The Chicago MaroonVolume 84, Number 38 The University of Chicogo Fridoy, Februory 21, 1975NBC brings Special to L/CWolfman Jack at Bartlett GymBy KURT HANSONIn an unprecedented coup,the University's studentactivities office hasarranged for NBC to tapetwo segments of theirpopular “Midnight Special”rock music program inBartlett Gym on March 11and 12.The Ohio Players, HumblePie. Koxy Music. GrahamCentral Station, Styx, andLinda Ronstadt are tentatively scheduled to perform. Admission will be bvticket only, but those ticketswill be distributed free toUniversity students, faculty,and staff starting March 3 ona first come, first-servedbasisIt will be “MidnightSpecial's” first college oruniversity location tapingPreviously, all shows weretaped at the NBC studios inBurbank or in professionalhalls like the I^as VegasHilton, according to studentactivities office director Skipl.andt.“A sweetener to the wholething.” said I^andt. the manthe “Midnight Special”producers contacted first.is that the NBC people haveagreed to do some refurbishing of the women’slinker room area in Bartlett,in lieu of rental We men¬tioned this need to them, andthey said they’d give us newlockers, retile the area, and possibly install some hairdryers.”Marie Hauville, I-andt’sassistant, summed up thedeal by exclaiming, “sowe’re getting nationaIpublicity for the University,a refurbished locker room,and." she underlined, “twofabulous concerts we neverin a hundred years couldhave arranged on our own!”The Cream concert in thelate sixties was the lastcomparable on campusconcert that l^andt couldremember Previous to thatconcert, the Byrds, Sha NaNa. and Judy Collins hadalso appeared in individualconcerts here Don McLeanInformed in Mandel Halllast year to a less-thanoverflow crowdI^andt said that he did notknow why “MidnightSpecial’s” producers chosethis campus for the concert,but he did say. “Whatevertheir reasoning, we re goingto try to prove to them thatthey picked the right place.”According to Landt, thefirst he heard about thepossibility of the concertswas on Monday, when one ofthe producers called thestudent activities office “totalk about booking a hall ”The two producers arrivedin Chicago at 1 amyesterday, saw Bartlett forthe first time about 9 thatmorning, and were engagedin a meeting with plant department, electrical shop,and security departmentrepresentatives plustechnical, lighting, and artdirectors before noon. Thatmeeting was held in theReynolds Club south loungeMandel Hall was rejectedas the location for the con¬certs because it lacked thecapability of providing forone act’s set-up whileanother performed Therew ill be two stages in Bartlett,one at each end of the gymMandel Hall wfas rejectedas the location for the con¬certs because it lacked thecapability of providing forone act’s set up whileanother performed Therew ill be two stages in Bartlett,one at each end of the gym,to facilitate this, LandtexplainedThe concerts are Tuesdayand Wednesday nights oftenth week, and the tapingsare scheduled from 8:30 to11:30p m. Which performerswill appear which nights hasnot yet been determined.I<andt said, although thetentative plans are for theOhio Flayers to be the hostgroup on Tuesday night andfor Linda Ronstadt. if she issigned, to hold that roleWednesday night. WolfmanJack will be the announcerfor both programs.I^andt stressed the ten¬tativeness of the bookings byexplaining that theproducers were talking about Arlo Guthrie early inthe week, and by yesterdayhad stopped talking abouthim and were talking abouttrying to s gn Ronstadt.The sai .e lighting andsound men, coincidentally,will be on campus March 8.when the local NBC outlet.WMAQ TV, originates itslive public affairs program,“Chicago Town Meeting,”from the Cloister Club in IdaNoyes. According to WMAQspokesman Dave Hart,admission to that broadcastwill not be offered to thegeneral public. It will dealwith problems caused by theeconomy and inflation, hesaidLandt’s office will bespending the next day or twoworking out details of thedistribution system for the“Midnight Special” tickets.The physical planning office and the fire code willdetermine exactly how manypeople will be able to attendeach concert, he said,although he guessed it wouldbe in the 1000-1200 range“I couldn’t believe thatwhen the producers cameout and looked at BartlettGym that they would ac¬tually go along,” I^ndt saidwhen the negotiations werenearly complete. “But Iguess they did!”Student Government approves GALLO: The campus Farmworker Support Committee protests against crepresentative from Gallo wine company recruiting at the business school. Thtdemonstration took place Wednesday, February 19, at Haskell Hall from 1215 tc12:45.5th Ward candidates expectcampaign organization deficits$6462 budget and allocates fundsBy PETER COHNThe student government(SG) assembly approved a$6462 budget allocation tovarious studentorganizations Monday night,February 17.Included in the amendedCommittee on RecognizedStudent Organizations(CORSO) recommendedbudget were $6000 for theFestival of the Arts (FOTA),$250 for the debating society,$176 for the UniversityFeminists Organization< UFO), and $36 for the stampand coin dubThe debating societyappropriation generated themost controversy. CORSOrecommended an allocationof $100, although the societyhad originally requested$686.18 on Monday, arepresentative of thedebaters offered anamendment calling for a $400appropriation, intended primarily for the funding ofan intramural debatetournament in the spring.Members of CORSOargued against theamendment as"representing an expansionin a time of generalbudgetary cutback,” thuspenalizing other studentorganizations. The societyspokesman responded byasserting that the $400 isnecessary for the continuation of debatingsociety activities on campusThe assembly approved acompromise $250 budget. 227. The amended CORSOrecommendation as a wholepassed with a nearunanimous vote.Considerable debate alsocentered around a $1000request from the speakersbureau. After arguingcontinued on page 2 Many thousands of dollarswill have been spent by thefour candidates for fifthward alderman by electiontime (Tuesday, Feb. 25), andseveral of the campaignorganizations expect to haveexpenses in excess ofcontributions.According to Al Rabycampaign headquarters,from nineteen to twenty-twothousand dollars arebudgeted for this campaign,and contributions areexpected “to fall a fewthousand dollars short.”In the legally required report of campaigncontributions and expensesfiled for the period Dec. 23-Jan 21, Raby had received$6,271 Since that time asubstantial amount of moneyhas been raised by threeRaby benefits.The largest reportedindividual contributionswere $1,000 from StateRepresentative BernardEpton, and $250 fromChicago C A P Council ofthe United Auto W'orkers<UAW).Sidney Williams’sheadquarters estimates thatabout $6500 will be spentduring the campaignContributions have totaledalmost $3000. with thedifference being made upfrom the candidatespersonal savings.The largest congribution toWilliams is a $700 gift from anamesake uncle. TheWilliams campaign has hadto rely heavily on volunteerworkers. A spokesman forWilliams said that theaverage contribution is about $10.The Fifth Ward Voters forLathrop reports that theyexpect to spend in theneighborhood of $20,000. butthey were not able to providean estimate of the totalamount of contributionsreceived so farIn the thirty-day statementcovering Dec 23-Jan. 21, theLathrop campaign reportsreceiving $1,789 incontributions For the sameperiod there were expensestotalling $1,199. coveringsuch things as phone billsand printing costsThe Lathrop organizationreports that there have been278 separate contributionssince January 1. all but oneof them under $100. Theexception was $200 It wasestimated that the averagesize was approximately $25All efforts to getinformation from thecampaign headquarters ofSquire Lance, the fourthcandidate for alderman inthe fifth ward, wereunsuccessful.Inside this issue:Editorial p3Campus composers GCJ piWomen's basketball pl4TRegenstein hires laid off studentsBy MIKE RUDYFour of the five studentswho lost their jobs whenStuart Brent becamemanager of the generalbooks section of thebookstore have been givenjobs at Regenstein library,according to PatriciaWile oxen, personnelassistant at the library.“These students werereferred to us by theUniversity personnel office.They asked us to considerthem," said Wilcoxen. “Theones who came in were givenjobs."“These students had been displaced from their jobsand we considered themUniversity employees, so weput them ahead of ap¬plications from people notpresently employed by theUniversity.” said WilcoxenWhen jobs becomeavailable the normal hiringpolicy in the library system,according to Wilcoxen. isfirst to offer additional hoursto all employees and then“go to applications on file byseniority.”Wilcoxen denied thatanything unusual occurredin this case, saying. “We'venever been asked before toconsider (hiring) displacedstudents.” Wilcoxen said that in thefuture she would “be in¬clined to consider (hiring)”students displaced fromcampus jobs.Karen McKann of the staffworkers organizing com¬mittee. said that thesestudents who lost their jobsat the bookstore were placedinto library jobs because ofthe “subtle pressure”brought to bear on thebookstore by herorganization.“We have to take credit forit.” she said, “becausewithout the pressure, theissue would have died away.Under ordinary cir¬cumstances these peopleObjections to several budgetallocations create controversycontinued from page 1several substantiveobjections and experiencingdiverse parliamentarymaneuvers, the assemblyapproved $500 for poets AllenGinsberg and WilliamBurroughs and $300 for JuanCarlos Coral, generalsecretary of the ArgentineSocialist Workers Party.Objections arose to thescheduling of both lectureson March 9th, the Sundaybefore tenth week. Theassembly also approved a$200 honorarium for WilliamNeerapol, son of Julius andEthel Rosenberg. Neerapolwill appear in the spring quarter.In further action, theassembly elected JohnGrossman chairman of thehousing committee by aunanimous voice vote.Grossman then informed theassembly of a plannedhousing service telephoneline, the first step in a majorexpansion of the service. Thedelegates also voted JohnNoer new Election and Rulescommittee chairman. In afinal budgetary action, theassembly approved a $225loan to UFO for a dance to beheld tomorrow night at theBlue Gargoyle.At the end of the meeting. delegate Scott Brenemantook the floor to censure SGfor having supported arecent campus appearanceof representatives of theMenominee Warrior Societyand supportingorganizations. Brenemancalled the forum a “fiasco”in which ‘‘the firstamendment rights ofstudents were violated.” Heasserted that speakerssilenced student questioningori the grounds that theforum was a “solidaritymeeting.”SG president Stuart Sweetset the next meeting forMarch 3.MUSIC ZONEis having a red hot sale so stop on by andbeat the high cost of listening.Minnie RipertonRamsey LouisIntrudersElton JohnElton John Perfect Angel *374Son Goddess *3”Energy of love *374Empty Sky *4*®Greatett Hitt *44®Over 500 45’s on Sale for only 69*Head Supplies Discounted 25%- Selected Items OnlyOther Selected Albums On SaleList Sale$5.98 $3.74$6.98 $4.48$7.98 $5.79$8.98 $5.79$9.98 $6.79$10.98 $7.79$11.98 $8.79Sale Starts Friday 2/21/751216 E. S3ti Street-In Kimbark Mara363-014410% Discount With This Ad.No Discount On Sale Items Hours M-F 12-9Sat. 10-9Sun. 12-6 would have been told to goout and fend for themselves”McKann said that “whenthe bookstore becameconscious of the bad pressthey were getting,” effortswere made to find newpositions for the firedstudents.Laurence Arthur, generalmanager of the bookstore,denied that pressure fromthe organizing committee influenced his actions,“There is pressure to getjobs for anyone who isdisplaced,” he said. Arthursaid he asked the personneloffice to do all it could to findjobs for the displacedstudents.“I would do the same thingat any time for any displacedemployee,” Arthur said. “Ithad nothing to do with thisorganization or any stories in the Maroon ”Wilcoxen also denied thatany pressure was applied toher office.McKann said that the staffworkers committee “gotquite a few members fromthe bookstore” as a result ofthe firing of the fivestudents. She said thatpeople who still work there“realized that the samething could happen to them.”Bell and Kleinbard both namedvice-presidents for the UniversityJohn Wilson, provost andacting president, announcedthe appointments of HaroldBell and Jonathan Kleinbardas vice-presidents of theUniversity.Bell, University Comp¬troller, was named a vice-president with the title ofvice-president-comptroller.Kleinbard was named vice-president for communityaffairs.since 1971, and Wilson saidhe will continue to perform anumber of the duties he hashad in that position.He will also be responsiblefor the University’s securityforce and for Universityrelationships with in¬stitutions and organizationsin the Hyde Park-Kenwoodarea, including the many educational and professionalinstitutions nearby.Bell, as a vice-presidentwill now be responsibledirectly to the president andmay report directly to theboard of trustees.Wilson said the change willgive the comptroller greaterflexibility in meeting hisIt was incorrectly reportedin last Tuesday’s Maroonthat fifth ward aldermaniccandidate A1 Raby wasformerly the director of theIllinois Housing Develop¬ment Authority.Raby actually served as a responsibilities and will givethe president moreflexibility in working withthe comptroller in thepreparation of the Univer¬sity’s budget and in over¬seeing its day to dayfinancial operations. Bellhas been comptroller of theUniversity since April l,1%7.liason for the state for fourdifferent state agencies,involving the departmentsfor the elderly, child andfamily services, housing,and prisons.The Maroon regrets theerror.CorrectionSTUDENT HOUSING OFFICE PRESENTSCUIC4GCsyMPucNyCRCEESTRAENSEMBLES2—The Chicago Maroon—Friday, February 21, 1975EDITORIALTuesday is primary election day in Chicago. Thereare two important races that affect campus voters;the race for mayor and the contest for fifth wardalderman. We support William Singer for mayor andSindey Ervin Williams for local alderman because webelieve these candidates are in touch with theproblems our polities face.SingerBill Singer is an excellent mayoral candidate and wefeel he can handle the responsibilities of municipalgovernment. Singer has run a long and hard campaignfor mayor. Singer is a viable alternative to RichardDaley. At the same time, he is clearly preferable toEdward Hanrahan, Richard Newhouse, and WillieMae Reid.Chicago faces two enormously complex problems-the education of its young and crime. Singer has in¬vestigated both problems and issued detailed positionpapers discussing them. During his campaign Singervisited practically every elementary and high schoolin the city.Mayor Daley, on the other hand, refused toacknowledge publicly these concerns as electoralissues. ( He also refuses to debate his opponents.) Heattacks Singer for injecting these issues in the cam¬paign. We think Singer is absolutely justified in ar¬ticulating these matters in a race for mayor. Whatcould be of more concern to local voters than theissues of education and safety?Being realistic, we recognize Singer's chances ofbeating Daley are slim, but Daley should not remainmayor. Proof of the corruption and waste in his ad¬ministration has been provided by the convictions ofmany machine office-holders and city police “on thetake.” The mayor has abdicated his responsibility toOAK FURNITURE-ANTIQUESREF INISHED + AS IS1703 I. 55th667-43801-6:00 PMTUES.- DesksTablesChairsDressersBookcasesMuchMorealso we DoRefinlshing enforce proper standards of conduct among cityworkers. He still has not explained to the voters whylocal government insurance policies were switched toan Evanston firm that employed his son. It is time forthe voter to say no to the politics of favoritism,corruption, waste, and patronage.Singer has addressed the problems of the city whileDaley evades them and blames everyone from thefederal government to Dr. Benjamin Spock for localills. Chicago may lose its portion of revenue sharingfunds because Daley pussy foots around with chargesof racial discrimination in police department hiringand promotion.We salute Bill Singer for having the guts to runagainst “Boss” Daley. Though his chances of winningthe Democratic primary next week are only fair, wehope that local voters sincerely interested in thefuture of Chicago and good government will vote forSinger.WilliamsThe fifth ward, which includes the University ofChicago, has traditionally enjoyed the benefit ofenlightened, innovative, and independent represen¬tation in the city council. For the past twenty years,alderman Leon Despres has brilliantly andcourageously battled the corrupt Daley machine onthe council floor, while dilligently pursuing remediesto the problems of his ward constituents. On Tuesday,local voters will select a successor to Despres, whohas chosen to retire from the council at the end of hiscurrent term in April.Our next alderman will accept a heavy burden. Inaddition to the responsibility of maintaining the highlevel of representation and service established by hispredecessors, he will have to address himself to themassive problems of crime, education, housing, theexodus of business, and race relations. Theseproblems plague each section of the ward, and ourYoung Designs byELIZABETH GORDONHair Designers1 620 E. 53rd St288-2900 PIZZAPLATTER1460 E. 53rdMl 3-2800FAST DELIVERYAND PICKUP9 AM-9 PM 7 Days A WeekHYDE PARK PIPE AND TOBACCO SHOP.1552 E. 53rd - under 1C tracksAll students get 10% ott/ask for “Big Jim''Pip«»Pipe Tobaccos Imported CigarettesCigarsFIRESIDE FORTUNACONTEMPORARY JAZZ SEXTETNext ThursdayJanuary 27BLACKSTONE HALL-5748 S. BLACKSTONE8:00 P.M. FREE alderman must be prepared to work with his constituents in every neighborhood.We feel that candidate Sidney Ervin Williams is bestsuited to meet the challenge. Williams, 26. is a virtuallife-long resident of Hyde Park, but has alsodemonstrated a deep sensitivity to the problems ofWoodlawn and South Shore. Harvard trained urbananthropologist, he has underscored the rejuvenationof merchant and block associations, the establish¬ment of an elected ward assembly, and the im¬provement of youth services in the ward as histop priorities.Williams entered the race as a political unknown,and few counted him as a serious contender for thealdermanic seat. However, he has repeatedly impressed voters with his warm and articulatediscussion of the ward, its problems, and his proposalsfor the future, and has won endorsements from manywell respected community leaders.Critics charge that Williams is too young andpolitically inexperienced to function as alderman Butwe feel that his relative youth is tempered by his in¬telligence, compassion, and vitality.We believe that Sidney Ervin Williams would, asalderman, continue to provide a strong voice forhonest government in the city council, and a sym¬pathetic ear to all his constituents in the fifth ward.Albert Raby, 41. is also a candidate for aldermanRabv, a noted civil rights leader of the 1960’s, and anindependent delegate to the Illinois ConstitutionalConvention of 1970. has indisputable credentials as asocial activits. We laud him for this record However,we feel an alderman must do moreAn alderman must be prepared to perform thearduous tasks of dealing with the day to daygrievances of his constituents. We do not believe thatRaby was demonstrated the administrative, ability,or the proper temperment necessary to discharge thisimportant aldermanic functionWe also question Raby’s denials of allegiance toGovernor Dan Walker, when many of his most activesupporters, and several of his campaign contributorsare associated with Walker’s administration Rabyhimself was a member of that administration asrecently as January 14. In the face of these facts, it isan insult to the intelligence of the voters to ask them toignore the Raby-Walker relationship.Raby would provide a strident voice for reform inthe city council. But the fifth ward tradition goesfarther than that On balance, we do not believe thatRaby is best qualified for aldermanRoss Lathrop. 41, is the director of the managementinstitutes program at the industrial -nations centerhere. He is a capable administrator, and an articulateman. However, he has displayed no real un¬derstanding of the Woodlawn and South Shore com¬munities, and. therefore, is not well suited torepresent the entire ward as aldermanSquire Lance. 41, has. during the course of thecampaign, refused to condemn the mammothpatronage army of Richard Daley. He has also provenhimself insensitive to the strong Hyde Park traditionof inter racial co-existence.We believe that Sidney Ervin Williams offers thebest combination of qualifications for the job. andstrongly urge the voters of the fifth ward to elect himon February 25.CARPET CITY j6740 STONY ISLAND ]324-7998Has what you need from a 1$10 used 9 x 12 Rug to a<custom car pat. 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TO 8:30 P M.SUNDAYS AND HOLIDAYS12 TO 8:30 P.M.Orders to take out1318 last 63rd MU 4-1062Friday, February 21, 1975—The Chicago Maroon—3Franklin lectures on US morals calendarBy CHIP FORRESTERJohn Hope Franklin, theJohn Matthews ManlyDistinguished Professor ofHistory, lectured atWoodward Court lastTuesday on the apparentdiscrepencies between therhetoric of the constitutionand the moral conduct of ourfounding fathers, vis-a-visslavery in America.Franklin related the ironicsituation that existed prior tothe revolutionary war whenthe colonists complained ofthe “intolerable Britishmeasures in the colonies butyet he said were thesemeasures more intolerablethan the sanctions againsttheir own slaves'’" Also heelucidated two majorproblems facing thecolonists with respect toslavery when the war brokeout. 1) should they stillimport slaves and 2) should they use black soldiers in thewar? The dilemma wassolved when the Britishbegan actively recruitingblacks promising freedomafter victory and"begrudgingly there was areversal of policy and blackswere permitted to join theContinental Army.The main thrust ofFranklin’s talk however,centered around the blatanthypocrisy of the foundingfathers who extolled thevirtues of the Constitutionand freedom yet denied theirslaves that fundamentalright to liberty.Patrick Henry, statedFranklin, "admitted slaveryas repugnant to humanitybut continued to keep slavesand the founding fatherscould not or would not seehow ridiculous their positionwas." The professor alsosaid that "neither in theDeclaration of Independence or the Constitution did theyunequivocally take a standagainst slavery.”“The Continental Congresswas incapable or unwilling toforge a policy on humanbondage” which appearedinconsistent with the notionthat the new nation was"presumed to be a model forthe new world coloniesseeking independence" saidFranklin.He felt that the new’leaders were unaffected bytheir new freedom becausethe "institution of humanbondage remainedentrenched as ever." In fact,"in the decade followingindependence, importationof slaves actually increased”.Another moment in ourhistory tainted by a dualismregarding blacks was theconvention of 1787. The slavetrade was discussed only forits economic implicationsand Benjamin Franklinr\(50 years agewe saved studentsas much ascn a diamond ring.Back in 1924 the Charleston was very lugAnd when it came to getting engaged, --tu-dent> were ver\ interested in a Chicagocompany that promised them very big sav¬ings on a diamond ringIhe compam wa> S A Beck And thediamonds the\ sold Innlt a reputation thatallows them to -ell Vanit\ Fair Diamondsto college -tildent- all acro-s the l liltedStatesAnd we are -I ill helping students save a>much as all' /How do we do it? Simple We handleevery >tep in the making of a ring, fromhuving the rough diamonds and makingour own settings to selling the ring direct l\to you There are no middleman profits todrive up t he priceIn fact, were so confident iff Our lowprices and fine quality that we cover themin our exclusive Vanity Fair guaranteeif not completely satisfied your full pur¬chase price refunded within .‘10days.Send for our free, full color 14-page cata¬log Or visit out diamond showrooms at55 K Washington in Chicago\ unify/4uY/ )uuiuhuLs55 East Washington St Chicago Illinois 60602Send me the proof; the free Vanity Fair catalog. |Name |Address-— ICity State _Zip {School Today,we stilldo. “who brought with him apowerful resolution againstthe slave trade, neverbothered to even introducethe resolution entrusted tohim by abolotionists”.Franklin alluded to ourfear of judging "the high andmighty.” He felt though that"if we deal with the pastrealistically, we canappreciate our leaders forsomething else” even though"they gave only lip service totheir ideals.” The harm isgenerated not so much fromthe founding fathersmistakes but rather “thestage set by them tocompromise and temporizethose fundamentalprinciples.”“Racial segragation anddegradation is not accidenthe said, but follows the stageset by the founding fathers.”His argument revolvedaround the notion that "weexamine our past with thehope of improving humancondition and that we mustbe outraged at thedebasement of humanprinciple." ON CAMPUSFriday February 21CHRISTIAN FELLOWSHIP: 7 00 p m Ida NoyesFORMOSA CLUB 7 00 p m Ida NoyesCREATIVE SABBATH: 7 30 p m HillelFOLKDANCERS: 8 00 p m Ida Noyes HallCEF: "Minnieand Moskowitz" 7 15and9 30pm CobbSlUT: "A Flea in Her Ear.'' 8 30p m MandelLECTURE Sleven Humphreys Architectural Patronage of AyyubidDamascus,” 4 00 p m Pick 218ARABIC CIRCLE: Ahmad al Hagqagi "A New Point of View in the History ofArabic Literature," 3 00 p m Pick 506LECTURE John McCarthy 'Airplane. Dual Doppler Radar and ChaffObservations of a Tornadic Storm" 3 30 p m Henry Hinds AuditoriumLECTURE Bernard Moss Methylated Nqcleotides Block the 5' terminus ofViral and Eukaryotic Messenger RNAs ’ 4 00 p m , CLSC 850LECTURE Heinrich Von Staden, "Nietzsche and Mar* on Greek Art andLiterature Case Studies in Reception,” 4 00 p m SS 172Saturday February 22CSA Chinese Student Association 6 00 p m Ida NoyesUC TRACK vs Valparaiso and U of Wisconsin at Milwaukee I 00 p m FieldHouseDOC "Monsieur Verdoux"" 7 15andt0 00pm CobhJlFIRESIDE CONCERT the Hyde Park Brass Quintet 8 00 p m Commons Roomat Swift Hall, freeUT A Flea m Her Ear 8 30pm MandelHILLEL FILM: Esther and the King ' 8 30 HillelLECTURE Marc Cogan The Character of Thucydides' History,"' Cobb 110 3 00p mLUNCH I 00 p m Crossroads Student Center, SI 50DANCE Mother Right 8 00 p m Blue GargoyleFRAT RAT B BALL BENEFIT Psi U Phi Gam and Alpha Delta fight it out forthe fraternity championship, a benefit for Wyler Children s Hospital 5 00 in theField House 75<THEATRE WORKSHOP: Exercises for voice and body, music mime, andimprovisations Everybody welcome 10 30 am at the Ida Noyes theatreSunday February 23FOLKDANCERS 8 00 p m Ida Noyes HallSE RVICES Spencer Parsons "The Temptations of Lent 11 00 am RockefellerChapel continued on page 13Call753 2060Jt umpiis Orl 348 6128TUniversity of ChicogoIndustrial Relations Center Low Cost Audio-Visual Services on the midway1 225 East 60th StreetCopy Prep • Typing • Type Set • Printing • Mounting • Photogiaphy * Recording • Equipment RentalOverhead Cels • Slides • filmstrips • Posters • Charts • Graphs • Displays • CCTVFast Economical Services on Campus Call Don Sands For Samples Prices andEstimotesST. GREGORY OF NYSSALutheran ( ampus Parishat the l 'Diversity of ChicagoEUCHARISTTHIS SUNDAY AT 10:30 A.IM.(■raham Taylor ('ImpelUNIVERSITY at S8th StIndividual AttentionTo Most Small Cars31?-mi 3-3113foreign car hospital & clinic, inc.^^^5424 south kimbark avenue • Chicago 60615THE UNIVERSITY Of CHICAGO JAMESTHE COMMITTEE ON SOCIAL THOUGHTAnnounces a doctoral lec- SCHULTZture to be given byMARCCOGANTHE CHARACTER OF THUCYDIDES' HISTORY CLEANERSAll interested faculty and CUSTOM QUALITYstudents are cordially in- CLEANINGvited. 10% student discountSaturday February 22 1975 3 P M 1363 E. 53rd St.Cobb Lecture Hall Room 1105811-27 Ellis Are 752-6933 r MAILTHIS» COUPON FOR,FOLDERSONI LOWEST-COSTj FARES & TOURSlTOEUROPEJ of any scheduled airlineTO ICELANDIC AIRLINES630 5th Ave , N Y,,N Y 10002Phone (212)757-8585For Toll Free Number outsideN Y dial Wats Information(800)555-1212NameStreetCityState ZipPle.tsesendfolderson:LOWESTYOUTHFARESSave money no matter whenyou leave, how long you stay!CAMPING TOURSDeluxe camping for 18-30agegroup Bigchoiceoftours including EasternEuropeSKITHEALPSThur mid-April Low pricestor 1 & 2 week toursCAR & RAIL TOURSChoice of 1,28 3 week toursGowhereyouwant Camperstoo1"1 ICELANDIC TOURSExpeditions tor naturalists,geologists Viking historytoursAFFINITY GROUP TOURSForm your own school clubgroup of at least 25 memberstraveling together. Savemoney. Have fun with friends.Icelandic offers daily scheduledlets from New York, and severallets weekly from Chicago, toLuxembourg m the heart ofEurope At lower fares than anyother scheduled airlinesince 1952!SEE YOUR TRAVEL AGENTICELANDICAIRLINESYour Best Buy In The Sky4- The Chicago Maroon—Friday, February 21, 1975 JStuart Gordon’sNew Play — p. 3THE CHICAGO MAROON'S WEEKLY MAGAZINE OF CRITICISM AND THE ARTS SchwarzkopfsFarewell — p. 4Campus ComposersBy Paul GudelIT you go up to the second floor of theBookstore, you will discover a vast array ofdiverse items, all manufactured to remindyou. when you are older and greyer, of fun-filled college days. Ties, plaques, drinkingmugs, shills, ash trays all branded withthe sign of the phoenix and bearing the name“University of Chicago " But if you have ataste for the arts, you might consider in¬venting in something with a hit more in¬trinsic value a record containing music bya genuine University of Chicago composerBesides serving to remind you. on coldWinter nights, of Music 101. the musicreadilv available by the three composers onthe University facility gives an interestingcross-section ol contemporary music, withall its good and bad qualities.The most recorded and probably the mostwell known of the three, all members of theDept of Music, is Ralph Shapey ProfShapes. at least on the surface, embodies somans' ol the foibles that characterize con-tem|>orars music that he could almost be acaricature invented by Igor Stravinsky forone ol his corrosive memoirs Prof Shapessvrites works with titles like. Incantations.F. vocation. Rituals He fills the liner nobs olhis albums ssith paragraph alter paragraphol tailored metaphssies. such a\ I workwith the concept of 'll is. not the traditional‘It becomes His work*- are populated withbatteries of banging percussion and withFILM =By Alfred LeaAntonio is a cinematic interview with a 73year old woman conductor, Antonio Brico.The reasons for which I liked this movieseem to vary trom the generalconglomerate of critical opinion. Ap¬parently the tilm has been hailed and laudedfor its cinematic, feminist statement.A great deal of critical opinion has beenpublished deploring the lack of significantwomen's roles in the American film industry today. Proponents of this utterlytruthful criticism point out that women areusually portrayed as being merelygirlfriends and/' or companions of men,when independen t, they are usuallybemoaning their lot rather than becomingtotally involved with their interests, work,or whatever. These critics point out that nofemale box office stars even exist, or certainly not in proportion to the number ofmale box office stars. The truthfulness ofthese criticisms notwithstanding, Antoniohas done nothing to alleviate them.The movie is unquestionably an indictment of “sexism” in the world ofclassical music, particularly in the field ofconducting. I am almost totaliy ignorant ofthe inner economic, social, and politicalconventions of classical music but this latteremphasis on sexism in conducting strikesme as being quite accurate. Women surfacein all other aspects ot classical music butexcepting secondary schools, one rarelyhears ot any women conductors.However, Antonio is a documentary, andthe portrait of this immensely,, vital womandoes nothing to explain or alleviate the lackof significant women's roles in moviestoday. The film manages to eloquently blast“sexism,” but in terms of being a woman's sopranos humming wordless vocal lines Hismusic is perfectly calculated to evoke theresponse. ‘‘What does it all mean9” if nol.“It’s all a Communist plot.”What does it all mean? It’s thought to bethe paradox of late romantic music, aparadox reaching its clearest expression inearly Schoenlicrg, that in the quest for evergreater expressivity, it drove musicinexorably to the brink of an idiom w hich thegeneral public still today finds totallyinexpressive and uncommunicative. Butanother, perhaps equally significantparadox is found in the behavior of HustavMahler, who combined the freest, most anti-literal approach to a score in his role as aconductor, again in the name of increasedexpressivity, with a tremendous increase inthe number and specificty of the directionsto conductors in his own scores It was theresult it seems, of a desire to attain greatercontrol, not only as the composer of a pat¬tern of notes, but as 1 hi* creator of a specificsonic environmentThe music ol Ralph Shapey illustrates thetendenc\ ol modern composers to carry the|w>ssibililies of control to their logicalconclusions. In pre-modern music, thefollowing of a score* while* listening to a piecei*- a delightful way to focus one’s experience,to sharpen erne's se'tise*of the* structure* e>| themusie* in vivo, tee ke*e*p one*self right on the*firing line- e*f what Vivaldi quaintly e-alls,‘‘the* conflict of harmony and invention.” Ihave* elisce>ve*re*d that an alte*mpt to lisle*n tofilm. Everyone, with the possible exceptionof movie producers, believes that womencan lead independent lives. Seeing one suchwoman in a documentary is no innovation.The film, shot in a period of several days,constantly shifts back and forth betweeninterviews with Antonio Brico and scenes ofher teaching, conducting rehearsals andconcert performances. She now resides inDenver, Colorado and manages to do whatmight be termed musical piecework, con¬ducting the Boulder Orchestra as well as theDenver Orchestra, and teaching piano,conducting, and opera The best quality ofthe movie is that one meets a fascinatingperson who reminisces and namedrops witha great deal of flair and charm AntonioBrico has let her hair down and spoken ofher unfulfilled dreams, aspirations,qualifications and talent. One empathizeswith her and although empathy is notalways a realiable device in fiction, it mostempathetically is here. I underwent thesame feelings after I had read LilianHeilman's Pentimento.Another significant factor in Antoniowhich seems to have been overlooked is thatthe film is somewhat of an indictment of thepredominant prejudice against old age inthis country. Antonio Brico seems 1o havehad much more conducting success andcertainly more opportunity when she wasyoung. At least when she was younger, shewas able to conduct in the big cities with thebig name orchestras and soloists.For all its depressing topic, Antonio doesnot ever depress; the forceful and optimisticpersonality of the heroine dominates thefilm and lends Antonio its warmth andvivacity. The presence ot a young femalepupil, featured in the film as she performs ina concert, bespeaks of Antonio's generaldignity and optimism. one of Prof Shapev’s works with a scorelends If) destroy one’s ability to appreciatewhat there is to appreciate in the music. Hisscores are less scores in the traditionalsense than how-to-do-it manuals, instructionImoklets for musicians allowing them toreconstruct certain combinations of .soundswhich the composer has imaginativelyproj<*cted The listener’s job is to immersehimself in that sound, and leave the drivingto them, as it were Somewhere IxdweenMahler and Shapey, the entire relationshipIx'tweena score and its aural realization haschangedHaving generalized thi^ far. I’ll now sloptreating Prof Shapey’s music as amanifestation of the Zeitgeist I mustconfess that two of his works fail to kindle inme any more than a vague feeling of dejavu. Incantations, perhaps be*-! subtitled“Dandlings for Soprano and Ten In¬struments.” and the Fvocation for Violin.Piano and Percussion, are filled with thetrappings ol modernism and precious littleelseA more interesting work is the Songs ofFcstacv. which is just what it*- titleproclaims, a sotting for soprano, piano,percussions and tape of four quite differenttexts which deal with ecstacy. They aretaken from Clenesis < and they shall be oneflesh”i. Jovce (the verv end ol Molly *,soliliquy >. a short sexual image b\ WilliamBenton, and Shakes|x*are’s As Vou [.ike It<“(> Wonderful ”) It’s a challenging idea,to take these four texts and in the settingstrv to capture the subtle and not-'.o-'-ubtledifferences of approach to the meaning andI eel of ecstatic experience. Prof Shape>doesn't quite meet the challenge Despitesome* striking effects, such as that achievedbv the playing of a tape declaiming Molly’ssoliliquy while the soprano sings the sametext. the songs aren’t characterized stronglyenough, and the distribution of emphasisamong the four songs makes the work seemunbalanced. Moreover, some sections seemalmost to border on the musically por¬nographicRalph Shapey at hi*- strongest i-represented by two works on one record, theSiring Quartet #(i and Rituals for SymphonyOrchestra. The Quartet is a very lyricalpiece sustained by the interaction of fouralmost wholly independent voices In liveperformance. I he four musicians aredirected to seat themselves as far apart aspossible to emphasize this independence Inthe recording, this requirement i** ap¬proximated b\ a sharp separation of stereochannels, two instruments to each. Whatmight Ih* a gimmick works verv well in thecontext. adding a nice spat nil dimension to ahighly directed ebb-anrl-flowRituals is to an extent vet another mishmash of “modern” techniques (serialismwith a dash of aleatory, flavored with somegood old jazz». vet it has more structuralbacklxme. and a great deal of rhythmicdrive II is more exciting than interesting.Bui who’s to say that’s a criticism9 Part oftin* problem with contemporary music isknowing how to listen to it II may lx* dif¬ficult to write music which simply meantto Ih* heard as music Perhaps the only wavof doing this is to write music which self-referent ially takes as part of its content theprocesses of music themselves And this*brings us to tin* music of Prof KasleyBlackwoodProf. Blackwood is an academic com¬poser There is nothing wrong with this Asopposed to Shapey’s Rituals, his work can lx*interesting without being exciting: in fact, itcan lx* interesting while lx*mg rather dullAt Ix'st. however, his music can exert afascination of hearing abstract means set toconcrete purposes. His .Sonata for Flute and Harpsichord, forexample, seems to me to lx* an exercise increating the various parameters of musicalstructure out of counterpoint. So. in the lastmovement, a fugue is become that whichbreaks off into second and third subjects,which begin to double back on themselvesand - presto! - we have harmony as a vertical structure begins to take shapeLikewise the first movement exploresrhythm in terms of three-part counterpointOne clearly must have a certain taste forthis sort of thing, perhaps a certain Hin-demithian pedantry, but it is undeniablywell executedProf Blackwood's Chamber Symphonyfor 14 Winds is an earlv work < 19551. and inwritten in a highly chromatic tonal stvle Ithas the fin rie siecle decadent smell ofsomething like Schoenberg’'- Verklarte\'acht alxiut it. but onlv on the surface Itadopts this style deliberately, as if lookingthe past Ixildiy in the lace and boldly af¬firming the possibility of continuity It’s donewith a great deal of gusto, and some ravish¬ing sonorities despite the rather pwr re¬cording! to hold the listener's interest whilethe formal structure takes root in percep¬tion High recommendedOne other work of Prof Blackwood' ivcurrentlv available, his Violin Concerto,which I wa* unable f«» hear Prof Blacks <mhIi^ grievouslv underrepresented on records.**ince several recordings of hi*- composit ion**. including an RCA disc of one of hi--v'illphonies, have I jeon deletedli Ka-dev Blackwood the best rnnqxiseron campus now the third. Shulamit Ran.mav somedav lx- the lx*st of the three Onlyone work of hers is available today It is othe Chimneys, a setting of five poems, inHerman, bv Nelly Sachs The poefrv isreflections on the Jewish experiences inconcentration camps in Nazi HermansNow. in a period *n which the multiplicationof historical, biographical, psychologicaltn>oks on Hitler is reminiscent of nothing somuch as those weighty Ixxiks on socialcustoms in Borneo and effects of sexualrepression bv which a generation ofAmerican male's used to ge» their kicks andsatisfv their prurient interests, one istempted to adopt a blaze* cynicism towardsthe “holocaust ’’ Didn’t we* rfo things jiM nsbad e*verv efav. for vears. in Vie*tnam9 ButRail’s o the Chimneys brings it all back tolife in the* quality of nightmare which vouknow is a dre*am but from which vou cannotor do not want to awake*The* music matches the* poetrv verv wellclumsv. almost hoke*y. where the* poetrv isclumsy; searing whe*re* the poetrv issearing The* latter points outnumlx*r the'forme*r Prof Ran achie*ve*s quite a dersitvof instrumental texture* with a chamlx*re*n>e*mble* note* esp<*<-iallv the* ope-nmg otthe* second song. and the* use* ol (jute* andve»ice* te> cre*ate* a chilling, de-solate* e*ffe*e I inthe* thud song \o! re*ce>mme*ndcel for muchWinter Quarter listening, but a powerfulw e»rkBlackwood. Violin Concerto/ Kling,Mester, Louisville Orch. Louisville S694Blackwood, Sonata for Flute andHarpsichord/ Baron, BlackwoodDesto 7104Blackwood, Chamber Symphony, Op2/ Weisberg. Con. Chamber Ens. CRI144Ran, O, the Chimneys Ran, Davy,Johnson, NY Philomusica EnsTurnabout 34492Shapey, Incantations' Beardslee,Shapey, Contem Chamber Players -CRI S 232Shapey, Rituals, String Quartet*6/ Shapey, London Sinfonia;Lexington Quartet - CRI S 275Shapey, Songs of Ecstacy/ Ghent,Cobb, Shapey, Con. Cham. PlayersDesto 7124Shapey, Evocation/ Raimondi,Wyner, Price - CRI 141Antonio's DignityFriday, February 21, 1975—The Chicago Maroon—52-TheGreyCityJournal THGrtTRCLong Play s Journey IntoTriteBy Dean ValentineMidway through the St. Nicholas Theaterproduction of Eugene O'Neill's Beyond theHorizon a small miracle occurs; almost lostamidst the clatter of the wooden dialogue, itbecomes at the touch of Byrne Piven'smagical acting the only true moment of theeveningThe Mayo family is gathered in the livingroom of their tarm house, waiting for theirsickly, intellectual son Robert to come takehis farewells: he will shortly be leaving on along sea voyage with his uncle, exploring thelands tha’ lie "beyond the horizon." Themother, prim and tense, doesn't want him toleave. The father (Mr. Piven) is alsounhappy, but his hopes and his soul are tiedto his other son, Andy—a simple farmer forwhom the farm's horizon is horizon enough.We might well call this the archetypalO'Neill situation. His whole life was spentdiscovering its permutations andrepercussions: a mother and father, theirparental love divided between two sons, onesensitive and intellectual, the other a man ofthis world. It keeps peering through all hisplays, thinly disguised in one way or another, until finally it finds its complete,naked expression in Long Days Journey IntoNight—the single, most powerful work in thehistory of American theater. But in Horizonthere are only implications and shadows,shadows wisely highlighted by DavidMamet's direction and Mr. Piven's acting.Back to the farm. Robert comes indreamily. He has fallen in love with the girlnext door and she has fallen in love withhim: he will no longer go on his voyage,choosing instead of stay home and work thefarm. As the Fates would have it, however,his brother has also been in love with thesame girl. Andy, heartbroken though notbitter, decides to pack it all in and takeRobert's place on the slow boat to HongKong. But Mr. Mayo will have none of it.Andy's rejection of the farm, and thedispersion of his dreams, arouse in him adull anger which under Mr. Piven's defthandling, explodes into a Lear-like tury.Whatever is on stage—actors, actresses,tables, chairs, cups—seems to bow underthe weight of his wrath.Unfortunately, whatever rays Mr. Pivenemits cast harsh light on the rest of the play,revealing a rather cavernous, furniturefilled melodrama that owes as much to William Vaughn Moody as Strindberg. Whatare we to do with lines such as this?:Our love is sweeter than any distantdream.Or how about this honey from the end ofthe play, spoken by Robert as he is about totake leave of this world:You mustn't feel sorry for me. Don't yousee I'm happy at last—free—free—freedfrom the farm—free to wander on andon—eternally!This, by the way, gratefully arrives at theend of two painfully long, drawn-out actsduring the course of which we have seen thefarm decay under Robert's inept handling.We've also, without much interest, watchedAndy gojng off to make his fortune in thewide world, only to return to his rootsdestroyed and almost penniless. Everythingis so damned literary and predictable: Fateworks ironically; only Catholicism cantranscend Fate. Exit Robert.O'Neill can be forgiven for this play. Wehave, after all, no right to expect anythingmore from an American play written in1920. Compared to the silly staginess thatpassed for theater in those days Beyond theHorizon is revolutionary. America neededfifty years and one Eugene O'Neill to catchup with European drama. But what possiblereason can Mr. Mamet have for bringing itto the Chicago state in 1975? If he reallythinks this is a moving piece of theater thenI can only suggest that he take some time offand go improve his taste. There's no excuse for exposing this helpless, dated work to thesnickers of an audience.Striking a particularly wrong note wasMathew Elkan as Robert, the ill fatedthinker and poetic dreamer. The Jews,always wise to the ways of this world, makea very rough distinction between people; onthe one hand is the shlemazel—the guy whospills the soup, and on the other hand is theshlemiel—the guy whose lap it falls into. Mr.Elkan, whose stupid grin, judging from thisperformance, seems to be a birthmark,succeeds in collapsing the distinction,irrevocably proving that you can spill soupin your own lap without outside help. Hiscomic instinct never failing him, Mr. Elkanpronounces "Our love is sweeter than anydistant dream" with the last two wordsreceiving the stress. If the line wasunpalatable before, it becomes nauseatingwhen he delivers it. Had he laid the stress on"any" ...O well, these are distant dreamsindeed.The rest of the cast isn't half as bad.William Macy as Andrew, and MaryFrances Farrell as the girl whose affectionsare vied for, have raw talent that will refinewith time, experience, and confidence. I'msure Mr. Macy's line flubbing was simplythe result of first night jitters, and won't berepeated as the play's run lengthens (if itdoes). Penelope Court as Mrs. Mayo givesan invisible, lackluster performance, insharp contrast to Gibson Glass' energeticportrayal of the sea faring uncle.i>—The Chicago Maroon—Friday, February 21, 1975 FOR ALL STUDENTS& FACULTY MEMBERSJust present your University ofChicago Identification card.As Students or Faculty Members ofthe University of Chicago you are en¬titled to special money savingdiscount prices on all materials usedon Volkswagen Service Work, allVolkswagen Parts, Accessories andany new or used Volkswagen you buyfrom Volkswagen South Shore.Authorized VOLKSWAGENVolkswagen SOUTHDealer 7234 5. stony tsloiOpen Doily 9 AM. loOpen Saturday Sales-9Port*-9 A.M.-12IPhone 288-49C0 |H The University of ChicagoTHE COMMITTEE ON SOCIAL THOUGHTannounces another public lecture in theJOHN U.NEF SERIESPROFESSOR HEINRICH VON STADENDepartment of Classics Yale UniversityNIETZSCHE AND MARX ONGREEK ART AND LITERATURE:CASE STUDIES IN RECEPTIONFRIDAY, FEBRUARY 21, 1975 4:00 P.M.Social Science Research Building Room 122 1 1 26 E. 59th StreetThe lecture is free and open to the publicSaturday, February 22 8:00 P.M.Swift Commons Room, Swift HallfeaturingTHE HYDE PARK BRASS QUINTETand theU.C. BRASS SOCIETYin a program of works byKazdin Schmidt, Hovhanes,Sanders, Starrer, Handel,Bonelli, Pezel & DukasUsed Desks Galore...$1 5.00 & UP2 & 5 Drawer Metal Filing Cabinets2 Drawer Wood FilesChairs, Swivels, as well as Arm ChairsTables-5 feet, 6 feet, 7 feet"cash and carry"OJIPMENH&SUPPLY COJ8600 Commercial Ave.Open Mon.-Sat. 8:30-5:00RE 4-2111THPxlTPfp—iAn Adventurous Huck FinnBy Michael VerMeulenWithout a doubt the singly most anticipat¬ed event of the winter Chicago theater calen¬dar was the return of Stuart Gordon andhis Organic Theater from their fourmonth European tour.On the two previous occasions that theOrganic "came home” it resembled more ofa beaten and battered, tail between the legspup whose loud barks from Chicago hadn'teffected the New York critics like those inthe midwest. But finally their European tourproved to them (and to the more insecureChicago critics) that the Organic's en-semblestyleand "bag of tricks” approach tothe stage had an appeal beyond the city ofbig shoulders.Paradoxically, after a four monthEuropean stay Stuart Gordon decided uponhis return to stage an original adaptation ofMark Twain's Huckleberry Finn, perhapsthe most American of American novels.Gordon's approach to the work is to keep hisplay as true to the original novel as possible.Using Twain's dialog as the script and hispose as stage directions, Gordon attempts tostage the work in the same narrative style ofthe book.The drawback with using a narrativestyle in a theatrical setting is that, while thejerky result of turning a prose work intoexclusively dialog is avoided, the narratormust be sublimely able to hold the entireproduction in the palm of his hand, bothkeeping it within his grasp and allowing theother characters to develop as individuals.Unfortunately Brian Hickey (HuckleberryFinn) lacks both the technical skill and thetheatrical elan to either keep the play withinhis grasp or allow it to roam uncontrolledbut complimented by a strong charac¬terization of a Huck Finn who grows with theswelling Mississippi. And certainly not to doboth.FILM . . =By Alfred LeaStardust, as the credit sheet says, depicts“the fictional story of the creation, rise andfall of a top-rock super-star in the 1960s.”Having grown up with the entire “rock”industry, the themes of Stardust wereparticularly accessible to me and should beaccsssible to many other people, at leastbetween the ages of 22 and 30. The movieaccurately portrays to anyone interested thephenomena of “rock” stars and the culturalsignificance and associations usuallyconnected with “rock” stars.The first half of Stardust is almost entirelystolen from the well-publicized account ofthe Beatles’ rise to fame and fortune. The“Stray Cats” are a gritty, English rock ’nroll band playing in a gritty, English pub.They acquire a manager (Adam Faith) whowrangles a record contract by pimping,squeezing, bumping, and othermanipulations which no true gentlemenwould consider, but which all managers andpublic-relations men supposedly practicehabitually. The band and now top-billed JimMacLaine (David Essex) even appear in ascene reminiscent of A Hard Day's Night,when they are filmed for British TV amidstthe requisite contingent of screamingadolescent girls. David Essex, playingelectric bass guitar, reminded one of theearly Paul McCartney, right down to theirrepressibly plump and rosy cheeks.However, the similarity is only a pleasantcoincidence: Jim MacLaine’s career is notpatterned after McCartney’s.The band comes to America and is furthercorrupted by Larry Hagman, a crassAmerican businessman and the band’s newpromoter. In a remarkable, typicaldegeneration, the “Stray Cats” take totearing around in large expensive cars; theysmoke dope and ultimately grow shaghaircuts. Following a normal “rock”tradition, their music becomes over- Huck Finn (Brian Hickey) and his Pap (JackWallace) in Adventures of Huck Finn, at theOrganic Theater.Hickey's portrayal never makes a stepbeyond the all smiles and blue eyes of theHuck Finns that childrens' theatre used toinflict on my, and everyone else's,childhood. The beginning of the play, whenHickey's Huck ambles out onto the stagewhile the house lights are still on anddiscusses the slow and painful process of his"gettin' Civilized,” under the best of cir¬cumstances should transform the spacefrom a mere auditorium to the time andplace of Huck's youth. However, it is notuntil Bruce Taylor (Jim) appears severalminutes into the play that we feel the"reality” of the situation. Hickey by himselflacks the power to conjure images in theminds of the audience. And his insecuritywith his huge part comes out in shallowreactions to the other characters. He has toomuch to concentrate on and too littletheatrical command with which to do it.The surprise of the evening is KeithSzarabajka's excellent performances asTom Sawyer and Buck Grangerford. Hisopeness and depth as the imaginative andcapricious Tom whose pirate gang mustmake its pact in blood "cuz that's the way Iread it done” and the pathos of his Buck, aboy in every sense of the word, who iscaught in the petty hatreds of ancestors heproduced and arranged. The band,dissatisfied and jealous of MacLaine,breaks out on its own. MacLaine peters outin the ultimate “rock-star” fashion.The film is incredibly accurate aboutminor details which one normally associateswith “rock” stars. The passage of time isintervalled by the various popular and“rock” songs which MacLaine and the“Stray Cats” play on their successiveradios, phonographs and tape players. Thisprogression not only indicates theirincreasing financial success, but alsoparallels the evolution of “rock” from itsearly simplicity to its present complexity.At one point in the narrative, MacLaine’smother dies and MacLaine takes hisgirlfriend back home for the funeral andintroduces her to his heretoforeunmentioned wife. The movie also boasts analmost obligatory groupie sequence. Weeven see Jim MacLaine’s picture on thecover of Time.Stardust is a well-constructed movie.Those elements which make a movie into acoherent whole — such as the acting,writing, direction, etc. — are good; they areall imbued with a sense of professionalism.Larry Hagman and Adam Faith are superb,and ines Des Longchamps plays a typicalbut accurate “Frogess.” All of thesesuperlatives notwithstanding, the essentialstrength of the movie lies elsewhere.Stardust, captures one important aspect of acertain era, “rock,” and describes preciselyits decline from the charmingrambunctiousness of the Beatles on the EdSullivan Show in 1965 to the now-no-longer-recent drug related deaths, and the adventof glitter and glitter’s accompanyingmiasma of bad taste. I may deserve to besubjected to a shower of Dead Cats andoverripe tomatoes for this delving into Timemagazine style pop sociology, butnevertheless, I think that this quality ofStardust makes it a nice, little picture. never knew, clearly demonstrates that Huckis Szarabajka's role. His mastery of thesetwo smaller and less complex parts is socomplete that Huck would be a natural stepforward. And Hickey is perfectly equippedto handle these two less demanding roles(Tom and Buck) rather than having hisreach exceed his grasp in Huck.Jack Wallace, triple cast as Pap Finn,Col. Grangerford, and a slave hunter, turnsin performances far and away the best of hiscareer. For the first time Wallace utilizeshis full vocal range rather than firing outsyllables in his pat "dis-dat-da" southwestside monotone. Too long Wallace played thesame character for overly appreciatelyChicagoans and we all forgot what fineperformances this actor was capable ofback in the Kingston Mines days. On the onehand is Wallace's degenerate Pap whosedrunken rages and vile presence send all ofHannibal into a titter. In a brilliant sceneprior to his DT's attack Wallace gives Pap a"more sinned against than...” quality thatlifts the character from the mire andestablishes his human desires and failedexpectations. And on the other, his Col.Grangerford, whose family feud has ceasedto involve anger but rather tradition, con¬tains all the refinements of gentile societywithout obscuring its involvement in a bestialand pointless war.Bruce Taylor's Jim is so subtle andnatural that is almost repells comment. Aswith the role of Jesu in Bloody Bess lastseason, Taylor does not merely wear acharacter, but rather embodies it. Hismoving scene after Huck lies about the fogemerges out of nowhere just as it ought.There is no reminder that "yes, this is a playand Huck's been lying to Jim about the sameincident everyday for two months.” It willbe interesting to see Tayior's changes in thecharacter when the second half of thereportory opens in a month. In this half, Jimrelates souly to Huck and while Taylor doesthis with tremendous sympathy for thecharacter and the relationship being built,just how he deals with Jim as presented toother whites in the text will be his real test.As a director, Stuart Gordon concernshimself with moments. The little details thatcreate memborable vignettes of a drama inthe minds of the audience. However, whilethis accent can be visually pleasing as in thefinely orchestrated swordfights of BloodyBess, it doesn't afford much in the way ofcharacter development. In Sexual Per¬versity in Chicago the shallow exploitative relationships between the characters weredeveloped more by the playwight and theactors than by any direction per se. Thesame is true, only more so, of Gordon'sCourt Theater production of Rashoman,when his emphasis on the moment directlydirectly clashed with the meaning of fheplay. His forte lies is the showmanship of agiven work. The spectacle which envelopesthe audience and transforms the theaterspace into a realm of magic.In Huck Finn there are a plethora ofcrafted tableaus. Jim and Huck sitting in theraft at the end of the first act, the cave scenewith Tom Sawyer and his gang, when Jimand Huck are lost in the fog, are just a few ofthem. But where the work loses is in thedevelopment of a relationship between Jim,the former slave, and Huck, the Southernrunaway, each looking for their ownfreedom and finding new meanings to theword through their experience of each other.That is not to say that the relationship doesnot exist in Gordon's play. It does. But morefor the strong use of Twain's original textthan because of anything the director hasdone.Of special note is the sparceness of theJohnPaoletti —Mary Griswold—GeoffreyBushor set and lighting. Hardly anythingdifferent could have been done under thecircumstances. The play rambles along theMississippi both on and off shore. Andfinancial resources prohibit changing thecourse of mighty rivers for the sake of art.At times it works wonderfully, such asduring the storm and the final scene withBuck Grangerford's death. However, it is atrifle bothersome to watch Jim and Hucklounge all over the stage in one raft sceneand have to huddle together for fear offalling off in another.In addition, there are delightful characterperformances by Joe Mantegna (one ofChicago's finest actors who deserves largerroles than he gets) and Carloyn Gordon. Thespecials in the show were on their usualexcellent level thanks to David Gordon andhis Flying Frogs.Huckleberry Finn is a flawed work. Thereare casting problems, directorial mistakes,and some problems with the script itself.But it is also an invigorating one. There aretremendously polished performances bymost of the actors. In some cases, theydisplay excellence they weren't believedcapable of. It is a human work. StuartGordon has come a long way since WARP:and Huckleberry Finn is a different play bya different man. Despite individualmistakes and triumphs, the play reflects agrowth that only practiced ensemble canattain. While it may not be perfect, it is anambitious attempt by what is once againwithout a doubt Chicago's finest ensemble.PRIMARY NIGHT 75Spend it with us. WHPK presents full electionnight coverage. We're going to concentrate onour 5th Ward and on the mayoral race. JudsonHixson heads our anchor staff, with the WHPKNews Team phoning in live reports from cam¬paign headquarters.We start at 7 p.m., Tuesday the 25th, and stopwhen its all over.WHPKThe University of C hicagoRadio Station88.3 FM(We don't just play music)Friday, February 21, 1975—The Chicago Maroon—7Stardust TheGreyCityJournal-34-TheGreyCityJournal CL/WOL MUSIC—— 'Schwarzkopf’s FarewellTH£4T£RThe University of Chicago Theatre willpresent Georges Feydeau's farce, A Flea inHer Ear, February 20 through 24. Thedirector guarantees the production will haveno message, no moral, and no sad ending.The French playwright's work will beperformed in Mandel Hall, 1131 East 57thStreet, at 8:30 p.m., with a special 3 p.m.matinee on Sunday, February 23. Ticketsare $3.00 for general admission and $3.00 forstudents and senior citizens. Call 753 3581 forticket information and group rates.Critic Clive Barnes has commented onFeydeau: "(His) genius is that of comicconfrontation—unerringly he brings thedeliciously wrong people red faces to red♦ace at the deliciously wrong time."A Flea in Her Ear concerns itself withRaymonde, whose husband, Chandebise,has not sexually satisfied her for a month.As a little test of his fidelity, Raymonde hasher friend Lucienne write Chandebise aletter from a fictitious admirer, inviting himto rendezvous at a local hotel.They all end up at the hotel in the secondact Raymonde, Chandebise, Lucienne,another husband, a friend, and assortedhotel staff. There seems to be something inthe script about mistaken identities,intended infidelities, and frantic chases. Allthis naughtiness is resolved in the third act,which just shows how much better life musthave been in 1907.Charles Jenkins is the director as well asthe designer of an elaborate, multi level artnouveau set. Costumes are by CarolKusnierek and the lighting design is byVarney Knapp. (Pictured are PatriciaPrinz, left, and Terri Shanline. Photo by JacStafford.) By Toby HofslundVoice recitals in Chicago usually go un¬noticed—by students and teachers and agood share of the general public. However, arecent Sunday in Orchestra Hall proved theexception.Why? The singer and the occasion:Elizabeth Schwarzkopf's farewell Chicagorecital (she returns to Europe after this tourto record and make only infrequent appearances). On that bare stage she stoodas regally tall and commanding as herfamous characterizations of Strauss'Marschallin and Mozart's Countess.Perhaps that is part of the answer. Despiteobvious vocal limitations, she stills reigns astoday's queen of consummate vocal artistry. From her first entrance to her finalcurtsy, she totally took command andconquered her devoted audience with interpretations which conveyed the meaningsand moods in a most convincing manner.Whether it be a song of remorse,frustration, happiness, or despair, orDdnce^= =ChicagoBalletBy Eden ClorfeneConspicuously absent from Chicago'sartistic scene is a truly excellent nativedance company. We can boast of housingone of the world's greatest orchestras andopera companies. We have Second City,Stuart Gordon, and the Art Institute. Butdance is the one art that has received stepchild treatment—any display of fine dancingmust be imported, either by the local im-pressarios or national foundations for thearts.There have been continual past efforts toadd ballet to our city's roster of artisticaccomplishments, but any endeavor toestablish a resident company has neverenjoyed results of success or permanence.Ruth Page, a Ceccheti trained dancer, hasbeen consistently involved in the sad historyof dance in Chicago. Apparently un¬discouraged, the stalwart Mr. Page madeher perennial attempt to defy fate's curse whether it was simply a story about a gentlyflowing brook, everything was there: thepicture, the poetry, the message.Her program of Schubert, Schumann,Brahms, Liszt, Grieg, Mahler, Wolf andStrauss encompassed a lifetime of emotions,experiences, and a full catalogue of vocaland dramatic techniques and demands.Liszt's three magicians ("Die dreiZigeuner"), Brahms' stern lover and innocently coy young girl ("VergeblichesStaendchen"), Schubert's organgrinder("Der Leiermann") and Wolf's fish ("DesAntonius von Padua Fischpredigt") allcame to life through her voice, eyes andexpression—as if she were telling a story tochildren. Voice teachers—some of them,anyway—talk about animation, expression,and movement only when it is meaningfuland unavoidable. Elizabeth Schwarzkopf'sartistry is all that and so much more. It maybe interesting to note that Mme. Schwarzkopf does many things voice teachersdisapprove of, such as lowering the head,shaping vowels, hooting, and gesturing.And as one commented, who cares?and organize a troupe under the name of theChicago Ballet.The 1975 edition of the Chicago Balletemploys Ms. Page, director, 38 yr. old BenSteveson, artistic director (formerly of thesame position with the disbanded NationalBallet), and 16 dancers. Last weekend Iwent to their theater, located at 1016 N.Dearborn, to see what was essentially theirsecond series of public performances.Admittedly, I went expecting the worst;having seen previous output of Ms. Page lastyear at the Goodman Theatre, it was not atall difficult to see why her companies areshort lived. But this time around thesituation has more promise and hope forpermanence because now the companyexhibits strength and confidence that wasnot previously evident. I could sense thatthere was at least foundations fordevelopment, that the dancers had directionand a semblance of uniformity. It appearsthe new combination of dancers and administrators have finally discovered andattained what is needed for an appropriatebeginning. Now of course the dancers madenumerous plunders, and it was obvious thatfor many, performing was a new ex¬perience. And in many instances thechoreography was below acceptablestandards. But underneath the grimace Although almost sixty years of age, shecan still float youthful sounds and makewhispers and dreams sweet and delicate.She can control colors and shade meaningsimperceptibly. And she can dramatizeexclamations to convey surprise, fear, andconsuming love. She is the living testimonythat a true artist or, in her case, singingactress needn't posses a great voice toproduce great music.Mme. Schwarzkopf drew a capacitycrowd. The hall was packed with avid admirers who had in the last twenty years,since her United States debut in 1954,learned of her charms. Aspiring singers,vocal artists with top credits, retired singersnow teachers, accompanists, and avidlisteners—all come to bid adieu andfarewell, wishing instead to say au revoir.They called her back again and again withstanding ovations, half a dozen bouquets,and undampened enthusiasm. PianistGeoffrey Parsons tried to let her take a solobow, but she always noticed him lagging afew too many steps behind and reached forhis hand. And finally—after giving all in afull recital program with two dedicatoryencores—she was alone on the staqe.Regretfully, she walked to the piano as if shewould sit and accompany herself and closedthe keyboard. The musical art and lovers ofgood music will miss herprovoking faux pas, the dancers wereconsistently enthusiastic, showing a sincerewillingness to please and improve.The first on the program was Stevenson's"Bartok Concerto," set to the composer'sthird piano concerto. Charlene Gehm andDennis Poole dutifully lead the company inthis romantic work. Most of thechoreographic ideas were cliches, and thedancers had problems in executing smootheflow of the movement Ms. Gehm's tall, leanbody, however, did reveal moments of gracein her pas de deux of the second movement.Bill Evans' "When Summoned" served asthe token modern piece. Here, five coupleswere involved in a confusing emotionaldrama. With no plot, the dancersmysteriously "groped," "felt," etc., to thecontemporary score of Morton Subotnik inhope of portraying the not so sunny side oflove relationships. Excepting BiruteBarodicaite's performance, the work wasexcessive and arduousAll the combined pioneering effortsproved successful with the Pas de Dix fromMarius Petipa's "Raymond, " Insecuritieswere forgotten, and the classic work wasrendered with ease and clarity. SoloistCarmen Mathe came quite close toachieving a first rate, truly professionalperformance.EYE EXAMINATIONSCONTACT LENSES (Soft & Hard)PRESCRIPTIONS FILLEDDR. MORTON R. MASLOVOptometristsHyde Park Shopping Center1510E. 55th St.363 6363KIMBARKLIQUORSWINE MERCHANTSOF THE FINESTIMPORTED ANDDOMESTIC WINESFeaturing our direct imports,bringing better value to youlTHE ONLY TRUE WINE SHOP IN HYDE PARK53RD KIMBARK LIQUORS, INC.12141. 53rd St.53-Kimbarli Plaza HY-3-33& ROCKEFELLER \\MEMORIAL CHAPEL \ HARMONICA SALEjrtl \11:00 A.M.(C.D.S.T.) JrlOm ✓-x \ Hohner Harmonica pricesr \ \ h<jve g<jne up yoo convs. Sove 10% off the old price0 u \ Sunday Only. February5H0 S Harper. \ J3nj 7*tn Harper Court" 1Sunday • February 23E. SPENCER PARSONSDean of the Chapel N07-/060 J"THE TEMPTATIONS OF LENT” / Open Every Sunday from 1 1 30-3:30SUNDAY SEMINAR9:45 to 10:50 A.M. Bernard O. Brown, Assistant Brent House Ecumenical CenterDean of the Chapel, leads a study of GabrielMarcels book. Creative Fidelity, in the first 5540 Woodlawnseminar room of the Chapel Undercroft. Climate, Population & Food SupplyThe University of Chicago FRED ANDERSONTHE COMMITTEE ON SOCIAL THOUGHTannounces Dept. Geophysical Sciencesanother public lecture in the Sunday, 7:00 P.M.JOHN U. NEF SERIESPROFESSOR GEORGE HUPPERTDeportment of History, University of Illinois 5 p.m. "Underground Church”SCHOOL AND SOCIETY IN 6 p.m. Supper $1.25RENAISSANCE FRANCETUESDAY. FEBRUARY 25.1975 4:00 P.M. Friday 4:30-6Harper Memorial Library Room 130 11 16 E. 59th Street Sherry HourThe lecture is free and open to the public8—The Chicago Maroon—Friday, February 21, 1975Grand Opening...A good placeto call home!A home... is where you raise your family.A home... is where your family comes back to.We happen to think that's what home is allabout. And if your family is the kind which favorsthe co/y comforts and simple activities associatedwith life in a more gentle and gracious time, you'llprobably fall in love with our latest HeritageCondominium, The Kenwood Green.For Heritage living in The Kenwood Greenmeans a return to the niceties of life we experi¬enced when we used to visit Grandmother.It means...Spacious rooms and high ceilings.Woodburning fireplaces.Bay windows and foyers.Woodworking shop.Equipped and fenced play area.More usable space of every kind for your money. The Kenwood Green Condominium is a solidlybuilt, distinguished older building. There's a lotof nostalgia and warmth left in it even thoughwe've sandblasted the stone exterior, painted alloutside woodwork, freshly sanded the hardwoodflooring and completely refurbished the interiorincluding paneled hallways and new carpetingcovering the vestibules and stairs. The entireelectrical system is rewired and there's acompletely new heating plant.The location in cosmopolitan, friendly HydePark is all you'd wish for. The Kenwood Green,at the corner of 57th and Kenwood, is across thestreet from Bixler Park and the Ray School play¬ing fields, just I Vi blocks from the Lab Schooland a short distance from shops, restaurants,churches, recreation and cultural centers, theUniversity of Chicago, parks and beaches. Each time we open another Heritage Condo¬minium. we re pleased because so many of youare pleased with our sensible approach to a wayof life that was almost lost. So, come to see TheKenwood Green, “a gtxxi place to call home!"And if you want to make a hit with Grandmother,bring her along.You'll find us at 57th and Kenwood. Just lookfor the coaehlights at the entrance.We’re open Saturday and Sunday, 10 a m. to6 p.m. Weekdays, 3 to 7 p.m.Excellent Financing—As low as 10/c down.Operating expenses guaranteed throughFebruary 28, 1977.Two, Three and Four BedroomsFrom $27,500Kenwood GreenKenwood and 57th Street, Hyde ParkOpen Saturday and Sunday, 10:00 a.m. to 6:00 p.m.,weekdays, 3:00 to 7:00 p.m.A Heritage CondominiumBy Development Management Group, Inc.Exclusive Agents Urban Search CorporationFridoy, February 21, 1975—The Chicogo Maroon—9 TheGreyCityjournai-0DdNCGiFinal Reporton the JoffreyBy Minna DavidsonIt is difficult to write a critical review ofthe .Joffrev Ballet because so much about itisobviousN so good that there is little for thecritic to attack or defend before the public.For thi' most part, the technical aspects ofthe company’s dancing in its recent Chicagovisit were impeccable Hardly a dancerwobbled at the completion of a jump; almostno om* faltered while taking or holding abalance: turns rarely fizzled out into un¬focused oblivion, but rather had firmtmishes; carriage of the arms was nottorgotten; and even the most demanding>eries of steps were generally danced un-tlmchmgK and with authority. This alonewould probably be enough to distinguish the.loffrey as outstanding, but the company hasmore to offer than mere technicalproficiency The dancers not only dancewell, but they dance with spirit and with'oelmg for their dances as whole entities. It*» unusual indeed when a .Joffrey danceroses character and resorts to simply executing the series of steps which ahoreographer has assigned. Thus, Joffreylances tend to bo cohesive wholes and to:ome across to the audience with a greatrnd dynamic force.Perhaps the most impressive thing aboutthe Joffrey, however, is its tremendousversatility The company is able to slip fromone dance style or idiom to another withenviable ease This quality was exhibited inalmost every program as dances in differentstyles were performed with the same highdegree of competence and confidence. Itwas made still more apparent in Trinity andDeuce Coupe 11 where the choreographersblended together more than one dance stylein a single work In Trinity the dancerslooked equally comfortable as they per¬formed ballet and jazz movements. InDeuce Coupe the dancers managed to flitbetween ballet, jazz, modern dance, populardance and acrobatic movements withastoundingly little apparent effort. It isprobably this ability, more than anythingelse, which makes the Joffrey such an ex¬cellent company.Much of the joffrey’s choreography is offine quality. Some notably good works thisyear were Trinity. Clowns, and Deuce Coupe11 In all three pieces the choreographers notonly experimented with new sequences ofdance steps, but also with the patterns in which the steps were done. They broke awayfrom the traditional orientation toward thefront or center of the stage. Their dancersmoved in all directions and on all parts ofthe stage. In spite of the fact that thesechoreographers used the freedom to placeand group their dancers where they pleased,their choreography never looked unin¬tentionally cluttered or chaotic The pieceswere very tightly constructed.Some of the other works, while essentiallysound pieces of choreography, containedsome details which might have been better.Jeu de Cartes by John Cranko is a sillyballet in which the dancers representplaying cards dancing on a poker table. Thiswhole idea, from the start, is ridiculous. Itaffords the choreographer numert us op¬portunities of displays of humor. My onecriticism of the piece is that Cranko reliestoo heavily on some devices for creatinghumorous effects. Too often his womendepend upon flexed feet to make them lookfunny, while his men are given too manyeffeminate gestures for the same purpose.In spite of this, on the whole, Cranko keepshis ballet silly without letting it sag intoseriousness or develop into somethingnauseatingly cute, and thus it comes off as a delightful bit of nonsense.Kurt Jooss’ Green Table is another finepiece of choreography—I think. The reasonwhy I am uncertain about how to judge it isthat it seems to have lost some of itsemotional impact now that the Viet Namwar is over and its anti-war message is notso immediate to us. It seems to suffer fromits dated appearance and lack of subtlety inall but the first and last scenes. Somehow,though it is supposed to be a universal balletwith a universal appeal, it does not appearto be withstanding the test of time verywell—but perhaps that is only due to a quirkin the present taste.The dance contains much which is wor¬thwhile. In general, Jooss’s choreography isvisually effective and well controlled. Someof it is quite ingenious. His scenes at theGreen Table are remarkable bits of satireon the hypocrisy of diplomacy. They alonecompensate for whatever faults are presentin the rest of the ballet. Besides them, hiscaricature of the profiteer is good and someof his dancing for the god of Death, whilerepetitive, is nevertheless imposing. If some(JOFFREY continued on page 8)Roam aroundEurope all summerfor$18QA Student-Railpass gives you two months of unlimited Second Class railtravel through 13 European countriesBuy one we ll give you a map, and where you go next is your ownbusinessAll we ll say is that European trams are a sensational way toget there be it Austria Belgium. Denmark, France. Germany,Holland Italy, Luxembourg. Norway. Portugal, Spam, Sweden orSwitzerland100 000 miles of track link cities towns and historic, scenicand social attractions. Our trams are fast, modern, convenient, cleanand comfortableAnd you'll discover there's very little second class aboutSecond Class You can sleep in a couchette for only $6 00 a night. Andif you want to eat on a budget, inexpensive snacks are often available.You car even take a cruise on the Rhine, if.you like. Eurailpassis valid on many European femes river and lake steamers and hydro¬foils It also offers you substantially reduced fares on many sideexcursions you might want to take by motor coachAnd how's this for travel convenience9 Many rail stationsoffer bikes for rental, and it's possible to pick up a bike atone station and drop it off at anotherAll you need to qualify is to be a full-time student.nder 26 'i ere's just one catch You must buy yourStudent-T -ilpass here before you take off They'renot for saie in EuropeIf you have less time to travel,or want to travel F<rst Class corstderEurailpass A two-week pass costsS130 Three-week pass costs $160One month $200 Two months $270.Three months $330Don't wait It could be thetrip of your life See your Travel Agent orclip the coupon and we'll send youall the facts.r- -es 5jb;ec: to ct-anTe.STUDENT-RAILPASS I The price of one trip could pay for all of Europe. I Robert A.Heinlein The new Heinlein!The Past Through TomorrowbyRobert A. HeinleinA n. - The complete "Future HisFuture IStories tory stories, at last in paperback. From the dean ofAmerican science fictionwriters, 21 dazzling and prtFphetic stories about life inthe next century-and farbeyond. A major publishingevent!Berkley paperback $1.95Cnnipkif ill < Hk\< 4iiiimThe BistThroughTomorrowYou’vebeen there.Now you canhelp them.They've got a long way togo. In a world that isn't easy.But with someone's help,they’ll make it What they needis a friend Someone to act asconfidant and guide. Perhaps,it could be you as a SalesianPriest or Brother.The Salesians of St. JohnBosco were founded in 1859 toserve youth Unlike other orders whose apostolate has changedwith varying conditions, the Salesians always have been - andwill be, youth oriented. Today we re helping to prepare young¬sters for the world that awaits them tomorrow Not an easytask but one which we welcomeAnd how do we go about it9 By following the precepts ofour founder, Don Bosco. To crowd out evil with reason religionand kindness with a method of play, learn and pray We retrying to build better communities by helping to create better menAs a Salesian, you are guaranteed the chance to helpthe young in a wide range of endeavor ... as guidance counsel¬ors, technical and academic teachers, as coaches,psychologists ... in boys clubs, summer camps as mission¬aries. And you are given the kind of training you need toachieve your aimsThe Salesian family is a large one (we are the third largestorder) but a warm one A community with an enthusiastic familyfeeling where not only our talents are shared but our short¬comings, too. If you feel as we do, that service to youth can bean important mission in your life, we welcome your interest.For more information about Salesian Priests andBrothers, mail this coupon toFather Joseph Maffei, S.D.B. Room B- 172I am interested in the Priesthood [ ]i Salesiansiii OF ST. JOHN BOSCOBox 639, New Rochelle, N YName. 10802Brotherhood [ ]AgeStreet Address.City State . 7jpPhoneEducationYour Current Job IIIIII10—The Chicago Maroon—Friday, February 21, -1975dRT R€CORDSNon-SilverBy Amy WeinsteinDarryl Curran is a chemist of aesthetics.He merges such conventionality unrelatedprocesses as photography and paperchromotography, yielding a wide spectrumof results to experiments in "non SilverAlternatives." Skills of a graphic artist fusewith techniques borrowed from thelaboratories of photographers and scienfists. Curran utilizes a wide variety ofprocedures in unusual combinations, toproduce his graphic work. Techniques rangefrom x ray print exposure to antique modesof photographic development.The success rates of truly original experiments are no longer predictable constants. Here, printed areas of color arearranged in basic geometric patterns — attimes, they are as scattered across thebackground pages as haphazardly as achild's potato cutting prints; at other times,they form provocative contrasts of lightsand darks, hards and softs, warms andcools. Image sequences often repeatthemselves throughout the collection ofstudies. Yet, works are distinguished bydiffering both the compositional order andthe effects of various printing methods.Thin layers of chemical color overlap oneanother to create irregular edges of graphicdesign. As a far distant memory, the onceglimmering eyes of a young woman aredimmed by a powdery residue of faint tint.Her excited gesture, too, is of the past. Thejerk of a jacket, revealing a diamondstudded undershirt readinq Rock 'n Roll, iscalmed by the haze of line and the blendingof form. Facial features are accentuatedand distorted by thickened areas of colorthough the effect is not opaque. Bleachedpaper is itself a part of the tonal order ofdesign.The subtleties of fine, artistic printing arethere to be examined and appreciated as cohesive elements of composition. Unforunately, some expressions are so subtleas to hush themselves right from the faces ofthe work.(However, disturbing incongruitiespresent in many works, blatantly un¬convincing relations of imagery, tone andshape these destroy the rhythmic patterns.Transitions from one complexly workedprint area to the next, or from the printedsurface to the emerging skin of paperbeneath, are clumsily handled.)At present, Cullan is a visiting artist at theSchool of the Art Institute. He regularlyserves as Associate Profesor at CaliforniaState University at Fullerton. "Non SilverAlternatives" continues at Midway Studiosthrough February 28.TH£dT€RBest WayBy Paula MaterreThe Travel Light Theatre Company hasbeen dropping in on Chicago's beer pubs andvarious other places since last May with apotpourri of productions. This month they'remaking Thursday evening stops at the BlueGargoyle with Elaine May's impressivesatire Adaptation. It is an adaption of life,appropriately played out as a T.V. gameshow with contestant Phil Benson strugglingto advance on the game board of life until hefinds the Security Square, at which time hecan suffer a coronary occulsion and die.Phil Benson moves three spaces forwardand enters the world as the son of urban,liberal, middle income, Protestant, white, VAN MORRISON, Veedon Fleece, WarnerBros. BS 2805. This is an evenly distributedIp, delvinq heavilv into iazz instrumentationand long, non vocal breaks. The songs arerather cool, distant; they lack the immediacy of his older material, yet retain thecapacity for being investigated and interpreted that his songs have always had.The biggest let down here is his singing,which sounds muted and strained, and ratheras though he wished some one else weredoing it. I've listened to this record abouteight times now, and while I remain convinced that Morrison is one of the fewmusical geniuses of rock, I still can't pinpoint a specific example of that genius here.Hiqhly recommended anyway. B plus.JIMMY CLIFF, Music Maker, RepriseAmerican parents When he asks his motherwhere babies come from, she gives him adetailed clinical explanation But his nextquestion—"What are Negroes?"—sheapproaches with poetic babblings aboutblack flowers growing side by side in thegarden with white flowers for the enjoymentof the white flowers. Naturally, this usefulpiece of information later puts poor Phil onthe Isolation Square, when he innocentlycalls one of his classmates a dark flower.Life is no less confusing when in collegePhil attempts to relate to an intellectualyoung woman who is disgruntled becauseher mother cried after a reading of TheProphet. "I wanted her to hear The Prophetso she could understand love—but too manypeople spell it fit," she complains to Phil."Yeah, well," Phil interjects, "that'sbecause they're taught to read by soundingout words instead of memorizing them." MS 2188. Cliff seems to be the last holdout ofreggae (remember when it was going to bethe hot rage, and sweep the country?), andit's too bad The deceptive back beat is asrefreshing now as it was when Cliff's stunning The Harder They Come was released afew years back. Though Music Maker does notregain the heights of Harder (he has neverequalled it, and in a way, it is sad that thebest work in the genre was the first, sincenothing else can measure up to it), it is astrong Ip in its own right. Just toolighthearted — reggae loses its edge whenthe strict formula is not tempered with in¬cisive lyrics. This is the best by Cliff sinceHarder, however. BBy Gage AndrewsThat's alright, Phil. She was a bit deep.Nevertheless, you have failed in yourEmotional Interest. Advance to the Narcissistic Consolation squareAlthough Phil sidesteps his way throughcollege and Kappa Kappa Kappa, courtship,marriage, and a stunnmq career in hotelmanagement (he wanted to eftect changesfrom within the system), he never attainshis dream of a high yield stock withminimum risks and an intimate relationshipwith a congressman or movie star.Adaption won several drama awards forauthor Eiaine May when it opened offBroadway in 1969, and these professionalactors perform it in frolicsome spirits.Gisli Bjorgvinsson, Krisha Fairchild,William Stecz, and Russ Tutterow, who alsodirected, romp their way through thismonopoly game with comic vigor whilechanging characters, sounding buzzers, andparading cue cardsMichael Cullen is the producer of theforty member, not for profit Travel LightTheatre Company, which will open a permanent residence at Gandalf's, 2150 NHalsted, next month. My suggestion is toadvance as many squares as it takes toreach them, wherever they're traveling.Traveling Light is theLAST CHANCETO BUY WINTER QUARTER TEXTSWinter Quarter TextbooksThe bookstore has made every effort to have a sufficient quantity ofrequired and recommended titles in stock for this term. Because of thelimited amount of space we must begin returning texts no later thanMon., Feb. 24. 1975. Please make every effort to purchase any neededtexts before then. After the 24th we can not be responsible for courserequirements for the Winter quarter.If you do not have a charge account with our store, you are invited toopen one now, purchase your texts, and pay for them within thirty days.UNIVERSITY OFCHICAGO BOOKSTORE vjFriday, February 21, 1975—The Chicago Maroon—11 TheGreyCityJournalIhev^reyWiryJournalr 1D DdNC£(Joffrev continued from page 6)of the other elements of the piece look a bitcorny and do not reach the level ofsophistication which seems necessary for anadequate treatment of the subject of war,we should remember one thing beforejudging it too harshly. The Green Table isone of the first, if not the first ballet to at¬tempt to deal with a relevant modern issue.Considering ballet’s heritage of swans andsylphs and willies, I think we must giveJooss credit for trying to move the art forminto a new realm, and appreciate his balletfor at least its historical value as an in¬novation, if not for its own sake.Only two of the ballets which I saw-deserved out-and-out criticism. The first ofthese was Sir Frederick Ashton’s Monotones1 and II. The major problem with it was thatboth monotones were too long. In each one,Ashton experimented with choreography forthree people. This in itself was a problembecause there is a limited number of thingsto do with three people unless one is willingto abandon formal ballet and pile them up invarious ways, and Ashton was not. So, hehad done everything he could with hisdancers shortly after the first Monotonestarted, and from there on, he was left to repeat and repeat (granted, with somevariations) all of his original ideas.The second Monotone was somewhatbetter than the first, perhaps simplybecause the costumes for it were not gaudyyellow. More likely, however, it wasbecause the second seemed to catch andhold a special mood while the first neverquite established one. During the per¬formance which I saw, the second was alsodanced better than the first. It was one of therare instances when there was a noticeabledifference in the quality of Joffrey per¬formances. All in all, I could have taken orleft Monotones I and II and I would just assoon have left them.The other ballet which warrantedcriticism was Pas des Deesses. To beginwith, it looked suspiciously like AntonDolin’s revival of Pas de Quatre. Therefore,it kept giving me the uncomfortable feelingthat Joffrey lifted a great deal of it fromDolin’s piece. One of the things which mademe think of Pas de Quatre was the interplayof temperament which kept up between thesections of the dance. The ballerinas bowedcondescendingly to one another and stalkedon and off stage just as they do betweensections of Pas de Quatre. Unfortunatelythis was neither cute nor humorous in Pasde Quatre and. whether or not Joffrey stole it from Dolin, it is not cute or humorous inhis piece, either. I felt particularly sorry forBurton Taylor who danced the male rqleboth times I saw it. Poor fellow! He had tohaul around not one, but three, ladies. Whilehe performed his duties in triplicate, he wasalmost constantly being eclipsed by largebillows of Easter-egg colored ballet skirts.At least he did have a short virtuoso solowith which to show himself off. On the wholethough, I thought his part represented quitea waste of male talent.Although I have been Giselled, LaSlyphided and Pas de Quatred almost todeath in the past few years, I can un¬derstand why Joffrey would want to includea nineteenth century style ballet in hisrepertoire. There are some people who feelthat they have not seen ballet unless theysee beautiful women flouncing around inlong skirts. It seems to me though that eventhey would have beer, more pleased with ashort, to the point, pas de deux than withJoffrey’s ,ong-winded exposition ofnineteenth century style.Despite the fact that the Joffrey includedtwo mediocre pieces in its Chicago reper¬toire, its most recent appearance here wasanother demonstration of its general highquality. One only wishes that more dancecompanies could perform at its level. m auuta umn mmi mtum M cttnciui im m writdftorGage AndrewsstallMiles ArcherHarold BrennerEden ClorleneBonita CodyMinna DavidsonRobert L. GreeneMark GruenbergPaul GudelToby HotslundGary KazinJohn KuhnsAllred Lea Paula MaterreC. J. MyersRichard RandAmy RhodesAlan RothDaniel M HosenthalEsther SchwartzMike ShieldsEnoch SoamesDean valentineMichael VerMeulenAmy WeinsteinThe Grey City Journal is published every Friday aspart of The Chicago Maroon. All advertising andsubscription enquiries should be addressed to theBusiness Manager, The Chicago Maroon, 1212 E 59thStreet, Chicago, III 60637 Phone 312 753 3265Vinya" Rose Table Wine, c 1975 Heublem. Inc , Hartford, ConnAs remedies go, the CBS Radio Mystery Theater may notbe as effective as holding your breath or walking around witha bag over your head, but it's a lot more fun.Every night of the week, Mystery Theater brings you tales ofsuspense, terror and intrigue. It's a great show, but thatisn't the only reason we want you to listen to it.You see, we’re the importers of Vinya*Rose wine, and we’reone of the show's sponsors. As you might suppose, wewant people to know about Vinya. XVinya is light and crisp ami refreshing. And it’s available ina variety of sizes.!? itVjgMgc Portuguese RoseSo why not pick up some Vinya today, oiuUeep it by your sideduring tonight's Mystery Theater. 14That way, when you’re scared $ut of your wits, ydu'll knowwho to thank. , i IOn Every MightStarting at 10:30On WBBM 760 f M12—The Chicago Maroon—Friday, February 21, 1975‘ * -.•* * O - V. 7*>. * ‘ C v 1 . I „ '( (l’*«' C l “1 . '* Vv to help you catch up fastProgrammed format keeps youfrom wasting time lets youconcentrate on areas whereyou need the most help...CLIFFS KEYNOTE REVIEWSKroch’s Brentano’sthe full service bookstores®29 South Wabash Avanua, Chicago, Illinois 60603 • DEarborn 2-7500BRANCH STORES 516 N Michigan Ave • 62 E Randolph St • 16 S LaSalle Si1723 Sherman Ave . Evanston • 1028 Lake St Oak Park • North Mall Old OrchardOakbrook Center • Evergreen Plaza • River Oaks • Lincoln Mall • Randhurst CenterHawthorn Cente- • The*Matl at CherryVale (Rockford) • Woodfield MallMAROONCLASSIFIEDSGET ATTENTION.■CALENDAR FORUM: one mo' time an aidermanic forum moderated by Leon Despres !0 30a m , Sunday at K A M Isaiah Israel congregation, 1100 Hyde Park BlvdGUATEMALA a travelog by Francis Weeks 2 30 p m , Sunday at ChicagoAcademy of Sciences. 7001 N ClarkPSYCH Dale Terbeek "Language Systems and Psychology" 7 30 p.m , Sundayat the Crossroads Student Center, 5471 S BlackstoneMEAL/ DISCUSSION Pabbi Daniel Leifer on "The Mood of the AmericanJewish Community Today " 5 30 p m , Sunday in the Blue Gargoyle SI tor themealLAW: Fred Solowey "The Grand Jury and Post Watergate America" 17 00 noonat the First Unitarian Church, 57th and Woodlawncontinued from page 4ON CAMPUSSEMINAR Bernard Brown leads discussion of "Creative Fidelity," 9 45 am inRockefeller ChapelCONCERT Henoch Dixon Sauer trio of the Chicago Symphony Orchestra 3 30p m Breckenridge Hall, freeDOC "A Very Curious Girl" 7 15 and 9 30 pm Cobb SIUT A Flea n Her Ear 8 30 Mandel HallBRIDGE 3 00pm Crossroads Student Center 5471 S BlackstoneLECTURE/ DISCUSSION Dale Terbeek "Language Systems and Psychology,"7 30 p m , CrossroadsINDIAN FILMS "Chorus" I 30 p m , and "Samskara" 3 45 p m in Cobb HallSIMonday February 24KARATE 6 00 p m Ida NoyesCHESS 7 00 p m Ida NoyesFOLKOANCERS 9 00 pm Ida NoyesUFO lilm and discussion Lesbian Feminism 8 00 p m , Blue GargoylePURIM PARTY Megiila reading 4 70 p m Party at 8 00 p m Hillel, 5715 SWoodlawnLECTURE Richard Epstem on "Action and Responsibility," 4 00pm Classics10UT WORKSHOP A Flea in Her Ear A Critical Look" 4 30p m MandelUT A Flea m Her Ear" 8 30p m MandelOFF CAMPUSLECTURESWORKS OF THE MIND Donald Levme "Marx and Freud A SociologicalCritique 8 OOp m , Friday, 36 S Wabash, ISth floor filmCEF : "Minnie and Moskowitj" / I5and9 30 p m , Friday at Cobb SIDOC: "Monsieur Verdoux". on Saturday and "A Very Curious Girl" on Sunday7 15 and 9 30 p m CobbCUBAN FILM: "The New School" 1 OOp m Sunday at Rising Up Angry, 1715 WBelmont, and 7 30 pm Monday at the Blue GargoyleINWARDGLANCE written and directed by Ward Frederick 8 00 pm, Mondayat-the Read Barron, 7745 N Lincoln S10 per coupleA PURIM SPEIL: "Esther and The King," 8 30 p m , Saturday at HillelFILM CENTER: "Five Shorts by Roman Polansk ncluding "Two Men and aWardrobe," When Angels Fall," "The Fat and th«. Lean," "Mammals." andPolanski Meets MacBeth" 5 30 and 7 30. Friday, Fullerton Hall at the ArtInstitute SI 75"RARE CINEMA": My Name'iS Ivan 4 00 p m , Sunday at the Drama ShelterCLASSICAL MUSICMPCO Hyde Park Chamber Orchestra Sunday at 7 30 p m at the Beverly ArtCenter, 7153 W 111 St . a program of Bach, Br.tten and Bloch, freeRECITAL: pianist William Masselos. Friday 8 15 p m at Lutkm Hall, 700University Place, Evanston, S4, 49? 5441RECITAL strings and piano, 3 30 p m , Saturday, Lutkm Hall, 700 UniversityPlace m Evanston, Free, 49? 5441CONCERT Alice Millar Chapel Choir. 8 15 p m , Sunday. Alice Millar Chapel,Sheridan Road at Chicago Ave . Evanston, free 49? 5441CONCERT Chicago Symphony Orchestra. 2 00 pm Friday, and 8 30 p mSaturday. Andre Previn conductor At Orchestra HallBRASS CONCERT Hyde Park Brass Oumtet and UC Brass Society. 8 00 p mSwift Common room freeCONCERT Henoch Dixon Sauer Trio. 3 30 p m Breckinridge HouseTHFATERUT "A Flea in Her Ear". Friday Monday 8 30pm 300pm Matinee SundayIn Mandel Hall, 57 A UniversityFREE MOTOROLA f*-*- «STEREO TAPE PLAYER l—‘-~WITH ANY USED CAR 63 INSiOCK.,M»tDI»"0€UV«’174 VEGA HATCHBACKAutomatic ti*is txxh vd* moulding!•ti'twaih 'adio i>eate Stk X3575*2288 71 CHEV. STATION WAGON9 promt* automatic traits ancow)itiomn| radio •txtewaiis StkNo 3405438873 CHEV IMPALAIV8 automatic :iaos poweiI steenog factory a« conditioningI jnwei biakes ail whitt black in•wot like new | » ta ]|g „359? 72 CHEV. IMPALA 70 CHEV. STATION WAGONSTATION WAGON 9 W k8 «*««*«: Iid . nans powei biakes power Stamm“.■KSSSSeSaStk No 34717788 4988 78873 BUICK CENTURYI factory an condition.ng VR ?I door baidloo vmyl mtenoi nnyttool iadio heatei bnghf gieenI low r ,|es 1 ,ai)ed 72 CHEV VEGA7 d' Haubtuc* automatic dansiadio whitewalls Stk No 3417SAVE ‘1288 '70 MERCURY MONTEGO< dooi 4 |i automatic Vans powei |steenng iadio whitewalls Stk No3344788 YOURTRADL-'N!53 IN STOCKlLIMITED TIME ONLYlDON’T GO HALFWAY OPEN SUNDAYSjSfMi DWAY-=- i65 22 S. COTTAGE GROVE A VF6522 S. COTTAGE GROVE AVE.PHONE: AAI 3-3500 open daily til s p.m. • sat. c sum til 6 p m. MAGIC CIRCLE THEATRE "Alice in Wonderland," Friday and Saturday, 8 3#p m . 2 00 p m matinee on Saturday At 415 Wellington Ave 871 5551 or 979 0542TLT: "Adaptation" by Elaine May, the Travel Light Theatre Co , 9 00 Saturdayat T H Pardiggles. 3510 N Broadway 9 00 Sunday at Kingston Mines Cafe, 2354N LincolnJANE AOOAMS THEATRE "Veronica's Room" by Ira Levin. Friday andSaturday at 8 30 p m , at the Jane Addams Theatre, 3212 N Broadway 549 1631DRAMA SHELTER No Ex it" on Friday. 8 30 p m 7070 N Halsted 549 4070DRAMA SHELTER: "The Haunted Host," Saturday, 8 00 p m and 10 30 p m7070 N Halsted, 549 6020FOLK/ ROCK/JAZZNEW DOOLEY BAND 8 30 Friday at the Blue GargoyleKISS 8 00 p m Friday, a* the AragonROXY MUSIC 8 00 p m Sunday AuditoriumBONNIE KOLOC and Jim Peterik 8 OOp m Saturday at Triton College. 7000 5thAve , River Grove, IIMUDOY WATERS and Miqhty Joe Young. tOOpm Friday Harper CollegeAigongum and Rosene Rds in Palatine^"“.Y fr'"" *- «•« <*•*>Pub must be cleared between showsHound Dog Taylor & the HouseRockersthe PUB$2 * 2 drfnks admission ticketavailable NOW in Pub★ ★★ Vs—Roger Ebert, Chicago Sun-Timesnot a moviePaul McCartneyJohn Lennon,George HarnsonMick JaggerJim MornsonBoD Dylan,Jmi Hendrixor Jams Jopimits only a storybut it could bethe story ofailof themDAVID ESSEX ADAM FAITHvi LARRY HAGMAN wmenby ray connollyProduced k DAVID PUTTNAM and SANFORD L1EBERSONDirected k MICHAEL APTEDColumbia Pictures A Division of Columbia Pictures industnes Incr iismctii i>an rm p«oouctiONNOWPLAYING A WALTER READE THEATR™ [squirSB E OAK STREET • 337 1Y-:Friday, February 21, 1975—The Chicago Maroon—1 JWomen make bid for State TourneyBy MIKE KLINGENSMITHComing off a 62-49 defeatat the hands of ConcordiaCollege of River Forest, theUniversity Womens’basketball team will attemptto regroup and gain a berthin the Illinois State AIAWBasketball Finals later thismonth in Champaign.In order to do that theteam will have to place atleast third in the Nor¬theastern State Qualifyingtournament starting today atChicago State University.The Maroons go into theeleven team tourney seededthirdv behind one team theyhave defeated (#1 seededNortheastern Illinois) andone team that they have lostto (#2 seeded Chicago State).Chicago has drawn a byein the first round, and at 1:30this afternoon will meet thewinner of the Mayfair J C -Northwestern Universitycontest. Northwestern, thefavorite in that game, haslost to the Maroons twicealready this season.Should Chicago win theirfirst game they would mostlikely meet Chicago State inthe semifinals Fridayevening at 8:15. ChicagoState will have a bye in thefirst round and will meet thewinner of Chicago Cir¬cle/ Barat College in thequarterfinals. If the Maroons lose thesemifinal they still have achance to go downstate ifthey can win the third placegame. If they win thesemifinal, they will mostlikely meet NortheasternIllinois in the championship.Northeastern is thefavorite to emerge from theother bracket over DePaul,Triton JC, North Park, andWright JC. The Maroonshave defeated every team inthe other bracket with theexception of Triton, who theyhave not played.The pairings seem to haveplaced Chicago at a disad¬vantage. The key game, itappears, could be a Chicago-Chicago State rematch in thesemifinals on Fridayevening.If the Chicago cagers playup to expectations andemerge from the NEQualifier, they will venturedownstate to Champaign forthe State Tournament nextweekend Already invited tothat 16 team tourney are sixstate schools; Northern.Eastern, Southern. Western.Illinois State, and UI.Joining them will be thethree from the NE Qualifier,three from the NorthWestern Qualifier, and fourteams from downstate.Illinois State University isthe heavy favorite in theState Tournament. At leasttwo. and possibly as many as four teams will advance tothe Regional Tournament atIllinois State and from thatRegional , two teams willproceed to the NationalAIAW Tournament inHarrisburg, Virginia.Last season at theQualifying Tournament,which included 22 teams,Chicago won the consolationchampoinship by defeating,Chicago Circle, Nor¬thwestern, and RockfordCollege after being upset inthe opener by Olivet-Nazarene. This season, the22 team Northern Qualifierhas been split into two 11team tournaments, Chicagobeing assigned to the Nor¬theastern section.The Maroons, playing abusy schedule this week,defeated Circle 59-52 at IdaNoyes on Tuesday beforetheir road loss at Concordiathe following night. Chicagowas paced by VadisCothran’s 19 points andLaura Silvieus’ 18 againstCircle. The Maroons led 31-30at half of the Concordiacontest before foul troubleand inconsistent play led totheir demise in the final 20minutes.Finally, not satisfiedplaying five games in fourdays the women cagers willtake to the court again tochallenge the College ofDuPage Tuesday night in IdaNoyes at 7:00.Wohlhuter aim- 3:51.1By JEANNE DUFORTWhat’s a man to do if heonly has time in his day toeat. sleep, work, and runraces9Well, if that man is RickWolhuter. 1975 winner of theSullivan Award as topamateur athlete in thecountry, he simply adjustshis schedule slightly to in¬clude accepting awards.Wolhuter’s credentialscertainly are impressive:he’s the world record holderin the half-mile and thousandmeter runs, and has an¬chored the UCTC two-milerelay team to both the indoorand outdoor world recordsIn 26 races in 1974, the manwas undefeated. Not bad for a25 year old insurance manTed Haydon. coach of theUCTC that Wolhuter runsfor, attributes much ofWolhuter’s success to his great intelligence. “Rickcalls the shots - my role ashis coach is generally in anadvisory capacity. He knowswhat he can do and needs todo in order to accomplish hisgoals, and he usually goesright out and does it.’’In 1972, Wolhuter’s hopesfor an Olympic title weredashed by an untimely fallso, of course, the ’76Olympics have to be somesort of long range goal forthe runner. But for now. atleast, he’s concentrating onkeeping his peak for as longas possible.Someone asked TedHaydon what would happenwhen Wolhuter finally lost arace, and his reply was thatanyone who can go to theOlympics, fall down, andpick himself back up needn’tbe worried over Well,W'olhuter finally lost a racethis past weekend - Filbert14—The Chicago Maroon—Friday, February 21, 1975 Bayi. one of the top worldmilers. ran a 3:56.6 mile tobeat a man who hadn’t lost inover a year.Wolhuter’s third placetime of 3:58 4 was not at allbad, and, like the Olympicfall, this loss is likely to bemerely a temporary setbackon the road to a bigger goal -Jim Ryun’s 3:51.1 worldrecord mile.Haydon feels thatWolhuter’s tremendous self-confidence will eventuallylead him to the record“Unlike many runners, Rickis not afraid to go out andtake the lead He believes inputting all your cards on thetable. One other thing, Rickwants Ryun’s record andbelieves that it is very muchwithin his capacity Youhave to have confidence in aman like that "Unlike many runners,Wolhuter trains for specificparts of his race rather thanfor distance. You won’t seehim logging more than 50miles a week in training, adecision made because oftime, tendon problems, andhis conviction that thequantity doesn’t matter somuch as the quality ofrunningWolhuter’s coach is ac¬tually as well known in theworld of track as he is. Thisevening, Ted Haydon will bethe recipient of a specialaward for MeritoriousService to Track and Fieldpresented by the New YorkState Olympic Committee.A very special pair, thecoach and his runner, a pairthe University must be proudto be associated with. STATE TOURNEY BOUND?: Women s Varsity will compete this weekend in theNortheastern Illinois Qualifying Tournament at Chicago State.Frats to vie for titleBy JIM KAPLANThe real undergraduatebasketball championshipwill be on the line thisSaturday afternoon,February 22. at 5.00 p.m. inthe Field House At thattime, the Inter-FraternityCouncil will sponsor whatpromises to be the grudgematch of the year to clarify atitle which has been disputedsince Phi Gamma Delta wonthe “official” intramuralundergraduate basketballchampionship a few weeksago.Spectators at this tournament, which will seeAlpha Delta Phi and PsiUpsilon Fraternitieschallenging the Fijis’ crown,will be asked to contribute atoken 25 cent admissioncharge. All gate receipts willbe donated to the* Wyler’sChildren’s Hospital to be puttoward the purchase of muchneeded toys for its patients.Through the staging of thischarity tournament, theInter-Fraternity Councilhopes to settle a controversywhich cropped up after thethree fraternity teams hadwon each of the three un¬dergraduate divisional championships. Phi Gam.winners of the Un¬dergraduate Blue division,drew a bye in the first roundof the playoffs, while AlphaDelt and Psi U, having wonthe Red and White Divisionsrespectively, battled it outfor the right to meet the Fijisin the UndergraduateResidence League titlegame.Alpha Delta Phi won theFebruary 3rd playoff meet¬ing of these two basketballpowers 44-29 but weresubsequently declaredineligible by IntramuralDirector Bill Vendi’s protestcommittee for their use of anillegal non rostered playerHowever, Psi U was not ableto take advantage of thisdecision as they, too, weredisqualified for using anineligible player based on arule misinterpretation.Emotion should be at afevered pitch when these tworivals replay their playoffmatch and get a chance tomeet the Fijis who went on todefeat the UndergraduateIndependent champs for theUndergraduate TitleDespite losing the All-University Championshipgame to the graduate champion Zephyrs, the teamfrom Phi Gamma Delta feelsconfident they can hold offthe challenge of theirfraternity opponents. Ledby their outstanding do-it-allguard. Tim Hindert, the Fijiswill relay on Marty Selzerand Steve Kroeter for boardstrengthAlpha Delta Phi is led bytheir dead-eyed guard, JackRegan, and strong-armedcenter, Mike Krauss. TheAlpha Delts finished fifth inthe I M. Basketball Top Tenpoll, second only to #3 rankedPhi Garnma Delta amongundergraduates.Psi Upsilon looked like theearly season favorite to takeundergraduate honors. Theover all play of Jack Levanat center paced the Psi Uteam which relied on SteveMoore for scoring punchThey finished sixth in theI M. poll after rating as highas fourth at the season’sbeginningSo remember the date tosee campus basketball at itsbest for a charitable cause.The tip-off will be at 5:00tomorrow afternoon in theField House. Come and seewho the real undergraduatechampions will be.FRATERNITY BASKETBALL: Phi Gam, here being scored against by the IMchampion Zephyrs, will attempt to defend their undergraduate title againstchallenges from Psi U and Alpha Delta tomorrow.MAROON CLASSIFIED ADSSPACERoommate wanted to share 3 bdrm aptwith ? others thru 6/ 30 $68mo plusutil 5? 8. Porch Cal) 363 87/6SPACE WANTED UC alum onsabattical needs room to work andstore papers so family don't go cra/yKitchen/ phone not needed, basementOK Will pay up to $15/ mo and/ orhouse sit and do odd jobs Now throughJune 947 8759Larqe furnished apt tor 7 or 3 people,On University bus line (Harper)Please call 955 4014Single room & oriv bath in privatehome 185/ mo 3 blks from campusCall 374 4481 avail March t Forfemale studentGet ahead of the game ideal for youngmarrieds who want to save One blockto campus bus stop Jackson Parkhighlands 7 flat with 7 car garageOffered at $79,500 Call Mrs Haines467 4666 Kennedy, Ryan, Momgal &AssociatesSHARE SUNNY QUIETAPARTMENT very close to campusFemale graduate student only Ownbedroom, use of kitchen and entireapt $75/ mo Avail now to June 30955 3913. evesHYDE PARK TWO BEDROOMCONDO APT for sale In excellentcond Reasonable Oak floors, modkitchen & bath 1453 E 56th SI Assess$57/ mo 337 7400, or MI3 37337,BarbaraMrs Polyak's apartment on 56th &Univ has I room available forSPRING QTR Sublease May choose 7more roommates alter spring CallPedro, 667 1760Sunny room in apt with showeravailable immed in Blackstone HallMales only No meal contract 741 5794evesFor rent Furnished reception room,business office and consulting office ortor mental health practice, three tolour days per week ground floormedical building near 1CWHY PAY RENT Buy a coop apt54th PI A Wdlawn, * big rms. modernbath & kitchen in beautiful older bldg$84 Monthly asses $10,800 955 3977Room available in Little Pierce aptfrom Spring Quarter onwards Rent$84 per month Females only Phone363 5767 evenings 1400 E 57th StCHICAGO BEACH HOTELBEAUTIFUL FURNISHEDAPARTMENTS Near beach, parks,loop, UC and 1C trams. II mins to loopbusses, door Modest daily, weekly,monthly rates 74 hr desk Completehotel services 5100 S Cornell D03 7400Miss SmithSCENESMOTHER RIGHT is coming out toHyde Park, Sat Feb 7? at the BlueGargoyle, 8 30 I? 00 Tickets are 75<m advance at the Reynolds Club desk,$1 75 at the door Buy now, Dan<^later!!! Sponsored by UniversityFeminist OrganizationEsther & The King, a Purim Spiel inFILM starring Joan Collins, RichardEgan, Denis O'Dea Sat , Feb 77, 8 30PM, at Hillel. 5715 Woodlawn THE NEW SCHOOL 7 hr color filmfrom Cuba on Cuban EducationalSysten Blue Gargoyle, 5655 S Univ ,Monday, Feb 74, 7 30 $1 50Sponsored by Venceremos BrigadePURIM PARTY at Hillel, 5715Woodlawn, Feb 74 Come in CostumeOrthodox Meg ilia reading at 6 70.Conservative at 6 30 Part for all at8 00 Dancing, music, fun, food &drinkRabbi Daniel Leifer talks with aChristian student group about the"Mood of the American JewishCommunity Today " 5 30 PM Sunday,Blue Gargoyle East Aisle, Meal $1 (nopork)LIBERTINE FILMS presents "TheAmorous Adventures of MollFlanders," $1 Cobb, Thurs. Feb 70, &o 15 PMLIBERTINE FILMS presents "TheAmorous Adventures of MollFlanders,"$l Cobb, Thurs, Feb 70 at9 15 PMDINNER FOR 7 for Under $10 M ThDinner Specials The COURT HOUSEin Harper CourtLECTURE Milla J Ohel, "TheIsraelites and the Philistines "Tuesday, Feb 75. 8 00 PMComputation Center seminaradvanced use of FOR TRAN Debuqgiraids and JCL problems will becovered Mon, Feb 74, Rl 180, 3 30PEOPLE WANTEDSubiects needed for Experiment inCognition and Communication $3 for Ihr 45 mm Males Esp Needed 3 4734Undergraduate volunteers to stagesmall scale mock iury sessions, to betaped tor group decision makinganalysis Coffee Etc served during 30mm session Call 74 1 5473 forscheduling during Feb 74 78 BarbWanted Law student for part timework on law related Educ proiectContart Warren Sherlmg 371 8119Babysitter available on short noticeneeded could become steady iob Call788 5756 Lynn or MarkSubiects wanted tpr speech perceptionexperiment On campus, one hour at$7 50 Call Karen 753 4714. eves 7577011MEDICAL, DENTAL 8. LAWSCHOOL APPLICANTS Have youapplied for the 1975 classes but withoutsuccess so far? Perhaps we can helpyou get an acceptance Box 16140, Stl nuis. Mo 63105POR TR Al TS 4 for $4 and up MaynardStudios, 1459 E 53 St Tnd Floor 6434083Assistant Circulation LibrarianCollege degree some typing must beable to converse on telephone Call 9554545Library Typist High School Deqree 35words per mmute I foreign languageCall 955 4545Wanted! Campus rep to handlepromotion of chartered trips for springbreak If interested in making someextra money call Linn Corfield at 8878890 PEOPLE FOR SALEFor exp piano teacher of all levels call947 9746Ja/7 piano lessons theory harmonyimprovisation reas rts 374 4856 JohEXPERT TRANSCRIBING reels 14yrs U of C exp on seminars, lectures,legal A stat projects Reasonablerates Call M Owens, 839 8883Exp cello teacher will take aij ages374 7144 ,Student Movers Light moving in aDodge van Guaranteed low rates 74hr serv 548 0045 9 5 974 6978 or 974696 7 6 PMTAX RETURNS Prepared byexperienced accountant Reasonable684 1930MILES ARCHER MOVERSReasonable prices ExperiencedPersonnel Call 947 0698 or 757 4910 forinformationCREATIVE WRITING Workshop bywriter columnist, help on thesis, etcMU 4 3174Robert Stone Movers 374 6775Musician with college teaching expwants to teach voice and pianostudents of any age or level Pleasecan 484 6917Russian by Exp Native teacher Triallesson no charge 477 1470 CE 6 1473FOR SALEAmplifier for sate Dynaco stereo 170factory wired $60 Call 753 3773 after 5PM ask for 70471 Open 1900 4 dr Sed, Automatic,AM' F7 air, New Parts, Snow Tires,Needs body work. $1000 747 3851 after4 PMSubnew 36m refnq Call 947 90106? Dodge Dart Don't let age fool youDependable1 Starts, runs very wellWell cared for $700. or offer 757 117067 Piym Fury Wagon Body and eng mgood cond Dependable Huge haul mgcapacity 9 pass $600 or offer 757 1170For sale A) 68 Saab 96 Excel condNew radial tires, t^ans mam Fm.discbrakes, Frt wheel dr , '73 Honda 175SL Knobby A trial tires, $350 CallFred 947 8650 or 947 6764DELUXE SOUTH SHORE DRIVE COOP Large lux apartment Excellentbuy Tiles baths/kitch appliances.Board approval Eves 6 8 PM 978 3415TELETYPE A ELECTRONIC equipot all kinds Goodman 757 1000 ext 516WHPKWould you like a show on WHPK? Ifyou want to be on the air springquarter, fill out a program requestform available at WHPK's officesMitchell Tower in Reynolds Club(This applies fo people currentlybroadcastmq. too1) Direct the form toJane Ginsburg. program directorDeadline Monday, Feb 74 NOTEWHPK needs staff ir. News and publicaffairsELMER FUDDALL STAR CARTOON FESTIVAL1Cartoons of the I930's A 40's BettyBoop. Mighty Mousen, Bugs Bunny,Flip the Frog. Numerous others! SatFeb 77 at 7 A 9 15 PM, McCormickAuo . Norris Center, NorthwesternUniversity, Evanston Adm , $1RUMMAGE SALEFind treasures galore at PhoenixSchool's 1st Annual Rummage Sale5650 S Woodlawn (1st Unit ChurchBuilding) Feb ?8th 10 AM 8 PM SatMarch 1 17 5 F MGAY LIBERATIONCOFFEEHOUSE TONIGHT *at theBlue Gargoyle, 8 00 17 00 Food,drmk, dancing Everyone welcomeVERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDINGATTRACTIVE IV. ANDT/t ROOM STUDIOSPURNISHEDor UNFURNISHED$117,0 $209Based on AvailabilityAll Utilities IncludedAt Campus Bus StopFA 4-0200 Mrs. GroakREDWOODLANDINGCHICAGO’S BEST BANDFriday Feb. 28th CORSOCORSO meets every Wed at 6 PM inINH We are the Committee of SGwhich recommends studentorganizations budgets to theassembly There is stilt time forgroups to present their budgetrequests to CORSO Interested orgsshould contact Phil Pitruz/ello at 7533775 lv mes PAN PIZZADELIVERYThe Medici Delivers from 5 10 30 p mweekdays. 5 II pm Saturday, 6677394 Save 60 cents if you pick it upyourselfBOOKS BOUGHT GAFSPECIALSFIVE-CARD STUDNeed to observe poker players,preferably female, for psych studyCan't afford to pay. but will ante 'fnecessary Call Gary 741 5757CLASSICAL MUSICClassical Music Lovers translateyour impeccable listening taste intoaction This is your chance to becomea classical music broadcaster onWHPK 88 3 FM Fill out a programrequest form at off ice Mitchell Towerin Reynolds Club, and give it *o JaneGinsburg, Program Director Thisspring you can put your voice andmusic on the airYOGAProfessors, degree candidates,students conquer hypertension withpersonal instruction from 88 year oldSri Nerode of India DO3 0I55 HY37454LOSTDOG LOST, Black Labrador, mixedF Front right paw hurt, vieWashington Pk Reg 14. $75 rew 9470756DIPLOMACYPLAYERSDiplomacy freaks seek fellow freaksCall 37150 room 707 or 735FOR RENTRapid Ram Rent a Van Rent a DodgeMaxi van only $70 00 per day Freemileage 74 hr service 548 0045 9 6. 9746867 or 974 6978 after 6JOURNALISTSWriters interested in working for theChicago Maroon contact the NewsEditor, 753 3765PETSPlease give my cat a home Spayedfemale. 4 yrs old, pretty & loving I'mallergic to her fur Call Mary 955 7087,753 8474PUREBRED BURMESE KITTENSable brown, gold eves l?wks old Allpapers, shots $100 664 7375FOLKDANCEDance is a fitting recreation even fora philosopher" Socrates Especially inChicago with U of C folkdancers Sungeneral level & Mon beginning levelwith teaching, do 50< and Fri generallevel no teaching, free Always IdaNoyes, 8 PMAnd I House Folkdancers at I Houseon T ues 50«TENNIS LESSONSALL AGES AND SEXDIRT CHEAP PRO667-4038 BET 7 & 9EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURT ROSENBAUMOptometrist(S3 Kimbork Ploxo)1200 East 53rd StreetHYde Park 3 8372 Cash for used books Powells 1503 E57th St 995 7780LOX& BAGELS World’s FastestColor FilmBrunch this week. Sun at Hillel, 11 AN$1 50 5715 WoodlawnCREATIVE SABBATH SERVICEEvery Friday night at Hillel. 5715 SWoodlawn at 7 30 p m For more inf'call Janet at 757 5655JEWISH WOMEN'SGROUPMeets every Sunday at 7 30 PM aHillel House. 5715 S Woodlawn Fomore mfo call Jane* at 75? 5655CALCULATORSCompare our prices on New Factor'Fresn Texas Instru Calc I yeaiwarranty All models Call 753 ??4(Room 1518 or ?4l 5496 evesSTEP TUTORING Th« fastest color slide filmin tne world1 Lets you tax*Beautiful cotor slides By cardieiigh’-o' fraara actionoutOoors with eitra depth offieldISnwh 20 exposuresYou CanDevelop ItYourself at1000 ASA!interested in helping neighporhoocchildren? Student T utorincElementary Protect needs volunteer-to tutor students bi weekly in schoowork or with specal protects Fotmore information call Jay Sugarmarat 947 8804 or Mary LOU Gebka. 6438766REFRIGERATORRENTALMini frige Pennies a day Fredelivery Call Swan Rental 771 44(XWOMEN'SMAGAZINEPRIMAVERA, the womens literarymagazine, is on sale tor $1 50 at the IdaNoyes information desk and theReynolds ClubCLASSIFIEDSMaroon classifieds are charged by theime, 35 spaces per line 50 cents perline for UC people, 40 cents per Ime torepeat 75 cents per line for non UCpeople, 60 cents to repeat Ads must besubmitted m^jerson or mailed to theMaroon, 171? E 59th St , Chicago60637 No ads will be taken over thephone The ads must be paid inadvance Deadline for Tuesday'spaper is Friday at 3 .30 deadline torFriday's paper is Wednesday at 3 30For further information call 753 3765CONDO SALE55.000 Madison Pk 674 5499 3 baths. 4bdrm w wall to wall carp Livrm .firepl. dishwasher, sell cln ovenWash dryer drapesPERSONALSPREGNANCY TESTING10 AM 7 PM Saturday $1 50 donationAugustana Church at 55th 8.WoodlawnBy The South SideWomen s Health ServicesSouth Side Rape Crisis Line 667 4014A referral and moral supportcommunity service We can help1WRITERS WORKSHOP (PL 7 8377)Writing HELP by professionals torthesis, reports, speech, etc MU 4 3174LOUIE S BABER SHOPWill atyla your hair a« youwould Ilka It dona.1303 E. 33rd St.FA 4-3878Friday, February 2], 1975—The Chicago Maroorii—If"CHEESE SALE"CANADABLACK DIAMONDPer Lb.DENMARKCHRISTIAN IX With Cumin and Caraway Seeds ....DANISH BLUEESROM PORT SALUTGRANDTOST HAVARTITYBO $1 29'Per Lb.Per Lb.$149'Per Lb.$149' Per Lb.$1 49ENGLANDALE CHEDDARCHEDDARCHESHIRESTILTON Grade 'A' Prime $1$1*1sl 95Per Lb.45Per Lb.79Per Lb.89Per Lb.FRANCEABBEY PORTSALUTBEAU PASTEURBEAUMONTBRIEBRIE NOUVEAUCAMBREF si end of Camembart and Brie • •CREME-DE-PYRENEEGOU RM A NDISE Cherry , Walnut or GarlicGRAND REYBINO ALMONDGRAPE SEED Covered with grape seeds .MORBIERE PORT SALUTPIPO-CREME Creamy BluePURE GOAT CHEESERAMBOL WALNUTROQUEFORT Society BeeST. MARCELLIN Grape Leaf Covered ••♦ST. PAULIN Port Salut TypeTOMME DE SAVOIE 5 1 091 Per Lb.5 199'Per Lb.50591 Per Lb.i 1 991 Per Lb.>009xPer Lb.5099Per Lb.5 1 991 Per Lb.5 1 991 Per Lb.5 049° Per Lb.5025A Per Lb.5099Per Lb.5059Per Lb.5 045A Per Lb.5 049°Per Lb.5 079APer Lb.5 099x Per Lb.5 179Per Lb.22Per Lb.SCHLIT 6 PackCans 49 GERMANYSmoke Flavored with Ham orRAVCHKASE Salami or plainHOLLANDEDAMGOUDAITALYBEL PAESEGORGONZOLA RipePARMESAN Full 4 yr. agedNORWAYBLUENOKKELOSTTILSITER *1 Per Lb.$195'Per Lb.$195'Per Lb.$199*Per Lb$199'Per Lb$OW“Per Lb*1 45Per LbST*1 59Per Lb29Per Lb.SWEDENFONTINA >l»rlb.JARLSBERG 5l£rlbSWITZERLANDGRUYERE Harder and Nuttier than Emmenthaler S ^ Per LbRACLETTE Fondue '1 p9er ^USAMONTEREY JACK From California * 1 p^r Lb.NEW YORK HERKIMER YELLOW 51&rLb‘SPREAD CHEDDARS sl£rLbVERMONT CHEDDAR $ 1 Per LbWISCONSIN BLUE 5 Her LbCOKE 6 PackCansNEWSTOREHOURSDaily 10ajn.-9 p.m.Sunday Noon-6 p.m.* Daily: 9 a.m.-lO p.m.; Sunday; Noon-9 p.m. NEWSTOREHOURSDaily 10a.m.-9p.m.Sunday Noon-6 p.m.16—The Chicago Maroon—Friday, February 21, 1975