The Chicago Maroon£Volume 84, Number 12 The University of Chicogo Friday, October 18, 1974i| L/C sponsors Medieval FestMcKEON: The retiredphilosophy professor willspeak during the month longMedieval HeritageCelebration. The University has announcedthat it will sponsor a Celebrationof the Medieval Heritage nextmonth on the 700th anniversary ofthe deaths of Saint ThomasAquinas and Saint Bonaventure.The Celebration, which is alsosponsored by the Jesuit School ofTheology in Chicago and theCatholic Theological Union, willgather an international congressol scholars and theologians tohonor the two saints, whose livesand work have shaped Westernthought since the Middle Ages.Beginning October 29 andcontinuing for four weeks, theCelebration will feature an ex¬tensive schedule of lectures bysome of the world’s most in¬fluential scholars andtheologians, as well as programsand exhibitions of medieval art,music, theatre and the printedword.Archbishop Helder Camara isslated to begin the events October29 with a lecture on “Thomismand Theological Liberation in theContext of Marxian Revolution in the Modern World.” Camara,Brazil’s “pastor of the poor,” iswell-known for his advocacy of anon-violent revolution to bringabout social justice and alleviatethe “subhuman condition’’ of thepoor.Franziskus Cardinal Koenig ofV ienna will speak on October 8 on“The Future of Religion.” TheCatholic magazine America hassaid of Cardinal Koenig that “hisknowledge of the religions of theworld is probably not exceededby that of any other member ofthe Sacred College.”A special University con¬vocation will also be held onNovember 8 in RockefellerChapel It will be addressed byprofessor Karl Weintraub, deanof the humanities, who is knownfor his studies on the history ofculture.Other lectures during thesecond week of the Celebrationwill be given by University ofMuenster theologian KarlRahner. Regis College’s BernardIyonergan, and the University'sFood service changesBy DAN WEYGANDTIf you can’t beat it, eat it. Atleast that seems to be the ideabehind the food service. Con¬ditions in the undergraduatedining system give further proof,if any were called for. that welive in an imperfect world. This isno condemnation, for. as theassiduous reader will divine,there are reasons for these“conditions.”Changes since last year are asfollows: for one quarter of theyear, each of the three dormcafeterias (Woodward, Pierce,Burton-Judson) will be closed ona rotating basis. B-J cafeteria ispresently closed and the residents must venture fiveblocks to Pierce for their meals.Attendance figures have not yetbeen officially compiled, butapparently most people havebeen making the trip.One of the causes for the fairlyheavy turnout may be the ap¬proximately 7 percent increase inthe price of board contracts thisyear, making it increasinglyexpensive to miss meals. Finally,residents of non-cafeteria dorms(Hitchcock, Snell, Greenwood,etc.) must purchase $90 worth ofmeal tickets over the year.None of this is news to thosepresently in the system, but somemay be curious about why suchevents have taken place. Cost is the significant factor.Last year the food service ran ata deficit of roughly $138,000. Thechanges this year, it is hoped,may save as much as $100,000principally because the laborforce has been reduced by aboutone-third.Several years ago this deficitwas considerably larger, wellover $600,000. This figure,representing at the time nearly aquarter of the University’s totaloperating deficit, was consideredby the administration to be soiarge that steps had to be taken toreduce and. ultimately, eliminateit. Dean of student housing.Edward Turkington. has beenworking towards that goal in thelast five years.But why a deficit at all? Somemay ask, “Why not just chargepeople what it would cost to breakeven?" If this means were used,cost of a contract would riseabout $350. and the Universitywould have 25% higher boardcosts than any other school in thecountry Turkington believes thiscould be a recruiting liability.More basic changes are notcontemplated in the housingoffice for the simple reason thatthe office is committed topreserving the present small,decentralized dormitory system.There are suggestions before theadministration which wouldeliminate the deficit, but keep theindividual cafeterias open;namely, preparing all meals inone kitchen and trucking it to theothers. The main drawback is thefear that food quality wouldsuffer under this plan.But how have the immediatechanges, which are regarded asonly temporary by the housingoffice, affected this year’seating?By and large the quality of thisyear’s meals is reported aboutthe same as last year’s. Theportions are noticeably smaller,but since seconds are generallyavailable, most students appeargenerally well-fed. Needless tosay, there is some measure ofcontinued on page 17Inside this issue:Gynecology p. 3On the Hustings p. 4Folk Music Poets GCJ 1 own Richard McKeon Rahner,famed for his contemporaryinterpretations of Aquinas, willtalk on “The Incomprehensibilityof God according to ThomasAquinas.”Ivonergan, whose studies onhuman understanding havestimulated a lot of scholarlydiscussion, will lecture on“Aquinas Today: Tradition andInnovation.” McKeon, who hasinfluenced Americanphilosophical thought through hisexaminations of Aristotleand themedieval philosophers, willspeak on “Philosophy andTheology. History and Science inthe Thought of Bonaventure andThomas Aquinas ”The complete schedule tor theCelebration includes more thantwenty major lecturers, andmany more repondents andcommentators Two intertwinedseries of lectures will bepresented, one on medievalreligious thought and the other onthe medieval cultural and in¬tellectual heritage. The latterwill include discussions on thepolitics, economics, science andliterature of the period During the Celebration,Regenstein Library will display-manuscripts, incunabula(printed matter from before1500), and classical editions cfAquinas. Bonaventure and theircommentators. The exhibit willbe gathered from the mostdistinguished collections in theMidwest, including that of the co¬sponsoring Newberry Library ofChicago.On November 15 and 16 ThePlay of Adam will be stagedunder the direction of AnnetteFern. The twelfth centuryNorman play was one of theearliest plays written forproduction by an organizedgroup.Musical presentations willinclude Mozart's Requiem andVesperae Solennes de Confessoreby the Rockefeller Chapel Or¬chestra and Choir conducted by-Richard Vikstrom. Also, theCollegium Musicum will presenta program of medieval music onNovember 17A complete schedule of theevents included in theCelebration is available from theUniversity’s Divinity SchoolWEINTRAUB: Dean of the humanities Karl Weintraub willdeliver a special convocation address next month as partof the Medieval Heritage Celebration.SG assembly elects fivemembers to SFA CourtBy PETER COHNThe student governmentassembly elected five newmembers to the Student FacultyAdvisory Court (SFA1 lastMondayMickey Eder and David Saleswon two year terms; KateO'Brien. Robert Pasulka, andI^ee Booker each received oneyear terms. The new SFAmembers are all SGrepresentatives, although theymust resign when their terms onthe court begin in November.Before the election, eachcandidate for the court had timeto make a brief statement and toanswer questions, during whichmost of the candidates werequestioned about thecontroversial SFA court decisionon the SDS case last year A largemajority of the candidatessupported the ruling.At the same meeting. CORSO(Committee on RecognizedStudent Organizations) chairmanTom Cook reouested funds for theRugby Club and the University radio station, WHPK TheAssembly follow ed Cook’srecommendations, earmarking$3<x> for rugby uniforms andfootballs and $771 for capitalexpenses and salaries at theradio station Cook alsoannounced that this year’sCORSO budget will be $34,000.including $400 left over from lastyearSG President Stuart Sweetcalled for the creation of astudent loan program operatedby the registrar's office. Sweet’sproposal provided for loans of upto $25 to students. Severaldelegates requested that acommittee be formed to go intothe specifics of the plan. and.with Sweet’s approval, a two-person committee was formed, toreport at the next meeting with adetailed plan.Sweet also announced theappearance of Rev. PhillipBerigan. which takes placetoday, and set the date forfreshman SG elections asOctober 31 and November 1.The next SG meeting will be onOctober 29FOOD: New housing service regulations affecting dormcafeterios hove led to long lines like the one at Pierce Tower.Photo by Eric Beuther.CompanyZT DEALERS„ M» 3-35Q0Midway Chevauthorized chft522 C0TTAOC BPCH*CAOO.BILLISGS HOSP£fs - TEACHERS§ QmsQ QctstotkkLohpekofDo UAHSI R UNIVERSITYU3 NATIONAL BANKCHICAGO, )U.tNOtS AO*'9 ChevroletTiuowis'-,ttlRSaSiffe ^discounts tNOW INEFff?oTaL—When you come .n tc^ ^ deliverythis tree 5,50h ^50 00 on top ot the savingsYou II receive thek at Midway Chevroe fOR L£SS'PR000^A?EAXP^S°. 31 W74 ^^=3OK USED CARS!CHEVIES • PONTIACS • CADILLACS •FORDS • BUICKS • CHRYSLERS • SPORTS & FOREIGN •74 CHEVY VEGAHATCHBACK *2688Factory air cond. Auto trans. White wall tires.74 CHEVY VEGA '2237 1974CHEVY NOVAS 1973CHEVY VEGARadio Whitewalls. Heater. Stick Shift.72 CHEVY IMPALA *22952-Dr. hardtop. Auto trans. Factory air conditioned Power steering. Power brakes.Vinyl roof. Radio.71 CHEVY VEGAHATCHBACK >1095Auto, trans. White wall tires. Radio. Heater.70 MERCURY MONTEGO '7954-Dr. 6 cyl. Auto. Trans. Power Steering Radio.’69 CHEVY IMPALA ’7952-Dr. H.T. V-8 Engine. Auto. Trans. Power Steering. Factory Air Conditioned. Vinyl Roof. PRESENTYOURU OF C10 CARO* WAY LESS WITH YOUR TRADEAuto trans., power steering,power brakes. V 8 engine,whitewall tires, factcond , radio, *predriven WAY LESS WITH YOUR TRADEPower Steering Power BrakesAuto Trans Whitewall Tiresk \ Radio Predriven.comINORMAILCOUPONTOD A Y!REGISTER NOW FOR FREE MOTOROLA 79"COLOR T.V.Come In today. No purchase necessary. umiiKVTIME ONLY!U. OF C. STUDENTS! TEACHERS! HOSPITAL EMPLOYEES!I ■■ ■■ ■■ WM Bi ■■ ■■ ■■ ■■ IB ■■ Hi Hi ■■ ■■ M WM WM ■■ flu M M wm mm ■■ ■■ m mmt ■MIDWAY CHEVROLET, INC.6522 S. COTTAGE GROVE AVE.CHICAGO, ILLINOISGENTLEMEN: PLEASE CALL ME AS SOON AS POSSIBLEI am interested in aspecify year and modelMy present car is aspecify your trade-inNAMEADDRESSCITY & ZIP CODEPHONE NO.DON’T GO HALFWAY OPEN SUNDAYSChevrolet.... . 2 CONVENIENT LOCATIONS6522 S. COTTAGE GROVE AVE. ,PHONE: Mi 3-3500 oppndaily tilsp m • sat, osun. til/2, The Chicago Maroon, October 18,1974Patients differ on gynecology careBy CLARA HEMPHILLEvery week, 75 to 100 patientsvisit the student gynecologyclinic, which has just moved fromthe Community ReproductiveHealth Center at 57th and Drexelto the renovated east office ofChicago Lying-In Hospital. If youask patients about the care theyget at the clinic, you get wildlydiffering remarks.“The doctor was reallyabrupt,” one patient said. ‘‘Ididn’t even ask her for aprescription (for birth controlpills) and she just wrote me onefor a year. Then she left, andthere wasn’t even time forquestions. You’d think a womanwould have more compassion.”“I think the doctors are reallycareful about the care they give,” another patient said. ‘‘They treatyou in a really human way. I wentto a private doctor this summerand he didn’t answer any of myquestions. I‘ll be sorry when Igraduate and can’t use the clinicany more.”‘‘The clinic is just like anyother service of the University,”another patient said, ‘‘like careercounseling or the college ad¬visors' if you know exactly whatyou want, you can get it. If you’reunsure, then you run intoproblems.”The clinic stall is also en-a week: on Tuesdays from 8:30 to10:30 a.m., on Wednesdays from 1to 3 p.m. and on Thursdays from9:30 to 11:30 a.m. At present,there are two doctors and twonurses working at the clinic. Patients are given fifteen minuteappointments.Many of the complaintspatients have about the clinicseems related to the fact that theclinic staff serves 75 patients inFEATUREsix hours. Some students com¬plain that they have to makeappointments two weeks in ad¬vance, a negligible inconveniencefor a routine check-up but aconsiderable inconvenience forthe treatment of a vaginal in¬fection.Other students complain thereCLINIC: The gynecology clinic is one of the health services available to female(and even male) students on campus. Photo by Charles Harvey.LETTERS TO THE EDITORSanityTo the editor.I was angered by the tone ofDean Valentine’s article on theUniversity Mental Health Clinic,especially when he said it wasencouraging what the percentageof undergraduate use of the Clinichad gone down — “Sanity isepidemic.” This perpetuates thedangerous myth that if one is notin therapy, one is sane. This mythprevents many people fromgetting therapy until they reach abreaking point, because they’resomehow afraid that the very actof going for therapy will provethat they’re “crazy”.There is a new attitude inhumanistic psychology thatperhaps Valentine should hearabout. It tries to do away with theold stereotype that therapy is forthe “sick ” We could all usetherapy; not because we’re allcrazy, but because we could allbe happier, more effective, moreat peace with our environment,more able to get what we want. I’m encouraged when I hear thatmore people are using the Clinic— or using peer therapyresources like Changes orReevaluation Counselling. Beingin therapy means being in theprocess of becoming whole.Sincerely yours,Ann WeiserTurned offTo the editor:The Anastoplo Gadfly piece onNixon is tragically typical of thesad a morality, abysmalignorance and naiverationalization that has becomepart of this school and yourpaper.Is their (sic) any wonderpeople are “turned off" on thepolitical system and itsengrossing cover up.Hans ShmidtUFOTo the editor:We were very happy to see afront page article on the University FeministOrganization in Tuesday’s (Oct15) Maroon. Upon reading it,however, we discovered a ratherunfortunately ironic and, wehope, inadvertent misnomer. Youdescribed the women who cameto the UFO meeting as “75 youngco-eds.” We assume it is notnecessary to dwell on the second-class status the term “a co-ed”implies. We don’t enjoy being nit¬picking, but your classification ofthose UFO members indicateshow far women have to go at thisuniversity.Karen DodsonJane GinsbergCatherine GrochowskiJuli McCauleyJoan WeidenhamerMinoritiesTo the editor:This letter is in response toTuesday’s Maroon article“College seeks minority ap¬plicants.” While the figurescontinued on page 17 is no time to ask the doctorsquestions. One said her medicalhistory was not taken when shewas given birth control pills.Some say the clinic telephone isoften busy, or that it rings andrings without being answered.Marilyn Moore, a counselor atthe clinic, discussed the plans thestaff has to alleviate theseproblems. “Money? Yes, that’sthe problem,” she said, “but in away that’s insoluble. There’s noway we can get the money to hiremore doctors and nurses. Whatwe are experimenting with,though, is finding ways to utilizeevery minute in the clinic.” Newscheduling procedures have beeninstituted to allow students withimmediate problems to come inwithin a day or two. Until thisfall, all appointments werescheduled two weeks ahead oftime. Now, the clinic schedulesonly 15 regular appointments twoweeks ahead and leaves 10 ap¬pointments open for immeadiateemergency care.The clinic staff is also en¬couraging patients to askquestions over the telephone sothat a clinic visit can be avoidedin some cases.Another experiment is thetraining of “sexual health carepeers”. There are about tenstudents, most of them socialservice administration graduatestudents, who were trained lastsummer to be “student ad¬vocates” in the clinic They workto make sure that patients'questions get answered, to dealwith personality conflicts thatmay arise between the patientand her doctor, and according toMoore, to act “as a liason bet¬ween the system and the peopleusing it.” Two or three of thesestudent advocates are alwayspresent during clinic hours.Their work will free the doctorsand nurses to deal with thestrictly medical needs of thepatients. Moore hopes that thestudent advocates will alsochannel patient complaints aboutthe clinic.“We want more feedback frompatients,’’ she said, “both positive and negative.”These changes in the clinicmay alleviate some of theproblems which students havecome across. Other problems,though, remain.Many patients wonder whythey are charged five dollars fora pap smear, and early cancerdetection test, while tests at thestudent health services, outsideof the gynecology clinic, are free,throat cultures and blood tests,for example.Moore noted that the first papsmear a student receives is free,and that only successive testshave the five-dollar fee. She alsosaid that the test costs the clinic$7.50, with the University payingthe difference.Most of the other services atthe clinic are free to studentssuch as screening for venerealdisease, pregnancy tests, andpregnancy counseling. The clinicmakes abortion referrals, butdoes not pay for the operation.Moore said that medical in¬surance companies were beingpressured to pay for abortionsand in the future more sutdentswould be covered.A little known service that theclinic provides is counseling formen. Moore said that she en¬courages men to come and talkabout problems they might haveand a number of them have comein with problems of impotence“They're always reassured.'Moore said, “when they hear thatthere probably isn't a single manwho isn’t impotent at some timein his life.”Sometimes a man and a womancome in together to talk abouttheir sexual problems.The clinic is in the process ofmoving from its old location onDrexel to Chicago Lyin-ln. whichaccounts for the recent difficultyin reaching the clinie bytelephone.By the end of the month,however, the move should becomolete, and the clinic will bebetter able to serve its patientsThe telephone number to call tomake an appointment or ask aquestion is (94)7-5338The Chicago MaroonLisa Vogeln*?ws eW/forMike RudyM.ke Klmgensmith Tim Rudypr/i tnr in-rhiafJeff RothinonOr)inQ ®Wifr>rPaul Yovoivichs mnnnopr<*d'*or*Maria Crawford Scoff Dave AxelrodAnn Ihorne John VailO'^'ar" tx monaow D»o>oqranhv wT.iorScon BernardTom BransonCarol Bo.-^.iidePeter CohnPeter DroperJeanne Dufort rit'llfibyl.ng ertftorxSteve Durom fom McNamarachip ForresterPeter Gallon.sClora HemphillMark Herskovifi staffKevin Kamraciewsk.Jim KaplanSozonne K(em Snern MalloryJim NochborTony OoksAnne Riker Rachel RosenJonathan RothstemElizabeth RussoMike c.ngerC'ean ValentineThe Chicago Maroon is published twice a week during theacademic year. Advertising and subscriptions are handled bythe Business Manager (Mr. Paul Yovovich), 1212 E. 59th Str.,Chicago. Ill. 60637. Phone (312) 753-3266.CARPET CITY6740 STONY ISLAND324-7998i Has what you nood from a\$10 used 9 x 12 Rug to acustom cor pat. Specializing (in Remnants & Mill returnsat a fraction of the originalcost.Decoration Colors andQualities. Additional 10%Discount with this AdLFREE DELIVERY JAMESSCHULTECLEANERSCUSTOM QUALITYCUANING10% student discount1363 E. 53rd St.752-6933 EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURTROSENBAUMOptometrist(53 Kimbark Plaza)1200 East 53rd StreetHYde Pork 3-8372 TAhSAM-WCHINESE AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPCN DAILY11 A JYL TOR: 30 P.M.SUNDAYS AND HOLIDAYS12 TO 840 P.M.Orders to toko out1318 last 63rd MU 4-1062 AUTUMN SALEThe \ Save 15%7rtt On our lowest price Classicalguitar.Shop O V Now $39.50\ Rosewood Classic Guitar5110 S Harper- \ Only*in Harper Court* ) $85.00H01-1010/ at the FRET SHOPOctoLer 18, 1974, The Chicago Maroon, 3Fraud worries BensingerBy DAVE AXELRODPeter Bensinger, Republicancandidate for sheriff of CookCounty, met with representativesof four college newspapersyesterday, and urged students toenlist as election judges.“It would be a great lesson incivics and representativegovernment for you, andprobably helpful to us,” saidBensinger, who is currentlyleading his opponent, SheriffRichard Elrod, in various polls.“As you know, there is a historyof vote fraud in Cook County.”Wayne Kost, administrativeassistant to Bensinger, said votefraud could conceivably changethe outcome of the election.“If the vote is close, themachine may try to steal thevotes they need to put Elrodover,” said Kost.The candidate urged interestedstudents to contact ProjectLEAP, Legal Elections in AllPrecincts, for further in¬formation.Bensinger, 39, has beencampaigning vigorously sinceJanuary, and with the aid of afinely honed media effort, hasbecome the most seriouschallenge to the Democraticmachine’s county ticket.“The issue is politics,” he said.“In Cook County corruption is ourissue, honesty is our issue, not theDemocrat’s.”Bensinger charged his op¬ponent with mismangement ofthe sheriff’s office, citing thelarge number of patronagepositions Elrod has awarded tomachine workers.“Elrod has run the sheriff'soffice for the machine, not thepeople. My background has been in criminal justice, and I want tosee the sheriff’s office run as alaw enforcement agency, ratherthan a political club.”Bensinger served as executivedirector of the Chicago CrimeCommission in 1973, and directorof the State Department ofCorrections under GovernorRichard Ogilvie from 1970-73. Heis also a past chairman of theIllinois Youth Commission.“I plan to eliminate the fat, theunnecessary jobs, the hackpositions from the sheriff’sbudget.“Instead of 149 personal baliffsto senior county judges, whosesole function is to drive thesejudges around, pour water forthem, and wait on them hand andfoot, I would put 50 more officerson the street, hire 24 more youthofficers, and institute a fivewoman rape unit.”Bensinger added that thebudget of the sheriff’s officeshould be tailored to “the needsof the county.”Although the attractive andarticulate Republican candidatehas received widespread in¬dependent and editorial support,independent DemocraticGovernor Dan Walker has en¬dorsed Elrod.“Walker cannot be objective,”said Bensinger. “He associatesme with Ogilvie, and thereforewill not support me.”Walker unseated Ogilvie in the1972 gubernatorial election.Bensinger also released hisfifth list of campaign con¬tributors yesterday, andcriticized his opponent for notfollowing suit.“I have released a list of mycontributors at 60 day intervalssince the campaign began. My BENSINGER: Republican can¬didate for Cook Countysheriff, Peter Bensinger.contributions have totaled morethan $260,000. It’s all there.“Elrod has released on list ofcontributors accounting for$17,000. He is just not beingcandid.”Bensinger appeared confidentas he predicted victory in theNovember 5 election, but refusedto predict the winning margin.“It could be a wide margin, andit could be very close. I hope togain some strong support fromyoung voters around the county.”Kost estimated the number ofeligible college voters in thecounty to be 13-15,000. However,he doubts that there will be aheavy voter turnout from thecampuses.“I really hope the students willtake an interest in the election,”said Bensinger, who has visitednumerous campuses during thecourse of his campaign. “Afterall, the young have the greateststake in the future of CookCounty.”L/C professors come and goMINTEL: Richard Mintel, popular biology professor, didafter being deniedBy MIKE RUDYAs the result of a controversialdecision made last December,Richard Mintel, associateprofessor in the College and thedepartment of biochemistry, wasdenied tenure and is no longerteaching at the University.In addition to Mintel, at leastseventeen other professors haveleft the College and graduatedivisions either voluntarily or asthe result of unfavourable tenuredecisions while seventeen otherprofessors are teaching on thequads for the first time thisquarter.The biggest turnover occurredin the history department wherefour men left and two womenwere hired. Charles Greyresigned to accept a position atYale and Donald Scott is now atNorth Carolina State.Charles Hamilton and SumnerBenson were both denied tenure.Hamilton is now teaching at SanDiego State. Benson’s departurewas one of the reasons for thecacellation of the Russiancivilization sequence.Cathleen Reed and Sarah Cookhave been hired by the depart¬ment.In the biology department, inaddition to Mintel’s departure,there was one resignation.Professor Thomas Park alsoretired in July.There are two new people in thedepartment: Steven Arnold andNiza Frenkel.Professor George Holtzworthof the department of biophysicsand theoretical biology resignedfrom the University. No one elseleft the department and twoadditional people were ap¬pointed, Marvin Makinen andLucia Rothman-Denes, who wasa research associate here before not return to campus this yeartenure. Photo by Charles Harvey.her appointment.In the political sciencedepartment, there was oneresignation and two new ap¬pointments. Nathan Leites hasleft the department; Ira KatzNelson and Donald Wittman werehired.The geography departmentadded two new members, DonaldJones and David Woodward, butthere were no resignations.Professor Marc Nerlove, whowas on leave last year, resignedfrom the economics departmentto teach at NorthwesternUniversity. In the only otherchange, Edward Lazear wasappointed to the department.In the department of NearEastern languages andcivilizations, Professor StanleyGevirtz resigned after a two yearleave of absence. Harry Hoffnerand Dennis Pardee were hired bythe department. Pardee has beenteaching on a part-time ap¬pointment for the past two years.Professor Carol Feldman of thepsychology department resignedand Lance Rips was appointed. mathematics, Alberto Calderonand Robert Soare There were noresignations from the depart¬ment.The sociology department losttwo men who resigned to acceptappointments elsewhere. StanleyLieberson is now teaching at theUniversity of Arizona and JohnKasarda resigned to go to FloridaAtlantic University.The chemistry and geophysicalsciences departments each lostone man. Ronald Kluger resignedfrom the chemistry departmentand David Atlas resigned inMarch 1974 from the departmentof geophysical sciences.Professor Allan Gibbardresigned from the philogophydepartment to accept an ap¬pointment at the University ofPittsburgh.The linguistics and the physicsdepartments each lost one man.Anthony Naro resigned fromlinguistics and WilliamZachariasen retired from thephysics department.The department of behavioralsciences has appointed JaneEllen Huttenlocher. There wereno resignationsTwo additional professors havebeen hired by the department of4, The Chicago Maroon, October 16, 1974 the ONLY BAKERY inHyde Park is inIda Noyes!Monday-Sat urday10 A.M. to 10 P.M.Br eads-Ca kes-P i esRoils-PastriesHenley Pure Lambswool PulloverSupremely comfortable pullover with the greatclassic look Made in England of 100% purelambswool . . . fully fashioned with authenticAlan Paine saddle shoulder. In a wide rangeof exclusive new colours. Sizes 38 to 46.Henley v-neck pullover 27.50Peldon cardigan, not shown 39.50IN THE HYDE PARK SHOPPING CENTER • MTH 4 LAKE PARKOPEN THURSDAY TO S:30 P.M. AND FRIDAY • 3 7:00 P.M. PHONE 752 8100USI TOUR BANKAMItlCARO. MASTKB CHABGC.A Mf RICAN IXPRISS OBCONN 4 STKBMCMABGIMale Muses showmore sensitivity,renewed excellenceBy Gage AndrewsPerhaps the greatest recent advance in folkmusic has come in the writing done by maleauthors, and the honesty towards all facets oftheir lives which they are now displaying.Last year at approximately this time, wewere commenting upon the conspicuousabsence of male folksingers; the observationwas triggered by a spate of excellent releasesby female folksingers, which along with thethen current exposition of the trend towardsfeminism seemed to auger the dawn of a newage of folk music. We would not say thestatement now seems premature, for theseveral excellent releases of recent weeks bywomen if anything reaffirms our opinion of theheightened prominence of female folksingers. One might merely wish to record,and applaud, the changes that have beenwrought in the expression and conception ofmale/ female relationships by both our oldand some of our new male musical poetlaureates.Men have been writing about women for along time; even without chauvinism, it is atopic that is clearly upon their minds. Many ofthe most successfully realized songs havebeen about either the finding or thedisintegrating loss of intense love, and it isonly natural that an individual should writeabout such an experience from the viewpointof one’s own personal experience. Since, forreasons which need not be gone into, themajority of writers/ singers/ etc. of ourgeneration of peers has until very recentlybeen overwhelmingly male, the products oftheir efforts have accordingly had maleorientations, biases, and points of view.A radical change in that viewpoint has beeneffected. While a great number of songscontinue to be written about romanticinvolvement, the men seem to be moreaffected by these relationships than everbefore. They are hit harder by breakups, andfeci more free to talk about it; and what ismost extraordinary, one discerns a sense oftheir own failure, and admission of at leastpartial responsability, for the first time.Not that mawkish and traditionalsentimentality and role playing are totallyabsent from the hot 100; nor that any traces ofegalitarian approach have in anywa\diminished the general preoccupation withone’s own world and its characteristics asseen by a solitary, and often lonely,perception. The degree to which women havemade gains in folk music is not appreciabhgreater than the rate which they have madegains with the public in general, despite the argument that might be made for therelatively greater sensitivity of thefolksinging “artist” to the movement,because of their supposedly deeper per¬ception into peoples and cultures. If we grantthat proposal a measure of validity, the ad¬vances made by women in society — inrespect to the standard of folksingers —would be much smaller than even the smallamount that actually seems to be the case.Part of the reason of the noticeability of theshift in the interpersonal focus of theseauthors is the general absence of politicalconsiderations from contemporarysongwriting. The apocalypses which areforeseen and foretold are cultural orpersonal, rather than social or political. Theinterest in the individual is intrinsicallygreater than it has been in the past; one of themost exemplary illustrations of this point isthe increasing degree to which authors seemto be writing for and of themselves. Theiraudience is privileged to share theexperience, but not one of the major voices iswilling to step forward and speak for morethan the single person they inherentlyrepresent.Despite his unwillingness, and perhapsunfitness, to step forth as a spokesperson,Tom Rush must be lauded for his continuedsuccess in isolating and presenting major new-poetic songwriters. Rush was the first toexpose and popularize the (now oft-repeated)trio of James Taylor, Joni Mitchell, andJackson Browne. He has recorded numerousother writers whom have not chosen to go thesinging-songwriter route, and who havebecome the backbone of the interpretivefolksingers’ repertoire, including MurrayMcLaughlin, Lee Clayton. Wayne Berry.Jesse Winchester, Ere Kaz, Eric VonSchmitt, and Guy Clark.Rush's new album. Ladies Love Outlaws,utilizes the talents of several of these writers.The center of the album's effectiveness is notupon their talents, however, but rather thegruff and graceful effectiveness of Rush’ssinging voice. Rush possesses the sole voice inall of folk music which avoids the seeminglyinevitable cancellation which occurs whenpleasant singing meets necessary emotionalovertones within the lyric structure of a songMost singers either sing blithely through, andthen augment their expressive capacity bythe addition of violins to the song sarrangement; or else they groan out animpassioned, back wrenching wheeze that isas noteworthy for its a musicality as for theimpropriety thereofRush avoids this all. Blessed with apleasant tenor and a natural phrasing and emotional awareness, and with several otherthings which 1 would like to accredit to hisNew Hampshire upbringing (since it is one ofthe few things I share, at least partially, withhim), he is easily the most persuasive andmost versatile of today’s folksingers Dylan isextraordinarily effective, but he has theweight of cultural inertia behind him andRush does not.The first four songs on the second side ofLadies Love Outlaws provide a widerangingdemonstration for his talents “Claim on Me’’is an up-tempo freed from-my-bonds song,containing the notable line “nothing but thewind and a couple of friends/ have a claim onme." He handles it with dignity and withoutcondescension. “Jenny Lynn” recalls hisearliest song styles, with open guitar linesand spurring rhthyms of words; each ofwhich is enunciated succinctly andnarratively. “Black Magic Gun ", the WayneBerry song which tries to belie the earlierstatement of the apoliticality of our currentsongwriters, is almost bitter in its irony andpolemics here; in addition, the bass line wasrewritten to be almost effusive in its buildingof key phrases within the song Rushintroduces an analytic sadness into his tone,and again masters the songFinally we have Rush’s own best song, oneof the very finest and most perceptive of thelate 60s songs on the hangovers afteremotional drunks “No Regrets" is reworkedin a new arrangement, featuring newaccompanying instrumental lines, and thevocal abilities of Carly Simon, whose largevoiced, large hearted, large and emptyheaded-ness seems unmanageable within thecontext of the song Yet somehow , the songmerely catches up to the contemporary in ourperceptions, and the sole fault lies in the factthat it is no longer followed by “RockportSunday."Two of the most perceptive and creative ofthe word mages uncovered by Rush have bothreleased albums within the recent fortnight.Jackson Browne, the more exposed andrenowned of the pair, has given us a recordthat is not only inferior to Wayne Berry’s firstlp. Home at Last, but is also inferior to hisown past workBrowne’s Late For The Sky is hampered by-several deficiencies, the most annoying ofw hich is apparently the result of a decision byhis record company 's management to test thepublic desire for lyric sheets. Accordingly,there is no lyric sheet with this album, andyou have to write to the company to procureone Having to transcribe the lyrics from therecord, in order to facilitate our analysis ofthem, decidedly indisposed us towards them We were prepared to forgive thisinconvenience in light of our expectations vis-a-vis the lyrics, but the transcriptions provedunedifying at best, perhaps the result of theirinability to meet either expectations or pastaccomplishments.Browne has not matured greatly, itsometimes seems, though it was primarilyfrom this album that we began unfolding ourtheories concerning the new trends insongwriting Browne still writes veryinsightful and catchy phrases — “I’m just oneor two years and a couple of changes behindyou" from “Fountain of Sorrow”; “when youknow you've got a real friend somewhere/suddenly all the others are somehow easier tobear" from “the Late Show ” — but it is onlyisolated instances and not a pervasiveconcept which shines on this album Themusic in particular is redundant,monochromatic, and otherwise contributoryto some of the monotony which has found itsplace in certain grooves of this lpBrowne overcomes his deficiencies inenough instances to justify his inclusion as acontinuing creative songwriting force (“ForA Dancer" is a moving ballad about deaththat doesn’t quite attain the levels of hisearlier "Song For Adam", and “Fountain ofSorrow" is a wise elucidation of the manylevels of perception), but he has met hismatch with Wayne Berry’s Home At Last.Berry has neither Browne’s exposure, nor hisinsinuating and attention catching/ gratingvoice, but his songs — at their best — areremarkable evocations of both sharply visualand surprisingly familiar emotional imagesA strong asset for Berry is a trio ofmusicians who provide a stylish, inventive,and appropriate accompaniment of hiswords, and sometimes also cover for hisquavery, slightly out of control vocals. BarryBeckett on piano, Pete Carr on electricguitar, and especially James Rolleston onvery solid bass, contribute to the Ip’s degreeof successMany of Berry s songs deal with romanticrelationships, and of course, their endingWitness “Lover's Moon:" “One half of a lovequits tryin'/ the other half starts dyin’ nightby night.' which he expands into an idea thatour fear of dying comes from loving people inthe wrong way, when we should have beenspending our efforts at loving life The ratherenigmatic lines “one way or another we alllose a lover/ some die. some live, some neverlearn to give/ one love for another s(continueo on page 7)October 18 1974 The Chicago Moroon 52, The Grey City JournalBFCOBfK—Musical laureates(continued trom page 1) a guitar player); and the analysis of thelifetime....every body knows” come from content of and reason for a deliberately lonely“Snowbound”. life (“Walkin’ Man”).Yet he can convey a rare quality, which is The writing is not particularly insightful,at a premium in sober and somber times such since he is writing mostly about himself, and Ias the present: humor. “Dixie’s Pride” don't recognize any insights into himself thatrecounts that he “gave up tryin’ to lose my seem to be contained here. The less thanSouthern drawl —yawl/ gonna give up city heavy-weight tone of the album is supported,livin', then try to give up city women / get and made successful, by the playing of two ofout of what I got myself in/ THE SOUTH the backup musicians: Rick Motta on drumsWILL RISE AGAIN.” The rather winsome and Ralph McDonald on percussion. Theyexuberance is offset by the lines which convey provide an adept sense of rhytum that softlythe irrevocability of growing up. from underscores the lyrical content of each song.“Gene’s Theme": “when you’re a kid the Another, newer songwriter whose glibnessfantasies just flow, and you’re free to make is likely to become a matter of record fallstomorrow/ all your heart can hold.” more into the pop vein than Taylor. TimBerry is not the precocious poet that Moore, whose first lp on Asylum Records isBrowne was, and he was not singled out as called simply Tim Moore, possesses one of thesuch by a generation that was recocious itself, few virtuoso pop voices, and is a lyricist of theYet he seems equally as valid as Browne, same general caliber and focus as Paul Simonwhose precocity is left chronologically and Paul McCartney. It seems hardly coin-hehind, as a subject for the analysis of their cidental that Art Garfunkel chose Moore’sown personal awarenesses. Both are “Second Avenue” as his latest single release,transcendentally sad, and while Berry's song despite Moore’s release of his own excellent‘Black Magic Gun” seems to be an exception, version of the same song,they both have a wry acceptance of their Moore plays guitars, keyboards, drums,apolitcality. They have chosen by not and he writes all his own material. Hischoosing. singing approaches being too sweet, often.James Taylor is a man who many wouldsay had made his choice: he seized hispopularity, his wealth, his fame, and hisopportunity, and he sold out to the interestswhich gave it to him. Specifically, somepeople teel that he sold his audience out. andtook the easy route by marrying a pretty andfamous wife, and settling down and having ababy Domesticity seems to be a betrayalwhen it is sought by our public menFor reasons such as these. Taylor s newalbum has been languishing indolently uponthe “to be reviewed" shelf since its releasesome months ago. without being the leastpersuasive about getting played. Aftertolerating comments from friends along thelines ot “how is the new Taylor album? Itmust be good — because I haven’t heard it ”,we finally reacted to the injustice of suchremarks, and listened to Walking Man quiteclosely.Walking Man is the best album Taylor hasdone since Sweet Baby James; it is also thefirst truly non-fragmented. cohesive andthorough album since that time. Taylor is athis most casually eloquent when discoursingupon the land and its people: the ways of menin dealing with the world. He takes andisolates the very smallest parts of his life, likesinging a song to his baby (“Daddy's Baby” isthe low point on the album, despite its ef¬fectiveness within the genre of over¬sentimentalized drivel); how he feels abouthis guitar, in the artist-relates-to-his in¬strument manner (“Me and My Guitar" is alight hearted and affecting ditty about en¬during the temptations of horn sections,string sections, added voices, and boogiewoogie - when Taylor knows that he is at heart widening the vowels of his enunciation in a Unless listeners are prone to categorizingway that achieves the effect of a man John Lennon as pop - and this reviewer hasdesperate for a rhyme. Yet his phrasing of never been hasty about categorizing Johneach verse redeems and strengthens most of Lennon as anything at all — then Tim Moorehis weaker lines, and is really very appealing is likely to go for some time without directwith a lyric like “Second Avenue’s”: “and comparison. In this particular case, suchsince our stars took different paths/ I guess I avoidance is to his distinct advantage, sincewon’t be shaving in your looking glass/ guess Lennon’s Walls and Bridges is, quite simply,my friendly grin must have started to dim/ Lennon’s first album of genius in many years,and I certainly don’t need it now/ still I keep Walls and Bridges ranks quite facilelysmilin’ through/ on Second Avenue.” alongside of McCartney’s pop masterpieceThe major fault is a recognizable Band on the Run, and elbows its way intoamateurishness about the arrangements and position with the other post-breakup gem,production, which sometimes surround an Harrison’s All Things Must Pass,already sweet voice and sweet song with too Lennon is a master of the mix between themany syrupy strings. “Sister Lilac” was serious and the facetious. He ranges from theoverwhelming to such a degree (in that finest rock to the idlest musical whimsy withrespect) that I felt it must have been the sure knowledge of a swordsman who welldeliberate. The majority of his songs, uses both the edge and the point of his blade,especially upon the second side, have a Before one gets to the music, Lennon’sBeatle-esque flavor that balances the extraordinary sense of absurd detail is easilysweetness and near simple-mindedness. “I experienced. The complexity of the albumCan Almost See The Night" is very like John cover; the innuendos and asides to the manyLennon in its introduction and structure, and pseudo-cognoscenti that will be reading the“When You Close Your Eyes” is the kind of album’s booklet; the marvelous set ofsentimental ditty with which McCartney can perfectly not-quite-acceptable aliases whichbe so persuasive. While we feel that we must appear in the instrumental credits; therecognize a new talent in the field (Moore irrefutable history of the name Lennon whichrecently won a fairly large cash prize in an John so casually dismisses — everythinginternational songwriting competioton), one indicates a completeness of conception and amust note that his talent is in a particularly whole-hearted, joyous involvement in thispop vein that does not provide direct album which is a welcome return of thecomparison to most of his feliow songwriters Lennon who was loved,reviewed here. The songs most easily accessible are theuptempo tunes. “Going Down on Love,” thedance-to-it-all-night “What You Got,” and —the first single release — the cleverly wise orwisely clever variations on “Whatever GetsYou Through The Night.” “Nobody LovesYou (When You’re Down and Out)” bears aresemblance to Randy Newman’s etching ofthe solitude of stardom in his ballad “Lonelyat the Top.” The song present here is markedby a touch of crying slide guitar from JesseEd Davis.Davis, on lead and slide guitar, and KlausVoorman - who plays the lowest, deepest,solidest bass notes I have heard on a record ina long while, and does it quite imaginativelyas well — lead a superb group of musicianswho are capable of all that Lennon asks ofthem. Since this record is probably the mostmusically varied, if not ambitious, of hisreleases, the task is always pleasurable to thelistener. The other major support Lennonreceives is from Harry Nilsson, who seems tohelp Lennon more than Lennon helpedNilsson (see the review of Nilsson’s recent lpin last week’s issue of this paper). Nilssoncolaborated in the writing of “Old DirtRoad", which is the most obscure and themost variously interpretable of the songs onWalls and Bridges.There are series of other highlights on thisalbum; things that might be a comparativemasterpiece elsewhere are obscured by therichness of Lennon’s talents. The two songs“Scared" and “«9 Dream" both deserve(continued on page 12)DANCE!withFRIDAY, OCT. 18, 8 P.M. IDA NOYESU.C.I.D. Required6, The Chicago Maroon, October 18, 1974* r i««< • • •«••>»» * .r '■orCLAttOL musicExquisiteboredomBy Paul GudelHow many different pieces of music wereplayed by Rosalyn Tureck in Mandel Hall lastFriday night? The obvious answer wouldseem to be “one”—J.S. Bach’s GoldbergVariations, performed once on piano and onceon harpsichord. Upon further consideration,however, one might want to say that theanswer must be either “two” or “none.”The answer would be “two” if the per¬former sees the challenge involved in playingthe Goldbergs on piano and harpsichord, andrises to meet it. The two instrumentsrepresent two very different sets of poten¬tialities. These differences are not merelysonoric, but represent varying abilities tohighlight basic elements of the work. Theharpsichord is inherently better suited to therealization of the work’s fantastically com¬plex rhythmic structure, since it must berealized that Bach’s keyboard music waswritten for instruments which could notprovide tonic stresses, or downbeats. Theattempt to realize Bach’s written-out rhythmof length values on a sustaining instrumentsuch as the piano can lead to a disastrousconfusion of quantitative rhythm and rhyth¬mic “beat” or pulse.On the other hand, the modern piano, withits great dynamic and coloristic range, offersgreat possibility of giving each of the thirtyvariations its own individual character and“feel.” This is particularly important in theGoldbergs which, it appears, were notoriginally meant to be played all at one sit¬ting. If one does play them this way, onecannot merely string them together, or?xquisite boredom will follow. An overar¬ching structure or movement must be giveno the whole, within which the greatest con-rast between variations can be developed.‘Unity in diversity” is the key here.On top of all this, the harpsichord and the)iano represent different performance traditions of Bach, with which I believe theperformer should come to terms. If all thesepossibilities are realized, one might well wantto say that two different pieces of music wereperformed.But there is a temptation to take the factthat Bach’s keyboard works are unspecificas to instrumentation as a sign of the “ab¬stract” nature of the music. This is mostdangerous when meant as a term of praise.The Goldbergs have been called “a glorioustemple erected to absolute music.” Well andgood, but if it means that Bach’s music isindifferent to its actually performed in¬strumentation, the result is utter ruin. If Bachis to be played on the piano, it must be madeto sound as “pianistic” as Liszt’s Sonata. Theseverance in the performer’s mind betweenthe music on the page and the music as em¬bodied in a sound medium would result in theperformance of no real pieces of music, nomatter how many instruments were hauledout on stage.Surprisingly, Rosalyn Tureck fell into thesecond of these two categories. Her pianoversion failed to utilize any of the in¬strument’s resources; for example, she didnot use its bass to bring out the harmonicprogressions which are the connecting threadof the piece, but thumped away as if at acontinuo. Aside from a few timid dynamiceffects, she might have been playing a harp¬sichord. Her harpsichord performance itselfwas an overly motorized affair, with only afew moments of completely scrambled rhyth-m for contrast.Although the essential sublimity of theGoldberg Variations was not obscured, it wasall somewhat disappointing. Perhaps Ms.Tureck has alternated the two instruments somuch that the distinction between them isblurred. Perhaps she has spent too much timeon the exclusive study of Bach. I don't know.But the fact remains that her use of the twoinstruments seems to conceal more than itreveals.AKADAMA MAMA ASKS,PLACE A FACE ON THE PUMPKINOR WHATEVER.Been getting some heavy mail latelyand since it merits a personal answerrather than a media one this is a goodopportunity to have a kinda soft, low keymulti-contest. Next to a down home holi¬day turkey stuffing or a live Christmastree decorated without any store boughtglop, I've always enjoyed the wherewithalof creativity that goes into a Halloweenpumpkin. So if you place a face on thelittle pumpkin to your right, I’ll have asculptor 'riend pick out a few of her favor¬ites and sculpt them up. Then if ! canborrow a decent camera I’ll send the luckyfew some choice shots of their sculptedpumpkin and statuesque sculptor.There will also be smallbut well thought out prizes for:1. Give me another word ior“contesh' "Contest” is toooverly competitive a wordto use m this frail world welive in.2. Does laughter travelfaster than the speed ofsound? (In as few wordsas possible.)3. The shortest list of beverages that really don’tmix with Akadama, thewine you can mix.(tomato juice, etc.)And in closing, topay the bills here are acouple of prize Akadamaparty recipes. SANGRIA AKADAMA Bottle of AkadamaRed Wine, pint of club soda. Vi can offrozen lemonade concentrate, plenty cfice and lemon and orange slices.PLUM DUCK Bottle of Akadama Plum, thegrape wine with the natural plum flavor,bottle of champagne, ice, orange slicesand strawberries.pII9 Another word for "contest'' is.Laughter (does) (doesn't) travel faster thanthe speed of sound becauseAxadama. the wine you can mdoesn't nixwithMail to: Akadama MamaP 0. Box 2629Palos Verdes Peninsula. Ca 90274naveADDRESSAkadama,LISTEN TO MAMA AND PASS THE AKADAMA THE WINE YOU CAN MIX |IMPORTED BY SUNTORY INTERNATIONAL. I A . CA ■ A. WKW •ant v.r//A..v.v,vv. - :r.THGATRG m **vThe Grey City Journal, 3MasterfulSquirrelingBy Margery YoungThe St. Nicholas Theater Company madean impressive debut in Chicago last weekFormerly of New England, this companyhopes to make its permanent home in Chicago. They are giving their current five-week run at the Leo Lemer Theater. 4520 N.Beacon Street, home of the Organic TheaterFor their debut they did Squirrels, a new playby David Mamet, the 27-year-old Chicago(continued on page 4)Introducing the AmericanTaUedUSteComplete dinners for twofor under $10.00Court House table d’hote dinnersComplete with appetizer, soup salad, hot Court House bread,dessert and beverageMondays:Tuesdays:Wednesdays:Thursdays: Chicken TeriyakiKonigsberger KlopseBarbequed PorkCream Curried ChickenFREE Carafe of domestic Rhine wine orBurgundy with every two dinners (from ourregular or our table d'hote menus) everyday from 5:00pm until 9 30pm with this ad¬vertisement Offer good until November1st.THICOURT HOUSRI8TAU RANT5211 S. HARPER CT.Immediately west of City Park Lot(53rd and Lake Park) 667-4008October 18, 1974, The Chicago Maroon, 74, The Grey City JournalTH£dTRe=(continued from page 3)playwright whose most recent success wasSexual Perversity in Chicago. Mamet alsodirected the production, and is ArtisticDirector of the company.Squirrels is a play of five episodes abouttwo writers — Arthur and Edmond — and acleaning woman, whose name we never learn.Each of them strives for self-affirmation;each chooses a path which is self-deluding.Arthur is a hack who seeks to convincehimself of his worth as a writer by acquiring acolleague who will mirror his actions andopinions unquestioningly. To fill this role hefinds Edmond, an eager young whiz kid, whoin turn seeks Arthur’s acceptance and thesecurity of a position in his office as his ticketto being a writer. The cleaning woman alsowrites, but just for “fun”; she seeks af¬firmation of herself through trying to winEdmond’s affection.The entire action takes place in Arthur’soffice, which we see at intimate range in thistiny theater in the half-round which seats 150.The objects in Arthur’s office — dead flowers,animal skins, old pictures — are as dead andartificial as Arthur himself. They are jux¬taposed as arbitrarily as the words he picksout of the air and strings together: a bowlingball is perched on a statue of a monkey; alarge potted plant sits on one corner of a rug.The room also contains the complete trap¬pings of a writer: desk, ruler, pencils, pencilsharpener, an over-cluttered bulletin board, adictionary spread open and never used.Much of the dialogue consists of Arthur andEdmond's attempt to create a story aboutsquirrels being strangled in a park. They doso not by writing, but by pacing about andshouting variations on this theme to eachother with great exuberance. Edmondfuriously notes Arthur's dictation, en¬thusiastically affirming Arthur’s ideas. In thefirst episode Edmond offers his ownsuggestions with eagerness, and at one pointquestions Arthur — What does it mean0 — butArthur's rebuffs gradually wear him down tosubmission. He begins the second episodewith a triumphant shout “toy boats”, to whichArthur replies, “You’re doing fine". DespiteEdmond's frenetic dictating, most of theirself-indulgent metaphors remain in the airinto which they are spun. By their mutualaffirmation they convince each other they arewriters; and both are more concerned with“being writers” than with writing.Of the three characters the cleaning ladycomes the closest to struggling with the realtask of writing. She, too, indulges in oralwriting, but in her moments alone she ac¬tually takes pen in hand, writes, self-criticizes, tosses out, and refines. She alonepares away excess metaphors and writes asimple sentence which tells what hap¬pened: “They sat in the moonlight and fellasleep.” Yet she does not take her writing fullseriously; she only plays at writing. She hasthe wisdom to toss her flamboyance out, butshe merely stuffs her one good sentence in herpocket and says, “You make your own fun”.Most of the time she contents herself with“being lovable and pickin up shit”. That shedoes not take herself seriously, that she iswilling to be satisfied with less than her fullself-realization, hinders her from being ableto relate to Edmond. She pursues him, butfails to take him up on his one real overturetowards her. When he leaves, she launchesinto a romantic fantasy about a Russian hero.Thus she contents herself with living in herromances, playing with creating, playingwith relating - yet longing to do both in a realway.By the end of the play, Arthur and Ed¬mond’s mutual parasitism is com¬plete: Edmond has become Arthur’sshadow; he has learned to speak ingeneralizations, to pick up the cleaning lady’srejects out of the wastebasket and claim themas his own, to wear a vacant smile. He followsArthur’s footsteps out the door. Both Arthurand Edmond thus achieve what theywishes: Arthur has Edmond as his shadow,affirming him. Edmond in turn has Arthur’sacceptance. Arthur betryas a twinge ofshame as he reads from the cleaning lady’srejects; for Edmond it is all too fresh andnew. He wears the contented smile of a littlekid who is getting away with something.In the process of becoming Arthur’sshadow, Edmond has learned not only torepress himself, but to lie. And in so doing heloses his ability to relate to other humanbeings. As the cleaning lady realize^ the truth of what Edmond has become, she realizes shedoes not need him to affirm her. She alonerejects the patch she chose to seek self-affirmation—and in so doing she acquires ameasure of self-respect. In the final scene shealone really affirms herself—not by winningEdmond, but by grasping the situation forwhat it is. She writes down her understandingof what has happened as follows: “Squirrels,squirrels, gatherers of nuts, harbingers ofautumn, clucking and strangling, stranglingand being strangled, rushing to your logical conclusion, searching to be free.” She rips thepage from her pad, and triumphantly tosses itinto the office wastebasket, with fullawareness that it will be used. Her act is atonce an offering and a rejection of them andtheir life. She then sits down, alone, wearing askirt, rather than overalls, to which staplersand paper clips are attached. Perhaps shewill leave, and strive in the real world toexpress herself, rather than seek the ap¬proval of ingrown psuedo-writers. She stillhas her one simple sentence in her pocket. The witty and often lyrical dialoguecounter balance the seriousness of the play’stheme. A honky tonk piano heightens theplays melodramatic tone. The dialogue iscondensed and poetic; the action of the playtakes place through a progression of episodes.Linda Kimbrough as the Cleaningwoman,William H. Macy as Arthur, and StevenSchacter as Edmond all perform on a highlevel of acting. Miss Kinbrough’s per¬formance is especially strong.CULTURCGULCHThe article on Chicago radio stations,originally presented in the orientation issue ofThe Grey City Journal, inadvertently omittedstation WNIB from its list of FM stations.WNIB (97.1) is an all classical station, andputs out a monthly program that is availablefrom the station. The letter which brought theomission to my attention called WNIB an“important station"; it is one of only three allclassical music stations in the Chicagolistening area. (GA)There's a let to see this week at the uptowngalleries. The most expensive painting eversold by a living artist ($850,000) is in Willemde Kooning's show at the plush Richard GrayGallery. This show is a collection of figurativestudies for his Woman series, and one nicelandscape of East Hampton, Long Island.“Woman V" is the one purchased by theAustralian government for the record sum. AtIllinois Center One and Two, one can viewrepresentative samples of forty Chicagofemale artists, including an excellent work bythe U. of Chicago's Vera Klement. Also, don'twaste your time going to see the playboyphotography at the Center for the Photo¬graphic Arts. It costs one dollar to get in thedoor, and you've seen it all before.Anias Observed, a film about the life andthought of Anias Nin, will be shown at ThorneHall (part of Northwestern's downtowncampus) at the corner of Superior and LakeShore Drive, tonight at 6:30, 8, and 9:30. Sponsored by Oasis, the charge for the film is$3. (GA)Van Morrison, vagrant star of the dialecticfolk song, transports his entourage to theAuditorium this evening at 8:00 for a publicperformance. Despite an on-vinyl demeanorthat can seem almost sodden, Morrisontransforms onstage into one of the mostdynamic, persuasive, throbbing performersof the rock age. A direct throwback to theearly Stones style of singing, his voice leadsone the finest touring folk jazz bands in thecountry. Not to be missed. (GA)Odessa File is a no' very exciting suspensestory about a young German reporter (JonVoight) who tracks down a ring of ex-Nazi SSagents who are supposedly helping Egyptdestroy Israel by bombing the poor countrywith missiles carrying, of all things, theplague and Strontium 90. According to authorFrederick Forsyth, this is a true story basedon years of research; the way it's handledmakes the point as uninteresting as the rest.It's curious how old men are privy to thesecret of Odessa's existence, while Voight(who turns in a reasonable German accent togo along with his reasonable performance)has to go through the usual trials to comeacross a convenient file on the organization;naturally it's leather bound with“O.D. E.S.S. A." on the cover in gold. The trickending is flat, and the film completely withouthumor. (AL)The Chicago theatre awards, the Jeffs,were distributed Monday night in a televised ceremony in which local celebrities aped NewYork and Hollywood. The awards committeehad decided earlier this year to extend theirrecognition to community theatre and nonequity professionals but the venerable actor'sunion squelched the plan. Equity was startedto bring much-needed security to an insecureprofession but its members seem to haveforgotten where they got their own start inseeking to prevent community theatre fromgaining status. The real root of the problemlies in the union members uncomfortableawareness that dramatic excellence is all toooften not commensurate with price paid orunion card membership. Some of the mostexciting theatre in town is done by unpaidamateurs and this knowledge must gall theequity people who can often not afford to takethe risks that make great theatre.To save face the Jeff committee did presenta couple of token 'citations' to the communitypeople. Frank Carioti was cited for hisdirection of Ugo Betti's The Inquiry at the OldTown Players whose cast was also recognizedfor best ensemble performance. Burt Ferriniwas cited for his direction of Steambath at theJane Addams Theatre. David Mamet'sSexual Perversity in Chicago was named bestnew play of last season along with BrianFriel's Freedom of the City. In the pro awardsthe Goodman's new director WilliamWoodman was lauded with best productionand best direction for Freedom of the City.The First Chicago Center and the Ivanhoeeach received a couple and the balance wentto the suburban theatres where musicalBroadway rejects reign supreme, as usual,with the commuter crowd. (MA)Visitors from the planet Rubawhorewrong, practicing eating. See story, page 5.8. Th«Chicogo Maroon, October 18. 1974THCdTRG The Grey City Journal, 5A-Well- Enjoyable Marat/SadeBy Meredith AnthonyThose of you who know the area along NorthBroadway will not be surprised to hear that theJane Addams Center has been converted into alunatic asylum.For the purposes of Peter Weiss’ Marat/ Sade, theJane Addams Theatre has become Charenton asylumand we are invited to watch the inmates of New Townacting out the inmates of Charenton acting out “thepersecution and assassination of' Jean-PaulMarat...under the direction of the Marquis De Sade.”Under the direction of Burt Ferrini. the inmates of theJane Addams theatre go through their therapeuticperformance with great elan. The production isspirited and finely detailed and Ferrini moves thehuge cast around with gusto.The play is based on the fact that the Marquis DeSade was indeed imprisoned in Charenton where hedid actually produce plays for and with the other in¬mates in a forerunner of modern psychodrama. PeterWeiss takes the format and builds an ideologicalstruggle around the personal excesses for which DeSade was considered mad and the public excesses of the reign of terror called up by Marat in the name offreedom. Weiss is weighing public and private,political and personal madness and asking us to judge,if we can, what constitutes sanity.The casting of the main roles has been done with aneye to the right appearance as well as to acting ability,and the results are very much appropos. StephenBonnell is a fine, truly demented-looking, paranoidMarat who views with suspicion the pleas of the peopleand refuses to leave his bath. Jerry Foster is an ur¬bane, eminently sane De Sade with an aloof sneer anda hairy body. Joyce Hazard is majestic, sweet andcatatonic as Charlotte Corday who is destined to bringMarat to justice but keeps falling asleep And theinimitable Ron Thelo plays the sex-crazed Duperretwith so consistently enthusiastic a clutching of hiscrotch and a grabbing at passing women that we shareDuperret’s relief when he carries off Corday in theconfusion at the end.Although these major cast members all performtheir roles quite creditably, Marat/ Sade is never¬theless a director’s play. Burt Ferrini proves himselfentirely worthy of the challenge. Each of the tenpatients has been given a distinct personality andwhen our attention flags we can spot each of thempursuing his or her own individual delusion. The foursingers, too, provided a distraction and the two girls,Marigray K. Jobes and Yolanda Custer cavort ap¬pealingly throughout. Also noteworthy was DavidStettler as the Herald who rolled his eyes wildly andlicked his lips as he anticipated the murder.This is a good, strong Marat/ Sade, well worthseeing especially if you’ve never caught a stage orfilm version of Peter Weiss' modern classic. The JaneAddams Center is located at 3312 N. Broadway.Performances are Fridays and Saturdays at 8:30through November. Phone 549-1631 for information.Meanwhile, back at what’s left of the Body Politic,the Pinworm Players are performing a pair ofoutrageous one-act sci-fi comedies by local playwrightBill Lederer. The first one, The Trip, concerns four earth-bound space travellers from the planetRubawhorewrong (Glenn Faber, Wendy Goldman,Kenneth L. Green, and Maxine Shapiro). They look alot like earthlings except for oversized ears and thefact that one of the females has only one, centrallylocated, breast - a configuration of which she is quiteproud: “Unity is better than diversity.” The four arepracticing earth’s social customs so that they will fitin when they get there. Due to certain linguistic dif¬ficulties they have gone somewhat awry. No sooner isthe scene set when one of the, Lady Weg. demandsimperiously, “Has anybody got a penis?” Her com¬panions check their pockets and sleeves in confusionuntil someone eventually produces a cigarette whichLady Weg promptly sticks in her ear sighing con¬tentedly.So it goes, a whole series of variously amusing andpertinent malapropisms. But the first play, thoughslight, serves to set you up tor the second, The Land¬ing, which is the real gem. The Landing is a hilariousStephen Bonnell as the persecuted Marat. Photo by PatPinianski.A pleased Marquis de Sade (Jerry Foster) is whipped byCharlotte Cordey (Joyce Hazard) in Marat/ Sade at the JaneAddams Theatre. Photo by Pat Pinianski. UNDER NEW MANAGEMENT:% SPECIAL:BROILED TWIN SOUTH AFRICAN LOBSTER TAILSComplete Dinner $7.95Dinner Includes: Soup, Salad, Entree,Vegetable, Baked Potato,Glass of Wine, Coffee or TeaFRIDAY SMORGASBORD-4:30-9:00 P.M.FRESH LAKE TROUTFRESH LAKE PERCHWHITEFISH l4.25OVERLOOKING LAKE MICHIGAN5550 South Shore Drivefor reservations call:MU-4-4900 featuring:VINCE WILLISJOYCE FORTKATHY KISNERPIANO BARSUITE-LAKEDowntown PiTttGATEWAYChicago GOLF MILL 2NllaaPlittQAKBROOKOakbrook CORALOak Lawn PlittRIVER OAKS 1Calumet City You don’t have to beto drink Joe Louis milk. jJejU- \0 MHico ,jAJj:jnJust “hip”.October 18. 1974. The Chicoqo Moroo". 98! led '.tvO 0\-oi£.M 040>*•>.' *W7 V.6, The Grey City JournalL. ar&eaiHKtLn 7 w v.,//"/A MAN MAVeplYou have the options of plunking down a buck and getting two packs of cigarettes or . . .an intriguing interview with the self-styled king of the B film, Roger Corman, director of suchunforgettable titles as The Pit and the Pendulum, The Wild Angels, Teenage Caveman and \Hate Your Guts.The first reel of Boxcar Bertha or. . .Sharon Johnson’s incisive comments in “WhateverHappened to Chicago’s Daycare Dream.”Half a hamburger or. . .Eric Futran's photographic essay “Good and Evil on the BankedOval," a portfolio on the roller derby experience.A belt loop on a new pair of jeans or. . .Krollon Tenant Rights, VerMeulen on the Mensa con¬vention, Feldman on the letter writing voices ofChicago, and Bernstein on how Superman tooka dive in Metropolis, Illinois.One and a half cups of coffee to go or. . .profiles on civil libertarian Elmer Gertz, de¬fender of the Tropic of Cancer and DeepThroat; and Dick Orkin, creator of the won¬derful White-Winged Warrior, Chickenman,and one of Chicago's brilliant comic radiotalents.And if you still can't decide, we'll giveyou this hint: The first options only comeseparately for your buck. The other op¬tions come in one package. Beautifullydesigned. □ two years (12 issues) at $9.00Lj one year (6 issues) at $5.00 □ check enclosedLJ bill meNameStreetCity State Zip.Send check or money order to Hyde Parker, Dept. 17,1900South Prairie, Chicago, Illinois 60616. MHyde Parker10, The Chicago Maroon, October 18, 1974 FromBillBergeron'*PRAIRIESTATEBLUES,Copyright1973byChicagoReviewPres*.The Grey City Journoi. 7hey university neighborsthere's a packpge waiting for youat the Hyde Park Dank.Exclusively for U of C faculty and staffmembers. We ve put Together a pack¬age of special bank services just foryou. We call it the Maroon Club, andall you have ro do to join is openan account at the Hyde Park Dank.Here's what you get:A free checking account. No minimumbalance, no strings. And to start youoff, well give you a package of 50complimentary checks.A family size sofe deposit box free forone year.A special Maroon Club color photoI.D. card. It tells our tellers who you areso you can get your checks cashedinstantly. Direct payroll service. You don't haveto travel all over the city to do yourbanking. Just have the University mailus your paycheck and we’ll do the rest.Automatic savings. You can take ad¬vantage of our Saving Gracefullyplan which automatically transfersmoney from your checking accountto your savings account each month— an easy, effortless way to build yoursavings.The Maroon Club makes it easier foryou to save your money, and eosierto spend it, too. And here's somethingelse to consider: When you put yourmoney into the Hyde Pork Dank, you’rehelping provide the resources to builda better Hyde Park community. For all these good reasons, you shouldjoin the Maroon Club now Drive bikeor walk over. Or take the campus busto 53rd G Harper. We re just a blockaway on 53rd G Lake Park. You canopen your Maroon Club account any¬time between 9 AM and 3 PM Mondaythrough Saturday (9 AM to 6 PMF,'d°«>Hyde Park Bank& Trust Company1525 E 53rd St /752-4600 Member FDlCTHE WtmtteSTOP BANK wOctober 18 1974, The Chicago Maroon, 118, The Grey City Journal4RTMulti-talented Max ErnstErnst's “Gay" is on loan to the Art Institute from the Menilfamily collection.FILM By Amy WeinsteinMax Ernst has been thrusting fatal stabs at conventionalorder for about 60 years. His compositions suggestassociations of natural form incongruous with the acceptedaesthetic relations of Western tradition. Demonstrated by acomprehensive exhibition of his development at the ArtInstitute of Chicago, Ernst uncloaks anti-conventions,challenging his audience to dispute the manner in which menregard the arrangement of all things as contrived and con¬stricted. Yet, the artist is far from dismissing traditionalmovement and harmony of color, object, and form as ar¬bitrary. His studies express cognizance of the structuredconditions normally dictating human function and value tonatural form.As early as 1919, Ernst’s collages combined elementseasily dissociated at first glance. Revolutionary materialsand technique were employed to formulate such a work as“Main humaine et papillons petrifies"* (Human hand andpetrified butterflies), 1931. Bv that time, the artist hadsophisticated the method of frottage, producing effectsreminiscent of the rubbing patterns young children createwith pencil, paper, and simple objects. He found woodgrainpatterns of floor planks associated with figures of his fancy,and here, used grain lines to compose the wings of but¬terflies. Ernst regularly adopted natural linear design tosuggest form. In combination with radical measures ofpainting, printing and sculpting, Ernst’s first collage workwas characterized as the bizarre melange of unusual andseemingly unrelated components. Even today, the relations presented by ‘‘Main Humaine et Papillons Petrifies” appeastrange in the context of normal association.Contemporarily, the artist’s demand for his viewer’s selfextrication from the conventional confines of human perspective and correlation is relatively common. Howeverunderstanding of time and timelessness has changed lift!since 1931. For Ernst, the similarity of abstracted hands an<butterly wings facing the ambiguity of existence is distinctHe proposes the his audience attempt to dissolve habituadissociation patterns and accept the logic of his nevrelations. Ernst seeks new keys to gain understanding of th<age old problems plaguing mankind.Studies from decades following the ’30s attest true devotioito this quest. Careful examination of that which correspond:to the realm of human interaction is essential to Ernst’:approach. In the surrealistic sense, an element of nature i:isolated and the possibilities of its potential relations ar<exploded in countless directions. “Les Noces Chemiques’(Chemical Wedding), of a frottage sequence entitlec“Histoire Naturelle”,1925, helps set the stage for an almostwhimsical, anthropomorphic quality pervading much o:Ernst’s later work. Throughout his career. Ernst has extended his scrutiny of recognizeable human qualities asevident in natural form to sculpture work. Though many olhis preliminary studies have not been preserved, by the’50sresults of his first explorations were undergoing the processof bronze casting. The relation of simple geometry to the(continued on page 10)FLESHING OUT FLASHBy Alfred LeaI enjoyed this picture, surprisingly enough;Flesh Gordon was my first pornographicmovie and I had viewed the assignment withsome trepidation.The film proved to be “soft-core” por¬nography, possessing only a few explicitlysexual scenes. Rumour has it that theproducers, William Osco and Howard Ziehm(the latter along with Michael Benvenistedirected the picture), planned originally tomake a true sizzler, having had success withother blue features in the recent past. Ap¬parently they later elected to spoof the oldFlash Gordon series and science-fiction filmsin general. Seasoned with a little skin, themovie surprised me by being fairly humorousand successful. The amount of skin in thepicture, alone, could not sell out a laundromaton a Sunday afternoon. Certainly not thefunniest or the most subtle film everyscreened, but it was worth a few wry grinsHowever, much of Flesh Gordon’s humour islost on anyone not familiar with Flash Gordonor cheap science-fiction movies.Flash Gordon appeared first in movieserials which appeared as shorts before full-length features. They were eventually tiedtogether into at least one full-length movie.Thus the tension and climatic moments ap¬pear at periodic intervals where the serialswere spliced together. Flesh Gordon imitatesthis nodal appearance of action rather well. The parody of Flash Gordon is pursuedvigorously at all times. The infamous Mingthe Merciless, arch villain and sworn enemyof Flash Gordon, appears here with nameeuphemistically altered to suit the exigenciesof the sexually-oriented plot. The friendly,eccentric scientist, a cliche found in FlashGordon movies as w’ell as more sophisticatedscience-fiction films, is well represented.His name is also contrived to blend withinthe pornographic ambience of “FleshGordon.”Another resemblance to Flash Gordon isthe lack of attention paid to scientific detail.For example, when Flesh (Jason Williams),the good scientist (William Hunt) and Flesh’sGal Friday (Suzanne Fields), leave Earth in aspaceship, they do not even deign to lie downon acceleration couches. That crazy, psuedo-scientific jargon, always an emjoyablehallmark of science-fiction films, isimaginatively rendered whenever the scriptcalls for it. Nuclear-magnite, telekinesis,aldehyde rays, or something similar. They allstrike me as far more sinister than mereDeath rays or the lowly laser.The actor who plays the part of Flesh bearsa more than vague resemblance to BusterCrabbe, onetime star of the Flash Gordonserials. All of the above notwithstanding, thesingle most precious moment in the filmcomes near the end when the audience isrewarded with an obligatory monster scenewhich is alone worth the price of admission.Technically, in respect to miniaturization,the movie is fairly well done, although the miniature sets possess all of the architectureand clean lines of early Lionel. Perhaps themoney spent on script and the miniaturizationwas doled out from the camermen’s portion ofthe budget, since often the long-distance shotsof rocket-ships taking off, castles, and rocket-ship crashed, are each slightly out of focus.However, such technical difficulties can betaken in stride.This is certainly not a great film or even a good film; it is funny nevertheless, if ompossesses a gauche sense of humour. Shoul<the latter quality describe you, or if you appredate and enjoy science-fiction moviessubscribing to the theory “the cheaper th<better”, then you will get a few laughs fronFlesh Gordon. I would wait till it gets to th<drive-ins or neighborhood theatres, when it:admission price will be more commensuratwith its flavor.TH€/4TR€:(continued from page 5)vignette in which one of the spaceship crew, LadyWeep (Wendy Goldman), is discovered alone and nudeon a beach by a commonplace young earthling joggernamed Bob (Tim Kazurinsky). Lady Weep looks like anormal and very well-endowed earthwoman (don’t, bythe way, go to the play to satisfy your prurientcuriosity -- Lady Weep’s nudity is played by a flesh-colored leotard) but her distorted, semantics-inspired version of earth customs drives poor Bob todistraction. For instance, she thinks sexual fulfillmenthas something to do with putting on clothes since she’sbeen told a boyfriend is called a ‘suitor’ (- get it?).Wendy Goldman is beautifully droll as Lady Weep andTim Kazurinsky is hilarious as the baffled, frustratedBob. Bob Curry directs it all charmingly. The Trip andThe Landing will be at the Body Politic at 2261 N.Lincoln Fridays, Saturdays, and Sundays at 8:30through November 10. Phone 871-3000 for information.The Adventures of A<HAIA<LAU55ipronounced AH-HI-YA KLAUS‘S: DEMESTICA WHITE WINE is one of the most popular wines inGreece. Possessing a dry, light delightful body, DEMESTICA WHITEshould be served slightly chilled.Achdia-Ciauss. Imoorted from Greece ty Carillon Importers, Ltd , New fork h y 1002?"BEAUTY IS A SHORT LIVED RElGWi" | drink THED£ifC/ouSSOC /T TO £M,SOCMTfSm'i"'M®’'l AM NOTAN ATHENIANNOR a GPECK, BUT ACITIZEN OF THE WORLD;'! AH-W-YA CWltfSDEMESTICAmn wm.a. *FAME IS THE PERFUME OF HEROIC DEEDS*OTHER MEN LIVE TO EAT,WHILE I EAT TO LIVENTNESEJT SA(/C£ " «SEEN ONE PROMONTORY ONE MOUNTAINONE SEA,ONE RIVER^AND SEE ALLJH” aft";tut Sue Ann wit heavy on chairingand booking hincr ■ no time (orliow Su«Arm ch**rj for CLIFFS,thcscane with "Ralph—“ “ *#Vtd «wtj hi$ time t° catch a fewS'Epilogue When you needmake time and reallyXncdirftand your a«i«n-•nanu ge'CLIfTf MOTESI lor literature andPlvffW*“ty ^far other subjects ilee your bookjaller There are more 'th»n 2oo CLtrrs H*T£j to help... _ whelpyoulir. Lit ciatS Flu} kETNCTT KfVItVifor he If in other Subject? Send forcomplete lift -^gTwtft«kvlM»an«r!mavi chtck * omr * *NIT Ijl®*!mail check » moneyfor ST9S and receive rhandy Cdfety Jtiiped hifact- Perfect f»r kookand biking tvytyaidVan armtfeij im itexum ,\OTESpox 8072 iLincoln 1 Ntbr. 6 8 S"ol^12, The Chicago Maroon, October 18, 1974C' .nvV..»'iVt '.r, ? viHT h^v i ,0» lodot.OThe Grey City Journal, 9GRCY GdPWe went up into the Regenstein Library lastweek to peruse the latest number of the MewYorker. Upon landing at the second floor, itoccured to us to set our mood by first perusingthe day's New York Times. We searchedmightily for the Times, but it appeared that,even after a concession to the Regenstein'scurious concept of the alphabet, the Librarydid not subscribe to the Times. A studentlibrarian informed us that it was kept hiddenamong the Chicago dailies in Room 204, whichwas locked at 4:30. Even though the time wasnow 5:00, we sceptically trudge back up toRoom 204, which we indeed found locked.This, however, did not grieve us, because wesaw the interior of the smoke-filled cell waslittered trashily with shredded jumbles ofdozens of daily issues. It occurs to us that asimple daily sweep of this room can keep ittidy and useful.We were discouraged and, thusdiscouraged, departed the Library. Wereturned at about noon on the next day againto attempt the New Yorker. The motto of thismetropolitan journal is, "Not for the little oldlady from Dubuque". It apparently is not forthe student in Chicago, either. The latest issueon display was dated June the 27th. When wequeried her, the student librarian on the firstfloor told us to look again. We did anddiscovered that the latest issues on display ofnine out of ten periodicals on the second floorshelves were dated during the spring. Thefirst floor again, whence we were dispatchedto the reference librarian, who was so ladenwith other bibliographic tasks that she couldspare enough time only to refer us snappily tothe Serial Records department. Upon thesecond floor again, at Serial Records, a youngman with dandruff encrusted on the frames of his eye glasses and his sweater (turned inside out) helpfully informed us that the lateissues of the New Yorker had been "sent out",in the technical lingo, onto the shelves. Welooked again, marched down to the groundfloor, and demanded to be shown the Complaint Department.This department appeared to be locateddown the corridor in the person of a politeman with a moustache. Next to Moustachewas Beard, who bemusedly smiled the wholetime at the hopeless impudence of our impatient inquiry. Moustache agreed to hear ourstory. After he heard it, he suggested thatperhaps the spring, summer, and autumnissues of journals were at the bindery. At thiswe wondered why issues April throughSeptember were at the bindery while issuesJanuary through March were still at libertyon the shelves. Moustache then pointed outthat the Regenstein is a large building, intothe eccentric corners and impregnablefaculty studies of which endless books andperiodicals disappear. This, we replied, weknew; but our complaint was, why was notthe library more thoroughly cleared?Moustache finally informed that, in fact, he isnot the Complaint Department, but merely aminion in the Circulation Department, andhas nothing whatsoever to do withperiodicals. Beard continued to smiletriumphantly at me. His look fairly asked,"How could you have been so foolish?"Moustache suggested a visit with one Mr.Gwynn.Mr. Gwynn's secretary took my complaint,written on a note pad, down into the corridorto his lair. The notepad returned bearing thecheerful information that Mr. Gwynn wouldnot speak with us or see us or even listen to usbecause complaints about periodicals are nolin his department. The note pad kindlysuggested Mr. Miller. But Mr. Miller, according to the secretary's broken English,either was at a meeting that began at 8:30 and would end in an hour and one half, or was toattend a meeting in an hour and one half thatwould not end until a week from nextTuesday; and therefore could not see us. Werose, removed ourselves from Mr. Regenstein's library, and repaired to the HarperLibrary, where we found the latest NewYorker neatly stacked next to the day's NewYork Times.The weather in the Grey City last week wasfairly tropical. Because of it, we sported ourseersucker trousers for the first time sincelanding at O'Hare from a sunny clime, andtoddled out to see the world. We indulged in apastry at Ida Noyes Hall according to our owntaste for sweets (which is heavy and infusedwith chocolate), ran into an undiscovered oldcronie from our Alma Mater with whom wescheduled a thorough gossip for that evening,sailed past Rockefeller Chapel at the sight ofwhich un-collegiate cathedral we recalled afriend's report of the Donovan concert insidesome years ago, and wound up our jauntcircumnavigating the Quadrangles.We did not hear on that day the mix ofguitar music and talking voices that on acollege green mingles as well as wine andcheese. The Quads were quiet because veryfew live on the Quads or close enough to themto transport a guitar readily. Where eachclassroom, hallway, and wing is named forthd donor of its tasteless renovation one doesnot sense a certain universal easy grace. Norcan we cultivate a certain mansuetude whenfaced with instructions auxiliary to theregistration blank that are 2000 percentlonger than the form they serve to explain. Aswe poked about for something to amuse us,we saw no lingering entertainment on thelawns, no shining eyes, no well-oiled tonguesof yesteryear, no crossings of the streetagainst the light. We did find too much of ascientiae crescentia that is imperfect becauseof too little vitae excultus or cultura. Indeed, in the daily saga of life and death onthe Quadrangles, one senses but a freneticversion of fhe once quaint University ofChicago chatter about the life of the mond.Now, we ourselves live a rather abstractedand brainy life, so we do not object to this traitof personality. In fact, we appreciatecharacter and difference in a university. Theproblem is that this is the only trait of personality. No one, or very few, has ever livedon the Quadrangles. Trudging through themis not like trudging across Yale's OldCampus, or the Harvard Yard, or across anyNew England town green. Even after so shorta period as eighty odd years, the continuedpresence of living, sleeping, eating, studying,frolicking, and growing students effects achange in the quality of the stone, earth, air,and — well — the ether in a great enclosedcourtyard It might even have overcome theterrifying vapors exuded by theAdministration Building, which as a friendnoted, belongs not to the Chicago School but tothe East Berlin School of architecture. Onecannot inhale on the Quadrangles any odor ofhistoric growth or of organic existence. Thisis appropriate to a University the students ofwhich probably would not notice the change ifthe buildings were magically transformedovernight into mud huts and log cabins.We have been gratifyingly overwhelmed byour readers' requests for a few facts aboutour younger and more vital days. We maynote that we were born at an awkward agesomewhere far, far away from Chicago.Having been schooled in Elizabethan studiesat the Oslo Institute of Thought, and havingpublished two obscure volumes of poetryentitled "Negations" and "Fungoids", we nowpursue a course of utter bogosity at the Enrico"Little Caesar" Fermi Laboratory forResearch in Natural Philosophy at the GreatGrey University.— Enoch Soames• IMMliai ncriMI MIStlMiiiiitm huootpmouctw*BURT REYNOLDS“THE LONGEST YARD”R -Z2- PlittUNITED ARTISTS,DowntownGCCFORD CITY I,ChicagoGCCDEERBR00K CINEMA I,DeerfieldPlittMERCURY.Elmwood ParkMORTON GROVE,Morton GroveGCCYORKTOWN CINEMA 1,LombardGCCRIDGE PLAZA \,Griffith, Ind. 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Add in orheringredients withcrocked ice Serve inroll gloss over icecubes Garnish withlime slice ond unslicedstrawberryOLIN(THE EaRIhQUAKE 1symbol tot the I 7ih doyol the onoenr A/re< weekNew Yeti' New Yotl' FOR ALL STUDENTS& FACULTY MEMBERSJust present your University ofChicago Identification card.As Students or Faculty Members ofthe University of Chicago you are en¬titled to special money savingdiscount prices on all VolkswagenService Work, all Volkswagen Parts,Accessories and any new or usedVolkswagen you buy fromVolkswagen South Shore.AuthorizedVolkswagenDealer SOUTH SHORE7234 S. Stony blondOpen Doily 9 A.M. to 9 P.Mies Ports ond Service DeportmentsOpen Soturdoy « A.M. to 5 PM. ^Phone 2U8-49O0 >w\\vIt's here today!A 23.3-ounce masterpiece!TRADE-UP TODAY to the remarkable newOlympus OM-1 camera, the heart of the OM System.The system includes fully interchangeable focusingscreens, open-aperture metering, lenses from 8mm to1000mm. motor drives, macro and micro equipmentIt's all there in compact, lightweight designs that letyou carry 2 OM-1 bodies and 5lenses in the same space one bodyand 3 lenses might take up with acomparable systemCome in tor an introduction to OMphotography . . . and bring yourpresent camera. It s worth $$$ andthose Trade Winds are blowing!UNIVERSITY of CHICAGOBOOKSTOREEllis at 58th St.2nd Floor Photo Dept.October 18, 1974, The Chicogo Moroon. 13f l ,!o~'!uol vo»«D driTvj.oc.vJO. Ihe Groy City JournalCMftlGIL MU9IC-Russian GloomBy C.J. MeyersAll in all, last Thursday’s (October 10) ChicagoSymphony Orchestra concert under the baton ofGennady Rozhdestvensky was a rather dismal affair.The failure, I am sure, was more the fault of theprogram than of the performers--I doubt if anyonecould have made a success of a concert that consistedprimarily of the Rachmanioff Piano Concerto No. 4and the Shostakovich Eighth Symphony. Certainly theCSO and Mr. Rozhdestvensky, who chose the works,made a valiant effort on their behalf, but it was, alas,to no avail. Several members of the audience walkedout one half hour before the concert was over, andmany of us who stayed on to the end envied theirforesight.Things began well enough with Prokofiev’s RussianOverture, op. 72, a colorful piece that proved to be thehighlight of the evening. The overture makes use ofsome traditional as well as some artificial Russianfolk themes arranged in a form that reminds one moreof a ballet suite than an overture. Mr. Rozh¬destvensky’s pacing of the work was perhaps not asexuberant as one might have wished, but the or¬chestra responded well to his restrained beat and theconductor was able to obtain a precise dynamicshading that was a pleasure to hear.The Rachmaninoff 4th Piano Concerto had severalproblems, some of which can be traced to Rach¬maninoff himself. The first performance of the con¬certo took place in 1927, but Rachmaninoff worked onrevisions for many years and finally premiered therevised edition in 1941. The third movement wasespecially troublesome to the composer, as it is now tothe listener, for Rachmaninoff’s final solution seemschoppy and a bit wayward. If the concerto is tomaintain our interest at all, it needs a pianist that canbring to the work a generous rubato and a grand,romantic sweep. But this was exactly what MissPostnikova’s performance lacked. From the begin¬ning, Miss Postnikova’s stiff and unyielding playingcaused several unsteady moments as Mr. Rozh¬ destvensky, her husband, worked to adjust his tem¬pos. He did not totally succeed in this, but the or¬chestra finally solved the problem by drowning out thepiano completely.In the second and third movements, Miss Post-nikova was more audible, and slightly more fluent.Her articulation was good and her tone was clear. Yetshe was often too fussy with her phrases and, as aresult, frequently lost the tension of the music. In thethird movement, the whole concerto seemed to run outof energy and come almost to a stop, so that Rach¬maninoff’s real conclusion sounded like an af¬terthought.The Shostakovich Symphony No. 8, which ended theprogram, was written during World War II, and ac¬cording to the composer, was intended “to expressthe emotional experience of the war.” The notes in theSymphony program stress the fact that the themes ofthe work are built on a single “neighbor-note figure”which is heard at the beginning of the first movement.The effect of the neighbor-note business is trulymaddening: one feels suffocated by the dull, redun¬dant themes and waits in vain for a fresh motive toblow through the orchestra. But instead we are givennumerous meaningless climaxes that are withoutemotional effect simply because they exist in anemotional void.The only interest I could find in the symphony was inrhythm and orchestral color, and Mr. Rozhdestvenskyas well as the orchestra made the most of thesequalities. The Russian conductor had good controlover the balances, and there was fine solo playingfrom the first-chair winds especially from theEnglish horn) throughout the symphony. But due tothe vacuity of the music itself, the total effect wasminimal.A great deal goes to waste in music like this-suchthings as time, effort and the subscribers’ money, forexample. Hopefully, future programs will bring usmusic worthier of the orchestra’s and the audience’sinvestments. ■JJ,v.. rx.-r wnwww.v.'KA'W’W.’wrtWW'ir"The Portrait" (1930) is on loan from the Menil familycollection.(continued from page 8)undeniable human essence of the whole is effectuated bysuch pieces as “Ames Soeurs” (Sister Souls), 1961, and“Jeune Homme au couer battant” (Young man with beatingheart), 1949 (bronze cast, 1954-56).However, it is not so much anthropomorphism, as in¬novative outlook that interest Ernst. The artist’s com¬positions confirm that ideally, he promotes unboundedassociation of aesthetic media to illuminate the real world inthe light of truth. In the eyes of the skiptic, Ernst’s awarenessof the limits his own perspective imposes on his thirst forverity may appear dubious. After all, the artist is himeslfhuman. I might share such uneasy sentiments, did I not feelthat Ernst’s expression has always related full consiousnessof his own humanity. It appears, for that reason, that hiscompostions are left open-ended - all explorations alluding tothe possible, rather than concrete statements verifyinguniversals.The Ernst exhibit consists of works from the Menil FamilyCollection, and continues at the Art Institute through Nov. 17.THC4TROSong Stories is a Small GemBy John KuhnsSong Stories is an offbeat revue of comedy and music, apromenade of insights into the passing human parade. I haveto admit, however, that I was initially dubious about thewhole thing. The Independent Eye is not a theater group I’vehad much contact with, and they were only playing for theweek-end anyway. Plowing through the mob gathereddownstairs for Mandel’s chamber music series, myincertitude heightened as I gained the stairs to the ClubTheater and tentatively looked over the ample crowd ofperhaps ten to twenty people. Things started ominouslyenough. One is tempted to speculate on the quality anddiversity of the proposed twenty four dramatic sketcheswhen the w hole thing must be carried off by just two actors,an electric organ, a stage bare save for three cafeteriachairs, and some slogans painted on banners, one of which read “Careless Eye on Men Who Drown.” There presentlybegan that telltale shifting in the krinkly leather seatsbehind, signaling that others were entertaining similarmisgivings.Fortunately, neither I nor the rest of the audiencebargained on the absolute versatility of the featured stars,Conrad and Linda Bishop. They concert their multifarioustalents in two dozen skits and songs that describe four maincharacter types — codgers, drifters, bread-winners, andtykes. Lulled at first by Linda’s off key notes, I realized withsatisfaction that it was all part of the game. Instead of posingwearisome and worthless dogmatic answers on “the-real-way-to-enjoy-life-and-its-inconsistencies,” Stories isplaintive and anxious. It does not dish out answers, but in¬stead serves a series of adroit but painful questions aboutthings we’re all guilty of, but cannot yet bring ourselves tolaugh at. Why are our desires so vast, our guilts so pervasive,and our ambitions so corrosive? The play acknowledges that these questions are irreconcilable, but pokes our ribscongenially to point out that they must be asked.Perhaps the best number is Conrad’s hilariousChaplinesque caricature of a demure weather reportershopping for a new fangled suit which also assures a newpersonality in the lining. Clothes make the man, right?Shedding a number of sterotyped personalities one afteranother, he finally decides he rather likes his individualityand inspires himself to new confidence with his discovery.Exploring other situations like a fairy tale with a flounder, ayoung girl resigned to living with her head stuck fast inside aPicasso sculpture (the Museum’s “Art to Live With”Program), Stories concludes with the ironically simplisticnotion that each holds all the threads of his life in his own twohands. Many complaints lodged against the inadequacies oflife are often too farcical for consideration.For those who missed them on campus, the IndependentEye will be uptown at the Body Politic for two weeks.HIMTackling Burt ReynoldsBy Aaron LipstadtEveryone knows that Alfred Hitchcockappears somewhere in his films (since the’30’s, at least), and the realization thateveryone is looking for him has forced thedirector to make his appearance within thefirst fsve minutes of the picture. Otherwise, hesays, the audience would exhaust its powersof concentration looking for him, andwouldn’t pay any attention to the film. RobertAldrich also avoids distracting the audiencefor the duration of The Longest Yard —BurtReynolds’ costume, displayed so intriguinglyin the ads, is exposed in the first sequence.I won’t spoil the fun and excitement by tell¬ing what K is, but it’s not chaps.With *:nat distraction out of the way, we canconcentrate on the film itself. Burt is an ex-forviiball star, the great quarterback“Wrecking” Crewe, who made the mistake ofshaving points in a professional foolUul g<*mcso that some big money bettors could get their14, The Chicago Maroon, October 18, 197 spread. His career finished, the virile athletebecomes a gigolo, until one morning hedecided not to perform as expected. To thedelight of someone in the audience, he donsthe above mentioned outfit, pushes his for¬mer patron around a bit, and makes off in herCitroen SM. After a few laughs with someclowns in police uniforms, he dumps the carand gets drunk. The cops soon locate“Wrecking”, and after a little more fun, he’soff to prison.Now we get serious: the prison warden(Eddie Albert) is a football fan who wants hissemi-pro team, made up of prison guards, towin the national championship. He’s delightedat the thought of help from an expert likeCrewe, but the latter is discouraged by theviolently jealous captain of the guards (EdLauter). Crewe is finally conned into creatinga patsy team, made up of convicts, to give theguards a warm up game. However, Crewefinds tnat ne creates more than a footballteam when he assembles convict talent. They are brought together by their sharedhatred of the guards, and actually become ateam behind Crewe’s leadership. The unity hecreates is too much for the warden, whoforces Crewe to decide between his self-protecting lack of commitment and concern,and the new force he has created in himselfand the other prisoners.The depiction of characters in The LongestYard is nothing short of amazing; it seemsthat all possible extremes are reached, withthe exception of the evocation of Mother forguidance and support. The opening showsCrewe to be the extreme asshole: ennui anddisgust are all over his face as he goesthrough his “virile” routine. In prison, he’smore restrained—he just wrants to serve hiseighteen months and get out. On the otherhand we have the mad warden, content in hiscontrol of the prison and desirous only of thechampionship. But this desire is an obsessionthat makes him oblivious to all other aspectsof prison routine. As he walks among the hate tilled convicts who are working out for theupcoming game, he marvels to the captain athow they can mingle, unarmed and unafraid.The captain, a bit too stupid to be a reallyadequate yes-man (the warden is usually inthe company of an optimistic little fellow,presumably better at the job), reminds thewarden that that’s “ ‘cause you got fifteenguns all ‘round here say you can!” Albert’sonly reply is a peeved, slightly disgustedglance.Burt becomes more of an administratorthan a leader for this portion of the film as herounds up an outrageous collection of goonsfor his football team. There’s his manager, asmall time Milo Minderbender, who evenmanages to procure films of the guards’ team(for which Burt has to repay the warden’ssecretary—his recent occupation hasprepared us for this). The backbone of thefootball team is composed of a knobby knee-ed ex pro, three freaks, and the black prisonpopulation, which only agrees to participatewhen convinced of the sincerity of Crewe’santi-guard stance, and more importantly, of(continued on page 12)The Grey City Journol, 11RCCORDSiClapton Triumphs, Stewart So-sosBy Daniel M. RosenthalERIC CLAPTON, 4*1 Ocean Boulevard.RSO SO4801. Ever since Clapton made theswitch from the light, bouncy musical styleof the Yardbirds to John Mayall's BluesBreakers he has been, if not the best, thencertainly one of the most accomplished andversatile rock guitarists in the world. Hislatest album comes very close to matchingthe best things he has ever done and, indeed,has selections that are representative of all ofthe styles that he has adopted over the yearsas well as a couple that are completely new“Mainline Florida’’ is reminiscent of theearly music, “Willie and the Hand Jive” of hismore intense blues period, and “Let it Grow”(a strange song that approaches countryblues in style) seems to be indicative of thekind of music that interests him today.Musically the album doesn’t reach theheights of the extraordinarily adept per¬formances of Layla or the awesome interplaythat marked his and Jack Bruce’s version ofWillie Dixon’s “Spoonful” on Wheels of Fire.The reason for this lies clearly in the fact thatthere is simply no one playing with him on thealbum that matches him in ability. YvonneEllman and George Terry do a very good jobon guitar in “Please Be With Me,” and theirbackground vocals provide a pleasantfoundation for Clapton’s lead.Clapton's own performance is excellentoverall, especially during the opening bars of“Motherless Children.” in which he demonstrates that he has learned that rockaudiences respond enthusiastically to bluesriffs that are played very loud and very highwith a minimal background accompaniment.His technique on acoustic guitar on the secondside of the album is masterful.There is more than enough in the music andthe lyrics, and the backup musicians playingwith him are good enough to overcome thepresence of “I Shot the Sheriff,” which isprobably one of the most ridiculous songs ofthe year. Taken as a whole, the album is atremendous improvement over some of hisother recent efforts. A.ROD STEWART, Smiler, Mercury SRM 1-1017. This album, like Stewart’s music ingeneral, is disturbingly inconsistent. Some ofit, like the almost classic Every Picture TellsA Story, is a fine, exciting, hard rockmodification of country blues The rest of it ispoor and as offensive at times as the goodparts are interesting.The album’s main virtue is in the music,which is of a generally high quality. The firsttwo songs on the first side, and "Dixie Toot”on the reverse, stand out particularly. In thelatter, the greater portion of the credit for itsvalue is the property of the Chris Barber JazzBand, who provide a fine instrumentalbackgroundStewart’s hoarse, gravelly singing voicespoils much of the album for me because it isusually more grating than musical. He(continued on page 12)9 AM-9 PM 7 Days A WeekHYDE PARK PIPE AND TOBACCO SHOP1552 E. 53rd - under 1C tracksAll students get 10% offask for “Big Jim"/PipesPipe Tobaccos Imported CigarettesCigarse EYE EXAMINATIONS• CONTACT LENSES (Soft & Hard)• PRESCRIPTIONS FILLEDDR. MORTON R. MASLOVOptometristsHyde Park Shopping Center1 510 E. 55th St.363-6363STARTS TODAY6746 Sheridan; 761-17002 blocks north of loyola el stationChicago's home of repertory cinema400bogart bash itAT \oct. 18—nov. 7OCt. 18-20lauren bacali“key largo”waiter huston“treasure ofsierra madre”OCt. 21-24leslie howard“petrified forestbelle davis <"marked woman OCt. 25-27mgnd bergman“casablanca’peter lorre“maltese falconoct. 28-31james cagney“Oklahoma kid"tames cagney“roaring 20's" nov. 1-3lauren bacaiidark passagelauren bacali“the big sleep"nov. 4-7ida lupmo“high sierra"peter one"passagemarseille”e toMALE OR FEMALEIF YOU HAVE A DRIVER'S LICENSEDRIVE A YELLOWJUST TELEPHONE 225-6677 ORAPPLY IN PERSON AT 120 E. 18th ST.WE HAVE FULL OR PART TIME WORKFOR YOU.LAST SUMMER STUDENTS EARNEDUP TO $50 OR MORE DAILY.WORK DAY OR NIGHT OR DURINGSEMESTER BREAKS.Work from o garage near home or school ARTHUR WASKOWFellow of Institute for Po'icy Studies,Washington DC; Author of The Freedom S«der-and The Bush is Burninguui£ 5peak wtThe Song of Songsas a Model forJewish Men and WomenMonday, Oct. 21st 8 P.M.Hm5715 S. WoodlawnUsed 6 ft. wide bulletin boardsUsed 3 drawer filesUsed metal desksUsed wood desks $1 5.00 and up'cash and carry"IPMENT&UPPLY CO8600 Commercial Ave.Open Mon.-Sat. 8:30-5:00RE 4-2111Thurs. till 9t00 P.M.Individual AttentionTo Most Small Cars31?-mi 3-3113h foreign car hospital & clinic, inc.^*5424 south kimbark avenue • Chicago 60615 ROCKEFELLER MEMORIAL CHAPELSunday, October 20, 1974 11:00 A.M.WALLACE W. ROBBINSMinisterFirst Unitarian Church ofWorcester, Massachusetts“NEVERTHELESS”ST. GREGORY OF NYSSALutheran Campus Parishat the University of ChicagoEUCHARISTTHIS SUNDAY AT 10 A.M.Willan Setting of the MassWayne Magnus, guitaristGraham Taylor ChapelUNIVERSITY at 58th St.ST. MARGARET’SEPISCOPAL CHURCH73rd at Coles Avenue11 block west of South Shore Dr.)SATURDAY-5:00 p.m. Low Mass(fulfills Sunday obligation)SUNDAY MASSES:9:00a m Family Mass. Church School11:00a m Holv Communion. Hymns, SermonOCTOBERANNUAL BARGAIN BAZAARFlea Market, Garage Sale-Food & PlantsSaturday, October 26-12 noon-3 p.m.And Sunday, October 27-12 noon to 3 p.m.October lb. iv74. The Chicago Maroon. 15Hi ’OOioW12, The Grey City JournalRGCORDS— \*AV.RLMiReed Rocks LCTTCR9By Miles ArcherLOU REED, Sally Can t Dance. RCA CPL1-0611. Lou Reed is back to his old stuff againand just as good as ever. After his brilliant“live” album where he and his group showedoff their talents as pure musicians, he’sreturned to the kind of music that made hisTransformer album the success that it was.Exactly what kind of music that is, is veryhard to pin down. Part of it is undoubtedly theway that he has the guitar set down a heavy,unsettling background. Another part is thelyrics, with their warped and twisted feeling.And, of course, there is Reed’s voice, whichcaptures all of the above and more. Probablythe epitome of this album is the first cut on thesecond side, entitled “Kill your sons.” Thissong manages to capture insanity andparanoia about as well as any song I’ve everheard and at the same time he manages toshow off some of the billiant guitar work thatwas so evident on his previous album, RockAnimal.The album does have a few rough spots,however. The main problem is that some ofthe songs have some really awful lyrics. Oh,what the hell, it’s a good album anyway. B.ISAAC GUILLORY, Atlantic SD 7307. IsaacGuillory’s first album gives us an uneven musical collection and a feeling that we’veheard a lot of this stuff before. The problemlies in the singing and the lyrics. Guillory’svoice, sounding vaguely reminiscent ofJames Taylor’s, works well when he singsnaturally and fails miserably when he strainstrying to get more than a “natural” sound outof it.With the lyrics, it is just the oppostiesituation. A number of the songs just limpalong, recalling old, wornout lines andimages. However, every so often, Guillorymanages to go beyond this mediocrity andpresents us with some finely etched images,as he does in the songs “St. Peter” and“Brusselles”.One thing that is not uneven in this album isthe musicianship. From the beginning to endthe music is competently played. In fact, themost interesting cut on the album is “ElJadida”, in which Guillory and his backup tryto play theri version of an Indian ragatranscribed for rock instruments. Though it istoo short <4:33) to really get very far off theground, it is fun to listen to.All in all, it’s not a bad album, but nothingto get excited about. One more thing: thepress release claims that Guillory was born in1957 and that he was with the Cryan Shamesin 1967 as a bass player. Is this true? C. To the editor:In his review of the show of Six UC alumnicurrently on view at Midway Studios(“Campus Creativity,” October 4,), JohnKuhns failed to mention two of the six artistsrepresented.For the record: in addition to the fourartists metnioned by Kuhns (two of whosenames were misspelled), the currentexhibition at Midway Studios (through Oc¬tober 31) includes paintings by Kenneth Avickand Gerald Rocourt.I don’t know if this article was meant to beart criticism or simply reporting, but it wrgood example of neither.Signed,Lelde KalmireFor the record: the names of all personsmentioned were checked for spelling withHarold Haydon, who as curator of the gallerywas presumed to have the informationcorrect. Two of the artists were not men¬tioned because neither this reviewer, nor anyreviewer, is required to discuss the totality ofa given presentation — especially if he finds ituninteresting.R£CORD*)' (continued from page 10)the material advantages of participation,i.e.,better food, no work detail, etc. The threefreaks are the power of the team and are allequally inhuman: a sensitive giant who grinsa lot and is about eight feet tall; an illiteratefarmhand who substantiates the feeling thatthis is Green Acres gone haywire; and ashaven headed mass killer whom even theguards fear, who practices—well, everyone’stoo scared to ask what it is he practices in theexercise yard.By this time, it doesn’t matter how thegame turns out; the circus has been so muchfun that getting serious won’t hurt now. As itis, it stays this way—after all, there are onlytwo human characters on the team, sowhatever it is that “Wrecking” Crewe hasforged isn’t really all that important. Thegame is a gas, from the cheerleaders and thesinging trio (black cons in drag) to thewarden’s vicissitudes, from the half time peptalk (and back room deals) to the last minuteprayers for guidance. Aldrich combines acountry fair audience with split screencoverage and a soundtrack that delights incracking bones, and comes up with a film thatis engrossing in both its comedy and its in¬tensity.It would be a mistake to go to Yard with theexpectation of seeing a portrayal of humandignity—that element is involved, but it’s notreally the point. Crewe just wants to protecthimself, and later the team, but he’s alwayspragmatic, and he never compromises thispragmatism. Similarly, aspects like thetreatment of the black prisoners, acclaimedin some quarters, must be taken lightly. Notmuch of a case can be built on a union basedon hate, violence, and better food. Take TheLongest Yard as it comes, and you can enjoyit.R€CQRD9= =MusicalPoets(continued from page 2)mention in some way, but sooner or later onefeels like starting over with the remarkableuptempo songs, and stating again that Lennonhas give up a work that ranks with the best ofthe other ex-BeatlesWAYNE BERRY,. Home at Last. RCACPLl-0503 A-JACKSON BROWNE. Late for the Sky.Asylum 7E 1017. BTOM RUSH. Ladies Love Outlaws.Columbia KC 33504. BJAMES TAYLOR. Walking Man, WarnerBros W 2794. B.TIM MOORE. Asylum (number unknown).B .JOHN LENNON. Walls and Bridges. AppleSW 3416 AJewel?(continued from page 11)manages, for example, to thoroughly crucify“Girl From the North Country.” which is anexcellent song when Bob Dvian sings it. Hisversion of “Sweet Little Rock and Roller" is,however, very good, and his arrangementsuits his singing style admirably.In the end, while the album is nothing to getexcited about, it is worth listening to morethan once. B - .THE GAP BAND. Magician’s Holiday,Shelter. SR 2111 When an album is releasedby Leon Russell’s backup group, it isdisheartening to realize after listening to itthat the only two songs on the record that arereally good have Russell playing on them. Asblues rock musicians, the eight men whomake up the Gap Band are well aboveaverage. As lyricists and arrangers they areless than completely successful. The con¬trast between their work and Russell’sexcellent arrangements is strikingly clear.With the exception of the two songs notedabove (“After all is Said and Done" and“Magician's Holiday”), the album is markedby a lack of the kind of structural cohesionthat is so necessary in this type of music. Thegroup makes a valiant effort to play togethercleanly and to play the calibre of music thatthey are obviously capable of. C plus.ELTON JOHN. Caribou. MCA 7116. EltonJohn and Bernie Taubin have a song-writingsystem that they have developed to the pointof perfection. This is not to say that they w'riteconsistently great songs, but rather, thattheir system works unbelievably well. Legendhas it that they met when they both answeredadvertisements that appeared in a Britishmusic paper, the former because he couldn’twrite lyrics and the latter because he couldn'twrite music. However they met, they havemastered the techniques of writing hit poptunes as well as anyone in the business.This latest album is nowhere near as goodas their earlier, more innovative albums,(eg: Tumbleweed Connection and HonkyChateau). Some of these songs have alreadyhad a great deal of exposure on the radio andtwo. “The Bitch is Back” and “Don’t Let theSun Go Down On Me" have achieved a largemeasure of success. The rest of the music isstandard Elton John, ranging from amateurclassical to a touch of Broadway, to a thicklayer of late 50’s rock and roll a la Jerry LeeLewis. The best thing about the album is thetremendous performance by Dee Murray onbass and Nigel Olsson on drums. Togetherthey constitute one of the best rhythm sec¬tions around today.The album is, in short, standard Elton John.It’s very easy to listen to, enjoyable, but, atthe same time, generally unspectacular R16, The Chicago Maroon, October 18, 1974 HOTEL FURNITURESALE!from Chicago's largest hotelsFULL SIZE BOX SPRINO& MATTRESS SETS $39.95TWM SIZE HOLLYWOODBEDS, COMPLETE $29.95NIGHT STANDS $3.95 UP1000 LOUNGE CHAIRS $15.00 UP1000 PULL-UP CHAIRS $10.00 UPTABLE LAMPS $2.95 »»*SMALL TABLE DESK $10.00SINGLE MATTRESSES& BOX SPRINGS oiled]As Is. $10.00 ach. Cash & CarryOPEN DAILY 9-5AMSTADTER FURNITURE7315 COTTAGE GROVE224-7444LETTERS TO THE EDITOR 1C fcontinued from page 3presented there may be accurate,the article is completelymisleading about the currenttrend of minority studentenrollment at the University andits significance.First of all, the article notesthat the 1973 freshman classincluded 41 blacks and that thisyear’s class includes only 22blacks out of a total of 604 fresh¬men, but it fails to mention thatthe total freshman class sizeincreased from 523 last year, orby about 14%. What this amountsto is that the percentage of blacksin the freshman class decreasedby over half, from 7.8% to 3.6%from 1973 to 1974.The article states that “Thedrop-off apparently resultedfrom a similar decrease in theFood portionscontinued from page 1discontent over the situation.What complaints there are,relate primarily to high cost.The inherent inefficiency of thesystem as it stands makes thesehigh costs necessary. It may beworth pointing out that, first yearstudents aside, the dorm systemis voluntary. Those who choosethe supposed convenience of thesystem will have to bear the cost.The basis of real problems for thehousing office is the increasingrelative scarcity of housing, sincethe voluntary aspect of the dormsystem is diminished by theabsence of alternatives. The number of black applicants forthe fall quarter.’’ This is not thewfcole story. Applications fromblacks did decrease, but only by29% considerably less than the54% drop in the percentage ofblacks in the freshman classes.In fact, a smaller proportion ofblacks who applied were ad¬mitted this year than last, whilethe same proportion of thoseadmitted came. (The Office ofAdmissions showed us the figuresfor the number of blacks ac¬cepted for the past three years,but does not wish them to bemade public — no doubt becausethey are embarrassingly low.)In any case, the fact that ap¬plications from blacks decreased29% is questionable justificationfor a decrease in blackenrollment — after all, what hasthe University done or not donesmallersignificant difficulty facing thequality of life is the question ofhousing.The dorms are operating atnear capacity. The deficit inhousing costs will probably beeliminated this year and the fooddeficit substantially reduced.Soon student consulting com¬mittees will be formed to aid indetermining which direction willbe taken. Overall, though, it isclear that the system and theservices it offers will remainabout the same.Overall, though, it is clear thatthe system and the services itoffers will remain the same.Hayek shares Nobel PrizeBy TOM MC NAMARAFriedrich A. von Hayek,former professor of economics atthe University, has been awardedthe 1974 Nobel Memorial Prize inEconomic Science by the RoyalSwedish Academy of Sciences.Hayek, who taught at theUniversity from 1950 until 1962,will share 'he honor and the$123,000 cash award with GunnarMyrdal, a visiting professor atthe City University of New YorkIn Stockholm the twoeconomists were cited for “theirpioneering worn in the theory ofmoney and economic fluctuationsand for their pioneering analysisof the interdependence ofeconomic, social and institutionalphenomenaA vigorous proponent of thefree enterprise system, Hayek isbest known for his scholarlyworks “The Road to Serfdom”and “The Constitution of Liberty".Myrdal, who is more receptiveto active governmentinvolvement in the economicsystem, is best known for hismassive report “An AmericanDilemma - the Negro Problemand Modern Democracy” writtenin 1944 at Columbia University.He is presently working on anupdate of that report withpsychologist Kenneth Clark, astudent of Myrdal’s at Columbiaduring the 1940’s.The two foreign-born 75 yearold economists are still quiteactive Hayek. who was forced toleave Chicago in 1962 when hereached the University’smandatory retirement age, is avisiting professor at SalzburgUniversity in Austria and plans atrip to Japan later this monthMyrdal is presently engaged inteaching and research at the CityUniversity of New York.ABOUT THE MIDWAYClergyOn Sunday, October 20th,United States Senator JamesAbourezk (Democrat, SouthDakota) will be the keynotespeaker at the third anniversaryconvocation of Chicago Clergyand Laity Concerned. SenatorAbourezk will speak on the abuseof the U.S. foreign aid programand U.S. support of repressivegovernments around the world.Another participant in theprogram will be Don Luce,executive director of Gergy andLaity Concerned. In 1970 DonLuce made world headlines whenhe, along with two Americancongressmen, discovered thenotorious tiger cages in one of South Viegnam’s largest prisons.The program will be held atWellington Ave. Church, 615 W.Wellington Ave. in Chicago.Registration will start at 1:30p.m. and the program will beginat 2:00 p.m. The program is opento the public. Clery and LaityConcerned is the inter-faith peaceorganization.ProtestRev. Ben Chavis, the protestleader from North Carolina whofaces 10 separate trials withpossible sentences of 262 years inprison, will speak at a rally inChicago about the “crimes” ofwhich he is accused.The Committeee to Free All for this in comparison to last yearto make such a drasticallysmaller number of blacks want toapply? There was a disturbinglack of any attempt of real ex¬planation of, or even specualtionabout, the reasons for this. TheTuesday article, and the Office ofAdmissions people when weasked them, immediatelylaunched into a description ofminority recruitment effortsbeing made this year, sayingnothing about the past. Werethese things done last year? (If so, they obviously aren’tenough.) Possibly more to thepoint, was anything done for 1972and 1973 that was not done for thisyear, and, if so, has it beenresumed? (Or was the blackhigh-school graduating class of1974 dramatically different fromthose of the previous two years?We doubt it.)Desipte the Office of Ad¬missions plans for visiting publichigh schools and bringing 100minority high-school students tocampus for a day in November, their approach to minorityrecruitment this year is hardlyany different from what it was inthe past, and it does not seemlikely that the proportion ofminority students will be muchincreased that way. The problemcertainly isn’t that the Office ofAdmissions is unaware of thesituation. It seems more likely tobe rooted in a very broadproblem at the University ofChicago: institutional racism.David M. JamesPeter SpornFee subsidizes orientationBy JAN RHODESNew students pay $75 fororientation events which continuethroughout the school year.Entering students who takeadvantage of orientation op¬portunities probably get morethan $75 of benefit, but those whodon’t participate unwittinglysubsidize those who do.All 750 new students paid forthree days of dorm space, dormfood, luncheons, and receptions.According to Loma Straus, deanof undergraduate students, 18percent of orientation money wasbudgeted for this purpose lastspring.Another 22 percent of themoney supports the CollegeCamp, a weekend excursionduring winter quarter. Althoughall new students pay about $16toward camp, only about halpparticipate, said Arlin Larson,director of orientation andcounselor in the College.An entertainment category isallotted 15 percent of the money.During orientation week,assorted live musicians, oneperformance of the Hyde ParkMusic Theater, and a Blackfriarsshow were sponsored.This category also finances 120tickets per performance in theChamber Music Series. Thetickets are worth $2.50 each, butaccording to the music depart¬ment, the university is asked topay the department somewhatless. All new students were givena coupon for a ticket for eachshow, however, the first 120 toexchange the coupons will gettickets. Every free ticketavailable for last Friday’sconcert was claimed.Orientation funds also back upthe other coupons new studentsfound in their packets. Only 106students used coupons for 50cents off a Whistle-Stop whistel.“Most things in orientationweek most people don’t par¬ticipate in. You couldn't do theseon a pay-as-you-come basis,” Larson said.“Would people go to classes ifwe charged them $10 each timethey walk in the door?” he asked.Straus said the administrationdoes not view orientation weekmerely as a collection of fun andgames for which admission ischarged in advance.“We regard it as an academicaffair,” she said.Rather than giving students theoption of not paying for an eventand then not attending, Straussaid the administration hopes they will attend because theyhave already paid.Remaining orientation moneywas budgeted in the followingcategories: transportation, forfield trips during the year, 10percent; printing, mainly theportrait directory and theorientation booklets, 15 percent;divisional meetings, to be heldlater in the year. 10 percent;salaries, 10 percent; andmiscellaneous, mainly postage,paper and the whistles. 10 per¬cent.CORSO deciding on fundsThe Committee on RecognizedStudent Organization (CORSO),a branch of student government,is presently considering theannual budget requests of studentorganizations on campusThe groups requiring funds foryearly operating expenses varyfrom WHPK, The Order of the‘C’. to the University FeministsAlthough other requests arewelcome, the SG constitutionrequires that all yearly budgetsbe disposed of before November1 Thus any organization (that isnot political, religious, or quasi¬academic) that wishes to submita yearly budget to CORSO. andhas not yet been contacted,should call T Cook at 947-9545 ordrop by the Student Activities Office in Ida Noyes Hall Otherrequest for special projects,concerts, or events can besubmitted at any time during theacademic yearThis year the CORSO budget asallocated by the dean of studentsoffice amounts to $30,000, a 14%drop from last year. Thecommittee (5 students, 2administration representatives,and one faculty member)conducts open meetings upon therequest of student organizationsAlthough an appointment mustbe made to address thecommittee, all interested partiesare welcome to sit in on meetingsif they likeCORSO meets at 3 p.m. todayand 5 p m on MondayCorrections"UC accused of dirty tricks"read the headline on a Gadflyprinted in last Tuesday's MaroonThe signatures of those whosubmitted the article wereomittedThe Maroon regrets the errorThe signatures were: PeterSporn. W. Peter Draper. BeckyHoffman. Roy L. Brown. OtisMcDonald. John Gilbert. Antonio C. DosSantos. David M James,George Andreopoulos. BleaseMcGriffUniversity Theatre’s majorautumn quarter production.Oscar Wilde's The Importance ofBeing Earnest, will openNovember 15 Earlier reportsindicated an opening on October15. but they were in errorCALENDARPolitical Prisoners, who issponsoring the rally, states thatRev. Chavis’ only “crime” is tobe a leader in the struggle forjustice for all. He is “guilty” ofleading student protests againstharassment, protesting the masssterilization of women in NorthCarolina, and fighting against theimprisonment of teen-agers forparticipating in protests.The rally will take place onSunday, October 20, at 3:00 P.M.at the Midland Hotel, 172 W.Adams.For further information con¬tact: Chicago Area Committee toFree All Political Prisoners, 606S. Ashland 243-8523Talk to Charlotte Walker 6430735 (h) 643 2126(h). Friday, October 18DOC FILMS: ' Easy RW ' Dennis Hopperat 7 15 and 9 30 p m Cobb SI 00LECTURE Walter D Dying. -Preliminaryresults trom the equatorial oceanographicexperiment during gate" Hinds Auditorium3 30 p mLECTURE ‘Islam m Tropical Africa"Ghada Talhami Pick 506 3 00 p mLECTURE: “Rural Social Stratification'Mobeccel Kiray, Kelly 4 13 130 p mDINNER: Shabat Dinner. Hill el. 5715Woodtaxyn, 7 00 p m S2 00 Sign up inadvanceDANCE: SAO big dance, call 7S3 2150 forinformation UC ID requiredSaturday, October 19PRE MED Meeting and get togetherDiscussion of survey on pre med attitudestowards distribution of medical care 6 30p m Woodward Court, resident mastersapartmentLUNCHEON: The Annual Dames Clubautumn luncheon, 11:30 a m TheQuadrangle clubSunday, October 20CO-OP: Kosher meat coop meeting 5 30p m. at Hiliel $715 WoodiewnLOX E BAOELS: BRUNCH: 1100 amHide! CROSS COUNTRY Maroon cross countryopen five mile run 3 00 pm , WashingtonParkDOC FILM "The Thirty mne Steps 7 ISand 9 30 pm. Cobb. SI 00RECEPTION Opening receipiion tor theMidd'e East Studies Center at the residenceof prof Marvin Zonis. 49M S Ellis. 7 00 p mDEMONSTRATION: Ta. Chi Chuan clubwill give a demonstration of T.C C andShaolin Boxing for help and defense. 7 30? 30 p m., Ida Noyes HailFELLOWSHIP: Supper St. Discussion "TheGrand inquisitor from the BrothersKamaroiov," 5 30 p m , Blue GargoyleMEETING UC Stamp and Com Clubmeeting, 2 00 pm. Reynolds Club. NorthLoungeMEETING First organitat<onal meeting olthe year of the Committee Against RacismAll concerned members of the Universitycommunity are invited. 3 OOpm . Ida NoyesHallMonday, October 21RECORDERS: Music Society recordersmeet and play. • 00 p m , Ida Noyes HoltNew members welcomeLECTURE: "Decoding Social Refolds inIndia." by Me Kim Marriott. 3 30 p.m . Kentt07TAELC TALK: Will my job tell me who IOctober 18. 1974, The Chicogo Maroon, 17om?" led by Frank Brown. 6:BB pm. BlueGargoyle. East Aislea*Hildebrand, Bertaccini pace UCHILDEBRAND: UC harrier DanHildebrand set course recor¬ds for both the three and fourmile Tuesday againstBradley. Photo by BillWilloughby. By PETER GALLANISCross country is one of thoseathletic activities in which thewinning of the team’s meet isonly one valid indication of theparticipant’s success. At thesame time that one team runsagainst another team, a numberof individual runners are com¬peting against each other andalso against the standards thatthey set for themselves. As mightbe expected from their per¬formances in recent years, the1974 Maroon cross country teamhas fared fairly well againstsome tough opposition.Moreover. Coach Ted Haydon’sharriers have shown significantindividual improvement straightdown the line, as they demon¬strated Wednesday in a losingeffort against a strong BradleyUniversity team.For the past two years, anumber of runners on theMaroons’ home course havespent a lot of time watching DanHildebrand's heels from adistance. In what was perhaps his finest performance to date, theUC junior Wednesday set a newfour mile record for theWashington Park circuit; at thesame time, he also broke theprevious three mile recordHildebrand’s time of 19:50.5 was43 seconds better than that of hisnearest rival.In terms of persona 1achievements, two other UCrunners, John Schuster andLester Savit established newcareer marks: Ben Felts, who isjust getting back in form, turnedin his best race of the season.These encouraging efforts,considered along with the usualsteady work of Blair Bertacciniand Charles Lutz, indicate thatbefore the year is out the Maroonthinclads may have one of thebest teams in their history.The only real shortcoming ofthe current UC cross countryteam is the regular gaop betweentheir first two runners,Hildebrand and Bertaccini, anathe rest of the squad. It is for thatreason that Coach Haydon mustbe particularly glad to see the consistent progress that hisrunners have shown. For themeantime, however, theMaroons’ lack of depth seems tobe hurting them against top-flightcompetition.The Bradley Braves probablydisplayed as much depth Wed¬nesday as any team that theMaroons are likely to see thisyear. While Bradley had norunners to match Hildebrand, therunners that they did bring naileddown five of the first seven spots.Since a good performance by thesixth or seventh man on a crosscountry team can count as muchin the final score as a worldrecord by the first man,Bradley’s overall strength wasenough to outpoint the Maroons,22 to 34.The story was similar lastSaturday when the UC runnersjogged over to Spring ArborCollege in Michigan for a meetagainst four other teams. Strongfinishes in the five mile race byteam newcomers Julian Brownand Jim Thvedt helped to keepthe Maroons solidly in the middle of the overall meet results.Measured separately against theother four teams, the Maroonswon two contests and lost two.Wheaton College, with fiverunners distributed among thefirst fifteen finishers, defeatedthe Maroons by a 24-35 margin.Spring Arbor, led by TonyLutrell’s remarkable 24:26 firstplace finish, edged the good guysby a score of 25-30. The other twoteams that the UC runners faced,Adrian College and Grand ValleyState, profited from the meetmainly by what Coach Haydonwould call the “good experience”that they gained: they finishedfar behind the Maroons.The future looks quite good forthis team if improvement willcontinue to be its watchword.With a core of veteran runnerslike Hildebrand, Bertaccini,Charles Lutz, John Schuster, andBrian Kay plus the contributionsof newcomers Brown, Thvedt,and Savit, the team is good now;how much better it mighteventually prove to be is a ratherintriguing questionIN AND ABOUT IM'SBy MIKE KLINGENSMITHAlthough delayed somewhat bya shortage of officials, the IMtouch football leauges havebegun to play. In the first roundof games on Wednesday af¬ternoon Psi Ipsilon defeatedLower Flint 19-8. ThompsonNorth shut out Greenwood 9-0,and the number four ranked BigMed Machine edged TCB 6-0 inovertime.The IM Top 10 changed verylittle from last week, although theSecurity team (a squad com¬posed of UC police, no pun in¬tended) jumped into the eighthIN FOOTBALL TOP 101. Zap (3) 562. Quarter Pounders (1) 523. Shorey 414. The Big Med Machine (1) 395. Hitchcock Fast 386. The Business School 357. The Mad Dogs 198. Security (1) 149. The F.U.T.T Bucks 1110. Breckinridge 7Numbers in parenthesis referto first place votes. Total pointsare out of a possible 60 awarded10 pts for 1st, etc.AUTUMN: While footballplayers run for touchdownsand students return toclasses, the seasons slowlychange. spot, bumping The Common LawSeals out of the elite ten. TheMaroon has been assured,however, that IM gun controllaws are very strick and thatofficials have been advised to callsomething more than thecustomary 15 yard un¬sportsmanlike conduct penalty incase of violations.The two big games to watchnext week both will take place inthe tough Divisional BlueLeague. On Monday at Midway *1the Common Law Seals will at¬tempt to get back into the Top 10in a contest with the number 7ranked Mad Dogs while onThursday the Dogs challengeSecurity. Undergrad contests towatch are Breckinridge (#10) -Chamberlain in the ResidenceBlue, Hitchcock East (#5) —Henderson in the ResidenceWhite, and Shorey (#3) - Vincentin the Residence Red.In other IM news, Recreationand Facilities Director JohnSchael has announced a newFaculty Recreation Programwhich is currently being initiatedwith the Faculty-Staff tennisspectacular. The program willconsist of informal activities,including handball, bridge,squash, family swims, andpossibly mixed doubles tennis.Advance notice of these eventswill come though this column inthe Maroon. The program will notbe structured in the manner ofthe present IM program which,incidentally, faculty and staff arestill eligible for. The emphasiswill be on scheduling throughmutual agreementWhen asked what motivatedthe new program Schael replied,“In the past not enough has beendone for the faculty and staff,being an important part of theUniversity. We hope that thisprogram will help to bring thefaculty closer together and en¬courage association with peopleoutside their particulardivisions.”Anyone with questions, ideas,or suggestions regarding ac¬tivities should contact coachSchael in the intramural office atthe west end of Bartlett Gym¬nasium’s first floor.18, The Chicago Maroon, October 18, 1974 TYPICAL: IM officials Don Weidemann (left) andRichard Desmond embroiled in controversy in Thom¬pson North-Greenwood contest Wednesday af¬ternoon.Field hockey isnewestBy GREG GOCCKThe curtain is about to go up fora new athletic drama at theUniversity. The cast is alreadyhard at work, trying to make thisfirst season a memorable one.The drama in question? Noneother than Women’s VarsityField Hockey.The current troupe probablywill not win a “Tony” for it’sperformance. For many of theactresses, it is the first time theywill ever appear in the spotlight.Since this is the case, Producer-Director Shirley Mathis hasgeared rehearsals for the pasttwo weeks toward the develop¬ment of the basic field hockeyskills. Scrimmages have alsoplayed an important part in thetraining program.A pre-season tune up with theLab School will be followed by agame next week at Lake ForestCollege. A clash with Nor¬thwestern is set for November 4.These are the only two gamescurrently scheduled, for ac¬cording to Ms. Mathis, “Otherteams had their schedules madeup last spring, when we weren’teven in existence. “A goodperformance by the squad this UC sportyear will no doubt cure thisidentity crisis.The fact that the team is newdoes not mean that it is devoid oftalent. “Helen Harrison andNancy Perkins have excellentability,” said Ms. Mathis. “Theyhave the capacity to be out¬standing performers.” The entiresquad consists of 3 graduatestudents and 16 undergraduates.In summation, Ms. Mathislooks forward toIn summation, Ms. Mathislooks towards the future withhigh hopes “The interest is thereand the response to date has beengood. We are initiating aprogram which will hopefullybecome an integral part of thewomen’s varsity sportsprogram.”The audience will undoubtedlybe sparse at the first few per¬formances that these women puton. This is to be expected, seeingas this is UC and that the teamwas only recently established.Perhans this is a good omen, foras Publilus Syrus said, “If youwish to reach the highest, beginat the lowest.” If there is anytruth to that statement then Ms.Mathis and cohorts will havetremendous success. They maywin that “tony” after all. UC VARSITYSCOREBOARDLAST WEEK’S RESULTSFOOTBALL:Northeastern 40 Maroons 14WOMEN’S VOLLEYBALL:Maroons 15 Rosary College 6Maroons 15 Rosary College 12Maroons win best of three, 2-0North Central QuadrangularMaroons 15, 9, 10 North Central 8,15, 15College of Dupage 15, 15 Maroons2. 3Maroons 14, 15, 15 Elgin J.C. 16,13. 11Maroons win 1 lose 2SOCCER:Maroons 1 Northwestern 1Ringling Bros Barnum & Bailey7 Maroons 1I IT 8 Maroons 2CROSS COUNTRY:Spring Arbor Invitations’(Quadruple-dual)Wheaton 24 Maroons 35Spring Arbor 25 Maroons 30Maroons 17 Grand Valley 45Maroons 19 Adrian College 41Bradley University 22 Maroons 34NEXT WEEK’S EVENTSFOOTBALL:UC at Lake Forest, Sat. Oct. 19,1:30WOMEN’S VOLLEYBALLUC at Joliet JC. Thurs Oct 24,6:00SOCCER.UC at U. Michigan-Dearborn,Sat. Oct. 19, 2:00I’ROSS COUNTRY:UC vs Valparaiso, Wabash, andWheaton. Sat. Oct. 19, 11:00,Washington Park.UCTC Open 4 mile, Sun. Oct. 20,12:00, Wash. ParkMAROONCLASSIFIED ADSSPACEStraight male se*ks to share apt withsame Can pay op to SlOO mo Call947 963? alter 7pm2 rim lorn 5 40 5 Wood I awn 643 7760 or667 5746 Mrs Green7 bedroom apis available Rents3MOOO monthly Bldg close lorampos 6104 S Ellis Phone 955 7000lor informationRoommates wanted to share nearbyqoiet complete apts 548 370 monthlyLatham, Carr, Strong 6045 Woodlawn955 9709 or 427 2583CHICAGO BEACH HOTELBEAUTIFUL FURNISHEDAPAR TME NTS Near beach, parks, 1Ctrains, 11 mins to loop, UC and loopbuses door Modest, daily weekly,monthly rates. 24 hr desk, Completehotel services 5100S Cornell, DO 37400, Miss SmithLive m Frederika's famous buildingNearby turn or unfurn 2,3,3 1/ rmcomplete apts lor 1,2,3 people Quiet5120 up Free utils Latham, Carr, 6045Woodlawn 427 2583, 955 9209 or leaveword at 922 8411 ext 311SCENESDo l Need the Church To Tell Me HowTo Be Religious?" Discussion at TheBlue Gargoyle. Meal $1 00 Sunday,October 70 , 5 30 p mLOUIE S BARBER SHOPWill t > y I o your h o I r os youwould ilka i* dono1 303 E. 53rd St.FA 4 3878Young Designs byELIZABETH GORDONHair Designers1620 E. 53rd St.288-2900SUPERB LOCATIONAd|acent to the MidwayOverlooking Jackson Park SLake Michigan Conveneint toUniversity of Chicago shuttlebus and evening mini-bus ser-,viceJACKSON PARKTERRACEApartments andTownhousesHIGH-RISE/MID-RISE/LOW RISEThe Choice Is Yours!Centrally air conditionedluxury High Rise and intimate3 story Mid Rise MagnificentTownhouse clusters withprivate entrances, privatepatios and/or balconies.Efficiencies, 1,2,3,4 Bedrms.—Color coordinated rangerefrigerator, cabinets—Stainless steel kitchendisposer.— Color coordiantedbathrooms ceramic tilefloors & tub enclosuresRecreation meeting rooms—Full height wall-to-wallbedrm. closets.—Sound partitioning—Master TV antenna—Exclusive off street pkg,—24 hr security system.—Building set among treesplantings, walkways.WHAT CITY LIVINGSHOULD BE. THERE'SNOTHING ELSE LIKEIT...ANYWHEREIModels Open11*7 DailyRentals:$210 to $382241-7700 |Leasing and Management byBAIRD t WARNERRonVal Office: 6040 S. Harper Harvard St Georg** School 4731 SEllts Ave announces i white elephantsale Friday, Oil 18. 17 noon 7 pmSal Oci 19. 9 a m 5pm Plan toattend A/foney raised will be used tobuy audio visual equip for the schoolWOMEN'S TOUCH FOOTBALL Sunat I? 59th and Kenwood Informal, noexper once necessary Join us!UC TAI CHI CHAUN CLUB will give ademonstration ol Tai Chi Chaun andShaoim Boxing lor health and defenseSunday. Od 70, Ida Noyes Theater,7 30 9 p mNo talk at Hilllel tonight Yavneh 8.Creative Liberal Services as usualDon i miss Waskow (special event)next Monday'll I Go Into An Establishment Job,Where Will the Real Me Be’" FrankBrown as Dr Luther, Table Talk, TheBlue Gargoyle. Monday 6 00 p mOctober 71The Promised Lands, film producedby Nicole Stephane (5 directed bySusan Son tag will be shown Sat Oct76. at Breasted Hall, 7 15 8. 9 30 pm51 00 Discussion at Millet House alter?nd showing Movie was filmed inIsrael Oct Nov 1973c pipe is a good trip 5615 t/ 2 WoodlnWIVES OF STUOENTS ANDMARRIEO WOMEN STUDENTSCall 374 4781 lo find out about theDynamic and Different Dames Club1974'Arthur A Waskow (Fellow ol theinstitute lor Policy Studies 8, Author otThe Freedom Seder & "The Bush isBurning ') will be at Hillel Monday,Oct 71. 8 00 p m to talk on "The Songot Sonqs as a Model for Jewish WomenH MenDancing is a lilting recreation even•or a philosopher' Socrates ComeiOin U ot C Fotkdancers Ida Noyes 8PM Sun general level with teachingMon beginning level with teachingFri general level, no leachingDonation SOcPEOPLE WANTED session, the series taking 6 9 weeksMust be 21 years or older and in goodphysical condition Call Herman. 9476983, II a m 10 2 p m , Monday,Wednesday A FridayDIVORCE CHILDREN PARENTS.NON PARENTS, a group counselingseries for 6 weeks with individualevaluation When Divorce is Coming,Children of Divorce ages 3 18, Parentsof Children of Divorce, Divorced NonParents New Center for Counselingand Psycho therapy, DE 7 0387Babysitter needed for 2 1/ 7 yr childMornings 53 Cornell 955 8869Subiects wanted for sell hypnosisexperiment being done in Division onHuman Development Call eves 9470473The restaurant school specializes inteaching you how to run your own finequality restaurant Course beginning1975 combines academic course workand practical experience Write or calltor catalogue 7179 Walnut Street,Philadelphia, PA 19103 ( 215 ) 561 '446College Placement and VocationalPlanning for those wanting more torchildren than overburdened highschool counseling departments canoften otter New Center tor Counselingand Psychotherapy DE 7 0387Handyman wanted lull time to work inHyde Pk area Steady residentialwork Call 667 1265 9 AM to 11 AMSitter wanted tor school age childMon Fri 1 00 5 00 p m 5? per h' Call363 3838 after 5 00BE AN FLECTION JUDGE 493 6986POR TR Al TS 4 for 54 and up MaynardStud os 1459 E 53 St 2nd Floor 6434083PEOPLE FOR SALEChinese ckg lesson'Mandarin Canton 4 weeks S35 f(r ,-j,inst dinner Barbara, 324 3277 or 7447720 YOGAFall quarter Yoga classes meet Mon& Wed at the Blue Gargoyle 5655University Canadian fitness plan 5 00Yoga 5 15 to 7 00 9 sessions 525 18sessions 545 Wear clothes you canmove in A bring a rug Info CabDobbi 288 3706 Registration open 'tillspace is titledGAY COUNSELINGGrowth/ Training lor gay andbisexual men 540 for eight weeks atChicago Counseling Center 5711 $Woodlawn Call 684 1800 Ask for RickWeber 'CLERICAL UNIONNo one can live on UC pension theunion pension makes ends meet Joinunion for iob security, better benefitsInformation 741 7717LOX& BAGELSBrunch Ham, Sun this week 51 50 atHillel House, 5715 WoodlawnUFO MEETINGThe University Feminist Organizationwill hold its 2nd meeting Mon Oct 71at 8 00 m Ida Noyes To get items onagenda, contact Cathy W'ldman. 7533751KOSHER MEATCO OPIt s really happening! Come tomeeting Sun Oct 70. 5 30 p m atMillet, 5715 WoodlawnLOSTLost b,.-st sl des ot my oriqinaloaintiniis n small box Please brmqic Ac dg info desk Art Rewardl ,u.. OLD WATCH Bucherer Lostaround I a m Sun 13 Oct onBlackstone btw 59 A 57 St Reward WANTEDOne cheap filing cabinet Call 285 1568CREATIVE SAB-Cdsh for used books Powells 1503 E57th St 955 7780BELLY DANCEBelly Dance Lessons All Level*.Jam ilia Hassan 643 4,25 aft a eves.VERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDINGATTRACTIVE 1% AND2 Vi ROOM STUDIOSFURNISHED UNFURNISHED$ 120-$ 193Bosed on AvailobilityAll Utilities IncludedAt Campus Bus StopFA 4-0200 Mrs. Groak ASTHMATICSParticipate m study of new antiasthmatic drugs on campus Up to5300 947 5504WRITERS WORKSHOP (PL 2 83?7)Writing HELP by professionals forthesis, report, speech, etc MU 4 3124Dorothy Smith Beauty SalonHY 3-10695841 S. Blackstoae Ave.Specializing in ScalpTreatments-Hair Con¬ditioning-Soft Perma-nents-Tinting andBleaching.Open Evenings & Early MorningsMonday tt»r igli FridayCios .4 SatardayBATH SERVICEEvery Friday night this fall at Hillel,57tS S. Woodlawn at 7 30 p m Formore info call Warner at 684 5161 orJanet at 752 5655STEP TUTORINGinterested in helping neighborhoodchildren? Student TutoringElementary Protect needs volunteersto tutor students bi weekly in schoolwork or with special projects Forinformation call Jay Sugarman at 947-8804 or Mar y Lou Grebka, 843 8266PAN PIZZADELIVERYThe Medici Delivers from 5 10 30 p m.weekdays. 5 11 p m Saturday, 667-7394 Save 60 cents if you pick if upyourseitBOOKS BOUGHT PERSONALSPREGNANCY TESTING10 am 2 pm Saturdays 51 SODonation St Augustana Church atS5th A Woodlawnby THE SOUTH SIDEWOMEN S HEALTH SERVICESPenny pipes satisfy 5615 1/ 2 WoodlnBirthday greetings to Jeff from theMaroon staff All those attendingJeff s party are urged to bring a bottlefo add to everyone's enioymentBirthday greetings to Jeff from theMaroon staff All those attendingJeff s party are urged to bring a bottleto add to everyone's enioymentSomeone who is sk'ileq in music or artand would 'ike to instruct 3 children, 7,6. 5 after school of Saturdays 752 691836 3 8 4 88MAJOR MOTION PICTURE COneeds resp neat males A fmls to hostm area theatre, part time Call MrChristian 78? 2948Learn to use WYLBUR to enter A editproqrams A data on a terminal,submit |obs to computer Comp Centerseminar next Tues , Rl 180 3 30NEW ACCOUNTSREPRESENTATIVE Personw' excel customer service skillsPrior bank or relevant exper nxP/ T afternoons A Sat morn CallLouise Francis, 788 1800 X78SOUTH SHORE NATIONAL BANKEqual Employ OpportunityEmployerSubiects needed for experimentalstudies of the effects of drugs onhuman behavior Earn up to 515 per Exp Selectric Typist Papers, mss,These, etc F R E E pick up and deliver yIf you want your papers to look as goodas they sound Call SUZANNESSECRETARIAL SERVICE 8? 10565CREATIVE WRITING Workshop bywriter columnist, help on theses, etcMU 4 3124Robert Stone Movers Quick,courteous, inexpensive Jomour manywell pleased customers, avoiddamaged belongings Van or truck 75?3019, it no answer 753 7160FOR SALESansui 3000 Pioneer CS88's. Dukor der8010 (Self Dub) In factory cartons.Guar Lot 5750 75? 6040MODELMAMERAEumig Super 8 SoundFestivalSaturday, Oct 19th^ Come to Model Comoroa 'T a and so# our complete line' • ^ of sound comerot, soundm projector*, sound films,+ ; Rt and super 8 editingequipment. Disney car¬toons and many otherfilms will be runthroughout the day. Welook forward to seeingyou!1342 E. 55th St • 493-6700"25 Years in Hyde Park ” 40% offon these specialsatTHE BOOK NOOKAcross from the Co-opTHIS WEEK!STARTING FRI.JIM CROCE"Greatest Hits”List $6,98 Sale $4.19FOUR TOPS"Live”List S6.98 Sale $4.19CHICK COREA"Where Have I Known You Before"List $6.98 Sale $4.19PIZZAPLATTER |1460 E. 53rd |Ml 3-2800 |FAST DELIVERY jAND PICKUP 10% DISCOUNTON ANY ITEMWifH THIS AD(Otter good thru November 1)Needlepoint KitsPainted CanvassesTapestry YarnsCrewelCrochet CottonsEmbroidery FlossComplete line of Yarnand Knitting Accessoriesftam.1633 EAST 55TH STREETCHICAGO, ILLINOIS 60615Lenses Replaced—Eye ExaminationsContact Lenses—Prescriptions FilledDR. CHARLES S0SINOptometrist1519 E. 55th St.947-9335We con replace most lenses within a few hours in ourown lab. UNIVERSITY THEATRE9 mlu y*u tr Aiieud a*OPEN HOUSEFriday, October 18 4-6 P.M.Reynolds Club TheatreRefreshmentsUniversity Theatre Board Election* willbe held immediately afterwords at 6 P MVsiyv? featuringfresh groundpeanut butterandfresh yogurtAll Vitamins20% OFF8VHFLDWMtillHEALTH FOODSPlus the following best buys:Natural Vitamin 1 Vitamin C 1000 mgs100 I.U. 250 caps $4.50 100 tabs $2.75250 tabs $6 25200 I.U. 150 caps $4 95 1000 tabs $20 00400 I.U. 100 caps $6.00250 cops $14 00 Vitamin AVitamin C Crystals 25,000 Units1000 mgs. per V« tsp. (while it lasts)1 pound $6 00 175 caps $1 801 kilo $ 11.25 500 cops $4 205210 S. Harper in Harper Court363-1600October 18, 1974, The Chicago Maroon. 19SAY(DONT FORGET OUR MONTH LONG BORDEAUX WINE SALE!)FRANCE USA -BRIE $250 PER LB. ALE CHEDDAR ♦175 PER LB.GOURMANDISEHwalnut . per lb. VERMONT CHEDDAR ♦ 1491 PER LB.GRAPE SEED $000Z PER LB. WISC. BLEU . 99* PER LB.ROQUEFORT ♦ 050O PER LB. SPREAD CHEDDARS $1751 PER LB.GOAT CHEESE •33SWe (BLEU, HICKORY, GARLIC, SHARP, PORT)ST. MARCELIN ’229 ran lb NEW YORK HERKIMER $ ^ 59 per lbCREME DEPYRENNES *199PER LB.NORWAYDENMARK G JETOST GOAT $^99 pER LBCHRISTIAN IX $150I PER LB. BLUE ?125PER lb.MUNSTER $149■ PER LB. SWITZERLANDHAVARTI PER LB. EMMENTHALER *1"pERLB.MOZARRELLA $ ^ 50 per lb GRUYERE . ^ 1" PER LB.DANISH BLUECAYENNA PEPPER $ ^ 59 per lb.$149I PER LB. RACLETTE ♦ ^99 per lb.HOLLAND ENGLAND♦ 175• ■ PER LB.EDAM $1751 PER LB. STILTONGOUDA $1751 PER LB. CHESHIRE ♦125per lb.ITALYGORGONZOLA *1" PER LB. SWEDENPER LB.BEL PAESE • PER LB. FONTINAPROVOLONE $120perlb.GERMANYCANADA BIANCO $1191 PER LB.CHEDDAR *2°°per lb. ALPEN JOY $^99perlbPLAIN, HAM OR SALAMI20, The Chicago Maroon, October 18, 1974