Stern refuses to subpoena newsmeniBy TIMOTHY D. RUDYi“Many, many of the Supreme Courtdecisions which are made for the benefit ofthe poor, the weak, and the defenselessaccure to the benefit of the rich, thepowerful, and well-connected," according toHerbert Stern, US Attorney for New Jersey., ~~ While upholding the checks and balances ofi the criminal justice system the prosecutor, believes, “It is difficult enough to bring theI wealthy and the powerful to justice.I Stern has been mentioned as a possibleI candidate for the role of special prosecutor ofI the Watergate investigations. The federal[ prosecutor was on campus last week to[ address law students and faculty at ther annual Law Review-Moot Court banquet^ which honors present and future staff1 members of The University of Chicago Law1 Review and the Hinton Moot Court com-| mittee.I In a joint interview with the Maroon andi rap. Stern refused to answer questions on\ any aspect of the Watergate affair. Stern wasi appointed Acting US Attorney for NewJersey on December 1, 1970, and later con-[ firmed as US Attorney by the US Senate in| 1971 He graduated from the University LawSchool in 1961| Stern said he has “been in professionalr law-enforcement since I've left these halls' except for six months in the service. ” Duringfour years as an assistant to New York CityDistrict Attorney Frank Hogan, Stern led the, grand jury investigation into the murder ofMalcolm X. and then joined the Justicei Department as a trial lawyer in theI Organized Crime and Racketeering section.\ Before becoming US Attorney. Stern served| as one of three special prosecutors in¬vestigating labor rackets in New Jersey.\ Stern had not vet been admitted to the New\ Jersey bar when he became US Attorney.| The federal prosecutor said he “never willsubpoena a newsman when he has received^ confidential information as a journalist”, Stern said he never had to subpoenaItI POTA PRESENTS IN CONCERTdavid BROMBERG +bill QUATEMAN +WILDERNESS ROADSOUND BY CONCERT ONESUN. MAY 20th 8PM.ADMISSION $1.75 MAN DEL HALL /o. 753-J5TI57th & UNIVERSITY AVE.** \ ■newsmen, but rather that they were “beatingon my door” and “even developedwitnessesfor me." The prosecutor said he never finds“it impossible to select a jury because ofmisconduct of the press,” but that actions bygovernment officials have occasionallymade it difficult to select one.Stern does not favor an absolute shield billfor reporters. He believes there are timeswhen a journalist should be compelled totestify and cited as an example a reporterbeing the only witness to a murder. Theprosecutor said he held this attitude towardeveryone “even if he was the chief rabbi ofJerusalem.”Attorney Stern continued that “newsmendon't have a right to commit crime” andbelieves Jack Anderson acted “responsiblyand correctly” when he stopped publishinggrand jury testimony. (Grand juryproceedings are supposed to be secret) Sternsaid he had enough trouble trying to be agood prosecutor without “telling the presswhat to do... in the end the press is going to have to decide for itself what is ap¬propriate.”When asked whether photographers shouldbe included under newsman’s privilege,Stern conceded he had not thought throughthe problem, but that it appeared on thesurface “like whispering through amegaphone.”Stern, as a prosecutor, has indicted two bigcity mayors, the speaker of the New Jerseyassembly, two secretaries of state, a statetreasurer, and has another state treasurerunder investigation. His successf,ilprosecutions have led to the convictionspoliticians from both parties. Stern believ s“one of the most difficult things for aprosecutor is that he is putting his own neckon the line”. The prosecutor exposes himselfto almost the same type of calamity as theinfluential individual he is trying to convict:“When you tilt against windmills, you know,when it goes wrong you’re dashed.”The attorney maintained he doesn’t seekany political office, and told reporters his “only (party) affiliation was that I votedonce in a primary” after becoming US At¬torney. SiQrn explained few prosecutorsc’ welop a political career, especially if theirw\»rk damages both parties. Politicallyspeaking, the role of prosecuting attorneycan be the “surest path to a dead end ”Stern was very critical of prosecutorydiscretion: “I will enforce any reasonablelaw on the books if I can get a conviction. ” AsUS Attorney, Stern does not believe he canignore legislation, passed by Congress andsigned by the President, simply because hedoes not agree with or like it. The federalprosecutor does not favor that type of pleabargaining where defense and governmentlawyers agree on a sentence in advance of anappearance before the judge. Stern also saidhe makes no recommendations for sen¬tencing.Stern’s job as US Attorney involves theentire state of New Jersey. He has a staff of52 assistants and has three offices in Cam-den, Trenton, andAUCTION: Joseph Shapiro has donated some of the many items to be auctioned Saturday Photo by John VailBy ALAN WERTHEIMERStudents in the graduate history depart¬ment feel that their discipline and theirdepartment are facing crises. The maincause is said to be a lack of willingness todeal with student grievances.Since January, 1973, concerned membersof the history department have attempted tosound the “atomized” student body of thedepartment on issues directly affectingthem. In Winter Quarter, 1973, an ad hoccommittee was formed in order to presentrecommendations to the faculty.Immediately, the administration raisedthe question of the legitimacy of the neworganization. Karl Morrison, chairman ofthe history department stated, “they weredoing things which undercut the Council(Graduate History Council). They were notobserving the channels of discourse set up todeal with these things in an atmosphere ofmutual understanding.” The GraduateHistory Council had been established in 1969to deal with intradepartmental problems.However, members of the ad hoc committeenoted that leaders of the Graduate HistoryCouncil said that “it was defunct.”Morrison stated in a letter of January 15,1973, “The Graduate Student Council wasmeant to serve—and it has served—as a linkbetween faculty and students, and there hasbeen a true spirit of cooperation on bothsides; and yet you do not seem to have giventhem your confidence. The first work of ahistorian is to go to the sources, but this youhave not done.”Morrison noted that a “tone of grievancewas needlessly being set,” and turned thematter over to the Student Ombudsman, JoelLevin. Levin recommended that Morrisonlisten to the grievances of the committeeregardless of whether they were a formallyconstituted body or not; that did not seem tobe the main issue involved.Morrison blamed the apathetic attitude ofthe Graduate Student Council on lack ofi student support. “They tried to stimulateinterest, but there was none,” he claimed.In order to secure legitimacy for theirclaims, the members of the ad hoc com¬mittee scheduled nominations and electionsfor posts on Graduate History Council. In themiddle of April, members of the ad hoccommittee were elected to the GraduateHistory Council. Other members of thedepartment were also elected.With the legitimization of their voice,concerned members of the department wereable to concentrate on the issues which werepresented to the administration in a series ofcommunications and meetings withMorrison.At a meeting on May 4, problems werediscussed from an agenda prepared bymembers of the newly-elected GraduateHistory Council. Morrison accused the groupof not dating their letters, and other suchformalities. Such attention to detail,however, was not noted with respect to theredress of grievances presented on theagenda.Among the student grievances in thehistory department is the desire for a lounge.Students feel that a room in the SocialScience building should be converted into ahistory student and faculty lounge. (Almostevery other graduate department has alounge.) Students feeel this is an importantdemand because it would help to establish asense of cohesion within the department.Aside from bringing students and facultyof different fields of concentration together,the lounge could be supplied with sub¬scriptions to history and associated socialscience journals. This would enable in¬dividuals within the department to maintainan awareness of current topics within thediscipline.Morrison stated, “I’m pro-lounge. Ifthere’s any way to give it a try, we ought to.”He noted, however, that feelings of“estrangement are not limited to theUniversity of Chicago.” They are a generalsocial phenomenon.”Two sympathetic professors in the historydepartment agrred to give up their officespace in the Social Science building to makeway for a graduate history lounge. In a letterto Members of the Department on March 6,1973, Morrison stated the following: “Shouldindividual faculty members be prepared tomove to Harper and should the College makeoffice space available to them there, thedepartmental committee on space wouldhave to be reconstituted to determine 1)Whether the space for a lounge would servethe present interest of the Department better By CLARA HEMPHILLThe library administration has denied arequest by employees for reclassification,retroactive wages and corresponding pen¬sion benefits for a fellow employee, MrsHazel Pillars, who retires this month after 28years of service to the library.The denial was handed down late Thur¬sday. “The classifying board did not changeit. It was classified as a grade VI and it stillis. They didn’t see any reason to change it,”Mrs Pillars commented.Mrs Pillars was classified ‘clerical V’ in1958, and only recently was promoted to‘clerical VI’. The man who is assuming herduties when she retires is classed ‘ClericalIX’. Classification rank corresponds towages.Fellow employees delivered a petition tolibrary director Stanley McElderry. Thepetition was delivered on March 23 bymembers of the Serial Records, Documentsand Microfilm departments. It was signed byboth employees and supervisors.The petition requested the Mrs Pillarsreceive reclassification as a Clerical IXretroactive to January 1971, that she receivecompensation for the difference in wagesbetween Clerical VI and clerical IX for thoseyears, and that the University make acorresponding contribution to Mrs Pillars’pension account.The amount of a pension is determined bythe salary a worker received before his orher retirement. For this reason, Mrs Pillars’reclassification would affect her pensionbenefits as well as her retroactive wages.According to co-worker Mrs Beulah Stin-nette, “Pensions have remained virtuallyunchanged since 1953.”The members of her department say that, action “slowed down.” Instead of aresolution of the issue, however, $140 wereallocated “with faculty support,” for thefinancing of bi-weekly sherry hours. Fewfaculty members have attended these sherryhours. Morrison has not yet been able toattend.In addition to the lounge issue, which isindicative of student-faculty-administrationrelations within the department, studentshave requested further changes in depart¬mental policy. Among these are requests fora “formal arrangement of meetings of allstudents by area topics of interest to discussconcerns, grievances, and doubts.” Theresults of earlier field committee meetingsled to the conclusion that problems andissues were department-wide.Students also requested an expansion inthe scope of course offerings “to transcenddefinition based solely on time and place.”“Social, political, and cultural developmentsand phenomena can and ought to be dealtwith in a variety of ways.” Morrison statedthat “the possibility of development isenormous in the cirriculum.” TheCurriculum Committee informed members of the Graduate History Council, however,that the Curriculum Committee was notfunctioning.According to a letter of February 9,nevertheless, Morrison stated the followingto members of the Ad Hoc Committee: “Heexplained that it was the faculty’s traditionalprerogative to teach what courses it wishedand that it required a certain boldness for aprofessor to teach a course that related in acomparative way to matters outside hisareas of specialty. He suggested that theCurriculum Committee was in the bestposition to deal with this problem.” It wassuggested that the History Departmentencourage or develop European andAmerican areas studies in cooperation withother departments. Morrison encouragedstudents to improve communications withfaculty by inviting them home for dinner.Students complain ed that they were beingmade aware neither of the job situation forthose with degrees, nor of aid projectionswith which they could plan further study Inresponse to the former, the faculty issued atwo-page breakdown of those seeking andhaving found jobs. Students in the depart¬ment found this inadequate. It is noted bystudents in the department that nobody in thefield of U S History has been placed this year,including MAs, PhD candidates, and PhDs.The problem is not, however, thedepressed state of the academic market. Alldoctoral candidates must be aware to acertain degree of the present situation. Whatstudents resent is the fact that the depart¬ment misleads entering students, promotingthe notion that everything is fine, and thatprospects are extremely favorable “It's aquestion of honest advertising." as onestudent put it. “They don't tell studentsbefore they get here, and by the time theyfind out. they are already committed tostay.”External pressures are indeed importantto the state of the department, but they areby no means the whole explanation of thesituation, as Morrison would have onebelieve. Next year funds are to be cut a ful> 50percent. This factor does not explain,however, the manner in which funds areallocated to needy students. “No com¬mitment has been made to ensure thedissemination of information and greaterstudent participation in decision-making ofvarious kinds, including reconsideration offinancial aid procedures and the futuredirection of the department,” said GraduateHistory Council member David AbrahamHistory students express grievancesthan its use for offices ; 2) whether the loss ofthe space for offices might create a hardshipin the future; 3) what general function theroom could serve in the administrative andinstructional work of the Department, aswell as in its social aspects...” He continued,“I personally favor the idea of a lounge.”In a letter dated a month earlier, from thead hoc committee to students in the depart¬ment, it was stated that two students hadvisited Dean Adams to discuss the loungeissue. He had stated at that time, “How theDepartment allocated its space was its ownbusiness, and he was not involved. If somefaculty were willing to take office space inLarper, vacated space in Soc Sci could beused for a lounge.”Morrison stated that consideration of thelounge issue had not been a matter ofpressure. “It’s been in the wind, though not inthe works, for a long time.” He continuedthat, “It fell into the background of the wind,until the ad hoc Student Committee broughtit up in January.”Morrison listened “sympathetically” tostudent requests, for a lounge at a winterquarter meeting. After this meeting, studentMORRISON: Karl Morrison is the Chairman of the Department of History, wheregraduate students are having problems.Pillars is denied reclassification“Mrs Pillars is de facto head of the FiscalUnit of Serial Records,” that she “fullyqualifies for the higher Clerical IXclassification,” and that they are “indignantat this outrageous maltreatment by thesupervisors and administrators responsiblefor her classification and salary.”Victor Stewart, the employee who willassume Mrs Pillars’ responsibilities when sheretires, said, “Hazel is extremely efficientand hard working and very experienced.”Citing Mrs Pillars’ college degree, Stewartsaid, “It seems to me that other people withdegrees progress very rapidly . ” When askedabout racism (Mrs Pillars is black) andsexism in the case, Stewart said, “Almost allthe high positions in the library all held bymen,” and “the treatment of black people inthis library is very peculiar.”Carole Kohn, a worker in documents, and amemberofthereorganizingcommitteeof local103B, said, “There is a question of racismand sexism in the case. A lot of people hereare treated badly, but the number of blackpeople who are treated poorly is greater.”Ms Kohn went on to show that the position oflong term library employees is the worst.“There is no plan which adequately com¬pensates for seniority. Mrs Pillars’ case is ablatant example.”Ms Kohn said that the library does not givea formal cost-of-living increase to its em¬ployees, and that most raises do not evenmeet the rate of inflation. Raises for long¬term employees are even less adequate.“You would assume,” she said, “that afteralmost 30 years an employee would be at thetop of her classification scale.” Mrs Pillars isnot.Classification and wages are not the onlyissues at stake in the Hazel Pillars case.Pension- benefits are another issue con¬cerning the library employees. BeulahFriday, Stinnette, an employee in SerialRecords, said that Mrs Pillars faces a“gloomy prospect” when she retires. MrsStinnette said that if pension payment in¬creased, the University would not give in¬creased payment to those who had alreadyretired. “So if Hazel leaves now. and pen¬sions double next year, she won’t receive anincrease. In spite of severe inflation, thepension increases have been very small, "she said.To illustrate Mrs Pillars' case. MrsStinnette described inequities in the librarypension plan which affect all employees.“The library pension fund had $3,510,710 inDecember I960,” she said “In December1972 the fund had $23,360,042. Employeeshaven’t benefited from the increase in thepension fund.In 1963, my ‘projected pension’ was $1,000 ayear. In 1972, it was $1344. Even thoughsalaries have risen 50 per cent in that time,the pensions have risen only a little.” ForHazel Pillars, whose mis-classification isreflected in low pension benefits, theprospects for retirement are even moredismal.Hiring practices at the library areseemingly arbitrary. Carole Kohn said. “Infact, it gets down to the peculiarities of theindividual supervisors.” Personality con¬flicts, apparently, can prevent a person frombeing promoted, and the individualprejudices of a supervisor can affect the jobsof many employees. According to her co¬workers, it seems that Mrs Pillars is not theonly employee who suffers injustices. MrsKohn cited examples of discrimination shehad observed and said that there should bean equitable way to settle labor disputes. “Ifthere were a recognized union in the librarythere would be objective grievancemachinery to deal with problems like this.”May 18, 1973 - The Chicago Maroon - 3Weber discusses equity of controlsBy JEFF ROTHA program of wage and price controlsinevitably involves questions of equity, andcannot be conceived in terms of efficiencyalone. Business professor Arnold Weberstressed Wednesday.Weber, former head of the Cost of LivingCouncil and member of the Pay Board, wasspeaking on “Economics, Equity, and the -Stabilization Program" as part of theGraduate School of Business’ invitationallecture seriesWeber said that many people tend to talkabout controls only in economic terms. Atthis University, he indicated, there is a clearconvention that states: 1. Controls do notwork. 2. If they appear to work, “it wouldhave happened anyway.” 3. And if they dowork it fouls up the economy.He insisted that economic considerationsare not enough. “If you’re in a stabilizationprogram and you try to tell George Meanyabout marginal rates of substitution...youdon’t get very far." Eventually the questionof equity must be faced, if only because thestabilization program is a political process.“If efficiency is the cutting edge ofeconomics, equity is the sine qua non ofpolitics,” he stated. In the case of the .recentUC providesBy MARKGRUENBERG“I’m going to try to explain thehodgepodge known as the University HealthService” said Dr George V LeRoy, directorof the service and professor in the school ofmedicine.LeRoy, who spoke at the weekly healthseminar yesterday in room 122 of the SocialSciences building, explained that theUniversity health service consisted of twodivisions, one serving students and the otherserving University employees.“The student health service looks verymuch like a comprehensive, prepaid, grouppractice program The University commits acertain amount of money per student and itnow requires that students have grouphospitalization services." LeRoy later notedthat the University commits approximately$25-30 per student per quarter for tne healthservice. “This comes out of tuition income,”he said.LeRoy then went into more detail about thecare that student health is supposed toprovide “We provide primary care—whatthe old general practitioner did We treatheadaches, colds, coughs and everything upto serious illnesses.' He noted, however, thatthe incidence of seriou illness is very low."For every serious ... *ess, there are 95minor ones."He also defended the walk-in servicepiovided by me stud^m health clinic. “Weaccept without quest; j i ‘walk in’ patients.After all, you ran t ie‘i f you are going to besick next week.” In responding to a com¬plaint about the long w he noted, “Nursesinterview you first, to s c if they handle yourproblem, and most of the time they can. stabilization program, equitable con¬siderations modified economic goals.Weber outlined five major considerationsof equity involved in the stabilizationprogram. The first, he said, was that theprogram was dealing with power. The 5.5percent ceiling set on wage increasesillustrates a fundamental question, as Weberphrased it: “Would the Pay Board treat acoal miners’ request for a 16 percent in¬crease any differently than it would a 16percent increase from the employees of theJewel Tea Company in Chicago?”The pay board consistently rejected tiienotion that it had any dispute settlementresponsibility, because that would implyrewarding the strong. Nevertheless, at leastin the face of demands of coal miners’ andrailroad workers' demands, the board“clearly acquiesced to power.” In othersituations, it was more judicious. Weber saidthat "overall the Pay Board...probably didas well as the Congress of Vienna, theCongress of the United States, or the ChicagoCubs.”The second equity consideration which hadto be faced was the question of the adequacyof representation. The EconomicStabilization Act of 1971 was passed byCongress with the intent “embarrass, not tobe enforced,” according to Weber. The“If a student is seeing a doctor whom hehad before, or if he had an appointment, herarely waits. Walk-ins enter the queue,whose length depends on the time of day, theday of the week, what season it is and thenumber of doctors available.“Monday is always a long day and studentsmay have to wait an hour or more. But it isnot like the Billings emergency room, whereyou have to wait anywhere from two to fourhours.”LeRoy also described specialized servicesprovided by the student health service. “Formore complex problems, we take advantageof all the University clinics. We have aspecial unit open three days a week forwomen students with gynecologicalproblems, family planning problems andcontraceptive information.“We also have a rather substantial studentmental health clinic,” he added. “It islocated on Drexei just north of the PostOffice.“It is unique,” he continued, “because itwas established with the idea that it wouid beseparate from the University ad¬ministration. There was a lot of flak aboutthat when it was first established, becausethe idea in most other places is that the clinicis supposed to work with advisors and deanswhen a student has problems.“Our clinic is conducted the way privatepsychiatrists practice. No information—noteven the fact whether a student came her ornot-is released without the writtensignature of the student. The clinic is staffedwith psychiatrist? and psychiatric socialworkers.“We find that about 50 percent of the legislation was considered to be very ob¬scure, and it placed tremendous amounts ofpower into the hands of the President. “TheRussian duma would not have given the Czarthat power in 1905,” Weber said.A tripartite Pay Board was created tostabilize wages, and the question here waswho should be represented on it. Fiverepresentatives of “Labor” were named, allof whom were representatives of organizedlabor. Organized labor does not representmost of the workingmen in the country,however. Five representatives from“Management” were also named, and, asmight be expected, all but one were fromlarge corporations. The rest of the PayBoard was composed of five “witless mencalled public members who didn’t work for aliving and had no capital and thereforequalified.”Weber stated: “It seems to me thatlegitimate questions of equity and fairnesscould be raised” about the composition of thePay Board. The labor representatives nevervoted against a wage increase. But statisticsshow that out of the 4,000 or so decisionsmade by the board, the average decision wasa 6.6 percent increase in the case of unionworkers and only 4.8 percent for non-unionworkers.A third equity consideration was the extentstudents who come to the mental healthclinic have their problems solved after onelong interview. Another 40 percent comehere several times, and the remainder haveto be referred to a private psychiatrist orother clinics around the city.”During questioning, LeRoy defended thehealth service, noting the charge tnat manystudents avoid it because of its badreputation. When one incident was citedwhere, after treating a severely sprainedankle, a nurse in student health refused togive the student a waiver from his physicaleducation course (soccer-basketball), LeRoyreplied, “We do hear reports of things thathave happened after treatment. When theycome to our attention, we try to educatesomeone who doesn’t know the correctprocedure, or start proceedings to get rid ofhim if he is bad.LeRoy said that student health did notprovide dental services, but referred peopleto the dental clinic. As for medicines, henoted, “We have a substantial amount ofmild sedatives—aspirin, Darvon, coldremedies. We pass those out rather freely.But for antibiotics we give peopleprescriptions to fill.”As for the dispensing of contraceptives, henoted, “I can not tell you at the moment v,hatis going on In a study we were participatingin, a girl was given a three month supply ofcontraceptives and told to return for furthertesting so that we couid see what the effectsof the medication were. After that, we wouldissue her a prescription. Contraceptivedevices are sold at cost plus ten percent. TheUniversity is not buying birth control pills bythe thousands and giving them to students.” to which controls should have an effect on thedistribution of income. Social objectives ofredistribution of income usually are “slip¬ped” into controls, according to Weber. Sucha position was initially explicitly rejected bythe Pay Board. In December 1971 Congressadopted a provision specifying that thecontrols should not apply to the workingpoor. Just who the “working poor” were wasnot clear. The Administration said those whoearned less than $1.90 per hour; the Courtssaid those who earned less than $2.75, and theCongress finally said that they meant thoseearning less than $3.50. At that rate, ofcourse, the working poor would make up 40percent of the labor force. Weber warnedthat “to the extent that you permitredistribution goals, you abandon equitablegoals and undermine the whole stabilizationprogram.The fourth equity consideration listed byWeber was defining what the appropriateframework of wquity should be One aspect ofthis is illustrated by the wage increase foraerospace workers which was cut from 12 to8 percent by the Pay Board. Weber pointedout “the aerospace workers of the WestCoast are not in the same orbit of comparisonas coal miners.” Another aspect of theproblem is the distinction between micro-and macro- economic equity, evidenced byGeorge Meany’s “legitimate sense ofoutrage” because wages “are in a straightjacket” while prices and interest rates rise.The final consideration of equity presentedby the business professor was the question ofadministrative equity that comes from thedifficulty in coordinating Pay Boarddecisions with those of the Price Com¬mission. The Pay Board has been known toapprove 16 percent wage increases, while thePrice Commission continues to base itsdecisions on the 5.5 percent guideline.Besides the problem of coordination, what isneeded according to Weber is a “real worldperception of how the equity situationworks.” The problem of access to the systemhas to be realized. A large corporation willsend experienced lawyers to represent thembefore the stabilization board in Washington.A smaller group which has to deal with theboard (or as Weber put it, “the fellows inCicero,” ) can only write a letter.At the end of his lecture Weber sum¬marized some general conclusions aboutequity problems in stabilization programs.First, he said, any program of economiccontrols will involve questions of equity, andcannot be conceived of in terms of efficiencyalone. The framework must be broad enoughto include noneconomic factors.Second, equity situations are filteredthrough a political system which reflects thepower realities of the time. Equity istherefore used to protect vested interests.Third, the fact that there is no generalframework of equity complicates the ad¬ministration of controls and introducesuncertainty. “Equitable decisions tend to beidiosyncratic,” he said.Finally, equitable considerations probablycarry with them the seeds of destruction ofany stabilization program. “Any time youmake a decision,” concluded Weber, “youmake one ingrate and two enemies.”iTWi wKsmmmm» V—wm&wmcomplete health serviceFKI.MAY 18HAS YOUR PUTNEY BEEN SWOPED LATELY?PUTNEY SWOPETonight at 8 and 10 P.M. at Quantmllusymawrrmmat the EFENDIIFriday NightMake your reservations mm!955-5151 UNIVERSITY ORCHESTRARONALD WILSON, cellistDvorak, Cello Concerto: Webern, Variations;Beethoven, Eighth SymphonySaturday, May 19-8:30 P.M.MANDEL HALLADMISSION FREE UPPER R1CKERT FILMS PRESENTSFor a mere 6 bitsDIVINITY SCHOOL ASSOCIATIONSALENEW & USED BOOKSHUMANITIES & SOCIAL SCIENCESPRICES CUTV, OF YESTERDAY'S ON MOSTTODAY 9:00-5:00SWIFT HALL - COMMON ROOM4-The Chicago Maroon - Friday, May 18, 1973LETTERS TO THE EDITORHutch CommonsLast week I wrote an article about thelabor situation at Hutch. Since then I havefound that the article itself caused severallabor problems of its own, particularly inregards to the infamous “rice and potatoes”incident. This was originally written by JohnJackson, for the lady’s personnel file, andseems to be more of a euphemism than astatement of fact. I have spoken withrepresentatives of both the union and themanagement and they agreed that the in¬cident as reported was false, and should nothave been in the file. I should like toapologize for the inconvenience that this hascaused the lady, as well as to the labor-management relations.The purpose of my mentioning the incidentwas by no means a personal one, but to pointout the breach in communications caused bythe lack of a union representative who ac¬tually works at Hutch. All union represen¬tation is done by Clarence Sayles, ChiefSteward, Residence Halls and Commons. Heworks with all 80 people employed by theFood Services, R,H &C. Particularly, I wasinterested in whether this caused a specialsort of disagreement between labor andmanagement. Apparently, thisdisagreement was more widespread than Ihad thought, and extends even beyondHutch.Sayles said, “The union’s job is basically tohelp employees when they are right,” Evenif the employee is in the wrong, “If there isroom to protect an employee whenmanagement has him over a barrel, then thisis our job”. The Universities and the unionagree on the contract. That is all. We areseparate from each other. Any problems thatthe University and the union have, theUniversity will take care of their end and theunion will take care of their end of theproblems.”Finally, the propriety of my article in the first place has been questioned by Sayes,“We both have jobs to do and we try to ac¬complish them,” implying that they could doit better without the interference of thepress. Naive as I may be, I believe that it isin the public’s interest to be informed on allrelevant matters in the community.by Leonard LambergWe are writing concerning FOTA’sexhibition of callous cruelty toward animals.The greased-pig competition on the quads onMay 16 on May 16 was nothing less than asick display of sadism and a perverted ideaof “fun”. We would like to ask those who planFOTA activities: Is it necessary to torture ananimal to have a good time? And, we wouldlike to ask those who participated in thecompetition: Didn’t you feel a bit sillychasing a tiny, defenseless pig?We sincerely hope the greased-pig com¬petition (and any other instances of crueltytoward animals) will not be repeated.Pigs 2On May 16, FOTA ’73 presented a Greased-Pig competition at the main Quadrangle, forthe “entertainment” of the U of C. The nightbefore signs appeared around theQuadrangles saying: “FOTA TorturesAnimals...Boycott Greased-Pig Com¬petition!” The people who put up those signswere right to do so, this competition was achildish exercise in cruelty.The spectacle of a defenseless and scaredlittle pig being beaten and mauled by collegestudents cannot be regarded as a refreshingbreak from the life of the mind. The hamsandwich vendors were a final bloodthirstytouch. This event was included in the FOTAschedule by Chairman Mark Brickellbecause it is traditional. But it is a bad tradition.Most of the FOTA events work to make usmore aware, more compassionate. In thisage Americans should be recognizing theirneed to learn compassion. The Greased-Pigcompetition is callous cruelty and should beeliminated from future FOTA’s.Bonita CodyArista GamesDennis Hinkson (SG representative)Jonathan Robinsoneditor’s note: And when was the lasttime you had bacon?Aedus centerI am writing in defense of the “Jews forJesus” ad in the April 30 edition of theChicago Maroon. “Jews for Jesus” consistsof Jews from all walks of life who believethat Jesus is the Messiah (Christ). It is not anofficial organization, or movement, has noheadquarters, no formal structure, and nobudget whatsoever. “Jews for Jesus” isaided financially by Christian missionarygroups, of both Jews and gentiles, but it hasno formal connection with Key 73, althoughwe are in sympathy with its purposes.Our group was not surprised that manypeople were upset by the ad that we put in thepaper April 30. What we are protesting withthe ad is the automatic association of Jews(who are ethnic group) with RabbinicJudaism, which is a religion. It is because ofthis cultural and ethnic definition of Rab¬binic Judaism that the inference is made thatwe are attacking Rabbinic Judaism with thead. However, our point is that, no matterwhat Rabbinic Jews may claim, they nomore represent the Jewish ethnic group thando Jewish atheists, agnostics, drug freaks, -Communists, or Christians.I deplore the cultural definition ofChristianity, also. A Christian is a person,Jew or gentile, who worships the God of Abraham, Isaac, and Jacob, and acceptsJesus as the promised Messiah. Christianitycan never be associated with cultural orother imperialism or it ceases to beChristianity, though it parade under thatlabel. I personally encourage Christians tosupport Israel and love Jews because of thepromises to Abraham in Genesis 12:3: “I willbless them that bless you and curse themthat curse you”Neither Christianity nor Rabbinic Judaismcan represent any one ethnic group becauseno one is born with a particular belief Bothhistorically have sought a remnant ofbelievers from all nations. Yes, even Rab¬binic Jews have sought to win believers fromall nations as well.It is strictly the cultural definition ofreligion that leads gentiles to attack Jewishculture as inferior and Jews to proclaimtheir culture as better than the “goyim ”. Isnot violence against Jews who believe inJesus just as brutal and senseless as violenceagainst Jews who do not believe in Jesus? Iwould like to see both religious groups stopdefining more people into their groups thanbelong there. This is the reason Christiansget blamed for anti-Semitism when theScriptures expressly forbid it, and whyRabbinic Jews get blamed when overzealousJews physically assault Christianmissionaries. I appeal to both Christians andRabbinic Jews not to lower their standards toa cultural definition; and I appeal to all whocall upon the name of the God of Abraham.Isaac, and Jacob, of either religion, todisassociate themselves from those whofalsely parade under that label.If any of your readers wish to have furtherdiscussion, our office phone is 338-5959. I canbe contacted also at 869-4669. We will bemeeting personally with interested in¬dividuals on the University of Chicago -campus Wednesday afternoon and evening,on May 23.Sincerely yours. Paul Dunteman(Aedus Center Campus Rep )3rd AnnualHARPERCOURTFLEA MARKETSUNDAY, MAY 20, 197311:00-5:00 P.M.5200 Block of S. Harper inHyde Park's Harper Court With TWAit pays to be young.TWA’s got a lot of things to help youin a lot of ways around the U.S. and Europe.But nothing comes close to the adventure¬some brave blockbuster Worldtrek expe¬ditions (arranged exclusively through TWA)Worldtrek.This isn’t a vacation, its an experience.From two weeks trekking the fjords ofScandinavia to 12 weeks on a pilgnmagejj*to Kashmir. You’ll find yourselfcamping with nomadic reindeerherdsmen, or boating across theBlack Sea to Yalta.For the exciting details, go toyour TWA Travel Agent, TicketOffice, or Campus Rep. — or sendthe coupon below.TWA - "IT PAYS TO BE YOUNG,”Box 25, Grand Central Station, N.Y., N Y. 10017Please send me information on the following:Worldtrek Bonus Coupon BooksStutelpass Ovemite PassDestination Europe Pack Bed and BreakfastNameAddressCity State Zip"Service marks owned exclusively by TWA.or call campus rep. James Boggan 955-4705Friday, May 18, 1973 - The Chicago Maroon - 5The Cubs will be home free in '73By MIKE KUNGENSMITHErnie Banks jogged out of the Cubsclubhouse, unnoticed by the twenty-somereporters from various midwestern collegesand universities. I saw him and walked over.“Hi, how ya doin’?” Ernie called out.“Where ya from, anyway?”“The University of Chicago Maroon,” Ianswered.“THE University of Chicago! THEUniversity of Chicago!” he exclaimed.“THE greatest University in the world.RIGHT? THE greatest University in theworld'"“Well, it’s a fine school," I replied, takencompletely by surprise by the fact that hedidn't confuse it with Chicago Circle.“Wadd’ya mean? THE U of C is THEgreatest university in the world!”I could see at this point that this was goingto be an exciting interview. Mr Cub was themost positive individual that I ever met. Allof the players had been informed that collegesports editors would be questioning thembefore the game and almost all were happyto interrupt their pre-game rituals and giveyou a few minutes for an interview, but Italked to Ernie individually for over half anhour and if there hadn’t been a ballgame tofollow he would have talked for the wholeafternoon.“Do you want to be a sports editor?”Banks inquired.“Well I think it would be a lot of fun,” wasmy answer.“Well do it!” Ernie replied emphatically.“This is a great life. Baseball is a great life.And you know something0 If you want to dosomething, you just think about it and go outand DO it That’s what I told myself everytime I went to the plate. That’s what Billy(Williams) tells himself every time he goesto the plate. You just think about it and go outand DO it! You have to always think that youcan do it and then just go out and DO it.”At this point “Gentleman” Jim Lonaborgsauntered over to retrieve a ball and Banksyelled out, “This is a great life, isn’t it?Great park - remind you of Fenway? Nicevines, huh?”Total enthusiasm continued to show as Iasked Banks if baseball was a better gamewhen he broke in, and if the quality ofballplayers had suffered through expansion.He seemed to think that there are moreyoung players in the game but that theseyoung players are strong, fast, anu generallygood athletes. He also expressed the feelingthat baseball players coming out of majorcolleges are equivalent in training and ex¬perience to those who came throughbaseball's minor leagues. This feeling wasreinforced by Cub pitcher Larry Gura whoentered Arizona State the year after ReggieJackson. Sal Bando and Cub outfielder RickMonday graduated.Banks thought baseball was still as great agame as it had ever been and when asked ifbaseball has changed at all, replied, “Yes,baseball has changed with the times but anychange made in baseball is going to be asmall one.” Ernie seemed anxious to askmore questions than he answered but inbetween his queries I managed to ask himwhich position he enjoyed the most.“Shortstop,” he answered immediately,“because at that time shortstop was the keyposition In the late 50’s and early 60’s allyour good teams had great shortstops. You CUBS: First base coach Ernie Banks predicts that this will be the season for Chicago'sNational League team to win the pennant.always felt part of the game - taking relaysfrom the outfield, making the big plays,tieing together the infield. You always feltthat the whole crowd was watching you - wasconcentrating on you. That’s another waythat baseball has changed. In the 40’s andearly 50’s center field was the key positionand the good teams all had great centerfielders. Fast guys who could run, throw, andhit. Now it seems that catchers are the mostimportant. Your catchers control the game,handle the young pitchers, control thebaserunners and keep the team running. Thegood teams nowadays have the great catcher- like Johnny Bench and Randy Hundley.”We were temporarily interrupted wh6nMaury Wills, former great Los Angelesshortstop and presently NBC broadcasterstopped by to say a few words to Ernie.“Great day, eh, Maury? I want to playtoday -1 feel like playing. See that wind? Icould hit it out against that baby! Maury,this gentleman is from THE University ofChicago - does sportswriting.”After expressing that he was glad to meet me, Wills assured Banks, “You could be outthere - you could go out there and play allday!”“That’s right,” Ernie enthused, “You justthink about it and go out and DO it! ”The subject turned to the possibility ofBanks becoming manager someday. Banksseemed sure of his answer. “Never. I like thegame too much. When you’re the managerthere are too many things going on - you havetoo many things to concentrate on...Like,you’re a college student - you have totalrecall.” This brought a smile to my face, butErnie continued, “I may try managing thenext couple of years in winter ball in maybePuerto Rico or the Dominican Republic ofVenezuela. If I ever managed in the majors itwould have to be with the Cubs. I know theplayers, the city, the fans, the press. Withany other team it would take several years toget acquainted - to get adjusted. There are alot of adjustments that have to be made to anew manager. You have to know the playersand the players have to know you.”Ernie also felt that the American League’s newly adopted designated hitter rule wouldnot come to the National League for severalyears saying, “There are too many playerstoo close to certain records.” - an obviousreference to Hank Aaron’s pursuit of TheBabes sacred 714 homers. This sentimentwas not echoed by Cub manager WhiteyLockman. Lockman thought that it would beno time at all until the Nation? 1 League madethe transition. Lockman felt that the ruletakes away a lot of the manager’s decisionsand admitted that this was one of the reasonswhy he liked the rule.I finally forced myself to break away fromBanks and go on to talk to other players,several of whom made strong first im¬pressions. Ron Santo and Rick Monday wereparticularly impressive. Santo seemedhonest, intense, and extremely serious aboutthe game. When Monday was asked if he hacchanged anything in regards to his hittingand his immediate answer was, “Yea, 1changed my jock strap.”, after which hegave me a more serious answer - that he hadchanged his mental approach to the game. Inregards to Charley Finley, Rick said, “Inever really had any quarrel with Finley,”but added cryptically “Charley is stilllooking for a good center fielder.”The ball game itself was less than thrillingbut our good seats, free hot dogs and cokes,and tour of the press box helped to make theafternoon an enjoyable one. The Cubs wonthe game against the Phillies 3-1 behind RickReuschel’s strong five hif performance andthe bats of Don Kessinger and Ken Rudolph.Rudolph, who entered the game batting .375,and Reuschel, whose earned run averagestood at 1.76 after the game, are two of theCub’s pleasant surprises of 1973.The Cubs seem to have their strongestteam since 1969 and have an excellent shot atthe National League pennant. They haveproven veterans at every position and thewhole club, with the exception of catcherRandy Hundley, is hitting well. They havefair speed and an improved bullpen. Theirstarting staff should be good, has not been sofar, but is not worrying manager Lockman.The Cubs had 10 different winning pitchers intheir first 13 games which illustrates thegood balance that they have on the staff.CALENDARFriday, May 18LECTURE: Biochemistry of Cancer "Perinatal Carcinoqenesis," Dr Stan Vesselinovitch, 3 pm, Billings M 137.LECTURE: Geophysical Sciences Colloquium "Nature'sRoulette Wheel and Structures of Crystals,” Paul Moore,3 30 pm, Hinds 101LECTURE: Contemporary Mathematics from a HistoricalViewpoint Differentiability of Solutions of Partial Differential Equations,” Charles Morrey, University ofCalifornia, Berkeley, 4 30 pm, Eckhart 133LECTURE. University Extension Division Works of theMind, "Themes of Literature, Philosophy, and History,”Richard McKeon, 8 pm, Room 700, Downtown Center, 65 ESouth WaterFILM: Putney Swope," 8 & 10, Cobb, SICONCERT: Chamber Music Series, Vermeer Quartet,Works of Haydn. Schumann, and Mozart, 8:30 pm, MandelS4 (UC students $2), tickets at concert office, 5835 SUniversityLECTURE "The Role of the N Gene in LambdaDevelopment." David Friedman, department ofmicrobiology. University of Michigan medical schoolRicketts north, room 1, 4 00 pm (Coffee 3:30, room 7).FOTA Noontime series, demonstrations by iudo, karate,and Aikido clubs, main quad, noonDANCE: Benefit for Blue Gargoyle, live music by WoofBlue Gargoyle, 5655 University, 9 pm SI FORUM: The Political Economy of Facism. Speaker: CAxios, National caucus of labor committees. Internationalhouse, 8 30 pm.LECTURE: Robert La Porte, Jr, Penn State: "Domesticpolicy decisions 8, international reactions: The PakistanBangaldesh conflict of 1971.2:30 pm, Pick 506.Saturday, May 19CONCERT: University symphony orchestra; Webern'svariations for orchestra; Dvorak's cello concerto, andothers. 8:30 pm, Mandel, free.THEATRE: University theatre festival of fantasy: "ThePhantom Toolbooth,” for ages 4 10 11 am, HutchinsonCourt, SI 25 (rain date May 20)FLEAMARKET. For bidders, buyers, and vendors. 10 am4 pm, Cloister club, Ida Noyes.FILM: "The Music Lovers," (DOC) 7:15, 9:30 pm, Cobb, SIFILM: "Sino Soviet Border Dispute," documentary byPeople's China, dubbed in English, 8 pm, Ida Noyes library,50c (7 :30 pm)FILM: Bhuvan Shome (English titles), Judd Hall, room 126,5835 S Kimbark, 50c, (7:30 pm)Sunday, May 20CONCERT: FOTA, Wilderness Road, Bill Quateman andDavid Bromberg 8 pm, Mandel Hall, SI 75. FILM: "Duck ah you Suck ah," complete with white suitsand cigars. 7 & 9 15, Cobb, SI.FILMS: "Education in China, Medicine in China, and ThePeople's Army," three films by Felix Greene, Assemblyhall, international house, 7'30 pm, SI.UNIVERSITY RELIGIOUS SERVICE: Preacher Rev ESpencer Parsons: "Whatever Happened to Barabas," 11am.Monday, May 21LECTURE: Committee on Genetics: "Strategy of Treatment," Dr Albert Dorfman, 3 pm, Abbott 101.LECTURE: Divinity School John Nuveen Lecture,Philosophy and Religious Language," Paul Ricoeur, 3 pm,Swift common roomLECTURE: Biochemistry ot Cancer: "Summing Up," DrTing Wa Wong, 3:30 pm, Billings M 137.LECTURE: Statistics Seminar: "An Information TheoreticProof that There are Infinitely Many Primes," PatrickBillingsley, 4 pm, Eckhart 202.LECTURE: Biology Club Seminar: "Gene Control ofMammalian Differentiation," Dr Beatrice Mintz, Institutefor Cancer Research, Philadelphia; 4 30 pm, Zoology 14.FOTA: Romantic Music for the Flute, Pahlax Robison,artist; 8 pm, Mandel hall, free.SINO-SOV1ET BORDER DISPUTEA documentary film made by People's China, English dubbed8:00 P.M. May 19, Ida Noyes 1st floor libraryDonation: 50‘ J (tymtell 'planiAt |j 1645 K. 53TH STREET ?* CHICAGO. ILL. 60615 \J Phone: FA 4-1651 £ MALE AND FEMALEMINIMUM AGE 18CHECKER TAXINOW HIRINGFOR SUMMER• WORK FULL OR PART TIME• WORK DAYS OR NIGHTS• NO EXPERIENCE NECESSARY - WE WILL TRAIN• EARN $150 TO $200 PER WEEKVISIT OR CALLMR. HARRIS845 WASHINGTON8:00 to 4:30 DAILY 8:00 to 11:00 SAT.CALL 421-13146-The Chicago Maroon - Friday, May 18, 1973ABOUT THE MIDWAYArt fairExhibits of 300 sculptors, painters, craft¬smen and photographers will start June offin a blaze of color at the 26th annual 57thStreet Art Fair, Saturday, June 2 and Sun¬day, June 3, according to Adrian Alexander,art fair chairman.At the Midwest’s first major outdoor artfair of the season, artists from all over theUnited States and the greater Chicago areawill display their works from noon to duskboth days on the Ray School playground, 57thStreet and Kimbark Avenue.The prestigious 57th Street Art Fair,started in 1948, screens all newcomer artistsand only those whose quality of work isjudged appropriate to meet establishedstandards are permitted to exhibit. Theannual event attracts thousands of visitorsfrom throughout the Midwest and is spon¬sored by a not-for-profit organization for thesole benefit of the exhibitors. No com¬missions are taken from the sales ofexhibitors and no admission price is chargedthe public.VeteransUniversity students who are veterans willbe able to receive benefits for the 1973-74academic year much earlier than waspossible in the past, according to Universityveterans’ adviser Mrs Ruth Regan.The Veterans Administrtion (VA) nowoffers an advance payment plan throughwhich benefits once not received untilDecember will now be waiting for theveteran-student when the autumn quarterbegins next October.According to Mrs Regan, the new programallows veterans to apply to the Registrar’soffice now for certification of enrollment atthe University, if they are enrolled on at leasta half-time basis. The Registrar will thensend this proof to the VA, who will return theVeteran’s first check for next year to theRegistrar, where it can be picked up inOctober.In the past, the VA accepted enrollmentcertification only in October, which oftenresulted in a six to eight week delay inreceiving the first benefit check oftenresulted. Mrs Regan said that this oftencreated financial harship for veterans.Mrs Regan said that the procedure to befollowed by veterans would be to simplysubmit a written request to her, including thenumber of courses they plan to take nextyear. In October, they can pick up theirchecks from her upon presentation of proofof registration. She stressed that while thenew procedure is not mandatory, it willprobably be a great help to veteranscurrently enrolled at the University.About 600 students will be affected by thenew program, most of whom have alreadybeen notified by mail. The deadline for thenew procedure has been set by the VA at May30. Mrs Regan therefore urges all veterans planning to take advantage of the plan tosubmit requests before May 25.A new Work-Study program has also beenestablished by the VA. Anyone interested inmore details on either of these programsshould contact Mrs Regan in the Registrar’soffice, Administration 103.Mao's bodyguardThe former bodyguard to Mao Tse-tungand member of the Red Guard duringChina's Cultural Revolution will be speakingat the University (International House) onMonday, May 21, at 8 pm. Mr Wu Shu-jen is aunique eyewitness to life on mainland Chinatoday, having served as a member of theCommunist Party for 10 years, a communeworker, an engineer and a member of his -country’s national water polo team. Mr Wuwill be speaking on “Life On Mainland ChinaToday”.Now 38 years old, Wu defected to HongKong in 1969, where he currently works as anengineer in a cement plant. A member ofCommunist China’s water polo team, Wuwas chosen one of Mao Tse-tung’sbodyguards during his famed 1956 swimacross the Yangtze River. He calls therecord speed of Mao’s Yangtze swim in 1966a “fairy tale”.During the Cultural Revolution in 1967 Wujoined a Red Guard faction in Canton andfought rival Red Guards and even regulararmy troops. Afterwards, fearing retaliationby the People’s Army, he bribed a localcadre into issuing him a travel permit. Hetraveled to the border town of Pao Am, op¬posite Hong Kong, and in July, 1969, swam tofreedom.Moot courtMichael Rosenhouse, second-year lawstudent at the University, has been chosen tohead the Hinton Moot Court competition nextyear at the Law School.He and his four-member staff willsupervise the traditional, year-long contestamong second and third year law studentswho argue cases in a courtroom setting.Rosenhouse, of 476 Lincoln Avenue West,Highland Park, Illinois, succeeds Mary L.Azcuenaga. Rosenhouse, who was chosenchairman, is joined on the staff by: R JamesStraus, of 511 Ridge Road, Lexington,Kentucky, who earned his BA degree at YaleUniversity; Kay Schichtel, of 2416 MunsonAvenue, Traverse City, Michigan, whoearned her BA degree at Kalamazoo(Michigan) College; Carl F Dixon, 680Millsboro Road, Mansfield, Ohio, who earnedBA and BS degree at Illinois WesleyanUniversity; Bloomington, and an MA degreefrom Harvard University; and Bruce LRockwood, of 4 Essex Court, Livingston,New Jersey, who earned his BA degree fromSwarthmore (Pennsylvania) College.Rosenhouse and Straus were the winningteam in this year’s Llewellyn Cup Finals — a part of the Moot Court competition which islimited to second-year law students. Thefinals were held in late April.One way“One Way” a dynamite eight piece rockband will be the main attraction of a Collegeparty to be held at the Alpha Delt fraternity5747 S University tommorow night at 9 PM.The party is being co-sponsored by theOrder of the C and the Womens AthleticAssociation for the entire College. Admissionis free but UC College ID is required. Theparty is right next to Admissions and AidLaw reviewWilliam H Block, of Chicago, has beenchosen editor-in-chief of The University ofChicago Law Review. He succeeds RonaldCarr, of Sante Fe, New Mexico, whograduates this year.Block heads a new 17-member staff ofsecond-year law students who edit andmanage the quarterly magazine. Founded in1933 and published by the University’s LawSchool, of Law Review contains articles andcomments by students and legal scholars ondeveloping aspects of the law.Block earned a B.A. degree at PomonaCollege, Claremont, California, beforeenrolling at the university Law School Othermembers of the Law Review’s board ofeditors are: James McHugh, Williamstown,New Jersey, managing editor: RichardBronstein, Chicago, articles and book revieweditor: James Hirschhorn, Baltimore,Maryland, special projects editor: MichaelCleveland, Chicago, comment editor: GlenLewy, New Milford, New Jersey, commenteditor: Stuart Oran, Chicago, commenteditor: and Frederick Thomas, Winnetka,Illinois, comment editor.Selected associate editors are: WarrenArcher, Rochester, New York: Joseph DaleBolton, Eau Claire, Wisconsin: EdwardTynes Hand, Bowling Green, Kentucky:Philip Garber, Highland Park, Illinois:Matthew Rooney, Jersey City, New Jersey:Lawrence Rosen, Cincinnati, Ohio: DonaldSchwartz, Brookfield, Wisconsin: and JohnAnthony Strain, Anaheim, California.Common Cause“Who’s got the power?”, a publicawareness session and open dialogue bet¬ween legislators and concerned citizens willbe held at 8 p.m., Thursday, May 24th, at theNorth Shore Unitarian Church, 2100 Half DayRoad, Deerfield. Abner Mikva, chairman ofthe Stat Ethics Committee, US Rep. JohnAnderson (R-16) Rep. Daniel Peirce (D-32nd), and Rep. Eugenia Chapman (D-3rd)will participate.Current press revelations regarding publicofficials and their political ethics, respon¬sibility. and responsiveness to the public willbe discussed. The open forum is sponsored by CommonCause of the 12th congressional district.Common Cause, a national citizens lobbybased in Washington, D.C., under thedirection of John Gardner, has successfullylobbied for such “open up the system”legislation as public disclosure of campaignfinancing, open congressional committeemeetings, seniority-system reform, and the18 year old vote. Current thrusts include taxreform, a shield law protecting the con¬fidentiality of newsmen's sources, and abalance of power between Congress and theExecutive branchInformation about the forum or studentmemberships in the national bipartisanorganization with more than 200,000 mem¬bers can be obtained from Ralph Ettlinger(Highland Park) at 432-6473.GuggenheimNine University faculty members havebeen awarded fellowships in the John SimonGuggenheim Memorial Foundation s 49thannual competition. They are Edward An¬ders, professor in chemistry, the EnricoFermi Institute and the College; Mary JaneBowman, professor in economics andeducation; Dr James Castles, assistantprofessor in medicine: John Hope Franklin,the John Matthew's Manly distinguishedservice professor in history; Eric Hamp,professor in linguistics and the College anddirector of the Center for Balkan and SlavicArea Studies; Richard Hellie, associateprofessor in history and the College andchairman of the Russian Civilization course.G David McNeill, professor in psychologyand linguistics; Richad Stern, professor inEnglish, the College, and the Committee onGeneral Studies in the Humanities and.Nien-Chu C Yang, professor in chemistryand the College.Morris on crimeNorval R Morris, professor of law andcriminology at the University, will meet withthe University's Tulsa area alumni and theirguests on Tuesday, May 22.“Crime, Sin and Mental Illness” is the titleof the talk he will deliver at 8:15 pm in theGreat Hall of the University of Tulsa’sWestby Center.A leading legal expert on crime andpenology, Morris will discuss our“misguided” legislation concerningdrunkenness, narcotics, gambling, andsexual behavior. He will offer somerecommendations for the creation of what heconsiders a more efficient and humandcriminal justice system.A faculty member of the University since1964, Morris is the Julius Kreeger professorof law and criminology and director of thecenter for studies in Criminal Justice. Hewas born in New Zealand and studied inAustralia and Great Britain.TRAVEL FORSTUDENTS AND YOUTH• Int’l Student ID■ A YH Hostel Pass• student and youthrailpasses dis¬counts on carlease/purchaseplans• tax free bikes• special discountson ships• trains and planes to,within and beyondEurope and Israel• Sahara expeditions■ mountain treks• bicycle touring■ domestic travelUS student hotels■ canoe, camping, skitrips; river runs....(we help faculty, too1)Come see us at ?? WestMonroe, Chicago 00603. . .or call /PG-OH3G. ModelCameraf 342 E. 55thi 4?3-6700H ~ v-.V-. fj.Most complete photo«*’, ‘shop on South Side. FOR SALE:1 USED LARGE PAPER SHREDDERCHEAP!ATTENTION ALL GRADUATESThe Social Therapist Graduate Trailing Programis now being offered by Forest HospitalPostgraduate Center ie Des Plaines. Illimis.This experiential training program preparescollege graduates for paraprofessioual careersii the Mental Health field. The six mouthcurricelM incledes 14 weeks of imstrmctim iepsycho^thdcgy, group and individual com-setieg systems, plus a 10 week interiskipwithin various mental health facilities. Milacemen: will be guaranteed through thePostgraduate Center Placement Service. Uponcomplete of the program, line hours ufgraduate credit ie Psychology from Ner-thwestere Illinois University me awarded. Fvferther information, call Ns. Bmtara Beckwithat farest Hospital Postgraduate Ceutv, (312)127-1811, exteusieu 271.THEUNIVERSITYOFCHICAGOBOOKSTOREwill beCLOSEDSat., May 26 and Monday, May 28forMEMORIAL DAY HOLIDAY TAKCAMABNCHINESE-AMERICANRESTAURANTSpecializing inCAKTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M. TO 8:30 P.M.SUNDAYS AND HOLIDAYS12 TO 8:30 P.M.Orders to take out1318 East 63rd MU 4-1062Factory AuthorizedDealerSAABVolkswagenSouth-Shore Inc.7234 S. Stony IslandBU 8-4900 DR. A. ZIMBLERDR. M. MASLOVOptometristeye examinationscontact lensesin theNew Hyde ParkShopping Center1510 E. 55th St.363-6363UNIVERSITYBARBERSHOP1453 E. 57th ST.CLOSED MONDAYS!684-3661HairstylingR fixer cuts All Vitamins20^ OFFtvuriDwiiILLIHEALTH FOODSPlus these everyday pricesVitamin E d alpha100 I U 250 caps $3 25200 I U 150 caps S3 75*00 I U 100 caps t1 95250 caps St 1 15Vitamin C 1000 mgs100 tabs $1 95250 tabs *4 40Vitamin C crystals5000 mgs pc. tsp.1 kilo *' b01 pov'i L* 006210S. Haipf in Ha.ptr Co^rt363 GOGFriday, May 18, 1973 - The Chicago Maroon - 7Quench your thirst for adventure.Discover New Spanada.The men of Spain sailed the seas in search of new worlds. They carried thetaste of home in a wine that celebrated their glories and inspired Spanada.New Spanada, a wine worth discovering today. A superb red wine, lightlytouched with citrus fruits It brings adventure to fine wine drinking. Servenew Spanada a taste worth discovering today.8-Th« Chicago Muiocu • Friday, May 18, 1973ENTERTAINMENT AND THE ARTSHi-Fis: To Spend & Spend & Spend AgainBy GAGE ANDREWS ANDTONY TERRANOA hi-fi system always costs as much as you canpossibly spend. It is probable that almost everyonewho buys a hi-fi gets gypped, because what you see,and hear, and pay for is seldom what you get. Thisproblem arises from both the quantity of equipment tochoose from—there are perhaps 200 nationallydistributed brands, ranging in quality and price fromextremely low on up—and from the fact that manyhi-fi stores deliberately mislead their customers. Theauthors of this article set out to circumvent thesedifficulties by one very simple expedient: finding atrustworthy hi-fi store. A good hi-fi store could besimply defined as one that will sell good quality,reliable equipment as inexpensively as possible, andwill stand behind what it sells.Hi-fis can be gradually up-graded, but everysystem must start with the simplest basics. An am¬plifier is necessary to provide power for the speakers.Amplifiers tend to give value for money paid, becuasetechnology has improved amplifiers far beyond itseffect upon other hi-fi components. As the price of anamplifier rises, the controls get more versatile, andthe possibility of adding optional equipment becomesmore feasible. Since amplifiers give the most valueper dollar, it is the first part of a hi-fi system whereyou can scrimp a little on cost and still be satisfied. Werecommend allocating only 35% of the basic hi-fibudget for the amplifier.Speakers are almost entirely a matter of personaltaste. Though the ideal speaker would provide exactreplication of the original sound, individuals often findthat theoretical ideals do not conform with personalideals. Since you are the only person who will have tolive with the sound the speaker produces, purchasewhatever pleases you most, but before you buyanything, listen to as many speakers in your pricerange as possible, on the chance that the next speakermight sound much better to you. Always listen to thebest speakers the store carries, even if they are out¬side your budget, so that you will have a good sense ofwhat sound you are settling for by spending lessmoney. Speakers should get at least 40% of the budget.A turntable completes the basic hi-fi. A turntableshould, in addition to playing records, preserve them.The biggest investment in most hi-fis turns out to berecords, so it makes sense to see to their protection.A manual turntable protects records the best, but itlacks convenience features (automatic shut-off, forinstance). An automatic turntable will play severalrecords in sequence, and will turn itself off, but ittreats records more harshly than a manual costing thesame amount. As a compromise between convenienceand preservation, we recommend getting a fairly goodautomatic and using it to play only one record at atime (since stacking records is injurious to them).An FM tuner is the most obvious extra. Werecommend against buying an AM/FM tuner, sinceAM radio is very likely to go stereo within a few years.Likewise we recommend against buying a redever,since FM radio has some radical changes coming up very soon (expanding the broadcast frequency, goingDolby or quadasonic), and the whole receiver wouldbe rendered obsolete because of the FM tuner. An FMtuner should add no more than 30% of the originalbudget to the cost of the system.Tape recorders are gaining so widely in acceptancethat it is almost unfair to regard them as optionalextras. Reel-to-reel tapes seem to be the medium forclassical listeners (who need the longer playing timesof reel-to-reel). Cassettes are the major non-classicalmedium; the only drawback with classical music isthat many classical pieces are too long to fit onto acassette. State of the art tape equipment can nowprovide a recording that is indistinguishable from theoriginal, on either reel-to-reel or cassettes. The use ofDolby noise reduction units, and the new kinds of tapesthat are being introduced, are responsible for much ofthe improvement: we strongly recommend using aDolby unit with any tape recording system purchased.Atape recorder that is qualatatively compatible withthe rest of the basic hi-fi will cost about 40-50% of theoriginal budget (this includes the Dolby unit).If you feel that you haven’t spent quite enoughmoney yet, there are further extras: headphones, anequalizer, record care equipment, a tape headdemagnetizer. Headphones allow you to listen tomusic without disturbing your roommates or neigh¬bors, though some of the better headphones leakenough sound to be heard by another person. Anequalizer extends the flexibility of the amplifier’s tonecontrols, and is often useful in correcting soniclimitations inherent in some loudspeakers. Recordcare equipment protects the record from damage byaccumulated dust, protects the stylus form excesswear from dust, and improves the general sound of therecord by removing all excess sources of sound fromthe surface of the record. A tapeheadde-magnetizer serves as analagous function with taperecorder head and tapes. Such extras vary widely incost and effectiveness.Knowing all this information is helpful when lookingfor a hi/fi, but does not explain what criterion we usedfor evaluating stores. In order to effectively evaluatehi-fi stores, we came up with the idea of referencesystems. Though not necessarily endorsing theequipment mentioned in these systems above otherequipment, we felt that the reference equipment was(1) representative of the better equipment in its pricerange, and (2) widely available and/or discounted, sothat cost-comparison shopping was possible. Wedeveloped three levels of reference systems. Theeconomy system is the least expensive system thatreally qualifies as high fidelity. For the middlesystem, we tried to make one clearly discerniblestep-up in quality (and found that the cost of thesystem more than tripled). The “open end’’ system isthe one we would own if there were no limitations onhow much we could spend.THE ECONOMY SYSTEMTurntable: the PE 3012 is the best bargain of costversus quality among automatic turntables. TheAR-XA is among the best manual turntables ever designed, at extraordinarily low price. Both workquite well with a Shure M91e cartridge, which iswedely available and fairly durableAmplifier: the Dynaco SCA-80Q has been maligned bysome stores, but is still a bargain. The design is ex¬cellent. the parts are not quite of the same quality.Buy it in kit form and build it yourself: it takes abouttwo evenings, is easy to build because of the explicitlydetailed instructions, and it works when you finish it(a miracle of satisfaction and gratification for thework put into it).Speakers: we list several, though our preference forspeakers designed by Henry Koss is obvious. Priceslisted after the speakers are approximate cost perpair: Dynaco A-25 ($130); KLH 17 ($140); AR-7 ($120)and AR-6 ($180); Advent Smaller ($140), and Larger($200). The Advent Larger speakers are easily thebest speakers in the group (by our estimation), andyou might consider stretching the budget to ac¬commodate them. They ought to be priced about twiceas high and then discounted to their present price soyou would realize what a bargain they are, but theare fair-traded for this amount.Tuner: Dynaco FM-5 (in kit form). Again, this hasgotten some bad publicity, but it is the best tuner onthe market in the (kit’s) PRICE RANGE. EasTuner: Dynaco FM-5 (in kit form). Again, this hasgotten some bad publicity, but it is the best tuner onthe market in the (kit’s) price range. Easy to build(we include the cost of a soldering iron as part of thecost of the kits mentioned), superb performance, it isthe best way to have good FM while waiting for theinevitable changes to come.Tape recorders: cassettes are ruled by the Teac line,and reel-to-reel (in this price class) is also ruled byTeac products. Choose whichever best fits into yourbudget and your needs.Other extras: we did not include any particular extrashere because they are designed to meet an indivudualneed. With some products, we do have preferences: inheadphones we liked the Sennheiser. which has finallyconquered its problem of blowing up; the KossPro-4a; and the Superex top of the line is very good.We recommend not buying electrostatic headphones,because they pick up too much of the extra noise thatis contained on the record, tape or whatever; and theydo it so well that it is exteemely annoying. Who wantsto hear perfecr scratches on their records?THE MIDDLE SYSTEMTurntable:Turntable: the Dual 1218 (automatic) or the RabcoSt-4 (manual) are the next step up. The Rabco has aunique design amoung turntables—the whole tone aremoves, instead of pivoting at one end. The ADC-XLMis a very good match for both turntables, producing avery linear reproduction. Total cost is C.$200.Amplifier: the Marantz 1120 has 60 watts rms perchannel; the Sony 1130 has 65 watts per channel, atabout the same cost (C$400); the Crown D 150provides 75 watts per channel, and must have apre-amplifier ^included in the other amplifiers) in(Continued on page 18)Friday, May 18, 1973 - The Chicago Maroon - 9Pal Joey: A Punk is a PunkBy RIMINIPal J oey. which opened at theGoodman Theater Sunday night, is amusical with a lot of history behind it.Its book started as a series of letters,written by Joey, a punk crooner with alittle talent abetted with much more egoand ambition, to his friend Ted. asuccessful bandleader The plot issimple: we follow Joey from Ohio toGhicago and from job to job, as hechases success and “mice" (as hecharmingly calls women in theirprimary role as his prey), although thegoals are probably reversed. As Joeyfloats along, or even gets lower andlower, it is obvious that Ted is becominga star Joey reveals himself to be a ratand a coward throughout, a con-manwho scores small and is often takenhimself , who is most often caught in hisridiculous self-aggrandizing lies by thewomen he is trying to make. The lastletter closes with him revealing hishatred for Ted because of his success inthe big-time. Not a hero by any classical standard, Joey is at least an object ofour pity.In 1952 Pal Joey won eleven of sixteenDonaldson Awards and enjoyed a longrun. With such a history, perhaps I amsticking my neck out when I voice myown dissatisfaction with the Goodmanperformance. Yet there is somethingnagging me mercilessly, suggestingthat I can't wholly lay the blame at thefeet of the present production. I keepthinking that there is something deeperDRAMAwrong with the show, perhaps even withthe conventions of the Americanmusical theater. I have to admit that Isaw the performance at a pre-pre-opening benefit on Thursday, May 10,and there were obviously some majorkinks to be worked out.One of the time-honored requirements for successful drama is that theaudience must be able to relatepositively to some character, to carewhat happens to him. Even a tragichero has to give the feeling that thingsmight have otherwise. Our interest inJoey is, I suspect, quite different. Manyhave spoken of the fascination of the“low-life" as a type. This amounts tosociological slumming. While Joey mayfascinate as a specimen, it is extremelyhard to care about what happens to him.The show’s best features are thesatire of the night club world, and thesong and dance numbers that thisallows. It is axiomatic that you can’tsatirize your own characters, so Joeydoesn’t come off as real. Neither doesany character which has to be any morethan a burlesque. For this reason, youcan enjoy the Goodman show mostwhen you are watching the dance group,which does a bang-up job, or whenBarbara Erwin as Gladys is doing theperfect floozy. Merwin Goldsmith isdelightful as the stereotyped hood andAnn Hodges is magnificent as the reporter-stripper Melba, without takingany clothes off at all. For some reason,the production is far more circumspectin this age of theater nudity than in 1940or 1952. I understand that “FlowerGarden..." was done almost bare-assedway back when. Today everyone wearsclothes. All in all, the singing anddancing manage to capture just theright mix of sleaziness andprofessionalism that is needed.In the major roles, all is not so well.Anthony Teague’s Joey is adequate, butin a show where the character is socentral and the characterization sodifficult, more is needed. The man lacksdecadence. Vera is a disappointment inanother area. An accomplished actress,she can’t sing, and the pit band showedher no mercy. This shows especially inthe best song of the show. Marti Rolphdoes a fine job as Linda, and has a greatvoice, probably the best in the show, butthe role of a “saphead" wastes hertalent. Perhaps the change in directorwill solve some of these problems, butJoey needs a plot.UT Acting Workshop to Present Evening of TheaterMost people are familiar withUniversity Theatre mainly through itsproductions staged during the year inMandel Hall and Reynolds ClubTheatre. One of the lesser known ac¬tivities which it sponsors is the actingworkshop For the past year studentshave been meeting every Saturdayafternoon to work under the direction ofDiane Rudall, whose experience in¬cludes a number of productions throughout the city, and Lucille Strauss,who will be directing Mrozek’s Tangothis summer for Court Theatre. Theworkshop has been open free of chargeto anyone interested and has offeredtraining in theatre exercises, im¬provisation. and analyzing characterand scenes within the context of plays.Begun last year the workshop wasintended to provide training and ex¬perience for aspiring actors as well toHITLER:StartsFRIDAY MAY IB.THE LAST TEN DAYS:leferzetti eric porter^DORIS kuIN COLOR ApAlSEE IT DOWNTOWN AT THEADOLFO CELI DIANE CILENTO GABRIELE FERZETTI ERIC PORTER .nd DORIS KUNSTMANN is tVA 8HAUNPQ' MW ♦ IN COLOW A PARAMOUNT PICTUREWi Wabc GREAT STATESSTATE LAKE establish a pool talent from which UTcould draw for future productions. Inboth these aims the workshop has beensuccessful. This Saturday evening May19th at 8:30 the results of the workshopwill be offered up before the public freeof charge in a series of short selectionsfrom contemporary plays. As much aspossible the plays were selected fromthose being read in drama courses thisquarter. Emphasis has been placed onthe scenes as a learning experience for the actors, not as a final production tobe mounted. Nevertheless, it should bea very interesting evening from theaudience’s point of view. Included willbe scenes from O’Neil’s Long Day’sJourney into Night, Williams’ The GlassMengerie, Stoppard’s Rosencrantz andGuildenstern are Dead, Williams’ AStreetcar Named Desire, Beckett’sWaiting for Godot, Albee’s Who’s Afraidof Virginia Woolf, and Pinter’s shortsketch, Night.With TWAit pays tobe youngArmed with just your TWA Bed andBreakfast* Plan, and a pack on your back,you can get a lot more of Europe for alot less with TWA. **Here are some ways we help.Bed and BreakfastTWA’s "Bed and Breakfast*,gets you guest houseaccommodations (at theleast) in 47 European cities,breakfast and extras likesightseeing or theatre ticketsall at really low prices.Europe Bonus Coupon Books.Take your boarding pass to any TWATicket Office in London, Paris, Rome,Frankfurt, Madrid, Athens or Amsterdam,and you’ll get a book of bonus coupons goodfor absolutely free things, as well asdiscounted extras like bicycles, theatretickets, sightseeing, meals and lots, lotsmore. Like we said, with TWA it pays to beyoung. For all the details write: TWA—IT PAYS TO BE YOUNG, Box 25, GrandCentral Station, New York, N.Y. 10017.OR CALL CAMPUS REP. JAMES BOGGAN 955-4705'Service marks owned exclusively by TWA.♦ Any transatlantic hoarding pass is acceptable. Benefits are being offered bv participating merchants.10-The Chicago Maroon - Friday, May 18, 1973Style, Expression and Art DecoArt Deco is not expression. It is style.This distinction may confuse some, butthe joint exhibition currently showing atthe Bergman Gallery/RenaissanceSociety offers the chance to view a widearray of art objects from the Decoperiod, the time between World War Iand II. As a total “style” Art Deco is themost recent in this century. To achievethis generation, however, any definitionof what Art Deco actually is remains abit nebulous. The problem lies with theattempt to associate various artists’ARTand craftsmen’s work into some kind ofhomegeneous group. Style for Art Deco,and I suppose for earlier kinds like ArtNouveau, is distinguished by features inthe objects themselves not by thequality of the artist’s imagination.Therefore the extremes are excluded.Extremity is what the individual artistmay create to express a particularthing. Art Deco seeks, instead, not aparticular feeling or thing but anoverall life philosophy, as far as thatmay be imagined.The Art Deco which The Bergmanand Renaissance people have collected,mostly from Chicago area collections,has been picked to illustrate the “life¬style” effect. The exhibition title, ArtDecotrends In Design, leaves littleroom to consider these various objectsas art objects alone, in and of them¬selves. Design seems to imply “prac¬ticality” of “half-art.” By this I meanthe viewer is not supposed push theartfulness too far—afterall, these aremostly objects for use: book design,furniture, clothes, cars, glassware, lamps, beds. Whatever you can think ofas utilitarian household objects has anArt Deco example.Mass production techniques sup¬ posedly has much to do with the sleeklinear forms that are popular withmany Art Deco craftsmen. Some wereproducts of custom production, but few by artists out for a combination ex¬pression/utility purpose. If there weremore of such objects from the period Iwould have enjoyed seeing them. Ifthere is any weakness to this exhibit, forme this would be it. The geometricaesthetic of Le Corbusier began, as didthe work of geometric painter PietMondrian, with originality of ex¬pressive intent. Their mass productionimitatiors, however, lack the zeal ofpurpose they had- that is, new ways ofseeing to express the existence of theirlives. Imitation lacks that, and in thissense Art Deco fails to express what isthe most human.The exhibit is nevertheless highlyrecommended for its objectivepresentation. The organizers realizedthat “Art Deco operated at many dif¬ferent levels,” and insofar as groupingan object with Art Deco this isknowledge is useful. But beyond that Ifeel it is important to understand ArtDeco as a commercial enterprise thatsucceeds only in a commercial sense. Itutilizes exotic materials and elegantworkmanship, but at the same time itlacks imaginative fever and anyradically new use of materials.Beyond the purely formal qualitieswhich Art Deco uses, like thegeometric, the most characteristicelement is the contrived imagery. Forme this is what shaves the edges fromany real expressive content. What issupposed to be exotic—like lightningbolts, arrows, rainbows, wingedwheels—reverses onto itself andbecomes an ostentatious image ratherthan an exposed felling. I think whatbothers me most aoout the imagery isthe insistence on design. I questionwhether design needs to exclude in¬dividuality or expression.The high quality of this exhibitdeserves attention. It continues throughJune 9.SUNDAY MAY 20 CEF PRESENTS"DUCK, YOU SUCKER"COBB 7 & 9:15 *1Friday, May 13, 1973 The Chicago Maroon - 11Regenstein vs. the South LoungeZe’eva Cohen, modern dancer-choreographer, will perform a concert of five solodances in Mandel Hall at 8 p.m., May 22. A graduate of the Juilliard School, Ms.Cohen is a former soloist of the Anna Sokolow Dance Company and American DanceTheater. Ms. Cohen will dance works by herself and several other prominentmodern dance choreographers. FOTA is sponsoring this event.By NANCY MOOREIt you were equipped with extra¬sensory perception and were to drivedown 57th Street towards Regensteinbetween the hours of 5:30-7:30, Mondayor Thursday evening, you wouldprobably be split in two. On the one sideyou would be whipped into a maelstromof furious intellectual activity issuingfrom the depths of the library. On theother, you'd be magnetized by a psychicforce burgeoning from the windows ofthe Reynolds Club South Lounge.For within the aging silence of theSouth Lounge sit 23 people trying veryhard NOT to do what the eaters andthinkers are doing. They work for thatmoment when they can dissipate theceaseless jabbering of their minds intoa fine, tranquil mist. They are alluniversity people—students and staff— drawn together by a common desire torevitalize themselves, to findsomewhere within the din a point ofabsolute stillness. They are doing yoga.Since 1971, Dobbi Kurman has beenleading yoga classes for students,alumni and staff under the auspices ofStudent Activities at the University.Now a University of Chicago un¬dergraduate, Dobbi began practicingyoga in 1968 when she was studyingFrench at the University of Grenoble.For five months she worked withMonsieur Siccion, a colleague andteacher of Marcel Marceau. Convincedthat yoga had made profound andeminently necessary changes in herlife, Dobbi returned to the States tostudy yoga in American ashrams. In1970 she participated in an intensivecourse for yoga teachers at Maharaj Ashram—Santa Fe, New Mexico—andleft for Chicago after the Ashramdirector requested that she teach yogahere.Although none of Dobbi's classes inKundalini Yoga are conducted in thesame way, they do begin quietly on thefloor with everyone stretched out on hisor her back. Throughout the two-hoursession she continually reminds peopleto relax. She teaches Hatha yogapostures, or “asanas,” mediatation andchanting but concentrates primarily ongetting her students to relax, and tobreathe.Pranayama, or breath control, sheexplains, is inextricably bound up withone’s ability to release tension, and toconsciously channel energy to differentpoints of the body. Toward this end, thestudents may expand and contract theirchests as they hyperventilate—a verynoisy, rhythmical exercise—or merelysit cross-legged, concentrating in¬tensely on deep breaths and slowexhalations.While each student shapes himselfinto the postures and rhythmssuggested by Dobbi, she sits calmly on alittle gold rug, thick red hair frizzedwith energy, and philophizes about thepositions. “Each asana is archetypalpose of some evolutionary state ofexistence,” she intones as her pupilsbow dutifully into the ground. Leaningover their bent knees, arms and headsresting heavily against the floor, thegroup in South Lounge looks like a nest of strange oversized embryos.Whenever the class “rests,”assuming whatever positions are mostcomfortable, Dobbi asks them toassimilate the effects of their recentexercises. During a class, she says,you’re likely to go through manychanges—emotional, physical, possiblyspiritual. You might become moreaware of points of tension or pain inyour body, or notice that the rhythm ofyour breathing has slowed. Expansionand reflection, breathing in andbreathing out—these are some of theelements basic to each of her classes.“Yoga,” says Dobbi, “is an ex¬tremely powerful method of creatingand maintaining physical andpsychological health.” Her students saythat when they leave at 7:30, they arenot the same uptight people they werewhen they walked in at 5:30. SoRegenstein Library, what do you haveto say fdr yourself??This summer Dobbi will teach a jointclass with Reuven Gold, free-lancestory teller and growth leader, at theNear North Unitarian UniversalistFellowship, 1755 N. Park Avenue. Theworkshop will meet every Tuesday andThursday from 7-11 p.m. for four weeks,beginning June 18th. Registration feefor the thirty-two hour workshop is$80.00, with a deposit of $30 due by June6th to: Reuven Gold, 657 BittersweetPlace, Chicago 60613. Group size will belimited. For further information call281-4316, 281-0468, or 675-1736.Dobbi Kurman meditates in the classic Lotus positionROCKEFELLERMEMORIALCHAPELSunday May 20,1973 11:00 A.M.E. SPENCER PARSONSDean of the Chapel“WHATEVER HAPPENED TO BARABBAS?” Used 6 ft. wide bulletin boards-$l 2.50Used 3 drawer files-$l 5.00Used wood desks-$l 5.00Used metal desks-$25.00"cash and carry"with Jhls ad only-_ JUIPMENTBRAND 1*»UPPLY CO.8600 Commercial Ave.Open Mon.-Sat. 8:30-5:00RE 4-2111Thun, till MX) P.M. JAMESWAYPETERSONMOVING & STORAGEr , 646-4411La or for00,1 646-1234 free estimatesCompletePre-Planned Moving ServiceLocal e Long Distance • Packing e CratingImport-ExportContainerized StorageFormerly at General Office55th*Elli« 12655 So. DotyChicago, III. 60633l/«n Linttn12-The Chicago Maroon - Friday, May 18, 1973Flutist Admits Passion for Playing; The lovely young lady made ananalogy to Women’s Lib. “We’ve beentrained to think. I’m responsible for thispart in the symphony orchestra,’ ratherthan thinking, ‘This piece is for me assoloist.’ The torch of the solo flutist isbeing carried on by a new generation.Thanks to Rampal the flute has comeinto its own as a solo instrument.’’The speaker was flutist PaulaRobison, who will appear as part of theFestival of the Arts this Monday, May21 at 8:00 PM in a free recital in MandelHall. She believes that the flute shouldbe recognized as a solo instrument on itsown right.“I like to play and play and play,’’ shesmiles, “And achieve my dream to berecognized as a solo flutist, along withmy colleagues. This is a transitionalperiod now for us. Orchestras will say,“We have our flutist for the season.”It’s like they used to think about thecello. But I want to reach the pointwhere the flute is treated the same waya solo violin is. In an orchestra theconductor worries that the first flutistwill be so incensed that he’ll resign if anoutside flutist is brought in. Of coursesolo flute concerts can be boringbecause most flutists aren’t used tothinking this way, but it’s becomingmore interesting now because Moysepupils do treat the flute as a solo in¬strument—it’s a great secret society.”Technique, she points out, becomesmore important for a soloist. “Manyflutists have good sounds, but they don’tspeak. Boehm developed a system offingering. But some notes on the fluteare always out of pitch. It’s so difficultto play the flute really well, with in¬tonation. It needs so much wind, muchmore than singing. It just goes andgoes,” she says, as she outlines hernarrow rib cage. She explains the various breathing exercises she haslearned from her teachers, includingone standing at a window and breathingin three times: deeper and deeper. “Butthat's dangerous, in Chicago. I thinkMr. Moyse had the French countrysidein his mind.”Today, Miss Robison has the honorof being one of nine solo resident artistsand the only woman with the ChamberMusic Society of Lincoln Center whereshe is featured in regular New Yorkappearances each season. A frequentparticipant in the Spoleto Festival,Marlboro Festival, and Music fromMarlboro tours, Miss Robinson has beensoloist with l’Orchestre de la SuisseRomande, the New York Philharmonic,and Alexander Schneider’s ChamberOrchestra. She also tours with theOrpheus Trio, which includes herhusband, Scott Nikrenz, who also playswith the Vermeer Quartet.Recent reviewers have made thefollowing statement about MissRobison. “Music bursts from her asnaturally as leaves do from trees,” saidTheodore Strongin, of the New YorkTimes. Alan Kriegsman of theWashington Post wrote, “I have neverheard more sensitive, artful fluteplaying; it captured the swoop of a scaleor the crispness of a rhythm in the mostenticing fashion,” and Clifford Gilmorein Musical America: “The eveningconcluded with a brilliant and fieryperformance of the Bach B Minor Suite,and Paula Robison was breathtakingin the solo flute passages. Here and inthe two cantatas Miss Robison playedwith a positively gorgeous tone and avery good understanding of the stylisticrequirements of the music. A greatcareer undoubtedly lies ahead of her.”The program for the evening’s con¬cert can be learned by calling 753-3591.'ia/a //it7.)ic ] itftotoon Mt/r Samnef Vanf/ru .Mon*(faiir jftu/j of Act aJ nafuui//jf/ca rrJ (/a f U/tn»ytumyin, • Verr, Hop 2! ’ Uandr/ 'Ka/f ft.nt."Tw" FIND A FLOOZIEAT THE FLEA MARKETSATURDAY, MAY 19IDA NOYES HALLFLEA MARKET: 10:00 a.m. lamps, desks, tables, books,vaporizer, bikes, irons, tennis rackets, sewing machines,typewriters, clothes, skates, chairs, small refrigerators, beds,shopping carts, shelves, small appliances, camping gear,ironing boards, plant stand, records, linens, jewelry, crafts,trunks, cedar chests, children's furniture, record player, kitchencabinet, TV's, snack tables, odds & ends of kitchen <& householdgoods beyond description. ($15.00 dep. required on entry ofsprings, mattresses, bulky furniture.)AUCTION 2:00 p.m. Kenneth Northcott, auctioneer new lamps,old port, 5 graphics from Joseph R. Shapiro, rugs, used desks,chairs, lunch with AAilton Friedman, a case of Macon blanc, tran¬sistor radios, Rich Scotch's shorn hair, Indian silk scarf,Panasonic radio, Appalachian bag, Bissell carpet sweeper,student chairs, Guatemalan poncho, rare books, concert by theLower Bass Conspiracy, items on display from 10:00 a.m. mostitems limited to U.C. student bidding, bring I.D.s.GRAND PRIZE DRAWING immediately following auction: Ridesfor 4 in a Cessna 401. Winners must have U.C.I.D. and bepresent. Departure Meigs Field. COURTESY OF UNIVERSITYNATIONAL BANK.MUSIC THROUGHOUT THE DAY-FOODFridnv Mow 1 B 1973 - Tho Chirogn Moroon - 1 3Hillis Direction Lacks DynamismBy TOBY LOU HOFSLUNDLast Thursday Margaret Hillis, theCivic Orchestra and the combinedchoruses of Northwestern Universitytook the audience in Orchestra Hall on asurvey of twentieth century music.This survey posed so many differentproblems in performance that it couldwell have been titled “the challenges ofmodern music." Included were Ives'The Unanswered Question, Webern’sPassacaglia (Opus 1), the secondmovement of Dallapiccola’s Canti DiLierazione (the sole work for chorus),Samuel Barber's Adagio for Strings,and the suite from Stravinsky’s balletThe Firebird. The challenges for allinvolved ranged from sustaininglyricism in the strings to maintainingvibrancy in the woodwinds; frombalancing polytonalities to jugglingcomplex rhythmic figures. Along theway they also met (and mastered) a twelve-tone melody in madrigal styleand twenty-three variations of a Bach-like passacaglia theme.Whatever the music and whatever thechallenge. Miss Hillis’ direction of theC’ivic remained uniformly cool andreserved. She conveyed to performersand audience an involvement which wasintellectually exacting and precise, butlacking in dynamism. Potential ex¬citement seldom materialized; a low-key mood prevailed even when themusic demanded explosiveness.The Ives and Webern most suited toher understatement succeeded for thatvery reason. The Civic stayed with herand with each other all the way. Againstthe staid background of Ives “cosmiclandscape" the solo trumpet and flutesdarted about with ease. It was kind oflike people shouting in attemptedconversation at opposite ends of acocktail party. Whether heavy and sonorous or light and lyrical Webern’sPassacaglia held together and movedsmoothly. Its never-ending motion (likethe fabled red shoes that couldn’t stopdancing) made a suitable contrast toIves’ atmospheric treatment of theorchestra.The most forceful and excitingmoments of the evening occured duringthe twelve-tone Dallapiccola work, themost recent composition on theprogram (written in 1955). The additionof the 120-voice chorus plus orchestrabrought an emotional uplift andvibrancy to his Latin text. Dallapiccolachose to set that section of the Exodusstory know, as the Song of the Sea: “TheLord is a man of war...Pharaoh’schariot and his host hast He cast into tin.*sea, the deeps cover them.” The chorusclipped phrases and created ap¬propriately war-like tones. Their performance in this single most difficultwork gave further testimony to MissHillis’ ability at building choruses.The Civic Orchestra on the wholeplayed admirably throughout ,theevening. However, the second half ofthe program featured more problemsthan the first. Barber's Adagio flowed,but not smoothly enough. At times itbogged down, came close to stopping,and seldom reached any real peaks ofpower.And although The Firebird enjoyedsome very beautiful moments, it neededmore fuel to propel it. It seldomgenerated excitement. Once again thestatic, slow section-especially theintroduction and lullaby—came off best.Kastchei’s Dance seemed ragged andlacked verve. It sounded as if life andlift were sacrificed for continuity andcohesiveness.Final University Nightto Be Conducted By MazerA fourth concert has been added tothis season's “University Night" seriesin response to the exceptional popularinterest generated by the first threeconcerts. It is scheduled at 8:30 p.m.Saturday. May 20. in Orchestra Hall,under the direction of Associate Conductor Henry Mazer.The program will introduce the“Chicago Current" a new 8-piececontemporary music ensemble prin¬cipally drawn from the membership ofthe Chicago Symphony. The group,features bass and electric bass, Frenchhorn, trumpets and flugelhorn, drums,vibraphone and other percussion,keyboard, electric piano and syn¬thesizer. and electric guitar.Among the works to be performed bythe group will be “Circles” by theChicago composer Arthur Lauer, for theChicago Current and the ChicagoSymphony Orchestra, conducted byHenry Mazer. “Minutes” also by Mr.Lauer. will will feature the 8-piecegroup without the orchestra, as will theremainder of the program, four worksby Chicago-born composer James DiPasquale: “Interplay”, “Inner Voices”“Showing Great Restraint" and “AppleBlossom Special".T he first half of the program by theChicago Symphony will feature threeworks by Bach as arranged and or¬chestrated by Respighi, Walton, andStokowski, the Passacaglia and Fugue,C minor <S 582) arranged by Respighi,Suite from the Ballet. “The WiseVirgins" after Bach as arranged by SirWilliam Walton, and the Toccata and Fugue. D minor. S. 565 as arranged byLeopold Stokowski.With the exception of “Circles” byMr. Lauer, all the works to be per¬formed by the Chicago Current werewritten especially for the group, andallow for varying degrees of im¬provisation. amalgamating a widespectrum of current popular musicalstyles, avant-garde, jazz, rock, countrywestern, blues, bop, etc.“Circles" was originally written forthe Robert Joffrey Ballet Company,though never performed by them. It isbased on an original poem by thecomposer which precedes the work. Anoriginal poem also precedes and formsthe basis for Mr. Lauer’s second work tobe performed, “Minutes”. Mr. Lauer iscurrently at work on a second balletscore for the Joffrey Company.Students with identification maypurchase 20% discount tickets to thisconcert at the box office up to ten dayspreceding the concert. Student ticketswill also be available at variousuniversity student activity centersthroughout the Chicago area.Regularly-priced tickets will go on saleon May 16 and will range from $2.50-$5.00 with box seats at $6.00 each.A special offer will also be in effect forstudents wishing to attend the chambermusic concert on the precedingevening, at 8:30 p.m. Friday, May 25.Tickets to this concert will be availableat $1.00 when purchased together with a“University Night" concert ticket.Tickets are also on sale at the checkdesk, on first floor of Ida Noyes Hall. College Party: The Older of the C d the WAA are co-sponsoring a free partyfeaturing the live eight piece band “O : Way”. The party will be held at the AlphaDelta Phi Fraternity house 5747 S Univ ' sity, right next to Admissions and Aid. I CCollege ID required.THIS COUPON CAN SAVE TOODOLLARS IN EDBOPEI^HOurbuy in a prv.-y -ir.ee '.9n'Soyc-ir vicr,-r inYugoslavia rhi Surr.rr.ewon i cor* - - :<• ‘her. - jAmericcr. gue.it.; spentin 1971And we've raised the dollar's pleasure power Moreattractions, ierdvalo low-cr • 'our. and car-hire plans Wide:choice of acccrr.rr.cdq':;r.r Credit cards good everywhereYour chcnce to on;oy 22 day in Yugoslavia ar.d the easternMediterranean from $699 including airfare from New YorkYUGOSLAV STATE TOURIST OFFICEPO Box 1120 Bohemia. N Y 11716To save money in Europe take this coupon to any travel a'jent. or sendit to us, lor brochuresName _ _AddressCity E-ite. . 7 pMy travel avent is_ _ _J4T -0-II« IJ KIMBARKLIQUORS•WINE MERCHANTSOF THE FINESTIMPORTED ANDDOMESTIC WINESFeaturing our direct imports,bringing better value to you)THE ONLY TRUE WINE SHOP IN HYDE PARK53RD KIMBARK LIQUORS, INC.1214 E. 53rd St.53-Kimbarl( Plaza NY 3*3355 YiiiCA CAMP MARTIN JOHNSONOffct . high quality camping tc youngsters ofall ruves, religions and nationalities.CO ED CAMPINGfor 9-16 year oldsFAMILY CAMP. Aug. 23 - Sept. 3July 1-July 28July 28-Aug. 24e Sailing e Swimming e Canoe Tripse Photography o Trip Programa Tennis o Waterskiing • Horseback Ridinglocated cm 300 acres in the ManisteeNationci! Forest near luddmgton, MichChicago Office:1400 £. 53rd St..Chicago. III. 60615Phono 493-570? or 104 *10014-The Chicago Maroon - Friday, May 18, 1973By MICHAEL EDGERTON“The Caretaker is funny up to apoint,” said Pinter in an interview.“Beyond that point it ceases to befunny, and it was because of that pointthat I wrote it.” The Caretaker is one ofPinter's early plays in which he ex¬plores the possibilities of encounter,sad. funny, and frightening, within fourwalls. The situation is simple: Aston, aman given to squirrelling up odds andends, brings into his room Davies, atalkative down-and-out with a jumbledmemory. Aston and his brother Mickseparately offer Davies a job ascaretaker in the place. Davies plays oneagainst the other to establish himself inthe house when his manner causesdisruptions, but is tossed outnonetheless. Within this simpleconquest-of-territory plot are threeremarkable personalities with equallyremarkable private interests. As Astonturns out to be a one-time inmate of amental institution who has undergoneelectroshock therapy, and as Mick hasstreaks of cruelty and daydreaming inhim, the possibilities for mis-, non-, andmalcommunication with the garrulousold man are always present. The playcan indeed be presented as a seriousprobing of the dilemmas of com¬munication, or identity, or love; it canalso exploit Pinter’s penchant for thecomedy of absurdities in language andsimple fascination with humanbehavior, shading into seriousness bypresenting the essential crises arisingfrom the confrontation of a man whotorments, a man who exploits, and aman who longs for understanding.The University Theatre productionwith Kenneth Northcott, PatrickBillingsley, and Nicholas Rudall in theroles of Davies, Aston, and Mick, tendedtoward the latter interpretation. ThusAston’s long monologue at the end of thesecond act, in which he etches an ex¬planation of his mental illness and thecure he got for it, forced the audience tore-evaluate him as a demented andvictimized man rather than a quiet butodd Samaritan. And it meant that thefinal picture of Davies, struggling tograsp his identity—supposedly con¬tained in some papers down at Sidcup, aplace he hasn’t been for fifteen years—clinging to the possibility that Astonwon’t throw him out, makes somethingmore of him than a troublesome oldcurmudgeon. Nick tormented Daviesthroughout, and sometimes it wasfunny; as the play progressed it wasmore often cruel.Because the action revolves aroundthe unexpected presence of Davies, whoshares the stage with each of thebrothers for all but a short time, thepart is a long and demanding one. Kenneth Northcott did it more thanjustice, creating a voice for Davies thatwas a kind of Welsh singsong that neverbecame monotonous in the course of hisinterminable and disjointed stock ofconversational routines: his Sidcupreferences, his racial prejudices, andhis habitual preoccupation with theminutiae of his life. As Mr. Northcottportrayed him Davies was frequentlylaughable and yet shrewd enough to tryto carve out a niche for himself in thehousehold. Finally, he was pathetic, andwe were inclined to sympathize withhim in the troubles of old age ratherthan to condemn him for a tyrannical,pushy, senile malcontent.When the play is half over it becomesclear that Aston has a mental problem,although we may suspect it all along.Patrick Billingsley was laconic until thelong monologue at the end of the secondact in which the underlying seriousnessand even horror of the play begin toemerge in his story of forced shocktherapy. Even Billingsley’s inflection ofthe word Aston says most frequen-tly—“yes”—revealed a definitenessthat prevented Aston from being merelya brain damaged zombie. Aston is avery intent man. He spends two weeksfixing an electric plug, and there isalways something going on behind hisstare, even if we don't know' what is is.Mr. Billingsley successfully solved theproblem of playing an Aston who livesbehind the mask of deprived in¬telligence.Nick Rudall's Mick was a leering,nasty-nice bovver boy who exhibited anedge of anger that cut into the quiet andcomradely exchanges of Aston andDavies. Rudall gave us somememorable expressions, the best ofthem the one he assumed as the curtainwent up, a seething, twisted smile thatfixed his character for the next twohours. He was particularly good withthe set pieces that Pinter has written infor the actor, Mick’s long, hazingspeeches with Davies that leave the oldman dumb before an onrush of in¬vention, and his marvelous fantasiesabout redecorating the room, presentlyfilled with junk, but soon to have “atable in afromosia teak veneer,sideboard with matt black drawers,curved chairs with cushioned seats,armchairs in oatmeal tweed...”Pinter writes periods of silence intohis script as a musician will write rests:there are specified lengths of time forbeats, pauses, and silences. Someproductions agonize over these non¬verbal periods as if they were moresignificant than the dialog itself. Thiscompany observed them, but notfanatically, so that the action flowednaturally without losing the changes ofsubject or the intimations of thought word. Too great a concern with thisaspect of Pinter results in a ratherartificial performance whichcerebralizes the play to the point thatthe concreteness of the vernaculardialog is lost. It then becomes man¬nered and mysterious but does littlecredit to Pinter's amazing ear for thelanguage. Northcott, Billingsley, andRudall capitalized on the“everydayness” of the writing to en¬counter the spontaneous absurditiesthat can develop in the most banalconversations, which may—or maynot—indicate something moreprofound.Charles Jenkins’ set was an atticretreat, high up under the eaves. Thissetting is plausible for the junk Astonhas accumulated and it also removesthe action from closeness to the worldoutside. Constructed in the corner of thehouse Aston occupies, the roof of theroom rose to an apex projected towardthe audience and lent an atmosphere ofisolation and subjection to the eventstaking place beneath. Yet I did not feel that this space with its inundation ofobjects was an entirely familiar one forAston and an unfamiliar or unfriendlyone for the other two men. But Pinter'splay deals in the simple power relationof the territorial imperative, and such afeeling is therefore important. An arrayof eccentric odds and ends candominate an actor, rather than theother way around, and at times thisseemed to happen to Aston.A three-character play with three asunusual as these will succeed partlythrough the telling of the individualstories. University Theatre's Caretakerdid that, and Kenneth Northcott wasespecially adept at it since Davies hasfewer opportunities to present himselfas pointedly as Aston and Mick. Theensemble effect was good. too. em¬phasizing the comic potential of thethree without losing sight of the puzzlingand frightening questions that areraised along the way. By graduallyceasing to be funny, this Caretakermade its points a split second after thelaughter had died.9 AM-9 PM 7 Days A WeekHYDE PARK PIPE AND TOBACCO SHOB^1552 E. 53rd - under 1C tracksAll students get 10% fask for "Big Jim" N. JPipes Imported CigarettesPipe Tobaccos Cigars114 VI Ll/SRADIO, I KLKV ISION& HIGH KIDKI.IIASALKS SKRMC K & A( ( KSSORIKSZenith — t‘nnu*onieMnsteruurk — Kl II1361 E. 53rd, Chicago 60615 • PL 2-780045 Years Serving Hyde Park Mick (Nick Rudall) givesCaretaker. ’’ it to Aston (Kenneth Northcott) in UT’s latest. “TheCORSO cornerMrinxl^cn's Avxrd-Winning Jilm Live Bandc\ BhuVAM ONE WAYWITH ENGLISH SUBTITLESPRESIDENTS GOLD MEDAL (HIGHEST INDIAN AWARD) Party 9:00 P.M. Sat. May 19th5747 S. UniversityFOR ’BEST FEATURE FILM’ 1969 * AWARDS FOR BESTACTOR ft BEST DIRECTOR • GOLD MEDAL VENICE 1<*>9$Murd\y, Aitoi 19,7J- 7C)uiid K*tf. Kavha 126SSfS $. Kimhaj\A*c.Admission 5 0(MUSINTIO K IMt INDIA ASSOCIATION Of TNI UNIVtUSITT Of CHICAGO Next to Admissions and AidBring UC IDBrought to you by the WAAand the Order of the CFriday, May 18, 1973 - The Chicago Maroon - 1 5Faculty Torment,Exploit,Desire in UT Productiont UR ,8 j \c,A ,\nbi 1 (». *HI FI HUTCH‘YOUR HOME FOR SOUND DECISIONS’1 WEST53 W ROOSEVELT ROADVILLA PARK495 3200NEAR WEST7379 W NORTH AVERIVER FOREST771 7050(To Open End of May)NORTHWEST524 E NORTHWEST HWY (14*MT PROSPECT255 2500HOURS: Mon & Thur 10-9; Tue, Wed, & Fri 10-6; Sat 9-5; Closed SundayGRAND OPENING SALE!mtum* *y y *y y * 4 i * * * ySANSUI 350A 44 Watt AM FM Stereo ReceiverA quality receiver with virtually every refinement to befound m higher priced units Its many attractive featuresinclude wide dial FM linear scale, complete silicontransistor circuitry and the capability of handling up totwo sets of speakei systems simultaneously The Sansui350A is an idea! medium powered receiver at a veryreasonable priceGARRARD 40B Automatic Turntabi: comes completewith base, dust cover and SHURE M44E StereoCar tr idgeCSS 8 2 Way An Suspension Speaker Systems offerremarkably smooth frequency response for a moderatelyprice systemComponents Purchased SeparatelySansui 350A $239 95Garrard 40B withBase, Dust Cover andCartridge 59 95CSS 8” 2 way SpeakerSystems (Pair) 119 90Total S419 80 HI FI HUTCHSYSTEM PRICE34900SAVE $70 80 SANSUI 1000X AM FM Stereo ReceiverThe Sansui Behevei Receivei is designed to makebelievers out of those who question whether a receiver mthis popular power range (56 watts continuous powei)can really measuie up to completeness So complete, infact, the 1000X has two tape monitor circuits which willenable you to record on two tape recorderssimultaneouslyGARRARD SL55B is the least expensive Gan aidTurntable using the high torque constant speedSynchro Lab Motor The SL55B comes complete withthe SHURE M44E Stereo Cartridge Also includes baseand dust coveiCSS 10" Thiee Way An Suspension Speakei Systemsinclude a 4 inch low resonance midrange unit for widedispersion in large or small areasComponents Purchased Separately:Sansui 1000X S329.95Garrard SL55B withBase, Dust C*- er andCartridge 74.95CSS 10" 3 way SpeakerSystems (Pair) 159 90Total S564 80 HI FI HUTCHSYSTEM PRICE$429 ooSAVE SI 35 80 SANSUI 2000X AM FM Steieo ReceiveiThe Sansui 2000X is a premium quality leceivei ideallysuited for the steieo enthusiast with an aveiage si/edapaitment or home. Its continuous power output of 39watts pei channel at 8 ohms will adequately drive mostbookshelf type speakei systems The Sansui 2000X isunquestionably one of the finest teceivets available mthe S300 to S400 pi ice classDUAL 1214 Automatic Turntable Aside horn having afew less features and refinements than the moreexpensive Dual turntables The Dual 1214 will handleyout records in the same delicate'niannei (Youi lecoidswill vutually nevei wear out I Comes complete withwalnut base, dust cover and SHURE M91E Cat tr ulgeKLH MODEL 17 is an 8 OHM full range, two waysystem consisting of a 10 acoustic suspension wooferand a 1 3 4" dnect radiator tweeter m a handsome,compact enclosure. The low frequency diive is cable ofextremely long excursions to provide extended,lowdistoi tion response in the bass rangeComponents Purchased Separately:Sansui 2000X $379 95Dual 1214 withBase, Dust Cover andCartridge 125.00KLH No. 17 SpeakerSystems (Pair) 159 90Total $664 85 HI FI HUTCHSYSTEM PRICEi499°°SAVE S165.85ALL COMPONENT SYSTEMS ADVERTISED BY HI FIHUTCH INCLUDE OUR • 5 YEAR PROTECTIONPLAN • 60 DAY EXCHANGE PRIVILEGES • CREDITTERMS AVAILABLE SOME HIGH QUALITY BRANDS YOU'LL FIND IN ALL HI FI HUTCH STORES INCLUDE:• ACOUSTIC RESEARCH • ALTEC LANSING • BANG & OLUFSEN • CERWIN VEGA• CROWN INTERNATIONAL • CSS • DUAL • GARRARD • JBL • KLIPSCH • KLH• MARANTZ • MclNTOSH • PHASE LINEAR • PIONEER • REVOX • SAE• SANSUI • SENNHEISER • SHERWOOD • SONY SUPERSCOPE • STANTON• STAX • TANDBERG • THORENS • OTHERSFACTORY AUTHORIZED SALE!JBL'S NOVA 88Tfie most (Kjpular of all the JBL Control RoomMonitors (Listen to the heavy Bass Listen to thetransparent highs IAnd a classic JBL design A provocative geometricgrille of oiled Walnut and Charcoal decoratoi fabricREGULAR PRK3E S198 00FACTORY AUTHORIZED SALE PRICE168°° JBL'S ATHENA S99The most powei ful Bookshelf System made by JBL(Incoiporutes a 14 inch woofei IAnd all the good looks you expect bum JBLhand carved wood fietwork guile, oiled WalnutenclosureREGULAR PRICE $249 00FACTORY AUTHORIZED SALE PRICE21000 DUAL TURNTABLESALE!DUAL 1218AUTOMATICTURNTABLEIn out opinion the Dual 1218 Automatic Turntable withthe Stanton 600EE Broadcast Standard Cartridgerepresents a tiuly excellent value in a relatively moderatepuce iange The Dual 1218 mcoipoiates such features asseparately calibrated anti skating scales lot conical andelliptical style feather touch cueing and variable pitchcontrol The unique tone ai m design of the 1218 permitsexcellent tracking capabilities as low as 3 4 of a gramPurchased SeparatelyDual 1218 AutomaticTurntable $169 50WB12 Oiled Walnut Base 12 95DC4 Plexiglass Dust Cover . 12 95Stanton 600EE BroadcastStandard Cartridge 39 95Total S?35 35 HI FI HUTCHPACKAGE PRICE17900SAVE S56 3516-Th« Chicago Maroon - Friday, May 18, 1973L 4KungFu: Bigger than TangoBy DAVE KEHRSomewhere, I’ll bet, you got theimpression that Last Tango In Pariswas the bigest foreign film now onAmerican screens. Nope. It’s FiveFingers of Death, a Hong Kong importwhich has made close to three milliondollars in the United States alone, whileLast Tango is still slowly approachingits first million. In its first week at theState-Lake, Five Fingers of Deathplayed to more people than The God¬father, and now, six weeks later, it’sstill packing them in. Five Fingers ofDeath has been so successful that nowtwo other Kung-Fu epics have opened inthe Loop (Fists of Fury and Duel of theIron Fist), and the exhibitors are stilllaughing inscrutably on their way to thebank The end, it seems, is not yet insight, with National General Picturesplanning to release some six more HongKong specials (with tasty titles likeOne-Armed Swordsman and LadyKung-Fu) within the next month; andWarner Bros, and MGM waiting in thewings with God knows what else.Humor has it that Warner Bros,picked up Five Fingers of Death forabout $50,000 (chicken feed as thesethings go) based on the recent successof similar Karate Kpics in Europe. InWest Germany, Kung-Fu has replacedpornography as the national craze, andis threatening to upset even CharlesBronson at the box office. Thanks to its phenomenal success in America, theasking price of the Hong Kongdistributors for their product is now upto about $25,000. Just think. Last yearyou could have picked up something likel ive Fingers for $5,000 tops, and now bekissing Hyde Park goodbye as youboard yout yacht for a little pleasurespin around the Mediterranean. Well,that’s show biz.The last time something like thishappened it was touched off by anItalian import called A Fistful ofDollars. The rest, as they say, ishistory. Spaghetti westerns have beendominating the action market eversince, although few of them have haddie same success as Sergio Leone's firstiew; Fistful, For a Few Dollars More,end The Good. The Pad, and The Ugly.it is last two pictures to be released inAmerica (Once Upon A Time in theWest and Duck. You Sucker) didaverage business, indicating that thefad was coming to an end after five>ears. Still, the Spaghetti Westernshave made their influence felt, not leastof all on the makers of the Karate films,and left us with one new major star,( lint Eastwood, and one new majordirector, Sergio Leone. One can onlyhope that the Karate films will do thesame. Sadly, the prospects don’t looktoo bright.Having nothing better to do, I wentand caught Five Fingers of Death last Saturday night. No sacrifice is too greatfor my readers. Five Fingers is,unequivocably, the sleaziest film everto play a downtown theater. Poorlydirected, poorly acted, poorlyphotographed, and poorly written. Why,then, has it made three million dollars?It is, simply, extremely violent. MyGod! I’ve seen violent films before,films much bloodier than this even; ifamount of blood spilled can be taken assome sort of violence index. FiveFingers is distinguished from the run-of-the-mill bloodbath picture (damnnear any film starring Charles Bronson,for example) not only by its absolutelyunrelieved emphasis on gore, but by itscomplete refusal to provide even somuch as a plot as an excuse.The film literally consists of aseemingly endless string of Karatefights worked out as a mathematicalpermutation among the dozen or socharacters. I don't think that more thantwenty minutes of this nearly two hourfilm could have been devoted to anykind of exposition. And those twentyminutes could easily be cut out to makeroom for the commercials when the filmreaches TV. Eye-ball gouging, skullcracking, back breaking, stabbing,kicking, punching: you name it, you gotit. And in De-Luxe Color andTechniscope, too.As near as I could make out, the storyhad something to do with a rivalry between two karate schools. The Evilkarate school was trying to put the Goodkarate school out of business before theBig Tournament. We know which iswhich because the leader of the EvilKarate School is dubbed like HumphreyBogart and chews on match sticks,while the leader of the Good KarateSchool is dubbed like Otto Kruger andmakes his students promise to use TheTechnique of the Iron Fist only in thecause of justice. The Technique of theIron Fist apparently consists of havingthe lighting director shine a red spot onyour outstretched palms, while youmake gurgling noises and grimace. Godonly knows w hat would happen is such adeadly secret got into the wrong hands.We never have a chance to find out inFive Fingers of Death. (This,presumably, is material for the sequel.)There is another aspect of FiveFingers which breaks with the blood¬bath tradition. In most films of this sort,the audience is invited to participate inthe killing, mainly through the use ofpoint of view shots which put theaudience on the right side of the gun,knife, fist, or what have you. In FiveFingers, though, the audience is invitedto be killed. Knives and fists are flungdirectly into the camera. In oneespecially memorable moment, we getto have our eyes poked out. Sounds likefun, huh0 Well, this, too. is show biz.5 Lament of the Castaway EasternerBy PHYLLIS WILSONSince I’ve come to Chicago (fromBoston), one of my favorite food fan¬tasies has been someday to try theclambake at the Tap Root Pub. I’msorry to report to fellow Easterners thatthis one had best remain a fan¬tasy—don’t spoil it for yourself by ac¬tually going there.I went with my husband (a mid-westerner) and two friends from NewYork City who know a Cherrystonedarn from a Steamer. The ad had saidone lobster (cooked lo your order), andall the clams, salad, corn on the cob andchicken you can eat The chicken wascold, the corn overcooked, the clamsmostly rubbery, th. ...dads were potato and cole slaw—and the lobster cameboiled without anyone asking us. Iwould have ordered broiled.Add to this a very dark and over¬crowded room, a waitress who broughtthe food grudgingly and a bus boyanxious to get the table cleared for anew set of paying customers. Heart¬burn.In an all-you-can-eat restaurant theatmosphere should be unhurried andgenerous. The waitress should be a•L-wish mother—“Eat some moredams, dear. A little more corn,m e be?” But in reality the waitress. rue by two or three times to see if wev re finished and seemed surprised- n we wanted another order of clams.,. corn. First orders are skimpy (eight clams for four people), so we felt noguilt about asking for more—until wegot the cold shoulder from the waitress.Everything about the place led to theimpression that we were unwelcomeintruders. Small tables packed too closetogether, paper plates, plastic forks, nospoon with the coffee, no one to takeaway empty clam shells, the long-suffering look of the waitress. While mymelted butter congealed in its plasticcup. I noticed that other diners w'ho hadordered lobster a' la carte were treatedto hot butter with a canoie warmer. Andimagine cracking a hot boiled lobster ona paper plate. Of course, some of this isdone to maintain low overhead, butsome of it is just carelessness. I don't expect a restaurant to supply Alka-Seltzer, but a Wash ‘n’ Dri would havebeen nice.The price for this disappointment?$7.95 at the door or $6.95 if you eithersend a check in advance or mention theChicago Guide. A big crass sign on thewall reminds you that tips are not in¬cluded. A pitcher of beer was a steep$2.50 and other beverages similarlyunreasonable. Granted that $6.95 is agood price for a lobster these days, butthey serve it as if they're doing you atremendous favor.The Tap Root Pub is located just westof Oldtown at 636 W. Willow. Theclambake, if you're still interested, isSundays only, 2-10 p.m.SCHVL'fXCLEANUPSCUSTOM QUALITYCLEANING10% student discount1363 E. 53rd St.752-6933 EYE EX AM r ONSfashion: rARcontac : : ...:sDR. KURT RC NBAUMOplome.u t(53 Kimbark Floza)1200 East 53i d StreetHYde-Park 3-8372STUDENT DISCOUNT 10% OFF Wll H ADo ! ‘L.HmwLi 5from aroundTHE WORLD(arlitti Ciullibtttccku WelkerOljwfit Spirt CrystalLey mci FijiCmmIMI) 1UU(“effect MastUPierre CititiMCcrlrMk 'erteer'.fill■eci.'fliMUcskiciXercmOe»iCOM DOmi iiori"4711 W. LAWRENCE at CICEROJ»M fax a< KcaacWy faprawwaySPORTIF IMPORTER LTD.Hi685-0240 THEPARVARIMYossi HouriNissim MenachemSaturday NightJune 29:15 P.M.Israel’s top folk-singing duoTop winners at Israel song festivalMusic of more than 6 countriesin Hebrew, Ladino, Greek, Spanish, Yiddish, EnglishAt the CONRAD HILTONAklba-Schochtar Day SchoolsGeneral Admission $5.00rofroshmants includedTickets from Jo Knopp285-0161 rJ -mmr-h li aOLLdU!! wFRESH FISH & F.FAFOOD752-2870,752 fllvC*. 363-VU6 -1340 E. 53rdssjpl authorized sales & service312-mi 3-3113foreign car hospital & clinic, inc.5424 south kimbark avenue* * Chicago 60615THEUNIVERSiTYOFtJHCAGOBOOKSTOREwill beCLOSEDSat., May 26 and Monday, May 28forMEMORIAL DAY HOLIDAYImperfect in Original#*********IfIfIfIftIfIfIftIfIfIfIfIft GOLD CITY INN ]given **** |by the Maroon*New Hours: Open Daily |From 11:30 a.m. jto 9:00 p.m. $"A Gold Mine Of Good Food"Student Discount:1 0% for table service5% for take homeHyde Parle's Best Cantonese Food5228 Harper 493-2559(near Harper Court)Eat more for less.(Try our convenient take-cut orders.)MAROON CLASSIFIEDSare the way to move itlSimple,straight-forward,classic-out of stepwith today'sthrowaway cultureRefillable cartridge,ballpoint or fiber tipmarker in basic tanor navy blue$1 98: not bad fora penyou may use therest of your life HEADQUARTERSFORPASSPORT .PHOTOGRAPHSAPPLICATIONSPHOTOGRAPHSinj black & whiteand colorlCall MU 4-7424 nowfor an appointmentCorona Studios1314E.53RD ■SUMMERMPLOYMENT18 Or OverCollege trainedmen and womenwill be consideredto supplement ourpresent staff. Thesepositions are full¬time summer jobs.Searching for ap¬plicants who aredependable andwho are hardworkers. Excellentopportunities fortop earningsduring summer.Can earn*135 - *175Per WeekBASED ON YOURPRODUCTIVITY(LONG HAIR OKAY)Excellent op¬portunities for ad¬vancement thissummer and maycontinue to workon a part-time orfull-time basis nextfall. _FORAPPOINTMENTCALL312-726-3441 Hi-Fis: How to Buy and Where(Continued from page 9)addition: the Dynaco PAT 4 is a very good choice. TheCrown and the Dynaco together cost about $450 (if theDynaco is built from a kit).Speakers: the Crown ES 14 is an electrostatic speakerat about $650 per pair; the IMF Studio II go for aboutthe same. It was very difficult to find a speaker whichwe felt was significantly better than the Larger Ad¬vent, which the great price demonstrates.Tuner: the Sony ST5130 is close to the best of the“normal'’ tuners at about $330; the Harmon KardonCitation 14 comes equipped with a Dolby unit, in ad¬dition to its otherwise excellent performance, forabout $525.Tape recorders: the next “step up” is to eqipment thatis state of theart. For cassettes, this means the Adventor the new Harmon Kardon unit. For reel-to-reel, wesettled for the Teac 2340, though there are severalbrands by other manufacturers that we also couldhave chosen. The cassette decks cost about $300, andthe Teac’s price range is about $750.THE OPEN END SYSTEMWe decided to leave discussion of this system untilnext time, so that we can direct you to specific com¬ponents in various stores.The last part of the article is a list of the tricks somestores will use, and how to spot and beat them. Usingthese tricks is an indication of a bad store, since thesetricks are useful only for making bad (or equipmentthat makes a large profit for the store) eqThe last partof the article is a list of the tricks somestores will use, and how to spot and beat them. Usingthese tricks is an indication of a bad store, since thesetricks are useful only for making bad equipment (orequipment that makes a large profit for the store)sound better, and for making equipment that is ac¬tually good sound much worse in comparison. Sincesome stores make more money on sales of certainbrands of equipment, it is to their financial advantageto make this equipment sound better. If it was reallythat good, it should be able to sell on its own merits.Trick ftl: never buy a system in one store withoutgoing to other stores first. The walk-in purchaseusually sends the customer home fairly satisfied, untilhe finds out either that he could have gotten the sameequipment for much less at a store one block away, oruntil he hears the equipment his neighbor bought forthe same amount of money—and it sounds muchbetter.Trick ft2: if a store does not have separatespeaker-listening rooms, don’t shop there. It is im¬possible to evaluate speakers in the midst of a crowdof haggling buyers and salesman ; you want to be ableto compare the differences between the speakers. Trick ft3: always listen to recordings that you arefamiliar with, so that you will have at least a vagueidea how they should sound. If possible, bring yourown favorite records, and listen to the same passageson various speakers. The idea is to get the source ofthe sound to be the same, so that the only differenceswill be caused by the speaker. Along the same lines,always listen to speakers while using the same turn¬table, cartridge, and amplifier, since these cansignificantly change the sound of the recording. Agood store will be happy to accommodate theserequests.Trick #4: make sure that the store will repair theequipment it sells, preferably for free. If it has to go tothe factory, it will take weeks. The store may providean additional guarantee, that is longer than themanufacturer’s own guarantee: make sure to read thefine print.Trick ftS: never mail in the warranty cards rightaway. If the hi-fi should break down within the firstfew weeks, and you have not mailed the warrantycards, the store is likely to simply exchange the faultyunit for a new one, instead of having to repair it. It isless expensive for them to do this; most stores willhonor the manufacturer’s warranty whether you havemailed in the warranty cards or not, especially if youbought the system in their store.Trick ftG: start out by buying new' equipment infactory sealed cartons. The guarantee is much better,and it is a much safer way to start. Second handequipment may look like a bargain, but it is alwaysgoing to be much harder to get gypped buying newequipment.Trick ftl: keep your receipts. They are useful in casethe hi-fi gets stolen; in addition, some stores willrepair only the equipment they sell.Trick it8: bargain. When you are buying a lot ofequipment, the store is making a lot of profit, whichthey can afford to shave down a little by giving you abigger discount.Trick />9: always listen to the hustle. If it is goingalong the lines of “this is a Japanese company, andyou know' what good equipment they make”, forget it.Information should always be technical, even if it isabove your head. Remember a small part of it andcheck it for accuracy after you leave the store. If itwas accurate, the salesman at least had his factsstraight. We felt that if none of the equipment listed inour references systems was available in a given store,then it was not worth our, or your, while to shop there.This is a large part of the information andbackground we used in evaluating stores. The resultsof our research—the best and the worst of hi-fi stores inChicago—will be published next week.RECORDSNew Grass RevivalNew Grass Revival(Starday Records-SLP-482-498)I was at Jimmy's talking things over with D.R. Moore, I.W. Har¬per, and Jim Beam when Pete the Bartender called me over. Petethe Bartender has never lied to me and has always poured goodshots, so I had no reason to doubt him when he spoke of a hirsuteyoung man who had been painting his nails at a table. Pete the Bar¬tender said that when the young man finished his nails, he left apaper bag behind the bar in Pete’s keeping. Inside was a bottle ofnail polish, a bottle of nail polish remover, and two bottles of Dextran-100 Lice Killer and Remover.Anyway, while all this was going on, I heard "Lonesome FiddleBlues by the New Grass Revival being played over WDAI. I thoughtabout it for awhile, and figured that, since the NGR had a song onhip, alternative FM radio, I had better review their album and getmyself in on the ground floor of a pop culture phenomenon. I mighteven get rich.The New Grass Revival played at the 1973 UC Folk Festival. I canonly laugh my ass off at those of you who missed their per¬formances. These four freaks from Louisville turned out fine har¬monies and fine music on fiddle, banjo, guitar, bass, and mandolin,and tnrew a bridge across the chasm that separates most youngmusic listeners from bluegrass."Lonesome Fiddle Blues", the song that got the airplay, is abluegrass classic written by venerated fiddle player Vassar Clemen¬ts. The standard" version is on Will th« Circle Be Unbroken, andis done by Vassar and the Nitty Gritty Dirt Band; the version doneby the NGR contains extended, improvised rock and jazz-like riffson mandolin, guitar, and banjo, and offers more to the rock-weanedbluegrass novice than does the original.The NGR can both improvise on bluegrass standards and give abluegrass flavor to rock songs like Leon Russel’s "Prince of Peace",In both cases, the versions done by the NGR improve on theoriginals; they remove the sometimes unimaginative repitition fromone, and the banality from the other.The first song on the album is "Great Balls of Fire." I doubt if toomany people could dance to this rendition the way they could toJerry Lee, but I also doubt if too many people could deny CortneyJohnson s virtuosity on banjo during his solo. "Great Balls" not onlyexhibits the NGR s talent for arrangement, but also shows that ;hi» line between good bluegrass or coutnry and a lot of early rock isvery thin and indistinct.The songs range from the standard "Body and Soul" to theoriginal "Whisper My Name" by bass player Ebo Walker. The ahr-mony and breakneck counterpoint are pure bluegrass, while thesolo improvisations are pure jazz/rock. The best way to get in¬troduced to bluegrass is to get this album and talk later about howyou scored it when the NGR was still unknown.Another way to get used to bluegrass is to drop into Jimmy's onSunday afternoon and hear the only regularly scheduled livebluegrass in this entire megapolis. While you're there, look for theguy who left the paper bag behind the bar; tell him I borrowed abottle of his Lice Killer.—C.D. JacoThe one man who did more for ragtime than any other man wasa Negro composer named Scott Joplin. Before his death in 1917,Scott Joplin composed scores of piano rags including the famous"Maple Leaf Rag." Under the influence of Joplin, ragtime rose fromthe bawdy house to the midd-class parlor, to the open air bandstandin the public park. Soon ragtime sheet music was being sold inWoolworths, and no party was complete without someone ticklingthe piano with the latest rags from Tin Pan Alley.Authentic rag survived despite the corruption of popularization.Joplin and others like him continued to write serious rags. Many ofthese rags were arranged for band. The best collection ofarrangements was to be found in a book titled Fifteen StandardHigh Class Rags which was nicknamed "The Red Back Book."Part of the resurgence of rag has been the discovery of thisbook. The New England Conservatory Ragtime Ensemble under thedirection of Gunther Schuller has done a fine job of recording someof the tunes from the Red BAck Book. This is a record with an ex¬cellence that is usually not to be found in much of Joplin's music.The quality is especially evident in the solo piano numbers done byNyron Romanul. Besides technical facility Joplin's music calls for acertain sensitivity. Mr. Romanul succeeds as does the rest of theband.—Mlchaal FranvanSCOTT JOPLINi THE RED BACK BOOKThe New England Conservatory Ragtime Ensemble(Angel S-36060)18-The Chicago Maroon - Friday, May 18, 1973MAROON CLASSIFIED ADSSCENESRECiCLE your bottles, flattenedcans, aluminum, newspaper at HydePark Recycling Center, 54th & S. lakePark. Open 10 4 Sat, 1 4 Sun.Mozart/Gilbert 8. Sullivan: May 25 &26 at Kenwood HS. For tickets andfurther information, Call 538 8325Marche aux puces, Samedi, 19 Mai10:00 Ida NoyesSPACESublet: two rooms in Little Pierc j airconditioning etc, 643 0176HOUSE FOR SALE...SOUTH SHORE10 rm„ 5 bdrm. home. Newlysided, alum, triple track stor¬ms, garage, walk dist. toschools, pks., and Lk. 20 min.Loop, 10 min. U of C. Call forappt. 493-2823 By owner.Rare opportunity at $19,500.One very unmilitary guy (native NewYorker) currently in Belgium, seeksapt and apt mate(s) for Oct I am aninternational business MBA condeasy to get along with, interested inhearing from you if you have an extraroom in your apt for next fall. LanceP Burban.lHSC SHAPE, APO NewYork 09055Respons. f. PhD cand needs smallvery quiet rm in west Hyde Park homefor use as study 324 3624Summer house in Ogden DunesComm dist. to U of C 536 4354 after 6University Theatrepresents:9^Samuel Beckett'sENDGAMEJune 1,2,3Reynolds Club TheaterUMTIII savrcEClink in Chicogo or«o. 1 to 24wook pregnancies ter¬minated. by licensed ob-itotrlclan gynecologist. Quicksorvicos will bo orrongod.Financial aid avail.CALL COLLICT28’-6060lUVICf Rmmte wanted to share 3 bdrm aptw/2 female students start Sept only$58/mo Tel. 753 2249 rm 1125Room mate or couple wanted to sharelarge cheap apt Own large bdrm &study one other person 752 0967Mellow summer living 3 bedrooms inIrg sunny safe apt. 56 8. Blkstone JunSept furnished perfect for group Call937 0373 aft 6 HurrySummer sublet large room in 7 roomapartment near 1C attractivebackyard. Bill, 667 3734Small academic family wants largehouse or apt Summer or fall. RaySchool district 447 1845.SUMMER SUBLET 3 bdrm apt. semifurnished 57 8 Harper avail now midSept call 753 2249 Pat3425 or Mike 3428Gonig on sabatical? Female gradstudent will rent your house or aptSept June. Call 753 0199Apartment needed for three. StartSeptember 1973 Pat at 753 8141Summer in lovely Kenwood home Topfloor (2 rooms & bath) and full board580 per month plus some eveningbabysitting or yardwork 753 4606(days) or 536 5776 eves and weekendsGrad to share 7 rm apt June Sept $56mo 5lst8Greenwd Call 3244677 aft 7BLOCK TO LAKE 7 luxurious rooms, 3bedroom 2 1/2 baths in ultra deluxeexclusive bldg htd a/c cptd garageterrace S34O 221 6607 or 768 7376Furnished sublet 3 1/2 rm availableca June 20 Sept 20 $140/mo good tor 1or 2 people 667 3145 late eves.Summer sublet 2 br furnished hi riseapt Beautiful lake and art deco viewVery reasomable 288 7394' rBmKe—1i-taa, Returning to UC andneed full-day timeLoving Babysitter For Our TwoBoys 4 and 1 Vi Yr. OldContact: Dr. Robert Kirschner5614 Greensprt g Ave.Baltimore, Maryland 21209or phone 301-367-0684after 6 p.m. —Sublet 6/15 10/1 (fall option) 2 rmswith a view 54 8 Blackstone S123/moIncludes util, call 241 6423Rent w option to buy 3 bd/TwnhsePark Forest area 2 bks 1C Station a/ccarpet (/equipped swim pool tennisbasem Nall 748 4211 or 748 8023Female has apt 56th & Univ June 15Sept 15 need 1 or 2 others to share rentetc. nights 549 4780, ext 55556th 8 Dorchester 4 1/2 condo 1 bdrmsunporch large closets formal diningrecently remodelled $19000 air condassess 47/mo eve 643 5473Rm in apt w/3 males Fall opt whole 4bd apt $55 51 & Kimbark 363 1977Summer sublet big bright bedroom inlarge apt with 2 women students 53 &greenwood rent $61, 752 3972One bdrm apt avail beginning June orJuly 5455 Blackstone S153 incl util Call947 9769 or 288 2960 eveCoach house in South Shore near 1Cand campus bus Four rooms plus anattached garage with electric eyeavailable May 25 Pay from June 1S165'mo Call 374 0186 or 799 6641SUMMER SUBLET June Sept; 1 rmin 5 rm apt. 5306 S. Greenwood. AboutS50/mo Call Debbie 753 3756IDESPERATELY need a summerroommate (Mi F ) to share a really fineapt (windows & trees!!) very close tocampus (56th 8 Kimbark) own room,safe Call 947 8243 8 keep tryingWanted 1 ml grad student to share 8rm townhouse $57 75/mo dost tocampus Call 955 7436 eve.1 Bdrm 54th/Kenwood $145/mo. Sublet6/15 option 10/1 324 1134 OK2rm 8 3 rm furnished apts. 5405Woodlawn 643 2760, 667 5746 MrsGreenFURN 2 BDRM APT I 1/2 blks tocampus wkg fireplace June 16 SeptSUNNY Safe Spacious Inexpensive684 3183Sublet mid Je/Jy 1 with opt to lese 1bdr apt E Hyde Pk safe big. view oflake 8 loop $182 days 675 2200x267Fern student wan’ed for summer and,or fall in modern AC apt 1400 E 57 lowrent call Yvonne, Ellen 363 5267Wtd 2 or 3 bdrm apt for the month ofJune maximum $185/mo 288 6812Roommate wanted to share house. Nrco op and campus avail. June 15 Falloption. Call 643 8184Summer Sublets. 1400 E. 57th Singlerooms in 4 bedroom apt Air cond. Maybe fall option Call 493 8845Roommate wanted to share large apt$52 Fall option Call 324 4843 evesLarge furnished apt for sublet 6/10 to9 1 Rent negotiable! Single or groupsNear campus Call 241 6170We need a third person for a largesunny apt. on campus bus near coopavail 6/1 not a summer sublet $68/mo643 7528 dinnertime is bestLive at 56th 8 Kimbark! Sum. Subletpossible fall option 4rms 684 6034Sublet 6/17 9/30. 2 1/2 rooms 5120Harper SI30/mo 288 7949 ROOMEXCHANGEWant married student (s), 2 singlesor 1 student for 73-74 school year."Boy-sit" with our H and 14 yr. oldsons in exchange for 2 room aircond. suite W Private bath, kitchenand laundry, privileges, in large comfortable home on U. of C Bus lines,Nr. 50th and Woodlawn No smokers,allergy problem. 924 1530 rm apt Clean newly painted close tocampus shops $60/mo negot 241 7521Rm 8 pvt bath near campus $10/weekbegin June 1 Male stud pref D03 2521Faculty invited to rent villa or cottageItalian Alps during Sept or Oct WriteProf Previtali Box 323 Cotati,California 94928Large ac apt to rent 58th Blackstone 1year start July 752 1102Mdrn hse to rent 1 yr start Sept AC58th Blackstone 4 bdrm 752 1102 CLASSIFIEDSClassified deadlines are 3:30 Friday for Tuesday s paper and3:30 Wednesday for Friday s paper. The cost is 50V line the firstissue and 40V line for repeated insertions for UC people. NonUC people - 60V line, 40'/line repeat. All Ads paid in advance sobring them to our office, Rm 304 INH or mail them with a checkFOR SALEbaths noncoed June 31 faculty grad St.Thomas Parish.Summer sublet in little Pierce, 1400 E57th 6/10 to 9/25 Enjoy the Ledge Aircond. Call 955 8376SUBLET FURN 6 rm apt w/bath $240a mo. or $50 a person 1/2 block No.Grnwd apts 753 2249 rm 1221 or 1226Spacious 4 room E Hyde Park apt.rent negotiable Call 648 1568SUMMER SUBLET A recently furnished bedroom 8 bath in a hughapartment by campus $72.50 643 4215,622 6697Sublet avail June 2 Beautiful spaciousAIR COND S Shore 2 bdrm turn apt Areally nice place Larry 667 2775 eves 8wknds. Avail June 3Wanted to Rent: 1 or 2 bedroom aptnear campus or Co op Sept 1 occupyCall 753 2240 rm 1904 or 1908. Leave EOPLE WANTEDto live atTHE FLAMINGOON THE LAKE5500South Shore DriveStudios from $1 54One bedroom from $170Furnished or unfurnishedShort term leasesSwimming pool-no fee752-3800Mrs. AdelmanLong established company needscollege students for summer Possibleemployment after graduation$240 wk Call 324 8164 Facit potrable typewriter Finecondition $50 or best offer 955 4060AR4 speakers excell cond $70 for pairCall Judy 947 6896 day/947 9172Firm Double Bed, 1 yr old 684 4613Camera Exakta 500 with telephotowideangle and 2 8/50mm lenses $80Gerry at 753 8141Organic chemistry glass ware 8 oven(S250). Lady Kenmore washingmachine ($100), humidifier $60 antique vanity ($70), window air conditioners. curtains; furniture, babyitems, Call 493 4943 after 5p m2 bike wheels 8 3 tublar tires Clampy,Mavic, Robergel, Clement Call DBrunner 753 3257Apartment furniture tor sale cheapCall 324 17679 mo old bed ex cond 241 7085 $25APT SALE furniture, mattresses,books, lamps, odds 8 ends Sat, SunMay 19 20, 10 6, 5513 S. EverettUsed furnishings, CHEAP' Fridge$20; also chairs, desk, tables, rug etcCall 643 8646Royal Portable typewriter, excellentcondition Carol 288 9810 after 4pmRiviera 66 power air new bat tires $675or best offer Wilson 5508 Cornell 4932443 528 5585 weeknds evens FREE PUPPYMust Giveaway Puppy Immediatelycall Rich 947 0487 after 9 p mAPORTION REFORM..F'dical Women's Conference invitesyou to hear Mrs Sybille Fritzsche ofACLU speak on Abortion Reform May24 Thurs 12 Noon Billings E110LOX & BAGELS_Sunday, 11am at Hillel. $1 25FOUNDFemale Beagle approx 1 yr old Hit bycar but OK 955 7136CAT LOVERSOur 2 cats need a foster home for 18months while we be abroad They arelovable, clean and never scratch wecould never give them away Expenses paid 667 1723 eveWANTEDWanted 4 ticke's to Spring 73 Convocation. ( Each convocee is entitled to3.) if you have a spare to sell or givea way, call Debbie 241 7230 morningsor dinnertimeINSOMNIASUBJECTS WANTED BY SLEEPLAB FOR STUDIES OD INSOMNIA,FEMALES ONLY, AGE 18 28 $10 perNIGHT. APPLY IN PERSON TO 5741DREXEL, ROOM 302 MF, 9 5PLAY TENNIS6 indoor courts, 3 outdoor courts,message if not in Please call soonSUNDAY BRUNCH Assistant to office manager Officeexper , typing, etc helpful. Varied job25 35 hrs wk flex. DE 2 1161 AN INVITATIONTo Join*4.00/person(children’s rate also) MOTEL DESK CLERK. S. Shore Drmotel 5 4 day/wk 734 7030 CALL-SUN OR MON 1 la m to 4 p m THE FLAMINGO CABANA CLUB5500 South Shore Drive“♦♦he fcJetAdV Registered Nurses, Receptionist,Laboratory Technicians wantedWoodlawn Hospital 6060 S Drexel 7523300 ex 286 Personnel Fun at the pool in country club surroundings.For Information Call 752-3800 Mrs. Adelman1 bedroom apt available Sept 15 2885441 after 5:30 p mFor Rent 2 Bedroom Apt summer suband fall option, Good Condition 53rdand Blackstone S170, 241 5221Lovely FULLY furnished 2 bedroomapt Avail June, July 1 Excellentlocation Many Extras New Appliances363 25183rd floor 8 some kitchen priveleges inKenwood in return for baby sittingbegin June or September Mrs. Karl 268348 iSPacious, sunny E. Hyde Park apt for3 or more people June Sept Call 75324393room Furnished apt 54th 8 Kenwoodfor mid June to mid Sept $138/moCall nights 493 1905Rooms tor ths summer Located oncampus Inexpensive, kitchen, TVroom, library etc A great deal in abeautiful place. Call 753 2297 anytime.4th yr male looking for apt 8 rmmtslor next yr Want something nice Calltoday leaving town Tom 241 5336CHICAGO BEACH HOTELBEAUTIFUL FURNISHED APARTMENTS Near beach, parks, 1Ctrains, II mins to loop U of C anddowntown loop buses at door Modestdaily weekly monthly rates. 24hr. deskComplete hotel services. 5100 S.Cornell DO 3 2400Live in Federika's famous bldgNearby, turn, or unturn. 2 8 3 rm aptsfor 1, 2, 3 people Refrig , stove , pvtbath, stm heat Quiet Sunny, viewParking, trans, $120 00 up Free UtilsRobinson, 6043 Woodlawn 955 9209 or427 2583. Short term lease or longerSublet with option for fall, 4 rmsS135/mo. 54th 8 Lake Park 4th tl.spacious, light, very safe Furnished(plus TV) if you want it 1/2 blk fromco op, IC, banks Good tor couple ortwo bedrms Call Debbie 241 7230dinnertime for info6 10 10 1 sub 8 opt on lease 2 rm apt$143 mo incl util 8 w/w cptg, safeclean 5254 Dorchester Call 947 9637L ivewith my roommate! Own room inig close friendly apt $60 mo AvailNOW Fern grad stu pref 667 1230ROOMMATE wanted beg Junestraight clean fern grad own TWOrooms, turn at corner 56th Univ.$92 50/ mo Call 324 9338S Shore 2 br house tor 3 4 mon Subletnear campus bus turn ed Call 731 9636Sublet June Sept 3 bdrms avail in 6 Part time secretary Person who cantype, spell, take shortan and do variedoffice work Arts foundation office inHyde Park home On U of C bus line.Car and or driver's license desirable924 1611University woman wanted to babysitweekends in exchange for room andboard Large quarters, laundry roompr’vate bath, many extras. Coupleacceptable in exchange for yardworketc Call 363 4796Need babysitter on weekdays Pleasecall 752 3961 after 3 p mPart time dental assist Hrs 1 6p m.Exp pref but will train qualified persLoc H P Bank bldg Ml 3 9607Wanted Full time secretary inEvanston, Good salary, fringe benefitsCall 752 8946 after 6 p.mGraduate student 8 wife Sept 1 to liveon third floor of Kenwood home andCare for two girls 5 and 6 vears oldafter school References required Callfor details 624 6915Attractive black females need *d forcommercial photography work.Modeling experience not necessary.Call Mr Schiff 262 4065Experience Doctors' Recep Sfeno inattractive Loop office, serving 3 internists. Light bookeeping 8 insuranceforms 5 days week Salary openContact Miss Sigale 372 6383PEOPLE FOR SALEABLE SEAGIRL wants summer jobnear water preferably on a racing orcrusing sailboat Will cook, care forchildren, or crew 924 2721Chicago area woman, soon to bevictim of Nixonomic grad fellowshipcutback, in job market from next SeptExp college teaching, small scalepub I ishing. editing, writing,collaborating, ghosting Ex Universityof Melbourne (proud of Greer). Interested in (ancient) Middle East and(modern) India 447 1845Typing cheap cal Ling 924 1705 evesSummer day care provided by UCgrad student experienced inprofessional child care Planned activities Ages 3 6 $25 wk. 324 0158Exp typist all kinds of papers 947 0033Moving? Need help? Hire my van andI Best rates Jerry at 684 1175.Experienced manuscript typing onIBM Selectric 378 5774Like Julian Bream's music? ForCLASSIC GUITAR STUDY 262 4689.Portraits 4 for $4.00 and up MaynardStudio, 1459 E 53, 2nd floor 643 4083 CHEAP CHEAP Summer is a comingin Get it all together in a bag at theScholarship Thrift Shop 1372 E 53rdSt Fill a bag full of clothes, take itaway tor a dollar Friday Saturdayonly Smaller bag full of books also adollar67 Buick Special V6 New Trans FrntDisc Brackes Good Cond S600 221 341 1beaut aqua avedo shg carpet Excell,con 54 qu yds. Asstd cust. drapesmint cond Rods traverse Must sellBest offer 752 4396 evesMERCURY '61 Meteor 4 dr, V 8 auto,pwr strng, reliable, $175 offer call Bob363 3873 after 5pm64VW reliable sunrf rfrack $400 bafttiresbrakeslyrold; tactoryrebuilt 32485 days BR49427 eves ask for Gail63 VW Less than 6000 mi since engrebuilt in 71, good trans 8 gener. Thiscar works $400 call 288 7985BOOKS!1!'40°o OFF at Chicago smost interesting old bookstore Goingout of business Oct. 31. 20,000 boundbooks. 40°o off Also thousands ofpaperbacks and long play records BillNewman's A 1 Bookstore, 1112 NState, Daily 2:30 9:00 p m Sat andSun/ 1:30 6 00WHPK WANTS YOU!!i you have a special collection ofrecords, tapes or cassettes, WHPK(88.3FM) is interested in helping youshare such material with ouraudience. Airtime is available forFall Write to the Program DirectorWHPK 5706 S University- Chgo 60637or call 753 3588INDIAN MOVIEBHUVAN SHOME subtitled Sat 19May 7 30pm JUDD HALL 5835Kimbark 50c V19 1235.FOLK DANCING8 p.m. at Ida Noyes Hall Sunday(general), Monday (beginners).Friday (requests' 50c donation, formfo Call Janet 955 8184.L~kTpgeTm A G A ZIN E ~The new Bridge Magazine is out Nowon sale >n UC bookstore and allChinatown bookstores A relevantmagazine tor the non passive AsianAmericanBLUE GARGOYLEDance come support our last benefit ofthe school year live music by WOOFFri. May 18 at 9 00 adm $1 tickets onsale at GargoyleRIDESRide NEEDED to San Franciso weekof 6 4. Will Share expenses. Call 7527124 eves or a mFUN FOR TODDLERS15 to 24 month olds needed for study ofplay 8 imitation. Just one 40 min. playsession with another child Call JeanPoppie, 753 4735 or 752 8624GAY LIBERATIONNO COFFEE HOUSE TONIGHT1 Seeyou next weekCOSI FAN TUTTI?Meditator wanted to share apt w 2 ofsame 667 8533 S60 mo 8 utilsKITTY-KATZONE WAYLive band, party, Free, open to collegestudents with UCID Music by ONEWAY Saturday nite 9 OOp m 5747 SUniversity Right next to Admissionsand AidBARGAIN SUMMERSUBLETSpacious, comfortably furnished,newly decorated, clean quiet, HydePark apartment needs male or femaleroommate tor summer w. fall option. 3bedrooms, 2 12 baths, hugh livingroom, dining room, study kitchen Olafashioned carved mouldings, highcelings, but a so many improvements.Walking distance to stores, campusCall 288 1385 or 753 8307 Beautiful, long haired gray kittensneed good homes. Box trained Call684 5279 eveningsPERSONALSMUSICAftO/ ACE Apt sublet June 15 to Sept 15 two roomsview of garden 5845 Blackstone$138, mo Call 241 6856 or PL 2 3656Zeno■fw /O Via Cornell 5508S turn $300 8 rooms 4 beds 3; pizza 1i PLATTERatIKE BOOK NOOK'Across from th» Co-Op" ! 1460 E. 53rdTHIS WEEK 1 ; Ml 3-2800New Michael JacksonBeatles 1967 - 1970Donald Byrd - Black Byrd | FAST DELIVERYAND PICKUP s 2193[$193.50 Down. $68 88jMonthly 36 Payment!.Annual PercentageRate to 14 54. Total,Deferred price$2673.18 Mot Tei litre j ^685•MONTHLY/With OR Credit,J193&. Javid Bloom's FOCUS'' iazz groupMonday nights at the Efendi 8 00 to12:30 Top of Hyde Park BankFREETo loving home affectionate playfulmale kitten lOwks tiger striped badhis shots we love him but our dogdoesn t won't you? 241 7946evenings weekends.SUMMER~ROOMSrooms with kitchen privileges $130for summer quarter Call 753 2160VOLKSWAGEN SOUTH SHOREAuthorued VW Dealer/ Open Daily—Cloitd Sunday Phorte7234 S. Stony Island BU 8-4900 STUDCNTS - Will write TermPaper to specifications, onneatly typed white bondpaper. Reasonable. Have complete Medical Library.CALL EVE: 728-0369DAYS: 561-6475MRS. RAWSON HELP Summer storage space neededMartha 624 2266Since your are coming to Ida on Sat.for the Flea Market, why not returnthose Mysteries. Sci Pis., andWesterns you borrowed9Kittens Beautiful me kings,oeliqhtful personalities, litter trainedFree. 955 2223Tense uptight difficulty containingyourself in intimate circles? Try Hornaway 49c c o Maroon Box illFree puppies! Male and female,mostly German Shepherd Call earlyand get the pick of the litter 324 5116A long Sunday of studying needs ashort food break at the Snack Bar 1sttloor Pierce, every Sunday 5 9 p mWRITER'S WORKSHOP (PL 2 8377).We need people to play in the CoffeeHouse Call Debbie 753 3444 (DU)Vente aux encheres, ’4 00 h , samedi19 mai Ida Noyes,. ELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd St.288-2900Friday, May i 6, 1973 - The Chicago Maroon - 19WE’RE BILLIONSOF DOLLARS SMALLER,BUT WITH THE SAMEATTENTION TO DETAILYou probably weren't aware of it, but not so longago the world's largest retailer installed an elec¬tronic marvel—it's just like ours. It works like acash register, but provides you and us with themost available precise information about your pur¬chase. We thinkit's essential to providing you withthe expert service you demand—it's no wonderwe re the first wine and liquor merchant in thenation to have one. But isn't this what you wouldexpect of the Party Mart? Where you'll alwaysfind the largest and most complete selection ofgood-time items and services.TRY USand watch our electronic marvel worldDaily: 10am-ll pm Sunday: Noon-9 pm Daily: 9am-10pm Sunday: Noon-9 pm20 -The Chicago Maroon - Friday, May 18, 1973