TheCrVolume 84, Number 49 wr.ivci*Llty Archive;Special Collectionr.c^encuAin libraryrl- yiaroonFriday, April 18, 1975Morris named law deanByMARIA CRAWFORD SCOTTNorval Morris, JuliusKreeger Professor of Lawand co-director of the Centerfor Studies in CriminalJustice, has been named thenew dean of the law school.The Maroon learned of theappointment yesterdayafternoon and it was publiclyannounced last night at theannual dinner of the LawSchool Alumni Associationby Phil Neal, the presentdean.The dinner was in Neal’shonor, and during hisfarewell speech as dean he made the announcement ofhis successor. He said that“the law school is about toenter a period of trulydistinguished leadership.”He then stated that hewished to invest Morris withthe appropriate symbols ofoffice—a crown and scepter.He handed Morris a hard hatand sledge-hammer.Neal submitted hisresignation, which will takeeffect at the end of thisquarter, to the provost lastfall. Neal has been deansince 1963 and stepped downto pursue his teaching andresearch.Morris is a leadingBellow gives answersat Woodward sessionBy CHIP FORRESTERLast Tuesday evening,novelist Saul Bellow, in aquestion and answer sessionwith students, addressedcertain changes he perceivesin the literary worldIn lieu of the formalWoodward Court lecture,professor Bellow, chairmanof the Committee on SocialThought, answeredquestions submitted by theaudience concerning hisrecent literary achieve¬ments and to what newnovel he might be planningto write.Although the questionswere the at times vague.Bellow conveyed rather openopinions about his work andthe evolving role of the novelin modern society. Hesubmitted freely to criticismrefering tp his cursory criminologist, especially inthe field of reform. Headvocated eliminatingvictimless crimes, such asgambling, and publicdrunkenness, from the policeworkload so police candevote more energy tofighting more seriousproblems such as homicidesand burglaries.Morris is also concernedwith the judicial system andhow insanity pleas arehandled. He believes prisonsshould be small and containa certain kind of offender, and be located near high-crime centers. In 1974,Morris had a book publishedby the University presscalled “The Future ofImprisonment”.Born in Auckland, NewZealand, Morris obtained aPh.D. in law andcriminology from LondonUniversity, England. Heserved as barrister andsolicitor of the VictorianSupreme Court, the SouthAustralian Supreme Court,and the High Court ofAustralia. Morris has served onnumerous committees oncrime prevention andcorrectional facilities,including committeesserving the United Nationsand the governor of Illinois.Morris has had manyacademic appointments,including stays at HarvardUniversity, the University ofMelbourne, and the LondonSchool of Economics atLondon University.In 1950 Morris was giventhe Hutchinson Silver Medalfrom the London School of economics at LondonUniversity for anoutstanding thesis over aperiod of four years in thefields of law, politicalscience, internationalrelations and politicalhistory. In 1965 he washonored with the JapaneseOrder of the SacredTreasure. Third Class.Morris has authoredseveral well-known casebooks as well as other bookson crime.Morris will be the seventhdean of the Law School.Pub fire cause uncertaintreatment of women in hisworks pledging “to reformand try harder ”Prompted by a questionconcerning his opinion ofNorman Mailer and HenryMiller, the author declined tocritically evaluate them forfear of feeding the public’sobsession with the con¬frontational roles they wantauthors to play. He was notagainst “a little polite back¬biting” but over-emphasissimply detracts from thenovelists' world.Bellow dispensed withfamiliar questions such aswhether he finds itfrustrating to write in an agewhen people want to go tomovies and watch TV statingsimply that “interest in goodbooks has steadily increasedin the US”.When asked whether acontinued on page 2 *$t0r JB • 'FIRE: Scene from the Pub s fire Monday morning.SG redefines faculty position The bomb and arson squadof the Chicago policedepartment has not yetdetermined conclusivelywhether or not the fire thatdestroyed the bar at the PubMonday morning wasdeliberately set.“We are not completelysatisfied that is wasn't ar¬son.” according to aspokesman for the bomb andarson squad. The fire wasfirst thought to be ac¬cidental. but a can of paintthinner found on. thepremises created somesuspicion of arsonThe bomb and arson squadis still searching for thearsonist who set over a dozenfires at Regenstein libraryand Pierce Tower in the lastmonth To prevent alertingthe arsonist, the squadrefuses to disclose any in¬formation on their efforts tofind the arsonistThe Pub. located in thebasement of Ida Noyes Hall,closed following the earlymorning fire on MondayClean-up crews are closingpresently at work repairingthe damage, restricted to thearea directly behind the barThe Pub will re-open sometime next week, after acomplete refurbishing of thebar The re-wiring, painting,and general clean-up will becompleted soon Details ofthe re-opening inTuesday’s Maroon.The management of thePub has not yet assessed thedollar value of the damagefrom the fire, but it willalmost certainly be over athousand dollars The mostsignificant financial loss tothe Pub. however, is a resultof this week's shut downThe fire was spotted by asecurity patrol car passingby Ida Noyes at 2 o’clockMonday morning. Accordingto the police department, thefire started in a plasticwaste-paper basket, andquickly spread to thesurrounding shelves Thebomb and arson squad firstattributed the fire to livecigarette ashes dumped inthe trash can just beforeBy PETER COHNThe student government(SG) assembly considered aseries of amendments to theSG constitution, largelydirected towards proceduralreform on Monday, April 14.The delegates approved aclause defining a “memberof the faculty” as “someonewho has served an ap¬pointment in an academicdepartment of the Univer¬sity” and another measuremaking the appointment ofthe three faculty members ofthe Committee onRecognized StudentOrganization (CORSO)subject to assembly ap¬proval.The assembly also passedan amendment grantingelectoral representation to first year graduate studentsand another limiting CORSOmembers to two consecutiveterms. The delegatesrejected a proposedredefinition of a quorom inthe assembly and tabled amotion calling for thecreation of a StudentOrganization AdvocateCommittee.The assembly approved a$900 appropriation for thefunding of SG sponsoredactivitied in the spring Theallocation included $300 foran appearance by EugeneMcCarthy on April 23, $300for a street dance andcelebration, scheduled forlate May, $400 for a dic¬taphone for the election andrules committee.SG president Stuart Sweet proposed the creation of a CORSO chairman Philspecial “planning com- Pitruzello announced thatmittee,” with a budget of CORSO still has ap-$20,000 to organize three proximately $2500 for this“major campus-wide year, and he encouragedevents” each quaeter. Sweet organizations to submitdescribed the proposal as an requests tor funding He also“attempt to bring the asked organizations withcampus together.” Those expected budget surplusesopposed to the proposal for the year to return extracriticized it as a “second funds to the CORSO accountCORSO.” although several Pitruzello also asked forexpressed sympathy with ^greater student input theSweet’s intention. selecfion of musical en-The assembly approved a tertainment on campus.CORSO budget recom- Also on Monday, themendation of more than assembly endorsed the$2000. Appropriations in- reestablishment of the Hydeeluded $500 for a reception Park-Kenwood recyclingfor the Chicago Symphony center and requested thatOrchestra, $186.33 for Black- the administrationfriars, $1430 for WHPK, and ‘‘cooperate fully by$20 for the International providing a suitable siteStudents Association. toward that end " Inside thisissue:Library union p.3Gadfly p.4Sports p.14Bellow reveals writer's lifecontinued from page 1difference existed betweenthe University of Chicagostudent today and thestudent of the 30’s when heattended the College, thenovelist determined thatthere was not much dif¬ference. The student todayshows the same enthusiasticidealism as when he was astudent. Bellow added thatthis changelessness was notall badBellow referred to thedecline of short fiction inrecent years. The Universitynovelists who struck out onhis own to become a writerleaving Chicago and riding aGreyhound bus to New YorkCity, attempted to sketch thechanging world of theVillage writer.During his youth therewere numerous magazines that published short fictionand served as a readilyavailable outlet for aspiringwriters. This romanticliterary world began todissolve, however, and the“content of the magazinesbecame more academic,”the author noted.Bellow felt that the youngwriters of his era moved infour directions, all awayfrom the purer form. Massmedia, journalism,universities and commercialpublishing all diluted theNew York center of literaryand artistic endeavors. “Thewriter.” explained Bellow,“became closed out by in¬stitutional forces.”This paralleled vividly thedeclining public interest “infiction for reportage.” Theprofessor sees an “im¬poverishment of humanbeings about really intimate things” because of this “shiftfrom the private sphere topublic events.”This preoccupation withfear of a changing worldemerged continually fromthe responses by thb authorand especially from hiscomments on his perceivedrole of the Committee onSocial Thought. With theextinction of this literaryculture. Bellow expressed adilemma as to “who do youtalk to when there are nomore professional writers ormagazines or places likesalons where they meet anddiscuss things.” The Com¬mittee on Social Thought“attempts to maintain aliterary culture” to hold onto the atmosphere thatgenerated an author such asSaul Bellow.The author also criticizedthe over intellectualism of literature-that dominates theacademic world and ex¬pressed concern about“what has happened withspontaneity in literature?”He feels that the academiccommunity is “sufferingfrom an excess of gravity”that he sees as an attemptat “making literaturerespectable by intellectualdiscourse.”When queried as to thefuture role of the universityin society Bellow respondedby stating that it shouldmake life “appear steadierin a vastly changingsociety.”The final request was onethat asked the author to posea question to the audience.The author’s response:“What will happen to man’ssoul in the galloping changesthat will take place in thefuture?”— r STUOE^^« ciIplOYKSFREE!MOTOROLA STEREO TAPE PLAYER JS-SOF*}g28S»fc*“"“sAVSNOW”III. TtACHt-KS§o^(0,r'crsU3 iffilwALBANK,:cp ko-c iR April 1975MOSf*|><>U-'HS Ic J7)i-E,* -- —~ %BUY-OF THE WEEKNEW '74 CHEVY VEGA22 To Choose FromSAVE $800 74 OIEVY CAPRICESFACTORY AIR CONDIORIGINALLY $5495 SAVE $1800*3695!Way Less With Your Gian tirade1 Classic Styling' PowerSteering. Power Brahes Power Windows Power Seats.Power Door Locks1 Fact Air1 Vinyl Roof Whitewall g;|T.res. Radio Predrivenj||i§|||f|||iiliiltissHlllillt75 PRICES74 CHEV. IMPAIR4 dr HI, Factory Air powersteering power brakes autotraps mnyl roof radio Only9000 certified miles Stk »376274 VEGA HATCHBACKAutomatic bans body sidemouldings whitewalls, radioheater Stk *357574 PINTO RUNABOUT4 Cyi auto trans radiowhitewalls Stk #3701 *2895*2288*2395 « MIL,12/1212 MONTHS OR t? 000 MILESMECHANICAL INSURANCE COVERAGEFOR USED CAR BUYERS *2395NOW AVAILABLEf NEW I-TEAR,12,000-MILE USER CAB AVAR ANTES I 73 CHEV. MALIBU4 dr HI 6 cyi auto transpower steering whitewallsradio Stk #368#73 Wf BEETLEAuto trans VW lues Only22 000 Certified miles Stk - *1X95#374972 BUICK ELECTRA2252 DR HI Factory Air FullPower White Walls Vinyl */T95Root * -■ mDON'T GO HALFWAY 74 CHEVY VEGASFACTORY AIR CONDIORIGINALLY $2996 SAVE $709 \*2237WayLess Your Giant Trade1 Whitewall Tires AM &RA#*o Economy 4 Plus many luxurious extras! A?Real Gas Sa*er1OPEN SUNDAYS6522 S. COTTAGE GROVE AVE.PHONE: AAI 3-3SOO open daily til b p m • sat c sun til«p m2—The Chicago Maroon - Friday, April 18, 1975 Woodward Court Tuesday. F*hoto by Chip ForresterROCKEFELLER MEMORIAL CHAPELSunday April 20 1 1 a.m.JAMES T.LANEYDean of the Candler School of Thol ogyEmory University, Atlanta, Georgia"RENUNCIATION”SUNDAY SEMINAR-9:45 to 10:50 a.m. LawrenceM. Bouldin, United Methodist Chaplain, leads adiscussion on The Meaning of Limits ". ChapelUndercroftKIMBARKLIQUORSWINE MERCHANTSOF THE FINESTIMPORTED ANDDOMESTIC WINESFeaturing our direct imports,bringing better value to youlTHE ONLY TRUE WINE SHOP IN HYDE PARK53RD KIMBARK LIQUORS, INC.12141.53rd St.53-Kimbark Plaza HY-3-3355With This Ad OnlyUsed Desks *15Used Chairs *5aupNew Chairs *25"cash and carry"IPMEN1AUPPLY CO,8600 Commercial Ave.Open Mon.-Sat. 8:30-3:00RE 4-2111Center for Research Library plans to unionizeBy JAN RHODESYet another union isspringing up in Hyde Park.On Tuesday, April 15, anorganizing committee at theCenter for ResearchLibraries, 57th and CottageGrove, informed libraryMaroon director Gordon Williamsthat a majority of employeesintended to affiliate withDistrict 65 of the DistributiveWorkers of America.This is the same unionattempting to organizeRegenstein library non¬ professionals and also thesupporting staff of the entireUniversity. The Center forResearch Libraries (CRL) isa depository library forobscure publications; it issupported by about 80member university librarieselects AndrewsGage Andrews was electededitor of The ChicagoMaroon for 1975-76 in ameeting held in the Maroonoffice yesterday afternoon.Forty-five people showedup for the election, whichwas between this year’snews editor, Steve Durbin,and Andrews, who has beeneditor of the Grey CityJournal for the last year. Themain issue of the electionconcerned change.Andrews sucessfullypleaded with the voters togive him the opportunity toinstitute reforms in the areasof layout, editorials, and thefinancial status of the paper.Both the candidatesdelivered short speechesbefore the voting. Durbin stressed the necessity ofbringing good people ontothe staff, citing thebeginnings he had madeduring the present year.Andrews addressed himselfto the issues of taking afirmer editorial stance,instituting regular articleson local politics, the campusadministration, and devotingmore attention to thegraduate schools, in answerto thecharge that the Maroonis an undergraduate paper.Andrews has decided tocontinue to talk to personswho have suggestions aboutrevamping the paper, beforemaking any editorialappointments or making anychanges in the format of the paper. The first changes areexpected to be announced inabout a month.Andrews began working onthe paper as a recordreveiwer three years ago. Hebecame, in succession, themusic editor, the associateeditor of the Grey CityJournal, and finally thatsection’s editor. During thepast year he succeeded inmaking the name of thepaper once again knownthroughout the city, andconvinced several majorChicago newspapers’ criticsto write for the Grey CityJournal. One of the mostpersuasive arguments in theelection was the success ofthis year’s Grey CityJournal/EDITOR: Gage Andrews was elected editor of the Maroon Thursday afternoon. across the country, includingRegenstein.Sic weeks ago, workers atCRL contacted District 65to begin forming the union.It will affect approximately55 of 70 CRL employees.“Generally speaking, youcan’t organize a union in amonth unless the pay isbad,” said Dale Reeves,assistant librarian forforeign documents.She expects someopposition from the librarymanagement. Williamsabsolutely refused tocomment about the union.He would only repeat, “Thecenter has taken it underconsideration.”District 65 union representative KarenMcCann said she thinks theCRL attempt will have atremendous effect on thedrive to organize Universitysupporting staff. She said thetypes of jobs and the workingconditions are very similar;there is low pay, bad fringebenefits, and low morale.“The fact that such aprestigious library as CRLhas decided to unionize willhave a major impact. It willprove to a lot of people hereat the University that it canbe done. And of course, oncethey get a contract, they’llall see it here,” McCannsaid.The CRL unionizingattempt began when a library employee was fired alittle over a month ago.“There was a lot ofsentiment about how thefiring was handled,” Reevessaid. “People were scaredand there was a sense ofoutrage.”About two years ago,Reeves added, there was anaborted unionizing attempt.“A committee got togetherand didn’t know how to goabout it. The first contactedthe library management,”she said.The fact that theRegenstein workers starteda unionizing effort with theDistributive Workers gaveCRL a “handy union toaffiliate with,” Reeves said.McCarthy lectures at UC WednesdayEugene McCarthy, run¬ning again for President, willgive a speech to UC studentsand faculty in Mandel Hallthis Wednesday at 4 p m.The speech, sponsored bystudent government, will befollowed by a “chickendinner” in Hutch with Mc¬Carthy as guest of honorPrice for the dinner is $1.50.but the speech is free.McCarthy, who has visitedcampus several timesbefore, is in his third cam¬paign for President The firstwas the famed 1968 effortwhich helped to driveLyndon Johnson from the White House, but the 1972drive never got off theground The main feature sofar of his 1976 campaign is ajoint court suit with NewYork Conservative SenatorJames Buckley to overturnthe new campaign financingact on the ground that itdiscriminates against thirdparties.SG president Stuart Sweettold- a Maroon reporter thatMcCarthy’s original askingprice for the lecture was$1500. but Sweet claimed hetalked McCarthy down to$300, after telling him thatwas all SG could afford MCCARTHY: 76 Presiden¬tial candidate to speak atUC.Nel Neddings gets lab school postNel Noddings has beennamed the Director ofPrecollegiate Education atthe University’s LaboratorySchools, it was announcedtoday by Philip Jackson,present director anddean of the graduate schoolof education.As director. Noddingsassumes responsibility for the nurser\. lower. middle6and high schools thatcomprise the Lab schoolsEach of these units is underthe immediate direction of aprincipal.The appointment is ef¬fective July 1.Noddings. who presentlyresides in Palo Alto.California, earned a Ph Dfrom Stanford in 1973 and spent the next year teachingthe philosophy of educationat Pennsylvania StateUniversity. She began hercareer as an elementaryschool teacher in 1949Jackson will continue hisduties as dean of the schoolof education and as chair¬man of the department ofeducationLETTERS TO THE EDITORLibrarysecurityTo the Editor:As graduates in medicineand business who makefrequent use of libraryfacilities, we feel that thepresent library securityarrangements are inef¬fective as well as in¬convenient. We suggest as analternative the institution ofa system which wouldrequire all those using thelibrary to submit urinesamples upon entering andleaving. Having performed athorough cost-benefitanalysis, we have found thatthe advantages of such asystem would far outweighits expense. Arguments tothe contrary, which we haveconsidered, simply do nothold water.The technology now existswhich would make high¬ speed, large scalechromatographic analysis ofsamples taken quite feasible.By subscribing to therecently developed Sperry-Rand URFOTEC (Urine ForTomorrow) data bank,library security officialswould be able to maintain arunning record of everyonewho is making use of thelibrary at a given time. Thiswould greatly contribute tothe free flow of students andfaculty in and out of thelibrary and would eliminatethe needless waste involvedin current securityprocedures.There are other ad¬vantages which meritmention. Once recorded inURFOTEC, samples couldbe pooled and held for thepurpose of extinguishingunexpected fores. In ad¬dition. there are op¬portunities for profit. Whocan even conjecture whatprice the samples of, say, Saul Bellow or MiltonFriedman might commandat an auction?Although it is conceivablethat the URFOTEC securitysystem might be vulnerableto serious leaks, it would atleast offer relief from thedraconian methodscurrently in use. We feel thatit would be wise forUniversity officials toconsider seriously thisalternative.In fact, we demand thatUniversity officials seriouslyconsider this alternative. Wehave Patty Hearst.Jeffrey StambovskyMitchell BitterSpartacusIn response to thecharacteristically anti-communitst slanders ofGarrett Brown of the oh-sorespectable, “moderate"Young Socialist Alliance,here are some real facts. “A ‘united-front defense’was, in fact, organized byUSLA.” Yes? Who did thisinclude, besides USLA itselfand the SWP/ YSA? Was itadequate for defense? Why1 W-- / kfit** *> r Qtuo - turitHtOft..... I ***- w*s jk #r*. W—; nail ctxf »b tf. then was the meetingbrought to an abortive close?The builk of those whoparticipated in the defenseformation — includingalmost twenty Spartacist supporters — acted on theirown initiative, withoutprevious arrangement. TheSW P/YSA and USLA ab-continued on page 4mi MTfms a, mf•Ctflewi fom3 ff < nr i^n1 (/r*fS4t.# f/r*rwr jvft/ ...mfMUt*r*«.-**' m »wm tttwmry mr+r tr imr nm $rr cmm * W*r»-CMtM.JKTWU tr** r wrr**Friday, April 18, 1975 - The Chicago Maroon—3College student backs activity feeI was both impressed andinformed by Dean O’Con¬nell’s long-awaited report toFSACCSL on the Univer¬sity’s expenditures invarious areas of improvingUC student life. (MAROON.April 11).Mr. O’Connell makes anumber of points in hisreport that are indisputable.First, he sets to rest thecurrent fallacy that less than$5 is spent per student peryear for recreation and entertainment; the fact isthat perhaps four times thatmuch is spent by theGADFLYUniversity to support arange of cultural and socialpursuits. The CORSO budgetallocations are admittedlybut a small fraction of the total expenditure.Mr. O’Connell mentions asexamples of other modes ofUniversity support the ef¬forts of the Student ActivitiesOffice, the Student Housingsystem, his own Dean ofStudents Office, and thebudgets of various otherdepartments and offices.Again, the roles played bythese branches of theUniversity are certainlyevery bit as important asDean O’Connell indicates. Still, there is an importantelement in the problem thatMr. O’Connell does notdirectly address; while hecarefully analyzes theamounts spent on students,the Dean only skirts the issueof the ways in which thismoney is allocated. I wouldlike to turn the discussion fora moment from the questionof “how much’’ to thequestion of “how”.As it stands, virtually all ofthe money that the University spends on im¬proving the social at¬mosphere, other thanthrough the CORSO budget,is allocated in one of twoways. Either an official ofone sort or another decidesthat a certain event would bea good idea, or else studentsconvince one of those of¬ficials that they have an ideaworthy of the University’ssupport. In either case, thefinal decision depends en¬tirely upon the good will of a University administrator orsomeone acting in some sortof administrative capacity.I am forced to admit thatthe current system seems towork better than one mightexpect from a description ofit. This fact I attribute to anextraordinarily responsiveadministration. From myown experience, I am willingto say that Deans O’Connelland Turkington and VicePresident Kleinbard arecontinued on page 13LETTERS TO THE EDITORcontinued from page 3dicated their responsibilityto make adequate defensearrangements.Brown alleges we areconsidered “completelyunreliable’’ and that we“spent most of (our) timedenouncing the monitors.”Please tell that to ourcomrade who could havebeen blinded when agusano’s fist smashed hisglasses as he tried to defendyour people, Mr GarrettBrown, tell it to the otherswho exchanged blow forblow with the reactionariesinstead of following theabsurd command to “Sitdown” and wait for the copsto take care of everything. If we’re unreliable why did theUSLA chairman of themeeting (a supporter of yourorganization), say we shouldstay afterwards to help getpeople out safely? Why' didthe SWP/ YSA call us up inLos Angeles to get us to helpdefend Coral after theChicago debacle (which weof course did)? We have aspotless record of consistentdefense of the left. Unofr-tunatelv, the same cannot besaid ofthe SWP/ YSA.4) Everyone who went tothe meeting knows that therewas no “decision not todepend on” the cops. As forUSLA’s attempt to prosecutethe disrupters, we neverstated this is unprincipled. but merely pointed out thatreliance on the repressiveforces of the class enemyrather than on the workers’movement itself is a strategyfor defeat.It is noteworthy but notsurprising that Brownignores the political pointsmade in our letter,shrugging them off with areference to “Spart”“gibberish”.SPARTACUS YOUTHLEAGUEMidway treesIn view of the fact that mytraining in plant biologyapproaches zero. I am in noStarting Monday April 21st“NEW" C-SHOPWILL BE OPEN TILL 10:00 PMMONDAY THROUGH SATURDAYFeaturing:CARVED ROAST BEEF SANDWICHES• •• and other delightsWe’re in the Reynolds Club position to refute the claimthat “Dutch elm disease” isboth fatal and highly con¬tagious. Nor can I take issuewith the policy currentlybeing pursued by the City ofChicago of systematicallydestroying all vestiges ofarboreal life on the MidwayPlaisance betweenWoodlawn Avenue eastward.But, the sad fact of thematter is that most of thetrees are gone, and it canonly be assumed that morewill fall before the onset ofthe growing season. And acorollary of that fact is thatmuch of the natural beautyof this neighborhood is nomore. I believe this provides theresidents of the Hyde Park -Woodlawn neighborhoodwith an excellent op¬portunity to determinewhether or not our newalderman, Mr. RossLathrop, is in a position tomake amends for thedevastation which has besetone of the most valuableassets provided for those ofus how must live, work andstudy in this community.Perhaps he may even bypersuaded to make an effortto replace something whichhas been lost irretrievably.S. J. RemingtonDivision of PhysicalSciences Viet protestEditor:It seems that Americanpolicy-makers these daysare making considerablenoise about healing —healing the nation, healingVietnam, healing theeconomy, and generallyattempting to patch up thepresent chaos within thenation. Most of these repairshave to do with assuagingour conscience; the “orphanlift” is obviously designedprimarily for the Americanbenefit. North Vietnameseenvoy Lai Van Ngoc hascontinued on page 13THE MORTON - MURPHYCOMMITTEEWe are pleased to announce that application and nominationforms are now available in the winter quarter. To be eligible, astudent must have worked in a leadership capacity, making asignificant contribution to extracurricular life at the University inthe quarter for which the award is given.In considering applicants, the committee uses the followingcriteria:1. The extent to which the contribution exceeds thatnormally expected of a student-citizen or an activemember of an organization. This may involve workon one project or in one organization, or a broadercontribution to several.2. The accomplishment(s) of the organization ororganizations involved.3. The student's academic record.4. The student's contribution of time, especially if itinvolves a continuing commitment over more thanone academic year.More details are available on the application form in HM252.THE DEADLINE FOR APPLICATIONS HAS BEEN EXTENDED TOFRIDAY APRIL 25th. Morton-Murphy winners for the autumnquarter were:Blair F. BertacciniJonathan L. ChenetteThomas C. CookJohn E. FrattaroliJane C. GimburgDavid H. Glaxsherg David M. KehrAlfred H. NovotneRobert T. PasulkaRichard R. ReudStuart Sweet4—The Chicago Maroon - Friday, April 18, 1975Rock EncyclopediaArt Ensemble Scheduled HereBy John LitweilerIt is fitting that this year's FOTA includesconcerts by the Art Ensemble of Chicagoand Fred Anderson's group. Chicago is thescene of an extraordinary creative explosion, perhaps the most remarkablephenomenon in jazz of the time—the growthof the Association for the Advancement ofcreative musicians. All ot the players in thetwo groups are AACM members.Tenor saxophonist Anderson's outstanding groups have acquired a larqe andloyal following here in recent years, buttheir wider reputation has hardly been anadequate response to their skills. The ArtEnsemble, though, is the most famous resultof the Chicago jazz ferment, with 15 Ip'shaving been issued by various American,Japanese, and European labels in the lastfour years, two feature film soundtracks toheir credit, and immense internationalreputations for the five individual performers.What makes Anderson, the Art Ensemble,and the AACM so significant? OrnetteColeman's impact on jazz, ca. 1960, was atleast as revolutionary as Louis Armstrong'sm the 19?0's, and has proven far morecontroversial Coleman, John Coltrane. andCecil Taylor pioneered the modernpolytonal, arhythmic, sonorically expansivejazz sensibility A second wave of, to useJoseph Jarman's terms, "Free Jazz," "NewMusic," and "Avant Garde" musiciansquickly appeared to expand on these ideas,among whom Archie Shepp and PharoahSanders remain the most prominent and thelate Albert Ayler the most brilliant. TheChicago movement is by far the most vitalfeature of Free Jazz's third wave and it ishighly arguable whether the art in generalhas progressed beyond the Chicaqoans'discoveriesDiversity characterizes the AACMmusicians, but some generalizations canaccurately place these artists' role Theyperceive rhythm not as a matter of keepingstrict time but as a pulsating placement andmovement of sound and silence in tensionThe melodic and lyric impulse in thecreation of music was freed by this and theharmonic openness inherent in the freeapproach to jazz. The tendency of so manyyounger musicians to acquire greattechnical skill on many instruments may betraced to the AACM players' expressiveurqes It led Roscoe Mitchell and Jarman,for example, to investigate the entiresaxophone family and a dozen otherwoodwinds, to expand these instruments'ranges through vocalization and controlledovertone range techniques, and to amass anamazing collection of "little instruments"—African and Latin percussion,gongs, bells, steer horns, slide whistles,children's toys, and others. With this expansion of the music's expressive capabilitythe Chicago virtuosos included a recurringinvestigation. of the art's half centuryhistory. Does all this seem familiar7 Have a qreat number of jazz musicians presentedthese approaches in recent years? In 1965 itwas an astonishment; the AACM musiciansoften found themselves outsiders evenamong Chicago's fugitive jazz communityJoseph Jarman led several large andsmall bands in the '60s, at times incorporating multi media shows andcollaborating, on one occasion, with JohnCage An especially outstanding youngquartet provided an ideal romanticimpressionist setting for his lyric flights:the material included settings for his poetry,original compositions and works of Colemanand Coltrane, and his Webern like LittlePieces for Quartet. Roscoe Mitchell's ArtEnsemble appeared to be the moderncounterpart of Ellington in the '50s andThelonious Monk in the '50s—the structuredrealization of the new music's imaginativepotential. Behind the sometime pie *n theface Dadaist humor lurked a superblymatched group of talents, each the other'salter ego Bassist Malachi Favors remains♦he most flexible, purely musical bassist injazz From St. Louis, where a small scaleChicaqo movement was taking place, camedrummer Phillip Wilson and Lester Bowie,a trumpeter with endless wit and anunequalled expressive range and whorepresented a major expansion of themethods of Ellington's great trumpeters.By 1968 Wilson had left Mitchell (he's nowa regular in Memphis recording studios)and the tragic deaths of bassist CharlesClark and pianist Christopher Gaddy hadleft Jarman at a creative impasse. He,Mitchell, Favors, and Bowie joinedtogether, an extended European stay foundthem popular success, and they added an oldfriend from Detroit, the studious and skillfulDan Moye, on drums. The Art Ensemble ofChicago's music became more diffuse; theclose interaction of strong individualsleaned toward alternately colorist andsoloist ends Recently, the group has concentrated more on their conventional instruments (however unconventional lyplayed) and the performances still offer thathappy shock of recognition whenever a trulyoriginal and unique artistic experiencetakes placeFred Anderson, one of Chicago's earliestavant qardists. was for many years as alonely prophet in the wilderness. He workedwith several Jarman groups (sometimes themusic's stabilizing force) before leadingbands that included drummer Steve McCalland trombonist Lester Lashley, both internationally respected Chicaqoans.(Lashley recently won a New Star award inan International Jazz Critics Poll.) Lately,Anderson's bands have included DougEwart, a flautist saxophonist of substantialgrowing, melodic powers, and GeorgeLewis, the finest trombonist in jazz sinceLester Lashley. Anderson writes strong,forceful lines for his players, and improvises in a rugged, rough edged, essentially modal style with a big sound and anaustere lyric method The personalities arediverse and hiqhly imaginative; the sum isan excellent — and AACM typical — group These AACM groups appear within threeweeks of the AACM's 10th anniversary, atime for special celebration Purely asidefrom the marvelous music ("Great BlackMusic" is their slogan), the AACM has been amodel for similar groups in the U.S. ineluding the St Louis Black Artists Group,and the Collective Black Artists in NewYork It has survived where similarlyintended organizations elsewhere havefailed, largely through its acceptance of themember musicians' diversity and theenergetic personality of its founding father,Muhal Richard Abrams. It grew out of theneed of members of Muhal's early rehearsalbands to explore their personal approaches♦o music, and persisted to its current statusas a Chicago institution. The years ofstruggle are not over yet, but AACMmusicians find themselves accepted as asteady part of the Chicago jazz club concertcoffee house scene Several dozen recordsdemonstrate that the boycott of AACMmusicians is a thing of the past: next monthNessa issues a fresh Ip by the MitchellBowie Favors Philip Wilson Art Ensemble.CLASSICAL MUSIC- Delmark is planning Abrams and Art Ensemble releases later this year, and saxistAnthony Braxton (with St Louis BAGpartners) has a new Ip on AristaUC has played a recurring role in thepresentation of Chicago's unique music. Asizeable number of concerts and informalsessions, in Reynolds Club, Ida Noyes andthe Law School Auditorium, have transpiredin the past decade, first through the Contemporary Music Society, lately through theefforts of the Chicago Front for Jazz Longtime listeners recall Mitchell's evening ofimprovising on folk songs, the MitchellJarman Song Of Love concert, the pure,idealized Jarman Nature Boy solo at a jazzpoetry set. the excitement of Braxton'searly Chicago work, the boom of FredAnderson, and the wit and presence ofHenry Threadgill There was the love soevident at the Art Ensemble's Return toAmerica concert, and their beautifulweekend at Mandel Hall three years aqobut a taste of all that returns next week atFOTA, and American music will be thericher for it.Excellent Chamber concertBy Paul GudelThe four works of modern musicpresented by Ralph Shapey and the Contemporary Chamber Players in Mandel Halllast Friday night fell neatly into two groupsThe program consisted of two very recentworks commissioned by the Fromm MusicFoundation, Tison Street's String Quintet(1974) and Shulamit Ran's Ensembles for17, which received its premiere, and twopieces from the early days of the modernmusical tradition, Charles Ives' Over thePavements (1913) and Edgar Varese'sIntegrales (1925)The grouping of which I speak, however! is not based on chronology. Rather, theworks by Ran and Varese presentedthemselves as works of substance andstature, while the Ives and Street belongmore to the "fluff" category. This is notnecessarily to say that the latter were badmusic The Ives is high class fluff, a true1 scherzo, with plenty of Ivesian bass drums| thumping and piccolos squealing. The StreetQuintet is of altogether lesser quality, unfortunately—an acknowledged virtuosopiece in an age in which, by a strangeirony, virtuoso writing has become all toocommon and almost cheapShulamit Ran's Ensembles provides awholly different experience It is a work forsoprano and chamber orchestra, and has asetting of seven lines from Othello's finalspeech, including the famous phrase, "onethat loved not wisely but too well." It is a! "setting" in a very literal sense the musicdoes not follow the dramatic movement ofthe text; rather, the text is set into thetexture of the music as a part within thewhole.This does not mean that the verbal senseof the text is ignored, or that it is treatedmerely as a pattern of sounds The piece iscalled Ensembles, and one key aspect of itsmovement is the interaction of the variousinstruments and instrumental choirs, theircoalesence and breaking apart, theircooperation or conflict This movement on’ the instrumental level is mirrored in thej relation of text and music, as the; superimposition of these two creates a! "trope," opening up a space for the furtherplay ot coalescing and colliding structuresThe words themselves are rich insignificance and emotional import, betnqspoken by a man who appears to theaudience as a very complex tiqure (a manwho loves deeply, a heroic man, but who hasI just committed a heinous and. in a way,! cowardly act.) Various aspects of the meaning can be highlighted by thecharacter of the music but. more interestingly, the sense of the words and themusic may separate, run on divergentpaths, and then reunite and reenforce, onlyto break apart again Thus, the verbalmeaning and the music form another"ensemble" which functions within andcounterpoints against the action of thepurely instrumental ensembles — part ofthe whole, yet also a reflexive mirroring ofit. Clearly, this is not a "lyrical" setting, buta fascinating new approach to the relation ofwords and music.Readers who are familiar with Ms Ran'srecorded O, the Chimneys will not be surprised to hear that Ensembles manifestsgreat security of technique and feel forsonority Prof. Shapey encored the entire 18minute work immediately after its performance (clearly something planned fullyin advance), giving the listeners a furtherchance to grasp its structure in which thereis nothing patchwork or slipshod En¬sembles for 17 is a fine piece, perhaps agreat piece If the world were completelyjust, it would be committed to recordswithout delay.I had never listened to a great deal ofVarese before last Friday I'm not surewhy perhaps the fact that Frank Zappaproclaims Varese's great and beneficentinfluence while filling disc after disc withaimless musical doodles had something todo with it At any rate. Integrates was arevelation The work, a ten minutemeditation for percussion and wind andbrass group, is a modern masterpiece Varese is popularly known. I imagine, as oneof those who eliminated rAelody from music,relying on pure rhythm and timbre insteadStuff and nonsense! Varese's music iscertainly not built primarily on pitchrelations, but the sharp rhythmic patternsand motifs have such strong character andare so well developed that they serve all thestructural and unifying functions and have,in many cases, as much expressive effect asthe most pronounced "melodic" themes.And we have merely another example of thefluidity of the boundaries separating thebasic parameters of music—such asmelody, harmony and rhythm— from oneanotherI am happy to report that the performances matched the stature of themusic Soprano Elsa Charlston was outstanding in the R^n piece The entire concert reflected very well on the FrommFoundation and the Contemporary ChamberPlayers in this, their Tenth Anniversaryseason.. tj, t t k vTheGreyCityJournal BOOK9NewEncyclopedia of RockAvailableBy Gage AndrewsThe Encyclopedia of Pop, Rock and Soul byIrwin Stambler. 608 pp. St. Martin’s Press.New York. $19.95.The Encyclopedia of Pop, Rock and Soul isthe first attempt at a comprehensive,factual look at modern music since the lateLillian Roxon’s Rock Encyclopedia was lastpublished in 1969. Despite a tacitacknowledgement that truecomprehensiveness is not really possible,Mr. Stambler has created an informative,entertaining and highly useful referencework.The listings, none of which is longer than3-1/ 2 pages, give biographical and “chart”information, without taking anyinterpretative or critical stance. Briefsynopsyses of individual careers are given,with the criterion for inclusion in the bookbeing based on aggregate record sales(culled from Joel Whitburn’s authoritativesurveys).The biggest deficiency with the work is thelack of cross-references or any sort of index.The listings are alphabetical, but there is anunconscious assumption on the part of Mr.Stambler that readers will have at leastsome familiarity with the field, and thus willknow how to find the listings which theyneed. For example, Nicky Hopkins has nolisting, despite his eminent stature as a rockpianist; if the reader did not already knowthat Hopkins had played with QuicksilverMessenger Service, he might never discoverHopkins’ biography. On the other hand, thiswas the first time I learned that Hopkins’performing career was almost terminatedby an illness which forced him out ofperforming for 19 months, and confined himto studio work until 1968Many of the listings here fall sharply ontothe pop side of the pop-rock line - TommyRoe. Donny Osmond, etc. - and there arelistings for several Broadway musicals,including Man of La Mancha. Of more valueto most readers, I would assume, are thelistings of the 1950s rock-and-rollers andcrooners, whose seminal influence onmodern rock and soul has often beenmcompletely^mderstoo^^^cknowledged^ A continuity is established, that soundlyanchros current music as a necessary andenriching perspective. The careers of the’50s artists are often followed through theircurrent efforts.Allowing for the fact that TheEncyclopedia of Pop. Rock and Soul iseffective only through the beginning of 1974,it is an invaluable work for anyoneinterested in modern music. For the critics,this oook replaces the enormous file of pressreleases on which we depend for essentialbackground data; only the pictures in theEncyclopedia, which seem to have beentaken no more recently than the late '60s, need more recent up-dating.The typical entry includes biographicaldata, the explanation of early musicalinfluences, the circumstances of the artist’soriginally breaking into records (sometimesreplete with a non-committal appraisal). anda brief word about the current performingand recording status of the performer. Thebibliography at the back of the book - afterthe listings of Oscar, Grammy, and goldrecord winners since 1965 - includes manyfactual or informational articles, especiallyfrom the Los Angeles Times. There are fewor no listings for most of the major rockcritics - Jon Landau. Robert Christgau, PaulFOOD Williams, etc. Ralph Gleason is representedtwice.The point which needs to be made is thatthis is not a guide to what records you mightwant to buy; it is a background guide toperforming personalities and their successratios. This book will fill in the gaps in yourknowledge and will remind you of earlierassociations in the artist’s history whichmight influence the artist now. Stamblercould never have predicted that JoniMitchell and Stevie Wonder would appear onthe respective covers of Time andNewsweek, but he helps explain how ithappened.Baklavafor BreakfastBy Jane Ginsburg & Bill DiskinWeary of trudging about Hyde Park inquest of late night snacks, we decided onchilly night to sample the ''goodies” of theMidnight Obsession. Having noticed theirattractive advertisements for nearly amonth, we called them in the hope that homedelivery and quality snacks might be worththe high prices. The result did not justify ourexpectations.Having a large group of guests gatheredaround the television, we managed tosample most of the items on M.O.'s'menu”:Chocolate chip cookie—markedly similarto the type sold in the Swedish Bakery in IdaNoyes, but drier and 15c more expensive.Save some money and lay in a store ofKeebler's.Fudge brownie—advertised as "creamyand old fashioned.” We determined that thelatter appelation referred only to the ap¬parent age of the product. For the con¬noisseur of the dry and the crunchy.Peanut butter cookie—the outstandingitem on the menu. Not worth 35c, but ex¬cellent nonetheless.Pastries—we sampled the cherry strudelat $1.00. Mostly strudel, very little cherry.As to the strudel, comments from our qroupcontained words such as boot leather,teething rings, and shoelaces. Mixedreviews on the filling, but universalATTENTION ART STUDENTSNew Artisan Shop inLincolnshire needs all typesof handcrafted items.Please call 459-0777 CARPET CITY6740 STONY ISLAND324-7998Has what you need from a$10 used 9x12 Rug to acustom carpet. Specializingin Remnants & Mill returnsat a fraction of the oriqinalcost.Decoration Colors andQualities Additional 10%Discount with this Ad.FREE DELIVERYTHIS WEEK FEATURINGCHEMISTRY BOOKSPHYSICS BOOKSMUSIC BOOKS:SHEET MUSIC &SCORESBOOKS ON MARXISM75,000 New & Used BooksBooks for:Tho ScholarThe BrowserThe CollectorPOWELL'S BOOKSHOP1503 E. 57th 9 A.M. to 11 P.M. Everyday JAMESSCHULTZCLEANERS(y—The Chicago Maroon - Friday, April 18, 1975 CUSTOM QU AUTYCLEANING10% student discount1343 E. 53rd St.752-6933TAI-SAVt-WNCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M. TO 8:30 P.M.SUNDAYS AND HOLIDAYS12 TO 8:30 P.M.Ordort to toko out1318 East 63rd MU 4-1062 agreement on the waste of a buck.The Midnight Obsession offers two boxesof assorted "goodie bargains": the "Midnight Special” and "The Last Call BreakfastBox.” The former comes in $4, $5, and $8versions; the latter in $3, $4, and $6 sizes.The $5 Midnight Special includes:2 chocolate eclairs—attractive, with greenand yellow butter cream decorations top¬ping the chocolate icing. The pastry wasacceptable, and considerably less soggythan most commercial eclairs. The custardfilling, however, white appropriately cool,was gelatinous.2 baklava—sweet and heavy, like allbaklava, but somewhat heavy on the heavy.3 fruit (1 yellow delicious apple, 1 reddelicious apple, 1 navel orange)—very highquality, attractive, flavorful. But not worrhthe 65c apiece when ordered alone.The $4 Breakfast Box (available only after12:45) contained, interestingly enough:2 eclairs—ditto2 baklava—ditto4 fruit—ditto, plus 1 apple. In other words, hold off your hunger until12:45, save a dollar, and get an apple thrownin. We puzzled, however, upon how such aselection could be intended "to savor whenyou rise.” Nothing like baklava, orangejuice, and an apple to settle your stomach inthe morning.From what we were told, 60% of M.O.'sbusiness comes from homes and apartments. belying our assumption that it was adorm oriented business. This implies eitherparsimony or great sagacity on the part ofdorm residents. Midnight Obsession isextremely overpriced and mediocre at best.The "menu" states that the MidnightSpecial is also known as the "HeraclitusSpecial.”Midnight Obsession delivers between 9 pmand 1 am. We were surprised to note thatthey had moved their operation back by anhour (hours formerly being 10 2). Considering that many people begin to feelsufficiently hungry to order out only after 12am, Midnight Obsession's business hours,combined with their mediocrity, seem toobviate the need for this enterprise.APRIL SQUARE DANCEThis SATURDAY APRIL 11T IDA NOYES GYM 8 PMLIVE MUSICPAUL CULMS, CalUrSponsored by Student Activities and the Folkdancers11TH£dT€RFonda recreates‘Clare nee Darrow ’By Esther SchwarzTo Clarence Darrow, America was themost criminal country on the earth, andcrime was the product of a society whichmade existence for many "a dead thing, adreary round." It may seem strange that ayoung man should turn to, what at first sightis the worst business in the world, a life ofcrime; but many influences, points outDarrow, tend to push adolescent characters,chafing under the burden of long andmonotonous hours of work, into anythingthat promises excitement and quick reward.Darrow wanted to exorcise society's guiltpublicly. He wanted the guilty man in eachmember of the courtroom to confess andcondemn himself. He was a messianicchampion of causes who wanted: to rid thecountry of unpopular laws (Prohibition)which offended the great mass of thepeople; to abolish capital punishment; toimprove the country's entire economicsystem ; to change people's attitudes toward♦he criminal; to recognize in him a victim ofcircumstance beyond his control; and mostof all, to point a finger at a society whichactually manufactures criminals because itis so oblivious to the emotional life of man.The culprit, according to Darrow, is neverarrested; it is society itself.Darrow both succeeded and failed. Hecertainly brought about a change in innerattitudes, so that the "stands" for which hewas scorned and which labeled him "freethinker" meet with relatively easy acceptance today. Outwardly — althoughProhibition wasrepealed, and capital punishment is now a choice of the states—little haschanged Darrow's insurgent positiontowards the criminal in society is that of acurrent social radical, unafiliated with any" 'ism."David Rintel's one man show ClarenceDarrow recreates the courtroom hell of ourcountry's most celebrated lawyer It is actorHenry Fonda's indubitable triumph, acoruscatinqly impressive display of actingskill. His mind chatters, his pliable voicetrembles with emotion He is a flamboyantcrusader spilling out his guts', pulling out allstops for the underdog. Merely to look athim is to be terribly moved one beholds thepiercing, deeply convicted eyes of a hunterbefore the kill.The role of Darrow is tailored to fit Fondalike a glove, and under John Houseman'sshrewd direction, the actor makes a minimal attempt at characterization. 1 hereare moments when physical resemblancesare astonishing: the hunched shoulders, thepaunched stomach, the cowlick over one eye,but resemblance, however, becomes unimportant. The key to Fonda's success atplaying Darrow is that he plays him warmlyand lovingly, and delighting in every minuteof the gruelling performance. Mr. Fondadelves deep within Darrow himself. Hepresents to us the folksy man who couldmesmerize an entire courtroom; thesympathetic lawyer; the cunning defender;the man of wry humor and self-effacingcharm.Mr. Fonda takes Darrow from early farmboy days to his famous defense of Eugene V.Debs for leading the Pullman Strike of '91;from his own acquitted trial on charges ofbribing jurors to the much celebratedBobby Franks' (Loeband Leopold) murdercase in Chicago; from the Big Bill Haywoodcase to the glorified Scopes Monkey Trial.The play is Fonda looking back selectivelyon Darrow's life, quoting from him as if inhis office, or his house, or the courtroom—heshifts up and down the sets as circumstanceprevails. Although Darrow is a onecharacter play, the acting is so superb, thesets so realistic, the text so primely chosen,that one can almost envision the black robedjudge rapping his gavel, the bailiff intoningsome sing song verdict in ominous voice,and those twelve men, good and true,coming to life on the stage.Fonda lends so much dimension to thisbio dramatic monologue that it is easy topicture the tortured William JenningsBryan on the witness stand, an internationallauqhinq stock, his pride and heart broken"What about the fishes?" Darrowgrated. Mopping his fevered brow Bryanshouted in desperation that he believedthe fishes were drowned, too, while thepress benches roared and the ruralclergy looked on with stricken faces.Reading again, Darrow asked the tor¬tured Bryan if he believed that snakescrawl on their bellies because of thecurse pronounced on the serpent whichtempted Eve. Poor Bryan gasped that hedid so believe. "How do you supposesnakes got around before that?" Darrowasked.One can almost believe that the brilliantactor on the Studebaker's stage is indeed thevery same man who ground Bryan's face inthe red Tennessee clay.Henry Fonda in Clarence Darrow. An Interview with FondaAboutOpinions on DarrowBy Esther SchwartzMeeting with Henry Fonda in person isnot merely a look at a brilliant actor upclose, it is an encounter with a Super Star,the kind that warrants both capital S's. MrFonda is a slice of Americana, the kind ofstuff "dreams are made of ." Not only is he aman who sells cameras on the television andthe reknowned father of Jane and Peter, heis a direct product of that golden era infilmdom, molded and weaned at a timewhen young starlettes were discovered indrugstores, and movie moguls ownedpractically everything, includingHollywoodSeeing this tall and lanky man at arm'slength, I cannot help but remember thesteady diet of his television late shows whileI was growing up. I remember most fondlythe young lover in Jezebel, the stalwartlieutenant in Mr. Roberts, the bittersweetex con in Grapes of Wrath. Fonda is amongthe giants of the silver screen; simply uttering the last name—Gable, Brando,Bogart, Tracy—buys him the ticket into thismost exclusive men's club.After his superb performance as ClarenceDarrow, Mr. Fonda granted a short informal press conference to young Chicagocollege journalists. In his celebratedNebraska twang, Mr Fonda answered thebattery of questions thrown at him fromenthusiastic fans.Here are the highlights of that unforgettable event: *Currently in Chicago there are three oneman shows, Roy Doltrice as John Ashberry,Shay Duffin as Brendan Behan, and yourown. Do you think that the one man show isgaining popularity?Well I guess so. I have to think it hasbecause not only Doltrice, and I have seenhim in a brilliant, brilliant performance, butthere is the Mark Twain, the Will Rogers,and James Whitmore is coming out with anew one man production on Harry TrumanDoes that answer your question?Do you agree with Mr. Darrow's ideasAll the way. all the way.Are there some things you disagree with?All the way, is that what you wanted? Isay a!1 the way because I have had so manyjournalists asking me if I have changed myattitudes since I have been doing Darrow.Just a goddamned minute! You knowwhere do they think I've changed my attitudes? I was brought up with a father theway Darrow was. You have to be taught tohate, I don't mean my father preached, butyou learn by osmosis. I would like to thinkthat my children grew up that way too. I didnot preach, I taught them not to hateAnyway.. I could get on a soapbox aboutthat. Next?Do you like acting in the movies,television, or the theatre?The live performance in the theatre. I willtry to explain why without making too long astory. This again is something very important to me. Simply, you have a great dealof preparation in the theatre which you don'tget in films. You can read a script and say"yes, I'll do it," sign a contract, andeventually have the director call you andsay, "Mr. Fonda, be on stage 9 at 8:30, forscenes forty five and forty six." So, youlearn those lines the night before, and thenext day before you go to lunch you have done those scenes, the film has gone to thelaboratory to be processed, and that is yourperformance! And, over the next six tosixteen weeks you do thirty second sceneseach day. Big deal!! But in the theatre yourehearse intensively and eventually youbegin at the beginning and go to the end,building an emotion on an emotion, andwhen you are finished, you feel as if youhave really created something. This feelingcan never be attained in films because youhave never done anything from beginning toend That is about as short as I have everanswered this question.Do you feel that many of the problems inDarrow's time are still around today? Ishistory repeating itself again?No, not the same problems, but enough ofthem. I know that from the reaction I getfrom letters that Darrow's strong positionsare very upper most in people's mindsIs the performance as gruelling as itlooks?You better believe it. I don't ordinarilygrant any conferences such as this after myperformance The entire production isextremely demanding on my vocal chords.If my throat was my knee, I would be limping this very moment.Do you believe that Darrow is becoming afolk hero among the youth?No, I do not believe so Most people knowDarrow's famous cases, such as the ScopesMonkey Trial, and Loeb and Leopold MurderCase. His remaining triumphs are mostly jmemories in older, much older people. The !youth have not begun any sort of cult on ,Darrow as of yet. Although, from most ofmy mail, the young college law students ;have expressed an increasing desire in thisbrilliant, brilliant man.Did you prepare a great deal of thisperformance? By preparation I mean, didyou read articles and journals on Darrow?I read everything I could lay my hands onI read his law articles and hisautobiography. I am just like you. I hadheard of Darrow and the Scopes MonkeyTrial, but that was about all. I researchedhis career very carefully.How much of the play Darrow's ownwords?David Rintels hascompiled a brilliant textof Darrow's actual words written in hisautobiography. He neatly put together whatwas most important for each case and whatwas most amusing for the audience.Are you living the part of ClarenceDarrow twenty-four hours a day asStanislavsky would recommend?I am not a method actor!This is evident What I mean is, how muchof the character has rubbed off into yourdaily life?As soon as I leave the wings of the stage,even before I get to my dressing room. I amonce again Henry Fonda. It would not be fairto my family if I became every role I acted.What are your future plans?I have a few movies in the cans and I amtaking "Darrow" to many college campuses. We are booked for the next two years.Of course we will have to minimize the setsfor convenience, but otherwise the entireproduction will remain intact. I enjoy theyouth and the campus atmosphere, theyappreciate my performance and receive mewarmly As warmly as you have all receivedme tonight. Thank you.Friday, April 18, 1975 - The Chicago Maroon—7 COTheGreyCityJournalTheGreyCityJournal8—The Chicago Maroon - Friday, April 18, 1975 Hearts and MindsBy Paula AAaterreHearts and Minds, the Academy Awardwinning documentary, is a surprising antiVietnam assertion which bites painfullyhard where the pro war publicists failed topenetrate.This intensely provocative film, directedby Yale film instrucfor Peter Davis,dispenses with most of the disquieting goreand havoc of actual combat for a soberingexamination of the American mentalitywhich provoked our involvement in Vietnam.Davis utilizes interviews with, and filmclips of, the war's tacticians: PresidentsEisenhower, Kennedy, Johnson, and Nixonpropagating the American doctrine oftriumph, the National Security Advisorunder Johnson, Walt Rostow, maligning HoChi Minh; and George Patton, III, applauding his "bloody good bunch of killers."But the victims leave a different imprint:Daniel Ellsberg weeping over the loss ofhope; crippled veterans agonizing over theirown involvement; and the Vietnamesepeople wanting only to realize theirfreedom.The interviews with Americans are oftenpiercing. There were people who had losttheir sons, and were compelled torationalize the war's worth; and maimedG.I.'s, like Robert Muller, who had oncewept during the playing of the Marine CorpsHymn but who is now paralyzed bothphysically and mentally. He expressed hisanguish that he could never again believe inhis country.The deliberate juggling of images, thoughsometimes excessive, skillfully exposes theracist attitude which disallowed any affection for the Vietnamese people. Even thebombs were decorated with cute, funnyfaces. But the Gl's were able to use themwith technical dispassion on the people theyfrequently referred to as "gooks": "Acomputer figured out the ballistic, the airspeed, the slant range, and dropped thebombs," admits ex airman Randy Floyd.But to assuage the guilt of our own faciledestruction of the people, we continued todehumanize them: "The Vietnamese peopleFOOD——■ — don't put a very high price on life," asophisfical General Wesfmoreland reasons;and an even more temerarious POW ex¬plains that Vietnam would be very pretty "ifit weren't for the people."Hearts and Minds uncovers the UnitedStates' disturbing obsession with anticommunism, and with winning at any cost.Even an idealistic Ho Chi Minh expected theUnited States to join his fight against theFrench invaders, without realizing thecommunist paranoia was alive here wellafter the search and destroy tactics ofJoseph McCarthy had expired. And Davis'footage of the high school football coachviolently pounding the faces of his team is acertain indictment against the win, win, winpsychology besetting this country.Approximately 150 hours of film footagewere edited down to two hours—two hourswhich has endured more than its share ofrestrictions over the past year. The film'sdistributer, Columbia Pictures, was apprehensive about legal reprisals anddecided to can the film until producers PeterDavis and Bert Schneider convinced WarnerBrothers to handle the distribution. Shortlyafter it was shown publicly in the States,Walt Rostow made formal charges of "invasion of privacy," and a restaining orderwas issued against the movie.Even though Rostow was denied permanent injunction earlier this year, the filmwill now undoubtedly encounter strongdisapproval from a public saturated withtalk of Vietnam and easily attracted to slickcampaigning. For those who need it, thefilm has everything. There is sex, as twoGl's vilify two Vietnamese women. There isbeauty, as the camera focuses on a tranquilVietnamese village before ifs destrucfion.There is nostalgia, from those well lovedwar movies of the 40's. And finally, this isthe most impressive disaster movie to date,one which black veteran William Marshalldoes not intend to let us forget: "...we don'twant to hear it, 'cause it's upsetting arounddinner time... When I get up in the morning,I got to put on an arm and a leg 'cause itain't there no more, you dig.. Now makethat go away with the six o'clock news...Thehell with that..."Almost Free FoodWhile attending the special free showingof Nathaniel West's The Day of the Locust atthe Playboy Theatre next weekend, why notmake a full day of it and go out to lunch?Several restaurants in the area havecooperated in offering discounts on food anddrink for students showing their ID. Gino'sPizzeria at 932 N Rush will offer a 10%discount until 6 pm; Oliver's Pub, 1207 NDearborn, will offer double cocktails for theprice of one. Chumley's, at 2 W Division, willoffer a free drink (worth $1.75) with everydinner order. The China Doll, 31 W Division,will offer its luncheon menu (usually notavailable on Saturdays) to students until 5pm; the savings over the dinner menu are about 35 %, with about the same size por¬tions. This author's pick of the lot isHemingway's Moveable Feast, 1825 NLincoln Plaza. At the north end of Old Town,if is in an area filled with shopping andbrowing, and the restaurant offers morethan 150 different sandwiches and an icecream counter stocked with Valas ice creamat 10% off.All this has been set up to complement thefree passes for students to the noon, April 19,showing of the film. John Schlesinger,director, and Jerome Heilman, producer,will be available after the film for adiscussion.MAROON CLASSIFIEDS CANMAKE YOU A BUNDLE!4RTArea Artists at Bergmanrefinement of expression, Just as thisdecade is serving as a consolidation of thesalient cultural points of the sixties,"Eleven 75" is not predicated on discovery;instead, the work relies on the lyricala>nsolidation of instinct and sensitivity.Charles Wilson, one of the eleven, is notconcerned with the problems implicit in theuse of a "brave new material": he concentrates on coaxing poetry out of the accepted traditional mediums of stone, wood,and metal. The challenge is reversed, yetjust as difficult Dennis Kowalski's "Untitled" gives a simple elegance to thatoerennial wallflower, the corner of theroom. In his other work entitled "Sandia 11,"he cantilevers two aluminum triangles off ofa steel rectangle The metalwork is notslick; the feeling is one of tenacious humanbalance, not industrial security andassuredness. Virginio Ferrari's threestainless steel pieces are factory executed,yet they exude a warm and human elegancenot commonly associated with industrialproducts. Each work is composed of twesnug fitting sections, one male and one female. This most minimal animationallows him to contradict the slickness of thebeautiful stainless steel and creates thetension which makes each piece come alive.Ferrari's lasting affection for the lifeprocess and his affinity for the grace ofmetal and industrial process have found agentle synthesis.This pre occupation with and sheer enjoyment of working with special personalmaterials is evident throughout "Eleven75." Idelle Hammond fashions beautifulreliefs and drawings out of wax Two of thepainters, Monika Wehrenberg and JudithDeJan, also manipulate their materials forthe sheer joy of doing so The above artists,as well as Robert Donley, William Conger,Thomas Steger, Joe Cavalier, and RoberlRay, are firmly fixed in the art of theseventies. No longer content to merelybreak rules, they instead are focusing onmaking some sense out of what is availableto them To enjoy this show, I did not need toremind myself who believes what and whatwork is a member of what camp. I simplyhad to recall my basic responses to lyricsensitivity of expression.By John KuhnsThe other day, I heard someone remark♦hat the modern cultural process has runamuck. "We're halfway through the decade,and The Seventies have yet to begin," thischaracter lamented And although everyonestill seems to be flipping over their calendarevery twenty four hours, his statementbears more than a modicum of truth.Indeed, the dynamic group consciousnessand direction of the arts in the fifties andsixties has faded drastically in the seventies. Recently the Michael Wyman Gallerycelebrated the final ' demise" of theChicago Imagist coterie with a show of newabstract work and, in effect, proclaimed anew Chicago school by virtue of coup d'etat.Ironically enough, not only was this a hollowvictory, but Wyman's troops seemed to beunaware of the sounding of thr:r own knellas well Given the nature of the times, thenotion of "Abstract Art" as a rallying pointfor a new group consciousness is futile (letalone outdated, but that's Chicago). We aresimply not in the mood for aesthetic politicsat this point. The seventies are not going tobe an era of movements. After the effulgence and clamor of the sixties, thepresent decade appears to be a hiatus, atime of guietude and re evaluation. Somewill inevitably see it as a time spent adrift.But I feel that this analysis is colored by theassumptions of the sixties concerningdirection and cumulation, assumptionswhich I do not presuppose as fact. Theambiance of the sixties produced a volatilekind of art, but in the different historicalcontext of the seventies, art will surelyredefine itself.A work of art made today will not fitquickly and neatly into nice little categoriesand cannot be easily identified by its type,because these categories and groups nolonqer exist Style — everything is wideopen Curiously, this sense of freedom isaccompanied by a sense of fear. We are nowcalled upon to evaluate a work as merelythat; not as an explainable member of awider "ism" which one simply takes forgranted The individualism of the era isgoing to demand close attention Thus, forsome, the seventies will prove to be a bit of abore. For others, however, the vastpossibilities made feasible by the sixtiesshould make these times rich with the tingleof uncertainty."Eleven 75" is an exhibition representative of the new aesthetic notions of theseventies The show has been organized inChicago by Virginio Ferrarri, the University's sculptor in residence, and DennisKowalski, a professor of sculpture at Circle Campus. After a stint at the BergmanGallery (fourth floor of Cobb April 1 throughMay 3), the exhibition will travel to Rome,and possibly other points in Europe"Eleven 75's" genesis is indicative of thetimes. It came about, not through the hardsell polemics of a vanguard consciousness,but through artists simply choosing otherswhose work they admired Although thismeans a definite cohesiveness in one sense,the show is surprisingly varied as wellThe courage of these eleven artists lies intheir deliberate resistance to the notion ofbreakthrough as an end in itself. The workconsciously avoids the valuation of the newfor its own sake. Had I attended with expectations of seeing radical materials,techniques, and forms, I would have beendisappointed No cannons of art have beenshattered, but these artists do not wish tomake new art merely by virtue of shatteringold rules. I implore those of you who wouldask, "Is there any other way?" to attendthis show."Eleven 75" eschews the value of "thenew," and instead stresses clearness andCULTURe ——iJames Dean: The Mutant KingBy David DaltonStraight Arrow$9.95Reviewed by Simon SchuchatIt’s interesting to imagine an adequate lifeof James Dean, one which sought thepractical knowledge of how the life producedthe artist and then, the myth. This certainlyisn’t that book, though it’s probably the bestthere’ll be for some time. Maybe forever,because while the subject is interesting, itisn’t sufficiently so for any but a few to beexpected to care enough to want to gobeyojnd the uncertain mixture of debunking,straight reportage, cheapo sociology, andunmitigated mythologizing that DavidDalton has put together.Actually, ignoring a certain ideologicalcomplaint of my own, the book is full ofgoodies, including many wonderfulphotographs. The chapters on Dean’stelevision work, for instance, are very good;and what is the best chapter in the book, theaccount of making of Rebel Without a Cause,will be worth the price of the presumablyforthcoming paperback by itself The book isinteresting in substance, though nervouslywritten Dalton has, however, subliminallyoverstressed his theme: a minor error thatcasts some light on this flaw is a briefmention of Dean reading the novels of JackKerouac, in 1952, which is highly unlikely, asonly one book, a conventional novel calledThe Town and The City had been published,which isn’t like nitpicking, and it is.However, the point is that the anecdote isprecisely the kind of data which Dalton’sinsistences expect: a unifying minor detail insome complex of “ur-counter-culture”heroes that might be taken to include Dean,Kerouac, Jackson Pollock. Charlie Parker,and numerous others Don’t get me wrong: Ithink all those guys were great. But it'scompletely useless to make them intoinaccessible myths Especially myths thatimpart "culture’’ to the counterculture;because that isn’t what it’s all about.Dalton’s central metaphor, James Dean as“the mutant king,” forerunner of a newspecies which we, today (or at least those ofus who write for Rolling Stone) are the fulldevelopment; a mutant who died because“he was just too real.” is on one handinternally (and historically) inconsistent;and on the other hand is insufficientlyilluminating and suggestive poetically. Thebook would be better without it. The emerging sensibility which we loosely labelthe “counterculture” should, ideally, haveno use for such notions After all, we arewhat we are for considerably more complexreasons than simply being bom differentfrom our parents Even were that so, there isno value in merely saying so. at this date.Of course, this is all a polemicoversimplification of Dalton’s theme, but theattitude is there. When Dalton sticks toDean’s career as an artist and his history asa human, he is generally clear, informative,and interesting When he grapples with themyth of James Dean, he is pointlesslyerudite and simply not all there. Which, insumming, is not to say that Dalton’s book isbad, and everything he says is pretentiousand idolatrous; but that the balance isdisquieting, slightly “off,” sort of vaguelyinadequate.HOTEL FURNITURESALE!from Chicago's largest hotelsFULL SIZE BOX SPRIIICX MATTRESS SETS $49 95TWIN SIZE BOX SPRINOA MATTRESS SETS $39.95SOFA A CHAIR snVINYL COVERNK ALL COLORS... $49.95LOUNCE CHAIRS $15.00 UPPULL-UP CHAIRS $10.00 UPTABLE LAMPS $2.95 UP7 DRAWER DESKS $25.00OPEN DAILY 9-5AMSTADTER FURNITURE7315 COTTAGE GROVE224-7444 THE AMERICANJEWISH FAMILYPROF. DAVIDSCHNEIDERdept, of anthro.wood lawn(Note change of date from April 25) cnFriday, April 18, 1975 - The Chicago Maroon—9 TheGreyCityJournalTheGreyCity 4RTUnusual Exhibits at MCABodyworksBy John KuhnsThe art of the body, or Bodyworks, isundoubtedly an appealing phenomenon tothose who ascribe to historicism. At theMuseum of Contemporary Art, one will havea chance to appraise the "body of work"which professes to be the latest "new andcontroversial art form." It does seemperfectly logical, in light of past events inart, to suppose that finally the artists'subject matter and means of expression willhave to be his own physical body. Startingwith Duchamp, a cumulative approachwould trace through Yves Klein, Happenings, and Conceptual Art to Bodyworks,and evolution does indeed seem predictable.In fact, this very attribute is what I find tobe the main weakness of the show. Assomeone once said, any art conceived byartists for artists in response to past artistsis bound to be incestucusly weakened.However, I hope Bodyworks proves to bethe exception. The notion is fascinating:instead of trying to wring poetry out of acomposition of things, become the comDosition yourself. It seems at first glanceas if the possibilities for expression are endless. And indeed, some of these artists goto great lengths. Chris Burden recently layon his back on the floor of the museum for 45straight hours, coming close to self imposedexhaustion and physical breakdown. VitoAcconci and Ludolf Schwarzkogler alsoallow themselves to be put into potentiallydangerous or violent situations, and theirreactions can sometimes be consideredquite poetic. Concepts of dance, poetry, anddrama are all used freely in formulating the"work", which may take the form of avideotape, photomontage, or performance.The "media" are really unimportant; it isthe body as means, the thing to be moldedand formed, that is the key concept. Theopportunity for social and psychologicalcomment is also at hand here, and JosefBeuys and others use Body works as areorientation of art with very basic humanneeds and experiences. The show is extensive, and really is worth attending.Although I do not feel that this vanguardenjoys the magnitude which it thinks it does(large edges of the movement merge rathereasily into mime theater, for example),fhese artists have an energy anddeliberateness of expression which issometimes shocking, sometimes, amusmg,but always refreshing. Gaston LachaiseBy Amy WeinsteinThe massive power of womanly form, castin the thrust of full hips and the weight offirm, well rounded breasts, distinguishesthe female studies of early 20th centurysculptor, Gaston Lachaise.The compositional focus is clearlydominated by the subject of woman and thesculptor's own appreciation of femalesexuality. Many of the compositionspresently included in a retrospectiveexhibition of Lachaise sculpture at theMuseum of Contemporary Art reflect thisperspective.The sensual dynamism of the Lachaisefigures might appear excessive, were it notcounterposed by subtle articulations ofgraceful gestures and delicate expressionsof simple beauty. The faces of these womenare wise and self-asserted attesting to thecertainty that bodily prowess is very much apower of their own possession. Severalpieces seem the products of an exaggeratedobsession with female sexuality, lacking thesensitivity Lachaise was able to conveythrough most of his work ("DynamoMofher" 1933). Yet, an abstract female elegance, most intimately revered by menand self-consciously sensed by womenfhemselves, is an exquisite aspect of theLachaise works.A group of sculpted portraits also com¬municate the artist's skill in renderinghuman character through stone and metalform. Surface and contour are seen to havebeen most carefully and specificallymanipulated in order to create an uniquedisposition for every work. The results arewell illustrated by a piece entitled "e.e.Cummings" (1924) which is so perceptivelyhandled that the nearly pursed lips might beprepared to utter a new line of inspiredverse.Each composition is an individualstatement of human passion. Seethingmonuments erected in homage to conjugallove, and small, meticulously executed basreliefs possess the calm of human un¬derstanding in communion with the drive ofemotional and physical force forever unitingloversThe Lachaise retrospective continuesthrough April 27 at the Museum of Con¬temporary Art, 237 E. Ontario St. Theshowing is in conjunction with an exhibit ofcontemporary "body works."10—The Chicog D Maroon - Friaoy^pril 18, 1975FREE MAMA’S DAYPOSTER.To help make May 11th the daythat everybody lets their Mamaknow just how proud and glad andlucky they are to have a Mama liketheir Mama and to also get us somefree advertising space in yourdorms, apartments, hearts orwhatever, we’re issuing a com¬memorative Mama’s Day poster.To get one just follow theinstructions below.We can pass the Mama's day poster to you.Please write AKADAMA MAMA. P.O. Box 2629Palos Verdes Peninsula. CA 90274 CHARTERSwe make arrangements for all types of chartersU-travel, inc.Coll 667-3900shampoo is the smashof the year"it is going to he a smashi think it will be one of thebiggest pictures in a long.long time!'|PW m*m Isfthe la dole*4 vita' for the t‘l7() s'.'MdNfc • Hsl m-m >«*4warren bMflvluforhmlie .uid*-hmnlee grant pcti warden tom bailMOW PLAYING AT THESE SPECIALLY SELECTEO THEATRESMARINA CITY EOENS GOLF MILL YORKTOWNOwaac NcrtHbrao. N,w» LombardRANOHURSY - - EVER6REEN MERCURY “R106E PVAf AMl. Pnwl Ew|mn Par. tlamaat Pwti Onffrtti. In4.W<-u*U 1.’ |<*> Towl Of PS*•*©*.'rr,«iwHisriisn[mmistlIBUY YOUR WHISTLES AT REYNOLDS CLUBOR IDA NOYES DESK OR AT THEBOOKSTORE PEN DEPARTMENT. a EYE EXAMINATIONSa CONTACT LENSES (Soft 8 Hord)a PRESCRIPTIONS FILLEDDR. MORTON R. MASLOVOptometristsHyde Park Shopping Center1510 E. 55th St.363-6363BUSSES FOR PREVIEW“DAY of the LOCUST”Leaves Ida Noyes Parking Lot11 AM SAT., APRIL 19PREVIEW AT NOONSEMINAR AT 2:30Return trip leaves immediatelyafter seminarInformation and restaurantdiscounts available atIda Noyes DeskCWtflOIL MUSICOrchestra awaiting Solti during last year's campus concert.Solti ConcertRECORDSBy Gary KazinLou Reed Live (RCA) is the second livealbum which Lou Reed has cut in the p^styear. It contains the same personnel andwas recorded in the same location as itsvery successful predecessor, Rock N RollAnimal In fact, it seems quite likely that itwas taken from the same concert appearance(s) as was Rock 'N' Roll Animal.And though Lou Reed Live certainly hasits moments, it does not match the quality ofthe other live album. With dual guitars,keyboards, bass, and drums the music ispowerful electric rock throughout, but therepetitious screeching of Steve Hunter'slead guitar and the lengthy renditions ofmost of the songs make the albumsomewhat tedious.It is commonly accepted that Lou Reed'stalent lies in the force of his writing ratherthan in the characteristic monotone of hisvoice and in this album, as in the past, hehas generally succeeded in adapting thelatter to serve the former. On the fast, hardrocking songs such as "I'm Waiting for theMan," his style of shouting is used to fairlygood effect, and for the most part he sticks♦ o a shouting chanting technique. Occasionally, however, he qoes beyond thisand seems to be trying actually to sing."Walk on the Wild Side" is the most notableexample of this and it is his hamming up of♦he vocals which principally accounts forthe ineffectual quality of this live version.The band itself is a highly competenf one.Prakash John's aggressive bass lines andPentti Gian's loud and full style of drumming complement each other perfectly, andDick Wagner and Steve Hunter's guitarsand Ray Colcord's keyboards are all playedoff one another with studio precision. Unfortunately, the band tends to sound a littletoo much like a studio band, being ex♦remely competent but not very inventive.Their single style of play (which is merelymodified for each song) becomes somewhatwearing by the end of the album.In contrast to the previous live album, LouReed Live predominantly uses materialfrom Reed's pasf Velvet Underground days.The fact that the most classic Lou Reedsongs are on Rock N Roll Animal mustaccount in part for the difference in qualitybetween the two albums, but there isanother factor which would seem muchmore important The songs on Rock N RollAnimal were written for and originallyrecorded with essentially the same in¬strumentation as is present in the live band;many of the songs on Lou Reed Live werenot A song such as "Oh, Jim" loses quite alot of the effect which it had on the Berlinalbum when the multitude of horns andkeyboards of the original is condensed downto the instrumentation of the live band, and♦he song itself is needlessly extended inlength. In contrast, the Velvet Undergroundproduct, "I'm Waiting for the Man" is theshortest, most direct, most like the original,and is probably the best song on the album.With more careful editing, the faults of thisalbum could have been compensated for.Despite its tendency towards tediousness inparts, this is not a bad album; its drive andprecision make it uniquely attractive amongrecently released rock albums.RECORDSDionne Warwicke, Then Came You(Warner Bros.). The smash hit title song isthe sole outstanding song here, and is alsoincluded on the Spinnt s' own recent, muchbetter, Ip. Producer J>.rry Ragovoy, whoselist of liabilities includes the recent BonnieRaitt debacle as well as this blur on DionneWarwicke's career, here also displays hiswidespread inabilities as arranger andauthor. His meddling, his deliberateobscuration of a fine voice, and his own poorwriting singlehandedly ruin this record.Let's hope for a comeback with anotherproducer. D. Don McLean, Homeless Brother (UnitedArtist). Even were it not tor McLean'spseudo insightful, authentically artsy fartsywriting, I would dissuade everyone fromthis Ip. The manufacture is faulty on everycopy I've played, my needle has hit thegroove bottom and distorted horribly. F.Jimi Hendrix, Crash Landing (Reprise).Crash Landing is the first issue from 600hours of studio tapes made in New Jersey inthe late 1960s, after the breakup of theHendrix Experience. Rediscovered lastyear after having mysteriouslydisappeared, the tapes have a high technicalquality and they capture Hendrix in anexperimentai stage of transition from his 3man group There are no really innovativeor outstanding cuts here, just vintageHendrix that is better in every way than Cryof Love. This might mean you will neverhave to buy another bootleg. B.John Lennon, Rock'n'Roll (Apple). JohnLennon relives the classics of the 1950s,finally proving that the Stones listened toR&B and the Beatles listened to rock'n'roll.Songs which were delightful in their day -"Be Bop A Lula," "Bony Marone," "DoYou Wanna Dance," "Ya Ya" - aretransported hazily through time onto arather hazy album; Lennon's version aresometimes altered beyond recognition. Oneof the biggest problems is that the bassistseems to be the only person who effectivelyremembers rock'n'roll; everything else isfuzzy, filled with busywork, and conveys noreal freneticism at all. This sounds likeLennon's newest form of therapy, after theprimal scream; you go through a lot andGod knows what you get out of it. C minus.Tom Scott and the LA Express, Tom Cat(Ode). Some of the hottest instrumentalistsaround - they just finished tours with GeorgeHarrison and Joni Mitchell - comprise theonly hard rock and jazz band that can crossfrom deep funk to John Coltrane withmasterful ease. "Rock Island Rocket" isdriving, rhythmic energy, and starts thewholly instrumental Ip on its way tostardom. This band is more tied to its jazzroots than Mahavishnu now is, and rocksmore on the side. Do not confuse this recordwith an awful re-issue on RCA calledsomething like "Tom Scott in Los Angeles,"which is nothing but bad covers of lousy rocktunes B plus.Donnie Fritts, Prone to Lean (Atlantic).That the title track was authored by KrisKristofferson, who also produced the Ip, isonly apt: Fritts' punchy singing style seemsinfluenced by his long stay in Kristofferson'sband. Fritts' voice is more open thanKristofferson's and actually has some rangeto it, making it far more listenable than hismentor's.The self mockery and sadness of some ofthe lyrics hasn't the sophisticated verbiageof the Rhodes scholar, but has remarkablepoignance in songs like "Winner Take All."Bonnie Koloc made Fritts' song "You'reGonna Love Yourself (In The Morning)" thetitle cut of her last Ip; Fritts' version is moredoleful and gritty. If you take Fritts'pleasant writing and singing abilities andthrow in a quality of session men andengineering which has been unusual onAtlantic, you have a very nice Ip. B.Karen Phillips, Viola Today (Finnadar).Ms. Phillips collection of contemporaryviola pieces (by John Cage, Berio, andDavid Bedford) expands the potentialities ofthe instrument without shattering them. Herjnquestionable technical proficiency, incombination with a theatrical virtuosity thatis generous to both her playing and thecomposition itself, makes for an unusualand worthwhile album. Particularlyrecommended to those who appreciatedCage's recent performance here. B minus.Supertramp, Crime of the Century(A&M). The engineering is superb here -brilliant work that is wasted on a totallytalentless group. D minus. Tickets for Solti's campus concert go onsale next Tuesday morning in Mandel Hall,at 11 am.The maestro is said to be looking forwardto the May 6 performance. In his lecture tothe university community last winter, SirGeorg acknowledged that Mandel Hall haspoor accoustics (he had given a concertthere the previous spring), but expressedappreciation for the attentiveness andpoliteness of the audience. He made a directcontrast with the audience at the regularsubscription series in Orchestra Hall, whohave displeased him greatly.THE FLYING BURRITO BROTHERS,Close Up the Honky Tonks, A&M SP 3631.This specially priced two recordretrospective of what has often been calledour "most overlooked band" is a bonus forthose of us who thought that they haddisappeared forever. As the Ip cover says,the album features the late Gram Parsons,Chris Hillman (now of Souther, Hillman andFuray), Sneaky Pete Kleinow, MichaelClarke, Chris Ethridge, Bernie Leadon (nowan Eagle), Rick Roberts (whose own solocareer deserves the most overlooked soloaward), Gene Clark, Al Perkins and JonCorneal.This Ip is a mish-mash slapdash ofeverything good about the Burritos. Perhapsthe most remarkable thing about the recordare the unusually complete and accuratenotes which accompany every song. Standout songs include "Wild Horses" (the preStones version), and the classic rocker "RollOver Beethoven." The first Ip of the set is asort of greatest hits taken from theirreleased recordings, while the last two sidesoffer samplings of recorded work that forsome reason never got onto their albums. Afine memory of a fine band. B plus.MIKE MCGEAR; McGear: Warner Bros.BS 2825. If McGear did not have a fairlydistinctive singing voice and a style ofdelivery that is all his own, it would beimpossible to tell that this album was madeby or with anyone besides his brother, PaulMcCartney. It is very ironic that the firstsong on the first side begins with the words:"I've been thinking now, for a long time, The concert, which will begin at 7:45 pm,will follow Orchestra Hall's lead in onecase: no one arriving late will be seateduntil after the entire first piece on theprogram has been played Friends of theOrchestra, which organized the concert, hasurged us to stress the point; late comers willnot be seated, until later into the performance.Tickets cost S3 50 to $5.50 for students, S7to S9 for faculty and staff, and S9 to $11 fornon university personnel. A limit of twotickets will be sold for each ID presentedhow to go my own separate way." PerhapsMcGear would have us conclude that he justcouldn't come up with anything and so he lethis brother do all of the work.There are no songs on the album that werewritten by McGear alone, though there areseveral that he wrote in collaboration withPaul and are completely indistinguishablefrom anything that Paul ever did on his own.McGear does not even receive top billing inthe musical credits next to each song.Like his former colleagues, McCartney isclearly trying his hand at producing recordalbums and introducing his own protegees.Like Lennon and Harrison, he introduces somuch of his own work and style into therecord that it is hard to find the putativeperformer.McGear's singing voice is both pleasantand interesting. His music, if one can reallycall if his, is, for the most part as good asanything McCartney has written since 1970.McGear's presence is too obscured to betruly criticizable. In only three songs,"Leave it" and "Have You Got Problems"on the first side, and "Rainbow Lady" on thesecond, does one get a real chance to seewhat McGear has in him These songs arenot all that much like his brother's work andthey are very good and very well performed.Average White Band, Put It Where YouWant It (MCA). A re issue of an ancient Ip,barely revealing traces of the later bestselling album. Do not confuse this with anew release. D plus.-SAVE GAS-DRIVBA:Peugeot-Renaultor Subarusalos-sorvlco-partsmm 2347 S. MICHIGAN326-2550 UNIVERSITY THEATRE3 Plays: ElCHEKHOV PISODESSHAFFER BRAUDESmoking is Bad for Your Health The Private Ear The Same RoomDirector: ; Lichtenstein director: Vyto Baltrukenas Dir.: Rudall & NorthcottREYNOLDS CLUB THEATREApril 18, 19,20 8:30 P.M. $1.50 57th & University«• • -Friday. opril .l& .1.975 - The Chicago Maroon— U;’\Vt ,S( I’ cA *t Pn*. - • c« iRECORD1?' TheGreyCityJournalTheGreyCity2 NLI'ILatest AFT: in CelebrationBy Alfred LeaWhen reviewing one of the American FilmTheater productions like In Celebration, one00 is trapped between commenting on the filmas film or commenting on the film as a play.Since the playwright may not have had ahand in the film one can not be certain uponwhom to lavish praise or lay the blame. Inthis case, the playwright. David Storey, wasCWtfICdL MUSIC also the scriptwriter; and the director of thefilm, Lindsay Anderson, also directed thepremiere production of the play in London in1969. Consequently one must assume thatthe film is totally commensurate with theproduction-oriented concepts of theplaywright. In its own promotional pam¬phlet, the American Film Theater describesthe films as being "Not mirror images of theplays; but film with all the technicalDorian Quintet tonightThe Dorian Wind Quartet, organizedunder a grant from the Fromm Foundationin 1961 (the Fromm Foundation was alsoresponsible for las Friday’s excellentconcert), will appear in Mandel Hall tonightat 8:30 p.mThe quintet consists of Karl Fraber, flute;Jerry Kirkbride, clarinet; Jane Taylor,bassoon; Barry Benjamin, French horn; and Charles Kuskin, oboe. Works will beperofrmed from the compositions of Berio,Reicha, Hindemith, Elliot Carter, and alsosome transcriptions of Back organ works.The cost fot eht concert is $5 per ticket, andtickets are available at the door. An ex¬cellent opportunity to hear a group whichTime magazine hailed as "one of chambermusic’s most sparkling and eloquent en¬sembles.”Tcday,we still do.Back in 1924 Raccoon coats and rum¬ble seats were very big And when itcame to getting engaged, studentswere very interested in a Chicagocompany that promised them verybig savings on a diamond ring.The company was S A Peck. Andthe diamonds they sold built a repu¬tation that allows them to sellVanity Fair Diamonds to collegestudents all across the United StatesAnd we are still helping student-save as much as 50'/.How do we do it? Simple We han¬dle every step in the making of a ring, from buying the rough dia¬monds and making our own settingsto selling the ring directly to youThere are no middleman profits todrive up the price.In fact, we re so confident of ourlow prices and fine quality that wecover them in our exclusive Vanityfair guarantee if not completelysatisfied your full purchase pricerefunded within 30days.Send for our free, full color 44-page catalog. Or visit our diamondshowrooms at 55 E. Washington.StateSchool.50 years agewe saved studentsas much as 50%cn a diamond ring.1\ emits DiirDiamonds55 East Washington St. Chicago, Illinois 60602Send me the proof: the free Vanity Fair catalog.Name |Address— i12—TH^Chicago Maroon - Friday, April 18, 197^ qualities and all the magic can create....”Storey and Anderson have managed toeconomically utilize these aspects ofmovies, not found in theater, while stillmaintaining the theatrical atmosphere ofthe picture.The story is set in a northern British coaltown and occurs during one evening andbriefly the morning of the next day. Threebrothers in their thirties have come to helptheir parents celebrate their fortiethwedding anniversary. The film recounts theinner and heretofore hidden conflicts bet¬ween the brothers themselves and theirconflicts with their parents.One difference, for me at least, is thegreat variety of settings and situationswhich film can offer. In the theater thesetting and actors themselveOne difference, for me at least, is thegreat variety of settings and situationswhich film can offer. In the theater thesetting and situation have to be implied onstage by the set and somehow by the actorsthemselves. The sense of a definite placemust be culled from the above methods bythe audience and through their ownimagination. Anderson has captured thebest of both worlds in the movie. Most of theit occurs inside the Shaw’s living room, but the occasional glimpses of the drab butclean rowhouses, which constitute this town,metaphorically describe the bleak, hopelesspride which Mr. Shaw takes in his job as acollier. The most compelling of these shotsoccurs at the beginning and end of thepicture when the camera views the entiretown through the winch which lowers theminers down into the shaft.Another technique, possible only in film, isthe way in which the camera will focus uponone character watching another characterspeaking. This is a subtle method of un¬derscoring the emotional subtext of thedialogue. A theater-going audience hasmuch more difficulty perceiving this sub¬tlety, because the tendecy is to observe andfocus on the speaker.In Celebration is a throwback to theEnglish ‘‘working-class dramas” of thefifties and early sixties. It has less of amessage than its predecessors, but it is farmore convincing as a moving portrayal ofhuman interaction. In this sense, it remindsone of Long Day’s Journey Into Night. Ialso appreciate being reminded by thecharacters and the excellent actors of thefilm that not all Englishmen are like RobertMorley.conceRTLive Blues ConcertBy Harold BrennerTuesday night at l am, WHPK (88.3 FM),presents an exceptional blues program withBig Walter Horton and Honeyboy Edwardsjoining Harold Brenner for a session of liveblues on "Shake 'Em On Down."Walter Horton was one of the key figuresinvolved in the development of the Chicagoblues sound of the 1950s, and is generallyacknowledged to be the finest blues har¬monica player in the world. Horton's superbamplified harmonica has enhanced therecordings of many great urban bluesmen;among them are Jimmy Rogers, MuddyWaters, and Floyd Jones. His own recordings are works of beauty and deep in¬volvement, and include the classics "Easy" and "Hard Hearted Woman."David "Honeyboy" Edwards is a livinglegend noted for his brilliant slide guitarplaying and for. his moving, expressivesinging. His music is directly rooted in thecountry blues tradition, and his playing proa direct link between the modern city bluesand the older, more traditional style of theMississippi Delta. A truly stunningmusician, Honeyboy has recorded onnumerous occasions. All his sessions haveproduced outstanding performances, with"Drop Down Mama" and "Build A Cave"among the best.Honeyboy Edwards and Walter Hortonhave known each other for most of theirlives, and first collaborated musically over40 years ago.Rock musicians. Jazz musicians.Country musicians. They’lltell you Vassar Clementsplays second fiddle to nobody.¥ He ** »When you ask musicians who the bestfiddler in the country is, the name VassarClements keeps bobbin’ up all the time.Seasoned by years of playing with actslike Earl Scruggs and Johnny Hartford. Vassarnow steps out front to put his ample virtuosityon display in this remarkable Mercury debutalbum, a juicy stew of bluegrass, country, jazz,you-name-it.And all the dazzling technique, creativebrilliance and foot-stompin’ excitement musi¬cians admire in Vassar Clements comes throughloud and clear.SRM-1-1022 8-Track MC8-1-1022Minicassette MCR4-1-1022 VASSAR CLEMENTS'DEBUT MERCURY ALBUMIVASSARICLEMENTS- ^! t *CALENDAR€ ■FRIDAY, APRIL 18 SUNDAY, APRIL 20ON-CAMPUS ON-CAMPUS OFF CAMPUSFILMCEF: "Las* Tango in Paris," 6 30, 8 45 and 11 00 pm. Saturday, "The Wan inthe White Suit,” 7 15 and 9 30 p.m., Sunday. Cobb SIDOC: The Great Dictator," 6 00, 8 30 and 11 00p m , Friday, Cobb SICZECH FILM FESTIVAL: "The Czech New Wave," 3 00 pm. Sunday. "Deathof the Ape Man," 4 OOp m , Sunday, 8 OOp m , Monday. 2030 N HalstedAAO: "Thunderbolt and Lightfoot," 7 00 and 9 30 pm, Friday, "The MusicLovers," 7 & 9 30pm, Saturday. Tech Auditorium of Northwestern in EvanstonWILBUR WRIGHT COLLEGE: "Coming Apart." 7 30 pm . Friday, 3400 NAustin AveFILM CENTER : "The Lost Squadron," 5 30 and 7 30 p m , Friday, Art InstitutePHILOSOPHY: Donald Davidson "Intending," 4 00 pm.. Harper 130COLLOQUIUM: Abe Lehrman, "Oceans and Lakes Migration and Diagenesis inSediment Pore Waters," 3 30 pm. Hinds auditoriumSPIRITUAL HAPPENING: Acarya Yatishvarananda, an Ananda Marga monk,will speak on human spiritualisty and social change along with the films "TheArt of Meditation" with Alan Watts, "Buddhism, Man and Nature," "TheUltimate Mystery" with Astronaut Edgar Mitchell, and "Evolution of a Yogi"with Baba Ram Dass, 7:30 p.m., at the Blue GargoyleHILLEL: Orthodox services at sundown, creative services at 7 30 p m and at8 30 p m., David Schneider on "The American Jewish Family" all at 5715WoodlawnPERSIAN SOCIETY: Fazlur Rahman "Some Aspects of Mulla S Shirazi'sPhilosophy," 2 00 pm. Pick 218ARABIC CIRCLE: Helen Khal "History and Development of ContemporaryArt in the Middle East," 3 00 pm, Pick 506DOC: "The Great Dictator," 6 00, 8 30 and 11 00 p m , CobbDORIAN WIND QUINTET: 8 30 p m MandelSATURDAY, APRIL 19» ON-CAMPUSWOMEN'S SOFTBALL: a double header UC vs Carthage College. 10 Mam , UCvs. Circle, 3:00 p.m North FieldCEF: "Last Tango in Pans," 6 30, 8 45, and 11 00 p m , CobbAPRIL SQUARE DANCE: 8 00 p m., Ida Noyes. SI 00UT: "Private Ear," 8 M pm, Reynolds ClubSERVICES: Orthodox at 9 15 a m. conservative and liberal, at 9 30 a m HillelPARTY: PSI Upsilon with live music by Mad Dog, 9 00 p m 5639 S UniversityTHE INTERNATIONAL HOUR: "Chinese Music," 11 00 a m on WHPK, 88 3FMCHINESE STUDENT ASSOCIATION: 6 00 pm, Ida Noyes UC TRACK MEET: a developmental meet for all. 4 M p m , Stagg FieldCEF: "The Man in the White Suit," 7 15 and 9 30pm .CobbtlFOLKDANCERS: 8 00 p m Ida NoyesSTAMP AND COIN CLUB: first meeting of the quater, Nikolai Sorokin willshow his collection of Russian Zenstvo stamps, 3 00p.m., Ida NoyesSEMINAR: Lawrence Bouldm leads discussion on "The Meaning of Limits," 9 45am. Rockefeller ChapelSERVICES: James Laney, "Renunciation," 11 00 a m . Rockefeller ChapelBRIDGE: 3:00 pm. at CrossroadsLECTURE: Mprris Philipson, "Publishing as a Profession." 8 M p m , WoodwardLOX AND BAGELS: 11 00 am. Hillel. SI 50JEWISH WOMEN'S GROUP: 7 M p m . HillelUT: "Private Ear," 8 M p m., Reynolds ClubMONDAY, APRIL 21ON-CAMPUS ~KARATE: 6 00 p m , Ida NoyesCHESS CLUB: 7:00 p m , Ida NoyesFOLKDANCERS: 8 00 p m . Ida NoyesBASEBALL: U.C vs I IT. 3 00 p m . Ida NoyesLECTURE: Richard Davidson, "Regulation of RNA synthesis and RNA Abundance Experimental Approaches and General introduction," 2 00 p m , CLSC101UFO: "Action for Women's Health What we can do to Improve Facilities atUCC." 7 M p m„ Blue GargoyleUT: workshop on lighting equipment, 6 M p m , Reynolds Club TheatreCHESS CLUS TOURNAMENT: bring your own clock. 7 00 p m , Ida NoyesLECTURE: K B Sayeed, "The Political Strategy of Z A Bhotto," 3 M p.m ,Cobb 106 CINE CLUB: Jon Jos* in person with his new film, "Speaking Directly," 7 00p m , Friday. Kuhn auditorium, "The Heart of Hunanity," and "The Man YouLove to Hate," and "The Tempest," 2 00 p m , Saturday, Fisk auditorium,EvanstonDANCELOOP TROOP DANCE 3 X p m , Sunday. 4730 N SheridanMOMING: "Dancework by Women." Saturday and Sunday, at 8 00 p m., 1034 WBarryDON RE DLICH: a lecture demonstration Friday and Saturday, 8 00 p m , 47M NSheridanARTPRIZE CATEGORY: showing of former 57th St Art Fair winners, at 2 IllinoisCenterMONET; continues at the Art instituteEXHIBIT: of paintings and drawings by Elizabeth Arbia, Sooal Service Administration buildingARC: a two women exhibit, sculptures by Kay Rosen and prints and constructionsby Diane Simpson, at the Arc Gallery. 226 E OntarioMUSICGREATER CHICAGO BLUEGRASS BANO and Mike Jordan Friday andSaturday, at the Kingston Mines, 2354 N LincolnAMAZINGRACE John Hartford and the New Grass Revival, 845 Chicago Ave ,Evanston through SundayCLASSICAL MUSIC Dor,an Wind Quintet. 8 Mp m . Mandel Hall. FridayDEPAUL: Anne Periiio, soprano and Leo Mochuda. violinist. 8 15 p m , Friday,25 E JacksonRUGGIERO RICCI: 2 00 pm , Sunday a* the auditoriumGOODMAN: "New Music from Chicago," 7 M pm., Monday, at Monroe andColumbus DrESTHER HILDING: 3 00 pm Sunday, at Pierce TowerJAZZ MEDIUM: Don Ellis, Quartet through Sunday, a*901 N Rush StAMAZINGRACE Al Stewart and Roger Moon, Friday. 845 Chicago AveEvanstonSKY KING: through Sunday at the Quiet Knight, 953 W BelmontINDIAN ROCK: The American Indian Rock Band. Monday, 7 OOp m , Church ofHoly Covenant, 925 W DiversyLETTERS TO THE EDITORcontinued from page 4denounced the lift as an actof “sabotage, trickery andhypocrisy designed todeceive the people.”Monetary aid we distributeis called “humanitarian”,and the Agency for In¬ternational Development(AID) which has opened up atoll-free telephone line to aidorphan-finding is the sameorganization which sup¬ported the Texas corporationin the building of SouthVietnam’s “tiger cages”, and which revokes the visasof Vietnamese students inthe U S.Despite this soul-searchingor saving, there is notenough that theory-mindedliberals, the news media andthe government can do todisguise the real conditionsof things. Monopolycapitalism has entered acrisis of major proportions,with all signs pointing to it —the major “recession”,constant war preparations(so necessary during periodsof slump), fighting among the capitalists (witness allthe scandals in the newsrecently), and finally, theemerging strength of thirdworld nations around theglobeThe Revolutionary StudentUnion will not participate inthe further maintenance ofthe capitalist system, andalong with the IranianStudent Org., the Union ofDemocratic Filippinos, theVietnam Veterans Againstthe War, the RevolutionaryUnion, the Jewish Americans in Support ofPalestine and otherorganizations calls on allpeople to speak out againstthis system at a demon¬stration on Sat. Apr. 19; noonat the Civic Center. Ourdemands — Superpowers —out of the Mideast! Victoryto the Palestinian People!Victory to the IndochinesePeople! No aid to Thieu andLon Nol! Implement thePeace Agreement!Mark HaagerKaren Fitzer THEATREGOODMAN "The Resistible Rise of Arturo Ui, Friday and Saturday 8 30 p m7 30 p m pn SundayTHREE WOMEN: A Dramatic anthology 8 X p m , Friday , 7 X and 10 00pmSaturday 7:X p m , Sunday. 1016 N DearbornPLAYWRIGHTS' CENTER "Dreams." 8 X Friday and Saturday, 110 WKin tieOLD TOWN PLAYERS "After the Rain," 8 X p m , Friday and Saturday. 7 XSunday: 1718 N North ParkX-BAG: "The Tenement." 8 00pm., Friday through Sunday. 500 E 67fh StPPCK "The Death and Life of Sneaky Fitch," Friday 1 X p m and 8 X p.m.Friday, 8 X p m , Saturday and 1 X p m Monday 68X S WentworthETCCONFERENCE "The Future of Palestine." 10 X am, Saturday, CircleCampus Circle Center building. Illinois Room, $2 X for lunchPROSPECTS FOR SOCIALISM Lmday Jenmss. "Can Socialism SolveAmerica's Economic Crisis?." Friday 8 X p m , R R Washington, "History ofthe Civil Rights Movement Lessons for Today." 4 OOpm, Saturday, "Prospectsfor Socialism in America" with Elizabeth Stood. 8 X p m . Saturday, DickRoberts "The World Economic Crisis inflation. Recession, Energy Crisis." ! Xp m and 4 X p m . Sunday, all a* 428 S WabashStudent answers O'Connell reportcontinued from page 4considerably more in¬terested in the quality ofstudent life than moststudents.Nevertheless, ad¬ministrations change withtime, as do the types of pressures to which they mustrespond. Without a clearinstitutional committmenttowards maintaining orimproving the socialclimate, there can be noassurance that currentUniversity priorities will not shift in the reasonably nearfuture.In fact, the one real cer¬tainty in the whole scheme ofuncertainty is that theCORSO budget will continueto dwindle as a source offunding for student ac-LOUIE S BARBER SHOPWill »tyle your hair at youwould like it done.1303 E. 53rd *PrFA 4 3878EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURTROSENBAUMOptometrist(53 Kimbark Plaza)1200 East 53rd StreetHYdePark 3-8372 tivities. Caught betweeninflation and decreasingallocations each of the lastfew years, even the mostestablished studentorganizations, such as WH¬PK, have been unable tocount on getting theiroperating expenses fromCORSO. New organizationshave even more difficulty.Facing the financialproblems it does face, itseems curious that theUniversity would ignore asignificant source of studentactivities funding whichwould not cut into the budgetof the rest of the University.That is precisely the type ofoutside revenue which wouldbe provided by the proposedstudent activities feeThe idea of an activitiesfee was considered old by theM a roon when it wassuggested in a 1970 editorial.Moreover, a number of othercolleges and universitieshave had a similararrangement for years. Itmight be observed that a fee of $10 per student at theUniversity (tiny in com¬parison to other schools)would double the CORSObudget for 1975-76. making itroughly equivalent to thepurchasing power of the1969-70 CORSO budgetEven with that budgetincrease, there is littledanger that CORSO wouldbegin an irresponsiblespending spree. Three ofCORSO’s eight members aresemi permanent appointeesof the Dean of Students, andthese three need convinceonly one student member tojoin their opinion in order toblock any studentorganization’s budgetrequest.Incidentally. I feel thatMr. O’Connell makes a poorchoice of words when hetalks about a CORSO“surplus.” A more ap¬propriate term might be“cushion”. The CORSOs ofthe past few years haveadopted the policy that asignificant amount of money should be retained as areserve against possibleoverdrafts by irresponsibleorganizations. By no meansshould the inference bedrawn that this sumrepresents money that wentunrequestedFinally, an activities feewould not have to be apermaner arrangement. Isuspect the f such a fundingsystem wert adopted on aprobationary basis for 1973-76, a year’s experiencewould settle the question ofits utility more than anytheoretical debate.Considering the long¬standing student interest inthe idea, its potential forimproving student life, andthe weight of precedentsestablished elsewhere. Ibelieve that it is in the in¬terest of the University toaccept the activities feeproposalAdditional responsibilityfor students in determiningtheir own welfare would beonly one more benefit.9AM-9PM 7 Days A WaakHYDE PARK PIPE AND TOBACCO SHOP1552 E. 53rd - under 1C tracksAil students get 10% offask for “Big Jim"PipTub.ee.. Import *dCifoi*ll*,r CigarsOAK FURNITURE-ANTIQUESRf FINISH!D + AS ISITOSI.SSthM74MO1-6:00 PMTUES.-SAT. DesksTablesChairsDressersBookcasesMuchMoree Also DoRefinlshingCEF Presents1 ACT TANnr IN PARK u if / MADI nN DDANimLHO1 InliUVjSATURDAY APRIL 19: Hi rHIIIO v6:30,8:45,11:00 H MAlxLUH DllnliUUCOBB HALL COME EARLY‘ Ap'jkl W- Th< 3Ted Haydon selected for track Hall of FameBy MIKE KLINGENSMITHChicago varsity track andUniversity of Chicago TrackClub (UCTC) coach EdwardM. “Ted” Haydon has beenselected for induction intothe National Track and FieldHall of Fame.The Hall, will inductthirteen new members thisJune 13-14 in a specialceremony in its hometown ofCharleston, West Virginia.Last year the Hall of Famehonored 26 persons in theirinitial induction.The thirteen men selectedon March 29th include tenathletes, two coaches andHaydon, termed a“contributor to track andfield.” The athletes includednotables such as Jim Thorpe,Bob Richards, HelenStephens, and RalphMetcalfe (Chicago congressman).Haydon is the third“contributor” to be named tothe Hall. He joins AveryBrundage, University ofChicago graduate whoheaded the United StatesOlympic Committee.Amateur Athletic Union(AAU), and InternationalOlympic Committee for 20years, and Daniel J. Ferriswho served thirty years asthe secretary-treasurer ofthe AAU.Haydon was cited for hiscreation of the UCTC,termed, “a significantdevelopment which holdsgreat potential for amateurtrack and field in the UnitedStates.”Although the overridinggoal of the UCTC is toprovide an opportunity forathletes of all abilities totrain and compete, Haydonhas had numerous worldclass athletes participate inthe club. Included among these athletes are Sullivanaward winner RickWolhuter, triple jumpOlympian John Craft,Olympic shot putter BrianOldfield, Olympicsteeplechasers DeaconJones and Phil Coleman, andworld’s record high humperPat Matzdorf.As a result, the UCTCsoundly defeated suchcompetition as Big Tenchampion Indiana thisseason and is very highlyregarded nationally. Evenso, Haydon divides his time“about equally between ourtop guys and the others.”The Wall Street Journalquotes Haydon as saying,“I’ve never thought thatsports should be only for thefew who happen to havegreat talent. I get as muchkick out of seeing a middle-aged fellow work himself upto the point where he doesn’tfinish last in one of our races as I do in seeing our relayteams set records in high-powered meets.”Wall Street Journalreporter Frederick C. Kleincontinues, “As thisindicates, the philosophy of62-year-oid Ted Haydon isexceptional in an Americansports scene that has come tobe dominated byprofessionalism and coacheswho prize victory aboveother things.”This statementsummarizes why Haydon, aman who has travelled asassistant coach with theUnited States Olympic trackteam to Mexico City in 1968and to Munich in 1972,exemplifies all that ispositive in athletics. TheMeritorious Achievementaward from the NationalTrack and Field Hall ofFame is a fitting tribute toan exceptional leader intruly amateur athletics.UC tracksters shine outsideBy PETER GALLANISWinter came as slowly toStagg field track as it did tothe rest of Hyde Park: as aresult, the varsity trackmenwere forced to spelunk in theField House a week longerthan they would havewishedNow that the sun has comenorth again, the Maroonthinclads have begun toadjust to the longer track,the sunshine, and the“fresh” air.Last weekend saw threetrack meets at Stagg: therewas a UCTC open meet onSaturday, a developmentmeet on Sunday, and a bigfrosh-soph and junior varsityrelay on Monday.The open meet on Satur¬day was highlighted by avery open mile run. In fact,there were actually two mile races being runsimultaneously; one wasRick Wohlhuter’s raceagainst himself, the other anadditional race betweeneleven other entrants.It's hard to imagine aperson running a low-key4:15.7 mile, but that is whatthe UCTC world recordholder did, smiling andwaving at friends as he leftthe field far behind. DanHildebrand, recovering froma strep infection, finishedsecond in 4:35.Elsewhere in the open.Blair Bertaccini ran anexcellent 15.11 in the threemile race after having run adecent mile earlier. Othervarsity runners who didespecially well were BruceDelahorne in the 440 (51.3secs.) and Mike Karluk in the javelin toss (163 ft ).Many upperclassmen onthe varsity participated inthe development meet onSundayalthough non-varsityathletes are also quitewelcome at these events.Charles Lutz finished first ina 1-1/ 2 mile race, whileBertaccini beat the field bynearly a full minute in thefive mile run.The J.V. relay on Mon¬day showed exactly whythis year’s freshmen runnersmay be the best class to havecome along in a while. TheUC two-mile relay team ofSavit, Reiser. Thvedt andHaynes destroyed arespectable field, breakingthe tape seven secondsahead of the second placeDuPage team. In addition.Thvedt’s 4:30 mile anchor inthe distance medley justmi>sed giving Chicago another first.Blue ribbons by Karluk inthe javelin and MikeO’Connor in the high hurdles,a second by Delhome in thehigh jump, a good distancedouble by Julian Browp. anda third place finish in themile relay provided enoughpoints for a strong fourthplace finish, in the nine teamfield.The next two weeks will bebusy ones for the Maroonhurdlers, hoppers, andheavers. This weekend, aselect group will travel to theOhio State relays atColumbus There will beanother development meeton Sunday at Stagg Field, aTuesday journey to WabuhCollege for the varsity, and atrip for a few runners to theprestigious Penn Relays aweek from today.Golfers top DePaul, LoyolaLed by their three seniorreturning lettermen, the University varsity golf teamhas broken fast from the gate this spring. BobWharen, Steve Daniloff, andWarren Neguma, playing theMaroon “tour” for the finaltime, have provided theleadership in the early going.The Maroon linksmendefeated DePaul Universityin their last outing by a 13-1/ 2 - 10-1/ 2 margin. Thevictory was considered areal upset since DePaul isfelt to have one of the finestteams in the area. Wharenled the team with anexcellent 82 round againstthe Blue Demons.The victory was the thirdof the season lur Chicagoagainst one loss and one tie.The Maroons clubbed LoyolaUniversity 18-1/ 2 - 5-1/ 2,overpowered RooseveltUniversity 10-2 and tiedNortheastern Illinois 6-6,while losing only to IllinoisTech by an 8-1/2 - 3-1/2margin.Coach Hass attributes theearly success to the depth shown by the squad. This isthe first season in which theMaroons have had fifth andsixth shooters who couldcard in the mid-80’s. As aresult, the team is contestingthose important spots and iscoming away with victories.For example, againstDePaul fourth golfer GaryMilnes shot an 86, fifth golferScott Zimba collected an 88and sixth golfer Aizik Wolfcarded an 86. All three aresophomores.The golf team is the onlycoed varsity team at theUniversity. Althoughofficially recognized as themen’s varsity golf team,senior Sandy Kostyk andsophomore Susan Missnerregularly compete with theteam. They are able to do sounder the provision thatwomen may participate inmen’s non-contact sportswhen an equivalent programis not offered for women.MISSNER: UC woman WHAREN: UC male golfgolfer in characteristic counterpart exhibits win-victory stance. ning form.14—The Chicago Maroon- Friday, April 18, 1975 |HAYDON:Varsity track coach is selected for Hall ofFame.UC varsity scoreboardLAST WEEK’S RESULTSMEN’S BASEBALL:Maroons 5 Niles 2Maroons 3 Niles 2Maroons 8 Lake Forest 7Concordia 8 Maroons 6WOMEN’S TENNIS:Maroons 8 Triton Junior College 0MEN’S GOLF:Maroons 18-1 / 2 Loyola 5-1/ 2Maroons 13-1/ 2 DePaul 10-1/ 2NEXT WEEK’S EVENTS:MEN’S BASEBALL:UC at George Williams, doubleheader. Sat. April19th 12:00UC vs Illinois Tech, Monday April 21st, StaggField 3:00UC vs Kennedy-King JC, Thursday April 24th,StagvField 3:00UC vs Lake Forest, doubleheader, SaturdayApril 26th, Stagg Field 12:00MEN’S TENNIS:UC at Elmhurst College, Tuesday April 22nd,3:00MEN’S GOLF:UC vs Chicago State, Roosevelt, Lewis, Wed¬nesday April 23 at Silver LakeWOMEN’S SOFTBALL:Triple doubleheaderSaturday, April 19th on North FieldID:00 UC vs Carthage College12:30 Carthage vs Illinois, Chicago Circle3:00 UC vs Illinois, Chicago CircleUC at Northwestern, Tuesday April 22nd, 4:30UC at Olivet-Nazarene, Thursday April 24th, 4:00MEN’S TRACK:Ohio State Relays, Friday-Saturday April 18th &19th, Columbus, OhioUC Development Meet, Sunday April 22nd,Crawfordsville, IndianaMAROON CLASSIFIED ADSSPACE3 br. excel cond , Avail June w/ Septoption Corner 71st 4 So. Shore Dr 2bl 1C; good furniture avail cheap ifdesired $220/mo 375 5186 after 6 pm1 bd apt carptd $170. May 1. 54th 4Harper 667 0580Garage Huge $180/ yr 5508 Cornell2 bedroom apt spacious Furn to sharewith M grad student 54th & HarperCall 955 4014Apt avail June 1 to take over lease 31/ 4 rooms best for couple Harperbehind Co op 241 6240Grads 5508 Cornell 300 June 4 SeptCarlos Wilson Semi furn. Apt avail June pst take over lease 31/ 2 rms best for couple, Harperbehind co op call after 5, 955 3189ENGLAND, London Modern 2bedrooms, study, living dining room,kitchen, 11/2 baths, gardenapartment, gas central hearing,available after June 30th forsabbatical responsible tenants Call(217) 36706762CHICAGO BEACH HOTELBEAUTIFUL FURNISHEDAPARTMENTS Near beach, parks,loop, UC and 1C trains, 11 mins to loopbusses, door Modest daily , weekly,monthly rates 24 hr desk, completehotel services 5100 S Cornell DO 3 2400Miss SmithSPACE WANTEDBeautiful Ig r rm co op apt South Shorenr bus, 1C & Shops SOB 5951 Doctor, wife 8, child seek July 1 rentalof 2 bdrm house, coachouse or duplexfor at least 1 yr 684 5121 around 5 00Apt for rent 2 of 3 bdrms open May 1furnished Apt »2 1219 E 52nd St CTA,shopping David 752 6889 $67/moONE OF A KIND 3 FLT w/ elevatorSpectacular 9 rm apt 3 baths, lovelyliv 4 din rms, with solarium, gorgeousw/ b fplc, 4 bdrms , cptd htd. lakeview E South Shore Near lake, UCbus, 1C $385 Adults preferred 22' 6607or 474 5283Cape Cod Beach House for rentoverlooks bay and beach, 1 hr fromBoston June, July, August Sept WriteJ. Carafoli, 612 N Michigan Av 60611. SCENESYou can enjoy NATURAL FOODSSPECIALITIES on Mon, Wed, Thurs,and Fri at 6 PM at the Blue GargoyleComplete dinner with tea $2 00 Comeand Eat With UsHobby or habit of travel Register nowfur future travel We have low fares,fly now pay later plan availablePlease call AN3 1972CHESS 30' 30 Tournament (30 moves30 minutes) April 21 and 28 4 rdsBring clocks 7 PM Ida Noyes FREESummer sublet with fall option, 74 A, S.Shore Dr Spacious 2 bdrm, 2bth apt inelegant old style bldg Sun Deck A,Frplc, CTA, 1C 4 Univ Shuttle Only$284/ mo 768 5155, after 64 rm apt 53rd Harper, avail May 1 Call747 9640 or 734 6232VERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDINGATTRACTIVE 1V, AND2% ROOM STUDIOSFURNISHEDor UNFURNISHED$129.o $209Based on AvailabilityAll Utilities IncludedAt Campus Bus StopFA 4-0200 Mrs. Groak Jews The World Over Series, Hillel5717 Wood I awn, Fri., 18th, 8 30 PMProf David Schneider, speaking onTHE AMERICAN JEWISH FAMILY(Please note change of date from April25)STAMP COLLECTORS Tired ofpaying dealers with high prices? Ihave lots of stamps from all over theworld and want to trade Call Howard955 7942j PIZZA |j PLATTER1460 E. 53rdMl 3-2800! FAST DELIVERY |AND PICKUPI 1Individual AttentionTo Most Small Cars312-mi 3-3113foreign car hospital*^^■^5424 south kimbark avenue • & clinic, inc.Chicago 60615e ele ele ^> COLD CITY INN *lgiven ****t by the MaroonIF New Hours: Open Daily£ From 11:30 a.m.£ to 9:00 p.m.£IF A Gold Mine Of Good Food"IFg. Student Discount:J* 10% for table serviceIF 5% for take homejLIF Hyde Park's Best Cantonese Food* 5228 Harper 493-2559| (near Harper Court)* Eat more for less.*(Try our convenient take-out orders.)£************************* Learn to program in FORTRAN, 10session class, begins April 22, $25Computer time provided Cali 753 8409for registration informationFolkdanclng becomes the TruePurpose of Life in Ida Noyes, 8 PM SunGeneral level and Mon beginninglevel, with teaching, donations 50< Frigeneral level, no teaching, free ComeJoin our frolic; Celebrate spring!DINNER FOR 2 for Under $10 M THDinner Specials The COURT HOUSEin Harper CourtPEOPLE WANTEDMAIL AND STOCKROOM CLERKStudent part time Wrap and affixpostage to book orders, occasionalunloading ot cartons of books fromprinter Delivery of mailbags to PostOffice )2 hrs per week Continuethrough summer and next yearCommunity and Family Study Center,1411 East 60th St Mrs Pyle 753 25)8Subjects wanted for psycho lingexperiment, $2 00 for t hour CallBarbara (549 4672) or Rob (324 6718)after SaturdayWANTED BABYSITTER for our 18mo old son in your home Mon Thru FriAM starting early May for indefperiod Must be near UC campusPrefer sitter with other children aboutsame age Call 753 3778 evesPortraits 4 for $4 and up MaynardStudios, 1459 E 53 2nd FI 643 4083ACTIVISTS Need a challengingsummer job? Work with anorganization for consumer protection,fighting redlining, dignity for seniorcitizens and reform of our judicialsystem Part and full time jobs,advancement possible Call for aninterview CITIZENS ACTIONPROGRAM, 2200 N Lincoln Ave 9292922PEOPLE FOR SALETutoring ot French and Spanish byexperienced teacher Call 624 7416Tutoring in Russian, English,German Also experienced in editing,translating, typing Phone 324 6637For exp cello teacher call 324 2144EXPERIENCED MOVERS will moveyou in one trip in van or enclosedtruck. Guaranteed service and carefulhandling At very low cost, 234 6225 or288 1364Exp'd prof drummer seeks any localgigs, paid rehearsal, or seriousmusicians Reads rock, jazz, funk &etc Have equip 8. wheels SteveGlusman 288 0421 Early AM or latePMTELEVISION BUSTED? RonaldBlack can make it right again,CHEAPLY, QUICKLY, andGUARANTEED!! Color or BLW Callanytime 667 5257For exp piano teacher exp 947 9746CREATIVE WRITING Workshop bywriter columnist; help on theses, etc.MU 4 3124MILES ARCHER MOVERSReasonable prices ExperiencedPersonnel Call 947 0698 or 752 4910 forinformationFOR SALEVolkswagon Bug 1966 $490 or offerCall Dan at 643 0662 or 484 7400MUST SELL 8PC Set China. Head GSSkis Mahgny Dressers 241 5582 KeepTrying Scandanavian Teak Dining Table &six upholstered chairs Excellentcond $325 or best offer 643 1965 after6Historic, gracious apartment, south of55th 2 fireplaces 7 rooms, 2 bathsElectronically controlled brickgarage Light, bright. By appointmentonly Low assessment Call MrsVikstrom 667 6666 Kennedy, Ryan,Momgat & AssociatesApartment South of 55th cheeryfireplace in oversize living diningroom Newly sanded floor 2 bdrms,plus study. South of S5th on UniversityMonthly partly tax deductible Only$154 35 Asking $16,900 Call MrsVikstrom 667 6666 Kennedy, Ryan,Monigai 8, AssocLakefront bay apartment withsolarium, huge natural fireplace. 40book space Double sturdy Largelovely bedrooms Great kitchenGorgeous view Spacious rooms. 55th4 lake Call Mrs. Vikstrom 667 6666Kennedy, Ryan, Monigai & AssociatesBrick home near 69th 8, Constance. 11roomy rooms. Imported marblefireplace Beautiful floors 2 studiesLibrary Huge pine pannelied recroom Must see Call CharlotteVikstrom 667 6666 Kennedy, Ryan,Monigai & Associates2700 sq ft apt over looking drive, lake &city on 50th & Lake Spacious rooms,gracious fireplace in parquet livingroom Walnut library with hidden parHuge master BR, dream kitchenIndoor pool, penthouse ballroom Canyou believe $145,000? Call CharlotteVikstrom 667 6666 Kennedy, Ryan,Monigai & AssociatesComplete dark rm equip., hi fi equip,incl. speakers, men's 4 women'sbowling palls, ping pong taOle. GE 18qt elec roasting oven, snow tires sizeE 78 14 & H 78 15, regular tires size H78 15, Atlas Heavy duty Oattery, smallrefrigerator, Oeds, 26"x72" wroughtiron/ glass dn rm set, dressers, nitestands Phone 324 0303Impala 67 2 dr ht ac 325 Wilson 5508Cornell 955 4745STUDENT STEREOKnowledgeable advice about hifiequipment, plus discounts ot at leas*20<k> on Advent, AR, Citation, dbx.Dual, Dynaco, Marantz, Philips.Pioneer, Sherwood, Sony.Soundcrattsmen, Teach, Technics,Thorens, and many more $650 pa<r(delivered). Call 241 5752PETSBlack Labrdor. 1 year old male, lovesswim, run, and children $75 Call 7525659 after noonGerman Shepherd, 2 yr old female,ARC papers Direct descendant of RinTin Tin and Bullet (no kidding) Asking$125 Call Liz 241 6521HOUSESITTERS2 students looking for housesitting jobfor summer 75 Will care for pets,plants, lawn Will pay utils Call 7S32249 Mary 1427. JoAnn 1405WALPURGISNACHTFeast, drink dance and celebrate therites of spring Midnite Wed April 30,Hutch Chourt The bells will toll tomark the hour be ye preparedBACCHANALIAN ORGANIZINGDIVISIONuIIrkts Periodicals Od.5309 South KimbarV Chicago, Illinois 60615%(100 Ft. South of 53rd Street on Kimbark!, Near Kimbark Shopping Center955 0470i\l000 INTERNATIONAL PERIODICALSAND PAPERBACKSFOREIGN LANGUAGE FASHIONPOLITICAL LITERARYEUROPEAN SPECIAL INTERESTBLACK PRESS INTERIOR DESIGNtO- OFF WITH T hi 1 S AD*JTV r Little vW*M.’ 'V JEWISH WOMEN'SGROUPLOSTBlack and white alaskan maiamuteanswers to name Meeiu call 667 4309PALESTINEThe Future of Palestine, withprofessors R Davis, I AbuLughod,Faziur, Rahman, Ah Mazrui and HAhmad Sat April 19, 10AM 5 PMIllinois Rm (3) Chicago CircleCampus Lunch Served ($2 00)PSI U PARTYCome on out to the Big Spring FlingFeaturing a LIVE BAND at Psi USaturday April 19th 9 00 ? 5639 SUniversity Ave UCID ReqGAY LIBERATIONOFFICE is open Sun Thurs 8 10 PM.Ida Noyes, 301 Come or catl 753 3274COFFEEHOUSE on Fn , Apr, 18th, 812 PM at Blue Gargoyle, 5655 SUniversity Food, dancing, musicCONSCIOUSNESS RAISING GROUPESPECIALLY FOR NEW PEOPLEmeets Wednesdays 7 30 9 30. IdaNoyes Sun ParlorBELLY DANCELESSONSjamilia. 955 5019BOOKS BOUGHT Meets every Sunday at 7 30 PM atHillel House, 5715 S Woodlawn Formore into call Janet at 752 5655SCIENCE FICTIONWANTEDWanted Science Fiction books andmagazines Especially want F4SFback issues, and pre 1950 AstoundingsCall 241 5438PAN PIZZADELIVERYThe Medici Delivers from S 10 p.mweekdays. 5 11 pm Saturday, 6677394 Save 60 cents if you pick It upyourselfFLYING/ ETC.Instruction (Beginning Advanced) byfaa certified instructor Rides CallTim. 947 0304 eveningsORGYMidnite April 30 in Hutch Court tocelebrate Walpurgisnacht The end otwinter and the comtng of spring teas*Drink, dance, sacrifice andmnvocation Fertility rites and othercreative activities encouragedBACCHANALIAN ORGANIZINGDIVISIONCash for used books Powetls 1503 E57th St 955 7780STEP TUTORINGInterested in helping neighborhoodchildren? Student Tutoringelementary Project needs volunteersto tutor students bi weekly m schoolwork or with special projects Formore information call Jay Sugarmanat 947 8804 or Mary Lou Gebka 6438266JOURNALISTSWriters interested in working for TheChicago Maroon contact me NewsEditor, 753 3265LOX & BAGELSBrunch mis week. Sun at Hillel, 11 AM$1 50 5715 WoodlawnYOGAA perfect balance to me life of themmd & ceteOrahon of spring practiceYoga Mon 7 X to 9 X 4 Wed 5 00 to7 00 sprmg quarter at the Gargoyle5655 University Led by DobbiKerman, 8 sessions $25 947 8621CREATIVESERVICESEvery Friday Night at Hillel, 5715 SWoodlawn, at 7.30 p.m For more infrcall Janet at 652 5655WOMEN'S MAGAZINEPrimavera, the women s literarymagazine, is on sale at the Ida Noyesinfo desk and the Reynold's Club Sendmanuscripts for our next issue toPrimavera. c/ o UFO, Ida Noyes Hall CLASSIFIEDSMaroon classifieds are charged by theline, 35 spaces per line. 50 cents perline for UC people, 40 cents per line torrepeat. 75 cents per line for non UCpeople. 60 cents to repeat Ads must besubmitted in person or mailed to theMaroon, 1212 E 59th St , Chicago60637 No ads will be taken over thephone The ads must oe paid inadvance Deadline tor Tuesday spaper is Friday at 3 30 deadline forFriday's paper >S Wednesday at 3 30For further information call 753 3265PERSONALSThanks to Naomi Shoop forcontribution to Mystery LibraryPRl-IGNANCY TESTING10 AM 2 PM Saturday $1 50 donationAugustana Church at 5Sfh 4WoodtawnBy The South SideWomen's Health ServicesSouth Side Rape Crisis Line, 667 4014A referral and moral supportcommunity service We can help1WRITERS WORKSHOP (PL 2 8377)Writing HELP by professionals forthesis, report, speech, etc MU 4 3124Friday, April 18, 1975 - The Chicago Maroon—15DOMESTIC WINESSEBASTIANI BURGUNDY ONE OF THE BETTER CALIFORNIA RED WINES $ | 99 ^BOORDY PINOT CHARDONNAY FROM THE NEW WASHINGTON STATE VINEYARDS* 2^ FIFTHSEBASTIANI MOUNTAIN RED $ 149 fifthSEBASTIANI CHIANTI LIGHT DRY RED $J99IMPORTED WINESCHATEAU CANTAOUSSELS 1972 *1" F1FT„TAVEL DRY ROSE OF FINE QUALITY...REGULAR VALUE $4.98 t FIFTHDOMAINES DES PLANTES chateau bottled DRY white BORDEAUX *1^* fifthLI EBFRAU MILCH 1970 GERMAN LIGHT WINE ^1^ fifthCHEESE SALEVERY SHARP CHEDDAR SPREAD *1" „.laPORT WIRE CHEDDAR *125 p..l..DANISH TYRO S139NORWEGIAN TILSITDANISH MUNSTER $149p..ulNORWEGIAN NOKKELOST !159 ««l».FRENCH BEAUJOLAIS 0 ^ Af|PORTUGUESE ROSE A | HHGERMAN LIEBFRAUMILCH ^ N W3JC49 N eachfor or ■ FIFTHDaily 10ajn.-9 pjn.Sunday Noon-4 p.m. Complete PartyService FromHOURS 2427 East 72nd StreetBA 1-9211 Appetizers to Zinfandel351 East 143 rd Street568-1S11 HOURSDally 10ajn.-9p.m.Sunday Noon-6 p.m.16—The Chicago Maroon - Friday, April 18, 1975i