o Maroon:ogo Friday. November 8, 1974MOON ROCK John Shorty Powers looks over the moon rocksample on display yesterday in Eckhart 209. Powers, who duringthe first manned space shots served os the voice of NASA . wason campus with »he display to provide information and to answerquestions on the constant tie between space and science.The rock, on loan from the National Aeronautics and Space Ad¬ministration. was collected by Apollo 16 astronauts John Youngand Charles Duke about fifteen meters southwest of the landingsite.Along with the rock sample were Skylob ond Apollo films anda displayTen precincts go dry24 taverns must close SG approvesBy MIKE RUDYTen precincts of the seventhward in South Shore voted to go‘dry” by a margin of eight to onein Tuesday’s general election,according to Pat Sharkey of theSouth Shore Commission. As aresult, twenty-four taverns mustclose their doors within 30 days,though liquor stores may remainopen.Sharkey said the option passedin all ten precincts of the 7th wardwhere it was on the ballot The21st precinct voted to go totallydry as did the 10th precinct of thesixth wardAccording to stories in the citypress, however, the issue carriedin only seven precincts of theseventh ward with the vote inprecinct 28 ending in a tie.Figures supplied by the SouthShore commission indicated thatthe vote in the 28th precinct was90 for and 22 against.Citizens for a Safer South Shoreand the South Shore Commission,the two groups leading the anti¬tavern drive, had two pollwatchers in every precinct wherethe issue was on the ballot andthey were on hand when theballots were counted.“We had a very strong precinctorganization made up ofvolunteers It was a very nitty-gritty kind of politics; it wasn’tsomething abstract. It was anissue people could relate to,cleaning up their community,”said Pat Sharkey.Sharkey said the group fearedthe Democratic machine wouldwork against them because the7th ward committeeman, JosephBertrem, held a meeting with thetavern owners. Judging by theresults of the election, though,Sharkey said the machine wasnot taking a stand.Gerald Jones, the Democraticalderman of the seventh wardsaid ‘‘Bertrem was on record insupport of the tavern owners.”The city organization “did not goone way or the other because itwas a local issue.”Jones was in full support of the anti tavern forces because ihetavern owners didn’t organize orprovide any security measuresand didn't feel they had anyresponsibility to the people of thecommunity.”The local option law whichallows every precinct to decidewhether or not it will permit thesale of liquor, requires twenty-five percent of the registeredvoters at the time of the lastelection to sign petitions in orderto bring the issue to a vote.The tavern owners had thesupport of an organization knownas the Negro Public RelationsLeague, which according toJones, ‘‘jast came into existencein the last three or four months. Itjast came out of the woodwork.”Sharkey said the group was a“front organization from outsidethe community.”Jones explained that theproblem of taverns and crime hasbeen developing since 1970. untilthere are now twenty-two tavernswithin a six or seven block area.That area now has the highestcrime rate in the fourth policedistrict which extends from 71stStreet all the way to CalumetCity.Sharkey said the tavernsattract an element from outsidethe community which has noregard for the property of theresidents. There are frequentincidents of drunk driving andpeople loitering in front of thebars even at 10:00 a mBoth Jones and Sharkey expectthe crime rate to decreasesignificantly as a result of thetaverns closing.It is unclear at this timewhether the tavern owners planto take any legal action toprevent the closing of theirbusinesses. According toSharkey, their only recourse is tochallenge the honesty of theelection. She does ‘‘not consider itvery likely” that this will bedone.In any case, Jones said, “theydie going to be closed and Hi doeverything in my power to seethey’re closed The people havespoken.” , . By PETER COHNThe student governmentassembly achieved the elusivequorum and took advantage ofthe opportunity by approving anamended CORSO (Committee onRecognized StudentOrganizations) budgetrecommendationThe original CORSOrecommendation suggested thata total of $16, 245 be allocated tostudent organizations for theyear This proposed subsidyrepresented an almost 50 percentcut back of the total $33,126 theorganizations had requested.Although most of the suggestedfunding denials in the CORSOreport went uncontested,spokesmen for the UniversitvFeminist Organization, SG itself,and WHPK, the University radiostation, succeeded in amendingthe report in favor of theirrespective organizationsCORSO member Jim Orr andFOTA (Festival of the Arts)member Edi Connor have filedsuit against the SG in the SFA(Student-FacultyAdministration) court and haveobtained an injunction againstWHPK. on the grounds thatMonday's meeting was‘‘improperly constituted” and‘‘not conducted according to therules of order ”Janet Heller, a spokeswomanfor the UFO, proposed anamendment granting thefeminists $1650, instead of the$666 suggested in the report Thefeminists had originally asked for$1410.26Heller described the efforts ofUFO around the University andcalled for a reinstatement ofBy RON LEACHRichard McKeon, retireddistinguished philosophyprofessor, delivered on Mondaythe first lecture in a series onMedieval Religious Thought.partof the Medieval HeritageCelebration taking place oncampus throughout NovemberHe spoke before a large crowdassembled at Breasted Hall onthe topic of philosophy, theology,hisotry, and science in thethought of St Thomas Aquinasand St. Bona venture.McKeon attempted todemonstrate how the methodsand approaches of these saints ofthe 13th century could shed lighton how to treat the problem^ ofthe modern world.McKeon emphasized at theoutset that the celebration ofAquinas and Bonaventure’sdeaths should focus not merely onrecounting what thesetheologians said, but. moreimportantly, on discoveringsomething new through the use of“commonplaces of inquiry ”, andthereby move men to action onthe problems of the modern day.According to McKeon, Aquinasand Bonaventure arrived atradically different conclusions onthe nature of theology, science,and the arts. For Bonaventure,theology was an affectivesceince; all of his works were funds to support UFO publicity,publications, and a feministspeakers and film bureauMembers of CORSO criticizedHeller’s amendment on thegrounds that much of the UFOrequest contained wastefulspending CORSO chairman TomCook further argued that films oncampus should fund themselves,adding that CORSO as a rule doesnot support, film programsOther members of CORSOcriticized the proposed feministspeakers bureau on the groundsthat an SG speakers bureaualready exists and that thefunding of an independentspeakers bureau would putCORSO in the undesireableposition of having to screenspeakers, a policy necessary inorder to honor usual policy whichdictates that CORSO funds not beused to finance politicalspeakersThe assembly succeeded indeveloping a compromisemeasure. While the UFOamendment calling for a $1050appropriation, including fundsfor the speakers and film bureau,lost in a vote of 21 for and 35against, the assembly approved,by a vote of 37 to 17, a measureappropriating $810, a sum whichrepresents the UFO amendmentminus the funds for a speaker andfilm bureau.SG president Stuart Sweet, whohad originally requested a grantof $9,600 for student government,proposed an amendmentincreasing the appropriation$4325 over the $3570 suggested byCORSO Sweet’s amendmentincluded $3500 for a speakersbureau. $1000 for concerts anddances. $750 for a teacher and“instances of the itinerary of themind to God.” For Aquinas,theology was a demonstrativescience and his works illustratedthe many ways of reaching GodAfter an elaborate exposition ofthese two theological systems(architectonics), McKeon endedon a note of exhortation AsAquinas and Bonaventureinterpreted their past in terms oftheir own problems, we. m the20th century, may learn fromthem to use the past as“commonplaces of inquiry” tosuggest new ideas and insightsabout out problems.Education today is all too often.McKeon lamented, but the"inculcation of truths” fromrespected authorities, more budgetcourse evaluation program, andan additional $75 for a studenttravel aid program.Cook questioned the specifics ofSweet’s amendment He askedSweet to outline plans he hadmade for the dances and forteacher course evaluations, andSweet responded with generaloutlinesOther members of CORSOquestioned the necessity ofCORSO funding the evaluationprogram when departmentalchairmen have a strong interestin obtaining evaluative criteriafor tenure decisionsThe assembly approved thespeakers bureau, concert, andtravel aid program amendments,and voted down the teacher andcourse evaluation program by avote of 21 for and 18 against, atwo-thirds majority beingnecessary to secure the passageof an amendmentBill Diskin, programmingdirector of WHPK. proposed anamendment restoring the initialWHPK request for $7556 94. cutdown in the CORSOrecommendation to $4712 Diskinwent to the podium and arguedthat the radio station, which,according to Dtskin. is entirelydependent on CORSO funds,would not be able to operate withanything iess than its full budgetrequestMembers of CORSO, citingpast WHPK budgets, maintainedthe opposite Their major point,echoed throughout the entiredebate, revolved around the needfor present austerity to providefor future contingencies Theassembly voted 38 to 7 in favor ofDiskin's proposalinquiry'nearly in the tradition of the 12thrather than the 13th centuryStudying Aquinas andBonaventure with a properorientation, we may learn fromtheir insights fruitful lines ofinquiry for our problemsIn lieu of a question and answ erperiod. Jesuit Michael Buckley,a Chicago graduate and professorat the Gregorian Univerisyty inRome responded to McKeon slecture. He also suggested thatcontemporary theologians takeaccount of the 13th centurymethods and approaches toknowledge and attempt torevitalize theology by making itas relevant to our currentproblems as Aquinas andBonaventure made it to theirs.Inside this issue:Pub opens p. 3USTFF meet p. 14Bergman GCJ 1‘Commonplaces ofQLUUJh—z<QC<oo£u2GO<00Q<ootuy£a.t-oo£o FINANCE AT THEFLIP OF A SWITCHA new business calculator with four memories and duallogic selection programmed to perform hundreds ofaccounting tasks.OUTSTANDING FEATURES• Compound interest and loan amortizationproblems (PV, FV, i, PMT)• Four Memories for storage accumulation,• Summation, average, and sum of squares• Margin calculations for commodities, securities,or retail.Decimal place selection and round-off.Lineor regression capability.► Mark-ups, discount rates percentages, changein percentagesNATIONAL INTRODUCTIONAvailable only through the Midwest Co-opCOLEXFINANCIAL*119** FEATURE-PACKEDSCIENTIFIC CALCULATORA precision computation instrument with features lackingon units costing $ 100 more.IMPRESSIVE FEATURESU. of C. RepresentativeNiso Abuaf For a detailed demonstration of these units or any other calculatorwe handle and their superiority to competing units, contact yourcampus representative.MIDWEST CO-OP • Scientific notation with 10 digit mantissaand 2 digit exponent.• Algebraic entry allowed.• Trig and inverse trig functions in degrees or radians.xJ, VT, xy, e*, log*. In*• ((Nested)) operation.• Stack operation.• Fixed memory w 10 digit precision for pi, e.KING’S POINTSC-40SPECIAL$129®5Hours:FridayMondayTuesdayWednesday 3:00 - 5:007:00 • 8:007:00 - 8:307;0G • 8.3COr call when you wish. Why settle for less?We stock Calculators by Colex,King's Point, Litronix, Sinclair.We also handle typewriter andstereo components at substantialsavings. LOWEST PRICE GUARANTEEShould you purchase any calculatorfrom the Midwest Co-op and in 3 dayssee the same model offered elsewherefor less, we will promptly refund thedifference. If you see any competingunits with the some features andfunctions offered elsewhere for less, atour option we will either 1) refund thedifference, or 2) accept return of thecalculator for the full refundSatisfaction GuaranteedFour day no-risk trialc 1974 Midwestern Co-o per of i < c O3GO"0nrnGo>zoGO>LETTERS TO THE EDITORit' I; i* «* in i - ~; n T»l<CALENDAR-Friday, November 8DOC: "The Day o* the Jackal " 7:15 and 9 30p m., Cobb, SI.CHAMBER MUSIC SERIES: The VermeerQuartet. 8 30 p.m Mandel 752 2612.LECTURE: Emile Karafiol, "Jews and the18th Century Englightenment," 8 30 p m.;HillelANIL RAY: will speak on "Student Unrest inIndia," 8 00 p.m. I HouseEXPERIMENTAL: theater, "Winnebago"by Frank Galati, bring a pillow 12 midnightat Goodman Theater 200 S ColumbusUICC: “Pericles" and "Amen Corner" 8 00p m. CircleCIFF: The Chicago International FilmFestival opens today and will run untilNovember 21. tor further information call644 3400Saturday, November 9CEF: "A Touch of Class." 7:15 and 9 30,Cobb, SI FILM: Linder's "The Devil is Dead" andRice's "Chumlum" and "Senseless", 8 00p m., 3rd ft., 203 W. Lake StCAB: C»Ho||vay, 8 30 pm, Arie Crown.Sunday, November 10SERVICES: Rev Michael Novak, "OnImperial Powers," Rockefeller Chapel,II 00 a m.ORATORIO: Mozart's "Requiem" and"Vesperae Solennes De Confessore,"Rockefeller Chapel 3 30 p mDOC: "Two or Three Things I Know AboutHer," 7 15 and 9 30 p m Cobb; SI.ICE SKATING: 2 00 6 00 pm LakeMeadows Ice Rink, 500 E 33rd St.; freeDANCE: The Chicago Contemporary DanceTheatre, 3 00 p.m. Columbia College, 540 NLake Shore Drive; call 27) 7804Monday, November 1*LECTURE: "Hypocrites and AmericanIndians,” by Raymond Fogelson, 3:30 p.m ,Kent 107CIFF: Educational, business and industrialfilms at the Museum of Science and Industry, other films at The Granda, 3iograph,and Mundelein Theaters; call 644 3400 ResignationI am resigning my position asnews editor of the Maroon,effective immediately.You and I share the same goal— that of producing a useful,quality campus paper. But we donot share the same definition of this goal, nor do we agree on themethods of achieving it,I had hoped to contribute to thedevelopment of a broader andmore creative editorial policythan the one which is currently inforce. I do not forsee anysignificant opportunity to do so inthe near future. I leave my position with regret,however, and I intend to continueto write for the Maroon.Sincerely,Lisa VogelEditor’s Note: Lisa Vogel’sresignation is accepted withregret. Steve Durbin is appointednews editor.Pub officially opensElection shows fifth wardremains independentBy DAVE AXELRODVoters in the 5th ward, whichencompasses the University ofChicago, lived up to theirindependent tradition and buckedthe county tide in Tuesday’selections.While County Clerk StanleyKusper won county wide by100,000 votes, and by a better thantwo to one margin in the city, 5thward voters opted for hisRepublican opponent, LolaFlamm. With all but seven of theward’s 61 precincts reporting,Flamm held an 1,800 vote lead.County assessor-elect ThomasTully, who trounced hisRepublican challenger. AliceIhrig, by almost a quarter of amillion votes county-wide, wasleading by a mere 60 votes after57 precincts were tallied.In the sheriff’s race, which wasexpected to be very competitive.Republican Peter Bensinger helda commanding 2,000 vote leadover Sheriff Richard Elrod withonly six precincts left uncounted.Bensinger scored lessimpressively county-wide, andElrod won re-election by a 100,000vote margin.Local voters did contribute tothe landslides of U.S. SenatorAdlai Stevenson and StateTreasurer Alan Dixon, whileadding to the winning totals ofCounty Board President GeorgeDunne and County TreasurerEdward Rosewell. The figures onthe local vote concerning therepeal of the Governor’samendatory veto power wereunavailable at press time. Congressman Ralph Metcalfewas an easy victor in his race forre-election burying hisRepublican opponent, OscarHaynes, by a ten to one margin.Metcalfe, who represents the 1stcongressional district in the U.S.House of Representatives,received strong support fromboth independents and theDemocratic organization.Voters in the 22nd legislativedistrict returned incumbentDemocrats James McClendonand Corneal Davis, andRepublican Susan Catania to theState House of Representatives.Incomplete returns showedMcClendon and Davis with 28,000votes. Catania with 11,000 andanother Republican, BrendaPerry, with 3,000 votesObservers believed thatCatania would face a strongerchallenge from Perry’. However,the independent legislatoroutdistanced her opponent by awide margin.State Senator Fred Smith, aDemocrat, ran unopposed in the22nd district and will also returnto Springfield again next year.In the 24th district, the storywas much the same, asincumbent Democrats RobertMann and Lewis Caldwell scoredeasy victories in the state houserace, as did Republican BernardEpton. Early returns gave Mann25,000 votes, Caldwell 20,000,Epton 10,000, and RepublicanHenry Clark 3,000 votes.The voter turnout in the 5thward was light, which was inkeeping with the county-wide andnation-wide trend. By JAN RHODES“At the last minute it looked tome like the floor hadn’t beenscrubbed. So we scrubbed it andit looked exactly the same,” saidJuanita Rosenberg, manager ofthe Frog and Peach, referring tothe Ida Noyes Pub.The Pub officially openstonight at 5 p.m. Pub managerEliot Asser said yesterday thatfolksinger Melody Magnuson willprobably perform.For the past two nights it hasbeen open for the inspection ofcurrent members and assortedofficials who received specialinvitations.All 200 previous members andanyone who paid their $2.Wednesday or Thursday receivedinvitations. “The card entitlesthem to two free beers — afterthat they can buy,” said SkipLandt, director of studentactivities.The Cloister Club did reveiveits liquor license in time forWednesday’s opening“It arrived at 11:45 thismorning,” Landt saidWednesday, smiling.“He came running in, wavingthe license,” laughed MarieHauville. assistant director ofstudent activities. “It would havemade a great picture.”At 5 p.m. Wednesday, at themonumental moment of the birthof a liquor establishment oncampus, the Pub was a virtualSahara of excitement.Last minute touches wereadded to the bar. the list ofbeverages was shown to thebartender and waitresses, andthe aroma of cleaning fluidwafted through the air.Only ten or twelve people, mostof them staff, sat conspicuouslyat the forty tables. In a fewminutes little bowls of popcorn appeared before them. Theywere wolfed down. Two peopleplayed air hockey. Hauvillesuggested someone dim thelights.By 8 o’clock the Pub appearedto be on its way. Thirty or fortystudents were clustered in groupsof four, drinking, eating, andlistening to Melody Magnusonplay the guitar and sing.Someone sat down in an oldchair, brought down to the Pubfrom some dusty Ida Noyescomer, and broke the back out ofit.All the managing details hadn’tbeen totally worked out beforeWednesday’s preview. The priceof the cheese plate was hastilyreduced from $1.50 to 85< whenAsser sent the message toRosenberg that it didn’t look likeit was worth $1.50.The regular spectrum ofsandwiches wasn’t served that night in the Pub. They will beavailable tonight. Food will bemade in the Frog and Peachkitchen.“But our idea is to not duplicatethe menus,” Rosenberg“Unless there is a generalclamor, we won’t have Frogsdown there.”She said they will offer theEffendi s pe c i a 11 y -1 hezahitburger, which is a mixtureof beef and lamb served on pide,or Syrian flat bread.“We’re sure that during thefirst few days there will be someproblems in the Pub,” Landtobserved. “We hope that peoplewill tell us about them.”Year-long memberships to thePub can be purchased at theStudent Activities Office in IdaNoyes and at Reynold’s Club for$2. Guest passes are sold on aquarterly basis. Four passes forone quarter also cost $2.PUB. Students gather around the bar in the Ida Noyes pub. Theofficial opening is tonight.SG sued on budget amendmentBy PETER COHNCORSO member James Orrand FOTA member Ed Connerhave petitioned the SFA court toset aside and remand the 1974-75amended CORSO budget asapproved by the SG assemblylast Monday night. The budgetwas amended by a nearunanimous vote.The plaintiffs have secured animmediate injunction againstUniversity radio station WHPKto prohibit station sDending foranything other than currentoperating expenses.According to Orr, the plaintiffs base their suit on the contentionthat Monday’s meeting was“improperly constituted” and“not conducted according to therules of order.” Orr, who opposedamendments granting studentorganizations more thansuggested in the CORSOrecommendation, maintains thatthe budget, as amended, would“hurt other organizations whohave not yet come in with fundrequests.” He cites FOTA, whichOrr claims will need five to sixthousand dollars at the end of theyear, as an example.In a telephone interview onWednesday night, Orr claimedthat the “amended motion as a whole was railroaded through”the assembly and that CORSOmembers were “not allowed toinform the assembly of theconsequences of the measure.”Orr attributed the handling of thebudget to “inexperience inrunning a parliamentaryassembly.”Orr referred specifically to theWHPK grant, which includes$2100 for a tape machine and itsaccessories. He called this a“large capital expenditure” forwhich money should not beappropriated “in a lump sumwithout consideration.”The plaintiff added that “1 seeno need to carry it (the suit) through to a full court if we canset an assembly rehearing.”SG President Stuart Sweetdenied Orr’s accusations, statingthat “I gave CORSO more thanample opportunity to speak.” Inan interview on Thursday night.Sweet criticized CORSO for“tremendous secrecy.” callingthe committee “a little cabal.”Sweet added that “moreinformation on CORSO should begiven to assembly members,including all minutes of theirproceedings and the reasons fortheir decisions.”Referring to last Monday’scontroversial assembly meeting,Sweet stated that “I took the opportunity to invite Skip Landtand Enid Reiser to appear beforethe assembly to help clarify theCORSO report.”Sweet intends to circulate amailing to all assemblymembers, asking them abouttheir opinion on Orr’s charges ofimproper procedure.He plans to wait for theirresponses before he schedulesanother meeting.Sweet added that “if SFAreverses the assembly decisionon technical grounds, the entireCORSO budget will have to bereconsidered, holding up fundingfo. student organizations for upto a month.”• AM - 9 PM 7D«ysAWeekHYDE PARK PIPE AND TOBACCO SHOIfe*1552 E. 53rd - under 1C tracks JyAll students get 10%ask for "Big Jim'' Jp,p#t Imported Cigarette*ripe Tobaccos Cigon Young Designs by | j” PIZZAELIZABETH GORDON j PLATTER1 1460 E. 53rdHair Designers Ml 3-2SOO1 620 E. 53rd St. FAST DELIVERY288-2900 j AND PICKUP Lenses Replaced—Eye ExaminationsContact Lenses—Prescriptions FilledDR. CHARLES SOSMOptometrist1519 E. 55th St.947 9335We con reploce most lenses within e few hours in ourown lob.Friday, November 8, 1974—The Chicago Maroon—3t' t *•««• *• r • r * ‘ % > \ * • t f v a r. u •* %ui * * n!ff^sss^«rrs JS®"re:When y°° d ;prese . , „,w Ol the- «ooof ^ve(ytune ° th’u. r,ece've ’nS50-60 on lop5Q00 0OHVJ5with CHICK,CM« \lm 'mum—-1 r i *■..&£’^ B0uy , OlC. ,J,: 4^iOV*^rtD C»*tv*D''V H> *-:5*:SO CiUO?'**".. «u.wfl* *°r's_ ttAtHt-*- O0UA»*ssaassg--— «*»*.*>* f(AW^ — - "«r ■? i.G*rD H _**«*<^*5C^ ■*“ — —-PRESENTYOURU OF CU. OF C. STUDENTS! TEACHERS! HOSPITAL EMPLOYEES! iociwBUY-OF-THE-WEEK1974 Olds Cutlass SupremeFac. Air-conditioning. Power Steering. Power Brakes. PowerWindows. Power Seats. Vinyl Roof. Radio. Low Low Miles. 74 CHEVY NOVASFACTORY AIR CORD!ORIGINALLY *3697/SAVE *802*2895t , War L eft With Your Giant Trod*' Auto Trani Bower Steer -\ mg Foct Air Cond* lodo Power Broket V-B Engnr WKtte-x woNTirrt PredrivenwolTiret Prednvenv\.*3788M!C*73 CEHV. MONTE CARLO New 12 mo or 12000 mil* u**d «*r guarantee *70 CHEVY. MONTE CARLOFact. Air Cond. Vinyl Roof. Auto Trons.Power Steering & Brakes.ONLY $1395■70 FORD LTDFact. Air Cond! Vinyl Roof. Auto Trans.Power Steering.ONLY $895'68 FORD CTY. SQUIRE10-Possenger! Sta. Wag.! Fact. AirCond! Auto Trans. Power Steering &Brakes. Woodgrain. Lo Miles!ONLY $995’68 CHEV. BISCAYNEWhite. Black Landau Roof. Black Interior.Foct. Air Cond. Fully Looded! Like New.ONLY $3395‘73 CHEV. IMPALA4-Dr. H.T. Silver. Black Vinyl Roof. Fact.Air Cond. Power Steering & Brakes. AutoTrans. V-8. 12/1212 MONTHS OR 12 000 MILESMECHANICAL INSURANCE Q0VERAGEFOR USED CAR BUYERSONLY $2895 74 CHEVY CAPRICESFACTORY AIR CORD!ORIGINALLY *5495/SAVE *1800*3695Way Le» With Your Giant Trod*' Clonk Stirling' PowerSteering Power Broket Power Win do wi Power Seati Pow-"> er Door lodtt* Foct Air1 Vinyl Bool Whitewall Tket (odmV Prednven.'72 PONT. LE MANS2-Dr. H.T. Auto Trans. Fact. Air Cond.Vinyl Roof. Power Steering & Brakes. 1-Owner. Lo Miles!ONLY $1795 ‘72 FORD MAVERICK2-Dr. H.T. Auto Trans. Rodio. Whitewalls.1 -Owner.ONLY $1395’71 CHEVY VEGASedan". Radio. Canary Yellow.ONLY 5895 6 CyI., Auto. Trans., Power Steering. LoMiles! 1-Owner. Like New!ONLY $595 WHILE THEY LAST!149 NEW 74 CHEVYSBELOW DEALER'S COST!DON'T GO HALFWAYVM OPEN SUNDAYS6522 S. COTTAGE GROVE AVE.PHONE: Ml 3-3500 open daily til 8 p.m. • s»r t sun. till p m4—The Chicago Maroon—Friday, November 8, 1974Bergman's Emotional DocumentaryBy Meredith AnthonyAs you have probably already suspected,Ingmar Bergman’s latest film, Scenes from aMarriage, is a terrifically important film,significant both as a social document, as alandmark in Bergman’s career, and as awork of art — probably in that order ofimportance. It traces the several stages of themarriage relationship from love, to vaguediscontentment, to separation, to hatred,divorce, and finally friendship. The depth ofthis study, its singleminded concentration onits subject to the exclusion of the usualsubplots that commonly provide a respitefrom emotional intensity, and the multiplicityof its facets which are revealed with anextraordinary stylistic simplicity, allcombine to make this one of the mostpowerful and thorough explorations of itskind.Scenes from a Marriage is not a work offiction It is an emotional documentary.There is no plot, per se, other than theprogress through the various phases of themale/ female relationship. There are fewcharacters aside from the central couple,played by Erland Josephson and Liv Ullman.and the few that are introduced are notfollowed up in the conventional way. Moreimportantly, there is no neat ending.Bergman himself, in his preface to thepublished dialogue (Pantheon, 1974,translated by Alan Blair), commentssomewhat spitefully, “There’s no solution athand, anyway, so there’s no happy ending.Nice as it would have been to arrive at one. Iffor no other reason, to annoy all artisticallysensitive people, who, disguusted by this}uite understandable work, will belesthetically sick after the very first scene.”3ergman quite evidently spoke of‘artistically sensitive people” as opposed totumanly sensitive ones.To be sure, the nature of this monumentalrase study has drawn startled yelps from•ritics in search of easy entertainment whoire unwilling or unable to deal with theilmost embarassingly intense emotional/iolence unless they can reduce it to the banalevel of plot embellishment. To be asked toook at and come to some understanding ofemotional violence is repugnantly personalfor some who prefer cerebral gamesmanshipwithout much in the way of content. To admitin print that one has been moved or eveneducated is, of course, too declasee.In their haste to prove their sophisticatedsuperiority to the subject matter, however,critics often inadvertently reveal a great dealabout their own preoccupations. Bergmanlays traps for the unwary and superficial bydropping a great many tempting, ifcontradictory, hints. One local critic smugly,and revealingiy, summed up the film with therevelation that sex was fhe major factor andthe female superior position was the answer.Sex is, of course, a factor in the couple’sdissolution. So are their in-laws, theirchildren, their politics, her job, his ambition,her nagging, his poetry, her contentment, andhis restlessness. In the complete version,originally episodes made for television fromwhich the film’s material was selected, thereare even more possibilities if a patexplanation is desired, her abortion being anobvious choice.But, as Bergman tells us, there’s no solutionat hand. The two characters themselvesrefuse to stay in their stereotypes. They areboth at times variously kind, cruel,thoughtless, vulnerable, smug andintolerably brutal. They each constantlyassess their situation and their motives, quiteevidently sincerely but without success. Theyare as much bewildered by events as we areand they, too, look for easy answers in hopesthat they won’t have to face theoverwhelming complexity of the reality.Scenes from a Marriage has a special placein Bergman’s long and varied film career. Hislast film, Cries and Whispers, quite clearlymarked a period; it was a summing up, and afarewell to a style and a basic theme. Scenes from a Marriage is a new departure bothstylistically and thematically, and Bergmanfans who had sensed with dismay thedecadence and repetition of the last film willsigh with relief to find the new direction ahealthy and viable one.Bergman’s mastery of the cinematicbaroque which culminated in the almostoppressively lush scarlet composition of CriesAnd Whispers, appears now to have been atunnel or maze from which he has finallyemerged into a limpidly pure and deceptivelysimple method. It is, in fact, no accident thatthe episodes of this film were made fortelevision, a medium that demands thisapproach with its one and two shots, its longclose-up takes, and its simple chronologyuncomplicated by flashbacks or dreams.The technique effectively mirrors thesubject matter. The uncompromising close-ups speak of the isolation of the characters,their alienation form their environment andfrom each other. The cinematography, warmand rich at first, as we are accustomed to see,becomes with each episode progressivelymore stark, more coldly lit as the relationshiploses its warmth The absence of backgroundmusic is another denial of the luxury ofdetachment. Here Bergman has managed toextract the essence of effects that he hadt)eenused to produce by means of cinematiccomplexity and convey them through a morepure and more intense mise en scene.The periods of Bergman s work aretraditionally marked by the introduction of anew actress or the elevation of a secondaryone to leading roles. Here, however, Bergmanhas given us a new male lead. ErlandJosephson, who may develop into the perfectmatch for Liv Ullman in his sensitivity andversatility. This is all the more welcome sinceMax Von Sydow’s expression of high-mindedsuffering has been irreparably devalued byits recent exploitation. (From The SeventhSeal to The Exorcist is a long a cheerlessdescent.) The introduction, at long last, of astrong male lead (we are discounting theabortive attempt to turn Elliot Gould into anactor in The Touch) is indicative of the newthematic direction For years theanesthetized, totem-like mask of Von Sydowand the tortured, victimized stare of GunnarBjomstrand were the sole representations ofthe male, on and very far off the pedestal.Now we are given a liberated man who is verynearly the emotional equal of a woman. Theformidable assembly of past heroines in Criesand Whispers, all women more or lesspermanently without men. have given way toa genuine dyad, a couple, at last.As a work of art that must, of course,ultimately stand alone, divorced from itssocial import and its place in the Bergmancanon, Scenes from a Marriage is far fromflawless. In the first place it is not a trulycoherent film in which every scene isessential It is a series of episodes which seemas aesthetically arbitrary as they arethematically significant. Working without atight plot poses problems in terms of artisticunity. There are also difficulties that derivefrom a time span of around fifteen years,particularly since Bergman generally liked tocover only a few days in his earlier work. Theregularity of the shots becomes monotonousand the film is quite simply too long. Withouta strong plot continuity it is hard to stay witha film of this intensity for the length of timerequired here. The television segments werecut adroitly to make this film but there is nosense of necessity in the final product and itcould have been trimmed farther just aseasily.The mentally lazy will not like this film anymore than they liked Bergman’s previousones There are those who feel that cerebralactivity is somewhat demeaning and who willbe glad to find critics who will assuage theirdoubts by assuring them that if they can’tunderstand it, it’s because there's nothingthere. If Bergman’s work has a moral, surelyit’s this; if you can’t understand something,or, even worse, if you think you do, lookharder.Fridoy, November 8, 1974—The Chicogo Moroon—5. / . liiililt § s .‘*7°! u i rcvcfr* vebi -f.ee uV <.*o:*iri~ w f. • iTheGreyCityJournal or music I» IM.I ' ■ |t.» , v * « « y '!%«•(« . *g * t »*» 1 »g*gg*.g%*i- *1*J •**■*« '*'4 '¥***»The CSO in ActionRozdhestvemkyBy Toby HofslundFirst impressions sometimes areaccurate, sometimes deceiving. And that’swhy it’s important to evaluate and thenreevaluate. Fortunately, when Sovietconductor Gennady Rozhdestvensky openedthe Chicago Symphony Orchestra season im¬perfectly, he remained for a three-weekengagement. Performances improved eachweek. Prokofieff replaced Scriabin. And lastSaturday’s performance—Rozhdestvensky’sfinal appearance for this season—was milesabove the opening.Why? Perhaps performance conditions.Fatigue. Stylistic idiosyncrasies.Uninteresting music. Rapport. All may beparts of the explanation.Rozhdestvensky, who was recently namedprincipal conductor of the StockolmPhilharmonic, looks like a business man. abanker. Tidy, gracious, apparentlyunassuming. This season’s ChicagoSymphony Orchestra opening was hisAmerican debut appearance with anAmerican orchestra. (He has toured in theUnited States as conductor of the LeningradPhilharmonic and Bolshoi Ballet.) Debut andopening night came only days after theMatafEduard Mata, guest conductor for lastweek’s CSO subscription concerts achieved adubious distinction — he made the importantSchubert “Symphony No. 3’’ sound like a 19thcentury trifle, and he turned the usuallyresponsive Chicago Symphony Orchestrainto a ragged, disinterested ensemble- — andall in just one week. Only Adolph Herseth’strumpet solo in Revueltas’. “Redes’’prevented Friday night’s concert from beinga complete exercise in frustration.Moreover. Mata's exaggerated gesturesrevealed that he must spend *oo much timeconducting in front of a mirror, and notenough time either preparing the music orfinding ways in which to communicate it. Allelbows, bobbing (as if for apples) from side orchestra’s return from a three-week,whirlwind European tour with Sir Georg Soltias sole conductor and a pops concert at theWoodfield Mall shopping center with vacuumcleaners and cash registers providing aunique soundscape.Rozhdostvensky’s conducting style isunusual. He uses his hands, elbows, eveneyebrows to signal cues and entrances. Hestops beating time when a movement isunderway as if he had nothing to do. Theorchestra could play on its own. All this wasat first irritating. So much detail work wasintrusive, distracting. But it gradually beganto make sense as the orchestra responded toit more and more in performance.Guest conductors sometimes have a lot ofego problems with this orchestra Membershave gone on record saying they preferplaying under a Solti or Guilini. They are notused to the different demands and directionsRozhdestvensky required. However, theyare professionals, and that is thedetermining factor in their musicmaking Soby the second half of the secondweek—during Shostakovich’s Symphony No.8—things really jelled. The musiciansobviously enjoyed the performance. Everyfirst chair person had a solo passage to showto side, he made too many unnecessarymovements while avoiding necessarydownbeats. No wonder so much was soragged.Technical mistakes are excusable. Butbad. boring music making (a la Mata) is not.The players expressed their disinterest anddispleasure by not watching him. They werelucky. They didn’t have to listen.Fortunately, with the arrival of CarloMaria Giulini (for 2 weeks), artistic stan¬dards should take a giant leap upward withwhat promises to be a rewarding BrucknerNinth and Bach Third Brandenburg Concertothis week. Another Russian program — theProkofieff Fifth Piano Concerto withVladimir Ashkenazy as soloist, Stravinsky’sOctet for Winds, and the Shostakovich FirstSymphony— rounds out Giulini’s first visitthis season. Then Solti arrives for Salomeand hoped for sanity. off his skills. And the grandness of the soundoutweighed the showiness and distinctiveflair in Rozhdestvensky’s conducting. Andthis reviewer left wondering why thisprogram and performance couldn’t havebeen the opening?With the addition of the full forces ofchorus and vocal soloist this last week, thesymphony’s musicmaking reached the highpoint of Rozhdestvensky’s engagement. TwoProkofieff’s—a descriptive ballet score,“Suite from the ballet Chout’’ (The Buffoon),and the cantata Alexander Nevsky, whichdescribes the conflict between the Russianpeople and the Teutonic knights—providedthe musical colors, humor, and dramatictension to sustain interest. Contrasts (whichcould have been sharper in “The RussianOverture”, the Prokofieff of the secondweek) were distinct and fun to listen to.Rozhdestvensky let the music speak foritself, and the orchestra respondedbeautifully.Mezzo-soprano Tatiana Troyanos sang thesolo in the cantata, even though it is usuallyperformed by a contralto. LiliChookasian—now appearing at Lyric Operain Verdi’s Falstaff—did it last with theChicago Symphony. However, MissTroyanos is a fine musician who cancommunicate so much with her voice thather mezzo quality didn’t matter. She sangwith a dark, husky sound full of mourningand fortitude.Maraget Hillis’ Chicago Symphony Chorusoffered their usual fine singing, markedwith exactness and fullness of sound, that atthe same time is rather square. If only theycould let loose with real excitement. Theysound overinhibited and too much kept inrestraint. I will bet Solti will really let themloose in the Verdi Requiem next spring.Reportedly, the chorus liked working withRozhdestvensky and the orchestra gave hima hard time. If they keep that up they willsoon have a reputation akin to the New YorkPhilharmonic, which is known in musicalcircles as the children’s brigade of musicalorganizations. Obviously, sinceRozhdestvensky didn’t let the attitude of theplayers get to him, he gave further proof thathe knows what music and musicians areabout. I look forward to his two week returnnext year to conduct a French programincluding Debussy’s “Blessed Damosel”,Ravel’s “Daphnis and Chloe”, and Rameau’s“Pygmalion”. HoroivitzTriumphsin TwoConcertsThe lines began forming around OrchestraHall at midnight October 20 for tickets toVladimir Horowitz’s October 27th recital.And it took only 1 hour and 15 minutes beforeall seats were sold. Judging from theaudience’s reaction — no, roar — the 2,600-plus fans would have gladly lined up a weekearlier.A Horowitz recital is a unique experience.Sunday’s recital — his first here in 6 years —was no exception. He gave each work apersonal statement — dramatic, sometimessubtle, and always exciting. Thedistinguished virtuoso-pianist pulled thelistener into the music, whether it be thefrenzy of a Scriabin sonata or the poetry of aChopin narrative, and he let the listener goonly after treating him to the highestpossible achievements in tonal beauty,technical firepower and artistic sensitivity.The familiar, such as Schumann’s“Traumerei” and Chopin’s “Ballace No. 1”took on newfound freshness; the unfamiliar,such as the Clementi “Sonata in F-sharpMinor”, became cherished excursions intothe unknown. And time and time againHorowitz demonstrated why he stands aboveall pianists in shaping ideas and coloring.That doesn’t mean that everythingHorowitz communicated was beautiful andpleasant. Far from it. During the morefrenetic moods of Scriabin, Horowitz madethe piano roar and sometimes cry in harsh,ugly, but musical voices.One phr ase of Schumann’s “Kin-derscenen” in Horowitz’s hands sounded andseemed like all eternity. He can make acritic forget about his review. Time stops.ADULT FORUM9:15 a.m. SundayThe Rev. John PorterChmn., Center for BlackReligious Studies“God in the Black Experience”SUNDAY WORSHIP10:20 a.m. St. Gregory of NyssaTaylor Chapel, CTS58th St. & University Ave.10:45 a.m. Augustana Lutheran Church5500 WoodlawnLUTHERAN CAMPUS MINISTRY6 Trailer Loads of the following;Used Desks Galore...$1 5.00 & UP2 & 5 Drawer Metal Filing Cabinets2 Drawer Wood FilesChairs, Swivels, as well as Arm ChairsTables-5 feet, 6 feet, 7 feet"cash and carry"l brand t. UIPMENT&UPPLY CO.8600 Commercial Ave.Open Mon.-Sat. 8:30-5:00RE 4-2111Thurs. till PM. 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Harper in Harper Court363-16006—Tlit; Chicago Maroon—Friday, November 8, 1974GR£Y GdPWe were at the opening of the University'sCelebration of the Medieval Heritage lastweek in Rockefeller Chapel.This egregious building, illuminated insideby its stained glass windows of dirty green inan indecipherable geometrical pattern andknown on the outside to the campus prin¬cipally for its unfortunate, thudding carillon,is neither inspiring nor quaint. The wood¬work is nicely executed but unimaginative indesign (excepting some trumpeting angelsupholding the organ), while the great stonewalls and pillars are oppressively plain andgrim. It certainly cries for more brassplaques and marble monuments along thewalls. The only ornament to the building is inflesh not in stone—the ushers, whom one seesalso around Bond Chapel, dressed in the tidycostumes of the Pullman porters of the1940's. The Chapel on the whole stops short ofdoing justice to any style, perhaps because offhe Bapfist influence or perhaps because it isneuter in denomination.The opening of the Celebration itself was ashort but unflinchingly boring statementread by a rectangular person who was asgrey as the walls. The real show, of course,was Archbishop Camara, whom more cameto see than hear. He dressed himself in avery simple habit with a pendant cross not ofsilver buf of steel. He held the sheef of script high aloft before his eyes in his left hand,gestured widely and simply with his untiringright arm, and spoke in a close Portugeseaccent, rolling his "r's" and wheezing his"I's." To each of his well wishers in thereception line he gave a firm grip on fhe armor the shoulders, perhaps a hug, a clear eye,and the title of brother. It is said thatCamara's life is in danger, buf he told us thatthe great lesson we have to learn from theAngelic Doctor is fearlessness. We heard alady tell a priest during the general con¬cluding hubbub that she so much needed adrink because she was so tired from lisfeningso hard. Yet it was not long after thereception began that the Archbishop retiredto prepare his baggage and fly back to hiswork on that very evening.Around noon each weekday in the HarperLibrary one can witness a spectacle. Thespectacle is neither in the great therapeuticplayroom, with its padded walls; nor in themain reading room, with its sparkly artnouveau chandeliers and injunctions to learnand labor with Oberlin College and that sicitur ad asfra; but in the plain mud brownchambers of the Wieboldt annex. There onecan every day see a living BenjaminFranklin.Mr. Franklin appears to seize the NewYork Times each noon time. His costume isusually green trousers with yellow, blue, red,and purple tartan stripes, a faded shirt withskinny tie, and a beige sweater more holesthan wool. His hair is long and colored anThe elf: JournalHere is no continuing city, here is no abiding stay,III the wind, ill the time, uncertain the profit, certain the danger.Oh late late late, late is the time, late too late, and rotten the year;Evil the winter, and bitter the sea and grey the sky, grey grey grey.—T.S. Eliot.EDITORGage AndrewsSTAFFMeredith Anthony, Miles Archer, Tom Bodenberg, Mike Franzen, Mark Gruenberg,Paul Gudel, Toby Hofslund, Barry Kaplovitz, John Kuhns, Alfred Lea, Aaron Lips*adt,C.J. Myers, Joy Pell, Richard Rand, Daniel M. Rosenthal, Enoch Soames, AmyWeinstein, Margery Young.The Grey City Journal is published every Friday during the academic year, as part ofThe Chicago Maroon. The editor and staff may be reached through the Maroon office(753 3265); and all advertising and subscription requests should be directed to theBusiness Manager, The Chicago Maroon, 1212 E. 59th Street, Chicago, III. 60637. Phone(312) 753 3266.Djalal & the Women of the Veil(the Central YMCA Belly Dance Class)Friday-November 8th 9 P.M.Atop H>de Park Bank Bldg.1525 E. 53rd St. 955-5151Reserve Early! aged white, and he has three maybe fourchins. Despite this wardrobe he looks verymuch like Benjamin Franklin. This im¬pression is due perhaps to his Franklineyeglasses, yet we cannot but see a similarface, with the old man's fat jowls, crookedand ✓'ubting smile, and ample forehead.PernC^he knows he looks like Franklin andgrew t. air long more perfectly to fit hisrole. We once saw a man dressed andbearded just like Abraham Lincoln roaminga busily shopped street, a waiter who lookedlike Adolf Hitler, and a pretty passableNapoleon. However, this one is, we think, ourUniversity's very own, the member of fhespecies peculiar to this campus. He has fledthe calumniations of the world for theliberality of the university, which is trainingin him a genuine Campus Character.We may say in general that costuming isthe province of the eccentric. We were in¬vited to a costume party recently, for whichwe were to array ourselves as the man wewished most to be. This request quicklybecame an existential crisis. For, the manone wishes most to be is not always the manone most admires. We admire Mosesgreatly, but it would be a fearsome bore tolead his life climbing tall mountains duringthunderstorms and tramping around andaround a tiny desert before the invention ofthe motion picture. Indeed, one may want tobe someone whom one does not in the leastwant to be, if that someone is one whom onedoes not admire and would not admit toemulating.Then one has the problem of who one infacf is. Are we who we want to be? Is this aparty for schizophrenics? Since we alreadymasquerade as someone else, maybe ourgoing as ourself would be an adequatecostuming. Are we really Enoch Soames or isEnoch Soames really we? We once saw a hatstore boldy advertising in a streetside signthat in this store "you won't meet yourself."Indeed, since nothing is impossible if youdon't have to do it yourself, then it followsthat one need not meet himself so long as he,in costume, is the someone else doingeverything that is possible. If we costumeourselves as someone else, why then, wewouldn't have to meet ourselves. But sincewe are already in the pseudonymous state, then it clearly follows that we could go asourself and never meet ourselves. Q E. D.This happy solution to our dilemma satisfiesboth the known fact that "we" is plural, aswell as our enjoyment of our own company.The reader who seeks more information onthis interesting topic will do well to consultthe admirable treatment by the late SirMaximilian Beerbohm in his "Defense ofCosmetics."This Baroque issue has continued to occupy our thoughts. We meditated on it thatevening amidst the music and glitter of fheassemblage. At our Alma Mater thePresident's Halloween parties were attendedby members of the gay organization dressedas phalluses. We have a friend who appearedas a bunny rabbit for his final examinationsand as a gorilla for a formal dinner. But noneof these facts offered a solution to ourdilemma. We walked past the President'sHouse, a worthy companion to the Ad¬ministration Building, basking in thepreternaturally pleasant weather on the nextday. We looked into our soul as we strolledthe Quadrangles, from which, we regret toreport, the geraniums have been trans¬planted to their winter quarters. When wesaw that the Hull Gate even yet remains inits uncorrected condition, our torturedconscience continued to struggle.Our trouble has been augmented by thepowerful public interest in our identity. Eventhey who simply want to comment on ourcolumn have demanded to know who we are.We can no longer attribute this simply to thetruth expressed by Aristotle's one-liner, "allmen by nature desire to know." Nor can weany more take refuge behind the ancienttheory that "We are Who are and you ain't."We wish to end the great grey cover upbecause our fervent public, like Mons.Homais, the sociology department, thecurious cat, the C. I. A., and Doris Day, hasthe right to know. But first we ourselvesmust know who we are. We therefore inviteall suggestions, hypotheses, stabs in thedark, and informed opinions fo be entered inour contest. Who are we? Insults arewelcome so long as they are amusing andclever. Please send all those cards andletters to Mr Enoch Soames at The GreyCity Journal, c/ o The Chicago Maroon.— Enoch SoamesSTUDENT HOUSING OFFICE PRESENTSCHICAGOSSMRHCNyORCHESTRAENSEMBLESCANTERBURY CHAMBER ENSEMBLESUNDAY NOV 10 3 30 PMBURTON JUOSONADMISSION FREEFridov November 8 1974—The Chicaqo Maroon—7 TheGreyCityJournalTheGreyCityJournal By Aaron LipstadtWith Amarcard. now at the Playboy,Federico Fellini returns to his childhoodunabashedly, without pretense or eoverup.He's willing to tell us, from the title (whichmeans “I remember"), that he wants toshare his past with the audience— t o present his memories . Theviewer's response depends on howappreciative he or she is of thesereminiscences, how much slack one's willingto give the director to play with, howentertained we can be by this essentiallychild's view of the world, made meaningfulwith hindsight.It’s a pretty bald idea, to present anecdotesand incidents that occurred, or areremembered to have occurred, in an Italianseacoast town in the thirties. Although thereis a Fellini stand in. a boy named Titta. thefilm deals with neither character nor anevent, but a past, a childhood: schoolpranks, family quarrels, village events. Tosome extent, the audience can appreciate there-creation: on the other hand, one feels atendency to pull away from this man i pu 1 a t ion, f ro m f his cu t emischievousness, from this childishness.A mar cord isn't a realistic reminiscence,it’s a staged revival. Titta doesn’t function asa voung Fellini’s eves, but as a referencepoint. The film is a fantasy, and it is thefantastication of memory which succeedsmore often than the more realistic family,church, and school scenes. Two principalscenes of Titta and his family go on toolong: one. ajt dinner, includes variations onthe familiar "He's ytour son” when the boydoes something wrong, and running-around-the-house hysterics (toned down 'cause theneighbors are watching); and an endlesssequence at a family picnic, w ith the loonyuncle w ho's been let out of the asylum for theafternoon. A confession scene has itsmoments on the not surprising masturbationtheme, and a series of vignettes of teachersalso relies more on exaggeration and stagingthan originality.There are a number of other figures whowe meet, mostly through Titta. his schoolfriends, a mysterious motorcyclist whorepeatedly zooms through the town square,and the women who represent various sexualalternatives: Volpina. a panting, grinning The fantasy wedding in Fellini's Amarcord. Picture copyrighted by Playboy.nymphomaniac; an overwhelming, fattobacconist; and Gradisca, object of Titta’sfantasies, the belle of the town And for theinformation Titta can’t provide, Fellini givesTHGrtTRGl tmcBy Keith Cushman“A Little Night Music,” currently at theShubert. is a musical without blockbusters,show-stoppers, or production numbers. Mostof the songs are waltzes. The lyrics are worthpaying serious attention to. and. mostcurious of all. you won t be penalized if youfeel like doing a little thinking while you'reenjoying yourself. “A Little Night Music” isone of the first musical comedies that's trulyfor grown-ups. In the bargain it’s a trueoriginal and instantly a minor masterpieceof the American musical stage"A Little Night Music” is based on ‘ Smilesof a Summer Night.” Ingmar Bergman'sgreatest film comedy. The musical can'tpossibly contain the resonance andcomplexity of the film, but the translation toa new medium has been remarkablysuccessfulThe plot is an elegant trifle rather in themode of Cost fan Tutti. a series of arabesquesin which the characters pursue the illusion oflove and struggle to retain the illusion ofyouth. One character speaks of a magicalwine that opens the eyes of even the blindestto the realities of life and death: when wasthe last time you saw a musical that broughtyou into contact with realities? The mood isworldly-wise, the tone is bittersweet, life is“all there is.” And yet “A Little NightMusic” emerges as a celebration, howevermuted, of what passes by. The title is richlydescriptive of this celebration, and at last theMaster of the Revels is Death himself.I don't mean to make the show soundsomber or weightily philosophical. It’s anentertainment, and the evening is light andenchanting and eminently civilized. StephenSondheim, whose innovations aretransforming the Broadway musical stage,provides both music and lyrics and is clearly the presiding genius. Sondheim’s ambition isto achieve new seriousness and a higherdegree of artistic integration in the musicalform without sacrificing audienceaccessibility. The music may not bememorable, but it’s all expertly functional.The haunting “Send in the Clowns” is reallyJean Simmons os Desiree Armfeldt. Photo byMartha Swope. the only detachable number, which isprecisely the point: “A Little Night Music”aims for a total experience There’s adreamy fin-de-siecle quality in Sondheim’swaltzes, and just enough dissonance in hisharmonies to suggest the illusory nature ofany happy endings. The witty lyrics also adda great deal to the sophisticated, deftlycynical ambience.The imaginative, flexible set, thecostumes, and the lighting all work togetherto evoke not only Sweden at the turn-of-the-century but also a Never-Never-Land ofdream and enchantment. Jean Simmons isstunningly beautiful in the role of DesireeArmfelt, an actress who seeks to bring“coherence” to her life by renewing an oldaffair with a lawyer. She has to struggle tomaintain her central position in the secondact, but her “Send in the Clowns” is theemotional climax of the show. MargaretHamilton is lively as Desiree’s dowagermother though perhaps she tends tooverplay. ( Who can fault the Wicked Witch ofthe West?) Andra Akers is excellent in anEve Arden role, but the production does havesome casting problems. George LeeAndrews, a capable performer, is badlymiscast as Egerman the lawyer. He lacksthe strength, presence, and complexityrequired in a role created in the originalmovie by no less than Gunnar Bjornstrand;he certainly seems mismatched with JeanSimmons. Virginia Fulos is worse thanunconvincing as Egerman’s innocent youngwife. The cast does perform well togetherthough, a crucial consideration in a showthat depends so much on ensemble work.When you leave “A Little Night Music”you may not be humming, but you’re likely tofeel both moved and elated I promise youthat no other musical is like it. This is one tosee.KIMBARKLIQUORS-WINE MERCHANTSOF THE FINESTIMPORTED ANDDOMESTIC WINESFeaturing our direct imports,bringing better value to you ITHE OMIT TRUE WINE SHOT IN HYDE PARK12141.53rd St.53-Klmbwfc Phne NY 3-3355 us a narrator who can fill in the past, connectthe anecdotes', and present the town to usthrough his filters of sophistication and goodtaste.Filming this town, these events, makesthem available to us and extraordinary intheir context, but in Amarcord, there’s amixture of the extraordinary, the unusual,and the mundane in the town. Theextraordinary occurrences -the arrival of apeacock in the snowy town square, the nightpilgrimage by boat of all the townspeople tosee the luxury liner Rex pass are hard totake There's too much straining for magic;the results which ask for awe get a raisedeyebrow instead.The mundane generally fails as well, itdoesn't get beyond its triviality. Pranks anddomestic quarrels can go only so far; theymay be crude and funny, hut are easilydeflated by repetition and length It's in theunusual that Fellini can make sceneswork changes in the town that happenevery year, regularly, but can still make usstop as we realize their inevitability. Thefilm opens with puffballs floating across thetown, the sign of approaching spring. Thewhole town celebrates the death of winterwith a bonfire, a celebration repeatedannually, but apparently always equallyimpressive. Similar natural, seasonalelements provide the best subjects inAmarcord—a heavy fog which inspires amime dance in the schoolboys; a tremendousunreal snowfall: and finally, one year later,Gradisca' wedding on the beach, thepuffballs floating in againUnfortunately, the scenes that succeed areburied beneath the bulk of the film, whichruns over two hours. Several scenes drag,others are marked by camera consciousnessand dizzying, unwatchable staginess.Especially irritating is the dramatization ofevents, as if they were actually occurring InRoma, an underground tour of the city led tothe “discovery” of ancient frescoes. As thedrill bit through the wall, the camerawatched it come through from the inside ofthe supposedly sealed cave. In Amarcord. ona less grand scale, the lawyer, who serves asa narrator, is occasionally interrupted bytownspeople who feel he’s talked enough. Iagree; he removes us from the everyday-beauty to concoct yarns like the one about avisiting sheik and his harem. There’s a lot ofthis flightiness to get through.VALHALLA PUBISIS E.S3rd St. 363-9837Featuring Live Music"Lake Shore Drive"Friday and Saturday OnlyBeer on TapRefreshments-Drinks-Music THE SEASON S SUREST WINNER., THEFRANCO YEAR S MOSTCRISTAtPi$ FQyN) REWARDINGMOVIE EXPERIENCE.”—Roger Ebert.Chicago Sgn-Tim«smm i> FRANCO CRISTALDI OokMW FEDERICO FELLINIePLAYBOYTHEATER1704 N D*jrtxxn . W M W PARK1415 N Oearborn,5 hr* $1.656 —The Chicago Maroon—Friday, November «, 1974Discord in AmarcordA TheUniversity ofChicago umPRESS ifAnnouncesThe Books Eligible for the Laing Prize 1974The Uruk Countryside: The Natural Settingof Urban SocietiesRobert McC. Adams and Hans J. NissenAntenatal DiagnosisAlbert Dorfman, editorAtlantic Islands:Madeira, the Azores, and the Cape Verdesin Seventeenth-Century Commerce andNavigationT. Bentley DuncanZalmoxis, The Vanishing God:Comparative Studies in the Religions andFolklore of Dacia and Eastern EuropeMircea EliadePhysics of Atoms and Molecules:An Introduction to the Structureof MatterU. Fano and L. FanoThe Supreme Court Review, 1972Philip B. Kurland, editorMinna von BarnhelmGotthold Fphraim LessingKenneth J. Northcott, editor and translatorSwinburne: An Experiment in CriticismJerome J. McCann Marriage Stability, Divorce, and the LawMax RheinsteinStatistical Mechanics: New Concepts,New Problems, New ApplicationsStuart A. Rice, Karl F. Freed, andJohn C. Light, editorsInvestment in Education:The Equity-Efficiency QuandaryTheodore W. Schultz, editorA Gift of Madrigals and Motets, 2 Vols.H. Colin SlimJames Cowles Prichard:Researches into the Physical History of ManGeorge W. Stocking, )r., editorFunctional Analysis in MathematicalEconomics: Optimization over InfiniteHorizonsLester G. Telser and Robert L. GravesDeterrence: The Legal Threat inCrime ControlFranklin E. Zimring and Gordon J. HawkinsFlorence in the Forgotten Centuries,1527-1800: A History of Florence andthe Florentines in the Ageof the Grand DukesEric Cochrane Models of the Mind:A Psychoanalytic TheoryJohn E. Gedo and Arnold GoldbergLafayette in the French Revolution:From the October Daysthrough the FederationLouis Gottschalk and Margaret MaddoxIce-Age Hunters of the UkraineRichard G. KleinStrongly Interacting ParticlesRiccardo Levi Setti and Thomas LasinskiForm and Pattern in Human Evolution:Some Mathematical, Physical, andEngineering ApproachesCharles E. OxnardHandbook and Atlas of GastrointestinalExfoliative CytologyJo3o C. Prolla, M.D., andJoseph B. Kirsner, M.D., Ph.D.Discovering the Present:Three Decades in Art, Culture, and PoliticsHarold RosenbergSome Words of Jane AustenStuart M. TaveThe Gordon J. Laing Prize is an annual award of$1,000 presented by the Board of UniversityPublications to a faculty member whose bookhas been published within the last two years. Itis presented to the author whose work adds thegreatest distinction to the Press list. Any authorwho was a member of the University of Chicago faculty on the date his book was published bythe University of Chicago Press is eligible.The Laing Prize was named in honor of GordonJ. Laing, who came to the University in 1899and served as chairman of the Latin Depart¬ment, dean of the Humanities, and as generaleditor of the Press for almost thirty years.Friday, November 8, 1974—The Chicago Maroon—96-TheGreyCityJournal —^^■ U in i i i i I i i^—Ferrari and Klement ExhibitBy John KuhnsIn these demure environs, it is sometimesgravely announced that the critic did notcome first. Although some would still care toregard this point as argumentative, it iscertainly not as fifty-fifty as the similarchicken and the egg story.Indeed, inquiry can not proceed withoutsomething to inquire of. I can assure you ofthis, even though it endangers the autonomyof my present occupation. Furthermore, thisphenomena of artistic production aboundsbeneath our feet. There is actual evidencethat the suspect process called Fine Art hasencroached upon this very bastion ofresearch. On a serious note, it has beenknown all along to the knowledgeable that theUniversity's studio faculty is'among themost prominent in the city of Chicago. Thisweek's art events provide an opportuneillustration. Virginio Ferrari is erecting thesecond of his monumental bronzes oncampus, and Vera Klement is giving animportant exhibition of her paintings at theArtemisia Gallery.Ms. Klement's show on Ontario Street isher first Chicago one-artist show. It isunquestionably one of Artenisia's finestshows in some time. One is especiallygrateful for the freshness of the abstractwork. Although it seems clear that Chicago'saudiences have long been ready for a moreabstract tradition of painting, some gallerieshave been stubborn. Surely these paintingswill serve to convince those in doubt that thetime is right.Klement culls her subject matter fromlight reflections, the shimmering radiance ofautumn trees, and the abundance of colorsand hues to be found on a lake's shimmeringsurface or a sky's horizon. Like any artist,she is concerned with an intuitivearrangement of these elements in a struc¬tural whole. In this exhibition, Klement'sparticular chosen problem is resolving acomplex structural variation throughrepetitions of form and color. She seeks todevelop strong independent parts that canyet be finally unified by some principle.Klement reveals her virtuosity as she strainsthis relationship tc its visual limits, and thendeftly resolves it. Her point of take off can belikened to a composer, who develops strongmovements into a complete sonata orsymphony. Klement seems fascinated withintegrating various moods of form and colorinto a single statement. The paintings arenamed "Partita" (number 1, etc.) incelebration of this ritual. Partita means sumof parts.Each "Partita" is actually divided into twoor three separate horizontal frames ofvarying width. The frames are then stacked,two or three on top of each other, to compose the larger perimeter of the painting. Thedifferent horizontal bands portray radicallydifferent moods. The top band of everypainting established a smooth rhythm ofausterity and elegance. Subtlemonochromatic tones are modeled toachieve a perpetual flow of soft tubularforms. The top panel accommodates the eye tothe overall mood of the painting. Against thisundulating sea, Klement develops the lowerframe intuitively. Using vivid color anddiagonal brush strokes, she establishedexciting rhythms that seem formally jux¬taposed, yet somehow integrated. Instead ofslight nuances in hue and an overall sculp¬tural effect, there are now bold patterns ofcolor, frenetic brush strokes, and electricsurfaces. These middle panels create thedominant individual mood of each "Partita."Some are ecstatic, others somber in nearduplication of the top frame. These middlebands use several colors, emphasize paint-erly application, and gainsay anyassociation with corporeal volume. Theyinstead attempt to draw us into a differentemotional excitement.To form a unified work, these dichotomies,diverse as*they may be, must be efficientlyresolved. There must by necessity be somecommon principle. Klement uses therepetitive form to structure he- work. She"echoes" a color, tone, or shape in succedingpanels. Vertical shapes discovered in the toppanel may find their continuance in a stripeof color running down the second one. ThereLGTT6R9To the editor:Who is Enoch Soames? Who does he thinkhe is? Where does he come from? And whydoesn’t he go back? This isn’t the NewYorker, ye know.Sincerely,A Native Chicagoan.Mr. Soames invites speculation as to hisidentity at the end of his current column. Hehas maintained an anonymous identity thusfar for the purpose of avoiding crackpots.To the editor:The perspicacity of The Grey City Journalin capitalizing on the pellucidly variegatingvirtuosity of the multi-faceted Ms. AmyWeinstein is to be lauded as a sagacious movecalculated to upgrade the artistic, criticalexigesis of the University community-at-large. For her effervescent, exuberantexpositions which have limned the otherwise is a sense of anxiety felt in the resolution ofthese panels. This tension further unifies thetotal effect. The bands at first appearunacceptable to each other. Solemn verticaltubes run head on into flats of color andirascible flecks of paint. Once directed downa line, the eye is blocked by the next band'sstubborness to conform. We seek some relief,and shift our gaze sideways along the paneldivision for some alternative that will gratifyus.Klement is ultimately interested in this"shift" and the key to her paintings successlies here. The only true gratification our eyeanticipates is some continuance of a verticalpattern downward. She wants to make theeye move, discovering in the process theforms and devices she has employed. Thefulfillment of the vertical pattern satisfiesour sense of the whole. Glances sidewaysreveal alternate vertical patterns to switchto in the descent downwards. The final end atthe bottom panel may be again serene likethe top, or it may remain more dynamic. Butcouldn't her work exist as three separatepaintings? One inevitably wonders, and theanswer is probably yes. But no one framewould have the power and intensities of thecombinations. It is common knowledge thatany two paintings hung close to each otherinfluence their respective apprehension. Ms.Klement makes this enigma work for her.The question "How do you make a blueblue?" assures us of the integrity of thesestructures.amorphous nuances of modern art have notonly filled the cockles of our hearts, but havealso distinguished themselves as injectingvitality into the otherwise lugubrious minds ofartistically deprived U.C.Philistines.However, a certain obtuse faction of effeteilliterates have taken it upon themselves tocastigate the erudite Ms. Weinstein for herallegedly vapid ratiocinations concerning ourbig, wide, wonderful world of art. To this wesay emphatically: Piffle! We, au contraire,find her effusive Faulknerian prosescintillating to our artistic palate, in that wethink she writes real good. ’Nuff said.Sincerely,Guy KieckheferJohn Wesley Robinson, IIIScott Edward Ziemba, Michael Lewis DvorkinRobert B. WilsonGeoffrey GaldezDavid G. BunkerCraig BarvoidRobert H. Van MetreJeffrey SheffieldKeith KleinThe editor agrees. Virginio Ferrari, the University's sculptor-in-residence, is also concerned with a con¬cert of parts. This week his secondmagnificent outdoor sculpture goes up infront of the Midway Studio. The thirty foothigh bronze piece is titled "Two LoversLooking at the Stars." Ferrari has long beenoccupied with the joyous exhuberance of themale-female sacrament. The structure of"Lovers" turns on the portrayal of thisunison. Ironically enough, this structuralproblem is the opposite of Ms. Klement'sconcern. She explores the relationship ofparts and tension. Ferrari celebrates aconcept of fusion.Ferrari is certainly one of the area's mostcompetent artists. He enjoys an ac¬complished international reputation, havingexhibited in Europe and North ar.d SouthAmerica. He has had one man shows inChicago, California, Philadelphia, Brussels,and several cities in his native country ofItaly. Ferrari's art has consistentlydeveloped a personal intensity and feelingthat defies classification or limitation. Onesecret is a coalescence of natural tactileability and fertile imagination. Ferraritrusts his associative patterns of experienceand gives them control in his work's for¬mulation. As an example, the clean lines ofthe base and stem of "Lovers" seem to be atodds with the organic forms at the top.However, without some disturbance of form,we would merely be looking at anotherboring piece of minimalism. The harmonioussexual union is kept both distinct andanimated by virtue of one single line withthree appropriate semi circles. These formally witty and erotic implications give usan insight into the subject. The piece suddenly enjoys life and warmth. The delicatetrunk and gentle hands at the pinnacle onlyadd to its elegance. The imagery of Ferrari'smind necessitates these solutions. He en¬tertains a consistent and unabashed point ofview. The ever-present traces of associativeorganic forms mark his continuingfascination with a "life force.""Lovers" is but the first of five or sixbronze pieces dealing with amorous unionthat Ferrari plans to make. They are part ofa dream, a nine block park of sculpture andfountains to be constructed when and if someenlightened soul sees the timeless pleasureFerrari has to offer. A consistent theme of allthe proposed sculpture is the simple elegantline animated by fitting male female semi¬circles. Ferrari's drawings give detailedlayouts of elements within the park, andexplore the derivation of sculptural formsfrom every source. These drawings, models,and plans are being shown in a small exhibitat Oakton Community College in MortonGrove. Hopefully, "Lovers Looking at theStars" will be only a beginning.HILLEL WEEKEND LECTURES"JEWS AND THE EIGHTEENTHCENTURY ENLIGHTENMENT”PROF. EMILE KARAFIOLFRIDAY NOV. 8 8:30 P.M.HILLEL HOUSE5715 S. Woodlawn"THE JEWS OF MEDIEVAL ROUEN:RECOVERING THE HISTORY OF AFORGOTTEN JEWISH COMMUNITY"ILLUSTRATED SLIDE LECTUREPROF. NORMAN GOLBDept. Near Eastern Lang & Civ.SUNDAY NOV. 10 7:30 P.M.-Hillel ROCKEFELLERMEMORIAL CHAPELCELEBRATION OF MEDIEVAL HERITAGE BRENT HOUSEECUMENICAL CENTER5540 WoodlawnSunday • November 10«11:00 A.M. Sunday EveningMICHAEL NOVAK, S.J. 5 p.m. “Underground Church”6 p.m. Supper $1.257 p.m. Meet the Night Pastor,“ON IMPERIAL POWERS” The Rev. Bruce WheelerTHEATRE AT THE CHAPEL Friday AfternoonSherry Hour4:30P.M.ALL WELCOMEFriday • November 1 5 • 4 P.M. and 8:30 P.M.Saturday • November 16 • 4 P.M. GxplosivG and important studs tehkei. uutho. t,™-.THEM AND USTHE PLAY OF ADAM JAMES J MATLES JAMES HIGGINSUF Gen Sec y T JournalistThe book that brings LABOR’S UNTOLD STORY up to1 2th Century Anglo-Norman Mystery Play dale with the absorbing inside story ot UL s struggle tobuild and maintain rank and file unionism through theDirected by Annette Fern repression of the 5Q’s and 60s to the 1970 sAdmission by ticket, without charge Put»li\h#d hy P'tntKt Hall Inc P,ij>»-i,.k k S2 'J‘jFor information call 753*4032 At you' boon More or UE Book Depr It Ejst t»> si Soee' New * o'k NY 1(1022 i(10 The Chicago Maruuii—Friday, November 8, 1974Look how muchcon saveDiscount Air 1Travel Plans*It doesn't matter if you're going home for theweekend or just taking off with a group of friends.Allegheny can save \ou 2(.Y 1 to 33‘ f< off our regularfares anytime you want to go. Including holidays andholiday weekends.L p to 25^ off on weekends.Simply plan to go and return on Saturdays orSundays within 30 days. And it’s gixxl anvwhere weflv in the L .S. and Canada. Easy.Up to 33,/j9r off for groups, too.Your group of 10 or more can save up to IWr oneway- up to 33'VT round trip Just purchase your tickets48 hours in advance and take off together for any cityin our System. You can ail return separately on roundtrip travel if you like. And that means you can fl\ asa group to a central cits and then split up. Neat.For information and reservations, see your TravelAgent or call Allegheny at 346-9020. We show youhow sou can tls tor less, anytime.Compare and save.Roundtnp Totes Regu lot Weekend GroupAllentown $132 $97 $87Binghamton 134 98 87n 1# _ 1DTuciTora 124 95 84Elmira/Coming 118 89 78Erie 108 82 73Hamsbung 120 90 80A A 1 . - - I-KTTOOurgn 90 68 60Wilkes-Barre/Scranton 132 97 87Williamsport 120 90 80A : nci.jde and a*e v-to*ec» *c > a r »of ceThe Allegheny Air Systemhas a lot more goingfor you.(CHI #3065) MEMORIAL CHAPEL5»»h Street and Woodlown AvenueSUNDAY • NOVEMBER 10. 3 KP.Mittojart’s(RequiemHcspereHICHARO VIKSTROMDirectorTHE ROCKEFELLER CHAPEL CHOIRAND ORCHESTRASuton Nolboch lutz SopranoSharon Sharrord. SopranoData T arbaak Coon'artanorGarold Scott TonorMonroa OHor BossTickets:Reserved $6.00Chancel Seating 5-50General Admis. 5.00Students 2.50On Sale At:Cooley s Corner5211 Harper Ave.The Book Nook1538 E. 55th St.Reynolds Club Desk57th St. & UniversityChapel Box OfficeOpens at 2:30 pmSundayGRADUATE SCHOLARSHIPS INCOMMUNITY ORGANIZATIONPROGRAM AVAILABLECollege Seniors andGraduate Students areinvited to apply for aspecialized program ofgraduate educationand training in: Com¬munity Organization,Social Agency,Management, Adminis¬tration, CommunityPlanning, FundRaising, andBudgeting.Upon completion ofgraduate training,professional positionsand long term careerswith JewishFederations will beavailable.Any major sequencemay qualify for thosewitn at least 3. (B)academic average.For descriptivematerials and for on-campus appointmentsin early Decemberwith Herman B. Leven-sohn, national directorof the program, con¬tact the Illinoisrepresentative, Dr.Nathaniel Stampfer, atSpertus College ofJudaica, 618 S.Michigan Av., Chicago,Illinois 60605, orphone (312) 922-9012. The fnnt-of-C ourt picturedA place to indulgeyourpersonal pleasures.We happen to think that's what everyoneseeks most when looking for a place tocall home. And if you're the kind ofperson whose personal pleasures lean tothe co/\ comforts and simple activitiesassociated with life in a more gentleand gracious time, you'll prohablv fall inlove with our two newest HeritageCondominiums The\ were designedand built tor people who had time toenjov life Hvde Parkers call them I heKeep on Kenwood and The lnns-of-Court.Both are in the L’nivcrsitv area, the bestsection of Hvde Park, walking-close toshops, schools, co-op. and It., bothare graciousb designed, distinguished,older buildings restored to their originalelegance . . both are filled withnostalgic charm and warmth . . andmost importantly, both oiler real“personal pleasures.' the trademark ofall Heritage CondominiumsWhat do we mean by “personalpleasures Once inside, you'll find outwhat it means to you It may behi fill ccilim*v ortormal <iinini; rooms orsun r<mms or dens t>r both orbalconies orlari!c In iny rooms withreal \u><>d-hurnine fireplaces orInn windows orHarden courtyards orpersonal vendable garden plots orphoto darkrtnuns orequipped womlworking shops.For certain, it's more usable space ofevery kind ii»r your money.ThcKccp5714-24 S. Kenwood In addition, both The Keep and TheInnsolfcr distinguished architecture andfeel of solid construction. the way theydid it hack in the earlv twenties. We'verefurbished both buildings, inside andout. but \ou can see what we meanwhen vou enter the elegant lobbies ,mdtread the solid oak lL>orinc underfoot(freshly sanded to clean-grain finish >and the sturdy sound of knucklestapping acainst lath and plaster walls.Both of these Heritage Condominiumsare excellently located Just a few blocksa wav are shops, restaurants, schixvls.churches, recreation and culturalcenters, the University of Chicago, parksand beachesYou'll find I he Keep at 5714-24 SouthKenwood and The Inns-of-Couri at5521-29 South Blackstone Just lookfor the lamplights at the entrance.We’re open Saturday and Sunday.I 1 am. to 5 p in. Weekdays. 3 to t* p m.One Bedrooms from $24,400.Two Bedrooms from $23,900.Three Bedrooms from $31,700.Four Bedrooms from $33,900.Flexible financing— as'low as 5C downor 7 9G interest Operating expensesguaranteed through December 31. 1975.Heritage Condominiums ByDevelopment Management Group Inc.Exclusive AgentsCrban Search Corporation337-2400of-Court5521-29 S. BlackstoneWell-Engineered WinnebagoBy Meredith AnthonyFrank Galati’s prize-winning new play,Winnebago, opened the Goodman’*experimental Stage Two series of midnightproductions. Winnebago is a brilliant,precision-structured fantasy chronicaling amiddle-class family’s surrealistic odysseyacross the country in a camper. Frank Galatielevates middle-class life to the level of mythand ritual. The actors are always seen intableaux, facing exactly forward most often,flanking a door like gargoyles.Speech patterns take on the significance ofincantations. The dialogue deals with the various ways of coping, or seeming to cope,with reality. Sometimes this is a sort of neo-freudianism that equates identifying theproblem with solving it. The overweightdaughter (Mary Cobb) proclaims, “I’m fatand that’s a fact.” Her speeches arepunctuated with “that’s obvious,” “any foolcan see that,” and the perennial favorite ofescapists, “and that’s that.” Another meansof evasion is the plea of extenuating orincidental circumstance. The alcholicmother (Janice Davies) begins most of herspeeches with “I may take a drink now andthen, but...” The son (Rex Troxell) belongsto th° maybe-wishing-will-make-it-so school.The Univenity of Chica{0ROCKEFELLER He constantly anticipates the results of hisambitions: “I’m nice now; I expect to begood-looking by the time we get toCalifornia.”Bizarre elements abound, emblems ofalienation The father (John Mohrlein), whois seen only on video-tape from the driver’sseat, keeps up a running commentary on thescenery that only he can see. Life in theisolated cell of the camper goes onregardless of the Painted Desert outside,which even the driver sees only throughtinted glass. The family’s pet bird Buttercup.(continued on page 8) John Mohrlein as the father in Winnebago.Friday, November 8, 1974 The Chicago Maroon II TheGreyCityJournalThi»GrpvCityJournalThe Alvin Ailey Dancers will perform Ailey's masterpiece "Revelations" in concertSaturday evening and Sunday afternoon, at the Auditorium Theatre. Tickets were stillavailable for one of the most outstanding dance companies to appear in Chicago in the 197475 season.f THe4TR€-=-=====^^—(continued from page 7)a marionette whose voice is sung by sopranoLinda I^urin, trills repeatedly, ‘‘I’ve beendreaming of the Azores.” The aginggrandmother (Jane Maclver) is kept in acloset.Events, however, force the family intocontact with a harsh reality. The familycircle is penetrated by the sinister intruder,Bob, played exceptionally well by John-Dennis Johnston The same familiardefenses that had protected the familymembers from each other and themselvesare used futily against Bob. No one everadmits that they have failed.Winnebago is basically well-engineeredbut right now it needs a tune-up. The playprobably reads smoothly but its runningtime, in excess of two hours, is far too longfor a one-act play. The playwright FrankGalati also directed and evidently foundhimself incapable of performing the ruthlessoperation necessary. Playwright/ directorsoften lose in self-indulgence what they gainby thoroughly understanding their own work.It’s especially unfortunate here where thematerial and the production are both of suchhigh quality and length is the only seriousdrawback. There was a distinct point whenthe entire audience almost simultaneouslystarted to forget. Even the most engrossingspectacle can only hold one’s interest for solong.Winnebago is the winner of the WTTWteleplay contest. It will be performed atmidnight November 8 and 9, and at 8:30 onNovember 11. Call the Goodman Theatre forinformation at 443-3800. CULTURC GULCHMark Kenmore's name on the cast list isperhaps the best guarantee you can have foran evening of excellent theatre on campus.His outstanding performance in fhe studioproduction of Joe Egg this summer was asfine as you could see. And lasf weekend heand Mark Woiman brought to life Piran¬dello's shorf, poignanf two-man sketch, TheMan with the Flower in his Mouth. Piran¬dello puts great demands on his actors andthis brief tragicomedy requires refinementsof humor and pathos in the delivery of longmonologues that offer nothing to hide behindin the way of action. Mr. Kenmore's intense,controlled performance was wonderful.Kenmore and Woiman also did fine jobs inthe other one act Pirandello. The Vise,however, is Pirandello's first play, an Ib-senesque little, love-triangle melodrama,and it contains only a shadow of the masteryof his later work Lisa Shapiro, as the womanin the middle, succumbed to the temptationsinherent in the script and overacted ratherbadly. On the whole, however, the playworked well within its limitations.Both sets and the lighting were especiallygood for the low budget to no budget studioproductions. The spare set of the starkcorner cafe of The Man with the Flower in hisMouth was particularly effective. JimLichtenstein directed both plays in a sen¬sitive, low-key style. (MA) While you're up at Vera Klement's show,go next door and check out the still life's ofJan Miller. Ms. Miller has developed atraditional format into a structure of bold¬ness and vitality by emphasizing oversizedperspective and an adept treatment of kitch¬enware. Although I don't agree with theinclusion of her self portraits and one inanediptych, the show is definitely worth seeing.On your way back down to the South Side,you will inevitably pass one of the nicestsculptures in Chicago this season. Season isin fact the key word here, for this master¬piece is the Public Works Department's saltfor snowy highways. Wait — don't leave yet.This salt is piled one hundred feet high, and its colored bright blue! (Between MichiganAve. and Lake Shore Drive on the north bankof the Chicago River).The Alvin Ailey City Center Dance Theaterwill complete its engagement at theAuditorium Theater with Friday night,Saturday night and Sunday afternoon pertormances. Saturday night's performanceincludes two of Ailey's best works: "Cry"and "Revelations". Forget the life of themind for a night, and go see a dance company that will make YOU want to dance. Callthe Auditorium Theater for further in¬formation. (JP)RGCORD*)!ROLLING STONES; It's Only Rock andRoll; Rolling Stones COC 79101. For the lastcouple of years the Stones have received agreat deal of much deserved critical abuseboth from their disappointed fans and fromthose who would have it that they aremusical has-beens, trading on their pastsuccesses. Last year's release, Goats HeadSoup, which was nothing more than an in¬ferior studio album, did nothing to quell thegenerally negative feelings which manypeople had about their ability to continue tomake music of the high quality that hadcharacterized their earlier releases. For thisreason it is extremely fortunate that It'sOnly Rock and Roll is as qood as it is.Like any good Stones album, this one getsDEAR AKADAMA MAMA,RECIPES FOR A DEEP THIRST.Dear Akadama Mama.I was caught in your can’t-hurt-me-and-sorry-if-you-scared-me mouse trap. Andyou’ll be pleased to know I wasn’t hurt oranymore scared than someone beingtrapped in an eievator overnight. BarbaraJoy, the lady who caught me and amouse’s best friend, has been makingme the drinks on the recipe card you sentalong. They sure are good and I like them but getting along in a people world givesme a deep thirst so please send me awhole bunch more.RoverDear Rov,Sorry for the delay. But Vern, my friend andgoldfisn, got his tank water all over yourreturn address. So the only way to send youmore recipes was through this ad.AkadamaLISTEN TO MAMA, AND PASS THE AKADAMA. THE WINE YOU CAN MIX.ZONKADAMAEqual parts of Akadama RedWine and rum. Add 2 partsclub soda and ice.PLUTONIC1 part Akadama Plum, thegrape wine with the naturalplum flavor, to 3 parts tonicwater. Serve with ice and atwist of lemon.LAME DUCKHalf Akadama Red to halfchampagne. Serve in chilledchampagne glasses.tPLUM 'N COLA1 part Akadama Plum to2 parts cola. The colder thebetter. Introduce it to yourneighborhood bartender.AKAHLUAEqual parts Akadama Redand Kahlua. On the rocks. FUZZY PLUM2 oz. Akadama Plum,3 oz. sweet and sour mix,1 oz. sloe gin.Serve in a wine glass andgarnish with an orange slice.GINGER RED1 part Akadama Red to2 parts ginger ale. Plentyof ice.PLUM ’N RUMHalf Akadama Plum, halflight rum. On the rocks.AKADAMA TRAUMAEqual parts of Akadama Redand bitter lemon. On the rocks.VODKADAMA COOLERA new way to serve one of myfavorite favorites Equal partsAkadama Red and vodka.Add club soda, ice and atwist of lemon.IMPORTED BY SUNTORY INTERNATIONAL. LOS ANCELES. CA.12—The Chicago Maroon—Friday. November 8 1974 better every fime you lisfen to it. Jaggerunequivocally demonstrates that he still hasthe dynamic energy and power that madehim so popular in the Sixties. The group stillplays beautifully together, and the music isgenerally of a very high quality. Thealbum's only major flaws are a tendencytoward sloppy playing toward the middle ofseveral of the songs, and a rendition of "Ain'tToo Proud to Beg" that is delivered in atorturedly slow and heavyhanded manner.The title song is, without question, the bestsong on the album. To my mind, it is the bestthing that they have done since 1971. Both thelyrics and the music are powerful andbeautifully delivered. Two other songs,"Dance Little Sister" and "Time Waits For No One," also stand out as being excellentexamples of what Jagger and Richard arecapable of composing, and of the kind ofelegant performance that makes the Stonesas consistently important as they are.Totbe perfectly honest, I can't be sure if theprofound gratitude and relief I feel new that Iknow the album is good, have colored myjudgment to the point where I am over¬reacting to it. However, my intuition tells methat I am right and that this record, while itmay never achieve the stature and recognition of some of their others, is reallygood. AReviews by Daniel M. kosenthalCOOLEY’S CORNER2nd ANNUAL PHOENIX SALEONE WEEK ONLYBEGINNING FRIDAY, NOV. 8STOREWIDE SAVINGS ON MOST MERCHANDISEKITCHENWAREBATH BOUTIQUECANDLESBASKETS. POTSJEWELRYGIFTS20% to 50% OFFALL REGULAR PRICEScoolcvcooley s corner inc., 5211 $. harper court IHChicago, illinois 6061 5 (312) 363-4477DAILY 10-6SUNDAY 12-5:30■muOne of the truest, most luminouslove stories ever made.★ ★★★ Highest rating, cmcooo su«rim*» ST. GREGORY OF NYSSALutheran Campus Parishat the University of ChicagoEUCHARISTTf:iS SUNDAY AT 10 A M.The William Healy SettingSetting of the MassGraham Taylor ChapelUNIVERSITY at 58th St.SCENES FROMA MARRIAGE »944-2966• EYE EXAMINATIONS• CONTACT LENSES (Soft & Hord)• PRESCRIPTIONS FILLEDDR. MORTON R. 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NOVEMBER 14BARGAINS BARGAINS BARGAINSNew Merchandise For The Whole FamilyHome Furnishings—Gift Items--Buy For Christmas(rI a ik< * Mradows!<*<' RinU• Skating Letsontages 3 - Adult• Hockey Clinicsoges 5-14• Hockey Leaguesages 12-18• Skating Club Memborshlpindividual & family• Public SkatingOPCN MEMBERSHIPfor Informationand brochure225-3373OPEN HOUSESunday Nov. 10 2:00 p.m6:00 p.mFREE SKATINGMany ragistration tables SPECIALDISCOUNTPRICESFOR ALL STUDENTS& FACULTY MEMBERSJust present your University ofChicago Identification card.As Students or Faculty Members ofthe University of Chicago you are en¬titled to special money savingdiscount prices on all VolkswagenService Work, all Volkswagen Parts,Accessories and any new or usedVolkswagen you buy fromVolkswagen South Shore.V0LKSWACCNSOUTH SHORE7234 S. Stony island>pen Daily 9 A.M. to 9 P MSola* Parts and Seme* DeportmentsOpen Saturday 9 A M. to 5 PM.Phone. 288-4900 HOTEL FURNITURESALE!from Chicago's largest hotelsFULL SIZE BOX SPRIN66 MATTRESS SETS $39.95TWIN SIZE HOLLYWOODBEDS, COMPLETE $29.95KINO SIZE SETS, COMPLETE $95.001000 L0UN0E CHAIRS $15.00 UP1000 PULL-UP CHAIRS $10.00 UPTABLE LAMPS $2.95 UP7 DRAWER DESKS $29.95SMCLE MATTRESSES* BOX SPRIN0S Soiled.As is. ! $10.00 Each. Cash & Carry *ePEMbAILY 9-5AMSTADTER FURNITURE)7315 COTTAGE GR0YE224-7444University of Chicago Theatrepfrimt iTHE IMPORTANCEOF BEING EARNESTby OSCAR WILDEJtrt.ied k-SichfjLii RudallNTovemhcr 15,16,17, 18 • 830 p mMatinee. Nov IT • 3:00pmVASDEL HALL 5TTH A LMVEZsiTVNovember 22. 2 3. 24 • 8:30 p mIDA NOVEJ LIBRARY 1212 F. iilTH 'TRRETAdoituon >J0C $2 V) /or teoderrsand sensor wJX’zrmMatmct VI V) ind S2 OTl aii tar informs.cmThe Adventures of ACHAIACLAUSS(pronounced AH-HI-YA KLAUSS From the prestigious vinevardv of Achaia Clauss comes CASTElDANIELIS, the dry, vintage red wine of Greece. This excellent tablewine should be served at room temperature.. 0+jSS\AH-HI-YA CL MS) TH& ojly thimg| i have a strong Desist rcWNK DAM£L!S,~ — > S IS YOUR ., ^ L/GHT dry R£D W//VE.THE STRONGESTMAN ON EARTHLr YOU'ft NOTAS DUMBJAS YOU /look, t EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURTROSENBAUMOptometrist(53 Kimbark Plaza)1 200 East 53rd StreetHyde Park 3-8372CARPET CITY6740 STONY ISLAND324-7998Hos what you need from a (! 010 used 9*12 Rug to aiHcustom carpet. Specializing 4nin Remnants & Mill returns •|at a fraction of the originalst.Decoration Colors and'ualities. Additional 10%iscourrt with this Ad.FREE DELIVERYIWWMMMMMMWWFriday, November 8, 1974—The Chicago Maroon 13N FOOTBALL: Regular season play closes today as teamsDrepare for upcoming playoffs.IN AND ABOUT IM SSeals downsecurityMost racesdecided -playoffsto beginRegular season intramuraltouch football draws to a closetoday with the top three teamsunchanged from last week's poll.The Big Med Machine heldtenuously to their number onespot, as the Business Schoolclosed to within two points bydefeating the Beareaters 12-0.Right on the heels of the B-Schoolare the Common Law Seals whoadded two impressive vicotires;48-0 over the Meninges and 12-6over Security in the DivisionalBlue championship game.The game. played onWednesday afternoon, saw theSecurity squad hold a 6-0 halftimelead on a touchdown by RickLeblic. At the beginning of thesecond half. Security had achance to put the game on icewhen they intercepted an errantSeals pass on the first play fromscrimmage, giving them a firstand goal-to-go situation.However, the Seals were able tocontain them on four consecutiveplays.The Seals later mounted backto back touchdown drives withthe scores coming fromGilmartin and Alan Rosskam.The last touchdown came withabout three minutes remainingand although Security was able tomount a counter drive, time ranout on ‘‘Hyde Park’s Finest”,giving the Law School team theleague championship and a spotin the playoffs.Hitchcock East moved backinto the number four spot as theyblanked Dodd/Mead 15-0, theirfourth shutout in five games.Hitchcock has outscored theiropponents 81-6 on the season.Blackstone entered the Elite 10this week for the first time and at#7 is the second rankedundergraduate team. Blackstonehas clinched the championship ofthe Residence Blue league with a6-0 record, pending the result of aprotested game withChamberlain last Saturday. Theother ranked undergraduatesquads are Greenwood, leadersof the Residence Red, and theF.U.T.T. Bucks, frontrunners in14—The Chicago Maroon—Friday 1M FOOTBALL TOP 101 Big Med Machine (2) 4-0 522 The Business School (2)4-0 503. Common Law Seals (2) 4-0 494. Hitchcock East 5-0 385 The Wild Bunch 3-0 346 ZAP 4-1 327. Blackstone 6-0 197. (tie) Security 3-1 199. Greenwood 5-1 1110. The F.U.T.T Bucks 4-0 8Numbers in parenthesis referto first place votes. Totalpoints are out of a possible 60awarded 10 pts for 1st. etc.Others receiving votes: PhiGamma Delta. Psi Upsilon,the Quarter Pounders. UpperRickert. and < believe it or not)The Chicago Maroon.HOW TOP 10 FAREDZAP 26 Morons of the Midway7Big Med Machine by forfeitover Grad EducationZAP 20 TCB 0Wild Bunch in overtime overQuarter PoundersBusiness Schooi 12 Beareaters I0Common Law Seals 48Meninges 0Security 14 Meninges 0Common Law Seals 12Security 6Blackstone 19 Phi Gam 13Greenwood 9 Shorey 6Greenwood 6 Lower Flint 0Hitchcock East 6 UpperRickert 0Hitchcock East 15Dodd/ Mead 0F.U.T.T. Bucks 18 Abraxas 0F.U.T.T. Bucks 6 Maroon 0the Independent.Yesterday afternoon PsiUpsilon played Vincent (resultspast deadline), and a victory inthat game would tie Psi U w’ithGreenwood and force a playofffor the Residence Red title.Hitchcock East can clinch theResidence White title with avictory over Salisbury thisafternoon.Also this afternoon is theMaroon Game of the Week, arematch between the undefeatedBusiness School and Wild Bunchteams. The game will decide thechampionship and playoffrepresentative from . theDivisional Red League. In theirfirst meeting, the BusinessSchool was the winner 14-12 but aprotest concerning a downed puntwas upheld, forcing the game tobe replayed.The only other IM news is animportant entry date. November13 is the deadline for entires forthe popular Pre-Xmas basketballtournament. Reliable sources saythat the Zephyrs will be back asstrong as ever, if not stronger.The games will begin onNovember 18 and entries shouldbe turned in to the IM office, westend oi Bartlett first floor.November 8, 1974 Chicago sweeps USTFFBy PETER GALLANiSA visitor to Kenosha.Wisconsin, might last Saturdayhave mistaken that town for aChicago colony. Although theevent was the annual U.S. Trackand Field Federation's six-milecross-country championships,the abundance of UC runnersbrought by Ted Haydon seemedmore like an invading army. Inthat spirit, the UC represen¬tatives managed to carry offconsiderable booty.In a field of 127 finishers, theUCTA “A” team managed tosecure five of the first eightplaces. Led by Pat Mandera, whofinished second, and John Lesch,who came in fourth, the trackclub's first squad compiled just24 points to finish well ahead ofthe U Wisconsin-Parkside’s 69.The UCTC “B” team finished fifth in the final team standings,while the UC varsity runners justedged the team from MarquetteUniversity to finish sixth. In all,the UCTC provided four of theteams in the fourteen-team field,while the UC varsity came withthree other teams.The varsity runners wereparticipating as much for thepractice as anything else. CoachHaydon is currently grooming hisfirst ten men for this Saturday’sNCAA Division III finals, whichwill be held in Wheaton. For thatreason, he did not take all of hisrunners to Kenosha, preferring torest those who were especially inneed of it. Of the varsity runnerswho did participate, the leaderswere the usual stalwarts,Hildebrand, Bertaccini, andLutz. In addition to those front¬runners, Jim Thvedt and JimScanlan also ran well, while John Ivy and Tom Messer ran whatwere probably their best races ofthe year.Saturday’s test at Wheaton willprovide the last word on howmuch the 1974 Maroon runnershave managed to accomplish inthe course of the season. Witheveryone in reasonably goodhealth, and with considerableexperience this season in large-field meets, the team willprobably be capable of turning inits best effort. In a meet in whichvirtually all of the competitorswill be of championship caliber,few teams go in with substantialhopes of winning the meet. Themore pressing questions to theUC harriers will be those of howmuch they have improved in¬dividually and as a team, com¬pared both to the teams in themeet that they have previouslyfaced, and to past Maroon teams.Fieldsters nip Wildcats 1-0By SHEREE MALLORYThe University of Chicagowomen's varsity field hockeyteam defeated NorthwesternUniversity 1-0, in the second andlast game of the season, Monday, November 4 on the Midway.Northwestern did not provide asstiff a competition as theMaroons expected, but thePurple and White kept Chicagofrom scoring until second halfplay.The Maroons opened defedingFIELD HOCKEY: Maroon varsity field hockey team, shown here inaction on the Midway, defeated Northwestern 1 -0 on Monday.UC Varsity ScoreboardLAST WEEK’S RESULTSFOOTBALL:Grinnell 42 Maroons 6WOMEN’SVOLLEYBALL:Maroons 15 OlivetNazarene 8Olivet Nazarene 15Maroons 7Maroons 12 OlivetNazarene 10Maroons win best of three,2-1SOCCER:Maroons 1 Valparaiso 1Trinity College 6 Maroons3CROSS COUNTRY:USTFF Mid American 6MileUCTC “A” 24Wisconsin-Parkside 69St. Francis 74Kenosha Track Club 144UCTC “B” 174Maroons 179Marquette 188UCTC “D” 215 UW’-Milwaukee 222UCTC “C” 259RUGBY FOOTBALLCLUB:UC 20 Wisconsin-Parkside0NEXT WEEK’S EVENTSFOOTBALL:UC at Loras College, Sat.Nov. 9, 1:30SOCCER:UC at Panther In¬vitational, Milwaukee,Wise. Friday-SaturdayNov. 8th and 9thWOMEN’SVOLLEYBALL:UC at Northwestern, Tues.Nov. 12, 7:00CROSS COUNTRY:NCAA Division IIIChampionships, Sat. Nov.9th, 11:00 Wheaton, IllinoisUCTC Open 5 Mile, Sat.Nov. 9th, 3:30 WashingtonPark their goal after losing the cointoss and didn’t gain full offensivepossession for nearly fourminutes of the game Theremainder of the initial periodfeatured few highlights and lotsof exchange of possession Anequal amount of time was spentat each team's respective goalsto no avail.Midway into the second half,left halfback Helen Harrisonfollowed up on a previous Maroonattempt to score and drove theball through the posts and pastNorthwestern’s goalie. Followingthe center bully after the score.UC looked as if they were going torepeat the action Center forwardMargerite Kelly flicked the ballfrom Northwestern on theensuing bully and the Maroonsdribbled down field on theimmediate offensive recoveryNorthwestern overtook UC'smomentum and play seesawedback and forth until the clock ranoutAlthough the team has no moregames scheduled for theremainder of the season, thewomen are still practicing. CoachSusan Mathis commented thatthis year is a year for building, sowhe doesn’t have to start nextyear's team out with so muchemphasis on basic skills. Themainstay of the team was NancyPerkins this year Ms Perkinsconsistently excelled at herposition of center halfback, andperhaps she was the mostexperienced player on the teamPenalities plagued this years newsquad, the piayers returning nextyear are looking forward to a fullschedule and playing with ayear's experience.COHEN: Starting forwardNina Cohen.>V4\T* • V * r * * * * * > % «* « * t %MAROON CLASSIFIEDSPACEQUIET stable female to share prest,Hyde Pk apt with ser fem workinggrad student. Prefer prof person ormature grad student. Mon thru Sun11 AM 1 PM only. 684 7751.Room and board contract available formale student. 5*25 S University, call753 3990Woman roommate wanted to sharespacious light apartment only 1/ 2block from Regenstein. Private room,living & dining rooms, etc. J83 mo.includes maid service Call Dobbi 9479621, 288 3706 or SU7 443S Please nosmokersCoachhouse apt for rent 3 rms (livrm, bdr, kit , bath) S175 plus util (heat& elec). 288 4004 or 372 7938Room and private bath for settled manor student male 525 week in HydeParkFURN APT avil Nov 8 2 1/2 rms,12th floor excel view 52nd & Blkst 5140/ nrjp. Lease, incl 24 hr sec, phone,w/ w, mod turn Call Hskeeper 2881100 dayCHICAGO BEACH HOTELBEAUTIFUL FURNISHED APARTMENTS Near beach, parks, 1C trains,11 mins to loop, UC and loop buses,door Modest, daily weekly, monthlyrates, 24 hr desk. Complete hotelservices 5100 S Cornell, DO 3 2400,Miss SmithLive in Frederika's famous buildingNearby furn or unfurn 2, 3, 3 1/ 2 rm.complete apts for 1, 2, 3 people. Quiet,5120 up. Free utils. Latham, Brink,Edmodson, 6045 Woodlawn, 427 2583,955 9029 or leave word at 922 8411 ext311.SCENESHear Emile Karafiol on "Jews & the18th Century Enlightenment." Friday,Nov 8, 8 30 PM at HillelTo fill your upcoming winter afternoons, Ancona School presents"Seven Saturdays," a festival ofclassic family films Series beginsNov. 30th at 1 00 at the New Hyde ParkJIIIIIIIIIIIIIIIIIIMfflllfilllMllllllllllinill!MANAGER OFGRANT FUNDACCOUNTING !* ■■2 Major national professional association headquartered in 2£ Chicago, hos an opportunity for an experienced professional £5 Accountant to manage the accounting of more than $5-1/2 22 million in gront funds received annually from both private £5 foundations and governmental sources Position will have £2 responsibility for meeting the special requirements of grant 22 fund accounting within the framework of an existing ac- ££ counting system. The individual selected must be capable of S2 identifying the need for new or modified controls, per- 22 forming internal or modified controls performing internal ££ audits, and preparing reports of grantors. £2 The ability to communicate accounting data to staff members £S is an essential a requirement for this position as technical ex- 22 pertise The successful candidate must be able to assess the £2 need for accounts information, design meaningful reports ££ and interpret th< -,cial status of grant funded programs 22 to non-financtol personnel A BS in Accounting and a ££ minimum of 5 years of professional accounting experience ££ with demonstrated successful application of the skills 22 described are required Experience in grant fund accounting ££ is highly desirable =2 Please submit your resume including salary requirements to £! BOX NO. 104 I| CHICAGO MAROON 1I 1212 E. 59th ST., CHICAGO 60637 I- An Equal Opportunity Employ* M'f -uiitiiiiiiiiiiiiiiiiiiiiiimtiiiiiiitiiiiiiiiiiiiiiiiiiurir‘aTfe \ KUNG RECORDERSTrttShop q \ NOW5no S Harper*in Harper Court“ x INSTOCKHOI-1060 / SEE US! Theatre For tickets or more information call 241 5727 or 924 2356Norman Golb will give an illustratedslide lecture Sunday night a) J 30, on"The Jews of Medieval Rouen:Recovering the History of a ForgotfenJewish Community" at Hillel House,5715 WoodlawnShlomo Carlebach Sings! Sunday,December 1, 7 00 PM at 5200 HydePark Blvd Tickets 55 General Admission $3 students and seniorcitizens Call 288 2380 or 493 8880PEOPLE FOR SALEExperienced selectric typistManuscripts, theses, etc, 374 0081ALL typing, exp sec. Carbon ribbonOne copy FREE 268 5163Thesis, desertations, term papers, genoffice corres typed on latest IBMcorrective typewriter Ratesreasonable Phone 239 4257If you want your papers to look as goodas they sound Call SUZANNE'SSECRETARIAL SERVICE 871 0565CREATIVE WRITING Workshop bywriter columnist, help on thesis, etcMU 4 3124PEOPLE WANTEDLicensed Babysitter in my home 5days a week in Hyde Park 493 2935Wanted Bartender H P vie 363 9837If you're interested in organizingand/or living in a BAYIT JewishCoop home, tradition, Kashrut 8.Shabbat observant, for 1975/ 1976,please leave message at Hillel forEddie briefly describing your interestsVERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDINGATTRACTIVE IV, AND2 V, ROOM STUDIOSFURNISHED UNFURNISHED$117-$190Based on AvailabilityAll Utilities IncludedAt Campus Bus StopFA 4-0200 Mrs. Groak40% offon these specialsatTHE BOOK NOOKAcross from the Co-ooTHIS WEEK!Ohio Players"Fire”List $6.98 Sale $4.19Loggins & Messina"Mother Love”List $6.98 Sale $4.19Al Green"Explores Your Mind"List $6.98 Sale $4.19LOUIE S BARBER SHOPWill * yle yOur holr 04 youwould like •* done1 303 E._53rd St.FA 4 3878CENTER » CONTINUING EDUCATIONINVITES YOU TO DINE AT OURFULL FACILITY RESTAURANTFEATURING:A wide range of foodsCocktail LoungeWatch for our new improved menuFACILITIES FOR:BanquetsWedding receptionsGroupsWe’re right on Campus: Lunch and Dinnerserved daily includingSaturday and SundayLunch 1 1:30-2Dinner 5:30-8ALSOICAFETERIA GEARED TOBREAKFAST (7:30-10) AND LUNCH (I 1-2:30)CLOSES AT 4:00Cocktail Lounge 1 1.30 A M - I 1 P M.FREE HORS D'OEUVRESMon. thru Thurs. 5-613071. 60th ST. 288-2500 Do you have a flair for cooking? Canyou cook Kosher? We need you to cookShabbat Dinner on alternate Fridayafternoons at Hillel Call 324 8930Normal 21 35 year old female volunteers for research studies involvingtests before and after contraceptivehormones Call Dr Rosenfield, 9476349LOCAL ICE RINK, 10 min by car, 20min Drexel *1 bus, needs responsiblestudents. 1) teach hockey clinics,referee, hourly or ice time 2) learn icecleaning machine, general rink work,hourly or ice time 3) good with kidscoaches in exchange tor season pass orice time Leave name and number at225 3373PORTRAI TS 4 for 54 and up MaynardStudios 1459 E 53 St 2nd Floor 6434083.CLERK TYPIST(Student Records)Will be responsible tor varied asoectsof registraion and recordingWill be responsible for varied aspectsof registration and recording gradesfor Cook County School of NursingShould have good typing skills anddemonstrated ability to relate wellwith the publicExcellent salary and benefits ineluding 3 weeks vacation, 11 paidholidays, health and life insurancePlease call or apply toEmployment OfficeHealth and HospitalsGoverning Commission ofCook County1900 West Polk StreetChicago, Illinois 60612An Equal Opportunity Employer M/ FFOR SALE1968 4 door Dodge Coronet, with smalleconomical V8 engine, in very goodcondition Power steering, radio, rearwindow, defogger, new rear tires 5450or offer Call 752 49631970 Maverick, 6 cycl auto, low mile,(29,000) very good, leaving U S Call753 8210 or 947 0413HOMEWOOD Beau 2 bedroom brickand frame colonial ranch Attachedgarage patio, gas grill Exquisitelydecorated and maintained Appliancesincluded 13 x22' living room Built incolor TV, fireplace Large lot, prestigearea Wide, quiet, tree lined streetBus 1 block, 4 min to 1C Perfect forcouple or retirees 536.000 Owner, 7986021 FOR SALE Choice furnished aptbldg 11/ 2 and 2 1/2 kitchenettes,32 units, HYDE PARK For studentsalso Write Box 105, Maroon,59th St. 1212 ► j Ei jDoes your stereo sound a 1 ittie Ttshort of perfect? Is the bass weak inyour speakers? Do horns drown outthe violins, even when they are notsupposed to? Get a 5 band audioequalizer, to smooth away all yourtroubles BSR FEW l equalizer Nocase, factory tuned 565 241 5752Jeans, sweaters, tights, and all your■wardrobe needs at "The Gift Shop,"Lobby, Billings HospitalWASHINGTON DCPEOPLE AT UCJoel Broyhili LOST!FREE!!Learn simple counseling skills to helpyourself and others Changes 7 PMSundays, Blue GargoyleFILM FESTIVALRide to Biograpn location of filmfestival wanted for 2 Will share gasand driving Call 285 1 568, to compareour schedulesJOURNALISTSWriters interested in working for TheChicago Maroon contact the NewsEditor. 753 3265RAGTIME & BLUESIn case you missed her at the women scenter opening, you can hear singerSharon Smith on the 51% maiorify,Monday, 6 7 PM, on WHPK 88 3 FMJFO-FREE FILMMeeting, Mon Nov 11, 8 00 PM, IdaNoyes FREE FILM "Growing UpFemale "JEWISH WOMEN'SGROUPMeets every Sunday at 7 30 PM a*H.liei House, 5715 S Wood'awn Formore into, call Janet at 752 5655 YOGA AT HILLELYoga classes tauqht by Oobb' Kermannow meets Mon 5 7 PM at Hillel 5715Woodlawn Wed classes 5 7 still meetat Gargoyle 5615 University info 9478621 or 288 370678th and THE LAKEBeautiful 5 rm 1 bath coop apt in wellmaintained bldg overlooking RainbowPark 8, the Lake Low Equity Monthlyassessments 589 Call Frank Calvin,S08 9039KENNEDY, RYAN. MONIGALGAY LIBERATIONCONSCIOUSNESS RAISING RAPGROUP ESPECIALLY FOR NEWPEOPLE begin on Wed Nov ,13th,7 30 9 30 PM m Ida Noyes Straightand gays welcome The group will oeled by a FacilitatorOFFICE IS OPEN Sun Thurs 8 10PM Ida Noyes 301 Come by or call 7533274CREATIVE SABBATH SERVICEEvery Friday night this tall at Hillel,5715 S Woodlawn at 7 30 pm cor moreinfo call Janet at 752 5655STEP TUTORINGInterested in helping neighborhoodchildren’ Student TutoringElementary Proiect needs volunteersto tutor students bi weekly m schoolwork or with special projects Formore information call Jay Sugarmanat 947 8804 or Mary LOu Geoka, 6438266PAN PIZZADELIVERYThe Med ci Delivers from 5 10 30 p mweekdays, 5 11 pm Saturday. 6677394 Save 60 cents if you pick it upyourselfBOOKS BOUGHTCash for used books Powells 1503 E57th St 995 7780REFRIGERATORRENTALMmi fnge Pennies a day, Freedehvery Call Swan Rental 721 4400WILD ONIONSWild Onions urges contributions Ofcreative writing drawings and photostor its January issue Entries may Oelet’ af Reynolds Club Desk, Ida NoyesDesk, and in Cooo IXLOSTPjOOv mostly Shepherd, t an 5 mo hisname is S ggy REWARD Call Donna752 SOX or 493 9650Brown plastic glassesabout Regenstein $ rear7444 >ornewhereMike 667PERSONALSPREGNANCY TESTING10 am 2pm Saturdays SI 50Donation S? Augustana Church a' 55'har.d WoodiawnOy THE SOUTH SIDEWOMEN S HEALTH SERVICESWRITERS WORKSHOP iPL 2 8377Writmg HELP by professionals forthesis, -eport speech, etc MU 4 3124... -Jackson Parki Terrace•I APARTMENTSl Modes Open 10-6 Daily241-7700Icsiag mi tougeaatBAIRD & WARNERSeam Office E040 S topeModel Camera1342 E. SSthCanonDEMOsat. aov. 9i———— --- .1, - . ,WHPK 88.3 FMThe 51 % Minority(a weekly public affairs programby and about women)Monday, 1 1 November 6-7 P M.Sharon SmithCHICAGO RAGTIME &BLUES SINGERRecorded Live at the U of C Women s CenterPLUS The Women’s Calender of EventsffAKCAM-A&HCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 AM. TO 8:30 P.M.SUNDAYS AND HOLIDAYS12 TO 8:30 P.M.Orders to take out1318 East 63rd MU 4-1062SOCIALDIRECTORNationally prominent organization headquartered in Chicagohas a challenging position currently available for a Social Director who is capable of planning and organizing special meetingsfunctions and social events for various entities of theorganization.Responsibilities will also entail preparing mailings planningmeal functions and general supervision of the organization ssocial activities. This is an ideal spot for an individual who isthoroughly familiar with correct etiquette procedures and has asolid background in the social graces A college degree and ademonstrated experience in the monogement ot social functionsare requiredIf qualihed please submit your resume in strictest confidencetoBox No.' 105 Chicago Maroon1212 E. 59th St.Chicago, III. A0637An Equol Opportunity Employ* M fFriday *November 8* 1974—The-Chicago Maroorv15FRANCEBEAU PASTEUR M85PER LBBEAUMONT s239PER LB.BRIE *1'~PERLB.79,BRIE NOUVEAU *1 99PER LB.OAMBREE Blend of Camembart and Brie • 5099• * ^ PER LB.GOURMANDISE Cherry or Walnut • $-1 79• * 1 PER LBGRAPE SEED gZTsZTs $p09$059PURE GOAT CHEESE $025ABBEY PORT SALUT $1 55TOMME DE SAVOIE $045DENMARKftUQIQTIAM IV With Cummin■ ■39“ 139 ancj Caraway Seeds • $1 49• • 1 PER LB.MUNSTER Pungent and Tasty • • • • c $1 09HAVARTI $1 25MOZARRELLA $4 55DANISH BLUE $1 29CAYENNE PEPPER $1 49TYBO $1 49GRAND TOAST a port salut typeHOLLAND $1 25• • 1 PER LBEDAM $1 75GOUDA $1 75ITALYGORGONZOLA Ripe S-f 79BELPAESE $199 ##CANADA79,BLACK DIAMOND *1 "per lb.CHEDDAR *1USAVERMONT CHEDDAR 4VearsoidWISCONSIN BLUE $1SPREAD CHEDDARS . *1Your Choice of Blue or Hickory or Garlic or Sharp or Port WineNEW YORK HERKIMER $159. . .$1 99PER LEM59PER LB29PER I B.75PER LB.PER LBFrom California• • • • •MONTERY JACKNORWAYGJETOST GOAT A Pure GoatBLUESWITZERLANDEMMENTHALER Large Eye Grade A PrimeftQIIVPDP Harder and NuttierUnUTBnB than EmmenthalerRACLETTE Fondue ••••••••••ENGLANDALE CHEDDARCHEDDARSTILTON Grade A’ Prime ••••••••SWEDENFONTINAJARLSBERG Swedish - Swiss • • • • •GERMANY 35PER LB.99PER LB.25PER LB.99PER LB99PER LB.$4 99PER LB.75PER LB.95PER LB.75PER LB.25PER LB.15PER LB.RAUCHKASEFlavored With Ham or Salami or Plain 99PER LB.SCHUTZ OLKXMILWAUKEE • PACK 75 4 LIMITComplete PartyService From2427 East 72nd StreetBA 1-9219 Appetizers to Zinfandel351 East 193rd Street593-1811Daily: 9am-J0pm; Sunday- Noon-9 pm16—The Chicago Maroon—Friday, November 8, 1974