1go MaroonVolume 11, Number 57 ;ity of Chicogo Fridoy, May 16. 1975Neurology section foldsByMARIA CRAWFORD SCOTTA crisis in the neurologysection of the department ofmedicine has resulted in thedecimation of most of thestaff and the creation of aseparate department ofneurology, according tosources associated with thesection.Dr. Sidney Schulman,present chief of theneurology section, will leavehis post in July and go toHarvard. Three otherneurology professors, Drs. *Nicholas Lenn, RobertMoore, and Robert Cutler,left the section last July andwere not replaced. Sourcesattribute this to a lack ofspace and money. Of theremaining neurologyprofessors other thanSchulman, two, Drs.Ruthmary Deuel and PeterHuttenlocker, have moved toWyler's pediatric neurologysection, while Dr. NicholasVick recently left forEvanston Hospital.Sources inside the medicalschool believe the exodus ofprofessors is due in largepart to the lack of autonomyof the neurology section,which is under thedepartment of medicine. It was felt that the sectionsuffered financial and spacelimitations and thatprofessors may have beenmotivated to leave becausethey saw no future in theneurology section.Schulman’s replacementwill be setting up a separatedepartment of neurology.The budget committee oftrustees authorized creationof a separate department onFebruary 17 to be based onthe present neurologysection.The authorization forseparate neurologydepartment apparently wasin response to Schulman'sand the other neurologists’departures Schulman hadrequested departmentalstatus for neurology sev¬eral years ago, but it wasdenied, and one sourceindicated he (Schulman)may have received some“condemnation” for it.According to one source(who wished to remainanonymous), the report ofthe committee which lookedinto the matter overlookedimportant facts of theneurology section andwrongly accused Schulmanof being inactive inattempting to create a largeviable section. The neurology section washighly regarded at the time,though undermanned Manyfelt then that there weredifficulties because of thelack of space, money andautonomy.Schulman’s decision toleave came after the loss ofhis junior faculty—the threewho left last July—and, according to severalsources, probably was aresult of his frustratedefforts to improve theneurology section. TheMaroon was unable to get intouch with Schulman forcomment.After Schulman’s decisionto leave the request fordepartmental status for neurology was approvedwithout difficulty. Onesource felt Schulman'sleaving was taken as a“mandate” for the request’sapproval.Other reasons for theapproval are that mostneurologists around thecountry feel that neurologyshould be separate. In about 80 percent of the medicalschools around the country,neurology is an autonomousdepartment. It may haveproven difficult for asearch committee tofind a neurologist whowould head a neurologysection which wascontinued on page 4Arrest dorm suspectBy STEVE DURBINUniversity securityofficers and Chicago policeapprehended a suspectWednesday night believed tobe the man who accosted aresident of Woodward Courtlast May 6. The suspect wasarrested and charged withbattery, auto theft, autolicense theft, andfalsification of autoregistration. ' somehow entered thecourtyard at Woodward andwas let into the dormitoriesby a resident at about 3o’clock in the morning.At approximately 5:30a m., a resident of UpperWallace, an all-female dorm,was confronted in a fourthfloor bathroom by a man wielding a knife. The girlscreamed, and the mandropped the knife and fledSecurity was called, but theman was not foundIn addition to thedescription of the assailant,it was found out that a manfitting the description was seen several times in theWoodward Court vicinity,driving a “distinctive”foreign carThe car was seenWednesday afternoon by oneof the resident heads atWoodward, but security wascontinued on page 4Search for plutoniumin Argonne landfillThe search continues forthe missing plutonium atArgonne NationalLaboratory after a week ofunsuccessful efforts.Workers failed to locate thesample, which is only thesize of a large pinhead, in thedry-active wastes and areconcentrating their efforts inthe regular trash landfill.The laboratory in whichthe plutonium was kept andadjacent areas have beensearched again, in the hopethat the plutonium may beconcealed among some ofthe permanent furniturethere.Argonne officials had previously reported that theFederal Bureau of In¬vestigation (FBI) and theEnergy Research andDevelopment Ad¬ministration (ERDA) hadbeen notified that theradioactive sample ismissing, and that thepossibility of theft was beinginvestigated. However, noevidence has been found thatthe plutonium was stolen,according to officials.The plutonium is not aserious radiation hazard, buteven very small amountscan be dangerous ifswallowed or if its fumes areinhaled. Security was alerted whentwo residents and a assistantresident from WoodwardCourt spotted an automobilethat had been associatedwith the assailant from theMay 6 incident. Before thesuspect could drive away.University security officersarrived and stopped theoccupants of the car forquestioning.In the original incident, aman described as “black,5’10“ to 6 feet, 20-25 years ofage, medium build, darkcomplexion, short hair’ TURKINGTON:Turkington. Housing director and assistant students EdwardSG presidential elections setThe new studentgovernment assembly willmeet Monday evening toelect officers for the comingacademic year.The newly-elected studentrepresentatives will conveneat Harper 130 at 7 p.m.Campus politicians willelect fellow students to several posts: president,vice-president, five CORSOpositions (including thechairman), graduatesecretary, undergraduatesecretary, treasurer, theelection and rules committee(and its chairman), thespecial affairs chairman,and the housing and travelchairman. on ties One current SGofficial speculates that onlyhalf of this year’s activemembers were elected Lastspring by the constituencythey representedInside this IssueSummer insurance p.3Baseball finish p.14Maria Tallchief GCJ 1Doro's GCJ 1 Winners must show atMonday’s meeting or facethe loss of their seats. Suchvacancies will be filled byrunners-up who are present.The assembly will also vote In other developments, theelection and rules committeehas decreed anextraordinary election forSG assemblyrepresentatives from thegraduate business school.Students who wish to voteshould pick up a ballot intheir mail folders inBusiness East, fill out the ballot, and take it to Haskell,room 121, Dean Harold“Jeff" Metcalfs office.A business student mustshow his I D. and sign thestudent voter register.Janice Ricks will act as polljudgeUndergraduates in theprofessional option programare not eligible to vote.Deadline for voting is FridayafternoonA new election was set upafter the five candidates forseven seats failed to collectany votes in the initialballoting.V post office substation movesThe ft. S. post officesubstation “U” is movingfrom its present quarters at58th Street and Drexel toRicketts Hall, at 57th Streetand Ellis. The move will becompleted by Monday. separate entrance in thenorth wing of the building, sothat post office operationswill not interfere with therest of Ricketts, which is alaboratory run by thebiological sciences division. because the building whichpreviously housed the postoffice is scheduled fordemolition next week tomake room for the newCancer Virus Research-<! The post office will have a «> • The move was necessary Laboratory.DONT GO HALFWAY7 ,\NEW GAS SAVING ECONOMYLESS with YOUR TRADE' “"■E?„PIS i?fL milesON THEPER GALHWVINASK ABOUTBRANDNEW1975 NOVAs _2795Tees WITH YOUR TRADE'VS/AV LESS ^ New Europeonstyhng JBM8BSSSS-2288.j a 8*ai G°*MW ^od^ytxlr®.VVhHevYo"*L.m'led T.nre pnly^ f^ory Equ»74 PINTO RUNABOUTBEAT 75 PRICESSAVE $800ON 19BRAND NEW74 CHEVYVEGAS 4-Cyl. Auto. Trans. Radio. Whitewalls. Stk.3701. 12/12!,• months . m t? i'O'i mu iMfOiN. * V- ,-UV:f J-NtMiSIr OH USED .•» Hut Hj 73 MERC. COMET2-Dr. Economy "6"-Cyl. Auto. Trans. PowerSteering. Foct. Air Cond. Vinyl Roof. Radio.Whitewalls.*219573 VW BEETLEAuto. Trons. Whitewall Tires. Only 22.000Certified Miles. Stk. 3749.*189574CHEV. VEGA 73CHEV. MALIBU 72CHEV. CAPRICEEconomy 4-Cyl. Whitewall Tires. Radio. 4-Dr H.T. 6-Cyl. Auto. Trans. Power 2-Dr. H.T Auto. Trans. Frill Power. Fact. AirMany Extras. A Real Gas Saver. Steering. Whitewplls. Radio. Stk. 3688 Cond. Vinyl Roof. Radio. Whitewalls.2395 NEW 1-TEAR, 12,000-Mi LEUSED CAR CRARANTEEINOW AVAILABLE!2287 2395 1795. - V DON'T GO HALFWAY L{S^MiDWAYOPEN SUNDAYSChevrolet SEHABLAESPANOLPHONE: Ml 3-3500 open daily til 8 pm • sat e, sun til6Pm2—Th« Chicago Moroon—Friday, May 16. 1975USSR diBy DOUG MIUERAleksandr Voronel, aRussian physicist whoemigrated to Israel, visitedthe University last week andspoke about the plight of the Jews in Russia. His visit wassponsored by the Committeeof Concerned Scientists, agroup of Western in¬tellectuals dedicated topublicizing the plight ofpersecuted Jews and in¬tellectuals in the Soviet Union.Voronel spoke about thereasons that led him to hisdecision to leave his countryand the troubles he hademigrating Voronel, a Jew,discussed the variousmethods of discrimination that presently exist in theU S S R. In his generation,he said, the only channels ofopportunities open to Jewswere in the academic fieldsHe said that Jews areconsidered “grey figuresSummer med insurance offeredAH students who subscribeto the University’shospitalization insurancecoverage will lose thiscoverage on June 30, 1975,the expiration date for BlueCross/ Blue Shield grouppolicy #40556.Arrangements can bemade to renew thehospitalization coverage forthe period July 1 - September 30 for a fee, even for thosestudents who are notregistering for the summerquarter or who are leavingChicago for the summer.Those students who arereturning in the fall and wantto retain coverage for thesummer months can renewtheir policy at the registrar’soffice, room 103 of ihe ad¬ministration building. Ap-PATTERSON: White House aide Bradley Patterson, Jr.will deliver the annual Maroon lecture on Tuesday.White House aide willgive Maroon lectureBradley H. Patterson, Jr.,assistant director foroperations in the WhiteHouse personnel office, willdeliver the inauguralMaroon lecture nextTuesday, May 20, atWoodward Court.The address, to bedelivered at 8:30 p.m., willbe followed by a reception inthe apartment of residentmasters, Izaac and PeraWirszup.Patterson, an alumnus ofthe University, is presently amember of the visitingAAAB positions still availableAny student interested insitting on the Major Ac¬tivities Board (MAB) nextyear should contact thestudent activities office at753-3591. Interviews will beconducted by members ofthe drafting committee, whowill choose two individuals.Other MAB posts will befilled by the executivecouncil of GS, FOTA, and anappointee of the editor of theGrey City Journal. plication and payment mustbe made before July 1.Students planning toregister for the summerquarter must pay the $22.50premium for the singlestudent plan at the time ofregistrationStudents who are notregistering for the summerquarter but who plan toremain in Hyde Park duringthe summer and want to becovered will be required topay the $22.50 premium plusan additional $25.00 student health fee. Arrangementscan be made at theregistrar’s office and thepayment of $47.50 must bemade before July 1.Students who aregraduating this spring arenot entitled to renew thisplan.The Blue Cross/ BlueShield policy for dependentsis also available for thesummer. Arrangements aremade directly with theStudent Health Services.Billings office, room 0-104 hidden in the shadows.” notallowed to have positions ofresponsibility or power Healso spoke about quotas onJews presently entering theUniversity of Moscow, themost prestigious school inthe country In the 1940'sand1950's when he went toschool, 40 percent of the 250math majors at Moscowwere Jewish; in 1967 and ’68only 2 percent were JewishAccording to Voronel thereis no religious communityfor Jews in the Soviet Union,so academic and intellectualactivities have become thebackbone and tradition oftheir community. Thediscrimination against Jewsin the school system. Voronelsaid, was the deciding factorin his decision to leave hiscountry.Upon applying for a visahe lost his citizenship papersand his job This, he said,was standard procedure, butbecause he had organized anunderground seminar for scientists who wished todiscuss their research hewas harrassed by the KGB(the Soviet secret police).The seminar wasorganized originally by 17physicists who weredismissed from their jobsafter having openlydiscussed their desire toemigrate to Israel. Theseminar, loca ted inVoronel’s apartment,provided these people withan unofficial forum forscientific discussions andcontact.Voronel concluded that theWest has a responsibility tothe persecuted Jews andintellectuals in the SovietUnion The Soviet govern¬ment, he said, is very sen¬sitive to public outcry fromthe West, a factor that hesaid saved novelist AlexandrSolzhenitsyn, and thatmanifestations of in¬tellectual freedom like hisseminar can continue if theWest caresLETTERS TO THE EDITORcommittee on the collegeThat committee will meet onWednesday.Patterson has had a longcareer in governmentservice stretching back to1945. He is the first degreeholder with the Committeeon Social Thought His wifeand two sons are alsoalumni.In I960, Patterson wasgiven the Arthur S.Flemming Award as one ofthe outstanding young menin federal service.Interviews are scheduledfor Tuesday afternoonbeginning at 2:30 p.m.MAB will not be engagedin financial appropriations,but will plan and work ondeveloping major campusevents.Other campus groups canalso develop programs to usethe hoped-for donationmoney and bring thoseproposals before CQRSO. AppointingLast week Stuart Sweetcalled a meeting of thestudent governmentexecutive council concerningthe appointment of SG'srepresentatives to the MAB(Major Activities Board).Although the election of anew executive council is lessthan a week away (May 19),Mr. Sweet announced hisappointments to the offices:Stuart Sweet and JohnGrossman, Stuart'sroommateWhile I’m not questioningMr Sweet’s intentions or hisabilities, the appointment oftwo persons by the currentexecutive council when thenew one will exist in lessthan a week shows a lot ofgall on Stuart’s part. Theother members of the councilapparently felt this way andshowed some reluctance toaccept these nominations Atentative compromise wasreached: John Grossmanwould not be appointed, andStuart would ask DeanO'Connell and Skip Landt tocreate a seventh position onMAB especially for Stuart Ifthey refused, the graduateappointment would go toStuart Sweet, subject toassembly reviewIn addition. I know that atleast one person wascontacted by Stuart andasked if she would like to beon “his” committee This israther odd because theappointments were supposedto be made by a committeeof five, consisting of Stuart,Peter Gallanis, Tim Rudy,Skip Landt, and Paul AusickI am not questioningStuart Sweet’s desire for theMAB experiment to be asuccess What I don’t like arehis apparent efforts topersonally control themakeup of the committee,and perhaps the distributionof funds. Something likeT MAB is needed here, and itshould be given the greatestpossible chance to work.— Scott R KingDoo-dooMr Michael Moreno has apoint (Chicago Maroon. 9May 1975). And it is notwithout a certain measure ofchagrin that those of us whoown large, anarchic caninecreatures are forced toadmit that man’s best friendis occasionally less thancircumspect about where hedeposits his unmentionables.Unlike the other refuse —human and otherwise —w hich clogs the quadrangles,on the other hand, doggiedoo-doo is biodegradable;and. hence, with everydownpour the supply isvastly diminished Ofcourse, this does noteliminate the problem intimes of droughtNevertheless, we believethat the general ambiance ofthe quadrangles would suffergrieviouslv if all AmericanAmorphouses. Illinois In¬distinct s. and poorlysocialized purebreds were tobe denied entrance to thesegrassy expanses Naturally,certain precautions are inorder If it is the chase youfear. Mr Moreno, than wesuggest Dale Carnegie, astick, or Scope in the mor¬ning. and Kant’s Critiquemight be spared such ex¬treme violence (a truly nobleintention) by carrying onlyHegel's Phenomonologybeyond the sidewalks. As foryour potato salad, if it comesfrom the C-Shop it might wellbe improved by being somisplaced.^Recently we stumbledupon this unfortunate news:that all dogs had beenbanished permanently froma large campus in theAmerican northwest. Itseems that one hyperactive canine chased, captured,and devoured a squirrel infull view of a seminar onDarwin's thought which hadmoved outside to investigatea flowering ant colony Asmight be expected, thesignificance of this eventwas lost to the faculty, whichimmediately voted thesquirrel a declaration ofinalienable rights The dogwas censured and his licenserevoked < Had he simplybitten the chairman of thehistory department, theincident surely would havepassed unnoticed ) We un¬derstand that a few en¬terprising members of thatacademic community havebegun a movement to stockthese now barren areas withblack bears — a mostcivilized gesture which weheartily endorseCeterus paribus, we hopethat Mr Moreno will con¬clude that it is better to treadcarefully than to remove thesource of so much en¬joyment, turning his at¬tention to more weightymatters — like the librarysecurity system. Let usnever forget that auniversity that hates its dogs— to say nothing of a countrywhich hates its bears — has no future The time is athand to recall those moresimple moments of softballgames in cow pastures, whenthe slide into homeplateoften was facilitated by theconsistency of the substanceunderfootYours most sincerely.Seg DogparastQuadrangle denizenArt fairThe FOTA A”t Fair hasbeen scheduled for Saturday,May 10 Due to a large lackof feedback from students orartists in the community, itwas decided to cancel thetables which were to havebeen rented We are trulysorry that any artists mayhave been inconvenienced byour lack of communicationby our lack of com¬municationIf anyone is still interestedin exhibiting their works,please contact LauraPeterson at 753-2240, so thatwe can arrange a noon timeevent on Friday, May 30Sincerely.Karen MolineVadis CothranFOTA visual arts co-chairmenBOTANY POND_ Fridoy, Moy 16. 197S-TIr—■rnrmiri oon—3mdTPf ,df yoM .yobitT--nooioM oqc'j<<0 ?fW-- JJNeuro dept gets status CALENDARcontinued from page 1placed under a depart¬ment of medicineSchulman will return fromHarvard in a year or two, butsources inv,;cated he will notreturn to neurologyThe search committeelooking for Schulman’ssuccessor is aiming for anappointment by the end ofthe summer, but is uncertainwhether the goal can bereached. Once theappointment is made U willtake several months and perhaps up to one year forthe replacement to take overbecause of his or hercommitments to theirpresent school.Residents in the neurologysection will all be leaving,two of whom will finish theirtraining at other hospitals.No new residents will workin the section at this time.Arrangements are beingmade by the division ofbiological sciences so thatacademic studies will not behurt by the section’sshakeupAssailant caughtcontinued from page 1unable to locate it It waslate that night when the carwas seen parked in front ofthe Oriental Institute, ablock from Woodward CourtAfter the man wasarrested and taken to thedistrict police station, twoWoodward residents,including the one confrontedin the May 6 incident, pickedthe man out of a 'policelineup It was later determined that the car andthe license plates werestolenEd Turkington, housingdirector and assistant deanof students, credited thequick use of the whitesecurity phones in alertingthe University securityforce. He had previouslyexpressed disappointmentthat the suspect was able toenter the Woodward Courtcomplex with thecooperation of the residents. Deadlines *or inclusion in the new calendar are now Friday at 5 pm torTuesday's paper, and Wednesday at 5 pm for Friday's paper Allow at least 2 daysfor F AC EX Absolutely no listings will be accepted by phone at any timeFRIDAY, MAY 16MUSIC ABOUT 1*00: The Collegium Musicum presents medieval music tonightat 8 30 P M in Rockefeller Chapel, FREELECTURE Dr James Bowman will speak at the Oriental Institute on "Geneticsand Race Sickle Cell and Other Forms" at 8 00 P M Sponsored by the Commitfee on African and Black American HumanitiesLECTURE "The Search tor Lite on Mars" will be discussed by NASA manGerald Soften Hinds Lab Auditorium, 3 30 PMLECTURE . "Mutations Affecting Human DNA Repair" is the topic of a speciallecture by James A Regan of the University of Tennessee Sponsored by theCommittee on Genetics, the talk will be in CLSC tOt at 3 30 P M . with coffeeserved at 2 30 in CLSC 850KUNDALINI YOGA: as taught by Yogi Bhajan, every Friday night at 7 00 P Min Ida Noyes For more intormation call 288 2235BERTOLUCCI FILM: The Conformist will be shown at 6 30, 8 30 and 10 30 P Mtonight in Cobb Auditorium SI 00KARATE : free demonstration at Hutch Court at noon todayUC GOLF: Chicago Tournament, 7 A M call 3 4680UC MEN'S TENNIS: vs Chicago State, Stagg Field, 1 P MCHRISTIAN FELLOWSHIP: 7PM , IDACHRISTIAN FELLOWSHIP: 7 PM, Ida NoyesCHICAGO POETRY FESTIVAL: William Hunt, Paul Hoover and DouglasMacDonald will be at MoMing, 1034 W Barry 'near Belmont el) tonight at 8 00P M Charge is $1 50 at the door, and cider and bread will be servedDISCUSSION: On "The Social Responsibility of Scientists" with Prof GibsonWinter, 7 30 P M at Crossroads Student CenterDRAWINGS AND CALLIGRAPHY: still at the Bergman Gallery, works by VirgilBurnett and Robert WilliamsOUR LATE NIGHT: will be presented by Andre Cgregory's Manhattan Project,in Mandel Hall Reserved seating 8 30 ,f>, MTHE SMART GALLERY: is still showing their collection of Paintings fromMidwestern University Collections Tuesday Saturday 10 a m. to 4 p m andSunday noon to 4 p mNtLLEL SERVICES: 9 154 m and sundown there will be an Orthodox (Yavneh)service at Hillel, and at 7 30 p m there will be a Creative ServiceSATURDAY, MAY 17URPE: the Union tor Radical Political Economics will present Amy Bridges anda discussion of The Unhappy Marriage of Marxism and Feminism at 2 00 p m inIda Noyes HallTHE CONVERSATION: Francis Ford Coppola s film will be shown at 7 15 and9 30 tonight in Cobb Hall( 1 L ASS E r I E ; c >J 1 FORMDATES TO RUNAMF ADDR MPHONF' ^ — ww, ■ * • ^ » - ■ ■ 'CHARGE: UC PEOPLE NON-UC PEOPLE50c per line 75c per line40c per line to repeat 60c per line to repeatThere are 35 spaces per line, including al! letters,spaces, and punctuation marks. Circle all lettersto be capitalized.All Ads Paid in Advance For Info Call 753-3266HEADINGS: There is no charge for regular headings (i.e., For sale,Space, People Wanted, etc.). Your own heading (1 5 spaces)costs $1.00 (75c to repeat) per line.HEADING>«•.4—-Th.CWco30 Mproon^ido^ ^,16^1^75 SAMUEL EELS MEMORIAL DANCE with live music by Ruckus at 9 30 p mtonight at alpha delta phi, 5747 S University Admission free with University IDORTHODOX SERVICE (YAVNEH): at Hillel 9 15a m A Conservative Liberal(The Upstairs Minyan) service will be held at 9 30 a m , also at HillelENDGAME: Samuel Beckett's play will be performed tonight only by AndreGregory's Manhattan Project Mandel Hall, 8 30 P MUC BRASS SOCIETY: 8 30 p m Contact Peter Gallanis 753 2233 tor more informationDINNER: at Crossroads Student tnfer, 6 00 p mCHICAGO POETRY FESTIVAL: Richard Grossmger and John Ashbery will beat MoMing, 1034 W Barry (near the Belmost el) tonight at 8 00 Charge is S3 at thedoor, but those who attended Friday will have to pay only $1 50 Call 472 9894 formore informationCHINESE STUDENT'S ASSOCIATION 6 p m , Ida NoyesUCTC OPEN OUTDOOR TRACK MEET: 3 30 P M . Stagg FieldCRICKET: Practice at 10 00 at Stagg FieldSUNDAY, MAY 18FROM THE INDIA ASSOCIATION: Ray's "Kancheniungha" (subtitled) andTagore Songs, International House, TPMDUCK STAMPS: Jim Caravello will show his collection at 3 p m in the mainlounge of Ida Noyes This will be the last meeting of the spring quarter of the UCStamp and Coin ClubHUNGER : Henning Carlsen's 1966 film about a writer starving in Norway In 1890One of the most successful attempts at subjective cinema 7 15 and 9 3C tonight InCobb SI10TH TUTORIAL ON CLINICAL CYTOLOGY open to pathologists,gynecologists and cytotechnologists Call 753 3186 for informationSEMINAR: Lawrence Bouldin in discussion of "The Meaning of Limits",Rockefeller Chapel undercroft, 9 45 AMFREDANDERSON JAZZSEXTET:8 00 p m , Ida Noyes Cloister ClubNORTHWESTERN CHAMBER SOCIETY: presents a concert featuringSchubert, Loeftler, Stravinsky and Mojart 3 30 P M , Ida Noyes LibraryFOLKDANCERS: 8 p m , Ida NoyesJEWISH WOMEN'S ORGANIZATION: 7 30 pm, Hillel House Lox and BagelsSI 50LEARN/ PLAY BRIDGE: at the Crossroads Student Center, 3 00 P MCRICCET: UC vs Evanston Skokie Cricket Club 1 00 Stagg FieldMONDAY, MAY IfSTAUGHTON LYND: Remember him? Well, he'll be speaking on "TheMovement in the 60's and The Movement in the 70's" at I 00 p m today at theBlue Gargoyle. 5655 S Universitycontinued on page 13LOUIE S BARBER SHOPWill style your hair as youwould Ilka It dorto.1303 E. 53rd St.FA 4-3878PIZZAPLATTER1460 E. 53rdMl 3-2800| FAST DELIVERY }AND PICKUPI — — — — • Tis spring;The bird is on the wing.But that’s absurdFor I have heardTht^vin^ is on the bird.OAK FURNITURE-ANTIQUESRIFINISHID f AS IS1649 K. 55th667-45401-6:00 PMTUES.-Si DesksTablesChairsDressersBookcasesMuchMoreAlso DoNo matter how Al & Bobby Unserfinish at Indy, they’re countingon their Renaults to give thema lot of comfort on tne way home.economy of up >0 34 mpq ,n the GofdmiH mighty comforting loo No wonderAl ond Bobby ore counting on their RennulHA.'le. Jn... g '00 mllM - •►>.«» hr,,„,they II need all the comfort they con get0 RENAULTJMf Owpoftb, 9kc.2347 SO. MICHIGAN AVK.CHICAGO, ILLINOIS 60616TIL. 326-2590In Renault's I 7 Gofdini coupeconvertible and m every Renault 12 Tlf<: ly sedan and Renault I 2 wagon, you'llfind Renault s legendary comfort Bul k»?iseats d >ep and wide, slide a full footforward and back And they re fullyretlinable There s plenty of foot, knee hip,shoulder and head room inside And theJazz Retrospectives— p. 4Chicago sBy Eden ClorfeneBallet is a long time Russian andEuropean tradition. In America, the art is achild of the twentieth century, fostered andinitially performed by imported talentPart of this tradition is the rank of the primaballerina She is ballet's torchbearer, shecommands the undivided attention ofchoreographers, impressarios, lessesteemed dancers, and the public. FewAmericans have claimed this title until thelast decade. But in the 40's, when ballet herejust began an autonomous existence, anAmerican Indian named Maria Tallchiefoccupied ballet's center stage, dancing withthe New York City Ballet.Maria Tallchief's singularity is not confined to her former status as dance's firstlady. It is most ironic that an Indianrepresents one of America's challenges tothe Old World dominance of the arts. Hermembership with NYCB also includes a sixyear marriage with its director GeorgeBalanchine. Balanchine, although Russian,is the founder of American ballet. Most ofhis masterpieces, which are examples of thefinest choreography in ballet's history, areset to music of Igor Stravinsky. This partnership is the most significant artisticcollaboration of this century. Tallchief'smarriage has allowed her to enjoy a personal involvement with the work of thesetwo men She is a first hand eye witness to adramatic evolution, where two products ofRussian classicism together form a newempire in America.Retired from the stage for nine years now,she is continuing her own legend as an administrator, here in Chicago She is workingto create a ballet company in conjunctionwith Lyric Opera. Two weeks ago she heldauditions for the potential company, and forscholarships to the accompanying schoolThis event deserved my attention, and Ieven went so far as to request an interviewTo my surprise, she acceptedBorn in 1925 in Fairfax, Oklahoma, shebegan her professional career with the.Ballet Russe de Monte Carlo, at age 17. Shecreated many important Blanchine roles inthis company, among them Terpsichore of"Apollo." "Danses Concertantes,""Serenade," and "The Fairy's Kiss " Shejoined the Ballet Society in the fall of '47,which was later to become the New YorkCity Ballet. Balanchine created "TheFirebird" for her, and Tallchief also led thecompany in his re staging of the classicalrepertoire. The NYCB has not been her onlyresidence—American Ballet Theatre, ParisOpera, Royal Danish Ballet, and the nowdefunct Chicago Opera Ballet have had hername on their programs as well. DanceMagazine officially honored her with theirannual award in '65.Balanchine's choreoqraphy is a redefinition of the classical style. The body, itslines, its motion, its momentum are themessages he communicates. Believing thatpure movement alone, and the human form,hold in themselves true beauty, his workoriginates with this notion. Balanchine'sballets are rarely set to a story line, as hefeels dance itself tells a magnificent story.FOODThe FinestItalianRestaurantin the CityBy Amy Weinstein, with GageAndrews THE CHICAGO MAAOOH'S WEEKLY MAGAZINE OF CtHICISII AND THE ARTS French Connection II— p. 3Prima Ballerina InterviewedMaria Tallchief, during tryouts for the Chicago Opera Ballet corps a few wteks agoInstead his ballets are set to music,Stravinsky's in particular. What one seesonstage is a perfect reflection of what onehears. The geometry, rhythm, structure, ofStravinsky's music are ingeniously translated into a kinetic expressionA Stravinsky Balanchine ballet must beseen more than once. There is so muchhappening onstage as each group of dancers is busy with a different aspect of themusic. This choreography is one of the mostdemanding of an audience: it is so tightlyknit and determined that a moment's lapseof attention would result in a loss ofBalanchine's entire process and effect. Hisbodies are perpetually moving, invaluableimages of human form are perpetuallyevolving.So, back to Tallchief and the interview.She was charming, beautiful, open about herart, protective of her private life. Thecarriage of a twenty year old, one thatBalanchine fell in love with, was still there.My one regret was the lack of time we had What does the Lyric Company do?It is two years old First of all, the company that worked last season doesn't meanthat we're going to have the same personnelthis season. Last season I had to take manydancers that I thought really weren'tprepared, and Carol Fox (manager ofLyric), a very wise lady, said that we shouldstart training right away in January So assoon as we had our Xmas vacation westarted training I'm working now withabout 6 or 7 girls and that's what we'redoing. We're trying to be a much morecohesive force because of this trainingtogether and this style of dancing. We'retraining to perform with the opera nextyear, and who knows?— the possibilitycould exist that the same nucleus that wehave now could perform outside the opera.It's something I don't think about, thoughI'm waiting to see how good my dancersbecome, how they react, and the kind ofresults we get.What is the average age of your dancers? I would say the average age is about 17 or18 Seventeen is usually the age one beginsYou're no longer a young dancer A youngdancer is 14 or 15, and one usually begins todance professionally at 17How did you get this position?Well, I don't know exactly I had no intention of going back to work I was nicelyretired I was even taking courses at the U ofC extension from my favorite man in thewhole world, Marvin Mirsky. I'm one of hisgreat fansWhat did you study?I took Modern American Literature Ienjoyed it very much You see I never hadan opportunity to go to college The balletstage was my university I graduated on thestage of the ParisOpera House So I enjoyedso much studying with Mr Mirsky. I missthem Now I'm involved out here and tootired when I go home to study But now that Iam working again it's very gratifying towork with young people I started out byhelping Caroi Fox, who is a personal friendof mine I was helping out with the youngsingers, teaching them how to move so thatthey could project themselves on stage andlook graceful So the next thing l knew I wasinvolved with starting a ballet group herewhich they haven't had for six years AndI'm delighted I feel that I have quite a fewtalented young people I've travelled a greatdeal, all over the US and Europe, looking atvarious ballet schools Compartivelyspeaking, I feel that I have a fortunateamount of talented peopleWould you classify yourself as the usualharsh ballet master?My life was spent as a prima ballerina,and even then, as Agnes deMille said, it'slike being a five star general I'm accustomed to having the attention of otherpeople Yes, I demand attention and hardwork, which is what I give alsoHow did you get started into the arts?I got into the arts because of my mother.She was determined that I wasn't going togrow up like many of the other children inFairfax The families was rather affluentand consequently, the children did nothingMy mother was determined that I was goingto learn something and so I studied danceand music when I was very young—tooyoung. You shouldn't start ballet lessonsuntil you’re at least seven or eightyears old. So it was really her she actedlike a chauffeur, was a typical balletmother She attended every classDid they really have studies in Fairfax?I started to dance in Fairfax, which was amistake. Fortunately when I was eight wemoved to California whore I really began tostudy.Did you have a choice between music anddance?I had to study piano because it wasdiscovered that I had perfect pitch. And Iguess everybody thought l was supposed tobe a Mozart. I played the piano and showedsome kind of talent tor it So I was made topractice. That's something I did until Igraduated high school and joined a ballet(continued on page 2)Every so often, indulgence in elegantcuisine becomes a necessity • even forstudents regularly nourished by paupers'fare. The desire to satiate the cravings of adelicate palate, long abused, can becomeoverwhelming.When this rebellious surge of good taste isvictorious over normal budgetaryrestrictions, one should choose to splurge ata restaurant where food and service areboth memorably pleasant and unique. Thereis an extraordinary satisfaction to samplingfrom a menu which has been plannedcohesively so that a wide selection of dishescharacteristic to a particular efhnic regionof the world can be combined to com¬plement one another, Doro's, located at 871N. Rush, offers such an array of food,meticulously prepared according torenowned recipes of Northern Italy. Celebrating its first birthday, thisrestaurant is far superior to those well-known, though usually mediocre, Chicagoinstitutions which profess to specialize inthe art of Italian cooking.Recently, we accepted an invitation toreview Doro's with an admitted attitude ofscepticism. Reflecting upon our gloomyencounters with other Italian restaurants inthe city, we feared a disastrous precedentmight have been set for any new attempts atauthenticity. Sipping cocktails, we had tochuckle as we scanned the typically YankeeFlorentine decor of the bar. Yet, that justgoes to show that judgements grounded inpredetermined negativism can bedrastically misleading. Strains of "Fiddleron the Roof'" from the barroom trio of bass,piano, and violin, and the inappropriateattire of an attractive cocktail hostess. quickly passed out of mind as we wereushered into one of two adjoining diningrooms.Five tiers of waiters bustled about, as wewere seated end handed our menus. Wesurveyed the extensive and expensivelypriced lists of antipasti (appetizeers), zuppe(soups), farinaceous (pasta), griglia (meatsfrom the broiler), pesce (fish), polio (fowl),vitello (veal), manzo (beef), legumi(vegetables), insalate (salad), desserts, andbeverages That tone of formal informalityassociated with fine dining and servicecreated an atmosphere of comfortableambiance throughout the restaruantThe head waiter for our table appeared,and asked if we would allow him to make ourselections for us. We yielded to his traineddiscretion, and accompanied by another(continued on page 3)Fh‘cfay, May'1671975—Tha Chicago Maroon—5TheGreyCityJournalCM MNC£Tallchief(continued trom page 1)company. I was quite delighted not to haveto practice anymore.Where did you first meet Balanchine?I was working with the Ballet Russe deMonte Carlo, and when I was there he cameto choreograph "Song of Norway." Thewhole company was going to be in thisperformance of "Song of Norway," whichwas a light opera of the story of Grieg.That's when I first met him. I must've beenabout 18 years old.Then you auditioned for the BalletSociety?No. I was married to Balanchine at thetime and he headed the School of AmericanBallet in New York, which he and LincolnKirstein started. You see, Balanchine wasborn in St. Petersberg and was in theMarinsky Theater of Diaghilev. Diaghilevbrought him over to Europe, and if I'm notmistaken, Balanchine was the last balletmaster of this company. He must have been21. Diaghilev died, and the company didn'texist anymore. Lincoln Kirstein, who was ayoung American intellectual, broughtBalanchine over to America and the ideawas to begin a school. This is how one beginsnormally. You don't have an instant balletcompany. It is the result of a good school. Sothey founded the School of American Balletin New York. The Ballet Society was startedon a subscription basis. We started off veryquietly, doing the Stravinsky Orpheus,Stravinsky wrote the music especially andconducted it opening night. Those werereally wonderful davs.Could you please elaborate?Well, as I said Stravinsky had written thescore for Orpheus for Balanchine. I waschosen to do the role of Eurydice. We wouldhave rehearsals, Stravinsky would be at therehearsals with Madame Stravinsky. Ofcourse Balanchine was a personal friend ofthe Stravinsky's, so I got to know them verywell. When I see Stravinsky's music dancedto Balanchine choreography it is as if I amseeing the music in motion. It's a beautifulthing to see and I can't see it any other way.Very often you'll see a ballet and nothinghappens. But when this music has been choreographed by Balanchine and has beeninterpreted properly, I can't see anythingelse to that music.How did Stravinsky work with the dan¬cers?Stravinsky was very enthusiastic. Heresponded very beautifully if he likedsomething. He was always at the rehear¬sals. Stravinsky was always a very verbalkind of man. He spoke Enqlish very well andhe loved to play on words.How do you see yourself in the scheme ofBalanchine's work?Well, not that I am in any sense achoreographer, but I can see how variousstudents that I now have, have a certain wayof moving, in time to the music in space thatwould interest me. I can see one dancer whohas this way of dancing. And I think this isthe way Balanchine is, you know? Hebecomes interested in the material that'sthere. People ask him, "How did you createthis?" and he says, "Well I come into thestudio and there are these bodies and so and-so can do this." What's interesting to see isthat you can have eight bodies and eightcompletely different ways of interpretingthe count of one. It seems impossible but it'strue. It has to do with configuration, timing,and, I realize now, knowledge, and ofcourse, training.Do you feel you were an imbodiment of hiscreative philosophy, or was his energycentered around you?I don't think i am a "Balanchine dancer."Now I don't know what a "Balanchinedancer" is, to tell you the truth. I resentpeople who identify with this and isolate aBalanchine dancer. What is it? Somethingwho dances well? If that's what it means,fine. But I refuse to accept this. Right now ifyou were to New York you'd see manydifferent types. It's a way of actually, in mymind, just dancing well. It means a goodschool, classical dance. I read in the paperhere in Chicago "great authorities" talkingabout the Balanchine dancer. They don'tknow what they're talking about.Do you feel this way about critics?Critics are another story. Listen. I wouldnot have gotten where I did if it wasn't forcritics. No, I wasn't talking aboutcritics...just uninformed people. I find thecritics here in Chicago are extremelyerudite. They are very important. If you'reNOTICE:THE STUDENT GOVERNMENTASSEMBLY SHALL MEET ONMONDAY, MAY 19, AT7:00 PM TO CHOOSE NEXTYEAR’S OFFICERS.THE MEETING SITE SHALLBE HARPER 130.EVERYONE IS WELCOMETO ATTEND. not accepted by the critics, and by theaudience, as a ballerina, then you're not aballerina.Did the marriage interfere with yourposition as prima ballerina?No, no. Actually I think all of Balanchine'smarriages are the same (he's had five).They're all working, I shouldn't sayarrangements, no, but they're a matter ofworking together. I was a very immaturetwenty when I was married to him and hewas forty I guess. No, it was a learningtime for me, and there must have beensomething in the way I danced that musthave interested him at that period.What about the competition betweenEuropean and American dancers?I think that's all changing. I think since 15or 20 years ago, aside from FrederickAshton, there have been no greatchoreographers in Europe. And I includeRussia. Look at Italy or France—there areno great choreographers. Not on a par withBalanchine. And you even have Balanchineballets being danced at the Paris Opera, LaScala. His choreography is all over, and it'sa demanding choreoqraphy because he hasgone beyond just classical dance. Even moreis asked of our dancers. I don't see anythinggreat being choreographed in Russia now.How do you respond to the accusation ofsome that Balanchine is running out ofsteam?Well, there are jealous people all over theworld.What if Balanchine were to retire?Oh, he'll never retire. He may expire oneday, and I hope that day is a long way off.But Jerome Robbins is there, there's manyyounger people. I don't worry about it. I'mjust glad I've been around to see it—performances that will remain forever withme. The nucleus is still within the School ofAmerican Ballet.What about Lucia Chase of AmericanBallet Theatre?This does not take away from LuciaChase, but some of the greatest dancers inher company are from Balanchine'sschool — Gelsey Kirkland, FernandoBujones. They have been pupils, since theage of eight, there.Often the dancer has been accused ofnarrowmindedness because they have notime to do anything else. That's absolutely true. There is no time todo anything else. It would be wonderful if Icould say that a young ballet dancer isextremely well read and intellectual, butthat absolutely cannot be true. Every facetof their energy must be directed toward thelearning of this art form. It's not onlyphysically debilitating, but mentally also.Once you start and try to divide this energy,this cerebral energy, you run into trouble.When people call dancers dumb, it's simplynot true. I don't know one first rank dancerwho was not intelligent, male or female.Nureyev has got to be one of the most in¬telligent young men I have ever met.Margot Fonteyn could probably be thepresident of England, if they had a ladypresident. And Balanchine of course isbrilliant. And not only in dance. This is apopular misconception and I think it has todo when one talks about ballet and moderndancers. Modern dancers don't always haveto begin at such an early age. They havetime to go off to college and perhaps they'reable to express themselves better than theballet dancer.Have you seen the Chicago Ballet?No.There's a conflict within the Chicagodance critic. One wants to encourage itbecause of the sparsity of dance here, butthen again, their performance was not atruly a first rate one.I don't think the thing should be en¬couraged. A critic can be very helpful. If it'snot up to the standards that one thinks itshould be, I think it's up to the integrity ofthe person to reveal his opinion. How else isthe thing going to go above a certain level?It's interesting. The best season we ever hadwith NYCB was when we were firstbeginning. It was right after the RoyalBallet made its sensational debut inAmerica, Margot Fonteyn dancing theSleeping Beauty. And I thought, "They'vejust been here, they've had this fabulousseason, fabulous reviews, and who's going towant to come and see us poor, struggling,New York dancers?" Well, we had thegreatest season we ever had. Because thecitizenry of New York had seen great ballet.So they wanted to see more great ballet.People try to tell me that Chicago is not agreat ballet town. I'm sorry, I don't believeit.'V. .. . IThe Chicago Maroon Annual Lecture SeriestPresents a Special Woodward Court LectureBRADLEY H. PATTERSON, JR.of the White House StaffSpeaitt okTHE PRESIDENTIAL STAFF:EXCESS OR BARELY ENOUGH?Tuesday May 20 8:30 P.M.’ 4 p S Y A f i i yi •«*Woodward Court 5824 Woodlawn Ave.A Reupiien boffim in the Resident Master's hpwdmnl6 v-THfe CNkteg* M*j'roc#i^Frfc&y, fiAaylV, X9»*S.:1French 'MissedBy Alan RothThe French Connection, Part II is not afilm that inspires much cogent discusslbn. Itis a piece ot trash, inferior even to itspredecessor, that will make millions for 20thCentury Fox, the sole reason for which itwas made.Admittedly, making a follow up to TheFrench Connection (directed by WilliamFriedkin) could not have been an enviabletask. All director John Frankenheimer(Bird Man of Alcatraz, Seven Days in May,The Train, Grand Prix) and his screenwriters (whose names escape me) had to goon was the disappearance of the titlecharacter (Fernando Rey) at the end ofPart I. To tie up this loose end, mighty narkPopeye Doyle (Gene Hackman) goes toMarseille Obviously, the film will end withthe colorful brains of the horrible heroinsmuggler splattered all over the screen.This alone might make an exciting ten-minute film, but who would pay $3.50 to seeit? To substitute for the missing plot,Frankenheimer steals scenes from otherpopular films.You could call the beginning The UglyAmerican. Doyle, who naturally doesn'tspeak a word of French, strolls aboutMarseille attempting to pick up women andbuy drinks. When frustrated he swears outloud. The comic possibilities of uncomprehended obscenities never occurredto me before (in fact, they still haven't) butthe audience ate it up. "Martha,” one patronremarked to his neighbor, "look, the Frogsdon't speak English, har, har."There are also tributes to The PoseidcnAdventure and The Towering Inferno. Forthe former, Frankenheimer staged a shootout underneath a ship in dry dock. TheBaddies flood it and we are treated to thespectacle of Hackman trapped at the bottomof a boat that is right side up as opposed toin the bottom of a boat that is upside down,as he was in Adventure. The Inferno saluteis a bit more creative as it involves therevitalization of an old convention. Doyledecides to burn down a 5-story flophouse ancbegins by throwing some gasoline aroundIn the tradition of the self replenishing sixgun, he manages to soak the hotel with asingle gallon. And who says they don't make movies like they used to?When I mentioned the film's delicious witI neglected Hackman's best schtick: ajunkie withdrawing It seems that the evilFrog and his henchmen kidnap Doyle andstring him out on heroin to make him talk.After a few weeks they decide it would bemore fun to kick old ladies and return him tothe police, properly OD'ed. In a scene whoseclinical grotesqueness is rivaled only by thefamous spinal tap of The Exorcist (alsodirected by Friedkin, there must be someconnection here), a shady looking doctorand some French narks bring him around.For the next twenty minutes the audienceEOODDoro's(continued from page 1)waiter, he promptly returned with a varietyof antipasti - all distinctly flavored andbeautifully preparedThe Scampi al Vino Bianco (jumboshrimp sauted with white wine) and theEscargots ala Doro's were piping hot anddelicious. Yet, the Vongole Casino (bakedclams with bacon and pimentos ) and theCrostini alia Romana (cheese brochette on askewer with anchovie sause) were mostunusually done. The Vongole proved alightly crusted puree of interestingingredients, baked on the half shell. TheCrostini alia Romana consisted of a thickslice of Italian bread, marinated in anchoviesause and stuffed with cheese, all done to agolden brown turnAs with all other courses, the FettuccineAlfredo ( home-made egg noodles withheavy cream, butter, and parmesan cheese)underwent final preparations on a cartbefore our table. Evidently, each headwaiter is a gourmet cook in his own right. Aswe looked around, it appeared as if all werehandling their preparations with finesseAside from noodles not quite al dente, theFettucine Alfredo was smooth and lovely.THE COLLEGIUM MUS1CLMMUSICABOUT1600IN ENGLAND,ITAIY&MEXKDFRIDAY. 16 MAY860 PM. ' Connection II-Slapped their knees as Hackman spit outone liners like, "Gimme a fucking Hersheybar." and "You fucking Frog, gimme afucking Hershey bar." Moviegoers haven'tenjoyed such mirth since Jerry Lewis hungup his buck teethI wish Gene Hackman wasn't in thispicture He has turned in some excellentpreformances (most recently in The Con¬versation) and it would be nice if he held outfor better parts. His Doyle is reminiscent ofhis Buck Barrow stripped of all subtlety andgiven a New York accent. Rey's FrogPrince is a weak imitation of the despicablerich person he played Jn The Discrete Charm o; the Bourgeosie.The worst failure of the film is the simplelack of punch. Revulsion, yes; power,‘suspense, no. The final chase sequence ofthe first film (Doyle chasing an elevatedtrain with a car) was exciting, it only in amechanical way. Frankenheimer's chasescene looks like a parody of the first: Doyleruns after a trolly car through a traffic jamwhile much heavy panting tills the soundtrack. The handling of this type scene pointsup the difference between the two directors.Friedkin is happy with a machine vs.machine conflict while Frankenheimer feelshe must add a human element. This, in itself, is fine, but Frankenheimer is incapableof generating any real sentiment. Choosingbetween the two directors and the two filmsis to decide which smells better, motor oil ora sweaty cop.We both requested veal for meat entrees.The Scalloppine Saute Sorrentina(Scaloppine sauted with egg plant,prosciutto, and cheese) was made withmany thin slices of perfect meat. A savoryblend of flavors created a sauce whichnicely complimented the mild taste of veal.However, we both agreed that theCostoletta al Madiera (veal chops withsauce Madeira) was most subtly flavoredand done superbly. Confirming oursuspicion, the chef (who, incidentally, isfrom Rome) later informed us that all ofDoro's meat is freshly butchered at therestaurant.Our sole objection lay with thepreparation of Carciofini Dorati (babyartichoke hearts sauted with egg andbutter) which accompanied the veal. Weboth were served enormous portions ofhalved artichoke hearts. Unfortunately, thedelicate flavor and texure of the vegetablewere lost to the cakey batter Nevertheless,by this time we were engorged, and had wefinished off the artichokes, we might nothave had stamina enough to complete ourdinner with the proper touch.After a brief rest, spent finishing the lastdrops of our wine, an enticing dessert cartwas rolled over to our table. The choiceamongst torta al Cioccolato fa wicked chocolate and rum cake), Ananas aliaFiamma (pinapple flambe), StrawberriesRomanoff, and the like proved ex¬traordinarily difficult Again, our Headwaiter came to the rescue, and whipped upZabaglione (egg yolk with sugar andMarsala) in a copper bowl at our table. Thisscrumptious mixture was served overvanilla ice cream and huge, succulentstrawberries. The meal finally closed withAmoratti over ice, which we found ex¬cessively sweet, and impossible to consumeatter the amount we had just eaten.We asked to tour the kitchen, where wespoke with the chef about the problems offormulating a team of well-ordered, highlyskilled cooks to assist in preparations. Fromour own observations, we could only con¬clude that the Doro's staff works well as anintegral unit. We *ound the facilitiesthemselves immaculate We tasted theparmesan used in so many dishes, fromgreat wheels of aged cheese It wascrumbly, tangy, and undeniably goodenough to have been served as table cheese -if one did so with parmesan.The dramatic evening came to a closewith a view of the incredible, $5000, noodle¬making machine, which daily produces avast quanitiy of an assortment of pasta,from ravioli to curly lasagna leaves.FOTA 75 “The Festival of the ArtsFriday Collegium Musicum 8:30, Ftockefeller ChapelThe Collegium Musicum performs music about 1600,from EnglandItaly & Mexico.Saturday UC Brass Society 8:30, Lexington HallIn their yearly bash, the Brass Society pulls out all thestops with music by Altenberg, Frescobaldi, Beethoven, Shaw,Bach, J. J. Johnson, Riegger, Mendehlssohn, Hindemith, andJanacek. (The Johnson uses 22 musicians.) A FOTA Spectacular.Sunday Northwestern Chamber Society 3:30, Ida Noyes Libraryworks by Schubert, LfJffler, Stravinsky, and Mozart.Fred Anderson Jazz Sextet 8:00, Cloister ClubA group noted for its traditional jazz interpretations, performingfree of charge.Monday 2nd City 8:00, Mandel HallTickets as of this writing (Wednesday) were selling quite briskly.Tickets will probably be available at the door. The box officewill be open today and Monday from 11:30-1:30. $2 students withUCID, $3 others.Wed & Thurs. Mime Theatre 8:00, Cloister ClubThe University of Arkansas Mime Troupe performs. In addition,there will be workshops both days from 4:30-6:00 in the basementdance room.Fri. *& Sat PDO BachTickets are almost gone at this writing. If there are any left,they are available at the Reynolds Club desk. For those of youwho bought your tickets in time, we wish to remind you that seatsare unreserved. The doors will open at 7:40.Friday, Moy 16. 1975—The Chicago Maroon— 7 rGJGreyCityJournalTheGreyCityJournal RCCORDSiBrilliant Jazz RetrospectivesBy Daniel M. RosenthalThe nine double albums that are thesubject of this review are the first releases^ in what Blue Note Records promises will bea continuing series of reissues.Since its first release in 1939, Blue Notehas been recognized as a leading figure inthe field of jazz recording. Its list of artistshas included, at one time or another, almostall of the great names in the history of jazz.This reissue series, intended as a sort of doit-yourself anthology of contemporary jazzrecordings, has only begun to skim thesurface of the awesome number of fundamentally important recordings that areBlue Note's property. The complete series,if the company continues as it seems theywill, should provide as comprehensive anoverview of contemporary jazz as the RCAVictor Encyclopedia of Recorded Jazz didfor the 1930s and the early 1940s.Perhaps the best feature of this anlhologyis the complete freedom of choice that itprovides for the collector. One is free toselect only those artists whose work oneespecially enjoys or that are missing fromone's collection.Three pianists, Chick Corea, HerbieHancock and Horace Silver; three tenor saxplayers, Sonny Rollins, Dexter Gordon, andStanley Turrentine; one trumpeter, FreddieHubbard; one organist, Jimmy Smith; andone big band, the Thad Jones-Mel LewisBand- make up the artists featured in theseries to date. Without exception, all nineare among the most accomplished, the mostversatile, and the most interestingestablished musicians that contemporaryjazz has to offer. While many of the mostfamous works of these artists have been leftout of the collection (often simply becausethey were not recorded by Blue Note), all ofthe selections that have been included arewell played, compiling examples of eachperformer's work In addition, those thathave been selected provide a generallyrepresentative sampling of each man'smusical direction and progress. For obviousreasons it will be impossible to discuss eachselection in detail; simply listing the backupperformers on each track would takeseveral pages.It is not at all surprising that Blue Notehas chosen to include in this group ofreleases one album that features the work ofan organist. Since the early 1960s when itwas not really considered to be a legitimate"jazz instrument," the organ has risen inpopularity +o the point where it has becomeone cf the most popular instruments inmodern jazz. It has found specialrecognition among those musicians whosework tends toward the use of electronics anda synthesis of the structural elements of jazzand rock, as well as among many of theolder, more traditional, mainstream artists.Even a traditionalist like the late GeneAmmons began to make extensive use of theorgan in his last recordings.Just as the inclusion of the organ is nogreat surprise, the choice of Jimmy Smithas the representative of jazz organists willnot be a shock to anyone familiar with eitherhis work or the history of the organ in jazz,over the last two and one half decades.Though he began playing at a comparativelyearly age, it was not until the middle 1950s(when he was 30) that Smith's work hadgained enough momentum and recognitionfor him to be able to form his own group.This group was an immediate success injazz circles, and during the next two or threeyears they achieved a large followingamong the public. For four consecutiveyears, (1963 1966) Smith was voted BestOrganist by the Down Beat magazine poll(indeed, FTe was one of the primary reasonsfor the inclusion of the organ as a separateinstrument in 1963). In 1964 his composition"The Cat" won a Grammy.The four sides of Jimmy Smith that havebeen included in this reissue were recordedduring several sessions between 1956 and1967. In the context of this series, they arenotable for two important features. First,they are, overall, the best and most consistently exciting of the 36 sides. Second,they are the most traditional and th£ leastmusically innovative, perhaps because thebulk of the selections were recorded duringa period when the use of the organ as aprimary instrument was an innovation inand of itself.Of the ten selections, four stand out asbeing far above the level of the rest. Of these, two, "Midnight Special" and "Ser¬mon," are by Smith. "The Preacher," onside four, is by Horace Silver, and "TheChamp," on side two, by Dizzy Gillespie."The Champ" is probably the mostcharacteristically Smith of the four,featuring his seemingly relentless overlayof improvisation. "The Preacher," as wellas "Sermon" (dedicated to Horace Silverand, by implication, to Soul Jazz), are ac¬tive, vitally bluest pieces that are simple inboth rhythmic and harmonic structure. Inaddition, they highlight dramaticallySmith's deep roots in the Funk tradition.The only disappointment on the album is"Mack The Knife," on side two. Smithprovides what is finally almost anamateurish performance when compared tothe rest of his work. The best cut on thealbum is "Midnight Special," which needsno comment beyond the fact that it richlydeserved the huge success that met itsrelease in 1961.Like Jimmy Smith, Freddie Hubbard isthe only representative of his particularinstrument to have been chosen for reissuethus far. In contrast to Smith, Hubbard hasfound success playing an instrument whichdoes not allow success for anyone but thebest musicians. Along with the tenor sax andthe piano, the trumpet has always beenrecognized and enthusiastically accepted asa vehicle for jazz expression. The the sixteen bar passage, "Luana," on sidetwo, provides another notable moment.Opening with a fine bass section by LarryRidley, it develops to a quiet but nonethelesscompellingly dramatic mood filled in ad¬mirably by Jimmy Heath on sax, JulianPriester on trombone, Cedar Walton onpiano and Philly Joe Jones on drums.Sonny Rollins is one of the giants, one ofthe magic names in modern jazz. As such hedeserves to be discussed before either of theother two tenor sax players discussed here.Rollins, like another of the sax greats, JohnColtrane, came into real prominence duringthe latter part of the 1950s, primarilybecause of his work with Miles Davis andMax Roach. From 1957 through 1959 heachieved an almost unprecedentedpopularity with the public and exerted aprofound influence both on his fellowmusicians and jazz in general. In 1959Rollins entered a period of self-induced exileand personal meditation, during which he isis reported to have devoted himself exclusively to his art. In New York, the sight ofRollins practicing on the WilliamsburgBridge became the equal of the endlesssightings of Greta Garbo during the middle1960s. After his period of exile, Rollinsreturned to the jazz scene without muchnoticeable change. Perhaps the only thingthat was different in his style was aprofound refinement in the technique ofSonny Rollins.reputations of the traditionalists like BixBiederbeck, Armstrong, and DizzyGillespip, and the technical and innovativegenius of Miles Davis, provide a point ofsharp contrast that would be fatal foranyone but a completely proficient andpowerful musician.Ever since 1961 and the critical acclaimthat he enjoyed as a soloist-member of ArtBlakey's Jazz Messengers, Hubbard hasbeen recognized as, if not the equal of menlike Davis and Gillespie, at least one of thebest young jazzmen of the decade. He iscertainly one of the most skillful and per¬suasive trumpet players to have appearedduring the last two decades. While his styleand focus are clearly his own, his use ofcomplicated, yet subtley delicate linesdelivered at an overwhelmingly fast pace isstrongly reminiscent of Gillespie, FatsNavarro, and at times John Coltrane who,though he played a different instrument,seems to have influenced Hubbard as muchas any other musician. An increasinglyprogressive musician, Hubbard infuses astrong grounding in the technical expertiseof the bop tradition into his performance,and is characterized (especially in theseselections) by an openness of melody andrhythm along with a tone that reaches ex¬tremes with its almost whispered breathyand twisted tones.Without question, the star number on thisalbum is "Crisis," on the first side. Thepiece is very simple, a sixteen bar section,repeated, followed by an eight bar passage,and then the original sixteen. Its excitementlies in its rhythmic complexities, expertlyhandled by Wayne Shorter and McCoyTyner, and the almost unbelievable power of melodic theme development for which hehad been noted during the 1950s.The selections included in this album areexclusively from 1956 and 1957 and includeseveral of the pieces that contributeddirectly to his rapid success and that makeup a basic part of his current concer)repetoire.Like Gene Ammons and Dexter Gordon,Rollins' style during this period was asynthesis of the rich, almost harsh tone witha strong vibrato that was developed byColeman Hawkins during the late 1940s, andthe horizontal, almost lazy melodic lyricismof Lester Young. Rollins' own style is harsh,but without vibrato. His emphasis is on thedevelopment of alternative patterns ofrhythm and phrasing. This facet of his styleis best seen in "Valse Hot," which was sadlynot recorded by Blue Note. Perhaps themost consistent feature of Rollin's work ishis repetition. He continually rephrases andrepeats passages, underscoring complexrhythms and melodic sections. This featurehas become a constant, to the point of ab¬surdity, in his recent releases.The best thing about this album is that it isa reissue and, as such, is not representativeof the latest directions that his style hastaken. The Blue Note people have includedmaterial from four albums that have beenout of print for years. The album is worthbuying if only for "Misterioso," on side two.J.J. Johnson on trombone, Paul Chamberson bass, and Art Blakey on drums, alongwith Monk himself, provide a brilliantbackground for Rollin's solos on this Monkclassic. His solo on this selection, blendingperfectly with Monk's unearthly sense oftiming, deserves to be ranked among theHubbard's trumpet on the finaJ four.bars-of .greatest jazz recordings ever made. "Reflections," the other Thelonius Monkselection, is also outstanding, with Monk'spiano outshining even Rollins' excellentperformance. The lighter side of the jazzrepetoire is represented by side four, whichcontains a fine version of "Surrey With TheFringe On Top" and one of the best recordings of "You Stepped Out of a Dream"(same personnel as "Misterioso" and"Reflections") that I have ever heard.The career of Dexter Gordon, unlike thatof the three men discussed so far, has beenvery inconsistent. He went from a strongpopular position in the late 1940s and early1950s, to one of relative obscurity during thelatter part of the 50s and the first couple ofyears of the 1960s. Two factors played a partin his disappearance from the popular jazzscene, the more important of which was hismove to Copenhagen, where he has stayed.The second factor in his sudden decrease inpopularity was his insistence on main¬taining the style and format of the latteryears of the bop era during a period whenthe major focus of progressive jazz hadshifted towards an ever increasing focus onlyricism and melodic structure.Gordon is noted for an extremely full,rounded tone with a sharp declarative attackon each note. Increasingly a melodist, hehas the ability to contrast and interweaverhythmic figures effectively. In essence, hiswork is the ultimate synthesis of the boptradition and the mainstream styles ofHawkins, Parker, & Young. His remarkablecomeback during the early 60s, from whichtime all of these selections are taken, surelyindicates that a strong, bop derived style,presented intelligently, can still commandlarge audiences and the attention of the |azzworld.Though the first three sides of the albumcontain consistently well performedselections, it is not until the fourth side thatone hears Dexter Gordon at his best DonaldByrd's "Tanya" is given the entire side andis well worth the investment. "Tanya" is afine, haunting composition and this versionis extended enough to give the horn playersand Kenny Drew's piano room to both openup and work together. Gordon's own solo isreminiscent enough of the Coltrane stylethat the song should perhaps be subtitled, asa tribute to Coltrane. It opens with a longseries of note clusters followed by a slow,lyrical, continually intensified section ending in sharp, almost whispered, high notes.Also of extremely high quality are SonnyClark's piano on Billy Holliday's "Don'tExplain," Gordon on his own "Ernie'sTune," and the remarkable rhythm com¬bination of Paul Chambers and Philly JoeJones on "End of a Love Affair."The third of the Tenor players representedin the Blue Note series is Stanley Turren¬tine. Turrentine is somewhat of a puzzle,when comparec! with tenor players in themainstream. Like many jazz musicians(Chick Corea, for example), his focus hasbeen on the blending of Latin forms andrhythmic structures, with those of the funkschool of contemporary jazz While hisplaying style is familiar and strongly boundto the traditionalists (his style isreminiscent of Rollins and his tone ofAmmons), he chooses, along with Latinmusic, popular tunes from Broadway as hismedium rather than jazz or blues tunes.All of the selections on this album wererecorded between 1961 and 1965, and can bedivided into two groups. The first sideconsists solely of the Latin songs (primarilyBossa Novas) and the other three are madeup of popular and show tunes. Only threetraditional jazz selections are included.Though these selections are by no means themost exciting or innovative in the series,they are interesting both in their own rightand as examples of a focus that is, to say theleast, unusual.Side four, which features three jazzclassics, "Trouble H2," "Cherry Point" and"One O'clock Jump," also features theoutstanding organ performance ofTurrentine's wife Shirley Scott. Scott'sstrong but not overbearing style couples sowell with Turrentine's horn that these threeselections could stand alone, with just thetwo of them. They are the high point of thealbum. The three Bossa Nova selections onthe first side provide an elegant contrast tothe fourth, which more than amply(continued on page 5)8—The Chicago Maroon—Friday, May 16, 1975RCCORD9(continued from page 4)illustrates Turrentine's accomplishment.The real heyday of the big bands in j^zz iscertainly long past. With the very importantexception of the Thad Jones Mel Lewis Band,almost nothing remains of an era that lastedfor almost 3 decades. Big band music was,in fact, one of the most popular formats inAmerican musical history. It is thereforeremarkable that this group has been able tofind the success that they have. Perhaps thereason for their popularity lies in theirready acceptance of change and in theirrapid development of new styles during aperiod of almost frantic creativity. The bigbands died because they couldn't do whatthis one does, because they were so deeplyrooted in fading traditions that, when thetraditions died, they could not even begin tokeep up with the dramatic developments ofthe latter part of the 1950s.Both Jones and Lewis were recognizedmusicians of considerable stature before theformation of their large ensemble. Lewis, adrummer in the tradition of Tiny Kahn, was,though not noted as a soloist, an importantbackup musician for Gerry Mulligan, BennyGoodman, and the Monterey Jazz Festivalhouse band from 59 62. In 1962 he was votedB-'St New Artist by Down Beat Thad Jones,noted as one of the best new soloists toemerge from the Count Basie Band duringthe 50s, is both a talented flugelhorn playerand an inspired and consistentlyimaginative composer. Since the formationof the band in 1965, Jones has confinedhimself primarily to composing and conducting.The album itself can be divided into twoparts, the strictly instrumental, and thoseparts featuring a vocal accompaniement(sides 1 and 3, and 2 and 4, respectively).Both Joe William's jazz singing, on side two,and Ruth Brown's rhythm-and-bluesy styleelegantly complement the instrumentalperformance of the band. The highlight ofthe album is, however, the last piece on side1. "A Child is Born," by Jones. RolandHanna's piano introduces the piece's themequietly, only to have it picked up by theequally subtle flugelhorn statement byJones. In considering the generally high quality of the material presented here, onecannot help but be disappointed that there isso little opportunity provided Lewis for self-expression. On only two songs, "Tiptoe (2)"and "Mean What You Say (1)," does hecompletely relax and assert himself to anyextent beyond establishing the rhythm.As a musician. Chick Corea can becompared to Stanley Turrentine in that hedirects much of his work toward bridgingthe gap between Latin music and con¬temporary (azz. A comparatively youngman, Corea has roots in the piano traditionsof Herbie Hancock, Bill Evans and McCoyTyner, and in the rhythmic conventions ofCharles Mingus. His work, represented byselections from the years 1968 through 1970,is without question the most progressive andfundamentally innovative in the series todate. Corea's style has had an importantinfluence on many young jazz performers."Matrix," the best selection on the album,is a fast paced bluesy number that showsstrongly the connection between Corea andMcCoy Tyner. Miroslav Vitous' pitzicattobass solo is absolutely unequalable, as isRoy Haynes less serious light drum solo. Asa contrast to "Matrix," "The Law of Fallinand Catching Up," also on side one, is athoroughly textured, almost grainy piece.Vitous' "collegno" section on this selection,as was his other solo, was sublime. It is alsoon this piece that one is allowed to observeCorea as he toys with the possibilities of hisinstrument, alternately strumming,damping and plucking its strings until one isleft with an impression of several primitiveinstruments played loosely by severalpeople. The rest of the album is not of thesame quality and is, in my opinion, theweakest album of the nine. It does however,afford the listener a glimpse into the mind ofone of the most fascinating young jazz menof this decade. If the music could equal thisfeature — if it were, for example, more likehis exquisite Crystal Silence — the albumwould rate at least in the top half of the list.Like so many other rising young jazzstars, Herbie Hancock got his start withMiles Davis. At times it seems as if Davisand his extraordinary talent radar has beensingle handedly responsible for bringing to the attention of the public all of the newnames in jazz. The recording and release of"Watermelon Man," a simple, gospel-influenced tune, was the second majorturning point in Hancock's career. It is to beregreted that this piece, which was laterpopularized by Mongo Santamaria, couldnot have been included in the albumdiscussed here. This omission (not theresponsibility of Blue Note) is particularlystriking because so little of Hancock'ssubsequent work has been able to meet thestandard set by this one brilliant inspiration.As this album will attest, much of Han¬cock's recent work has been of a more ad¬venturous nature than "Watermelon Man."His work is marked by an astoundingvariety of rhythmic, melodic and metriccomplexities that reflect strongly the effectsof his early association with Davis in theearly 60s, and later with the free musicalstyle of Max Roach. The selections herewere recorded between 1962 and 1968.The two best selections on the album are"Blind Man Blind Man," on side two, and"Cantaloupe Island" on side 1. The formeremploys the piano and band traditions ofgospel music, combined with a strong backbeat reminiscent of rhythm and blues. Anintensification of the blues feeling isprovided by guitarist Grant Green, whoseperformance is one of the best features ofthe album. "Cantaloupe Island," vaguelyreminiscent of Hancock's now classic"Watermelon Man," has a strong 8/ 8rhythm section figure provided eloquentlyby Ron Carter and Tony Williams.The third of the pianists in the series, andthe last of the nine performers, HoraceSilver, is the exception tc the patternestablished by the other two. Silver's mainperiod of prominence was in the early 1950swhen he was a ieading exponent of the funkschool. His second period of success, in theearly 1960s, was spurred by the release of"Song for My Father" (side 1).His playing technique, though personal,seems to have been influenced by, if notactually derived from, that of Bud Powell.As a composer he has managed to ef¬fectively make use of and work around thelimitations that are a natural consequence of his confining his group to five pieces.Silver is the only one of the nine artistsfeatured by the series who Can be classifiedas an exponent of what has been called SoulJazz. Breaking away from the tradition ofconcentrating on the technical aspect ofperformance, toward a resurgence ofmelody and an affirmation of popular rootsin the Latin, gospel, blues, and West Indies'traditions, Soul Jazz provided both a con- )trast to the fading bop style, and art outletfor the turbulent cultural upheaval andrapid growth of the Black consciousnessthat marked the period. Silver's per¬formance succeeded by what seem to bediametrically opposed features: choppychords, and a feeling of looseness, adanceable swing that had all but com¬pletely disappeared before him.The albums’ best moments are on "OpusDe Funk" (side 2), the Silver classic thatwas recorded and recorded during the 50s,and "Song For My Father." Joe Hen¬derson's tenor sax solos on the latter areprobably the best performances by someoneother than a featured artist on the ninealbums. Concentrating on the bottomregister of his instrument, Henderson lendsa power and presence to what might haveotherwise been an ordinary piece. Thealbum is missing many notable Silver works("The Preacher" (see above) and "SisterSadie"), but the presence of the alreadymentioned selections, and of "Serenade to aSoul Sister," in which Silver blends in theelements of late 1960s rock, leaves thealbum as a more than adequate overview ofSilver's style.Discography:Jimmy Smith; BN LA 400 H2Freddie Hubbard; BN LA 396 H2 ****Sonny Roflins; BN LA 401 H2 ****1/ 2Dexter Gordon; BN LA 393 H2 ****Stanley Turrentine; BN-LA 3?4 H2 "*1/ 2Thad Jones/ Mel Lewis; BN LA 392 H2Chick Corea; BN LA 395 H2 ’*'1/ 2Herbie Hancock; BN LA 399 H2 '***1/ 2Horace Silver; BN LA 402 H2 ****1/ 2■ \\ We sell quality:X Guitars, Banjos,Tni Mandolins and manyother instruments.Shop q \ We also offer5110 S Harper \ a wide variety of*in Harper Court* ) music books andHO7-1040' repair services.The Lester Aronberg JudaicaLectureship CommitteeantiouncesA LECTUREbyS. D. GOITEINThe In»ntute for Advanced Study. PrincetonAuthor of A Mtdtltrrantan Sosiily, Sluditi in Islamit Hntcry and Inst statical,! dim cj Mtditta! Jewish Traders, and other writingson the topic:Islam between Christianityand JudaismWEDNESDAY • MAY 21, 1975 . 8:30 p.m.Swift Hall Commons 1025 East 58th StreetTbt Icttmrc is free and of** tc tie jmklsc ROCKEFELLERMEMORIAL CHAPELSUNDAY, MAY 18-11 A M.EWELL J. RE AGINSpecial Assistant to tha PresidentAntioch college, Yellow Springs, Ohio"LIBERIAL EDUCATIONAND RELIGION"SUNDAY SEMINAR-9:45 to 10:50 A M.Lawrence M. Bouldin, United MethodistChaplain, leads a discussion on The Meaningof Limits * Chapel Undercroft.Individual AttentionTo Most Small Cars31?-mi 3-3113* foreign car hospital A clinic, inc.*^^^5424 south kimbark avenue • Chicago 60615 Mondays at the StudioDANCE CONCERTSMonday, May 19 at 8:00 PMFilms: Royal Ballet's PETER RABBITAND THE TALES OF BEATRIX POTTERNOTE CHANGE OF PLACE TOQUANTRELL (COBB 201)$1.00 Students $2.00 Gen. AdmissionFor more information call 753-35746 ulliivr s Periodicals Lid.5309 South Kimbark Chicago Illinois 60615£... ~ i 100 F*. S:utf Cf S3v4 St eet c- K -or-Ne r K Sroc; -ig Center. Penguin. New Directions PaperbacksHuge Science Fiction SectionMany Obscure Small Press ReviewsMarvel Underground ComixMany Foreign MagsComprehensive Literary.Political. CulturalBlack Press ReviewsMany Film Photography MagsMother Earth News All Back IssuesBIC LittleORGANIZATION OF BLACK STUDENTS PRESENTSA TRIBUTE TO BLACK CREATIVITYSATURDAY, MAY 17. 8 PM IDA NOYES HALL, 59th and WOODLAWNFriday, May 16, 1975—The Chicago Maroon—9 TheGreyCityJournalTheGreyCityJournal PLMes=-==-=--s----=-=DeSica s FinalTriumph:Brief VacationMMC€ —Rabbit BalletPeter Rabbit, Jeremy Fisher, Mrs.Tiggywinkle, and other characters from thetales of Beatrix Potter all come to excitinglife in Frederick Ashton's choreography forthe Royal Ballet in their charming andengaging color film entitled Peter Rabbitand the Tales of Beatrix Potter. This film,which ran very successfully in commercialtheaters two years ago, will be shown at theQuantrell Auditorium of Cobb Hall onMonday, May 19, 1975, at 8:00 p.m. (Pleasenote the change of location — posters hadoriginally announced it as Ida Noyes Hall.)Admission is SI.00.The film will be the sixth and last in theseries of Mondays at the Studio sponsoredby the University of Chicago Dance Group.TH€4T£R ========= By Debbie YooThe death of Vittorio De Sica ended acareer highlighted by films incrediblysensitive to the beauty and complexity ofpeople responding to demanding and dif¬ficult social conditions, as in BicycleThieves and The Garden of the Finzi-Continis. This recurring theme—thepoignancy of human response and growthunder trying circumstances—is handledwith De Sica's marvelous intimate un¬derstanding of his characters in his finalfilm, A Brief Vacation.Florinda Bolkan proves herself a highlysensitive actress in her performance asClara, a young Milanese factory workertrapped by poverty and routine. Clara isweary, frustrated and resentful at having tosupport her large family singlehanded whileher husband Franco (Renato Salvatori)recovers from a broken leg. When a collapseat work forces her to visit the public clinic,the prospect of illness is a welcome respiteto her. While at the clinic, she has a cup ofcoffee with Luigi (Daniel Quenaud), ayoung, attractive machinist. For a moment,an awkward, fleeting smile breaks out onClara's face, and we realize that she has notreally smiled for a long time.A spot on her lung sends Clara to asanatorium in northern Italy for twomonths, despite her family's resentfulprotests. From the cold steel-grays and dullblues of home and factory, Clara findsherself in a glistening snow-covered world,peopled by women from all social classesbrought together by the commondenominator of disease. Seemingly insignificant new experiencesfill Clara with delight and wonder, and theinfrequent smile appears more often. A book— as well as the leisure to read it — is anewfound treasure. Her first manicureawakens in Clara an interest in her appearance. Her friends draw her out, makeher laugh and, through their own responsesto their illness, increase Clara's sensitivityto others as well as to herself.Luigi is also at the sanatorium. But notuntil after a jarring reminder of the life towhich she must eventuallyreturn does Clarareturn his deepening interest. Her familyarrives for an unexpected visit; theirsuspicious resentment of her "vacation" ismarked by knowing and angry glances atthe ease with which she now uses a knife andfork. After she persuades them that shecannot leave yet, Clara turns to Luigi. Hermost powerful expression of rebellion is tothrow herself wholeheartedly into an affairwith him.But X-rays finally confirm what Clara hasbeen fearing — the spot has cleared and shecan go home. She is distraught, but ac¬cepting for the time being; as her train pullsinto Milan we know that she has beenirrevocably changed by her "vacation," butwhat course she will take from there is onlyhinted at.This film is not really a love story, sinceLuigi's role is only a peripheral one. Clara'sawakening is effected by all the diversecharacters she encounters: Ciranni, thedoctor whose suggestive eyes alert Clara toher stifled femininity; La Scanziani, asinger who drowns her fear of dying withEdith Piaf songs and wisecracks; and Gina,Dance— 1 ■ ■■ —= a beautiful model whose desperate love for amarried man makes Clara question her ownacceptance of an unhappy marriage. But thereal catalyst, whose final effects areperhaps the most pervasive, is thedehumanizing, unceasing routine of thefactory worker, for whom tuberculosis is theonly means of relief. Clara's revolt is at firsta purely personal one; when she hears Luigiand others discussing government reformsat the clinic she is uninterested. At thesanatorium, he uses the pretext of carryinga placard in a workers' demonstration inorder to see her Both admit they are notinterested in politics. However, Clarareflects on a young woman Marxist whoimmediately joins the demonstration andadds, "But there is a great need." At theend, her view from the train window ispunctuated by the word "Mao" that hasbeen scribbled several times on a wall. Wedo not know, either with regard to herpolitical or her personal consciousness,whether she will take any decisive newaction. But if she is not active, she is nolonger passively letting her feelings go byunnoticed; she is aware.This is a beautiful film to watch, with noawkward gaps or unnecessary moments. Itis especially wonderful that De Sica'shandling is completely skillful yet unob¬trusive; he allows his focus to be Clara'salmost painfully human blossoming. In hisgreatest films, it is plain that he lavishesattention on his subjects with deep love andrespect without sacrificing any aspect of thefilmmaker's art. His last film is certainlyrepresentative of his particular geniusChemin De FerIs Off Track Well Moving CompanyBy Dean ValentineSomewhere toward the welcome end ofGeorge Feydeau's Chemin de Fer, now atthe Goodman Theater, one of the charactersdelivers what should be this play's epitaph:"! hate clutter, " he says as he moves atable to its proper place, and oh — how onewishes one could stand at that moment andapplaud! Stuart Gordon's production of thiscluttered, rackety farce is cluttered andrackety and not even a giggle's worth of fun:there are altogether too many objects onstage, and not enough design; too manyactors, and not enough acting; too muchnoise, and very little sense - humorous orotherwise.There is such a plethora of good intentionsturned sour, one doesn't know where tobegin. Mr. Gordon, who has done some finework with the Organic Theater Company,should at least be given some bravery pointsfor trying to resurrect this corpse of a play,But it would take a superhuman, a godly,effort to do it, and directors, despite someclaims to the contrary, are pitiably fallible.Take the plot for instance: gay Paris(naturally), 1904. An anal character namedChanal (adequately played by RichardFire) implicitly trusts his pretty wife(miserably portrayed by Eugenie RossLeming, whose voice has the range of an air-conditioner). She, of course, takes on one ofChanal's old buddies as a lover (forgettablyacted by Richard Kline), and is, of course,naturally, certainly, discovered by herhusband. Next on the list of surprises: herlover turns out to be married himself andisn't tnat an amusing complication? Chanal,in a charm ing fit of revenge, forces the loverto divorce his wife and marry his mistress --who also happens to be Chanal's wife. Thisoccurs, quarrels ensue, and everything isset right at the end. It's all meant in thespirit of confusing fun, buf, unfortunately, itonly creates a feeling of deja-vu tedium.All of which wouldn't be so bad if therewas a funny line or two. A collection of stalegags and pre pubescent one liners ("Howwould you like to see more of him?") is,however, the best this sad comedy has tooffer us. Farce is not the tinkling of glasses,period costumes or veiled jokes. It is a livingthing, dependent for its humor upontopicality, and there is nothing very topicalabout this one. You can't tittilate when yourplay is geared to an audience of fifty years ago: in a society which tolerates wife¬swapping, this kind of thing is destined tosould like a creaky voice from a forgottenpast.Mr. Gordon's attempts to overcome thisproblem by continually pointing out just howmuch fun the play is; how tinglingly,charmingly false. He wants to surround theplay with a circus atmosphere: everythingis done quickly, acrobatically, noisily —including the bedroom scene. But instead ofhelping the play, all this does is point out itsantiquity. Mr. Gordon's directing, with thehelp of James Maronek's tacky scenicdesign, manages to undermine a play thatwould have done the job without any outsideinterference. You can't make fun of afarce; it's either funny or it isn't. Chemin deFer isn't.TH£4TR£Tom Sawyer (Keith Szarabajka) in TheAdventures of Huckleberry Finn. See the newcalendar, beginning on page four of the newssection. Photo by Daniel Rest. By Minna DavidsonTwo local dance groups, the Loop Troopand the Chicago Moving Company, madeappearances on campus this week. Althoughboth are oriented to modern dance, theypresented dissimilar performances.The Loop Troop looked amateurish. Part ofthis might have been due to their small scaleperformance. They are a smalt group — sixpeople — not all of whom usually dance ato~ce, and they danced in the Ida Noyesstudio with a minimum of stage effects, for asmall audience. Something besides theirsmallness made them amateurish, though.This was the quality of their performance. Itwas neat, but too careful. They concentratedon individual steps rather than on wholedances and !he effect was a correct butdisjointed and lifeless performance. Theinability to sustain a dance as a unifiedwhole cancelled out whatever wasprofessional about their close attention totechnique.This problem was only overcome inRamona Vaccaro's solo "Blueprint for aLady" and "Canterbury Tales." In eachpiece, the members of the companydisplayed refreshing confidence and enjoyment for what they did. Although I wasdisturbed by the lack of fidelity to Chaucerin the "Canterbury Tales," I thought thatthe quality of the performance made it themost appealing piece on the program and Iwas sorry that more pieces did not reachthis level.The Chicago Moving Company came offsomewhat better than the Loop Troop. Partof this might have been due to the fact thattheir production was larger than the LoopTroop's. They are about a dozeen people,and they performed in Mandel Hall. Morethan this, however, their performance wasalmost consistently strong. They lookedparticularly good in "migrations" and"Stop Over," where they had a masteryover the feeling for starkness which wasintrinsic to both dances. A little bit of theLoop Troop's problem came up in theopening piece, "For Betty." The dancerswere more concerned with the steps than thedance. They seemed to have to concentrateon them very hard. It was a bouncy, joyfuldance, but their smiles were strained andintermittent. In spite of this, they didmanage to maintain an airy, if not effortlessappearance so that the dance was at leastpartially successful.One technical problem manifested itselfseveral times during the performances.Dancers frequently did not articulate theirfeet. It was particularly noticeable in "ForBetty" where there should have been asharp distinction between pointed andflexed feet and there was not. Aside fromthis, however, the dancing was generally technically clean.The choreography for the evening wasvaried. I particularly enjoyed Lonny Gor¬don's "Yellow Roses Etude." It was an oldpiece. Several female dancers in greentights and yellow leotards (like yellowroses) cavorted around a man and a womandressed in severe, formal clothes.Sometimes the dancers mentioned thenames of flowers and men's name*,,sometimes they sighed and sometimes theyrepeated the refrain, "Yellow roses, Joseph,yellow roses." The piece intrigued mebecause I could not decide whether it wasserious modern dance, a spoof, or a soppybit of drivel appropriate for a second ratemusical. The question as to what it wasmade it all the more enticing.One the whole, the Chicago MovingCompany gave a polished and confidentperformance which was very enjoyable.Whatever the weaknesses of both groups,it was nevertheless good to see that thereare Chicagoans who are working to developmodern dance locally. This city has verylittie of its own to offer, dancewise. I hopethat both groups continue to forge on withtheir projects and performances.CMtflOIL MU9IC==^=WHPKRecordingsWHPK held a reception on May 4, com¬memorating the gift of 5,000 classicalrecords to the station by the family of Dr.KDirk DeYoung."It was a great success," programdirector Jane Ginsburg commented af¬terwards. "We wanted to do something forthe DeYoungs^ and they enjoyed them¬selves, and were pleased with the station."Several notable Chicagoans attended thereception, including WFMT programdirector Norm Pellegrini, WEFM late nightclassical disc jockey Andrew Huddleston,and University vice president D.J.R.Bruckner.The guests toured the station's facilities,munched on cashew nuts, drank sherry,ana praised the station on its recent growthand improvement."It upped our respect around here,"Ginsburg said.r * '10—The Chicago Maroon—Friday, May 16, 1975TH€/U€R"Anything Goes" Often DoesBy Esther SchwartzThe New York stage has been ex¬periencing, in recent years, a couple otimmoderately extolled musical revivals:Lerner and Loewe's Gigi, Abe Burrow'sGood News, Harbach, Mandel, Youman,and Caesar's No, No, Nanette. Now, suc-cesstul musicals, barring the truly ex¬ceptional ones, strike me as no difterentfrom, let us say, bestsellers in publishing.Can anyone see the purpose of reprinting,for example, The Valley of the Dolls thirtyy®ars hence? To the extent that such workshave an interest it is strictly con¬temporaneous; who now rereads thebestsellers of the Thirties, or even suchmore recent items as Forever Amber? Butthe old musicals get hauled out with alarm¬ing regularity from their boxes (I aminclined to think that Pandora's box musthave been a musical one, too) and they tallinto two categories: those of the last fewyears, like Gigi, which might not yet betotally obsolete and can be done straight;and those of palmier decades—or cen¬turies— which require revisions, spoofing,or both, like Good News.What about an old musical like ColePorter's Anything Goes? Is it so exceptionalthat it has acquired the charming patina ofgracious aging? The answer to this questionmay be a matter of personal taste, yet,according to the howling and roaring of lastweek end's crowd at Mandel Hall, thismusical comedy has withstood time nobly.Perhaps because the play is so timely, of astyle foreign to our Godspells and Hairs andJesus Christ Superstars, that it kindles suchhilarity from a receptive audience. I doubtthat a leading musical of today would evenconsider corny jokes about "Indo-China andoutdoor China," or vulgar gags like a comicEnglishman who. having been told by a woman that when one "likes" someone, onehas hot pants for her, goes up to a ministerand says, "Padre, I've got hot pants foryou." I may, of course, be wrong, in whichcase, so much the better for today'smusicals—simple, uncomplicated humor isamusing, as well as profitable. And even if itis only timeliness that lends some vitality totoday's mass entertainment, at least theabsurdities of contemporary life may get awell deserved kick in the pants.The main humor of a revival like AnythingGoes, however, lies in the ridiculing, in¬tentional or accidental, of yesterday'sstrangeness. The original show Is like abeautiful human body: through the years itgrows old and unsightly. You can try tobring it back to some shape by means ofplastic surgery, but the effect is at best oneof imposing hideousness; or, you can makefun of it by caricaturing it.It is the latter approach which succeededso gloriously for the Blackfriars. RonGreene's elegant Art Deco sets andElizabeth Botts' campy costumes illustratethis achievement. But to give credit wherecredit is due, one would have to single outchoreographer Merle Cross. Mr. Cross didsomething better than mere footlingrecreation or bootless parody of datedchoreography. He compiled almost everydance platitude of the Thirties, giving us akind of commonplace book or museumshow-case or, better yet—by conceiving ofthese dances as ethnic phenomenon—asociological documentary.Life Aboard a LinerThe de luxe liner of Anything Goes,plowing doggedly between New York, andpresumably, Cherbourg, is laden with aroyally insane group of passengers. One isa wistful assassin from Chicago, thecelebrated Moonface the Machine-gunner(Peter Meehan), traveling in hastily pur¬chased vestments as the Rev. Dr. Moon, andcarrying a fiddle case bulging with a murder weapon, "Put Put." Another isReno Sweeney (Paula Markovitz), anempress of the night clubs, but recentlygraduated from evangelism. A third is BillyCrocker (Jeffrey Smith), a futile bar flyupon whose unresisting shoulders areheaped, for no reason at all, expensiveexecutive jobs.Moontace, played with blandguilelessness by Mr. Meehan, is PublicEnemy no. 13. Escaping from the consequences of a recent gang massacre, he isgoing abroad to rest and ponder the ways ofambition. It is his hopeful wish to be PublicEnemy no. 5, or, at least, no. 6. Crocker, whohad had no intention of sailing at all,remains on board because he has seenamong the passengers the girl of hisdreams, a girl he met once and had alwayswanted to meet again. Crocker, withoutfunds, passport, or credentials, is providedwith the passport and private papers ofPublic Enemy no. 1.Thereafter the authors, Bolton,Woodhouse, Lindsay and Crouse (Leoninerhyme and all) provide such franticamusements as the spectacle (heard offstage) of Moonface, at a clay pigeon shoot,winning the ship's prize of S50 by whippingout his machine-gun and scattering the disksall over the ocean while Crocker, evadingarrest as the notorious Public Enemy no. 1,disguises himself as a common sailor, achef, a spinster, and then, by making abeard from a swatch of his dream girl'smother's fur stole, as a "Chinchillian"nobleman.Cole Porter's SongsThere is a hilarious scene in whichMoonface, who absentmindedly shuffles thehymnals, is stunned to learn he will be expected to conduct services in the loungebecause he is the only appreciable ministeraboard. In his extremity, he calls on Reno tobring her evangelistic powers into action,and this turn of the plot makes it possible for one of Cole Porter's crowning songs. Blow,Gabriel, Blow. And if you were not satisfiedwith that excellent song, Mr. Porter alsofurnished such ribald and sentimental songsas All Through the Night, You're the Top,and I Get a Kick Out of You.Paula Markovitz, whose incandescentsinging breathed life into the play, is entrusted with the best of the Porter in¬ventions, and this feat, plus her vital performance as Reno, establishes her as aqueen of musical comedy. Charming,poised, and personable Jeffrey Smith istotally magnetic as Billy Crocker, a qualityundesirable in a wristwatch but rewardingin a leading man. There are two ingenues: acomic one, Ellen Martin, whose perennialenergy is one of the shows most appealingassets; and a serious one, Sarah Garwood,who has mastered brilliantly the starry-eyed role of the sugary sweet girl in everyman's dreams. It is Peter Meehan, andMartin Drury as the guffawing English boobSir Evelyn Oakleigh, who have therudiments of the quiet desperation of thetrue comedian. Peter Meehan of the gentlespirit is wonderfully absurd, magnificentlybumbling; he has the keenest comedictiming and manages moments of real light¬hearted humor—among them his little songto the Blue Bird who never was blue. MartinDrury has a nice way of tempering the stockcomic Englishman with something notunlike humanity. Among the gospel-singingand dancing "Angels," one was quitepreposing, I believe it was Tammy Brady, ifI am not confusing Chastity withCharity—which would be dangerous indeed.There are some people who will argue thatreviving a dated musical comedy is ratherlike beating a dead horse. Why beat it whenthere are so many living horses, or asses,that could be as amusingly and profitablykicked? This is true, yet the Blackfriarschose, for whatever 'eason, to performAnything Goes. I must say, I am very gladthey did.KIMBARKLIQUORSINE MERCHANTSOF THE FINESTIMPORTED ANDDOMESTIC WINES The Committee on African Studiestofether withThe Comm, on the Comparative Study of New NationsPresent a Lecture On:“CONRENT DEVELOPMENTS IN ETHIOPIA”•yDr. ZEWDE GABRESELLASSIETues., May 20-Albert Pick Hall, Rm. 2113:30 p.m.Public is invited without ticket or chargeFeaturing our direct imports,bringing better value to youlTNI ONLY TRW I WINS SHOP IN NYBC PARK53 RD KIMBARK LIQUORS, UK.12141. 53rd St.53-Kimbarfc Plasm HY-3-3355SHI Elton John is The Pinball Wizard 3NOW PLAYINGIN QUINTAPMONIC SOUND' A Rlllf TNI Aft*STATE LAKEfoi qtou(> ulfl ronuctJuiir RA6 S300, »»t ??I With This Ad OnlyUsed Desks *15Used Chairs *5*New Chairs *25“caih and carry"I BRAND Y »8600 Commercial Ave.Open Mon.-Sat. 8:30-5:00RE 4-2111OFFICE WORK AVAILABLETypist, stenos, dictaphone operators: For in¬teresting jobs, Hyde Pork persons apply. Suite631, Hyde Park Bank Building. 1525 E. 53rd St.Work full time or part time. Choice of neigh¬borhood or downtown. Top wagesELAINE REVELL, INC.Contact: Barbara Hill at-684-7000Chicago's Prostigo Temporary Office Sorvlca. £**>Mt********************£* gold ary mm s#*;given ****by the Maroon I**e* New Hours Open Dally} From 11:30 a.m.to WH) p.m."A Gold Mine Of Good Food'*#***#***#***** Student Discount:10% for table service5% for take homeHyde Park's Best Cantonese Food5228 Harper 493-2559(noar Harpor Court)Eat more for less. #********************(Try our convenient take-out orders.)t^P ^P ^P ^P ^P ^P ^P ^P ^P ^P ^P ^p ^P ^P ^P ^PURPEUNION FOR RADICAL POLITICAL ECONOMICSTHE UNHAPPY MARRIAGE OFMARXISM & FEMINISMA PRESENTATION BYAMY BRIDGESMAY 17 2300 P.M. IOA NOYES HALLOPEN DISCUSSIONTO FOLLOW,FridayvMay j 6, 1975 -The Chicago fifraroQn —|!\> t 3: ynN' v.oou’M'.vjc.’.nj nr<T . TheGreyCityJournal-7TheGreyCityJournalCD>. j Our newTurbolinerwas too beautiful tochristen,so we’reserving thechampagne insteadThe loudest noise you’ll hear onAmtrak’s new Turboliner will be thepopping of corks.That’s how quietthis magnificent new Turboliner rides.And when we pour the champagne,we’ll fill your glass right to the topwithout spilling a drop.That’s howsmooth this magnificent newTurboliner rides. It’s a whole new wayto travel. New wider seats, new bigpicture windows, new expandedschedule. And a glass of champagne.All at the same old fare.Dining on the Turboliner is a realpleasure, too. Get anything from acold sandwich to a complete hot meal,place it on the drop-down tray in frontof your seat and watch the scenerygo by.Riding the Turboliner is as easy as going down to Union Station, buying a ticket andgetting on board. Pick any seat you like. You don’t need a reservation.For more information, call Amtrak by dialing 312-786-1333, or call yourTravel Agent.Come on and ride the Turboliner. You may even develop a tastefor champagne.Announcing the Turbolinerbetween Chicago and Detroit.Lv. Detroit7.00 am9:00 am5:00 pm Ann Arbor7:45 am9:45 am5:45 pm Jackson8:20 am10:25 am6:25 pm Battle Creek9:10 am11:20 am7:15 pm Kalamazoo940 am11:50 am7:45 pm Miles10:37am12:45 pm8:40 pm Ar. Chicago11:35 am"1:40 pm9:35 pmLv. Chicaao Niles Kalamazoo Battle Creek Jackson Ann Arbor Ar. Detroit7:45 am 10:35 am 11:29 am 12:00 n 12:50 pm 1:30 pm 2:25 pm4:10 pm 7:03 pm 8:00 pm 8:30 pm 9:25 pm 10:00 pm 10:55 pm5:15 pm 8:10 pm:i: 9:05 pm: 9:35 pm 10:25 par* 11:00 prrr* 11:55 pmSame low one-way fare: Chicago to Niles $5 25. Kalamaroo $ 7 lb. Battle Creek $8 lb. Jackson $ 11 50; Ann Arbor $ 13 00.Detroit $15 00 And don t forget, children under 12 ride half fare Chicago Time is Central Daylight All others Eastern DaylightRuns every day except Sunday *Runs every day except Saturday Champagne offer effective May 15 to June 30, 197512—The Chicago Maroon—Friday, May 16, 1975 Under New ManagementHYDE PARK GARAGEoffering* 24 hr. attendant service* self-parking-only $38 incl. tax* valet parking(incl. home deliveryand f free wash/week)only $68* 18% disc, for students* hand car washIt's our pleasure toserve you at1608 E. 53rd St.HYDE PARK GARAGEYour friends. Jim i Harry|l JAMES ISCHULTZCLEANERSCUSTOM OUAUTYCLEANING10% student discount1363 E. 53rd St.752-6933EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURTROSENBAUMOptometrist(53 Kimbark Pla/a)1200 East 53rd StreetHYde Park 3-8372THIS IS YOUR PROGRAMME:ONE YEAR *?wujtlrMfWWWsnotsKB8UTZ !u~. Ii InstituteARAD ISRAEL IN YOURPROFESSION® A hARpCRllTORCb&OOkCANNIBALISM:HUMAN AGGRESSIONAND CULTURAL FORMEli SaganForeword toy Robert N. tetlati Tbitbook represents a combination of dis¬ciplined research, theoretical clarity,and moral imagination that it rare inAmerican intellectual life Mr Sagan hattaken eanmbal»sm-at first light a moatunpromising, mdead repulsive tub|ect~as a point of departurs for careful theo¬rizing and daring speculation on ft*roles of aggression and love in humanlife **-Robert N Bellah. from the Fore¬wordTB/lt» HASfor a comptof cotolog writ#Harper Totchbooht. 10 Eesr 53d Sfreef.New York, N Y 10022BCALENDARcontinued from page 4WHPK: and interview with Del Cloie, director of Second City, talking about inprovisational theater and its making, the history of Second City, and his ownbackground 6 00 ' 7:00 p m on WHPK FMA LITTLE NIGHT MUSIC: Classical works on WHPK from 3 00 to 7 00 A MFEMINIST MEETING: a discussion of women in Literature and the Arts, 7 30P M at the Blue GargoyleTECHNICAL WORKSHOPS: Stagecraft II will be taught by Varney Knapp,Technical Director of University Theater, Reynold's Club Theater, 6 30 p mBIOLOGY LECTURE: “Androgen and Gene Expression in Prostate Cells" willbe discussed by Shutsung Liao, CLSC 101,2 00 P MDANCE ON THE QUADS: UC Folkdancmg Society, Hutch Court, noonHISTORY LECTURE: "History and Psychology" is discussed by Frank Manuel,4 00 PM. Pick Hall 104KARATE: 6 9 p m , Ida NoyesCHESS CLUB: pm, Ida NoyesFOLKDANCERS: 8 pm, Ida Noyes .BALLET: the Peter Spofford Ballet Company in the filmed version of PeterRabbit, Quantrell Aud , 8 00 pm, SISECOND CITY: will present a performance at Mandel Hall at 8 00 tonight $2students, S3 othersLOX AND BAGELS BRUNCH: SI SOat Hillel, beginning 11 00a m:CLASSICAL MUSICSEVEN CENTURIES OF SONG, a countertenor recital, will be performed at theLaSalle Street Church, 1134 N LaSalle, on Sunday, May 18th at 3 00 P M Studentsare charged SI 50, and SU7 3754 will yield more information BARBARALEIBUNDGUTH will present a flute and recorder recital on Sunday, May 18th at7 00 p m in Northwestern's Lufkin Hall, 700 University Place, Evanston There isno admission charge The ROOSEVELT UNIVERSITY CHORUS AND CONCERT CHOIR will perform at 8 p m on Friday. May 14th at 430 S Michigan Ave,at no charge Throughout next week, Roosevelt will be presenting various groupsin performance; call 34V3787 for complete information And the CHICAGOSYMPHONY is performing on Friday and Saturday of this week and Wednesdayof next week Call 427 7711 tor complete program and ticket information TheDEPAUL TRIO is performing in concert on May 14th at 815, J5 g Jackson,admission is freeDANCEMoMing presents GINO CUMEEZI'S 3 RING SIDESHOW on May 18th at 8 30p m at 1034 W Barry These dance pieces are by Eric Trules, with music bySantez of Street dancer, and by Erwin Heifer Sideshow photo gallery by RobertSchiller $2 for students And on Monday, May 19th at 9 30 p m., JIM SELF performs solo work at MoMing foe free Call MoMing at 472 9894 for more on boththese events The CHICAGO BALLET is performing this weekend at 1014 NDearborn, call 337 4539 for more informationTHEATREHUCKLEBERRY FINN will be staged at the Mill Run Theatre on Saturday.May 17fh at 1 00 pm, a performance especially suited *o children Tickets areSI 75, and 298 2333 gives more information DON RICKLES is at the Mill Runbeginning Monday. May 19th, and the above number can be called to find Out about nim, too THE BEST UF DREAM THEATER, an exploration of themagical world of dreams involving mythology, song and poetry will be given inbenefit performance on Sunday, May 18th at 3:00 P M end 7 00 P M For ticketsand information call 935 4743 FOR A GOOD TIME, OtAL OELWARE 7 1993, asatiric play, will be performed by Second City every day but Monday.ENDGAME, Samuel Beckett's play, will be performed on Friday night at8 30 p m by Andre Gregory's Manhattan Project in Mandel HallCHEMIN OE FER, Feydeau's hilarious farce is performed oy the GoodmanTheatre Center now through June 15 Stuart Gordon of the Organic Theatre,directs: "I suspect there have not been so many lunatics on the Goodman stagesince ‘Marat/ Sade"' Call 443 3822 for information AFTER THE RAIN, anallegorical drama by the Old Town Pllyers ends May 18th, so don't miss itTickets are still only 12 50 The number to call is 445 0 W5 The story of "a knavewhose tongue is as wily as is his way with women," THE LIAR will end its run atthe Studio Theatre, 200 S Columbus Drive on May 18th Office is 443 3800SWEET BLOOOY LIBERTY, a heroic musical revue written and directed byPaul Sills continues at Victory Garden Theater, 3730 N Clark St Music is by TrueBrothers and Wilderness Road Reservations can be made at 871 3350 TheOrganic Theater's production of ADVENTURES OF HUCKLEBERRY FINN >sstill playing at 4520 N Beacon Street This faithful adaption of Mark Twain'snovel, directed by Stuart Gordon, is worth seeing THE INTERVIEW will beperlormed at midnight on Friday. May 14th at Victory Gardens Theatre,3730 N Clark Street, continuing with midnight performances for sixsubsequent Fridays Admission is free Find out if PLUMED SERPENT isstill being performed by the Magic Circle Theatre Company byrailing 871 2273 The Experimental Black Actor's Guild is stillperforming THE TENEMENT, a new play by i.riicago playwright R A Goughis,at 500 East 47th Street Call HY3 1305 for reservations ROSENCRANTZ ANDGUILDENSTERN ARE DEAD is performed Friday and Saturday at 8 p m byDePaul University players S2af 25 E Jackson BlvdThe TRAVEL LIGHT THEATRE is touring Chicago pubs and coffee houseswith two Tom Eyen comedies, on Thursdays they're at the Blue Gargoyle, and onSunday's they play at the Art Institute at 1 00 P M WISDOM BRIDGE, 1559 WHoward is probably still showing Cyrano de Bergerac, though their announcement is somewhat out of date Call 743 4442 for up to date informationTHE MONEY SHOW is being performed by The Independent Eye at The BodyPolitic, 2257 N Lincoln Shows are at 8 30 except on Saturdays (they're at 8 and10 30 then) and seats are S2 and S3 50DREAMS, a new drama by Thomas Sharkey is at Playwrights Center, 110 WKinzie only until May 24th Call J R Bruce at 344 7854 for more information S NBehrman's BIOGRAPHY, a warm, wonderful comedy hit of the 30's is showing atCCTC Theatre, 333 W Wisconsin 528 0435 gives more information The ChicagoPremier of Mrozek's VATZLAV, a lively cross between farce and theatre of theabsurd, begins Friday, May 14th at 3257 N Sheffield Ave. The work is performedat 8 p m Friday and Saturday and Sunday by the Columbia College ActingCompany Call them for ticket information THE STORYTELLER'S HAT, performed by the Alice Liddei Theatre Company, in Reynolds Club Theater at 11am, 1 p m and 3 p m And finally, NOEL COWARD IN TWO KEYS is at theBlackstone Theater through May 31 Performances are Friday and Saturday at8 30. and a Saturday matinee at 2 p m.FILMThe film PALESTINE will be shown once only at 2544 N Halsted on Frday at8 00 for the price of SI donation THE ABANDONED CHILOREN, Danny Lyon's1975 film, and Joyce Chopra's GIRLS AT TWELVE also 1975, are at the Art Insfitute on Friday at 5 30 and 7 30 fcr only one dollar On Tuesday of next week,the Ann Arbor Film Festival Tour Part I will be shown at the Art institute Callthem for more information and a complete list of the films to be shown THE DAYOF THE LOCUST, is being presented by the Chicago F>lm Festival on May 18th a*the Old Orchard Theatre. 9400 Skokie Blvd, Skokie at 11 30 AM Admission is S3tor non members THE MAIDS, a film of Genet's play, and the last in theAmerican Film Theatre's series, is at the Hyde Parker on May 19 and 20HUNGER is presented by CEF at Cobb Hall for Si on Sunday, May 18 at 7 15 and9 30 for SI Playboy's all night show isBOYSINTHE BAND at midnight and THEGAY DECEIVERS at 2 00 a m on Friday May 14th and THE DEVILS at midnight and DEATH IN VENICE at 2 00 a m on Saturday They are at 1204 N Dearborn, and tickets are S2 00 Films from the Piftxburgh Filmmaker'sAssociation will be shown Saturday the 17th at N A M E Gallery, 203 W Lake. 8pm, SI 50 CARNAL KNOWLEDGE on Friday the 14th and DAY OF THEDOLPHIN on Saturday. May 17th are shown at the Northwestern University TechAuditorium at 7 and 9 30 p m Admission is 75« For further info 492 5400 THEROAD TO YESTERDAY, Cecil B DeMille's bizarre story of reincarnation and aspectacular train crash is shown at Fisk Auditorium at Northwestern Universityon Saturday at 2 00 P M Call 844 FILM for more informationJAZZ ROCK FOLKThe STANLEY TURPENTINE Quartet performs through May 18th at the JazzMedium. 901 N Rush Street, and beginning May 71st. the HEALTH BROS.,featuring Stanley Cowell, piano, performs at the same place The Old TownSchool of Folk Music features GINNI CLEMMENS at Sunday Sing, May I8»h,singing ballads and boues at 2 p m , 909 W Armifaqe. SI admission JIMMYELLIS performs in a free jazz concert sponsored by Gulliver’s PeriodicalBookstore at 5309 S Kimbark. May 23rd. from 4 7 So plan on it LIVINGSTONTAYLOR with CORKY SIEGEL. May 16 18 at Amazmgrace. 845 Chicago Ave .Evanston FRED HOLSTEIN and CLAUDIA SCHMiDT at Somebody Else'sTroubles, 2470 Lincoln Ave . Friday and Saturday the 16th and 17th Call MarthaRedhed at 953 0440for information OREGON, a versatile iazz quartet will appearat the Quieet Knight, 953 West Belmont, for a five night engagement beginningWednesday May 14th through Sunday May 18 Call 348 9509 for more informationThe ROGERS PARK WOODWIND QUINTET plays every Saturday and Sundayevening at the Kingston Mmes Cafe and Pub, 2354 N Lincoln No cover and nominimum OPEN MIKE WITH FRED HOLSTEIN on Sunday and Monday, the18th and 19th at Somebody Else's Troubles, 2470 Lincoln Ave CENTRALSTANDARD BLUEGRASS. a five piece traditional bluegrass band from theChicago area is performing at Kingston Mines at 9 p m on Friday and SaturdayOn Monday at Kingston Mmes. LUCKY MUD, a new good tkme soft rock groupplays at 9 p mARTAt the Museum of Contemporary Art, there is a retrospective exhibition ofHANS BELLMER'S sculpture and drawings, and an exhibition entitledMENACE, designed to evoke feelings of threat or dread, without recourse todescription They're at 737 East Ontario The Hyde Park Art Center is still showman exhibit by Chicago artists Vera KLEMENT, Martin HURTlG, LaurenceBOOTH, and Larry SALOMON They're open Fr day 10 2 and Saturday 10 5,5234 S Blackstone More about Hans BELLMER: the exhibit a* the Museum ofContemporary Art is the iargest American collection of the drawings andsculpture of this Surrealist erific fantasist and master draughtsman Beilmer isespecially renowned for the elegance and expressivity of his drawings His workis at the Museum until June 22 ONE WOMAN SHOW of the work of JeanettePasin Sloan is a* the North River Community Gallery, 3307 W Bryb MawrThey're ooen I lo 5p m on weekdays A new series of constructed dimensionalpaintings by CIVIA ROSENBERG and photographs by DAISY CHAN will beexhibited at the ARC Gallery, 226 E Ontario will open May 27th Watch this spacefor more information SARA SKOLNIK will exhibit steel sculpture and prints in aone woman show at ARC Gallery, 226 E Ontario, now through May 24th WAYNEHIGBY'S ceramic work is shown at the Gallery of American Ceramics. 1708Central Street, Evanston, now through May 24th Cal! 844 3350for more info AnnaRobiteiile is exhibiting at Midway Studios until the 24thMISCELLANEOUSONCE A YEAR SALE The Hyde Park Kenwood Community Conference annuai GARDEN FAIR Houseoiants, flowers and vege*abies for wmdowsill andbackyard gardeners, plus a selection of pots and wmdow boxes tor sale CoopShopping Mall. 55th and Laxe Park for two days Fr day the 16th from 9 a m til 6p m , and Saturday the '7th from 9am until 4pm FIELD MUSEUM iscurrently showing an exhibition of over 600 anoent Ecuadorian obtects from 3000300 B C Pottery and other artifacts are on displaySOUND MOVIE DEMOSal. May 17th 11 A.M.-4 P.MCARPET CITY6740 STONY ISLAND324-7998Has what you need from a$10 used 9x12 Rug to acustom carpet. Specializingin Remnants & Mill returnsat a fraction of the originalcost.Decoration Colors andQualities Additional 10%Discount with this Ad.FREE DELIVERY Your great movies willbe reborn with an ELMOprojector to snap outevery detail and color otyour films.1342 i. 55th493-6700y.TAMCAMA&NCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOWEN DAILY11 A.M. TO 8:30 P.M.SUNDAYS AND HOLIDAYS12 TO 8:30 P.M.Orders to toko out1318 last 63rd MU 4-1082 THIS WEEK FEATURINGPRAEGER BOOKSNOT REMAINDERSMUSIC, ART HISTORY,ARCHEOLOGY$7.50 to $35 VALUESREDUCED 65 to 80%EXPANDEDFRENCH LANGUAGESECTION75,000 New & Used BooksBooks for:The ScholarTha BrowserTho Co) tact orPOWELL'S BOOKSHOP1503 E. 57th 9 A.M. to 11 P.M. Everyday• EYE EXAMINATIONS• CONTACT LENSES (Soft & Hard)• PRESCRIPTIONS FILLEDDR. MORTON R. MASLOVOptometristsHyde Park Shopping Center1510 E. 55th St.363 6363CHARTERSmaka arrangements for all typos of chartarsU-t ravel, inc. * AM -8 PM 7 Days A WeekHYDE PARK PIPE AND TOBACCO SHOPj1552 E. 53rd - under 1C tracksAll students get 10% offask for "Big Jim''PipesPipe Tobocco*€ our UnlveT? ^O? the unw.^ °pec»o\aie en"'^ Volks'"°9c®5SOr.e*saving Par* * usedV olksw°9® oeyj fromand °°Y 0 yooVo\W**09® sou* ^re lMi Vo\Ksv.oge^ GtHotALt«-1S5b?> rffgzrgLBERTOLUCCI'STHE CONFORMISTFRIDAY: 6:30,8:30,10:30 $1.00 COBB:• jfrjdpy, May 10, T97S—The Chicago Maroon—13VARSITY SCOREBOARDLAST WEEK’S RESULTS:BASEBALL: (11-7)Concordia 9 UC 5Illinois Tech 13 UC 12UC 8,10 Niles 7,0Chicago State 4 UC 3GOLF: (10-5-1)UC 23-1/ 2 Niles 1/ 2UC 15 Northeastern 9UC 20-1/ 2 Chicago State 3-1/ 2DePaul 14 UC 10SOFTBALL: (8-2)IAIAW State Tourney:UC 3 George Williams 2Eastern Illinois 14 UC 1Greenville 14 UC 4UC 4 DuPage 0WOMEN’S TENNIS: (7-2)UC 6 North Central 1Lake Forest 7 UC 2Wheaton 7 UC 2THIS WEEK’S SCHEDULE:GOLF:Chicagoland Tournament, Fri., May 16, 7:00a.m.UC vs Lake Forest, Tues., May 20, 1:00 DeerParkMEN’S TENNIS:UC vs Chicago State. Fri., May 16, 1:00 58th &UniversityWOMEN S TENNIS:UC vs Chicago State, Tues., May 20. 4:00 Ken¬woodUC Invitational Meet. Sat., May 24, 8:00 Ken¬woodMEN’S TRACK:UCTC Open Meet. Sat., May 17. 3:30 Stagg FieldStagg Relays. Sat.. May 24, 10:00 Stagg FieldWOMEN’S TRACK:UC vs Northwestern, Sat., May 17, 10:00 AwayStagg Relays, Sat., May 24, 10:00 Stagg FieldCRICKET:Practices are held every Tuesday and Thursdayafternoon at 6:00 at Stagg Field.There will also be a practice this Saturdaymorning at 10:00.Nonconference game this Sunday: UC vsEvanston-Skokie Cricket Club, 1:00, Stagg FieldAnyone who is interested is welcome to come andplay. Even if you don’t know the game there willbe people to explain and teach.REMEMBER SAMUEL EELS? HOW COULD WE FORGET?:The Undergraduate Order of the 'C' will sponsor adance at Alpha Delta Phi Fraternity, 5747 SouthUniversity tomorrow night at 9:30. Live music will beprovided by "Ruckus" and admission is free with aUniversity ID. The dance is in memory of Samuel Eelsand is right across the street from beautiful EckhartHall. Swim featurescelebrities, prizes IN AND ABOUT IMsINTRAMURAL SOFTBALL TOP TEN1. See Your Food (4) 5-0 582. The Common Law Seals (2) 5-0 533. The Big Med Machine 5-0 494. Hitchcock East 4-0 435. The B-School Bombers 5-0 356. The Billikens 5-1 267. Salisbury 4-0 178. Lower Flint 4-0 - 119. Son of Dartos 4-0 710. Nameless 3-1 5Points are awarded out of a possible 60 with tenpoints for first place votes, nine for second, etc.Numbers in parentheses indicate first placevotes.Others receiving votes: Hurlersburg Hotel,Economics, Psi Upsilon, Chamberlain, LowerRickert, The Harder They Come, The BlackstoneRangers, Divinity, Irving ArchipelagoBy JUDY BANKSGeorge Beadle, NobelLaureate and past presidentof the University, willbravely splash through thefirst leg of the UC SwimmingMarathon on Friday, May23rd, 4:00 in Ida Noyes Pool.Several faculty, staff, andadministration memberswill be standing by at IdaNoyes to cheer Dr. Beadle on,and to take their turns in theMarathon.Participants in the round-the-clock swimmingmarathon are not required tohave sponsors; however, it isvery important that theysecure them if at all possible.Swimmers are asked to signup for the time of day ornight they wish to swim inorder to minimize confusionand maximize convenience.Sponsor forms and the sign¬up schedule are located inthe IM office, west end ofBartlett’s first floor.The most important goal ofthe Marathon is todemonstrate popularsupport for a new swimmingfacility on campus, bynumbers of swimmers,whether they swim one lapor a hundred. The varsityswim teams originallyconsidered organizing apool-stuffing contest, alongthe lines of a telphone boothstuffing contest, however the idea was abandones due tothe potential danger to thoseparticipants at the bottom ofthe pool.The Rosenbergs of theFrog and Peach have agreedto provide a free beer toanyone swimming more thantwenty continuous lengths inthe Marathon. In addition,they are sponsoring the relayfor five cents per mile,provided that someone swima few lengths in their “Frograft.”To each swimmer whocompletes at least thirtycontinuous lengths, the NewC-Shop will be giving away afree ice cream cone. Thegreenhouse will give a freeplant to any swimmer whoswims at least tencontinuous lengths.First, second, amd thirdplace prizes for the greatestnumber of lengths will beawarded to theundergraduate male andfemale as well as a male andfemale from an “others”category consisting ofgraduate students, faculty,and staff.A half-barrel of beer willbe awarded as first prize tothe group from a dorm orfrat that swims the mostlengths in three continuoushours, while second prizewill be a quarter barrel.There will be two categoriesfor dorm competition: all¬ male houses or frats, andcoed or all-female houses orfrats.Any group of eight or moreswimmers who wish tocompete as independents forthe beer barrel prizes maydo so if they sign up at the IMoffice before the Marathonbegins. The beer barrelawards have been madepossible by the UniversityCity Bank So far, individual prizesinclude a dinner-for-two atChances R. a record giftcertificate at the StudentCoop, Fall quarter seasonpasses for DOC and CEF,and others. Varsityswimmers and swim clubmembers are not eligible forindividual prizes, althougheach organization may haveone varsity or club memberon their roster.Maroon baseball finishes 11-7By MIKE KLINGENSMITHThe Maroon baseballsquad closed their mostsuccessful season since 1949on a less than successful noteTuesday afternoon whenthey dropped a 4-3 contest tovisiting Chicago StateUniversity on Stagg Field.Chicago finished theseason at 11-7, their bestwinning percentage since the1949 squad finished 13-8.Jeff Larson’s two runsingle early in the game, andNorval Brown’s RBI singlein the bottom of the eighthsent the Maroons into theninth tied at 3-3.Chicago State came upwith a run in the ninth on awalk, stolen base, and asingle and UC was unable tocounter in their half. JuniorEd Conner absorbed thedefeat, his third against fivevictories on the season.Conner finished thecampaign with a 3.36 ERAPaul Kawalek, who missedmuch of the season with abroken thumb, finished withan outstanding 1.83 ERA anda 3-1 record Those threeaccounted for all but six ofChicago’s innings pitchedthis season.Conner finished thecampaign with a 3.36 ERA.Paul Kawalek, who missedmuch of the season with abroken thumb, finished withan outstanding 1.83 ERA anda 3-1 record. Junior JackLeVan finished strong with a2.42 mark and a 3-2 record.Those three accounted for allbut^six of ,Chicago’?. innyjgs pitched this season.The batting crown for theseason came down to anidentical tie between BobGriffin and Norval Brown.Both went 21 for 61 tocompile .344 averages.The team’s other .300hitter was Larson at .329.Larson also led the team inruns scored with 18 andstolen bases with 9.The RBI leaders were CliffEisenberg and DennisMcNamara with 11 each.Brown, Steve Roczniak, andPaul Swiontkowski followedwith 10 apiece. McNamara also led the team in walks(24) and doubles (4).It is customary at theconclusion of a season toexplain how bright thepicture looks for the nextseason but with the 1975Chicago Maroons this ismore than just a cliche.The team loses only thirdbaseman Bob Griffin, andoutfielder -turned -pitcherCliff “Goldfish” Eisenbergfrom this year’s squad. EricNorment showed in the latterpart of the season that heshould be able to fill Griffin’sshoes at third. He and freshman Isaac Bridges,who hit .278 in full-time dutyafter Kawalek’s injury, arepromising “rookies.”Coach John Angelus saysof the season, “Like anygood team, we feel that wealways could have donebetter, but I think that wecame back well to overcomethe injury to Kawalek. Atthis point we are obviously aserious college team.”With a healthy Kawalekfor the entire season, and onemore pitcher, it is no wonderthat coach Ange'us smileswhen the talk turns to nextyear.IT S ALL OVER: Maroons finished season with their best mark since 1949 despite.L^.^t&l^fliQfl^itchtLRoul.KajiaileJs^ith^Lbroken thumb.MAROON CLASSIFIED ADSSPACELOVELY 1 br apt in dalux* bldg on SSDr , new paint l burnt orange carpet,by beach & trans, tndry, a/ c. AvailJuly 1st. Responsible grad or adults,$140 731 4694 eves5405 S Woodiawn 2 rm & 3 rm turnapts June occ. 643 2760 or 667 5746Mrs. Greent bed 1st tl now rentinq SI40 No petsAdults Call 764 52905 1/2 room coop apartment Modernbath and kitchen Close to university.Low assessment Mid teens 684 77952bdrm apt 50 A Cornell Ig modern 246summer sub/ tall opt 288 4870Male grad wanted to share 6 rm apt52nd A Greenwood Call Van Days753 8304 eves 752 6151Avail Jul 1 University Apts 1 bdrmPkq. exc security. 947 9565 eves.Apt 4 rooms Sunny, quiet. Sublet tilMay Call 493 5714 Eves Weekend5 room apt available to sublet June 15Fully Furnished kitchen, bedrmsLiving areas Fall option 50th ADorchester 924 4056Root tor the grass and it will root toryou Grass Roots Movement1or 2 people wanted to share verylarqe Hyde Park apt Convenient topublic trans Own rooms 3 blks fromlake $62 60 a mo 643 72912roommates needed for summersublet Possible tall option Furnished,fairly close to campus Less than $70per month 241 7667Apartment on our third floor vaiiabiein exchange tor 70 hours a weekbabysittinq on weekdays alter 3 30 orweekends Bedroom, large ballroom,bath, semi kitchen Children 8, 6. 2Pleasant Kenwood neighborhood OnUC Bus Route Couple preferredAvail. Sept Possibly earlier 548 0017Rm in large apartment vie 54th andInqlestde $77/ mo phone days. 7879637 eves 241 72562 people wanted for summer subletHyde Park apt Sunny SpaciousMinibus Near Shopp-ng Call Abigailor Leslie 753 2233 Iv message if not in3 1/ 2 A 7 1/ 2 rms. 1/ 2 bk 1C. 6617 SKenwood Newly dec $115 $135 7880676Apt for rent 55th nr O'ive 4 rmsAvail. June 493 61324room apt 56th A Cottage summersublet with opt for fall 493 1707 eves11/2 room furrv kitchenette apt forJUNE 1 and July 1 $129/ m9 1 person5442 Harper Ml 3 9389CHICAGO BEACH BEAUTIFULFURNISHED APARTMENTS Nearbeach, parks, loop. UC and 1C trains,11 mins to loop busses, door Modestdaily, weekly, monthly rates 24 hrdesk, complete hotel services. 5100 SCornell DO 3 2400 Miss SmithSUBLETSFURN BDRM Avail 6' 7 9/ 25 Share 3bdrm apt with grad male Excel EastHP location $88, mo bdrm 288 1831.2 bdrm apt w/ study Jn 15 Sept 1Rates reas Respon Couple 667 7671.Sunny studio 7/ 15 Oct 1 Kenwood bw55 A 56 rent $110/ mo 493 0804Summer sublet June 15 Oct 1 option 2or 5 rm Sunny clean apt 53 Knwd$175/ mo unf but some furn avail 3635977 Keep tryingApt 6/15 9/15 by Kimbark pi a/a 4bdrms $200/ mo Keith Olive 753-72614th floor Chamberlin.Rommmates wanted to share 4 bedrmapt for summer 5/ 15 9/ 15 $170 to $190for whole 3 months Nr KimbarkPlata John Johnson 753 226122nd f lor Harper Square air cond on allbus routes furnished very reasonablefor situation 924 6340 Large 2 br furnished apartment forsummer sublet 6/ 20 tot/ 1 fall option,rent negotiable. 493 60811 bdrm completely furnished,University Housing, in Hyde Park,$100 includes everytmg from privateparking to color TV set call 288 4197after 6 Must see, am sacrificingSrm apt June Sept near U of C Rentnegotiable 363 3548 anytimeSummer sublet furnished apt bdrmlivrm kitchen secure univ. bldgw/parking plus laundry $144/mo 7520268 afternoon and evening 753 27931 bedroom apt available 6/ 15 to 9/ 15.Couple preferred Rent and datenegotiable 753 4707 or 741 7823Summer sublet 6/15 9/15 1 bdrmturn apt, twin beds, walking distanceUC nr 1C and buses, FA 4 6100 Reedeves7 1/2 ROOM EFF APARTMENTNicely furnished available June 70 forsummer sublet Call 241 6786SPACE WANTEDNeed cheap studio apt for 6/ I or 6/ 15Call Sherry 667 7163 af* 8 PM HELP3BDRM APT WANTED near campus,6/ 15 or 10/ t, preferably furnishedCall Walter 753 2261, rm 554REWARDProf needs summer sublet bedroomapt nr university Prefer modernbldg Will consider fall option to buy orlease Call 357 6573 between 5 A 8 onlyResponsible married universitycouple wishes to sublet and/ or carefor Hyde Park apt or home Summerand/ or next year Flexible on startingdate 947 9437SCENESHyde Park UC Nam presentsStrauqhton Lynd speaking on TheMovement in the 60's/ The Movementin the 70 s? 1 PM Mon 5/ 19 at the BlueGargoyleSOUND MOVIE DEMO SATURDAY114 MODEL CAMERA 493 6700INTERESTED IN NO FRILLS LOWCOST JET TRAVEL, to Europe,Africa, Middle East, Far Eas’ atminimum hassle? For informationcall EDUCATIONAL FLIGHTS, tollfree (800) 223 5569DINNER FOR 2 for Under $10 M THDinner Specials The COURT HOUSEin Harper CourtPEOPLE WANTEDNeed understanding? The grass understands you Grass RootsMovementKEYPUNCHING a few hrs of keypunching $3/ hr cash 324 2*67 or 7524751Cooperation in germination GrassRoots MovementACTIVISTS Need a challengingsummer job? Work with anorganisation tor consumer protection,fight redlining, dignity tor seniorcitizens and reform of our judicialsystem Part and full time jobs, advancement possible Call for an interview CITIZENS ACTIONPROGRAM 2200 N Lincoln Ave 9292972Knowledgeable instructor Spanishlessons to professional man in HydePark R Dunne bus tel 346 3000Need car driven from Chicago to SanFrancisco week of June 1st Call WaltStern 967 6065 or 493 9498Are you strong and handy? Domiscellaneous small house repairs,mow the lawn, etc for us $3 per hour,up to 8 hours a week, flexible hours InKenwood on UC bus route 548 0017HONDURAN needed to translateresearch material into HonduranSpanish 15 20 hours of work at $4 perhour Call Rex at 548 6684 SWIMMING MARATHON' fee pert ofthis amaiing 300 milt effort! Freebeer at the Pub If you swim 20 lengths'Sign up in IM office Bartlett Gym.Earn $2 00 and learn some psychologySubjects needed for I hr experimentsin psycholinguistics Call Mary at 7534734 for informationNUDIST TRAVEL CLUB needs morefemale volleyball players MYWCLUB, PO Box 1342 Aurora, IL 60507Need a babysitter from 8 30 to 2:30weekdays Call 753 3961Top paying #1 lesire spa seeking attractive girls day or night work 3locations to choose call for more info337 8757.ACTIVIST Committed, capable individuals are needed in expansion ofIllinois' largest environmental groupExtensive contact with citizens andN E. Illinois environmental issues and.organizations Salaried positionsstarting at $490 Training andseminars For interview call or write:Citizens for a Better Government, 59E Van Buren. *2610, Chicago 60605Phone 312 939 1984Portraits 4 for $ and up MaynardStudios, 1459 E 53 2nd F 643 4083PEOPLE FOR SALEMusician with college teaching expwant to teach voice and piano studentsof any aqe or level Please call 68*6912For Exp Cello Teacher Call 324 2144instr piano, violin, viola, musictheory, comp , recorder $4 hr , Spaninstr $2/hr Kids tutored $2/hr possat your place Can Thomas Robertson,667 3538For exp piano teacher call 947 9746Rob Stone Movers will move you in onetrip in van or enclosed frockGuaranteed service and carefulhandlmq At very low cost 324 6225 or288 1364MILES ARCHER MOVERSReasonable prices Call 947 0698 or 7524910 for nformationFOR SALELight sunny brick home Lovelygrassy yard Central air Side drive 3bdrms. family room, breakfast room,panelled basement Great kitchen Allexcellent condition Choice highlandlocation $4?.S00 Call CharlotteVickstrom 667 6666 Kennedy, Ryan.Monigal A Assoc'70 Mercury Montego $500 285 14551 A 2 bdrms available in this fine coopbuilding The LOW assessment inetudes everything Call J EdwardLaVelle 667 6666 Kennedy, Ryan,Monigal A AssociatesAntique dresser w/ mirror very reasCall 643 9039 eves or wekendsSofa beds, shelving, dresser, rugs,curtains, all in good condition 2416240Beautiful turn Must sell moving toNYC Early Am style bureau $140night tables $110pr. Queen Anne stylecoffee tables $65. end tables $120/ prred shag rug $30. Navajo rug $25. dblmatt sprqs $50, vac clr $100. antique 9piece dr set $750 642 3384Elegant Highlands choice corner brickresidents 5 bdrms 33' long livingroom Spacious. Mid 50’s. CallCharlotte Vikstrom 667 6666 Kennedy.Ryan, Monigal A AssocTELETYPE machs model 15 KSRonly $25 each. 19‘s with Everything $65C B Goodman 752 1000 ext 516Air conditioner $100 Desk $20 2dressers $10 363 4038Beautiful Danish Wall Sys> Teakwoodw/ desk, 3 cabinets, 9 shelves SCMelectric typewriter, 6x9 wool rug.copper cooking set, filing caomet bluesofa 955 5479 after 6VERSAILLES5254 S. DorchestorWELL MAINTAINEDBUILDINGATTRACTIVE 1 % ANDROOM STUDIOSFURMISHIDor UNFURNISHED$129 «o $209Du>«d on AvailabilityAll Utilities IncludedAt Campus Bus StopFA 44)200 Mrs. Groak Open airy 4 1/2 targe room apartmentnear campus. Full price $11,500Assessment only US 75 per month Allcash deal Call Charlotte Vikstrom 6676466 Kennedy. Ryan, Monigal AASSOCMay 17, 10 4 Plant- books, records,household items, brie a brae, gadgets5418 East View Park (Back yardtale).Scott L I12B FM turner with multipathtuning List $200 Adjustable output,muting, noise filter Price $100 or bestOtter Call 947 9596 after 5 00 PMLarge beauliful 12 room home >n thesky Fireplace Bookspace galoreSunny tiled circular solarium Familyliving in style 55th street Price in the$50 s Call Charlotte V'kstrom 667 6666Kennedy. Ryan, Monigal AAssociatesVega 1973 GT wag low mil AM/ FMstereo radials 4 speed 1850 785 7442Beautiful healthy plants for sale Call493 9698Brick 4 br home near 54th 8,Blacksfone Price reduced ownermoved out ot city A says 'sell "Dehghtful kitchen patio yarn $43,500Call Charlotte Vikstrom 667 6666Kennedy, Ryan, Monigal AAssociatesHOUSE SALE Leaving Kenwood after25 yrs Silver, glass, linens, lots otfurniture, mens clothing size 38,hunting fishing golf equipment Sat ,Sun . May 24 A 25 4820 S Greenwood10 AM on 493 6940Air conditioners $75 A $100 typewriter$25 5 drawer filing cabinets $40 A $25mahogany bureau and mirror $50Rocking chair $35 All excellentcondition WA 4 4809Wooden wardrobe, approx 5'6 " x 3'2‘Solid, good looking $30 Typewr fer.Old remington manual, work perfectly.$40 Metal bed frame adiustabie, freeCall 684 0390GE portable air conditioner Coots oneroom Almost new $100 000 Caii 2851568 after 5Cibachrone in stock Model Camera493 6700Faculty. s*uden»s. and staff tradstudent working as a parttime salesrep for Ben Geiler Chevrolet can givecompetitive deal on new car Notworking from a show room, will talkwith you on campus Call Ron 3 2080 orleave name and number a* 955 1 487and i'll call you backMAROON LECTUREAll of U of C students, faculty and staffare invited to the inaugural address ofthe Maroon Lecture Series onTuesday May 20 Whife House d'deBradley Patterson will speak on thepresidential staff af 8 30 af WoodwardCourt A reception will follow in theresident master's apartmentWHPK STATIONMEETINGSunday, May 18 at 2 PM in the SouthLounge of Reynolds Club We will beelecting next year's station manager,program director, and a governingboard member ALL STATION MEMBERS ARE EXPECTED TO SHOWUPGRASS ROOTSThe Plant Department is now seedingthe quads Wa»ch out for roped offareas Root for the grass and it willroot for you Cooperation in germinafion Grass Roots MovementTHOMPSON 71IM CHAMPSSoftball Sun 3 PM North Field Let'ssee who's left Look for Mark Lloyd INDIAN MOVIEMUSICSATYAJIT RAY'S colored movie"KANCHBN JUNGHA" (subtitled),on# Togore Songs lot Hows* May 18 7PM IA members tl Stodents 81*Others $2BALLET FILMSRoyal ballet's Peter Rabbit and TheTales ot Beatrix Potter at Cobb HallMonday May 19 8 PM $1 00 admissionA truly tun film!RIDESRide wanted to Forest Park fromuniversity (8 30 AM 4 PM workinghours) Will share expenses 771 9310Evenings Mrs ShubhaPRE MED CLUB"MALPRACTICE IN MEDICINE "An informal discussion withauthorities knowledgeable in this areawill be held Monday. May 19, 7 30 atPierce Tower. 5514 S University (the9th floor. Shorey Lounge) interestedFaculty and Students are WelcomeLOX & BAGELSLast brunch of the year this Sun atHillel. II AM. $1 50FREE OUTDOORSQUARE DANCECominq Sat May 24 8 PM on Ida Noyesparking lot with more live musicand Paul Collins calling In caseof ram. in Ida Noyes gym andsoftsoled shoes required (nohard leather). Free from U ofC FoikdancersTYPINGSunshine typing, quick service, somefree editing Call 288 7235WHPK WANTSD-J'sDo you want to Show Oh WHPK’ Alimited number of shows for Summerand Fall will oe available We areparticularly looking for oroadcastersm Jazz and Classical Music This >syour chance to put your golden voiceover the air Pick up a Summer and'or Fall program proposal a* WHPK s offices — 2nd floor, MitchellTower Submit proposals *o JaneGmsburg. Program Director, NOlater than Monday may 26Note This apples to current as wenas prospective DCsKOSHER FOODInterested in a Kosher Board Contractat Hillel for next fall? Dinners 6 days aweek Real possibility Contact EllenTabor or Joel Mull in WoodwardCourt, 753 2249UC COLLEGIUMFREE CONCERT, BYRD TALLIS,FRESCOBALDI and music from theMes can Renaissance Fri May 16,8 30 PM Rockefeller ChapelCONDO $5S,0004bdrm, 3 bath wait wall carpeteddrapes, work firept washer, dry selfclean stove 624 5499TV REPAIRRONALD BLACK will fix it for you'!Expert color. TV. B8.W TV, Stereoequip Fast. Cheap. GuaranteedService!! Hyde Park Resident Call667 5257BOOKS BOUGHTCash for used books Powells 1503 E57th St 95507780STEP TUTORINGinterested in helping neighborhoodchildren’ Student Tutoring elementary Project needs volunteers to tutorstudents b' weekly in school work or with special protects For mere mtar met ion cell Jey Supermen at 9478*4 or Mery Leu Febke 241 6256JEWISH WOMEN'SGROUPMeets every Sunday at 7 38 PM etHillel House. 5715 S Woodiawn Formore info cell Jenet et 752 5655CLASSIFIEDSMaroon classifieds are charged by theline, 35 spaces per line. 50 cents perline for UC oeoole. 40 cents per line torrepeat, 75 cents per line for non UCpeople. 60 cents fo repeat Ads must besubmitted in person or mailed to theMaroon. 1712 E 59th St , Chicago60637 No ads will be taken over thephone The ads must be paid in advance Deadline tor Tuesday's paperis Friday at 3 30 deadline forFriday's paper is Wednesday at 3 30For further information call 753 3265NATURAL FOODDinners weekmghts at the BlueGargoyle $2 00 6 PMMUSIC OF THE MEXICAN RENAISSANCEAlso Byrd, Tallis, and Frescobaidi,Collegium Musicum, H Brown,director, Fri May 16, IX PMRockefeller Chapel FREERIDESRide wanted to Ann Arbor for twoleave Fri/ Sat return Sun Will shareexpenses & driving Chris 241 6193PET LOSTLos*. 8 mo old Seal Point Siamese catFri afternoon 50th 5 BlacksfoneReward tor return. 285 60591975-76 MAROONAlt persons with intentions ot workingon the Maroon next year, or who fee'that they nave serous complaintsabout things which can oe corrected,are invited to attend a meeting in theMaroon office (Ida Noyes, *304)Wednes at 7 p m.PAN PIZZADELIVERYThe Medici Delivers from 5 10 pmweekdays, 5 II pm Saturday. 6677394 Save 60 cents if you pick If upyourselfFURNITURELove seals slide pro move mischumidiher $75 Glass table $100Dining able 6 chairs $200 It wood 6245499STUDENT STEREOGood advice an<j better discounts onhi fi lines like Advent, C>ta(>on. AR,Dual. Marantz. Pioneer Sony. Teac,Technics and many more This week'sspecial Pioneer PL 10 with ShureM91, pair Of Advent 2s. and Pioneer SX424 AM/ FM receiver List at $511. nowa* uu Call 24t 5752 eveningsTHE CONFORMISTHitchcock Films presents Bertolucci'sThe Conformist Friday at Cobb 6 30,8 30, and )Q 30 tor one dollarCREATIVESERVICESEvery Friday Night at Hillei 5717 SWoodiawn at 7 30 p m For more infocall Janet af 752 5655PERSONALSWould you like to adopt a cute cat?Free to good souls. Can 285 4347Trying to sublet your apartment’ Sellyour furniture’ Try Maroon classifiedads you're sure to be successful Seethe above ao under Classifieds fordirections in placing your adPREGNANCY TESTING10 AM 2 PM Saturday Si 50 donationAugustana Church at 55th 8,WoodiawnBy The South SideWomen's Health ServicesSouth Side Rape Crisis Line 66/ 4014A referral and moral suppor* community service We can help1WRITERS WORKSHOP 'Pi 2 8377)RUMMAGE SALEMAY 23, 24UNITED CHURCH OF HYDE PARK1448 E. 53rd ST. All students, faculty, and staff are cordiallyinvited to the inaugural address of the An¬nual Maroon Lecture Series.Our first speaker will be veteran White Houseaide Bradley Patterson, Jr.He will speak on Thursday evening, May 20at 8:30 at Woodward Court. A reception willfollow.Fr^fey,xMdy Y6,T^TS—TN6’Chlcd«d *Aor<k>H—15FRENCH WINESALRED WHITE ROSE*199 FIFTHCHEESE SALEPROVOLONE M2",™PORT WINE CHEDDAR ♦I26™,-STILTON Prime Engfish Blue $239 PER LB.BRANDIED CHEDDAR SPREAD ’125—GERMAN SMOKED ALPENJOY Plain-Salami-Ham Reg $135 *169 roue.VERMONT CHEDDAR Very Sharp *1" ret lb.NORWEGIAN NOKKELOST m, ’I75™*GOURMANDISE *Z*COMPLETE PARTY SERVICE FROM242? East 72nd StreetHOURS 1-9210Dolly 10 a.m.-9 pjn.Sunday Noon-6 pun. Appetizers to Zinfandel351 East 103rd Street50S-1S11 HOURSDoily 10o.rn.-9p.jn.Sundoy Noon-6 p.m.16—The Chicago Maroon—Friday, May 16, 1975