The Chicago MaroonVolume 84, Number 14 The University of Chicago Friday, October 25, 1974McKeon lectured at WoodwardBy JIM NACHBARRichard McKeon spoke on“Science and History” atWoodward Court Tuesday. Thetalk was part of the WoodwardCourt lecture-discussion series.“Science and history are onlywhat today’s ‘experts’ say theyare." McKeon stressed hispluralistic attitude andemphasized the changing natureof both science and history “Onecan say that both science andhistory began in the renaissance:that there was no sense of scienceor history before that time Yet.when they were starting science.Copernicus and Galileo werereacting to something whichmight be called science.■ HfeBy DAVE AXELRODFran Griffin, a graduatestudent in political science, hascast aside the theoretical aspectsof her subject this fall to run asthe Republican candidate forstate senator from the 28thlegislative district of Illinois.Griffin, 26, is challenging in¬cumbent Democrat Thomas C.Hynes in a district which en¬compasses parts of four citywards and three suburbantownships on the south west sideof Chicago.“My parents live in Beverly,and Republicans in that com¬munity were looking for can¬didates last December. Theyasked me if I was interested inrunning for the state senate, andat first I refused, but then Ireconsidered.”The candidate, who is amember of the campus Club forResponsible Individualism anddescribes herself as a liber¬tarian, ran unopposed in theprimary election last March. Hertask this fall, however, has beenconsiderably more difficult.“When I first agreed to run, thelocal Republicans promised me agreat deal of support, and, un¬fortunately, they haven’tproduced it. I haven’t receivedany financial support from theRepublican Party, and theLibertarians will only wor|r fortheir own candidates.” “And when Renaissancehistorians wrote their history,they had to take the works of menlike Herodotus and Thucydidesinto account, even if there was no‘scientific history’ before thattime.” Mckeon briefly surveyedthe methods of studying theliterary and fine arts, philosophy,history, and science since the16th century, pointing out majorchanges as late as the secondWorld War“Education is the acquisition ofthe methods of knowing what istrue There are two suchmethods: science, which is thestudy of what is, and history,which is the study of what hashappened. Hence, educationconsists of science and history .”Griffin estimated the cost ofher campaign to be $10,000, thebulk of which was covered by herpersonal funds and a contributionfrom her father.Her opponent, Hynes, has thesupport of the regularDemocratic organization and isexpected to coast to a third termin the senate. The 36 year oldlegislator who is an attorney, hascompiled a moderate votingrecord in Springfield, and haswide appeal in the district.Griffin predicts that, despitethe evidence to the contrary, shewill make a respectable showingon November 5.“I have been campaigning 15 to20 hours a day, and have all myfriends relatives and supportersworking the precincts for me. Ithink we will do well.”The Republican hopefulsaturated the district with 40,000newsletters in September, andplans to distribute 50,000 morebefore election day.If Griffin is defeated in herpublic office, she will return tothe University, from which shehas withdrawn for the duration ofthe campaign. But she dees notrule out future political cam¬paigns.“I have enjoyed this ex¬perience, and I would like to try itagain sometime. But it’s hard torun as a Republican in Chicagoright now. Maybe someday thatwill change.” After defining a “com¬monplace” as that whicheveryone accepts or thinks istrue, he went on to say thateducation is the acquisition ofcommonplaces — what“experts” have said about thingsand occurances “Even the‘experiments’ one does in aphysics course, for example, arechosen because the results agreewith the current commonplaces,and a careful student can look upthe answer before he goes into thelab ” It is merely a question ofauthority as to whichcommonplaces are acceptedProfessor McKeon illustratedthis point by describing anepisode in a class he once taught:after inviting his students tomake up a list of facts about theRenaissance, he gave fourdifferent interpretations of thisperiod, accounting for the factsusing accepted historicalmethodsThe first was what he call the“commonplace history” — thatthe Renaissance was a period ofawakening from the dark agesThe second, however, was justParking:By ELIZABETH RUSSOAs the new school year begins,the University plant departmenthas undertaken the prevention ofunauthorized parking on campus“There is no parking on thequadrangles.” said E.L. Miller,director of plant operations.“(Unauthorized parking on thequads> is really very dan¬gerous"Miller cited as an example thepossibility of a fire breaking out.In this case, it would be verydifficult for fire-fightingequipment to maneuver in thevery’ narrow traffic lanes if carsare parked there.Barricades were erected atentrances to the quads at thebeginning of the fall quarter in anattempt to “train” drivers not toenter the area. In addition, thedrive connecting the roadwaybordered by Harper library andthe business school with thetraffic circle in the middle of thequads has been paved over. It ishoped that this will eliminatetraffic congestion and help returnthe quads to exclusive pedestrianuse. Use by authorized vehiclessuch as U.S. Postal Servicetrucks, however, is allowedUniversity parking is availablein officially-designated parkinglots. At this time, the lots arefilled except for three areas onthe periphery of the University.“Choice” locations, such as thelibrary parking lot. probably willnot have space available until thesummer quarter. Fees for thefacilities are $15 per quarter and$60 a year.Those who park illegally oncampus or in a lot where they arenot registered run the risk ofbeing ticketed by the plantdepartment. Outstandingparking violations may prevent astudent from registering orgraduating. Tickets, which carrya $3 fine for the first five days anda $5 fine thereafter, may beappealed at the parking office inCOMMON PLACE: According to McKeon, education is theacquisition of commonplaces. Photo by John Vail.Grad student in politics the opposite — that it was a timeof transition from a period ofbrilliant achievement to one oftotal decline — of death in theBlack Plague According to thethird, it was a time of decline inscholasticism and philosophy,but of effulgence in the arts andliterature, while the fourthinterpretation was that theRenaissance brought effulgencein scholasticism and philosophy,but decline in the arts and lettersHe said that the student shouldask himself, not “which of thesefour interpretations is correct.”but rather “what can be seenusing all four'’”McKeon described two types ofcommonplaces: thecommonplace of exposition,which is a “statement of fact”which can be obtained verballyand memorized, and thecommonplace of inquiry, whichcan be used to interpret thecommomplace of inquiry, whichcan be used to interpret thecommonplace of expositionThe commonplace of expositiondepends on an understanding ofits terms, but with the MCKEON: Speaking of thebeginnings of science andhistory at Woodward Courtlecture. Photo by John Vail.commonplace of inquiry one canask what those terms mean“Look for alternate insights withthe commonplace of inquiry , forit is with this that one can movefrom the consideration of what isalready known to making what isnot known, known ”autos and bikesthe administration building.These reviews are handledmainly by Maxine Sullivan, of theparking committeeBicycles, one of the mostpopular forms of transportationat the University, are not subjectto the stringent regulationsagainst cars Bike racks areprovided on the quads. Millersays that bike traffic poses “noparticular problems” and if bikeracks are needed on other areasof campus, they will be providedby the plant department.The main problems that seemto stem from use of bicycles areignorance of highway laws by-bike riders and the theft of bikes’(One of the rules most commonlyignored by bicyclists is thatagainst riding the wrong way on aone-way street.) In the HydePark area, the corner of 56thStreet and Ellis Avenue is par¬ticularly hazardous for motoristsand bike riders A driver- lookingwest on 56th Street for motortraffic may fail to see a bicyclistwho is riding west, againsttraffic.Bike riders should be familiarwith the rules of the road, in thestate in which they are riding andmay be held legally responsiblefor that knowledge. Secretary ofState Michael Howlett’s officehas published a pamphlet entitledBicycle Rules of the Road toacquaint riders with the regulations that govern them inIllinois The pamphlets areavailable at any of the Secretaryof States offices (the closest toHyde Park is at 9901 S. KingDrive) or may be obtainedthrough the mail by calling 995-2500The second aspect of bikeproblems, and that which mostriders are probably more con¬scious of. is theft. David O'Leary,chief of University Security,notes that the thefts on campusare most prevalent in the spring,although the problem itselfpersists vearround Bicycleowners are encouraged toregister their bikes, which givesthem a better chance ofrecovering the vehicles if theyare stolen. The Chicago policedepartment keeps a master file ofall bikes registered in the city,and registration forms areavailable in the parking officeThere is no charge for this serv¬iceThere was a drive at theUniversity over the summer tourge owners to register theirbikes and anotlier such campaignis tentatively planned for thespring When asked what the bestmethod is to prevent bike thefts.Officer O'Leary said, “If you canafford it, buy the expensivehardware ta lock and chain) thatwill increase your chances ofhaving a bike to come back to.”Inside this issueSocialists Run p.3Cross Country p.14Exclusively for U of C faculty and staffmembers. We've put together o pack¬age of special bonk services just foryou. We coll if the Maroon Club, andoil you hove to do to join is openon account ot the Hyde Pork Bonk.Here's whot you get:A free checking account. No minimumbalance, no strings. And to start youoff, we ll give you a package of 50complimentary checks.A family size safe deposit box free forone year.A special Maroon Club color photoI.D. cord. If tells.our fellers who you areso you can get your checks cashedinstantly. Direct payroll service. You don't haveto travel all over the city to do yourbanking. Just have the University mailus your paycheck and we ll do the rest.Automatic savings. You can take ad¬vantage of our "Saving Gracefully"plan which automatically transfersmoney from your checking accountto your savings account each month— an easy, effortless way to build yoursavings.The Maroon Club mokes it easier foryou to save your money, and easierto spend it, too. And here's somethingelse to consider: When you put yourmoney info the Hyde Pork Bonk, you'rehelping provide the resources to buildo better Hyde Pork community. For all these good reasons, you shouldjoin the Moroon Club now. Drive, bikeor walk over. Or fake the campus busto 53rd & Harper. We re just a blockaway on 53rd G Lake Park. You canopen your Maroon Club account any¬time between 9 AM and 3 PM Mondaythrough Saturday (9 AM to 6 PMFridays). ^ocooa^XLHyde Park Bank& Trust Company1525 E 53rd St/752-4600 Member FDICthere's o pockpge waiting for youat the Hyde Parl^ BanK,hey university neighbors*' 2tTK* Chicago Moroon-Frldoy, October 23, t974Wl'-v.v..Election bid by Socialists CALENDARA small crowd gatheredTuesday night to hear aneyewitness report of the violenceand turmoil surrounding Boston'sschool desegregation from WillieReid, the Socialist Workers Partycandidate for the firstCongressional district.Willie Reid opened herremarks by stating that “theimportance of what is happeningin Boston cannot beunderestimated"What is at issue, she said, wasfirst, “the democratic right of theblack community to achievequality education for theiryoung," and secondly, “the needto protect black school childrenand the black community atlarge, by whatever meansnecessary, from the escalatingand organized racist attacks."This violence has reached afevered pitch in the last twoweeks, transforming Boston, the“cradle of liberty,” into theSelma and Little Rock fo 1974.School buses carrying black -children have been stoned,REID: Socialist Workers Party1974 candidate for FirstCongressional District. individual black passengers onthe subways have been attackedby white gangs, white “night-riders" have emtied rifles intoblack housing projects, and lastweek a black Haitian, JeanLouise Yvonne, was almostlynched in South BostonThe Boston and state police,many of whom have openlyexpressed sympathy for thewhite boycott of the newlyintegrated schools, have donelittle to protect blacks, she said.Reid also noted that theDemocratic and Republicanpoliticians have done nothing toprotect the rights and safety ofblacks in Boston. President Fordhas refused to send in federaltroops, while at the same timegiving back-handed support toracist leaders, like Louise DayHicks and John Kerrigan, bystating that he too opposes“forced bussing."The Congressional BlackCaucus and the Massachusettsblack Democrats have not evencalled a press conference on thecrisis, let alone demandedmeasures to end the attacks andacheive integration This, Reidstated, confirmed once againthat, even in a crisis situation, theDemocratic and Republicanpoliticians, black and white,could not even begin to solve theproblems of the blackcommunity, and that what isneeded is independent massaction by the black communityitself, and the creation of anindependent black politicalparty.The other speaker that eveningwas Ed Heisler, a railroadworker and the Socialist WorkersParty candidate for US SenateHeisler, who received five of fourteen votes for politicalendorsement from theChampaign (III.) central laborcouncil, blasted President Ford’spardon of Richard Nixon as notthe end but the continuation of theWatergate cover-up.Contrasting the treatment ofthe Attica inmates, now on trialfor demanding an end to inhumanprison conditions, and the“limited amnesty" program forwar resisters to the “kid-gloves”treatment for the Watergateconvicts, Heisler stated that “thisshows more clearly than everbefore that there are two systemsof justice in this countrv: one forthe rich, and one for theoppressed and working people.”Noting the recent disclosures ofthe CIA role in the September1973 coup in Chile, and thegovernment’s continuingattempts to plug the leaks aboutUS foreign policy, Heisler saidthat the secrecy of “nationalsecurity" is not designed toprotect the interests of the UnitedStates, but rather to keep fromthe American people theknowledge that US foreign policyis used solely to protect theprofits and property of UScorporations abroad.Heisler pointed out that he andWillie Reid, both of whom are onthis November’s ballot, are theonly candidates demandingprotection of the blackcommunity’s safety andeducation in Boston, anunconditional and universalamnesty for all war resisitersand deserters, and a massiveprogram of public works and acut in the work w«ek with noreduction in pay as immediatesteps in the fight against inflationand unemployment. Friday, October 25ON CAMPUSFOLK DANCERS: 7 :00 p.m. Ida NoyMDOC FILM: "Scarecrow," 7:15 and 9M _p m., siCOLLOQUIM: Charles Thayer on"Prooiems in Brachiopod Ecology"Hinds Laboratory Auditorium 3.30 p.m.CONCERT: The Baroque Recorder, 11 30a m , Reynolds Club SouthOFF CAMPUSFORUM: "The Arabs and Their Oil ShouldWe Take it Away From Them?" 8 30 p m.,Barry Street Church 656 W BarryCONCERT: Maria Muldaur, Tom Rush;7 00 p.m., AuditoriumSCI-FI: "The Trip," and "The Landing",two one act comedies, 8 30 p.m , throughSunday at the Body Politic, 2261 N Lincoln;871 3000BOGART: "Casablanca" and "MalteseFalcon", at the 400 Theater, 6748 Sheridan;761 1700SANTANA: 6:30 and 9 30. AuditoriumSaturday, October 26ON CAMPUSCSA: Chinese Student Association, 6 00p.m.; Ida NoyesCC: UC cross country invitational. 11 00a m.; Washington ParkMOM: The mighty Maroons do battle withOberlin; 1 00 pm, Stagg FieldSOCCER: UC takes on the University ofKentucky. 2 00 p.m., Stagg FieldLECTURE: "Theatre as Music Theatre," byMauricio Kaget. 3 00 pm.: Breasted Hall.CEF: "Before the Revolution", 7:15 and9 30 p.m ; Cobb. SICOFFEE HOUSE: Gay Women's coffeehouse featuring the band "Earth", 8 0012 00 p m at the Blue GargoyleBOOGIE: Psi U party. 9 00 p.m at Psi U;5639 S UniversityOFF CAMPUSPARTY: Open House at the CrossroadsInternational Student Center; 5621 SBlackstone. 8 30 pm, FreeANKA: Paul Anka. 7 and 10 30. ArieCrowrNRPS: New Riders of me Purple Sage 8 00pm.. AuditoriumFILM: "Hold Me While I'm Naked," BlueMoses," "Ghosts Before Breakfast," and theNotorius "wtaia"; 8 00 pm. at theFilmgroup N.A.M.E Gallery. 203 W LakeSt. —WAR: War and Mmne Ripperton; 7:30. OakBrook ForumSunday, October 27ON CAMPUSFOLKOANCERS: 7 00 p m.; Ida NoyesFILM: "Halleluiah"; 3:00 p.m.; MandeiHall.ENSEMBLE: The Colgne New MusicTheatre Ensemble, 4 00 p.m., Mandei HallCEF: "Alphaville"; 7: IS and 9:30; Cobb. SILECTURE: "World Food Problems" by DGale Johnson, 8 30 p.m.,- Woodward Ct.SERIES. A 10 week course on relationship,skills, and simple counseling skills. 7 00p m.; Blue Gargoyle. 947 8184HINDU MOVIE: "Oil Daulat Duniya." 7 00p.m ; Judd Hall; 50«SERVICES: Rev Spencer Parsons’sermon."The Same, Yet Nut The Same; 11:00 a m ;Rockefeller Memorial Chapel.OFF CAMPUSTRAFFIC: Traffic and John Ma-tyn. 6 00and 9 X p m , AuditoriumUNNATURAL: The Unnatural Acts will beperforming. 8 00 p.m.; Jane AddamsTheatre. 3212 N Broadway.MAXWELL ST.: Music, tacos, ribs, andother assorted things of interest, all morning; 1400 S HalstedCOMMUNIST: Rally for Ishmail Flory,Communist Party candidate for u Ssenator. 2 00 pm Midland Hotel, 172 WAdamsMonday, October 28ON CAMPUSENGLISH: Informal English for beginners.6330 Inti House, freeFOLKOANCERS: 7 00 p.m . Ida NoyesCHESS: 7 X pm. Ida Noyes.LECTURE Anthropology lecture by HenryMcHenry 3 Xpm., Kent *07OFF CAMPUSGUITAR Guitar and banjo, classes andworkshops, start today at 8 00 pm. The OldTown School of Folk Music; 909 w Armitage 525 7472BOGART: "Oklahoma Kid" and "Roaring20'S" 400 Theater, 6746 Sheridan. 761 1700mRagtime & Salon Music InThe Grand TraditionSunday, November 3 8:00 p.mMandei HallU.C. students only: $2 All others: $3Tickatt at RaynoMs Club da«k or Ida Noyas 209M0DELA CAMERASAT. OCT. 26thHoneywell DarkroomColor Printing DemoSpecial Prices on all Pentax Cameras,Takumar lenses, HoneywelJ^trobes,Agfa film and papers, and HoneywellDarkroom Supplies.1342 E. 55th St. - 493-6700"25 Years in Hytie Park" The University of Chicago PresscongratulatesFRIEDRICH A. HAYEKon being named co-winnerof the 1974 Nobel Prize for Economicsand is privileged to have publishedhis distinguished worksTHE CONSTITUTION OF LIBERTYINDIVIDUALISM AND ECONOMIC ORDERTHE ROAD TO SERFDOMTHE SENSORY ORDER:AN INQUIRY INTO THE FOUNDATIONSOF THEORETICAL PSYCHOLOGYSTUDIES IN PHILOSOPHY, POLITICS,AND ECONOMICSLAW, LEGISLATION, AND LIBERTY. Friday, October 25» )974-TheChicago Maroor-3SStSSSm,Midway whcvauthor**® ch*523 COTTAOC Qfdeol. present,e 0f deliveryof the savingsWhen you come m. ir.# 150 00 check atthis tree n qqYou II ,ece.ve «0 00a, M.dwoy Chevrolet^ PROO? AGAINoffe«E*plRESi:o?io-o1974CHEVY NOVASAutoDON'T CO HALFWAY OPEN SUNDAYSvtI ■ 2 C ChevroletWD W m ■ ■I^F W IV V V ■ 2 CONVENIENT LOCATIONS6 5 22 S. COTTAGE GROVE AVE.PHONE: Ml 3-3500 OPIH DAILY TIL 8PM «Sdr & SUN TIL 6 PMChevrolet-UIAV I GO MIDWAY^ree^oobonuscheckX WITH ANY r 7 —OK USED CARS!CHEVIES • PONT I ACS • CADILLACS •FORDS • BUICKS • CHRYSLERS • SPORTS & FOREIGN •74 CHEVY VEGAHATCHBACK *2688Factory air cond. Auto trans. White wall tires.74 CHEVY VEGA ’2237Radio. Whitewalls. Heater. Stick Shift.72 CHEVY IMPAIA. ‘22952-Dr. hardtop. Auto trons. Factory air conditioned. Power steering. Power brakes.Vinyl roof. Radio.71 CHEVY VEGAHATCHBACK ’1095Auto, trans. White wall tires. Radio. Heater.70 MERCURY MONTEGO *7954-Dr. 6 cyl. Auto. Trans. Power Steering Radio’69 CHEVY IMPAIA 7952-Dr. H.T. V-8 Engine. Auto. Trons. Power Steering. Factory Air Conditioned. Vinyl Roof.REGISTER NOW FOR FREE MOTOROLA 19COLORT.V.Come In today. No purchase necessary, PRESENTTOURU OF CID CARD!comINORMAILCOUPONTOD A Y! TRADEBrakesTiresLIMITEDTIME 0NLT!U. OF C. STUDENTS! TEACHERS! HOSPITAL EMPLOYEES!i ■■ ess wss ae we mi ats tss wm ■■ ■■ ■■ me ee ws mi hi ee ee ae m ■■ mi ■■ ■■ ■■ ■■ ■■ ■MIDWAY CHEVROLET, INC.6522 S. COTTAGE GROVE AVE.CHICAGO, ILLINOISGENTLEMEN: PLEASE CALL ME AS SOON AS POSSIBLEI am interested in aspecify year and modelMy present car is a specify your trade-inNAMEADDRESSCITY & ZIP CODEPHONE NO.4-TheChkogo MoroorvFrldkry, October 25,1974The Lobby of the David and Alfred Smart gallery displays dining room furniture from theRobie House, designed by Frank Lloyd Wright.Cochrane-Woods CenterOpens to ApplauseHenrv Moore's Reclining Figure (1945), from the permanent collection of the David andAlfred Smart Gallery The Joel Starrels. Jr. Memorial Collection 1974 By Amy WeinsteinThe acquisition of a private gallery is anevent of major importance for a universityart department - particularly when thatdepartment is already of top caliber. Thebenefits of studying original works are madeeasily accessible to students and faculty bythe proximity of such an institution. Andwhen the establishment of a gallery iscoupled with new teaching facilities, there issure to be a lot of hubbub over the affair. TheCochrane-Woods Art Center, housing boththe David and Alfred Smart Gallery and ArtCenter facilities, took place Tuesday, Oct. 22The official opening proceded a preview ofthe gallery for art students held earlier thismonth.Eager to observe the Smart gallerypreparations for the opening, I met withKatherine Keefe, curator, and EdwardMaser, director, as well as Professor in theDepartment of Art and the Department ofGermanic Languages and Literature in theCollege. Entering the lobby of the Gallery, Inoted the dining room table and chairsdesigned by Frank Lloyd Wright for theFredrick C. Robie House in 1908. This displayrepresents one splendid moment of domesticarchitectural and artistic heritage - ob¬trusive, though appropriate enough in thestark, white setting of the entrance hall. Iwas ushered up the ramp provided forwheelchairs, movement of large art works,unruly press agents, and other locomotivenovelties, into the main gallery. Severalgraduate students were bustling about,seeing to last minute details of the involvedprocess of putting together displays. Alongwith the regular staff, these students con¬tributed a good deal of time and effort to thearrangement of exhibitions over the lastmonths. A corp of students will be in¬volved with guard duties and other jobsconcerning the gallery over the course of theyear.As is only fitting, the dedication of auniversity gallery must be marked by theexhibition of its permanent collection - andthis one is a formidable one. at that. Activitywas concentrated in the center of the room,about the Joel . Starrels, Jr. MemorialCollection, an exhibit of 19th and 20th centurysculpture, accompanied by sculptors’drawings. When plans for the building of anart center were announced publicly, in 1967,Mr. and Mrs. Starrels promised to donatetheir collection in memory of their son, JoelStarrels, Jr., a graduate of the University’sLaw School. The entire collection consists ofover 350 pieces, to be presented over a periodof years. 164 works, including compositionsof Henry Moore, Auguste Rodin, and JacquesLipschitz, are presently on show .Moveable floor dividers, upon whichpictures are hung, remove the Starrelscollection from other exhibits. The Galleryconsists of a large, single room, dividersacting as versatile partitions by whichvarying concentrations of study can beseparated. These floor partitions weredesigned specifically for the Smart Gallery,and, as all display cases, were constructed inthe Gallery’s workshop.Other contributions to the permanentcollection include funds for the purchase of26 Chinese and Japanese paintings fromGaylord Donnelly, Chairman of theUniversity’s Board of Trustees, and Mrs.Jeannette Shambaugh Stein. A group ofcontemporary American works has beenpresented by Katharine Kuh, art critic, andalumna of the University. The Samuel H.Kress Foundation has donated a specialgroup of studies dating from the 14th throughtne 18th centuries. Other fine gifts are in¬cluded alongside those named, and worksgathered in past years are also < n display.As long as T am enumerating con¬tributions. it is significant t- give attention tothe tact thatthe 2.7f-ir.iilion dohar Art Centerwas rendered from dream to ealitv hy giftsfrom the Woods Cbantable Fund, Incorporated, and the Smart Family Foun¬dation. The Center is named for the lateFrank Henry Woods and his wife, the lateNelle Cochrane Woods Frank H Woods, ason, is a past president of the board oftrustees of the Art Institute of Chicago,president A the Sahara Call Company, vice president and treasurer of the WoodsCharitabie Fund, and a trustee of theUniversity. John Smart is distinguished aschairman of the board of trustees of theSmart Family Foundation, as well aschairman and director of Esquire, In¬corporated, publisher of such publications asthe well-known “Esquire” magazine. TheDavid and Alfred Smart Gallery is named inmemory of his brothers.The two buildings comprised of gallery andclassrooms, if uninteresting in design fqranart complex, appear at least utilitafran.They are the initial step enacting plans for amulti-unit Center for the Aris planned by theUniversity and designed by Edward LarabeeBarnes.Administrative offices are located abovethe main floor of the Smart Gallery. There isalso an extensive print collection andviewing room on the second floor. In con¬junction with the projected museum trainingprogram, a conservation room awaits nextyear’s masters students. Along with thisconservation program, the Robert MayerProfessorship has been established by theUniversity Visiting Committee. This fundenables the Department of Art to invite nineindividuals, basically affiliated withmuseums, to lecture on the graduate levelthroughout the year. The first guest will beSteven Prokopoff, director of the Museum ofContemporary Art, who will deliver aseminar on pop art. These projects aim tobroaden the range of skills and employmentopportunities for graduate students of arthistory. At present the Department awardsB.A., M.A., and Ph.D. degrees.Ms. Keefe discussed upcoming shows,stressing Gallery flexibility to adjust toteaching needs of the Department of ArtHistory, and the University as a whole.Herbert Kessler, Chairman and AssociateProfessor in the Department of Art, stronglyemphasized the fact that an in¬terdepartmental faculty committee. Chairedby Dr. Francis Strauss, guides the Gallery’sexhibition policy.The Smart Gallery will sponsor exhibitionsof a nature quite removed from those nowoffered by the traditional institutions ofMetropolitan Chicago. Yet, by no means,can, nor should, the University Gallery-replace these museums. Shows of an ex¬perimental nature, concentrating uponunique relations of total visual experience inrelation to aesthetics are planned.Traditional galleries do not compile suchexhibits, for they must appeal to the widetastes of the general public.The Smart Gallery is designed not to rival,but to enhance the comprehensivecapabilities of such establishments as theArt Institute and the Museum of Con¬temporary Art. Certainly, students mustcontinue to take advantage of the large,historically oriented, masters’ exhibitions ofthe Art Institute, and the more timely, trend-encompassing shows of the Museum ofContemporary Art. Art students in par¬ticular cannot substitute Smart Galleryfacilities for shows offered elsewhere - that isnot its purpose. The new institution is aversatile tool to be utilized by students,faculty, and community as an intimatelearning center.The first in a series of visiting exhibitions,“Color in Art,” is projected for January andFebruary of the new year. Compiled byHarvard’s Fogg Gallery, in collaborationwith the Department of Physics, thisexhibition should set a precedent of appealfor a diverse cross-section of the campus andoutlying Metropolitan communitiesCeremonies for the dedication of thegallery began at 4:30 in a tent adjacent to theArt Center. Keynote speaker. Sir FrancisWatson, addressed his audience on “TheRole of a Museum in a University.” MrWatson is director emeritus of the WallaceCollection in Londi n an i surveyor emeritusof the Queen’s Works ot Art. He is also amembe- of the Institute /or Advanced Studyat Princeton Imversity and has bee.'’, theSlade Professor oi Fine Arts at Oxfotd.Edward H. Levi, President of the Univer¬sity; Edward Maser; and Herbert Kessieralsn spoke Official Smart Gallery hours willextend from Tuesda> through Saturday, 10a m. to 4 p in., and Sunday, noon to 4 p m.E»tr>o ,« »> uifcru tu u*up in2-The Grey City JournalFILMj— =rSelf-Defeating PursuitBy Alfred LeaThe Gambler is only partially successful,although the lack of success is notnecessarily the fault of the director (KarelReisz) or the writer (Janes Toback), whohave undertaken a difficult task. Partiallysuccessful is an ambiguous phrase; I do notbelieve that this film fulfilled its primaryintentions, yet it is still successful by being acaptivating drama.The problem is that this is a moviedescribing a compulsive gambler, and notstrictly a movie about gambling itself—aswas California Split. Reisz and Tobackintended to portray a person with adebilitating personality trait, and have fallenshort of their goal. Within the framework ofthe film, such a portrait—even if it were of amore normal personality—would be quitedifficult. A great many factors should beexposed and explored: relations with familyand friends, relations with associates, thecharacter’s personal background;everything is pertinent to the analysisand/ or development of a personality.This process is hard to manipulate within asingle film, and The Gambler fails in explaining the motivations of its maincharacter, Alex Freed (played by JamesCaan). Despite its failure, The Gambler isstill an engrossing film, although I suspectmany members of the audience who werepresent at the screening I attended found itsomewhat tedious and incomprehensible. Atone point one character remarked to another“I don’t understand what’s going on.”Someone in the audience replied ‘‘Neither doI,” which comment was followed by manychuckles of approval.One will enjoy the film if one sympathizeswith Alex Freed. Some of my empathy may-spring from the fact that I just dropped a finon the Series, and some more on parlaycards. My own losses were certainlynowhere the magnitude of those TheGambler deals with; they did help to set mewithin the correct atmosphere. This is not tosuggest that blowing a fin is a necessaryprelude to enjoying the movie, for empathyis not the form that communication betweenaudience and film should take, it relies onthe sympathy of the audience which,especially in this film where the protagonistis a compulsive gambler, may be non¬existent. Because of the aforementioned difficulties,nothing is explored fully enough in TheGambler, although it does manage to hitupon a variety of topics. We are exposed toAlex Freed’s family—his mother andgrandfather are respectively first generationand immigrant stories—and we presumablysee the effect of Alex’s vice upon them. Hismother tearfully provides Alex with someready cash, and he blows it on somethingother than that for which it was intended.However, the mother appears only in thevery early part of the film, and the audiencehas to learn later, via the grandfather, thatthe mother was very upset by Alex’s laterfoolhardiness. Even the grandfather appearsonly three times: once to up braid Alex, onceto praise him, and once in an incidentalmanner.Freed has an extraneous girl-friend,played by Lauren Hutton as a weakly-characterized, typical feminine role; hersole purpose seems to be to dump FYeed. Shenever really explains why she is leaving, andis thus never afforded the opportunity todiscuss the issue with him.Freed himself is poorly fleshed out. Nodetails are even as much as hinted at us to what in his background might have causedhim to develop into a compulsive gambler.This is a crucial oversight. Nor do any strongindications exist as to what motivates him tocontinue in his self-defeating pursuit. Freeddoes mention that he likes to gamble becauseof the risk of losing; it thrills him. This is themost plausible argument that Toback andReisz can offer for Freed’s behaviour, thatcompulsive gamblers may want to lose, notwin; and even this is obscured by referencesfilched from Dostoievski and William CarlosWilliams. This seems simply uncreditable.Compulsive gamblers want to win. and keephoping for that not too far off time when their‘‘ship is gonna come in.”If the primary motivation for making thismovie was not to examine the factors whichcreate a compulsive gambler, attempts toexplore the personal relationships and the[personality of Alex Freed would have beenunnecessary, and the movie could have beena simple thriller about a compulsive gamblertrying to welch on his debts to the Syndicate.Instead, The Gambler is a strong attempt atcharacter study, and because of the pitfallsinherent in character study, The Gamblerwas not wholly successful. Yet it is still astrong, powerful story; and ironically, it isvery thrilling. It is unfortunate that thefilm’s fascination relies on empathy andsympathy, commodities which are notnecessarily available. Though The Gamblerdoes not complete what it set out to do, theserious attempt alone exists as a compellingforce for seeing the movieBRIGHTON FOREIGN & AMERICAN AUTO SERVICE3967 S. ARCHER(2 blocks east of California Ave.)"For Satisfaction in Service"call927-8000BY CAR REPAIRS!Get your car into shape now with an electronic *one-up by our engine expert You will savewith better gas mileage and top performance. Hours: Mon thru Fri 8:00 om to 7:30 pmWINTERreplace spark plugsreplace pointsreplace condensorchange oilreplace oil filterreplace air filterinspect hosesinspect Belts TUNE UPSPECIALAll 8 cyl. cars All 6 cyl. carsonly $44.95 only $32.95Most American Motors —GM & Ford ProductsSat-8:00 to 1:00 p.m./Motor Craft andDelco BatteriesAC. — AUTOLITECHAMPION SPARK PLUGSDELCO- REMYMOTORCRAFTBOSCH-GERMANYPOINTS CAPSCONDENSORSTUNE-UP KITC SNOWTIRESVOLKSWAGEN 1500,1600Type 3 34.00TUNE-UP SPECIALS VOLKSWAGEN SPECIALVOLKSWAGEN 1200,1300 1500, A 1600 Type 1 A 2 $32.00 MUFFLER *• •»»•' «**«*• >♦** $36.00for typo 1-1067 to 1072 with standard tranwnlsslon 38.00automatic transmission 40*00TOYOTA 3KC, 2TC, 0 RC anginas 38.50 MUFFLER for typo 2-1063 to 1072 42.00(oil flltor and air filtor olomonts includod) MUFFLER««h"»-i*73 49.50DATSUN 1200'**-"**’**"*- ,42.50 CLUTCH ca no(oil flltor and air flltor olomonts includod) oOtWVOLVO 142.144,1441,143.164, A 01800 38.50 CLUTCH for typo 1-1067 to 1073 75.00Air Flltor ExtraPINTO cr on 38.50 CLUTCH »~*YRe*-m»*«im 78.00CAPRI (oil flltor Includod) 38.50 SHOCKS for typo 1-2-3-up to 1068 -11.50(ABOVE PRICIS INCLUDE PARTS AND LA NOR I___6-Tho QikogoMftfoon-Friday, October 25,1f74ReCORDSB ■i'i '"<0*. VV.*' V~*Yi) 'iCt i • »The Grey City Journal-3Starship Soars, The Eagle Flies, and Bowie LivesBy Daniel M. RosenthalJEFFERSON STARSHIP, Dragon Fly,Grunt. The music on this new albumunderscores clearly the difterence betweenthe group as it is now (without Marty Balin)and the way it was as the Jetterson Airplane.While the trend away trom the electrifiedfolk rock of the early Airplane albums hadbeen clearly established before the namechange, this record finishes the process otdevelopment that was begun four or fiveyears ago. The influences upon JeffersonStarship ot blues and jazz are extremelyclear here especially in the first songs on thefirst and second sides ("Ride the Tiger" and"Devils Den"). The music is probably thebest that the group in its new form has doneto date. Certainly it is the most coherent andsustained of any of their performances.Paul Kantner's musical and vocalperformances are very good, and GraceSlick seems to have recaptured a little of herold style The combination of her haunting,melodic, and deeply expressive vocals withhis deep and more compelling voice createsan atmosphere that is distinctive andcompletely their own. The backup musicians(Papa John Creach, David Freiberg, et al)demonstrate a surprisingly refreshingversatility and technical excellence.The only important negative criticism thatcan be made about the album is that, in theirattempt to master the techniques of makingtheir music sound more improvisational andless structured, they tend to slip off into anoblique modal frame that has little melodiccontent and that requires a good deal ofintent listening before if begins to becomeclear ADAVID BOWIE, Live, RCA CPL 2-0771.The very existence of this record isremarkable for two reasons. The first andmost important, is that Bowie is finallymaking consistently good music of thequality that one or two of his previous efforts("Song For Bob Dylan," for example) havehinted might be possible if he could everforego the pomp and freneticism that are thestandard of "glitter rock " The second is thatit is a well performed, well-recorded livealbum that manages (almost completely) toUNDER NEW MANAGEMENT:W% & SPECIAL:BROILED TWIN SOUTH AFRICAN LOBSTER TAILSComplete Dinner $7.95Dinner Includes: Soup, Salad, Entree.Vegetable, Baked Potato,Glass of Wine, Coffee or TeaFRIDAY SMORGASBORD-4:30-9:00 P.M.FRESH LAKE TROUTFRESH LAKE PERCHWHITEFISH *4.25OVERLOOKING LAKE MICHIGAN5550 South Shore Drive ^for reservations call:MU-4-4900 featuring:VINCE WILLISJOYCE FORTKATHY KISNER— PIANO BAR -You don’t have to beto drink Joe Louis milk.Just “hip”. jJejW l0 > M^co i sustain itself for four sides.The album gives no credit to the engineersand the producer who have managed to avoidthe pitfalls of having lots of over dubbing andtoo much frenzied audience reaction. Eventhe album cover is‘largely unpretentious,relying on a few slightly surreal photographsof Bowie for color.Musically the album is surprisingly good.The performances are professional andunmarred by the kind of loud meaninglessnoisemaking that so often blurs otherwiseacceptable music. The lyrics, if a little bit toointense and artificially demonic, are wellwritten, coherent, and, for the most part,interesting. Bowie seems to have decidedthat the possibility of producing a morepleasingly musical sound with his voice morethan compensates for the resultant decreasein flashy showmanship. If this album is anyindication of what he will be doing, he hasmade a wise decision.The album's only serious flaws are the fewsongs in which he reverts to his former morehysterical approach, and a long passage onthe third side that is, frankly, awful. B plusTRAFFIC, When The Eagle Flies, Asylum,7E 1020. There is very little about this albumthat is so immediately impressive that itscreams for attention, yet it is an excellentrecording that deserves recognition for beingamong the best that Traffic has made. Thelyrics and their delivery are very good, theperformances are first rate ard it is, withoutbeing earth shaking, an ali around wellconstructed piece of work.The influences upon Stevie Winwood ofblues and soul music are still apparent, buthave been woven into a fabric of a sort oftensile hard rock that flows smoothly andagreeably through the album. Perhaps thealbum's quality is derived directly from thefact that it is almost completely devoid offlashy attention getting devices, and standssimply on the merits ot the lyrics and music.Th^re really isn't anything terrificiy specialabout any one part of the album, however, asa whole it is a pleasure that should prove continually worthwhile and interesting. BplusPROCOL HARUM, Exotic Birds and Fruit,Chrysalis CHT 1058, Lyricist Keith Reid hasmastered the musical equation that is thefoundation of the success of the genretypified by Procol Harum and the MoodyBlues (who did it better). Simply put, theequation is: Obscurity plus Echo equalProfundity. For some reason the success ofthe first of the obscurist rock records havemade those who performed them certain ofthe lasting value of the techniques that madethem so much money several years ago.Perhaps if their initial success had not beenso great they would have gone on tosomething more substantial but, as it is, oneis faced with a stupefying monument toartistic stagnation.After listening to ten of fifteen remarkablydulls minutes of repetitive pseudo profoundmusic, one is almost dismayed to findpassages that are really good Some of themare so good that one cannot help wonderingwhy a group with such obvious technicalability would choose to forsake it for merehistrionics. CBROWNSVILLE STATION, School Punks,Big BT 89500. The tone of this album liessomewhere between the ebullientfriendliness of The Beach Boys in Concert,and The J. Geils Band. Unhappily, themusicians of this group have neither thetechnical facility of J Geils, Danny Kleinand Magic Dick; nor the simple song writingtalent of Carl, Brian, and Dennis WilsonThe music is loud, bouncy and varies fromgood to mediocre. All parts of the recording,music, lyrics and performance just missbe<ng good and thoroughly enjoyablelistening music (or dancing music). In short,School Punks, while it is an improvement ontheir last album, Night on The Town, is analbum that is not good enough to be exciting,not bad enough to be irritating, and not worthmuch more than a couple of casual listeningsonce one has a feeling for what it is trying toaccomplish. C plusGRAND RE-OPENINGFriday, October 25THr NEWNEW SEATS—NEW PROJECTION EQUIPMENTHYDE PARK THEATREUNDER NEW MANAGEMENT— OUR OPENING FEATURE — 667-39395238 S HARPERDIRECT FROM THE NEW YORK FILM FESTIVALAND OVERWHELMING CRITICAL ACCLAIMPauline Kaei. The New Yorker:“A knockout. In all the important ways, Malle succeedstriumphantly. A major work.”Vincent Canby, The New York Times;“A beautifully considered, complex, disquieting film.You come out of the theatre so disturbed you don’twant to believe it.”Paris Match. Le Monde, L'Express;“Masterpiece...” “Masterpiece ‘MasterpieceSTUDENT &. FACULTY DISCOUNT TICKETS —$10 FOR 6 FILMSPRESENT ID & FILL OUT COUPON AT THE BOXOFFICFFriday, October 25. 1974-Tha Chicago Maroon-74-The Grey City JournalGRCY GAPWe abominate rudeness. Despite ouremphatic opinion on this vital topic of theday, the tide of rudeness swells without somuch as a polite greeting over our sandchateaux.In Boston each summer, hundreds offearless citizens build great structures ofsand at low tide during a one day contest.One finds country houses, Tudor mansions,palazzos, villas, castles, ranches, pagodas,cathedrals, suburban tract developments, alldecorated with algae for the lawns andgardens and little sticks for beams andfences. And even the genteel Atlantic, arather poor excuse for an ocean to the mindsof those who bask on the Pacific, mingleswith the mailable monuments and makesthem into mud. What rudeness, then, mightwe not expect on the shores of the untamedLake Michigan?Now, we ourselves are not perfect in ourmanners. This we have been told by friends,lovers, and occasional taxi-drivers un¬sympathetic to our theories about theirgratuities. In our private moments we havebeen heartily ashamed of our every lapse.Lord knows we try, for it takes longer tolearn a lesson than to tell it. But either manyof our fellows do not try or there is a greatdeal more shame at Chicago than anyonesuspects. It's rudeness abounds. Radicalteminism, with which this University issimply lousy, is rude. The University'scampus buses, which respond with suchsensitivity to every bump in the road as topresent a notable exception to the law ofgravity, are rude. The Regenstein cashier'soffice's requiring us to wait three hours tor alocker because its brain was not speaking toits hands was rude. The Regenstein's lack ofprivacy is rude. The procedures for cashinga check over $50 in value at the Ad¬ministration Building are rude. The otherday, as we were loitering in the Quadrangles,Edward Levi, who is as public and asfrequently seen as the Loch Ness Monster,passed us and scowled in our face. We aresure he meant no harm because we havenever been introduced, but it still was rude.Perhaps someone had just been rude to him.We hope not, but we do not doubt it. Rudeness accumulates. On some days it appears thatthe day of rabblement has come close.Uptown in this toddling town rudeness isnot unknown. We found it in a roomdedicated to the most sensitive, graceful,and polite culture we know—the dining roomof a small, plain Japanese restaurant. Ourwaitress not only cleared and wiped the tablebut scrubbed it spotless. She translated themenu in a tone that recommended everydish, thanked us for our orders, and merrilybrought us forks and spoons when our motorneural moronism clumsily — but notrudely — prevented us from properlymanipulating Japanese chop-sticks.Soon a party of three American couplestumbled into the small room. One couple wasthe blond and plump type in their mid¬thirties. The Mister probably sells shirtssuccessfully somewhere, the Mrs. takes careot the house and of her bouffant hair-do, andthe two of them obviously had been born justa few years too soon to know now that theyhad grown up absurdly. The other twocouples were fat and rude. The mostprominent among them was Big Stomach. Atfirst he wanted to go back to Ernie's Bar toget a hamburger. Then he was reconciled tothis cosmopolitan adventure away from thesuburbs by a bottle of J & B Scotch, uponwhich he relied throughout his meal to washdown the food. But we must admit that he dideat with some considerable relish. For in¬stance, he inserted a small dish of pickledcabbage between his gaping lips and shovedthe contents all at once down his gullet withtwo fingers. Then he drenched a wholetempura shrimp in the sauce, threw it into abowl of rice soaked in soy sauce, slopped itaround, and proceeded to eat it whole. Thewhole party laughed and laughed, joking allthe while about what Oriental poison the foodmight be and how wonderful it was indeed totry the quaint but useless food of this littlepeople."I got educated in Chicago", Big Stomachsaid. "The school had one teacher for all thesubjects. And I learned to read and writeplenty good. I'm doin' just fine."So don't get me started on none of thiscollege education stuff. Who needs it? Why,there was a guy I went to make a sale withwho'd gone to De Paul. He went along tomake a pitch. He opens up this book andstarts to read from it! I'm not kiddingyou—he read the sales pitch right out of abook!" He stared in horror. We may ap¬preciate his astonishment if we imagine a student who copied his paper out of thetextbook. "I said, 'What makes you thinkyou're a salesman?' And he said, 'Cause Ilearned all about in college.' "We do not doubt but that he is, in his back¬ward way, right. Surely one need not go tocollege to learn to read and to write. Mostdefinitely one should not go to college? tolearn there only how to sell something tosomeone. All this is not the kind of "doingjust fine", the kind of excellence, appropriate to a liberal education. But BigStomach, as a friend rema rked, made ArchieBunker look like Andre Malraux. He and hisfriends remind us of a similar but betterdressed group we encountered at a Turkishrestaurant. Kebab, they concluded, is reallyjust steak with a weird name. They werescared to death that if they didn't eat a maincourse of meat they would leave notnourished and if they didn't eat steak meatthey would leave having paid too much. Theylacked a liberal education. We believe aliberal education the best thing we have andthink often on what it signifies. One goes tocollege to learn to articulate a system ofvalues consistently applied to all situationsand objects, to learn by applying them toone's own life an ethic and a style, to learn acertain universal understanding by anacquaintance with all manner of things andof human life, to learn to live a life thatmakes sense to himself no matter in whatplace or activity one may find himself. Onegets a liberal education to learn how not to berude.The other night we were awakened fromslumber at Harper Library by the chipperannouncement of its closing. Knowingourselves as we do, we should never havebelieved a year ago that we might now sleepon a library floor and enjoy it. We left ourcarefully chosen and arranged pile of pillowsand swung out into the cold with all the othertravellers on the ten o'clock shift to theRegenstein. With our back against thatvaguely obscene statue Why in front of themiddle of Harper, we determined to marchon a direct line through the Quadranglesfrom its southern center to its northern.Down the middle we went, flanked byBusinesses East and West. Our line con¬tinued successfully through the geraniumson the circle at the heart of the Quads. Ourparade was drawing triumphantly to itsconclusion when we made a horrifying discovery. We stopped and traced our stepsagain. Soon we harbored no doubt about it.The Hull Gate, on which the long entrance tothe Regenstein is centered, is not on thestraight center line of the Quadrangles. Infact, it's crooked.We still do not quite know what to do withthis defiant fact. We do not think it rude, butnevertheless it mightily disturbs us. It is ourbelief that this inexactitude is inconsistentwith a liberal education and the ideals of agreat University. This misalignment isundoubtedly the cause of the Regenstein'smisbehavior. Leopold and Loeb, too, wereprobably somewhat under its malevolentinfluence. In general, we may say that iteffects a fundamental and subversivedisorientation throughout the University.The troubles of the sixties would not havebeen, nor would financial troubles plague usnow if the miserable architect had beenbrought to justice. So shattering is this factand so pressing its implications that we havenol ceased to dwell on it since our discovery.Let this note serve as a call to the powers ofthe Administration, that they might see theirmaster builders to this task.— Enoch SoamesR€CORD9====By Miles ArcherAVERAGE WHITE BAND. Atlantic 7308.Another first Atlantic disc here and. on thebasis of the music, it will not be the last.Featuring decent compositions, goodmusicianship and competent singing, thisgroup comes out of the jazz-rock-bluestraditions that aim toward giving a song andtune that will entertain (and not necessarilyenlighten) an audience. It’s a soft bluessound, not biting or gritty, but a smooth sortof sound with a lot of sax and brass melodiesand appropriate lyrics.There is nothing very complicated aboutthis album. Everything is put together verywell but in a very straightforward manner: asax solo here, some lyrics there, everythingmeasured to give the listener a better thanaverage rhythm and blues band, which theysucceed in doing.The best way to describe it is to say that thisis a very "listenable” album; maybe it justgoes to show that limited ambition cansometimes be a good thing. B-7bt TENNESSEE BANJOSTret Now In StockShop O i a beautiful country-styleV five-string at a trulySi 10 S Harper*in Harper Court* \ reasonable price.H01-I0i>0- / SEE US!LectureMAURICIO KAGELDirector, Cologne New Music-Theatre Ensemble"Theatre as Music Theatre"SATURDAY • OCTOBER 26BREASTED HALL • 3:00 P.M.Free and open to the public£*************************| GOLD CITY INN l£ given **** ** by the Maroon |* New Hours: Open DailyJ From 11:30 a.m.to 900 p.m.A Gold Mine Of Gr.od Food"*#**********t** erviceStudent Discount:10% for tabl5% for take homeHyde Park's Best Cantonese Food5228 Harper 493-2559(near Harper Court)Eat more for less.*(Try our convenient take-cut orders.)F************************f8-The Chicago Maroon-Friday, October 25, 1974 ******************* ST. GREGORY OF NYSSALutheran Campus Parishat the University of ChicagoEUCHARISTTHIS SUNDAY AT 10 A.M.Luther's Deutsche Nesse 1526Graham Taylor ChapelUNIVERSITY at 58th St.ARTHUR WASKOWFellow Of Inst. For Policy Studies ,Washington DC: Author of THE FREEDOMSEDER & THE BUSH IS BURNING willspeak onTHE SONG OFSONGS AS AMODEL FORJEWISH MEN & WOMENat Hillel5715 S. WoodlawnMONDAY OCT. 28 AT 8:00 P.M. Susan Sontag s The Promised Land will beshown Saturday night in Breasted Hali, at7:15 and 9:30 p.m. The film is sponsored byHillei House, which will host a discussion ofthe movie on the Hillel House lawn (5715 S.Woodlawn) after the last showing. Thecharge is $1.ROCKEFELLER MEMORIAL CHAPELREFORMATION SUNDAYOctober 27,197411 A.M.E. SPENCER PARSONSDean of the Chapel"THE SAME, YET NOT THE SAME”ST. MARGARET’SEPISCOPAL CHURCH73rd at Coles Avenue(1 block west of South Shore Dr.)SATURDAY-5:00 p.m. Low Mass(fulfills Sunday obligation)SUNDAY MASSES:9:00a.m. Family Mass, Church School11:00a m.Holy Communion, Hymns. SermonOCTOBERANNUAL BARGAIN BAZAARFlea Market, Garage Sale-Food & PlantsSaturday, October 26-12 noon-3 p.m.And Sunday, October 27-12 noon to 3 p.m.The Grey City Journal-5-CULTURGGULCHJean Paul Sartre's great modern vision othell, No Exit, is playing at the Drama Shelteron Thursday nights. Imaginatively stagedand directed by Darel Hale, the productionfeatures strong sensitive portrayals byArlene Waller as Inez and Susan Nelson, in abrilliant acting debut, as Estelle. Ms.Nelson's performance as the thoughtlessly,casually evil Estelle is riveting. Herceaseless, nervous coquetry keeps herappropriately the center of attention. Ms.Waller's sinister Inez is wonderfullycontrolled, a formidable, chilling presence.Unfortunately Ron Hitchcock, although heflounders around valiantly, can't come closeto matching the two women. His Garcin is aflabby puppy of a coward where there shouldbe a tight, repressed, cold model of weakness.As in his previous performances,Hitchcock lapses into a set pattern ofgestures — a tossing of the head, a quick,false grin, a snort of self-importance — thatare amazingly irritating and invariablyirrelevant to the action. They seem to be hisonly resource when asked to react. Heoverdoes all his gestures andoveremphasizes all his lines to the pointwhere he seems to be a parody of an actor.Beside subtle, realistic performances theeffect is devastating. He has himself underbetter control in the first third of the play buteven there he is stiff and unnatural.But then, as Sartre reminds us, "Hell isother people." Joseph Garza is fine as theunflinching, haughty valet. The set,costumes, and lighting are all cleverlyconceived and remarkably effective. At theDrama Shelter is located at 2020 N Halsted.Phone 549 6020.The Alvin Alley City Center Dance Theatrewill open the Auditorium Theater's DanceSeries with a week long engagementbeginning Tuesday November 5 and endingSunday November 10. The complete scheduleDEPARTMENT OF MUSIC AND CONTEMPORARY CONCERTS. INCPRESENTCOLOGNE ENSEMBLE FOR NEW MUSIC-THEATERdirected by Mauricio KagelSUNDAY • OCTOBER 27 • MANDEL HALL3:00 p.m. Film4:00 p.m. Concert with scenic concert pieceAdm. $5, student, $2.50. ($1 discount to CMS subscribers) Film only: $2;student, $1. Tickets at Concert Office, 5835 University Ave.; or at MandelHall box office on afternoon of performance.CITY PLANNING AT HARVARDMeeting to discuss Graduate Studies in theDepartment of City and Regional Planning,Harvard University.Robert Shafer, AssistantProfessor & Chairman of theAdmissions Committee Leonard Zax, U. of C. 71.Student in the Department &in Harvard Law SchoolTHURSDAY, OCTOBER 31st4:30 P.M.-Reynolds Club, South Lounge of performances is:Tues., Nov. 5, 8 p.m. - Choros, Portrait ofBillie, Rainbow 'Round My Shoulder, TheWedding;Weds., Nov. 6, 8 p.m. - Fanga, Blues Suite,Feast of Ashes, The Wedding;Thurs., Nov. 7, 8 p.m. - Streams, How LongHave It Been, A Song For You, CarminaBurana;Fri., Nov. 8, 8 p.m. - Hidden Rites, Feast ofAshes, Nocturne, The Wedding;Sat., Nov. 9, 8 p.m. - Missa Brevis, Cry,The Road of The Phoebe Snow, Revelations,Sun., Nov. 10, 2 p.m. - The Lark Ascending,Portrait ot Billie, The Road of the PhoebeSnow, Revelations.*AII Programs are subject to change.The fine art of drawing is on continuingdisplay in the Helen Regenstein Collection at the Art Institute. These drawings are o'course now viewed as finished masterpieceAt their original inception, however, thehovered somewhere between the quick intuition of an artist and the finished paintingor sculpture, sometimes completed yearslater. Because of this proximity to the geniusof the artist and the subsequent rawunrefined power that drawings have, theyhave always been favorites of those who aretruly curious as to the poetic process. Oftenthe freshest insights are these initial quicksketches and studies, unencumbered bystyles and techniques of the day. It has beensaid by many that often one's best art is leftat the proverbial drawing table. You mayjudge for yourself, for the collection hasdrawings by Rembrandt, Ingres, Picasso,Gorky, Oldenburg, and a hundred othermasters.Individual AttentionTo Most Small Cars31?-mi 3-3113I**foreign car hospital & clinic, inc.*^^"*5424 south kimbark avenue • Chicago 60615 IKIMBARKLIQUORSINE MERCHANTSOF THE FINESTIMPORTED ANDDOMESTIC WINESFeaturing our direct imports,bringing better value to you!TNI OMIT TME WHS SNOT IN NYK PARK53RB KIMBARK LIQUORS, INC.1214 E. 53rd St.53-Klmbarii Plaxa NY 3-33556 Trailer Loads of the following:Used Desks Galore...$1 5.00 & UP2 & 5 Drawer Metal Filing Cabinets2 Drawer Wood FilesChairs, Swivels, as well as Arm ChairsTables-5 feet, 6 feet, 7 feet"cash and carry"8600 Commercial Ave.Open Mon.-Sat. 8:30-5:00RE 4-2111Thurs* till 9i00 P *M*"THE SEASON S SUREST WINNER .. THEFRANCO ^ YEAR S MOSTCRISTALWS fQUNS REWARDINGMOVIE EXPERIENCE.”—Rog.r Eb*n.Chicago Svr»-T iitmiFRANCO CRISTALDI m* FEDERICO FELLINI:li1104 H OM'feO'fl r»«©n« *44 MM PARK1415 N Dearborn5 hrt SI 65 janegoodallAuthor ot"In th* Shadow ot Man”CHIMPANZEE:CHILDHOOD AND SOCIETYan itlustratad lacturaTUESDAY. OCTOBER 297 30 PMORCHESTRA HALLTickat InformationHA 7-7711To BenefitERIKSON INSTITUTEFOR EARLY EDUCATIONFrom the start LouisMalle has been a directorwho conceived of filmnot so much as.celluloid.> but as fire.With "Lacombe. Lucien”comes Malle s most *controversial film. Inoccupied France. 1944..a young boy joins theGestapo. He falls in lovewith a girl who is Jewish.Lucien is no hero, nor ishe a monster. Theirrelationship is highlycharged with bothsensuality and brutality,and Malle makes us seehow close the two canbe The motion pictureis their story, and thestdry ol France, caughtbetween occupation andcollaboration. A moviethat is already beinghailed as a brilliantmasterpiece throughoutEurope, and by VincentCanby of the N Y. Timesas easily Malle s mostprovocative film.'’LACQMCX-J-rEtclustvly at It*— 3 thaatraa |I(NEW) IYK PUR] UN S h«,m. CINEMA ||O :*g« *<• M•4 IKmm nuCINEMA 2IM* 0—«—«* —Friday, October 25, l974-The Chicago Maroon-96-The Grey CityJpurnalTHG4TR£eaa=5=!SUPERB ARRABALBy Meredith AnthonyAnyone who secretly feels that theatre israther a decadent art form which hasoutlived its vitality, and given place to thetechnical expertiseof films, is in for a shock. Aprofound and intense experience, Arrabal’sAnd They Put Handcuffs on the Flowers atthe Magic Circle Theatre,provides a rare butunmistakable proof that live theatre hascapabilities for affecting the human soul thatno other medium can approximate.The Magic Circle Company works togetherunder Gary Houston’s direction to createsomething extraordinary, a work of art withan immediacy that tears away the protectivedetachment of the audience and forces it tofeel, to experience. Arrabal’s concept of the“theatre of panic" utilizes the simple butimportant discovery that the palatte ofhuman emotions is not so complex as iscommonly believed There are, in fact, onlya few. primary emotions, and if you are ableto produce any one, then you can transform itverbally into the specific shades you require.It is the dramatic equivalent of the old storyabout how to make a mule move. First youhit him on the head with a brick. Does thatmake him move? No, but once you’ve got hisattention. . .Arrabal knows how to get your attention.He uses shock and apprehension as hisbricks. And then he uses your reaction andmolds your experience of his dramaticreality. Director Gary Houston wields theweapons Arrabal has given him withunderstanding and audacity. He has eventransformed the simple step of getting intothe theatre, making it a process fraught withunease. The timing of the action and the details of the staging are also calculated toallow no respite.And They Put Handcuffs on the Flowers isa play rich in overtones. To say that it is ananti-war play is clearly insufficient. It isabout the varieties of human depravity, thebrutalization of the oppressor, thedegradation of the victim. It is also poetry,but the poetry of ferocity and of suffering anddespair. In it, like the appearance ofHitchcock in his films, can be found theimage of the personal trauma that recurs inall Arrabal's work, as well as other men’svisions of betraval or of hope.The title echoes Garcia Lorca’scondemnation of the Spanish regime thatkilled poets. Arrabal portrays four men in aSpanish prison 23 years after the war endedThrough them we see the men who torturethem, the women they remember and thosethey dream. There are Amiel (VinceBalestri) and Katar (Bobby DiCicco), andtheir dumb cell-mate Pronos (Hick Betts>;and Tosan (Guy Giarrizzo) who joins thembriefly. The individual and ensembleperformances of these four are brilliant, withscarcely a false note.This is not a play for the weak, for thedilletante in search of entertainment, for itmakes great demands on the audience.However, if you are willing to risk yourennui, your peace of mind, you will be amplyrepaid. No one who is seriously interested intheatre, or even who wants to be seriouslyinterested in theatre, should miss it. TheMagic Circle's And They Put Handcuffs onthe Flowers is a great, great production TheTheatre is located at 615 W. WellingtonPhone 929-0542 for reservations.FILMOneWoman'sDocumentaryBy Meredith AnthonyIf, for some, art is a religion, then AnaisNin is an evangelist“The dream of every artist is to contact theworld." she says, and in Robert Snyder’slyrical documentary film Anais Observedher urgent yet graceful encouragement toart as “communion with the world" comesclearly through Quite appropriately AnaisObserved was shown for the first time inChicago by Oasis. Midwest Center forHuman Potential Anais Nin effectivelypersonifies the aims of Oasis in her interestin the positive, developmental processalthough both the artist and the institutehave their roots in the more negative,psychotherapeutic one Anais Nin had beenan assistant to Otto R? n one of the manyphases of a career uu. included Spanishdancing, modelling fc artists and writingnovels.Her largest and best Known project is alsoperhaps the most representative. Since 1931she has been editing her diaries whichstarted as a letter to her father at the age often and became ‘‘a letter to the world " Thediaries, famous for their penetratingreminiscences about some of the majorliterary figures of the 20’s and 30’s, arecharacterized by their writer as “dynamic,not nostalgic.” She confesses, “I’ve alwaysbeen obsessed with relationships,” which shecompares to “stellar constellations." Sheshows a web-like drawing which has some ofthe people in her life charted around hubslabelled New York and Paris. The namesinclude Artaud. Otto Rank, LawrenceDurrell, Henry Miller, Martha Graham, andNoguchi. Today her huge correspondenceincludes students, housewives, repressedartists everywhere in need ofencouragement. She explains, “I made avow never to leave a letter unanswered.” Shehad written her own youthful enthusiasm toDjuna Barnes who never answered.The beautifully photographed film followsher through a variety of lights, settings andcostumes. Beautiful and strong, she still hasa dancer’s movements, graceful gestures, asweet, musical voice. Sometimes she isshown alone in the house designed for her byFrank Lloyd Wright. She types, reads whenher attention flags (“a few words ofProust”), spreads photographs out on thefloor, and brews tea, pushing one cup out of the frame toward the camera as if to thecinema audience.Most often, however, she is found withother people, reminiscing with a crotchety,white-haired Henry Miller who tells her“Your listening was always eloquent," orwith the sculptor Noguchi who taught her “iolook at every form with interest.” She talksquietly on a terrace with a young filmmakerwho is complaining that the serenity he hadfound at the Sri Aurobinda Ashram haddissipated as soon as he left She gentlyreminds him that the wisdom of the eastmust be adapted and transformed for ourculture, not swallowed whole. She entertainsa group of young writers from UCLA, sittingin a circle on the floor with them, laughing,listening attentively.One of Anais Nin’s own idols is Lou AndreaSalome who encouraged the young Rilke:“She expanded his vision.’’ Of thisiconoclastic figure so like herself, she says,“She was a heroine who didn’t wait for theright time, who had no guilt.” Anais Nin, too,matured artistically before her time. Shehad to borrow money and publish her earlynovels herself. One clip from the film showsher running her own printing press. It is onlyrecently that she has emerged as a cultfigure with a growing general audience. Buther early influence was felt andacknowledged by other members of the“fraternity of artists" with which she wassurrounded. Varda created collages for her,Kenneth Anger's early underground filmInaguration of a Pleasure Dome wasinspired by her appearance at a costumeparty with her head in a gilt bird cage.And yet Anais Nin often speaks of thedifficulty of reconciling art and life, “thestruggle to remain a woman and yet be anartist.” She tells us, “The woman alonecreating is not a beautiful spectacle. Womenwere born to give birth to life, not toinsanity.” She describes her birth sign.Pisces, as being represented t)y two fishes,“one swimming up stream, the otherswimming down stream... yin and yang.” Itis up to the individual to interpret this not asa clash of opposed forces but as a possibilityfor “harmonizing opposites.” In the finalscene of Anais Observed she is sitting besidea pool in which a slow rain is falling. She isquiet, beautiful, intense. “I like to feel that Ihave lived to transcend my destiny.”tu-lhe Chicago Maroon-friday, October 25, 1974 The prisoners in And they put handcuffs on the flowe , at the Magic Circle Theater.FILM —=g=^—=Lacombe Lucien, opensnew Hyde Park theatreBy Aaron LipstadtThat Lacombe, Lucien is opening today(19-25) at the (new) Hyde Park Theatershould be welcome news to just abouteveryone that hears about it, but especiallyfor the movie audience in Hyde Park It wasgood news just to learn that Brotman andSherman, who own a number of theaters inthe city including the Carnegie and theCinema, had acquired the Hyde Park; theyare known for a degree of concern for theiraudience, and one could hope for more in¬teresting programming than the second-runof the mill stuff that had been clogging thetheater until now The second level of exeitement was reached in early August, whenBrotman and Sherman took over the theaterand immediately closed it for remodelling—they promised a “little Carnegie” in HydePark. Now, after three months, theremodelling is complete, and the ownershave made the opening fitting by booking animportant first run film. They will follow thisup with the equally notable Phantom ofLiberty, Luis Bunuel’s latest film; they willalso offer a special multi-admission reducedprice pass for university students andfaculty.Lacombe, Lucien (last name first) is aseventeen year old who joins the Germanpolice in Nazi occupied France in 1944, afterbeing rejected by the local French un¬derground After some meandering, the filmsettles down on Lucien's relationship with aJewish tailor (formerly “the best in Paris")and his daughter, France.The film is irritating in its inability to finda resting place; when it finally startsexamining Lucien in his dealings withFrance and her father, the point becomesclearer, but the audience isn’t appeased Theopening epigraph from Santayana (“Thosewho do not remember the past are con¬demned to relive it") implies that greathistorical truths are going to be revealed.Instead, we get a small story about an un¬thinking boy who drifts along, not happily,>ut unaware of what he wants. Gradually, hesees what he doesn’t have as he comes acrossthe sophistication of the tailor, the delicacyof the daughter, the bored indolence of hismentor in the police (the wealthy son of acount). But all one can learn from this un¬thinking, unaware collaboration, andLucien's equally unthinking rebellion, is thatit’s better to know what you’re doing, or atleast care And when director Louis Mallechooses to illustrate the attraction ofcollaboration for Lucien by having him tryand use his influence to get France to thefront of a foodline—well, there must be a newway to have an adolescent show off.Lucien's initial cooperation with the Vichyis never questioned, never even examined. One night, hindered by a flat tire on hisbicycle, Lucien returns to town after thecurfew. He’s caught by the police, and thenext morning, after drinking a bit, is tellingall he knows about the local resistance. Henever seems to regret this move; even whenconfronted with the man he betrayed, he iscowed, not sorry Malle takes the other sideof the slorvot the betrayed, loyal resistancefighter -instead ol glorifying the hero, he*chooses to give us the villain, but the villainis dull and aimless.The film, running almost two and a halfhours, is too long. It moves slowly, notleisurely. There are a number (at leastseven) Of detached scenes ol Lucien at homewhich offer little insight into the character orhis situation other than revealing his or¬dinariness. The “realism" (unflinching ifyou hkei consists of Lucien shooting rabbitsand beheading a chicken, while the sound¬track is filled with appropriate effects, in theaural equivalent of close up The whole thinglooks like the camera followed Lucienaround for days, after which highlights wereextracted. Django Reinhardt on the sound¬track is the best part of this section of thefilm. 'The scenes with the tailor, Albert Horn(Holger Lowenadler), and his daughter arebetter. They have an attraction, anawareness of what's happening to them.Lowenadler has some especially goodmoments, although his droopy eyed, stubblechinned sagacity tends toward theatricality.Lucien bothers turn, but Horn admits that hecan’t hate him He senses the emptiness ofLucien’s life, and the fact that Lucien doesn’teven realize his dullness until he seesFrance, the daughter, and even then, thatLucien is just grasping for this new, gentlebeauty. As Lucien makes his presence morepermanent. Horn understands his own end.and France's future.Pierre Blaise as Lucien, hxiks somewhatlike a cross between Marlon Brando andMaria Schneider: his character is sullen andhumorless. You can tell that France issensitive because she plays piano, crieswhen she’s insulted, and looks pensive. Bothmight have been more impressive if thescript gave them a chance. The one out¬standing scene is between the parents,Lucien’s mother and France’s father, inwhich the former’s fearful embarrassment issoothed by the latter’s ironic “boys will beboys” clucking.Lacombe, Lucien is restrained, oftenbeautiful, but it’s more frequently vapid andselfconscious. It may be appreciated forwhat will be perceived as understatementand concern, but it examines and ultimatelyreveals little. I am looking forward tochecking out the seats and screen in the HydePark.dRTiAction Painter’sAbstract Land¬scapes Shown atthe Arts ClubBy John KuhnsAbstract Expressionism has dropped in onChicago for a brief stay. Willem deKooning,the movement’s tour de force since itsinception in the late forties, is having a small show at the Richard Gray Gallery. The worksare mostly from his Woman series of theearly fifties.Around the comer at the Arts Club, asecond generation action painter, JoanMitchell, is exhibiting some of her currentwork. In light of the recent discussionconcerning the female aesthetic position andsubsequent problems of proper artisticrecognition in a male dominated enterprise, itis surprising to me that Ms. Mitchell’sreputation and unqualified excellence has notreceived more attention. Perhaps the relativepaucity of good abstract work in the galleriesof Chicago and the unwillingness of peoplehere to deal with any facet of it has been theculprit in Mitchell’s exclusion. Althoughaction painting was enjoying its zenith in NewYork some time before with Gorkey,deKooning, and Pollack as its chiefproponents, the vitality of its concept assuresits continued force in the mainstream. Itwould be foolish for any historian to try andchronologically limit further exploration, andit would be equally futile for any critic to tryand ascertain that the poetry present in these(continued on page 8)IME V llllKS K.,^■one weekYES!With any bean bag youchoose this week, you get abig 10 95 Decorion hassockfor only $1 Double sewnand stitched heavy strengthvinyl, it's a great big seat(26" diameter) in gorgeouscolors, it's a slinky, sinkyhassock Either way, it'sa steal.THE PORTABLE BEAN BAGPick it up and carry it home Sling it over yourshoulder, toss it over your arm. Goes any¬where out to the patio, in the car. picnicking,back-yard sunning. Double sewn, doublestitched heavy strength vinyl. Red, yellow,black, pumpkin, caramel. ^ for the big $10.95Decorion* hassockwhen you buy anyterrific Decorion*BEAN BAGLimited quantitySUPER BEAN BAG BUILT FOR TWO153-inches, biggest beanbag you ever saw Two canmove in very easily and a cozy nest it is Squishy-soft,yet double-sewn and stitched heavy strength vinylRed, black, yellow.KING-SIZE BEAN BAGDouble-sewn, heavy &QA95strength vinyl. Red,yellow, black, pumpkin,lime, caramel.THE FABULOUSFLAPJACKSo new! Flop it down, spreadout on it-a full 158" lounge-around big enough for two.Or. flip it on its side and standit up for a super-size bean-bag chair. Double-stitchedand sewn heavy strengthvinyl and roomy, cushionycomfort in every wonderfulinch. Black, white, pumpkin,red, yellow, olive, lime.Matter Charge ABankAmericard acceptedMon-Sat 9 to 9Sun 11 to 5733 8296 CIRCLE COURT SHOPPING CENTER500 SOUTH RACINECHICAGO. ILLINOIS 60607 The Grey City Journal-7HOTEL FURNITURESALE!from Chicago's largest hotelsFW.L SIZE BOX SPRINCA MATTRESS SETS $39.95TWM SIZE HOLLYWOODBEOS, COMPLETE $29.95KINS SIZE SETS,COMPLETE $95.001000 LOUNSE CHAIRS $15.00 UP1000 PULL-HP CHAIRS $10.00 IIPTABLE LAMPS $2.95 UP7 DRAWER DESKS $29.95SRISLE MATTRESSES* BOX SPRIN6S Soiled.At It. ! $10.00 Eoch. Cath 4 Carry *O^CN DAILY 9-5AMSTADTER FURNITURE7315 COTTAGE GROVE224-7444SPECIALDISCOUNTPRICESFOR ALL STUDENTSL FACULTY MEMBERSJust present your University ofChicogo Identification card.As Students or Faculty Members ofthe University of Chicago you are en¬titled to special money savingdiscount prices on all VolkswagenService Work, all Volkswagen Parts,Accessories and any new or usedVolkswagen you buy fromVolkswagen South Shore.VOLKSWAGENSOUTH SHORE7234 S. Stony WandOpen Doily 9 AM. to 9 P.M.Safes Ports and Service DeportmentsOpen Saturday 9 A.M. to 5 PPhone 298 4900PUT ON TH€ DOG.AZT€C STYL€.Montezuma"equila PupMontezuma GoldTequila 1 bouncesHoney 1 reo spoonLime juice 1 limeDiners 1 doshMix in shaker wirhcrocked ice Strommro chilled cocktailglossITZCUINTLIIH£ DOGSymbol fO' ir>o lOih dayO* Ibc onoom A/'0<© 1074 50 Prool lcqu.ic Oonon Dn»>i»cn impo'i Co New York New Yo*kFriday, Octobwr 25, 1974-Thw Chicago Moroon-118-The Grey City JournalRecoRD<;=Report from the CountryBy Richard RandNOTE: Readers of this column will nodoubt be as pleased as I was to learn that asof Nov. 5, the Greater Chicago BluegrassBand will be appearing on Tuesday eveningsat the Quiet Knight, 953 W. Belmont, in Chicago. Phone 348-9509 for show times.# « *BENNIE AND VALLIE CAIN, More of......Rebel SLP 1537. There is no need to splithairs — this is a magnificent album. Itcontains nothing but traditional bluegrassplayed by a band that has been perfecting itsart for almost twenty-five years.ART(continued from page 7)paintings is not well wrought.Joan Mitchell was born in Chicago. Shestudied figurative painting at the ArtInstitute, in Mexico, and in France. Shemigrated to New York in the early fifties,walked into the Cedar Bar. and fell into thehands of Kline, Pollack, Rosenberg and the“It Is” group. She developed into an actionpainter with a special affection for landscape.Eight of the paintings in her current showare wall sized, while the four untitled worksare of somewhat more conventionaldimension. Mitchell works in a brazensensuous style, composing large texturedrectangles with more volatile, brighterimpasto. backed by thin washes. Some of thesmaller works have composition reminiscentof still life. Although the commonpresumption is that the action painter’sturbid emotional state is pouring forth in ahaphazard manner, Mitchell’s paintings arein no manner uncontrolled. Their compositionis deliberate and delicately manipulated.In “Field For Skyes,” a triptych, largeblocks of evergreen are solidly set amidstbusier webs of glistening amber and orange,lightly saturated blocks of yellow andcranberry, and thinner washes of blue andbeige Mitchell seems to use these basiccompositional elements in every paintingexhibited The forest rectangles are not heavyimpasto, but are worked over to achieve atelltale surface of weight and mass. Theblocks have a skin-like character, and tend torecede or move forward depending on wherethey are placed in the composition. Theyseem well anchored In contrast, orange and sunlight shimmer from impasto webs peekingaround and through larger blocks of solidcolor. This paint reflects light completelydifferently, and draws your eye to flat areasfor comfort. Drips of green merge foliagewith terrain, and flat whites and flecks of redgive away the time of day. In “Plage” theuse of the diptych frame is deliberate andpleasing, giving one frame an intimate viewof the other by alternating moving forms onthe left with an observant tangle of activity onthe right.Mitchell admits that although her subject islandscape, she works later, from memory.She is not as concerned with the formalqualities of the geography as much as she iswith personal senses - worked from thepanorama. This is not to say that hers areemotional, romantic works. Rather, there isthe almost instinctive, intuitive grasp ofvisual form by the action painter,simultaneously rendered. She then stops,inspects, builds up, and goes on. She seeks an“accuracy” of the land.Joan Mitchell has constantly developed hersenses, and is feeling beyond the actionpainting of the fifties. She seeks a decision¬making process that can be fruitful, but notinhibit her sure “sense” of what’s before her.One has the feeiing that every waking hour ofthe day is given equal time here. “ClosedTerritory” is at the height of the day, whereas“Alio Amelie” has its sum in the west window.“Les Bluets” appears as if a water scene atearly dawn, with frost red fingers of morningcreeping to catch the hastening blue night.The landscapes, although quivering with lightand living, seem in the end solid, and as theyought to be.AKADAMA MAMA ASKS,PLACE A FACE ON THE PUMPKINOR WHATEVER.rll9Been gening some heavy mail latelyand since it merits a personal answerrather than a media one this is a goodopportunity to have a kmda soft, low keymulti-contest. Next to a down home holi¬day turkey stuffing or a live Christmastree decorated without any store boughtglop, I’ve aiways enjoyed the wherewithalof creativity that goes into a Halioweenpumpkin. So if you place a face on thelittle pumpkin to your right. I’ll have asculptor friend pick out a few of her favor¬ites and sculpt them up. Then if I canborrow a decent camera I’ll send the luckyfew some choice shots of their sculptedpumpkin and statuesque sculptor.There will also be smallbut well thought out prizes for:1. Give me another word for"contest.’ "Contest’’ is toooverly competitive a wordto use in this frail world welive in.2. Does laughter travelfaster than the speed ofsound? (In as few wordsas possible)3. The shortest list ot bev¬erages that really don’tmix with Akadama, thewme you can mix(tomato juice, etc.)And in closing, topay the bills here are a( ouple of or'z? Akadamaparty recipes.Akadamria-l 'STTN TO MAMA AND PAr.S THE AKADAVr THF iMNF YOU CAN MIX J|IMPORTFO BY SUNTORY 'NTFRNATIQNAl.. I A. CA SANGRIA AKADAMA Bottle ot AkadamaRed Wine, pint of club soda, V4 can offrozen lemonade concentrate, plenty ofice and lemon and orange slices.PLUM DUCK Bottle of Akadama Plum, thegrape wine with the natural plum flavor,bottle of champagne, ice. orange slicesand strawberries.Another word for “contest" isLaughter (does) (doesn't) travel faster thanthe speed of sound becauseAnadama. the wine you can rrix,doesn’t nixwithMail to: Akadama MamaP.O. Box 2629Palos Verdes Peninsula, Ca 90274NAVE.ADDRFSb.CiTY . Bennie and Vallie Cain have voices thatsound quite similar to one another and thesound they get with Vallie's tenor sung underBennie's high lead comes close to the veryessence of bluegrass singing. Join that toVallie's solid rhythm guitar, Bennie's evenlyrhythmic mandolin, Bill Wheeler's tastefulbanjo, Bill Poffinberger's fiddle and the bassof Don Mulkey, and you have an unbeatablecombination. Everything is in the right placeat the right time — and in the rigidlyformalized world of bluegrass there can beno higher praise.The material is well-chosen. Some of thetunes are by the Cains, others are old-timers, and even “Never Ending Song ofLove" sounds like a bluegrass classic whenthis band plays it. On an album of this caliberpicking favorites is a fruitless endeavor. Atany rate I have yet to play one song on itwithout listening to all the rest. Availablefrom the StudentCo op. A.JIMMY ARNOLD, Strictly Arnold, RebelSLP 1538. This is an instrumental albumfrom a man who has picked banjo for JimmyMartin and Cliff Waldron among others andwho is now working for Charlie Moore. As thealbum shows, Jimmy can play just about anyway you want. However, he leans towards atasteful mixture of Ron Reno and chromaticstyle with a solid foundation instraightforward Scurggs-style. The resultingcombination is very enjoyable banjo tunes,most of which are originals.Ably assisting Jimmy are Mike Auldridge,dobro; Akira Otsuka, mandolin; GakuseiRyo, fiddle; Cliff Waldron, guitar; and EdFerris, bass. The rating for this Ip must begiven twice: A- for banjo pickers; B for therest of you. Available from the StudentRecord Co-Op.CLIFF WALDRON AND THE NEWSHADES OF GRASS, Rebel SLP 1539. Youcan never tell what this band is going to donext. You can be sure of high quality,however, whether Cliff and co. are playing the old songs or, as is the case here, new ones.The musicians in the New Shades of Grasshave changed frequently, though the finetenor of Dave Auldridge has been a constant.Still, change has not kept them from beingalways first rate, and the present crop is noexception — Bill Wheeler, banjo; SteveWilson, dobro; and the remarkable Akira''John'' Otsuka on mandolin. Thesecomponents are united by Clifford's superblead singing to create an Ip that I think mostof you will enjoy.The songs include Billy Joe Shaver's ''RideMe Down Easy," "Muddy Mississippi Line,""Ramblin' Man," Dolly Parton's "In theGood Old Days when times were bad" (thisand one other song feature the high baritoneof Gracie Williams), a 2/ 4 "Before I MetYou," and "Some Old Day" (erroneouslyattributed to John Duffey). With theexception of Tanya Tucker's "Would YouLay With Me" this is a good record oftraditional bluegrass and tastefullyunderstated "newgrass" by a band morepeople should know about. Available fromthe Student Co op. A-.DON RENO — BILL HARRELL, Riversand Roads, King Bluegrass.... KingBluegrass KB 528. Don Remo, Bill Harrelland the Tennessee Cut-Ups are one of themost energetic bands in bluegrass.Consequently this new Ip is something of asurprise. It often lacks drive (especially theinstrumentals) and a few of the songs aregiven rather perfunctory treatment.Before I get carried away it should be saidthat this album does have its moments. Andfine ones! Among these are Bill Harrell's“One Track Mind and “Love is a Stranger."Also note Harrell's vocals on “TheWhippoorwill Song” and "Talk of the Town"as well as his rhythm guitar work (you'llrarely hear better). And although it willnever blow you away, don't miss thewonderfully supportive fiddling of BuckRyan.In sum, this is a good album that couldhave been better had Reno's performancesbeen up to par. Reno and Harrell fans willwant it; others should pick up their othereffort (Tally-Ho!) on this label. It issupercharged, as this Ip should have been.Both are available from the Student Co-op.B.“Mother, who wasCain’s wife?”THESAVAGEIS LOOSECampbell Devon Productions tnc pf€?sc?rtU>George (\ ScottI rish Van Ilevere SThe Savage i* Loose1Co-stamngJohn David CarsonanaL.ee H Montgomery - c.. Max Ehrlich Frank De FeiittawJS.roy Gii Meue • t»«cLt>v«erc*uc*'Robert E Relyea - * ■ y.,. <>..•:, George C ScottPANAViSlON' TECHNICOLOR' , „i-m 1 •ufmcTioUnprecedented Nine-TheatreOicacjoland PremiereFRiDAY, NOVEMBER 1at these se'ected theatresBERWYN • LA6R&N6E • MARINA <INEM£84 S. t.aGranye art 300 NORTH STATE ST• PARAMOUNT • RIVER OAKS <?>840b HOHMAN Hammond. Ind. TORRENCE AVE. at 161stWILL ROGERS • WOODFIELD <2)>6404 W CERMAKNORTOWN6320 N WESTERNVARSITYr■— - ■'i t ' . t j . f *'» ri< 'I. i11Pub to open soon in Ida NoyesBy JAN RHODESYou’ve heard rumors thatUniversity of Chicago womenare, by definition, UGLY. Butwho would have imagined thebouncing beauty waving thepenant in the photograph on thispage?The truth is she’s not a kampusko-ed but a male Blackfriar, astar from the says when theBlackfriars were only male.She made her debut in 1904, thefirst year of their productions, ina show called “The Passing ofPahli Khan.” Soon she will adornand enhance (?) one wall of theUniversity’s new publYes, it’s nostalgia time again.The pub’s decor takes us back tothe twenties and thirties and thegood old life on the University of Chicago campus. Pahli is but oneof many huge black and whitephotographs which will line the'maroon and yellow cinderblockwalls of the pub when it opens onor soon after November 1.The pub fills up a small emptycorner in the basement of IdaNoyes Hall. Just head into thewomen’s locker room, disregardthe sign which orders you to weara swimming cap, and you’restanding at the entrance to thepub. It used to be a driving rangeand putting green for women whosigned up for golf. Notsurprisingly, interest in golflessons subsided dramaticallyand the area was left unused. TheCloisters Club put up a wall,separating it from the women’slocker space, and created thepub.The pub will seat about onehundred beer and wine drinkers.It is a private pub, set up for onlyUC students, staff, and alumniwho wish to pay a $2 membershipfee. It will be open seven days aweek, probably from seven p.m.to one-thirty a m.Ubiquitous Tiffany-stylelampshades dangle from theceiling. It gives a tastefully dark,back-alley atmosphere. Fortytables and a honkey-tonk piano,refugees from a South ShoreCountry Club sale, are clusteredhere and there.Skip Landt, director of studentactivities, said he spent fourdelightful hours in the Universityarchives going through oldphotographs to enlarge for thepub.“We were originally going tohave the picture of John D. Rockefeller and William R.Harper positioned so they wouldbe walking toward the bar.”Landt smiled. “But we changedour minds and they will bewalking away, which is Harper’s• EYE EXAMINATIONS• CONTACT LENSES (Soft & Hard)• PRESCRIPTIONS FILLEDDR. MORTON R. MASLOVOptometristsHyde Park Shopping Center1510E. 55th St.363-6363 more natural inclination.”Landt explained he found acaption on the back of the thirdphotograph on this page. It read,“President Hutchins on left withfriend.”The clever decor is designed toproduce a place for students togather and listen to music or talk.“Until you open it, you don’tknow what the feeling will be,”Landt observed. If students seemto want music rather than con¬versation, and the funds permit,the pub might offer live musicevery night.Landt said they hope to havelive music for the opening of thepub.“It will be a last minute thing,”he added, because of the un¬certainty of the date. He said theGreater Chicago »Blues Band,seen recently at the WoodedIsland Festival, is interested inplaying at the pub.Food will be served, along with free snacks available on thetables. The managers of the Frogand Peach, Gilbert and JuanitaRosenberg, will also manage thepub. The food will be prepared inthe Frog and Peach kitchen.Landt said the opening date isuncertain because, althoughinspections necessary forreceiving a liquor license werecompleted, “The piece of paper isnot in our hands.” A license isNovember 1 of one year toNovember 1 of the next. The pubwill open on that day or as soon asthe license is receivedThe liquor license will be in thename of the Cloister Gub. Aninstitution like a universitycannot hold a liquor licenseLandt said state law specificallyprohibits schools from holdingsuch licenses. He added that evenif the University could hold alicense, it wouldn’t want to. Heexplained that if the Universitydid own one, and for some reasonit was revoked, all other licensesowned by the University—dormfood services, hospital services,and so on — are alsoautomatically revoked.To avoid such liability, lastsummer the Cloister Club wasformed. It is a private club, in¬corporated under the State ofIllinois. It started with a mem¬bership of fifty students and staffpersonnel, with Landt as thepresident.There are no students on theboard of directors. Landt ex¬plained, because, according tostate law. when a board memberleaves, a club must repeat all thelicensing steps. Staff members,who are more likely to be per¬manent, were chosen to be on theboard, to avoid the hassle when . - ~ .r — * -student members would leave.“We, the members of theboard, all had to be fingerprintedby the Chicago police and ourpolice records were checked,”Landt said. The idea is todetermine a club > is not con¬nected with organized crimebefore granting a liquor license.The Cloister Club owns a fooddispensary license, and will ownthe liquor license. Technically,the pub, the Frog and Peach, andthe room called the Cloister Clubare three different “rooms” ofone establishment—the GoisterClub.The pub has to be restricted toUniversity students, occasionalguests, staff, and the 80,000 livingUniversity alumnae to avoidtreading on the legally hazyground of operating a business ontax-free University property"The pub is in every sense apart of the University,” Landtsaid.featuringfresh groundpeanut butter1 andfresh yogurtVitamins20% OFFSBMFkeWMtillHEALTH FOODSPlus the following best buys daNatural Vitamin E100 I.U. 250 caps $4.50200 I.U. 150 caps400 I.U. 100 caps250 caps $4.95$6 00$14.00Vitamin C Crystals1000 mgs. per '/« ♦sp1 pound1 kilo $6.00$11.25 Vitamin C lOOO mgs.100 *abs250»abs100C labsVitamin A25,000 Units(while it lasts)175 caps500 caps $2.75$6 25$20 00 Young Designs by j” PIZZA jELIZABETH GORDON | PLATTERHair Designers - | 1*60 E. 53rd1 Ml 3-2800 11 11620 E. 53rd St. , FAST DELIVERY288-2900 ; AND PICKUP 9 AM - 9 PM 7 Days A WeekHYDE PARK PIPE AND TOBACCO SHOP1552 E. 53rd - under 1C tracksAll students get 10% offask for "Big Jim"/Pipe*Pip* Tobaccos Imported CigarettesCigars$1.80$4 205210 S. Harper in Harper Court363-1600 A Man ForOthers—A ForeignMissionaryPriestThat s what a Columban Fatharis. He s a man who caret anda man who shares a man whoreaches out to missions in Asiaand Latin Amanca to share theGood News that Jesus trulycares for them He s a men whocommits his life totetty to othersso they can live their lives asGod intended Being aCOLUMBAN FATHERis a tough challenge but it youthink you have what it takes andare a Catholic young man. 17 to26 write toaay for ourFREE 16-Page Booklet CARFJET CITY6740 STONY ISLAND.324-7998Mas what you need from • |•10 usad 9 x 12 Rug to • I[custom carpet. Specializing <[in Remnants A Mill returns *"let a fraction of the original ]cost.[Decoration Colors andQualities. Additional 10%•Discount with this Ad.FREE DELIVERY EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURTROSENBAUMOptometrist(53 Kimbork Plaza)1200 East 53rd StreetHYde Park 3-8372 trAKEArMAWjCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPCN DAILY11 AM. TO SOO PM.SUNOAYS AND HOLIDAYS12 TO 8:30 P.M.Orders to taka out1318 East 63rd MU 4-1062CN!IlI Columban Fathers| St. Coiumbans, NE $MMI am interested in becoming aCatholic Missionary PriestPlease sand me your bookletC<ty1-P SIM* |I MODEL0 CAMERAZj I idn m lfvd.7'nrl'1342 E. 55th St. 493-6700SAT. NOV. 2, FACTORY DEMOVivitar a„d OlympusOn Saturday, Nov. 2 we wH have two Olym¬pus OM camera specialists and a Vivitar fac¬tory representative In the store to demon¬strate the new OM motor drive camerasystem, the OM macrophotography system,and all the Vivitar equipment.Friday, October 25, 1974-The Chkogo AAoroon-13MOORE: Maroon halfback Steve Moor goes airborn in attempt togain yardage against Lake Forest. The Maroons will host Oberlintomorrow at 1:00 in a contest commemorating the 50th an¬niversary of UCs last Big Ten title. The 1924 team will be thehonored guests.L/C smoked by LFface Oberlin nextBy TOM BRANSONSome days it just doesn t pay toget out of bed in the morning.Such a day was last Saturday, as46 University of Chicago Maroonfootball players, a handful ofcoaches, and one Maroonreporter stumbled out of bed andover to the fieldhouse. A T about11:30, a “Blue Bird Lines" busappeared at the UniversityAvenue entrance, everyoneclimbed aboard, and the ChicagoMaroons were on their way toLake Forest, Illinois and a 1:30confrontation with the LakeForest College Foresters.Carbon monoxide fumespoured into the coach as it turnedthe corner onto Lake ShoreDrive, and the odor was to growprogressively stronger as theteam drew nearer to the end ofthe one-hour drive. At least a fewof those aboard admitted to beingslightly buzzed by the fumes asthey made their way out of thebus, but all looked forwardcheerfully to the prosepect oftaking the field and breathing thefresh Lake forest air.But even the air we breathewas not free for the taking on thatday, for as the game got underway, a nearby suburbanitedecided to barbecue his freshlyraked leaves just a few yardsupwind of the scene of the action.As players on both teamscoughed and hacked away on thefield, a certain Maroon reporterwas in the process of becomingthe only man in the history ofjournalism ever to scale theprecarious Lake Forest press boxladder while carrying three hotdogs and a coke (on an emptystomach in a crosswind). Isecured a front row seat in thetower just in time to see theForesters score two quick firstquarter touchdowns on a 53-yardrun by wingback Steve Stefancicand a 65-yard pass from quar¬terback Dan Cantanzaro tofullback Ken Addison, and thescore at the third hot dog of thefirst quarter stood 13-0 to the bad.But even the air we breathewas not free for the taking on thatday, for as the game got un¬derway, a nearby suburbanitedecided to barbecue his freshlyraked leaves just a few yardsupwind of the scene of the action.As players on both teamscoughed and hacked away on thefield, a certain Maroon reporterwas in the process of becomingthe only man in the history ofjournalism ever to sqale theprecarious Lake Forest press boxladder while carrying three hotdogs and a coke (on an emptystomach in a crosswind). Isecured a front row seat in thetower just in time to see theForesters score two quick firstquarter touchdowns on a 53 yard run by wingback Steve Stefancicand a 65-yard pass from quar¬terback Dan Cantanzaro tofullback Ken Addison, and thescore at the third hot dog of thefirst quarter stood 13-0 to the bad.As the Lake Forest PA announcertwo seats down began to loosenup and throw a few quips at thesuburban crowd (“Talamonti’spass intended for the Chicagobench”), the Maroons mountedtheir most successful offensivedrive of the day, penetrating tothe Lake Forest 30 after afumble recovery only to lose theball to an interception on firstdown. The second quarter sawLake Forest march 62 yards ineleven plays to go up by 20, thenscore on the first play after aninterception to make the halftimescore 26-0.Halftime meant another hotdog and the end of the burningleaves, but the rest and the newlyfresh air failed to instill a desirein the referees to stick aroundany longer than they had to.Accordingly, the official clock didnot stop once during the thirdquarter, giving the Foresterstime for only one TD for a 32-0lead, and that was all she wrotescorewise. In the meantime, thePA man and his cronies weregetting giddy, and the crowd wastreated to such partial scores as“Kovasch Tech 49, Don KraftInstitute of Criminology 2.”The fourth quarter was a ho-hum affair which saw LakeForest making wholesale sub¬stitutions and UC making adesperate attempt to get on thescoreboard. As the final secondsticked away, the Maroons droveto the 15 and let it all ride on aMike Cook field goal attemptwhich drifted wide, and it wasback to the bus and the carbonmonoxide for a prolonged rideback (the driver had to stop at agas station to ask directions).The coaching staff, however,was encouraged, especially withthe play of both the offensiveanddefensive lines, and AssistantCoach Chet McGraw told theplayers that he “saw im¬provement in each and everyman.” The passing attack wasslightly off this week, with MarkTalamonti going 8 for 20 with fourinterceptions, and John Vail 3 for10 with one interception. Theslack was partially taken up bythe running of backs Steve St-wora, Dennis MCcNamara, andSteve Moore, and Moore got offquite a few booming punts, butthe effort was not enough to putthe Maroons on the scoreboard.Tomorrow will see the Maroonshosting Oberlin at Stagg Field aspart of the fiftieth anniversarycelebration of the last UC Big Tentitle. A splendid time isguaranteed for all as the Maroonstry yet another time for thatelusive first victory.14-Th$ Chicago MaroorvFriday, October 25, 1974 Maroon thincladsWabash edgedby Wheaton. By PETER GALLANISOne week before thecelebration of an ancient sportingrivalry, the UC cross-countryteam went about perpetuatingsome rivalries of a more recentvintage. This past Saturday, theMaroons played host to WabashCollege, Valparaiso University,and Wheaton College at theirhome circuit in Washington Park.Whether it was due to an affinityfor the home sod, or perhaps tothe invigorating climate, theMaroons turned in an excellentoerformance. At the time thesnow was beginning to drift, thefour coaches had not yet decidedhow to score the meet. If it was astraight four-team encounter, theMaroons finished second;Wheaton had 43 points against 53for the UC, 57 for Valpo, and 60for Wabash. Scored as a set ofseparate dual meets, the hometeam fell to Wheaton by a 25-30score, while edging Valparaisoand Wabash by scores of 26-29and 27-279, respectively.The key to this strong showingwas the fact that the Maroonswere able to place all of their firstfive runners among the firsttwenty overall finishers. JohnSchuster and Brian Kay both ranwell, and Charles Lutz, whofinished tenth overall, ran a finerace. Blair Bertaccini, who wasnever far off the pace, came in fifth over the five mile course.There was a mild upset in thefirst place finish, as Wheaton’sDale Thompson ran the course inthe excellent time of 24:52. Noone was as surprised by his finishas Thompson was himself. Afterthe race, he admitted that he wasexpecting Hildebrand to flashpast him at any point in the lastmile. Unfortunately, however,Hildebrand had come down witha case of muscle cramps in thethird mile; although he was ableto hold off the rest of his pur¬suers, over whom he had acommanding lead at the three-mile mark, he could not holdThompson off. Consequently, theWheaton runner managed to gaina split in his two meetings withHildebrand this year.Saturday also marked thesecond meeting this seasonbetween the two teams; for thesecond time, the UC fell toWheaton. Nevertheless, theMaroons were considerablycloser to Wheaton on this oc¬casion than last Saturday, whenthe Crusaders beat them atSpring Arbor by a 24-35 score.The two teams will soon cometogether again; this time, it islikely that surprises will be instore for both the Wheaton teamand for Mr. Dale Thompson,when the “Run for Fun” ganglets its feets do their stuff tip ValpoKAY: Brian Kay has con¬sistently placed among thetop four runners this season.LUTZ: Charles Lutz of theMaroon cross country squadfinished tenth overall inSaturday's triple dual meet.QP's still leadZAPUC VARSITYSCOREBOARDLAST WEEK’S RESULTSFOOTBALL.Lake Forest 32 Maroons 0SOCCER:Michigan-Dearbom 3 Maroons 2WOMEN S FIELD HOCKEYWOMENS FIELD HOCKEY:Lake Forest 7 Marrons 1WOMENS FIELD HOCKEY:Lake Forest 7 Maroons 1CROSS COUNTRY:Maroons 26 Valparasio 29Maroons 27 Wabsh 29Wheaton 25 Maroons 30NEXT WEEK’S EVENTSFOOTBALL:UC vs Oberlin. Sat. Oct. 26, 1:00,Stagg FieldWOMEN S VOLLEYBALLUC vs Chicago State, Tues Oct.29, 6:00 Ida Noyes GymSOCCER:UC at Wheaton, Monday, Oct. 28,4:00UC vs Rockford College, Wed.Oct. 30, 2:00 Stagg FieldCROSS COUNTRY:UC Invitational Meet, Sat. Oct.26. 11:00 Washington ParkUCTC Open 4 mile, Sat. Oct. 26.12:00 Washington Park Although there were severalsurprises in the first completeweek of intramural football, thetwo leaders escaped unscathed.ZAP taught GRAD. EDUCATIONa 27-0 lesson while the QUARTERPOUNDERS edged a toughBEAREATERS squad 16-7On the surprise side, SHOREYmade use of two ineligibleplayers in their 2-0 victory overHITCHCOCK WEST and as aresult lost the game on a protest.BRECKINRIDGE washammered 24-0 by the outfit fromPHI GAMMA DELTA and theCOMMON LAW SEALSoverwhelmed the MAD DOGS toregain a position in the Elite 10.THE BUSINESS SCHOOLteam showed strength indefeating ECONOMICS 28-0 andtipping Tony Meyer’s WILDBUNCH in a bitterly foughtbattle, which is still underprotest, 14-12.The top games next weekshould be in the Divisional RedLeague. The QUARTERPOUNDERS will find out whatthey’re made of in contests withthe BUSINESS SCHOOL and theWILD BUNCH, while the B-SCHOOL will also be tested bythe BEAREATERS In theDivisional White the game willbe H\ ranked ZAP against #3ranked BIG MED MACHINEMonday at Midway 2.On the undergrad side,HITCHCOCK EAST will faceundefeated UPPER RICKERT inthe White, PHI GAM. will faceBLACKSTONE in the Blue, andSHOREY will face LOWERFLINT in the Red.A reminder that entries for theIM Women’s swimmingmarathon are due October 23 inIda Noyes 201. Men s squash andswimming entries are dutOctober 30th along with Coedswimming and table tennis(mixed doubles). Those entriesshould be turned in at the IMoffice, west end of Bartlett firstfloor. IM FOOTBALLTOP 101. ZAP (3) 1*0 572. Quarter Pounders (2)2-0 553. Big Med Machine (!) 2-0 424. Hitchcock East 1-0 375. The Business School 2-0* 356. Security 1-0 297. Common Law Seals 1-0 268. F.U.T.T. Bucks 1-0 129. Phi Gamma Delta 1-0 1010. Beareaters l-l 8Others receiving votes:Blackstone, Lower Flint, TCB,Upper Rickert, Wild Bunch,Shorey.Numbers in parenthesis referto first place votes Total pointsare out of a possible 60 awarded10 pts for 1st, etc.•One victory is under protestHOW TOP 10 FAREDZAP 27 Grad Education 0ZAP 27 Grad. Education 0Quarter Pounders 16 Beareaters7Big Med Machine 21 Chasers 0Hitchcock East 27 Henderson 0Business School 14 Wild Bunch12*Business School 28 Economics 0Business School 28 Economics 0ComYnon Law Seals 33 Mad Dogs0F.U.T.T. Bucks 14 Agony ofDefeat 0Phi Gamm. 24 Breckinridge 0JBUkJ t art, iTu ■ » i iitf .hi a—i a* *MAROON CLASSIFIED ADSSPACE11/ 2 rm furnished Kitchenette aptCORNER tor Dec 1st, lease. Oneperson *132 00 mo 5442 Harper AveMI3 9389UC Student seeks 1 bdrm, studio orcoachhouse or to share apt with othersin Hyde Pk. Call 536 4997 It no ans 24165212 bedroom apts available. Rents*130 00 monthly Bldg close to campus 6104 S Ellis. Phone 955 2000 torinformationCHICAGO BEACH HOTELBEAUTIFUL FURNISHED APARTMENTS Near beach, parks, 1C trains.11 mms to loop, UC and loop busesdoor Modest, daily weekly, monthlyrates, 24 hr desk Complete hotelservices 5100 S Cornell, OO 3 2400,Miss SmithLive >n Frederika's famous buildingNearby turn or unfurn 2, 3, 3 1/ 7 rmcomplete apts tor 1, 2, 3 people. Quiet*120 up Free utils Latham, Strong,Edmodson, 6045 Woodlawn 42/ 2583;955 9209 or leave word at 927 8411 ext311.JAMES\ SCHULTZCLEANERSICUSTOM OUAUTY iCLEANING10% student discount !1363 E 53rd St752-6933 1. ' , ■' ; *rLOUIE S BARBIR SHOPWill **yl* your holr o« youwould »ika i* dono1303C. S3rd St.FA 43878SUPERB LOCATIONAdiocent to the MidwayOverlooking Jockson Park &Lake Michigan. Conveneint toUniversity of Chicago shuttlebus and evening mini-bus ser ,viceJACKSON PARKTERRACEApartments andTownhousesHIGH-RISE/MID-RISE/LOW RISEThe Choice Is Yours 1Centrally oir conditionedluxury High Rise and Intimate3 story Mid Rise MagnificentTownhouse clusters withprivate entrances, privatepatios and/or balconiesEfficiencies. 1,2,3,4 Bedrms.—Color coordinated rangerefrigerator, cabinets.—Stainless steel kitchen,disposer.— Color coordiantedbathrooms ceramic filefloors & tub enclosures.- Recreation/meeting rooms—Full height wall-to-wallbedrm. closets.—Sound partitioning—Master TV antenna—Exclusive off street pkg.—24 hr. security system.—Building set among trees,plantings, walkways.WHAT CITY LIVINGSHOULD BE. THERE'SNOTHING ELSE LIKEIT...ANYWHEREIMod*It Open11-7 DailyRentals:$210 to $382241-7700Leasing and Management byBAIRD & WARNERRental OffUt *040 S. Hfper Beautiful Studio Apt Bathing BeachParking Door Man 1166 mo. Aval.Nov ftl 876/SCENES"Rag Time and Salon Music in theGrand Tradition" by Hirsh andMontgomery Sunday. Nov 3, 8 PMTickets *3 00 (UC Students *2 1)0) atthe Student Activities Office, ReynoldsClub, or at the doorBERTRAND RUSSELL SOCIETYCall Gary at 776 8018 after 6 PM College Placement and VocationalPlanning for those wanting more forChildren than overburdened highschool counseling departments canoften offer New Center for Counselingand Psychotherapy DE 2 0387Handyman wanted full time to work inHyde Pk area Steady, residentialwork. Call 667 1265 9 a m to II a mPORTRAITS 4 lor *4 and up MaynardStudios 1459 E 53 St 2nd Floor 6434083Hear Pro! Philip M Hauser talktonight at HiHel on "implications ofthe Social Morphological Revolution♦or the Jewish Community, 8 30 5715WoodlawnThe Promised Lands, film producedby Nicole Stephane A directed bySusan Sontag will he shown Sat Oc*26 at Breasted Hall, 7 15 A 9 30 p m*1 00 Discussion at Hiiiei House after2nd showing Movie was filmed inIsrael Oct Nov 1973WOMEN'S TOUCH FOOTBALL Sunat 12 59th and Kenwoco informal, noexperience necessary Join us!PEOPLE WANTEDLOCAL ICE RINK 10 mir, by car, 20mm Drexel »t bus, ne<ds responsiblestudents 11team nockey clinics,referee; ftoor'y or rc- time 7>learn icecleaning machine get era* rink work,sourly or ice time 3 good with mdscoaches in exchange tor season pass oriCt time Leave -an , and number at255 1373RESEARCH ASSiSTAon playroom ipVraf tir.rabout S.hrs weekleave menage tor Ha* nt for p’- iecti 12 hour Forall 684 1800 ftSchool bU* On,d w,«free We.br esc ay m<Harvard El Gtxvg, rti mus, r n i n g \6/4 0394 it DCCanSomeone wTi s '.killed ir, rroSiC o r artrtno would like ic ns*’ ; * 3 children, 7,6. 5 after ichoc, or Sa'u* -(lays 7 57 6938663 8488/.iAjCR MG T1 ( *. <’ 1C T U R t COnet?ds resp *f?a mate*, K fmi* to n0S*in area ttiealre, par’ ’ rnc Cd*l MrChristian 78? 294rNEW ACCOUNTS 1 - t P « E S E NTATivE Person w <« c* i cus?c :merservice skills Pr or ba nk or re»* . ant«**per nec P T af’ef noons rs :atmom Call Louise rr, until, 288 800X 28SOUTH SHORE NATIONAL B/NKEqual Employ Oppor'un.ty EmployerSubiects needed for experimentalstudies of the effects ot drugs onhuman behavior Earn up to *15 persession, tne series taking 6 9 weeksMust be 71 years or older and in goodphysical condition Call Herman 9476983, ll am to 7 p m , Monday.Wednesday A FridayDIVORCE CHILDREN PARENTS,NON PARENTS, a group counselingseries for 6 weeks with individualevaluation When Divorce is Coming,Children of Divorce ages 3 18, Parentsof Children of Divorce, Divorced NonParents. New Center for Counselingand Psycho therapy, DE 2 0387The restaurant school specializes inteaching you how to run your own tineQuality restaurant Course beginning1975 combines academic course workand practical experience Write or callfor catalogue 2129 Walnut Street,Philadelphia, PA 19103 (215) 561 3446 STUDENT WANTED to work at leastone 8 hour day on and about an oldhouse near 55th and Cornell Must behandy, a careful worker, able to planand clean up Yardwork, painting,window washing, etc *2.00 per hourCall 493 6057 after 4 pmPEOPLE FOR SALEExperienced selectric typist FreePick Up and Delivery Help meet yourdeadline 374 0081Need help of experienced copy editorin writing thesis, dissertation orreport’ Call 363 7244If you want your papers to look as goodas they sound Call SUZANNE'SSECRETARIAL SERVICE 871 0565CREATIVE WRITING Workshop bywriter columnist, help on thesis, etcMU 4 3124Robert itone Movers Quick, courteous, inexpensive JOinour many wellpleased customers, avoid damagedbeiongings Van or truck 75? 3019, itnow answer 753 /I6f>FOR SALECALCULATORS top quality urn’s a’unhea'aole prices w sa*'Sfac''or>guaranteed I nandle 13 models of 5d tferent grands Also t / sets stereocomponents, typewriters, watches.and tel answering dev ces foe, withhuge discounts NiSO ABU At Midwest Co op Sale*. R‘ P 753 318/ hr s T 7.H 30 W 3 5, 7 30 8 30 T h 7 >0 8 30 orraK w> en you wishJeans, sweaters, lights, and ail yourwardrobe need*, at The Gift Shop.Lobby. Bnhngs Hosp lalLioyds AMFM Stereo w lull sizeBSR turntable. 2 way speakers, *apeinputs ex cond S90 363 56361 yr old small Sears Refrigerator, exccond Call Mary 363 6/00 x 246 in a mFive band equalizer, BSR. MetrqtecF EW 1, factoi y adiusted No case, butworks well *60 241 5752CHANDLERS INC ANNUALTEXTBOOK WAREHOUSESALE Our entire warehouse of over*one million textbooks -new andused both nardbound and paperback—current editions and out ofprints- 50*6 or more of* list priceCASH AND CARRY ONLY All salesfinal Books are alphabetically byauthor and are not separated bysubject October 25 to 28 Friday.Saturday and Monday 9 90 to 5:00,Sunday 12 00 to 5 00 Chandler's IncTextbook Division 1019 UniversityPlace, Evanston, Illinois One blocksouth ot Emerson and 1/ 2 block westof Maple Directly across from theEvanston City YardsPortable apartment size washer *50 4good H/8 14 w wall tires *55 00 1 NewSears G78 15 Tirew' wheel *24 00 8 00a m. 4 00 p m week days 753 8327VERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDINGATTRACTIVf IV* AND2% ROOM STUDIOSFURNISHED UNFURNISHED$1204193Bosed on AvailobilityAll Utilities IncludedAt Campus Bus StopFA 4-0200 Mrs. Groak Dorothy Smith Beauty SalonHY 3-10695841 S. Blackstone Ave.Specializing in Scalp-Treatments Gheri-Red-ding and Sassoon. SoftPermanents. Tintingand Bleaching. HairShaping.Open Evenings t Early MorningsMonday through FridayClosed SaturdayBRENT HOUSEECUMENICAL CENTER5540 Woodlawn5 p.m.6 p.m.7 p.m. Sunday EveningUnderground Church”Supper $1.25Social HourFriday AfternoonSherry Hour4:30 p.m.ALL WELCOME Sansui 3000, Pioneer CS88 s, Dukor der8010 (Self Dub) In factory cartons,Guar Lot *750 752 6040WANTEDLarge bookcase, folding chairs wtdGood condition 548 7174 late evesSHABBAT DINNERTraditional atmosphere, good foodFriday, Nov ) 6 00 PM at Hillel 5715Woodlawn 12 00 Sign up and pay atHillel by Wed eve, Oct 30JEWISH WOMEN'SGROUPMeets every Sunday at 7 30 PM atHillel House. 5715 S Woodlawn Formore info, call Janet at 752 5655FREE!!Learn bow to straighten out yourRELATING and get what you wantChanges Sundays 7 PM Blue GargoyleLUNCHEONIndian Luncheon at 5423 So HydePark Sunday Oct 77 at i pm TicketsS3 50 adults S2 00 children Call 3630027 or 363 4805 evesWHAT CAN$9000 BUY?a rocky ledge coop or, S Shore Dr witha secluded area of Ra nbow Pk asyour back yard Srms inclu Ir dr 13x26solarium study w th bay window 2txtrnr.s A low assmt 98 mci heat 4,taxes Call 721 6222 aft 6 30GAY LIBERATIONGay women’s cotfe<- noose orr-sentsthe women's rock band EARTH Allwomen welcome Sal CKt 26 8 PM 1Blue Gargoyle 5655 S University BOB'S NEWSSTAND5100 LAKE PARKABSOLUTELY THE BESTMAGAZINE STORE over 1000 D.fferent Titles Foreign, Literary,Political, Fashion, African, Poetry.Sports, Nobby, Auto. Cycle, Art. BlackPress, etc —Plus All 33 University ofChicago Press Journals’! New YorkTimes, Daily 6 AM Sun 9 PMSTRINGSJom other strings for quartets,chamber music MuSic Soc stingsmee* Thurs Oct 31, * PM Ida NoyesKOSHER MEATCO OPPut in your first order sign up lortobs. put down deposit and pick up bylaws Sunday 5 30 7 30 at Hillel 5715Woodlawn CREATIVE SAB¬BATH SERVICEEvery Friday night this tall at Hillel,5715 S Woodlawn at 7 30 p m Formore mfo call Warner at 684 5161 orJanet at 752 5655REFRIGERATORRENTALMmi frige. Pennies a day Freedelivery Call Swan Rental 721 4400VICTORIANFURNITUREWANTEDUniversity Theatre wants to borrow orrent chairs, small sofas, wnite wickerlawn furniture for EARNEST 18501900 or copies Call 753 3581 by Oct 25PIANO AND VOICEinstruction and Coaching larryMENDES 363 4840ASTHMATICSParticipate in study of new antiasthmatic drugs on campus Up to*300 947 5504PERSONALSis Penny P pe REALLY U856mi long’PREGNANCY TEST NO10 am 2 pm Saturdays *1 50Dona’ion 5* Auqustana Church at 55*h8. Wxidla/.nby The SOUTH 5DEWOMEN S HEALTH SER VICESWRITERS WORKSHOP »L 7 8377Writing HELP by professional torthes s. report, speecn, etc MU 4 3l/JSTEP TUTORINGinter esteg m helping neighborhoodchildren’ S*uden* TutoringElementary Proieci needs volunteersto tu’or students b, weekly in schoolworn or with spec at proiects Forinformation call jay Sugarman at 9478804 or Mary lou Gebka 643 8266PAN PIZZADELIVERYThe Medici Delivers from 5 10 30 p mweekdays, 5 11 pm Saturday 6677394 Save 60 cents if you pick it upyourselfBOOKS BOUGHTCash for used books Powell! 1503 E57th St 955 7780THEATERWORKSHOPSOpen Acting Workshop begins Sat atnoon Call 753 3581 tor into FreeMovement Workshop begins Sat at 4in Ida Dance Room An actor mustknow how to move FreeCall 7S3 3581 for Tech WorkshopSchedule40% offon these specialsatTHE BOOK NOOKAcross from the Co-oaTHIS WEEK!New Roiling Stones"It's Only Rock & Roll’List $6.98 Sale $4.19JETHRO TULL"War Child”List $6.98 Sale $4.19RUFUS"Rufusized"List $6.98 Sale $4.19Clerk TypistandGeneral Office WorkPermanent Positionwith PleasantSurroundings.MUSEUM orSCIENCE m MINISTRYAi Ejul Opportauity Eipteyerlay firs. Is: Dttic*. at-1414 Well, r<H more on less PFNNVIvXvXvXvXvXulvXv P'PELenses Replaced—rye ExaminationsContact Lenses—Prescriptions KilledDR. CHARLES S0SINOptometrist1519 E. 55th St.947-9335We can replace most lenses within a few hours in ourown lab.$4.00 per Hour 10-1 2 Hours per WeekMust have driver's license andexcellent driving record.PARK SHORE CLEANERS1649 E. 50th St. 324-7579DAYTIME YOGA CLASSESAT THE SHORELAND HOTELLearn Hatha Yoga civilizations oldest physical fit¬ness program. Discover age-old techniques ofbreathing and stretching relaxation and con¬centration that keep you in top physical condition,restore energy, and reduce nervous tension.Daytime classes will be offered next week by JackMerring at the Shoreland Hotel, 5454 South ShoreDrive. Classes will be held daily from Mondaythrough Friday from 2:00 to 3:30 p.m., and run foreight consecutive weeks.The price of enrolling for two sessions o week foreight weeks is $40. Special rates are available forpeople who want to come more than twice a week.Missed classes can be made up on other days duringthe series.Enrollments will be accepted through the thirdweek if classes are not filled. For more informationcall instructor Jork Marring ot 9SS-093£""^FJida^dctobeTTs^^TA^heCincog^MoroorrTsFRANCEBEAUMONT ♦0 39& PER LB.BRIE $0594 PER LB.CAMBREE LB.CHERRY OR $209PER LB.GOURMANDISE. walnutGRAPE SEED ♦009£. PER LB.ROQUEFORT ♦359 PER lb.GOAT CHEESE *339ranL6.ST. MARCELIN ♦229 PER LB.CREME DE PYRENNES *1" PER LB.ABBEY PORT SALUT $o ooPER LB.TOMME DE SAVOLE $o oo4L PER LB.DENMARKCHRISTIAN IX ♦ 1501 PER LB.MUNSTER $1491 PER LB.HAVARTI .* 179 PER LB.MOZARRELLA $1501 PER LB.DANISH BLUE . $1®9 per lbCAYENNA PEPPER . ^149perlb.TYBO $175I PER LB.GRANDTOST $000 PER LBHOLLANDEDAM $1751 PER LB.GOUDA $1751 PER LB.ITALYGORGONZOLA PER LB.BEL PAESE . ♦ 1 "per lb.PROVOLONE • *129per lb. CANADACHEDDAR ♦2°°p£R lb,USAALE CHEDDAR ♦I76 PER LB.VERMONT CHEDDAR.. *149perlb.WISC. BLEU *1 29 PER LB.SPREAD CHEDDARS.... *175perlb.(BLEU, HICKORY, GARLIC, SHARP, PORT)NEW YORK HERKIMER *159per lbMONTEREY JACK $ 199 per lbNORWAYG JETOST GOAT..BLUESWITZERLANDEMMENTHALERGRUYERERACLETTEENGLANDSTILTONCHESHIRESWEDENFONTINAJARLSBERGGERMANYBIANCO.ALPEN JOYPLAIN, HAM OR SALAMI $^99*125 PER LB.PER LB.*199 ran lb9199 PER LB.*1"pER LB.♦ *|75♦ 125 PER LB.PER LB.♦ 125♦*175 PER LB.PER LB.♦ 1191 PER LB♦ 199I PER LBSCHLITZ OLD MILWAUKEE CANS 75 cDaily: 9am-10pmSunday; Noon-9 pm16-The Chicago Maroon-Fridoy, October 25, 1974