Rape victim describes her experience, thoughtsBy THE VICTIM (NAME WITHELD FORSECURITY REASONS)As the victim of one of the three reportedrapes which have taken place in theUniversity Housing System this year, I feelqualified to comment on UC security and onrape.Being a normally unsuspicious and non¬paranoid person-I’m the kind of woman whois not afraid to walk alone late at night-Ihave always felt somewhat ambivalentabout security measures. If UC security carswere patrolling the streets, well fine, theyweren’t hurting anything. If something(robbery, rape, murder) was going tohappen, it would probably happen anyway.This fatalistic attitude was primarily theresult of having grown up in a rather largecity in a neighborhood where incidents wereneither frequent nor unheard-of, but wherethe personally violent crimes had a reasonbehind them. In other words, when someonewas beaten or killed, it could usually betraced to jealousy or revenge or some otherreason. Since Hyde Park is not unlike theneighborhood I grew up in, I felt more or lesssecure, particularly because of the ap¬pearance of security produced by thosesecurity cars and because I was totallyunprepared for violent crimes of an im¬personal nature (ie, those where victim andthe victimized are complete strangers.)I felt especially safe in the dormitorysystem, where I assumed a certain amountof care would be taken for my welfare. In¬deed, the University is and must be con¬cerned with security, if only for the selfishreason that they may lose future students ifthe situation looks too bad. At any rate, it certainly has a responsibility to those stu¬dents who are required to live in dormito¬ries, namely, all first-year students. I willreadily admit that it is impossible to absolute¬ly guarantee safety in any building on thiscampus, particularly if we do not wish to goback to the old days of “hours” and “bed-checks.” However, given that the Universityhas some responsibility, one would assumethat it would go to some expenses to makeGADFLYthings very difficult for a person to enter adormitory illegally.I'm not talking about students who don’tlive in a dormitory walking in past a matronor guard who knows them bv face. I’ve donethat often myself. I’m referring to disbeliefand neglect on the part of the Security Officeand the Housing Office. When officials of theHousing System don’t believe even aResident Head who tells them that a locksticks and therefore can be opened without akey and don’t fix it or even check it, I callthat disbelief and neglect. And when housingsystem and security office officials state,“No, it is virtually impossible to get to that(second story) open window from the groundwithout setting off an alarm,” and thensomeone who is neither very strong or tall,nor very experienced in climbing tries it atmy request and gets to that window in lessthan two minutes coming nowhere near thealarm, and it is subsequently discovered that the alarm works only erratically anyway,that I call disbelief and neglect, possiblycriminal neglect.Lest this become too much of an exposeand too one-sided, let me say that I alsobelieve that students have a great deal ofresponsibility for their own safety in thedormitories. If we notice things that are outof order and don’t report them, we too are inthe wrong. If we aren't certain of the honestyof our guests, and don't make certain theydon’t rip-off or harm our fellow residentsbefore they leave the building, then we tooare guilty. I'm not suggesting we all turnspies on our fellowman (even rape hasn’tmade me that paranoid or irrational. What Ido suggest is that if something looks suspi¬cious, we should check it out and report it. Iknow, I've heard that advice countless timestoo. and was never particularly convinced.What will it take to convince us all-University officials and students9 Will we allwait until we or someone we know- is at¬tacked in the dorm? Or will it take a murder?I sound frightened and cynical, and yes, Iam both. My fear stems from a suddenrealization (made with a knife at my throat)that "people out there” can and will hurt mewith no provocation. Perhaps I was merelyextraordinarily naive, but I doubt it. Theappearance of security on this campus isdeceptive, and all students should be awarethat the same things that happen on thestreet can happen in the dorms, especially ifwe allow the security office to be negligent.My cynicism comes from my having heardstories of rape (and I don't mean justreported rapes) on this campus and not evenbeing willing to look at the problem ofcampus security. Since I don't consider myself atypical, I wonder if it will take thesame sort of incident happening to you, mysisters and brothers, until you are convinced.I hope not.I've only one more thing to say about UCsecurity. Be advised- they care, but only alittle, and they can be moved to action, but ittakes a lot of work and imagination. Theserealizations, which only came to me as aresult of a frightening experience, areessential to your life in the dorm system.You're on your own in this world, friends,take care of yourselves and make those peopie who have at least an indirect interest inyour personal safety aware of things whichdo, or might, threaten it.“Rape Crap) n 2a: the unlawful carnalknowledge of a woman by a man without herconsent and chiefly by force or deception b:unlawful carnal knowledge other than of awoman by a man 'Webster's Seventh NewCollegiate Dictionary)”When you strip away the euphemisms,what it means is that a person of either sexcan be forced to have intercourse withouthis/her consent. It's not a pleasant idea formost people, particularly if their sexualencounters have been loving and good. Toturn a pleasant, shared expression of loveinto a one-sided, fearful satisfaction of oneperson's whim is a sad perversion. If aperson has had no sexual experience at all.the idea of rape is terrifying, but even withexperience behind, the idea is usuallyfrightening. At least. 1 was always afraid ofthe idea. I mean, after all, the idea of beingabsolutely helpless and having to participatein something you do not wish to do isfrightening, even if you are very strongcontinued on page sixiiicago MaroonThe University of Chicago Friday, May 25, 1973narper to provide college facilitiesBy LISACAPELLBeginning autumn quarter next year, theHarper complex of offices, classrooms, andreading rooms will be “open for business.”The opening will be accompanied by aspecial convocation, rededication of Harper,the College itself, and general celebration ofthe College.For Lorna Straus, Dean of Students of theCollege, dedication of the College’s newhome and the College itself in the autumn"will be an opportunity for the wholeUniversity to focus on the College and thinkabout the College.”The rededication activities according toprofessor Kenneth Northcott, “combine theserious and the more frivolous.” Events willbegin October 25, however, there will beexhibits and lectures to continue throughoutthe quarter.One of the ongoing attractions will be aMonday evening lecture series to beginOctober 22 or 29. Coordinated by IsaacWirszup, professor of mathematics andresident head of Woodward Court, thesubject is “The relationship of fields ofknowledge to a liberal education and therelationship of a liberal education to theneeds of this University and to society in thenext decade.An art exhibit at the Bergman Galleryduring the quarter will exhibit works done byCollege graduates. Their “infpressive list”includes sculpture, paintings, and graphics.Harold Hayden, associate professor of artand the director of Midway Studios, andLouis Natenshon, assistant professor of art,are coordinating the exhibit.Harper, Regenstein, Ida Noyes, andBartlett Gym will each have archivalexhibits. The Harper one will deal mainlywith Harper the man, the building, and ahistoric look at the College. The Bartlett onewill cover the history of athletics. Thefaculty wives are coordinating a “seriouslook at the role of women in the University”said Mrs Straus, and they may have anexhibit in Ida Noyes winter quarter.Theatrical ana musical productions will HARPER: Formal floor seating in the new Business East reading room (top) and anew interior look in the hallways (bottom) highlight the Harper renovation. Photosby Lmaa Lorincz. continue throughout the quarter. Moreover,sherry hours in the dorms will feature adescription of the person for whom the houseswere named.On Thursday. October 25, the building willbe officially dedicated at which time themajor donors will be honored. However, thenext day is the “gala, campus day.”All the College faculty, students, deans andformer deans will be invited to attend thespecial convocation. Invitations will also besent to all Quantrell winners to march in theprocession, along with representatives ofstudent honor societies and student aides.The special convocation will begin at 11am. A speech, music, and honorary degreesare scheduled. At 12 :15 the honorary degreerecipients and Quantrell award winners andstudent aides are scheduled for lunch at theQuad Club. Simultaneously a student/facultypicnic is planned for Ida Noyes.At 1:20 a parade is planned through thecampus ending at the field house. Rumor hasit that the firemen's band may make anappearance. After the parade will comeintramural field day.Throughout the afternoon, film showingsabout the College and possibly some ofStagg s game and training films will beshown. Miniplays and concerts are alsoplanned.The festivities will end at 9:30 pm with adisplay of fireworks. “We hope that this willbecome self-generating. There is such adiversity of interest that could come underthe rubric of regeneration.” stated North¬cott. He and Mrs Straus see the celebrationas a regeneration of the College. They hopethe ceremonies will convey the impression“I hat this is an exciting and worthwhileplace to be as an undergraduate.” bubbledMrs Straus.The building itself will be open thebeginning of the quarter and tours will beheld all during the year to familiarizestudents and faculty with their new facility.The first floor will house the admissionsoffice. Mrs Straus feels this location has theadvantage of enabling a prospective studentcontinued on page foure! JESSELSON’SI^FRESH FISH & SEAFOOD^752-2870,752-8190. 363-9186 -1340 E. 53rd This is it(smirk) LC ABOUT THE MIDWAYTHEUNIVERSITYOFCHICAGOBOOKSTOREwill beCLOSEDSat.f May 26 and Monday, May 28forMEMORIAL DAY HOLIDAYIMPORTANT NOTICE CONCERNING YOURSTUDENT HOSPITALIZATION INSURANCESUMMER 1973This announcement is directed to those students who nowhave individual hospitalization insurance coverage under theUniversity s Blue Cross/Blue Shield Group Policy #40556 ($1 5per quarter), and to those with dependents insured (at an ad¬ditional premium) under the University s Group Policy #-40557.Your present policy (or policies) will expire June 30, 1973,unless you renew. You may make arrangements to renewyour coverage for the period July 1, 1973 through September30, 1973 in the following manner:If you plan to register as a student for the SummerQuarter, the required premium of $15 for thesingle student plan will be collected from you atthe time of Summer Quarter registration. The planfor dependents is handled separately by dealingdirectly with the Student Health Service, BillingsOffice, Room 0-104.If you will not be registered this Summer and areleaving Chicago, you may renew for yourself and,if applicable, your family at the Student Health Ser¬vice (see below).If you will not be registered this Summer but planto remain on the campus or its environs this Sum¬mer and may reasonably expect to utilize BillingsHospital if you become ill, you will be required topay the University's Student Health fee of $25 plusyour hospitalization insurance premium.Arrangements under this option are also handledat the Student Health Service (see below).If your plans bring you under categories 2 or 3 above, andyou wisn insurance coverage for the Summer, you may make♦ he necessary arrangements in the Student Health ServiceOffices, Billings Hospital 0-1 04 any time afler May 21 but nolater than 1G days after the beginning of the SummerQuarter.To complete your renewal arrangements, Student Health willneed your subscriber number, birth date, and a check madeout to Blue Cross/Blue Shield in the amount of $15 for thesingle student plan, and in the amount of $45 for the sup¬plementary dependents coverage.Thank You.DirectorUniversity Health ServiceMtiy 177: STUDENTS - Will write TermPaper to specifications, onneatly typed white bondpaper. Reasonable. Have complete Medical Library.CALL EVE: 728-0369DAYS: 561-6475MRS. RAWSONPIZZAPLATTER1460 E. 53rdMl 3-2800FAST DELIVERYAND PICKUPfeaturingfresh groundpeanut bill terandfresh yogurt&All Vitamins20% OFFIIHFLtWIItillHEALTH FOODSPlus these everyday pricesVitamin E d'alphatoo I.U. 250 caps200 I.U. 150 caps400 I.U. 100 caps250 capsVitamin C 1000 mgs100 tabs $195250 tabs $4 40Vitamin C crystals5000 mgs per tsp.1 kilo1 pound $3.25$3 75$4 95$11 15$7 50$4 005210 S Harper in Harper Court363 1600 Award applicationsApplication materials for the springquarter Morton-Murphv awards are nowavailable in the office of admissions and aid.5737 S University. Room 202.The deadline for submitting an applicationis June 6, 1973.CAPThe Citizens Action Program (CAP) willbe conducting interviews for summer andyear-round jobs, both full and part-time.Tuesday and Wednesday, May 29 and 30, inthe library of the Blue Gargoyle from 11:30am to 2 pm.Available jobs combine fund-raising peti¬tioning. research, and organizing. Effectiveperformance leads to quick advanedment.Those unable to attend the interviewsTuesday and Wednesday should call MikeKruglik at 929-2922 for an interview.InsuranceThose students who now have individualhospitalization insurance coverage under theUniversity's Blue Cross/Blue Shield GroupPolicy #40556 ($15 per quarter), and thosewith dependents insured (at an additionalpremium) under the University’s GroupPolicy #40557 should note:Your present policy (or policies) willexpire June 30, 1973. unless you renew. Youmay make arrangements to renew yourcoverage for the period July 1, 1973 throughSeptember 30, 1973 in the following manner:1.) If you plan to register as a student for theSummer Quarter, the required premium of$15 for the single student plan will becollected from you at tht time of SummerQuarter registration. 2.) If you will not beregistered this summer and are leavingChicago, you may renew for yourself and. ifapplicable, your family at the Student HealthService. 3.) If you will not he registered thissummer but plan to remain on the campus orits environs this summer and mayreasonably expect to utilize Billings Hospital if you become ill, you will be required to paythe University's student health fee of $25 plusyour hospitalization insurance premium.If your plans bring you under categories 2or 3 above, and you wish insurance coveragefor the summer, you may make thenecessary arrangements in the studenthealth service offices, Billings Hospital, anytime after May 21 but no later than 10 daysafter the beginning of the Summer Quarter.Flea market9 AM 9 PM 7 Days A WeekHYDE PARK PIPE AND TOBACCO SHOf^1 552 E. 53rd - under 1C tracks JyAll students get 10%ask for "Big Jim" J .Pipes Imported CigarettesPipe Tobaccos CigarsOPENING REMARKSWELCOMING NEW STUDENTSTO HARRAD COLLEGE.’’Now during this year, you aregoing to be encouraged to havefree, liberated relations as anecessary and good element inthe art of loving. 'Dean ofHarrad CollegeTHE MOST READBOOK OHo*o&CAMPUS Si ™IS NOWTHt ON jSCREEN! 41T5 <30^STARTSFRIDAYJUNE 1st Another annual activity was born lastSaturday in Ida Noyes, with the first fleamarket and student auction, sponsored bythe Student Activity Office. Some 70 tableswere assigned to students, faculty, and staffwho had household furnishings, books, orother things to sell, and throughout the day asteady throng of students, both graduate andundergraduate, circulated past the tables insearch of bargains.As might be expected, some unusual anddelightful items appeared, including a lovelyhanging bird cage, and a gigantic, over¬stuffed lamp shade. Perhaps because it wasthe end of the year, there were bargainsgalore including a number of bicycles whichwent (quickly) for $20, and tables full ofbooks and other furnishings in the 10 cents to25 cents price category.Another feature was a silver worker, whofashioned jewelry in one corner of the foyer.The acution began at 2 pm and ran untilabout 4. While some items sold for as little as$1. the high bid for the day was $68 for alithograph donated by Joseph R Shapiro, thenoted art collector Some of the most heatedbidding was on the “free lunch with MiltonFriedman" w hich finally went to a graduatestudent for $17.In all the event took in some $645, as well asproviding entertainment for the many whocome simply to watch. The money will beapplied to the establishment of a craftscenter in the basement of Ida Noyes Hall.continued on page nine«rKIMBARKLIQUORS-WINE MERCHANTSOF THE FINESTIMPORTED ANDDOMESTIC WINESFeaturing our direct imports,bringing better value to you!THE ONLY TRUE WINE SHOP IN HYDE PARK53RD KIMBARK LIQUORS, INC.1214 E. 53rd St.53-Kimbark Plaza NY 3-3355We have the finest photography instructorsand equipment of any school in the Midwest.And we can prove it.!♦ you am senous about photoyrapbv, we'd like to "ivite you tovisit our facilibesYou’ll bee tlunys ike a fully equipped studio, 1b of the finestprofessional >r ‘dryers, the latest in lighting, backgrounds, props, andruor.'You'll meet -nstructors like Philip Smith wt'O holds <3 Mastersdegree m Photography, has taught at several colleges, held many oneman exhibits and hail his work published in five different photographicreference PoursW offer a wide variety of courses at all levels that encompass bothstiii and motion, and lab courses in printing and developing. Classes areoffered weekdays, evenings, and weekendsThese next three weeks, visit our school:Monday Thursday (7 P M.- 10 P.M.)Saturday - (9:30 A.M. 5:30PM)Sunday (11 .30 A.M.-5:30 P.M )If vou cannot visit, call or write for our free brochure.If you are interested in learning photography, it pays to learn fromprofessionalsstudio school of PHOTOGRAPHY2942 w. devon ave., Chicago, ill. 60645235-4444 764-0100 I2 - The Chicago Maroon * Friday,.May #5,. J,?73155 faculty members leave UniversityBy FRED EGLERA total of 55 University faculty memberswill not return for the 1972-73 academic year,according to the deans of the variousdivisions and professional schools.The list, which was compiled with in¬formation available to the divisions andschools as of May 24, includes 12 departuresfrom the humanities division, one from thesocial sciences division, five from thephysical sciences division, 33 from thebiological sciences division and medicalschool, two from the law school, and one eachfrom the divinity and business schools.In humanities, five faculty members haveannounced their retirements for next year,according to Warner Wick, associate dean ofthe college and of the Humanities division.They include George Metcalfe (German),Norman Maclean (English), David Williams(English), Herbert Lamm (Ideas andMethods), and Ida Paper (Russian).Seven additional Humanities facultymembers either have not had their ap¬pointments renewed or have retired (“Wewill make no invidious distinctions here,”Wick explained). This group includesStanley Fischer (college humanities),Harvey Gilman (English), Robert Stein(English), John Taylor (English), WilliamCarpenter (English), Ann Scott (Music),'who has accepted a position at Bates Collegein Maine, William McKinley (Music), whowill go to the Northeast Conservatory ofMusic in Boston, and Allan Pasco (French).The office of the dean of the physicalsciences division, Albert Crewe, announcedthat six faculty members will not return nextyear. These include mathematics instructorsIlan Kozma, Richard Mosak, and LaurenceTaylor, physics instructor Thomas Knasel,and assistant mathematics professor MJodeit, Jr.Associate social sciences collegiatedivision master Marvin Zonus reported thatthe only official letter of recognition hisoffice had received as of this week was thatof Estel Wood Kelly (Political Science), whohas accepted an appointment at Cornell. Headded that while he expected two otherprofessors “might possibly be leaving,” hehad received no letters of resignation andthus could not announce their departureofficially.The office of the dean of the social sciencesdivision, Robert Adams, was unable toprovide any information on departing facultymembers.The division of the biological sciences andthe school of medicine indicated that two oftheir faculty members will retire at the endof the academic year: Charles Olmstead(Biology) and Dwight Ingle (Psychology).Cyril Kupferberg, business administrator forthe division, announced that the followingfaculty members have resigned: JamesCastle, Richard Desser, Richard Earl, Miguel Gambetta, Robert Palmer, DorothyWinghorst, Henry Kingdom, and EdmundLewis, all in the department of socialmedicine; James Rosenberg (medical instructor), Stanford Lamberg (assistantprofessor, medicine), Jane Gutierrez(Pathology), Zelma Molnar (Pathology),Harold Troy, (Pediatrics), and MariaSacrias (Obstetrics-Gynecology).Other resignations in the biologicalsciences division include William Boggan,Richard Kaufman, and John Sims, all frompsychiatry ; David Goodenough, John Olsen,George Karkazis, Nicholas Kinna, Terrence Sharrett, Mark Tetalman, Ricnard Tulley,David Turner, and William Yeh, all fromRadiology; Mitchell Sheinkop, DennisWhidlow, and Harvey Zarem, of surgery;and Richard Lewontin and Marian Monroe inthe Biology department.In the professional schools, Joseph LaRue,assistant dean of the graduate school ofbusiness, announced that professor ArnoldWeber will leave to accept an appointment atCarnegie-Mellon University in Pittsburgh asProvost and dean of the graduate school ofindustrial administration. Phil Neal, the dean of the law school, reported that GrantGilmore, a professor who left during thispast academic year, and John Peterman, anassociate professor, will not return nextyear. The office of the dean of the divinityschool, Joseph Kitagawa, said that RayMorrisson will not return to their facultynext year.All deans and divisions contacted stressedthat more faculty members than the onesmentioned above may resign; however,official letters of resignation have beenreceived from only those listedFootball great Patterson discussesUC athletic scene past and presentBy MIKEKRAUSSThis is the third and final article in aseries about three of Chicago’s topvarsity athletes of the 1930’s.Some forty autumns ago a young mannamed Ellmore Patterson donned a Chicagouniform and started at center for theMaroons against Yale in the Yale Bowl.“I never started a football gamethroughout high school,” said Patterson,“I’ll never forget the feeling of earning myfirst starting role as a sophomore againstYale.”Today Ellmore Patterson is chairman ofthe board of Morgan Guaranty Trust, thenation’s fifth largest bank. He currentlyserves the University as a member of theBoard of Trustees. It is hard to realize thatthe 175-pound Patterson was once one of thetoughest centers the gridirons of the Big Tenever saw. Today, hardly touched by the lineof age, Ellmore Patterson still looks as trimas he did when he played on the old Staggfield. Although he has since hung up hiscleats he is still an avid tennis player andathletic competitor.We began our discussion on the topic ofathletes in today’s higher academic in¬stitutions. Patterson feels that athleticsshould certainly be secondary to academics,but “Clearly a broad athletic program ishighly desirable.”“All through life you diversify your en¬deavors, you try to concentrate on manythings in an effort to lead a full life.Academics are certainly primary to collegelife, but athletics add spirit and fullness,which gives college far more meaning.”Patterson believes that the collegiateathletics program in the 1930’s was excellent,due to the enthusiasm of the campus.“It was unfortunate that we couldn’tmaintain our status in the Big Ten,” saidPatterson, “But the competition was too1934 TEAM: Ellmore Patterson, with football, center, linebacker, team captain andcurrently University trustee and board chairman of Morgan Guaranty Trust. PATTERSON: UC football great EllmorePatterson as he looked in his playingdays.tough. I agree 100 percent with Hutchins’leaving the Big Ten.” However, Pattersonagreed with former teammates John Womerand Jay Berwanger, that, “we should haveadmitted we couldn't compete in the Big Ten,and we should have stepped into a leaguecomposed of teams similar to us like Har¬vard and Yale.”“The decline in athletics which followedour dropping football and our eventual exitfrom the Big Ten, created a situation inwhich no athlete would desire to come toChicago.”As to what should be done today to improveour antiquated athletic and recreationalfacilities, Patterson said that he personallyand as a trustee would be much in favor ofnew and improved facilities. He was unableto estimate just what the Board of Trustees’opinion would be on the subject, but hesuggested that there must be a demon¬stration of desire and need from the studentsin order to gain the Board's support.Patterson initially stressed that, “Wewould remain on a low profile, small scaleathletic program. We could never againattract the great athlete. Top qualityscholar-athletes will go to the better teamsas they offer the most opportunity. Ourobjective should be to maintain a reputablevarsity program.”A fan of contact sports, Patterson felt,“The creation of an ice hockey team wouldbe a marvelous improvement to the campus,provided we don’t try to import any Can-daian hockey players for the specific purposeof competing.” Patterson especially likes hockey because, “Unlike football, a playercan continue to skate and compete long afterhis college playing days have ended.”“The University could not help but gainfrom an improved athletic program. All overthe country we are recognized for oursuperior academic standards. Having areputable athletic program would be a plusas it would add depth to the campus and offerincreased interest in the school.”From his first freshman days until hisgraduation. Ellmore Patterson lived in thePsi U fraternity house directly across thestreet from Bartlett Gym. In the spring whennot playing football, the six-letter man wouldexercise his tennis ability which helped leadthe Maroons to a Big Ten tennis cham¬pionship in 1935.Aside from being captain of the footballteam of 1934, Patterson was president of theclass of 1935. He was also president of Owland Serpent during his senior yearPatterson recalled that in the spring of 1935the fieldhouse was the site of another fund¬raising project almost as far-fetched as ourown basketball marathon. Noel Gerson, alsoa member of the class of 1935, organized anevent called Fandango. For one night theentire fieldhouse was turned into a carnival,complete with a ferris wheel and realgambling. The profits of the evening werethen turned over to the University as theclass gift of 1935.A hard-driving athlete, Patterson wouldspend his summers in Hayward, Wisconsin,training and keeping in shape for the up¬coming football season. Like most players ofhis era, Patterson played nearly 60 minutesthroughout every game. When not centeringthe ball on offense he was backing up the lineon defense. He confessed that overall, hisfavorite position was on defense atlinebacker rather than on offense.Although undersized for a center in the BigTen. Patterson competed with true deter¬mination. In the next to last game of hissenior year, an undersized Chicago teamwent to Minneapolis to play a Big Tenchampion Minnesota squad. Chicago held itsown the first half, the game tied 7-7. By thesecond half Patterson had suffered a brokenrib as the Maroons, without their startingcenter, went down in defeat to the champions35-7.During the second World War he served inthe Navy on anti-submarine duty in the SouthPacific. Later in the war he commanded adestroyer in Okinawa and Japan.He summed up the main benefit of athletic'competition as, “experience.” “All throughlife you have to contend with problems.Athletic competition gives you valuableexperience in dealing with people by meansof participating as a part of a group whileworking together as a member of a team.As he walked toward his plane at O'Hareairport Tuesday to return to his home in NewYork City, Ellmore Patterson reminded methat if anything, “life is a group experience.”2nd ANNUAL BLUE BASHFriends of the Gargoyle:You are invitedto the 2nd AnnualBlue BashFriday June 1,8:00-10 p.m.Free entertainment and music CLASSIC MWAH FORUMTo be conducted byMR. JACK CECCHINIJuly 22 - Aug. 5At George Williams College CampLake Geneva, WisconsinFor registration and information call939-4557 © authorized sales & service312-mi 3-3113foreign car hospital & clinic, inc.*^)J*j424 suuiiiMmudrk dveiiue » JiicdKu 5G6i5Friday, May 25, 1973 - The Chicago Maroon - 3Advertising called American culture'By JEFF ROTH•'Advertising has been part of the main¬stream of American civilization,” historianDaniel Boorstin declared yesterday.Boorstin, the director of the Smithsonian'sNational Museum of History andTechnology, lectured at the law school on‘Advertising and American Civilization.”The lecture was the fourth in a series of eighton ‘Advertising and Society” sponsored bythe graduate school of business. The serieshas been made possible by a grant from theInternational Telephone and TelegraphCorporation.Boorstin said that advertising began inAmerica as part of the enticement and in¬ducement to settle the remote parts of thecontinent. Brochures appeared as early asthe seventeenth century promising gold andsilver, fountains of youth, unlimited venison,etc to settlers. “There has been a kind ofnatural selection here of those people whowere willing to believe advertising,” he said.Advertising reflects an American belief inthe importance of novelty. Boorstin con¬tinued. “As expansion and novelty havebecome more important to our economy,advertising has played an increasing role.”he stated.The historian argued that “it would not bean overstatement to describe advertising asthe rhetoric of democracy.” Boorstinoutlined the characteristics which developedin American advertising as its repetition,style, verse, penumbra and ubiquity. Inadvertising style, he said, can be found the convergence of several American traditions.The plain style, a relic from Puritan days,emphasized the commonplace phrase thatanyone could understand. This, combinedwith the important American tradition ofhyperbole and “tall talk.” yielded a peculiaradvertising style.Boorstin described the advertisingpenumbra as that “limbo between fantasyand fact " in which most advertising seems tolie. Commenting on advertising's ubiquity,he noted that it abhors a vacuum, and missesno chances to reach people. He cited bill¬boards, skywriting, streetcars, buses,television and radio, all of which haveregularly been used as advertising media.“The amount of advertising is determinednot by the needs of advertisers, but by theiropportunities," he said.Two special cnaracteristics of advertising,self-liquidation and erasure, are by productsof the expansive and energetic character ofthe American economy. Most successfuladvertising becomes cliche, he said, and newadvertising is called for. The prototype ofthis is the relatively common situation inwhich a trade name, such as Xerox, be¬comes absorbed into the language and usedto describe something more than a specificproduct. Erasure, on the other hand, is thecompetitive phenomenon by which oneadvertiser strives to counteract another'sadvertising.Boorstin next turned to the consequencesof advertising for American society. Folkculture is the culture which ordinary peoplelean on. he said, and popular culture is the BOORSTIN: Historian Daniel J Boorstin, a former University professor and now direc¬tor of the Smithsonian Institute, spoke on "Advertising and American Civilization"Thursday.American form of folk culture. Popularculture in most other civilizations has beenan area of communication with the past andalso an area of local variation.O'Connell to move office to Harper,joining advisors, deans and facultycontinued from page oneto see the actual functioning of the College.Tw o fairly large classrooms and five smallerseminar rooms are also located on the firstfloor. The larger rooms seat 90 in one andaround 50 in the other, circular room. MrsStraus speculates that having the smallrooms, which seat 8-10 students, will freesome of the larger Cobb classrooms in theprime hours.The second floor which previously housedthe main library offices now house advisors,deans of the College, the aid office and thedean of students offices. There is also a largeconference room for use of the College tohold teas and the like. “It will be nice to haveour own place. " exclaimed Mrs Straus. Thecorridor will be lined with benches. “Nomore sitting on the floor." smiled MrsStrausThe current third floor entrance to Harperlibrary will be closed off to be a fire exit andthe main entrance moved to the east. Thecurrent circulation desk will become alistening/tape deck facility. Where a ply¬wood screen blocks the end of Harper Read¬ing room is the main entrance from whichyou can cross a bridge to the second largereading room located on the third floor ofBusiness East. The enormous room will holdfive large tables, clusters of chairs, and twounusually shaped seating areas which MrsStraus called "formal floor seating.” Largepillows will be provided.The mezzanine level above the new mainentrance will house a large student loungeand the bathrooms. Full kitchen facilities for a coffeeshop are being built in. “It’s designedto be a people-run coffeeshop,” affirmed MrsStraus. An enclosed study area is alsolocated on the mezzanine. “There's somesize to it so it can have these different func¬tions.” she continued.The East tower will remain the same andthe West tower will also hold faculty offices.Other remodeling has been done to Classics and Wieboldt. “There will be completecommunication between them,” (Harper,Social Sciences, and Wieboldt) commentedMrs Straus.“I would hope that after this would come asense for all undergraduates that they existin a dynamic academic community with awide diversity of activities,” surmisedNorthcott. High culture, the culture of the educatedelite, is in most countries an area of cen¬tralized and organized control, according toBoorstin. In America, however, high cultureis the least centralized, most atomistic area.Thousands of colleges and universities serveup high culture to millions of Americans.American popular culture, again unlikeother countries', comes from enormouscentralized institutions. Advertising hasbecome the prototype of the American folkculture. Its characteristics reflect those ofthe culture itself, Boorstin stated. “We areperhaps the first people in history to have acentrally organized popular culture.”Because of the self-liquidating aspect ofadvertising, however, American folkculture, unlike any other, is ephemeral,discontinuous and self-destructive. “Ourkind of popular culture is here today andgaone tomorrow.” Boorstin said.CALENDARFriday May 25COLLOQUIUM: Chris to cher G Garrett, Dept ofOceanography, Dalnousie University, on "Tides in Gulf,"Hinds Auditorium, 3:30 pmLECTURE: James Darnell, Dept of Biological Sciences,Columbia University, on "MRNA biogenesis from nuclearRNA in Mammalian cells." Call dept for further infoPLAY: "The Maids" by Gene! and "Chaconne," andoriginal choreography by Lorena Kozan, Reynolds Club,SI 50, 8:30 pm,SHERRY: History Sherry Hour, S.S. Tea Room, 4:00 pm.SOFTBALL: Skip Landt and the Fat City Nine Plus One vs.Order of the "C" Prite for winner. All the beer in the Worldto the Winner, North Field, 4 30 pm.COFFEE: Last Coffee House of the year, Ida NoyesLibrary, 8 It 30 pm.LECTURE: George Anastaplo on "The Emperor Julian(331 363)," on Prudence in Affairs Both Human and Divine,H it lei, 8 30 pm.FILM: "The Sorrow and the Pity," CEF Mandel, $1.00. 7pm Landers. Car pool from Ida Noyes 11 am.ELECTIONS: India Association elections, InternationalHouse home room, 7 pm.FILM: " Bedazzled" and a Betty Boop Cartoon, Doc, $1, 7:15and 9 30, Cobb. Tuesday May 29Sunday May 27Saturday May 26 PLAY: "The Maids" and "Chaconne," Reynolds Club, 7:00and 9 30, $1,50.FAIR : The New Hyde Park and Craft Fair on 53rd st, LakePark to Blackstone, 10 amSERMON: The Reverend E Spencer Parsons, Dean ofRockefeller Chapel, on "Amnesty and the crime ofpremature morality," Rockefeller Chapel, 11 amCYCLING: Cycle trip downtown and back along lakefrontLeaves from the Point at noon, followed by outing clubpicnic at the Point at 3 pm.ALL ARTS FESTIVAL: Young Friends of the Arts, livemusic, poetry readings, films and more DePaul UnivStudent Center, 2324 No Seminary, 1 9 pmFILM: "The Sorrow and the Pity," CEF, Mandel, $1 00, 7pm LECTURE-RECITAL: Edward Mondello. Universityorganist, Rockefeller Chapel, 12:15 pm.BRIDGE: Free Bridge instruction, 6 pm, Duplicate Bridge50c, 7 pm, both at Ida NoyesFILM A film of Bolshoi dancer Maya Pliesestkaya at IdaNoyes library, 7 30 pm, Free.FOOTBALL MEETING: In the trophy room of BartlettGym at 4 :30 pm. All old team members and any new playersinterested in playing are urged to attend.Wednesday May 30CARILLION RECITAL: by Robert Lodine, Universitycariilonneur, 12 15 pm. Persons interested should be in theChapel no later than 12 10 pm to meet with Mr Lodine for atour of the Clavier Room.Thursday May 31Monday May 28PLAY: "The Maids" and "Chaconne," Reynolds Club,$1 50 8 30 nmDEMONSTRATION: Gay People demonstrate against Ann FAIR: New Hyde Park Art and Crafts Fair on 53 st, LakePark to Blackstone, 10 am 6 pm. LECTURE: "Sleep and sleep disorders," Rudolph Pivik,Research Assn, Dept of Psychiatry, Soc Sci 122, noon.PHYSICS COLLOQUIUM: Peter Meyer, Professor ofPhysics, "Cosmic ray sources near the solar system?"Eckhardt 133, 4:30 pm.Free Public Lecture3:30 p.m.f Tuesday, May 29, 1973,Social Science 122JIMMOCARSKIAmerican Research Bureauon"Radio and Television Ratings"Sponsored by Community and Family Study Center"The Research Methodology of ComputingThe Nielsen Ratings of Television AudienceSize and CompositionLARRY FRERKA.C Nielsen Co.3:30 p.m. Thurs. May 31,1973 Cobb 209 (Quantrell)Sponsor: Community and Family Study CenterAdmission Free4 - The Chicogo Maroon - Friday, May 25, 1973 ST. 6. of N. SITS HIS CLOCKAfter years of not admittingthat we are incapable of startingon time, St. G. s announces thattheir services will begin at 10:20.At 10:00 any interested in theliturgy may come to help withvesting of the chapel, or to lookover and discuss what may be atfirst an unfamiliar liturgy. Coffeewill be served at 10 00 so comeand meet us. Under all thatsmoke and chants and vestmentswe are still people concernedabout people; liturgy is just oneof our hobbies. It may look for¬bidding at first, but come and ex¬perience an historical perspectiveon Christian liturgy from a timewhen we were truly one church.After the school year summerworship will continue with lessformal productions on the sameschedule. We sometimes have adinner or picnic after church, andall are welcome. St. Gregory ofNyssa meets every Sunday at CTS,5757 S. University. StudentDiscountModelCamera1342 E. 55th493-6700 •Most complete photo•_ ishop on South Side. | J d&r*telt *?l4vU4tj 1645 E. 55TH STREET 1?JCHICAGO, ILL. 60615 £|£ Phone: FA 4-1651 £TAKCArM-ABNCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M. TO 8:30 PM.SUNDAYS ANO HOLIDAYS12TO*30P.M.Orders to take out1316 Best 63rd MU 4-1062LETTERS TO THE EDITORRape IIn view of the rather bizarre response ofcertain administration officials to therequest made by some Snell residents for asecurity guard after the first sexual attackthis quarter, and the housing department’scarrying out of those requests after the “Itold you so” incident, ie rape #2, there areseveral comments that need to be made.When the first victim attempted to speak tothe head of security who just happens tomoonlight as a resident head, he respondedto her evening call with a compassionate“call me during office hours.” At which pointone may be allowed to ask to what degreethis boot straps person appraoches his jobwith the interests of the students in mind,and to what extent is his “office hours” replya reflection of his personal concern.What the hell’s the use of having officialswho equate a dormitory of frightened andconcerned women with a bunch of hystericalfemales (“What are you expecting, an ar¬med invasion? ”), and why should Mr WalterWalker be allowed to blatantly not give adamn when a student is in trouble? We pay agreat deal of money to attend this university,and if the administration can rightly claimno greater responsibility to its studentresidents than any other Hyde Park lan¬dlord, can one not expect at least a sem¬blance of kindness?One can only apologize for the blunder ofhaving been born a woman, promise not tomake too much noise about what one istempted to call either incompetence or in¬difference, and do one’s best not to be soirritating in the future. The great stone facesof Authority hope such unpleasantnesses willsoon be forgotten. And they smile down uponus all. Thank you.Hildie Tyler-SchwarzRape IIThis quarter there have been two rapes inmy dorm. I am writing this letter to showhow the administration has reacted.After the first incident, the residents of myhouse had several meetings with MrTurkington, Mr Walker, Mr O’Leary, and MrVice. We requested an armed guard at thattime, but were denied one on the groundsthat it was an unnecessary precaution thatwe would all object to once the shock of whathad happened had worn off. We were toldthat hiring even one more security guard forproctection of our house would not be easy,because “You just can’t give a man a gunand say, ‘You’re a security guard.’”; anextensive screening process is involved. Themeeting left many of the residents of ourdorm with the distinct impression that wewere being considered as a bunch ofhysterical women who would forget thewhole thing in a week or so. Even when whenseveral of us turned up at the Ida Noyessecurity meeting a few weeks ago to renewour request, the administration still seemed unwilling to seriously consider giving us aguard.About a month after the first incident,another rape occurred. This time, withoutworrying about any possible objections weresidents might have, the administrationgave us the armed guard, who suddenlymaterialized at our door. Where did he comefrom? Obviously he wasn’t just hauled in offthe street, and there was no time for anyscreening process; he must have been asecurity guard before the incident. Howdifficult would it have been to give him to usearlier, if he appeared so quickly. We havebeen told that they took a man off the streetpatrol to guard us, but if they wouldn’t do thisbefore, why should they do it now? Are we tosuppose that the administration is now ac¬ting hysterically, or does the second rapechange a formerly unnecessary safeguardinto a necessary one? It only seems a shamethat it took another crime to convince theadministration of the wisdom of thisprecaution after all our meetings could not.Must it always be that actions speak louderthan words?Katherine GodfreyScalping IThere was a most disturbing aspect of theSunday (May 20) concert at Mandel hall,sponsored by FOTA. I am not referring to theinterminable wait outside of Mandell Hall,which was annoying, but understandable.Neither do I refer to the price or quality ofthe concert; I found the former quitereasonable, and the latter superb.I am referring to the scalping of largenumbers of tickets during the delay outsideof Mandel. And I am not just complainingabout the proctice of scalping tickets per se!It has come to my attention that two of thescalpers were the gentlemen who handledthe selling of the tickets, and another gen¬tleman who handled the selling of the tickets,and another gentleman, who is head ofFOTA, and President of next year’s StudentGovernment. It is obvious that this is merehearsay, and this letter is not meant as avendetta against particular individualswhom I do not know. However, it wouldappear to merit an investigation by theappropriate person or persons.If this scalping were indeed true, it wouldseem to have some implication concerningthe running of the concert, who made money(if any), and where funds may be allocatedin Student Government (sic). At any rate, itdoes not seem ethical, not to mention legal,that the students who are in positions ofauthority use their positions for personalgain.I would appreciate the Maroon in¬vestigating the matter, and I do hope theallegations prove untrue. If they do not, Iwould expect some action, whatever, isappropriate to be taken.name withheld upon request Scalping III was among the students who cameticketless to Sunday evening’s FOTA con¬cert. Though I hoped that tickets would' beavailable, at 8 it appeared that the concertwas sold out. However, much to my surprise,f Mark Brickell, new SG president andchairman of FOTA, came by, with a handfulof tickets, offering to scalp them to me fortwo dollars each. Brickell could either haveput this extra money into the coffers ofFOTA, or he could have pocketed it himself.In either case, I am outraged by his unethicalbehavior.The concert was oversold. People whobought tickets in advance had to argue withthe guards in order to sit on the floor in theaisle. Yet Brickell chose to add to theoverflow crowd and make a few bucks on theside by taking advantage of the fact that inorder to attend the concert, I had to buytickets from him at his price. With duerespect to Brickell's personal initiative,ripping off students in the name of publicservice cannot be condoned.Jay ZhitnikSecurityI would like to address my statements toMr Walker, as he is the ultimate authorityfor security in the dormitories and has theauthority to place armed guards in them. Ihave lived in University housing for fouryears now, and have watched WoodwardCourt lose its 24 hour matron and armedguard at night, I have seen the removal of thenight matron at Snell. I have seen matronswho fell asleep at their jobs and students signin guests they did not know, too. And yet, inspite of all the inefficiency of the dormitorysecurity systems of previous years, it hasbeen this academic year which has wit¬nessed the rape of students within their owndormitory, this year when both matrons andarmed guards have been removed from thehousing system. Mr Walker’s annual reporton violent crimes in Hyde Park, purported toshow that the crime rate has been decreasingin this community-whence the sudden in¬crease in violent crime within the dor¬mitories? However ineffective matrons andarmed guards appeared to be in the past—wedid not then seem to have the occurrence ofviolent crimes —perhaps this fact arguesstrongly for their reinstatement.A security guard stationed inside a dor¬mitory can’t prevent a crime from hap¬pening right outside its door. I urge your,therefore, Mr Walker, to consider addingadditional guards to the present securityforce, so that the housing system will not beprotected to the detriment of people in theneighborhood. (To “guard” Snell Hall fromthe statistical improbability of a third rape ina month, men have been pulled off street patrol).After all the University is situated in anurban environment, and it is unrealistic toassume that the present university force of85 men total is adequate to give UC studentsthe confidence that all that is possible isbeing done to protect them. How can weattract new students to the College, in par¬ticular, if they find that they’ll be required tolive in dormitories that have been shown tobe unsafe as evidenced by the three rapesand other violent crimes that have occurredwithin them just this year The University’sfailure to offer adequate protection for urbanliving, will eventually lead to an inability toattract students, and might increase theUniversity’s financial problems. I urge you.Mr Walker, to consider the cost of armedguards for the dormitories as money wellspent — in the long run it may cost theUniversity more, in money and in reputation.I also urge you to take this action as ex¬peditiously as possible - before someone iskilled in the dorms as might quite probablyhave happened in Snell this past month.University administrators have raisedquestions concerning student reaction to theinevitable loss of freedom and inconveniencecaused by reinstating guards in the dor¬mitories. Few people, I believe, would objectto additional security if they understood thevery real dangers to which they’re now-subject. It would be a simple matter topublicize the new security measures anddistribute the information to everyone whoplans to enter or return to University housingnext year — perhaps enclosed with summerconfirmation slips. Precedents for this actionhave been found in other administration fiats— the matter of food contracts for example.Those who object to the restrictions imposedon them under a more stringent policy ofidentification of persons entering Universityresidences (either by the requirement toshow a student ID and leave it at the desk, orby a sign out system) could seek housingoutside the University-run system — as theydo now to avoid the added expense of acompulsory food contract. This policy wouldalso delineate the responsibility of thestudent for his own and other's security.Residents who might have casually admittedstrangers before, would have to think twicebefore signing themselves as responsible.Of course potential intruders may not thinkto take a “legal” way into a Universityresidence. That is why some kind of visibleenforcement should be present within thedorms. Even the toughest of matrons mightnot be able to forcibly evict an intruder, ifnecessary. I would suggest that a matronwith a walky-talky be stationed at all en¬trances to a drom or at the main entrances ofthe apartment complexes, so that she coulddirectly contact a security guard patrollingthe whole building complex.continued on page eightby CAR REPAIRS /Sur//cA '/O "BRIGHTONFOREIGN AUTO SERVICE3967 S. ARCHER AVE."Jml Scdthfadtion, in, Ssawksi'927-8000SUMMER VACATIONSPECIALDOMESTIC & FOREIGN CAR TIRESFour 560 x 15FIRESTONE PHOENIXBlackwall Full 4/Ply6295+ $1.69 F.i.T. EACH BOOKSBOUGHTPaperbacks, texts andused books.9 a.m. -11 p.m.Every DayPowells Bookstore1503 E. 57th St.955-7780Friday, May 2,^. 197{3 - The Cbicogo MPrODa r 5H\ VI LIASRADIO, TELEV ISION& HK.H FIDELITYSALES SERVICE & ACCESSORIES/emlh — 1‘anastmn'Wnsteruork — kl II1368 E. 53rd, Chic«*o 60615 • PL 2-780045 Years Serving Hyde ParkCORNER OF HYDE PARK 8LVD.& LAKE PARK AVE.IN THE VILLAGE CENTER(NEXT TO THE 4*P)SERVING THE WORLD'SFINEST PANCAKESAll batter made from quality ingredients Dlended into au¬thentic recipes that have peen carefully collected and *»>»<-♦•ed from the very best of each country or area of origin. JAMESSCHULTZCLEANERSCUSTOM QUALITYCLEANING10% student discount1363 E. 53rd S».752-6933HEADQUARTERSFORPASSPORT ,lisdr PHOTOGRAPHSAPPLICATIONSPHOTOGRAPHSinblack & whiteand colorCall MU 4-7424 nowlor an appointmentPANCAKES FROM THE WORLD OVERHOURS' 7:00 AM TO 9:00 P.M. 7 DAYS A WEEK Corona Studios1314 E. 53RD •1517 E. Hyde Park 3lvd.(We can save you 50°oon all of them.) f oi more- than 50years we've been m the dia¬mond business - importingdesigning and manufacturingselling directly to dealers.Our prices have a 1 w a y sbeen among the lowest. Andnow we're offering collegestudents the same great sav¬ingsHow much savings? On anaverage, about 50°o less thananybody else's price. And forthe skeptics among you. wegive a money-back guaranteein writing.But why not see for yourselfoy visiting our showroom orsending for our free 40-page,full-color catalog.Our diamond showroomsare at 55 East Washington.Chicago. Orsend for the proof.I )ianminisa 55 East Washington St..Chicago Illinois 6060?p Send me the proof; the tree Vanity Fair catalog. IIII/ Staff Zip Jtool-There are 347 designsin the Vanity Fairdiamond catalog.VANITY FAIR DIAMONDSCHICAGO • NEW YORK • ANTWERP GADFLIESRapecontinued from page onephysically and mentally, unless either youfeel that fear is something to be ashamed ofor you don't care what haDDens to vou.I always assumed that I would be terri¬bly frightened if I were about to be raped(though I never thought I'd ever be in aposition to find out), but I also assumed thatI could cope with it and it w’ould be overquickly. Well. I was right about being able tocope, but I was very w'rong about its beingover quickly. You see, when most peoplehear of a rape, the picture of a woman being thrown down to the ground out-of-doorscomes to mind-sort of a hit- and-run job. Butsometimes it just doesn’t happen that way.Sometimes, the rape happens indoors, wherethe victim is held hostage for a number ofhours. In this kind of situation, a war ofnerves occurs. One lives under the constantthreat, not just of rape, but also of being cutup or murdered.Unfortunately, a dormitory rape can veryeasily of the latter type, especially on acampus like this where people are cut offfrom each other and often aren't seen fordays before they are missed. All rapesshould be eliminated, but it is this type whichis especially treacherous on this campus. Weare all fortunate that the victims of pastSnell residents blast lackBy A A ALLWARDT and BARBARA BRUNSFor the second time in recent weeks, aUniversity student was forced to bargain forher life at knife point in an undergraduatedormitory. Just over a month ago, a womanresident was slashed and raped in abasement lounge by an attacker who ap¬parently entered the building through thefront door. Last week, a second student wasforced into her room and violently raped byan assailant who gained entry illegally.Residents of the University Housingsystem as well as members of the Universitycommunity as large have the right, indeedthe responsibility, at this time to ask “why?"Why, after one tragic incident did the dormitory remain vulnerable to armed in¬trusion9 Why has not a definite commitmentto a certain level of security for all thedormitories been made9 Why was an in¬cident last fall at Woodward Court not sut-ficient impetus for the instigation of athorough, systematic analysis of securityproblems throughout the housing system9Administrations tend to move slowly, nomatter how presiding the problems withwhich they grapple, and the issue of securityis both physically complex andpsychologically nebulous. Bureaucraticresponsibility for crime in the University’sdormitories is diffused because it is im¬practical ly apportioned between Director ofHousing Edward Turkington. Vice Presidentof Planning Walter Walker, and Director otthe Security Department. David L O'LearyAfter the first rape, concerned residents ofthe house involved met with these three mento discuss the obvious need for additionalprotection. The consensus of the house wasthat an armed security officer stationed atthe vulnerable front door was the mostdesirable measure. Residents of the dormalso asked that a thorough study of all dormitories be made.Minor changes, (curtains, screens, therepair of locks, etc.) which fell under thejurisdiction of Mr. Turkington, were fairlyreadily agreed upon, even though the basicsentiment among residents was that theseshould he the lowest priority items, andshould not obscure the need for a radicalchange in the existing, sorely lacking,system. Nonetheless, immediate and in¬ surmountable resistance greeted the requestfor an armed guard. Residents were flatlytold It is not the University’s policy to placeguards in the dormitories.” Reasons givenwere the earlier lack of success with thispolicy, which supposedly aroused students’indignation over the guards' ability to ob¬serve cohabitation practices and the guards'tendency to fall asleep at their stations, thusrendering them less effective than if outpatrolling.The question of the personal liberty cur¬tailed by the institution of a guard in theHouse was repeatedly resurrected by theDembowskis — future Resident Masters of.Snell Hitchcock — who purported to offerthe historical perspective.”But Mr Walter Walker proved to he themost serious obstacle to meaningful action.His lack of knowledge about the dormitory inquestion made his position as securitydecision maker seem almost ludicrous. Heopened the meeting with the statement: "It's'ot the real security, but the appearance ofsecurity, that counts ”, a position which diddttle to ingratiate him with residents whohad recently felt the need for real security,ibis, like other of Mr Walker's ideas onsecurity might he legitimate for theprevention of crime in the streets, but are notsufficient in the dormitory situation.Indeed, Mr Walker gave no evidence ofanything but ignorance with respect to any ofthe dormitories; at a recent symposiumostensibly dealing with securityinadequacies in the Housing System.• MrWalker stated that he had told a concernedPresident Levi: "I don t need any furthermoney for security this year.”It was also discernible to the residents thatin Mr Walker's mind rape is comparable topetty theft; not only did he seem insensitiveto the students' fear and sense of urgency,hut his and other administrative referencesto "paranoia" and "hysterical women” with"irrational demands for security measuresyou will later find cumbersome” served tobelittle the undisputahle justifiableanxieties and outrage of the residents of thishouse.This is the administrator who, whenphoned by the victim of the first rape in orderto discuss the incident, asked “why can't youcall back during business hours?" This is theDr. Wishywashy guidesBy HOWARD GERSHENFELDAlthough the spring pre-registration forthis year began Monday (May 7), 1 still hadno idea of a major. L made my way throughthe first year of school as an undecidedmajor (probably the largest division in theCollege); hut in my second year 1 have tospecify a field and begin taking thatdivision’s course requirements. Since I hadno specific major in mind, I went to see mysenior adviser.After a week of calling, I was able toarrange an appointment. My advisor, DrWishywashy, is one of that rare breed of menwhom the university attracts. He is wellknown in his field (governmental policy),and his name frequently comes up indiscussions about government. Beyond this,he was hired five years ago, but alreadyholds the Werner Heisenberg DistinguishedService Professorship. Finally, heestablished a reputation for both advisingstudents on the school s curriculum and torhis terse, clairvoyant answers to their questions.Punctually, I walked in Dr Wishywashy’soffice. He removed a box from a chair andasked me to be seated. Dr Wishywashyapologized for the boxes scattered aroundthe room, saying he wasn't sure that he likedthe office and was considering moving. Wetalked about the University and my generalplans for a few minutes, but then I startedasking questions about next year.First I asked about whether to take Ger¬man or Scientific Russian. Dr Wishywashysaid he wasn’t quite sure, but he thought itdepended on what I wanted to do. Havingsettled that question, I asked about my otherrequirements in the Biological, Social, andPhysical Sciences. I explained to him that allthe sections of Western Civilization hadclosed in three days. Also, I told him aboutmy indecision concerning the selection of aBio Sci common year sequence. Finally, Ialso asked whether taking organic chemistrywould be too much work for me.After hearing all this, he sat back in his6 * The Chicago Maroon - Friday, May 25, 1973Next Weekend!reported and unreported rapes have beenable to cope with utter terror and anger forlong periods of time without succumbing tothese feelings and doing something rash,possibly ending up dead as a result. If we canprevent illegal access to dorms, we mayprevent a real tragedy of this type. I believethis is a worthy goal which should be pursuedeven at great cost, both monetarily andwith respect to personal freedom.Finally, 1 am angry about having beenraped. 1 am angry, not with the person whoraped me, but with the society which broughthim to that point, a society which allows mento assume that women are just to have sexwith anyone and everyone who comes along. and drives people to violence by being in¬different to their needs. I am angry withmale policemen who ask leading questionsand can't understand that I have no feelingsof retribution towards the man who rapedme. I am afraid of him, and I would like toprevent his doing this again to me orsomeone else, but I don't hate him and peopleseem to think there's something wrong withme because I don't. I am angry that it was soeasy for him to get into this building where Ilive. And, ultimately, I am angry with thepeople who hear about a rape or read about itin the paper and say or think, ‘well, well,another lucky girl got raped.’ It is that sort ofcallousness which allows this problem tocontinue.of security measuresadministrator whose job, more that anyother University official's, is to be respon¬sible for your security. His attitude towardthis job. that the care for the physical andmental security of students on this campusbegins at nine in the morning and ends at fiveon weekday afternoons, seems painfullyignorant and inadequate.That first session closed with WalterWalker's proposal that a follow-up meetingbe scheduled in about six weeks to evaluatethe degree of continued student interest insecurity problems. This was only one in¬dication of the underlying official belief thatthe students initially urgent desires for morestringent security measures would soon beforgotten.As it happened, the second meeting oc¬curred in less than six weeks, and its at¬mosphere was far different from WalterWalker’s expectation. It was hastened by theoccurrence of the second rape two night sbefore and residents were, if anything, moredetermined than ever. Mr Turkington wasnoticeably apologetic this time, and indeed acontinuous armed guard had been institutedin front of the residence hall the previousnight. He called for a student committee toput forth specific proposals regarding theimprovement of Snell security on a per¬manent basis.But not a few of the residents involvednoted with bitter irony that none of thecomprehensive student proposals offered atboth the initial house meeting and the publicsymposium, had been implemented untilafter the second rape, although residents hadbeen consistently assured both that “moneyis not a factor’’ and that it was certainly theUniversity's desire to provide the greatestpossible degree of protection — limited onlyby student opposition to any kind of “tight’’measures.We see no reason why that small minorityof residents who actively underminewhatever security measures exist because ofextreme opposition to them cannot be dealtwith in the same way meal offenders, van¬dals and other housing problems are dealtwith.We hope that the University will make acommittment to a uniform level of protectionthroughout the housing system which meetsthe desires of the most cautious members of a house rather than the most naive. And it isinconceivable to us that in the aftermath of aserious crime against a resident, theunanimous desire of a whole house for moreprotection could be ignored until a totallyindefensible and unnecessary second assaultapparently satisfied administrators as to theneed for more protection.It took two rapes for University officials totake a real step toward strengthening thesecurity of Snell Hall. Incidents at WoodwardCourt, International House and Burton-Judson this year have demonstrated securityproblems at these dorms too. Must thesestudents wait for their “quota” of twoassaults to be met before effective action istaken'.’Mr Turkington stated at our first sessionthat “After the Woodward Court rape (lastfall), I not only took steps to see that securitythere was increased, but checked the dormsfor security problems.” When I pressed himas to why the obvious (faulty lock) securityproblem at Snell had not been remedied atthat time — asking what, in fact, had beendone as a result of this so-called in¬vestigation. he replied, “Damn little.”It seems that Mr Turkington is either toonaive about what constitutes a securityproblem or too willing to believe thateverything is okay until something happens,to carry out a thorough investigation ofsecurity in the Housing System. And MrWalter Walker's involvement with the “totalpicture” has led him to become ratherunresponsive to the concerns of theresidents.The reapportionment of jurisdictions, orpreferably the appointment of someonedirectly responsible for security in thehousing system—someone able to coor¬dinate knowledge of the dormitories (whichMr Walker sorely lacks) with the power toallocate security resources (which MrTurkington doesn't have)—is clearly neededhere. We feel that if the University is com¬mitted to the maintenance of a housingsystem for students, and especially in lightot the fact that residence in those houses ismandatory for freshmen, it has been clearlydemonstrated by a couple of unidentifiedyoung males that whatever moral, if notlegal responsibility the University has forthose residents has been grievouslyneglected.studentschair and moaned a bit. He said that heunderstood my problem and improved myspirits by writing on the registration form asmy prospective major: Pottery—Undecided(Fencing). “This ought to shake them up”,he quipped. Then Professor Wishywashysaid he thought maybe he could help me. “Iunderstand your frustration. I think I hadthis problem myself when I was your age’..Keminiscing he proceeded, “Since I camehere. I’ve counselled possibly two hundredstudents. However, your problem issomewhat special.” He reached for a memoon his desk and continued, “I see registrationends June 1.” I nodded hesitantly. “Well,perhaps, this plan I have will help. Now, Iwant you to arrange an appointment withyour freshman advisor for June 1. Put downany courses you wish, because by then, if myreasoning is correct, all the courses will befilled. Hence, you won’t have to make anychoices. The registrar will sign you up forwhatever courses remain open.” When Iagreed to the plan, Dr Wishywashy calledmy advisor and made the appointment. “I pathguess you're set”, he said. I got up from myseat and thanked him. Also I expressed mydelight for his plan and complimented him onhis genius and creativity. He modestlylaughed off my priase. As I was walking outthe door I shook his hand and again thankedhim for his trouble. “It’s no trouble at all”,he replied. “Be sure you tell me how thingswork out.”Well, things worked out just as he hadplanned. I can only suggest that other in¬decisive students take advantage of DrWishywashy’s guidance. Unfortunately, hehas switched his office and telephone. Inaddition, his capricious personality makes itdifficult to arrange an appointment.However, one may occasionally find himworking on the sixth floor of Regenstein.Finally, because of the success I have metusing Dr Wishywashy’s plan, I have madehis two mottos my own. They are:Not to decide is to decide,andWhen in doubt, doubt.down>; jo i »iu. U31 . SAMUEL BECKETT'SENDGAMEJune 1 and 3, 8:30 P.M.Sat. June 2, 7:00,. 9:15Reservations 753-3581TRAVEL FORSTUDENTS AND YOUTH• Int'l Student ID• A VH Hostel Pass• student and youthrailpasses discounts on catlease/purchaseplans• tax free bikes• special discountson ships■ trains ar.d planes to,within and beyondEurope and Israel• Sahara expeditions• mountain treks• bicycle touring• domestic travelUS student hotels■ canoe, camping, skitrips; river runs....(we help faculty, too')Come see us at P? WestMonroe, Chicago GOGOJ. . .or call /PG-GH3G. Hitchcock Hall & Student Record Co-opPresentHOUND DOGTAYLOR4th AnnualMemorial Day DanceSunday May 27Hitchcock QuadFREEIN CASE OF RAIN, WE MOVE TO IDA NOYESBARBEQUE 7:30 DANCE 8:30From the teamthat made Zcomes a differentkind of thriller1204 N Dearborn . Phone 944 J4M•Ml 1,1 *•)';<! J-i* t*»t ,<Jl 1) tui ill; oswr.iij Jio.fv i a Friday, May.25( 1973 - The Chicago Maroon 7CV-M ,££ it)M yabi nocnoM ooLji.Oorlf - 6LETTERS TO THE EDITORcontinued from page fiveIn conclusion, I don't believe that theconcern that the residents of the housingsystem have shown at the recent securitypanel meeting, and now in response to this"lightening-strikes twice” episode at Snell,reflects paranoia or hysteria. Manyresidents and non-residents of Universityhousing alike have become seriously con¬cerned about the security measures actuallyin effect, spurred perhaps by recent in¬cidents. We believe that the present securitymeasures have been proven inadequate andwe sincerely hope that it will not benecessary to have to witness a greatertragedy, before you, Mr Walker, take action!Written by a fourth year student who asksthat her name be withheld.HistoryThe article History students expressgrievances' in the May 18th Maroon con¬tained a few factual inaccuracies anderroneous implications. For example, thearticle reports that after a winter meetingwith Mr Morrison, student action on thelounge issue slowed down. “Instead of aresolution of the issue, however, $140 werewere allocated 'with faculty support’, for thefinancing of bi-weekly sherry hours.Morrison has not yet been able to attend.”The implication that faculty tried to buy usoff with money and sherry is false as well asinvidious. Our attempts to get a lounge and toset up sherry hours were undertakensimultaneously. Money and sherry were notsubstitutes for the resolution of the loungeissue. Furthermore, the $140 were notdepartmental allocations. Mr McNeill on hisown initiative offered to solicit contributionsfrom faculty. Mr Morrison has attended thesherry. The observation on the faculty at¬tendance must be matched by the ob¬servation that relatively few students haveattended these sherry hours (average at¬tendance about 30 out of about 150 students).Student indifference to grievances is as greata problem as faculty indifference and in¬transigence to them. Yet another example of the problem withthis article is the assertion that at a May 4thmeeting Mr Morrison gave detailed attentionto formalities but not to the History Council’ssubstantive proposals. However, I feel helistened attentively and discussed with us insome detail such issues as student par¬ticipation in tenure decisions and guestlecturer scheduling, the allocation of spacefor a student lounge, and the facilitation ofcommunication between students and theDepartment.The article correctly observes that theCouncil has offered proposals that it believeswill make a better Department; that theCouncil’s relationship with the Departmenthas not been always smooth; and that theCouncil has been frustrated, perhaps withoutsufficient reason, on some issues. Never¬theless the article on the whole wrongly leadsone to believe the Department has notcooperated with students and has a greatdesire to cooperate as little as possible. Theamount of support the Council has gottenfrom the faculty and Chairman has variedfrom issue to issue. For example, MrMorrison fully supported the Council’sdemand for field committee meetings, andwhen some field committee chairmen did notset meetings he strongly urged them to do so.Whereas the article labored the difficulties ofthe Council’s relationship with the Depart¬ment, it failed to point out the degree towhich the Department has cooperated withthe Council.Don KeenerCrude chicaneryLast night’s talk by Mr Wru Shu-jen was oneof the best publicized lectures this year.There were posters everywhere advertisinga talk by “a Chinese red guard” and a“bodyguard of Mao Tse-tung.” There was noindication who was sponsoring Mr Wu. Thefact that his talk corresponded exactly withthe presentation of three films made in thePeople’s Republic may have been intendedto suggest that the sponsor was the same inboth cases. In any case it was not until Iarrived at the lecture that I was told thesponsor was the Young Americans forFreedom. Why did YAP' conceal its identityBOOK SALEENTIRE GENERAL STOCK10% offpoetry - small presseshistoryenglish lit. & criticismcontemp. japanese lit.philosophyzenpsychology & educationlatin america - chinamagazines & reviewsMANY PAPERBACKS &HARDCOVER TEXTSless than Vi priceONE WEEK MAY 28-JUNE 2 9 to 5CIRCLE BOOK STORE1049 W. TAYLOR(2 blks from Circle Campus)733-4495 in its advertising? The reason may havebeen that YAF wanted to conceal the factthat Mr Wu's talk was nothing but anti¬communist propaganda.Accompanying Mr. Wu was an interpreterwho was not identified but it came out inquestioning that Mr Wu is touring the US onbehalf of a Washington-based organizationcalled the Committee for a Free China.Neither this committee nor its spokesmanwas further identified.The substance of Mr Wu’s talk was that lifein the People’s Republic of China ismiserable for most of the Chinese people. MrWu’s personal experience and his credentialsas a member of the Chinese CommunistParty were adduced to prove his reliabilityas a witness to conditions there. I don’t doubtthat Mr Wu is a genuine refugee and a sin¬cere anti-communist but as one who haslived on Taiwan and is acquainted withNationalist Chinese propaganda on China Ibelieve that his talk of poverty and con¬centration camps is false. He was obviouslywell-drilled in his language and his choice oftopics Even so, Mr Wu’s sponsors were notcontent to let him fight his own battle. Theaudience was packed with his supporters.Challenging questions were met with cat¬calls and abuse. Those questions which wereallowed to be asked were innocuous orsimply stupid: Are simplified Chinesecharacters widely used? What is Mao likepersonally? In short, Mr Wu’s talk wassimply a propaganda vehicle for the anti¬communists.As a student of Chinese history I verymuch want Americans to know as much aspossible about China and to be able to judgethe significance of what has happened there.But I am dismayed by the generally un¬critical reception which so much “in¬formation” about China gets here. And Iindude in this criticism the numerous filmsand lectures presented by groups and in¬dividuals sympathetic to the People’sRepublic. Last night’s spectacle, however,was by far the crudest piece of chicanery Ihave seen so far. I hope that it doesn't set aprecedent for future presentations.Sincerely yours,David KornbluthPS: It should be noted, by way of indicatingthe “frankness” of Mr Wu and his sponsors, that the question and answer period was cutshort with the remark that Mr Wu had tocatch a plane to his next speakingengagement. It was not pointed out that MrWu’s next engagement was the followingnight in Chi iatown. That information wascontained in a circular written in Chinesewhich was mailed to various Chinesestudents. Damn clever these anti¬communists!Bruckner reply May21973On March 30, 1973 the University receivedfrom the Office of the Regional Civil RightsDirector in the Dept, of Health, Educationand Welfare in Chicago a report and findingson a complaint filed by Barbara HeldtMonter. To the University this is a veryserious matter and we have replied in detailto the findings and recommendations in thedocument. We disagree with the findings andrecommendations and we are convinced thatwe can persuade the Department of Health,Education and Welfare that the findings ofthe Regional Office are not substantiated bythe evidence. The decision not to reappointMrs Monter was recommended by thefaculty of her own department; that decisionwas reviewed by a policy committee of theHumanities Division which unanimouslyapproved it. Later, at her request, theCommittee on University Women examinedthe decision not to reappoint her and, at theProvost’s request, the Committee on Ap¬pointment Inequities also reviewed it.Neither of these committees found reason tobelieve that the decision not to reappoint herwas made on any grounds but academicqualification. We think the course we arepursuing in this matter is the right one.D J R BrucknerVice-President, Public AffairsF TEdjiiQ~ fUMTIMSEHME |f Clinic in Chicago area. 1 toi• 24 week pregnancies ter-Jminated, by licensed ob-.tstetrician gynecologist.!■ Quick services will be•'arranged. Financial aid!avail. CALL COLLECT *24 HOUR SERVICE I| (216)281-6060 !With TWAit pays tobe young.Armed with just your TWA Bed andBreakfast* Plan, and a pack on your back,you can get a lot more of Europe for alot less with TWA.Here are some ways we help.Bed and BreakfastTWAs "Bed and Breakfast*gets you guest houseaccommodations (at theleast) in 47 European cities,breakfast and extras likesightseeing or theatre ticketsall at really low prices.Europe Bonus Coupon Books.Take your boarding pass to any TWATicket Office in London, Paris, Rome,Frankfurt, Madrid, Athens or Amsterdam,and you’ll get a book of bonus coupons goodfor absolutely free things, as well asdiscounted extras like bicycles, theatretickets, sightseeing, meals and lots, lotsmore. Like we said, with TWA it pays to beyoung. For all the details write: TWA—IT PAYS TO BE YOUNG, Box 25, GrandCentral Station, New York, N.Y. 10017.OR CALL CAMPUS REP. JAMES BOGGAN 955-4705*^«»rviro nmrlrc oumeH ovr-lncivoly hy TWAI Any transatlantic boarding pass is acceptable. Benefits are being offered by participating merchants.——— ■ .i.. .j.11.i..liuiin mi. mu i*COUPONS.bonus; coupon!books! coupon'sj j Cc^P°/yl8 - JMftinpp Mniw»w-*iridbfrMay^ 1973ABOUT THE MIDWAYcontinued from page twoWeintraub namedKarl J Weintraub, an authority on thedevelopment of historical thought, has beenappointed dean of the division of thehumanities at the University.The appointment is effective for a five-year period beginning October 1, 1973.W eintraub will succeed Robert Streeter, whowill return to full-time teaching and researchat the University. Streeter, a professor ofenglish, has been dean since 1963.Weintraub, the Thomas E Donnelleyprofessor of history, joined the University'sfaculty in 1955. He teaches in the College andthe department of history and also serves aschairman of the committee on the History ofCulture.He is well-known both as a teacher and as ascholar. In 1968 he was one of 10 scholarsfrom across the nation who received the EHarris Harbison Award for DistinguishedTeaching from the Danforth Foundation of StLouis.In 1960 Weintraub received the Univer¬sity’s Quantrell Award for excellence inundergraduate teaching and in 1962 he wasgranted a W illett Faculty Fellowship by theUniversity.Weintraub’s research has dealt mainlywith historiography, or the study of thedevelopment of historical thought. He alsohas a special interest in the history ofHolland during the 17th century.Weintraub received an AB degree in 1949,an MA in 1952, and a PhD in 1957, all from theUniversity.Stravinsky“We are no closer to getting the Stravinskyarchives than we were before,” says RobertMarshall, chairman of the University’sMusic department.“It depends on the funding,” heelaborated. Apparently, efforts to raise themoney from private sources to purchase thearchives were unsuccessful, and now theMusic Department is looking for other waysto raise the necessary funds.“We have applied for a grant from theNational Endowment of the Arts, but thatinvolves a whole policy review by them sincethey did not give out money for archivesbefore.’’ Marshall added that he felt that theEndowment would have re-evaluated theirno-archive policy anyway, but that theUniversity’s request speeded the process. “After they look at the policy, everythingis still up in the air,” he continued. “They gettheir money from Congress, and they do notknow how much it will be yet. Also the ap¬propriations process takes a few months.”As a result, he concluded, “Everything(concerning the Stravinsky archives) is inlimbo.”Moot courtDavid Frederick and James Whiteheadhave been declared the most promisingappellate court attorneys among competingUniversity law students.This distinction was announced by no lessan authority than associate justice HarryBlackmun of the US Supreme Court. He andUS appellate judges Harold Leventhal andWade MeCree presided over the finals of theLaw- School’s annual Hinton Moot Courtcompetition on May 9.The three-judge panel rated the ability inappellate advocacy of Frederick and Whiteover that of law’ students Peggy Kerr andGerald Saltarelli. Judged were both thewriting of legal briefs and the presentation oforal arguments.The two teams were arguing an en¬vironment case w'hich, until January, wasbeing heard in the federal courts.The four students entered the final round ofargument after earning the highest numberof points during a year long competition. TheMoot Court competition began with about 40second- and third-year students.Youth fares axedAirline youth fares will be increased to 83percent of full fare effective June 1. Thereduced fares presently stand at 67 percentof full fare.The increase comes as a result of a CivilAeronautics Board decision requiring alldomestic carriers to phase out youth farescompletely by June 1, 1974. The grounds forthe order were that the reduced fares werediscriminatory.Several airline representatives contactedby the Maroon were quick to point out thatthe airlines did not request the elimination ofyouth fares. Commenting on the higher youthfares that come into effect next Friday, aUnited Airlines representative said: “It (airtravel for those under 22) is still cheaper, butit's becoming less of a difference.”There have been some reports that theelimination of youth fares will be followed bya general lowering of air fares across theboard, but no lower fares have been an¬nounced as yet. International HouseOn Saturday, May 19, a French dinner wasoffered to residents of International House.People who had been lucky enough to getone of the 180 tickets on sale were lining up at5 pm in front of the gates of the so-called“Cabaret des Champs-Elysees,” while a“gendarme,” trying desperately to lookefficient, was blowing his whistle atdangerous disorders that only he suspected.Then the gate opened and the line movedon to the entrance of the cafeteria, re-namedDining Room East for the event. At the en¬trance they discovered the impressive sceneof silverware and glassware, shining in thecandlelight on the w-hite tablecloths,enhanced by red and white carnations.Surroundings included selected paintings byDali decorating the walls, a very carefullycomposed tape lulling everybody with thebest of French songs, and the red tablenapkins carefully tied with an elegantsatin ribbon.The Maitre d’hotel would welcome theguests, give them a menu and direct themtowards one of the 25 waiters (in whitejackets and bow-ties) who took care of themfrom that moment on, bringing them the 6successive dishes on the menu, while thewine waiters skillfully poured first the whiteGraves and then the red Bordeaux wines.After the flamed crepes, cafe brulot wasserved (a French recipe of coffee andliqueur, which the American people of NewOrleans improved by adding orange peel andspices before setting the liqueur on fire), andthen came the liqueurs (Cognac and Grand-Marnier). As a pleasant final touch to thedinner two nice young ladies came and of¬fered cigars and French cigarettes and thephotographer had the opportunity to takesome more pictures.During the three hours the dinner lasted,people took great pleasure in digesting thedishes which were marvelously cooked byChefs Ronald Sikora and Edward Ireland,and tasting the select imported Frenchwines.Chavez rallyCesar Chavez will be in Chicago on Sunday,June 3 for a rally in support of the strikingfarmworkers in California. The rally will beat 2 pm at the Amalgamated MeatcuttersHall on 4859 S Wabash. A Hyde Park carpoolwill leave at 1 pm from the Blue Gargoyle on57th and University.The United Farmworkers Union (UFW)is now in a desperate struggle for its veryexistence. All the gains that have been wonfor migrant farmworkers over 11 years offighting are in danger of being destroyed. Itis because of this desperate situation thatCesar is coming to try to rally support forthe lecture and renewed grape boycotts. AllUFW supporters are urged to come to therally. Also there is picketing at the HydePark A&P on 51st and Lake Park, everyFriday afternoon from 3-5 pm and everySaturday from 10 am to 3 pm. For moreinformation call 939-5120.Softball gamePromoted as "The Game of the Year,” anupcoming contest between the faculty andstudents will highlight the end of the IMSoftball season.The contest, matching Skip Landt’s “FatCity Nine” representing the faculty, versus astudent softball team (the advertisement didnot say which student softball team), willtake place today at 4:30 pm on the North fieldof Pierce Tower.The game, which is sponsored by the orderof the ‘C’ has a grand prize for the winnerwhich may be rather hard to fulfill — “Allthe beer in the world.” The announcementdid not say whether any of it would be sharedwith the audience.WEINTRAUB: Karl Weintraub has been named dean of the Humanities division.PETER COOK & DUDLEY MOOR INBEDAZZLED(WITH RAOUEL WELCH AS "LUST”)SAT. 7:15 & 9:30 DINNER: 1-House French dinner drewmany satisfied diners. Photo by FranklinYoung.YearbookRobert Newcombe, along with en¬couragement from Maroon staffers, isforming a staff to revive the College year¬book Cap and Gown.The yearbook, to be published for the 1973-74 school year, will include portraits of allstudents in the College, and stories aboutcampus activities throughout the year. Staffand editorial personnel are being sought. Forfurther information, contact Newcombe, 753-3754.BridgeIn the first half of the finals of the In¬tramural Bridge Tournament held Monday,May 14. George Berger and his team.Warren Josephson, Buddy Leipzig, and JeffZakauskas, were pitted against the team ofDon Hart, Bob Glenn. Harry Ploss, and TedRoth. The Hart team won 12-1/2 - 7-1/2.The two teams were the last survivors ofthe 16 teams that entered the single-elimi¬nation tournament. The Berger - Josephsonteam had scored an impressive win over theRichard Friesner team and squeaked outtheir match against the Ed Friedman team.9-1/2 - 8-1/2. The Hart team had two earliermatches that were close, 13 - 11 over theCraig Peebles team and 11-9 over the DaveKlinger team.The first half of the 20-board final matchbetween Berger and Hart had two wilddistribution hands. On the first hand Joseph¬son and Leipzig bid 6 hearts and made itdoubled, w’hile their teammates, Berger andZakauskas. sitting the other direction, made5 spades doubled, winning the board by over2000 points. On the second hand. Ploss-Rothand Josephson-Leipzig each reached 5spades, doubled and making, their opponentsmissing their 6 hearts contract.After the first half ended in a 5-5 tie. theHart team took the second half. 7-1/2 - 2-1/2.For Ploss and Roth it was their secondtournament win in 2 years.PicnicThere will be a picnic on the main quadsfor all graduating seniors and their guests onSunday. June 9. The picnic is being spon¬sored by Dean Hildebrand and being cateredby Skip Landt. Also the site for the return ofcaps and gowns has been changed. - it is nowReynolds Club North.DOC FILMSrQuench your thirst for adventure.Discover New Spahada.The men of Spain sailed the seas in search of new worlds They carried thetaste of home in a wine that celebrated their glories and inspired Spanada.New Spahada. a wine worth discovering today A superb red wine, lightlytouched with citrus fruits It brings adventure to fine wine drinking Servenew Spahada a taste worth discovering today10 - The Chicago Maroon • Friday, May 25, 1973ENTERTAINMENT AND THE ARTSWhen It Quacks Like a Duckponents are more visually stimulatingBy TONY TERRANO andGAGE ANDREWSWhat do you call it? When it quacks likea duck, and acts like a duck, and lookslike a duck. 1 call it a duck. Call it abunch of roses. It still quacks...-Applicable quote from R. Heinlein.As our search lor the ultimate hi-fistore continued, our opinions about theultimate hi-fi changed. We found veryfew speakers which were audibly betterthan those included in the middlereference system described last week,and the improvement in sound wassubtle while the increase in price wasprodigious. In the end, we came to feelthat the most significant possible im¬provements of the middle referencesystem lay in other areas thanspeakers.The best cartridge available, used ina turntable capable of fully exploitingthe cartridge’s potential, would give thebest possible original signal. Sincespeakers in the “middle’’ class arecapable ot reproducing almost all of theinput sound, it merely remains to use anamplifier which can take the perfectsound at one end and transmit it asclearly as possible to the speakers. Justas the amplifier is the place to cut costsin a budget system, it is the place tosplurge in an open end system.Having an amplifier with substantialreserve power gives several ad¬vantages. A speaker can be driven to itsfullest capacity. Sudden crescendosfollowing quiet passages will be playedwithout any distortion. There are im¬provements in transient response, incleanness, in the revelation of musicalnuances which were formerly hidden.This means that you can hear theshimmer on a cymbal, the attack of asolo voice, as well as the differencebetween the first and second chairviolins. (We do not advocate buying ahigh-powered amplifier in our lowerpriced systems because the speakerscan t handle the power without beingfused.)Armed with these considerations, andthe law of diminishing returns, we nowbring you our “open end” system.Several components which we wouldlike to include simply would notphysically fit into the amount of spacewe currently have available, or elsetheir capabilities would encouragehostility from our neighbors. Open endsystem A is based upon these potentialrestrictions, and system B is truly open.System A: Thorens IT 125 turntable,Shure SME arm, Decca top-of-the-linecartridge, Crown 1C 150 pre-amplifier,Crown D 150 amplifier, and whateverspeakers in the middle system thatsound best to you. System B changesonly the amplifier and the speakers: ituses a pair of Crown L)C 300a am¬plifiers, hooked up for mono, driving apair of the Ohm A speakers.This is a good point to make severaladditions/corrections to the originalarticle. Budget amplifiers should haveincluded the AK amplifier; the state-of-the-art reel-to-reel tape recorder wefinally preferred was the Tandberg9000; and the Thorens TT60C turntableought to have been included with themiddle system turntables.We did net evaluate stores only on thebasis of the equipment they carried,though that was a major factor in ourunal.yaio. Wc enlei ed evei y slui e posingas customers who wanted to listen to various loud-speakers; we did notidentify ourselves as reporters, nor didwe reveal that the information wereceived would be published: we feltthat this might hinder our ability to getan “average consumer s encounter’’with the store. As a result, we will notquote directly lrom any salesman, andwe will not list actual prices; theevaluations ot these stores is basedstrictly on our own opinions, iormulatedfrom our experiences with the storeswhile posing as buyers. We also regretnot being able to evaluate every store ina chain, but we felt that the opinion welormed about one store was likely tohold true throughout the chain.The evaluation was very simple: toget the greatest value per cost ratiopossible. We tound that the least ex¬pensive store tailed in other areas, andwas downgraded accordingly, whilesome of the more expensive stores hadtor more to otter than their less ex¬pensive counterparts. To facilitateunderstanding our evaluations, we useda rating system lor several catagories,in addition to our comments. Ten is thebest in each catagory, one is the worst.Salespeople: 10 equalled experttechnical knowledge combined with anon-sale-oriented attitude towardsfinding the best possible system for theindividual customer. Equipment: 10indicates that the store carried noequipment which was technicallybad (some good equipment is over¬priced). Price: 10 equals most hi-fivalue for each dollar spent. This bearsalmost no relation to actual cost, ormoney spent. Tricks: 10 indicates thatyou can depend on the store not to tryany of the tricks we mentioned in lastweek’s article. Trade-ins: it is alwaysdifficult to determine if a place will giveyou a fair shake on buying old equip¬ment (or in selling you old equipment),so we merely listed whether a storeaccepts and/or sells second handequipment. Repair services: we did nothave enough broken equipment lyingaround, nor money to pay for suchrepairs, that we could test the quality ofrepair work. We were mainly interestedin whether the store did their own repairwork (they all did, except where noted),and whether they would repairequipment not sold at the store (whichis the subject of our yes or no answer).And guarantees: some stores carriedadditional guarantees, beyond those ofthe manufacturer. Without the facilitiesto find out whether they actually honorthem, we merely list whether a storeoffers one. And now to the stores:Astro-Sound, a small shop in Kimbarkplaza, carries only a limited number ofrather expensive products. Accordingto our salesman, the equipment theystocked was selectively chosen forquality. We felt that some of their ampsand receivers are substantially over¬priced (no discounting) and thelistening facilities for all but the mostexpensive speakers are inauequate interms of the standards of our previous article. The most expensive speakers,however, are displayed in a soundproollistening room, with their listeninglevels carefully matched. The top-of-the-line Epicure, carried by none ol theother stores we visited, are more thanworth the walk to 53rd street (take yourfavorite record). We are happy tofinally see a store ot this quality in HydeHark. People: (i. Prices: 5. Equipment:7. Tricks: (i. Trade-ins: yes. Guarantee:No. Repairs: \es.Music Craft, downtown on Oak nearRush, sutlers trom pushy, probablycommission-hungry salesmen. Theycarry a fair amount of top equipmentalongside a rather large stock ofmediocre, high-markup products. Wedidn’t feel that the sales personnel couldbe relied upon tor technical advice, ortor tilling individual needs. Only theirritziest speakers were in a listeningroom. Everything else was in one,usually commotion-filled, room. It youknow exactly what you want to buy,their liberal discounting might makethis store a profitable stop; otherwisejust browse. People: 2. Equipment: 4.Tricks: 3. Trade-ins: Tes. Repairs:Yes.Across the street from Music Craft isone ot Chicago s hi-fi gems: Tech Hi-Fi.Their selection of equipment is wide,and all of it represents value for moneypaid. The sales people are reliable,knowledgable, and friendly. Themiddle-priced equipment is in onelistening room; the most expensiveproducts in another. The speakerdemonstration set up is quite adequateby our standards. And their fanciestsystem is an unimaginable joy to listento Ask to hear the Ohm A speakers andthe Decca cartridge—they love to showthem off. People: 10. Prices: 9.Equipment: B. Tricks: 10. Trade-ins:Yes. Guarantee: Yes. Repairs: Yes.Stereo City, on North Clark, had thehighest cost-value ratio of any store wevisited, in addition to the smallestselection of quality equipment. Werecommend avoiding this store, if for noother reason than that they had verylittle to choose from. People: 2. Prices:1. Equipment: 3. Tricks: 3. Guarantee:No. Trade-ins: No. Repairs: No.Pacific Stereo in Oak Lawn had thelargest floor-space, and hence thewidest selection, of any single store wevisited. The equipment displayed ineluded most of the reference systemcomponents, but also included manycomponents we had less respect for, orhad never heard of. The large storeimplied a great volume of sales, hencelower prices. Not true. People: 6.Prices: 5. Equipment: 5. Trade-ins:yes. Guarantee: yes. Repairs: Yes.Repairs: Yes.7 he Audiophile on E. Erie, isdedicated to import equipment,especially British components. Thestore is small, eccentric, andtascinating, iniea with components thatare urtique in Chicago. Some com- than aurally effective 'like the Tran-scriptor turntable), and many areextravagant, but the people know theirequipment and don t mind talking aboutit. Should be browsed in at least.People: B. Prices: 7 Equipment: B.Tricks: 9 trade-ins: No. Guarantee:No Repairs: No.United Audio on N. Clark is the type olhi-ti we would be really happy to find ina small town It has some ot ourreference system equipment, andthere s nothing really bad Some ot itscompetitors met with more lavor. butthe store has a distinct personality thatis reflected in its stock. Watch tor theirsales, which would be the only unusualteatureot the stores. People: 5. Prices:.7. Equipment: 5. Tricks: 7. Trade-ins:^es. Guarantee: No. Repairs: \es.Audio Consultants in Evanston is thetype ot store that so fascinate us with itsequipment mew and second hand> thatwe nearly forgot about prices. Carryinguniformly excellent equipment, thestore also otters components we uidn tsee elsewhere. We did not find even onepiece that was less than high-quality.This store reeks ot class, without beingstuffy about it. Their second handequipment was also all ot good quality.Though prices are high (very close tolist», the equipment rated the highest invalue per dollar. The best store torequipment, especially in the “middlesystem range. A definite must duringyour search. People: B. Prices: 9.Equipment: 10. Tricks. 10. Trade-ins:'tes. Guarantee: No. Repairs: Yes.Playback, also in Evanston, ranks alittle below halt way down our survey.They carry a lot ot pretty trashycompacts, and a large number ot moreexpensive name-brands that we havenever been particularly impressedwith. T hey did have asmall selection otfirst rate equipment i which only themanager could adequately describe'.However, there are many stores moreworthwhile visiting. People: 6.Equipment: 4. Prices: 4. Tricks. 7.Trade-ins: ^ es. Guarantee: No.Repairs: \es.Illinois Audio is the cheapest place intown to buy, but 1) they accept onlymail orders and they are very slow-answering requests; 2) there is noshowroom to see/test/hear/play withequipment; and 3) there are norepair/exchange lacilities/trade-ins/guarantee. So try somewhere else,because your money should buy morethan the physical product.In summary, there are tour storeswhich we visited which we canrecommend: Astro Sounds, because otthe proximity to campus and theirabove average rating; the Audiophile,tor its extraordinary lines ot equip¬ment; Tech Hi-Fi, tor its superbsalesmen and for the opportunity tohear the “open end system; and AudioConsultants, lor having the bestfacilities, the best and most uniformlygood equipment, and tor the second¬hand equipment. Each ot the storesrated well in comparison to otherstores.We are aware that we missed a tewstores, but we were deliberately concentrating on the ones which wouldcome to the attention ol a novice whowas looking. We even threw in a tewthat are clearly esoteric. Hi-Fi equip¬ment changes so rapidly that this ar¬ticle s specifics on equipment um> bfc, (Continuedon page 18)WHAT DO YOU CALL IT? WHEN IT QUACKS LIKE A DUCK, ANDACTS LIKE A DUCK, AND LOOKS LIKE A DUCK, I CALL IT ADUCK. CALL IT A BUNCH OF ROSES. IT STILL QUACKS....-APPLICABLE QUOTE FROM R. HEINLEIN.Friday, May 25, 1973 - The Chicago Maroon -11Life of the Mind Ends UT Season in styleHildebrand (left) and Hoover, wrapped in the mute symphony of time.Endgame, the radical classic by Samuel Beckett,will be University Theatre’s presentation next week,June 1.2. and 3, in the Reynolds’ Club Theater. SamuelBeckett was awarded the Nobel Prize in 1971 fortheatrical innovation and for probing the soul ofmodern man. Endgame was written in 1954, five yearsafter Waiting for Godot, the play that first broughtBeckett to world attention. Endgame came at theculmination of Beckett’s most creative period, and itis the definitive tour de force in the techniques ofAbsurd Theater. There was recently a very successfulrevival of the play in New York University Theatre’sproduction has an experienced cast and is directed bygraduate student Roger Dodds, who did Waiting forGodot at the Lutheran School of Theology a couple ofyears ago It promises to be a good show, if you cansqueeze it in tenth week.Endgame is a bizarre and enigmatic piece. The titlerefers to the end of a chess game, when there are but alew pieces left and the number of possible moves isendless. The play is an exercise in the minimalpossibilities of the stage. There are only fourcharacters, and only two of them are on stage for anylength of time. These two play their games with avariety of small toys — and with each other.Hamm is the master of the scene, blind and crip¬pled, confined to a chair at center stage. Cracking one-line quips about what a boring play this is, he is acomic Prometheus consuming himself. Clov is hisservant, a little ding-a-ling in the head, a straight manfor Hamm’s routines.We see Clov come and go through a door on one sideof the stage. On the other side are two ashbins. Nelland Nagg, Hamm's parents, live in these ashbins.They have lost their legs — they laugh about the timewhen “we crashed on our tandem and lost ourshanks.” But their laughter has turned hollow andthey emerge from their ashbins only when the actionhas slowed down on stage.Two windows in the rear wall complete the set. Wecan’t see what's outside, but Clov is always looking outand reporting the scene to Hamm “Zero . . .zero. . .and zero.” he says. “Outside of here it’s death,” saysHamm. Apparently some holocaust, real or imagined,has effectively eliminated the outer world for Hammand Clov.In this strange space, an inside with no outside, theplay unfolds. Hamm and Clov play with the limitedpossibilities at their disposal, each in turn. Clovpushes Hamm’s chair around the room. Hamm hasClov get a telescope and climb up on a ladder to lookout the windows. Clov keeps misplacing first theladder and then the telescope. Hamm gives a speech,and Clov interrupts it scratching at a flea in his crotchHamm has Clov fetch his stuffed dog, Clov brings in aclock and they listen to the alarm run down.But all is not comedy. Hamm, in his frustration, isbrutal to Clov, and Clov keeps threatening to leavehim Everyone in the play is suffering Nell and Nagghave lost their legs. Hamm can’t stand up. and Clovcan’t sit down. “So it is.” says Clov, and Hamm. “Toeach his specialty.” As the play proceeds, the darkside of their laughter comes to predominate. It is Nellwho announces the theme of the play:“Nothing is funnier than unhappiness. 1 grantyou that .... Yes, yes, it’s the most comicalthing in the world. And we laugh, we laugh, witha will, in the beginning. But it’s always the samething. Yes. it’s like the funny story we haveheard too often, we still find it funny, but wedon’t laugh any more.”That’s exactly how the play goes.I asked Mr. Dodds, the director, to tell simply whatgoes on in the play, and this is what he said. “Ofcourse, all simplifications are falsifications, the playis meant to be strange and ambiguous, a reality to beassessed on its own terms, not your everyday ideas.But look at it this way. It’s about the end of the game.It’s about CIov’s leaving There’s this man, blind and paralyzed. He's the lord of a manor and he has aservant to take care of him. And the little guy serveshim with great love and fidelity, it's very beautiful.But all this love doesn't really solve anything, they’reboth still unhappy, this dominance - submission rela¬tionship develops, it’s very unhealthy, and Clovdecides to leave. The thing is, what’s he leaving hismaster to? He will sit there, alone, helpless, blind, cutoff from all the world, for the rest of his life. The restof his life. Alone, in the dark. He’ll go mad. He has thisbrilliant intellect that will keep churning and chur¬ning, within this total sensory deprivation. Con¬sciousness will turn back upon itself in anguish andanxiety, until death relieves him. And if consciousnesscontinues after death, it may never end. He’ll make upa reality inside his head and live in that until he comesto the end of the game there, and then go on to anotherone. and another. Anyway, we can say that this play.Endgame, actually takes place inside Hamm's headafter Clov has already left. That’s why it’s so strangeand oblique and half-mad.”I told him I thought it sounded rather depressing,and he said, “Well. King Lear is depressing, if youdon’t like poetry — if you just look at the content. ButBeckett has turned these things into a really powerful,profound experience. He’s talking about life as it islived, all around him, in our western culture, post-industrial man. He writes about insanity because this way of life is really insane, that’s where it leads, it'sunhealthy, bad for people. And if it doesn’t seem in¬sane to us, it's because we’re inside it, and we’re in¬sane right along with it, and we think that’s just theway the world has to be. In order to see that it's in¬sane, you have to know what sanity is. That's why Isay Beckett is one of the sanest minds I know, he cansee just how bad things are.”Endgame has a cast of accomplished student actors,well-known in University Theatre productions. Hammis played by Michael Hildebrand, who holds a BFA indrama from Illinois Wesleyan University. BobHoover, the undergraduate of the cast, plays the partof Clov. Like Hildebrand and Bonnie Everts, whoplays Nell. Hoover carried a major load in UT’s OH,WHAT A LOVELY WAR. He also helped with thedirecting of THE CARETAKER. Coming from HopeCollege in Holland. Michigan, Bonnie Everts is knownfor her costumes and design, as well as her acting. Sheis presently taking an M.A. in art history here. JosephPage, from Ripon College and a graduate student inthe English department, plays the part of Nagg.Costumes will be by Judy Fink, lighting by Harold C.Bloom, make-up by Judy Aronson. On Friday andSunday. June 1 and 3, performances are at 8:30 pm.On Saturday, June 2, there are two shows, at 7:00 and9:15. Tickets are $1.50, available at the Reynolds’ ClubDesk. For reservations call 753-3581.Luther Dingleberry Serves Up Soylent GreenBy STUART STRAUSBERGHad you not viewed Stanley Kubrick’s 2001 or seenCharlie Chaplin s Modern Times, the originalproduction Tom Swift and His... (at the Body Politic.2261 North Lincoln ) would be enlightening. However,the script, made of verbatim quotations from themedia of 1890-1915, is repetitious in its attempt todecry the evils of industrial technology, Dramaticchoreography does little for a burdensome non-plotplnv. The Luther Dingleberry Company’s presen¬tation lacks real contemporary relevance, because it12 * The Chicago Maroon * Friday, May 25, 1973 fails to offer us anything but “ecological exploitation”(a salad of Soylent Green). Using a series of loosely-defined vignettes, the Company sketches the history ofthe modern Industrial Revolution; erratically inter posing the adolescent portraits of Tom Swift andhis father (without the clock in his stomach).This production reiterates the theme of the demoniceffects of technology (e g. weapons to end all wars,mining of natural resources without regard forecological balance, i Pandering to the popular theme of the adverse conditions of technology, Tom Swift andHis... employs a historical basis for movement ratherthan a thematic one. It lacks any depth in itscharacterizations or its plot development, choosing tomention everything without exploring anything. Inthis way, the new creation sacrifices intellectualunderstanding for mass recognition. You leave thetheater without any further comprehension of whythese problems developed or how they can be solved,while choking on the smells of bus fumes as you exitthe theater onto Lincoln Avenue.It’s a Brand New DanceA Pas de Six from Rhythmetron is one of the numbers given by the Arthur Mitchell Dance Theatre ofHarlem.By NANCY MOORELike a dark, musty Victorian cloak, the AuditoriumTheatre curtain folded four slick, wriggling dancersinto velveted obscurity. It swept in over pulsing thighsand fiery loin cloths, burying the last vestiges ofAfrica within its endless dusty folds.Hot white light; the cloak pulls up from the stage toreveal two black-skinned creatures perched likespecimens on glass plates. Caught unexpectedly, theypoke out antennae and examine the audience. Twopairs of legs and arms flex inquisitively. A gamebegins and the specimens forget that they are underobservation. Innocents, they ooze off their plates todance while we spear them with definitions: they aremating, they are black, they are Hydra.After the curtain has leapt again, a moist, long-legged seductress appears. Around her revolves a redheat of grasping men and women, a naive younggirl—contrasts of black lace, leather and skin with abit of white nylon. To watch the long women move is todream of erotic extensions and ripplings. She is an eelunder your skin. She is also the handmaiden of Death.The Arthur Mitchell Dance Theatre of Harlem is notjust the first black classical ballet company in history.They are also schooled in modern, jazz and ethnicdance styles. When they appeared at the AuditoriumTheatre last Friday, they danced Louis Johnson sForcesof Rhythm, Mitchell’s Biosfera and Kuth Page’sCarmen— works requiring the ability to metamor¬phose from the jungles of Africa to the stark whiteplanes of Balanchine, from clinical Biosfera to theearthy passions of Carmen.And who is to be given credit for puliing Africandancers out of stuffy old curtains, for turning the samedancers into microscopic fantasies, for discoveringthe beautiful Lydia Abarca, for cracking the myth thatblack dancers can't do ballet? Arthur Mitchell, that'swho.The first black premier danseur in history, Mitchellis the founder and artistic director of the DanceTheatre of Harlem. Since graduating as a dancemajor from New York City’s High School of thePerforming Arts, he has danced for almost twentyyears with the New York City Ballet. In 1968 hefounded the Dance Theatre and the Harlem School ofthe Arts—an integrated dance school enrollingstudents from all over the country. From the fourprofessional dancers he started with, Mitchell’scompany has grown to 22. Thousands of school-agechildren have been exposed to the company throughtheir Lecture/ Demonstration program. With the helpof Karel Shook, associate director of the company anda former dance instructor of Mitchell’s, he has createda school and performing outlet for young black dan¬cers unlike any other in the world.The Dance Theatre of Harlem opened its weekendperformances here with Forces of Rhythm, createdespecially for them by black choreographer LouisJohnson. It meshes ballet, modern and ethnic dancestyles with a blend of traditional and contemporarymusic.Making use of the entire company, the dance beginsas ballet, flip-flop between African, jazz, modern andballet styles, then takes off in the dark towards itsprimordial past—the theatre curtain engulfing a flashof barely—clad African tribesmen. In the middle thereis a modern dance section entitled “Rhythm andStrings’’ for 12 dancers, and another—“Distress,” for4, which go on too long. The movements look more likeunmotivated modern dance motifs—clutching thehands overhead, arms straight and pleading, whiledoing quick, little jumps—than modern dance. Thewomen’s long, white dresses look suspiciously likevariations on Judith Jamison s for Cry. Then make ithard not to compare.While it does get stuck in a modern dance bog,Forces of Rhythm ultimately lives up to its title withsuch lively numbers as “Hoots and Rhythm in whichfour men—adorned by Zelda Wynn in red loin cloths,white socks and gloves, black ballet shoes and bowlerhats—stomp out humorous combinations of African,ballet, Latin American and 20th century street dances.To the song “Spanish Harlem,” Paul Russell executesa lov undulating bugaloo which suddenly snaps into aballei tour and ignites a jazzy leap which leaves himnodding dreamily to the music, snapping his fingers.From the wide, intoxicated grin on his face, I gatheredthat the jettes and leg extensions were meant to bejust as easy, just as cool as swinging hips and a rollinghead.The dance concludes with the company dividing intofour groups—men;s and women’s ballet sections, amodern dance quarter and an African quarter. Eachsection takes turns moving in its own style, then in that of the other’s then all dance at once. As theballerinas get into a bump and grind routine, themusic blasts, “Breakdown, it’s a brand new dance.”while the boys in red loin cloths prance on their toes.When the company vacates the stage, four Africandancers are left, carrying on the rhythm from whichthe dance originated. If you'd like to read more about the evolution of theDance Theatre of Harlem, check these sources: “TheLos Angeles Times," Feb. 14, 1971; “SaturdayReview.” Feb. 27. 1971; “Dance Magazine.” January.1973, or books like Walter Terry's Dance in America <the 1971 version) and Marcia Siegel's The VanishingPoint.Here's your chance to beat the champ!Arpjv,-U.S. SENIOR MASTER-WORLD RECORD HOLDERAt TheHYDE PARKSHOPPING CENTER55th & LAKE PARK(In the Center Court)Up to 40 players per day competeJUNE 8 7 P.M. See the Book Nook in theCenter or Call 474-2686JUNE 9 11 A.M. for applicationTHE RULES: The exhibition will begin exactly on time. Each player registering at the mall office isasked to provide their own chess board and pieces. Players may take either color They are to moveonly when Mr. Acers comes to their board. Mr. Acers move is never complete until he makes his moveon the next board (Harkness rulebook).PRIZES AWARDED EXHIBITION FREE TO PUBLICEAST 55th STREET& LAKE PARK AVE.FREE PARKING FOR 500 CARS HYDE PARKSHOPPING CENTERFriday, May 25, 1973 - The Chicago Maroon - 13Watergate’s Most Incisive CommentatorBy LARRY FRISKEBringing back his probing humor andwry commentate. comedian DickGregory is the master in command atMister Kelly's through Sunday, June 3.Gregory’s social concern as a leader inthe civil rights movement is well-known. He is blending his philosophywith wit now. spending most of his timelecturing on college campuses. In fact. he says that after September he will begiving up nightclub appearancesaltogether. His big break came in 1960as a stand-in for an ailing comic atChicago’s Playboy Club. His one nightwas held over for three months andsince then his career has been a hugesuccess in television, nightclubs,campus and recording engagements.Gregory's topics are predictable butthoroughly enjoyable. As for the high price of food, Dick has got it beat. “I’mnot eating,’’ referring to his hungerstrike for peace. He has been avegetarian for 12 years, and between hispunch lines, passed out apples andoranges to the audience.One of Gregory’s favorite methods isthe clever juxtaposition of seeminglyunrelated events. Remarking on howNixon has hurt both black and whitefolks: “He cut off our poverty money. but he’s got you eating horsemeat.” Theinflationary food situation wasespecially relevant for this audience.Many were in town for the NationalRestauranteur and Beverage Con¬vention. Dick highly recommendedJoe’s Chicken Carry-Out at 63rd andCottage Grove.The audience was remarkably at¬tentive throughout Gregory’s almosthour monologue. It is certainly a rareoccasion for Mister Kelly’s when thesilence of rapt attention is discernibleduring the performer’s momentarypauses.Of course, much of Gregory’s timewas spent clarifying the complexWatergate scandal. He solemnly relatesthat Nixon wanted a man of the highestintegrity who would be absolutely fairand impartial for the special Watergateprosecutor—Bebe Rebozo. Gregoryknew that Nixon was in trouble whenGeorge McGovern declared that he wasbehind him—1000%. Gregory’s analysisconcludes that the President’s realproblem is that he can’t trick anybody.“I’ve got a friend who can’t find theprize in a crackerjack box—but he digsNixon.’’Gregory has a real knack for pace.After he gets you laughing with theoriginal punch line, he zings you withanother quick one again and again,reinforcing the entire joke andsometimes completely turning it insideout. I only realized after the fact that Iwas laughing heartily—a high com¬pliment to any comedian.You’re kidding yourself if you thinkthese samples of Gregory’s wit canreplace his performance. His bestmoment came during a long expositionon the art of pissing. I will leave you tohear that for yourself.The vibrant voice of Pam Carrieopened the show with a mediocreselection of popular songs. “I Don’tKnow How to Love Him’’ and “This IsMy Life’’ were most convincing. Un¬fortunately, she deserves a better back¬up trio. They were glued to their musicsheets through the entire set andprovided the minimum in sound sup¬port.The versatile and comic vision of Dick Gregory, not to mention Dick Gregory himself, is at Mister belly’s thesedays.New Yorker Film Critic in Hyde ParkBy MEREDITH ANTHONYPenelope Gilliatt, film critic for theNew Yorker and author of novels, shortstories and the prize-winning screen¬play for “Sunday, Bloody Sunday,”gave a reading of some of her work atthe University of Chicago on May 16th.The highest praise in PenelopeGilliatt’s critical vocabulary and theword which, not unnaturally, bestdescribes the excellence of her ownliterary style is “evocative’’. As op¬posed to description, narration, andeven introspection, the evocative aimsat conveying the sense of a situation, aplace, or a character rather than givingan account or a portrait. In evocativeart reality is subordinated to un¬derstanding, confrontation gives way torecognition, truth to veracity. MissGilliatt’s simple- but devastatingcriticism of Cinema Verite invokes acinematic uncertainty principle: “theunadmitted presence of the cameraforces more or less unreality onbehavior . . .”The wider application of this principleaccounts for Miss Gilliatt’s sensitivityto, and adroit handling of her media, both print and film. She is constantlyaware of the necessary and un¬predictable change that material un¬dergoes in the mind of each spectator.In film criticism her method of sur¬mounting this inherent difficulty isapproach a work from several differentangles and fix it. She has an instinct forisolating and verbalizing the significantdetail in the setting, the looks andcostume of the actors and the dialog.These gems of observation are oftenpresented in ornate settings of analogy;she once described Maggie Smith’swrists as “drooping like stalks ofovercooked asparagus.’’Remarkable and telling comparisonsare plentiful; she invokes books,paintings, and other movies toreproduce the tone of a film. In this shehas no regard for the safe lowestcommon denominator in her audience;she writes for, and in her fiction about,intelligent people. Along with the greatPauline Kael, she is one of the fewreviewers for whom ‘criticism’ has nottaken on a pejorative connotation. Theyare both better at describing what isgood ir. a movie and why, than in thevitriolic attacks most reviewers thrive on. In a time when criticism is widelyidentified with sneering it is a signalvirtue to be able to articulate praise.The technique of zeroing in on theessence of a film by picking out thesalient points, even when they are in¬cidental to the plot itself, is alsoreflected in Penelope Gilliatt’s literarywork. The same elements which makeher film criticism outstanding, theattention to detail, the optomisticconcentration on the best, the insight,all contribute to make her short fictionvery good and her first major screenplay very nearly great.Sunday, Bloody Sunday, whoseoriginal title, Bloody Sunday, wasjudged to be misleading, is primarily amasterpiece of balance. Its difficult andtense equilibrium differs from the usuallove triangle in the singularly equalweight of the three characters. It is notabout one person who is involved withtwo others, nor about a couple and anintruder. A plot that is actually aboutthree people is almost startlingly new.The tension among characters ofdifferent temperaments or even dif¬ferent cultural backgrounds is one ofMiss Gilliatt’s favorite themes. The memorable story which she read aloudat the University of Chicago, readingeach voice in its dialect with great elan,juxtaposed an Irish nanny, herAmerican employers, the Chinesehouseboy, and a Bulgarian lecher. Heroccasional treatment of children is anincidental point full of genius. Theirintuition for complex adult relation¬ships is given full credit, as is the in¬telligence and sensitivity of uneducatedmiddle class characters.Penelope Gilliatt does not condescendto characters like Angelica and herparents in “Catering’’ by depicting,pitingly, ‘what it must be like’. She doesnot ask her audience to imagine a lifediminished somehow; she evokes amood, she conjures an atmosphere.“Evocative,” a word that used to becoupled with “haunting” and applied tobanal costume productions, marks theentire elusive and much-debated “NewYorker Style” and identifies thecommon trend in the work of Borges,Nabokov, Isaac Bashevis Singer, andJohn Updike, who, like PenelopeGilliatt, are exceptions to the prevalenttruism, “Those who can do, those whocan’t review.”14 - The Chicago Maroon - Friday, May 25, 1973ICurtom Previews LeRoy Huston AlbumBy BEN HUANG AND LARRY FRISKECurtom is a small but select recordcompany on N. Lincoln. Headed byCurtis Mayfield and Marv Stuart, theirgreatest success to date has beenSuperfly. In the relaxing confines oftheir studio last week, the new album byLeRoy Hutson was previewed alongwith one side of Mayfield’s, Back In theWorld, already a gold record on the firstday of release.LeRoy Hutson replaced Curtis withthe Impressions and is now embarkingon a solo career. LeRoy’s roommate atHoward University, Donny Hathaway,has played a major role in his musicalefforts. Hutson wrote “The Ghetto” andlyrics for other songs for Donny, andalso placed tunes on Roberta Flack’sfirst album.Hutson’s first solo effort showspromise. He’s at his best on the two cutswhich lead off the album. Both werearranged, produced, written, playedupon and sung by LeRoy himself, whichis true of most ot the other selections.The title cut. which is also a just-released single, is a free and easy up¬tempo ballad which would becomeanother Curtom hit. “So In Love WithYou.” LeRoy’s first solo single, is adeliberately-paced ballad which con¬tinues the record’s love theme. Theother interesting selection. “Getting ItOn" < “Love Theme for the Jay JohnsonAffair”), is an instrumental whereStephen Harris' guitar and Hutson'selectric arp effectively lead the largeensemble. In general, the strings andbackground voices are effective. Thealbum, though, lacks some contrast(especially in lyrics) and is quite brief(29 minutes).The Curtom studio is impressive.Impressive not in the sense of racks ofrecording equipment and miles of patchcords, but in its atmosphere; It’s an atmosphere of comfort and relaxation.The walls are lined with a patch quiltdesign of different rugs. Besidesacoustical damping, the rugs also helpto create a mellow mood, and enhancesthe creative abilities of producers andartists alike. Artists are too often stifledand overcome with the sterile at¬mosphere of a “professional” recordingstudio with its bare walls and unfriendlyvibes. At Curtom, the artist has achance to first relax and naturally moveinto a creative mood.The technical aspects of the studio issecondary and well hidden but by nomeans second-rate. All the usualprofessional recording equipment isthere: Dolby A & S, Crown Amps, JBLmonitors, MCI 16 track recorders and aprofessional console. The engineer.Roger Anfinsen, who designed thestudio, is a friendly and dedicated ex¬pert. He designed the studio to have noparellel surfaces (either the walls orceilings are sloped) to eliminateresonance, and it was his idea to createan amicable ambience.” All of thesefactors tend to take some of thepressure off the artist, and encourage amusically creative experience.United States Senate Com¬mittee on foreign Relations,March 13, 1973: Senator Chur¬ch: Why do you think then it(State Department) had areputation for being sounimaginative?Mr. Macomber :...You knowwhat President Hutchins saidabout the University ofChicago. It is not a great univer¬sity; it is only the best in theworld. Our Foreign Service isthe best in the world, so we donot have examples to turn toeither.With TWAit pays to be young.TWA’s got a lot of things to help youin a lot of ways around the U.S. and Europe.But nothing comes close to the adventure¬some brave blockbuster Worldtrek expe¬ditions (arranged exclusively through TWA).Worldtrek.This isn't a vacation, it’s an experience.From two weeks trekking the fjords ofScandinavia to 12 weeks on a pito Kashmir. You'll find yourselfcamping with nomadic reindeerherdsmen, or boating across theBlack Sea to Yalta.For the exciting details, go toyour TWA TYavel Agent, Ti<Office, or Campus Rep. — orthe coupon below.TWA - IT PAYS TO BE YOUNG*Box 25, Grand Central Station, N.Y., N.Y. 10017Please send me information on the following:Worldtrek Bonus Coupon BooksStutelpass * Ovemite Pass *Destination Europe Pack Bed and Breakfast *Nametu nc:AddressCitv. __ State ZiuTT62‘Service marks owned exclusively by TWA.or call campus rep. James Boggan 955-4705 ,«ia«T.AM MOMEDWARD FOX s The JacKaiM.tcf, .,1 ‘ • .. ■ • • ■ -.v •-->-ssf,0rr •*>#. se -Q bo- » r» •’ " ' ' J ‘Af MASSP'OduCPd Cy JC.mN Af'K'.f • mo. .a*- a • m a - ELIZABETH GORDONHAIR DESIGNERS1620E. 53rd St.. 288-2900SUMMERMPLOYMENT18 Or OverCollege trainedmen and womenwill be consideredto supplement ourpresent staff. Thesepositions are full¬time summer lobs.Searching for ap¬plicants who aredependable andwho are hardworkers. Excellentopportunities fortop earningsduring summer.Can earnjN vt »SAl PG^V'NOW PLAYINGEXCLUSIVE ENGAGEMENT!MATINEES DAILYSEE DIRECTORY FOR SHOW TIMESCALL THEATRESFOR GROUP SALES INFORMATION •135-M75Per WeekBASED ON YOURPRODUCTIVITY(LONG HAIR OK AY)Excellent op¬portunities for ad¬vancement thissummer and maycontinue to workon a port-time orfull-time basis nextfall.FORAPPOINTMENTCALL312-726-3441Friday, May 25, 1973 - The Chicago Maroon - 15Uptown, It s Les Fontaines RougesBy LESLIE KOHNThe most surprising thing about LesFontaines Rouges is its location on thefringe of Uptown, at Irving Park andSheridan Roads. The contrast from thestreet to the inside of the restaurant isastounding, from the bustling crowds onthe bright street filled with traffic, tothe dim glow of candlelight within. LesFontaines Rouges is a Continentalrestaurant apparently favored by itsNorth side clientele who crowded in lastSaturday night. Even holding a 6:30p.m. reservation, we were not seateduntil 7:30.1 fear that popularity is not anadequate excuse here.The restaurant is made up of twoconnecting dining rooms with mirrorsfor walls on several sides. There is a baralong one side of the front dining room,and also a small bandstand for a stringgroup that plays several nights a week.The overall atmosphere is best definedby the tall candle on each table, itaspires to quiet romanticity, and israther pleasant.Everything on the menu is a la carteand this determines the eventual cost ofthe meal. I am listing prices throughoutto help those on various types ofbudgets. The entrees are priced quite reasonably, from about $2.75 - $5.25,and include selections of appetizersfrom a relish tray.After finally being seated, we begandinner with soup. Vichysoisse wasserved in a high necked crystal dishpacked with ice and was excellentFOOD($.50). The onion soup was served in acrock, the portion was more thansubstantial and was tasty, but in¬distinguishable from many other onionsoups I have come to know. The relishplate came next, with a choice of fiveitems, of which one may sample someor all. Worthy of note were an excellentchicken liver pate, and a very goodstring bean salad. This was followed bya salad ($.50), mostly lettuce andtomato, with choice of dressings. Iemphatically recommend the Russiandressing, which was different than andsuperior to any Russian dressing I canrecall. It was by no means just asynonym for Thousand Island, as many are.The selection of main dishes wasvaried, including about thirty choices;the menus only major weakness was inveal dishes (only Veal Cordon Bleuoffered). As I am a veal freak, I wassomewhat disappointed. We tried BeefProvencale ($3.35) and Duck withOrange sauce ($4.15). Beef Provencaleis served en casserole—a combinationof slices of beef, with tomatoes, onions,wine, and spices. It was tasty, thoughmaybe a little bit bland. The duckhowever, was too fatty and did notcompare very favorably with otherduck dishes sampled here in Chicago.Both entrees were served with bakedpotato. Along with our meal we had ahalf-bottle of Pouilly-Fuisse St. Vincent(a dry white burgundy) which wasexcellent but is not cheap ($4.75 the 1/2bottle). If you're watching your budget,skip the wine here.Les Fontaines Rouges specializes inflaming desserts, prepared at the tablewith a skillful flourish for two people ormore. We had Crepes Suzettes stuffedwith strawberries ($2. each). Thecrepes were served hot (right afterignition) and were delicious when theycooled down enough to eat. There couldhave been a lot more strawberries however. Most of the other dessertswere parfait type concotions, all under$1. They looked attractive, though wedidn’t taste any.On Wednesday, Friday, Saturday,and Sunday nights, a group ofsometimes strolling, sometimesstationary string musicians perform atthe restaurant. The service wasfaultless and attentive, in sum, ex¬cellent.In deciding whether or not to go to LesFontaines Rouges, I might offer onemore word of advice. If you intend towatch your budget; come, enjoy theatmosphere, the music, and a reasonablypriced above average meal. One can eatwell for about $6. (no wine) withoutmuch effort. If you want to splurge likewe did ($11.50 each including wine andtip), don’t bother to come—go to theBakery instead. In short, think of LesFontaines Rouges as a nice, pleasant,and somewhat romantic place to go fora reasonably priced continental meal.With that in mind you won’t be disap¬pointed.-1011 W. Irving Pk Blvd, corner ofSheridan Rd. “Sheridan Rd.” stop onHoward El is one block south ofrestaurant.Just Like Mama Used to Make (And Still Does!)By LESLIE KOHNI have just made another reservationat “Mama Lena's” this afternoon. It isfor the first week of next autumnquarter, on Saturday night at 8:30. Thenecessity for such far-sighted planningfor a Saturday night dinner is atestament to the popularity oi this smalland rather intimate restaurant at 24East Chicago on the Near North side.The cooking at Mama Lena’s is done byMama. Mrs Lena Salvino, and therestaurant is strictly a family runestablishment. The Salvinos are Sicilianand the food is the best of any style ofItalian cooking that I have tried inChicago.The spirit of a real home-cookedfamily meal is the goal of the Salvinos.and they accomplish it by serving adinner for thirty twice a night, at 6:00and 8:30, and also by serving the samemeal to everyone. There is no menuwhatsoever. Mama’s repertoire in¬cludes about 36 dishes, served on a sixweek cycle, including such “special”dishes as eggplant stuffed with fifteendifferent layers of ingredients. One may also make some new and interestingacquaintances as we did, because it issometimes necessary to share a tablefor four with another couple. If we werematched up in advance, I would like toknow the secret behind the seatingplans. All in all, we found our evening tobe more enjoyable because of thispractice.Dinner began shortly after six with ashort and amusing welcomingmonologue by our host. The first coursewas an antipasto salad, well-preparedand tasty, but simple and not ornate. Itwas for eating and not forphotographing It was accompanied by“tomato bread”, which is a loaf ofItalian bread, sliced and filled withtomato, cheese and spices. It was reallygood, especially when hot. It wasfollowed by al dente pasta in a tomatosauce topped with cheese, and that inturn was followed by the main course; achicken breast cooked in marsala wineand spices, and topped with cheese. Thechicken was so tender that the Salvinoshadn’t even bothered to include knivesin the place setting. They werejustifiably right in that decision. Seconds were offered on the chickenand I heartily accepted. Dessert wascannoli, a type of cylindrical Italianpastry w ith a crisp outer shell and filledwith ricotta cheese, sweetened withanisette (a high-proof sugar substitute).The superb quality of the cannolicauses me a problem: I will be forced tocontradict a good friend back in theBronx who is sure that he has found thebest cannoli in a little Italian bakery onArthur Avenue, the center of the oldBronx Italian community. He’s wrong.Coffee was served along with thecannoli. tea is not available. However, aneighboring diner handed me an extratea bag that he brings to Mama Lena'sto cope with such situations.My only objection to dinner at “MamaLena’s” is that we felt somewhat rushedat the end of the meal, as the tables hadto be cleared etc. before the next grouparrived at 8:30. If you make a reser¬vation at 8:30, you will find dinner to bemuch more relaxed. However, if youwould like an 8:30 reservation on aSaturday night, make it a couple ofmonths in advance. For other times call a week or two ahead. The price ofdinner was $6.90. Wine is not availableso bring your own and just prepare tohave a good time. Closed Sundays. Forreservations, call 337-4050.POP MUSIC CALENDARThe Maroon recommends:Hound Dog Taylor and the HouseRockers, this Sunday in the HitchcockQuad, at 8:30 PM. Free; sponsored byHitchcock and the Student Record Co¬op.Odetta, tonight through Sunday, atthe Amazingrace in Evanston. Call 492-7255 for information about times andtickets.Argent and the Doobie Brothers, thisSaturday at the AuditoriumRita Coolidge and Kris Kristofferson,on June 7th. Listed as being at theAuditorium, the Granada, and the ArieCrown: the last looks most likely.Ornette Coleman will be the JazzShowcase the first week(end) in June. Afantastic way to cure the mind ofoverwork.This Weekend C.E.F. PresentsTHE SORROW AND THE PITYFriday May 25, Cobb 7:00 P.M. and Sunday May 27 Mandel 7:00 P.M.(Complete show both nights)'\ Widby,UT Presents Theater to Dream ByWhen you need a styptic pencil, you need a styptic pencil. Chicago PhotographersFeatured at Photon MontageBy LEONARD LAMBERGRecently, Chicago saw the opening ofwhat seems to be the city’s first artgallery devoted entirely tophotography. The Photon Montagegallery, at 11 E. Cedar (upstairs in theDifferent Drummer boutique) showedthe work of four Chicago areaphotographers, including RobertNewcomb and Richard Wilde-White.The concept of a photo-only gallery isan important one. as much to the city inmaking photography acceptable as anart form as to the photographer, inteaching him what sort of works w ill beof lasting relevance to those who viewthem. While newspapers and ad¬vertising have given clear standards topopular photographers, artisticphotography is beginning to becomedefined simply as that which will notsell; photographers should not becomeout of touch with critical reality anymore than they should pander.So, anyway, this place opened, and abunch of photographers showed theirwork, baring their necks to the criticalaxe, and all that. ..It is impossible to review such a show. I think the pictures were OK, but themechanics of staging a show, as op¬posed to just setting out a bunch ofpictures, were wholly lacking. There is,in most good exhibitions, a sense ofcontext; something that, on viewing apicture, leads one to the next, and soforth. When this is gone, a good picturecontributes little to a show, since theviewer has no reason to anticipate anyof the good qualities in the next picture.It seems as though the managementanticipated this by putting the wholeshow in a room so small that one canview every picture by a turn of the headfrom one. well-chosen spotAn example for the rest, about half ofMr Wilde-White’s photos weresimilarly composed shots of the DustBowl area in the 1930’s, and was animpressive statement about this timeand place. These pictures, only a smallpart of his collection, could be the startof a real show, one that should havebeen shown years ago. If it will onlyremain long enough to gain a sense ofidentity for itself, the Photon MontageGallery could be a very important partof the Chicago art scene.University Theater presents a tea party Emily Post would never dream of.By GLORIA O'REILLEYThe University Theatre production ofThe Maids, by Jean Genet, is an ex¬periment, a step, in a search for a newform of theatre; the search for a form oftheatre as dream, which includes musicby David Patton, who has workedbefore with the director, Court Dorsey,in the process of realizing the dream.The Maids has been a step in thesearch, for it is the first time the dreamhas been worked with a script and withactors who have been used to workingfrom a script. It is also the first time theform has been done with a movementspecialist. Melody Page has workedwith the actors, John Tsafoyannis,Darryl Boehmer, and Court Dorsey inrealizing a movement that, like themusic, creates the space in which thedream occurs.The same exhaltation that occurs inthe dream occurs in the words of theplay. Genet is writing in ecstasy. As inOur Lady of the Flowers, he writes TheMaids for the pleasure of his own fan¬tasy-dream.The form of the play, then, occurs inthe overlapping of the quality that isdream with the sensuality of Genet, inthe rising exhaltation of Solange as sheprepares herself for the whipping of hersister, Claire, and in the ecstasy thatClaire experiences when she knows sheis going to die. The play is a ceremony.It is a dream of Genet’s; and its movement is the movement of dream,its music the music of dream.When opening itself to the dreamspace, the script expands, tomovement, the movement to thegreater movement of the play. The playtakes place in another realm. For Claireand Solange the ceremony is real.Though they play at it every day,though it is a “game”, there is thedesire to be saved from the game.In pursuing this form the directorfinds that the dream has its ownmeaning, that it is an intuition tosomething beyond, and a realization ofthat something embodied in a form. It isa concern with the inherent meaning ofthe ceremony, of the dream.Genet wished to have The Maidsplayed by men; thus the femininity thatis seen is a spiritual femininity, afemininity found not in being trulyfemale, but by discovering, as a male.Just as Genet is concerned with thespirit of the apparent; the form of theplay; movement and music movetoward a distillation of the space to getto the essence, of the ceremony, of theplay, of the dream.The Maids will be performed inReynolds Club Theater Thursday, May24 through Sunday, May 27. The per¬formances are at 8:30 pm Thursday,Friday and Sunday, 7:00 and 9:30 pmSaturday. Admission is one dollar andfifty cents.Friday. May 25. 1973 - The Chicago Moroon -17\rVikman Maps Up Baroque MusicAnother attempt is being made to tillour city's void in Baroque music whenThomas Wikman concludes hisrewarding “Music ol the Baroque'’series with a performance of Handel sTheodora next weekend. And a treatawaits those who will hear soloists, thechoir ot the C hurch ol Saint Paul and theRedeemer and an instrumental en¬semble under Wikman s direction.Never popular during Handel slifetime and neglected alter his death.Theodora—according to letters writtenby the composer—is his favorite.Theodora (which had its Chicagopremiere only two years ago underPOT A auspices) is tilled with some otHandel s lyrical, expressive melodies.It is easy listening and has tunes youcan remember. The usual musicalforms—recitatives, arias,choruses are all there.Composed in 1749 on a libretto byMorell. Theodora is a “music drama-’rather than “sacred oratorio ' on a Biblical subject, which deals withChristian persecution and martyrdom.Interwoven in the theme of human willand human late is a sublime love story.Scenes shitt trom the Homan court tothe Christian camp and include a darkprison cell.The Homan governor Valensproclaims that all must do honor to Jovein celebration ol the Emperor s bir¬thday. The Christians refuse. Thesaintly and dedicated Theodora is ledoft to prison where she awaits herpunishment— service as a prostitute tothe Homan soldiers in Venus temple.Spurred by his love for Theodora,Pidimus the Homan-turned- Christianattempts to save her. He changesplaces with her through the intercessionot his triend and superior, Septimus.Alter the usual amount of escape,mistaken identity, and chase, Theodorasurrenders to V alens in an effort to saveher beloved Didimus. However, bothare sentenced to die. Sigh.Portunately. Handel treated this melodrama lyrically rather thanseriously. His music moves with alightness and grace. Its serenityreinforces the Christian philosophy of ajoyous life after death. Handel portraysthe characters as real human beingswith human problems, frustrations, andeven some accomplishemtns.MUSICWhile Theodora is in prison Handelintroduces her two arias with a sym¬phonic poem for violins and shrill fluteswhich heightens the dramatic impact ofthe scene. At first searching andquestioning in “With darkness deep ”,she later settles on a sense of resolutionin “Oh that 1 on wings could rise”. Thescene continues with Didimus’ “Sweetrose and lily”, a tender Baroque aria.The chorus plays a major part in Theodora, as it does in practically everyHandel opera and oratorio. “He saw thelovely youth was, in Handel’s opinion,lar greater than the “HallelujahChorus . This chorus, which concludesAct Hof Theodora, effectively goes fromminor to major and concludes with aforceful fugue.T hroughout the work there is a senseol unity and cohesiveness which adds tothe drama and flow of the music. Alsoarias and choruses reflect and commentupon one another in a way whichreinforces the drama.Soloists in the performance nextweekend are Sarah Beatty (Theodora),Sharon Powell (Didimus), Isola Jones(Irene), William Wahman (Septimus),Arthur Berg (Valens) and Paul Credas(the Messenger). Elliot Golub is concertmaster. Edward Mondello plays con-tinuo.T he concert will begin at 3:30 Sundayafternoon, June 3rd, at the Church ofSaint Paul and the Redeemer, 4945South Dorchester. Donation $2.50.James Mason Confronts Robert Preston in Gothic ArmageddonBy AARON LIPSTADTChild's Play deals with what arecertainly not unfamiliar themes,confronting the viewer with severalstock alternatives: a Satanic evil versusa rational good, rebellious studentsundermining earnest teachers, agingpedagogue and youthful students pal.At the outset, the first struggle iscentral. Even if one disregards thepublicity that has or has not focusedattention on the picture, one is im¬mediately thrust into a "gothic at¬mosphere. i.e. shots of darkenedchapels and hallways and solemnGregorian chants behind the credits, allot which supposedly lend themselves toall kinds of potential Armegeddons.Once this direction has beenestablished, the film can take one of twoalternative paths. After arousing oursuspicions, it can leave us with ourworst tears (yes. the devil is getting atour kids and raping our wives andchildren) or it can otter a rational ex¬planation tor all these goings on,showing that some misguided in¬dividual was all to blame.However, it's not so simple. True, thefilm certainly begins by building up thefoundations tor a religious conflict: thechanting, the shadowed statues ofChrist. In the first post-credits scene ayoung student is jumped by hisclassmates while asleep in a dormitory,and they trace a cross ot blood on hisforehead But trom this point on, thefocus is not on the student-adult conflict,but on the faculty, particularly JeromeMalley (James Mason), sixty year oldpedagogue ot the old school, Latin(what else) teacher and Senior Master:Joe Dobbs (Robert Preston), theyounger Junior Master, understandingfriend ot the students who makesShakespeare tun tor all; and Dobbsprotege, the newly hired gym teacher• Beau Bridges). It turns out that thefaculty are getting increasingly alar¬med about a number ot student-inflictedinjuries, which are getting moreserious. Dobbs feels that these injuriesare the result of the students’malevolence towards the hated Malley,and tries to talk him into easing up onthem. Malley, however, thinks thatDobbs chummmess is an excuse foracademic mediocrity, an attempt togain popularity at the expense ofrigorous scholarship. The conflict is heightened by the fact that Malley hasreached voluntary retirement age, andif and when he retires Dobbs will takeover his position as Senior Master.The film, then, relies on a formula toestablish the underlying sense ofevil the Catholicism of the school andthe darkened interiors, along with a fewshots of hate-filled students threateningor assaulting their classmates. This isnever the center ot the action, which isreserved tor Preston Bridges andFILMMason. Preston is shown in class jokingwith relaxed, laughing students,followed by a scene in Malley s class-somber silence interrupted by Malley srigid conjugation and pointed com¬ments, such as “You don’t get As in thisclass by laughing at the teacher’sjokes. And following this, a con¬frontation: Dobbs trying to intercedewith Malley on a student’s behalf.This middle part of the film is thebest, focusing on Mason and Preston.The former, aging rapidly, rushes homeafter classes to his dying mother, andbecomes increasingly paranoid as moreand more pressure is put on him tochange his methods. James Masonturns in a good performance, fightingdesperately and yet pathetically.Robert Preston is also good as the calm,understanding Dobbs (although 1 keptwaiting lor him to burst out with “Wegot trouble, my friends!”). Heregretted, ot course, having to make acase against a man who had put his lifeinto the school, but it was necessary.Beau Bridges is a little embarrassing asthe earnest observer; he doesn’t quitelook grown up enough to handle even thepassive, questioning role thrust uponhim. and never gets control ot the part.T he problem with the film is that it isbuilt upon contradictions. As the em¬phasis is placed on the struggle betweenDobbs and Malley, the question of evil isobscured. T he lilm, as expected, takes anumber ol turns, but can’t sustain them.When an attempt is made at aresolution, the film has zigzagged toomuch, and has undercut what sup¬posedly happens at the end, as well as18 - The Chicago Maroon - Friday, May 25, 1973 what came at the beginning. Child’sPlay tries to have both its supernaturaland its rational explanations, and in itsattempt to surprise, it loses both.As stated above, the initial at¬mosphere ol the film stresses thesupernatural, but mainly throughimplication and atmosphere. This evilline is more or less pushed aside as bothDobbs and Malley offer explanations ofthe violence in the school, and ismaintained by worried priests rushingaround making meaningful commentsabout how they believe in God . . . andSatan. As the film progresses, we canguess the eventual rational explanation,and we can guess it early enough toremember and question the more im¬plicit of the early supernatural hints.Kinally, another twist is attempted atthe last minute, again emphasizing thesupernatural. However, this is not the same supernatural explanation offeredpreviously in the film—a new super¬natural angle is brought in, that lacksany basis in what went on beforeNaturally, we end up gypped.The lilm manages to hold interest,even to attract it, until it approaches thecomplications of the climax. The filmwas adapted from a Broadway play,and maintains the interior settings untilwe become familiar with the facultyroom, the hallways, the classrooms. Allthese confined spaces help to push theaction together, to focus it on therivalling teachers. Also, although thesetting is contemporary, the modernelements are effectively downplayed,especially in the dress and manners ofDobbs and Malley. This too helps theaudience accept the developments ofthe film. However, this acceptancecan t survive the ending.—Aaron LipstadtMore Duck Stuff(Continued from page 11)out dated before too long, but we feltthat the good stores are likely to staygood. Chicago is a buyers’ market rightnow, with the big east and west coastchains lighting it out in prices wars onthe Chicago turf; that may change too.T he authors of this article are con-lirmed hi-fi buffs, afflicted with what asalesman at the Audiophile called “thedisease . We would be more than happyto rap tor hours on end about what wehave put in the articles, what we had toleave out. and why we wrote them; youcan get in touch with us through theMaroon ottice.As this article goes to press, theexpress has just hit the stands with itsown multi-page section section onstereos. Some sort of critical com¬mentary is needed, if only to bolster ourleelings that our own long efforts alongthe same lines were not wasted merelybecause they will be read two dayslater.We teel that whatever the merits ofthe Express articles, especially the twothat deal with the basics of hi-fi buying,nnp vpry important point was con¬ sistently overlooked: that no matterhow much you know about hi-fis, a hi-fistore can always rip you off. If you knowvery little about hi-fis, or have been outof touch recently, a store can reallycheat you badly. The simplest way tolearn about hi-fis, at least as good astalking to your friendly hi-fi freak, is tolind a good store; you won’t even haveto remember all the “basics of hi-fibuying because the store won’t betrying to gyp you. This is the entirepoint ot our two articles.Admittedly, there are greater depthsto be gone to , hi-fis are highly technical,sophisticated and expensive, not tomention changing more rapidly andradically than automobiles. T he amountot space that was devoted to stereos inthe Express initially tantalized us withthe possibilities of exploring vast newrealms; we soon realized that vast newrealms are useless unless they areunderstood. The amount of spaceneeded lor a thorough and proper ex¬ploration of the hi-fi world is far toomuch lor us to have attempted it in anewspaper. We applaud the Express’efforts, and strongly second their at¬tempt to seek out an expert; the easiestplace to find one is in a stereo store.f • r ocoD oqox.'O V"f C\Pf tztfs yoni-T •s*RECORDSThe Art of Rah scan Roland Kirk/The AtlanticYearsRahsaan Roland Kirk(Atlantic SD2-303)This dude is a musical experience like no other.He not only creates music from his soul, but fromhis spirit, his dreams, his nose, in addition tohaving fantastic breath control. He is Blackclassical music personified. He is Rahsaan RolandKirk.His Rahsaan name is spiritually inspired Thename Rahsaan deals with my religion, which isthe religion of dreams and spirits. It is themotivating power of my life. Last year, (i.e. 1969)on the day before my birthday, I dreamed of a lotof people saying Rahsaan, Rahsaan, Kirk wasblinded at an early age but this accentuated thedevelopment of his hearing sense. After begin¬ning on trumpet, he switched to clarinet andsaxophone in his school band. By 1951, he had hisown group and soon began experimenting withplaying two or three instruments simultaneously.The manzello looks like an alto saxophone withthe bell of a bass clarinet but sounds like asoprano saxophone. The stritch looks like a longsoprano but actually is a straight alto. Kirk has areal feel for both B flat and E flat clarinets andutilizes a grand total of 24 individual sounds inthe course of this two-record album. 8esides threedifferent flutes, some of the more exotic soundsinclude black mystery pipes, flexafone, clavietta,police whistle, music box and gong.By 1960, the question of whether this wasmusical gimmickry was lost in the phenomenon ofKirk s taste and ideas. Still, he sometimes getscaught in the middle of controversy. At last sum¬mers Newport Jazz Festival in New York, he wascriticized (unfairly) for upstaging his fellow horn-men by playing two iong solos at one of the mid¬night jam sessions. At least to this viewer, theother players were just standing around, and af¬ter Roland had finished, he was duly appreciatedwith a fantastic audience response.This record covers Kirk s development since hejoined Atlantic in 1967 He evidently has found aiabel where his artistic integrity and the musicalexpressions of his freedom are respected. We areall ihe benefactors. This history presents Rolandin settings of the studio, festival and nightclub. Nomatter where he may be, Kirk is the mastercreator, composer and supremely individual in¬terpreter.My favorite Rahsaan is Rahsaan the composer,expressing his Black spiritually-inspired self inrichly-textured layers of words and music. On thisrecord, this is best exemplified by The Seeker. Itis a four-part suite revolving around Kirk s rap¬ping and a variety of sounds, including an alarmclock which goes off at one point. VolunteeredSlavery and Baby Let Me Shake Your Tree arealso exploding dream-like spiritual conceptions.For both listener and performer these two cutsare completely enjoyable, the former concludingwith the chant, Mama, don t you take it away."Long-time associates Ron Burton, piano, and JoeHabacf Texidor, percussion, stand out here asalways.The other major highlight of this record isRolands 1968 Newport Festival tribute to JohnColtrane. Kirk opens with Lush Life does Afro-Blue on manzello and returns to tenor for Trane sBessie s Blues." He closes with a wild encore ofThree For the Festival," with three horns and adynamic flute solo in an utterly hysterical Kirkianfinish.-Larry FriskeBonnie Koloc•Ovation OVQD 1 4 29)With this record Bonnie Koloc finally risesfrom the ranks of technicians to the fellowship ofartists. Her voice, which has always been an in¬strument of almost amazing range and control,now conveys an emotional message that is farremoved from her former displays of technical mastery. There is an analogy which might bedrawn to a very hot and colorful fire, which is ofcourse admired for its heat and its color; butwhen a steak is put on top of it, the fire suddenlyexpands the way it reaches people's perceptions,all without changing its own essence.I once commented that Bonnie sounded muchbetter when singing the songs which she herselfhad written, perhaps because she knew herlimitations and could circumvent them. I mustrevise that statement - it is only when she hascomplete grasp of the nuances of the lyrics andthe inflection of the moods contained in the song(as she does with her own material) that she isable to express more than the proper note. Herown emotion is clearly felt, and expressed to thelistener, throughout this album.Her lyrics seem to strike at intuitive un¬derstanding rather than logical comprehension.For expample: I hear his songs in old tin cans/Iknew the drummer well and rubies, rings, yourany wish/snakes to wear around your wrist formThe Charmer : or one hundred miles to see yourarother/isn t very far to go . Her skill at in¬terpreting other peoples songs has benefittedfrom the interpretative practice she gets with herown songs—Tom Rush s Wind on the Water isdone beautifully. Much of the success of thisalbum is the result of a very fine production job byNorm Christian. His own playing on drums, andhis brother s contributions on bongos, are notablefor both well-channeled energy, and pacing. Eachsong is permitted, essentially, only one focal in¬strument, which permits the engineering of therecord to accentuate the arresting com¬plement/counterpoint relationship with Sonniesvocals. When Bonnie stops singing, a second in¬strument immediately takes the place of her vocaltrack in order to continue the effect. It makes hersinging much more powerful than when it wasdeeply hidden in the midst of inter competing in¬strumental lines.One of the most effective devices that Bonnieuses con be found in both her writing and hersinging: the using of a subtly altered repetition.Merely by changing one word while singing theverse in the same way that it was originally sung,or by changing the inflection on various wordsduring a repetition of a chorus, she opens thesong to new interpretation. Much of the en¬joyment of this record lets in the gradualrecognition of what she is singing.There are several high points during thealbum. Chuck De Meyer s piano and organ work isoutstanding throughout the album. The organ-bongo accompaniment on My Aunt Edna ex¬plores dimensions that would not be revealed ifthe song was normally scored. Roslyn was writ¬ten by her guitarist, Dave VanDelinder; it's a soft,gentle song in which your mind unthinkingly sup¬plies the missing beat of a brush on a snare drum.The piano ploying is reminiscenl of the music youhear when drinking scotch on the rocks at SI .75 ashot and watching a night club chanteuse. Thenthe lyrics insinuate your conscious mind: You arefeeling pain where pain s already come to stay/that your sweet man's gone away/ And you can thold down the wind . Bonnie has given us a minormasterpiece.—Cage AndrewsThe History of British Blues, Vol. 1(Sire SAS 7901)In view of the ever increasing popularity ofBritish rock and American blues, it is only naturalthat somebody would release an album thatdetailed History of the British Blues. Well,somebody has....several times. The first Americanattempts were by the now-defunct Americanlabel, Intermediate Records, in their four volumeBritish Archives series. The set was released,again by RCA, as an additional album called-Guitar Boogie, which featured material from theprevious albums by Jeff Beck, Jimmy Page andEric Clapton. These four albums featured a lot ofnames, in addition to the big three mentionedabove: Spencer Davis, Hopkins, Mayall; but theyhad little great music. It seemed that they werevery guitar oriented, and that all the good material featuring Clapton and Mayall appearedon other Mayall albums that any British Blues fanwould have.At any rate, it was a start, and the series didinclude a couple of Jo Ann Kelly cuts, one of thetwo Rod Stewart singles he had done for In¬termediate, and some unreleased Clapton tapes,of interest only to Clapton fanatics.At the same time this series was coming to aclose, BYG (Netherlands Immediate) started im¬porting the British Rock and Blues series. The BYGseries, entitled The Rock Generation, is thebrainchild of Georgio Gomelsky, the ace producerof such groups as the Yardbirds, and Brian Augerand Julie Driscoll and the Trinity. The RockGeneration series is literally a series of tapes andnever released masters recorded by Gomelskyand his friends at such esoteric events as the firstR&B festival in England (vol. 5). This particularrecord has some great, albeit iackmg in soundquality, performances by the Spencer Davis R&BQuartet, Rod Stewart and John Baldry backed bythe Hoochie Coochie Man, and Sonny Boy William¬son with the Yardbirds. The Stewart cut-' BrightLights, Big City - is really good, and he gets somegreat support from the legendary John Bradfordon lead guitar, and from the now dead Cliff Bar¬ton, the third or fourth best bassist in rock. Thisseries is literally just for the collector, but it sureis damned interesting to listen to Spencers 15year old organ belt out Night Time is the RightTime .The Holland Immediate series is a bit dif¬ferent. The majority of its volumes are compliedfrom the best material of a group; Manfred Mann,DC 5, the Animals, The Small Faces. There is onerather interesting volume vol. 12 on the Im¬mediate series. Immediate records had acquiredquite an impressive list of artists before it died:Humble Faces, The Move, Amer Coven and CliffBennilt and the Small Faces. They also managedto sign Rod Stewart for ten singles, and one Lit¬tle Miss Understood", <s featured op the album.This rather lengthy introduction was writtento lay the ground work for the newest British8lues series on Sire Records, The History of BritishBlues. Complied by Mike Vernon, who along withGus Dudgeon and Georgio Gomelsky fatheredthe British Blues scene, the album is simply splen¬did. It is like the rest, replete with all the names,but here are some real roots works by the Yard¬birds, Graham Bond, Cyril Davis - the father ofAlexis Koerner, who as you all know, is theFather of Us All". You mean you didn t know?The great majority of these cuts come fromVernon s own Blue Horizon label; all have beenreleased somewhere before. Unlike the com¬petition, this album has some sort ofchronological order, starting with Cyril Davis andthe All Stars doing Country Time Special (recor¬ded in 1962) and ending with cut released fromVernon s solo album in 1972. In between are cutsfeaturing just about everyone you could name.Alexis Koerner is playing with John Baldry andDick Heckstall-Smith, Spencer Davis is here withMean Old Frisco . The list is endless (and willonly highlight the series).On album one, there is the aforementionedMean Old Frisco by Spencer Davis, featuringsome good harp work by Winwood and an in¬fectious beat laid down by drummer Pete York.The Yardbirds cut Baby What s Wrong is clearlyearly Yardbirds, with some good vocal work byKeith and guitar work by Clapton.Side two opens with Someday After Awhileoff the second Mayall album released in Americafeaturing Peter Green, who, for my money, wasmuch farther along than Eric Clapton in thosedays. Featured also is former Mayall-memberJohnny Almond on sax. No anthology would becomplete without a Rod Stewart cut, and the oneon this album - "Stone Crazy - is the best an¬thology cut I've heard. Playing with Stewart isAynsley Dunbar s Retaliation: Dunbar on drums,Jack Bruce on ever perfect bass, and Peter Greenon lead guitar. Buy the album for this cut, andyou II wonder what Stewart is doing with theFaces.Also on side two is another British Blues group that appears on most anthologies: Fleet-wood Mac. Homework comes from the Fleet-wood Mac album on Blue Horizon called-Fleetwood Mac in Chicago, and is typical of thecuts on that unknown double record. Incidentally,Otis Spann plays a mean piano along with thegeneral musical excellence from the old Fleet-wood Mac cuts. The side ends, after a mediocreDuster Bennett and Savoy Brown, with a fine up¬tempo cut by Chicken Shack Chicken Shack atthat time featured the vocals and piano ofChristian Perfect. Perfect is now with FleetwoodMac, along with her husband John McVies.Side Three starts with another Aynsley Dun¬bar cut, this time featuring Victor Brox. Brox isanother one of those legendary English blues ar¬tists up there with Koerner Baldry, and TopTopham. The cut on the third side that does up theentire purpose of this purpose is a solo guitar byT.S. McPhee. That cut explores the seminal workof a leader of the Groundhogs, whose new albumshould have just gotten here. Featured also onthis side is the English answer to Memphis Min¬nie Jo Ann Kelly, one great Blues singer with anever released-in-America album that is nolonger available in Britain.Side four leads off with another cut featuringChristian McVie, nee Perfect. This one features areally good guitar by Top Topham who was theYardbirds first lead guitarist before Clapton. Per¬fect also exhibits some of the steady piano workseen in the last two Fleetwood Mac Ips. The restof the fourth side features recent British Blues byrelatively unknown blues artists. Jellybreadcovers the other Smith tune Rockin Pneumoniaand the Boogie Woogie The best cut on *he sideis by the Climax Blues Band, whose recent albumis strictly rock and roll, due to several personnelchanges over the last two years.All I know is that I won t wait for Vol. II. MikeVernon is right: It is fun to look back and seehow it all started .Peter MenschBloodshotThe J. Geils BandAtlantic SD 7260)Here s the J. Geils Band s latest course offeringat the College of Musical Knowlege and. asalways, the emphasis is on a blend of mid-Sixtiesuptown R&B and the shuffle variety of Chicagoblues. I can t say that I like Bloodshot as well asthe previous J. Geils Band records: a few of thesenew tracks at times verge on self-consciousparodies of the band s image. Taken on its ownterms, however Bloodshot is a solid, enjoyablealbum.The opening "(Ain't Nothin But A) House Party suffers Q little from a rushed tempo and an un¬characteristically wet-noodle vocal from PeterWolf, but, all things considered, it leads nicely in¬to Make Up Your Mind, a soul ballad which Wolfsings beautifully in the style of Don Covay ( HaveMercy, See-Saw ). 8ack To Get Ya is kind of astiff, with the exception of the golden momentwhen Wolf introduces a Magic Dick harp solo withScramble my eggs, honey! A Chicago shuffle istraditionally included in J. Geils Band albums, andthe one here Struttin With My Baby, is verysimilar in structure and quality to the earlierFloyd s Hoiel. Don t Try and Hide It is a goodexcuse for everybody in the band to chant, I seeyour heine/lt s nice and shiny Don t try and hideit/You know III bite itSouth Side Shuffle is one of my favorites, withwhip lash syncopation and a slashing guitar solofrom J. Geils which prompts Peter Wolf to in¬terject, Ooh, you re makin me hard! In thepast, J. Geils most notable studio guitar work hasbeen his appropriately understated fills; and Ithink Bloodshot serves as a better showcase forhis abilities as a soloist than any of the previousalbums.This band has always had a talent for findinggreat semi-obscure material (The Contour s FirstI Look At The Purse , Dyke and the Blazers SoSharp ), and this time they came up with Titus(Continued on page 20)ROCKEFELLER Used 6 ft. wide bulletin boards-$l 2.50MEMORIAL CHAPEL Used 3 drawer files-$l 5.00Used wood desks-$l 5.00Sunday May 27, 1973 Used metal desks-$25.00"cash and carry"11:00 AME. SPENCER PARSONS withvthis ad only-C brand X *Dean of the Chapel“AMNESTY 8600 Commercial Ave.Open Mon.-Sat. 8:30-5:00AND THE CRIME OF RE 4-2111PREMATURE MORALITY" Thun, till feOO P.M. JAMESWAYPETERSONMOVING & STORAGE646-4411rail or for1/011 646-1234 free estimatesCompletePre-Planned Moving ServiceLocal • Long Distance • Packing • CratingImport-Export.As Containerized StorageFormerly at General Office55th & Ellis 12655 So. Doty(jr.ifv.! <l »>»«»•» ' Chicago, III. 60633Friday May 25, 1973 - The Chicago Maroon -19MORE RECORDS(Continued from page 19)Turner's "Hold Your Lovin'", which containsmemorable lines like "You execute my lips andput my heart in jail,' and "I love you, sugar, 'tillmy meat ball bounces They do this stop-startnumber at a supersonic tempo, yet still managesa tightness I didn t believe humanly possible.After another nice soul ballad ("Start All OverAgain '), Wolf warns "Now don t touch thoseknobs, cause we re gonna have some fun withthis one here, and the band kicks into theunedited version of "Give It To Me." The reggaesection in the beginning is all you hear on theradio, but after that s over, the band shifts gearsand trades solos over a James Brown-ish riff. Wolfwas right, they had some fun with that one. andyou will, too.-Mark BushmanWatchSeatrain(Warner Brothers BS 2692)There is only one sure conclusion that I cancome to after reviewing records this year, andthat is that Warner Brothers means quality. Thiscompany is simply too smart and too professionalto fool around with amateur musicians. AndSeatrain s Watch is another in the long list ofWarner Brothers gold.Watch is a little of everything - boogey.ballads, beat, some semi-Dixieland. The rhythmmoves right along and songs are played so thatthe continuum ;s neither monotonous nor thechanges abrupt. " Pack of Fools” provides the zipthat a successful album opening cut needs, andNorthcoast” does the same thing for the secondside. Time enough to get into the slower,somewhat melancholy stuff once you ve got youraudience hooked. "We Are Your Children Too isone of the saddest, most sobering songs I canremember, ditto " Scratch”, the ballad of a muteoutcast. If none of this appeals to you, Al KoopersFlute Thing can stand alone and the album isworth buying for just this fast-paced, jazz-influenced piece.The six members of Seatrain are without adoubt competent musicians. They seem to have agood sense of what they're best at and admirablyresist the temptation to follow the fads and wan¬der out of the areas, they do well in. AndyKulberg, Peter Walsh and Lloyd Baskin haveneither the range nor the sustaining power tomake them great voices, but they are pleasant tolisten to and even stay pretty much on pitch. ShaNo Na provides background party noise for asmall portion of Northcoast", just the kind of ac¬tivity they should definitely confine themselvesto.Even the album cover is designed nicely; Etien¬ne Delessert has followed a practice that I alwaysappreciate, printing the lyrics in full, althoughhere it isn't necessary because the group enun¬ciates quite clearly. The whole thing is nifty andcute, in the non-derogatory sense.—Elizabeth RussoHeart Foo4Judee Sill(Asylum SD 5063)Judee Sill is the most spiritual of Today's folkartists, delving deeply into her own experiencesand personal reactions to the world. Her lyricsreveal an almost Nietzschian thinking, a newsuperwoman ironically in search of God. Becauseof the extremely religious nature of this record, tothe extent that the mystical content is clearlymore important than the musical content, the lat¬ter is most important in the way in which it re¬inforces the former.Ms. Sill s transcendence seem to be responsiblefor some of the quality, as well as the content, ofthis record. Her voice, while gawky and accented,ranges fiercely through the art-form of com¬municative singing. Her arrangements go farbeyond the usual folk-guitar idiom, both in in¬strumentation and structure, finally celebrating aprivate 'folk-mass''. Her vocal range is finelyadapted to her obvious dependence on churchmusic s influence.Ms. Sill's voice kept many people from listeningto her first album. On her new album, her clearsense of direction has given her voice a newassurance and clarity; it doesn't sound difficult somuch as better. She sings from the depths of herown experience (and she really hit some depths),and it provides a very different idea of beautythan California sunsets and dew soaked flowers.Heart Food is a very difficult, elusive and hardto describe album, much more direct and effectivethan her first. Ms. Sill seems aware that hermessage cannot reach everyone, for those it doesreach. Heart Food will be one of the most uniqueand personal recordings you'll find.-Gaga Andrews■•evaluation: The Impulse YearsMcCoy Tyner(impulse AS-9235-2)John Coltrane has influenced so manymusicions that it would be difficult to choose one particular shining example Nevertheless, if onecould be named above all others, it would be themaster jazz pianist, McCoy Turner. This is a two-i ecord selection of Tyner s work during his yearswith Impulse (1962 1965) His current style hasadded some heavy touches a la Cecil Tayloi It isinteresting to note that his style until 1965 isheavily single-note oriented, especially on thenon-Coltrane group cuts. Tyner relies on his main¬stream roots, mostly blues and bop. This is par¬ticularly evident on the up-tempo blues, "In¬ception," and Blue Monk." On both of these,Tyner's speed and skill remind me at times ofOscar Peterson, and. occasionally of Bill Evans.Tyner's evolution and growth, because of hisassociation with Coltrane, came to drevolutionary expression by 1965. As JohnMehagen notes in Jazz Improvisation,' McCoy'sprimary contribution was that through the in¬novations of Coltrane he lead pianists from theprison of the Parker nomenclature. His right handplayed more volatile, less static lines, relyingmore on brilliantly articulated arpeggios ratherthan continuing the single note "blowing" style. Inthe left hand his use of fourths and his moremodal approach were important." Tyner s newstyle provided a new textural groundwork andbecame to be known as more "orchestrally" con¬ceived approach.This "orchestral" mode is evident on one of thebest cuts on the album, "One Down, One Up,"recorded live at Newport in 1965. Tyner's chordalenergy and use of dissonance are a perfect com¬plement to Coltrane, especially during the latter'ssolo. Although not quite as successful, " Sun Ship,"is still powerful Tyner in his liberation.Unfortunately, a few less-than-memorabletracks were included ("Autumn Leaves," and"You'd Be So Nice To Come Home To”), but foranyone interested in the evolution of aremarkable musical genius, this McCoy Tynercollection is a gem.-Larry FriskeCornflower SuiteSuhi McGrath(Adelphi AD 1002s)The Call of the Morning DoveSuni McGrath(Adelphi 1014s)Way back in 1959, John Fahey put out an albumof solo steel-stringed guitar, Blind Joe Death.-Since then the number of guitarists that havefollowed suit has been legion. All have viewedthe guitar as a concert instrument and have at¬tempted to bring a number of disparate in¬fluences into their recordings. Leo Kottke is agood example.According to Suni McGroth, another Adelphirecording artist, the influences on his playinghave been "the rhythmic harmonies of Bulgarianmusic, an Eastern Hindustani influence, Bartok,and Fahey." This may be laying it on a bit toothick. On his first album, Cornflower Suite, themusic is a hodgepodge of traditional countrymusic, jazz, and lengthy theme developmentreminiscent of Fahey. The recording itself seemserratic in quality but then again this may beMcGrath's playing, which is sometimes uneven.This album seems to inferior to his second, TheCall of the Morning Dove. Here McGrath playstunes which are religious in tone and he notesthat he is "grateful to Jesus for life” on the back ofthe jacket. Highlights of this interesting group ofguitar arrangements include Gary Davis' "IBelong to the Band" and McGrath's arrangementof "Tis So Sweet to Believe in Jesus." His playingon this album is smoother and tastefullyarranged. The guitar seems to lend itself to theplaying of hymns and religious music. If you likeFahey, you'll be interested in McGrath.-David CohenNico Baby and the AngelDavid Blue(Asylum SD 5066)David Blue ranks among the finest cf theoverlooked folk-singers around. His first album onAsylum, Stories, was one of the records thatestablished the legend of David Geffen's newlabel; its sale were insignificant, despite its ac-claim. His new album might attract some at¬tention because of the people who back him up;several of the Eagles (who sing his song OutlawMan" on their latest Ip) Graham Nash, DaveMason (which might mean that Mason has joinedthe Asylum artists), and Jennifer Warren, who isalso right up there among highly rated over¬looked artists.With four good guitarists, two pianists, andfour harmonizing vocalists, the direction of thisalburn is no* hard u. predict Dave Mason s workon electric guitar is up to his usual high standards,cleanly l<v mg through the backgrounds of varioussongs, and I have always been a fan of hisunusually e'ear singing Nash contributes more onelectric piano than on guitar, and also harmonizesin the old CSN tradition. Ehe Eagles provide theclean un-fuz/v bark no that is the Asvlum trade1973 mark; but the ultimate test is the quality of Blue swritingQuite simply, this is the finest album by afolk-rocker in at least a year or so. The electricback-up (when was the last time you heard thatphrase Highway 61?) disqualifies it from thestraight folk category (Joni Mitchell etc) aswould the inclusion of several hard rock songs.Outlaw Man is one of the finest road songs sin¬ce Take It Easy Lady O Lady is the best balladop the album, and could go a long way towardsre popularizing the ballad form.On Sunday, Any Sunday is a fine down-and-out song that recalls Kristoffersbn's "Sunday Mor¬ning Coming Down". And "Nice Baby and theAngel is one of the clearest story songs in a longwhile. Despite a few surface resemblances toother artists' works, the songs are firmly imbuedwith Blue's own sensitivity. This should finallyearn him the recognition he deserves.-Gage AndrewsRE-EVALUAtlONS: THE IMPULSE YEARSFreddie Hubbard(ABC Impulse AS 9237)Impulse is re-releasing some early sixty's tapesof jazz artists who were under contract to them atthe time. Freddie Hubbard was only twenty threeyears old when some of these recordings weremade. His age was no barrier to achievement in♦he jazz world. He had already possessed afacility in improvisation. In listening to him, the in¬fluence of Dizzy Gillespie is unmistakable, but thelinear development of thematic material is aproduct of his own quick working mind.In some of the numbers (the better numbers, inmy estimation) John Gilmore plays tenor sax toHubbard's horn. Those numbers are energized,"esoteric" type jazz pieces. Even "The SeventhDay," a subdued,Spanish-flavored number soundsexcitingly energetic when Gilmore takes hissolo.Freddie Hubbard was at his best in a small en¬semble and there are plenty of that sort of num¬ber. "Hoe-Down" offers a chance to hear Hubbardin a tight arrangement of other horns. Hubbardthen takes off ond shows off his agility and speed."Stolen Moments" shows Hubbard in a differentlight. Here he is intensely moving and gentlyemotional.There are a few numbers that bury Hubbard un¬der a million calories of violin sugar. "Skylark" issuch a number that is ruined by excessive strings.Hubbard affects a silky tone that is not at all flat¬tering. It fails at everything except to demon¬strate how hard it is to handle a large group.This album is a good introduction to the worksof Hubbard. It shows his talent in writing and inperforming. It also serves as an introduction to♦he contemporary jazz of people like Sun Ra. Likeno complete jazz album, this album contains some"old" jazz with pieces by Duke Ellington.— Michael FranzenSomebody Elsa's TroublesSteve Goodman(Buddah BDS 5121).Steve Goodman has a rare gift-the ability touse satire to dissolve pain into laughter. Itrequires a special sensitivity, to stop before he isno longer funny; it is the only way to avoid beingbitterly political and polemic. "Lincoln ParkPirates" has more than a ring of truth to it, but itmakes you laugh first. "Chicken Cordon Blues" isone of the most devosting statements againstvegetarianism I’ve come across, yet no one hascomplained about it; and you know that he’s got avery good reason to be singing the country-flavored "Don't Do Me Any Favors Any More".And yet, a perception acute enough to getthrough life by sustaining itself on the day to dayridiculous things can t help but see the rest too.The Ballad of Penny Evans' was written beforethe end of the Vietnam ' war", and this acapellaversion clearly strains the limits of Goodman s interestmg though not very trained) voice hut it isso Honestly personal that you feel Goodman musthave known Penny Evans as a next door neighborIt makes the indictment of the govern nent lessvicious, but no less effective.There are other good things here: "The Dut¬chman , soon to be released as a single, which isan example of Goodman's ability to pick otherpeople s songs; Song for David", a warm lovesong that has nothing to do with romance; T Ain'tHeard You Play No Blues , which brings Mrs,Goodman into a showdown with B B King, andyou'll never guess who's going to lose.Goodman's gotten a lot of publicity from thisalbum, a lot of good reviews He , gone on anational tour and is getting SRO crowds in NewYork, which he deserves because he puts on areally fine show in which you get to hear all theiyrics that he isn't allowed to record. But what hehas recorded on Somebody Else's Troubles is farbetter than his first album; it's a broadly suc-cessful cornerstone to the whole burgeoningChicago folk scene I'm only sorry that he’s gottenso popular that I can no longer spring him unannounced on my friends and have them ask Who isthat9 Ann Arbor Blues & Jazz Festival 1972(Atlantic SD 2 502)This festival, held last September, wasdedicated to the late Otis Spann and held at theAnn Arbor Memorial Field which is now named ofter him. It was an attempt by John Sinclair andPeter Andrews to restore the music to its reghtfulcontext: the people. The emotional peak of thistwo record set (and probably of the festival,’ isLucille Spann s blues tribute to her late husband,Dedicated to Otis I knew that one day Otiswe hod to part/But I can't say good-byeOtis Those words were never meant for you andI/So I say sleep on, Otis/I'll meet you on the otherside.''Blues guitar is where the other highlights arefound. Luther Allisons slow guitar cookin onPlease Send Me Someone to Love . (with a torridsaxophone solo by Kent Ivy) is tough to match.Hound Dog Taylor's slide guitar (with BrewerPhillips lead) on Kitchen Sink Boogie is thebest full-ahead steamin on these two records.Chicago bluesmen, Otis Rush and Jimmy FastFingers Dawkins stand out on the intense,del i ber at el y-paced, "Gambler s Blues .For vocalizing Sippie Wallace talks to theladies with Women Be Wise . (with Bonnie Raitt)The message is as relevant today as it was whenshe first recorded it in 1929. My favorite cut,though is the funky, raw vocal done by Dr. John, "IWalk On Gilded Splinters."Atlantic has again succeeded in producing atechnically acceptable sound for a festival, and anexpecioliy well-designed album cover. Un¬fortunately, of the four sides, exactly two jazzselections were chosen for this album (Sun Ra andCJQ). It may be that Archie Shepp Pharoah San¬ders, Miles Davis and The Art Ensemble ofChicago were prevented from being includedbecause of contractual or other legalarrangements. Fortunately, The Art Ensemble canbe heard in their entirety at the festival onanother Atlantic album, Bap-tizum (SD 1639).Side two is the masterpiece.) In any case, thisrecord offers a rich picking of today's blues.Larry FriskeRed Rose Speed wayPaul McCartney and Wings(Capitol SMAL 3409)Paul McCartney is the unfortunate master ofone of the most discouraging of today's musicalforms: schlock music. Muzak with words.Seriously (or at least profit-mindedly) composeddreck. It is a moot question whether anyonewould even look at such junk were McCartney nota former Beatle. Paul is clearly far more of a culthero (and a shrinking cult at that) than any sort ofmusical force, influence, or even talent.It has gone beyond a point of pride with methat I don't have a radio; when I consider thatthere are singles that are taken from this album, Iam deeply grateful that I don't have one. To putthe album in summary: the musicianship is toopoor to be worth discussing; the writing revealsthat McCartney vocabulary, sense of rhyme, sen¬se of discretion/relevance/awareness, and hisremembrance of grammar all have deterioratedon a geometric scale with his advancing age; thepictures on the inside qf the album are too com¬mon to be insightful, too dumb to be funny, andnot dirty enough to be pornographic.I would be just as happy it the red rose which isin Paul’s mouth (on the album cover) would staythere forever. Then perhaps he would smell nice.-Gage AndrewsLou Reed and the Velvet Underground(Pride PRD 0022)The Velvet Underground was the machismo-Fugs of the underground drug world. The talentsof Lou Reed and John Clea were both embeddedin one of the most talented, scrungiest reflectionof the toughesl. most deadly sub-society in NewYork. They were famous, they had an aura, theyhad a cult; they were incredibly talented, a set ofLenny Bruce's set to music.It is truly ironic that Pride, a MGM subsidiary,should be re-issumg this retrospective since thepresident of MGM is one of the fiercest crusadersm the fight to clean up records in order to preventAmerica s youth from being subverted. Not thatthe Velvet Underground will subvert you: per¬vert perhaps but never zubvertIncluded hei e are an excellent cross-section ofall the most notorious Underground songs: "SisterRay . Heroin While Light'White Heat Fernme Fatale", "Lady Godiva's Operation". They areall classics of formative early toughie rock, thebest that Alice Cooper and David Bowie mighthove come up with if they had channeled all theirenergies into music instead of into stage shows, Adefinite must in the field.-Gage AndrewsTravelin'ManRoy Bookbinder(Adelphi AD 101 7s)Roy Bookbinder is a modern day imitator of theold country bluesman and ragtime guitarists who(Contimi#»H nn nngo 91)20- The Chicago Mo dod Friday, May 25• ••AND MORE RECORDS(Confined from page 20)predominated in the twenties and thirties. Therecord is on Adelphi, a small but reputable Folklabel that has been recording relatively unknownoldtime music players for years.The tunes Bookbinder plays are an excellentsampling of a number of different styles of guitarplaying, ranging from the East Coast ragtimeblues style of the late Reverend Gary Davis("Delia" and ' Cincinnati Flow Rag") to a DeltaBlues style ("Mississippi Blues ’). The record is ex¬cellent for the young aspiring guitarist to learnsome hot ragtime licks. The playing is competentthroughout and much of the time is faithful to theoriginal manner in which the songs was played.Bookbinder's voice is not exactly the most bluesyvoice I’ve ever heard but it is never unpleasant.As with much of this music, the words of thetunes are damn close to obscene and the recordcan be alot of fun to listen to. Bookbinder hasevidently played with quite a few people in thepast few years and was a protege of Gary Davis.He is at ease with the music he is playing and therecord is a good introduction to country bluesstyles for those who don’t have the patience tolisten to murky reissues of the originals.-David CohenBack In *72Bob Seeger(Palladium MS 2126)The only thing I'd heard from Bob Seeger priorto this album was his hit single or six or sevenyears ago; "Ramblin' Gamblin' Man." Back In '72is Seegers sixth album, and while it's still rockand roll, the adolescence characterizing thatearlier single has here given way to the work of amature singer-songwriter.Superficially, Back In *72 sounds a little like aJoe Cocker record, due to similarities betweenthe two singers' gruff and awkward deliveries,and their common use of the Memphis soul idiom.However, Seeger comes across as meaning whathe's singing more so than does Cocker, and hisuse of the Muscle Shoals Band-who made many ofthose Memphis soul sides-lends this record apower and grace that neither the Grease Bandnor Mad Dogs and Englishmen ever achieved forCocker.Back In ‘72 is about evenly divided betweenrockers and ballads, and the best thing are the sixSeeger originals and a great re-work-ing of Mid¬night Rider." On that cut, Guest Star J.J. Cale sguitar runs through an urgent arrangement likeice water, and the terror in the lyrics is better con¬veyed than in either Cocker's version or theAllman Brothers original. So I Wrote You ASong has the melodic richness of a good Lennon-McCartney tune, and "Turn the Page is an unob-strusively corny and overwhelmingly sincere ac¬count of the trials and tribulations of a rock staron the road.If "Rosalie" isn’t a single yet, it should be. It's inthe vein of recent Rolling Stones work (it soundslittle like Soul Survivor ), but lighter and morefluid. Rock like Rosalie and the title song, balan¬ced by the deeper emotionality of Seegersballads, makes Back In ‘72 a consistent, top-notch album.-Mark BushmanAndy Pratt(Columbia)Andy Pratt has mode himself known in spotsalong the East Coast, through live appearances aswell as through a group of tapes that wereavailable to certain radio listeners. These tapesform, in a large part, the new Andy Pratt album,and when it was released, it was enthusiasticallyreceived around New England, and is beingenergetically pushed by Columbia.The album is a very interesting one, with somegood and original tracks. It centers around Pratt'svoice, which is extremely flexible, and his in¬tricate piano playing, although he also plays bass,guitar, and sitar (as well as tabla, accordion, andclavinet). It has some obvious flaws; it tries to at¬tract too much attention with unnecessaryflashiness and dramatics. But much of it is com¬pelling and exciting.The first cut "Avenging Annie", is the beston the album, and a really fine one. It starts with nonstop piano and a very attractive rhythm.Pratt's voice does everything here, out front andin the background. The song moves well, goesthrough a number of shifts but is internally con¬sistent. The pace is very strong: it moves to aclimax, then Pratt lets it down and brings it backup again (repeating one line 15 times).The next cut, "Inside Me Wants Out," ismore of a vocal showcase. Pratt can do a lot withhis voice, sounding like a lot of different people.Here he comes close at times to Leon Russel. Thecut is a little too much, too breathy and grunty,but the chorus is especially good, dramatic andforceful. Like many of the songs, this one isalmost too much in its complex levels of sound(especially with stereophones)."It's All Behind You" is again a little lessthan what came before. The spoken lyrics andsitar are too melodramatic, almost ridiculous.However, it features a good chipmunk (as inAlvin).The next cut is "Summer Summer," in whichhe uses more of a Neil Young vocal techniquewith shades of Elton John in the piano andphrasing. The song is less original than the others,with less depth, but the chorus, as usual, is good.Call Up That Old Friend" has the familiar youdone her wrong" theme that dates back notablyto She Loves You”, telling the friend that things IIbe alright if the friend just puts some effort intothe relationship:It s so confusing when people fightBut you re still not trying to make it rightGo call up that old friend."The second side is also a bit spotty—fineoriginal cuts interspersed with more familiarplaying around. Give It All To Music is one ofthe latter, still a bit melodramatic, especially atthe breaks. The chorus is good, but the songcomes off a little Top 40. Who Am I Talking To" ismuch better, featuring acoustic guitar by Pratt ina more traditional pattern, combined with hisvoice with its nice texture and its conga-beatenphrasings.All The King's Weight is a bit trippy, but Prattlets you raise an eyebrow without saying, This isridiculous". You can take it and appreciate it. Thesax solo and madola work isn't necessary, butagain, he knows how to bring it up so that it endssatisfyingly. The next is So Fine (It's Frightening) —it maynot be that good, the background oooh s don thelp, and the song has a little too much sound tobe light, but it has an attraction when Pratt singsso fine".A quavering guitar run leads into Sittin DownIn The Twilight," which is another good one. Prattrepeatedly shows how to lead a song along to apowerful ending. Here his voice(s) is amazing,from the high falsetto to the trembling Gibb-voiceto a low, breathy grumbling; from a female ooohna na na to a hoarse shouting. The backup drums,bass, and especially trombone are also very good.The album ends oddly with Deer Song"—alow, quavering voice very up front over acousticand mandolin. It's very far from the complex over¬tracking and falsetto of the rest of the album, andis almost eerie with the low whisperingpenetration of the vocal, It needs to be ap¬preciated, but one must listen sympathetically tothe overdramatization.Perhaps by now the problem with discussingthis album is clear. The flaws are so obvious as toalmost alienate the listener, but there is still thefeeling that Andy Pratt has something worthlistening to—something that gets muddled whentried on less thanexceptional songs, that sufferswhen Pratt tries to do too much with it. It brings tomind Truth, the first Jeff Beck Group album. Itseemed that the group had more things it wontedto try than could be accomodated, and as a resultsome of the cuts were overdone. Hopefully, Prattwon t end up with the Tim Bogert and CarmineAppice of the future.—Aaron LipstadtDark Side of the MoonPink Floyd(Capitol St-11163)Pink Floyd has been generally known, almostlegendarily, for technical care and skill in theirrecordings. Recently, awe has also grown for theirconcert arrangements-technical extravaganzasthat combine lights, color, and sound. On theirlatest release, however, it seems that the grouphas lost or sacrificed any live, spontaneous thrustto this engineering care. The album is verysmooth and always under control, but that is afault, not an asset. It never escapes the studio,never lets go. This isn t to imply that Pink Floyd can no longersucceed in a concert, or that the music doesn tcome across live. Their performances aren t in¬tended as a musical release of emotion, but are acarefully constructed show intended to create anatmosphere. This atmosphere can t succeed whenunaccompanied, either by the whole stageprescence or by other artificial techniques whichallow the listener s consciousness to conform tothe musically created atmosphereThe album starts with the sound of a heart¬beat. It would be too cruei to say that that is theextent of the life of the record; it does have itsmoments, mixed in with the repetitious syn¬thesizer sounds and the inflated lyrics. The firstcut, "Breathe , starts out with a very languidguitar over a slow bass; the vocals slide breathilyacross the notes. Breathe moves into On TheRun"; the sounds created here are nice, but aren tsustained or memorable-just a collection of soun¬ds and sound effects.Time ' is an attempt at a more forceful song,but a climax never comes, the forcefulness nevergets full expression. Great Guy in the Sky endsthe side with a mixture of piano, organ, andsoaring female voices, but it doesn t goanywhere.Money opens the second side with cashregisters and coins jingling, in addition to thevarious solos on keyboards or guitar over a bass,drums, and synthesizer background. The troubleis that the solos never get off the ground. Us andThem" accentuates the lyrics by giving them nomusical competition, and the lyrics just can t standup by themselves. The dramatic build-up is shortand unsustained, and the song is too long andbecomes boring.Brain Damage is probably the mostmemorable song on the album. The lyrics arewhimsically meaningful, but the attempt at strictmeaning fails. They should be given some creditfor sympathetic evocation on this one, though.Eclipse ends the album as it started verysluggishly.Pink Floyd s massive publicity probably broughtthis album to attention in the first place, but itsunique sound is too restrained for it to be realiysuccessful. -Aaron LipstadtDepartment of Music PresentsCONTEMPORARY CHAMBER PLAYERSA PROGRAM FOR SOLOISTSguest artist; ROBERT CONANT, harpsichordFRIDAY* MAY 25. 1973MANDEL HALL • 8:30 PMFREE FREE THEUNIVERSITYOFCHICAGOBOOKSTOREwill beCLOSEDSat., May 26 and Monday, May 28forMEMORIAL DAY HOLIDAY2193NEW 73■ $193.SO Down. $6S SSI Monthly. 3$ Faymmti ,'Annual Ftrctnloft iRate to 14.S4. Total JDtltrrid price M$2673. t S Mi litre M J VO MONTHLY' With OR Credit 1*193 DOWN JVOLKSWAGEN SOUTH SHOREAvthoniedVWDMler/ Solos i Ports Dopts. PhoiM*7234 S. Stony Islond0’""*”5"* SO 8-4900Friday, May 25,1973 - The Chicago Maroon - 21MAROON CLASSIFIED ADSSCENESSci Fi's, Mysteries & Westernswelcome in Ida Noyes MysteryLibrary. Before you leave for thesummer, make your own contributionto "Student Life" (also returnborrowed ones )Hear Prof George Anastaplo (LiberalArts UC & Pol Sci & PhilosophyRosary College) on "The EmperorJulian (331 363) On Prudence inAffairs Both Human and Divine." atHillel tonight at 8 30 5715 S.WoodlawnFriends of the Gargoyle: You areinvited to the 2nd Annual Blue BashFriday June 1, 8 00 10 00p m. Freeentertainment and music.FREE PUBLIC LECTURES: 3:J0pmTues. May 29 Soc. Sci 122 JimMocarski, American Resarch Bureauon "Radio and Television Ratings",also 3:30pm Thurs., May 31 Cobb 209Larry Frerk of A C Nielsen Co on"Research Methodology of Computingthe Nielsen Ratings of TelevisionAudience Size and Composition."History dept sherry hour Soc. Sci.Tea room Friday 5/ 25 at 4:00p m.RECYCLE your bottles, flattenedcans, aluminum, newspaper at HydePark Recycling Center, 54th & S.LakePark Open 10 4 Sat, 1 4 Sun SUMMER SUBLET: Huge (6 rm 8. 2bths) and beautiful Hyde Parkapartment Nice neighbors. Call 3631238Share 4 rm furn apt w/ couple bothUC students. Own rm ktchn priv.pleasant atmosphere, plants etc. verynear campus 58 & Drexel summer orlonger $65/ mo 241 7254Mod 2 bdr cent a/ c well furn apt. Sep73 Mar 74 $175 tel. 924 2947Sublet mid Je/ Jl 1 with opt to lese 1bdrm apt E. Hyde Pk Safe bldg viewof lake 8. loop $182 days 675 2200 x267,wknds 752 0768Sublet fall option. June 1st. 1,2,bedroom apt good location $165 8.utilities 955 5313 eveningsSublet with fall option; 2 bedroom apt(4 1/ 2 rms); 1451 E 52 St ($175/ mo)avail June 15, call 241 5119 dinnertimeor 12 lamNeed safe clean 2 bdrm apt asapbefore Aug 31 Dale 947 0394SPACESUMMER SUBLET Part of an aircond apt available June 10. For one ortwo Option to take whole apt on 9/ 1Modern bldg near 55th andBlackstone 955 9096 eveningsSUMMER SUBLET June 15 to Sept 15,4 bdrm Furn 54 8. Grnwd $150/ moCall NOW 753 2240 Rm 1718 or 1805xMozart/ Gilbert & Sullivan May 25 &2* at Kenwood HS. For tickets and Working female needs own room in aptfurther information, call 538 8325 June' Jy|V w/ °ther woman/ women.Call 288 4234 after 6 p.m.22 - Tha Chicago Maroon - Friday, May 25, 1973 Summer Sublet: furn 1 bedrm aptmarried students $145 eves 324 3138summer sublet, air conditioned roomin Little Pierce. 955 0660. Reasonablycheap.Summer sublet bdrm in spacious 2bdrm South Shore apt Furnished.Right on the lake! $85 Call 374 122656th 8. University two vacancies JuneSept furn spacious nice. Call 753 2249ext 3405 or 3403 Hurry!Conveiently located studio at 55th 8.Harper. On UC bus route, close to 1C$125/ mo. Year lease beginning midJune 241 5435Spacious, sunny E Hyde Park apt. for3 or more people. June Sept. Call 7522439Lg sunny So Shore apt avail June 15 oncampus bus route Garage avail, call363 3261 eveningsSummer sublet in Little Pierce aircond Call 753 2261 #846Need a place next year? 2 br 2 bt ACsafe apt near Co op 1C avl June $250/o xtras: laundry, bikeroom sec. guardcall 947 0371 after 52 LGE Bdrms for women or SmallFam. S. Shore apt 978 3466 Summeronly1/ 2 friendly apt, furn or not AvailNOW $60/ mo 1225 E 54 Fall opt Fernonly 667 1230 aftr 5 p.m.Rmmte, own bedrm Lg 5 rm apt inShore clean bldg avail, immed or 7/ 1fall opt. call HY 3 0061 after 6M/ F GRAD WANTED: toshareig HPapt w/ 2 others own room $71, 6/ 1;241 7796Sublet 6/ 15 10/ 1 (Fall Option! 2 RmsWith A View $123 Includes Utils. 54 8.Blackstone 241 6423 or 955 1546Med student needs efficiency or roomto rent with nice folks; 9/ 2 throughyear HELP! John 955 1237Fern roomate wanted: own room incozy apartment, 53 8. Kenwood$85/ month (will negotiate) 752 3378Share apt for summer 53rd 8. Harperarea I'm looking for a responsiblestraight male student. Possibly fornext year also. Furnished own bedrmCall 947 8556 eves or leave message forEriksen at 996 2684 days.Two roomates wanted to share largeold elegant home in South Shore. Ownbedrooms. Huge rumpus room w/ barstudents welcome Male and femaleStraight. Good parking on quietresidential street near 1C and bus $85month. 996 5577. 9am 3pmSub lease lovely spacious fourbedroom 13 room home in South Shore.Furnished, large rec room, fencedbackyard Quiet street near transp.Available June through Sept. $175month 493 1585. Call from 9am 5pmRm in Ige apt 57 8, Kenwood$70 50/mo. 753 3940 days or 731 2023evesCoach house in South Shore near 1Cand campus bus four rooms plus anattached garage with electric eyeavailable May 25 Pay from June 1;$165/ mo Call 799 6641Fern rmmte wanted for sunny furn 2bdrm apt. Near 54th 8. Harper AvailJune 1st, Call 493 4773 after 6pmLITTLE PIERCE Sublet for 1, air cdWaterbed/ luxury/ $75/ mo 493 2205Faculty couple wish to rent twobedroom apt or house in Hyde Parkarea. Starting on Sept. 1. Call 493 5892Wanted: apartment for three nearcampus. Start in Sept, or summer.Call John 753 3541 apt. 54Share 5 room apt. Mature theatre oryoga student prefered Must be neat,area 5300 S. Princeton, mo. rent advance $65 Write H. Spaulding c/oK K College., Speech & Drama Dept.,6800 S. Wentworth, Chicago, III 60621SUNNY QUIET ONE BEDROOM APTLR, DR, K, AND BATH AVAILABLENOW 146 5425 S. WOODLAWN AVE.CALL 955 3285 LEAVE MESSAGEWILL THROW IN SOME FURN, A/ CNeed two roomates for summer. CallAnn 288 6304Quiet sblter 2 blks fr campus VeryCheap Lovely apt Avail 6/ 1; 752 7196Room for one more in large sunny 3bedroom apt centrally located at 5344S. Greenwood Call 947 9265Summer sublet, furn. 2 bdrm apt. inhighrise near lake. $218/ mo. June 1stSept Call 643 1407, or 493 2822, leavemessage for Gary.SUMMER SUBLET 2nd floor ofelegant Edward Goreyish house,furnished, w/ kitchen, 2 fridges, 4bedrooms (2 w fireplaces)open 8.closed porches, stained glass windowsetc at 58th 8. Beautiful tree linedHarper Call 643 0176To Summer Sublet furn. 1 bdrm aptmarried students $145 eve 324 3138FREE ROOM summer qtr in facultyhome in Kenwood tor some help withyard house and/or babysitting 3732625Cummer Cubit? for ! 3 pcop1? n*ar53rd and Woodlawn. near,shopping,mini bus at door. Rent very »negotiable. Call Fred 241 6894 after 5 3 bedrms sublet in large apt withothers, June thru Sept possible Falloption on one rm 5237 Kenwood CallGeorge; 363 7407. Apartment needed for three. StartSeptember 1973 Pat 753 8141Grad to share 7 rm apt June Sept $56mo. 51st 8.Greenwd Call 3244677 aft 7 FOR SALE3/4 size cello (Kay) w/case. Newstrings, barely used. Best offer 3245116Female wants two summer roommates. Only $58/ month! At 54th 8.Woodlawn Call 753 2240 rm 1912. KeeptryingSUMMER SUBLET 6/11 Sept 1 rm.in 5 rm apt. 5306 S. Greenwood $50/ moCall Mary 648 5534SUBLT mid June mid Sept 7 1/2 rmapt. 3 bearm avail $45 each/ monthutil. incl. 6022 Ingleside 493 4471Summer sublet: 2 rms "Little Pierce"(57th 8, Dorchester). Jim, 324 7570evenings.RENTING 2 1/2 rm. Best deal of itstype; $120, 667 3667 June 15.Facuity invited to rent villa or cottageItalian Alps during Sept, or Oct. WriteProf. Previtali Box 323 Cotati,California 9492856th 8i Dorchester 4 1/2 condo 1 bdrmsunporch large closets formal diningrecently remodelled $19000 air condassess 47/ mo eve 643 5473One bdrm apt avail beginning June orJuly 5455 Blackstone $153 incl util Call947 9769 or 288 2960 eveFURN 2 BDRM APT 1 1/2 blks tocampus wkg fireplace June 16 Sep!SUNNY Safe Spacious Inexpensive684 3183Roommate wanted to share house. Nrco op and campus avail. June 15 Falloption. Call 643 81841 bedroom apt. available Sept. 15 2885441 after 5:30 p.m.Rooms for the summer Located oncampus. Inexpensive, kitchen, TVroom, library etc A great deal in abeautiful place. Call 753 2297 anytime.to live atTHE FLAMINGOON THE LAKE5500South Shore DriveStudios from $154One bedroom from $ 170Furnished or unfurnishedShort term leasesSwimming pool-no fee752-3800MrSjAdelman^CHICAGO BEACH HOTELBEAUTIFUL FURNISHED APARTMENTS Near beach, parks, I.C. trans,11 mins, to loop U of C and downtownloop buses at door. Modest dailyweekly monthly rates. 24hr. deskComplete hotel services. 5100 S.Cornell DO 3 2400Live in Federika's famous bldg.Nearby, furn. or unfurn. 2 8. 3 rm. aptsfor 1,2,3 people. Refrig., stove., pvt.bath, stm heat. Quiet. Sunny , view.Parking, trans, $120 00 up Free Utils.Robinson, 6043 Woodlawn. 955 9209 or427 2583. Short term lease or longerS. Shore br house for 3 4 mon. SubletRm 8. pvt bath near campus $10/ weekbegin June 1 for summer D03 2521Respons. F. PhD CAND. NEEDSSMALL VERY QUIET RM IN WESTHRespons. t PhD can. needs small veryquiet rm in west Hyde Park home foruse as study 324 3624For rent 3 bdrms 2 baths furn apt. 6/ 15to 9/ 15 $250 56th Dorchesterwas/ dryer dshwsher bkyd 684 2086Summer sublet large 2 bdrm 2 bathfurn apt 5112 Harper. Convenient $175;753 4094 or 643 6243.Room in attractive Kenwood home,a/ c June 1 Oct 1; 285 3673. On campusbus route.Summer Sublet two apts. $50 $60 option for next year space for three inone, four in the other apt. Call 493 0685Rommate wanted to share 3 bdrm a/ xapt with two med students $60/ moSpacious 4 rm E. Hyde Pk apt rentnegotiable June 15 Sept 15; 684 1568Sublet immed 1 rmmate wantedsunny apt on Kenwood nr 57th $67 permonth Call 241 7230 evenings.Fern rmmte wanted: own bedrooo^S.bath in furn apt for summer/Talloption Across from Regenstein.$60/ mo Call 955 9749 or 955 2265Two rooms to sublet $71/ mo. per/ pJunelS Sept 1; 1,2 or 3 mo. 5340 S.Harper Exc cond. Large sunny wellfurnished. Kitchen newly remod.Backyard, good janitor. Use of Hi-Fi 8.records. 1/ 2bl fr Harper Ct 8i Coop.Right on mini bus route. Call Louis orCraig 947 9330Roommates wanted (one for summer,one for summer or longer) in 4 bdrmapt 5401 Wdlwn avail 6/ 8 $51/ mo 3241770Summer house in Ogden DunesComm, dist to U of C 536 4354 after 6 Room mate or couple wanted to sharelarge cheap apt. Own large bdrm 8.study one other person. 752 0967Mellow summer living 3 bedrooms inIrg sunny saft apt. 56 8. Blkstone JunSept furnished perfect for group Call947 0373 aft 6. Hurry.Hyde Park TowitiMse far SaleLarge, prize winning, 7-year oldcorner house on dead endstreet, 4 bdrms, 2'/» baths, cent,air., w/w crptg., storms, Irg.bsmt., pvt. prkg. Short walk toUniversity. Many other modernfeatures. $45,000. 324-4103eves.PEOPLE WANTEDRoom and partial board in return forbabysitting 3 sml children; Ige HydePark. apt. own room; bath. 643 3792Ref. Required fall '73Citizens for a Better Environment hassummer positions available involvingpetitioning, fund raising, staff projectsand management. Meet a myriad ofinteresting people and earn money forthe next term. For an interview phoneChicago: 248 1984, Elgin: 697 3783Need rmmate spacious H. Pk. apt. 11/ 2 blks from lake Rent reasonable.Call 684 8120 for Herb or Chuck after 6pm.BATON TWIRLING COUNSELORGirls' camp in Wisconsin June 17 toAug 18 Camp AGAWAK 6704 NTalman, Chicago, III. 60645; 764 6116EXPERIENCED HOMEWINEMAKER is required by a localshop for full or part time work in thisfast growing operation at Hyde Parkand/ or sth suburbs., for demonstrations and selling. Call 747 4768Room clerk for Southeast motel.Hours Fri. & Sat midnight 8a.m Call581 4460Assistant Business Manager for theMaroon. Full time job for 73 74 schoolyear. Full benefits. Call Rich at 7533266 or see ad this page. Chairs, Desk, $3 5, 268 2028 after 5SCHWINN BIKE girls blue mediumsize. Perfect for 6 12 yr. old. Very goodcond. $20. 667 3875, 753 440666Ford station wagon runs fine; norust. $350, 752 3669 or 324 1537Sears Air Conditioner. Almost Newwarrenty still in effect $125 or bestoffer. Call 288 2773 by 6/ 4Beagle puppy seven months old allshots licenced, papers on pedigree.Moving to no pets house price fifty, butnegotiable. Call 9 5; 753 4667 DurhamSofa daybed ex.cond 373 6467IMOTORCYCLE ACCESSORIES FOR'SALE: roll bars for Honda 450;luggage rack for Yamaha 305 orsimilar size bike. Call Andrew 955 8952evening Cheap Prices!Dodge Coronet 66, 6 cyl stick shift45000mi. exc. cond $350 or best offer947 8657 after 5 p m.63 VW sunroof reb'lt ent. new baft.gen8<starter good cond $350 288 7985Fine stereo equipment Pioneer SX 626reciever, Dynaco A 25 speakers, BSR310 automatic turntable 6 months old,perfect condition 753 2249 ex 2220Steve Lewicki, leave message if not in$425 negotiable.SUNDAY BRUNCH*4.00/person(children’s rate also)AM FM digital clock radio excellentcontition. Squash racket like new. CallJean Paul Rigaud 753 8100Sansui 5000A Rcvr Like New $200.Dual 1219 TT w/ Shure M91E 752 3230Large Bureau $20; Kitchen Chest $20Easy Chair $10; Lamp $3; 752 3230Registered Nurses, Receptionist,Laboratory Technicians wanted.Woodlawn Hospital 6060 S. Drexel 7523300 ex. 286 Personnel. 68 VW needs body mechanical wo-k.$150/ offer 753 2589 aft. 6 274 34311965 Triumph Tiger Cub 200cc goodcondition 8000 mi. 324 3158University woman wanted to babysitweekends in exchange for room andboard Large quarters, laundry roomprivate bath, many extras. Coupleacceptable in exchange for yardworketc. Call 363 4796Wanted Full time secretary inEvanston, Good salary, fringe benefitsCall 752 8946 after 6 p.m.Graduate student & wife Sept 1 to liveon third floor of Kenwood home andCare for two girls 5 and 6 years oldafter school References required. Callfor details 624 6915PEOPLE FOR SALEABLE SEAGIRL wants summer jobnear water preferably on a racing orcrusing sailboat. Will cook, care forchildren, or crew. 924 2721Summer day care provided by UCgrad student experienced inprofessional child care. Planned activities Ages 3 6 $25 wk. 324 0158Exp typist all kinds of papers 947 0033.Moving? Need help ? Hire my van andI Best rates. Jerry at 684 1175.Experienced Manuscript typing onIBM Selectric. 378 5774 APT SALE UNUSUAL FURN 8.MISC. CHEAP 684 4515Double waterbed w/ beautiful paddedframe worth $150, $65 or best offer.Antqued Bstn rocker, etc 493 2205For Sale 1971 Datsun 2 door less than10,000 miles excellent cond. $1500 CallSusan at 241 5278 or 268 044882" gold sofa good condition. Cont.Style $50; 752 618068 Vlks sqback gd cond. luggagecarrier tires like new rect. brake job$1250 or best offer Ml 3 2904Rosenthall China, never used origtags still on, "Classic Rose" pattern,complete service 12 plus extra pcs.total 67 pcs. Retail $492 Best offer. 9556145Glass top Coctail Table, modern oval,curved walnut base,exc condition. $50Call 955 6145AMAZING NEW Invention Sheriff 50protects men and women; Disablesattackers instantly; cannot causepermanent injury. Send for freebrochure on details. Write D & DDistributors, P.O. Box 47, Lansing, III.60438.Like Julian Bream's music? ForCLASSIC GUITAR STUDY 262 4689.Portraits 4 for $4.00 and up. MaynardStudio, 1459 E. 53, 2nd floor. 643 4083. 1968 6 Cyl. Ford Falcon excel conditionnew brakes and shocks, tuned $750Call Jean Paul at 241 7406 before 10 amor after 9 pmBring iton home.You can pick up Col. Sanders’ Kentucky Fried Chicken at:1513 E. HYDE PARK 3LVD.MAROON CLASSIFIED ADSAN INVITATIONTo JoinTHE FLAMINGO CABANA CLUB5500 South Shore DriveFun at the pool in country club surroundings.For Information Call 752-3800 Mrs. Adelman BOOK SALEEvery book in stock (about 7,000 titles)on sale at 20% off list, now throughJune 8 Seminar Co op Bookstore, 5757University, II am 4 pm, Mon Fri.CAMPINGEQUIPMENTFOR SALEMustard gold couch, ex cond ; lightolive gr. rug 12x15, port, stereo 9479257/ 947 9469, 6 10pm. Best offerOrganic chemistry glass ware 8. oven($250); Lady Kenmore washingmachine ($100), humidifier $60; antique vanity ($70); window air conditioners; curtains; furniture; babyitems? Call 493 4943 after 5p.m.Apartment furniture for sale cheapCall 324 1767Used furnishings, CHEAP also chairs,tables, rug etc. Call 643 8646Riviera 66 power air new bat tires $675or best offer Wilson 5508 Cornell 4932443; 528 5585 Weekends evens.BOOKS! !!!40% OFF at Chicago'smost interesting old bookstore. Goingout of business Oct. 31. 20,000 boundbooks. 40% off Also thousands ofpaperbacks and long play records. BillNewman's A1 Bookstore, 1112 NState, Daily 2:30 9:00 p m Sat. andSun 1 30 6:00LOX & BAGELSLast brunch ofthe quarter Sunday atMillet, 11 a m $1.RIDESNeed riders to San Francisco sharecost driving about June 9, 493 4071GAY LIBERATIONDEMONSTRATION AGAINST ANNLANDERS, In a recent cooumn shestated that homosexuality is sickMeet at the Civic Center at 12 noon Sat5/ 26 8. march with us to her apartment Car pool from Ida Noyes at11a.m. Straight supporters welcome.Meeting on Sun 27th to discussSummer Quarter Activities. Ida Noyesat 4p m. If you want Gay Lib to bealive this Summer, come!GAY LIB OFFICE is open for counseling and rapping Sun. thru Thurs. inIda Noyes 301, 7:30 11 p m 753 3274GAY LIB COFFEE HOUSE every Friat the Blue Gargoyle 5655 S UniversityAve 8 12 p mCONSCIOUSNESS RAISINGGROUPS ON SEXUAL IDENTITYcontinue every Thurs. at 7:30 p m. inIda Noyes for gays straights,bisexuals and undectdeds New peopleare very welcome.FRISBEE!!The U High Frisbee Freeks defeaiedthe Lab School's Faculty last Fri , 350 The undefeated Freeks nowchallenge UC or anyone in Chicago to agame of Frisbee Football Call Jerry,493 7938 before 10 p mMEMORIAL DAY4th Annual Hitchcock Memorial DayDance, Sunday May 27th with HOUNDDOG TAYLOR at Hitchcock quad.Barbeque 7:30, Dance 8:30 In case ofrain, move to Ida Noyes Thanks.FOR SALECondominium, 3 bedrooms, newly moder¬nized, backyard, brick garage, south of55th St. low assessment and taxes. Idealfor budget minded couple, or individual.If interestedCall George McGalone667-6666Kennedy, Ryan,Monigal Ass., Inc.WAYWARD CATNamed Hadrian male Siamese one yrold Seal Point Please call 947 0050GOETHE GROANSat BEDAZZLED, Peter Cook andDudley Moore's version of FAUSTWith Raquel Welch as "Lust Sat7:15 8, 9:30 Cobb Hall. Doc Films $1 FOUNDSmall tan furry female dog. Found52nd 8. Kenwood 5/ 13/ 73; 493 3721Young female Beagle at 57th 8.Woodlawn. 241 7093CAT LOVERSOur 2 cats need a foster home for 18months while we be abroad. They arelovable, clean and never scratch wecould never give them away. Expenses paid. 667 1723 eveNEEDED RENTAL sleeping bags, tents stoves,lanterns, packs HICKORY 324 1499WANTEDWOULD YOU LIKE TO STUFF OURBOXES? Just petition Pierce TowerCouncil and YOU will bring HAPPINESS to 226 Lonely MalstarvedIndividuals.Wanted four large steamer trunks; inservicable condition (top must closetightly): Call 493 4943 after 5 p m. ffipKflijniME IS HE&,Two tickets needed for Fri 3 p mconvocation. Will pay 667 7092FREETo loving home affectionate, playfulmale kitten 10 wks old tiger striped,box trained, has had his sots We lovehim, but our dog doesn't Won't you'i>241 7946 or 241 6381 evngs/ wkends.BEDAZZLEDThe University's favorite film PeterCook, Dudley Moore, with RaquelWelch as "Lust" in Stanley Donen'sBEDAZZLED Sat 7:15 8. 9:30 CobbHall Doc. Films $1RIDESRide needed to NYC after convocationwill share exps Ai 493 8845Returning to UC andneed full-day timeLoving Babysitter For Our TwoBoys 4 and 1 'A Yr. Old.Contact: Dr. Robert Kirschner5614 Greenspring Ave.Baltimore, Maryland 21209or phone 301-367-0684 Handsome unreg male Siamesedesires to meet female Siamese xromance in exchange x kitten CallChui 493 0372When does a Western become amystery? When its in Ida's MysteryLibrary. Our thanks to Wally Hass forthe large donation of WesternsA long Sunday of studying needs ashort food break at the Snack Bar 1stfloor Pierce, every Sunday 5 9 p mWRITER'S WORKSHOP (PL 2 8377)AIR COND SUBLETSummer rms in mod furnished LittlePierce apt 1400 E57 st. free utilitiesaval singy/ in group 493 8845 INSOMNIASUBJECTS WANTED BY SLEEPLAB FOR STUDIES OD INSOMNIA,FEMALES ONLY, AGE 18 28 $10 perNIGHT APPLY IN PERSON TO 5741PLAY TENNIS6 indoor cour's, 3 outdoor courts,Private & group lessons availableSouth Side Raquet Club, 1401 E SibleyV19 1235.FOLK DANCING8 p m at Ida Noyes Hall. Sunday(general), Monday (beginners).Friday (requests) 50c donation forinfo Call Janet 955 8184RIDES EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURT ROSENBAUMOptometrist(53 Kimbark Plaza)1200 Eost 53rd StreetHYde Park 3-8372Ride NEEDED to San Franciso weekof 6 4. Will Share expenses. Call 7527124 eves or a mSATAN WORSHIPPERS FUN FOr TODDLERSYou'll love Dudley Moore as the Devilin BEDAZZLED With Raquel Welch.Peter Cook, and E Bron Sat. 7:15 8.9:30 Cobb Doc Films2nd ANNUALBLUE BASH 15 to 24 month olds needed for studv ofplay 8. imitation. Just one 40 min playsession with another child Cal! JeanPoppie, 753 4735 or 752 8624PERSONALSFriends of the Gargoyle. You art-invited to the 2nd Annual Blue Bash,Friday June 1, 8 00 10:00 p m Freeentertainment and music.WANT SOMEONETO TALK TO?Join a serious discussion on the plightand the progress of American Blackfolks Each 2nd and 4th Sunday at 3:305:30 532 W. 95th Street Sponsored bythe DuBois library Phone 488 3500HOUSE TO SHARENeed 3 or 4 to share a bonanza of ahouse for the summer your ownroom and (if you want) your ownstudy, washer and dryer (no coins) oflstreet parking for your car, spaciousliving room, kitchen, two bathsProbably no more rent than you paynow for a grimy, sordid apt Call 2415807 (eve) 753 8546 (days)CONVOCATIONTickets wanted for June collegeconvocation Call 753 0197Two convocation tickets needed CallRosy 643 6515 please Congratulations yogi 40% OFFatINI BOOK NOOKAcross from tho Co-Op*THIS WEEK INew Eddie KendricksNew Rare EarthNew Sly & The Family Stone£★★★★★★★★★★★★★★{ PUT YOURSELF *t AT THE HUB *$WANTEDNeed 2 tickets to June 9 convocationOffer $5 each Call Judy 241 7191SOFTBALLFaculty vs Order of the "C" Friday at4:30 North Field See Skip Landt andMike Krauss slug i* out TodayMUSICDavid Bloom's "FOCUS" jazz groupMonday nights at the£fendi 8:00 to12 30 Top of Hyde Park Bank The MAROON needs a new ASSISTANT BUSINESS .^MANAGER for next year. Your duties will includeJsome simple bookkeeping, typing, subscription)^-^mailing, answering the phone and assembling the^A.T^paper. Full time job. Good pay. 7r JThis is the chance you have been waiting for toH^1 find out about the rest of the University you only^rIguessed existed. Full fringe benefits.* *r Submit a resume to the Maroon Office in Ida)!*^Noyes Hall or call Rich at x3-3266 or 955-0818. ^Joe Louis Milk£/ / ***i "vAU'M' J VVS. j-.PRIDE YOUCAN POUR.H•Ml tV)i f»: »*'= I ( CLASSIFIEDSClassified deadlines are 3 30 Friday for Tuesday s paper and3:30 Wednesday for Friday s paper. The cost is 50V line the firstissue and 40V fine for repeated insertions for UC people NonUC people - 60V line, 40*/fine repeat. All Ads paid in advance sobring them to our office, Rm 304 INH or mail them with a check.Three IlfordSee-For-YourselfSpecialsTo Show You How GoodYour Black And WhitePictures Can Be.l.2 Rolls35MM FilmPlusDeveloper$1 50 2. 3.8x10 8x10Paper Paper6 Pack. 6 Pack.Assorted AssortedContrast SurfaceGrades. 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If purchased in units of 3 of LIKEKIND, $1.00 will be deducted from each multiple of_^bottles.Beaujolais from *2”Rhine from M”Bordeaux from S2MBurgundy X $098from ALoire from S2”Rose from $1”Cheese fer your next party?Try our 3 year old Vermont Cheddar, $ *■ 99full, sharp and tangy. IPER POUNDDaily: 10am-ll pm Sunday: Noon-9 pm Daily: 9am-10pm Sunday: Noon-9 pm24 - The Chicago Maroon - Friday, May 25, 1973THE CHICAGO LITERARY REVIEWVol. 1, No. 2 May. 1973The Chicago Literary Review hasreturned! As you may notice, we’re stillplaying with our format.Copyright 1973 by The ChicagoLiterary Review. All rights revert to theauthors, but CLR reserves limitedreprint rights. For more information,write to The Chicago Literary Reviewc/o The Chicago Maroon, 1212 E. 59thStreet, Chicago, Illinois, 60637. Senior Editor:Mark AckermanExecutive Editor:Simon SchuchatManaging Editor:Curtis JohnsonGraphic Arts:Robert ReiningCover Photo:Steve AokimediaMedia PowerRobert SteinHoughton Mifflin, $6.95Robert Stein, longtime journalist andcurrently editor of McCall’s, attemptsto do a number of things in MediaPower. He sketches the increasingpower ol the media in shaping ourpicture of the world, traces recentchanges in television, magazine andnewspaper journalism, and offers a fewideas on how the media can better serveThe basic message of this book isvitally important. It is that the public isbeing engulfed by news and in¬formation; that the “average man” canno longer detach himself from the newswhen he actually witnesses it first-handon television; but that the media do notrecognize and have been unable (orunwilling) to cope with their vastlyincreased power. Instead of analyzingthe roots of social problems, the mediaonly present their symptoms, so that thepublic is perplexed and powerlessrather than enlightened. Indeed, in theirresearch for wider readerships orlistening audiences, the media actuallycreate phenomena or at least cruciallyaffect the nature of those phenomena.Thus, for example, the saturationcoverage of the “hippie” movement ofthe '60s transformed it from a smallgroup of young people seriously ex¬perimenting with a new lifestyle, to acommercialized, gaudy fad. Yet mostjournalists continue to insist that thesocial implications of their work are nottheir concern, and use the word “ob¬jectivity” as an excuse for their failureto dig below the surface of events.Stein makes a compelling case forthis point of view. He then argues thatthe problem is not one of a conspiracy inwhich a capitalist elite controls themedia, but rather a more complex set ofproblems created by the nature of massmedia in a free society. As the basictechnical requirements for a successfulmagazine or newspaper or televisionnetwork increase, it becomes in¬ creasingly difficult for aspiringpublishers to enter the field. The mediabecome controlled by large cor¬porations which, while not necessarilyforcing their political views on theirstaffs, do tend to discourage anythingbut a “safe” treatment of the news.Reporters tend to become friendly withtheir sources and find it increasinglydifficult to endanger those friendshipsand associations by asking probingquestions. In short, today’s editor orreporter is typically an “organizationman” with all the personal comfortsand basic conservatism implicit in thatterm.When a major story “breaks,” suchas the Pentagon Papers, the media canhandle it courageously and withoutindications of being controlled by apower elite. But while editorscongratulate themselves on theirtreatment of such a story, they neglectthe fact that they could have beenreporting many of the facts containedin, say, the Pentagon Papers yearsbefore, if their reporters had beensufficiently stubborn in their search fortruth. Thus, Stein argues, even if thegovernment is not successful in sup¬pressing freedom of the press, the presstends to stifle itself. This is essentially Stein’s diagnosis ofthe problem, and it is plausible enough.It will be familiar to many who havethought seriously about “mediapower, ’ ’ though it is refreshing to hear itstated so well by a former chairman ofthe American Society of MagazineEditors. The major shortcoming ofStein’s book, however, is that hisanalysis does not leave the reader witha clear idea of what ought to be done tosolve the problem. Stein rightly insiststhat the media must remain free, andtherefore that any public commission to“review” the media, no matter how fineits intentions, would be undesirable. Sohe is forced to conclude that journalistsmust somehow' reform themselves —yet he recognizes how difficult that willbe considering the corporative nature ofthe media. Stein’s book thus seems to beso absorbed in the complexities of“media power” that it fails to isolatekey features of the phenomenon that arecapable of being changed.One such key feature is themonopolistic character of the televisionnetworks, which may be as much aconsequence of government protectionas of the cost of starting a new network.Anti-trust legislation could presumablybe applied to these networks, as well as to the huge newspaper and magazinechains. These networks have so far beensuccessful in preventing the growth ofcable TV and video cassettes, whichwould break the field of television en¬tertainment wide open. Much of theuniformity of the news treatment ontelevision is undoubtably due to the factthat there are only three competitorsserving the nation as a whole. Yet Steindoes not emphasize this aspect of theproblem — and, indeed, he plays downthe economic aspects of several of thechanges that he describes in his book.Stein castigates most reporters fornot digging beneath the official versionof the news that they receive from thegovernment. He praises “hard”reporting and encourages writers to askmore probing questions — and writessympathetically of the “New Jour¬nalism.” This is all to the good, but hefails to sharply distinguish “hard”factual reporting from the semi-fictionthat too often characterizes the NewJournalism. There is clearly a dif¬ference between digging for the mostrelevant facts underlying an event, andmixing those facts with one’s ownimpressions. The first can be en¬couraged ;fhout reservation; thesecond cannot, unless one assumesone’s readers to be incapable ofreasoning for themselves.Stein’s discussion of the undergroundpress and of the “newsroom revolt” areoften equivocal and trendy. He has hisreservations about the undergroundpress and its tendency to agree withPaul Krassner that “the truth is SillyPutty.” But that does not keep him fromexclaiming, at the end of an oftenperceptive chapter on the subject, that“the members of the underground haveseen the future, and they are deter¬mined to make it work.” Here “thefuture” is the use of video tapes andcable T V. But what does it mean to“make” the future “work”? Anotherexample of what George Orwell called“gummy phrases” is Stein’s statementthat in the ’60s “the American con-continued on page 7GOLD CITY INN• given ***********#*t*##t*##** by the Maroon*New Hours: Open DailyFrom 11:30 a.m.to 9:00 p.m."A Gold Mine Of Good Food"Student Discount:10% for table service5% for take homeHyde Park's Best Cantonese Food5228 Harper 493-2559(near Harper Courf)Eat more for less.5 (Try our convenient take-cut orders.)lk*»******4c**aic***ak*»********2 - The Chicago Literary Review - May, 1973 KIMBARKLIQUORSWINE MERCHANTSOF THE FINESTIMPORTED ANDDOMESTIC WINESFeaturing our direct imports,bringing better value to youlTHE ONLY TRUE WINE SHOO IN HYDE PARK53 RD KIMBARK LIQUORS, INC.1214 E. 53rd St.53-Kim!rark Plaza NY 3-3355 JESSELSON’SFRESH FISH A SEAFOOI752-2870.752-8190.363-9186 -1340 E. 53rdUsed 6 ft. wide bulletin boards-$l 2.50Used 3 drawer files-$l 5.00Used wood desks-$l 5.00Used metal desks-$25.00"cash and carry"withjhis ad only-IUIPMENT&iUPPLY CO.8600 Commercial Ave.Open Mon.-Sat. 8:30-5:00RE 4-2111Thurz. till 9«00 P.M.brief sketchesThe World of Appl esJohn CheeverAlfred A. Knopf, $5.95There are few outstanding names in(he American short story of today; oneof them is John Cheever. The World ofApples—Cheever’s first collection innine years—shows him to still be amaster of short fiction.The struggles of the people withinthese stories are not physical, butemotional; many neither win nor lose,but must instead continue in theirsituation. One such hapless soul is thehusband of “The Fourth Alarm,” whosewife suddenly leaves him to play a partin a New York play in which she isjiudethroughout and simulates copulationShe finds fulfillment; he realizes theunbridgeable distance between herselfand the world they used to live intogether, but which he now must live in.alone.Such marital quagmires are hardlyunique within these stories. The wife ofthe third of the “Three Stories” literallytreats her husband as a stranger;Zena’s spouse in “The Chimera” is ableio survive life with her only by living outa dangerously vivid fantasy; and. MrsCabot poisons Mr. Cabot in “The Jewelsof the Cabots.” Not that being a wifemakes one immune from the sufferingsinflicted by one's mate: it is thehusband in “Percy” who brings distressupon his wife through his constant aifairs The only two specifically happv marriages within the book, those ofMarge Littleton in the second of “ThreeStories,” end when both husbands dieearly deaths on the same highway.These joyless marrieds are typicalCheever characters, caught helplesslywithin their emotions. Others withint his collection are the wife who falls “uncontrollably” in love with the titlecharacter in “Artemis, the Honest WellDigger,” who himself falls just as muchand as futilely in love with a Sovietinterpreter, and the aged signorina in“Montraldo” whose past causes her tolive alone for fifty years with theabusive maid who finally kills her. The only main Cheever character whomanages to work out his own destiny isalso perhaps the most successfullypresented. He is Asa Bascomb, asynthesis of Ezra Pound and RobertFrost, an 82-year-old expatriate poetwho has won ever conceivable prizeexcept the Nobel. He has written aneven dozen books of poetry, but it is TheWorld of Apples he is constantly askedlo autograph. Poor Bascomb eventuallybecomes so obsessed with obscenitythat he becomes unable to writeanything but tour-letter words butrecovers just before his death.There are happily only two real (lawswithin the collection, and both comefrom over-development < not over¬description i of the “I” narrating theactual story. While the jewel shopliftingand cuckolding of a tourist by thenarrator are compactly developed inthe first of “Montraldo,” these incidentshave no relevance whatsoever to thestory and mislead the reader. A six-page digression in a twenty-page shortstory (“ The Jewels of the Cabots” > canonly be inefficient. Happily, neitherflaw is as serious as they sound;Cheever has crafted these extraneouspassages so well that the damage ,sminimal.Very few American writers can comenear to producing the poignant realismof these stories. The World of Apples isexcellent reading—Curtis JohnsonFrom the teamthat made Zcomes a differentkind of thrillerfrom Cinema 5PLAYBOYTHEATER1204 N D..rborn • Phon« 944 1434 This quarterdon’t shlep itREA ExpressPickups June 6(8( and 9. Pickupsare being arranged for eachdorm. Contact your HouseSupervisor for details.REA Express also shipsaround the world.May, 1973 - The Chicago Literary Review - 3brief sketches againSwaggering down curious57th St. Chicago, sportingmy Italian Supernaturalhat, and silent sleek bodiedNikkormat slung carelessly aboutmy should, hung well besidethe hip, showing off the slangof my easy twenty yearnearly, mannish, attractiveto women also, figure I cutand rakish romantic impression.I stood straight and sharp, borea newly acquired volume, the worksof Vladimir Mayakovsky, quite awareof the hard longing lookfrom much older eyes, toughindignant lines, threatening,his face, his photograph, resistingcomparison.-Steve LevineFolktales of ChinaEdited by Wolfram EberhardWashington Square Press,Pocket BooksA country’s folktales tell a great dealabout that people’s values and beliefs. Inthe People’s Republic of China, folktalesalso tell of the values and beliefs whichthe Communist party believe arenecessary for the Chinese peasant tolearn in order to uphold the state and tocompete in the modern world. Thiscollection of seventy-nine tales, in¬cluding six translated from CommunistChinese collections, readily illustratesthe differences in the values and beliefsof pre-and post-Communist China.The folklore of China was notcollected in modern times until theyears after World War I when arenewed interest in the folk traditions ofthe common people of China grew as theinterest in nationalism arose. Muchwork was done during this period byscholars, first at Peking University, andlater at the national Sun Yat-SenUniversity at Canton. In addition,foreign scholars, one of which is theeditor of this book, also collected andcategorized folktales from the variousregions of China.The Chinese Communists have seengreat value in the folktale and song aspropaganda, and have continued tocollect songs and tales from among thecommon people. These have been usedto identify the Communists’ cause withthe peasants and to develop a contrastbetween the peasant and the landlords,royal officials, and other aristocraticelements of the earlier society. TheCommunists believe that folk literatureis valuable not only for its scientificvalue, but also for its value in educatingthe people. This educational function isseen as the most important of the two and therefore, the Communists en¬courage the collection of folktales foruse as propaganda.Folktales emphasizing values whichconflict with the values of the Com¬munist party are either left out ofcollections or changed to conform tothose values. Thus tales dealing withroyal officials or the emperors areeither not collected or have beenchanged to point up the greed, cruelty,and ridiculousness of such characters incontrast to the persons of the lowerclasses who are portrayed as helpful,good, and clever. This is in directcontrast to the tales collected before theCommunist government came to power,in which positive qualities are notrestricted to either class.Mythological material is also seen asa threat to the state. Belief in theauthority of gods, demons and sorcerorsnot only undermines the authority of thegovernment but leads to the passiveacceptance of one’s fate, rather thanpositive action to attain one’s goals.Folktales from Communist Chinesepublications either de-emphasize therole of any supernatural beings or showworkers triumphing over these beings,which are associated with imperialismand reaction.A strong contrast is obvious in thetreatment of women in the traditionalversus the Communist tales. Intraditional tales women are quitepassive, and the plight of women is thatof disputed property, helpless victim, oran evil being who causes some man’smisfortune. In some tales the woman'ssituation is viewed sysmpathetically,but female characters have even lessrecourse to action than traditional malecharacters. In contrast to this, womenin the Communist tales are strong,active and take the initiative insituations, always for the good of thepeople.This is an interesting and informativebook which could serve as an in¬troduction to the folk tradition andliterature of China. Each tale has beenannotated, and similarities and dif¬ferences to other Chinese and toWestern motifs are briefly explained. Asomewhat lengthy foreword may tellyou more than you’ve ever wanted toknow about the history of the collectionof folklore in China. The editor’s shortintroduction covers some of the samematerial in more compact style, andalso gives an interesting critique ofCommunist publications of folklore. Thetales reflect both urban and rural folktraditions of China. The traditionalstories are rich with details of mar¬velous happenings and fantasticcreatures which will entertain either anadult or a child.—Janet Howe Miller Changing Women in aChanging SocietyJoan Huber (ed)University of Chicago Press, (cloth)$7.95, (paper) $2.95This is a collection of over twentyarticles dealing with women. Sociologyhas traditionally dealt with women onlyin the family, assuming their status tobe the same as their husband’s, despitethe fact that two-fifths of Americanhouseholds are not headed by men andthat their status is usually hardlyequal. One learns, for instance, that blackwidows are not any more surrounded bytheir families than are white widows,stereotype to the contrary not¬withstanding; that gynecology text¬books reveal “a persistent bias towardgreater concern with the patient’shusband than with the patient herself”;that the formation of NOW evolvedJohn Kennedy’s President’s Com¬mission on the Status of Women; thatafter making adjustments for dif¬ferences in education, occupationalstatus, amount of years worked, andcareer experience, a woman’s salarylevel is 62% of a man’s; and thatTHE MARQUIS DE SADEHe was so mean that when the question of his re¬incarnation came up it was decided to split himup into four different people spaced at varioustime intervals throughout the ages and it is inthis way that we have Jack the Ripper, Ilse Koch,Charles Manson and Richard Nixon.ODE TO THE MISSION BUSI look at you 0 funny people on the buswith your hands clasped making closed circuts intowhich no one may step without dangerAnd occasionally some of you open your widehands and suggest to methat I am welcome in your armsas the busdriver with his hands around the wheelwelcomes us all into his mortgaged house steamingwith the cabbage of six tired facesOpen and Closed Open and Closed we ride on througha great city on the brink ofclosing or opening as the lessons of flowersstand unattended in the fields-Andrei CodrescuJAMESWAYPETERSONMOVING & STORAGE646-4411OR for646-1234 free estimatesCompletePre-Planned Moving ServiceLocal • Long Distance • Packing • CratingImport-Export- Containerized StorageFormerly at Gonaral Office55th & Ellis 12655 So. DotyUni tod Von Ltnma Chicago, III. 60633<jj§> ROCKEFELLER MEMORIAL CHAPELCollegium MusicumThe Agonyof the CONVOCATION SUNDAYJune 3,197311:00 A.M.W. BARNETT BLAKEMORE1 RenaissanceSet. June 2nd 8s30 P.M.Bond Chapel t 'JDean of Disciples Divinity House“GRADUATION AND ASCENSION"No Services during University Interim,June 10 and 17 Next Service June 24.4 - The Chicogo Literary Review • May, 1973son of brief sketchesgenerally “(he issue of sex roles is thesingle biggest blind spot in existingsociology.”The book also includes articlesdealing with black professional women,women in the armed forces, women asgraduate students and as wives of stu¬dents, and the female book industry--as well as with sociology studies whichshould or do take into account sexdifferentiation.This collection of scholarly articlesbegins to supply some scientific basis tothe more than a decade of complaintsand perceptions that have drawnneeded-but-heretofore-unavailable at¬tention to women. Published researchis beginning to expose sociologicalrationalizations and to lay out areas forchange in society which may bringabout some equalization of the sexes, tothe benefit of every person.— Lucille BaileyThe Case for BlackReparationsBoris 1. BittkerRandom House, (hardback) $7.95,(paperback) $1.95Of late, with increasing governmentalcutbacks blacks, in America, find themselves at a disturbing point inhistory. The future of blacks is indeedgrim as urban renewal, social welfareand various other financial moniesbegin radically to disappear. AlthoughBoris I. Bittker’s arguments are verycogently argued, as of present, blackswill not receive or even be consideredfor reparations for their servitude inslavery and afterwards in America.Recently published this year by Ran¬dom House publishers, Bittker’s booktells of the gripping origins of thequestion of black reparations in theAmerican legal system.Bittker opens by recording a questionthat was directed toward him on thesubject of black reparations by a blackstudent. While he is not aware of its fullimplications, Bittker later realizes theneed for America to compensate blacksfor their servitude in America. Onseveral occasions he adamantly andindefatigably argues that “segregatedprogress,” welfare and inferioreducational institutions for blacks arenowhere near the enormous paymentsthat should be rendered to blacks fortheir backbreaking labor that con¬tributed to the growth of America, withand without her problems. The seriousissue of damages— economically,politically, socially and, the mostterrifying of all, psychologically—must be considered if one is to speak ofreparations as Bittker documents. Evenif black earnings are increased so thatthey are equitable to whites, theemotional injury of blacks must still bea topic of consideration.With searing accuracy, Bittkerspeaks of the frequent cases wherewhite Americans are compensated fordamages which are nothing less thanreparations. He asserts with con¬viction: “It is difficult to converthumiliation and emotional distress intocash, but American courts regularlyrise to the challenge by compensatingthe victims of slanderous utterances,abusive tactics by bill collectors,misdelivery of telegraphic notices withburials, invasions of privacy..., andinnumerable other acts causing mentaldistress but no visible physical injury.”If this be the case, then blacks have thecases for damages and also those thatare so obviously damages (e.g.—thephysical appearances of many blacks inslums are devastating).Bittker at other points throughout hisdiscourse records whites in the southwho are rewarded damages for beingassigned to Jim Crow cars. Yet thereare innumerable instances whereblacks were forced to ride Jim Crowcars. But where are the reparations forthe blacks?But the author also continues bystating that blacks have many problemswhen they attempt to get reparations.One reason is that there isn’t a massblack organization that acts as anumbrella group through which thegovernment can issue the funds. Unityis another problem, as is the question ofwhether the funds will be misused.Moreover, if Blacks were a unifiednation they would be given com¬pensation as the Indians were: that is,on paper and not by governmentalaction.I would fervently argue with theauthor about the need for a unifiedblack organization because the Jewsdidn’t have one when the Nazi, or shall Isay Germany, began to give the Jewsreparations. But the Jews received thereparations nonetheless.Another problem concerning blackreparations is white hostility towardsblacks. Bittker views the active th¬ warting of black ambitions and in¬stitutions by governmental and privatepractices as a force that is destroyingthe unity that blacks need in order topush for reparations. A very powerfulpoint that Bittker makes is that thepossible sole reason that blacks arerefused reparations is that the govern¬ment refuses to recognize blacks as agroup.Moreover, the author says that blacksshould be given reparations for the sakeof humanity. He poses the problems ofnaked reality. Those naked realities arepoverty, racial inequality, crime,educational failures, environmentalpollution, and such which are for¬cing black reparations to become in¬visible on the list of governmentalpriorities, if it was ever present. Stiffopposition will come from these factorsas Bittker views the battle.Section 1983, Bittker says, is themethod that Blacks can utilize inexisting constitutional law whendemanding reparations. Section 1983applies essentially to action by a publicofficial that violates a citizen's Federalrights. Cases that are used, amongothers, are Momoe v. Pape and Bivensv. Six Unknown Agents of the FederalBureau of Narcotics. Both cases weresimilar in that Federal agents for¬cibly entered Monroe's and Bivens’homes, proceeding to ramshack thepremises. Both persons collecteddamages from the case.Bittker’s recent work abounds withexamples of damage inflicted upon theJews, Indians, and poor whites andblacks. It must be stated that The CasreFor Black Reparations comes at a timewhen blacks in America are faced withthe question of survival in the future.With the present racial and economicturmoil, blacks are increasingly lookedupon as an obsolete people. Therefore,the problems blacks face by demandingreparations reflect the refusal ofAmerica, white or whatever, to giveblacks equal footage on the plains ofAmerican society. Bittker’s The CaseFor Black Reparations must becritically read by all who seek afamilarity with the problems of blacksin America.—Larry WilliamsThe CHICAGO MAROON has hadanother fine year. For the third year in arow, we have managed to more thanmeet our expenses solely through ad¬vertising revenue.Since this is my last issue as BusinessManager, I would like to thank all of ouradvertisers who made this possible.Their interest in the MAROON has beengratifying. I would also like to publiclythank Dean O'Connel, James Vice andSkip Landt for the help they have givenme, Lisa and crew for their never endingenthusiasm and dedication, Marie,James, Anne, Fanny, Dorothy and Henryfor the services they provided us and fortheir non-ending friendliness.Finally, a special thank you to RichardBaker, the new Business Manager, forthe fine fob he has done during theschool year.Next year should be an even better yearfor the MAROON. Good luck Rich andMark 11Sincerely,Paul S. Betasiuilnsu Wsnqgsr. 1972-73 BOOKSBOUGHTPaperbacks, texts andused books.9 a.m. -11 p.m.Every DayPowell s Bookstore1503 E. 57th St.955-7780 SUMMER JOBSInteresting, challenging jobs for collegegirls and teachers with any office ex¬perience are available this summer. Youcan work the days of your choice in theloop or your own neighborhood. Topwages. Write or call or go in to registeras soon as possible at the office mostconvenient to you.ELAINE REVELL, INC.CHICAGOLoop 230 N. Michigan Ave. ST 2-2325Northslde 4832 N. Lincoln Ave. LO 1-4508Hyde Park 1525 E. 53rd St. 684-7000OAK PARK 944 W. Lake St. AU 7-6888DES PLAINES 2510 Dempster St. 774-9625SKOKIE 5200 Main St. 679-1550The Prestige Temporary ServiceMay, 1973 - The Chicago Literary Review - 5brief sketches rampant\IM)M)(ilKS for not having the time this academicyear to review the following books:Steve PropesRobert KharaschSpeak & AttneaveLeszek KolakowskiTotal Loss FarmDonald NewloveJohn FryValerie Sheehan (ed)Bob DylanCenter for Cirriculum DesignRichard TaylorOlaf StapledonIrvin FaustGeoffrey DuttonCohan & TaylorMichael RogersRoss Feld Those Oldies But GoodiesThe Institutional ImperativeFamily NetworksThe Key to HeavenHome Comfort: Life on Total Loss FarmLeo and TheodoreLocked-Out AmericansUnmaskingWritings and DrawingsSomewhere ElseWith Heart and MindSiriusForeign DevilsSwimming FreePsychological SurvivalMind FoggerYears OutOutlaws of AmericaPenguin BooksDespite its proclaimed intention to“explain to the outsider what the un¬derground press is,” Outlaws ofAmerica cannot decide whether it is abook about the underground or its press.In the end, overwhelmingly more iswritten chronicling the manymovements that comprise ‘‘theMovement” than about the un¬derground press itself.A typical example of this misplacedemphasis is the chapter examining theinfluence of rock music upon thecounter-culture. No mention of theunderground press appears until thelast paragraph—which, after beginningwith “Most underground newspaperscarry music columns or at least recordreviews,” then contents itself with aquick glance at Rolling Stone and itscompetitors.As a result of this overemphasis, littleactual light is shed upon the un¬derground press and its operations,6 * The Chicago Literary Review - May, 1973 despite an excellent chapter on Britishunderground papers. A little over apage is the sum exposition of G.I.papers; four sentences is the treatmentgiven high school underground papers,an altogether different and excitingscene.The social analysis provided tends tobe a bit too facile, a little toounquestioning. Example: “Today, withthe enviroment plundered and naturalresources cornered, aspiringAmericans have turned in on them¬selves, and each other, like woundedhyenas. The result has been nationalneurosis.” Meanwhile, the counter¬culture and its press go largely un¬criticized—the chapter entitled “Rip-Offs and Parasites” attacks capitalistexploiters of underground culturewithout raising any real questions aboutpossible irresponsibilities of the un¬derground itself. Unfortunately, withsuch a weighted approach the “out¬sider” to which Outlaws in America issupposedly aimed at will likely remainan outsider—Curtis Johnson «The Summer Before the DarkDoris LessingAlfred A. Knopf, $6.95Kate Brown is a 45-year-old middle-class, suburban housewife of SouthLondon whose whole identity iswrapped up in being wife and mother.One day she finds herself with herchildren grown and leaving for thesummer and her husband taking a four-month business trip without her. Thesummer that lies before her appearsquite foreboding, as she has not been“alone” or had to think about herselfsince she was a young woman. “She hadnot allowed herself to get much closer towhat she had been feeling than thehumorous grimace. She could not bearto let it all assault her now.’A job as an interpreter for an in¬ternational conference on coffee and arather dismal affair with a 30-year-oldAmerican man keep her busy enough,so, for a while,A job as an interpreter for an international conference on coffee and arather dismal affair with a 30-year-oldAmerican man keep her busy enough,so that, for a while, she doesn't have toface being totally alone. But the affairconcludes when she becomes very iliand ends up in total seclusion in aLondon hotel.In the beginning of the book, Katesees her life now as seeming “in¬terminable”—“...she could took for¬ward to nothing much but a dwindlingaway from full household activity intogetting old.” She feels that at times thefamily simply uses her and that she ismerely tolerated: “Mother was anuncertain quantity. She was like an oldnurse who had given her years to thefamily and must now be put up with.The virtues had turned to vices, to thenagging and bullying of other people.An unafraid young creature had beenturned, through the long grindingprocess of having to give out attention todetail, minuscule wants, demands,needs, events, crises, into an obsessedmaniac. Obsessed by what was totallyunimportant.”But Kate arrives at some prettyimportant discoveries about who she isand what she has been, throughout thesummer, which are very important toher development as a person with self-identity.Through her reflections on her ownyouth, the lives of other young people,and the example of her friend, MaryFinchley (who has always done what“she had felt like doing, at the time shefelt like doing it”), she learns that she isa tremendous organizer and mother andis always responsible. Moreover, shediscovers she would like to be free ofresponsibility, free to say what shewants, dress like she wants, and beunderstood for what she is.Kate makes a definite decision thatlife is not just going to continue from “where she had left off as a child. For itwas seeming to her more and more...asif she were just coming around from aspeel of madness that had lasted all theyears since that point in earlyadolescence when her nature haddemanded she must get herself a man. ”After she recuperates from herillness, she finds a flat to live in with ayoung woman named Maureen. Shespends a lot of time parading the streetswith her new gray hairstyle (the dyehas grown out during her illness) andher new' figure and appearance (she haslost 15 pounds and her clothes are toobig). She is shocked and hurt thatpeople seem not to notice her at all, as ifshe weren’t there. Kate decides that sheis used to being noticed, and that hasbeen a big part of what has kept hergoing—attention from others. Sheknows she is going to have to build herlife more.In the end, Kate decides that leavingher hair gray will be the outwardstatement she makes to her family, sothey will notice she has changed.YVhether Doris Lessing is writing anautobiographical account or pure fic¬tion, she has definitely left us a fewstatements of belief, most of which Iwholeheartedly acclaim. Kate Brown isdefinitely a real woman, one w'ho unlessshe makes rapid adjustments, couldfind her whole life slipping from underher. What does it mean when you’vespent your w’hole adult life being amother, and you’re no longer needed ona full-time basis? I think the book an¬swers that question pretty well.Yet, I’m not satisfied. Although itmay not be fair to use Kate’s (andmaybe Lessing’s) evaluation forjudging an experience, that seems to fithow I feel about the book. Lessingwrote: “That was rather good, thatwasn’t very good, what made thejudgement was the feeling of havingeaten well or not, of having been filled,sustained, supported, or left hungry andneeding some sort of confirmation(underlining mine).Although the book has good insights,the movement plods, like the life ofmost of us plods. The serial dream ofthe seal seems to be repetitious andachieves little through the repetition.When we finally hit dialogue (whenwe meet Maureen) it doesn’t seembelievable. Nor does Maureen, or herfriends; the character development ofMaureen is too shallow. Certainly she isportrayed as upper crust, spoiled richgirl—past the believability ofstereotype for me—but nonetheless,there must have been some charac¬teristic that would have made her cometo life. We need something more thandescriptions of her gowns, operapumps, laced boots, and dress “showingbreasts whose nipples had been paintedlike eyes.” Kate has just discoveredwhat a con game it is to be judged byappearance and yet we hardly see moreof Maureen than this, throughout 100LOOKING FOR WORKno I did not see yourhouse slippersI have reduced the philosophicalquest down to this simple eventwork & with it the horizonsof knowledge doled outwhile turning over in the gravemeanwhile is the arch of alazy pole vaultlegs up & pole bentawaiting the inevitableas a tree does& I’m in a sort of ecstasyglancing over the grey woodenback stairs to the brick vaultedapartments & glad thatmy bedroom is a closed inporch and thus exposed like a loose nerve in the neighborhoodthe pain is a symphonyby Bizet (this is what’son the radio) the pain is reallylike losing a tooth in green noodles& that should be Brahmsthe vortex is pushed intomy face from the centerhole in a record asthe spindle surges through& people think that I havefree time when all thistime I have been employedfilling in your shoesunder my feetI found them-Bob Rosenthalbrief sketches returnspages.Since Kate dreams of her youth, andwants to be able to grasp the kind offreedom she had then, it seems that wthere should be some enviable trait inMaureen that would be reminiscent ofyouth and freedom, but there is not.Maureen can do whatever she pleases,and yet she doesn’t know what to do. Allthe young people described “seem” tobe saying the right things, cursingcorrectly, dressed modly, but they lackbelievability. Perhaps that was thepoint—that they are merely acting life,as Kate had done.Although Summer Before the Dark isnot, in my opinion, one of DorisLessing’s best books, it does haveredeeming merits. I enjoyed travelingthrough a real woman’s psyche.—Carol HulbertBeyond ViolenceJ. KrishnamurtiHarper and Row, $2.25In Beyond Violence, the most recentlypublished collection of his talks, J.Krishnamurti continues his discussionof what he calls “the whole problem ofexistence.” Actually, his aim is moretherapeutic: he wants to help us avoidneedless suffering.Violence, for Krishnamurti, is just astarting point — an external, socialsymptom of the internal confusions andcontradictions we project outward toproduce “utter chaos, disor¬der...extreme forms of brutality, riotsending up in war.” Like all of us, he islargely concerned with the lessescapable personal roots ofmisery—greed, envy, and fear of death.Krishnamurti is not forbidding. Hepresents his ideas in a familiar format,the choric dialog, and concerns himselfwith the traditional paradoxes inherentin the concept of self, primarily in termsof what he calls “right action” ; i.e.,action without hurtful consequences.What we call the “self,” he says,seems to be made up of memory andthought. Memory — a combination ofautobiography and conditioning inorganized religion, nationalism, classdifferences, and other shared sources ofpride — he declares dead. For most ofus, thought acts an instrument forgratifying our addiction to the deadpast. It dredges up recollections of pastpleasures; we devote all our energies torepeating what has gone before.But in fact, says Krishnamurti, weare “burdened with great sorrow”. Wesgek futilely to escape our anguish withdrugs, drink, sex, transcendentalmeditation (which Krishnamurticonsiders a form of self hypnosis).Can we escape sorrow? Krishnamurti says the means are at hand: we have towork more effectively with what wealready know.“What does death mean? Why are weall so dreadfully afraid of it?” he asks.He points out that “you die each day toyourself, to your misery, to yoursorrow; you put aside that burden eachday so that your mind is fresh, young,and innocent.” The innocence of dailylife is sustained by meditation.“So when we use the word‘meditation’ — we do not meansomething that is practiced. We have nomethod. Meditation meansawareness...of what you are thinking,what you are feeling, aware without anychoice, to observe, to learn. Out of thisawareness comes...the capacity to becompletely attentive. Then there isfreedom to see things as they actuallyare, without distortion. The mindbecomes unconfused, clear...”We give up the self, with all itschoices,, its fantasies, itsautocongratulations. We look throughthe lighted window, untempted by ourcoquettish reflection, to see the world asit is.Is Krishnamurti too austere? Heallows us to have knowledge — to drivea car, to do a technological job — but hewants us to be impersonal, free ofpreference and pride. Away with thepleasures of connoisseurship, andpossibly poets. Are we making our¬selves unhappy because we are all notsick but chic?—Irwin A. NovickThe Witch’s WorkbookAnn GrammaryPocket Books, $1.25Dedicated to “Damon Lucifer Heath,Magus Extraordinary,” this volume isshort on rationale and history and longon recipes for invoking special powers,presumably with the aid of the spirits ofthe dead, to get you what you want. Halfthe book is “Magic Spells,” with specialattention being given to “Love Spells”(thirteen of these).Want to know how, “Having NoPerson in Mind, to Attract a DesirableLover”? You need a medium-sized redcandle, a quarter teaspoon of vervain, asmall cedar box, and your Witch’sStone, which may be agate, fluorite,moonstone or amethyst. Then, underthe waxing moon, you “burn the redcandle, adding the Vervain little bylittle and make of its melted wax aheart, saying: ‘Wax to heart thou arttransformed. /Two be one, and love bewarmed!’ Before it cools, thrust yourWitch’s Stone in the center of the heartand set it in the cedar box on the Eastside of the Altar (behind the Censer).ONLY A STUPID POEM FOR THE FIRE•It’s the worst painTo not know whyWhen plumes of smokeCross your heartPedestriansOn the Avenue of Stars.Three years Waiting in the rain.I mean failureLike simple musicComing out one earDancing in the gray airPretending to be sad.-Simon SchuchatINTERIM REPORT TO THE SCHUCHAT COMMISSIONThe Outlanders have been gone since 4 A.M.We now have jurisdiction of our green farm house againWhen each of them left I shed a tear, now I understandThe profound implication of the Chinese poets, be assuredThat this report can come of nothing and only from their goingDramatic and and plausible onto their half secret continuaTypes are of account only to an account. They are busyProducing the archaeology of the Present and SI. Augustine’sDifficulties with the present tense are understandable-Ed Dorn Seal the box with wax from the Fire-Candle and asperge it with water fromthe Chalice. Touch it with the point ofyour Athame (knife) and say: ‘Ishtarand Hecate, /Let a love now come tome. /By thy power, Witch’s Stone, /I’llno longer be alone. /Come to me, cometo me, (Ring the bell each time you say“Come”) /As I will, so mote it be!’Strike the Earth with your Wand. Putout the red candle with your Athame butlet the Censer burn and leave theTalisman of Attraction on the Altaruntil your new love appears. If you donot wish to leave the Box on the Altar,you may place the heart within a silkenpouch on midnight of the next day, andcarry it with you for a talisman.”Perhaps the most objectionable thingabout this book is its assertion thatpsychic phenomena are just otherwords for magic, sorcery, and wit¬chcraft, and get this, that “Science hasgiven Magic the nod of approval”! Theauthor advocates the use of sex inworking magic, and highly recom¬mends the casting of one’s spells“skyclad,” or naked. A curiousreference to witch in-fighting is made,and a form of witch bitchery called“psychic attack” is warned against.The book has a cutesy tone at times (aswhen, in the “Introduction,” it reads:“Come sit with me beside the fireplace,for the evening is chill. We’ll have hotcider laced with cinnamon and talk ofWitchcraft, Magic, and Sorcery. Youwant to know if Magic works... Pullyour chair closer.”), but on the whole itis midly Cut iuuS and totally inoffensive.—Bob Smith continued from page 2sciousness . . . was breaking apart.”What was the “American conscious¬ness” in the first place? Such phrasesshow the same kind of superficialitythat Stein criticizes in his mediacolleagues.Despite these flaws, which seemalmost inevitable in a book with asambitious a scope as Media Power,Stein manages to preserve a criticalstance in viewing his own colleagues —which is both courageous andpraiseworthy. The book is likely to spura good deal of self-citicism in jour¬nalistic circles. Of the eleven chaptersin the book, perhaps the mostprovocative is his discussion of videocassettes and cable T V. He brieflyshows how municipalities have givenaway franchise rights to corporations sothat these corporations have amonopoly on the use of cable T V inthose cities, and argues for opening upthis promising field with “commoncarrier” channels so that the holders of“media power” become more diverserather than fewer in number.Media Power is an absorbing andreadable book, one which raises dif¬ficult issues and will challenge jour¬nalists to take their jobs more seriouslythan they have in the past. Hopefully itwill lead to fuller treatments of theseveral topics surveyed by Stein. MediaPower ought to be read not only byjournalists but by anyone who isdisturbed by the question posed in thesubtitle of the book: “Who is shapingyour picture of the world?”—Joel GuttmanMay, 1973 - The Chicago Literacy Review - 7Quench your thirst for adventure.Discover New Spanada.The men of Spain sailed the seas in search of new worlds f hey carried thetaste of home in a wine that celebrated their glories and inspired SpanadaNew Spanada. a wine worth discovering today A superb red wine, lightlytouched with citrus fruits It brings adventure to fine wine drinking Servenew Spanada a taste worth discovering today8,oTH«Cb*f0go literary taview r*Mqy, .1973