The Chicago Maroonsummer editionVolume 81, Number 63 The University of Chicago Thursday, July 19, 1973'Medea1, 'Butler'Medea: provokes arguments provoke discussionButler deserves athletic awardBy MICHAEL EDGERTONThe Court Theatre “Medea” will provokemany arguments about the adaptability ofGreek tragedy to the kind of psychologizingthe company uses throughout. It is a playwith several events, but little action, and themain event, the murder of the children, takesplace offstage. The large blocks of narrativeare interspersed with brief face-to-faceencounters and extended makings-up of themind, with the chorus sometimescommenting, and sometimes holding dialogwith the personage onstage. All of thisweighs more heavily in favor of a cleaner,more uncluttered, less acting-conscious stylethan the Court’s, which makes a vivid bodymovement and a highly expressive deliveryits mainstay.It exchanges the impersonal, masklikequality for one of emotional immediacy.The cast, a fairly seasoned one for summertheatre, was headed by Patricia Cruz in thedemanding role of Medea. She caught mostof the anguish but not enough of the awe¬someness of Medea, yet her movement wasadmirably fitted to the sense of her lines. In aplay whose tragic power lies in theintemperate passion of a woman deeplywronged, she underlined the sexual maliceand motive for revenge rather than thecunning and femininity of Medea. That. too.was in keeping with the psychologizing of theplay.For force and presence Nicholas Simon asCreon dominated the stage. Bette Kimmel,the Nurse, was excellent in her scene-settingand as a vocal conscience. Her narrativestyle was the best example of the severalavailable. Ralph Klein, BernardPrapuolenis, and Lawrence McCauley,appearing at the Tutor, Jason, and Aesgeusrespectively, gave good though notmemorable performances.The chorus was interestingly directed,sometimes singing, sometimes speakingantiphonally, sometimes echoing each otheror breaking into solos. For this kind ofproduction they were neither too remote nortoo intrusive.One of the things that worked best was the music devised and performed by BonitaEverts, with the help of John Tsafoyannis.The simple flute and drum did more thananything to accomplish the atmosphere of asomber festival. Charles Jenkins’ set was animaginative and forceful space, and the twomassive doors lent an impressiveseriousness to the action.Finally, director Rudall’s translationshould be praised for its nice rhythmiceffects and his selection of Medea’s speecheson the plight of women for a rhetoricalclimax. That insight into the play is avaluable one, and it isn’t always treated withthe respect it deserves. By MICHAEL EDGERTONThere won’t be any disputes about the kindof play “What the Butler Saw” is. It’s afarce, and it’s being performed by CourtStudio Theatre in the Reynolds Club throughJuly 22. The cast deserves credit for itsathletic performance, but it is hard to award itbecause their names are disguised in theprogram. Careful research of the call boardoutside the theatre, however, will reveal whothe actors in the entertainment are.Orton’s farce is built primarily on sexualthemes. He must have had a textbook ofabnormality open in front of him to arrive at the sexual permutations he does among thesix British types he trots out to deliverspeeches in Shavian diction. It’s funny: thepsychiatrist, his wife, his colleague, thepoliceman, bellboy, and typist whizz aroundthe stage like witty windup caricatures.It’s a case of “everything ventured,everything gained” as boys obligingly revealthemselves to be girls, girls to be bellboys,bellboys to be police officers (that isrelatively conventional), and police officersto be secret fetishists. Orton never worriedabout probability, and nearly everythingsaid is a satirical crack at some sexual more.What can you say about a plot in which thewife, after two hours, turns out to reall\ bethe wife?As fast as they were able to play it, "Whatthe Butler Saw” seemed a little long. It’s thekind of thing that profits from a slapdashtreatment that pushes one gag into anotherso fast that the audience is two or threelaughs behind. When it was strained it wasbecause the troupe declaimed to the houseinstead of playing to each otherThis little jeu d’esprit is an unusualcomplement to "Medea.” w hich is playing onthe outside stage in Hutchinson Court, but forpure zaniness in Orton's style there are fewthings like it. Come prepared to lose yourinhibitions.After Medea and What the Hut lor Sawclose their runs this Sunday, both the CourtTheater and the Court Theater Studio havescheduled two more productions for theremainder ol the summerThe Court Theater production of Tangowill open Friday July 27 and will be shownevery Thursday. Friday, Saturday andSunday night through Sunday August 12. Itwill be followed by Shakespeare's play AMidsummer Night's Dream, beginningAugust 17.The Court Theater Studio will present twoone act plays. Fingernails Blue as Flowersand Birdhath. every Friday. Saturday andSunday from July 27 to August 12. then followthat with Ghosts from August 17 on.MEDEA: Patricia Cruz as Medea holds the lead role in the current production of theCourt Theater. Photo by Hugh WilsonDespres resolution condemns 1C service slashesBy MARK GRUENBERGA resolution calling for the city to moveagainst service cuts on the Illinois Central(1C) commuter trains has been introduced inthe City Council by fifth ward alderman LeonDespres.The resolution is scheduled for a publichearing his Tuesday in room 201A of CityHall, 121 N. LaSalle. The hearing, at an openmeeting of the Utilities Committee of theCity Council, will start at 10 am.Despres and two other aldermenintroduced the measure following the newschedule put into effect by the IC on July 1.The schedule cuts service to Hyde Park toonce every 20 minutes during most of the dayand once every hour after 7:30 pm.Previously, trains had served Hyde Parkonce every 20 minutes.Also according to the new schedule, muchof the rush hour service — the “Specials”which make only a few stops - now stop onlyat 53rd street, and then only once every halfhour. The trains which will stop every 30minutes at 57th and 59th streets are localtrains, making all stops all the way toRandolph.Despres’ resolution instructs thecorporation counsel of Chicago, who represents the city in matters of this sort, togo before the Illinois Commerce Commission“and seek a restoration and improvement ofIllinois Central Railroad commuterservices."The resolution, introduced by Despres,seventh ward alderman Robert Wilinski andeighth ward alderman William Cousins onJuly (>, was referred to the UtilitiesCommittee. Committee chairmanWilsonFrost of the 34th ward is confident theresolution will pass.Despite Frost’s assurances, Despres wouldlike to see a great amount of support for theresolution at the hearing.Describing the “exasperation” of HydeParkers as “unequalled to that evercaused before,” Despres says, “We aregoing to try to use the hearing as anopportunity to organize commuters to bringout what has happened. There has been noorganization, and for many years, it has beendifficult to organize a commuter group.” Hehopes that by using this resolution as avehicle, commuters on the IC would be ableto press for better service and otherimprovements.Frost foresees no problems with theresolution in his committee. “I amscheduling the hearing for Tuesday the 24th of July . the day before the full city councilmeeting. There are no problems with hisresolution as far as the committee isconcerned. I feel strongly in favor of itmyself.” Frost added he expected no troublein the full city council.Despres agreed with Frost about theprospects for passage. “If I had pressed ithard, it might have passed last time (July(i>.” he commented. “The resolution askingthe corporation counsel to oppose the servicecuts is the equivalent of the council passing asense of the council resolution petitioning theCommerce Commi on, in the name of theCity of Chicago, t.< .estore service."Frost added that corporation counselRichard Curry or his representative wouldbe at the hearing and "We will get an opinionfrom him as to his intended action." Despresnoted that “There was something peculiarabout the latest schedule change. Thecorporation counsel’s office tells me theCommerce Commission usually notifiesthem about schedule changes - bu‘ this timethe ICC’ did not send them any notice."Despres added that the committeehearing, in addition to being open to thepublic, also welcomed testimony fromanyone who wished to speak. Anyone whowants to testify should get in touch with Despres’ office. 288-7411, as they areattempting to coordinate testimony.Also scheduled to be present at the hearingare representatives from the IC. accordingto the aldermanIn another development, the executivecommittee of the Hyde Park KenwoodCommunity Conference (HPKCC) passed aresolution condemning the service cuts.The resolution pointed out that the totalnumber of train stops in Hyde Park Kenwoodhad been reduced from 388 to 297. and itpledged "support any individual or groupprotests . . before any agency havingjurisdiction in the matter "HPKCC director Sharon Jeffrey fired oil aletter to the Illinois Commerce Commissionasking for public hearings in the matter,while conference treasurer Leonard Bloomsent a letter to James McLane, deputydirector of the Cost of Living Council, sayingthat a service reduction without any cut inthe fares charged was a violation ofregulations governing the price freezeadopted by the Cost of Living Council.His letter also asked for appropriate actionagainst the new schedule by (US) attorneygeneral Elliot Richardson and that $7500 infines and penalties "be assessed against theIC.”I JRavinia presents varied attractionsBy TOBY LOU HOFSLUNDWhen Ravinia sent out its announcementsfor the 1973 season two offerings -- Mahler’sThird Symphony and Bellini’s Norma --looked on paper like potential highlights. Inactual performance they were just that.Conducted by James Levine and featuringMaureen Forrester and the ChicagoSymphony Orchestra and Women’s Chorusand assisted by the Glen Ellyn Children’sTheatre Chorus, this Mahler was memorablein many ways.If that certain something in performancecall it “magic”, a spark, or what you willwas missing at the beginning. Levinecertainly found it by the end. He mixed allthe parts in the right order and proportion toachieve a superbly paced and balanced finalmovement. As for his approach, he allowedorchestra to build naturally toward a grandclimax. There was always a logical changein direction from serenity to bombast. Forwhat he did seemed to make sense. Thefinale was powerful and gripping — powerfulBy ANDREW SEGALBetween April 15 and July 13, 34prospective freshmen, scheduled to enter theCollege in the fall, had accepted admissionthen changed their minds and declined,according to Anthony T G Pallet, director ofCollege admissions. That put the size of nextyear's entering class at 535, a number Palletsays may go up with people from the waitinglistApplications to the College were down thisyear, from 2.376 last year to 2.021, Palletsaid.Pallet says these figures are in keepingwith a national trend from expensive privateuniversities to less expensive state schools.In 1950, 50%of the nation's freshmen went toprivate institutions, while in 1973 only 17%will go to private institutions.But another problem in attracting studentsis crime and security. “It is a question thatcomes up all the time, particularly in talkingto high school counselors.” Pallet said.“They don't call it security, but they talkabout it in terms of the neighborhood.”What does he tell people who expressconcern? “We have to be honest withprospective students. We tell them that theycan't expect to go walking around alone inthe middle of the night Chances are theycould do it for four years without anyproblems.”Pallet cites rising crime at other urbanuniversities and asserts that “we probablyhave a more secure urban university than enough to overcome whispering children andintruding trains. Well, almost.All the pageantry of nature’s wondersflourished and came forth as if on parade inthe second and third movements. With anemphasis on phrasing and continuity of line,Levine brought out each distinct part of thetotal texture. Piccolo and oboe sang ascuckoo and nightingale. The trumpet, usedas a posthorn and played magnificently byAdolph Herseth, soared above the orchestraeffectively. Bell-bedecked horses pranced inthe background. The picture of flowers andanimals was real.Not everything was memorable, however,The beginning had strength but no spark.Levine gave us big, blunt sounds in the firstmovement without any degree of dynamicvariation. The give-and-take, which themusic clearly calls for, wasn’t there. Whatwas there was mechanical rigidness void ofsubtlety and expression.Imagine a whole without parts, sectionswithout bridges. Part of the joy in Mahler is aanywhere else in the country.” He feelspeople have an image of the University asbeing part of “the South Side sprawlingslum.”Some high school seniors are accepted bythe College, but decline citing theneighborhood, but Pallet said he couldn’testimate the number who do.Others accept their admission then laterchange their plans. Most of these givepersonal reasons, other schools, or financialreasons when they decline, Pallet said.“If we can get prospective students on thiscampus, half the selling job is done.” Palletsaid. There were two weekends forprospective students to visit. Pallet said,during which time crime was discussed.Muriel Beadle led a panel discussion forparents on the neighborhood and Pallet saidthe topic of rapes in the dormitories “didn’tcome up.”"Talk about rapes, how many were on theNorthwestern campus last year? Not thatthat makes us feel any better,” Pallet said.With the population of Woodlawndeclining, “obviously the crime that oncespilled over into Hyde Park is not going tocontinue.” he added.A brochure sent to high school seniors whowish to apply for admission says, “Peoplenot used to city life should learn to be careful.Women walking alone at night are betteradvised to seek safety in numbers.” Palletnoted that is being changed to “Studentswalking alone at night . . .” lightness or comic relief as invigorating andwelcome as the foolish buffoon in deeptragedy. However, Levine kept everythingtense. Marchlike passages sounded morelike a procession than a spirited parade.An appropriately mournful oboe solo wasfeatured in contralto Forrester’s compellingperformance of the ‘‘Night Wanderer’sSong.” She brought intense feeling andconcentration to Nietzsche’s poem. Butimpact and diction suffered at times. By theend of the poem her German, which was clearat the beginning and easily understood,became muddy and unintelligible. Laterwhen joined by the Glen Ellyn Children’sTheatre Chorus and the women of theChicago Symphony Chorus, she sang with alittle more bite.By the way, judging from the numbers ofyoung people on the lawn and in the pavilionMahler is really “in” — at least with thequiet, attentive audience (so different fromthe Usual Ravina crowd). They were there tolisten and to respond. And respond they didwith shouts and cheers at the end of this verymemorable performance.At Norma they couldn’t wait until the end.During Saturday night’s repeat performanceclamorous applause erupted at all theappropriate (and inappropriate) places inthis stop-and-start opera. It wasn’t just goodmusic. It was great musical drama whichovercame the limitations of a non-stagedconcert version.Busy melodies and lively rhythms, realcharacters with real problems, and a tightlibretto keep Bellini's opera moving along ata steady clip as the story, a triangle betweentwo Druid priestesses and Roman soldier,unfolds. Norma is more than a vehicle for thedisplay of vocal fireworks in bel canto style.Bellini placed greater emotional andtechnical demands on his singers who musttiring a variety of moods and persuasivecharacterizations to the performance.Beverly Sills, whose appearance atRavinia means an annual sell-out, broughtsecure vocal technique, a sense of purposefulTwo community organizations havescheduled performances of two modernplays in upcoming weeks.James Thurber’s The Thirteen Clocks willbe produced by the Lilliput Theater of HydeBark, organized and sponsored by the JewishCommunity Center. The Lilliput Theater isthe children's summer theater of the center.Performances will be given Wednesday,August 1. at the Museum of Science andIndustry, at 10:30 am and 1:30 pm. Fortickets and information, call 363-2770.The next day features a benefitperformance of Slawomir Mrozek’s play involvement, and extensive coloring to herinterpretation of the title role. This year shehas added yet another dimension to theflowing lyricism and flexible coloraturafeatured in Lucia d'Lammermoor, presentedtwo years ago at Ravinia. “Casta Diva” —itself a whole world of music showed offher dazzling coloratura. She treated eachphrase musically and never missed a note indifficult runs and lyrical sustained passages.The voice, big and vibrant, evoked cheersand bravos from the talkative audience —and deservedly.The same enthusiasm greeted the famousduet, “Mira, o Norma”. Mezzo-sopranoTatiana Troyanos (known to Chicagoans asCharlotte in Lyric’s production of Werther)joined her for a convincing performance asAdalgisa, and together they achieved anexquisite blend of sound with parallel thirdsin long runs sung at an even and steady pace.A standing ovation at the end brought themback not only for bows, but for a repeat of theduet much to the delight of the enthusiasticaudience.Miss Troyanos has a hauntingly resonantquality, rich and full. However, whetherpleading for Norma’s mercy or vowingfaithfulness, this quality never varied.Opposing moods did not come across.The other soloists were in fine voice. TenorJohn Alexander as the Roman soldierPollione found his stride in time for his firstact duet with Adalgisa and gave acommendable performance. Bass JamesMorris sang Oroveso with much control andsustained richness of sound.Conductor James Levine kept the actionmoving with his usual spirited tempos andsharp pickups while taking his cues from thesingers. After a nervous first act, everyonesettled down for a relaxed, spirited secondact. Everyone on stage from conductor tochorister seemed to enjoy everything thatwas going on.No doubt this enthusiasm reached out intothe audience. Some came wearing buttonsthat read “Beverly Sills is a good high.”After this Norma, how about great?Tango. The performance, to be put at theCourt Theater in Hutchinson Court, issponsored by the Hyde Park NeighborhoodClub.Since this is a benefit performance for theclub, admission prices have been changed.General admission tickets are $7.50, whileclub sponsors can pay $25 and receive tworeserved scat tickets. Patrons of the clubalso receive two reserved seat tickets, butfor $50. A champagne reception for sponsors,patrons and cast members will follow theperformance. For further information,contact benefit chairperson PamelaHawkins at 54(41 S Harper.535 freshmen enter College;some decline citing security'Local groups host playsBudgetRent a GarjCoupon Coupon$100 off per dayIj on rental of any intermediate or full size car.| Mon.thru Thur.; Offer good thru July 31, 1973j One coupon per rental.IBudget of Hyde Park! 5508 S. Lake Park Ave.! 493-7900 Rockefeller Memorial ChapelSUNDAY 11:00 A.M.JULY 22,1973E. SPENCER PARSONSDean of the ChapelJULY 29,1973BERNARDO. BROWNAssistant Dean of the ChapelCarillon RecitalsROBERT LODINE, University CarillonneurThursday, July 19 and 26,7:30 p.m.Sunday, July 29,4:00 p.m. CORNER OF HYDE PARK BlVD.I LAKE PARK AVE.IN THE VILLAGE CENTER(NEXT TO THE AAP)SERVING THE WORLD'SFINEST PANCAKESAll better made from quality ingredient! blended into au¬thentic recipes that have been carefully collated ended from the very best of each country or area of origin.PANCAKES FROM THE WORLD OVERHOURS: 7:00 AM TO 9:00 P.M. 7 DAYS A WEEK1517 E. Hyde Park Blvd.SOQ FILMS PRESENTS Ken Russell's TUESDAY, JULY 24BILLION DOLLAR BRAINA fanatical blllionalra schemes to invade Russiu.Michael Caine plays the secret agent.Cobb Hall . 81.00 7;13only2 - The Chicago Maroon - Thursday, July 19, 1973Shoreland Hotel hosts VISTA workersMURAL: A mural depicting "The Spirit of Hyde Park is being completed by artistHelaine Billings on the 57th street viaduct. Photo by Elizabeth Russo.By ROBFRT CHARKOVSKYHyde Park’s faintly elegant ShorelandHotel has become the focal point for socialchange in Chicago.That’s because, for the past year, theShoreland has doubled as a classroom inwhich VISTA volunteers received their“basic training.’’VISTA (Volunteers in Service to America)is the federal government program underwhich participants spend a year or more insocial work projects around the country. InChicago, there are some 130 viSTAvolunteers.Commenting on the choice of the Shorelandwas VISTA Regional Training DirectorJeanette Cascn. “The Shoreland gave us aprice that allowed us to stay within ourbudget," she candidly admitted.Volunteers journey to the Shoreland fromall over the country for the 16-day trainingcycle before continuing on to their individualprojects. Many are seeing Chicago for thefirst time, such as Arleen Updyke, a 20-yearold licensed practical nurse from Harris¬burg, Pa "I like the people here . . . they'rea lot friendlier," continues Ms Updyke, whowill be working in a health care facilitysponsored by the Christian Action Ministry((’AM), a West Side community actiongroup.Why do most volunteers join VISTA? “I’vegot a martyr complex," laughed JudyMajewski. a recent graduate in sociologywho was on her way to work with seniorcitizens in Lake County, Indiana. She wasonly joking, but it’s obvious it’s more thanmoney that attracts volunteers, who live onapproximately $250 per month during theiryear long tenure. Most who join VISTA aredeeply committed to helping other peoplethen there’s the travel (“Everybody wants toget transferred to San Francisco orBoston”).Bob Taylor, who is VISTA’s ProgramDirector for Illinois, comments on thebrevity, rather than the intensity of thevolunteers’ commitments when he says that “so many come in for a year and do a job,their supervisor gives them a pat on the backand they leave." Of course many volunteersdo stay on.Taylor is a middle aged black man whobelies the stereotype of the government bu¬reaucrat, wearing a short-sleeved checkshirt open in front, open-toed sandals and afull beard. Less casual is his commitment tohis job, where he has worked for the past 3-1/ 2 years. Taylor seems acutely committedto helping needy people, but he also seems toresent those above him, referring blithely to“those bigwigs in Washington who make allthe hot policies" and to the government asthose "from whom 1 get my check every 2weeks." It’s a successful attempt toingratiate himself with his audience, 30volunteers on their second day of training.Later on Taylor reveals a bitternesstoward the meager salary of VISTA workers.“You’re receiving 95c a day or somethinglike that. I believe $1.00 minus 5c tax."The volunteers represented a moderategeographical and social cross-section ofAmerica, though they can be divided into twomain groups.One is made up of young people no morethan a year out of school who want a respitebefore returning to the campus or “settlingdown," such as Nancy Wyman, a recentgraduate from the University ofMassachusetts or Pat and Maureen Steliga,a husband and-wife team from Milwaukeewho are completing their first year on the(’AM project.The second type of VISTA volunteer is theperson who is already living in theneighborhood to which he or she is assigned.Such a person is Lee Brooks, a fortyish openhearted woman who has been working with(’AM for almost a year. “My husband ispastor of one of the churches that sponsor(’AM," she comments, “That’s how I gotinterested. I’m a nurse, and I’ve beenworking as health coordinator for one of ourday care centers.’’In another class, volunteers receive alesson in “How to Write a Proposal" from Jim Green, a modishly dressed formervolunteer in his late twenties who now trainshis successors. Green advocates theDemptster Holland beer drinking approachto proposal writing. "What you want to get isan introduction to the guy who’ll beevaluating your proposal. It’s bad when youwrite up a beautiful 150-page proposal for aprogram you know will do some good andsome schmick on the other side of town whowrites a 0 page proposal knows thebureaucrat.Later on Green was asked about VISTAand the Nixon administration.“Let me lay out to you who the nationaldirector is . . . you can draw your ownconclusions. His name is Michael Balzano.He was Nixon’s ethnic director during the campaign Balzano is an Italian-Americanfrom Connecticut who worked as agarbageman But after injuring his back hewent to night school to complete hiseducation. Later he went to GeorgetownUniversity where he wrote his PhD thesis onthe social and political ramifications of theVISTA worker .’ That caught the President’seye."The success of VISTA will, however, bedetermined as much by people like JudyMajewski and Jim Green as by MichaelBalzano. And most of the people on the firingline have a high enthusiasm for what they'redoing, an unadulterated joy in caring forother people and acting on that care“YTSTA's the best thing the government hasgoing, " concludes GreenEven it it is going in the Shoreland Hotei.Library union organizers regroupBy GAGE ANDREWSWhile a faculty committee has beenformed to investigate the June 15 dismissalsof six University of Chicago librarians,organizing efforts have been shifted to theorganization of an all campus clerical and(USA class union. The drive to enrollmembers in a new union, which would beseparate from Locals 103A and 103B in theLibrary, is expected to begin on Monday.At the urging of many members of theUniversity faculty and library staff, ProvostJohn Wilson appointed a committee to study“the facts surrounding the elimination ofseveral professional positions in the Libraryin particular as to whether budgetaryconsiderations were the sole reasons forthese positions being eliminated or whetherother factors such as union organizingactivities were involved," according to Jonathan Smith, who was speaking for thecommittee.The investigating committee has threemembers, all of whom serve on the Board ofthe University of Chicago Library. MrJonathan Smith, Mr Thomas Board, and DrRonald Singer. They have been meeting forabout two weeks, and have extended aninvitiation to all six of the dismissedmembers to testify before the committee.Four of the dismissed librarians - theRegenstein Four have reservations aboutthe invitation to testify. In a letter to MrSmith, they stated their understanding of theterms of their appearances, including:no counsel will be present;each person will be interviewedseparately, and alone;no other witnesses or evidence can bepresented during the meetings;no cross examination by the librarians will be possible, and all information gatheredby the committee will be available only to theProvost whether or not it is relevant to thelibrarians’ case;that the librarians “basic right to dueprocess has not received the consideration ofthe committee ”.Mr Smith, when reached for comment,had only “a very polite no comment," and feltthat the context of the librarians' acceptance(accompanied by their statement of theirunderstanding of terms) raised the questionof whether or not they will appear before thecommittee: “By 9:31 Friday morning I willknow whether or not the librarians willappear."The Regenstein Four took the case toPresident Levi last Monday, delivering to hisoffice a petition with over 12(K) signaturesrequesting the reinstatement of thelibrarians. The signatures had been collectedby library employees during their lunch hours, as an indication of “the feelings ofmany members of the Universitycommunity." Library union leaders alsohave been awaiting the reaction by theUniversity to the American LibraryAssociation investigation; according to MrSmith, there has been no official notificationIrom the ALA of its investigation, and thusthere is nothing to comment onEfforts of the library organizingcommittee, since they have been stymied bylegal complications, have been channeledinto an all campus organizing drive.Operating out of an office in the BlueGargoyle (phone 241 7177), they expect tobegin collecting signatures and havingpeople sign union cards next week“I think they donJ know what to do withus." said Ms Pat Coatsworth. “Either theygive us due process, in which caseeverything will change; or else they don’t,which will make it harder for everyone."CALENDARThursday, July 19TOUR: Want to see a book autographed by one of the fewgovernors of Illinois who was not indicted for something orother? If you do, when you go on SOQ's tour of the Rare BookCollections at Regenstein, ask for the copy of "Rhetoric" byJohn Peter Altgeld. For info about the tour, call 33591, and itis at 1:30 pm.PAINTINGS: The exhibit of 41 Impressionist and postImpressionist paintings from the Soviet Union opens todaya* the Art Institute, Michigan and Adams. Included areworks by Braque, Matisse, Picasso and others. The exhibitis very interesting, and we highly recommend it (if you wantturther info, see the Maroon of last April 27). On exhibitthrough August 12.RECITAL: Robert Lodine on the Rockefeller chapelcarillon, 7:30 p.m Also July 26.PLAY I: Court Theater presents Euripides' play Medea,Hutchinson Court, 8:30 p.m. For tickets, call 753 3581.Through Sunday.DANCING: Israeli dancing every Thursday at Hillel, 5715 SWoodlawn, 8 p mFriday, July 20PLAY II: Court Theater Studio presents What the ButlerSaw, Reynolds Club theater, SI.50, 7:30 p.m. ThroughSunday.EXHIBITION Aikaido, Bartlett Gym, 6:30 p m DANCING: Folk dancing in the Ida Noyes parking lot, 7:30p.m Every Friday.FILM: "Two or Three Things I Know About Her", SOQ,Quantrell, $1, 7:15 and 9:15 p.mSaturday, July 21RAVINIA So many people signed up for the second SOQRavinia tour that Rich Scotch had to hire another bus.Though you will have to buy your own tickets (Rich boughtthe others Tuesday), he may still have room on that secondbus. Either see Rich before Saturday in the Cobb Hall coffeeshop or else show up in the Ida Noyes Parking lot at 6 30p.m. today.Monday, July 23KARATE: Karate Club every Monday and Wednesday, IdaNoyes, 7 p m.MEETING: Gay Liberation Front every Monday andThursday, Ida Noyes, 7 30 p.m.Tuesday, July 24MEETING: City Council Utilities Committee, See editorialon page 8TOUR: SOQ tours the Hydrodynamics lab, to see asimulated "earth" create weather conditions. With the realweather outside, who needs simulation? TOUR: SOQ tours the Hydrodynamics lab, to see asimulated "earth" create weather conditions. With the realweather outside, who needs simulation? Let Professor Fultzand SOQ answer that question in room 79, 5734 S Ellis at 2p.m.EXHIBITION; Aikaido again at Bartlett again, 6:30 p mEvery Tuesday and FridayFILM: "Billion Dollar Brain", SOQ, Quantrell, $1, 7:15 p.m.Wednesday, July 25GAMES: Table tennis, third floor of Ida Noyes, 6 p m.MEETING: Chicago City Council considers AldermanDespres' 1C resolution, Civic Center, 10 a mMEETING: Society for the advancement of EasternCulture, Ida Noyes, 6 30 p mBRIDGE: Duplicate bridge, Ida Noyes, 7 pm, feeDANCING: Country dancing at Ida Noyes, 8 p mGAME: Co ed badminton, Ida Noyes gym, 7 9 45 p.m.Friday, July 27 PLAY 11: Court Theater Studio presents two one act plays,Birdbath and Fingernails Blue as Flowers, Reynolds ClubTheater, $1,50, 7:30 p.m. Fridays through Sundays untilAugust 12Saturday, July 28EXPOSITION: Festival ot films, music, art etc from Cuba,known as Expo Cuba. The festival will be at the HumboldtCivic Center, 2757 W LeMoyne, noonSunday, July 29SOQ: Rich's bus strikes again! This one goes to the Brookfield Zoo Meet m the Ida Noyes parking lot (as usual) at11:30 am (hurray, we can sleep a little!) but sign up withRich beforehand in the Cobb hall coffee shopRECITAL: Robert Lodine gives another carrilon recital, 4pmTuesday, July 31FILM I: "Cromwell", SOQ, Quantrell, $1, 7:15 and 9:45p.m.FILM II: "Shakespeare Wallah", University extensiondivision, Room 700, Downtown Center, 65 East South Waterstreet, 7 30 p.m.PLAY I: Premiere of Court Theater's second production ofthe summer. Tango, Hutchinson Court, 8 30 p.m For ticketinformation, call 753 3581. Through August 12, on Thursdays“ through Sundays. RELICS: Roo* around in the Regenstein special collectionson the SOQ tour and see what wild tidbits of past Universitytrivia you can come up with, 1 30 pmFILM: "Thirty is a Dangerous Age, Cynthia", SOQ,Quantrell, 7:15 pmWednesday, August 1BRIDGE: Duplicate bridge, Ida Noyes, 7 pm, feeThursday, July IV, IV/3 - I he Chicago Maroon - jWhite Lightning: formula revealedLIGHTNING: Did the Supreme Court ruling cut this scene from White lightning'?By MEREDITH ANTHONYThe cinematic prototype is Shane. TheLoner with a grudge against evil rides intotown He efficiently eradicates the corruptinfluence that is spoiling the establishment,and rides out again — preferably into thesunset Of course the villain’s girl has fallenin love with him and although purists holdthat he must ride off disdaining thanks andoffers of marriage and jobs alike, the lessorthodox will now allow him to get the girl.We owe this modernization either toWomen's Lib or to the fact that the car isroomier than the horse. White Lightning’splot is as drearily familiar as it is unfailinglypopular. The Loner, played here by BurtReynolds, is traditionally a man who isoutside the law or is vaguely allied with it butrefuses to be held back by its rules. Theimplication is that the Individual's instinctsare a sufficient insurance of justice, thatmen are corrupted only in groups. We referthe gullible to Hobbes. A basic premise of theformat is that a diseased system can neverbe cured from within, legally. Anarchy isneeded to make the country safe fordemocracy.White Lightning follows the formula andthe usual ingredients are varied only by theinjection of that newlv-proven vitalitybooster, the interminable chase scene. Noless than three frenetic chases mustconstitute an overdose. The chases here areon dirt roads and through fields and stir upgreat billows of red dust, its hue being thepoint of authenticity that evidentlynecessitated location shooting in Arkansas.Chase scenes aside, the scenery gives way toframes full of closeups of sweating faces,sweat being a relatively recent innovationand another point of pride with directors whovalue realism The locale shows beautifullyonly in the opening sequence, an exquisitelyphotographed murder on a lake at dawn thatdemonstrates a degree of control on the partof director Joseph Sargent that dissipates assoon as the unruly Burt Reynolds enters thescene.Reynolds plays his part, that of GatorMcKlusky, an ex-con moonshiner out toavenge his brother's death, with a lack ofconviction unmatched recently exceptperhaps by Ali McGraw in The Getaway.Reynolds evidently learned method actingIrom watching old Paul Newman movies. InRaviniaBy ELIZABETH RUSSOOminous peals ol thunder and no-foolingiround shoots ol rain distracted manypatrons ol last Friday's Chicago Symphonyi oncert at Ravinia. which featured violinistItzhak Perlman and sopranoes Susan Bellingand Maria Hwing. with James Levineconducting. Chicago audiences have neverbeen known for either sophistication orcourtesy, and Friday's crowd was a case inpoint Tittering, muttering, fluttering and anoccasional outright laugh as patrons on theperiphery of the pavilion scurried to findseats out of the driving rain - caughteveryone's attention except for the mostdevout in the first three rows.Which was a pity indeed, since Friday’sconcert was definitely worth hearing. Thevenerable Mr Levine, apparently well on hisway to becoming the proverbial legend of hisown time, guided the orchestra gracefullythrough Mendelssohn's Incidental Music to\ Midsummer Night's Dream", someDebussy Nocturnes. Berg’s Violin Concerto a scene near the beginning when the directormust have asked him to look thoughtful,Reynolds obliged by lying down with hishands behind his head, furrow ing his alreadyand Saint Saens' Introduction and Rondo(apriccioso in the face of devastatingweather conditions. Although the thundershowed a marked propensity to heighten inintensity during the quieter passages ofDebussy and Berg, the CSO never wavered,focusing its collective attention upon themusic at hand and the master's baton.The unbelievable precision which marksthis country’s greatest orchestra was amplyin evidence. The only problems came from arepeated friction between bassoons andclarinets, and an occasional muddling of thewoodwinds, the former due to inclementweather and the latter probably a result ofthe stage backdrop, sometimes anaccoustical liability. But these difficultieswere incidental and could hardly be said tomar a strikingly beautiful performance.Members of the Women's Chorus of theChicago Symphony performed with Ms.Belling and Ms. Ewing during the first half ol(he program Ms Belling exhibited a vibrantand beautiful lyric soprano. Those who low brow, and allowing his nether lip to droopbeneath a toothpick. Fortunately he wasn’tasked again. But, on the other hand, there isa sequence later in which he reveals anawaited Ms. Ewing, primed with the Willisreview in a recent issue of the ChicagoTribune heard only a fragment of hermezzo soprano. 1 found the chorus sections inboth the Mendelssohn and the Debussy to bequite incoherent, but attribute this to my faroff center seat.Nevertheless, this first portion of theevening was not at all a lost cause. Theorchestra triumphed over natural rumblingswhen it belted out Mendelssohn’s "WeddingMarch" which so much vigor and delight asto make the staunchest Women’s Libberdream of floating down the aisle to itsstrains, if only Jimmy Levine could be there,in polo shirt and baggy pants, leading theshort sleeved musicians of the World’sGreatest Marching Band.All previous excellence notwithstanding, itwas violinist Perlman who made theevening. Exhibiting a style and techniqueequalled by few, he brought beautifulmelodious sounds out of his Stradivarius.Rcaiitilul is such a trite word, but there is no unexpected, and otherwise unexploitedknack for dramatic characterization. Thebad guys have caught him and he has to trickhis captors into dropping their guard. Hefeigns drunkenness and with a droll andsniggering malice he confides that there is alavish tattoo on his girlfriend’s belly. Theylook and he leaps.Aside from this bit, the movie is carried bythe fine performances of the excellent, ifhopelessly stereotyped, supporting cast.Jennifer Billingsley looks convincingly lushand conveys the impulses of a rabbit quiteadequately. Ned Beatty is a fine fat, pinkSouthern sheriff, Matt Clark is suitablyhonest-but-scared as Gator’s friend Dude,and Bo Hopkins is a dandy weaselly RebelRoy. But again the really brilliant casting isseen for only a few moments in LouiseLatham’s perfect portrayal of Miss MarthaCulpepper, the repressed, no longer youngsecretary to the sheriff. She responds dryly tothe sheriff's apologies for an occasionalobscenity, and when Gator tries to make upto her she is flustered but rebuffs him firmly.She thinks he wants her to fix a traffic ticket.The chase scenes take up the greater partof the movie. For the stunt drivingconnoisseur the highlights are two high¬speed plunges off the steep embankment ofthe lake, one into the water after which aspurt of bubbles and a hat rise predictably tothe surface, the other onto the deck of amoving barge which, the production notestell us, is a full 63 feet away. The measure,however, of how far we have come from themodel chase in Bullitt is the transposedversion of the cat and mouse trick. SteveMcQueen suddenly appeared behind hisbewildered pursuers who thought that theyhad lost him. In White Lightning thepursuers stop to reconnoiter and BurtReynolds zooms up unexpectedly and bashesin the side of their car. Nothing in the movie,in fact, sneaks up behind you; it just keepsbashing you in the side.White Lightning is not a terrible movie;movies made according to a time-honoredformula like this one never are. In the realmof big screen pollution it is not a smokestackbut a single cigarette — not enough to make afuss over, just a nuisance. On the whole,Joseph Sargent should have been able tohandle a dog like Iaghtning a little better. Hisfirst directing experience consisted of 18segments of Lassie.other way to describe his performance thatwould not sound similarly hackneyed.Both the Berg and the Saint Saens aredifficult pieces to execute. I suspect the Bergwas included because Levine announced hisintention early on to concentrate on thiscomposer. The Saint-Saens, on the otherhand, was an exercise in pure virtuosity. Ipreferred the latter immensely, althoughanother reviewer has called it ‘‘anti-climactic’’ after the intricate contemporaryharmonies of Alban Berg. Personally, I findit hard to believe that Perlman’s brilliantand faultless execution of Rondo C’apriceiosois anti-climactic after anything exceptJoshua’s number on the shofar.Luckily, the worst of the rain was over bythe time Perlman appeared (God watchesover card sharks and fiddle players). Theaudience, unfortunately, followed the oldChicago tradition of bolting for the exitsimmediately, although many stayed to givesoloist and orchestra a much-deservedstanding ovation.concert marred by rain,crowdSOQ films presentsCROMWELLStarring Alec Guiness and Richard Harris. Friday, July 27Cobb Hall "...believable, formidable and historically accurate."$1.00 7:15 & 9:454 - The Chicago Maroon - Thursday, July 19, 1973ABOUT THE MIDWAYAppointmentsEconomist D Gale Johnson andgeographer Chauncy Harris have beenappointed special assistants to PresidentLevi.In his capacity as special assistant,Johnson will make an analysis of theresources and expenditures of the variousacademic units of the University. He said hewould make a conscious effort to evaluatethe scholarly and educational value of theseunits, and not just to study the costs involved.Harris will be coordinating plans andprograms for academic development inconnection with the quest for financialsupport.Both men will continue with their teachingand other assignments on campus.Johnson, professor and chairman of thedepartment of Economics, is one of theworld’s leading agricultural economists. Healso is a former member of the Deans'budget committee at the University.Harris, an internationally-recognizedauthority on Soviet urban geography, iscurrently the Samuel N Harper Professor ofGeography and director of the Center forInternational Studies at the University.Also. Frederick L Sweeney has beenappointed director of auxiliary serviceshere, according to Jean Allard, vice-president for business and finance.Prior to his appointment, Sweeney hadserved since 1970 with the IllinoisDepartment of General Services, mostrecently as Deputy Director.Finally, culminating a majorreorganization in the public informationoffice, Albert P Weisman has been appointedassistant vice-president for public affairsHe will also be director of the publicinformation office.The appointment, effective August 1, wasannounced today by D J R Bruckner, vicepresident for public affairs.Weisman is now vice-president in chargeof public relations for Foote, Cone & BeldingCommunications Inc (FCB), where hesupervises the public relations for 5 US and14 international offices of the advertisingagency.He has directed the public relations of FCBfor 18 years. Ten years ago he helped turn theagency into the first major publicly-heldadvertising agency in the nation.In announcing the appointment, Brucknercommented, “A1 Weisman’s decision tocome to work here is a great delight, and areal gift to the University. He is a greatmaster of his craft, rightly admiredthroughout the country. We are veryfortunate to have him coming to theUniversity.”Martin Frankel has been named technicaldirector of the National Opinion Research(’enter (NORC), an independentorganization affiliated with the University,in an appointment announced by NORCdirector James A Davis.Frankel comes to Chicago from BaruchCollege of the City University of New Yorkwhere he was assistant professor ofstatistics.In addition to his duties at NORC. Frankel will also be an assistant professor ofstatistics in the Business School.Professor Edward L Bassett has beenappointed chairman of the department ofClassical Languages and Literatures,according to Edward H Levi.Bassett, a professor of Latin, will succeedAnne Pippin Burnett, who will return toteaching and research at the University.Milton Levenson, a veteran member of thescientific staff of Argonne NationalLaboratory, has been appointed to the newly-created position of associate laboratorydirector, energy and environment.Levenson, reporting to the laboratorydirector, will assume administrativeresponsibilities tor the chemical engineeringdivision and program responsibilities for thenonreactor work in thai division. In addition,he will be responsible for administration andprogram direction of the center forenvironmental studies.Also, Ms Florine A Gartland, director ofnursing for adult ambulatroy services at theUniversity’s Hospitals and Clinics, has beennamed to a statewide committee to studyhospital emergency services by Dr JoyceLashof, acting director of the IllinoisDepartment of Public Health.Stagg scholarsThree high school scholar-athletes —including two from the Chicago area — havebeen awarded Stagg Scholarships for studyat the University.They are: Michael F O’Connor, of 5855 SNarragansett, Chicago, St Laurence HighSchool; Gregory S Retzinger, of 3737 NWisconsin Street, Racine, Wisconsin, StCatherine’s High School and John DRichards, of 2098 North Avenue, Waukegan,Illinois, Waukegan High School. All showedoutstanding ability both as scholars andathletes during their high school careers.They will enter the University as freshmennext fall.O’Connor received two football and threetrack letters at St Laurence High School. Hehas held various school records as a dash-man and hurdler and received an honorablemention on the Chicago all-Catholic Leaguefootball team last fall. He played back andsafety for St. Laurence.Also a member of the student council at StLaurence, he served as a tutor in a specialtutoring program there, was a districtmanager for the muscular dystrophy drive,and worked with Mayor Daley’s Youth Foundation.As a track man he ran the 220 in 22.9seconds, the 100 in 10.2 seconds and the 40 in4.5 seconds. His best times in the hurdleswere 14.8 for the 120 high and 7.7 for the 60high. In 1971 he was the Chicago CatholicLeague Junior Varsity Hurdle Champion.Retzinger, 6’2”, was a basketball starterand letterman at Racine’s St Catherine’sHigh School. The team was ranked 4th in thestate of Wisconsin.Retzinger played guard and forward andwas rated as one of the best defensiveplayers in the state. He also was an out¬standing rebounder.Richards was a wrestling and footballletterman at Waukegan High School. On thegridiron he was a lineman and during hissenior year was captain of the team. Afterthe close of the season he was named theteam’s most valuable senior and mostvaluable lineman. Richards made the all-Lake County football team and the All-Suburban League squad.As a wrestler, he competed in the 185-pound division and was team captain in hissenior year. He qualified for the statetournament and was named to the All-Suburban League wrestling squad. He alsocompeted in track as a freshman andsophomore.The three Stagg Scholars were selectedfrom 80 students who applied for the scholar¬ships, which are awarded annually to out¬standing scholar-athletes planning to enrollin the undergraduate College of TheUniversity of Chicago.All Stagg Scholarship applicants mustrank in the top 10 per cent of their high schoolclass and must have excelled in at least onehigh school varsity sport.UNBUniversity National Bank has increasedthe time it is open for business by 9-1/ 2 hoursper week, it was announced today by RobertO Walcott, President.“People can now conduct their bankingbusiness in the main lobby from 9 am until 3pm on Monday, Tuesday, and Thursday,”Walcott commented. “On Friday, the mainbank will be open from 9 am until 6 pm, andon Saturday, banking hours are from 9 amuntil 1 pm.”“In addition, our drive-in and walk-upteller stations will be open from 8 am until 7pm, Monday through Friday, and from 8 amuntil 1 pm on Saturday.” Wooded IslandWooded Island, a lush retreat peopled onlyby birds, small animals, and an occasionalorithologist, will again lend its name to anautumn festival.For the second year, the Hyde Park Ken¬wood Community Conference will sponsorthe Wooded Island Festival, an event toacquaint or re acquaint communityresidents with the beauties of the tree-dottedmeadow south of the Museum of Science andIndustry.The Wooded Island Festival will be heldSunday, September 30. Chairwoman is CarolParham. 5131 S Greenwood.While plans are not finalized for this year’sfestival, it will include many of the activitiesso popular last year as well as some newones. Persons with ideas for the festivalshould call Ms Parham at 324-1060 or SharonJeffrey at the Conference, 288-8343.ProfessorshipThe University of Chicago todayannounc d establishment of the MaxPalevskv professorship of History andCivilizations in the College. The new chairwill be held by Harry D Harootuniar.,presently professor of history at theUniversity of RochesterIn announcing the professorship. EdwardH Levi, President of the University, noted."Mr Palevskv’s generosity has madepossible an appointment of majorimportance to our undergraduate programMr Harootunian is a young historian whoalready has achieved a reputation as abrilliant scholar of Japanese history and asan exciting teacher.”The professorship was made possible by a$300,000 gift from Palevsky which matchedfunds provided by a 1972 grant from theAndrew W Mellon Foundation. Thefoundation gave the University a total ol$1.250,000 in matching funds to establish fourendowed professorships in the College, threeof which have been matched to date.Harootunian has been professor of historyat the University of Rochester since 1971 Hereceived his PhD from the University ofMichigan, writing his dissertation on TheSamurai Class alter the Meiji Restoration.He has taught at Pennsylvania StateUniversity, the University of California atBerkeley, and the University of Wisconsin.Harootunian is the author or co-author otsix books and numerous articles andreviews His most recent book. TowardRestoration, is generally regarded as amajor reinterpretation of the intellectualorigins of the Meiji Restoration in Japan. Heis also editor in chief of the Journal ot AsianStudies.He has received a number of honors,including Fulbright and Foreign Areafellowships, a Fulbright research grant.American Philosophical Society andFulbright Hayes awards, and grants fromThe American Council of Learned Societiesand The Social Science Research Councilcontinued on page nineBring iton home. WATCH FOR THE FABULOUSSUMMER ON THE QUADS DANCEWithVisit the (§l|3||||||Colonel DYNAMITE DUCKThe band you've all been waiting for.You can pick up Col. Sanders’ Kentucky Fried Chicken at; Thursday, August 4 Ida Noyes Parking Lot1513 E. HYDE PARK BLVD. and it's FREE! ELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd St.288-2900j" ""pizza |i PLATTER |I 1460 E. 53rd ,I ■I Ml 3-2800 || FAST DELIVERY I! AND PICKUP l—Jr ituijQ iUMTIN SERVICE II Clinic in Chicago araa. 1 toi• 24 week pregnancies *er-fruinated, by licensed ob-».stetrician gynecologist.|■ Quick services will be; arranged. II CALL COLLECT' 24 HOUR SERVICE I} (216)281-6060 jThursday, July 19, 1973 - The Chicago Maroon - 5Melissa- this one's for youBy HENRY POSTFlouting high und dry above the ugly pushand pull of the drivingly slimy andaggressive record industry is a new voice ofexhilarating purity and rare depth MelissaManchesterListen to “If It Feels Good (Let It Ride)”Iroin her newly released albumn, Home ToM\sell (Bell Records). You can’t help buthave that sense of "a voice that is only justbeginning yet starts so far ahead.”At twenty two. Melissa Manchester hassomehow made it through a tough businessthat almost always guarantees a jadedshallowness. And she emerges with thatindescribable sense of vocal presance anddirectness, of something beautifulHow?Alter talking with her for a few hours, lastweek it became clear that she has alreadydeveloped a tough skin to protect herselfIroin the garbage tossed at a singer,especially a new singer. Because it's hard forpeople to accept the fact that someone soyoung can also be so good, and so muchherself.Which she is. and doesn't need to prove.Bui she does anyway, which is really too bad.As the author of all her own material, sheestablishes a firm stylistic autonomycompositionally. That marks her as differentfrom others like Bette Midler with whom sheonce sang.But Melissa Manchester doesn't need to d< that. Melissa Manchester can really sing.And that is a dif ference that is all tooinfrequent. Bette Midler, God bless her soul,may have a form of perfect taste and tyle,but when you hear her hit. or more correctlymiss, the first “blue” in “Am I Blue?” youhave to question the ear and vocalinstrument behind it all.Nothing is questionable about Melissa'sgilt Firmly rooted in a classical backgroundwith a bassoonist father and operaticinfluences, her gift is the rare combination ofmusicianship with a soul. Her gift is a heartthat sings.And in her new album or in person at theQuiet Knight las t week, it is our gift, too.Her new album carries the dedication.Jenny Tnis One’s For You.” Theimportance of Jenny is not in her actualyidentity, but the qualities this unknownperson possessed that impressed MelissaManchester.Jenny becomes known for her specialhumanness and purity. As MelissaManchester sings of her. we see Jenny asunknowingly crushed of a broken heart,destroyed for feeling too much.In an industry that loves to bitchinglycategorize. Melissa Manchester faces thatconstant attack of glib reductions. But underattack. Melissa Manchester’s beauty andstrength is in her singing above it. She won’tbe crushed.Which she does, however, pay a price for.By using all her own material, forLUNCH WITH USA genuine “Free (bag) lunch”and outdoor concertfor degree students registered inthe College, graduate, andprofessional schools.(by reservation only)To be held in the Ida Noyes CloistersThursday, July 24 from 12-1 p.m.Sign-up is limited, so call 753-3591TODAY 1A /V_yY example, she limits her own vocal range.Perhaps the strongest display of her ‘gift’ atthe Quiet Knight was when she sang others'material. Which I guess she feels can’t beused often if she is to maintain today’sstereotype of the singer-song writer.In time, she may drop some of her ownmaterial which often overpowers her ownvoice in a sea of R & R motifs.And in time, she may iron out some otherproblems, such as her heavy-handed lyrics.“Paisley is my color...” for example. Or herjarring stage look which can only be calledUrban Street Wear: thick platforms, slinkyblouses, heavy jewelry, graceless bells andfrizzy hair that gets in the way.But in time, she will get better. Theproblems will iron themselves out andMelissa will do what she does best- sing.Catch her in September when she’ll be intown again. Listen to her album.Melissa This One’s For You. MANCHESTER: Singer Melissa Manchester.Man Who Loved Cat DaBy MARK AND MARLIE WASSERMANThe Man Who Loved Cat Dancing neverhad a chance. It was victimized from thestart by unfortunate circumstances. Theproducers greedily released the movie inunheard of haste in order to capitalize on thewidespread scandal-tinged publicitysurrounding its filming. They hoped that thesensational headlines resulting from thedeath of Sarah Miles’ business manager andthe insinuations of a love triangle betweenthese two and Burt Reynolds would bring thepeople in droves. The strategy backfired inat least one sense. The reviewers have goneafter the movie with a vengeance. (It mustbe a crime to make a buck these days.) Woebe it to poor movie producers who try to get alittle edge. More importantly, perhaps (thatis, if our suspicion is true that few peopleread or take movie reviewers seriously), themovie itself could have used a little morework. The screenplay is the most obvious weakness. Eleanor Perry has to rank amongthe worst screenwriters in activity. BurtReynolds and Sarah Miles are decent actors,but what can you do when you are spoutinglines from Dick and Jane.In all fairness, though, the movie is just notthat bad. Sure, the dialogue is trite and as aresult the characterization suffers, but thestory, from Marilyn Durham’s best-seller ofthe same name, is basically a good one withsome interesting twists. There are evenoccasional good lines such as Burt Reynold’ssubstitute for saying “I love you.”The supporting cast is more than ac¬ceptable. Lee J. Cobb and Jack Warden playtheir types, the fair man and the foul man,respectively, as well as anyone around.George Hamilton plays well as a prissyspoiled rich guy who has a potency problem.Jay Silverheels (Tonto, for those of youyoung-uns who never heard of ‘‘Hi ho.Silver!”) provides a bit of nostalgia, playingan Indian chief. However, his make-up artistComplex structure behiBy JOE MANCINIJuly fifth's Ravinia concert showed off thechamber preview/ symphonic concert ideawell, but not. one suspects, as well as it couldhave, which I will explain later. For openers,John Browning and James Levine combinedlor a sprightly performance of the Brahmsllawin Variations. Opus 5tiB. Browning wasthen joined by first-desk players SamuelMagad, Milton Proves, and Frank Miller in amasterful rendition of Brahms’ Opus 25Piano Quartet. Needless to say, the chamberportion of the program was well wortharriving early for.Levine then brought out the orchestra withprincipal oboist Ray Still for the Handel G-miuor Oboe Concerto. Mr. Still playedwonderfully, every note crystal-clear andfull of feeling. Under Levine, the Orchestra’saccompaniment was precise and lucid, thestrings and harpsichord providing atransparent background for M. Still’svirtuosity.From Handel two hundred years into theluture with Xenakis’ Metastasis, a 1953 piecedesigned to prove that a sixty-one piececlassical orchestra can sound wierder than aMoog Synthesizer. Xenakis, with the help ofthe (’SO, proved his point. Of course, withrenditions of everything from the Beatles toBach. Moogs are getting sort of pedestriananyway, while the Xenakis was full ofsurprises. Besides strange string glissandi,brass chorales, wind chirrupings andpercussive bombardments, Metastasismakes real sense, it has form, motion, andcontent. Maybe it did sould a little like thesound track from Starman Battles theInvaders Iroin the Red Galaxy, but I enjoyedand so. it seemed, did the rest of theaudience.Theshlock of fering for the evening was fhe Rachmaninov Khapsodx On a Theme »lPaganini, with a by now-understandablytired John Browning as soloist. But shlock ornot. I liked it because I had never seen itperformed live before. Maybe forty yearsfrom now I’ll groan if it’s on a program, butthis once it was a lot of fun and the crowdloved it.Now we come to what should have been the•evening's piece de resistance: ArnoldSchoenberg’s orchestration of theMEMBERS: Members of the Chicago SynRov/inin6 - The Chicago Maroon - Thursday, July 19, 1973Rockwell exhibit openster.g belongs with Ms. Perry,t Also in the movie’s favor is its suspense.>, The plot is structured in such a way that it isg difficult to get bored. Sarah Miles(Catherine), running away from her>t husband, George Hamilton, meets up with aa gang of train robbers led by Burt Reynoldse (Jay). The main story line follows the ad-•f ventures of Catherine and the outlaws whoh abduct her as they run from the scene of then train robbery. The secondary story lines follows the adventures of the posse, includingHamilton, as they track Catherine and theoutlaws. The camera shifts from one groupy to the other too fast for the movie to drag,i, The posse is always just slightly behind thel. outlaws and their victim, but the gapy narrows, of course, as the movie moves on.i. Suspense is also maintained by theu parallelism you are set up to expect. We). learn during the movie of Jay’s murderousg reaction when he saw another man making>t love to his first wife, Cat Dancing. We expectlind Ravinia'sI previously heard Brahms Piano Quartet. Iy have never heard it before and I approachedr with high hopes. For the first movement, att least, my hopes seemed founded:s Schoenberg, brilliant composer andt orchestrator that he was, had given us1 Brahms Filth Symphony! It sounded likeBrahms, had the orchestration and feel ande flow of a Brahms symphony. Unfortunately,i the brilliant forgery soon showed some holes,e The second movement missed the feel of theSymphony currently the star attraction at By BOB SMITHNorman Rockwell — A Sixty-YearRetrospective and Executive Order 9066:Two New Shows at the Museum ofContemporary ArtThe two shows now at the Museum ofContemporary Art until September 9complement each other in asking you tostretch your conception of what art is,assuming that an art museum is forpreservation and display of art. As if torepresent illustration as modern art, you willfind on the main floor a sixty-yearretrospective exhibition of the work ofNorman Rockwell, who is still going strongat 80: there are three studies for a “man’sfirst step on the moon’’ and a commission todo the official poster for the nationalbicentennial celebration. Rockwell considersHamilton to have the same reaction when hediscovers that Catherine and Jay have hit itoff together rather well. You can just heareveryone in the theater saying to theircompanions, “You know how it’s gotta end.’’See the movie to find out if history repeatsitself.Just a word about Sarah Miles. Some of thereviewers have given her a pretty toughtime, because she has supposedly playedonly abused female type roles. They areapparently appalled by the male chauvinismof it all. But let’s face it, some women havebeen abused over the years. And GloriaSteinem wasn’t there in the Old West either.It would certainly be nice to change history,but this movie was hardly meant to be avision of how it should have been.If you want to be entertained for a couple ofhours and maybe if you are sentimental,shed a few tears, go see Cat ... when it comesaround.concertsQuartet entirely: the third movement waspretty thin; and finally Schoenberg threw inthe towel in the lively Rondo alia zingaresefinale, which sounded more like the “gypsymusic” of Bartok or Kodaly than that ofBrahms. A noble effort, and an interestingexperiment, but it might as well be forgotten.To get back to the original criticism of theprogram, it probably would have been betterto hear Brahms’ own orchestration of theHa\<ln Variations and forget Schoenberg'svaliant but futile attempt to give the worldanother Brahms Symphony.Film Festival movesAccording to yesterday morning's ChicagoSun Times the film scene at the University ofChCugo is due for an addition.Roger Ebert, Sun-Times movie critic,reported that the directors of the ChicagoInternational Film Festival have decided tostage next year’s film festival at theUniversity.The festival, held every spring, has been inexistence for the past three years. Prior tothis the films featured in the festival hadbeen run in theaters on the North Side. Thedecision to switch locations to the Universityof Chicago was for economic reasons,according to Ebert. The festival has lostmoney each year of its existence and it ishoped that that situation will change once theshowings move to the Midway.The festival features foreign films, mostlyfrom Scandinavia. Opinion of it has beenmixed in the past, but it is generallyconceded that it is slowly but surelyimproving. himself an illustrator, strongly influenced bythe great illustrators of the 19th century, andhe laughs at the current notion to call him anartist. I agree with his estimation of himself,and confess I am delighted with histechnique, which has become so familiar toeverybody, and with his subject matter: thehomely, the familiar, the commonplace, theeveryday, the ordinary, the routine, the run-of-the-mill, the humdrum, but with lovingrevelation of its intrinsic quirkiness andhumor. The show gave me a lot of snorts,sniggers and outright laughs, and filled mewith wonder at the phenomenon of NormanRockwell and the fantastic illustrativetechnique he has developed. But as forNormal Rockwell as an artist, I think he ishimself the figure in his painting of 1962,Abstract and Concrete: a balding, elderlygentleman in proper suit and gloves, withhat, umbrella and uplifting literature inhand, standing in respectful opposition to a“Jackson Pollock.” My favorite picture, alsoshown as a Saturday Evening Post cover, isof a grumpy old man with a cigar but in hismouth sitting opposite a young Gary Cooperdressed as a cowboy and applying his liprouge. I thought the Nixon (and one withPat) portraits were very like but the one ofJFK was most unlike. Could you say that forNorman Rockwell JFK is “abstract,”veering off completely into realms of art,while Nixon and Pat are “concrete” and justsuch homely subjects as he understands? Ifyou crave to behold some of the actualpaintings of pictures you’ve become sofamiliar with in print, then you definitelyhave a reason for seeing this show, but I'mpuzzled that it is at the MCA, becauseNorman Rockwell is a classic and scarcelycontemporary.As if to represent documentary as modernart, the show in the basement, calledExecutive Order 9066. is a collection of black-and-white photographs of a nightmareperpetrated upon Japanese-Americansduring World War II by an edict of PresidentRoosevelt broadly sanctioning removal of civilians from “sensitive areas.” Only twoweeks later, Lt. Gen. Dewitt declared theWest Coast off limits to Japanese-Americansand told them to sell their homes, farms,businesses an^ report to guarded internmentcamps in the oesert. Some few left the UnitedStates and . eturned to Japan, but moststayed and were imprisoned, preferring notto abandon what they considered their nativeland. Soldier sons came home to visit theirfamilies in these camps! The horror of thewhole phenomenon is too awful tocontemplate, but to look at the hundredphotographs in this exhibit is easy enough,they are so handsome and well presentedMost of them are by Dorothea Lange andunknown press photographers. One, abeautiful still life, is by Ansel Adams. Manyof the photographs have been blown up todimensions of several feet, others are assmall as several inches, and they are interspersed with newspaper texts and quotationsof words of the Japanese-Americans goingthrough the experience. They illustrate verywell selected aspects of this tragedy,revealing the great sacrifice of the Japanese-Americans and their noble acceptance oftheir fate. They show something of the hardlife at the camps, but far from enough: Icould have done with hundreds morephotographs and with more text as well Theexhibit is a bit thin, and perhaps ought ratherto have been in the main corridor of theChicago Public Library.So illustration and documentary arepresented to us as modern art. One could askare they art, and if so are they modern art'.’To me art is a (necessarily) beautiful objectol contemplation and enlightenment, andmodern art is the newest in that line. Othersmay disagree, but I found that the appeal ofboth of these shows fell well below the sphereof art. and neither was in the least trulyground-breaking and contemporary.However, each is a reminder of something onthe one hand delightf ul and on the other grimin our lives, and therefore worthy of display;and perhaps it makes no difference wheresummer on the quadspresentsGeorge and Gerry Armstrongof traditional British and American folk musicWed. July 25 7 p.m. Hitchcock CourtAlso watch for Ivy Beard playingScott Joplin on August 1.ancing victim of scandalThursday, July 19, 1973 - The Chicago Maroon - 7EDITORIALSMass TransitThe mass transit situation in Chicago in general and in Hyde Park in particularseems to have reached a crisis point.The Illinois Central has cut back its commuter service to Hyde Park, the CTA iscollapsing about our ears, and the expressways are either out of commission(remember the Ryan?) or clogged. Yet few, if any, of us seem to care.The Maroon believes that it is time that Hyde Park, a community supposedlyknown for its activism, should start acting — if only in self-interest. In each of thethree methods of transport available to us, there is a potential for citizen actionwhich could help turn the situation around.First, the IC. The service cuts introduced under the new zone fare plan have hitHyde Park hard. Trains which used to stop at the 53rd street station once every 20minutes now stop there once every 30 minutes during most of the day and once everyhour after 7:30 pm. Trains which used to stop at the 57th or 59th street stations onceevery 40 minutes (in addition to the trains previously mentioned on their way to 53rdstreet, which also stop at 57th and 59th) now don’t stop at all. We are reduced to abare minimum of service.To combat this situation, Alderman Despres has introduced a resolution in the citycouncil calling for the corporation counsel of Chicago “to appear before the IllinoisCommerce Commission, seek a . . . postponement of the Illinois Central commuterservice reduction, oppose the service reduction, and seek a restoration and im¬provement of . . . services.” The resolution cosponsored by Aldermen Wilinski ofthe seventh ward and Cousins of the eighth ward will be considered at an openhearing of the Utilities Committee at 10 am; this coming Tuesday.We strongly support Alderman Despres’ resolution. Though both he and UtilitiesCommittee chairman Wilson Frost feel it is assured of passage, we urge all residentsof Hyde Park to attend the meeting. This would also be an excellent opportunity forour self-styled community activists to organize Hyde Park once again, and insure abig crowd at that committee hearing as well as at the City Council meeting thefollowing day. The crowd might send the message to the IC: give us our serviceback.Turning to the situation on the CTA, we frankly admit we are a little skeptical ofthe need for service cuts. The statements of drastic reductions made by CTA boardchairman Milton Pikarsky ring hollow when one considers that the City Council haspledged $6.5 million towards keeping the CTA going and Governor Walker has addedthat the state would contribute an additional $7.2 million. That is $14 million, folks —surely enough to keep the busses and el running at their present levels until October.Here, too, the citizens of Hyde Park, if ably organized, could have an effect.Hvde Park voters gave Dan Walker a majority over Richard Ogilvie in the generalelection and Hyde Park voters should be vitally interested in the future of the CTA,our other major link with downtown. Yet Walker, who could do much to save theCTA if he would sit down with the Illinois legislative leaders and with Mayor Daleyand talk over the situation, wants to do no such thing. An organized petition fromHyde Park might help to change his mind about talking — and about calling back thelegislature. As an impetus for the petition, we remind you that the first round of CTAcutbacks includes elimination of bus route #2, running from the Museum of Scienceand Industry to the Loop.Finally, we come to the situation on the expressways. From our own knowledge,the situation on the Dan Ryan during morning rush hour is impossible. Lake ShoreDrive is not much better. It is in the self-interest of Hyde Parkers to stay off the twoarteries and ride the IC or CTA to work. Increased ridership might go a long waytowards convincing both organizations that they need not cut service, and increasedridership on both mass transit services would lessen the traffic pressure on SouthLake Shore Drive, we think, thus stilling the occasional cry we hear from City Hallabout the need to widen it. A wider Lake Shore Drive — at the expense of JacksonPark — would not be necessary if more of us availed ourselves of the rapid transitavailable — and fought to keep it available.WatergateAfter watching and reading about the plague of scandals which go under thecollective name of Watergate, we feel that there are several essential points whichdesperately need airing but which are drowned in the sea of testimony, charges,counter-charges and commentary.These points do not so much concern the Watergate break-in per se. They concernthe mentality and actions of the high White House aides involved — mentality andactions which led Senator Edward Brooke (R-Mass) to characterize the wholeWatergate scandal the other day as “unethical, immoral, illegal and certainlytotalitarian.” We agree with Senator Brooke, especially with that last phrase.Watergate is not just politics. Watergate is not just the creature of Richard Nixon.Watergate foreshadows something far more serious. It foreshadows a total break¬down of our system of constitutional government.This breakdown has been a long time coming. It has proceeded at an acceleratedpace virtually unnoticed since World War I, fueled by strong presidents, the need fordrastic measures in times of crisis, a mostly docile press and the total collapse ineffectiveness of state and local authorities.However, we feel few people realize the implications of this breakdown until now,for the Watergate scandal, which has brought to light the evils to which unbridledpresidential power can attain.The Watergate activities were a conscious attempt to abolish the United StatesConstitution in order to elect one man to the Presidency. Haldeman, Ehrlichman,Mitchell et al would stop at nothing to predetermine the outcome of the election.This is shown by the numerous illegal and unconstitutional activities which havebeen exposed in the Senate hearings. It seems to us that the president and his topaides felt themselves to be above and beyond the reach of the law — not to mentionthe reach of mere mortals such as Senators, Congressmen, cabinet members andthe American people.So one Nixon aide opens the Democrats’ mail, and passes the contents on to theCommittee to Re-elect the President. Another extorts a campaign contribution fromthe corporate coffers of American Airlines, in clear violation of the law. Another isindicted in Florida on charges of planting the slanderous “Canuck” letter whichruined Edmund Muskie’s chances for the Presidency. Others participated in thebugging of the Watergate. The list goes on and on.8 - The Chicago Maroon - Thursday, July 19, 1973 This is something more than Mayor Daley stealing a few thousand — or even morethan a few thousand — voi.s in Chicago. We can live with that, and with all otherforms of political corruption which raise their ugly heads in this city, state or nation.But the Watergate affair makes it absolutely clear that the organs of the federalgovernment can be used by narrow, evil-minded men to undermine or totallydestroy the constitutional guarantees of freedom of dissent, the right to vote,freedom of the press and of speech.We pose this question to you: of what value is the right to vote when a small cabalof men, effectively utilizing the apparatus of the White House, can control thechoices offered by BOTH parties for the highest office in the land? More than that, ofwhat value are the other rights in the Constitution when this same cabal of men canuse the powerful regulatory agencies to harass, jail and drive underground all whodisagree with them and with their choice for President?If these rights are of no value, when the Internal Revenue Service is co-opted,when the members of the press have their phones tapped, and when the FBI underPresidential control looks the other way, then the Constitution is nothing more than apiece of paper and we might as well tear it up, throw it away and declare amonarchy.Looking at things from this point of view, Richard Nixon must resign or be im¬peached. If one realizes that the power of the White House staff combined with theactivities of these close aides mentioned before have these implications, it does notmatter whether he knew of the coverup or not. He appointed the men who attemptedto destroy the Constitution — and very nearly succeeded — in order to elect him. Andso far he has been blind to the implications of their actions. These two facts are starkenough and grave enough to warrant his resignation or impeachment.There is one final point we would like to make. There are those who have told usthat it doesn’t really matter — that the Democrats lost the election before thecampaign even started — attributing that to either detente, McGovern, phase one orwhatever. That argument totally misses the point.It does not matter now who lost or won the 1972 presidential election. It does notmatter now whether the Democrats nominated George McGovern or anyone else.Nothing on the scene really matters, as far as this nation is concerned, other than thefact that between the beginning of the campaign in January 1972 and the latestrevelations of the Watergate committee, the constitutional system under which thiscountry lives was teetering on the brink of destruction — courtesy Richard Nixon’sWhite House.LETTERS TO THE EDITORThe library'The functional equivalent for U of Cadministrators of Nixon's national security’argument is evidently the ‘shortage ofmoney’ argument: both are designed to stiflefurther inquiry by appealing to SomethingWe (’an All Understand. And both are subjectto the law of diminishing utility. Certainlythe shortage of money' argument has wornitsell out with a lot of us in the matter of theKegenstein library firings.In fact the shortage of money’ argument ispreposterous in the face of it. It is true thatthere have been severe cutbacks in federalfunding. But since when has that been theonly possible source of money? The after-taxprofits of American corporations have beenskyrocketing since the last quarter of 1970.Last October 10 Newsweek ran a story aboutthe ingenuity required of business executivesin finding ways to deal with thisembarassment of riches. Since that timeprofits have not decreased, but on thecontrary have gone up to record heights.And let it not be said that the University ofChicago is not well connected with this worldof pullulating big money. Trustees of theUniversity have directorships and executivepositions with Illinois Bell. MetropolitanLife. International Harvester Borg-Warner,Xerox. Weyerhaeuser, Chase Manhattan,ITT and many, many more.It is an insufferable strain on the credulityof this community to ask that the generalfinancial difficulties of the University beaccepted as a reason for the Kegensteinfirings, or any other internal decisions of thisnature. They are in fact policy decisions andrequire to be considered as such.It does seem to be the case that the libraryis facing an unexpected budget cut withinthe University, and that this was turned intoa convenient excuse to get rid of thoseemployees who had been trying to organize aunion. That’s one story.But how did the library get itself into suchan unfortunate position? Was the budget cutperhaps preplanned by the libraryadministration with the Universityadministration in order to get rid of thesetroublesome organizers who, after all, wouldif successful provide an example for othercampus workers? Too conspiratorial? Well,how about a general examination of the position of the library within the Universityas a whole: did the library administrationwillingly accept a smaller budget? In returnfor what? If they fought for more, what'kindsof arguments did they use? What other partsof the university are in the most directcompetition with the library for funds? Whatkind of pressure did they bring to bear? Whoare the people most involved in thesediscussions? What has the University beeniloing to bring in more money from outside toreplace cancelled Federal programs?I’here are answers to questions, like these.But they are not the kinds of answers thatappear in flowcharts and handouts.Newspapers are at their best, as they havedemonstrated dramatically on the nationallevel in the last two or three years, when theyrefuse to accept official information as finaland instead root around on their own.Decisions about matters like library fundingaffect all of us: although it has beenimpossible lor us to get a voice in theirmaking, they are made, at »lefinite timesand places by real specifiable people(working through a large and perhapstalkative secretarial staff.) and it is the taskof a responsible newspapaper to look intothem and analyze them. The Kegensteinfirings offer a golden opportunity for goodinvestigative journalism on several levels -will the Maroon rise to the occasion7Thomas HowardThe Chicago MaroonSummer editionMark Gruenbergeditor-in<hiefElizabeth Russoarts and entertainment editorRichard Bakerbusiness managerstaffGage Andrews. LisaCopellRobert Charkovsky Toby Hofslund.CO Jaco Aaron LipstadtHenry Post. Andrew SegalABOUT THE MIDWAYCHORUS: Chorus members of Medea on stage at Court Theater.continued from page fiveProfessors dieDeath recently claimed two Universityprofessors among its victims.Paul A Gordon, a University of Chicagoscientist, died in a sailboat accident on LakeMichigan June 1(5. His body was recoveredby the Chicago Fire Department July 9.A native of Australia, Gordon. 27. was aresearch fellow in the Franklin McLeanmemorial research institute here. He was aspecialist in the biogenesis of mitochondriain yeast.He is survived by his widow. Mary Jo¬sephine Gordon, and his son, Mark, age 1,who have returned to Euroa, Victoria,Australia. Interment will be in Australia.Gordon and a friend. Dr Fred Hendler, aresident in the department of medicine, wereplanning to enter Hendler’s star-classsailboat in the Chicago to Mackinac Islandrace this summer. While practice sailing onthe lake several miles east of Chicago.Gordon and Dr Hendler were forced toabandon the boat in high waves and coldwater during a sudden storm.Kobert L Platzman, University chemistand physicist, died in Christ CommunityHospital. Evergreen Park. Illinois, July 2,after suffering a heart attack at his home theprevious day.Internationally known for his studies in thefield of radiation chemistry, Platzman, aprofessor in the departments of Physics andChemistry and in the College, was 54.Private funeral arrangements were made byhis family, who have requested thatmemorial gifts in lieu of flowers be made tothe University.Platzman received a BS and an MS fromthe University in 1927 and 1940 and a PhD inchemistry from the University in 1942. Hewas a student and a postdoctoral researchassociate of Nobel Laureate James Franckin the University's MetallurgicalLaboratory, later known as the ManhattanProject.In 1900. Platzman joined the faculty hereas professor of Physics and Chemistry,serving also as master of the physicalsciences collegiate division and associatedean of the College Irom 1900 to 1909. HPKCCThe Hyde Park - Kenwood CommunityConference took action late last month tooppose the slate of nominees for theConservation Community Council (CCC)proposed by the Department of UrbanRenewal (DUR) staff.Because of a class action lawsuit filed in1909, DUR was required to reform the CCC’sin all Urban Renewal project areas inChicago including Hyde Park. DUR wasrequired to recommend for the Mayor’saction a slate representing “a fair crosssection” of the community, from nomineessubmitted by the community.“The DUR staff slate does not represent afair cross section of the community. It isheavily weighted towards elderly, male,upper-income, East Hyde Park homeowners,and luxury high rise residents,” according toBob Adams, Hyde Park - KenwoodCommunity Conference co-ExecutiveDirector. Under the guidelines stipulated byFederal District Court Judge James BParsons in 1971, the conference submitted amodel 15-member slate for considerationThat slate was developed in consultation with numerous community institutions andwas endorsed by the YMCA and the HydePark Jewish Community Center.“The Conference developed its slate notonly as an expression of what we thoughtwould make a high quality, representative,vigorous and independent CCC, but also toset a high standard for DUR to consider,”Adams stated. “In our opinion, DUR’sapparent criteria for representation, vigorand independence are inadequate andunacceptable to the community.”The conference established a committee,chaired by University professor SalvatoreMaddi, 4816 S Greenwood, to investigateways to implement the Conferences concernfor the viability of the CCC.“We are exploring several approaches tothis situation, including class actionlitigation,” Adams further stated. “Webelieve that a strong and representative CCCin its function of determining the basicUrban Renewal plan and in its function ofproviding a regular public forum forconsideration of community planning issuesis essential for the community to deal withmany of the problems before us,” Adamsconcluded. InsulinA University research group has provedthat some insulin-requiring diabetic patientsmay retain the ability to secrete insulin fromtheir pancreas.With a new clinical test developed at theUniversity, physicians can accuratelymonitor pancreatic function in such patients,some of whom may resume limited or evennormal production of their own insulin afteran acute attack of severe diabetes.If they regain the capacity to secreteinsulin, they can be treated with a reducedinsulin dosage during this remission phase ofthe disease or, on rare occasions, can beweaned entirely from insulinDr Arthur H Rubenstein. a Universityendocrinologist, reported on several suchpatients treated here in a paper presented atthe American Diabetes Association’s annualscientific sessions on June 24 in ChicagoThe tests measure two substances, knownas proinsulin and C-peptide, that circulatethe blood stream. Proinsulin is synthesizedin the pancreas and is converted to equalamounts of insulin and C-peptide. DrRubenstein subsequently developed tests tomeasure proinsulin and C-peptide levelscirculating in the blood.Until now. it has been impossible tomeasure insulin output in diabetics afterthey are treated with insulin preparationsderived from animal sources. This insulincauses the formation of antibodies thatinterfere with measurements of secretedhuman insulin.When the insulin-producing areas of thepancreas, the beta cells, transformproinsulin to insulin, one molecule of C-peptide is produced for every molecule ofinsulin. Thus the C-peptide level in the blood,which can be measured by Dr Rubenstein'stest, accurately reflects the insulin output ofthe pancreas.The test for blood-stream proinsulin is alsouseful in diagnosing pancreatic tumors andother disorders. Dr Rubenstein reported Ifabnormally high circulating proinsulin is dueto tumors of the beta cells, correctivesurgery may cure the patientcontinued on page tenWoodworth's bankruptcy sale exposes antiquesBy MARKGRUENBERGAnybody want a typewriter?Typewriters which still work — better thanthe one typing this article — but seem to berelics that more properly belong on thesecond floor of the Museum of Science andIndustry highlight the bankruptcy salecurrently going on at Woodworth’s bookstore, 1311 East 57th Street.The typewriters, still usable, seem to havebeen manufactured in the early 30’s if notbefore, as was most of the stuff which thecrowds have been plowing through eversince the bankruptcy sale started lastMonday with everything at half of its listprice.On the first day, there was a verypredictable occurrence. The crowd ignoredthe books — also old — and headed straightfor the stationery, which the store had inabundance. People were buying five and tendollars worth of stationery, mostly envelopes, at a crack.However, the prize purchases of the daywent to two different people. One man foundan overhanging lamp - the type you fastento the bookshelf above your bed and whichcan then extend all over the place — andgrabbed it off for $7.50. And a UC studentpulled open a drawer behind the countermarked “pen refills” and came up with asteel University seal mounted in reverse forprinting upon a block of wood.After the first day, people were reduced,due to the lack of stationery, to rummagingthrough the books and investigating theupper balcony which the previous owners ofthe store had never let anyone into. It turnedout to be a rather interesting gold mine ofmaterial.The balcony contained, at first glance, allthe old typewriters. Also on the second floorwas a beautiful old rolltop desk whichsomeone laid a claim to, went downstairs,and bought. They were thought to have aslight problem, though, namely getting it down the stairs. However, by this pastMonday, it had disappeared. The lire escape,perhapsMeanwhile, the first floor featuredumpteen woodcuts of Rockefeller Chapel,some outrageously priced paintings (even at1/ 2 off) and two thousand gym shoes with,seemingly, no pairs and no laces. Also in thedrawers under the counter was every type ofpen and mechanical pencil refill evermanufactured — and some that weren'tHowever, the star of first floor show is stillthere. Sitting in the back of the store, hardagainst the staircase, is a safe. It looksimpregnable enough to make John Deanproud. Nobody has tried to buy it, though —maybe because nobody would be able tomove it.The second floor balcony proved to berather interesting, once you waded throughall those typewriters, a broken-down dittomachine and ten million Christmas cardsFlopping over the balcony railing was anunmarked bundle with what looked like a map protruding from it. Once you pulled itout you quickly found it was a map ofChicago from 1200 North to South Shore,including the Loop, and with every singlebuilding shown on it. Nothing unusual about amap. until you look at the date — 1928After buying three of the six. andinteresting other buyers in them, one personreturned to the bookstore this past Monday topick up the other three. But by this time the1928 maps were no more. Maybe one couldfill out the metropolitan area with othermaps available. The map-seeker, pointingthem out to another fellow, suggested they goinvestigate. This too proved to be a set ofmaps of all of Chicagoland, but none wasdated 1928.This set was dated 1899.Needless to say, there was probablyanother run on maps. Who knows — maybethe next map they find at Woodworth's willbe from when the Indians lived hereCertainly much of the stuff in the old. quaintand curious store seems to be.HAVILL’SRADIO, TELEVISION& HIGH FIDELITYSALES SERVICE & ACCESSORIES/.rnilh — I'ananumrW axleruork — Kl.ll1381 E. 53rd, Chicago 60615 • PL 2-780045 Years Serving Hyde Park EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURT ROSENBAUMOptometrist(53 Kimbark Plaza)1200 East 53rd StreetHYde Park 3-8372 CARPET CITY6740 STONY ISLAND324-7998Has what you need from a $ 10used 9x12 Rug, to a customcarpet. Specializing in Rem¬nants A Mill returns at ai ,'raction of the original cost.i Decoration Colors and Qualities,i Additional 10% Discount withi this Ad.FREE DELIVERY TAKCAVt-WNCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M. TO 8:30 P.M.SUNDAYS AND HOLIDAYS12 TO 8:30 P.M.CLOSED MONDAYSOrders to take out1318 East 63rd MU 4-1062 dR. A. ZIMBLERDR. M. MASLOVOptometristeye examinationscontact lensesin theHyde ParkNew Hyde ParkShopping Center1510 E. 55th St.363-636311:00 a.m. - 2:30 p.m. Hyde Park Bank Bldg.955-5151SUNDAY CHAMPAGNE BRUNCH $400Thursday, July 19, 1973 - The Chicago Maroon - 9ABOUT THE MIDWAYROCKWELL: A Norman Rockwell painting, now being shown at the Museum of Con¬temporary Art.continued from page nineNew stereotypeMale-female stereotypes, once assumed bystudents to be logically and biologicallybased, are much more the products of socialconditioning and male chauvinism,according to Rockefeller Chapel dean ESpencer Parsons.He adds that young people now feel lesspressure to fulfill expected roles,particularly social roles in which they areinhibited from expressing themselvessexually.Psychiatrist Jarl E Dvrud however,disagrees. “The new morality has createdmore !heartaches than happiness.”Parsons and Dvrud, professor and directorof clinical services in the Department ofPsychiatry, offered their views recently atthis year’s annual symposium of the ChicagoLying-in Hospital Board of Directors.Both men participate in the course formedical students on human sexuality, whichis taught in the Pritzker school of medicine.“The ‘sexual revolution’ is the rhetoric ofopinion makers and exploiters, not the self¬understanding of this nation’s youth,”Parsons saidHe added, “This generation knew when itwas in a revolutionary civil rights movementin the late 1960s. Students talked then of arevolution which would turn this countryaround in foreign policy and domesticaffairs."It is not clear. Parsons suggested, whetherstudents use similar rhetoric to describetheir sexual attitudes or practices. He saidthat changes in sex habits, however, actuallyrepresent an acceleration of forces that havecharacterized every generation since the1900s.Dvrud seems to agree, at least on thispoint. “I do not think human nature haschanged. I think circumstances havechanged.” But changes in student sex habits,he pointed out, may be due to a generation ofpermissive parents trained by Dr. Spock.“The sexual revolution is more a crisis of themiddle aged than of the young,” he said.“Youths have found capitulation to theirbehavior rather than solid opposition.“By parents' reasonableness, by theirconviction that they could incorporate youthon their side if they were only reasonable,they took from young people something solidto push against It is my conviction thatparents should be square. That is, theyshould stand squarely for their children’spursuit of meaningful rather than trivialactivities.“There is something brutal about parents’broad concessions,” Dyrud said, “which failto provide the shelter of some rules atimportant developmental stages. Such rulesprovide young people the possibility not for amonastic life, but for experimentation andretreat.”Parsons concluded that he is not sure thatthe present college generation is any betterthan their parents or their parents’ parents.“In matters sexual they are certainly moreopen and more honest," he said. “Whetherthese two virtues will make them any wiserin the days to come remains to be seen. ”Cell researchA new method for viewing the interior ofcells makes use of a proton microscope, anda prototype of the machine is taking shape inthe Enrico Fermi Institute at the Universityunder Riccardo Levi Setti, professor in thedepartment of Physics, the Fermi Institute,and the CollegeBased on technology similar to thatdeveloped by University physicist Albert VCrewe in his work with the scanning electronmicroscope, the proton microscope can beused at both the cellular and the molecularlevels. At the cellular level, the microscope willprovide images of density variations intissue far beyond the ability of conventionalX-ray microradiography. This isparticularly promising for the study ofcancer cells, which are known to havedifferent density distribution whencompared to healthy cells.Levi Setti explained how the newinstrument makes investigations possible.“The microscope is designed to operate at100 kilovolts. Fast-moving protons, incontrast to electrons and X-rays, penetratematter to a sharply defined depth. Whenaccelerated to 100 kilovolts, they go throughabout one micron of biological material.“If you make a biological section of a cellthat has a thickness of the order of onemicron, the protons are barely capable ofpenetrating the wall. Within the cell, thenucleus is dense, but the cytoplasm may beless dense. The result is that the protonswhich are ‘going through’ that region of thecell which is more dense will be stopped.Only those that go through the part of the cellwhich is less dense will emerge and bedetected.”This bombardment is provided by ascanning beam of protons that sweeps acrossthe specimen. Those protons which willemerge from the specimen are collected andused to make an image of what they have“seen” on a TV tube. The scanning electronmicroscope operates in a similar manner.What can be produced by both microscopesis a radiographic image of a section of a cell.“Details of the internal structure of a cellare difficult to see using X-rays orelectrons,” Levi Setti notes. “Often you haveto stain the cell, using appropriate chemicalsto enhance the contrast of the image. Withprotons, it should be feasible to resolve thestructure of the details of the unadulteratedspecimen.”However, the cellular level—a resolutionon the order of one micron—is consideredrather gross, compared to what the protonmicroscope can do.At the moiecular level, the ultimate goal isto operate the microscope at a resolution of afew angstroms, making atom and molecule viewing possible. (An angstrom is one ten-billionth of a meter). When viewingindividual organic molecules, the protonmicroscope should detect the presence ofhydrogen. “This process,” Levi Setticoncludes, “seems particularly suited to thestudy of biological specimens.”DrugsThe University has received a grant fromthe National Institute of Mental Health(NIMH) to seek answers to the questionwhether narcotics addicts can ever staytotally “clean".The grant totals $1,240,000 in the first yearof a recommended three-year period.Additional sums will be negotiated withNIMH in succeeding years to complete thestudy.Staff members of the University’sdepartment of psychiatry and of the IllinoisDrug Abuse Program (IDAP) will cooperatein the study. It will involve several hundredpatients enrolled in IDAP who volunteer totake part in the project.Dr Edward C Senay is principalinvestigator for the study which is entitled“Methadone therapy research: withdrawaland psychobiology.” Dr Senay is associateprofessor in the department of psychiatryand director of the Illinois Drug AbuseProgram.Associated with him on the project are DrPierre F Renault and Dr John N Chappel,both of the University and psychologists,group leaders and others from IDAP.Dr Ghappel, assistant professor in thedepartment of psychiatry, is chief of medicalservices of IDAP. Dr Renault, also anassistant professor, is director of research ofIDAP.Dr Senay feels that IDAP can developmethods to get many methadone patientsentirely drug free.IDAP is a component of the IllinoisDepartment of Mental Health Thepsychiatry faculty here sees IDAP as a“pioneering venture," according to DrDaniel X FYeedman, chairman. Theycollaborate in the design of new programs and undertake professional leadership fromresearch programs ranging fromepidemiology to the present study.IDAP operates thirty-five treatmentclinics throughout Illinois serving over 4,500patients. The program will utilize existingadministrative and treatment centers ofIDAP. Under it two new withdrawal clinicswill be established.“At present, however,” Senay says, “thereis insufficient evidence to support thecontention that methadone maintenancemust be a lifelong therapy. We now seeincreased numbers of methadone patientsseeking abstinence. We must return to thequestion of detoxification or withdrawal.”Key to withdrawal is the addict himself,who must help determine how fast he can go,says Senay. The project will be operated ingroups of volunteers under specially trainedgroup leaders.Dr Senay and the study staff will try todetermine whether drug dependence isprimarily motivated by psychology orphysiology and whether detoxification canbest be accomplished on an ambulatory or aninpatient basis.Economists grantTwo University economists have un¬dertaken a study which they say developscriteria for determining the appropriategrowth rate for the US money supply.The two are J Phillip Cooper, assistantprofessor in thegraduate school of business,and Stanley Fischer, assistant professor inthe department of economics.They do not agree with the view of theircolleague, Milton Friedman, the PaulSnowden Russell distinguished serviceprofessor in the department of economics atthe University, that the US money supply(currency in circulation plus demanddeposits of private individuals and non-bankcorporations) should be increased at a fixedrate.Instead, say the two 29-year-oldprofessors, the rate of growth of the moneysupply should be determined by theprevailing state of the economy as reflectedin such things as rates of inflation andunemployment.Cooper and Fischer have been “playing”with the US economy by performingstatistical experiments with computerizedeconometric models.“We have to use econometric molde“We have to use econometric models,”says Fischer, “because we can’t experimentwith monetary policy in the real economy.”An econometric model is a system ofequations which summarize the most im¬portant factors that affect the performanceof the economy.“Thus far,” says Cooper, “the results havetended to support our thesis, whatevermodels we have examined-and we havelookedat models representing very diverseviews on the working of the economy.”In 1970 they applied to the National ScienceFoundation for a grant which would enablethem to begin the project, called “AStochastic Simulation Study of MonetaryPolicy.” Stochastic means random-something that is a matter of chance. Con¬siderations of uncertainty about the effectsof government policy play an important rolein their study.Cooper and Fischer received the grant andthe first installment of $11,000 in June, 1971.They received another $35,000 the followingNovember and $36,000 in December, 1972,bringing the total grant to $82,000.Reports of various aspects of this projecthave appeared recently in several economicjournals and have been presented atprofessional meetings. Cooper and Fischerare now preparing a book covering theirstudies and findings; they expect it to appearin the summer of 1974.SOQ FILMS PRESENTS FRIDAY, JULY 20Jean-Luc Godard'sTWO OR THREE THINGS I KNOW ABOUT HERThe "her" refers to Paris and to the heroine • a housewife whoturns part-time prostitute. Fi rst time shown on this campus.COBB HALL $1.00 7:15 & 9:1510 - The Chicago Maroon - Thursday, July 19, 1973Summer softball popular pastimeBy MILES ARCHERImagine an Intramural Softball Leaguewith no protests, no forfeits and no rain-outs.Impossible? Believe it or not, this year'sSummer Softball League has completedmore than half its season and has managedto avoid all these problems.Playing Mondays through Thursdays onNorth and Stagg Fields, the Summer SoftballLeague consists of teams from variousacademic departments-Economics,Education (Endomorphs), Medical School (Meninges) and Chemistry (Penguins) -several staff teams - Research Institute,Comp Center, Legal Aid Clinic (M L A C) andIndustrial Relations - and some teams whoseare utterly untraceable - Fat City Nine, SeeYour Food, Brothers E! Galcho. In fact, theteam tied for the lead in the Red League is ateam from Jimmy's.The league was started in 1959 by ChetMcGraw, as an attempt to fill thesummertime intramural vacuum. From theoriginal six teams in 1959, the league hasSOFTBALL: Economics center fielder Giorgio Piccagli crosses the plate. The catcherseems more concerned with protecting himself than catching the ball (left). Later,the Economics team evokes memories of the old Brooklyn Dodgers (right) as John grown in popularity to its present high of 17teams, lour of them coed.The Summer League is a uniqueexperience lor those familiar with the usualcutthroat Intramural tactics. Whilemaintaining an extremely high level ofcompetition, an atmosphere of friendlinessand sportsmanship permeates the games.Partly due to the relaxed summeratmosphere and partly due to the fact thatmost of the participants have played in theleague for years, the Summer League represents the spirit of Intramurals at itsbest.MID-SEASON STANDINGSRED LEAGUE BLUE LEAGUEJIMMY S 5-1 EAT YOUR FOOD(COED) 4-0SEE YOUR FOOD 5 1 COMP CENTER 4-1RESEARCH INSTITUTE 4 2 BROTHERS EL GALCHO 3-1PENGUINS A 3-3 MENINGES 3-1INDUSTRIAL RELATIONS 3-3 ENDOMORPHS 3 2FAT CITY NINE 2 4 PENGUINS (COED) 2 3ECONOMICS 2 4 FAT CITY NINE (COED) 1 4MLAC 0-6 ECONOMICS (COED) 0 4PENGUINS B 0 4Filer and Mike Ward slide simultaneously into third. Third base coach Roger Hit-chner looks on in disgust as Bill Mardes applies the tag. Photos by Leslie Filer andGiorgio Piccagli.GLENDALE COLLEGEOF LAW• A Degree Program Qualifying Graduates For Calif. Bar Exam• 5 Min. From Downtown Los Angeles In A Suburban Community• Enrollment Now Being Accepted For September Term• Inquiries Are Invited By The Dean Of Admissions:GLENDALE COLLEGE OF LAW220 NO. GLENDALE AVEGLENDALE, CA. 91206 <213) 247-0770DONt1/6(3 EDby CAR REPAIRS /Sur//cA *(>---BRIGHTONFOREIGN AUTO SERVICE3967 S. ARCHER AVE.tt blocks east of California Ave.)“3m SatUttirtitm. in. Smbujl'927- 8000Special GOODYEAR Tire Sale4 Marathon B/W-560xl5 $68.00+ $1.71 f«t4 Super-cushion B/W 600x15 $84.00+ $1.711»*4 Power Cushion B/W E7814 $72.00+ $1.82 f«t4 Continental Radial B/W 155SR15 $110+ $1.72 f«t4 B/W 165 HR15 $118.00+$i.82 f.t4 B/W 155SR13 $102.00+ $i.6i i.«BRIGHTONFOREIGN AUTO SERVICE3967 S. ARCHER AVE.1/ blocks tost of California Ay#.)3967 Archer Ave.1• LOCKS (AST or CALiroiWU VI.)927-80001*0 BLOCKS CAST Of CALIFORNIA JAMESWAYPETERSONMOVING & STORAGE« „ 646-4411Call or f°ru<,n 646-1234 free estimatesCompletePre-Planned Moving ServiceLocal • Long Distance • Packing • CratingImport-ExportContainerized StorageFormerly at General Office55th & Ellis 12655 So. DotyChicago, III. 60633© authorized sales & service312-mi 3-3113^Tforeign car hospital & clinic, inc.^^5424 south kimbark avenue • Chicago 60615MORE OFEXPLORETHE UNIVERSITYThese lecture tours are limited, with first priority given toregistered students; if there is room left, staff & faculty willbe admitted. U.C. I.D.’s required. Sign up in Ida Noyes 209 orat x 3591. If after you sign up, you discover that you will beunable to attend, please call x3591 to cancel, so someoneelse may go.TORNADO MACHINEWed. July 25. Room 484, 5734 Ellis, 1:00 p.m.Professor T. Fujita has constructed a machine whichproduces miniature tornados. By studying the formation andprogress of these small-scale funnel clouds, one can learnmore about predicting and modifying violent storms. Ed Pearlwill provide a sample tornado for the occasion.ORIENTAL INSTITUTEWed. Aug. 1 1155 E. 58th St. 2:30 p.m.The Ol houses one of the world s major collections of ob¬jects from the ancient Near East. The tour will be led by agraduate student in archeology, not by the usual tour guides.ROBIE HOUSEMon. Aug. 6 5757 Woodlawn Ave. 2:30This will be an interior tour of the Frank Lloyd Wright"Prairie Ffouse built in 1909. SPECIAL ©DISCOUNT PRICES© FOR ALLSTUDENTS &FACULTY MENDERSAs Students or Faculty Membersof the University of Chicago youare entitled to special moneysaving discount prices on allVolkswagen Service Work, allVolkswagen Parts, Accessoriesand any new or used Volkswagenyou buy from Volkswagen SouthShore.Upon presentation of your Univer¬sity of Chicago Identification card,our employees will shew youregular price and your specialdiscount price of whatever youbuy.Remember, Volkswagen SouthShore is the closest factoryauthorized full service dealer inyour area. Our Parts Departmentis open Saturday 9 AM to 12noon.We re near the 1C or can offer youShuttle Bus Service.OLKSWAGEN^SOUTH SHOREAuthorized 7234 s> STONY ISLANDVolkswagen op^i Daily 9 am to 9 pmDealer Salat, Parts and Sarvica DepartmentsOpan Saturday 9 AM to 5 PMPhonal 288-4900Thursday, July 19, 1973 - The Chicago Maroon - 11MAROON CLASSIFIED ADSSCENESWomen's Peer Counseling Group:Members receive training in clientcentered listening & counsel with eachother Peer counseling is conceived asan alternative to the institution ofpsychotherapy for women who wantmore individual time & support than arap group can provide Counselingskills will be taught by women staffmembers of the Chicago Counseling 8.Psychotherapy Center. Cost: $40 for 8weeks 684 1800Hillel Israeli Folk Dancing will meetSun July 29 at 8:00 p.m. 5715Woodlawn.SPACERoom and bath available in Hyde Parkapartment for F grad, student willingto be available when 9 year old boycomes in and out, give lunch etc.Kitchen privileges, othermodifications possible Begin anytimethrough entire year Call 753 34453 bdrm apt $177 Sept. 1, 363 9048 52nd &Woodlawn ask for Dave, HaroldOne year Sublet Avail Sept 1 3 RoomFurnished Apt $160/mo Call 288 8358after 6 or weekendsRoom mate wanted, huge cheap aptCall Beth 752 0967 1 bdrm apt. 3rd fir 51st & Harper $155-160/mo. 329 5856 days; 288 0433 eves.2 room and 3 room furn apts. at 5405Woodlawn. 643 2760 or 667 5746 Mrs.Green2 bdrm unfurn apt. available Sept.$180 convenient to laundry, grocery Uof C, I.C.; 324 6536Garage for rent, subcompact only.$15.00/mo. 5532 Dorchester 947 8762Furn spacious townhouse autumn 73(Aug 15 to Dec 31 only) 3 blks fromRegensfein lib Univ Av near 54th. 3bdrm, 2 bath, mod kit, washer, drier,dishw $300/mo. 363 2415 or Iv messagefor Gibbard at 753 3847Sept. 1 Lovely 8 1/2 rm. furn. house Iggdn & garage in Jackson ParkHighlands. 7 min. to UC, nr campusbus 8. all trans. Walk to beach. $360 orbest offer. 684-5373.Small car will pay handsomely forspace in Kenwood garage. Call Hal,753 3675 days.Sublet available Aug 1 with fall option,4 room Hyde Park apt. Call 241 5119 atdinnertime or 12-1 amClean straight male roommate neededfor apt. close to Regenstein. Startinglate Sept own room 8. bath Call 9559774 evenings Roommate wanted to share clean 6room apt. with 2 men. Own room, bath.$68/mo. Call 752 6151 eves.Coach house for rent: mid August, nopets or children, exc. location Call 9479640 after 5 pmApt for rent 1 Aug. 5 rooms, 2bedrooms, sunny corner apt, 2nd fl77th 8< Essex 1 bolck to UC bus, UCcouple leaving. 721 8595 aft 5 pmLive in Federika's famous bldg.Nearby, furn. or unfurn. 2 8. 3 rn. aptsfor 1, 2, 3 people. Refrig., stove., pvt.bath, stm heat. Quiet, Sunny, iew.Parking, trans, $120.00 up Free Utils.Robinson, 6043 Woodlawn. 955 9209 or427 2583. Short term lease or longerMedical student desires permanentquiet sleeping room or furnished apt.with shower in private home. Pleasewrite Rich Scarnati P.O. Box 20229,Chicago, III. 60620Co op for sale. So. Shore area nearlake, 2 bdrm, den, AC, fireplace, mod.kitchen, U of C neighbors, mo. ass. $98.Purchase price $8400. Call 768 7299Spacious, nicely furnished apt. toshare 1/2 blk regenstein. Privateroom, large living 8. dining rooms,kitchen, sunporch overlooking largebackyard. Available immediatelythrough Sept, with option for year. CallDobbi 947 8621 or leave message atSU7 4435 until 9 pmGoing to Israel for 1973/1974. Interested in renting large apartment inJerusalem Call 831 5374 or 996 3170;$350HOUSE FOR SALE4 bdrm, sparkling new kit., Double Ivgrm. panelled bsmt. Low 40's 54th nrSTANLEY H. KAPLANEDUCATIONAL CENTERSUMMER SCHEDULEMCAT classstarts 8/19/73MCAT Compactstarts 8/5/73for two weeksLSAT classstarts 9/9/732 yr. Nat I BdsATGSB - GRE also2050 W. Devon(312)764-5151 Kimbark. Call Mrs Vikstrom, Baird 8,Warner 1511 E. HPB; 324 1855IQEAL PEALLge airy co op apt. 1 bdrm, x cond. nomtg on bldg. Low monthly $106.25includes taxes 8. maint. Low $1200price. 57th 8, Jackson Park Call Mrs.Vikstrom, Baird 8< Warner 1511 E.Hyde Park Blvd. 324 1855PEOPLE WANTEDPart time dental assistant. Hours 16pm exp. prefer, will train qualifiedpers. Loc. Hyde Park Bank bidg Ml 39607RIDER for camping trip West. Leave7/28, arrive SF 8/18. Must sharedriving and expenses. 924 4495Drive my car to NY area around Aug.20. 752 1102Babysitter wanted: my home, 4 days aweek, 1 3 yr old girl. 493-2287Immediate opening for corporatelibrarian in loop. Professional degreenot required, but Bachelor's degreeand interest in housing preferred. CallKatie Aranda or Rich Schmalbeck at793 2060.FOR SALEAIR COOLER for sale 643 5344Large door which you can use for atable. Name your price (reasonably)955 8952Couch, 8 feet long, green, slightly wornbut it has a large cover that comeswith it. $10. Call 955 8952For Sale, living rm set $325. Bdrm set$250. Queen size bed $125. Sewingmachine $50. Dinette set $60. PortableTV $35. All in very good condition. Call684 0860Gas stove and portable dishwasher;also bookcases. 752-11021970 FIAT convertible recently rebuilt.Call 753 0494Apt. sale: Dining set, twin bed, campStudentDiscountModelCamera1342 E. 55th493-6700Most complete photoshop on South Side. equip., TV, small desk, many otheritems. Call 752 8836 aft 5 pmOffice desk 8> chair $35, 2 armchairs $58, $17; floor lamp $4; floor fan $3;braided rug $5, 6'x6' bookcase $15;sofa $15, 721 8595 aff 5House sale: Misc stuff from beds 8.rugs to dishes, lamps, air cond. Alsosome nice antique pieces. Call forwhole list. Cheap! This is my 4 yrcollection. 667-5451 keep trying!70 Toyota sedan air con. FM/AM $500needs work. 753 2078, 538 8751 eveBOOKS!!! !!!!40% OFF at Chicago'smost interesting old bookstore. Goingout of business Oct. 31. 20,000 boundbooks. 40% off. Also thousands ofpaperbacks and long play records. BillNewman's Al Bookstore. 1112 N. State,Daily 2:30 9:30 p.m. Sat. and Sun 1:306:00.PEOPLE FOR SALEEXP TYPIST all kinds of papers 9476353 or 779 8034 Have dictaph. alsoExpert typing, editing. 667-0580Experienced manuscript typing onIBM Selectric. 378 5774Typist Univ. Exp wants work. Can callfor material. Phone 477 5456Typing cheap! Call Ling 924-1705Expert Selectric Typing Papers,Manuscripts etc. 374 0081TYPIST exp. call 752 8119 eves.Portraits 4 for $4 00 and up MaynardStudio, 1459 E. 53rd, 2nd floor. 643 4083Moving? Need help? Hire my van andl Best rates. Jerry at 684 1175.HAPPINESSA club is being formed to experienceand learn about higher states ofconsciousness which can enable one tobecome more knowledgable, suc¬cessful and aware of self. Send name,address phone no. to Happiness, P.O.Box 20255, Chicago, III. 60620ADMINISTRATIVEOPPORTUNITY!Professor of political science conducting several large on goingresearch projects needs capable,stable and organized full time adminstrative assistant. Typing speed:70 wpm Previous secretarial experience required Familiarity withUniversity grant procedures andmanagement of budget and staffsalaries highly desirable. Job includesmanagement of research enterprisewith large staff. Good starting salaryDorothy Smith Beauty Salon5841 BlackstoneHY 3-1069Specializing in shaping of naturally wavyha ir. Special attention paid to conditioning of hair Use only the very bestof shampoos and conditioners - LOrealtints bleaches and rinses.Member of National Hair Dressers AssociationOpen-Monday through Friday7:30 a.m. until 7:30 p.m.Closed SaturdayDorothy Smith and benefits. Hyde Park area.Pleasant work atmosphere, in¬teresting project Contact ShirleySaldanha weekdays 9:00am to 5:00pmat 684 5600STUDENT DISCOUNTWeeknights at the Efendi! 955 5151RESEARCHSUBJECTSCOLORBLIND people wanted forcolor vision testing. 10 20 hrs, $2/hr.also need two with NORMAL COLORVISION. 9am 5pm 947 6039SPEECHPERCEPTIONEXPERIMENTSStudents and staff: Participants inexperiments on speech perception.$2.00 per hour. Probably one two hoursession required. Call 3-4714 for infoand appointment.PAN PIZZADE LIVERYThe Medici delivers 5 p.m. to 10:30p.m. Sun. thru Thurs. 5 p.m. to 11:30p.m. Fri. and Sat. 667 7394. Save 60cents delivery, if you pick it upyourself at 1450 E 57th St.CAMPINGEQUIPMENTRENTAL sleeping bags, tents, stoves,lanterns, packs. HICKORY 324 1499PLAY TENNIS6 indoor courts, 3 outdoor courts.Private & group lessons availableSouth Side Raquet Club, 1401 E. Sibley,VI 9-1235.YOGA CLASSESA month long series of Yoga classeswill be taught Mon. & Wed. evenings7:30 9:00 beginning Mon. July 9th atthe Blue Gargoyle in the Disciples ofChrist Church, 56th 8, University.Classes will be led by Dobbie Kermanwho has been leading classes oncampus 1971 73. Classes will include:Asanas (Hatha Yoga positions),Pranayama (breath control),relaxation, meditation 8. chanting. 8sessions for $16. For info 8,registration call Dobbi: 947 8621 orleave message at SU 7 4435 until 9 p.m.GAY LIBERATIONGAY LIB OFFICE IS OPEN THISSUMMER! Come to Ida Noyes 301Mon., Wed., Thurs. between 7 and 9:30pm or call 753 3274CONSCIOUSNESS GROUP ONSEXUAL IDENTITY will meet everyThurs. at 7:30 pm in Ida Noyes (2ndfir) For gays, straights, bisexuals andundecideds. New people are especiallywelcome.PERSONALSWRITER'S WORKSHOP (PL 2 8377).Calling all potty people! The Plantry isin urgent need of transfusions.Ida: where were ya when I needed ya?•■B w-#'w wJ (fruteli 0?ivuAt $J 1645 E.55TH STREET J£ CHICAGO, ILL. 60615?C Phone: FA 4-1651 J£***********fHyde Park's NewestBicycle Shop(fade1301 E. 53rd St.We carry the entireCazanave line.Also Alpinaand French Racer*We do repair work on all makes andmodels. Come in and see us for fast, cour¬teous service. We are right across fromKimbark Plaza.FORMDATES TO RUNNAME, ADDRESS, PHONECHARGE: by the line; 35 spaces per line, including all letters, spaces,and punctuation marks. Circle all letters to be capitalized.ALL ADS PAID IN ADVANCE.HEADINGS: There is no charge for regular headings (e.g., For Sale, Space,People Wanted, etc.). Your own heading (15 spaces) costs $1.00(75c/repeat heading) per line.HEADING CLASSIFIEDSI Classified deadline is 5:00I Tuesday before ThursdayI edition. 50‘/line for UCpeople: 75‘/line for non-UCpeople. All ads paid in ad¬vance so bring them to our of¬fice, Rm. 304 INH, 1-5, M-Th.or mail them with a check.Call 3-3266 for further in¬formation.12 - The Chicago Maroon - Thursday, July 19, 1973