rThe ■ j. i.ri]_t: -(■LICIIl:"-!! LibrarFeeVolume 84, Number 30 >f Chicago Friday, January 24, 1975Thieves rob Oriental InstituteBy STEVE DURBIN andCHARLES WINTHEISERA valuable collection ofantique jewelry has beenreported stolen from theUniversity’s OrientalInstitute Museum, 1155 E.58th St Chicago police werenotified of the theftyesterday, even though theartifacts were first missedearly Tuesday morningA guide at the Institutenoticed that the jewels werenissing when the instituteopened on Tuesday.Apparently. OrientalInstitute officials assumedthat the objects had beenremoved for cleaning or forstudy by a professor It wasnot until Thursday that thecurators and Universitysecurity concluded that theartifacts had been stolenThe missing jewelsconsisted of two armlets, a combination seal andcylinder, and twosheathings, all largelyfashioned from gold. Fart ofa Syro Hittite collection,these jewels were purchasedin 1950 for $8,000 It has beenestimated that the goldbullion content is worth$2,000The value of theseartifacts will soon bedetermined by a professionalappraiser, but they are notconsidered to be anywherenear the $500,000 figure thathas been circulated by somesources.According to police, thelocks on the case containingthe jewels had been forcedsome time between Saturdayand Monday. The museumwas closed Monday, asusualMuseum officials haveconcluded that the theft musthave taken place duringKellogg grant to aidHealth programA grant of $282,796 by theKellogg Foundation of Battle(’reek, Michigan, to theUniversity was announcedtoday by Kichard N. Rosett,Dean of the University’sGraduate School of Business.Dean Rosett said the five-year grant will be used toinitiate and provide supportfor a program designed tohelp improve themanagement of healthdelivery organizations.Under the plan, tenexperienced personsinvolved in the managementof health care deliveryorganizations will beadmitted each year to aspecially-designedcurriculum of advancedstudies at the master's level.They will be enrolled in theHealth Executive Program,a variant of the BusinessSchool’s widely-knownExecutive Program. Whileretaining their full-time jobs,they will undertake a two-year course of studiesinvolving one full day a weekin classes.The Kellogg grant will beadministered by theUniversity’s GraduateProgram in HospitalAdministration, itself avariant of the University’sbasic program ofmanagement studies leadingto the Master of Business Administration degree.Walter Fackler. Professorof Business Economics andDirector of ManagementPrograms at the School, isdirector of the ExecutiveProgram Said Fackler: “Inrecent years a growingnumber of applicants foradmission to the ExecutiveProgram have been from thehealth field, includingphysicians. There seems tobe a very substantial needfor improved managementskills in this area. As thecosts of health care deliveryrise, administrators clearlyneed to know more aboutefficient management andeffective use of resources,and the Executive Programoffers them an opportunity toacquire such knowledge.”Director of the GraduateProgram in HospitalAdministration. Joel Gray,said, “We expect to draw-students for the HealthExecutive Program fromamong promisingadministrators now-functioning at various levelsin hospitals and other healthcare organizations. We alsoexpect to provide a learningexperience for selected chiefexecutive officers of suchorganizations and theirsenior staff members, bycontinued on page 13 regular museum hours,since there has been noevidence of a forcible entryinto the building If theburglar had been somebodywith a key to the building, hewould also have had a key tothe case containing theartifacts.The museum normally hasa contingent of studentguards and Universitysecurity personnel. Thelocation of the jimmied casewas less than 20 feet fromone of the student guardpositions.Institute director JohnBrinkman reported that thecase was considered slightlymore vulnerable than othernearby exhibits, because itwas older and thus easier tobreak into Brinkman alsoconfirmed that two goldearrings were stolen from anEgyptian cat sculpture at theInstitute last summer.Institute officials havebeen concerned aboutu p d a t • n g securityprecautions for the last fewyears, and it is expected thatyesterday’s robbery willproduce the needed changes.According to a notice postedon the museum door, theOriental Institute will be closed toTuesday. the public until In the meantime, securityprecautions are being intensified for the remainingexhibits.Or*otoi PhofogropfiSTOLEN JEWELRY: Armlets, sheathings and pin bought for $8,000 in 1950,bullion value now iess than $2,000.Winter literary contest beginsSix contests for originalfiction, poetry, essay, andmusical compositionswritten by students are beingheld with prizes of up to$1000.A first prize of $1000 and asecond prize of $500 will begiven in each of thecategories of an originalshort story or novel; anoriginal play of one or moreacts; and an originalmuscial compositionSponsored by the Olga andPaul Menn FoundationPrizes, competition is opento University students whoare at least twenty and notmore than twenty-five yearsold on June 80. 1975; who aremembers of the graduatingclasses of the University asrecipients of bachelor'sdegrees during any of thefour quarters in the schoolyear preceding June 30.1975; and who have carriedfull-time course registrationat the University for at leasta six quarter prior to thedate of the awardInside this issue:Levi p.3Letters p.3UFO P-4Blood p.13 The David BlairMcClaughlin prizes areawarded for critical essayson subjects relating to thehumanities or socialsciences. First prize is $100.second prize is $75 and thirdprize is $50 Competition isfor siudents who havecompleted less than twoyears of college workfollowing graduation fromhigh school and students inthe College who entered theUniversity prior tograduation from high schoolA prize of $50 from theJohn Rogers SnowdavMemorial will be awardedfor original work in the fieldof literary criticism Bothgraduates andundergraduates who havebeen registered at theUniversity during the year1974 1975 are eligible Essaysmay be either a criticalexamination of a literarywork or group of works or aninvestigation of theoreticalaspects of literary criticismThe R.S. Crane award of$50 will lx* given for the bestessay on a specific problemin literary theory, practicalcriticism, literary history, orthe history of ideas.Thecompetition is open to allfully registered students.The Academy of AmericanPoets Prize of $100 will beawarded to anundergraduate for the bestpoem or group of poems andthe John Billings FiskePrizes in Poetry will beawarded for an originalp<*m or cycle of poemsFirst prize is $125, secondprize is $75. and third prize is$50. Competition for theFrske prize is open to all regularly registeredstudents at the University,graduate andundergraduate, exceptprevious winners of the firstprize.Any or all of these prizesinay be withheld if in theopinion of the judges none of the entries submitted meritsan award All entries are dueby Friday. March 21. 1975.and must be given to MrsBetty Duby in Wieboldt 205For further information as toform, style, and permissablenumber of entries, see MrsDubv.Pub sponsors festivalBy MARIA CRAWFORDSCOTT andMARK SPIEGIANCreek. French, and Italianwines were served alongwith French bread. Cheddarand Swiss cheese yesterdayat 4 pm. during the winelasting sponsored by the IdaNoyes Cloister Club. OnlyPub members wereadmitted CarillonImporters. Ltd providedboth the wines and thecheese.Saul Krieg. wine columnistfor the New York Post andauthor of several books onwines, announced each wineand described its flavor,what foods it should beserved with, how it should beserved and other interestingfacts about the winesLiterature describing thewines was provided at thedoor People were invited tofill in their comments abouteach wine and submit themThe best were to be awardedcopies of books by Krieg andfree bottles of wineThe wines were eachserved at seven tables,(maybe six but I think it was«eve*») one wine at a time sothat people had a chance tocompare the various wines. The first wine was Fazi-Battaglia Verdicchio.followed by Bertam Soave.then two Greek wines, andBertam Yalpclicella andseveral othersThe hit of the evening wasRoyal de Neuville. asparkling, semi-sweet,quality wine, pink in colorand fruity in aroma—a winelor all occasions. Kriegtermed it the “piece de laresistance", and commentedthat it is actually achampagne but. because it isnot from the proper part ofFrance cannot legally betermed a champagneMoreover, the French breadwas really great and so wasthe cheese, especially theSwiss, except it starteddrying out and flaking allover my clothesNext was Punt e Mes, awine with a surprising (tosay the least) aftertastewhich is rather difficult todescribe in print. It maysound easy to you, but justtry to get something to makesense in print after ithappens You don’t knowwhat it’s like to trudge intothe office :;nd sit down infront of a fci*.lu«uu typewritercontinued on page 3JGET UP TO $500IN CASH REBATESOM GENERAL MOTORSON VEGAS, NOVAS,& MONZAS. '74 CH|« «f« ,WAS $2996/^gjL!^B EFFECT!Many To Choose'Predriven^^YIC.' GftS SMt«UKUMOIR EXTM5! ;1974 CHEVY NOVAS, FACTORY AIR CONDITIONEDORIGINALLY ‘3697/SAVE *80<2888 °°°*^- r* [iucanvjlvV 0*T> J4*' , ,?4F*«»>::**»' ,> tA . j. - £,i.<«*/’„ t »IU,T*6£ a*'** or< / L Tj112 UNIVERSITYU3> national bank\WAY LESS WITH YOUR TRADEAuto. Trans., Power Steering,Fact. Air Cond.l Radio. PowerBrakes, V-B Engine. WhitewallTires. Predriven. 1STCONVEI1STSERVED1 PMSWl V.TOURU OK.ID CARO- ... ts*•:C 7 4D-tJ —* '■ —' "a ftiiABAUTCcniniu.iaiicare^ ^GUARANTEED LOW-MILEAGE1-OWNER TRADE-INS ON SALE!NEW 12-MONTH, 12,000-T*1' 1 ,"’r% -------- ■1974 -imij|TCHEVY IMPALAC&T°” -FACTORY AIR CONDITIONEDORIGINALLY *5495/SAVE *1818 74 CHEVY NOVA2-Door! 6 Cyl. PoweSteering. Auto. Trcns. RadioWhitewall Tires. -MILE USED CAR GUARANTEE1'71 BUICK7488$'3677WAY LESS WITH YOUR TRADEClassic Styling! PowerSteering, Power Brakes, PowerWindows, Power Seats, PowerDoor Locks, Fact. Airl VinylRoof. Whitewall Tires. Radio.Predriven. 73 CHEV. IMPALA4-Door Hardtop! Full Power! V-3 Engine Auto. Trans. Only1 2,000 Certified Miles!719572 PONTIACLI MANS2-Door Hardtop! Factory AirConditioned! Full Power. VinylRoof V-8 Engine. AutomaticTrans. Whitewall Tires. AMRadio. . _51995v DON'T GO HALFWAY r OPEN SUN!?2>MiDWAY-e-B " * 6522 S. COTTAGE GROVE AVE. SPORTS WA00NFactory Air Conditioned1 FullPower. Automatic TransWhitewall Tires. Radio.*169571 VEGAN0TCHBACKAutomatic Trans WhitewallTires. Radio.*118870 MERCURYM0NTEC04-Door! 6 C y I. Engine.Whitewall Tires. AutomaticTrans. Radio.OPEN SUNDAYSPHONE: M! 3-3500 op&t daily til s p.m. * sat. c sun. til 6 p°m2—The Chicago Maroon—Friday, January 24, 1975EDITORIALI, uliilTlLMl WH:|| llliiLeviThe word is official now. The President hasnominated the University’s president, Edward Levi,as the next attorney general. This is a great honor forlK)th Levi and the University. We hope that the Senatewill act promptly in confirming Levi to the Cabinet.There are undoubtedly many reasons for movingLevi to the Justice Department. He is a goodadministrator as well as a reknowned legal scholar.The reports and editorial comments that, his handlingof the student disruptions in 1969 may have been areason for his selection are disappointing, if true.Those who think Edward Levi will be a “law-and-order ’ attorney general because he expelled over 40students are being misled. His actions in 1969 andindeed his entire academic life reflect something else.We believe Levi has the potential for becoming anexcellent attorney general because of his commitmentto the rule of law. He will represent and advocateimpartial justice. This is what the nation needs afterthe recent political scandals in Washington.As attorney general Levi will become a publicofficial. We find it a bit difficult to imagine himholding press conferences and testifying beforeCongress. We hope he will be more open in runningJustice then he was at the University. His oftenevasive manner of answering questions did not goover well with Senators in 1955 and we’re sqre presentSenators won’t stand for it. Although *n attorneygeneral often has valid reasons for not commenting oncertain matters (present attorney general WilliamSaxbe finally learned that lesson), Levi should bemore accessible and open as attorney general withmembers of Congress and the press than he has beenwith students on the quads.With the departure of Levi for Washington theUniversity will lx* w ithout a chief executive. Given thepoor state of the national economy, these are criticaltimes for this University and for all privateuniversities. We urge the search committee to actjudiciously in finding a successor to Levi. We alsohope that students will have some input in the namingof the new president.It will be difficult to find someone of Levi's caliber tosucceed to the presidency.Punt e Mes totals staffercontinued from page 1and try to get out a story withphones ringing and peoplegoing in and out and lookingover your shoulder and theeditor breathing down yourneck and a class at 4:30.Everyone complains aboutmaron writers but no one...Anyway After the lastw ine was served guests wereallowed to sample somebrandy and a large fruitpunch which resembledorange sherbet As a mattero! fact, it tasted like* orange sherbet. By this time, thenumber of people haddwindled to about HO from apeak of about 150.And then after I talked toAnne we went over and saidto Tim that we would do thearticle. No one is looking so Iguess I can leave the glasshere I'll lx* sick if I drink anymore of that OK I'll get up tothe office I know the storyhas to go to the printers Idon't need any help I wishyou leave would people mealone hey let go i hav tofinish the articST. GREGORY OF NYSSALutheran Campus Parishat the University of ChicagoEUCHARISTTHIS SUNDAY AT 10 A.M.Wayne MagnusGuitaristGraham Taylor ChapelUNIVERSITY at 58th St. 2 f I i N€ve* Mind THAT-HflAO TWfff; I I ’ , IUNOeftiTAMD THATVOO . iUtew TO THVll THU»J' ’ * * *■ I Apt tmi tMiI»w iff; j 11 f ?<jM i* a Rfftu fc^frTfR, j j Ia New ** ‘Knows HU umi akoumO&0AUMD, CAM RUW THINtOa KEM 0AMD ON TOP OF AllMr or mtTftkL ttm&**’-T-niF PoSiTiOk) TWA* 10'PoSiTiOk) THAN 10Vcam £ T00DyjEVTfL ASK®y*/LETTERS TO THE EDITORSilvermanI know that it is more funto engage in idle speculationthan to track down the truth,but it David Axelrod is goingto pursue a career as a|x»litical pundit, he reallyought to make some attemptto get his informationstraightHe told the readers of theMaroon in the January 10issue that I would"apparently drop out of therace in favor of Lathrop”I have indeed dropped outol the race, but not in favorof Mr Lathrop or any othercandidate My withdrawalstatement is enclosed.Now that I am no longer acandidate for 5th Wardalderman I have the luxuryshared by other 5th wardvoters of being able to followthe campaign and thecandidates, and decide whoto vole forDiane SilvermanAxelrodWhile I appreciate DianeSilverman's concern for mycareer pursuits. I feel I mustrespond to the substance ofher letterWhen a writer prefaces aremark with the word“apparently", he isobviously speculating. Myspeculation was based on thepolitical reality thatLathrop. as the soleremaining white candidate for alderman, stands toreceive many of the votesthat would have gone to Mrs.Silverman.In fact, members of A1Baby’s campaignorganization privately admitthat they were hoping shewould remain in the raceThey felt her withdrawalwould only strengthenUithrop's chancesMrs Silverman is. ofcourse, free to endorse anycandidate However, thebulk of her support will go toLathrop regardless of herpersonal choiceAs for my proficiency as apolitical pundit. I make noclaims to an errorlessrecord But I must say thatMrs Silverman's enhancesmy credentials. For I calledher candidacy ill-conceivedfrom its inception in earlyDecemberDavid AxelrodBrucknerMy faith in communicationmay too great, but I wouldlike to try to correct somemisapprehensions in yourstory of 17 Januaryconcerning the drive When Italked to your reporter. I didnot mention specific figuresexcept the total, so I assumehe ferreted those outsomewhere, and good forhim. But he did get a fewwrong Further, when Iquoted percentages. I wasreferring not to percentages of the campaign goals, but ofthe total received or pledgedso farSo. the statement that" trustees have contributedmore than 20 per cent oftheir goal” is quite wrongWhat I said is that 20 per centof the $H2.3 million alreadypledged, collected orbequested came fromtrustees Again, your storysaid foundations had donatedSO 7 million: to be accurate,you should add S10 rr dlion tothat figure Finally, i did notsay that gifts fromInundations " are the mainarea of worry ” I don't haveareas of worry. What I didsay is that there is concernabout the big foundationsand that concern is sharedby all kinds of recipients ofgrants because thefoundations are affected bythe condition of the nationaleconomy and the marketsYours.DJK BrucknerVice-president forpublic affairsSweetThis is a letter sent to headsof student organizationsfrom SG president StuartSweetBecause of widespreadlegitimate complaints aboutthe quality of campus lifeand the difficulties studentorganizations face trying toorganize events and havethem publicized effectively I am calling a series of threemeetings to try and dosomething alxiut itThese meetings will notsolve all the problemsovernight However. Ibelieve that the releventadministrators are in¬terested in the problems andare willing to act favorablyprovided we show to themour difficulties and can comeup with a workable plan thatwill improve the status quo.There has boon a de factocut in the source of vourfunding by over 50% withinthe last four years. TheTorso budget has been cutfrom $42,000 to $30,000 w ithinthe last four years, whenthere has lx*‘n double digitinflationThe decrease is evenhigher than these figurewould suggest because totalstudent enrollment has risenduring this period A planIx’ing given serious con¬sideration is to earmark $10of the next year’s $210 tuitionincrease for increasing fundsfor organizations alreadyIx'ing funded and for thosewho are not receiving funds.Additional money wouldbecome available to sponsormore music on this campusand bring back the blues,jazz, and rock music thatused to lx* found over on 55thstreet before all the barswere removedOn the basis of some rawdata Student Governmentcontinued on page 13ROCKEFELLERMEMORIAL CHAPELSunday January 26, 1 1:00 A.M.E. SPENCER PARSONSDean of the Chapel"RELATING TO THE UNFAMILIAR”SUNDAY SEMINAR9:45 to 10:50 a.m. Bernard O. Brown, AssistantDean of the Chapel, leads a study of GabrielMarcels book, Creative Fidelity, in the firstseminar room of the Chape! Undercroft.Friday, January 24, 1.975—The Chicago Maroon—31UFO opensBy MIKE SINGERPhoto by Lance G PeytonUFO: Women meet for Winter Quarter opening.The University FeministsOrganization opened theirwinter program of eventsTuesday evening with adiscussion of the Committeeon University Women. JanelMueller, associate professorof English, and AnnePetersen, reseraeh associatein psychiatry, led thediscussion, outlining thefunctions of the committeeand the unique problemswhich its members faced.The committee was knownas the Reiner committeewhile it operated from 1970-73. Mueller described thecommittee as functioning intwo capacities:The First of thesecapacities was as acontinuation of theNeugarten committee,which operated from 1968-70.Bernice Neugarten.professor of HumanDevelopment, and hercommittee were responsiblefor the first systematic studyof the role of women at theUniversity.Terming the committee asboth •‘illustrious” and “well-pub I i c i z e d " . Muellerremarked that thesubsequent Reinercommittee lacked both thesize and the back-upresources of theirpredecessorWorking with limitedresources, the Reinercommittee sought to updatethe statistical studiesinitiated by Neugarten. Theyfound a small increase in thenumber of women facultymembers, predominantly inthe lower echelons.Contrasted with thisincrease in size, thecommittee noted a highdegree of stagnation in uppermobility.‘‘Many women facultymembers are perpetuallyfrozen at the ranks ofresearch associates, whichrepresents a non-tenurecategory,” Mueller saidThe second capacity underwhich the Reiner committeefunctioned transcended thestatistical surveys initiatedby Neugarten. Thecommittee attempted toestablish a day care centerand a baby sitting serviceBoth of these objectives,however, were neverrealized due to both a lack offunds and full-fledgedinterest.A third, new objective ofthe committee, however, hadmore positive results. Thiswas an attempt to mollify, ifnot eliminate, thedistinctions against part-time students, particularlypart-time women students.Claiming that the University treats part-timestudents in a second-ratecapacity, the committeepublished their findings inthe University Record.Mueller feels that the studysparked seminal interest inthe problem. She noted,however, that the currentwider acceptance of part-time students stems morefrom the University'sfinancial problems thanfrom its humanitarianconcerns.In reviewing the operationof the committee, severalproblems were raised whichthrow doubt on theeffectiveness of thecommittee's attempt to raisethe numbers and status ofwomen at the University.The first of these problemswas the minimal co¬operation which wasreceived from the faculty.The committee sent lettersto the chairmen of academicdepartments, asking themwhat type of positive actiontheir departments weretaking to hire women. Thecommittee had no way offorcing their inquiries, andmany academicdepartments provided littleinformationA second, and moreserious problem, was the committee’s inability to getmeaningful information. Theadministration refused todivulge statistical accountsof salaries. Therefore, therewas no way for thecommittee to be certain ifwomen faculty were beingfiscally discriminatedagainstThe same problem wasencountered when trying toascertain whether sex-basedinequities existed in thedistribution of scholarships.“We worried that there wererats to be smelled, but wehad no evidence,” Muellerremarked.Mueller, in retrospect,admitted that perhaps adegree of ignorance wasresponsible for the optimismwhich made the committeefeel they could reallyaccomplish something. Shehinted that an effectiveattempt to strengthen therole of women at theUniversity might only bepossible outside of theoperations of a University-appointed committee.She suggests that womenfaculty members and otherssympathetic to the academicinterests of women use“friendly persuasion” tohelp others recognize thetalents of females.Inflation pinches Gargoyle budgetBy JIM NACHBARThe food service at theBlue Gargoyle lost over $4000in the fall quarter due torising food prices, accordingto Harvey Lord, actingdirector of the BlueGargoyle. “When we raisedprices over Christmas breakby 20 cents per item toprevent future losses, wepriced ourselves out of themarket. The problem ispartly that some people arerequired to eat in thedormatories, and partly thateveryone is hit by rising foodprices. In addition to raising our prices, we had to cut ourstaff arid offer a morelimited menu in order to cutcosts."In an effort to increase thevolume of sales, the BlueGargoyle will lower theprices for meat loaf and tunasalad sandwiches by tencents each effective Monday.This follows similar pricecuts for egg saladsandwiches and homemadesoup earlier this month.Lord pointed out that whenthe Blue Gargoyle wasstarted in the winter of ’67-'68, it was run entirely byvolunteers, ‘it was a project4—The Chicago Maroon—Friday, January 24, 1975 of some divinity schoolstudents who wanted tocreate a food service andcommunity center Wegradually acquired a paidstaff because volunteersseem much harder to findnow then they were then. Itis, of course, still a non-profitsocial service agency,funded partly bycontributions and gifts fromfoundations.”He added that “we arelooking for volunteers tomake yogurt and homemadebread so that we could offerthese for the cost of themaferials ” University of Chicago students:Get your VIP portfolio free at the Hyde Park BankMaybe you’re not a big shot . . . yet. But when you stroll aroundcampus with this handsome, executive-type portfolio tuckedunder your arm, you’ll look like a VIP.Inside the portfolio, you’ll find a writing tablet for taking notesand a pocket for holding memos, letters, candy bars and otherimportant items.You can get your portfolio free when you open a new checkingor savings account at the Hyde Park Bank.Here’s another good reason for banking with us: We’ll treat youlike a VIP. We’ll cash your checks instantly when you present theteller your valid U of C photo I.D. card —no waiting, no hassles.So come in and open your account. Drive, bike or walk over.Or take the campus bus to 53rd & Harper. We’re just a blockaway on 53rd & Lake Park. Stop by our Personal BankingDepartment anytime between 9 AM and 3 PM Monday throughSaturday (9 AM to 6 PM Friday).Get your VIP portfolio today. We know you’re going places.And we want to help you get there.% %CTY ■tS£ HYDE PARK BANKand Trust Company1525 E 53rd St./752-4600Member FDIC“THE WtliStleSTOP BANK”Paul Klee Ritterbildnis (1922) The Shapiros:Home of theArtiste ManqueeJean Dubuffet Le Grand Arabe (1947)By Amy Weinstein and GageAndrewsthe Shapiros will be opening theirhome to University of Chicago studentsnext Wednesday evening; buses willleave from the campus at 6:30 pm. Call753-3591 for further information. Inanticipation of the tour of the art whichthe Shapiros themselves live with, theGrey City Journal spoke to Mr. andMrs. Shapiro at their home last week.Few individuals have (he opportunity toclosely acquaint themselves with one greatwork of art — the chance to do so withcountless numbers is a rare and enviableprivilege. We wandered through the privatehalls and rooms which serve to shelter anexceptional collection of surrealistic art.and chatted with the owner about hisacquisitions and his life.The collectors. Mr. Joseph Shapiro and hiswile. Margaret, have dwelt intimately withsuch comrades as Jean Arps and Chagalls.Kandinskvs and Tanqueys for many years,now Their spacious Oak Park homecontains numberless passageways intounique worlds through hundreds ofmasterpieces which bring the walls to life.To experience the distinctive rapport whichexists amongst two people and the artisticcompositions sharing the space in whichthey live, is to wonder at the multiplicity ofunusual dimensions which have opened tothem over the course of long, complexrelat ionships.The broad sped rums of attractions andattachments which have developed amongstthe collectors and their works can onlyscantily be surmised in the period of anafternoon. Yet the Shapiros are a couplewith special perception, who have acquiredthe sense of communality inherent in thenature ol an artistic work They have actedupon the necessity to open their collection topublic access in a variety ol ways — two ofwhich are known well to University of Chicago students.Annually, students are invited to theShapiro home in order to view the collectionfor themselves. And the donation of theworks composing the ever-popular Art toLive With program has allowed students toexperience intensely the compositions oftheir choices over extended periods of time.Among his numerous activities as anenergetic patron of the arts. Joseph Shapiroserves as a Governing Life Member of theArt Institute, and as a member of itsAcquisition Commission for prints anddraw ings. He also is a member of the boardsof directors of the Arts Club of Chicago, andol the Renaissance Society. Mr. Shapiroserves on the Adult Education Council ofChicago, and in 1967. was honored with theChicagoan for All Seasons Award presentedby Mayor Daley. The University of Chicagoawarded him the Rosenberger Medal forPublic Service, in 1973As founder and former president of theMuseum of Contemporary Art, Mr Shapirowas able to offer presently developingartists the opportunity to exhibit theirinnovative outlooks and techniques. Hedescribed the Museum as an aestheticexperience for the young — run by youngpeople, displaying the works of youngartists, and viewed by a particularly youngaudience.Anticipating the upcoming student tour oftheir home on Jan. 29. we talked with theShapiros over coffee at their house Weformulated our questions with theconception of the very public character oftheir private collection in mind.Our interview with the Shapiros beganwith some light banter. Mr. Shapiroresponded to our first question (concerninghow he began as an art collector) by voicingthe opinion that the question should not beasked; it was what was always asked of prost i-tutes. Once that confusion was cleared up.the interview began in earnest.What stimulated your interest in art. ingeneral, and caused you to buy art as apersonal collector?I’m not sure whether anyone cantruthfully answer what constitutes thepassion, incentive, or curiosity which drive*"one towards amassing a collection. Peopleare uist visually perceptive. What actuallygets a person started 'is' Yea fly his first experience with paintings; the same as withan artist He doesn't get started to becomean artist because he sees a beautiful sunset,a tx'autitul woman, or landscape, oranything in nature. That doesn't make himwant to become an artist. What sets him outto become an artist is that he sees paintings.He sees what can be done through theconstructive, creative genius of man.A collector is what is called an artistemanquee he just lacks to be an artist, hedoesn't have the capacity. The operation, interms of building up a collection, playingwith the works and combining and hangingthem, is sort of like using the paintings aselements in a larger scale called the work ofartThe collector who comes upon a paintingwhich moves him tremendously, getsinvolved. I will grant you that your very firstinvolvement may have very little to do withthat which is really important — that is. theareas of which art really speaks,autonomous and independent of the subjectdepicted. When he first starts, he may bewon over by some sentimental reaction tothe subject. But once he is involved, in fact,the painting can bring him to meditation andcontemplation, and to have something thatis magic Then, he's hooked.Then it's very simple. Once you get thelirst one. it's just a matter of time andcapacity to acquire more and more But thethings which you acquire are not only thepictures. Collecting becomes a way of life,really. It opens up many vistas and avenuesol exploration — intellectual exploration.You w ant to study more — not only in termsol what art is about, the metaphysics of art,but the phenomenological existence of thework itself; that which the adumbratedsurrealite.Have you yourself ever done a painting7We’ve tried enough to know that we haveno talent in that respect at all. Ourpropensity. I suppose, has been more of anappreciation. 1 think to paint, you have todevote all your time to do it right We playedaround one day. and had a lot of fun doing itI never saw any natural genius evolvingirom my blind efforts, so 1 abandoned it.Mrs. Shapiro has much more of an actualtuldnt, but she never did explore it.! suppose that most collectors tend to seekout and study, specialize in and feel for,u certain period of art. w hy did you chooseto concentrate on the surrealistic?Prirlnv Jc When we first started, we didn't seem toconcentrate on any specific school. WeIxiught what appealed to us — obviously,what we loved And that's a little differentthan buying what you like Liking is anintellectual judgment, a critical estimateThe character as well as the physical aspectis what attracts you. what gives you the gutreaction When you're looking at thousandsof paintings and looking as someone whowould like to own one for his very, very own— that is different than just looking up in themuseums and galleries, where there ismuch more objectivity involved.For a collector, there is not only theobjective experience of seeing, there is alsothe subjective desire to own. to bring itamongst these other things that make it acomplement of one’s collection And youalso respond now. due to maturity, with allyour knowledge from seeing thousands ofpaintings. Experience is called, for better orlor worse, the maturation of your taste.Even though as a collector these worksbecome the most personal objects of yourlives, you've shown a great desire to extendthem to as many people as you possibly can.For example, through your shows withstudents, bringing them here to your home,the Art to Live With collection at theUniversity, and your affiliation with theMuseum of Contemporary Art. How did thissentiment come about?One thing about art that distinguishes itfrom other objects, is that the sharing of artcreates the potential for what might becalled a communal experience There's solittle of them in our secular time It's the onecommune, if you will, which predicates thesharing as a most deeply felt experience Ifyou want to call that a surrogate forreligion, you may do so.Sharing art is multiplied by division In agroup it becomes almost tribal It takes onthis mythological sense of union,completeness, and identification whichtranscends yourself. You never feel that awork of art. though an object is entiretyyours. You can never ow n it Somehow it hasalways expressed the public trust, or humantrust, or human urgency. Which of coursebrings on the need for public areas whereart can be seen; galleries or homes whichare dominated by this concept and sense ofmission which makes you want to share andconvert it. to educate and placate some ofthe hostilities which came about,uarv 24, 1975—The Chicago Maroon—5TheGreyCityJournal DdNCeRemarkable PilobolusBy Joy PellAside from being a phototropic fungus,Pilobolus is also a young, exciting, andhighly unique dance company. The sixmember troupe will return to ChicagoJanuary 24 through 26 for an engagement atthe Athenaeum Theatre.Pilobolus was formed in the summer of1971 by two recent Dartmouth graduates,Moses Pendleton and Jonathan Wilken. Theywere soon joined by two more Dartmouthstudents. Lee Harris and Hobby Barnett Allfour had studied choreography at Dartmouthwith Alison Chase, and with only this ex¬perience as the extent of their formaltraining, they created their own special styleof dance. This style involves the linkage andsuspension of bodies producing everchanging shapes and structures, continuallyexploring the use of both negative andpositive space. Their dances encorporateshapes and structures, continually exploringthe use of both negative and positive space.Their dances encorporate the styles of theacrobat and the gymnast to create formsthat seem to grow and tiansform like theorganisms for which their dances arenamed.The company has added two women sinceits conception; Alison Chase and Martha Clarke. The women have had more formaldance training than the men. Ms. Chase hasstudied with Merce Cunningham, AntonyTudor and Louis Horst—and this is not acomplete list of their past dance affiliations.In 1974, Michael Tracy joined the companywhen Lee Harris left to study cvmputerscience.The most important aspect of Pilobolusseems to be their work process. During worksessions at their Vermont farm the grouplives together, just as it creates together.Their dance is the result of a collaborativeeffort where each's ideas and enthusiasmsupports and incites the others’. Thiscreative process is strongly tied to thepersonal interactions among the members,as Pilobolus’ strength lies in its ability to actas an ensemble and to be secure in themembers dependence upon each other forsupport.Although only three years old, Pilobolushas performed to wide acclaim in Europeand Israel and has even made some dancefilms. The company has performed inChicago before and was enthusiasticallyreceived last in Mandel Hall. Performancesat the Athenaeum Theatre will be at 8 p.m.on January 24 and at 2 p.m. and 8 p.m. onJanuary 25. The Athenaeum Theatre islocated at 2936 N. Southport Ave. For furtherinformation call 363-0688.UFOPtweicfftKate Millet's FilmTHREE LIVESSunday January 26 7:15,9:30Quantrell Auditorium, Cobb HallMonday January 27th at 8 PMHear Members of the U of C ClericalWorkers Union on "Women, Unions, andThe University."At the Women's Center, 3rd Floor, Blue Gargoyle Building6—The Chicago Maroon—Friday, January 24, 1975 HLM . ,'! ■ »—■—» - ' .. "ini, mmm—WellMadeMurderBy Amy RhodesMurder on the Orient Express is my kind<>! movie. Il is hardly moving or significant.Ini! il is beautifully done and lots of tun I'veseen il twice now and feel that it succeedsmost impressively in its attempt to providecompelling and imaginative entertainmentThe plot, for one. is great It is the kind ofmurder mystery that is almost impossible towork out and yet is thoroughly plausible inretrospect. Every clue and detail is neatlyresolved; every action well-accounted for;even expression or gesture ultimatelyexplained. It is clalxirute without beingcontusing, tricky without being frustrating.II such recommendations are notsutlieient. I will sell the film on its actingThe i ast is peopled entirely by stars, all ofwhom create* beautifully consistentcharacterizations. While* they are* all worthyol me'iition, it is hard not to single* out IngridBe rgman and Albe*rt Fmne*y. She* is perfectShe* plays a timid Swedish woman who hasheroine* obsessed with religion and works asa missionary in Alrica, taking care of “little*brown babies." She* is alsei, as she says,“backward.” but assures the* celebratedM<*nsie*ur Poirot that the* babies are “morebackward than IAlbert Finney, tor his part, is utterlyIl anslormed. (feme* is the* ge>rge*e>us hero of/ u*o /or the* Road; all that remains is aslully Belgian with a stiff neck, an<>\ (Tstulle'el che*st. a fastidious te»ile*tle*. and age'imis lor solving murders. Ne» matter howhard I tried I could find not hint of arecognizable Finney. All of which is to hiscredit Ne*ve*r once* etoe*s his characterizationlapse*, and Ins peculiar brilliance* is shown illhis way e»t intimating remarkable* progressin the e ase* at a point where* the* audie*nce hashardly worked out the* identity of the*murdered manIt is hardly enough to |usl me*ntion the*se*two. lor Aidhemy Perkins, Vanessa Kedgrave*. Wendy Hiller, Laure*n Bacall ande v e n Se*an Connery are* all e*qual to tfie* highstandards that are* se*t.The* strengths ol ttie* film do not even e*ndhe re* It took two vie'wings for me to reallyappreeiate the* subtlety ot the* direction, butthat is most definitely a refle-ction on me andnot on the* him My laveirite part e>f the* liliu,perhaps (theiugh I must say that thefinal scene is a strong competitor),is in the introduction of the prota-gonists as they board the Orient Express.Each must take their way through thechaos of venders, trinket sellers, andfood, and the camera watches them dosee from a distance. JacquelineBisset clings desperately to the arm of herhusband (Michael York) and picks her feelup daintily to avoid contact with the mess.Lauren Bacall sweeps through with nohesitations. Ingrid Bergman cannot handlethe commotion at all She is so distraughtthat even the venders eventually take pityand leave her in peace. Thus, not only arethe personalities ol each expressed. bu»also, the realistic havoc of departure is wellcaptured.To goon to say that the film’s music is alsogreat may sound like I'm overdoing it. but itreally is perfect. As the train takes off. themusic swells and somehow the tension andexcitement generated in this scene sets thepace lor tin* rest ol tin* film.I realize that all this carrying on atxiut themovie’s virtues makes my views somewhatsuspect. Alter all. there must lx* someweaknesses. Well. I was not able to spotthem, but I did get a minor criticism froman Agatha Christie fan She said thatFmncv's Poirot was tlx* best that she couldimagine, but he still fell short ol Christie’screation. Not that this lessened herenjoyment ol the film I rather doubt,therefore, that is a strong enoughreservation to satisfy those who crave such,but it's all that I in offering. Murder on theOrient Express is lust class entertainment.The University of Chicago Extension’sARTS ON THE MIDWAYpresentsMARTIN BESTThe Art of the Troubadoursongs with Lute and GuitarJanuary 28,1975 - 8:00 p.m.Mandel Hail57th & UniversityTroubadours had four basic impulses: courtesy,humility, adultery and the religion of love."PROGRAMSongs of the King's MinstrelLute DuetsBallads of 17th and 18 Century EuropeSongs of the Spirit - American Indian songsGuitar DuetsEnglish Folk SongsTickets: STUDENTS - $3at the Door or call 753-3137MASTER CLASS - Wednesday, January 29, 2 p.m.. Bond ChapelFREE - Call 753-4178 for informationLecture-DemonstrationSONGS OF SHAKESPEARE - Classics 10January 28 2:30 p.m. FREEOpen to everyoneShay Dujfinas Brendan BehanShay Duffin as Brendan Behan at the Gill Community TheaterBy Dean ValentineIf James Thurber was, as he describedhimself, the type of writer who walked intothe house of Life without taking off hisovercoat, then Brendan Behan would haveto be the sort that stomped through the door,threw his overcoat on the nearest chair,ripped off his tie, and with a final flourishdowned his trousers and underwear.He was not a man of measures orcalculations: by the age of nine he was anardent Republican, potential I.R.Aterrorist, and an avid fan of Guinness stout.By the age of twenty-two he had spent aboutsix years in prison for such un-Englishactivities as bombings and shooting guns atpoliceman. TheQuare Fellow, a drama, andthe two volumes of his autobiography werebased on those years in jail. And though aIwrstal institution can’t be a very pleasantplace for an adolescent to grow up in, hiswritings bear hardly a trace of cynicismand bitterness: imprisonment, to him. wasnever an extended metaphor for humanexistence.Unlike Joyce or Yeats, he never formedpart of a literary circle. As far as he wasconcerned, the only “real’’ people in Irelandwere the members of the working class. Hewould spend hours with them in the pubs oiDublin, singing patriotic ballads and dirtytunes. Large segments of the Irish literaryintelligentsia disowned him, wanting nothinglo do with a bomb-throwing patriot. But theworking class didn’t much care what he didthought: they simply enjoyed drinkingwith him. and it was from them that he drewmost of his arts’ raw materials.MLM ■ i - His plays do not have Synge’s power orO’Casey’s music, though they share in thesequalities to a lesser extent. They aresometimes sloppy and hurried. Somepassages are hard to justify on technicalgrounds. But what he possessed, and what. Ithink, earns him a place in the literature, isa compassion that is consistently moretruthful than Synge’s or O’Casey’s. Theformer was sometimes too abstract, losinghimself in a maze of muths and ideas; thetter descended too easily into melodrama.Behan’s characters never ask the audiencefor compassion, they never appeal to themercy of a disordered world. They remainunmoved by their fates. Instead, it is we whobear the burden of their unhappiness, andwe who are moved. They manage to carryon singing and joking, traasforming anenveloping bleakness into regions that aresafe for human habitation.The last sentence applies equally well toBehan. Not that he was that most disgustingof cardboard cliches the clown with asmile on his face and broken heart in hischest. His instinct for self-dramatization,his mocking Irish humor, and hisintelligence formed a considerable wallagainst the nauseating effects of self-pitv.Time and time again his humor saves him:he is sixteen years old, in jail for the firsttime. As Mr. Duffin would have us see him.he is choked with tears, bemoaning hisoutcast state with Fortune and men’s eyes.After describing the metal door, the bleakwalls, and the sheer depression of prisonexistence, and just as he is about to lethimself be carried off on a river of tears.Behan looks up. saying “And I’ve only been here for ten minutes ’’ The joke losessomething in translation, but it acquireslife on stage.Shay Duffin s one-man show of assortedBrendan Behan material at the GillCommunity Art Center is a thoroughlyprofessional acting job. It is. in fact, one ofthe finest technical achievements vou’relikely to see on the Chicago stage. For twohours Mr. Duffin and a bottle of Guinnesshold the audience entranced; he can do nowrong. Even the slightly maudlin ending isappropriate and intentional Frankly. I hadmy doubts before going: drunken Irishwriters fencing with existence can be prettydamned boring. But Mr Duffin quelled allfears. What he unfolded for us was not astock figure, but the life of a very interestingman, a man whom one would haveconsidered perfect company at a bar.Mr. Duffin gives us the kind of theater Behan would have approved of, “which isthat the music hall is the thing to aim for toamuse people and any time they get bored,divert them with a song or a dance.’’ Duffin.as he moves about on a sparsely furnishedstage <on one side a bar. on the other a jailcell) amuses, though he never bores. Hiseasy, lilting voice is excellent, and he cando with his tace what Behan could do with aphrase One minute he’ll be a shrivelled oldlady, reading about Behan in thenewspapers; the next he’ll be a long facedEnglishman with a B B C. accent arrestingBrendan for carrying a bomb around withhimIt is not a profound performance, nor aprofound evening, but it is certainlv anentertaining way . to spend a night inChicago It even surpasses reading acertain drama column in the Reader.Chicago Filmmakers Shown at MCABy Michael FloresSome ol the more “commercial"lilmmakers Irom Chicago held a showing olthen work at the Museum ol ContemporaryArt this past Thursday, raising both thenegative and positive aspects of film here.The problem of an audience (one of themajor reasons theaters and galleries give fornot >how mg experimental films) appears tohave been licked by Dan Ochiva. filmcurator ol the N A M E. Gallery. NowChicago lilmmakers should begin to respondto criticism and move forward.Almost two years ago the N AM E.Gallery, a non-profit gallery run on ashoestring grant. began showing films to anaudience ol less than a dozen people. Slow ly,o> word ol mouth and all the advertisingI hey could afford, they were able to build alollowing. The joint showing with theMuseum ol Contemporary Art culminatedwith a standing room-only show, making itobvious that the people are there and willinglo respond to film as something more thanwater thrown out to a sponge. They were notgiven much lo respond to that Thursdayevening.With the sole exception ol RoyanneKoscnburg. the audience was confrontedwith weak attempts at commerciallilmmaking. This is outrageous consideringthat most of the lilmmakers who were or arepresently students have neither the moneynor the expertise to churn out hack films. Inhim. art is defined by it's limitations, not it’saspirations. The unfortunate fact is thatmost ol the film schools in Chicago are greatlor turning out people that can maketelevision commercials (which, by the way, times no market lor) but are not allowed todevelop a personal style With the onlyknown except ion of the Art Institute, schoolsollermg him courses mold students intocharacterless lilmmakers who spend morelime trying to control their art than to let itgo and create.Jack Wallace Portrait of an actor by twoColumbia College students was a perfectexample ol the overall films shown. Despiteall their attempts to control their document(“A him about a person trying to make it"one ol the directors said in the questionjier.'od i they were unable to give us any realinsight into Mr. Wallace’s talents, or anykind ol vision at all This was not becauseWallace was not a good subject, but becausethe lilmmakers’ talents were missing. Wewali h and hear Wallace explain why it'shard to make money off acting; I for one feelit would have been better to use his actingtalents to make a more personal statementon the struggles oi an artist Wallace stealsthe him Irom the directors at the beginningwith a cynical wit which is quicklydestroyed by an illogical editing techniquethat bogs the him with an embarrssing tone,leaving Wallace as a sad, broken figurerather than a witty, struggling actor.Koscnburg. w ho announced unfortunatelythat she was leaving personal lilmmakinglor more profitable ground, blendedtechnique and personal vision together tomake a statement on dying, last memoriesand final reflections. THE AUTOPSY isdescribed by her as being “about visualizingone s own death., but it is also about the ideaof mortality in the memory of others." Thehim i> much more powerful cinematicallythan ROSELAND. her second film, and canFIRESIDECONCERTMon. Jon. 27i “ .) < ■ROCHELLE BERNSTEIN in a program ofcontemporary folk music. 5737 University,the Computation Center (formerly afraternity nouse) stand repeated viewings. Whether she willstay with educational materials andabandon personal lilmmaking remains to lx*seenA good sign for the future was thestatement by Dan Ochiva that the N A M EGallery will sometime in the near futurehold workshops lor Chicago filmmakersThere are good filmmakers in Chicago:[x ople like George I^andow, Tom Palazollo.John Schofi 11. Robert FultonThe N A M E Gallery has in the pastpresented important works ol filmmakersIxith at home and from around the country.Hollis Frainpton premiered his work.Winter Solstice there, and the Gallery is the only place in Chicago to set* films which, attheir lx*st. give as well as take The Galleryi" located at 203 West I^ke and if you wouldlike information about future shows and theworkshop you can call 782-9791. Wednesdaythrough Saturday between 12 and 6 p m(February 3 at % p.m. the Museum ofContemporary Art will show new works byStan Hrakhage who stands alongside of suchfilmmakers as Kenneth Anger and MayaDeren as leaders of the experimental film.Hrakhage has never ceased to open eyes,shock, confound or illuminate his audience.It will be wonderful to share visions of hislife with him-and he will be present Thingsare looking up in Chicago.)WHPK 88.3 FMThe University of ChicagoRadio StationHave you listened to them? Sure they play music,but what about all those ads? You hear the same adsfor concerts, records, and even mouthwash overand over again. But have you listened to us? Weplay jazz, classical, rythmn and blues and rock allthe time, not to mention public affair shows.Without commercials. Just music and you. So turnus on, and see how much uninterrupted music weplay. Our program guide for winter quarter iscoming. Watch for it.WHPK is run entirely by U of C students. Thepeople who play the records flunk the same tests asyou do.We always play requests: 753*3588Friday, January 24, 1975—The Chicago Maroon—7 TheGreyCityJournalTheGreyCity in Glass Booths...PeopleBy Allan RothThe American Film Theatre, brainchild of^ producer Ely Landau, was founded last year“»o bring great plays. . . to film audienceseverywhere” After a mixed first year theirsecond season has gotten off to aninauspicious start with a simply awfulversion of The Man in the Glass Booth.The original play bv Robert Shaw (Shaw’sname does not appear in the credits; oneassumes he saw this clinker and had itremoved) is a short, subtle and movingportrait of a man tormented by memoriesol the Nazi holocaust. Screenwriter EdwardAnhalt (who has done work as good asBechet and as oad as The Boston Strangler)removed, with what seems like manicdelight, all the wit. subtlety, symbolism andintelligence that he could find in the originaland replaced them with a lot of overbearing,loudmouthed speeches. Never once did heallow a simple gesture to suffice if he couldsqueeze in a crazed ten minute scene In theplay, when Goldman wants to scar his armhe sticks the lighted end of his cigar there atthe first act's close. Anhalt has transformedthis quick and eloquent movement into aritual that features Schell sneaking throughhis apartment in the dead of night to asecret, locked room where he keeps strangesouvenirs of Nazi concentration camps. Helovingly touches them and carefully sets upsome photographs of atrocity victims. who liveFinally, he takes oui a menorah. puts twocandles that he has lit from a mysteriouslarger candle in it. and burns his arm Thissort of blatant overstatement pervades thewhole film.The protagonist. Arthur Goldman(Maximillian Schell), has thus beenconverted from a character full of repressedlury to a screaming idiot who rather thanreducing his subordinates to an awesometear, induces them to shake their heads andw hisper that he is a sick man. This change inthe character is positively subversive to themeaning of the play. Similarly, in the climactic courtroom scene Anhalt, byadding extraneous references to Viet-Nam,the Arab Israeli War, international law,etc., so thoroughly dilutes whatever of theoriginal theme still remains that he drownsall coherence and leaves us with a babblingdoit for a main character.“Why. Oh why?” I asked myself. DoesAnhalt have something personal againstShaw? How can a professional writer soterribly decimate a story? Why did hechange Goldman’s knee injury into a backinjury (a true puzzle)? It was whileconsidering one of the lesser problems, thetilted explanations of Yiddish words(Goldman: “I’ll make them all take amikva." Cohn: “Oh. vou mean a Jewishritual bath, sir?”) that a possible answercame to me. Remembering that the A.F.T.’smission is to bring culture to the masses,Anhalt must have decided that he had theduty of explaining the play to the folks out inthe Stix. And goodness knows the rubesmigh not understand a quick reference butthey can’t miss Schell jumping up and down.In the last analysis. Anhalt’s overblownscript is just another example of thepatronizing Hollywood attitude that manybig-time commercial screenwriters hold.Anhalt’s partner in crime is directorArthur Hiller (Americanization of Emily.Man of La Mancha. The Tiger Makes Out.Love Story and others). In order toemphasize already overdone points. Hiller treats us to many tight close-ups of actors,especially when they veil. His camerabehaves as though it lias never seen anyoneraise their voice before and is fascinated bythe phenomenon Of course, this kind ofdirection is very much in line with theapparent policy of making sure us dummiesunderstand what is going on at all costs.The cast, lead bv Schell and includingsome T V. actors like Lawrence Pressmanand Lloyd Bochner, compliments the scriptnicely. Rarely have so many people—whoall believe that to increase the drama of ascene one needs only to raise one’s voice,open one’s (‘yes and bare one’s teeth— beenassembled in one place I had hopes thatSchell, a pretty classy actor (Judgement atNuremberg. Topkapi. The Pedestrian).would overcome the script and whateverdirection Hiller gave him. but lamentably hedid not.I he Man in the Glass Booth is the first offive presentations the A F T. will show thisyear. Some of the others, particularly aLindsay Anderson directed version of DavidStorey’s In Celebration starring Alan Bates,have great potential. Umdau’s idea is still agood one but in the future he should l>e morecareful to whom he entrusts it.The Man in the Glass Booth, rated PG.will be playing only on Monday andTuesday, January 27 and 2H. at the HvdePark Theatre and elsewhere in(’hieagoland.CLWOL MUSICTroubador come to Mandel Hall next Tuesday, January28, at 8:00 p.m., to find out for yourself. Itshould be an enjoyable and meaningfulexperience.And don't forget his other offering onWednesday. At 2 p.m. in Bond Chapel, Best art of the troubador. Some well known UCand Hyde Park people have registered andwill sing. Auditors are welcome, and this isfree. He will also give an informal lecturefor the English Department on differentinterpretations of Shakespeare's songs.By Toby HofslundThe last ten years have seen a lot ofrevivals about a lot of different things inmusic. Tnere have been big band, littleband, piano rolls, rag, Joplin and bluesrevivals. You name it—there has beensomebody around to find it and sell ii.Well, there's an Englishman coming tocampus named Martin Best who believes"America is fertile ground for a troubadorrevival." He points out such nameperformers as Bob Dylan, Joni Mitchell andJudy Collins as being at the beginning. Bestalso goes on to say that what young singersneed today is "to be aware of what it meansto be a performer of this kind...to know theworld is wide and deep."A troubador is a folk singer, a balladeer, asinger of songs going back to the 12th and13th centuries. And the songs the troubadorssang were about the same things singers of today are singing about: love, passion, hate,a meddling mother in law, a quiet brook, anangry neighbor. And some of the world'smost famous writers have wriiten thetexts—William Blake, Charles Dickens,William Shakespeare, Mar.in Buber,Garcia Lorca—all sung to the Accompaniment of guitar.Best brings to his profession someimpressive credentials. For five years hewas the official guitaristand luanist with theRoyal Shakespeare Company. Born andraised in England, he has toured extensivelythroughout the United States, and just lastsummer he has presented a college coursefor troubadors at Dartmouth College. Inaddition, tenor Best (accompanied by eitherlute and guitar) has recently recorded acollection of songs ranging from anAppalachian folk song to "Mad Tom o'Bedlam" for Arco, a subsidiary of LondonRecords.Chances are he has lot to communicate. So will conduct a Master Class in song and the ^ Non majors may attend (space permitting).pancf— in iDance SymposiumBy Joan ChristAlthough the University of Chicago boastsneither a dance major nor even a dancedepartment, it does have a very valuableasset in the person of Elvi Moore, the danceinstructor and faculty advisor of the dancegroup.Ms. Moore has long been interested in theidea of holding a workshop of classes,performances and just conversation thatwould combine the talents of various areadance departments This idea has becomea reality, thanks to the efforts of Ms. Mooreand Janet Gray, the dance group'sspokesperson, and the workshop will takeplace this Saturday. In spite of the fact thatthe University has no dance department, theFree Skating!(with this ad)I m lk< * N I< *« H l< >N\’SI<*4‘ Kink5 min. south ofMcCormick Place at31 st 8 Lake Shore Dr'i Skating Lesson*ages 3 - Adult• Hockey Clinicsages 5-14• Hockey Leagues]ages 12-18• Skating Club Membershipindividual A family• Public SkatingOPCN MEMBERSHIPSkate Sa tar day Night(1/25/75)6:00 - 9:00WHk this Ad ONLYFor info andbrochure: 225-3373 dance group is vital and active It is a markof that vitality that it is this institution thathas planned and is sponsoring thisworkshop.The workshop will be held in the dancestudio in the basement of Ida Noyes Hall.There will be classes in technique, taught bySara Singleton of fhe Paul SanasardoDance Company; improvisafion, and a shortperformance by each of the participatinggroups. The classes are closed, but theperformances are open to anyone interestedand are free of charge. The performanceswill take place in the dance studio,beginning at 2:30. The colleges participatingin the workshop are the University ofIllinois, Urbana, Northwestern University,Northeastern University, Columbia College,and Southern Illinois University fromCarbondale.An original full length film of Anoky’s drama classic:THE DYBBUKSPECIALDISCOUNTPRICES mad* in Poland in 1938Jan. 25 at Hillal 5715 Woodlawn8:30 pjn. admission:affiliatas SI.00others SI.50ofFOR ALL STUDENTS& FACULTY MEMBERSJust present your UniversityChicago Identification card.As Students or Faculty Members ofthe University of Chicago you are en¬titled to special money savingdiscount prices on all materials usedon Volkswagen Service Work, allVolkswagen Parts, Accessories andany new or used Volkswagen you buyfrom Volkswagen South Shore.yours WA6EHVolkswagen SOUTH SHORE7234 S. Stony islandOpen Daily 9 AM to 9PMOpan Saturday Sol«v9 A.M.-5 P.MPorts- 9 A M - i2 NoonPhone *288 49Dealer8—Th*» Chirogc Maroon Friday, January 24, 1975Here ore two waysto get more for your moneythe Hyde Pork Bonk way! cnChoose One:Executives Club Presidents Clubminimum savings balance 52,000 minimum savings balance 55,000□ Free checking□ Free designer checks□ Free leather check wallet□ Photo I. D. for instant check cashing up to $□ Credit at preferred rotes □ Free checking□ Free designer checks□ Free leather check wallet.000 □ Photo I. D. for instant check cashing up to $ 1,000□ Credit at preferred rates□ $ 1,000 line of credit on tap□ Free family size safe deposit box□ Unlimited Travellers Cheques (U.5. dollars) freeof service charge□ Free Personal Estate Planner record book□ Financial counsel with bank officers on yourpersonal financial matters□ 20% discount at any Hertz Rent-a-Car agency in theU.5. good any time of year□ Check, cashing privileges at cooperating banksthroughout ChicagolandThe money you pur in o Presidents or Executives Club savings accountworks doubly hard for you. First, your savings draws the highest legalbonk interest-up to 7-1 /2%*. Secondly your savings entitles you to enjoyfree bank services and special privileges that con save you o lot of moneyeach yearTear out this page os a reminder to stop by our Personal BonkingDeportment soon ond sign up for the Presidents Club or theExecutives Club Why not do it todays*Now available — 7-1/2% interest on 6-year Savings Certificate (minimumdeposit $1,000)Money withdrawn before maturity earns regular sen hn/s rate css 90 days interest HYDE PARK BANKand Trust Company1525 E 53rd St./752-4600Member FDIC(Eoch depositor insured up to $40 000)THE WtliStleSTOP BANKFriday. January 24. 1975—The Chicago Maroon 9 TheGreyCityJournalTheGreyCityJournal CIA99IOIL MUSIC ARV.Newman'sPrecisionBy C.J. MeyersAnthony Newman was on campus lastweek tor two concerts, a master class and adiscussion or two. and I venture to guessthat more than a few of us were rathersurprised at the figure that we encounteredat these events.Billed as “The High Priest of theHarpsichord” or “The New Guru of OldMusic” or something like that by theColumbia Records promotion department.Mr Newman inevitably leads one to expectstrange and mystical happenings on theconcert stage. But at last Thursday night'sconcert, at least, there were no magicwords, no blacklights — not even a levitationtrick Instead. Mr Newman appeared to bea very serious and sincere musician with anexceptionally restrained keyboard mannerand an engaging informality.Thursday night’s program was a difficultone for both the audience and the performer.The audience had its problems with thePreludes and Fugues Nos. 13-24 of Book II ofBach's Well-Tempered Clavier. Playing theWTC always provokes a somewhatparadoxical reaction, for although thepieces certainly sound far too grand andl>eautitul to be limited to the privacy of thestudent's practice chamber, they are, on theother hand, likely to seem to be of a far toointrospective and intellectual nature to beproperly appreciated when they are publiclyparaded before a concert hall audience. Mr.Newman himself worried over this pointduring his intermission discussion, andcame to the conclusion that perhaps he hadmade a mistake in programming such alarge portion of the work. I most definitelyagree. The performance itself was understatedand never particularly inspired or inspiring.Mr. Newman’s rubato often tended to breakBach’s long lines in rather unexpectedplaces. Theharpsichoridst was at his best inthe quick passages that did not allow forsuch rubato, but even in these he had theuncomfortable tendency to rush headlongtowards the cadence without respect for thebasic pulse that he had established. He alsoseemed to make a random use of his lutestop which, while it did serve to vary thesound texture, ultimately left one guessingas to just what point Mr. Newman wastrying to make by its application.The Haydn C minor sonata that followedintermission was the most successfulperformance of the evening, even thoughHaydn certainly intended the work for thepiano, not the harpsichord. Here it was quiteevident why Mr. Newman is sometimesreferred to as ‘‘the Glenn Gould of theHarpsichord." for in this sonata Mr.New man exhibited the same kind of fast andamazingly clear playing that we have cometo associate with Mr. Gould. His techniquewas flaw less and every voice was distinctlyenunciated. But overall the performancestill lacked an animating spirit. Mr.Newman, in repressing any expression ofhis own personality in the performance ofthe music (a goai that he explained duringthe intermission discussion) seems in theprocess to have repressed a great deal of thepersonality of the music itself. Haydn neverseemed so serious, nor Bach so coldlyintellectual as they did under Mr. Newman'sfigures.Mr. Newman concluded the program withBach’s Italian Concerto, which he played atbreakneck speed with great technicalfacility. His performance of the lastmovement was especially accomplished, foreven at this fast empo. every voiceremained clearly audible. Also, the rushingof phrases that marred the first half of theconcert was entirely absent here. Butplaying a work quickly does not necessarilybring ft to life, and the Italian Concertunfortunately remained, like the otherworks on the program, an interestingexercise instead of a truly enjoyablemusical experience. Color in ArtX was never like this.Emmanuelleis sensual,but she's elegantEmmanuelleis fantasy,but she's fun.But most important,she leaves you witha singularlack of guilt.And that's the clue toits overwhelmingpopularity.“Gorgeous sexual couplings.’'— Village VoiceLets you feel goodwithout feeling bad.Alain Cuny • Sylvia Kristel • Marika Green - Emmanuelle... . . . |*wlw<oJ»of B«i from ih* book Dtmiwiuri,by Just Jaeckin D*n,l S»rky • J*»nnr Cofctr. • Chrntr* Bo»wr> mu« P«tt# B«h»lKA Co product tor of TRINACR A FILM • ORPHEE PRODUCTIONS • Dtynbuwi) by COLUMBIA PICTURESShowing Exclusively Downtown at theStart9WEDNESDAYJANUARY 29Midwest Premiere A PUTT THEATRE□ MICHAEL TODDOtARBORN NO Of RAN001RH By John KuhnsThe David and Allred Smart Gallery’sopening exhibition on campus does little togive us any new insights into the nature ofart. What it does do is give us acomprehensive, innovative way to look atart"Color in Art" is a show which germinateslargely from the writings and teachings ofArthur Hope Professor of Art at Harvarduntil Pope became interested indeveloping a fluent formalist criticism forthe visual arts. “Color in Art" succeeds as aviable, interesting comment because Pope’swork has established a particular logic oivision. Using Pope's tool for visual analysis,the exhibit helps to establish a surprisingclarity and rationality in color patterns ofpainting. What was thought to be intuitive, ilnot downright arbitrary, can now be seen tobe much more deliberate.“Color in Art" looks at painting fromDoga to Tiepolo with the same calculatingeye. Certainly one valuable point that wecan note overall is that the supposedroductionism oi the twentieth century maynot bo as radically modern as we might havethought. Using "Color Scores" and “Hueand Intensity Diagrams," one can see thatartists have always eonlined themselves toworking with a few basic variables ol colorRuben s “ The Wrath of Neptune” has a verylimited range ol hue and intensity toencourage strong contrasts of value inligure modeling. Morris Ixruis’ "ColorBarrier" ol 1%1 also has a similar limitationin hue and intensity to encourage strikingcontrasts in'value. Pope’s color theories andmodels for his invention, "The Color Solid."are fully annotated alongside differentpaintings. I lound il a good idea to return tothis exhibitition two or three times. Itbecomes irksome to try to digest such ahuge amount of information aboutperception all at once.Pope may have developed some of hisideas on formal appeal after discussing at Smartthem with another Harvard professor, thecritic Kenneth Burke. A Burkian truism thathas always interested me is the one whichsuggests that different formalconfigurations have an innate audienceappeal. That is. phenomena like continuityand graduation areappealing. and this appeali> not explainable by any other denominatorthan the form itsell Pope’s graphs showartists deliberately using gradations of hue,intensity, and value. They were, if we are tobelieve yet another Harvard theory,consciously exploiting this form for itsaudience appeal Perhaps nothing makestlu> as visually clear as Pope’s modelII “Color m Art" does succeed in showingus how artists may manipulate ourperceptions, it says nothing about why theartist is doing this. I suppose that’s all right(Ins time, for tin* show seems to know itsown limitations. However, I can’t helpwondering what the limitations of futureshows will be at the Smart Gallery. I havebeen informed that since Smart is the visualshowcase lor the entire University, it musthang exhibits that will be widely appealingto us all I heartily agree with the basicthread ol this idea, but there is one notionhere that seems speciousPerhaps lew areas of thought in thetwentieth century have been as polemical astwentieth century art. In a University thatprides ilsell in its intellectual courage andintegrity, there is no reason to sidestep.anissue. Since the Fermi Institute is certainlydealing with the l>cst and the brightestinnovations in its theoretical area, I see noreason why the department across the streetshouldn’t do the same Perhaps some of thisradical activity will not appeal to others inour University. Some ol us really aren’t toointerested in physics, but I doubt it that willdrive Fermi Institute' to compromise.The "Color in Art" is an interesting,(hough somewhat timid start in the rightdirection With the fine facilities availableat Smart. I expect to see a furthercultivation of this germ.Individual AttentionTo Most Smalt Cars31?-mi 3-3113foreign car hospital & clinic, inc.*^^*^5424 south kimbark avenue • Chicago 60615IN CONCERT, ONE NIGHT ONLY“Father of the British BluesJohn MayallplusApril Wine % Dog SoldierFRIDAY, FEBRUARY 7TH 8:00 P.M.Arie Crown TheatreMcCormick Place: tTickets. $5.50. S6 50, $7.50Available at all Ticketron OutletsandArie Crown Box Office “ONE OF THEYEAR’S 10 BEST!- Time Magazine - Newsweek MagazineJudith Crist. New Vorlt Magazine— Mew York Daily News - New York Post— After Dark - New Times^ ^ ^ ^ HIGHEST^ ^ ^ RATING—Kathleen Carroll N T 0»ily NewsMAY BE THE MOST PASSION¬ATELY FELT EPIC EVERMADE IN THIS COUNTRY.IT S AN EPIC VISION OF THECORRUPTION OF AMERICA!’— Pauline Kaal The New Torkar MagazineGUerPARTII1 6TH GREAT WEEK AT I| THESE SELECTED THEATRES |I Plitt Plitt 1I SnTE-MKE RIVER ORRS I| Downtown Calumet City |I GCC 1 Plitt 1lyoHKTDujn ciiierih 1 utnmniLD I| Lombard I Schaumburg |I Plitt MAR I■ IRERCURV EVER6REER 1| Elmwood Park Evergreen Park |10—The Chicago Maroon—Friday. January 24. 1$75CLdftOL MUSIC rrrrrrrtr. '•' * ,v “ .1 “Chicago's Latest Wonder ConductorBy Toby Hofslund *"There's no where to go to learn how to bea conductor": a fairly startling statementby a conductor, rather new in the game.Leonard Slatkin was in town recently toconduct the Chicago Symphony Orchestra."You just have to start with small chamberensembles, create your own opportunities,and then be ready for anything."Well, that "anything" for Slatkin meantquite a few things: filling in last year forDaniel Barenboim on three weeks notice,substituting for Riccardo Muti with the NewYork Philharmonic (he was called onSaturday for a Tuesday concert), andmaking his European debut when heconducted the Royal PhilharmonicOrchestra in the absence of Sir AdrianBoult. He was there at the right time,prepared to take over, and his career hasskyrocketed ever since.The fact that he was "ready" does notmean he ever compromised to get there.Far from it. "I won't compromise onprogramming, and won't play music I don'tlike."He does have favorites. "I like Haydnsymphonies (he conducted No. 87, a"premiere" for Chicago). . . Novelties, andolder music that too often lies buried on theshelf." He also conducted the Elgar"Concerto for Violincello." a work heconsidered "too long neglected." As anadded bit of information about thatperformance, he especially wanted ZaraNelsova to play it, and she played itspectacularly. From the first, she was bothassertive and sensitive. Both the Elgar andthe last work of this program, Copland's"Third Symphony," had been heard onlyonce before in Orchestra Hall.Somebody once asked him why he doesn'tuse a baton. At the outset there was no deep rationalebehindhisdecision. It's just commonsense. "I stabbed myself so often I still haveswollen fingers and can't close my left hand.So I put it away. Stopped using it at GrantPark last summer. And now I feel I don'tneed it. Jean Morel at Juilliard wouldn'tapprove, but I feel I can do more thingswithout it... and you should do what worksfor you."Baton or no baton, he has become one ofthe most sought after conductors in thebusiness. Besides being associate principalconductor of the St. Louis Symphony, he alsoholds the post of Principal Guest Conductorof the Minnesota Orchestra (directing noless than 10 weeks of concerts this season),and more importantly, in Chicago he isprincipal conductor of the Grant Parkconcerts, a position he assumed lastsummer. Sadly, he may not be at GrantPark very long."The situation at Grant Park is verydiscouraging. The city seems very willing tospend 40 million dollars on refurbishing Soldier Field and gives us a token budget.The Bears play only 9 games at home to theaccompaniment of much fanfare, whereaswe play 36 concerts and nobody at City Hallcares. It's almost as if we don't even exist.Fortunately, Slatkin will be back thissummer, and he promises some ratherinteresting ideas. First, programs will startearlier, before Ravinia. Second, "I'd like tomix lesser known works of a composer in aprogram that has a major known work topull the people out. That's what we did atAspen. It gives the players a chance toexpand too, while the audience is introducedto unplay music." Therefore, look for somepopular pieces by Ravel, Rachmaninoff,and Gershwin mixed in with some funnovelities."Grant Park is a complement tp theRavinia season, and certainly notcompetition. It's a place to relax."Slatkin has some interesting things to sayabout critics and programs. "Listeningshould be as interesting an experience as performing each time it happensSomething different happens each andevery performance. It's all there for thelistener to pick up. I'm as troubled when acritic praises something that could havebeen better as when he blasts me forsomething I think was done well. The criticshould try to hear a second or thirdperformance too, not just the first. I oncecalled a man to come back after he lavishedundue praise by saying 'we can do better'."Critics should also participate more in"transfer programs such as the one lastyear. I enjoy doing the same work indifferent halls for different audiences. Thatkind of change would refresh the critics aswell."Regarding the programs at OrchestraHall, each performance was different. AndSlatkin wouldn't trade one for another. Thefirst "had more bloopers coming from theorchestra, especially in the Copland, but abit more tension for the good." When it wasrepeated the Copland was "cleaner, butlacking the smallest bit of internal edge.Both concerts were just as fine in differentways." And when Slatkin conducted for thethird time, Sir George Solti was in theaudience. He returned that weekend inorder to watch this young conductor atwork.Slatkin is not all music. He loves to cook,especially gourmet dishes "One of thethings I hate about travelling is not having akitchen. I've just bought my third wok."Needless to say, one of his specialties isChinese cooking.He's friendly, warm, and interested: bothextremely gifted and lots of fun to talk to.Both the CSO members (and that's rare)and by audiences appreciate him. And that'sLeonard Slatkin, a conductor who at onlythirty years of age is already making wavesin the music world.• EYE EXAMINATIONS• CONTACT LENSES (Soft & Hard)• PRESCRIPTIONS FILLEDDR. MORTON R. MASLOVOptometristsHyde Park Shopping Center1510 E. 55th St.363 6363Used Desks Galore...$1 5.00 & UP2 & 5 Drawer Metal Pilinq Cabinets2 Drawer Wood FilesChairs, Swivels, as well as Arm ChairsTables-5 feet, 6 feet, 7 feet"cosh and carry"UIPMEN73AUPPLY COJ8600 Commercial Ave.Open Mon.-Sat. 8:30-5:00RE 4-2111CALCULATORPRICE CUTS10 Models to choosefrom including modelsby King's Point, Sinclair,Litronix, & Colex.Current Specials:King's Point SC-40 $149.95 RetailKing's Point KP 200 $69.95 Retail $54.95Colex Memory $49.95 Retail $29.95Colex Full Scientific $109.95 Retail $ 59.95We Guarantee Lowest Price* AnywhereMidwest Co-opNiso Abuaf - UC Sales RepresentativeInternational House - 1414 E. 59th St.263-3404 24 Hour Answering ServiceTuesday 7:00-8:30 PM Thursday 7:00-8:00 PMWednesday 3:00-5:00 PM Or call when you wish ISRAEL, AMERICAN JEWS& THE LEFT: PERSONALniLEMMA & PUBLICprof, irakatznelsondept, of political scienceISRAEL s_in 011THE LEFT -LJ f r J| 1? T“fEll I—'=1 JljiIru L [f MlnrAMERICAN JEWSFriday Eve. 8r**0 pjn. jon. 24 at hillel 5715woodlawnKIMBARKLIQUORS•WINE MERCHANTSOF THE FINESTIMPORTED ANDDOMESTIC WINESFeaturing our direct imports,bringing better value to youlTHE MIT TME DM SNOT M RTX PARK53 RD KIMBARK LIQWRS, UK.1214153rd St.53-KhebeHi Rase NY-3-3355 U of C Folkloro SocietyPmexliThe ISHi AnnualU of C FOLK FESTIVALFriday January 31Sunday February 2Evening Concerts Friday, Saturday & Sunday8:15 P.M.$3.00, $3.50, $4Saturday Matinee 3:15 P.M.$3.00 ($2.50 with student ID)ALL CONCERTS IN MANDEL HALLTickets on Sale in Mandel Box Office9 AM-5 PM Mon.-Frl.INFO: 753-3567WINTER HATHA YOGA CUSSES ATFIRST UNITARIAN CHURCHLearn Hatha Yoga civilization $ oldest physical fitnessprogram...discover age-old techniques of breathing andstretching, relaxation and concentration for men and womenof all agesSix 12-week classes will start at the First Unitarian Church5650 Woodlawn, the week of September 30 on Monday,Tuesday, Wednesday, and Thursday evenings.The price of a 12-week series if $30, or $50 if you want tocome twice a week. To encourage male enrollments there isa special price of $50 for couples. Missed classes can bemade up on other evenings during the fall series. Enrollmen¬ts will be accepted through the third week if classes are notfilled.Hatha Yoga I classes will be held on Monday from 5:30 to7:00 and from 7:30 to 9:00, and on Tuesday from 5:30 to7:00.Hatha Yoga II classes will be held on Wednesday from 5:30to 7:00 and from 7:30 to 9 00 and on Thursday from 5:30 to7:00.Although Hatha Yoao II classes are a continuation of HathaYoga I, you may enroll in any class or combination of classeswitnour previous instruction, for more information, call in¬structor Jock Merring ot 955-0936.First Unitarian Church5650 Woodlawn FA 4-4188Friday, January 24, 1975—The Chicago Maroon—11 TheGreyCityJournalTheGreyCityJournal00 An Extra Front PageBy Alfred LeaThe Front Page, the third version of theBen Hecht-Charles MacArthur play of thezame title, is the least attractive of the threeversions.These feelings stem partly from a personalover-familiarity with the gags and plot of themovie. Several other characteristics of themovie also tended to detract from its basichumor. However. The Front Page is funnyand anyone who is not familiar with the storywould probably enjoy the picture, especiallyif they have an affinity for gritty, glass-chewing repartees grunted by characterswhose means of subsistence consists of buttsand whiskey.The story, set in Chicago in 1929, concernsone Hildy Johnson (Jack Lemmon), areporter who has decided to overthrow thenewspaper business for a new wife, playedby Susan Sarandon as a sweet slice of fluff.His editor. Walter Burns (Played by WalterMatthau), becomes incensed at thisfoolishness, since he wants Hildy to cover thehanging of a convicted murderer whosetrials and appeals had been previouslycovered by Hildy. The action in the picturealternates between Burns trying to frustratethe impending marriage, and Hildy shuttlinghis loyalties between his fiancee and thenews biz. His newshound instincts are in¬trigued and revitalized by the propsect of a redolent story when the condemned manescapes on the eve of his scheduled 7 a m.drop.One part of the story seems inexcusablysloppy in regard to historical fact. HildyJohnson enters the press room and performswhat appears to be a tough-guy impression ofJames Cagney, who did not make a movieuntil after 1930 (while The Front Page is setin 1929). Cagney did not acquire his gangsterimage until later still. The oversight isparticularly clumsy given that Billy Wilder,the director and co-script-writer, is oldenough to know better.Another annoying sequence is when anambulance carrying a psychiatrist to thehospital loses control, and the cart on whichthe doctor is strapped careens all over thestreet while the doctor is yowling for help.That is not very funny. Nor are the speededup shots of the police rushing the city. MoryAmsterdam could have done better.The strength and charm of The Front Pageis in the wise guy dialogue and the per¬formances of the entire cast, excepting JackLemmon, whom one has a difficult timeenvisioning as hardbitten. Vincent Gardeniaappears as a corrupt Cook County sheriff(naturally), David Wayne is affectionatelystuffy and square as a Tribune reporter (thecharacteristics still apply today). CarolBurnett is Molly, hooker, and friend of thecondemned man.Let me give just on? example of the L£TT€R5To Mr. Enoch Soames:Okay, that's two weeks of tripe in a row.Are you going for some kind of competition?Whatever happened to the good old dayswhen we could count on Grey Gap to deliversome semblance of interest to an otherwisedull GCJ? Enoch, old frnt, you and thetravesty called student government werethe only things making the Maroon worthreading—and now even dorm buddy PeteCohn indicates that there's not much ofinterest left in SF.No, I wouldn't say you're our lasthope—I've still got some taste left. Butwe're down to the bottom of the barrel, as itwere. Whe GCJ scrapes the bottom, youknow they're right down there.Get it together, Soames. No more tripe.Let's see some of fhat renowned wit—thatrevered sagacity—that redundant firstperson plural.Now get out there and write.Frank HayesMr. Soames is giving specialconsideration to his next column, which isthe reason for its failure to appear in thisissue.dialogue; when Molly enters the Cook Countyjail press room, she is greeted by otherreporters covering the hanging with “Hey,Molly, the sheriff’s cooked up a little pain in I would like to take a moment or twoto thank the people who helped to makethe Civic Orchestra concert of January18 a reality.Certainly the event could not haveoccurred without the dedication of themusicians and the conductor. ProfessorBlackwood, pianist Joseph Cisar, and themembers of the orchestra were the peoplewho worked so hard to put the performancetogether.In addition to the musicians. I would liketo express my gratitude to the people whoworked out all of the details involved inbringing a major orchestra to Mandel Hall.These include Civic administrator GordonPeters, Marie Hauvilleof Student Activities,and Professor Marshall and Mrs. Mogan ofthe Department of Music.Finally, I would like to recognize thosemembers of the University who went tosome trouble to actually do the multitude ofjobs that had to be done on the evening of theconcert. These people included MikeKlingensmith, Cathy Masters, Jeff Strauss,Nancy Williamson, Neal Strauss, RichardDoerflinger, Tim McLarnan, Brian Davies,Tim Weber, Stanley Howell, and Tom Burnsof University Security.Sincerely,Peter Gallanisthe neck for your friend’’ and “Hey Molly,your friend left a call with the sheriff for 7a m.’’ If you like this kind of thing, and I do,then you will like The Front Page.CULTURE GULCHDANCEinstead of twiddling your thumbs waiting for the JoffreyBallet to come *o town (note, however, that studentdiscounts of 25 per cent on all seats are available forperformances on February 4 7, and February 11 12, simplyby presenting student i D at the Auditorium box office), youshould be out seemg the Pilobolus Dance Theatre tonightand over the weekend The athletic dance troupeireviewed elsewhere in this issue) has reduced rates forstudents to S3The Chicago Contemporary Dance Theater will have its(inal performance at the MoMmg location (1034 W Barry)on Sunday night it is a chance to preview the performancewhich will be available on this campus on the night ofFebruary 3d Also this weekend and on campus, areperformances by various groups who are participating inthe Chicago Dance Symposium (see story elsewhere in thisssue). All performances will be in the Dance Room in thebasement of Ida Noyes HallCLASSICAL MUSICThe Chicago Chamber Music Series brings the JulliardString Quartet to Orchestra Hall tonight in a concert that iscovered by the student discount coupons which are used forUniversity nights at the Symphony, The show tonight is8 30 pm Now is also a good time to mail m your coupons forseats tor the upcoming university night concertOn campus, catch the Contemporary Chamber Players•n concert tonight at 8 pm in Mandel Hall Despite the factthat Peter Maxwell Davies w.ll be unable to make hisscheduled appearance, his compos;tions should proveamply entertaining And if you feel like trecking offcampus a ways, the Fine Arts Quartet will perform at 8 30pm on Saturday night, in the Fermilab Auditorium,Batavia, Illinois Call 840 3091 for info Nearer to home, besure to remember Martin Best (previewed in this issue),whose troubaoor program of recitals and classes beginswdh a performance Tuesday night Call 3 4178 for ticketprices and program detailsAt Northwestern, 'ultra modern composer John Cagewill lecture Monday night at 8 15, and will have a questionand answer period Tuesday at 1 pm Both events are inLufkin Hail, 700 University Place in Evanston His 'AtlasEclipticaiis" will be played Sunday at 8.15 pm at AliceMillar Chapei, Sheridan and Chicago Avenues It's freeTHEATREThe author of Rosemary's Baby nas a new play opening,n town this weekend Ira Levin's Veronica s Room follows•he successful gothic horror tale mein Performances atthe jane Addams Theatre, 3212 N Broadway, are at 8 30pm on Fridays and Saturdays, with admission being S3, S2tor studentsContinuing their travels, the Travelite theater returns tothe Blue Gargoyle or Thursday nights at 8 30 pm to presentCalm Down Mother and The White Whore and The BitPlayer. Downtown, the Playwright's Center begns an•fort *o win an unrecognized play the awards it deservesN<>al Black's Love on a Dark Night did not qualify for theJefferson Award for Chicago Drama when it originallyopened 3 years ago, because non professional productionswere not included in the award considerations The newproduct on. at 110 W Kinzie, will qualify the play forconsideration in a new category, and since the play hasalready won several area awards, its contention seemskelyPerformances of The Beard by the Peripatetic Taskt-orce continue at the Body Politic (2257 N Loncoln).Performances are at 8 30 Thursday through Sunday, to seeJoan Harlow meet Billy the K,d Sartre's No Exit onSaturdays constitute the offerings at the Drama ShelterCall 549 6020 tor further info The Kennedy King theatre isproducing Norman, Is That You? at 6800 S Wentworth Thef rst Chicago performances of this comedy are at 8 pmThursday through Sunday And the Goodman continues'heir performances of Tis A Pity She's A Whore, reviewedhere last weekARTThe big news in art this week is the rare chance to visitone of the city's fines* modern art collections The Home ofMr and Mrs. Joseph Shapiro The tour (previewed in anarticle in this issue) will leave campus at 6 30 pmWednesday and costs SI 50 to defray the bus expenses TheShapiros are gracious and knowledgeable hosts, and theirollection is the f inest I've ever seen m a private homein the more commercial world, the Smart gallery onarr.pus is having an exhibt called "Color in Art"'reviewed in this week's paper) The Art Institute isopening an exhibit of Persian and Indian miniatures, theHyde Park Art Center continues its show of photographs FILMWith CEF taking a week's vacation before their bigdouble bill next weekend, DOC has the field all tothemselves this week With the films which are scheduledfor tonight and tomo: row, it s no wonder that CEF decidednot tocompete Tonight, in Cobb at 6 30 8 30and 10:30, willbe Charlie Chaplin's masterpiece City Lights. A silentmovie made three years after sound made pictures become■Jt&lkies," Chaplin's exquisite performance as the trampwho befriends a blind girl rates as one of the most poignantin movie history And Saturday night, in Mandel Hall, is theinimitable The Godfather, about which nothing need besaidDOC week day presentations indulge furthei their tastefor the esoteric The Tuesday night double bill, The BigCombo and A Lady Without A Passport, epitomizes thepeculiar fascination with the "B" movie for which DOC isknown Wednesday brings another night of sublimecomedy, with Buster Keaton's Steamboat Bill, Jr. at 7:30Elsewhere in the area, the Hyde Park theater finallybrings the double bill I promised last week, Claude Beri'ssexual comedy Le Sex Shop and Milos Forman'sreknowned Loves of A Blonde Note that there will be noperformances on Monday and Tuesday, since the firstproduction of the American Film Theatre will be occupyingthe hall those nights The film, Man in a Glass Booth, isreviewed in this issueAround the city, there is some classic film Polanski'sterrifying Repulsion may be his greatest and certainly ishis most disturbing film, it's showing tonight at theMidwest Film Center in Fullerton Hall of the Art Institute(5 30 and / JO, 51 25). Wednesday's presentation in their"German Cinema Between the Wars" series brings"Pandora's Box" (sameplace, t.mes, and price) In specialshowing are King Vidor's "Halleluiah!" at the Museum ofContemporary Art Tuesday at 6 pm, jean Cocteau'sTestament of Orpheus Sunday at the Rare Cinema (2020 NHalsted, 4 pm), and a campus showing of Kate Mi I left'sThree Lives Sunday night in Cobb Hall at 7:15and 9:30.Cost is 51. sponsored by the University FeministOrganizationFOLK, ROCK & JAZZIn listings around the city Polish iazz violinist MichaelUrbamak appears at the Quiet Knight, through Sunday,with shows at 9 15 and 11 30 Bryan Bowers, autoharpistextraordinaire, appears with folksinger Elizabeth Cottenm concert at the Old Town School of Folk Music, 909 WArmitage. Saturday night at 9 and 11, Amazingrace hasrescheduled Jerry Jeff Walker's appearance for anotherweekend, and will be closed this weekend, at Otto's at 2024N Halsted, will be the New Dooley Band, with shows at 9,10 30 and 12, Corky Siegel will play at Orphans throughSunday, after his recent concert hereListings should focus on two happenings on campus in thenext week Count Basie and his orchestra will appear in abenefit performance on Monday, January 27th. Theconcert will be St Thomas tne Apostle Church, the firsttime Basie has ever played in a church Tickets areavailable from the parish rectory, 5472 S Kimbark, andCount Basie plays Tuesday night at St. ThomasWood ! a wo from Swain drugs Count Basie will appear at a receptionafterwards, to which purchasers of the highest pricedtickets will be invited All proceeds will go to St Thomasthe Apostle Elementary SchoolAnd mention should be made that the folk festival beginsnext weekend Appearances will be made by everyonefrom the New Lost City Ramblers to Leonard Emmanuel,former national hollering champion A complete programis available from the folklore society, and informationabout all the performances and the workshops can be bycalling 753 3567And one last minute listing Roscoe Mitchell, altosaxophonist, will present a solo concert on Sunday night at6 pm at the Museum of Contemporary Art Charge is 52 forstudentsMISCELLANEOUSTwo literary magazines make their appearance thisweek Primavera, the magazine of the University FeministOrganizatior: and Wild Onions, the independenteffort to bring literature to the UC campus Both should bewatched forTo the first reader of the Culture Gulch who gets this farand cares about it, there is a free pass for two to the newFrench soft porn movie Emmanuelle. The movie (rated "atasteful X," they say) is going to be the object of a bigpublicity blitz, the first part of which is a special previewon the night of January 28th (that's Tuesday) The solerequirements for procuring the pass is the people must bea couple they must dress in black tie and they must be thefirst ones to get to the Maroon office in Ida Noyes Hall(third floor) and ask for the passesNext week the Grey City Journal will have a specialrestaurant issue, reveiwmg the cheap, the great, theundiscovered and the lousy across our city And finally, toget listings in the Culture Gulch, send material to theCulture Gulch, the Grey City Journal, 1212 E 59th, Chicago6063/Take a Free Mini-LessonWin a Free ScholarshipMini-Lesson ScheduleLutheran School of Theology1100E. 55th St.Friday Jan. 24 7 PM Rm. 201Monday Jan. 27 7 PM Rm. 201Tuesday Jan. 28 7 PM Rm. 201Classes are scheduled to begin on campus Thurs¬day, January 30th.If you can not attend a mini-lesson, please contactPam Modica, for further information. ?~£-1996.Evelyn WoodReading Dynamicscipf U y icciyu c»r 11 Stb cif jZ Jo j BiiSCkyfGtfW? the Apostle Church nt 55'h andi Chicago Maroon—Friday, January 24, 1975LETTERS TO THE EDITOR Grant to improve carecontinued from page 3collected during the interimwe concluded the theUniversity has one of thelowest per capita studentactivities fees for com¬parable institutions acrossthe country. This is onereason why the $10 fee isbeing given serious con¬sideration However. I amconfident that out of ourmeetings will come ad¬ditional ideas on how to meetthe monetary crisis.Tied to the problem ofmoney is the* problem ofreceiving adequate publicityin th<‘ Maroon. The* Maroonadvertising rates amount toextortion by a localmonopoly. At $5<i per quarterpage there is no way smallorganizations on shoe-stringbudgets can afford to havetheir events publicized in thelocal press. Collectively wecan see that the rates godown.Another point in theproposed plan is to actcollectively on distributingposted on campus Eachorganization would lx*responsible for jxisting them e s s a g e s of allorganizations once duringthe academic year Thiswould ensure a regularmethod of posting noticesand economize on man¬power Organizations thatpost frequent posters wouldbe required to share a higherburden i.e. once a quarter.Finally there remains theconsiderable problem ofworking with the studentactivities office on a dav-to-da\ basis We should payattention to our commonexperiences with this office,and lobby for changes thatma> be appropriate.The first meeting has beenscheduled for Thursday.January 30 at 7 p m. in the*North Lounge of Reynold*Club I think you will agreethat then* is much work to Ik*done but we are the logicalones to do it I look forwardto seeing you on Thursday.Sincerely.Stuart SweetStudent GovernmentPresidentNoteEditor's note Thisnewspaper is not extortinganyone. Studentorganizations do get adiscount. They are chargedless per column inch thanother customers. CORSOCorner, an ad arrangementwith student government,allows student organizationsto jointly obtain a large space and get a further cutrate. CORSO Corner hasnot been ujted to the sameextent this year as last.The Maroon is staffedentirely by students with theexcept ion of a full-timeworker needed to run theoffice on a regular basis. Anyprofits we garnish are putinto reserve, equipment, andscholarship funds. This is notextortion, but service to theUniversity and the Hyde-Park communities.There is a further con¬sideration our studentpf>liticians should have inmind If the Maroon is notself-supporting (which hasoften been the case) then wedrain critical funds fromCORSO.W'e support the idea of astudent fee and have said sopreviously. (Maroon. Nov.26. 1974).GallanisI would like to correct anexpression of opinionattributed to me in theJanuary 17 Maroon.Reporter Peter Cohn, inhis article on the last SGmeeting, discussed at somelength the complaints of SGgraduate secretary JanetHeller concerning thecaliber of coverage given tocertain student groups bythis paperMs. Heller stated rathereloquently the same types ofobjections that UC studentshave made about theMaroon for years. She alsosuggested, according to Mr.Cohn, that the Maroon be' pressured”to < presumably)raise its standards in manywavs.Mr Cohn wrote that Iagreed with Ms. Heller, butthat 1 made a commentabout the futility of suchpressure.In fact. I did NOT agreewith Janet. I only tried, as amember of both the Maroonstaff and the SG executivecouncil, to explain somecircumstances concerningthe operations of tne Maroonand its position in theUniversity.1 will not attempt, as Mr.Cohn did, to put a longdiscussion into one line oftype I would simply like tosubmit that (1) the contentof the Maroon is directlyrelated to the interests andabilities of any studentwilling to join its staff, and(2) that as a self-supportingstudent activity, it is liable tono “pressure” from SG oranyone else.Personally. I would have itno other way. and I said so on9 AM-9 PM 7 Days A WeakHYDE PARK PIPE AND TOBACCO SHO&1552 E. 53rd - under 1C tracksAll students get 10% off,ask for "Big Jim"Pipe*Pipe Tobacco* Imported Cigarette*Cigars the Assembly floorPeter Gallanis Chairman. SG SpecialAffairs CommitteeCALENDARFriday January 24ON CAMPUSCOLLOQUIUM Robert RagoUkie Coastal Currents, Upswelhng, and DensityCurrents in Lake Superior." 3 30 pm Hinds Laboratory AuditoriumSEMINAR P G Burke, 4 00 p m., Kent 103LECTURE Ira Kat/nelson, "Israel, American News and the Left PersonalDilemma and Public Proposals," 8 30 p.m HiilelDOC: "CITY LIGHTS": 6 30 . 8 30, 10 30 p m CobbSICONCERT The Contemporary Chamber Players of UC, 8 30pm Mandel.LECTURE: Newton Minow, 12 30 p m , Room IV law schoolSABBATH SERVICE 7 30 p m , HiilelARABIC CIRCLE: Ahmed Rzzoui, "Libya's Foreign Policy Under Kadfi" 3 00p m , Pick 506CHRISTIAN FELLOWSHIP 7 00 p m., Ida NoyesFORMOSA 7 00 p m , Ida NoyesFOLK DANCE R S 8 00 pm, Ida Noyes continued from page 1providing exposure to newknowledge and newtechniques in their field.”Students in the HealthExecutive Program willbecome members of theregular Executive Programgroups. They will take a coreof general managementsubjects alongsideexecutives from other fields,and will also receiveseparate instruction in aseries of courses dealingspecifically with problems ofmanaging health caredelivery organizations.The Executive Program,organized more than 30years ago as the first of its kicd, is designed to prepareexperienced executives forgeneral managementresponsibilities. To date ithas graduated more than2.200 executives of 905different firms. Alumni,employed throughout theworld, include many nowprominent in US. andinternational business.The Graduate Program inHospital Administration,now 40 years old, also wasthe first of its kind in thenation Over the years it hasgraduated 440 students whonow manage hospitals andother health facilitiesthroughout the United Statesand abroadSunday January 26OFF CAMPUSNORMAN. IS THAT YOU: 8 00 p m . Kennedy King College, 6800 S WentworthPILOBOLUS DANCE THEATRE 7 00 pm , 2936 N SouthportFILM "Repulsion," 5 30 and 7 30 p m . Art InstituteCONCERT Spirit. Iron Butterfly, Image, 8 00 p m , Aragon ON CAMPUSLOX & BAGELS M 00 a m., SI 50, HiilelMEETING Jew sh Women's Group. 7 30 p m HiilelLECTURE Nathaniel Brandenon "Romantic Love." 2 00 p m , I HouseFILM "Three Lives." 7 15 and 9 30 p m , Cobb SISEMINAR Bernard Brown on "Creative Fidelity," 9 45a m RockefellerSERVICES E Spencer Parsons "Relating to the Unfamiliar," 11 00 a mRockefeller Memorial Chape!FOLKDANCERS: 8 00 pm Ida NoyesOFF CAMPUSCHICAGO CHAMBER ORCHESTRA. 2 15 p m . Chicago Historical SocietyDEBATE: Al Raby vs Sydney Iryn Williams. 12 00 noon. 1st Unitarian Church57th and WoodlawnSaturday January 25 — Monday January 27ON CAMPUSFILM "Dybbuk " 8 30 pm. Hiilel SI 50AIKIDO: Fumio Toyoda demonstrates, 3 00 p m Bartlett GymCONCERT Fine Arts Quartet, 8 30 p m , Fermilab Auditorium BataviaDOC "THE Godfather." 6 30andl0 00p m Mandel SICHINESE STUDENTS ASSOCIATION 6 00 p m Ida Noyes HallOFF CAMPUSLECTURE Jonathan Kozol. Racism in Boston What's Behind the BussingCrisis." 7 30 p m , 1st Unitarian Church, 5650 S WoodlawnC A B C : Chicagoland Association of Barbershop Chaoters, 8 15 pm Arie CrownTheatre ON CAMPUSKARATE 6 00 p m , Ida NoyesCHESS Annual speed chess tournament, open to ail bring clocks, 7 00 D m , IdaNoyesFOLKDANCERS 8 00 p m , Ida NoyesUNIVERSITY FEMINIST ORGANIZATION "Women, Unions and theUniversity," 8 00 p m , Ida NoyesTHEATRE WORKSHOPS "Upholstery. 6 30 p m . MandelRECORDERS: 8 00 p m Ida NoyesOFF CAMPUSLECTURE Chogyam Trungpa R npoche on "The Myth of Freedom, LincolnPark Presbyterian 600 W Fullerton, S2 0CAUDITIONS The Death and Lfe of Sneay y F tch," Barry Street Theatre 656W Barry, 7 30 p mBlood quotas running shortBy MIKE RUDYJanuary is National BloodDonor Month but theUniversity Hospital’s blcwdbank has received only 271units of donated blood so far.according to Use Davis,assistant director of theUniversity's blwid bankThe blood bank, located atBillings hospital, usedIxMween 1100 and 1800 unitsof bl<K)d per month whilemonthly donations average350 units. “About ten of thosethree hundred fifty units areused for rsearch so areunavailable fortransfusion.”The gap between supplyand demand must lx* madeup from other than volunteersources. Davis explained.‘We have to turn to the RedGross every month ” Bloodacquired from the Red Crossmust be paid for.Young Designs byELIZABETH GORDONHair Designers1620 E. 53rd St’288-2900 The Univesity’s blood bankis observing blood donormonth with renewed effortsto encourage volunteer blooddonations. A blood bankrecruitment representativewill distribute volunteerblood donor pledge cards atReynolds Club from 11:30am until 1:00 pm duringJanuary. Prospective donorsmay call 947-5579 for anappointment, or stop at theblood bank, room M-134,Billings HospitalWhen a need for bloodrises those individuals whohave filled out pledge cardswill be contacted by arepresentative of the bloodbank. A person may donateblood every eight weeks orfive times a yearBecause the Universityhospitals participate in theCooperative BloodReplacement Plan (CBRP).individuals donating bltKxl can insure that they willreceive blood if such a needshould arise The usual fee orrequirement to findreplacement donors forblood used is waived forpeople belonging to thecooperative planMembers of CBRP areimmediately entitled toreplacement benefits foraccident and maternity careThere is a 90-day waitingperiod for replacementbenefits for other surgeryBy donating one pink ofblood at a participatinginstitution, the donorbecomes a CBRP member Adonor may chose, however,to enroll himself and spouseor his entire family. In thetormer case, husband andwife and all children under19 are covered for one yearA person may be a proxydonor to enroll an individualfriend or relative or someoneineligible to donate. People having certain diseases orcongenital defects becomeeligible for benefits onlyafter a one year waitingperiodYou are eligible to donate11 you are a person in goodhealth between 18 and 65years of age and meet thefollowing requirements:1 > Do not have a history ofmalaria, hepatitis, jaudice.diabetes, tuberculosis, heartdisease, epileptic seizures,fainting spells or any otherchronic illness;2) Do not have a cold or sorethroat at the time ofdonation;3) Weigh more than 119pounds;41 Are not pregnant norbeen pregnant within the lastsix months;5> Have not had majorsurgery within the last sixmonths;61 Have normal bloodpressure, and blood countCall753 2060* C a in put ^*2 Seuice Or348 6128*University of ChicogoIndustrial Relations CenterCopy Prep • Typing • Type SetOverhead Cels • Slides Low Cost Audio-Visual Services on th. midway1225 Ea»t 60tti Str*.t.Printing • Mounting • Pnotogiaphy • Recording • Equipment Rentalfilmstrips • Posters • Charts • Graphs • Displays • CCTVFo*t Economicol S*rvic*» on Campus. Call Don Sands For Samples Pricos ond Estimates devon s^Sw theHHSHEagls GREE!VPrize-v/innino films by WALL’ARMANDO ROBLES GODOYadelphi WAS*fistyfog)in/Patis3746 sharidan 761-1700a StreetcarNamed J )esire422 2 blocks no. of loyoia elFri.-Sun.:Kurosawa's"RED BEARD"Mon.-Wed.:Kurosawa's"YOJIMBO" & PIZZAPLATTER1460 E. 53rdMl 3-2800FAST DELIVERYAND PICKUPEflCOUNTER OVERLAIDWe are off onEXPEDITIONS TOAFRICA ASIAAND LATIN AMERICACmrm «• |oln «mT •DotaUa S>] I t. KlmWfc MU7Wit* 14Friday, January 24, 1975—The Chicago Maroon—13JSmall numbers hurt UC teams IN AND ABOUT I MsGymnasticsDepth is a problem inalmost all UC varsity sportsand the gymnastics team isno exception. The Maroonshave several excellentindividuals but a simple lackof numbers is going to costthem chances for severalvictories this season.That's the opinion ofvarsity gymnastics coachWilliam Simms, who willlead his squad to DuFageCollege tonight for a 15 teaminvitational with teams suchas Wisconsin-Platteville,Whitewater, CentralMichigan, and Triton.The Maroons weredefeated at Triton last weekin a meet where Chicago wasparticularly short ofmanpower. ‘‘Hick Bard hadan injured foot. GeorgeTingwald had the flu, andTom Madynski had onlybeen practicing for oneweek.” says Coach Simms.Dennis Sadowski was theleading point getter forChicago in the meet, whichthey eventually lost 129.95-71.65. Sadowski won thehorizontal bar. floorexercise, and all-aroundevents for the Maroons.Coach Simms feels thatSadowski. Izzie Reyes, andGeorge Tingwald will begetting most of the pointsthis season for the team.Against Triton, Chicagotilled only 14 of the 24 spotswhich characterize collegegymnastics meets thiswinter. Up until last season,there were only three scoresWrestlingThe Chicago Maroonwrestling squad, alreadyplagued by a rash of injuries,suffered another serious onein their double setback onSaturday afternoon againstMaranatha and ConcordiaColleges.Greg Wrobel, the Maroon's167 pounder, reinjured aknee that he originally hurtplaying rugby in the fall.Greg will be lost to the teamtor the remainder of theseasonWrobel joins F r e dTremmel, Ken Z i n t a k.Dennis Thatcher, and DougRichards as wrestlers thatwill be forced to watch theremainder of the seasonIrom the sidelines. Their losshas decimated the ranks ofthe Maroon upper weights — counted in each eventtowards team totals, but thisseason there will be four.This rule change may hurtthe Chicago squad more thanany other single factor thiswinter.The Maroons only haveeight members on thevarsity, and Simms says,“there are about five otherkids on campus who wereally could use.” The coachhopes the team will bescoring 120-125 points by theend of the season and sets hisgoal at three or fourvictories.Although the squad doesn'thave great numbers ofpeople, the ones that theyhave are very good BothSadowski and Bard qualifiedfor. and took part in thenational championships lastspring. Sadowski qualified invaulting and floor exercise,while Bard also qualified invaulting. This season.George Tingwald hasalready qualified for thenationals in vaulting andSimms expects Bard andSadowski to repeat theirperformanceAt any rate, the team willlose only one member (tograduation, at least) andshould, in the words ofSimms, “be vastly improvednext season ” The coachsays that recruiting looksgood, and in semi-jest thatthe loss of senior Bard,“reallv shouldn't hurt us atall.”weights which wereexpected to be the Chicagostrongpoint this season.Coach Schael said that hisbest wrestler currently is 126pounder. Frank Valentin andthat he doesn't think that theothers have quite wrestledup to their ability so far.Schael expressed his beliefthat the season was going tobe “a long haul " without theservices of his heavierathletes In fact the Maroonsmay not be able to fieldanyone in the 177, and 190weight classes.The Maroons will travel toDubuque. Iowa this eveningto grapple with LorasCollege, who Schael feelswill be very strong Heinvited anyone interested invarsity wrestling to contacthim in Bartlett GymmiPhoto by Frank FoxBARRETT: Senior FORWARD Tony Barrett drives to thebasket for two points against Purdue North Central.14—The Chicago Maroon—Friday, January 24, 1975 Photo by Prank FoxGYMNASTICS: Maroon gymnasts hard at work duringpractice at Bartlett Gym. Men's leagues wind downSwimmingThe men’s swimmingteam dropped two meets lastweek, falling to Monmouth28-76. and to the U of I CircleCampus 39-72.Both losses had theirencouraging aspects,provided mostly by veteranBob Smartt. Smartt tookfirst place in everyindividual event he enteredin the two meets, includingthe KMX) yard freestyle, the160 yard individual medley,the 5(H) yard free, the 50 free,and the 200 yard butterfly.Smartt also contributed inlosing causes in both relayevents.Other Maroon swimmersto cop first place honors lastweek included Steve Pi w inski, who won the 200yard backstroke againstCircle. Chris Gomez, whotook the 200 breaststrokeagainst Monmouth, andDave Rodin, who edged theCircle entry in the 200 yardbutterfly.Bill Vendl. the men’sswimming coach, has hadhis usual depth problems thisyear He has people capableof placing in each events, butnot enough manpower to goaround.The team could go a longway towards beingcompetitive if a diver couldbe found for it The Maroonshave been giving away eightpoints a meet by not beingable to field (float? > an entrym that event By MIKE KUNGENSMITHBasketball continues todominate the intramuralscene this quarter as themen's league draws to aclose just as the women’sand recreational leagues arebeginning.The top teams arebeginning to assertthemselves in preparationtor the upcoming playoffs(and in an attempt toinfluence the Top Tenpollsters). In theUndergraduate Red, PsiUpsilon seems to be in nodanger having alreadyo v er whelmed threeopponents. Vincent,however, having a gameremaining against theleaders, has a flickeringhope.The UndergraduateIndependent has come downto a race between theundefeated Hill #244 andKlingon teams now that theinfamous Farth Pigs squadhas been invited to play nomore games by intramuralczar VendlAlpha Delta Phi has theU G White sewn up.outdistancing Dodd/ Mead.Hitchcock Fast, andSalisbury. The UndergradBlue is still up for grabs,with Phi Gamma Delta andUpper Flint as the co-favorites.On the Divisional side, theZephyrs have still had noserious challenges. Theybecame the first IM team this year to go over the 100mpoint mark in their 106-28victory over SecondBalcony They share the leadm the Divisional White withthe undefeated wide openclassroom squad.Coulter #1 is undefeatedand leads the Divisional Redover challenging TWNN andLinn House. The Billikenshave assured themselves aplace in the playoffs byending their regular seasonwith a perfect 7-0 mark byvirtue of their wim over I-House #1 in the DivisionalBlue championship onWednesday eveningWomen's Intramuralbasketball play began onTuesday evening, and theremaining schedule is asfollows: January 28th - 6:30Business vs. Lower Wallace,7:30 Full Court Press vs.Shorey. January 30th - 6:30Bridgers vs. Upper Flint,7:30 Legal Fagles vs. UpperWallace. February 4th - 6:30Bridgers vs. Upper Wallace.7:30 Legal Fagles vs UpperFlint, and February 11 - 6:30Business vs. Shorey, 7:30Full Court Press vs. LowerWallaceThe Recreational leaguewill sponsor fivetournaments for which theentries are due Wednesday.January 29 in the Intramuraloffice. The tournaments willbe open to all students,faculty, and staff in thefollowing sports: Menshandball, raquetball. andsquash, a n d women’sraquetball and squash.Girls unbeatenThe Chicago Maroonwomen's basketball teamextended their perfectrecord to 4-0 with a 56-38victory over NorthwesternUniversity Wednesdayevening at McGaw HallDespite what coach PatKirbv and several playerstermed ‘“really badofficiating”, the Chicagoanswere able to pull to a 26-17halftime lead after trailingin the early minutes of thegame Coach Kirby felt thatthe full size collegiate courtmay have contributed to thesquad’s slow start but thatoverall it was not a factor inthe outcome.I feel that, as a team, weare in very good condition,and we have excellent depthAs a result, a large courtdoesn't really hurt us.”Leading scorer in the game, as usual, was 511”center Vadis Cothran with 13points — followed closely byLaura Silvieus with 12. TheMaroons, however had verybalanced scoring in thecontestLast night the Maroonsplayed at Chicago State(results pas! deadline) inwhat was to be their toughestgame to date. The game wasthe team's final Chicagocontest before they ventureto Cambridge,Massachusetts nextWednesday for the first MITInvitational Tournament.Ms. Kirby said before theChicago State game, "Wethink that it (the ChicagoState game) will beworthwhile, since you onlyimprove by playing goodcompetition. We try to playteams that are at least asgood as we are.” IM HOOPS: Two undergraduate teams battle bitterlyfor a better ranking in the Maroon IM Top Ten.Men Cagers subdued 73-51It wasn’t the ChicagoCagers’ night Tuesday atLake Forest Plagued bypoor shooting percentage,incredible numbers ofturnovers, and a lack ofrebounding, the South Sideteam was never really in theballgame.Down by 29-16 at halftime,Chicago drew within 32-25 at16:30 of the second half, butfive consecutive points by<;’4” forward Brian Hannott of Kenwood High School putthe Foresters back up by 12.From that point on they werenever endangered.Only some fine work byMaroon forward FugeneClark kept Chicago as closeas they were Clark was veryeffective on the offensiveboards and played his finestgame of the season,collecting 11 points. At timeshe appeared to be the onlyMaroon jersey under thebasket. The Lake Forest squadshowed good balance, andperhaps the biggest surprisewas the fine play of center.Mike Maass. a freshmanfrom Chicago Christian.Maass was deadly from the10-15 foot range in scoring hisgame-high 17 points. TheLake. Forest defense wasdefinitely the best thatChicago had encounteredtliis season. The Maroons’five guards could total only 9poods in (lie game. The hoopsters will have toplay considerably better ifthey are to bounce backMonday night up at I IT. TheTech Hawks have alwaysbeen tough on their southside rivals, and this yearshould be no exception. TheTech Hawks will be led bytheir star guard WillieWilliams, who is theirleading scorer to date.Williams was the decidingfactor in the loss last seasonat I IT.MAROON CLASSIFIED ADSSPACEOwner occupied 2 Hat with customfeatures 4&S room units with 2 cargarage. Full basement. Separate gasheating plants Low taxes Asking529,500 To see call Mrs Haines 6676666 Kennedy, Ryan, Monigal 8.AssocAvailable March I One bedroom aptIn South Shore Three blocks fromlake, one block from campus bus, 1C,supermarket and Party Marl SI 10Per Month Call 978 3654 anytimeI want to gel out of my Univer Houscontract, anyone interested in a Univhousing contract contact me. David,5S20A Fllis, Apt IFRoommate wanted Feb I Own bigsunny room in apt w/4 male gradstudents S74/mo plus utilities 493288?EXECUTIVE APT 6 large rooms lotsof closets Newly dec Air Cond StoveRefrig tnc E So Shore Good transSee to appreciate Adults SAI 8420EAST SOUTH SHORE Living room,bath, kitchen, stove refrio, util meNew Dec Easy Trans S-*' 8420CHICAGO BEACH HOTELBEAUTIFUL FURNISHEDAPARTMENTS Near beach, parks,loop, UC and 1C trams, II mms to loopbusses, door Modest, daily, weekly,monthly rates 24 hr desk Completehotel services 5100 S Cornell, DO 32400 Miss SmithRoommates wanted V48 71 monthlyNearby, quiet, complete aptsLatham, Kusatu, Rutherford.Common, 6045 Woodlawn (95 5 39 36,427 2583) or Iv word 922 8411, x 311, LOUIE'S BABER SHOPWill ■tylo your hair a* youwould Ilka It'dona.1303 E. 53rd St.FA 4-3878PrimaveraAt Student Co-op$1.50Nikkormat ELthe new“automatic”from Nikon.Its elm in mu ilk < onltolli’Cshuttc’i iidiii'l' Use'll nut' mintu nlk fni the i< mt.'c I e\p< »urvYou simple fix tis ,ind shootAnd the pu tun's eon 'jetnot < >nlv ]>ertet tie exposethee arc* .1' sh.up and i<>l<>tperfect as on I i N k >n lenscan make them VL hat s m< uthe Nikkormat hi. does itautomatu nlk xe 11h most of]the fortv ijreat lenNikon systemSee and in. ihhat i jive’s you if|ifioi<xjraplii' veo'mail, simpiicitv. elitaliiv. 1 et out Nci.ilisf demonstrates ecu Nikkornivon si. ip in t> hI.ilI Vs! in th<niii'r,ofh. 'llai iloN ks,n »pee fahnf.l !'1342 E. 55lh493-6700WE SPECIALIZEIN REPAIRS Live in Frederika's famous buildingNearby lurrvor unlurn, 2, 3, 3 1/2 rmcomplete apts for t, 2. 3 people Quiet,5120 up Free utils Lathan, Kusatu,Rutherford, Common 6045 Woodlawn,427 2583, 955 9209 or leave word at 9228411 ext 311SCENESTHE PIRATES IS COMING1THE PI RATES IS COMING!Hear Prof Ira Kalznelson Pol Scitalk about "israel. American Jews, theLeft Personal Dilemma and PublicProposals," tonight at 8 30 at HUIelFREE SKATING With our ad Jan25th New skating classes for children6. adults Begin Jan 25 522 00 LakeMeadows Ice Rink 225 3373Chinese Cooking Lessons CallBarbara at 324 3227 or 744 3026SELF DEFENSE Streetf.ghtmg forwomen Tuesdays 4 5 30 or 6 7 30 525 8weeks m Gargoyle Call 327 0851Fans of Yiddish Film 8, GothicRomance Don't miss The DYBBUK(yes, it has arrived), at Hillel, Sat, Jan25at 8 30 Si 50, but you can affiliate 6.still get a discount At 5715 WoodlawnIce rental tor evenings 8, Sat 8. Sunmornings 545 per hr Lake MeadowsIce Rink 31st & Lake Shore Dr 5 minsouth ot McCormick PI 225 3373Women's Group on Assertion traimnq8. listening skills Mon nights atChicago Counseling & PsychotherapyCenter Cost 545 lor 8 weeks 684 1800Norman is that You'’ Jan 31 A Benefitlor Phoenix School by Kennedy KingDrama Guild For ticket into call 2417234Folkdance continues as fun as ever inIda Noyes 8 PM Every Friday generallevel, no leaching Monday beginninglevel with teaching Sunday generallevel with teaching Donation 50cRevise your priorities! Folkdanceforemost foreverTHE SINGLE PARENTWORKSHOPS FOR PARENTS 8.CHILDREN For parents Jan 25thFor children Feb 1st 8. Feb 8th SISper workshop, held at 5666 Woodlawn,1st Unitarian Church, (Garden Rm)For mtp and registration forms callthe New Center for Counseling &Psychotherapy DE2 0387DINNER FOR 2 tor Under SIO M ThDinner Specials The COURT HOUSEin Harper CourtPEOPLE WANTEDSitar teacher tor semi beginnerhave my own sitar 667 6185ROOM CLERK FOR S E MOTELHOURS Wed 12 PM to 8 AM. Thurs12 PM to 8 AM, Fri 12 PM to 8 AMSat 12 PM to 8 AM. Sun 12 PM to 8AM Call 581 4460Need a tutor (or Physics 122 Will payCall 955 3933 or 667 6889Any iazz musician interested iniammmg or forming a group pleasecall Rich Brown (guitar) at 753 2233ROOM CLERK FOR SE MOTELHOURS Mon 12 PM to 8 AM, Tues 12PMto8 AM, Fri 4 PMtO 12 AM, Sat 4PM to 12 AM Cali 58 1 4450 Wanted Responsible lively person tosupervise lunch hour small schoolSmall remuneration Phone 24 1 596 5Subjects wanted for interestingexperiment in emotional and sexualeffect and eye pupil responses Phone3 4731Babysitter needed for 3 yr old boyToes all day Mon or Fri halfday Inmy home ppar campus 643 7071Full 8. Part time waitresses wantedThe Agora Restaurant Call Dino 9478309POR T R AI TS 4 for 54 and up MaynardStudios, 1459 E 53 St 2nd Floor 643•083PEOPLE FOR SALEASTROLOGY NATAL CHARTS 8.interpretation SIO Call 363 7370 KeeptryingA6ILES ARCHER MOVERSReasonable prices ExperiencedPerconnel Call 947 0698 or 752 4910 forinformationExpert manuscript typing IBMselertric 947 6353 955 4195 aft 5 30At last! An intelligent and literatetypist who can also spell CallSuzanne's Secretarial Service (nearNorth Side, 87 1 0565 leave messageanytimeALL typing, exp sec , IBM carbonribbon One copy FREE 684 0949Robert Stone movers 324 6225LEARN HOW TO COOK deliciousdishes from East and west THEMACROBIOTIC WAY Call 363 4126Exp cello teacher will take all ages324 2144For experienced piano teacher call947 97 16CREATIVE WRITING Workshop bywriter columnist heFp on thesis, etcMU4 3124WANTEDWanted to buy Interesting goldpendant earring overlapping circlesdrop shape 667 8091 AM or keeptryingFOR SALEPrimavera On Sale 51 50 At StudentCo op2 pairs boys tig skates Sz 3 8. 4 Likenew 515 00 ea 955 6033Twin Bed Excel cond Box Mattressand Frame Only 560 Call Chip 3633402WOMEN'S MAGAZINEPRIMAVERA, the women's literarymagazine, is on sale for SI 50at the IdaNoyes information desk and theReynolds ClubCALCULATORSSave on Tex Instru Calculators Shopwith Deal Rep on Campus Far belowDept Store prices All Models Call753 2 2 40 Rm 1518, 241 5496 evesUniversity of Chicago—Reynolds Club Theatre57th & UniversityannouncesOPEN AUDITIONSFemale Production ofZOO STORYby Edward AlbeeRoles for two women forTHE BOORa one-act farceby ChekhovRoles for bothmen and womenAuditions will be held in theReynolds Club loungesFriday Jan. 24 Sunday. Jan. 26 Mon., Jan. 277-9 2-4:30 6-9for further information call 753-3581Friends & DelegatesThe SG Assembly will meet in thePub at 7 PM on Monday, Jan. 27. Bot¬toms up!HUMIDITY PLUSSelf-filling, fully automatedHumidifiers241-5652 ATTENTION BSCDSTUDENTSSummer Research Opportunities availat Michael R.-ese with stipends of 5750for a period of not less than 10 weekswork Contact Dr John Esterly,MARP i 1 J Phone 947 5761 byFebruary 17, 1975MAKE-UP WORKSHOPTonight at 6 30 in RC Dressing RoomLearn by Jomq it yourself Free CLASSIFIEDSMaroon Classifieds are charged by thehne. 35 spaces per line 50c per line forUC people, 40c per line to repeat 75cper line tor non UC people. 60c torepeat Ads must be submitted inperson or mailed to the Maroon, 1212F 59th St , Chicago 60637 No ads willbe taken over the phone The ads mustbe paid m advance Deadline forTuesday's paper is Friday at 3 30,deadline for Friday's paper isWednesday at 3 30 For furtherinformation call 753 3265FOREIGN STUDENTSAll are welcome to demonstration byChicago's Master teacher, FumoToyoda Bartlett Gym, Sat , 3 00 Foreiqn students must registerannually with the FederalGovernment by Jan 31 Alienregistration forms can be obtained at IHouseBLACK FRIARSAttention BLACKFRIARS needscripts with music for the spring showAil scripts must be in theBL ACK F R 1ARS box in Ida Noyes FrJan 24 CONDOMINIUMHyde Park Near lake 5 bdrm 3 fullbaths, formal dinmg rm, sunporch,gas fireplace, hardwood floors, (excelcond j southern exposure Excellentpublic trans 55th 8. Everett Low540 s 324 8021GUITARSClassical Guitar Instruction Generalsale, including I860 NY Martin5800 324 2493 ASSEMBLERLANGUAGEITALIAN 1!Come to the Italian table everyThursday at noon in Hutch Allconversation in Italian, nativespeakers, beginners welcome 8 session class in 370 assemblerlanguage begins Feb 4 Prerequisiteknowledge of some computerlanguaqe Call 753 8409 for registrationdetails 525 feePAN PIZZA ARCHEOLOGY OFDELIVERY THE HOLY LANDThe Medici Delivers from 5 10 30 p mweekdays, 5 11 pm Saturday, 6677394 Save 60 cents if you pick it upyourself Series cont Tues. Jan 28, at 8 PMwhen MU)a Ohel talks on Beginningot Agriculture, Firs* Villages, anaTowns. fi*t Hillel, 5715 WoodlawnJOURNALISTSCHESSWriters interested in working tor meChicago Maroon contact the NewsEditor, 753 3265 Annual UC speed championship (5 mingames) Mon 7 PM Ida NoyesBOOKS BOUGHT FEMINIST FORUMCash tor used books Powells 1503 E57th St 995 7780 Hear members of the u of C Clericalworkers union on Women, Unions,and the University' at the Women'sSTEP TUTORING_ Center, Blue Gargoyle third floor.Monday, Jan 27 8 PMinterested in helping neighborhoodchildren’ Student TutoringElementary Proiect needs volunteersto tutor students bi weekly in schoolwork or with special protects Formore information call Jay Sugarmanat 947 8804 or Mary Lou Gebka, 6438266 LOX AND BAGELSBrunch is weekly now 11 AM Sundaysat HUIelREFRIGERATOR FORTRAN CLASSRENTAL intermediate level, for people whoMmi frige Pennies a day Freedelivery Call Swan Rental 721 4400 used fortran before Covers top esa beginning class can t, includingefficient programming techniques 4sessions, 515 Computer timeprovidedJEWISH WOMEN'SGROUPMeets every Sunday at 7 30 PM atHillel House. 5715 S Woodlawn Formore info call Janet at 752 5655 EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESLOSTDR. KURT ROSENBAUMOptometristLost Brown leather, fur lined glovesat Reg library Contact E Schwartz753 2249 55 RewardLost Dr s small gret rectangularshaped pager (beeper), *335 Size ofcigarette pkg Clips onto belt Vic ofBillings Hosp Reward Call 221 5706eves (53 Kimbark Plaza)1200 East 53rd StreetFOUND HYdePark 3-8372Found One woman s watch near SocSci Bido Call 548 7861 and aivedescriptionrJackson ParkTerraceAPARTMENTSModels Open10 to 6 Daily241-7700BAIRD & WARNERRental Office6040 S. Harper JAMESSCHULTZCLEANERSCUSTOM QUALITYCLEANING10% studant discount1363 E. 53rd St.752-6933DAN BAUER PLUMBING CO.752-0726Plumbing SewersRepairs & Remodeling Rodding & Rebuilding FEMINIST FILMUFO presents Kate MiMets FilmTHREE LIVES Sunday, Jan 26, 7 159 30 CobbPHILOBOLUS DANCEAt the ATHENEAUM Theatre Fourperformances Fri, Sat . 8. SunJanuary 24, 25, 26 at 8 PM MatineeSat at 2 PM Reserved seat tickets. S5,V4 Students 53 with ID 2936 NSouthport Call 363 0688 or 935 6860 inthe eveningCREATIVE SAB¬BATH SERVICEEvery Friday night at Hillel, 5715 SWoodlawn at 7 30 p m For more infocall Janet at 752 5655PERSONALSI am a prisoner at the Lucasville StatePenitentiary, and I have neitherfamily or fr ends n the outside worldi would like to correspond with some otth? ladies out there in the world, whoare not affected by myths andattitudes society forces on peopleconfined I am very lonely oecause Idon t receive any mail or visits, and Iwould oe grateful for any letter orletters received Lawrence Wilson= 137 549 PO Box 787 Lucasv.lle OH45648PRIMAVERA On sale 51 50 At rheStudent Co opJeffery Shender i would nke *0 seneyou my newsletter Please callChristine at 947 9770 and give me youraddressFound ads are freeThe Blue Gargoyle >s lowering theirlunch paces as o< 1 '27 Best, superbowl of homemade soup at the BlueGargoyle for 5 70PREGNANCY TESTING10 AM 2 PM Saturday 51 50 donationAugustana Church at 55th &WoodlawnBy the South S deWomen s Health ServicesSouth Side Rape Crisis Line 667 40uA referral and moral supportcommunity service We can help1/WRITERS WORKSHOP 'PL 2 8377Writing HELP Oy professionals torfheS'S report speech, efr MU 4 3'24Tuna sandwich 5 80 Egg saladsanowch 5 70 Where’ The BlueGargoyleVERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDINGATTRACTIVE I’/, AND2'/> ROOM STUDIOSFURNISHEDor UNFURNISHED$117.o SI 90Based on AvailobzlityAll Utilities IncludedAt Campus Bus StopFA 4-0200 Mrs.GroakTAI-5AM-VANCHINESE AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M. TO 8:30 P.M.SUNDAYS AND HOLIDAYS12 TO 8:30 P M.CLOSED MONDAYSOrders to take out1318 East 63rd MU 4-1062CARPET CITY6740 STONY ISLAND324-7998Has what you need from a>10 used 9 a 12 Rug to ocustom carpet. SpecializingIn Remnants A Mill returns|at a fraction of the originalkost.Decoration Colors and[Qualities. Additional 10%(KOv.it with this Ad.FREE DELIVERY rFriday, January 24, 1975—The Chicago Maroon—15il !i ill •JANUARY WHITE SALEOnce again we will slash priceson white labels, cut your costs onwhite wines, rip up prices on gin,and scare all other people whohave annual white sales so badlythat only people who are as sternand fearless as we are even dareto have an annual white sale.Vast volumes of white wine instock will be reduced. Neverbefore such daring! Never beforesuch outrageous values! Neverbefore such a silly sale! We havedone everything possible toenable you to replenish yourdepleted stocks. Don’t take ourword—Come see for yourself!Complete PartyService From2427 East 72nd StreetBA 1-9212 Appetizers to Zinfandel^351 East 103rd Street593-1811Daily: 9 am-10 pm Sunday: Noon-9 pm16—Ihe Chicago Maroon—Friday, January 24, 1975