthdayparty quickly disintegrates once sherealizes what's happening around her. Shethrows up three times during the course ofthe play. When she finally describes how shedoesn't want any children, her fright chillsto the spine.■ In short, The University Theatre'Beggar's'(continued from page 6)of the play. For some reason, the programdid not acteowtedge J.C. Pepusch, whoprovided the musical side of thecollaboration in creating this first of theballad operas. Much of the original humor ofthe songs was inevitably missing, since apresent day audience is unfamiliar with theinnocent ballads that Gay and Pepuschrevised with their racy lyrics. A not un¬similar effect could be produced today bywriting a song about Linda Lovelace, set tothe tune of "*Llttte Lulu, Little Lulu, withfreckles on your chin." There were some production of Virginia Wolf is too low-keyedin intensity and too high in laughter, yet, attimes, it is chilling, due to the emotionally-charged performances of Lee Brozen andRoberta Braucher. Tickets for Virginia Wolfare $1.50 for students, and $2.50 for others.They can be reserved by calling the boxoffice at 753-3581.musical rough spots in the performance,thought, but if there is one play I would hateto see become a technically perfect and icyoratorio, it is The Beggar's Opera. After all,look what's happened to most productions ofGilbert and Sullivan.The costumes were tacky, which meansthey were perfect for this play. The lightingilluminated, which is about all one can dowith the facilities of Ida Noyes. The seatingwas wretched, with a total disregard of sightlines. The sets were good, in a stark andfunctional way. Generalfy, the show was anadequate, and therefore enjoyable, rendition of one of the perenially great worksof dramatic literature.SPARKSINDISCREETTHEIR NEW ALBUM NOWON SALE EVERYWHERE.SEE SPARKS ON THEIR 1975NORTH AMERICAN TOUR.APPEARING AT THE RIVERATHEATER NOV. 21, 1975A i 8:00 P.M.PLATIONUM ITALIC SETA Contains a fmntmn pen five'Italic nth, and instructionmanual aft firmly .. jAt Art material (yptn shops |collate hook stores....orsend jcheck, to ’Vtnmftc Corn, i$2 jWest 22 Sr, NX. N.Y fjAdd 50 cents for hmdhna Ifc/ 1A Man ForOthers—A ForeignMissionaryPriestThat's what- a Coiumban f atheris He’s a man who cares anda .(hah who shares a man whoreaches out to missions in Asiaand Latin America to share theGood News that Jesus trulycares for them, He's a man whocommits his life totally to othersso they can live their lives aspod intended Being aCOLUMBAN FATHERis a tough chattenge but if youthink you have what it takes andare a Catholic young man 17 to26. write today for ourFREE 16-Page BookletI Columban Fathers CM| St Cotumbane. NE MOM I| * ^rerested m becoming a |f Missionary Priest j| me your booklet j„ Slat* Ij ltD ' '■■■■■ .'■■■■ et*o«a■■***■II Midwest Conference May Cause Maroon Athletic ChangeBy Jim KaplanThe University’s decisionto join an athletic conferenceafter almost thirty years ofindependent varsity status isa major step with importantramifications.According to CharlesO’Connell, Vice Presidentand Dean of Students in theUniversity, the Universitywill be entitled, as two yearassociate members of theMidwest Conference, to fullrights to membershipwithout having to stringentlyobey all Conference policies.Dean O’Connell explainedthat there exist three areasof conflict between currentChicago practices and therules of the Midw’estConference member schoolswhich will be overlookedduring the trial period.First are the University’sAmos Alonzo Stagg andGertrude DudleyScholarships. The threeStaggs and two Dudleys areawarded annually toincoming college men andwomen, respectively, whohave demonstratedoutstanding academic,athletic, and leadershipabilties in high school.Neither scholarship requiresthe winner to participate inathletics at Chicago, yet theyare frowned upon by theMidwest Conference, whichforbids any athleticscholarship.The second area of conflictconcerns the Conferencerestriction on collegecoaches visiting high schoolsto publicize its Stagg andDudley programs.Third, the MidwestConference has a ruleconcerning the eligibility oftransfer students which ismore strict than that of theUniversity. The Conferencerequires a transfer studentto sit out a year beforebecoming eligible forintercollegiate varsity competition while Chicagoallows immediateparticipation.Dean O'Connell sees thetwo year period, duringwhich Chicago will maintainits current practices, as atime during w-hich eachparty will be trying to winthe other over to its way ofthinking. If Chicago decidesto become a full member af¬ter two years it will have tocomply with all Conferenceregulations. Before thattime, the University willprobably lobby to alter suchregulations to better fit itsown policies.Another provision of fullmembership, which wouldnot significantly affectChicago, is the limit on thenumber of games any teammay play within a givenyear.Dean O’Connell pointedout another area ofdifficulty. "We have notparticipated in a formrlconference in many years.»ur student athletes are fonduf the flexibility whichindependent status offersOur undergraduates areacademically oriented andoften do not desire longovernight road trips whichcould interfere w-ithacademic work.”Nevertheless, thedrawbacks of Conferencemembership seem to beoutweighed by theadvantages.Wayne Duke.Commissioner of the Big TenAthletic Conference, calledChicago's membership in theMidwest Conference “agreat move. Conferenceaffiliation is very important.If you can bring togetherinstitutions with commonobjectives, that’s what makea good conference. TheMidwest Conferencerepresents some of the finestin intercollegiate athleticcompetition based on soundThe Earth® brandshoe, the shoe thatstarted it all, the firstshoe with the heel lower thanthe toe, the shoe so unique it's patented,now comes in a whole new range of styles.Soft, strong, light. lined, puffed, quilted.Earth® brand shoes.Tall, short, leather,suede, fancy, sporty,hiking, dancing,walking Earth*brand shoes.Chicago/Lincoln Park: 21 12 N. Clark St.Free parking at 2036 N. Clark St. (312) 528-8510Chicago/Hyde Park: 5210 S. Harper CourtOff-street parking in city lot. (312) 364-4088.Open 7 Days. MasterCharge Accepted.Gift Certificates Available. academic committments.”John Schael, Director ofRecreation at the Universityand head of the StaggScholarship program, saidConference membership"will definitely help ourrecruiting efforts.” Mr.Schael explained that a fixedschedule with MidwestConference teams whichpeople have heard and whichpeople respect will do muchto create more interest in theUniversity’s athleticprogram.Bill Haarlow, former All-Big Ten and All-Americanbasketball player at Chicagowho is currently workingw-ith the Development Of¬fice on the fund drive for athletic facilities for theUniversity, was also en¬thusiastic about the newsof joining the MidwestConference ‘Thisshould have a very positiveeffect on alumni support,”said Mr. Haarlow."Alumni wanted to see theUniversity play a morereputable schedule. Thisshould be a rallying point foralumni who will have reasonto come back and see theUniversity play a varsity-schedule of higher caliberthan in the recent past.”Mr Haarlow also claimedthat athletic events woulddraw many fans from amongChicago’s opponents' alumnias well Walter Hass. Director of Athletics,elaborated on this point by-explaining. "Every MidwestConference school has a bigalumni group here inChicago. Playing us inChicago will help them withtheir alumni support and willhelp our attendance atathletic events."Another beneficialconsequence of Chicago'sentry into the MidwestConference was noted by MrHass. “The MidwestConference schools are allgood liberal arts colleges.We re a good liberal artscollege within a greatuniversity. Athletes at theMidwest Conference schoolsare the type of people who are often interested inChicago's graduate schools.Coming here to play will aidin recruitment of them forthe University’s graduateschools.”A favorable vote was castby Jerry Thompson.Commissioner of theMidwest Conference andChaplain of Ripon CollegeRev Thompson said he was"delighted to welcome theUniversity of Chicago aspart of the Conference. Hethought Chicago'smembership would prove"mutually benefitial” toboth the Conference and theUniversity. Rev. Thompsonwas quick to gloss over anyConference To 14SPORTSmmSpikers Lose To Wheaton End 5-17 SeasonBy David RieserThe University varsityvolleyball team closed outtheir season Wednesday-night. losing to Wheaton, intwo games bringing theirfinal record to 5-17.In general, it was adisappointing season Therehad been high expectationsfor the team based on lastyear’s performance and thefact that most of that team'sstarters w^ere returningCoach Pat Kirby started theteam playing complicatedformations but eventually-had to return to the basicswhen the team lost a seriesof games because of badvolleyball.The team had earned aberth in the slate tourney-based on last year's play andtheir performance improvedtremendously as tournamentweekend approached. Theywere able to display theteamwork and network thathad been missing in theprevious games. Un¬fortunately. star YadisCothran twisted her ankle inthe game right before the tourney and was lost for theseasonThe Maroon squad of BarbBrink. Laura Silvieus,Jeanne Dufort, Anne Har-villa. Paula Markovitz,Claire Orner and Ann Speck-man played well despite theloss, not only of Cothran butalso starter Giok Khoe. whohas a mid-term. In fact thematch against host schoolNorth Central included someof the finest play shown by aChicago team in years. But itwas all in vain as theMaroons lost all three oftheir opening round matchesand had to go homeThe Maroons ended theirseason beating Rosary lastweek, but falling to Wheaton15-3. 15-7.Asked about the disap¬pointing season Coach Kirby-commented about the effectof the early attempts atcomplicated patterns andmentioned that theirknowledge of the formationshelped the team when theyreturned to the basics.Further, she agreed that formany of the women,vollevball was not their Jeanne Dufort spikes one in the State Tournament actionagainst Quincy. (Photo by David Rieser)JOIN THEHORTICULTUREAT^GRGQIiNGOfHVDCMRKChicago s complete Plant Service Store"quality plants at moderate pricesHouse calls, All clay potspersonol consultation, potting soilsma-ntenanee, rental, natural feedsboarding delivery. and fertilizers.Opening now with a special one week only soleBUY A SIX-INCH BOSTON FERN FOR $5.001Tuesday through Saturday 10 am - 6:30 pmSunday 12-4.1603 E. 53rd Street - 667-0920Kay Reynolds Cynthia PittmanBankamericord and Master Charge honored major sport and pointed outthat many of the schools theMaroons play are fed byprograms that start thewomen at the net a littleafter they start walking.Still the season was not atotal loss First year Dudelyscholar Anne Harvilla im¬proved immensely in herfirst season of volleyball andwill prove to be a potentforce in the coming years..e^ Another bright spot wassecond year Ann Speckmanalso out for her first season.In fact, the JV squad wasunbeaten in the two matchesit playedThe Maroons will lose nostarters to graduation andw ith the young talent comingup and the experiencegleaned from this year, nextseason should prove to be averv fine season indeed,o%cy o^eVVVc* u(°° <oc6*' %■ * . e° < Q° r.S ( Kifck\ V-V* *3HYDE PARKSHOE REBUILDERS1431 E. 37th HY 3-1247Serving U of C for 45 yearsShoe repairingWe sell genuine leather men's shoesGood quality, all leather hiking bootsConverse shoes tor $7.50HOURSTUES SAT. 8-tSUN. 9 12CLOSED MONDAYSFriday, November 21, 1975 - The Chicago Maroon -1 3♦1 * *«■ '*4*iii**<*i« Wt KiJ! * TV/f <>Mr 1f, ( C ^•li"9vov' voh v! rooter.4, b A: \\% ■♦4' »1 ::UC To Lobby For Conference Rule ChangesConference From 13possible conflicts betweenthe two. saying. “I realizethe University of Chicago isa more complex institutionthan most of us are. but Ithink Chicago is certainlywithin the spirit of theConference.” Most of thedifferences were laoeled“matters of interpretationand wording” by Rev.Thompson, and not in¬surmountable obsta¬cles”. He was confidentthat mutual agreement would be reached during thetwo year trial period,hopefully leading toChicago's full membership.Asked about the role ofwomen's athletics in theConference, Rev. Thompsonexplained that no formalwomen's competition wassponsored by the Conferencebut that all of the memberschools had women’s varsityteam s . M ary JeanMulvaney, Chairperson ofthe Women's Divfckm ofPhysical Education, showedan interest in competing with .Midwest Conference teamssince “they are schools of thesame caliber academicallyand draw the same numberof women students as we.”She observed that the caliberof play among memberschools varied significantly.Ms. Mulvaney hopes toschedule some MidwestConference opponents incooperation with the men sdepartment to save on travelexpenses. Thoughts ofpossible Midwest Conferencetournament play is in mindfor the future, but, for the present. women’s teams stillhave to follow the state,regional, and nationaltournament set-up of thegoverning Association ofIntercollegiate Athletics forWomen.1342 E. 55 St Chicago II 606154936700THREE WAYS TO SAVE A BUNDLE.CONTINENTAL’S DISCOUNT FARES.SAVINGS WITH OURECONOMY FARESSkip a meal and save. Reserve a seat on allflights at any time, day or night.really move ourCONTINENTALThe Proud Bird withSAVINGS WITH OURSTANDBY FARESHere are savings worth waiting for. About28%, in some cases more. So, to save big, standby for late night flights between selected cities.SAVINGS WITH OURNIGHT COACH FARESIt’s never too late to save. And you get theconvenience of a reserved seat on late nightselected cities. Continental’s discount fares can help yousave money off regular Coach fare when you gohome during vacation. And, for those of youwho plan ahead, our Excursion Fares can saveyou 25%. For specific savings between city pairs,call your travel agent or Continental Airlines.Of course, if you’re going skiing or to findyour place in the sun, you can save big on your tripto Denver, Miami or Hawaii on Continental.We’ve got low cost vacations to the fun spots.Call us on it.We move our tail to save you money in a I —— —_FEDERAL SOCIAL POLICY AfNJOTHE JEWISH COMMUNITYMB BYRON GOLDncrv 212*30 pmat Tiillel5715 wood.lawn. | daft o$ heoJ+keducation ^ GaetSoneRIP-OFFAUTO REPAIRFOREIGN CAR SPECIALISTSSERVICE ON VW & AUDIWe Offer Top-Quality Mechanical ServiceTune-Ups * Electrical * Brake SystemExhaust System * Other RepairsConveniently Located at5508 S. Lake Park(Gateway Garage Bldg.-Downstairs)Monday-Saturday, 9am-9pmCALL;684-5166THE NATION OF ISLAMKolimoh lecture Series -PresentsAPOETRYLECTUREFeaturingGwendolyn BrooksVat Gray WardLaila MannanFormelry Sonia SanchezTheme: “Poetry On and AboutBilalian (Black) Women”SAT., NOV. 22,19755 PM,Nation InformationCenter7801 S. Cottage GroveChicago, III.ADMISSION FREE ALL ARE WELCOMEFor information call:651-2741 or 783-5270CLASSIFIED ADSSPACEFemale roommate wanted to share lq.6 rm apr at 52 8. Dorchester $93/ mo.plus utilities. Call 363 2115 bet 6 8 pmor after midnight.5 rm apt S189. 51st & University.Assume our lease Avail Dec 1 nice,493 9493Roommate wanted 5742 S Drexel Call241 5375.Large Furn. rooms, use of kit$20 00/ week, 6138 University 667 5740Private Bedroom in Deluxe 5 roomApt now to Male or Female MusicLover $92.50/ mo 8, util, at 5340Woodlawn Nov Occ Harry 288 4884CHICAGO BEACH BEAUTIFULFURNISHED APARTMENTS. Nearbeach, parks, loop, UC and 1C trains;11 mins to loop buses, door. Modesldaily, weekly, monthly rates 24 hr.desk, complete hotel services, 5100 S.Cornell DO 3 2400 Miss Smith.SPACE FOR SALE54th and Dorchester 19th Centuryhome features 8 bedrooms, 3 baths,form din 8. liv rm Modern kitchen, 3woodburning Fireplaces, incomepotential asking low 30's Close toschools, campus bus By owner,evening and weekends 363 4832Modern 4 BR fownhouse Fam. Rm,formal DR, 1 1/ 2 baths, cent a.c.,newly decorated $55,000 By owner56th & Harper 947 91106 rm condo East Hyde Park by appionly after 6 p m 955 9322PEOPLE WANTEDThe Wagner Society, a Chicago basedgroup of those interested in operas ofWagner, invites your membership.Box 7176, Chicago, 60680 525 7483O r g a n i z a t i o n a I meeting forUndergraduate Women's BadmintonClub Mon Nov 24, 5:30 Rm 203 IdaNoyesTYPIST Exp in dictaphone,manuscript typing, handling smallcentrex, Must type 60 wpm Call 9472080, Evelyn Salary $8,000 plusAnyone familiar with Young Judea orHashachar? We are looking for aspecial person with experience inZionist youth movements willing towork part time as a coordinator forSouthern Chicago area Call Evie Levy676 9790Learn some ps ychoiogy and earn $2 anhour Subjects needed for experimentsm cognitive psychology, psychology oflanguage, and visual perception Forinformation cal! Mary Stockman 7534710Hay fever and or asthma worse inearly tall? If interested in trying a newtreatment, qetting full allergy work upplus a retribution, please call Dr VPopa at Billings Hospital at 947 5514 or947 5515Where else can you get free apple,uice, insurance a smile 8. help yourfellow human beings? Billings BloodBank! Call for appi 947 5579VERSAILLES5294 S. DorchtsttrWELL MAINTAINEDBUILDINGATTRACTIVE 1 % ANO2V» ROOM STUDIOSFURNtSMIDorUMFURNtSHfDl$1294. $209Bosad on AvoilobiiityAll Utilities IncludedAt Campus Bus StopFA 4-0200 Mr*. OroakOAKFIREWOOD*70 A TONIncludes tax, kindling& dump delivery. Alsoavailable, birch,cherry, maple A ash.CALL HYDE PARKFIREWOODAT 549-5071 OR947-0330 Portraits, 4 for $5 and up MaynardStudio 1459 E 63rd, 2nd floor, 643 4083Furnished studio apartment at 538Hyde Park Blvd to sublet from 1 1 at$170 per mo Part of one months rentfree. Call Chris at 947 6435, 9 6 pm. OVERSEAS JOBS temporary orpermanent Europe, Australia. SAmerica, Africa, etc All fields $500$1200 monthly Expenses paid,sightseeing, Free info WriteInternational Job Center Dept C 7 8ox4490, Berkeley, Ca. 94704 HANUKKAH candles, Menorot,dreidels for sale at Hillel House6rm condo, Eas1 Hyde Park by apptonly after 6 p.m, 955 9322.ILLUSTRATIONSDone to your order. Call Noel Price947 0698 evenings.PEOPLE FOR SALEMILES ARCHER MOVERS.Reasonable prices Call 241 5830or 9470698 or 752 4910 for information.CLASSIC493 3949 GUITAR INSTRUCTIONWOMEN'S CENTERFor exp piano teacher call 947 9746SCENESHILLEL S FAMOUS 29th ANNUALLATKE HAMENTACH DEBATE,Tuesday, Dec 2, Clositer Club, IdaNoyes, 7.30 pm. Hear Professors:Sidney Davidson, Peter Demboski,Norman Gelfand, GeorgeGlauberman, Ira Katznelson, MarvinMirsky, with Helen Harris Perlman asmoderator, debate the merits of thelatke vs the hamentash FREE. Latkesand hamentash served afterwards atHillel House. 50 cent donationTHE WIERD WORLD OFINTERNATIONAL MONEY UnionFor Radical Political EconomicsMonday Night Workshop 7:30 PMNov 24 Ida Noyes 3rd FI.Come join U of C folkdancers withdancing of all nations Mon beginninglevel 8. Sun general level, 8 pm, 50edonation, Fri. all levels 7:30, IdaNoyes every week through finals.Bazaar! Delicious Chinese snacks, eggrolls, fried rice, sweef 8. sour pork,and others Gift items imported fromChina, Chinese paintings, etc Nov 22,noon to 6 30 p m. 5144 S. CornellChinese Christian Reformed Church ATTENTION ALLSTUFFED CLOSETSIt you are ready to be rid ot thefollowing, I am buying wickerfurniture 8. baskets, 2 drawer metalfile cabinet, blender, sewing machineMint condition not important, just so itworks Call eves and wknds , 955 7691TYPINGFast, reliable, accurate Call 288 2235SLEEP LABSubjects wanted for sleep studies $10per night Apply in person at 5741 S.Drexel, 3rd floor, Room 302, Mon Fri9 4 No phone calls pleaseCALCULATORSWith a Texas Instrument or HewlettPackard calculator you can't gowrong, especially at these prices, 7532240 Rm 1916 aft, 241 5496 evesFOR SALE MARX BROS.Why give laundromat your money?Hoover WASHING MACHINE Fullyportable attaches to sink $75, 955 6079APT SALE What didn't go last week,must go this week. If you don't like ourprices make us an offer we can'trefuse Vanity, $60 bureau $60, glassdoor bookcase, $35, floor fans $7 each,TV $20 hampers, stumps, milkcans,Mason (Ball) jars, mysteries, s.f.,filing cabinet Call 493 2316 or comeSat 10 am to 1 pm 1616 E 50th PI Apt3DUprigh' p.drio Decker Co $250 Call955 0506 evenings Ask tor BethGUITAR $125 perfect condition valueretail $225 Virginia 684 4000 daysThinking ot ouymg a new Chevrolet''’Call Ron Graef grad student andSAVE1 3 2080 morn/ 548 2198 eve 6 8 Duck Soup, Sunday Nov 23, 7 30 &9 15 COBBAMERICA'S BESTMAGAZINE STOREBOB'S NEWSSTANDYES! 1515 DIFFERENT TITLESEverything from ecology to hanggliding. Science fiction, to eroticaThousands of underground comix.Marvel. C, as well Britisn Press Daily,New York Times Daily, 6 am. SUN 7am Cigarettes, candy, cold pop,lottery tickets. A great place to go andavoid reality. Building looks like redbrick bunker corner of 5100 Lake ParkMon to Fn 7 a m. 6 p m., Sat 7 a m, 9p m . Sun 6 a m 5 pm Truly aperiodical freaks garden of earthyaehqhtsBRENT HOUSEEcumenical Campus Ministry5540 Woodlawn«Sunday, November 235:00 UNDERGROUND CHURCH6:00 FELLOWSHIP SUPPER ($1.25)7:00 —SPEAKER —\RWIT4 BOSWEEI."SEXISM & PUBLIC POLICY'SELL IT IN 75WITH A MAROON CLASSIFIEDONLY THREE MORE ISSUES11-25 12-2 12-5 WOMEN'S MAGAZINEPrimavera, the women's literarymagazine, is on sale in all Hyde ParkbookstoresSANYO DEMOSalurday 10 4Come and see thenewest is Super 8 bothsound & silentMODEL CAMERA1342 E 55th StreetPOCKET 110 CAMERASWe have the Southside's mostcomplete selection of quality pocketinstamatics including the CopalSekonic, Canon, Minolta, Kodak, GAF,Sedic and Vivitar STOP IN AND SEEUS Model Camera 1342 E 55th Street493 6700 OPERAThe Marriage of F igaro by Mozart TheChicago Opera Studio production inMandel Hall Friday Nov 21 (one showonly) Students $3 Fac &. Staff $5General $6 on sale Nov 17 at ReynoldsClub desk UC Extension Div For freeadmission be a ticket seller or usherCall Aaron at 753 3444ASSISTANTLIBRARIANNew Women's Center hours are 11 301:30 pm. Tuesday thru Friday on the3rd floor of the Blue Gargoyle Comeand bring your lunch! 684 3189 College degree. Knowledge of Russianessential, some typing Full time,salary $7,700 Hyde Park area CallMr Freitog 955 4545 EqualOpportunity Employer M/ FLESS THAN RENTSpacious 4 1/2 room condominium inEast Hyde Park Assessments under$100 Ir w/ fireplace bedr dr mod kitporch study 1 full bath Call forappointment Edward Lavelle,Kennedy Ryan 8, Monigal, 1461 E 57thSt 667 6666ROSEHIP STRINGBANDSee them with Euphoria BhmpworksMemorial Band Sat Nov 22 at 8 00 inthe sanctuary at the Gargoyle tickets$2 00DUCK SOUPUnidentified Flying Film Co , presentsthe Marx Bros in one of their finestflicks, Duck Soup, Sunday, Nov 237 30 and 9 15 CobbEUPHORIAEuphoria where? In the sanctuary atthe Gargoyle with Rosehip StringBand on Sat Nov 22, 8 00 tickets at thedoor $2 00OMNIAOMNIA 1414 E 59th M Th 10 8. F 10 6,SS 115 The international Houseeverything shopSTEP TUTORINGInterested in helping neighborhoodchildren? The Student TutoringElementary Project needs volunteersto tutor students in school work, suchas reading or math, or to help inspecial projects, such as art, music orscience For more information callRon Schwartz, 924 2664 or Rod Wing,753 3541REFRIGERATORRENTALMini frige. Pennies a day Freedelivery Call Swar Rental 721 4400PAN PIZZADELIVERYThe Med'Ci Delivers from 5 10 p mweekdays, 5 11 Saturday. 667 7394Save 60 cents if you pick it up yourselfBOOKS BOUGHTBooks bought 8. sold everyday everymqht 9 11 Powells '501 E 57thSANCTUARYIt you missed their last appearance inHyde Park catch Rosehip String Bandon Nov 22 at 8 00 tickets $2 00TENNIS LESSONSSeries of 8 at only $1 15 per hourRackets furnished 7 strokes 8, rules Jim Smith TE 4 7230 or 66 7 4038 by 9p m LOSTYOGA 2 Rings 1) Blue band, brown spot 2)Jade stone, gold band 493 6526YOGA Nervous? Hard to concentrate’Or meditate’ Can't quickly relax’ CallSri Nerode, 88 year old Yogi Mastertor classes NY 3 7454 or DO 3 0155 FOUNDPERSONALSThe Chicago Counseling andPsychotherapy Center, 5711Woodlawn, needs people who arewilling to talk about their personalproblems and feelings for 10 sessionswith a psychotherapist in framingParticipation should no' be seen aspsycho therapy or as a substitute forpsychotherapy, although participantswill probably find it a usefulexperience Participants will neitherbe paid or charged for their sessionsCall 684 1180PREGNANCY TESTS 10 a m 2pmSaturdays Southside Women s HealthServices Augustana Church 5500 SWoodlawn Bring 1st morning urinesample $1 50 donationPregnant’ Troubled’ Call 233 0305 torhelpl am a very lonely person confined inMarion Correctional Institution withno one to correspond with, no outsidepeople to relate to Wish very much towrite to someone to help myselfmentally to certain respect, plus getaway from this Dead World I ampresently into Will answer all lettersreceived by me So please allow me topacify my mind some by trying torelate to tne people of that live worldout there Thank you Jim MoultryPO Box 57 MCI, Marion, Ohio43302 Small female dog, brown 8. white, toxlike appearance, gentle, well behaved,good watch dog Needs good homePlease adopt if owner does not claimM Kirby 752 7230 5728 S DrexelDog found Nov 12 near 53 8 S ShoreMale terrier mixed, es> 1 year oldBlack with brown shadings, whitechest 8. feet 324 1000Found young female cat, grey 8.white affectionate, framed Pleaseclaim, or adopt I* you are a UCstudent I will pay for neutering 6676031RING FOUND at 58th and UniversityTennis Courts Describe it and it'syours Call Nancy 549 4737 after 6 pmWRITER'S WORKSHOP (PL 2 8377) JAMESSCHULTZCLEAVERSCUSTOM QUALITYCLEANING10a/«student discount1363 E. 53rd St.752-6933NEED A RIDEHOME?TRY A MAROONCLASSIFIEDUNIVERSITYORCHESTRALiszt, Les PreludesMozart, Paris SymphonyProkofiev, Romeo & JulietSaturday, November 22 — 8:30 P.M.Mandel HallAdmission FreeJournalists NeededPeople with journalism ex¬perience or expertise in English1 needed at the Maroon. Hours onMondays and Thursdays. Contactthe Maroon office, INH 303...>viFr|i<WK,.Noy«P'b£r;3L )?£5,-t,L^£hic,ij>?piMaroon-' 5trCELEBRATEWines to be used with a meal can be thedifference between eating and fine dining.RED WINES1970 Volnan 7"1969 Richebourge 19°°1937 Vintage Port 20° 0Redwood Mountain California Table Wines1970 Geverny Chambertin A remarkably full winevery unusual for its typeA fantastic wine in afantastic yearNow taste a great portand see the differenceFifth498 14°°1967 Chateau Cote Puyblanquet 448CHEESE SALERegular SaleJarlsberg Norway 179 159l\IO©k©IOSt Plain or Spiced Norway 179Cambree (AblendofCamembertandBrie) France 229SHItOn (England) 265 219Vermont Cheddar 205 185Party Mart Spreads (Hickory, Brandy, or Garlic Cheddar) 125Daily: 10am-ll pm Sunday: Noon, 6pm16-The Chicago Maroon - Friday, November 21, 1975 r